WorldWideScience

Sample records for string painting paints

  1. Painting

    DEFF Research Database (Denmark)

    Petersen, Anne Ring

    2012-01-01

    The ongoing struggle of painting – leading to recurrent announcements of its ‘demise’ and subsequently of its ‘return’ – serves as point of departure for an examination of ‘expanded painting’. The article suggests that contemporary painting is not only a field of incessant disciplinary...... and discursive battles over the essentially self-reflective question of “What is painting?” Over the last decades it has also become an intermedial laboratory in which artists experiment with developing a connective aesthetic in the interface between painting and other media. Accordingly, it is has become...... a commonly held opinion that painting has transformed itself into an expanded field and thus renewed itself – again. The article argues that in recent decades a remarkable number of painters have explored the possibility of developing painting by redefining what ‘space’ is in relation to painting. Much...

  2. Painting "mania".

    Science.gov (United States)

    Rybakowski, Janusz K

    2011-02-01

    Bipolar mood disorder (manic-depressive illness) has many artistic references, especially in the painting domain, depicting moods and associated features. The title of some paintings directly refers to the psychopathological state of the disorder. There are a great number of painting masterpieces showing the depressive pole of manic-depressive illness. In some paintings bearing the title Melancholia, some admixture of the opposite manic pole can be traced, the phenomenon named today as "mixed depressive state". On the other hand, a painting depicting a pure manic pole, as an element of bipolar mood disorder is very difficult to find. However, it seems that such criteria could be met by the painting presented on the next page entitled "Mania" whose author is Florencio Yllana, a contemporary artist of Philippine origin (born 1977), studying in USA and presently living in Brazil. The painting was done in 2001 following the acute manic episode in the course of bipolar mood disorder in the artist. © 2010 Elsevier B.V. All rights reserved.

  3. Paint and Pregnancy

    Science.gov (United States)

    ... based on paints and cleaners used, ventilation, protective gear used, handling and storage, and amount of time ... U.S. federal government banned lead-based paint from housing in 1978. However, lead based paint may still ...

  4. Removable camouflage paints

    Science.gov (United States)

    Salonen, Pasi S.; Niinimaki-Heikkila, Tiina; Hallenberg, Ilkka

    2001-09-01

    All military objects must have basic camouflage that is usually achieved by painting. Patterned camouflage painting hides the object and blends its shape and characteristic features in with its surroundings. Basic camouflage can be complemented by using temporary camouflage such as removable camouflage paints. These paints can be used in seasons and environments where the basic pattern is not appropriate. A research project was begun at the Defence Forces Technical Research Centre (DFTRC) in 1994 in order to formulate an environmentally friendly, removable camouflage paint for military use. The paint should be easily removable when they are applied to previously painted military equipment. However, it should also be resistant to drizzle. The paint should have optical properties similar to those of its surroundings. The surface of the coatings should also be matt to avoid any conspicuous reflection. Finally, it should be possible to apply removable camouflage paints in the field using any painting method. During the project environmentally friendly and non-toxic removable paints were successfully formulated. The colors of removable paints are compromises of average operating environments. The project included numerous laboratory tests in addition to natural and accelerated weathering tests. Several field tests have been carried out. According to the tests, the removable paints are well resistant to drizzle, sufficiently resistant to abrasion, and they can be washed off with water.

  5. Painting Education & Artistic Evolution

    OpenAIRE

    Tandirli, Emre

    2012-01-01

    Art is the most effective way of expressing human emotions. It should also be an excellent application of traditional or technological tools. In our presentation-research we will be focusing on painting, painting education and advanced artistic evolution process in terms of traditional application domains. An immortal painting-masterpiece should be the competent example of an excellent composition and also a perfect example of application. Preparation of painting tubes, choice of pertinent an...

  6. Electron beam curing paint

    International Nuclear Information System (INIS)

    Maruyama, Tsutomu

    1991-04-01

    Electron beam curing (EBC) type paint is paint that is specially prepared so that it can be cured and dried by electron beam irradiation. Electron beam irradiation achieves hardly any curing and drying of ordinary normal-temperature drying type paint or heat-drying type paint. The main type of paint in which an electron beam produces a curing reaction is one in which a radical polymerization reaction takes place under irradiation. The use of this EBC painting - drying system has been considered for a variety of fields since it has a number of special features such as the fact that the paint dries instantaneously, no heat is applied and no solvent is used. (Author)

  7. Lined canvas paintings

    DEFF Research Database (Denmark)

    Krarup Andersen, Cecil

    2013-01-01

    This work evaluates the lining history of the Danish Golden Age collection of canvas paintings from the nineteenths century at SMK, The National Gallery of Denmark, and seeks to understand the moisture sensitivity of the paintings before and after lining. This is done by chemical analysis...... and tensile testing samples from the tacking edges as well as lined mock-up samples. The ability of the different lining techniques to support canvas paintings is evaluated in terms of their initial stretching and during fluctuations of relative humidity. Six different combinations of lining adhesives...... and textiles were examined. These included the adhesives Beva 371, Plextol D360, wax-resin, and glue-paste. The lining textiles were linen and polyester sailcloth. A naturally aged canvas painting and a modern painting were lined using these materials and methods. Testing of the lined paintings included uni...

  8. Introductory guide to painting

    CSIR Research Space (South Africa)

    Cromarty, R.E

    1985-01-01

    Full Text Available looking list of products which, in many cases, instead of helping the decorator merely confuses him, and he may easily end up using a paint ' system that is less than ideal. There are three golden rules for a good paint job: 1. Select the correct paint... rash of claims and may not be around long enough to put your problem right. The opposite situation also bears investigation. You will find that you can buy emulsion paint at about a third of the price of a top quality product. What is the difference...

  9. Oil-based paint poisoning

    Science.gov (United States)

    Paint - oil-based - poisoning ... Hydrocarbons are the primary poisonous ingredient in oil paints. Some oil paints have heavy metals such as lead, mercury, cobalt, and barium added as pigment. These heavy metals can cause additional ...

  10. What's Behind A Painting?

    Science.gov (United States)

    John Zasada

    2001-01-01

    In art galleries, one often studies a painting from various angles and distances, seeking to discover all that is possible about the method and style of the artist and what the artist is trying to communicate. In other words the observer is trying to detremine "what is behind the painting."

  11. Painting for protection

    International Nuclear Information System (INIS)

    Stepto, G.G.C.

    1981-01-01

    Despite the use of special alloys, paint is still the most economical and practical method of protecting steel. Chlorinated rubber resin based paint systems are shown to be satisfactory in areas requiring decontamination as well as for outside exposed areas of nuclear power plants. (author)

  12. Pollock without Paint?

    Science.gov (United States)

    Sutley, Jane

    2011-01-01

    This article describes how the author exposes her students to the world of Jackson Pollock, the artist who brings to mind dripping, meandering, splashing puddles of paint. Pollock's action paintings of the late 1940s-'50s call out for unfettered movement, fluidity, and freedom of application. Is it even possible to capture the action, rhythm and…

  13. Chromosome painting in plants.

    NARCIS (Netherlands)

    Schubert, I.; Fransz, P.F.; Fuchs, J.; Jong, de J.H.

    2001-01-01

    The current 'state-of-art' as to chromosome painting in plants is reviewed. We define different situations described as painting so far: i) Genomic in situ hybridisation (GISH) with total genomic DNA to distinguish alien chromosomes on the basis of divergent dispersed repeats, ii) 'Chromosomal in

  14. Stereo Painting Display Devices

    Science.gov (United States)

    Shafer, David

    1982-06-01

    The Spanish Surrealist artist Salvador Dali has recently perfected the art of producing two paintings which are stereo pairs. Each painting is separately quite remarkable, presenting a subject with the vivid realism and clarity for which Dali is famous. Due to the surrealistic themes of Dali's art, however, the subjects preser.ted with such naturalism only exist in his imagination. Despite this considerable obstacle to producing stereo art, Dali has managed to paint stereo pairs that display subtle differences of coloring and lighting, in addition to the essential perspective differences. These stereo paintings require a display method that will allow the viewer to experience stereo fusion, but which will not degrade the high quality of the art work. This paper gives a review of several display methods that seem promising in terms of economy, size, adjustability, and image quality.

  15. Artists Paint ... Landscapes

    Science.gov (United States)

    Herberholz, Barbara

    2012-01-01

    This article features the painting "View of Toledo," based on Toledo, a very old city located on a high plateau in Spain. By the time the artist El Greco painted the picture, he had lived there for 31 years. When one looks at the picture, one will see a storm approaching and will see the city as if it were lit by a flash of lightning. What main…

  16. Landscape Painting. Rewriting Painting in the Postmedium Condition

    Directory of Open Access Journals (Sweden)

    Gal, Nissim

    2011-02-01

    Full Text Available Is landscape painting still relevant today? To answer this question the article examines the work of the contemporary artist Yehudit Sasportas. Sasporas offers a unique kind of written-drawn landscape painting that moves between the manual and the mechanical. The theoretical perspectives from which it is approached are taken, among others, from Plato, Heidegger and Derrida on the issue of writing. Sasportas painting, which may be characterized as "painting under erasure" or "Landscape Painting", serves as a key to understanding the status of painting as a relevant medium, not because it defines medium according to the modernist Greenbergian formula, but because it enables an understanding of painting as a field that exists in a variety of media. Painting as a field, in Sasportas's art, works and lives within various techniques and materials, even when it includes within itself a melancholic mark indicating doubt about its own relevance.

  17. Monet's Painting under the Microscope

    Science.gov (United States)

    Dredge, Paula; Wuhrer, Richard; Phillips, Matthew R.

    2003-04-01

    An oil painting by Claude Monet, Port-Goulphar, Belle-Ile 1887 (collection of the Art Gallery of New South Wales), was examined to determine both the identity of the pigments used by the artist in this painting and his technique of mixing colors and laying paint on the canvas. The extremely complex construction of the painting was revealed by optical microscopy, scanning electron microscopy (SEM), energy dispersive X-ray analysis (EDS), and X-ray mapping (XRM) analysis of cross sections of paint flakes excised from damaged regions of Port-Goulphar, Belle-Ile. Nine different pigments were found on the painting. Many of the identified colors were modern pigments that became available only late in the 19th century as a result of scientific advances in pigment chemistry. Although similar colors were available in a natural mineral form, they lacked the vivid color of their manufactured counterparts. The use of these new synthetic metallic oxide colors by Monet accounts for the brilliance of his paintings. In addition, a separation between successive paint layers was observed in some areas of paint chip cross sections, indicating that oil-based paint was applied to paint that had dried, and consequently, Port-Goulphar, Belle-Ile was painted over a long period of time. This observation is contrary to the general perception of Monet's technique of painting freely and quickly.

  18. Bio-based paints

    OpenAIRE

    Olive, Gilles; Richel, Aurore

    2013-01-01

    Le poster peut être obtenu sur https://www.researchgate.net/profile/Gilles_Olive/contributions/?ev=prf_act ou bien sur http://orbi.ulg.ac.be/browse?type=authorulg&rpp=20&value=Olive%2C+Gilles+p079922; International audience; Paints, at the coating meaning, are known since a long time. Typically, paint is a dispersion of one or more powders (pigments and fillers) in a macromolecular substance ("resin"), called film-forming material, diluted in solvents. Pigments are solid particles, used to gi...

  19. LSST Painting Risk Evaluation Memo

    Energy Technology Data Exchange (ETDEWEB)

    Wolfe, Justin E. [Lawrence Livermore National Lab. (LLNL), Livermore, CA (United States)

    2016-11-10

    The optics subsystem is required to paint the edges of optics black where possible. Due to the risks in applying the paint LSST requests a review of the impact of removing this requirement for the filters and L3.

  20. Accelerated bridge paint test program.

    Science.gov (United States)

    2011-07-06

    The accelerated bridge paint (AB-Paint) program evaluated a new Sherwin-Williams two-coat, : fast-curing paint system. The system is comprised of an organic zinc-rich primer (SW Corothane I : Galvapac One-Pack Zinc-Rich Primer B65 G11) and a polyurea...

  1. Painting Reproductions on Display

    Directory of Open Access Journals (Sweden)

    Joanna Iranowska

    2017-09-01

    Full Text Available Paintings in museums might occasionally be replaced by a photoprint mimicking the original. This article is an investigation of what constitutes a good reproduction of an artwork (oil painting that is meant to be displayed. The article discusses what the usefulness of reproductions depends on, applying the Valuation Studies approach, which means the primary concern is with the practice of valuing itself. In other words, the study focuses on how museum experts evaluate reproduc-tions of oil paintings. The article analyses three cases of displaying digitally prin-ted copies of Edvard Munch's oil paintings between 2013 and 2015 in the Munch Museum and in the National Gallery in Oslo. The study is based on a series of semi-structured interviews with the experts, working at and for the museums, that were involved in producing and exhibiting of the photoprints: curators, con-servators, museum educators, and external manufacturers. The interviews were grouped into five clusters, which I have chosen to call registers of valuing following Frank Heuts and Annemarie Mol (2013. The described valuation practices have to do with delivering experiences to the public, obtaining mimetic resemblance, solving ethical aspects, exhibitions' budget, and last but not least, with the time perspective.

  2. Cultural Collage Paintings

    Science.gov (United States)

    Coy, Mary

    2011-01-01

    In this article, the author describes a cultural collage painting project. Three things served as the impetus for this project: (1) a desire for students to explore the theme of "culture"; (2) an appreciation for the photo-montaged, layered images one sees in print media; and (3) noticing that projects from core subject areas hanging on the walls…

  3. Synergism in anticorrosive paints

    Indian Academy of Sciences (India)

    Abstract. The present work depicts synergism anticorrosive behaviour between zinc hypophosphite and zinc phos- phate in a commercial pigment mixture. Also, the performance of anticorrosive paints was evaluated. Synergism anticorrosive behaviour was evaluated by corrosion potential and linear polarization ...

  4. Artists Paint ... Fantasy

    Science.gov (United States)

    Herberholz, Barbara

    2012-01-01

    When he painted a portrait of Holy Roman Emperor Rudolph II (1552-1612), Giuseppe Arcimboldo used his imagination, and portrayed him as "Vertumnus," the Roman god of vegetation and the seasons. It's fun to find the different fruits, vegetables and flowers he used: pea-pod eyelids, a gourd for the forehead. Court painters of the time usually…

  5. Paint by Numbers Revived!

    Science.gov (United States)

    Hahn, Nic

    2012-01-01

    Remember paint by numbers? This revived trend was a perfect solution to teaching geometric shapes to the author's first-grade students. Geometric shapes are identified and used in early elementary art classrooms, but this lesson gives students a deeper understanding of shape, encourages problem-solving, and makes a strong correlation between math…

  6. Lined canvas paintings

    DEFF Research Database (Denmark)

    Krarup Andersen, Cecil

    2013-01-01

    and tensile testing samples from the tacking edges as well as lined mock-up samples. The ability of the different lining techniques to support canvas paintings is evaluated in terms of their initial stretching and during fluctuations of relative humidity. Six different combinations of lining adhesives...

  7. Oils, paintings and chemistry

    Directory of Open Access Journals (Sweden)

    Maria Eduarda Machado de Araújo

    2005-01-01

    Full Text Available In oil paintings artists use oils to apply pigments. These oils firstly are liquid and then solidify in a thin film. Many chemical reactions are involved in drying and also in the aging of these oils. Drying is a continuous process that begins with the oxidation of insaturated fatty acids from triglycerides to originate peroxides. These compounds suffer a cascade of reactions that lead to cross linking bonds between fatty acids residues, transforming the oil in a solid film. Identification of the film oil is possible using the palmitic/stearic ratio (P/S by chromatographic (GC and/or spectroscopic techniques. Sterol composition, phytosterols or cholesterol, determined by GC-MS or FTIR techniques, allows investigators to distinguish between oil painting and a temper one that used egg as the binding medium.

  8. British Museum paintings

    OpenAIRE

    Edmonds, Frances

    2011-01-01

    Frances Edmonds is one of a group of artists selected for the show ‘Territories’ taking place at Galerie Windkracht 13 in Den Helder, Holland this July 2012. This exhibition is curated by Sharon Beavan and Gethin Evans. The artists represented work across the boundaries of two and three-dimensional and time based form. The brief – to interrogate and explore the notion of territories. Frances will be showing several paintings from the British Museum series, based on imagery collected ...

  9. Holonic Manufacturing Paint Shop

    Science.gov (United States)

    Lind, Morten; Roulet-Dubonnet, Olivier; Nyen, Per Åge; Gellein, Lars Tore; Lien, Terje; Skavhaug, Amund

    In pursuit of flexibility and agility within discrete manufacturing, the surrounding logistics and handling processes of a paint shop is under construction as a laboratory prototype application. Holonic Manufacturing seems to be a promising strategic paradigm and architecture to use for a system characterised by production logistics and control. This paper describes the physical devices to be used; the desired functionality; and the basic logic control designed. Additionally, the ideas for holonification based on the already designed logic control is presented.

  10. Structuralist readings: Painting vs. picture

    Directory of Open Access Journals (Sweden)

    Marinkov-Pavlović Lidija

    2016-01-01

    Full Text Available The aim of the paper is to point to two fundamentally different strategies of painting practice, that is, to two subsystems of painting: picture and painting. This differentiation can be made within the framework of semiotic and semiological analyses which have developed in theory under the influence of structuralism. The first part of the paper offers a basic insight into the linguistic foundation of structuralistic concept, and then sets a thesis about the possibility of analogue reconceptualisation of semiotics/semiology of painting through Julia Kristeva's semiotics and Roland Barthes' semiology. In addition, it points to the concrete concepts of structural analysis which have accentuated the opposition picture-painting with the examples of art practice concurrent to the development of structuralism. However, what is revealed is that various structuralist readings are significantly subjective to unstable relationship between the basic elements in the pictorial object, that is, in the work of painting.

  11. 46 CFR 72.05-45 - Paint.

    Science.gov (United States)

    2010-10-01

    ... 46 Shipping 3 2010-10-01 2010-10-01 false Paint. 72.05-45 Section 72.05-45 Shipping COAST GUARD... Protection § 72.05-45 Paint. (a) An excessive number of coats of paint will be discouraged unless noncombustible paint is used. (b) Nitrocellulose or other highly flammable or noxious fume-producing paints or...

  12. Structuralist readings: Painting vs. picture

    OpenAIRE

    Marinkov-Pavlović Lidija

    2016-01-01

    The aim of the paper is to point to two fundamentally different strategies of painting practice, that is, to two subsystems of painting: picture and painting. This differentiation can be made within the framework of semiotic and semiological analyses which have developed in theory under the influence of structuralism. The first part of the paper offers a basic insight into the linguistic foundation of structuralistic concept, and then sets a thesis about the possibility of analogue reconceptu...

  13. MC Contracting, Paint, & Roofing, LLC Information Sheet

    Science.gov (United States)

    MC Contracting, Paint, & Roofing, LLC, d/b/a M.C. Painting & Contractor and M.C. Painting Group (the Company) is located in Philadelphia, Pennsylvania. The settlement involves renovation activities conducted at property constructed prior to 1978.

  14. LOVE AESTHETICS AND PAINTING

    Directory of Open Access Journals (Sweden)

    ZUhal ARDA

    2015-04-01

    Full Text Available Talking about love, while we are talking about a culture and world view means. People love for the people, the passion that inhabited the earth of mankind, the "love" for the first time since love always makes life meaningful emotions has been replaced in the front row between. Throughout history, many artists, scientist, philosopher, and polymath has committed about love are in the works. Poetry, music, theatre, dance, painting, sculpture, each with its own specific language, an art form they are given immortal works about love. Sense of friendship and love of antiquity, Medieval spiritual journeys, when more stunning and dramatic to modern times, trends, human love, to the concept of gaining various dimensions of divine love. Understanding by seeing through these exchanges pictures-meaning maybe the concept of "love" will shed light on the changing values, too. When you do this, both from the east and from the west, giving examples to do a comparison over the years has diversified, changing the concept of "love" art of painting will be an indication that reflected how.

  15. Additive Transforms Paint into Insulation

    Science.gov (United States)

    2007-01-01

    Tech Traders Inc. sought assistance developing low-cost, highly effective coatings and paints that created useful thermal reflectance and were safe and non-toxic. In cooperation with a group of engineers at Kennedy Space Center., Tech Traders created Insuladd, a powder additive made up of microscopic, inert gas-filled, ceramic microspheres that can be mixed into ordinary interior or exterior paint, allowing the paint to act like a layer of insulation. When the paint dries, this forms a radiant heat barrier, turning the ordinary house paint into heat-reflecting thermal paint. According to Tech Traders, the product works with all types of paints and coatings and will not change the coverage rate, application, or adhesion of the paint. Other useful applications include feed storage silos to help prevent feed spoilage, poultry hatcheries to reduce the summer heat and winter cold effects, and on military vehicles and ships. Tech Traders has continued its connection to the aerospace community by recently providing Lockheed Martin Corporation with one of its thermal products for use on the F-22 Raptor.

  16. Microscale radiocarbon dating of paintings

    Energy Technology Data Exchange (ETDEWEB)

    Hendriks, Laura; Hajdas, Irka; McIntyre, Cameron [ETH Zurich, Ion Beam Physics, Zurich (Switzerland); Kueffner, Markus; Ferreira, Ester S.B. [SIK-ISEA, Zurich, Zurich (Switzerland); Scherrer, Nadim C. [Bern University of Applied Sciences, HKB, Bern (Switzerland)

    2016-03-15

    In this paper, radiocarbon dating of paintings using minimal sample sizes has been investigated, in an effort to address the problem of limited access to sample material in paintings. {sup 14}C analyses were conducted on signed and dated paintings from two Swiss artists of the twentieth century. The selected paintings dated from the 1930s and 1960s, provided the opportunity to evaluate the dating accuracy on paintings realized before and after 1950 AD when the {sup 14}C bomb peak was created, as a result of the nuclear tests conducted in the 1950/1960s. The work focused on the one hand on minimizing the size of the canvas sample required for accelerator mass spectrometer radiocarbon measurement on the gas ion source of the MICADAS and, on the other hand, on testing the possibility of dating the organic binder of the paint. Following careful characterization of the paint composition by X-ray fluorescence spectroscopy, Fourier transformed infrared spectroscopy, and Raman spectroscopy, paints containing no other carbon source than the natural organic binder were identified and dated. (orig.)

  17. Microscale radiocarbon dating of paintings

    International Nuclear Information System (INIS)

    Hendriks, Laura; Hajdas, Irka; McIntyre, Cameron; Kueffner, Markus; Ferreira, Ester S.B.; Scherrer, Nadim C.

    2016-01-01

    In this paper, radiocarbon dating of paintings using minimal sample sizes has been investigated, in an effort to address the problem of limited access to sample material in paintings. 14 C analyses were conducted on signed and dated paintings from two Swiss artists of the twentieth century. The selected paintings dated from the 1930s and 1960s, provided the opportunity to evaluate the dating accuracy on paintings realized before and after 1950 AD when the 14 C bomb peak was created, as a result of the nuclear tests conducted in the 1950/1960s. The work focused on the one hand on minimizing the size of the canvas sample required for accelerator mass spectrometer radiocarbon measurement on the gas ion source of the MICADAS and, on the other hand, on testing the possibility of dating the organic binder of the paint. Following careful characterization of the paint composition by X-ray fluorescence spectroscopy, Fourier transformed infrared spectroscopy, and Raman spectroscopy, paints containing no other carbon source than the natural organic binder were identified and dated. (orig.)

  18. Laser assisted graffiti paints removing

    Science.gov (United States)

    Novikov, B. Y.; Chikalev, Y. V.; Shakhno, E. A.

    2011-02-01

    It's hard to imagine a modern city view without some drawings and inscriptions, usually called "graffiti". Traditional cleaning methods do not suit modern requirements. Investigation of possibilities of laser assisted paints removing is described in this article. The conditions for removing different paints from different surfaces were defined.

  19. Microscale radiocarbon dating of paintings

    Science.gov (United States)

    Hendriks, Laura; Hajdas, Irka; McIntyre, Cameron; Küffner, Markus; Scherrer, Nadim C.; Ferreira, Ester S. B.

    2016-03-01

    In this paper, radiocarbon dating of paintings using minimal sample sizes has been investigated, in an effort to address the problem of limited access to sample material in paintings. 14C analyses were conducted on signed and dated paintings from two Swiss artists of the twentieth century. The selected paintings dated from the 1930s and 1960s, provided the opportunity to evaluate the dating accuracy on paintings realized before and after 1950 AD when the 14C bomb peak was created, as a result of the nuclear tests conducted in the 1950/1960s. The work focused on the one hand on minimizing the size of the canvas sample required for accelerator mass spectrometer radiocarbon measurement on the gas ion source of the MICADAS and, on the other hand, on testing the possibility of dating the organic binder of the paint. Following careful characterization of the paint composition by X-ray fluorescence spectroscopy, Fourier transformed infrared spectroscopy, and Raman spectroscopy, paints containing no other carbon source than the natural organic binder were identified and dated.

  20. The painted shoes

    Science.gov (United States)

    Noronha, Natália; Rosa Alexandre, André; Cavaca Santos, Joana; Rodrigues, Fernanda

    2015-01-01

    A previously well 4-year-old boy presented to the emergency room with progressive cyanosis, pallor and vomiting over the last 5 h. Oxygen saturation on pulse oximetry was 87–89% despite 9 L/min of supplemental oxygen. He was tachypnoeic and had a systolic heart murmur, with no other findings on clinical examination. In his medical history, there was record of a restrictive atrial septal defect, with a normal echocardiogram from 3 years before. He had no relevant family history. His shoes appeared to have been recently painted, which raised the suspicion of methaemoglobinaemia, presumptively caused by aniline-containing shoe dye. The shoes were removed promptly and his feet washed profusely. After confirming the diagnosis, methylene blue was started. The level of methaemoglobin decreased rapidly and the boy made a full recovery. PMID:26338243

  1. Radiation safety in radioluminous paint workshop handling tritium activated paint

    International Nuclear Information System (INIS)

    Gaur, P.K.; Venkateswaran, T.V.

    1986-01-01

    This paper discusses the safety features related to a workshop when tritium activated luminous paint is handled by workmen. Salient features of the workshop and the methods employed for monitoring the radiation levels are briefly outlined and results are discussed. The importance of proper ventilation of the workplace and precautions to be taken in the storage of painted articles are highlighted. (author). 1 table, 3 figs

  2. 49 CFR 173.173 - Paint, paint-related material, adhesives, ink and resins.

    Science.gov (United States)

    2010-10-01

    ... 49 Transportation 2 2010-10-01 2010-10-01 false Paint, paint-related material, adhesives, ink and... Than Class 1 and Class 7 § 173.173 Paint, paint-related material, adhesives, ink and resins. (a) When..., paint-related material, adhesives, ink and resins must be packaged as follows: (1) As prescribed in...

  3. The transdisciplinary potential of remediated painting

    DEFF Research Database (Denmark)

    Petersen, Anne Ring

    2011-01-01

    "The Transdisciplinary Potential of Remediated Painting" Over the last decades the notion of what painting is has been considerably widened due to intermediality, i.e. crossovers between artistic media such as painting and sculpture, painting and photography, painting and installation, painting...... painting as a point of departure but moves beyond the limitations of dialogic intermedia into the field of transdisciplinary aesthetics. In support of my argument, I turn to the concept of remediation as it was first applied in new media theory by Jay David Bolter and Richard Grusin. The ambition...... that starts from the transdisciplinary potential of painting instead of its historical disciplinarity and the attendant assumption that, as a discipline, painting functions independently and establishes its own separate space of cultural meaning. Secondly, it defines painting as active, performative...

  4. Neural correlates of viewing paintings

    DEFF Research Database (Denmark)

    Vartanian, Oshin; Skov, Martin

    2014-01-01

    Many studies involving functional magnetic resonance imaging (fMRI) have exposed participants to paintings under varying task demands. To isolate neural systems that are activated reliably across fMRI studies in response to viewing paintings regardless of variation in task demands, a quantitative...... meta-analysis of fifteen experiments using the activation likelihood estimation (ALE) method was conducted. As predicted, viewing paintings was correlated with activation in a distributed system including the occipital lobes, temporal lobe structures in the ventral stream involved in object (fusiform...... gyrus) and scene (parahippocampal gyrus) perception, and the anterior insula-a key structure in experience of emotion. In addition, we also observed activation in the posterior cingulate cortex bilaterally-part of the brain's default network. These results suggest that viewing paintings engages not only...

  5. Studying Landforms through Landscape Painting.

    Science.gov (United States)

    Glenn, William H.

    1981-01-01

    Using three specific works of art, the author demonstrates how a study of selected landscape paintings can be integrated into units on landforms in secondary school earth science and general science courses. (Author/SJL)

  6. Paints based on renewable materials

    OpenAIRE

    Olive, Gilles; Richel, Aurore

    2014-01-01

    National audience; Paints, at the coating meaning, are known since a long time. Typically, paint is a dispersion of one or more powders (pigments and fillers) in a macromolecular substance ("resin"), called film-forming material, diluted in solvents. Pigments are solid particles, used to give opacity and/or color. Today almost all pigments have a synthetic origin. The fillers are often natural compounds. Unlike pigments, fillers have low opacity and are colorless. These very cheap products ac...

  7. Skin painting studies

    International Nuclear Information System (INIS)

    Witschi, H.P.; Smith, L.H.; Goad, M.E.; Anthony, W.B.; Gipson, L.C.; Stephens, T.J.; Whitaker, M.S.

    1987-01-01

    In order to estimate eventual risks to human health as a consequence of incidental and prolonged skin contact, it is necessary to obtain some information on the potential of coal-derived liquids to elicit skin cancer. In addition, it also must be established whether prolonged dermal exposure will produce signs of toxicity not only on the skin but to internal organs. During the past 2 years, they completed a life-long skin painting study with mice designed to answer some of these questions. The following materials were tested: Raw H-coal blend, containing 5700 ppm N; H-coal blend after low hydrotreatment (2650 ppm N); H-coal blend after high hydrotreatment (0.2 ppm N); H-coal home heating oil, a devolatilized version of the high-hydrotreatment H-coal blend; and an H-coal reformed naphtha. Two petroleum-derived references samples were used: Petroleum No. 2 fuel oil and high catalytically cracked naphtha. Benzo(a)pyrene was used as reference substance. Experimental animals were male and female C3H mice

  8. The transdisciplinary potential of remediated painting

    DEFF Research Database (Denmark)

    Petersen, Anne Ring

    2011-01-01

    "The Transdisciplinary Potential of Remediated Painting" Over the last decades the notion of what painting is has been considerably widened due to intermediality, i.e. crossovers between artistic media such as painting and sculpture, painting and photography, painting and installation, painting...... and performance etc. This paper suggests that the transformation of the discipline of painting into an expanded field has not only liberated painting from its ties to its traditional repertoire of materials and modes of representation. It has also released a tremendous potential for image making that takes...... painting as a point of departure but moves beyond the limitations of dialogic intermedia into the field of transdisciplinary aesthetics. In support of my argument, I turn to the concept of remediation as it was first applied in new media theory by Jay David Bolter and Richard Grusin. The ambition...

  9. The Transdisciplinary Potential of Remediated Painting

    DEFF Research Database (Denmark)

    Petersen, Anne Ring

    2010-01-01

    Over the last decades the notion of what painting is has been considerably widened due to intermediality, i.e. crossovers between artistic media such as painting and sculpture, painting and photography, painting and installation, painting and performance etc. This paper suggests...... that the transformation of the discipline of painting into an expanded field has not only liberated painting from its ties to its traditional repertoire of materials and modes of representation. It has also released a tremendous potential for image making that takes painting as a point of departure but moves beyond...... the limitations of dialogic intermedia into the field of transdisciplinary aesthetics. In support of my argument, I turn to the concept of remediation as it was first applied in new media theory by Jay David Bolter and Richard Grusin. The ambition is to develop an apprehension of painting not as an artistic...

  10. Zinc, Paint loss and Harmony in blue

    DEFF Research Database (Denmark)

    Andersen, Cecil Krarup; Taube, Michelle; Vila, Anna

    2016-01-01

    P.S. Krøyer’s late and most popular paintings have proven very difficult to preserve, and as zinc white has been known to cause structural problems in paintings, the authors investigate if the damage seen in the late paintings can be related to the use of this relatively new pigment. Eight...... paintings were examined and the results suggest that the shift from using one white pigment to another took place between 1884 and 1889. After 1889, only zinc white was found in the analyzed paint layers. However, the results indicate that the recurring damage in Krøyer’s later paintings cannot be explained...

  11. Painting digitally : with Photoshop's brush tool

    OpenAIRE

    Mäkinen, Saara

    2011-01-01

    The reason I wanted to study Photoshop brushes is that with the right settings you can not only paint faster but also create more unique painting effects and styles. Photoshop is my main tool when painting digitally, but I noticed that I tend to use only the same type of default brush for everything I paint, be it smooth surfaces, organic shapes or modern structures. To be a concept artist you have to be able to paint fast. This means you need good tools to speed up the painting process. Look...

  12. Microclimate boxes for panel paintings

    DEFF Research Database (Denmark)

    Wadum, Jørgen

    1998-01-01

    The use of microclimate boxes to protect vulnerable panel paintings is, therefore, not a new phenomenon of the past two or three decades. Rather, it has been a concern for conservators and curators to protect these objects of art at home and in transit since the end of the nineteenth century....... The increased number of travelling exhibitions in recent years has heightened the need to protect paintings during circulation (Thomson 1961; Mecklenburg 1991). The use and design of microclimate boxes have been evolving since 1892. These boxes may be divided into three broad groups: those using an active...

  13. The Conservation of Panel paintings

    DEFF Research Database (Denmark)

    Until the early 17th century almost all portable paintings were created on wood supports, including masterpieces by famous painters, ranging from Giotto to Dürer to Rembrandt. The structural conservation of these paintings requires specific knowledge and skills as the supports are susceptible...... and conservation of these artworks. The Netherlands Organisation for Scientific Research (NWO) and the Rijksmuseum Amsterdam brought together a group of experts from different disciplines to recommend specific areas in the field that would benefit from systematic research. The experts concluded that targeted...

  14. Neural correlates of viewing paintings

    DEFF Research Database (Denmark)

    Vartanian, Oshin; Skov, Martin

    2014-01-01

    meta-analysis of fifteen experiments using the activation likelihood estimation (ALE) method was conducted. As predicted, viewing paintings was correlated with activation in a distributed system including the occipital lobes, temporal lobe structures in the ventral stream involved in object (fusiform...... gyrus) and scene (parahippocampal gyrus) perception, and the anterior insula-a key structure in experience of emotion. In addition, we also observed activation in the posterior cingulate cortex bilaterally-part of the brain's default network. These results suggest that viewing paintings engages not only...

  15. EVALUATION OF LOW-VOC LATEX PAINTS

    Science.gov (United States)

    The paper gives results of an evaluation of four commercially available low-VOC (volatile organic compound) latex paints as substitutes for conventional latex paints by assessing both their emission characteristics and their performance as coatings. Bulk analysis indicated that ...

  16. Stripping Paint From Exterior Wood Surfaces

    Science.gov (United States)

    Mark T. Knaebe

    2013-01-01

    Removing paint and other film-forming finishes is a time consuming and often difficult process. In some cases, finishes need to be removed prior to repainting; for example, if the old surface is covered with severely peeled or blistered paint or if excessive paint buildup has caused cross-grain cracking. You must also remove the finish before applying a penetrating...

  17. Mural Painting as Inclusive Art Learning Experience

    Science.gov (United States)

    Ho, Kong

    2010-01-01

    Traditional art education, like other academic disciplines, emphasizes competitiveness and individualism. Through a mural painting curriculum, learners participate in mural art and history appreciation, are active in mural theme or content construction, and engage in hands-on mural design and painting processes. When mural paintings are produced…

  18. Miniature Paintings: Small Size, Big Impact!

    Science.gov (United States)

    Hicks, Bill

    2011-01-01

    This article describes a miniature painting project that allows students to research a master painter and then replicate the work on a smaller scale. This lesson focuses on the students' ability to learn to identify style, subject matter, themes, and content in painting through the study of historical paintings, and the application of various…

  19. Bringing Art to Life through Living Paintings

    Science.gov (United States)

    Stillwagon, Joanne

    2005-01-01

    In this article, the author relates how she and other art teachers developed a "living painting" lesson, an art lesson that incorporates art history and painting. The lesson was developed also in part to help new student-teachers plan a memorable lesson. With the living painting lesson, students will have to choose and recreate famous paintings…

  20. Materials science challenges in paintings

    Science.gov (United States)

    Walter, Philippe; de Viguerie, Laurence

    2018-02-01

    Through the paintings of the old masters, we showcase how materials science today provides us with a vision of the processes involved in the creation of a work of art: the choice of materials, the painter's skill in handling these materials, and the perception of the finished work.

  1. Desalination of painted brick vaults

    DEFF Research Database (Denmark)

    Larsen, Poul Klenz

    The subject of the thesis is salt and moisture movement that causes damage to wall paintings on church vaults. The deterioration was studied in the churches of Fanefjord, Kirkerup and Brarup. A desalination method was tested om location. The salt and moisture transfer was examined in detail...

  2. Drying a liquid paint layer

    NARCIS (Netherlands)

    Susanto, H.; van de Fliert, B.W.

    2001-01-01

    Subject of this study is the free boundary problem of a liquid layer that is dried by evaporation. Using a Stefan type problem, we model the diffusion driven drying of a layer of liquid paint consisting of resin and solvent. The effect of a small perturbation of the flat boundary is considered. We

  3. Stop and Paint the Flowers.

    Science.gov (United States)

    Phillips, Shelley

    2002-01-01

    Describes an art lesson where students used watercolors to paint a flower bouquet arranged in a vase. Explains that the students viewed examples of flower bouquets by artists such as Vincent van Gogh and Odilon Redon. Discusses, in detail, the process of creating the artworks. (CMK)

  4. The Painting on the Wall

    Directory of Open Access Journals (Sweden)

    Barbara Alfano

    2016-01-01

    Full Text Available This personal essay describes what influenced my development as a creative writer, in my childhood and adolescence. It delineates the effect on my imagination of family story-telling and of images—paintings and prints. I grew up in Italy, where I spent the first thirty years of my life.

  5. Perspective: Landscape Drawing and Painting

    Science.gov (United States)

    Brandstadter, Judith

    1972-01-01

    Author suggests teaching the principles of perspective outdoors where pupils can sketch neighboring trees, houses and streets. These sessions can be followed by painting lessons in which the use of color to gain perspective is then emphasized. Author includes useful hints and questions to evaluate students' grasp of subject. (PD)

  6. Order-fractal transitions in abstract paintings

    Energy Technology Data Exchange (ETDEWEB)

    Calleja, E.M. de la, E-mail: elsama79@gmail.com [Instituto de Física, Universidade Federal do Rio Grande do Sul, Caixa Postal 15051, 91501-970, Porto Alegre, RS (Brazil); Cervantes, F. [Department of Applied Physics, CINVESTAV-IPN, Carr. Antigua a Progreso km.6, Cordemex, C.P.97310, Mérida, Yucatán (Mexico); Calleja, J. de la [Department of Informatics, Universidad Politécnica de Puebla, 72640 (Mexico)

    2016-08-15

    In this study, we determined the degree of order for 22 Jackson Pollock paintings using the Hausdorff–Besicovitch fractal dimension. Based on the maximum value of each multi-fractal spectrum, the artworks were classified according to the year in which they were painted. It has been reported that Pollock’s paintings are fractal and that this feature was more evident in his later works. However, our results show that the fractal dimension of these paintings ranges among values close to two. We characterize this behavior as a fractal-order transition. Based on the study of disorder-order transition in physical systems, we interpreted the fractal-order transition via the dark paint strokes in Pollock’s paintings as structured lines that follow a power law measured by the fractal dimension. We determined self-similarity in specific paintings, thereby demonstrating an important dependence on the scale of observations. We also characterized the fractal spectrum for the painting entitled Teri’s Find. We obtained similar spectra for Teri’s Find and Number 5, thereby suggesting that the fractal dimension cannot be rejected completely as a quantitative parameter for authenticating these artworks. -- Highlights: •We determined the degree of order in Jackson Pollock paintings using the Hausdorff–Besicovitch dimension. •We detected a fractal-order transition from Pollock’s paintings between 1947 and 1951. •We suggest that Jackson Pollock could have painted Teri’s Find.

  7. Paintings discrimination by mice: Different strategies for different paintings.

    Science.gov (United States)

    Watanabe, Shigeru

    2017-09-01

    C57BL/6 mice were trained on simultaneous discrimination of paintings with multiple exemplars, using an operant chamber with a touch screen. The number of exemplars was successively increased up to six. Those mice trained in Kandinsky/Mondrian discrimination showed improved learning and generalization, whereas those trained in Picasso/Renoir discrimination showed no improvements in learning or generalization. These results suggest category-like discrimination in the Kandinsky/Mondrian task, but item-to-item discrimination in the Picasso/Renoir task. Mice maintained their discriminative behavior in a pixelization test with various paintings; however, mice in the Picasso/Renoir task showed poor performance in a test that employed scrambling processing. These results do not indicate that discrimination strategy for any Kandinsky/Mondrian combinations differed from that for any Picasso/Monet combinations but suggest the mice employed different strategies of discrimination tasks depending upon stimuli. Copyright © 2017 Elsevier B.V. All rights reserved.

  8. Conservation problems with paintings containing fluorescent layers of paint

    Directory of Open Access Journals (Sweden)

    Stefanie De Winter

    2010-11-01

    Full Text Available L’artiste moderne cherche continuellement de nouvelles techniques. Des nouveaux matériaux tels que l’éponge, le polyester, le sable, etc. sont devenus courants. Ces développements amènent de nouveaux problèmes dans le domaine de la conservation (préventive des matériaux en question. Chaque matériau doit être analysé individuellement afin de préserver  le mieux possible l’intention de l’artiste à long terme. La présente recherche concerne des matériaux très récents: les pigments et les couleurs fluorescentes. Ces derniers n’ont fait leur apparition qu’au vingtième siècle. Pour cette raison les données concernant leur dégradation et leur conservation sont peu nombreuses. La majorité des tableaux fluorescents sont conçus pour être montrés sous éclairage UV. En cas de dommage, si l’œuvre a besoin d’être retouchée, ceci pose un grand problème esthétique. La retouche devient visible sous les lampes UV. La première partie de la recherche concerne la composition des différentes sortes de pigments et de peintures. Par la suite, les différentes causes de dégradation- lumière UV, chaleur, etc.- sont analysées en détail. Pour conclure, un possible remède est proposé.In modern art we can see that artists are breaking with traditional techniques. New materials like sponge, polyester, sand, etc. are being used. This causes a lot of new problems in the (preventive conservation of works containing these materials. Every material needs to be researched individually so the exact intention of the artist can be preserved for a (relatively long period. My research is about very recent materials: fluorescent pigments and paints. These only started to be used by artists from the 60’s. That's why there is not much information about their aging and ways to (preventively conserve them. A lot of fluorescent paintings are meant to be shown under UV-light. If a fluorescent painting has damage and needs to be retouched

  9. Preparation of Water-Displacing Paint.

    Science.gov (United States)

    1982-10-27

    mixed in specific proportional amounts and a binder of silicone alkyd resin is completely dissolved therein. A small quantity of a titanate coupling...droplets cannot be entrapped in the coating after application. 5 The paint contains a significant portion of a silicone alkyd resin which serves as a...binder for the paint composition and provides the paint coating with its important physical characteristics. The silicone alkyd resin provides a polymer

  10. Paint Scaler. Innovative Technology Summary Report

    International Nuclear Information System (INIS)

    None

    2000-01-01

    The Paint Scaler can collect paint samples quickly and efficiently for lab analysis. The Rotary Hammer Drill is a 24-V battery operated, 3/4-in. rotary hammer drill. When used with an optional chipping adapter, the Bosch Rotary Hammer Drill can be used to perform chipping and chiseling tasks such as paint removal from either concrete or metal surfaces. It is ultra-compact, lightweight with an ergonomic balanced grip. The battery operation gives the operator more flexibility during sampling activities

  11. Mercury exposure from interior latex paint.

    Science.gov (United States)

    Agocs, M M; Etzel, R A; Parrish, R G; Paschal, D C; Campagna, P R; Cohen, D S; Kilbourne, E M; Hesse, J L

    1990-10-18

    Many paint companies have used phenylmercuric acetate as a preservative to prolong the shelf life of interior latex paint. In August 1989, acrodynia, a form of mercury poisoning, occurred in a child exposed to paint fumes in a home recently painted with a brand containing 4.7 mmol of mercury per liter (at that time the Environmental Protection Agency's recommended limit was 1.5 mmol or less per liter). To determine whether the recent use of that brand of paint containing phenylmercuric acetate was associated with elevated indoor-air and urinary mercury concentrations, we studied 74 "exposed" persons living in 19 homes recently painted with the brand and 28 "unexposed" persons living in 10 homes not recently painted with paint containing mercury. The paint samples from the homes of exposed persons contained a median of 3.8 mmol of mercury per liter, and air samples from the homes had a median mercury content of 10.0 nmol per cubic meter (range, less than 0.5 to 49.9). No mercury was detected in paint or air samples from the homes of unexposed persons. The median urinary mercury concentration was higher in the exposed persons (4.7 nmol of mercury per millimole of creatinine; range, 1.4 to 66.5) than in the unexposed persons (1.1 nmol per millimole; range, 0.02 to 3.9; P less than 0.001). Urinary mercury concentrations within the range that we found in exposed persons have been associated with symptomatic mercury poisoning. We found that potentially hazardous exposure to mercury had occurred among persons whose homes were painted with a brand of paint containing mercury at concentrations approximately 2 1/2 times the Environmental Protection Agency's recommended limit.

  12. The colors of paintings and viewers' preferences.

    Science.gov (United States)

    Nascimento, Sérgio M C; Linhares, João M M; Montagner, Cristina; João, Catarina A R; Amano, Kinjiro; Alfaro, Catarina; Bailão, Ana

    2017-01-01

    One hypothesis to explain the aesthetics of paintings is that it depends on the extent to which they mimic natural image statistics. In fact, paintings and natural scenes share several statistical image regularities but the colors of paintings seem generally more biased towards red than natural scenes. Is the particular option for colors in each painting, even if less naturalistic, critical for perceived beauty? Here we show that it is. In the experiments, 50 naïve observers, unfamiliar with the 10 paintings tested, could rotate the color gamut of the paintings and select the one producing the best subjective impression. The distributions of angles obtained are described by normal distributions with maxima deviating, on average, only 7 degrees from the original gamut orientation and full width at half maximum just above the threshold to perceive a chromatic change in the paintings. Crucially, for data pooled across observers and abstract paintings the maximum of the distribution was at zero degrees, i.e., the same as the original. This demonstrates that artists know what chromatic compositions match viewers' preferences and that the option for less naturalistic colors does not constrain the aesthetic value of paintings. Copyright © 2016 Elsevier Ltd. All rights reserved.

  13. Work Management Manual - Blast and Paint General

    Science.gov (United States)

    1983-08-01

    material which accelerates the har- dening of certain coatinss. Acoustic paint - paint which absorbs or deadens sound . Acrylic resin-a clear resin...AUG 1983 2. REPORT TYPE N/A 3. DATES COVERED - 4. TITLE AND SUBTITLE Work Managemaent Manual - Blast and Paint General 5a. CONTRACT NUMBER...WORK MANAGEMENT MANUAL BLAST/ PAINT GENERAL INDEX SECTION PAGE 1.0 .1 .2 .3 .4 2.0 .1 .2 .3 .4 .5 .6 .8 .9 3.0 .1 4.0 .1 5.0 .1 7.0 .1 .3 8.0 SCOPE PLANT

  14. Laser ablation of paint in nuclear industry

    International Nuclear Information System (INIS)

    Brygo, Francois; Semerok, Alexandre; Weulersse, Jean-Marc; Thro, Pierre-Yves; Oltra, Roland; Decobert, Guy

    2006-01-01

    Nuclear dismantling faces the challenge of paint removal on large surfaces of painted walls. The conventional methods for paint stripping on concrete walls are mainly based on mechanical grinder and lead to an important volume of aerosols and wastes. Laser ablation has been evaluated as a promising method for paint removal with a number of advantages. The method reduces considerably the waste volume as the removal of paint is selective. The ablated matter can be collected by aerosol aspiration/filtration. The automation of the process can provide a higher capacity of paint removal. Laser ablation of paint was under our extensive studies. Laser ablation with different nanosecond repetition rate lasers was comparatively studied to understand the ablation mechanisms, and to obtain the highest efficiency of paint removal. The investigations were made with three Q-Switched Nd:YAG lasers (λ = 532 nm and λ = 1.064 μm). The different pulse durations (5 ns and 100 ns) demonstrated the different ablation regimes. Ablation with long pulses (100 ns) provided the best removal efficiency while the short ones (5 ns) decreased the ablation threshold fluence. It was demonstrated that the pulse repetition rate increasing in the 20 Hz - 10 kHz range induced heat accumulation in the paint. It resulted in ablation efficiency increase with a large decrease in the ablation threshold fluence. Laser ablation in the 0 - 10 J / cm 2 fluence range was investigated. Various paints were under investigation to obtain the maximum efficiency of paint removal for each specific experimental case. The ejected matter recording with a high speed imaging system allows to analyse the laser-matter interaction. (authors)

  15. IMAGES OF POWER IN CONTEMPORARY NIGERIAN PAINTINGS ...

    African Journals Online (AJOL)

    DR. OKECHUKWU NWAFOR

    Yaba, Lagos State. Nigeria emmairoka67@gmail.com. +234(0)8034267433. Abstract. Contemporary Nigerian paintings are replete with images and notions of power and .... attempts to analyse the impact of power on Painting and its converse depiction of social life ..... colour permutations on canvas, or at least so it seems.

  16. Lead content in household paints in India

    International Nuclear Information System (INIS)

    Kumar, Abhay; Gottesfeld, Perry

    2008-01-01

    Lead and its compounds are used in paints not only to impart colour but also to make it durable, corrosion resistant and to improve drying. Adverse health impacts of lead especially on children have led countries to restrict or ban its use in paints. While U.S. and other developed countries instituted measures to limit the use of lead in paints, some developing countries including India have failed to regulate their lead content. The present study was undertaken to determine the levels of lead in new latex (water-based) and enamel paints (oil-based) intended for residential use in India. A total of 69 paint samples (38 latex and 31 enamel samples) from six of the most popular brands were analysed for lead concentrations. While all latex paint samples contained low levels of lead, (i.e., well below 600 ppm as regulated by United States' Consumer Products Safety Commission) the enamel paint samples of all but one brand contained significant concentrations of lead, ranging up to 140,000 ppm. In fact 84% of the enamel paints tested exceeded 600 ppm whereas only 38 % of all samples (including latex and enamel types) exceeded this regulatory level

  17. Factors effecting paint performance on wood siding

    Science.gov (United States)

    Christopher G. Hunt; R. Sam Williams; Mark Knaebe; Peter Sotos; Steven Lacher

    2009-01-01

    Several different studies are compared to assess the effectiveness of commercial water repellent preservatives (WRP’s) in the late 1990’s on vertical and horizontal siding. Besides WRP, variables included wood species, exposure location (Wisconsin or Mississippi), and solid color stain vs. primer + paint. Data on substrate checking and paint flaking are presented....

  18. Detecting Corrosion Under Paint and Insulation

    Science.gov (United States)

    Bastin, Gary L.

    2011-01-01

    Corrosion is a major concern at the Kennedy Space Center in Florida due to the proximity of the center to the Atlantic Ocean and to salt water lagoons. High humidity, salt fogs, and ocean breezes, provide an ideal environment in which painted steel structures become corroded. Maintenance of painted steel structures is a never-ending process.

  19. Roosters Rule: A Painted Paper Collage

    Science.gov (United States)

    Brady, Susan

    2011-01-01

    On perusing American collage artist Eric Carle's book, "Rooster's Off to See the World," at an annual school book fair, the author, mesmerized by the carnival of colors and collage on each page, thought "What a wonderful visual aid for a combination painting and collage unit." Her first-graders were involved in a painting unit, and knowing their…

  20. Texton-based analysis of paintings

    NARCIS (Netherlands)

    Van der Maaten, L.J.P.; Postma, E.O.

    2010-01-01

    The visual examination of paintings is traditionally performed by skilled art historians using their eyes. Recent advances in intelligent systems may support art historians in determining the authenticity or date of creation of paintings. In this paper, we propose a technique for the examination of

  1. The Sign System in Chinese Landscape Paintings

    Science.gov (United States)

    McMahon, Cliff G.

    2003-01-01

    Paintings emerge from a culture field and must be interpreted in relation to the net of culture. A given culture will be implicated by the sign system used by the painter. Everyone agrees that in Chinese landscape paintings, the most important cultural bond is to ancient Chinese Taoism, and to a lesser degree, to Confucianism. Obviously, then, the…

  2. THz reflectometric imaging of medieval wall paintings

    DEFF Research Database (Denmark)

    Dandolo, Corinna Ludovica Koch; Jepsen, Peter Uhd

    2013-01-01

    Terahertz time-domain reflectometry has been applied to the investigation of a medieval Danish wall painting. The technique has been able to detect the presence of carbonblack layer on the surface of the wall painting and a buried insertion characterized by high reflectivity values has been found...

  3. Emissions of odorous aldehydes from alkyd paint

    Science.gov (United States)

    Chang, John C. S.; Guo, Zhishi

    Aldehyde emissions are widely held responsible for the acrid after-odor of drying alkyd-based paint films. The aldehyde emissions from three different alkyd paints were measured in small environ-mental chambers. It was found that, for each gram of alkyd paint applied, more than 2 mg of aldehydes (mainly hexanal) were emitted during the curing (drying) period. Since no measurable hexanal was found in the original paint, it is suspected that the aldehydes emitted were produced by autoxidation of the unsaturated fatty acid esters in the alkyd resins. The hexanal emission rate was simulated by a model assuming that the autoxidation process was controlled by a consecutive first-order reaction mechanism. Using the emission rate model, indoor air quality simulation indicated that the hexanal emissions can result in prolonged (several days) exposure risk to occupants. The occupant exposure to aldehydes emitted from alkyd paint also could cause sensory irritation and other health concerns.

  4. Structural color painting by rubbing particle powder.

    Science.gov (United States)

    Park, ChooJin; Koh, Kunsuk; Jeong, Unyong

    2015-02-09

    Structural colors originate from purely physical structures. Scientists have been inspired to mimic the structures found in nature, the realization of these structures still presents a great challenge. We have recently introduced unidirectional rubbing of a dry particle powder on a rubbery surface as a quick, highly reproducible means to fabricate a single crystal monolayer assembly of particles over an unlimited area. This study extends the particle-rubbing process to a novel fine-art painting, structural color painting (SCP). SCP is based on structural coloring with varying iridescence according to the crystal orientation, as controlled by the rubbing direction. This painting technique can be applied on curved surfaces, which enriches the objects to be painted and helps the painter mimic the structures found in nature. It also allows for quick fabrication of complicated particle-assembly patterns, which enables replication of paintings.

  5. [Obesity and thinness in painting].

    Science.gov (United States)

    Schüller Pérez, Amador

    2004-01-01

    The obesity, serious frequenty sanitary problem, cause of complications that effects to the expectation of life, with aesthetic repercussion and with an increase in the last decades. Admitted the obesity android, gynoide, central or abdominal, wide aesthetic repercussion and physiopathologic like hyperdislipemias, metabolic alterations (diabetes mellitus, etc...), arterial hypertension, column arthrosis and outlying. Ethiopathologics co-factors, sedentariness, genotypic predisposition, endocrine alterations and of the leptina secretion. Illustrative cases of obesity in the painting of those that characteristic models are exposed, from slight grades to intense affecting to both genders. The thinness counterpoint of the obesity, multicausal process, less frequent than the obesity with aesthetic and psychological repercussion. It is the formed aesthetic thinness to the diverse types physiopathologic, without forgetting the constitutional and family form and the anorexy, the serial ones to disasters, wars, famines, etc..., the mystic thinness of saints and ascetics, and the serial one to consuming processes.

  6. Increased persistence of antifouling paint biocides when associated with paint particles

    International Nuclear Information System (INIS)

    Thomas, K.V.; McHugh, M.; Hilton, M.; Waldock, M.

    2003-01-01

    Release of biocides associated with paint particles into marinas may increase their persistence in the environment. - Current regulatory risk assessment procedures only assess the impact of antifouling paint biocides that are released through leaching from a painted surface. Hull cleaning activities can lead to particles of antifouling paint containing biocides to enter the environment. Comparative pseudo-first order anaerobic degradation rate constants and half-lives were determined for a selection of common antifouling paint booster biocides, their degradation products, and associated with paint particles. Anaerobic half-lives of <0.5 days were calculated for chlorothalonil, dichlofluanid, and SeaNine 211, between 1 and 3 days for DCPMU and DCPU, between 14 and 35 days for diuron and CPDU, and over 226 days for GS26575 and Irgarol 1051. Increased persistence was observed when the compounds were introduced to sediments associated with antifouling paint particles. When present as antifouling paint particles, an increased half-life of 9.9 days for SeaNine 211 and 1.4 days was calculated for dichlofluanid, no significant degradation was observed for diuron. It is suspected that this is due to much of the biocide being initially bound within the matrix of the paint particle that is slowly released through dissolution processes into the sediment pore water prior to degradation. The release of booster biocides associated with paint particles into marinas has the potential to lead to their accumulation unless activities such as hull cleaning are strictly regulated

  7. Increased persistence of antifouling paint biocides when associated with paint particles

    Energy Technology Data Exchange (ETDEWEB)

    Thomas, K.V.; McHugh, M.; Hilton, M.; Waldock, M

    2003-05-01

    Release of biocides associated with paint particles into marinas may increase their persistence in the environment. - Current regulatory risk assessment procedures only assess the impact of antifouling paint biocides that are released through leaching from a painted surface. Hull cleaning activities can lead to particles of antifouling paint containing biocides to enter the environment. Comparative pseudo-first order anaerobic degradation rate constants and half-lives were determined for a selection of common antifouling paint booster biocides, their degradation products, and associated with paint particles. Anaerobic half-lives of <0.5 days were calculated for chlorothalonil, dichlofluanid, and SeaNine 211, between 1 and 3 days for DCPMU and DCPU, between 14 and 35 days for diuron and CPDU, and over 226 days for GS26575 and Irgarol 1051. Increased persistence was observed when the compounds were introduced to sediments associated with antifouling paint particles. When present as antifouling paint particles, an increased half-life of 9.9 days for SeaNine 211 and 1.4 days was calculated for dichlofluanid, no significant degradation was observed for diuron. It is suspected that this is due to much of the biocide being initially bound within the matrix of the paint particle that is slowly released through dissolution processes into the sediment pore water prior to degradation. The release of booster biocides associated with paint particles into marinas has the potential to lead to their accumulation unless activities such as hull cleaning are strictly regulated.

  8. KLIMT, FROM PAINTING TO FASHION

    Directory of Open Access Journals (Sweden)

    URDEA Olimpia

    2015-05-01

    Full Text Available Fashion has been a subject for most fields of art, starting from visual arts to cinema and literature. The metamorphoses of fashion, an art in itself, are under the sign of history that marked the social during the evolution of humanity. The present paper makes a reference to the links between fashion and Klimt’s work. Klimt proved to be a visionary by means of his visual, unique and unmistakable signature concerning the way he treated the clothed woman. As he worshipped the female body, he portrayed it, reflecting the fashion style of an era that was meant to be renewed. His work, strongly influenced by feminine values, became conspicuous as a manifesto against the rigidity of the Viennese society in the late nineteenth century and early twentieth century. The modernity of Klimt’s vision generated the metamorphosis of the woman model, from the corseted woman until that time, and not only in terms of fashion, to the freed woman, using the metaphorical instruments of his art. The artist’s complex creativity helps us find him in four different situations, all in close connection with fashion art: the painter Klimt, who portrays woman who shows herself by showing her garment; the fashion designer Klimt who suggests outfits for his collaborator, Emilie Flöge, remoulding the dress as a clothing item; the fashion photographer from the photographs of Emilie Flöge wearing his creations; and, indirectly, by his paintings from the cycle Women, which had a powerful impact on contemporary fashion. Such a complex, visionary creator, whose painting and fashion interfere, is worth mentioning for his contribution to the fashion art avatars.

  9. Denotative and connotative meanings of paintings

    Directory of Open Access Journals (Sweden)

    Vasić Sandra

    2007-01-01

    Full Text Available In this study the relationships between judgments of paintings denotative and connotative meanings was investigated. Denotative domain was defined as motif (represented object, e.g. portrait, landscape etc. and message (information carried by paintings, e.g. celebration of patriotism. Connotative domain was defined as subjective experience, i.e. affective or metaphoric impression produced by painting (e.g. feeling of pleasure, impression of dynamics, and so on. In preliminary study the list of 39 motifs was specified empirically. The four dimensions of pictorial message were taken from the previous study (Marković, 2006: Subjectivism, Ideology, Decoration and Constructivism vs. Realism. The four dimensions of paintings subjective experience were taken from the previous study as well (Radonjić and Marković, 2005: Regularity, Attraction, Arousal and Relaxation. In Experiment 1 subjects were asked to associate 39 motifs with 18 paintings. In Experiment 2 subjects were asked to judge 24 paintings on four dimensions of pictorial message. Results form Experiment 1 have shown that dimensions of paintings subjective experience were significantly correlated with only five motifs (e.g. everyday life was negatively correlated with Arousal, battle was negatively correlated with Relaxation, and so on. Results from Experiment 2 have shown that Subjectivism and Constructivism are negatively correlated with Regularity, and positively correlated with Arousal. Decoration is negatively correlated with Arousal and positively with Attraction and Relaxation.

  10. Inadvertent polychlorinated biphenyls in commercial paint pigments.

    Science.gov (United States)

    Hu, Dingfei; Hornbuckle, Keri C

    2010-04-15

    A polychlorinated biphenyl (PCB) that was not produced as part of the Aroclor mixtures banned in the 1980s was recently reported in air samples collected in Chicago, Philadelphia, the Arctic, and several sites around the Great Lakes. In Chicago, the congener 3,3'-dichlorobiphenyl or PCB11 was found to be the fifth most concentrated congener and ubiquitous throughout the city. The congener exhibited strong seasonal concentration trends that suggest volatilization of this compound from common outdoor surfaces. Due to these findings and also the compound's presence in waters that received waste from paint manufacturing facilities, we hypothesized that PCB11 may be present in current commercial paint. In this study we measured PCBs in paint sold on the current retail market. We tested 33 commercial paint pigments purchased from three local paint stores. The pigment samples were analyzed for all 209 PCB congeners using gas chromatography with tandem mass spectrometry (GC-MS/MS). More than 50 PCB congeners including several dioxin-like PCBs were detected, and the PCB profiles varied due to different types of pigments and different manufacturing processes. PCB congeners were detected in azo and phthalocyanine pigments which are commonly used in paint but also in inks, textiles, paper, cosmetics, leather, plastics, food and other materials. Our findings suggest several possible mechanisms for the inadvertent production of specific PCB congeners during the manufacturing of paint pigments.

  11. Inadvertent Polychlorinated Biphenyls in Commercial Paint Pigments†

    Science.gov (United States)

    2009-01-01

    A polychlorinated biphenyl (PCB) that was not produced as part of the Aroclor mixtures banned in the 1980s was recently reported in air samples collected in Chicago, Philadelphia, the Arctic, and several sites around the Great Lakes. In Chicago, the congener 3,3′-dichlorobiphenyl or PCB11 was found to be the fifth most concentrated congener and ubiquitous throughout the city. The congener exhibited strong seasonal concentration trends that suggest volatilization of this compound from common outdoor surfaces. Due to these findings and also the compound’s presence in waters that received waste from paint manufacturing facilities, we hypothesized that PCB11 may be present in current commercial paint. In this study we measured PCBs in paint sold on the current retail market. We tested 33 commercial paint pigments purchased from three local paint stores. The pigment samples were analyzed for all 209 PCB congeners using gas chromatography with tandem mass spectrometry (GC-MS/MS). More than 50 PCB congeners including several dioxin-like PCBs were detected, and the PCB profiles varied due to different types of pigments and different manufacturing processes. PCB congeners were detected in azo and phthalocyanine pigments which are commonly used in paint but also in inks, textiles, paper, cosmetics, leather, plastics, food and other materials. Our findings suggest several possible mechanisms for the inadvertent production of specific PCB congeners during the manufacturing of paint pigments. PMID:19957996

  12. Preparation of water paint by radiation

    International Nuclear Information System (INIS)

    Makuuchi, Keizo

    1984-01-01

    The development of coatings which do not require any organic solvent have been the social needs. The emulsion made by radiation method is considered to meet possibly this requirement, but it has not been utilized well in the application to water paint. In this review, the investigation concerning the synthesis of water paint raw material by radiation is summarized. In the introduction, radiation curing, water paint and radiation emulsion polymerization are outlined, in the section of γ-ray emulsion polymerization, clean emulsion, cross-linked polymer particles and low temperature polymerization are described, and in the section of paint characteristics of radiation-induced emulsion-polymerized emulsion, the synthesis of thermosetting emulsion, the relation between the method of polymerization and the properties of emulsion, the performance of coating film, and self-hardening emulsion are explained. In the following section of skin-core double layer structured particle emulsion, skin-core double layer structured particles, optimal monomer composition, optimal polymerization process, the manufacturing test with a pilot plant, the performance of the paint, the durability of skin-core double layer structured particle coating film and low temperature curing water paint are described, and in the section of synthesis of emulsion by utilization of electron beam, electron beam emulsion polymerization and the synthesis of water paint by electron beam graft polymerization are described. (Yoshitake, I.)

  13. Measurement of tritium in dial painting industry

    International Nuclear Information System (INIS)

    Sawant, J.V.; Rudran, Kamala

    1995-01-01

    Tritium in the form of polystyrene is used coated on zinc sulphide as the active component for the manufacture of self-luminous paint. To study the radiological implication of airborne tritium in the luminous paint industry air monitoring study was conducted by cold strip method and Andersen method. Airborne particulate in different locations in luminous paint (LP) building and background areas were observed to be associated with activity median aerodynamic diameter (AMAD) of 1.8 to 5.0 um. Dose to soft tissue and lungs and effective whole body dose were evaluated. (author). 6 refs., 2 figs., 4 tabs., 2 ills

  14. PAINT SUPPLIES AND LOCATION: EXAMINING ICI

    Directory of Open Access Journals (Sweden)

    M. Herron

    2016-01-01

    Full Text Available How important is location to an international retailer? Not just any retailer but the second largest paint retailer in the world. Imperial Chemical Industries (ICI was a British chemical company and was at one stage the largest manufacturer in Britain. Formed from the merger of several leading British chemical companies in 1926, ICI makes paints and speciality products, including food ingredients, speciality polymers, electronic materials, fragrances and flavourings. ICI paints purchased the Cleveland Ohiobased Glidden Coatings & Resins (Glidden Paint Company in 1986 for USD$580 million. The addition of Glidden to ICI's North American operations more than doubled that subsidiary's annual sales to $3 billion and increased ICI's corporate presence in the United States dramatically. A decline in paint and solvent consumption during the 2000 decade slowed the average growth of the paint industry to about 2% annually. Rauch Associates, the leading US paint analyst firm, predicted near-term growth to slow even further to 1.2% per annum. Through the 1990’s and early 2000’s Glidden paint was sold only through Glidden-badged paint stores and smaller retailers under licence, developing a strong identifiable brand and reputation. How were potential Glidden retail paint store locations chosen across America to enable and support this market growth? This paper investigates the real process that was developed and applied to construct a national network of retail outlets across the United States. It also highlights the change in direction that occurred at ICI paints culminating in its eventual acquisition by AkzoNobel in 2008 who immediately sold parts of ICI to Henkel, and integrated ICI's remaining operations within its existing organisation. This sale and the associated corporate restructure caused considerable change in marketing directions allowing for the first time the selling of Glidden paint products to mass market centres

  15. Historical origins of Petrykivsky decorative painting

    Directory of Open Access Journals (Sweden)

    T. A. Harkava

    2017-07-01

    Full Text Available Petrykivsky decorative painting is a part of Ukrainian folk art. Domestic science of folk art has originated and has been developing primarily as a study of archaeological antiquities and artistic monuments of the past. Scientific papers, which comprehended the process of folk art development, began to appear in the late nineteenth century, Archaeological Congresses became the impetus for their appearance. Being a representative of the decorative painting, Petrikivsky decorative painting is rooted by its murals to Tripoli. It was created as a peasant domestic drawing. Inexhaustible diversity of local variants of Petrikivsky decorative painting, its evolutionary change, the individual characteristics of paintings of hundreds of famous Ukrainian artists do not even allow comparing it to any other European counterparts, each of which is characterized only by some individual techniques. Petrikivsky decorative painting got the significant boost in its distribution and development when it «came down» from walls to paper. Paper pictures - malyovky - were stucked to walls following the traditional rules of domestic interior’s decoration. Petrikivsky decorative painting got the official status in 1913, when E. Evenbah, by the initiative of D.I. Yavornytsky, gathered the collection of Petrikivsky decorative painting’s malyovkas and organized the exhibition in St. Petersburg. Motives of painting are rooted into the local flora and fauna and into the historical tradition. However, Petrikivsky decorative painting is not a direct reflection of natural motifs. World, created in paintings, is the product of the imagination of folk artist, it is the stylization of local flowers, fruits and birds. First names of Masters of Petrikivsky decorative painting, which appeared in historical sources, were T. Pata, N. Bilokin, I. Pavlenko. Their official recognition happened in 1930 after their participation in the first republican exhibition, which was later shown

  16. Color alteration of the paint used for iris painting in ocular prostheses.

    Science.gov (United States)

    Fernandes, Aline Ursula Rocha; Goiato, Marcelo Coelho; Batista, Marcos Antônio Jacó; Santos, Daniela Micheline Dos

    2009-01-01

    The purpose of this study was to assess color alteration of the paints used for iris painting in artificial eyes. Five disks of heat cured acrylic resin were confectioned by microwave energy for each paint analyzed, in a total of 40 specimens. Each specimen consisted of a colorless acrylic resin disk and another of equal size, of scleral white colored acrylic resin, with the painting interposed between the two disks. The specimens were submitted to an accelerated aging process in a chamber under ultraviolet radiation for 1,008 hours. To assess color variation, a reflective spectrophotometer was used. The results were statistically analyzed by ANOVA and the Tukey test (p < 0.05). All the paints underwent chromatic alteration. The oil paint presented the highest resistance to accelerated aging.

  17. Color alteration of the paint used for iris painting in ocular prostheses

    Directory of Open Access Journals (Sweden)

    Aline Úrsula Rocha Fernandes

    2009-12-01

    Full Text Available The purpose of this study was to assess color alteration of the paints used for iris painting in artificial eyes. Five disks of heat cured acrylic resin were confectioned by microwave energy for each paint analyzed, in a total of 40 specimens. Each specimen consisted of a colorless acrylic resin disk and another of equal size, of scleral white colored acrylic resin, with the painting interposed between the two disks. The specimens were submitted to an accelerated aging process in a chamber under ultraviolet radiation for 1,008 hours. To assess color variation, a reflective spectrophotometer was used. The results were statistically analyzed by ANOVA and the Tukey test (p < 0.05. All the paints underwent chromatic alteration. The oil paint presented the highest resistance to accelerated aging.

  18. 24 CFR 3280.814 - Painting of wiring.

    Science.gov (United States)

    2010-04-01

    ... 24 Housing and Urban Development 5 2010-04-01 2010-04-01 false Painting of wiring. 3280.814 Section 3280.814 Housing and Urban Development Regulations Relating to Housing and Urban Development... Painting of wiring. During painting or staining of the manufactured home, it shall be permitted to paint...

  19. 24 CFR 35.135 - Use of paint containing lead.

    Science.gov (United States)

    2010-04-01

    ... 24 Housing and Urban Development 1 2010-04-01 2010-04-01 false Use of paint containing lead. 35... Urban Development LEAD-BASED PAINT POISONING PREVENTION IN CERTAIN RESIDENTIAL STRUCTURES General Lead-Based Paint Requirements and Definitions for All Programs. § 35.135 Use of paint containing lead. (a...

  20. 24 CFR 598.408 - Lead-based paint requirements.

    Science.gov (United States)

    2010-04-01

    ... 24 Housing and Urban Development 3 2010-04-01 2010-04-01 false Lead-based paint requirements. 598... DESIGNATIONS Post-Designation Requirements § 598.408 Lead-based paint requirements. The Lead-Based Paint Poisoning Prevention Act (42 U.S.C. 4821-4846), the Residential Lead-Based Paint Hazard Reduction Act of...

  1. Towards a durable alternative medium in mural painting: the auto ...

    African Journals Online (AJOL)

    In the traditional parlance of mural painting among Nigerian artists, the use of emulsion paint has become universal. After years of professional practice, the observation is that these emulsion-paint murals do not last on the walls. The reason is that the emulsion paint made in Nigeria is of very poor quality. Under the ...

  2. 24 CFR 35.140 - Prohibited methods of paint removal.

    Science.gov (United States)

    2010-04-01

    ... 24 Housing and Urban Development 1 2010-04-01 2010-04-01 false Prohibited methods of paint removal... and Urban Development LEAD-BASED PAINT POISONING PREVENTION IN CERTAIN RESIDENTIAL STRUCTURES General Lead-Based Paint Requirements and Definitions for All Programs. § 35.140 Prohibited methods of paint...

  3. 24 CFR 200.800 - Lead-based paint.

    Science.gov (United States)

    2010-04-01

    ... 24 Housing and Urban Development 2 2010-04-01 2010-04-01 false Lead-based paint. 200.800 Section... DEVELOPMENT GENERAL INTRODUCTION TO FHA PROGRAMS Lead-Based Paint Poisoning Prevention § 200.800 Lead-based paint. The Lead-Based Paint Poisoning Prevention Act (42 U.S.C. 4821-4846), the Residential Lead-Based...

  4. Edge-Based Shading as a Depth Cue in Paintings

    NARCIS (Netherlands)

    Venderbosch, M. E.; van Doorn, Andrea J; Koenderink, Jan J; te Pas, Susan F

    2015-01-01

    We explored how an artist who uses a particular monochrome modern painting style generates the impression of relief in paintings. Three portraits, painted after model, were created especially for the experiment. Photographs of the paintings were presented on a computer screen. To investigate the

  5. A Case Study Application Of Time Study Model In Paint ...

    African Journals Online (AJOL)

    This paper presents a case study in the development and application of a time study model in a paint manufacturing company. The organization specializes in the production of different grades of paint and paint containers. The paint production activities include; weighing of raw materials, drying of raw materials, dissolving ...

  6. Paint for detection of radiological or chemical agents

    Science.gov (United States)

    Farmer, Joseph C [Tracy, CA; Brunk, James L [Martinez, CA; Day, Sumner Daniel [Danville, CA

    2010-08-24

    A paint that warns of radiological or chemical substances comprising a paint operatively connected to the surface, an indicator material carried by the paint that provides an indication of the radiological or chemical substances, and a thermo-activation material carried by the paint. In one embodiment, a method of warning of radiological or chemical substances comprising the steps of painting a surface with an indicator material, and monitoring the surface for indications of the radiological or chemical substances. In another embodiment, a paint is operatively connected to a vehicle and an indicator material is carried by the paint that provides an indication of the radiological or chemical substances.

  7. Investigation of paint drying by radiotracers

    International Nuclear Information System (INIS)

    Hecht, P.; Otto, R.

    1984-01-01

    14 C-labelled solvents (toluene, 1-buthanol, acetone) have been used to follow the drying process of paint coats (alkyd varnish, polyurethane resin, chlorinated polyethylene, chlorinated polyvinyl chloride)

  8. Lead-Based Paint and Demolition

    Science.gov (United States)

    The Lead Renovation, Repair, and Painting Rule does not apply to total demolition of a structure. Learn about EPA recommended lead-safe practices during total demolition activities to prevent and minimize exposure to lead.

  9. Wall Paint Exposure Assessment Model (WPEM)

    Science.gov (United States)

    WPEM uses mathematical models developed from small chamber data to estimate the emissions of chemicals from oil-based (alkyd) and latex wall paint which is then combined with detailed use, workload and occupancy data to estimate user exposure.

  10. Practice of using the multiple painting method

    CERN Document Server

    Drapchinsky, L V; Soloviev, S M

    1999-01-01

    A technique for the preparation of homogeneous minor-actinide layers by the multiple-painting method is described in detail. The advantages of the method used, as well as characteristics of the layers, are discussed.

  11. Electrochemical assessment of magnetite anti corrosive paints

    International Nuclear Information System (INIS)

    Escobar, D. M.; Arroyave, C.; Jaramillo, F.; Mattos, O. R.; Margarit, I. c.; Calderon, J.

    2003-01-01

    With the purpose of deepening in the understanding of the mechanisms of protection of anticorrosive pigments based on iron oxides, this work has been carried out on the production of pure magnetite, and copper and chromium doped magnetite, which were evaluated by different characterization techniques. The paints were prepared with a solvent less epoxy resin maintaining the Pigment volume Content near the Practical Critical value (CPVC), established for each pigment. The paints were applied on polished steel and monitored with electrochemical techniques at total immersion conditions. Permeability and impedance measurements of free films were also done. Impedance data were simulated with the Boukamp software. Results show that the paints pigmented with doped magnetite present better behaviour than a paint prepared with commercial hematite. (Author) 8 refs

  12. Pointillist Watercolor Paintings: Exploring Optical Mixing.

    Science.gov (United States)

    Hamwi, Richard

    2001-01-01

    Focuses on the pointillist painting process offering background information about technique and how it can be used in the art classroom. Explores the appropriateness of the process for elementary through secondary school students. Includes educational objectives. (CMK)

  13. 75 FR 13127 - Lead-Based Paint Renovation, Repair and Painting Activities in Target Housing and Child Occupied...

    Science.gov (United States)

    2010-03-18

    ... AGENCY Lead-Based Paint Renovation, Repair and Painting Activities in Target Housing and Child Occupied... for a renovation, repair and painting program in accordance with section 402(c)(3) of TSCA, 15 U.S.C... administer and enforce requirements for a renovation, repair and painting program in accordance with section...

  14. 75 FR 51808 - Lead-Based Paint Renovation, Repair and Painting Activities in Target Housing and Child Occupied...

    Science.gov (United States)

    2010-08-23

    ...-9] Lead-Based Paint Renovation, Repair and Painting Activities in Target Housing and Child Occupied... for renovation, repair and painting programs in accordance with section 402(c)(3) of TSCA, 15 U.S.C... CFR 745.324(d)(2), to administer and enforce requirements for a renovation, repair and painting...

  15. 24 CFR 35.1320 - Lead-based paint inspections, paint testing, risk assessments, lead-hazard screens, and...

    Science.gov (United States)

    2010-04-01

    ... 24 Housing and Urban Development 1 2010-04-01 2010-04-01 false Lead-based paint inspections, paint... Urban Development Office of the Secretary, Department of Housing and Urban Development LEAD-BASED PAINT POISONING PREVENTION IN CERTAIN RESIDENTIAL STRUCTURES Methods and Standards for Lead-Paint Hazard...

  16. 75 FR 39524 - Lead-Based Paint Renovation, Repair and Painting, and Pre-Renovation Education Activities in...

    Science.gov (United States)

    2010-07-09

    ... AGENCY Lead-Based Paint Renovation, Repair and Painting, and Pre- Renovation Education Activities in... enforce requirements for a renovation, repair and painting program in accordance with section 402(c)(3) of TSCA, 15 U.S.C. 2682(c)(3), and a lead-based paint pre-renovation education program in accordance with...

  17. Standard Operating Procedure for the Preparation of Lead-Containing Paint Films and Lead-in-Paint Diagnostic Test Materials

    Science.gov (United States)

    This SOP describes the preparation of stand-alone, lead paint films, prepared according to the old paint recipes. Further, this SOP describes the use of these paint films for the preparation of simulated old paints on a variety of substrates. Substrates used included wood, stee...

  18. 76 FR 12106 - Lead-Based Paint Renovation, Repair and Painting Activities in Target Housing and Child Occupied...

    Science.gov (United States)

    2011-03-04

    ... AGENCY Lead-Based Paint Renovation, Repair and Painting Activities in Target Housing and Child Occupied..., repair and painting program in accordance with section 402(c)(3) of TSCA. This notice also announces that... a renovation, repair and painting program in accordance with section 402(c)(3) of TSCA. This notice...

  19. Painting a Data-Rich Picture

    Science.gov (United States)

    Earl, Lorna; Katz, Steven

    2005-01-01

    Using data for school reform is like painting a series of pictures--pictures that are subtle and capture the nuances of the subject. This is a far cry from drawing stick figures or paint-by-numbers. Imagine the experiences of the French painter Claude Monet as he wandered through his garden at Giverny at different times of the day and year,…

  20. [The eye in Ion Tuculescu's paintings].

    Science.gov (United States)

    Cernea, P

    2003-01-01

    The painter Ion Tuculescu was placed through his painting, in the current of the abstract expressionism. He endowed his pictural skill with a personal vision of life and people, through introduction the eye like a stylized aspect and its loading with spiritual meanings. The eye is practically in every picture of the painter, constituting a philosophy of his interior experiences and attitude given the existence. The subject painting has not figurative plans but mental impulses through the artist constitutes a new visual language.

  1. A ‘painted chamber’ in Beverwijk by Jacobus Luberti Augustini: novel insights into the working methods and painting practices in a painted wall-hanging factory

    NARCIS (Netherlands)

    Verslype, I.; Verhave, J.; Smelt, S.; Keune, K.; Sigmond, H.; van Eikema Hommes, M.; Evans, H.; Muir, K.

    2015-01-01

    The restoration of the ‘painted chamber’ in Beverwijk by Jacobus Luberti Augustini instigated an in-depth technical study of the room and its painted canvas wall hangings. Through close observation with the naked eye, ultraviolet light, infrared reflectography and the study of paint samples in

  2. Metalanguage of painting: Semiotics and geometry as lingua franca of interpreting painting works

    Directory of Open Access Journals (Sweden)

    Bučan Jagor

    2016-01-01

    Full Text Available The author of this paper considers the question whether semiotics can be used as a potential metalanguage that enables reasonable discussion on painting, or that provides a linguistic substitute for visual artworks. In contrast to iconography and iconology which are primarily diachronic disciplines directed to historical aspect of works of art, the semiotics of painting is based on synchronism; it deals with articulation and transformation of visual codes from the point of view of the 'textuality' of the painting. The aim of the text is to sum up the basic problems of the discipline, representing them through the viewpoints of acknowledged authors. Its aim is also to point to the limitations of semiotics of painting, and to its ideological aspects. Finally, the author offers a possible alternative to the semiotics as a metalanguage of painting in the form of geometry (i.e. geometrical analysis, which he compares with Chomsky's model of generative grammar.

  3. Subconjunctival latex paint from occupational injury.

    Science.gov (United States)

    Odhav, Ashika; Kollipara, Ramya; Teymoorian, Savak; Lord, Ron K; Lyon, David B

    2013-05-01

    Accidental eye trauma with spray guns are rare, but potentially very serious, injuries. Although it is agreed that these injuries require immediate and vigorous therapy, the specifics of such therapy are poorly defined. With latex paint sprayer injuries to hands and extremities, resulting chemical-induced inflammation, high-pressure necrosis, ischemic necrosis, and gangrene require surgical debridement and possibly, amputation. With eye injuries, treatment is directed at preservation of vision, as there is a potential risk of visual loss. There is currently no consensus on optimal treatment of ocular spray paint injuries. Here we propose a management approach to ocular spray paint injuries with a successful outcome in the case reported. We report the first case, to our knowledge, of an industrial airless spray gun injury that resulted in subconjunctival deposition of latex paint in a soft contact lens wearer. Vision was preserved with medical management consisting of irrigation and topical corticosteroids, antibiotics and cycloplegics. Although latex paint spray gun injuries to the eye are not encountered frequently in practice, this case shows that conservative medical management with no surgical intervention is effective for ocular injuries with preserved vision. Copyright © 2013 Elsevier Inc. All rights reserved.

  4. Painting with polygons: a procedural watercolor engine.

    Science.gov (United States)

    DiVerdi, Stephen; Krishnaswamy, Aravind; Měch, Radomír; Ito, Daichi

    2013-05-01

    Existing natural media painting simulations have produced high-quality results, but have required powerful compute hardware and have been limited to screen resolutions. Digital artists would like to be able to use watercolor-like painting tools, but at print resolutions and on lower end hardware such as laptops or even slates. We present a procedural algorithm for generating watercolor-like dynamic paint behaviors in a lightweight manner. Our goal is not to exactly duplicate watercolor painting, but to create a range of dynamic behaviors that allow users to achieve a similar style of process and result, while at the same time having a unique character of its own. Our stroke representation is vector based, allowing for rendering at arbitrary resolutions, and our procedural pigment advection algorithm is fast enough to support painting on slate devices. We demonstrate our technique in a commercially available slate application used by professional artists. Finally, we present a detailed analysis of the different vector-rendering technologies available.

  5. Laser cleaning treatment of burnt paintings

    Science.gov (United States)

    Antonopoulou-Athera, N.; Chatzitheodoridis, E.; Doulgerides, M.; Evangelatos, Ch.; Serafetinides, A. A.; Terlixi, A.

    2015-01-01

    Three samples taken from two paintings partly burned by fire are investigated for cleaning with lasers. The paintings belong to the collection of the National Gallery of Athens and were made by the great Greek artist Konstantinos Parthenis. To remove the damaged surface and achieve an acceptable restoration result, the optimum combination of fluence and wavelength are sought. Seven different wavelengths with a set of fluences where used, i.e., the five harmonics of a Nd:YAG laser (1064, 532, 355, 266, and 213 nm), a TEA 10.6 μm CO2 and a free running laser Er:YAG 2.94 μm. Characterization was performed prior and after the cleaning process by optical and electron microscopy and analysis (SEM/BSE EDS), as well as X-Ray Diffraction (XRD). The results of this work indicate that the wavelength in the visible spectrum (532 nm) with fluences between 0.1-0.4J/cm2 show the optimum cleaning. The optical microscopy observation shows that with these laser parameters the burnt layer was preferentially removed, exposing the original colors that Parthenis had used in these paintings. Electron microscopy imaging and chemical analysis revealed that the original texture and materials of these samples are preserved after irradiation. Since the damage varies along the surface of the painting, more experiments should be performed in order to find and optimize the full cleaning and characterization process for the homogeneous cleaning of the whole surface of the painting.

  6. Preference for and discrimination of paintings by mice.

    Directory of Open Access Journals (Sweden)

    Shigeru Watanabe

    Full Text Available I measured preference for paintings (Renoir vs. Picasso or Kandinsky vs. Mondrian in mice. In general mice did not display a painting preference except for two mice: one preferred Renoir to Picasso, and the other preferred Kandinsky to Mondrian. Thereafter, I examined discrimination of paintings with new mice. When exposure to paintings of one artist was associated with an injection of morphine (3.0 mg/kg, mice displayed conditioned preference for those paintings, showing discrimination of paintings by Renoir from those by Picasso, and paintings by Kandinsky from those by Mondrian after the conditioning. They also exhibited generalization of the preference to novel paintings of the artists. After conditioning with morphine for a set of paintings consisting of two artists, mice showed discrimination between two sets of paintings also from the two artists but not in association with morphine. These results suggest that mice can discriminate not only between an artist's style but also among paintings of the same artist. When mice were trained to discriminate a pair of paintings by Kandinsky and Renoir in an operant chamber equipped with a touch screen, they showed transfer of the discrimination to new pairs of the artists, but did not show transfer of discrimination of paintings by other artists, suggesting generalization.

  7. Preference for and discrimination of paintings by mice.

    Science.gov (United States)

    Watanabe, Shigeru

    2013-01-01

    I measured preference for paintings (Renoir vs. Picasso or Kandinsky vs. Mondrian) in mice. In general mice did not display a painting preference except for two mice: one preferred Renoir to Picasso, and the other preferred Kandinsky to Mondrian. Thereafter, I examined discrimination of paintings with new mice. When exposure to paintings of one artist was associated with an injection of morphine (3.0 mg/kg), mice displayed conditioned preference for those paintings, showing discrimination of paintings by Renoir from those by Picasso, and paintings by Kandinsky from those by Mondrian after the conditioning. They also exhibited generalization of the preference to novel paintings of the artists. After conditioning with morphine for a set of paintings consisting of two artists, mice showed discrimination between two sets of paintings also from the two artists but not in association with morphine. These results suggest that mice can discriminate not only between an artist's style but also among paintings of the same artist. When mice were trained to discriminate a pair of paintings by Kandinsky and Renoir in an operant chamber equipped with a touch screen, they showed transfer of the discrimination to new pairs of the artists, but did not show transfer of discrimination of paintings by other artists, suggesting generalization.

  8. Water-Based Pressure-Sensitive Paints

    Science.gov (United States)

    Jordan, Jeffrey D.; Watkins, A. Neal; Oglesby, Donald M.; Ingram, JoAnne L.

    2006-01-01

    Water-based pressure-sensitive paints (PSPs) have been invented as alternatives to conventional organic-solvent-based pressure-sensitive paints, which are used primarily for indicating distributions of air pressure on wind-tunnel models. Typically, PSPs are sprayed onto aerodynamic models after they have been mounted in wind tunnels. When conventional organic-solvent-based PSPs are used, this practice creates a problem of removing toxic fumes from inside the wind tunnels. The use of water-based PSPs eliminates this problem. The waterbased PSPs offer high performance as pressure indicators, plus all the advantages of common water-based paints (low toxicity, low concentrations of volatile organic compounds, and easy cleanup by use of water).

  9. [Infrared spectrum characteristics of vehicle body paint].

    Science.gov (United States)

    Chen, Tao; Long, Xian-Jun; Wei, Lang; Gong, Biao; Li, Chun-Ming

    2012-07-01

    Two hundred eighty seven samples of vehicle paint were collected, and 940 spectra were obtained by Fourier transform infrared micro spectrometer. The spectral features of varnish, finish layer, and coated layers of different models and different color were analyzed, and the spectra similarities were compared. The results show that the varnish similarity on the same models with different color is 99.5%, and some similar model with the same manufacturer had high similarity. The finish spectra have remarkable differences with different model and different color, and the similarity degree is under 70%. The coated layer similarity varies between 83.33% and 96.91% among the common lacquer putty, and it ranges between 70.12% and 96.44% among the water-based lacquer putty. The metal components of paint will influence the spectrum characteristics. The spectra of the vehicle paint will change with the usage time.

  10. Examination of paints by trace element analysis.

    Science.gov (United States)

    Krishnan, S S

    1976-10-01

    Trace element analysis using neutron activation analysis is effective and valuable, particularly in the examination of white household paint. Although physical appearance and resin composition are generally similar in these paint samples, trace element composition provides an effective way of distinguishing among them. In the case of automobile paint samples, NAA serves as an important additional technique for discrimination. The technique is important when sample sizes are very small. The technique developed takes a few minutes for sample preparation, a few hours of irradiation time (during which the examiner's presence is not required), and then a few minutes for counting and obtaining quantitative multielement concentration patterns. A technician can easily handle 30 to 50 samples per day.

  11. Painting the Palace of Apries I

    DEFF Research Database (Denmark)

    Brøns, Cecilie; Rasmussen, Kaare Lund; Di Crescenzo, Marta Melchiorre

    2018-01-01

    of compounds belonging to the chemical families identified by FTIR. The detection of polysaccharides in the paint layers on the capital and on two of the fragments indicates the use of plant gums as binding media. The interpretation of the sugar profiles was not straightforward so botanical classification......, the second protein indicates that either the paint layer was bound in a mixture of different binding materials or that the paint layer, bound in a plant gum, was then coated with a proteinaceous material. The surface of two of the investigated samples was partially covered by translucent waxy materials...... that were identified as a synthetic wax (applied during old conservation treatments) and as beeswax, respectively. It is possible that the beeswax is of ancient origin, selectively applied on yellow areas in order to create a certain glossiness or highlight specific elements....

  12. Hierarchical Micro-Nano Coatings by Painting

    Science.gov (United States)

    Kirveslahti, Anna; Korhonen, Tuulia; Suvanto, Mika; Pakkanen, Tapani A.

    2016-03-01

    In this paper, the wettability properties of coatings with hierarchical surface structures and low surface energy were studied. Hierarchically structured coatings were produced by using hydrophobic fumed silica nanoparticles and polytetrafluoroethylene (PTFE) microparticles as additives in polyester (PES) and polyvinyldifluoride (PVDF). These particles created hierarchical micro-nano structures on the paint surfaces and lowered or supported the already low surface energy of the paint. Two standard application techniques for paint application were employed and the presented coatings are suitable for mass production and use in large surface areas. By regulating the particle concentrations, it was possible to modify wettability properties gradually. Highly hydrophobic surfaces were achieved with the highest contact angle of 165∘. Dynamic contact angle measurements were carried out for a set of selected samples and low hysteresis was obtained. Produced coatings possessed long lasting durability in the air and in underwater conditions.

  13. The actinobacterial colonization of Etruscan paintings.

    Science.gov (United States)

    Diaz-Herraiz, Marta; Jurado, Valme; Cuezva, Soledad; Laiz, Leonila; Pallecchi, Pasquino; Tiano, Piero; Sanchez-Moral, Sergio; Saiz-Jimenez, Cesareo

    2013-01-01

    The paintings from Tomba della Scimmia, in Tuscany, are representative of the heavy bacterial colonization experienced in most Etruscan necropolises. The tomb remained open until the late 70's when it was closed because of severe deterioration of the walls, ceiling and paintings after decades of visits. The deterioration is the result of environmental changes and impacts suffered since its discovery in 1846. We show scanning electron microscopy and molecular studies that reveal the extent and nature of the biodeterioration. Actinobacteria, mainly Nocardia and Pseudonocardia colonize and grow on the tomb walls and this process is linked to the availability of organic matter, phyllosilicates (e.g. clay minerals) and iron oxides. Nocardia is found metabolically active in the paintings. The data confirm the specialization of the genera Nocardia and Pseudonocardia in the colonization of subterranean niches.

  14. Health hazards in drawing and painting.

    Science.gov (United States)

    Spandorfer, M; Curtiss, D; Snyder, J W

    2001-01-01

    Most health hazards in drawing and painting fall into two primary categories: volatile organic solvents used in many painting mediums and fixatives for dry drawing mediums; and respirable powders and dusts such as powdered pigments and dyes, which may be toxic and/or suspected or known carcinogens. User safeguards, such as appropriate ventilation and protective attire, and protection of the environment through careful emission and waste disposal, can be readily implemented with the education of artists and their employers. This chapter succinctly outlines the risk factors, symptomatology, and remedies to assist medical professionals in providing diagnosis and treatment.

  15. The Future of Aircraft Paint Removal Methods

    Science.gov (United States)

    1989-09-01

    cotton blast suits, cotton gloves, ear plugs, a sound deadening hard helmet with hospital grade clean air, and leather shoes is all that is required...AIR FORCE INSTITUTE OF TECHNOLOGY Wright-Palterson Air Force Base, Ohio • i’- 0165 AFIT/GLM/LSM/89S-67 THE FUTURE OF AIRCRAFT PAINT REMOVAL METHODS...apc d/oa Dist I special. AFIT/GLM/LSM/89S-67 THE FUTURE OF AIRCRAFT PAINT REMOVAL METHODS THESIS Presented to the Faculty of the School of Systems and

  16. Breast Mass in a Rubens Painting.

    Science.gov (United States)

    Lazzeri, Davide; Lippi, Donatella; Castello, Manuel Francisco; Weisz, George M

    2016-04-19

    Deformity of the breast and axilla observed in famous paintings is a fascinating field for the medico-artists. The attempt of a retrospective diagnosis of breast tumors is highly challenging. This paper deals with a Rubens painting portraying the heroine Judith with a visible but previously unreported left breast mass. Though speculative, the present medico-artistic diagnosis is of a tumor likely to be of benign nature. It is of interest that the present case is the sixth breast disease discovered in Rubens's works.

  17. Miniature paint-spray gun for recessed areas

    Science.gov (United States)

    Vanasse, M. A.

    1968-01-01

    Miniature spray gun regulates paints and other liquids to spray at close range, facilitating spraying of remote or recessed areas. Individual valves for regulating air pressure and paint maximizes atomization for low pressure spraying.

  18. BICARBONATE OF SODA BLASTING TECHNOLOGY FOR AIRCRAFT WHEEL PAINTING

    Science.gov (United States)

    This evaluation addressed product quality, waste reduction/pollution prevention and economics in replacing chemical solvent strippers with a bicarbonate of soda blasting technology for removal of paint from aircraft wheels. The evaluation was conducted in the Paint Stripping Sho...

  19. What You Should Know about Using Paint Strippers

    Science.gov (United States)

    ... in the developing fetus have been noted in laboratory animals exposed to some of the chemicals in paint strippers. Therefore, women of child-bearing age who work with or use paint strippers on a regular basis, such as ...

  20. 24 CFR 574.635 - Lead-based paint.

    Science.gov (United States)

    2010-04-01

    ... 24 Housing and Urban Development 3 2010-04-01 2010-04-01 false Lead-based paint. 574.635 Section....635 Lead-based paint. The Lead-Based Paint Poisoning Prevention Act (42 U.S.C. 4821-4846), the Residential Lead-Based Paint Hazard Reduction Act of 1992 (42 U.S.C. 4851-4856), and implementing regulations...

  1. 24 CFR 1003.607 - Lead-based paint.

    Science.gov (United States)

    2010-04-01

    ... 24 Housing and Urban Development 4 2010-04-01 2010-04-01 false Lead-based paint. 1003.607 Section... § 1003.607 Lead-based paint. The requirements of the Lead-Based Paint Poisoning Prevention Act (42 U.S.C. 4821-4846), the Residential Lead-Based Paint Hazard Reduction Act of 1992 (42 U.S.C. 4851-4856), and...

  2. 24 CFR 570.608 - Lead-based paint.

    Science.gov (United States)

    2010-04-01

    ... 24 Housing and Urban Development 3 2010-04-01 2010-04-01 false Lead-based paint. 570.608 Section...-based paint. The Lead-Based Paint Poisoning Prevention Act (42 U.S.C. 4821-4846), the Residential Lead-Based Paint Hazard Reduction Act of 1992 (42 U.S.C. 4851-4856), and implementing regulations at part 35...

  3. Lead concentrations and labeling of new paint in cameroon.

    Science.gov (United States)

    Gottesfeld, P; Kuepouo, G; Tetsopgang, S; Durand, K

    2013-01-01

    In spite of the availability of substitutes for lead compounds used in paints, manufacturers continue to produce these paints for decorative and industrial applications. We report here on the concentration of lead in new paint sold in Cameroon and provide a summary of labeling practices on paints available in the country, based on a market survey. Investigators visited 76 retail and wholesale paint suppliers in Cameroon to collect information from paint product labels and to collect samples of paints to analyze for lead content. Only 8.5% of paints had labels identifying any of the ingredients, and none of the lead paints included any warning language. Based on a convenience sample (weighted to include multiple colors from the most common brands), 61 mostly enamel paints were purchased from retail outlets and analyzed for lead content (median: 2150 ppm; range: paint samples had concentrations exceeding the U.S. standard of 90 ppm total lead. All but one of the samples with lead concentrations greater than 90 ppm were also greater than 600 ppm. The largest manufacturer in the country-Seigneurie, a subsidiary of the U.S.-based company PPG-had significant lead concentrations in 9 out of 22 (41%) paints tested. There is an immediate need to adopt mandatory standards to limit the lead content of paint manufactured, imported, and sold in the country. To promote safer paint products we recommend the development of a third-party certification program for paints without added lead. These recommendations are consistent with the objectives of the Global Alliance to Eliminate Lead Paint established under the auspices of the United Nations to address this problem on a global scale.

  4. 24 CFR 511.15 - Lead-based paint.

    Science.gov (United States)

    2010-04-01

    ... 24 Housing and Urban Development 3 2010-04-01 2010-04-01 false Lead-based paint. 511.15 Section... Lead-based paint. The Lead-Based Paint Poisoning Prevention Act (42 U.S.C. 4821-4846), the Residential Lead-Based Paint Hazard Reduction Act of 1992 (42 U.S.C. 4851-4856), and implementing regulations at...

  5. Spectroscopic techniques and the conservation of artists’ acrylic emulsion paints

    OpenAIRE

    Willneff, EA; Schroeder, SLM; Ormsby, BA

    2014-01-01

    Artists’ acrylic emulsion paints are used in many contexts such as paintings, murals, sculptures, works on paper and mixed media; and are forming increasing proportions of modern and contemporary art collections. Although acrylic emulsion paints have been the focus of museum-led research over the past decade, the impact of artists’ technique and conservation treatment on the upper-most surface of these paints remains essentially unexplored ; This paper summarises previous studies using vibrat...

  6. Metal soaps in oil paint : Structure, mechanisms and dynamics

    NARCIS (Netherlands)

    Hermans, J.J.

    2017-01-01

    From a chemical point of view, oil paintings are not stable objects. Visually, changes in the appearance of an oil painting might be very slow, but over the course of centuries, chemical reactions and physical processes do affect the colour, texture and integrity of oil paint layers. This thesis

  7. Terahertz imaging for subsurface investigation of art paintings

    Science.gov (United States)

    Locquet, A.; Dong, J.; Melis, M.; Citrin, D. S.

    2017-08-01

    Terahertz (THz) reflective imaging is applied to the stratigraphic and subsurface investigation of oil paintings, with a focus on the mid-20th century Italian painting, `After Fishing', by Ausonio Tanda. THz frequency-wavelet domain deconvolution, which is an enhanced deconvolution technique combining frequency-domain filtering and stationary wavelet shrinkage, is utilized to resolve the optically thin paint layers or brush strokes. Based on the deconvolved terahertz data, the stratigraphy of the painting including the paint layers is reconstructed and subsurface features are clearly revealed. Specifically, THz C-scans and B-scans are analyzed based on different types of deconvolved signals to investigate the subsurface features of the painting, including the identification of regions with more than one paint layer, the refractive-index difference between paint layers, and the distribution of the paint-layer thickness. In addition, THz images are compared with X-ray images. The THz image of the thickness distribution of the paint exhibits a high degree of correlation with the X-ray transmission image, but THz images also reveal defects in the paperboard that cannot be identified in the X-ray image. Therefore, our results demonstrate that THz imaging can be considered as an effective tool for the stratigraphic and subsurface investigation of art paintings. They also open up the way for the use of non-ionizing THz imaging as a potential substitute for ionizing X-ray analysis in nondestructive evaluation of art paintings.

  8. A Hunt for Tennyson: Teaching Poetry through Painting.

    Science.gov (United States)

    Lask-Spinac, Sabina

    Tennyson's poem "The Lady of Shalott" and Holman Hunt's painting of the same subject are excellent examples of the value of exploring poetry through painting. One of the biggest questions raised in relation to the poem's theme is the problem of its ambiguity. By looking at the painting in class, one can sense the lack of definite…

  9. PAINT SPRAY BOOTH DESIGN USING RECIRCULATION/PARTITIONING VENTILATION

    Science.gov (United States)

    Many spray painting facility operators have been attempting to reduce the discharge of volatile organic compounds (VOCs) from paint spray booths to the atmosphere. Some have been able to convert to lower VOC containing paints and coatings such as powder coating, waterborne coatin...

  10. TeraHertz imaging of hidden paint layers on canvas

    NARCIS (Netherlands)

    Adam, A.J.L.; Planken, P.C.M.; Meloni, S.; Dik, J.

    2009-01-01

    We show terahertz reflection images of hidden paint layers in a painting on canvas and compare the results with X-ray Radiography and Infrared Reflectography. Our terahertz measurements show strong reflections from both the canvas/paint interface and from the raw umber/lead white interface,

  11. 13 CFR 120.173 - Lead-based paint.

    Science.gov (United States)

    2010-01-01

    ... 13 Business Credit and Assistance 1 2010-01-01 2010-01-01 false Lead-based paint. 120.173 Section... to All Business Loans Requirements Imposed Under Other Laws and Orders § 120.173 Lead-based paint. If loan proceeds are for the construction or rehabilitation of a residential structure, lead-based paint...

  12. 24 CFR 92.355 - Lead-based paint.

    Science.gov (United States)

    2010-04-01

    ... 24 Housing and Urban Development 1 2010-04-01 2010-04-01 false Lead-based paint. 92.355 Section 92... HOME INVESTMENT PARTNERSHIPS PROGRAM Other Federal Requirements § 92.355 Lead-based paint. Housing assisted with HOME funds is subject to the Lead-Based Paint Poisoning Prevention Act (42 U.S.C. 4821-4846...

  13. 47 CFR 17.53 - Lighting equipment and paint.

    Science.gov (United States)

    2010-10-01

    ... 47 Telecommunication 1 2010-10-01 2010-10-01 false Lighting equipment and paint. 17.53 Section 17.53 Telecommunication FEDERAL COMMUNICATIONS COMMISSION GENERAL CONSTRUCTION, MARKING, AND LIGHTING OF... Lighting equipment and paint. The lighting equipment, color or filters, and shade of paint referred to in...

  14. 24 CFR 891.325 - Lead-based paint requirements.

    Science.gov (United States)

    2010-04-01

    ... 24 Housing and Urban Development 4 2010-04-01 2010-04-01 false Lead-based paint requirements. 891... Section 811 Supportive Housing for Persons With Disabilities § 891.325 Lead-based paint requirements. The requirements of the Lead-Based Paint Poisoning Prevention Act (42 U.S.C. 4821-4846), the Residential Lead-Based...

  15. 29 CFR 1915.33 - Chemical paint and preservative removers.

    Science.gov (United States)

    2010-07-01

    ... Preparation and Preservation § 1915.33 Chemical paint and preservative removers. (a) Employees shall be protected against skin contact during the handling and application of chemical paint and preservative... 29 Labor 7 2010-07-01 2010-07-01 false Chemical paint and preservative removers. 1915.33 Section...

  16. Piezoelectric paint: characterization for further applications

    International Nuclear Information System (INIS)

    Yang, C; Fritzen, C-P

    2012-01-01

    Piezoelectric paint is a very attractive piezoelectric composite in many fields, such as non-destructive testing, or structural health monitoring. However, there are still many obstacles which restrict the real application of it. One of the main problems is that piezoelectric paint lacks a standard fabrication procedure, thus characterization is needed before use. The work presented here explores the characterization of piezoelectric paint. It starts with fabrication of samples with certain piezoelectric powder weight percentages. The microstructures of the samples are investigated by a scanning electron microscope; the results indicate that the fabrication method can produce high quality samples. This is followed by measurements of Young’s modulus and sensitivity. The piezoelectric charge constant d 31 is then deduced from the experimental data; the results agree well with a published result, which validates the effectiveness of the fabrication and characterization method. The characterized piezoelectric paint can expand its applications into different fields and therefore becomes a more promising and competitive smart material. (paper)

  17. Simulations of color development in tinted paints

    NARCIS (Netherlands)

    Stuiver, A.; Barkema, G.T.|info:eu-repo/dai/nl/101275080

    2010-01-01

    Monte Carlo simulations have been used to investigate how several thermodynamic and kinetic factors affect the distribution of pigments, when a water-based pigment dispersion is added to a solvent-borne paint. Our model contains three types of lattice particles: water, pigment and organic solvent,

  18. Painting: Is It Indigenous to Ghanaian Culture?

    Directory of Open Access Journals (Sweden)

    Emmanuel Antwi

    2014-10-01

    Full Text Available Painting could be said to be well grounded in all cultures worldwide. This is underpinned by the vast record of cave art as globally represented, even though this phenomenon does not seamlessly continue into some ancient traditions that followed. In the face of the above however, to find the traditional period of a people one has to identify the geographical area of this group in order to consider the autochthonous art practice of the place so as to determine its cultural beginnings, extent, and forms of art explored. In the case of Ghana, one observes that, art historians usually site the beginning of painting at the time when colonial educational training of the arts was begun in Achimota from the 1900s. The study was conducted using historical review and analysis, unstructured interview guides as well as participant and non-participant observational techniques in a descriptive design at Sirigu, Ahwiaa and Ntonso, revealing the forms of painting that existed in the country before the introduction of formal training by the colonial masters. The result showed that Ghanaians traditionally practiced different kinds of painting, long before the colonial art training programme was introduced. We feel it should be of concern for any people to be able to tell, not only how, and why but also when they started doing the things that matter to their existence and cultural heritage.

  19. Failure-probability driven dose painting

    DEFF Research Database (Denmark)

    Vogelius, Ivan R; Håkansson, Katrin; Due, Anne K

    2013-01-01

    To demonstrate a data-driven dose-painting strategy based on the spatial distribution of recurrences in previously treated patients. The result is a quantitative way to define a dose prescription function, optimizing the predicted local control at constant treatment intensity. A dose planning study...

  20. Soap bubbles in paintings: Art and science

    Science.gov (United States)

    Behroozi, F.

    2008-12-01

    Soap bubbles became popular in 17th century paintings and prints primarily as a metaphor for the impermanence and fragility of life. The Dancing Couple (1663) by the Dutch painter Jan Steen is a good example which, among many other symbols, shows a young boy blowing soap bubbles. In the 18th century the French painter Jean-Simeon Chardin used soap bubbles not only as metaphor but also to express a sense of play and wonder. In his most famous painting, Soap Bubbles (1733/1734) a translucent and quavering soap bubble takes center stage. Chardin's contemporary Charles Van Loo painted his Soap Bubbles (1764) after seeing Chardin's work. In both paintings the soap bubbles have a hint of color and show two bright reflection spots. We discuss the physics involved and explain how keenly the painters have observed the interaction of light and soap bubbles. We show that the two reflection spots on the soap bubbles are images of the light source, one real and one virtual, formed by the curved surface of the bubble. The faint colors are due to thin film interference effects.

  1. 29 CFR 1915.35 - Painting.

    Science.gov (United States)

    2010-07-01

    ... 29 Labor 7 2010-07-01 2010-07-01 false Painting. 1915.35 Section 1915.35 Labor Regulations Relating to Labor (Continued) OCCUPATIONAL SAFETY AND HEALTH ADMINISTRATION, DEPARTMENT OF LABOR (CONTINUED... sufficient slack to prevent undue stress or chafing. (9) The face, eyes, head, hands, and all other exposed...

  2. Understanding Korean food culture from Korean paintings

    Directory of Open Access Journals (Sweden)

    Hae Kyung Chung

    2016-03-01

    Conclusion: Beyond the basic value of food in maximizing nutrients and energy, Korean food culture has developed distinctive cultural characteristics through more than 5,000 years of agricultural history. Although the genre paintings analyzed in this paper are limited to a certain era, this paper will serve as a milestone in providing direction for future studies.

  3. "The Ancient Master Painted like Me"

    Science.gov (United States)

    Chiu, Son-Mey

    2009-01-01

    By following their wonderful ideas or critical exploration, three eighth graders learned how to do traditional Chinese painting, which is taught by copying old masters' work from the Ming Dynasty in the 17th century. The standard manual, which most learners have been using for these three hundred years, is the "Mustard Seed Garden Manual of…

  4. The Ancient Art of Silk Painting

    Science.gov (United States)

    Yonker, Kim

    2010-01-01

    In this article, the author describes a silk-painting project with a sea-creature theme for eighth-grade students. Other themes can be used such as geometric quilt designs, tropical rain forest, large flowers, Art Nouveau motifs, portraits and more. (Contains 2 resources.)

  5. Recirculating sprayer for fiber-filled paints

    Science.gov (United States)

    Major, R. K.

    1980-01-01

    Recirculating paint sprayer applies spray of coarse filler in highly volatile solvent. Sprayer was developed for applying insulation material containing epxoy resin, glass fibers, and inert fillers suspended in chlorinated solvents. Sprayer resists abrasive action of fiberglass filler and chemical activity of solvent. Pump and position ensure more uniform pressure at spray gun without backpressure regulator, which tended to clog in old sprayer.

  6. PAINT SPRAY BOOTH MODIFICATIONS FOR RECIRCULATION VENTILATION

    Science.gov (United States)

    The control of emissions from spray painting operations has historically been cost prohibitive, due to the high exhaust flow rates coupled with low volatile organic compound (VOC) and hazardous air pollutant (HAP) Concentrations. Past studies, conducted by the U.S. EPA and U.S. ...

  7. Remarks on the 'Spray-Paint' Issue

    OpenAIRE

    Okuno, Tadanori

    1991-01-01

    It is generally believed that the locative variant of the 'spray-paint' construction makesthe object NP partitive in a certain sense while the transposed one makes it holistic.Arguing that there are in fact many more factors operative, this paper attempts to get aclearer perspective on the issue.

  8. Artists Paint ... Fall: Grades K-1

    Science.gov (United States)

    Herberholz, Barbara

    2012-01-01

    Artists often paint the different seasonal activities people engage in and the way the world looks as changes take place. The weather for each of the four seasons is different. Farmers plant crops and gardens in the spring and harvest their crops in the fall, just like "The Harvesters" by Pieter Bruegel the Elder. To begin, children will observe…

  9. Lead Paint Test Kits Workshop: Summary Report

    Science.gov (United States)

    The U.S. Environmental Protection Agency's (EPA) Office of Research and Development (ORD) designed and conducted the Lead Paint Test Kits Workshop on October 19 and 20, 2006, at the Environmental Protection Agency's Research Triangle Park, NC campus. The workshop was conducted as...

  10. IMAGES OF POWER IN CONTEMPORARY NIGERIAN PAINTINGS ...

    African Journals Online (AJOL)

    DR. OKECHUKWU NWAFOR

    centres on the manner in which these differing notions influence the social life of the people without distorting the intrinsic .... The paintings have been executed in oils, acrylics and mixed media as it best enables the production of the artists' ... In Nigeria this activity is called sexual gratification. It could be postulated that this.

  11. Rendering Visible: Painting and Sexuate Subjectivity

    Science.gov (United States)

    Daley, Linda

    2015-01-01

    In this essay, I examine Luce Irigaray's aesthetic of sexual difference, which she develops by extrapolating from Paul Klee's idea that the role of painting is to render the non-visible rather than represent the visible. This idea is the premise of her analyses of phenomenology and psychoanalysis and their respective contributions to understanding…

  12. Aesthetic value of paintings affects pain thresholds.

    Science.gov (United States)

    de Tommaso, Marina; Sardaro, Michele; Livrea, Paolo

    2008-12-01

    Pain is modulated by cognitive factors, including attention and emotions. In this study we evaluated the distractive effect of aesthetic appreciation on subjectively rated pain (visual analogue scale;VAS) and multi-channel evoked potentials induced by CO(2) laser stimulation of the left hand in twelve healthy volunteers. Subjects were stimulated by laser in the absence of other external stimulation (baseline condition) and while looking at different paintings they had previously rated as beautiful, neutral or ugly. The view of paintings previously appreciated as beautiful produced lower pain scores and a clear inhibition of the P2 wave amplitude, localized in the anterior cingulate cortex; the inhibition of P2 wave amplitude was lesser or not significant during the presentation of the ugly or neutral paintings, respectively. Dipole source localization analysis of the LEP peaks showed significant changes during different conditions, with a shift from the posterior to the anterior right cingulated cortex while looking at paintings previously rated as beautiful. Our results provide evidence that pain may be modulated at cortical level by the aesthetic content of the distracting stimuli.

  13. Two paintings by Francisco Bayeu in Vergara

    Directory of Open Access Journals (Sweden)

    José Ignacio Calvo Ruata

    2017-08-01

    Full Text Available Two unpublished paintings by Francisco Bayeu are presented, located in the church of Saint Marina in Oxirondo (Vergara, Guipúzcoa. Both are dedicated to Saint Roch and Saint Sebastian, as they are two versions of the same subject because the work had to be repeated.

  14. Landscape Painting: Artists Who Love the Land.

    Science.gov (United States)

    Andre, Linda; Casey, Douglas, Ed.

    1996-01-01

    Through the study of several works of art by Albert Bierstadt, George Catlin, Winslow Homer, and Thomas Moran, this resource explores the way that people felt about their growing nation during the period of westward expansion until the end of the 19th century. It introduces students to basic principles of landscape painting and has students…

  15. Nabokov and the Art of Painting

    NARCIS (Netherlands)

    Vries, de Gerard J.M.; Johnson, D. Barton

    2005-01-01

    Vladimir Nabokov was one of the greatest novelists of the previous century and his mastery of English and Russian prose is unequalled. Nabokov had originally trained to become a painter and shared Marc Chagall's tutor in Paris. In Nabokov and the Art of Painting the authors demonstrate how the art

  16. Radiocarbon dating of ancient rock paintings

    International Nuclear Information System (INIS)

    Ilger, W.A.; Hyman, M.; Rowe, M.W.

    1995-01-01

    This report presents progress made on a technique for 14 C dating pictographs. A low-temperature oxygen plasma is used coupled with high-vacuum technologies to selectively remove C-containing material in the paints without contamination from inorganic carbon from rock substrates or accretions

  17. Dermal exposure due to airless spray painting : a semi-experimental study during spray painting of a container

    OpenAIRE

    Lansink, C.J.M.; Hengstum, C. van; Brouwer, D.H.

    1998-01-01

    In this study dermal exposure by spray painting has been investigated. After a pilot-study it was decided to start a study in the offshore industry, where the airless spray painting technique was used. The main purpose of the present study was to determine the range of potential dermal exposure to paint during airless spray painting. It was also investigated whether the observed exposure corresponds with the estimates made by the exposure model EASE. Skin exposure was measured in three offsho...

  18. Paintings - high-energy protons detect pigments and paint-layers

    International Nuclear Information System (INIS)

    Denker, A.; Opitz-Coutureau, J.

    2004-01-01

    High-energy PIXE was used to identify pigment composition, sequencing and the thickness of paint-layers. Before applying the technique to valuable masterpieces, mock-ups were examined in a collaboration with the Kunsthistorisches Museum, Vienna. The results of high-energy PIXE were compared to conventional cross-section analysis. In addition, the non-destructiveness of the technique was investigated thoroughly. After this preparative work, two ancient paintings have been examined and the results are presented in this paper

  19. Does antifouling paint select for antibiotic resistance?

    Science.gov (United States)

    Flach, Carl-Fredrik; Pal, Chandan; Svensson, Carl Johan; Kristiansson, Erik; Östman, Marcus; Bengtsson-Palme, Johan; Tysklind, Mats; Larsson, D G Joakim

    2017-07-15

    There is concern that heavy metals and biocides contribute to the development of antibiotic resistance via co-selection. Most antifouling paints contain high amounts of such substances, which risks turning painted ship hulls into highly mobile refuges and breeding grounds for antibiotic-resistant bacteria. The objectives of this study were to start investigate if heavy-metal based antifouling paints can pose a risk for co-selection of antibiotic-resistant bacteria and, if so, identify the underlying genetic basis. Plastic panels with one side painted with copper and zinc-containing antifouling paint were submerged in a Swedish marina and biofilms from both sides of the panels were harvested after 2.5-4weeks. DNA was isolated from the biofilms and subjected to metagenomic sequencing. Biofilm bacteria were cultured on marine agar supplemented with tetracycline, gentamicin, copper sulfate or zinc sulfate. Biofilm communities from painted surfaces displayed lower taxonomic diversity and enrichment of Gammaproteobacteria. Bacteria from these communities showed increased resistance to both heavy metals and tetracycline but not to gentamicin. Significantly higher abundance of metal and biocide resistance genes was observed, whereas mobile antibiotic resistance genes were not enriched in these communities. In contrast, we found an enrichment of chromosomal RND efflux system genes, including such with documented ability to confer decreased susceptibility to both antibiotics and biocides/heavy metals. This was paralleled by increased abundances of integron-associated integrase and ISCR transposase genes. The results show that the heavy metal-based antifouling paint exerts a strong selection pressure on marine bacterial communities and can co-select for certain antibiotic-resistant bacteria, likely by favoring species and strains carrying genes that provide cross-resistance. Although this does not indicate an immediate risk for promotion of mobile antibiotic resistance, the

  20. Nanoparticles Ni electroplating and black paint for solar collector applications

    OpenAIRE

    Nady, J.; Kashyout, A.B.; Ebrahim, Sh.; Soliman, M.B.

    2017-01-01

    A nanoparticles layer of bright nickel base was deposited on copper substrates using electrodeposition technique before spraying the paint. IR reflectance of the paint was found to be around 0.4 without bright nickel layer and the reflectance increased to 0.6 at a Ni layer thickness of 750 nm. The efficiency of the constructed solar collectors using black paint and black paint combined with bright nickel was found to be better than black paint individually. After aging tests under high temper...

  1. Allergic reactions to decorative skin paintings.

    Science.gov (United States)

    Nikkels, A F; Henry, F; Piérard, G E

    2001-03-01

    Dye mixtures containing henna, P-phenylenediamine (PPD), and indigo are applied to the skin in various parts of the world for religious purposes, social recognition or fun. To identify eventual allergens responsible for contact sensitization to skin decoration in three young children. Lesions remained strictly limited to the site painted during the summer holiday. None of the children had a previous history of contact dermatitis, but two of them suffered from severe seasonal allergic rhinoconjunctivitis. Patch testing revealed severe contact hypersensitivity to PPD in all three patients, and one child presented a positive prick test to 1% henna in water. The eruptions resolved following spontaneous elimination of the dyes and topical applications of corticosteroids, but left residual depigmentation. PPD is the main allergen identified in allergic reactions to decorative skin paintings.

  2. Water-Based Pressure Sensitive Paint

    Science.gov (United States)

    Oglesby, Donald M.; Ingram, JoAnne L.; Jordan, Jeffrey D.; Watkins, A. Neal; Leighty, Bradley D.

    2004-01-01

    Preparation and performance of a water-based pressure sensitive paint (PSP) is described. A water emulsion of an oxygen permeable polymer and a platinum porphyrin type luminescent compound were dispersed in a water matrix to produce a PSP that performs well without the use of volatile, toxic solvents. The primary advantages of this PSP are reduced contamination of wind tunnels in which it is used, lower health risk to its users, and easier cleanup and disposal. This also represents a cost reduction by eliminating the need for elaborate ventilation and user protection during application. The water-based PSP described has all the characteristics associated with water-based paints (low toxicity, very low volatile organic chemicals, and easy water cleanup) but also has high performance as a global pressure sensor for PSP measurements in wind tunnels. The use of a water-based PSP virtually eliminates the toxic fumes associated with the application of PSPs to a model in wind tunnels.

  3. Coatings for rubber bonding and paint adhesion

    Science.gov (United States)

    Boulos, M. S.; Petschel, M.

    1997-08-01

    Conversion coatings form an important base for the adhesion of paint to metal substrates and for the bonding of rubber to metal parts. Four types of conversion coatings were assessed as base treatments for the bonding of rubber to steel and for the corrosion protection of metal substrates under paint: amorphous iron phosphate, heavy zinc phosphate, and three types of modified zinc phosphates that utilized one or more metal cations in addition to zinc. When applied, these conversion coatings formed a thin film over the metal substrate that was characterized by scanning electron microscopy, x-ray diffraction, and chemical methods. The performance of the coatings was assessed using physical methods such as dry adhesion, conical mandrel, impact, and stress adhesion for the rubber-bonded parts, and by corrosion resistance methods such as humidity, salt spray, and cyclic corrosion. Coating characterization and performance were correlated.

  4. Prediction of optical properties of paints

    Science.gov (United States)

    Ďurikovič, Roman; Ágošton, Tomaš

    2007-09-01

    The field of predictive rendering concerns itself with those methods of image synthesis which yield results that do not only look real, but are also radiometrically correct renditions of nature, i.e., which are accurate predictions of what a real scene would look like under given lighting conditions. A real coating consists of pigments, effect pigments, clear lacquer and glaze. A novel and unique combination of real parameters that are commonly measured in the industry and a theoretical reflectance model consisting of measurable parameters is required. Here, the authors design perception parameters and put them into well known surface reflection functions such as He and Torrance. The original contributions are the study of the sub-surface scattering of real paint and the prediction of its appearance in rendered images by the proposed model of light reflection beneath the paint surface.

  5. Pressure-Sensitive Paint: Effect of Substrate

    Science.gov (United States)

    Quinn, Mark Kenneth; Yang, Leichao; Kontis, Konstantinos

    2011-01-01

    There are numerous ways in which pressure-sensitive paint can be applied to a surface. The choice of substrate and application method can greatly affect the results obtained. The current study examines the different methods of applying pressure-sensitive paint to a surface. One polymer-based and two porous substrates (anodized aluminum and thin-layer chromatography plates) are investigated and compared for luminescent output, pressure sensitivity, temperature sensitivity and photodegradation. Two luminophores [tris-Bathophenanthroline Ruthenium(II) Perchlorate and Platinum-tetrakis (pentafluorophenyl) Porphyrin] will also be compared in all three of the substrates. The results show the applicability of the different substrates and luminophores to different testing environments. PMID:22247685

  6. Noise resistance applied to the study paints

    International Nuclear Information System (INIS)

    Lanchas Garcia-Zarco, S.; Alfosin Perez, V.; Suarez Garcia, A.; Urrejola Madrinan, S.; Sanchez Bermudez, A.

    2015-01-01

    Electrochemical noise is one of the methods of analysis used to interpret the phenomenon of corrosion. It has a number of advantages over other methodology types including its simplicity, its low cost and the fact that it does not disturb the system. This methodology appears to be effective together with other techniques in metal-electrolyte systems. In this case the technique is applied on its own on commercial anti-corrosion paints for which no information is available from other techniques. The main result of this study reveals the effectiveness of the noise resistance parameter, which had already been tested in the lab, when it is used to explain how the paint system behaves in industry. (Author)

  7. Visibility of sparkle in metallic paints

    OpenAIRE

    Kirchner, Eric; Van der Lans, Ivo; Perales Romero, Esther; Martínez Verdú, Francisco Miguel; Campos Acosta, Joaquín; Ferrero Turrión, Alejandro

    2015-01-01

    For suitable illumination and observation conditions, sparkles may be observed in metallic coatings. The visibility of these sparkles depends critically on their intensity, and on the paint medium surrounding the metallic flakes. Based on previous perception studies from other disciplines, we derive equations for the threshold for sparkles to be visible. The resulting equations show how the visibility of sparkles varies with the luminosity and distance of the light source, the diameter of the...

  8. Electrochemical assessment of magnetite anticorrosive paints

    Directory of Open Access Journals (Sweden)

    Escobar, D. M.

    2003-12-01

    Full Text Available With the purpose of deepening in the understanding of the mechanisms of protection of anticorrosive pigments based on iron oxides, this work has been carried out on the production of pure magnetite, and copper and chromium doped magnetite, which were evaluated by different characterization techniques. The paints were prepared with a solvent less epoxy resin maintaining the Pigment Volume Content near the Practical Critical value (CPVC, established for each pigment. The paints were applied on polished steel and monitored with electrochemical techniques at total immersion conditions. Permeability and impedance measurements of free films were also done. Impedance data were simulated with the Boukamp software. Results show that the paints pigmented with doped magnetite present better behavior than a paint prepared with commercial hematite.

    Con el propósito de profundizar en el entendimiento de los mecanismos de protección de los pigmentos anticorrosivos a base de óxidos de hierro, se sintetizaron y caracterizaron magnetitas puras y dopadas con cobre y cromo, con las cuales se prepararon pinturas anticorrosivas que fueron evaluadas en ensayos acelerados de campo y laboratorio. Las pinturas fueron especialmente preparadas con una resina libre de solvente manteniendo la Concentración Pigmentaria en Volumen cercana al valor Crítico (CPVC, establecida para cada pigmento. Las pinturas fueron aplicadas sobre acero pulido y evaluadas con técnicas electroquímicas en condiciones de inmersión total. Para complementar el estudio se realizaron medidas de permeabilidad e impedancia sobre las películas libres. Los datos de impedancia se simularon con el programa Boukamp. Los resultados muestran que las pinturas pigmentadas con magnetitas dopadas presentan mejor comportamiento que las preparadas con hematita comercial.

  9. Solar Paint: From Synthesis to Printing

    Directory of Open Access Journals (Sweden)

    Xiaojing Zhou

    2014-11-01

    Full Text Available Water-based polymer nanoparticle dispersions (solar paint offer the prospect of addressing two of the main challenges associated with printing large area organic photovoltaic devices; namely, how to control the nanoscale architecture of the active layer and eliminate the need for hazardous organic solvents during device fabrication. In this paper, we review progress in the field of nanoparticulate organic photovoltaic (NPOPV devices and future prospects for large-scale manufacturing of solar cells based on this technology.

  10. Understanding Korean food culture from Korean paintings

    OpenAIRE

    Hae Kyung Chung; Kyung Rhan Chung; Hung Ju Kim

    2016-01-01

    Background: In Korea, there are many traditional foods that have developed along with the country's rich history. In addition, various food cultures have developed through agricultural traditions, ritual ceremonies, and the sharing of affection. Paintings, works of calligraphy, and music demonstrate some of these cultural characteristics of Korean foods. Further research and analysis of Korean food culture using these data sources is currently underway. Methods: This paper focuses on the c...

  11. Colour Dematerialization in Spiritual Literature and Painting

    OpenAIRE

    Sudrajat, Dadang; Piliang, Yasraf Amir; Sanjaya, Tisna; Kusmara, Andriyanto Rikrik

    2017-01-01

    Colour in variety of art expression can be interpreted differently. This study is aiming at analyzing the colour dematerialization of Javanese spiritual literature “Falsafah Jeroning Warna” by Suprapto Kadis and a painting by Ahmad Sadali entitled “Gunung Mas”. Research was done by employing qualitative research, while data was collected by observation, interview, discussion, and documentation study. The analysis of meanings in the two art works was done in descriptive way by using the theory...

  12. Biological Treatment of Solvent-Based Paint

    Science.gov (United States)

    2011-01-01

    COVERED (From - To) Mar 2005- Mar 2010 4. TITLE AND SUBTITLE Biological Treatment of Solvent-Based Paint 5a. CONTRACT NUMBER WP 200520 5b...GRANT NUMBER 5c. PROGRAM ELEMENT NUMBER 6. AUTHOR(S) Torres, Tom; Hoffard, Theresa 5d. PROJECT NUMBER WP 200520 Lagerquist, Jenny 5e. TASK...nonhazardous and can be landfarmed, composted , or captured in a filter press and landfilled. Most industrial biological treatment systems will also require

  13. Intumescent paint as fire protection coating

    Directory of Open Access Journals (Sweden)

    R. B. R.S. OLIVEIRA

    Full Text Available Abstract This paper is a compendium on intumescent paint and its main features regarding chemical composition, thermophysical properties and performance as a fire-retardant material. Some of the main technical publications and lines of research on the subject are presented herein. The purpose of this paper is to show the current stage of the technical research being conducted on the topic and enable a better understanding of this fire-retardant material.

  14. Filiform corrosion formation on painted aluminium extrusions

    Energy Technology Data Exchange (ETDEWEB)

    Nordlien, J.H. [SINTEF Materials Technology, Trondheim (Norway). Dept. of Corrosion and Surface Technology; Defrancq, J. [Lab. for Strength of Materials and Welding Technology, Univ. of Gent (Belgium); Zuest, W. [Algroup Alusuisse, Technology Center, Neuhausen (Switzerland); Benmalek, M. [Pechiney, Centre de Recherches de Voreppe, Voreppe (France); Stuckart, R. [Hydro Aluminium Extrusion, Lausanne (Switzerland)

    2000-07-01

    The filiform corrosion susceptibility of extruded, chromated and coated AA 6060/6063 alloys has been investigated. It is shown that, provided sufficient metal is removed before chromating, these alloys will exhibit high filiform corrosion resistance. In those cases where extensive filiform corrosion attack is observed during corrosion testing it is shown to be due to a reactive surface region, formed during the thermo-mechanical processing of the alloy and remaining after chemical pretreatment for painting. (orig.)

  15. Drawing organic photovoltaics using paint marker pens

    Science.gov (United States)

    Suzuki, Kaori; Izawa, Seiichiro; Chen, Yujiao; Nakano, Kyohei; Tajima, Keisuke

    2017-11-01

    Active layers for organic photovoltaic devices (OPVs) were prepared by hand drawing with paint marker pens containing solutions of the materials. Although the pen-coated organic films were visually non-uniform with quite high surface roughness, OPV devices using these films exhibited similar or slightly better performances than those using spin-coated films. As such, the pen-coating technique represents an easily accessible, inexpensive, and highly material-efficient method for fabricating OPVs.

  16. Mapping the opacity of paint layers in paintings with coloured grounds using optical coherence tomography

    Science.gov (United States)

    Liu, Ping; Hall-Aquitania, Moorea; Hermens, Erma; Groves, Roger M.

    2017-07-01

    Optical diagnostics techniques are becoming important for technical art history (TAH) as well as for heritage conservation. In recent years, optical coherence tomography (OCT) has been increasingly used as a novel technique for the inspection of artwork, revealing the stratigraphy of paintings. It has also shown to be an effective tool for vanish layer inspection. OCT is a contactless and non-destructive technique for microstructural imaging of turbid media, originally developed for medical applications. However current OCT instruments have difficulty in paint layer inspection due to the opacity of most pigments. This paper explores the potential of OCT for the investigation of paintings with coloured grounds. Depth scans were processed to determine the light penetration depth at the optical wavelength based on a 1/e light attenuation calculation. The variation in paint opacity was mapped based on the microstructural images and 3D penetration depth profiles was calculated and related back to the construction of the artwork. By determining the light penetration depth over a range of wavelengths the 3D depth perception of a painting with coloured grounds can be characterized optically.

  17. Difference in brain activations during appreciating paintings and photographic analogues

    Directory of Open Access Journals (Sweden)

    Yoshinori eMizokami

    2014-07-01

    Full Text Available Several studies have investigated neural correlates of aesthetic appreciation for paintings but to date the findings have been heterogeneous. This heterogeneity may be attributed to previous studies’ measurement of aesthetic appreciation of not only the beauty of paintings but also the beauty of motifs of the paintings. In order to better elucidate the beauty of paintings, it seems necessary to compare aesthetic appreciation of paintings and photographic analogues which included corresponding real images. We prepared for famous painters’ pictures and their photographic analogues which were set up to resemble each painting in order to investigate the hypothesis that there exist specific neural correlates associated with the aesthetic appreciation for paintings. Forty-four subjects participated in functional magnetic resonance study which required comparisons of aesthetic appreciation of paintings of still life and landscape versus photographic analogues including corresponding real images of still life and landscape. Bilateral cuneus and the left lingual gyrus were activated in the comparison of aesthetic appreciation of paintings versus photographic analogues. In conclusion, the present findings suggest a possibility of the existence of specific neural correlates associated with the aesthetic appreciation for paintings and that bilateral cuneus and the left lingual gyrus may be involved.

  18. Nanoparticles Ni electroplating and black paint for solar collector applications

    Directory of Open Access Journals (Sweden)

    J. El Nady

    2016-06-01

    Full Text Available A nanoparticles layer of bright nickel base was deposited on copper substrates using electrodeposition technique before spraying the paint. IR reflectance of the paint was found to be around 0.4 without bright nickel layer and the reflectance increased to 0.6 at a Ni layer thickness of 750 nm. The efficiency of the constructed solar collectors using black paint and black paint combined with bright nickel was found to be better than black paint individually. After aging tests under high temperature, Bright nickel improved the stability of the absorber paint. The collector optical gain FR(τα was lowered by 24.7% for the commercial paint and lowered by 19.3% for the commercial paint combined with bright nickel. The overall heat loss FR(UL was increased by 3.3% for the commercial paint and increased by 2.7% for the commercial paint combined with bright nickel after the temperature aging test.

  19. Rapid new methods for paint collection and lead extraction.

    Science.gov (United States)

    Gutknecht, William F; Harper, Sharon L; Winstead, Wayne; Sorrell, Kristen; Binstock, David A; Salmons, Cynthia A; Haas, Curtis; McCombs, Michelle; Studabaker, William; Wall, Constance V; Moore, Curtis

    2009-01-01

    Chronic exposure of children to lead can result in permanent physiological impairment. In adults, it can cause irritability, poor muscle coordination, and nerve damage to the sense organs and nerves controlling the body. Surfaces coated with lead-containing paints are potential sources of exposure to lead. In April 2008, the U.S. Environmental Protection Agency (EPA) finalized new requirements that would reduce exposure to lead hazards created by renovation, repair, and painting activities, which disturb lead-based paint. On-site, inexpensive identification of lead-based paint is required. Two steps have been taken to meet this challenge. First, this paper presents a new, highly efficient method for paint collection that is based on the use of a modified wood drill bit. Second, this paper presents a novel, one-step approach for quantitatively grinding and extracting lead from paint samples for subsequent lead determination. This latter method is based on the use of a high-revolutions per minute rotor with stator to break up the paint into approximately 50 micron-size particles. Nitric acid (25%, v/v) is used to extract the lead in 95% for real-world paints, National Institute of Standards and Technology's standard reference materials, and audit samples from the American Industrial Hygiene Association's Environmental Lead Proficiency Analytical Testing Program. This quantitative extraction procedure, when paired with quantitative paint sample collection and lead determination, may enable the development of a lead paint test kit that will meet the specifications of the final EPA rule.

  20. Difference in brain activations during appreciating paintings and photographic analogs

    Science.gov (United States)

    Mizokami, Yoshinori; Terao, Takeshi; Hatano, Koji; Hoaki, Nobuhiko; Kohno, Kentaro; Araki, Yasuo; Kodama, Kensuke; Makino, Mayu; Izumi, Toshihiko; Shimomura, Tsuyoshi; Fujiki, Minoru; Kochiyama, Takanori

    2014-01-01

    Several studies have investigated neural correlates of aesthetic appreciation for paintings but to date the findings have been heterogeneous. This heterogeneity may be attributed to previous studies’ measurement of aesthetic appreciation of not only the beauty of paintings but also the beauty of motifs of the paintings. In order to better elucidate the beauty of paintings, it seems necessary to compare aesthetic appreciation of paintings and photographic analogs which included corresponding real images. We prepared for famous painters’ pictures and their photographic analogs which were set up to resemble each painting in order to investigate the hypothesis that there exist specific neural correlates associated with the aesthetic appreciation for paintings. Forty-four subjects participated in functional magnetic resonance study which required comparisons of aesthetic appreciation of paintings of still life and landscape versus photographic analogs including corresponding real images of still life and landscape. Bilateral cuneus and the left lingual gyrus were activated in the comparison of aesthetic appreciation of paintings versus photographic analogs. In conclusion, the present findings suggest a possibility of the existence of specific neural correlates associated with the aesthetic appreciation for paintings and that bilateral cuneus and the left lingual gyrus may be involved. PMID:25071508

  1. Brain activity accompanying perception of implied motion in abstract paintings.

    Science.gov (United States)

    Kim, Chai-Youn; Blake, Randolph

    2007-01-01

    Early 20th century artists including Duchamp and Balla tried to portray moving objects on a static canvas by superimposing objects in successive portrayals of an action. We investigated whether implied motion in those paintings is associated with activation of motion-sensitive area MT+. In Experiment 1, we found that observers rated these kinds of paintings higher in portraying motion than they did other abstract paintings in which motion is not intended. We also found that observers who had previously experienced abstract paintings with implied motion tended to give higher motion ratings to that class of paintings. In Experiment 2, we used functional magnetic resonance imaging (fMRI) to measure brain activity of observers while viewing abstract paintings receiving the highest and the lowest motion rating scores in Experiment 1. We found MT+, but not primary visual cortex (V1), showed greater BOLD responses to abstract paintings with implied motion than to abstract paintings with little motion impression, but only in observers with prior experience viewing those kinds of paintings. These results imply that the neural machinery ordinarily engaged during perception of real visual motion is activated when people view paintings explicitly designed to convey a sense of visual motion. Experience, however, is necessary to achieve this sense of motion.

  2. Difference in brain activations during appreciating paintings and photographic analogs.

    Science.gov (United States)

    Mizokami, Yoshinori; Terao, Takeshi; Hatano, Koji; Hoaki, Nobuhiko; Kohno, Kentaro; Araki, Yasuo; Kodama, Kensuke; Makino, Mayu; Izumi, Toshihiko; Shimomura, Tsuyoshi; Fujiki, Minoru; Kochiyama, Takanori

    2014-01-01

    Several studies have investigated neural correlates of aesthetic appreciation for paintings but to date the findings have been heterogeneous. This heterogeneity may be attributed to previous studies' measurement of aesthetic appreciation of not only the beauty of paintings but also the beauty of motifs of the paintings. In order to better elucidate the beauty of paintings, it seems necessary to compare aesthetic appreciation of paintings and photographic analogs which included corresponding real images. We prepared for famous painters' pictures and their photographic analogs which were set up to resemble each painting in order to investigate the hypothesis that there exist specific neural correlates associated with the aesthetic appreciation for paintings. Forty-four subjects participated in functional magnetic resonance study which required comparisons of aesthetic appreciation of paintings of still life and landscape versus photographic analogs including corresponding real images of still life and landscape. Bilateral cuneus and the left lingual gyrus were activated in the comparison of aesthetic appreciation of paintings versus photographic analogs. In conclusion, the present findings suggest a possibility of the existence of specific neural correlates associated with the aesthetic appreciation for paintings and that bilateral cuneus and the left lingual gyrus may be involved.

  3. Recycling of paint-contaminated grit.

    Science.gov (United States)

    Taha, R; al-Alawi, D; al-Nabhani, M; Pillay, A E; al-Hamdi, A

    2001-08-01

    The impact on the environment of using paint-contaminated grit (PCG) as a partial or full replacement for sand in Portland cement mortar and asphalt concrete mixtures was investigated. The grit waste material originated from abrasive blasting of offshore steel structures. There is a major environmental concern regarding the safe disposal of the spent blasting abrasives that contain paint chips or paint particles and other debris removed from the surface of the steel structures. This work investigated the potential reuse of PCG in Portland cement concrete (PCC) and hot mix asphalt concrete. Several studies were conducted to establish the integrity of the materials containing the recycled grit. These included the chemical and physical characterization of natural sand and PCG, the assay of leaches associated with the grit material for hazardous metal contaminants, such as Cr, Cd and Pb, and the assessment of the mechanical properties of the PCG-substituted mortars by applying special tests (such as Marshall stability and determination of the flow properties) to the PCG-substituted asphalt concrete mixtures. The overall results demonstrated that the potential reuse of PCG in PCC and asphalt concrete mixtures would not pose any environmental threat and could produce several benefits, such as reduced disposal costs, protection of water sources from improper disposal practices and reduced costs in the production of natural aggregates and asphalt cement.

  4. Smart paint sensor for monitoring structural vibrations

    International Nuclear Information System (INIS)

    Al-Saffar, Y; Baz, A; Aldraihem, O

    2012-01-01

    A class of smart paint sensors is proposed for monitoring the structural vibration of beams. The sensor is manufactured from an epoxy resin which is mixed with carbon black nano-particles to make it electrically conducting and sensitive to mechanical vibrations. A comprehensive theoretical and experimental investigation is presented to understand the underlying phenomena governing the operation of this class of paint sensors and evaluate its performance characteristics. A theoretical model is presented to model the electromechanical behavior of the sensor system using molecular theory. The model is integrated with an amplifier circuit in order to predict the current and voltage developed by the paint sensor when subjected to loading. Furthermore, the sensor/amplifier circuit models are coupled with a finite element model of a base beam to which the sensor is bonded. The resulting multi-field model is utilized to predict the behavior of both the sensor and the beam when subjected to a wide variety of vibration excitations. The predictions of the multi-field finite element model are validated experimentally and the behavior of the sensor is evaluated both in the time and the frequency domains. The performance of the sensor is compared with the performance of conventional strain gages to emphasize its potential and merits. The presented techniques are currently being extended to sensors that can monitor the vibration and structural power flow of two-dimensional structures. (paper)

  5. Physiology of biodeterioration on canvas paintings.

    Science.gov (United States)

    Poyatos, Fernando; Morales, Fátima; Nicholson, Allen W; Giordano, Antonio

    2018-04-01

    The study of the physiological action of microorganisms in artistic materials is one of the most interesting topics in biodeterioration nowadays. Pathologies and illnesses of organic and inorganic materials provoked by microorganisms can be treated by experts by a variety of preventive interventions. Artistic medicine encompasses the monitoring of the exhibition and storage of art, as well as proper environmental conditions and the regular cleaning of museums. Biodeterioration control is essential in order to prevent fungal and bacterial contamination in artwork. Biodeterioration of canvas paintings is a complex phenomenon, not well-known at the moment. Canvas paintings are created by several artistic techniques on textile supports that are not always kept in the best conditions, and the best parameters of preventive conservation are often not applied. Therefore, we need to research the agents and the main causes that provoke canvas painting biodeterioration. By applying new methodologies, we can identify the alterations and the treatments needed in order to manage the diverse materials employed in artwork correctly. Herein, we review the causes of biodeterioration that affect artwork, especially art created on textile supports. We also study the alterations of the natural filmogenic materials employed in traditional pictorial techniques, such as agglutinants and protection layers, and the biodeterioration agents that impact them. Additionally, we review current scientific methods employed for the identification of microbial species, and the types of alterations of the materials where the organisms grow. Finally, we summarize the different biocides and preventive conservation treatments that are currently employed. © 2017 Wiley Periodicals, Inc.

  6. Isocyanate Exposure Below Analytical Detection When a Paint Brush and Roller Are Used to Apply Moisture-Cure Polyurethane Paint.

    Science.gov (United States)

    Reeb-Whitaker, Carolyn K; Schoonover, Todd M

    2016-05-01

    Isocyanate exposure is known to be hazardous when polyurethane paints are applied with a spray gun, but less is known of exposure when paint is applied with a paint brush and roller. Concentrations of 1,6-hexamethylene diisocyanate (HDI) monomer and three HDI polymers were assessed when two moisture-cure polyurethane paints containing 31-35% isocyanates were applied with a paint roller and brush. Short-term 15-min samples were taken during paint application in an indoor test environment with no ventilation (n= 12); in an outdoor test environment (n= 11); and in an outdoor in-situ assessment (n= 22). The outdoor in-situ assessment involved the painting of a bus shelter and light poles at a public transit station over two night shifts. All isocyanate samples were below analytical detection. The analytical limits of detection for HDI monomer, HDI biuret, HDI isocyanurate, and HDI uretdione were 0.005, 0.84, 0.87, and 0.88 µg, respectively. The finding that isocyanate concentrations were below detection is attributed to the use of paint roller and brush which minimize paint aerosolization and the paint formulation itself which contained <1% of volatile HDI monomer. © The Author 2016. Published by Oxford University Press on behalf of the British Occupational Hygiene Society.

  7. Emission of Isothiazolinones from Water-Based Paints

    DEFF Research Database (Denmark)

    Lundov, Michael; Bossi, Rossana; Gunnarsen, Lars

    2014-01-01

    The isothiazolinone preservatives methylisothiazolinone (MI), methylchloroisothiazolinone (MCI), and benzisothiazolinone (BIT) are used in a wide variety of products including paint and cosmetics, and they are known to cause allergic contact dermatitis. Among painters they are one of the most...... common causes of contact dermatitis. Furthermore, they are all volatile, and severe reactions caused by emissions of especially MI from paint have been reported recently. In this study the concentrations of MI, BIT, and MCI in water-based paint were analyzed by LC-MS-MS, and the emissions from the paints...... were measured in climate chambers and in an apartment. Nineteen paints were analyzed for the content of MI, MCI, and BIT. All 19 paints contained MI, 16 contained BIT, and 4 contained MCI. In the chamber experiment emission of MI peaked within hours of application but then continued at a slow rate...

  8. Recovery of spray paint traces from clothing by beating.

    Science.gov (United States)

    Olderiks, Maurice; Baiker, Martin; van Velzen, Jill; van der Weerd, Jaap

    2015-03-01

    Manual recovery of spray paints from textiles using a microscope, the routine method in many laboratories, is often laborious. Beating the clothing with a plastic rod, the routine method used for recovery of glass traces within the authors' laboratory, is proposed as an alternative. The efficiency of the method was evaluated by spray tests with fluorescent paint. In these tests, paint particles in the acquired debris samples, as well as those remaining on the textiles, were investigated. The results show that beating is an efficient way to recover and concentrate paint particles. A good efficiency for jeans fabric and rough knitwear is reported. The results appeared to be less satisfactory for smooth woven fabric. Application of the method in casework was effective for graffiti paints as well as for flaked car paint. © 2014 American Academy of Forensic Sciences.

  9. [Effectiveness of a repellent paint against the spider Loxosceles laeta].

    Science.gov (United States)

    Catalán, Alejandro; Araya, Jorge E; Varela, Héctor; Cortés, William; Sagua, Hernán; González Cortés, Jorge

    2009-02-01

    Loxoscelism is a severe reaction to the bite of the spider Loxosceles laeta. In recent years, a paint with repellent properties has been promoted in the commerce. However, there are no reports of experiments evaluating its effectiveness. To evaluate experimentally the repellent properties of a paint against Loxosceles laeta. Males, females and nymphs of L laeta were deposited in cockpits that allow the free displacement of the spider. Half of the cockpit was covered with repellent paint. Daily observations during one week, determined how frequently the spiders occupied the space covered with repellent paint. The experiments were run in triplicate. No statistical differences in the occupancy of spaces covered with repellent paint or not covered with it were observed for nymphs (87% and 67%, respectively), males (72% and 77%, respectively) or females (91% and 84%, respectively). The tested paint does not have a repellent action against the spider Loxosceles laeta.

  10. Self Cleaning Paint: Introduction of Photocatalytic Particles into a Paint System

    DEFF Research Database (Denmark)

    Gunnarsson, Sverrir Grimur

    The current industrial PhD work was aimed at synthesising a photocatalytic composite material which could be used to give organic wood paint films self-cleaning and anti-microbial properties. The current PhD work was done in collaboration between Dyrup A/S and Technical University of Denmark....... The paint industry constantly faces updated restriction on toxic chemicals as for instance biocides which has prompted the search for alternative strategies for increasing the durability of their products. Photocatalysts are generally known to have adverse effects on organic coatings due to the highly...

  11. Performance study of the paints for use in nuclear installations

    International Nuclear Information System (INIS)

    Yamashita, T.

    1978-01-01

    The performance of some Brazilian commercial paints under physical, chemical and radiation conditions typical of nuclear installations is studied. Resistance to gama rays in the range of 10 4 - 10 9 rad as well as the susceptibility to contamination, ease of decontamination and chemical resistance in 9 different types of paints are studied. Finally, suggestions are provided for the best choice of commercial paints according to their specific uses [pt

  12. Study of decontamination and radiation resistance properties of Indian paints

    International Nuclear Information System (INIS)

    Shah, S.M.; Gopinathan, E.; Bhagwath, A.M.

    1976-01-01

    A brief introduction to the study of contamination and radiation resistance properties of Indian paints used as coating for structural materials in the nuclear industry is given. The general composition of paints such as epoxy, vinyl, alkyd, phenolic, chlesimated rubber, etc. is given. Method of sample preparation, processing and actual evaluation of decontaminability are described. The results have been discussed in terms of decontamination factors. Some recommendations based on the performance of the paints studied are also included. (K.B.)

  13. Oxygen-Independent Pressure Sensitive Paint, Phase II

    Data.gov (United States)

    National Aeronautics and Space Administration — Pressure sensitive paint (PSP) systems are excellent tools for performing global pressure measurements in aerodynamic testing, especially in wind tunnel studies. The...

  14. Preventive conservation applied to "Casa dos Patudos" oil painting collection

    Directory of Open Access Journals (Sweden)

    Mafalda Fernandes

    2016-01-01

    Full Text Available The main objective of this work was the identification of specific risks affecting the collection of oil paintings in the historic house "Casa dos Patudos" (Alpiarça, Portugal and the development of mitigation strategies for the risks encountered. The methodology used was proposed by the Canadian Conservation Institute. The results showed that the main risks affecting this collection result from incorrect handling, increase in paint detachment due to the maintenance of paintings with paint lifting on display, occurrence of insect pests, high fluctuations in relative humidity and, excessive exposure to ultraviolet radiation. Several preventive conservation strategies to mitigate these risks are proposed.

  15. Trompe l'oeil painting for the scientific illustrator.

    Science.gov (United States)

    Hodge, G P

    2000-01-01

    Trompe l'oeil is a French term meaning fool-the-eye. When this concept is applied to the art of painting, the painted objects must look as convincingly real as do the actual objects. With the scientific illustrator having a background of rendering concepts which are realistic and accurate, he or she should have no trouble moving into the trompe l'oeil fine art field. The author lists the necessary aspects of why a trompe l'oeil painting is different from a realistic scientific illustration, a still life, or a landscape painting.

  16. Impact on the environment from steel bridge paint deterioration using lead isotopic tracing, paint compositions and soil deconstruction

    International Nuclear Information System (INIS)

    Gulson, Brian; Chiaradia, Massimo; Davis, Jeffrey; O'Connor, Gary

    2016-01-01

    Deterioration and repair of lead paint on steel structures can result in contamination of the ambient environment but other sources of lead such as from past use of leaded paint and gasoline and industrial activities can also contribute to the contamination. Using a combination of high precision lead isotopic tracing, detailed paint examination, including with scanning electron microscopy, and soil deconstruction we have compared paint on a steel bridge and bulk soil and lead-rich particles separated from soil. The majority of Pb found in the paint derives from Australian sources but some also has a probable US origin. The isotopic data for the bulk soils and selected particles lie on a mixing line with end members the geologically ancient Broken Hill lead and possible European lead which is suggested to be derived from old lead paint and industrial activities. Data for gasoline-derived particulates lie on this array and probably contribute to soil Pb. Although paint from the bridge can be a source of lead in the soils, isotopic tracing, paint morphology and mineralogical identification indicate that other sources, including from paint, gasoline and industrial activities, are contributing factors to the lead burden. Even though physical characteristics and elemental composition are the same in some particles, the isotopic signatures demonstrate that the sources are different. Plots using 206 Pb/ 208 Pb vs 206 Pb/ 207 Pb ratios, the common representation these days, do not allow for source discrimination in this investigation. - Highlights: • Soil Pb values up to 1200 mg/kg below Pb painted bridge • Microscopy & SEM characterised up to 6 different paint layers. • Isotopes identified different sources of Pb including paint and gasoline. • Multiple methods provide definitive answers.

  17. Paintings in Atlantic Megalithic Art: Barnenez

    Directory of Open Access Journals (Sweden)

    Bueno Ramírez, Primitiva

    2012-06-01

    Full Text Available The use of technique is usually considered in European megalithic art as an indicator of the level of culture sophistication attained by a particular community. Traditionally, it was considered that only the Iberian Peninsula is home to painted dolmens. The analysis of chamber H of the Barnenez tumulus together with some information scattered over the continent, prove that painting was part of the graphic programs in the most archetypal Atlantic sites, such as Brittany. A highly rewarding panorama appears for European megalithic art with potential new readings. The most suitable method of detecting paintings and interpreting them in funerary contexts must be reviewed.

    La técnica ha venido estableciéndose en el arte megalítico europeo como una categoría cultural. Solo la Península Ibérica disponía de dólmenes pintados. Pero algunos datos dispersos en el resto del continente, junto con los análisis que se aportan procedentes de la cámara H del túmulo de Barnenez, certifican que la pintura formó parte de los programas gráfi cos de los más clásicos conjuntos atlánticos, como es el bretón. Se abre un panorama muy enriquecedor de nuevas lecturas para un arte megalítico europeo en el que habrá de contemplarse la metodología pertinente para la detección de pinturas y su interpretación en los discursos funerarios.

  18. Thermal characterization of intumescent fire retardant paints

    International Nuclear Information System (INIS)

    Calabrese, L; Bozzoli, F; Rainieri, S; Pagliarini, G; Bochicchio, G; Tessadri, B

    2014-01-01

    Intumescent coatings are now the dominant passive fire protection materials used in industrial and commercial buildings. The coatings, which usually are composed of inorganic components contained in a polymer matrix, are inert at low temperatures and at higher temperatures, they expand and degrade to provide a charred layer of low conductivity materials. The charred layer, which acts as thermal barrier, will prevent heat transfer to underlying substrate. The thermal properties of intumescent paints are often unknown and difficult to be estimated since they vary significantly during the expansion process; for this reason the fire resistance validation of a commercial coatings is based on expensive, large-scale methods where each commercial coating-beam configuration has to be tested one by one. Adopting, instead, approaches based on a thermal modelling of the intumescent paint coating could provide an helpful tool to make easier the test procedure and to support the design of fire resistant structures as well. The present investigation is focused on the assessment of a methodology intended to the restoration of the equivalent thermal conductivity of the intumescent layer produced under the action of a cone calorimetric apparatus. The estimation procedure is based on the inverse heat conduction problem approach, where the temperature values measured at some locations inside the layer during the expansion process are used as input known data. The results point out that the equivalent thermal conductivity reached by the intumescent material at the end of the expansion process significantly depends on the temperature while the initial thickness of the paint does not seem to have much effect

  19. Thermal characterization of intumescent fire retardant paints

    Science.gov (United States)

    Calabrese, L.; Bozzoli, F.; Bochicchio, G.; Tessadri, B.; Rainieri, S.; Pagliarini, G.

    2014-11-01

    Intumescent coatings are now the dominant passive fire protection materials used in industrial and commercial buildings. The coatings, which usually are composed of inorganic components contained in a polymer matrix, are inert at low temperatures and at higher temperatures, they expand and degrade to provide a charred layer of low conductivity materials. The charred layer, which acts as thermal barrier, will prevent heat transfer to underlying substrate. The thermal properties of intumescent paints are often unknown and difficult to be estimated since they vary significantly during the expansion process; for this reason the fire resistance validation of a commercial coatings is based on expensive, large-scale methods where each commercial coating-beam configuration has to be tested one by one. Adopting, instead, approaches based on a thermal modelling of the intumescent paint coating could provide an helpful tool to make easier the test procedure and to support the design of fire resistant structures as well. The present investigation is focused on the assessment of a methodology intended to the restoration of the equivalent thermal conductivity of the intumescent layer produced under the action of a cone calorimetric apparatus. The estimation procedure is based on the inverse heat conduction problem approach, where the temperature values measured at some locations inside the layer during the expansion process are used as input known data. The results point out that the equivalent thermal conductivity reached by the intumescent material at the end of the expansion process significantly depends on the temperature while the initial thickness of the paint does not seem to have much effect.

  20. Electronic Paint: Understanding Children's Representation through Their Interactions with Digital Paint

    Science.gov (United States)

    Matthews, John; Seow, Peter

    2007-01-01

    This article investigates very young children's use of a stylus-driven, electronic painting and drawing on the tablet PC. The authors compare their development in the use of this device with their use of other mark-making media, including those which derive from pencil and paper technologies and also with mouse-driven electronic paintbox programs.…

  1. Painting and Poetry: Third Graders' Free-Form Poems Inspired by Their Paintings

    Science.gov (United States)

    Sears, Emilie

    2012-01-01

    It is important to find the means by which struggling writers can find success in the English Language Arts. For students struggling with reading and writing, the visual arts may be a way of accessing and expressing their ideas and ultimately opening up a world of creative possibilities. This article explores drawing and painting as a pre-writing…

  2. The Inverse Perspective in Byzantine Painting

    Directory of Open Access Journals (Sweden)

    Maria Urmă

    2014-11-01

    Full Text Available The inverse perspective is a method of representing spatial depth used only in Byzantine painting. It is different from Renaissance perspective (a method of realistic, conventional, subjective, subject to a single point of view. The inverse perspective, with two-dimensional axonometric representations, is more complex, offering multiple possibilities of symbolization. Various theories have considered either optical-geometric aspect or artistic-cultural aspect as the main factors that generated it. But they have not led to a unified conclusion. This study highlights the common elements of these theories, bringing together the two issues and providing a philosophical-religious interpretation.

  3. Augmenting painted architectures for communicating cultural heritage

    Directory of Open Access Journals (Sweden)

    Alberto Sdegno

    2015-07-01

    Full Text Available The paper presents a research under development at the University of Trieste to analyze a painted architecture by Paolo Veronese and to present the results using AR systems (Augmented Reality Systems. The canvas was painted in 1573 and it is now at the Gallerie dell’Accademia Museum in Venice. The aim of the research was to transform a two-dimensional work of art in a three dimensional one, allowing all the visitors of a museum to enter the space of the representation and perceive it in a more direct way. After the geometrical analysis of the picture, we started the digital restitution of the perspective references and proceed to model the virtual scene using Boolean primitives and applying all the textures to render the scene in a very realistic way. The further step was to convert the model into a dynamic form with AR algorithms and associate it with spatial references to allow users to do a virtual experience of it.

  4. Colour dematerialization in spiritual literature and painting

    Directory of Open Access Journals (Sweden)

    Dadang Sudrajat

    2017-12-01

    Full Text Available Colour in variety of art expression can be interpreted differently. This study is aiming at analyzing the colour dematerialization of Javanese spiritual literature “Falsafah Jeroning Warna” by Suprapto Kadis and a painting by Ahmad Sadali entitled “Gunung Mas”. Research was done by employing qualitative research, while data was collected by observation, interview, discussion, and documentation study. The analysis of meanings in the two art works was done in descriptive way by using the theory and the knowledge of tasawwuf or sufism, the aesthetics, and arts. Results showed that both sufis, Ahmad Sadali and Suprapto Kadis, share similarities in doing dematerialization towards colour. For them, colour was initially taken from nature (the external territory which then experienced dematerialization when it made contact with inspiration that was created from the internal area (mental. On the other hand, the difference between the two art works lies on an understanding that colour in FJW is naturalistic mimesis in nature, meanwhile, the painting of Ahmad Sadali is naturaly abstract.

  5. Emotion in Painting and Art Installations.

    Science.gov (United States)

    Konečni, Vladimir J

    2015-01-01

    Paintings are static 2-dimensional images with limited narrative means. On the basis of a critical analysis of the relevant laboratory scaling studies, museum studies, and neuroaesthetic work, the article reaches a negative conclusion about most paintings' ability to engage sufficiently with general viewers' associative-memory systems, so as to lead to identification and empathy, and induce fundamental psychobiological emotions. In contrast, designers of art installations can draw on subtle combinations of several classes of stimulus properties with psychological significance subsumable under the classical concept of the sublime (physical grandeur, rarity, an association with beauty and with biologically significant outcomes), so that some installations may induce the peak aesthetic emotional response, aesthetic awe--as defined in Aesthetic Trinity Theory (Konečni, 2005, 2011), along with the states of being moved and physiological thrills. The approach also involves an analytical skepticism about emotivism, defined as a culturological proclivity for unnecessary insertion of emotion into accounts of mental life and behavior, especially in the arts. Implications for the role of emotion theory in empirical aesthetics are examined.

  6. Equidistant Intervals in Perspective Photographs and Paintings

    Science.gov (United States)

    2016-01-01

    Human vision is extremely sensitive to equidistance of spatial intervals in the frontal plane. Thresholds for spatial equidistance have been extensively measured in bisecting tasks. Despite the vast number of studies, the informational basis for equidistance perception is unknown. There are three possible sources of information for spatial equidistance in pictures, namely, distances in the picture plane, in physical space, and visual space. For each source, equidistant intervals were computed for perspective photographs of walls and canals. Intervals appear equidistant if equidistance is defined in visual space. Equidistance was further investigated in paintings of perspective scenes. In appraisals of the perspective skill of painters, emphasis has been on accurate use of vanishing points. The current study investigated the skill of painters to depict equidistant intervals. Depicted rows of equidistant columns, tiles, tapestries, or trees were analyzed in 30 paintings and engravings. Computational analysis shows that from the middle ages until now, artists either represented equidistance in physical space or in a visual space of very limited depth. Among the painters and engravers who depict equidistance in a highly nonveridical visual space are renowned experts of linear perspective. PMID:27698983

  7. Marking tree seeds with spray paint for germination studies

    Science.gov (United States)

    R. Kasten Dumroese

    2003-01-01

    I evaluated the potential use of spray paint for marking conifer seeds for germination studies in forest nurseries. For bulk seedlots of large-seeded species like western white pine (Pinus monticola), ponderosa pine (Pinus ponderosa), and Douglas-fir (Pseudotsuga menziesii), paint had little or no effect on six...

  8. Chromatic changes on the wall paintings in Sanderum Church (Denmark)

    DEFF Research Database (Denmark)

    Brajer, Isabelle Eve; Christensen, Mads Christian

    2011-01-01

    This paper describes observations and results of analyses undertaken to find explanations for several phenomena affecting the colours on the Gothic wall paintings in Sanderum Church (Denmark). Paintings have been exposed on four webs of the chancel vault and one web in the nave since 1882. Three ...

  9. Gerbrand Bredero wants to borrow a painting: proleptic negotiation

    NARCIS (Netherlands)

    Jansen, J.

    2013-01-01

    In a letter to Badens, his painting teacher, Gerbrand Bredero asks for the loan of a painting to make a copy of it. The act of writing (a letter) requires a proactive role in managing the reader’s reactions. In what at first sight may look like a simple, insignificant and most of all polite letter,

  10. Sanding dust from nanoparticle-containing paints: Physical characterisation

    Science.gov (United States)

    Koponen, I. K.; Jensen, K. A.; Schneider, T.

    2009-02-01

    Increasing use of nanoparticles in different industrial applications has raised a new potential health risk to the workers as well as to the consumers. This study investigates the particle size distributions of sanding dust released from paints produced with and without engineered nanoparticles. Dust emissions from sanding painted plates were found to consist of five size modes; three modes under 1 μm and two modes around 1 and 2 μm. We observed that the sander was the only source of particles smaller than 50 nm and they dominated the number concentration spectra. Mass and surface area spectra were dominated by the 1 and 2 μm modes. Addition of nanoparticles caused only minor changes in the geometric mean diameters of the particle modes generated during sanding of two paints doped with 17 nm TiO2 and 95 nm Carbon Black nanoparticles as compared to the size modes generated during sanding a conventional reference paint. However, the number concentrations in the different size modes varied considerably in between the two NP-doped paints and the reference paint. Therefore, from a physical point of view, there may be a difference in the exposure risk during sanding surfaces covered with nanoparticle-based paints as compared to sanding conventional paints.

  11. Chromatic changes on the wall paintings in Sanderum Church (Denmark)

    DEFF Research Database (Denmark)

    Brajer, Isabelle Eve; Christensen, Mads Christian

    2011-01-01

    This paper describes observations and results of analyses undertaken to find explanations for several phenomena affecting the colours on the Gothic wall paintings in Sanderum Church (Denmark). Paintings have been exposed on four webs of the chancel vault and one web in the nave since 1882. Three...

  12. 40 CFR 745.65 - Lead-based paint hazards.

    Science.gov (United States)

    2010-07-01

    ... this section. (2) Any damaged or otherwise deteriorated lead-based paint on an impact surface that is caused by impact from a related building component (such as a door knob that knocks into a wall or a door... evidence of teeth marks. (4) Any other deteriorated lead-based paint in any residential building or child...

  13. Sanding dust from nanoparticle-containing paints: Physical characterisation

    International Nuclear Information System (INIS)

    Koponen, I K; Jensen, K A; Schneider, T

    2009-01-01

    Increasing use of nanoparticles in different industrial applications has raised a new potential health risk to the workers as well as to the consumers. This study investigates the particle size distributions of sanding dust released from paints produced with and without engineered nanoparticles. Dust emissions from sanding painted plates were found to consist of five size modes; three modes under 1 μm and two modes around 1 and 2 μm. We observed that the sander was the only source of particles smaller than 50 nm and they dominated the number concentration spectra. Mass and surface area spectra were dominated by the 1 and 2 μm modes. Addition of nanoparticles caused only minor changes in the geometric mean diameters of the particle modes generated during sanding of two paints doped with 17 nm TiO2 and 95 nm Carbon Black nanoparticles as compared to the size modes generated during sanding a conventional reference paint. However, the number concentrations in the different size modes varied considerably in between the two NP-doped paints and the reference paint. Therefore, from a physical point of view, there may be a difference in the exposure risk during sanding surfaces covered with nanoparticle-based paints as compared to sanding conventional paints.

  14. Historical evolution of oil painting media: A rheological study

    Science.gov (United States)

    de Viguerie, Laurence; Ducouret, Guylaine; Lequeux, François; Moutard-Martin, Thierry; Walter, Philippe

    2009-09-01

    Rheology is the science of flow, which is a phenomenon found in every painting operation, such as decorative paintings or protective coatings. In this article, the principles of rheology as applied to paintings and coatings are recalled in a first part and the rheological criteria required in the paint industry presented. Indeed, different flow behaviours leads to different finishes. The same procedure and techniques as in industry can be employed to explain some evolutions in oil painting aspects over the centuries. The first recipes for oil painting indicate the use of treated oil, resins and spirits. This article deals with the evolution of the composition of these systems as media for oil painting, according to rheological clues. During the Renaissance period, the media used were Newtonian or slightly shear thinning and allowed one a perfect levelling. Then techniques changed, paints became more opaque with less addition of oil/resin media, and brushstrokes appeared visible. Some preparations containing lead, oil and mastic resin, whose flow behaviour is closed to those required in industry, may have appeared during the 17th century and are still used and sold today. To cite this article: L. de Viguerie et al., C. R. Physique 10 (2009).

  15. Finite Element Modeling of Vibrations in Canvas Paintings

    NARCIS (Netherlands)

    Chiriboga Arroyo, P.G.

    2013-01-01

    Preventing vibration damage from occurring to valuable and sensitive canvas paintings is of main concern for museums and art conservation institutions. This concern has grown in recent years due to the increasing demand of paintings for exhibitions worldwide and the concomitant need for their

  16. Images of power in contemporary Nigerian paintings | Gbaden ...

    African Journals Online (AJOL)

    Contemporary Nigerian paintings are replete with images and notions of power and power relations among the ethnically pluralistic peoples of Nigeria. This paper presents a select number of paintings that best manifest the idea of how power is depicted and how power influences human thinking and aspiration from a ...

  17. SUBSTRATE EFFECTS ON VOC EMISSIONS FROM A LATEX PAINT

    Science.gov (United States)

    The effects of two substrates -- a stainless steel plate and a gypsum board -- on the volatile organic compound (VOC) emissions from a latex paint were evaluated by environmental chamber tests. It was found that the amount of VOCs emitted from the painted stainless steel was 2 to...

  18. Artists' Perception of the Use of Digital Media in Painting

    Science.gov (United States)

    Agyeman, Cynthia A.

    2015-01-01

    Painting is believed to predate recorded history and has been in existence for over 35,000 (Ayres, 1985; Bolton, 2013) years. Over the years, painting has evolved; new styles have been developed and digital media have been explored. Each period of change goes through a period of rejection before it is accepted. In the 1960s, digital media was…

  19. Dissolution of organic solvents from painted surfaces into water

    International Nuclear Information System (INIS)

    Wren, J.C.; Jobe, D.J.; Sanipelli, G.G.; Ball, J.M.

    2000-01-01

    The presence of volatile iodine in containment buildings is one of the major safety concerns in the potential event of nuclear reactor accidents. Organic impurities in containment water, originating from various painted structural surfaces and organic materials, could have a significant impact on iodine volatility following an accident. To determine the source and magnitude of organic impurities and their effects on time-dependent iodine volatility, the dissolution for organic constituents from paints used in reactor buildings has been studied under postulated accident conditions. The studies of the organic dissolution from carbon steel coupons coated with zinc-primed vinyl, epoxy-primed polyurethane or epoxy paints over the temperature range 25-90 deg C are reported. Relatively large activation energies were measured for the release of the principal organic compounds from painted surfaces, suggesting it is the release of the solvents from the paint matrix rather than their diffusion through the solution that is the rate determining step for the dissolution mechanism. The similarities in the values of activation energies for the dissolution of different organic compounds from the paints suggest the release rate is independent of the nature of the painted surface or the type of organic being released from the surface. These two observations indicate that it may be possible to write a generalized rate expression for the release of organic compounds from painted surfaces in containment following an accident. The possible implications of these results for predicting iodine volatility in containment are also discussed. (author)

  20. Classical elements in the Serbian painting of the fourteenth century

    Directory of Open Access Journals (Sweden)

    Gligorijević-Maksimović Mirjana

    2007-01-01

    Full Text Available In the early 14th century influences of a new style emanating from Constantinople contained reminiscences of classical ideas and forms (contents of compositions, the painted landscape, the human figures, genre scenes based on everyday life, classical figures, personifications and allegorical figures. Towards the end of the century classical influences in painting began to wane.

  1. 75 FR 18237 - Natural Bristle Paint Brushes From China

    Science.gov (United States)

    2010-04-09

    ... COMMISSION Natural Bristle Paint Brushes From China AGENCY: United States International Trade Commission... duty order on natural bristle paint brushes from China. SUMMARY: The Commission hereby gives notice....C. 1675(c)(5)) to determine whether revocation of the antidumping duty order on natural bristle...

  2. 75 FR 21347 - Natural Bristle Paint Brushes From China

    Science.gov (United States)

    2010-04-23

    ... COMMISSION Natural Bristle Paint Brushes From China AGENCY: United States International Trade Commission. ACTION: Scheduling of a full five-year review concerning the antidumping duty order on natural bristle... whether revocation of the antidumping duty order on natural bristle paint brushes from China would be...

  3. 75 FR 39706 - Natural Bristle Paint Brushes From China

    Science.gov (United States)

    2010-07-12

    ... From the Federal Register Online via the Government Publishing Office INTERNATIONAL TRADE COMMISSION Natural Bristle Paint Brushes From China AGENCY: United States International Trade Commission... the antidumping duty order on natural bristle paint brushes from China (75 FR 21347, April 23, 2010...

  4. Facial Types in Painting and Recognition Skills: Laymen as Connoisseurs

    NARCIS (Netherlands)

    Stumpel, J.F.H.J.|info:eu-repo/dai/nl/075059185; Schenk, Astrid

    The history of art attribution in painting demonstrates that connoisseurs compare faces and facial features in their efforts to ascribe paintings to regions, schools, workshops and specific artists. Connoisseurs do not generally reflect on their application of face recognition or its importance.

  5. 33 CFR 118.140 - Painting bridge piers.

    Science.gov (United States)

    2010-07-01

    ... 33 Navigation and Navigable Waters 1 2010-07-01 2010-07-01 false Painting bridge piers. 118.140 Section 118.140 Navigation and Navigable Waters COAST GUARD, DEPARTMENT OF HOMELAND SECURITY BRIDGES BRIDGE LIGHTING AND OTHER SIGNALS § 118.140 Painting bridge piers. The District Commander may require...

  6. Development of amino resins for emulsion paint formulation: effect of ...

    African Journals Online (AJOL)

    SERVER

    2007-11-19

    Nov 19, 2007 ... molecules (Johnson and Wilkes, 2001). Density. In the coating industry, the density of the paint binder has a profound influence on factors such as pigment disper- sion, brushability of paint, flow, leveling and sagging. (Lowel, 1990). Figure 6 shows the effect of aldehydic group and degree of substitution on ...

  7. The Monetary Appreciation of Paintings : From Realism to Magritte

    NARCIS (Netherlands)

    Renneboog, L.D.R.; van Houte, T.

    1999-01-01

    This study investigates how investments in painted arts compare to those in stocks in terms of risk return trade off using Sharpe and Treynor ratios and Markowitz efficient frontiers. A large database was analysed consisting of more than 10500 auction prices of Belgian painted art over the period

  8. Automotive Painting Technology A Monozukuri-Hitozukuri Perspective

    CERN Document Server

    Salazar, Abraham; Saito, Kozo

    2013-01-01

    This book offers unique and valuable contributions to the field. It offers breadth and inclusiveness. Most existing works on automotive painting cover only a single aspect of this complex topic, such as the chemistry of paint or paint booth technology. Monozukuri and Hitozukuri are Japanese terms that can be translated as “making things” and “developing people” but their implications in Japanese are richer and more complex than this minimal translation would indicate. The Monozukuri-Hitozukuri perspective is drawn from essential principles on which the Toyota approach to problem-solving and continuous improvement is based. From this perspective, neither painting technology R&D nor painting technology use in manufacturing can be done successfully without integrating technological and human concerns involved with making and learning in the broadest sense, as the hyphen is meant to indicate. The editors provide case studies and examples -- drawn from Mr. Toda’s 33 years of experience with automotiv...

  9. TeraHertz imaging of hidden paint layers on canvas.

    Science.gov (United States)

    Adam, Aurèle J L; Planken, Paul C M; Meloni, Sabrina; Dik, Joris

    2009-03-02

    We show terahertz reflection images of hidden paint layers in a painting on canvas and compare the results with X-ray Radiography and In-frared Reflectography. Our terahertz measurements show strong reflections from both the canvas/paint interface and from the raw umber/lead white interface, indicating sufficient refractive-index contrast. Our results show that X-rays cannot be used to image through the lead white pigment which effectively blocks the X-rays. Although Infrared Reflectography is capable of vaguely observing the hidden paint strokes from the canvas side, we show that only terahertz imaging is capable of providing information on the thickness of the hidden paint layers. Terahertz imaging is thus shown to be a powerful imaging method for art historians, conservators and conservation scientists.

  10. Transmittance spectroscopy and transmitted multispectral imaging to map covered paints

    Directory of Open Access Journals (Sweden)

    Antonino Cosentino

    2016-01-01

    Full Text Available Transmitted spectroscopy and transmitted multispectral imaging in the 400-900 nm range have been applied for the mapping and tentative identification of paints covered by a white preparation as in the case of a ground laid for reusing a canvas for another painting. These methods can be applied to polychrome works of art, as long as their support and new preparation are sufficiently translucent. This work presents the transmittance spectra acquired from a test board consisting of a prepared canvas with swatches of 54 pigments covered with titanium white and the multispectral images realized with transmitted light to map covered paints on a mock-up painting. It was observed that 18 out of 54 historical pigments provide characteristic transmittance spectra even underneath a titanium white preparation layer and that transmitted light multispectral imaging can map hidden paint layers.

  11. Clay ground in paintings: from Northern to Southern Europe

    DEFF Research Database (Denmark)

    Buti, David; Vila, Anna; Haack Christensen, Anne

    The use of clay grounds containing quartz was first observed in the Netherlands in artworks from Rembrandt’s workshop after 1640 [1, 2]. In addition, contemporary written sources outside the Netherlands mention this practice in Italy and Spain [2]. However, the reason for using clay...... as a constituent in paintings has still not been much investigated, neither with regard to the processing nor the trade of the material. Did it give a particular colour/structure in order to achieve a specific final effect of the painted surface? Was clay cheaper than chalk, calcium sulphate or earth pigments? Did...... it give more flexibility to the painting support? Was it connected to the tile industry? Was it a waste/reuse from the ceramic production? To better understand the role of clay ground as a material and its influence on painting techniques, a number of Danish and Italian 17th century paintings from...

  12. Fly ash based zeolitic pigments for application in anticorrosive paints

    International Nuclear Information System (INIS)

    Shaw, Ruchi; Tiwari, Sangeeta

    2016-01-01

    The purpose of this work is to evaluate the utilization of waste fly ash in anticorrosive paints. Zeolite NaY was synthesized from waste fly ash and subsequently modified by exchanging its nominal cation Na + with Mg 2+ and Ca 2+ ions. The metal ion exchanged zeolite was then used as anticorrosive zeolitic pigments in paints. The prepared zeolite NaY was characterized using X-Ray diffraction technique and Scanning electron microscopy. The size, shape and density of the prepared fly ash based pigments were determined by various techniques. The paints were prepared by using fly ash based zeolitic pigments in epoxy resin and the percentages of pigments used in paints were 2% and 5%. These paints were applied to the mild steel panels and the anticorrosive properties of the pigments were assessed by the electrochemical spectroscopy technique (EIS).

  13. Nanocomposite functional paint sensor for infrared detecting and energy harvesting

    Science.gov (United States)

    Batra, Ashok K.; Bohara, Bir B.; Alomari, Almuatasim; Glenn, Chance M.; Currie, James R.

    2017-04-01

    This article reports the functionality of Paint/PMN-PT and Paint/PLZT composite films for use in pyroelectric infrared sensors and energy conversion devices. Smart Paint/Lead Magnesium Niobate-Lead Titanate (Paint/PMN-PT) and Paint/Lead Lanthanum Zirconate Titanate (Paint-PLZT) nanocomposite films have been fabricated by the conventional paint-brushing technique on copper substrate. The pyroelectric, piezoelectric, and dielectric properties of the composite films were measured for their use in uncooled infrared detectors and thermal energy conversion devices. The properties investigated include: dielectric constants (epsilon' and epsilon''); pyroelectric coefficient (p); and energy conversion performance. From the foregoing parameters, material's figure-of-merits, for infrared detection and thermal energy conversion, were calculated. The results indicated that paint composite films are functional and figure-of-merits increase with increase in amount of PMN-PT and PLZT nanoparticles in paint matrix. Based on the preliminary results obtained, composite films are reasonably attractive for use in uncooled thermal sensing elements, and thermal energy conversion devices for low power applications, especially in applications where flexible and curved surface sensors are required. With these factors in consideration, a novel cantilever system is designed and examined for its performance. The highest voltage output and power accomplished were 65 mV and 1 nano-Watts, respectively for a particular structure with a broad frequency response operating in the 31 mode of Paint/PMN-PT based harvester. Efforts have been made to investigate the performance of nanocomposite films on copper substrate to mechanical vibrations and thermal variations as well. Thus, could be utilized for energy scavenging combining piezoelectric and pyroelectric effects.

  14. THz pulsed time-domain imaging of an oil canvas painting: a case study of a painting by Pablo Picasso

    Science.gov (United States)

    Fukunaga, Kaori; Ikari, Tomofumi; Iwai, Kikuko

    2016-02-01

    The terahertz pulsed time-domain imaging technique and near-infrared observation were applied to investigate an oil painting on canvas by Pablo Picasso. The multilayer structure is clearly observed in cross-sectional image by terahertz pulsed time-domain imaging, and particular Cubism style lines were revealed under newly painted area by near-infrared image.

  15. 41 CFR 101-42.1102-7 - Lead-containing paint and items bearing lead-containing paint.

    Science.gov (United States)

    2010-07-01

    ... coatings (i.e., products marketed solely for application on billboards, road signs, and similar uses and... exempted by 16 CFR part 1303, are banned hazardous products: (i) Paint and other similar surface coating... paint may be stripped and refinished with a nonhazardous coating in lieu of destruction. Stripping shall...

  16. Dermal exposure due to airless spray painting : a semi-experimental study during spray painting of a container

    NARCIS (Netherlands)

    Lansink, C.J.M.; Hengstum, C. van; Brouwer, D.H.

    1998-01-01

    In this study dermal exposure by spray painting has been investigated. After a pilot-study it was decided to start a study in the offshore industry, where the airless spray painting technique was used. The main purpose of the present study was to determine the range of potential dermal exposure to

  17. CAPSTONE REPORT ON THE DEVELOPMENT OF A STANDARD TEST METHOD FOR VOC EMISSIONS FROM INTERIOR LATEX PAINT AND ALKYD PAINTS

    Science.gov (United States)

    The report gives details of a small-chamber test method developed by the EPA for characterizing volatile organic compound (VOC) emissions from interior latex and alkyd paints. Current knowledge about VOC, including hazardous air pollutant, emissions from interior paints generated...

  18. CHARACTERIZATION OF LOW-VOC LATEX PAINTS: VOLATILE ORGANIC COMPOUND CONTENT, VOC AND ALDEHYDE EMISSIONS, AND PAINT PERFORMANCE

    Science.gov (United States)

    The report gives results of laboratory tests to evaluate commercially available latex paints advertised as "low-odor," "low-VOC (volatile organic compound)," or "no-VOC." Measurements were performed to quantify the total content of VOCs in the paints...

  19. 76 FR 56136 - Lead-Based Paint Renovation, Repair and Painting, and Pre-Renovation Education Activities in...

    Science.gov (United States)

    2011-09-12

    ... final TSCA section 406(b) regulations governing pre-renovation education requirements in target housing... Paint Renovation, Repair and Painting, and Pre- Renovation Education Activities in Target Housing and Child Occupied Facilities; North Carolina and Mississippi; Notice of Self- certification Program...

  20. Non-invasive in situ Examination of Colour Changes of Blue Paints in Danish Golden Age Paintings

    DEFF Research Database (Denmark)

    Buti, David; Vila, Anna; Filtenborg, Troels Folke

    A non-invasive study of some paintings containing areas of paint with a Prussian blue component has been conducted at the Statens Museum for Kunst. The in situ campaign has been carried out with a range of different spectroscopic portable techniques, provided by the MOLAB transnational access...... within the IPERION-CH European Infrastructure (http://www.iperionch.eu/). Visual examination of the paintings, highlights of the Danish Golden Age collection, revealed a significant degree of fading of the blue paint in areas exposed to the light, when compared with those protected by the rebate...... impermanence and behaviour following light exposure [1, 2]. Several papers have been published investigating this phenomenon [2, 3] on laboratory paint models. By means of X-ray fluorescence (XRF), Fourier-transformed infrared spectroscopy (FTIR), UV-vis-NIR reflectance spectroscopy and digital microscopy...

  1. 'Dose-painting': Myth or reality?; 'Dose-painting': mythe ou realite?

    Energy Technology Data Exchange (ETDEWEB)

    Supiot, S.; Paris, F. [Service de radiotherapie, centre Rene-Gauducheau, 44 - Nantes-St-Herblain (France); Centre de recherche sur le cancer Nantes-Angers (CRCNA), institut de recherche therapeutique, universite de Nantes, 44 - Nantes (France); Inserm UMR 892, 44 - Nantes (France); Lisbona, A. [Centre de recherche sur le cancer Nantes-Angers (CRCNA), institut de recherche therapeutique, universite de Nantes, 44 - Nantes (France); Inserm UMR 892, 44 - Nantes (France); Service de radiophysique, centre Rene-Gauducheau, 44 - Nantes-St-Herblain (France); Azria, D. [Service de radiotherapie, centre Val d' Aurelle Paul-Lamarque, 34 - Montpellier (France); Fenoglietto, P. [Service de radiophysique, centre Val d' Aurelle Paul-Lamarque, 34 - Montpellier (France)

    2010-10-15

    'Dose-painting' radiotherapy allows for a heterogeneous delivery of radiation within the tumour volume by targeting radioresistant areas defined by functional imaging. Within gross tumour volume, it is possible to define one or more target volumes based on biology (biological target volume [BTV]) and to apply a strategy of intensity modulated radiation therapy (IMRT) that will deliver a higher dose to these regions. In this review of the literature, we will highlight the biological elements responsible for radioresistance, and how to image them, then we will detail the radiotherapy techniques necessary for this approach, before presenting clinical results in various situations (head and neck tumours, prostate, brain tumours, etc.). Despite many difficulties that make dose-painting IMRT unusable in routine nowadays, biology-guided radiation therapy represents one of the major pathways of development of radiotherapy in the coming years. (authors)

  2. Multiplexed 3D Cellular Super-Resolution Imaging with DNA-PAINT and Exchange-PAINT

    Science.gov (United States)

    Jungmann, R.; Avendano, M.S.; Woehrstein, J.B.; Dai, M.; Shih, W.M.; Yin, P.

    2014-01-01

    While super-resolution fluorescence microscopy is a powerful tool for biological research, obtaining multiplexed images for a large number of distinct target species remains challenging. Here we use the transient binding of short fluorescently labeled oligonucleotides (DNA-PAINT, point accumulation for imaging in nanoscale topography) for simple and easy-to-implement multiplexed 3D super-resolution imaging inside fixed cells and achieve sub-10 nm spatial resolution in vitro using synthetic DNA structures. We also report a novel approach for multiplexing (Exchange-PAINT) that allows sequential imaging of multiple targets using only a single dye and a single laser source. We experimentally demonstrate ten-“color” super-resolution imaging in vitro on synthetic DNA structures and four-“color” imaging of proteins in a fixed cell. PMID:24487583

  3. Local Treatment for Monochrome Outdoor Painted Metal Sculptures: Assessing the suitability of conservation paints for retouching

    OpenAIRE

    van Basten, Nikki; Defeyt, Catherine; Rivenc, Rachel

    2015-01-01

    When outdoor painted sculptures get chipped, scratched or abraded, conservators might consider local retouching treatments as an option that would protect the exposed metal substrate and restore the aesthetic integrity, thus postponing a very costly and invasive overall repainting. Unfortunately, matching colour gloss and texture on large monochrome surfaces is always challenging. This paper reports on research undertaken to investigate some of the materials and application techniques that co...

  4. Application of Gold Nanoparticles to Paint Colorants

    Science.gov (United States)

    Ishibashi, Hideo

    Metal nanoparticles possess unique properties that they do not exhibit in their bulk states. One of these properties is the color due to surface plasmon resonance. Gold nanoparticles appear red. This color has been utilized in glass for a long long time. In recent years, highly concentrated pastes of gold and silver nanoparticles have been successfully produced by using a special type of protective polymer and a mild reductant. The paste of gold nanoparticles can be used for paint and other materials as red colorants. In this article,application examples of gold nanoparticles as colorant are introduced. Recently, methods for producing bimetal nanoparticles such as gold/silver and gold/copper have been developed. These nanoparticles allow colors from yellow to green to be created. These methods and colors they produce are also described in this article.

  5. Diuretic plants in the paintings of Pompeii.

    Science.gov (United States)

    Melillo, L

    1994-01-01

    The plants that appear in the paintings and mosaics of Pompeii are chiefly edible and medicinal, though flowers with purely esthetic appeal are also shown. An important example is one of the floor mosaics from the House of the Faun, in which it is possible to identify lemon, cherry, strawberry, pomegranate, grape and olive, leaves of grape, fig, apple and olive, and flowers of corn cockle. The diuretic properties of some of these plants are mentioned in the Naturalis Historia of Pliny the Elder. A silver cup from the House of Menandro, one of the most refined examples of plant decoration in antiquity, shows olive branches and fruits. The presence of plants in such artefacts confirms that people of classical times were conscious that plants were important producers of food, oils, fibers, woods and medicines.

  6. Paint compositions for indicating irradiation dose

    International Nuclear Information System (INIS)

    Maruyama, T.; Murata, K.

    1975-01-01

    Paint compositions for indicating irradiation dose are prepared from chlorine-combined polyester, 5 to 30 percent by weight of a reductive discoloring substance or a mixture of said substances, and/or 0.005 to 2.0 percent by weight of a reducing dyestuff or a mixture of said dyestuffs, in which said chlorine-combined polyester is obtained by a chlorinated dibasic acid or its anhydride as an acid component or a part of an acid component selected from a group consisting of 3-chlorophthalic acid, 4-chlorophthalic acid, dichlorinated phthalic acid, tetrachlorophthalic acid, 1,4,5,6,7,7-hexachlorobicyclo-(2,2,1)-5-heptene-2,3-dicarboxylic acid, 4-chloro-4-cyclohexene-1,2-dicarboxylic acid and the anhydrides corresponding to said acids. (auth)

  7. Preparation and Application of Temperature Sensitive Paintings

    Science.gov (United States)

    Li, Chi

    2015-11-01

    Temperature sensitive painting (TSP) is a rapidly developing surface optical measurement technology, which uses temperature sensitive fluorescent probe molecular to obtain the temperature distribution on the surface of the model. Two different types of TSP material are prepared to apply in fluid mechanical experiments. Rhodamine is used as fluorescer and acetone as solvent for the first recipe, while rare earth material as fluorescer and zirconia as solvent for the second recipe. With proper calibration, surface temperature nephogram and temperature gradient nephogram is obtained based on the measured light intensity data, and transition location and heat flux is analyzed. Double layer - multi component TSP measurement technology and more strict calibration will be developed in the near future to get more precise heat flux distribution.

  8. Judgement of paintings belonging to different tendencies in the 20th century painting

    Directory of Open Access Journals (Sweden)

    Radonjić Ana

    2004-01-01

    Full Text Available In this study Trifunović’ hypothesis that there are three objective lines in the development of modern art was psychologically evaluated. According to Trifunović, in the first line (Cézanne - cubism - neoplasticism - suprematism the geometrization of form prevails, in the second (Van Gogh - expressionism - abstract expressionism the use of color is dominant, whereas the main features of the third line (Gauguin - fauvism are symbolic use of color and reduction of perspective. Fifteen reproductions of paintings that represent the three developmental lines were used as stimuli. The subjects were asked to judge the stimuli on nine bipolar 7-step scales. These scales constitute the three factors of instrument SDF 9: Evaluation, Arousal and Regularity (3 scales x 3 factors = 9 scales. Four clusters of paintings were obtained: Abstract-expressionistic (moderate Evaluation, high Arousal and low Regularity, Figural-expressionistic (very low Evaluation, low Arousal and high Regularity, Constructivistic (moderate Evaluation, low Arousal and high Regularity and Realistic (high Evaluation, high Arousal and high Regularity. The results partially confirm Trifunović’ hypothesis indicating that, besides the formal features, the content (abstract vs. figural is also significant factor of subjective clustering of paintings.

  9. The art in science: electron microscopy and paintings conservation

    International Nuclear Information System (INIS)

    Waters, L.

    2003-01-01

    Full text: When examining a painting, a conservator uses many different and complementary methods of analysis to build an understanding of the materials and way the painting was constructed. Common methods of examination include x-radiography, infrared reflectography, ultraviolet fluorescence and optical microscopy of the surface of the painting. Minute samples of paint prepared as cross-sections are sometimes taken for optical examination under the microscope, and it is these that can, conveniently, be further analysed with electron microscopy to yield another level of information. Electron microscopy has a valuable role to play within the examination of paintings, be it for pigment identification alone, or at the other end of the spectrum, for informing issues around the attribution of works of art. This paper provides an overview of the use of electron microscopy in the conservation of paintings by discussing examples of work undertaken by the National Gallery of Victoria and the CSIRO. Work described includes the problem of distinguishing between restorers' original paint in a landscape by Arthur Streeton, and the examination of the ground or priming layer in a Rembrandt portrait which clarified its attribution to his studio. Copyright (2003) Australian Microbeam Analysis Society

  10. Reappraising abstract paintings after exposure to background information.

    Science.gov (United States)

    Park, Seongmin A; Yun, Kyongsik; Jeong, Jaeseung

    2015-01-01

    Can knowledge help viewers when they appreciate an artwork? Experts' judgments of the aesthetic value of a painting often differ from the estimates of naïve viewers, and this phenomenon is especially pronounced in the aesthetic judgment of abstract paintings. We compared the changes in aesthetic judgments of naïve viewers while they were progressively exposed to five pieces of background information. The participants were asked to report their aesthetic judgments of a given painting after each piece of information was presented. We found that commentaries by the artist and a critic significantly increased the subjective aesthetic ratings. Does knowledge enable experts to attend to the visual features in a painting and to link it to the evaluative conventions, thus potentially causing different aesthetic judgments? To investigate whether a specific pattern of attention is essential for the knowledge-based appreciation, we tracked the eye movements of subjects while viewing a painting with a commentary by the artist and with a commentary by a critic. We observed that critics' commentaries directed the viewers' attention to the visual components that were highly relevant to the presented commentary. However, attention to specific features of a painting was not necessary for increasing the subjective aesthetic judgment when the artists' commentary was presented. Our results suggest that at least two different cognitive mechanisms may be involved in knowledge- guided aesthetic judgments while viewers reappraise a painting.

  11. Reappraising abstract paintings after exposure to background information.

    Directory of Open Access Journals (Sweden)

    Seongmin A Park

    Full Text Available Can knowledge help viewers when they appreciate an artwork? Experts' judgments of the aesthetic value of a painting often differ from the estimates of naïve viewers, and this phenomenon is especially pronounced in the aesthetic judgment of abstract paintings. We compared the changes in aesthetic judgments of naïve viewers while they were progressively exposed to five pieces of background information. The participants were asked to report their aesthetic judgments of a given painting after each piece of information was presented. We found that commentaries by the artist and a critic significantly increased the subjective aesthetic ratings. Does knowledge enable experts to attend to the visual features in a painting and to link it to the evaluative conventions, thus potentially causing different aesthetic judgments? To investigate whether a specific pattern of attention is essential for the knowledge-based appreciation, we tracked the eye movements of subjects while viewing a painting with a commentary by the artist and with a commentary by a critic. We observed that critics' commentaries directed the viewers' attention to the visual components that were highly relevant to the presented commentary. However, attention to specific features of a painting was not necessary for increasing the subjective aesthetic judgment when the artists' commentary was presented. Our results suggest that at least two different cognitive mechanisms may be involved in knowledge- guided aesthetic judgments while viewers reappraise a painting.

  12. Reassessing the extent of the Q classification for containment paint

    International Nuclear Information System (INIS)

    Spires, G.

    1995-01-01

    A mounting number of site-specific paint debris transport and screen clogging analyses submitted to justify substandard containment paint work have been deemed persuasive by virtue of favorable U.S. Nuclear Regulatory Commission safety evaluation report (SER) findings. These lay a strong foundation for a standardized approach to redefining the extent to which paint in containment needs to be considered open-quotes Q.close quotes This information justifies an initiative by licensees to roll back paint work quality commitments made at the design phase. This paper questions the validity of the basic premise that all primary containment paint can significantly compromise core and containment cooling [emergency core cooling system/engineered safeguard feature (ECCS/ESF)]. It is posited that the physical extent of painted containment surfaces for which extant material qualification and quality control (QC) structures need apply can be limited to zones relatively proximate to ECCS/ESF suction points. For other painted containment surfaces, simplified criteria should be allowed

  13. CORROSION RESISTANCE OF WATER-THINNABLE PAINT SYSTEMS

    Directory of Open Access Journals (Sweden)

    Jiří Votava

    2013-12-01

    Full Text Available Anticorrosion protection on the basis of water-thinnable paint systems belongs among one of ecological ways of protection of metal parts. The aim of the experiment was to test corrosion resistance of water-thinnable systems Eternal antikor speciál V9503 and Colorlak aquarex V2115 in the salt spray environment according to the norm ČSN ISO 9227. Ductility of used paint systems in complience with the norm ČSN EN ISO 1520 will be also tested, it is a test according to Erichsen. At the end of the experiment measurement, the corrosion speed depending on paint coating thickness was analyzed.

  14. Photonic Paint Developed with Metallic Three-Dimensional Photonic Crystals

    Science.gov (United States)

    Sun, Po; Williams, John D.

    2012-01-01

    This work details the design and simulation of an inconspicuous photonic paint that can be applied onto an object for anticounterfeit and tag, track, and locate (TTL) applications. The paint consists of three-dimensional metallic tilted woodpile photonic crystals embedded into a visible and infrared transparent polymer film, which can be applied to almost any surface. The tilted woodpile photonic crystals are designed with a specific pass band detectable at nearly all incident angles of light. When painted onto a surface, these crystals provide a unique reflective infra-red optical signature that can be easily observed and recorded to verify the location or contents of a package.

  15. Trends in the automotive paint industry for corrosion protection

    Energy Technology Data Exchange (ETDEWEB)

    Blandin, Nathalie; Brunat, William [PPG Industries France, 3 Z.A.E. Les Dix Muids, B.P. 89, F-59583 Marly (France); Neuhaus, Ralf [PPG Industries Lacke GmbH, Stackenbergstrasse 34, D-42329 Wuppertal (Germany); Sibille, Ettore [PPG Industries Italia, Via Serra11, I-15028 Quattordio (Italy)

    2004-07-01

    Since many years ED-paints are protecting car bodies against corrosion. Currently the automotive paint industry is faced with increasing demands of higher levels of corrosion protection and also requests to comply with new environmental regulations and economical pressures. Some key factors that contributed significantly towards the improvement of corrosion protection systems are: - New generations of lead free ED-paints; - Weldable organic thin film for corrosion protection, especially in box cavities and flange areas. The goal of this paper is to show how the various elements of the 'anti-corrosion package' interact. (authors)

  16. Method for simulating paint mixing on computer monitors

    Science.gov (United States)

    Carabott, Ferdinand; Lewis, Garth; Piehl, Simon

    2002-06-01

    Computer programs like Adobe Photoshop can generate a mixture of two 'computer' colors by using the Gradient control. However, the resulting colors diverge from the equivalent paint mixtures in both hue and value. This study examines why programs like Photoshop are unable to simulate paint or pigment mixtures, and offers a solution using Photoshops existing tools. The article discusses how a library of colors, simulating paint mixtures, is created from 13 artists' colors. The mixtures can be imported into Photoshop as a color swatch palette of 1248 colors and as 78 continuous or stepped gradient files, all accessed in a new software package, Chromafile.

  17. Studies on some Indian paints for radiochemical plants

    International Nuclear Information System (INIS)

    Mahesh Kumar, V.V.; Srinivasan, R.; Natarajan, R.

    1996-01-01

    The choice of paints in areas subjected to contamination and radiation in nuclear installation need special attention. The types of generic coatings are examined with reference to these requirements. Among those examined, certain types of epoxy paints are found to be attractive for these applications. Samples of epoxy paints obtained from some Indian manufacturers are tested for their suitability. Decontaminability and radiation resistance properties are also evaluated with special reference to radiochemical plants. Important specifications for such applications are listed. This report summarizes the results of these studies. (author)

  18. Pigeons can discriminate "good" and "bad" paintings by children.

    Science.gov (United States)

    Watanabe, Shigeru

    2010-01-01

    Humans have the unique ability to create art, but non-human animals may be able to discriminate "good" art from "bad" art. In this study, I investigated whether pigeons could be trained to discriminate between paintings that had been judged by humans as either "bad" or "good". To do this, adult human observers first classified several children's paintings as either "good" (beautiful) or "bad" (ugly). Using operant conditioning procedures, pigeons were then reinforced for pecking at "good" paintings. After the pigeons learned the discrimination task, they were presented with novel pictures of both "good" and "bad" children's paintings to test whether they had successfully learned to discriminate between these two stimulus categories. The results showed that pigeons could discriminate novel "good" and "bad" paintings. Then, to determine which cues the subjects used for the discrimination, I conducted tests of the stimuli when the paintings were of reduced size or grayscale. In addition, I tested their ability to discriminate when the painting stimuli were mosaic and partial occluded. The pigeons maintained discrimination performance when the paintings were reduced in size. However, discrimination performance decreased when stimuli were presented as grayscale images or when a mosaic effect was applied to the original stimuli in order to disrupt spatial frequency. Thus, the pigeons used both color and pattern cues for their discrimination. The partial occlusion did not disrupt the discriminative behavior suggesting that the pigeons did not attend to particular parts, namely upper, lower, left or right half, of the paintings. These results suggest that the pigeons are capable of learning the concept of a stimulus class that humans name "good" pictures. The second experiment showed that pigeons learned to discriminate watercolor paintings from pastel paintings. The subjects showed generalization to novel paintings. Then, as the first experiment, size reduction test

  19. Reverse painting on glass as seen by the proton beam

    International Nuclear Information System (INIS)

    Neelmeijer, C.; Maeder, M.

    2004-01-01

    The combination of PIXE, RBS and PIGE proves ideal for non-destructive overall analysis of reverse paintings on glass. Simultaneous PIXE-RBS studies assist to clarify the thin-layered pigment arrangements of details painted on the reverse of the glass pane. In a second measurement, the spectra of both PIGE-PIXE taken from the pure glass front side inform on the individual glass type. This complete perception of corresponding unique objects is important and valuable regarding the knowledge of special painting techniques and the necessity of preventive conservation

  20. Effects of Tactile Sensations during Finger Painting on Mindfulness, Emotions, and Scope of Attention

    Science.gov (United States)

    Stanko-Kaczmarek, Maja; Kaczmarek, Lukasz D.

    2016-01-01

    Research has shown that creative performance, such as painting, influences affective and cognitive processes. Yet little is known about how tactile sensations experienced during painting determine what individuals feel and how they think while they create. Based on prior research, finger painting (compared to brush painting) was expected to…

  1. 24 CFR 291.430 - Elimination of lead-based paint hazards.

    Science.gov (United States)

    2010-04-01

    ... 24 Housing and Urban Development 2 2010-04-01 2010-04-01 false Elimination of lead-based paint...-based paint hazards. The Lead-Based Paint Poisoning Prevention Act (42 U.S.C. 4821-4846), the Residential Lead-Based Paint Hazard Reduction Act of 1992 (42 U.S.C. 4851-4856), and implementing regulations...

  2. Push-Pull Ventilation in a Painting Shop for Large Steel Constructions

    DEFF Research Database (Denmark)

    Svidt, Kjeld; Heiselberg, Per

    This paper describes the analysis of a push-pull ventilation system for a painting shop that is used for painting steel chimneys and windmill towers.......This paper describes the analysis of a push-pull ventilation system for a painting shop that is used for painting steel chimneys and windmill towers....

  3. Aerial vehicle with paint for detection of radiological and chemical warfare agents

    Science.gov (United States)

    Farmer, Joseph C.; Brunk, James L.; Day, S. Daniel

    2013-04-02

    A paint that warns of radiological or chemical substances comprising a paint operatively connected to the surface, an indicator material carried by the paint that provides an indication of the radiological or chemical substances, and a thermo-activation material carried by the paint. In one embodiment, a method of warning of radiological or chemical substances comprising the steps of painting a surface with an indicator material, and monitoring the surface for indications of the radiological or chemical substances. In another embodiment, a paint is operatively connected to a vehicle and an indicator material is carried by the paint that provides an indication of the radiological or chemical substances.

  4. Development of paint area estimation software for ship compartments and structures

    Directory of Open Access Journals (Sweden)

    Doo-Yeoun Cho

    2016-03-01

    Full Text Available The painting process of large ships is an intense manual operation that typically comprises 9–12% of the total shipbuilding cost. Accordingly, shipbuilders need to estimate the required amount of anti-corrosive coatings and painting resources for inventory and cost control. This study aims to develop a software system which enables the shipbuilders to estimate paint area using existing 3D CAD ship structural models. The geometric information of the ships structure are extracted from the existing shipbuilding CAD/CAM system and used to create painting zones. After specifying the painting zones, users can generate the paint faces by clipping structural parts inside each zone. Finally, the paint resources may be obtained from the product of the paint areas and required paint thickness. Implementing the developed software system to real shipbuilders' operations has contributed to improved productivity, faster resource estimation, better accuracy, and fewer coating defects over their conventional manual calculation methods for painting resource estimation.

  5. PORTRAIT ART IN NATIONAL PAINTING (1959-1970

    Directory of Open Access Journals (Sweden)

    LOZOVANU VLADIMIR

    2016-12-01

    Full Text Available The author of this article describes the portrait in national painting during the 1960s, years that marked political, social and cultural changes that contributed to the spiritual emancipation of the creative personality and the formation of new plastic tendencies in the field of portrait painting. He also describes the famous artists` portrait painting creations that have contributed to the spiritual emancipation of the creating personality and the establishment of new plastic tendencies in the fi eld of portrait painting. In the article, there are examples of representative portraits that are described in the context of the period when they were created. The author identifi es the methods, techniques, ideas and aspirations used in the works of plastic artists for drawing portraits that allow to form an ample conception about this phenomenon. The presented information is useful to artists, teachers and students who work in the field of visual art.

  6. Behaviour of painted aluminium in Ibero-American atmosphere

    International Nuclear Information System (INIS)

    Morcillo, M.; Simancas, J.; Corvo, F.; Rosales, B.; Fragata, F.; Pena, J.; Sanchez, M.; Flores, S.; Almeida, E.; Rivero, S.; Rincon, O. T. de

    2003-01-01

    Aluminium generally presents good corrosion resistance to the atmosphere. However, unprotected aluminium and aluminium alloys weather outdoors to an ugly grey colour, which deepens to black in industrial atmospheres, and undergo superficial pitting in marine atmospheres, etc. Finishing technologies are applied for their protection and decoration in a wide range of applications. These technologies basically consist of two protection processes: anodizing and painting: the latter going from conventional solvent base paints to modern water-born, high solids and powder coatings. This paper considers the weathering performance of three paint systems: alkyl, polyurethane and polyester, after more than three years of exposure in a wide spectra of Ibero-American atmospheric conditions. The information reported includes resistance to undercutting corrosion at the scribe, filiform corrosion, fungal attack and change in the physico-chemical properties of the paint surface (loss of gloss, colour changes, chalking, etc.). (Author) 9 refs

  7. Manganese and Iron Catalysts in Alkyd Paints and Coatings

    Directory of Open Access Journals (Sweden)

    Ronald Hage

    2016-04-01

    Full Text Available Many paint, ink and coating formulations contain alkyd-based resins which cure via autoxidation mechanisms. Whilst cobalt-soaps have been used for many decades, there is a continuing and accelerating desire by paint companies to develop alternatives for the cobalt soaps, due to likely classification as carcinogens under the REACH (Registration, Evaluation, Authorisation and Restriction of Chemicals legislation. Alternative driers, for example manganese and iron soaps, have been applied for this purpose. However, relatively poor curing capabilities make it necessary to increase the level of metal salts to such a level that often coloring of the paint formulation occurs. More recent developments include the application of manganese and iron complexes with a variety of organic ligands. This review will discuss the chemistry of alkyd resin curing, the applications and reactions of cobalt-soaps as curing agents, and, subsequently, the paint drying aspects and mechanisms of (model alkyd curing using manganese and iron catalysts.

  8. A dry ice jet system for decontamination of painted metal

    International Nuclear Information System (INIS)

    Li Ye; Zhang Dong; Wang Ping; Li Taowen; Sun Yu; Zhao Dan; Tan Zhaoyi

    2012-01-01

    In this work, decontamination of painting on metal surface by dry ice jet was carried out. The influence of jet parameters on decontamination efficiency was examined. The results showed that the painting weight loss decreased with increasing speed of jet movement. The optimized parameters were target distance of 25 mm, jet angle of 63 degree, and the pressure of 0.6 -0.7 MPa, with a filtration efficiency of over 99% and 5.8-9.0 μm particle sizes of the aerosol. For the painted samples polluted by 137 Cs and 235 U, the decontamination effect is excellent. For the polluted plumbum kettles,this method is effective. Therefore, the dry ice jet is an excellent technology for painting on metal surface. (authors)

  9. 4D Visualization of Painted Sculpture and Murals

    Science.gov (United States)

    Ai, M. Y.; Tong, H.; Shen, L.; Wang, R. X.; Zhang, F.; Zhang, Z. C.; Hu, Q. W.; Zhu, Y. X.; Zhang, H.

    2015-08-01

    Most cultural heritage applications address visualization with using various media or platforms: desktop-based multimedia presentations, museum kiosks, or videos produced with computer animation. However, these techniques can not directly reveal or show the course that the colorful surface of painted sculpture and murals becomes faint along with the change of the climate and time. Most current techniques just preserve the current appearance and disseminate the current situation of the painted sculpture and murals. The course how these forms of cultural heritage change along the time has not been visualized. In this paper we developed an approach to modelling of painted sculpture and murals that has undergone changes over the years. Different hypotheses has also be given if there is uncertainty. A painted sculpture of Mogao Grottoes is used to demonstate this approach.

  10. Pendekatan Pemandangan Realistik dengan Menggunakan Digital Matte Painting

    Directory of Open Access Journals (Sweden)

    Satrya Mahardhika

    2011-04-01

    Full Text Available Movie is one entertainment that is favored by most people. Scenery appearance and spectacular shoots made movie needs high budget for the production. There are shoots looking difficult and needing extra efforts, but obviously it could be solved by using latest technology. Such technology is a combination of 3D and digital painting or image so it could bring digital painting alive: matte painting, a breakthrough in visual effects and movie. The research is conducted through exploration from manipulated images, references and retrieved real images in the specific place. Camera movement is also an important frame to define how far the image will be seen in the camera. So, when it is applied, it has no images that less-showed in camera framing. Although it has limitation in 2D images taken from limited frame, digital matte painting is able to answer industry needs in entertainment to create things that look real.  

  11. Opportunities application of cleaner production practices in paint industry

    International Nuclear Information System (INIS)

    Mohammed, Y. S. Y.

    2010-08-01

    There are releases of volatile organic compounds VOC from paint manufacturing process steps and from cleaning operations in El Mohandas Paint Factory. These emission can cause health, safety and productivity problems in the work area. Hence cleaner production application is necessary in this case. Some of the manufacturing processes and equipment used to accomplish these manufacturing are analyzed and generate cleaner production opportunities, implement some of cleaner production solutions of VOC emission control by some of the methods used by paint facilities in reducing emissions. It was found that there is no control available for emissions factors in paints manufacturing process, so that VOC emission based on raw material consumption rather than calculation emission from processes or equipment by alternative method. (Author)

  12. A&A Painting and Restoration Co., Inc. Information Sheet

    Science.gov (United States)

    A&A Painting and Restoration Co., Inc. (the Company) is located in Great Mills, Maryland. The settlement involves renovation activities conducted at properties constructed prior to 1978, located in Drayden, Maryland.

  13. Experiments on an Exhaust Hood for the Paint Industry

    DEFF Research Database (Denmark)

    Nielsen, Peter V.; Madsen, Ulla; Tveit, David J.

    There is a great variation of production machinery and pollution sources in the paint industry. This paper shows the examination of a process where wood preservation is filled into cans in a process which releases organic solvents to the surrounding air.......There is a great variation of production machinery and pollution sources in the paint industry. This paper shows the examination of a process where wood preservation is filled into cans in a process which releases organic solvents to the surrounding air....

  14. Audience Perception of Effective Communication in Nigerian Paintings

    Directory of Open Access Journals (Sweden)

    Johnson Adelani Abodunrin

    2017-01-01

    Full Text Available Artists in Nigeria perceived effective communication differently irrespective of the socio-economic status.Communication effectiveness depends largely on the understanding of the message being passed between a sender and a receiver. Painting has been used over time to express emotion and feeling to the perceiving audience. The study is audience’s perception of communication in Nigeria painting and how it varies with the socio-economic characteristics such as age, education, gender, and being professional artist or art lovers. Questionnaires were distributed and administered to examine how the status of the art audience makes or mars effective communication in painting. The inferential statistics that were employed include “chi-square test” to test the relationship between different variables. The data were taken in ordinal form using Likert’s scale, and transformed into interval data. This was done by attaching statistical weights to the responses in the order of importance which were summed up for the parametric testing. Findings show that gender factor has nothing to do with the understanding of paintings. Also, the level of education obtained by the audience does not have much to do with understanding of contemporary Nigerian painting but a better exposure to the issue concerning the stylistic development of Nigerian painting. Art practitioners must adequately be guided on stylistic trend in painting, art education should be more intensified in educational curriculum in Nigeria. The paper concludes that audience requires a better exposure to the issues concerning the stylistic development of Nigerian painting for effective communication to take place.

  15. Behaviour of painted mirrors during exposure tests to salt spray

    Science.gov (United States)

    Schütz, E.; Berger, F.; Barillon, R.; Audebert, P.; Chambaudet, A.

    1997-11-01

    The multilayer structure of commercially made mirrors can be subject to degradation under normal conditions, leading to alterations of the mirror's reflective properties. A protective coat of paint, containing an anticorrosive compound, is applied to the copper surface to reduce the oxidation of the thin metallic films. The objective of this study is to analyse the behaviour of the multilayer stack during salt spray tests (neutral salt spray and CASS-test). We followed the morphological and chemical evolution of the interfacial area (glass-silver-copper-paint) using scanning electron microscopy (SEM), and electron probe for micro analysis (EPMA). Studies of the surface of the coatings were performed with attenuated total reflexion infrared spectroscopy (IRTF-ATR) and SEM-EPMA. The observations revealed that a glass-silver decohesion occurs starting at the edges of the material during the tests. The EPMA analyses of the exposed edges of the mirrors indicated first that concentration of the anticorrosive pigment of the paint (lead-based compound) decreased, especially at the copper-paint interface, and second that the copper in the paint may diffuse to the surface of the coating. Finally, IRTF-ATR spectroscopy and SEM-EPMA analyses of surfaces showed that the CASS-test leads to an acid attack of some pigments and extenders of the paint (particularly CaCO 3) and leads to chemical modifications of the binder. These phenomena result in an increase in the porosity and a weakening of the paint film. The results obtained with these surface analytical technics will allow us to propose some degradation mechanisms of painted mirrors during salt spray tests.

  16. Transmittance spectroscopy and transmitted multispectral imaging to map covered paints

    OpenAIRE

    Antonino Cosentino

    2016-01-01

    Transmitted spectroscopy and transmitted multispectral imaging in the 400-900 nm range have been applied for the mapping and tentative identification of paints covered by a white preparation as in the case of a ground laid for reusing a canvas for another painting. These methods can be applied to polychrome works of art, as long as their support and new preparation are sufficiently translucent. This work presents the transmittance spectra acquired from a test board consisting of a prepared ca...

  17. Self-Cleaning Mineral Paint for Application in Architectural Heritage

    OpenAIRE

    Sudipto Pal; Vincenzo Contaldi; Antonio Licciulli; Fabio Marzo

    2016-01-01

    A mineral silicate paint has been developed for architectural heritage. To enhance durability, any type of organic additive has been avoided. Potassium silicate was the binder agent intended to give strong adherence and durability to stone and concretes. Incorporation of mainly anatase titanium dioxide was intended to act both as a white, bright pigment and as a photocatalyst. Reflectivity analyses on the paint in the visible-to-near infrared wavelength region show high solar heat reflection....

  18. New materials for temperature and pressure sensitive fluorescent paints

    OpenAIRE

    Fischer, Lorenz

    2012-01-01

    This thesis describes the preparation and evaluation of new materials for imaging of barometric pressure and temperature using so-called luminescent paints. The historical background and the motivation for the research conducted are given in Chapter 1. Chapter 2 summarizes the basic principles of photoluminescence involved in imaging of partial oxygen pressure and temperature, the fundamentals of the design of pressure and temperature sensitive paints. It also summarizes the effects of lumine...

  19. Clay ground in paintings: from Northern to Southern Europe

    DEFF Research Database (Denmark)

    Buti, David; Vila, Anna; Haack Christensen, Anne

    The use of clay grounds containing quartz was first observed in the Netherlands in artworks from Rembrandt’s workshop after 1640 [1, 2]. In addition, contemporary written sources outside the Netherlands mention this practice in Italy and Spain [2]. However, the reason for using clay as a constitu...... in Rembrandt´s workshop and in paintings by his contemporaries", in E. van de Wetering et al. A Corpus of Rembrandt Paintings, 2011, 318-334 + 660-677. Springer, Dordrecht...

  20. Atomic Oxygen Removes Varnish And Lacquer From Old Paintings

    Science.gov (United States)

    Rutledge, Sharon K.; Banks, Bruce A.; Cales, Michael

    1996-01-01

    Dry and relatively nondestructive plasma process found effective in removing protective coats from old paintings. Process generates monatomic oxygen, which reacts with varnish, lacquer, polyurethane, acrylic, and other organic coating materials; reactions produce mostly carbon monoxide and water vapor, then simply pumped away by vacuum system in which plasma generated. Does not attack oxide-based pigments in underlying paint layers, and brush-stroke marks remain undisturbed.

  1. Revised Interim Final Consolidated Enforcement Response and Penalty Policy for the Pre-Renovation Education Rule; Renovation, Repair and Painting Rule; and Lead-Based Paint Activities Rule

    Science.gov (United States)

    This is the revised version of the Interim Final Consolidated Enforcement Response and Penalty Policy for the Pre-Renovation Education Rule; Renovation, Repair and Painting Rule; and Lead-Based Paint Activities Rule.

  2. Self-Cleaning Mineral Paint for Application in Architectural Heritage

    Directory of Open Access Journals (Sweden)

    Sudipto Pal

    2016-10-01

    Full Text Available A mineral silicate paint has been developed for architectural heritage. To enhance durability, any type of organic additive has been avoided. Potassium silicate was the binder agent intended to give strong adherence and durability to stone and concretes. Incorporation of mainly anatase titanium dioxide was intended to act both as a white, bright pigment and as a photocatalyst. Reflectivity analyses on the paint in the visible-to-near infrared wavelength region show high solar heat reflection. The self-cleaning activity of the mineral paint was evaluated by the degradation of organic dyes under solar light irradiation. Anatase titania was effective in decomposing organic and airborne pollutants with the solar radiation. The optical properties and self-cleaning activity were compared with the organic binder-based paints and commercial paints. Developed paints possess high stability: since they contain only inorganic components that do not fade with exposure to solar radiation, photocatalytic self-cleaning capability further enhances such stability.

  3. Stable isotope analysis of white paints and likelihood ratios.

    Science.gov (United States)

    Farmer, N; Meier-Augenstein, W; Lucy, D

    2009-06-01

    Architectural paints are commonly found as trace evidence at scenes of crime. Currently the most widely used technique for the analysis of architectural paints is Fourier Transformed Infra-Red Spectroscopy (FTIR). There are, however, limitations to the forensic analysis of white paints, and the ability to discriminate between samples. Isotope ratio mass spectrometry (IRMS) has been investigated as a potential tool for the analysis of architectural white paints, where no preparation of samples prior to analysis is required. When stable isotope profiles (SIPs) are compared, there appears to be no relationship between paints from the same manufacturer, or between paints of the same type. Unlike existing techniques, IRMS does not differentiate resin samples solely on the basis of modifier or oil-type, but exploits additional factors linked to samples such as geo-location where oils added to alkyd formulations were grown. In combination with the use of likelihood ratios, IRMS shows potential, with a false positive rate of 2.6% from a total of 1275 comparisons.

  4. Perhydrolase-nanotube paint composites with sporicidal and antiviral activity.

    Science.gov (United States)

    Grover, Navdeep; Douaisi, Marc P; Borkar, Indrakant V; Lee, Lillian; Dinu, Cerasela Zoica; Kane, Ravi S; Dordick, Jonathan S

    2013-10-01

    AcT (perhydrolase) containing paint composites were prepared leading to broad-spectrum decontamination. AcT was immobilized onto multi-walled carbon nanotubes (MWNTs) and then incorporated into latex-based paints to form catalytic coatings. These AcT-based paint composites showed a 6-log reduction in the viability of spores of Bacillus cereus and Bacillus anthracis (Sterne) within 60 min. The paint composites also showed >4-log reduction in the titer of influenza virus (X-31) within 10 min (initially challenged with 10(7) PFU/mL). AcT-based paint composites were also tested using various perhydrolase acyl donor substrates, including propylene glycol diacetate (PGD), glyceryl triacetate, and ethyl acetate, with PGD observed to be the best among the substrates tested for generation of peracetic acid and killing of bacillus spores. The operational stability of paint composites was also studied at different relative humidities and temperatures to simulate real-life operation.

  5. Synthesis of goodness and beauty of Petrikivsky decorative painting

    Directory of Open Access Journals (Sweden)

    T. A. Harkava

    2017-06-01

    Full Text Available Petrykivsky decorative painting as a unique manifestation of Ukrainian national culture has been studied in the article. This painting is recognized all over the world as an intangible cultural heritage of humanity in the context of its philosophical principles. Petrykivsky decorative painting by its basis — murals,  reaches Tripoli and puts the Ukrainian culture among the ancient cultures of the world. At various stages of ethnos’ existence, Ukrainian folk decorative art was an important part of the spiritual life and reflected its identity, ensuring the continuity of spiritual connection between generations. Motives of Petrykivka decorative painting describe the local flora and fauna and the local historical tradition. Folk artists get their inspiration from the mother nature, traditional for the Ukrainian people worship to Mother-land and all beautiful things, which are created by it. However, Petrykivsky decorative painting is not a direct reflection of natural motifs. World, created in paintings, is the product of the imagination of folk artist. Calocagathia (synthesis of beauty and goodness of Petrykivsky school is seen in high spiritual and moral culture of the Ukrainian people, in their pursuit to improve the space of their life, to perpetuate the generous beauty of the world by the love to beauty and goodness in all its forms using a variety of colors and patterns.

  6. Optimization of Robotic Spray Painting process Parameters using Taguchi Method

    Science.gov (United States)

    Chidhambara, K. V.; Latha Shankar, B.; Vijaykumar

    2018-02-01

    Automated spray painting process is gaining interest in industry and research recently due to extensive application of spray painting in automobile industries. Automating spray painting process has advantages of improved quality, productivity, reduced labor, clean environment and particularly cost effectiveness. This study investigates the performance characteristics of an industrial robot Fanuc 250ib for an automated painting process using statistical tool Taguchi’s Design of Experiment technique. The experiment is designed using Taguchi’s L25 orthogonal array by considering three factors and five levels for each factor. The objective of this work is to explore the major control parameters and to optimize the same for the improved quality of the paint coating measured in terms of Dry Film thickness(DFT), which also results in reduced rejection. Further Analysis of Variance (ANOVA) is performed to know the influence of individual factors on DFT. It is observed that shaping air and paint flow are the most influencing parameters. Multiple regression model is formulated for estimating predicted values of DFT. Confirmation test is then conducted and comparison results show that error is within acceptable level.

  7. Honeybees can discriminate between Monet and Picasso paintings.

    Science.gov (United States)

    Wu, Wen; Moreno, Antonio M; Tangen, Jason M; Reinhard, Judith

    2013-01-01

    Honeybees (Apis mellifera) have remarkable visual learning and discrimination abilities that extend beyond learning simple colours, shapes or patterns. They can discriminate landscape scenes, types of flowers, and even human faces. This suggests that in spite of their small brain, honeybees have a highly developed capacity for processing complex visual information, comparable in many respects to vertebrates. Here, we investigated whether this capacity extends to complex images that humans distinguish on the basis of artistic style: Impressionist paintings by Monet and Cubist paintings by Picasso. We show that honeybees learned to simultaneously discriminate between five different Monet and Picasso paintings, and that they do not rely on luminance, colour, or spatial frequency information for discrimination. When presented with novel paintings of the same style, the bees even demonstrated some ability to generalize. This suggests that honeybees are able to discriminate Monet paintings from Picasso ones by extracting and learning the characteristic visual information inherent in each painting style. Our study further suggests that discrimination of artistic styles is not a higher cognitive function that is unique to humans, but simply due to the capacity of animals-from insects to humans-to extract and categorize the visual characteristics of complex images.

  8. Fabrication and calibration of a piezoelectric nanocomposite paint

    Science.gov (United States)

    Osho, Samuel; Wu, Nan; Aramfard, Mohammad; Deng, Chuang; Ojo, Olanrewaju

    2018-03-01

    A new liquid form piezoelectric nanocomposite paint material is fabricated with possible applications as dynamic strain sensors and/or piezoelectric transducers. The applied coating is in the form of low-cost paint, which is flexible and bonds strongly on a metallic surface after drying out via the solvent-casting method. The nanocomposite is produced by an ultrasonic mixture of varying percentages of zinc oxide (ZnO) nanoparticle water dispersion, poly vinyl acetate glue (PVA) and carbon nanotubes (CNTs). ZnO nanoparticles are used as the piezoelectric sensing elements in a PVA matrix of the paint, while CNTs are introduced as robust bridge of ZnO particles enhancing the piezoelectricity and material properties. Transmission electron microscopy (TEM) images confirmed the linkages of ZnO nanoparticles in the composite by CNTs. Through piezoelectricity calibration, the optimum mixing ratio with the highest piezoelectricity is 78.1 wt% ZnO, 19.5 wt% PVA glue and 2.4 wt% multi-wall carbon nanotubes (MWCNTs). Through nanoindentation tests for the characterization of the mechanical properties of the nano-composite paint, it is found that Young’s modulus and hardness reached a threshold point in the increment in the addition of CNTs to the paint before showing signs of decline. Detailed analysis and explanation of the calibration results and physical phenomenon are provided. The stable paint material is ready to be applied on rough area of engineering structures as sensor and transducer.

  9. Radiocarbon determinations for Chillagoe rock paintings: small sample AMS

    International Nuclear Information System (INIS)

    Armitage, R.A.; Hyman, M.; Rowe, M. W.; Tuniz, C.; Lawson, E.; Jacobsen, G.; Hua, G.

    1997-01-01

    Indirect dating methods have been applied to the rock paintings of Chillagoe, north Queensland, revealing patterns of superimposition, depictions of items of known antiquity, the use of fragile paints such as mud, and in-situ pigment stratigraphies (David 1994). These patterns suggest that the Chillagoe rock paintings are relatively young, likely less than 3000 years old. A change in the geographical distribution of rock painting styles suggests a regionalization of the styles starting around 3000 years BP. Such regionalization implies that major cultural changes accompanied the changes in rock painting styles. This model of temporal change is now being investigated through a collaboration between the University of Queensland, ANSTO and the Department of Chemistry, Texas A and M University to directly analyze radiocarbon in the charcoal pigments in several of the Chillagoe rock paintings. Samples collected from fourteen separate charcoal rock drawings at five rock shelters in the Chillagoe region were submitted to plasma chemical treatment. Though unreactive, the excited and energetic argon atoms in the plasma remove surface-absorbed CO 2 through inelastic collisions. Samples yielding less than 100 micrograms carbon required special handling for AMS analysis. An isotope dilution technique utilizing 14 C-free carbon was chosen. Radiocarbon analysis were also performed and the results will be presented

  10. Painting for nuclear power stations and machinery and equipments according to quality assurance program of ANSI

    International Nuclear Information System (INIS)

    Fukuda, Shinzo; Tsuchiya, Yukikazu.

    1979-01-01

    Recently, painting for nuclear power stations is carried out with the paints made domestically, and these paints are tested and judged generally according to the items of performance evaluation decided by the American National Standard Institute. In Japan, there is no standard regarding the paints for nuclear power stations. Painting is very important process, and it is appropriate to introduce quality assurance program into it. In this paper, the contents of ANSI standard concerning the paints and painting for nuclear power stations are explained, and the outline of the painting of heat exchangers carried out in accordance with the quality assurance program in the Tamano Shipyard, Mitsui Shipbuilding and Engineering Co., Ltd., is described. The test items for evaluating the general performance of the paints, the testing method for evaluating the endurance at the time of an accident, the quality assurance for the paints used for the facilities handling radiation and others are explained. Various problems arise when the quality assurance program of ANSI is applied actually to painting. It is difficult to judge the quality of paints and painting with numerical values, and much efforts were required to establish the quality assurance organization. The conditions for painting, the handling of many documents, the measures to unsatisfactory painting and so on caused much difficulties. (Kako, I.)

  11. Painting Dose: The ART of Radiation

    International Nuclear Information System (INIS)

    Roberts, Hannah J.; Zietman, Anthony L.; Efstathiou, Jason A.

    2016-01-01

    The discovery of X rays in 1895 captivated society like no other scientific advance. Radiation instantly became the subject not only of numerous scientific papers but also of circus bazaars, poetry, fiction, costume design, comics, and marketing for household items. Its spread was “viral.” What is not well known, however, is its incorporation into visual art, despite the long tradition of medicine and surgery as a subject in art. Using several contemporary search methods, we identified 5 examples of paintings or sculpture that thematically feature radiation therapy. All were by artists with exhibited careers in art: Georges Chicotot, Marcel Duchamp, David Alfaro Siqueiros, Robert Pope, and Cookie Kerxton. Each artist portrays radiation differently, ranging from traditional healer, to mysterious danger, to futuristic propaganda, to the emotional challenges of undergoing cancer therapy. This range captures the complex role of radiation as both a therapy and a hazard. Whereas some of these artists are now world famous, none of these artworks are as well known as their surgical counterparts. The penetration of radiation into popular culture was rapid and pervasive; yet, its role as a thematic subject in art never fully caught on, perhaps because of a lack of understanding of the technology, radiation's intangibility, or even a suppressive effect of society's ambivalent relationship with it. These 5 artists have established a rich foundation upon which pop culture and art can further develop with time to reflect the extraordinary progress of modern radiation therapy.

  12. Painting Dose: The ART of Radiation.

    Science.gov (United States)

    Roberts, Hannah J; Zietman, Anthony L; Efstathiou, Jason A

    2016-11-15

    The discovery of X rays in 1895 captivated society like no other scientific advance. Radiation instantly became the subject not only of numerous scientific papers but also of circus bazaars, poetry, fiction, costume design, comics, and marketing for household items. Its spread was "viral." What is not well known, however, is its incorporation into visual art, despite the long tradition of medicine and surgery as a subject in art. Using several contemporary search methods, we identified 5 examples of paintings or sculpture that thematically feature radiation therapy. All were by artists with exhibited careers in art: Georges Chicotot, Marcel Duchamp, David Alfaro Siqueiros, Robert Pope, and Cookie Kerxton. Each artist portrays radiation differently, ranging from traditional healer, to mysterious danger, to futuristic propaganda, to the emotional challenges of undergoing cancer therapy. This range captures the complex role of radiation as both a therapy and a hazard. Whereas some of these artists are now world famous, none of these artworks are as well known as their surgical counterparts. The penetration of radiation into popular culture was rapid and pervasive; yet, its role as a thematic subject in art never fully caught on, perhaps because of a lack of understanding of the technology, radiation's intangibility, or even a suppressive effect of society's ambivalent relationship with it. These 5 artists have established a rich foundation upon which pop culture and art can further develop with time to reflect the extraordinary progress of modern radiation therapy. Copyright © 2016 Elsevier Inc. All rights reserved.

  13. Vibrational and electronic properties of painting lakes

    Science.gov (United States)

    Clementi, C.; Doherty, B.; Gentili, P. L.; Miliani, C.; Romani, A.; Brunetti, B. G.; Sgamellotti, A.

    2008-07-01

    Naturally occurring dyes have been used to produce painting pigments, called lakes, by precipitation or adsorption of an organic dyestuff onto an insoluble inorganic substrate. Most natural dyes link to metal cations, by means of coordination bonds. The stable complexes formed precipitate together with solid amorphous hydrous aluminum oxide in alkaline solutions, yielding a hybrid material called a lake. Conventional chromatographic methods for lake analysis require dye extraction from the substrate; as a consequence, they do not provide any information about the organo-metallic complexes. In this work a comprehensive investigation based on X-ray fluorescence, Fourier transform infrared and UV-visible absorption and emission spectroscopies was carried out on 13 organic pigments derived from eight different natural sources. Three different kinds of substrate containing aluminum hydroxide were distinguished dependent on different preparation procedures. Information concerning the recipe and the dye composition was obtained by UV-visible spectroscopies. Dyes from different sources (animal or vegetal) could be distinguished. This study shows that the combined use of different spectroscopic techniques provides complementary information to high-performance liquid chromatography and therefore can be proposed for a molecular non-invasive investigation of these materials on works of art.

  14. Painting Dose: The ART of Radiation

    Energy Technology Data Exchange (ETDEWEB)

    Roberts, Hannah J. [College of Physicians & Surgeons, Columbia University, New York, New York (United States); Department of Radiation Oncology, Massachusetts General Hospital, Boston, Massachusetts (United States); Zietman, Anthony L. [Department of Radiation Oncology, Massachusetts General Hospital, Boston, Massachusetts (United States); Harvard Medical School, Boston, Massachusetts (United States); Efstathiou, Jason A., E-mail: jefstathiou@partners.org [Department of Radiation Oncology, Massachusetts General Hospital, Boston, Massachusetts (United States); Harvard Medical School, Boston, Massachusetts (United States)

    2016-11-15

    The discovery of X rays in 1895 captivated society like no other scientific advance. Radiation instantly became the subject not only of numerous scientific papers but also of circus bazaars, poetry, fiction, costume design, comics, and marketing for household items. Its spread was “viral.” What is not well known, however, is its incorporation into visual art, despite the long tradition of medicine and surgery as a subject in art. Using several contemporary search methods, we identified 5 examples of paintings or sculpture that thematically feature radiation therapy. All were by artists with exhibited careers in art: Georges Chicotot, Marcel Duchamp, David Alfaro Siqueiros, Robert Pope, and Cookie Kerxton. Each artist portrays radiation differently, ranging from traditional healer, to mysterious danger, to futuristic propaganda, to the emotional challenges of undergoing cancer therapy. This range captures the complex role of radiation as both a therapy and a hazard. Whereas some of these artists are now world famous, none of these artworks are as well known as their surgical counterparts. The penetration of radiation into popular culture was rapid and pervasive; yet, its role as a thematic subject in art never fully caught on, perhaps because of a lack of understanding of the technology, radiation's intangibility, or even a suppressive effect of society's ambivalent relationship with it. These 5 artists have established a rich foundation upon which pop culture and art can further develop with time to reflect the extraordinary progress of modern radiation therapy.

  15. The identification of synthetic organic pigments in modern paints and modern paintings using pyrolysis-gas chromatography-mass spectrometry.

    Science.gov (United States)

    Russell, Joanna; Singer, Brian W; Perry, Justin J; Bacon, Anne

    2011-05-01

    A collection of more than 70 synthetic organic pigments were analysed using pyrolysis-gas chromatography-mass spectrometry (Py-GC-MS). We report on the analysis of diketo-pyrrolo-pyrrole, isoindolinone and perylene pigments which are classes not previously reported as being analysed by this technique. We also report on a number of azo pigments (2-naphthol, naphthol AS, arylide, diarylide, benzimidazolone and disazo condensation pigments) and phthalocyanine pigments, the Py-GC-MS analysis of which has not been previously reported. The members of each class were found to fragment in a consistent way and the pyrolysis products are reported. The technique was successfully applied to the analysis of paints used by the artist Francis Bacon (1909-1992), to simultaneously identify synthetic organic pigments and synthetic binding media in two samples of paint taken from Bacon's studio and micro-samples taken from three of his paintings and one painting attributed to him.

  16. Transfer of tritium in concrete coated with hydrophobic paints

    International Nuclear Information System (INIS)

    Fukada, S.; Edao, Y.; Sato, K.; Takeishi, T.; Katayama, K.; Kobayashi, K.; Hayashi, T.; Yamanishi, T.; Hatano, Y.; Taguchi, A.; Akamaru, S.

    2012-01-01

    Highlights: ► Rates of tritium migration in porous concrete materials coated with or without hydrophobic paints for the safety of fusion reactor rooms are correlated in terms of diffusivity or linear sorption. - Abstract: An experimental study on tritium (T) transfer in porous concrete for the tertiary T safety containment is performed to investigate (i) how fast HTO penetrates through concrete walls, (ii) how well concrete walls contaminated with water-soluble T are decontaminated by a solution-in-water technique, and (iii) how well hydrophobic paint coating works as a protecting film against HTO migrating through concrete walls. The experiment is comparatively carried out using disks of cement paste which W(water)/C(cement) weight ratio is 0.6:1 with or without hydrophobic paints, and mortar disks which W/C/sand ratio is 0.6:1:2 with or without the paints. The hydrophobic paints tested in the present study are an epoxy polymer resin paint and an acrylic-silicon polymer resin one. After T exposure during specified time under a constant HTO vapor pressure in an acrylic box, the amount of water-soluble HTO on/in the disks is determined using a technique of H 2 O dissolution during specified time. The results obtained here are summarized as follows: (1) HTO penetration in porous concrete can be correlated in terms of the effective diffusivity. (2) Its value in porous cement without coating is 1.2 × 10 −11 m 2 /s at 25 °C. (3) HTO penetrates only through pores in cement, and there is no path for HTO transfer in non-porous sand. (4) Rates of sorption and dissolution of HTO in disks of cement and mortar coated with the epoxy resin paint are correlated in terms of the effective diffusivity through the paint film which value is D T = 1.0 × 10 −16 m 2 /s. The rate-determining step is diffusion through the paint. (5) The epoxy resin paint works more effectively as an anti-HTO diffusion coating. (6) Another acrylic-silicon resin paint does not work well as anti

  17. Degradation of Emerald green in oil paint and its contribution to the rapid change in colour of the Descente des vaches (1834-1835) painted by Theodore Rousseau

    NARCIS (Netherlands)

    Keune, K.; Boon, J.J.; Boitelle, R.; Shimadzu, Y.

    2013-01-01

    Descente des vaches (1836) by Theodore Rousseau in the Mesdag Collection in The Hague is barely readable and its paint layers are in poor condition. The surface of the painting is strongly deformed and cracked, the whole painting has darkened and especially the greens have lost all or most of their

  18. Structural content in paintings: artists overregularize oriented content of paintings relative to the typical natural scene bias.

    Science.gov (United States)

    Schweinhart, April M; Essock, Edward A

    2013-01-01

    Natural scenes tend to be biased in both scale (1/f) and orientation (H > V > O; horizontal > vertical > oblique), and the human visual system has similar biases that serve to partially 'undo' (ie whiten) the resultant representation. The present approach to investigating this relationship considers content in works of art-scenes produced for processing by the human visual system. We analyzed the content of images by a method that minimizes errors inherent in some prior analysis methods. In the first experiment museum paintings were considered by comparing the amplitude spectrum of landscape paintings, natural scene photos, portrait paintings, and photos of faces. In the second experiment we obtained photos of paintings at the time they were produced by local artists and compared structural content in matched photos which contained the same scenes that the artists had painted. Results show that artists produce paintings with both the 1/f bias of scale and the horizontal-effect bias of orientation (H > V > O). More importantly, results from both experiments show that artists overregularize the structure in their works: they impose the natural-scene horizontal effect at all structural scales and in all types of subject matter even though, in the real world, the pattern of anisotropy differs considerably across spatial scale and between faces and natural scenes. It appears that artists unconsciously overregularize the oriented structure in their works to make it conform more uniformly to the 'expected' canonical ideal.

  19. Computer Aided Design of a Low-Cost Painting Robot

    Directory of Open Access Journals (Sweden)

    SYEDA MARIA KHATOON ZAIDI

    2017-10-01

    Full Text Available The application of robots or robotic systems for painting parts is becoming increasingly conventional; to improve reliability, productivity, consistency and to decrease waste. However, in Pakistan only highend Industries are able to afford the luxury of a robotic system for various purposes. In this study we propose an economical Painting Robot that a small-scale industry can install in their plant with ease. The importance of this robot is that being cost effective, it can easily be replaced in small manufacturing industries and therefore, eliminate health problems occurring to the individual in charge of painting parts on an everyday basis. To achieve this aim, the robot is made with local parts with only few exceptions, to cut costs; and the programming language is kept at a mediocre level. Image processing is used to establish object recognition and it can be programmed to paint various simple geometries. The robot is placed on a conveyer belt to maximize productivity. A four DoF (Degree of Freedom arm increases the working envelope and accessibility of painting different shaped parts with ease. This robot is capable of painting up, front, back, left and right sides of the part with a single colour. Initially CAD (Computer Aided Design models of the robot were developed which were analyzed, modified and improved to withstand loading condition and perform its task efficiently. After design selection, appropriate motors and materials were selected and the robot was developed. Throughout the development phase, minor problems and errors were fixed accordingly as they arose. Lastly the robot was integrated with the computer and image processing for autonomous control. The final results demonstrated that the robot is economical and reduces paint wastage.

  20. Aesthetic Emotions Across Arts: A Comparison Between Painting and Music.

    Science.gov (United States)

    Miu, Andrei C; Pițur, Simina; Szentágotai-Tătar, Aurora

    2015-01-01

    Emotional responses to art have long been subject of debate, but only recently have they started to be investigated in affective science. The aim of this study was to compare perceptions regarding frequency of aesthetic emotions, contributing factors, and motivation which characterize the experiences of looking at painting and listening to music. Parallel surveys were filled in online by participants (N = 971) interested in music and painting. By comparing self-reported characteristics of these experiences, this study found that compared to listening to music, looking at painting was associated with increased frequency of wonder and decreased frequencies of joyful activation and power. In addition to increased vitality, as reflected by the latter two emotions, listening to music was also more frequently associated with emotions such as tenderness, nostalgia, peacefulness, and sadness. Compared to painting-related emotions, music-related emotions were perceived as more similar to emotions in other everyday life situations. Participants reported that stimulus features and previous knowledge made more important contributions to emotional responses to painting, whereas prior mood, physical context and the presence of other people were considered more important in relation to emotional responses to music. Self-education motivation was more frequently associated with looking at painting, whereas mood repair and keeping company motivations were reported more frequently in relation to listening to music. Participants with visual arts education reported increased vitality-related emotions in their experience of looking at painting. In contrast, no relation was found between music education and emotional responses to music. These findings offer a more general perspective on aesthetic emotions and encourage integrative research linking different types of aesthetic experience.

  1. Aesthetic Emotions Across Arts: A Comparison Between Painting and Music

    Science.gov (United States)

    Miu, Andrei C.; Pițur, Simina; Szentágotai-Tătar, Aurora

    2016-01-01

    Emotional responses to art have long been subject of debate, but only recently have they started to be investigated in affective science. The aim of this study was to compare perceptions regarding frequency of aesthetic emotions, contributing factors, and motivation which characterize the experiences of looking at painting and listening to music. Parallel surveys were filled in online by participants (N = 971) interested in music and painting. By comparing self-reported characteristics of these experiences, this study found that compared to listening to music, looking at painting was associated with increased frequency of wonder and decreased frequencies of joyful activation and power. In addition to increased vitality, as reflected by the latter two emotions, listening to music was also more frequently associated with emotions such as tenderness, nostalgia, peacefulness, and sadness. Compared to painting-related emotions, music-related emotions were perceived as more similar to emotions in other everyday life situations. Participants reported that stimulus features and previous knowledge made more important contributions to emotional responses to painting, whereas prior mood, physical context and the presence of other people were considered more important in relation to emotional responses to music. Self-education motivation was more frequently associated with looking at painting, whereas mood repair and keeping company motivations were reported more frequently in relation to listening to music. Participants with visual arts education reported increased vitality-related emotions in their experience of looking at painting. In contrast, no relation was found between music education and emotional responses to music. These findings offer a more general perspective on aesthetic emotions and encourage integrative research linking different types of aesthetic experience. PMID:26779072

  2. Aesthetic emotions across arts: A comparison between painting and music

    Directory of Open Access Journals (Sweden)

    Andrei C. Miu

    2016-01-01

    Full Text Available Emotional responses to art have long been subject of debate, but only recently have they started to be investigated in affective science. The aim of this study was to compare perceptions regarding frequency of aesthetic emotions, contributing factors and motivation which characterize the experiences of looking at painting and listening to music. Parallel surveys were filled in online by participants (N = 971 interested in music and painting. By comparing self-reported characteristics of these experiences, this study found that compared to listening to music, looking at painting was associated with increased frequency of wonder and decreased frequencies of joyful activation and power. In addition to increased vitality, as reflected by the latter two emotions, listening to music was also more frequently associated with emotions such as tenderness, nostalgia, peacefulness and sadness. Compared to painting-related emotions, music-related emotions were perceived as more similar to emotions in other everyday life situations. Participants reported that stimulus features and previous knowledge made more important contributions to emotional responses to painting, whereas prior mood, physical context and the presence of other people were considered more important in relation to emotional responses to music. Self-education motivation was more frequently associated with looking at painting, whereas mood repair and keeping company motivations were reported more frequently in relation to listening to music. Participants with visual arts education reported increased vitality-related emotions in their experience of looking at painting. In contrast, no relation was found between music education and emotional responses to music. These findings offer a more general perspective on aesthetic emotions and encourage integrative research linking different types of aesthetic experience.

  3. Forensic aspects of the weathering and ageing of spray paints.

    Science.gov (United States)

    Jost, Cédric; Muehlethaler, Cyril; Massonnet, Geneviève

    2016-01-01

    This paper presents a preliminary study on the degradation of spray paint samples, illustrated by Optical, FTIR and Raman measurements. As opposed to automotive paints which are specifically designed for improved outdoor exposure and protected using hindered amine light absorbers (HALS) and ultra-violet absorbers (UVA), the spray paints on their side are much simpler in composition and very likely to suffer more from joint effects of solar radiation, temperature and humidity. Six different spray paint were exposed to outdoor UV-radiation for a total period of three months and both FTIR and Raman measurements were taken systematically during this time. These results were later compared to an artificial degradation using a climate chamber. For infrared spectroscopy, degradation curves were plotted using the photo-oxidation index (POI), and could be successfully approximated with a logarithmic fitting (R(2)>0.8). The degradation can appear after the first few days of exposure and be important until 2 months, where it stabilizes and follow a more linear trend afterwards. One advantage is that the degradation products appeared almost exclusively at the far end (∼3000cm(-1)) of mid-infrared spectra, and that the fingerprint region of the spectra remained stable over the studied period of time. Raman results suggest that the pigments on the other side, are much more stable and have not shown any sign of degradation over the time of this study. Considering the forensic implications of this environmental degradation, care should be taken when comparing samples if weathering is an option (e.g. an exposed graffiti compared to the paint from a fresh spray paint can). Degradation issues should be kept in mind as they may induce significant differences between paint samples of common origin. Copyright © 2015 Elsevier Ireland Ltd. All rights reserved.

  4. Computer aided design of a low-cost painting robot

    International Nuclear Information System (INIS)

    Zaidi, S.M.; Janejo, F.; Mujtaba, S.B.

    2017-01-01

    The application of robots or robotic systems for painting parts is becoming increasingly conventional; to improve reliability, productivity, consistency and to decrease waste. However, in Pakistan only highend Industries are able to afford the luxury of a robotic system for various purposes. In this study we propose an economical Painting Robot that a small-scale industry can install in their plant with ease. The importance of this robot is that being cost effective, it can easily be replaced in small manufacturing industries and therefore, eliminate health problems occurring to the individual in charge of painting parts on an everyday basis. To achieve this aim, the robot is made with local parts with only few exceptions, to cut costs; and the programming language is kept at a mediocre level. Image processing is used to establish object recognition and it can be programmed to paint various simple geometries. The robot is placed on a conveyer belt to maximize productivity. A four DoF (Degree of Freedom) arm increases the working envelope and accessibility of painting different shaped parts with ease. This robot is capable of painting up, front, back, left and right sides of the part with a single colour. Initially CAD (Computer Aided Design) models of the robot were developed which were analyzed, modified and improved to withstand loading condition and perform its task efficiently. After design selection, appropriate motors and materials were selected and the robot was developed. Throughout the development phase, minor problems and errors were fixed accordingly as they arose. Lastly the robot was integrated with the computer and image processing for autonomous control. The final results demonstrated that the robot is economical and reduces paint wastage. (author)

  5. Identification of the chemical inventory of different paint types applied in nuclear facilities

    International Nuclear Information System (INIS)

    Sabrina Tietze; Foreman, M.R.St.J.; Ekberg, CH.H.; Chalmers University of Technology, Chemical and Biological Engineering, Goeteborg; Dongen van, B.E.

    2013-01-01

    The floors, concrete walls and many of the metal surfaces in nuclear power plant containments are coated with zinc primers or paint films to preserve the metal surfaces and simplify decontamination in the containment after the occurrence of a severe nuclear incident or accident. A chemical examination of paint films from different nuclear installations out of operation, as well as current operating ones, reveals that different types of paints are used whose composition can vary significantly. Results obtained for one type of paint at a certain nuclear site are in most cases unlikely to be comparable with sites painted with another type of paint. During normal operation and particularly during nuclear accidents, the paints will degrade under the high temperature, steam and irradiation influence. As paint and its degradation products can act as sources and depots for volatile iodine compounds, the type and aging conditions of the paint films will have a significant impact on the source term of the volatile fission product iodine. Thus, great care should be taken when extrapolating any results obtained for the interaction of radioactive iodine with one paint product to a different paint product. The main focus of the study is a comparison of the chemical profile of paint films applied in Swedish nuclear power plants. Teknopox Aqua V A, an epoxy paint recently used at Ringhals 2, and an emulsion paint used in the scrubber buildings of Ringhals 1-4 are compared with a paint film from Barsebaeck nuclear power plant unit 1 that had been aged under real reactor conditions for 20 years. In addition, two paint films, an emulsion and a gloss paint, used in an international nuclear fuel reprocessing facility, are compared with the paints from the Swedish nuclear power plants. (author)

  6. Experiments on moisture form of concrete and adhesion of paints

    International Nuclear Information System (INIS)

    Kita, Daizo; Sumino, Masahiro

    1975-01-01

    It is necessary for radiation-resisting paints to adhere tightly to concrete in order to exhibit superior effects. As adhesion of paints to concrete is greatly affected by moisture content of concrete, this content is checked severely in the field. However, it may be considered that adhesion will be affected by the form of the moisture in the concrete also. Therefore, experiments were conducted with mortar to investigate the interrelations between pF-moisture content, moisture form and adhesion of paint. The following results were obtained: 1) Adhesion of paint becomes stronger as moisture content falls. 2) Adhesion strength of paint rises sharply until moisture content falls to a pF-value of 5.5 after which the strength is increased gradually until moisture content reaches pF of 7.0. 3) The pF-moisture content of 5.5 varies greatly depending on the mix proportions of mortar, but the form of moisture in such cases remains fixed and unchanged. (auth.)

  7. Automatic forensic analysis of automotive paints using optical microscopy.

    Science.gov (United States)

    Thoonen, Guy; Nys, Bart; Vander Haeghen, Yves; De Roy, Gilbert; Scheunders, Paul

    2016-02-01

    The timely identification of vehicles involved in an accident, such as a hit-and-run situation, bears great importance in forensics. To this end, procedures have been defined for analyzing car paint samples that combine techniques such as visual analysis and Fourier transform infrared spectroscopy. This work proposes a new methodology in order to automate the visual analysis using image retrieval. Specifically, color and texture information is extracted from a microscopic image of a recovered paint sample, and this information is then compared with the same features for a database of paint types, resulting in a shortlist of candidate paints. In order to demonstrate the operation of the methodology, a test database has been set up and two retrieval experiments have been performed. The first experiment quantifies the performance of the procedure for retrieving exact matches, while the second experiment emulates the real-life situation of paint samples that experience changes in color and texture over time. Copyright © 2016 Elsevier Ireland Ltd. All rights reserved.

  8. New approaches for investigating paintings by ion beam techniques

    International Nuclear Information System (INIS)

    Beck, L.; Viguerie, L. de; Walter, Ph.; Pichon, L.; Gutierrez, P.C.; Salomon, J.; Menu, M.; Sorieul, S.

    2010-01-01

    Up to now, among the IBA techniques, only PIXE has been used for analyzing paintings. However, quantitative PIXE analysis is sometimes difficult to interpret due to the layered structure, the presence of varnish and organic binder and, in some cases, discoloration of the pigments has been observed due to the interaction of the ion beam with the compounds. In order to improve the characterization of paintings, we propose some alternative experimental procedures. First of all, backscattering spectrometry (BS) and PIXE are simultaneously combined in order to collect complementary information such as layer thickness and organic compound quantification. The simultaneous PIXE and BS experiments also have the advantage of being able to analyze the same area in one experiment. This combination, implemented with an external beam, was directly applied on paintings and on painting cross-sections for the study of Italian Renaissance masterpieces. We have obtained valuable results not only on the pigment itself but also, for the first time, on the binder to pigment proportion which is not well documented in the ancient recipes. Moreover, in order to restrain beam damages due to the ion stopping power, we propose to analyze very thin painting cross-sections by a combination of PIXE-RBS and Scanning Transmission Ion Microscopy (STIM).

  9. Irradiation effects on canvas oil painting: Spectroscopic observations

    International Nuclear Information System (INIS)

    Manea, Mihaela Maria; Negut, C.D.; Stanculescu, Ioana Rodica; Ponta, C.C.

    2012-01-01

    “Winter” oil painting, by Romanian contemporary artist George Alexandrescu was used as experimental model for the substantiation of gamma radiation treatment, as the best choice to stop the biological attack of paintings. In this purpose, spectroscopic and colorimetric methods were used to analyse in situ, non-destructively and non-contact, the experimental model before and after 60 Co gamma irradiation. Chemical structure and colour changes were monitored by FTIR, FT-Raman and Vis reflectance spectroscopy. Negligible Infrared spectral transformations have been observed after irradiation. Furthermore, it was found that gamma irradiation did not induce any significant colour alterations. Insignificant structural and colour changes observed, recommend the use of gamma irradiation in the disinfection of oil paintings. - Highlights: ► Oil painting experimental model was gamma irradiated at 33 kGy. ► Changes induced by gamma irradiation were investigated in situ by spectral methods. ► Insignificant FT-IR/Raman spectral and colour variations were observed. ► Negligible changes recommend the irradiation for oil paintings disinfection.

  10. Technical study of Germolles’ wall paintings: the inputof imaging technique

    Directory of Open Access Journals (Sweden)

    Christian Degrigny

    2016-11-01

    Full Text Available The Château de Germolles is one of the rare palace in France dating from the 14th century. The noble floor is decorated with wall paintings that are a unique example of courtly love spirit that infused the princely courts of the time. After being concealed sometime in the 19th century, the paintings were rediscovered and uncovered in the middle of the 20th century and partly restored at the end of the 1990s. No scientific documentation accompanied these interventions and important questions, such as the level of authenticity of the mural decorations and the original painting technique(s used in the medieval times remained unanswered. The combined scientific and financial supports of COSCH Cost Action and DRAC-Burgundy enabled to study Germolles’ wall paintings using some of the most innovative imaging and analytical techniques and to address some of the questions raised. The study provided significant information on the material used in the medieval times and on the conservation condition of the paintings. The data collected is vast and varied and exposed the owners of the property to the challenges of data management.

  11. New approaches for investigating paintings by ion beam techniques

    Energy Technology Data Exchange (ETDEWEB)

    Beck, L., E-mail: Lucile.beck@cea.f [Centre de Recherche et de Restauration des Musees de France (C2RMF), CNRS-UMR 171, Palais du Louvre - Porte des Lions, 14 quai Francois Mitterrand, 75001 Paris (France); Viguerie, L. de; Walter, Ph.; Pichon, L. [Centre de Recherche et de Restauration des Musees de France (C2RMF), CNRS-UMR 171, Palais du Louvre - Porte des Lions, 14 quai Francois Mitterrand, 75001 Paris (France); Gutierrez, P.C. [Centro de Micro-Analisis de Materiales (CMAM), Universidad Autonoma de Madrid, Campus de Cantoblanco, E-28049 Madrid (Spain); Salomon, J.; Menu, M. [Centre de Recherche et de Restauration des Musees de France (C2RMF), CNRS-UMR 171, Palais du Louvre - Porte des Lions, 14 quai Francois Mitterrand, 75001 Paris (France); Sorieul, S. [Centre d' Etudes Nucleaires de Bordeaux-Gradignan, IN2P3, UMR 5797, Universite de Bordeaux 1, Chemin du Solarium BP120, 33175 Gradignan Cedex (France)

    2010-06-15

    Up to now, among the IBA techniques, only PIXE has been used for analyzing paintings. However, quantitative PIXE analysis is sometimes difficult to interpret due to the layered structure, the presence of varnish and organic binder and, in some cases, discoloration of the pigments has been observed due to the interaction of the ion beam with the compounds. In order to improve the characterization of paintings, we propose some alternative experimental procedures. First of all, backscattering spectrometry (BS) and PIXE are simultaneously combined in order to collect complementary information such as layer thickness and organic compound quantification. The simultaneous PIXE and BS experiments also have the advantage of being able to analyze the same area in one experiment. This combination, implemented with an external beam, was directly applied on paintings and on painting cross-sections for the study of Italian Renaissance masterpieces. We have obtained valuable results not only on the pigment itself but also, for the first time, on the binder to pigment proportion which is not well documented in the ancient recipes. Moreover, in order to restrain beam damages due to the ion stopping power, we propose to analyze very thin painting cross-sections by a combination of PIXE-RBS and Scanning Transmission Ion Microscopy (STIM).

  12. Are Shaman Paintings Material Religion or Religious Art?

    Directory of Open Access Journals (Sweden)

    Jong-chun Park

    2017-12-01

    Full Text Available Laurel Kendall, Jongsung Yang, and Yul Soo Yoon. God Pictures in Korean Contexts: The Ownership and Meaning of Shaman Paintings. Honolulu: University of Hawai'i Press, 2015. God Pictures in Korean Contexts: The Ownership and Meaning of Shaman Paintings is a pioneering work, one that explores the proverbial “road not taken” by previous research on the subject. The authors situate “the lives of Korean shaman paintings [musindo] in a complex South Korean world; in shaman shrines, private collections, and museums." Incorporating their vivid experiences in the field, authors Laurel Kendall, anthropologist and curator at the American Museum of Natural History; Jongsung Yang, collector and director of the Museum of Shamanism in Seoul; and Yul Soo Yoon, art historian and director of the Gahoe Museum in Seoul, investigate not merely the religious meanings and functions of shaman paintings, but how these meanings and functions are accepted, appropriated, and even created, depending on the interests of various participants—shamans, painters, collectors of shaman paintings, and so on—who are relevant to these visual forms of expressive culture.

  13. Cyclic voltammetry and RBS study of paint components

    International Nuclear Information System (INIS)

    Bowman, Lynn; Spencer, Dirk; Muntele, Claudiu; Muntele, Iulia; Ila, D.

    2007-01-01

    Heavy metals and metalloid ions are found in environmental matrices. The most toxic are lead, cadmium and mercury. These three heavy metals have no biological function and are toxic at all concentrations. Lead is one of the most insidious heavy metals and is introduced into the environment by many different means. It persists in both urban and rural settings, being found in paint chips, pottery, crystal and pharmaceutical and nutritional products. The analysis of heavy elements such as lead in soil is of particular importance [W.T. Sturges, R.M. Harrison, Sci. Total Environ. 44 (3) (1985) 225; M.L. Lepow, L. Bruckman, M. Gillette, S. Markowitz, R. Robino, J. Kapish, Environ. Res. 10 (3) (1975) 415; A.E. Daniels, J.R. Kominsky, P.J. Clark, J. Hazard. Mater. B 87 (2001) 117; G. Hutter, D. Moshman, J. Hazard. Mater. 40 (1995) 1]. In preparing the methods for lead detection in paint, we have used Rutherford backscattering spectrometry (RBS) in order to study the type and amount of heavy metal content in paint samples collected at various sites in the historic campus at A and M University (AAMU). We will show the results of our study with emphasis on comparison of what we learned about presence of lead in paints using our ion beam methods compared with the analysis of lead in paints using cyclic voltammetry

  14. Chromatic effects of metamers of D65 on art paintings.

    Science.gov (United States)

    Pinto, P D; Felgueiras, P E R; Linhares, J M M; Nascimento, S M C

    2010-09-01

    The visual impression of an artistic painting is influenced both by the colour and by the specific spectral structure of the rendering light source. The relationship between illuminant spectral structure and visual appearance assumes particular relevance with the advent of light sources with almost arbitrary spectral distribution, like modern LED based lighting. The aim of this work was to study, computationally, chromatic effects on paintings of illuminants with the same colour as D65 but different spectral profile. Hyperspectral data from twenty oil paintings were used in the analysis. A large collection of metamers of D65 was generated and the radiance reflected from each pixel of the paintings was estimated for each of the metamers. The number of discernible colours produced for each painting and illuminant was computed, and correlated with the spectral structure of the metamers. It was found that the number of colours generated varied considerably across the collection of metamers and that the metamers producing more colours were spectrally more structured, that is, less uniform. This result suggests that it may be beneficial to explore appropriate spectral tuning in practical illumination. © 2010 The Authors, Ophthalmic and Physiological Optics © 2010 The College of Optometrists.

  15. A Telescope Inventor's Spyglass Possibly Reproduced in a Brueghel's Painting

    Science.gov (United States)

    Molaro, P.; Selvelli, P.

    2011-06-01

    Jan Brueghel the Elder depicted spyglasses belonging to the Archduke Albert VII of Habsburg in at least five paintings in the period between 1608 and 1625. Albert VII was fascinated by art and science and he obtained spyglasses directly from Lipperhey and Sacharias Janssen approximately at the time when the telescope was first shown at The Hague at the end of 1608. In the Extensive Landscape with View of the Castle of Mariemont, dated 1608-1612, the Archduke is looking at his Mariemont castle through an optical tube and this is the first time a spyglass was painted whatsoever. It is quite possible that the painting reproduces one of the first telescopes ever made. Two other Albert VII's telescopes are prominently reproduced in two Allegories of Sight painted a few years later (1617-1618). They are sophisticated instruments and their structure, in particular the shape of the eyepiece, suggests that they are composed by two convex lenses in a Keplerian optical configuration which became of common use only more than two decades later. If this is the case, these paintings are the first available record of a Keplerian telescope.

  16. Leaching of copper and zinc from spent antifouling paint particles

    International Nuclear Information System (INIS)

    Singh, Nimisha; Turner, Andrew

    2009-01-01

    Leaching of Cu and Zn from a composite of spent antifouling paint particles, containing about 300 mg g -1 and 110 mg g -1 of the respective metals, was studied in batch experiments. For a given set of simulated environmental conditions, release of Cu was independent of paint particle concentration due to attainment of pseudo-saturation, but Zn was less constrained by solubility effects and release increased with increasing particle concentration. Leaching of Cu increased but Zn decreased with increasing salinity, consistent with mechanisms governing the dissolution of Cu 2 O in the presence of chloride and Zn acrylates in the presence of seawater cations. Because of complex reaction kinetics and the presence of calcium carbonate in the paint matrix, metal leaching appeared to be greater at 4 deg. C than 19 deg. C under many conditions. These findings have important environmental and biological implications regarding the deliberate or inadvertent disposal of antifouling paint residues. - Copper and zinc are readily leached from particles of spent antifouling paint under a range of environmental conditions

  17. Paint with Me: Stimulating Creativity and Empathy While Painting with a Painter in Virtual Reality.

    Science.gov (United States)

    Gerry, Lynda Joy

    2017-04-01

    While nothing can be more vivid, immediate and real than our own sensorial experiences, emerging virtual reality technologies are playing with the possibility of being able to share someone else's sensory reality. The Painter Project is a virtual environment where users see a video from a painter's point of view in tandem with a tracked rendering of their own hand while they paint on a physical canvas. The end result is an experiment in superimposition of one experiential reality on top of another, hopefully opening a new window into an artist's creative process. This explorative study tested this virtual environment on stimulating empathy and creativity. The findings indicate potential for this technology as a new expert-novice mentorship simulation.

  18. Improve the quality and service life of water-based pavement marking paints on pavements with high-iron aggregates.

    Science.gov (United States)

    2015-08-01

    White pavement paint marking on airport runways was being discolored by rust-like staining. Discoloration is a critical safety : problem because white paint indicates runways and yellow paint is used for taxiways and aircraft parking. When the white ...

  19. Influence of antifouling paint on freshwater invertebrates (Mytilidae, Chironomidae and Naididae): density, richness and composition.

    Science.gov (United States)

    Fujita, D S; Takeda, A M; Coutinho, R; Fernandes, F C

    2015-11-01

    We conducted a study about invertebrates on artificial substrates with different antifouling paints in order to answer the following questions 1) is there lower accumulation of organic matter on substrates with antifouling paints, 2) is invertebrate colonization influenced by the release of biocides from antifouling paints, 3) is the colonization of aquatic invertebrates positively influenced by the material accumulated upon the substrate surface and 4) is the assemblage composition of invertebrates similar among the different antifouling paints? To answer these questions, four structures were installed in the Baía River in February 1st, 2007. Each structure was composed of 7 wood boards: 5 boards painted with each type of antifouling paints (T1, T2, T3, T4 and T5), one painted only with the primer (Pr) and the other without any paint (Cn). After 365 days, we observed a greater accumulation of organic matter in the substrates with T2 and T3 paint coatings. Limnoperna fortunei was recorded in all tested paints, with higher densities in the control, primer, T2 and T3. The colonization of Chironomidae and Naididae on the substrate was positively influenced by L. fortunei density. The non-metric multidimensional scaling (NMDS) of the invertebrate community provided evidence of the clear distinction of invertebrate assemblages among the paints. Paints T2 and T3 were the most similar to the control and primer. Our results suggest that antifouling paints applied on substrates hinder invertebrate colonization by decreasing the density and richness of invertebrates.

  20. An investigation of the neural substrates of mind wandering induced by viewing traditional Chinese landscape paintings

    Science.gov (United States)

    Wang, Tingting; Mo, Lei; Vartanian, Oshin; Cant, Jonathan S.; Cupchik, Gerald

    2015-01-01

    The present study was conducted to investigate whether the calming effect induced by viewing traditional Chinese landscape paintings would make disengagement from that mental state more difficult, as measured by performance on a cognitive control task. In Experiment 1 we examined the subjective experience of viewing traditional Chinese landscape paintings vs. realistic oil landscape paintings in a behavioral study. Our results confirmed that, as predicted, traditional Chinese landscape paintings induce greater levels of relaxation and mind wandering and lower levels of object-oriented absorption and recognition, compared to realistic oil landscape paintings. In Experiment 2 we used functional Magnetic Resonance Imaging to explore the behavioral and neural effects of viewing traditional Chinese landscape paintings on a task requiring cognitive control (i.e., the flanker task)—administered immediately following exposure to paintings. Contrary to our prediction, the behavioral data demonstrated that compared to realistic oil landscape paintings, exposure to traditional Chinese landscape paintings had no effect on performance on the flanker task. However, the neural data demonstrated an interaction effect such that there was greater activation in the inferior parietal cortex and the superior frontal gyrus on incongruent compared with congruent flanker trials when participants switched from viewing traditional Chinese landscape paintings to the flanker task than when they switched from realistic oil landscape paintings. These results suggest that switching from traditional Chinese landscape paintings placed greater demands on the brain’s attention and working memory networks during the flanker task than did switching from realistic oil landscape paintings. PMID:25610386

  1. An investigation of the neural substrates of mind wandering induced by viewing traditional Chinese landscape paintings.

    Science.gov (United States)

    Wang, Tingting; Mo, Lei; Vartanian, Oshin; Cant, Jonathan S; Cupchik, Gerald

    2014-01-01

    The present study was conducted to investigate whether the calming effect induced by viewing traditional Chinese landscape paintings would make disengagement from that mental state more difficult, as measured by performance on a cognitive control task. In Experiment 1 we examined the subjective experience of viewing traditional Chinese landscape paintings vs. realistic oil landscape paintings in a behavioral study. Our results confirmed that, as predicted, traditional Chinese landscape paintings induce greater levels of relaxation and mind wandering and lower levels of object-oriented absorption and recognition, compared to realistic oil landscape paintings. In Experiment 2 we used functional Magnetic Resonance Imaging to explore the behavioral and neural effects of viewing traditional Chinese landscape paintings on a task requiring cognitive control (i.e., the flanker task)-administered immediately following exposure to paintings. Contrary to our prediction, the behavioral data demonstrated that compared to realistic oil landscape paintings, exposure to traditional Chinese landscape paintings had no effect on performance on the flanker task. However, the neural data demonstrated an interaction effect such that there was greater activation in the inferior parietal cortex and the superior frontal gyrus on incongruent compared with congruent flanker trials when participants switched from viewing traditional Chinese landscape paintings to the flanker task than when they switched from realistic oil landscape paintings. These results suggest that switching from traditional Chinese landscape paintings placed greater demands on the brain's attention and working memory networks during the flanker task than did switching from realistic oil landscape paintings.

  2. Evaluation of paint industry effluents for irrigation purposes

    International Nuclear Information System (INIS)

    Jolly, Y.N.; Islam, A.; Quraishi, S.B.; Mustafa, A.I.

    2006-01-01

    Effluent samples collected from a paints factory for a period of seven months were analyzed for pH, electrical conductivity (EC), soluble cations and anions, nitrogen, phosphorus, and trace elements (Cd, B, Cr, Mn, Fe, Co, Ni, Cu, Zn, As, Pb). Compared with the natural groundwater used for washing paint wastes, the paint industry effluents were found to contain elevated concentrations of cations with the exception of Ca and moderately high concentrations of trace elements. Evaluation of the effluents was made, based on the integration of EC and both the sodium absorption ratio (SAR) and soluble sodium percent (SSP), BOD and COD values, and maximum permissible limits of heavy metals in the irrigation water. From the overall assessment, the effluents were considered suitable for use as supplement irrigation water. However, it is essential that the heavy metals in the effluents, as well as their accumulation in plants and soils, are monitored regularly. (author)

  3. Cradle Removal in X-Ray Images of Panel Paintings

    Directory of Open Access Journals (Sweden)

    Gábor Fodor

    2017-01-01

    Full Text Available We address the problem of mitigating the visually displeasing effects of cradling in X-ray images of panel paintings. The proposed algorithm consists of three stages. In the first stage the location of the cradling is detected semi-automatically and the grayscale inconsistency, caused by the thickness of the cradling, is adjusted. In a second stage we use a blind source separation method to decompose the X-ray image into a so-called cartoon part and a texture part, where the latter contains mostly the wood grain from both the panel as well as the cradling. In the third and final stage the algorithm tries to learn the distinction between the texture patterns that originate from the cradling and those from other components such as the panel and/or the painting. The goal of the proposed research is to improve the readability of X-ray images of paintings for art experts.

  4. Analysis of plant meiotic chromosomes by chromosome painting.

    Science.gov (United States)

    Lysak, Martin A; Mandáková, Terezie

    2013-01-01

    Chromosome painting (CP) refers to visualization of large chromosome regions, entire chromosome arms, or entire chromosomes via fluorescence in situ hybridization (FISH). For CP in plants, contigs of chromosome-specific bacterial artificial chromosomes (BAC) from the target species or from a closely related species (comparative chromosome painting, CCP) are typically applied as painting probes. Extended pachytene chromosomes provide the highest resolution of CP in plants. CP enables identification and tracing of particular chromosome regions and/or entire chromosomes throughout all meiotic stages as well as corresponding chromosome territories in premeiotic interphase nuclei. Meiotic pairing and structural chromosome rearrangements (typically inversions and translocations) can be identified by CP. Here, we describe step-by-step protocols of CP and CCP in plant species including chromosome preparation, BAC DNA labeling, and multicolor FISH.

  5. Raman spectroscopic study of "The Malatesta": a Renaissance painting?

    Science.gov (United States)

    Edwards, Howell G M; Vandenabeele, Peter; Benoy, Timothy J

    2015-02-25

    Raman spectroscopic analysis of the pigments on an Italian painting described as a "Full Length Portrait of a Gentleman", known also as the "Malatesta", and attributed to the Renaissance period has established that these are consistent with the historical research provenance undertaken earlier. Evidence is found for the early 19th Century addition of chrome yellow to highlighted yellow ochre areas in comparison with a similar painting executed in 1801 by Sir Thomas Lawrence of John Kemble in the role of Hamlet, Prince of Denmark. The Raman data are novel in that no analytical studies have previously been made on this painting and reinforces the procedure whereby scientific analyses are accompanied by parallel historical research. Copyright © 2014 Elsevier B.V. All rights reserved.

  6. “HANGING CARCASS” IMAGE IN NORTHERN EUROPEAN PAINTING

    Directory of Open Access Journals (Sweden)

    Semih OZKAN

    2015-04-01

    Full Text Available Hanging Carcass” or “Slayed Ox” is a symbolic image which appears especially in Northern European Painting. In an iconographic examination of the image, many of whose examples appear in Old Testament and Hebrew Myths, it is understood that its roots date back to earlier times.. In Christian Art the same theme continues and this animal sacrifice image transforms to visual symbol of Jesus Christ, who sacrificed himself as an atonement for the sins of mankind. Since shape of the execution of Jesus Christ is Crucifiction, it’s been observed that, in time, a symbolic visual identity has developed between Cross and Hanging Carcass of Slayed Ox. While hanging carcass was just a component of visual composition in the examples of Christian religious paintings until 16th century, the image has become the essential theme of some paintings since the 17th century. This paper examines various visual expressions of this symbolic religious image in art throughout history.

  7. Aesthetic preference in the spatial composition of traditional Chinese paintings.

    Science.gov (United States)

    Lu, Zheng; Zhang, Weidong; Gao, Xuchen

    2015-01-01

    Aesthetic psychology has discussed many aspects of aesthetic preferences for spatial composition. However, there have been few empirical explorations of the spatial composition of traditional Chinese paintings. The results of this experiment showed that the shape of the frame had a significant effect on aesthetic preferences. Participants preferred to put two figures at certain relative horizontal distances from each other according to the horizontal shape of the frame but may have difficulty in adapting the relative vertical distance according to the vertical shape of the frame. Furthermore, the unique aesthetic interest of traditional Chinese long-vertical scroll paintings was discussed. This discussion revealed that, in a creative way, ancient Chinese artists followed the same aesthetic principles we observed, and they developed the artistic conception and romantic charm of traditional Chinese paintings.

  8. Landscape Painting in Evaluation of Changes in Landscape

    Directory of Open Access Journals (Sweden)

    Lacina Jan

    2015-11-01

    Full Text Available One of common methods of determining landscape change usually is to compare maps and photographic images of the same places in different time horizons. Landscape painting, which has a long and rich tradition in the Czech Republic, can be used similarly. Landscape-ecological interpretation of selected works by painters of the 19th century - Julius Mařák, František Kaván and Antonín Slavíček was done in this paper. Some pictures of the Českomoravská vrchovina (Bohemian-Moravian highlands by Josef Jambor from the mid-20th century were used for detailed comparative analysis to the level of habitats. We compared 80 landscape paintings and found that most of the painted sceneries have changed for worse.

  9. Methylisothiazolinone and benzisothiazolinone are widely used in paint: a multicentre study of paints from five European countries

    DEFF Research Database (Denmark)

    Schwensen, Jakob F; Lundov, Michael; Bossi, Rossana

    2015-01-01

    BACKGROUND: In view of the current epidemic of contact allergy to methylisothiazolinone (MI), it is important to clarify the extent of use of MI and related isothiazolinones in paints currently available for the consumer and worker in Europe. OBJECTIVES: To elucidate the use and concentrations...... of MI, methylchloroisothiazolinone (MCI) and benzisothiazolinone (BIT) in paints on the European retail market. METHODS: Wall paints (n = 71) were randomly purchased in retail outlets in five European countries. The paints were quantitatively analysed for their contents of MI, MCI and BIT by high......-performance liquid chromatography coupled to tandem mass spectrometry. RESULTS: MI was found in 93.0% (n = 66) of the paints, with concentrations ranging from 0.7 to 180.9 ppm, MCI in 23.9% (n = 17), ranging from 0.26 to 11.4 ppm, and BIT in 95.8% (n = 68), ranging from 0.1 to 462.5 ppm. High concentrations of MI...

  10. On the study of oil paint adhesion on optically transparent glass: Conservation of reverse paintings on glass

    Energy Technology Data Exchange (ETDEWEB)

    Bayle, M. [Historic and Ancient Materials Group, School of Chemistry, University of Lincoln, Brayford Pool, Lincoln LN6 7TS (United Kingdom); Waugh, D.G., E-mail: d.waugh@chester.ac.uk [Laser Engineering and Manufacturing Research Centre, Faculty of Science and Engineering, University of Chester, Thornton Science Park, Ince, Chester CH2 4NU (United Kingdom); Colston, B.J. [Historic and Ancient Materials Group, School of Chemistry, University of Lincoln, Brayford Pool, Lincoln LN6 7TS (United Kingdom); Lawrence, J. [Laser Engineering and Manufacturing Research Centre, Faculty of Science and Engineering, University of Chester, Thornton Science Park, Ince, Chester CH2 4NU (United Kingdom)

    2015-12-01

    Highlights: • Adhesion characteristics analysed with respect to reverse paintings on glass. • Physical properties of surfaces and pigments found to affect cohesion and adhesion. • Environmental effects on pigment adhesion to glass have been documented. • Vermillion pigment hardest compared to other pigments, especially with adhesives. • Wettability used to assess adhesion properties relating to reverse paintings on glass. - Abstract: Reverse painting on glass is a technique which consists of applying a cold paint layer on the reverse-side of glass. The main challenge facing these artworks is the fragile adhesion of the pictorial layer – a simple movement can modify the appearance of the painting. This paper details a study into the adhesion parameters of pigments on glass and the comparison between different pigments. The relationships between the binder (linseed oil) with pigments and the glass with or without the use of an adhesive are studied. Physical analyses by surface characterisation have been carried out to better understand the influence of the pigment. The use of a sessile drop device, optical microscopy, scanning electron microscopy (SEM), a surface 3D profiler and a pencil hardness scratch tester were necessary to establish a comparison of the pictorial layer adhesion. A comparison of the effect of two adhesives, namely ox gall and gum arabic, has shown that the adhesion is not only linked to the physical parameters but that possible chemical reactions can influence the results. Finally, a treatment based on humidity-extreme storage has shown the weakness of some pictorial layers.

  11. On the study of oil paint adhesion on optically transparent glass: Conservation of reverse paintings on glass

    International Nuclear Information System (INIS)

    Bayle, M.; Waugh, D.G.; Colston, B.J.; Lawrence, J.

    2015-01-01

    Highlights: • Adhesion characteristics analysed with respect to reverse paintings on glass. • Physical properties of surfaces and pigments found to affect cohesion and adhesion. • Environmental effects on pigment adhesion to glass have been documented. • Vermillion pigment hardest compared to other pigments, especially with adhesives. • Wettability used to assess adhesion properties relating to reverse paintings on glass. - Abstract: Reverse painting on glass is a technique which consists of applying a cold paint layer on the reverse-side of glass. The main challenge facing these artworks is the fragile adhesion of the pictorial layer – a simple movement can modify the appearance of the painting. This paper details a study into the adhesion parameters of pigments on glass and the comparison between different pigments. The relationships between the binder (linseed oil) with pigments and the glass with or without the use of an adhesive are studied. Physical analyses by surface characterisation have been carried out to better understand the influence of the pigment. The use of a sessile drop device, optical microscopy, scanning electron microscopy (SEM), a surface 3D profiler and a pencil hardness scratch tester were necessary to establish a comparison of the pictorial layer adhesion. A comparison of the effect of two adhesives, namely ox gall and gum arabic, has shown that the adhesion is not only linked to the physical parameters but that possible chemical reactions can influence the results. Finally, a treatment based on humidity-extreme storage has shown the weakness of some pictorial layers.

  12. Making unformulated experience real through painting: Painting and psychoanalytic psychotherapy practice as two ways of making sense.

    Science.gov (United States)

    Schwartz, Karen M

    2018-02-01

    I contend that painting, like psychoanalytic psychotherapy, is an intersubjective process able to connect hearts and minds of painters and viewers alike, because the creative process of making a painting brings painters into more complex and more animated relationship with themselves. My own painting process is largely nonverbal. Interactions between me and my evolving artwork-in-process reveal experiences, thoughts, and feelings not yet formulated in words, and so, not available explicitly to conscious awareness until visual representation allows questions of meaning and intention to be thought about and elaborated in the usual, verbal sense. I describe how my particular painting practice provides an experiential frame for the creative process of self-articulation that goes on in psychotherapy, as well as how the physical and mostly nonverbal dialogue experienced in the painting studio served as a source of listening attitudes and self-regulation in my work with a patient's inhibited self-expression and thwarted artistic ambitions. © 2018 Wiley Periodicals, Inc.

  13. Structural Content in Paintings II: Artists Commissioned to Reproduce a Specific Image Over-Regularize Orientation Biases in Their Paintings.

    Science.gov (United States)

    Essock, Edward A; Schweinhart, April M

    2016-02-25

    Measurements of psychophysical performance show that the visual system is biased in ways that counteract statistical regularities of natural scenes thereby allowing efficient coding. Here we consider the perceptual effects of these encoding biases in a "holistic" way by measuring characteristics of the paintings produced by artists making perceptual matches to a natural scene image; 10 artists were asked to produce an exact copy of a single outdoor landscape scene. The structural content of the paintings produced and the "ground truth" image were compared in the frequency domain. The artists were found to over-regularize the orientation content in the paintings: The anisotropy existing only at the lowest spatial scales in the natural scene image was produced across all spatial scales in these commissioned paintings. These results were compared to those from two other methods of comparing paintings and natural scenes reported previously in a companion paper and all three methodologies indicate very similar over-regularization. We suggest that artists may have a general canonical representation of structural relations of scenes that they apply broadly within their creations. © The Author(s) 2016.

  14. Automated full-3D digitization system for documentation of paintings

    Science.gov (United States)

    Karaszewski, Maciej; Adamczyk, Marcin; Sitnik, Robert; Michoński, Jakub; Załuski, Wojciech; Bunsch, Eryk; Bolewicki, Paweł

    2013-05-01

    In this paper, a fully automated 3D digitization system for documentation of paintings is presented. It consists of a specially designed frame system for secure fixing of painting, a custom designed, structured light-based, high-resolution measurement head with no IR and UV emission. This device is automatically positioned in two axes (parallel to the surface of digitized painting) with additional manual positioning in third, perpendicular axis. Manual change of observation angle is also possible around two axes to re-measure even partially shadowed areas. The whole system is built in a way which provides full protection of digitized object (moving elements cannot reach its vicinity) and is driven by computer-controlled, highly precise servomechanisms. It can be used for automatic (without any user attention) and fast measurement of the paintings with some limitation to their properties: maximum size of the picture is 2000mm x 2000mm (with deviation of flatness smaller than 20mm) Measurement head is automatically calibrated by the system and its possible working volume starts from 50mm x 50mm x 20mm (10000 points per square mm) and ends at 120mm x 80mm x 60mm (2500 points per square mm). The directional measurements obtained with this system are automatically initially aligned due to the measurement head's position coordinates known from servomechanisms. After the whole painting is digitized, the measurements are fine-aligned with color-based ICP algorithm to remove any influence of possible inaccuracy of positioning devices. We present exemplary digitization results along with the discussion about the opportunities of analysis which appear for such high-resolution, 3D computer models of paintings.

  15. Super-resolution microscopy with DNA-PAINT.

    Science.gov (United States)

    Schnitzbauer, Joerg; Strauss, Maximilian T; Schlichthaerle, Thomas; Schueder, Florian; Jungmann, Ralf

    2017-06-01

    Super-resolution techniques have begun to transform biological and biomedical research by allowing researchers to observe structures well below the classic diffraction limit of light. DNA points accumulation for imaging in nanoscale topography (DNA-PAINT) offers an easy-to-implement approach to localization-based super-resolution microscopy, owing to the use of DNA probes. In DNA-PAINT, transient binding of short dye-labeled ('imager') oligonucleotides to their complementary target ('docking') strands creates the necessary 'blinking' to enable stochastic super-resolution microscopy. Using the programmability and specificity of DNA molecules as imaging and labeling probes allows researchers to decouple blinking from dye photophysics, alleviating limitations of current super-resolution techniques, making them compatible with virtually any single-molecule-compatible dye. Recent developments in DNA-PAINT have enabled spectrally unlimited multiplexing, precise molecule counting and ultra-high, molecular-scale (sub-5-nm) spatial resolution, reaching ∼1-nm localization precision. DNA-PAINT can be applied to a multitude of in vitro and cellular applications by linking docking strands to antibodies. Here, we present a protocol for the key aspects of the DNA-PAINT framework for both novice and expert users. This protocol describes the creation of DNA origami test samples, in situ sample preparation, multiplexed data acquisition, data simulation, super-resolution image reconstruction and post-processing such as drift correction, molecule counting (qPAINT) and particle averaging. Moreover, we provide an integrated software package, named Picasso, for the computational steps involved. The protocol is designed to be modular, so that individual components can be chosen and implemented per requirements of a specific application. The procedure can be completed in 1-2 d.

  16. Bronchiolitis obliterans organizing pneumonia due to titanium nanoparticles in paint.

    Science.gov (United States)

    Cheng, Tong-Hong; Ko, Fu-Chang; Chang, Junn-Liang; Wu, Kuo-An

    2012-02-01

    We present a case of a 58-year-old man who experienced Bronchiolitis obliterans organizing pneumonia after a 3-month exposure to polyester powder paint. Mineralogical analysis by transmission electron microscopy of a pulmonary sample and the polyester powder paint he was exposed to showed the presence of titanium dioxide nanoparticles in both. We suggest that exposure to titanium dioxide nanoparticles should be added to the etiology of Bronchiolitis obliterans organizing pneumonia. Copyright © 2012 The Society of Thoracic Surgeons. Published by Elsevier Inc. All rights reserved.

  17. Determining the Carbon Dioxide Permeability of Paint Films

    OpenAIRE

    C. Carneiro; F. Oliveira; J. Nogueira; A. Mendes

    2006-01-01

    An in-house set-up was developed for determining the permeability of paint films towards carbon dioxide. The system implemented the so-called Wicke-Kallenback method, described in EN 1062-6. This method consists of a two-chamber permeation cell divided by a supported paint film. A carbon dioxide/nitrogen mixture stream (15% CO2/85% N-2) is fed to the retentate chamber and a nitrogen carrier stream is fed to the permeate chamber. Carbon dioxide permeates from the retentate to the permeate cham...

  18. Differential PIXE for investigating the layer structure of paintings

    International Nuclear Information System (INIS)

    Mando, P.A.; Fedi, M.E.; Grassi, N.; Migliori, A.

    2005-01-01

    This paper reports an example of how the differential PIXE technique can be successfully applied to the investigation of wood or canvas paintings. The work analysed is a famous wood painting by Leonardo da Vinci, the 'Madonna dei fusi' (ex-Reford version, 1501), chosen for a pilot study in a wide international project aimed at analysing Leonardo's works of art by means of non-destructive techniques. While illustrating the results obtained concerning the identification of pigments and the discrimination of the stratigraphy of layers, the merits and limits of differential PIXE in general are pointed out

  19. Paint in the Pipe: An Unusual Foreign Body.

    Science.gov (United States)

    Garg, Neha; Gupta, Natasha; Shah, Dheeraj; Gupta, Piyush

    2017-11-15

    Foreign bodies in the airway can be a diagnostic and therapeutic challenge. 30-month-old girl with complaints of noisy and fast breathing following fall over a pile of sand. Sand was suctioned out by direct bronchoscopy. The child improved initially but condition worsened in next four days with marked stridor and wheeze. Imaging revealed elongated sharp radiodense opacity in the cervical region, suggestive of foreign body. At repeat bronchoscopy, paint material was removed from the airway, leading to recovery. Paint material mixed in the sand can adhere to the walls of the airway, and cause persistent symptoms of obstruction.

  20. Canvas Supports in Paintings by Nicolai Abildgaard: Fabrics and Formats

    DEFF Research Database (Denmark)

    Filtenborg, Troels Folke

    2015-01-01

    An investigation of the technique and materials in paintings by the Danish artist Nicolai Abildgaard (1743 – 1809) included examination of the canvas supports in a large number of his works. Thread count and weave density were studied by automated weave-mapping computer software, designed for wor...... conditions and manufacture circumstances. This applied to the quality of the fabric, i.e. the type of fibre, thread count and tightness of weave, as well as the scale and the formats within which the majority of the paintings fall....

  1. PaintShop Pro x6 for photographers

    CERN Document Server

    McMahon, Ken

    2014-01-01

    Written for photographers of all levels, PaintShop Pro X6 for Photographers is packed with inspirational, full-color images and easy-to-follow step-by-step projects that will have you producing great images in PaintShop Pro in no time! Everything you need to enhance and improve your digital photography is right here in this Corel® endorsed guide.In this new edition, Ken McMahon looks at the pros and cons of the new, faster 64-bit version of the software and covers new features, including working with the Instant Effects palette, using the Smart selection brush, mapping photos, automatically ta

  2. Colonial Painting and the Control of the Senses

    Directory of Open Access Journals (Sweden)

    Jaime Humberto Borja Gómez

    2011-05-01

    Full Text Available In colonial times painting was one of the strategies used by the colonizing culture to place control mechanisms on the behavior of the individuals. In the XVII and XVIII centuries, a new awareness of the use of the senses emerged, which had to be duly channeled to further the order of the body social. Several visual representation techniques from the Baroque style were used in Neogranadine painting to teach about and illustrate on the correct use of the senses. In so doing, those Christian virtues which are necessary for the stability and endurance of the body  social would be secured.

  3. PaintShop Pro X4 for photographers

    CERN Document Server

    McMahon, Ken

    2012-01-01

    Great for those new to PaintShop Pro or digital imaging in general, this book is packed with inspirational, full-color images and easy to follow, step-by-step projects that will have you producing great images in PaintShop Pro in no time! Everything you need to turn your photos into stunning works of art is right here in this Corel-reviewed guide. In this new edition, Ken covers new features including how to make the most of the newly organized workspaces, use the redesigned HDR tool, and instantly publish photos on Flickr and Facebook. Squeeze every ounce of detail out of RAW files using the

  4. [The simultaneous contrast of the colors in Van Gogh paints].

    Science.gov (United States)

    Cernea, P

    2002-01-01

    Vincent Van Gogh, Dutchman painter, is a forerunner but also a spokesman of the expressionism. His life was short and sad, marked by a psychic instability. In his paintings the color is subordinated of some subjective motivations. Van Gogh uses complementary colors to get a maximum intensity of the overlapped tones. The chromatic increase serves to obtain some strong emotions. In his landscapes the special distances are suggested through tonal distances. The increase of the pure tones through complementary contrast, the cancel of the imitation colors through sensation-colors, the explosive chromatic are characteristic of her painting. In his singular creation, Vincent Van Gogh created his suffering ego.

  5. The Evaluation of Momentum Flux to Estimate Exposure From Spray Painting Operations

    National Research Council Canada - National Science Library

    Blazicko, Brian

    1998-01-01

    .... The model was tested with an anthropometric, 73 inch mechanical mannequin spraying nonvolatile oil on a flat plate in a paint booth while using a high volume, low pressure (HVLP) spray paint gun...

  6. Dissociation of Hexavalent Chromium from Sanded Paint Particles into a Simulated Lung Fluid

    National Research Council Canada - National Science Library

    Lange, Steven H

    2006-01-01

    .... Studies clearly link chromate exposure to human lung cancer. However, the few studies of the painting industry suggest that chromate exposure from paint particles does not increase the risk of lung cancer...

  7. Replacement of chromates in paints and corrosion protection systems [Stage 2

    Science.gov (United States)

    2004-05-01

    This technical report presents the second stage results of a multi-year project to develop chromate-free paints and corrosion protection systems. Chromate-containing coatings and paints are very effective in providing corrosion resistance and are wid...

  8. Replacement of chromates in paints and corrosion protection systems [Stage 1

    Science.gov (United States)

    2004-05-01

    This technical report presents the first stage results of a multi-year project to develop chromate-free paints and corrosion protection systems. Chromate coatings and chromate-containing paints are very effective in providing corrosion resistance and...

  9. The performance of 2-nitroso-1-naphthol chelating pigment in paint ...

    African Journals Online (AJOL)

    The performance of 2-nitroso-1-naphthol chelating pigment in paint formulation with gum Arabic and polyvinyl acetate as binders, Paper I: UV- visible spectroscopy, viscosity and breaking stress of the paints.

  10. Paint for detection of corrosion and warning of chemical and radiological attack

    Science.gov (United States)

    Farmer, Joseph C [Tracy, CA

    2010-08-24

    A system for warning of corrosion, chemical, or radiological substances. The system comprises painting a surface with a paint or coating that includes an indicator material and monitoring the surface for indications of the corrosion, chemical, or radiological substances.

  11. Surface with two paint strips for detection and warning of chemical warfare and radiological agents

    Science.gov (United States)

    Farmer, Joseph C.

    2013-04-02

    A system for warning of corrosion, chemical, or radiological substances. The system comprises painting a surface with a paint or coating that includes an indicator material and monitoring the surface for indications of the corrosion, chemical, or radiological substances.

  12. 75 FR 52385 - Culturally Significant Objects Imported for Exhibition Determinations: “Paintings From the Reign...

    Science.gov (United States)

    2010-08-25

    ... Imported for Exhibition Determinations: ``Paintings From the Reign of Victoria: The Royal Holloway..., ``Paintings from the Reign of Victoria: The Royal Holloway Collection, London'' would leave the United States...

  13. 78 FR 79058 - Culturally Significant Objects Imported for Exhibition Determinations: “Chinese Paintings from...

    Science.gov (United States)

    2013-12-27

    ... From the Federal Register Online via the Government Publishing Office DEPARTMENT OF STATE Culturally Significant Objects Imported for Exhibition Determinations: ``Chinese Paintings from Japanese..., 2003), I hereby determine that the objects to be included in the exhibition ``Chinese Paintings from...

  14. The painting of the Veluća's church

    Directory of Open Access Journals (Sweden)

    Andrejić Živojin R.

    2013-01-01

    Full Text Available Bogorodičina Church in Veluća was built by the Czar Despot Dejan and his wife Teodora before 1368 and they had it painted form 1368 to 1371, as a family memory and the mausoleum in the inheritance territory of his parent, Despot Ivaniš. In the beginning of the painting works, while painting the dome space, the renowned founders found a very good painter, but he, for some reason ended his work never finishing the job. Around 1370 the founders did not have an opportunity to find a good painter, so they hired a group of painters from the Seacoast that had no qualities. Their drawings were much more simplified and painting procedure quite poor. The flat portraits and bodies without volume with thin arms are weightless. And in combination with poor colouring they clearly stand aside compared to the total medieval Serbian painting. By style, but spatially very far away, the similarities can only be found in the paintings of Georgia. On the other hand, the total ideological and theological creation of the painting program is on a very high level and undoubtedly expresses the spirituality of the founder and the local episcope. The symbolical connection had been set and between cycles where all the saints of the church year were presented together with the composition of the The Doom. The organic connection has been established with the whole content of Christian dogma and the earthly history of the founder and his family. The program narration has strong messages on multiple family and legal belonging to the ruling house of Nemanjić. The Doom is in symbolical function with the ruler's iconography and setting of the divine rights of the earthly rule of the founders their parents as suzerains and their descendants. The symbolism of The Doom in Veluća is not only symbolical but it contains some historical reality. As a mausoleum building Veluća has an overall painting program of funerary character that fits into all traditions that were set in the

  15. 46 CFR 32.85-1 - Fireproofing of lamp, oil and paint rooms-T/ALL.

    Science.gov (United States)

    2010-10-01

    ... 46 Shipping 1 2010-10-01 2010-10-01 false Fireproofing of lamp, oil and paint rooms-T/ALL. 32.85-1..., MACHINERY, AND HULL REQUIREMENTS Lamp and Paint Rooms and Similar Compartments on Tankships § 32.85-1 Fireproofing of lamp, oil and paint rooms—T/ALL. Lamp, oil and paint rooms shall be wholly and tightly lined...

  16. Trying to Live Now: Chronotopic Figures in Jenny Watson’s A Painted Page Series

    OpenAIRE

    Chris McAuliffe

    2014-01-01

    Between late 1979 and early 1980, Australian artist Jenny Watson painted a sequence of six works, each with the title A Painted Page. Combining gridded, painted reproductions of photographs, newspapers and department store catalogues with roughly painted fields of color, the series brought together a range of recent styles and painterly idioms: pop, photorealism, and non-objective abstraction. Watson’s evocation of styles considered dated, corrupted or redundant by contemporary critics was re...

  17. Process for Non-Contact Removal of Organic Coatings from the Surface of Paintings

    Science.gov (United States)

    Banks, Bruce A. (Inventor); Rutledge, Sharon K. (Inventor)

    1996-01-01

    The present invention discloses a method of removing organic protective coatings from a painting. In the present invention degraded protective coatings such as lacquers, acrylics, natural resins, carbons, soot, and polyurethane are safely removed from the surface of a painting without contact to the surface of the painting. This method can be used for restoration of paintings when they have been damaged, through age, fire, etc.

  18. Simultaneous capture of the color and topography of paintings using fringe encoded stereo vision

    NARCIS (Netherlands)

    Zaman, T.; Jonker, P.P.; Lenseigne, B.A.J.; Dik, J.

    2014-01-01

    Introduction: Paintings are versatile near-planar objects with material characteristics that vary widely. The fact that paint has a material presence is often overlooked, mostly due to the fact that we encounter many of these artworks through two dimensional reproductions. The capture of paintings

  19. Electrospray painted article containing thermally exfoliated graphite oxide and method for their manufacture

    Science.gov (United States)

    Korkut, Sibel (Inventor); Prud'Homme, Robert K. (Inventor); Aksay, Ilhan A. (Inventor)

    2011-01-01

    A painted polymer part containing a conductive polymer composition containing at least one polymer and a modified graphite oxide material, which is a thermally exfoliated graphite oxide with a surface area of from about 300 sq m/g to 2600 sq m/g, wherein the painted polymer part has been electrospray painted.

  20. Measurements of tritium for radiological protection purposes in dial painting industry

    International Nuclear Information System (INIS)

    Sawant, J.V.; Rudran, Kamala; Pillai, K.C.

    1990-01-01

    Tritium is used as the active component in self-luminous paint. During dial painting process luminous paints releases tritium in air, causing air contamination. In the present paper results of a preliminary study on air monitoring and estimation of air samples in a local watch industry are given. (author). 5 refs., 2 t abs

  1. 46 CFR 111.105-43 - Paint stowage or mixing spaces.

    Science.gov (United States)

    2010-10-01

    ... 46 Shipping 4 2010-10-01 2010-10-01 false Paint stowage or mixing spaces. 111.105-43 Section 111... ELECTRIC SYSTEMS-GENERAL REQUIREMENTS Hazardous Locations § 111.105-43 Paint stowage or mixing spaces. A space for the stowage or mixing of paint must not have any electric equipment, except: (a) Intrinsically...

  2. 40 CFR 745.325 - Lead-based paint activities: State and Tribal program requirements.

    Science.gov (United States)

    2010-07-01

    ... 40 Protection of Environment 30 2010-07-01 2010-07-01 false Lead-based paint activities: State and... AGENCY (CONTINUED) TOXIC SUBSTANCES CONTROL ACT LEAD-BASED PAINT POISONING PREVENTION IN CERTAIN RESIDENTIAL STRUCTURES State and Indian Tribal Programs § 745.325 Lead-based paint activities: State and...

  3. Allergic contact dermatitis from 2-n-octyl-4-isothiazolin-3-one, a paint mildewcide

    DEFF Research Database (Denmark)

    Mathias, C G; Andersen, Klaus Ejner; Hamann, K

    1983-01-01

    Severe allergic contact dermatitis from a paint mildewcide, 2-n-octyl-4-isothiazolin-3-one, developed in a worker formulating latex paints within a paint manufacturing company, Guinea pig maximization testing demonstrated this to be a moderate sensitizer. Further cases of allergic contact...

  4. 46 CFR 132.310 - Fixed fire-extinguishing systems for paint lockers.

    Science.gov (United States)

    2010-10-01

    ... 46 Shipping 4 2010-10-01 2010-10-01 false Fixed fire-extinguishing systems for paint lockers. 132... VESSELS FIRE-PROTECTION EQUIPMENT Miscellaneous § 132.310 Fixed fire-extinguishing systems for paint... system or another approved fixed fire-extinguishing system must be installed in each paint locker. (b) No...

  5. 77 FR 57106 - Notice of Proposed Information Collection: Requirements for Notification of Lead-Based Paint...

    Science.gov (United States)

    2012-09-17

    ... Paint Hazards in Federally-Owned Residential Properties and Housing Receiving Federal Assistance AGENCY... Notification of Lead-Based Paint Hazards in Federally-Owned Residential Properties and Housing Receiving... Information and Proposed Use: Requirements for notification of lead-based paint hazard in federally- owned...

  6. 48 CFR 1452.236-70 - Prohibition Against Use of Lead-based Paint.

    Science.gov (United States)

    2010-10-01

    ... Lead-based Paint. 1452.236-70 Section 1452.236-70 Federal Acquisition Regulations System DEPARTMENT OF... Clauses 1452.236-70 Prohibition Against Use of Lead-based Paint. As prescribed in 1436.570(b), insert the following clause: Prohibition Against Use of Lead-Based Paint—Department of the Interior (JUL 1996) Paint...

  7. 24 CFR 570.461 - Post-preliminary approval requirements; lead-based paint.

    Science.gov (United States)

    2010-04-01

    ... requirements; lead-based paint. 570.461 Section 570.461 Housing and Urban Development Regulations Relating to... GRANTS Urban Development Action Grants § 570.461 Post-preliminary approval requirements; lead-based paint. The recipient may receive preliminary approval prior to the accomplishment of lead-based paint...

  8. 48 CFR 1436.570 - Prohibition against use of lead-based paint.

    Science.gov (United States)

    2010-10-01

    ... lead-based paint. 1436.570 Section 1436.570 Federal Acquisition Regulations System DEPARTMENT OF THE... 1436.570 Prohibition against use of lead-based paint. (a) Definitions. As used in this section... of Lead-Based Paint, in solicitations and contracts when construction of residential structures or...

  9. 48 CFR 436.571 - Prohibition against the use of lead-based paint.

    Science.gov (United States)

    2010-10-01

    ... use of lead-based paint. 436.571 Section 436.571 Federal Acquisition Regulations System DEPARTMENT OF... 436.571 Prohibition against the use of lead-based paint. The contracting officer shall insert the clause at 452.236-71, Prohibition Against the Use of Lead-Based Paint, in solicitations and contracts, if...

  10. 48 CFR 452.236-71 - Prohibition Against the Use of Lead-Based Paint.

    Science.gov (United States)

    2010-10-01

    ... Use of Lead-Based Paint. 452.236-71 Section 452.236-71 Federal Acquisition Regulations System... and Clauses 452.236-71 Prohibition Against the Use of Lead-Based Paint. As prescribed in 436.571, insert the following clause: Prohibition Against the Use of Lead-Based Paint (NOV 1996) Neither the...

  11. 40 CFR 446.10 - Applicability; description of the oil-base solvent wash paint subcategory.

    Science.gov (United States)

    2010-07-01

    ...-base solvent wash paint subcategory. 446.10 Section 446.10 Protection of Environment ENVIRONMENTAL PROTECTION AGENCY (CONTINUED) EFFLUENT GUIDELINES AND STANDARDS PAINT FORMULATING POINT SOURCE CATEGORY Oil-Base Solvent Wash Paint Subcategory § 446.10 Applicability; description of the oil-base solvent wash...

  12. 40 CFR 745.238 - Fees for accreditation and certification of lead-based paint activities.

    Science.gov (United States)

    2010-07-01

    ... certification of lead-based paint activities. 745.238 Section 745.238 Protection of Environment ENVIRONMENTAL PROTECTION AGENCY (CONTINUED) TOXIC SUBSTANCES CONTROL ACT LEAD-BASED PAINT POISONING PREVENTION IN CERTAIN RESIDENTIAL STRUCTURES Lead-Based Paint Activities § 745.238 Fees for accreditation and certification of lead...

  13. VOLATILE ORGANIC COMPOUND EMISSIONS FROM LATEX PAINT - PART 1. CHAMBER EXPERIMENTS AND SOURCE MODEL DEVELOPMENT

    Science.gov (United States)

    Latex paints are widely used in residential and commercial indoor environments. The surface areas covered by the paints in these environments are relatively large. Thus, latex paints have the potential for having a major impact on indoor air quality (IAQ). A study was undertaken ...

  14. Moderate contrast in the evaluation of paintings is liked more but remembered less than high contrast

    NARCIS (Netherlands)

    K. Dijkstra (Katinka); van Dongen, N.N.N. (Noah N.N.)

    2017-01-01

    textabstractMany visual aspects of paintings, as well as exposure to art and cultural norms, contribute to the aesthetic evaluation of paintings. The current study looked at heightened visual contrast as an important factor in the appreciation of paintings. Participants evaluated abstract digitized

  15. Radiation exposure to dial painters from 3H luminous paint industry

    International Nuclear Information System (INIS)

    Sawant, J.V.

    1992-01-01

    Tritium is used as the active component in self-luminous paint. The paper describes in-vitro solubilisation study of luminous paint in blood serum. Besides urine samples of luminous paint workers and air samples of two watch factories were analysed for 3 H. The results of these analysis are also presented. (author). 8 refs., 4 figs., 4 tabs

  16. 19 CFR 10.52 - Painted, colored or stained glass windows for religious institutions.

    Science.gov (United States)

    2010-04-01

    ... 19 Customs Duties 1 2010-04-01 2010-04-01 false Painted, colored or stained glass windows for.... General Provisions Works of Art § 10.52 Painted, colored or stained glass windows for religious institutions. When painted, colored, or stained glass windows or parts thereof, are claimed free of duty under...

  17. Children's Liking of Landscape Paintings as a Function of Their Perceptions of Prospect, Refuge, and Hazard

    Science.gov (United States)

    Fischer, Mary Ann; Shrout, Patrick E.

    2006-01-01

    Prospect-refuge theory was used to study children's aesthetic responses to landscape paintings. Sixty-seven children between the ages of 8 and 15 years reported their liking for 28 landscape paintings and their perceptions of the degree of prospect, refuge, and hazard in those paintings. Consistent with expectations, children were able to express…

  18. EFFECT OF PAINT-BAKE LIKE TREATMENT ON MECHANICAL ...

    African Journals Online (AJOL)

    HOD

    EFFECT OF PAINT-BAKE LIKE TREATMENT ON MECHANICAL PROPERTIES OF MG-ZN-CA ALLOY. F. Bakare, et al. Nigerian Journal of Technology,. Vol. 37, No. 1, January 2018 125 oxidation resistance [7-11]. ..... mechanical properties in Mg–6 mass %Zn alloys by combined addition of Ca and Ce," Materials. Science ...

  19. Microscopy and the Mystery of Pablo Picasso's Paints

    Science.gov (United States)

    Rose, Volker

    A deep connection to our past and shared cultural heritage must be preserved to foster a balanced society where all humanity can thrive. This talk will describe analysis of paint materials used by Pablo Picasso at the nanoscale, as only possible at the brightest synchrotron sources. It will highlight how new imaging techniques can reveal the invisible, bringing to light underlying compositions of old masters' paintings. This in turn enables the writing of new art history and provides important material clues that can assist with attribution and authentication. We will explain how the use of new technology can lead to new discoveries, which, in turn, can change the public's and the specialists' perception of great works of art. ∖In collaboration with scientists from The Art Institute of Chicago we have teamed up to study the chemical make up of zinc oxide pigments used in artworks by Pablo Picasso. We will show how highly focused X-ray beams with nanoscale spatial resolution and trace element sensitivity have helped to determine that Picasso has used conventional house paint in some of his paintings. Surprisingly, the study gives also new insights into the pigment material zinc oxide, which has also great potential in a variety of applications such as in spintronics or as transparent electrodes in solar panels. Work at the Advanced Photon Source and the Center for Nanoscale Materials was supported by the U. S. Department of Energy, Office of Science, Office of Basic Energy Sciences, under contract DEAC02-06CH11357.

  20. Individual Dlfferences in Children's Preferences among Recent Paintings.

    Science.gov (United States)

    Bell, R.; Bell, G.

    1979-01-01

    Preferences of Melbourne, Australia, students for twentieth-century paintings were examined. The identified dimensions of preference (represention, color, complexity) were similar to those found in previous studies. Age and sex differences were found only for color and complexity. Preference for representational, over nonrepresentational,…

  1. Molecular sex identification of painted storks (Mycteria leucocephala ...

    Indian Academy of Sciences (India)

    ONLINE RESOURCES. Molecular sex identification of painted storks (Mycteria leucocephala): using FTA cards, horizontal PAGE and quick silver staining. ELSIE Y. S. YEE1∗, ZAINAL ZAHARI ZAINUDDIN2, AHMAD ISMAIL3, CHEE KONG YAP3 and SOON GUAN TAN1. 1Faculty of Biotechnology and Biomolecular Science ...

  2. Ink and Wash Painting for Children with Visual Impairment

    Science.gov (United States)

    Shih, Chih-Ming; Chao, Hsin-Yi

    2010-01-01

    Five children with visual impairments received instruction in drawing, using ink and wash painting and calligraphy techniques. A special system developed by a blind Taiwanese Chinese calligrapher, Tsann-Cherng Liaw, was used to help the children orient and refine their work. Children's performance on simple drawing tasks was compared before and…

  3. Reclamation of Wood Materials Coated with Lead-Based Paint

    Science.gov (United States)

    2009-03-01

    Construction Engineering Research Laboratory. ISO 14001 :2004(E) International Organization for Standardization ( ISO ). 1996. Environmental management...site operations. • Lead-based Paint (LBP) management and abatement. • Abate asbestos in the floors, roof, and the interior wall and transite panels

  4. Authentic Classical Haiku and Painting Studies on the Web.

    Science.gov (United States)

    Saga, Hiroo

    2003-01-01

    Describes the author's Web site, which is devoted to the Japanese poet-painter Yosa Buson (1716-1784) and contains articles on Buson, bibliographic resources, and a pictorial catalog of haiku and paintings. This paper covers project purpose and background, subject area and materials, contexts of the development, structure of the Web site,…

  5. Clay and iron oxide pigments in the history of painting

    Czech Academy of Sciences Publication Activity Database

    Hradil, David; Grygar, Tomáš; Hradilová, J.; Bezdička, Petr

    2003-01-01

    Roč. 22, č. 5 (2003), s. 223-236 ISSN 0169-1317 R&D Projects: GA MŠk LN00A028 Institutional research plan: CEZ:AV0Z4032918 Keywords : earthy pigments * ochres * historical painting Subject RIV: CA - Inorganic Chemistry Impact factor: 1.287, year: 2003

  6. Effect of Painting Series Package on the Performances of Junior ...

    African Journals Online (AJOL)

    The study investigated the effect of Painting Series Package on the performance of Junior Secondary School Cultural and Creative Arts in Ogbomoso, Nigeria. Gender influence on the students' performances was also examined. Sample comprised 60 students drawn purposively from two secondary schools.

  7. Microbial deterioration of surface paint coatings. | Ogbulie | Global ...

    African Journals Online (AJOL)

    Bacterial and fungal species associated with the normal and deteriorated painted surface in Owerri, Imo State were isolated and identified. The bacteria genera isolated were Pseudomonas, Bacillus, Micrococcus, Staphylococcus, Enterobacter and Streptomces, whereas the fungal genera isolated were Rhizopus, ...

  8. Landscape Painting in Evaluation of Changes in Landscape

    Czech Academy of Sciences Publication Activity Database

    Lacina, Jan; Halas, Petr

    2015-01-01

    Roč. 8, č. 2 (2015), s. 60-68 ISSN 1803-2427 Institutional support: RVO:68145535 Keywords : landscape painting * landscape ecology * land-use changes * biodiversity Subject RIV: DE - Earth Magnetism, Geodesy, Geography http://www.degruyter.com/view/j/jlecol.2015.8.issue-2/jlecol-2015-0009/jlecol-2015-0009. xml

  9. Silver-nanoparticle-embedded antimicrobial paints based on vegetable oil.

    Science.gov (United States)

    Kumar, Ashavani; Vemula, Praveen Kumar; Ajayan, Pulickel M; John, George

    2008-03-01

    Developing bactericidal coatings using simple green chemical methods could be a promising route to potential environmentally friendly applications. Here, we describe an environmentally friendly chemistry approach to synthesize metal-nanoparticle (MNP)-embedded paint, in a single step, from common household paint. The naturally occurring oxidative drying process in oils, involving free-radical exchange, was used as the fundamental mechanism for reducing metal salts and dispersing MNPs in the oil media, without the use of any external reducing or stabilizing agents. These well-dispersed MNP-in-oil dispersions can be used directly, akin to commercially available paints, on nearly all kinds of surface such as wood, glass, steel and different polymers. The surfaces coated with silver-nanoparticle paint showed excellent antimicrobial properties by killing both Gram-positive human pathogens (Staphylococcus aureus) and Gram-negative bacteria (Escherichia coli). The process we have developed here is quite general and can be applied in the synthesis of a variety of MNP-in-oil systems.

  10. Waste management in paint industries in Pakistan | Nawaz | Journal ...

    African Journals Online (AJOL)

    Chemical analyses of wastes in paint production and application have been carried out with the objective of minimizing production losses and ensuring waste management through integrated process design. The wastes contained high concentration of heavy metals, volatile organic compounds, dissolved solids and the ...

  11. Zinc and Selenium levels in Motor Mechanics, Paints Sprayers ...

    African Journals Online (AJOL)

    Objectives: This work was designed to determine zinc and Selenium levels in Motor Mechanics, Paints Sprayers, Smokers, Lubricant Workers and BatteryWorkers exposed to lead in Nnewi, South Eastern Nigeria. Subjects and methods: 100 exposed subjects were used for the study. The subjects were aged 25-30 years.

  12. Canvas Supports in Paintings by Nicolai Abildgaard: Fabrics and Formats

    DEFF Research Database (Denmark)

    Filtenborg, Troels Folke

    2015-01-01

    An investigation of the technique and materials in paintings by the Danish artist Nicolai Abildgaard (1743 – 1809) included examination of the canvas supports in a large number of his works. Thread count and weave density were studied by automated weave-mapping computer software, designed for wor...

  13. Leaded Paint in Cambodia—Pilot-scale Assessment

    Directory of Open Access Journals (Sweden)

    Sereyrath Lim

    2015-01-01

    Conclusion. Based on our pilot-scale assessment, high levels of lead appear to be common in enamel paints in Cambodia, and a fuller assessment of the situation is warranted. Import and production of such toxic products should be avoided and appropriate labeling and public warnings should be provided.

  14. Beauty in abstract paintings: perceptual contrast and statistical properties

    Science.gov (United States)

    Mallon, Birgit; Redies, Christoph; Hayn-Leichsenring, Gregor U.

    2014-01-01

    In this study, we combined the behavioral and objective approach in the field of empirical aesthetics. First, we studied the perception of beauty by investigating shifts in evaluation on perceived beauty of abstract artworks (Experiment 1). Because the participants showed heterogeneous individual preferences for the paintings, we divided them into seven clusters for the test. The experiment revealed a clear pattern of perceptual contrast. The perceived beauty of abstract paintings increased after exposure to paintings that were rated as less beautiful, and it decreased after exposure to paintings that were rated as more beautiful. Next, we searched for correlations of beauty ratings and perceptual contrast with statistical properties of abstract artworks (Experiment 2). The participants showed significant preferences for particular image properties. These preferences differed between the clusters of participants. Strikingly, next to color measures like hue, saturation, value and lightness, the recently described Pyramid of Histograms of Orientation Gradients (PHOG) self-similarity value seems to be a predictor for aesthetic appreciation of abstract artworks. We speculate that the shift in evaluation in Experiment 1 was, at least in part, based on low-level adaptation to some of the statistical image properties analyzed in Experiment 2. In conclusion, our findings demonstrate that the perception of beauty in abstract artworks is altered after exposure to beautiful or non-beautiful images and correlates with particular image properties, especially color measures and self-similarity. PMID:24711791

  15. Emissions of odorous aldehydes from an alkyd paint

    Energy Technology Data Exchange (ETDEWEB)

    Chang, J.C.S. [Environmental Protection Agency, Research Triangle Park, NC (United States); Guo, Z. [Acurex Environmental Corp., Research Triangle Park, NC (United States)

    1998-12-31

    Odorous aldehyde emissions from a commonly used alkyd paint were measured and characterized. Initial formulation analysis indicated no measurable aldehydes in the liquid paint. However, small environmental chamber tests showed that, for each gram of the alkyd paint applied, more than 2 mg of aldehydes (mainly hexanal) were emitted during the curing (drying) period. The emission profiles of Aldehydes were very different from those of other volatile organic compounds such as alkanes and aromatics. Since no measurable aldehydes were found in the original point, it is suspected that the aldehydes emitted were produced by autoxidation of the unsaturated fatty acid esters in the alkyd resins. It was found that the hexanal emission rate can be simulated by a mathematical model assuming that the autoxidation process was controlled by a consecutive first-order reaction mechanism. The mathematical model was used to predict the indoor air hexanal concentrations for a typical application of the alkyd paint tested. The result indicated that the aldehyde emissions can result in prolonged (several days) exposure risk to occupants.

  16. Molecular sex identification of painted storks (Mycteria leucocephala ...

    Indian Academy of Sciences (India)

    [Yee E. Y. S., Zainuddin Z. Z., Ismail A., Yap C. K. and Tan S. G. 2013 Molecular sex identification of painted storks. (Mycteria leucocephala): ... or blood collected in anticoagulant tubes as source of DNA. Here, we used dried blood .... of Higher Education, Malaysia and partially by Malaysian Wildlife. Department. Thanks to ...

  17. Emotional Dimensions of Music and Painting and their Interaction.

    Science.gov (United States)

    Campos-Bueno, J J; DeJuan-Ayala, O; Montoya, Pedro; Birbaumer, N

    2015-07-20

    Usually it is accepted that human manifestations such as music or painting share a common artistic trait. However, very little is known about the genetic, behavioral, developmental and neurobiological basis of such a musical-pictorial "universal". In an attempt to approach commonalities and differences between the psychology of music and pictorial art in Experiment 1 we investigated the emotional dimensions valence and arousal in a large sample (N =156, M age = 21,44 years, SD = 3,89 years, range = 16-35 years) using a representative selection of musical and pictorial artistic stimuli. We found a stronger variability of valence and arousal with paintings and stronger effects of music on valence. In Experiment 2 (N =202, M age = 21,35 years, SD = 3,57 years, range = 16-35 years) we present first quantitative data on the interaction between the two artistic categories of stimuli on a behavioral level, again observing effects of pictorial art and music on valence and arousal. Furthermore in Experiment 2 we replicated a more pronounced effect of music on the valence of pictures, particularly on positive valence the results of the ANOVA showed an increase in group A2: F(1, 120) = 6.23, p emotionally negative influence of pleasant paintings on the positive valence of music, group A1: F(1, 127) = 19.69, p emotional "power" of music over painting.

  18. Evaluation of VOC emission measurement methods for paint spray booths.

    Science.gov (United States)

    Eklund, B M; Nelson, T P

    1995-03-01

    Interest in regulations to control solvent emissions from automotive painting systems is increasing, especially in ozone nonattainment areas. Therefore, an accurate measurement method for VOC emissions from paint spray booths used in the automotive industry is needed to ascertain the efficiency of the spray booth capture and the total emissions. This paper presents the results of a laboratory study evaluating potential VOC sampling and analytical methods used in estimating paint spray booth emissions, and discusses these results relative to other published data. Eight test methods were selected for evaluation. The accuracy of each sampling and analytical method was determined using test atmospheres of known concentration and composition that closely matched the actual exhaust air from paint spray booths. The solvent mixture to generate the test atmospheres contained a large proportion of polar, oxygenated hydrocarbons such as ketones and alcohols. A series of identical tests was performed for each sampling/analytical method with each test atmosphere to assess the precision of the methods. The study identified significant differences among the test methods in terms of accuracy, precision, cost, and complexity.

  19. Occupational Exposure to Organic Solvents during Bridge Painting

    Science.gov (United States)

    Qian, Hua; Fiedler, Nancy; Moore, Dirk F.; Weisel, Clifford P.

    2010-01-01

    Exposure to volatile organic compounds (VOCs) from bridge painting was measured in New York City and New Jersey during the summer and fall seasons from 2005 to 2007. The effect of painting activities (paint coating layer, confinement setup, and application method) and meteorological conditions (temperature, humidity, and wind speed) on solvent exposure to aromatic, ketone, ester, and alkane compounds were individually evaluated. Mixed-effect models were used to examine the combination effects of these factors on the air concentration of total VOCs as the individual compound groups were not present in all samples. Air concentration associated with spraying was not affected by meteorological conditions since spraying was done in a confined space, thus reducing their impact on solvent air concentration. The mixed models for brushing and rolling samples included two fixed factors, i.e. application method and temperature, and one random factor, i.e. sampling day. An independent dataset (daily air samples) was used to validate the mixed model constructed for brushing and rolling samples. The regression line of the predicted values and actual measurements had a slope of 1.32 ± 0.15 for daily brushing and rolling samples, with almost all points being within the 95% confidence bands. The constructed model provides practical approaches for estimating the solvent exposure from brushing and rolling activities among construction painters. An adjusted mean air concentration derived from the activity-specific spray samples was the best estimate for that painting application. PMID:20354053

  20. Sukias House and its wall paintings: Reflection of English

    Science.gov (United States)

    Samanian, Kouros

    Sukias House is one of the Armenian noble houses located in New Julfa Neighbourhood in Isfahan city in Iran and belongs to the Safavid period (1501-1736 AD). European itineraries who visited Isfahan in 16th and 17th centuries, existed literatures and conservation reports on the Armenian buildings in New Julfa particularly on Sukias house in conjunction with condition survey and in situ examination of the paintings were the main tools to study the Sukias House and its paintings. This indicates a strong connection of the house to Armenian and English people at the time of the paintings and support idea of the involvement of the British ambassador and his Armenian translator in building of Sukias House. The existence of English and Armenian inscriptions indicates a strong connection between Armenian and English people in decorating of the house using wall painting. In addition, the depicting of Queen Elizabeth in a tableau on the external walls increases the likelihood of this house having belonged to the English ambassador in Isfahan during the Safavid period. Alternatively, it may be that English people working in Isfahan for the East India Company lived there.

  1. Silver-nanoparticle-embedded antimicrobial paints based on vegetable oil

    Science.gov (United States)

    Kumar, Ashavani; Vemula, Praveen Kumar; Ajayan, Pulickel M.; John, George

    2008-03-01

    Developing bactericidal coatings using simple green chemical methods could be a promising route to potential environmentally friendly applications. Here, we describe an environmentally friendly chemistry approach to synthesize metal-nanoparticle (MNP)-embedded paint, in a single step, from common household paint. The naturally occurring oxidative drying process in oils, involving free-radical exchange, was used as the fundamental mechanism for reducing metal salts and dispersing MNPs in the oil media, without the use of any external reducing or stabilizing agents. These well-dispersed MNP-in-oil dispersions can be used directly, akin to commercially available paints, on nearly all kinds of surface such as wood, glass, steel and different polymers. The surfaces coated with silver-nanoparticle paint showed excellent antimicrobial properties by killing both Gram-positive human pathogens (Staphylococcus aureus) and Gram-negative bacteria (Escherichia coli). The process we have developed here is quite general and can be applied in the synthesis of a variety of MNP-in-oil systems.

  2. Schoolchildren's Use of Poetry and Paintings in Conveying Environmental Messages

    Science.gov (United States)

    Gebbels, Susan; Hunter, Jo; Nunoo, Francis K. E.; Tagoe, E.; Evans, Stewart M.

    2012-01-01

    Pupils aged 12-14 from the University of Ghana Primary and Junior High School conducted studies off the coast adjacent to Accra, including a field visit to explore the effects of climate change on the country's biology, ecology and physical environment. They composed poems and made paintings about the coast and sea as means of conveying their…

  3. Aesthetic experience and the emotional content of paintings

    Directory of Open Access Journals (Sweden)

    Slobodan Marković

    2010-03-01

    Full Text Available In this study we investigated the relationship between aesthetic experience and other emotional qualities judged in paintings. Aesthetic experience was defined as an exceptional state of mind in which a person is focused on a particular object, transcending its everyday uses and meanings and losing the awareness of surroundings and even of himself/herself. In this state a person has an exceptional emotional experience, that is a feeling of unity with the object. Our basic idea is that aesthetic experience is not reducible to pleasure or a positive hedonic tone, but a person can equally be fascinated with both pleasant and unpleasant objects. In preliminary studies we specified the stimulus set of figural and semi-figural paintings, and a set of descriptors of emotions, feelings and aesthetic experience. Participants judged the paintings on descriptors (seven-point scales. Factor analysis revealed two large factors: the bipolar factor Affective Tone (descriptors on the positive pole: lovely, charming, cheerful, etc; descriptors on the negative pole: scary, disgusting, hateful etc. and Aesthetic Experience (descriptors: exceptional, profound, unique, etc.. Additional analyses have shown no significant correlation between the two factors. These findings confirmed our idea that aesthetic experience is independent of pleasure or affective attraction, and that it can be induced by both pleasant and unpleasant paintings.

  4. Simulating reflectance at interfaces coated with household paints

    Science.gov (United States)

    Prisland, Zachary

    The paint and coatings industry is constantly working to improve their product, making a more efficient product at a cheaper cost. This requires some research and learning on the part of the companies, particularly in optical studies. For example, Burgess Pigment Company has developed a method, using a flash calciner, to quickly dehydrate clay, essentially popping it like popcorn, in order to add air pockets to the individual particles of clay. Clay that has undergone this process can improve the reflective properties of paint. The human eye, as a sensory organ, relies on reflected light in order to provide vision. As the major goal of paint is to be seen, it is easy to infer that it would be of utmost importance for the paint to reflect large amounts of light to appear more visible to the human eye and so using clay that has air pockets would be more desirable. The primary goal of this thesis will be to explore optical theory in an attempt to explain why the addition of air pockets could produce a more effective product.

  5. Removal of Canvas Patterns in Digital Acquisitions of Paintings.

    Science.gov (United States)

    Cornelis, Bruno; Yang, Haizhao; Goodfriend, Alex; Ocon, Noelle; Lu, Jianfeng; Daubechies, Ingrid

    2017-01-01

    We address the removal of canvas artifacts from high-resolution digital photographs and X-ray images of paintings on canvas. Both imaging modalities are common investigative tools in art history and art conservation. Canvas artifacts manifest themselves very differently according to the acquisition modality; they can hamper the visual reading of the painting by art experts, for instance, in preparing a restoration campaign. Computer-aided canvas removal is desirable for restorers when the painting on canvas they are preparing to restore has acquired over the years a much more salient texture. We propose a new algorithm that combines a cartoon-texture decomposition method with adaptive multiscale thresholding in the frequency domain to isolate and suppress the canvas components. To illustrate the strength of the proposed method, we provide various examples, for acquisitions in both imaging modalities, for paintings with different types of canvas and from different periods. The proposed algorithm outperforms previous methods proposed for visual photographs such as morphological component analysis and Wiener filtering and it also works for the digital removal of canvas artifacts in X-ray images.

  6. Ceremonial Usage of Clays for Body Painting According to ...

    African Journals Online (AJOL)

    Cultural practices are explored and expressed in daily living through the creative abilities of every person. This article presents an analytical critique of the uses of clays for body painting and its ceremonial and ritual significance. It reports on an ethnographic study conducted to distinguish between various functions and ...

  7. Adsorptive approach on nepholometric study of paint effluent using ...

    African Journals Online (AJOL)

    Adsorptive study of paint effluent coagulation using T. fuscatus coagulant (TFC) is investigated. Effects of pH, dose, time, and temperature were investigated. Functional group, crystalline, morphology and thermal characteristics of samples were determined. Equilibrium data were analysed by Langmuir, Freundlich, Temkin, ...

  8. Birds of a Feather... and Clay, Wire, Tissue and Paint!

    Science.gov (United States)

    Feiner, Lois

    2011-01-01

    What began as a review lesson in clay construction quickly became a fun learning experience filled with inspiring conversations and creatively painted birds. This lesson was successful from beginning to end, with a final reward when the artwork was displayed. The author describes the process of working on this project and shares how the students…

  9. Synthesis of Copper Pigments, Malachite and Verdigris: Making Tempera Paint

    Science.gov (United States)

    Solomon, Sally D.; Rutkowsky, Susan A.; Mahon, Megan L.; Halpern, Erica M.

    2011-01-01

    Malachite and verdigris, two copper-based pigments, are synthesized in this experiment intended for use in a general chemistry laboratory. The preparation of egg tempera paint from malachite is also described. All procedures can be done with a magnetic stir plate, standard glassware present in any first-year laboratory, and household chemicals.…

  10. customer relationship management and performance in the paint ...

    African Journals Online (AJOL)

    CIU

    2000-05-05

    May 5, 2000 ... study. This study is designed to explore the effects of customer relationship management and performance of selected paint manufacturing firms in Lagos State,. Nigeria. This study is a survey type of research that employed a correlational design in an attempt to explore the nature of relationship between ...

  11. Nanoclays for polymer nanocomposites, paints, inks, greases and ...

    Indian Academy of Sciences (India)

    An overview of nanoclays or organically modified layered silicates (organoclays) is presented with emphasis placed on the use of nanoclays as the reinforcement phase in polymer matrices for preparation of polymer/layered silicates nanocomposites, rheological modifier for paints, inks and greases, drug delivery vehicle for ...

  12. THE EXAMINATION OF HISTORICAL COSTUMES IN EUROPE PAINTING ART

    Directory of Open Access Journals (Sweden)

    Fatma OZTURK DONMEZ

    2015-10-01

    Full Text Available While examining the Europe Painting Art, the works at the quality of archive that will be able to source to the custom history for centuries are uncounted. In these works, when we observe the instantaneous that they will shed light to after years about the lives of people, we also get a lot of data related to their clothing styles. The details that we can examine in these paintings which include many issues such as the life of Palace surrounding, ceremonies, the daily life of public are the images belonging to the customs interacting with the architecture of the period. In this examination starting with XV. Century Renaissance paintings, by giving place to the painters in custom sources and painted by the important painters of the period; we will observe the changes of custom history till the end of XVI. Century. We will witness reflection of dressing style arising in the upper class of the society together with life of palace environment to working people and also that it will be an expressing tool of the people for themselves in time. The aim of this research is to explore the use of historical costumes together with the clothing styles of the related era; which is often ignored in the literature. The data collected for this research are prepared with the intend to create a source for costume design students being in the first place and for all fine arts students and research.

  13. Democracy in Conservation – Wall Painting Conservation and Church Communities

    DEFF Research Database (Denmark)

    Brajer, Isabelle Eve

    2007-01-01

    Wall painting conservation in Denmark has been functioning within a democratically organised church infrastructure for more than 100 years, which permits an overview of community involvement in conservation over a longer period. The case stories presented here show widely varying attitudes held...

  14. Lévi-Strauss, Caduveo Body Painting and the Readymade

    DEFF Research Database (Denmark)

    Wiseman, Boris Nicholas Daniel

    2008-01-01

    -aesthetics, i.e. a decentred aesthetics enriched by the dynamic of cross-cultural comparison. I will take as my starting point Lévi-Strauss's classic studies of Caduveo body painting and try to show how, beyond the clichés often repeated about structuralism, they provide valuable insights for an understanding...

  15. Painting rusted steel: The role of aluminum phosphosilicate

    International Nuclear Information System (INIS)

    Roselli, S.N.; Amo, B. del; Carbonari, R.O.; Di Sarli, A.R.; Romagnoli, R.

    2013-01-01

    Highlights: •Aluminum phosphosilicate is an acid pigment which could act as mild phosphating agent. •Aluminum phosphosilicate can phosphatize iron oxides on rusted surfaces. •Aluminum phosphosilicate is compatible with acid binders. •Aluminum phosphosilicate could replace chromate in complete painting schemes. •Aluminum phosphosilicate primers improve paints adhesion on rusted surfaces. -- Abstract: Surface preparation is a key factor for the adequate performance of a paint system. The aim of this investigation is to employ a wash-primer to accomplish the chemical conversion of rusted surface when current cleaning operations are difficult to carry out. The active component of the wash-primer was aluminum phosphosilicate whose electrochemical behavior and the composition of the generated protective layer, both, were studied by electrochemical techniques and scanning electron microscopy (SEM), respectively. Primed rusted steel panels were coated with an alkyd system to perform accelerated tests in the salt spray chamber and electrochemical impedance measurements (EIS). These tests were conducted in parallel with a chromate wash primer and the same alkyd system. Results showed that the wash-primer containing aluminum phosphosilicate could be used satisfactorily to paint rusted steel exhibiting a similar performance to the chromate primer

  16. Pedagogical Content Knowledge: A Key Factor in Teaching Painting ...

    African Journals Online (AJOL)

    Research has shown that even when students complete a fine art-degree programme and pedagogical course requirements necessary for teacher professionalism, they may still graduate and begin teaching without a firm grasp of how to teach specific painting concepts. Realizing this fact, this paper attempts to utilize those ...

  17. Painting Cloud Nine: A Study of Magritte's Bottle Series.

    Science.gov (United States)

    Turner, Dianne

    2000-01-01

    Provides background information on Rene Magritte and his work. Offers an activity in which elementary and middle school students can learn about Magritte's sky and silhouette series of painted wine bottles. Explains that the lesson should be used when students are learning about poetry in language arts classes. (CMK)

  18. Paint stripping with high power flattened Gaussian beams

    CSIR Research Space (South Africa)

    Forbes, A

    2009-08-01

    Full Text Available In this paper the researchers present results on improved paint stripping performance with an intra-cavity generated Flattened Gaussian Beam (FGB). A resonator with suitable diffractive optical elements was designed in order to produce a single mode...

  19. [Occupational exposure to airborne chemical substances in paintings conservators].

    Science.gov (United States)

    Jezewska, Anna; Szewczyńska, Małgorzata; Woźnica, Agnieszka

    2014-01-01

    This paper presents the results of the quantitative study of the airborne chemical substances detected in the conservator's work environment. The quantitative tests were carried out in 6 museum easel paintings conservation studios. The air test samples were taken at various stages of restoration works, such as cleaning, doubling, impregnation, varnishing, retouching, just to name a few. The chemical substances in the sampled air were measured by the GC-FID (gas chromatography with flame ionization detector) test method. The study results demonstrated that concentrations of airborne substances, e.g., toluene, 1,4-dioxane, turpentine and white spirit in the work environment of paintings conservators exceeded the values allowed by hygiene standards. It was found that exposure levels to the same chemical agents, released during similar activities, varied for different paintings conservation studios. It is likely that this discrepancy resulted from the indoor air exchange system for a given studio (e.g. type of ventilation and its efficiency), the size of the object under maintenance, and also from the methodology and protection used by individual employees. The levels of organic solvent vapors, present in the workplace air in the course of painting conservation, were found to be well above the occupational exposure limits, thus posing a threat to the worker's health.

  20. Proteomic strategies for the identification of proteinaceous binders in paintings.

    Science.gov (United States)

    Leo, Gabriella; Cartechini, Laura; Pucci, Piero; Sgamellotti, Antonio; Marino, Gennaro; Birolo, Leila

    2009-12-01

    The identification of proteinaceous components in paintings remains a challenging task for several reasons. In addition to the minute amount of sample available, complex and variable chemical composition of the paints themselves, possible simultaneous presence of several binders and contaminants, and degradation of the original materials due to aging and pollution are complicating factors. We proposed proteomic strategies for the identification of proteins in binders of paintings that can be adapted to overcome the requirements and difficulties presented by specific samples. In particular, we worked on (1) the development of a minimally invasive method based on the direct tryptic cleavage of the sample without protein extraction; (2) the use of microwave to enhance the enzymatic digestion yield, followed by the analysis of the peptide mixtures by nanoLC-MS/MS with electrospray ionization (ESI). Moreover, as an additional tool to tackle the problem of contaminating proteins, we exploited the possibility of generating an exclusion list of the mass signals that in a first run had been fragmented and that the mass spectrometer had to ignore for fragmentation in a subsequent run. The methods, tested on model samples, allowed the identification of milk proteins in a sample from paintings attributed to Cimabue and Giotto, thirteenth-century Italian masters, decorating the vaults of the upper church in the Basilica of St. Francis in Assisi, Italy.

  1. A Qualitative Study of Student Responses to Body Painting

    Science.gov (United States)

    Finn, Gabrielle M.; McLachlan, John C.

    2010-01-01

    One hundred and thirty-three preclinical medical students participated in 24 focus groups over the period 2007-2009 at Durham University. Focus groups were conducted to ascertain whether or not medical students found body painting anatomical structures to be an educationally beneficial learning activity. Data were analyzed using a grounded theory…

  2. Classical Chinese Landscape Painting and the Aesthetic Appreciation of Nature

    Science.gov (United States)

    Turner, Matthew

    2009-01-01

    Recent theories of the aesthetic appreciation of nature or natural environments have done much to clarify what might be essential to such appreciation. Such accounts are incomplete, however, as they depend on a strict separation between works of art and nature itself. This paper shows how classical Chinese landscape painting offers a way to…

  3. Occupational exposure to airborne chemical substances in paintings conservators

    Directory of Open Access Journals (Sweden)

    Anna Jeżewska

    2014-02-01

    Full Text Available Background: This paper presents the results of the quantitative study of the airborne chemical substances detected in the conservator's work environment. Material and Methods: The quantitative tests were carried out in 6 museum easel paintings conservation studios. The air test samples were taken at various stages of restoration works, such as cleaning, doubling, impregnation, varnishing, retouching, just to name a few. The chemical substances in the sampled air were measured by the GC-FID (gas chromatography with flame ionization detector test method. Results: The study results demonstrated that concentrations of airborne substances, e.g., toluene, 1,4-dioxane, turpentine and white spirit in the work environment of paintings conservators exceeded the values allowed by hygiene standards. It was found that exposure levels to the same chemical agents, released during similar activities, varied for different paintings conservation studios. It is likely that this discrepancy resulted from the indoor air exchange system for a given studio (e.g. type of ventilation and its efficiency, the size of the object under maintenance, and also from the methodology and protection used by individual employees. Conclusions: The levels of organic solvent vapors, present in the workplace air in the course of painting conservation, were found to be well above the occupational exposure limits, thus posing a threat to the worker's health. Med Pr 2014;65(1:33–41

  4. A chemometric study of ageing in lead-based paints.

    Science.gov (United States)

    Pallipurath, Anuradha; Skelton, Jonathan; Bucklow, Spike; Elliott, Stephen

    2015-11-01

    The development of non-invasive analytical methods is of widespread interest to the field of conservation science, providing chemical insight into the materials used to create painted works of art, which can, for example, inform decisions about their restoration and preservation, or help discern original works from forgeries. A key undertaking in this area is to develop practical methods for identifying and understanding the chemical processes that occur in paint films under ageing. Furthermore, whereas a number of scientific studies have focussed on model systems in which natural ageing processes are simulated in a short time by irradiation under ultraviolet (UV) light, it remains to be established to what extent natural and accelerated ageing induce similar chemical changes. In this work, we employ FT-Raman spectroscopy, together with a simple spectral-deconvolution algorithm, to study in detail the spectral changes accompanying the natural and UV-accelerated ageing of lead-based paint films. We find that the two processes differ significantly, and that spectroscopic signatures, principally in the fluorescence background, can thus be used to differentiate the two modes of ageing and hence possibly to identify attempted forgeries. Our studies also suggest that paints based on proteinaceous binders are more stable to ageing than lipid-bound ones. Finally, we investigate the possibility of using our chemometric deconvolution technique, in conjunction with multivariate analysis, for the semi-automated characterisation of the degree or extent of ageing in unknown samples. Copyright © 2015 Elsevier B.V. All rights reserved.

  5. The conditions and perception of work during painting behind screening.

    Science.gov (United States)

    Spee, Ton; Boeckhout, Con I; van Ginkel, Ton; Terwoert, Jeroen

    2005-01-01

    This study attempted to reveal whether airborne solvent concentrations during painting behind screening are comparable to solvent concentrations during painting indoors, what factors potentially influence work conditions during painting behind screens, both positively and negatively, and what can be done to eliminate the disadvantages of screening. Measurements of volatile organic compounds (VOC), climate, light, and noise were made at three sites during 1 day each. VOC were measured at another 10 sites, again during 1 day each. Questionnaires were sent to painters working in 305 firms. The results of the first series of measurements (exposure to VOC) ranged from 3.4 to 22.9 mg/m3 with a geometric mean of 11.7 and a geometric standard deviation of 2.1. This range was less than the level expected in well-ventilated rooms. In the second series of measurements, with a few exceptions, the concentrations of the individual compounds were below 1 mg/m3. In both series, the exposure index was generally advantages of working behind screening were more certainty of work during the winter months, better temperature conditions, better quality of work, less draft, and less temperature fluctuation. Painting behind screening, as studied in this project, results in low exposure to VOC when compared with indoor situations. The main factors that need to be improved are temperature, lighting, view from the workplace, and ventilation.

  6. Programming balanced optical beam splitters in white paint

    NARCIS (Netherlands)

    Huisman, S.R.; Huisman, T.J.; Huisman, T.J.; Goorden, S.A.; Mosk, Allard; Pinkse, Pepijn Willemszoon Harry

    2014-01-01

    Wavefront shaping allows for ultimate control of light propagation in multiple-scattering media by adaptive manipulation of incident waves. We shine two separate wavefront-shaped beams on a layer of dry white paint to create two enhanced output spots of equal intensity. We experimentally confirm by

  7. Staicele Paint Manufactory, Ochre Deposit of Reciems: A Retrospective Journey Through the History of Staicele Paint Manufactory and Evaluation of Production Technologies

    Directory of Open Access Journals (Sweden)

    Kokins Aigars

    2017-05-01

    Full Text Available A historical paint manufactory in Staicele, Latvia (1967, was using local resources – colour earth. Oil paint composition consisted of pigment, drying oil, varnish and siccative. It had two different tones that are obtained by using natural colour earth pigments: ochre and its burnt form (burnt umber. Pigment quality was analyzed using historical documents, modern pigment tests, and manufactory technology. Chemical composition, particle size, and pigment tone were determined, and the coating ability was calculated. A palette of oil paints based on the historical recipes for restoring Staicele oil paints was created. Properties of colour earth pigments were compared to specimens taken from the local source of iron that is located near the old paint factory. Results provide a historical and technological insight as well as insight in the properties of the basic paint composition.

  8. Effect of hydrophobic paints coating for tritium reduction in concrete materials

    International Nuclear Information System (INIS)

    Edao, Y.; Fukada, S.; Nishimura, Y.; Katayama, K.; Takeishi, T.; Hatano, Y.; Taguchi, A.

    2012-01-01

    Highlights: ► Effects of hydrophobic paint coating in tritium transport are investigated. ► Two kinds of paints, acrylic-silicon resin and epoxy resin are used. ► The hydrophobic paints are effective to reduce tritium permeation. ► The effect of tritium reduction of epoxy paint is higher than that of silicon. - Abstract: The effects of hydrophobic paint coating on a concrete material of cement paste on the tritium transport are investigated. The cement paste is coated with two kinds of paints, acrylic-silicon resin paint and epoxy resin paint. We investigated the amount of tritium trapped in the samples exposed to tritiated water vapor by means of sorption and release. It was found that both the hydrophobic paints could reduce effectively tritium permeation during 50 days exposure of tritiated water vapor. The effect of tritium reduction of the epoxy paint was higher than that of silicon while the amount of tritium trapped in the epoxy paint was larger than that of silicon due to difference of the structure. Based on an analysis of a diffusion model, the rate-determining step of tritium migration through cement paste coated with the paints is diffusion through the paints respectively. It was found that tritium was easy to penetrate through silicon because there were many pores or voids in the silicon comparatively. In the case of tritium released from the epoxy paint, it is considered that tritium diffusion in epoxy is slow due to retardation by isotope exchange reaction to water included in epoxy paint.

  9. Study of molecular iodine-epoxy paint mass transfer

    Energy Technology Data Exchange (ETDEWEB)

    Belval-Haltier, E. [Inst. de Protection et Surete Nucleaire, IPSN, CEN Cadarache, St. Paul-lez-Durance (France)

    1996-12-01

    The mass transfer phenomena may have a significant influence on the quantity of I{sub 2} which could be released following a severe accident of a nuclear power plant and specially the mass transfer of iodine onto containment surfaces. So, the objective of the present work was to evaluate which phase limited the adsorption process of iodine onto gaseous epoxy paint under a range of conditions which may be relevant to a severe reactor accident. In this aim, a series of experiments was conducted in which the sorption kinetics of molecular iodine, labelled with {sup 131}I, was measured by monitoring continuously the accumulation of this species on the epoxy surface. For each test condition, the initial deposition velocity was determined and the corresponding gas phase mass transfer, kg, was estimated by using the heat transfer analogy for a laminar flow passing over a flat plate. Then, the surface reaction rate, Kr, was deduced from these two values. Experiments performed indicated that iodine adsorption onto epoxy paint is highly dependent on temperature, relative humidity of the carrier gas and moisture content of the painted coupon. In dry air flow conditions, the adsorption of iodine onto paint was found to increase with temperature and to be limited by the surface reaction rate, Kr. The I{sub 2} adsorption rate was found to increase with the humidity of carrier gas and in some studied conditions, the initial deposition velocity appeared to be controlled by gas phase mass transfer rather than surface interaction. The same phenomenon has been observed with an increase of the initial water content of the painted coupon. (author) 6 figs., 1 tab., 8 refs.

  10. Passive Wireless Hermetic Environment Monitoring System for Spray Painting Workshop.

    Science.gov (United States)

    Wang, Lifeng; Ma, Jingjing; Huang, Yan; Tang, Dan; Huang, Qing-An

    2016-08-01

    Passive wireless sensors have the advantages of operating without a power supply and remote sensing capability. Hence, they are very suitable for some harsh environments, such as hermetic environments, rotating parts, or very high temperature environments. The spray painting workshop is such a harsh environment, containing a large amount of flammable paint mist and organic gas. Aiming at this special environment of spray painting workshop, a passive wireless hermetic environment monitoring system was designed, fabricated, and demonstrated. The proposed system is composed of a transponder and a reader, and the circuit design of each part is given in detail in this paper. The power and the data transmission between the transponder and the reader are realized by the inductive coupling mechanism. Utilizing the back scatter modulation and channel multiplexing, the frequency signals generated by three different environmental sensors-together with their interfaces in the transponder-are wirelessly read out by the reader. Because of the harsh environment of the spray painting room, the package of the monitoring system is quite important. Three different kinds of filter films for the system package were compared. The experimental results show that the composite filter film aluminum anodic oxide/polytetrafluoroethylene (AAO/PTFE) has the best performance. After fabrication, the measured temperature, humidity, and pressure sensitivities were measured and found to be 180 Hz/°C in the range of 0~60 °C, 100 Hz/%RH in the range of 15~95 %RH, and 42 Hz/hPa in the range of 600~1100 hPa, respectively. Additionally, the remote sensing distance of the monitoring system reaches 4 cm. Finally, the passive wireless hermetic environment monitoring system was installed on the glass wall of the spray painting workshop and was successfully demonstrated.

  11. Seeing Beyond the Painting Surface with Terahertz Time-Domain Imaging (THz-TDI): a signal separation method for extracting images of buried individual layers in paintings

    DEFF Research Database (Denmark)

    Filtenborg, Troels Folke; Skou-Hansen, Jakob; Koch Dandolo, Corinna Ludovica

    2015-01-01

    In this study, the 18C easel painting The Dying Messalina and her Mother, by Nicolai Abildgaard (Statens Museum for Kunst collection, Copenhagen, Denmark), has been investigated by Terahertz Time-Domain Imaging (THz-TDI) in reflection set-up. Despite the validity of traditional deconvolution...... of the acquired THz image. Interfaces between layers of the painting have been successfully imaged, contributing substantially to the understanding of the structure of the painting....

  12. 76 FR 27044 - Lead-Based Paint Renovation, Repair and Painting, and Pre-Renovation Education Activities in...

    Science.gov (United States)

    2011-05-10

    ... pre-renovation education program in accordance with section 406(b) of TSCA, and submitted a self... final TSCA section 406(b) regulations governing pre-renovation education requirements in target housing..., Repair and Painting, and Pre- Renovation Education Activities in Target Housing and Child Occupied...

  13. Conservation of architectural paintings at Xiaonan Garden, former residence of Weng family in Changshu

    Directory of Open Access Journals (Sweden)

    Weijun He

    2016-03-01

    Full Text Available Xiaonan Garden is the back garden at the Weng family’s former residence, a famed mansion in Jiangnan. Various architectural colored paintings in the Jiangnan style, including a rare paster colored painting, are preserved in the garden. This study examines the wooden support, pigments, and structure of the painting and conducts a series of conservation experiments in situ and in the laboratory. Several conservation problems, such as the manually brushed lime, re-adherence of flaking painting layers, and consolidation of gold foil, were solved, and good results were obtained. Virtual recovery provided a solid foundation for protection and example of research on architectural colored paintings in Jiangnan.

  14. Isothiazolinones are still widely used in paints purchased in five European countries

    DEFF Research Database (Denmark)

    Thomsen, Andreas V.; Schwensen, Jakob F.; Bossi, Rossana

    2018-01-01

    BACKGROUND: An increasing incidence of contact allergy to methylisothiazolinone (MI) has been seen, caused, in particular, by cosmetic products and paints. A study from 2015 showed that 93.0% of paints bought in five European countries contained MI. New regulations have been discussed for paints...... in the EU, which may have influenced this market. OBJECTIVES: To re-evaluate the use and concentrations of MI and four other isothiazolinones in water-based wall paints. METHODS: Water-based white wall paints (n = 60) were purchased in retail stores in five European countries: Denmark, France, Germany...

  15. Protective coating applied to nuclear facilities and testing methods of paints

    International Nuclear Information System (INIS)

    Fukuda, S.; Tsuchiya, Y.

    1974-01-01

    A large amount of paint is used for the coating of RI-handling facilities, such as nuclear power stations. Primary purposes of painting work are to obtain high degrees of anti-contamination and decontamination properties to radioactive substances. There are of course the requirements from rust prevention and ornament, as in ordinary buildings. However, due consideration must be taken in respect of the durability under radiation and the resistance to high temperature and high pressure assuming the occurrence of accidents. The following matters are described: practice of painting in nuclear power stations; specifications of the paintings for buildings and machinery and equipments; problems in painting work; the methods of choosing paints including the tests on anti-contamination and decontamination properties, and the kinds of paints and evaluation of their decontamination property; and problems in choosing methods. (Mori, K.)

  16. Study on the Influence Factors of the Luminous Intensity of the Long Afterglow Luminous Paints

    Directory of Open Access Journals (Sweden)

    Zhao Su

    2016-01-01

    Full Text Available In order to extend the time afterglow luminous powder, enhancement the brightness of luminous paint, this study explore affect long afterglow energy storage luminous paints brightness of the main factors. Luminous paints were prepared with rare earth aluminate long afterglow luminescent powder, first is luminous powder surface modification, then investigate the influence of light emitting powder content, calcium carbonate, titanium dioxide, nano alumina and other fillers on the luminescent properties of the paints. It was concluded that the water resistance of the luminescent powder is better and the brightness can be improved after the modification of anhydrous alcohol. The addition of nano-alumina can improve the brightness of the system, and can effectively enhance the hardness of the paints. In the paints, the two kinds of components of carbonate and titanium dioxide have little effect on the luminescent brightness of the painting.

  17. Examination of spray paints by the use of reflection technique of microinfrared spectroscopy

    Science.gov (United States)

    Zieba-Palus, Janina

    2005-06-01

    Identification of spray paint coats on various surfaces (usually plaster) is often a subject matter of forensic examination. The layer of paint, which creates an inscription, smudge or a drawing, is thin and difficult to be separated from the base. Model examinations have been carried out aiming at the evaluation of the usefulness of the reflection technique of microinfrared spectrometry in the identification of paints. About 20 spray paints, available on the Polish market,—white and black—were placed on the surface in the form of metal, glass, foil, fabric and a wall made of brick, plaster board and mineral plaster. It was found out that, obtaining a reflectance spectrum suitable for identification of the type of paint depends on the thickness of the paint coat and on the type of the base. It was observed that, the smoother and less absorptive the base is the less is its influence deforming the reflection spectrum of paint.

  18. Inflammatory and genotoxic effects of sanding dust generated from nanoparticle-containing paints and lacquers.

    Science.gov (United States)

    Saber, Anne Thoustrup; Koponen, Ismo Kalevi; Jensen, Keld Alstrup; Jacobsen, Nicklas Raun; Mikkelsen, Lone; Møller, Peter; Loft, Steffen; Vogel, Ulla; Wallin, Håkan

    2012-11-01

    Nanoparticles are increasingly used in paints and lacquers. Little is known of the toxicity of nanoparticles incorporated in complex matrices and released during different phases of the life cycle. DNA damaging activity and inflammogenicity of sanding dust sampled during standardised sanding of boards painted with paints with and without nanoparticles were determined 24 h after intratracheal instillation of a single dose of 54 μg in mice. Dusts from nanoparticle-containing paints and lacquers did not generate pulmonary inflammation or oxidative stress. Sanding dust from both the nanoparticle-containing and the conventional lacquer and the outdoor acrylic-based reference paint increased the level of DNA strand breaks in bronchoalveolar fluid cells. In conclusion, addition of nanoparticles to paint or lacquers did not increase the potential of sanding dust for causing inflammation, oxidative stress or DNA damage, suggesting that the paint/lacquer matrix is more important as determinant of DNA damage than the nanomaterial.

  19. Moderate Contrast in the Evaluation of Paintings Is Liked More but Remembered Less than High Contrast

    Directory of Open Access Journals (Sweden)

    Katinka Dijkstra

    2017-09-01

    Full Text Available Many visual aspects of paintings, as well as exposure to art and cultural norms, contribute to the aesthetic evaluation of paintings. The current study looked at heightened visual contrast as an important factor in the appreciation of paintings. Participants evaluated abstract digitized paintings that were manipulated in contrast for an appreciation task and were later presented with these paintings in a memory task. The results indicated that for art appreciation, a moderate increase in contrast resulted in the highest appreciation for paintings whereas recognition memory was better for paintings with a higher increase in contrast. These results replicate earlier findings with regard to the role of contrast in aesthetic perception and extend these findings by demonstrating a surprising different effect of contrast manipulation for recognition memory. Confidence with which memory decisions were made was in line with art appreciation decisions not memory performance.

  20. Visualization of pigment distributions in paintings using synchrotron K-edge imaging

    Energy Technology Data Exchange (ETDEWEB)

    Krug, K.; Dik, J. [TU Delft, Department of Materials Science and Engineering, Delft (Netherlands); Leeuw, M. [Atelier for Restoration and Research of Paintings, The Hague (Netherlands); Whitson, A. den [L3 Communications, Woburn, MA (United States); Tortora, J. [JK Consulting, Sudbury, MA (United States); Coan, P.; Nemoz, C.; Bravin, A. [European Synchrotron Radiation Facility, Grenoble (France)

    2006-05-15

    X-ray radiography plays an important role in the study of artworks and archaeological artifacts. The internal structure of objects provides information on genesis, authenticity, painting technique, material condition and conservation history. Transmission radiography, however, does not provide information on the exact elemental composition of objects and heavy metal layers can shadow or obscure the ones including lighter elements. This paper presents the first application of synchrotron-based K-edge absorption imaging applied to paintings. Using highly monochromatic radiation, K-edge imaging is used to obtain elemental distribution images over large areas. Such elemental maps visualize the distribution of an individual pigment throughout the paint stratigraphy. This provides color information on hidden paint layers, which is of great relevance to art historians and painting conservators. The main advantage is the quick data acquisition time and the sensitivity to elements throughout the entire paint stratigraphy. The examination of a test painting is shown and further instrumental developments are discussed. (orig.)

  1. Moderate Contrast in the Evaluation of Paintings Is Liked More but Remembered Less than High Contrast.

    Science.gov (United States)

    Dijkstra, Katinka; van Dongen, Noah N N

    2017-01-01

    Many visual aspects of paintings, as well as exposure to art and cultural norms, contribute to the aesthetic evaluation of paintings. The current study looked at heightened visual contrast as an important factor in the appreciation of paintings. Participants evaluated abstract digitized paintings that were manipulated in contrast for an appreciation task and were later presented with these paintings in a memory task. The results indicated that for art appreciation, a moderate increase in contrast resulted in the highest appreciation for paintings whereas recognition memory was better for paintings with a higher increase in contrast. These results replicate earlier findings with regard to the role of contrast in aesthetic perception and extend these findings by demonstrating a surprising different effect of contrast manipulation for recognition memory. Confidence with which memory decisions were made was in line with art appreciation decisions not memory performance.

  2. Visualization of pigment distributions in paintings using synchrotron K-edge imaging

    International Nuclear Information System (INIS)

    Krug, K.; Dik, J.; Leeuw, M.; Whitson, A. den; Tortora, J.; Coan, P.; Nemoz, C.; Bravin, A.

    2006-01-01

    X-ray radiography plays an important role in the study of artworks and archaeological artifacts. The internal structure of objects provides information on genesis, authenticity, painting technique, material condition and conservation history. Transmission radiography, however, does not provide information on the exact elemental composition of objects and heavy metal layers can shadow or obscure the ones including lighter elements. This paper presents the first application of synchrotron-based K-edge absorption imaging applied to paintings. Using highly monochromatic radiation, K-edge imaging is used to obtain elemental distribution images over large areas. Such elemental maps visualize the distribution of an individual pigment throughout the paint stratigraphy. This provides color information on hidden paint layers, which is of great relevance to art historians and painting conservators. The main advantage is the quick data acquisition time and the sensitivity to elements throughout the entire paint stratigraphy. The examination of a test painting is shown and further instrumental developments are discussed. (orig.)

  3. Flower Men: The Australian Canon and Flower Painting 1910-1935

    Directory of Open Access Journals (Sweden)

    Ann Elias

    2008-12-01

    Full Text Available Historical studies of Hans Heysen, George Lambert, Tom Roberts and Arthur Streeton concentrate on paintings of landscape and people. Less well known are their paintings of flowers, which take the form of still-life painting or adjuncts to figure painting, such as portraits. While these artists are famous for the masculine way they approached masculine themes, and flower painting represents a stereotypically feminine subject, I argue that by making flowers their object of study, they intended to define and differentiate femininity from masculinity in an era of the ‘New Woman’. Sex and gender are central to the subject of flower painting and are important for discussions about the work produced by all four men, although sex is often camouflaged behind the innocence of naturalistically painted flowers.

  4. 40 CFR 745.229 - Certification of individuals and firms engaged in lead-based paint activities: public and...

    Science.gov (United States)

    2010-07-01

    ... engaged in lead-based paint activities: public and commercial buildings, bridges and superstructures. 745... SUBSTANCES CONTROL ACT LEAD-BASED PAINT POISONING PREVENTION IN CERTAIN RESIDENTIAL STRUCTURES Lead-Based Paint Activities § 745.229 Certification of individuals and firms engaged in lead-based paint activities...

  5. Novel Process for Laser Stain Removal from Archaeological Oil Paintings

    Science.gov (United States)

    El-Nadi, Lotfia; El-Feky, Osama; Abdellatif, Galila; Darwish, Sawsan

    2013-03-01

    Some samples of oil paintings (5 × 5 cm) were prepared on wooden panel with four types of fungi commonly encountered on oil paintings were selected for this study. Each of the fungi is associated with different colored stains. Fungus Alternaria tenuis is associated by a dense black stain, Chetomium globosum by a brownish gray stain, Aspergillus flavus by a yellowish stain, and Fusaruim oxysporum by a pinkish stain. Fungi growing on oil paintings affect the surface characteristics by forming a variety of colored patches typically composed of many complex chemical substances that are produced during metabolic processes. These colored stains may be encrusted in spores, present in mycelium or secreted to a substance such as oil paintings surfaces. While the fungal stains can sometimes be extracted with appropriate solvents, there are some stains that resist solvent extraction entirely. Developing new solvent system that might attack the paint structure, and is time consuming and requires a great deal of trial and error. Mechanical stain removal is also problematic in that it often produces abrasion of the surface, markedly deteriorating the artwork, and is extra ordinarily fine and tedious. For these reasons, we decided to examine an alternative physical technique as a new approach to deal with stain removal. Since the stains are due to the existence of fungi, we thought it a good idea to remove them by singlet oxygen. We applied the photo dynamic process through which the fungi stains were covered with organic dye derivatives in solution under controlled illumination in the lab. The samples were then irradiated by low power Laser light from a He-Ne laser, the dye will be photodecomposed and produce singlet oxygen. We report in this work the results obtained as a function of: - The concentration and types of the organic dye in solution, - The presence of certain amounts of liquids added to the solution, - The scanning speed of the laser beam on the sample surface

  6. Energy recycling by co-combustion of coal and recovered paint solids from automobile paint operations.

    Science.gov (United States)

    Suriyawong, Achariya; Magee, Rogan; Peebles, Ken; Biswas, Pratim

    2009-05-01

    During the past decade, there has been substantial interest in recovering energy from many unwanted byproducts from industries and municipalities. Co-combustion of these products with coal seems to be the most cost-effective approach. The combustion process typically results in emissions of pollutants, especially fine particles and trace elements. This paper presents the results of an experimental study of particulate emission and the fate of 13 trace elements (arsenic [As], barium [Ba], cadmium [Cd], chromium [Cr], copper [Cu], cobalt [Co], manganese [Mn], molybdenum [Mo], nickel [Ni], lead [Pb], mercury [Hg], vanadium [V], and zinc [Zn]) during combustion tests of recovered paint solids (RPS) and coal. The emissions from combustions of coal or RPS alone were compared with those of co-combustion of RPS with subbituminous coal. The distribution/partitioning of these toxic elements between a coarse-mode ash (particle diameter [dp] > 0.5 microm), a submicrometer-mode ash (dp combustion of RPS alone were lower in concentration and smaller in size than that from combustion of coal. However, co-combustion of RPS and coal increased the formation of submicrometer-sized particles because of the higher reducing environment in the vicinity of burning particles and the higher volatile chlorine species. Hg was completely volatilized in all cases; however, the fraction in the oxidized state increased with co-combustion. Most trace elements, except Zn, were retained in ash during combustion of RPS alone. Mo was mostly retained in all samples. The behavior of elements, except Mn and Mo, varied depending on the fuel samples. As, Ba, Cr, Co, Cu, and Pb were vaporized to a greater extent from cocombustion of RPS and coal than from combustion of either fuel. Evidence of the enrichment of certain toxic elements in submicrometer particles has also been observed for As, Cd, Cr, Cu, and Ni during co-combustion.

  7. Accurate Measurements of Spectral Reflectance in Picasso's Guernica Painting.

    Science.gov (United States)

    de Luna, Javier Muñoz; Fernandez-Balbuena, Antonio Alvarez; Vázquez, Daniel; Melgosa, Manuel; Durán, Humberto; García, Jorge; Muro, Carmen

    2016-01-01

    The use of non-invasive spectral measurements to control the conservation status is a part of the preventive conservation of artworks which nowadays is becoming increasingly interesting. This paper describes how to use a spectral measuring device and an illumination system specifically designed for such a task in a very large dimension artwork painting (7.8 m wide × 3.5 m high). The system, controlled by a Cartesian robot, allows spectral measurements in a spectral range of 400-780 nm. The measured data array has a total of 2201 circular regions with 5.5 mm spot diameter placed on a square grid. Colorimetric calculations performed from these spectral measurements may be used to characterize color shifts related to reflectance changes in specific areas of the paint. A color shifting from the expected gray has been shown. © The Author(s) 2015.

  8. Detection of beta radiation emitted from painted tiles

    International Nuclear Information System (INIS)

    Caldas, L.V.E.

    1988-06-01

    At the Kraftwerk Union (KWU), Erlangen, Federal Republic of Germany, it was confirmed that some types of painted tiles of italian origin were radioactive. In this work, performed at Institut fur Strahlenschutz, GSF, Munich, Germany, ultra-thin (60μm) thermoluminescent samples of CaSO 4 :Tm were used for the determination of absorved dose rates in air (at the tile surface and at the distance of 5 cm from it) and of transmission factors for different tissue equivalent material thicknesses. For comparison the absorved dose rates in air from cement walls without tile revestment and with simple tile revestment (tiles without painted ornaments) were also determined. In these cases the results were the same as those obtained normally from building materials. (author) [pt

  9. Detection of beta radiation emitted from painted tiles

    International Nuclear Information System (INIS)

    Caldas, L.V.E.

    1987-01-01

    At the Krafwerk Union (KWU), Erlangen, Germany, it was confirmed that some types of painted tiles of italian origin were radioactive. In this Work, performed at Institut fur Strahlenschutz, GSF, Germany, ultrathin 60μm) thermoluminescent samples of CaSO 4 :Tm were used for the determination of absorved dose rates in air (at the tile surface and at distance of 5cm from it) and of transmission factors for different tissue equivalent material thicknesses. For comparison the absorved dose rates in air from cement walls without tile revestment and with simple tile revestment (tiles without painted ornaments) were also determined. In these cases the results were the same as those obtained normally from building materials. (Author) [pt

  10. Optical methods in tempera-on-wood painting restoration

    Science.gov (United States)

    Maracineanu, Walter; Coman, Victor; Striber, Joakim

    2004-10-01

    The present study refers to an application of optical techniques in restoration of icons. These are, technically speaking, paintings on wood panel using pigments mixed with egg yolk. Making a section through the layers that compose an icon, they appear in the following order: a support made of wood panel; a preparation made from a mixture of an organic glue and a substance for volume (most frequently used are CaSO4 or CaCO3 in natural spread forms of crystallization; a layer of paint and gold or silver sheets and the final almost transparent layer which consists in a natural resin also known as varnish. During the classic intervention, the specialist is assisted by modern optoelectronic devices. The cleaning process is based on the laser beam next to conventional methods. Cleaning with solvents or with scalpeds is less accurate than cleaning with laser and the precision of the later method is requested in fine art restoration.

  11. Thermodynamics of Paint Related Systems with Engineering Models

    DEFF Research Database (Denmark)

    Lindvig, Thomas; Michelsen, Michael Locht; Kontogeorgis, Georgios

    2001-01-01

    to solid surfaces and drying. Many engineering models have been applied over the last decades for solutions with commoditity polymers. In this work the performance of some of these models is investigated for paint-related systems, focusing on those drying by the so-called " lacquer mechanism " (evaporation......Paints are complex materials composed of polymers (binders) dissolved in one or more solvents, pigments, and other additives. The thermodynamics of such systems is essential, for example, for selecting improved solvents and understanding a number of phenomena related especially! to adhesion...... that, despite the uncertainties involved, several models yield reasonably accurate activity coefficients, even at infinite dilution. Thus, engineering models may be useful for solvent selection via semiempirical rules of thumb, which are based on thermodynamic considerations....

  12. Han Mural Tombs: Reflection of Correlative Cosmology through Mural Paintings

    Directory of Open Access Journals (Sweden)

    Nataša Vampelj Suhadolnik

    2011-12-01

    cosmologic concepts in the iconographic design of Han mural paintings. A thorough analysis of the iconographic design of murals shows that they possessed not only a decorative function, but together with the architectural structure and other burial objects reflected the entire cosmic image. The analysis of tomb paintings reveals a developed correlative cosmology yin-yang wuxing which manifests its concrete image in symbolic codes of individual iconographic motifs. The article first displays a general review of tombs with murals, and then focuses on depictions in Han tomb murals, discussing representation of the images of celestial bodies, the symbolic polarity of the cosmical forces yin and yang, the symbolism of the four directions and the four seasons and the symbolic circling of the five xings.

  13. Investigation of multilayer painting by means of molecular spectroscopy

    Directory of Open Access Journals (Sweden)

    Kadikova I.F.

    2017-01-01

    Full Text Available The study of paintings’ layer structure under microscope was implemented in the early XX century; since that time method of cross-section preparation as well as composition of embedded materials changed and capabilities of optical microscopy broadened. Nevertheless, until recently cross-sections were prepared only for analysis of paintings’ layer-specific structure, morphological and technological features, tracks of restoration treatments. Examination of chemical composition required additional sampling as well as division of these samples layer by layer in order to determine pigments and binding media; these procedures didn’t always lead to proper results. Micro-Raman and micro-FTIR spectroscopy allow carrying out investigation of painting cross-sections without any additional preliminary sampling; this is shown on example of investigation of a number of paintings.

  14. THEMES FROM ILIAD OF HOMER IN EUROPEAN ART OF PAINTING

    Directory of Open Access Journals (Sweden)

    Betul SERBEST YILMAZ

    2017-02-01

    Full Text Available Troy myths which have affected European cultures for ages form the connection between image and reality through painting. The art of painting that makes pagan world, which consists of Gods and heroes, traceable help these myths to leave a mark on the minds of societies. Troy myths, which were turned into epics by Homer and made the history of Roman civilization by Vergilius, presented an ideal story of belonging in Medieval ages when the knighthood was dominant and were adopted into the aesthetic of the era within Christianity frame. Myths which preserved their existence through the characters that have universal qualities such as Achilles, Helena, Paris and Hector became a source of inspiration for the significant artists of the era such as Flaxman, Hamilton and David in 18th century when Neo-Classical style was affective because they enhance the society on an educational ground because of the ethic contexts of them.

  15. Audio-haptic-virtual Mona Lisa (The Blind and Painting

    Directory of Open Access Journals (Sweden)

    Aksinja Kermauner

    2014-03-01

    Full Text Available The purpose of the article is to explore in what ways the visual arts (with emphasis on painting can be brought closer to the blind in the postmodern society, in which sight is perceived to be the chief sense and in which most information is based on images. The basic methods of presenting a work of art involve the remaining senses, mostly those of hearing and touch. It is of course not enough just to deliver a factual description of a painting or to transform it into tactile graphics – more complex techniques such as audio-description, method of associations, participating in role-playing, all with the aim of a holistic experience of the work of art, must be sought instead. In the world of virtual reality, additional equipment for the blind (e.g., data gloves provides new opportunities.

  16. Studies on Transverse Painting for H- Injection into the PSB

    CERN Document Server

    Bracco, C; Fowler, T; Goddard, B; Grawer, G; Lallement, J B; Martini, M; Weterings, W

    2011-01-01

    Linac4 will inject 160 MeV H- ions into the CERN PS Booster (PSB). This will allow to reduce space charge effects and increase beam intensity but will require a substantial upgrade of the injection region. The PSB has to provide beam to several users with different requirements in terms of beam intensity and emittance. Four kicker magnets (KSW) will be used to accomplish painting in the horizontal phase space to match the injected beams to the required emittances. Multiple linear functions, with varying slopes for each user, have been defined for the KSW generators waveforms according to detailed beam dynamic studies for all target intensities and emittances. Preliminary studies have been carried out to evaluate how to obtain the required vertical emittance and the option of a transverse painting, also in the vertical plane, is explored.

  17. Why I Believe People Need Painting By Numbers

    Directory of Open Access Journals (Sweden)

    Jason Makansi

    2018-01-01

    Full Text Available Jason Makansi. Painting By Numbers: How to Sharpen Your BS Detector and Smoke Out the Experts (Tucson AZ: Layla Dog Press, 2016. 196 pp. ISBN 978-0998425900. This piece briefly introduces my Painting By Numbers, which aims to take the core messages of the QL/QR community from academic and professional circles to the rest of the citizenry. I describe the book in the context of the critical need for the most basic numeracy tools to help consumers of news, information, and analysis�delivered through traditional and contemporary social media outlets�determine where a reported numerical result lies on the scale from utter nonsense to a widely established and accepted �fact.�

  18. Can children's paintings of their doctors be interpreted?

    Science.gov (United States)

    Philipp, Robin; Philipp, Ernst; Pendered, Lucy; Barnard, Colin; Hall, Michael

    1986-01-01

    There is increased emphasis nowadays on the role of the general practitioner in preventive care for children. Accordingly, an analysis of the child's perception of the doctor and of the factors which influence and mould that perception are important. In New Zealand children's paintings have been used for such analyses. The present study looked at children's paintings of their family doctors in a Devonshire village. The findings show that boys are more likely than girls to depict their doctors as a gruesome or threatening character, and suggest that medical contact has little, if any, influence on character portrayal of doctors. Other factors that might influence character portrayal and are now thought worthy of detailed study, include television viewing patterns, personality, age, home background and artistic ability. PMID:3735216

  19. Video Texture Synthesis Based on Flow-Like Stylization Painting

    Directory of Open Access Journals (Sweden)

    Qian Wenhua

    2014-01-01

    Full Text Available The paper presents an NP-video rendering system based on natural phenomena. It provides a simple nonphotorealistic video synthesis system in which user can obtain a flow-like stylization painting and infinite video scene. Firstly, based on anisotropic Kuwahara filtering in conjunction with line integral convolution, the phenomena video scene can be rendered to flow-like stylization painting. Secondly, the methods of frame division, patches synthesis, will be used to synthesize infinite playing video. According to selection examples from different natural video texture, our system can generate stylized of flow-like and infinite video scenes. The visual discontinuities between neighbor frames are decreased, and we also preserve feature and details of frames. This rendering system is easy and simple to implement.

  20. Mapping of egg yolk and animal skin glue paint binders in Early Renaissance paintings using near infrared reflectance imaging spectroscopy.

    Science.gov (United States)

    Dooley, Kathryn A; Lomax, Suzanne; Zeibel, Jason G; Miliani, Costanza; Ricciardi, Paola; Hoenigswald, Ann; Loew, Murray; Delaney, John K

    2013-09-07

    In situ chemical imaging techniques are being developed to provide information on the spatial distribution of artists' pigments used in polychrome works of art such as paintings. The new methods include reflectance imaging spectroscopy and X-ray fluorescence mapping. Results from these new methods have extended the knowledge obtained from site-specific chemical analyses widely in use. While these mapping methods have aided in determining the distribution of pigments, there is a growing interest to develop methods capable of identifying and mapping organic paint binders as well. Near infrared (NIR) reflectance spectroscopy has been extensively used in the remote sensing field as well as in the chemical industry to detect organic compounds. NIR spectroscopy provides a rapid method to assay organics by utilizing vibrational overtones and combination bands of fundamental absorptions that occur in the mid-IR. Here we explore the utility of NIR reflectance imaging spectroscopy to map organic binders in situ by examining a series of panel paintings known to have been painted using distemper (animal skin glue) and tempera (egg yolk) binders as determined by amino acid analysis of samples taken from multiple sites on the panels. In this report we demonstrate the success in identifying and mapping these binders by NIR reflectance imaging spectroscopy in situ. Three of the four panel paintings from Cosimo Tura's The Annunciation with Saint Francis and Saint Louis of Toulouse (ca. 1475) are imaged using a highly sensitive, line-scanning hyperspectral imaging camera. The results show an animal skin glue binder was used for the blue skies and blue robe of the Virgin Mary, and egg yolk tempera was used for the red robes and brown landscape. The mapping results show evidence for the use of both egg yolk and animal skin glue in the faces of the figures. The strongest absorption associated with lipidic egg yolk features visually correlates with areas that appear to have white

  1. A review on paint sludge from automotive industries: Generation, characteristics and management.

    Science.gov (United States)

    Salihoglu, Guray; Salihoglu, Nezih Kamil

    2016-03-15

    The automotive manufacturing process results in the consumption of several natural sources and the generation of various types of wastes. The primary source of hazardous wastes at an automotive manufacturing plant is the painting process, and the major waste fraction is paint sludge, which is classified with EU waste code of 080113* implying hazardous characteristics. The amount of the paint sludge generated increases every year with the worldwide increase in the car production. The characteristics of the paint sludge, which mainly designate the management route, are mainly determined by the type of the paint used, application technique employed, and the chemicals applied such as flocculants, detackifiers, pH boosters, antifoam agents, and biocides as well as the dewatering techniques preferred. Major routes for the disposal of the paint sludges are incineration as hazardous waste or combustion at cement kilns. Because of high dissolved organic carbon content of the paint, the paint sludge cannot be accepted by landfills according to European Union Legislations. More investigations are needed in the field of paint sludge recycling such as recycling it as a new paint or as other formulations, or making use of the sludge for the production of construction materials. Research on the applicability of the paint sludge in composting and biogasification can also be useful. Ongoing research is currently being conducted on new application techniques to increase the effectiveness of paint transfer, which helps to prevent the generation of paint sludge. Advancements in paint and coating chemistry such as the reduction in the coating layers with its thickness also help to decrease the level of paint sludge generation. Investigations on the effects of the chemicals on the recycling potential of paint sludges and consideration of these effects by the chemical manufacturer companies would be extremely important. This review presents the formation of paint sludge, the factors

  2. Reimagining Cancer through Painting: An Arts-based Authoethnography

    Directory of Open Access Journals (Sweden)

    Christine Dunagin-Miller

    2017-03-01

    Full Text Available We interweave arts-based inquiry, painting, and autoethnography, to critically examine one researcher's fearful narratives around cancer, death, dying, and family myths. These methods give us the distance to deconstruct Christine's past schema in order to take away its powerful influence on her life. This destabilized illness narrative leads to a transformational narrative of peace. Arts-based inquiry invites the viewer/reader to engage in similar acts of deconstruction and transformation.

  3. Science, alchemy and light: paintings by Joseph Wright of Derby.

    Science.gov (United States)

    Dominiczak, Marek H

    2002-01-01

    This article considers two paintings by the English painter, Joseph Wright of Derby (1734-97), 'An Experiment on a Bird in the Air Pump' and 'The Alchemist in Search of the Philosopher's Stone' as painterly reflections on the early industrial culture. Particularly interesting in the "Experiment on a Bird" is the broad spectrum of spectator's reactions to the experiment; this can be related to the contemporary debate on the contextualization of science.

  4. Sexuality of the elder individual presented on paintings

    Directory of Open Access Journals (Sweden)

    Josiane Aparecida Duarte

    2013-12-01

    Full Text Available The sexuality of the elder has a history of negligence, seen as a taboo, both by society and by the individual himself, contributing to maintain the oppressive cultural standards related to the theme of sexuality related to aging. In the great majority of paintings, the elder individual is presented as an asexual character. The representation of the elder in paintings is usually shown in the following contexts: domestic (“St Joseph, The carpenter” – George de La Tour, 1642; “The Paralytic” – Jean Baptiste Greuze, 1763 and in the decadence of health (“Old man in sorrow” – Van Gogh, 1890; “The old guitarist” – Picasso, 1903. On the few paintings that retract the sexuality of the elder, we can see a clear prominence of the male gender (“Susana and the elders” – Artemisia Gentileschi, 1610; “Elderly nude in the sun” – Mariano Fortuny, 1871. Sexuality of the elder woman is little referred to, being predominantly portrayed in her domestic role. When sexuality is shown it is in the context of prostitution, as in the work “The Salon I”, of Otto Dix, 1921. Between painters of the 20th century, there are self portraits in which artists of both genders paint themselves naked in advanced age, showing a tendency in changing the current paradigm: “Painter working, Reflection” – Lucian Freud, 1993 that portrayed himself at the age of 70; and “Self Portrait” – Alice Neel, 1980, at the age of 80.

  5. Lead-based paint on playground equipment in public children's ...

    African Journals Online (AJOL)

    Lead levels in paint on playground equipment were measured in situ using a hand-held Thermo Scientific NITON XLP 700 Series X-ray fluorescence (XRF) analyser. Results. Playground lead levels ranged from 'too low to detect' to 10.4 mg/cm2. The mean and median lead concentrations were 1.9 mg/cm2 and 0.9 mg/cm2 ...

  6. Raman spectroscopic analysis of a `noli me tangere' painting

    Science.gov (United States)

    Hibberts, Stephen; Edwards, Howell G. M.; Abdel-Ghani, Mona; Vandenabeele, Peter

    2016-12-01

    The discovery of an oil painting in seriously damaged condition with an important historical and a heterodox detail with possible origins in the late fifteenth century has afforded the opportunity for Raman microscopic analysis prior to its restoration being undertaken. The painting depicts a risen Christ following His crucifixion in a `noli me tangere' pose with three women in an Italian terrace garden with a stone balustrade overlooking a rural landscape and an undoubted view of late-medieval Florence. The picture has suffered much abuse and is in very poor condition, which is possibly attributable to its controversial portrayal of a polydactylic Christ with six toes on His right foot. By the late sixteenth century, after the Council of Trent, this portrayal would almost certainly have been frowned upon by the Church authorities or more controversially as a depiction of the holy. Raman spectroscopic analysis of the pigments places the painting as being consistent chronologically with the Renaissance period following the identification of cinnabar, haematite, red lead, lead white, goethite, verdigris, caput mortuum and azurite with no evidence of more modern synthetic pigments or of modern restoration having been carried out. An interesting pigment mixture found here is that of the organic dye carmine and cinnabar to produce a particular bright red pigment coloration. Stratigraphic examination of the paint fragments has demonstrated the presence of an orange resin layer immediately on top of the canvas substrate, effectively rendering the pigment as a sandwich between this substratal resin and the overlying varnish. The Raman spectroscopic evidence clearly indicates that an attribution of the artwork to the Renaissance is consistent with the scientific analysis of the pigment composition. This article is part of the themed issue "Raman spectroscopy in art and archaeology".

  7. The influence of photocatalytic interior paints on indoor air quality

    Science.gov (United States)

    Auvinen, Joonas; Wirtanen, Leif

    2008-06-01

    A clean indoor air is important for the well-being and health of people. Lately, new photocatalytic paints have been launched on the market, which are claimed to have air-purifying effects. Photocatalysis initiates radical reactions. Radicals are formed when a photocatalyst (e.g. TiO2) is subjected to radiation. Typical radicals are the hydroxyl radical (radOH) and the superoxide radical (radO2-). Radicals cause chain reactions, which degrade and decompose organic compounds. The end products of these chain reactions are water and carbon dioxide, if the reactions are fully completed (mineralization). If mineralization does not take place, then a great number of side products can be formed, whose properties are not well understood. The side products of photocatalytic reactions can be permanent and stabile. The decomposition of indoor air impurities on the surface of photocatalytic paints is not obvious. The ability of photocatalytic indoor paints to reduce chemical indoor air impurities is the key issue of this study. Six different paints with different binder systems, such as lime, polyorganic siloxane, silica sol-gel and organic binders, were examined. The experiments were divided into three topics: degradation of an organic binder, photocatalytic decomposition of formaldehyde, and a volatile organic compound (VOC) mixture consisting of five different indoor air VOCs. All tests were carried out in an environmental test chamber under dynamic conditions. The test results indicate that many indoor pollutants are generated under normal- and UVA-light. Typical compounds formed include formaldehyde, acetone, acetaldehyde, etc. A clear decrease of formaldehyde or the VOC mixture concentration was not observed. All possibly generated compounds could not be collected or analyzed in this research project, but the measurements show that photocatalytic reactions do not generate only carbon dioxide and water. Photocatalytic decomposition of indoor air impurities can, however

  8. Wall paintings in churches with a limited Christological cycle

    Directory of Open Access Journals (Sweden)

    Koukiaris Silas, Archimandrite

    2004-01-01

    Full Text Available This paper deals with twelve small Cretan and Peloponnesian churches, painted in the 13tn, 14tn and 15th centuries. The iconographical program in these churches includes very limited Christological cycles. On the contrary, the lives the patron saints of the churches are illustrated extensively. This phenomenon is related to the growing importance of hagiology from the end of the 13th century onwards.

  9. Raman spectroscopic analysis of a 'noli me tangere' painting.

    Science.gov (United States)

    Hibberts, Stephen; Edwards, Howell G M; Abdel-Ghani, Mona; Vandenabeele, Peter

    2016-12-13

    The discovery of an oil painting in seriously damaged condition with an important historical and a heterodox detail with possible origins in the late fifteenth century has afforded the opportunity for Raman microscopic analysis prior to its restoration being undertaken. The painting depicts a risen Christ following His crucifixion in a 'noli me tangere' pose with three women in an Italian terrace garden with a stone balustrade overlooking a rural landscape and an undoubted view of late-medieval Florence. The picture has suffered much abuse and is in very poor condition, which is possibly attributable to its controversial portrayal of a polydactylic Christ with six toes on His right foot. By the late sixteenth century, after the Council of Trent, this portrayal would almost certainly have been frowned upon by the Church authorities or more controversially as a depiction of the holy. Raman spectroscopic analysis of the pigments places the painting as being consistent chronologically with the Renaissance period following the identification of cinnabar, haematite, red lead, lead white, goethite, verdigris, caput mortuum and azurite with no evidence of more modern synthetic pigments or of modern restoration having been carried out. An interesting pigment mixture found here is that of the organic dye carmine and cinnabar to produce a particular bright red pigment coloration. Stratigraphic examination of the paint fragments has demonstrated the presence of an orange resin layer immediately on top of the canvas substrate, effectively rendering the pigment as a sandwich between this substratal resin and the overlying varnish. The Raman spectroscopic evidence clearly indicates that an attribution of the artwork to the Renaissance is consistent with the scientific analysis of the pigment composition.This article is part of the themed issue 'Raman spectroscopy in art and archaeology'. © 2016 The Author(s).

  10. Review of Specifications for Zinc-Rich Paints,

    Science.gov (United States)

    1979-09-01

    charging and eva .-oraticrn of ammonia should be carried out in a hood. 3. In general, It may te advisable to precool the sample by placing it in a flask...Gasoine Benzol free) APPLY OVER Dry-abrasive Castor Linseed Rapeseed Jet Fuels blasted.steel Coconut Maze Safflower blasted steel Corn Mustard Sesame...Paint. Varnish.’ Lacquer types as a trearcnft prior to application. of - and Related Mtra~ Coatin,; system. 7he purpose or the maze .-t;, is Methods of

  11. Do roads reduce painted turtle (Chrysemys picta populations?

    Directory of Open Access Journals (Sweden)

    Alexandra Dorland

    Full Text Available Road mortality is thought to be a leading cause of turtle population decline. However, empirical evidence of the direct negative effects of road mortality on turtle population abundance is lacking. The purpose of this study was to provide a strong test of the prediction that roads reduce turtle population abundance. While controlling for potentially confounding variables, we compared relative abundance of painted turtles (Chrysemys picta in 20 ponds in Eastern Ontario, 10 as close as possible to high traffic roads (Road sites and 10 as far as possible from any major roads (No Road sites. There was no significant effect of roads on painted turtle relative abundance. Furthermore, our data do not support other predictions of the road mortality hypothesis; we observed neither a higher relative frequency of males to females at Road sites than at No Road sites, nor a lower average body size of turtles at Road than at No Road sites. We speculate that, although roads can cause substantial adult mortality in turtles, other factors, such as release from predation on adults and/or nests close to roads counter the negative effect of road mortality in some populations. We suggest that road mitigation for painted turtles can be limited to locations where turtles are forced to migrate across high traffic roads due, for example, to destruction of local nesting habitat or seasonal drying of ponds. This conclusion should not be extrapolated to other species of turtles, where road mortality could have a larger population-level effect than on painted turtles.

  12. Karyotype Evolution in Birds: from Conventional Staining to Chromosome Painting

    OpenAIRE

    Ferguson-Smith, Malcolm

    2018-01-01

    In this work we performed comparative chromosome painting using probes from Gallus gallus (GGA) Linnaeus, 1758 and Leucopternis albicollis (LAL) Latham, 1790 in Synallaxis frontalis Pelzeln, 1859 (Passeriformes, Furnariidae), an exclusively Neotropical species, in order to analyze whether the complex pattern of intrachromosomal rearrangements (paracentric and pericentric inversions) proposed for Oscines and Suboscines is shared with more basal species. S. frontalis has 82 chromosomes, similar...

  13. Is painting by elephants in zoos as enriching as we are led to believe?

    Directory of Open Access Journals (Sweden)

    Megan English

    2014-07-01

    Full Text Available The relationship between the activity of painting and performance of stereotyped and other stress-related behaviour was investigated in four captive Asian elephants at Melbourne Zoo, Australia. The activity involved the elephant being instructed to paint on a canvas by its keeper in front of an audience. Painting by elephants in zoos is commonly believed to be a form of enrichment, but this assumption had not been based on any systematic research. If an activity is enriching we would expect stress-related behaviour to be reduced but we found no evidence of the elephants anticipating the painting activity and no effect on the performance of stereotyped or other stress-related behaviour either before or after the painting session. This indicates that the activity does not fulfil one of the main aims of enrichment. However, if an elephant was not selected to paint on a given day this was associated with higher levels of non-interactive behaviour, a possible indicator of stress. Behavioural observations associated with ear, eye and trunk positions during the painting session showed that the elephant’s attentiveness to the painting activity or to the keeper giving instruction varied between individuals. Apart from positive reinforcement from the keeper, the results indicated that elephants gain little enrichment from the activity of painting. Hence, the benefits of this activity appear to be limited to the aesthetic appeal of these paintings to the people viewing them.

  14. Art expertise reduces influence of visual salience on fixation in viewing abstract-paintings.

    Science.gov (United States)

    Koide, Naoko; Kubo, Takatomi; Nishida, Satoshi; Shibata, Tomohiro; Ikeda, Kazushi

    2015-01-01

    When viewing a painting, artists perceive more information from the painting on the basis of their experience and knowledge than art novices do. This difference can be reflected in eye scan paths during viewing of paintings. Distributions of scan paths of artists are different from those of novices even when the paintings contain no figurative object (i.e. abstract paintings). There are two possible explanations for this difference of scan paths. One is that artists have high sensitivity to high-level features such as textures and composition of colors and therefore their fixations are more driven by such features compared with novices. The other is that fixations of artists are more attracted by salient features than those of novices and the fixations are driven by low-level features. To test these, we measured eye fixations of artists and novices during the free viewing of various abstract paintings and compared the distribution of their fixations for each painting with a topological attentional map that quantifies the conspicuity of low-level features in the painting (i.e. saliency map). We found that the fixation distribution of artists was more distinguishable from the saliency map than that of novices. This difference indicates that fixations of artists are less driven by low-level features than those of novices. Our result suggests that artists may extract visual information from paintings based on high-level features. This ability of artists may be associated with artists' deep aesthetic appreciation of paintings.

  15. USE OF NANOTECHNOLOGY PRE-TREATMENT IN AUTOMOTIVE PAINTING LINE

    Directory of Open Access Journals (Sweden)

    Alberto Nei Carvalho Costa

    2012-09-01

    Full Text Available The current safety requirements, environmental impacts and performance have been ledding the automotive industry to search for new alternatives, not just for new car bodies materials, also for new sheet surface treatments as well, used in the painting process in order to fit simultaneous, environmental requirements and corrosion resistance maintenance, that are the key feature guarantees offered by automakers and are also vital to the durability of the vehicle. This fact is of great importance considering that, besides the various types of steels and their metalic coatings, another factor that directly influences the corrosion resistance is the painting system used. Within this context, the GMB, in partnership with CSN, has been performing several works by adding the knowledge of the supplier to automotive technology. An example of this partnership we have the present study, which aimed to, comparatively, evaluate the corrosion resistance of two systems of painted galvanized steel, the first one with pre-treatment based on a traditional phosphate, and the another one based on a nano-ceramic film. In this study, was found out that materials with pre-treatment based on results of nanotechnology showed similar corrosion resistance comparing the phosphatized materials in a traditional way.

  16. Aurora Borealis, A Painting by Frederic Edwin Church

    Science.gov (United States)

    Love, J. J.

    2015-12-01

    This year marks the sesquicentennial anniversary of the end of the American Civil War. In 1865, the same year as the War's end, the great American landscape artist, Frederic Edwin Church, unveiled Aurora Borealis, a painting that depicts a fantastic, far-northern place, an auroral arch stretched across a quiet night-time sky, above dark mountains and a frozen sea. Church was born in Connecticut, lived in New York, and traveled to Labrador; he would have often seen the northern lights. Church might have also been influenced by the spectacular displays of aurora that were caused by some unusually intense magnetic storms in 1859. Aurora Borealis can certainly be interpreted in terms of 19th-century romanticism, scientific philosophy, and Arctic missions of exploration, all subjects of interest to Church. As with so many of his paintings, Church's meticulous attention to detail in Aurora Borealis reveals his deep admiration of nature. But his depiction of auroral light is a curious and possibly intentional departure from natural verisimilitude. Some art historians have suggested that Church painted Aurora Borealis as a subdued tribute to the end of the Civil War, with the drapery of auroral light forming an abstract representation of the American flag. If so, then colors of the flag have been unfurled across a cold and barren landscape, not in extravagant celebration, but in somber recognition of the reality of post-war desolation and an uncertain future.

  17. Car painting process scheduling with harmony search algorithm

    Science.gov (United States)

    Syahputra, M. F.; Maiyasya, A.; Purnamawati, S.; Abdullah, D.; Albra, W.; Heikal, M.; Abdurrahman, A.; Khaddafi, M.

    2018-02-01

    Automotive painting program in the process of painting the car body by using robot power, making efficiency in the production system. Production system will be more efficient if pay attention to scheduling of car order which will be done by considering painting body shape of car. Flow shop scheduling is a scheduling model in which the job-job to be processed entirely flows in the same product direction / path. Scheduling problems often arise if there are n jobs to be processed on the machine, which must be specified which must be done first and how to allocate jobs on the machine to obtain a scheduled production process. Harmony Search Algorithm is a metaheuristic optimization algorithm based on music. The algorithm is inspired by observations that lead to music in search of perfect harmony. This musical harmony is in line to find optimal in the optimization process. Based on the tests that have been done, obtained the optimal car sequence with minimum makespan value.

  18. Using Hypermedia in Teaching Art & Design: Baroque Dutch Paintings

    Directory of Open Access Journals (Sweden)

    Inas A. Alkholy

    2010-09-01

    Full Text Available Although the whole world adapts ICT -information and communication technologies- in learning and teaching visual arts for the benefit of both the student and the society, the Middle East is motionless. ME teachers need training, institutional support and motivation to apply ICT in classrooms. Preparing a traditional lecture, including visual projected examples by data show takes less time. Doing comparisons and contrast, going through formal analysis or juggling between visual examples is complex within classrooms' technological limitations of having one projector. There is an urgent need to alter traditional methods of teaching art and design and integrate pictorial approaches. This paper discusses design/art pedagogy via a suggested model lesson, which utilizes hypermedia to resemble internet interface. The lesson teaches Dutch Baroque interior design through a selection of Vermeer's paintings. Vermeer accurately painted interior elements in his paintings. The development of technology stimulates students’ imagination and develops their understanding of more influencing graphical forms. Any other art and design themes and styles can be taught by using the same interface.

  19. A heat exchanger analogy of automotive paint ovens

    International Nuclear Information System (INIS)

    Rao, Preetham P.

    2013-01-01

    Computational prediction of vehicle temperatures in an automotive paint oven is essential to predict paint quality and manufacturability. The complex geometry of vehicles, varying scales in the flow, transient nature of the process, and the tightly coupled conjugate heat transfer render the numerical models computationally very expensive. Here, a novel, simplified model of the oven is developed using an analogy to a three-stream cross flow heat exchanger that transfers heat from air to a series of moving bodies and supporting carriers. The analogous heat exchanger equations are developed and solved numerically. Steady state Computational Fluid Dynamics (CFD) simulations are carried out to model the flow field and to extract the heat transfer coefficients around the body and carriers. The air temperature distribution from the CFD models is used as a boundary condition in the analogous model. Correction coefficients are used in the analogy to take care of various assumptions. These are determined from existing test data. The same corrections are used to predict air temperatures for a modified configuration of the oven and a different vehicle. The method can be used to conduct control volume analysis of ovens to determine energy efficiency, and to study new vehicle or oven designs. -- Highlights: • Analogy of an automotive paint oven as a three stream cross flow heat exchanger. • The three streams are vehicle bodies, carriers and hot air. • Convection coefficients and inlet air stream temperatures from steady CFD simulations. • Analogy useful for overall energy efficiency analysis of conveyor ovens in general

  20. Alkyd paints in art: characterization using integrated mass spectrometry.

    Science.gov (United States)

    La Nasa, Jacopo; Degano, Ilaria; Modugno, Francesca; Colombini, Maria Perla

    2013-10-03

    Alkyd resins have been commonly used as binders in artist paints since the 1940s. The characterization of alkyds in samples from artworks can help to solve attribution and dating issues, investigate decay processes, and contribute to the planning of conservation strategies. Being able to assess the components of industrially formulated paint materials and to differentiate between different trademarks and producers is extremely interesting and requires multi-analytical approaches. In this paper we describe the characterization of commercial alkyd paint materials using a multi-analytical approach based on the integration of three different mass spectrometric techniques: gas chromatography-mass spectrometry (GC/MS), high performance liquid chromatography coupled with electrospray ionization mass spectrometry with a tandem quadrupole-time of flight mass spectrometer (HPLC-ESI-Q-ToF), and flow injection analysis (FIA) in the ESI-Q-ToF mass spectrometer. GC/MS was successful in determining the fatty acid and aromatic fractions of the resins after hydrolysis; HPLC-ESI-Q-ToF analysis enabled us to identify the triglycerides (TAGs) and diglycerides (DAGs) profile of each resin, and FIA analysis was used as a rapid method to evaluate the presence of possible additives such as synthetic polymers. Copyright © 2013 Elsevier B.V. All rights reserved.