WorldWideScience

Sample records for art museum libraries

  1. The Museum Library in the United States: A Sample

    Science.gov (United States)

    Hull, David; Fearnley, Henry D.

    1976-01-01

    A statistical survey was made of the general condition and problems of the museum library, using a questionnaire sent to a random sample of 856 historical, art, science, and other museum libraries. (Author)

  2. Libraries, Archives, Museums

    Directory of Open Access Journals (Sweden)

    Alfredo Serrai

    2017-06-01

    Full Text Available During the ancient period, Libraries, Archives and Museums had the same name, because they were the home of the Muses, but over the centuries, the three institutions have diversified. The museums display individual specimens; libraries and archives predominantly preserve and offer library objects and documents. While the manuscripts are kept, generally, in individual pieces, the books, after the invention of printing, exist in multiple copies, but there is no general bibliographic map to find specificity, duplication, or deficiencies. The digitization of works and editions of the past aggravates the problems of organization and bibliographic mapping, because it provides the sources of consultation and indexing, but ignores the imposing mass of written materials that represented the documentary basin of different ages, and who they are scattered in towns and historic European libraries.

  3. The Talking Art Museum

    Science.gov (United States)

    Bundy, Jacqui

    2009-01-01

    Every year, fourth graders at Sterling Morton Elementary School in Ohio present a talking art museum for the school and community. In this article, the author describes a lesson on art history which culminates in an activity showcasing all the students' finished paintings in gold frames. A student stands behind the painting and pokes his or her…

  4. 75 FR 32818 - Institute of Museum and Library Services; Sunshine Act Meeting of the National Museum and Library...

    Science.gov (United States)

    2010-06-09

    ... NATIONAL FOUNDATION ON THE ARTS AND THE HUMANITIES Institute of Museum and Library Services... Services, 1800 M Street, NW., 9th Floor, Washington, DC 20036. Telephone: (202) 653-4676. TIME AND DATE... Board room at the Institute of Museum and Library Services, 1800 M Street, NW., 9th Floor, Washington...

  5. 78 FR 68100 - Sunshine Act Meeting of the National Museums and Library Services Board

    Science.gov (United States)

    2013-11-13

    ... NATIONAL FOUNDATION ON THE ARTS AND THE HUMANITIES Institute of Museum and Library Services Sunshine Act Meeting of the National Museums and Library Services Board AGENCY: Institute of Museum and... Programs and Museum Grants for African American History and Culture (Open to the Public) Executive Session...

  6. Museum Libraries and Their Contributions to Museum Information Environment

    Directory of Open Access Journals (Sweden)

    R. Neslihan Mollaoğlu

    2013-11-01

    Full Text Available Museum Libraries is a kind of special library owing to the fact that it gives ser­vice to the environment of the museum and improves the collection related to the specialization of the museum that they connected to. Museums going toward the service approach based on knowledge from the service approach based on object enlarged the museum libraries' service areas. This article deals with museum libraries as one of the elements that completes the museum information area and aims to question the contributions that they could make by introducing its functions and determine the status over the selected examples. In this context, 7 museum libraries from abroad and 11 museum libraries in the  country are investigated in the field of their infrastructural conditions and services that they present to their users. It is concluded that the activity areas of the museum libraries are connected to the approach of the museology that they adopt and its conditions are determined in the direction of the management departments that they linked with

  7. Sustainability in Modern Art Museums

    DEFF Research Database (Denmark)

    Campolmi, Irene

    2013-01-01

    common good of the community. On the other hand, it is considered from the so called “three bottom” approach as also corporations and business companies have approached it. In a so called “three bottom” approach, museums’ pursuit for environmental, economic and social sustainability is related...... curatorial and managerial perspectives. A long-term sustainable museum model steps beyond Foucault’s notion that art museums are “heterotopy”, i.e. spaces that present art as an alternative phenomenon outside reality. On the contrary, a sustainable model for museums acts as “archètopy”, i.e. a space (tòpos...

  8. 77 FR 68851 - Sunshine Act Meeting of the National Museum and Library Services Board

    Science.gov (United States)

    2012-11-16

    ... NATIONAL FOUNDATION ON THE ARTS AND THE HUMANITIES Institute of Museum and Library Services... meeting will be held at the Institute of Museum and Library Services. 1800 M Street NW., 9th Floor... Coordinator for Special Events and Board Liaison, Institute of Museum and Library Services, 1800 M Street NW...

  9. Presidential Libraries Museum Collection Management Database

    Data.gov (United States)

    National Archives and Records Administration — MCMD serves as a descriptive catalog for the Presidential Libraries museum collections, and also supports a full range of museum collections management processes...

  10. Physics in the Art Museum

    Science.gov (United States)

    Dale, Daniel A.; Bailey, Brenae L.

    2003-02-01

    Parisian artist Paul Signac met the impressionists Claude Monet and Georges Seurat in 1884. Their influence spurred his work in pointillism (or, where the juxtaposition of small dots of color in conjunction with the limited resolving power of the human eye lead to the impression of color coalescence).1-4 To stimulate a cross-disciplinary appreciation of science and art, we used the University of Wyoming Art Museum's Signac painting "Barques de Pêche à Marseilles" (see Fig. 1) to explore diffraction theory and the anatomical limitations to our vision during an optics exercise done in the museum.

  11. 78 FR 9945 - Sunshine Act Meeting of the National Museum and Library Services Board

    Science.gov (United States)

    2013-02-12

    ... NATIONAL FOUNDATION ON THE ARTS AND THE HUMANITIES Institute of Museum and Library Services... Library Services. 1800 M Street, NW., 9th Floor, Washington, DC, 20036. Telephone: (202) 653-4676. STATUS... Events and Board Liaison, Institute of Museum and Library Services, 1800 M Street, NW., 9th Floor...

  12. 75 FR 63516 - Institute of Museum and Library Services; Sunshine Act Meeting of the National Museum and Library...

    Science.gov (United States)

    2010-10-15

    ... NATIONAL FOUNDATION ON THE ARTS AND THE HUMANITIES Institute of Museum and Library Services... Street, NW., 9th Floor, Washington, DC 20036. Telephone: (202) 653-4676. FOR FURTHER INFORMATION CONTACT..., 1800 M Street, NW., 9th Floor, Washington, DC 20036. Telephone: (202) 653-4676 or e-mail: [email protected

  13. 75 FR 8139 - Institute of Museum and Library Services; Sunshine Act Meeting of the National Museum and Library...

    Science.gov (United States)

    2010-02-23

    ... NATIONAL FOUNDATION ON THE ARTS AND THE HUMANITIES Institute of Museum and Library Services... Street, NW., 9th Floor, Washington, DC, 20036. Telephone: (202) 653-4676 or E-mail: [email protected] Services, 1800 M Street, NW., 9th Fl., Washington, DC 20036. Telephone: (202) 653-4676; TDD (202) 653-4614...

  14. 78 FR 23311 - Sunshine Act Meeting of the National Museum and Library Services Board

    Science.gov (United States)

    2013-04-18

    ... NATIONAL FOUNDATION ON THE ARTS AND THE HUMANITIES Institute of Museum and Library Services....m. PLACE: The meeting will be held at the Institute of Museum and Library Services, 1800 M Street NW... Services, 1800 M Street NW., 9th Floor, Washington, DC 20036. Telephone: (202) 653-4676. Dated: April 11...

  15. Museum libraries: how digitization can enhance the value of the museum

    NARCIS (Netherlands)

    Navarrete, T.; Mackenzie Owen, J.

    2011-01-01

    It is the responsibility of the museum library to enhance the understanding of the museum collection and the role of museum objects as cultural documents. For many reasons, this role is only partially fulfilled, if at all. This is because in practice the library and its museum are insufficiently

  16. Contemporary art museum and cultural mediation

    OpenAIRE

    De Luca Martina

    2014-01-01

    The article examines the role and importance of mediation activities with the audiences of the museums of contemporary art. The Italian experience face a growing interest and a wide variety of projects and proposals as well as considerable difficulties in identifying innovative ways of management of the museums' educational departments in accordance with the objectives and cultural policies of the institutions.

  17. Preservation management for libraries, archives and museums

    CERN Document Server

    Gorman, G E

    2006-01-01

    Memory institutions such as libraries, archives, galleries and museums all share pressing concerns about preserving heritage. This book charts the diversity of preservation management in the contemporary information landscape, and offers guidance on preservation methods for the sustainability of collections from a range of international experts.

  18. Art and Museum Librarianship; A Syllabus and Bibliography. Bibliographic Studies Number One.

    Science.gov (United States)

    Lemke, Antje B.

    This outline of library science in the area of museology and art history provides bibliographies on various facets of art librarianship; art; architecture; museums; history; current state; journals; professional programs and organizations; relationship with government, foundations, and business; information sources; processing of art books,…

  19. What is Sustainability in Modern Art Museums?

    DEFF Research Database (Denmark)

    Campolmi, Irene

    2013-01-01

    museums have looked at sustainability inasmuch industries or commercial businesses and have adopted ‘sustainability charts’ as a tool to green-wash their policies and try to provide a different cultural offer. Their approach has been ‘three-bottom’ and has focused on the economic, environmental and social...... aspects this value brings in management. However, art museums have left beside the analysis of sustainability in regards to their cultural policies and internal managerial organization. Though European museums have proposed sustainability strategies in the collection management (brand franchising......, disposal of the collection, networks and partnerships with museums and business companies), they have not considered yet the chance to revise their bone structure inspired by sustainability principles and approaches. This shift in perspective may change the processes the artworks are documented...

  20. Museum Education and Art Therapy: Exploring an Innovative Partnership

    Science.gov (United States)

    Peacock, Karen

    2012-01-01

    This report describes collaborations between the disciplines of museum education and art therapy, which inspired the implementation of a pilot art therapy program at the Memphis Brooks Museum of Art in Tennessee (USA). Because relatively limited research has been conducted on this trend, the author reviewed museum exhibits and programming, as well…

  1. Art Museums in Australia: A Personal Retrospect

    Directory of Open Access Journals (Sweden)

    Daniel Thomas

    2011-06-01

    Full Text Available A survey of, and reflections on, the growth of art museums in Australia based on personal experience and involvement. It starts with the early art collections and state galleries and their organisation. It looks at changing patterns of leadership and governance. It considers the roles of inter-state competition, the varying patters of organisation and support and the impact of federal institutions. It reflects on factors of race, gender and ethnicity and also the situation of Australian exhibitions and collections in the Global Village. It considers the effects of popularisation, commercialisation and celebrity culture on exhibition practices. It concludes that Australia’s art museums, more perhaps than any others, have become unusually well-suited to a post-European or post-North Atlantic age.

  2. The World Wide Web Virtual Library of Museums.

    Science.gov (United States)

    Bowen, Jonathan P.

    1995-01-01

    Provides an introduction to and overview of the World Wide Web Virtual Library of Museums, an interactive directory of online museums, including organization of the hyperlinks visitor statistics, possible future direction, and information on some of the sites linked to the library. (JKP)

  3. A Study of Early Learning Services in Museums and Libraries

    Science.gov (United States)

    Sirinides, P.; Fink, R.; DuBois, T.

    2017-01-01

    Museums and libraries can play a role in providing opportunities for early learning, and there is clear momentum and infrastructure already in place to help make this happen. Researchers conducted a mixed-methods descriptive study to generate new evidence about the availability of services for young children in museums and libraries, and the…

  4. 76 FR 13097 - Institute of Museum and Library Services; Evaluation by Grantees

    Science.gov (United States)

    2011-03-10

    ... NATIONAL FOUNDATION ON THE ARTS AND HUMANITIES 45 CFR Part 1180 Institute of Museum and Library... the Arts and Humanities. ACTION: Technical amendment; final rule. SUMMARY: This rule makes a technical... With Institutions of Higher Education, Hospitals, and Other Non-Profit Organizations, provides, in part...

  5. Rethinking Critical Thinking and Its Role in Art Museum Education

    Science.gov (United States)

    Hubard, Olga

    2011-01-01

    Meaningful interactions with works of art are often absent from education. Across the country, art museums are intent on changing this situation. But to incorporate art viewing into an educational milieu that does not value art, art museum educators are constantly forced to justify the educational value of their programs. One common argument to…

  6. A Summing Up. Allen Memorial Art Museum Addition, Oberlin, Ohio

    Science.gov (United States)

    Progressive Architecture, 1977

    1977-01-01

    Venturi and Rauch's addition to the Allen Art Museum at Oberlin College is in two separate parts: a loft that houses new facilities for the art department and a gallery for contemporary art. (Author/MLF)

  7. Fusion of Library, Archive, Museum, Publisher (LAMP: the NTNU Library Experience

    Directory of Open Access Journals (Sweden)

    Ke, Hao-Ren

    2016-06-01

    Full Text Available The convergence of libraries, archives, and museums (LAMs has garnered attention in recent years. Extending the tendency further, National Taiwan Normal University (NTNU fuses the library, archive, museum, and publisher (LAMP functionality together in its library. This article elaborates on the LAMP practices of the NTNU Library, which indicates that without creating new units in a university, its library can play a good role of curating invaluable university assets.

  8. Learning about Leadership from a Visit to the Art Museum

    Science.gov (United States)

    Kaimal, Girija; Drescher, Jon; Fairbank, Holly; Gonzaga, Adele M. L.; Junkin, Janelle S.; White, George P.

    2016-01-01

    This qualitative study presents an analysis of how guided visits to an art museum can provide leadership lessons for developing school leaders. The principal interns participated in teaching artists-facilitated guided arts engagement sessions at a large metropolitan museum. The sessions included art-making, observations of portraiture in the…

  9. Building the image of modern art : the rhetoric of two museums and the representation and canonization of modern art (1935-1975) : the Stedelijk Museum in Amsterdam and the Museum of Modern Art in New York

    NARCIS (Netherlands)

    Leigh, Nana

    2008-01-01

    The Rhetoric of Two Museums and the Representation and Canonization of Modern Art (1935-1975): The Stedelijk Museum in Amsterdam and the Museum of Modern Art in New York Museums of modern art have determined the course of modern art history. Their contributions to the representation and

  10. How Some Art Museums Can Appeal to Teenagers

    Science.gov (United States)

    Striepe, Susan E.

    2013-01-01

    This article describes a case study that explores the question of how some art museums can appeal to teenagers. The significance of teenagers as the most underrepresented age demographic to visit museums is relevant to current museum practice where visitor studies have assumed increasing importance. As teenagers mature into adults, the long-term…

  11. Babies and Art Museums: welcoming discoveries

    Directory of Open Access Journals (Sweden)

    Cristina Carvalho

    2017-09-01

    Full Text Available BEBÊS E MUSEUS DE ARTE: ACOLHENDO DESCOBERTAS Resumo: a oferta de ações educativas em museus voltadas para bebês provoca a necessidade de estudos que busquem compreender tais ações, contribuindo para a constituição de práticas significativas. A partir dessas atividades, o artigo apresenta uma reflexão sobre a relação entre arte e primeira infância. O texto foi orientado por teóricos que valorizam o aspecto cultural no desenvolvimento infantil, em especial por Rinaldi e Vecchi. Foram utilizados documentos das instituições, como registros fotográficos e artigos, além de observações de algumas atividades. Buscou-se identificar caminhos que podem estimular a extensão do acolhimento ao público de zero a três anos nas instituições culturais. Palavras-chave: Arte. Educação em Museus. Bebês Abstract: The offer of educational actions focused on babies in museums causes the need for studies that seek to understand such actions, contributing to the constitution of significant practices. From these activities the article presents a reflection on the relationship between art and early childhood. The text was guided by theorists who value the cultural aspect in children's development, especially by Rinaldi and Vecchi. Institutional documents were used, such as photographic records and articles, as well as observations of some activities. It sought to identify ways that can stimulate the extension of the reception to the public from zero to three years in cultural institutions. Keywords: Art. Museum Education. Babies.

  12. 75 FR 73132 - Notice of Proposed Information Collection Requests: Public Demand for Museum and Library Services...

    Science.gov (United States)

    2010-11-29

    ... on a wide range of library and museum services. The design of the PDMLS will be a random digital dial... Requests: Public Demand for Museum and Library Services (PDMLS) Survey AGENCY: Institute of Museum and... comments, collection of information. SUMMARY: The Institute of Museum and Library Services (IMLS), as part...

  13. Building the image of modern art: the rhetoric of two museums and the representation and canonization of modern art (1935-1975) : the Stedelijk Museum in Amsterdam and the Museum of Modern Art in New York

    OpenAIRE

    Leigh, Nana

    2008-01-01

    The Rhetoric of Two Museums and the Representation and Canonization of Modern Art (1935-1975): The Stedelijk Museum in Amsterdam and the Museum of Modern Art in New York Museums of modern art have determined the course of modern art history. Their contributions to the representation and canonization of modern art have been shaped by how they have presented art in their (temporary) exhibitions and publications. They have provided the public with a verbal and visual story of modern art. In orde...

  14. Museum Education and Art Therapy: Promoting Wellness in Older Adults

    Science.gov (United States)

    Rosenblatt, Brooke

    2014-01-01

    By combining museum education with art therapy, museums can make significant contributions to healthcare. The Creative Aging program at The Phillips Collection in Washington, D.C., unites these fields, using artworks and art-making as catalysts to explore feelings, invite self-exploration, and build community. The program fosters an interest in…

  15. Art of Local Radiance: The Teacher's Guide to the Toledo Museum of Art Glass Pavilion

    Science.gov (United States)

    Erler, Carolyn

    2013-01-01

    "Exploring the Glass City: The Teacher's Guide to the Glass Pavilion", published in 2008 to celebrate the opening of the Toledo Museum of Art's Glass Pavilion, exemplifies the museum's multidisciplinary approach to public art museum education. This research narrative about the teacher's guide unfolds in three levels. The first,…

  16. [The personal context of a museum experience: similarities and differences between science and art museums].

    Science.gov (United States)

    Almeida, Adriana Mortara

    2005-01-01

    The article focuses on the development of research that illuminates not only the socioeconomic profiles of museum visitors and non-visitors but also their cultural habits, general entertainment interests, and their perceptions of art, science, and other topics addressed at these institutes. The more we know about a visitor's personal context, the more we can enhance his or her museum experience, thereby encouraging further museum visits during which his or her expectations, wishes, and needs will be more fully met. The article also focuses on how local culture plays an important part in shaping both personal context as well as each museum experience. Some examples are provided from the literature, above all concerning studies in Brazil and the contributions that research at art museums may have for science museums.

  17. The Experience of Art in the Museum. Psychological Notes

    Directory of Open Access Journals (Sweden)

    Gabriella Bartoli

    2010-12-01

    Full Text Available This paper aims to propose both a theoretical discussion on the dynamics of the enjoyment of art museums in accordance with a psychological approach, and a brief illustration of the empirical research conducted. The theoretical discussion takes into account in particular the studies of the Gestalt psychology in the field of visual perception, and the contributions of psychology that deals with aesthetic experience. The empirical studies highlight the impact of several factors related to the enjoyment of the museum’s collections, in particular, the typology of art museums visited (ancient art/modern and contemporary art and some personality traits (openness to experience, sensation seeking. Results show that ancient art museums visitors have an approach to the visit mainly aimed to the cultural enrichment, while visitors to the modern and contemporary art museums are mostly inclined to conduct an affective experience, which includes emotions articulated along the positive-negative dimension as interest, amazement, excitement and anxiety. Moreover, modern and contemporary art museum visitors have higher values in the personality trait sensation seeking, compared to ancient art museum visitors. Applied implications of the results are also analyzed.

  18. Communicating the Value of Cartoon Art across University Classrooms: Experiences from the Ohio State University Billy Ireland Cartoon Library and Museum

    Science.gov (United States)

    McGurk, Caitlin

    2016-01-01

    This article is an exploration of the varying applications of comics and cartoon art as primary resources and pedagogical tools within the university setting. Following some background information on cartoon art forms including early American newspaper comics, nineteenth century humor serials, political cartoons and manga, the article explores how…

  19. Art Museum Education in Transition: Moderna Galerija in Slovenia

    Science.gov (United States)

    Zeleznik, Adela

    2012-01-01

    This essay examines the educational practices at the Moderna galerija, a national museum of modern and contemporary art in Ljubljana, Slovenia, in the last twenty years. Its aim is to reflect on the museum education in relation to broader historical context, of the former Yugoslavia (the country Slovenia was a part of until 1991) and discuss how…

  20. The Cleveland Museum of Art: Its Extensions Division.

    Science.gov (United States)

    Chakalis, Andrew T.

    1987-01-01

    Reviews the purposes and programs of the Extensions Division of the Department of Education of a metropolitan museum. Surveys services provided to schools. Gives a sample lesson plan. Highlights thematic exhibitions at the museum. Considers education by means of the art object as the primary goal of the Extensions Division. (CW)

  1. Modern Masters from the Smithsonian American Art Museum

    Science.gov (United States)

    Johnson, Mark M.

    2009-01-01

    A new traveling exhibition and catalogue produced by the Smithsonian's American Art Museum features works by 31 artists from the United States who came to maturity in the mid-20th century. These artists have become the most significant and influential artists over the past 50 years as their works adorn the modern galleries of hundreds of museums.…

  2. The Art of Playful Mobility in Museums

    DEFF Research Database (Denmark)

    Froes, Isabel Cristina G.; Walker, Kevin

    2012-01-01

    Many of us interact with other people in online games and social networks, through multiple digital devices. But harnessing playful and mobile activities for museum learning is mostly undeveloped. In this chapter we explore play as a structure to support visitor learning, drawing from international...... research in museums and interaction design. We argue that play and mobility provide museums with ready-made structures and concepts which help them plan for visitor learning....

  3. Exploring the Relational Complexities of "Learning ART Together": A Museum Based Art Program for Migrant Women

    Science.gov (United States)

    Sanders-Bustle, Lynn; Meyer, Jaymie; Standafer Busch, Liz

    2017-01-01

    In this article, researchers discuss how relational theory (Bourriaud, 2002) can be used to understand the experiences of five migrant women participating in a museum art program called "Learning ART Together." We posit that museums and art centers, like many institutions, are constantly working in tension with rigid institutional…

  4. Teen Artists: Impact of a Contemporary Art Museum

    Science.gov (United States)

    Erickson, Mary; Hales, Laura

    2014-01-01

    This study describes the effects of a yearlong, multivisit teen program in a contemporary art museum on adolescents' reflections about art. Our purpose was to discover whether this program, focused on experiences with contemporary art and artists with its metacognitive approach, affected students' thinking about their own artmaking. The…

  5. Museum of Comparative Zoology Library--The Agassiz Library: Harvard University.

    Science.gov (United States)

    Jonas, Eva S.; Regen, Shari S.

    1986-01-01

    Argues that the Museum of Comparative Zoology Library reflects the union between the nineteenth century natural history values of Louis Agassiz and the twentieth century library and information science methodology. Special collections, records, cataloging and classification, serials and their classification, policies, services, and procedures are…

  6. Participatory and Transformative Engagement in Libraries and Museums: Exploring and Expanding the Salzburg Curriculum

    Science.gov (United States)

    Lankes, R. David; Stephens, Michael; Arjona, Melissa

    2015-01-01

    During a program titled "Libraries and Museums in an Era of Participatory Culture," co-sponsored by the Salzburg Global Seminar (SGS) and the Institute of Museum and Library Services (IMLS), one of the discussion groups developed recommendations for skills needed by librarians and museum professionals in today's connected and…

  7. Frames of References – Art Museums as Unique Visual Media

    Directory of Open Access Journals (Sweden)

    Aneta Hristova

    2015-10-01

    Full Text Available The age old activity of collecting arts is not intrinsically dependent on the art museum as separate architectural type. How was the art museum as an independent structure conceptualized and why? What was the idea behind that concept? Was it created as a medium consciously and what kind of messages was it supposed to deliver? What kind of unique “textual” overlaps the various disciplines of archaeology, art history, politics, literature, science and architecture created in order to produce what we today recognize as art museum space? This study focuses on the crucial historical moments of the late 17th century when such questions were posed for the first time within the classical discourse of the French architectural theory which followed the consolidation of French absolutism and the foundation of the Royal academies of arts and sciences, until the mid 19th century when the answers to those questions were finally exemplified in built architecture. The study gives a comprehensive overview of the cultural context art museums as public institutions emerged from and became new spatial models for collective cultivation.

  8. Curating Performance on the Edge of the Art Museum

    DEFF Research Database (Denmark)

    Groth, Sanne Krogh; Schwarzbart, Judith

    Since the Intermedia and Fluxus movements a variety of timebased artforms have been contained within visual art contexts. The performative works draw often as much on the tradition of theatre, music, dance, and poetry reading as fine art. Although the institutional context plays a role in establi......Since the Intermedia and Fluxus movements a variety of timebased artforms have been contained within visual art contexts. The performative works draw often as much on the tradition of theatre, music, dance, and poetry reading as fine art. Although the institutional context plays a role...... in establishing the ‘rules of engagement’ these can also be challenged curatorially by the programming, choice of location(s), modes of communication, and a general orchestration in time and space. The paper presents some curatorial thoughts when working with performative art within and on the edge of the visual...... art institution. Our research relates specifically to a festival for performative art, ACTS 2014, which we co-curate for the Museum of Contemporary Art in Roskilde. Having grown out of a Fluxus spirit, the museum is not foreign to time-based practices like many museums are. Nevertheless, the intensive...

  9. The Role of Evaluation in Reimagining the Art Museum

    Science.gov (United States)

    Luke, Jessica J.; Ancelet, Jeanine E.

    2014-01-01

    In late 2006, the Columbus Museum of Art adopted a new framework that established creativity as the lens for learning and visitor experiences. The purpose of our article is to critically examine the role of evaluation in CMA's reinvention, and in particular to highlight three features of evaluation at CMA that we believe contributed to the…

  10. Main Street as Art Museum: Metaphor and Teaching Strategies

    Science.gov (United States)

    Vallance, Elizabeth

    2007-01-01

    A walk down Main Street can be very much like a stroll through a museum gallery--visually rich, inviting unexpected choices, aesthetically rewarding. This article explores the concept of shop windows as visually ordered compositions, much like paintings and other art objects, and suggests some approaches to applying this concept in teaching a…

  11. Appropriate strategies for designing contemporary art museums with ...

    African Journals Online (AJOL)

    Appropriate strategies for designing contemporary art museums with the aim of attracting more people in sociocultural spaces of the country ( case study: Sari, ... the identity of a society reflect human thought and artistic creativity during different generations and can convey concepts to visitors through its public displays.

  12. Speaking absence. Art museums, representation and knowledge creation

    NARCIS (Netherlands)

    Tali, M.

    2014-01-01

    In my dissertation I investigate multiple absences that are at work in art museums. My understanding of absence is informed by postcolonial theory, gender studies and memory studies. Museal absence involves material and immaterial sides that are based on excluded objects and certain unwanted social

  13. A Palmyrene Altar in the Cincinnati Art Museum

    NARCIS (Netherlands)

    Dirven, L.; Kaizer, T.

    2013-01-01

    This article concerns the publication of an altar from Palmyra that is in the possession of the Cincinnati Art Museum. The altar is decorated, uniquely, on all four sides, with reliefs representing Palmyrene deities: a seated goddess, an armed desert deity, a solar deity, and a Poseidon figure

  14. Connecting Universal Design for Learning with Gallery Tours in Art Museum Education

    Science.gov (United States)

    Neach, Lauren

    2017-01-01

    My research study titled, "Connecting Universal Design for Learning with Gallery Tours in Art Museum Education," establishes a relationship between gallery tours in art museum education and the principles of UDL, (CAST, 2011). Through this study I will address contemporary theories on art museum education, volunteer guide training, and…

  15. Image-based online social networks in museum communication. Spanish museums of Modern and Contemporary art in Pinterest and Instagram

    OpenAIRE

    Marcelino Mercedes, Georgina; de la Morena Taboada, Marián

    2014-01-01

    This article presents an overview of Pinterest and Instagram, both image-based social media networks that have experienced the biggest growth in the last few years. The most active museums in social media around the world and specially those identified as museums of Modern and Contemporary art, use this kind of social networks in their communication strategies. For these reasons it is interesting to analyze Spanish museums of Modern and Contemporary Art with similar characteristics that are p...

  16. 36 CFR 1280.92 - When are the Presidential library museums open to the public?

    Science.gov (United States)

    2010-07-01

    ... 36 Parks, Forests, and Public Property 3 2010-07-01 2010-07-01 false When are the Presidential library museums open to the public? 1280.92 Section 1280.92 Parks, Forests, and Public Property NATIONAL... to the public? (a) The hours of operation at Presidential Library museums vary. Please contact the...

  17. Young Children's Learning in Art Museums: A Review of New Zealand and International Literature

    Science.gov (United States)

    Terreni, Lisa

    2015-01-01

    In order to examine the existing literature in relation to the benefits of art museum education for the young, as well as to emphasise the literature gap in early childhood education research pertaining to access to and use of art museums by young children, a review of literature that discussed museum education for young children was undertaken. A…

  18. Interpretation in the art museum :authority and access

    OpenAIRE

    Lahav, Sylvia

    2011-01-01

    The thesis investigates the rise of wall texts and display captions positioned alongside paintings in Tate Britain between 1987 and 2007 and considers possible reasons for this increase: the return of philanthropic attitudes of 19th century social reformers; changes in the national curriculum for art and design; partial devolution of financial responsibility from government to museum bodies; income generation, funding and sponsorship; increasing inclusion and access policy and ...

  19. TOWARDS A VIRTUAL MUSEUM OF PUBLIC ART AND URBAN DESIGN

    Directory of Open Access Journals (Sweden)

    Antoni Remesar

    2008-10-01

    Full Text Available This article comes from the communication that the authors presented at the International Seminar on “Public Art and Urban Design” held in Almada (Portugal in 2006 and later in Barcelona, 2007. Through a series of questions, the authors raise the issues of production, management and dissemination of public art in the context of Urban Design. These questions arise from the analysis carried out on a series of manuals of “good practice” disseminated by several municipalities and public agencies devoted to the Public Art. Finally, the authors outline the open possibilities for a Virtual Museum of Public Art and Urban Design, based on the existence of Public Art Information Systems that have cities like Barcelona and Saragossa and that are being developed in Lisbon and Almada

  20. In the white cube: museum context enhances the valuation and memory of art.

    Science.gov (United States)

    Brieber, David; Nadal, Marcos; Leder, Helmut

    2015-01-01

    Art museum attendance is rising steadily, unchallenged by online alternatives. However, the psychological value of the real museum experience remains unclear because the experience of art in the museum and other contexts has not been compared. Here we examined the appreciation and memory of an art exhibition when viewed in a museum or as a computer simulated version in the laboratory. In line with the postulates of situated cognition, we show that the experience of art relies on organizing resources present in the environment. Specifically, artworks were found more arousing, positive, interesting and liked more in the museum than in the laboratory. Moreover, participants who saw the exhibition in the museum later recalled more artworks and used spatial layout cues for retrieval. Thus, encountering real art in the museum enhances cognitive and affective processes involved in the appreciation of art and enriches information encoded in long-term memory. Copyright © 2014 Elsevier B.V. All rights reserved.

  1. Art Therapy and Art Museum Education: A Visitor-Focused Collaboration

    Science.gov (United States)

    Rochford, Jessie Spraggins

    2017-01-01

    In this article I use a visitor-focused lens to examine ways in which art therapy and art museum education share similar goals and could join their efforts to serve people and communities in mutually beneficial ways. Benefits of such collaboration include affective and social development and education of visitors, a useful framework for exploring…

  2. Pictures in Pictures: Art History and Art Museums in Children's Picture Books

    Science.gov (United States)

    Yohlin, Elizabeth

    2012-01-01

    Children's picture books that recreate, parody, or fictionalize famous artworks and introduce the art museum experience, a genre to which I will refer as "children's art books," have become increasingly popular over the past decade. This essay explores the pedagogical implications of this trend through the family program "Picture Books and Picture…

  3. Looking at Art in the Classroom: Art Investigations from the Guggenheim Museum

    Science.gov (United States)

    Herz, Rebecca Shulman

    2010-01-01

    This book details the Guggenheim Museum's classroom-tested, inquiry-based approach to learning. This user-friendly guide provides teachers (grades 2-8) with strategies and resources for investigating art to enhance student learning across the curriculum. "For the classroom teacher", Art Investigation provides an exciting way to study contemporary…

  4. Archives, libraries and museums: containers often sick, sometimes seriously sick

    Directory of Open Access Journals (Sweden)

    Roberto Nicolucci

    2007-07-01

    Full Text Available As far as the feeling of quietness and peace that they often convey, archives, museums and libraries also hide dangers that you may not imagine, either for visitors or especially for the members of the staff. Indeed the poor microclimatic conditions – often the consequences of materials and construction or building technologies that appear definitely obsolete – often arouse suspicion and worry among the staff. Wrong Thermo hygrometric parameters, the presence of volatile organic elements, mineral fibers, biocides, radon gas, aerial dispersive molecules, are among others some of the chemical physical polluters of major influence that may contribute to giving life to the so-called Sick Building Syndrome. But such spaces also bear biological polluters that can provoke pathologies of various types and importance, among which the feared Illness of Legionnaire. The presence of electromagnetic fields, but above all wrong lighting and wrong ergonomic working positions represent some risk factors for members of staff and visitors.

  5. Survey of library & museum digitization projects, 2016 edition

    CERN Document Server

    2015-01-01

    The study looks at how 61 academic, public and special libraries, museums and historical societies organize their collection digitization efforts. The study gives highly detailed data on spending, budgets, uses of staff time, digitization volumes and back logs and much more. The study helps its readers to answer questions such as: how much digitization is done in-house? How much is outsourced? If outsourced, which companies are favored suppliers? How much are organizations spending on digitization? How much of their staff time is spent on issues of cataloging and metadata? How much is spent on collection marketing? What kind of equipment is being used and what are future plans for equipment? Also covered: crowdsourcing, use of blogs and social media, online showcases and exhibits and much more.

  6. The four cultures: Public engagement with science only, art only, neither, or both museums.

    Science.gov (United States)

    Shein, Paichi Pat; Li, Yuh-Yuh; Huang, Tai-Chu

    2015-11-01

    This study uses an art-and-science comparative lens to understand the science culture, particularly the public engagement with science museums. A representational Taiwanese sample of 1863 subjects was categorized into "four cultures," who visit science only, art only, neither, or both museums, resulting in six multivariate logistic regression models. Knowledge of science, interests in scientific and social issues, and socio-demographic variables were considered in the models. Adults with children and males prefer science museums, females prefer art museums, and the young and urban intellects show no strong preference, appearing to be open to both science and art museums. The findings show the complex decisions the public make in visiting museums. It is no longer a strictly science or art decision, as framed by Snow's "The Two Cultures" argument; rather, the possibility of visiting both museums has emerged, a phenomenon we describe as cognitive polyphasia. © The Author(s) 2015.

  7. Training Aesthetic Perception: John Dewey on the Educational Role of Art Museums

    Science.gov (United States)

    Costantino, Tracie E.

    2004-01-01

    In this article I examine Dewey's ambivalent attitude toward art museums criticizing their existence as repositories for the rich, while exploring their educational potential by analyzing Dewey's comments on museums in various texts, by relating his ideas to museum education theories and practice of the time, and by exploring his involvement with…

  8. Teaching Tools in the Olomouc Museum of Art: A Case Study

    Science.gov (United States)

    Šobán, Marek; Šobánová, Petra

    2013-01-01

    This article deals with teaching tools in the context of museum display, their role in organized educational programs, and their impact on educational aspects of non-organized museum visits. Using practical examples from the Olomouc Museum of Art in the Czech Republic, this work demonstrates the use of interactive tools based on play (blocks,…

  9. Teens, New Media and Contemporary Art: Expanding Authority in the Museum Context

    Science.gov (United States)

    Hill, Ryan; Douillette, Joe

    2014-01-01

    This article explores the impact of technology on contemporary art museums using case studies of teen media programs from the Hirshhorn Museum and the ICA Boston. Teens, as "digital natives," help to define the use of technology in museums. Responding to their needs opens up an institutional dialogue concerning issues of expertise,…

  10. Exploring Classical Art at the Museum of Fine Arts, Boston.

    Science.gov (United States)

    Burchenal, Margaret; Foote, Allison

    This resource packet is designed to help teachers incorporate the study of ancient Greek and Roman art into junior and senior high school classrooms. The packet consists of four curriculum units based upon aspects of classical life or culture. These units are: "Daily Life; Mythology"; "Images of Power"; and "Echoes of…

  11. [Review of: H. Hiiop Contemporary Art in the Museum: How to Preserve the Ephemeral? The Preservation Strategy and Methods of the Contemporary Art Collection of the Art Museum of Estonia

    NARCIS (Netherlands)

    Stigter, S.

    2016-01-01

    Contemporary Art in the Museum: How to Preserve the Ephemeral? The Preservation Strategy and Methods of the Contemporary Art Collection of the Art Museum of Estonia is the full title of the doctoral thesis that Hilkka Hiiop defended at the Estonian Academy of Arts in Tallinn, December 2012. It is a

  12. Valuing your collection a practical guide for museums, libraries and archives

    CERN Document Server

    Matassa, Freda

    2017-01-01

    This book addresses the issues around valuing objects in cultural collections, ranging from high-value to low or no-value, including practical advice on how to assign values and examples from museums, libraries and archives.

  13. Public Libraries, Museums and User Participation - An outline of a research projeckt

    DEFF Research Database (Denmark)

    Jochumsen, Henrik; Rasmussen, Casper Hvenegaard

    2013-01-01

    The aim of this paper is to sketch a research project on user participation in public libraries and museums. For several years’ user participation, participatory culture and user driven innovation have been “buzzwords” in the ongoing development of cultural institutions in general and in museums...... and libraries in particular. From a cultural policy perspective research in this area is therefore of great importance. Taking our point of departure in respectively the public library and the local cultural history museum in the city of Roskilde we introduce to the current relevance of the subject...... of the research project. The case of Roskilde is particularly illustrative as it not only contains user participation, libraries and museums but also illustrate how the development of user participation actually blurs the borders of the two institutions. After a definition of the concept of user participation...

  14. 78 FR 72710 - Notice of Intent To Repatriate Cultural Items: Denver Art Museum, Denver, CO

    Science.gov (United States)

    2013-12-03

    ....R50000] Notice of Intent To Repatriate Cultural Items: Denver Art Museum, Denver, CO AGENCY: National Park Service, Interior. ACTION: Notice. SUMMARY: The Denver Art Museum, in consultation with the appropriate Indian tribes or Native Hawaiian organizations, has determined that the cultural items listed in...

  15. Art Museums and the Visually Handicapped Consumer: Some Issues in Approach and Design.

    Science.gov (United States)

    Steiner, Charles

    1983-01-01

    New York's Metropolitan Museum of Art recently circulated an exhibition that explored the potential for visually handicapped visitors to benefit from the art museum experience. The author analyzes the inadequacies of past approaches, makes specific suggestions concerning design and materials, and calls for mutual understanding and compromise.…

  16. Active Art Education in a University Museum: The Example of the Barber Institute

    Directory of Open Access Journals (Sweden)

    Şehnaz Yalçın Wells

    2014-05-01

    Full Text Available Museums provide individuals with access to a variety of artworks at a quality and quantity that is not possible any other way. Museum education is of great importance to get effective benefit from museums. Nowadays museum education starts at an early age, and is simultaneously given in appropriate subjects of different lessons. Turkey has made important progresses in museum education and museum studies in recent years, but clearly there is much more to do when compared to more developed countries. These steps can be summarised (a increasing research into museum education and museology, (b staff training, (c creation of social awareness, (d development and application of new projects. Managing all these is not possible with the state’s efforts. Private entrepreneurs and civil society should take the initiative and contribute towards museum education and museology. The aim of this research is to determine the potential and function of art education, and to introduce the museum/art activities made in this context in the Barber Museum of Fine Arts Institute at Birmingham University, England. In line with these aims the answers to these questions are being sought: 1. How was Barber Institute Museum been established and developed? a What is the history of the museum’s foundation? b In the context of the development of museology and art, how can the establishment of the museum by a person/family be evaluated? 2. What are the institutional features of the Barber Institute Museum? a What are the administrative features of the museum? b What are the spatial features and importance of the museum? c What is the artistic significance of its collections? 3. How is museum/art education applied at the Barber Institute Museum? 4. How can the example of the Barber Institute be assessed in terms of museology and museum/art education? Method: This is a qualitative research study, and the case study method is used accordingly. This method foresees the portrayal

  17. Self in Art/Self As Art: Museum Selfies As Identity Work

    Science.gov (United States)

    Kozinets, Robert; Gretzel, Ulrike; Dinhopl, Anja

    2017-01-01

    Selfies, digital images characterized by the desire to frame the self in a picture taken to be shared with an online audience, are important reflections of the contemporary self. Much extant psychological research on selfies has taken a pathologizing view of the phenomenon, focusing on its relationship to narcissism. Our investigation seeks to contribute to a holistic, contextualized and cultural perspective. We focus on the context of museums, places where art, history, education, and culture merge into the selfie taking behaviors of patrons. First, we explore theory salient to our topic of selfie taking, finding selfies to be an important way to construct ongoing series of narratives about the self. We use concepts of identity work, dramaturgy, and impression management to understand it in this light. We relate embodiment within the museum to the selfie’s performative acts and expand upon notions that emphasize and distinguish the aesthetic elements present in many aspects of everyday life. We also question the ability of the museum selfie to destabilize. We also explore the contextual effects of mimicry and social norms. After describing our ethnographic and netnographic method, we investigate the museum selfie phenomenon. We begin with some observations on the extent of selfie-taking in contemporary culture as well as its evolution. Then, we consider selfies as a type of dynamic art form. Our analysis identifies a range of different types of museum selfies: art interactions, blending into art, mirror selfies, silly/clever selfies, contemplative selfies, and iconic selfies. Considered and studied in context, the museum selfie phenomenon reveals far more than the narcissism of the sort explored by past psychological research. The museum provides a stage for identity work that offers an opportunity for the selfie to be used not only for superficial performances but also in the pursuit of more profound self-reflection and its communication. Our ethnographic

  18. Self in Art/Self As Art: Museum Selfies As Identity Work

    Directory of Open Access Journals (Sweden)

    Robert Kozinets

    2017-05-01

    Full Text Available Selfies, digital images characterized by the desire to frame the self in a picture taken to be shared with an online audience, are important reflections of the contemporary self. Much extant psychological research on selfies has taken a pathologizing view of the phenomenon, focusing on its relationship to narcissism. Our investigation seeks to contribute to a holistic, contextualized and cultural perspective. We focus on the context of museums, places where art, history, education, and culture merge into the selfie taking behaviors of patrons. First, we explore theory salient to our topic of selfie taking, finding selfies to be an important way to construct ongoing series of narratives about the self. We use concepts of identity work, dramaturgy, and impression management to understand it in this light. We relate embodiment within the museum to the selfie’s performative acts and expand upon notions that emphasize and distinguish the aesthetic elements present in many aspects of everyday life. We also question the ability of the museum selfie to destabilize. We also explore the contextual effects of mimicry and social norms. After describing our ethnographic and netnographic method, we investigate the museum selfie phenomenon. We begin with some observations on the extent of selfie-taking in contemporary culture as well as its evolution. Then, we consider selfies as a type of dynamic art form. Our analysis identifies a range of different types of museum selfies: art interactions, blending into art, mirror selfies, silly/clever selfies, contemplative selfies, and iconic selfies. Considered and studied in context, the museum selfie phenomenon reveals far more than the narcissism of the sort explored by past psychological research. The museum provides a stage for identity work that offers an opportunity for the selfie to be used not only for superficial performances but also in the pursuit of more profound self-reflection and its communication

  19. The art of observation: impact of a family medicine and art museum partnership on student education.

    Science.gov (United States)

    Elder, Nancy C; Tobias, Barbara; Lucero-Criswell, Amber; Goldenhar, Linda

    2006-06-01

    Compared to verbal communication, teaching the skill of observation is often shortchanged in medical education. Through a family medicine-art museum collaboration, we developed an elective course for second-year medical students titled the "Art of Observation" (AOO). To evaluate the course's effect on clinical skills, we performed a qualitative evaluation of former students during their clinical rotations. In the spring of 2005, all students who had completed the AOO course in 2003 or 2004 were invited to take part in an online evaluation consisting of eight journaling survey questions. Students were instructed to answer the survey questions with specific examples. Question areas included the most memorable experience, the course's influence on the doctor-patient relationship, usefulness during clinical years of medical school, and skills unique to AOO. The anonymous data were analyzed qualitatively, coding the responses to categories derived from the data, leading to the formation of themes. Of the 19 students eligible, 17 participated. We found three important themes: (1) the AOO positively influenced clinical skills, (2) both art museum exercises and a clinical preceptorship were necessary to achieve those skills, and (3) the AOO led to a sense of personal development as a physician. In addition, students told us that the training in observation and description skills they learned were unique to the AOO. This collaboration between a department of family medicine and an art museum produced a course that facilitated observational skills used in successful doctor-patient relationships.

  20. Mobile Learning and Art Museums: A Case Study of a New Art Interpretation Approach for Visitor Engagement through Mobile Media

    Science.gov (United States)

    Benito, Victoria López

    2014-01-01

    Nowadays Mobile technologies in Museums and especially in Art Museums are a popular way of communication with their audiences. These kinds of technologies have a high communicative potential and also could be a tool for marketing, information, engagement and learning as well. However with regards how these resources explain the meaning of works of…

  1. Management of small digital collections with Omeka: the MoRE experience (A Museum of REfused and unrealised art projects

    Directory of Open Access Journals (Sweden)

    Alberto Salarelli

    2016-11-01

    Full Text Available This article examines the main features of Omeka, a free and open source CMS (Content Management System for online digital collections developed by the Roy Rosenzweig Center for History and New Media at George Mason University. Omeka presents very interesting features: first, a remarkable ease of use that, however, does not affect its multiple functions; secondly, it provides tools to create, in an innovative way, virtual exhibitions for archives, libraries and museums in order to promote their collections on the web; thirdly, its extreme adaptability to collection size: in fact Omeka is used by large and celebrated institutions such as the New York Public Library and Europeana, but also by many small initiatives including MoRE (A Museum of REfused and unrealized art projects. Specifically, the second part of the article describes, in brief, the objectives and characteristics of this virtual museum dedicated to contemporary unrealized artworks; it is an experimental project, still under development, devised by a working group of the University of Parma (Italy, who found in Omeka the most suitable IT solution to collect and expose these unique museum materials.

  2. From the galleries to the clinic: applying art museum lessons to patient care.

    Science.gov (United States)

    Miller, Alexa; Grohe, Michelle; Khoshbin, Shahram; Katz, Joel T

    2013-12-01

    Increasingly, medical educators integrate art-viewing into curricular interventions that teach clinical observation-often with local art museum educators. How can cross-disciplinary collaborators explicitly connect the skills learned in the art museum with those used at the bedside? One approach is for educators to align their pedagogical approach using similar teaching methods in the separate contexts of the galleries and the clinic. We describe two linked pedagogical exercises--Visual Thinking Strategies (VTS) in the museum galleries and observation at the bedside--from "Training the Eye: Improving the Art of Physical Diagnosis," an elective museum-based course at Harvard Medical School. It is our opinion that while strategic interactions with the visual arts can improve skills, it is essential for students to apply them in a clinical context with faculty support-requiring educators across disciplines to learn from one another.

  3. 77 FR 68827 - Notice of Intent To Repatriate Cultural Items: The Museum of Indian Arts and Culture, Museum of...

    Science.gov (United States)

    2012-11-16

    ... DEPARTMENT OF THE INTERIOR National Park Service [NPS-WASO-NAGPRA-11614;2200-1100-665] Notice of... Fe, NM AGENCY: National Park Service, Interior. ACTION: Notice. SUMMARY: The Museum of Indian Arts... collection. Based on material culture and associated architecture, the unassociated funerary objects listed...

  4. Lifelong learning for active ageing in nordic museums; archives and street art

    DEFF Research Database (Denmark)

    Fristrup, Tine; Grut, Sara

    2016-01-01

    In this article, we develop a framework that demonstrates how older adults need to develop diverse capabilities in relation to their educational life course through engagements in Nordic museums, archives and street art activities. We discuss how European museums have taken up UNESCO’s approach...

  5. The Theory and Implementation for Metadata in Digital Library/Museum

    Directory of Open Access Journals (Sweden)

    Hsueh-hua Chen

    1998-12-01

    Full Text Available Digital Libraries and Museums (DL/M have become one of the important research issues of Library and Information Science as well as other related fields. This paper describes the basic concepts of DL/M and briefly introduces the development of Taiwan Digital Museum Project. Based on the features of various collections, wediscuss how to maintain, to manage and to exchange metadata, especially from the viewpoint of users. We propose the draft of metadata, MICI (Metadata Interchange for Chinese Information , developed by ROSS (Resources Organization and SearchingSpecification team. Finally, current problems and future development of metadata will be touched.[Article content in Chinese

  6. The Ignorant Art Museum: Beyond Meaning-Making

    Science.gov (United States)

    Sitzia, Emilie

    2018-01-01

    In the wake of new museology and constructivist learning theories, the traditional unidirectional educational role of the museum has been contested and challenged. Museums have the potential to be progressive pedagogical sites and are an ideal terrain to explore educational theories and attitudes. Jacques Rancière, in his seminal book "The…

  7. Art Appreciation as a Learned Competence: A Museum-based Qualitative Study of Adult Art Specialist and Art Non-Specialist Visitors

    Directory of Open Access Journals (Sweden)

    Rajka Bračun Sova

    2015-12-01

    Full Text Available Since Bourdieu, it has been argued that art appreciation requires “knowledge”. The focus of this qualitative study was to examine art appreciation as a learned competence by exploring two different groups of museum visitors: art specialists and art non-specialists. The research was conducted at Moderna galerija in Ljubljana. Twenty-three adults were recruited and accompanied during their visit to the museum. Participants were requested to “think out loud”, which meant to talk about what they saw, thought, and felt about the artworks. There was a short interview conducted with each participant before entering the museum to gain insight into their art-related and museum-visiting experience. The analysis of the data revealed that some processes of art appreciation were similar within the two groups. Both art specialists and art non-specialists interact with museum objects physically and intellectually; they see contents and formal qualities as a whole; they respond emotionally to artworks; appreciation includes their personal experience; they search museum interpretation/information for their understanding. Some noticeable differences were found. Art specialists respond to artworks with more understanding and are willing to put more effort into art appreciation, whereas art non-specialists respond with less understanding and put less effort into art appreciation. This paper focuses on the differences between the two groups; reflective and spontaneous appreciation of art, objective and subjective appreciation of art and the effort put into art appreciation. The paper ends with a discussion of the implications of the study for the teaching of art and museum education.

  8. The Affects of Museum Architecture: Louvre-Lens and Museu de Arte de São Paulo

    DEFF Research Database (Denmark)

    Jakobsen, Annette Svaneklink

    2014-01-01

    and context. Inside, visitors are invited to co-create the museum experience by moving freely through the exhibited art works in a setting that seems to re-actualise an experimental exhibition space, which was originally designed by Lina Bo Bardi for Museu de Arte de São Paulo. Through on-site observations...... of art institutions to the museum experience. Keywords: Art Museum, Architecture, Affect...

  9. 78 FR 34920 - Technical Amendments To Reflect the Authorizing Legislation of the Institute of Museum and...

    Science.gov (United States)

    2013-06-11

    ... NATIONAL FOUNDATION ON THE ARTS AND THE HUMANITIES Institute of Museum and Library Services 45 CFR Part 1180 RIN 3137-AA21 Technical Amendments To Reflect the Authorizing Legislation of the Institute of Museum and Library Services AGENCY: Institute of Museum and Library Services (IMLS), NFAH. ACTION...

  10. The Art of Copying: Five strategies for Transforming Originals in the Art Museum

    Directory of Open Access Journals (Sweden)

    Hans Dam Christensen

    2017-09-01

    Full Text Available This article discusses copies within the field of art museums by way of mapping strategies for copy practices. This mapping leans heavily towards parts of the wri-tings of Jacques Derrida (1930-2004. Against the backdrop of this theoretical premise, the article distinguishes five main strategies. Firstly, the copies which of-ten are considered to be typical museum copies, characterize the strategy for the disseminating relation between original and copy, that is, reproductions, magnets, etc. This strategy implies how copy practices are closely integrated into museum practices in general. Secondly, the supplementing relation between original and copy will be introduced. This strategy frames, for example, artists' citations of other works and forgeries. Both show that copy practices often lead to new originals, in principle, ad infinitum. Thirdly, this leads to the strategy for the displacing relation between original and copy which encompasses, for example, artistic reworkings of other artists' originals and conservatorial restorations. This approach partly ex-cludes the copy and partly displaces the original, while still, unavoidably, referring to the latter. In general, this strategy signifies the latent instability of the origi-nal. Fourthly, the strategy for the informational relation between original and copy will be discussed as it has a vital function in terms of talking about museum originals and copies. This is the strategy which grants the original artifacts their status as museum objects. An informational copy is just as unique as an original object of art, and at the same time, it defines the original and is itself defined by this opposition. Lastly, the strategy for the imagined relation between original and copy follows. This strategy is dependent upon several of the previous approaches, and, in addition, handles signs that exist without explicit originals, as the strategy covers copies referring to originals which have disappeared

  11. Indigenous notions of ownership and libraries, archives and museums

    CERN Document Server

    Callison, Camille; LeCheminant, Gretchen Alice

    2016-01-01

    The International Federation of Library Associations and Institutions (IFLA) is the leading international body representing the interests of library and information services and their users. It is the global voice of the information profession. The series IFLA Publications deals with many of the means through which libraries, information centres, and information professionals worldwide can formulate their goals, exert their influence as a group, protect their interests, and find solutions to global problems.

  12. Relevant Repositories of Public Knowledge? Libraries, Museums and Archives in "The Information Age"

    Science.gov (United States)

    Usherwood, Bob; Wilson, Kerry; Bryson, Jared

    2005-01-01

    In a project funded by the AHRB, researchers at the University of Sheffield used a combination of quantitative and qualitative research methods to examine the perceived contemporary relevance of archives, libraries and museums. The research sought to discern how far the British people value access to these established repositories of public…

  13. The 'Villa Stuck' museum in Munich. An internationally renowned museum of art; Museum Villa Stuck in Muenchen. Ein Kunstmuseum internationalen Rangs

    Energy Technology Data Exchange (ETDEWEB)

    Hausladen, G.; Kirschner, M.; Guendisch, K.

    2004-07-01

    All of the museum buildings were modernized in accordance with the specifications for conservation of historical buildings and with modern technology for heating, ventilation and air conditioning. The museum has excellent room air conditions, which makes it an ideal building for international art exhibitions. The building comprises exhibition rooms, workshops, an administrative wing, and a comfortable coffess shop. (orig.) [German] Das einstige Wohngebaeude von Franz von Stuck einschliesslich Atelieranbau und Dienstbotenunterkuenfte wurde vollstaendig im Einklang mit dem Denkmalschutz restauriert und zu einem Kunstmuseum mit internationalem Standard umgebaut. Das Museum wird aufgrund der hervorragenden Konstanz der Raumluftzustaende fuer Wechselausstellungen internationalen Rangs genutzt. Das Gebaeude besteht im Wesentlichen aus grosszuegigen ein- und mehrgeschossigen Ausstellungsraeumen, Atelier und Werkstattraeumen einem Verwaltungstrakt und einem gemuetlichen Cafe. (orig.)

  14. Art Appreciation as a Learned Competence: A Museum-Based Qualitative Study of Adult Art Specialist and Art Non-Specialist Visitors

    Science.gov (United States)

    Bracun Sova, Rajka

    2015-01-01

    Since Bourdieu, it has been argued that art appreciation requires "knowledge". The focus of this qualitative study was to examine art appreciation as a learned competence by exploring two different groups of museum visitors: art specialists and art non-specialists. The research was conducted at Moderna galerija in Ljubljana. Twenty-three…

  15. AN ARCHITECTURAL ANALYSIS: THE MUSEUM OF CONTEMPORARY ART, TEHRAN, IRAN

    Directory of Open Access Journals (Sweden)

    Kambiz Navai

    2010-03-01

    Full Text Available Kamran Tabatabai Diba is one of Iranian Architects, whose works during 60’s and 70’s are well-known among architects and scholars. His works are mostly considered as examples of Modern Style, scented by Iranian Architecture. His efforts on creating public, socio-cultural centers in Iran was a result of his concern about social matters, as well as seeking for a national, contemporary Architecture. Tehran’s Museum of Contemporary Art is one of the most popular and well-known Diba’s works. In this article an effort has been made to get a better understanding of this remarkable piece of work, and to light up the Architect’s intents and the architectural methods he used to express them. The critique is concentrated mostly on two mentioned aspects of Diba’s works: “Integrating Modern Style and traditional Iranian Architecture”, and “Creating socio-cultural centers and institutions well related to society.” The Analysis is based on the most important features of every work of Architecture: “Space” and “Form”. The author seeks for the meaning by “watching” the whole complex carefully, “giving descriptive information” about it, and in the meantime “analyzing data” with the help of “basic design methods” together with the knowledge of “Modern Style”, “Characteristics of Late Modern Movement” and “Traditional Iranian Architecture.” Text is accompanied by drawings and figures, which help for better knowing the complex. The effort is made to use a simple language, understandable not only by Architects or scholars, but by every other interested non-specialist reader.

  16. Legacy of the Ancient World: An Educational Guide. Understanding Ancient Culture through Art at the Tampa Museum of Art.

    Science.gov (United States)

    Whitelaw, R. Lynn

    Among the many contributions made by Ancient Greeks and Romans to contemporary life, are those which influence art, architecture, literature, philosophy, mathematics and science, theater, athletics, religion, and the founding of democracy. The Tampa Museum of Art's classical collection offers a unique opportunity to learn about Ancient Greeks and…

  17. 75 FR 23800 - Notice of Intent to Repatriate a Cultural Item: Virginia Museum of Fine Arts, Richmond, VA

    Science.gov (United States)

    2010-05-04

    ...). Records from the Portland Art Museum read as follows: ``Purchase, Indian Collection Subscription Fund. To...: Virginia Museum of Fine Arts, Richmond, VA AGENCY: National Park Service, Interior. ACTION: Notice. Notice... of Fine Arts, Richmond, VA, that meets the definition of ``object of cultural patrimony'' under 25 U...

  18. Demonstration of LED Retrofit Lamps at the Smithsonian American Art Museum, Washington, DC

    Energy Technology Data Exchange (ETDEWEB)

    Miller, Naomi J.; Rosenfeld, Scott M.

    2012-06-22

    This report documents observations and results obtained from a lighting demonstration project conducted under the U.S. Department of Energy GATEWAY Solid-State Lighting (SSL) Technology Demonstration Program at the Smithsonain American Art Museum in Washington, DC. LED Lamp samples were tested in the museum workshop, temporarily installed in a gallery for feedback, and ultimately replaced all traditional incandescent lamps in one gallery of modernist art at the American Art Museum and partially replacing lamps in two galleries at the Musesum's Renwick Gallery. This report describes the selection and testing process, technology challenges, perceptions, economics, energy use, and mixed results of usign LED replacement lamps in art galleries housing national treasures.

  19. Interactive spatial multimedia for communication of art in the physical museum space

    DEFF Research Database (Denmark)

    Kortbek, Karen Johanne; Grønbæk, Kaj

    2008-01-01

    This paper discusses the application of three spatial multimedia techniques for communication of art in the physical museum space. In contrast to the widespread use of computers in cultural heritage and natural science museums, it is generally a challenge to introduce technology in art museums...... without disturbing the art works. This has usually been limited to individual audio guides. In our case we strive to achieve holistic and social experiences with seamless transitions between art experience and communication related to the artworks. To reach a holistic experience with minimal disturbance...... of the artworks we apply three spatial multimedia techniques where the only interaction device needed is the human body. The three techniques are: 1) spatially bounded audio; 2) floor-based multimedia; 3) multimedia interior. The paper describes the application of these techniques for communication of information...

  20. The art and nature of health: a study of therapeutic practice in museums.

    Science.gov (United States)

    Mangione, Gemma

    2018-02-01

    Drawing on ethnographic fieldwork and interviews at a major metropolitan art museum and botanic garden, this article considers the practical accomplishment of American museums' 'health turn' by tracing how museum staff develop therapeutic programmes for visitors with disabilities. In doing so, it considers one of medical sociology's fundamental theoretical questions - how ideologies of health order social life - in an unconventional empirical setting. Acknowledging contemporary arguments for both the relative merits and unintended consequences of this policy trend, I focus instead on the particular institutional arrangements, professional norms, and material cultures of art and nature that shape museums' therapeutic work, so as to reveal its effects. Data reveals ideological similarities, but practical differences, between museological and medical understandings of wellness. Extending a 'medical sociology of practice' to new contexts ultimately foregrounds the contingencies, and diversity, of therapeutic mechanisms and meanings, thereby broadening sociological research on healing and healthism. © 2018 Foundation for the Sociology of Health & Illness.

  1. American Business Meets American Gothic: Professional Development in the Art Museum

    Science.gov (United States)

    Sullivan, Brendan; Morse, Annie

    2011-01-01

    Professional development in the art museum setting represents an opportunity for corporate and for-profit enterprises to enhance employees' skills in observation, creative thinking, teamwork, and sensitivity in diversity. Using original works of art as a point of departure for in-depth discussion of what appears as narrative content, participants…

  2. An Art Museum in the Interest of Publicness: A Discussion of Educational Strategies at Tate Exchange

    Science.gov (United States)

    Christensen-Scheel, Boel

    2018-01-01

    Influenced by needs to legitimise large collections and the position as public institutions, art museums today are searching to develop rigorous public strategies in order to increase numbers of visitors and public impact. Education is part of those strategies, and the need to discuss art education in relation to publicness and criticality arises.…

  3. Excuse Me, Is This a Church? Display as Content at the Metropolitan Museum of Art

    Science.gov (United States)

    Majeed, Risham

    2017-01-01

    This essay explores two canonical installations at the Metropolitan Museum of Art: The Cloisters and African galleries in the Rockefeller wing. After providing a brief history of the formation of these collections and their display strategies, I analyze the effect of exhibition design for a visitor's judgments and impressions of the works of art.…

  4. The Effects of a Museum Art Program on the Self-Concept of Children

    Science.gov (United States)

    Kaufman, Ryan; Rinehardt, Eric; Hine, Hank; Wilkinson, Berney; Tush, Peter; Mead, Bethany; Fernandez, Francisco

    2014-01-01

    Research suggests that art programs have positive therapeutic effects on children, including improved self-concept. This pretest/posttest intervention study examined changes in self-concept in children (N = 176) who participated in an art program at the Dalí Museum in St. Petersburg, Florida. Results indicated significant, positive increases in…

  5. How the Museum of Modern Art in New York canonised German Expressionism

    NARCIS (Netherlands)

    Langfeld, G.

    2014-01-01

    This paper will consider why and how the negative attitude towards German expressionism in the USA changed abruptly in the second half of the 1930s. At that time Alfred Barr, the director of the Museum of Modern Art in New York, played a crucial role in canonizing this art. In order to gain insight

  6. The Variable and Changing Status of Performance Art Relics and Artifacts in Museum Collections

    DEFF Research Database (Denmark)

    Cone, Louise

    2017-01-01

    The status of an artwork in a museum collection is variable and contingent upon factors and parameters that are specific not only to the logic of the museum world but also to factors extrinsic to the museum. In particular older performance art 'relics' are subject to contextual interpretations...... and changes in meaning and status. Some philosophical and sociological theories that address how objects and things are percieved and defined, such as Pierre Bourdieu's theory of Habitus and cultural mapping, the Actor-Network Theory and Thing Theories, will be looked at in an attempt to understand...

  7. Locally-sourced: How climate science can collaborate with arts & humanities museums to achieve widespread public trust and communication

    Science.gov (United States)

    Walker, C. G.

    2017-12-01

    Local history, art and culture museums have a large role to play in climate science communication. Unfortunately, in our current society, scientific evidence and logic is not universally accepted as truth. These messages can be dispersed through trusted institutional allies like humanities and arts museums. There are many reasons for scientific institutions to work with humanities and arts museums of all sizes, especially local museums that have personal, trusted relationships with their communities. First, museums (by definition) are public educators; the work that they do is to disperse challenging information in an understandable way to a wide array of audiences. Museums are located in every state, with over 35,000 museums in the nation; 26% of those are located in rural areas. These museums serve every demographic and age range, inspiring even those with difficulty accepting climate change information to act. Second, in a recent public opinion survey commissioned by the American Alliance of Museums, museums - especially history museums - are considered the most trustworthy source of information in America, rated higher than newspapers, nonprofit researchers, the U.S. government, or academic researchers. Scientific institutions must collaborate with local museums to improve science communication going forward. Not only will important climate and sustainability research be dispersed via trusted sources, but the public will engage with this information in large numbers. In 2012 alone, over 850 million people visited museums - more than the attendance for all major league sports and theme parks combined. A recent impact study shows that history and art museums, especially, are not seen as "having a political agenda," with over 78% of the public seeing these museums as trusted institutions. There are many ways in which the scientific community can collaborate with "the arts." This presentation will speak to the larger benefit of working with sister arts & humanities

  8. Contemporary Danish book art

    DEFF Research Database (Denmark)

    Larsen, Poul Steen

    the Metropolitan Museum of Art, Thomas J. Watson Library, Helge Ernst, illustrator, Poul Kristensen, printer, Ole Olsen, bookbinder, exhibition catalog......the Metropolitan Museum of Art, Thomas J. Watson Library, Helge Ernst, illustrator, Poul Kristensen, printer, Ole Olsen, bookbinder, exhibition catalog...

  9. Assessment of microbiological contamination in the work environments of museums, archives and libraries.

    Science.gov (United States)

    Skóra, Justyna; Gutarowska, Beata; Pielech-Przybylska, Katarzyna; Stępień, Łukasz; Pietrzak, Katarzyna; Piotrowska, Małgorzata; Pietrowski, Piotr

    Museums, archives and libraries have large working environments. The goal of this study was to determine microbial contamination in these work places and estimate the influence of microclimatic parameters and total dust content on microbial contamination. In addition, research included evaluation of ergosterol concentration and fungal bioaerosol particle size distribution. Numbers of micro-organisms in the air and on the surfaces in museums were higher (2.1 × 10 2 -7.0 × 10 3  cfu/m 3 and 1.4 × 10 2 -1.7 × 10 4  cfu/100 cm 2 , respectively) than in archives and libraries (3.2 × 10 2 -7.2 × 10 2  cfu/m 3 and 8.4 × 10 2 -8.8 × 10 2  cfu/100 cm 2 , respectively). The numbers of micro-organisms detected in the tested museums, archives and libraries did not exceed occupational exposure limits proposed by Polish Committee for the Highest Permissible Concentrations and Intensities of Noxious Agents at the Workplace. The concentrations of respirable and suspended dust in museum storerooms were 2-4 times higher than the WHO-recommended limits. We found a correlation between microclimatic conditions and numbers of micro-organisms in the air in the tested working environments. In addition, a correlation was also found between ergosterol concentration and the number of fungi in the air. Fungi were the dominant micro-organisms in the working environments tested. Particles within the dominant fractions of culturable fungal aerosols sampled from museum storerooms had aerodynamic diameters between 1.1 and 2.1 µm.

  10. Museu de Artes e Ofícios, Belo Horizonte: afinal, como nascem os museus? Belo Horizonte's Museum of Arts and Trades: after all, how are museums born?

    Directory of Open Access Journals (Sweden)

    2005-01-01

    Full Text Available Responsável pela concepção do projeto do Museu de Artes e Ofícios de Belo Horizonte, o museólogo francês Pierre Catel discorre sobre sua experiência profissional, iniciada na década de 1970. Discute conceitos de museus, a evolução da formação neste campo multidisciplinar. Sobre o projeto de museu a ser montado no metrô da capital de Minas Gerais, ele diz que seu objetivo é promover o encontro entre a cultura das profissões e peças de uma coleção de arte popular brasileira com cerca de um milhão de pessoas a caminho de casa ou do trabalho.Responsible for the concept behind Belo Horizonte's Museum of Arts and Trades project, the French museologist Pierre Catel talks about his professional experience, which began in the 1970s. He discusses museum concepts and the evolution and shaping of this multidisciplinary field. In regard to the museum that will be installed inside the subway of Minas Gerais' state capital, Catel says his aim is to foster an encounter between the culture of professions and pieces from a collection of popular Brazilian art, where around one million people pass by on their way to work or home.

  11. Lunar and Meteorite Sample Education Disk Program — Space Rocks for Classrooms, Museums, Science Centers, and Libraries

    Science.gov (United States)

    Allen, J.; Luckey, M.; McInturff, B.; Huynh, P.; Tobola, K.; Loftin, L.

    2010-03-01

    NASA’s Lunar and Meteorite Sample Education Disk Program has Lucite disks containing Apollo lunar samples and meteorite samples that are available for trained educators to borrow for use in classrooms, museums, science center, and libraries.

  12. THE INITIATIVE TO DEVELOP MUSEUM OF ISLAMIC ARTS IN ...

    African Journals Online (AJOL)

    The museum when in place, would collect, document, preserve, exhibit and research on the cultural heritage of Nigeria. It will also engage in translation, preservation and reproduction of rare collections. The researcher in the course of the work made so many findings on how wonderful Islam is. As a practising Christian, the ...

  13. Diorama Art – A Potential Medium For Museum Educationm | Enti ...

    African Journals Online (AJOL)

    Abstract. The study recognizes the traditional role diorama plays as an effective medium for museum education and employed both descriptive and experimental methods to produce a diorama to popularize it for the Ghanaian populace. It explored the use of non-traditional modelling material (corn shucks and cobs) in the ...

  14. A study of grandparents and grandchildren as visitors to museums and art galleries in the UK

    Directory of Open Access Journals (Sweden)

    Ela Beaumont

    2015-04-01

    Full Text Available This paper discusses one aspect of a major research project funded by the Arts and Humanities Research Council of family group visitors to museums and galleries in the UK. Grandparents visiting with their grandchildren are a little understood phenomenon in terms of visitor research and this paper aims to address that balance. The research project focuses on three art galleries and museums in the UK where 44 sets of grandparents were interviewed during the initial stages of the research. Findings have shown a number of interesting facets, some of which are presented in this paper. Grandparents are motivated to visit the museum with their grandchildren in the main because they are seeking an entertaining visit, a day out that is also educational and linked to school projects. They are likely to be the children’s primary carers as parents are out to work and the destination might not link with their own interests but those of the parents. They have social roles to play in their grandchildren’s lives. They often seek activity or workshops in the museum/art gallery that will be of benefit for their grandchildren and encourage them to explore the activities provided. These and other aspects are discussed within the paper. We conclude by suggesting how the findings can be used to inform more sophisticated approaches to ‘family friendly’ initiatives in museums and art galleries.

  15. Linking Things on the Web: A Pragmatic Examination of Linked Data for Libraries, Archives and Museums

    OpenAIRE

    Summers, Ed; Salo, Dorothea

    2013-01-01

    The Web publishing paradigm of Linked Data has been gaining traction in the cultural heritage sector: libraries, archives and museums. At first glance, the principles of Linked Data seem simple enough. However experienced Web developers, designers and architects who attempt to put these ideas into practice often find themselves having to digest and understand debates about Web architecture, the semantic web, artificial intelligence and the philosophical nature of identity. In this paper I wil...

  16. Triumphs Show: What Makes Art History? Year 7 Exploit the Resources of the Victoria and Albert Museum's Medieval Gallery to Create and Curate Their Own Answer

    Science.gov (United States)

    Copsey, Sarah

    2014-01-01

    What do 14 Year 7 students, an art teacher, a history teacher and the Victoria and Albert Museum have in common? They are all part of the "Stronger Together" Museum Champion project run by The Langley Academy and the River & Rowing Museum and supported by Arts Council England, designed to engage students, teachers and museum staff…

  17. Bridging contexts and interpretations: Mobile blogging on art museum field trips

    Directory of Open Access Journals (Sweden)

    Palmyre Pierroux

    2010-12-01

    Full Text Available In this study of art museum field trips by high school students, we investigate the ways in which features of different social and mobile technologies, specifically blogs and mobile phones, are able to bridge and support meaning making in young people’s encounters with contemporary art. Empirical material is presented from Gidder, a web-based learning environment with a mobile blogging feature. Through close examination of students’ use of contextual resources and the writing and editing of blog entries, this study contributes a deeper understanding of the ways in which digital technologies may be designed for pedagogical use on museum field trips.

  18. Bridging contexts and interpretations: Mobile blogging on art museum field trips

    Directory of Open Access Journals (Sweden)

    Palmyre Pierroux

    2011-06-01

    Full Text Available In this study of art museum field trips by high school students, we investigate the ways in which features of different social and mobile technologies, specifically blogs and mobile phones, are able to bridge and support meaning making in young people’s encounters with contemporary art. Empirical material is presented from Gidder, a web-based learning environment with a mobile blogging feature. Through close examination of students’ use of contextual resources and the writing and editing of blog entries, this study contributes a deeper understanding of the ways in which digital technologies may be designed for pedagogical use on museum field trips.

  19. 45 CFR 1180.4 - Museum eligibility and burden of proof-Who may apply.

    Science.gov (United States)

    2010-10-01

    ... 45 Public Welfare 3 2010-10-01 2010-10-01 false Museum eligibility and burden of proof-Who may... FOUNDATION ON THE ARTS AND THE HUMANITIES INSTITUTE OF MUSEUM AND LIBRARY SERVICES GRANTS REGULATIONS Definitions and Eligibility § 1180.4 Museum eligibility and burden of proof—Who may apply. (a) A museum...

  20. When a Body Meets a Body: An Exploration of the Negative Impact of Social Interactions on Museum Experiences of Art

    Science.gov (United States)

    Pelowski, Matthew; Liu, Tao; Palacios, Victor; Akiba, Fuminori

    2014-01-01

    We consider the phenomenon of social interactions within the art museum, arguing that even the bare possibility of meeting others or intruding into their gaze can have a profoundly detrimental effect on art experience. This is done by tracing a finding from our previous studies in which we considered three museum galleries--each with the same…

  1. Art for Whose Sake? Modern Art Museums and their Role in Transforming Societies: The Case of the Guggenheim Bilbao

    Directory of Open Access Journals (Sweden)

    Evdoxia Baniotopoulou

    2001-11-01

    Full Text Available In the past two decades the industrial decline of many western economies has forced them to turn towards the tertiary sector in order to diversify their infrastructure and find new sources of income. One of the characteristics of this process was the development of urban regeneration plans, which recognised the potential of the cultural sector for economic development. Central to this approach was the use of modern art museums as magnets for tourism and inward investment. This practice has produced a number of examples, the most famous being the Guggenheim Bilbao. The phenomenal success of this museum has caused it to become a model and this is why it ought to be examined critically. The creation of the museum is initially considered in the framework of particular historical and political circumstances. It is then placed in the context of the local cultural policy, a combination of theory and local political aspirations. The involvement of the external factor – the Guggenheim Foundation – is considered next, followed by an assessment of the museum in both quantifiable and non-quantifiable terms. Lastly, the preference shown in modern art museums to play this role is discussed. It is concluded that the Guggenheim Bilbao is the outcome of special political and socioeconomic circumstances, which renders it a unique case that should not be replicated uncritically.

  2. Teaching Art to Teens in Public Libraries

    Science.gov (United States)

    Crawford Barniskis, Shannon

    2013-01-01

    One of the hottest terms among public librarians today is "content creation," which involves stuff that library patrons make instead of simply use in a library context. Videos, music, fiction, paintings, 3D printed materials, websites--all these are made in public libraries, and will increase in popularity as more libraries shift from purveyors of…

  3. ‘Aimless and Absurd Wanderings’? Children at the Museum of Old and New Art (Mona

    Directory of Open Access Journals (Sweden)

    Adrian Franklin

    2018-03-01

    Full Text Available AbstractThis article reports on the experience of children at the Museum of New and Old Art (Mona in Hobart, Tasmania.  Referred to by its innovative owner as a ‘subversive adult Disneyland’, Mona went further than most new contemporary art galleries in designing a radically new experience of art.  It captured the imagination of people new to art in its own locality as well as a global art public.  Favoured by leading international contemporary artists for the freedom it gave art unmediated by art history, Mona also seemingly captured the imagination of children. Through an ethnographic approach in which five young children’s visits were documented in great detail, the article considers these in the light of children’s experiences of previous exhibitionary platforms and the relevance of Mona’s museological interventions for building their dispositions to art and broadening art publics.

  4. Insect Pests and Integrated Pest Management in Museums, Libraries and Historic Buildings

    Directory of Open Access Journals (Sweden)

    Pascal Querner

    2015-06-01

    Full Text Available Insect pests are responsible for substantial damage to museum objects, historic books and in buildings like palaces or historic houses. Different wood boring beetles (Anobium punctatum, Hylotrupes bajulus, Lyctus sp. or introduced species, the biscuit beetle (Stegobium paniceum, the cigarette beetle (Lasioderma serricorne, different Dermestides (Attagenus sp., Anthrenus sp., Dermestes sp., Trogoderma sp., moths like the webbing clothes moth (Tineola bisselliella, Silverfish (Lepisma saccharina and booklice (Psocoptera can damage materials, objects or building parts. They are the most common pests found in collections in central Europe, but most of them are distributed all over the world. In tropical countries, termites, cockroaches and other insect pests are also found and result in even higher damage of wood and paper or are a commune annoyance in buildings. In this short review, an introduction to Integrated Pest Management (IPM in museums is given, the most valuable collections, preventive measures, monitoring in museums, staff responsible for the IPM and chemical free treatment methods are described. In the second part of the paper, the most important insect pests occurring in museums, archives, libraries and historic buildings in central Europe are discussed with a description of the materials and object types that are mostly infested and damaged. Some information on their phenology and biology are highlighted as they can be used in the IPM concept against them.

  5. Insect Pests and Integrated Pest Management in Museums, Libraries and Historic Buildings.

    Science.gov (United States)

    Querner, Pascal

    2015-06-16

    Insect pests are responsible for substantial damage to museum objects, historic books and in buildings like palaces or historic houses. Different wood boring beetles (Anobium punctatum, Hylotrupes bajulus, Lyctus sp. or introduced species), the biscuit beetle (Stegobium paniceum), the cigarette beetle (Lasioderma serricorne), different Dermestides (Attagenus sp., Anthrenus sp., Dermestes sp., Trogoderma sp.), moths like the webbing clothes moth (Tineola bisselliella), Silverfish (Lepisma saccharina) and booklice (Psocoptera) can damage materials, objects or building parts. They are the most common pests found in collections in central Europe, but most of them are distributed all over the world. In tropical countries, termites, cockroaches and other insect pests are also found and result in even higher damage of wood and paper or are a commune annoyance in buildings. In this short review, an introduction to Integrated Pest Management (IPM) in museums is given, the most valuable collections, preventive measures, monitoring in museums, staff responsible for the IPM and chemical free treatment methods are described. In the second part of the paper, the most important insect pests occurring in museums, archives, libraries and historic buildings in central Europe are discussed with a description of the materials and object types that are mostly infested and damaged. Some information on their phenology and biology are highlighted as they can be used in the IPM concept against them.

  6. Demonstration of LED Retrofit Lamps at the Jordan Schnitzer Museum of Art

    Energy Technology Data Exchange (ETDEWEB)

    Miller, Naomi J.

    2011-09-01

    The Jordan Schnitzer Museum of Art in Eugene, Oregon, houses a remarkable permanent collection of Asian art and antiquities, modern art, and sculpture, and also hosts traveling exhibitions. In the winter and spring of 2011, a series of digital photographs by artist Chris Jordan, titled "Running the Numbers," was exhibited in the Coeta and Donald Barker Special Exhibitions Gallery. These works graphically illustrate waste (energy, money, health, consumer objects, etc.) in contemporary culture. The Bonneville Power Administration and the Eugene Water and Electricity Board provided a set of Cree 12W light-emitting diode (LED) PAR38 replacement lamps (Cree LRP38) for the museum to test for accent lighting in lieu of their standard Sylvania 90W PAR38 130V Narrow Flood lamps (which draw 78.9W at 120V). At the same time, the museum tested LED replacement lamps from three other manufacturers, and chose the Cree lamp as the most versatile and most appropriate color product for this exhibit. The lamps were installed for the opening of the show in January 2011. This report describes the process for the demonstration, the energy and economic results, and results of a survey of the museum staff and gallery visitors on four similar clusters of art lighted separately by four PAR38 lamps.

  7. Contemporary Adult Education Philosophies and Practices in Art Galleries and Museums in Canada and the UK

    Science.gov (United States)

    Clover, Darlene E.; Bell, Lorraine

    2013-01-01

    Public art galleries and museums have been mandated to become more relevant and useful to the lived experiences of the broad communities they claim to serve. Adult education has long been part of the work of these institutions, although historically the relationship has been uneasy, and they seldom feature in the adult education literature. To…

  8. 78 FR 45964 - Notice of Intent To Repatriate Cultural Items: Monterey Museum of Art, Monterey, CA

    Science.gov (United States)

    2013-07-30

    ... identity that can be reasonably traced between the objects of cultural patrimony and the Native Village of....R50000] Notice of Intent To Repatriate Cultural Items: Monterey Museum of Art, Monterey, CA AGENCY... the appropriate Indian tribes or Native Hawaiian organizations, has determined that the cultural items...

  9. 'Wrong but Impeccable': Lehman Wing, Metropolitan Museum of Art, New York

    Science.gov (United States)

    Huxtable, Ada Louise

    1975-01-01

    Although the new Lehman Wing of the Metropolitan Museum of Art was a controversial project based on a questionable premise, the finished building is an architectural tour de force. Despite restrictions imposed by the Landmarks Commission and the donor, the architects responded with consummate ingenuity, artistry, and skill. (JG)

  10. 75 FR 58429 - Notice of Inventory Completion: Northwest Museum of Arts & Culture, Spokane, WA

    Science.gov (United States)

    2010-09-24

    ... bear penis bones, 2 gravers, 13 perforated elk teeth, 1 abalone gorget, 6 copper pendants, 5 worked... reasonably believed to have been placed with or near individual human remains at the time of death or later as part of the death rite or ceremony. Lastly, officials of the Northwest Museum of Arts & Culture...

  11. EXPERIENCE-BASED ART EDUCATI ON: HOW PREJUDICES ABOUT CONTEMPORARY ART CAN LEAD TO ENRICHED EDUCATION IN MUSEUMS

    Directory of Open Access Journals (Sweden)

    Eva Van MOER

    2010-01-01

    Full Text Available Every form of communication, even every culture , is depending on the interaction between expectation and perception. Every perception is related to anticipations and therefore to comparisons. What we understand or see is not simply a given, but is the product of past experiences and future expecta tions. When understanding fails, expectations become prejudices. A big stumbling-block in interpreting artworks in a museum of contemporary art is having confidence in the concept of multiple interpreta tions. Because contemporary art is characterised as ‘open-ended’, understanding does not always occur and viewers are confused or even disappointed. In this study we investigate the process of understanding contemporary art and focus especially on the formulation of prejudices during a museum visit. We underline that the prejudiced nature of understanding does not have to lead to negative or empty experiences but creates openness to future experiences. Prejudices send people back to re -inspect the initial experience. It is important to bring museum visitors to understand their own constructed meanings by reinvestigating their initial interpretation through inquiring. Museum educators should develop tools which allow visitors to position themselves and make them think from various contexts. This kind of education leads to enriched (reinte rpretation and experiences.

  12. Methods and Models for Museum Learning at the Samuel Dorsky Museum of Art

    Science.gov (United States)

    Wyman, Sarah Mead; Waldo, Jennifer Turner; Doherty, Dennis

    2016-01-01

    Recent education policy designed to promote arts education tends to focus on how such curriculum supports "skills for innovation" required for success in the global economy. Emphasis on the transfer of arts-based learning to professional innovation and achievement, a dynamic that is difficult to determine, can undermine the value of…

  13. Library Automation: A State of the Art.

    Science.gov (United States)

    Corbin, John

    1979-01-01

    Presents a summary of the status of library automation in the late 1970s including the major problems facing libraries as they move to computer-based systems. The developments of the 1980s are also discussed. (Author/MBR)

  14. diorama art – a potential medium for museum education

    African Journals Online (AJOL)

    User

    Throughout history, art has been a visual repre- sentation comprising products to which human- kind have applied their skill and knowledge and executed for specific functions in their culture. Ghanaians generally use art to maintain the concept of reality, to enhance the appearance of objects and to maintain their culture.

  15. Type specimens of Mollusca described by Col. George Montagu in the Royal Albert Memorial Museum & Art Gallery, Exeter and The Natural History Museum, London

    Directory of Open Access Journals (Sweden)

    P. Graham Oliver

    2017-11-01

    Full Text Available A complete list of new molluscan taxa introduced by Col. George Montagu (1753–1815 is presented. The available type material of these taxa are itemised and illustrated. The majority are present in the Royal Albert Memorial Museum & Art Gallery, Exeter with a smaller number in the Natural History Museum, London. The historic background of both collections is reviewed with special reference to the many non-British species spuriously introduced into Testacea Britannica and its Supplement.

  16. Integrated Conservation of the Cantonese Opera Art Museum and Intangible Cultural Heritage

    Directory of Open Access Journals (Sweden)

    Q. Guo

    2015-08-01

    Full Text Available Cantonese Opera, as the sole cultural heritage of Guangdong Province of China so far, which was included in the World Intangible Cultural Heritage List by the UNESCO, bears the cultural memory of the Lingnan region and as well as the overseas Chinese worldwide. Located in the core historic urban area – Enning Road of Guangzhou, the Cantonese Opera Art Museum is designed in Lingnan traditional garden manner, through going deep into the Cantonese opera culture, Lingnan traditional garden culture and Lingnan cultural spirit. The design highlights the integrated conservation of tangible and intangible cultural heritage, to protect living history and build the historical environment and place spirit for the intangible cultural heritage. The Cantonese Opera Art Museum is not only a tangible space for exhibition, study, education and display of the Cantonese Opera art, but also a cultural space with the Lingnan cultural memory, gathering the Lingnan intangible heritage and closely linked with current life of successors and ordinary people.

  17. THE ROLE OF MUSEUM’S ARCHITECTURE IN ISLAMIC COMMUNITY: MUSEUM OF ISLAMIC ART, DOHA

    Directory of Open Access Journals (Sweden)

    Ali A. Alraouf

    2012-03-01

    Full Text Available As we are heading through the second decade of the 21st century, architecture of the Islamic communities is still an unresolved dilemma. In this context, the impact of iconic buildings which claim to represent Islam or provide a contemporary approach to Islamic architecture is crucial on different levels. Therefore, a year after Museum of Islamic Art (MIA opening in Doha, Qatar, an evaluative perspective of the institution’s development story needs to be sketched. In this essay I will use MIA, Doha as a springboard for a discussion related to the museums of the 21th century. Then, I will try to exploit the findings of this discussion in the assessment and critical review of the museum itself. The assessment will include the ability of contemporary architecture to credibly represent Islamic cultural identity. This essay will analyze how and why community participation in museums is a significant factor in bridging the gap and improving relationship between the two institutions. The social inclusion leads to trust, understanding, a sense of identity, and creating a museum that is more relevant to the community. This essay also give some suggestions on how to build bridges between museums and communities, to provide an opportunity for the people living in such communities, like Gulf ones, to find out about their own heritage and to help them realize that it is through their active participation in museum activities that heritage is kept alive. Considering Qatar’s thrive into a post-oil paradigm where knowledge economy might be the generative force for development, an examination of how MIA is contributing to Qatar’s new vision becomes so relevant.

  18. "Mother's Musuem": The Emancipation of Abby Aldrich Rockefeller through Modern Art Matronage and Museum Building

    OpenAIRE

    Condas, Jennifer L.

    2014-01-01

    So much of the time, the significance of non-artists in making modern art possible is all too rarely acknowledged, and Abby Aldrich Rockefeller is no exception. The crucial role Abby played and the obstacles she overcame are significant, and my research considers the far-reaching impact she had on the institutionalization and legitimization of modern art in New York in the 1920s and 1930s. Without her involvement, New York's premier museum for Post-Impressionist, progressive, and modern art,...

  19. How the Museum of Modern Art in New York canonised German Expressionism

    Directory of Open Access Journals (Sweden)

    Gregor Langfeld

    2014-12-01

    Full Text Available This paper will consider why and how the negative attitude towards German expressionism in the USA changed abruptly in the second half of the 1930s. At that time Alfred Barr, the director of the Museum of Modern Art in New York, played a crucial role in canonizing this art. In order to gain insight into this volte-face, it will be necessary to consider the reception of German expressionism that preceded it as well. In general, this art met with disapproval for a long time. Although it could be seen in the USA since the beginning of the 1920s, it had only very few supporters and collectors.

  20. Why Does the Buddha Have Long Ears? A North Carolina Museum Educator Invites Students To Explore Religious Diversity through Art.

    Science.gov (United States)

    Bullard, Sara

    1998-01-01

    Describes the Five Faiths Project, a children's program of storytelling, photography workshops, museum exhibits, classroom projects, and community performances developed by the curator of education of the Ackland Art Museum at the University of North Carolina. Activities, which have focused on Hinduism and Judaism so far, will eventually explore…

  1. Two decades of change in Dutch university art libraries

    NARCIS (Netherlands)

    Versteeg, M.

    2009-01-01

    In 1987 Chris Smeenk wrote in this journal about the libraries of the Dutch art historical institutes. In the 22 years that have since passed many changes have occurred, perhaps most notably the merging of the many autonomous institute libraries into larger ones. Has this led to a more professional

  2. Enhancing User Experience through Emotional Interaction: Determining Users' Interests in Online Art Collections Using AMARA (Affective Museum of Art Resource Agent)

    Science.gov (United States)

    Park, S. Joon

    2013-01-01

    The need for emotional interaction has already influenced various disciplines and industries, and online museums represent a domain where providing emotional interactions could have a significant impact. Today, online museums lack the appropriate affective and hedonic values necessary to engage art enthusiasts on an emotional level. To address…

  3. TEACHING HISTORY THROUGH ART: THE CASE OF THE CHILDREN’S MUSEUMS OF GREEK CIVILIZATION IN EVIA, GREECE

    OpenAIRE

    PApathanasiou, Valantis

    2015-01-01

    The purpose of the educational project was the development of historical thinking and historical consciousness among primary school students through exhibitions which involved their participation in relevant art creation and play. An experiential learning approach, museum educational techniques and methods of teaching through art, play and material culture were used. Three children’s museums were organized during 2010-2013 at three different primary schools in Evia Island, Greece. During the ...

  4. InfoGallery: Informative Arts Services for Physical Library Spaces

    DEFF Research Database (Denmark)

    Grønbæk, Kaj; Rohde, Anne; Sundararajah, Balasuthas

    2006-01-01

    Much focus in digital libraries research has been devoted to new online services rather than services for the visitors in the physical library. This paper describes InfoGallery, which is a web-based infrastructure for enriching the physical library space with informative art "exhibitions......" of digital library material and other relevant information, such as RSS news streams, event announcements etc. InfoGallery presents information in an aesthetically attractive manner on a variety of surfaces in the library, including cylindrical displays and floors. The infrastructure consists of a server...... structure, an editor application and a variety of display clients. The paper discusses the design of the infrastructure and its utilization of RSS, podcasts and manually edited news. Applications in the library domain are described and the experiences are discussed....

  5. IFLA General Conference, 1986. Special Libraries Division. Section: Art Libraries. Papers.

    Science.gov (United States)

    International Federation of Library Associations and Institutions, The Hague (Netherlands).

    Papers on art libraries presented at the 1986 International Federation of Library Associations (IFLA) conference include: (1) "The Change of Illustrated Story Books in the Edo Period (1660-1880)" (Yaeko Kimura, Japan); (2) "History of Posters in Japan and the Present States of Their Documentation" (Itsuo Okubo, Japan); (3)…

  6. NASA Lunar Sample Education Disk Program - Space Rocks for Classrooms, Museums, Science Centers and Libraries

    Science.gov (United States)

    Allen, J. S.

    2009-12-01

    NASA is eager for students and the public to experience lunar Apollo rocks and regolith soils first hand. Lunar samples embedded in plastic are available for educators to use in their classrooms, museums, science centers, and public libraries for education activities and display. The sample education disks are valuable tools for engaging students in the exploration of the Solar System. Scientific research conducted on the Apollo rocks has revealed the early history of our Earth-Moon system. The rocks help educators make the connections to this ancient history of our planet as well as connections to the basic lunar surface processes - impact and volcanism. With these samples educators in museums, science centers, libraries, and classrooms can help students and the public understand the key questions pursued by missions to Moon. The Office of the Curator at Johnson Space Center is in the process of reorganizing and renewing the Lunar and Meteorite Sample Education Disk Program to increase reach, security and accountability. The new program expands the reach of these exciting extraterrestrial rocks through increased access to training and educator borrowing. One of the expanded opportunities is that trained certified educators from science centers, museums, and libraries may now borrow the extraterrestrial rock samples. Previously the loan program was only open to classroom educators so the expansion will increase the public access to the samples and allow educators to make the critical connections of the rocks to the exciting exploration missions taking place in our solar system. Each Lunar Disk contains three lunar rocks and three regolith soils embedded in Lucite. The anorthosite sample is a part of the magma ocean formed on the surface of Moon in the early melting period, the basalt is part of the extensive lunar mare lava flows, and the breccias sample is an important example of the violent impact history of the Moon. The disks also include two regolith soils and

  7. Monuments devoted to artists in public spaces around museums: A nineteenth-century strategy to enhance the urban space of art districts

    Directory of Open Access Journals (Sweden)

    Lorente, J. Pedro

    2014-12-01

    Full Text Available Monuments to kings or military heroes have always been positioned in main squares and avenues, whilst those erected to famous cultural figures were a novelty introduced in the Enlightenment and Romanticism, placing busts or sitting monuments to writers or musicians in secluded gardens and in the surroundings of libraries, theatres, etc. During the nineteenth century, monuments to artists became also a common feature in many cities, where a most likely emplacement for them was in front of some art museum. In a way, they were a complement to the ornaments of such building, usually decorated with portraits and inscriptions glorifying great artists; but the monument to Murillo erected in 1863 by public subscription in Seville's Plaza del Museo was also an urban milestone, catching the attention of promenading public passing along a lateral street. Later, the monuments erected in the piazzas around the Prado Museum in Madrid, or in gardens outside the Louvre, became a popular prototype, emulated in many other cities up to the early 20th century. Their role as interfaces between public spaces and museum sites would thereafter be taken over by other kinds of artistic landmarks: not monuments to artists, but monumental artworks, often owned by the museum itself, thus bringing part of its collection outside, as a welcome starter to prospective cultural consumers.

  8. Linked data for libraries, archives and museums how to clean, link and publish your metadata

    CERN Document Server

    Hooland, Seth van

    2014-01-01

    This highly practical handbook teaches you how to unlock the value of your existing metadata through cleaning, reconciliation, enrichment and linking and how to streamline the process of new metadata creation. Libraries, archives and museums are facing up to the challenge of providing access to fast growing collections whilst managing cuts to budgets. Key to this is the creation, linking and publishing of good quality metadata as Linked Data that will allow their collections to be discovered, accessed and disseminated in a sustainable manner. This highly practical handbook teaches you how to unlock the value of your existing metadata through cleaning, reconciliation, enrichment and linking and how to streamline the process of new metadata creation. Metadata experts Seth van Hooland and Ruben Verborgh introduce the key concepts of metadata standards and Linked Data and how they can be practically applied to existing metadata, giving readers the tools and understanding to achieve maximum results with limited re...

  9. Beyond the Museum Walls : Situating Art in Virtual Space (Polemic Overlay and Three Movements

    Directory of Open Access Journals (Sweden)

    Vince Dziekan

    2005-01-01

    Full Text Available In recognition of digital communication’s profound effects on social relations and institutions, this paper explores the influence of digitisation on our notions of art through the design of its institutions. No longer can the museum, as the primary technology of art, be viewed as just a physical container. With the additional of the hidden infrastructure of electronic and multimedia technologies that are to be found “behind the walls”, as it were, the architectural issues of negotiating spaces and manipulating locative settings for displaying artworks are as much virtual as physical.As a contribution to the negotiation of a distributed aesthetics, this paper entertains the possibility that transplanting art to the virtual site of the Internet disrupts our understanding of art itself. From presence on the gallery wall to the plane of the screen, if this translation offers an alternative way of seeing, then what does the Web offer to a different apperception of art? How to position the digital in the discourse surrounding art and the role it plays within contemporary cultural practice?In an attempt to ground these concerns, I will frame the subsequent discussion by focussing my attention upon one particularly representative instance: The National Gallery of Victoria’s Ian Potter Gallery of Australian Art; recognising in this localised, site-specific experience a microexample of a much more ubiquitous phenomenon.

  10. Collaborating with Extreme Beauty: A Partnership Project between the Heritage School and the Metropolitan Museum of Art

    Science.gov (United States)

    Hochtritt, Lisa; Lane, Kimberly; Price, Shannon Bell

    2004-01-01

    This article chronicles the development and implementation of a lesson sequence in a high school art course that utilized "Extreme Beauty: The Body Transformed," a special exhibition at the Metropolitan Museum of Art's Costume Institute from December 6, 2001-March 17, 2002. This project took place over a 3-week period in the spring…

  11. Lunar and Meteorite Sample Education Disk Program - Space Rocks for Classrooms, Museums, Science Centers, and Libraries

    Science.gov (United States)

    Allen, Jaclyn; Luckey, M.; McInturff, B.; Huynh, P.; Tobola, K.; Loftin, L.

    2010-01-01

    NASA is eager for students and the public to experience lunar Apollo samples and meteorites first hand. Lunar rocks and soil, embedded in Lucite disks, are available for educators to use in their classrooms, museums, science centers, and public libraries for education activities and display. The sample education disks are valuable tools for engaging students in the exploration of the Solar System. Scientific research conducted on the Apollo rocks reveals the early history of our Earth-Moon system and meteorites reveal much of the history of the early solar system. The rocks help educators make the connections to this ancient history of our planet and solar system and the basic processes accretion, differentiation, impact and volcanism. With these samples, educators in museums, science centers, libraries, and classrooms can help students and the public understand the key questions pursued by many NASA planetary missions. The Office of the Curator at Johnson Space Center is in the process of reorganizing and renewing the Lunar and Meteorite Sample Education Disk Program to increase reach, security and accountability. The new program expands the reach of these exciting extraterrestrial rocks through increased access to training and educator borrowing. One of the expanded opportunities is that trained certified educators from science centers, museums, and libraries may now borrow the extraterrestrial rock samples. Previously the loan program was only open to classroom educators so the expansion will increase the public access to the samples and allow educators to make the critical connections to the exciting exploration missions taking place in our solar system. Each Lunar Disk contains three lunar rocks and three regolith soils embedded in Lucite. The anorthosite sample is a part of the magma ocean formed on the surface of Moon in the early melting period, the basalt is part of the extensive lunar mare lava flows, and the breccias sample is an important example of the

  12. Telerobotic Haptic Exploration in Art Galleries and Museums for Individuals with Visual Impairments.

    Science.gov (United States)

    Park, Chung Hyuk; Ryu, Eun-Seok; Howard, Ayanna M

    2015-01-01

    This paper presents a haptic telepresence system that enables visually impaired users to explore locations with rich visual observation such as art galleries and museums by using a telepresence robot, a RGB-D sensor (color and depth camera), and a haptic interface. The recent improvement on RGB-D sensors has enabled real-time access to 3D spatial information in the form of point clouds. However, the real-time representation of this data in the form of tangible haptic experience has not been challenged enough, especially in the case of telepresence for individuals with visual impairments. Thus, the proposed system addresses the real-time haptic exploration of remote 3D information through video encoding and real-time 3D haptic rendering of the remote real-world environment. This paper investigates two scenarios in haptic telepresence, i.e., mobile navigation and object exploration in a remote environment. Participants with and without visual impairments participated in our experiments based on the two scenarios, and the system performance was validated. In conclusion, the proposed framework provides a new methodology of haptic telepresence for individuals with visual impairments by providing an enhanced interactive experience where they can remotely access public places (art galleries and museums) with the aid of haptic modality and robotic telepresence.

  13. Kiasma Helsinki Museum of contemporary art integration of daylight and electric light

    Energy Technology Data Exchange (ETDEWEB)

    Nazzal, A. [Helsinki University of Technology, Otaniemi (Finland). Lighting Lab.

    1998-12-31

    The use of daylighting as the prime light source is now gradually being recognized again. It provides a valuable means of improving visual comfort and energy performance of a building. The integration of daylight and artificial light for interior lighting is an holistic design process for the visual environment. Maximizing the merits and minimizing the deficiencies of both daylight and electric light to be used simultaneously during daytime to obtain pleasant daylight spaces for the maximum period possible and for the largest fraction of the building interior should be closely coordinated during the early design process when the major decisions affecting the daylighting and also the thermal performance of the building are made. The size, shape, position, orientation and inclination of windows and transmittance of glazing decide quantity of daylighting on the whole. Aesthetics of lighting solutions form a principal consideration in the design process as do economics of operation and installation together with maintainability. A pleasant visual environment is essential to attracting people. Museums and art galleries are built to show objects of art to visitors, most of whom arrive and remain of their own interest. Lighting plays a key role in a visitor`s ability to perceive and enjoy both the exhibits in a museum and the building in total. Thus, lighting has to be considered a major and critical design issue and also something of a balancing act to provide an effective compromise between the conflicting requirements of conservation and effective display

  14. 75 FR 26283 - Proposed Collection, Submission for OMB Review, Museums for America Grant Program Evaluation

    Science.gov (United States)

    2010-05-11

    ... Program Evaluation AGENCY: Institute of Museum and Library Services, The National Foundation on the Arts... Institute of Museum and Library Services announces the following information collection has been submitted... collection of information is necessary for the proper performance of the functions of the agency, including...

  15. "Carol I" Central University Library Continuous Training Program through Documentary Visits. A Documentary Visit to Cotroceni Museum

    Directory of Open Access Journals (Sweden)

    Emanuela Florea-Paraipan

    2016-01-01

    Full Text Available In this essay we aim to emphasize the role of documentary visits in continuous training programs of library professionals. As alternative form of continuous training, the "Carol I" Central University Library runs an annual program of documentary visits to Bucharest museums, in order to identify from the historical, biographical, literary, artistic and scientific perspective, the manner in which evolved Romanian spirituality nationally and beyond. As a form of initial training for national inheritance understanding, the professional visits to cultural institutions allows the discovery of the categories of collections, the structure and their pedagogical value in learning, teaching and training.

  16. The Effect of Active Learning Techniques on Class Teacher Candidates' Success Rates and Attitudes toward Their Museum Theory and Application Unit in Their Visual Arts Course

    Science.gov (United States)

    Dilmac, Oguz

    2016-01-01

    The purpose of this study is to examine the effect that using active learning techniques during museum and gallery visits has on teacher candidates' academic success rates in and attitudes toward their Visual Arts Course. In this study, the importance and requirement of education to take place in museums and art galleries is emphasized. The…

  17. Science Meets Literacy and Art at the Library

    Science.gov (United States)

    LaConte, K. M.; Shipp, S. S.; Halligan, E.

    2011-12-01

    The Lunar and Planetary Institute's Explore! program is designed to engage and inspire children in Earth and space science in the library and other informal learning environments. Eight online thematic Explore! modules make up-to-date science accessible to rural communities - often where the library is the closest center of public learning - and other underserved audiences. The program prepares librarians to engage their communities in science through experiences with the modules, interactions with scientists, exploration of the resources available within the library learning environment, and development of local partnerships. Through hands-on science activities, art, and reading, Explore! reaches library patrons between the ages of 8 and 13 through librarian-led, locally facilitated programs across the nation. For example, NASA Lunar Science Institute research into lunar formation, evolution, and orbital dynamics are woven into a comic book that serves as a journal and art piece for participants in Marvel Moon programs (http://www.lpi.usra.edu/explore/marvelMoon). In another example, children compare cloud types and atmospheric structure on Earth and Jupiter, and then they consider artwork of Jupiter's clouds and the future discoveries of NASA's upcoming Juno mission as they write "Jovian Poetry" (http://www.lpi.usra.edu/explore/solar_system/activities/weatherStations). Explore! program facilitators are provided resources for making use of children's science books and local professional scientists and engineers.

  18. Designing an Earthquake-Proof Art Museum: An Arts- and Engineering-Integrated Science Lesson

    Science.gov (United States)

    Carignan, Anastasia; Hussain, Mahjabeen

    2016-01-01

    In this practical arts-integrated science and engineering lesson, an inquiry-based approach was adopted to teach a class of fourth graders in a Midwest elementary school about the scientific concepts of plate tectonics and earthquakes. Lessons were prepared following the 5 E instructional model. Next Generation Science Standards (4-ESS3-2) and the…

  19. Subjective experiences of an art museum engagement activity for persons with early-stage Alzheimer's disease and their family caregivers.

    Science.gov (United States)

    Flatt, Jason D; Liptak, Amy; Oakley, Mary Ann; Gogan, Jessica; Varner, Tresa; Lingler, Jennifer H

    2015-06-01

    To describe the subjective experiences of older adults with early-stage Alzheimer's disease or related cognitive disorders (ADRDs) and their family caregivers who participated in an art museum engagement activity. Four focus groups were conducted with 10 persons with ADRD and 10 family caregivers following the completion of a 1-time, 3-hour engagement activity. Participants also completed a brief satisfaction survey, and associations were examined using nonparametric statistics. Three key themes were identified: cognitive stimulation, social connections, and self-esteem. In addition, we identified programmatic issues such as activity-specific concerns and program logistics that could help improve future art program offerings. Past experience with art and perceived social cohesion were correlated with participants' overall satisfaction with the program. Efforts aimed at improving the quality of life of those with Alzheimer's disease and their family caregivers should consider the potential role of art museums. © The Author(s) 2014.

  20. Subjective Experiences of an Art Museum Engagement Activity for Persons with Early Alzheimer’s disease and their Family Caregivers

    Science.gov (United States)

    Flatt, Jason D.; Liptak, Amy; Oakley, Mary Ann; Gogan, Jessica; Varner, Tresa; Lingler, Jennifer H.

    2014-01-01

    Objective To describe the subjective experiences of older adults with early-stage Alzheimer’s disease or related cognitive disorders (ADRD) and their family caregivers who participated in an art museum engagement activity. Methods Four focus groups were conducted with 10 persons with ADRD and 10 family caregivers following the completion one-time, three hour engagement activity. Participants also completed a brief satisfaction survey, and associations were examined using nonparametric statistics. Results Three key themes were identified: cognitive stimulation, social connections, and a sense of self. In addition, we identified programmatic issues such as activity-specific concerns and program logistics that could help improve future art program offerings. Past experience with art and perceived social cohesion were correlated with participants’ overall satisfaction with the program. Discussion Efforts aimed at improving the quality of life of those with Alzheimer’s and their family caregivers should consider the potential role of art museums. PMID:25216658

  1. The Art of ATLAS; multimedia installation by Neal Hartman and Claudia Marcelloni at Thinktank science museum in Birmingham, UK.

    CERN Multimedia

    Claudia Marcelloni

    2010-01-01

    The Art of ATLAS is an multimedia installation, developed by Neal Hartman and Claudia Marcelloni about the physicists, engineers and technicians behind the ATLAS Experiment. The installation will been shown at Planetarium entrance of the Thinktank science museum in Birmingham, UK from October 2010 until January 2011.

  2. Adult Education for Social and Environmental Change in Contemporary Public Art Galleries and Museums in Canada, Scotland and England

    Science.gov (United States)

    Clover, Darlene E.

    2015-01-01

    Historically, pubic art galleries and museums have a well-deserved reputation for elitism, colonialism and exclusion and they are, therefore, frequently omitted from the discourse of adult education. However, the escalating social, cultural and ecological problems of this new century have placed pressure on these public institutions to change and…

  3. 77 FR 23499 - Notice of Intent To Repatriate Cultural Items: Museum of Indian Arts & Culture/Laboratory of...

    Science.gov (United States)

    2012-04-19

    ... DEPARTMENT OF THE INTERIOR National Park Service [2253-665] Notice of Intent To Repatriate..., NM AGENCY: National Park Service, Interior. ACTION: Notice. SUMMARY: The Museum of Indian Arts... Paa'ko site. Based on burial location and associated material culture and architecture, the burials...

  4. Picture This: The Art of Using Museum and Science Collaborations to Teach about Climate Change

    Science.gov (United States)

    Fiondella, F.; Fowler, R.; Davi, N. K.; Gawthrop, E.

    2015-12-01

    Connecting scientists and their research to photography galleries and museums is an effective way to promote climate literacy among a new, diverse audience. This approach requires creativity and a willingness to reach out to and work with staff unfamiliar with scientific institutions, but can result in broad exposure and understanding of the impacts of climate change. In this presentation we highlight the successful science-art collaboration among the International Center of Photography, Lamont-Doherty Earth Observatory and the International Research Institute for Climate and Society. The collaboration revolved around ICP's 2014-2015 exhibition of renowned photographer Sebastiao Salgado's Genesis, an eight-year worldwide survey of wildlife, landscapes, seascapes and indigenous peoples. Salgado's photographs acted as a springboard for a unique public education program based at ICP and aimed at raising awareness of the urgent issue of climate change. Over the course of six months, Lamont and IRI scientists with expertise in climatology, dendrochronology, seismology and glaciology led gallery tours for the public, making links between their research and the places and people of Salgado's photography. Lamont and IRI staff also gave talks throughout the exhibition period on topics ranging from climate change adaptation to the use of photography to help the public visualize the impacts of Earth's changing climate. The research institutions also took over ICP's Instagram feed for a week, showcasing the climate-related field work of more than a dozen scientists. All three institutions, the participating scientists and program attendees deemed the collaboration a success. We'll explain what made this collaboration successful and provide tips on how scientists and their institutes can form similar collaborations with museums and other arts-based organizations.

  5. The debate over the creation of a Museum of Modern Art in Paris between the wars and the shaping of an evolutionary narrative for French art

    Directory of Open Access Journals (Sweden)

    Chara Kolokytha

    2016-12-01

    Full Text Available The paper comments on the state policies towards modern art throughout the interwar period identifying the private initiatives that sought to precipitate the creation of a museum of contemporary art in Paris. It seeks to discuss the debate over the necessity for the creation of a Museum of Modern Art in Paris that was initiated in the Parisian press shortly after the controversial “Exposition Internationale des Arts Décoratifs et Industriels Modernes”, in 1925, and was perpetuated with the re-organisation of the collections of the Louvre, the Luxembourg museum, and the Jeu de Paume in the late 1920s. The offi cial announcement, in 1934, of the creation of a museum of modern art in Paris, in 1937, initiated a new debate that concerned its collections. A series of exhibitions organised on the occasion of  the “Exposition Internationale des Arts et Techniques”, in 1937, served as a model for the shaping of an evolutionary narrative for French art in which modern art that emerged from 1905 to 1925 appeared as the culmination of the French art tradition. However, the infl uence of foreign artists over French modern art was largely contested, while the discussion initiated by the champions of an international school added a nonconformist nuance to a nationally-oriented dialogue. L’articolo affronta le politiche statali nei confronti dell’arte moderna nel periodo compreso tra le due guerre, individuando anche le iniziative private che hanno cercato di spingere verso la creazione di un museo di arte contemporanea a Parigi. Esso cerca di ricostruire il dibattito avviato sulla stampa parigina poco dopo la controversa “Exposition Internationale des Arts Décoratifs et Industriels Modernes” del 1925, proseguito con la riorganizzazione delle collezioni del Louvre, del museo del Luxembourg e del Jeu de Paume alla fine degli anni Venti. L’annuncio uffi ciale della creazione di un museo d’arte moderna a Parigi, nel 1934, avvia un nuovo

  6. Print Capitalism, New School and Circulation of Reading Models. A Brazilian Collection at the Primary Education Museum-Library in Portugal (1931-1950)

    Science.gov (United States)

    Toledo, Maria Rita Almeida; Carvalho, Marta Maria Chagas

    2011-01-01

    The present article is the fruit of research on the circulation of Brazilian books from the "Atualidades Pedagogicas" collection at the "Biblioteca Museu do Ensino Primario" (Primary Education Museum-Library) in Lisbon. This library was headed by Adolfo Lima, one of the exponents of the Portuguese New School, and gave form to…

  7. Orientalist Imaginations and Touristification of Museums

    DEFF Research Database (Denmark)

    Ooi, Can-Seng

    2005-01-01

    This paper draws inspiration from Edward Said's orientalism, and examines how the three National Museums of Singapore - the Singapore History Museum, the Singapore Art Museum and the Asian Civilizations Museums - are orientalized. The process is mediated through the museums' close links to tourism...... a destination's uniqueness and attractiveness. Besides reviewing Said's orientalism, this paper visits criticisms of the theory, within the context of the orientalization process of museums in Singapore.Keywords: orientalism, Singapore Art Museum, Singapore History Museum, Asian Civilizations Museum, Singapore...

  8. Study Of Museum Institutional Management

    Directory of Open Access Journals (Sweden)

    - Rohanda

    2016-11-01

    development of information and library science, particularly institution of information in addition to the library. Second, it provides an overview of the governance of the museum in government institutions. Third, the scope of study is limited to institutional management of museums in government institutions, thus there is a need for the development of studies on institutional management of museums for other types of museums, such as museums that are managed by private or personal institutions. Keywords: Gawitra, information institution, management, museum.

  9. Heroes and Holidays: The Status of Diversity Initiatives at Liberal Arts College Libraries

    Science.gov (United States)

    Gilbert, Julie

    2016-01-01

    Studies about diversity initiatives in academic libraries have primarily focused on large research libraries. But what kinds of diversity work occur at smaller libraries? This study examines the status of diversity initiatives, especially those aimed at students, at national liberal arts college libraries. Results from a survey of library…

  10. [Sculptor of The Cripple of the Geneva Museum of Art and History. An ancient Greek portrayal of hemimelia?].

    Science.gov (United States)

    Dasen, V

    1997-01-01

    An archaic Greek terracotta vase in the Art and History Museum at Geneva depicts a man deprived of his left arm and with two legs ending in a stump below the knees. Did he suffer from a traumatism (amputation), a mutilating disease or congenital malformation (hemimelia)? A survey of written and iconographic sources throws light on the methods and limits of ancient surgery, and on the chances of survival of abnormal children in archaic and classical Greece.

  11. Practical Study on Treatment of Selected Decorated Tapestry in Applied Art Museum, Cairo

    Directory of Open Access Journals (Sweden)

    Neven Kamal FAHIM

    2013-12-01

    Full Text Available The paper presents the method of treatment of tapestry textile, that considers the most common technique used in decoration of textile since the new kingdom until now, it is called Kabaty. The paper deals with selected piece of museum of Applied Art Faculty in Cairo. Treatment procedure was performed by several stages; firstly, Dating by comparing the decoration technique, the type of material and the decorative motifs existed in the object with another one known its date. Then samples taken from object were examined by optical microscope, scanning electron microscope to identify type of fibers and surface morphology .x-ray analysis was performed to identify mordant and dust. FTIR analysis to identify dyes in dyed samples. Then, the paper deal with the treatment of tapestry pieces by testing sensitive of fiber to water, mechanical cleaning and chemical cleaning to remove stain, washing stage using distilled water, and finally consolidation the object by fixed on support of natural linen which was stretched on wooden frame treated by anti-fungal substance.

  12. Genetic Drift. The ancient Egyptian dwarfs of the Walters Art Museum.

    Science.gov (United States)

    Kozma, Chahira

    2010-10-01

    The ancient Egyptians left an impressive artistic legacy documenting many aspects of their society including the existence of dwarfs as highly valued members. In previous publications in the Journal, I discussed dwarfs and skeletal dysplasia in ancient Egypt. In this study, I examined the ancient Egyptian representations of dwarfs of the Walters Art Museum in Baltimore, Maryland. One of the highlights of the collection is a group of five ivory figurines from Predynastic Times (pre 3500-3100 BCE) depicting a couple, a man with a child, and two females. Representations from other periods include ordinary as well as dwarf deities. The dwarf gods, Bes and Ptah, are frequently depicted holding or biting snakes or standing on crocodiles symbolizing their ability to ward off dangers. A couple of statuettes from the Greco-Roman Period that, in contrast to earlier Egyptian Periods, depict harsh physical anomalies, twisted bodies, and facial pain. The artistic impression can be interpreted as either tragic or humorous. The grotesque depiction of dwarfs during the Greco-Roman Period in ancient Egypt is believed to be due to a greater infusion of Hellenistic influence. This study provides a microcosm of the legacy of dwarfs in ancient Egypt and supports the premise that dwarfs were accepted and integrated in the ancient Egyptian society, and with a few exceptions, their disorder was not depicted as a physical handicap. Copyright © 2010 Wiley-Liss, Inc.

  13. The preservation management handbook a 21st-century guide for libraries, archives, and museums

    CERN Document Server

    Harvey, Ross

    2014-01-01

    Cultural heritage professionals - museum curators, museum professionals, archivists and librarians - work with their specialized knowledge to prioritize the needs of their collections. Preservation managers draw on experts in climate control, fire safety, pest management and more in developing the large overview of a collection and its needs. And all the special materials within the collections have their experts too. Here, in one volume, The Preservation Management Handbook offers a wide range of topic-specific expertise that comprises both an enduring text for preservation students as well a

  14. Heidelberg University Library and its Special Subject Collection in Art History

    OpenAIRE

    Effinger, Maria

    2003-01-01

    The article provides a short survey of the history and the services of the Special Subject Collection "Medieval and Modern Art History (up to 1945)" / "Art Studies" at the Heidelberg University Library funded by the DFG (German Research Foundation).

  15. Museums Taking Steps Forward: Pedagogical Apparatus Requiring Strategic Preparation for Controversial Art

    Science.gov (United States)

    Shim, Ji Young

    2015-01-01

    Since the twentieth century, museums have faced stages of reinvention as pedagogical venues. Because beliefs among groups in terms of race, sexuality, and religiosity are contentious with political interests towards power for dominance, the complex museum world, representing various cultural ideologies, has become an important implication for…

  16. O desvio do olhar: dos asilos aos museus de arte The deviation of the glance: from the asylums to the art museums

    Directory of Open Access Journals (Sweden)

    João A. Frayze-Pereira

    1999-01-01

    Full Text Available A relação entre a arte e a loucura é considerada do ponto de vista da exposição em museus de arte de obras que foram produzidas nos asilos. Nessa transição, são analisadas a situação historicamente determinada da loucura no campo da visualidade e as implicações culturais, psicológicas e estéticas dessa situação, sobretudo após o advento da noção de art brut. Finalmente, é também considerado o impacto da art brut, como prática dos excluídos sociais, sobre o próprio criador marginal e sobre o olhar do espectador.The relation between art and madness is considered from the point of view of works of art produced in asylums and exhibited in art museums. In this transition, the historically situation of madness is analyzed concerning visual order and it’s cultural, psychological and aesthetic implications in art history, specially after the emergence of the notion of art brut. Finally, it’s also considered the impact of art brut on the outsider artist and on the spectator’s perception.

  17. On the tracks of the Museum of Arts and Crafts. Exhibition and audience in Belo Horizonte/MG

    Directory of Open Access Journals (Sweden)

    Claudia Eliane Parreiras Marques Martinez

    2014-12-01

    Full Text Available The aim of this paper is to present the preliminary results of a survey of about five hundred Belo Horizonte (MG underground users, particularly in the boarding platform of the Central Station. One of the reasons offered by museologist Pierre-Yves Catel and by the staff who took part in the assembly and organization of the Museum of Arts and Crafts (Museu de Artes e Ofícios - MAO, for the occupation of the building of the Central Station and its reinterpretation, which turned it into a museum institution ? dedicated to the history/memory of work and the workers ? was that, at that place, it would be possible to find "a potential audience of one million visitors a year coming by underground". In this sense, the research seeks to understand, especially, the relationship that is established, at present, between the underground station user and the Museum. However, before disclosing the data of this investigation, it was necessary to analyze some aspects concerning the history of MAO and also some aspects of the long-term exposition presented to the public since the inauguration of the mentioned institution, in 2005/2006.

  18. Deployment of Mobile EEG Technology in an Art Museum Setting: Evaluation of Signal Quality and Usability.

    Science.gov (United States)

    Cruz-Garza, Jesus G; Brantley, Justin A; Nakagome, Sho; Kontson, Kimberly; Megjhani, Murad; Robleto, Dario; Contreras-Vidal, Jose L

    2017-01-01

    Electroencephalography (EEG) has emerged as a powerful tool for quantitatively studying the brain that enables natural and mobile experiments. Recent advances in EEG have allowed for the use of dry electrodes that do not require a conductive medium between the recording electrode and the scalp. The overall goal of this research was to gain an understanding of the overall usability and signal quality of dry EEG headsets compared to traditional gel-based systems in an unconstrained environment. EEG was used to collect Mobile Brain-body Imaging (MoBI) data from 432 people as they experienced an art exhibit in a public museum. The subjects were instrumented with either one of four dry electrode EEG systems or a conventional gel electrode EEG system. Each of the systems was evaluated based on the signal quality and usability in a real-world setting. First, we describe the various artifacts that were characteristic of each of the systems. Second, we report on each system's usability and their limitations in a mobile setting. Third, to evaluate signal quality for task discrimination and characterization, we employed a data driven clustering approach on the data from 134 of the 432 subjects (those with reliable location tracking information and usable EEG data) to evaluate the power spectral density (PSD) content of the EEG recordings. The experiment consisted of a baseline condition in which the subjects sat quietly facing a white wall for 1 min. Subsequently, the participants were encouraged to explore the exhibit for as long as they wished (piece-viewing). No constraints were placed upon the individual in relation to action, time, or navigation of the exhibit. In this freely-behaving approach, the EEG systems varied in their capacity to record characteristic modulations in the EEG data, with the gel-based system more clearly capturing stereotypical alpha and beta-band modulations.

  19. Our National Monument of Art: Constructing and Debating the National Body at the Library of Congress

    Science.gov (United States)

    Moore, Sarah J.

    2010-01-01

    It is not surprising that the Library of Congress would be defined as our national monument of art given the scale of the project, its federal sponsorship, and its posture as a public library with access to all Americans. Paralleling the assumption of the Library of Congress as not merely a building for housing books but a ritualistic center of…

  20. The Collection of Greek Terracotta Figurines at The Metropolitan Museum of Art

    OpenAIRE

    Karoglou, Kyriaki

    2016-01-01

    The Metropolitan Museum of Art’s collection of Greek figurative terracottas is little known, but its size and scope makes it one of the richest in North America. A brief overview of this collection is presented here.

  1. The Brothers Grimm in The Library of the National Museum of Slovenia: the Legacy of Anastazij Grün

    Directory of Open Access Journals (Sweden)

    Urška Pajk

    2013-11-01

    Full Text Available ABSTRACTThe article is focused on the “treasures” of the National Museum of Slovenia Library a part of them being the books of the count Anton Alexander Auersprg writing under the pseudonym of Anastazij Grün. In 1910 his legacy was included into the museum’s book collection. The poet Anastazij Zelenc was an interesting and unique historical personage and a passionate collector of books and other printed materials. He became especially enthusiastic about antique history and folk literature. Thus, it is not surprising to find the Grimm’s literary “production” in his collection. Anastazij Grün is not sufficiently known in Slovenia. Therefore it is convenient to underline his importance at the occasion of the 150th anniversary of the death of the great fairy tale writer, ethnologist and philologist Jacob Grimm (20th September 2013.

  2. Enhancing Science Literacy and Art History Engagement at Princeton Through Collaboration Between the University Art Museum and the Council on Science and Technology

    Science.gov (United States)

    Riihimaki, C. A.; White, V. M.

    2016-12-01

    The importance of innovative science education for social science and humanities students is often under-appreciated by science departments, because these students typically do not take science courses beyond general education requirements, nor do they contribute to faculty research programs. However, these students are vitally important in society—for example as business leaders or consultants, and especially as voters. In these roles, they will be confronted with decisions related to science in their professional and personal lives. The Council on Science and Technology at Princeton University aims to fill this education gap by developing and supporting innovative programs that bring science to cross-disciplinary audiences. One of our most fruitful collaborations has been with the Princeton University Art Museum, which has an encyclopedic collection of over 92,000 works of art, ranging from antiquity to the contemporary. Our work includes 1) bringing introductory environmental science courses to the Museum to explore how original works of art of different ages can serve as paleo-environmental proxies, thereby providing a means for discussing broader concepts in development of proxies and validation of reconstructions; 2) sponsoring a panel aimed at the general public and composed of science faculty and art historians who discussed the scientific and art historical contexts behind Albert Bierstadt's Mount Adams, Washington, 1875 (oil on canvas, gift of Mrs. Jacob N. Beam, accession number y1940-430), including the landscape's subjects, materials, technique, and style; and 3) collaborating on an installation of photographs relevant to a freshman GIS course, with an essay about the artwork written by the students. This first-hand study of works of art encourages critical thinking and an empathetic approach to different historical periods and cultures, as well as to the environment. Our collaboration additionally provides an opportunity to engage more students in

  3. Adding life to your years: Transformative learning for older people at the Irish Museum of Modern Art.

    OpenAIRE

    Fleming, Dr Ted

    2000-01-01

    Life expectancy has increased by 30 years during the past century. By 2150 the percentage of the world’s population over 65 will be 30%, up from 7% at present. A high percentage of older people are actively involved in adult education (Lamdin and Fugate, 1997, p. 85). During the United Nations International Year of Older Persons (1999) the Irish Museum of Modern Art (IMMA), with EU SOCRATES funding, undertook a study of its education work with members of St. Michael's Parish Active ...

  4. [The art cabinet and its current significance. Museum establishment of natural history in early modern times].

    Science.gov (United States)

    Felfe, Robert

    2008-01-01

    For some time a hightened interest in so-called "curiosity cabinets" of the 16th to 18th century has surfaced in the historical sciences as well as in exhibitions with popular appeal, the arts and literature. Johann Laurentius Bausch was among those who assembled such a collection of natural history objects and artefacts. His curiosity cabinet was closely connected to his far more famous library and in his last will Bausch attempted to safeguard the coherence of the two. Against this background the article accentuates some of the aspects of his work from a perspective of a history of collections. One focus will thereby be on the practice of collecting as seemingly contradictory, being characterised on the one hand by the preservation of ancient knowledge as well as by scientific research based on specific objects. Another focus will be on curiosity cabinets as important platforms of exchange and means of social advancement. For the Academia Naturae Curiosorum exhibition objects and their publication were an important device of achieving recognition and protection from the Emperor's Court.

  5. Gentle conditioning in the museum Brandhorst. Concrete core activation and geothermal energy for the arts; Sanfte Klimatisierung im Museum Brandhorst. Betonkernaktivierung und Geothermie fuer die Kunst

    Energy Technology Data Exchange (ETDEWEB)

    Hetzel, Michaela [Uponor GmbH, Hassfurt (Germany)

    2010-07-01

    The air conditioning of modern museum buildings is a complex task. Apart from the precise air conditioning for the valuable and sophisticated exhibits, nowadays it's a matter of effectively ecological aspects which have to be implemented and fulfilled. Also the visitors of the museum must feel well. An innovative climatic concept in the museum Brandhorst in Munich (Federal Republic of Germany) considers all these aspects.

  6. THE MUSEUM OF FINE ARTS OF ASTURIAS AS AN EDUCATIONAL RESOURCE FROM A GENDER PERSPECTIVE

    Directory of Open Access Journals (Sweden)

    Ángel de la Fuente Martínez

    2016-07-01

    Full Text Available The museum as an educational resource is a proposal to make teachers reflect on the availability of media in the near environment regardless of the distance from the school to the museum. This gallery can work the general objectives in different educational stages, knowing the enhancement of historic buildings for activities of this type, the key work skills and promote the presence of women within the museum as an icon through different themes and artist. Our goal is to recover in perspective the presence of women sharing the same space and time with the man. The analysis of the trades, real social division of labor that this prefixed men do, that women, allows us to better understand the evolution of society. On the other hand, the postponement of the woman as artist, being supplanted by other painters, see Sofonisba Anguissola, it is another area in which it affects this article. Finally, different museums in which the woman is the protagonist in our country as an initiative to regain the role that women have played throughout the spatial and temporal coordinates, which are defining the development of the actions listed beings humans.

  7. A Museum in a Book: Teaching Culture through Decolonizing, Arts-Based Methodologies

    Science.gov (United States)

    Chappell, Sharon Verner; Chappell, Drew

    2011-01-01

    This paper explores the positivist, museum-based, and touristic constructions of indigenous cultures in the Americas, as represented in the DK "Eyewitness" series, and then overturns these constructions using an artist book created by the authors. In our analysis of the nonfiction series, we identified three trajectories: cataloguing, consignment…

  8. External-PIXE analysis for the study of pigments from a painting from the Museum of Contemporary Art

    Energy Technology Data Exchange (ETDEWEB)

    Rizzutto, M.A., E-mail: rizzutto@if.usp.br [Institute of Physics, University of São Paulo, SP 05508-090 (Brazil); Moro, M.V.; Silva, T.F.; Trindade, G.F.; Added, N.; Tabacniks, M.H.; Kajiya, E.M.; Campos, P.H.V. [Institute of Physics, University of São Paulo, SP 05508-090 (Brazil); Magalhães, A.G.; Barbosa, M. [Museum of Contemporary Art, University of São Paulo, SP 05508-090 (Brazil)

    2014-08-01

    External Ion Beam Analysis is a useful tool for the characterization of cultural heritage objects. During the last decade, several significant collaborations have been established between Ion Beam Analysis (IBA) scientists and art or archeology professionals, demanding in-air IBA for a variety of different cultural heritage objects. In-air Particle Induced X-ray Emission (PIXE) analyses of an oil painting by the Italian painter, Mario Sironi, from the Museum of Contemporary Art of the University of São Paulo (MAC-USP), were examined. This painting is particularly interesting due to paintings on both sides (oil on canvas on the front and oil on wood on the back side). PIXE analysis helped the identification of the pigment similarities on both sides of the painting, suggesting the same authorship.

  9. External-PIXE analysis for the study of pigments from a painting from the Museum of Contemporary Art

    International Nuclear Information System (INIS)

    Rizzutto, M.A.; Moro, M.V.; Silva, T.F.; Trindade, G.F.; Added, N.; Tabacniks, M.H.; Kajiya, E.M.; Campos, P.H.V.; Magalhães, A.G.; Barbosa, M.

    2014-01-01

    External Ion Beam Analysis is a useful tool for the characterization of cultural heritage objects. During the last decade, several significant collaborations have been established between Ion Beam Analysis (IBA) scientists and art or archeology professionals, demanding in-air IBA for a variety of different cultural heritage objects. In-air Particle Induced X-ray Emission (PIXE) analyses of an oil painting by the Italian painter, Mario Sironi, from the Museum of Contemporary Art of the University of São Paulo (MAC-USP), were examined. This painting is particularly interesting due to paintings on both sides (oil on canvas on the front and oil on wood on the back side). PIXE analysis helped the identification of the pigment similarities on both sides of the painting, suggesting the same authorship

  10. Producing access for the elderly to territories of culture: an experience of occupational therapy in an art museum

    Directory of Open Access Journals (Sweden)

    Ana Tereza Costa Galvanese

    2014-04-01

    Full Text Available From 1996 to 2009, the Laboratory for Studies and Research in Art, Body and Occupational Therapy established a cooperation with the Museum of Contemporary Art of USP (MAC USP, working in partnership with the Leisure and Art to the Elderly Program of the Education and Technical-Scientific Division of MAC USP. The program offers an introduction in contemporary artistic practice to the elderly. This paper presents the interdisciplinary experience developed in this partnership in 2006. The method adopted in the program is referenced in the Triangular Approach to Teaching Art. Therefore, the appreciation of works of art and the contextualization of selected artists formed the basis on which participants developed their own poetics. The preparatory work was developed in group dynamics, including activities of body awareness and conversation circles coordinated by occupational therapists and students. They also accompanied the participants in their demands related to the challenges of constructing access to socio-cultural territories. The relevance of this living process was evident in the topics proposed by participants in conversations, or arisen during the body work. The aesthetic quality of the participants’ production resulted in personal and collective satisfaction and provoked admiration of the public who visited the workshop and exhibition, organized from this production.

  11. The State of the Art in Library Discovery 2010

    Science.gov (United States)

    Breeding, Marshall

    2010-01-01

    Resource discovery tops the charts as the foremost issue within the realm of library automation. As a new year commences, the author sees a more pressing need to accelerate the pace with which libraries deliver content and services in ways that users will find compelling, relevant, and convenient. The evolution of the web advances relentlessly,…

  12. The indoor environment of a modern museum building, the Sainsbury Centre for Visual Arts, Norwich, UK.

    Science.gov (United States)

    Brimblecombe, P; Blades, N; Camuffo, D; Sturaro, G; Valentino, A; Gysels, K; Van Grieken, R; Busse, H J; Kim, O; Ulrych, U; Wieser, M

    1999-09-01

    A multi-disciplinary approach was used to investigate the indoor environment of a modern museum building, and its suitability for the conservation of the collection therein. Climate, gaseous and particulate pollution and the concentrations of bacteria were measured in summer and winter campaigns. While the environment overall was found to be an acceptable one, a number of drawbacks were highlighted, the most serious of these being the large temperature and humidity fluctuations that occurred in the summer.

  13. PATRON: Using a Multimedia Digital Library for Learning and Teaching in the Performing Arts.

    Science.gov (United States)

    Lyon, Elizabeth

    The creation and application of a multimedia digital library to support learning and teaching in the performing arts is described. PATRON (Performing Arts Teaching Resources Online) delivers audio, video, music scores, dance notation, and theater scripts to the desktop via an innovative Web-based interface. Digital objects are linked subjectively…

  14. CERN Library | Arthur I. Miller presents "Colliding worlds: How Cutting-Edge Science Is Redefining Contemporary Art" | 21 October

    CERN Multimedia

    2014-01-01

    In recent decades, an exciting new art movement has emerged in which artists illuminate the latest advances in science.   Some of their provocative creations - a live rabbit implanted with the fluorescent gene of a jellyfish, a gigantic glass-and-chrome sculpture of the Big Bang itself - can be seen in traditional art museums and magazines, while others are being made by leading designers at Pixar, Google's Creative Lab and the MIT Media Lab. Arthur I. Miller takes readers on a wild journey to explore this new frontier. From the movement's origins a century ago - when Einstein shaped Cubism and X-rays affected fine photography - to the latest discoveries of biotechnology, cosmology and quantum physics, Miller shows how today's artists and designers are producing work at the cutting edge of science. Tuesday, 21 October 2014 at 14:30 in the Library, Bldg. 52 1-052 https://indico.cern.ch/event/346299/ *Coffee will be served from 2 p.m.* "Colliding Worlds: How Cutt...

  15. Cooperation of the Slovene Academy of Sciences and Arts and the Metropolitan Library in Zagreb

    Directory of Open Access Journals (Sweden)

    Branka Budin

    2006-01-01

    Full Text Available Authors emphasize the connection of the Slovene Academy of Sciences and Arts, especially its Janez Vajkard Valvasor Foundation from Ljubljana, and the Metropolitan Library, the library of the Zagreb Archbishopric and commend successful collaboration of these two institutions. Author closely indicate varied correlation and collaboration of the Slovene Academy of Sciences and Arts and the Metropolitan Library. One of them was the exhibition on the occasion of the significant anniversary of printing of the Valvasor’s manuscripts and works that are exclusively kept in the Metropolitan Library. Emphasis is given to the value of the joint Slovene Academy and the Metropolitan Library project Iconotheca Valvasoriana – the facsimile edition of the Valvasor’s graphic collection that is in process of publishing.

  16. Measuring Critical Thinking: Results from an Art Museum Field Trip Experiment

    Science.gov (United States)

    Kisida, Brian; Bowen, Daniel H.; Greene, Jay P.

    2016-01-01

    Research shows that participation in school-based arts education has declined over the past decade. A problem for the arts' role in education has been a lack of rigorous scholarship that demonstrates educational benefits. A component of this problem has been a lack of available data. In this study, we use original data collected through a…

  17. Analyzing Visitors' Discourse, Attitudes, Perceptions, and Knowledge Acquisition in an Art Museum Tour after Using a 3D Virtual Environment

    Science.gov (United States)

    D'Alba, Adriana

    2012-01-01

    The main purpose of this mixed methods research was to explore and analyze visitors' overall experience while they attended a museum exhibition, and examine how this experience was affected by previously using a virtual 3dimensional representation of the museum itself. The research measured knowledge acquisition in a virtual museum, and compared…

  18. Expanding Our Vision of Museum Education and Perception: An Analysis of Three Case Studies of Independent Blind Arts Learners

    Science.gov (United States)

    Hayhoe, Simon

    2013-01-01

    In this study, Simon Hayhoe investigates the experiences of blind museum visitors in the context of the relationships between the artworks they learned about in museums, those they experienced when younger, and the social, cultural, and emotional influences of their museum experiences. The three case studies he presents support his hypothesis…

  19. Arts and science under the sign of Leonardo. The case of the National Museum of Science and Technology ‘Leonardo da Vinci’ of Milan (Italian original version

    Directory of Open Access Journals (Sweden)

    Claudio Giorgione

    2009-06-01

    Full Text Available Drawing on the example of Leonardo da Vinci, who was able to combine arts and science in his work, the National Museum of Science and Technology of Milan has always pursued the blending and the dialogue of humanistic and scientific knowledge. It has employed this approach in all of its activities, from the set design of exhibition departments to the acquisition of collections and, more recently, in the dialogue with the public. Now more than ever, following a renewal path for the Museum, these guidelines are being subject to research to achieve a new and more up-to-date interpretation.

  20. Arts and science under the sign of Leonardo. The case of the National Museum of Science and Technology ‘Leonardo da Vinci’ of Milan

    Directory of Open Access Journals (Sweden)

    Claudio Giorgione

    2009-06-01

    Full Text Available Drawing on the example of Leonardo da Vinci, who was able to combine arts and science in his work, the National Museum of Science and Technology of Milan has always pursued the blending and the dialogue of humanistic and scientific knowledge. It has employed this approach in all of its activities, from the set design of exhibition departments to the acquisition of collections and, more recently, in the dialogue with the public. Now more than ever, following a renewal path for the Museum, these guidelines are being subject to research to achieve a new and more up-to-date interpretation.

  1. Installation Art and the Museum. Presentation and Conservation of Changing Artworks

    NARCIS (Netherlands)

    van Saaze, V.E.J.P.

    2013-01-01

    Installation art has become mainstream in artistic practices. However, acquiring and displaying such artworks implies that curators and conservators are challenged to deal with obsolete technologies, ephemeral materials and other issues concerning care and management of these artworks. By analysing

  2. Education at the Dittrick Museum of Medical History, Case Western Reserve University, Cleveland, Ohio, USA.

    Science.gov (United States)

    Edmonson, James M

    2009-01-01

    The Dittrick Museum of Medical History pursues an educational mission as being part of a major research university. While the Dittrick dates to 1899 as a historical committee of the Cleveland Medical Library Association, it first affiliated with Case Western Reserve University in 1966, and became a department of the College of Arts and Sciences of CWRU in 1998. The Dittrick maintains a museum exhibition gallery that is open to the public free of charge, and museum staff provide guided tours on appointment. Much of the teaching and instruction at the Dittrick is conducted by university professors; their classes meet in the museum and use museum resources in the form of artifacts, images, archives, and rare books. Class projects using Dittrick collections may take the form of research papers, exhibitions, and online presentations. Dittrick staff assist in these classes and are available to help researchers use museum resources.

  3. Biblioteki muzeów sztuki na przykładzie Biblioteki Arxiu CCCB w Barcelonie i Biblioteka de Arte Muzeum Gulbenkiana w Lizbonie

    Directory of Open Access Journals (Sweden)

    Sobczyk Sławomir

    2012-12-01

    Full Text Available The article describes the work arrangement and functioning of the two libraries located at art museums: the Arxiu Library in Barcelona and Biblioteca de Arte in Lisbon. The paper includes the author’s observations and information obtained from the personnel of the libraries in personal communication.

  4. Patron-driven acquisition at Glasgow School of Art Library

    OpenAIRE

    Buri, David

    2014-01-01

    Reports on a five-month pilot of staff-mediated patron-driven acquisition (PDA) of e-books in a small specialist arts institution. Examines the background to the trial; the selection of platforms and vendors; and the import of e-book records into the catalogue. Presents the results of the pilot; a brief analysis of usage; and an outline of future plans for the further development of the service.

  5. Automation of internal library operations in academic health sciences libraries: a state of the art report.

    Science.gov (United States)

    Grefsheim, S F; Larson, R H; Bader, S A; Matheson, N W

    1982-01-01

    A survey of automated records management in the United States and Canada was developed to identify existing on-line library systems and technical expertise. Follow-up interviews were conducted with ten libraries. Tables compare the features and availability of four main frame and four minicomputer systems. Results showed: a trend toward vendor-supplied systems; little coordination of efforts among schools; current system developments generally on a universitywide basis; and the importance of having the cooperation of campus computer facilities to the success of automation efforts. PMID:7066571

  6. MFA Connections: Three Themes for Teacher-Guided Visits to the Museum of Fine Arts, Boston.

    Science.gov (United States)

    Foote, Allison; And Others

    This teacher resource packet encourages exploration of history and culture through art images. The packet consists of three units: "Daily Life around the World," which explores the rituals of daily life in ancient Egypt, China, and Greece, as well as colonial and turn-of-the-century America. "Images of Power," examines the…

  7. Feel the art : Creating museum involvement by tapping universal human concerns

    NARCIS (Netherlands)

    Desmet, P.M.A.; Hekkert, P.P.M.; van Erp, J.

    2009-01-01

    This paper reports an experience-driven design project that was commissioned by the Amsterdam Rijksmuseum. The aim was to cause a shift in the relationship between visitors and the art collection from one that is experienced as ‘distant’ to one that is experienced as ‘committed’. In five steps, an

  8. The Ecology of Arts and Humanities Education: Bridging the Worlds of Universities and Museums

    Science.gov (United States)

    Salazar-Porzio, Margaret

    2015-01-01

    In recent years, colleges and universities have been talking seriously about civic learning, but other stakeholders, particularly public arts, culture, and humanities institutions, must be part of the conversation in order to create a context for learning that develops the skills of graduates in robust ways that reflect the full promise of liberal…

  9. How images are the making of the Women's Art Library/Make

    OpenAIRE

    Greenan, Althea

    2007-01-01

    When a group of women artists decided to organise their slides to inspire others to document themselves and raise the visibility of women’s art, they could not have known that several decades later those slides would still be together, forming the core of an internationally significant research resource. How did this idea of gathering together images transform a women’s art group – in the 1980s these were almost as common as book groups are today – into the Women’s Art Library/Make collection?...

  10. O contexto do visitante na experiência museal: semelhanças e diferenças entre museus de ciência e de arte The personal context of a museum experience: similarities and differences between science and art museums

    Directory of Open Access Journals (Sweden)

    Adriana Mortara Almeida

    2005-01-01

    Full Text Available Destaca-se, neste artigo, o desenvolvimento de pesquisas que elucidem não só o perfil socioeconômico do visitante e do não-visitante de museus, mas também seus hábitos culturais, interesses gerais de lazer e percepções de arte, ciência e outros temas tratados por essas instituições. Quanto mais soubermos sobre o contexto pessoal do visitante, mais poderemos aperfeiçoar sua experiência museal, de modo a instigar sua ida e seu retorno aos museus, nos quais terá suas expectativas, seus desejos e necessidades mais amplamente respondidos. Enfatiza-se, também, a importância da cultura local para a formação do contexto pessoal e para a construção de cada experiência museal. Apresentam-se exemplos da bibliografia sobre o tema, com destaque para os trabalhos desenvolvidos no Brasil e as contribuições que pesquisas em museus de arte podem trazer para os museus de ciências.The article focuses on the development of research that illuminates not only the socioeconomic profiles of museum visitors and non-visitors but also their cultural habits, general entertainment interests, and their perceptions of art, science, and other topics addressed at these institutes. The more we know about a visitor's personal context, the more we can enhance his or her museum experience, thereby encouraging further museum visits during which his or her expectations, wishes, and needs will be more fully met. The article also focuses on how local culture plays an important part in shaping both personal context as well as each museum experience. Some examples are provided from the literature, above all concerning studies in Brazil and the contributions that research at art museums may have for science museums.

  11. Japanese Modernism at a "Branch Point": On the Museum of Modern Art, Hayama’s "1937" Exhibition

    Directory of Open Access Journals (Sweden)

    Kevin Michael Smith

    2018-03-01

    Full Text Available This article frames the Museum of Modern Art, Hayama’s 2017 exhibition on Japanese modernism during the simultaneously vibrant and tumultuous 1930s through the lens of Japan’s uneven capitalist development and wartime mobilization. The author suggests that the exhibition’s unique international scope, rich selection of figurative and abstract modernist works, and emphasis on the year 1937 as a nexus through which the decade’s competing tendencies can be reevaluated readily disclose the constitutive, dialectical relationships between historical difference, total war, and modernist form in imperial Japan and its colonies. The exhibition’s featured works and curator Asaki Yuka’s direction together emphasized the inseparability of Japanese modernism from the encroaching conditions of world war during the late 1930s, thereby contributing to a growing body of scholarship and series of exhibitions challenging the received oppositions between autonomous modernism, proletarian realism, and wartime propaganda. After introductory remarks on the reassessment of 1930s-era Japanese avant-garde aesthetics, the article provides a series of close readings of significant paintings included in the exhibition, including Murai Masanari’s 1937 Urban, Matsumoto Shunsuke’s 1935 Building, and Uchida Iwao’s 1937 Port. These formal readings explore how the year 1937 marked a pivotal “branch point” for Japanese society, not only in terms of the confluence of various artistic trends but also in terms of the fierce opposition between socialism and fascism that bifurcated potentialities for Japan’s future.

  12. Forgery at the Snite Museum of Art? Improving AMS Radiocarbon Dating at the University of Notre Dame

    Science.gov (United States)

    Troyer, Laura; Bagwell, Connor; Anderson, Tyler; Clark, Adam; Nelson, Austin; Skulski, Michael; Collon, Philippe

    2017-09-01

    The Snite Museum of Art recently obtained several donations of artifacts. Five of the pieces lack sufficient background information to prove authenticity and require further analysis to positively determine the artwork's age. One method to determine the artwork's age is radiocarbon dating via Accelerator Mass Spectrometry (AMS) performed at the University of Notre Dame's Nuclear Science Laboratory. Samples are prepared by combustion of a small amount of material and subsequent reduction to carbon into an iron powder matrix (graphitization). The graphitization procedure affects the maximum measurement rate, and a poor graphitization can be detrimental to the AMS measurement of the sample. Previous graphitization procedures resulted in a particle current too low or inconsistent to optimize AMS measurements. Thus, there was a desire to design and refine the graphitization system. The finalized process yielded physically darker samples and increased sample currents by two orders of magnitude. Additionally, the first testing of the samples was successful, yet analysis of the dates proved inconclusive. AMS measurements will be performed again to obtain better sampling statistics in the hopes of narrowing the reported date ranges. NSF and JINA-CEE.

  13. The Impact of Ubiquitous Technologies on the Art Museum as Urban [Political] Space

    DEFF Research Database (Denmark)

    Jacobsen, Mogens; Søndergaard, Morten

    practices emerge. From new practices emerge new domains. And from new domains emerge new competencies and roles. This article investigates some of the new competencies and roles emerging from the trans-disciplinary practice of curators, artists, scientists, and programmers etc., which are involved in media...... and 2008, a process in which we both were involved as media artist and media art curator, respectively. Our focus in this article is to investigate further the status of these new competencies and roles, and to ask: what are these new domains that emerge with regard to the artist, the software developer......, the academic, the scientist and the curator?...

  14. The Interface of Art and Science in the Museum: Disclosing a 4th Dimension of Art Preservation and Connoisseurship

    Energy Technology Data Exchange (ETDEWEB)

    Casadio, Franceska [Art Institute of Chicago

    2004-11-03

    Drawing from her most recent experience at the Art Institute and past experiences in Italy, Dr. Casadio will discuss examples of applications of scientific analysis to the field of Cultural Heritage, including: 1) The use of instrumental analysis to address fundamental questions regarding artists' techniques, and as an aid to unraveling paint technology, as with the fascinating pre-Columbia pigment Maya Blue; 2) The investigation into deterioration of artifacts, the design of innovative conservation materials and the testing of their durability, expemplified with the case study of the conservation of the facade of the gothic Cathedral of Milan; 3) Development of fine-tuned conservation strategies for the cleaning of Michelangelo's David; 4) The study of the effect of environmental parameters on objects in exhibitions and storage to help design compatible display cases; 5) The role of scientific analysis in matters of authentication and dating. Future trends that increasingly see science as a tool for virtual restoration will be discussed.

  15. Reducing medical students' stigmatization of people with chronic mental illness: a field intervention at the "living museum" state hospital art studio.

    Science.gov (United States)

    Cutler, Janis L; Harding, Kelli J; Hutner, Lucy A; Cortland, Clarissa; Graham, Mark J

    2012-05-01

    The authors designed an intervention to reduce beginning medical students' stigmatization of people with chronic mental illness (CMI). Pre-clinical medical students visited a state psychiatric facility's "Living Museum," a combination patient art studio/display space, as the intervention. During the visit, students interacted with artist-guides who showed their work and discussed their experiences creating art. Students completed a self-assessment survey developed to measure attitudes and feelings toward people with CMI after half of the class visited the Living Museum, constituting a Visit/No-Visit cross-sectional comparison. Students who visited the Living Museum (N=64), as compared with those who did not visit (N=110), endorsed more positive attitudes toward people with CMI. Among the students who visited, however, those who reported having spoken individually with a patient-artist (N=44), paradoxically, indicated less-positive feelings toward people with CMI. An intervention in which pre-clinical medical students visited patient-artist guides in an art-studio setting generally improved students' attitudes toward people with CMI. Thus, nontraditional psychiatric settings offer a valuable adjunct to more traditional clinical settings to reduce stigma when introducing medical students to the field of psychiatry.

  16. Optimization of the ion chromatographic quantification of airborne fluoride, acetate and formate in the Metropolitan Museum of Art, New York.

    Science.gov (United States)

    Kontozova-Deutsch, Velichka; Deutsch, Felix; Bencs, László; Krata, Agnieszka; Van Grieken, René; De Wael, Karolien

    2011-10-30

    Ion chromatographic (IC) methods have been compared in order to achieve an optimal separation of fluoride, acetate and formate under various elution conditions on two formerly introduced analytical columns (i and ii) and a novel one (iii): (i) an IonPac AS14 (250 mm × 4 mm I.D.), (ii) Allsep A-2 (150 mm × 4.6mm I.D.), and (iii) an IC SI-50 4E (250 mm (length) × 4mm (internal diameter - I.D.)). The IC conditions for the separation of the anions concerned were optimized on the IC SI-50 4E column. A near baseline separation of these anions was attained on the IonPac AS14, whereas the peaks of fluoride and acetate could not be resolved on the Allsep A-2. A baseline separation for the three anions was achieved on the IC SI-50 4E column, when applying an eluent mixture of 3.2 mmol/L Na(2)CO(3) and 1.0 mmol/L NaHCO(3) with a flow rate of 1.0 mL/min. The highest precision of 1.7, 3.0 and 2.8% and the best limits of detection (LODs) of 0.014, 0.22 and 0.17 mg/L for fluoride, acetate and formate, respectively, were obtained with the IC SI-50 4E column. Hence, this column was applied for the determination of the acetic and formic acid contents of air samples taken by means of passive gaseous sampling at the Metropolitan Museum of Art in New York, USA. Atmospheric concentrations of acetic and formic acid up to 1050 and 450 μg/m(3), respectively, were found in non-aerated showcases of the museum. In galleries and outdoors, rather low levels of acetic and formic acid were detected with average concentrations of 50 and 10 μg/m(3), respectively. The LOD data of acetate and formate on the IC SI-50 4E column correspond to around 0.5 μg/m(3) for both acetic and formic acid in air samples. Copyright © 2011 Elsevier B.V. All rights reserved.

  17. Helmet "tang" from the Metropolitan Museum of Art (New York City, United States. Features of Construction, Design and Operational Use

    Directory of Open Access Journals (Sweden)

    Leonid A. Bobrov

    2016-12-01

    Full Text Available The article discusses iron helmet (No. 36.25.115, which is stored in the Metropolitan Museum of art (New York City, United States. For the first time this helmet was published and analyzed by American scientists G. C. Stone and D.G. Alexander. The analysis showed that the Bowl was made by Turkish masters of the XVII century and backplate and the hoop is added to the helmet in 1781–1782 D.G. Alexander speculated that the helmet belonged to the Warrior of the Crimean Khanate. Dating the helmet does not raise objections. However, the attribution of a helmet requires some clarification. Analysis of the design of the helmet and decoration revealed that backplate, hoop and Aventail from iron rings added to Bowl in 1781–1782, were manufactured by Circassian craftsmen living in the Northern Caucasus or in Crimea. For the decoration of the helmet has been used typical Circassian ornaments: "sieve", cherkessian floral pattern, geometric shapes, triangular in shape, "gear", etc. During Assembly of the helmet were applied characteristic of Circassian gunsmiths technological solutions: using as a basis the bowl old-style helmet, tapered Finial with a ring for a decorative plume, hoop with four plates, ringed with aventail lip to protect the forehead, etc. In Circassia similar headgear worn were known as tang (from the Arabic. "Taj", i.e., the "Crown". In the XVII–XVIII centuries. they willingly purchased representatives of Crimean Tatar nobility. Similar in design and system design helmets Circassian production belonged to the highest aristocracy of the Crimean Khanate, are stored in Museum and private collections in Poland, Turkey and the United States. The inscription "Bekmurun" on the hoop from the Metropolitan helmet suggests that it was manufactured on request of Kabardian Bekmur princely heir (Bekmurziny, which moved from Circassia in Crimea, 1737. The popularity of tang type helmets among the aristocracy of North Caucasus and Crimea were due not

  18. [Proceedings of the VII international symposium 'Cultural heritage in geosciences, mining and metallurgy : libraries, archives, museums' : "Museums and their collections" held at the Nationaal Natuurhistorisch Museum Leiden (The Netherlands), 19-23 May, 2003 / Cor F. Winkler Prins and Stephen K. Donovan (editors)]: Small is beautiful? Progress and collections of the Geology Museum, University of the West Indies, Mona

    NARCIS (Netherlands)

    Donovan, S.K.; Jackson, T.A.; Brown, I.C.; Wood, S.J.

    2004-01-01

    Geology has been taught at the University of the West Indies, Mona, since 1961. The associated Geology Museum (UWIGM) opened to the public in 1969/1970, although the idea for such a museum was over 100 years old at that time. The collections of the UWIGM share many hazards with those in museums in

  19. Supporting Museums--Serving Communities: An Evaluation of the Museums for America Program. Full Report

    Science.gov (United States)

    Apley, Alice; Frankel, Susan; Goldman, Elizabeth; Streitburger, Kim

    2011-01-01

    The Institute of Museum and Library Services is the primary source of federal support for the nation's museums. Museums for America (MFA) is the largest IMLS grant program for museums; it supports institutions by investing in high-priority, high-value activities that are clearly linked to the institution's strategic plan and enhance its value to…

  20. The Public Domain vs. the Museum: The Limits of Copyright and Reproductions of Two-dimensional Works of Art

    Directory of Open Access Journals (Sweden)

    Grischka Petri

    2014-08-01

    Full Text Available The problem of museums and public institutions handling reproductions of works in their collections is not only a legal question but also one of museum ethics. Public museums are committed to spreading knowledge and to making their collections accessible. When it comes to images of their holdings, however, they often follow a restrictive policy. Even for works in the public domain they claim copyright for their reproductive photographs. This paper offers an analysis of the different interests at stake, a short survey of important cases, and practical recommendations.

  1. Current State of Digital Reference in Primary and Secondary Education; The Technological Challenges of digital Reference; Question Negotiation and the Technological Environment; Evaluation of Chat Reference Service Quality; Visual Resource Reference: Collaboration between Digital Museums and Digital Libraries.

    Science.gov (United States)

    Lankes, R. David; Penka, Jeffrey T.; Janes, Joseph; Silverstein, Joanne; White, Marilyn Domas; Abels, Eileen G.; Kaske, Neal; Goodrum, Abby A.

    2003-01-01

    Includes five articles that discuss digital reference in elementary and secondary education; the need to understand the technological environment of digital reference; question negotiation in digital reference; a pilot study that evaluated chat reference service quality; and collaborative digital museum and digital library reference services. (LRW)

  2. The furniture of the library of the Glasgow School of Art by Charles Rennie Mackintosh (1868-1928) [dissertation

    OpenAIRE

    Bell, John; Bell, Simon

    1991-01-01

    This dissertation, which encompasses the set of furniture and light fittings designed for use in Glasgow School of Art library has been produced in response to the desire for the complete recording and analysis of that space.

  3. The good field trip: How elementary students from diverse socio-economic backgrounds learn science, art, and technology at a museum

    Science.gov (United States)

    Martell, Sandra Toro

    The Good Field Trip is a study that uses an ethnographic approach to answer the question of what learning looks like during a field trip to a museum. The study uses the Contextual Model of Learning (Falk & Dierking, 2000) to investigate elementary students' personal, physical, and sociocultural contexts of learning as well as how time affects students' thoughts and feelings about the experience. The author accompanied a group of eight students on a three and a half day camp-like experience to a museum that promotes environmental stewardship and the integration of art, science, and technology use and learning. The author videotaped the students' conversations and experiences and interviewed students before, during, and after the trip. Analyses of the videotapes were supplemented with student documents, including comic books, journal notes, and reflective essays about the trip. Findings include that not all experiences are marked as science, art, and technology; technology use does not occur; art is presented in a more formalized manner than science, which is composed of observation and the acquisition of knowledge about plants and animals; and conversations and activities resemble traditional modes of learning in school settings.

  4. The Herbert Virtual Museum

    Directory of Open Access Journals (Sweden)

    Panagiotis Petridis

    2013-01-01

    Full Text Available In recent years, virtual reality and augmented reality have emerged as areas of extreme interest as unique methods for visualising and interacting with digital museum artefacts in a different context, for example, as a virtual museum or exhibition, particularly over the Internet. Modern cultural heritage exhibitions have evolved from static to dynamic exhibitions and challenging explorations. This paper presents two different applications developed for the Herbert Museum and Art Gallery that make the user’s experience more immersive, engaging, and interactive. The first application utilizes mobile phone devices in order to enrich the visitors experience in the museum, and the second application is a serious game for cultural heritage and in particular for museum environments focusing on the younger visitors.

  5. 77 FR 39269 - Submission for OMB Review, Comment Request, Proposed Collection: IMLS Museum Web Database...

    Science.gov (United States)

    2012-07-02

    ..., Proposed Collection: IMLS Museum Web Database: MuseumsCount.gov AGENCY: Institute of Museum and Library... database of museums for use by museums, museum professionals, IMLS, policy makers, researchers, and the... subject of this notice, would establish a comprehensive, reliable database about the size, distribution...

  6. Fundraising Opportunities for Science and Technology Museums

    OpenAIRE

    Elena Borin

    2011-01-01

    The aim of this paper is to analyze the possibilities of private funding for a special kind of museums: science museums and technology centers. In the last years the economic crisis has impacted on the cultural sector, decreasing the public resources traditionally allocated to museums and arts and heritage in general. That has forced art professionals to develop alternative strategies to get the necessary financial support for museum’s activities. Although the crisis has affected also priva...

  7. Accessible by design: Library Search at the University of the Arts London

    Directory of Open Access Journals (Sweden)

    Karen Carden

    2016-07-01

    Full Text Available This brief case study, originally presented as a breakout session by Sandra Reed and Sara Osman at the UKSG Annual Conference in April 2016,1 outlines how the University of the Arts London put accessibility at the centre of its new open source library catalogue ‘Library Search’. It discusses how accessibility and inclusive design were prioritized throughout the initial discovery process and during engagement with students and other stakeholders, and how our requirement for accessibility was enhanced by the procurement method chosen. The article also considers how practical elements of good, accessible design are an integral part of the new interface. Our broader service offer and plans for the future are also included.

  8. FY 2009 Public Libraries Survey

    Data.gov (United States)

    Institute of Museum and Library Services — Dig into FY 2009 data on public library systems (referred to as administrative entities in the Public Libraries Survey) and main libraries, branches, and bookmobiles...

  9. FY 2008 Public Libraries Survey

    Data.gov (United States)

    Institute of Museum and Library Services — Dig into FY 2008 data on public library systems (referred to as administrative entities in the Public Libraries Survey) and main libraries, branches, and bookmobiles...

  10. FY 2011 Public Libraries Survey

    Data.gov (United States)

    Institute of Museum and Library Services — Dig into FY 2011 data on public library systems (referred to as administrative entities in the Public Libraries Survey) and main libraries, branches, and bookmobiles...

  11. FY 2010 Public Libraries Survey

    Data.gov (United States)

    Institute of Museum and Library Services — Dig into FY 2010 data on public library systems (referred to as administrative entities in the Public Libraries Survey) and main libraries, branches, and bookmobiles...

  12. Restoran Museum = Museum Restaurant

    Index Scriptorium Estoniae

    2009-01-01

    Tallinnas Vana-Viru 14 asuva restorani Museum sisekujundusest. Sisearhitekt Toomas Korb, tema tähtsamate tööde loetelu. Varem paiknes nendes ruumides tuletõrjemuuseum, endiseid asukaid meenutavad raamitud mustvalged fotod. Ruumi ilmestavad Tom Dixoni loodud kuulvalgustid

  13. ‘The prehistory of Asian collections in Paris’: Ting Chang, Travel, Collecting, and Museums of Asian Art in Nineteenth-Century Paris, Aldershot: Ashgate 2013

    Directory of Open Access Journals (Sweden)

    Partha Mitter

    2014-12-01

    Full Text Available The work deals with three major collectors of Asian art in Paris in the 19th century. Enrico Cernuschi and Émile Guimet (founder of Musée Guimet acquired their substantial collection through travelling abroad while Edmond Goncourt amassed his collection at home through dealers. As the author argues, the influential postcolonial critiques of museum collections as instruments of power and authority do not take into account labour and social relations, and somatic experiences of travels to Asia. Cross-cultural encounters between Europe and Asia led to subtle inversions of power, undermining European sense of superiority. Additionally, she throws light on extensive networks and complex political, commercial, monetary relations, especially bimetallism, as well as the material conditions that affect art collection.

  14. Into the Curriculum. Art: Worm Art; Reading/Language Arts: Writer's Briefcase; Reading/Language Arts: Word Play with "Kid Pix"; Science/Language Arts: Wiggle into the Library Media Center; Science: From a Seed to a Plant; Science: Seed Growth; Social Studies: Ancient Greece and Rome: Crossword Puzzle Research.

    Science.gov (United States)

    Hazergian, Carol; Marine, Cathy; Humphrey, Mary; Craig, Mary; Parker, Meredith L.; Palomaki, Julie; Willingham, Susan L.

    2002-01-01

    Provides seven fully developed library media activities that are designed for use with specific curriculum units in art, reading, language arts, science, and social studies. Library media skills, curriculum objectives, grade levels, resources, instructional roles, procedures, evaluations, and follow-up are described for each activity. (LRW)

  15. MUSEUMS AS CULTURAL TOURISM ATTRACTIONS IN UBUD

    Directory of Open Access Journals (Sweden)

    Ida Bagus Kade Subhiksu

    2016-03-01

    Full Text Available Recently, there has been a shift in the attributes of several museums in Ubud in order to attract more tourists to visit museums as cultural tourism attractions. Some museums have expanded their collections and add other attributes to complement their main collections, which as the potential to alter the idealism, functions, and roles of museums. Another challenge faced by museum operators is the development of other tourist attractions, such as the addition of tourism destination attributes in Ubud, which was initially known as tourism destinations that offered art and culture such as dance performances and museums, and now have expanded into yoga destination, adventure destination, and so on. Based on these factors, the problem statements in this research are formulated as follows: (1 How are museums as tourist attractions in Ubud area, from the perspective of operators? (2 How are museums as tourist attractions in Ubud area, from the perspective of visitors? (3 How is the relationship between museums and other tourism components when examined from the role of museums as cultural tourism attractions in Ubud area?. This research on museums was conducted in the Ubud area because Ubud has made museums as the cultural tourism attractions in the area, which include the Blanco Museum, Museum Puri Lukisan, Agung Rai Museum of Art (ARMA, the Rudana Museum, and Neka Art Museum. This research is based on the theories of museum management, marketing, and theories on cultural tourism attraction. The research involved the participation of 82 foreign visitors and 79 domestic visitors as respondents, in addition to five museum owners and two museum professionals as informants. The conclusion of this research are as follows: (1 From the perspective of museum operators, museums function as cultural tourism attractions, as sources of historical information, as the media for cultural preservation, and the actualization of the noble objective of the museum

  16. Museums And Young People: The Heritage Of Pride | Onyebinama ...

    African Journals Online (AJOL)

    This paper discusses the origin of museum, its brief history in Nigeria , its meaning, types, need for museums and the relationship between museums and libraries. It specifically addresses the issue of young people and museum which is the heritage of their pride. The paper also discusses factors/problems which may ...

  17. 45 CFR 1180.2 - Definition of a museum.

    Science.gov (United States)

    2010-10-01

    ... 45 Public Welfare 3 2010-10-01 2010-10-01 false Definition of a museum. 1180.2 Section 1180.2... HUMANITIES INSTITUTE OF MUSEUM AND LIBRARY SERVICES GRANTS REGULATIONS Definitions and Eligibility § 1180.2 Definition of a museum. For the purpose of this part: (a) Museum means a public or private nonprofit...

  18. Raising private investment funds for museums

    NARCIS (Netherlands)

    van der Burg, Tsjalle; Dolfsma, W.; Wilderom, Celeste P.M.

    2004-01-01

    The authors propose the notion of an "arts fund", a publicly traded investment fund for the purpose of acquiring increasingly costly art works to be displayed in museums. Public as well as private museums stand to benefit greatly from such an approach to financially supporting the arts. A

  19. Climate Museum and Garden

    Science.gov (United States)

    Gregg, Jay; Bille, Dorthe

    2017-04-01

    The Climate Museum and Garden is conceived as a cross-disciplinary experience, where the arts and sciences link together to increase understanding of the Earth's climate and its relevance to our fate as a species. This would be a place of inspiration. The Climate Museum and Garden would merge concepts of modern art museums and modern science museums, with exhibitions, live music and theater performances, visitor interaction, unique discoveries and reflection. It would be a place where visitors are immersed in experiences, lingering indoors and out in quiet consideration and gratitude for our planet's atmosphere. The story of climate change is compelling in its own right; theories of the greenhouse effect go back over century and climate policy has stretched back a few decades. Whereas scientific researchers have been contributing to understanding the mechanisms and impacts of climate change for many decades; whereas researchers have participated in climate summits and informed policy makers; whereas researchers have taught classes of gifted students; in all of this, the public has mostly missed out. This public relations gap has been unfortunately filled by those that would seek to politicize and mislead the public, leading to an engagement gap among the general public. Now we stand on a precipice. Therefore we see a ripe opportunity to reach out and inspire the population. We build off of current pedagogic research that shows that experienced-based learning is more impactful when it engages the senses and elicits an emotional response. People understand what they experience, what they feel, and this serves as the basis for personal reflection. In this sense the visitor experience is generative, in that it promotes further personal investigation and interaction. The Climate Museum and Garden would be a start. In the future, we envisage a future network of climate museums in all major cities. It would be a flagship attraction for any city, along with their art

  20. A DNA barcode library of the beetle reference collection (Insecta: Coleoptera in the National Science Museum, Korea

    Directory of Open Access Journals (Sweden)

    Sang Woo Jung

    2016-06-01

    Full Text Available Coleoptera is a group of insects that are most diverse among insect resources. Although used as indicator species and applied in developing new drugs, it is difficult to identify them quickly. Since the development of a method using mitochondrial DNA information for identification, studies have been conducted in Korea to swiftly and accurately identify species. The National Science Museum of Korea (NSMK has been collecting and morphologically identifying domestic reference insects since 2013, and building a database of DNA barcodes with digital images. The NSMK completed construction of a database of digital images and DNA barcodes of 60 beetle species in the Korean National Research Information System. A total of 179 specimens and 60 species were used for the analysis, and the averages of intraspecific and interspecific variations were 0.70±0.45% and 26.34±6.01%, respectively, with variation rates ranging from 0% to 1.45% and 9.83% to 56.23%, respectively.

  1. Our museum

    DEFF Research Database (Denmark)

    Drotner, Kirsten

    2017-01-01

    Our Museum was initiated in 2016. It is a five-year Danish national research and development programme comprising seven university departments at five universities and eight museum partners. The project aims to facilitate new forms of citizen engagement and inclusion by developing and studying how...... museums communicate with audiences in innovative ways. In this text the background, aims, hypothesis and organization are presented....

  2. Museum Learning.

    Science.gov (United States)

    Black, Susan

    2002-01-01

    Virtual museums focus on a specific curriculum theme and showcase electronic museum-type collections such as artifacts, paintings, photographs, numerous databases, and Web links to resources around the world. Museums of all types include vital teaching tools that help students make discoveries and form connections with the past, present, and…

  3. Paleontological museums and geoethics

    Directory of Open Access Journals (Sweden)

    Riccardo Manni

    2012-07-01

    Full Text Available Paleontological museums should adopt a code of ethics in order to carry out restorations and to set-up exhibits without any falsification. Indeed, alterations can often be voluntary because an exhibit needs to be ‘beautiful’, ‘realistic’ or ‘charming’ for the public. Therefore, the reconstructed parts are painted and then ‘soiled’ artfully to look more realistic. An incomplete skeleton might be completed by reconstructing the missing bones, or by adding casts of other bones. Sometimes skeletons are ‘created’, by assembling together bones from several specimens of the same species. Therefore, the museum staff should also inform visitors if a specimen has undergone such tampering, because otherwise each visitor is convinced that they have seen a ‘true’ fossil. So all museum staff should be trained not only in the techniques of museums, but also in the ethics of restoration and installation.

  4. Another New Museum?

    DEFF Research Database (Denmark)

    Michels, Christoph; Beyes, Timon; Steyaert, Chris

    2014-01-01

    With the transformation of urban governance into a mode of entrepreneurialism, museums have become prominent and privileged sites for reshaping cities as attractive places for cultural and artistic consumption. Using an ethnographic field study, the authors investigate how the logic of the creative...... city is at work in the planning of a new art museum in a medium-sized Swiss city. The analysis shows how the entrepreneurial rationale is contested and re-appropriated through the use of classic and situational modes to organize this cultural institution. The ways of imagining the museum are described...... as the effects of these three modes of ordering – entrepreneurial, classic, and situational – as well as their hybridization. The authors conclude that by attending to the multiple layers of urban life, which unfold in and around museums, we can imagine other ‘new museums’ than those of the entrepreneurial city....

  5. The Affects of Museum Architecture: Louvre-Lens and Museu de Arte de São Paulo

    DEFF Research Database (Denmark)

    Jakobsen, Annette Svaneklink

    2014-01-01

    The studies of the Louvre-Lens show how social and relational awareness can be expressed architecturally, as the architecture by SANAA is explicitly anti-monumental and seeks to relate to the site, the inhabitants, and the visitors by being adaptive and responsive to the former mining landscape......, photographs, and literary studies, the paper will compare the two museum spaces by SANAA and Bo Bardi, respectively, including their positions in relation to the urban programs. The paper will propose how architecture can condition and create affects and sensations which immanently connect the social agendas...

  6. A Hazard Assessment and Proposed Risk Index for Art, Architecture, Archive and Artifact Protection: Case Studies for Assorted International Museums

    Science.gov (United States)

    Kirk, Clara J.

    This study proposes a hazard/risk index for environmental, technological, and social hazards that may threaten a museum or other place of cultural storage and accession. This index can be utilized and implemented to measure the risk at the locations of these storage facilities in relationship to their geologic, geographic, environmental, and social settings. A model case study of the 1966 flood of the Arno River and its impact on the city of Florence and the Uffizi Gallery was used as the index focus. From this focus an additional eleven museums and their related risk were assessed. Each index addressed a diverse range of hazards based on past frequency and magnitude. It was found that locations nearest a hazard had exceptionally high levels of risk, however more distant locations could have influences that would increase their risk to levels similar to those locations near the hazard. Locations not normally associated with a given natural hazard can be susceptible should the right conditions be met and this research identified, complied and assessed those factions found to influence natural hazard risk at these research sites.

  7. Museum Universe Data File FY 2015 Q3

    Data.gov (United States)

    Institute of Museum and Library Services — Browse a list of known museums and related organizations in the United States as of the third quarter of FY 2015. This list contains descriptive information about...

  8. Museum Universe Data File FY 2014 Q3

    Data.gov (United States)

    Institute of Museum and Library Services — Browse a list of known museums and related organizations in the United States as of the third quarter of FY 2014. This list contains descriptive information about...

  9. Museum Universe Data File FY 2015 Q1

    Data.gov (United States)

    Institute of Museum and Library Services — Browse a list of known museums and related organizations in the United States as of the first quarter of FY 2015. This list contains descriptive information about...

  10. Myths, Mummies and Museums.

    Science.gov (United States)

    Norby, Shirley

    1979-01-01

    Greek mythology, Egyptian mummies, and the Metropolitan Museum of Art in New York City are the focus of a one-semester course given at the Sea Girt (New Jersey) Elementary School. It is an interdisciplinary program wherein students (grade 8) study ancient civilizations and do projects related to their studies. (KC)

  11. Museum audio description

    OpenAIRE

    Martins, Cláudia Susana Nunes

    2011-01-01

    Audio description for the blind and visually impaired has been around since people have described what is seen. Throughout time, it has evolved and developed within different media, starting with reality and daily life, moving into the cinema and television, then across other performing arts, museums and art galleries, and public places. Thus, academics and entertainment providers have developed a growing interest for audio description, especially in what concerns the best methods and strateg...

  12. Building Staff Capacity to Evaluate in Museum Education

    Science.gov (United States)

    Kubarek, Joy

    2015-01-01

    For years, museums of all varieties, including art museums, science centers, history museums, zoos, and aquariums, have conducted education evaluation. However, museums are all too often faced with the challenge of allocating staff time, expertise, and other resources toward conducting evaluation, particularly evaluation that moves beyond program…

  13. The Flipped Museum: Leveraging Technology to Deepen Learning

    Science.gov (United States)

    Harrell, Michelle H.; Kotecki, Emily

    2015-01-01

    The Flipped Museum is an innovative model in which high school students engage in online learning before and after a museum experience at the North Carolina Museum of Art. This model, inspired by the "flipped classroom," inverts the delivery and application of knowledge in a museum setting. Beginning with an overview of the pedagogical…

  14. Library Systems: FY 2013 Public Libraries Survey (Administrative Entity)

    Data.gov (United States)

    Institute of Museum and Library Services — Find key information on library systems around the United States.These data include imputed values for libraries that did not submit information in the FY 2013 data...

  15. Library Systems: FY 2014 Public Libraries Survey (Administrative Entity Data)

    Data.gov (United States)

    Institute of Museum and Library Services — Find key information on library systems around the United States.These data include imputed values for libraries that did not submit information in the FY 2014 data...

  16. Library Systems: FY 2012 Public Libraries Survey (Administrative Entity)

    Data.gov (United States)

    Institute of Museum and Library Services — Find key information on library systems around the United States.These data include imputed values for libraries that did not submit information in the FY 2012 data...

  17. [Proceedings of the VII international symposium 'Cultural heritage in geosciences, mining and metallurgy : libraries, archives, museums' : "Museums and their collections" held at the Nationaal Natuurhistorisch Museum Leiden (The Netherlands), 19-23 May, 2003 / Cor F. Winkler Prins and Stephen K. Donovan (editors)]: Bohemian mineralogy in the early 19th century: the Vaterlandisches Museum in Bohmen

    NARCIS (Netherlands)

    Schweizer, C.R.

    2004-01-01

    The Vaterlandisches Museum in Prague was officially founded in 1822 by Caspar and Franz Sternberg as a manifestation of Bohemian nationalism. It aimed at 1) the education of the public, 2) the sponsorship of Bohemian scientific and cultural research, and 3) the economical utilization of scientific

  18. [Proceedings of the VII international symposium 'Cultural heritage in geosciences, mining and metallurgy : libraries, archives, museums' : "Museums and their collections" held at the Nationaal Natuurhistorisch Museum Leiden (The Netherlands), 19-23 May, 2003 / Cor F. Winkler Prins and Stephen K. Donovan (editors)]: Palaeontological collections at the Geological Museum, University of Copenhagen: from Cabinet of Curiosities to databases

    NARCIS (Netherlands)

    Harper, D.A.T.

    2004-01-01

    Geological collections were established in the University of Copenhagen during the early 1700s with the presentation of fossil, mineral and rock collections by Count A.G. Moltke, mainly assembled by Ole Worm (1588-1654) in his Museum Wormianum. Currently the palaeontological collections in the

  19. [Textual research on the author of manuscript prefaces in Zhao Kaimei's version of Zhong Jing Quan Shu collected at the Library of Palace Museum in Taipei].

    Science.gov (United States)

    You, Wen-ren; Su, Yi-zhan

    2007-04-01

    Zhong Jing Quan Shu (Zhongjing's Complete Book) published by Zhao Kaimei in the Ming dynasty is very important. In our understanding, the part of this book named Shang Han Lun (Treatise on Exogenous Cold Diseases) has been thought that the edition could be possibly the most similar to that of the edition of the Northern Song dynasty. Therefore, there are two manuscript prefaces found in the Zhong Jing Quan Shu collected at the Library of Palace Museum in Taipei. The message from the writer of the manuscript who owned facsimile handwritten copy of the official Northern Song large-character edition of Shang Han Lun. This is the first time to reveal that a paper record has been kept in the world now since the Ming dynasty. That is the reason why the edition has always been thought so much important to the world now. These manuscript prefaces quite often attracted the attention of the Chinese and Japanese scholars, but none of them could identify who the writer was. And after a thorough reading of the original work, investigating the inscriptions, and checking the seals, we finally identified the writer to be Xu Fang, in late Qing dynasty. The result of this study might be helpful to research the tracing of the valuable facsimile handwritten copy of the official Northern Song large-character edition of Shang Han Lun, and also would be possible to give some new ideas and make new contents of Shang Han Lun to the studies of bibliography and editions in the future.

  20. Mobile Technology as a Virtual Assistant at the Museum of the Isidro Ayora Fiscal School

    Directory of Open Access Journals (Sweden)

    Fausto Alberto Viscaino Naranjo

    2018-02-01

    Full Text Available The Isidro Ayora School located in the Latacunga Canton, between Quijano / Ordóñez and Tarqui streets, has a museum that is open to the citizens without any age difference, projecting during the tour in a traditional, monotonous and unconventional way all their art, By this factor the influx of public is very sporadic, which does not allow the development and recognition of the Museum. For the development of the research was applied the hypothetical-deductive method and the analytical, on the other hand was applied the methodology of application development for Smartphones Mobile-D; Through the collection of information that involves eld research, it was veri ed that the Museum does not have technological alternatives that allow the dissemination of the historical-cultural heritage, thus demonstrating that the creation of the virtual guide through mobile technology is the technological solution to improve The user’s experience in visiting and disseminating museums; So is the search for the use of new technologies helping to turn a forgotten environment into an interactive and friendly environment. With the implementation of Mobile Technology in the Museum of the Isidro Ayora School, visitors will be able to interact with the art articles displayed and visualize their information on any Android device through a multimedia library by simply scanning the QR code that each contains and In consequence it will allow the innovation, difusion and recognition of the Museum.

  1. La Gestión de la Comunicación Externa Online con los Visitantes en los Museos y Centros de Arte en Málaga / The Online External Communication Management with the Visiting Public in Museums and Art Centers in Málaga

    Directory of Open Access Journals (Sweden)

    Ana Soler Humanes

    2013-12-01

    Full Text Available La siguiente investigación analiza la gestión de la comunicación externa online con el público visitante en los museos y centros de arte malagueños, centrándose en el uso de páginas web y plataformas 2.0 para cumplir sus objetivos. La muestra abarca a los tres museos más visitados de Málaga: Museo Picasso, Museo Carmen Thyssen y Centro de Arte Contemporáneo (CAC. Los resultados obtenidos prueban que la comunicación de los museos en internet continúa manteniendo un carácter tradicional, si bien se observan claros avances en la adaptación al entorno digital. / The following research analyses the management of the online external communication with the visiting public in museums and art centers in Málaga, focusing on the use of web pages and 2.0 platforms to attain their objectives. The sample includes the three most visited museums in Málaga: Picasso Museum, Carmen Thyssen Museum and the Contemporary Art Center (CAC. The results show that communication online of the museums keeps being traditional, although there is a clear progress in adapting to the digital environment.

  2. PROFESSOR ZDZISŁAW ŻYGULSKI JR.: AN OUTSTANDING PERSON, A GREAT PERSONALITY, A MUSEUM PROFESSIONAL, A RESEARCHER ON ANTIQUE WEAPONS, ORIENTAL ART AND EUROPEAN PAINTING (1921–2015

    Directory of Open Access Journals (Sweden)

    Teresa Grzybkowska

    2017-02-01

    Full Text Available Professor Zdzisław Żygulski Jr. (1921–2015 was one of the most prominent Polish art historians of the second half of the 20th century. He treated the history of art as a broadly understood science of mankind and his artistic achievements. His name was recognised in global research on antique weapons, and among experts on Rembrandt and Leonardo da Vinci. He studied museums and Oriental art. He wrote 35 books, about 200 articles, and numerous essays on art; he wrote for the daily press about his artistic journeys through Europe, Japan and the United States. He illustrated his publications with his own photographs, and had a large set of slides. Żygulski created many exhibitions both at home and abroad presenting Polish art in which armour and oriental elements played an important role. He spent his youth in Lvov, and was expatriated to Cracow in 1945 together with his wife, the pottery artist and painter Eva Voelpel. He studied English philology and history of art at the Jagiellonian University (UJ, and was a student under Adam Bochnak and Vojeslav Molè. He was linked to the Czartoryski Museum in Cracow for his whole life; he worked there from 1949 until 2010, for the great majority of time as curator of the Arms and Armour Section. He devoted his whole life to the world of this museum, and wrote about its history and collections. Together with Prof. Zbigniew Bocheński, he set up the Association of Lovers of Old Armour and Flags, over which he presided from 1972 to 1998. He set up the Polish school of the study of militaria. He was a renowned and charismatic member of the circle of international researchers and lovers of militaria. He wrote the key texts in this field: Broń w dawnej Polsce na tle uzbrojenia Europy i Bliskiego Wschodu [Weapons in old Poland compared to armaments in Europe and the Near East], Stara broń w polskich zbiorach [Old weapons in Polish armouries], Polski mundur wojskowy [Polish military uniforms] (together with H

  3. Adding Effectively to the National Resource on Art, Craft and Design: A View from a Museum Library

    Directory of Open Access Journals (Sweden)

    Rowan Watson

    2001-07-01

    Full Text Available In these times of intensified resource constraints, our task is to reflect on the essential nature of our collections, to identify what makes them distinct from others, and to capitalize on that distictiveness for the benefit of all. Only then can we see how best to contribute to the collective bibliographical resource that the web begins to deliver to us in our offices and living rooms.

  4. Works of art and archaeological artifacts studied with the tandem accelerator of the Louvre museum; Pleins feux sur les objets d'art et d'archeologie avec l'accelerateur de particules du Louvre

    Energy Technology Data Exchange (ETDEWEB)

    Dran, J.C. [Centre de Recherche et de Restauration des Musees de France, C2RMF, UMR 171, 75 - Paris (France)

    2002-10-01

    The research and restoration center of the French museums (C2RMF) uses the Aglae system which is based on a 2 MV tandem-type accelerator. This installation allows 3 methods of material analysis with ion beams: - the particle induced X-ray emission spectrometry (PIXE), - the Rutherford backscattering spectrometry (RBS), and nuclear reaction analysis (NRA). These non-destructive methods allow the identification of materials used in works of art, the understanding of their fabrication techniques and of their ageing processes. The PIXE method is very sensible and it allows the determination of the place of origin by giving the trace element composition. C2RMF will benefit from a new installation located at Saclay that will permit radiocarbon dating through the direct measurement of {sup 14}C by accelerator mass spectrometry. (A.C.)

  5. Art, production and market conditions: Gottfried Semper’s historical perspective on commodities and the role of museums

    Directory of Open Access Journals (Sweden)

    Claudio Leoni

    2015-01-01

    Full Text Available This paper looks at Gottfried Semper’s notions on the commodity and capitalism. When Semper attended the Great Exhibition, he realized the enormous impact that capitalist industries and interests have had on the arts. The Crystal Palace has always been at the centre of Semper scholarship but the focus has been less on capitalism than on the arts and crafts although Semper’s comments on capitalism are apparent and illustrate that he understood that everything becomes a commodity, even architecture. As a theorist trying to principles of by which art is driven, he analyzes industries and their mass produced objects and tries to come to terms with this. At the same time, he tries to integrate capitalism into his historical and scientific models. This paper tries to unravel Semper’s ideas on capitalism and the way he tries to resolve its problems in artistic production.

  6. Practical Partnerships: Strengthening the Museum-School Relationship

    Science.gov (United States)

    Bobick, Bryna; Hornby, Jenny

    2013-01-01

    This article highlights two separate museum partnerships involving "The Memphis Brooks Museum of Art" in Tennessee, with high school students and undergraduate art education majors from The University of Memphis. An overview of the partnership is offered along with recommendations for museum educators who would like to create…

  7. Museum Data Bank Research Report: The Yogi and the Registrar.

    Science.gov (United States)

    Scott, David W.

    1988-01-01

    Discusses the problems involved in assigning descriptors to works of art for online museum catalogs. The topics covered include the subjectivity of the analysis of art, factors that affect the cataloging of museum collections, and the online systems developed by various museums. (17 references) (CLB)

  8. Library of the Future: Croydon's New Central Library Complex.

    Science.gov (United States)

    Batt, Chris

    1993-01-01

    A new library and cultural center in Croyden (England) is described. Function-based areas include library, administration, technical services, museum and galleries, museum offices and store, cinema, tourist information center, and local government offices. Information technology systems include the library management system, office automation, and…

  9. Authentication at a small museum: the kindness of strangers

    Science.gov (United States)

    Hyland, Douglas K. S.

    2000-03-01

    Over the last twenty years, I have served as curator and director of several small and medium size museums including the Helen Foresman Spencer Museum of Art, University of Kansas, Lawrence, Kansas; the Memphis Brooks Museum of Art, Memphis, Tennessee; the Birmingham Museum of Art, Birmingham, Alabama; the San Antonio Museum of Art, San Antonio, Texas, and most recently, the Fuller Museum of Art, Brockton, Massachusetts. The largest budget approached three million dollars, minute in comparison with the Metropolitan Museum of Art of the National Gallery. Our resources were limited and the demands of building maintenance, programs, acquisitions and conservation far outstripped the amount of money available to be spent. Each museum housed between five and thirty thousand art works and generally speaking the collections were eclectic. It is not unusual at these city museums to find extraordinary oddities ranging from the finest Wedgwood collection in the world in Birmingham to the most extensive group of Latin American folk art objects to be found anywhere in San Antonio. Each year museums of comparable size are offered thousands of art works on all shapes and sizes form all periods and cultures. Only rarely does the staff have the expertise to evaluate and determine the authenticity of the eclectic group of objects both in the collection and being offered. With few curators and in many cases even fewer local experts to call upon, the museum professional must be both bold and creative.

  10. Using knowledge management practices to develop a state-of-the-art digital library.

    Science.gov (United States)

    Williams, Annette M; Giuse, Nunzia Bettinsoli; Koonce, Taneya Y; Kou, Qinghua; Giuse, Dario A

    2004-01-01

    Diffusing knowledge management practices within an organization encourages and facilitates reuse of the institution's knowledge commodity. Following knowledge management practices, the Eskind Biomedical Library (EBL) has created a Digital Library that uses a holistic approach for integration of information and skills to best represent both explicit and tacit knowledge inherent in libraries. EBL's Digital Library exemplifies a clear attempt to organize institutional knowledge in the field of librarianship, in an effort to positively impact clinical, research, and educational processes in the medical center.

  11. Museum Archives: Growth and Development.

    Science.gov (United States)

    Stover, Catherine

    1983-01-01

    Brief history of American art institutions and records documenting their activities describes archival practices at the Pennsylvania Academy of the Fine Arts, which was founded in 1805. Major principles of archival arrangement (provenance, original order) and research requests are noted. Draft guidelines for museum archives and nine references are…

  12. EXPERIENCE IN STUDENT PARTICIPATION IN THE MEANINGFUL INFORMATION PROJECTS BY THE EXAMPLE OF DEVELOPMENT OF MULTIMEDIA APPLICATION «COPPER ART MOLDING OF XVI–XX CENTURES FROM THE COLLECTION OF THE NATIONAL MUSEUM OF THE KOMI REPUBLIC»

    Directory of Open Access Journals (Sweden)

    Аlexandra S. Bolshakova

    2013-01-01

    Full Text Available The paper presents the example of student participation in the meaningful information projects in the Komi Republic, the information technologies applying in culture, in particular, the creation of multimedia applications for distribution on CDs or other digital carriers. The project of creation the multimedia application "Copper art molding: crosses, icons, folding XVI – XX centuries from the National Museum of the Komi Republic collection" is described. 

  13. Перегородчатые эмали из собрания А.В. Звенигородского и исследование Л. Пекарской «Jewellery of Princely Kiev. The Kiev hoards in the British Museum and The Metropolitan Museum of Art and Related Material» / Cloisonné enamels from the former collection Alexander Zwenigorodsky and a new book by Ljudmila Pekarska, Jewellery of Princely Kiev. The Kiev Hoards in the British Museum and the Metropolitan Museum of Art and Related Material

    Directory of Open Access Journals (Sweden)

    Yuri Pyatnitsky

    2015-10-01

    Full Text Available In 2011, a monograph long anticipated by art historians with an expertise in Old Russian and Byzantine art was published by Ljudmila Pekarska. The main subject of the monograph - the history of a hoard of jewellery found in Kiev in 1906, and as luck would have it is today divided between the British Museum and the Metropolitan Museum of Art. The author, however, did not limit her study to the analysis of objects from this hoard. She used an extensive amount of comparative materials from collections in many Western, Ukrainian, and Russian museums. L. Pekarska focuses mainly on the cloisonné enamels, an impressive example of exquisite medieval luxury. Welcoming the publication of this book, and being interested in the research, as well as its author, I do not envy the hard work that it would take for a person to write a scholarly review on this publication.

  14. Web‐Based Portal for Impact Evaluation Reveals Information Needs for Museums, Libraries and Archives. A review of: Williams, Dorothy A., Caroline Wavell, Graeme Baxter, Alan MacLennan, and Debbie Jobson. “Implementing Impact Evaluation in Professional Practice: A Study of Support Needs Within the Museum, Archive and Library Sector.” International Journal of Information Management 25.6 (Dec. 2005: 533‐48.

    Directory of Open Access Journals (Sweden)

    David Hook

    2007-03-01

    Full Text Available Objective – This study reports on research into the information and support needs of practitioners in the museum, archive, and library sectors, who are undergoing an impact evaluation.Design – Qualitative survey.Setting – Web‐based questionnaire.Subjects – Twenty‐one practitioners in the fields of museums, archives, and libraries.Methods – The study made use of a small scale web portal that provides impact evaluation research findings, toolkits, and examples of methods. The portal’s intent was to present to the users multiple views of the available information in order to overcome the problem of users not being able to identify their needs. A purposive sample group consisting of 50 practitioners from the museum, library, and archive fields was invited to participate in a questionnaire evaluating the website.Main Results – Despite a fairly low response rate (49% and poor distribution among the three sectors (museums, libraries, and archives, the results indicated a significant difference in the levels of knowledge and understanding of impact evaluation. Over half of the organizations surveyed had done some assessment of their institution’s economic impact, and there appears to be a rising trend towards doing impact studies for specific projects and developments. Nearly a quarter of the organizations had not undertaken any impact evaluation study previously. Practitioners already familiar with impact evaluation tended to look at broader range of fields for expertise, whereas those with less familiarity remained within their own sector. Practitioners with less experience preferred tools, guidance, and examples of methodologies as opposed to actual evidence of impact. The results also provided the authors with feedback on their web portal and how to organize the information therein.Conclusions – One of the findings of the study was that the overall reaction to impact evaluation support through research evidence, guidance, and

  15. Virtuelt museum

    DEFF Research Database (Denmark)

    Nissen, Mogens Rostgaard

    2008-01-01

    I april 2008 åbnes dørene til "Virtuelt Museum". Det er et internetmuseum, som alle kan besøge ved at klikke ind på portalen www.vimu.info . På museet er der en præsentation af regionen Slesvig-Holsten - Syddanmarks historie siden 1830. Det har taget tre år at udvikle det virtuelle museum...

  16. Comparative Analysis of Visitors' Experiences and Knowledge Acquisition between a 3Dimensional Online and a Real-World Art Museum Tour

    Science.gov (United States)

    D' Alba, Adriana; Jones, Greg; Wright, Robert

    2015-01-01

    This paper discusses a study conducted in the fall of 2011 and the spring of 2012 which explored the use of existing 3D virtual environment technologies by bringing a selected permanent museum exhibit displayed at a museum located in central Mexico into an online 3Dimensional experience. Using mixed methods, the research study analyzed knowledge…

  17. [Proceedings of the VII international symposium 'Cultural heritage in geosciences, mining and metallurgy : libraries, archives, museums' : "Museums and their collections" held at the Nationaal Natuurhistorisch Museum Leiden (The Netherlands), 19-23 May, 2003 / Cor F. Winkler Prins and Stephen K. Donovan (editors)]: The VII International Symposium 'Cultural Heritage in Geosciences' at Leiden: welcoming address

    NARCIS (Netherlands)

    Weiden, van der W.G.

    2004-01-01

    Naturalis, the National Museum of Natural History, is very proud of hosting this important symposium. The organizers made a right choice by selecting our museum for this expert meeting because our geological collections are famous. The collections (zoological, palaeontological and geological) are

  18. The Kaleidoscope of Culture: expanding the museum experience and the museum narrative by inviting visitors into the curatorial process

    Directory of Open Access Journals (Sweden)

    Kirsten Jensen

    2015-07-01

    Full Text Available Traditional art museum exhibitions are planned according to art-historical elements. At Trapholt – a museum of modern Danish art, design and applied art in Denmark, we are interested in exploring what happens when ordinary visitors are invited to curate personal exhibitions in the museum space. This paper analyses the project The Kaleidoscope of Culture, where people with no art historical background were invited to curate exhibitions based on the Trapholt collection of art and their own cultural backgrounds and experiences. The main argument is that, by allowing these personal voices in the museum space, new museum narratives are established. But to make the museum a truly transformative space the art- historical knowledge and methods must also be activate.

  19. Walking the Museum - Performing the Museum

    DEFF Research Database (Denmark)

    Thobo-Carlsen, M.

    2016-01-01

    and corporeal practices, where affectivity is enacted and social relations may be transformed. The article examines how the participatory design of Riverbed produces affects that are inherently performative, relational and political. The article analyses how the visitors are affected and moved by the exhibition......The article examines the performative aspects of the exhibition Olafur Eliasson: Riverbed (2014) in order to qualify and evaluate participatory modes of curating, doing research, and learning from art in museums. The article develops a theoretical approach to exhibitions as spaces for social...

  20. How To Organize and Operate a Small Library. A Comprehensive Guide to the Organization and Operation of a Small Library for Your School, Church, Law Firm, Business, Hospital, Community, Court, Historical Museum or Association.

    Science.gov (United States)

    Bernhard, Genore H.

    A guide is presented for those unfamiliar with library procedures who wish to organize and operate a small library. Following a discussion of the modern library's role, there is detailed information about library boards, librarians, finance, legal problems, policies, equipment, supplies, and book acquisition and processing. Shelving, filing, book…

  1. An Experiment in School/Museum/University Collaboration.

    Science.gov (United States)

    Davis, D. Jack; McCarter, R. Williams

    1994-01-01

    North Texas Institute for Educators on the Visual Arts, a consortium of six school districts, five museums, two arts councils, two state agencies, and the University of North Texas, has strived to improve education in the visual arts for K-6 children and to develop better educated audiences for area museums. (JB)

  2. The NMC Horizon Report: 2013 Museum Edition

    Science.gov (United States)

    Johnson, L.; Adams Becker, S.; Freeman, A.

    2013-01-01

    The "NMC Horizon Report: 2013 Museum Edition," is a co-production with the Marcus Institute for Digital Education in the Arts (MIDEA), and examines six emerging technologies for their potential impact on and use in education and interpretation within the museum environment: BYOD (Bring Your Own Device), crowdsourcing, electronic…

  3. Insights on a Museum's Distance Learning Program

    Science.gov (United States)

    O'Leary, Lynda

    2011-01-01

    In 1995 the Philadelphia Museum of Art's Education Department embarked on an experiment to see how videoconferencing technology could benefit educational programming. Since then it has blossomed into a robust full-time program that has become an important asset to both the Education Department and the museum as a whole. This article describes the…

  4. The Concept of Islamic Art: Inherited Discourses and New Approaches’, in Benoît Junod, Georges Khalil, Stefan Weber and Gerhard Wolf, eds, Islamic Art and the Museum, London: Saqi, 2012. Reproduced by permission of the author and publishers

    Directory of Open Access Journals (Sweden)

    Gülru Necipoğlu

    2012-06-01

    Full Text Available The article examines the shift in the field, since the 1970s, from a predominant focus on the early period of Islamic art and architecture in the ‘central zone’ of the Fertile Crescent to a broader chronological and geographical scope. This shift has contributed, among other things, to a change of emphasis from artistic unity to variety, accompanied by an increasing diversification of concepts and approaches including dynastic, regional, media-based, textual, theoretical, critical, and historiographical inquiries. The article seeks to address the unresolved methodological tensions arising from the expanded scope of the field, along with concomitant anxieties over the fragmentation of its traditional ‘universalism’. It begins by outlining the premises of still prevalent approaches inherited from the construction of the field during the late nineteenth and early twentieth centuries, a field rooted in the entangled legacies of Orientalism, nationalism, and dilletantism. The article then reviews the statements of some scholars on the state and future of the field before turning to personal reflections on challenges posed by its expanding horizons and its relationship to the Museum.

  5. Museum Superheroes: The Role of Play in Young Children's Lives

    Science.gov (United States)

    Krakowski, Pamela

    2012-01-01

    This article explores the role of play in an art museum. Reflecting upon a kindergarten field trip to the Warhol Museum in which children's play was the centerpiece of the museum experience, the author examines what early childhood theorists have written about the value of play in young children's lives. She shows how the Warhol's program for…

  6. Art and Architectural Space

    DEFF Research Database (Denmark)

    Unterrainer, Walter

    2014-01-01

    the number of museums went up from 300 by 1980 to estimated 3000 museums by 2015. In urban discourses, new museums and buildings for art have been considered as drivers for ´cultural sustainability´ of cities. The notion is diffuse and the reality is more an economic centred ´city branding´ to help...... and its content. The urban and spatial question goes far beyond museums and other buildings for art: how in democratic societies should public spaces be supported by art and how can public art support ´cityness´ and meaning versus spaces of consumerism. Famous but egocentric buildings with the main...

  7. On Making and Identifying a "Copy"; Building Safety Systems with Dynamic Disseminations of Multimedia Digital Objects; MOAC - A Report on Integrating Museum and Archive Access in the Online Archive of California; DSpace: An Open Source Dynamic Digital Repository; iVia Open Source Virtual Library System.

    Science.gov (United States)

    Paskin, Norman; Canos, Jose H.; Jaen, Javier; Lorente, Juan C.; Perez, Jennifer; Rinehart, Richard; Smith, MacKenzie; Barton, Mary; Branschofsky, Margaret; McClellan, Greg; Walker, Julie Harford; Mass, Mick; Stuve, Dave; Tansley, Robert; Mitchell, Steve; Mooney, Margaret; Paynter, Gordon W.; Mason, Julie; Ruscheinski, Johannes; Kedzierski, Artur; Humphreys, Keith

    2003-01-01

    Includes five articles that discuss copies in terms of metadata and digital rights management; safety oriented systems, a new type of decision support systems; MOAC (Museums and the Online Archive of California); DSpace, an open source digital repository; and iVia, an open source Internet subject portal or virtual library system. (LRW)

  8. Into the Curriculum. Art: Landscape Painting; Home Economics/Social Studies: Greek Clothing; Reading/Language Arts: In Search of Greek and Roman Gods and Goddesses!; Science: Magnets; Social Studies/Language Arts: Great Primary Sources on the Great Depression: Using the Library of Congress Collections Online.

    Science.gov (United States)

    Barbour, Jeffrey Paul; Ward, Lisa M.

    2001-01-01

    Provides five fully developed library media activities that are designed for use with specific curriculum units in art, home economics, social studies, reading, language arts, and science. Library Media skills, curriculum objectives, grade levels, resources, instructional roles, procedures, evaluation, and follow-up are described for each…

  9. KAZIMIERZ MALINOWSKI – MUSEUM PROFESSIONAL

    Directory of Open Access Journals (Sweden)

    Gerard Radecki

    2017-05-01

    Full Text Available Year 2017 marks the 110th birthday anniversary and 40th anniversary of the death of Kazimierz Malinowski. June 2016 marked half a century since he re-took the post of Director of the National Museum in Poznań. The circumstances in question require us to remember an individual who was of great merit to Polish museology and to the National Museum in Poznań. The title of this text paraphrases the title of an article by Kazimierz Malinowski Michał Walicki - museum professional, published in the “Muzealnictwo” magazine and devoted to a renowned art historian and researcher on Gothic art in Poland. Walicki is less known as a museum professional and even less as a mentor to Malinowski himself. However, if one attempted to determine the whole range of the activity of the latter using one word only, the term “museum professional”, rather disregarded today, seems to be the most capacious and adequate. It reminds about Malinowski in some of the most significant aspects of his activity, including the one as: 1/ a museum professional in the strict sense, but also a practician working in a museum and taking part in the life of this environment in the broadest meaning, 2/ a propagator of the social role of museums as institutions open to the general public, 3/ the long-term Director of the National Museum in Poznań, a visionary and a curator of the institution’s new programme. Malinowski was one of a few of the most important figures of the post-war museology in Poland. Today, he is almost entirely forgotten. Almost total absence of this name in today’s museum circles also results from an unsatisfactory state of research into his professional biography. Nevertheless, Malinowski’s activity, even only in the field of museology, as his second major field of activity was conservation, is still to be meticulously analysed. Therefore, many opinions presented below should be treated as suggestions and hypotheses, still to be further verified, given

  10. Engaging Experiences in Interactive Museum Exhibitions

    DEFF Research Database (Denmark)

    Borup Lynggaard, Aviaja; Langballe, Line; Geert Jensen, Birgitte

    2005-01-01

    and history museums. There is considerable potential in the development of experiences and in the communication of information customized to visitors in the museum apart from personally held information devices. The paper will present background research for developing solutions to a new media museum......The aim of the present paper is to outline possibilities for the development of combined IT and architectural concepts supported by joint engaging experiences for visitors to the room of the museum of the future. Focus is upon a joint experience, as many existing IT-systems designed for museums...... primarily appeal to a strong individualised experience where the visitor views a PDA or similar, rather than experience the atmosphere and interaction of the room. In this context, there are several examples from practice and in the research literature of IT-systems for science centres, art museums...

  11. The first book museums in Italy

    Directory of Open Access Journals (Sweden)

    Andrea De Pasquale

    2016-11-01

    Full Text Available Just before the advent of Fascism, in Turin, in the nearby town of Carmagnola and in Florence were born the first Italian examples of book museums. It was early and exceptional experiments of valorizing of book history and of the ancient techniques of manufacturing manuals in a time of great innovation. The first, called the National Museum of the book, was opened in 1913 as a result of the exhibition of the history of printing held during the Universal Exhibition of 1911; the second, created in 1921, was the result of collecting a notable family that took up the typographic tradition of Carmagnola old more than 4 centuries; the third, said Museum of books and illumination, was the result of the exploitation of the extraordinary collections of the Medici library and of the policy pursued by the Director Guido Biagi. Of such museums, outlining the events that led to their creation, only the museum in Carmagnola has come to this day, while the others for various reasons, were closed and never reconstituted. The contribution also provides an opportunity to reflect on the creation of a new museum of the book in Italy at a time when libraries lack visibility into the organization of the Ministry of cultural heritage, which could be distributed and polycentric in the offices of the State libraries in Rome, with its hub at the National Central Library.

  12. Main Libraries, Branches, and Bookmobiles: FY 1992-2012 Public Libraries Survey Trends (Outlet)

    Data.gov (United States)

    Institute of Museum and Library Services — Find key information on trends in main libraries, branches, and bookmobiles, including FSCS IDs and location.These data include imputed values for libraries that did...

  13. Library Systems: FY 1992-2012 Public Libraries Survey Trends (Administrative Entity)

    Data.gov (United States)

    Institute of Museum and Library Services — Find key information on trends in library systems around the United States from FY 1992 to FY 2012.These data include imputed values for libraries that did not...

  14. Main Libraries, Branches, and Bookmobiles: FY 2013 Public Libraries Survey (Outlet)

    Data.gov (United States)

    Institute of Museum and Library Services — Find key information on main libraries, branches, and bookmobiles, including FSCS IDs and location.These data include imputed values for libraries that did not...

  15. Public Libraries Survey: Fiscal Year 2008

    Science.gov (United States)

    Henderson, Everett; Miller, Kim A.; Craig, Terri; Dorinski, Suzanne; Freeman, Michael; Isaac, Natasha; Keng, Jennifer; O'Shea, Patricia; Schilling, Peter

    2010-01-01

    The Public Libraries Survey (PLS) is a voluntary survey conducted annually by the Institute of Museum and Library Services (IMLS). IMLS collects these data under the mandate in the Museum and Library Services Act of 2003 as stated in Section 210. The U.S. Census Bureau is the data collection agent for IMLS. The Fiscal Year (FY) 2008 survey is the…

  16. Public Libraries Survey: Fiscal Year 2009

    Science.gov (United States)

    Miller, Kim A.; Swan, Deanne W.; Craig, Terri; Dorinski, Suzanne; Freeman, Michael; Isaac, Natasha; O'Shea, Patricia; Schilling, Peter; Scotto, Jennifer

    2011-01-01

    The Public Libraries Survey (PLS) is a voluntary survey conducted annually by the Institute of Museum and Library Services (IMLS). IMLS collects these data under the mandate in the Museum and Library Services Act of 2003 as stated in SEC. 210. The U.S. Census Bureau is the data collection agent for IMLS. The fiscal year (FY) 2009 survey is the…

  17. “It felt a little like being let into a secret–“ A community-influenced museum exhibition on Technical Art History

    DEFF Research Database (Denmark)

    Wadum, Jørgen; Knap, Frederik; Haack Christensen, Anne

    2014-01-01

    the Gallery’s education services as well as invited external professionals such as an alternative theatre scenographer and a Russian film animator. This made the scenography of the Copenhagen venue highly unique. We wanted the exhibition to appeal to visitors from all ages and backgrounds......-established thinking about how to stage exhibitions – and were instead forced into an even dialogue with our young users. As an inclusive museum, we found that this was extremely welcomed not only by our young visitors, the target group, but also by more mature museum visitors, who got captivated by this new and very...

  18. Paleontological museums and geoethics

    OpenAIRE

    Riccardo Manni

    2012-01-01

    Paleontological museums should adopt a code of ethics in order to carry out restorations and to set-up exhibits without any falsification. Indeed, alterations can often be voluntary because an exhibit needs to be ‘beautiful’, ‘realistic’ or ‘charming’ for the public. Therefore, the reconstructed parts are painted and then ‘soiled’ artfully to look more realistic. An incomplete skeleton might be completed by reconstructing the missing bones, or by adding casts of other bones. Sometimes skeleto...

  19. CERN Library | Book presentation: "CMS: the art of science" | 26 April

    CERN Multimedia

    CERN Library

    2016-01-01

    "CMS: the art of science", by Michael Hoch, Ian Shipsey, Daniel Denegri, Stephen Preece and Mick Storr.   Tuesday 26 April at 4 p.m. Council Chamber (503 1-001) The physicist as artist: Michael Hoch photographed the extraordinary science cabinet of wonders CMS (the Compact Muon Solenoid Experiment) at CERN. With a foreword by François Englert, 2013 Nobel Laureate in Physics and co-discoverer of the Higgs boson. "CMS: the art of science", by Michael Hoch, Ian Shipsey, Daniel Denegri, Stephen Preece and Mick Storr, Lammerhuber, 2016, ISBN 9783903101043. More information at: https://indico.cern.ch/event/523057/.

  20. Artfulness

    DEFF Research Database (Denmark)

    Chemi, Tatiana

    2011-01-01

    a collage of previously published materials on Artfulness, in this journal targeted teachers for dysfunctional behaviour children.......a collage of previously published materials on Artfulness, in this journal targeted teachers for dysfunctional behaviour children....

  1. Editorial Board Thoughts: Arts into Science, Technology, Engineering, and Mathematics – STEAM, Creative Abrasion, and the Opportunity in Libraries Today

    Directory of Open Access Journals (Sweden)

    Patrick Tod Colegrove

    2017-03-01

    Full Text Available By actively seeking out opportunities to bring art into traditionally STEM-focused activity, and vice-versa, we are deliberately increasing the diversity of the environment. Makerspace services and activities, to the extent they are open and visibly accessible to all, are a natural for the spontaneous development of trans-disciplinary collaboration. Within the spaces of the library, opportunities to connect individuals around shared avocational interest might range from music and spontaneous performance areas to spaces salted with LEGO bricks and jigsaw puzzles; the potential connections between our resources and the members of our communities are as diverse as their interests. Indeed, when a practitioner from one discipline can interact and engage with others from across the STEAM spectrum, the world becomes a richer place – and maybe, just maybe, we can fan the flames of curiosity along the way.

  2. When Curriculum Meets Art

    Science.gov (United States)

    Giardina, Nicola

    2016-01-01

    A three-year grant program at the Metropolitan Museum of Art in New York City encourages teachers to draw connections between curricular topics and works of art. In this article, museum educator Nicola Giardina describes how the program uses inquiry-based lessons to create meaningful learning experiences for underserved students. She highlights…

  3. Technology Museums in Denmark

    DEFF Research Database (Denmark)

    Søndergaard, Morten Karnøe

    2012-01-01

    within wind power technology. Finally special attention is devoted to the Danish Technological Museum. A museum which is the oldest and most elaborate of all the technology museums. The museum covers virtually every technological breakthrough with any relevance in a Danish section, with a special focus......This article presents an exhibit review of some of the major technology museums in Denmark. First comes an introduction to the Danish museum ”landscape”. Second a total of six museums and their technology focused exhibits are presented. Among the museums are the Fisheries and Maritime Museum...... in Esbjerg, housing one of the most impressive and representative exhibitions on the technology behind the strong Danish maritime sector. Another museum being mentioned is the Energy Museum, which covers the background for some of the major breakthroughs performed in Denmark within this area; particularly...

  4. The Kassák Museum: the museum of the Hungarian avant-garde

    Directory of Open Access Journals (Sweden)

    Edit Sasvári

    2015-12-01

    Full Text Available The Kassák Museum is the only site in Hungary which devotes its research to the historical avant-garde. It defines itself as the contemporary museum of the Hungarian avant-garde, and as such, has a broad-based approach to the subject, from the points of view of several academic fields and contemporary art. The Museum addresses the contradictions and tensions that arise when researching and presenting the avant-garde in a museum setting. It simultaneously applies both historical and contemporary viewpoints in presenting its theme. Exhibitions based on historical research also involve the work of contemporary artists, just as the work of contemporary artists exhibited in the Museum reflects on Kassák’s oeuvre and issues of historical modernism and the avant-garde. The Museum examines the issues of the Hungarian avant-garde from an international perspective and through interdisciplinary research.

  5. Italy: An Open Air Museum

    Science.gov (United States)

    Pizzorusso, Ann

    2016-04-01

    Imagine if you could see the River Styx, bathe in the Fountain of Youth, collect water which enhances fertility, wear a gem that heals bodily ailments, understand how our health is affected by geomagnetic fields, venture close to the flames of Hell on Earth and much, much, more. Know something? These things exist - on Earth - today - in Italy and you can visit them because Italy is an open air museum. Ann C. Pizzorusso, in her recent book, reveals how Italy's geology has affected its art, literature, architecture, religion, medicine and just about everything else. She explores the geologic birth of the land, describing the formation of the Alps and Apennines, romantic bays of Tuscany and Lazio, volcanoes of the south and Caribbean-like beaches of Puglia. But that's not all, from the first pages of this visually stunning book, the reader has the impression of being in an art museum, where one can wander from page to page to satisfy one's curiosity-- guided from time to time by the Etruscan priests, Virgil, Dante, Goethe or Leonardo da Vinci himself. Pizzorusso stitches together widely diverse topics - such as gemology, folk remedies, grottoes, painting, literature, physics and religion - using geology as a thread. Quoting everyone from Pliny the Elder to NASA physicist Friedemann Freund, the work is solidly backed scholarship that reads as easily as a summer novel. Wonderfully illustrated with many photos licensed from Italian museums, HRH Elizabeth II and the Ministero Beni Culturali the book highlights the best works in Italian museums and those outside in the "open air museums." This approach can be used in any other country in the world and can be used for cultural tourism (a tour following the book has been organized for cultural and university groups), an ideal way of linking museums to the surrounding landscape.

  6. Digital Images in Teaching and Learning at York University: Are the Libraries Meeting the Needs of Faculty Members in Fine Arts?

    Directory of Open Access Journals (Sweden)

    Mary Kandiuk

    2012-06-01

    Full Text Available Objective – This study assessed the needs for digital image delivery to facultymembers in Fine Arts at York University in order to ensure that future decisionsregarding the provision of digital images offered through commercial vendors andlicensed by the Libraries meet the needs of teaching faculty.Methods – The study was comprised of four parts. A Web survey was distributed to62 full-time faculty members in the Faculty of Fine Arts in February of 2011. A total of25 responses were received. Follow-up interviews were conducted with nine facultymembers. Usage statistics were examined for licensed library image databases. Arequest was posted on the electronic mail lists of the Art Libraries Society of NorthAmerica (ARLIS-L and the Art Libraries Society of North America Canada Chapter(CARLIS-L in April 2011 requesting feedback regarding the use of licensed imagedatabases. There were 25 responses received.Results – Licensed image databases receive low use and pose pedagogical andtechnological challenges for the majority of the faculty members in Fine Arts that wesurveyed. Relevant content is the overriding priority, followed by expediency and convenience, which take precedence over copyright and cleared permissions, resulting in a heavy reliance on Google Images Search.Conclusions – The needs of faculty members in Fine Arts who use digital images in their teaching at York University are not being met. The greatest shortcomings of licensed image databases provided by the Libraries are the content and technical challenges, which impede the ability of faculty to fully exploit them. Issues that need to be resolved include the lack of contemporary and Canadian content, training and support, and organizational responsibility for the provision of digital images and support for the use of digital images.

  7. Análisis de la actividad didáctica del Museo de Arte Ibérico El Cigarralejo (Mula, Murcia. – Analysis of the educational activity of The Museum of Iberian Art El Cigarralejo (Mula, Murcia

    Directory of Open Access Journals (Sweden)

    García Toral, Julio

    2014-12-01

    Full Text Available On the present essay, it has been made an analysis of educational activities and materials made at El Cigarralejo museum during the last years, from which some conclusions have been proposed. The said analysis of materials has been made in order to obtain a study about what has been carried through at the museum in order to tell apart the educational materials from the ones designed for dissemination, and to tell the former apart from the ones designed for the first Compulsory Secondary Education year. From that classification of materials, it has been developed an in-depth analysis in order to get virtues, skills, and potential improvement.

  8. The Laboratory of Museum Studies: Museality in the Making

    Science.gov (United States)

    Latham, Kiersten F.

    2017-01-01

    As makerspaces and hackerspaces pop up in libraries and museums, one little lab sits in the middle of an Information School, but it is not a maker-space, a gallery, or a museum. The MuseLab, at the Kent State School of Information, is something else, something new--or perhaps something familiar, but situated in a different context, making it less…

  9. Voices in (and around the Museum: Introduction

    Directory of Open Access Journals (Sweden)

    Ruth Holt

    2012-08-01

    Full Text Available The voice already plays an important role in contemporary art. This introductory paper summarises a series of four sessions in which speakers explored the place of the voice in the museum context. It became clear that the voice not only offered richness in interpretation of and response to other museum artefacts but was itself an artefact meriting conservation  and interpretation.

  10. State Profiles: FY 2013 Public Libraries Survey

    Data.gov (United States)

    Institute of Museum and Library Services — Pull up a state's profile to find state-level totals on key data such as numbers of libraries and librarians, revenue and expenditure, and collection sizes.These...

  11. 78 FR 12105 - Submission for OMB Review, Comment Request, Proposed Collection: Public Needs for Library and...

    Science.gov (United States)

    2013-02-21

    ... survey will be used to gather information on a wide range of library and museum services. The design of..., Proposed Collection: Public Needs for Library and Museum Services (PNLMS) Survey AGENCY: Institute of Museum and Library Services. ACTION: Submission for OMB Review, Comment Request. SUMMARY: The Institute...

  12. 76 FR 71080 - Notice of Proposed Information Collection Requests: Let's Move Museums, Let's Move Gardens

    Science.gov (United States)

    2011-11-16

    ... Requests: Let's Move Museums, Let's Move Gardens AGENCY: Institute of Museum and Library Services, National... initiative. The intent of the collection: Develop a list of museums and gardens that are interested in... gardens into the Let's Move effort and enable them to share information about their activities that...

  13. D Visualization for Virtual Museum Development

    Science.gov (United States)

    Skamantzari, M.; Georgopoulos, A.

    2016-06-01

    The interest in the development of virtual museums is nowadays rising rapidly. During the last decades there have been numerous efforts concerning the 3D digitization of cultural heritage and the development of virtual museums, digital libraries and serious games. The realistic result has always been the main concern and a real challenge when it comes to 3D modelling of monuments, artifacts and especially sculptures. This paper implements, investigates and evaluates the results of the photogrammetric methods and 3D surveys that were used for the development of a virtual museum. Moreover, the decisions, the actions, the methodology and the main elements that this kind of application should include and take into consideration are described and analysed. It is believed that the outcomes of this application will be useful to researchers who are planning to develop and further improve the attempts made on virtual museums and mass production of 3D models.

  14. 3D VISUALIZATION FOR VIRTUAL MUSEUM DEVELOPMENT

    Directory of Open Access Journals (Sweden)

    M. Skamantzari

    2016-06-01

    Full Text Available The interest in the development of virtual museums is nowadays rising rapidly. During the last decades there have been numerous efforts concerning the 3D digitization of cultural heritage and the development of virtual museums, digital libraries and serious games. The realistic result has always been the main concern and a real challenge when it comes to 3D modelling of monuments, artifacts and especially sculptures. This paper implements, investigates and evaluates the results of the photogrammetric methods and 3D surveys that were used for the development of a virtual museum. Moreover, the decisions, the actions, the methodology and the main elements that this kind of application should include and take into consideration are described and analysed. It is believed that the outcomes of this application will be useful to researchers who are planning to develop and further improve the attempts made on virtual museums and mass production of 3D models.

  15. Library Automation; The State of the Art II. Papers Presented at the Preconference Institute on Library Automation (Las Vegas, Nevada, June 22-23, 1973).

    Science.gov (United States)

    Martin, Susan K., Ed.; Butler, Brett, Ed.

    Eight papers are included in this report of the Preconference Institute on Library Automation, June 1973. Papers addressing automation in user services, cataloging systems, acquisitions systems, and personnel are presented. Other papers focus on a review of the trends in library automation and computer technology, innovative strategies in systems…

  16. The Ambiguity of Perception: Virtual Art Museology, Free-Choice Learning, and Children's Art Education

    Science.gov (United States)

    Mulligan, Christine Susan

    2010-01-01

    With many art museums uploading web-based art activities for youngsters, an online phenomenon is burgeoning, and a research domain is emerging. In an effort to contribute empirical evidence to an area of educational research that I refer to as "virtual art museology," or the study of art museum's online art activities for young people, this…

  17. The museum as heritage, the republic as memory:art and colleting in Belém do Pará (1890-1940

    Directory of Open Access Journals (Sweden)

    Aldrin Moura de Figueiredo

    2014-12-01

    Full Text Available This article analyze the art collection of Museu de Arte de Belém as historical and cultural heritage of the city of Belém, State of Pará, Brazil. This collection also initiated in the Empire of Brazil, was strengthened during the early Republic as part of a political exercise that took the art and history as formative elements of nationality.

  18. ARTS

    DEFF Research Database (Denmark)

    Mahadevan, Shankar; Virk, Kashif M.; Madsen, Jan

    2007-01-01

    . We present an abstract system-level modelling and simulation framework (ARTS) which allows for cross-layer modelling and analysis covering the application layer, middleware layer, and hardware layer. ARTS allows MPSoC designers to explore and analyze the network performance under different traffic...... and load conditions, consequences of different task mappings to processors (software or hardware) including memory and power usage, and effects of RTOS selection, including scheduling, synchronization and resource allocation policies. We present the application and platform models of ARTS as well...... as their implementation in SystemC. We present the usage of the ARTS framework as seen from platform developers’ point of view, where new components may be created and integrated into the framework, and from application designers’ point of view, where existing components are used to explore possible implementations...

  19. Making Sense of Things: Constructing Aesthetic Experience in Museum Gardens and Galleries

    Directory of Open Access Journals (Sweden)

    Gemma Mangione

    2017-06-01

    Full Text Available Studies of museum behaviour in sociology often examine how external environments shape organizational practice. Through an ethnographic study, this article considers programmes for visitors with disabilities at a major metropolitan art museum and botanical garden to ask how ‘sensory conventions’ vary across museums, and with what effects. I trace how museum staff construct the aesthetic experience of art and nature differently to shape how visitors use their senses, and which senses they use, when interacting with museum collections. Examining aesthetic meanings across different kinds of museums reveals these institutions’ differing local cultures and how such cultures affect visitor experience. In particular, aesthetic practices across museums facilitate varying opportunities for perception, and interactions that may privilege particular embodied capacities. Key words: art museums; botanical gardens; aesthetics; senses; disability

  20. Museums and Education: Theoretical Approaches and Implications for Asian Universities

    Directory of Open Access Journals (Sweden)

    Badrul Isa

    2007-06-01

    Full Text Available Over the last few decades, museums have become centres of learning and not merely places for the exhibition of artefacts. Learning is a process based on knowledge and is not necessarily confined to classrooms. Children learn best through visual interaction and learning through the visual medium is considered to be more effective than learning through texts. In museums, visitors interact with visual objects leading to a more meaningful learning process. Children are especially fascinated with the objects displayed, which can become an effective medium of instruction. This article discusses educational and psychological theories and empirical studies that could be employed by museum educators to facilitate effective museum learning. In addition to teaching approaches, this article also discusses the possibility for university teaching and learning experience to be gained at museums and art galleries as part of training requirements for students undertaking Art and Design courses as well as Visual Art Education courses in Asian universities.

  1. Main Libraries, Branches, and Bookmobiles: FY 2014 Public Libraries Survey (Outlet Data)

    Data.gov (United States)

    Institute of Museum and Library Services — Find key information on main libraries, branches, and bookmobiles, including FSCS IDs, square footage, locale code, and location. These data include imputed values...

  2. Main Libraries, Branches, and Bookmobiles: FY 2012 Public Libraries Survey (Outlet)

    Data.gov (United States)

    Institute of Museum and Library Services — Find key information on main libraries, branches, and bookmobiles, including FSCS IDs, square footage, and locale codes.These data include imputed values for...

  3. Henrik Bull : application of the ancient Nordic motifs in the ornamentation of the Historical Museum and their stylization according to Art Nouveau principles

    OpenAIRE

    Evseeva, Natalia

    2011-01-01

    The use of the vernacular motifs in Art Nouveau architecture is recognized as a characteristic feature of national variants of the movement. Though the process of transformation of a historical motif – what particular manipulations the architect conducts over it – and its representation in Art Nouveau style is not given much consideration. This became the major sphere of my interest and research. The main subject of the master thesis is the application by Henrik Bull of the ancient Nordi...

  4. ProVACAT: Practising or viewing art cognitive ability trial: A collaboration between the Ben Uri Gallery and Museum and Hammerson House Care Home (2015/16)

    OpenAIRE

    Hollamby, Emma; Baum, Michael; Saavedra Macías, Francisco Javier (Coordinador); Español Nogueiro, Alicia (Coordinador); Arias Sánchez, Samuel (Coordinador); Calderón García, Marina (Coordinador)

    2017-01-01

    Art Engagement to Slow Cognitive Impairment and Improve Wellbeing. As the UK National Health Service strives to support an ageing population with increased life expectancy we see a rise in social prescribing. Our ambition is to conduct a randomised, long-term intervention assessing the potential for arts engagement to slow expected cognitive decline and improve wellbeing. We identified a residential care home with the appropriate facilities and support for a feasibility study. Our interventio...

  5. Župančič's Legacy and His Personal Library

    Directory of Open Access Journals (Sweden)

    Dragica Trobec Zadnik

    2015-12-01

    Full Text Available The legacy of writer Oton Župančič, acquired by the City Museum of Ljubljana in 1985 with a donation of the artist’s family, is a rare so large and diverse among artistic legacies. Its key part is the furniture of two rooms from Župančič’s last homes with his personal library. This article presents an overview of museum work done, from the acquisition of the legacy to its first public presentation in the framework of the exhibition Župančičeva spominska zbirka in 1985 in the museum. The methodology of the inventarization and technical foundation for the second exhibition of Oton Župančič legacy in 2008 is described. It is one of the few museum exhibitions facilitating the lovers of literary art to be in touch with the artist’s legacy on a daily basis. More detailed description of the museum’s inventory of the personal library uncovered that books are not just a literal material but also the museum subjects that exhibit artist’s work and interests and as such are the mirror of time. Many books overwritten and painted became the artist’s notebooks and thus his personal belongings. In conclusion, the obtained results and limitations are discussed and plans for further consideration and presentation of the legacy are mentioned.

  6. Visualizing, clustering, and predicting the behavior of museum visitors

    NARCIS (Netherlands)

    Martella, Claudio; Miraglia, Armando; Frost, Jeana; Cattani, Marco; van Steen, Maarten

    2017-01-01

    Fine-arts museums design exhibitions to educate, inform and entertain visitors. Existing work leverages technology to engage, guide and interact with the visitors, neglecting the need of museum staff to understand the response of the visitors. Surveys and expensive observational studies are

  7. Comparison between virtual museums

    Directory of Open Access Journals (Sweden)

    Simona Caraceni

    2014-04-01

    Full Text Available Drawing a taxonomy of virtual museum, that can fit to represent all the known cases of virtual museum in the last years, I tried to try my meta-model of classification in two very different examples of virtual museums, to prove the validity of my taxonomical meta-model.

  8. A Museum Open to the Street

    Directory of Open Access Journals (Sweden)

    Jagodzińska, Katarzyna

    2011-06-01

    Full Text Available Glazed exhibition rooms, enabling passers-by to see works of art from the level and perspective of the street, without going inside. Merchandise displayed in an art bookshop, also visible from the outside, tempting passers-by. Café tables spilling out into the space of the adjacent town square. Sculptures, installations, but also benches and fountains placed in the public space, creating an entrance space. These are the characteristic components of democratic art institutions. Museums, galleries and centres of art – of contemporary art in particular – go out into the space of the street to encourage passers-by to step inside. This mutual permeation and observation of the two worlds – the outdoor world of the street and the interior holding cultural treasures – has become part of the cognition process in the museum and of artistic sensations.

  9. The British Museum: An Imperial Museum in a Post-Imperial World

    Directory of Open Access Journals (Sweden)

    Emily Duthie

    2011-12-01

    Full Text Available This article examines the British Museum’s imperialist attitudes towards classical heritage. Despite considerable pressure from foreign governments, the museum has consistently refused to return art and antiquities that it acquired under the aegis of empire. It is the contention of this article that the British Museum remains an imperialist institution. The current debates over the British Museum’s collections raise profound questions about the relationship between museums and modern nation states and their nationalist claims to ancient heritage. The museum’s inflexible response to repatriation claims also encapsulates the challenges inherent in presenting empire and its legacy to contemporary, post-imperial audiences.

  10. Gold Museum

    OpenAIRE

    Efraín Sánchez Cabra

    2003-01-01

    On 22 december 1939, the Banco de la República, the Central Bank of Colombia, purchased a 23.5 centimetres high pre-Columbian gold arte fact weighing 777·7 grams that was to become the Gold M useum's foundation stone. Described as a Quimbaya poporo, it is a masterpiece of pre-Hispanic goldwork, an object of beauty whose brightly burnished body and neck, crowned with four sphere-like or naments, rest on an exquisite cast metal tiligree base and which seems to ftoat in a space of its own. The b...

  11. American Art Therapy Association

    Science.gov (United States)

    ... WELCOME BOARD OF DIRECTORS NATIONAL STAFF STRATEGIC PLAN VALUES STATEMENT FINANCIAL INFORMATION COLLABORATORS ABOUT ART THERAPY FEATURED MEMBERS ETHICS VIDEOS: ART THERAPY IN ACTION STORY LIBRARY SHARE ...

  12. The Loupe: tangible augmented reality for learning to look at Ancient Greek art

    NARCIS (Netherlands)

    Damala, A.; Hornecker, E.; van der Vaart, M.; van Dijk, D.; Ruthven, I.

    2016-01-01

    With the advent of digital museum interactives as a widely available learning offer in all types of museums,including history of art and archaeology museums, an ongoing debate has been established: Do these - usually screen-based - museum interactives assist visitors in focusing on museum objects

  13. Art and Architectural Space

    DEFF Research Database (Denmark)

    Unterrainer, Walter

    2014-01-01

    the number of museums went up from 300 by 1980 to estimated 3000 museums by 2015. In urban discourses, new museums and buildings for art have been considered as drivers for ´cultural sustainability´ of cities. The notion is diffuse and the reality is more an economic centred ´city branding´ to help...... the promotion of tourism. What surprises: in many cities, the buildings for art are better known and more published and discussed than the art they accommodate. A lot of them are considered as art objects. This raises two questions: How much is architecture itself a form of arts? (in Western architecture...... historically considered even the mother of all arts) - but more relevant: what are appropriate architectural spaces for presenting, exhibiting, contemplating, reflecting, meditating, discussing, enjoying, dissenting, debating creations of art. Simplified, this is a question about the relation between package...

  14. Art and Architectural Space

    DEFF Research Database (Denmark)

    Unterrainer, Walter

    2014-01-01

    and its content. The urban and spatial question goes far beyond museums and other buildings for art: how in democratic societies should public spaces be supported by art and how can public art support ´cityness´ and meaning versus spaces of consumerism. Famous but egocentric buildings with the main......art and architectural space museums and other exhibition spaces or how artists learn to love architects Over the last two decades, innumerable new museums, art galleries and other exhibition spaces have been built and opened all over the globe. The most extreme growth happened in China, where...... historically considered even the mother of all arts) - but more relevant: what are appropriate architectural spaces for presenting, exhibiting, contemplating, reflecting, meditating, discussing, enjoying, dissenting, debating creations of art. Simplified, this is a question about the relation between package...

  15. Carnegie Mellon's STUDIO for Creative Inquiry [and] The Interdisciplinary Teaching Network (ITeN) [and] Interactive Fiction [and] The Networked Virtual Art Museum.

    Science.gov (United States)

    Holden, Lynn; And Others

    1992-01-01

    Explains the STUDIO for Creative Inquiry, an interdisciplinary center at Carnegie Mellon University that supports experimental activities in the arts, and its Interdisciplinary Teaching Network. Three STUDIO projects are described: the Ancient Egypt Prototype application of the network; an interactive fiction system based on artificial…

  16. The works of Bologna’s Institution of Artistic Exhibitions (Ente Bolognese Manifestazioni Artistiche rediscovered in the archives of the Museum of Modern Art, in Bologna.

    Directory of Open Access Journals (Sweden)

    Grazia Maria Restuccia

    2013-11-01

    Full Text Available This paper aims to reconstruct and investigate the work done by the Ente Bolognese Manifestazioni Artistiche. Its activity, from 1964 to 1993, has proven to enhance the art history of the territory, with a view to framing national and international level.

  17. A New World for Museum Marketing? Facing the Old Dilemmas while Challenging New Market Opportunities

    Directory of Open Access Journals (Sweden)

    Tanja Komarac

    2014-12-01

    Full Text Available Museums are part of a wider cultural and entertainment environment, which is ruled by highly demanding visitors who seek immersive experiences (edutainment and time-saving arrangement. This has encouraged and, in some opinions, forced museums to turn their focus from collections to visitors. In addition, museums have faced competition and new technologies in the form of virtual museums and virtual reality. This has emphasized the need to accept marketing as a survival tool and to make it into a link between museums and visitors. This article attempts to give current insights into museum marketing as part of the arts marketing field. Its aim is also to identify and explain some of the major challenges and opportunities facing everyday museum business, in order to provide insight into the complex world of museum marketing. Former findings about the development of museum marketing and its biggest changes and challenges are presented, summarized and analyzed.

  18. The Art Learning Resource Center.

    Science.gov (United States)

    Farmer, Connie; Russell, Laurie

    1981-01-01

    The Art Learning Resource Center provides a concentrated art experience for fifth graders in the Omaha Public Schools. The program utilizes collections of the Joslyn Art Museum, community resources, and guest artists as motivation for the awareness, appreciation and production of art. A sample lesson on Greek art is included. (Author/SJL)

  19. Creative Inspiration for Preschoolers from Museums

    Science.gov (United States)

    Rönkkö, Marja-Leena; Aerila, Juli-Anna; Grönman, Satu

    2016-01-01

    This research explores the learning outcomes of preschool children produced through visits to an historic house museum environment. The new Finnish preschool curriculum identifies the importance of arts-based approaches for children and that these approaches should be closely aligned to experiential and holistic education. The aim of the research…

  20. Recommendations based on semantically enriched museum collections

    NARCIS (Netherlands)

    Y. Wang (Yanjing); N. Stash; L. Aroyo (Lora); P. Gorgels; L. Rutledge (Lloyd); G. Schreiber (Guus)

    2008-01-01

    htmlabstractThis article presents the CHIP demonstrator1 for providing personalized access to digital museum collections. It consists of three main components: Art Recommender, Tour Wizard, and Mobile Tour Guide. Based on the semantically enriched Rijksmuseum Amsterdam2 collection, we show how

  1. Understanding the Inarticulateness of Museum Visitors' Experience ...

    African Journals Online (AJOL)

    This paper is based on a study of museum visitors' experience of paintings: in particular, the experience of adult non-art specialists. Phenomenology, a form of inquiry that seeks to articulate lived experience, provided the philosophical and methodological framework for the study. Descriptions and themes relating to the ...

  2. Prague: The City Is the Museum.

    Science.gov (United States)

    Meilach, Dona Z.

    2001-01-01

    States that Prague, the capital of the Czech-Republic, is a virtual art museum because of the number of architectural styles and other artworks throughout the city. Explores the various architectural styles that are present in the city from the Gothic monasteries and churches to examples of contemporary styles. (CMK)

  3. Development and implementation of an electronic library tour for the NASA Langley Technical Library. M.S. Thesis, North Carolina Univ., Jul. 1994

    Science.gov (United States)

    Rinker, Nancy A.

    1994-01-01

    The role of librarians today is drastically influenced by the changing nature of information and library services. The museum-like libraries of yesterday are a thing of the past: today's libraries are bustling with life, activity, and the sounds of new technologies. Libraries are replacing their paper card catalogs with state-of-the-art online systems, which provide faster and more comprehensive search capabilities. Even the resources themselves are changing. New formats for information, such as CD-ROM's, are becoming popular for all types of publications, from bibliographic tools to encyclopedias to electronic journals, even replacing print materials completely in some cases. Today it is almost impossible to walk into a library and find the information you need without coming into contact with at least one computer system. Librarians are not only struggling to keep up with the technological advancements of the day, but they are becoming information intermediaries: they must teach library users how to use all of the new systems and electronic resources. Not surprisingly, bibliographic instruction itself has taken on a new look and feel in these electronically advanced libraries. Many libraries are experimenting with the development of expert systems and other computer aided instruction interfaces for teaching patrons how to use the library and its resources. One popular type of interface in library instruction programs is hypertext, which utilizes 'stacks' or linked pages of information. Hypertext stacks can incorporate color graphics along with text to provide a more interesting interface and entice users into trying out the system. Another advantage of hypertext is that it is generally easy to use, even for those unfamiliar with computers. As such, it lends itself well to application in libraries, which often serve a broad range of clientele. This paper will discuss the design, development, and implementation of a hypertext library tour in a special library

  4. Statistical Image Properties in Large Subsets of Traditional Art,Bad Art, and Abstract Art.

    Science.gov (United States)

    Redies, Christoph; Brachmann, Anselm

    2017-01-01

    Several statistical image properties have been associated with large subsets of traditional visual artworks. Here, we investigate some of these properties in three categories of art that differ in artistic claim and prestige: (1) Traditional art of different cultural origin from established museums and art collections (oil paintings and graphic art of Western provenance, Islamic book illustration and Chinese paintings), (2) Bad Art from two museums that collect contemporary artworks of lesser importance (© Museum Of Bad Art [MOBA], Somerville, and Official Bad Art Museum of Art [OBAMA], Seattle), and (3) twentieth century abstract art of Western provenance from two prestigious museums (Tate Gallery and Kunstsammlung Nordrhein-Westfalen). We measured the following four statistical image properties: the fractal dimension (a measure relating to subjective complexity); self-similarity (a measure of how much the sections of an image resemble the image as a whole), 1st-order entropy of edge orientations (a measure of how uniformly different orientations are represented in an image); and 2nd-order entropy of edge orientations (a measure of how independent edge orientations are across an image). As shown previously, traditional artworks of different styles share similar values for these measures. The values for Bad Art and twentieth century abstract art show a considerable overlap with those of traditional art, but we also identified numerous examples of Bad Art and abstract art that deviate from traditional art. By measuring statistical image properties, we quantify such differences in image composition for the first time.

  5. Archaeology, museums and virtual reality

    Directory of Open Access Journals (Sweden)

    Laia Pujol

    2004-04-01

    Full Text Available This article looks at the idea that the virtual archaeological reconstructions seen in museums cannot be considered Virtual Reality (VR as they are based on an artistic conception of the discipline. The cause is to be found in the origins of Archaeology, which began in the 18th century and was closely linked to the History of Art. In the era of New Technologies, this concept has become both the cause and the consequence: determining the characteristics of VR from within the discipline, whilst simultaneously reinforcing the virtual reconstructions.To assess the relationship between VR and Archaeology, we must first establish a definition of Virtual Reality. Subsequently, we can take a brief look at the history so as to be able to understand the evolution of Archaeology and museums. This leads us to the analysis of some examples of VR in museums, from which we can gain conclusions on the current use of VR. Finally, we look at the possibilities for VR in terms of publicising Archaeology.

  6. Evolution, museums and society.

    Science.gov (United States)

    MacFadden, Bruce J

    2008-11-01

    Visitors to natural history museums have an incomplete understanding of evolution. Although they are relatively knowledgeable about fossils and geological time, they have a poor understanding of natural selection. Museums in the 21st century can effectively increase public understanding of evolution through interactive displays, novel content (e.g. genomics), engaging videos and cyberexhibits that communicate to a broad spectrum of society, both within the exhibit halls as well as outside the museum.

  7. The participatory public library

    DEFF Research Database (Denmark)

    Rasmussen, Casper Hvenegaard

    2016-01-01

    Purpose From collection to connection has been a buzzword in the library world for more than a decade. This catchy phrase indicates that users are seen not only as borrowers, but as active participants. The aim of this paper is to investigate and analyse three questions in relation to user...... participation in public libraries in a Nordic perspective. How can participation in public libraries be characterised? Why should libraries deal with user participation? What kinds of different user participation can be identified in public libraries? Design/methodology/approach The paper uses a selection...... of theoretical approaches and practical examples to obtain a varied understanding of user participation in public libraries. Research fields outside library and information science have developed a wide range of theoretical approaches on user participation. Examples from cultural policy, museum studies...

  8. State Profiles: FY 2014 Public Libraries Survey (Data)

    Data.gov (United States)

    Institute of Museum and Library Services — Pull up a state's profile to find state-level totals on key data such as numbers of libraries and librarians, revenue and expenditures, and collection sizes.These...

  9. Evolution of contemporary museum architecture

    OpenAIRE

    Bilous, Yulia

    2013-01-01

    This article deals with the development of museum architecture from the formation of the classic building architecture to the establishment of the contemporary museum architecture. Changes in the museum building architecture and displaying principles have been analysed. The 19th century was defined by the emergence of a vast number of museums serving through present as examples of the contemporary museum architecture. New styles are tried in the museum architecture alo...

  10. Mathematical modeling of environmental conditions inside historical buildings. The case of the archaeological museum of Athens

    Energy Technology Data Exchange (ETDEWEB)

    Papakonstantinou, K.A.; Kiranoudis, C.T.; Markatos, N.C. [Department of Chemical Engineering, National Technical University of Athens, Athens (Greece)

    2000-07-01

    Indoor pollutants can damage cultural property stored in museums, art galleries, libraries and archives. A relatively small number of measurements available for the interiors are restricted to just a few gases. The paper draws attention to the lack of information about the airborne pollutants' dispersion of museum interiors and presents a mathematical model, implemented in a general computer code, that can provide detailed information on velocity and temperature as well as pollutants' concentrations prevailing in three-dimensional buildings of any geometrical complexity, for given external meteorological conditions. The model involves the partial differential equations governing flow and heat transfer, in large enclosures, containing heat and pollutants sources. Turbulent flow is simulated and buoyancy effects are taken into account. The model allows for such practical aspects of the problems under consideration as blockages, internal heat and contaminants loads, external weather conditions, the presence of people, etc. The model is used to assess the environmental conditions inside the main Hall of the National Archaeological Museum of Athens (Myceane Hall) with external conditions corresponding to Ministry of Environment summer and winter days. (author)

  11. EMDialog: bringing information visualization into the museum.

    Science.gov (United States)

    Hinrichs, Uta; Schmidt, Holly; Carpendale, Sheelagh

    2008-01-01

    Digital information displays are becoming more common in public spaces such as museums, galleries, and libraries. However, the public nature of these locations requires special considerations concerning the design of information visualization in terms of visual representations and interaction techniques. We discuss the potential for, and challenges of, information visualization in the museum context based on our practical experience with EMDialog, an interactive information presentation that was part of the Emily Carr exhibition at the Glenbow Museum in Calgary. EMDialog visualizes the diverse and multi-faceted discourse about this Canadian artist with the goal to both inform and provoke discussion. It provides a visual environment that allows for exploration of the interplay between two integrated visualizations, one for information access along temporal, and the other along contextual dimensions. We describe the results of an observational study we conducted at the museum that revealed the different ways visitors approached and interacted with EMDialog, as well as how they perceived this form of information presentation in the museum context. Our results include the need to present information in a manner sufficiently attractive to draw attention and the importance of rewarding passive observation as well as both short- and longer term information exploration.

  12. Stories of Continuity. Contemporary Art and Collection of Islamic Art

    OpenAIRE

    Abdallah, Monia

    2017-01-01

    AbstractIn the last thirty years, Islam understood as Islamic civilization has been, in many ways, increasingly associated with the notion of contemporary art. For example, many great museums in the world include works from their collection of contemporary art from the Middle East into their collection of historical Islamic art. This association between contemporary art and Islamic art led to the notion of Contemporary Islamic Art, which is grounded in the idea of permanence of Islamic art. T...

  13. Pièces liturgiques médiévales moldaves – objets d’art au musée du Monastère de Putna / Moldavian Medieval Liturgical Pieces – Art Objects at the Museum of Putna Monastery

    Directory of Open Access Journals (Sweden)

    Emilian Adrian Gavrilean

    2015-11-01

    Full Text Available Located at 72 km from Suceava Fortress, Putna Monastery Church (1466-1469 dedicated to the,,Assumption of the Virgin” is the first and most important foundation of Stephen the Great and the Saint (1457-1504, built as a princely necropolis. Built in the Moldavian style, with Byzantine, Gothic and Renaissance architectural elements, purpose of this foundations was first of all liturgical, to celebrate The Seven Daily Prayers unto God by the hierarchy church (bishops, priests, deacons, in the center of which is until today the most important mystery of the Christianity - the Eucharist. But the Monastery of Putna was not just a spiritual center of Moldavian Christianity, it was one of the most important centers of medieval art and culture from the Romanian Principalities, here there are significant workshops for embroidery and iconography and a famous school of calligraphers and miniaturists. Most of the objects made here were destined of the religious cult of the monastery as well as Prince donations made of orthodox monasteries. As time passes many of liturgical objects from the altar of Putna have been deposited in the Thesaurus Tower (1481 and then exposed to the general public in the monastery museum which was inaugurated in 1976. Refurbished in 2004, the Putna Monastery Museum, located in the west section of the precinct is perhaps the most rich and valuable in the country, with many objects of the time Stephen the Great and from the period his direct descendants. Here are part of artistic and historical treasure of the monastery, consisting of the manuscripts (Tetraevanghelii, Psalter, educational books, Leastviţe, Psaltichii and embroidery made in the monastery workshops (epitaphs, coverings for holy vessels, procovete, dvere, waves of temples, tombs coverings, priestly vestments, religious books, religious objects (sacred vessels, crosses, icons, censers, candles, ceramics, etc. Spiritual value of liturgical of the objects the Putna

  14. Concepts as Context: Thematic Museum Education and Its Influence on Meaning Making

    Science.gov (United States)

    Hubard, Olga

    2014-01-01

    Thematic art museum education programmes--programmes where visitors make meaning of various artworks in relation to a specific preselected theme--are conspicuous within interactive museum education on both sides of the Atlantic. How do thematic programmes influence visitors' experiences with art? In this article, I explore this question based…

  15. Corporate Training in Museums

    Science.gov (United States)

    Causey, Adera

    2011-01-01

    Museums often court corporate audiences through special event rentals and development and promotional partnerships. But we rarely approach them as potential adult learners. In overlooking them, we miss the potential of reaching a large number of often novice museum participants who can gain from gallery learning and develop a relationship with our…

  16. Museum Insel Hombroich

    DEFF Research Database (Denmark)

    Wiesner, Thomas

    1997-01-01

    Detailed review of all buildings and landscape of Museum Insel Hombroich , near Neuss, Germany. Special emphasis on Light and Body space morphologies;......Detailed review of all buildings and landscape of Museum Insel Hombroich , near Neuss, Germany. Special emphasis on Light and Body space morphologies;...

  17. Boekbespreking MUSEUM VROLIK, Amsterdam

    NARCIS (Netherlands)

    Huistra, Hieke|info:eu-repo/dai/nl/31622149X

    2014-01-01

    Medisch erfgoed is niet altijd even toegankelijk, maar aan het Amsterdamse Museum Vrolik zal dat niet liggen. In de afgelopen jaren gaf het museum een publieksboek uit met prachtige foto’s van de collectie; schreef conservator Laurens de Rooy een boek over de Amsterdamse anatoom Lodewijk Bolk

  18. Ten years of Integrated Pest Management (IPM at the Kunsthistorisches Museum in Wien

    Directory of Open Access Journals (Sweden)

    Pascal Querner

    2011-08-01

    Full Text Available The Kunsthistorisches Museum Wien is one of the largest fine arts collections worldwide, comprising the Kunsthistorisches Museum, the Austrian Theater Museum, the Museum of Ethnology, all placed in Vienna, and Schloß Ambras in Tirol. We present results from up to 10 years of insect pest monitoring in different collections and the implementation of an Integrated Pest Management (IPM concept. The Kunsthistorisches Museum was the first museum in Vienna to introduce such a concept. We also present specific insect pest problems such as a biscuit beetle (Stegobium paniceum infestation of paintings lined with starch paste backings (linings or the webbing clothes moth (Tineola bisselliella infestation at the Museum of Carriages, both repeatedly occurring problems in the museum. With the help of the insect pest monitoring programs, these and other problems were found and the infested objects treated, usually with anoxia (nitrogen.

  19. Voicing the Museum Artefact

    Directory of Open Access Journals (Sweden)

    Sarah Byrne

    2012-08-01

    Full Text Available Everywhere you look or indeed listen these days, museums from the local to the national are calling on various communities to engage with their collections through the spoken word. This paper reflects on the efficacy and capacity of the human voice in translating, transforming and transposing the museum artefact and considers the voice as its own mode of translation of material culture. It focuses on two very different case studies whereby conversations in and around museum objects were generated – the 'Melanesia Project' at the British Museum and the 'Sense of Place' project in Wapping, East London. Drawing off Dell Hymes’ S-P-E-A-K-I-N-G model, I consider both the significance of these vocal engagement and intellectual challenges they set in motion for the museum. 

  20. Expansion of museums in Central Europe?

    Directory of Open Access Journals (Sweden)

    Jagodzińska, Katarzyna

    2015-06-01

    Full Text Available The paper presents reflections on the specificity of collections and museums of contemporary art in Central Europe and considers a possibility of creating a regional alternative for the West. The analysis is conducted in the context of the expansionist policy of contemporary museums – notably the Louvre, the Guggenheim Foundation, and the Hermitage – whose numerous new development projects gave rise to a number of dilemmas in the museological world. The author discusses global "museum brands" that invest in Central Europe and addresses the possible profits of the expansion of such "concerns" for culture in the region, as well as emphasises the potential of the region itself, which may be used for its development without the avail of the internationally renowned collectors' names.

  1. CERN Library and Art@CMS present Artist and Painter Xavier Cortada and CMS Physicist Pete Markowitz

    CERN Multimedia

    CERN Library

    2013-01-01

    Xavier Cortada is an American artist and painter, and an artist in residence at Florida International University (FIU) College of Architecture and the Arts who also specializes in participatory art projects. His work includes art installations at the Earth’s poles to generate awareness about climate change, child welfare murals in Bolivia and peace murals in Cyprus. Xavier will be in conversation with CMS physicist Pete Markowitz, also from FIU, to discuss the participatory art piece which they developed together. The piece will be showcased in the CMS detector hall on Thursday 11 April during the experiment’s conference week. The piece promises to "engage 300 scientists from around the world in a performance art piece that transforms them into the very subatomic particles they research". It is the first piece by Art@CMS, a new project inspired by the Arts@CERN programme. Discover more about how this new piece was developed and more about Xavier’s ...

  2. Knight at the Museum: Learning History with Museums

    Science.gov (United States)

    Marcus, Alan S.; Levine, Thomas H.

    2011-01-01

    This article presents an approach that teachers can use to strengthen students' ability to make sense of the past at museums. Specifically, we propose a photography exercise to help students to learn from museums and to view museums critically, weighing both the objective realities and subjective interpretations offered by museums. To get the most…

  3. Museum security and the Thomas Crown Affair.

    Energy Technology Data Exchange (ETDEWEB)

    Michaud, E. C. (Nuclear Engineering Division)

    2010-01-01

    Over the years, I've daydreamed about stealing a Vermeer, a Picasso, or Rembrandt. It tickles me, as much as watching the reboot of The Thomas Crown Affair. Why is it, do you suppose, so much fun to think about stealing a world renowned piece off the wall of a major metropolitan museum? Is it the romantic thoughts of getting away with it, walking past infrared detectors, and pressure sensors ala Indiana Jones with the sack of sand to remove the idol without triggering the security system? Is it the idea of snatching items with such fantastic prices, where the romance of possessing an item of such value is less intoxicating than selling it to a private collector for it to never be seen again? I suspect others share my daydreams as they watch theater or hear of a brazen daylight heist at museums around the world, or from private collections. Though when reality sets in, the mind of the security professional kicks in. How could one do it, why would one do it, what should you do once it's done? The main issue a thief confronts when acquiring unique goods is how to process or fence them. They become very difficult to sell because they are one-of-a-kind, easy to identify, and could lead to the people involved with the theft. The whole issue of museum security takes up an ironic twist when one considers the secretive British street artist 'Banksy'. Banksy has made a name for himself by brazenly putting up interesting pieces of art in broad daylight (though many critics don't consider his work to be art) on building walls, rooftops, or even museums. I bring him up for a interesting take on what may become a trend in museum security. In March of 2005, Banksy snuck a piece of his called 'Vandalized Oil Painting' into the Brooklyn Museum's Great Historical Painting Wing, plus 3 other pieces into major museums in New York. Within several days, 2 paintings had been torn down, but 2 stayed up much longer. In his home country of the UK, a

  4. Building Maintenance Management System for Heritage Museum

    Directory of Open Access Journals (Sweden)

    Md Azree Othuman Mydin

    2012-09-01

    Full Text Available An investment in the building maintenance aspect is massive throughout the world. In most of the countries, it signifies approximately 50% of the entire revenue of the construction industry. The value of buildings depends on the eminence of the maintenance invested in them. Maintenance management engages obtaining utmost advantage from the investment made on the maintenance activities. At the moment, maintenance in buildings in Malaysia is on the increase in spite of size, category, location, and ownership. This study focuses on Building Maintenance Management System for Heritage Museum, which consists of two case studies in Penang State Museum and Art Gallery, Malaysia and Museum of Perak, Malaysia. The aim of this study is to propose methods to improve the maintenance management system for heritage museum. From the results, the common problem occurs during the implementation for the maintenance of each building is the budget for the maintenance and worker’s skill. The department of each museum must have their own maintenance unit to keep an eye on the maintenance activities for their buildings in order to improve the maintenance management system in their building.

  5. Digital Copies and Digital Museums in a Digital Cultural Policy

    Directory of Open Access Journals (Sweden)

    Ole Marius Hylland

    2017-09-01

    Full Text Available This article investigates how a digital turn and digital copies have influenced ideas, roles and authorities within a national museum sector. It asks whether digital mu-seums and their digital reproductions expand and/or challenge a traditional cul-tural policy. Two specific cases are highlighted to inform the discussion on these questions - the Norwegian digital museum platform DigitaltMuseum and Google Art Project. The article argues that there is a certain epochalism at play when the impact of a digital turn is analysed. At the same time, some clear major changes are taking place, even if their impact on cultural policies might be less than expec-ted. I propose that one of the changes is the replacing of authenticity with accessi-bility as the primary legitimating value of museum objects.

  6. Museums Connect: Teaching Public History through Transnational Museum Partnerships

    OpenAIRE

    Harker, Richard J. W.

    2015-01-01

    Museums Connect is a program funded by the US Department of State and administered by the American Alliance of Museums that sponsors transnational museum partnerships. This program provides one model for teaching public history in a transnational context, and this article analyzes the experiences of two university-museums—the Museum of History and Holocaust Education (MHHE) in the United States and the Ben M’sik Community Museum (BMCM) in Morocco—during two grants between 2009 and 2012. In ex...

  7. Learning science from museums.

    Science.gov (United States)

    Falk, John H; Storksdieck, Martin

    2005-01-01

    This article provides an overview of current understandings of the science learning that occurs as a consequence of visiting a free-choice learning setting like a science museum. The best available evidence indicates that if you want to understand learning at the level of individuals within the real world, learning does functionally differ depending upon the conditions, i.e., the context, under which it occurs. Hence, learning in museums is different than learning in any other setting. The contextual model of learning provides a way to organize the myriad specifics and details that give richness and authenticity to the museum learning process while still allowing a holistic picture of visitor learning. The results of a recent research investigation are used to show how this model elucidates the complex nature of science learning from museums. This study demonstrates that learning form museums can be meaningfully analyzed and described. The article concludes by stating that only by appreciating and accounting for the full complexities of the museum experience will a useful understanding of how and what visitors learn from science museums emerge.

  8. Virtual Museums as Educational Tool

    DEFF Research Database (Denmark)

    2007-01-01

    Virtual Museums as Educational Tool On this web site you will find a collection of resources on virtual museums. The web site is meant to be a knowledge base for people with interest in museums, virtuality and education, and how virtual museums may contribute to adult education and lifelong...

  9. Gombrich, Art and Psychoanalysis

    OpenAIRE

    Stefano Ferrari

    2014-01-01

    Ernst H. Gombrich has always shown particular attention to the psychology of art as psychology of representation (and enjoyment) of art. In addition, through his friendship with Ernst Kris, who had been a respected art historian in the staff of the Kunsthisthoriches Museum in Vienna before becoming an important psychoanalyst, Gombrich devoted some fundamental essays on the contribution of psychoanalysis to the study of art.The main novelty and the most original feature of his contribution to ...

  10. Environmental monitoring in four European museums

    Science.gov (United States)

    Camuffo, Dario; Van Grieken, Rene; Busse, Hans-Jürgen; Sturaro, Giovanni; Valentino, Antonio; Bernardi, Adriana; Blades, Nigel; Shooter, David; Gysels, Kristin; Deutsch, Felix; Wieser, Monika; Kim, Oliver; Ulrych, Ursula

    In a European multidisciplinary research project concerning environmental diagnostics, museums have been selected, having different climate and pollution conditions, i.e.: Correr Museum, Venice (Italy); Kunsthistorisches Museum, Vienna (Austria); Royal Museum of Fine Arts, Antwerp (Belgium); Sainsbury Centre for Visual Arts, Norwich (UK). Some field tests investigated the microclimate, the gaseous and particulate air pollution and the biological contamination to suggest mitigative techniques that may reduce the potential for damage in the long run. Potential risk factors are generated by imbalance in temperature and humidity, generated by heating, air conditioning or ventilating system (HVAC), or the building structures, exchange of outside air, or large visitor numbers. HVAC may also enhance indoor gaseous pollution. Plants and carpets represent potential niches for bacterial colonisation. Pollutants and particles have been recognised having partly external and partly internal origin. Tourism has a direct negative impact, i.e. transport of external particles, release of heat, vapour and CO 2, as well as generation of turbulence, which increases the deposition rate of particulate matter. However, the main problem is that the microclimate has been planned for the well being of visitors during only the visiting time, disregarding the needs of conservation that requires a constant climate by day and by night. In some of these cases, better environmental niches have been obtained with the help of showcases. In other cases, showcases worsened the situation, especially when incandescent lamps were put inside.

  11. Museums teach evolution.

    Science.gov (United States)

    Diamond, Judy; Evans, E Margaret

    2007-06-01

    Natural history museums play a significant role in educating the general public about evolution. This article describes Explore Evolution, one of the largest evolution education projects funded by the National Science Foundation. A group of regional museums from the Midwestern United States worked with leading evolutionary scientists to create multiple permanent exhibit galleries and a curriculum book for youth. This program invites the public to experience current evolutionary research on organisms that range in size from HIV to whales. Learning research is being conducted on museum visitors to understand how they reason about evolution and to determine what influences the process of conceptual change.

  12. Natural language processing: state of the art and prospects for significant progress, a workshop sponsored by the National Library of Medicine.

    Science.gov (United States)

    Friedman, Carol; Rindflesch, Thomas C; Corn, Milton

    2013-10-01

    Natural language processing (NLP) is crucial for advancing healthcare because it is needed to transform relevant information locked in text into structured data that can be used by computer processes aimed at improving patient care and advancing medicine. In light of the importance of NLP to health, the National Library of Medicine (NLM) recently sponsored a workshop to review the state of the art in NLP focusing on text in English, both in biomedicine and in the general language domain. Specific goals of the NLM-sponsored workshop were to identify the current state of the art, grand challenges and specific roadblocks, and to identify effective use and best practices. This paper reports on the main outcomes of the workshop, including an overview of the state of the art, strategies for advancing the field, and obstacles that need to be addressed, resulting in recommendations for a research agenda intended to advance the field. Copyright © 2013 The Authors. Published by Elsevier Inc. All rights reserved.

  13. MoRE Museum. Ceci n’est pas un musée

    Directory of Open Access Journals (Sweden)

    Elisabetta Modena

    2014-12-01

    Full Text Available This article wants to discuss the nature of MoRE - a Museum of refused and unrealized art projects considering how and why it has been defined a museum, and the modalities through which it is inscribed in the current debate about museology. Doing so, I will try to analyze and consider a range of issues and themes that characterize the artistic research and the practice of contemporary criticism on visual arts, starting from the elements and activities that are considered essential to define an institution as a "museum", and are sanctioned by the ICOM - International Council of Museums [Seoul 2004] definition.

  14. Technology of the Gramophone Records of the Music Museum by Fourier Transform Infrared Spectrometry (FTIR Method

    Directory of Open Access Journals (Sweden)

    Seyedeh Zeinab Afzali

    2017-02-01

    Full Text Available Music is one of the branches of the art whose helpful role and usefulness in the human’s mind and soul is undeniable. It is the only art which in the philosophers’ divisions is directly linked with the human spirit and immediate overflows the ears of his soul. The sound, as a psychological phenomenon is associated with the emotion and excitement so that sometimes calms and sometimes confuses the human. This study aims to examine the technology of the gramophone records in the Music Museum by Fourier transform infrared spectrometry (FTIR. The method of this research is experimental and the data are collected by documentation, library, and using FTIR tests. Some records of the Music Museum were studied including four samples of 78 rpm platter (stone platter, one sample of 45 rpm, and one sample of 33 rpm (vinyl platter. The results of the FTIR test indicated that the materials of the records were vinyl and shellac and in their raw material, some of the softening additives (phthalates and fillers (silica and calcium carbonate compounds had been used.

  15. Museums of Poland: ways of exploiting the National Heritage

    Directory of Open Access Journals (Sweden)

    Violeta Tipa

    2017-12-01

    Full Text Available Thanks to the fellowship Thesaurus Poloniae provided by the Ministry of Culture and Heritage of Poland and the International Cultural Centre Krakow I was able to visit a number of museums in the cities of Warsaw, Krakow, Lodz, and Poznan. The innovative method of using audiovisual media has especially attracted my attention. Visiting Polish museums, I concluded that the country's history, its past hasn't remained in archives, in documents hidden from the public eye and accessible only to specialists in the field. By possibilities of museums upgraded the past comes alive as a page in the life of Poles. The national heritage, studied and carefully preserved, is passed on to the younger generation through the most advanced methods. Today, digital techniques increasingly penetrate into all spheres of art and culture. Museums also look for non-trivial ways to demonstrate the most valuable objects from their collections through the latest information methods. The use of audiovisual media in various forms is an ideal opportunity to immerse visitors in the distant past, help them survive dramatic historical events in a dynamic, penetrate the spirit of patriotism. The screen (monitor has become a traditional element in Polish museums and exhibition halls equipped with touch screens allowing guests to browse and receive a variety of available information in international communication languages (English, French, German and, of course, Polish. On the screens placed in the exhibition halls, documents are displayed non-stop either completely or in fragments, a visual picture sends visitors to real museum exhibits. Museums opened after 2000 are equipped with cinema halls (National Museum, The Warsaw Rising Museum and POLIN Museum, Rynek Underground Museum and Oscar Schindler’s Enamel Factory in Krakowб etc., some of them are equipped for films in 3D, with panoramic projection. Expressive audiovisual entourage is created by playing light and shadow

  16. The effects of the Dutch museum pass on museum visits and museum revenues

    NARCIS (Netherlands)

    van der Werff, S.; Koopmans, C.; Boyer, C.

    2014-01-01

    The Dutch museum pass gives unlimited access for a year to most major Dutch museums and around the half of all Dutch museums for a fixed fee. The fee revenues are distributed among participating museums in proportion to the amount of visits by pass holders and their ticket prices. In this paper, it

  17. Automation in College Libraries.

    Science.gov (United States)

    Werking, Richard Hume

    1991-01-01

    Reports the results of a survey of the "Bowdoin List" group of liberal arts colleges. The survey obtained information about (1) automation modules in place and when they had been installed; (2) financing of automation and its impacts on the library budgets; and (3) library director's views on library automation and the nature of the…

  18. Visual representation of knowledge in the field of Library and Information Science of IRAN

    Directory of Open Access Journals (Sweden)

    Afsoon Sabetpour

    2015-05-01

    Full Text Available Purpose: The present research has been done to visual representation of knowledge and determination vacuum and density points of scientific trends of faculty members of state universities of IRAN in Library & Information Science field. Method: Curriculum Vitae of each faculty member with census method were collected and its content analyzed. Then using a checklist, the rate scientific tendencies were extracted. NodeXL software was deployed to map out the levels. Results: The results showed that the trends are concentrated in Scientometrics, Research method in Library & Information Science, information organization, information resources, psychology, Education, Management, the Web, Knowledge management, Academic Libraries, Information services, Information Theories and collection management. Apparently, the Library & Information Science community of experts pays little or no attention to the Library & Information Science applications in the fields of chemistry, Cartography, museum, law, art, school libraries as well as to independent subject clusters such as minorities in library, information architecture, mentoring in library science, library automation, preservation, oral history, cybernetics, copyright, information marketing and information economy. Lack of efforts on these areas is remarkable.

  19. Virtual museum of Japanese Buddhist temple features for intercultural communication

    Science.gov (United States)

    Kawai, Takashi; Takao, Hidenobu; Inoue, Tetsuri; Miyamoto, Hiroyuki; Noro, Kageyu

    1998-04-01

    This paper describes the production and presentation of an experimental virtual museum of Japanese Buddhist art. This medium can provide an easy way to introduce a cultural heritage to people of different cultures. The virtual museum consisted of a multimedia program that included stereoscopic 3D movies of Buddhist statues; binaural 3D sounds of Buddhist ceremonies and the fragrance of incense from the Buddhist temple. The aim was to reproduce both the Buddhist artifacts and atmosphere as realistically as possible.

  20. Welcome to Garbage Museum.

    Science.gov (United States)

    Elliot, Ian

    1996-01-01

    Introduces the Children's Garbage Museum in southwestern Connecticut and provides pictures as well as descriptions of exhibits. Suggests two activities to heighten students' awareness of recycling and composting and recommends reading materials. (MOK)

  1. Det medialiserede museum

    DEFF Research Database (Denmark)

    Rudloff, Maja

    2013-01-01

    to a cultural-political and museological focus on digital dissemination, in which user experience, interactivity, and participation are central concepts. The article argues that the different forms of communication, representation, and reception offered by digital media, together with the interactive and social...... possibilities for action they facilitate for their users, contribute to a transformation of the museum as an institution. It is concluded that the relationship between museum, collection, and users has undergone a number of changes caused by the intervention of the media and that the traditional social act......Over the past two decades, digital technologies have gained a greater and more important role in communication and dissemination of knowledge by museums. This article argues that the digitization of museum communication can be viewed as a result of a mediatization process that is connected...

  2. 77 FR 41453 - Submission for OMB Review, Comment Request, Proposed Collection: General Clearance for Guidelines...

    Science.gov (United States)

    2012-07-13

    ... NATIONAL FOUNDATION FOR THE ARTS AND HUMANITIES Submission for OMB Review, Comment Request... of Museum and Library Services, National Foundation for the Arts and Humanities. ACTION: Submission... Library Administrative Agencies, museums, libraries, institutions of higher education, library and museum...

  3. "Not a Museum Town"

    DEFF Research Database (Denmark)

    Ounanian, Kristen

    ) articulation of quaintness bridge the theoretical and the empirical in this paper. Empirical material from three Danish cases connects the authenticity discourse to a recurring turn of phrase used by respondents, the ‘museum town.’ A‘museum town’ epitomized a place absent of life. In this manner being...... authentic required a working fleet, which carried deeper implications for transformation of fishing communities....

  4. The HyperMuseum Theme Generator System: Ontology-Based Internet Support for the Active Use of Digital Museum Data for Teaching and Presentation.

    Science.gov (United States)

    Stuer, Peter; Meersman, Robert; De Bruyne, Steven

    Museums have always been, sometimes directly and often indirectly, a key resource of arts and cultural heritage information for the classroom educator. The Web now offers an ideal way of taking this resource beyond the traditional textbook or school visit. While museums around the globe are embracing the web and putting virtual exhibitions,…

  5. LIBRARY AND ARCHIVE OF THE ACADEMY OF MOTION PICTURE ARTS AND SCIENCES. THE INFORMATION MANAGEMENT FOR THE PROMOTION OF SPANISH CINEMA

    Directory of Open Access Journals (Sweden)

    Antonia Salvador Benítez

    2016-03-01

    Full Text Available The aim of this study is general knowledge of internal operation of the Library and Archive of the Academy of Motion Picture Arts and Sciences of Spain, its objectives and functions, the types of funds and the technical issues related to the documentary treatment and information management. The information was obtained through field work, examining in situ facilities and documentation of the Academy. It has designed a questionnaire and performed an interview with responsible personnel to know the processing, distribution, use and applications of the documentation generated by the Academy Film. The study results provide new information on volume, types and thematic funds, documentary methodology, profile of users and documentation applications.

  6. SMART SfM: SALINAS ARCHAEOLOGICAL MUSEUM

    Directory of Open Access Journals (Sweden)

    L. Inzerillo

    2017-08-01

    Full Text Available In these last years, there has been an increasing use of the Structure from Motion (SfM techniques applied to Cultural Heritage. The accessibility of SfM software can be especially advantageous to users in non-technical fields or to those with limited resources. Thanks to SfM using, everyone can make with a digital camera a 3D model applied to an object of both Cultural Heritage, and physically Environment, and work arts, etc. One very interesting and useful application can be envisioned into museum collection digitalization. In the last years, a social experiment has been conducted involving young generation to live a social museum using their own camera to take pictures and videos. Students of university of Catania and Palermo were involved into a national event #digitalinvasion (2015-2016 editions offering their personal contribution: they realized 3D models of the museums collection through the SfM techniques. In particular at the National Archaeological Museum Salinas in Palermo, it has been conducted an organized survey to recognize the most important part of the archaeological collection. It was a success: in both #digitalinvasion National Event 2015 and 2016 the young students of Engineering classes carried out, with Photoscan Agisoft, more than one hundred 3D models some of which realized by phone camera and some other by reflex camera and some other with compact camera too. The director of the museum has been very impressed from these results and now we are going to collaborate at a National project to use the young generation crowdsourcing to realize a semi-automated monitoring system at Salinas Archaeological Museum.

  7. Smart SfM: Salinas Archaeological Museum

    Science.gov (United States)

    Inzerillo, L.

    2017-08-01

    In these last years, there has been an increasing use of the Structure from Motion (SfM) techniques applied to Cultural Heritage. The accessibility of SfM software can be especially advantageous to users in non-technical fields or to those with limited resources. Thanks to SfM using, everyone can make with a digital camera a 3D model applied to an object of both Cultural Heritage, and physically Environment, and work arts, etc. One very interesting and useful application can be envisioned into museum collection digitalization. In the last years, a social experiment has been conducted involving young generation to live a social museum using their own camera to take pictures and videos. Students of university of Catania and Palermo were involved into a national event #digitalinvasion (2015-2016 editions) offering their personal contribution: they realized 3D models of the museums collection through the SfM techniques. In particular at the National Archaeological Museum Salinas in Palermo, it has been conducted an organized survey to recognize the most important part of the archaeological collection. It was a success: in both #digitalinvasion National Event 2015 and 2016 the young students of Engineering classes carried out, with Photoscan Agisoft, more than one hundred 3D models some of which realized by phone camera and some other by reflex camera and some other with compact camera too. The director of the museum has been very impressed from these results and now we are going to collaborate at a National project to use the young generation crowdsourcing to realize a semi-automated monitoring system at Salinas Archaeological Museum.

  8. The East India Company, the Company’s Museum, and the Political Economy of Natural History in the Early Nineteenth Century.

    Science.gov (United States)

    Ratcliff, Jessica

    2016-09-01

    At the turn of the nineteenth century, at its headquarters in the City of London, the Honourable East India Company established a new museum and library. By midcentury this museum would contain one of Europe’s most extensive collections of the natural history, arts, and sciences of Asia. This essay uses the early history of the company’s museum, focusing in particular on its natural history collections, to explore the material relationship between scientific practice and the imperial political economy. Much of the collections had been gathered in the wake of military campaigns, trade missions, or administrative surveys. Once specimens and reports arrived in Leadenhall Street and passed through the museum storage areas, this plunder would become the stuff of science, going on to feed the growth of disciplines, societies, and projects in Britain and beyond. In this way, the East India Company was integral to the information and communication infrastructures within which many sciences then operated. Collections-based disciplines and societies flourished in this period; their growth, it is argued, was coextensive with administrative and political economic change at institutions like the East India Company. The essay first explores the company’s practices and patterns of collecting and then considers the consequences of this accumulation for aspects of scientific practice—particularly the growth of scientific societies—in both London and Calcutta.

  9. Experience our Planet - EPO Opportunities in a Museum Environment

    Science.gov (United States)

    Schneider, S.

    2013-12-01

    Earth science interpretation is more than giving your audience facts and figures. It is about relate Earth sciences to something within the personality or experience of your audience. It is about revelation based on information rather than just give away information per se. And: The chief aim of interpretation is not instruction but provocation. A great environment for Earth and Space science communication is a museum. Whether it is an art gallery, a technology exhibition or a national park's visitor center doesn't matter. Everywhere, Earth science interpretation is possible and sometimes even more successful in unsuspected locations than in natural history museums. Earth and Space sciences just started to use the potential which lies within museum environments. A historic view on Earth sciences and natural hazard research can be given in art galleries. The technology used in research can be showcased and - sometimes - even tested in science centers and technology museums. National Parks provide the best opportunity to actually experience the dynamic planet Earth live. Furthermore, museums do offer a great venue for educational programs. Just recently, the German Research and Development Program GEOTECHNOLOGIEN, together with the Germany's Geounion and the Institute for Advanced Sustainable Studies initiated a network of research institutions and museums called GeoED. Within this network, scientists and educationists as well as teachers will find an environment to create and enhance educational programs in Earth and Space science. Therefore, museums do not only provide the venue, but also the frame for sustainable Earth and Space science interpretation. This talk aims towards giving an insight view on how to conduct interpretive programs in museums, how to utilize the treasures and possibilities provided by museums and national parks and to encourage scientists to go to these places for face-to-face Earth science interpretation.

  10. appropriate strategies for designing contemporary art museums

    African Journals Online (AJOL)

    2016-07-16

    Jul 16, 2016 ... MSc in architecture engineering, instructor of Sama technical and vocational college,. Islamic Azad University, Sari Branch, Sari, Iran. 2. Graduate .... defined as ethnic solidarity, Coexistence, assistance, cooperation, friendship, love, andfinally, afactor of mutual understanding. Mutual understanding is a ...

  11. Museum of Turkish and Islamic Art

    OpenAIRE

    Güvemli, Zahir

    1982-01-01

    Taha Toros Arşivi, Dosya No: 114-Müzeler. Not: Kitap İstanbul Şehir Üniversitesi Kütüphane Koleksiyonunda mevcuttur. İstanbul Kalkınma Ajansı (TR10/14/YEN/0033) İstanbul Development Agency (TR10/14/YEN/0033)

  12. Interactive Technologies in the Art Museum

    Directory of Open Access Journals (Sweden)

    Pam MeeCham

    2012-12-01

    Full Text Available When in June 2013 The Guardian newspaper (UK asked us to ‘help create the whole picture’ with the GuardianWitness app (‘upload your part of the story faster with 4GEE at witness.guardian.co.uk’ we know the citizen reporter and the eyewitness photographer have been allied to faster, participation and the double page spread (The Guardian, Saturday 06.07.13 pp 2 and 3. Undermining the authorship, authority and arguably the professionalism of the journalist and photographer, the amateur enthusiast, key eye-witness or commentator are crowd-sourced to open up, enhance and create a whole, diverse picture of world events that, in the advertisement at least, speaks of a change in the relationship of passive consumer to traditional authorities such as newspapers.

  13. Renovation of the Van Gogh Museum [Amsterdam, Netherlands]. Optimal indoor climate for visitors and the collection; Renovatie Van Gogh Museum, Optimaal binnenklimaat voor bezoekers en collectie

    Energy Technology Data Exchange (ETDEWEB)

    Hendriks, J.

    2009-09-15

    The Van Gogh Museum in Amsterdam is one of the main tourist attractions in the Netherlands. Combining comfort for the visitors and conserving a costly art collection is making extreme demands on the indoor climate. Thanks to a renovation of the air conditioning system the museum is ready for the future. [Dutch] Het Van Gogh Museum in Amsterdam een belangrijkste toeristische trekpleister in Nederland. De combinatie van bezoekerscomfort verwezenlijken en de kostbare kunstcollectie conserveren stelt extreem hoge eisen aan het binnenklimaat. Dankzij een renovatie op het gebied van de klimaatregeling is het museum op de toekomst voorbereid.

  14. The low-energy museum. Collection Brandhorst, Munich; Das Niedrigenergiemuseum. Sammlung Brandhorst, Muenchen

    Energy Technology Data Exchange (ETDEWEB)

    Brensing, Christian [CBE-enterprises, Berlin (Germany)

    2010-01-15

    The Federal Republic of Germany internationally belongs to the countries with the highest rate of new buildings of museums. During the 1980ies, a regular boom in the building of museums began. Due to the collections and foundations of private patrons, new art treasures are made accessible to the public every year. The perfect image of such a generous gift to the city Munich is the museum Brandhorst which solemnly was opened in May 2009 after a construction period of three years.

  15. Spectacular Attractions: Museums, Audio-Visuals and the Ghosts of Memory

    OpenAIRE

    Mandelli Elisa

    2015-01-01

    In the last decades, moving images have become a common feature not only in art museums, but also in a wide range of institutions devoted to the conservation and transmission of memory. This paper focuses on the role of audio-visuals in the exhibition design of history and memory museums, arguing that they are privileged means to achieve the spectacular effects and the visitors’ emotional and “experiential” engagement that constitute the main objective of contemporary museums. I will discuss ...

  16. The Art of Video Games

    Science.gov (United States)

    Johnson, Mark M.

    2012-01-01

    The Smithsonian American Art Museum has created and will tour an exhibition on a most unusual but extremely popular art form--"The Art of Video Games." As one of the largest and first of its type, this exhibition will document and explore a 40-year evolution of video games as an artistic medium, with a focus on striking visual effects and the…

  17. Visual art and visual perception

    NARCIS (Netherlands)

    Koenderink, Jan J.

    2015-01-01

    Visual art and visual perception ‘Visual art’ has become a minor cul-de-sac orthogonal to THE ART of the museum directors and billionaire collectors. THE ART is conceptual, instead of visual. Among its cherished items are the tins of artist’s shit (Piero Manzoni, 1961, Merda d’Artista) “worth their

  18. Imaginary museums: What mainstream museums can learn from them?

    Directory of Open Access Journals (Sweden)

    Rachel Morris

    2015-02-01

    Full Text Available The world is full of museums that don’t exist fully in three dimensions – museums described in words or drawn on paper; museum catalogues; museums on the web. There are also many museums that are the creation of artists, novelists and poets, and so have a strong thread of imagination running through them. The latter cast an interesting light on ‘real’ museums and compel us to ask: What is it that the metaphor of a museum enables writers and artists to say? The question is doubly interesting because there is a long history of these 'imaginary’ museums created by artists. This paper suggests that there are five qualities of museums that writers and artists tune into: the power of objects to take us back in time; the apparent ‘alive-ness’ of objects; the power of collections (which is different to the power of individual objects; the ability of museums to shape the world and tell us stories about it; and the role of museums as powerful metaphors through which we can talk about loss, fear and yearnings for the past. So writers and artists find museums powerfully imaginative places; but then so do visitors. Visitor research shows that visitors come to museums ready to use their imaginations. So my question is: Do ‘real’ museums do enough to work with the visitors’ imaginations? Or, to put it another way, Do enough museums think that the visitors’ imagination – and indeed their own - is relevant to the museum experience? It should be. It is.

  19. Microbial deterioration of cultural heritage and works of art--tilting at windmills?

    Science.gov (United States)

    Sterflinger, Katja; Piñar, Guadalupe

    2013-11-01

    Microorganisms (bacteria, archaea and fungi), in addition to lichens and insect pests, cause problems in the conservation of cultural heritage because of their biodeteriorative potential. This holds true for all types of historic artefacts, and even for art made of modern materials, in public buildings, museums and private art collections. The variety of biodeterioration phenomena observed on materials of cultural heritage is determined by several factors, such as the chemical composition and nature of the material itself, the climate and exposure of the object, in addition to the manner and frequency of surface cleaning and housekeeping in museums. This study offers a review of a variety of well-known biodeterioration phenomena observed on different materials, such as stone and building materials, objects exhibited in museums and libraries, as well as human remains and burial-related materials. The decontamination of infected artefacts, exhibition rooms and depots incurs high expenditure for museums. Nevertheless, the question has to be raised: whether the process of biodeterioration of cultural heritage can or should be stopped under all circumstances, or whether we have to accept it as a natural and an implicit consecution of its creation. This study also highlights critically the pros and cons of biocide treatments and gives some prominent examples of successful and unsuccessful conservation treatments. Furthermore, an outlook on the future research needs and developments in this highly interesting field is given.

  20. The Educational Museum: Innovations and Technologies Transforming Museum Education. The Benaki Museum, Athens, 17 October 2013

    Directory of Open Access Journals (Sweden)

    Dimitra Christidou

    2014-01-01

    Full Text Available The main topic of 'The Educational Museum: Innovations and Technologies Transforming Museum Education 'conference, third in a series of conferences organised by the Benaki Museum in partnership with the American Embassy and the British Council in Greece, was the use of technology and social media as means of transforming museum education and, sometimes, funding museum exhibitions and educational programmes. Among others, the conference aimed to discuss the use of digital applications such as Facebook, Twitter, Pinterest and Kickstarter by museums in order to attract a wider audience, interpret their collections and even fund their programmes.

  1. The Development of Informal Learning and Museum Pedagogy in Museums

    Science.gov (United States)

    Tišliar, Pavol

    2017-01-01

    This paper presents an outline of the history and the current orientation of informal learning in museums, museum pedagogy. This is the result of a lengthy process over the last two centuries, which became particularly intensive from the 1960s, in which museums looked for deeper ways to communicate with visitors, starting from basic presentation…

  2. INFORMATION AT MUSEUMS

    Directory of Open Access Journals (Sweden)

    Alek Tarkowski

    2017-07-01

    Full Text Available The article discusses both the legal and factual problems related to the necessity of implementing the provisions of the Act on the reuse of public sector information (PSI of 25 February 2016. The authors highlight the inaccuracies in the way the statutory provisions have been formulated, and which require urgent intervention by legislators due to their doubtful interpretation and the conflict of the Act’s provisions on reuse with those of other acts, in particular the Act on museums. They also identify the discrepancies between how museums currently share their collections and the requirements set by the Act on the reuse of PSI. Individual practical problems are discussed in separate parts of the text. The aim of the article is not to settle the doubts concerning the Act on reuse of PSI, nor to decide what museums should do in that matter, but rather to draw attention to possible ways of interpreting the provisions and the related problems.

  3. The Contemporary Museum as a Site for Displaying Values

    Directory of Open Access Journals (Sweden)

    Mare Kõiva

    2011-03-01

    Full Text Available Museums constitute an important cultural and social resource. The main objective of museums is making certain objects in the collection visible or, on the contrary, leaving them invisible. In contemporary society the institution serves many important roles, being a place for displaying historical and contemporary values, an institution for preserving and displaying personal and collective memory, cultural values, for collecting tangible and intangible values, an institution for creating identity and ethnic kudos, a work place, an educational environment, a framework for promoting ethnic handicraft and art, a place for integrating different folklore festivals, exhibitions, shows; they are connected to tourism patterns and museum business. The article reflects the changes in the development of museums in the late twentieth and early twenty-first century, focusing on the main key words being multifunctional museum, the museum as an open classroom, presentation of tangible and intangible history, the relation and mergence of permanent and temporary exhibitions. The issues of digitalization and preservation and the role of the exhibition curator and the person represented on displays have increased in the museology of the past few decades. The museums’ tradition of self-replication and an increased interest in museological anthropology indicate that museums fulfil an important role in society.

  4. SEMIOTIC MODELS IN MUSEUM COMMUNICATION

    Directory of Open Access Journals (Sweden)

    Plokhotnyuk Vladimir

    2018-02-01

    Full Text Available This article proposes a way of formalizing the description of various types of relations between the elements of museum communication based on the semiotic approach and the concepts introduced by F. de Saussure, C.S. Pierce and C.W. Morris. Semiotic models can be used to explain the specifics of museum communication for museum studies and as a methodological basis for developing various versions of databases or other software for museum affairs.

  5. [Medicine and its museums].

    Science.gov (United States)

    Acerbi Cremades, N

    1998-11-01

    There are described in this article the historical patrimonies belonging to five museums of Cordoba city, Argentina: the Museo de anatomia, which was named after Pedro Ara, notable Spanish Anatomist; the Museo de Anatomia Patologica; the Museo de Historia de la Medicina, created by Prof. Enrique P. Aznarez; the Museo "Obispo Salguero" of the Hospital San Roque; and the Museo Historico del Hospital Nacional de Clinicas, declared national historic monument. All these museums have a rich historic hoard, reflecting one of the important cultural aspects of this province.

  6. Frames as visual links between paintings and the museum environment: an analysis of statistical image properties

    Science.gov (United States)

    Redies, Christoph; Groß, Franziska

    2013-01-01

    Frames provide a visual link between artworks and their surround. We asked how image properties change as an observer zooms out from viewing a painting alone, to viewing the painting with its frame and, finally, the framed painting in its museum environment (museum scene). To address this question, we determined three higher-order image properties that are based on histograms of oriented luminance gradients. First, complexity was measured as the sum of the strengths of all gradients in the image. Second, we determined the self-similarity of histograms of the orientated gradients at different levels of spatial analysis. Third, we analyzed how much gradient strength varied across orientations (anisotropy). Results were obtained for three art museums that exhibited paintings from three major periods of Western art. In all three museums, the mean complexity of the frames was higher than that of the paintings or the museum scenes. Frames thus provide a barrier of complexity between the paintings and their exterior. By contrast, self-similarity and anisotropy values of images of framed paintings were intermediate between the images of the paintings and the museum scenes, i.e., the frames provided a transition between the paintings and their surround. We also observed differences between the three museums that may reflect modified frame usage in different art periods. For example, frames in the museum for 20th century art tended to be smaller and less complex than in the two other two museums that exhibit paintings from earlier art periods (13th–18th century and 19th century, respectively). Finally, we found that the three properties did not depend on the type of reproduction of the paintings (photographs in museums, scans from books or images from the Google Art Project). To the best of our knowledge, this study is the first to investigate the relation between frames and paintings by measuring physically defined, higher-order image properties. PMID:24265625

  7. Frames as visual links between paintings and the museum environment: An analysis of statistical image properties

    Directory of Open Access Journals (Sweden)

    Christoph eRedies

    2013-11-01

    Full Text Available Frames provide a visual link between artworks and their surround. We asked how image properties change as an observer zooms out from viewing a painting alone, to viewing the painting with its frame and, finally, the framed painting in its museum environment (museum scene. To address this question, we determined three higher-order image properties that are based on histograms of oriented luminance gradients. First, complexity was measured as the sum of the strengths of all gradients in the image. Second, we determined the self-similarity of histograms of the orientated gradients at different levels of spatial analysis. Third, we analyzed how much gradient strength varied across orientations (anisotropy. Results were obtained for three art museums that exhibited paintings from three major periods of Western art. In all three museums, the mean complexity of the frames was higher than that of the paintings or the museum scenes. Frames thus provide a barrier of complexity between the paintings and their exterior. By contrast, self-similarity and anisotropy values of images of framed paintings were intermediate between the images of the paintings and the museum scenes, i.e., the frames provided a transition between the paintings and their surround. We also observed differences between the three museums that may reflect modified frame usage in different art periods. For example, frames in the museum for 20th century art tended to be smaller and less complex than in the two other two museums that exhibit paintings from earlier art periods (13th-18th century and 19th century, respectively. Finally, we found that the three properties did not depend on the type of reproduction of the paintings (photographs in museums, scans from books or images from the Google Art Project. To the best of our knowledge, this study is the first to investigate the relation between frames and paintings by measuring physically defined, higher-order image properties.

  8. Bringing New Families to the Museum One Baby at a Time

    Science.gov (United States)

    Herman, Alicia

    2012-01-01

    "Bring Your Baby to the Danforth Museum of Art" is a program for mothers. Unlike other museum programs that focus on the needs of children, Bring Your Baby caters to the intellectual interests of the adult parent. Parents learn about artworks, play with babies in a beautiful environment, and socialize with other families. The program is…

  9. The museum as information space

    DEFF Research Database (Denmark)

    Navarrete, T.; Mackenzie Owen, J.

    2016-01-01

    Although museums vary in nature and may have been founded for all sorts of reasons, central to all museum institutions are the collected objects. These objects are information carriers organized in a catalogue system. In this chapter, the museum will be conceived as an information space, consisti...

  10. Is Museum Education "Rocket Science"?

    Science.gov (United States)

    Dragotto, Erin; Minerva, Christine; Nichols, Michelle

    2006-01-01

    The field of museum education has advanced and adapted over the years to meet the changing needs of audiences as determined by new research, national policy, and international events. Educators from Chicago's Adler Planetarium & Astronomy Museum provide insight into a (somewhat) typical museum education department, especially geared for readers…

  11. The Student/Library Computer Science Collaborative

    Science.gov (United States)

    Hahn, Jim

    2015-01-01

    With funding from an Institute of Museum and Library Services demonstration grant, librarians of the Undergraduate Library at the University of Illinois at Urbana-Champaign partnered with students in computer science courses to design and build student-centered mobile apps. The grant work called for demonstration of student collaboration…

  12. Virtual Museum Learning

    Science.gov (United States)

    Prosser, Dominic; Eddisford, Susan

    2004-01-01

    This paper examines children's and adults' attitudes to virtual representations of museum objects. Drawing on empirical research data gained from two web-based digital learning environments. The paper explores the characteristics of on-line learning activities that move children from a sense of wonder into meaningful engagement with objects and…

  13. An Infrastructure Museum

    Science.gov (United States)

    Roman, Harry T.

    2013-01-01

    This article invites teachers to let their students' imaginations soar as they become part of a team that will design a whole new kind of living technological museum, a facility that celebrates the world of infrastructure. In this activity, a new two-story building will be built, occupying a vacant corner parcel of land, approximately 150…

  14. Moving Museum Experiences

    Science.gov (United States)

    Weisberg, Shelley Kruger

    2011-01-01

    As Howard Gardner persuasively argued, movement, or kinesthetics, can be a powerful educational tool and one to which some learners are particularly attuned. Museums, however, are typically places that discourage movement (don't run, don't jump, watch out for the artifacts). This makes incorporating kinesthetic learning challenging. This article…

  15. Museums, Environments, Information

    NARCIS (Netherlands)

    Koutamanis, A.

    2015-01-01

    Modern digital media already permeate the physical world. The portability of information devices and the ubiquity of networks allow us to access information practically anyplace, creating digital overlays on reality. This also allows us to bring information we routinely archive in museums and

  16. Albany Museum, Grahamstown

    African Journals Online (AJOL)

    Species of the cyprinid genus Barbus form the major element of the indigenous fish fauna of the southern Cape coastal .... counts. Studies on vertebral counts in fishes (e.g. Bailey & Gosline 1955; Garside 1966) have shown that ..... Catalogue of the freshwater fishes of Mrica in the British Museum. (natural history), 2.

  17. Aboriginal Art: Who was interested?

    Directory of Open Access Journals (Sweden)

    Daniel Thomas

    2011-06-01

    Full Text Available This paper addresses the common assumption that Aboriginal art has been absent from Australian art histories and demonstrates how this is not so. It criticises the notion that art history should be represented by specialised art-history books and argues for the important of art museum displays as texts. It also examines the ways in which Aboriginal art has been examined in literature devoted to Australian history and anthropology. It foregrounds the idea that arts history is not necessarily best represented by official art historical texts.

  18. REAL MUSEUM, IMAGINARY MUSEUM: REFLECTIONS ON THE CONCEPT OF THE MUSEUM AS A STAGE FOR METAMORPHOSIS = MUSEO REAL, MUSEO IMAGINARIO: REFLEXIONES EN TORNO AL CONCEPTO DE MUSEO COMO ESCENARIO DE METAMORFOSIS

    Directory of Open Access Journals (Sweden)

    Elena Marcén Guillén

    2014-02-01

    Full Text Available Ever since its inception as public institution in the 18th century, the museum has favoured several interpretations of the work of art, alterations that imply both a change in its semantic and a revision of the very same concept of art. These metamorphoses take place not only within the confined walls of the traditional museum but also in many wall-less museums. Approaches such as the imaginary museum, virtual and endless repertoire of pieces of art, open countless perspectives to how the museums are perceived as containers of the western memory. This paper focuses on the role of the museum as metamorphosis scenery through the thoughts of artists, writers and intellectuals that have felt attracted to this question since the dawn of the museum.Desde sus inicios como institución pública en el siglo XVIII, el museo ha propiciado diversas interpretaciones de la obra de arte, que entrañan tanto un cambio en la semántica del objeto artístico como una revisión del concepto mismo de arte. Estas metamorfosis se producen no solo en el ámbito físico del museo tradicional sino también en las múltiples variedades del museo sin muros. Planteamientos como el del museo imaginario, repertorio virtual e inacabable de obras de arte, abren innumerables perspectivas en lo que se refiere a la institución museística como receptáculo de la memoria occidental. El presente artículo plantea un recorrido por el papel del museo como escenario de metamorfosis a través de las reflexiones de artistas, literatos e intelectuales que se han sentido atraídos por esta sugerente cuestión desde los albores de la institución museística.

  19. FOR MUSEUM WORK

    Directory of Open Access Journals (Sweden)

    Margherita Sani

    2017-05-01

    Full Text Available The role of museums in society has expanded significantly in the last decades: from temples of knowledge to forums for debate and discussion, from repositories of objects to people-centred institutions with social responsibilities and functions. This shift reflects an ongoing trend to democratise museums and make them more accessible to wider audiences and responsive to the public’s changing needs, in particular the interests of local communities, whose composition has changed in recent years to include migrants and people of different ethnic backgrounds. With annual migration flows to the EU as a whole projected to increase from about 1 043 000 people in 2010 to 1 332 500 by 2020, the question of how cultural institutions can contribute to effective integration and dialogue has become more relevant than ever. Funders and society at large expect museums to play their part in facilitating the integration and peaceful coexistence of newcomers, with financial resources being made available, also at the EU level, to support them in this effort. Many questions can be raised as to whether it is right and appropriate to charge museums with these responsibilities and whether this would push the boundaries of their work too far and give the social function an exceedingly prominent role over the traditional conservation and educational tasks museums already fulfil. But this discussion seems to be already obsolete in the light of the growing body of evidence on good practices available at the European level. This essay aims to illustrate some of them, as well as to discuss some underpinning theoretical issues and methodological approaches.

  20. A museum for German-speaking citizens in the Czech lands

    Czech Academy of Sciences Publication Activity Database

    Hnídková, Vendula

    -, č. 42 (2011), s. 10 ISSN 1573-3815 Institutional research plan: CEZ:AV0Z80330511 Keywords : Czech contemporary architecture * Projektil * Museum for German- speaking citizens Subject RIV: AL - Art, Architecture, Cultural Heritage

  1. Informational Value of Museum Web Sites

    OpenAIRE

    Kravchyna, Victoria; Hastings, Sam

    2002-01-01

    What information are virtual visitors looking for on museum Web sites? This paper is a first step in a larger investigation into the informational value of museum Web sites. Scholars, teachers, students, museums staff, and museum visitors are the main categories of visitors examined in this study. Questions were asked of these museum audiences about their use of museum Web sites, museum databases, and other aspects of virtual visits.

  2. The Museum of New Mexico and energy management

    International Nuclear Information System (INIS)

    Johnson, B.K.

    1993-01-01

    There are unique indoor conditioning and energy management challenges in museums. In Santa Fe, the Museum of New Mexico (MNM) is located in a unique climate and must stay within utility expenditure limits allocated through the State government budget process, while handling valuable collections with specific environmental requirements. Adequate humidity for indoor exhibitions is the top priority for heating, ventilating, and air-conditioning (HVAC) systems. Energy management systems (EMS) implemented by the Energy, Minerals and Natural Resources Department (EMNRD) in two MNM exhibition facilities avoid energy costs, but must be maintained regularly. Energy savings goals must yield priority in favor of maintaining proper indoor conditions. MNM is one of six Divisions within the State of New Mexico's Office of Cultural Affairs (OCA). The mission of OCA is to foster, preserve, and protect current and past expressions of culture and the arts, which are determined to be in the best interests of New Mexico. As a part of their mission, OCA is well-known for excellence in cultural collections, through MNM. MNM is comprised of the Museum of Fine Arts Museum of Southwest History Museum of International Folk Art Laboratory of Anthropology Museum of Indian Arts and Culture. There are eight separate physical facilities that house these operations, including administration. Behind the scenes, there are operational costs that must be managed carefully; the costs of heating, cooling, arid lighting the buildings that MNM uses are a part of this. EMNRD has assisted OCA in meeting its mission through the expertise of the Energy Conservation and Management Division (ECMD). ECMD is designated by the Governor as the State Energy Manager agency

  3. Keeping the Arts Alive: Fine Arts Databases

    Science.gov (United States)

    Young, Terrence E., Jr.

    2005-01-01

    When budgets are tightened, the school library media specialists and/or the arts programs are often considered expendable. No Child Left Behind legislation means increasing academic time for core subjects, which translates into cutting time for arts education. As money becomes tight, frills are cut (i.e., the arts). Schools don't seem able to fill…

  4. Visual Literacy/Aesthetic Development Research: Museum-Public School Cooperation.

    Science.gov (United States)

    Alper, M. Victor

    1996-01-01

    Describes a cooperative program where the New York City Museum of Modern Art and the New York City Public School System joined forces to create a visual literacy/aesthetic development program. The program incorporated a three-year teacher training effort, development of an art education curriculum, and classroom art education support. (MJP)

  5. Mapping Invitations to Participate: An Investigation in Museum Interpretation

    Science.gov (United States)

    Kothe, Elsa Lenz

    2016-01-01

    This a/r/tographic inquiry delves into questions about participatory art museum practice, specifically seeking to understand the nature of invitations to participate. Utilising drawings, writing and mapping of embodied participation, questions of how individuals are invited to participate in various locations and how these invitations inform the…

  6. A Survey of Teen Museum Education Participants and Their Parents

    Science.gov (United States)

    Hornby, Jenny; Bobick, Bryna

    2016-01-01

    In this article, we discuss a museum program for teens located in an urban environment. The participants were high school students from public, private, religious and home schools. The program allowed learning to occur in an informal setting and united teens from one city through a common interest in visual art. Also, it was an opportunity for the…

  7. Curators and Australian art history

    OpenAIRE

    Andrew Sayers

    2011-01-01

    Most Australians do not read art history, but they do look at art in museums. There, visitors experience displays that embody art histories. The enthusiasms and research interests of curators combine with collection strengths to create these art histories. In this process, particular artists, ideas and mediums are privileged. Drawing on personal experience this talk looked at some examples of influential curators, displays, exhibitions and collecting programs over the last thirty years. In th...

  8. Nature Museums: Tools for Learning about, Promoting, and Protecting the Natural Heritage of Europe. Proceedings of the Seminar Organised by the Council of Europe in Collaboration with The International Council of Museums (Strasbourg, September 27-29, 1989). Environmental Encounters Series, No. 9.

    Science.gov (United States)

    Council of Europe, Strasbourg (France).

    The history of museology over the last century suggests that, in general, the founding of a new natural history museum is rarely the result of planning within the cultural policy field, a situation contrary to what occurs in the history of art museums. This lack of planning with respect to natural history museums has several causes, particularly…

  9. Communicative Functions of the Museum Lobby

    DEFF Research Database (Denmark)

    Mortensen, Christian Hviid; Rudloff, Maja; Vestergaard, Vitus

    2014-01-01

    In a time with a heightened focus on how museum architecture and exhibition design shapes the museum visit, the entrance space of museums, the museum lobby, is remarkably absent from the museum literature and research. Still, the museum lobby is the first encounter visitors have with the museum...... and the last impression that they take home and share with others. This article analyzes museum lobbies as communication spaces in order to identify the different functions afforded by such spaces. In an explorative study of five Danish museum lobbies, we offer a preliminary categorization of these functions...

  10. Le musée français: guerras napoleônicas, coleções artísticas e o longínquo destino de um livro

    Directory of Open Access Journals (Sweden)

    Guilherme Sim\\u00F5es Gomes J\\u00FAnior

    2007-01-01

    Full Text Available This paper is about Le Musée Français [The French Museum], a book found in the collection of the library of the Imperial Academy of Fine Arts in Rio de Janeiro. As a catalog of the Napoleon Museum, it bears witness to the reorganization of the arts in Europe as a result of the Napoleonic wars and the project of making Paris a true successor to Athens and Rome, as the center of a new republic of the arts. This process was the object of a dispute where Quatremère de Quincy and Joachim Lebreton played an important role. It was also one of the causes leading to the exile of a group of artists who then helped to lay the foundations for an academic environment in Rio de Janeiro.

  11. Can Virtual Museums Motivate Students? Toward a Constructivist Learning Approach

    Science.gov (United States)

    Katz, James E.; Halpern, Daniel

    2015-12-01

    This study aims to assess the effectiveness of immersive environments that have been implemented by museums to attract new visitors. Based on the frameworks introduced by telepresence and media richness theories, and following a constructivist-based learning approach, we argue that the greater the similarity of an online museum experience is to its physical counterpart, the more positive will be the observer's perception of the collection. We reason that the similarity would lead online visitors to develop greater cognitive involvement which in turn will produce more positive attitudes toward the collection. In support of this argument, we present the results of a comparative study in which 565 participants were exposed randomly to four different exhibitions: two-dimensional collections of art and aircraft museums and three-dimensional tours of similar museums. Results indicate that whereas 3D tours have a strong effect on users' intentions to visit the real museum, cognitive involvement and sense of presence mediate the association between these variables. In terms of managerial implications, our study shows that if educational professionals want to stimulate their students to visit museums, 3D tours appear to be more effective for engaging learners through a realistic-looking environment. By offering richer perceptual cues and multimodal feedback (e.g., users can view 3D objects from multiple viewpoints or zoom in/out the objects), the study suggests that participants may increase their reasoning process and become more interested in cultural content.

  12. RESOURCE CENTRE AT THE SOUTH AFRICAN MUSEUM

    African Journals Online (AJOL)

    ciunl ictlt.P cnnipc;. Material from other museums. Worksheets, activity books, guides, pamp~lets and other educational material from museums 1n Southern. Africa and overseas are kept in the museum education section of the Resource Centre. General infonnation on museums and museum technology are also collected.

  13. British Museum paintings

    OpenAIRE

    Edmonds, Frances

    2011-01-01

    Frances Edmonds is one of a group of artists selected for the show ‘Territories’ taking place at Galerie Windkracht 13 in Den Helder, Holland this July 2012. This exhibition is curated by Sharon Beavan and Gethin Evans. The artists represented work across the boundaries of two and three-dimensional and time based form. The brief – to interrogate and explore the notion of territories. Frances will be showing several paintings from the British Museum series, based on imagery collected ...

  14. Innovative Sensors for Environmental Monitoring in Museums

    Directory of Open Access Journals (Sweden)

    Anna Grazia Mignani

    2008-03-01

    Full Text Available Different physical and chemical factors, such as light, temperature, relative humidity, pollutants and so on, can affect works of art on display. Each factor does not act individually, but its effect can be enhanced or accelerated by the presence of other factors. Accordingly, an evaluation of the impact of the whole environment on art objects is recognized as an essential requirement for conservation purposes. To meet the most up-todate guidelines on preventive conservation, in recent years several scientific projects supported by the EC were aimed at developing innovative tools that could complement the standard methods for environmental monitoring in museums. These research projects produced a new generation of passive sensors that are capable of taking into account the overall environmental effects by mimicking in some way the behaviour of real works of art. The main goal of the present paper is to provide a survey of these sensors, which represent a new frontier in the environmental control in museums. Furthermore, the use of optical fibres, as both intrinsic sensors and devices for interrogating sensors, will also be illustrated, and examples of their use in the cultural heritage field will be reported.

  15. Monitoring Of Pollutants In Museum Environment

    Directory of Open Access Journals (Sweden)

    Ana-Maria Budu

    2015-10-01

    Full Text Available Art works are affected by environmental factors as light, temperature, humidity. Air pollutants are also implicated in their degradation. The pollution in museums has two sources: the air from outside, which brings usually dust and inorganic particles, and the inside sources – the materials used for casings (sealants, textiles placed on the display cases, varnishes, wood that emanate organic compounds. The dust is composed of particles with a diameter of approximately 2µm or higher, which come from soil (silica or animal and vegetal residues (skin cells, pollen. They facilitate water condensation on objects surface and biologic attack. The inorganic compounds are a result of materials combustion (SO2, NO2, NO and in presence of water they form acidic compounds which affect the museum objects. The organic compounds are usually peroxides, acids, phthalates, formaldehyde. The effects of these pollutants are: soiling, surface discolouration, embrittlement, corrosion. Therefore, conservators are interested in monitoring the pollution degree in the display cases or in the museum air and in analyzing the effects of pollutants on the exhibited objects. They use different methods for pollutants identification, like direct reading devices based on colorimetry, that can be read after few minutes and hours (they interact with the pollutants in atmosphere, or indirect reading samples that require a laboratory. The information gathered is used for the identification of pollution source and to analyze the concentration of pollutants needed to provoke damages on the surfaces of art objects. This paper is a review of pollutants that affect the art objects and of the monitoring systems used for their identification and measuring.

  16. The cost of a visit to the museum: Analysis of a survey

    Directory of Open Access Journals (Sweden)

    Elena Ploşniţa

    2014-12-01

    Full Text Available Author of the article “The cost of a visit to the museum: Analysis of a survey” analyzes the results of a survey of visitors conducted from July 26 to August 15, 2012 at three national museums – the National Museum of Ethnography and Natural History, the National Museum of Fine Arts, and the National Museum of History of Moldova, as well as at the Natural and Cultural Reserve “Old Orhei” and the Pushkin House Museum in Chisinau. There has been used a questionnaire consisting of 12 questions. After analyzing the social status and occupation of the respondents, after determination of the reason for visiting the museum, systematization of data on the degree of satisfaction and the views on the entrance fees, the authors of the study concluded that these five museums’ visitors willing to pay for access to the museum from 13 to 28 MDL, but only if this visit can meet their informational and emotional needs. The public requires a high standard of information, a lot of respect from museum staff, a certain atmosphere of relaxation and a treatment that satisfies all expectations. Regardless of social class, occupation, age, way of perceiving the museum institution, and the level of satisfaction, all respondents consider that the price of the entrance ticket should be increased. The survey results show that the museums do not attract tourist groups, indicating that the organizers of tours do not include museums in tourist routes. The authors consider that research to the public should be on the agenda of each museum in order to discover the needs and wishes of their visitors and to meet these requirements as best as possible.

  17. The museum's mummies: an inside view.

    Science.gov (United States)

    Mininberg, D T

    2001-07-01

    We applied medical and scientific methodology in a study of the mummies in the Metropolitan Museum of Art in New York, New York, by computed tomographic scanning and other radiographic methods. These noninvasive procedures allow us to "unwrap" these mummies without unwrapping them. This is, in effect, technology transfer of routine diagnostic techniques used in medicine to Egyptology. After this noninvasive information-gathering procedure, the mummies are preserved intact for possible future investigations that may be more sophisticated and more informative. The data are presented and put into perspective by a review of pertinent literature.

  18. Can museums survive the postmodern?

    Directory of Open Access Journals (Sweden)

    Suzanne Keene

    2005-08-01

    Full Text Available Although archaeologists regard museums as vital repositories of important research materials, museum professionals take a broader view of their role in not only preserving natural and cultural heritage but also of how they could or should be presented, or interpreted, to the public. In this personal view, issues of what museums should be, or seek to be, in a postmodern world are explored.

  19. Instructional Resources: Is This Art?

    Science.gov (United States)

    Arenas, Amelia

    1990-01-01

    Provides six lesson outlines to help teachers motivate high school students to discuss basic questions about the meaning and function of art, aesthetic responses cultural context, and artistic skill. Illustrates artwork from the Museum of Modern Art by Marcel Duchamp, Pablo Picasso, Jackson Pollock, and Meret Oppenheim. (KM)

  20. The Art of John Biggers

    Science.gov (United States)

    Coy, Mary

    2010-01-01

    In their 2005 exhibit of John Biggers' work, the New Orleans Museum of Art described it as being inspired by "African art and culture, the injustices of a segregated United States, the stoic women in his own family, and the heroes of everyday survival." In this article, the author describes how her students reinterpreted Biggers' work.…

  1. Business planning for digital libraries international approaches

    CERN Document Server

    Collier, Mel

    2010-01-01

    This book brings together international experience of business planning for digital libraries: the business case, the planning processes involved, the costs and benefi ts, practice and standards, and comparison with the traditional library where appropriate. Although there is a vast literature already on other aspects of digital libraries, business planning is a subject that until now has not been systematically integrated in a book.Digital libraries are being created not only by traditional libraries, but by museums, archives, media organizations, and indeed any organization concerned with ma

  2. Youth Empowerment and Contemporary Art: Where Are We Now?

    Science.gov (United States)

    Linzer, Danielle

    2014-01-01

    In the 1990s, a handful of arts institutions made an unprecedented effort to engage young people through intensive programming geared directly at adolescent audiences--teen councils and apprenticeships sprouted up across the country and sought to welcome and empower teens within the museum. The Whitney Museum of American Art is currently leading a…

  3. Museum metamorphosis à la mode

    DEFF Research Database (Denmark)

    Baggesen, Rikke Haller

    2014-01-01

    museum practices correspond to the logic of fashion. Where Foucault once described museums as heterochronias; places representing an ’other-time’, museums now strive to be both of their time and in time with the Zeitgeist. As a consequence, they must keep up with the speedy cycles of technological...... advancements and cultural change, and not only deliver, but also stoke the desire for, novel experiences. The paper explores the current vogue for fashion exhibitions as a case in point, arguing that this trend serves to promote the museum as fashionably current, but can also support novel formats for cultural...

  4. MUSEUM TARI DI MAKASSAR DENGAN PENDEKATAN EKSPOSE STRUKTUR PADA FASAD BANGUNAN DAN PENERAPAN TEORI FRAKTAL

    Directory of Open Access Journals (Sweden)

    Taufik Arfan

    2015-12-01

    Full Text Available Abstrak—Pentingnya museum tari di Makassar adalah untuk memperkenalkan budaya yang dimiliki di Sulawesi Selatan yang dapat dikenal oleh seluruh manca negara, serta parawisatawan dan semua orang untuk berkunjung. Tujuan penelitian non arsitektural ini adalah menampilkan unsur kebudayaan, sejarah serta memperkenalkan Tari Tradisional yang ada di Sulawesi Selatan, sedangkan tujuan arsitekturalnya adalah menentukan lokasi yang sesuai dengan keberadaan museum tari, merancang ruang-ruang yang dibutuhkan sesuai dengan standar Museum serta kebutuhan ruang untuk Museum seni tari, merancang museum tari yang dikaitkan dengan ekspos struktur pada fasad dan penggabungannya dengan teori fraktal, merancang penggunaan fasad bangunan,struktur, utilitas, penampilan bangunan, serta tranformasi bentuk pada museum tari dan merancang tata massa pada museum tari. Hasil laporan ini adalah mendesain bangunan museum tari di Makassar dengan pendekatan ekspos pada struktur fasade bangunan dan penerapan teori fraktal yang disesuaikan dengan standar dan kebutuhan ruang. Kata Kunci :Museum tari, struktur, fasad, fractal Abstract-The importance of dance in Makassar museum is to introduce a culture held in South Sulawesi, which can be known by all foreign countries, as well as parawisatawan and everyone to visit. The research objective non architecturally it is featuring elements of culture, history and introduce Traditional Dance in South Sulawesi, while the purpose of the architectural is to determine the location that corresponds to the existence of the museum of dance, designing spaces required in accordance with the standards Museum as well as the need for space for art museum dance, design a museum of dance that is associated with exposure to the facade structure and merger with fractal theory, designing the use of facades of buildings, structures, utilities, appearance of the building, as well as the transformation of the museum forms of dance and design the masses on

  5. Art History in Remote Aboriginal Art Centres

    Directory of Open Access Journals (Sweden)

    Darren Jorgensen

    2013-10-01

    Full Text Available The 2008 Congress of the International Committee of the History of Art in Melbourne suggested in its theme of 'Crossing Cultures' that art history must revise its nationalistic methodologies to construct more international histories of art. This essay addresses the legacy of different eras and methods of writing the art history of remote Aboriginal artists. It argues that colonialism has structured many of the ways in which this art history has been written, and that the globalisation of art history does little to rectify these structures. Instead, art history must turn to institutions that are less implicated in the legacy of colonialism to frame its work. Rather than turning to the museums and art galleries who have provided much of the material for the art histories of the twentieth century, this essay suggests that remote art centres offer dynamic opportunities for doing twenty-first century art history. Founded in an era of political self-determination for remote Aboriginal people, these centres aspire to create an opportunity for the expression of a cultural difference whose origins precede the invasion and colonisation of Australia. Art centres and their archives present an opportunity to work through the legacies of colonialism in the art history of remote Australian Aboriginal artists

  6. Museums as Spaces for Cultural Citizenship

    DEFF Research Database (Denmark)

    Sattrup, Lise; Lejsgaard Christensen, Julie

    2013-01-01

    Ten museums and cultural institutions in Denmark examine their role as spaces for cultural citizenship. Based on one exhibition case at Thorvaldsen Museum, the paper will discuss how the theoretical framework of the project challenges the museums.......Ten museums and cultural institutions in Denmark examine their role as spaces for cultural citizenship. Based on one exhibition case at Thorvaldsen Museum, the paper will discuss how the theoretical framework of the project challenges the museums....

  7. 75 FR 69134 - Submission for OMB Review, Comment Request, Proposed Collection: Public Libraries Survey, FY 2011...

    Science.gov (United States)

    2010-11-10

    ..., Proposed Collection: Public Libraries Survey, FY 2011-2013 AGENCY: Institute of Museum and Library Services... libraries in improving their operations and enhancing their services to the public. IMLS is responsible for.... Chapter 72, 20 U.S.C. 9108). Abstract: The Public Libraries Survey has been conducted by the Institute of...

  8. The art of compromise: the founding of the National Gallery of British Art, 1890-1892

    Directory of Open Access Journals (Sweden)

    Amy Woodson-Boulton

    2015-03-01

    Full Text Available This article argues that the press played a key role in defining the Tate Gallery by facilitating a national debate about the siting, nature, and purpose of the proposed National Gallery of British Art. Art critics, politicians, journalists and a variety of newspaper editors weighed in on whether Britain should create a museum of modern art, a museum of national art, or both. The understanding of British art as quintessentially modern at the time of the founding of the Gallery meant that from the beginning the Tate Gallery was founded as both the National Gallery of British Art and a museum of modern art. The changing definition of modern art in the twentieth century, however, created fractures between these two identities that eventually led to the split between Tate Britain and Tate Modern.

  9. Analysis of an Unusual Mirror in a 16th-Century Painting: A Museum Exercise for Physics Students

    Science.gov (United States)

    Swaminathan, Sudha; Lamelas, Frank

    2017-04-01

    Physics students at Worcester State University visit the Worcester Art Museum (WAM) at the end of a special 100-level course called Physics in Art. The students have studied geometrical optics, and they have been introduced to concepts in atomic physics. The purpose of the museum tour is to show how physics-based techniques can be used in a nontraditional lab setting. Other examples of the use of museum-based art in physics instruction include analyses of Pointillism and image resolution, and of reflections in soap bubbles in 17- and 18th-century paintings.

  10. Rancang Bangun Aplikasi Augmented Reality Museum Bali Berbasis Android Studi Kasus Gedung Karangasem dan Gedung Tabanan

    Directory of Open Access Journals (Sweden)

    I Gede Aditya Nugraha

    2016-08-01

    Full Text Available Museum Bali is one of the museum which is located in Denpasar City that established since 1910. The Museum collections consist of items such as living equipment, art, religion, handwriting, and other things that show the situation and the development of the Balinese culture. Augmented Reality is a technology which combines two-dimensional virtual objects or three-dimensional virtual objects into the real environment. Museum Bali has decreased the amount of visitors in recent years and requires an innovation to promote Museum Bali. One innovation that is expected to promote the Museum Bali is to create an augmented reality application that called Augmented Reality Museum Bali in Android platform. Utilizing augmented reality technology that works by detecting the marker then it show up the 3D object and the information from one of the objectsin Museum Bali. Markerless method used in detection marker that make this application moreattractive and expected to be a new experience for the people who want to know more about Museum Bali.

  11. Medical instruments in museums

    DEFF Research Database (Denmark)

    Söderqvist, Thomas; Arnold, Ken

    2011-01-01

    This essay proposes that our understanding of medical instruments might benefit from adding a more forthright concern with their immediate presence to the current historical focus on simply decoding their meanings and context. This approach is applied to the intriguingly tricky question of what...... actually is meant by a "medical instrument." It is suggested that a pragmatic part of the answer might lie simply in reconsidering the holdings of medical museums, where the significance of the physical actuality of instruments comes readily to hand....

  12. Library rooms or Library halls

    Directory of Open Access Journals (Sweden)

    Alfredo Serrai

    2013-12-01

    Full Text Available Library Halls, understood as Renaissance and Baroque architectural creations, along with the furnishings and decorations, accomplish a cognitive task and serve to transmit knowledge. The design of these spaces based on the idea that they should reflect the merits and content of the collections housed within them, in order to prepare the mind of the reader to respect and admire the volumes. In accordance with this principle, in the fifteenth century library rooms had a basilican shape, with two or three naves, like churches, reflecting thus the spiritual value of the books contained there. Next to that inspiring function, library rooms had also the task of representing the entire logical and conceptual universe of human knowledge in a figurative way, including for this purpose also the and Kunst- und Wunderkammern, namely the collections of natural, artficial objects, and works of art. The importance of library rooms and their function was understood already in the early decades of the seventeenth century, as underlined in the treatise, Musei sive Bibliothecae tam privatae quam publicae Extructio, Instructio, Cura, Usus, written by the Jesuit Claude Clément and published in 1635. Almost the entire volume is dedicated to the decoration and ornamentation of the Saloni, and the function of the library is identified exclusively with the preservation and decoration of the collection, neglecting more specifically bibliographic aspects or those connected to library science. The architectural structure of the Saloni was destined to change in relation to two factors, namely the form of books, and the sources of light. As a consequence, from the end of the sixteenth century – or perhaps even before if one considers the fragments of the Library of Urbino belonging to Federico da Montefeltro – shelves and cabinets have been placed no longer in the center of the room, but were set against the walls. This new disposition of the furniture, surmounted by

  13. Exploring ``Science As Culture'' Through The European Science Museums Astronomy And Museum Education

    Science.gov (United States)

    Lelingou, Dimitra; Varga, Benedek; Czár, Katalin; Sircar, Seema; Paterson, Allan; Lindsay, Lilian; Watson, Andy; Croly, Christopher

    2010-01-01

    The Hellenic Physical Society is a scientific association with an intensive action in the field of education, which is governed by the philosophy that the relationship between science and society must be interactive. For this reason the Hellenic Physical Society is a partner of the European Grundtvig Lifelong Learning Project/Learning Partnerships, tilted: Exploring ``Science as Culture'' through the European Science Museums. The program numbered 07-GRCO1-GR04-00025-1 constitutes an educational collaboration between the Semmelweis Museum Library and archives of the History of Medicine of Hungary, which is the co-ordinator of the project, the Hellenic Physical Society (Greece) and the Aberdeen City Council Strategic Leadership of United Kingdom. During the first year that the european project was conducted, the Physics Museum of the greek aegean island of Chios, in collaboration with the Second Chance School of Chios, also took part. During the academic year 2008-2009, the Second Chance School of the Koridallos Prison of Athens is also taking part. The basic ideas, the design axes and the first results of the Grundtvig project will be developed in this presentation. This european partnership creates an educational programme consisting of science-related activities (such as seminars, lectures, presentations and in situ experimental activities), and prepares appropriate educational material for lifelong science learning, using innovative teaching methodologies and the European science museums' exhibits participating in this project, by making them centres of significant cultural contribution to science and society. Using the integrated approach of astronomy teaching as the central design axe in this programme, we highlight the cultural aspects of science education. From our educational intervention we develop educational tools for astronomy suitable for distance learning and making use of new technologies. The partnership is addressed to different age groups: museum

  14. Natural history museums and cyberspace

    Science.gov (United States)

    Wemmer, C.; Erixon-Stanford, M.; Gardner, A.L.

    1996-01-01

    Natural history museums are entering the electronic age as they increasingly use computers to build accessible and shareable databases that support research and education on a world-wide basis. Museums are exploring the Internet and other shared uses of electronic media to enhance their traditional roles in education, training, identifications, technical assistance, and collections management.

  15. Library exhibits and programs boost science education

    Science.gov (United States)

    Dusenbery, Paul B.; Curtis, Lisa

    2012-05-01

    Science museums let visitors explore and discover, but for many families there are barriers—such as cost or distance—that prevent them from visiting museums and experiencing hands-on science, technology, engineering, and mathematics (STEM) learning. Now educators are reaching underserved audiences by developing STEM exhibits and programs for public libraries. With more than 16,000 outlets in the United States, public libraries serve almost every community in the country. Nationwide, they receive about 1.5 billion visits per year, and they offer their services for free.

  16. Fantastic art, Barr, surrealism

    Directory of Open Access Journals (Sweden)

    Tessel M. Bauduin

    2017-12-01

    Full Text Available In 1936 Alfred Barr, jr., curator-director of the Museum of Modern Art, New York, organised the first large-scale American show about dada and surrealism, which he named Fantastic Art, Dada, Surrealism. This show would have a considerable impact, not least because of its introduction of ‘fantastic’ as a category of visual art closely related to surrealism. But how and why did Barr arrive at this label? This article explores several sources, including surrealist lectures, early twentieth-century Belgian art history and art criticism, and art historical debates about form vs. content, south vs. north, and reason vs. fantasy. Some suggestion are made as to why Barr considered ‘fantastic’ relevant at that time, including to set it against Cubism and Abstract Art and to make a—partly political—point about the form/content-dichotomy and the validity of romanticism, sentiment and the fantastic.

  17. The art of scent

    DEFF Research Database (Denmark)

    Stenslund, Anette

    2017-01-01

    At the Museum of Art and Design in New York the The Art of Scent (1889–2012) exhibition announced its declared aim of bringing to the forefront of the arts what has long been considered the fallen angel of the senses: it would inscribe scent into fine art through a display characterised by its ex...... situ superiority detached from everyday culture in situ. The exhibition would thus give cause to sketch in a phenomenology of the art of scent that opts for greater inclusion of visitors’ experienced noses. Unfolding within the framework of Martin Heidegger’s critique of aesthetics and the advocacy...... of art, this paper argues that scent that is not of high culture may yet, phenomenologically speaking, be considered great art....

  18. National Museum of Military History

    Directory of Open Access Journals (Sweden)

    A Nicolaides

    2011-01-01

    Full Text Available Attractions such as military history museums which exhibit a wide range of important historical artefacts are fundamental sub-elements in any tourism systems, and yet their study suffers from lack of theoretical depth. Military history is an integral element of the history of any nation and countless varieties of tourists both local and international, visit military museums whenever the opportunity presents itself because museums are generally stimulating places of interest. This article focuses predominantly on international tourists visiting the Ditsong National Museum of Military History. In addition to the interest that such museums generate, they play a key role as the organizational foundation stones of modernity. It is via their many interesting exhibits that museums enlighten us about the past that intrinsically highlights its distance from the present era. Museums also selectively reconstitute aspects of history and in so doing alienate many artefacts from their original context and yet manage to impart deep understanding of events that shaped the modern world. Museums of all types thus impart knowledge and have a wide range of tales to tell concerning the many and diverse assortments of objects they hold. National pride is an obvious reason for having a military museum where the comprehensive display of military equipment is exceptionally unique while exhibition halls also offer an educational narrative of a nation’s history. What is also of interest to many visitors is the type of research that is carried out in a multiplicity of ways. The huge global growth in tourism in recent years has contributed to many museums radically altering their exhibits in both content and manner of exhibition. This is significant given the reciprocal impact that museums and tourism have on one another. The attractions in museums are regarded by many to be central to the tourism process and these are very often the main reason for many tourists visiting

  19. Philanthropy Supporting Government: An Analysis of Local Library Funding

    Directory of Open Access Journals (Sweden)

    Alicia Schatteman

    2015-11-01

    Full Text Available Although a public agency, many libraries seek additional resources beyond municipal taxes. This paper explores library funding and their reliance on philanthropic revenue to supplement public tax dollars. Data from the Institute of Museum and Library Services Survey are combined with financial information from library friends and foundation nonprofit organizations to understand the extent to which public libraries in Illinois are supported by philanthropic funds. A survey of library directors is used to provide additional context. The findings suggest a geographic disparity in finances among libraries in Illinois and the need for new theories to explain “donation over taxation.”

  20. Staging scientific controversies: a gallery test on science museums' interactivity.

    Science.gov (United States)

    Yaneva, Albena; Rabesandratana, Tania Mara; Greiner, Birgit

    2009-01-01

    The "transfer" model in science communication has been addressed critically from different perspectives, while the advantages of the interactive model have been continuously praised. Yet, little is done to account for the specific role of the interactive model in communicating "unfinished science." The traditional interactive methods in museums are not sufficient to keep pace with rapid scientific developments. Interactive exchanges between laypeople and experts are thought mainly through the lens of a dialogue that is facilitated and framed by the traditional "conference room" architecture. Drawing on the results of a small-scale experiment in a gallery space, we argue for the need for a new "architecture of interaction" in museum settings based on art installation and simulation techniques, which will enhance the communication potentials of science museums and will provide conditions for a fruitful even-handed exchange of expert and lay knowledge.

  1. Los monumentos funerarios hispanorromanos y su epigrafía en el Museo Nacional de Arte Romano de Mérida. Una propuesta didáctica para alumnos de Cultura Clásica y Latín de ESO y del Bachillerato / The funerary monuments in the Roman Hispania and their epigraphy in the National Museum of Roman Art of Merida. A didactic proposal addressed to students of Classical Culture and Latin in ESO and Bachillerato

    Directory of Open Access Journals (Sweden)

    Abel Morcillo León

    2010-01-01

    Full Text Available Resumen: El mundo funerario en la Hispania romana presenta una gran variedad en sus tipos monumentales. Del estudio de los monumentos y la tipología funeraria se extrae información no sólo cultural y religiosa, sino también referente a aspectos sociológicos, demográficos, epigráficos, artísticos e iconográficos. La antigua capital de la Lusitania romana, Augusta Emerita, albergaba en su solar una nutrida, variada e interesante muestra del mejor arte funerario hispanorromano. Presentamos, por ello, un recorrido por una selección de piezas del Museo Nacional de Arte Romano de Mérida, acompañado de una propuesta de actividades didácticas, destinado a alumnos de Cultura Clásica y Latín de E.S.O. y del Bachillerato.Summary: The funerary world in the Roman Hispania showed a great deal of monumental models. Through the study of its monuments and their typology, not only can we gather religious and cultural information but we can also draw conclusions regarding sociological, demographic, epigraphic, artistic and iconographic features. Emerita Augusta, the old capital of the Roman Lusitania, housed a wide range of the best Hispano-Roman funerary artistic manifestations. That is why we are presenting a tour around several pieces from the Roman Art Museum in Mérida, together with a series of didactic activities addressed to students of Classical Culture and Latin in E. S. O. (Secondary Compulsory Education and Bachillerato (Non Compulsory Secondary Education.

  2. Children Ask Questions about West African Art.

    Science.gov (United States)

    Abercrombie, Denice; Cochran, Mathilda; Mims, Margaret

    1997-01-01

    Presents a collection of questions that fifth-grade students asked about African artwork and answers provided by staff from the Museum of Fine Arts in Houston, Texas. Observes that students' interest in important visual aspects of the art creates lead-ins to more detailed discussions of West African art and culture. (DSK)

  3. Cultural mediation in museums

    Directory of Open Access Journals (Sweden)

    Gherghina Boda

    2017-12-01

    Full Text Available If we perceive the museum not only as a place of storing and conserving the patrimony, but also of transmitting it, then we can also see it as a mediator through which cultures can become collective patrimony. Tightly connected to patrimonial appropriation, mediation appears from this perspective as a process and not an end, as it manifests itself in animation, communication and making knowledge popular in relation to a precise patrimony. That is why we can see cultural mediation as a transmission, as a transformation, as an action or social project which aims at creating social bonds, the museum thus being not only a place of meeting for the public with the objects exposed, but also as a place of meeting between different cultures. Thus, cultural mediation presents itself as the most efficient means for access to culture of all categories of the public, situated as the crossroads of culture, continuous education and entertainment and is inscribed in the field of informal education.

  4. The art of Indigenous Americans and American art history: a century of exhibitions

    OpenAIRE

    Berlo, Janet Catherine

    2016-01-01

    The indigenous arts of the United States have long stood in a vexed relationship with the canons of American art history. This brief essay covers only the highlights of this relationship, by considering some major exhibits and installations of Native art in American art museums (and, occasionally, in other exhibition spaces) during the past century. I make these comments as an art historian who has for more than three decades focused on Native American art, with some contributions to others a...

  5. Into the Curriculum. Reading/Language Arts: Hans Christian Andersen [and] Science: Bat Research [and] Science: The Library Media Center Rocks! An Introduction to Rocks, Minerals, and Gemstones [and] Social Studies: Ticket to the Olympics: Exploring Sydney and the 2000 Summer Games [and] Social Studies/Music: Sounds of the Election: Presidential Campaign Songs.

    Science.gov (United States)

    Germain, Claudia; Mayo, Jeanne B.; Hart, Lisa

    2000-01-01

    Provides five fully developed library media activities that are designed for use with specific curriculum units in reading and language arts, science, social studies, and music. Library media skills, curriculum objectives, grade levels, resources, instructional roles, procedures, evaluation, and follow-up are described for each activity. (LRW)

  6. Into the Curriculum. Guidance: Sense of Self, Self-Esteem; Health: Clean Hands, Clean Books; Mathematics/Science: What's the Heaviest Thing in the Library Media Center?; Reading/Language Arts: Merry-Go-Round Mooo-ving Picture Show; Social Studies: I Came to School By !; Social Studies: Revolutionary War Facts.

    Science.gov (United States)

    School Library Media Activities Monthly, 2001

    2001-01-01

    Provides six fully developed library media activities that are designed for use with specific curriculum units in guidance, health, mathematics, science, reading, language arts, and social studies. Library media skills, curriculum objectives, grade levels, resources, instructional roles, procedures, evaluation, and follow-up are described for each…

  7. Museopathy: Exploring the Healing Potential of Handling Museum Objects

    Directory of Open Access Journals (Sweden)

    Helen Chatterjee

    2009-11-01

    Full Text Available To coincide with emerging arts and health practices, University College London Museums & Collections and University College London Hospitals Arts partnered to create a pilot project, entitled “Heritage in Hospitals”, which sought to assess whether handling museum objects has a positive impact on patient wellbeing. Quantitative data from 32 sessions conducted with patients in May through July (inclusive of 2008 demonstrated, on average, an increase in self-reported measures of life satisfaction and health status after handling museum objects. Constant comparative analysis of the qualitative data collected from the sessions revealed two major recurring themes: “impersonal/educational” and “personal/reminiscence”. The first theme included instances where handling museum objects allowed patients to access truths about the objects ascertainable solely through touch (such as gauging weight, texture, temperature, and spatial relation to the body, to verify what was seen, to facilitate an intimate and imaginative connection with the museum objects and their origins, to investigate and explore the objects, to permit an interaction with the “rare” and “museum-worthy”, and to assist with aesthetic appreciation. The second theme illustrated the project’s potential to assist with counselling on issues of illness, death, loss and mourning, and to help restore dignity, respect and a sense of identity (particularly among elderly patients by providing a springboard for reminiscing and the telling of life stories in a highly institutionalized setting. This paper contextualizes the project, explores the implications of the project’s methodology and its findings, and provides questions for future research.

  8. Using Formal Concept Analysis to Create Pathways through Museum Collections

    DEFF Research Database (Denmark)

    Wray, Tim; Eklund, Peter

    2014-01-01

    This paper presents A Place for Art - an iPad app that allows users to explore an art collection via semantically linked pathways that are generated using Formal Concept Analysis. The app embraces the information seeking approach of exploration and is based on the idea that showing context...... and relationships among objects in a museum collection augments an interpretive experience. The fundamental interaction metaphor inherent in A Place for Art relies on Formal Concept Analysis so the interface has embedded within it the semantic clustering features of machine learning in artificial intelligence....

  9. Guerilla Girls: Art for the Social Conscience

    Science.gov (United States)

    Stephens, Pam

    2007-01-01

    The next time you walk through the local art museum or open an art history book, make a tally sheet of the names of the artists represented. Then sort the artists by gender and ethnicity. What is the ratio of art created by women to that created by men? What is the ratio of Eurocentric art to non-Eurocentric art? It was an experience like this…

  10. 75 FR 39582 - Submission for OMB Review, Comment Request, Proposed Collection: General Clearance for Guidelines...

    Science.gov (United States)

    2010-07-09

    ... NATIONAL FOUNDATION FOR THE ARTS AND HUMANITIES Submission for OMB Review, Comment Request... of Museum and Library Services, The National Foundation on the Arts and Humanities. ACTION...: State Library Administrative Agencies, museums, libraries, institutions of higher education, library and...

  11. Mobile Technologies in Museum Exhibitions

    Directory of Open Access Journals (Sweden)

    Sandra Medić

    2014-10-01

    Full Text Available In order to be up–to–date and give visitors a memorable and unique experience, museums are including usage of digital technologies in their exhibitions. Even though museums in Serbia are very important part of tourism offer, they still have traditional settings that are poorly interpreted. The majority of them have a scientific and historical review which is unattractive for various target groups of visitors and for museums it’s important to continually try out new ways in interpretation of their settings. Because technology continues to rapidly change the way we communicate, cultural institutions should adapt to new ways of communication with their visitors. This paper examines mobile technologies that can be used in museums to give visitors a different experience and transfer the knowledge innovatively. In that way it will be presented the modern concept of presentation of museum exhibitions, focusing on usage of mobile devices through mobile applications and QR codes. The paper provides the broad understanding of usage mobile technologies in museum exhibitions with its advantages and limitations. The research results can help the museums management to improve interpretation and communication with visitors and enrich the visitor experience.

  12. Information Design for Visualizing History Museum Artifacts

    Science.gov (United States)

    Chen, Yulin; Lai, Tingsheng; Yasuda, Takami; Yokoi, Shigeki

    2011-01-01

    In the past few years, museum visualization systems have become a hot topic that attracts many researchers' interests. Several systems provide Web services for browsing museum collections through the Web. In this paper, we proposed an intelligent museum system for history museum artifacts, and described a study in which we enable access to China…

  13. The Hybrid Museum: Hybrid Economies of Meaning

    DEFF Research Database (Denmark)

    Vestergaard, Vitus

    2013-01-01

    this article shows that there are two different museum mindsets where the second mindset leans towards participatory practices. It is shown how a museum can support a hybrid economy of meaning that builds on both a user generated economy of meaning and an institutional economy of meaning and adds value to both....... Such a museum is referred to as a hybrid museum....

  14. Pedagogy and Practice in Museum Online Learning

    Science.gov (United States)

    Din, Herminia

    2015-01-01

    How best might museums harness the interactive capabilities of online environments to provide active teaching and learning experiences for diverse learners and communities? How can museums engage learners in ways that encourage them to visit the museum in person and/or further explore online resources? What should be the role of the museum in…

  15. L’Italia e l’Europa negli anni Trenta. Musei, storia dell’arte, critica e restauro nei documenti dell’inchiesta internazionale sulla formazione dei restauratori (1932 / Italy and Europe during the 1930s. Museums, art history, art criticism and restoration in the documents of the international survey about the training of restorers (1932

    Directory of Open Access Journals (Sweden)

    Silvia Cecchini

    2016-12-01

    Full Text Available Chi all’interno dell’Offi ce International des Musées (OIM, all’indomani della prima guerra mondiale, lavorava alla ridefi nizione del ruolo dei musei, ripensandoli come luoghi di dialogo interculturale e di incontro della società presente con il proprio passato, considerava il ruolo sociale del museo e la sua funzione conservativa come parte della stessa riforma culturale. In questo scenario l’inchiesta condotta nel 1932 dall’OIM è stata occasione di confronto tra paesi membri della Società delle Nazioni sulla fi gura di ‘restauratore di opere d’arte’. Se ne considerano i percorsi formativi, fi no ad arrivare alla regolamentazione della concorrenza, valutando aspetti metodologici, critici, etici. Le posizioni che emergono dai documenti dell’Archivio dell’OIM mostrano le intersezioni tra scelte culturali e processi storico-politici, rivelano signifi cative differenze sul ruolo attribuito alla diagnostica e alla critica dalle diverse culture nazionali. L’analisi di quanto emerge da quei documenti offre l’occasione per rifl ettere su alcuni percorsi storici che hanno costituito le radici dell’attuale cultura italiana del restauro, permette di soffermarsi sul rapporto dell’Italia con gli specifi ci percorsi della cultura internazionale. Ne emergono elementi utili a considerare da un punto di vista storico i processi di trasformazione ora in atto proprio nell’ambito della formazione dei restauratori di beni culturali. In the aftermath of WW1, those working in the Offi ce International des Musées (OIM to redefi ne the role of museums – rethinking them as intercultural dialogue and meeting places of the society with its own past – considered the social role of the museum and its conservative mission as part of the same cultural reform. In this scenario the survey conducted in 1932 by the OIM was an opportunity for discussion between members OIM of the League of Nations countries on the fi gure of ‘restorer of

  16. Pedagogical Museum of Lamego

    Directory of Open Access Journals (Sweden)

    Alberto DE JESUS ALMEIDA

    2017-12-01

    Full Text Available The Pedagogical Museum of Lamego opened to the public in May 2014 and aims to be a space dedicated to the study of the school memory, because studying the past allows to know the different educational realities that have shaped the educational systems, over the times. The work of collecting, cataloging and exhibiting the collections found in other schools and donated by individuals have the particularity of being of the school culture. In this article, we intend to reflect on the particularities of the museology of education and its impact over neighbor communities and local development. Its composition, organization and dissemination represent the matrix of the history of education local and regional.

  17. Medical instruments in museums

    DEFF Research Database (Denmark)

    Söderqvist, Thomas; Arnold, Ken

    2011-01-01

    This essay proposes that our understanding of medical instruments might benefit from adding a more forthright concern with their immediate presence to the current historical focus on simply decoding their meanings and context. This approach is applied to the intriguingly tricky question of what a...... actually is meant by a "medical instrument." It is suggested that a pragmatic part of the answer might lie simply in reconsidering the holdings of medical museums, where the significance of the physical actuality of instruments comes readily to hand.......This essay proposes that our understanding of medical instruments might benefit from adding a more forthright concern with their immediate presence to the current historical focus on simply decoding their meanings and context. This approach is applied to the intriguingly tricky question of what...

  18. Visitors as a heating source. Passive house museum, Ravensburg; Besucher als Heizquellen. Passivhaus-Museum, Ravensburg

    Energy Technology Data Exchange (ETDEWEB)

    Wiedemann, Roland; Kappelt, Heike

    2011-07-01

    In the Upper Swabian Ravensburg (Federal Republic of Germany) the world's first certified art museum in passive house construction is created. Together with a team including the architects Lederer, Ragnarsottir, Oei (Stuttgart, Federal Republic of Germany) and the planners Heart and Lang (Schongau, Federal Republic of Germany), in the middle of the planning phase the construction company Georg Reisch (Bad Saulgau, Federal Republic of Germany) counts on a different design and lower operating costs. And accepts knowingly additional costs in the construction.

  19. The percieved roles of academic libraries in present and in future: the case of Faculty of art’s libraries

    Directory of Open Access Journals (Sweden)

    Urška Žugelj

    2004-01-01

    Full Text Available Throughout history libraries have had many different roles. They served as educational centres, manuscript transcriptors and collectors, places for study, places offering services, even museums and entertainment facilities, etc. Their quality depends on a number of different factors, e.g. quality of staff, and of services, as well as on environmental characteristics. The current development in the information and communication technology has an important impact on libraries functions and therefore demands their permanent adjustment. In this study the authors tried to find out how 171 students and librarians from the Faculty of Arts perceive the current and future roles of academic libraries. Following this, the questionnaire was prepared on the basis of the following domain facets: time frame, services, communication type and type of material. As expected in the partitions of the three dimensional (Smallest Space Analysis space three facets with ordered elements appeared (two axial: time frame and material, and one modular: communication type and one unordered with the polar role: services. With the exception of the service facet, all the other facets clearly revealed themselves.

  20. Traveling Exhibitions as Sites for Informal Learning: Assessing Different Strategies with Field Trips to Traveling Exhibitions at Non-Museum Sites

    Science.gov (United States)

    Harker, Richard J. W.; Badger, James

    2015-01-01

    This study investigated the use of different pedagogical techniques to create an intellectually engaging experience for middle school students who visited a traveling exhibition from the United States Holocaust Memorial Museum at a non-museum host site: the University of North Georgia Dahlonega's Library and Technology Center. The findings of this…

  1. Emerging opportunities: the internet, marketing and museums

    Directory of Open Access Journals (Sweden)

    Richani Evdoxia

    2016-01-01

    Full Text Available The tremendous impact of applying new technologies is obvious when it comes to museums. Internet forms an integral part of museums everyday life and decision making. Websites, online communities, social media, and mobile applications comprise elements of the modern museum’s digital self, which complements the real museum of permanent and temporary exhibitions, storage rooms, visitors’ facilities, laboratories and, most important, museum objects. This environment inevitably affects museum marketing strategies and creates relevant opportunities.

  2. DESIGNING A CONTEMPORARY ANATOMY MUSEUM: ANATOMISTS’ PERSPECTIVE

    OpenAIRE

    Venkatesh. G. Kamath; Biswabina. Ray; Shakuntala R. Pai; Ramakrishna Avadhani

    2015-01-01

    Background: A research study was conducted in sixteen anatomy museums across India. Aim: The aim of the study is to have an integrated approach while designing a museum. Objective: The objective is to stress on the need to have a holistic approach while designing a museum so that that the museum is well planned and organised and has a huge sectional diversity that spans all aspects related to anatomy. Materials and Methods: All the museums were studied using a planned proforma that...

  3. 75 FR 22631 - Notice of Continuance for General Clearance for Guidelines, Applications, and Reporting Forms

    Science.gov (United States)

    2010-04-29

    ... NATIONAL FOUNDATION FOR THE ARTS AND HUMANITIES Notice of Continuance for General Clearance for Guidelines, Applications, and Reporting Forms AGENCY: Institute of Museum and Library Services. ACTION... of higher education, library and museum professional associations, and museum and library...

  4. Designing Museum of Anthropology with Attitude of Preserving Regional Indexes in Hormoz Island

    Directory of Open Access Journals (Sweden)

    Mozhdeh Jaafaripour

    2017-06-01

    Full Text Available Various geographical regions in Iran can be appropriate subject for study in the field of anthropology museum. This research addresses anthropology study and museum design in Hormoz port. Designing anthropological museum in Hormoz port can be a step in identifying and preserving the regional indexes in this area. In this museum, various valuable parts can be shown such as clothing style, architectural type and art and a lot of cultural and historic identity symbols and regional indexes.  Thus, the main question of this paper is: how can one achieve an appropriate solution for anthropology museum building design by relying on regional indexes? On anthropology museum, by establishing appropriate solution and regional people participation, who show interest in promoting and preserving their own regional culture, these museums can be established easier than common museums. In this paper, given the wide range of study in theoretical basics and framework, descriptive-analytical as well as analytical and comparative methodology is used. Therefore, this study offers design solutions based on regional culture preservation.

  5. VISITING THE MUSEUM OF MADNESS: THE EXPERIENCE OF LEARNING ABOUT THE PSYCHIATRIC REFORM

    OpenAIRE

    Nadja Cristiane Lappann Botti; Eline Mascarenhas Cotta; Fabiano de Almeida Célio

    2006-01-01

    ABSTRACT: The Museum of Madness in the landscape of the Minas Gerais State is a place where art, history and memory disclose the differences about the Psychiatry approach since the beginning of the last century till nowadays. A qualitative study with 39 nursing undergraduate students was developed, aiming to identify the meaning of the visit to the Museum of Madness. The methodological referential was the Collective Subject Discourse and the theoretical the Brazilian Psychiatric Reform. The d...

  6. Cultural minorities in Danish museums

    DEFF Research Database (Denmark)

    Kjørup, Søren

    2009-01-01

    Artikel om den forbløffende mangel på bevidsthed om minoriteter i danske museer, samt en diskussion af Dansk Jødisk Museum, specielt spillet mellem arkitekten Daniel Libeskinds koncept og museets egen meddelelse......Artikel om den forbløffende mangel på bevidsthed om minoriteter i danske museer, samt en diskussion af Dansk Jødisk Museum, specielt spillet mellem arkitekten Daniel Libeskinds koncept og museets egen meddelelse...

  7. Australia's First Prime Ministerial Library: Past and Future

    Science.gov (United States)

    Carman-Brown, Lesley; Henderson, Kandy-Jane; Wallace, Lesley

    2005-01-01

    In creating Australia's first prime ministerial library, a new cultural institution was developed which blends professional practice from the fields of librarianship, education, archives, journalism and museums. The John Curtin Prime Ministerial Library honours the contribution of wartime prime minister John Curtin, works towards the advancement…

  8. Museum as spacecraft: a building in virtual space

    Science.gov (United States)

    Aguilera, Julieta C.

    2014-02-01

    This paper presents several immersion and interaction related visualizations that engage visitors in the context of an astronomy museum in order to help them build a mental model of the building as a whole, corresponding to the body of a spacecraft, and its parts considered individually, corresponding to the knowledge articulated from different scales in the Universe. Aspects of embodiment are utilized to find parallels with current trans-disciplinary theoretical developments in media arts.

  9. 78 FR 64025 - Submission for OMB Review, Comment Request, Proposed Collection: Public Libraries Survey, 2014-2016

    Science.gov (United States)

    2013-10-25

    ..., Proposed Collection: Public Libraries Survey, 2014-2016 AGENCY: Institute of Museum and Library Services... communications and cooperative networks (20 U.S.C. Chapter 72, 20 U.S.C. 9108). Abstract: The Public Libraries...-0074, which expires 12/31/2013. Pursuant to Public Law 107-279, this Public Libraries Survey collects...

  10. DIGITALISATION IN FINNISH MUSEUMS

    Directory of Open Access Journals (Sweden)

    Magdalena Laine-Zamojska

    2014-01-01

    Full Text Available W artykule omówiono generalny obraz digitalizacji w fińskim sektorze muzealnym. Przedstawiono szacunkowe liczby dotyczące digitalizacji dziedzictwa kulturowego na podstawie przeprowadzonych statystycznych badań, oraz zaprezentowano wiele projektów związanych z ucyfrowieniem fińskich muzeów.\tFiński sektor muzealny jest niezwykle zróżnicowany, podobnie jak stopień skatalogowania i zdigitalizowania kolekcji. W projektach rozwojowych aktywnie uczestniczy cały sektor muzealny. W ostatnich latach, dzięki wielu inicjatywom i badaniom udało się uzyskać szczegółowy obraz fińskiego sektora muzealnego. Największą inicjatywą jest projekt utworzenia Narodowej Biblioteki Cyfrowej, podlegający Ministerstwu Edukacji i Kultury. Celem projektu jest połączenie i udostępnienie zasobów z instytucji pamięci (bibliotek, archiwów i muzeów. Towarzyszą mu rozległe projekty digitalizacji.\tW związku z ogromną różnorodnością systemów do zarządzania kolekcją i praktykami katalogowymi w muzeach, w 2011 r. Państwowy Urząd Muzealny (Museovirasto / National Board of Antiquities, Fiński Związek Muzeów (Suomen museoliitto / Finnish Museums Association i Państwowa Galeria Sztuki (Valtion taidemuseo / Finnish National Gallery zainicjowały projekt Muzeum2015 (Museo2015 / Museum2015. Jego głównymi celami są: unifikacja procesów związanych z zarządzaniem kolekcją, stworzenie architektury korporacyjnej dla zarządzania muzealną kolekcją, stworzenie modelu zarządzania dla architektury korporacyjnej, oraz określenie i stworzenie warunków do zakupu i implementacji ogólnofińskiego systemu zarządzania kolekcją.\tRozwój cyfrowych narzędzi dla najmniejszych, prowadzonych przez wolontariuszy, muzeów lokalnych jest jednym z celów projektu badawczego ViMuseo, prowadzonego na Uniwersytecie w Jyväskylä (Jyväskylän yliopisto / University of Jyväskylä.

  11. Using parasitoid wasps in Integrated Pest Management in museums against biscuit beetle (Stegobium paniceum and webbing clothes moth (Tineola bisselliella

    Directory of Open Access Journals (Sweden)

    Pascal Querner

    2011-08-01

    Full Text Available Biscuit beetle (Stegobium paniceum and webbing clothes moth (Tineola bisselliella cause much damage to museum objects. Some objects and materials are very attractive to these two pest species and objects are often re-infested after treatment. For some years parasitoid wasps have been used in biological pest control to treat and reduce infestations of stored product pests in food processing facilities. Their application in museums is still new and in a research stage. Results from five different museums in Germany and Austria and their application are presented. Lariophagus distinguendus wasps were released against Stegobium paniceum in the municipal library Augsburger Stadtarchiv (Germany, the Ethnological Museum in Berlin (Germany and the Picture Gallery in the Kunsthistorisches Museum in Vienna (Austria. Trichogramma evanescens were released against Tineola bisselliella in the Technisches Museum in Vienna (Austria and in the Deutsches Museum Verkehrszentrum in Munich (Germany. Results show that for active biscuit beetle infestations good results can be expected using the Lariophagus distinguendus in museums. Active clothes moth infestations are harder to treat but with a very regular and long-term exposure to the wasps, the clothes moth population can be reduced over the years. We see the application of parasitoid wasps as part of an Integrated Pest Management concept that should be used besides regular insect monitoring and other preventive measures. Difficulties, limitations and research needs in the application of parasitoid wasps in museums are discussed.

  12. Communicative Functions of the Museum Lobby

    DEFF Research Database (Denmark)

    Mortensen, Christian Hviid; Rudloff, Maja; Vestergaard, Vitus

    2014-01-01

    In a time with a heightened focus on how museum architecture and exhibition design shapes the museum visit, the entrance space of museums, the museum lobby, is remarkably absent from the museum literature and research. Still, the museum lobby is the first encounter visitors have with the museum...... and the last impression that they take home and share with others. This article analyzes museum lobbies as communication spaces in order to identify the different functions afforded by such spaces. In an explorative study of five Danish museum lobbies, we offer a preliminary categorization of these functions...... that can be compared at a general level. Concrete examples will be used to discuss general issues such as the adaptive borders of lobby spaces and the counteracting effects of design. We suggest that the preliminary categorization provided here can form a foundation for further studies resulting...

  13. 77 FR 64373 - Culturally Significant Object Imported for Exhibition Determinations: “Erotic Gold: The Art and...

    Science.gov (United States)

    2012-10-19

    ... determine that the conservation and examination of the object at The Metropolitan Museum of Art, New York... display of the exhibit object at The Metropolitan Museum of Art, from on or about November 4, 2014, until... Determinations: ``Erotic Gold: The Art and Life of Bartholom[auml]us Spranger 1546-1611'' SUMMARY: Notice is...

  14. Musei, raccolte e collezioni in Puglia / Museums and collections in Puglia

    Directory of Open Access Journals (Sweden)

    Francesca Imperiale

    2012-12-01

    Full Text Available Il lavoro illustra un’indagine sui musei di Puglia, come conseguenza delle lacune normative e conoscitive esistenti sul tema e della recente estensione del fenomeno a livello locale. Ci si interroga in particolare se tutte le realtà promosse come istituti museali siano dei musei secondo gli standard prevalentemente conosciuti ed applicati. In tale direzione, il lavoro, articolato in quattro paragrafi, approfondisce dapprima il significato del concetto di museo, a livello normativo e dottrinale, contrapposto a quello di raccolta o collezione. Successivamente, dopo una breve descrizione sulle origini, normativa regionale e stato dell’arte dei musei di Puglia, espone il modello di analisi sviluppato per distinguere i “veri” musei dalle “semplici” raccolte o collezione. In conclusione riporta i risultati conseguiti dall’analisi di 85 musei pugliesi ed alcune osservazioni sullo scenario emerso e sul modello di analisi sviluppato.   This paper has, as starting point, a survey about museums of Puglia. The main question is if all these museum institutions are real museums or not. With this purpose, this research deepens two main aspects. The first one is to understand the meaning of the museum concept, focusing on normative and doctrinal levels, and the differences between a museum institution and a collection. Then, after a brief description about the museum origins, the regional normative, and the museums of Puglia state of the art, the paper presents the analysis model developed in order to distinguish between “real” museums and “mere” collections. The conclusion of this research shows the analysis results of 85 museums of Puglia and some observations based on the emerging context and the analysis model.

  15. Museums Connect: Teaching Public History through Transnational Museum Partnerships

    Directory of Open Access Journals (Sweden)

    Richard J. W. Harker

    2015-12-01

    Full Text Available Museums Connect is a program funded by the US Department of State and administered by the American Alliance of Museums that sponsors transnational museum partnerships. This program provides one model for teaching public history in a transnational context, and this article analyzes the experiences of two university-museums—the Museum of History and Holocaust Education (MHHE in the United States and the Ben M’sik Community Museum (BMCM in Morocco—during two grants between 2009 and 2012. In exploring the impact of the program on the staff, faculty, and students involved and by analyzing the experiences and reflections of participants, I argue that this program can generate positive pedagogical experiences. However, in addition to the successes of the MHHE and BMCM during their two grants, the participants encountered significant power differentials that manifested themselves in both the processes and products of the grants. It is the conclusion of this article that both partners in a public history project need to address and confront potential power issues at the outset in order to achieve a more balanced, collaborative partnership.

  16. Postmodern Exhibition Discourse: Anthropological Study of an Art Display Case.

    Directory of Open Access Journals (Sweden)

    Marta Wieczorek

    2015-12-01

    Full Text Available The article studies tendencies in contemporary museum exhibitions and art display trends. While analysing current status quo of art in the museum context, it discusses the limitations of curatorial impact on the audience perception of the displayed objects. The paper presents a case study of a permanent museum exhibition with an added performance element. As argued in the article, such approach allows a stratified narrative and provokes a dialogue between the audience, performers, and curators, fully reflecting postmodern polyphonic tendency. The aim of the article is to comment on postmodern trends in museology, the status of the displayed art (object, and contemporary exhibition identity.

  17. The Science, Engineering and Technology Career Library Corner. Final report, February 1, 1995--January 31, 1996

    Energy Technology Data Exchange (ETDEWEB)

    Cole, P.R.

    1996-03-01

    A grant was made to install and pilot-test the Science, Engineering and Technology (SET) Career Library Corner at the New York Hall of Science. The SET Career Library Corner is located in a multi-media library setting where visitors can explore careers in a quiet, uninterrupted environment, in contrast to the original installation designed as a museum floor exhibit.

  18. 77 FR 16566 - Submission for OMB Review, Comment Request, Proposed Collection: Let's Move Museums, Let's Move...

    Science.gov (United States)

    2012-03-21

    ...; identify best practices; and develop plans to improve museum, library, and information services of the... accountability and to share best practices in public health programs. Current Actions: This notice proposes... heritage, culture, and knowledge; enhance learning and innovation; and support professional development...

  19. London: An Art Teacher's Inspiration

    Science.gov (United States)

    Guhin, Paula

    2012-01-01

    Often overshadowed in people's minds by Paris, London is truly an artist's jewel. The art and architecture, history, gardens and museums are inspiring, yes, but there's so much more to this ancient city. The performances, attractions and markets are a boon to the creative soul. London can be surprisingly inexpensive to visit. Gazing at statues,…

  20. Jewish community museum as a result of citizen activities

    Directory of Open Access Journals (Sweden)

    Peter Salner

    2015-12-01

    Full Text Available The study focuses on circumstances under which the Jewish Community Museum was established and officially opened in the Bratislava synagogue in 2012. Already prior to WWII, a respected architect and collector Eugen Barkány came with the idea of opening a museum consisting of Slovak judaica. He followed up his project after the liberation, too. In the second half of the sixties, it seemed that thanks to the Jewish Religious Community (JCR/ŽNO Bratislava support there would be created a Slovak branch of the Prague Jewish Museum within the premises of the Neolog Bratislava synagogue. However, the project implementation had to be postponed for many years to come: first of all due to Bárkány’s death (1967, demolition of the synagogue giving place to the construction of a new bridge, and the occupation of Czechoslovakia in 1968. In the beginning of the next millenium, it was Maroš Borský, Art historian and Judaist, who undertook this project. He persuaded the board members of the JCR (ŽNO Bratislava to vacate the already abandoned female gallery of the only preserved synagogue for presentation of Barkány’s collection. Apart from the permanent exhibition, the museum already offered three exhibits entitled: The Shadow of the Past (2013; We Are Here (2014; and Engerau – a Forgotten Story of Petržalka in 2015.