Dylan Thomas’s The Map of Love: The Poetic Licence

Directory of Open Access Journals (Sweden)

S. Bharadwaj

2015-09-01

Full Text Available In the early poetry, 18 Poems and 25 Poems, Dylan Thomas speaks of his awareness of the artistic heritage and also of his poetic freedom resulting in a poetic force.The Map of Love vindicates, while mapping out the continuous process of exploiting poetic licence in his works, that the poetry of the past cannot fully serve the demands of the present. Apparently, the third book offers a comparative estimate of  the time-conscientious poets, Cecil Day Lewis, Stephen Spender, and Louis MacNeice and the life-conscious War poets, Roy Fuller, Alan  Rook, and Keidrych Rhys.The issues involved are wider and cover the whole range of aesthetic transcendence and historic sense of Auden. Thomas, “refusing to fall in love with God … gave himself to the love of created things … accepting only what he could see” and created his own poetic design, “an ideal surely which … here if anywhere is feasible.” This explains why Thomas’s earth-concentric poetic licence is deeper than Auden’s ideology-centric poetic justice. The War poets heaved a sigh of relief as the world-concentric Thomas’s 18 Poems offers a hope for poetry, “life-blood” for their poetic mind fumbling around Auden’s structural consciousness. The poetic licence developed in The Map of Love is, therefore, central to an understanding of Thomas’s entire poetic ouvre, more particularly, of the maturer poetry of the later phase carving out a road taken already to immortality. In the literary study of this collection, Walford Davies and John Ackerman refer to Thomas’s “querying the nature” of  his own “earlier adolescent attitudes.” However, as their study remains limited to general or literal statements, denotative or elucidative meaning of a few individual poems, they fail to render the core of the poem, the totality of its meaning. The poetic language of this transitional  poem is endowed with implications, suggestions, and modifications. Hence, this paper

MUSIC EDUCATION AND MULTIMEDIA PROJECTS

Directory of Open Access Journals (Sweden)

Orlova Elena V.

2013-12-01

Full Text Available The article deals with the prerequisites of shift of music education paradigm in the XXI century, tells about emergence of new forms in the creative efforts of musicians enrolled in primary schools, and at secondary and highest education levels. Different types and genres of the multimedia creativity are considered. They were in demand by musicians at various events-contests, including Russian and international festivals and competitions in terms of which the music was called upon to play a leading role. Criteria of estimates of new forms of artistic expression are developed. The article contains some video examples given the varying multimedia projects noted by juries of several international competitions held in Moscow (Russia in 2008-2013.

Combining universal beauty and cultural context in a unifying model of visual aesthetic experience.

Science.gov (United States)

Redies, Christoph

2015-01-01

In this work, I propose a model of visual aesthetic experience that combines formalist and contextual aspects of aesthetics. The model distinguishes between two modes of processing. First, perceptual processing is based on the intrinsic form of an artwork, which may or may not be beautiful. If it is beautiful, a beauty-responsive mechanism is activated in the brain. This bottom-up mechanism is universal amongst humans; it is widespread in the visual brain and responsive across visual modalities. Second, cognitive processing is based on contextual information, such as the depicted content, the intentions of the artist or the circumstances of the presentation of the artwork. Cognitive processing is partially top-down and varies between individuals according to their cultural experience. Processing in the two channels is parallel and largely independent. In the general case, an aesthetic experience is induced if processing in both channels is favorable, i.e., if there is resonance in the perceptual processing channel ("aesthetics of perception"), and successful mastering in the cognitive processing channel ("aesthetics of cognition"). I speculate that this combinatorial mechanism has evolved to mediate social bonding between members of a (cultural) group of people. Primary emotions can be elicited via both channels and modulate the degree of the aesthetic experience. Two special cases are discussed. First, in a subset of (post-)modern art, beauty no longer plays a prominent role. Second, in some forms of abstract art, beautiful form can be enjoyed with minimal cognitive processing. The model is applied to examples of Western art. Finally, implications of the model are discussed. In summary, the proposed model resolves the seeming contradiction between formalist perceptual approaches to aesthetic experience, which are based on the intrinsic beauty of artworks, and contextual approaches, which account for highly individual and culturally dependent aspects of aesthetics.

Combining universal beauty and cultural context in a unifying model of visual aesthetic experience

Science.gov (United States)

Redies, Christoph

2015-01-01

In this work, I propose a model of visual aesthetic experience that combines formalist and contextual aspects of aesthetics. The model distinguishes between two modes of processing. First, perceptual processing is based on the intrinsic form of an artwork, which may or may not be beautiful. If it is beautiful, a beauty-responsive mechanism is activated in the brain. This bottom–up mechanism is universal amongst humans; it is widespread in the visual brain and responsive across visual modalities. Second, cognitive processing is based on contextual information, such as the depicted content, the intentions of the artist or the circumstances of the presentation of the artwork. Cognitive processing is partially top–down and varies between individuals according to their cultural experience. Processing in the two channels is parallel and largely independent. In the general case, an aesthetic experience is induced if processing in both channels is favorable, i.e., if there is resonance in the perceptual processing channel (“aesthetics of perception”), and successful mastering in the cognitive processing channel (“aesthetics of cognition”). I speculate that this combinatorial mechanism has evolved to mediate social bonding between members of a (cultural) group of people. Primary emotions can be elicited via both channels and modulate the degree of the aesthetic experience. Two special cases are discussed. First, in a subset of (post-)modern art, beauty no longer plays a prominent role. Second, in some forms of abstract art, beautiful form can be enjoyed with minimal cognitive processing. The model is applied to examples of Western art. Finally, implications of the model are discussed. In summary, the proposed model resolves the seeming contradiction between formalist perceptual approaches to aesthetic experience, which are based on the intrinsic beauty of artworks, and contextual approaches, which account for highly individual and culturally dependent aspects of

Artistic education and aesthetic education from a didactic perspective in the field

Directory of Open Access Journals (Sweden)

Edilberto Sierra Rodríguez

2011-01-01

Full Text Available The arts education involves several aspects in the contemporary focus on the specific role of the Art Didacticism, the closest aspect is the ability of artists in the Metis Humana as the creative practice of artists in the development of practical intelligence. It is necessary to emphasize, as to the teaching of these we can settle the dispute, saying that not everything is artistic or not everything aesthetic is art, on the other hand the contemporary aesthetic permeated from consumerism, we show a break in as for the canon of representation of the corporeal and the locus of enunciation is supported by the multiculturalism that amounts to a modification of the representation space of enunciation and single, standardized pro cultural industries. In this brief text, the proposal is from the Curriculum Review, addressing issues eminently didactic.

The Stockholm Festival, 1966

DEFF Research Database (Denmark)

Groth, Sanne Krogh

2013-01-01

The article is an introduction to the festival 'Visioner av Nuet' Stockholm, 1966. The article focuses on the historical event, and contextualizes it to both the discussions on art and technology at the time, and to the planned collaborations with the prominent artists from the American group E.......A.T. such as Billy Klüver, John Cage, Robert Rauchenberg and Öyvind Fahlström, - collaborations that never were succeeded. The article was written on a request from Anna Lundh and published in the catalogue for her reactualization of 'Visioner av Nuet, Stockholm Festival for Art and Technology', Stockholm 2013....

Space and Matter in the Poetic and Artistic Perception of José Ángel Valente

Directory of Open Access Journals (Sweden)

Ching Yu Lin

2015-04-01

Full Text Available The poetry of José Ángel Valente brings up fundamental issues of space and matter, combining the poetic voice with the artistic and philosophical thought. It reveals the sense of forms of arc and circle that correspond to the wisdom of Taoism and Zen. Valente composed some poems that responded to the concept of matter represented by Spanish artists, such as Eduardo Chillida, Luis Fernández and Antoni Tàpies. Furthermore, from an ethical perspective, in the poem “Hibakusha”, Valente´s matter offers audio experiences which indicate a space of historical memory and representation of human beings. We are invited to listen to the material and corporal space ruined by atomic bombs.          

The Citizens' Exhibition: A Combination of Socio-scientific, Participative and Artistic Elements

Directory of Open Access Journals (Sweden)

Birgit Böhm

2008-05-01

Full Text Available Through its incorporation of socio-scientific, participative and artistic elements, the "Citizens' Exhibition" is an example of how applied performative social science can be implemented. The method was created by teaching qualitative methods and community psychology approaches in courses for students of psychology in the 1990's. The Citizens' Exhibition combines qualitative methods, such as interview and text interpretation, with artistic-aesthetic methods, such as photography and film, to form an integrated concept. In the tradition of action research, the practice is applied in the exploration of societal issues. The Citizens' Exhibition supports dialogue and furthering communication processes between the stakeholders through the presentation of diverse perspectives. In this regard, the staging of the exhibition opening has a particular importance. The following article about the Citizens' Exhibition presents the practice's origin and history in the first section and, in the second section, offers an introduction to the individual methodological steps. In the third section, various Citizens' Exhibitions are described as illustrations of the method. The last section discusses the vision of the Citizens' Exhibition, its performative component, strengths and limitations, considers the results of an existing evaluation study and looks at the future uses of the practice. Particular regard should be paid here to a combination of methods that enable a long-term participation effect, the expansion of participatory possibilities for the research subjects, and experimentation with additional artistic methods. URN: urn:nbn:de:0114-fqs0802337

The Insider Artist

DEFF Research Database (Denmark)

Monthoux, Pierre Guillet de

2013-01-01

Purpose – The purpose of this article is to examine the similarities between creative business leadership and successful artists and to illustrate how the label “outside artist” is a romantic myth. Design/methodology/approach – Making use of four cases in classical music history, this study...... analyzes how a quartet of musical artists negotiated their space inside highly organized and changing environments. Findings – Many qualities exhibited by musical artists are similar to those required of successful organizational managers. One of the reasons that insider artistry is a complex phenomenon...... is that socio-organizational conditions are not fixed, they change. Therefore, each new generation of artists has to invent new strategies to get the job done. Practical implications – Understanding the nature of these similar qualities will help clarify the issue of making art work inside organizations...

READING SLOW ART WORK AS A MOTION FOR AESTHETIC EDUCATION ON THE BASIS OF MARX AND VYGOTSKY CONTRIBUTIONS

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Priscila de Souza Chiste

2015-06-01

Full Text Available The article signals a proposal for Aesthetic Education, from literature search, in dialogue with studies of Marx and Vygotsky. According to the Marxist theory presents reflections on aesthetics in the contemporary context and seeks to understand Vygotsky assumptions of Aesthetic Education. Suggests a path through the visual arts, to educate aesthetically from the concept of slow reading of the artwork. Considers that one of the possibilities to achieve such intent is to provide intense, diverse and ongoing encounters with works of art; mediate readings pictures that show both poetic and intertextual aspects as formal of these works, magnified by the knowledge of the artist's universe and the legitimation modes and dissemination of works and, finally, to propose matters relating to the interests of students.

What's in a Name ?The Effect of an Artist's Name on Aesthetic Judgements

OpenAIRE

Cleeremans, Axel; Ginsburgh, Victor; Klein, Olivier; Noury, Abdul Ghafar

2016-01-01

Both economists and art historians suggest that the name of the artist is important and belongs with the work. We carried out an experiment to explore the influence that the presence and knowledge of an artist’s name exert on aesthetic judgments. Forty participants (20 students majoring in psychology and 20 in art history) were asked to rank twelve works painted by different artists, some of which bore the name of their actual creators, others not. The results demonstrated that the presence o...

CHIKE ANIAKOR: MASTER OF POETIC LINES

African Journals Online (AJOL)

PROF EKWUEME

2010-11-26

Nov 26, 2010 ... achieves a unified visual and poetic whole. In totality, the rendering exhibits the professional expertise in the artist by using lines to narrate social reality and communicate the artist's perspectives to the society. Plate 2: Templates of Memory. Medium: Broomstick and black link on paper. Size: 60 cm by 50 cm.

FORMATION OF THE JUNIOR SCHOOLCHELDREN ATTITUDE TO THE NATIONAL SONG FOLKLORE BY THE MEANS OF MULTIMEDIA TECHNOLOGIES

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A. Vladimirovа

2014-06-01

Full Text Available The national system of education of Ukraine urges music teachers to find and implement new forms and methods of classes that will help to form the national identity by engaging primary school pupils to use multimedia technologies. Formation of aesthetic attitudes of younger scholchildren to national folk song by means of multimedia technologies facilitates more efficient aesthetic, intellectual, moral and spiritual development, attracting children to creative research through solving problems of research and creative nature, more fully disclosing their natural inclinations. At present stage of the sstorage of folk song information are reproduced by the computer disks, electronic textbooks , which positively affects on the development of a coherent national cultural identity, its tastes, musical and aesthetic upbringing and acts as a favorable condition and an additional incentive for assimilation of knowledge in both educational processes of the school and in the distance . The introduction of multimedia and distance learning technologies in the classroom practice of music helps to combine didactic function of computer and traditional ways and means of education , enriches and adds to the educational process of an elementary school with new forms of work that promotes more efficient assimilation of musical training material, national folk song, customs and traditions of the Ukrainian people

Expressive intent, ambiguity, and aesthetic experiences of music and poetry.

Science.gov (United States)

Margulis, Elizabeth Hellmuth; Levine, William H; Simchy-Gross, Rhimmon; Kroger, Carolyn

2017-01-01

A growing number of studies are investigating the way that aesthetic experiences are generated across different media. Empathy with a perceived human artist has been suggested as a common mechanism [1]. In this study, people heard 30 s excerpts of ambiguous music and poetry preceded by neutral, positively valenced, or negatively valenced information about the composer's or author's intent. The information influenced their perception of the excerpts-excerpts paired with positive intent information were perceived as happier and excerpts paired with negative intent information were perceived as sadder (although across intent conditions, musical excerpts were perceived as happier than poetry excerpts). Moreover, the information modulated the aesthetic experience of the excerpts in different ways for the different excerpt types: positive intent information increased enjoyment and the degree to which people found the musical excerpts to be moving, but negative intent information increased these qualities for poetry. Additionally, positive intent information was judged to better match musical excerpts and negative intent information to better match poetic excerpts. These results suggest that empathy with a perceived human artist is indeed an important shared factor across experiences of music and poetry, but that other mechanisms distinguish the generation of aesthetic appreciation between these two media.

Expressive intent, ambiguity, and aesthetic experiences of music and poetry

Science.gov (United States)

Margulis, Elizabeth Hellmuth; Levine, William H.; Simchy-Gross, Rhimmon; Kroger, Carolyn

2017-01-01

A growing number of studies are investigating the way that aesthetic experiences are generated across different media. Empathy with a perceived human artist has been suggested as a common mechanism [1]. In this study, people heard 30 s excerpts of ambiguous music and poetry preceded by neutral, positively valenced, or negatively valenced information about the composer's or author’s intent. The information influenced their perception of the excerpts—excerpts paired with positive intent information were perceived as happier and excerpts paired with negative intent information were perceived as sadder (although across intent conditions, musical excerpts were perceived as happier than poetry excerpts). Moreover, the information modulated the aesthetic experience of the excerpts in different ways for the different excerpt types: positive intent information increased enjoyment and the degree to which people found the musical excerpts to be moving, but negative intent information increased these qualities for poetry. Additionally, positive intent information was judged to better match musical excerpts and negative intent information to better match poetic excerpts. These results suggest that empathy with a perceived human artist is indeed an important shared factor across experiences of music and poetry, but that other mechanisms distinguish the generation of aesthetic appreciation between these two media. PMID:28746376

Monts Jura Jazz Festival

CERN Document Server

2012-01-01

The 5th edition of the "Monts Jura Jazz Festival" will take place at the Esplanade du Lac in Divonne-les-Bains, France on September 21 and 22. This festival organized by the CERN Jazz Club and supported by the CERN Staff Association is becoming a major musical event in the Geneva region. International Jazz artists like Didier Lockwood and David Reinhardt are part of this year outstanding program. Full program and e-tickets are available on the festival website. Don't miss this great festival!

A Road to Aesthetic Stylistics

Directory of Open Access Journals (Sweden)

Samir Al-Sheikh

2016-08-01

Full Text Available Being a linguistic phenomenon, poetry is marked by the defamilarization of language in a poetic discourse there is an aesthetic distortion of  the normal codes, in which the aesthetic value is the most prominent function of the poetic texture . This study is a new  adventure in correlating linguistics to aesthetics by and through the so-called approach Aesthetic stylistics( As. Aesthetic stylistics is the application of the theory of beauty to the intentionally violated components in literary text. It proceeds with the hypothesis that John Keats's Ode on a Grecian Urn and Kabbani's Maritime Poem are disinterested poetic experiences which create ecstatic responses to the reader's awareness, therefore, the judgment of the reader's taste is aesthetic. The study aims at highlighting the stylistic-aesthetic factors which generate the judgment of taste. While drawing heavily on the aestheticism of the Prague Linguistic Circle and Halliday's Functional Linguistics (FL, or what has come to be called the Traditional European Functionalism, the study will analyze Keats' Ode and Kabbani's poem in terms of Kant's Kritik der Urteilstraft, KdU. The two circles of the linguistic description and aesthetic interpretation will be internally interlinked to create the coherence of the stylistic process. The study consists of an introduction, two parts, one in theory and the other in analysis; it is eventually rounded up with concluding remarks elicited from the semiotic quest.  Keywords: Stylistics, Functionalism, Aesthetics

Tempo e percezione in The Body Artist di Don DeLillo e Ghost Trio di Samuel Beckett

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Davide Barbuscia

2013-03-01

Full Text Available This essay provides a critical analysis of Don DeLillo’s novel The Body Artist and Samuel Beckett’s work for television Ghost Trio. In particular it analyses the representation of time and its perception in both these works, highlighting some shared aesthetic modalities such as their attempt to depict duration through a poetics of slow motion. The essay also foregrounds how both these works give narrative form to Merleau-Ponty’s understanding of ‘time as its perception’.

Secret of success for invention technology

International Nuclear Information System (INIS)

Kim, Gwan Hyeong

1990-12-01

This book deals with importance, meaning, history of invention technology, technique of invention technology, and invention in connection with the duties. It covers importance, meaning, flow of invention technology development, basis of invention technology development, development, development investment, development workforce of invention technology, and development of invention technology introduction. It also contains outline, research, management of technology development information, outline, research, management of patent information, and reality of invention technology research development.

Thursday Programme of CineGlobe Festival 2015

CERN Multimedia

Cugini, Pavel

2015-01-01

The CineGlobe Programme on Thursday 26th March 2015 counted with two short-films inspired by science sessions, two workshops on the 360 degree dome, and a special evening show in collaboration with the Mapping Festival, to celebrate the UNESCO Year of Light. The evening open with Diego Blas, CERN theorist, talking about Light, Einstein and the LHC to celebrate the UNESCO International Year of Light. Followed by a performance by the artist YRO_EILE_18. The artist Yro presents Eile, a live installation performance where light, sound, and cinema converge to tell a timeless story. EILE is a live cinema performance, in which yro makes live sound and images with a camera, some microphones and small objects like stones, balls, bits of paper and string.These materials allow him to create videos and sound, which aesthetics are close to abstract cinema and object theater assembled, sampled and grinded . The process is part of the staging itself as well as the film that results. Indescribable Eile is lived as an experie...

Monts Jura Jazz Festival

CERN Multimedia

Jazz Club

2012-01-01

The 5th edition of the "Monts Jura Jazz Festival" that will take place on September 21st and 22nd 2012 at the Esplanade du Lac in Divonne-les-Bains. This festival is organized by the "CERN Jazz Club" with the support of the "CERN Staff Association". This festival is a major musical event in the French/Swiss area and proposes a world class program with jazz artists such as D.Lockwood and D.Reinhardt. More information on http://www.jurajazz.com.

Interpretation and the Aesthetic Dimension

Science.gov (United States)

Mortensen, Charles O.

1976-01-01

The author, utilizing a synthesis of philosophic comments on aesthetics, provides a discourse on the aesthetic dimension and offers examples of how interpreters can nurture the innate sense of beauty in man. Poetic forms, such as haiku, are used to relate the aesthetic relationship between man and the environment. (BT)

Extended artistic appreciation.

Science.gov (United States)

Wilson, Robert A

2013-04-01

I propose that in at least some cases, objects of artistic appreciation are best thought of not simply as causes of artistic appreciation, but as parts of the cognitive machinery that drives aesthetic appreciation. In effect, this is to say that aesthetic appreciation operates via extended cognitive systems.

[Accepting a mastectomy thanks to socio-aesthetics].

Science.gov (United States)

Arquillière, Agnès; Blanc, Nathalie

2012-12-01

For women of all ages, a mastectomy can affect their body image and femininity. Poor management, both physical and emotional, of a breast removal, can have major consequences on a patient's intimate, family and social life. In the framework of the multi-disciplinary treatment of breast cancer, a team in Lyon carried out a study on the impact of including socio-aesthetic practices in the overall care.

Poetic Return in Afghanistan Persian Poem

Directory of Open Access Journals (Sweden)

Esmaeil Shafagh

2012-11-01

Full Text Available Abstract Poetic return movement was started by a group of poets like Moshtagh and Shole Esfehani in the second half of 12 century. Their goal was restoring Persian poem and deliverance of Hindi style decline. Esfahan’s poets initiative was considered only in Iran but in other Persian language and literature areas like India, Afghanistan and Transoxiana it was ignored. After the failure of constitutional Movement in Afghanistan, motion similar poetic return was happened that caused poetic themes, which had gone towards modernism, return to Hindi style again.The present paper attempts to analyze the poetic atmosphere in Afghanistan synchronous the poetic return movement in Iran and investigate socio- political backgrounds of return to Hindi style in Afghanistan after constitution failure.

Aesthetic Response and Cosmic Aesthetic Distance

Science.gov (United States)

Madacsi, D.

2013-04-01

For Homo sapiens, the experience of a primal aesthetic response to nature was perhaps a necessary precursor to the arousal of an artistic impulse. Among the likely visual candidates for primal initiators of aesthetic response, arguments can be made in favor of the flower, the human face and form, and the sky and light itself as primordial aesthetic stimulants. Although visual perception of the sensory world of flowers and human faces and forms is mediated by light, it was most certainly in the sky that humans first could respond to the beauty of light per se. It is clear that as a species we do not yet identify and comprehend as nature, or part of nature, the entire universe beyond our terrestrial environs, the universe from which we remain inexorably separated by space and time. However, we now enjoy a technologically-enabled opportunity to probe the ultimate limits of visual aesthetic distance and the origins of human aesthetic response as we remotely explore deep space via the Hubble Space Telescope and its successors.

Symmetry Festival 2016

CERN Document Server

2016-01-01

The Symmetry Festival is a science and art program series, the most important periodic event (see its history) to bring together scientists, artists, educators and practitioners interested in symmetry (its roots, what is behind, applications, etc.), or in the consequences of its absence.

Multimedia database retrieval technology and applications

CERN Document Server

Muneesawang, Paisarn; Guan, Ling

2014-01-01

This book explores multimedia applications that emerged from computer vision and machine learning technologies. These state-of-the-art applications include MPEG-7, interactive multimedia retrieval, multimodal fusion, annotation, and database re-ranking. The application-oriented approach maximizes reader understanding of this complex field. Established researchers explain the latest developments in multimedia database technology and offer a glimpse of future technologies. The authors emphasize the crucial role of innovation, inspiring users to develop new applications in multimedia technologies

The Grounds of Artistic Creation in Mystical Texts

Directory of Open Access Journals (Sweden)

A Mohammadi Kalesar

2011-02-01

To achieve this goal, defamiliarization has been used as a criterion for recognizing the artistic aspects of mystical texts. Therefore, by giving a general review of literary theories of 20th century, defamiliarization and foregrounding have been considered in the works of Formalists and Structuralists. In this framework, the function of some of the features of mystical thought such as symbol and interpretation, revelation, relativism, repeated creation and wonder (Hayrat in artistic creation have been investigated. These features produce a multilayered insight in authors of mystical texts. The results of such insight can be seen in the language of these texts. In this language, defamiliarized features produce an artistic perception in the readers of the texts.

Preaching as art (imaging the unseen and art as homiletics (verbalising the unseen: Towards the aesthetics of iconic thinking and poetic communication in homiletics

Directory of Open Access Journals (Sweden)

Daniel Louw

2016-12-01

Full Text Available The article investigates the hypothesis that preaching implies more than merely verbalising, proclaiming and rhetoric reasoning. Preaching is fundamentally the art of poetic seeing; an aesthetic event on an ontic and spiritual level; that is, it provides vocabulary and images in order to help people to discover meaning in life (preaching as the art of foolishness. In this regard, preaching should provide God-images that open up the dimension of aesthetics and provide vistas of the ‘unseen’. The iconic dimension of preaching is about symbols and metaphors that help people to ‘see’ in everyday life (a poetic gaze the presence of God in such a way that tragic events, the awareness of death and the anguish about the fear for loss and rejection become events for signifying life and for healing (the quest for wholeness. It is argued that practical theology should be about a liturgy of life. In this regard, the ‘ugliness of God’ becomes an aesthetic category in a Christian spiritual approach to iconography. In order to do this a critical approach to praxis thinking should probe into the realm of paradigms, especially paradigms that describe the ‘power of God’. Due to the assumption that the depiction of God’s power was predominantly influenced by the Serapis, Zeus and Roman cult (Emperor mystique, a paradigm shift from omni-categories (pantokrator to bowel categories (passio Dei in the homiletic depiction of God is proposed.

The Poetics of Visual Cubism: Guillaume Apollinaire on Pablo Picasso

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Pamela A. Genova

2003-01-01

Full Text Available Guillaume Apollinaire, one of the most original poets of the early twentieth-century French avant garde , played a crucial role in the enunciation of modernist aesthetics. Through innovative poetic forms, Apollinaire set forth a new aesthetics which underscored the inherent ambiguity of an increasingly turbulent modern context. Apollinaire's interest in the pure dynamism of the contemporary material landscape, and his attraction to the image that explodes with immediate presence, also led him to a natural curiosity in the visual arts. Identifying with the Cubist mosaic style of inclusion, the juxtaposition of reality and imagination, and the simultaneity of spatial and temporal movement, Apollinaire saw modern artists as "singers of a constantly new truth," inventors of a uniquely authentic modern experience. Apollinaire composed verse to honor his favorite painters, but he also wrote critical studies on the visual arts, and he declares that it is in Cubist art that we can discover a truly successful endeavor to come to terms with the upheavals of modernity. In several texts Apollinaire devotes specifically to Picasso, he argues that his canvases contain the most essential aspects of modern art: a new interpretation of light, a genuine understanding of the elusive notion of the "fourth dimension," and an incarnation of the most modern of principles, surprise. Apollinaire's texts on Picasso, examples of his poésie critique , do not remain simply words printed on a page, but are transformed into an extension of the painting he wishes to convey, experimental and unpredictable in discursive tone and poetic style. Through these texts, Apollinaire moves beyond the parameters of a journalistic style of criticism, as his pieces on Picasso take on a chameleon-like power of movement, engendering unique forms of an avant-garde improvisation, the painting of prose poetry.

Creativity In Amateur Multimedia: Popular Culture, Critical Theory, And Hci

Directory of Open Access Journals (Sweden)

Jeffrey Bardzell

2007-01-01

Full Text Available The last decade has witnessed the emergence and aesthetic maturation of amateur multimedia on an unprecedented scale, from video podcasts to machinima, and Flash animations to user-created metaverses. Today, especially in academic circles, this pop culture phenomenon is little recognized and even less understood. This paper explores creativity in amateur multimedia using three theorizations of creativity—those of HCI, postructuralism, and technological determinism. These theorizations frame a semiotic analysis of numerous commonly used multimedia authoring platforms, which demonstrates a deep convergence of multimedia authoring tool strategies that collectively project a conceptualization and practice of digital creativity. This conceptualization of digital creativity in authoring tools is then compared with hundreds of amateur-created artifacts. These analyses reveal relationships among emerging amateur multimedia aesthetics, common software authoring tools, and the three theorizations of creativity discussed.

"Stay in Synch!": Performing Cosmopolitanism in an Athens Festival

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Vassiliki Lalioti

2013-11-01

Full Text Available Synch is an electronic music festival that takes place in Athens every summer and brings together people of various cultural origins and musical and aesthetic interests. As a total performance event, Synch becomes a site of complexity, polyvocality and hybridity; a site which allows participants to create and express cosmopolitan attitudes of openness for others, people, ideas and experiences. Adopting an anthropological/ethnographic perspective, this paper moves beyond distinctions between elite vs. ordinary and consumer vs. ethical cosmopolitanism, and investigates Synch as a site where local and trans-local aspects of life and a set of socio-cultural meanings in Greece today are being negotiated.

Onaism: An Artistic Model of Yoruba Civilization in Nigeria | Irivwieri ...

African Journals Online (AJOL)

It is the intention of the writer to examine its development from the modest beginning to its robust formalistic model of artistic expression. Through interviews with exponents and review of a number of literatures, it was found out that the Ona movement has to a large extent facilitated the crystallization of Nigerian visual art.

Socio-spatial authenticity at co-created music festivals

OpenAIRE

Szmigin, I; Bengry-Howell, A; Morey, Y; Griffin, C; Riley, S

2017-01-01

From the early days of hippie counter-culture, music festivals have been an important part of the British summer. Today they are commercialised offerings without the counter-cultural discourse of earlier times. Drawing on participant observation, interviews and focus groups conducted at a rock festival and a smaller boutique festival, the paper examines how their design, organisation and management are co-created with participants to produce authentic experiences. The paper contributes to res...

The Construtive Reason and the Poetic Lacework of Maria Lúcia Dal Farra

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Teresa Cabañas

2005-01-01

Full Text Available This article examines some aspects of the poetical production of Maria Lúcia Dal Farra, Livro de auras (1994 and Livro de possuídos (2002, trying, mainly, an approach to the constructive mechanisms that move its poetical universes. The focus of attention centers in the use that such a poetics makes of a constructive ratio, which hovers between “canto” and “decanto” to symbolize, in a feminine way of writing, the possession of an aesthetic intellect that traditional androcentric culture has reserved for the masculine.

ANALYSIS OF ARTISTIC AESTHETIC CREATIVITY AND CHILDREN’S ART EDUCATION BASED ON THE SCIENTIFIC SOURCES

Directory of Open Access Journals (Sweden)

Valentyna Levytska

2014-07-01

Full Text Available The article deals with teaching developing and nurturing after-school arts education on the process of harmoniously developed personality. The problem of the formation of a sense of beauty in the students in Ukrainian society. Emphasis is on basic research in the field of art education, the theoretical approach to the problem. Analysis of literature on the problem of artistic and aesthetic education of youth through art.

Instant City@Roskilde Festival

DEFF Research Database (Denmark)

Marling, Gitte; Kiib, Hans

INSTANT CITY@ROSKILDE FESTIVAL pursues this phenomenon in a comprehensive analysis of one of the biggest cultural events in Denmark. Roskilde Festival’s comprehensive program and its physical size justify our perception of it as a new ‘temporary experience city’ with more than 100,000 inhabitants....... The book analyzes the concept of the festival, its mission statement, its physical layout, its urban life and its architecture, and it seeks to define the events that take place at the festival – be they scheduled or unscheduled. The potential of the temporary city to combine its ambitious music program...... with experimental architecture is the focal point, and the book thus explores the possibilities of promoting new aesthetics and a diverse social life in the city’s official spaces. The analyses take their point of departure in Roskilde Festival 2009. In advance (2008), research was carried out and interviews...

Formation of merchandizing characteristics and extension of the commercial range of products from wild-growing berries

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Дмитро Миколайович Одарченко

2015-11-01

Full Text Available The methods and main parameters for the receipt of reversible phases of wild-growing berries are substantiated and its merchandizing characteristics are studied. Cryoscopic and optical properties of solid phase are studied. Based on the determination of the consumer properties of liquid and solid phases from berries the possible ways for their application in food technologies are suggested. It is also determined that electrophysical method can work as the method of express-analysis during the expertise of fresh wild-growing berries and products after their processing

3rd International Conference on Multimedia Technology

CERN Document Server

Yang, Jian; Jiao, Feng

2014-01-01

Proceedings of the 3rd International Conference on Multimedia Technology (ICMT2013) focuses on both the theory and applications of multimedia technology. The recent advances, new research findings and applications in the fields of theoretical, experimental and applied image & video processing and multimedia technology presented at the conference are brought together in this book. It will serve as a valuable reference for scientists and engineers working in multimedia and related fields. Prof. Aly A. Farag works at the University of Louisville, USA; Prof. Jian Yang works at Tsinghua University, China; Dr. Feng Jiao works at Nanjing University of Information Science & Technology, China.

Inventing the Carnival: Contemporary Festivities, Tradition and Imaginaries

Czech Academy of Sciences Publication Activity Database

Stavělová, Daniela; Kratochvíl, Matěj

2016-01-01

Roč. 103, č. 4 (2016), s. 569-595 ISSN 0009-0794 Institutional support: RVO:68378076 Keywords : carnival * festivity * city * tradition * collective memory * music * dance Subject RIV: AC - Archeology, Anthropology, Ethnology

Aesthetics of interdisciplinarity art and mathematics

CERN Document Server

Lähdesmäki, Tuuli

2017-01-01

This anthology fosters an interdisciplinary dialogue between the mathematical and artistic approaches in the field where mathematical and artistic thinking and practice merge. The articles included highlight the most significant current ideas and phenomena, providing a multifaceted and extensive snapshot of the field and indicating how interdisciplinary approaches are applied in the research of various cultural and artistic phenomena. The discussions are related, for example, to the fields of aesthetics, anthropology, art history, art theory, artistic practice, cultural studies, ethno-mathematics, geometry, mathematics, new physics, philosophy, physics, study of visual illusions, and symmetry studies. Further, the book introduces a new concept: the interdisciplinary aesthetics of mathematical art, which the editors use to explain the manifold nature of the aesthetic principles intertwined in these discussions.

Artistic and Industrial Institutions in Russian Education Structure in First Quarter of XXth Century

Science.gov (United States)

Chernyh, D. G.

2017-11-01

The article tells about the formation of Russian design education in the XXth century. It focuses on the peculiar features and causes of its insufficient effectiveness in the historical context. It studies the dynamics of changes in the priorities related to the artistic and industrial education in Russia and the connection of these processes with socio-political transformations. The article identifies the role of constructivist artists in the formation and approbation of advanced design-engineering techniques. It emphasizes the interdisciplinary essence of the profession of a designer as a special kind of design activities, its organizing, consolidating and progressive origin in the sphere of industrial production and carrying out interdisciplinary studies. It discloses the essence of a new “engineer-artist” profession. It briefly describes the influence of the fundamental principle of design - projectivity, on engineering and design disciplines when the interaction of an artist, an engineer and an architect is achieved on the basis of design, arrangement and inventive art as well as production organization where science and technology form the basis for creative work.

The Song of the Sabia in the 3rd. Festival Internacional da Canção: boo and sunset of the Tom Jobim bossa nova`s aesthetics

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Fabio Guilherme Poletto

2015-07-01

Full Text Available This article discusses the Song of the Sabia, composition of Tom Jobim and Chico Buarque. Mobilizes different series of sources in order to reconstruct historically the boo to the performance of the song during the III International Song Festival, held in 1968 in the city of Rio de Janeiro. Seeks to highlight how this episode catalyzed the existence of different expectations on the popular song and its role as a vehicle for ideals of modernity amid the interference of the authoritarian environment in the cultural and political field. Then, based on the analysis of the constitutive parameters of the song, suggests possibilities for understanding its musical and poetic construction in critical dialogue with its reverberations in cultural terms.This article discusses the Song of the Sabia, composition of Tom Jobim and Chico Buarque. Mobilizes different series of sources in order to reconstruct historically the boo to the performance of the song during the III International Song Festival, held in 1968 in the city of Rio de Janeiro. Seeks to highlight how this episode catalyzed the existence of different expectations on the popular song and its role as a vehicle for ideals of modernity amid the interference of the authoritarian environment in the cultural and political field. Then, based on the analysis of the constitutive parameters of the song, suggests possibilities for understanding its musical and poetic construction in critical dialogue with its reverberations in cultural terms.

The "third abstraction" of the Chinese artist LaoZhu: Neural and behavioral indicators of aesthetic appreciation.

Science.gov (United States)

Bao, Yan; Yang, Taoxi; Zhang, Jinfan; Zhang, Jiyuan; Lin, Xiaoxiong; Paolini, Marco; Pöppel, Ernst; Silveira, Sarita

2017-06-01

The eminent Chinese artist LaoZhu has created a homogeneous set of abstract pictures that are referred to as the "third abstraction." By definition, these pictures are meant to be representations of the artist's personal involvement and as such to create an internal point of view in the observer on an implicit level of processing. Aiming at investigating whether the artist's choice of a specific color is experienced in a specific way in the recipient, we assessed both explicit and implicit (i.e. neurocognitive) correlates in naive viewers of LaoZhu's pieces. The behavioral results reveal a preference of the original red paintings over color-changed counterparts in green or black. Paradoxically and inconsistent with predictions, we found higher levels of neural activation in several brain regions (predominantly in the frontal and parietal cortices) for the color-changed compared to the original red conditions. These observations add empirically to the complementarity of early visual pathways and higher-order cognition as well as of explicit and implicit information processing during aesthetic appreciation. We discuss our findings in light of processing effort and top-down control of the color-changed paintings. With regard to the third abstraction as defined by LaoZhu, in particular to the distinction between an external and internal point of view when viewing abstract art, our results contribute to an understanding of "abstraction and empathy" as a fundamental part of aesthetic appreciations. © 2017 The Institute of Psychology, Chinese Academy of Sciences and John Wiley & Sons Australia, Ltd.

Poetics, Ritual and Politics in Two Plays by Ṣalah ‘Abd Al-Ṣabur: Toward an Aesthetics of National Regeneration

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Mahasen Mahmoud Badra

2018-03-01

Full Text Available In two of his poetic plays, The Princess Waits (1969, written under the ruling of the second president of Egypt Gamal Abdel Nasser (1956-1970 in office and After the King is Dead (1973, written after Nasser’s death, Ṣalaḥ ‘al- Ṣabūr presents the character of the Poet – who symbolizes the collective conscience of the nation – as the savior figure. In both plays, after a symbolically ritualistic duel, the Poet manages to kill the oppressor and rescue the heroine (Princess\\Queen who represents the oppressed nation. In After the King is Dead, he offers the Queen a long sought for dream, the "child" that symbolizes the hope for national rebirth. In his multi-layered philosophical, mythical and political strata of themes that combine the paradoxes of life and death, love and treason, fertility and barrenness, resistance and submission, Ṣabūr dramatizes his political reformist visions. Giving the two plays the allegorical framework of a folk tale, and ironically using ritual hymns and dances, the author synthesizes the classical traditional techniques with the modern experimental forms. In two superb theatrical pieces, he managed to produce an artistic carnivalesque show that brings together Greek and Oriental myths, ritual, the masque genre, Aristotle, Pirandello, Brecht, Maeterlinck, and Becket. ‘Abd Al- Ṣabūr’s two plays represent a step on the road for an art that may lead the Arabic nation to a state of regeneration that has been quested and sought for by many. They can be regarded as a tentative aesthetics of the sought for democratic utopia or the so-called "Arab spring" of today.

The Prelude to the Millennium: The Backstory of Digital Aesthetics

Science.gov (United States)

Mayo, Sherry

2008-01-01

The artist and scientist have been depicted as polar opposites since Michelangelo claimed that Leonardo da Vinci was wasting time with foolish inventions while his art suffered. However, the artist taking on the role of the researcher has precedent. In the 1960s, Experiments in Art and Technology (E.A.T.), led by Bell Labs' engineer Billy Kluver,…

A preliminary study of current multimedia information technology

Energy Technology Data Exchange (ETDEWEB)

Lee, J.C.

1997-03-01

This paper surveys more than 70 articles published in the IEEE Multimedia journal and other journals. The survey summarizes aspects of multimedia information technology and categorizes application areas of multimedia information technology and interesting research areas related to it.

The Welfare Culture. Poetics of Comfort in Architecture of the 19th and 20th-centuries

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Eduardo Prieto González

2013-10-01

Full Text Available AbstractArchitectural history of the last two centuries shows that welfare, far from being a purely technical issue – a balance between weather and the physiological human constants – is a culturally constructed idea concerning diverse factors, such as the relationship between space and human body or the ways of conceiving nature in architecture. However, the notion of comfort has not received the historiographical attention it deserves, hence the need for a new perspective, aesthetic and multidisciplinary in nature. Such a view is discussed in this article through a brief and partial history of comfort that addresses the different meanings assigned to the concept over the past two centuries, in accordance with a kind of 'poetics': the longstanding poetics of fire, linked the regenerative comfort; the poetics of hygiene and habitat, developed during modernity as a scientifistic dogma and as an aesthetic alibi, and, finally, the poetics of atmospheres, which accounts for contemporary concerns about perception, memory and sociability. From this historical review we can conclude that welfare is not an objectifiable concept, nor an idea synthesized in the technician or scientist test tubes, but a complex notion consisting of several intertwined layers: physiological, constructive, aesthetic, existential, social. The history of comfort is, thus, a sort of small version of the history of culture.Key wordscomfort, architecture, hygiene, habitat, atmosphere

Conversion in poetic communication of Afanasy Fet’s lyric poetry

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Bezrukov Andrei Nikolayevich

2018-04-01

Full Text Available The object of the analysis in this work is lyrics by Afanasy Fet. Component analysis is performed from the perspective of realization of the aesthetic communicative dialogue’s conversion in the poetic world model. The personalized world of Fet’s poetry is a condition not only for the external specification of feelings and emotions. The main topics of his legacy are nature, beauty, feeling, landscape, and love. However, in our opinion, Fet’s lyric poetry is much more complicated and extensive. In the poetic text there is a fusion of the static in the episodes of reality and the dynamics in the emotional experience of the lyric hero. Consequently, the reader observes the conversion of poetic communication which in turn is sufficiently productive for the objective evaluation of the narrative. In conclusion, the poetic discourse combinatorically connects different facets of language realization which forms semantic variety of lyrics and unordinary nature of the reader's reception.

Visual and Artistic Functions of Letters in Khaghani’s Poetry

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Mohsen Zolfaghari

2013-11-01

Full Text Available Abstract The intensity of emotion and fluctuation of meaning in the poet's mind causes him to go beyond the ordinary language and convey intellectual and emotional meanings through metaphors, similes and linguistic preparations. He has sharp eyes and a sensitive spirit and creative temperament and attempts strengthening his own literary language and creating personal style by inventing novel images, showing the creativity and imagination and entering in various arenas of imagination. This point more than anything else could be done by presenting images and new figures. Perhaps in the sixth century, and especially in Azerbaijani school, more than other periods, poets have been looking for creating innovative style in eloquence. Their major attempts were mainly in imaging, a wide field that they have competed. It is obvious that in this illustration the alphabet letters would be very helpful. Khaghani's Divan of poetry, as one of the greatest poets of this school, is the perfect poetical book of paintings in which meaning has been hidden under a delicate pattern and new different scientific, cultural and religious images. Letters are a broad range of elements that put a new field in front of the poet and he is aware of the potential features of the letters, new images, and artistic creativity techniques as well. This paper shows descriptive - analytical study of various aspects of Khaghani’s poetry and frequency of letters in the alphabet letters, alphabetic-based authenticity of images, different similarity reasons, semantic and literal multi-relevance of letters in the context of poetry, producing figures of speech based on letters, sensational relationship exists between images and letters which have been shown in his poetry. Letter have a double and even multiple application in Khaghani's poetic works (divan and moreover the construction of words and conveying meaning which is the real and common usage, they were used as artistic instruments

Cultural history and aesthetics of nursing care.

Science.gov (United States)

Siles González, José; Ruiz, Maria del Carmen Solano

2011-01-01

The aim of this study was to clarify the role of aesthetics in the organization and motivation of care through history. The guiding questions were: What values and aesthetic feelings have supported and motivated pre-professional and professional care? and Based on what structures has pre-professional and professional care been historically socialized? Primary and secondary sources were consulted, selected according to established criteria with a view to avoiding search and selection bias. Data analysis was guided by the categories: "habitus" and "logical conformism". It was found that the relation between social structures and pre-professionals (motherhood, religiosity) and professional aesthetic standards (professionalism, technologism) of care through history is evidenced in the caregiving activity of the functional unit, in the functional framework and the functional element. In conclusion, in social structures, through the socialization process, "logical conformism" and "habitus" constitute the aesthetic standards of care through feelings like motherhood, religiosity, professionalism, technologism and humanism.

Magical arts: the poetics of play.

Science.gov (United States)

Jacobus, Mary

2005-01-01

The paper argues that links between play and magic in British Object Relations point to the persistence of aesthetic concerns within psychoanalysis. Magical thinking is present in British Object Relations psychoanalysis from its beginnings in Klein's play technique and early aesthetic writings, surfacing elsewhere in Susan Isaac's educational experiments and her theories of metaphor. Marion Milner's clinical account of the overlapping areas of illusion and symbol-formation in a boy's war-games link the primitive rituals of Frazer's "The Golden Bough" with her patient's creativity. In Winnicott's concept of the transitional object, the theory of play achieves its apotheosis as a diffusive theory of culture or "private madness," and as a paradigm for psychoanalysis itself. Tracing the non-positivistic, mystical, and poetical elements in British Object Relations underlines the extent to which aesthetics is not just entangled with psychoanalysis, but constitutive of it in its mid-twentieth century manifestations.

Game meaning in Kant’s aesthetic theory as the paradigm of European artistic thinking

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Strelnikova Larisa Yurievna

2015-09-01

Full Text Available The article proves that Kant includes in his philosophy the concept of the game as an aesthetic principle. The game is identified with art as a free activity, which has no practical purpose and delivers the pleasure of beauty. Kant opens in creative game dual nature - a combination of reason and imagination, reflecting the duality of his philosophic system and giving rise to the idea double world in Romanticism and fragmented consciousness in contemporary literature. In modern works the writer assumes the functions of Magister Ludi, creating its own gaming procedure of the artistic space.

Multimedia Image Technology and Computer Aided Manufacturing Engineering Analysis

Science.gov (United States)

Nan, Song

2018-03-01

Since the reform and opening up, with the continuous development of science and technology in China, more and more advanced science and technology have emerged under the trend of diversification. Multimedia imaging technology, for example, has a significant and positive impact on computer aided manufacturing engineering in China. From the perspective of scientific and technological advancement and development, the multimedia image technology has a very positive influence on the application and development of computer-aided manufacturing engineering, whether in function or function play. Therefore, this paper mainly starts from the concept of multimedia image technology to analyze the application of multimedia image technology in computer aided manufacturing engineering.

Shahid Motahari Educational Festival

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Mozafar Khazaei

2014-03-01

Full Text Available Scientific educational-research festivals are regularly designed programmes in which one or more educational or research areas are discussed. Every festival is usually focused on a specific academic domain, and relevant activities in one specific time period (e.g. One year are investigated. These festivals provide an appropriate situation for the scientific competition among educational and research institutions. Scientific festivals have long been held around the world, but educational and research festivals in Islamic republic of Iran have been organized in the recent decades to monitor activities carried out in the given domains. Razi Research Festival on Medical Sciences is one of the well-known scientific festivals on research in Islamic republic of Iran that is annually held by the Deputy of Research and Technology, Ministry of Health and Medical Education in the late fall and mainly monitors the research products by the faculty members, researchers, students, research centers and medical research journals (1. Khwarizmi International Award, with a longer history and a rather similar domain, is annually held by the Ministry of Science, Research and Technology (2. Avicenna festival is held by Tehran University of Medical Sciences in various academic and research domains, whose scope of activity is mostly, centered in Tehran University of Medical Sciences and in some domains around the others medical universities (3. Also, Tabari Research Festival has recently started its activity at Mazandaran University of Medical Sciences (4. Shahid Motahari Festival is the most important educational festival in Iran which is held annually in May by the Deputy Ministry for Education, Ministry of Health and Medical Education coinciding with the anniversary of the martyrdom of the teacher of ethics and Professor of Seminary School and University, “Morteza Motahari”. This festival analyzes the educational activities of the faculty members, students and

Juhan Liivi käsitus luulekunstist / Juhan Liiv's Conception of Poetics

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Tanar Kirs

2016-01-01

The final section of this paper deals with Liiv’s understanding of poetics. When observing poetry in ”Marginalia“, Liiv first examines the smallest poetic unit—the poetic word—and then attempts to define poetic wording. According to Liiv, the most important function of the poetic word is the referential function, and the poetic function is only as important as its ability to amplify the referential function of a word. He claims that it is unnecessary to distinguish a word with poetic devices or highlight the wording of the poem itself; rather, words should be made invisible in order to bring their meaning to the foreground. The poetic function aims to simplify word use and applies to an entire poem: just as an individual word should be simple and referential, so too must the whole of the poem and its expression. Liiv also analyses how to use specific poetic devices to achieve simplicity in expression. He stresses the ”plasticity“ of expression as an integral means of communicating the experience one wishes to portray and exemplifies this idea in a section of his essay detailing poetic technique and imagery in which he describes how to clearly and exactly express ”plastic“ depictions in poetics. First he argues the necessity of a cornerstone image, meaning the ability to create space for that which is being described, thereby allowing the image in a piece to work. He also draws attention to the importance of contrast in poetry, which occurs with the use of two poetic techniques that he calls ”subtraction“ and ”addition.“ With subtraction, one presents the concepts individually in order for them to have greater poetic influence; whereas, with addition, these individual images are presented together. Liiv’s handling of poetic language could be called simplified poetics, as the significance of art is hidden in its simplicity. Simplified poetics works in combination with his broader aesthetic framework: the goal is to portray simple things

The aesthetic dimension of light in metal jewelry

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Alia Abdulaziz Alfadda

2016-02-01

Full Text Available Jewelry pieces, especially those with artistic touch are among precious things in all ages and times. The brightness of jewelry has its own character, which ascends to the world of palaces and the rich and ruling classes. The concept of brightness has changed nowadays, it is no longer confined to the reflection of light by precious raw materials and stones used in it, but also extends to include artificial light produced from electricity with its wide and enchanting world. Among all the inventions made in the twentieth century, the invention of the electric light has been the most important extending its use in jewelry as well. The relevance of this research is to highlight the importance of natural and artificial lighting in the aesthetics of jewelry from ancient times to the present day. We will also discuss the current developments resulting from changes in perception and content related to jewelry.

Survey on Multimedia Technologies for Mobile Learning Applications

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Paul POCATILU

2009-01-01

Full Text Available Mobile technologies are developing very fast. This paper presents a survey on multimedia technologies for mobile learning applications, focusing on multimedia programming techniques for Windows Mobile, Symbian, and Java ME.

Modernisation of Graphic Design: The Possibilities and Challenges of Digitalisation

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Stephen T.F. Poon

2015-06-01

Full Text Available As inventions go, the contrivance of design as a dynamic, fluid, operational vehicle of human technology has always been subject to arguments and debates. The digitalisation of graphic design is a comparatively new field of research, a progressive process that evolves with technological developments. Undoubtedly, the evolution of design practices has transformed the entire design process in ways not deemed possible in the past. The advantages of digitalisation are particularly tangible in the range of possibilities generated by computer-based design tools. The main argument for the increase in “design capital” has been the accessibility of modern art tools to both design practitioners and the wider society, through mass digital culture absorption and the emerging technologies of production and reproduction. In presenting the fundamentals of digitalisation in design practices, this paper retraces the key cornerstones in the evolution of graphic design as an aesthetic medium from the 19th - to 21st -century, while pointing out the expanding, reflexive relationships between design and our environment. The researcher’s aim is to connect the socio-historical developmental frames of social progress and the practical uses of digitalisation in art and design today. The innovations in computermediated design work today grew from experimental platforms in the 20th -century, inasmuch as technological diffusion in the 21st -century Information Age derived from the widespread global embrace of the World Wide Web, multimedia and graphical computing systems. As a result of this development of the technological ‘canvas’, the production of design, aesthetic and cultural objects has shifted from the traditional artist-craftsman-specialist paradigm to reflect a more encompassing, diverse scope of ideas fostered by the exposure to different facets of creative capital and inspirations.

Relaţia teatralitate – literaritate în discursul artistic

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Ghilaş

2017-10-01

Full Text Available The article deals with the issue of theatricality – literariness in the artistic discourse, components that define the specificity of theatrical art and, at the same time, its synthetic essence. The relationship between the written dramatic text and the performance is manifested in the relationship between the representativeness, the theatricality of the dramaturgic text and its literary character as a writing. The concepts of theatricality as well as that of literariness as part of a dramaturgic discourse are presented from a diachronic perspective, emphasizing the relation between the writing and spectacular discourse on the level of structure and artistic form. At the same time, as forms of artistic communication and poetic, literary, theatrical, dramatic, etc. meet, “collaborate” not only in the dramaturgic discourse structure but also in the theatrical and the narrative ones, having different artistic functionalities. The elements of theatricality are realized in the dramaturgic or the epic text through a poetical specific to the creative individuality, his/her artistic vision. In a narrative discourse, theatricality can be understood as prediction, rules that shape the show from the text itself. The art of the realization of a narrative theatricality (in the relationship of digesis - mimesis in the epic text, through various artistic means and marks of theatricality, demonstrates not only the artistic thinking, the spectacular vision of the author, but also the topicality of the approach of the interference of arts in the scientific approach.

Reshaping Spectatorship: Immersive and Distributed Aesthetics

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Edwina Bartlem

2005-01-01

Full Text Available Although discourses of immersive aesthetics and distributed aesthetics may evoke associations with different media, creative processes, modes of audience engagement and even political ideologies, artists using these aesthetics often share similar interests in transforming and enhancing notions of the body and perception through technological intervention. This paper undertakes a comparison between immersive and distributed aesthetics in relation to Virtual Reality (VR and Networked Art (net.art, particularly networked installation art. It focuses on the ways in which both VR and networked installations immerse the viewer in states of perceptual and cognitive transition. Central to this article is the argument that VR and net.art are able to generate immersive experiences in the viewer by creating the sensation of being (tele-present in an electronically mediated environment that is illusionistic and sometimes remote from the physical body of the participant. Furthermore, the immersive and distributed aesthetics generated by specific VR and net.art projects have revolutionary consequences for traditional aesthetic theories of spectatorship and art appreciation that assert the need for critical and physical distance.

EFEK ESTETIK-SEDUKTIF PADA MULTIMEDIA TERHADAP HASIL BELAJAR

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Moeljadi Pranata

2016-10-01

Full Text Available Effects of seductive aesthetic in multimedia on learning outcomes. Presenting the message in a seductive aesthetic is common in multimedia learning applications. This study aims to test the effect of the aesthetic message design on learning  outcomes.  Applied    experimental  method    to  compare  the  effects  of message  design  of  aesthetic  format  (DPS,  essential  (DPE,  redundancy  verbal (DPR, aesthetic and redundancy verbal (DPS-R against the results learning of 2 groups different literacy. Analysis of data using MANOVA with significance level 0.05. DPE presentation proved the most superior in learning retention and transfer. Presentation DPS produces a higher transfer on the subject that have a visual rather than verbal literacy. The results of this study suggest that it should give priority to multimedia design theories are based on dual coding of memory than the aesthetic theories of learning when the goals are directed to maximize the transfer capability

A READING OF THE POEM “CHORINHO” IN A DIALOGICAL PERSPECTIVE

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Miriam Bauab Puzzo

2013-06-01

Full Text Available This article presents a reading of the poem “Chorinho”, that integrates the work Vaga Música (1942 by Cecilia Meireles,in the perspective of dialogical discursive analysis of Bakhtin’s Circle. We take as reference the concepts of responsiveness and accountability that underlie Bakhtin’s reflections in his essay “Hacia uma filosofia del acto ético” (1997 about art, pointing dialogical relations established between the poetic text and social context, pointing as first reference the lyrical poem and Cecilia Meireles’s poetic proposal. After, from the musical leitmotif of the title and the suggestive poetic images we can see the conflict of self-lyrical, that demonstrates the dialogue between the liric self and the socio-historical context marked by the military dictatorship of Vargas and the Second World War. Contrary to current thinking that Cecilia Meireles distanced herself from the problems of her time, the analysis demonstrates that the subtlety of the poetic images, guided by the proximity of the popular musical universe, brings tension and existential suffering marked by adverse social context. Thus, the poem represents the author’s responsive and responsible attitude, in the bakhtinian perspective,fulfilling an aesthetic artistic proposal.

Vasilii Petrov and The Poetics of Patronage

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Luba Golburt

2015-09-01

Full Text Available This article seeks to bridge the gap between sociohistorical and aesthetic readings of Russian occasional verse by arguing that patronage itself can be seen as engendering its own poetics. The author focuses on hitherto unanalyzed features of Vasilii Petrov's lyrics addressed to various patrons. The close readings of Petrov’s odes and epistles call attention to the poet’s coordinating syntax as structuring the subordinative relationships between poet and patron, and articulating discourses of friendship, community, and the public, of civic virtue, and of social and lyric interdependence. The essay ultimately arrives at a definition of the poetics of patronage, in which the poet claims agency without insisting on his autonomy (as would his successors in the Romantic period, and in which the lyric voice relies upon an other, drawing inspiration from conditions of relationship rather than isolation.

"Living Drawing": Aesthetic Teaching for Moral Artists

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Kim, Jiwon

2016-01-01

With its inherent attributes such as qualitative immediacy, imaginativeness, and embodiment, John Dewey's concept of aesthetic experience makes a difference in moral education, in the ways of empathetic moral perception, moral reasoning, and moral action. If it matters then how can we help students gain aesthetic experience? By analyzing teacher…

DOLANAN MABARONG-BARONGAN PERFORMING ARTS OF BADUNG REGENCY AT THE BALI ARTS FESTIVAL XXXII (2010

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I Gusti Ayu Srinatih

2014-06-01

Full Text Available Dolanan is a childrens game which is done while singing in order to have fun. As one of the cultural heritage, dolanan contains great national values which can be imparted into children as the foundation of character building thus having a platform and a strong identity. Nowadays dolanan is marginalized because children are more fond with various types of imported games which is packaged with sophisticated technology that makes them increasingly kept away from its own cultural roots. This reality is really concerning because we can lose an effective tool in imparting cultural values which is important for character building. Based on that reality, a research is conducted entitled “Dolanan Mabarong- barongan Performing Arts of Badung Regency at the Bali Arts Festival XXXII in 2010”. The problem that is the focus of this research is the factors that led to the creation of representation of Dolanan Mabarong-barongan of Badung Regency in the XXXII Bali Arts Festival in 2010. This research is a qualitative research, viewed from cultural studies prespective. To dissect the problem, the social practices theory of Pierre Bourdieu is used. The result of this research is that the factors that led to the creation of the representation of dolanan mabarong-barongan are the Bali Arts Festival, the ideology of the artist, the creativity of artists, community, arts education institutions, government policies, and globalization.

Artistic Visualization of Trajectory Data Using Cloud Model

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Wu, T.; Zhou, Y.; Zhang, L.

2017-09-01

Rapid advance of location acquisition technologies boosts the generation of trajectory data, which track the traces of moving objects. A trajectory is typically represented by a sequence of timestamped geographical locations. Data visualization is an efficient means to represent distributions and structures of datasets and reveal hidden patterns in the data. In this paper, we explore a cloud model-based method for the generation of stylized renderings of trajectory data. The artistic visualizations of the proposed method do not have the goal to allow for data mining tasks or others but instead show the aesthetic effect of the traces of moving objects in a distorted manner. The techniques used to create the images of traces of moving objects include the uncertain line using extended cloud model, stroke-based rendering of geolocation in varying styles, and stylistic shading with aesthetic effects for print or electronic displays, as well as various parameters to be further personalized. The influence of different parameters on the aesthetic qualities of various painted images is investigated, including step size, types of strokes, colour modes, and quantitative comparisons using four aesthetic measures are also involved into the experiment. The experimental results suggest that the proposed method is with advantages of uncertainty, simplicity and effectiveness, and it would inspire professional graphic designers and amateur users who may be interested in playful and creative exploration of artistic visualization of trajectory data.

Neurocognitive Poetics: methods and models for investigating the neuronal and cognitive- affective bases of literature reception

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Arthur M Jacobs

2015-04-01

Full Text Available A long tradition of research including classical rhetoric, aesthetics and poetics theory, formalism and structuralism, as well as current perspectives in (neurocognitive poetics has investigated structural and functional aspects of literature reception. Despite a wealth of literature published in specialised journals like Poetics, however, still little is known about how the brain processes and creates literary and poetic texts. Still, such stimulus material might be suited better than other genres for demonstrating the complexities with which our brain constructs the world in and around us, because it unifies thought and language, music and imagery in a clear, manageable way, most often with play, pleasure, and emotion (Schrott & Jacobs, 2011. In this paper, I discuss methods and models for investigating the neuronal and cognitive-affective bases of literary reading together with pertinent results from studies on poetics, text processing, emotion, or neuroaesthetics, and outline current challenges and future perspectives.

Glastonbury Festival 2007: The Socio-Economic Impacts on the Host Community

OpenAIRE

Rose, Eleanor

2008-01-01

Event tourism, particularly festival tourism, is increasingly becoming a focus for tourism research. There are numerous impacts of festival tourism to the tourism industry and they often have numerous effects upon the host community. This research investigates the economic and social impacts of Glastonbury Festival 2007 on the host community. The research estimates a total economic impact on the immediate and the wider geographical area and gains an insight into the social impacts of the F...

Laser Scanner Technology, Ground-Penetrating Radar and Augmented Reality for the Survey and Recovery of Artistic, Archaeological and Cultural Heritage

Science.gov (United States)

Barrile, V.; Bilotta, G.; Meduri, G. M.; De Carlo, D.; Nunnari, A.

2017-11-01

In this study, using technologies such as laser scanner and GPR it was desired to see their potential in the cultural heritage. Also with regard to the processing part we are compared the results obtained by the various commercial software and algorithms developed and implemented in Matlab. Moreover, Virtual Reality and Augmented Reality allow integrating the real world with historical-artistic information, laser scanners and georadar (GPR) data and virtual objects, virtually enriching it with multimedia elements, graphic and textual information accessible through smartphones and tablets.

Orthodontics in the "Art" of Aesthetics.

Science.gov (United States)

Thomas, Mayuri

2015-01-01

Aesthetics in dentistry has of late become an awakening/actor among patients and often serves as a major reason for seeking dental treatment and care. Ever since the introduction of orthodontics as a separate specialty branch in dentistry, a variety of techniques have evolved, and methods developed both in the type of devices/instruments used and treatments planned. The discipline of orthodontic aesthetics involves micro and macro aesthetics, gingival, and facial aesthetics. This article helps focus on the artistic part of the orthodontic science. It brings out various important factors involved in customizing aesthetic orthodontic treatment planning according to the individual needs of the patient. Through this kind of treatment planning not only are the functional and biological needs of the patient met, they also provide a stable and durable results. Less invasive treatment planning makes it easier for the patient to select future treatment options as new technologies keep evolving. The review was selected by typing aesthetic orthodontics in the Google search engine, Pubmed, and Pubmed Central. Literature review of articles reflecting history, different analysis, factors responsible, and the latest technique was conducted.

Aesthetic Management

DEFF Research Database (Denmark)

Ricard, Lykke Margot

2003-01-01

Aesthetics, Art & Management - Towards a New Field of Flow. European Institute for Advanced Studies in Management (EIASM) Workshop , Gattières (France). 2003 Short description: This paper explores some of the rigid theoretical interpretations of the interplay between art and business through a case...... is often described in terms of what a business manager is not and vice versa. This paper explores some of the rigid theoretical interpretations of the interplay between art and business through a case study of two radical Danish artists, Kristian Hornsleth and Michael Brammer. Today, these two artists......, also create for myself, otherwise I don?t live up to people?s expectations.? (Brammer, Interview, August 6, 2002). This paper was presented at the European Institute for Advanced Studies in Management (EIASM) Workshop on "Aesthetics, Art & Management - Towards a New Field of Flow"....

The future of holographic technologies and their use by artists

Science.gov (United States)

Oliveira, S.; Richardson, M.

2013-02-01

The use of holographic technologies in the past has faced resistance in the artistic field. The most conservative artists and critiques saw the term "holographic" more as a technical subject than an artistic one. Nevertheless, to explore new forms to create art has been a constant challenge for any artist, whatever their field. At the end of the 20-century the concept that art can explore any field or subject, create a vision that is somehow technological, is part of the evolving artistic world. In the last two decades, in the search for new terminologies, scientists and artists have used the expression "Holographic" as a synonym of evolution, but with different meanings. Artists are using it as a new form of art call "Holo Art"; scientists see it as a "new" science technique where light takes an important part in the process, and can be used in various aspects of daily life, such as, security and medicine. This paper will explore artists who take the challenge of combining their art with new technologies and how they are viewed in a world where the question of 'what is and what isn't art' is very debatable. Other questions that will be explored are 'How can these techniques be useful to artists?' and 'How do artists challenge themselves to analyse the pros and cons of the results that can be obtained?'

Aesthetic Cartography

Science.gov (United States)

Toland, Alexandra

2017-04-01

Art theorists, Carole Gray and Heather Delday (2010) pose the question, "What might be known through creative practice that could not be known by any other means?" As a visual artist with a doctorate degree in environmental planning from the TU-Berlin's Department of Soil Protection, I have long considered this question in my work and over the years contributed an active voice to discussions on research, education, and public engagement with soil and art and soil and culture in Germany and around the world. After presenting many other examples of artists' work at international scientific symposia, I would like to present examples of some of my own artistic practice with soil mapping and soil protection issues at the 2017 EGU. In combining methods of visual art, landscape analysis, and soil mapping, I have developed a practice called Aesthetic Cartography that employs sculptural techniques, object-making, installation and performance, printing and graphic design, as well as site analysis, data mining, and map reading and interpretation. Given my background in participatory planning practices, I also integrate small-group dialogic processes in the creation and implementation of my works. The projects making up the body of works in Aesthetic Cartography are mainly focused on urban issues, including: soil sealing, inner-city watershed management, creative brownfield use, rubble substrates and leachates, foraging and urban agriculture, and envisioning sustainable cities of the future. In the session SSS1.4 - Soil, Art, and Culture I will summarize project goals, materials and methods, venues and public contexts, elements of collaboration and participation, as well as target audiences involved in several projects of the Aesthetic Cartography series. The aim of the presentation is not to give a comprehensive answer to Gray and Delday's question above, but rather to share personal insights from a professional practice that merges artistic and scientific approaches to soil

The Poetics of the Ancestor Songs of the Tz’utujil Maya of Guatemala

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Linda O’Brien-Rothe

2010-04-01

Full Text Available This essay attempts to define the relationship between a song tradition that survives in the Mayan highlands of Guatemala, and 16th century poetic Mayan literature. This song tradition of Santiago Atitlán, Guatemala is slowly disappearing as the socio-cultural context in which it flourished changes. By comparing the poetics of the song texts (including their rhythmic structure, versification, and use of poetic devices such as assonance, alliteration and onomatopoeia to the poetics of the Popol Vuh, a K’iché Maya text probably copied from a manuscript that predates the Spanish invasion, a continuity is discovered that places the song texts squarely within the tradition of Mayan literature and suggests common origins.

Multimedia programming with pure data

CERN Document Server

Chung, Bryan

2013-01-01

A quick and comprehensive tutorial book for media designers to jump-start interactive multimedia production with computer graphics, digital audio, digital video, and interactivity, using the Pure Data graphical programming environment.An introductory book on multimedia programming for media artists/designers who like to work on interactivity in their projects, digital art/design students who like to learn the first multimedia programming technique, and audio-visual performers who like to customize their performance sets

Art Appreciation and the Method of Aesthetic Transfer

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Zupančič Tomaž

2013-11-01

Full Text Available The method of aesthetic transfer is a modern teaching method in art education. It emphasizes the pedagogic value of the aesthetic experience. It is a comprehensive method, as it encompasses different parameters of art didactics. It affects lesson time allocation and determines content, methods, and teaching modes. It also affects motivation and final evaluation. The essence of the method of aesthetic transfer lies in transferring aesthetic messages from the artwork to students. The foundation and condition for a successful implementation of the method of aesthetic transfer is a high-quality art appreciation. There are several ways and methods for successfully developing art appreciation, the common objective of all being to allow students to see, perceive, and enjoy a work of art. Thus they enrich their artistic and aesthetic development, and establish a positive attitude towards art, while this method at the same time encourages their own artistic exploration.

Baroque Poetics and the Logic of Hispanic Exceptionalism

OpenAIRE

Young, Allen

2012-01-01

Baroque Poetics and the Logic of Hispanic Exceptionalismby Allen YoungIn this dissertation I study the how the baroque is used to understand aesthetic modernity in twentieth-century Spain and Latin America. My argument is that the baroque, in contemporary Hispanic and Latin American studies, functions as a myth of cultural exceptionalism, letting critics recast avant-garde and postmodern innovation as fidelity to a timeless essence or identity. That is, by viewing much contemporary Spanish-la...

Quantifying the Beauty of Words: A Neurocognitive Poetics Perspective

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Arthur M. Jacobs

2017-12-01

Full Text Available In this paper I would like to pave the ground for future studies in Computational Stylistics and (Neuro-Cognitive Poetics by describing procedures for predicting the subjective beauty of words. A set of eight tentative word features is computed via Quantitative Narrative Analysis (QNA and a novel metric for quantifying word beauty, the aesthetic potential is proposed. Application of machine learning algorithms fed with this QNA data shows that a classifier of the decision tree family excellently learns to split words into beautiful vs. ugly ones. The results shed light on surface and semantic features theoretically relevant for affective-aesthetic processes in literary reading and generate quantitative predictions for neuroaesthetic studies of verbal materials.

Quantifying the Beauty of Words: A Neurocognitive Poetics Perspective.

Science.gov (United States)

Jacobs, Arthur M

2017-01-01

In this paper I would like to pave the ground for future studies in Computational Stylistics and (Neuro-)Cognitive Poetics by describing procedures for predicting the subjective beauty of words. A set of eight tentative word features is computed via Quantitative Narrative Analysis (QNA) and a novel metric for quantifying word beauty, the aesthetic potential is proposed. Application of machine learning algorithms fed with this QNA data shows that a classifier of the decision tree family excellently learns to split words into beautiful vs. ugly ones. The results shed light on surface and semantic features theoretically relevant for affective-aesthetic processes in literary reading and generate quantitative predictions for neuroaesthetic studies of verbal materials.

FCJ-132 Towards a Performative Aesthetics of Interactivity

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Simon Penny

2011-12-01

Full Text Available This paper places contemporary modalities of digital interaction in an historical context of sixty years of intersections between technological development and artistic experimentation. Specific technological developments are identified as context-defining historical markers and specific works are discussed as exemplars of significant milestones in the engineering and the aesthetics of interaction. The shortage of theorisation of non-instrumental interaction is lamented. The process of naturalisation to increasingly sophisticated digital tools and appliances in the current period of ubiquitous computing is noted. A number of theoretical issues are drawn out and discussed in terms of cognitive and sensorimotor dynamics. Woven through the discussion is the proposal that a synthesis of performance theory and neuro-cognitive studies might provide a basis for a performative ontology around which an aesthetics of interaction might be constructed. As the paper progresses a theoretical framework for an ontologically performative aesthetics of interaction and ubiquity is formulated.

ARTISTIC VISUALIZATION OF TRAJECTORY DATA USING CLOUD MODEL

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T. Wu

2017-09-01

Full Text Available Rapid advance of location acquisition technologies boosts the generation of trajectory data, which track the traces of moving objects. A trajectory is typically represented by a sequence of timestamped geographical locations. Data visualization is an efficient means to represent distributions and structures of datasets and reveal hidden patterns in the data. In this paper, we explore a cloud model-based method for the generation of stylized renderings of trajectory data. The artistic visualizations of the proposed method do not have the goal to allow for data mining tasks or others but instead show the aesthetic effect of the traces of moving objects in a distorted manner. The techniques used to create the images of traces of moving objects include the uncertain line using extended cloud model, stroke-based rendering of geolocation in varying styles, and stylistic shading with aesthetic effects for print or electronic displays, as well as various parameters to be further personalized. The influence of different parameters on the aesthetic qualities of various painted images is investigated, including step size, types of strokes, colour modes, and quantitative comparisons using four aesthetic measures are also involved into the experiment. The experimental results suggest that the proposed method is with advantages of uncertainty, simplicity and effectiveness, and it would inspire professional graphic designers and amateur users who may be interested in playful and creative exploration of artistic visualization of trajectory data.

Film Festivals, Bourdieu, and the Economization of Culture

NARCIS (Netherlands)

de Valck, M.

2014-01-01

This article uses the work of Pierre Bourdieu to assess the economization of global art cinema and film festivals. Bourdieu has written extensively on art and its function in society. He is most famous for his novel argumentation on the correlation between aesthetic taste and class in Distinction.

CERN Takes a Bow at the Montreux Jazz Festival

CERN Multimedia

CERN Bulletin

2013-01-01

A year after CERN announced the discovery of a Higgs boson on the world stage, several of the participating scientists found themselves in a new and unfamiliar arena – the renowned Montreux Jazz Festival.   The Canettes Blues Band of the CERN Music Club performing live on the Music In The Park stage at the Montreux Jazz Festival, on 18 July. CERN and the Montreux Jazz Foundation teamed up this summer to host a series of seminars and performances titled “The Physics of Music and the Music of Physics”.  The seminars took place in the historic Petit Palais and included a variety of presentations on the interplay between science and sound. Sound artist Bill Fontana kicked off the series by presenting the concepts and methods behind the creation of  “sound sculptures”.  As the current Collide@CERN artist-in-residence, Fontana has been placing microphones and sensors on accelerators, detectors and other objects at CERN t...

Multimedia and Technology in Learning

Science.gov (United States)

Mantiri, Franky

2014-01-01

This essay explores the use of computer technology and multimedia in students learning. Undoubtedly, the advent of computer technology has changed the way humans learn and do things. Moreover, "Computer has become standard equipment" (Bitter & Pierson, 2002) in everyday life. The ability to process data in a real time has helped…

Defining the Aesthetic(s of Negation in El Techo de la Ballena

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Sean Nesselrode

2014-06-01

Full Text Available The radical artist collective El Techo de la Ballena (1961–1968 is primarily remembered as a scandalous, interdisciplinary pioneer of performative public interventions in Venezuela. Yet the group established a contradictory, pluralistic visual aesthetic(s that served as a refusal of the artistic and political hegemony of geometric and kinetic art. This paper examines several case studies to consider El Techo’s complex visual output, which variously draws upon medieval woodcuts, photography and photomontage, and a mode of gestural abstraction that came to be known as informalismo. The group looked to an alternative genealogy of Dada and Surrealist tactics as a means of introducing an arsenal of new artistic strategies that could be adapted to a specifically Venezuelan discourse of development and disillusion. By advancing a visual language of unpredictability and mutability, El Techo actively refused to achieve a singular identity, its deliberate dissonances complementing its guerrilla approach to artmaking and ultimately seeking to undo the perceived academicism of dominant visualities in Venezuelan art and politics.

Psychological and Pedagogical Foundations of Multimedia Technologies Application for School Use

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Larisa A. Shkutina

2013-01-01

Full Text Available The article deals with the topical problem of psychological and pedagogical basis development for the use of new information technologies at university and at school. Features of the use of multimedia technologies were studied, basing on the analysis of scientific works. Multimedia technologies have a number of advantages and possibilities to influence psychological environment of students and the internal processes of educational information processing by the human brain. The advisability of the use of multimedia technologies, enabling to apply all kinds of information, affecting the sensor channels, and summing up in a single image is proved. High didactic possibilities of multimedia technologies, contributing to the performance of cognitive, creative, informational, social, adaptive and other needs of students are revealed.

Poetics of the Key Scenes of V. Pelevin’s Literary Historiosophy

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Tatyana E. Sorokina

2017-03-01

Full Text Available The article studies the poetics of the key scenes of the artistic philosophy of history of Victor Pelevin. There is an attempt to identify the features of his rational creative manner. Firstly, in the novels and stories of the writer there is modernity, transformed into grotesque images «of our days». Secondly, dynamism of fable text formation is in the context of philosophical reflection and breakthroughs that allow the reader to feel attached to the «wisdom», without leaving the area of the plot that can be disclosed within mass culture. Thirdly, the component of the philosophical text does not require the reader’s own intellectual effort; humor, irony and sarcasm eliminate vector of didactic narrative complexity of the book. Fourthly, the frequent use of profanity, limit of the freedom of the narrator and the characters from the classic morality reinforce grotesque sound of works and stimulate the reader to go through a certain surge of marginality, however, not going beyond the act of reading. And fifthly, it is accomplished the introduction to Buddhist culture, which is «preached» by means of historical realities of modern Russia. The paradox of Pelevin’s poetics: the impossibility of history, but it is impossible not to talk about it. What it is not substantially constant appears in the dialogue of the novel. The ambiguity of chronotope, the duality of time and space, ironic attitude to the character – the basis of poetics is not only in the novel «Chapaev and Emptiness», which raises the question of the existence of history as a fact of consciousness, the reality existing outside our mind, but also the «Sacred Book of the Werewolf» and «Тhe Empire V». The key image – the image of the emptiness. Consequently, the poetics of the key scenes of artistic historiosophy of Pelevin is considered on the material of novels «Chapaev and Emptiness», «The Sacred Book of the Werewolf» and «The Empire V».

Ishmael Reed and the Politics of Aesthetics, or Shake Hands and Come Out Conjuring

Science.gov (United States)

Fontenot, Chester J.

1978-01-01

Discusses the ways in which Ishmael Reed uses black American folklore, black American language, traditional African religion, and African myths as poetic materials from which he develops artistic forms. (GW)

Sonnets, Litanies and Praise in three Festivities in honor of the Virgin of Guadalupe (1601-1602

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Blanca López de Mariscal

2013-05-01

Full Text Available When relating his journey, Friar Diego de Ocaña describes two festivities celebrated in Villa de Potosí, both dedicated to the enthronement of images of the Virgin painted by himself. The festivities included processions as well as literary pieces to honor the Virgin. Ocaña notes that among the poetic texts composed in veneration and praise of the Virgin, there were also prayer-like compositions that were sung during the processions, at the end of the Eucharistic celebration, during the Salve Regina, or during those moments when the image was placed upon the altar. In the present article particular attention is given to various texts, specifically to those which accompanied the festivities that took place with the same pomp and circumstance as those ceremonies celebrated for the feast of Corpus Christ.

Constrained creation of poetic forms during theme-driven exploration of a domain defined by an N-gram model

Science.gov (United States)

Gervás, Pablo

2016-04-01

Most poetry-generation systems apply opportunistic approaches where algorithmic procedures are applied to explore the conceptual space defined by a given knowledge resource in search of solutions that might be aesthetically valuable. Aesthetical value is assumed to arise from compliance to a given poetic form - such as rhyme or metrical regularity - or from evidence of semantic relations between the words in the resulting poems that can be interpreted as rhetorical tropes - such as similes, analogies, or metaphors. This approach tends to fix a priori the aesthetic parameters of the results, and imposes no constraints on the message to be conveyed. The present paper describes an attempt to initiate a shift in this balance, introducing means for constraining the output to certain topics and allowing a looser mechanism for constraining form. This goal arose as a result of the need to produce poems for a themed collection commissioned to be included in a book. The solution adopted explores an approach to creativity where the goals are not solely aesthetic and where the results may be surprising in their poetic form. An existing computer poet, originally developed to produce poems in a given form but with no specific constraints on their content, is put to the task of producing a set of poems with explicit restrictions on content, and allowing for an exploration of poetic form. Alternative generation methods are devised to overcome the difficulties, and the various insights arising from these new methods and the impact they have on the set of resulting poems are discussed in terms of their potential contribution to better poetry-generation systems.

From regular text to artistic writing and artworks: Fourier statistics of images with low and high aesthetic appeal

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Tamara eMelmer

2013-04-01

Full Text Available The spatial characteristics of letters and their influence on readability and letter identification have been intensely studied during the last decades. There have been few studies, however, on statistical image properties that reflect more global aspects of text, for example properties that may relate to its aesthetic appeal. It has been shown that natural scenes and a large variety of visual artworks possess a scale-invariant Fourier power spectrum that falls off linearly with increasing frequency in log-log plots. We asked whether images of text share this property. As expected, the Fourier spectrum of images of regular typed or handwritten text is highly anisotropic, i.e. the spectral image properties in vertical, horizontal and oblique orientations differ. Moreover, the spatial frequency spectra of text images are not scale invariant in any direction. The decline is shallower in the low-frequency part of the spectrum for text than for aesthetic artworks, whereas, in the high-frequency part, it is steeper. These results indicate that, in general, images of regular text contain less global structure (low spatial frequencies relative to fine detail (high spatial frequencies than images of aesthetics artworks. Moreover, we studied images of text with artistic claim (ornate print and calligraphy and ornamental art. For some measures, these images assume average values intermediate between regular text and aesthetic artworks. Finally, to answer the question of whether the statistical properties measured by us are universal amongst humans or are subject to intercultural differences, we compared images from three different cultural backgrounds (Western, East Asian and Arabic. Results for different categories (regular text, aesthetic writing, ornamental art and fine art were similar across cultures.

From regular text to artistic writing and artworks: Fourier statistics of images with low and high aesthetic appeal

Science.gov (United States)

Melmer, Tamara; Amirshahi, Seyed A.; Koch, Michael; Denzler, Joachim; Redies, Christoph

2013-01-01

The spatial characteristics of letters and their influence on readability and letter identification have been intensely studied during the last decades. There have been few studies, however, on statistical image properties that reflect more global aspects of text, for example properties that may relate to its aesthetic appeal. It has been shown that natural scenes and a large variety of visual artworks possess a scale-invariant Fourier power spectrum that falls off linearly with increasing frequency in log-log plots. We asked whether images of text share this property. As expected, the Fourier spectrum of images of regular typed or handwritten text is highly anisotropic, i.e., the spectral image properties in vertical, horizontal, and oblique orientations differ. Moreover, the spatial frequency spectra of text images are not scale-invariant in any direction. The decline is shallower in the low-frequency part of the spectrum for text than for aesthetic artworks, whereas, in the high-frequency part, it is steeper. These results indicate that, in general, images of regular text contain less global structure (low spatial frequencies) relative to fine detail (high spatial frequencies) than images of aesthetics artworks. Moreover, we studied images of text with artistic claim (ornate print and calligraphy) and ornamental art. For some measures, these images assume average values intermediate between regular text and aesthetic artworks. Finally, to answer the question of whether the statistical properties measured by us are universal amongst humans or are subject to intercultural differences, we compared images from three different cultural backgrounds (Western, East Asian, and Arabic). Results for different categories (regular text, aesthetic writing, ornamental art, and fine art) were similar across cultures. PMID:23554592

Maintaining "Synk" in Detroit: Two Case Studies in the Remix Aesthetic

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Carleton S. Gholz

2011-03-01

Full Text Available Advances in audio-visual remixing technologies have produced a significant, largely unintended, consequence: audiences at EDM performances are dancing less—if at all. Instead, utilizing digital mobile devices, audiences have increasingly become interactive media producers within an environment encouraged by savvy, former DJs. Drawing from the fields of EDM studies, sound studies and film studies, I outline the historical arc of the remix aesthetic by comparing and contrasting recent work by two long-time EDM artists from the Detroit-Windsor region, Jeff Mills and Richie Hawtin. These two artists were central to the global proliferation of EDM culture during its mass-communication phase. However, in an era of heightened media convergence what scholars have traditionally understood as EDM has irreparably changed. Mills and Hawtin have much to contribute to this apparent impasse.Keywords: EDM, film studies, film sound, remix aesthetic, soundscape, media convergence, Jeff Mills, Richie Hawtin, Plastikman

Future aesthetics of technology; context specific theories from design and philosophy of technology

NARCIS (Netherlands)

Eggink, Wouter; Snippert, Jeroen

2017-01-01

Since Postmodernism, presenting universal guidelines for aesthetics is highly suspect. However, aesthetics can play a significant role in the acceptance of technology and its success in society, so this paper argues for the generating of specific aesthetic guidelines, based on a general perspective.

Visual and Artistic Functions of Letters Khaghani’s Poetry

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Dr. M. Zolfaghari

Full Text Available The intensity of emotion and vibration of meaning in the poet's mind causes him to go beyond the ordinary language and through metaphors, similes and linguistic preparation he conveys intellectual and emotional meanings. He has a sharp eye and a sensitive spirit and creative temprement and by inventing new images shows the creativity and imagination in various arenas and attempts in the way of literary strength and creating personal style and this point more than anything else must be done by presenting images and newness. Perhaps in the sixth century, and especially in Azerbaijani school, more than other periods, poets have been looking for creating innovative style in eloquence. Their major attempts were mainly in imaging, it was a wide field that they have competed and it is natural that in this illustration the alphabet letters would be very helpful. Khaghani poetry as one of the greatest poets of this school has the perfect poetrical book of painting and meaning, and delicated pattern in new and different scientific, cultural and religious paintings and letters are a broad range of elements that put a new field in front of the poet and he is aware of the potential features of the letters and also the new images and the artistic creativity.This paper shows descriptive - analytical study of various aspects of Khaghani’s poetry and frequency of letters in the alphabet, authentic images based on alphabet, taken at different pseudo relevance of poetry in the context of multiple semantic and literal characters, making figures of speech based on literary characters, images and characters and the sense of connection . . . which has been shown in his poetry.Letter has double and even multiple uses in Khaghani poetic works (divan and more than the construction of words which is the real and common sense that is used as an artistic. There is a world in the heart of every letter, word and morpheme lies in the poet's point of view is the last and

Visual Enhancements: Improving Deaf Students' Transition Skills Using Multimedia Technology.

Science.gov (United States)

Davis, Cheryl D.

1999-01-01

Discusses developments in technology that provide high-quality visual access to transition information and multimedia instruction for learners with deafness. Identifies a variety of considerations in using multimedia products and describes the pros and cons of different media in the context of several multimedia projects. (Author/CR)

Introducing Aesthetic Features in Gymnastic Skills

Science.gov (United States)

Pollatou, Elisana; Savrami, Katia; Karadimou, Konstanding

2004-01-01

This paper focuses on an aesthetic approach that takes the simplest functional skill, such as walking, and develops it into an artistic skill. The aim then is to identify aesthetic characteristics and examine ways to apply them in gymnastic classes. Because walking is the child's first experience with bipedal locomotion, the initial walking action…

Children's aesthetic understanding of photographic art and the quality of art-related parent-child interactions.

Science.gov (United States)

Szechter, Lisa E; Liben, Lynn S

2007-01-01

This research was designed to examine the quality of children's aesthetic understanding of photographs, observe social interactions between parents and children in this aesthetic domain, and study whether qualitatively different dyadic interactions were associated with children's own aesthetic understanding. Parents and children (7-13 years; 40 dyads) individually completed measures of aesthetic understanding and jointly selected photographs for a souvenir scrapbook. Parents' artistic experience varied widely and was associated with their own performance on aesthetic understanding measures. Children's performance on the individual aesthetic tasks was related to age, but not to parents' art experience nor to the qualities of parent-child discussions of aesthetic concepts. Among both parents and children, artistic experience was associated with aesthetic preferences for photographs.

CONCEPT OF "GENERIC ORIGIN" AND CHRISTIAN VALUES AS THE MAIN CHARACTERISTICS OF PAVEL VASILYEV'S ARTISTIC SYSTEM

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Nina Viktorovna Popova

2014-11-01

Full Text Available This article contemplates the system of moral and aesthetic values which predetermined the main characteristics of Pavel Vasilyev’s artistic system, and traces the main stages of his creative biography. The main attention is paid to his key works – poems The Song about Death of Cossack Army, Salt Revolt, Khristolyubovskiye Printed Cottons, Summer, and August, as well as the poems written during the period of 1930–1937 (Farewell to Friends, Stonemason, Old Moscow, Serafi m Dagaev’s Town, Horse, Camel, Injured Song, Oath on Chalice. The article raises the question about the most important role of the concept of “generic origin”, Christian values and Christian symbolism in Vasilyev’s poetics and studies the problem of using various forms of verbal folk art in the art structure of his poems for the reflection of Russian orthodox traditions. The axiological approach and methods of historical typological and structural semiotic methods for studying art texts are used.

Artistic explorations of the brain

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Fetz, Eberhard E.

2012-01-01

The symbiotic relationships between art and the brain begin with the obvious fact that brain mechanisms underlie the creation and appreciation of art. Conversely, many spectacular images of neural structures have remarkable aesthetic appeal. But beyond its fascinating forms, the many functions performed by brain mechanisms provide a profound subject for aesthetic exploration. Complex interactions in the tangled neural networks in our brain miraculously generate coherent behavior and cognition. Neuroscientists tackle these phenomena with specialized methodologies that limit the scope of exposition and are comprehensible to an initiated minority. Artists can perform an end run around these limitations by representing the brain's remarkable functions in a manner that can communicate to a wide and receptive audience. This paper explores the ways that brain mechanisms can provide a largely untapped subject for artistic exploration. PMID:22347178

Fruity Batidas: The Technologies and Aesthetics of Kuduro

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Garth Sheridan

2014-06-01

Full Text Available The interconnectedness of music technologies, studio innovation and dancing bodies is a key feature of electronic music cultures. An emerging scholarship by writers such as Butler and Tjora has bridged these studio and performance spaces, revealing the relationship between machine, music and party. This article considers the centrality of studio and performance technologies and techniques in the developing aesthetics of kuduro. I use interviews and observation of studio and performance practices to illustrate shifts within the genre and examine musical examples to highlight transitions. I argue that the increased availability of digital musical technologies in Angola shaped the development of kuduro through the 1990s and into the 2000s.  Furthermore, I argue that kuduro producers and performers have developed a range of aesthetic and performative practices that reflect social, material and technological restraints common to life in contemporary Angola. By examining interviews with kuduro practitioners and musical examples, this article sheds new light on the under examined aesthetics of kuduro. 

Arts and technology - Mosaic new techniques and procedures

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Papiu, G. A.; Suciu, N.

2017-05-01

The relationship between art and technique has been along the time one that is inseparable and systematic, artists appealing to various technologies, tools and practices that help them stimulate their imagination. Today there is a new category of artists, coming from a technical or scientific field, that are being 'trapped’ in this ‘game of art”. The mosaic, even if it is an old technique, responded to the social requirements and it evolved over time, being constantly related to aesthetic and artistic thinking, discoveries of science, assimilating permanent new techniques and technologies, diversifying its artistic forms of expression and methods of transposition. Not being bound any more to a religious institution, which was its birth place, today, she migrated to all public spaces. Works of art in public space have become today an active factor in reshaping the urban aesthetic landscape.

Fine-tuning our senses with (sound) art for aesthetic experience

OpenAIRE

Fonseca, Nuno

2017-01-01

UID/EAT/00693/2013 UID/EAT/00472/2013 After a long and widespread overlapping, in traditional accounts of aesthetic experience, between the realms of the artistic and the aesthetic, it’s becoming increasingly consensual that not only artworks, but also non-artistic objects - natural phenomena, natural landscapes and human environments, perhaps even everyday activities - can be the focus of valuable, arousing, cognitively and emotionally engaging sensory experiences. Not merely do I advo...

Multimedia Technologies for Training: An Introduction.

Science.gov (United States)

Barron, Ann E.; Orwig, Gary W.

This guide introduces trainers, managers, and educators to a variety of new multimedia technologies now being used for presentation and training in business, military, and academic settings. The text describes advances in and implementation of technologies that range from wireless local area networks (LANs) and high definition television (HDTV) to…

The Knotted Sign: Poetics of Illegibility

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Elvira Blanco Santini

2017-05-01

Full Text Available One might argue that legibility precedes any concern about poetics, because: What are the poetics of something we cannot understand? However, our interaction with digital technology constantly exposes us to the illegibility intrinsic to its operations. The aim of this essay is to reflect on illegibility from three perspectives: the definition of readability as a Eurocentric cultural regime, the exploration of the poetics of the machine-readable as opposed to the human-readable, and the proposition that we are facing an increasingly ubiquitous regime of illegibility that is not limited to writing. After this vaguely chronological review of the modern history of illegibility, I will attempt to answer: What can the unreadable mean as an expressive resource?

Invention Development Program Helps Nurture NCI at Frederick Technologies | Poster

Science.gov (United States)

The Invention Development Fund (IDF) was piloted by the Technology Transfer Center (TTC) in 2014 to facilitate the commercial development of NCI technologies. The IDF received a second round of funding from the NCI Office of the Director and the Office of Budget and Management to establish the Invention Development Program (IDP) for fiscal year 2016. The IDP is using these funds to help advance a second set of inventions.

Empirical Music Aesthetics

DEFF Research Database (Denmark)

Grund, Cynthia M.

The toolbox for empirically exploring the ways that artistic endeavors convey and activate meaning on the part of performers and audiences continues to expand. Current work employing methods at the intersection of performance studies, philosophy, motion capture and neuroscience to better understand...... musical performance and reception is inspired by traditional approaches within aesthetics, but it also challenges some of the presuppositions inherent in them. As an example of such work I present a research project in empirical music aesthetics begun last year and of which I am a team member....

The Gay Artist as Tragic Hero in The Picture of Dorian Gray

OpenAIRE

Alley, Henry

2009-01-01

In his article "The Gay Artist as Tragic Hero in The Picture of Dorian Gray" Henry M. Alley discusses the central artistic figure in Oscar Wilde's novel, Basil Hallward. As the novel's tragic protagonist, he commands the most pity and fear and serves as the most dynamic member of the dramatis personae. Alley contextualizes his discussion within Aristotle's Poetics, contemporary criticism, as well as Wilde's own comments. In addition, Alley looks at Hallward's attempt to hide or censor his gay...

The Influence of Interactive Multimedia Technology to Enhance Achievement Students on Practice Skills in Mechanical Technology

Science.gov (United States)

Made Rajendra, I.; Made Sudana, I.

2018-01-01

Interactive multimedia technology empowers the educational process by means of increased interaction between teachers and the students. The utilization of technology in the instructional media development has an important role in the increase of the quality of teaching and learning achievements of students. The application of multimedia technology in the instructional media development is able to integrate aspects of knowledge and skills. The success of multimedia technology has revolutionized teaching and learning methods. The design of the study was quasi-experimental with pre and post. The instrument used is the form of questionnaires and tests This study reports research findings indicated that there is a significance difference between the mean performances of students in the experimental group than those students in the control group. The students in the experimental group performed better in mechanical technology practice and in retention test than those in the control group. The study recommended that multimedia instructional tool is an effective tool to enhance achievement students on practice skills in mechanical Technology.

A New Kind of Aesthetics —The Mathematical Structure of the Aesthetic

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Akihiro Kubota

2017-06-01

Full Text Available This paper proposes a new approach to the investigation into aesthetics. Specifically, it~argues that it is possible to explain the aesthetic and its underlying dynamic relations with an~axiomatic structure (the octahedral axiom-derived category based on contemporary mathematics (namely category theory, and through this argument suggests the possibility for discussion about the mathematical structure of the aesthetic. If there were a way to describe the structure of the aesthetic with the language of mathematical structures and mathematical axioms---a~language completely devoid of arbitrariness---then we would make possible a universal argument about the essential human activity of ``the aesthetic'', and we would also gain a new method and viewpoint into the philosophy and meaning of the act of creating a work of art and artistic activities. This paper presents one mathematical structure as a foundation in constructing the science of dynamic aesthetics based on axiomatic functionalism, which is in turn based on a new interdisciplinary investigation into the generative structure of the aesthetic.

Computational and Experimental Approaches to Visual Aesthetics

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Brachmann, Anselm; Redies, Christoph

2017-01-01

Aesthetics has been the subject of long-standing debates by philosophers and psychologists alike. In psychology, it is generally agreed that aesthetic experience results from an interaction between perception, cognition, and emotion. By experimental means, this triad has been studied in the field of experimental aesthetics, which aims to gain a better understanding of how aesthetic experience relates to fundamental principles of human visual perception and brain processes. Recently, researchers in computer vision have also gained interest in the topic, giving rise to the field of computational aesthetics. With computing hardware and methodology developing at a high pace, the modeling of perceptually relevant aspect of aesthetic stimuli has a huge potential. In this review, we present an overview of recent developments in computational aesthetics and how they relate to experimental studies. In the first part, we cover topics such as the prediction of ratings, style and artist identification as well as computational methods in art history, such as the detection of influences among artists or forgeries. We also describe currently used computational algorithms, such as classifiers and deep neural networks. In the second part, we summarize results from the field of experimental aesthetics and cover several isolated image properties that are believed to have a effect on the aesthetic appeal of visual stimuli. Their relation to each other and to findings from computational aesthetics are discussed. Moreover, we compare the strategies in the two fields of research and suggest that both fields would greatly profit from a joined research effort. We hope to encourage researchers from both disciplines to work more closely together in order to understand visual aesthetics from an integrated point of view. PMID:29184491

Artistic explorations of the brain

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Eberhard E Fetz

2012-02-01

Full Text Available The symbiotic relationships between art and the brain begin with the obvious fact that brain mechanisms underlie the creation and appreciation of art. Conversely, many spectacular images of neural structures have remarkable aesthetic appeal. But beyond its fascinating forms, the many functions performed by brain mechanisms provide a profound subject for aesthetic exploration. Complex interactions in the tangled neural networks in our brain miraculously generate coherent behavior and cognition. Neuroscientists tackle these phenomena with specialized methodologies that limit the scope of exposition and are comprehensible to an initiated minority. Artists can perform an end run around this impasse by representing the brain’s many functions in a manner that can communicate to a wide and receptive audience. This paper explores the ways that brain mechanisms can provide a largely untapped subject for artistic exploration.

Artistic Sensibility in the Studio and Gallery Model: Revisiting Process and Product

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Thompson, Geoffrey

2009-01-01

This paper examines the cultivation of artistic sensibility and its impact on the art therapy process and product in a community mental health center. Artistic sensibility embodies the sense of self as an artist through the integration of artistic and aesthetic attributes of self and other. The formation of a gallery to exhibit patient art was…

THEATER IN THE AESTHETICS OF THE “YOUNG VIENNA” GROUP

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Alla A. Strelnikova

2017-06-01

Full Text Available The article examines “theater” as a cultural and artistic universal that served as a means ofThe article examines “theater” as a cultural and artistic universal that served as a means of developing mindset and self-identity of the Austrian literary group “Young Vienna” at the thth turn of the 19 and 20 centuries. Theater as a metaphor of the human life becomes integral part of the poetics in the works of the group members. The essay examines ideas and fictional worlds of the writers belonging to the group against the context of their contemporary culture. It touches upon Russian perception of the aesthetics of Viennese theater (A. Block, A.J. Tairov and involves retrospective evidences and reflections of Austrian authors (Stefan thth weig, G. Broch on Vienna at the turn of the 19 and 20centuries. As soon as Habsburgs’ empire loses its political positions, the theatrical illusion becomes more and more important. Yet it is the “Young Vienna” that makes the idea of the theater all-pervading: this concept includes both the motif of hopeless masquerade (Schnitzler and the motif of liberation from the false play of masks (Hofmannsthal. According to the concept of the group’s mastermind H. Bahr, the theater played essential role in the spiritual and aesthetic integration of Austria. References to the mystery genre, the street theater, the puppet theater may be traced in the plays written by the members of the group. Austrian authors reconstructed folk plays that enabled the mactualize primordial theatrical forms and inspired them to subtly play with these forms. For the “Young Vienna” group, theater becomes a projection of doubts and misgivings of their time. In place of a jaded actor, there comes a person without a mask who appears at once unprotected and open to acquire his or her “true” face.

Shawki’s Poetic Tales In The Light of Reception Theory

OpenAIRE

EKHTIAR, Ousama

2018-01-01

This research tackles the poetic tales in Ahmed Shawki’s poetry in terms of reception theory. This theory comprises readers’ perception of literary texts. One of the objectives of this theoretical approach is to examine the horizon of expectation of the reader, either explicit or implied. We have studied the horizon of expectation of the explicit reader in the following points: Rhythmic expectation, Linguistic expectation, and Dramatic expectation. We have also got to know the aesthetic dista...

Theses on Distributed Aesthetics. Or, What a Network is Not

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Geert Lovink

2005-01-01

Full Text Available In this essay Lovink and Munster set forward a number of proposals for a distributed aesthetics. If new media artistic practice and aesthetic experience were most often characterised by recourse to computational culture, then distributed aesthetics is dominated by networks. Networked media and technologies help to disperse experience so that we never seem to be having our experiences in the one place anymore. However, the authors suggest, most of the images and rhetoric attempting to characterise this distributed experience are drawn from the cartographic traditions of geographic information systems and/or conceptions of biological networking and growth. These do not assist in coming to terms with the specifically social aspects of online networking. The authors speculate that a distributed aesthetics must take into account the collective and personal 'aesthesia' of online networks - the experience of labouring towards new forms of social collectivity that produces not only euphoria but also boredom and frustration.

Lifelong Learning in Artistic Context Mediated by Advanced Technologies

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Ferrari, Mirella

2016-01-01

This research starts by analysing the current state of artistic heritage in Italy and studying some examples in Europe: we try to investigate the scope of non-formal learning in artistic context, mediated by advanced technology. The framework within which we have placed our investigation is that of lifelong learning and lifedeep learning. The…

HERMENEUTIC DISCOURSE AND POSTMODERN POETICS WITHIN KRLEŽA’S VISUAL ARTS THEMES

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Nataša Šegota Lah

2009-01-01

Full Text Available Th e essay debates a link between the hermeneutic discourse of Krleža’s interpretation of visual arts and the comprehension of postmodernist activist poetics. Interrelation between the above theoretical models gets analyzed on the example of Krleža’s Foreword to “Podravian Motifs of Krsto Hegedušić’ (1933 within a context of disintegration of modernist understanding of aesthetics. Th is instance is then being thematized by directing – from the general hermeneutic practice of intending the certain cultural-social connotations within painting’s interpretation – towards the postmodernist art practices affi rming the interrelation between the aesthetic and ethical (as ideological and political fi elds of action.

Pink programming across Europe: exploring identity politics at European LGBT film festivals

OpenAIRE

Dhaenens, Frederik

2018-01-01

LGBT film festivals curate programs that are expected to cater to LGBT identity politics, conform to normative cinematic standards of European film festivals and consider the manifold desires of their target audiences. Since programmers are crucial to this process, the present study investigated European programmers’ approaches to identity politics. The analysis of in-depth expert interviews with 24 film programmers from 17 film festivals in 17 European countries revealed that most programmer...

Science Festivals: Grand Experiments in Public Outreach

Science.gov (United States)

Hari, K.

2015-12-01

Since the Cambridge Science Festival launched in 2007, communities across the United States have experimented with the science festival format, working out what it means to celebrate science and technology. What have we learned, and where might we go from here? The Science Festival Alliance has supported and tracked developments among U.S. festivals, and this presentation will present key findings from three years of independent evaluation. While science festivals have coalesced into a distinct category of outreach activity, the diversity of science festival initiatives reflects the unique character of the regions in which the festivals are organized. This symposium will consider how festivals generate innovative public programming by adapting to local conditions and spur further innovation by sharing insights into such adaptations with other festivals. With over 55 annual large scale science festivals in the US alone, we will discuss the implications of a dramatic increase in future festival activity.

The stream of experience when watching artistic movies. Dynamic aesthetic effects revealed by the continuous evaluation procedure (CEP

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Claudia eMuth

2015-03-01

Full Text Available Research in perception and appreciation is often focused on snapshots, stills of experience. Static approaches allow for multidimensional assessment, but are unable to catch the crucial dynamics of affective and perceptual processes; for instance, aesthetic phenomena such as the ‘Aesthetic-Aha’ (the increase in liking after the sudden detection of Gestalt, effects of expectation, or Berlyne’s idea that ‘disorientation’ with a ‘promise of success’ elicits interest. We conducted empirical studies on indeterminate artistic movies depicting the evolution and metamorphosis of Gestalt and investigated (i the effects of sudden perceptual insights on liking; that is, Aesthetic Aha-effects, (ii the dynamics of interest before moments of insight, and (iii the dynamics of complexity before and after moments of insight. Via the so-called Continuous Evaluation Procedure (CEP enabling analogous evaluation in a continuous way, participants assessed the material on two aesthetic dimensions blockwise either in a gallery or a laboratory. The material’s inherent dynamics were described via assessments of liking, interest, determinacy and surprise along with a computational analysis on the variable complexity. We identified moments of insight as peaks in determinacy and surprise. Statistically significant changes in liking and interest demonstrated that: (i insights increase liking, (ii interest already increases 1,500 ms before such moments of insight, supporting the idea that it is evoked by an expectation of understanding, and (iii insights occur during increasing complexity. We propose a preliminary model of dynamics in liking and interest with regard to complexity and perceptual insight and discuss descriptions of participants’ experiences of insight. Our results point to the importance of systematic analyses of dynamics in art perception and appreciation.

The stream of experience when watching artistic movies. Dynamic aesthetic effects revealed by the Continuous Evaluation Procedure (CEP).

Science.gov (United States)

Muth, Claudia; Raab, Marius H; Carbon, Claus-Christian

2015-01-01

Research in perception and appreciation is often focused on snapshots, stills of experience. Static approaches allow for multidimensional assessment, but are unable to catch the crucial dynamics of affective and perceptual processes; for instance, aesthetic phenomena such as the "Aesthetic-Aha" (the increase in liking after the sudden detection of Gestalt), effects of expectation, or Berlyne's idea that "disorientation" with a "promise of success" elicits interest. We conducted empirical studies on indeterminate artistic movies depicting the evolution and metamorphosis of Gestalt and investigated (i) the effects of sudden perceptual insights on liking; that is, "Aesthetic Aha"-effects, (ii) the dynamics of interest before moments of insight, and (iii) the dynamics of complexity before and after moments of insight. Via the so-called Continuous Evaluation Procedure (CEP) enabling analogous evaluation in a continuous way, participants assessed the material on two aesthetic dimensions blockwise either in a gallery or a laboratory. The material's inherent dynamics were described via assessments of liking, interest, determinacy, and surprise along with a computational analysis on the variable complexity. We identified moments of insight as peaks in determinacy and surprise. Statistically significant changes in liking and interest demonstrated that: (i) insights increase liking, (ii) interest already increases 1500 ms before such moments of insight, supporting the idea that it is evoked by an expectation of understanding, and (iii) insights occur during increasing complexity. We propose a preliminary model of dynamics in liking and interest with regard to complexity and perceptual insight and discuss descriptions of participants' experiences of insight. Our results point to the importance of systematic analyses of dynamics in art perception and appreciation.

The poetic making in decolonial codes

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Diana Araujo Pereira

2017-09-01

Full Text Available This paper proposes an approach to poetry written in spanish in Latin America under the decolonial discussions perspective: as a language formed in the struggle between the real and its representation; as aesthetic action that unfolds in the essay thinking, cultural criticism and epistemological reflection. Poetry, understood as creative and pulsional action, which materializes in different artistic forms, being the poem one of these possible forms

Metaphors of construction in ancient poetics

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Giovanni Lombardo

2014-12-01

Full Text Available The analogy between the activity of poet and that of a blacksmith or builder characterizes the origin of aesthetics in western culture and influences the idea of kósmos, as structure ordered solely with the purpose of the effect of beauty. Although the metaphor of poet-blacksmith occurs only after the 5th century BC, the image of poet-architect or builder dates back to the Indo-European period. Archaic poets (Homer, Hesiod, Pindar, etc. already described their method of procedure through the comparison with techniques of naval carpentry and building construction: this association is applied both to production and reception of the text, as it is useful to illustrate structural order together with emotional and illusionistic effects of a work. In the classical age, the analogy can be found, in a more pervasive and explicit form, in the treatises of rhetoric which deal with stylistic composition, formulating doctrines which were to influence Vitruvian precepts. The centuries-old validity of comparison between poetry and architecture is also shown by the role which the notion of composition has in Medieval (for example in Dante poetics and Renaissance poetics, and also in the reflections of contemporary poets (such as Pound, Valéry.

Figurative Potential of Russian Hydronymes in the Poetry of 19th – 20th Centuries

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Azaliya R. Gizatullina

2017-09-01

Full Text Available The article studies the peculiarities of Dnieper, Don, Volga and Neva hydronyms use as aesthetically significant elements of an artistic text. The urgency of the work is that the development of language and speech aesthetics issues are among the promising trends of linguistic studies. However, the aesthetic resources of most onomastic units, including toponyms, are still poorly studied. The purpose of this study is to analyze the figurative possibilities of these hydronyms, functioning in the poetic works of Russian authors. The following methods were used as the main ones in the work: modeling, distributive, semantic-stylistic and quantitative analysis. The material for the study was represented by the poetic works of the 19-20th centuries, extracted from the "National Corpus of the Russian Language". The novelty of the work was made up of selected figurative paradigms, in which the considered hydronyms are used as the subject of comparison. During the performed study five most voluminous figurative paradigms were revealed, in which the position of the right member is replaced by lexical units related to the concepts of "being", "water", "substance", "tissue" and "terrestrial space". The criteria of intentional rapprochement of hydronyms with other subject lexemes were determined in order to develop the imagery of a poetic text. The findings can be used to study the onomastic space of Russian language, as well as for the further development of artistic speech theory.

Paul Valéry’s Theory of Poetic Action

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Anna Maria Brigante

2013-07-01

Full Text Available This article purports to show that Paul Valéry’s poetic art is, in the end, a theory of poeticaction in which the main concern revolves around the work in progress rather than in the final product. Todo so, we follow the poet’s critique (with deep wittgensteinian elements of classic aesthetics’ stance on beauty and taste. In our view, this reflection results in Valéry’s proposal of a poetics which can be explained in three moments: poiein of reception – the recipient as producer; poiein in its proper sense – the produceras creator of the work and him/herself; and artificialist poiein – the creator as opposed to natural creation.Valéry’s emphasis on poiesis and, therefore, on the action exerted upon what is being done, makes his proposal also an ethical assertion: the artist’s action, his/her discipline whilst producing, create both thework and the artist. Thus, the spirit will also be a never-ending work in progress.

Information Technology and Aesthetics: Passive and Active Dimensions

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John D Haynes

2007-09-01

Full Text Available This paper is concerned with examining and recognizing aesthetics in an Information System (an organization incorporating both humans and information technology. Aesthetics emerge from the wholeness of things, not from specific parts or components. As such, aesthetics may naturally be considered in “systems”, and we propose that an effective manner of thinking of aesthetics is to think in terms of “themes”. Humans have an extraordinary capacity to capture events thematically. In other words, human beings have a natural sense of aesthetics. To examine aesthetics in an information systems context, we argue that one must consider not only aesthetics that may be perceived by the senses (a passive dimension, but also aesthetics that may be conceived in the mind (an active dimension. This paper draws the conclusion that the benefits of aesthetics in relation to the study of Information Systems, has characteristics similar to the nature and importance of ethics in IS. Also, the study of aesthetics in IS has greater implications than simply recognizing and appreciating beauty and art. The very human capacity for recognizing and appreciating beauty and art is also the same capacity for effective creativity and happiness: the active aesthetic dimension. It follows that if an information system encouraged and provided the enabling circumstances for the human capacity of thematic recognition (as found in the human appreciation of art and beauty it thereby also provides the ground and the necessary thematically recognizable stimulus for effective creative and visionary organizational management.

Affinity for Poetry and Aesthetic Appreciation of Joyful and Sad Poems.

Science.gov (United States)

Kraxenberger, Maria; Menninghaus, Winfried

2016-01-01

Artworks with sad and affectively negative content have repeatedly been reported to elicit positive aesthetic appreciation. This topic has received much attention both in the history of poetics and aesthetics as well as in recent studies on sad films and sad music. However, poetry and aesthetic evaluations of joyful and sad poetry have received only little attention in empirical studies to date. We collected beauty and liking ratings for 24 sad and 24 joyful poems from 128 participants. Following previous studies, we computed an integrated measure for overall aesthetic appreciation based on the beauty and liking ratings to test for differences in appreciation between joyful and sad poems. Further, we tested whether readers' judgments are related to their affinity for poetry. Results show that sad poems are rated significantly higher for aesthetic appreciation than joyful poems, and that aesthetic appreciation is influenced by the participants' affinity for poetry.

Sublimity and beauty: A view from nursing aesthetics.

Science.gov (United States)

Siles-González, José; Solano-Ruiz, Carmen

2016-03-01

Several authors have focused on the aesthetics of nursing care from diverse perspectives; however, there are few studies about the sublime and the beautiful in nursing. To identify beautiful and sublime moments in the context of the aesthetics of nursing care. A theoretical reflection has been contemplated about sublime and beautiful values in the context of the aesthetics of nursing care from the cultural history perspective. For that purpose, a revision of this issue has been completed. The terms 'beautiful' and 'sublime' have been analysed to identify the characteristics of both in the context of nursing care. We have followed all ethical requirements regarding the sources, conducting research and authorship. There is no conflict of interest in this paper. With aesthetic knowledge, the nurse expresses the artistic nature of nursing care by appreciating the act of caring for individuals. The sublime is a complex phenomenon, since apparently contrary feelings are interwoven. Nursing care is an art with an anthropological object-subject on which the 'artist' applies their prior knowledge and skills. Feelings and emotions that develop during the clinical nursing practice - especially at times sublime and beautiful, aesthetic - constitute experiences which are professionally significant. © The Author(s) 2015.

Sketching the moon an astronomical artist's guide

CERN Document Server

Handy, Richard; McCague, Thomas; Rix, Erika; Russell, Sally

2012-01-01

Soon after you begin studying the sky through your small telescope or binoculars, you will probably be encouraged by others to make sketches of what you see. Sketching is a time-honored tradition in amateur astronomy and dates back to the earliest times, when telescopes were invented. Even though we have lots of new imaging technologies nowadays, including astrophotography, most observers still use sketching to keep a record of what they see, make them better observers, and in hopes of perhaps contributing something to the body of scientific knowledge about the Moon. Some even sketch because it satisfies their artistic side. The Moon presents some unique challenges to the astronomer-artist, the Moon being so fond of tricks of the light. Sketching the Moon: An Astronomical Artist’s Guide, by five of the best lunar observer-artists working today, will guide you along your way and help you to achieve really high-quality sketches. All the major types of lunar features are covered, with a variety of sketching te...

Technologies of Experience

DEFF Research Database (Denmark)

Engberg-Pedersen, Anders

2017-01-01

. This essay considers Harun Farocki's installation Serious Games as an index into the emergence of a newfangled military aesthetic regime. Charting the institutional collaborations between the military and the creative industries in the twenty-first century, the essay examines what happens to the notion...... of “experience” with the emergence of immersive virtual reality technologies. Revisiting central thinkers in philosophical aesthetics as well as a key moment in the history of war and technology, namely, the invention of the modern war game around 1800, the essay outlines the recent merger of war and aesthetics...

Aesthetic Preferences for Eastern and Western Traditional Visual Art: Identity Matters.

Science.gov (United States)

Bao, Yan; Yang, Taoxi; Lin, Xiaoxiong; Fang, Yuan; Wang, Yi; Pöppel, Ernst; Lei, Quan

2016-01-01

Western and Chinese artists have different traditions in representing the world in their paintings. While Western artists start since the Renaissance to represent the world with a central perspective and focus on salient objects in a scene, Chinese artists concentrate on context information in their paintings, mainly before the mid-19th century. We investigated whether the different typical representations influence the aesthetic preference for traditional Chinese and Western paintings in the different cultural groups. Traditional Chinese and Western paintings were presented randomly for an aesthetic evaluation to Chinese and Western participants. Both Chinese and Western paintings included two categories: landscapes and people in different scenes. Results showed a significant interaction between the source of the painting and the cultural group. For Chinese and Western paintings, a reversed pattern of aesthetic preference was observed: while Chinese participants gave higher aesthetic scores to traditional Chinese paintings than to Western paintings, Western participants tended to give higher aesthetic scores to traditional Western paintings than to Chinese paintings. We interpret this observation as indicator that personal identity is supported and enriched within cultural belongingness. Another important finding was that landscapes were more preferable than people in a scene across different cultural groups indicating a universal principle of preferences for landscapes. Thus, our results suggest that, on the one hand, the way that artists represent the world in their paintings influences the way that culturally embedded viewers perceive and appreciate paintings, but on the other hand, independent of the cultural background, anthropological universals are disclosed by the preference of landscapes.

On the aesthetic illusion.

Science.gov (United States)

Balter, L

1999-01-01

The aesthetic illusion--the experience of the content of a work of art as reality--occurs through the mobilization and intensification of typical infantile fantasies in the beholder. This necessarily evokes intrapsychic conflict in the mature adult. Two illusion-producing strategies ameliorate this conflict and effect the aesthetic illusion. The first illusion is that the artist's proffered fantasy is the beholder's own personal and private fantasy. This isolates the beholder from the shame- and guilt-evoking social surround. The second illusion is that the protagonist depicted in the work is an actual person. This defends the beholder from the painful emotions attendant upon his instinctually gratifying identification with the protagonist. The first illusion is necessary for the establishment of the second, but it is the second that establishes the aesthetic illusion. The aesthetic illusion exists in a highly unstable dynamic equilibrium with the beholder's usual reality orientation. If either orientation is too powerful, the dynamic equilibrium is disrupted and the aesthetic experience as such is abolished.

Hackathon: Call for applications - the search for cinema-loving scientists is on

CERN Multimedia

CinéGlobe Team

2014-01-01

CinéGlobe, the International Film Festival at CERN, is organising the “Story Matter” Hackathon in partnership with the Tribeca Film Institute, Festival Tous Écrans and the Lift Conference.   The Hackathon is an international workshop devoted to science and interactive storytelling, organised as part of the CinéGlobe International Film Festival. The initiative aims to create stories from science and science from stories. From 15 to 19 March 2014 at the Globe of Science and Innovation, film-makers chosen for their artistic and storytelling skills will join forces with cutting-edge technology experts and field-leading scientists to discover and, in teams, create works of art based on the fusion of these three disciplines. During the Hackathon, each team will be tasked with working together to explore interactive ways to tell stories. Their goal will be to create non-linear multimedia works which illuminate the hidden stories behind science us...

The role of culture with festival entrepreneurs

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Martinette Kruger

2011-12-01

Full Text Available Purpose: The goal of the study was to determine the influence of cultural differences on entrepreneurship at the Grahamstown National Arts Festival. Problem investigated: The Grahamstown National Arts Festival is one of the most important arts festivals on the South African cultural calendar. Diverse entrepreneurs make use of the opportunities created by the festival. However, these entrepreneurs are heavily influenced by their cultural traits. This is because culture has an effect on the general decision making, standards, the behavioural patterns and ways of behaviour in SMMEs (small, medium and micro-enterprises. With the festival's significant annual growth and its economic value in mind, determining the role that culture plays on the individuals' motivation to embark on an entrepreneurial career is essential. How this influences the way they perceive their role at the festival is of vital importance to the festival marketers, organisers and even the South African Government (since it is largely responsible for creating a favourable entrepreneurial climate in the country. Design and methodology: Within the study, a distinction was made between different cultural groups at the Grahamstown National Arts Festival: White entrepreneurs, Black entrepreneurs, Indian entrepreneurs and Coloured entrepreneurs. ANOVAs were used to determine whether there were differences between these cultures. Findings and/or implications: The results of the study showed statistically significant cultural differences between these groups based on their socio-demographic characteristics, entrepreneurial attributes, motivation to attend as well as their perceived role at the festival. Originality and/or value of the research: This was the first time that research of this kind was conducted at a national arts festival in South Africa. The research has shown that by acknowledging and managing entrepreneurs' unique characteristics and traits represented by different

Perceptions on Multimedia technology by College of Education Teachers

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Nachi Muthu

2012-08-01

Full Text Available Multimedia means, combination of text, audio, still images, animation, video and interactivity content forms delivered electronically. e-learning is a process and e-content is a product. The objectives of the study are to find out the significant relationship between the college of education teachers’ perception towards multimedia technology on the basis of gender wise, locality wise, maritial wise, subject wise, technical skill wise, experience wise and possessing degree wise. Evaluation of Multimedia Perception scale (EMPS developed by the investigator with a relaibility of 0.89 and it collected 350 teachers from Tamil Nadu State of Indian Context. From the analysis, there is no significant differences between the perceptions of multimedia technology in terms of gender, locality and maritial status. The same perception was rejected on the basis of  subject, technical skills, higher degree level and their experiences. The quality of learning depends not only on the form of how the process is carried out but also on what content is taught and how the content is presented.

USING MULTIMEDIA AND WEB TECHNOLOGIES IN STUDYING THE HUMANITIES. WEB-MULTIMEDIA ENCYCLOPEDIA «WILLIAM SHAKESPEARE AND RENAISSANCE».

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E. Alferov

2010-06-01

Full Text Available The article discusses the use of innovative information technologies in modern education. Special attention is given to the using of web-multimedia technologies in the study of humanities. As an example of using information and communication tools in the process of philological disciplines described purpose, functionality and architecture of web-multimedia encyclopedia «William Shakespeare and Renaissance» (http://shakespeare.ksu.ks.ua, developed in laboratory of the integrated learning environments of the Research Institute of IT.

Poetic Experience

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Shahab Yar Khan

2014-01-01

Full Text Available Nature of poetic experience is hereby redefined. The present article initially deals with the perennial nature of true poetic experience and its essential relevance to the world. It attempts to elaborate the process through which a poet is uplifted in a creative moment beyond terrestrial boundaries and is aligned with the ‘state of Perfection'. The role of successive generations of audiences in rediscovering the meaning of a poetic image is defined as life principle of all great poetry. Shakespeare is discussed as the ultimate example of this principle since his popularity remains an irreversible phenomenon

Experimental languages ​​of plastic representation through new technologies

OpenAIRE

Luis Eduardo Motta

2011-01-01

Technology is one of the important factors in artistic creation, the relationship of traditional art through its different periods, the evolution of new technologies and their use in contemporary art, the development of video art, digital photography, computer, video conference, cell phone, virtual images, multimedia facilities, internet and new storage media among others, are added to make way for new artistic expressions and complex communication channels and networks, stimulating complexit...

Mobile Haptic Technology Development through Artistic Exploration

DEFF Research Database (Denmark)

Cuartielles, David; Göransson, Andreas; Olsson, Tony

2012-01-01

This paper investigates how artistic explorations can be useful for the development of mobile haptic technology. It presents an alternative framework of design for wearable haptics that contributes to the building of haptic communities outside specialized research contexts. The paper also present...

A mixed methods study of foreign language teachers implementing technology-enhanced multimedia instructio

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Olha Ketsman

2014-08-01

Full Text Available Technology-enhanced multimedia instruction offers benefits for foreign language learners. Despite having much potential, technology itself is neither effective or nor effective, but teachers play a key role in determining its effectiveness because they are in charge of making instructional decisions and choose whether and how to use technology. This article fills a gap in the literature by reporting findings of a mixed methods study of technology- enhanced multimedia instruction in middle and high school foreign language classrooms. Convergent parallel mixed methods design was applied in this study and data was collected through quantitative survey and qualitative semi-structured interviews with teachers. Results from the study indicated a significant positive correlation between variables that contribute to the use of technology-enhanced multimedia instruction in foreign language classrooms and described effective technology-enhanced multimedia practices. The findings of the study have implications for teachers, administrators and faculty of teacher preparation programs as well as state teacher education policy makers.

Poetic representation

DEFF Research Database (Denmark)

Wulf-Andersen, Trine Østergaard

2012-01-01

, and dialogue, of situated participants. The article includes a lengthy example of a poetic representation of one participant’s story, and the author comments on the potentials of ‘doing’ poetic representations as an example of writing in ways that challenges what sometimes goes unasked in participative social...

Forming Life: Aesthetic Awareness in Mental Health Care

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Arild Berg

2013-12-01

Full Text Available Using cross-disciplinary perspectives from artistic research, aesthetic theory, and mental health care, this article discusses qualities in sensuous surroundings in mental health facilities. Although the background for the article is in the increased awareness in aesthetic research concerning sensuous surroundings and their connection to health and well-being, this aesthetic research is only reflected to a small extent in research on mental health care surroundings. A further development of these perspectives is suggested in this article by introducing the concept of life forms from the art theorist Nicolas Bourriaud and the concepts of presentation and perception in theatrical communication from theatre researcher Willmar Sauter. These theories are discussed and exemplified on the basis of data from two mental health care wards: one from a psychogeriatric ward and the other from a polyclinic for eating disorders. Some essential qualities identified in the examples were that aesthetic environment and activity could be seen as formative to the “inner landscape”, and that different forms of sensuous activation and interaction could help patients escape communicative isolation. It is further demonstrated how participatory strategies can challenge artistic practice and that art can contribute to a health promoting and communicative space in mental health care. In the discussion section, it is argued that an activating, and possibly empowering, environment can be created through an increased awareness of the aesthetic strategies used in health care institutions. The study seeks to contribute to knowledge transfer in artistic practice and healthcare practice, as a part of a cross-disciplinary art didactic discourse, which intends to address specific societal challenges.

Multiple, connective intellection: the condition for invention

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C S (Fanie de Beer

2015-11-01

Full Text Available Since this article involves invention, the conditions for inventiveness become the issue: assuming multiple reality; thinking in a special way; transgressing boundaries; acknowledging networks (in the terms of Michel Serres: communication, transduction, interference, distribution, passages between the sciences. There are, however, misplaced expectations: technology should work wonders in this regard while forgetting that humans, redefined though, remain the key to establish connections and networks between people, paradigms, disciplines, sciences and technologies. Against this background, Michel Serres’s emphasis on invention and “thinking as invention” and his a-critical anti-method – ‘connective, multiple intellection’ which is a special kind of thought – are desperately needed. Guattari’s articulation of the three ecologies and the ecosophic views he developed in this regard provides a significant amplification of the approach of ‘multiple connective intellection’. These insights can be enlightened and strongly driven home through the views of Latour with an anthropological and socio-dynamic perspective on the scientific endeavour with the articulation of the actor-network theory inherited from Serres. The thoughtful beyond-methodology of Edgar Morin with his strong noological position as the ultimate condition for inventiveness, and Gregory Ulmer with his special emphasis on invention and inventiveness, especially with the help and assistance of electronic means (video and internet, and with his work with the architect Bernard Tschumi on invention and inventiveness, are of special significance in the sphere of inventiveness, the real and final guarantee for a spirited re-enchantment of the world as well as the final demonstration that the battle for intelligence as opposed to ignorance, stupidity and barbarism can be fought with great hope to succeed.

Cognitive processes underlying the artistic experience

NARCIS (Netherlands)

Wah, Alejandra

2017-01-01

Based on the field of aesthetics, for centuries philosophers and more recently scientists have been concerned with understanding the artistic experience focusing on emotional responses to the perception of artworks. By contrast, in the last decades, evolutionary biology has been concerned with

The Database as a Cultural Form. The Impact of New Media on Artistic Creations: The Relationship with the Cinema

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Fulvio Šuran

2016-09-01

Full Text Available Up until now, a great amount of thought about the cinema in the digital era has focused on the possibilities of an interactive narration in which the spectator actively participates in the narration. For this reason, I have researched the concept of aesthetics of the database and the novelty it may bring in other media. More and more, advanced technologies generate new artistic products and new forms of sensibility that develop in the artists in different ways: through the exploration of the possibility to create new meanings, and through the research of new “aesthetical-anthropological” behaviours that arise from the use of technological devices. At this point one may wonder about what happened to the art work in the age of its digitalization and about today’s conception of the term “beauty”. These questions arise also from the nowadays dominant principles of immediacy, hypermediation and remediation, according to which new technologies reinvent aesthetic categories from old media by reabsorbing their fundamental aspects. Here the novelty consists of interactivity, that is, the “interactive database”. Movies are now programmed in such a way that there is not a single version of them. All the elements, including the screen, the images and their combinations, the music, the narration and the duration, are subject to change every time the movie is played. It is the database cinema put into practice by its own creator (Manovich with positive outcomes. In this way, the space on the screen is affected by the principles of aesthetic of remix and fluidity.

Art fighting its way back to aesthetics

DEFF Research Database (Denmark)

Sejten, Anne Elisabeth

2016-01-01

. In this essay, ‘Aesthetics is not what you think it is’ is thus an invitation to break through at the very point in which contemporary art seems to state the opposite—that art no longer should be a concern of aesthetics. The iconic example of Marcel Duchamp’s readymade, Fountain, which writes art history......When Claire Farago and Donald Preziosi claim that ‘art is not what you think it is,’ aesthetics itself is implicitly challenged, especially aesthetics’ seemingly inherent correlation with art. However, aesthetics, as complex and ambiguous as the concept of art, calls for a similar suspicion...... at the threshold of contemporary art, is summoned, on the contrary, to give evidence of an intact, though profoundly transformed, aesthetic engagement by the artist....

MUSIC EDUCATION AND MULTIMEDIA PROJECTS

OpenAIRE

Orlova Elena V.

2013-01-01

The article deals with the prerequisites of shift of music education paradigm in the XXI century, tells about emergence of new forms in the creative efforts of musicians enrolled in primary schools, and at secondary and highest education levels. Different types and genres of the multimedia creativity are considered. They were in demand by musicians at various events-contests, including Russian and international festivals and competitions in terms of which the music was called upon to play a l...

The Aesthetics of the Ambient Video Experience

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Jim Bizzocchi

2008-01-01

Full Text Available Ambient Video is an emergent cultural phenomenon, with roots that go deeply into the history of experimental film and video art. Ambient Video, like Brian Eno's ambient music, is video that "must be as easy to ignore as notice" [9]. This minimalist description conceals the formidable aesthetic challenge that faces this new form. Ambient video art works will hang on the walls of our living rooms, corporate offices, and public spaces. They will play in the background of our lives, living video paintings framed by the new generation of elegant, high-resolution flat-panel display units. However, they cannot command attention like a film or television show. They will patiently play in the background of our lives, yet they must always be ready to justify our attention in any given moment. In this capacity, ambient video works need to be equally proficient at rewarding a fleeting glance, a more direct look, or a longer contemplative gaze. This paper connects a series of threads that collectively illuminate the aesthetics of this emergent form: its history as a popular culture phenomenon, its more substantive artistic roots in avant-garde cinema and video art, its relationship to new technologies, the analysis of the viewer's conditions of reception, and the work of current artists who practice within this form.

Dichotomies in Music Education--Real or Unreal?

Science.gov (United States)

Espeland, Magne

2010-01-01

In this keynote, the author discusses dichotomies having to do with: (1) technology/digital proponents versus non-technology/analogue proponents; (2) a formal/formalist position versus an informal/informalist position; and (3) educator/teacher views versus artist/musician views. The author often wonders what the essence of these dichotomies are,…

Angels and legs: a “circus girl” in the Brazilian artistic imagination

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Gilmar Rocha

2016-09-01

Full Text Available Wherever they go the circus and circus arts have always captured the attention of people in small and large cities. Artists were not indifferent to this influence; it is what reveals the heterogeneous production of circus representations in the field of literature, the visual arts, music etc. This can be understood as a short essay since it is a brief incursion into the Brazilian artistic imagination which presents the first reflections regarding the female circus performer, here, poetically christened, as a "circus girl". It is a symbolic analysis inspired on Nietzsche’s tragic philosophy.

Real Vegan Cheese and the Artistic Critique of Biotechnology

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Rebecca Wilbanks

2017-04-01

Full Text Available Drawing on the case study of Real Vegan Cheese (RVC, a synthetic biology project housed in a community lab or “biohackerspace,” I argue that biohacking performs an “artistic critique” of the bioeconomy. Following Boltanski and Chiapello’s use of the term, the “artistic critique” pits values of autonomy and creativity against a view of capitalist production as standardized and alienating, represented (in the case of biotechnology by Monsanto’s monoculture GMOs. In this way, biohacking is depicted as liberating biotechnology from the constraints of corporate and academic institutions. Through the use of design fiction and a playful aesthetic, projects such as RVC demonstrate a more legitimate––with respect to the values of the artistic critique––mode of production for a new generation of biotechnology products, one that is portrayed as driven primarily by ethical and aesthetic values rather than the profit motive. This analysis highlights the role that aesthetic and affective strategies play in advancing particular sociotechnical visions, and the way that biohacking projects operate in symbiosis with incumbent institutions even as they define themselves in opposition to them. Finally, it suggests that biohacking has certain limitations when considered as a form of public engagement with science.

AUMGARTEN’S AESTHETICS AS THE SCIENCE OF SENSITIVE COGNITION

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Nesrin Erturk

2016-04-01

Full Text Available A. G. Baumgarten grounds the aesthetics of which he was the founder on widely poetic and rhetoric in his ‘Aestetica’ (1750/58. Nevertheless, what is significant here for him is to validate the individualist right of ‘sensitive knowledge.’ The word ‘aesthetics’ (αíσυŋгηικόç here is strictly attached to its basic meaning which is ‘related to sense and perception,’ and ‘sensually understandable.’ The aesthetics of Baumgarten is the philosophy of sensual knowledge and perception, and its sensitivity cannot be perceived as the material of outer stimulation and logic; contrarily, it sincerely sees it as a special genre of the knowledge. Hence, the aesthetics is defined as the ‘science of sensitive knowledge.’ With this study, it has been targeted to draw a general outline of Baumgarten’s aesthetics understanding by discussing the basic chapters of ‘Aestetica.’

Physical safety: using of multimedia technology

International Nuclear Information System (INIS)

Munoz Garcia, M.

1995-01-01

For managing physical safety systems in nuclear power plants sophisticated computer equipment is essential. Standard safety procedure requires systems distributed throughout the plant, especially at security posts: Entrance Door, Access Control Center, Restricted Areas, etc. Besides being highly distributed, computerized physical safety management systems have always been characterized by the need to integrate very different elements. Graphic images have always played a very important role: photographs, fingerprints, signatures, etc. This makes integrated multimedia modules the ideal solution. This presentation describes how safety systems can combine not only still images, but also other multimedia data such as sound and video. It examines methodologies for using this new technology to upgrade high cost computer systems already in operation that can not be replaced. (Author)

Social Ecology and Aesthetic Criticism

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Owen, Connor

2016-12-01

Full Text Available While ecocriticism has become a respected field in literary theory and in the broader landscape of aesthetic philosophy, it could benefit from an enhanced ethical-political framework which social ecology – an underrated critical theory developed by Murray Bookchin – could provide. This essay attempts to tease out the potentials for such a framework, integrating the insights of social ecology, ecocriticism, Critical Realism, and John Dewey's aesthetic concepts into a layered idea-set used for the study of all kinds of aesthetic objects, from popular art to the gallery arts. Its key principles are the emergence of aesthetic objects (including formal artworks out of congealed human experience, the relation between organism and environment in assessing meaning, the breakdown of implicit or overt hierarchies within a work, and the idea of the artist and art-critic as a "gardener".

POETICS OF SLEEP AND DREAM IN THE TEXTS OF M. KUZMIN

OpenAIRE

Anna V. Gik

2016-01-01

The article analyzes the poetic and aesthetic development of the image of dream and sleep in the works of M. Kuzmin. Status of sleep in M. Kuzmin’s works correlates with wakefulness. Sleep is an important part of not only human physiology, but in many ways defines the spiritual and creative component of existence. The dream becomes a “meeting place” of day’s and night’s world of man, conscious and subconscious. A special place is given to the structure of dreams, reproduced in poetry and pros...

A Social Poetics of Documentary: Grierson and the Scandinavian Documentary Tradition

DEFF Research Database (Denmark)

Bondebjerg, Ib

2014-01-01

This article deals with the influence of John Grierson on the development of the Scandinavian documentary film and television movement. Grierson's poetic for a new documentary had a strong influence on the Scandinavian documentary movement from the 1930s and on. The combination of a documentary...... format that combined a new aesthetic form with a social vision was developed in the early British class society but pointed towards a more democratic wellfare society. Key Scandinavian figures and institutions in this development of a modern, documentary movement is analysed....

Magic and the aesthetic illusion.

Science.gov (United States)

Balter, Leon

2002-01-01

The aesthetic illusion is the subjective experience that the content of a work of art is reality. It has an intrinsic relation to magic, an intrapsychic maneuver oriented toward modification and control of the extraspyschic world, principally through ego functioning. Magic is ontogenetically and culturally archaic, expresses the omnipotence inherent in primary narcissism, and operates according to the logic of the primary process. Magic is a constituent of all ego functioning, usually latent in later development. It may persist as an archaic feature or may be evoked regressively in global or circumscribed ways. It causes a general disinhibition of instincts and impulses attended by a sense of confidence, exhiliration, and exuberance. The aesthetic illusion is a combination of illusions: (1) that the daydream embodied by the work of art is the beholder's own, the artist being ignored, and (2) that the artistically described protagonist is a real person with a real "world." The first illusion arises through the beholder's emotional-instinctual gratification from his or her own fantasy-memory constellations; the second comes about because the beholder, by taking the protagonist as proxy, mobilizes the subjective experience of the imaginary protagonist's "reality." The first illusion is necessary for the second to take place; the second establishes the aesthetic illusion proper. Both illusions are instances of magic. Accordingly, the aesthetic illusion is accompanied by a heady experience of excitement and euphoria. The relation among the aesthetic illusion, magic, and enthusiasm is illustrated by an analytic case, J. D. Salinger's "The Laughing Man," Woody Allen's Play It Again, Sam, Don Quixote, and the medieval Cult of the Saints.

Groundwork for a (pre)history of film festivals, New Review of Film and Television Studies

OpenAIRE

Christel Taillibert & John Wäfler

2016-01-01

This article offers new perspectives on a history of film festivals before and around the Venice Esposizione of 1932 traditionally considered as the ‘first film festival.’ More specifically it puts forward the following three arguments: first that the Venice event showed a willingness to invent new interfaces for moving image education according to the idea that art could be an educational tool in a historical context where the relationship between cinema and education was largely dominated b...

The aesthetics of laboratory inscription: Claude Bernard's Cahier Rouge.

Science.gov (United States)

Sattar, Atia

2013-03-01

This essay explores the aesthetic sensibilities of the French physiologist Claude Bernard (1813-1878). In particular, it analyzes the Cahier Rouge (1850-1860), Bernard's acclaimed laboratory notebook. In this notebook, Bernard articulates the range of his experience as an experimental physiologist, juxtaposing without differentiation details of laboratory procedure and more personal queries, doubts, and reflections on experimentation, life, and art. Bernard's insights, it is argued, offer an aesthetic and phenomenological template for considering experimentation. His physiological point of view ranges from his own bodily aesthesis or sensory perception, through personal reflections on scientific discovery as an artistic process, to a broader metaphysical conception of life as an artistic creation. Such an aesthetic approach to physiology enables Bernard to reconcile his empirical methodology and his romantic idealism; it offers the history of laboratory science a framework for considering the individual, bodily, and emotional labor inherent in physiological experimentation.

Building Blocks: Enmeshing Technology and Creativity with Artistic Pedagogical Technologies

Science.gov (United States)

Janzen, Katherine J.; Perry, Beth; Edwards, Margaret

2017-01-01

Using the analogy of children's building blocks, the reader is guided through the results of a research study that explored the use of three Artistic Pedagogical Technologies (APTs). "Building blocks" was the major theme that emerged from the data. Sub-themes included developing community, enhancing creativity, and risk taking. The…

An Aesthetics of Negativity: On the Instrumental Evaluation of Conceptual Art in Eastern Europe

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Cristian Nae

2014-12-01

Full Text Available The contextual interpretation of conceptual art under politically oppressive regimes as a politicized art practice seems dominant in the current revisionist discourse of art history. At a closer inspection, this discourse seems to illustrate Rainer Rochlitz’s comments on the use of political criteria for instrumentally evaluating contemporary art, favoring political engagement as a relational artistic value instead of a set of (inherent aesthetic values. Using art historical analysis of the context of artistic production and reception as well as case studies, I intend to show that what we may praise as being critically efficient conceptual artworks are also aesthetically relevant in a particular sense. The political character they may acquire and the instrumental value attached to it depends on the production of artistic autonomy as a field of semiotic experiments with language and social communication. It is the aesthetic function of that part of conceptual art engaged in useless artistic labor and pointless communication, criticizing the inherent rationality of the modernist project, which obliquely acquires political overtones in times of straightforward ideological engagement of art.

Early Childhood Pre-Service Teachers' Views about Visual Arts Education and Aesthetics

Science.gov (United States)

Bilir-Seyhan, Gamze; Ocak-Karabay, Sakire

2018-01-01

Purpose: Pre-service teachers start their university study with only a limited knowledge of art and aesthetics. Early childhood pre-service teachers should be equipped with visual arts education and aesthetics so they will be able to direct artistic activities. Elective courses about art and aesthetics raise pre-service teachers' awareness of…

The socio-legal acceptance of new technologies: a close look at artificial insemination.

Science.gov (United States)

Bernstein, Gaia

2002-10-01

Heated debates often surround the introduction of an important new technology into society, as exemplified by current controversies surrounding human cloning and privacy protection on the Internet. Underlying these controversies are disruptions to central socio-legal values caused by these new technologies. Whether new technologies will eventually be accepted by society is often contingent on the reaction of the legal system. This mandates the formulation of a conceptual framework for understanding and structuring the way the law should react in cases surrounding the adoption of new technologies. By using the case study of artificial insemination this Article develops the tools for structuring the legal role in the acceptance process of new technologies. The three-century controversy surrounding the innovation of artificial insemination results from the innovations' disruption of the socio-legal value of the family. Artificial Insemination--although invented in the eighteenth-century--was rarely used until the 1930s, and only legalized in the 1960s. Its application to surrogacy and its use by unmarried women extends the controversy into the twenty-first century. The case study demonstrates the nature of the relationship among the technological, social and legal acceptance processes of new technologies, and analyzes the legal acceptance debate. The conceptual framework produced is useful in understanding and structuring the legal role in current debates surrounding the introduction and acceptance of new technologies.

[Medical emergency care and patient contact at the Quart Rock Festival in Norway].

Science.gov (United States)

Skjeie, Holgeir; Nygaard, Siv; Li, Henrik Stenwig; Gardasevic, Bozidar; Fetveit, Arne; Brekke, Mette

2008-06-26

The annual Quart Rock Festival (1991-2007) was the largest rock festival in Norway. During festivals in 2004-06, a daily average of 3 000 personnel, guests and artists, and 10,000 visitors, 13,000 people, were present daily. The festival had a medical care organization recruited from primary care personnel. The team consisted of one general practitioner, one physiotherapist, two nurses from the municipality outpatient service, and lay personnel trained in first aid. We recorded all patient contacts at the festival in 2004, 2005, and 2006 in order to describe injuries requiring medical attention and the need for referrals. The total number of festival participants, including personnel, was 208,000 during the registration period. Of totally 1,349 patient contacts, 254 required consultation with a nurse and 191 with the attending physician. There were no deaths, cardiac or respiratory arrests or serious penetrating trauma. 33 contacts were related to intoxication: 24 due to alcohol, five to illegal drugs and four to unknown substances. Violence-related injuries were the cause of 18 contacts, of which none were serious. 49 patients were referred for follow-up, mostly to the municipality outpatient service or their own physician, and five patients were admitted to hospital. The transport-to-hospital-ratio was 0.24 per 10,000 participants. The results are similar to those in studies of rock festivals in other countries. The need for referrals was equal to or lower than in other studies. This indicates that the primary care-based medical organization at the Quart Festival was adequate.

Using findings in multimedia learning to inform technology-based behavioral health interventions.

Science.gov (United States)

Aronson, Ian David; Marsch, Lisa A; Acosta, Michelle C

2013-09-01

Clinicians and researchers are increasingly using technology-based behavioral health interventions to improve intervention effectiveness and to reach underserved populations. However, these interventions are rarely informed by evidence-based findings of how technology can be optimized to promote acquisition of key skills and information. At the same time, experts in multimedia learning generally do not apply their findings to health education or conduct research in clinical contexts. This paper presents an overview of some key aspects of multimedia learning research that may allow those developing health interventions to apply informational technology with the same rigor as behavioral science content. We synthesized empirical multimedia learning literature from 1992 to 2011. We identified key findings and suggested a framework for integrating technology with educational and behavioral science theory. A scientific, evidence-driven approach to developing technology-based interventions can yield greater effectiveness, improved fidelity, increased outcomes, and better client service.

NIH Employee Invention Report (EIR) | NCI Technology Transfer Center | TTC

Science.gov (United States)

NIH researchers must immediately contact their Laboratory or Branch Chief and inform him or her of a possible invention, and then consult with your NCI TTC Technology Transfer Manager about submitting an Employee Invention Report (EIR) Form. | [google6f4cd5334ac394ab.html

The Warsaw Autumn International Festival of Contemporary Music Transformations of Programming Policies

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Gąsiorowska Małgorzata

2017-12-01

Full Text Available The present paper surveys the history of the Warsaw Autumn festival focusing on changes in the Festival programming. I discuss the circumstances of organising a cyclic contemporary music festival of international status in Poland. I point out the relations between programming policies and the current political situation, which in the early years of the Festival forced organisers to maintain balance between Western and Soviet music as well as the music from the so-called “people’s democracies” (i.e. the Soviet bloc. Initial strong emphasis on the presentation of 20th-century classics was gradually replaced by an attempt to reflect different tendencies and new phenomena, also those combining music with other arts. Despite changes and adjustments in the programming policy, the central aim of the Festival’s founders – that of presenting contemporary music in all its diversity, without overdue emphasis on any particular trend – has consistently been pursued. The idea of introducing leitmotifs, different for each Festival edition (such as: music involving human voice, mainly electronic, etc. – is not inconsistent with this general aim since the selected works represent different aesthetics, and the “main theme” is not the only topic of any given edition of the Warsaw Autumn.

A Story told through Plena: Claiming Identity and Cultural Autonomy in the Street Festivals of San Juan, Puerto Rico.

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Paulina Guerrero

2013-05-01

Full Text Available Las Fiestas de la Calle de San Sebastián is a four day-long festival in San Juan, Puerto Rico. While the festival comprises music and dance that is a combination of various Caribbean and Latin American aesthetics, there is a small group of local musicians who insist on staying away from the larger throngs to specifically play a Puerto Rican music medium known as plena. By defining a distinct physical space that is separate from the rest of the festival, but also a part of the festival, they sing throughout the night speaking to contemporary issues of American imperialism, class warfare, and corrupt politicians. During the festival the complex power dynamics of Puerto Rico as a United States territory, lacking both independence as a sovereign nation and the same rights as a state, are manifested in festival performance. This performance tries to negotiate how the island remains autonomous while being attached to a more powerful mainland economy.

Glocal Multimedia Art as an Unbreakable Narrative

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Vesna Srnic

2018-04-01

Full Text Available The usual theory of health and illness unfortunately with its dominant linguistic power incorporated by discursive constructivism, is based equally on the national imagination and issues of „broken narrative“, which causes a broader ignorance of other integrative narratives, especially performative situational multimedia art. There are no glocal multimedially orchestrated art narratives with ego-centrism and nationalism in their basis. Situational performativity of mixed glocal (global and local reality in multimedia art, seems to the superficial observer like  a mirror or „schizoid“ reality, but in actuality is the astonished multitasked „result“ of the primal, transpersonal, affective process of individuation and blossoming awareness, both of individuals and re-conceptualised society as a whole. Glocal Multimedia Art is our syntagma for a new holistic approach to experience. Thus we orchestrate our own as well as a wider existence from the heart of nature, via affective primordial and cosmic connection. Therefore, we can talk about the phenomenon of the authenticity of the World Sound/Image in a renewing creation of existence through glocal multimedia art and pure experience.  A new philosophy for new media by Mark B. N. Hansen is very important in this area of research as a post-visual affectivity of digital art expressed in a transitional body technique of “framing function” in digital mode. This work is a contribution to the process of anthropologisation of technology through the inclusion of artistic multimedia narratives in healthy, innovative education at institutions and operationally in the wider social re-evaluated reality.

THE GOSPEL TEXT IN DOSTOYEVSKY'S WORKS IN THE LIGHT OF GENERAL FORM-PRODUCING PRINCIPLES

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Sergey Viktorovich Syzranov

2014-11-01

Full Text Available The artistic functions of the Gospel text in Dostoyevsky’s Th e Double, Notes from the Underground and The Idiot" are examined in the light of Losev’s aesthetic theory. The focus is on the fact that the categories of Prime-image, Myth, Name take important place both in Losev’s aesthetics and Dostoyevsky’s poetics. Dynamics of the form-producing process is described by Losev as a dialectical way of the movement of Image towards Prime-image, its purpose is their complete equation. In Dostoyevsky’s works this dynamics is already apparent at onomapoetics: hero’s name actualizes dialectical relations between the character and its ideal prototype. These relations are materialized in diverse interactions of the artistic and the Gospel texts. Gospel text is actively involved in the process of formation; it carries interpenetration of architectonics and of composition aspects of artistic form, organizes artistic teleology of the writer’s works. Teleological direction of artistic myth created by Dostoyevsky embodies teleology of Absolute Myth of Sacred history.

The Transnational Identity of European Film Festival. New Media and Cultural Branding Employed at Transylvania International Film Festival

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Nicoleta Sălcudean

2017-07-01

Full Text Available European film festival venues are explored in their relation to transnationalism, a “supranational sphere”, as well as with political and economic implications (Acciari, 2014. The international film festivals are seen as cosmopolitan spaces (Chan 2011, 253, yet, the new morphology of film festivals - perceived as "public spheres" or as new objects of historical research - bring a new light on film festivals and the theory of culture and visual discourse, especially with the new reconfiguration of festivals in Europe, the insertion of new technologies and new opportunities to explore local identity. The article examines the cultural determinants and the new vocabulary of visual discourse, exploring the implied questions regarding national identity vs. European identity, and the possibility of building a cultural city/ country branding. With a case study on the Transilvania International Film Festival, I attempt an inquiry of three interconnected aspects employed in exploring film festivals and their transnational dimension: the impact of the new media on the audience, the challenge of identity and the possibility to create a city/ country branding.

MUSICAL INTERPRETATION OF THE POETIC SOURCE IN THE RAP POEM FROM THE VOCAL-SYMPHONIC CYCLE FOR BARITONE AND ORCHESTRA APRÈS UNE LECTURE BY GHENADIE CIOBANU

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CIOBANU-SUHOMLIN IRINA

2017-06-01

Full Text Available The author considers the peculiarities of the interpretation of the poetic text in the music of one of the poems of the vocal and symphonic cycle for baritone and orchestra „Après une Lecture” by Ghenadie Ciobanu. The purpose of the article is to reveal the specific features of the musical and poetic synthesis achieved by the composer in the „Rap Poem”: in the description of the genre basis of the poetic and musical works, their figurative content, the correlation of their syntax, the specific musical intonation of the poetic text, the role of the orchestra. The composer’s method of working with a word is evaluated from the novelty standpoint, and the final artistic result is determined from the position of its stylistic affiliation as a musical exemple of the „third direction” in the music of the 20th century.

The construtive reason and the poetic lacework of Maria Lúcia Dal Farra

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Teresa Cabañas

2006-01-01

Full Text Available This article concerns itself with the analysis of the work of São Paulo poet Maria Lúcia Dal Farra, Livro de auras (1994 e Livro de possuídos (2002,attempting, principally, an approximation of the constructive mechanisms that dynamize her poetical universe. The focus of attention is centered on the use, by this poet, of a constructive ratio which moves between the canto and the decanto to symbolize, as feminine writing, the possession an aesthetic intellect that an androcentric culture reserves for masculine use only.

Poetics of Space in Charlotte Perkins Gilman’s Story ‘Yellow Wallpaper’

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Marina S. Berezhnaya

2017-12-01

Full Text Available The article deals with the poetics of space, system of images including the image of the yellow wallpaper in the story written by Charlotte Perkins Gilman. The story became an unconventional example and innovative writing approach of using an artistic ‘optics’ for describing women’s role and position within patriarchal society at the turn of XIX-XX centuries. The space of the room can be perceived as some disciplinary practice (panopticon endowed with peculiar units of control and suppression (bars, wallpaper pattern, nailed bed, etc. as opposed to images, retrieved from out of the depth of the protagonist’s unconsciousness. The interrelatedness of material outward environment and individual mind reveals the evolution of deeply buried and hidden imagery. Though artistic categories such as smell, color, shape (pattern Gilman render an invaluable insight into reception and interpretation of the key image of the novel.

The Socio-Cultural Significance of the Kakube Festival of the ...

African Journals Online (AJOL)

This paper generally explores the importance of local events such as the festivals which bring people together to celebrate a common heritage. It finally narrowed in on the people of Nandom who trace their roots to a common ancestor and as such make feverish attempts aimed at ensuring that an annual affair (Kakube) ...

Aesthetic Appreciation, Ethics, and 9/11

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Emmanouil Aretoulakis

2008-01-01

Full Text Available There have been numerous critical articles on what really happened on the otherwise beautiful morning of 11 September 2001. Beyond doubt, the bulk of the critical responses to the terrorist attacks focused on the ethical and humanitarian, or rather the unethical and inhumane implications of the atrocious act, leaving no room for any philosophical reflection on the potential assessment or reception of the event from the perspective of art and aesthetics. The few years that have gone by since 2001 have provided us with some a sense of emotional detachment from the horror of that day, a detachment that may have awakened our aesthetic and artistic instincts with regard to the attacks themselves as well as their visual representation. Chronological distance renders an unprejudiced and independent stance more possible now than ever. It also allows us to reconsider our initial politically correct and ethically justified repulsion of the efforts made by a few artists to aestheticize 9/11. Such repulsion, however, was associated with the delusion that by denouncing aesthetics we were really securing the prevalence of politics, morality and ethical responsibility in a terror-afflicted society. My point in this paper is that there is a need for aesthetic appreciation when contemplating a violent event such as the 9/11 terrorist attacks. What is more, appreciation of the beautiful, even in case of a 9/11, seems necessary because it is a key to establishing an ethical stance towards terror, life, and art. It should be stressed that independent aesthetic experience is not important in itself but is a means of cultivating an authentic moral and ethical judgment.

Artistic Technology Integration: Stories From Primary and Elementary Classrooms

Science.gov (United States)

Steckel, Barbara; Shinas, Valerie Harlow; Van Vaerenewyck, Leah

2015-01-01

The purpose of this article is to inform teachers about the ways technology can be integrated to add value to literacy instruction. Artistic technology-integrated literacy and disciplinary instruction in preK through grade 4 classrooms is described through the stories of five teachers who were identified as both strong teachers of literacy and…

Artists' Books in the 1960s

DEFF Research Database (Denmark)

Kromann, Thomas Hvid

2016-01-01

The “artist’s book”, a distinctive and popular art form which appeared in the 1960s, replaced the white cube with the portable exhibition. Although anticipated by a few pioneers from the early avant-gardes, artists such as Åke Hodell made interesting contributions in the 1960s to the international...... field. The artist’s book, whether mass-produced or created as a limited edition, was a genuine cross-aesthetic artifact and it served as a vehicle for artistic ideas and concepts, sometimes by transgressing the codex of the book or by experimenting with its layout, binding and the fixed sequence...

Behavior as a Reflection of Man’s Moral and Aesthetic Nature

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Botakoz A. Zhekibaeva

2013-01-01

Full Text Available The article studies crucial problem of moral and aesthetic nature of an individual, which is considered as a problem of dialectical, contradictory relation of consciousness, its spiritual content and actual behavioral manifestations by psychological and educational literature. Man’s moral and aesthetic nature is revealed on the basis of study of scientific works by Russian and foreign scientists. It is a social and natural integrity, an organic and indissoluble unity of moral, aesthetic, corporal, aesthetic and external artistic and expressive nature. The article justifies the idea that behavior, reflecting the moral and aesthetic nature of personality is indicator of his/her moral and aesthetic development, maturity of moral qualities, educated aesthetic perception, subtle emotional reactions on moral and aesthetic manifestations and their keen perception

The Benslimane's Artistic Model for Females' Gaze Beauty: An Original Assessment Tool.

Science.gov (United States)

Benslimane, Fahd; van Harpen, Laura; Myers, Simon R; Ingallina, Fabio; Ghanem, Ali M

2017-02-01

The aim of this paper is to analyze the aesthetic characteristics of the human females' gaze using anthropometry and to present an artistic model to represent it: "The Frame Concept." In this model, the eye fissure represents a painting, and the most peripheral shadows around it represent the frame of this painting. The narrower the frame, the more aesthetically pleasing and youthful the gaze appears. This study included a literature review of the features that make the gaze appear attractive. Photographs of models with attractive gazes were examined, and old photographs of patients were compared to recent photographs. The frame ratio was defined by anthropometric measurements of modern portraits of twenty consecutive Miss World winners. The concept was then validated for age and attractiveness across centuries by analysis of modern female photographs and works of art acknowledged for portraying beautiful young and older women in classical paintings. The frame height inversely correlated with attractiveness in modern female portrait photographs. The eye fissure frame ratio of modern idealized female portraits was similar to that of beautiful female portraits idealized by classical artists. In contrast, the eye fissure frames of classical artists' mothers' portraits were significantly wider than those of beautiful younger women. The Frame Concept is a valid artistic tool that provides an understanding of both the aesthetic and aging characteristics of the female periorbital region, enabling the practitioner to plan appropriate aesthetic interventions. This journal requires that authors assign a level of evidence to each article. For a full description of these Evidence-Based Medicine ratings, please refer to the Table of Contents or the A3 online Instructions to Authors. www.springer.com/00266 .

Art and technology: assessing their symbiotic relevance to aesthetic ...

African Journals Online (AJOL)

One can argue that art and technology are mutually exclusive, meaning that both complement each other, contrary to the general belief that there is nothing like technology in art or vice versa. Some believe that art is just about aesthetics and little utilitarian importance. Thus, since technology could be defined as a ...

Generating Awareness on Disaster Management through the Science Festival

OpenAIRE

Irfana Begum

2014-01-01

Science festivals are the innovative method to introduce the scientific information for the children of various age groups. Every year Vigyan Prasar organize one national level live science festival in summer holidays through its EduSAT network and six virtual science festivals at various remote locations of the country. Through the science festival with the help of do yourself programme children can learn basic information about the science and technology. With the help of these science fes...

MODERN MEDIA EDUCATION MODELS

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Alexander Fedorov

2011-03-01

Full Text Available The author supposed that media education models can be divided into the following groups:- educational-information models (the study of the theory, history, language of media culture, etc., based on the cultural, aesthetic, semiotic, socio-cultural theories of media education;- educational-ethical models (the study of moral, religions, philosophical problems relying on the ethic, religious, ideological, ecological, protectionist theories of media education;- pragmatic models (practical media technology training, based on the uses and gratifications and ‘practical’ theories of media education;- aesthetical models (aimed above all at the development of the artistic taste and enriching the skills of analysis of the best media culture examples. Relies on the aesthetical (art and cultural studies theory; - socio-cultural models (socio-cultural development of a creative personality as to the perception, imagination, visual memory, interpretation analysis, autonomic critical thinking, relying on the cultural studies, semiotic, ethic models of media education.

Art and money: Three aesthetic strategies in an age of financialisation

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Max Haiven

2015-07-01

Full Text Available Recent decades of financialisation have seen a significant growth in art that mobilises various forms of money as artistic media. These range from the integration of material money (coins, bills, credit cards into aesthetic processes, such as sculpture, painting, performance, and so on, to a preoccupation with more ephemeral thematics including debt, economics, and the dynamics of the art market. This article explores three (and a half strategies that artists use to engage with money: crass opportunism; a stark revelation of money’s power; a coy play with art’s subjugation to money; and a more profound attempt to reveal the shared labour at the heart of both money and art’s aesthetic-political power. Money’s perennial appeal to artists stems from the irony of its tantalising capacity to almost represent capitalist totality. At their core, both money and art are animated by a certain creative labour, a suspension of disbelief, and a politics of representation. Artistic practices that use money can provide critical resources for studying, understanding, and seeing beyond the rule of speculative capital.

Experimental languages ​​of plastic representation through new technologies

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Luis Eduardo Motta

2011-01-01

Full Text Available Technology is one of the important factors in artistic creation, the relationship of traditional art through its different periods, the evolution of new technologies and their use in contemporary art, the development of video art, digital photography, computer, video conference, cell phone, virtual images, multimedia facilities, internet and new storage media among others, are added to make way for new artistic expressions and complex communication channels and networks, stimulating complexity of novelty and imagination. The world of artificial universes image and give way to new forms, transforming artistic expression such as music, visual arts, theater, dance, among others, looking as if our society entered a true mutation.

Aesthetic Qualities of Cross Laminated Timber

DEFF Research Database (Denmark)

Bejder, Anne Kirkegaard

in the great importance wood has had as a building material throughout history as a naturally occurring, strong, light and workable construction material with various multi-sensuous qualities and great applicability. Over the last two decades, wood as a building material has gained renewed focus, partly due......The common thread through this thesis is the aim of bringing the aesthetic, poetic and sensuous qualities of materials into focus. This is done with the belief that materials are more than merely the means of construction, i.e. more than a building system. The thesis takes its point of departure...... is what happens to the aesthetic qualities of wood as a building material in this process? What does it mean to the experience and perception of CLT that it is processed to products whose properties differ significantly from those of wood in its raw form? Based on the hypothesis that CLT possesses...

Like Mother, Like Daughter?: Matrilineal Opposition in African American Mulatta Melodrama

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Anna Pochmara

2017-10-01

Full Text Available The article juxtaposes representations of mothers and daughters in selected African American novels that feature near-white female protagonists: W. W. Brown’s Clotel, Or the President’s Daughter (1853, Frances E. W. Harper’s Iola Leroy (1892, Charles Chesnutt’s The House behind the Cedars (1900, and Pauline Hopkins’s Hagar’s Daughter (1902. It explores the matrilineal opposition through a formalist close analysis of the melodramatic poetics of the texts and examines the political significance of such aesthetic choices. The novels expose the American history of interracial relations through their foregrounding of the mulatta protagonists and numerous scenes of anagnorisis of their multiracial identities. Simultaneously, their “erotics of politics” rewards the choice of a black spouse and thus celebrates the emergence of the self-determined black community.

[History of aesthetic rhinoplasty].

Science.gov (United States)

Nguyen, P S; Mazzola, R F

2014-12-01

One of the first surgical procedures described in the history of medicine is reconstructive surgery of the nose. Over the centuries, surgeons have developed techniques aimed at reconstructing noses amputated or traumatized by disease. The concept of aesthetic rhinoplasty was only introduced at the end of the 19th century. Since then, techniques have evolved toward constant ameliorations. Nowadays, this surgery is one of the most performed aesthetic procedures. Current technical sophistication is the result of over a century of history marked by many surgeons. All of these techniques derive from a detailed understanding of the anatomical nose from the surgical and artistic point of view. Copyright © 2014 Elsevier Masson SAS. All rights reserved.

The problem of application: aesthetics in creativity and health.

Science.gov (United States)

Sánchez-Camus, Roberto

2009-12-01

The Problem of Application investigates the multiple viewpoints in defining a critical aesthetic in applied arts practice. Amongst organisations, participants, and facilitators there are varying wants and needs in any creative project with an educational agenda. The product of arts based health initiatives often seek to inform and educate, whereby an aesthetic standard may seem contrary to this participatory approach. This research maintains that an aesthetic approach is a lively portion of the collaborative dialogue, which requires interrogation and consideration for a successful outcome. Through the analysis of a participatory arts project completed in West Africa addressing youth issues and HIV/AIDS, The Problem of Application seeks to uncover the multiple facets surrounding the defining of aesthetics in applied practice. The project entitled Youth Visions: Transforming our Futures Together worked with students aged 17-21 to develop an outdoor mural and a live performance inspired by the traditions of local festivals. With an anthropological approach to aesthetic criticism, Youth Visions revealed the multiple layers that define our focus of appreciation.

Fusion of smart, multimedia and computer gaming technologies research, systems and perspectives

CERN Document Server

Favorskaya, Margarita; Jain, Lakhmi; Howlett, Robert

2015-01-01

  This monograph book is focused on the recent advances in smart, multimedia and computer gaming technologies. The Contributions include:   ·         Smart Gamification and Smart Serious Games. ·         Fusion of secure IPsec-based Virtual Private Network, mobile computing and rich multimedia technology. ·         Teaching and Promoting Smart Internet of Things Solutions Using the Serious-game Approach. ·         Evaluation of Student Knowledge using an e-Learning Framework. ·         The iTEC Eduteka. ·         3D Virtual Worlds as a Fusion of Immersing, Visualizing, Recording, and Replaying Technologies. ·         Fusion of multimedia and mobile technology in audioguides for Museums and Exhibitions: from Bluetooth Push to Web Pull. The book is directed to researchers, students and software developers working in the areas of education and information technologies.  

Enhancing Brand Image through Events and Cultural Festivals: the Perspective of the Stresa Festival’s Visitors

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Elisa Piva

2017-06-01

Full Text Available Cultural events have become a significant component within the strategies of destination branding of a place. Territories are increasingly using events and cultural festivals to enhance their image and boost tourism development. Many destinations worldwide have built events portfolios as a strategic initiative to attract visitors and to develop their own brand. A destination brand represents a dynamic interaction between the destination’s core assets and the way in which potential visitors perceive them. Thus, the visitor perspective is considered as fundamental in triggering processes of destination branding. This paper investigates how the visitors assess the impact of cultural events and festivals in enhancing the image of a tourist destination. The Stresa Festival (Stresa, Lake Maggiore, Italy has been selected as a case study. Stresa Festival is undoubtedly one of the best-known European classical music festivals that every year offers performances by internationally famous artists to its audiences. Structured questionnaires have been used as the methodology to carry out the research. Online questionnaires have been handed out to residents and non-resident visitors to the Stresa Festival to extract the opinions and experience from the public on the image effects of this festival. Findings reveal that there is a positive relationship between this cultural event and the enhancement of the city image and its territory.

Background Materials on Ching Ming Festival [And] Winter Festival [And] Dragon Boat Festival.

Science.gov (United States)

Lew, Helene

This publication contains three background papers on Chinese festivals which are still celebrated by Chinese Americans. The first festival discussed--Ching Ming--is a celebration of the coming of spring and the occasion of the first outing of the year. This paper discusses the historical development of the festival since prehistoric times,…

A dance to the music of time: aesthetically-relevant changes in body posture in performing art.

Science.gov (United States)

Daprati, Elena; Iosa, Marco; Haggard, Patrick

2009-01-01

In performing arts, body postures are both means for expressing an artist's intentions, and also artistic objects, appealing to the audience. The postures of classical ballet obey the body's biomechanical limits, but also follow strict rules established by tradition. This combination offers a perfect milieu for assessing scientifically how the execution of this particular artistic activity has changed over time, and evaluating what factors may induce such changes. We quantified angles between body segments in archive material showing dancers from a leading company over a 60-year period. The data showed that body positions supposedly fixed by codified choreography were in fact implemented by very different elevation angles, according to the year of ballet production. Progressive changes lead to increasingly vertical positions of the dancer's body over the period studied. Experimental data showed that these change reflected aesthetic choices of naïve modern observers. Even when reduced to stick figures and unrecognisable shapes, the more vertical postures drawn from later productions were systematically preferred to less vertical postures from earlier productions. This gradual change within a conservative art form provides scientific evidence that aesthetic change may arise from continuous interaction between artistic tradition, individual artists' creativity, and a wider environmental context. This context may include social aesthetic pressure from audiences.

Innovation in rural festivals. Are festival managers disempowered?

DEFF Research Database (Denmark)

Kwiatkowski, Grzegorz; Hjalager, Anne-Mette

2018-01-01

Rural festivals are numerous and remarkably diverse happenings. Ranging from harvest festivals to cultural celebrations and sports events, festivals have become a signifi cant source of enjoyment, inspiration and business opportunities for the rural communities’ members and visitors alike...

Multimedia and Decision-Making Process

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Ovidiu-Alin DOBRICAN

2009-01-01

Full Text Available Multimedia technology has changed the way we use computers. Multimedia transforms com-puters into a second person. Multimedia technology has made it possible for us to see, hear, read, feel, and talk to computers. Multimedia technology has transformed our use and understanding of computers. On the other hand, multimedia presentation is one of the fastest-growing sectors of the computer industry. Applications have appeared in many areas, such as training, education, business presentation, merchandising, and communications.

Organizational Design for Institutional Change: the case of MPB Festivals, 1960 to 1968

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Charles Kirschbaum

2006-07-01

Full Text Available A central concern in neo-institutional research is the genesis of new organizational fields. This article explores the emergence of the MPB (Brazilian Popular Music field in tandem with the organization of music festivals in the sixties. The festivals were instrumental in combining musicians, critics and the audience in a forum relatively buffered from the music industry influence. This interaction supported the introduction and diffusion of newinfluences in the popular music field, and at the same time, it consecrated the category MPB as a high-brow art form. The festivals’ design provoked two unintended consequences: the conflict between musicians and the audience, and between musicians and the jury. While several musicians strived to conquer autonomy for theircreative activity, the audience claimed its supremacy. As a result, musicians exerted pressure on the jury to buffer the aesthetical criteria from the audience. It concludes with a critical appraisal of the role of festivals in the evolution of the MPB field.

Turning off artistic ability: the influence of left DBS in art production.

Science.gov (United States)

Drago, V; Foster, P S; Okun, M S; Cosentino, F I I; Conigliaro, R; Haq, I; Sudhyadhom, A; Skidmore, F M; Heilman, K M

2009-06-15

The influence of Parkinson's disease (PD) as well as deep brain stimulation (DBS) on visual-artistic production of people who have been artists is unclear. We systematically assessed the artistic-creative productions of a patient with PD who was referred to us for management of a left subthalamic region (STN) DBS. The patient was an artist before her disease started, permitting us to analyze changes in her artistic-creative production over the course of the illness and during her treatment with DBS. We collected her paintings from four time periods: Time 1 (Early Pre-Presymptomatic), Time 2 (Later Presymptomatic), Time 3 (Symptomatic), and Time 4 (DBS Symptomatic). A total of 59 paintings were submitted to a panel of judges, who rated the paintings on 6 different artistic qualities including: aesthetics, closure, evocative impact, novelty, representation, technique. Aesthetics and evocative impact significantly declined from Time 2 to Time 4. Representation and technique indicated a curvilinear relationship, with initial improvement from Time 1 to Time 2 followed by a decline from Time 2 to Time 4. These results suggest that left STN/SNR-DBS impacted artistic performances in our patient. The reason for these alterations is not known, but it might be that alterations of left hemisphere functions induce a hemispheric bias reducing the influence the right hemisphere which is important for artistic creativity. The left hemisphere itself plays a critical role in artistic creativity and DBS might have altered left hemisphere functions or altered the mesolimbic system which might have also influenced creativity. Future studies will be required to learn how PD and DBS influence creativity.

HEXAMETER IN "THE MYSTERIOUS DROP" BY F. GLINKA (POETIC TRANSPOSITION OF THE "PATER NOSTER"

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Kozlov I. V.

2011-11-01

Full Text Available The author focuses on the last large work by F. Glinka The Mysterious Drop (1861 dedicated to the matters of religion. Special features of the poetic version of the apocryphal story about the Penitent Thief are analyzed here. The conclusion is that the semantic core of the poem is the Lord's Prayer made in hexameter. This meter is used nowhere else in the polirhythmic structure of the poem. A rhymed prayer with rhythmic accents plays a special harmonizing role in the artistic concept of the universe.

Socio-technological imaginaries and human

DEFF Research Database (Denmark)

Nickelsen, Niels Christian Mossfeldt

. This study discusses how government agencies’, technology developers’ and affected stakeholders’ socio-technological imaginaries distribute agencies and what this means to implementation of this robotics. The ANT idea of ‘follow the actor’ inspired the study that took place as multi-sited ethnography......Political/managerial levels intend to re-perform Denmark through digitization. Feeding assistive robotics is a welfare technology, relevant to citizens with no or low function in their arms. Despite endorsement and national dissemination strategies, it proves difficult to recruit suitable citizens...... at different locations in Denmark and Sweden. The study contributes to science and technology studies by providing an empirical analysis where political imaginaries, the technology developers’ assumptions, and users and care providers hassles are all in focus. Keywords: Socio-technological imaginaries...

Maps of intersections in visual education: artistic event as pedagogy

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Belidson Dias

2013-12-01

Full Text Available This article explores the artistic event as pedagogical in Visual Education. It lies in the encounter between the Pictorial Turn in education and the pedagogical turn in art. Drawing from Cultural Pedagogy it seeks to cover how and under what conditions an event can be both an educational and artistic event at the same and how are instituted the spaces that promote educational events as aesthetic experiences. In this article it was pointed out conceptual and methodological bases for distinguishing the space of intersection between art and Visual Education and its political and cultural implications: Participant Art, Cultural Pedagogy and their relationships among politics and aesthetics. In this sense it analyzes the crossings of frontiers both in art and education and creates possibilities for an understanding of pedagogy of dissent.

Signatures of the Invisible at the Centre d'Art Contemporain, Geneva, 7 February - 12 May 2002. The multimedia artist Sylvie Blocher chats with Jean-Pierre Merlo (left) and Philippe Charpentier, two of the physicists from CERN she interviewed for her video.

CERN Document Server

Patrice Loïez

2002-01-01

Signatures of the Invisible at the Centre d'Art Contemporain, Geneva, 7 February - 12 May 2002. The multimedia artist Sylvie Blocher chats with Jean-Pierre Merlo (left) and Philippe Charpentier, two of the physicists from CERN she interviewed for her video.

George Santayana’s Teleological Poetics: Inspiration, Knowledge and Happiness in Reason in Art

OpenAIRE

Rocío Badía Fumaz

2012-01-01

With The Life of Reason George Santayana earned his reputation as philosopher; this is due to its length but also because it is his most detailed moral work. The fourth volume of the work, entitled Reason in Art, analyzes both the historical and synchronic origin of the work of art. Santayana’s Poetics are built on the strained relationship he draws between, ethics and aesthetics, ingenium and ars, literature and philosophy. He develops a teleological and eudaimonistic approach which centres ...

Saint Agatha Religious Festival in Catania: Stakeholders’ Functions and Relations

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Salvatore Cannizzaro

2017-03-01

Full Text Available The purpose of the paper is to develop an explorative analysis of the functions and relations among actors involved in the organization and implementation of the Saint Agatha Religious Festival in Catania attracting nearly one million presences during the first week of February. The research is based on the survey of different sources of information, such as literature, news, media, and deep interviews with key informants pertaining to civil and religious institutions. The survey is designed to profile the Festival in terms of history, the character of the stakeholders, size, origin of assets, venues used, decision-making structure, and programs. The Festival’s use of volunteers and sponsors is specifically addressed. Empirical research sketches the network of stakeholders, the relationship between organizations, the importance of local social actors and strategies in enhancing local culture and sustainable tourism, regarding, in particular, the socio-cultural impacts of religious tourism. The local society has historical peculiarities which impose prudential considerations in generalizing about findings, and a comparative study with other Sicilian and/or Italian religious festivals will be important, mainly in order to delineate the actual sustainability of Festivals. The framework developed in this study can be helpful in the application of local social policies and also help comparative festival studies.

The promise of multimedia technology for STI/HIV prevention: frameworks for understanding improved facilitator delivery and participant learning.

Science.gov (United States)

Khan, Maria R; Epperson, Matthew W; Gilbert, Louisa; Goddard, Dawn; Hunt, Timothy; Sarfo, Bright; El-Bassel, Nabila

2012-10-01

There is increasing excitement about multimedia sexually transmitted infection (STI) and HIV prevention interventions, yet there has been limited discussion of how use of multimedia technology may improve STI/HIV prevention efforts. The purpose of this paper is to describe the mechanisms through which multimedia technology may work to improve the delivery and uptake of intervention material. We present conceptual frameworks describing how multimedia technology may improve intervention delivery by increasing standardization and fidelity to the intervention material and the participant's ability to learn by improving attention, cognition, emotional engagement, skills-building, and uptake of sensitive material about sexual and drug risks. In addition, we describe how the non-multimedia behavioral STI/HIV prevention intervention, Project WORTH, was adapted into a multimedia format for women involved in the criminal justice system and provide examples of how multimedia activities can more effectively target key mediators of behavioral change in this intervention.

[Utilitarian goals and artistic autonomy architectural forms and their functions].

Science.gov (United States)

Thibault, Estelle

2012-01-01

In the late 19(th) century, authors writing on aesthetics often referred to architecture to justify establishing a new hierarchy between things beautiful and things useful, a change underwritten by the rising sociological and anthropological perspectives on art. Meanwhile, architects debated the origins and evolution of artistic styles from the earliest forms of art to the most advanced monumental art works, a debate that fundamentally transformed the relationship between artistic expression and material determinism.

Application of multimedia image technology in engineering report demonstration system

Science.gov (United States)

Lili, Jiang

2018-03-01

With the rapid development of global economic integration, people’s strong desire for a wide range of global exchanges and interactions has been promoted, and there are more unprecedented convenient means for people to know the world and even to transform the world. At this stage, we realize that the traditional mode of work has become difficult to adapt to the changing trends of the world and informatization, multimedia, science and technology have become the mainstream of the times. Therefore, this paper will mainly analyze the present situation of the project report demonstration system and the key points of the work and put forward with pertinence specific application strategy of the integration with multimedia image technology.

Aesthetic Movements of a Social Imagination: Refusing Stasis and Educating Relationally/Critically/Responsibly

Science.gov (United States)

Guyotte, Kelly W.

2018-01-01

Maxine Greene centered the arts as important sites for cultivating a more relational and ethical means of educating students. Advocating for an aesthetic pedagogy, Greene conceived of aesthetics as a philosophy that studies artistic making, perception, and affect as a means of understanding experiences, and the meaning of those experiences as…

Dynamic capabilities, creative action, and poetics

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Donald MacLean

2017-05-01

Full Text Available Research on dynamic capabilities explores how businesses change enables enterprises to remain competitive. However, theory on dynamic capabilities still struggles to capture novelty, the essence of change. This study argues that a full understanding of strategic change requires us to sharpen our focus on real people and experiences; in turn, we must incorporate other faculties, which almost always operate alongside our logical ones, into our theory. We must pay more attention to the “non­-rational” sides of ourselves—including, but not limited to, our imaginations, intuitions, attractions, biographies, preferences, and aesthetic faculties and capabilities. We argue that all such faculties, on the one hand, are central to our abilities to comprehend and cope with complexity and, on the other hand, foster novel understandings, potential responses, and social creativity. This study intro­duces the possibility of an alternative form of inquiry that highlights the role of poetic faculties in strategic behavior and change.

Poetry in Programs: A Brief Examination of Software Aesthetics, Including Observations on the History of Programming Styles and Speculations on Post-object Programming

Science.gov (United States)

Filman, Robert E.

2004-01-01

This viewgraph presentation provides samples of computer code which have characteristics of poetic verse, and addresses the theoretical underpinnings of artistic coding, as well as how computer language influences software style, and the possible style of future coding.

Connection Between Ethics and Poetics in Aristoteles

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Ismet Tekerek

2013-06-01

Full Text Available Quality Research AwardEditorial InformationEditorial SummaryEditorial BoardSearch Home Journal Archive Vol.1,no.1,2012,Abstract10Connection Between Ethics and Poetics in Aristoteles   Ismet TEKEREKPh.D., Aegean University, Izmir.   ABSTRACT Action and character are two major concepts which called human into being in the past and also for the moment and will render human exist in the future. If action is being executed through the preference of free will of a conscious and prudent person then character of that person can be spoken. Action, character and preference of free will have an important position at the ethical and aesthetical views of Aristotle. He presents his views on the function of action, character and tragedia at his work Poetics in which he composed theatre aesthetics of the era by analysing tragedias originated from rituals and mythology and which are played for thousands of people. According to his views, sciences can be classified as practical and theoretical. Since practical sciences deal with human-character which is the source of action, theatre can be evaluated as practical art by following his views on tragedia and examples. Because tragedia is the imitation of an action which is experienced by a character who is better than the average, and this action orients the person to the good through catharsis which it creates. Aeschylus’ “Prometheus Bound” and Sophocles’ “Antigone”, which are among the most important and mature tragedias, are two examples projecting Aristotle’s ideas on action, character, free will, individual preference and average ethics. Only a tragic hero who executes his action by using his individual preference with his free will and carries out this action coherently can create catharsis on the audience. The audience watchs the conflict between equal powers developed by the tragedia, gets into catharsis; and the calmness after catharsis serves the view of good-wise citizen which is the

The poetics of immanence: Deleuze’s writing

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Annita Costa Malufe

2015-07-01

Full Text Available Deleuze's philosophy constructs a unique and highly expressive poetics. In fact, it is the result of an intense work in writing, which may not be separated from his philosophy of conceptual creation. Current paper conceptualizes what would be a poetics of immanence in Deleuze´s terms, as a contrast to mimetic and representational poetics. The poetics of immanence proposes a mutual presupposition between concepts and affections, or between thought and its expression in words, instead of a transcendent relationship between the two terms. The essay investigates some features of this poetics to demonstrate its pertinence for certain modern and contemporary poetics. Samuel Beckett, one of the most important references to Deleuze, will be highlighted in the paper.

Enhancement of Teaching-Learning Process through Multimedia Technology

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Charles, R.

2011-01-01

The Indian educational system has to meet the challenges of knowledge explosion and its requirement of increased enrolment in higher education. Computer and technology plays a pre-dominant role to meet out its challenges. Recent innovative Educational approach recommends self and sensory oriented instruction. Computer based multimedia is a tool…

'Watching an artist at work': aesthetic leadership in clinical nursing workplaces.

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Mannix, Judy; Wilkes, Lesley; Daly, John

2015-12-01

To explore how clinical leaders enact aesthetic leadership in clinical nursing workplaces. Clinical leadership is heralded as vital for safe and effective nursing. Different leadership styles have been applied to the clinical nursing workplace over recent years. Many of these styles lack an explicit moral dimension, instead focusing on leader qualities and developing leader competence around team building, quality and safety. Aesthetic leadership, with its explicit moral dimension, could enhance clinical leadership effectiveness and improve nursing workplaces. How aesthetic leadership is enacted in clinical nursing settings requires exploration. A qualitative design, employing conversation-style interviews with experienced registered nurses and written responses gathered from an online descriptive survey. Narrative data were gathered from interviews with 12 registered nurses and written accounts from 31 nurses who responded to an online survey. Together, transcribed interview data and the written accounts were subject to thematic analysis. Three main themes emerged: Leading by example: 'be seen in the clinical area'; Leading with composure: 'a sense of calm in a hideous shift'; and Leading through nursing values: 'create an environment just by your being'. Aesthetic leadership was shown to enhance clinical leadership activities in the nursing workplace. The capacity for clinical leaders to be self-reflective can positively influence the nursing workplace. It was apparent that clinical leader effectiveness can be enhanced with nursing values underpinning leadership activities and by being a visible, composed role model in the clinical workplace. Aesthetic leadership can enhance clinical nursing workplaces with its explicit moral purpose and strong link to nursing values. Clinical leaders who incorporate these attributes with being a visible, composed role model have the capacity to improve the working lives of nurses across a range of clinical settings. © 2015 John

Towards a poetics of the cinematographic frame

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Des O'Rawe

2011-05-01

Full Text Available In delineating a poetics of the cinematographic frame, this essay presents a typology of framing styles, and demonstrates ways in which filmmakers use the frame as an expressive resource—and ways in which the frame uses them. The examples discussed are modernist in orientation, and each has a particular association with a city—its history, architecture, and cultural character. Although it is common practice to refer to various—especially, modernist—framing situations as instances of deframing, the essay also enquires into the problematic nature of this term, suggesting alternative visual and cinematographic contexts more amenable to the deconstructive implications of this term. As the boundaries between cinema and the other arts continue to converge and relations between frame, image, and screen become more complex, this essay offers a reassessment of some first principles of film language, especially the aesthetic integrity of the cinematographic frame.

THE THEATRICAL POSTER BETWEEN ADVERTISING AND ARTISTIC CREATION

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TIPA VIOLETA

2016-12-01

Full Text Available If the great Constantin Stanislavski said that the theatre starts from the cloak-room, today, in the era of broadcasting, we could reformulate the idea, confi rming that the theatre starts with the poster. Posters in the modern variant appeared with the emergence of the printing press. J. Gutenberg’s invention in 1453 became the beginning of the third information revolution, signifying a new stage in the evolution of commercials. Th e poster tradition has taken a new momentum in the nineteenth century. Let us remember such masters as the famous French painter Henri de Toulouse-Lautrec and the Czech Alphonse Mucha (who became popular thanks to the posters with Sarah Bernhardt, and who laid the foundation of the principles of the European theatre poster. The analysis of theatre posters from the Republic of Moldova, certifi es their evolution from text information to the artistic-aesthetic image, from the purely informative image to the suggestive-symbolic one. To exemplify these ideas, we will use posters created for the shows of the „Licurici” and „Guguţă” Puppet Th eatres. Th e authors’ purpose was to present in the foreground of the show the title and the main characters keeping the same style that arouses the attention and curiosity of children. The posters, that promote the meanings and symbols of the message, are increasingly required. So, in a symbolic key, are made the posters for the plays „Swan Flight” (by Andersen, „Făt-Frumos din lacrimă” (by Mihai Eminescu, directed by Nina Zabrodin; „Planeta de rouă” (by Grigore Vieru, directed by Ion Puiu, „Cămașa norocului”, directed by Tatiana Cojocaru etc. Currently the poster (theatre poster has become an art form and submits peculiar artistic regularities and peculiarities, requiring not only a high artistic level of achievement, but also a conceptual one.

Multimedia systems overview: the big picture

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Riccomi, Alfred

1993-01-01

The golden opportunities represented by multimedia systems have been recognized by many. The risk and cost involved in developing the products and the markets has led to a bonanza of unlikely consortia of strange bedfellows. The premier promoter of personal computing systems, Apple Computer, has joined forces with the dominant supplier of corporate computing, IBM, to form a multimedia technology joint venture called Kaleida. The consumer electronics world's leading promoter of free trade, Sony, has joined forces with the leader of Europe's protectionist companies, Philips, to create a consumer multimedia standard called CD-I. While still paying lip service to CD-I, Sony and Philips now appear to be going their separate ways. The software world's most profitable/fastest growing firm, Microsoft, has entered into alliances with each and every multimedia competitor to create a mish mash of product classes and defacto standards. The battle for Multimedia Standards is being fought on all fronts: on standards committees, in corporate strategic marketing meetings, within industry associations, in computer retail stores, and on the streets. Early attempts to set proprietary defacto standards were fought back, but the proprietary efforts continue with renewed vigor. Standards committees were, as always, slow to define specifications, but the official standards are now known nd being implemented; ... but the proprietary efforts continue with renewed vigor. Ultimately, the buyers will decide -- like it or not. Success by the efforts to establish proprietary defacto standards could prove to be a boon to the highly creative and inventive U.S. firms, but at the cost of higher prices for consumers and slower market growth. Success by the official standards could bring lower prices for consumers and fast market growth, but force the higher-wage/higher-overhead U.S. firms to compete on a level playing field. As is always the case, you can't have your cake and eat it too.

Aesthetic considerations in algorithmic and generative composition

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Hagan, Kerry L.

Models of chance operations, random equations, stochastic processes, and chaos systems have inspired composers as historical as Wolfgang Amadeus Mozart. As these models advance and new processes are discovered or defined, composers continue to find new inspirations for musical composition. Yet, the relative artistic merits of some of these works are limited. This paper explores the application of extra-musical processes to the sonic arts and proposes aesthetic considerations from the point of view of the artist. Musical examples demonstrate possibilities for working successfully with algorithmic and generative processes in sound, from formal decisions to synthesis.

The Aesthetic as a Process of Dialogical Interaction: A Case of Collective Art Praxis

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Meban, Margaret

2009-01-01

In this article, the author highlights theoretical positions from the field of contemporary art that articulate the dialogical and relational aesthetic of contemporary socially-engaged art practices. To illustrate and examine the dimensions of such a social aesthetic in practice, the author shares the practice of Canadian artist, Julie Fiala,…

Ryoji Ikeda, Data Artist - Prix Ars Electronica Collide@CERN

CERN Multimedia

CERN. Geneva; Koek, Ariane; Heuer, Rolf; Ikeda, Ryoji; Mr. Horst, Hoertner

2014-01-01

at the CERN Globe of Science and Innovation, CERN. You are very warmly invited to the opening presentation of Data Artist, Ryoji Ikeda’s residency at CERN. Ryoji Ikeda, one of the world’s leading electronic composers and visual artists, is the new Prix Ars Electronica Collide@CERN award winner. Ryoji Ikeda and his science inspiration partner, Theoretical Physicist, Dr. Tom Melia will talk about their work in arts and science. They are at the beginning of their creative journey together at CERN. A little about Ryoji Ikeda – the new Prix Ars Electronica Collide@CERN artist in residence. Ryoji Ikeda focuses on the essential characteristics of sound itself and that of visuals as light by means of both mathematical precision and mathematical aesthetics. Ikeda has gained a reputation as one of the few international artists working convincingly across both visual ...

Avant-garde: The Convulsions of a Concept

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Michael T. Jones

1980-09-01

Full Text Available The current status of the «avant-garde» provokes many questions, which include both inner-artistic matters and matters of history and society commonly associated with Marxist or reception-oriented thinkers. The convolution of questions cannot be disentangled; efforts to confront the dilemmas of the avant-garde cannot abstract from matters of commodification, recent reception, or the complex dialectic of «classical» and «modern.» The essay deals with the most recent manifestations of avant-garde aesthetic impulses. It emphasizes the historical and social aspects of German theorizing in contrast to purely formalist or ahistorical conceptions commonly found elsewhere. It insists that such «materialist» theory does greater justice than formalist conceptualizations to the proverbial connections of «art» and «life.» It tries to integrate the present phenomenon of proliferating theory into the theoretical exposition, as a characteristic trait of the current situation. It warns against abandoning the subversive content of classical modernism in the course of developing a theory of post-modernism.

An Exploratory Study on K-12 Teachers' Use of Technology and Multimedia in the Classroom

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Martin, Florence; Carr, Marsha L.

2015-01-01

21st century has seen new technology and multimedia made available for integration in K-12 classrooms. This exploratory study examines K-12 teachers' use of technology and multimedia in the classroom in two southern counties in the Southeastern United States. The purpose of the study was to answer the following five research questions: 1) What…

Walking: Paths of a political and artistic practice

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Sergio Martínez Luna

2016-11-01

Full Text Available Walking is a practice that involves issues related to body, landscape, nature and city. The article provides a historical overview of some of these practices from English Romanticism to contemporary art. Within this historical framework walking is approached as a political and aesthetic practice that questions the logics of economic efficiency, as well as the parallel processes of privatization of public space. The different modalities of walking (alone, in group, around the city, through natural landscapes come together as different poetics and politics. Walking is to make a public discourse that stablishes a dialectic between traces and presences.

Design articulation for Aesthetics of Interaction

DEFF Research Database (Denmark)

Krogh, Peter; Graves Petersen, Marianne

2009-01-01

In this paper we present three categories of design articulations addressing the characteristic qualities of aesthetics of interaction. By aesthetics of interaction we point to the process in which interactive technology brings about aesthetic experience in the use of interactive technology......-designers. In this case the categories of design articulations frame intended aesthetic experiences. Our mission is that of using aesthetic theory to inform the design of interactive technology, which shapes aesthetic experiences in everyday use....

Artist concept of Mercury program study of medical effects and technology

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1964-01-01

Artist concept of Mercury program study of medical effects and technology development. Drawing depicts cut-away view of Mercury capsule orbiting the Earth, showing the astronaut and his capsule's hardware.

From Soft Sculpture to Soft Robotics: Retracing a Physical Aesthetics of Bio-Morphic Softness

DEFF Research Database (Denmark)

Jørgensen, Jonas

2017-01-01

Soft robotics has in the past decade emerged as a growing subfield of technical robotics research, distinguishable by its bio-inspired design strategies, interest in morphological computation, and interdisciplinary combination of insights from engineering, computer science, biology and material...... science. Recently, soft robotics technology has also started to make its way into art, design, and architecture. This paper attempts to think an aesthetics of softness and the life-like through an artistic tradition deeply imbricated with an interrogation of softness and its physical substrates, namely...... the soft sculpture that started proliferating in the late 1960s. Critical descriptions of these works, interestingly, frequently emphasize their similarities with living organisms and bodies as a central tenet of their aesthetics. The paper seeks to articulate aspects of a contiguity between softness...

Multimedia: Why Invest?

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Hirschbuhl, John J.

1992-01-01

Discusses the utilization of technology to assist the educational establishment deal with change. Topics addressed include multimedia metaphors such as graphical user interfaces; interactive videodisk systems; problems with current multimedia systems; a Multimedia Sampler developed at the University of North Carolina that includes applications…

Developing Computer-Assisted Instruction Multimedia For Educational Technology Course of Coastal Area Students

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Idris, Husni; Nurhayati, Nurhayati; Satriani, Satriani

2018-05-01

This research aims to a) identify instructional software (interactive multimedia CDs) by developing Computer-Assisted Instruction (CAI) multimedia that is eligible to be used in the instruction of the Educational Technology course; b) analysis the role of instructional software (interactive multimedia CDs) on the Educational Technology course through the development of Computer-Assisted Instruction (CAI) multimedia to improve the quality of education and instructional activities. This is Research and Development (R&D). It employed the descriptive procedural model of development, which outlines the steps to be taken to develop a product, which is instructional multimedia. The number of subjects of the research trial or respondents for each stage was 20 people. To maintain development quality, an expert in materials outside the materials under study, an expert in materials who is also a Educational Technology lecturer, a small groupof 3 students, a medium-sized group of 10 students, and 20 students to participate in the field testing took part in this research. Then, data collection instruments were developed in two stages, namely: a) developing the instruments; and b) trying out instruments. Data on students’ responses were collected using questionnaires and analyzed using descriptive statistics with percentage and categorization techniques. Based on data analysis results, it is revealed that the Computer-Assisted Instruction (CAI) multimedia developed and tried out among students during the preliminary field testing falls into the “Good” category, with the aspects of instruction, materials, and media falling into the “Good” category. Subsequently, results of the main field testing among students also suggest that it falls into the “Good” category, with the aspects of instruction, materials, and media falling into the “Good” category. Similarly, results of the operational field testing among students also suggest that it falls into the �

A Biblical Poetics for Filmmakers

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Dennis Packard

2014-06-01

Full Text Available In this paper, we present a poetics, or guide manual, for making narrative films that resemble biblical narratives. It is similar to Aristotle’s Poetics, only his was for creating drama (though it is of course often used for film now and was based on Greek dramas and epics. Our poetics is specifically for making films and is based on an even more ancient body of narratives—the Hebrew Bible. In articulating a biblical poetics for filmmakers, we draw heavily on the work of a few of the many biblical-narrative scholars of the last half-century, who draw in turn from the even more extensive research that has been done on narrative theory in general. Our project is one that Aristotle might have undertaken if he had read the Bible and its commentators and known about film.

Vladan Radovanović's "syntheѕic art"

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Janković Ivana

2003-01-01

Full Text Available In the course of his artistic career, which has lasted for more than fifty years now, Vladan Radovanović (b. Belgrade, 1932 has created works in the domains of electroacoustic music, mixed electronics, metamusic, visual arts artifugal projects, tactile art, literature, drawings of dreams, polymedial and vocovisual projects, as well as art theory. Central to his poetics is the theme of synthesic art. Based on a synthesis of the arts and a fusion of media, the flow of his opus disturbs the limitations of art. His synthesis of media-lines is neither a product of rational decision, nor is it inspired by the works of other artists. Its initial form appears in the mind of the artist as a sensation or a representation that emerges from sleep and dream or from his exploration of the mysteries of his inner being. In an attempt to create a classification of the arts that would suit his understanding of the nature of art, Radovanović has suggested a basic division into single-media and multi-media arts. Single-media arts include music, poetry and painting, whereas the remaining arts belong to the multi-media group. The latter contains works created by an expansion of mixed forms such as theatre, opera and ballet, but in which the media involved accomplish greater integrity - mixedmedia (for example: happening, fluxus etc multimedia (opera, film, environment and intermedia (a term which possesses two meanings: a new media that is in-between media, or a new media in which all the elements are equal and integrated. Radovanović prefers the second meaning, but he uses the term polymedia for such works. This term is analogous to polyphony, because Radovanović has aimed to create a polymedia form in which separate media lines would be treated in counterpoint, in order to remain complementary and mutually dependant. In 1957, Radovanović began to sketch his theoretical thesis, initiated by his concrete artistic output. Although he had distinguished his diverse

Printable Solid-State Lithium-Ion Batteries: A New Route toward Shape-Conformable Power Sources with Aesthetic Versatility for Flexible Electronics.

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Kim, Se-Hee; Choi, Keun-Ho; Cho, Sung-Ju; Choi, Sinho; Park, Soojin; Lee, Sang-Young

2015-08-12

Forthcoming flexible/wearable electronic devices with shape diversity and mobile usability garner a great deal of attention as an innovative technology to bring unprecedented changes in our daily lives. From the power source point of view, conventional rechargeable batteries (one representative example is a lithium-ion battery) with fixed shapes and sizes have intrinsic limitations in fulfilling design/performance requirements for the flexible/wearable electronics. Here, as a facile and efficient strategy to address this formidable challenge, we demonstrate a new class of printable solid-state batteries (referred to as "PRISS batteries"). Through simple stencil printing process (followed by ultraviolet (UV) cross-linking), solid-state composite electrolyte (SCE) layer and SCE matrix-embedded electrodes are consecutively printed on arbitrary objects of complex geometries, eventually leading to fully integrated, multilayer-structured PRISS batteries with various form factors far beyond those achievable by conventional battery technologies. Tuning rheological properties of SCE paste and electrode slurry toward thixotropic fluid characteristics, along with well-tailored core elements including UV-cured triacrylate polymer and high boiling point electrolyte, is a key-enabling technology for the realization of PRISS batteries. This process/material uniqueness allows us to remove extra processing steps (related to solvent drying and liquid-electrolyte injection) and also conventional microporous separator membranes, thereupon enabling the seamless integration of shape-conformable PRISS batteries (including letters-shaped ones) into complex-shaped objects. Electrochemical behavior of PRISS batteries is elucidated via an in-depth analysis of cell impedance, which provides a theoretical basis to enable sustainable improvement of cell performance. We envision that PRISS batteries hold great promise as a reliable and scalable platform technology to open a new concept of cell

Computer naratology: narrative templates in computer games

OpenAIRE

Praks, Vítězslav

2009-01-01

Relations and actions between literature and computer games were examined. Study contains theoretical analysis of game as an aesthetic artefact. To play a game means to leave practical world for sake of a fictional world. Artistic communication has more similarities with game communication than with normal, practical communication. Game study can help us understand basic concepts of art communication (game rules - poetic rules, game world - fiction, function in game - meaning in art). Compute...

Multimedia and Business Education.

Science.gov (United States)

Klemin, V. Wayne

1993-01-01

Old technology (the computer) coupled with borrowed technology (television, film, and stereo) complemented by multimedia standards from IBM, Apple, and the MPC Council and linked by new software form a new technology called multimedia, being used in education and in business training. (Author/JOW)

Cognitive Processes Underlying the Artistic Experience

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Alejandra Wah

2017-08-01

Full Text Available Based on the field of aesthetics, for centuries philosophers and more recently scientists have been concerned with understanding the artistic experience focusing on emotional responses to the perception of artworks. By contrast, in the last decades, evolutionary biology has been concerned with explaining the artistic experience by focusing on the cognitive processes underlying this experience. Up until now, the cognitive mechanisms that allow humans to experience objects and events as art remain largely unexplored and there is still no conventional use of terms for referring to the processes which may explain why the artistic experience is characteristically human and universal to human beings (Dissanayake, 1992, p. 24; Donald, 2006, p. 4. In this paper, I will first question whether it is productive to understand the artistic experience in terms of perception and emotion, and I will subsequently propose a possible alternative explanation to understand this experience. Drawing upon the work of Ellen Dissanayake (1992, 2000, 2015, Merlin Donald (2001, 2006, 2013, Antonio Damasio (1994, 2000, 2003, 2010, Barend van Heusden (2004, 2009, 2010, and Alejandra Wah (2014, I will argue that this experience is characterized by particular degrees of imagination and consciousness.

Using Poetic Documents: An Exploration of Poststructuralist Ideas and Poetic Practices in Narrative Therapy

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Speedy, Jane

2005-01-01

This paper explores the use of poetic documents in narrative therapy practice. It considers the ways in which feminist and poststructuralist ideas inform these practices and speculates about the extent to which a "poetic-mindedness" might sustain the practice of double- (or multiple-) listening. The author illustrates these explorations…

BUILDING BLOCKS: ENMESHING TECHNOLOGY AND CREATIVITY WITH ARTISTIC PEDAGOGICAL TECHNOLOGIES

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Katherine J.JANZEN

2017-01-01

Full Text Available Using the analogy of children’s building blocks, the reader is guided through the results of a research study that explored the use of three Artistic Pedagogical Technologies (APTs. ‘Building blocks’ was the major theme that emerged from the data. Sub-themes included developing community, enhancing creativity, and risk taking. The discourse of the paper centers on how selected APTs stimulate interaction, create social presence, and help develop community in the online post-secondary classroom. Additional findings are discussed and implications are presented.

Visual Attention and Applications in Multimedia Technologies

OpenAIRE

Le Callet, Patrick; Niebur, Ernst

2013-01-01

Making technological advances in the field of human-machine interactions requires that the capabilities and limitations of the human perceptual system are taken into account. The focus of this report is an important mechanism of perception, visual selective attention, which is becoming more and more important for multimedia applications. We introduce the concept of visual attention and describe its underlying mechanisms. In particular, we introduce the concepts of overt and covert visual atte...

Analysis of optical transmission by 400-500 nm visible light into aesthetic dental biomaterials.

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Watts, D C; Cash, A J

1994-04-01

The penetration of visible light into dental biomaterials is an essential factor in photoinitiation of setting reactions and in the optical aspects of dental aesthetics. Light of visible blue wavelengths, 400-500 nm, has been applied at normal angles to 0.2-5.0 mm sections of human dentine and representative ceramic, polymerceramic composites and hybrid glass-polyalkenoate materials. The integrated optical transmission has been determined for each material section. The data have been converted to absorbance values and analysed to check for mathematical conformity to the Beer-Lambert Law. It is found that conformity (typically, P ratio. This factor ranges from 30% to 90% in the materials investigated. It follows that there is a high degree of inefficiency in the transmission of visible light into and through aesthetic biomaterials for the purposes of photoactivation using existing technology. Means by which this limitation and inefficiency may be reduced are discussed. While the reflectivity of aesthetic biomaterials has been perceived by dental practitioners, the magnitude of this effect and its implications in connection with light-cured materials have not been analysed and emphasized hitherto.

Hollywood's Conversion to Color: The Technological, Economic and Aesthetic Factors.

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Kindem, Forham A.

1979-01-01

Discusses the film industry's conversion to color cinematography in the period between the 1920s and 1960s. Cites economic considerations, technological modifications, and aesthetic preferences by audiences as factors in this development. (JMF)

Reception of the Warsaw Autumn Festival in Lithuania: Cultural Discourse and Political Context

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Stanevičiūtė Rūta

2017-12-01

Full Text Available This article aims to offer a broader understanding of the Lithuanian reception of the Warsaw Autumn festival in relation to the modernisation of national music in Lithuania since the late 1950s – early 1960s. Based on a micro-historical and comparative approach to the network of individuals and events, it is intended to explore the shifts of reception through analysis of musical criticism, composers’ work and discourse, and artistic exchange between the Lithuanian and Polish new music scenes. The author discusses the cultural and political factors which affected the changing role of the Warsaw Autumn festival and its impact on the modernisation processes in Lithuanian music. In addition, the asymmetries of mutual understanding and interests between the Polish and Lithuanian music cultures have been highlighted both during the Cold War and the post-communist transformation periods.

Technological Innovation and Beyond: Exploring Public Value of University Inventions Based on Contingent Effectiveness Model

DEFF Research Database (Denmark)

Milana, Evita; Li-Ying, Jason; Faria, Lourenco

2017-01-01

University inventions are traditionally seen as significant input into development of new technologies and innovations in the market as they generate growth and regional development. (REF) Yet, these inventions developed into new technologies can simultaneously create public values such as those...... that are related with sustainability goals. In this paper, we apply the Contingent Effectiveness Model by Bozeman et.al. (2015) as a framework to consider the effectiveness of technology transfer from university to industry via licensing, and examine what values derive during the commercialization process...... of university inventions. We define four main values: technological, economic, social and environmental, and place the latter two under the concept of public value. The aim of this paper is to expand the understanding of public value and incorporate it into technology transfer literature. We assign...

assessment of socio-economic characteristics of community based

African Journals Online (AJOL)

GRACE

Keywords: Socio-cultural, Characteristics, Neighbours, Festivals, Community, ... diffusion of power through a wider circle of population (Claudia, 2003; Nallari .... growth to conquer material poverty; the corrupt theory, which recognizes that ...

Potential Pedagogical Benefits and Limitations of Multimedia Integrated Desktop Video Conferencing Technology for Synchronous Learning

NARCIS (Netherlands)

drs Maurice Schols

2009-01-01

As multimedia gradually becomes more and more an integrated part of video conferencing systems, the use of multimedia integrated desktop video conferencing technology (MIDVCT) will open up new educational possibilities for synchronous learning. However, the possibilities and limitations of this

Arab Spring, "Favelas," Borders, and the Artistic Transnational Migration: Toward a Curriculum for a Global Hip-Hop Nation

Science.gov (United States)

Ibrahim, Awad

2017-01-01

Straddling between the purely political and the poetically artistic, I am arguing, is a Global Hip-Hop Nation (GHHN), which is yet to be charted and its cartography is yet to be demarcated. Taking two examples, the first a Hip-Hop song from within the Arab Spring and the second from the "favelas" in Brazil, my intent is to show what…

Ten years of a model of aesthetic appreciation and aesthetic judgments : The aesthetic episode - Developments and challenges in empirical aesthetics.

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Leder, Helmut; Nadal, Marcos

2014-11-01

About a decade ago, psychology of the arts started to gain momentum owing to a number of drives: technological progress improved the conditions under which art could be studied in the laboratory, neuroscience discovered the arts as an area of interest, and new theories offered a more comprehensive look at aesthetic experiences. Ten years ago, Leder, Belke, Oeberst, and Augustin (2004) proposed a descriptive information-processing model of the components that integrate an aesthetic episode. This theory offered explanations for modern art's large number of individualized styles, innovativeness, and for the diverse aesthetic experiences it can stimulate. In addition, it described how information is processed over the time course of an aesthetic episode, within and over perceptual, cognitive and emotional components. Here, we review the current state of the model, and its relation to the major topics in empirical aesthetics today, including the nature of aesthetic emotions, the role of context, and the neural and evolutionary foundations of art and aesthetics. © 2014 The British Psychological Society.

PHOG analysis of self-similarity in aesthetic images

Science.gov (United States)

Amirshahi, Seyed Ali; Koch, Michael; Denzler, Joachim; Redies, Christoph

2012-03-01

In recent years, there have been efforts in defining the statistical properties of aesthetic photographs and artworks using computer vision techniques. However, it is still an open question how to distinguish aesthetic from non-aesthetic images with a high recognition rate. This is possibly because aesthetic perception is influenced also by a large number of cultural variables. Nevertheless, the search for statistical properties of aesthetic images has not been futile. For example, we have shown that the radially averaged power spectrum of monochrome artworks of Western and Eastern provenance falls off according to a power law with increasing spatial frequency (1/f2 characteristics). This finding implies that this particular subset of artworks possesses a Fourier power spectrum that is self-similar across different scales of spatial resolution. Other types of aesthetic images, such as cartoons, comics and mangas also display this type of self-similarity, as do photographs of complex natural scenes. Since the human visual system is adapted to encode images of natural scenes in a particular efficient way, we have argued that artists imitate these statistics in their artworks. In support of this notion, we presented results that artists portrait human faces with the self-similar Fourier statistics of complex natural scenes although real-world photographs of faces are not self-similar. In view of these previous findings, we investigated other statistical measures of self-similarity to characterize aesthetic and non-aesthetic images. In the present work, we propose a novel measure of self-similarity that is based on the Pyramid Histogram of Oriented Gradients (PHOG). For every image, we first calculate PHOG up to pyramid level 3. The similarity between the histograms of each section at a particular level is then calculated to the parent section at the previous level (or to the histogram at the ground level). The proposed approach is tested on datasets of aesthetic and

Multimedia technologies in university libraries: opportunities and tasks

Directory of Open Access Journals (Sweden)

Tavalbekh Serkhan Ali

2010-03-01

Full Text Available Multimedia technologies (MMT are considered as a factor of qualitative changes of informational environment of education. Leading role of libraries in the process of integration of MMT environment of university is determined. Influence of libraries experience in usage of informational technologies both traditional and computer-aided, Internet in particular is observed. Determined that introduction of MMT noticeable improving the importance of library in MMT environment organization of universities, improvement of library informational service. Tasks of university libraries with integration into united media space are defining.

Poetic and Francis Bacon's Ambivalence toward Language.

Science.gov (United States)

Pribble, Paula Tompkins

Just as rhetoric is a way of knowing, so is poetic, both of which, for Francis Bacon, produce false knowledge. But Bacon is not entirely negative. When the poetic elements of language are used in strategic and public communication, like the scholarly communication Bacon attempts to reform, poetic and rhetoric work together to create a plurality of…

Benefits and Pitfalls of Multimedia and Interactive Features in Technology-Enhanced Storybooks

Science.gov (United States)

Takacs, Zsofia K.; Swart, Elise K.; Bus, Adriana G.

2015-01-01

A meta-analysis was conducted on the effects of technology-enhanced stories for young children’s literacy development when compared to listening to stories in more traditional settings like storybook reading. A small but significant additional benefit of technology was found for story comprehension (g+ = 0.17) and expressive vocabulary (g+ = 0.20), based on data from 2,147 children in 43 studies. When investigating the different characteristics of technology-enhanced stories, multimedia features like animated pictures, music, and sound effects were found beneficial. In contrast, interactive elements like hotspots, games, and dictionaries were found to be distracting. Especially for children disadvantaged because of less stimulating family environments, multimedia features were helpful and interactive features were detrimental. Findings are discussed from the perspective of cognitive processing theories. PMID:26640299

9th International Conference on Multimedia and Ubiquitous Engineering and the 10th International Conference on Future Information Technology

CERN Document Server

Chao, Han-Chieh; Arabnia, Hamid; Yen, Neil; Advanced Multimedia and Ubiquitous Engineering : Future Information Technology; MUE-15; FutureTech 2015

This volume brings together contributions representing the state-of-the-art in new multimedia and future technology information research, currently a major topic in computer science and electronic engineering. Researchers aim to interoperate multimedia frameworks, transforming the way people work and  interact with multimedia data. This book covers future information technology topics including digital and multimedia convergence, ubiquitous and pervasive computing, intelligent computing and applications, embedded systems, mobile and wireless communications, bio-inspired computing, grid and cloud computing, semantic web, human-centric computing and social networks, adaptive and context-aware computing, security and trust computing and related areas.  Representing the combined proceedings of the 9th International Conference on Multimedia and Ubiquitous Engineering (MUE-15) and the 10th International Conference on Future Information Technology (FutureTech 2015), this book aims to provide a complete coverage of...

Enhancing Lay Counselor Capacity to Improve Patient Outcomes with Multimedia Technology.

Science.gov (United States)

Robbins, Reuben N; Mellins, Claude A; Leu, Cheng-Shiun; Rowe, Jessica; Warne, Patricia; Abrams, Elaine J; Witte, Susan; Stein, Dan J; Remien, Robert H

2015-06-01

Multimedia technologies offer powerful tools to increase capacity of health workers to deliver standardized, effective, and engaging antiretroviral medication adherence counseling. Masivukeni-is an innovative multimedia-based, computer-driven, lay counselor-delivered intervention designed to help people living with HIV in resource-limited settings achieve optimal adherence. This pilot study examined medication adherence and key psychosocial outcomes among 55 non-adherent South African HIV+ patients, on antiretroviral therapy (ART) for at least 6 months, who were randomized to receive either Masivukeni or standard of care (SOC) counseling for ART non-adherence. At baseline, there were no significant differences between the SOC and Masivukeni groups on any outcome variables. At post-intervention (approximately 5-6 weeks after baseline), -clinic-based pill count adherence data available for 20 participants (10 per intervention arm) showed a 10 % improvement for-participants and a decrease of 8 % for SOC participants. Masivukeni participants reported significantly more positive attitudes towards disclosure and medication social support, less social rejection, and better clinic-patient relationships than did SOC participants. Masivukeni shows promise to promote optimal adherence and provides preliminary evidence that multimedia, computer-based technology can help lay counselors offer better adherence counseling than standard approaches.

Enhancing Lay Counselor Capacity to Improve Patient Outcomes with Multimedia Technology

Science.gov (United States)

Robbins, Reuben N.; Mellins, Claude A.; Leu, Cheng-Shiun; Rowe, Jessica; Warne, Patricia; Abrams, Elaine J.; Witte, Susan; Stein, Dan J.; Remien, Robert H.

2015-01-01

Multimedia technologies offer powerful tools to increase capacity of health workers to deliver standardized, effective, and engaging antiretroviral medication adherence counseling. Masivukeni is an innovative multimedia-based, computer-driven, lay counselor-delivered intervention designed to help people living with HIV in resource-limited settings achieve optimal adherence. This pilot study examined medication adherence and key psychosocial outcomes among 55 non-adherent South African HIV+ patients, on ART for at least 6 months, who were randomized to receive either Masivukeni or standard of care (SOC) counseling for ART non-adherence. At baseline, there were no significant differences between the SOC and Masivukeni groups on any outcome variables. At post-intervention (approximately 5–6 weeks after baseline), clinic-based pill count adherence data available for 20 participants (10 per intervention arm) showed a 10% improvement for Masivukeni participants and a decrease of 8% for SOC participants. Masivukeni participants reported significantly more positive attitudes towards disclosure and medication social support, less social rejection, and better clinic-patient relationships than did SOC participants. Masivukeni shows promise to promote optimal adherence and provides preliminary evidence that multimedia, computer-based technology can help lay counselors offer better adherence counseling than standard approaches. PMID:25566763

Asian Heritage in Roberta Carreri's artistic autobiography, Traces in the Snow

DEFF Research Database (Denmark)

Kuhlmann, Annelis

2014-01-01

The intercultural relation between Asian performing traditions and Western avant-garde group theatres has left traces in both training and aesthetics. Especially in performative professional autobiographies the body narrative reveals a presence that contains historiographical and artistic questions...... on the ephemerality of the performance. At Odin Teatret, almost every artist has several work demonstrations that transform an image of the professional autobiography of the actor. With focus on Roberta Carreri’s work demonstration Traces in the Snow this paper discusses the challenges of research methods concerning...

The Ethics of Rural Place-Making: Public Space, Poetics, and the Ontologies of Design

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Emily Potter

2010-03-01

Full Text Available The small settlement of Hopetoun in the Victoria’s north-east – Mallee country – is oriented physically, economically and socially around Lake Laschelle. Large signs map the way for the tourist to its edge, where boat ramps and picnic sites await. And yet there is no water here and has been none for years. The presence of water in its absence is palpable. Over three years I followed water around the drought-ridden Mallee, a participant in a creative research project that sought to poetically recollect and assemble stories from this country as an experiment in place-making. Via collaborative practice between artists, with local community, and with the material environment of the Mallee itself, this still ongoing project brings poetic practice to bear on questions of political urgency – drought, climate change, community distress – usually the province of the techno and social sciences. In a land cultivated to take note of water’s absence, the project began to assemble its presence. This paper discusses this project as a methodological experiment that raises unsettling questions about the ethics of place-making in a context of post-colonial environmental change.

Aesthetic Function Realized in the Selected Modern Chinese Essays by Zhang Peiji

Institute of Scientific and Technical Information of China (English)

罗丹

2014-01-01

The selected modern Chinese essays translated by Zhang Peiji is a masterpiece for Chinese scholars to do translation research. Prof. Zhang not only excels at translating the Chinese works accurately but also conveys the aesthetic value in the translated version. This paper wil analyse the aesthetic function used in Zhang Peiji’s selected modern Chinese essays from five aspects, music value, rhythm value, ful-grownness value, conciseness value and artistic conception value.

Esteetilise suhtumise mõiste Nõukogude Eesti esteetikas. The Concept of Aesthetic Approach in Soviet Estonian Aesthetics

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Marek Volt

2012-04-01

Full Text Available This nostalgic yet analytic article discusses the topic of aesthetic approach in the aesthetic literature of Soviet Estonia (authors Borev, Kagan, Stolovich and others. Firstly, the aesthetic approach engages man’s creative/reshaping activities in relation to the world (following Marx’s slogan that ’man also produces in accordance with the laws of beauty’. Secondly, an artistic meaning can be distinguished, followed by a third, the subjective aesthetic meaning, which indicates the actual application of aesthetic categories (such as ’beauty’, ’sublimity’, etc.. Since the subjective aesthetic meaning is fundamental in relation to the other meanings, the article focuses on the specific characterisation of this category. The first important characteristic is the appraisability, which is born from the usage of the categories; the number of categories has been subject to historical change, reflecting the development of man’s aesthetic approach. Aesthetic approach was mainly defined through the five conditions (sensuousness, direct contact with the concrete object, selflessness, and the appraisal of the object in comparison with the ideal. Analysis of the aesthetic approach in a historical dialectic relation to theoretical, utilitarian and ethical approaches indicates that aesthetical feelings only arose towards the end of the Paleolithic era. Peoples on a lower developmental level didn’t know of aesthetic appraisal, or their aesthetic appraisals were still very closely connected with the utilitaristic. Even though all approaches at times are exhibited in their ‘pure’ forms, Soviet aesthetics generally held to the opinion that they arose simultaneously in daily practice and were intertwined with one another. The societal and practical meanings are what constitute the aesthetic approach – meaning that they define what man will begin to consider beautiful (in its more radical forms, this meant reducing the beauty of an object to

Nuanced aesthetic emotions: emotion differentiation is related to knowledge of the arts and curiosity.

Science.gov (United States)

Fayn, Kirill; Silvia, Paul J; Erbas, Yasemin; Tiliopoulos, Niko; Kuppens, Peter

2018-05-01

The ability to distinguish between emotions is considered indicative of well-being, but does emotion differentiation (ED) in an aesthetic context also reflect deeper and more knowledgeable aesthetic experiences? Here we examine whether positive and negative ED in response to artistic stimuli reflects higher fluency in an aesthetic domain. Particularly, we test whether knowledge of the arts and curiosity are associated with more fine-grained positive and negative aesthetic experiences. A sample of 214 people rated their positive and negative feelings in response to various artworks including positive and negative themes. Positive ED was associated with the embracing sub-trait of curiosity that reflects engagement and enjoyment of novelty and complexity, but was unrelated to artistic knowledge and perceived comprehension. Negative ED was associated with higher curiosity and particularly more knowledge of the arts. This relationship was mediated by appraised comprehension suggesting that deeper engagement with art, by those with more art knowledge, is associated with more fine-grained emotional experiences. This finding extends ED beyond well-being research and suggests that more nuanced emotional experiences are more likely for those with expertise in the arts and motivation for exploration.

Eisenstein in Mexico: Greenaway’s post-modern representation of the Queer artist

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Andrei dos Santos Cunha

2017-01-01

Full Text Available http://dx.doi.org/10.5007/2175-8026.2017v70n1p221 In his film Eisenstein in Guanajuato (2016, British director Peter Greenaway pays homage to Soviet filmmaker Sergei Eisenstein, a pioneer who helped to create the language of film. The biopic focuses on Eisenstein’s stay in Mexico. The film is also a meditation on Greenaway’s own aesthetic choices. Throughout his career, Greenaway has made extensive use of intermedia, expanding the vocabulary of “ideogrammic montage”, a theory of film editing first proposed by Eisenstein himself. The use of hybrid forms of artistic expression allows the film to discuss the very idea of authorship and individual creation. The biopic, as a genre, became over time a platform that allows for the domestication of the figure of the artist or author and for the representation of the creative process as a purging act of the creative body. Greenaway subverts expectations regarding the biopic genre by shunning realism when representing the artist and by associating a queer identity and Eisenstein’s body to the artist’s processes of sensorial exploration and aesthetic development.

The creativity in the artist-childhood relationship.

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Gilles Jean Abes

2009-12-01

Full Text Available This work searched to examine the manifestations of creativity in the artist-childhood relationship. Our reflection took for theorical basis authors/researchers like André Malraux, Howard Gardner and Charles Baudelaire in parallel with three novels of occidental literature: Gogol’s O retrato, Machado de Assis’ Um homem célebre and Cantiga de esponsais. Why the “genius is such the childhood refounded”, like said the poet of Flores do mal? This is the interrogation that started the exam of this relationship. This way, the research questioned the absolut supremacy of the racional doing in the artistic creation trying to show a variable degree of influence of the imagination, unconsciousness or of an intruder element indenpendently of the knowledge. There would be like this in childhood and in certain artists an incompletude that “shine a lapse” and would allow an “invention of the possible”.

Philosophy as Verse-Performance: five poems and a formalist prospectus

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Christopher Norris

2017-01-01

Full Text Available This article consists of five poems and an introductory essay. The poems are intended on the one hand to make a case for the currently underrated virtues of poetic formalism, i.e., for the revival of rhyme and meter as aspects of poetic practice. On the other they argue for a distinctly philosophical mode of poetry that embraces the values of conceptual or rational discourse as against a romantic-modernist conception premised on the intrinsic superiority of lyric, metaphor, symbol, analogy, and suchlike touchstone values. These issues are laid out programmatically in the opening essay and developed in a more performative as well as formal way in the five poems.

The Idea of Conformation in the Study of Systemic Socio-Economic Transformations

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Olga Valentinovna Brizhak

2016-12-01

Full Text Available The author shows the idea of conformation at studying the issues of intracorporate structure, corporate capital and economic (productive relations in the context of specific systemic socio-economic transformations. The dynamism and depth of current changes makes reflect on their nature, their objective conditionality, their dependence on existing factors. The problems of systemic market reforms are projected to private transformations. They relate both to individual economic entities (firms, companies, corporations, and to individual regions and territories of the national economy. In such conditions the aims of economic system development are changing and being corrected, and the possibilities are being reestimated. In the process of reforming the Russian economy some of the borrowed elements were rejected as inadequate and socially unacceptable. The other part was modified and embedded in public life in the course of implementation, so that they often served the opposite purposes in comparison with those for which they were borrowed. The article reveals the mission of conformation as a seamless integration of this process into the context of systemic socio-economic reforms, ensuring the necessary proportionality of transformations, the prevention of arousing gaps that threaten the sustainable movement in the corporate sector and systemic organization of economic relations at the intra-corporate level. Core development of contradictions, sprouts of post-market relations, components of the traditional capitalist market organization in terms of socio-economic transformation of Russia have impact on the economic behavior of corporations and on the specifics of intracorporate relations and interests. The corporation’s behavior is always focused on the specifics of domestic relations, the stability of legal and political system, property rights protection, preservation of national culture, etc. The author carries out the present research on the

Dragon Boat Festival.

Science.gov (United States)

Lew, Gordon

This is one of a series of elementary readers written in Cantonese and English and designed to familiarize children with the traditional major Chinese festivals celebrated by the Chinese in America. This booklet describes the celebration of the Dragon Boat Festival, which marks the beginning of summer. A brief background to the festival is…

On Literary Criticism: Looking into Noer’s Moths from the planes of light of New Critics, Russian Formalists and the Structuralists

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Herujiyanto Herujiyanto

2016-12-01

Full Text Available Without denying the truth of the so-called silent enim leges inter arma [Law stands mute in the midst of arms], this paper makes use of the analytical perspectives of New Criticism, Russian Formalism and Structuralism to look into Arifin C. Noer’s play named Moths. It is admitted that literary critics often define their assumptions about literary work and the better way to go about reading it (and writing about it. The New Critics, Russian Formalists and the Structuralists are only three of them. According to Ian Ousby, the three groups can be described as formalists; they share a common conception: a work is autotelic, that is, complete in itself, written for its own sake, and unified by its form – that which makes it a work of art.1 Looking closer at the three movements, we would undoubtedly find that they are not exactly the same. The New Critics, for example, explicitly repudiated English Romanticism and its radical tradition while Russian Formalists merely attacked the utilitarian and social tradition.2 Then, Russian Formalists were concerned with the way in which the individual work of art was perceived differently against the background of the literary system as a whole. The Structuralists, however, set themselves the task of describing the organization of the total sign-system itself by dissolving the individual unit back into the langue of which it is a partial articulation.3 The end goal of this study is, thus, to find the possible ways to go about reading the play; to see how the playwright seems to write about his work; and to have a better understanding of the nature of the play.   DOI: https://doi.org/10.24071/llt.2014.170106

Deturned City Design as tool for Aesthetic Urban living

DEFF Research Database (Denmark)

Kiib, Hans

and the narrative’. In large prestige projects you often see that new expressive architecture is coupled with old industrial buildings in order to create strong stories about a future; similar art installations and temporary architecture are emerging providing the audience with spatial experiences questioning...... in the urban environment and to look at the artistic methods and architectural tools that are involved in large art installations today. The article pays special attention to the use of temporary architecture in relation to festivals and events. It is an allegation that the temporary architecture provides...

Silent Conversations in the Labyrinth of Artistic Research and Practice

Science.gov (United States)

Eis, Andrea

2013-01-01

This essay explores silent conversations with the past, but also navigates through the labyrinth of artistic process, with its manifold passages of research, chance occurrence and aesthetic experimentation. The double metaphors of silent conversations and labyrinths apply to the essay and the artwork within it, to the research and to the practice.…

Forming Future Teachers' Aesthetic Culture in Foreign Educational Practice

Science.gov (United States)

Sotska, Galyna

2016-01-01

The article deals with a theoretical analysis of foreign educational experience in solving scientific problems of forming future teachers' aesthetic culture. Given the current socio-cultural situation, it has been noted that a teacher who developed his/her aesthetic culture can make a direct contribution to the social and cultural challenges of a…

Producing access for the elderly to territories of culture: an experience of occupational therapy in an art museum

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Ana Tereza Costa Galvanese

2014-04-01

Full Text Available From 1996 to 2009, the Laboratory for Studies and Research in Art, Body and Occupational Therapy established a cooperation with the Museum of Contemporary Art of USP (MAC USP, working in partnership with the Leisure and Art to the Elderly Program of the Education and Technical-Scientific Division of MAC USP. The program offers an introduction in contemporary artistic practice to the elderly. This paper presents the interdisciplinary experience developed in this partnership in 2006. The method adopted in the program is referenced in the Triangular Approach to Teaching Art. Therefore, the appreciation of works of art and the contextualization of selected artists formed the basis on which participants developed their own poetics. The preparatory work was developed in group dynamics, including activities of body awareness and conversation circles coordinated by occupational therapists and students. They also accompanied the participants in their demands related to the challenges of constructing access to socio-cultural territories. The relevance of this living process was evident in the topics proposed by participants in conversations, or arisen during the body work. The aesthetic quality of the participants’ production resulted in personal and collective satisfaction and provoked admiration of the public who visited the workshop and exhibition, organized from this production.

Data aesthetics - between clouds of information and subjective experience

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Thomas Bjoernsten

2016-03-01

Full Text Available This article takes it point of departure from a three-year research project entitled “Making sense of data – understanding digital reality through contemporary artistic practices of visualization and sonification”. As the project does, so will this article focus on the analysis of specific practices and artefacts, occupied with exploring digital formats and data through both visualization and sonification strategies (the latter referring to the task of turning data into audible sound, thus, expanding the use of large data sets into the sphere of art and the aesthetic. The article will critically discuss such artistic renderings of what might be termed as ‘Big Data’ and how these various data-translations are presented in the form of artefacts, installations, and performances that establish different aesthetic experiences and effects. A further point developed within the article will be how the examples addressed here diverge according to the data sets used, as something either drawn from large public and (mostly accessible databases or individually collected data.

27 Estonian Music Festivals 2002

Index Scriptorium Estoniae

2003-01-01

2002. aastal Eestis toimunud muusikafestivalidest: opeNBaroque 2002 (muusikafestival),Akadeemilised Trompetipäevad, Klavessiinimuusika Päevad, Eesti muusika päevad 2002,Mravinski Festival, Rudolf Tobiase muusikafestival, Eduard Tubin ja tema aeg (muusikafestival), Suure-Jaani muusikapäevad 2002,Regiöö (muusikafestival), David Oistrahhi festival, Haapsalu vanamuusikafestival 2002, Viljandi vanamuusikafestival 2002, Hiiumaa kammermuusikapäevad 2002, Klaaspärlimäng (festival),Mustjala Festival, Haapsalu viiulimuusika Päevad 2002, Kuressaare ooperipäevad 2002, Leigo järvemuusika 2002, Tallinna Orelifestival, Rapla kirikumuusika X festival 2002, Kuressaare kammermuusikapäevad 2002, Mart Saare muusikafestival, Credo 2002, Tartu vanamuusika IX festival, Trialogos 2002 (kultuurifestival), Fiesta de la guitarra (kitarrimuusika festival), Klaver 2002

"A shepherd has to invent": Poetic analysis of social-ecological change in the cultural landscape of the central Spanish Pyrenees

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Maria E. Fernández-Giménez

2015-12-01

Full Text Available Since the mid-20th century, the Pyrenean pastoral social-ecological system (SES has undergone socioeconomic and demographic transformations leading to changes in grazing practices and a decline in the livestock industry. Land abandonment has contributed to an ecological transition from herbaceous vegetation cover to shrublands and forests, leading to a loss of ecosystem services, including biodiversity and forage. I interviewed 27 stockmen (ganaderos in two valleys of the central Pyrenees to document their traditional ecological knowledge and observations of environmental, social, economic, and cultural changes in the valleys. I used poetic analysis, a qualitative data analysis approach, to illustrate and analyze one ganadero's experience of social-ecological change. First, I created seven poems based on an interview transcript with this ganadero. Second, I analyzed the poetry I created, to see what new insights and understanding about system dynamics and the lived experience of SES change emerged from analysis of the transcript re-presented as poetry. Third, I compared key themes that emerged from this analysis with findings across the other 26 interviews. Fourth, I read the poems and presented the associated analysis to multiple audiences, to gauge their impact and effectiveness in communicating research findings. Finally, I synthesized across the themes raised in the seven poems. Poetic analysis revealed emotional and cultural dimensions of change, especially the importance of occupational and place identity, in the experience of the ganadero. The transcript re-presented as poetry portrayed the ganadero as an agent in creating and maintaining a cultural landscape and as both an adaptor and resister to SES change. Poetic analysis also uncovered telling contradictions, adaptive capacities, and barriers to adaptation in this SES that went unappreciated with conventional qualitative analysis approaches. This exploratory study illustrates the

Ouyang Jianghe’s Aesthetic Principles in their Relation to the Modern Poetic Tradition in Russia

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Sofiia Zaichenko

2015-04-01

Full Text Available This article presents a comparative analysis of the modern Chinese and Russian poetry. Peculiar linguo-philosophical ideas of an internationally recognized Chinese poet Ouyang Jianghe are being juxtaposed with poetic views of famous Russian poets such as Osip Mandelstam, Joseph Brodsky and Arkadii Dragomoshchenko. The paper should be of interest to readers, because it deals with the yet unexplored topic. Recently, scholars have focused on the relationship between Chinese and Russian poetry of the classical period. According to a generally accepted opinion, the dialogue between Russian and Chinese literary traditions does not move further than the classical masterpieces by Dostoevsky, Pushkin, Gogol, Turgenev and Tolstoy. Hypothesis of research – a creative interaction between Russian and Chinese literatures still goes on after the collapse of the Soviet Union, which has lead to the loosening of strong cultural ties between Russia and China. As a proof of this statement the present paper reveals striking similarities between the theories of the Acmeist Mandelstam and the leading post-Obscure poet Ouyang Jianghe. That is, both of them share the language-centered approach to the art of poetry. Secondly, this paper provides factual evidence that Heidegger’s view on language as the house of being is one the main features uniting poetry of Dragomoshchenko, Brodsky and Ouyang. In summary, Russian school of poetry has left such a deep imprint on Chinese poetry that it can still be seen in the works of Post-Obscure poets. This article helps strengthen the intercultural dialogue, enhances mutual understanding between Russia and China and encourages further research regarding modern Chinese and Russian poetic traditions. Keywords: word, vivifying power, dissection, Hellenism, Acropolis, hunger, house of being, readability

Contemporary Ukrainian Literature for Children and Youth in the Context of Multiculturalism as an Educational Practice

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Tetiana Kachak

2018-04-01

Full Text Available The article outlines the problem of relevance of multiculturalism in Ukrainian society and educational practice of the modern Ukrainian school. The authors analyze the artistic works by Oksana Lushchevska, addressed to young readers, representing the coexistence of various forms of cultural life, highlighting the problem of preserving one's own and perceiving another cultural identity, tolerant interaction of representatives of various ethnic groups. Simultaneously, the novel by American writer Rainbow Rowell focused on negative phenomena of interethnic interaction, but offered readers an interesting and multifunctional artistic text in terms of receptive poetics and aesthetics. Considered in the paper works can be an effective means of multicultural education and upbringing of schoolchildren.

Art, Science and the Invention of Things That Last

KAUST Repository

Edwards, David

2018-01-14

Aesthetic creation involves a close collaboration between discovery, invention and cultural exhibition, as well as between learning and producing value. It is typified by the patterns of creative behavior in highly innovative communities like Silicon Valley (for IT) or Boston (for biotech) where cultures of learning, experimentation, and production or commercialization coexist, and where a high degree of interdisciplinary collaboration occurs. In this lecture, David Edwards will highlight the growing movement of aesthetic creation in the arts, sciences and engineering as a path for sustaining and improving the human condition in the longest term. He will highlight aesthetic creation in the light of the culture lab model of Le Laboratoire (Paris, Cambridge) and the new World Frontiers Forum with examples of learning, pubic experimentation and value creation particularly related to the future of sensory experience.

Use of interactive multimedia disks in the applied environmental sciences program at the Oregon Institute of Technology

Science.gov (United States)

Jones, Charles R.

Although a number of studies have been performed regarding the use of interactive multimedia disks in education, none were found which investigated their effect on either retention or recruitment for universities. The purpose of this case study was to gather information regarding student and teacher perceptions on the use of interactive multimedia disks and their effect on retention and recruitment. The primary source of data for this case study was student and teacher interviews. A purposive sample of students taking courses using the interactive multimedia disks in course at the Oregon Institute of Technology and at two Oregon high schools was chosen for the case study. Major findings of the case study were as follows: (1) Students interviewed in this case study perceived the interactive multimedia disk-based instructional method to be equally as effective as the lecture method. (2) Time flexibility in class scheduling was slightly more beneficial to female students than male students and the lack of instructor-led classroom interaction was more of a problem for female students than male students. (3) There was no difference in the perceptions of the college students and the high school students regarding the benefits and drawbacks of the interactive multimedia disk-based classes. (4) The flexible class scheduling made possible through the use of interactive multimedia disks influences some Oregon Institute of Technology students to stay and complete their degree programs. (5) There is some potential for interactive multimedia disk-based courses to be a recruiting tool. However, there is no evidence that it has been a successful recruiting tool for the Oregon Institute of Technology yet.

Virginijos Woolf romano “Bangos” forma: polilogo dalyviai | The formal properties of Virginia Woolf’s novel “The Waves”: polylogue participants

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Linara Bartkuvienė

2006-01-01

Full Text Available The present article focuses on V.Woolf’s experimentation with narrative and ambitions to pursue a technique able to transgress the boundaries of socio-descriptive Victorian and Edwardian fiction, and to open a dialogue/polylogue for different participants, i.e., for different kinds of literature such as epic, lyric and drama. In the article the arguments are based on the formalist aesthetics of Roger Fry and Clive Bell whose theories had a crucial influence upon Woolf’s writing. Having set the novel within the framework of the postimpressionist paradigm, Woolf extracts the epic, lyric and dramatic elements out of their natural habitat, and misrepresents and distorts them, and employs the so-called “estrangement” method, i.e., Woolf adheres to the postimpressionistic tenets not to merely reproduce and copy the things seen: an artist is expected in some way or other to misrepresent and distort the visual world. Woolf synthesizes arts and achieves a form which encompasses the elements of painting and music altogether. Moreover, not only does “The Waves” enter the polylogue with different kinds of literature, it also resumes a dialogue with (Romantic tradition and its preoccupation with the inner form as the form which best expresses the depth of spirit, the moments of being.

Social media and festival experience

NARCIS (Netherlands)

Rogier Brussee; Jelke de Boer; Dr. H.M.M. van Vliet; Michiel Rovers

2012-01-01

In the past two years [2010-2012] we have done research on the visitor experience of music festivals. We conducted several surveys asking festival visitors for demographic variables, taste in music, their motivation for visiting festivals, mentalities and the evaluation of the festival. We also

Edward Burne-Jones’ Art and Music: A Chant of Love

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Liana De Girolami Cheney

2015-10-01

Full Text Available This essay examines Edward Burne-Jones’ (August 28, 1833–June 17, 1898 artistic concepts of ut pictura poesis (as is painting, so is poetry and ut pictura musica (as is painting so is music, a comparison of poetry, music, and painting depicted in his imagery of the Female Musician of 1866 (at the Whitworth Art Gallery in Manchester, UK, Fig. 1, and Music of 1877 (at the Ashmolean Museum in Oxford, UK, Fig. 2.  The comparison or paragone between music and art is viewed here in two ways: 1 in a natural realm as an expression of love for a muse, Maria Cassavetti Zambaco; and 2 in a metaphysical realm as a vehicle of artist expression for depicting beauty. Painting and music are then poetical guidance for Burne-Jones’ manifestation of love. Maria is Burne-Jones’ model, muse, and sorceress. His paintings are depictions of musical scenes that capture a poetical world of ardent and endless love, as well the world of the senses, a physical realm, and the world of aesthetics, a metaphysical realm.

Reflexivity and the Sociology of Science and Technology: The Invention of "Eryc" the Antibiotic

Science.gov (United States)

Collyer, Fran

2011-01-01

Until recently, the social-technical process of invention has fallen between sociological investigation of the genesis of a new idea (an ideational phenomenon) and the production of a new technology (a material phenomenon). The advent of post-modernism and post-structuralism offered new avenues for theorising invention, accounting for, on the one…

A Novel Multimedia Streaming System for Urban Rail Environments Using Wi-Fi Peer-to-Peer Technology

DEFF Research Database (Denmark)

Poderys, Justas; Farooq, Jahanzeb; Soler, José

2018-01-01

to passenger devices using Wi-Fi Peer-to-Peer (P2P) technology. Such a multimedia distribution system can be deployed incrementally, as it can function concurrently with Wi-Fi connections already available in a number of trains. This paper presents the results obtained by emulating multimedia streaming...

Displays enabling mobile multimedia

Science.gov (United States)

Kimmel, Jyrki

2007-02-01

With the rapid advances in telecommunications networks, mobile multimedia delivery to handsets is now a reality. While a truly immersive multimedia experience is still far ahead in the mobile world, significant advances have been made in the constituent audio-visual technologies to make this become possible. One of the critical components in multimedia delivery is the mobile handset display. While such alternatives as headset-style near-to-eye displays, autostereoscopic displays, mini-projectors, and roll-out flexible displays can deliver either a larger virtual screen size than the pocketable dimensions of the mobile device can offer, or an added degree of immersion by adding the illusion of the third dimension in the viewing experience, there are still challenges in the full deployment of such displays in real-life mobile communication terminals. Meanwhile, direct-view display technologies have developed steadily, and can provide a development platform for an even better viewing experience for multimedia in the near future. The paper presents an overview of the mobile display technology space with an emphasis on the advances and potential in developing direct-view displays further to meet the goal of enabling multimedia in the mobile domain.

Communicative Functions of Performer Expressiveness and Their Artistic and Aesthetic Aspects

DEFF Research Database (Denmark)

Riis, Johannes

2017-01-01

can suggest rich character emotions. In an analysis of an Ingmar Bergman scene from Smiles of a Summer Night (1955), I show how acting styles serve different purposes, such as invoking emotional implications of what has been put in place in the narrative. I discuss how artistic constraints...

Culture and aesthetic preference: comparing the attention to context of East Asians and Americans.

Science.gov (United States)

Masuda, Takahiko; Gonzalez, Richard; Kwan, Letty; Nisbett, Richard E

2008-09-01

Prior research indicates that East Asians are more sensitive to contextual information than Westerners. This article explored aesthetics to examine whether cultural variations were observable in art and photography. Study 1 analyzed traditional artistic styles using archival data in representative museums. Study 2 investigated how contemporary East Asians and Westerners draw landscape pictures and take portrait photographs. Study 3 further investigated aesthetic preferences for portrait photographs. The results suggest that (a) traditional East Asian art has predominantly context-inclusive styles, whereas Western art has predominantly object-focused styles, and (b) contemporary members of East Asian and Western cultures maintain these culturally shaped aesthetic orientations. The findings can be explained by the relation among attention, cultural resources, and aesthetic preference.

Multimedia Modules for Electromagnetics Education.

Science.gov (United States)

De Los Santos Vidal, Oriol; Iskander, Magdy F.

1997-01-01

Multimedia technology is an invaluable teaching and learning resource. One advantage of technology based education is the ability to combine practical applications, visualization of complex mathematical and abstract subjects, virtual labs, and guided use of simulation software. This article describes several multimedia tutorials for…

[Emancipation of the works of artists with psychiatric illness - Artistic reflections from the twentieth century and the Art Brut].

Science.gov (United States)

Plesznivy, Edit

2015-01-01

The study presents the emancipation of the artworks of psychiatric patients through the review of four centuries, focusing on some of the most important medical cultural and art historical stages of the period between the 18th and the 21st century, which is a particularly relevant era in this regard. It touches on the collections linked to psychiatrists and hospitals that were formed primarily on the basis of the researches that were analyzing the connection between creativity and mental illness. After that, the study discusses the ever-changing attitudes and preferences of artists' and major artistic movements towards psychosis and the pictorial world of the psychotic. With great care, it analyses the aesthetic category of the art brut, which is connected to the French painter Jean Dubuffet and was born in the middle of the 1940s, and the relationship between contemporary art and art brut. In connection with some of the most significant art brut collections and exhibitions, the works of a few classical and contemporary art brut artists are also discussed (Adolf Wolfli, Louis Soutter, Aloise Corbaz, August Walla ).

Is co-invention expediting technological catch up? A study of collaboration between emerging country firms

OpenAIRE

Giuliani, Elisa; Martinelli, Arianna; Rabellotti, Roberta

2015-01-01

Firms from emerging countries such as Brazil, India, and China (BIC) are going global, and Europe is attracting around one-third of their direct outward investments. Growing internationalization constitutes an opportunity for technological catch up. In this paper we analyze BIC firms' cross-border inventions with European Union (EU-27) actors, during the period 1990-2012. Our results suggest that cross-border inventions represent an opportunity for BIC firms to accumulate technological capabi...

Towards a Poietics of Resolution: On embodied risk, contingent autonomies and renegade collectives as forms of technological and artistic resistance

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Gerald Nestler

2015-12-01

Full Text Available Artistic practice has the potential to immerse in modes of research, exchange, compilation, and presentation. It weaves a multiplicity of approaches and investigations into a fabric made of concepts, notions, objects, materials – and the relations between them. It opens new pathways into artistic expression beyond marketable branding strategies and the enclosures of capital, but also undermines the established notion of the autonomy of art and its own logics of production. This foregrounds the question of aesthetics that can deliver means for perceiving and appreciating forms of engagement and agency by bringing together theory, science, and art in new ways. This text proposes an approach in which autonomy is reconceptualised as a dynamic, open, sometimes aleatoric and instantaneous process (acts connected to a multitude of contingent moments. It purposely integrates ambiguous heteronomous influences in order to make resolution in the full meaning of the term.

From Having Fun to Applause: The Study of Relationships among Festival Benefits, Festival Identity and Festival Support by Viewpoints of the Hosts and Guests

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Kai-Chih Chang

2017-12-01

Full Text Available The sustainable development of the festival depends on the support and participation of residents and tourists. There are a number of practical and theoretical gaps regarding the hosts and guests in festival literature. This study attempts to fill the host–guest gap based on the theory of reasoned action to construct and exam a relationship model. Taking the 2016 Summer Festival during busy season as an example in Hualien, 1165 questionnaires were valid, and data were analyzed by SEM (structural equation modeling. Results showed that the hosts had higher perception than the guests in terms of the festival benefits, identity, and support. This study has two concept models: the guest model and the host model. In the host model, the local-development benefits have more positive relationships to affect the festival support and festival identity than the recreation-experience benefits. On the other hand, the recreation-experience benefits could affect the festival support, but the festival identity could not in the guest model. The results of this study indicate that the festival organizers or the public sectors must be pay attention to the viewpoints of the guests and hosts in order to achieve the sustainable development objectives.

Multimedia image and video processing

CERN Document Server

Guan, Ling

2012-01-01

As multimedia applications have become part of contemporary daily life, numerous paradigm-shifting technologies in multimedia processing have emerged over the last decade. Substantially updated with 21 new chapters, Multimedia Image and Video Processing, Second Edition explores the most recent advances in multimedia research and applications. This edition presents a comprehensive treatment of multimedia information mining, security, systems, coding, search, hardware, and communications as well as multimodal information fusion and interaction. Clearly divided into seven parts, the book begins w

Outbreaks associated to large open air festivals, including music festivals, 1980 to 2012.

Science.gov (United States)

Botelho-Nevers, E; Gautret, P

2013-03-14

In the minds of many, large scale open air festivals have become associated with spring and summer, attracting many people, and in the case of music festivals, thousands of music fans. These festivals share the usual health risks associated with large mass gatherings, including transmission of communicable diseases and risk of outbreaks. Large scale open air festivals have however specific characteristics, including outdoor settings, on-site housing and food supply and the generally young age of the participants. Outbreaks at large scale open air festivals have been caused by Cryptosporium parvum, Campylobacter spp., Escherichia coli, Salmonella enterica, Shigella sonnei, Staphylococcus aureus, hepatitis A virus, influenza virus, measles virus, mumps virus and norovirus. Faecal-oral and respiratory transmissions of pathogens result from non-compliance with hygiene rules, inadequate sanitation and insufficient vaccination coverage. Sexual transmission of infectious diseases may also occur and is likely to be underestimated and underreported. Enhanced surveillance during and after festivals is essential. Preventive measures such as immunisations of participants and advice on-site and via social networks should be considered to reduce outbreaks at these large scale open air festivals.

Means Without End: Production, Reception, and Teaching in Kant's Aesthetics

Science.gov (United States)

Peters, Gary

2004-01-01

This essay originates in the experience of teaching aesthetics to artists within the context of undergraduate and postgraduate art education. Its main aim is to feed this experience into a reading of Kant's Critique of Judgment as a means of identifying the productive moment within his thought typically obscured by the continuing dominance of…

A prototype to study cognitive and aesthetic aspects of mixed reality technologies

OpenAIRE

Gunia, Artur; Indurkhya, Bipin

2017-01-01

Mixed reality systems integrate virtual reality with real-world perception and cognition to offer enhanced interaction possibilities with the environment. Our aim is to demonstrate that mixed reality technologies strongly affect our aesthetic sense and mental models. So, in designing such technologies, we need to incorporate perspectives from different disciplines. We present different approaches and implementations of cognitive enhancement and cognitive technologies, consider some practical ...

Soulful Technologies. Everyday Aesthetics and Images in New Media

DEFF Research Database (Denmark)

Fausing, Bent

2018-01-01

 Samsung introduced last year a mobile phone called "Soul" made with a human touch and including itself a "magic touch". Through the analysis of Nokia mobile phone TV commercials I want to examine the function and form of digital technology in everyday images.  The mobile phone, its digital camera...... and other devices are depicted in everyday aesthetics as capable of producing a unique human presence and interaction. The medium, the technology is a necessary helper of this very special and lost humanity. Without the technology, no special humanity, no soul - such is the prophecy. This personification...... or anthropomorphism is important for the branding of new technology. Technology is seen as creating a techno-transcendence towards a more qualified humanity which is in contact with fundamental human values like intuition, vision, and sensing; all the qualities that technology, industrialization, and rationalization...

Preliminary Analyses of Transmedia Adaptations of Pictorial Narratives and Aesthetic Pole Interpretations: Reflections on Theory

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Yu-Chai Lai

2015-10-01

Full Text Available Transmedia narratives are a key topic of communication research. Transmedia adaptations occur when a narrator transposes an original work by using various media platforms. Considering pictorial turn, this study employed the intermediality of an animated work that was adapted from an award-winning picture book as an example to propose an analysis for theory building. After examining the literature on transmedia narratives, intermediality, and aesthetic communication, this study proposed analyses for the dimensions of transmedia adaptations of pictorial narratives and aesthetic pole interpretations. Focusing on the three layers of the artistic pole, aesthetic pole, and interactions and effects, this study cited the cases of award-winning picture books and adapted animated works as the basis for reflecting on aesthetic communication. The artistic pole of transmedia adaptation was used as an example of how a narrator employs intermediality by citing the pictures, plot, or art forms from an original work to reinvent structures and then adapts them according to intermediality. If the aesthetic pole views the adapted animated work after reading the picture book or forms an expectation of the adaptation because of intermediality, then when the audience watches the adapted animated work, their imagination could be stimulated by the intermediality (i.e., picture book graphics and scene depictions. For transmedia narrative interaction, the aesthetic pole must “fill blanks” or “negate” to continue to view the adaptation. For filling blanks, because of intermediality, the aesthetic pole must construct an “intracompositional intermediality” to connect with the visual and audio links of the same work or construct “extracompositional intermedialtiy” to associate the original work with the transmedia adaptation. For negation, when viewing the adaptation (i.e., presentation of picture book graphics, added music, or theme song, the aesthetic pole

Poetics of Narrative in Antoine Volodine’s Novels

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Victoriya Chub

2017-11-01

Full Text Available Antoine Volodine is reputed for inventing new forms in the French literature at the turn of XX–XXI centuries. Our study is dedicated to Volodine’s narrative structure, i.e. the stratification of narrative instances, the depersonalization of narrator and characters, the metanarrativization of story. Antoine Volodine creates a fictional world of uncertain characters floating between life and death and telling their stories in polyphonic voices. First, our study revealed the lack of demarcation between “I” and “we” and the blend of narrative levels created by ambivalent voices merging into a single “post-exotic horn”. Second, we discovered that metatextual comments and narrative figures of “mise en abyme” and metalepsis help to “alienate” the text and dramatize the relations between the author and readers. As a result, a specific “textual fiction” is being created to embody philosophical problems in Volodine’s meta-utopic novels. Finally, the research determined a set of poetical dominants typical for Volodine’s novels: the interference of homo- and heterodiegetic narrator instances, the uncertain nature of narrators and characters, the polyphonic character of voices as well as metatextual and transgressive structures. It was concluded that the revealed poetical dominants are not only a part of the literary game, but a specific way to represent the speech act. Antoine Volodine’s multilevel narrators share common mental pictures that show the experience of defeat, marginalization and imprisonment. The specific narrative structure helps the writer to create the effect of ambiguity and vagueness, adds a bit of doubt in the act of perception of his novels, updates the metaphysical perspective of the postmodern anti-utopia.

A Survey of Recent Advances in Optical and Multimedia Information Technologies.

Science.gov (United States)

Jessop, Deborah

1997-01-01

Examines developments in multimedia technologies and in the World Wide Web. Discusses CD-recordable, CD-rewritable, cable modems, personal digital assistants, digital video discs, interactivity and virtual worlds, advertising on the Web, and Intranets and CD-ROM networks. Eight tables and figures show costs, download time, estimated sales, storage…

Multimedia Based E-learning : Design and Integration of Multimedia Content in E-learning

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Abdulaziz Omar Alsadhan

2014-05-01

Full Text Available The advancement in multimedia and information technologies also have impacted the way of imparting education. This advancement has led to rapid use of e learning systems and has enabled greater integration of multimedia content into e learning systems. This paper present a model for development of e learning systems based on multimedia content. The model is called “Multimedia based e learning” and is loosely based on waterfall software development model. This model consists of three distinct phases; Multimedia Content Modelling, Multimedia content Development, Multimedia content Integration. These three phases are further sub divided into 7 different activities which are analysis, design, technical requirements, content development, content production & integration, implementation and evaluation. This model defines a general framework that can be applied for the development of e learning systems across all disciplines and subjects.

Sound creation and artistic language hybridization through the use of the collaborative creation system: Soundcool

OpenAIRE

Berbel-Gómez, Noemy; Murillo-Ribes, Adolf; Sastre-Martínez, Jorge; Riaño Galán, María Elena

2017-01-01

Abstract: We submit the development of a collaborative sound creation proposal made reality using the Soundcool system from its initial design phase to the scenic performance at the International Festival of Contemporary Music ENSEMS, Valencia (Spain). The "interstellar machine", a transdisciplinary piece whose linking thread is a story, is characterized by hybridization of languages and artistic fusion.It's a piece made possible by the joint work between students of Primary and Secondary Edu...

The singular experience of digital games: the videogame in their aesthetic potential

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Filipe Alves de Freitas

2011-12-01

Full Text Available As a participant in the widespread and controversial debate about the artistic legitimization of the video game, this paper proposes the hypothesis that the analysis of the aesthetic potential of digital games requires a perspective that conceives the aesthetic experience as a relational issue, and tests the application of the theoretical framework proposed by the pragmatist philosopher John Dewey to a couple of casual games in order to demonstrate the possibility of perceiving dimensions other than the narrative as the locus of expression on these works.

A distributed multimedia toolbox

NARCIS (Netherlands)

Scholten, Johan; Jansen, P.G.

1997-01-01

Emphasis of our research lies on the application of realtime multimedia technology: tele-teaching, teleconferencing and collaborative work. To support this research we need a real-time environment that supports rapid prototyping of distributed multimedia applications. Because other systems were not

On the role of mentalizing processes in aesthetic appreciation: An ERP study

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Susan eBeudt

2015-11-01

Full Text Available We used event-related brain potentials to explore the impact of mental perspective taking on processes of aesthetic appreciation of visual art. Participants (nonexperts were first presented with information about the life and attitudes of a fictitious artist. Subsequently, they were cued trial-wise to make an aesthetic judgment regarding an image depicting a piece of abstract art either from their own perspective or from the imagined perspective of the fictitious artist (i.e., theory of mind condition. Positive self-referential judgments were made more quickly and negative self-referential judgments were made more slowly than the corresponding judgments from the imagined perspective. Event-related potential analyses revealed significant differences between the two tasks both within the preparation period (i.e., during the cue-stimulus interval and within the stimulus presentation period. For the theory of mind condition we observed a relative centro-parietal negativity during the preparation period (700 – 330 ms preceding picture onset and a relative centro-parietal positivity during the stimulus presentation period (700 – 1100 ms after stimulus onset. These findings suggest that different subprocesses are involved in aesthetic appreciation and judgment of visual abstract art from one’s own vs. from another person’s perspective.

Revival of the "Sun Festival": An educational and outreach project

Science.gov (United States)

Montabone, Luca

2016-10-01

In ancient times, past civilisations used to celebrate both the winter and summer solstices, which represented key moments in the periodical cycle of seasons and agricultural activities. In 1904, the French astronomer Camille Flammarion, the engineer Gustave Eiffel, the science writer Wilfrid de Fonvielle and the Spanish astronomer Josep Comas i Solà decided to celebrate the summer solstice with a festival of science, art and astronomical observations opened to the public at the Eiffel tower in Paris. For ten consecutive years (1904-1914) on the day of the summer solstice, the "Sun Festival" (Fête du Soleil in French) included scientific and technological lectures and demostrations, celestial observations, music, poetry, danse, cinema, etc. This celebration was interrupted by the First World War, just to resume in Barcelona, Spain, between 1915 and 1937, and in Marseille, France, in the 1930s. It was the founders' dream to extend this celebration to all cities in France and elsewhere.It is only during the International Year of Astronomy in 2009, to our knowledge, that the "Sun Festival" was given another chance in France, thanks to the joint effort of several scientific and cultural centers (Centres de Culture Scientifique, Technique et Industrielle, CCSTI) and the timely support of the European Space Agency (ESA). In this occasion again, the festival was characterized by the combination of science, art and technological innovation around a common denominator: our Sun!We have recently revived the idea of celebrating the summer solstice with a "Sun Festival" dedicated to scientific education and outreach about our star and related topics. This project started last year in Aix-les-Bains, France, with the "Sun and Light Festival" (2015 was the International Year of Light), attended by about 100 people. This year's second edition was in Le Bourget-du-Lac, France. Following the COP21 event, the specific theme was the "Sun and Climate Festival", and we had about 250

Multimedia Instruction Initiative: Building Faculty Competence.

Science.gov (United States)

Haile, Penelope J.

Hofstra University began a university-wide initiative to enhance classroom instruction with multimedia technology and foster collaborative approaches to learning. The Multimedia Instruction Initiative emphasized teamwork among faculty, students, and computer center support staff to develop a technology-enriched learning environment supported by…

The Function of Museum Pedagogy in the Development of Artistic Appreciation

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Matjaž Duh

2015-12-01

Full Text Available Contemporary museum pedagogy is located spatially in museums and galleries, which represent an authentic space for art. Artistic artefacts on display constitute an excellent basis for the development of art appreciation among children and young people. This means that the role of museum educators is not limited merely to classification, managing and presentation of art collections, but is also focused on in-depth educational work. Museum pedagogy must follow the guidelines of contemporary art-pedagogical practice, based on the development of productive and receptive skills among pupils and students. The simultaneous development of both skills is a prerequisite for discussing the development of artistic abilities. In the perception and reception of works of art, participants reach their own individual artistic interpretations of the given works of art. The method of aesthetic transfer emerges as the most appropriate didactic approach.

Benefits and Pitfalls of Multimedia and Interactive Features in Technology-Enhanced Storybooks: A Meta-Analysis.

Science.gov (United States)

Takacs, Zsofia K; Swart, Elise K; Bus, Adriana G

2015-12-01

A meta-analysis was conducted on the effects of technology-enhanced stories for young children's literacy development when compared to listening to stories in more traditional settings like storybook reading. A small but significant additional benefit of technology was found for story comprehension (g+ = 0.17) and expressive vocabulary (g+ = 0.20), based on data from 2,147 children in 43 studies. When investigating the different characteristics of technology-enhanced stories, multimedia features like animated pictures, music, and sound effects were found beneficial. In contrast, interactive elements like hotspots, games, and dictionaries were found to be distracting. Especially for children disadvantaged because of less stimulating family environments, multimedia features were helpful and interactive features were detrimental. Findings are discussed from the perspective of cognitive processing theories.

Research on the Learning Effects of Multimedia Assisted Instruction Using Information Technology Model

Science.gov (United States)

Chen, Chen-Yuan

2012-01-01

As technology advances, whether from the previous multi-media teaching, online teaching, or now interactive whiteboard, the various changes in both hardware and software resources as well as information are very huge. The information is quickly circulating under the changes in the old and new technology, and the new knowledge has been created.…

Effect of student engagement on multimedia-assisted instruction

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Hsiu-Ping Yueh

2012-09-01

Full Text Available This study applied multimedia in a general engineering and technology course in Taiwan and evaluated the effectiveness of multimedia-assisted instruction and learning. The course presented trends in technological development and the achievements of Taiwanese industries and research institutes from a historical perspective, and overviewed the technology industries and industrial transformation development in Taiwan. The course units adopted multimedia to support class teaching and student learning, and a survey was conducted to collect students’ attitudes and perception toward multimedia-assisted instruction and learning in the course. Research data were collected from 45 male and 9 female students with varied academic and cultural backgrounds. Results showed that multimedia videos help raise students’ awareness of learning issues, improve their understanding of content, and increase the depth of their learning. Almost all students liked the approach of using multimedia to assist teaching and learning, preferring this approach over traditional lecture-based instruction. They also would recommend this course to their peers. This study also found that the degree of students’ engagement caused variance in the students’ perception of multimedia helpfulness in assisting their learning. Finally, this study further proposes suggestions in both design and research on applications of multimedia-enhanced learning in engineering and technology education.

The Legal Nature of Video Games – Adapting Copyright Law to Multimedia

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Julian Simon Stein

2015-06-01

Full Text Available In Copyright Law, video games are still a contentious matter. The multimedia nature of games brings up the question on how to define their legal nature. While there are several original underlying works in video games such as computer programs, artistic works, musical works, dramatic works etc., video games enjoy protection as films or audiovisual works respectively in many jurisdictions, making video games an arrangement of a multiplicity of works. However, some have argued to define video games as a single 'multimedia work' rather than a product of many works of copyright.This article analyses the different types of original and derivative works contained in video games before evaluating the necessity and feasibility of a multimedia category of work, arguing in favour of the current system.

Bisociation of artistic and academic methodologies

DEFF Research Database (Denmark)

Heinrich, Falk

This paper elaborates on the integration of academic and artistic methodologies within the field of art and technology. The term art and technology refers to a recognized research field and to higher education programmes, such as the BA program Art and Technology at Aalborg University. Art...... with and design of teaching designs aims at the description of a methodology and a heuristic for drafting concrete teaching designs....... and discovery. Koestler proposes the concept of bisociation for academic discoveries and artistic revealings alike by looking at the results of this creation (work of art, scientific discovery). However, my question is, whether the blending of academic and artistic discourses and methodologies––being a second...

Madens festival

DEFF Research Database (Denmark)

Agerholm, Frank Juul

2013-01-01

Refleksioner over madens festival og fremstilling af en typologisk skitse med fire grundtyper, der kunne benævnes ”Dyrskuet”, ”Høstgudstjenesten”, ”Bilka-fødselsdagsfesten” og ”Food Festivalen”.......Refleksioner over madens festival og fremstilling af en typologisk skitse med fire grundtyper, der kunne benævnes ”Dyrskuet”, ”Høstgudstjenesten”, ”Bilka-fødselsdagsfesten” og ”Food Festivalen”....

PAMPLONA OTRA: EL ESCENARIO DE LOS ENCUENTROS 72 / A different Pamplona: the venues of the Encuentros 72 art festival

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Marta García Alonso

2016-05-01

Full Text Available RESUMEN Los Encuentros del 72 fueron un festival de arte de vanguardia que se celebró en Pamplona en junio de 1972 y que supuso un hecho cultural sin igual en la historia de nuestro país. Soportado por la familia Huarte, el evento organizado por el grupo de música Alea logró transformar la ciudad durante los ocho días en los que sus habitantes convivieron con artistas llegados de todo el mundo. Ampliamente investigado desde el punto de vista del arte, el artículo aborda su estudio a través de la lectura de los escenarios definidos en el catálogo diseñado por De Pablo y Alexanco. Durante aquella semana el recinto amurallado de la Ciudadela se estrenó como emplazamiento cultural y el efímero espacio de las cúpulas neumáticas de De Prada Poole tuvo un protagonismo especial pasando a ser, paradójicamente, uno de los recuerdos más firmes de aquellas jornadas. Salas de cine, museos, espacios deportivos y otros privados se sumaron a la fiesta del arte en la que, a través de lo insólito, de la transformación de lo cotidiano, la Ciudad se desveló como el principal espacio, el escenario idóneo para la creación artística y la interrelación entre arte y ciudadanos. Por último el artículo revisa en qué modo la huella de los Encuentros está presente en Pamplona y en su propuesta cultural actual; cómo aquella ciudad paralela invadida de arte vital y público, pudo definir de algún modo la ciudad construida hoy y su carácter en el futuro. SUMMARY Encuentros 72 (1972 Encounters was an avant-garde art festival held in Pamplona in June 1972 that represented an unprecedented cultural event in Spain. The event was sponsored by the Huarte Family and organized by the members of the Alea music group, who were able to transform the city into a happening for eight days while residents mingled with artists from all over the world. The Encuentros 72 art festival has been extensively researched from an artistic point of view, so this article

Advanced Technologies, Embedded and Multimedia for Human-Centric Computing

CERN Document Server

Chao, Han-Chieh; Deng, Der-Jiunn; Park, James; HumanCom and EMC 2013

2014-01-01

The theme of HumanCom and EMC are focused on the various aspects of human-centric computing for advances in computer science and its applications, embedded and multimedia computing and provides an opportunity for academic and industry professionals to discuss the latest issues and progress in the area of human-centric computing. And the theme of EMC (Advanced in Embedded and Multimedia Computing) is focused on the various aspects of embedded system, smart grid, cloud and multimedia computing, and it provides an opportunity for academic, industry professionals to discuss the latest issues and progress in the area of embedded and multimedia computing. Therefore this book will be include the various theories and practical applications in human-centric computing and embedded and multimedia computing.

On Standard and Taste. Wittgenstein and Aesthetic Judgment

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Jean-Pierre Cometti

2013-05-01

Full Text Available The question of aesthetic judgment is related to a lot of paradoxes that have marked sustainably the reflection on arts, and even arts as such during their modern history. These paradoxes have found a first formulation, apparently clear, in the very famous Hume's essay: "On the standard of taste", but without to lead to a real resolution. In this paper, I would like to approach the question of Hume by starting from what Wittgenstein suggested about aesthetic judgment in his Cambridge lectures. To this end, I will try to give a wittgensteinian reading of Hume's essay, in order to show that though the question of aesthetic judgment makes certainly sense, the way of considering it - like the way Kant shall consider it later - can be regarded as typical of difficulties Wittgenstein tried to overcome in his investigations on rules. By giving an alternative formulation to this question, we should be able to examine differently the problems of the aesthetic judgment, to underline more precisely the originality of Wittgenstein's approach, and perhaps to better grasp what are its consequences, not only for a better comprehension of the relationship between Wittgenstein’s philosophy and art, but for the type of perplexity to which we must face everytime we meet the paradox inherent to the question of aesthetic appreciation as such: how can we conceive the very idea of a standard involving a normative meaning without making to faint what gives to a work of art its value. We shall see that Wittgenstein’s suggestions, though their contribution to a better understanding of this question is still affected by some ambiguities, are to be reconsidered under the light of his anti-essentialism, and that these ambiguities can be dissipated by dissociating, on one hand, what belongs to his own tastes or to his related thoughts and on the other hand what we can conceive through the ways which were opened by his philosophy beyond his personal inclinations. Despite

A Dialectic of Disinterested and Immersive Aesthetics: Santiniketan Art Education and Labour Translated

Science.gov (United States)

Gall, David A.

2015-01-01

This article argues for art education's potential to transform mundane work, mindful of the steep challenges of the aesthetic and mundane dialectic. Those challenges, magnified in the context of capitalism and industrialism, confronted twentieth-century Indian artist educators Rabindranath Tagore and Nandalal Bose, but also confront…

Edification of Multimedia Resources: Aligning Technology for Student Empowerment

Science.gov (United States)

Thamarasseri, Ismail

2014-01-01

Multimedia offers exciting possibilities for meeting the needs of 21st century learners. Multimedia learning can be defined in a number of ways. Multimedia learning is the delivery of instructional content using multiple modes that include visual and auditory information and students' use of this information to construct knowledge. Today's…

Learning from an Artistically Crafted Moment: Valuing Aesthetic Experience in the Student Teacher's Drama Education

Science.gov (United States)

Anderson, Elizabeth

2016-01-01

This paper takes the position that drama education falls within the field of aesthetic education, and involves learners in both creating and responding to the art of drama through a blending of thoughts, senses and emotions. The paper looks at aspects key to the experience of teaching and learning in drama within the aesthetic framework, and…

“THE WHOLE EMERGES AS A HERO”: TO THE UNDERSTANDING OF DIALECTICAL PRINCIPLES OF DOSTOEVSKY’S POETICS

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Sergey V. Syzranov

2015-11-01

Full Text Available The article seeks to elaborate a methodological approach to the creative work of Fyodor Dostoevsky, corresponding to dialectical nature of the writer’s artistic world perception. Dostoevsky’s formula “the whole emerges as a hero” is regarded as an architectonic model of his poetics. The author reveals the dialectical and mythological content of various aspects of this model, discovers the moments of community of Dostoevsky’s “realism in the best sense of the term” and Losev’s absolute dialectics. In the light of Losev’s teaching Dostoevsky’s formula is modifi ed according to the dialectical model of a tragic myth. In the structure of the formula there are consistently explicated cosmological, anthropological, Christological, ecclesiological, and pneumatological aspects. These aspects trace back to a number of works of the writer (the novel “Poor People”, the tale “A Faint Heart”, the story “A Little Hero”, the novel “Th e Idiot”. Th ere is demonstrated the dialectical unity of the intuitions of faith and knowledge in Dostoevsky’s artistic experience.

Being connected to the local community through a Festival mobile application

Energy Technology Data Exchange (ETDEWEB)

Han, Kyungsik; Wirth, Richard; Hanrahan, Benjamin; Chen, Jiawei; Lee, Sooyeon; Carroll, John M.

2016-04-25

In this paper we report our investigation into how using and interacting with a local festival mobile app enhanced users’ festival experiences and connected them to other local users and their community. We explored the relationship between users’ perceived basic affordances of mobile technology, perceived opportunities of the festival app, and three elements that sustain the local community — attachment, engagement, and social support networks. Based on the usage logs of 348 active users, as well as survey responses from 80 users, we present a mobile-mediated local community framework and found that engagement is a key mediator of mobile experiences and facets of community.

FESTIVALS AS CULTURAL ACTIVITIES – COMBINATIONS OF ECONOMIC AND SOCIAL BENEFITS

Directory of Open Access Journals (Sweden)

Diana Sava

2018-05-01

Full Text Available In the latest years, academics have talked more and more about the creative economy, as a cause of a different classification and division of the economic activities, including in its area all those activities which are based on the human resource, its talent and intellectual capital. The creativity seems to be a too special feature, having its own ways to flourish and to be exploited, so it has to be treated separately from the sectors of manufacture, industry or services. The Romanian culture is transmitted and exploited in various ways, starting with the commercialisation of handicrafts and ending with the organisation of events with artistic or symbolic expression. We will focus on the performing arts, organized as events for different communities. These events appear as leisure activities and have an important social feature because they have the attribute to develop the sense of identity, belonging to the group and social cohesion. These aspects are crucial for the development of a creative habitat or cultural center. The festivals attract people for different reasons; some of them are looking for an environment where to socialise, others come being interested exactly in enjoying the event or the specific goods and services which are offered there. Another type of the festival consumers is represented by the ones who only look for something new to experiment, exploring the unknown, this segment not representing loyal customers, but whatever the reason are, each participant comes for the emotional stimulation offered by the enjoyment of the festival.

Unconventional forms of popularization of science - festivals 'Science on Stage" in Poland.

Science.gov (United States)

Mika, Aneta

2010-05-01

Are natural sciences popular these days? There is no obvious and straight answer to this question. On the one hand, students discouraged with the effort which they must put into learning science, avoid choosing such subjects for matriculation exams and also are reluctant to choose courses related to these areas. On the other hand, a well-chosen activating method can infect plenty of students with enthusiasm for studying natural science. One of such method is the festival "Science on Stage", which has been periodically held at the Adam Mickiewicz University in Poznań, Department of Physics. By 2008 six such festivals were held. The first three of them were run under the name "Physics on Stage", and the other three as "Science on Stage". Every year the festivals were attended by over 200 teachers and students of all school types (from kindergartens to universities), until 2008, when the event attracted over 400 participants from all over the country. This shows an increasing popularity of such projects. Participants in the festival could present their ideas "on stage" in three basic categories which included: • Experiments such as "Water - a cycle of experiments", " Two elements - Smoke on the Water", Diffraction and fractals" ,"Light Amplification by Stimulated Emission of Radiation", " Wind-propelled vehicles moving against the wind". • Performances such as "The musical physics or the sounds around us", "The laws of physics and the human body", "The Piglet and the shadow or on the violation of the laws of physics in children stories" and "In the stream of light". • Multimedia presentations such as "Thermonuclear fusion - the energy of the future", "The phenomena on the Sky and Earth which the philosophers have not dreamed of", "Galvanic batteries - small electric power plants", "System PSR B1257 12", "Physics and Chemistry in the kitchen". The festivals were accompanied by photo and painting exhibitions covering the topic of natural sciences. The visitors

THE USE OF MOBILE TECHNOLOGIES IN MULTIMEDIA-SUPPORTED LEARNING ENVIRONMENTS

Directory of Open Access Journals (Sweden)

Suzan DUYGU ERIŞTI

2011-07-01

Full Text Available The aim of the study is to reveal the students’ opinions about the use of PDAs (Personal Digital Assistant in learning environment within the context of multimedia based applications. Through purposeful sampling, 17 undergraduate students attending the elective course of BTÖ 323 Character Design in Computer Environment in the Department of Computer Education and Instructional Technology at Anadolu University were involved in the study. Additionally, the present study was conducted in two phases; in the first phase, within the scope of the course, an interactive Learning content including the subject of “Interactive Multimedia Design” was prepared and installed on PDAs. Then, the PDAs installed with these prepared contents were distributed to the students, and two-hour training on how to use the PDAs was given to the students. In the second phase of the study, a three-week application regarding students’ following the course content via PDAs was conducted. Throughout the application, the students communicated with the instructor for extracurricular feedback by means of PDAs. After the application, semi-structured interviews were held with the students regarding the course application performed via PDAs and its effectiveness. The interview data collected were examined with descriptive analysis. The results demonstrated that most of the students explained the hardware inadequacies in the use of multimedia environment facilities via PDAs such as visual images, videos, animation particularly in learning content. Besides this, for the interactive dimension and communication, the students mentioned negativities particularly regarding file sharing. Consequently, it was concluded that the students had negative opinions about the presentation of multimedia-supported Learning content via PDAs.

Towards a New Kind of Experimental Psycho-Aesthetics? Reflections on the Parallellepipeda Project

Directory of Open Access Journals (Sweden)

Johan Wagemans

2011-08-01

Full Text Available Experimental psycho-aesthetics—the science aimed at understanding the factors that determine aesthetic experience—is reviewed briefly as background to describe the Parallellepipeda project, a cross-over project between artists and scientists in Leuven. In particular, I sketch how it started and developed further, with close interactions between the participating artists and scientists. A few examples of specific research projects are mentioned to illustrate the kind of research questions we address and the methodological approach we have taken. We often found an effect of providing participants with additional information, a difference between novice and expert participants, and a shift with increasing experience with an artwork, in the direction of tolerating more complexity and acquiring more order from it. By establishing more connections between parts of an artwork and more associations to the artwork, it becomes a stronger Gestalt, which is more easily mastered by the viewer and leads to increased appreciation. In the final part of the paper, I extract some general lessons from the project regarding a possible new way of doing psycho-aesthetics research, which is able to solve some of the problems of traditional experimental psycho-aesthetics (eg, trade-off between experimental control and ecological validity.

Guerilla Science: Outreach at music and art festival

Science.gov (United States)

Rosin, Mark

2012-10-01

Guerilla Science a non-profit science education organization that, since 2007, has brought live events to unconventional venues for science, such as music festivals, art galleries, banquets, department stores and theaters. Guerilla Science sets science free by taking it out of the lab and into the traditional domains of the arts. By producing events that mix science with art, music and play, they create unique opportunities for adult audiences to experience science in unorthodox ways, such as interactive events, games, live experiments, demonstrations and performances by academics, artists, musicians, actors, and professional science communicators. Much of Guerilla Science's work has focused on astrophysical and terrestrial plasmas, and this presentation will provide an overview of Guerilla Science's work in this area. Guerilla Science has produced over twenty events, receiving international media coverage, and directly reached over fifteen thousand members of the public.

Multimedia Bootcamp: a health sciences library provides basic training to promote faculty technology integration.

Science.gov (United States)

Ramsey, Ellen C

2006-04-25

Recent research has shown a backlash against the enthusiastic promotion of technological solutions as replacements for traditional educational content delivery. Many institutions, including the University of Virginia, have committed staff and resources to supporting state-of-the-art, showpiece educational technology projects. However, the Claude Moore Health Sciences Library has taken the approach of helping Health Sciences faculty be more comfortable using technology in incremental ways for instruction and research presentations. In July 2004, to raise awareness of self-service multimedia resources for instructional and professional development needs, the Library conducted a "Multimedia Bootcamp" for nine Health Sciences faculty and fellows. Case study. Program stewardship by a single Library faculty member contributed to the delivery of an integrated learning experience. The amount of time required to attend the sessions and complete homework was the maximum fellows had to devote to such pursuits. The benefit of introducing technology unfamiliar to most fellows allowed program instructors to start everyone at the same baseline while not appearing to pass judgment on the technology literacy skills of faculty. The combination of wrapping the program in the trappings of a fellowship and selecting fellows who could commit to a majority of scheduled sessions yielded strong commitment from participants as evidenced by high attendance and a 100% rate of assignment completion. Response rates to follow-up evaluation requests, as well as continued use of Media Studio resources and Library expertise for projects begun or conceived during Bootcamp, bode well for the long-term success of this program. An incremental approach to integrating technology with current practices in instruction and presentation provided a supportive yet energizing environment for Health Sciences faculty. Keys to this program were its faculty focus, traditional hands-on instruction, unrestricted

Sound Exposure During Outdoor Music Festivals

Science.gov (United States)

Tronstad, Tron V.; Gelderblom, Femke B.

2016-01-01

Most countries have guidelines to regulate sound exposure at concerts and music festivals. These guidelines limit the allowed sound pressure levels and the concert/festival's duration. In Norway, where there is such a guideline, it is up to the local authorities to impose the regulations. The need to prevent hearing-loss among festival participants is self-explanatory, but knowledge of the actual dose received by visitors is extremely scarce. This study looks at two Norwegian music festivals where only one was regulated by the Norwegian guideline for concert and music festivals. At each festival the sound exposure of four participants was monitored with noise dose meters. This study compared the exposures experienced at the two festivals, and tested them against the Norwegian guideline and the World Health Organization's recommendations. Sound levels during the concerts were higher at the festival not regulated by any guideline, and levels there exceeded both the national and the Worlds Health Organization's recommendations. The results also show that front-of-house measurements reliably predict participant exposure. PMID:27569410

Aesthetics of Mundane Interactions

NARCIS (Netherlands)

Vyas, Dhaval; Hassenzahl, M.

2008-01-01

John Dewey’s pragmatist aesthetics is used as a conceptual basis for designing new technologies that support staff-members’ mundane social interactions in an academic department. From this perspective, aesthetics is seen as a broader phenomenon that encompasses experiential aspects of staff-members’

What, how, and why in Serbian music after the Second World War, in the light of ideological-political upheavals

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Veselinović-Hofman Mirjana

2017-01-01

Full Text Available The subject of this paper concerns the consideration of the social and artistic position of Serbian music within the framework of socialist cultural policies and the post-socialist culture of Serbia in transition. That position will be examined from the perspective of some vital creative issues in respect of which aesthetic, poetical and stylistic streams have often been formed or modified, and weighed against each other. This involves the problems of what and how, which ultimately lie at the root of every musical trend and more generally in art, coupled with the problem of why as a certain point of ‘rotation’ at which both the what and the how are met and modified. [Project of the Serbian Ministry of Education, Science and Technological Development: Identities of Serbian Music in the World Cultural Context

Multimedia and ubiquitous engineering MUE 2013

CERN Document Server

Ng, Joseph; Jeong, Hwa; Waluyo, Borgy

2013-01-01

The new multimedia standards (for example, MPEG-21) facilitate the seamless integration of multiple modalities into interoperable multimedia frameworks, transforming the way people work and interact with multimedia data. These key technologies and multimedia solutions interact and collaborate with each other in increasingly effective ways, contributing to the multimedia revolution and having a significant impact across a wide spectrum of consumer, business, healthcare, education, and governmental domains. Multimedia and Ubiquitous Engineering provides an opportunity for academic and industry professionals to discuss recent progress in the area of multimedia and ubiquitous environment including models and systems, new directions, novel applications associated with the utilization and acceptance of ubiquitous computing devices and systems.

Integrated multimedia information system on interactive CATV network

Science.gov (United States)

Lee, Meng-Huang; Chang, Shin-Hung

1998-10-01

In the current CATV system architectures, they provide one- way delivery of a common menu of entertainment to all the homes through the cable network. Through the technologies evolution, the interactive services (or two-way services) can be provided in the cable TV systems. They can supply customers with individualized programming and support real- time two-way communications. With a view to the service type changed from the one-way delivery systems to the two-way interactive systems, `on demand services' is a distinct feature of multimedia systems. In this paper, we present our work of building up an integrated multimedia system on interactive CATV network in Shih Chien University. Besides providing the traditional analog TV programming from the cable operator, we filter some channels to reserve them as our campus information channels. In addition to the analog broadcasting channel, the system also provides the interactive digital multimedia services, e.g. Video-On- Demand (VOD), Virtual Reality, BBS, World-Wide-Web, and Internet Radio Station. These two kinds of services are integrated in a CATV network by the separation of frequency allocation for the analog broadcasting service and the digital interactive services. Our ongoing work is to port our previous work of building up a VOD system conformed to DAVIC standard (for inter-operability concern) on Ethernet network into the current system.

PROVOCATIVE PERFORMANCE, PROVOCATIVE THEATER: AESTHETIC INTERACTION

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ROŞCA ANGELINA

2017-12-01

Full Text Available The author directs her attention to an yet-understudied area of theatre science, namely the aesthetic interaction between the provocative performance and the provocative theatre. The article sheds light on the conceptual coordinates of the performance placed among such artistic trends as Actionism, Conceptualism, Fluxus and Happening. Elements of performing arts infiltrated into the theatre long ago. And it is not just a co-occurrence within an artistic act, but an interference indeed. The provocative performance dispossesses the alternative arts of their distinct codes. First in the USA, then in Europe and eventually in the former Socialist Camp and the territory of the ex-USSR, the performance conquered the theatrical territory. This process has been accelerating since the dramatic theatre began to yield its positions to the post-dramatic one. Some of the overlapping points, which unite the performance with the spectacle in contemporary art, are followed in: the strategy of idiocy in provocative practices; the ready made; the corporeality; the pictorial.

77 FR 7095 - Transitional Program for Covered Business Method Patents-Definition of Technological Invention

Science.gov (United States)

2012-02-10

... 0651-AC75 Transitional Program for Covered Business Method Patents-- Definition of Technological... definition of technological invention that the Board will use in conducting transitional covered business... definition for covered business method patent in proposed Sec. 42.301(a). Additionally, the Office in a...

Artists and now also activists to contrast global warming (Italian original version

Directory of Open Access Journals (Sweden)

Alessandra Drioli

2008-09-01

Full Text Available Artists create new aesthetics to communicate new messages and new concerns. Apprehension about the climate, its changes, global warming and a disposition to anxiously running after an ideal sustainable development are part of the issues we all now experience with a certain degree of anxiety. This is why the sensitive antennae of artists have perceived and evolved that. Now they are committed on many fields to making their voice be heard and to raising ethical and social issues, also regarding the scientific instruments man possesses to manipulate nature. So they have now accessed the group of special interlocutors in the dialogue between science and society.

Literary Genres in Social Life: A Narrative, Audio-visual and Poetic Approach

Directory of Open Access Journals (Sweden)

Luis Felipe González Gutiérrez

2008-05-01

Full Text Available The proposal, "Literary Genres in Social Life: a Narrative, Audio-visual and Poetic Approach", attempts, by objective, to present/display to the academic psychology community and compatible social science disciplines the main contributions of literary genre theory through a social constructionist understanding of narrations and daily stories, and by means of an interactive construction of narrative collage. This work, sustained by an investigation financed by the University Santo Tomás in Bogota, Colombia, "Understanding of structuralist literary theories in the development of the narrative 'I' within the social constructionist approach", tries to propose alternative spaces for the presentation of its investigative results through the expression of metaphors, visual narrative sequences and interactive artistic forms, which invite the spectator to share in and to include/understand important concepts in the consolidation of social forms of construction of the quotidian. URN: urn:nbn:de:0114-fqs0802373

Hudba, zvuk a hluk v súčasnom hudobnodramatickom umení

Directory of Open Access Journals (Sweden)

Slávka Kopčáková

2013-12-01

Full Text Available The increase of noise in man’s environment is a characteristic of aural human culture of the 20th century. Its subsequent involvement in artistic culture (futurism, electroacoustic music, noise music, etc. is a natural consequence of these processes. At its beginnings, noise, hisses, distortions, and various, originally non-musical, sounds came to be the means of expansion of potential aesthetic qualities of art. In the paper, the presence of noise elements as means of expression in the contemporary musical-dramatic genre is considered. Their aesthetic effects in alternative theatre are analysed using examples of performances and workshops at the “Academic Prešov” festival.

The disruptive aesthetics of design activism

DEFF Research Database (Denmark)

Markussen, Thomas

2011-01-01

. In so doing, I will identify a theoretical ‘blind spot’ in the research literature, which has blocked our view of how design activism functions as an aesthetic practice and not only a socio-political one. To remedy this shortcoming, I then introduce some notions from Rancière (2004; 2010) that enable...

Design simplicity influences patient portal use: the role of aesthetic evaluations for technology acceptance

Science.gov (United States)

Watkins, Ivan; Mackert, Michael S; Xie, Bo; Stephens, Keri K; Shalev, Heidi

2016-01-01

Objective This study focused on patient portal use and investigated whether aesthetic evaluations of patient portals function are antecedent variables to variables in the Technology Acceptance Model. Methods A cross-sectional survey of current patient portals users (N = 333) was conducted online. Participants completed the Visual Aesthetics of Website Inventory, along with items measuring perceived ease of use (PEU), perceived usefulness (PU), and behavioral intentions (BIs) to use the patient portal. Results The hypothesized model accounted for 29% of the variance in BIs to use the portal, 46% of the variance in the PU of the portal, and 29% of the variance in the portal’s PEU. Additionally, one dimension of the aesthetic evaluations functions as a predictor in the model – simplicity evaluations had a significant positive effect on PEU. Conclusion This study provides evidence that aesthetic evaluations – specifically regarding simplicity – function as a significant antecedent variable to patients’ use of patient portals and should influence patient portal design strategies. PMID:26635314

Musical Creativity and the Subjective World of the Artist: the Context of Culture Creation

Directory of Open Access Journals (Sweden)

Morshchakova Nataliia

2016-10-01

Full Text Available The problem of creating music in the light of postmodern artistic imitation of ideas is characterised by the compositional focus of attention to the expression of subjective meanings and ideas that actualizes the possibility of an intentional world of the artist, originality of creative thinking, the ability to specify and deepen semantic sphere-shaped piece. The personification of artistic meanings within subjective reality is related to the processes of objectification of artistic and aesthetic paradigms prevailing within the culture; defining the inner meaning of culture contextually, a creative person is able to understand the deep, concentrated essence of the cultural epoch or cultural form. A creator-man, who feels or is conscious of an internal impulse of culture, thinks contextually, creating new stories, images that outgrow the limits of the author’s subjective content, finding expression in interpreting the meanings of concepts.

11th International Conference on Multimedia and Ubiquitous Engineering & 12th International Conference on Future Information Technology

CERN Document Server

Chen, Shu-Ching; Choo, Kim-Kwang

2017-01-01

This book presents the proceedings of the 11th International Conference on Multimedia and Ubiquitous Engineering (MUE2017) and the 12th International Conference on Future Information Technology (FutureTech2017), held in Seoul, South Korea on May 22–24, 2017. These two conferences provided an opportunity for academic and industrial professionals to discuss recent advances in the area of multimedia and ubiquitous environments including models and systems, new directions, and novel applications associated with the utilization and acceptance of ubiquitous computing devices and systems. The resulting papers address the latest technological innovations in the fields of digital convergence, multimedia convergence, intelligent applications, embedded systems, mobile and wireless communications, bio-inspired computing, grid and cloud computing, semantic web, user experience, HCI, and security and trust computing. The book offers a valuable resource for a broad readership, including students, academic researchers, and...

A Study on the Aesthetic Value of Texts in Turkish Language Textbooks

Science.gov (United States)

Pilav, Salim

2016-01-01

One of the main objectives of education is to enable the individual to obtain an aesthetic perspective by using language. It is through such classes as Turkish Language and Literature that students not only explore skill-based aspects of Turkish language but also get acquainted with its artistic properties. Therefore, the texts used in these…

Socio-environmental education, imaginary and Visual Arts

Directory of Open Access Journals (Sweden)

Graciela René Ormezzano

2013-01-01

Full Text Available This article is a bibliographic research that chooses the Maffesoli aesthetic worldview and speaks about social imaginary as a foundation for this study. In addition, it does a little speech about some educational politics that promote the environmental education and the mainstreaming and, finally, it discusses the relevance of visual arts in the transdisciplinary teaching-learning process doing a methodological approach that considers that it is able to be developed at various levels of formal education or non-formal education. The suggested mode of execution is based on the use of workshops as teaching methodology, joining the visual arts with various fields of knowledge with which they can relate to address the issue of socio-environmental education. The proposal addresses the need to return to the inventive experience for the purpose of (rediscover the action of raising and educating yourself without losing sight of all. This research looks for the meaning of life in society, transforming the human perception of the Cosmos, respecting the natural environment and complementarity of multiple cultures.

Distributed multimedia database technologies supported by MPEG-7 and MPEG-21

CERN Document Server

Kosch, Harald

2003-01-01

15 Introduction Multimedia Content: Context Multimedia Systems and Databases (Multi)Media Data and Multimedia Metadata Purpose and Organization of the Book MPEG-7: The Multimedia Content Description Standard Introduction MPEG-7 and Multimedia Database Systems Principles for Creating MPEG-7 Documents MPEG-7 Description Definition Language Step-by-Step Approach for Creating an MPEG-7 Document Extending the Description Schema of MPEG-7 Encoding and Decoding of MPEG-7 Documents for Delivery-Binary Format for MPEG-7 Audio Part of MPEG-7 MPEG-7 Supporting Tools and Referen

Socio-Technical Considerations for the Use of Blockchain Technology in Healthcare.

Science.gov (United States)

Wong, Ming Chao; Yee, Kwang Chien; Nøhr, Christian

2018-01-01

Blockchain technology is often considered as the fourth industrial revolution that will change the world. The enthusiasm of the transformative nature of blockchain technology has infiltrated healthcare. Blockchain is often seen as the much needed and perfect technology for healthcare, addressing the difficult and complex issues of security and inter-operability. More importantly, the "value" and trust-based system can deliver automated action and response via its smart contract mechanism. Healthcare, however, is a complex system. Health information technology (HIT) so far, has not delivered its promise of transforming healthcare due to its complex socio-technical and context sensitive interaction. The introduction of blockchain technology will need to consider a whole range of socio-technical issues in order to improve the quality and safety of patient care. This paper presents a discussion on these socio-technical issues. More importantly, this paper argues that in order to achieve the best outcome from blockchain technology, there is a need to consider a clinical transformation from "information" to "value " and trust. This paper argues that urgent research is needed to address these socio-technical issues in order to facilitate best outcomes for blockchain in healthcare. These socio-technical issues must then be further evaluated by means of working prototypes in the medical domain in coming years.

Study of "Stephen Dedalus ", the main protagonist of A Portrait of the Artist as a Young Man

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Fatemeh Azizmohammadi

2014-04-01

Full Text Available A Portrait of the Artist as a Young Man, written in 1916, is an authobiography and the first novel of the great Irish writer, James Joyce. It's written in Modernist style. So it can be contain of some category of realism, naturalism, and Marxism which aroused in mid-to late nineteenth century. But it mostly included realistic style because of the begining date of this literary school. By reading all works of James Joyce is maybe committing ownself to a  outstanding trickary world of  "chaosmos" (Finnegans Wake, p. 118.21, which stands for poetic mystery that few writers have acheived. In this study attempted is made to survey the main Protagonist in A Portrait of the Artist as a Young Man, and Ulysses, Stephen Dedalus, and its relationship to the author.

The development of multimedia communication system for electric power company

Energy Technology Data Exchange (ETDEWEB)

Woo, Hee Gon; Kim, Seong Bok [Korea Electric Power Corp. (KEPCO), Taejon (Korea, Republic of). Research Center

1995-12-31

It is a final report of the research project that is a development of PC-LAN based multimedia desktop conference system, which is research on the essential technologies and application and development of multimedia communication services for electric power company. This report is consisted of -Survey and study of the multimedia related technologies, -Multimedia communication protocols and network configurations, and -Design, developments of pilot model, evaluation, and applications of multimedia conference system. (author). 112 refs., 250 figs.

The development of multimedia communication system for electric power company

Energy Technology Data Exchange (ETDEWEB)

Woo, Hee Gon; Kim, Seong Bok [Korea Electric Power Corp. (KEPCO), Taejon (Korea, Republic of). Research Center

1996-12-31

It is a final report of the research project that is a development of PC-LAN based multimedia desktop conference system, which is research on the essential technologies and application and development of multimedia communication services for electric power company. This report is consisted of -Survey and study of the multimedia related technologies, -Multimedia communication protocols and network configurations, and -Design, developments of pilot model, evaluation, and applications of multimedia conference system. (author). 112 refs., 250 figs.

Using the Artistic Pedagogical Technology of Photovoice to Promote Interaction in the Online Post-Secondary Classroom: The Students' Perspective

Science.gov (United States)

Edwards, Margaret; Perry, Beth; Janzen, Katherine; Menzies, Cynthia

2012-01-01

This study explores the effect of the artistic pedagogical technology (APT) called photovoice (PV) on interaction in the online post-secondary classroom. More specifically, this paper focuses on students' perspectives regarding the effect of PV on student to student and student to instructor interactions in online courses. Artistic pedagogical…

Multimedia security watermarking, steganography, and forensics

CERN Document Server

Shih, Frank Y

2012-01-01

Multimedia Security: Watermarking, Steganography, and Forensics outlines essential principles, technical information, and expert insights on multimedia security technology used to prove that content is authentic and has not been altered. Illustrating the need for improved content security as the Internet and digital multimedia applications rapidly evolve, this book presents a wealth of everyday protection application examples in fields including multimedia mining and classification, digital watermarking, steganography, and digital forensics. Giving readers an in-depth overview of different asp

Forming Future Teachers’ Aesthetic Culture in Foreign Educational Practice

OpenAIRE

Sotska Galyna

2016-01-01

The article deals with a theoretical analysis of foreign educational experience in solving scientific problems of forming future teachers’ aesthetic culture. Given the current socio-cultural situation, it has been noted that a teacher who developed his/her aesthetic culture can make a direct contribution to the social and cultural challenges of a changing world. Based on the study of scientific and pedagogical literature, normative and legal support and the content of practical courses, the a...

Cyprian Norwid’s emotionalism or symbolism? (a reply to Danuta Zamącińska’s approach to the poetry of the author of Vade-mecum

Directory of Open Access Journals (Sweden)

Wiesław Rzońca

2009-01-01

Full Text Available The polemical article addresses and questions the findings and determinations given by Zamącińska, who treats Norwid’s poetry as heavily marked emotionally which, according to the literary researcher and scholar, is decisive in assigning the poet to the generation of Romantics. Questioning the arguments given by Zamącińska, the present author points at a considerable decrease in individualism and direct expression in the writings of Norwid in favour of the so-called “quidamization”, i.e. a forming process of underdetermined man and “one of the may”. Concurrently, emotions find their way to the poetical image co-created by the description in which general notions constitute a substantial component. The poetics of conditionality, sensitivity to the changeability of the world and the momentous character of reality, and at the same time sensitivity to light, sphericity and multicolourness of poetical space are decisive in attributing the artistic workshop of Norwid to the aesthetics of the second half of the nineteenth century.

Aesthetics in Young Children's Lives: From Music Technology Curriculum Perspective

Science.gov (United States)

Ko, Chia-Hui; Chou, Mei-Ju

2013-01-01

Music technology is a term commonly used to refer to electronic form of the musical arts, particularly devices and computer software that enable the facilitation, playback, recording, composition, storage, and performance of various musical compositions. There has been a growing awareness of the importance of aesthetics in early childhood…

Evoking the World of Poetic Nonfiction Picture Books

Science.gov (United States)

Kesler, Ted

2012-01-01

An increasingly prevalent and accessible form of hybrid nonfiction picture books blends factual information with poetry or poetic devices to create literary nonfiction. This important form of hybrid text has been sparsely examined. This article addresses three questions about poetic nonfiction picture books: first, how might we categorize picture…

Utilization of Multimedia Laboratory: An Acceptance Analysis using TAM

Science.gov (United States)

Modeong, M.; Palilingan, V. R.

2018-02-01

Multimedia is often utilized by teachers to present a learning materials. Learning that delivered by multimedia enables people to understand the information of up to 60% of the learning in general. To applying the creative learning to the classroom, multimedia presentation needs a laboratory as a space that provides multimedia needs. This study aims to reveal the level of student acceptance on the multimedia laboratories, by explaining the direct and indirect effect of internal support and technology infrastructure. Technology Acceptance Model (TAM) is used as the basis of measurement on this research, through the perception of usefulness, ease of use, and the intention, it’s recognized capable of predicting user acceptance about technology. This study used the quantitative method. The data analysis using path analysis that focuses on trimming models, it’s performed to improve the model of path analysis structure by removing exogenous variables that have insignificant path coefficients. The result stated that Internal Support and Technology Infrastructure are well mediated by TAM variables to measure the level of technology acceptance. The implications suggest that TAM can measure the success of multimedia laboratory utilization in Faculty of Engineering UNIMA.

Sound exposure during outdoor music festivals

Directory of Open Access Journals (Sweden)

Tron V Tronstad

2016-01-01

Full Text Available Most countries have guidelines to regulate sound exposure at concerts and music festivals. These guidelines limit the allowed sound pressure levels and the concert/festival’s duration. In Norway, where there is such a guideline, it is up to the local authorities to impose the regulations. The need to prevent hearing-loss among festival participants is self-explanatory, but knowledge of the actual dose received by visitors is extremely scarce. This study looks at two Norwegian music festivals where only one was regulated by the Norwegian guideline for concert and music festivals. At each festival the sound exposure of four participants was monitored with noise dose meters. This study compared the exposures experienced at the two festivals, and tested them against the Norwegian guideline and the World Health Organization’s recommendations. Sound levels during the concerts were higher at the festival not regulated by any guideline, and levels there exceeded both the national and the Worlds Health Organization’s recommendations. The results also show that front-of-house measurements reliably predict participant exposure.

Translating the Essence of Dance: Rendering Meaning in Artistic Inquiry of the Creative Arts Therapies

Science.gov (United States)

Manders, Elizabeth; Chilton, Gioia

2013-01-01

The authors used artistic inquiry to study intersubjectivity in a weekly, stimulated creative arts therapy studio experience for one year. They found that the conversion of meaning from the meta-verbal, imaginal, aesthetic language of dance and visual art into verbal and textual discourse required complex translational processes. Personal…

Festival Citylink Brand Audit and Improvement

OpenAIRE

Riswandi, Ridwan; Iskandar, Budi Permadi

2013-01-01

Festival Citylink (FCL) is a shopping center that using concept mixed-use integration between shopping center, hotels and convention center located in South Bandung area. The problem that faces by Festival Citylink is low on brand equity performance, brand history and the intense of competition. Based on survey result in 2011, Festival Cityink has low in brand awareness, recall and response. The negative perception brand image from predecessor Mollis as shopping center before Festival Citylin...

Virtual reality - aesthetic consequences

OpenAIRE

Benda, Lubor

2014-01-01

In the present work we study aesthetic consequences of virtual reality. Exploring the fringe between fictional and virtual is one of the key goals, that will be achieved through etymologic and technologic definition of both fiction and virtual reality, fictional and virtual worlds. Both fiction and virtual reality will be then studied from aesthetic distance and aesthetic pleasure point of view. At the end, we will see the main difference as well as an common grounds between fiction and virtu...

"Social horror": A critical analysis of ideological and poetic function of the motive of victim in the contemporary Serbian film

Directory of Open Access Journals (Sweden)

Kronja Ivana

2016-01-01

Full Text Available This paper analyses achievements of Serbian cinematography after 2000, which narrative strategies and visual aesthetics are focused on the issues of violence and victims in the context of social despair, post-communist transition and ongoing global value crisis. Films made by Mladen Đorđević Life and Death of a Porn Gang (2009, Srđan Spasojević A Serbian Movie (2010, and Marko Novaković Menagerie (2012 integrate these complex characteristics of disintegration of Serbian community and dysfunctional state system into their cinematic poetics. These films present examples of radical film aesthetics, which, through strategies of making things unusual, and the influence of underground, pornography and horror on the realistic drama, speak about permanently traumatised Serbian society. They directly connect collective political state and the domain of personal, family, intimate and sexual, controversially relying on the images and narratives of gender misogyny and the violence it produces and its victims. The paper critically approaches these issues from the gender- feminist perspective.

Aesthetic Perception of Visual Textures: A Holistic Exploration using Texture Analysis, Psychological Experiment and Perception Modeling

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Jianli eLiu

2015-11-01

Full Text Available Modeling human aesthetic perception of visual textures is important and valuable in numerous industrial domains, such as product design, architectural design and decoration. Based on results from a semantic differential rating experiment, we modeled the relationship between low-level basic texture features and aesthetic properties involved in human aesthetic texture perception. First, we compute basic texture features from textural images using four classical methods. These features are neutral, objective and independent of the socio-cultural context of the visual textures. Then, we conduct a semantic differential rating experiment to collect from evaluators their aesthetic perceptions of selected textural stimuli. In semantic differential rating experiment, eights pairs of aesthetic properties are chosen, which are strongly related to the socio-cultural context of the selected textures and to human emotions. They are easily understood and connected to everyday life. We propose a hierarchical feed-forward layer model of aesthetic texture perception and assign 8 pairs of aesthetic properties to different layers. Finally, we describe the generation of multiple linear and nonlinear regression models for aesthetic prediction by taking dimensionality-reduced texture features and aesthetic properties of visual textures as dependent and independent variables, respectively. Our experimental results indicate that the relationships between each layer and its neighbors in the hierarchical feed-forward layer model of aesthetic texture perception can be fitted well by linear functions, and the models thus generated can successfully bridge the gap between computational texture features and aesthetic texture properties.

Imagination as poetics of cognition

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Grazia Pulvirenti

2013-06-01

Full Text Available Abstract Our work bases on the hypothesis of an existing interconnection between the symbolic and the metaphoric elements of the text responding to a series of mind patterns compressing perception and experience through the emerging process of conceptual blending triggering the semantic process during the creative act of poiesis. This enquiry focuses on the use of a peculiar rhetorical figure in an exemplar literary text of the famous German poet Goethe. We will try to point out the allegorical function of the scene dedicated to the «Mothers’ Kingdom», in his Faust II as a powerful poetical meta-reflection on imagination, cognition and poetics itself.

The role of multimedia technologies in the modern education system

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V. Mykhaylenko

2017-04-01

Full Text Available In the modern education system there are rapid and significant changes that do not by pass the teaching of disciplines in medical universities. Different types of multimedia technologies allow you to model the conditions of learning activities and implement them in the form of various training exercises. Each of these types contributes to a more rational activity of the teacher at certain stages of the educational process, expands opportunities, intensifying the pedagogical process as a whole. Technological novelties help to activate self-motivation of students, their creative thinking, independence and the desire to comprehensively obtain and assimilate information, stimulate curiosity and interest in scientific activity.

Fødens festival

DEFF Research Database (Denmark)

Agerholm, Frank Juul

2012-01-01

Som den italienske antropolog og folklorist Alessandro Falassi gør opmærksom på i antologien Time out of Time: Essays on the Festival, så er det sparsomt, hvad der er gjort af teoretiske forsøg på definere, hvad en festival er. Det står altså skidt til med et begreb om festivalen, og dette endog...... til trods for, at der er forsket i festivalen som fænomen siden det 19. århundrede – tilmed inden for en række forskellige faglige discipliner såsom religionsvidenskab, sociologi, antropologi, folklore m.fl. Endnu mere sparsomt må det vel så også stå til med bud på, hvad fødens festival er for en...

An Evolution of Sustainable Aesthetics

DEFF Research Database (Denmark)

Donovan, Elizabeth

2017-01-01

. This paper is framed within the understanding that while sustainable architecture has showcased ethical technology, it lacks the holistic aesthetic language needed for the discipline to progress. A discussion of literature concerning sustainability, architecture, and aesthetics, articulating the particularly...

Aesthetic primitivism revisited: The global diaspora of ‘primitive art’ and the rise of indigenous modernisms

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Ruth B. Phillips

2015-06-01

Full Text Available This paper examines the global export of the construct of primitive art which developed in Europe in the early-twentieth century and the catalytic role it played in the emergence of modernist art forms produced by Indigenous peoples. It argues for the need to distinguish between sociological primitivism grounded in cultural evolutionist theory and the aesthetic primitivism promoted by artists, ethnologists and patrons who admired and appropriated the traditional arts of non-Western peoples classified as 'primitive.' Case studies of two refugees from Nazi Europe, German ethnologist Leonhard Adam and Austrian artist George Swinton, demonstrate the tension between received understandings of primitive art and these men's growing awareness, following emigration, of Indigenous modernities. It also led to their active promotion of modern Australian Aboriginal and Inuit arts, despite the undoubted links between aesthetic primitivism and the oppressive assimilationist policies justified through sociological primitivism.

Aesthetics of Mundane Interactions

OpenAIRE

Vyas, Dhaval; Hassenzahl, M.

2008-01-01

John Dewey’s pragmatist aesthetics is used as a conceptual basis for designing new technologies that support staff-members’ mundane social interactions in an academic department. From this perspective, aesthetics is seen as a broader phenomenon that encompasses experiential aspects of staff-members’ everyday lives and not only a look-&-feel aspect.

O Consumo da Canção como Experiência Estética

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BARROS, Laan Mendes de

2012-04-01

Full Text Available The article talks about popular song as cultural and media phenomenon and The consumption of the song of consumption in the context of transition from mass society to network society. It takes the artistic expressions such as “open works”, subject to interpretations and recreations and has as objective the understanding of the question of listening to music as aesthetic experience, according to the perspective of Mikel Dufrenne, designed in the field not only the object but also of perception. Therefore, it deals the “aesthetics ofreception”, as the Konstanz School indicates, as time-space new poetics in which the receptors generate new meanings. Still, it develops new “soundscapes”, in Murray Schaffer terms, and musical communities in the context of the network society and the proliferation of sounds.

"Equally mixed": artistic representations of old love

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Amir Cohen-Shalev

2016-02-01

Full Text Available Michael Haneke's (2012 film Amour is used as a point of departure for discussing a spectrum of artistic representations of "old love," a phenomenon that is still little understood. While most critics have focused on euthanasia when referring to the film's dramatic climax, its late-life perspective of love has been marginalized. Analyzing Amour, as well as other recent cinematic and poetic texts, we challenge the widespread midlife and ageist perception of "April love," contrasting it with different views from within old love. Our reading of Amour illustrates the effects of intense, all-encompassing, and sealed intimacy in advanced old age and sheds light on potential consequences it may have on the decisions and lives of the people involved. We conclude by discussing how certain forms of love, seen from within, unfold in tandem with age or life phases that affect the pace, emotional, and interpersonal nature of the partnership.

Discussion on the management system technology implementation of multimedia classrooms in the digital campus

Science.gov (United States)

Wang, Bo

2018-04-01

Based on the digitized information and network, digital campus is an integration of teaching, management, science and research, life service and technology service, and it is one of the current mainstream construction form of campus function. This paper regarded the "mobile computing" core digital environment construction development as the background, explored the multiple management system technology content design and achievement of multimedia classrooms in digital campus and scientifically proved the technology superiority of management system.

The economic impact of the Volksblad Arts Festival

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A. J. Strydom

2006-12-01

Full Text Available Purpose: Arts festivals, as a form of event tourism, are becoming more and more popular in South Africa with new festivals developing annually. The Volksblad Arts Festival in Bloemfontein celebrated its fifth anniversary in 2005. The purpose of this paper is to indicate the economic impact of the annual Volksblad Arts Festival on the local economy of Bloemfontein. Results are also compared with research done at other popular festivals in South Africa. Design/Methodology/Approach: The main thrust of the paper is to determine the economic impact of the Volksblad Arts Festival in Bloemfontein. More than 400 visitor questionnaires and 72 business questionnaires were administered and successfully completed during the festival that took place from 12-17 July 2005. Findings: The results show that this festival generates R18 405 653. If one compares it to festivals such as the KKNK in Oudtshoorn, the National Arts Festival in Grahamstown and even Aardklop held in Potchefstroom, it is evident that Volksblad is a smaller festival and it is therefore also expected that the economic impact of the festival should be less. Implications: This paper presents a comprehensive approach to understanding the measurement of the economic impact of a festival like the Volksblad Arts Festival. It provides tourism managers of Bloemfontein with an indication of the potential of event tourism as a source of income for the city. It also indicates the need for more extensive marketing in order to increase the percentage of non-local visitors to the particular festival. Originality/Value: Bloemfontein is increasingly regarded as an event tourism destination rather than an end destination for leisure tourists. This research represents an original attempt to indicate the potential impact of events to the tourism managers of Bloemfontein as well as other destinations with similar interests.

Festive environmentalism

DEFF Research Database (Denmark)

Olwig, Mette Fog; Christiansen, Lene Bull

2016-01-01

Mikhail Bakhtin’s idea of the carnivalesque is applied here to a case study of eco-voluntourism at the Roskilde Festival, an international culture and music event held in Denmark. In the literature on popular forms of environmentalism a dichotomy between engaging and educating about the political...... ecology of environmental issues through empathy and affect versus fun and entertainment, is often drawn. We argue that the carnivalesque enables festivals to move beyond this dichotomy by implicitly acknowledging a mind-body tension (against a fixed binary), as embedded in Western culture, and by offering...

Proverb preferences across cultures: dialecticality or poeticality?

Science.gov (United States)

Friedman, Mike; Chen, Hsin-Chin; Vaid, Jyotsna

2006-04-01

Peng and Nisbett (1999) claimed that members of Asian cultures show a greater preference than Euro-Americans for proverbs expressing paradox (so-called dialectical proverbs; e.g., Too humble is half proud). The present research sought to replicate this claim with the same set of stimuli used in Peng and Nisbett's Experiment 2 and a new set of dialectical and nondialectical proverbs that were screened to be comparably pleasing in phrasing. Whereas the proverbs were rated as more familiar and (in Set 1) more poetic by Chinese than by American participants, no group differences were found in relation to proverb dialecticality. Both the Chinese and Americans in our study rated the dialectical proverbs from Peng and Nisbett's study as more likable, higher in wisdom, and higher in poeticality than the nondialectical proverbs. For Set 2, both groups found the dialectical proverbs to be as likable, wise, and poetic as the nondialectical proverbs. When poeticality was covaried out, dialectical proverbs were liked better than nondialectical proverbs across both stimulus sets by the Chinese and the Americans alike, and when wisdom was covaried out, the effect of dialecticality was reduced in both sets and groups. Our findings indicate that caution should be taken in ascribing differences in proverb preferences solely to cultural differences in reasoning.

Thomas Merton’s poetics of translation in his letters to writers

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Marcela María Raggio

2016-05-01

Full Text Available This article explores Thomas Merton’s poetics of translation as reflected in his letters to writers. There, Merton expresses his ideas on poetic translation, the methods and the experience of approaching foreign literature through translation. Then, a translation analysis of a sample revises the connection between Merton’s poetics and practice of translation.

Aplikasi Event Management Pada Acara Road to GO-FOOD Culinary Festival and GOFOOD Culinary Festival with 50 Best Merchants Sebagai Project Leader Dan Program Manager

OpenAIRE

Gamaliel Sihombing, Yeremi; Pradekso, Tandiyo

2017-01-01

GO-JEK, a technology based on-demand service provider is a growing start-up that exist with the aim of providing solutions to our daily social issues. Let's take a look at GO-FOOD, a delivery order services powered by GO-JEK to ease people's effort in ordering their favourite food. In this case, GO-FOOD partnered with thousands of restaurants which then called as merchants. GO-FOOD Culinary Festival with 50 Best Merchants is a culinary festival held by GO-JEK to introduce the most popular 50 ...

Promoting artistic quality in rhythmic gymnastics: a didactic analysis from high performance to school practice

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Monique LOQUET

2016-03-01

Full Text Available Abstract In France, the curricula for physical education (PE place gymnastic activities in a set of competences named “Achieving a corporal performance for artistic and acrobatic aims”, alongside dance and circus arts. What place does Artistic occupy in gymnastic activities? Is an aesthetic gesture sufficient to be considered as part of an artistic activity? Defining the term «Artistic» is difficult in the field of sports, as descriptions usually come from the technique/Artistic dichotomy. Our analysis focuses on rhythmic gymnastics (RG, which is precisely seen as emblematic of this technique/Artistic division: on the one hand, technical rigor, prescriptions and rules; on the other hand, grace, creation and self-expression. We believe such compartmentalized categories are too schematic to define gymnasts’ and students’ activities, so we will examine their articulation points. We first present an overview of RG as a school practice in ordinary forms of teaching, then an historical analysis of RG as a sports practice, to highlight the unbridgeable gap between both school and sports practices, regarding technique/Artistic connections. We then propose three significant points of articulation (called games closely combining technical requirements and artistic commitment. We consider that the variation of the three games played in GR (creating, making beautiful, representing is the product of historical dynamics of this sport we call artistic. Finally, on this basis, we propose a learning game for novice students promoting the artistic quality of RG practice.

Amateur Creation and Entrepreneurialism: A Critical Study of Artistic Production in Post-Fordist Structures

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Yiannis Mylonas

2012-01-01

Full Text Available Based on an interview with a hip-hop artist from Eastern Poland, this article critically assesses amateur art pro-duction proliferating throughout the globe today through individuals’ creative usages of new ICTs and new media affordances. The post-Fordist material and ideological context of contemporary social life is the main focus point of the article’s critique. Scarcity, dispossession, and entrepreneurship are the main analytical concepts used to develop a critical analysis and explanation of mainstream realities of amateur artistic production today. Within a context defined by precarious work conditions and prospects, material scarcity, and consumerist aspirations, media and technological potentialities are strategically used by the amateur artist-entrepreneur a as resources where creativity is put to work for potential socio-economic elevation and inclusion in the global industrial artistic scene (in the case of private ICT, b as “free” resources, appropriated for entrepreneurial aspirations (in the case of “free“ digital material circulating online, particularly through peer to peer networks, c as channels for self promotion and networking (in the case of web 2.0 structures. What is often less apparent to the amateur artists, though, concerns the exploitative capacities of corporate Internet to dispossess amateur work and online social relations for the purposes of capital accumulation and reproduction. Unless critiqued, “free culture” -generated by new ICTs and new media- is assimilated by the material and ideological power of late capitalism and is “put to work” for the (reproduction of late capitalism. The article concludes by suggesting the critical challenging of the mainstream artistic identity and the critical use and appropriation of new media/ICT’s potentialities.

Bridging "The Two Cultures" through Aesthetic Education: Considering Visual Art, Science, and Imagination

Science.gov (United States)

Asher, Rikki

2007-01-01

Art can be used to enrich the subject of science and science can be used to motivate study in art. This can stimulate new ways to regard the relationship of art and science in classrooms. Theoretical and practical examples will highlight: early and contemporary artists who developed ideas about art forms in nature; the impact an Aesthetics and…

Intelligent Multi-Media Integrated Interface Project

Science.gov (United States)

1990-06-01

been devoted to the application of aritificial intelligence technology to the development of human -computer interface technology that integrates speech...RADC-TR-90-128 Final Technical Report June 1090 AD-A225 973 INTELLIGENT MULTI-MEDIA INTEGRATED INTERFACE PROJECT Calspan-University of Buffalo...contractual obligations or notices on a specific document require that it be returned. INTELLIGENT MULTI-MEDIA INTEGRATED INTERFACE PROJECT J. G. Neal J. M

Segui le orme che portano alle ceneri del focolare. Il Festival Culturale Gattjirrk di Milingimbi

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Franca Tamisari

2016-12-01

Full Text Available This article considers the socio-cultural meaning of the Gattjirk Cultural Festival of Milingimbi, an event that is annually held in the indigenous Yolngu community in the Northern Territory, Australia. Despite its small-scale dimensions and ludic nature, the Festival provides an arena where the postcolonial realities the Yolngu people live in are negotiated. Focusing not only on the organisers' point of view - who see the Festival as an opportunity to "share culture" - but also on that of the youth - who reveal their experiences and visions through hip-hop and comic dances - I argue that the Festival creates a space in which both generational tensions, within the community, and those between Indigenous and non indigenous people, can be displayed and mediated. If, on the one hand, the Festival is a moment of encounter where culture can be shared, on the other it also generates new modalities of confrontation and defiance. By weaving together elements of Yolngu cultural heritage and pop culture, I argue that hip-hop and comic dances, which are mainly performed by the youth, are tactics of cultural remix that demand attention through laughter and irony: a mutual recognition which equally engages performers and spectators, the elders and the youth, indigenous and non indigenous people to participate and respond. These performances thus generate connections and relationships that remix the old and the new, the elders and the youth, indigenous and non indigenous people in an encounter which is at once efficacious yet ephemeral.

Theopathic Experience and Theophanic Language. The Boundary Condition of Aesthetic Beauty in Teresa of Avila

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Cecilia Inés Avenatti de Palumbo

2015-04-01

Full Text Available The aim of this article is to suggest that beyond the explicit source Augustinian Patristic figures of Beauty and the interior Master and the hypothetical influence of Sufi poetry of pure love that dwells in the hearts, Teresa of Avila constructed as writer, a record that has a symbolic own paradoxical tension between the “apophatic way” of indifference and silence of all that is not God and the affirmation of the soul as a castle whose concentric crystalline inhabits interiority “Beauty theophanic”. So Teresian proposal is considered near-mystical poetic languages of waiting and emptiness of our time, to the extent that through the symbolic language provides tracing and mystical aesthetics of nudity, in which the Master inside reveal the pristine beauty of pure light as the goal of man’s way to the encounter with God.Keywords: aesthetic - Teresa of Avila - Interior Master - theophanic language.

Steun, weerklank en vriendschap. Over sociaal kapitaal en de breuk tussen Piet Mondriaan en Theo van Doesburg

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Alex Rutten

2012-12-01

Full Text Available An analysis of the behavior and position-taking of actors in the literary or artistic field should not focus merely on poetics and profit-maximizing strategies aimed at the accumulation of symbolic capital. At least as important is the subjective experience of social capital that these actors have. This includes values attached to respect, mutual understanding, friendship and support. To demonstrate the importance of these subjective aspects of social capital, I will argue that relational problems were the main cause for the break between De Stijl members Piet Mondriaan and Theo van Doesburg, rather than conflicting ideas about aesthetic matters.

Pemanfaatan Multimedia sebagai Media Penyuluhan Kesehatan Gigi

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Hestieyonini Hadnyawati

2015-10-01

Full Text Available The effort of suppression promotion and preventive as practice principles of "paradigma sehat" are concept which announcement by Departemen Kesehatan Republik Indonesia in framework reach Indonesia Sehat 2010. This effort as well as possible to get done by everyone Indonesia peoples, with the holistic through way dental education. For this application dental education needed medium. Multimedia are application various medium which different for associate and serve information in form text, audio, chart, animation, and video. Multimedia find occupy somebody for keep 90% what he read, hear, se, mention and done. Using multimedia as dental education medium can be used CD/VCD multimedia module, multimedia presentation, and multimedia web. With this reminder, so using multimedia technology find service as alternative medium for public dental education.

THE USE OF MULTIMEDIA TECHNOLOGY IN THE INSTRUCTIONAL DELIVERY OF THE COURSE „GARMENT CONSTRUCTION”

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ALCAZ Olga

2015-05-01

Full Text Available Against the backdrop of the rapid change and growth of information and communication technology (ICT, the use of computer technology in education has become an essential requisite. With the Millennial generation, who has been surrounded by high volume of multimedia content, the concept of computer-assisted learning is intrinsic. Computer is simultaneously perceived as a toy, tool, and a source of information, which has ingrained in people’s habits of communication, education and research. The concept of the computer-assisted learning refers to the delivery of new knowledge; the use, consolidation, and synthesis of the newly acquired knowledge. As suggested, computer technology is „the most important innovation in the modern pedagogy” for its impact on the efficiency of education. The pupil-computer interaction enables the diversification of teaching strategies and opens up a whole wealth of structured information with many opportunities for its visualisation. However, it is not the computer in itself with its multimedia configurations that lead to the educational enhancement; but, the quality of the digital learning resources and their appropriate incorporation in classroom aligned to the innovative pedagogy that counts the most. The modernization of pedagogy involves, thus, the presence of hardware (computer, software (programs and the capacity to use, adapt, and harness the ICT in the instructional environment. This paper presents the experience of the use of computer technology in one of the courses offered by vocational schools that aims to develop both general and professional competencies, as well as the capacity to work with diverse types of multimedia contents.

A Selenological History of Lunar Poetics

Science.gov (United States)

von Chamier-Waite, C. T.

2016-01-01

The Moon. Centuries of human inquiry have engaged this mysterious object. The Moon embodies history, philosophy, cosmology, and passions; the nature of love, persecution, and our capacity for the sublime. This review considers a body of research on lunar poetics done for a series of artworks by the author. It will look at a few select writings that have profoundly influenced our epistemological, ontological, and poetic knowledge of the universe with the Moon as a central theme. Centered in the early seventeenth century at the time of Kepler and Galileo, this query follows the tendrils of lunar influences in both the sciences and literature that emanate from these two figures, forwards and backwards in time. Science, politics, theology, and the arts intertwine in this investigation. The works reviewed link the philosophy of Aristotle and the poetry of Lucian of Samosata to findings by Leonardo Da Vinci, Copernicus, Jules Verne, and others. The chosen philosophers have been selected because of their significant contributions to selenology and lunar poetics, and each of the figures reviewed have the honor of a namesake crater upon the Moon.

On the Integration of Academic and Artistic Methodologies

DEFF Research Database (Denmark)

Heinrich, Falk

2013-01-01

The paper reflects upon the integration of academic-scientific methods and artistic strategies for art and technology projects that address user participation in a socially defined domain. The paper begins by describing its field of inquiry as an extended art field in which artistic enterprises...... (tightly coupled constituents) as a theoretical and heuristic tool for productive interferences between artistic and scientific methods. Art and technology projects operate within a field of existing forms (social patterns, urban spaces, etc.), which must be de-coupled prior to decisions related to new...

Aesthetic emotions goals. Comment on "The quartet theory of human emotions: An integrative and neurofunctional model" by S. Koelsch et al.

Science.gov (United States)

Perlovsky, Leonid

2015-06-01

Review by Koelsch et al. [10] presents an interdisciplinary theory of emotions, including a neurobiological emotion theory originating in four core emotional systems. The Quartet Theory (QT) includes specifically human emotions and considers the role of language for emotions. This comment considers questions about how the QT can address aesthetic emotions, what class of emotions they are, and what their function in cognition is. Can QT help defining aesthetic emotions neurally and functionally? Such a definition of aesthetic emotions would be necessary for their scientific exploration, because as widely used today there is no definition, aesthetics is defined through art, and art through aesthetics. Since contents of many art museums are not accepted as art by many artists and admirers of art, it is not clear what should be the subject of aesthetic emotions research.

USAGE OF MULTIMEDIA TECHNOLOGIES IN TRAINING OF HIGHER EDUCATIONAL STUDENT

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Svitlana S. Ryzhenko

2010-08-01

Full Text Available The article deals with the sensibility of multimedia means of education usage in different types of classes (lectures, practical, seminars and laboratory work. Recommendations as for the giving lectures on the basis of multimedia means of education are given. The article also presents the analysis of the students’ level comprehension of the material presented in a multimedia format.

"Inventing Hysteria" An Investigation on How Social Constructivism Uses Technology to Define Reality

OpenAIRE

Stadler, Doris

2016-01-01

In my paper I want to focus on the social constructivists and their approach of using technology to define (constructed) reality. Based on this, constructivists argue that technology can be a means to define social roles. Furthermore, I want to analyze this theory on the practical example of the photographs of women in different phases of hysteria, based on Georges Didi-Huberman’s book Invention of Hysteria (1982)

Traditional Festivals to Become Legal Holidays

Institute of Scientific and Technical Information of China (English)

无

2007-01-01

@@ As nearly everyone knows already,the state is going to rearrange the schedule of legal holidays. The four traditional Chinese festivals, inluding Mid-Autumn Day, Dragon Boat Festival,Tomb-Sweeping Day and Spring Festival Eve, will be made into legal holidays. As for the Golden Week system, should it be continued or canceled?

The routes to be followed into Alberto Caeiros’s poetry: a reception aesthetics approach

Directory of Open Access Journals (Sweden)

Fabrício César Aguiar

2011-10-01

Full Text Available The aim of this article is to study the 8th poem Num meio dia de fim de primavera written by Alberto Caeiro. The analysis proposed will be based on some of the Reception Aesthetics concepts mainly focusing on enriching the sensory aspects of the text, especially the visual one. For that purpose, the poetic devices used in the construction of the text as well as its reception by the readers will be highlighted. The analysis will be based on the concepts theorized by Wolfgang Iser. Such concepts are: a the interaction between text and reader and the position of the latter at the time of the former reception; b the blank places; c the negation and negativity structures; and d it will also consider the approach to reading as an act in which the reader is responsible for achieving the meaning for the text and for creating an “aesthetic pleasure” through it. This last concept is grounded in Hans Robert Jauss theory.

Measuring originality: common patterns of invention in research and technology organizations

Energy Technology Data Exchange (ETDEWEB)

Tang, D.L.; Wiseman, E.; Keating, T.; Archambeault, J.

2016-07-01

The National Research Council of Canada (NRC) co-chairs an international working group on performance benchmarking and impact assessment of Research and Technology Organizations (RTO). The Knowledge Management branch of the NRC conducted the patent analysis portion of the benchmarking study. In this paper, we present a Weighted Originality index that can more accurately measure the spread of technological combinations in terms of hierarchical patent classifications. Using this patent indicator, we revealed a common pattern of distribution of invention originality in RTOs. Our work contributes to the methodological advancement of patent measures for the scientometric community. (Author)

Big Data between audiovisual displays, artifacts, and aesthetic experience

DEFF Research Database (Denmark)

Bjørnsten, Thomas

2016-01-01

of large data sets – or Big Data – into the sphere of art and the aesthetic. Central to the discussion here is the analysis of how different structuring principles of data and the discourses that surround these principles shape our perception of data. This discussion involves considerations on various......This article discusses artistic practices and artifacts that are occupied with exploring data through visualization and sonification strategies as well as with translating data into materially solid formats and embodied processes. By means of these examples the overall aim of the article...... is to critically question how and whether such artistic practices can eventually lead to the experience and production of knowledge that could not otherwise be obtained via more traditional ways of data representation. The article, thus, addresses both the problems and possibilities entailed in extending the use...

American Holidays and Festivals

Institute of Scientific and Technical Information of China (English)

冯凌

2002-01-01

One of the interesting things to learn about a country is to know different kinds of holidays and festivals its people celebrate(庆祝) and to tell why they celebrate them. Although there are some similarities(相似) between American and Chinese holidays and festivals, there are quite a few differences.

The festive calendar and cult acts in Carmona: a reflection of the festive celebration in the modernity

Directory of Open Access Journals (Sweden)

Clara Macías Sánchez

2015-11-01

Full Text Available The article offers a tour around the annual festive cycle of Carmona (Seville, with special emphasis on the cult acts and religiousness. The data, result of the direct observation, have been supported by other historical in nature which provides a diachronic overview of the major festivals in this city. This will enables an overall analysis of the most recent transformations of the festive fact in a population that can serve as a model for the Low Andalusia. Pursuing this goal in this article are described the organizing agents and the degrees of participation from different sectors of the community, are detected the influence of dominant models and different processes of festive revitalization. Finally, the information provided allows a reflection about the consequences of modernity in the festive fact.

From Invention to Innovation

Energy Technology Data Exchange (ETDEWEB)

Rorke, M.

2000-07-18

The Inventions and Innovation Program, formerly known as ERIP (Energy-related Inventions Program), was established by the U.S. Congress in 1974. The program offers assistance to independent inventors and very small businesses engaged in developing new energy-saving technologies. The program remains clearly focused on energy generation and savings. The I&I Program funding is based on a competitive proposal process.

Fuel on the Invention Funnel

DEFF Research Database (Denmark)

Leone, Maria Isabella; Reichstein, Toke; Boccardelli, Paolo

In this paper, we examine the impact of technology licensing-in on firm invention performance. Studying a sample of 266 licensees and matched non-licensees using a two-part model specification, we find that licensees are more likely to introduce inventions than their non-licensee counterparts. Th...

Features of using multimedia technologies at lecturing programming

Directory of Open Access Journals (Sweden)

G. S. Ivanova

2014-01-01

Full Text Available The subject of study of this paper is multimedia capabilities, which are used for lectures on programming for undergraduate students to learn Computer Science and Engineering.The objective is to analyze the factors affecting the efficiency of lectures on programming, readable using multimedia, identifying the advantages and disadvantages of using presentations and process of creating and debugging programs in software environments demonstration, and to make recommendations on the use of illustrative material aimed at improving student's handout with the knowledge readable material.Scientific novelty of the material is to identify and analyze the factors influencing the effectiveness of teaching programming using multimedia as well as to make recommendations on the creation of illustrative material in the form of lecture presentations, analyse the negative side effects of presentations and opportunities to address them.It is stated that even at the initial stage of teaching in programming the amount of learning material and associated details in their records to which student's attention should be drawn, commensurate with the restrictions of psycho physiological capabilities defined for modern undergraduate students to remember and learn. The conclusion about expediency to improve lectures efficiency through the use of multimedia equipment capabilities is made.The types of illustrative material used in lectures on programming are listed and named, examples of illustrative material for presentation slides are analyzed. The positive results of the process of program creating, debugging and running directly in the programming environment during the lecture are underlined .As the merits of the multimedia-based lectures are marked a significant reduction of time to be required for material presentation ( from 10 to 30 % and the structured and with no errors in the program texts of lectures available for students. Negative effects of the multimedia

Design simplicity influences patient portal use: the role of aesthetic evaluations for technology acceptance.

Science.gov (United States)

Lazard, Allison J; Watkins, Ivan; Mackert, Michael S; Xie, Bo; Stephens, Keri K; Shalev, Heidi

2016-04-01

This study focused on patient portal use and investigated whether aesthetic evaluations of patient portals function are antecedent variables to variables in the Technology Acceptance Model. A cross-sectional survey of current patient portals users (N = 333) was conducted online. Participants completed the Visual Aesthetics of Website Inventory, along with items measuring perceived ease of use (PEU), perceived usefulness (PU), and behavioral intentions (BIs) to use the patient portal. The hypothesized model accounted for 29% of the variance in BIs to use the portal, 46% of the variance in the PU of the portal, and 29% of the variance in the portal's PEU. Additionally, one dimension of the aesthetic evaluations functions as a predictor in the model - simplicity evaluations had a significant positive effect on PEU. This study provides evidence that aesthetic evaluations - specifically regarding simplicity - function as a significant antecedent variable to patients' use of patient portals and should influence patient portal design strategies. © The Author 2015. Published by Oxford University Press on behalf of the American Medical Informatics Association. All rights reserved. For Permissions, please email: journals.permissions@oup.com.

Multimedia Technologies as a Means of Boosting the Effectiveness of Student Learning in Higher Education

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Gulzam Abilkasimova

2015-03-01

Full Text Available This article discusses multimedia technologies as a means of boosting the effectiveness of student learning in higher education, wherein they reflect present-day notions in the area of education. It goes without saying that they ought to be implemented in the practice of classes at colleges. Through the joint efforts of workers in the area of education, programmer-scientists, manufacturers of multimedia learning tools, and instructors, there is being created a new information environment wherein a key role is increasingly played by the integration of educational and information approaches to the content of education.

Solid waste prevention and management at green festivals: A case study of the Andanças Festival, Portugal.

Science.gov (United States)

Martinho, Graça; Gomes, Ana; Ramos, Mário; Santos, Pedro; Gonçalves, Graça; Fonseca, Miguel; Pires, Ana

2018-01-01

Research on waste prevention and management at green festivals is scarce. The present study helps to fill this gap by analyzing waste prevention/reduction and management measures implemented at the Andanças festival, Portugal. Waste characterization campaigns and a questionnaire survey were conducted during the festival. The results show that the largest amount of waste generated was residual waste, followed by food and kitchen waste and packaging waste. The amount of waste generated per person per day at the festival was lower than that of other festivals for both the entire venue and the canteen. Concerning food and kitchen waste generated at the canteen, the amounts are in accordance with the findings of previous studies, but the amount of the edible fraction is comparatively low. Source separation rates are high, in line with other festivals that engage in food-waste source separation. Factors affecting the participation of attendees in waste prevention measures at the festival are the type of participant, their region of origin, the frequency of visits, and whether they are attending as a family. Efforts must be made to increase the awareness of attendees about waste prevention measures, to develop guidelines and methods to quantify the waste prevention measures, and to formulate policies aimed at increasing the application of the zero-waste principle at festivals. Copyright © 2017 Elsevier Ltd. All rights reserved.

MUSES UNDER ARMS: AESTHETIZATION OF WAR IN THE SPEECHES OF MAVRO ŠPICER

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Kristian Novak

2011-01-01

Full Text Available This paper presents a discourse analysis of the public speeches of Mavro Špicer (1862 – 1936, a distinguished Croatian esperantist, lexicographer, translator, literary anthologist and officer in the army of the Austro-Hungarian Monarchy. In this survey a semiological analysis of the topics, motives and argumentation strategies was conducted in order to specify the fetaures of recontextualisation of two social practises – warfare and artistic creation. Analysis has shown that the contents of the speeches incorporate two levels: on the one hand, the speeches present art historical overwievs over major works and poetics of world literature, music and visual arts, respectively. On the other hand, there is a noticeable explicit persuasive intent to mediate several political concepts and opinions, such as the positive effects of military education and the need for recruitment and military buildup. The symbolic interface between these two levels is the leitmotif of all the analyzed speeches – the concept of an unbreakable and interactive connection between artistic creation and warfare throughout the history of mankind.

An island of stability: art images and natural scenes—but not natural faces—show consistent aesthetic response in Alzheimer’s-related dementia.

Directory of Open Access Journals (Sweden)

Daniel eGraham

2013-03-01

Full Text Available Alzheimer’s disease causes severe impairments in cognitive function but there is evidence that aspects of aesthetic perception are somewhat spared, at least in early stages of the disease. People with early Alzheimer’s-related dementia have been found to show similar degrees of stability over time in aesthetic judgment of paintings compared to controls, despite poor explicit memory for the images. Here we expand on this line of inquiry to investigate the types of perceptual judgments involved, and to test whether people in later stages of the disease also show evidence of preserved aesthetic judgment. Our results confirm that, compared to healthy controls, there is similar aesthetic stability in early stage Alzheimer’s disease (AD in the absence of explicit memory, and we report here that people with later stages of the disease also show similar stability compared to controls. However, while we find that stability for portrait paintings, landscape paintings, and landscape photographs is not different compared to control group performance, stability for face photographs—which were matched for identity with the portrait paintings—was significantly impaired in the AD group. We suggest that partially spared face-processing systems interfere with aesthetic processing of natural faces in ways that are not found for artistic images and landscape photographs. Thus, our work provides a novel form of evidence regarding face processing in healthy and diseased ageing. Our work also gives insights into general theories of aesthetics, since people with Alzheimer’s disease are not encumbered by many of the semantic and emotional factors that otherwise color aesthetic judgment. We conclude that, for people with Alzheimer’s disease, basic aesthetic judgment of artistic images represents an island of stability in a condition that in most other respects causes profound cognitive disruption. As such, aesthetic response could be a promising route to

Computer Security: Thirty years since "1984" - How close was Orwell to today’s interconnected world?

CERN Multimedia

Computer Security Team

2014-01-01

This year marks the 30th anniversary of the time depicted in the novel 1984, written by the visionary George Orwell in 1947/8, as well as the 25th anniversary of the World Wide Web being invented at CERN. To mark this occasion, both the Cineglobe Film Festival at CERN and the Latitude Festival in the UK are holding panel discussions on the technological and socio-cultural implications of our infinite connectedness in an age of internet surveillance: “How close is our world to that of Orwell's nightmare?”   The novel 1984 describes the fate of its protagonist Winston Smith and his love interest Julia. The setting is “Oceania”, one of three supra-nations at war with one another, a dictatorship blocking all free will (considered to be “thoughtcrime”), altering inconvenient historical truths (using “Newspeak”) and permanently monitoring its citizens (the origin of the phrase “Big Brother is watching ...

System using data compression and hashing adapted for use for multimedia encryption

Science.gov (United States)

Coffland, Douglas R [Livermore, CA

2011-07-12

A system and method is disclosed for multimedia encryption. Within the system of the present invention, a data compression module receives and compresses a media signal into a compressed data stream. A data acquisition module receives and selects a set of data from the compressed data stream. And, a hashing module receives and hashes the set of data into a keyword. The method of the present invention includes the steps of compressing a media signal into a compressed data stream; selecting a set of data from the compressed data stream; and hashing the set of data into a keyword.

The World Science Festival

Science.gov (United States)

Pazmino, J.

2012-06-01

(Abstract only) New York City in the late 20th century rose to be a planetary capital for the sciences, not just astronomy. This growth was mainly in the academic sector but a parallel growth occurred in the public and home field. With the millennium crossing, scientists in New York agitated for a celebration of the City as a place for a thriving science culture. In 2008 they began World Science Festival. 2011 is the fourth running, on June 1-5, following the AAVSO/AAS meetings. World Science Festival was founded by Dr. Brian Greene, Columbia University, and is operated through the World Science Foundation. The Festival is "saturation science" all over Manhattan in a series of lectures, shows, exhibits, performances. It is staged in "science" venues like colleges and musea, but also in off-science spaces like theaters and galleries. It is a blend from hard science, with lectures like those by us astronomers, to science-themed works of art, dance, music. Events are fitted for the public, either for free or a modest fee. While almost all events are on Manhattan, effort has been made to geographically disperse them, even to the outer boroughs. The grand finale of World Science Festival is a street fair in Washington Square. Science centers in booths, tents, and pavilions highlight their work. In past years this fair drew 100,000 to 150,000 visitors. The entire Festival attracts about a quarter-million attendees. NYSkies is a proud participant at the Washington Square fair. It interprets the "Earth to the Universe" display, debuting during IYA-2009. Attendance at "Earth..." on just the day of the fair plausibly is half of all visitors in America. The presentation shows the scale and scope of World Science Festival, its relation to the City, and how our astronomers work with it.

Summer festivals 2008 : European Festivals

Index Scriptorium Estoniae

2008-01-01

Bergeni Rahvusvahelisest Festivalist võtab 3. ja 4. juunil osa ka Eesti Rahvusmeeskoor (vt. www.fib.no). Rheingau Muusikafestivalil 28. ja 29. mail dirigeerib Paavo Järvi, 23. aug. esineb kammerorkester Kremerata Baltica (vt. www.rheingau-musik-festival.de), Verbier Festivalil (18. juuli- 3. aug) dirigeerib Paavo Järvi (vt. verbierfestival.com)

Study on Multimedia Art Teaching Resources Management System based on Internet Technology

Directory of Open Access Journals (Sweden)

Pan Bao Quan

2016-01-01

Full Text Available The main technical architecture of art teaching management system was developed on B/S model in order to help implement the network to share teaching resources. System page of Dreamweaver web page was design software, the background for using SQL Server 2000 database design, the use of ASP, ADO data combined with multimedia data transmission technology for art teaching resources system was realized.

New technologies, virtual reality and multimedia, in Radiation Protection training

International Nuclear Information System (INIS)

Felipe, A.; Sanchez-Mayoral, M. L.; Lamela, B.; Merino, A.; Sarti, F.

2003-01-01

Iberdrola Ingenieria y Consultoria (Iberinco) has developed some computer applications based in New Technologies, Virtual Reality and Multimedia, with the aim to optimise the formation and training of professionally exposed workers as well as to inform the public. The use of the new technologies could be an important help for the workers training. Virtual Reality Projects developed by Iberinco are: a) CIPRES: Interactive Calculations of Radiological Protection in a Simulation Environmental and, b) ACEWO: Workers Control Access to Nuclear Power Plants, virtual Reality could be directly applicable to several aspects related with Radiological Protection Training, for example. An application that workers could used to learn the main aspects of Radiological Protection related with: a) Physical concepts, b) Regulations, c) Use of protective clothing, d) Access into and exit out controlled areas, e) ALARA criterion. An examples is the project ACEWO. A training program based on Virtual Reality systems with simulations of procedures in which the operators could receive high doses. In this way, the operation time and dose could be minimised according to the ALARA criterion owing to the ability of repeating the exercise, or the work, as many times as be necessary, like project CIPRES. Iberinco has been developed an educational CD multimedia on nuclear energy and the protection measures foreseen in the emergency plans for the Spanish Civil Protection Agency, with the aim of being distributed to all the schools placed near a nuclear power plant. (Author) 4 refs

Connection Between Ethics and Poetics in Aristoteles

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Ismet Tekerek

2013-06-01

Action and character are two major concepts which called human into being in the past and also for the moment and will render human exist in the future. If action is being executed through the preference of free will of a conscious and prudent person then character of that person can be spoken. Action, character and preference of free will have an important position at the ethical and aesthetical views of Aristotle. He presents his views on the function of action, character and tragedia at his work Poetics in which he composed theatre aesthetics of the era by analysing tragedias originated from rituals and mythology and which are played for thousands of people. According to his views, sciences can be classified as practical and theoretical. Since practical sciences deal with human-character which is the source of action, theatre can be evaluated as practical art by following his views on tragedia and examples. Because tragedia is the imitation of an action which is experienced by a character who is better than the average, and this action orients the person to the good through catharsis which it creates. Aeschylus’ “Prometheus Bound” and Sophocles’ “Antigone”, which are among the most important and mature tragedias, are two examples projecting Aristotle’s ideas on action, character, free will, individual preference and average ethics. Only a tragic hero who executes his action by using his individual preference with his free will and carries out this action coherently can create catharsis on the audience. The audience watchs the conflict between equal powers developed by the tragedia, gets into catharsis; and the calmness after catharsis serves the view of good-wise citizen which is the target of Atistotle’s total views. Thinking once more on this dialectical relation between action, character, free will and individual preference which are also the basis of Aristotle’s philosophy is important in terms of interrogating the human and his values, of

The radiofrequency frontier: a review of radiofrequency and combined radiofrequency pulsed-light technology in aesthetic medicine.

Science.gov (United States)

Sadick, Neil; Sorhaindo, Lian

2005-05-01

Radiofrequency (RF) and combined RF light source technologies have established themselves as safe and effective treatment modalities for several dermatologic procedures, including skin tightening, hair and leg vein removal, acne scarring, skin rejuvenation, and wrinkle reduction. This article reviews the technology, clinical applications, and recent advances of RF and combined RF light/laser source technologies in aesthetic medicine.

Science, technology and inventions: Children draw their own visions

Science.gov (United States)

D'Addezio, G.; Rubbia, G.; Marsili, A.

2013-12-01

Italian primary schools participated with enthusiasm to the drawing competition 'I'm a scientist too! Science and scientists from the children point of view' organized by the Laboratorio di Didattica e Divulgazione Scientifica of Istituto Nazionale di Geofisica e Vulcanologia (INGV) in Rome, Italy. The best drawings were awarded and published in the 2011 school calendar. Children were asked to realize a drawing, choosing among three suggestions: 1) How do you imagine a scientist, and how do you imagine the daily activities of a researcher? 2) What invention do you consider the most important among all those you know? 3) What would you invent? The topic 'invention' (#3) was the most successful. In fact, among the collected 1,000 drawings, 400 drawings depict scientists, nearly 150 depict scientists with their inventions, and other 350 depict inventions alone. A classification scheme was designed in order to synthetically describe this set of images and analyze it. The Draw-A-Scientist scheme, known from literature, was maintained but modified in order to characterize both inventors and inventions. A preliminary analysis about scientists reveals a persistent gender stereotype, since most of depicted persons were male and nearly half of girls draw men scientists. The image of 'mad scientist' is still present but it is mainly related to men. Women scientists are drawn by girls; they are represented as young, not crazy, usually good-looking. There are no particular differences between boys and girls in assigning research fields to scientists. Women scientists are often depicted as assistants, but when alone they are self-confident enough to give their name to an invention or to aspire for Nobel Prize. In this work we present the preliminary analysis performed on drawings containing inventions. What do girls and boys 6 to 11 years old invent? Robots, helping in housekeeping or in doing homework; rockets, space vehicles and time machines, but also fictional machines and

Spreading of technological developments in socio-economic systems

International Nuclear Information System (INIS)

Kun, F.; Pal, K.F.

2005-01-01

Complete text of publication follows. Recently, it has been recognized that various aspects of the time evolution of modern socio-economic systems show strong analogies to complex systems extensively studied by physical sciences. During the last decade the application of methods and models of statistical physics provided a novel insight into social and economical problems and led to the emergence of new branches of physical research. In the framework of the present project we proposed a simple cellular automata model of the spreading of new technological developments in socio-economic systems. In our model the socio-economic system is defined in a general sense: the elements/members of the system are called agents, which may be firms or simply individuals. Depending on the meaning of agents, the system under consideration can be a macro-economic system where firms compete with each other, or it can be a society where individuals purchase products of di rent technological level. Technological development occurs such that agents adopt more advanced technologies of their social environment in order to minimize their costs. Technological development due to innovation can be captured in the model as a random external driving. As a first step, we analyzed the basic setup of the model where agents have random technological levels uniformly distributed between 0 and 1 and interact solely with their near- est neighbors in a square lattice without considering external driving. Computer simulations revealed that even under these simplifying assumptions a rather complex behavior of the system emerges: when the most advanced technologies do not provide enough improvement (enough cost reduction) in the system, the agents tend to form clusters of di rent technological levels where even low level technologies may survive for a long time. At intermediate values of the advantage provided by the new technologies, the global technological level of the society improves, however, it

Model, Materialism, and Immanent Utopia in Relational Aesthetics

DEFF Research Database (Denmark)

Degn Johansson, Troels

), is crucial for the understanding of contemporary, socially and politically oriented fine art of the mid-1990 and onwards and its challenge of established aesthetic conceptions within art as well as theory. The concept of model is a reoccurring figure in RA and connects to a widespread "lab" (laboratory......  This paper seeks to contribute to the development of socio-aesthetics by analysing the notion of model established in the discourse of relational art--that is of course with special reference to French art critic Nicolas Bourriad's theoretical writings. His seminal book, Relational Aesthetics (RA......) metaphor where social reality is staged and facilitated in order to document and present its development. At the same time however, the notion of model is difficult to dissociate from Bourriaud's materialism which draws on such different figures as the late Althusser, Lucretius, and Deleuze and which...

Using virtual reality to estimate aesthetic values of coral reefs

Science.gov (United States)

Clifford, Sam; Caley, M. Julian; Pearse, Alan R.; Brown, Ross; James, Allan; Christensen, Bryce; Bednarz, Tomasz; Anthony, Ken; González-Rivero, Manuel; Mengersen, Kerrie; Peterson, Erin E.

2018-01-01

Aesthetic value, or beauty, is important to the relationship between humans and natural environments and is, therefore, a fundamental socio-economic attribute of conservation alongside other ecosystem services. However, beauty is difficult to quantify and is not estimated well using traditional approaches to monitoring coral-reef aesthetics. To improve the estimation of ecosystem aesthetic values, we developed and implemented a novel framework used to quantify features of coral-reef aesthetics based on people's perceptions of beauty. Three observer groups with different experience to reef environments (Marine Scientist, Experienced Diver and Citizen) were virtually immersed in Australian's Great Barrier Reef (GBR) using 360° images. Perceptions of beauty and observations were used to assess the importance of eight potential attributes of reef-aesthetic value. Among these, heterogeneity, defined by structural complexity and colour diversity, was positively associated with coral-reef-aesthetic values. There were no group-level differences in the way the observer groups perceived reef aesthetics suggesting that past experiences with coral reefs do not necessarily influence the perception of beauty by the observer. The framework developed here provides a generic tool to help identify indicators of aesthetic value applicable to a wide variety of natural systems. The ability to estimate aesthetic values robustly adds an important dimension to the holistic conservation of the GBR, coral reefs worldwide and other natural ecosystems. PMID:29765676

International Conference on Multimedia and Ubiquitous Engineering

CERN Document Server

Chen, Shu-Ching; Gil, Joon-Min; Yen, Neil; Multimedia and Ubiquitous Engineering

2014-01-01

The aims of these proceedings are to provide a complete coverage of the areas outlined, and to bring together researchers from academic and industry to share ideas, challenges, and solutions relating to the multifaceted aspects of this field. New multimedia standards (for example, MPEG-21) facilitate the seamless integration of multiple modalities into interoperable multimedia frameworks, transforming the way people work and interact with multimedia data. These key technologies and multimedia solutions interact and collaborate with each other in increasingly effective ways, contributing to the multimedia revolution and having a significant impact across a wide spectrum of consumer, business, healthcare, education, and governmental domains.

International Film Festivals for the Benefit for Whom?

DEFF Research Database (Denmark)

Strandgaard Pedersen, Jesper; Mazza, Carmelo

2011-01-01

Film festivals have become a widespread phenomenon over the last fifty years and are leading events establishing the reputation of film professionals and constitute a well-established field in itself. Studying the cities of Copenhagen and Rome the authors are asking why the public authorities...... of these cities establish their own film festivals in an lready saturated field of international film festivals? The focus is on the strategic responses and work made by two late adopters of film festivals – Copenhagen and Rome and their international film festivals, CIFF and ‘Festa del Cinema di Roma’ (FCR......). The comparative case study is based on qualitative data and methods. It investigates how the two festivals establish, legitimate and position themselves within the existing, institutionalised field of international film festivals. Combining the classical work on early and late adopters in the diffusion of ideas...

Designing towards the Unknown: Engaging with Material and Aesthetic Uncertainty

Directory of Open Access Journals (Sweden)

Danielle Wilde

2017-12-01

Full Text Available New materials with new capabilities demand new ways of approaching design. Destabilising existing methods is crucial to develop new methods. Yet, radical destabilisation—where outcomes remain unknown long enough that new discoveries become possible—is not easy in technology design where complex interdisciplinary teams with time and resource constraints need to deliver concrete outcomes on schedule. The Poetic Kinaesthetic Interface project (PKI engages with this problematic directly. In PKI we use unfolding processes—informed by participatory, speculative and critical design—in emergent actions, to design towards unknown outcomes, using unknown materials. The impossibility of this task is proving as useful as it is disruptive. At its most potent, it is destabilising expectations, aesthetics and processes. Keeping the researchers, collaborators and participants in a state of unknowing, is opening the research potential to far-ranging possibilities. In this article we unpack the motivations driving the PKI project. We present our mixed-methodology, which entangles textile crafts, design interactions and materiality to shape an embodied enquiry. Our research outcomes are procedural and methodological. PKI brings together diverse human, non-human, known and unknown actors to discover where the emergent assemblages might lead. Our approach is re-invigorating—as it demands re-envisioning of—the design process.

Trust in technology a socio-technical perspective

CERN Document Server

Clarke, Karen; Rouncefield, Mark

2006-01-01

Encapsulates work done in the DIRC project (Interdisciplinary Research Collaboration in Dependability), bringing together a range of disciplinary approaches - computer science, sociology and software engineering - to produce a socio-technical systems perspective on the issues surrounding trust in technology in complex settings.

EPA-developed, patented technologies related to miscellaneous areas of environmental experties and invention that are available for licensing

Data.gov (United States)

U.S. Environmental Protection Agency — Under the Federal Technology Transfer Act (FTTA), Federal Agencies can patent inventions developed during the course of research. These technologies can then be...

Australian Modernists in London: William Dobell’s The Dead Landlord and Patrick White’s The Ham Funeral

Directory of Open Access Journals (Sweden)

Denise Varney

2016-09-01

Full Text Available When Patrick White was awarded the Nobel Prize for Literature in 1973, it was primarily for his novels. Less well recognised is the significance of White’s dramatic literature and his involvement in the theatre. This article offers a new analysis of White’s first notable breakthrough into theatre and drama, The Ham Funeral, which he wrote in postwar London and which was produced in Adelaide in 1961. This article argues that a modernist idiom of 20th-century Australian drama can be found in this play that laid the groundwork for a poetics of language, image and theatricality. The play’s aesthetic modernism is found primarily in the blend of expressionist and surrealist elements, the poetic language, the alienated creative subject and the representation of sexuality and the unconscious. White’s thematics also become political, concerned with power, masculinity and gendered assumptions about rationality and emotion, poetry and the body. Having lived in London during the interwar years, White was also part of the networks that included Australian-born artists, and he was exposed to influences from visual arts as well as theatre. Of these, the artist William Dobell was central to the genesis of The Ham Funeral, as was the Polish-born modernist artist S. Ostoja-Kotkowski, who was critical to the design of the brooding expressionist set that set the standard for subsequent stage realisations of the play.

Need to Knowledge (NtK) Model: an evidence-based framework for generating technological innovations with socio-economic impacts.

Science.gov (United States)

Flagg, Jennifer L; Lane, Joseph P; Lockett, Michelle M

2013-02-15

Traditional government policies suggest that upstream investment in scientific research is necessary and sufficient to generate technological innovations. The expected downstream beneficial socio-economic impacts are presumed to occur through non-government market mechanisms. However, there is little quantitative evidence for such a direct and formulaic relationship between public investment at the input end and marketplace benefits at the impact end. Instead, the literature demonstrates that the technological innovation process involves a complex interaction between multiple sectors, methods, and stakeholders. The authors theorize that accomplishing the full process of technological innovation in a deliberate and systematic manner requires an operational-level model encompassing three underlying methods, each designed to generate knowledge outputs in different states: scientific research generates conceptual discoveries; engineering development generates prototype inventions; and industrial production generates commercial innovations. Given the critical roles of engineering and business, the entire innovation process should continuously consider the practical requirements and constraints of the commercial marketplace.The Need to Knowledge (NtK) Model encompasses the activities required to successfully generate innovations, along with associated strategies for effectively communicating knowledge outputs in all three states to the various stakeholders involved. It is intentionally grounded in evidence drawn from academic analysis to facilitate objective and quantitative scrutiny, and industry best practices to enable practical application. The Need to Knowledge (NtK) Model offers a practical, market-oriented approach that avoids the gaps, constraints and inefficiencies inherent in undirected activities and disconnected sectors. The NtK Model is a means to realizing increased returns on public investments in those science and technology programs expressly intended to

Enhancing students' science literacy using solar cell learning multimedia containing science and nano technology

Science.gov (United States)

Eliyawati, Sunarya, Yayan; Mudzakir, Ahmad

2017-05-01

This research attempts to enhance students' science literacy in the aspects of students' science content, application context, process, and students' attitude using solar cell learning multimedia containing science and nano technology. The quasi-experimental method with pre-post test design was used to achieve these objectives. Seventy-two students of class XII at a high school were employed as research's subject. Thirty-six students were in control class and another thirty-six were in experiment class. Variance test (t-test) was performed on the average level of 95% to identify the differences of students' science literacy in both classes. As the result, there were significant different of learning outcomes between experiment class and control class. Almost half of students (41.67%) in experiment class are categorized as high. Therefore, the learning using solar cell learning multimedia can improve students' science literacy, especially in the students' science content, application context, and process aspects with n-gain(%) 59.19 (medium), 63.04 (medium), and 52.98 (medium). This study can be used to develop learning multimedia in other science context.

“Francis Bacon or Diego Velázquez in a dentist’s chair” – pictorial and other kinds of quotations as an addition to a disintegrating life

Directory of Open Access Journals (Sweden)

Arent van Nieukerken

2014-01-01

Full Text Available The mature poetry of Tadeusz Różewicz seems to be at odds with both modernist and postmodern literary tenets. It undeniably makes abundant use of intertextuality (including self-quotations, but in spite of this [post]modernist tendency it does resist self-referential impersonality. Różewicz again immerses allusions to images, texts and other artifacts – which, according to formalist and structuralist interpretations, should disengage themselves from an artist’s biography in order to achieve aesthetic autonomy – in the current of life, devoid of an innate sense and always identical to itself. In fact, life cannot be apprehended by art, and precisely, Różewicz tries to thematize this impossibility by producing texts or rather poetical acts that could be classified as self-effacing artifacts. He even succeeded in discrediting the modernist epiphany (which has a double status, i.e. as a poetical device and a window on the transcendent by replacing it with loquacious anticlimaxes. The fragmentary, disintegrating form of his later poetry (the long poem “Francis Bacon or Diego Velázquez in a dentist’s chair” is a perfect – or rather consciously imperfect – implementation of this form does not pretend to be a representation of a human being’s disintegrating existence. This poetry is, above all, an existential act, or – in other words – a performance, and not a self-sufficient work of art.

Multimedia Category Preferences of Working Engineers

Science.gov (United States)

Baukal, Charles E., Jr.; Ausburn, Lynna J.

2016-01-01

Many have argued for the importance of continuing engineering education (CEE), but relatively few recommendations were found in the literature for how to use multimedia technologies to deliver it most effectively. The study reported here addressed this gap by investigating the multimedia category preferences of working engineers. Four categories…

Designing Interactive Multimedia Instruction To Enable and Enhance Information Literacy.

Science.gov (United States)

Amidon, Leslie E.

2001-01-01

Addresses key strategies for the design and development of Interactive Multimedia Instruction (IMI) programs for adult learners, focusing on the removal of learning barriers and the incorporation of information literacy principles. Barriers include financial constraints, socio-economic and social class, communication skills, time constraints,…

Development of multimedia resource and short courses for LRFR rating.

Science.gov (United States)

2011-09-01

Multimedia technology is an important instrument in the training of graduate engineers. This multimedia package : provides an exclusive background and an in-depth understanding of recent technological advances in the evaluation : and rating of highwa...

Contesting French Aesthetics of Space and Nature Enjoyment in Moroccan Travel Writing in the 19th Century

OpenAIRE

Idrissi Alami, Ahmed

2013-01-01

In their travel writings about Europe in the 19th century, Moroccan visitors compare and contrast what they see of the European artistic designs and aesthetic values with experiences from their own native cultures. In this paper, I analyze the discourse and rhetoric about the enjoyment of nature, landscape design and leisure aesthetics as explored in the travel writing of the Moroccan traveler al-‘Amrāwī in his travelogue Tuḥfat al-Malik al-ʿAzīz bimamlakat Bārīz (1860). Here we see a signifi...

Designers as Determinant for Aesthetic Innovations

DEFF Research Database (Denmark)

Fjællegaard, Cecilie Bryld; Beukel, Karin; Alkærsig, Lars

2015-01-01

The innovation literature states that scientists are core ingredients in creating technological innovations. This paper investigates whether the hiring of a designer generates aesthetic innovations by a firm. Further we investigate what the level of design knowledge of the receiving firm means...... for the firms? absorptive capacity, in terms of turning the hiring of the designer into aesthetic innovations. We explore a unique dataset containing information on firms, their hiring of designers and aesthetic innovations measured by design applications (design patents). Our findings show that hiring...... a designer does increase firms? likelihood of producing aesthetic innovations. Secondly, firms with prior experience of aesthetic innovations are more likely to apply for design registrations. Thirdly, there is a positive moderating effect of firms with prior experience of generating aesthetic innovations...

Development of multimedia resource and short courses for LRFD design.

Science.gov (United States)

2011-03-01

Multimedia technology is an essential instrument in the development of graduate engineers. This : multimedia package provides an exclusive background and an in-depth understanding of the new : technological advances in the design of concrete, steel a...

A parapraxis in Hamlet. A note on the aesthetic genius of William Shakespeare.

Science.gov (United States)

Mahon, E

1998-01-01

Shakespeare has placed a parapraxis in Hamlet's mouth in the soliloquy in Act I. Hamlet says, "But two months dead, nay not so much not two." The slip attributed to Hamlet is of course no slip at all when seen as an aesthetic contrivance of the bard's to suggest the tension between warring aspects of Hamlet's psychology. I argue that Shakespeare's artistic methodology, his aesthetic sleight of hand, so to speak, which layers this complex drama with meanings concealing other meanings, supports Freud's notion that an unconscious latent oedipal drama underlies the whole manifest content, imbuing it with subtle but substantial dramatic tension. The slip of the tongue is not only a window into the unconscious of Hamlet that sheds light on the hero's Oedipus complex and the complexities of his attempted resolutions, it is also an example of Shakespeare's aesthetic subtlety at its most refined.

SERGEI DURYLIN'S ANCIENT TRIPTYCH AND IVAN SHMELYOV'S HOW DID IT ALL HAPPEN?: CHRISTIAN REALISM POETICS

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Evgeniya Alexandrovna Korshunova

2014-10-01

Full Text Available The article presents the investigation of creative connections between Sergei Durylin and Ivan Shmyolev, two émigré writers of the fi rst half of the 20th century. They were brought together not only by common religious values, but also by their tragic destiny. That is why we believe the comparison of their artistic principles — through the example of Durylin’s Ancient Triptych (1919–1923 and Shmelyov’s How did it all happen? (1944 to be very productive, especially considering that no serious comparative analyze of these works has been done before. The comparison of two texts clearly shows that their problematic and poetics are quite closely connected. Both writers depict the final period of life of outwardly successful, but spiritually devastated personalities (professor of ancient history and general Patrikiy Patrikiyevich Drevlyaninov. Durylin and Shmelyov tried to help their heroes to overcome the spiritual deadlock, senselessness of existence and their personal obsessions (for the professor it is the idea of scientifi c labour corrupting the society, for the general it is gambling. Both the professor and the general travel their road of purifi cation, their ‘way of the Cross’, their Golgotha and their Resurrection. Durylin directly connects his character’s road with the liturgical cycle, because ‘fi ghting with the devil’ takes place during the Great Lent, while the grandfather sees his life-changing dream on the eve of Easter and the Passion Week. The hero’s pilgrimage to Easter forms the plot of this story, actualizing the importance of Easter archetype for Russian literature. The methods used by both authors to free their characters from spiritual emptiness (introduction of a ‘spirit character’ as a reference to the devil from Dostoyevsky’s novel The Karamazov Brothers are also similar. Stylistic features of Durylin’s and Shmelyov’s poetics — plotlessness, prevailing of metaphysical problematic, Easter

The mathematician's mind the psychology of invention in the mathematical field

CERN Document Server

Hadamard, Jacques

1996-01-01

Fifty years ago when Jacques Hadamard set out to explore how mathematicians invent new ideas, he considered the creative experiences of some of the greatest thinkers of his generation, such as George Polya, Claude Lévi-Strauss, and Albert Einstein. It appeared that inspiration could strike anytime, particularly after an individual had worked hard on a problem for days and then turned attention to another activity. In exploring this phenomenon, Hadamard produced one of the most famous and cogent cases for the existence of unconscious mental processes in mathematical invention and other forms of creativity. Written before the explosion of research in computers and cognitive science, his book, originally titled The Psychology of Invention in the Mathematical Field, remains an important tool for exploring the increasingly complex problem of mental life. The roots of creativity for Hadamard lie not in consciousness, but in the long unconscious work of incubation, and in the unconscious aesthetic selection of ide...

THE FESTIVALS AS A TOOL ON OHRID TOURISM DESTINATION BRANDING

Directory of Open Access Journals (Sweden)

Zoran Strezovski

2013-12-01

Full Text Available The main aim of the paper is about festivals in the southern west city in the Republic of Macedonia – Ohrid, empirical research of influence of the Ohrid summer festival on Ohrid tourism destination branding. Its strength to attract foreign tourist and the role of Ohrid municipality and tourism stockholders to use festival as a tool to attract more foreign tourist and branding Ohrid as a tourism destination. Nowadays, many tourist organization develop strategy for creating or support festivals on their destination. The festivals have strong influence of the destination attracting many foreign tourist. Some cities are branding as a festival cities, attract over million visitors per year. Ohrid summer festival as a member of European festival association, is the most important festival in Ohrid city but also in the country. The festival has the role to promote and present culture achievements from the country but also it is attractive factor for foreign tourist to visit Ohrid city and the region in the summer period. It is held from 12 of July until 20 of August each year. Ohrid municipality should incorporate Ohrid summer festival and other festivals in general promotion on Ohrid city. It should support and create new festivals.This paper presents an action research conducted on a sample of 150 foreign visitors on Ohrid summer festival during the festival from 12 July till 20 august 2010.

An Overview of Multimedia and the Law.

Science.gov (United States)

Boelzner, David E.

2000-01-01

Reviews the areas of intellectual property law, including patent, copyright, and trademark, and discusses how multimedia raises legal issues in each area. Discusses trade secrets, issues raised by online technology, and issues for licensing and developing multimedia works. (Author/LRW)

"To wipe a manly tear": the aesthetics of emotion in Victorian narrative painting.

Science.gov (United States)

Fletcher, Pamela

2009-01-01

Over the course of the twentieth century, Victorian narrative painting became synonymous with sentimentality, melodrama, and the artificial evocation of emotion. This essay aims to complicate this familiar assessment by examining the role of emotional effect played in aesthetic evaluations of some of the most popular modern life genre paintings of the 1850s to 1870s. I argue that the critical discourse on Victorian narrative painting was marked by a persistent skepticism about the role of feeling in aesthetic response -- as excessively painful or obvious emotional impact marked the limit between artistic success and failure -- and I locate these concerns within the physical and social exhibition culture of the Royal Academy.

On the Work of the German-American Artist Werner Klotz

DEFF Research Database (Denmark)

Kacunko, Slavko

2010-01-01

A closer look is a must if we want to begin to appreciate the reflecting material and reflexive effect of German-American artist Werner Klotz’s array of Wahrnehmungsinstrumenten – his Instruments of Perception from today’s standpoint, better still one taken a step aside from the exploding Art...... of Exhibiting currently vying so with the media’s thirst for sensation. The aesthetic appeal of the Instruments of Perception is undeniable. They are ‘catoptric’ objects created as much with the viewing of their environment in mind as with the aim of being viewed themselves. It is interesting now...... as it was interesting then, to observe how in Werner Klotz’s oeuvre, following an artistic logic, they entered into a symbiosis with the closed-circuit video installations but have ultimately left that stage to today’s world-wide Public Art. Especially in his current public installations and projects, Werner Klotz...

The situated accomplishment (aesthetics) of being a cyranoid

DEFF Research Database (Denmark)

Raudaskoski, Pirkko Liisa; Mitchell, Robb

2013-01-01

One aim of participatory innovation is to find new ways of engaging people in various situations that result in ideas and suggestions. For a socio- technical system – whether the design process or its implemented result – to work smoothly (aesthetically) as a specific social order, we should...

Aesthetic concepts, perceptual learning, and linguistic enculturation: considerations from Wittgenstein, language, and music.

Science.gov (United States)

Croom, Adam M

2012-03-01

Aesthetic non-cognitivists deny that aesthetic statements express genuinely aesthetic beliefs and instead hold that they work primarily to express something non-cognitive, such as attitudes of approval or disapproval, or desire. Non-cognitivists deny that aesthetic statements express aesthetic beliefs because they deny that there are aesthetic features in the world for aesthetic beliefs to represent. Their assumption, shared by scientists and theorists of mind alike, was that language-users possess cognitive mechanisms with which to objectively grasp abstract rules fixed independently of human responses, and that cognizers are thereby capable of grasping rules for the correct application of aesthetic concepts without relying on evaluation or enculturation. However, in this article I use Wittgenstein's rule-following considerations to argue that psychological theories grounded upon this so-called objective model of rule-following fail to adequately account for concept acquisition and mastery. I argue that this is because linguistic enculturation, and the perceptual learning that's often involved, influences and enables the mastery of aesthetic concepts. I argue that part of what's involved in speaking aesthetically is to belong to a cultural practice of making sense of things aesthetically, and that it's within a socio-linguistic community, and that community's practices, that such aesthetic sense can be made intelligible.

Imagine the Feeling: An Aesthetic Science of Psychology.

Science.gov (United States)

Quigua, Fernando; Clegg, Joshua W

2015-09-01

We claim that static trait models have dominated contemporary personality psychology but fail to reflect adequately the persons they depict. Beginning from, but moving well beyond, this critique of the five factor model (and the personality psychology field over which it reigns), we shine an aesthetic and critical light on psychology's wider failings. We review the linguistic and methodological features that have undermined the discipline's faithful understandings of human beings and their experience. In its place, we champion an aesthetic (as opposed to an an-esthetic) science of the person, one that is responsive in spirit and in practice to the emotional and imaginative life of participants and to the contexts in which they move. Specifically, we suggest that the images of fantasy and of ordinary metaphor may afford poetic understandings of participant experience that surpass those produced by literal, discursive description. We also hold that these images may offer us the most sensitive and faithful expressions of how social and environmental contexts-and so-called structural and discursive realities-are felt. The paper concludes by sketching several methodological trajectories that may stimulate researcher imagination and empathy, making research more faithful to participants and the reaches of their experience. Research practices informed by feeling and image in this way may generate new knowledge as well as new obligations.

STRATEGI PROMOSI EVENT NAMASTE FESTIVAL

Directory of Open Access Journals (Sweden)

Arie Wibowo

2015-11-01

Full Text Available Promotion Strategy is the method that you use to promote the product. If we use the wrong promotion strategy, it will bring the disadvantage for the product and company. And on the contrary, if we are using the right promotion strategy, then it will bring the benefit for the product selling as did by Namaste Festival Event. This research was conducted in order to discover how promotion strategy of Namaste Festival Event to attract Yoga market by using promotion strategy theory. This research was guided by a qualitative approach with descriptive research in particular. The method being used was case study by conducting in-depth interviews. This research enabled the writer to discuss about the promotion strategy that being used by Namaste Festival event to increase the number of visitor. Therefore the researcher will able to get view on how PT Namaste Jaya Aditi as the organizer could run the promotion to get high number of visitor. After conducting an analysis, the main conclusion of this research is that the promotion strategy that been used by Namaste Festival organize is integrated several promotion activities such as online marketing, pre event road show, selling promotion, advertising (television and media printing & publicity. The result of this research is also said that promotion strategy that been use has an important role to attract visitor to participate in the event. Strategi Promosi adalah metode yang Anda gunakan untuk mempromosikan produk. Jika kita menggunakan strategi promosi yang salah, maka akan membawa kerugian bagi produk dan perusahaan. Dan sebaliknya, jika kita menggunakan strategi promosi yang tepat, maka akan membawa keuntungan bagi penjualan produk seperti yang dilakukan oleh Namaste Festival Event. Penelitian ini dilakukan untuk mengetahui bagaimana strategi promosi Namaste Festival Event untuk menarik pasar Yoga dengan menggunakan teori strategi promosi. Penelitian ini dipandu oleh pendekatan kualitatif dengan

The aesthetic and cultural pursuits of patients with stroke.

Science.gov (United States)

O'Connell, Clare; Cassidy, Aoife; O'Neill, Desmond; Moss, Hilary

2013-11-01

There has been an increasing interest in the arts in health care, with a suggestion that the arts and aesthetics can augment patient outcomes in stroke and other illnesses. Designing such programmes requires better knowledge of the artistic, aesthetic, and cultural pursuits of people affected by stroke. The aim of this study was to obtain the insights of this group about the profile of art and aesthetic activities in their lives and the influence of stroke on these aspects. Patients attending a stroke service were administered questions adapted from the Irish Arts Council's 2006 questionnaire on participation in aesthetics and cultural pursuits. Information was also collected on stroke type and present functional and cognitive status. Thirty-eight patients were interviewed. Of these, 20 were inpatients in hospital at the time of the interview and 18 were interviewed in an outpatient setting. Popular activities included mainstream cinema, listening to music, dancing, attending plays or musicals, and being outdoors. Many patients ceased these activities after their stroke, mostly because of health issues and inaccessibility. Most of the patients valued the importance of the arts in the health-care setting. This study gives a perspective for the first time on the aesthetic and cultural pursuits of stroke patients before their stroke. It portrays a wide variety of cultural and leisure activities and the cessation of these poststroke. It revealed the restrictions patients felt on gaining access to leisure pursuits both while in hospital and following discharge. Copyright © 2013 National Stroke Association. Published by Elsevier Inc. All rights reserved.