Non-Photorealistic Rendering in Chinese Painting of Animals

Institute of Scientific and Technical Information of China (English)

无

2002-01-01

A set of algorithms is proposed in this paper to automatically transform 3D animal models to Chinese painting style. Inspired by real painting process in Chinese painting of animals, we divide the whole rendering process into two parts: borderline stroke making and interior shading. In borderline stroke making process we first find 3D model silhouettes in real-time depending on the viewing direction of a user. After retrieving silhouette information from all model edges, a stroke linking mechanism is applied to link these independent edges into a long stroke. Finally we grow a plain thin silhouette line to a stylus stroke with various widths at each control point and a 2D brush model is combined with it to simulate a Chinese painting stroke. In the interior shading pipeline, three stages are used to convert a Gouraud-shading image to a Chinese painting style image: color quantization, ink diffusion and box filtering. The color quantization stage assigns all pixels in an image into four color levels and each level represents a color layer in a Chinese painting. Ink diffusion stage is used to transfer inks and water between different levels and to grow areas in an irregular way. The box filtering stage blurs sharp borders between different levels to embellish the appearance of final interior shading image. In addition to automatic rendering, an interactive Chinese painting system which is equipped with friendly input devices can be also combined to generate more artistic Chinese painting images manually.

Simulations of color development in tinted paints

NARCIS (Netherlands)

Stuiver, A.; Barkema, G.T.

2010-01-01

Monte Carlo simulations have been used to investigate how several thermodynamic and kinetic factors affect the distribution of pigments, when a water-based pigment dispersion is added to a solvent-borne paint. Our model contains three types of lattice particles: water, pigment and organic solvent,

Color consilience: color through the lens of art practice, history, philosophy, and neuroscience.

Science.gov (United States)

Conway, Bevil R

2012-03-01

Paintings can be interpreted as the product of the complex neural machinery that translates physical light signals into behavior, experience, and emotion. The brain mechanisms responsible for vision and perception have been sculpted during evolution and further modified by cultural exposure and development. By closely examining artists' paintings and practices, we can discover hints to how the brain works, and achieve insight into the discoveries and inventions of artists and their impact on culture. Here, I focus on an integral aspect of color, color contrast, which poses a challenge for artists: a mark situated on an otherwise blank canvas will appear a different color in the context of the finished painting. How do artists account for this change in color during the production of a painting? In the broader context of neural and philosophical considerations of color, I discuss the practices of three modern masters, Henri Matisse, Paul Cézanne, and Claude Monet, and suggest that the strategies they developed not only capitalized on the neural mechanisms of color, but also influenced the trajectory of western art history. © 2012 New York Academy of Sciences.

Total lead concentration in new decorative enamel paints in Lebanon, Paraguay and Russia.

Science.gov (United States)

Clark, C Scott; Speranskaya, Olga; Brosche, Sara; Gonzalez, Hebe; Solis, Daniela; Kodeih, Naji; Roda, Sandy; Lind, Caroline

2015-04-01

Lead concentrations in new enamel decorative paints were determined in three countries in different areas of the world where data were not previously available. The average total lead concentration of the enamel decorative paints purchased in Lebanon, Paraguay and Russia was 24,500ppm (ppm, dry weight), more than 270 times the current limit of 90ppm in Canada and in the United States. Sixty-three percent of these paints contained concentrations greater than 90ppm. Fifty-nine percent contained concentrations greater than 600ppm, the current limit in some countries. The maximum concentrations found were 236,000ppm in Lebanon, 169,000ppm in Paraguay and 52,900ppm in Russia. An average of 29% of the samples contained exceedingly high lead concentrations, >=10,000ppm. Five brands of paint were sampled in each of Lebanon and Paraguay and seven in Russia. Three colors from each brand were analyzed. For five of the six samples of the two brands in Lebanon with affiliations outside the country, the lead concentrations ranged from 1360ppm to 135,000ppm. In Lebanon the maximum concentration in the Egypt-affiliated brand (Sipes) was 135,000ppm and the maximum for the USA-affiliated brand (Dutch Boy) was 32,400ppm. Lead was not detected in any paints from the three of the four brands of paint purchased in Paraguay that had headquarters/affiliations in other countries (Brazil-Coralit), Germany (Suvinil) and USA (Novacor)). Two of the three paints from each of the other Paraguay brands contained high levels of lead with the maximum concentrations of 108,000 and 168,000ppm; one of these brands was manufactured under a license from ICI in the Netherlands. All of the paints purchased in Russia were from Russian brands and were manufactured in Russia. All three paints from one brand contained below detection levels of lead. The maximum levels of lead in the other six brands in Russia ranged from 3230 to 52,900ppm. The two brands with the highest lead concentration, TEKS and LAKRA

Effects of Wood Roughness, Light Pigments, and Water Repellent on the Color Stability of Painted Spruce Subjected to Natural and Accelerated Weathering

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Ladislav Reinprecht

2015-09-01

Full Text Available This study examined the color stability of painted Norway spruce (Picea abies samples subjected to natural and accelerated weathering, using Duncan’s tests and correlation analyses. The following effects were studied: (1 the different initial roughness of the wood; (2 use of transparent or lightly-pigmented top-coat layers; and (3 the presence of the final water-repellent layer. Natural weathering at a 45° slope in an industrial zone lasted 104 weeks, whereas accelerated weathering in Xenotest with 0.55 W/m2 UV irradiation at 340 nm and sprayed water lasted 12 weeks. The color stability of painted spruce, measured in a CIE-L*a*b* system, was not, in the majority of cases, significantly affected by the initial roughness of the wood, the type of top-coat (WoodCare UV or PerlColor layer, or presence of the final water repellent (AquaStop layer. The light pine or larch pigments in the top-coat layers had positive color stabilizing effects. In their presence, the darkening (-L* and total color differences (E* of the painted samples dropped ca. 2.5 times during exterior weathering and ca. 5 times during Xenotest weathering. Samples painted with transparent coatings turned a reddish shade (+a* during the Xenotest, while those exposed to the exterior absorbed dirt and became more blue (-b*.

Perceptual dimensions of style in paintings

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Marković Slobodan

2007-01-01

Full Text Available The main purpose of this study is to specify the basic perceptual dimensions underlying the judgments of the physical features which define the style in paintings (e.g. salient form, colorful surface, oval contours etc.. The other aim of the study is to correlate these dimensions with the subjective (affective dimensions of the experience of paintings. In the preliminary study a set of 25 pairs of elementary perceptual descriptors were empirically specified, and a set of 25 bipolar scales were made (e.g. uncolored-multicolored. In the experiment 30 subjects judged 24 paintings (paintings were taken from the study of Radonjić and Marković, 2004 on 25 scales. Factor analysis revealed the four factors: form (scales: precise, neat, salient form etc., color (color contrast, lightness contrast, vivid colors, space (voluminosity, depth and oval contours and complexity (multicolored, ornate, detailed. Obtained factors reflected the nature of the phenomenological and neural segregation of form, color, depth processing, and partially of complexity processing (e.g. spatial frequency processing within both the form and color subsystem. The aim of the next step of analysis was to specify the correlations between two groups of judgments: (a mean judgments of 24 paintings on perceptual factors and (b mean judgments of the same set of 24 paintings on subjective (affective experience factors, i.e. regularity, attraction, arousal and relaxation (judgments taken from Radonjić and Marković, 2005. The following significant correlations were obtained: regularity-form, regularity-space, attraction-form and arousal-complexity (negative correlation. The reasons for the unexpected negative correlation between arousal and complexity should be specified in further studies.

Perceptual, semantic and affective dimensions of experience of abstract and representational paintings

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Marković Slobodan

2011-01-01

Full Text Available In this study the difference between representational and abstract paintings in judgments on perceptual, semantic and affective dimensions was investigated. Two groups of participants judged the sets of representational and abstract paintings on three groups of dimensions: perceptual (Form, Color, Space and Complexity, semantic (Illusion-Construction of Reality, Expression, Ideology and Decoration, and affective (Hedonic Tone, Arousal, Relaxation and Regularity. The results have shown that representational paintings have higher judgments on the perceptual dimensions of Form and Complexity, the semantic dimension of the Illusion of Reality (the opposite pole of the Construction of Reality, and the affective dimension of Regularity. On the other hand, abstract paintings have higher judgments on the perceptual dimension of Color, the semantic dimensions of Construction of Reality (the opposite pole of the Illusion of Reality and Expression, and the affective dimension Arousal. A discriminant analysis indicated that all three sets of dimensions are relatively good predictors of the classification of representational and abstract paintings (61-100%. The results suggest that the subjective categorization of paintings is generally based on the recognizability of pictorial content (representational vs. abstract, but some formal or stylistic properties play a role in the categorization, as well: some expressionistic representational paintings were classified in an abstract category, and some geometrically abstract paintings were classified as representational.

Structural analysis of paintings based on brush strokes

Science.gov (United States)

Sablatnig, Robert; Kammerer, Paul; Zolda, Ernestine

1998-05-01

The origin of works of art can often not be attributed to a certain artist. Likewise it is difficult to say whether paintings or drawings are originals or forgeries. In various fields of art new technical methods are used to examine the age, the state of preservation and the origin of the materials used. For the examination of paintings, radiological methods like X-ray and infra-red diagnosis, digital radiography, computer-tomography, etc. and color analyzes are employed to authenticate art. But all these methods do not relate certain characteristics in art work to a specific artist -- the artist's personal style. In order to study this personal style of a painter, experts in art history and image processing try to examine the 'structural signature' based on brush strokes within paintings, in particular in portrait miniatures. A computer-aided classification and recognition system for portrait miniatures is developed, which enables a semi- automatic classification and forgery detection based on content, color, and brush strokes. A hierarchically structured classification scheme is introduced which separates the classification into three different levels of information: color, shape of region, and structure of brush strokes.

Photonic Paint Developed with Metallic Three-Dimensional Photonic Crystals

Science.gov (United States)

Sun, Po; Williams, John D.

2012-01-01

This work details the design and simulation of an inconspicuous photonic paint that can be applied onto an object for anticounterfeit and tag, track, and locate (TTL) applications. The paint consists of three-dimensional metallic tilted woodpile photonic crystals embedded into a visible and infrared transparent polymer film, which can be applied to almost any surface. The tilted woodpile photonic crystals are designed with a specific pass band detectable at nearly all incident angles of light. When painted onto a surface, these crystals provide a unique reflective infra-red optical signature that can be easily observed and recorded to verify the location or contents of a package.

Identification of Pigments in Colored Layers of a Painting by Raman Spectroscopy

Science.gov (United States)

Petrova, O. I.; Pankin, D. V.; Povolotckaia, A. V.; Borisov, E. V.; Beznosova, M. O.; Krivul'ko, T. A.; Kurochkin, A. V.

2017-12-01

Using the method of Raman spectroscopy the pigment composition is investigated of, and the brushwork technique used in, the original layer of a 19th century painting is established. It is an overdoor worked, presumably, by Antoine Jean-Etienne Faivre. It is established that the artist used the following pigments: cinnabar and dyes on the basis of goethite and hematite (for red, yellow-orange, and brown shades), ultramarine and Prussian blue (for blue shades), and Emerald green and a mixture of blue and yellow shades (to obtain a green color). It is determined that white lead was used a primer.

The effect of body coloration and group size on social partner preferences in female fighting fish (Betta splendens).

Science.gov (United States)

Blakeslee, C; McRobert, S P; Brown, A C; Clotfelter, E D

2009-02-01

Females of the fighting fish Betta splendens have been shown to associate with other B. splendens females in a manner reminiscent of shoaling behavior. Since body coloration varies dramatically in this species, and since body coloration has been shown to affect shoalmate choice in other species of fish, we examined the influence of body coloration on association preferences in female B. splendens. In dichotomous choice tests, B. splendens females spent more time swimming near groups of females (regardless of coloration) than swimming near an empty chamber, and chose to swim near fish of similar coloration to their own when choosing between two distinctly colored groups of females. When examining the interplay between body coloration and group size, focal fish spent more time swimming near larger groups (N=5) of similarly colored fish than swimming near an individual female of similar coloration. However, focal fish showed no preference when presented with an individual female of similar coloration and a larger group of females of dissimilar coloration. These results suggest that association choices in B. splendens females are strongly affected by both body coloration and by group size.

Three new Species and six new Records of small Serranoid Fishes from Curaçao and Puerto Rico

NARCIS (Netherlands)

Randall, John E.

1963-01-01

Among the fishes taken during a recent collecting trip to Curaçao are three very colorful small serranoids which represent undescribed species. Two of the three new fishes are grammids of the previously monotypic genus Lipogramma, and their discovery necessitates a slight modification of the generic

Fish and robots swimming together in a water tunnel: robot color and tail-beat frequency influence fish behavior.

Directory of Open Access Journals (Sweden)

Giovanni Polverino

Full Text Available The possibility of integrating bioinspired robots in groups of live social animals may constitute a valuable tool to study the basis of social behavior and uncover the fundamental determinants of animal functions and dysfunctions. In this study, we investigate the interactions between individual golden shiners (Notemigonus crysoleucas and robotic fish swimming together in a water tunnel at constant flow velocity. The robotic fish is designed to mimic its live counterpart in the aspect ratio, body shape, dimension, and locomotory pattern. Fish positional preference with respect to the robot is experimentally analyzed as the robot's color pattern and tail-beat frequency are varied. Behavioral observations are corroborated by particle image velocimetry studies aimed at investigating the flow structure behind the robotic fish. Experimental results show that the time spent by golden shiners in the vicinity of the bioinspired robotic fish is the highest when the robot mimics their natural color pattern and beats its tail at the same frequency. In these conditions, fish tend to swim at the same depth of the robotic fish, where the wake from the robotic fish is stronger and hydrodynamic return is most likely to be effective.

Fish and robots swimming together in a water tunnel: robot color and tail-beat frequency influence fish behavior.

Science.gov (United States)

Polverino, Giovanni; Phamduy, Paul; Porfiri, Maurizio

2013-01-01

The possibility of integrating bioinspired robots in groups of live social animals may constitute a valuable tool to study the basis of social behavior and uncover the fundamental determinants of animal functions and dysfunctions. In this study, we investigate the interactions between individual golden shiners (Notemigonus crysoleucas) and robotic fish swimming together in a water tunnel at constant flow velocity. The robotic fish is designed to mimic its live counterpart in the aspect ratio, body shape, dimension, and locomotory pattern. Fish positional preference with respect to the robot is experimentally analyzed as the robot's color pattern and tail-beat frequency are varied. Behavioral observations are corroborated by particle image velocimetry studies aimed at investigating the flow structure behind the robotic fish. Experimental results show that the time spent by golden shiners in the vicinity of the bioinspired robotic fish is the highest when the robot mimics their natural color pattern and beats its tail at the same frequency. In these conditions, fish tend to swim at the same depth of the robotic fish, where the wake from the robotic fish is stronger and hydrodynamic return is most likely to be effective.

The paint-bake response of three Al-Mg-Zn alloys

International Nuclear Information System (INIS)

Balderach, Dustin C.; Hamilton, Jennifer A.; Leung, Emma; Cristina Tejeda, M.; Qiao Jun; Taleff, Eric M.

2003-01-01

The aging behaviors of three Al-Mg-Zn alloys have been investigated under conditions similar to the paint-bake cycle currently used in automotive manufacturing. The three alloys contain Mg in atomic concentrations from one to two times those of Zn. Natural aging at 25 deg. C after solutionizing is found to produce a linear increase in hardness with logarithmic time for times of up to 1 year. Hardnesses in naturally and artificially aged conditions are found to increase with Mg content. Artificial aging at 175 deg. C for 30 min, which simulates the automotive paint-bake cycle, produces increases in hardness of 15-36% over the solution-treated conditions. Peak hardness from artificial aging at 175 deg. C is produced in all alloys after approximately 8 h. Natural aging for 10 days prior to artificial aging at 175 deg. C does not produce significant changes in hardness compared with artificial aging alone. Natural aging for 1 year after simulated paint-bake aging increases hardnesses by 41-78% over those after simulated paint-bake aging alone. The precipitation strengthening mechanism in these alloys is consistent with η' formation. Increases in hardness and strength with increasing Mg content are consistent with increased solid-solution strengthening, which is retained even after artificial aging

Reflectance, illumination, and appearance in color constancy.

Science.gov (United States)

McCann, John J; Parraman, Carinna; Rizzi, Alessandro

2014-01-01

We studied color constancy using a pair of identical 3-D Color Mondrian displays. We viewed one 3-D Mondrian in nearly uniform illumination, and the other in directional, nonuniform illumination. We used the three dimensional structures to modulate the light falling on the painted surfaces. The 3-D structures in the displays were a matching set of wooden blocks. Across Mondrian displays, each corresponding facet had the same paint on its surface. We used only 6 chromatic, and 5 achromatic paints applied to 104 block facets. The 3-D blocks add shadows and multiple reflections not found in flat Mondrians. Both 3-D Mondrians were viewed simultaneously, side-by-side. We used two techniques to measure correlation of appearance with surface reflectance. First, observers made magnitude estimates of changes in the appearances of identical reflectances. Second, an author painted a watercolor of the 3-D Mondrians. The watercolor's reflectances quantified the changes in appearances. While constancy generalizations about illumination and reflectance hold for flat Mondrians, they do not for 3-D Mondrians. A constant paint does not exhibit perfect color constancy, but rather shows significant shifts in lightness, hue and chroma in response to the structure in the nonuniform illumination. Color appearance depends on the spatial information in both the illumination and the reflectances of objects. The spatial information of the quanta catch from the array of retinal receptors generates sensations that have variable correlation with surface reflectance. Models of appearance in humans need to calculate the departures from perfect constancy measured here. This article provides a dataset of measurements of color appearances for computational models of sensation.

Reflectance, illumination, and appearance in color constancy

Directory of Open Access Journals (Sweden)

John J. McCann

2014-01-01

Full Text Available We studied color constancy using a pair of identical 3-D Color Mondrian displays. We viewed one 3-D Mondrian in nearly uniform illumination, and the other in directional, nonuniform illumination. We used the three dimensional structures to modulate the light falling on the painted surfaces. The 3-D structures in the displays were a matching set of wooden blocks. Across Mondrian displays, each corresponding facet had the same paint on its surface. We used only 6 chromatic, and 5 achromatic paints applied to 104 block facets. The 3-D blocks add shadows and multiple reflections not found in flat Mondrians. Both 3-D Mondrians were viewed simultaneously, side-by-side. We used two techniques to measure correlation of appearance with surface reflectance. First, observers made magnitude estimates of changes in the appearances of identical reflectances. Second, an author painted a watercolor of the 3-D Mondrians. The watercolor’s reflectances quantified the changes in appearances. While constancy generalizations about illumination and reflectance hold for flat Mondrians, they do not for 3-D Mondrians. A constant paint does not exhibit perfect color constancy, but rather shows significant shifts in lightness, hue and chroma in response to the structure in the nonuniform illumination. Color appearance depends on the spatial information in both the illumination and the reflectances of objects. The spatial information of the quanta catch from the array of retinal receptors generates sensations that have variable correlation with surface reflectance. Models of appearance in humans need to calculate the departures from perfect constancy measured here. This article provides a dataset of measurements of color appearances for computational models of sensation.

Public response to bridge colors.

Science.gov (United States)

1973-01-01

To determine people's reactions to bridges painted in colors as white, yellow, green, blue, red, brown, black, and aluminum, two test bridges were selected in Charlottesville, Virginia. One was painted a different color each month and the other was k...

Organoleptic testing of fish meatball fortified with various colored vegetables

Science.gov (United States)

Minantyo, Hari; Hariohoedojo, Alexander; Winarno, Prasetyon Sepsi

2017-03-01

Nowadays, many people tried to create and invent new varieties of food. They all tried to enrich the life of many people and increasing their quality of life using their food. The food that they create must be nutritious, safe and healthy. This can be achieved by combining various meat and vegetable products available on the market today. Previously, the research team found that fish meat had relatively high nutrition value. The research team believed that further increase in nutrition value can be achieved by combining fish meat and rich colored vegetables. This research came up with the creation of improved fish meatball fortified with various colored vegetables. With the initiation of ASEAN Free Trade Agreement, many culinary practitioners must pay more attention to the health and safety aspects of their food offerings. Indonesian government should also support this movement by providing education to those people who are not aware of the importance of healthy and safe food or snacks, especially meatballs. Meatballs are one of the most consumed snacks in Indonesia, because they are delicious and affordable. This new fish meatball creation will provide better alternatives to the commonly unhealthy meatballs available on Indonesian market today.

Application of Chemometric Techniques to Colorimetric Data in Classifying Automobile Paint

International Nuclear Information System (INIS)

Nur Awatif Rosli; Rozita Osman; Norashikin Saim; Mohd Zuli Jaafar

2015-01-01

The analysis of paint chips is of great interest to forensic investigators, particularly in the examination of hit-and run cases. This study proposes a direct and rapid method in classifying automobile paint samples based on colorimetric data sets; absorption value, reflectance value, luminosity value (L), degree of redness (a) and degree of yellowness (b) obtained from video spectral comparator (VSC) technique. A total of 42 automobile paint samples from 7 manufacturers were analysed. The colorimetric datasets obtained from VSC analysis were subjected to chemometric technique namely cluster analysis (CA) and principal component analysis (PCA). Based on CA, 5 clusters were generated; Cluster 1 consisted of silver color, cluster 2 consisted of white color, cluster 3 consisted of blue and black colors, cluster 4 consisted of red color and cluster 5 consisted of light blue color. PCA resulted in two latent factors explaining 95.58 % of the total variance, enabled to group the 42 automobile paints into five groups. Chemometric application on colorimetric datasets provide meaningful classification of automobile paints based on their tone colour (L, a, b) and light intensity These approaches have the potential to ease the interpretation of complex spectral data involving a large number of comparisons. (author)

Water-Based Automobile Paints Potentially Reduce the Exposure of Refinish Painters to Toxic Metals

Directory of Open Access Journals (Sweden)

Der-Jen Hsu

2018-05-01

Full Text Available Exposure to lead-containing dusts is a global public health concern. This work addresses an important issue of whether eco-friendly water-based paints reduce the exposure potential of auto-repainting workers to metals. With this aim, metal levels in automobile paints and worker metal exposure were measured using both solvent- and water-based paints. The levels of metals, and particularly Pb, Cr (total, Fe, and Cu, in solvent-based paints varied greatly among colors and brands. Lead concentrations ranged from below the detection limit (~0.25 μg/g to 107,928 μg/g (dry film across all samples. In water-based paints, the concentrations of Pb and Cr (total were generally two to three orders of magnitude lower, but the concentrations of Al and Cu exceeded those in some solvent-based paints. The personal short-term exposure of workers who applied water-based paints of popular colors, such as black and white, were generally low, with Pb levels of less than <4 µg/m3 and Cr (total levels of less than 1 µg/m3. Conversely, mean short-term exposure to Pb during the painting of a yellow cab using solvent-based paints were 2028 µg/m3, which was ~14 times the Taiwan short-term permissible exposure limit, while the mean level of exposure to Cr (total was 290 µg/m3, which was well below the exposure limit. This study demonstrates that water-based paints reduce the exposure potential to lead, and highlights the importance of source control in limiting the toxic metals in paints.

Phylogenetic inferences of Atelinae (Platyrrhini) based on multi-directional chromosome painting in Brachyteles arachnoides, Ateles paniscus paniscus and Ateles b. marginatus.

Science.gov (United States)

de Oliveira, E H C; Neusser, M; Pieczarka, J C; Nagamachi, C; Sbalqueiro, I J; Müller, S

2005-01-01

We performed multi-directional chromosome painting in a comparative cytogenetic study of the three Atelinae species Brachyteles arachnoides, Ateles paniscus paniscus and Ateles belzebuth marginatus, in order to reconstruct phylogenetic relationships within this Platyrrhini subfamily. Comparative chromosome maps between these species were established by multi-color fluorescence in situ hybridization (FISH) employing human, Saguinus oedipus and Lagothrix lagothricha chromosome-specific probes. The three species included in this study and four previously analyzed species from all four Atelinae genera were subjected to a phylogenetic analysis on the basis of a data matrix comprised of 82 discrete chromosome characters. The results confirmed that Atelinae represent a monophyletic clade with a putative ancestral karyotype of 2n = 62 chromosomes. Phylogenetic analysis revealed an evolutionary branching sequence [Alouatta [Brachyteles [Lagothrix and Ateles

Roosters Rule: A Painted Paper Collage

Science.gov (United States)

Brady, Susan

2011-01-01

On perusing American collage artist Eric Carle's book, "Rooster's Off to See the World," at an annual school book fair, the author, mesmerized by the carnival of colors and collage on each page, thought "What a wonderful visual aid for a combination painting and collage unit." Her first-graders were involved in a painting unit, and knowing their…

Protanopia (red color-blindness) in medaka: a simple system for producing color-blind fish and testing their spectral sensitivity.

Science.gov (United States)

Homma, Noriko; Harada, Yumi; Uchikawa, Tamaki; Kamei, Yasuhiro; Fukamachi, Shoji

2017-02-06

Color perception is important for fish to survive and reproduce in nature. Visual pigments in the retinal photoreceptor cells are responsible for receiving light stimuli, but the function of the pigments in vivo has not been directly investigated in many animals due to the lack of color-blind lines and appropriate color-perception tests. In this study, we established a system for producing color-blind fish and testing their spectral sensitivity. First, we disrupted long-wavelength-sensitive (LWS) opsins of medaka (Oryzias latipes) using the CRISPR/Cas9 system to make red-color-blind lines. Single guide RNAs were designed using the consensus sequences between the paralogous LWSa and LWSb genes to simultaneously introduce double-frameshift mutations. Next, we developed a non-invasive and no-prior-learning test for spectral sensitivity by applying an optomotor response (OMR) test under an Okazaki Large Spectrograph (OLS), termed the O-O test. We constructed an electrical-rotary cylinder with black/white stripes, into which a glass aquarium containing one or more fish was placed under various monochromatic light conditions. The medaka were irradiated by the OLS every 10 nm, from wavelengths of 700 nm to 900 nm, and OMR was evaluated under each condition. We confirmed that the lws - medaka were indeed insensitive to red light (protanopia). While the control fish responded to wavelengths of up to 830 nm (λ = 830 nm), the lws - mutants responded up to λ = 740 nm; however, this difference was not observed after adaptation to dark: both the control and lws - fish could respond up to λ = 820 ~ 830 nm. These results suggest that the lws - mutants lost photopic red-cone vision, but retained scotopic rod vision. Considering that the peak absorption spectra (λ max ) of medaka LWSs are about 560 nm, but the light-adapted control medaka could respond behaviorally to light at λ = 830 nm, red-cone vision could cover an unexpectedly wide range of

In search of the rainbow: Colored inks in surgical pathology

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Chandralekha Tampi

2012-01-01

Full Text Available Introduction: Although surgical pathologists are aware of the multiple advantages that coloured inks contribute to surgical pathology practice, these coloured inks are not available in India and importing them is not a viable proposition. A systematic search for locally available coloring agents was done, and resulted in identifying specific shades within a popular set of children′s hobby colors of a particular brand. They retain their bright distinct colors on paraffin blocks and sections. These paints are available all over India, and are cheap, safe, and easy to use. Coloring gross specimen excision margins with different colors, adds precision to margin examination. It allows three-dimensional microscopic reconstruction of the tumor vis-a-vis its various neighboring anatomic structures. It allows postoperative comparison of tissue planes predicted by preoperative imaging. It maintains orientation of grossed and dissected specimens, enabling the pathologist to re-visit the grossed specimen, if required, and confidently allows further sampling if necessary. Aim: A systematic search for indigenous coloring agents was carried out, which included the dyes used in the histopathology laboratory, gelatin, commercially available paints, including acrylic paints and inks. Results: The study identified specific shades within a brand of acrylic colors that are easily available and simple to use, with good results on microscopic examination. Conclusion: Colored inks lend precision to margin examination. A set of easily procurable colors are available in our country, which are easy to use, with distinct bright colors, safe, and reliable.

Automatic forensic analysis of automotive paints using optical microscopy.

Science.gov (United States)

Thoonen, Guy; Nys, Bart; Vander Haeghen, Yves; De Roy, Gilbert; Scheunders, Paul

2016-02-01

The timely identification of vehicles involved in an accident, such as a hit-and-run situation, bears great importance in forensics. To this end, procedures have been defined for analyzing car paint samples that combine techniques such as visual analysis and Fourier transform infrared spectroscopy. This work proposes a new methodology in order to automate the visual analysis using image retrieval. Specifically, color and texture information is extracted from a microscopic image of a recovered paint sample, and this information is then compared with the same features for a database of paint types, resulting in a shortlist of candidate paints. In order to demonstrate the operation of the methodology, a test database has been set up and two retrieval experiments have been performed. The first experiment quantifies the performance of the procedure for retrieving exact matches, while the second experiment emulates the real-life situation of paint samples that experience changes in color and texture over time. Copyright © 2016 Elsevier Ireland Ltd. All rights reserved.

Radioactive Decontamination by Strippable Paint

International Nuclear Information System (INIS)

Chantaraparprachoom, N.; Mishima, K.

1998-01-01

The strippable paint, one of the adhesion method, is to decontaminate solid surface of materials or/and a large area. Two kinds of specimen planchet, SUS 304 stainless steel and polycarbonate plastic, contaminated with radioactive 137 Cs were studied under various conditions. It included surface bottom types, the flat and convex concentric circle type, normal condition at room temperature and overheat condition (∼80 degree celsius). This method used coating paints which contains some elements to have a reaction with radioactive materials selectively. ALARA-Decon clear, Rempack-X200 clear, JD-P5-Mrs.Coat and Pro-Blue-color guard were selected to use as the coating paints. The contaminated surface was coated by the strippable paint under the optimum time, followed by peeling the paint seal. The Rempack-X200 showed the best result, the highest decontamination efficiency which are about 99-100% for all conditions of specimens. The JD-P5 and ALARA-Decon showed good results, which are 98-99% decontamination efficiency for the normal condition set of specimens and about 94-97% for the overheat set of specimens. They can decontaminate polycarbonate specimens better than stainless steel specimens. The Pro-Blue-color guard showed the lowest decontamination efficiency of which 60% for polycarbonate specimens at normal condition and 40%, 30% for stainless steel specimens at normal and overheat conditions respectively. There was no effects of surface bottom types significantly

Color as related to Size, Sex, and Behavior in seven Caribbean Labrid Fish Species (genera Thalassoma, Halichoeres and Hemipteronotus)

NARCIS (Netherlands)

Roede, Machteld J.

1972-01-01

Approximately 5500 Caribbean labrid fishes belonging to seven species were caught, transported, partly on ice, to the laboratory and subsequently studied. The major portion was examined immediately; some 20 per cent were stored briefly (less than three days) at minus 20°C. Color pattern (and shape

Factors effecting paint performance on wood siding

Science.gov (United States)

Christopher G. Hunt; R. Sam Williams; Mark Knaebe; Peter Sotos; Steven Lacher

2009-01-01

Several different studies are compared to assess the effectiveness of commercial water repellent preservatives (WRP’s) in the late 1990’s on vertical and horizontal siding. Besides WRP, variables included wood species, exposure location (Wisconsin or Mississippi), and solid color stain vs. primer + paint. Data on substrate checking and paint flaking are presented....

Alteration of blue pigment in artificial iris in ocular prosthesis: effect of paint, drying method and artificial aging.

Science.gov (United States)

Goiato, Marcelo Coelho; Fernandes, Aline Úrsula Rocha; dos Santos, Daniela Micheline; Hadadd, Marcela Filié; Moreno, Amália; Pesqueira, Aldiéris Alves

2011-02-01

The artificial iris is the structure responsible for the dissimulation and aesthetics of ocular prosthesis. The objective of the present study was to evaluate the color stability of artificial iris of microwaveable polymerized ocular prosthesis, as a function of paint type, drying method and accelerated aging. A total of 40 discs of microwaveable polymerized acrylic resin were fabricated, and divided according to the blue paint type (n = 5): hydrosoluble acrylic, nitrocellulose automotive, hydrosoluble gouache and oil paints. Paints where dried either at natural or at infrared light bulb method. Each specimen was constituted of one disc in colorless acrylic resin and another colored with a basic sclera pigment. Painting was performed in one surface of one of the discs. The specimens were submitted to an artificial aging chamber under ultraviolet light, during 1008 h. A reflective spectrophotometer was used to evaluate color changes. Data were evaluated by 3-way repeated-measures ANOVA and the Tukey HSD test (α = 0.05). All paints suffered color alteration. The oil paint presented the highest color resistance to artificial aging regardless of drying method. Copyright © 2010 British Contact Lens Association. Published by Elsevier Ltd. All rights reserved.

Inputs of antifouling paint-derived dichlorodiphenyltrichloroethanes (DDTs) to a typical mariculture zone (South China): Potential impact on aquafarming environment

International Nuclear Information System (INIS)

Yu Huanyun; Shen Rulang; Liang Yan; Cheng, Hefa; Zeng, Eddy Y.

2011-01-01

Existing evidence indicated that dichlorodiphenyltrichloroethane (DDT)-containing antifouling paints were an important source of DDT residues to mariculture zones. However, the magnitude of the impact on aquafarming environment has remained largely unknown. In the present study, the concentrations of DDT and its metabolites (designated as DDXs) were determined in harbor sediment and antifouling paint samples collected from a typical mariculture zone in South China. Compositional and concentration correlation analyses implicated the DDT-containing antifouling paints for fishing boat maintenance as an important source of DDT in the mariculture zone. The annual emission of DDXs to the study region was estimated at 0.58 tons/yr. Furthermore, a comparison of the expected DDT loadings in pelagic fish and field measurements indicated that fish feed especially trash fish was a major source of DDTs in the fish body. Nevertheless, the use of DDT-containing antifouling paints should be limited to prevent further deterioration in aquafarming environment. - Highlights: → Use of antifouling paints in boat maintenance was deemed a main source of DDTs. → The majority of antifouling paint-derived DDTs was sequestered in sediment. → Fish feed has remained the main input source of DDTs in fish body. - The potential impact from the use of DDT-containing antifouling paints on aquafarming environment is examined.

Three Kinds of Fish

DEFF Research Database (Denmark)

Høst, Jeppe Engset

2012-01-01

There are three kinds of fish. Fish you were given, fish you bought and fish you lease. This might sound a bit odd, but it is nevertheless the basis for the activities of Danish commercial fishers since the introduction of transferable fishing concessions (TFCs) in 2007. In the current 2012 reform...... of market based systems are wild speculation, concentration and monopolization of fishing access and subsequent leasing with fishing communities and new entrants very likely being worse off (see for example the chapter “From fishing rights to financial derivatives” is this volume or Olson 2011; Sumaila 2010...... will examine five Danish fishing operations and discuss how they have reacted in different ways to the newly introduced system of transferable fishing concessions. By introducing TFCs as a solution to fleet overcapacity, the EU Commission will also be introducing a system where buying, selling and leasing...

Reconstructing Van Gogh’s palette to determine the optical characteristics of his paints

NARCIS (Netherlands)

Geldof, M.; Ness Proaño Gaibor, A.; Ligterink, F.; Hendriks, E.; Kirchner, E.

2018-01-01

The colors of Field with Irises near Arles, painted by Van Gogh in Arles in 1888, have changed considerably. To get an idea of how this painting, as well as other works by Van Gogh, looked shortly after their production, the Revigo (Re-assessing Vincent van Gogh’s colors) research project was

[Abstract painting, a mental esthetic construction without exact correspondence with reality (José Guerrero: manuel and corporal expressions in his paintings)].

Science.gov (United States)

Portera Sánchez, Alberto

2006-01-01

It is desirable that a truthful aesthetic experience should be the consequence of a complete observation detached from all sorts of commercial, social, political or cultural ties. If during this period of admiration of a work of art a personal concentration is reached, the admirer perceives a liberation from all sorts of limiting ties and a rewarding artistic feeling. A similar type of mental freedom must be reached by the artist and prevail during the process of creation which must reach its greatest dimension in abstract paintings because not being illustrations they demand from the spectator a well developed habit to detect its esthetic values, difficult to perceive because they are in the abstract order. The dimensions such as perspective, symmetry, lights and shadows, usually integrated in figurative paintings to create well defined tridimensional spaces are not included in abstractions because this type of geometrical composition is not needed. In contemporary abstraction the design itself has lost its formal meaning and its protagonist role. It is frequently replaced by abrupt gestures as it is the case in the styles named "action painting" (Jackson Pollack) or "abstract expressionism" (Antonio Saura). Other abstract painters close to "minimalism" simply drop the colors on the canvas without any attempt to design but full of aesthetic energy and even single colors uniformly bathe the surface of the linen (Rothko). Other american artists of the sixties (Monis Louis) are also to be admired. They allow that the deposited and sliding colors themselves initiate and finish interesting artistic compositions. They become esential creative agents in the painting without being forced to be figurative nor to follow the creative will of the artist who, is simply acting as the first observer and only intervenes "a posteriori" accepting or rejecting the results. Only the colors and under the single influence of their sliding density create the shapes and artistic

Individual Dlfferences in Children's Preferences among Recent Paintings.

Science.gov (United States)

Bell, R.; Bell, G.

1979-01-01

Preferences of Melbourne, Australia, students for twentieth-century paintings were examined. The identified dimensions of preference (represention, color, complexity) were similar to those found in previous studies. Age and sex differences were found only for color and complexity. Preference for representational, over nonrepresentational,…

Regulating antifouling paints for leisure boats - a patchwork of rules across three Baltic Sea countries

DEFF Research Database (Denmark)

Kymenvaara, Sara; Anker, Helle Tegner; Baaner, Lasse

2017-01-01

This article analyses how the use of antifouling paints for leisure boats is regulated in Denmark, Finland and Sweden. All three countries appear to apply a somewhat fragmented approach to the different matters related to antifouling paints, including environmental quality (e.g. water quality...... sufficient measures and conduct. Environmental protection regulation, including waste legislation, generally excludes smaller leisure boat marinas and boat clubs from permitting and waste management requirements. In product regulation, the authorisation and/or restriction rules of antifouling paints...

Hyperspectral imaging of cuttlefish camouflage indicates good color match in the eyes of fish predators.

Science.gov (United States)

Chiao, Chuan-Chin; Wickiser, J Kenneth; Allen, Justine J; Genter, Brock; Hanlon, Roger T

2011-05-31

Camouflage is a widespread phenomenon throughout nature and an important antipredator tactic in natural selection. Many visual predators have keen color perception, and thus camouflage patterns should provide some degree of color matching in addition to other visual factors such as pattern, contrast, and texture. Quantifying camouflage effectiveness in the eyes of the predator is a challenge from the perspectives of both biology and optical imaging technology. Here we take advantage of hyperspectral imaging (HSI), which records full-spectrum light data, to simultaneously visualize color match and pattern match in the spectral and the spatial domains, respectively. Cuttlefish can dynamically camouflage themselves on any natural substrate and, despite their colorblindness, produce body patterns that appear to have high-fidelity color matches to the substrate when viewed directly by humans or with RGB images. Live camouflaged cuttlefish on natural backgrounds were imaged using HSI, and subsequent spectral analysis revealed that most reflectance spectra of individual cuttlefish and substrates were similar, rendering the color match possible. Modeling color vision of potential di- and trichromatic fish predators of cuttlefish corroborated the spectral match analysis and demonstrated that camouflaged cuttlefish show good color match as well as pattern match in the eyes of fish predators. These findings (i) indicate the strong potential of HSI technology to enhance studies of biological coloration and (ii) provide supporting evidence that cuttlefish can produce color-coordinated camouflage on natural substrates despite lacking color vision.

Lead content of dried films of domestic paints currently sold in Nigeria

International Nuclear Information System (INIS)

Adebamowo, Eugenious O.; Scott Clark, C.; Roda, Sandy; Agbede, Oluwole A.; Sridhar, Mynepalli K.C.; Adebamowo, Clement A.

2007-01-01

Children are at higher risk from lead exposure because their developing neural system is susceptible to its neurotoxic effects. We studied lead levels of paints manufactured in Nigeria in 2006. Lead levels in 5 colors of paints, each from different manufacturers were measured using flame-atomic absorption spectroscopy. We found that 96% of the paints had higher than recommended levels of lead. The mean lead level of paints ranged from 84.8 to 50,000 ppm, with mean of 14,500 ppm and median of 15,800 ppm. The main determinant of lead levels was color of the paint. As lead levels in paint sold in the past years in Nigeria are likely to be at least as high as that currently sold, it is likely that many existing houses contain dangerously high levels of lead. Efforts need to be undertaken to assess the presence of high lead levels in existing housing and if detected, intervention programs for eliminating risk of exposure should be developed in addition to measures to increase awareness and enforce regulations leading to the elimination of lead based domestic paint

Implementation of an Optical Coherence Tomography system for painting characterization

International Nuclear Information System (INIS)

Kashyap, Hannah U. K. S.; Mota, Claudia C. B. O.; Kyotoku, Bernardo B. C.; Gomes, Anderson S. L.; Santos-Filho, Plinio B.

2009-01-01

Optical Coherence Tomography (OCT) is a new but well established imaging technique for medical diagnosis, which can produce two- or three-dimensional images of bio-tissues with a few μm spatial resolution. Its potential as a non-invasive tool for art conservation of paintings and other objects has been realized recently. In this work, we report the implementation of two OCT systems applied to painting characterization. One system operates in the so-called spectral domain, with a central wavelength of 840 nm and axial resolution of 10 μm. The second system has its central wavelength at 1280 nm, with spatial resolution of 20 μm, and operates in the time domain. Both systems are independently controlled and have imaging software developed in-house using Lab View. Using both systems, a 15 years old acrylic portrait has been analyzed, where the paint layers, light and dark colors, and the cotton treads of the canvas could be identified. (Author)

[Research on developping the spectral dataset for Dunhuang typical colors based on color constancy].

Science.gov (United States)

Liu, Qiang; Wan, Xiao-Xia; Liu, Zhen; Li, Chan; Liang, Jin-Xing

2013-11-01

The present paper aims at developping a method to reasonably set up the typical spectral color dataset for different kinds of Chinese cultural heritage in color rendering process. The world famous wall paintings dating from more than 1700 years ago in Dunhuang Mogao Grottoes was taken as typical case in this research. In order to maintain the color constancy during the color rendering workflow of Dunhuang culture relics, a chromatic adaptation based method for developping the spectral dataset of typical colors for those wall paintings was proposed from the view point of human vision perception ability. Under the help and guidance of researchers in the art-research institution and protection-research institution of Dunhuang Academy and according to the existing research achievement of Dunhuang Research in the past years, 48 typical known Dunhuang pigments were chosen and 240 representative color samples were made with reflective spectral ranging from 360 to 750 nm was acquired by a spectrometer. In order to find the typical colors of the above mentioned color samples, the original dataset was devided into several subgroups by clustering analysis. The grouping number, together with the most typical samples for each subgroup which made up the firstly built typical color dataset, was determined by wilcoxon signed rank test according to the color inconstancy index comprehensively calculated under 6 typical illuminating conditions. Considering the completeness of gamut of Dunhuang wall paintings, 8 complementary colors was determined and finally the typical spectral color dataset was built up which contains 100 representative spectral colors. The analytical calculating results show that the median color inconstancy index of the built dataset in 99% confidence level by wilcoxon signed rank test was 3.28 and the 100 colors are distributing in the whole gamut uniformly, which ensures that this dataset can provide reasonable reference for choosing the color with highest

Discover the Atlantic Ocean: An Exciting Coloring Book of Fish and Shellfish.

Science.gov (United States)

Flick, George J.

This coloring book contains pictures of more than 79 fish and shellfish found on the Atlantic Coast. Captions give information on habitats, behavior, or commercial uses of the species pictured. Indexes of both common and scientific names are given. (BB)

Reproducing oil paint gloss in print for the purpose of creating reproductions of Old Masters

Science.gov (United States)

Elkhuizen, Willemijn S.; Lenseigne, Boris A. J.; Baar, Teun; Verhofstad, Wim; Tempelman, Erik; Geraedts, Jo M. P.; Dik, Joris

2015-03-01

In the field of Fine Art reproduction, 3D scanning plus 3D printing, combined with dedicated software, now allows to capture and reproduce the color and texture of oil paintings. However, for life-like reproduction of the material appearance of such paintings, the typical gloss and translucency must also be included, which is currently not the case. The aim of this paper is to elaborate on the challenges and results of capturing and reproducing oil paint gloss (next to texture and color) using a scanning and printing system. A sample was hand-made using oil paint and acrylic varnish, and its gloss was then reproduced. A gloss map of the painted sample was acquired using a high end DLSR camera and a simple acquisition protocol. Next, Océ High Resolution 3D printing technology was used to create samples with spatially varying gloss. For this, two different strategies were combined: (1) multilevel half-toning of the colors was used to reproduce matte color layers, and (2) varnish was half-toned on top in increasing coverage to recreate increasing gloss levels. This paper presents an overview of the state-of-the-art literature in gloss reproduction and perception, our process of reproduction as well as the visual evaluation of the quality of the created reproduction.

Fallen leaves on the water-bed: diurnal camouflage of three night active fish species in an Amazonian streamlet

Directory of Open Access Journals (Sweden)

Ivan Sazima

Full Text Available Resemblance to dead leaves is a well known type of camouflage recorded for several small vertebrates that dwell in the leaf and root litter on the ground. We present here instances of such resemblance in three species of nocturnal fishes (Siluriformes and Gymnotiformes that spend the daytime among submersed root-tangle with leaf litter in Amazonian streams. All three species are very difficult to spot visually, due both to their shape and colors which blend with the substrate, as well as to the heterogeneous nature of their cover. Two species were recorded to lie on their sides, which adds to their resemblance to dead leaves. When disturbed, one species may drift like a waterlogged leaf, whereas another moves upwards the root-tangle, exposing its fore body above the water surface. We regard their leaf-like shapes, cryptic colors, and escape movements as a convergence in defensive responses to visually hunting aquatic vertebrates, most likely diurnal predaceous fishes.

The organic materials in the Five Northern Provinces' Assembly Hall: disclosing the painting technique of the Qing dynasty painters in civil buildings

Science.gov (United States)

Lluveras-Tenorio, A.; Bonaduce, I.; Sabatini, F.; Degano, I.; Blaensdorf, C.; Pouyet, E.; Cotte, M.; Ma, L.; Colombini, M. P.

2015-11-01

The beiwusheng huiguan (`Meeting hall of the Five Northern Dynasties') is a building complex from the Qing dynasty (1636-1912 ad) located in Wafangdian, near Ziyang, in the south of the Chinese Province of Shaanxi. Two of the preserved halls are richly decorated with wall paintings dated probably in 1848 ad and representing scenes of the `Romance of the Three Kingdoms' and Confucian moral tales. They are a rare example of well-preserved mural paintings of high artistic value inside civil buildings. The aims of this paper are the chemical characterization and localization of organic materials used as binders and colorants in the wall paintings. A multi-analytical approach, consisting in the combined use of gas chromatographic-mass spectrometric techniques (GC/MS and Py-GC/MS) and high-pressure liquid chromatography with diode array detector (HPLC-DAD), was chosen for these purposes. Proteinaceous materials (animal glue and egg), saccharide material (fruit tree gum) and a siccative oil were identified in different paint layers supplying invaluable information about the painting technique used. Moreover, the analyses of organic dyes allowed identifying indigo and gallic acid in more than one sample adding fundamental information about Chinese artists' techniques in mural paintings, missing from the previous studies. To shed light on the gilding technique, the distribution of the painting materials was achieved by means of synchrotron radiation Fourier transform infrared spectroscopy (SR micro-FTIR) and X-ray fluorescence (SR micro-XRF). The results obtained from the multi-analytical approach enabled us to determine the organic materials both binders and organic colorants used by Chinese artisans, highlighting the high technical level achieved in nineteenth century. The binding media and the organic colorants identified, as well as their distribution, allowed the discussion on the painting technique used by the artists of the Qing dynasty giving information for the

Delimiting the origin of a B chromosome by FISH mapping, chromosome painting and DNA sequence analysis in Astyanax paranae (Teleostei, Characiformes.

Directory of Open Access Journals (Sweden)

Duílio M Z de A Silva

Full Text Available Supernumerary (B chromosomes have been shown to contain a wide variety of repetitive sequences. For this reason, fluorescent in situ hybridisation (FISH is a useful tool for ascertaining the origin of these genomic elements, especially when combined with painting from microdissected B chromosomes. In order to investigate the origin of B chromosomes in the fish species Astyanax paranae, these two approaches were used along with PCR amplification of specific DNA sequences obtained from the B chromosomes and its comparison with those residing in the A chromosomes. Remarkably, chromosome painting with the one-arm metacentric B chromosome probe showed hybridization signals on entire B chromosome, while FISH mapping revealed the presence of H1 histone and 18S rDNA genes symmetrically placed in both arms of the B chromosome. These results support the hypothesis that the B chromosome of A. paranae is an isochromosome. Additionally, the chromosome pairs Nos. 2 or 23 are considered the possible B chromosome ancestors since both contain syntenic H1 and 18S rRNA sequences. The analysis of DNA sequence fragments of the histone and rRNA genes obtained from the microdissected B chromosomes showed high similarity with those obtained from 0B individuals, which supports the intraspecific origin of B chromosomes in A. paranae. Finally, the population hereby analysed showed a female-biased B chromosome presence suggesting that B chromosomes in this species could influence sex determinism.

Pigeons can discriminate "good" and "bad" paintings by children.

Science.gov (United States)

Watanabe, Shigeru

2010-01-01

Humans have the unique ability to create art, but non-human animals may be able to discriminate "good" art from "bad" art. In this study, I investigated whether pigeons could be trained to discriminate between paintings that had been judged by humans as either "bad" or "good". To do this, adult human observers first classified several children's paintings as either "good" (beautiful) or "bad" (ugly). Using operant conditioning procedures, pigeons were then reinforced for pecking at "good" paintings. After the pigeons learned the discrimination task, they were presented with novel pictures of both "good" and "bad" children's paintings to test whether they had successfully learned to discriminate between these two stimulus categories. The results showed that pigeons could discriminate novel "good" and "bad" paintings. Then, to determine which cues the subjects used for the discrimination, I conducted tests of the stimuli when the paintings were of reduced size or grayscale. In addition, I tested their ability to discriminate when the painting stimuli were mosaic and partial occluded. The pigeons maintained discrimination performance when the paintings were reduced in size. However, discrimination performance decreased when stimuli were presented as grayscale images or when a mosaic effect was applied to the original stimuli in order to disrupt spatial frequency. Thus, the pigeons used both color and pattern cues for their discrimination. The partial occlusion did not disrupt the discriminative behavior suggesting that the pigeons did not attend to particular parts, namely upper, lower, left or right half, of the paintings. These results suggest that the pigeons are capable of learning the concept of a stimulus class that humans name "good" pictures. The second experiment showed that pigeons learned to discriminate watercolor paintings from pastel paintings. The subjects showed generalization to novel paintings. Then, as the first experiment, size reduction test

Color in present culture of European architecture

Science.gov (United States)

Schindler, Verena M.

2002-06-01

The influential architect Le Corbusier (1887 - 1965) was also involved in the adventure of contemporary painting, and color occupied half of his day, during twenty years, as he revealed in a study entitled 'Architectural Polychromy' written in the early thirties and recently published in 1997. In the present, contemporary architects in Central Europe are dealing with color in quite a different and exceptional way: most of them engage the artist to collaborate with them in their architectural projects. If painting is concerned with the interaction of color in the two-dimensional plane, architecture is deeply dependent on light and space, and deals entirely with the three- dimensional environment and its human perception. In the 1990s, the way architects and artists employed color in architecture was so striking that color offered a key to larger discussions and opened up an interesting aspect of architectural practice. It must be remembered that recent housing projects, such as the housing estate Pilotengasse in Vienna, Gigon & Guyer's Broelberg in Kilchberg (with Harald F. Muller), next to Zurich, and their Sport Center in Davos (with Adrian Schiess), Jean Nouvel's Cultural and Congress Center in Lucerne, or Sauerbruch & Hutton's Photonic Center and their GSW office building in Berlin have all been contributing to free color from its unconscious and dormant role. These works all impart qualities to color in architecture that were hitherto reserved to other materials and fields: they define the aspects of the interaction of visual and physical space, of materialization of volumes, and of the expression of wealth and luxury.

Digital cleaning and "dirt" layer visualization of an oil painting.

Science.gov (United States)

Palomero, Cherry May T; Soriano, Maricor N

2011-10-10

We demonstrate a new digital cleaning technique which uses a neural network that is trained to learn the transformation from dirty to clean segments of a painting image. The inputs and outputs of the network are pixels belonging to dirty and clean segments found in Fernando Amorsolo's Malacañang by the River. After digital cleaning we visualize the painting's discoloration by assuming it to be a transmission filter superimposed on the clean painting. Using an RGB color-to-spectrum transformation to obtain the point-per-point spectra of the clean and dirty painting images, we calculate this "dirt" filter and render it for the whole image.

4D Visualization of Painted Sculpture and Murals

Science.gov (United States)

Ai, M. Y.; Tong, H.; Shen, L.; Wang, R. X.; Zhang, F.; Zhang, Z. C.; Hu, Q. W.; Zhu, Y. X.; Zhang, H.

2015-08-01

Most cultural heritage applications address visualization with using various media or platforms: desktop-based multimedia presentations, museum kiosks, or videos produced with computer animation. However, these techniques can not directly reveal or show the course that the colorful surface of painted sculpture and murals becomes faint along with the change of the climate and time. Most current techniques just preserve the current appearance and disseminate the current situation of the painted sculpture and murals. The course how these forms of cultural heritage change along the time has not been visualized. In this paper we developed an approach to modelling of painted sculpture and murals that has undergone changes over the years. Different hypotheses has also be given if there is uncertainty. A painted sculpture of Mogao Grottoes is used to demonstate this approach.

Three-dimensional characterization of pigment dispersion in dried paint films using focused ion beam-scanning electron microscopy.

Science.gov (United States)

Lin, Jui-Ching; Heeschen, William; Reffner, John; Hook, John

2012-04-01

The combination of integrated focused ion beam-scanning electron microscope (FIB-SEM) serial sectioning and imaging techniques with image analysis provided quantitative characterization of three-dimensional (3D) pigment dispersion in dried paint films. The focused ion beam in a FIB-SEM dual beam system enables great control in slicing paints, and the sectioning process can be synchronized with SEM imaging providing high quality serial cross-section images for 3D reconstruction. Application of Euclidean distance map and ultimate eroded points image analysis methods can provide quantitative characterization of 3D particle distribution. It is concluded that 3D measurement of binder distribution in paints is effective to characterize the order of pigment dispersion in dried paint films.

Chromosome painting in biological dosimetry: Semi-automatic system to score stable chromosome aberrations

International Nuclear Information System (INIS)

Garcia-Sagredo, J.M.; Vallcorba, I.; Sanchez-Hombre, M.C.; Ferro, M.T.; San Roman Cos-Gayon, C.; Santos, A.; Malpica, N.; Ortiz, C.

1997-01-01

From the beginning of the description of the procedure of chromosome painting by fluorescence in situ hybridization (FISH), it was thought its possible application to score induced chromosomal aberrations in radiation exposition. With chromosome painting it is possible to detect changes between chromosomes that has been validated in radiation exposition. Translocation scoring by FISH, contrarily to the unstable dicentrics, mainly detect stable chromosome aberrations that do not disappear, it allows the capability of quantify delayed acute expositions or chronic cumulative expositions. The large number of cells that have to be analyzed for high accuracy, specially when dealing with low radiation doses, makes it almost imperative to use an automatic analysis system. After validate translocation scoring by FISH in our, we have evaluated the ability and sensitivity to detect chromosomal aberrations by chromosome using different paint probes used, showing that any combination of paint probes can be used to score induced chromosomal aberrations. Our group has developed a FISH analysis that is currently being adapted for translocation scoring analysis. It includes systematic error correction and internal control probes. The performance tests carried out show that 9,000 cells can be analyzed in 10 hr. using a Sparc 4/370. Although with a faster computer, a higher throughput is expected, for large population screening or very low radiation doses, this performance still has to be improved. (author)

Correlation between three color coordinates of human teeth

Science.gov (United States)

Lee, Yong-Keun

2014-11-01

The objective was to determine whether there were significant correlations in the three color coordinates within each of two color coordinate systems, such as the Commission Internationale de l'Eclairage (CIE) L*a*b* system, and the lightness, chroma, and hue angle system, of human vital teeth. The color of six maxillary and six mandibular anterior teeth was measured by the Shade Vision System. Pearson correlations between each pair of the color coordinates were determined (α=0.01). The influence of two color coordinates on the other color coordinate was determined with a multiple regression analysis (α=0.01). Based on correlation analyses, all the color coordinate pairs showed significant correlations except for the chroma and hue angle pair. The CIE L* was negatively correlated with the CIE a*, b*, and chroma, but positively correlated with the hue angle. The CIE a* was positively correlated with the CIE b* and chroma. Tooth color coordinates were correlated each other. Lighter teeth were less chromatic both in the CIE a* and b* coordinates. Therefore, it was postulated that the three color coordinates of human teeth were harmonized within certain color attribute ranges, and a lack of correlations in these coordinates might indicate external/internal discolorations and/or anomalies of teeth.

Studies on the temperature distribution of steel plates with different paints under solar radiation

International Nuclear Information System (INIS)

Liu, Hongbo; Chen, Zhihua; Chen, Binbin; Xiao, Xiao; Wang, Xiaodun

2014-01-01

Thermal effects on steel structures exposed to solar radiation are significant and complicated. Furthermore, the solar radiation absorption coefficient of steel surface with different paintings is the main factor affecting the non-uniform temperature of spatial structures under solar radiation. In this paper, nearly two hundreds steel specimens with different paintings were designed and measured to obtain their solar radiation absorption coefficients using spectrophotometer. Based on the test results, the effect of surface color, painting type, painting thickness on the solar radiation absorption coefficient was analyzed. The actual temperatures under solar radiation for all specimens were also measured in summer not only to verify the absorption coefficient but also provide insight for the temperature distribution of steel structures with different paintings. A numerical simulation and simplified formula were also conducted and verified by test, in order to study the temperature distribution of steel plates with different paints under solar radiation. The results have given an important reference in the future research of thermal effect of steel structures exposed to solar radiation. - Highlights: • Solar radiation absorptions for steel with different paintings were measured. • The temperatures of all specimens under solar radiation were measured. • The effect of color, thickness and painting type on solar absorption was analyzed. • A numerical analysis was conducted and verified by test data. • A simplified formula was deduced and verified by test data

Visualization of pigment distributions in paintings using synchrotron K-edge imaging

International Nuclear Information System (INIS)

Krug, K.; Dik, J.; Leeuw, M.; Whitson, A. den; Tortora, J.; Coan, P.; Nemoz, C.; Bravin, A.

2006-01-01

X-ray radiography plays an important role in the study of artworks and archaeological artifacts. The internal structure of objects provides information on genesis, authenticity, painting technique, material condition and conservation history. Transmission radiography, however, does not provide information on the exact elemental composition of objects and heavy metal layers can shadow or obscure the ones including lighter elements. This paper presents the first application of synchrotron-based K-edge absorption imaging applied to paintings. Using highly monochromatic radiation, K-edge imaging is used to obtain elemental distribution images over large areas. Such elemental maps visualize the distribution of an individual pigment throughout the paint stratigraphy. This provides color information on hidden paint layers, which is of great relevance to art historians and painting conservators. The main advantage is the quick data acquisition time and the sensitivity to elements throughout the entire paint stratigraphy. The examination of a test painting is shown and further instrumental developments are discussed. (orig.)

Beauty in abstract paintings: Perceptual contrast and statistical properties

Directory of Open Access Journals (Sweden)

Birgit eMallon

2014-03-01

Full Text Available In this study, we combined the behavioral and objective approach in the field of empirical aesthetics. First, we studied the perception of beauty by investigating shifts in evaluation on perceived beauty of abstract artworks (Experiment 1. Because the participants showed heterogeneous individual preferences for the paintings, we divided them into seven clusters for the test. The experiment revealed a clear pattern of perceptual contrast. The perceived beauty of abstract paintings increased after exposure to paintings that were rated as less beautiful, and it decreased after exposure to paintings that were rated as more beautiful. Next, we searched for correlations of beauty ratings and perceptual contrast with statistical properties of abstract artworks (Experiment 2. The participants showed significant preferences for certain image properties. These preferences differed between the clusters of participants. Strikingly, next to color measures like hue, saturation, value and lightness, the recently described PHOG self-similarity value seems to be a predictor for aesthetic appreciation of abstract artworks. We speculate that the shift in evaluation in Experiment 1 was, at least in part, based on low-level adaptation to some of the statistical image properties analyzed in Experiment 2. In conclusion, our findings demonstrate that the perception of beauty in abstract artworks is altered after exposure to beautiful or non-beautiful images and correlates with particular image properties, especially color measures and self-similarity.

Three-flavor color superconductivity

Energy Technology Data Exchange (ETDEWEB)

Malekzadeh, H.

2007-12-15

I investigate some of the inert phases in three-flavor, spin-zero color-superconducting quark matter: the CFL phase (the analogue of the B phase in superfluid {sup 3}He), the A and A{sup *} phases, and the 2SC and sSC phases. I compute the pressure of these phases with and without the neutrality condition. Without the neutrality condition, after the CFL phase the sSC phase is the dominant phase. However, including the neutrality condition, the CFL phase is again the energetically favored phase except for a small region of intermediate densities where the 2SC/A{sup *} phase is favored. It is shown that the 2SC phase is identical to the A{sup *} phase up to a color rotation. In addition, I calculate the self-energies and the spectral densities of longitudinal and transverse gluons at zero temperature in color-superconducting quark matter in the CFL phase. I find a collective excitation, a plasmon, at energies smaller than two times the gap parameter and momenta smaller than about eight times the gap. The dispersion relation of this mode exhibits a minimum at some nonzero value of momentum, indicating a van Hove singularity. (orig.)

Three-flavor color superconductivity

International Nuclear Information System (INIS)

Malekzadeh, H.

2007-12-01

I investigate some of the inert phases in three-flavor, spin-zero color-superconducting quark matter: the CFL phase (the analogue of the B phase in superfluid 3 He), the A and A * phases, and the 2SC and sSC phases. I compute the pressure of these phases with and without the neutrality condition. Without the neutrality condition, after the CFL phase the sSC phase is the dominant phase. However, including the neutrality condition, the CFL phase is again the energetically favored phase except for a small region of intermediate densities where the 2SC/A * phase is favored. It is shown that the 2SC phase is identical to the A * phase up to a color rotation. In addition, I calculate the self-energies and the spectral densities of longitudinal and transverse gluons at zero temperature in color-superconducting quark matter in the CFL phase. I find a collective excitation, a plasmon, at energies smaller than two times the gap parameter and momenta smaller than about eight times the gap. The dispersion relation of this mode exhibits a minimum at some nonzero value of momentum, indicating a van Hove singularity. (orig.)

Differences in reactions to paintings by male and female college students.

Science.gov (United States)

Polzella, D J

2000-08-01

38 male and 55 female college students rated digitized color facsimiles of 40 paintings that varied in artistic period (Renaissance, Rococo, Impressionist, Post-Impressionist, 20th Century) and subject matter (portrait, landscape, still life, behavior depiction) on 12 7-point semantic differential scales, e.g., simple-complex. Women judged the content of Rococo and Impressionist paintings as more pleasing than did men and Impressionist paintings evoked greater feelings of pleasure and relaxation among women than among men. In addition, paintings that depicted behaviors evoked more pleasure and alertness among women than among men. The results were interpreted in terms of underlying differences between men and women in perceptual style and emotional sensitivity.

Toxicity of anti-fouling paints for use on ships and leisure boats to non-target organisms representing three trophic levels

International Nuclear Information System (INIS)

Karlsson, Jenny; Ytreberg, Erik; Eklund, Britta

2010-01-01

Leachates of anti-fouling paints for use on ships and leisure boats are examined for their ecotoxicological potential. Paint leachates were produced in both 7 per mille artificial (ASW) and natural seawater (NSW) and tested on three organisms, the bacterium Vibrio fischeri, the macroalga Ceramium tenuicorne, and the crustacean Nitocra spinipes. Generally, leaching in ASW produced a more toxic leachate and was up to 12 times more toxic to the organisms than was the corresponding NSW leachate. The toxicity could be explained by elevated concentrations of Cu and Zn in the ASW leachates. Of the NSW leachates, those from the ship paints were more toxic than those from leisure boat paints. The most toxic paint was the biocide-free leisure boat paint Micron Eco. This implies that substances other than added active agents (biocides) were responsible for the observed toxicity, which would not have been discovered without the use of biological tests. - Leachate from a biocide-free anti-fouling paint for leisure boat use was more toxic than leachates from ship paints.

Connoisseurship Evaluation In Digital Painting Among Art Teachers In Malaysian Secondary School

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Azimah A. Samah

2016-07-01

Full Text Available Connoisseurship evaluation is a form of evaluation and educational inquiry having qualitative characteristics. In this study, these skills are seen among Malaysian art teachers in secondary schools. Quality assessment depends on the evaluator who has the ability of some aspects. Among these are qualitative nuances experiences as well as ability to judge the goodness of the quality artwork. This study aims to look at the quality and evaluation skills of art teachers in Malaysia. The quality of the work will be seen on school students’ digital painting. The evaluation includes composition elements, color, interpretation and creativity of the digital painting. This study employed a quasi-experimental methodology with a single-group design to examine the digital painting among 53 students selected from schools in two districts of Selangor. The paintings were examined by two teachers in art and design education. The group’s production of painting was analyzed using Manova repeated measures to determine the skills of evaluating among the art teachers.There was a similarity in marks given among the teachers in four aspects of productive dimensions: composition, color manipulation, interpretation and creativity. This indicated that teachers were able to evaluate according to their expertise in art and design. This study offered a means to assist teachers with appropriate evaluation strategies in digital painting. In theory, this study will add to the understanding of cognitive systems and human information processing that relate to visual imagery system and skill of evaluation.

Mural painting or the art of decorating homes. The symbolic function of the Ndebele painting. (South Africa

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Eliana Sofía Botero Medina

2016-12-01

Full Text Available The Southern Ndebele, who inhabit the Transvaal province of South Africa, awakened throughout the twentieth century the interest of anthropologists, architects, photographers and tourists due to the colorful costumes of women and also the wall paintings that decorated the facades of their houses: This community stood out from their neighbors, thanks to the originality of its murals. Designed with bright, colorful and strictly symmetric geometric patterns, these murals turned into a cultural tradition through which the Ndebele people managed to develop a sense of identity and belonging, despite the displacements, which they were victims of throughout history.

PaintShop Pro X4 for photographers

CERN Document Server

McMahon, Ken

2012-01-01

Great for those new to PaintShop Pro or digital imaging in general, this book is packed with inspirational, full-color images and easy to follow, step-by-step projects that will have you producing great images in PaintShop Pro in no time! Everything you need to turn your photos into stunning works of art is right here in this Corel-reviewed guide. In this new edition, Ken covers new features including how to make the most of the newly organized workspaces, use the redesigned HDR tool, and instantly publish photos on Flickr and Facebook. Squeeze every ounce of detail out of RAW files using the

PaintShop Pro x6 for photographers

CERN Document Server

McMahon, Ken

2014-01-01

Written for photographers of all levels, PaintShop Pro X6 for Photographers is packed with inspirational, full-color images and easy-to-follow step-by-step projects that will have you producing great images in PaintShop Pro in no time! Everything you need to enhance and improve your digital photography is right here in this Corel® endorsed guide.In this new edition, Ken McMahon looks at the pros and cons of the new, faster 64-bit version of the software and covers new features, including working with the Instant Effects palette, using the Smart selection brush, mapping photos, automatically ta

Beauty in abstract paintings: perceptual contrast and statistical properties

Science.gov (United States)

Mallon, Birgit; Redies, Christoph; Hayn-Leichsenring, Gregor U.

2014-01-01

In this study, we combined the behavioral and objective approach in the field of empirical aesthetics. First, we studied the perception of beauty by investigating shifts in evaluation on perceived beauty of abstract artworks (Experiment 1). Because the participants showed heterogeneous individual preferences for the paintings, we divided them into seven clusters for the test. The experiment revealed a clear pattern of perceptual contrast. The perceived beauty of abstract paintings increased after exposure to paintings that were rated as less beautiful, and it decreased after exposure to paintings that were rated as more beautiful. Next, we searched for correlations of beauty ratings and perceptual contrast with statistical properties of abstract artworks (Experiment 2). The participants showed significant preferences for particular image properties. These preferences differed between the clusters of participants. Strikingly, next to color measures like hue, saturation, value and lightness, the recently described Pyramid of Histograms of Orientation Gradients (PHOG) self-similarity value seems to be a predictor for aesthetic appreciation of abstract artworks. We speculate that the shift in evaluation in Experiment 1 was, at least in part, based on low-level adaptation to some of the statistical image properties analyzed in Experiment 2. In conclusion, our findings demonstrate that the perception of beauty in abstract artworks is altered after exposure to beautiful or non-beautiful images and correlates with particular image properties, especially color measures and self-similarity. PMID:24711791

Evaluation of the color stability of two techniquesfor reproducing artificial irides after microwave polymerization

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Marcelo Coelho Goiato

2011-06-01

Full Text Available The use of ocular prostheses for ophthalmic patients aims to rebuild facial aesthetics and provide an artificial substitute to the visual organ. Natural intemperate conditions promote discoloration of artificial irides and many studies have attempted to produce irides with greater chromatic paint durability using different paint materials. OBJECTIVES: The present study evaluated the color stability of artificial irides obtained with two techniques (oil painting and digital image and submitted to microwave polymerization. MATERIAL AND METHODS: Forty samples were fabricated simulating ocular prostheses. each sample was constituted by one disc of acrylic resin N1 and one disc of colorless acrylic resin with the iris interposed between the discs. The irides in brown and blue color were obtained by oil painting or digital image. The color stability was determined by a reflection spectrophotometer and measurements were taken before and after microwave polymerization. Statistical analysis of the techniques for reproducing artificial irides was performed by applying the normal data distribution test followed by 2-way ANOVA and Tukey HSD test (α=.05. RESULTS: Chromatic alterations occurred in all specimens and statistically significant differences were observed between the oil-painted samples and those obtained by digital imaging. There was no statistical difference between the brown and blue colors. Independently of technique, all samples suffered color alterations after microwave polymerization. CONCLUSION: The digital imaging technique for reproducing irides presented better color stability after microwave polymerization.

Pigment Identification on "The Ecstasy of St. Theresa" Painting by Raman Microscopy

Science.gov (United States)

Marano, D.; Marmontelli, M.; De Benedetto, G. E.; Catalano, I. M.; Sabbatini, L.; Vona, F.

A study of the pigments of "The Ecstasy of St. Theresa," a seventeenth century oil painting on canvas, was performed by Raman microscopy. Lazurite was identified in both Jesus Christ's and St. Theresa's mantles as the pigment responsible for the blue coloration. Litharge was identified inside the black bitumen layer. Usually the bitumen needed a lot of time to dry in the air when mixed with drying oil. Litharge was used by the artist to decrease the oil drying time. A complementary study, using micro-Raman and SEM, allowed us to identify red ochre as the pigment responsible for the red coloration in the altar on the left side of the painting.

33 CFR 173.27 - Numbers: Display; size; color.

Science.gov (United States)

2010-07-01

... 33 Navigation and Navigable Waters 2 2010-07-01 2010-07-01 false Numbers: Display; size; color...: Display; size; color. (a) Each number required by § 173.15 must: (1) Be painted on or permanently attached...; (3) Contrast with the color of the background and be distinctly visible and legible; (4) Have spaces...

Manganese and Iron Catalysts in Alkyd Paints and Coatings

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Ronald Hage

2016-04-01

Full Text Available Many paint, ink and coating formulations contain alkyd-based resins which cure via autoxidation mechanisms. Whilst cobalt-soaps have been used for many decades, there is a continuing and accelerating desire by paint companies to develop alternatives for the cobalt soaps, due to likely classification as carcinogens under the REACH (Registration, Evaluation, Authorisation and Restriction of Chemicals legislation. Alternative driers, for example manganese and iron soaps, have been applied for this purpose. However, relatively poor curing capabilities make it necessary to increase the level of metal salts to such a level that often coloring of the paint formulation occurs. More recent developments include the application of manganese and iron complexes with a variety of organic ligands. This review will discuss the chemistry of alkyd resin curing, the applications and reactions of cobalt-soaps as curing agents, and, subsequently, the paint drying aspects and mechanisms of (model alkyd curing using manganese and iron catalysts.

Characterization of pigments and colors used in ancient Egyptian boat models

International Nuclear Information System (INIS)

Huehnerfuss, Katja; Bohlen, Alex von; Kurth, Dieter

2006-01-01

The analyses of pigments originating from well dated ancient boat models found in Egyptian graves were used for characterization and for dating tasks of unknown objects. A nearly destruction free sampling technique using cotton buds was applied for sampling these valuable artifacts for a subsequent Total Reflection X-Ray Fluorescence Spectrometry (TXRF) analysis. Two relevant collections of Egyptian object of art were at our disposal, one of the Agyptisches Museum Berlin and the second of the British Museum London. Three groups of colors were studied, they originate from white, red and blue/green paints, respectively. The results of the analyses performed on micro-amounts of paints (< 1 μg) show that some artifacts were misclassified and belong to other epochs. Some others were retouched with modern colors. In general, it can be stated that results obtained by Total Reflection X-Ray Fluorescence Spectrometry may dissipate some uncertainties when applying classical archaeological dating methods

Characterization of pigments and colors used in ancient Egyptian boat models

Science.gov (United States)

Hühnerfuβ, Katja; von Bohlen, Alex; Kurth, Dieter

2006-11-01

The analyses of pigments originating from well dated ancient boat models found in Egyptian graves were used for characterization and for dating tasks of unknown objects. A nearly destruction free sampling technique using cotton buds was applied for sampling these valuable artifacts for a subsequent Total Reflection X-Ray Fluorescence Spectrometry (TXRF) analysis. Two relevant collections of Egyptian object of art were at our disposal, one of the Ägyptisches Museum Berlin and the second of the British Museum London. Three groups of colors were studied, they originate from white, red and blue/green paints, respectively. The results of the analyses performed on micro-amounts of paints (< 1 μg) show that some artifacts were misclassified and belong to other epochs. Some others were retouched with modern colors. In general, it can be stated that results obtained by Total Reflection X-Ray Fluorescence Spectrometry may dissipate some uncertainties when applying classical archaeological dating methods.

The Monitoring and Analysis of the Chinese Traditional Architecture Painting Decay - the Case of Jilan Pavilion in the Summer Palace

Science.gov (United States)

Zhan, L.; Wang, Z.; Zhao, X.; Liu, Z.; Liu, G.

2017-08-01

The painting is one of the most decorative elements of ancient Chinese architecture and it is sensitive to the natural environment. The outdoor painting is very easily to be affected by the natural environment and its color is easily to decay. In order to study the relationship between the painting decay and the physical environment, the two paintings on both east and west inner eaves of Jilan Pavilion beside the Kunming Lake in Summer Palace are taken as the research objects, because these two paintings are painted at the same period but their decay degrees are greatly different. Since 2013, the research group regularly monitors the color decay of these two paintings. Meanwhile, the physical environment around these two paintings has been monitored. Based on the analysis of the monitor data, it can be seen that the illumination is the major factor that causes the decay of the painting. Meanwhile, by using the ECOTECT software to stimulate the light environment around the Jilan Pavilion, it can be seen that it is the mirror reflection of the lake that causes the result that the illumination of the west eave (face east) is stronger than that of the east eave (face west).

THE MONITORING AND ANALYSIS OF THE CHINESE TRADITIONAL ARCHITECTURE PAINTING DECAY – THE CASE OF JILAN PAVILION IN THE SUMMER PALACE

Directory of Open Access Journals (Sweden)

L. Zhan

2017-08-01

Full Text Available The painting is one of the most decorative elements of ancient Chinese architecture and it is sensitive to the natural environment. The outdoor painting is very easily to be affected by the natural environment and its color is easily to decay. In order to study the relationship between the painting decay and the physical environment, the two paintings on both east and west inner eaves of Jilan Pavilion beside the Kunming Lake in Summer Palace are taken as the research objects, because these two paintings are painted at the same period but their decay degrees are greatly different. Since 2013, the research group regularly monitors the color decay of these two paintings. Meanwhile, the physical environment around these two paintings has been monitored. Based on the analysis of the monitor data, it can be seen that the illumination is the major factor that causes the decay of the painting. Meanwhile, by using the ECOTECT software to stimulate the light environment around the Jilan Pavilion, it can be seen that it is the mirror reflection of the lake that causes the result that the illumination of the west eave (face east is stronger than that of the east eave (face west.

Color Wheel Windows

Science.gov (United States)

Leonard, Stephanie

2012-01-01

In this article, the author describes a painting and drawing lesson which was inspired by the beautiful circular windows found in cathedrals and churches (also known as "rose windows"). This two-week lesson would reinforce both the concept of symmetry and students' understanding of the color wheel. (Contains 1 online resource.)

Synthesis of goodness and beauty of Petrikivsky decorative painting

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T. A. Harkava

2017-06-01

Full Text Available Petrykivsky decorative painting as a unique manifestation of Ukrainian national culture has been studied in the article. This painting is recognized all over the world as an intangible cultural heritage of humanity in the context of its philosophical principles. Petrykivsky decorative painting by its basis — murals,  reaches Tripoli and puts the Ukrainian culture among the ancient cultures of the world. At various stages of ethnos’ existence, Ukrainian folk decorative art was an important part of the spiritual life and reflected its identity, ensuring the continuity of spiritual connection between generations. Motives of Petrykivka decorative painting describe the local flora and fauna and the local historical tradition. Folk artists get their inspiration from the mother nature, traditional for the Ukrainian people worship to Mother-land and all beautiful things, which are created by it. However, Petrykivsky decorative painting is not a direct reflection of natural motifs. World, created in paintings, is the product of the imagination of folk artist. Calocagathia (synthesis of beauty and goodness of Petrykivsky school is seen in high spiritual and moral culture of the Ukrainian people, in their pursuit to improve the space of their life, to perpetuate the generous beauty of the world by the love to beauty and goodness in all its forms using a variety of colors and patterns.

Enhanced numerical analysis of three-color HgCdTe detectors

Science.gov (United States)

Jóźwikowski, K.; Rogalski, A.

2007-04-01

The performance of three-color HgCdTe photovoltaic heterostructure detector is examined theoretically. In comparison with two-color detectors with two back-to-back junctions, three-color structure contain an absorber of intermediate wavelength placed between two junctions, and electronic barriers are used to isolate this intermediate region. This structure was first proposed by British workers. Enhanced original computer programs are applied to solve the system of non-linear continuity equations for carriers and Poisson equations. In addition, the numerical analysis includes the dependence of absorption coefficient on Burstein effect as well as interference effects in heterostructure with metallic electrical contacts. Three detector structures with different localizations of separating barriers are analyzed. The calculations results are presented in the form of spatial distributions of bandgap energy and quantum efficiency. It is shown that the performance of the detector is critically dependent on the barrier's doping level and position in relation to the junction. This behavior is serious disadvantage of the considered three color detector. A small shift of the barrier location and doping level causes serious changes in spectral responsivity.

Red-on-granite rock painting in the Sierra de San Borja, Baja California

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Hany Crosby

1995-01-01

Full Text Available New discoveries in Baja California, north of the 28th parallel contradict an old tradition, and push the boundary of the Great Mural paintings further north than had been previously suggested. The new area not only displays works akin in size and subject matter to their more southern counterparts, but also shows some changes in choice of surfaces, paint colors, and stylistic conventions. Seven sites are reported; many others are predicted.

Nondestructive analysis of automotive paints with spectral domain optical coherence tomography.

Science.gov (United States)

Dong, Yue; Lawman, Samuel; Zheng, Yalin; Williams, Dominic; Zhang, Jinke; Shen, Yao-Chun

2016-05-01

We have demonstrated for the first time, to our knowledge, the use of optical coherence tomography (OCT) as an analytical tool for nondestructively characterizing the individual paint layer thickness of multiple layered automotive paints. A graph-based segmentation method was used for automatic analysis of the thickness distribution for the top layers of solid color paints. The thicknesses measured with OCT were in good agreement with the optical microscope and ultrasonic techniques that are the current standard in the automobile industry. Because of its high axial resolution (5.5 μm), the OCT technique was shown to be able to resolve the thickness of individual paint layers down to 11 μm. With its high lateral resolution (12.4 μm), the OCT system was also able to measure the cross-sectional area of the aluminum flakes in a metallic automotive paint. The range of values measured was 300-1850  μm2. In summary, the proposed OCT is a noncontact, high-resolution technique that has the potential for inclusion as part of the quality assurance process in automobile coating.

Transcriptomics of morphological color change in polychromatic Midas cichlids.

Science.gov (United States)

Henning, Frederico; Jones, Julia C; Franchini, Paolo; Meyer, Axel

2013-03-13

Animal pigmentation has received much attention in evolutionary biology research due to its strong implications for adaptation and speciation. However, apart from a few cases the genetic changes associated with these evolutionary processes remain largely unknown. The Midas cichlid fish from Central America are an ideal model system for investigating pigmentation traits that may also play a role in speciation. Most Midas cichlids maintain their melanophores and exhibit a grayish (normal) color pattern throughout their lives. A minority of individuals, however, undergo color change and exhibit a distinctive gold or even white coloration in adulthood. The ontogenetic color change in the Midas cichlids may also shed light on the molecular mechanisms underlying pigmentation disorders in humans. Here we use next-generation sequencing (Illumina) RNAseq analyses to compare skin transcriptome-wide expression levels in three distinct stages of color transformation in Midas cichlids. cDNA libraries of scale tissue, for six biological replicates of each group, were generated and sequenced using Illumina technology. Using a combination of three differential expression (DE) analyses we identified 46 candidate genes that showed DE between the color morphs. We find evidence for two key DE patterns: a) genes involved in melanosomal pathways are up-regulated in normally pigmented fish; and b) immediate early and inflammatory response genes were up-regulated in transitional fish, a response that parallels some human skin disorders such as melanoma formation and psoriasis. One of the DE genes segregates with the gold phenotype in a genetic cross and might be associated with incipient speciation in this highly "species-rich" lineage of cichlids. Using transcriptomic analyses we successfully identified key expression differences between different color morphs of Midas cichlid fish. These differentially expressed genes have important implications for our understanding of the molecular

Landscape Painting. Rewriting Painting in the Postmedium Condition

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Gal, Nissim

2011-02-01

Full Text Available Is landscape painting still relevant today? To answer this question the article examines the work of the contemporary artist Yehudit Sasportas. Sasporas offers a unique kind of written-drawn landscape painting that moves between the manual and the mechanical. The theoretical perspectives from which it is approached are taken, among others, from Plato, Heidegger and Derrida on the issue of writing. Sasportas painting, which may be characterized as "painting under erasure" or "Landscape Painting", serves as a key to understanding the status of painting as a relevant medium, not because it defines medium according to the modernist Greenbergian formula, but because it enables an understanding of painting as a field that exists in a variety of media. Painting as a field, in Sasportas's art, works and lives within various techniques and materials, even when it includes within itself a melancholic mark indicating doubt about its own relevance.

Ultraviolet-radiation-curable paints

Energy Technology Data Exchange (ETDEWEB)

Grosset, A M; Su, W F.A.; Vanderglas, E

1981-09-30

In product finishing lines, ultraviolet radiation curing of paints on prefabricated structures could be more energy efficient than curing by natural gas fired ovens, and could eliminate solvent emission. Diffuse ultraviolet light can cure paints on three dimensional metal parts. In the uv curing process, the spectral output of radiation sources must complement the absorption spectra of pigments and photoactive agents. Photosensitive compounds, such as thioxanthones, can photoinitiate unsaturated resins, such as acrylated polyurethanes, by a free radical mechanism. Newly developed cationic photoinitiators, such as sulfonium or iodonium salts (the so-called onium salts) of complex metal halide anions, can be used in polymerization of epoxy paints by ultraviolet light radiation. One-coat enamels, topcoats, and primers have been developed which can be photoinitiated to produce hard, adherent films. This process has been tested in a laboratory scale unit by spray coating these materials on three-dimensional objects and passing them through a tunnel containing uv lamps.

Enhancement of growth and lipid production from microalgae using fluorescent paint under the solar radiation.

Science.gov (United States)

Seo, Yeong Hwan; Cho, Changsoon; Lee, Jung-Yong; Han, Jong-In

2014-12-01

Solar radiation has intensity that is too high to inhibit microalgae activity and is composed of wide light spectrum including ultraviolet (UV) range which cannot be utilized for microalgae. For these reasons, the modification of solar radiation is required for effective microalgae cultivation, and to do that, fluorescent paint was used for not only blocking excessive solar energy but also converting UV to visible light. With fluorescent aqueous layer, microalgae was protected from photoinhibition and could grow well, but there was difference in growth and lipid accumulation efficiencies depending on the color; maximum dry weight of 1.7 g/L was achieved in red paint, whereas best lipid content of 30% was obtained in blue one. This phenomenon was due to the different light spectrum made by colors. With simple process using fluorescent paint, modification of light was successfully done and allowing microalgae to grow under strong radiation such as solar radiation. Copyright © 2014 Elsevier Ltd. All rights reserved.

No One Even Has Eyes: The Decline of Hand-Painted Graphics in Mumbai

OpenAIRE

Aaron Fine

2013-01-01

In this work of creative non-fiction, accompanied by coloring book plates of his own design, the author explores recent changes in Indian visual culture. An investigation of hand painted political graphics in Mumbai revealed very little painting and a great deal about the rapidly advancing digitalization of visual space in India. As idiosyncratic and individual creative efforts are replaced by mass-produced digital printing in what ways are India’s political networks enhanced; In what ways ar...

Raman spectroscopic analysis of a `noli me tangere' painting

Science.gov (United States)

Hibberts, Stephen; Edwards, Howell G. M.; Abdel-Ghani, Mona; Vandenabeele, Peter

2016-12-01

The discovery of an oil painting in seriously damaged condition with an important historical and a heterodox detail with possible origins in the late fifteenth century has afforded the opportunity for Raman microscopic analysis prior to its restoration being undertaken. The painting depicts a risen Christ following His crucifixion in a `noli me tangere' pose with three women in an Italian terrace garden with a stone balustrade overlooking a rural landscape and an undoubted view of late-medieval Florence. The picture has suffered much abuse and is in very poor condition, which is possibly attributable to its controversial portrayal of a polydactylic Christ with six toes on His right foot. By the late sixteenth century, after the Council of Trent, this portrayal would almost certainly have been frowned upon by the Church authorities or more controversially as a depiction of the holy. Raman spectroscopic analysis of the pigments places the painting as being consistent chronologically with the Renaissance period following the identification of cinnabar, haematite, red lead, lead white, goethite, verdigris, caput mortuum and azurite with no evidence of more modern synthetic pigments or of modern restoration having been carried out. An interesting pigment mixture found here is that of the organic dye carmine and cinnabar to produce a particular bright red pigment coloration. Stratigraphic examination of the paint fragments has demonstrated the presence of an orange resin layer immediately on top of the canvas substrate, effectively rendering the pigment as a sandwich between this substratal resin and the overlying varnish. The Raman spectroscopic evidence clearly indicates that an attribution of the artwork to the Renaissance is consistent with the scientific analysis of the pigment composition. This article is part of the themed issue "Raman spectroscopy in art and archaeology".

Raman spectroscopic analysis of a 'noli me tangere' painting.

Science.gov (United States)

Hibberts, Stephen; Edwards, Howell G M; Abdel-Ghani, Mona; Vandenabeele, Peter

2016-12-13

The discovery of an oil painting in seriously damaged condition with an important historical and a heterodox detail with possible origins in the late fifteenth century has afforded the opportunity for Raman microscopic analysis prior to its restoration being undertaken. The painting depicts a risen Christ following His crucifixion in a 'noli me tangere' pose with three women in an Italian terrace garden with a stone balustrade overlooking a rural landscape and an undoubted view of late-medieval Florence. The picture has suffered much abuse and is in very poor condition, which is possibly attributable to its controversial portrayal of a polydactylic Christ with six toes on His right foot. By the late sixteenth century, after the Council of Trent, this portrayal would almost certainly have been frowned upon by the Church authorities or more controversially as a depiction of the holy. Raman spectroscopic analysis of the pigments places the painting as being consistent chronologically with the Renaissance period following the identification of cinnabar, haematite, red lead, lead white, goethite, verdigris, caput mortuum and azurite with no evidence of more modern synthetic pigments or of modern restoration having been carried out. An interesting pigment mixture found here is that of the organic dye carmine and cinnabar to produce a particular bright red pigment coloration. Stratigraphic examination of the paint fragments has demonstrated the presence of an orange resin layer immediately on top of the canvas substrate, effectively rendering the pigment as a sandwich between this substratal resin and the overlying varnish. The Raman spectroscopic evidence clearly indicates that an attribution of the artwork to the Renaissance is consistent with the scientific analysis of the pigment composition.This article is part of the themed issue 'Raman spectroscopy in art and archaeology'. © 2016 The Author(s).

Micro-analytical study of interactions between oil and lead compounds in paintings

International Nuclear Information System (INIS)

Cotte, M.; Checroun, E.; Susini, J.; Walter, P.

2007-01-01

Oil paintings are complex hybrid materials, made of organic binders associated with inorganic minerals, susceptible to evolving over centuries. In particular, interactions of oil with lead compounds may give rise to the formation of lead soap aggregates, so-called protrusions. This phenomenon is studied here via X-ray and FTIR micro-analysis of an ancient painting dated from 1610. In complement, the synthesis of modern preparations, reconstructed from ancient recipes was assessed. Molecular and atomic images are obtained by combining synchrotron-based FTIR and X-ray fluorescence microscopies. Protrusions are identified in both ancient and modern samples, more particularly, in the ground layer of the paintings, below the colored layer. These observations imply that lead oxide, introduced as a siccative and not as a pigment, may be the element mainly responsible for the protrusions formation, and that this degradation may appear very rapidly on paintings. (orig.)

Self-training-based spectral image reconstruction for art paintings with multispectral imaging.

Science.gov (United States)

Xu, Peng; Xu, Haisong; Diao, Changyu; Ye, Zhengnan

2017-10-20

A self-training-based spectral reflectance recovery method was developed to accurately reconstruct the spectral images of art paintings with multispectral imaging. By partitioning the multispectral images with the k-means clustering algorithm, the training samples are directly extracted from the art painting itself to restrain the deterioration of spectral estimation caused by the material inconsistency between the training samples and the art painting. Coordinate paper is used to locate the extracted training samples. The spectral reflectances of the extracted training samples are acquired indirectly with a spectroradiometer, and the circle Hough transform is adopted to detect the circle measuring area of the spectroradiometer. Through simulation and a practical experiment, the implementation of the proposed method is explained in detail, and it is verified to have better reflectance recovery performance than that using the commercial target and is comparable to the approach using a painted color target.

Molecular cytogenetic analysis of human blastocysts andcytotrophoblasts by multi-color FISH and Spectra Imaging analyses

Energy Technology Data Exchange (ETDEWEB)

Weier, Jingly F.; Ferlatte, Christy; Baumgartner, Adolf; Jung,Christine J.; Nguyen, Ha-Nam; Chu, Lisa W.; Pedersen, Roger A.; Fisher,Susan J.; Weier, Heinz-Ulrich G.

2006-02-08

Numerical chromosome aberrations in gametes typically lead to failed fertilization, spontaneous abortion or a chromosomally abnormal fetus. By means of preimplantation genetic diagnosis (PGD), we now can screen human embryos in vitro for aneuploidy before transferring the embryos to the uterus. PGD allows us to select unaffected embryos for transfer and increases the implantation rate in in vitro fertilization programs. Molecular cytogenetic analyses using multi-color fluorescence in situ hybridization (FISH) of blastomeres have become the major tool for preimplantation genetic screening of aneuploidy. However, current FISH technology can test for only a small number of chromosome abnormalities and hitherto failed to increase the pregnancy rates as expected. We are in the process of developing technologies to score all 24 chromosomes in single cells within a 3 day time limit, which we believe is vital to the clinical setting. Also, human placental cytotrophoblasts (CTBs) at the fetal-maternal interface acquire aneuploidies as they differentiate to an invasive phenotype. About 20-50% of invasive CTB cells from uncomplicated pregnancies were found aneuploidy, suggesting that the acquisition of aneuploidy is an important component of normal placentation, perhaps limiting the proliferative and invasive potential of CTBs. Since most invasive CTBs are interphase cells and possess extreme heterogeneity, we applied multi-color FISH and repeated hybridizations to investigate individual CTBs. In summary, this study demonstrates the strength of Spectral Imaging analysis and repeated hybridizations, which provides a basis for full karyotype analysis of single interphase cells.

Moessbauer study of rock paintings from Minas Gerais (Brazil)

International Nuclear Information System (INIS)

Costa, G.M. da; Jesus Filho, M.F. de; Cruz Souza, L.A.

1991-01-01

Four samples of a wall containing rock paintings have been studied by Moessbauer spectroscopy in combination with optical microscopy analysis and X-ray diffraction. Hematite and goethite were identified as the pigments responsible for the colors and the mineral tinsleyite, as the principal component of a light pink layer that is present in some parts of the wall. (orig.)

PaintShop Photo Pro X3 For Photographers

CERN Document Server

McMahon, Ken

2010-01-01

If you are a digital photographer who's new to PaintShop Photo Pro or digital imaging in general, or have recently upgraded to the all-new version X3, this is the book for you! Packed with full color images to provide inspiration and easy to follow, step-by-step projects, you'll learn the ins and outs of this fantastic program in no time so you can start correcting and editing your images to create stunning works of art. Whether you want to learn or refresh yourself on the basics, such as effective cropping or simple color correction, or move on to more sophisticated techniques like creating s

A COLOR THAT COMMUNICATES WITHOUT A WORD – "WHITE"

OpenAIRE

Shivani Sharma; Vandana Bharti

2017-01-01

The meaning of color white is purity, innocence, wholeness and completeness. It is the color produced by the combination of all the colors of visible spectrum.The color white belongs to ancient history. During the Paleolithic age, the artists used calcite and in chalk in their paintings. Egyptians connected it with their goddess Isis,who only dressed in white linen and hence used to wrap mummies.White was often associated with mother’s milk, in Greek mythology .White is the color of the human...

Reflection color filters of the three primary colors with wide viewing angles using common-thickness silicon subwavelength gratings.

Science.gov (United States)

Kanamori, Yoshiaki; Ozaki, Toshikazu; Hane, Kazuhiro

2014-10-20

We fabricated reflection color filters of the three primary colors with wide viewing angles using silicon two-dimensional subwavelength gratings on the same quartz substrate. The grating periods were 400, 340, and 300 nm for red, green, and blue filters, respectively. All of the color filters had the same grating thickness of 100 nm, which enabled simple fabrication of a color filter array. Reflected colors from the red, green, and blue filters under s-polarized white-light irradiation appeared in the respective colors at incident angles from 0 to 50°. By rigorous coupled-wave analysis, the dimensions of each color filter were designed, and the calculated reflectivity was compared with the measured reflectivity.

Digital Tools: Enhancing Painting Skills among Malaysian Secondary School Students

Science.gov (United States)

Samah, Azimah A.; Putih, Abu Talib; Hussin, Zaharah

2016-01-01

Digital tools refer to software applications in the production of artworks particularly in painting. Digital art work is materialized by using computers, software and a combination of computer peripherals such as tablet support. With the aid of electronic equipment, digital artists manipulate pixels or coloring with light to compose the work and…

Red, White and Black: Colors of Beauty, Tints of Health and Cosmetic Materials in Early Modern English Art Writing.

Science.gov (United States)

Sammern, Romana

2015-01-01

Alongside Richard Haydocke's translation of Giovanni Paolo Lomazzo's treatise on painting (1598), the article examines concepts of color concerning cosmetics, painting and complexion as they relate to aesthetics, artistic and medical practice in the sixteenth and seventeenth centuries. Beginning with white and red as ideal colors of beauty in Agnolo Firenzuola's Discourse on the beauty of women (1541), the essay places color in relation to major issues in art, medicine and empiricism by discussing beauty as a quality of humoral theory and its colors as visual results of physiological processes. Challenging the relation of art and nature, gender and production, Lomazzo's account of complexion and Haydocke's additions on cosmetic practices and face-painting provide key passages that shed light on the relation of cosmetics colors, art writing and artistic practices at the convergence of the body, art and medicine in the context of the emerging English virtuosi around 1600.

Cleaning and Restoration of an Oil Painting with a Polymer Gel in Iran

Directory of Open Access Journals (Sweden)

Siyamak Alizadeh

2018-03-01

Full Text Available One of the major stages in the conservation and restoration of a painting is to clean its colored surface of unwanted stains, and old and darkened varnishes. Various solvents have been used to date for this purpose; however, new cleaning materials have also come onto the market in the past decade that are still unknown and may never have been employed in Iran. The present study aims to introduce a polymer gel and use an in vitro sample of the substance for cleaning and to then present the results of the tests carried out. Applying a polymer gel in the cleaning of paintings yielded better results and greater advantages over the solvents previously used to clean artworks. The advantages include, performing on the surface without penetrating the lower layers, the absence of residues after application, flexibility, solubility and the gentle removal of old stains and varnishes, maintaining clarity and cleaning the surface by simple removal of the thin dried layer, which requires no mechanical pressure. Microscopic examinations and pH testing showed that this new alternative technique can be of use in cleaning the color layers of oil paintings.

Stable Photocatalytic Paints Prepared from Hybrid Core-Shell Fluorinated/Acrylic/TiO2 Waterborne Dispersions

Directory of Open Access Journals (Sweden)

Audrey Bonnefond

2016-10-01

Full Text Available The contamination of air and water is one of the major concerns towards the development of a sustainable world in the 21st century. In this context many efforts are devoted to the design of photocatalytic paints able to degrade chemical and biological impurities present in air and water. In this work, the photocatalytic activity of hybrid films formed from the blends of pure acrylic or core/shell fluorinated/acrylic waterborne dispersions and photocatalytic titanium dioxide (TiO2 nanoparticle dispersions was first assessed. The films show photocatalytic activity (inactivation of the Escherichia coli bacteria under UV irradiation at the substrate-film interface, but very reduced activity in the air-film interface due to the substantially lower amount of the TiO2 nanoparticles in the vicinity of this interface. In a second step, the fluorinated/(methacrylic core-shell hybrid dispersions were used as binders in the formulation of waterborne photocatalytic paints and the stability of the paints, in terms of gloss retain and color change, was assessed during 5000 hours of accelerated weathering tests (QUV-B. Although a decrease in gloss retention and increased color change occurs during the first 1000 hours of exposure, no further change of these properties takes place, which is an excellent indication of stable photocatalytic paints.

No One Even Has Eyes: The Decline of Hand-Painted Graphics in Mumbai

Directory of Open Access Journals (Sweden)

Aaron Fine

2013-05-01

Full Text Available In this work of creative non-fiction, accompanied by coloring book plates of his own design, the author explores recent changes in Indian visual culture. An investigation of hand painted political graphics in Mumbai revealed very little painting and a great deal about the rapidly advancing digitalization of visual space in India. As idiosyncratic and individual creative efforts are replaced by mass-produced digital printing in what ways are India’s political networks enhanced; In what ways are India’s creative networks destroyed? Translators, police officers, political activists, and artists are presented through the eyes of an outsider whose own expectations about creative expression and political participation are challenged. The conclusion considers how once recycled visual culture artifacts are now junk destined for the landfill, and urges readers to color-in the whitewashed spaces of the city.

Three-coloring graphs with no induced seven-vertex path II : using a triangle

OpenAIRE

Chudnovsky, Maria; Maceli, Peter; Zhong, Mingxian

2015-01-01

In this paper, we give a polynomial time algorithm which determines if a given graph containing a triangle and no induced seven-vertex path is 3-colorable, and gives an explicit coloring if one exists. In previous work, we gave a polynomial time algorithm for three-coloring triangle-free graphs with no induced seven-vertex path. Combined, our work shows that three-coloring a graph with no induced seven-vertex path can be done in polynomial time.

«Ad faciendum et distrenpandum colores». Giorgio da Firenze e la pittura murale a olio in Piemonte nel Trecento / «Ad faciendum et distrenpandum colores». Giorgio da Firenze and the oil mural painting in Piemonte in the 14th Century

Directory of Open Access Journals (Sweden)

Bernardo Oderzo Gabrieli

2013-11-01

Full Text Available Il periferico Piemonte ospita dalla fine del Settecento un erudito dibattito su di una serie di documenti che testimoniano l’uso dell’olio in pittura murale da parte di un pittore toscano, Giorgio degli Agli, artista di corte dei Savoia tra il 1314 ed il 1348. L’analisi dei ricettari e dei trattati di tecnica artistica medievale rivela quanto fosse nota la possibilità di una pittura a olio o totalmente a tempera su muro, dalla Schedula di Teophilus fino al Manoscritto di Strasburgo. I documenti d’archivio inglesi trecenteschi confermano le quantità e i prezzi pagati nelle attestazioni piemontesi, sia per i pigmenti che per i leganti, dove uova, colla e olio sono ad faciendum et distrenpandum colores. Recenti campagne analitiche infine hanno permesso di riconoscere la presenza di leganti di natura organica tra i diversi strati della pellicola pittorica, rivelando una tradizione tecnica tutta oltralpina (a partire dal cantiere assisiate; fra questi, Jean de Grandson, collaboratore e allievo di Giorgio, nel ciclo della Camera Domini del Castello di Chillon (1342-1343 dipinge su muro proprio come se si trattasse di una tavola.   To the late eighteenth century, the peripheral Piedmont hosts a scholarly debate on a series of documents which demonstrate the use of oil in mural painting by a Tuscan painter, Giorgio degli Agli, court artist of the Savoy between 1314 and 1348. The analysis of medieval technique treaties reveals how was known the use of oil or tempera on wall painting, from the Schedule of Theophilus to the Manuscript in Strasbourg. The English fourteenth archive documents confirm the quantities and prices paid claims in Piedmont, both for the pigments to the medium, where eggs, glue and oil are used at faciendum et distrenpandum colores. Recent analytical campaigns finally made it possible to recognize the presence of organic media between the different film layers of paintings, revealing a whole transalpine technical tradition

Comparative transcriptome analysis of three color variants of the sea cucumber Apostichopus japonicus.

Science.gov (United States)

Jo, Jihoon; Park, Jongsun; Lee, Hyun-Gwan; Kern, Elizabeth M A; Cheon, Seongmin; Jin, Soyeong; Park, Joong-Ki; Cho, Sung-Jin; Park, Chungoo

2016-08-01

The sea cucumber Apostichopus japonicus Selenka 1867 represents an important resource in biomedical research, traditional medicine, and the seafood industry. Much of the commercial value of A. japonicus is determined by dorsal/ventral color variation (red, green, and black), yet the taxonomic relationships between these color variants are not clearly understood. We performed the first comparative analysis of de novo assembled transcriptome data from three color variants of A. japonicus. Using the Illumina platform, we sequenced nearly 177,596,774 clean reads representing a total of 18.2Gbp of sea cucumber transcriptome. A comparison of over 0.3 million transcript scaffolds against the Uniprot/Swiss-Prot database yielded 8513, 8602, and 8588 positive matches for green, red, and black body color transcriptomes, respectively. Using the Panther gene classification system, we assessed an extensive and diverse set of expressed genes in three color variants and found that (1) among the three color variants of A. japonicus, genes associated with RNA binding protein, oxidoreductase, nucleic acid binding, transferase, and KRAB box transcription factor were most commonly expressed; and (2) the main protein functional classes are differently regulated in all three color variants (extracellular matrix protein and phosphatase for green color, transporter and potassium channel for red color, and G-protein modulator and enzyme modulator for black color). This work will assist in the discovery and annotation of novel genes that play significant morphological and physiological roles in color variants of A. japonicus, and these sequence data will provide a useful set of resources for the rapidly growing sea cucumber aquaculture industry. Copyright © 2016 Elsevier B.V. All rights reserved.

Spectrally selective paint coatings. Preparation and characterization

Energy Technology Data Exchange (ETDEWEB)

Crnjak Orel, Z.C.; Klanjsek Gunde, M. [National Institute of Chemistry, Hajdrihova 19, SI-1000 Ljubljana (Slovenia)

2001-06-01

Preparation and characterization of spectrally selective paint coating for photothermal solar energy conversion are discussed. The applied methods for preparation of paints with described measurements and calculations of black-pigmented coatings were reviewed. The article represents not only possible future applications but also past and current applications of spectrally selective paint coating which are used all over the world since the 1980s. Spectrally selective paint coatings based on combinations of two types of resins, various types of pigments and three types of silica, were prepared. The influence of pigment type and pigment volume concentration (PVC) was studied by applying the Kubelka-Munk (K-M) theory. The relation between the degrees of dispersion and distribution of pigment particles across the paint layer is discussed in terms of K-M coefficients.

Painting Supramolecular Polymers in Organic Solvents by Super-resolution Microscopy

Science.gov (United States)

2018-01-01

Despite the rapid development of complex functional supramolecular systems, visualization of these architectures under native conditions at high resolution has remained a challenging endeavor. Super-resolution microscopy was recently proposed as an effective tool to unveil one-dimensional nanoscale structures in aqueous media upon chemical functionalization with suitable fluorescent probes. Building upon our previous work, which enabled photoactivation localization microscopy in organic solvents, herein, we present the imaging of one-dimensional supramolecular polymers in their native environment by interface point accumulation for imaging in nanoscale topography (iPAINT). The noncovalent staining, typical of iPAINT, allows the investigation of supramolecular polymers’ structure in situ without any chemical modification. The quasi-permanent adsorption of the dye to the polymer is exploited to identify block-like arrangements within supramolecular fibers, which were obtained upon mixing homopolymers that were prestained with different colors. The staining of the blocks, maintained by the lack of exchange of the dyes, permits the imaging of complex structures for multiple days. This study showcases the potential of PAINT-like strategies such as iPAINT to visualize multicomponent dynamic systems in their native environment with an easy, synthesis-free approach and high spatial resolution. PMID:29697958

Toward a three-dimensional vision of the different compositions and the stratigraphy of the painting L'Homme blesse by G. Courbet: coupling SEM-EDX and confocal micro-XRF

International Nuclear Information System (INIS)

Reiche, Ina; Mueller, Katharina; Mysak, Erin; Eveno, Myriam; Mottin, Bruno

2015-01-01

Examination of Gustave Courbet's L'Homme blesse (Musee d'Orsay, Paris), a painting with three successive compositions on a single canvas, was undertaken with scanning electron microscopy coupled with an energy-dispersive X-ray analyzing system (SEM-EDX) on cross sections taken in the 1970s at the Laboratoire de Recherche de Musees de France, Paris and confocal X-ray fluorescence spectroscopy (CXRF) analysis adjacent to the sample locations of the three previously removed cross sections. Recent developments of in situ techniques such as CXRF have enabled investigation of the chemical composition of complicated paint layering without sampling. Here, we compare depth profiling by CXRF analysis with SEM-EDX data from cross sections with the goal of understanding how well CXRF data represent such a complicated paint stratigraphy. Beyond suggesting the paint palettes for Courbet's three compositions, this new data provide insight into the complex paint layer stratigraphy of eight or more layers and serve as the basis for interpreting further analyses by scanning XRF and CXRF of additional areas of interest on the painting. Data from these additional locations will be discussed in a forthcoming paper. (orig.)

Toward a three-dimensional vision of the different compositions and the stratigraphy of the painting L'Homme blesse by G. Courbet: coupling SEM-EDX and confocal micro-XRF

Energy Technology Data Exchange (ETDEWEB)

Reiche, Ina [Universite Paris 06 - Sorbonne Universites, Laboratoire d' Archeologie Moleculaire et Structurale, UMR 8220 CNRS UPMC, Paris (France); National Museums in Berlin-Prussian Cultural Heritage Foundation, Rathgen Research Laboratory, Berlin (Germany); Mueller, Katharina [Universite Paris 06 - Sorbonne Universites, Laboratoire d' Archeologie Moleculaire et Structurale, UMR 8220 CNRS UPMC, Paris (France); Mysak, Erin [Centre de Recherche et de Restauration des Musees de France (C2RMF), Paris (France); Harvard Art Museums, Straus Center for Conservation and Technical Studies, Cambridge, MA (United States); Yale University, Institute for the Preservation of Cultural Heritage, New Haven, CT (United States); Eveno, Myriam; Mottin, Bruno [Centre de Recherche et de Restauration des Musees de France (C2RMF), Paris (France)

2015-11-15

Examination of Gustave Courbet's L'Homme blesse (Musee d'Orsay, Paris), a painting with three successive compositions on a single canvas, was undertaken with scanning electron microscopy coupled with an energy-dispersive X-ray analyzing system (SEM-EDX) on cross sections taken in the 1970s at the Laboratoire de Recherche de Musees de France, Paris and confocal X-ray fluorescence spectroscopy (CXRF) analysis adjacent to the sample locations of the three previously removed cross sections. Recent developments of in situ techniques such as CXRF have enabled investigation of the chemical composition of complicated paint layering without sampling. Here, we compare depth profiling by CXRF analysis with SEM-EDX data from cross sections with the goal of understanding how well CXRF data represent such a complicated paint stratigraphy. Beyond suggesting the paint palettes for Courbet's three compositions, this new data provide insight into the complex paint layer stratigraphy of eight or more layers and serve as the basis for interpreting further analyses by scanning XRF and CXRF of additional areas of interest on the painting. Data from these additional locations will be discussed in a forthcoming paper. (orig.)

The Art and Science of Snow Microbiology: Data Paintings of the Finnish Arctic

Science.gov (United States)

Reasor, K.; Lipson, D.

2017-12-01

A challenge in science-art collaborations is to create artwork that accurately represents scientific results while standing as an independent art object. Art associated with science may merely be illustrative, serving to decorate a scientific study, or conversely, science-art may only superficially derive from data without addressing its broader scientific meaning. A fully integrated work of science-art requires copious communication between the scientist and artist. Here we present the results of a collaboration between a microbial ecologist and a painter, to study and depict the nature of microbial communities in the snowpack of the Finnish Arctic around Lake Kilpisjärvi. Snow profiles were studied along an altitudinal gradient that spanned the lake, a mountain birch forest, the transitional forest near tree line, and the alpine above tree line on the fell, Saana. Snow from the top, middle and bottom of each profile was characterized physically, chemically and microbiologically. The snowpack provided an insulating layer such that temperatures close to 0°C were found at the base of the snowpack. Windblown areas outside the protective influence of the forest (lake, alpine) had thinner, denser snowpacks. Bacterial cell counts (performed by flow cytometry) were highest in the protected area at the base of the snowpack, lowest in the middle and intermediate at the snow surface. Sequencing of the 16S rRNA gene showed a diverse assemblage of bacteria on the surface that resembled typical soil species, while the base harbored a community dominated by Gammaproteobacteria. The artist chose to depict the results using four pairs of paintings, corresponding to the four elevations. The pairs consist of a landscape oil painting of the site and a "data painting," in which a simplified version of the landscape is shown in grayscale and snow characteristics are overlaid in color. Snow density is shown using value (the lightness or darkness of a color) and temperature is coded

COLOR CHARACTERISTICS OF DRIED THREE-COMPONENT FRUIT AND BERRY PASTES

Directory of Open Access Journals (Sweden)

O. Cherevko

2018-04-01

Full Text Available Color characteristics of compositions of three-component fruit and berry pastes before and after infrared drying are determined. The compositions were prepared on the basis of apples, cranberries, and hawthorn with increased nutrition value and therapeutic and prophylactic properties, according to the suggested recipe. The ratio of the components in the first composition is 60 : 30 : 10, in the second, 65 : 25 : 10, and in the third, 55 : 40 : 5. The resulting compositions were controlled by the control (apple paste. To dry the compositions obtained, it is proposed to use a roller IR dryer based on a flexible resistive film electric heater of emitting type. The prepared paste compositions are reddish-orange according to the color characteristics determined. Color characteristics of dried three-component fruit and berry pastes are also determined. The wavelength of composition 1 is 498 nm, and those of compositions 2 and 3 are 620.5 and 589.4 nm, respectively. The first composition is bluish-purple, with tone purity 34.7 %. Composition 2 is red (34.8 %, composition 3 is bluish-red (34.6 %. The comparison of the color characteristics of compositions of three-component fruit and berry pastes before and after infrared drying as for the brightness and tone purity of the samples indicates a slight change in brightness within 2—6 %. Reduction of the color purity to almost a half is due to the drying shrinkage of the mass of raw materials and obtaining a visual color of the compositions that is attractive for a consumer. According to the results of expert evaluation of the quality indices of dried three-component fruit and berry paste compositions, a certain advantage is determined of the dried composition with the following ratio of components in the recipe: apple, cranberry, hawthorn — 60 : 30 : 10 (composition 1. The suggested compositions of dried three-component fruit and berry paste are recommended for use in food rations

Portraying a grim illness: lung cancer in novels, poems, films, music, and paintings.

Science.gov (United States)

Kaptein, Ad A; Thong, Melissa S Y

2018-05-07

We studied how lung cancer is represented in five art genres: novels, poems, films, music, and paintings, in order to put lung cancer in a biopsychosocial perspective. The Common Sense Model is the theoretical basis: illness perceptions regarding lung cancer are examined in exemplars of the art genres. Literature searches, websites, and personal files formed the database. They produced a fairly limited number of novels, poems, films, music pieces, and paintings with lung cancer as core element. A resigned, rather depressive response associated with great emotional turmoil to the diagnosis of lung cancer, its treatment and dismal outcome, figure rather prominently in the identified sources. Living with lung cancer is scarcely portrayed in novels, poems, film, music, and paintings. When portrayed, a depressive and resigned attitude colors the illness perceptions. Elements from the Medical Humanities (e.g., expressive writing, photovoice, painting) deserve further study in order to examine whether they help improve the quality of life of patients with lung cancer.

Does fin coloration signal social status in a dominance hierarchy of the livebearing fish Xiphophorus variatus?

Science.gov (United States)

Culumber, Zachary W; Monks, Scott

2014-09-01

In each population of the livebearing fish Xiphophorus variatus, only a small portion of the adult males develop bright yellow-red (YR) coloration on the dorsal and caudal fins. Here we characterized the dominance hierarchy in X. variatus and tested whether YR coloration is related to a male's position in the hierarchy and can therefore serve as a reliable cue to rival males. Populations varied considerably in the frequency of YR males. Across all populations, males with YR coloration were significantly larger than the rest of the males in the population. Observations of aggressive interactions among males in small groups in the laboratory revealed a sized-based dominance hierarchy with YR males at the top. Aggression was more common among males of a similar size and fighting increased as male body size differences decreased. However, despite the reliability of YR coloration as a signal of dominance status, males at lower social ranks did not avoid aggression with YR males and YR males did not experience fewer aggressive attacks compared to non-YR males. Our findings demonstrate that fin coloration is a reliable cue of a male's social status but rival males appear to not use this information to avoid potentially costly interactions with dominant males, suggesting that YR fin coloration has not evolved as a cue in agonistic interactions. Copyright © 2014 Elsevier B.V. All rights reserved.

2D imaging and 3D sensing data acquisition and mutual registration for painting conservation

Science.gov (United States)

Fontana, Raffaella; Gambino, Maria Chiara; Greco, Marinella; Marras, Luciano; Pampaloni, Enrico M.; Pelagotti, Anna; Pezzati, Luca; Poggi, Pasquale

2005-01-01

We describe the application of 2D and 3D data acquisition and mutual registration to the conservation of paintings. RGB color image acquisition, IR and UV fluorescence imaging, together with the more recent hyperspectral imaging (32 bands) are among the most useful techniques in this field. They generally are meant to provide information on the painting materials, on the employed techniques and on the object state of conservation. However, only when the various images are perfectly registered on each other and on the 3D model, no ambiguity is possible and safe conclusions may be drawn. We present the integration of 2D and 3D measurements carried out on two different paintings: "Madonna of the Yarnwinder" by Leonardo da Vinci, and "Portrait of Lionello d'Este", by Pisanello, both painted in the XV century.

Evaluation of reliability and validity of three dental color-matching devices.

Science.gov (United States)

Tsiliagkou, Aikaterini; Diamantopoulou, Sofia; Papazoglou, Efstratios; Kakaboura, Afrodite

2016-01-01

To assess the repeatability and accuracy of three dental color-matching devices under standardized and freehand measurement conditions. Two shade guides (Vita Classical A1-D4, Vita; and Vita Toothguide 3D-Master, Vita), and three color-matching devices (Easyshade, Vita; SpectroShade, MHT Optic Research; and ShadeVision, X-Rite) were used. Five shade tabs were selected from the Vita Classical A1-D4 (A2, A3.5, B1, C4, D3), and five from the Vita Toothguide 3D-Master (1M1, 2R1.5, 3M2, 4L2.5, 5M3) shade guides. Each shade tab was recorded 15 continuous, repeated times with each device under two different measurement conditions (standardized, and freehand). Both qualitative (color shade) and quantitative (L, a, and b) color characteristics were recorded. The color difference (ΔE) of each recorded value with the known values of the shade tab was calculated. The repeatability of each device was evaluated by the coefficient of variance. The accuracy of each device was determined by comparing the recorded values with the known values of the reference shade tab (one sample t test; α = 0.05). The agreement between the recorded shade and the reference shade tab was calculated. The influence of the parameters (devices and conditions) on the parameter ΔE was investigated (two-way ANOVA). Comparison of the devices was performed with Bonferroni pairwise post-hoc analysis. Under standardized conditions, repeatability of all three devices was very good, except for ShadeVision with Vita Classical A1-D4. Accuracy ranged from good to fair, depending on the device and the shade guide. Under freehand conditions, repeatability and accuracy for Easyshade and ShadeVision were negatively influenced, but not for SpectroShade, regardless of the shade guide. Based on the total of the color parameters assessed per device, SpectroShade was the most reliable of the three color-matching devices studied.

Impact Verification of Aerogel Insulation Paint on Historic Brick Facades

Science.gov (United States)

Ganobjak, Michal; Kralova, Eva

2017-10-01

Increasing the sustainability of existing buildings is being motivated by reduction of their energy demands. It is the above all the building envelope and its refurbishment by substitution or addition of new materials that makes the opportunity for reduction of energy consumption. A special type of refurbishment is conservation of historical buildings. Preservation of historic buildings permits also application of innovative methods and materials in addition to the original materials if their effects are known and the gained experience ensures their beneficial effect. On the market, there are new materials with addition of silica aerogel in various forms of products. They are also potentially useful in conservation of monuments. However, the effects of aerogel application in these cases are not known. For refurbishment is commercially available additional transparent insulation paint - Nansulate Clear Coat which is containing aerogel and can be used for structured surfaces such as bricks. A series of experiments examined the thermo-physical manifestation of an ultra-thin insulation coating of Nansulate Clear Coat containing silica aerogel on a brick facade. The experiments of active and passive thermography have observed effects of application on the small-scale samples of the brick façade of a protected historical building. Through a series of experiments were measured thermal insulation effect and influence on the aesthetic characteristics such as change in colour and gloss. The treated samples were compared to a reference. Results have shown no thermal-insulating manifestation of the recommended three layers of insulation paint. The three layers recommended by the manufacturer did not significantly affect the appearance of the brick facade. Color and gloss were not significantly changed. Experiments showed the absence of thermal insulation effect of Nansulate transparent triple coating. The thermal insulation effect could likely be reached by more layers of

Superpixel segmentation and pigment identification of colored relics based on visible spectral image

Science.gov (United States)

Li, Junfeng; Wan, Xiaoxia

2018-01-01

To enrich the contents of digital archive and to guide the copy and restoration of colored relics, non-invasive methods for extraction of painting boundary and identification of pigment composition are proposed in this study based on the visible spectral images of colored relics. Superpixel concept is applied for the first time to the field of oversegmentation of visible spectral images and implemented on the visible spectral images of colored relics to extract their painting boundary. Since different pigments are characterized by their own spectrum and the same kind of pigment has the similar geometric profile in spectrum, an automatic identification method is established by comparing the proximity between the geometric profiles of the unknown spectrum from each superpixel and the pre-known spectrum from a deliberately prepared database. The methods are validated using the visible spectral images of the ancient wall paintings in Mogao Grottoes. By the way, the visible spectral images are captured by a multispectral imaging system consisting of two broadband filters and a RGB camera with high spatial resolution.

Cool colored coating and phase change materials as complementary cooling strategies for building cooling load reduction in tropics

International Nuclear Information System (INIS)

Lei, Jiawei; Kumarasamy, Karthikeyan; Zingre, Kishor T.; Yang, Jinglei; Wan, Man Pun; Yang, En-Hua

2017-01-01

Highlights: • Cool colored coating and PCM are two complementary passive cooling strategies. • A PCM cool colored coating system is developed. • The coating reduces cooling energy by 8.5% and is effective yearly in tropical Singapore. - Abstract: Cool colored coating and phase change materials (PCM) are two passive cooling strategies often used separately in many studies and applications. This paper investigated the integration of cool colored coating and PCM for building cooling through experimental and numerical studies. Results showed that cool colored coating and PCM are two complementary passive cooling strategies that could be used concurrently in tropical climate where cool colored coating in the form of paint serves as the “first protection” to reflect solar radiation and a thin layer of PCM forms the “second protection” to absorb the conductive heat that cannot be handled by cool paint. Unlike other climate zones where PCM is only seasonally effective and cool paint is only beneficial during summer, the application of the proposed PCM cool colored coating in building envelope could be effective throughout the entire year with a monthly cooling energy saving ranging from 5 to 12% due to the uniform climatic condition all year round in tropical Singapore.

The effect of time and stirring on product white colorant from titanium dioxide

International Nuclear Information System (INIS)

Ratnawati; Linda A; Yoshi; Zaenal K; Andri Y

2018-01-01

White Colorant is the main raw material in the paint making process in the depots. It made from TiO 2 pigment. The process of making white colorant requires a great stirring time and energy to mix the materials such as binders, pigments, solvents, and additives. The aim of this study is to get the optimum stirring time and speed from mixing the materials needed to obtain white colorant from TiO 2 pigment that meet the specification desired by paint Factory in Tangerang that is particle size of TiO 2 (10 μm to 30 μm), viscosity 1000 cps to 6000 cps, total solids 79 % to 83 %, DE color is 0.5, and CR is 80 % to 100 %. Variations made were stirring speed (1000, 1100 and 1200) rpm and stirring time(10, 15, 20, 25 and 30) minutes. The optimum results obtained are particle size of 15 μm, viscosity 1900 cps, total solids 81.81 %, color DE 0.49 and color CR 98.12 % at stirring condition 1200 rp min 15 minutes. (author)

Color constancy in Japanese animation

Science.gov (United States)

Ichihara, Yasuyo G.

2006-01-01

In this study, we measure the colors used in a Japanese Animations. The result can be seen on CIE-xy color spaces. It clearly shows that the color system is not a natural appearance system but an imagined and artistic appearance system. Color constancy of human vision can tell the difference in skin and hair colors between under moonlight and day light. Human brain generates a match to the memorized color of an object from daylight viewing conditions to the color of the object in different viewing conditions. For example, Japanese people always perceive the color of the Rising Sun in the Japanese flag as red even in a different viewing condition such as under moonlight. Color images captured by a camera cannot present those human perceptions. However, Japanese colorists in Animation succeeded in painting the effects of color constancy not only under moonlight but also added the memory matching colors. They aim to create a greater impact on viewer's perceptions by using the effect of the memory matching colors. In this paper, we propose the Imagined Japanese Animation Color System. This system in art is currently a subject of research in Japan. Its importance is that it could also provide an explanation on how human brain perceives the same color under different viewing conditions.

Color-coded volume rendering for three-dimensional reconstructions of CT data

International Nuclear Information System (INIS)

Rieker, O.; Mildenberger, P.; Thelen, M.

1999-01-01

Purpose: To evaluate a technique of colored three-dimensional reconstructions without segmentation. Material and methods: Color-coded volume rendered images were reconstructed from the volume data of 25 thoracic, abdominal, musculoskeletal, and vascular helical CT scans using commercial software. The CT volume rendered voxels were encoded with color in the following manner. Opacity, hue, lightness, and chroma were assigned to each of four classes defined by CT number. Color-coded reconstructions were compared to the corresponding grey-scale coded reconstructions. Results: Color-coded volume rendering enabled realistic visualization of pathologic findings when there was sufficient difference in CT density. Segmentation was necessary in some cases to demonstrate small details in a complex volume. Conclusion: Color-coded volume rendering allowed lifelike visualisation of CT volumes without the need of segmentation in most cases. (orig.) [de

Density determination of nail polishes and paint chips using magnetic levitation

Science.gov (United States)

Huang, Peggy P.

Trace evidence is often small, easily overlooked, and difficult to analyze. This study describes a nondestructive method to separate and accurately determine the density of trace evidence samples, specifically nail polish and paint chip using magnetic levitation (MagLev). By determining the levitation height of each sample in the MagLev device, the density of the sample is back extrapolated using a standard density bead linear regression line. The results show that MagLev distinguishes among eight clear nail polishes, including samples from the same manufacturer; separates select colored nail polishes from the same manufacturer; can determine the density range of household paint chips; and shows limited levitation for unknown paint chips. MagLev provides a simple, affordable, and nondestructive means of determining density. The addition of co-solutes to the paramagnetic solution to expand the density range may result in greater discriminatory power and separation and lead to further applications of this technique.

Review of the Indo-Pacific labrid fish genus Hemigymnus

OpenAIRE

Randall, John E.

2013-01-01

The labrid fish genus Hemigymnus Günther consists of three relatively large coral-reef species: the wide-ranging Indo-Pacific H. fasciatus (Bloch) and H. melapterus (Bloch), and H. sexfasciatus (Rüppell) of the Red Sea and Gulf of Aden, usually regarded as a synonym of H. fasciatus. It is treated here as a species, distinguished by color pattern, longer pelvic fins of the terminal male, and fewer gill rakers. These three fishes are generally found as solitary individuals over sand or sand-and...

49 CFR 173.173 - Paint, paint-related material, adhesives, ink and resins.

Science.gov (United States)

2010-10-01

... 49 Transportation 2 2010-10-01 2010-10-01 false Paint, paint-related material, adhesives, ink and... Than Class 1 and Class 7 § 173.173 Paint, paint-related material, adhesives, ink and resins. (a) When..., paint-related material, adhesives, ink and resins must be packaged as follows: (1) As prescribed in...

Painting Reproductions on Display

Directory of Open Access Journals (Sweden)

Joanna Iranowska

2017-09-01

Full Text Available Paintings in museums might occasionally be replaced by a photoprint mimicking the original. This article is an investigation of what constitutes a good reproduction of an artwork (oil painting that is meant to be displayed. The article discusses what the usefulness of reproductions depends on, applying the Valuation Studies approach, which means the primary concern is with the practice of valuing itself. In other words, the study focuses on how museum experts evaluate reproduc-tions of oil paintings. The article analyses three cases of displaying digitally prin-ted copies of Edvard Munch's oil paintings between 2013 and 2015 in the Munch Museum and in the National Gallery in Oslo. The study is based on a series of semi-structured interviews with the experts, working at and for the museums, that were involved in producing and exhibiting of the photoprints: curators, con-servators, museum educators, and external manufacturers. The interviews were grouped into five clusters, which I have chosen to call registers of valuing following Frank Heuts and Annemarie Mol (2013. The described valuation practices have to do with delivering experiences to the public, obtaining mimetic resemblance, solving ethical aspects, exhibitions' budget, and last but not least, with the time perspective.

Automated full-3D digitization system for documentation of paintings

Science.gov (United States)

Karaszewski, Maciej; Adamczyk, Marcin; Sitnik, Robert; Michoński, Jakub; Załuski, Wojciech; Bunsch, Eryk; Bolewicki, Paweł

2013-05-01

In this paper, a fully automated 3D digitization system for documentation of paintings is presented. It consists of a specially designed frame system for secure fixing of painting, a custom designed, structured light-based, high-resolution measurement head with no IR and UV emission. This device is automatically positioned in two axes (parallel to the surface of digitized painting) with additional manual positioning in third, perpendicular axis. Manual change of observation angle is also possible around two axes to re-measure even partially shadowed areas. The whole system is built in a way which provides full protection of digitized object (moving elements cannot reach its vicinity) and is driven by computer-controlled, highly precise servomechanisms. It can be used for automatic (without any user attention) and fast measurement of the paintings with some limitation to their properties: maximum size of the picture is 2000mm x 2000mm (with deviation of flatness smaller than 20mm) Measurement head is automatically calibrated by the system and its possible working volume starts from 50mm x 50mm x 20mm (10000 points per square mm) and ends at 120mm x 80mm x 60mm (2500 points per square mm). The directional measurements obtained with this system are automatically initially aligned due to the measurement head's position coordinates known from servomechanisms. After the whole painting is digitized, the measurements are fine-aligned with color-based ICP algorithm to remove any influence of possible inaccuracy of positioning devices. We present exemplary digitization results along with the discussion about the opportunities of analysis which appear for such high-resolution, 3D computer models of paintings.

Computer-Generated Abstract Paintings Oriented by the Color Composition of Images

Directory of Open Access Journals (Sweden)

Mao Li

2017-06-01

Full Text Available Designers and artists often require reference images at authoring time. The emergence of computer technology has provided new conditions and possibilities for artistic creation and research. It has also expanded the forms of artistic expression and attracted many artists, designers and computer experts to explore different artistic directions and collaborate with one another. In this paper, we present an efficient k-means-based method to segment the colors of an original picture to analyze the composition ratio of the color information and calculate individual color areas that are associated with their sizes. This information is transformed into regular geometries to reconstruct the colors of the picture to generate abstract images. Furthermore, we designed an application system using the proposed method and generated many works; some artists and designers have used it as an auxiliary tool for art and design creation. The experimental results of datasets demonstrate the effectiveness of our method and can give us inspiration for our work.

77 FR 12103 - Culturally Significant Objects Imported for Exhibition Determinations: “Colorful Realm: Japanese...

Science.gov (United States)

2012-02-28

... DEPARTMENT OF STATE [Public Notice: 7807] Culturally Significant Objects Imported for Exhibition Determinations: ``Colorful Realm: Japanese Bird-and-Flower Paintings by It[omacr] Jakuch[umacr] (1716-1800... determine that the objects to be included in the exhibition ``Colorful Realm: Japanese Bird-and-Flower...

Sanding dust from nanoparticle-containing paints: Physical characterisation

International Nuclear Information System (INIS)

Koponen, I K; Jensen, K A; Schneider, T

2009-01-01

Increasing use of nanoparticles in different industrial applications has raised a new potential health risk to the workers as well as to the consumers. This study investigates the particle size distributions of sanding dust released from paints produced with and without engineered nanoparticles. Dust emissions from sanding painted plates were found to consist of five size modes; three modes under 1 μm and two modes around 1 and 2 μm. We observed that the sander was the only source of particles smaller than 50 nm and they dominated the number concentration spectra. Mass and surface area spectra were dominated by the 1 and 2 μm modes. Addition of nanoparticles caused only minor changes in the geometric mean diameters of the particle modes generated during sanding of two paints doped with 17 nm TiO2 and 95 nm Carbon Black nanoparticles as compared to the size modes generated during sanding a conventional reference paint. However, the number concentrations in the different size modes varied considerably in between the two NP-doped paints and the reference paint. Therefore, from a physical point of view, there may be a difference in the exposure risk during sanding surfaces covered with nanoparticle-based paints as compared to sanding conventional paints.

Increased persistence of antifouling paint biocides when associated with paint particles

International Nuclear Information System (INIS)

Thomas, K.V.; McHugh, M.; Hilton, M.; Waldock, M.

2003-01-01

Release of biocides associated with paint particles into marinas may increase their persistence in the environment. - Current regulatory risk assessment procedures only assess the impact of antifouling paint biocides that are released through leaching from a painted surface. Hull cleaning activities can lead to particles of antifouling paint containing biocides to enter the environment. Comparative pseudo-first order anaerobic degradation rate constants and half-lives were determined for a selection of common antifouling paint booster biocides, their degradation products, and associated with paint particles. Anaerobic half-lives of <0.5 days were calculated for chlorothalonil, dichlofluanid, and SeaNine 211, between 1 and 3 days for DCPMU and DCPU, between 14 and 35 days for diuron and CPDU, and over 226 days for GS26575 and Irgarol 1051. Increased persistence was observed when the compounds were introduced to sediments associated with antifouling paint particles. When present as antifouling paint particles, an increased half-life of 9.9 days for SeaNine 211 and 1.4 days was calculated for dichlofluanid, no significant degradation was observed for diuron. It is suspected that this is due to much of the biocide being initially bound within the matrix of the paint particle that is slowly released through dissolution processes into the sediment pore water prior to degradation. The release of booster biocides associated with paint particles into marinas has the potential to lead to their accumulation unless activities such as hull cleaning are strictly regulated

Increased persistence of antifouling paint biocides when associated with paint particles

Energy Technology Data Exchange (ETDEWEB)

Thomas, K.V.; McHugh, M.; Hilton, M.; Waldock, M

2003-05-01

Release of biocides associated with paint particles into marinas may increase their persistence in the environment. - Current regulatory risk assessment procedures only assess the impact of antifouling paint biocides that are released through leaching from a painted surface. Hull cleaning activities can lead to particles of antifouling paint containing biocides to enter the environment. Comparative pseudo-first order anaerobic degradation rate constants and half-lives were determined for a selection of common antifouling paint booster biocides, their degradation products, and associated with paint particles. Anaerobic half-lives of <0.5 days were calculated for chlorothalonil, dichlofluanid, and SeaNine 211, between 1 and 3 days for DCPMU and DCPU, between 14 and 35 days for diuron and CPDU, and over 226 days for GS26575 and Irgarol 1051. Increased persistence was observed when the compounds were introduced to sediments associated with antifouling paint particles. When present as antifouling paint particles, an increased half-life of 9.9 days for SeaNine 211 and 1.4 days was calculated for dichlofluanid, no significant degradation was observed for diuron. It is suspected that this is due to much of the biocide being initially bound within the matrix of the paint particle that is slowly released through dissolution processes into the sediment pore water prior to degradation. The release of booster biocides associated with paint particles into marinas has the potential to lead to their accumulation unless activities such as hull cleaning are strictly regulated.

Combined SERS and Raman analysis for the identification of red pigments in cross-sections from historic oil paintings.

Science.gov (United States)

Frano, Kristen A; Mayhew, Hannah E; Svoboda, Shelley A; Wustholz, Kristin L

2014-12-21

The analysis of paint cross-sections can reveal a remarkable amount of information about the layers and materials in a painting without visibly altering the artwork. Although a variety of analytical approaches are used to detect inorganic pigments as well as organic binders, proteins, and lipids in cross-sections, they do not provide for the unambiguous identification of natural, organic colorants. Here, we develop a novel combined surface-enhanced Raman scattering (SERS), light microscopy, and normal Raman scattering (NRS) approach for the identification of red organic and inorganic pigments in paint cross-sections obtained from historic 18th and 19th century oil paintings. In particular, Ag nanoparticles are directly applied to localized areas of paint cross-sections mounted in polyester resin for SERS analysis of the organic pigments. This combined extractionless non-hydrolysis SERS and NRS approach provides for the definitive identification of carmine lake, madder lake, and vermilion in multiple paint layers. To our knowledge, this study represents the first in situ identification of natural, organic pigments within paint cross-sections from oil paintings. Furthermore, the combination of SERS and normal Raman, with light microscopy provides conservators with a more comprehensive understanding of a painting from a single sample and without the need for sample pretreatment.

Painting

DEFF Research Database (Denmark)

Petersen, Anne Ring

2012-01-01

and discursive battles over the essentially self-reflective question of “What is painting?” Over the last decades it has also become an intermedial laboratory in which artists experiment with developing a connective aesthetic in the interface between painting and other media. Accordingly, it is has become...

Multifractal analysis of three-dimensional histogram from color images

International Nuclear Information System (INIS)

Chauveau, Julien; Rousseau, David; Richard, Paul; Chapeau-Blondeau, Francois

2010-01-01

Natural images, especially color or multicomponent images, are complex information-carrying signals. To contribute to the characterization of this complexity, we investigate the possibility of multiscale organization in the colorimetric structure of natural images. This is realized by means of a multifractal analysis applied to the three-dimensional histogram from natural color images. The observed behaviors are confronted to those of reference models with known multifractal properties. We use for this purpose synthetic random images with trivial monofractal behavior, and multidimensional multiplicative cascades known for their actual multifractal behavior. The behaviors observed on natural images exhibit similarities with those of the multifractal multiplicative cascades and display the signature of elaborate multiscale organizations stemming from the histograms of natural color images. This type of characterization of colorimetric properties can be helpful to various tasks of digital image processing, as for instance modeling, classification, indexing.

The identification of synthetic organic pigments in modern paints and modern paintings using pyrolysis-gas chromatography-mass spectrometry.

Science.gov (United States)

Russell, Joanna; Singer, Brian W; Perry, Justin J; Bacon, Anne

2011-05-01

A collection of more than 70 synthetic organic pigments were analysed using pyrolysis-gas chromatography-mass spectrometry (Py-GC-MS). We report on the analysis of diketo-pyrrolo-pyrrole, isoindolinone and perylene pigments which are classes not previously reported as being analysed by this technique. We also report on a number of azo pigments (2-naphthol, naphthol AS, arylide, diarylide, benzimidazolone and disazo condensation pigments) and phthalocyanine pigments, the Py-GC-MS analysis of which has not been previously reported. The members of each class were found to fragment in a consistent way and the pyrolysis products are reported. The technique was successfully applied to the analysis of paints used by the artist Francis Bacon (1909-1992), to simultaneously identify synthetic organic pigments and synthetic binding media in two samples of paint taken from Bacon's studio and micro-samples taken from three of his paintings and one painting attributed to him.

Trying to Live Now: Chronotopic Figures in Jenny Watson’s A Painted Page Series

Directory of Open Access Journals (Sweden)

Chris McAuliffe

2014-06-01

Full Text Available Between late 1979 and early 1980, Australian artist Jenny Watson painted a sequence of six works, each with the title A Painted Page. Combining gridded, painted reproductions of photographs, newspapers and department store catalogues with roughly painted fields of color, the series brought together a range of recent styles and painterly idioms: pop, photorealism, and non-objective abstraction. Watson’s evocation of styles considered dated, corrupted or redundant by contemporary critics was read as a sign of the decline of modernism and the emergence of a postmodernism inflected with irony and a cool, “new wave” sensibility. An examination of the Painted Pages in the context of Watson’s interest in autobiography and her association with the women’s art movement, however, reveals the works to be subjective, highly personal reflections on memory, self and artistic aspiration. Drawing on Bahktin’s model of the chronotope, this paper argues for a spatio-temporal reading of Watson’s Painted Pages rather than the crude model of stylistic redundancy and succession. Watson’s source images register temporal orders ranging across the daily, the seasonal and the epochal. Her paintings transpose Bahktin’s typology of quotidian, provincial and “adventuristic” time into autobiographical paintings of teenage memories, the vicissitudes of the art world and punk subcultures. Collectively, the Painted Pages established a chronotopic field; neither an aggregation of moments nor a collaged evocation of a period but a point at which Watson closed off one kind of time (an art critical time of currency and succession and opened up another (of subjectivity and affective experience.

Comparative analysis of automotive paints by laser induced breakdown spectroscopy and nonparametric permutation tests

International Nuclear Information System (INIS)

McIntee, Erin; Viglino, Emilie; Rinke, Caitlin; Kumor, Stephanie; Ni Liqiang; Sigman, Michael E.

2010-01-01

Laser-induced breakdown spectroscopy (LIBS) has been investigated for the discrimination of automobile paint samples. Paint samples from automobiles of different makes, models, and years were collected and separated into sets based on the color, presence or absence of effect pigments and the number of paint layers. Twelve LIBS spectra were obtained for each paint sample, each an average of a five single shot 'drill down' spectra from consecutive laser ablations in the same spot on the sample. Analyses by a nonparametric permutation test and a parametric Wald test were performed to determine the extent of discrimination within each set of paint samples. The discrimination power and Type I error were assessed for each data analysis method. Conversion of the spectral intensity to a log-scale (base 10) resulted in a higher overall discrimination power while observing the same significance level. Working on the log-scale, the nonparametric permutation tests gave an overall 89.83% discrimination power with a size of Type I error being 4.44% at the nominal significance level of 5%. White paint samples, as a group, were the most difficult to differentiate with the power being only 86.56% followed by 95.83% for black paint samples. Parametric analysis of the data set produced lower discrimination (85.17%) with 3.33% Type I errors, which is not recommended for both theoretical and practical considerations. The nonparametric testing method is applicable across many analytical comparisons, with the specific application described here being the pairwise comparison of automotive paint samples.

Sensitive observables for color connections in three-jet events at Z0 pole

International Nuclear Information System (INIS)

Shao Fenglan; Xie Qubing; Li Shiyuan

2003-01-01

By substituting the color separate singlet connections for the color neutral flow connections into JETSET7.4, authors select the three-jet events according to DURHAM algorithm in e + e - annihilation at Z 0 pole. It was found that the ratio of the special three-jet events defined by constraining the angles between different jets is sensitive to different kinds of color connections. For these special events, different connections lead to significant differences for the charged particle multiplicity of events and properties of the gluon jet. The differences become larger as y cut getting smaller. By taking appropriate y cut , as 0.0005 in this paper, the differences between these two kinds of color connections should be discriminated by experiments

Examination of lead concentrations in new decorative enamel paints in four countries with different histories of activity in lead paint regulation

International Nuclear Information System (INIS)

Clark, C. Scott; Kumar, Abhay; Mohapatra, Piyush; Rajankar, Prashant; Nycz, Zuleica; Hambartsumyan, Amalia; Astanina, Lydia; Roda, Sandy; Lind, Caroline; Menrath, William; Peng, Hongying

2014-01-01

Paints with high lead concentrations (ppm) continue to be sold around the world in many developing countries and those with economies in transition representing a major preventable environmental health hazard that is being increased as the economies expand and paint consumption is increasing. Prior lead paint testing had been performed in Brazil and India and these countries were selected to examine the impact of a new regulatory limit in Brazil and the impact of efforts of non-governmental organizations and others to stop the use of lead compounds in manufacturing paints. Armenia and Kazakhstan, in Central Asia, were selected because no information on lead concentration in those regions was available, no regulatory activities were evident and non-governmental organizations in the IPEN network were available to participate. Another objective of this research was to evaluate the lead loading (µg/cm 2 ) limit determined by X-Ray Fluorescence (XRF) for areas on toys that are too small to obtain a sample of sufficient size for laboratory analysis. The lead concentrations in more than three-fourths of the paints from Armenia and Kazakhstan exceeded 90 ppm, the limit in the United States, and 600 ppm, the limit in Brazil. The percentages were about one-half as high in Brazil and India. The average concentration in paints purchased in Armenia, 25,000 ppm, is among the highest that has been previously reported, that in Kazakhstan, 15,700 ppm, and India, 16,600, about median. The average concentration in Brazil, 5600 ppm, is among the lowest observed. Paints in Brazil that contained an average of 36,000 ppm before the regulatory limit became effective were below detection (<9 ppm) in samples collected in the current study. The lack of any apparent public monitoring of paint lead content as part of regulatory enforcement makes it difficult to determine whether the regulation was a major factor contributing to the decline in lead use in these paints. Using data from the

Cultural Collage Paintings

Science.gov (United States)

Coy, Mary

2011-01-01

In this article, the author describes a cultural collage painting project. Three things served as the impetus for this project: (1) a desire for students to explore the theme of "culture"; (2) an appreciation for the photo-montaged, layered images one sees in print media; and (3) noticing that projects from core subject areas hanging on the walls…

A study of selective precipitation techniques used to recover refined iron oxide pigments for the production of paint from a synthetic acid mine drainage solution

International Nuclear Information System (INIS)

Ryan, M.J.; Kney, A.D.; Carley, T.L.

2017-01-01

New resource recovery methods of acid mine drainage (AMD) treatment aim to reduce waste by extracting iron contaminants in usable forms, specifically iron oxides as industrial inorganic pigments, which can be marketed and sold to subsidize treatment costs. In this study, iron oxide pigments of varying colors and properties were recovered from a synthetic AMD solution through a stepwise selective precipitation process using oxidation, pH adjustment, and filtration. Chemical and physical design variables within the process, such as alkaline addition rate, reaction temperature, drying duration, and target pH, were altered and observed for their effects on iron oxide morphology as a means of reducing—or even eliminating—the need for refining after synthesis. Resulting iron oxide pigment powders were analyzed with X-ray diffraction (XRD) and energy dispersive spectroscopy (EDS), and visually evaluated for color and coating ability. Drying duration resulted in increased redness in paint streaks and enhanced crystallinity, as amorphous phases of iron oxide transformed into hematite. Alkaline addition rate showed no effect on the crystallinity of the powders and no consistent effect on color. Conversely, increasing reaction temperature darkened the color of pigments and increased surface area of pigment particles (thus improving coating ability) without changing the crystallinity of the samples. Iron oxides precipitated at pH 3 displayed the highest purity and possessed a distinct yellow color suggestive of jarosite, while other paint streaks darkened in color as trace metal impurities increased. The choice to use lower pH for higher quality iron oxides comes with the compromise of reduced iron recovery efficiency. Manganese and nickel did not begin to precipitate out of solution up to pH 7 and thus require increased pH neutralization in the field if natural AMD is found to contain those metals. All pigments developed in this study were found to be adequate for use as

Microclimate boxes for panel paintings

DEFF Research Database (Denmark)

Wadum, Jørgen

1998-01-01

The use of microclimate boxes to protect vulnerable panel paintings is, therefore, not a new phenomenon of the past two or three decades. Rather, it has been a concern for conservators and curators to protect these objects of art at home and in transit since the end of the nineteenth century....... The increased number of travelling exhibitions in recent years has heightened the need to protect paintings during circulation (Thomson 1961; Mecklenburg 1991). The use and design of microclimate boxes have been evolving since 1892. These boxes may be divided into three broad groups: those using an active...... buffer material to stabilize the internal RH, a more recent box containing no added buffer material, and, in recent times, boxes with an altered gas content. Another concern is the appearance (aesthetics) of the box....

Design of structurally colored surfaces based on scalar diffraction theory

DEFF Research Database (Denmark)

Johansen, Villads Egede; Andkjær, Jacob Anders; Sigmund, Ole

2014-01-01

In this paper we investigate the possibility of controlling the color and appearance of surfaces simply by modifying the height profile of the surface on a nanoscale level. The applications for such methods are numerous: new design possibilities for high-end products, color engraving on any highly...... reflective surface, paint-free text and coloration, UV-resistant coloring, etc. In this initial study, the main focus is on finding a systematic way to obtain these results. For now the simulation and optimization is based on a simple scalar diffraction theory model. From the results, several design issues...

Three-dimensional micro-XRF investigations of paint layers with a tabletop setup

International Nuclear Information System (INIS)

Kanngiesser, Birgit; Malzer, Wolfgang; Rodriguez, Alexis Fuentes; Reiche, Ina

2005-01-01

The non-destructive investigation of art and archaeological objects with depth sensitivity is now possible using 3D micro-XRF spectroscopy. More detailed answers for questions on painting techniques, on the pigment palette, on the production processes and indirectly on dating or provenancing of objects are accessible now. This was already illustrated by the investigation of Mughal miniatures with a confocal setup at the synchrotron source BESSY. In this paper we demonstrate the feasibility of 3D micro-XRF spectroscopy with a tabletop setup and discuss its sensitivity in comparison to the synchrotron-based setup. Investigated objects are glass standards and also prepared paint layers. Perspectives for other types of studies are proposed

Lead levels in new enamel household paints from Asia, Africa and South America.

Science.gov (United States)

Clark, C Scott; Rampal, Krishna G; Thuppil, Venkatesh; Roda, Sandy M; Succop, Paul; Menrath, William; Chen, Chin K; Adebamowo, Eugenious O; Agbede, Oluwole A; Sridhar, Mynepalli K C; Adebamowo, Clement A; Zakaria, Yehia; El-Safty, Amal; Shinde, Rana M; Yu, Jiefei

2009-10-01

In 2006 a report on the analysis for lead in 80 new residential paints from four countries in Asia revealed high levels in three of the countries (China, India and Malaysia) and low levels in a fourth country (Singapore) where a lead in paint regulation was enforced. The authors warned of the possible export of lead-painted consumer products to the United States and other countries and the dangers the lead paint represented to children in the countries where it was available for purchase. The need for a worldwide ban on the use of lead in paints was emphasized to prevent an increase in exposure and disease from this very preventable environmental source. Since the earlier paper almost 300 additional new paint samples have been collected from the four initial countries plus 8 additional countries, three from Asia, three from Africa and two from South America. During the intervening time period two million toys and other items imported into the United States were recalled because the lead content exceeded the United States standard. High lead paints were detected in all 12 countries. The average lead concentration by country ranged from 6988 (Singapore) to 31,960ppm (Ecuador). One multinational company sold high lead paint in one country through January 2007 but sold low lead paint later in 2007 indicating that a major change to cease adding lead to their paints had occurred. However, the finding that almost one-third of the samples would meet the new United States standard for new paint of 90ppm, suggests that the technology is already available in at least 11 of the 12 countries to produce low lead enamel paints for domestic use. The need remains urgent to establish effective worldwide controls to prevent the needless poisoning of millions of children from this preventable exposure.

Study on application methods of three adhesives used in the consolidation of contemporary paintings

Directory of Open Access Journals (Sweden)

Rosario Llamas

2011-01-01

Full Text Available Consolidation of contemporary paintings is a practice as complicated as delicate mainly due to the possibility of modifying the works' finishing. Conservators sometimes find limits facing these troubles because of the difficulty of applying adhesives with a paintbrush. The authors, in their attempt to give a practical and useful solution to this problem, have experimented in this work with different adhesives which are adequate for consolidation of contemporary paintings. They also have evaluated different application methods, and all of these tests were developed on poorly-bounded paintings. The study on combined methods of application was undertaken in order to compare the use of an ultrasonic atomizer with a low-pressure micro-table and an ultrasonic atomizer without a low-pressure micro-table. In this occasion, the study just wanted to analyze the deviation of colorimetric and gloss parameters for detecting if surfaces suffer aesthetic variations which may interfere with the works' concept. Conclusions finally show that it is possible to heavily consolidate poorly-bounded paintings by using an aqueous adhesive in a low concentration and an ultrasonic atomizer. The combination with a low-pressure micro-table will depend on the necessity of a punctual or general action of the adhesive.

Antifouling paint particles: Sources, occurrence, composition and dynamics.

Science.gov (United States)

Soroldoni, Sanye; Castro, Ítalo Braga; Abreu, Fiamma; Duarte, Fabio Andrei; Choueri, Rodrigo Brasil; Möller, Osmar Olinto; Fillmann, Gilberto; Pinho, Grasiela Lopes Leães

2018-06-15

Sources, occurrence, composition and dynamics of antifouling paint particles (APPs) were assessed in Patos Lagoon estuary (PLE), Southern Brazil. Ten areas including boatyards, a marina and artisanal fishing harbors were identified in the estuarine system as potential sources of APPs. The APPs generated in these areas were highly heterogeneous considering the size, shape and composition. Based on an estimate of antifouling paint usage and amount of boats in each studied area, artisanal fishing harbors could be the main source of particles to PLE. However, relatively high amounts of APPs, which ranged from 130 to 40,300 μg g -1 , were detected in sediments collected in front of boatyards and a marina. The uneven distribution of APPs levels among the sediment samples were probably due to the presence of diffuse sources (fishing harbors) associated to "hotspots" (boatyards and marina) along the study area. Additionally, data of settling experiment indicate that size, shape and density of APPs, combined to local hydrodynamics, appears to contribute to the mobility of these residues within the estuary. In the main channel of PLE, smaller particles tend to be transported to adjacent coastal zone while particles tend to be deposited in the sediment surface of sheltered areas. Since different trace metals, and booster biocides were detected in APPs that were not correctly disposed, these particles can be considered as an important source of contamination to aquatic environments. The present data suggest that APPs represent an environmental problem for aquatic systems in Brazil, since the country lacks legislation in addition to inefficient control mechanisms. An improvement in boat maintenance processes are urgently needed to avoid this continuous release of APPs into the aquatic systems. Copyright © 2018 Elsevier Ltd. All rights reserved.

A pilot study of three dimensional color CT images of brain diseases to improve informed consent

International Nuclear Information System (INIS)

Tanizaki, Yoshio; Akiyama, Takenori; Hiraga, Kenji; Akaji, Kazunori

2005-01-01

We have described brain diseases to patients and their family using monochrome CT images. It is thought that patients have difficulties in giving their consent to our conventional explanation because their understanding of brain diseases is based on three dimensional and color images, however, standard CT images are two dimensional and gray scale images. We have been trying to use three dimensional color CT images to improve the typical patient's comprehension of brain diseases. We also try to simulate surgery using these images. Multi-slice CT accumulates precise isotropic voxel data within a half minute. These two dimensional and monochrome data are converted to three dimensional color CT images by 3D workstation. Three dimensional color CT images of each brain structures (e.g. scalp, skull, brain, ventricles and lesions) are created separately. Then, selected structures are fused together for different purposes. These images are able to rotate around any axis. Because the methods to generate three-dimensional color images have not established, we neurosurgeons must create these images. In particular, when an operation is required, the surgeon should create the images. In this paper, we demonstrate how three-dimensional color CT images can improve informed consent. (author)

Real-time three-dimensional surface measurement by color encoded light projection

International Nuclear Information System (INIS)

Chen, S. Y.; Li, Y. F.; Guan, Q.; Xiao, G.

2006-01-01

Existing noncontact methods for surface measurement suffer from the disadvantages of poor reliability, low scanning speed, or high cost. The authors present a method for real-time three-dimensional data acquisition by a color-coded vision sensor composed of common components. The authors use a digital projector controlled by computer to generate desired color light patterns. The unique indexing of the light codes is a key problem and is solved in this study so that surface perception can be performed with only local pattern analysis of the neighbor color codes in a single image. Experimental examples and performance analysis are provided

INNOVACIONES EN LA ENSEÑANZA DE LA MEZCLA ADITIVA DE COLORES (INNOVATIONS IN THE DIDACTICS OF ADDITIVE COLOR MIXING

Directory of Open Access Journals (Sweden)

Maroto Centeno José Alberto

2010-04-01

Full Text Available Resumen:El objetivo principal de este trabajo es aportar nuevos puntos de vista y enfoques didácticos para la enseñanza, en el ámbito de la Física, de las mezclas aditiva y sustractiva de colores. Concretamente, se expone un nuevo procedimiento para el diseño e impresión de discos de color de Maxwell, basado en la utilización del programa comercial Corel Photo-Paint 9. Estos discos evidencian con gran precisión y de manera extraordinariamente sugestiva el proceso de mezcla aditiva del color, a diferencia de la mayoría de los discos de color disponibles comercialmente. Este hecho se puso de manifiesto, a través de una demostración práctica, en el curso del “I Encuentro de Físicos de las Universidades de Costa Rica y Jaén. Desarrollo de Materiales Didácticos”. Finalmente, este trabajo analiza una página web que incluye diversos applets muy útiles para entender los mecanismos de las mezclas aditivas y sustractivas de colores.Abstract:The principal aim of this work is to improve the didactics, in the area of the Physics, of the additive and subtractive mixtures of color. Concretly, a new method used for the designing and printing of Maxwell color discs is put forward. This method is based on the use of the commercial program Corel Photo-Paint 9. The Maxwell color discs showed in this work achieves an excellent color reproducing unlike the majority of commercial color discs which do not work well. In fact, a suggestive exhibition based on these Maxwell color discs was carried out in the course of the meeting “I Encuentro de Físicos de las Universidades de Costa Rica y Jaén. Desarrollo de Materiales Didacticos”, which was held in San José de Costa Rica from 16 to 19 February 2009. Finally, a web page which contains interesting applets is analyzed in this work. These applets can be used to understand the mechanism of additive and subtractive mixtures.

Egyptian Tomb Painting.

Science.gov (United States)

Schroeder, Liesa

1999-01-01

Provides an activity where sixth-grade students replicated the Egyptian art form of tomb painting. Explains that the students researched information about Egyptian culture and history in order to familiarize themselves with Egyptian wall-painting style. Discusses the process of creating tomb paintings in detail. (CMK)

Genetic manipulation of structural color in bacterial colonies

DEFF Research Database (Denmark)

Johansen, Villads Egede; Catón, Laura; Hamidjaja, Raditijo

2018-01-01

analysis, we obtained a detailed correlation of how genetic modifications alter structural color in bacterial colonies. Understanding of genotype and phenotype relations in this system opens the way to genetic engineering of on-demand living optical materials, for use as paints and living sensors.......Naturally occurring photonic structures are responsible for the bright and vivid coloration in a large variety of living organisms. Despite efforts to understand their biological functions, development, and complex optical response, little is known of the underlying genes involved...

Single-molecule three-color FRET with both negligible spectral overlap and long observation time.

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Sanghwa Lee

Full Text Available Full understanding of complex biological interactions frequently requires multi-color detection capability in doing single-molecule fluorescence resonance energy transfer (FRET experiments. Existing single-molecule three-color FRET techniques, however, suffer from severe photobleaching of Alexa 488, or its alternative dyes, and have been limitedly used for kinetics studies. In this work, we developed a single-molecule three-color FRET technique based on the Cy3-Cy5-Cy7 dye trio, thus providing enhanced observation time and improved data quality. Because the absorption spectra of three fluorophores are well separated, real-time monitoring of three FRET efficiencies was possible by incorporating the alternating laser excitation (ALEX technique both in confocal microscopy and in total-internal-reflection fluorescence (TIRF microscopy.

The use of reflecting paints on building`s roofs for energy saving; Uso de pinturas reflejantes en los techos de las edificaciones para el ahorro de energia electrica

Energy Technology Data Exchange (ETDEWEB)

Valera Negrete, Jose Adrian [Programa de Ahorro de Energia del Sector Electrico (PAESE), Comision Federal de Electricidad, Mexico, D. F. (Mexico); Sanchez Soto, Ramon [Facultad de Ingenieria, Departamento de Termoenergia de la UNAM, Mexico, D. F. (Mexico)

1998-12-31

This paper shows the effects of the use of reflecting paints in different colors on the buildings roofs and the results in energy saving obtained in a field test carried on in Monterrey, Nuevo Leon State of Mexico using aluminum paint. [Espanol] El presente trabajo muestra los efectos del uso de pinturas reflejantes de diferentes colores en los techos de edificaciones, y los resultados de ahorro de energia electrica obtenidos en una prueba de campo efectuada en Monterrey, Nuevo Leon, Mexico, utilizando pintura de aluminio.

The use of reflecting paints on building`s roofs for energy saving; Uso de pinturas reflejantes en los techos de las edificaciones para el ahorro de energia electrica

Energy Technology Data Exchange (ETDEWEB)

Valera Negrete, Jose Adrian [Programa de Ahorro de Energia del Sector Electrico (PAESE), Comision Federal de Electricidad, Mexico, D. F. (Mexico); Sanchez Soto, Ramon [Facultad de Ingenieria, Departamento de Termoenergia de la UNAM, Mexico, D. F. (Mexico)

1999-12-31

This paper shows the effects of the use of reflecting paints in different colors on the buildings roofs and the results in energy saving obtained in a field test carried on in Monterrey, Nuevo Leon State of Mexico using aluminum paint. [Espanol] El presente trabajo muestra los efectos del uso de pinturas reflejantes de diferentes colores en los techos de edificaciones, y los resultados de ahorro de energia electrica obtenidos en una prueba de campo efectuada en Monterrey, Nuevo Leon, Mexico, utilizando pintura de aluminio.

Influence of Surrounding Colors in the Illuminant-Color Mode on Color Constancy

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Kazuho Fukuda

2011-05-01

Full Text Available On color constancy, we showed that brighter surrounding colors had greater influence than dim colors (Uchikawa, Kitazawa, MacLeod, Fukuda, 2010 APCV. Increasing luminance of a stimulus causes the change in appearance from the surface-color to the illuminant-color mode. However it is unknown whether the visual system considers such color appearance mode of surrounding colors to achieve color constancy. We investigated the influence of surrounding colors that appeared illuminant on color constancy. The stimulus was composed of a central test stimulus and surrounding six colors: bright and dim red, green and blue. The observers adjusted the chromaticity of the test stimulus to be appeared as an achromatic surface. The luminance balance of three bright surrounding colors was equalized with that of the optimal colors in three illuminant conditions, then, the luminance of one of the three bright colors was varied in the range beyond the critical luminance of color appearance mode transition. The results showed that increasing luminance of a bright surrounding color shifted the observers' achromatic setting toward its chromaticity, but this effect diminished for the surrounding color in the illuminant-color mode. These results suggest that the visual system considers color appearance mode of surrounding colors to accomplish color constancy.

The darkening of zinc yellow: XANES speciation of chromium in artist;s paints after light and chemical exposures

Energy Technology Data Exchange (ETDEWEB)

Zanella, Luciana; Casadio, Francesca; Gray, Kimberly A.; Warta, Richard; Ma, Qing; Gaillard, Jean-François

2012-03-14

The color darkening of selected brushstrokes of the masterpiece A Sunday on La Grande Jatte - 1884 (by Georges Seurat) has been attributed to the alteration of the chromate pigment zinc yellow. The pigment originally displays a bright greenish-yellow color but may undergo, after aging, darkening to a dull, ocher tone. We used XANES to probe the oxidation state of Cr on paint reconstructions, and show that color changes are associated with the reduction of Cr(VI) to Cr(III). Paint mixtures containing the pigment and linseed oil to mimic mixtures used in La Grande Jatte were subjected to artificial aging in the presence of light, SO{sub 2}, and variable air humidity - 50 and 90% relative humidity. High relative humidity led to the largest degree of Cr(VI) reduction whereas low relative humidity promoted light-induced alterations. These results are corroborated by visible reflectance measurements on the same laboratory samples and contribute to a better understanding of the chemical reactivity of chromate pigments, which are present in many historical works of art.

An evaluation of chemical screening test kits for lead in paint

Energy Technology Data Exchange (ETDEWEB)

Oglesby, L.S.

1996-04-01

The Residential Lead-Based Paint Hazard Reduction Act (Title X) requires abatement and management of lead-based paint. The purpose of this study was to evaluate three chemical screening test kits using materials and methods from one study and subjecting the results to the statistical analysis of another. The three kits were used to predict the presence of lead in paint at ten weight concentrations from 0.04 to 3.97%. Paint was applied to four wood boards yielding a sample size of 40. Four boards were painted with lead-free paint and used as blanks. All of the boards were tested with the three test kits by an untrained individual having no knowledge of the actual lead content. Sensitivity, specificity, and false positive and negative rates were calculated for the test kit results. The manufactures` detection limits, the observed sensitivity ranged from 1.00 to 0.80, specificity ranged from 1.00 to 0.42, false positive ranged from 0 to 58%, and false negatives ranged from 0 to 20%. At the 0.5% Federal threshold level, the observed sensitivity ranged from 1.00 to 0.94, specificity ranged from 1.00 to 0.5, false positives ranged from 0 to 11.1%, and false negatives ranged from 0 to 20%. The observed false positive and false negative rates for all three kits were found to be significantly lower than those reported in a previous study. These results indicate that the kits perform very well at the Federal threshold, with two of the kits having false negative rates below 12.5% and false positive rates of 3.13%. These results indicate that these two kits would probably be acceptable screening tests for lead in paint.

Fins coloration of perch in relation to external activity concentration of radionuclides

Energy Technology Data Exchange (ETDEWEB)

Yegoreichenkov, E.; Pryakhin, E. [Urals Research Center for Radiation Medicine (Russian Federation); Rudolfsen, G. [Norwegian Radiation Protection Authority and University of Tromsoe (Norway)

2014-07-01

The Techa River is significantly polluted by radionuclides. This time the content of {sup 90}Sr varies from 5 Bq/l in water of lower Techa to 40 Bq/l in higher Techa, and the concentration of {sup 137}Cs fluctuates from background content to 0,5 Bq/l, and tritium from 100 Bq/l to 450 Bq/l. Miass River are not polluted in the same extent. The perch in these rivers are suitable for examine the potential effect of environmental perturbation on carotenoid based coloration. As vertebrates could not produce carotenoids themselves, and would use more carotenoids due to oxidative stress when exposed radiation, we hypothesized that fish caught in upper part of Techa River will be more pale than fish from lower part and the control river Miass. We used a cost effective method to estimate coloration by photographing the fins in standardized setting. The measuring of fish fins as performed under standardized condition by Adobe Photoshop software in color spaces CIE 1976 L*a*b* and sRGB IEC61966-2.1 was used. In sRGB color space the values of Red, Green, Blue channels were measured and an average wave length was calculated as a function of three elementary light streams of different intensity, appeared as reflection from a fin. In L*a*b color space the values of *a and *b channels shows the position of a color in a color space. To evaluate the red color of a perch fin the most usable channel is the *a channel which shows the position of the color on the red-green axis. Due to low sample size we pooled males and females in our analysis. We used three different station in the Techa: RT-1 in the higher Techa, RT-2 in the middle Techa, and RT-3 in lower Techa. As a control group was taken the fish from Miass river (RM station). Our results shows that perch from RT-3 (570.7 nm) significantly differ in coloration from the perch from RT-2 and RT-1 (p=0.00001 and p=0.0014 respectively, hereinafter used Kruskal-Wallis rank sum test with Nemenyi-Damico-Wolfe-Dunn test as post

Transcriptomics and comparative analysis of three antarctic notothenioid fishes.

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Seung Chul Shin

Full Text Available For the past 10 to 13 million years, Antarctic notothenioid fish have undergone extraordinary periods of evolution and have adapted to a cold and highly oxygenated Antarctic marine environment. While these species are considered an attractive model with which to study physiology and evolutionary adaptation, they are poorly characterized at the molecular level, and sequence information is lacking. The transcriptomes of the Antarctic fishes Notothenia coriiceps, Chaenocephalus aceratus, and Pleuragramma antarcticum were obtained by 454 FLX Titanium sequencing of a normalized cDNA library. More than 1,900,000 reads were assembled in a total of 71,539 contigs. Overall, 40% of the contigs were annotated based on similarity to known protein or nucleotide sequences, and more than 50% of the predicted transcripts were validated as full-length or putative full-length cDNAs. These three Antarctic fishes shared 663 genes expressed in the brain and 1,557 genes expressed in the liver. In addition, these cold-adapted fish expressed more Ub-conjugated proteins compared to temperate fish; Ub-conjugated proteins are involved in maintaining proteins in their native state in the cold and thermally stable Antarctic environments. Our transcriptome analysis of Antarctic notothenioid fish provides an archive for future studies in molecular mechanisms of fundamental genetic questions, and can be used in evolution studies comparing other fish.

Frames as visual links between paintings and the museum environment: An analysis of statistical image properties

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Christoph eRedies

2013-11-01

Full Text Available Frames provide a visual link between artworks and their surround. We asked how image properties change as an observer zooms out from viewing a painting alone, to viewing the painting with its frame and, finally, the framed painting in its museum environment (museum scene. To address this question, we determined three higher-order image properties that are based on histograms of oriented luminance gradients. First, complexity was measured as the sum of the strengths of all gradients in the image. Second, we determined the self-similarity of histograms of the orientated gradients at different levels of spatial analysis. Third, we analyzed how much gradient strength varied across orientations (anisotropy. Results were obtained for three art museums that exhibited paintings from three major periods of Western art. In all three museums, the mean complexity of the frames was higher than that of the paintings or the museum scenes. Frames thus provide a barrier of complexity between the paintings and their exterior. By contrast, self-similarity and anisotropy values of images of framed paintings were intermediate between the images of the paintings and the museum scenes, i.e., the frames provided a transition between the paintings and their surround. We also observed differences between the three museums that may reflect modified frame usage in different art periods. For example, frames in the museum for 20th century art tended to be smaller and less complex than in the two other two museums that exhibit paintings from earlier art periods (13th-18th century and 19th century, respectively. Finally, we found that the three properties did not depend on the type of reproduction of the paintings (photographs in museums, scans from books or images from the Google Art Project. To the best of our knowledge, this study is the first to investigate the relation between frames and paintings by measuring physically defined, higher-order image properties.

Examination of lead concentrations in new decorative enamel paints in four countries with different histories of activity in lead paint regulation

Energy Technology Data Exchange (ETDEWEB)

Clark, C. Scott, E-mail: clarkcs@ucmail.uc.edu [Department of Environmental Health, University of Cincinnati (United States); International POPS Elimination Network (IPEN), San Francisco (United States); Kumar, Abhay; Mohapatra, Piyush; Rajankar, Prashant [Toxics Link, New Delhi (India); Nycz, Zuleica [APROMAC Environmental Protection Association and Toxisphera Environmental Health Association, Curitiba, Parana (Brazil); Hambartsumyan, Amalia [Greenwomen, Almaty (Kazakhstan); Astanina, Lydia [Khazer Ecological and Cultural Non-Governmental Organization, Yerevan (Armenia); Roda, Sandy; Lind, Caroline; Menrath, William; Peng, Hongying [Department of Environmental Health, University of Cincinnati (United States)

2014-07-15

Paints with high lead concentrations (ppm) continue to be sold around the world in many developing countries and those with economies in transition representing a major preventable environmental health hazard that is being increased as the economies expand and paint consumption is increasing. Prior lead paint testing had been performed in Brazil and India and these countries were selected to examine the impact of a new regulatory limit in Brazil and the impact of efforts of non-governmental organizations and others to stop the use of lead compounds in manufacturing paints. Armenia and Kazakhstan, in Central Asia, were selected because no information on lead concentration in those regions was available, no regulatory activities were evident and non-governmental organizations in the IPEN network were available to participate. Another objective of this research was to evaluate the lead loading (µg/cm{sup 2}) limit determined by X-Ray Fluorescence (XRF) for areas on toys that are too small to obtain a sample of sufficient size for laboratory analysis. The lead concentrations in more than three-fourths of the paints from Armenia and Kazakhstan exceeded 90 ppm, the limit in the United States, and 600 ppm, the limit in Brazil. The percentages were about one-half as high in Brazil and India. The average concentration in paints purchased in Armenia, 25,000 ppm, is among the highest that has been previously reported, that in Kazakhstan, 15,700 ppm, and India, 16,600, about median. The average concentration in Brazil, 5600 ppm, is among the lowest observed. Paints in Brazil that contained an average of 36,000 ppm before the regulatory limit became effective were below detection (<9 ppm) in samples collected in the current study. The lack of any apparent public monitoring of paint lead content as part of regulatory enforcement makes it difficult to determine whether the regulation was a major factor contributing to the decline in lead use in these paints. Using data from the

Residual chromosomal damage after radiochemotherapy with and without amifostine detected by 24-color FISH

International Nuclear Information System (INIS)

Kuechler, A.; Wendt, T.G.; Dreidax, M.; Liehr, T.; Claussen, U.; Pigorsch, S.U.; Dunst, J.

2003-01-01

Background: Amifostine is a radioprotective drug applied to reduce acute radiation toxicity during a course of conventionally fractionated radiotherapy. In the present study, amifostine was used in patients undergoing adjuvant radiochemotherapy for rectal cancer. It was described previously that additional application of amifostine led to less acute skin and bowel toxicity. The present study was aimed to determine whether amifostine has an influence on the amount of residual chromosomal damage. Material and Methods: Peripheral lymphocytes of twelve rectal cancer patients who had undergone postoperative radiochemotherapy 2-3 years ago were investigated for residual chromosomal damage using 24-color fluorescence in situ hybridization (24-color FISH). All twelve patients had received a total dose of 55.8 Gy in conventional fractionation of 1.8 Gy and a 120-h continuous infusion of 5-fluorouracil (5-FU) chemotherapy (1,000 mg/m 2 per day) in the 1st and 5th week of irradiation. Seven out of twelve patients had been given additional amifostine on chemotherapy days (500 mg total dose as short i.v. infusion immediately prior to the daily radiation fraction). Cultivation of lymphocytes and 24-color FISH were performed according to standard protocols. 100 metaphases per patient were analyzed for chromosomal aberrations in a blind study. Results: Analysis of the average number of breaks per mitosis (B/M) revealed an increased amount of residual chromosomal damage in the group treated with amifostine (0.65 B/M [0.32-0.97]) as well as in those treated without amifostine (0.76 B/M [0.31-1.25]). Also the average number of cells containing aberrations per 100 analyzed metaphases was similar (with amifostine: 22.1 [13-32] vs. 24.4 [13-35] without amifostine). The aberration types, occurring as simple translocations, reciprocal translocations, breaks, dicentrics, inversions, rings and complex chromosomal rearrangements, did not show any specific accumulation in one or the other

Study of Pictorial technique in a colonial wall painting from El Padre coffee plantation using XRF and complementary technique

International Nuclear Information System (INIS)

Rodriguez, G.; Mendoza, A.

2001-01-01

This investigation is based on the study of the pictorial technique employed in a wall painting from El Padre coffee plantation situation in Madruga, Havana, and built at beginning of XIX century. The knowledge about pictorical techniques that was used in a painting is a typical research in Archaeometry, because it is so important the art historical information as scientific results to conclude about the real materials and procedures that were used in the past by the artists . The prediction of a wall painting pictorical technique is carrying out trough the knowledge of pigments, mortars layers and binding substance composition. The non destructive inorganic microanalysis of mortars layers and pigments was determined by a portable XRF system, which is very useful because of the most of pigments are of inorganic nature. A pinpoint samples microanalysis of each color from the painting were done by complementary and traditional technique in stratigraphic studies such as: optical microscopy, micro- chemical drop test, Scanning Electron Microscopy with Energy Dispersive X-Ray attachment (SEM-EDX), gas chromatography and Fourier Transformed Infra Red Spectroscopy (FTIR). The overlapping of layers was obtained by optical microscopy, The mortars composition was investigated by micro-chemical drop test and SEM/EDX and further confirmed by FTIR. The presence of binding substances in colors layers was identified by specific staining test and Gas Chromatography

Cinnabar alteration in archaeological wall paintings: an experimental and theoretical approach

Science.gov (United States)

Neiman, Madeleine Kegelman; Balonis, Magdalena; Kakoulli, Ioanna

2015-11-01

The red mineral pigment known as cinnabar (HgS) was commonly employed in Roman fresco wall paintings. Fresco artists of the period favored this pigment for its striking red color. However, upon excavation and exposure to air and light, cinnabar-pigmented surfaces recovered from archaeological contexts often proved to be unstable. Mural paintings colored with cinnabar that have been exposed in the open air frequently demonstrate a disfiguring, irreversible darkening of the surface. Traditionally, scholars have attributed this alteration to a light-induced phase change from red α-cinnabar to black β-cinnabar (meta-cinnabar). While this transformation has not been totally excluded, the prevailing view among conservation scientists is that chlorine plays a key role in the darkening process through the formation of light-sensitive mercury chloride compounds, or as a catalyst in the photochemical redox of Hg(II)S into Hg(0) and S(0). Using laboratory-based experiments and thermodynamic modeling, this paper attempts to further clarify the mechanism(s) and kinetics of cinnabar alteration in fresco applications, especially the role of light, humidity, and chlorine ions. Additionally, it explores possible pathways and preventive as well as remedial conservation treatments during or immediately following excavation, to inhibit or retard darkening of cinnabar-pigmented fresco surfaces.

Thin layer chromatographic analysis of food colorants from three morphotypes of annatto (Bixa orellana L.

Directory of Open Access Journals (Sweden)

Hari Pada Seal

2012-06-01

Full Text Available This article describes a simple solvent extraction method for the extraction of colorants from the three morphotypes such as, (Morphotype-1 (M1, Morphotype-2 (M2, and Morphotype-3 (M3 of Annatto (Bixa orellana L. seeds, and their separation, vivid, and qualitative demonstration by thin-layer chromatography. Several solvent systems (hexane, chloroform, acetone, ethanol, and a mixed-solvent having composition of CHCl3/C2H5OH/CH3COOH (80:2:1 were applied for extraction of colored components. It was observed that a large portion of colorants was extracted by chloroform. Its effluent was deep brick red in color and transparent. Furthermore, various carrier solvent systems (Benzene-Ethyl acetate were used to separate the components from the extracts. Carrier solvent system with the ratio of 7:3 was found as superior solvent for chloroform extracts. Three colored-spots were observed for all morphotypes. Among them, the first one was yellow colored having very low polarity and the second and third spots were both redbrick colored having medium and higher polarity respectively. In addition, for M1 no colorless-spot was observed in low and medium polar systems, revealing that the amount of wax and gum were minimum in the extract and superior morphotype among the three.

Self-destruction of three-dimensional modern paintings caused by untypical materials – finding conservation solutions.

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Katarzyna Mikstal

2012-06-01

Full Text Available The aim of this article is to indicate the relation between matter and an idea within a work of art – three-dimensional painting which involves untypical and undurable techniques. The essay introduces the problem of retaining the idea throughout the proper preserving of the substance while taking considerable care of its authenticity and complying with the rules of restoration ethical code. The author suggests solutions for working with non-standard objects which are exposed to destruction to a much bigger extent than traditional, flateasel painting.Le but de cet article est de souligner la relation entre la matière et l’idée dans une oeuvre d'art – en particulier la peinture tridimensionnelle qui implique des techniques atypiques et non durables. L'étude met en évidence le problème de conserver l'idée lors de la préservation de la substance, en prenant veillant à l’authenticité et en respectant les règles déontologiques de la restauration. L'auteur suggère des solutions pour travailler sur ces objets échappant aux standards traditionnels, et exposés dans une plus grande mesure à la destruction qu’une peinture de chevalet bi-dimensionnelle.

Chromatic changes on the wall paintings in Sanderum Church (Denmark)

DEFF Research Database (Denmark)

Brajer, Isabelle Eve; Christensen, Mads Christian

2011-01-01

This paper describes observations and results of analyses undertaken to find explanations for several phenomena affecting the colours on the Gothic wall paintings in Sanderum Church (Denmark). Paintings have been exposed on four webs of the chancel vault and one web in the nave since 1882. Three ...

Significance of antifouling paint flakes to the distribution of dichlorodiphenyltrichloroethanes (DDTs) in estuarine sediment

International Nuclear Information System (INIS)

Wu, Chen-Chou; Bao, Lian-Jun; Tao, Shu; Zeng, Eddy Y.

2016-01-01

Recently published literature indicated that dichlorodiphenyltrichloroethane (DDT)-containing antifouling paint flakes were heterogeneously distributed within estuarine sediments. However, the significance of antifouling paint flakes in the fate and transport of DDT compounds and other organic pollutants in estuarine sediment is yet to be adequately addressed. To fill this knowledge gap, estuarine sediment and paint flakes from cabin and boat surfaces were collected from a fishery base in Guangdong Province of South China and analyzed for DDT compounds. Coarse fractioned samples collected from the vicinity of boat maintenance facilities contained appreciable amounts of colorful particles, which were identified as paint flakes by Fourier transform infrared spectroscopy. The highest concentrations of DDXs (sum of DDTs and its metabolites) occurred in the heavy-density (>1.7 g cm"−"3) fraction of coarse-size (200–2000 μm) sediments from near the boat maintenance facilities, suggesting the importance of paint flakes in the distribution pattern of “hot spots” in estuarine sediment. Moreover, the desorption rates of DDT compounds from paint flakes and the heavy-density fraction of coarse-size sediment were both extremely slow. Apparently, unevenly distributed paint flakes in sediment can artificially inflate the sorption capacity of heavy-density sediment for DDT compounds, and therefore can substantially change the environmental fate and behavior of hydrophobic organic chemicals in estuarine sediment. Finally, commonly used source diagnostic indices of DDT compounds were mostly grain-size and density dependent in sediment, as a result of the occurrence of paint flakes, which may strongly compromise the outcome of any source diagnostics efforts. - Highlights: • Concentrations of DDTs were elevated in coarse and high-density fractions. • The desorption rates of DDTs from coarse and high-density fraction were extreme slow. • DDTs-containing antifouling

Influence of pigments and opacifiers on color stability of an artificially aged facial silicone.

Science.gov (United States)

dos Santos, Daniela Micheline; Goiato, Marcelo Coelho; Moreno, Amália; Pesqueira, Aldiéris Alves; Haddad, Marcela Filiè

2011-04-01

The aim of this study was to evaluate the influence of two pigments (ceramic powder and oil paint) and one opacifier (barium sulfate) on the color stability of MDX4-4210 facial silicone submitted to accelerated aging. Sixty specimens of silicone were fabricated and divided into six groups--colorless (G1), colorless with opacifier (G2), ceramic (G3), ceramic with opacifier (G4), oil (G5), oil with opacifier (G6). All replicas were submitted to accelerated aging for 1008 hours. The evaluations of chromatic alteration through visual analysis and reflection spectrophotometry were carried out initially and after 252, 504, and 1008 hours of aging. The results were submitted to ANOVA and Tukey's test at 5% level of significance. All groups exhibited chromatic alteration (ΔE > 0); however, this color alteration was not perceptible through visual analysis of the color. The pigmented groups with opacifier presented the lowest ΔE values, with a statistical difference from the other groups. For the groups without opacifier, the group pigmented with oil paint exhibited the lowest ΔE values in the different aging periods, with a statistical difference. Accelerated aging generated significant chromatic alterations in all groups after 252 hours, except for the colorless and oil groups, both with opacifier (G2 and G6). The opacifier protects facial silicones against color degradation, and oil paint is a stable pigment even without addition of opacifier. © 2010 by The American College of Prosthodontists.

Oil-based paint poisoning

Science.gov (United States)

Paint - oil-based - poisoning ... Hydrocarbons are the primary poisonous ingredient in oil paints. Some oil paints have heavy metals such as lead, mercury, cobalt, and barium added as pigment. These heavy metals can cause additional ...

Process Waste Assessment - Paint Shop

International Nuclear Information System (INIS)

Phillips, N.M.

1993-06-01

This Process Waste Assessment was conducted to evaluate hazardous wastes generated in the Paint Shop, Building 913, Room 130. Special attention is given to waste streams generated by the spray painting process because it requires a number of steps for preparing, priming, and painting an object. Also, the spray paint booth covers the largest area in R-130. The largest and most costly waste stream to dispose of is open-quote Paint Shop wasteclose quotes -- a combination of paint cans, rags, sticks, filters, and paper containers. These items are compacted in 55-gallon drums and disposed of as solid hazardous waste. Recommendations are made for minimizing waste in the Paint Shop. Paint Shop personnel are very aware of the need to minimize hazardous wastes and are continuously looking for opportunities to do so

Optical measurements of paintings and the creation of an artwork database for authenticity.

Directory of Open Access Journals (Sweden)

Seonhee Hwang

Full Text Available Paintings have high cultural and commercial value, so that needs to be preserved. Many techniques have been attempted to analyze properties of paintings, including X-ray analysis and optical coherence tomography (OCT methods, and enable conservation of paintings from forgeries. In this paper, we suggest a simple and accurate optical analysis system to protect them from counterfeit which is comprised of fiber optics reflectance spectroscopy (FORS and line laser-based topographic analysis. The system is designed to fully cover the whole area of paintings regardless of its size for the accurate analysis. For additional assessments, a line laser-based high resolved OCT was utilized. Some forgeries were created by the experts from the three different styles of genuine paintings for the experiments. After measuring surface properties of paintings, we could observe the results from the genuine works and the forgeries have the distinctive characteristics. The forgeries could be distinguished maximally 76.5% with obtained RGB spectra by FORS and 100% by topographic analysis. Through the several executions, the reliability of the system was confirmed. We could verify that the measurement system is worthwhile for the conservation of the valuable paintings. To store the surface information of the paintings in micron scale, we created a numerical database. Consequently, we secured the databases of three different famous Korean paintings for accurate authenticity.

A comparison of three indices of fishing power on some demersal fisheries of the North Sea

NARCIS (Netherlands)

Marchal, P.; Ulrich, C.; Korsbrekke, K.; Pastoors, M.A.; Rackham, B.

2002-01-01

The scope of this study is to identify temporal dynamics in fishing power, by deriving three different indices (IFP1, IFP2, IFP3) based on three independent methods. IFP1 is derived from the GLM analysis of the relationship between fishing mortality and fishing effort, assuming that total fishing

On the orientation of stripes in fish skin patterning.

Science.gov (United States)

Míguez, David G; Muñuzuri, Alberto P

2006-11-20

This paper is focused on the study of the stripes orientation in the fish skin patterns. Based on microscopic observations of the pigment cells behavior at the embryonic stage, the key aspects of the pigmentation process are implemented in an experimental reaction-diffusion system. The experiment consists of a photosensitive Turing pattern of stripes growing directionally in one direction with controlled velocity. Different growth velocities of the system rearrange the stripes in the same three possible orientations observed in the skin of the colored fishes: parallel, oblique, and perpendicular. Our results suggest that the spreading velocity of the pigment cells in the fish dermis selects the orientation in the patterning processes.

Retrospective dosimetry using chromosome painting

International Nuclear Information System (INIS)

Nasazzi, N.B.; Giorgio, M.D.; Taja, M.R.

2000-01-01

Chromosome aberration frequency measured in peripheral lymphocytes of persons exposed to ionizing radiation has been used since 1960s for dose assessment. Suspected overexposure is usually evaluated by the frequency of dicentrics and centric rings using an appropriate in vitro calibration curve. However, these chromosome aberrations are unstable with time after exposure and dose reconstruction may encounter uncertainties when the time between the exposure and the analysis is considerable or even unknown. It appears that translocations persist with time after exposure and may be used as an indication of acute past overexposures. Moreover, they appear to accumulate the cytogenetical information, which correlates with the dose received under fractionated, chronic or even occupational exposure conditions. Translocations may be detected using G-banding, which allows to score the total amount of radiation induced translocations but it is a time consuming method, or by Chromosome Painting, a method base on the Fluorescence in situ Hybridization (FISH) technique, painting only some chromosome pairs with specific whole chromosome probes and then extrapolating the observed translocation frequencies to the full genome. The latter method allows a faster aberration scoring than G-banding and appears to be the most promissory tool for biodosimetry, particularly when it is necessary to assess low doses and consequently to score a large number of metaphases, e.g. radiation workers exposed within dose limits. As with the unstable chromosome aberration, it is necessary an in vitro calibration curve based on the frequency of stable chromosome aberrations to assess doses. Our laboratory performed calibration curves for Co 60 γ-rays based on the frequencies of unstable (dicentrics and centric rings detected by conventional Giemsa staining) and stable chromosome aberrations (translocations and inversions, detected by G-banding). In order to minimize the interlaboratory variability, we

Aurora Borealis, A Painting by Frederic Edwin Church

Science.gov (United States)

Love, J. J.

2015-12-01

This year marks the sesquicentennial anniversary of the end of the American Civil War. In 1865, the same year as the War's end, the great American landscape artist, Frederic Edwin Church, unveiled Aurora Borealis, a painting that depicts a fantastic, far-northern place, an auroral arch stretched across a quiet night-time sky, above dark mountains and a frozen sea. Church was born in Connecticut, lived in New York, and traveled to Labrador; he would have often seen the northern lights. Church might have also been influenced by the spectacular displays of aurora that were caused by some unusually intense magnetic storms in 1859. Aurora Borealis can certainly be interpreted in terms of 19th-century romanticism, scientific philosophy, and Arctic missions of exploration, all subjects of interest to Church. As with so many of his paintings, Church's meticulous attention to detail in Aurora Borealis reveals his deep admiration of nature. But his depiction of auroral light is a curious and possibly intentional departure from natural verisimilitude. Some art historians have suggested that Church painted Aurora Borealis as a subdued tribute to the end of the Civil War, with the drapery of auroral light forming an abstract representation of the American flag. If so, then colors of the flag have been unfurled across a cold and barren landscape, not in extravagant celebration, but in somber recognition of the reality of post-war desolation and an uncertain future.

Microstructural characterization of material used as supporter in pre hispanic paints

International Nuclear Information System (INIS)

Silva V, Y.; Zorrilla, C.; Canetas, J.; Hernandez, R.; Aguilar F, M.; Arenas A, J.; Martinez, G.

2005-01-01

The aim of this work is to show the characterization of pre hispanic paintings mainly of the materials that support the pigments. The samples come from three different archaeological sites, Palenque-Chiapas (two specimens), Teotihuacan-Estado de Mexico (one specimen) and Mitla-Oaxaca (one specimen); Mayan, Teotihuacan and Mixtec-Zapotec culture respectively. The samples were analyzed by Sem, EDS, Tem, XRD and IR. The results show calcite as common phase for all the samples, however exist other phases identified depending on the site as dolomite, ankerite, calcium silicon chloride, etc. The origin of the red color of the analyzed pigments were cinnabar (HgS) by a sample of Palenque and hematite (Fe 2 O 3 ) by the other specimen, this last crystalline phase also present in the Mitla and Teotihuacan samples. By IR were identified some organic compounds in all the samples, but not copal. (Author)

Nanoscale investigation of the degradation mechanism of a historical chrome yellow paint by quantitative electron energy loss spectroscopy mapping of chromium species.

Science.gov (United States)

Tan, Haiyan; Tian, He; Verbeeck, Jo; Monico, Letizia; Janssens, Koen; Van Tendeloo, Gustaaf

2013-10-18

Getting the picture: The investigation of 100 year old chrome yellow paint by transmission electron microscopy and spectroscopy has led to the identification of four types of core-shell particles. This nanoscale investigation has allowed a mechanism to be proposed for the darkening of some bright yellow colors in Van Gogh's paintings (e.g. in Falling leaves (Les Alyscamps), 1888). Copyright © 2013 WILEY-VCH Verlag GmbH & Co. KGaA, Weinheim.

Iron-containing pigment from an archaeological rupestrian painting of the Planalto Tradition in Minas Gerais, Brazil

Energy Technology Data Exchange (ETDEWEB)

Floresta, D. L., E-mail: denise.floresta@ifmg.edu.br [Instituto Federal Minas Gerais campus Santa Luzia (Brazil); Fagundes, M.; Fabris, J. D. [Universidade Federal dos Vales do Jequitinhonha e Mucuri (Brazil); Ardisson, J. D. [Centro de Desenvolvimento da Tecnologia Nuclear (Brazil)

2015-06-15

Archaeological rupestrian arts of the Planalto Tradition are of relatively widespread occurrence all over the land area of the state of Minas Gerais (MG), Brazil. They are typically composed by monochromic zoomorphic figures, especially of cervids, mainly in red or orange color. A fragment of a rock wall containing an archaeological painting was collected at the Itanguá site, in the municipality of Senador Modestino Gonçalves (geographical coordinates, 17° 56′ 51″ S 43° 13′ 22″ W), MG. The rock piece was covered with an archaeological painting with pigments of two different hues of red. The X-ray fluorescence (XRF) analysis revealed only a slight difference in Fe and P content for the two different color zones. The pigment materials on this small fragment of rock were analyzed by X-ray diffraction on the conventional incidence mode (XRD) and on grazing incidence X-ray mode (GIXRD), scanning electron microscopy with energy dispersive x-ray detector (SEM/EDS) and conversion electron Mössbauer spectroscopy (CEMS) at room temperature. Results indicated the occurrence of mainly hematite but also of diopside in the pigment. CEMS at RT reveal the presence of hematite and (super)paramagnetic ferric components. In order to confirm these results a small amount of powder from the painting pigments was also analyzed by transmission Mössbauer spectroscopy at 20 K.

Iron-containing pigment from an archaeological rupestrian painting of the Planalto Tradition in Minas Gerais, Brazil

Science.gov (United States)

Floresta, D. L.; Fagundes, M.; Fabris, J. D.; Ardisson, J. D.

2015-06-01

Archaeological rupestrian arts of the Planalto Tradition are of relatively widespread occurrence all over the land area of the state of Minas Gerais (MG), Brazil. They are typically composed by monochromic zoomorphic figures, especially of cervids, mainly in red or orange color. A fragment of a rock wall containing an archaeological painting was collected at the Itanguá site, in the municipality of Senador Modestino Gonçalves (geographical coordinates, 17° 56' 51″ S 43° 13' 22″ W), MG. The rock piece was covered with an archaeological painting with pigments of two different hues of red. The X-ray fluorescence (XRF) analysis revealed only a slight difference in Fe and P content for the two different color zones. The pigment materials on this small fragment of rock were analyzed by X-ray diffraction on the conventional incidence mode (XRD) and on grazing incidence X-ray mode (GIXRD), scanning electron microscopy with energy dispersive x-ray detector (SEM/EDS) and conversion electron Mössbauer spectroscopy (CEMS) at room temperature. Results indicated the occurrence of mainly hematite but also of diopside in the pigment. CEMS at RT reveal the presence of hematite and (super)paramagnetic ferric components. In order to confirm these results a small amount of powder from the painting pigments was also analyzed by transmission Mössbauer spectroscopy at 20 K.

Iron-containing pigment from an archaeological rupestrian painting of the Planalto Tradition in Minas Gerais, Brazil

International Nuclear Information System (INIS)

Floresta, D. L.; Fagundes, M.; Fabris, J. D.; Ardisson, J. D.

2015-01-01

Archaeological rupestrian arts of the Planalto Tradition are of relatively widespread occurrence all over the land area of the state of Minas Gerais (MG), Brazil. They are typically composed by monochromic zoomorphic figures, especially of cervids, mainly in red or orange color. A fragment of a rock wall containing an archaeological painting was collected at the Itanguá site, in the municipality of Senador Modestino Gonçalves (geographical coordinates, 17° 56′ 51″ S 43° 13′ 22″ W), MG. The rock piece was covered with an archaeological painting with pigments of two different hues of red. The X-ray fluorescence (XRF) analysis revealed only a slight difference in Fe and P content for the two different color zones. The pigment materials on this small fragment of rock were analyzed by X-ray diffraction on the conventional incidence mode (XRD) and on grazing incidence X-ray mode (GIXRD), scanning electron microscopy with energy dispersive x-ray detector (SEM/EDS) and conversion electron Mössbauer spectroscopy (CEMS) at room temperature. Results indicated the occurrence of mainly hematite but also of diopside in the pigment. CEMS at RT reveal the presence of hematite and (super)paramagnetic ferric components. In order to confirm these results a small amount of powder from the painting pigments was also analyzed by transmission Mössbauer spectroscopy at 20 K

­A practical application of reduced-copper antifouling paint in marine biological research

Directory of Open Access Journals (Sweden)

Andrea S. Jerabek

2016-07-01

Full Text Available Biofouling of experimental cages and other field apparatuses can be problematic for scientists and has traditionally been addressed using frequent manual removal (e.g., scraping, scrubbing. Recent environmental restrictions and legislative changes have driven the development of less hazardous antifouling products, making antifouling paint a potential alternative option to manual removal. Consequently, the viability of using these newly developed products as a replacement for the manual cleaning of exclusion cages was experimentally investigated. There were six treatments tested, comprising three with settlement tiles in experimental cages coated with antifouling paint, two with settlement tiles in unpainted experimental cages, and one cage-free suspended tile. The three antifouling treatments comprised two reduced-copper paints (21% Cu2O and 40% Cu2O and one copper-free, Econea™-based paint (labeled “ecofriendly”. Antifouling paints were assessed for performance of preventing fouling of the cages and whether they elicited local effects on settlement tiles contained within them. All three paints performed well to reduce fouling of the cages during the initial six weeks of the experiment, but the efficacy of “ecofriendly” paint began to decrease during an extended deployment that lasted 14 weeks. The macro-community composition, biomass, and percent cover of settled organism on tiles within cages treated with copper-based paints (21% and 40% concentrations were indistinguishable from tiles within the manually scrubbed cages. In contrast, settlement to tiles from the “ecofriendly” treatment was different in composition of macro-community and lower in biomass, suggesting the presence of local effects and therefore rendering it unsuitable for use in settlement experiments. The results of this study suggest that reduced-copper paints have the potential to serve as an alternative to manual maintenance, which may be useful for deployments

Facile Synthesis of Monodispersed Polysulfide Spheres for Building Structural Colors with High Color Visibility and Broad Viewing Angle.

Science.gov (United States)

Li, Feihu; Tang, Bingtao; Wu, Suli; Zhang, Shufen

2017-01-01

The synthesis and assembly of monodispersed colloidal spheres are currently the subject of extensive investigation to fabricate artificial structural color materials. However, artificial structural colors from general colloidal crystals still suffer from the low color visibility and strong viewing angle dependence which seriously hinder their practical application in paints, colorimetric sensors, and color displays. Herein, monodispersed polysulfide (PSF) spheres with intrinsic high refractive index (as high as 1.858) and light-absorbing characteristics are designed, synthesized through a facile polycondensation and crosslinking process between sodium disulfide and 1,2,3-trichloropropane. Owing to their high monodispersity, sufficient surface charge, and good dispersion stability, the PSF spheres can be assembled into large-scale and high-quality 3D photonic crystals. More importantly, high structural color visibility and broad viewing angle are easily achieved because the unique features of PSF can remarkably enhance the relative reflectivity and eliminate the disturbance of scattering and background light. The results of this study provide a simple and efficient strategy to create structural colors with high color visibility, which is very important for their practical application. © 2016 WILEY-VCH Verlag GmbH & Co. KGaA, Weinheim.

Lime-based restoration paints: characterization and evaluation of formulations using a native species from the Amazon flora and PVA-based glue as additives

Directory of Open Access Journals (Sweden)

Mayra Martins Silva

Full Text Available Abstract Based on historic documents, two lime-based paint formulations were produced in laboratory in order to evaluate their basic characteristics as restoration materials for historic buildings with lime-based components. The paints were made basically with hydrated lime, clay, water and linseed (Linum usitatissimum L. oil, and one formulation had PVA (polyvinyl acetate-based glue as fixative, and the other one, Couma guianensis' latex. Each paint component was characterized by XRD and FTIR, and color and specular gloss measurements were performed on both paints. A preliminary assessment of the paints was conducted using the Pipe Method, the salt crystallization test, visual analysis for dustiness, and analysis of microbiological growth. The results showed that the laboratory-produced paints are theoretically and technologically compatible with lime-based coatings, however, their superficial performance can be improved to achieve greater durability. This study also brings to light local materials from the Amazon region that have great potential to be used and recognized as raw materials for paints and which could also be investigated for other uses.

Ask a Scientist: What is Color Blindness?

Medline Plus

Full Text Available ... t you see colors well in the dark? Do fish have eyelids? Why does saltwater sting your ... treated, and how people become color blind. What do my eyes do when I’m sleeping? Click ...

Ask a Scientist: What is Color Blindness?

Medline Plus

Full Text Available ... Scientist Video Series Why can’t you see colors well in the dark? Do fish have eyelids? ... video series. Dr. Sheldon Miller answers questions about color blindness, whether it can be treated, and how ...

Animal coloration research: why it matters.

Science.gov (United States)

Caro, Tim; Stoddard, Mary Caswell; Stuart-Fox, Devi

2017-07-05

While basic research on animal coloration is the theme of this special edition, here we highlight its applied significance for industry, innovation and society. Both the nanophotonic structures producing stunning optical effects and the colour perception mechanisms in animals are extremely diverse, having been honed over millions of years of evolution for many different purposes. Consequently, there is a wealth of opportunity for biomimetic and bioinspired applications of animal coloration research, spanning colour production, perception and function. Fundamental research on the production and perception of animal coloration is contributing to breakthroughs in the design of new materials (cosmetics, textiles, paints, optical coatings, security labels) and new technologies (cameras, sensors, optical devices, robots, biomedical implants). In addition, discoveries about the function of animal colour are influencing sport, fashion, the military and conservation. Understanding and applying knowledge of animal coloration is now a multidisciplinary exercise. Our goal here is to provide a catalyst for new ideas and collaborations between biologists studying animal coloration and researchers in other disciplines.This article is part of the themed issue 'Animal coloration: production, perception, function and application'. © 2017 The Author(s).

Ulisse Aldrovandi's Color Sensibility: Natural History, Language and the Lay Color Practices of Renaissance Virtuosi.

Science.gov (United States)

Pugliano, Valentina

2015-01-01

Famed for his collection of drawings of naturalia and his thoughts on the relationship between painting and natural knowledge, it now appears that the Bolognese naturalist Ulisse Aldrovandi (1522-1605) also pondered specifically color and pigments, compiling not only lists and diagrams of color terms but also a full-length unpublished manuscript entitled De coloribus or Trattato dei colori. Introducing these writings for the first time, this article portrays a scholar not so much interested in the materiality of pigment production, as in the cultural history of hues. It argues that these writings constituted an effort to build a language of color, in the sense both of a standard nomenclature of hues and of a lexicon, a dictionary of their denotations and connotations as documented in the literature of ancients and moderns. This language would serve the naturalist in his artistic patronage and his natural historical studies, where color was considered one of the most reliable signs for the correct identification of specimens, and a guarantee of accuracy in their illustration. Far from being an exception, Aldrovandi's 'color sensibility'spoke of that of his university-educated nature-loving peers.

Raman Identification of Pigments in Wall Paintings of the Colonial Period from Bolivian Churches in the Ruta De La Plata

Directory of Open Access Journals (Sweden)

Carlos Rúa

2018-03-01

Full Text Available Micro-Raman spectroscopy was used to analyze and identify pigments and determine the palette of color in wall paintings from four churches of the Colonial Period, in the Bolivian highlands. The ancient churches Santiago de Callapa, Curahuara de Carangas, NuestraSeñora de Copacabana de Andamarca and San José de Soracachi were constructed during the 17th and 18th centuries, around the important colonial Ruta de la Plata, between Potosí city and Arica harbor on the Pacific coast of South America. Most pigments used in the wall paintings correspond to inorganic minerals as well as to organic colorants. Fully chlorinated copper phthalocyanine (green, copper phthalocyanine (blue, β-naphthol (yellow and benzoimidazolone (red, were identified in the corresponding colored areas suggesting subsequent recent interventions or restorations. Ground layer materials were also characterized. The present results allow for discussion of the pictorial techniques used in the Andean highland during the colonial period and allow conservators and restorers to make important decisions regarding the type of intervention to perform in the case of these important historical and patrimonial monuments.

Ask a Scientist: What is Color Blindness?

Medline Plus

Full Text Available ... you see colors well in the dark? Do fish have eyelids? Why does saltwater sting your eyes? ... be nearsighted or farsighted? Click to Watch Do fish have eyelids? Click to Watch Why don’t ...

Selective paint coatings for coloured solar absorbers: Polyurethane thickness insensitive spectrally selective (TISS) paints (Part II)

Energy Technology Data Exchange (ETDEWEB)

Orel, B.; Spreizer, H.; Surca Vuk, A.; Fir, M. [National Institute of Chemistry, Hajdrihova 19, SI-1000 Ljubljana (Slovenia); Merlini, D.; Vodlan, M. [Color d.d., Cesta komandanta Staneta 4, SI-1230 Medvode (Slovenia); Koehl, M. [Fraunhofer-Institute for Solar Energy Systems ISE, Heidenhofstr. 2, D-79110 Freiburg (Germany)

2007-01-23

Red, green and blue paints were prepared for use as thickness insensitive spectrally selective (TISS) paint coatings for solar facade absorbers. The paints were composed of a polyurethane resin binder in which various pigments were incorporated in such a way that they formed stable paint dispersions, satisfying stability criteria for facade coatings. A low emittance of the paints was achieved by using low-emittance aluminium flake pigments combined with iron oxide (red coloured paints). Black pigment was added to adjust solar absorptance. Blue and green paints were made by the addition of coloured aluminium flake pigment and the solar absorptance was also adjusted by the addition of black pigment. Efficiency for photo-thermal conversion of solar radiation was assessed by evaluation of the corresponding performance criteria, which enabled the selection of paints whose performance criteria values were higher than 0 (spectrally non-selective black coating). The results confirmed that blue and green paints and to minor extent red ones, combined selectivity with colour. The morphology of the paints was assessed, revealing that the colours originated from the deposition of finely dispersed colour and/or black pigment on the surface of the aluminium flakes during paint preparation. (author)

"The Ancient Master Painted like Me"

Science.gov (United States)

Chiu, Son-Mey

2009-01-01

By following their wonderful ideas or critical exploration, three eighth graders learned how to do traditional Chinese painting, which is taught by copying old masters' work from the Ming Dynasty in the 17th century. The standard manual, which most learners have been using for these three hundred years, is the "Mustard Seed Garden Manual of…

Optimization of Robotic Spray Painting process Parameters using Taguchi Method

Science.gov (United States)

Chidhambara, K. V.; Latha Shankar, B.; Vijaykumar

2018-02-01

Automated spray painting process is gaining interest in industry and research recently due to extensive application of spray painting in automobile industries. Automating spray painting process has advantages of improved quality, productivity, reduced labor, clean environment and particularly cost effectiveness. This study investigates the performance characteristics of an industrial robot Fanuc 250ib for an automated painting process using statistical tool Taguchi’s Design of Experiment technique. The experiment is designed using Taguchi’s L25 orthogonal array by considering three factors and five levels for each factor. The objective of this work is to explore the major control parameters and to optimize the same for the improved quality of the paint coating measured in terms of Dry Film thickness(DFT), which also results in reduced rejection. Further Analysis of Variance (ANOVA) is performed to know the influence of individual factors on DFT. It is observed that shaping air and paint flow are the most influencing parameters. Multiple regression model is formulated for estimating predicted values of DFT. Confirmation test is then conducted and comparison results show that error is within acceptable level.

Ciguatoxin-like substances in edible fish on the eastern Mediterranean.

Science.gov (United States)

Bentur, Yedidia; Spanier, Ehud

2007-09-01

The consumption of edible fish (e.g., Siganus spp) was assumed to have caused ciguatera poisoning at an atypical site, the eastern Mediterranean. This pilot study assesses the presence of ciguatoxin-like substances in edible fish on the eastern Mediterranean coast of Israel. Samples of Siganus rivulatus from polluted seawater (Haifa Bay), Siganus rivulatus from relatively clean seawater (Dor), and fish from the freshwater Sea of Galilee not inhabited by toxic algae were analyzed during summertime. Ciguatoxin-like substances were tested by a membrane immunobead assay that yields a color reaction (positive, weakly positive, negative). Significantly more large and small fish from Haifa Bay yielded positive color reactions compared to fish from Dor. Sea of Galilee fish gave no positive color reactions. Our results suggest the presence of ciguatoxin-like substances in edible fish of the eastern Mediterranean. Additional analyses are needed to determine whether these substances are ciguatoxins or related polyethers.

A Photodegradation Study of Three Common Paint and Plaster Biocides under monochromatic UV Light

DEFF Research Database (Denmark)

Minelgaite, Greta; Vollertsen, Jes; Nielsen, Asbjørn Haaning

2014-01-01

Photodegradation of the three common paint-and-plaster biocides (carbendazim, diuron and terbutryn) was investigated at controlled laboratory conditions. Samples prepared in two types of water (demineralized water and pond water) were subjected to 254 nm monochromatic UV light. Light intensity (W m......-2) in the experimental chamber was measured by a fiber optic spectrometer. The observed decline in biocide concentration was related with the light energy, accumulated during the time of degradation (kJ m-2), and 1st order photodegradation rate constants (m2 kJ-1) were determined. The obtained...... at selected laboratory conditions, as well as emphasize the importance of water type when investigating pollutant’s photo fate, as certain constituents might act as reaction enhancers or inhibitors....

Feeding ecology of three inshore fish species at Marion Island ...

African Journals Online (AJOL)

Three species of fish occur in the shallow inshore waters of Marion Island. Notothenia ... and then expressed as a percentage of the sum of all R.1. values for each ... also spends much of its time lying motionless on the bot- tom. Up to three H.

Color Reproduction with Juxtaposed Halftoning

OpenAIRE

Babaei, Vahid

2015-01-01

Recently, non-standard inks have begun to make their way into the world of printing. Non-standard inks are printing materials which exhibit unusual effects such as angular color dependence, texture, or fluorescence. They are made of special-effect pigments that play an increasingly important role in the paint, plastic, and cosmetic industries. In the printing industry, due to the challenges they pose, they have restricted applications. A long-held assumption in classic printing is the transp...

Producing High Intense Attosecond Pulse Train by Interaction of Three-Color Pulse and Overdense Plasma

Science.gov (United States)

Salehi, M.; Mirzanejad, S.

2017-05-01

Amplifying the attosecond pulse by the chirp pulse amplification method is impossible. Furthermore, the intensity of attosecond pulse is low in the interaction of laser pulse and underdense plasma. This motivates us to propose using a multi-color pulse to produce the high intense attosecond pulse. In the present study, the relativistic interaction of a three-color linearly-polarized laser-pulse with highly overdense plasma is studied. We show that the combination of {{ω }}1, {{ω }}2 and {{ω }}3 frequencies decreases the instance full width at half maximum reflected attosecond pulse train from the overdense plasma surface. Moreover, we show that the three-color pulse increases the intensity of generated harmonics, which is explained by the relativistic oscillating mirror model. The obtained results demonstrate that if the three-color laser pulse interacts with overdense plasma, it will enhance two orders of magnitude of intensity of ultra short attosecond pulses in comparison with monochromatic pulse.

New insights into the painting stratigraphy of L'Homme blesse by Gustave Courbet combining scanning macro-XRF and confocal micro-XRF

International Nuclear Information System (INIS)

Reiche, Ina; Eveno, Myriam; Pichon, Laurent; Laval, Eric; Mottin, Bruno; Mueller, Katharina; Calligaro, Thomas; Mysak, Erin

2016-01-01

The painting L'Homme blesse by Gustave Courbet kept at the Musee d'Orsay in Paris has been recently studied by X-ray radiography, SEM-EDX observation of paint cross sections and confocal micro-X-ray fluorescence analyses (CXRF) at locations where the cross section samples were taken. This study allowed the establishment of the paint palette used by Courbet for the three paint compositions. Eight or more paint layers could be evidenced. In the view of the complexity of this painting, further analyses using two-dimensional scanning macro-X-ray fluorescence imaging (MA-XRF) providing chemical images corresponding to the superimposition of all detectable paint layers were employed. This method is combined with CXRF for depth-resolved paint layer analysis. Large elemental maps of Hg, Cu, As, Fe, Zn, Cr, Ba, Pb and Ca were obtained by MA-XRF on the painting and are discussed in combination with depth profiles obtained by CXRF on strategic points where three painting compositions overlap. The order of three successive compositions of this painting were determined in this study. This work also highlights the benefits of using complementary imaging methods to obtain a complete three-dimensional vision of the chemistry and stratigraphy of paintings. (orig.)

Marker chromosome 21 identified by microdissection and FISH

Energy Technology Data Exchange (ETDEWEB)

Sun, Y.; Palmer, C.G. [Indiana Univ. School of Medicine, Indianapolis, IN (United States); Rubinstein, J. [Univ. Affiliated Cincinnati Center for Developmental Disorders, OH (United States)] [and others

1995-03-27

A child without Down`s syndrome but with developmental delay, short stature, and autistic behavior was found to be mosaic 46,XX/47,XX,+mar(21) de novo. The marker was a small ring or dot-like chromosome. Microdissection of the marker was performed. The dissected fragments were biotinylated with sequence-independent PCR as a probe pool for fluorescence in situ hybridization (FISH). FISH results suggested an acrocentric origin of the marker. Subsequent FISH with {alpha}-satellite DNA probes for acrocentric chromosomes and chromosome-specific 21 and 22 painting probes confirmed its origin from chromosome 21. 14 refs., 3 figs.

Microscale radiocarbon dating of paintings

International Nuclear Information System (INIS)

Hendriks, Laura; Hajdas, Irka; McIntyre, Cameron; Kueffner, Markus; Ferreira, Ester S.B.; Scherrer, Nadim C.

2016-01-01

In this paper, radiocarbon dating of paintings using minimal sample sizes has been investigated, in an effort to address the problem of limited access to sample material in paintings. 14 C analyses were conducted on signed and dated paintings from two Swiss artists of the twentieth century. The selected paintings dated from the 1930s and 1960s, provided the opportunity to evaluate the dating accuracy on paintings realized before and after 1950 AD when the 14 C bomb peak was created, as a result of the nuclear tests conducted in the 1950/1960s. The work focused on the one hand on minimizing the size of the canvas sample required for accelerator mass spectrometer radiocarbon measurement on the gas ion source of the MICADAS and, on the other hand, on testing the possibility of dating the organic binder of the paint. Following careful characterization of the paint composition by X-ray fluorescence spectroscopy, Fourier transformed infrared spectroscopy, and Raman spectroscopy, paints containing no other carbon source than the natural organic binder were identified and dated. (orig.)

Microscale radiocarbon dating of paintings

Energy Technology Data Exchange (ETDEWEB)

Hendriks, Laura; Hajdas, Irka; McIntyre, Cameron [ETH Zurich, Ion Beam Physics, Zurich (Switzerland); Kueffner, Markus; Ferreira, Ester S.B. [SIK-ISEA, Zurich, Zurich (Switzerland); Scherrer, Nadim C. [Bern University of Applied Sciences, HKB, Bern (Switzerland)

2016-03-15

In this paper, radiocarbon dating of paintings using minimal sample sizes has been investigated, in an effort to address the problem of limited access to sample material in paintings. {sup 14}C analyses were conducted on signed and dated paintings from two Swiss artists of the twentieth century. The selected paintings dated from the 1930s and 1960s, provided the opportunity to evaluate the dating accuracy on paintings realized before and after 1950 AD when the {sup 14}C bomb peak was created, as a result of the nuclear tests conducted in the 1950/1960s. The work focused on the one hand on minimizing the size of the canvas sample required for accelerator mass spectrometer radiocarbon measurement on the gas ion source of the MICADAS and, on the other hand, on testing the possibility of dating the organic binder of the paint. Following careful characterization of the paint composition by X-ray fluorescence spectroscopy, Fourier transformed infrared spectroscopy, and Raman spectroscopy, paints containing no other carbon source than the natural organic binder were identified and dated. (orig.)

Style-based classification of Chinese ink and wash paintings

Science.gov (United States)

Sheng, Jiachuan; Jiang, Jianmin

2013-09-01

Following the fact that a large collection of ink and wash paintings (IWP) is being digitized and made available on the Internet, their automated content description, analysis, and management are attracting attention across research communities. While existing research in relevant areas is primarily focused on image processing approaches, a style-based algorithm is proposed to classify IWPs automatically by their authors. As IWPs do not have colors or even tones, the proposed algorithm applies edge detection to locate the local region and detect painting strokes to enable histogram-based feature extraction and capture of important cues to reflect the styles of different artists. Such features are then applied to drive a number of neural networks in parallel to complete the classification, and an information entropy balanced fusion is proposed to make an integrated decision for the multiple neural network classification results in which the entropy is used as a pointer to combine the global and local features. Evaluations via experiments support that the proposed algorithm achieves good performances, providing excellent potential for computerized analysis and management of IWPs.

Spectroscopic evaluation of painted layer structural changes induced by gamma radiation in experimental models

International Nuclear Information System (INIS)

Manea, Mihaela M.; Moise, Ioan V.; Virgolici, Marian; Negut, Constantin D.; Barbu, Olimpia-Hinamatsuri; Cutrubinis, Mihalis; Fugaru, Viorel; Stanculescu, Ioana R.; Ponta, Corneliu C.

2012-01-01

The degradation of cultural heritage objects by insects and microorganisms is an important issue for conservators, art specialists and humankind in general. Gamma irradiation is an efficient method of polychrome wooden artifacts disinfestation. Color changes and other modifications in the physical chemical properties of materials induced by gamma irradiation are feared by cultural heritage responsible committees and they have to be evaluated objectively and precisely. In this paper FTIR and FT-Raman spectroscopy methods were used to investigate the structural changes in some experimental models of tempera paint layers on wood following 11 kGy gamma irradiation at two dose rates. Radiation chemistry depends on the particular pigment, matrix formed by protein, resin (in case of varnished samples) and water presence. For the majority of painted layer in experimental models very small spectral variations were observed. Small changes in the FTIR spectra were observed for the raw sienna experimental model: for the higher dose rate the egg yolk protein oxidation peaks and the CH stretching bands due to lipids degradation products increased. - Highlights: ► Experimental models of tempera paint layers on wood were γ-irradiated at two dose rates. ► Changes induced by γ-irradiation were evaluated by vibrational spectroscopy. ► Minor spectral variations of painted layer were observed. ► Raw sienna FTIR spectra showed little changes of egg yolk and lipids at higher dose rate. ► Gamma irradiation is recommended for disinfection of painted wooden artifacts.

On the track of fish batches in three distribution networks

DEFF Research Database (Denmark)

Randrup, Maria; Wu, Haiping; Jørgensen, Bo M.

2012-01-01

Three fish products sampled in retail shops were traced back to their origin and fish from the same batch were tracked forward towards the retailer, thereby simulating a recall situation. The resulting distribution networks were very complex, but to the extent that companies were willing to provi...... of discovering a fault as early as possible in order to minimise the costs of a recall. The localisation of distributed products during a recall operation can be facilitated by a well-constructed traceability system....

A spectroscopic study of Brazilwood paints in medieval books of hours.

Science.gov (United States)

Melo, Maria João; Otero, Vanessa; Vitorino, Tatiana; Araújo, Rita; Muralha, Vânia S F; Lemos, Ana; Picollo, Marcello

2014-01-01

In this work, microspectrofluorimetry was for the first time applied to the identification of the red organic lakes that are characteristic of the lavish illuminations found in 15(th) century books of hours. Microspectrofluorimetry identified those red paints, ranging from opaque pink to dark red glazes, as brazilwood lakes. An unequivocal characterization was achieved by comparison with reference paints produced following recipes from the medieval treatise The Book on How to Make Colours, and was further confirmed by fiber optic reflectance spectroscopy (FORS). For these treasured cultural objects, microspectrofluorimetry and FORS proved to be the only techniques that could identify, in situ or in microsamples, the chromophore responsible for the pinkish hues: a brazilein-Al(3+) complex. Additionally, a multi-analytical approach provided a full characterization of the color paints, including pigments, additives, and binders. Microspectroscopic techniques, based on infrared and X-ray radiation, enabled us to disclose the full palette of these medieval manuscripts, including the elusive greens, for which, besides malachite, basic copper sulfates were found; Raman microscopy suggested a mixture of brochantite and langite. Infrared analysis proved invaluable for a full characterization of the additives that were applied as fillers or whites (chalk, gypsum, and white lead) as well as the proteinaceous and polysaccharide binders that were found pure or in mixture.

75 FR 5887 - Listing of Color Additives Exempt From Certification; Paracoccus Pigment; Confirmation of...

Science.gov (United States)

2010-02-05

... pigment as a color additive in the feed of salmonid fish to enhance the color of their flesh. DATES: The... for the safe use of paracoccus pigment as a color additive in the feed of salmonid fish to enhance the... of Food and Drugs, and redelegated to the Director, Office of Food Additive Safety, notice is given...

Three-Dimensional Color Code Thresholds via Statistical-Mechanical Mapping

Science.gov (United States)

Kubica, Aleksander; Beverland, Michael E.; Brandão, Fernando; Preskill, John; Svore, Krysta M.

2018-05-01

Three-dimensional (3D) color codes have advantages for fault-tolerant quantum computing, such as protected quantum gates with relatively low overhead and robustness against imperfect measurement of error syndromes. Here we investigate the storage threshold error rates for bit-flip and phase-flip noise in the 3D color code (3DCC) on the body-centered cubic lattice, assuming perfect syndrome measurements. In particular, by exploiting a connection between error correction and statistical mechanics, we estimate the threshold for 1D stringlike and 2D sheetlike logical operators to be p3DCC (1 )≃1.9 % and p3DCC (2 )≃27.6 % . We obtain these results by using parallel tempering Monte Carlo simulations to study the disorder-temperature phase diagrams of two new 3D statistical-mechanical models: the four- and six-body random coupling Ising models.

New insights into the painting stratigraphy of L'Homme blesse by Gustave Courbet combining scanning macro-XRF and confocal micro-XRF

Energy Technology Data Exchange (ETDEWEB)

Reiche, Ina [Staatliche Museen zu Berlin-Preussischer Kulturbesitz, Rathgen-Forschungslabor, Berlin (Germany); Laboratoire d' Archeologie Moleculaire et Structurale, Sorbonne Universites, Univ. Paris 06, CNRS, UMR 8220, Paris (France); Eveno, Myriam; Pichon, Laurent; Laval, Eric; Mottin, Bruno [Centre de Recherche et de Restauration des Musees de France (C2RMF), Paris (France); Mueller, Katharina [Laboratoire d' Archeologie Moleculaire et Structurale, Sorbonne Universites, Univ. Paris 06, CNRS, UMR 8220, Paris (France); Calligaro, Thomas [Centre de Recherche et de Restauration des Musees de France (C2RMF), Paris (France); PSL Research University, Chimie ParisTech-CNRS, Institut de Recherche Chimie Paris, Paris (France); Mysak, Erin [Centre de Recherche et de Restauration des Musees de France (C2RMF), Paris (France); Yale University, Institute for the Preservation of Cultural Heritage, New Haven, CT (United States)

2016-11-15

The painting L'Homme blesse by Gustave Courbet kept at the Musee d'Orsay in Paris has been recently studied by X-ray radiography, SEM-EDX observation of paint cross sections and confocal micro-X-ray fluorescence analyses (CXRF) at locations where the cross section samples were taken. This study allowed the establishment of the paint palette used by Courbet for the three paint compositions. Eight or more paint layers could be evidenced. In the view of the complexity of this painting, further analyses using two-dimensional scanning macro-X-ray fluorescence imaging (MA-XRF) providing chemical images corresponding to the superimposition of all detectable paint layers were employed. This method is combined with CXRF for depth-resolved paint layer analysis. Large elemental maps of Hg, Cu, As, Fe, Zn, Cr, Ba, Pb and Ca were obtained by MA-XRF on the painting and are discussed in combination with depth profiles obtained by CXRF on strategic points where three painting compositions overlap. The order of three successive compositions of this painting were determined in this study. This work also highlights the benefits of using complementary imaging methods to obtain a complete three-dimensional vision of the chemistry and stratigraphy of paintings. (orig.)

What is lead-based paint?

International Nuclear Information System (INIS)

Vernon, L.S.

1994-01-01

The number of variety of lead-abatement regulations and requirements make it difficult and confusing to identify and properly respond to dangerous levels of lead in every situation. Definitions of ''lead-based paint'' and three test methods for lead detection are described to help determine when and how to test for the presence of lead

Self Cleaning Paint: Introduction of Photocatalytic Particles into a Paint System

DEFF Research Database (Denmark)

Gunnarsson, Sverrir Grimur

The current industrial PhD work was aimed at synthesising a photocatalytic composite material which could be used to give organic wood paint films self-cleaning and anti-microbial properties. The current PhD work was done in collaboration between Dyrup A/S and Technical University of Denmark...... consists of an introduction to relevant concepts and literature followed by results, presented as research papers, and a patent application. Four research papers are introduced as individual chapters. Chapter 4 discusses the synthesis and optimisation of anatase TiO2 coated microspheres, chapter 5......-cleaning coatings containing TiO2 coated microspheres. The results show that introducing a photocatalyst into an organic paint system as a coating on inert carrier particles results in durable and weather stable paint films. The paint films exhibit selfcleaning properties and are able to resist the attack of micro...

Learning the scientific method using GloFish.

Science.gov (United States)

Vick, Brianna M; Pollak, Adrianna; Welsh, Cynthia; Liang, Jennifer O

2012-12-01

Here we describe projects that used GloFish, brightly colored, fluorescent, transgenic zebrafish, in experiments that enabled students to carry out all steps in the scientific method. In the first project, students in an undergraduate genetics laboratory course successfully tested hypotheses about the relationships between GloFish phenotypes and genotypes using PCR, fluorescence microscopy, and test crosses. In the second and third projects, students doing independent research carried out hypothesis-driven experiments that also developed new GloFish projects for future genetics laboratory students. Brianna Vick, an undergraduate student, identified causes of the different shades of color found in orange GloFish. Adrianna Pollak, as part of a high school science fair project, characterized the fluorescence emission patterns of all of the commercially available colors of GloFish (red, orange, yellow, green, blue, and purple). The genetics laboratory students carrying out the first project found that learning new techniques and applying their knowledge of genetics were valuable. However, assessments of their learning suggest that this project was not challenging to many of the students. Thus, the independent projects will be valuable as bases to widen the scope and range of difficulty of experiments available to future genetics laboratory students.

Matte painting in stereoscopic synthetic imagery

Science.gov (United States)

Eisenmann, Jonathan; Parent, Rick

2010-02-01

While there have been numerous studies concerning human perception in stereoscopic environments, rules of thumb for cinematography in stereoscopy have not yet been well-established. To that aim, we present experiments and results of subject testing in a stereoscopic environment, similar to that of a theater (i.e. large flat screen without head-tracking). In particular we wish to empirically identify thresholds at which different types of backgrounds, referred to in the computer animation industry as matte paintings, can be used while still maintaining the illusion of seamless perspective and depth for a particular scene and camera shot. In monoscopic synthetic imagery, any type of matte painting that maintains proper perspective lines, depth cues, and coherent lighting and textures saves in production costs while still maintaining the illusion of an alternate cinematic reality. However, in stereoscopic synthetic imagery, a 2D matte painting that worked in monoscopy may fail to provide the intended illusion of depth because the viewer has added depth information provided by stereopsis. We intend to observe two stereoscopic perceptual thresholds in this study which will provide practical guidelines indicating when to use each of three types of matte paintings. We ran subject tests in two virtual testing environments, each with varying conditions. Data were collected showing how the choices of the users matched the correct response, and the resulting perceptual threshold patterns are discussed below.

British Museum paintings

OpenAIRE

Edmonds, Frances

2011-01-01

Frances Edmonds is one of a group of artists selected for the show ‘Territories’ taking place at Galerie Windkracht 13 in Den Helder, Holland this July 2012. This exhibition is curated by Sharon Beavan and Gethin Evans. The artists represented work across the boundaries of two and three-dimensional and time based form. The brief – to interrogate and explore the notion of territories. Frances will be showing several paintings from the British Museum series, based on imagery collected ...

Toxicity of nanoparticles embedded in paints compared to pristine nanoparticles, in vitro study.

Science.gov (United States)

Smulders, Stijn; Luyts, Katrien; Brabants, Gert; Golanski, Luana; Martens, Johan; Vanoirbeek, Jeroen; Hoet, Peter H M

2015-01-22

The unique physicochemical properties of nanomaterials has led to an increased use in the paint and coating industry. In this study, the in vitro toxicity of three pristine ENPs (TiO2, Ag and SiO₂), three aged paints containing ENPs (TiO₂, Ag and SiO₂) and control paints without ENPs were compared. In a first experiment, cytotoxicity was assessed using a biculture consisting of human bronchial epithelial (16HBE14o-) cells and human monocytic cells (THP-1) to determine subtoxic concentrations. In a second experiment, a new coculture model of the lung-blood barrier consisting of 16HBE14o- cells, THP-1 and human lung microvascular endothelial cells (HLMVEC) was used to study pulmonary and extrapulmonary toxicity. The results show that the pristine TiO₂ and Ag ENPs have some cytotoxic effects at relative high dose, while pristine SiO₂ ENPs and all aged paints with ENPs and control paints do not. In the complex triculture model of the lung-blood barrier, no considerable changes were observed after exposure to subtoxic concentration of the different pristine ENPs and paint particles. In conclusion, we demonstrated that although pristine ENPs show some toxic effects, no significant toxicological effects were observed when they were embedded in a complex paint matrix. Copyright © 2014 Elsevier Ireland Ltd. All rights reserved.

Fluorescence in situ hybridization of old G-banded and mounted chromosome preparations

DEFF Research Database (Denmark)

Gerdes, A M; Pandis, N; Bomme, L

1997-01-01

the coverslips detach spontaneously; any mechanical manipulation will jeopardize the results. The success of chromosome painting is improved by excluding the regular RNase treatment step prior to hybridization. Additional changes compared with standard FISH protocols are that the 2 x SSC step is omitted......An improved method for fluorescence in situ hybridization (FISH) investigation of old, previously G-banded, mounted chromosome preparations with chromosome specific painting probes and centromere-specific probes is described. Before hybridization, the slides are incubated in xylene until......, that the amount of added probe is increased approximately 2.5 times, and that the amplification of signals is performed twice. The applicability of the method, which allows double painting with two differently labeled probes using two differently fluorescing colors, was tested on 11 cases involving different...

Fish abundance and distribution near three heated effluents to Lake Michigan

International Nuclear Information System (INIS)

Spigarelli, S.A.; Goldstein, R.M.; Prepejchal, W.; Thommes, M.M.

1982-01-01

A combined echo location-temperature mapping technique was used to determine the abundance and distribution of fish with depth and temperature in locally heated and unheated areas of Lake Michigan. Surveys were conducted between April and October at two adjacent power plants in the southern basin and at one plant in the northern basin of the lake. Fish densities in plume and reference areas differed seasonally. Densities typically differed by a factor of 2-4 although on one occasion plume area density was 90 times greater. Highest plume densities occurred during late spring when alewife (Alosa pseudoharengus) were spawning inshore. Consistently dense congregations of fish were found downstream of the interfaces between ambient shore-parallel currents and discharge flows. The general distribution of fish with depth was similar in all areas. Differences between plume and reference areas were related to the discharge type: at canal discharges fish tended to congregate inshore while at the offshore discharge they congregated in deeper zones. Fish also tended to occupy shallower depth strata in all plume areas. Positive correlation between fish density and increasing temperature was common at both plume and reference areas during all three seasons, but more frequent at plume areas. Temperatures selected by fish in plume areas were 1-3 0 C higher than maximum ambient temperatures

Production of Imitated fish and Keeping their Quality by gamma irradiation

International Nuclear Information System (INIS)

Ali, H.E.S.

2004-01-01

this investigation aims to the possibility of utilizing the bolti fish which obtained from high dam lake specially large size and under utilized for manufacturing imitated shellfish product and compared with natural shell fish and also, aims to study the possibility of gamma irradiation at doses 1,3,and 5 kGy for keeping the quality of imitated fish product during cold storage. therefore whole fish bolti were obtained from Misr Aswan company. the whole fish were dressed and minced. the obtained minced fish was washed three times with sodium bicarbonate (0.2%), distilled water and sodium chloride solution (0.15%). the cryoprotectant ingredient (sorbitol, sucrose and tripoli phosphate) was added to washed minced fish for producing intermediate product (surimi). the final product (imitated fish) was manufactured by adding egg white, starch, corn oil, natural color and flavor of shrimp and crab according to special formula for shrimp and crab. the imitated shrimp sample were irradiated at doses 1,3 and 5 kGy and sold stored

Selectively strippable paint schemes

Science.gov (United States)

Stein, R.; Thumm, D.; Blackford, Roger W.

1993-03-01

In order to meet the requirements of more environmentally acceptable paint stripping processes many different removal methods are under evaluation. These new processes can be divided into mechanical and chemical methods. ICI has developed a paint scheme with intermediate coat and fluid resistant polyurethane topcoat which can be stripped chemically in a short period of time with methylene chloride free and phenol free paint strippers.

Painting for protection

International Nuclear Information System (INIS)

Stepto, G.G.C.

1981-01-01

Despite the use of special alloys, paint is still the most economical and practical method of protecting steel. Chlorinated rubber resin based paint systems are shown to be satisfactory in areas requiring decontamination as well as for outside exposed areas of nuclear power plants. (author)

Painted Goby Larvae under High-CO2 Fail to Recognize Reef Sounds.

Directory of Open Access Journals (Sweden)

Joana M Castro

Full Text Available Atmospheric CO2 levels have been increasing at an unprecedented rate due to anthropogenic activity. Consequently, ocean pCO2 is increasing and pH decreasing, affecting marine life, including fish. For many coastal marine fishes, selection of the adult habitat occurs at the end of the pelagic larval phase. Fish larvae use a range of sensory cues, including sound, for locating settlement habitat. This study tested the effect of elevated CO2 on the ability of settlement-stage temperate fish to use auditory cues from adult coastal reef habitats. Wild late larval stages of painted goby (Pomatoschistus pictus were exposed to control pCO2 (532 μatm, pH 8.06 and high pCO2 (1503 μatm, pH 7.66 conditions, likely to occur in nearshore regions subjected to upwelling events by the end of the century, and tested in an auditory choice chamber for their preference or avoidance to nighttime reef recordings. Fish reared in control pCO2 conditions discriminated reef soundscapes and were attracted by reef recordings. This behaviour changed in fish reared in the high CO2 conditions, with settlement-stage larvae strongly avoiding reef recordings. This study provides evidence that ocean acidification might affect the auditory responses of larval stages of temperate reef fish species, with potentially significant impacts on their survival.

Phycoremediation of heavy metals by the three-color forms of Kappaphycus alvarezii

Energy Technology Data Exchange (ETDEWEB)

Suresh Kumar, K [Marine Algae and Marine Environment Discipline, Central Salt and Marine Chemicals Research Institute, Gijubhai Badheka Marg, Bhavangar 364 002, Gujarat (India); Ganesan, K [Marine Algae and Marine Environment Discipline, Central Salt and Marine Chemicals Research Institute, Gijubhai Badheka Marg, Bhavangar 364 002, Gujarat (India); Subba Rao, P V [Marine Algae and Marine Environment Discipline, Central Salt and Marine Chemicals Research Institute, Gijubhai Badheka Marg, Bhavangar 364 002, Gujarat (India)

2007-05-08

In the present investigation, three living color forms (brown, green and pale yellow) of Kappaphycus alvarezii were examined for their biosorption ability in the laboratory. The brown color form proved to be an excellent metal biosorbent, i.e. it could adsorb good amount of cadmium 3.064 mg/100 g f.wt. and cobalt 3.365 mg/100 g f.wt. It also removed 2.799 mg/100 g f.wt. of chromium. The green color form absorbed 2.684, 3.43 and 2.692 mg/100 g f.wt. of cadmium, cobalt and chromium, respectively. In contrast, the pale yellow form removed almost equal proportion of cadmium 0.961 mg/100 g f.wt. and chromium 0.942 mg/100 g f.wt. It also removed 1.403 mg/100 g f.wt. cobalt. Thus, the living color forms of this seaweed could form an effective biosorbent material for removal of heavy metals.

Phycoremediation of heavy metals by the three-color forms of Kappaphycus alvarezii

International Nuclear Information System (INIS)

Suresh Kumar, K.; Ganesan, K.; Subba Rao, P.V.

2007-01-01

In the present investigation, three living color forms (brown, green and pale yellow) of Kappaphycus alvarezii were examined for their biosorption ability in the laboratory. The brown color form proved to be an excellent metal biosorbent, i.e. it could adsorb good amount of cadmium 3.064 mg/100 g f.wt. and cobalt 3.365 mg/100 g f.wt. It also removed 2.799 mg/100 g f.wt. of chromium. The green color form absorbed 2.684, 3.43 and 2.692 mg/100 g f.wt. of cadmium, cobalt and chromium, respectively. In contrast, the pale yellow form removed almost equal proportion of cadmium 0.961 mg/100 g f.wt. and chromium 0.942 mg/100 g f.wt. It also removed 1.403 mg/100 g f.wt. cobalt. Thus, the living color forms of this seaweed could form an effective biosorbent material for removal of heavy metals

Raman spectroscopy for the identification of pigments and color measurement in Dugès watercolors

Science.gov (United States)

Frausto-Reyes, C.; Ortiz-Morales, M.; Bujdud-Pérez, J. M.; Magaña-Cota, G. E.; Mejía-Falcón, R.

2009-12-01

Spectroscopic and colorimetric analysis of a representative set of Dugès watercolor paintings was performed. These paintings were the result of scientific studies carried out by the zoologist Alfredo Dugès, who recorded the fauna of the Mexican Republic between 1853 and 1910. Micro-Raman spectroscopy, with an excitation wavelength of 830 nm, and colorimetric techniques were employed in order to understand if different colors with the same hue were reproduced using the same pigments. The color coordinates of the measured areas were obtained in the CIE L* a* b* color space. Raman analysis showed that, in some cases, to reproduce colors with the same hue the pigment employed was not the same. Pigments identified in the watercolors were vermilion, carbon-based black, lead white, gamboge and chrome yellow, Prussian and ultramarine blue. Some of these pigments have been used since ancient times, others as Prussian blue, chrome yellow and synthetic ultramarine blue arrived to the market at the beginning of the 18th and 19th centuries, respectively. Furthermore, regarding the white color, instead of left the paper unpainted, lead white was detected in the eye of a bird. The green color was obtained by mixing Prussian blue with chrome yellow. The results of this work show the suitability of using Raman spectroscopy for watercolor pigment analysis and colorimetric techniques to measure the color of small areas (246 μm × 246 μm) that was the case for the lead white pigment.

Fresh fish distribution chains: An analysis of three Danish and three Australian chains

DEFF Research Database (Denmark)

Frederiksen, Marco Thorup; Bremner, Allan

2001-01-01

. Traceability is a most important issue in the high value product chains in Australia. No information technology methods, were in evidence. In the Danish chains, nearly all traceability was lost after the collector/auction stage and the only evaluation of quality parameters was by inspection.......Information on traceability was gathered for three domestic Danish fish chains typical of the current trading practices in fresh seafood and for three chains exporting products from Australia to Japan. The same standard questionnaires, coupled with personal interviews, were used in all six chains...

Order-fractal transitions in abstract paintings

Energy Technology Data Exchange (ETDEWEB)

Calleja, E.M. de la, E-mail: elsama79@gmail.com [Instituto de Física, Universidade Federal do Rio Grande do Sul, Caixa Postal 15051, 91501-970, Porto Alegre, RS (Brazil); Cervantes, F. [Department of Applied Physics, CINVESTAV-IPN, Carr. Antigua a Progreso km.6, Cordemex, C.P.97310, Mérida, Yucatán (Mexico); Calleja, J. de la [Department of Informatics, Universidad Politécnica de Puebla, 72640 (Mexico)

2016-08-15

In this study, we determined the degree of order for 22 Jackson Pollock paintings using the Hausdorff–Besicovitch fractal dimension. Based on the maximum value of each multi-fractal spectrum, the artworks were classified according to the year in which they were painted. It has been reported that Pollock’s paintings are fractal and that this feature was more evident in his later works. However, our results show that the fractal dimension of these paintings ranges among values close to two. We characterize this behavior as a fractal-order transition. Based on the study of disorder-order transition in physical systems, we interpreted the fractal-order transition via the dark paint strokes in Pollock’s paintings as structured lines that follow a power law measured by the fractal dimension. We determined self-similarity in specific paintings, thereby demonstrating an important dependence on the scale of observations. We also characterized the fractal spectrum for the painting entitled Teri’s Find. We obtained similar spectra for Teri’s Find and Number 5, thereby suggesting that the fractal dimension cannot be rejected completely as a quantitative parameter for authenticating these artworks. -- Highlights: •We determined the degree of order in Jackson Pollock paintings using the Hausdorff–Besicovitch dimension. •We detected a fractal-order transition from Pollock’s paintings between 1947 and 1951. •We suggest that Jackson Pollock could have painted Teri’s Find.

Accelerated bridge paint test program.

Science.gov (United States)

2011-07-06

The accelerated bridge paint (AB-Paint) program evaluated a new Sherwin-Williams two-coat, : fast-curing paint system. The system is comprised of an organic zinc-rich primer (SW Corothane I : Galvapac One-Pack Zinc-Rich Primer B65 G11) and a polyurea...

Presence of lead in paint of toys sold in stores of the formal market of Bogotá, Colombia.

Science.gov (United States)

Mateus-García, A; Ramos-Bonilla, J P

2014-01-01

Lead (Pb) is a non-essential metal. Exposure to lead has been associated with adverse health effects in both children and adults. Lead content in paint used in toys or children's products has been identified as both a potential and preventable source of childhood lead exposure. Twenty-four stores located in Bogotá (Colombia) were selected by cluster sampling to participate in the study. A random sample of 96 toys was purchased at these stores. Since one toy can have different paint colors, a total of 116 paint samples from 96 toys were analyzed for lead content. Paint samples were prepared by microwave digestion and lead was quantified using ICP-OES. For quality control purposes of the analytical method, spike samples and a certified reference material (NIST SRM 2582) were used. The lead content in paint ranged from below the method detection limit (5ppm) to 47,600ppm, with an average Pb concentration of 1024ppm and a median concentration of 5ppm. Eight (8) paint samples removed from five toys had lead concentrations exceeding the US regulatory limit for total lead content (90ppm). Brown paint and toys manufactured in Colombia were significantly associated with high concentrations of lead in paint. Furthermore, a statistically significant interaction between these two variables was also found. The results suggest that there is a potential risk of lead exposure from paint of toys sold in the formal market of Bogotá. Therefore, the implementation of a national surveillance program of lead content in children products is urgently needed. The risk of children's lead exposure identified in this study, which is completely preventable, could be present also in other developing countries. © 2013 Published by Elsevier Inc.

Cyclic voltammetry and RBS study of paint components

International Nuclear Information System (INIS)

Bowman, Lynn; Spencer, Dirk; Muntele, Claudiu; Muntele, Iulia; Ila, D.

2007-01-01

Heavy metals and metalloid ions are found in environmental matrices. The most toxic are lead, cadmium and mercury. These three heavy metals have no biological function and are toxic at all concentrations. Lead is one of the most insidious heavy metals and is introduced into the environment by many different means. It persists in both urban and rural settings, being found in paint chips, pottery, crystal and pharmaceutical and nutritional products. The analysis of heavy elements such as lead in soil is of particular importance [W.T. Sturges, R.M. Harrison, Sci. Total Environ. 44 (3) (1985) 225; M.L. Lepow, L. Bruckman, M. Gillette, S. Markowitz, R. Robino, J. Kapish, Environ. Res. 10 (3) (1975) 415; A.E. Daniels, J.R. Kominsky, P.J. Clark, J. Hazard. Mater. B 87 (2001) 117; G. Hutter, D. Moshman, J. Hazard. Mater. 40 (1995) 1]. In preparing the methods for lead detection in paint, we have used Rutherford backscattering spectrometry (RBS) in order to study the type and amount of heavy metal content in paint samples collected at various sites in the historic campus at A and M University (AAMU). We will show the results of our study with emphasis on comparison of what we learned about presence of lead in paints using our ion beam methods compared with the analysis of lead in paints using cyclic voltammetry

The effects of exposure to different clastogens on the pattern of chromosomal aberrations detected by FISH whole chromosome painting in occupationally exposed individuals

International Nuclear Information System (INIS)

Beskid, O.; Dusek, Z.; Solansky, I.; Sram, R.J.

2006-01-01

The pattern of chromosomal aberrations (CA) was studied by fluorescence in situ hybridization (FISH) technique (whole chromosomes 1 and 4 painting) in workers occupationally exposed to any of the four following conditions: acrylonitrile (ACN), ethyl benzene (EB), carcinogenic polycyclic aromatic hydrocarbons (c-PAHs), and irradiation in nuclear power plants (NPP), respectively. Decrease in the relative frequency of translocations was observed in EB group, and an increase in reciprocal translocations in ACN and NPP-exposed groups. An increase in a relative number of insertions was registered under all four conditions (significant at ACN, EB, c-PAHs, quasisignificant at NPP-exposed groups). Significant differences in the percentage of lymphocytes with aberrations on chromosome 1 (58.8 ± 32.7%, versus 73.8 ± 33.6% in the controls, P G /100) increased with age (P G /100 (P < 0.05), but did not affect the pattern of chromosomal aberrations. Our results seem to indicate that different carcinogens may induce a different pattern of chromosomal aberrations

High-speed three-frame image recording system using colored flash units and low-cost video equipment

Science.gov (United States)

Racca, Roberto G.; Scotten, Larry N.

1995-05-01

This article describes a method that allows the digital recording of sequences of three black and white images at rates of several thousand frames per second using a system consisting of an ordinary CCD camcorder, three flash units with color filters, a PC-based frame grabber board and some additional electronics. The maximum framing rate is determined by the duration of the flashtube emission, and for common photographic flash units lasting about 20 microsecond(s) it can exceed 10,000 frames per second in actual use. The subject under study is strobe- illuminated using a red, a green and a blue flash unit controlled by a special sequencer, and the three images are captured by a color CCD camera on a single video field. Color is used as the distinguishing parameter that allows the overlaid exposures to be resolved. The video output for that particular field will contain three individual scenes, one for each primary color component, which potentially can be resolved with no crosstalk between them. The output is electronically decoded into the primary color channels, frame grabbed and stored into digital memory, yielding three time-resolved images of the subject. A synchronization pulse provided by the flash sequencer triggers the frame grabbing so that the correct video field is acquired. A scheme involving the use of videotape as intermediate storage allows the frame grabbing to be performed using a monochrome video digitizer. Ideally each flash- illuminated scene would be confined to one color channel, but in practice various factors, both optical and electronic, affect color separation. Correction equations have been derived that counteract these effects in the digitized images and minimize 'ghosting' between frames. Once the appropriate coefficients have been established through a calibration procedure that needs to be performed only once for a given configuration of the equipment, the correction process is carried out transparently in software every time a

Structuralist readings: Painting vs. picture

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Marinkov-Pavlović Lidija

2016-01-01

Full Text Available The aim of the paper is to point to two fundamentally different strategies of painting practice, that is, to two subsystems of painting: picture and painting. This differentiation can be made within the framework of semiotic and semiological analyses which have developed in theory under the influence of structuralism. The first part of the paper offers a basic insight into the linguistic foundation of structuralistic concept, and then sets a thesis about the possibility of analogue reconceptualisation of semiotics/semiology of painting through Julia Kristeva's semiotics and Roland Barthes' semiology. In addition, it points to the concrete concepts of structural analysis which have accentuated the opposition picture-painting with the examples of art practice concurrent to the development of structuralism. However, what is revealed is that various structuralist readings are significantly subjective to unstable relationship between the basic elements in the pictorial object, that is, in the work of painting.

Intrastromal Injection of China Painting Ink in Corneas of Male Rabbits: Clinical and Histological Study.

Science.gov (United States)

Alsmman Hassan, Alahmady Hamad; Abd Elhaliem Soliman, Nesreen Gamal-Eldeen

2016-01-01

Background. Many patients with corneal opacity or complicated cataract in blind eye ask for cosmoses. In this study we tried to investigate the staining of corneas of male rabbits by Rotring China painting ink and to study the histological changes. Method. 10 eyes of 10 male Baladi Egyptian rabbits were injected (0.1 mL) intrastromally in the cornea by the use of China painting ink (Rotring Tinta China) through insulin syringe (27-gauge needle) by single injection; clinical follow-up is for 6 months and lastly the rabbits were scarified and the stained eyes were enucleated for histological analysis. Results. Clinically the stain was stable in color and distribution in corneas with no major complications. Histological results of the stained rabbit corneas showed blackish pigmentation in the corneal stroma without any inflammatory cellular infiltration. Some fibroblast cells had pigment granules in their cytoplasm in the adjacent layers. Conclusion. Corneal staining by China painting ink is effective and safe in staining of male rabbits cornea; however further study in human corneas with longer follow-up period is advisable.

Intrastromal Injection of China Painting Ink in Corneas of Male Rabbits: Clinical and Histological Study

Directory of Open Access Journals (Sweden)

Alahmady Hamad Alsmman Hassan

2016-01-01

Full Text Available Background. Many patients with corneal opacity or complicated cataract in blind eye ask for cosmoses. In this study we tried to investigate the staining of corneas of male rabbits by Rotring China painting ink and to study the histological changes. Method. 10 eyes of 10 male Baladi Egyptian rabbits were injected (0.1 mL intrastromally in the cornea by the use of China painting ink (Rotring Tinta China through insulin syringe (27-gauge needle by single injection; clinical follow-up is for 6 months and lastly the rabbits were scarified and the stained eyes were enucleated for histological analysis. Results. Clinically the stain was stable in color and distribution in corneas with no major complications. Histological results of the stained rabbit corneas showed blackish pigmentation in the corneal stroma without any inflammatory cellular infiltration. Some fibroblast cells had pigment granules in their cytoplasm in the adjacent layers. Conclusion. Corneal staining by China painting ink is effective and safe in staining of male rabbits cornea; however further study in human corneas with longer follow-up period is advisable.

Hydrophilic Modification of Multi-Walled Carbon Nanotube for Building Photonic Crystals with Enhanced Color Visibility and Mechanical Strength

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Feihu Li

2016-04-01

Full Text Available Low color visibility and poor mechanical strength of polystyrene (PS photonic crystal films have been the main shortcomings for the potential applications in paints or displays. This paper presents a simple method to fabricate PS/MWCNTs (multi-walled carbon nanotubes composite photonic crystal films with enhanced color visibility and mechanical strength. First, MWCNTs was modified through radical addition reaction by aniline 2,5-double sulfonic acid diazonium salt to generate hydrophilic surface and good water dispersity. Then the MWCNTs dispersion was blended with PS emulsion to form homogeneous PS/MWCNTs emulsion mixtures and fabricate composite films through thermal-assisted method. The obtained films exhibit high color visibility under natural light and improved mechanical strength owing to the light-adsorption property and crosslinking effect of MWCNTs. The utilization of MWCNTs in improving the properties of photonic crystals is significant for various applications, such as in paints and displays.

The Ancestral Carnivore Karyotype As Substantiated by Comparative Chromosome Painting of Three Pinnipeds, the Walrus, the Steller Sea Lion and the Baikal Seal (Pinnipedia, Carnivora.

Directory of Open Access Journals (Sweden)

Violetta R Beklemisheva

Full Text Available Karyotype evolution in Carnivora is thoroughly studied by classical and molecular cytogenetics and supplemented by reconstructions of Ancestral Carnivora Karyotype (ACK. However chromosome painting information from two pinniped families (Odobenidae and Otariidae is noticeably missing. We report on the construction of the comparative chromosome map for species from each of the three pinniped families: the walrus (Odobenus rosmarus, Odobenidae-monotypic family, near threatened Steller sea lion (Eumetopias jubatus, Otariidae and the endemic Baikal seal (Pusa sibirica, Phocidae using combination of human, domestic dog and stone marten whole-chromosome painting probes. The earliest karyological studies of Pinnipedia showed that pinnipeds were characterized by a pronounced karyological conservatism that is confirmed here with species from Phocidae, Otariidae and Odobenidae sharing same low number of conserved human autosomal segments (32. Chromosome painting in Pinnipedia and comparison with non-pinniped carnivore karyotypes provide strong support for refined structure of ACK with 2n = 38. Constructed comparative chromosome maps show that pinniped karyotype evolution was characterized by few tandem fusions, seemingly absent inversions and slow rate of genome rearrangements (less then one rearrangement per 10 million years. Integrative comparative analyses with published chromosome painting of Phoca vitulina revealed common cytogenetic signature for Phoca/Pusa branch and supports Phocidae and Otaroidea (Otariidae/Odobenidae as sister groups. We revealed rearrangements specific for walrus karyotype and found the chromosomal signature linking together families Otariidae and Odobenidae. The Steller sea lion karyotype is the most conserved among three studied species and differs from the ACK by single fusion. The study underlined the strikingly slow karyotype evolution of the Pinnipedia in general and the Otariidae in particular.

Tissue distribution of organochlorine pesticides in fish collected from the Pearl River Delta, China: Implications for fishery input source and bioaccumulation

International Nuclear Information System (INIS)

Guo Ying; Meng Xiangzhou; Tang Honglei; Zeng, Eddy Y.

2008-01-01

Fish tissues from different fishery types (freshwater farmed, seawater farmed and seawater wild) were analyzed for organochlorine pesticides (OCPs), with the aim to further our understanding of bioaccumulation, and reflect the state of different fishery environments. Significantly higher ΣOCP levels were found in seawater farmed fish than others, and among three freshwater farmed species, the lowest levels occurred in filter-feeding fish (bighead carp). Liver contained the highest ΣOCP levels, while no significant differences were found among other tissues. Among DDT components, p,p'-DDT was abundant in seawater fish, while for freshwater fish, p,p'-DDE was the predominant congeners, except for northern snakehead (34% for p,p'-DDE and 30% for p,p'-DDT). The new source of DDTs to freshwater fish ponds was partly attributed to dicofol, whereas sewage discharged from the Pearl River Delta and anti-fouling paint were likely the DDTs sources to seawater farmed fish. - Occurrence of organochlorine pesticides in fish tissues was examined to assess input sources and modes of bioaccumulation in the Pearl River Delta, China

Quality attributes and color characteristics in three-piece boneless hams.

Science.gov (United States)

McKeith, Russell O; Pringle, T Dean

2013-09-01

One hundred and fifty hams were selected on visual assessment of quality into normal (C) and two-tone (TT) groups. CIE LAB color and pH measurements were collected at the plant 48h postmortem on the gluteus medius (GM), gluteus profundus (GP), and rectus femoris (RF), and again at 72h on the semimembranosus (SM), biceps femoris (BF), semitendinosus (ST), and RF. Data were analyzed using GLM procedures of SAS, and correlations between color scores, pH, and drip loss were calculated. Plant and fabrication pH were lower (Phams compared with C. Muscles from TT hams had lower (Pcolor and pH are accurate predictors of pork quality attributes in the muscles of a three-piece boneless ham. Copyright © 2013 Elsevier Ltd. All rights reserved.

Methylisothiazolinone and benzisothiazolinone are widely used in paint: a multicentre study of paints from five European countries

DEFF Research Database (Denmark)

Schwensen, Jakob F; Lundov, Michael; Bossi, Rossana

2015-01-01

were found in paints from all five countries. Paints purchased in Denmark and Sweden contained especially high concentrations of BIT. CONCLUSION: The use of MI across European countries is extensive. In view of the ongoing epidemic of MI contact allergy, an evaluation of the safety of MI in paints......BACKGROUND: In view of the current epidemic of contact allergy to methylisothiazolinone (MI), it is important to clarify the extent of use of MI and related isothiazolinones in paints currently available for the consumer and worker in Europe. OBJECTIVES: To elucidate the use and concentrations...... of MI, methylchloroisothiazolinone (MCI) and benzisothiazolinone (BIT) in paints on the European retail market. METHODS: Wall paints (n = 71) were randomly purchased in retail outlets in five European countries. The paints were quantitatively analysed for their contents of MI, MCI and BIT by high...

Tapestry paintings in the main church in Breda

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Micha Leeflang

2010-02-01

Full Text Available This article is an adaptation of some reports made between 2005 and 2007 for the art-historical preliminary research into the restorations of the wall paintings in the main church in Breda. In addition, a proposal for restoration is given for the paintings dealt with, emphasizing the preservation of the representations. The first priority in all the paintings is consolidating loose paint and removing dirt from the surface. Subsequently, old putty is removed so as to expose the original painting as much as possible. During the restoration large voids will have to be filled up in a neutral shade – in a lighter shade than the original – so that the distinction between original and restoration remains visible. On the south choir wall in the second bay of the ambulatory at the top three pairs of yellow cloth scissors are painted on a green field (illustration 1. As scissors were an important element in the textile industry, it is plausible that this chapel was painted on the instructions of the cloth guild (illustration 2. The various stages in the production process of the cloth were strictly inspected. These inspections were accompanied by affixing lead seals (illustration 3, which could be considered a full guarantee for the client. Around the scissors in the cloth- scissors chapel in Breda small circles are painted, which were not mentioned in the literature. Although the exact meaning is unknown, these circles could represent lead seals and could thus be a reference to the high quality of the products of the cloth guild in Breda. Both on the second choir pillar at the southside and on the freestanding clustered pillar in the south ambulatory angels with a red cloth of honour are painted (illustration 7, 9 and 10. The former painting dates from approximately 1510-1520 and the latter from the second half of the sixteenth century. It is very likely that the red painted cloth of honour functioned as a background for a sculpture. In miniature art

Paintings - high-energy protons detect pigments and paint-layers

International Nuclear Information System (INIS)

Denker, A.; Opitz-Coutureau, J.

2004-01-01

High-energy PIXE was used to identify pigment composition, sequencing and the thickness of paint-layers. Before applying the technique to valuable masterpieces, mock-ups were examined in a collaboration with the Kunsthistorisches Museum, Vienna. The results of high-energy PIXE were compared to conventional cross-section analysis. In addition, the non-destructiveness of the technique was investigated thoroughly. After this preparative work, two ancient paintings have been examined and the results are presented in this paper

The color changes on varnish layers after accelerated aging through ...

African Journals Online (AJOL)

The endurance of the protective coating (such as paint and varnish) to external effects is limited and the lifetime of the coating is determined by the type and the severity of the effects to which it is exposed. The effect of a color change on varnish layers can determine the usefulness of the varnish. It is conjectured that ...

Historical origins of Petrykivsky decorative painting

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T. A. Harkava

2017-07-01

Full Text Available Petrykivsky decorative painting is a part of Ukrainian folk art. Domestic science of folk art has originated and has been developing primarily as a study of archaeological antiquities and artistic monuments of the past. Scientific papers, which comprehended the process of folk art development, began to appear in the late nineteenth century, Archaeological Congresses became the impetus for their appearance. Being a representative of the decorative painting, Petrikivsky decorative painting is rooted by its murals to Tripoli. It was created as a peasant domestic drawing. Inexhaustible diversity of local variants of Petrikivsky decorative painting, its evolutionary change, the individual characteristics of paintings of hundreds of famous Ukrainian artists do not even allow comparing it to any other European counterparts, each of which is characterized only by some individual techniques. Petrikivsky decorative painting got the significant boost in its distribution and development when it «came down» from walls to paper. Paper pictures - malyovky - were stucked to walls following the traditional rules of domestic interior’s decoration. Petrikivsky decorative painting got the official status in 1913, when E. Evenbah, by the initiative of D.I. Yavornytsky, gathered the collection of Petrikivsky decorative painting’s malyovkas and organized the exhibition in St. Petersburg. Motives of painting are rooted into the local flora and fauna and into the historical tradition. However, Petrikivsky decorative painting is not a direct reflection of natural motifs. World, created in paintings, is the product of the imagination of folk artist, it is the stylization of local flowers, fruits and birds. First names of Masters of Petrikivsky decorative painting, which appeared in historical sources, were T. Pata, N. Bilokin, I. Pavlenko. Their official recognition happened in 1930 after their participation in the first republican exhibition, which was later shown

Development of paints with infrared radiation reflective properties

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Eliane Coser

2015-06-01

Full Text Available AbstractLarge buildings situated in hot regions of the Globe need to be agreeable to their residents. Air conditioning is extensively used to make these buildings comfortable, with consequent energy consumption. Absorption of solar visible and infrared radiations are responsible for heating objects on the surface of the Earth, including houses and buildings. To avoid excessive energy consumption, it is possible to use coatings formulated with special pigments that are able to reflect the radiation in the near- infrared, NIR, spectrum. To evaluate this phenomenon an experimental study about the reflectivity of paints containing infrared-reflective pigments has been made. By irradiating with an IR source and by measuring the surface temperatures of the samples we evaluated: color according to ASTM D 2244-14, UV/VIS/NIR reflectance according to ASTM E 903-12 and thermal performance. Additionally, the spectral reflectance and the IR emittance were measured and the solar reflectance of the samples were calculated. The results showed that plates coated with paints containing IR-reflecting pigments displayed lower air temperature on the opposite side as compared to conventional coatings, indicating that they can be effective to reflect NIR and decrease the temperature of buildings when used in roofs and walls.

Radiation safety in radioluminous paint workshop handling tritium activated paint

International Nuclear Information System (INIS)

Gaur, P.K.; Venkateswaran, T.V.

1986-01-01

This paper discusses the safety features related to a workshop when tritium activated luminous paint is handled by workmen. Salient features of the workshop and the methods employed for monitoring the radiation levels are briefly outlined and results are discussed. The importance of proper ventilation of the workplace and precautions to be taken in the storage of painted articles are highlighted. (author). 1 table, 3 figs

Histopathology of Marine and Freshwater Fish Lymphocytosis Disease Virus (LCDV)

International Nuclear Information System (INIS)

Hossain, M.; Myung-Joo, Oh

2011-01-01

Lymphocytosis disease (LCD) in fishes is caused by the agent called lymphocytosis disease virus (LCDV). LCDV is a chronic and benign virus. The disease affects 96 species of marine and fresh water fishes ranged among 34 families in the world. Affected fish with LCD has a typical external symptom with clusters consisted of enormously hypertrophied dermal cells on the skin and fins. The hypertrophied cells, generally named lymphocytosis cells, have a thick hyaline capsule, an enlarged nucleus and prominent basophilic cytoplasmic inclusions. Among the four species of fishes, olive flounder Paralichthys olivaceus, and rockfish Sebastes schlegeli were marine cultured fish, and gourami Trichogaster leeri and painted glass fish Channa baculis were freshwater ornamental fish. Although LCD causes low mortality, the disfigurement of infected fish can make them unsellable. Thus LCD has resulted in an important economic loss in the aquaculture industry. This study of histopathology may be adequate for a presumptive diagnosis of lymphocytosis diseases both in marine and freshwater fish species. (author)

Clustering of commercial fish sauce products based on an e-panel technique

Directory of Open Access Journals (Sweden)

Mitsutoshi Nakano

2018-02-01

Full Text Available Fish sauce is a brownish liquid seasoning with a characteristic flavor that is produced in Asian countries and limited areas of Europe. The types of fish and shellfish and fermentation process used in its production depend on the region from which it derives. Variations in ingredients and fermentation procedures yield end products with different smells, tastes, and colors. For this data article, we employed an electronic panel (e-panel technique including an electronic nose (e-nose, electronic tongue (e-tongue, and electronic eye (e-eye, in which smell, taste, and color are evaluated by sensors instead of the human nose, tongue, and eye to avoid subjective error. The presented data comprise clustering of 46 commercially available fish sauce products based separate e-nose, e-tongue, and e-eye test results. Sensory intensity data from the e-nose, e-tongue, and e-eye were separately classified by cluster analysis and are shown in dendrograms. The hierarchical cluster analysis indicates major three groups on e-nose and e-tongue data, and major four groups on e-eye data.

[Study of three ciguatera fish poisoning cases in Xiamen city, in 2005].

Science.gov (United States)

Luo, He-dong; Bai, Yan-yan; Zhou, Na

2011-06-01

To find out the reason of three ciguatera fish poisoning cases in Xiamen in 2005 and identify the fish species. The grouper implicated in food poisoning and seven other coral reef fishes collected from market were tested by mice bioassay and ciguatoxin-test kit. The mtDNA was extracted from toxic grouper meat, and Cty b gene segment was amplified and the PCR products were sequenced. The sequences were compared with those in the GenBank. The result turned out to be positive by the ciguatoxin-test kit, while the toxicity of the toxic grouper implicated in food poisoning was 0.11 mouse unit (MU)/g by mice bioassay. A 475 bp segments of Cty b gene was amplified by PCR and the sequence was 99% homologous with Epinephelus fuscoguttatus (GenBank: AY950695).No ciguatoxin in six grouper species collected from market was detected. All three food poisoning cases were caused by consumption of ciguatoxin-carrying groupers.

X-ray fluorescence and computed radiography analysis of a famous brazilian painting from XIX century

International Nuclear Information System (INIS)

Calza, Cristiane; Oliveira, Davi F.; Rocha, Henrique S.; Lopes, Ricardo Tadeu

2009-01-01

This work used Energy Dispersive X-Ray Fluorescence (EDXRF) and Computed Radiography (CR) to evaluate the general conditions of the painting 'Gioventu' (Eliseu Visconti, 1898), identifying possible problems, areas that revealed signs of previous retouchings and the pigments used by the artist. EDXRF measurements were carried out with a portable system consisting of an X-ray tube Oxford TF3005 with W anode, operating at 25 kV and 100 μA, and a Si-PIN XR-100CR detector from Amptek. Several spectra were obtained in each color, with an acquisition time of 300 s and a beam collimation of 2 mm. The spectra were analyzed using the software QXAS-AXIL (IAEA). The results revealed that the drawings were made over a preparatory layer of lead white. Some pigments identified were: yellow, red and brown ochre; umbra; vermilion; cobalt blue; etc. The experimental setup used in the CR analysis consisted of an Oxford X-ray source, operating at 50 kV and 200 μA, placed at 85 cm from the painting, a GE CR 50P portable computed radiography scanner and a Fuji imaging plate detector. The exposure time was 600 s. The radiographic images revealed that the painting was in a good state of conservation and also a complete composition hidden underneath the visible paint layer.(author)

X-ray fluorescence and computed radiography analysis of a famous brazilian painting from XIX century

Energy Technology Data Exchange (ETDEWEB)

Calza, Cristiane; Oliveira, Davi F.; Rocha, Henrique S.; Lopes, Ricardo Tadeu [Coordenacao dos Programas de Pos-graduacao de Engenharia (COPPE/UFRJ), Rio de Janeiro, RJ (Brazil). Lab. de Instrumentacao Nuclear], e-mail: ccalza@lin.ufrj.br; Pedreira, Andrea [Museu Nacional de Belas Artes, Rio de Janeiro, RJ (Brazil)

2009-07-01

This work used Energy Dispersive X-Ray Fluorescence (EDXRF) and Computed Radiography (CR) to evaluate the general conditions of the painting 'Gioventu' (Eliseu Visconti, 1898), identifying possible problems, areas that revealed signs of previous retouchings and the pigments used by the artist. EDXRF measurements were carried out with a portable system consisting of an X-ray tube Oxford TF3005 with W anode, operating at 25 kV and 100 {mu}A, and a Si-PIN XR-100CR detector from Amptek. Several spectra were obtained in each color, with an acquisition time of 300 s and a beam collimation of 2 mm. The spectra were analyzed using the software QXAS-AXIL (IAEA). The results revealed that the drawings were made over a preparatory layer of lead white. Some pigments identified were: yellow, red and brown ochre; umbra; vermilion; cobalt blue; etc. The experimental setup used in the CR analysis consisted of an Oxford X-ray source, operating at 50 kV and 200 {mu}A, placed at 85 cm from the painting, a GE CR 50P portable computed radiography scanner and a Fuji imaging plate detector. The exposure time was 600 s. The radiographic images revealed that the painting was in a good state of conservation and also a complete composition hidden underneath the visible paint layer.(author)

Efficacy of multifunnel traps for capturing emerald ash borer (Coleoptera: Buprestidae): effect of color, glue, and other trap coatings.

Science.gov (United States)

Francese, Joseph A; Fraser, Ivich; Lance, David R; Mastro, Victor C

2011-06-01

Tens of thousands of adhesive-coated purple prism traps are deployed annually in the United States to survey for the invasive emerald ash borer, Agrilus planipennis Fairmaire (Coleoptera: Buprestidae). A reusable, more user-friendly trap is desired by program managers, surveyors, and researchers. Field assays were conducted in southeastern Michigan to ascertain the feasibility of using nonsticky traps as survey and detection tools for emerald ash borer. Three nonsticky trap designs, including multifunnel (Lindgren), modified intercept panel, and drainpipe (all painted purple) were compared with the standard purple prism trap; no statistical differences in capture of emerald ash borer adults were detected between the multifunnel design and the prism. In subsequent color comparison assays, both green- and purple-painted multifunnel traps (and later, plastic versions of these colors) performed as well or better than the prism traps. Multifunnel traps coated with spray-on adhesive caught more beetles than untreated traps. The increased catch, however, occurred in the traps' collection cups and not on the trap surface. In a separate assay, there was no significant difference detected between glue-coated traps and Rain-X (normally a glass treatment)-coated traps, but both caught significantly more A. planipennis adults than untreated traps.

An analysis of the tritium content in fish from Upper Three Runs Creek

International Nuclear Information System (INIS)

Murphy, C.E. Jr.

1991-01-01

In November of 1988 the F/H-area effluent treatment facility (ETF) began releasing treated waste water to Upper Three Runs Creek. Previous to that time, there has been minimal discharge of plant waste water to this tributary of the Savannah River. The ETF is designed to remove the toxic and radioactive waste materials from the effluent stream and to meet the discharge limits of the South Carolina Department of Health and Environmental Control (SCDHEC). The only radioactive nuclide not removed by the process is tritium. Tritium, an isotope of hydrogen, is chemically associated with the water molecules in the waste stream and can not be economically removed at this time. The objective of this study was to determine the relationship between the concentration of tritium in the stream water and the concentration of tritium in the fish. Fish collections were made at two locations. The most upstream location was 50 meters downstream from the SRS Road C bridge. This is immediately downstream of the effluent discharge pipe from the ETF. The other location was at the bridge of SRS Road A (SC Highway 125). The water is removed from the fish by freeze drying under vacuum. This study suggests that, on the average, the tritium concentration of fish in Upper Three Runs Creek will be in equilibrium with the tritium in the water of the creek. The water in the fish comes into equilibrium with the water in the stream quite rapidly and it is quite likely that any single fish sampled will be higher or lower in tritium content of an integrated water sample, such as those collected by the Environmental Monitoring samplers. Both the time of sampling and the sampling of a sufficient number of fish is important in obtaining an accurate estimate of the average tritium concentration in the tissue water of the fish

77 FR 16046 - Commercial Fishing Safety Advisory Committee; Vacancies

Science.gov (United States)

2012-03-19

...) education or training professionals related to fishing vessel, fish processing vessel, fish tender vessel... 1603. The Department of Homeland Security (DHS) does not discriminate in employment on the basis of race, color, religion, sex, national origin, political affiliation, sexual orientation, gender identity...

Impact on the environment from steel bridge paint deterioration using lead isotopic tracing, paint compositions and soil deconstruction

Energy Technology Data Exchange (ETDEWEB)

Gulson, Brian, E-mail: brian.gulson@mq.edu.au [Department of Environmental Science, Macquarie University, Sydney, NSW 2109 (Australia); CSIRO Energy Flagship, North Ryde, NSW 2113 (Australia); Chiaradia, Massimo [Department of Mineralogy, University of Geneva, Geneva (Switzerland); Davis, Jeffrey [CSIRO Energy Flagship, North Ryde, NSW 2113 (Australia); O' Connor, Gary [Queensland Department of Environment & Heritage Protection, Brisbane, QLD 4000 (Australia)

2016-04-15

Deterioration and repair of lead paint on steel structures can result in contamination of the ambient environment but other sources of lead such as from past use of leaded paint and gasoline and industrial activities can also contribute to the contamination. Using a combination of high precision lead isotopic tracing, detailed paint examination, including with scanning electron microscopy, and soil deconstruction we have compared paint on a steel bridge and bulk soil and lead-rich particles separated from soil. The majority of Pb found in the paint derives from Australian sources but some also has a probable US origin. The isotopic data for the bulk soils and selected particles lie on a mixing line with end members the geologically ancient Broken Hill lead and possible European lead which is suggested to be derived from old lead paint and industrial activities. Data for gasoline-derived particulates lie on this array and probably contribute to soil Pb. Although paint from the bridge can be a source of lead in the soils, isotopic tracing, paint morphology and mineralogical identification indicate that other sources, including from paint, gasoline and industrial activities, are contributing factors to the lead burden. Even though physical characteristics and elemental composition are the same in some particles, the isotopic signatures demonstrate that the sources are different. Plots using {sup 206}Pb/{sup 208}Pb vs {sup 206}Pb/{sup 207}Pb ratios, the common representation these days, do not allow for source discrimination in this investigation. - Highlights: • Soil Pb values up to 1200 mg/kg below Pb painted bridge • Microscopy & SEM characterised up to 6 different paint layers. • Isotopes identified different sources of Pb including paint and gasoline. • Multiple methods provide definitive answers.

Rediscovering Ducos du Hauron's Color Photography through a Review of His Three-Color Printing Processes and Synchrotron Microanalysis of His Prints.

Science.gov (United States)

Cotte, Marine; Fabris, Tiphaine; Langlois, Juliette; Bellot-Gurlet, Ludovic; Ploye, Françoise; Coural, Natalie; Boust, Clotilde; Gandolfo, Jean-Paul; Galifot, Thomas; Susini, Jean

2018-06-18

Louis Ducos du Huron (1837-1920) dedicated his entire life to the elaboration of physical-chemical processes for color photography. This study aimed at highlighting his unique contribution to three-color printing through 1) an in-depth review of the many protocols he published and 2) the synchrotron-based IR and X-ray microanalysis of fragments sampled in three artworks. Ducos du Hauron's method relied on the preparation and assembly of three monochromes (red, blue, yellow). This study brings to light complex multistep recipes based on photochemistry (carbon print), organic, and inorganic chemistry. The various ingredients involved (e.g., pigments, dichromate gelatin, collodion, resin) were identified and localized through their spectroscopic signature, confirming the relevance of synchrotron spectromicroscopy for the characterization of historical photographs. The impressive correlation between texts and chemical analyses calls for a wider application to the history of photography. © 2018 Wiley-VCH Verlag GmbH & Co. KGaA, Weinheim.

24 CFR 35.1320 - Lead-based paint inspections, paint testing, risk assessments, lead-hazard screens, and...

Science.gov (United States)

2010-04-01

... 24 Housing and Urban Development 1 2010-04-01 2010-04-01 false Lead-based paint inspections, paint testing, risk assessments, lead-hazard screens, and reevaluations. 35.1320 Section 35.1320 Housing and Urban Development Office of the Secretary, Department of Housing and Urban Development LEAD-BASED PAINT...

75 FR 6383 - Lead-Based Paint Renovation, Repair and Painting, and Pre-Renovation Education Activities in...

Science.gov (United States)

2010-02-09

..., Repair and Painting, and Pre- Renovation Education Activities in Target Housing and Child Occupied....C. 2682(c)(3), and a lead-based paint pre-renovation education program in accordance with section... TSCA, and a lead-based paint pre-renovation education program in accordance with section 406(b) of TSCA...

Investigation of crack initiation with a three color digital holographic interferometer

Science.gov (United States)

Karray, Mayssa; Poilane, Christophe; Mounier, Denis; Gargoury, Mohamed; Picart, Pascal

2012-10-01

This paper proposes a three-color holographic interferometer devoted to the deformation analysis of a composite material submitted to a short beam shear test. The simultaneous recording of three laser wavelengths using a triple CCD sensor results in the evaluation of shear strains at the lateral surface of the sample. Such an evaluation provides a pertinent parameter to detect premature crack in the structure, long before it becomes visible on the real time stress/strain curve, or with a classical microscope.

LAAS GEEL (SOMALILAND: 5000 YEAR-OLD PAINTINGS CAPTURED IN 3D

Directory of Open Access Journals (Sweden)

L. Grenier

2013-07-01

Full Text Available Discovered in 2002 by a French archaeology team conducted by Prof. X. Gutherz, Laas Geel (Somaliland, is probably one of the most remarkable archaeological site in the horn of Africa. Located in an isolated arid region, it is made of natural rocky shelters on which hundreds of colored paintings still remain in a particularly good state of conservation. The first studies achieved in the last decade let suppose that they are 5000 years old. After several studying and exploring expeditions, a 3Ddigitizing campaign has been carried out by Art Graphique et Patrimoine, under the direction of X. Gutherz, with the support of the cultural service of the French Embassy in Djibouti. The project was focused on three main goals: production of a high accuracy 3D-documentation for scientific needs, archiving the 3D digital print recorded on site for the conservation and the saving of this heritage, and finally diffusing the results throughout various kinds of media to reveal the site to the public, insisting on its vulnerability.

Laas Geel (somaliland): 5000 Year-Old Paintings Captured in 3D

Science.gov (United States)

Grenier, L.; Antoniotti, P.; Hamon, G.; Happe, D.

2013-07-01

Discovered in 2002 by a French archaeology team conducted by Prof. X. Gutherz, Laas Geel (Somaliland), is probably one of the most remarkable archaeological site in the horn of Africa. Located in an isolated arid region, it is made of natural rocky shelters on which hundreds of colored paintings still remain in a particularly good state of conservation. The first studies achieved in the last decade let suppose that they are 5000 years old. After several studying and exploring expeditions, a 3Ddigitizing campaign has been carried out by Art Graphique et Patrimoine, under the direction of X. Gutherz, with the support of the cultural service of the French Embassy in Djibouti. The project was focused on three main goals: production of a high accuracy 3D-documentation for scientific needs, archiving the 3D digital print recorded on site for the conservation and the saving of this heritage, and finally diffusing the results throughout various kinds of media to reveal the site to the public, insisting on its vulnerability.

Preference for and discrimination of paintings by mice.

Directory of Open Access Journals (Sweden)

Shigeru Watanabe

Full Text Available I measured preference for paintings (Renoir vs. Picasso or Kandinsky vs. Mondrian in mice. In general mice did not display a painting preference except for two mice: one preferred Renoir to Picasso, and the other preferred Kandinsky to Mondrian. Thereafter, I examined discrimination of paintings with new mice. When exposure to paintings of one artist was associated with an injection of morphine (3.0 mg/kg, mice displayed conditioned preference for those paintings, showing discrimination of paintings by Renoir from those by Picasso, and paintings by Kandinsky from those by Mondrian after the conditioning. They also exhibited generalization of the preference to novel paintings of the artists. After conditioning with morphine for a set of paintings consisting of two artists, mice showed discrimination between two sets of paintings also from the two artists but not in association with morphine. These results suggest that mice can discriminate not only between an artist's style but also among paintings of the same artist. When mice were trained to discriminate a pair of paintings by Kandinsky and Renoir in an operant chamber equipped with a touch screen, they showed transfer of the discrimination to new pairs of the artists, but did not show transfer of discrimination of paintings by other artists, suggesting generalization.

PAINT SUPPLIES AND LOCATION: EXAMINING ICI

Directory of Open Access Journals (Sweden)

M. Herron

2016-01-01

Full Text Available How important is location to an international retailer? Not just any retailer but the second largest paint retailer in the world. Imperial Chemical Industries (ICI was a British chemical company and was at one stage the largest manufacturer in Britain. Formed from the merger of several leading British chemical companies in 1926, ICI makes paints and speciality products, including food ingredients, speciality polymers, electronic materials, fragrances and flavourings. ICI paints purchased the Cleveland Ohiobased Glidden Coatings & Resins (Glidden Paint Company in 1986 for USD$580 million. The addition of Glidden to ICI's North American operations more than doubled that subsidiary's annual sales to $3 billion and increased ICI's corporate presence in the United States dramatically. A decline in paint and solvent consumption during the 2000 decade slowed the average growth of the paint industry to about 2% annually. Rauch Associates, the leading US paint analyst firm, predicted near-term growth to slow even further to 1.2% per annum. Through the 1990’s and early 2000’s Glidden paint was sold only through Glidden-badged paint stores and smaller retailers under licence, developing a strong identifiable brand and reputation. How were potential Glidden retail paint store locations chosen across America to enable and support this market growth? This paper investigates the real process that was developed and applied to construct a national network of retail outlets across the United States. It also highlights the change in direction that occurred at ICI paints culminating in its eventual acquisition by AkzoNobel in 2008 who immediately sold parts of ICI to Henkel, and integrated ICI's remaining operations within its existing organisation. This sale and the associated corporate restructure caused considerable change in marketing directions allowing for the first time the selling of Glidden paint products to mass market centres

Colored tracks of heavy ion particles recorded on photographic color film

International Nuclear Information System (INIS)

Kuge, K.; Yasuda, N.; Kumagai, H.; Aoki, N.; Hasegawa, A.

2002-01-01

A new method to obtain the three-dimensional information on nuclear tracks was developed using color photography. Commercial color films were irradiated with ion beam and color-developed. The ion tracks were represented with color images in which different depths were indicated by different colors, and the three-dimensional information was obtained from color changes. Details of this method are reported, and advantages and limitations are discussed in comparison with a conventional method using a nuclear emulsion

Painting models

Science.gov (United States)

Baart, F.; Donchyts, G.; van Dam, A.; Plieger, M.

2015-12-01

The emergence of interactive art has blurred the line between electronic, computer graphics and art. Here we apply this art form to numerical models. Here we show how the transformation of a numerical model into an interactive painting can both provide insights and solve real world problems. The cases that are used as an example include forensic reconstructions, dredging optimization, barrier design. The system can be fed using any source of time varying vector fields, such as hydrodynamic models. The cases used here, the Indian Ocean (HYCOM), the Wadden Sea (Delft3D Curvilinear), San Francisco Bay (3Di subgrid and Delft3D Flexible Mesh), show that the method used is suitable for different time and spatial scales. High resolution numerical models become interactive paintings by exchanging their velocity fields with a high resolution (>=1M cells) image based flow visualization that runs in a html5 compatible web browser. The image based flow visualization combines three images into a new image: the current image, a drawing, and a uv + mask field. The advection scheme that computes the resultant image is executed in the graphics card using WebGL, allowing for 1M grid cells at 60Hz performance on mediocre graphic cards. The software is provided as open source software. By using different sources for a drawing one can gain insight into several aspects of the velocity fields. These aspects include not only the commonly represented magnitude and direction, but also divergence, topology and turbulence .

Chromosome painting in plants.

NARCIS (Netherlands)

Schubert, I.; Fransz, P.F.; Fuchs, J.; Jong, de J.H.

2001-01-01

The current 'state-of-art' as to chromosome painting in plants is reviewed. We define different situations described as painting so far: i) Genomic in situ hybridisation (GISH) with total genomic DNA to distinguish alien chromosomes on the basis of divergent dispersed repeats, ii) 'Chromosomal in

Colloidal Photonic Crystals Containing Silver Nanoparticles with Tunable Structural Colors

Directory of Open Access Journals (Sweden)

Chun-Feng Lai

2016-05-01

Full Text Available Polystyrene (PS colloidal photonic crystals (CPhCs containing silver nanoparticles (AgNPs present tunable structural colors. PS CPhC color films containing a high concentration of AgNPs were prepared using self-assembly process through gravitational sedimentation method. High-concentration AgNPs were deposited on the bottom of the substrate and acted as black materials to absorb background and scattering light. Brilliant structural colors were enhanced because of the absorption of incoherent scattering light, and color saturation was increased by the distribution AgNPs on the PS CPhC surfaces. The vivid iridescent structural colors of AgNPs/PS hybrid CPhC films were based on Bragg diffraction and backward scattering absorption using AgNPs. The photonic stop band of PS CPhCs and AgNPs/PS hybrid CPhCs were measured by UV–visible reflection spectrometry and calculated based on the Bragg–Snell law. In addition, the tunable structural colors of AgNPs/PS hybrid CPhC films were evaluated using color measurements according to the Commission International d’Eclairage standard colorimetric system. This paper presents a simple and inexpensive method to produce tunable structural colors for numerous applications, such as textile fabrics, bionic colors, catalysis, and paints.

Multidirectional cross-species painting illuminates the history of karyotypic evolution in Perissodactyla.

Science.gov (United States)

Trifonov, Vladimir A; Stanyon, Roscoe; Nesterenko, Anastasia I; Fu, Beiyuan; Perelman, Polina L; O'Brien, Patricia C M; Stone, Gary; Rubtsova, Nadezhda V; Houck, Marlys L; Robinson, Terence J; Ferguson-Smith, Malcolm A; Dobigny, Gauthier; Graphodatsky, Alexander S; Yang, Fengtang

2008-01-01

The order Perissodactyla, the group of odd-toed ungulates, includes three extant families: Equidae, Tapiridae, and Rhinocerotidae. The extremely rapid karyotypic diversification in perissodactyls has so far prevented the establishment of genome-wide homology maps between these three families by traditional cytogenetic approaches. Here we report the first genome-wide comparative chromosome maps of African rhinoceroses, four tapir species, four equine species, and humans. These maps were established by multidirectional chromosome painting, with paint probes derived from flow-sorted chromosomes of Equus grevyi, Tapirus indicus, and Ceratotherium simum as well as painting probes from horse and human. The Malayan tapir (Tapirus indicus), Baird's tapir (T. bairdii), mountain tapir (T. pinchaque), lowland tapir (T. terrestris), and onager (E. hemionus onager), were studied by cross-species chromosome painting for the first time. Our results, when integrated with previously published comparative chromosome maps of the other perissodactyl species, have enabled the reconstruction of perissodactyl, ceratomorph, and equid ancestral karyotypes, and the identification of the defining evolutionary chromosomal rearrangements along each lineage. Our results allow a more reliable estimate of the mode and tempo of evolutionary chromosomal rearrangements, revealing a striking switch between the slowly evolving ceratomorphs and extremely rapidly evolving equids.

Impacts of recreational motorboats on fishes: a review.

Science.gov (United States)

Whitfield, A K; Becker, A

2014-06-15

A considerable amount of research has been conducted on the impacts of recreational boating activities on fishes but little or no synthesis of the information has been undertaken. This review shows that motor boats impact on the biology and ecology of fishes but the effects vary according to the species and even particular size classes. Direct hits on fishes by propellers are an obvious impact but this aspect has been poorly documented. Alterations in the wave climate and water turbidity may also influence fishes and their habitats, especially submerged and emergent plant beds. Sound generated by boat motors can also influence the communication and behaviour of certain species. Pollution arising from fuel spillages, exhaust emissions and antifouling paints all have detrimental effects on fishes. Finally, the use of recreational boats as vectors of aquatic invasive organisms is very real and has created major problems to the ecology of aquatic systems. Copyright © 2014 Elsevier Ltd. All rights reserved.

Automatic color preference correction for color reproduction

Science.gov (United States)

Tsukada, Masato; Funayama, Chisato; Tajima, Johji

2000-12-01

The reproduction of natural objects in color images has attracted a great deal of attention. Reproduction more pleasing colors of natural objects is one of the methods available to improve image quality. We developed an automatic color correction method to maintain preferred color reproduction for three significant categories: facial skin color, green grass and blue sky. In this method, a representative color in an object area to be corrected is automatically extracted from an input image, and a set of color correction parameters is selected depending on the representative color. The improvement in image quality for reproductions of natural image was more than 93 percent in subjective experiments. These results show the usefulness of our automatic color correction method for the reproduction of preferred colors.

A new bioassay for the inspection and identification of TBT-containing antifouling paint.

Science.gov (United States)

Gueuné, Hervé; Thouand, Gérald; Durand, Marie-José

2009-11-01

Since the 1960s tributyl (TBT)-based antifouling paints are widely applied to protect ship's hulls from biofouling. Due to its high toxicity to aquatic ecosystem most of the countries (28 nations in 2008) signed the AFS convention to control the use of harmful antifouling systems on ships. Nevertheless there is currently no simple method to control the presence of organotin in paint. In this study, we propose a bioassay based on the use of a recombinant bioluminescent bacteria to detect directly in paint the presence of TBT. We also propose a simple device as an inspection system to control the absence of organotin in the ship's hull paint. The presence of organotin could be revealed in less than three hours.

Comparative historical biogeography of three groups of Nearctic freshwater fishes across central Mexico.

Science.gov (United States)

Pérez-Rodríguez, R; Domínguez-Domínguez, O; Doadrio, I; Cuevas-García, E; Pérez-Ponce de León, G

2015-03-01

Biogeographic patterns of the three main Nearctic groups of continental fishes inhabiting river drainages in central Mexico (livebearing goodeids, southern Mexican notropins and species of Algansea, the last two representing independent lineages of cyprinids) were obtained and compared by following two approaches: an estimate of divergence times and using a well-defined biogeographic method. Three concordant biogeographic events were identified among the three groups, showing some evidence of a partially congruent evolutionary history. The analysed groups show at least three independent colonization events into central Mexico: two western routes, followed by the Goodeinae and members of Algansea, and an early Plateau route followed by southern notropins. The most recent common ancestor (MRCA) of each of the three freshwater fish groups diversified in central Mexico in the Late Miocene. The lack of a strong congruence in their biogeographic patterns, and the differences in species richness among the three clades might be evidence for distinct patterns of diversification. © 2015 The Fisheries Society of the British Isles.

Fiber Bragg Grating Sensor to Monitor Stress Kinetics in Drying Process of Commercial Latex Paints

Directory of Open Access Journals (Sweden)

Ivo de Lourenço

2010-05-01

Full Text Available In this paper, we report a study about the application of packaged fiber Bragg gratings used as strain sensors to monitor the stress kinetics during the drying process of commercial latex paints. Three stages of drying with distinct mechanical deformation and temporal behaviors were identified for the samples, with mechanical deformation from 15 μm to 21 μm in the longitudinal film dimension on time intervals from 370 to 600 minutes. Drying time tests based on human sense technique described by the Brazilian Technical Standards NBR 9558 were also done. The results obtained shows that human sense technique has a limited perception of the drying process and that the optical measurement system proposed can be used to characterize correctly the dry-through stage of paint. The influence of solvent (water addition in the drying process was also investigated. The paint was diluted with four parts paint and one part water (80% paint, and one part paint and one part water (50% paint. It was observed that the increase of the water ratio mixed into the paint decreases both the mechanical deformation magnitude and the paint dry-through time. Contraction of 5.2 μm and 10.4 μm were measured for concentrations of 50% and 80% of paint in the mixture, respectively. For both diluted paints the dry-through time was approximately 170 minutes less than undiluted paint. The optical technique proposed in this work can contribute to the development of new standards to specify the drying time of paint coatings.

Assessment of formaldehyde levels in local and imported fresh fish in Ghana: a case study in the Tamale Metropolis of Ghana.

Science.gov (United States)

Saba, Courage Kosi Setsoafia; Atayure, Seidu Isaac; Adzitey, Frederick

2015-03-01

Fish is an important source of protein all over the world, including in Ghana. The fishery sector plays a major role in meeting the domestic need of animal protein and also contributes greatly in foreign exchange earnings. The domestic supply of fish does not meet the demand, so Ghana imports fish and fish products from other countries. Media reports in Ghana have alleged the use of formaldehyde to preserve fish for increased shelf life and to maintain freshness. This research, therefore, sought to establish the levels of formaldehyde in imported and local fresh fish in the Tamale Metropolis by using a ChemSee formaldehyde and formalin detection test kit. Positive and negative controls were performed by using various concentrations of formalin (1, 10, 30, 50, 100, and 300 ppm) and sterile distilled water, respectively. Three times over a 6-month period, different fish species were obtained from five wholesale cold stores (where fish are sold in cartons) and some local sales points (where locally caught fish are sold). A total of 32 samples were taken during three different sampling sessions: 23 imported fish (mackerel, herring, horse mackerel, salmon, and redfish) and 9 local tilapia. The fish were cut, and 50 g was weighed and blended with an equal volume (50 ml) of sterile distilled water. Samples were transferred to test tubes and centrifuged. A test strip was dipped into the supernatant and observed for a color change. A change in color from white to pink or purple indicated the presence of formaldehyde in fish. The study showed that no formaldehyde was present in the imported and local fish obtained. The appropriate regulatory agencies should carry out this study regularly to ensure that fish consumed in Ghana is safe for consumption.

Structuralist readings: Painting vs. picture

OpenAIRE

Marinkov-Pavlović Lidija

2016-01-01

The aim of the paper is to point to two fundamentally different strategies of painting practice, that is, to two subsystems of painting: picture and painting. This differentiation can be made within the framework of semiotic and semiological analyses which have developed in theory under the influence of structuralism. The first part of the paper offers a basic insight into the linguistic foundation of structuralistic concept, and then sets a thesis about the possibility of analogue reconceptu...

A heat exchanger analogy of automotive paint ovens

International Nuclear Information System (INIS)

Rao, Preetham P.

2013-01-01

Computational prediction of vehicle temperatures in an automotive paint oven is essential to predict paint quality and manufacturability. The complex geometry of vehicles, varying scales in the flow, transient nature of the process, and the tightly coupled conjugate heat transfer render the numerical models computationally very expensive. Here, a novel, simplified model of the oven is developed using an analogy to a three-stream cross flow heat exchanger that transfers heat from air to a series of moving bodies and supporting carriers. The analogous heat exchanger equations are developed and solved numerically. Steady state Computational Fluid Dynamics (CFD) simulations are carried out to model the flow field and to extract the heat transfer coefficients around the body and carriers. The air temperature distribution from the CFD models is used as a boundary condition in the analogous model. Correction coefficients are used in the analogy to take care of various assumptions. These are determined from existing test data. The same corrections are used to predict air temperatures for a modified configuration of the oven and a different vehicle. The method can be used to conduct control volume analysis of ovens to determine energy efficiency, and to study new vehicle or oven designs. -- Highlights: • Analogy of an automotive paint oven as a three stream cross flow heat exchanger. • The three streams are vehicle bodies, carriers and hot air. • Convection coefficients and inlet air stream temperatures from steady CFD simulations. • Analogy useful for overall energy efficiency analysis of conveyor ovens in general

Cleaning and Restoration of an Oil Painting with a Polymer Gel in Iran

OpenAIRE

Siyamak Alizadeh

2018-01-01

One of the major stages in the conservation and restoration of a painting is to clean its colored surface of unwanted stains, and old and darkened varnishes. Various solvents have been used to date for this purpose; however, new cleaning materials have also come onto the market in the past decade that are still unknown and may never have been employed in Iran. The present study aims to introduce a polymer gel and use an in vitro sample of the substance for cleaning and to then present the res...

Lead content in household paints in India

International Nuclear Information System (INIS)

Kumar, Abhay; Gottesfeld, Perry

2008-01-01

Lead and its compounds are used in paints not only to impart colour but also to make it durable, corrosion resistant and to improve drying. Adverse health impacts of lead especially on children have led countries to restrict or ban its use in paints. While U.S. and other developed countries instituted measures to limit the use of lead in paints, some developing countries including India have failed to regulate their lead content. The present study was undertaken to determine the levels of lead in new latex (water-based) and enamel paints (oil-based) intended for residential use in India. A total of 69 paint samples (38 latex and 31 enamel samples) from six of the most popular brands were analysed for lead concentrations. While all latex paint samples contained low levels of lead, (i.e., well below 600 ppm as regulated by United States' Consumer Products Safety Commission) the enamel paint samples of all but one brand contained significant concentrations of lead, ranging up to 140,000 ppm. In fact 84% of the enamel paints tested exceeded 600 ppm whereas only 38 % of all samples (including latex and enamel types) exceeded this regulatory level

Evaluation of Myc Gene Amplification in Prostate Cancer Using a Dual Color Chromogenic in-Situ Hybridization (Dual CISH Assay

Directory of Open Access Journals (Sweden)

Daniel Lerda

2013-04-01

Full Text Available Objetive: The overall purpose of the study was to demonstrate applicability of the Dako dual-color chromogenic in situ hybridization (CISH assay (DAKO Denmark, Glostrup with respect to fluorescence in situ hybridization (FISH probes MYC-C. Methods: MYC gene amplification by FISH and Dako dual-color CISH Results: The study showed that the dual-color CISH assay can convert Texas red and fluorescein isothiocyanate (FITC signals into chromogenic signals. The dual –color CISH assay was performed on 40 cases of prostate cancer. Amplification was identified in 12 of 40 (30% tumors. No amplification was seen in 28 of 40 (70% tumors. FISH data were available in total of 40 tumors. All tumors showed concordant results between dual-color CISH and FISH for classifying a tumor as MYC amplified or not amplified. Conclusions: We conclude that dual-color Dako CISH assay is an accurate method for determining MYC gene amplification with added advantages that make it a more practically useful method. [J Interdiscipl Histopathol 2013; 1(2.000: 81-84

Cleaning of Easel Paintings: An Overview

International Nuclear Information System (INIS)

Bordalo, R.; Morais, P.J.; Gouveia, H.; Young, C.

2006-01-01

The application of laser cleaning to paintings is relatively recent despite its use on stone-based materials for over 30 years. The cleaning of paintings is of high importance, because it is the least reversible invasive intervention, as well as the most usual of all conservation treatments. Paintings are multilayer system of heterogeneous nature, often very sensitive and inherent difficult to clean. Being a noncontact method, laser cleaning has advantages compared to alternative techniques. Over the last decade, there have been important research studies and advances. However, they are far from sufficient to study the effects on painting materials and to establish the best parameters for each material under investigation. This paper presents a historical overview of the application of laser technology to the cleaning of paintings giving special emphasis on the research of the last decade. An overview of the current research into the interaction between the radiation and the different painting materials (varnish, pigments, and medium) is also given. The pigment's mechanisms of discoloration and the presence of media as a variable factor in the discoloration of pigments are discussed.

Bioinspired Non-iridescent Structural Color from Polymer Blend Thin Films

Science.gov (United States)

Nallapaneni, Asritha; Shawkey, Matthew; Karim, Alamgir

Colors exhibited in biological species are either due to natural pigments, sub-micron structural variation or both. Structural colors thus exhibited can be iridescent (ID) or non-iridescent (NID) in nature. NID colors originate due to interference and coherent scattering of light with quasi-ordered micro- and nano- structures. Specifically, in Eastern Bluebird (Sialia sialis) these nanostructures develop as a result of phase separation of β-keratin from cytoplasm present in cells. We replicate these structures via spinodal blend phase separation of PS-PMMA thin films. Colors of films vary from ultraviolet to blue. Scattering of UV-visible light from selectively leeched phase separated blends are studied in terms of varying domain spacing (200nm to 2 μm) of film. We control these parameters by tuning annealing time and temperature. Angle-resolved spectroscopy studies suggest that the films are weakly iridescent and scattering from phase-separated films is more diffused when compared to well-mixed films. This study offers solutions to several color-based application in paints and coatings industry.

Toxicity of Nanoparticles Embedded in Paints Compared with Pristine Nanoparticles in Mice

Science.gov (United States)

Smulders, Stijn; Luyts, Katrien; Brabants, Gert; Landuyt, Kirsten Van; Kirschhock, Christine; Smolders, Erik; Golanski, Luana; Vanoirbeek, Jeroen; Hoet, Peter HM

2014-01-01

The unique physical and chemical properties of nanomaterials have led to their increased use in many industrial applications, including as a paint additive. For example, titanium dioxide (TiO2) engineered nanoparticles (ENPs) have well-established anti-UV, self-cleaning, and air purification effects. Silver (Ag) ENPs are renowned for their anti-microbial capabilities and silicon dioxide (SiO2) ENPs are used as fire retardants and anti-scratch coatings. In this study, the toxic effects and biodistribution of three pristine ENPs (TiO2, Ag, and SiO2), three aged paints containing ENPs (TiO2, Ag, and SiO2) along with control paints without ENPs were compared. BALB/c mice were oropharyngeally aspirated with ENPs or paint particles (20 μg/aspiration) once a week for 5 weeks and sacrificed either 2 or 28 days post final aspiration treatment. A bronchoalveolar lavage was performed and systemic blood toxicity was evaluated to ascertain cell counts, induction of inflammatory cytokines, and key blood parameters. In addition, the lung, liver, kidney, spleen, and heart were harvested and metal concentrations were determined. Exposure to pristine ENPs caused subtle effects in the lungs and negligible alterations in the blood. The most pronounced toxic effects were observed after Ag ENPs exposure; an increased neutrophil count and a twofold increase in pro-inflammatory cytokine secretion (keratinocyte chemoattractant (KC) and interleukin-1ß (IL-1ß)) were identified. The paint containing TiO2 ENPs did not modify macrophage and neutrophil counts, but mildly induced KC and IL-1ß. The paints containing Ag or SiO2 did not show significant toxicity. Biodistribution experiments showed distribution of Ag and Si outside the lung after aspiration to respectively pristine Ag or SiO2 ENPs. In conclusion, we demonstrated that even though direct exposure to ENPs induced some toxic effects, once they were embedded in a complex paint matrix little to no adverse toxicological effects were

Preparation of water paint by radiation

International Nuclear Information System (INIS)

Makuuchi, Keizo

1984-01-01

The development of coatings which do not require any organic solvent have been the social needs. The emulsion made by radiation method is considered to meet possibly this requirement, but it has not been utilized well in the application to water paint. In this review, the investigation concerning the synthesis of water paint raw material by radiation is summarized. In the introduction, radiation curing, water paint and radiation emulsion polymerization are outlined, in the section of γ-ray emulsion polymerization, clean emulsion, cross-linked polymer particles and low temperature polymerization are described, and in the section of paint characteristics of radiation-induced emulsion-polymerized emulsion, the synthesis of thermosetting emulsion, the relation between the method of polymerization and the properties of emulsion, the performance of coating film, and self-hardening emulsion are explained. In the following section of skin-core double layer structured particle emulsion, skin-core double layer structured particles, optimal monomer composition, optimal polymerization process, the manufacturing test with a pilot plant, the performance of the paint, the durability of skin-core double layer structured particle coating film and low temperature curing water paint are described, and in the section of synthesis of emulsion by utilization of electron beam, electron beam emulsion polymerization and the synthesis of water paint by electron beam graft polymerization are described. (Yoshitake, I.)

Denotative and connotative meanings of paintings

Directory of Open Access Journals (Sweden)

Vasić Sandra

2007-01-01

Full Text Available In this study the relationships between judgments of paintings denotative and connotative meanings was investigated. Denotative domain was defined as motif (represented object, e.g. portrait, landscape etc. and message (information carried by paintings, e.g. celebration of patriotism. Connotative domain was defined as subjective experience, i.e. affective or metaphoric impression produced by painting (e.g. feeling of pleasure, impression of dynamics, and so on. In preliminary study the list of 39 motifs was specified empirically. The four dimensions of pictorial message were taken from the previous study (Marković, 2006: Subjectivism, Ideology, Decoration and Constructivism vs. Realism. The four dimensions of paintings subjective experience were taken from the previous study as well (Radonjić and Marković, 2005: Regularity, Attraction, Arousal and Relaxation. In Experiment 1 subjects were asked to associate 39 motifs with 18 paintings. In Experiment 2 subjects were asked to judge 24 paintings on four dimensions of pictorial message. Results form Experiment 1 have shown that dimensions of paintings subjective experience were significantly correlated with only five motifs (e.g. everyday life was negatively correlated with Arousal, battle was negatively correlated with Relaxation, and so on. Results from Experiment 2 have shown that Subjectivism and Constructivism are negatively correlated with Regularity, and positively correlated with Arousal. Decoration is negatively correlated with Arousal and positively with Attraction and Relaxation.

Emerging role of phenolic compounds as natural food additives in fish and fish products.

Science.gov (United States)

Maqsood, Sajid; Benjakul, Soottawat; Shahidi, Fereidoon

2013-01-01

Chemical and microbiological deteriorations are principal causes of quality loss of fish and fish products during handling, processing, and storage. Development of rancid odor and unpleasant flavor, changes of color and texture as well as lowering nutritional value in fish can be prevented by appropriate use of additives. Due to the potential health hazards of synthetic additives, natural products, especially antioxidants and antimicrobial agents, have been intensively examined as safe alternatives to synthetic compounds. Polyphenols (PP) are the natural antioxidants prevalent in fruits, vegetables, beverages (tea, wine, juices), plants, seaweeds, and some herbs and show antioxidative and antimicrobial activities in different fish and fish products. The use of phenolic compounds also appears to be a good alternative for sulphiting agent for retarding melanosis in crustaceans. Phenolic compounds have also been successfully employed as the processing aid for texture modification of fish mince and surimi. Thus, plant polyphenolic compounds can serve as potential additives for preventing quality deterioration or to retain the quality of fish and fish products.

Industrial Color Physics

CERN Document Server

Klein, Georg A

2010-01-01

This unique book starts with a short historical overview of the development of the theories of color vision and applications of industrial color physics. The three dominant factors producing color - light source, color sample, and observer - are described in detail. The standardized color spaces are shown and related color values are applied to characteristic color qualities of absorption as well as of effect colorants. The fundamentals of spectrometric and colorimetric measuring techniques together with specific applications are described. Theoretical models for radiative transfer in transparent, translucent, and opaque layers are detailed; the two, three, and multi-flux approximations are presented for the first time in a coherent formalism. These methods constitute the fundamentals not only for the important classical methods, but also modern methods of recipe prediction applicable to all known colorants. The text is supplied with 52 tables, more than 200 partially colored illustrations, an appendix, and a...

Investigating the effect of artists’ paint formulation on degradation rates of TiO2‑based oil paints

NARCIS (Netherlands)

van Driel, B.A.; van den Berg, K. J.; Smout, M.; Dekker, N; Kooyman, P.J.; Dik, J.

2018-01-01

This study reports on the effect of artists’ paint formulation on degradation rates of TiO2-based oil paints. Titanium white oil paint exists in a multitude of different recipes, and the effect of the formulation on photocatalytic binder
degradation kinetics is unknown. These formulations

The Appreciation of The Fish

Institute of Scientific and Technical Information of China (English)

何丽然

2016-01-01

The Fish by Marianne Moore was published in 1921 and this poem leaves large space for the readers to conduct comprehensive interpretation. A couple of significant aspects of the poem are well worth discussing and appreciating. In this paper, the poem will be summarized in a way of story-telling and some indispensable elements of the poem will be analyzed in detail. First, the structure of the poem will be analyzed from two perspectives: the disordered arrangement of the lines and the missing of the subject. Besides, the metre of the poem will be analyzed: strict rhyme scheme and alliteration.What’s more, the figure of speech applied in the poem needs to be paid more attention: simile, metaphor and personification. In particular, the contrast of colors in this poem will be studied: darkness and colorfulness. Last but not least, the theme of the poem is opening and three themes will be discussed: life and death, natural disaster and man-made damage, the symbiosis.

Vantage Construal in the Attributive Use of Basic Color Terms: The A[subscript C]N and N of N[subscript C] Constructions

Science.gov (United States)

Anishchanka, Alena

2010-01-01

The article presents a usage-based analysis of color attribution, i.e. the construal of the relation between color property and an entity to which it is attributed in painting descriptions. The study is based on the corpus of 100 catalog entries written for American art museums. It focuses on the two most frequent morpho-syntactic patterns in the…

Conservation problems with paintings containing fluorescent layers of paint

Directory of Open Access Journals (Sweden)

Stefanie De Winter

2010-11-01

Full Text Available L’artiste moderne cherche continuellement de nouvelles techniques. Des nouveaux matériaux tels que l’éponge, le polyester, le sable, etc. sont devenus courants. Ces développements amènent de nouveaux problèmes dans le domaine de la conservation (préventive des matériaux en question. Chaque matériau doit être analysé individuellement afin de préserver  le mieux possible l’intention de l’artiste à long terme. La présente recherche concerne des matériaux très récents: les pigments et les couleurs fluorescentes. Ces derniers n’ont fait leur apparition qu’au vingtième siècle. Pour cette raison les données concernant leur dégradation et leur conservation sont peu nombreuses. La majorité des tableaux fluorescents sont conçus pour être montrés sous éclairage UV. En cas de dommage, si l’œuvre a besoin d’être retouchée, ceci pose un grand problème esthétique. La retouche devient visible sous les lampes UV. La première partie de la recherche concerne la composition des différentes sortes de pigments et de peintures. Par la suite, les différentes causes de dégradation- lumière UV, chaleur, etc.- sont analysées en détail. Pour conclure, un possible remède est proposé.In modern art we can see that artists are breaking with traditional techniques. New materials like sponge, polyester, sand, etc. are being used. This causes a lot of new problems in the (preventive conservation of works containing these materials. Every material needs to be researched individually so the exact intention of the artist can be preserved for a (relatively long period. My research is about very recent materials: fluorescent pigments and paints. These only started to be used by artists from the 60’s. That's why there is not much information about their aging and ways to (preventively conserve them. A lot of fluorescent paintings are meant to be shown under UV-light. If a fluorescent painting has damage and needs to be retouched

LSST Painting Risk Evaluation Memo

Energy Technology Data Exchange (ETDEWEB)

Wolfe, Justin E. [Lawrence Livermore National Lab. (LLNL), Livermore, CA (United States)

2016-11-10

The optics subsystem is required to paint the edges of optics black where possible. Due to the risks in applying the paint LSST requests a review of the impact of removing this requirement for the filters and L3.

Cross-modal associations between materic painting and classical Spanish music.

Science.gov (United States)

Albertazzi, Liliana; Canal, Luisa; Micciolo, Rocco

2015-01-01

The study analyses the existence of cross-modal associations in the general population between a series of paintings and a series of clips of classical (guitar) music. Because of the complexity of the stimuli, the study differs from previous analyses conducted on the association between visual and auditory stimuli, which predominantly analyzed single tones and colors by means of psychophysical methods and forced choice responses. More recently, the relation between music and shape has been analyzed in terms of music visualization, or relatively to the role played by emotion in the association, and free response paradigms have also been accepted. In our study, in order to investigate what attributes may be responsible for the phenomenon of the association between visual and auditory stimuli, the clip/painting association was tested in two experiments: the first used the semantic differential on a unidimensional rating scale of adjectives; the second employed a specific methodology based on subjective perceptual judgments in first person account. Because of the complexity of the stimuli, it was decided to have the maximum possible uniformity of style, composition and musical color. The results show that multisensory features expressed by adjectives such as "quick," "agitated," and "strong," and their antonyms "slow," "calm," and "weak" characterized both the visual and auditory stimuli, and that they may have had a role in the associations. The results also suggest that the main perceptual features responsible for the clip/painting associations were hue, lightness, timbre, and musical tempo. Contrary to what was expected, the musical mode usually related to feelings of happiness (major mode), or to feelings of sadness (minor mode), and spatial orientation (vertical and horizontal) did not play a significant role in the association. The consistency of the associations was shown when evaluated on the whole sample, and after considering the different backgrounds and

Internal contamination by tritium caused by radioluminescent paints

Energy Technology Data Exchange (ETDEWEB)

Adamiak-Ziemba, J.; Doniec, J.

1985-01-01

The internal contamination investigations covered 23 persons using radioluminescence paints containing tritium, assembling devices painted with those paints, and those having no contact with active paints but working next to the painting room. Determined were concentrations of tritium excreted with urine, air contamination at workplaces, contamination of workplace areas and hand skin. At the time covered by the investigations, the mean annual equivalent doses for those using tritium paints were reduced from 14-20 mSv to about 5 mSv. In those working next to the painting room they were reduced from 5.8-15 to 0.23 mSv. The exposure of those assembling the devices does not exceed 1 mSv. It was demonstrated that the main cause of the tritium exposure level was air contamination in working rooms.

Noise can affect acoustic communication and subsequent spawning success in fish.

Science.gov (United States)

de Jong, Karen; Amorim, M Clara P; Fonseca, Paulo J; Fox, Clive J; Heubel, Katja U

2018-06-01

There are substantial concerns that increasing levels of anthropogenic noise in the oceans may impact aquatic animals. Noise can affect animals physically, physiologically and behaviourally, but one of the most obvious effects is interference with acoustic communication. Acoustic communication often plays a crucial role in reproductive interactions and over 800 species of fish have been found to communicate acoustically. There is very little data on whether noise affects reproduction in aquatic animals, and none in relation to acoustic communication. In this study we tested the effect of continuous noise on courtship behaviour in two closely-related marine fishes: the two-spotted goby (Gobiusculus flavescens) and the painted goby (Pomatoschistus pictus) in aquarium experiments. Both species use visual and acoustic signals during courtship. In the two-spotted goby we used a repeated-measures design testing the same individuals in the noise and the control treatment, in alternating order. For the painted goby we allowed females to spawn, precluding a repeated-measures design, but permitting a test of the effect of noise on female spawning decisions. Males of both species reduced acoustic courtship, but only painted gobies also showed less visual courtship in the noise treatment compared to the control. Female painted gobies were less likely to spawn in the noise treatment. Thus, our results provide experimental evidence for negative effects of noise on acoustic communication and spawning success. Spawning is a crucial component of reproduction. Therefore, even though laboratory results should not be extrapolated directly to field populations, our results suggest that reproductive success may be sensitive to noise pollution, potentially reducing fitness. Copyright © 2017 Elsevier Ltd. All rights reserved.

Evaluation of Myc Gene Amplification in Prostate Cancer Using a Dual Color Chromogenic in-Situ Hybridization (Dual CISH) Assay

OpenAIRE

Daniel Lerda; Marta Cabrera; Jorge Flores; Luis Gutierrez; Armando Chierichetti; Martin Revol; Hernan Garcia Onto

2013-01-01

Objetive: The overall purpose of the study was to demonstrate applicability of the Dako dual-color chromogenic in situ hybridization (CISH) assay (DAKO Denmark, Glostrup) with respect to fluorescence in situ hybridization (FISH) probes MYC-C. Methods: MYC gene amplification by FISH and Dako dual-color CISH Results: The study showed that the dual-color CISH assay can convert Texas red and fluorescein isothiocyanate (FITC) signals into chromogenic signals. The dual –color CISH assay was p...

Paintings on copper by the Flemish artist Frans Francken II: PIXE characterization by external microbeam

International Nuclear Information System (INIS)

Corregidor, V.; Oliveira, A.R.; Rodrigues, P.A.; Alves, L.C.

2015-01-01

Resorting to an external proton microbeam, PIXE analyses of three oil paintings on copper support dated from the XVII century and attributed to the Flemish artist Frans Francken II, were undertaken. The present work aims to contribute to the compositional study of the painting materials employed by XVII century artists that exploited copper as a support for oil painting, and specifically the materials used by Francken’s workshop, particularly copper plates. Because of the low thickness of the pictorial layers of this type of paintings and its non-destructive character, PIXE is the ideal technique to study the elemental composition of the paintings. Several spots in each painting were chosen for analysis in order to cover almost all the pigments used in the colour palette. Lead and calcium were detected in practically every analysed regions, probably related to the presence of lead white and chalk, usually used as ground layer on copper paintings. Small quantities of gold were also detected, which is present in many of this artist’s works to embellish some details of the representations. Also this work reports the first application of the external proton microbeam set-up available at CTN/IST in Portugal for the characterization of oil paintings

Molecular cytogenetics: A novel approach for measuring chromosome translocations in individuals years after exposure to low levels of ionizing radiation

International Nuclear Information System (INIS)

Lucas, J.N.; Straume, T.

1992-04-01

Chromosome painting was developed in our laboratory to facilitate rapid and accurate detection of chromosome translocations in human cells. Chromosome painting is the selective staining of one or more chromosomes by fluorescence in situ hybridization (FISH) using whole chromosome probes. This method permits essentially uniform hybridization and staining along the entire lengths of targeted chromosomes. Staining all other chromosomes a different color makes interchromosomal exchange aberrations readily apparent as bicolored chromosomes. Here we present a brief discussion of this methodology and recent results from studies in our laboratory

Neural correlates of viewing paintings

DEFF Research Database (Denmark)

Vartanian, Oshin; Skov, Martin

2014-01-01

Many studies involving functional magnetic resonance imaging (fMRI) have exposed participants to paintings under varying task demands. To isolate neural systems that are activated reliably across fMRI studies in response to viewing paintings regardless of variation in task demands, a quantitative...

New biocides for antifouling paints

International Nuclear Information System (INIS)

Mazziotti, Isabella; Massanisso, Paolo; Cremisini, Carlo; Chiavarini, Salvatore; Fantini, Michele; Morabito, Roberto

2005-01-01

The antifouling paints are used for protecting the hulls of the boasts from the undesirable accumulation of micro-organisms, plants, and animals on artificial surfaces (marine biological fouling). These paints constitute a potential risk for the marine environment, because of the presence in their formulation, among the other potentially toxic components, of organic compounds acting as biocide. The environmental problems associated with the use of the organotin compounds as biocides in the antifouling paints, have lead to the international ban of these compounds. In the article the new antifouling paints coming up the national and international market are shortly introduced and discussed, with particular attention respect to the new organic compounds used as biocides. In Italy quite a few marine monitoring campaigns have been carried out for organotin compounds, on the contrary there is a lack of data regarding the presence of other biocides [it

Color-Blindness Study: Color Discrimination on the TICCIT System.

Science.gov (United States)

Asay, Calvin S.; Schneider, Edward W.

The question studied whether the specific seven TICCIT system colors used within color coding schemes can be a source of confusion, or not seen at all, by the color-blind segment of target populations. Subjects were 11 color-blind and three normally sighted students at Brigham Young University. After a preliminary training exercise to acquaint the…

Scaling mimesis: Morphometric and ecomorphological similarities in three sympatric plant-mimetic fish of the family Carangidae (Teleostei).

Science.gov (United States)

Queiroz, Alexya Cunha de; Vallinoto, Marcelo; Sakai, Yoichi; Giarrizzo, Tommaso; Barros, Breno

2018-01-01

The mimetic juveniles of a number of carangid fish species resemble plant parts floating near the water surface, such as leaves, seeds and other plant debris. The present study is the first to verify the morphological similarities and ecomorphological relationships between three carangids (Oligoplites saurus, Oligoplites palometa and Trachinotus falcatus) and their associated plant models. Behavioral observations were conducted in the estuary of Curuçá River, in northeastern Pará (Brazil) between August 2015 and July 2016. Individual fishes and associated floating objects (models) were sampled for comparative analysis using both geometric and morphometric approaches. While the mimetic fish and their models retain their own distinct, intrinsic morphological features, a high degree of morphological similarity was found between each fish species and its model. The morphometric analyses revealed a general tendency of isometric development in all three fish species, probably related to their pelagic habitats, during all ontogenetic stages.

Mural Painting as Inclusive Art Learning Experience

Science.gov (United States)

Ho, Kong

2010-01-01

Traditional art education, like other academic disciplines, emphasizes competitiveness and individualism. Through a mural painting curriculum, learners participate in mural art and history appreciation, are active in mural theme or content construction, and engage in hands-on mural design and painting processes. When mural paintings are produced…

INNOVACIONES EN LA ENSEÑANZA DE LA MEZCLA ADITIVA DE COLORES

Directory of Open Access Journals (Sweden)

José Alberto Maroto Centeno

2010-01-01

Full Text Available El objetivo principal de este trabajo es aportar nuevos puntos de vista y enfoques didácticos para la enseñanza, en el ámbito de la Física, de las mezclas aditiva y sustractiva de colores. Concretamente, se expone un nuevo procedimiento para el diseño e impresión de discos de color de Maxwell, basado en la utilización del programa comercial Corel Photo-Paint 9. Estos discos evidencian con gran precisión y de manera extraordinariamente sugestiva el proceso de mezcla aditiva del color, a diferencia de la mayoría de los discos de color disponibles comercialmente. Este hecho se puso de manifiesto, a través de una demostración práctica, en el curso del "I Encuentro de Físicos de las Universidades de Costa Rica y Jaén. Desarrollo de Materiales Didácticos". Finalmente, este trabajo analiza una página web que incluye diversos applets muy útiles para entender los mecanismos de las mezclas aditivas y sustractivas de colores.

Texton-based analysis of paintings

NARCIS (Netherlands)

Van der Maaten, L.J.P.; Postma, E.O.

2010-01-01

The visual examination of paintings is traditionally performed by skilled art historians using their eyes. Recent advances in intelligent systems may support art historians in determining the authenticity or date of creation of paintings. In this paper, we propose a technique for the examination of

ColorTracker

NARCIS (Netherlands)

Holzheu, Stefanie; Lee, S.; Herneoja, Aulikki; Österlund, Toni; Markkanen, Piia

2016-01-01

With the work-in-progress research project ColorTracker we explore color as a formal design tool. This project-based paper describes a novel software application that processes color composition of a place and transcribes the data into three-dimensional geometries for architectural design. The

Raman spectroscopic analysis of the Maya wall paintings in Ek'Balam, Mexico

Science.gov (United States)

Vandenabeele, P.; Bodé, S.; Alonso, A.; Moens, L.

2005-08-01

Raman spectroscopy has been applied to the examination of wall painting fragments from the archaeological site of Ek'Balam (Yucatán, Mexico). Thirty-three samples have been studied, all originating from room 23 of the Acropolis, and being representative of the painting technique at Ek'Balam during the late Classic Maya period. Several pigments such as haematite, calcite, carbon, cinnabar and indigo were identified in these samples. The latter pigment was presumed to be present as 'Maya blue', which is an intercalation product of indigo and palygorskite clay. The observed Raman spectra are reported and some band assignments have been made. This survey is the first Raman spectroscopic examination of a whole set of pigments in archaeological Maya wall painting fragments.

P1-15: Categorical Color Perception of LED Illuminant Color for Deuteranomals

Directory of Open Access Journals (Sweden)

Saeko Oishi

2012-10-01

Full Text Available Color information has great value in our everyday lives, but it is not mindful of people with color vision deficiency (CVD. We can choose several color names to categorize a lot of colors around us. Eleven color names (white, black, red, green, yellow, blue, brown, orange, pink, and gray are known as basic color categories, but people with CVD cannot necessarily describe colors as people who are color vision normal (CVN do. Previous studies showed that it was hard for people with CVD to discriminate illuminant color from object color, and their color perception changed largely depending on experimental conditions. In this study we investigated categorical color perception of illuminant color for deuteranomals, using a mixture of light which consists of a red, a green, and a blue LED as a test stimulus. We tested those stimuli with three luminance levels (180 cd/m2, 18 cd/m2, 1.8 cd/m2 and two visual angles (10 deg, 0.5 deg. Subjects were three deuteranomals and three people who are CVN. Our result showed that the categorical color of mild deuteranomals was similar to that of those who were CVN, but that of severe deuteranomals was not. Severe deuteranomals judged more low chromatic colors as achromatic colors than those who were CVN. The smaller visual angle or lower luminance level the test stimulus had, the more deuteranomals confused color. The results suggest that the effect of the Bezold-Brucke phenomenon is greater to deuteranomals than to those who are CVN. Furthermore, deuteranomals use not only chromatic information but also luminance information when they describe color.

Oil painting on tinplate by Francisco José Resende

Directory of Open Access Journals (Sweden)

Ana Rita Veiga

2010-11-01

Full Text Available Cet article se concentre sur l'étude des techniques d'exécution, des matériaux et de l'état de conservation de trois peintures à l'huile sur fer-blanc (acier couvert d'étain du peintre portugais Francisco José Resende (1825 – 1893. Bien que le choix de peindre sur un support métallique n'était pas commun au XIXème siècle, cet auteur a exécuté au long de sa vie différentes œuvres sur ce substrat. Dans ces recherches, apparaissent les résultats comparatifs de la technique d'exécution de Francisco Resende et des matériaux présents dans les couches picturales et dans le support des trois œuvres faisant l'objet de l'étude. Bien qu'elles aient été exécutées à des dates similaires, on remarque des problèmes de conservation distincts - notamment les détachements, les cloques et la corrosion -, qui sont décrits et liés aux matériaux constituants des peintures.This article focuses on the study of execution techniques, material composition and condition of three oil paintings on tinplate – a thin sheet of steel coated with tin - by the Portuguese painter Francisco José Resende (1825-1893. Although the choice to paint on a metallic support was not very common in the nineteenth century, the painter executed several works on this support. The comparative results focus on Francisco Resende’s technique of execution, the materials used in the paint layers and on the support of the three works which are being studied. Although executed in the same period, they show different conservation problems - namely delamination and blistering of the paint layers, and also corrosion of the support.

Experience-Dependent Color Constancy in Guppies (Poecilia reticulata

Directory of Open Access Journals (Sweden)

I. E. Intskirveli

2002-01-01

Full Text Available We investigated the ability to recognize the color of surfaces in fish (Poecilia reticulata, bred from birth in conditions of artificial light with constant spectral content. The capacity for color constancy significantly deteriorated when compared that to the control group. Further alteration of lighting conditions and transfer into natural daylight conditions restored the suppressed function to its normal level. We suggest that the color constancy function belongs in the visual system-response functions, the full development of which requires the accumulation of individual visual experience.

Effect of water quality on the composition of fish communities in three coastal rivers of Karnataka, India

Directory of Open Access Journals (Sweden)

Arunkumar Shetty

2015-02-01

Full Text Available The fish assemblage and diversity in relation to water quality of three coastal rivers Sita, Swarna and Varahi of Udupi district, Karnataka, India was studied. 71 species representing 7 orders, 20 families and 41 genera were recorded from 21 sites along the three rivers. Species composition varied longitudinally in relation to the environmental factors of the habitat. The downstream change in the three rivers indicates that fish assemblage changed with increasing loss of riparian canopy cover and increasing agricultural land-use. The richness and abundance of fishes were correlated with land-use type, canopy cover, pH and turbidity. Diversion of water, discharge of domestic sewage and agricultural runoff were prominent among the disturbances that alter the habitat quality.

Persistent phosphors for painting, medical and biological applications

International Nuclear Information System (INIS)

Nazarov, M.

2013-01-01

Multiphase micro and nanoparticle persistent phosphors are synthesized and applied for different fields including painting, medical and biological investigations. A lot of examples show a broad range of applications of persistent luminescence from bulk materials to high tech products, especially in medicine. The development of high efficiency nanosized phosphor makes it possible to propose persistent materials as very good candidates for photodynamic therapy of cancer. An artificial block from slag, concrete, and sand covered with SrAl 2 O 4 :Eu 2+ , Dy 3+ based phosphor is prepared, and a new direction in biology for algae cultivation and artificial reef is discussed. For the first time, underwater luminescence is experimentally studied under real sea conditions. Bright blue-green long-lasting afterglow is registered at a depth of 5 m. The fishes are attracted by the light of the artificial reef. (author)

Effect of lures and colors on capture of lady beetles (coleoptera: coccinellidae) in tedders pyramidal traps

Science.gov (United States)

Purposeful attraction and/or aggregation of adult Coccinellidae at target sites would be useful for sampling purposes and/or pest suppression. We field-tested 1) lures in yellow and black pyramidal traps and 2) pyramidal traps that had been painted one or two colors (without lures) to determine if ...

Prototype of a pigments color chart for the digital conservation of ancient murals

Science.gov (United States)

Liang, Jinxing; Wan, Xiaoxia

2017-03-01

Digital imaging has become a very important technique in the conservation of cultural art relics because it can nondestructively acquire the color and spectral image of cultural art relics for different applications. Imaging accuracy is one of the key factors in digital protection of cultural art relics. In order to improve the color and spectral accuracy for digital imaging of cultural art relics, the idea of making the specific color charts for different kinds of artworks is presented. Taking ancient Chinese Dunhuang murals as the specific object of study, a prototype pigments color chart of the Dunhuang murals (DCC), containing a six-step grayscale and 30 colored pigment samples, is made to investigate its pigment types and painting techniques. Under the premise of considering the difference in the number of samples in color charts, the DCC is tested and compared with the classic and widely used standard Macbeth colorchecker (CC) in two aspects: color correction for RGB imaging and spectral reconstruction for spectral imaging. The results show that the prototype pigments color chart is more effective and exhibits superior performance to the CC in both aspects for digital conservation of the Dunhuang murals.

[Study of spectrum drifting of primary colors and its impact on color rendering properties].

Science.gov (United States)

Cui, Xiao-yan; Zhang, Xiao-dong

2012-08-01

LEDs are currently used widely to display text, graphics and images in large screens. With red, green and blue LEDs as three primary colors, color rendition will be realized through color mixing. However, LEDs' spectrum will produce drifts with the changes in the temperature environment. With the changes in the driving current simulating changes in the temperature, the three primary color LEDs' spectral drifts were tested, and the drift characteristics of the three primary colors were obtained respectively. Based on the typical characteristics of the LEDs and the differences between LEDs with different colors in composition and molecular structure, the paper analyzed the reason for the spectrum drifts and the drift characteristics of different color LEDs, and proposed the equations of spectrum drifts. Putting the experimental data into the spectrum drift equations, the paper analyzed the impacts of primary colors on the mixed color, pointed out a way to reduce the chromatic aberration, and provided the theory for engineering application of color LEDs.

Verification by the FISH translocation assay of historic doses to Mayak workers from external gamma radiation

Energy Technology Data Exchange (ETDEWEB)

Sotnik, Natalia V.; Azizova, Tamara V. [Southern Urals Biophysics Institute (SUBI), Ozyorsk, Chelyabinsk Region (Russian Federation); Darroudi, Firouz [Leiden University Medical Center, Department of Toxicogenetics, Leiden (Netherlands); College of North Atlantic, Department of Health Science, Centre for Human Safety and Environmental Research, Doha (Qatar); Ainsbury, Elizabeth A.; Moquet, Jayne E.; Lloyd, David C.; Hone, Pat A.; Edwards, Alan A. [Public Health England, Chilton, Oxfordshire (United Kingdom); Fomina, Janna [Leiden University Medical Center, Department of Toxicogenetics, Leiden (Netherlands)

2015-11-15

The aim of this study was to apply the fluorescence in situ hybridization (FISH) translocation assay in combination with chromosome painting of peripheral blood lymphocytes for retrospective biological dosimetry of Mayak nuclear power plant workers exposed chronically to external gamma radiation. These data were compared with physical dose estimates based on monitoring with badge dosimeters throughout each person's working life. Chromosome translocation yields for 94 workers of the Mayak production association were measured in three laboratories: Southern Urals Biophysics Institute, Leiden University Medical Center and the former Health Protection Agency of the UK (hereinafter Public Health England). The results of the study demonstrated that the FISH-based translocation assay in workers with prolonged (chronic) occupational gamma-ray exposure was a reliable biological dosimeter even many years after radiation exposure. Cytogenetic estimates of red bone marrow doses from external gamma rays were reasonably consistent with dose measurements based on film badge readings successfully validated in dosimetry system ''Doses-2005'' by FISH, within the bounds of the associated uncertainties. (orig.)

Zinc, Paint loss and Harmony in blue

DEFF Research Database (Denmark)

Vila, Anna; Krarup Andersen, Cecil; Baadsgaard, Elizabeth

2016-01-01

P.S. Krøyer’s late and most popular paintings have proven very difficult to preserve, and as zinc white has been known to cause structural problems in paintings, the authors investigate if the damage seen in the late paintings can be related to the use of this relatively new pigment. Eight painti...

FISH: A THREE-DIMENSIONAL PARALLEL MAGNETOHYDRODYNAMICS CODE FOR ASTROPHYSICAL APPLICATIONS

International Nuclear Information System (INIS)

Kaeppeli, R.; Whitehouse, S. C.; Scheidegger, S.; Liebendoerfer, M.; Pen, U.-L.

2011-01-01

FISH is a fast and simple ideal magnetohydrodynamics code that scales to ∼10,000 processes for a Cartesian computational domain of ∼1000 3 cells. The simplicity of FISH has been achieved by the rigorous application of the operator splitting technique, while second-order accuracy is maintained by the symmetric ordering of the operators. Between directional sweeps, the three-dimensional data are rotated in memory so that the sweep is always performed in a cache-efficient way along the direction of contiguous memory. Hence, the code only requires a one-dimensional description of the conservation equations to be solved. This approach also enables an elegant novel parallelization of the code that is based on persistent communications with MPI for cubic domain decomposition on machines with distributed memory. This scheme is then combined with an additional OpenMP parallelization of different sweeps that can take advantage of clusters of shared memory. We document the detailed implementation of a second-order total variation diminishing advection scheme based on flux reconstruction. The magnetic fields are evolved by a constrained transport scheme. We show that the subtraction of a simple estimate of the hydrostatic gradient from the total gradients can significantly reduce the dissipation of the advection scheme in simulations of gravitationally bound hydrostatic objects. Through its simplicity and efficiency, FISH is as well suited for hydrodynamics classes as for large-scale astrophysical simulations on high-performance computer clusters. In preparation for the release of a public version, we demonstrate the performance of FISH in a suite of astrophysically orientated test cases.

Inkjet printing the three organic functional layers of two-colored organic light emitting diodes

International Nuclear Information System (INIS)

Coenen, Michiel J.J.; Slaats, Thijs M.W.L.; Eggenhuisen, Tamara M.; Groen, Pim

2015-01-01

Inkjet printing allows for the roll-2-roll fabrication of organic electronic devices at an industrial scale. In this paper we demonstrate the fabrication of two-colored organic light emitting diodes (OLEDs) in which three adjacent organic device layers were inkjet printed from halogen free inks. The resulting devices demonstrate the possibilities offered by this technique for the fabrication of OLEDs for signage and personalized electronics. - Highlights: • Two-colored organic light emitting diodes with 3 inkjet printed device layers were fabricated. • All materials were printed from halogen free inks. • Inkjet printing of emissive materials is suitable for signage applications

Paint Scaler. Innovative Technology Summary Report

International Nuclear Information System (INIS)

None

2000-01-01

The Paint Scaler can collect paint samples quickly and efficiently for lab analysis. The Rotary Hammer Drill is a 24-V battery operated, 3/4-in. rotary hammer drill. When used with an optional chipping adapter, the Bosch Rotary Hammer Drill can be used to perform chipping and chiseling tasks such as paint removal from either concrete or metal surfaces. It is ultra-compact, lightweight with an ergonomic balanced grip. The battery operation gives the operator more flexibility during sampling activities

Comparative visual ecophysiology of mid-Atlantic temperate reef fishes

Directory of Open Access Journals (Sweden)

Andrij Z. Horodysky

2013-11-01

The absolute light sensitivities, temporal properties, and spectral sensitivities of the visual systems of three mid-Atlantic temperate reef fishes (Atlantic spadefish [Ephippidae: Chaetodipterus faber], tautog [Labridae: Tautoga onitis], and black sea bass [Serranidae: Centropristis striata] were studied via electroretinography (ERG. Pelagic Atlantic spadefish exhibited higher temporal resolution but a narrower dynamic range than the two more demersal foragers. The higher luminous sensitivities of tautog and black sea bass were similar to other benthic and demersal coastal mid-Atlantic fishes. Flicker fusion frequency experiments revealed significant interspecific differences at maximum intensities that correlated with lifestyle and habitat. Spectral responses of the three species spanned 400–610 nm, with high likelihood of cone dichromacy providing the basis for color and contrast discrimination. Significant day-night differences in spectral responses were evident in spadefish and black sea bass but not tautog, a labrid with characteristic structure-associated nocturnal torpor. Atlantic spadefish responded to a wider range of wavelengths than did deeper-dwelling tautog or black sea bass. Collectively, these results suggest that temperate reef-associated fishes are well-adapted to their gradient of brighter to dimmer photoclimates, representative of their unique ecologies and life histories. Continuing anthropogenic degradation of water quality in coastal environments, at a pace faster than the evolution of visual systems, may however impede visual foraging and reproductive signaling in temperate reef fishes.

Three genome-wide association studies and a linkage analysis identify HERC2 as a human iris color gene

NARCIS (Netherlands)

Kayser, Manfred; Liu, Fan; Janssens, A. Cecile J. W.; Rivadeneira, Fernando; Lao, Oscar; van Duijn, Kate; Vermeulen, Mark; Arp, Pascal; Jhamai, Mila M.; van Ijcken, Wilfred F. J.; den Dunnen, Johan T.; Heath, Simon; Zelenika, Diana; Despriet, Dominiek D. G.; Klaver, Caroline C. W.; Vingerling, Johannes R.; de Jong, Paulus T. V. M.; Hofman, Albert; Aulchenko, Yurii S.; Uitterlinden, Andre G.; Oostra, Ben A.; van Duijn, Cornelia M.

2008-01-01

Human iris color was one of the first traits for which Mendelian segregation was established. To date, the genetics of iris color is still not fully understood and is of interest, particularly in view of forensic applications. In three independent genome-wide association (GWA) studies of a total of

Bioaccessibility of metals in soils and dusts contaminated by marine antifouling paint particles

International Nuclear Information System (INIS)

Turner, Andrew; Singh, Nimisha; Richards, Jonathan P.

2009-01-01

Fragments of antifouling paint and environmental geosolids have been sampled from the island of Malta and analysed for total and bioaccessible metals. Total concentrations of Ba, Cd, Cu, Pb, Sn and Zn were two to three orders of magnitude higher in spent antifouling composites relative to respective values in background soils and road dusts. Paint fragments were visible in geosolids taken from the immediate vicinity of boat maintenance facilities and mass balance calculations, based on Ba as a paint tracer, suggested that the most contaminated soils, road dusts and boatyard dusts contained about 1%, 7% and 9%, respectively, of antifouling particles. Human bioaccessibilities of metals were evaluated in selected samples using a physiologically based extraction technique. Accessibilities of Cd, Cu, Pb and Zn in the most contaminated solids were sufficient to be cause for concern for individuals working in the boat repair industry and to the wider, local community. - Geosolids near boat maintenance facilities are contaminated by antifouling paint particles containing high concentrations of bioaccessible metals.

Bioaccessibility of metals in soils and dusts contaminated by marine antifouling paint particles

Energy Technology Data Exchange (ETDEWEB)

Turner, Andrew, E-mail: aturner@plymouth.ac.u [School of Earth, Ocean and Environmental Sciences, University of Plymouth, Drake Circus, Plymouth PL4 8AA (United Kingdom); Singh, Nimisha; Richards, Jonathan P. [School of Earth, Ocean and Environmental Sciences, University of Plymouth, Drake Circus, Plymouth PL4 8AA (United Kingdom)

2009-05-15

Fragments of antifouling paint and environmental geosolids have been sampled from the island of Malta and analysed for total and bioaccessible metals. Total concentrations of Ba, Cd, Cu, Pb, Sn and Zn were two to three orders of magnitude higher in spent antifouling composites relative to respective values in background soils and road dusts. Paint fragments were visible in geosolids taken from the immediate vicinity of boat maintenance facilities and mass balance calculations, based on Ba as a paint tracer, suggested that the most contaminated soils, road dusts and boatyard dusts contained about 1%, 7% and 9%, respectively, of antifouling particles. Human bioaccessibilities of metals were evaluated in selected samples using a physiologically based extraction technique. Accessibilities of Cd, Cu, Pb and Zn in the most contaminated solids were sufficient to be cause for concern for individuals working in the boat repair industry and to the wider, local community. - Geosolids near boat maintenance facilities are contaminated by antifouling paint particles containing high concentrations of bioaccessible metals.

Colored Chaos

Science.gov (United States)

2004-01-01

[figure removed for brevity, see original site] Released 7 May 2004 This daytime visible color image was collected on May 30, 2002 during the Southern Fall season in Atlantis Chaos. The THEMIS VIS camera is capable of capturing color images of the martian surface using its five different color filters. In this mode of operation, the spatial resolution and coverage of the image must be reduced to accommodate the additional data volume produced from the use of multiple filters. To make a color image, three of the five filter images (each in grayscale) are selected. Each is contrast enhanced and then converted to a red, green, or blue intensity image. These three images are then combined to produce a full color, single image. Because the THEMIS color filters don't span the full range of colors seen by the human eye, a color THEMIS image does not represent true color. Also, because each single-filter image is contrast enhanced before inclusion in the three-color image, the apparent color variation of the scene is exaggerated. Nevertheless, the color variation that does appear is representative of some change in color, however subtle, in the actual scene. Note that the long edges of THEMIS color images typically contain color artifacts that do not represent surface variation. Image information: VIS instrument. Latitude -34.5, Longitude 183.6 East (176.4 West). 38 meter/pixel resolution. Note: this THEMIS visual image has not been radiometrically nor geometrically calibrated for this preliminary release. An empirical correction has been performed to remove instrumental effects. A linear shift has been applied in the cross-track and down-track direction to approximate spacecraft and planetary motion. Fully calibrated and geometrically projected images will be released through the Planetary Data System in accordance with Project policies at a later time. NASA's Jet Propulsion Laboratory manages the 2001 Mars Odyssey mission for NASA's Office of Space Science, Washington, D

Nanoparticles Ni electroplating and black paint for solar collector applications

Directory of Open Access Journals (Sweden)

J. El Nady

2016-06-01

Full Text Available A nanoparticles layer of bright nickel base was deposited on copper substrates using electrodeposition technique before spraying the paint. IR reflectance of the paint was found to be around 0.4 without bright nickel layer and the reflectance increased to 0.6 at a Ni layer thickness of 750 nm. The efficiency of the constructed solar collectors using black paint and black paint combined with bright nickel was found to be better than black paint individually. After aging tests under high temperature, Bright nickel improved the stability of the absorber paint. The collector optical gain FR(τα was lowered by 24.7% for the commercial paint and lowered by 19.3% for the commercial paint combined with bright nickel. The overall heat loss FR(UL was increased by 3.3% for the commercial paint and increased by 2.7% for the commercial paint combined with bright nickel after the temperature aging test.

Color perception influences microhabitat selection of refugia and affects monitoring success for a cryptic anuran species.

Science.gov (United States)

Cohen, Bradley S; MacKenzie, Michelle L; Maerz, John C; Farrell, Christopher B; Castleberry, Steven B

2016-10-01

Perceptual-biases are important for understanding an animal's natural history, identifying potential ecological traps, and for developing effective means to monitor individuals and populations. Despite research demonstrating anurans having a positive phototactic response towards blue colors, we do not yet understand if color cues are used functionally beyond sexual selection. The aim of our study was to determine if color cues are used in selecting microhabitat, and if anuran's blue-positive phototactic response could increase selection of artificial PVC refugia used to monitor cryptic camouflaging anuran species. We captured 32 Cope's Gray Treefrogs and placed them in mesh enclosures with three PVC tubes painted blue, brown, and white. Concurrently, we placed blue, brown, or unpainted white PVC tubes in stratified arrays around a treefrog breeding pond, and counted the number of occasions treefrogs occupied different colored PVC tubes. In the confined choice experiment, treefrogs selected blue tubes (48.3%) significantly more often than brown (28.5%) or white (23.2%) tubes. Our field experiment mirrored these findings (52.0% of capture events in blue, 29.0% in brown, and 19.0% in unpainted white tubes). Our results suggest color influences Cope's Gray Treefrog microhabitat selection, and they utilize color vision when choosing refugia. We demonstrate simple, small changes based on perceptual-biases can induce behaviors that may in turn have large impacts on sampling techniques used in monitoring and inventorying. Incorporating non-traditional physiological measures into animal inventorying and monitoring programs can be used in the future to improve conservation efforts. Copyright © 2016 Elsevier Inc. All rights reserved.

Preparation of precipitated barium sulphate from Egyptian barytes ore and its application in paints

International Nuclear Information System (INIS)

El-Sawy, S.M.; Ahmed, N.M.; Abd El-Ghaffar, M.A.

2005-01-01

Precipitated barium sulphate (Blank fixe) was prepared and evaluated as an extender pigment, making use of the naturally occurring Egyptian barytes ore. X-ray diffraction patterns, transmission electron microscope, thermal gravimetric analysis, color measurements, specific gravity, oil absorption, bulking value, bleed resistance, hydrogen ion concentration, permanence for light and heat and chemical resistance were different methods used for characterization and evaluation of the prepared pigment. Medium oil alkyd resin, melamine-alkyd and epoxy resin were used as different binding media for the application and testing of the prepared pigments as an extender- in some paint formulations, this was done in comparison with a commercial imported blank fixe sample and the Egyptian barytes ore that it was prepared from. It was found that; a white bright fine powder of precipitated barium sulfate could be successfully prepared from the locally abundant Egyptian barytes ore. It has a suitable properties as an extender pigment. Paints pigmented with blank fixe offered favourable rheological and protective properties exceeding that of the imported commercial sample and the ore that was prepared from

24 CFR 35.135 - Use of paint containing lead.

Science.gov (United States)

2010-04-01

... 24 Housing and Urban Development 1 2010-04-01 2010-04-01 false Use of paint containing lead. 35... Urban Development LEAD-BASED PAINT POISONING PREVENTION IN CERTAIN RESIDENTIAL STRUCTURES General Lead-Based Paint Requirements and Definitions for All Programs. § 35.135 Use of paint containing lead. (a...

[Selective feeding in fish: Effect of feeding and defensive motivations evoked by natural odors].

Science.gov (United States)

Kasumyan, A O; Marusov, E A

2015-01-01

The effect of feeding and defensive motivations evoked by natural olfactory signals (the food odor, the alarm pheromone) on choice and consumption of food items different in color and taste, and the manifestation of foraging behavior were examined in fish (koi Cyprinus carpio, roach Rutilus rutilus). The agar-agar pellets of red and green color having one of the amino acids (glycine, L-proline, L-alanine; all in concentration of 0.1 M) were simultaneously offered to single fishes in pure water, and in water extract of Chironomidae larvae or in water extract of fish skin. It was found out that odors used have different effects on fish foraging activity and on pellet selection for both pellet choice and consumption. On background of food odor, fish grasped pellets more often than in pure water. The equal choice of red and green pellets in pure water shifted to the preference of red ones in the presence of food odor. Despite the increase in the absolute number of pellets grasped, the relative consumption reduced and was replaced by selective consumption of pellets with glycine regardless of their color. Increasing demand for the food quality, due to the increased feeding motivation in response to food odor, is an important adaptation enhancing selection and consumption of food with more appropriate sensory qualities for fish. Defensive motivation caused by alarm pheromone suppressed predisposition. of fish to feed. Fish grasped pellets several times less often than in pure water and refused most of them. Any changes in the color or taste preferences were absent. Feeding behavior of fish of both species was characterized by repeated intraoral pellet testing, but in koi handling was less typical than in roach. In both species, handling activity was higher in those cases when the pellet was finally rejected. This activity was enhanced also on the background of food odor.

Exhibiting Western Desert Aboriginal painting in Australia’s public galleries: an institutional analysis, 1981-2002

Directory of Open Access Journals (Sweden)

Jim Berryman

2012-12-01

Full Text Available This paper documents and analyses the exhibition history of Aboriginal painting in Australia’s public art galleries over a two-decade period. It concentrates on Western Desert acrylics but is not confined to this movement or region alone. Based on a review of catalogues from key exhibitions, it identifies three interpretative frameworks used by curators to validate the presence of Aboriginal painting in the contemporary art realm. These modes of interpretation are called the aesthetic, ethnographic and the ownership discourses. Despite being a problematic art at odds with conventional art-historical classifications, Aboriginal painting was elevated to a position of prominence in Australian art history. Institutionally, Western Desert painting found legitimacy in the dominant aesthetic legacy of modernism. This modernist art historiography overrode the minority interests of cultural pluralism and critical postmodernism.

Water-Based Pressure-Sensitive Paints

Science.gov (United States)

Jordan, Jeffrey D.; Watkins, A. Neal; Oglesby, Donald M.; Ingram, JoAnne L.

2006-01-01

Water-based pressure-sensitive paints (PSPs) have been invented as alternatives to conventional organic-solvent-based pressure-sensitive paints, which are used primarily for indicating distributions of air pressure on wind-tunnel models. Typically, PSPs are sprayed onto aerodynamic models after they have been mounted in wind tunnels. When conventional organic-solvent-based PSPs are used, this practice creates a problem of removing toxic fumes from inside the wind tunnels. The use of water-based PSPs eliminates this problem. The waterbased PSPs offer high performance as pressure indicators, plus all the advantages of common water-based paints (low toxicity, low concentrations of volatile organic compounds, and easy cleanup by use of water).

Soil Moisture Active and Passive (SMAP) White-Painted Expanded Polystyrene (EPS) Radome Survivability Test

Science.gov (United States)

Mikhaylov, Rebecca; Kwack, Eug; Stegman, Matthew; Dawson, Douglas; Hoffman, Pamela

2015-01-01

NASA's SMAP Mission launched in January 2015 into a 685 km near-polar, sun-synchronous orbit. The SMAP instrument architecture incorporates an L-band radar and radiometer which share a common feedhorn and mesh reflector. The instrument rotates about the nadir axis at approximately 15 rpm, thereby providing a conically scanning wide swath antenna beam that is capable of achieving global coverage within three days. The radiometer and its associated electronics have tight thermal stability requirements in order to meet the required surface emittance measurement precision from space. Maintaining the thermal stabilities is quite challenging because the radiometer is located on a spinning platform that can either be in full sunlight or eclipse, and thus exposed to a highly transient environment. Stability requirements were met by integrating a light-weight Expanded Polystyrene (EPS) radome into the design to prevent solar illumination of the feed horn interior. The radome was painted white since the thermo-optical properties of bare sunlit EPS degrade rapidly over the three-year mission. Milling of the EPS and solvent within the white paint created cavities on the EPS surface which may introduce localized hot spots possibly violating the EPS glass transition temperature of 96degC and leading to structural integrity concerns. A three-day thermal test was conducted in a vacuum chamber to verify survivability of the radome during a simulated non-spin fault condition at end of mission. A portable solar simulator illuminated the test article and the beam irradiance was kept nearly constant during the entire 50 hour test, except during the first hour which simulated the expected 79degC on-orbit surface temperature of the radome. The test article survived based on the established pass criteria for three separate metrics: dimensional, optical property, and color. If any hot spots exist locally, they did not cause any observable permanent deformation when compared to pre- and

不透明水彩絵具の色の分布特性と分類

OpenAIRE

中村, 貞男; Sadao, Nakamura; 大阪大学 教養部; College of General Education, Osaka University

1984-01-01

Painting colors as examples of colors widely in use are investigated as to color distributions and classifications. 455 opaque water painting colors were measured. About a quater of them are red hues. Most of the painting colors distribute on the periphery of a color solid. Some colors of Munsell PB hues reach the periphery of the maximum gamut of real surface colors. The periphery painting colors are pointed out to be recognized as clear colors. The colors of similar chromatic values are gro...

Distribution of Helminth Parasites in Intestines and Their Seasonal Rate of Infestation in Three Freshwater Fishes of Kashmir

Directory of Open Access Journals (Sweden)

Asifa Wali

2016-01-01

Full Text Available The present study was undertaken to determine the incidence of helminth parasites in fishes with special reference to water quality parameters in Dal Lake and River Jhelum and correlate the observations. Water, fish, and parasite samples were collected during different seasons from various sites and processed. Three fish species, namely, Schizothorax niger Heckel 1838, Schizothorax esocinus Heckel 1838, and Schizothorax curvifrons Heckel 1838, were recovered from these water bodies. The physicochemical parameters temperature, dissolved oxygen, pH, and free carbon dioxide showed variation vis-à-vis the season and location of the stations in water bodies. Acanthocephalan parasite Pomphorhynchus kashmirensis Kaw 1941 (27.47% and two intestinal cestodes Bothriocephalus acheilognathi Yamaguti 1934 (30.63% and Adenoscolex oreini Fotedar 1958 (32.43% were recovered from all the three species of Schizothorax. All the three parasites showed higher prevalence during summer and the least prevalence during winter. Parasitic infections were prevalent more in male fishes compared to females. The presence of the parasites had reduced the condition coefficient of the infected fishes in both water bodies. The study also showed that some of the physicochemical features showed a significant positive correlation with the prevalence.

FISH as A method for detection of radiation Induced genetic damage

International Nuclear Information System (INIS)

Lakatosova, M.; Holeckova, B.

2006-01-01

Fluorescence in situ hybridization (FISH) has been considered as a suitable method for rapid and easy detection of chromosome aberrations. In contrast to the standard conventional staining procedure, this technique enables the detection and specification of stable chromosomal re-arrangements, which are compatible with cellular division and thus, they could be transmitted from common ancestral to next cell generations. FISH chromosome - specific painting probes have been effectively applied for the detection of chromosomal damage after exposure to radiation. During last years, several specific fluorescent labeled probes were performed that allowed precise detection of centromeres, sub-telomeres or other regions (sequences) in genome. Our paper deals with describing of different types of FISH probes and their possibilities for application in radiobiology. (authors)

Formulation of a fish feed for goldfish with natural astaxanthin extracted from shrimp waste.

Science.gov (United States)

Weeratunge, W K O V; Perera, B G K

2016-01-01

Astaxanthin is a xanthophyll carotenoid, which exhibits many important biological activities including a high degree of antioxidant capacity (AOC) and antibacterial activity, hence has a significant applicability in food, pharmaceutical and cosmetic industries. An attempt was made towards optimization of astaxanthin extraction conditions using three different extraction conditions and a solvent series, from uncooked, cooked and acid-treated shrimp waste, which is a readily available and cheap source of the pigment. The astaxanthin extracts were analyzed by comparing their UV-visible absorbance spectra and thin layer chromatograms with a standard astaxanthin sample. The percentage of astaxanthin in each crude sample was determined using the Beer-Lambert law. The Folin-Ciocalteu assay and the disk diffusion assay were used to investigate the antioxidant capacities and antibacterial activities of extracted astaxanthin samples respectively. The extracted astaxanthin was incorporated into fish feeds to test its ability to enhance the skin color of goldfish. The best astaxanthin percentage of 68 % was observed with the acetone:ethyl acetate (1:1) solvent system facilitated by maceration of cooked and acid treated shrimp, whereas the best crude yield of 33 % was found to be in the acetone extract of the acid-treated shrimp sample. The highest AOC of 65 µg pyrogallol equivalents/mg was observed for the EtOAc extract obtained by maceration of acid-treated shrimp waste. The highest AOC by sonication and soxhlet extraction methods were also obtained with the EtOAc solvent. The extracts exhibited antibacterial activity against four selected bacterial strains. The newly formulated astaxanthin enriched fish feed was economical and indicated a significant improvement of the skin color and healthiness of goldfish compared to the control feeds. Biologically active astaxanthin can be successfully extracted from shrimp waste in higher percentages. The extraction technique and the

Influence of three different concentration techniques on evaporation rate, color and phenolics content of blueberry juice.

Science.gov (United States)

Elik, Aysel; Yanık, Derya Koçak; Maskan, Medeni; Göğüş, Fahrettin

2016-05-01

The present study was undertaken to assess the effects of three different concentration processes open-pan, rotary vacuum evaporator and microwave heating on evaporation rate, the color and phenolics content of blueberry juice. Kinetics model study for changes in soluble solids content (°Brix), color parameters and phenolics content during evaporation was also performed. The final juice concentration of 65° Brix was achieved in 12, 15, 45 and 77 min, for microwave at 250 and 200 W, rotary vacuum and open-pan evaporation processes, respectively. Color changes associated with heat treatment were monitored using Hunter colorimeter (L*, a* and b*). All Hunter color parameters decreased with time and dependently studied concentration techniques caused color degradation. It was observed that the severity of color loss was higher in open-pan technique than the others. Evaporation also affected total phenolics content in blueberry juice. Total phenolics loss during concentration was highest in open-pan technique (36.54 %) and lowest in microwave heating at 200 W (34.20 %). So, the use of microwave technique could be advantageous in food industry because of production of blueberry juice concentrate with a better quality and short time of operation. A first-order kinetics model was applied to modeling changes in soluble solids content. A zero-order kinetics model was used to modeling changes in color parameters and phenolics content.

The physicochemical characterization of cave paintings of Baja California

International Nuclear Information System (INIS)

Valdez, B.; Cobo, J.; Schorr, M.; Cota, L.; Oviedo, F.

2006-01-01

The Palaeolithic paintings of Baja California constitute an important contribution to the national, historic and cultural patrimony of Mexico. The aim of this investigation was to determine the physicochemical characteristics, the microstructure and texture of these polychrome paintings, painted on rocks encountered in the mountainous, desert/arid zones of Baja California and Baja California South. The first stage of this work was devoted to the examination and recording of the cave paintings of 'El Vallecito', a narrow fluvial valley displaying large granitic rocks emerging from the sandy soil. Tiny painting samples were collected and analyzed by SEM, EDS and FTIR techniques. The painters used four main colours: red, black, yellow and white. The paint raw materials are mineral pigments: white (kaolin, calcite, and gypsum), red (hematite), yellow (ochre, limonite), black (charcoal from burnt wood or calcined bones) and water as a diluent and/or a binder, all encountered in the painters habitat. The minerals were collected, ground and sometimes heated to change their tone. By mixing with water, a spreadable paste or a thick slurry was produced, which was applied with the fingers for lines or a piece of animal skin for figures, respectively. The 100% solids, dry paint converts into a dense, hard layer, incrusted into the grainy, rough, hollow granite rock surface. This paint might be called s tone on stone , explaining its permanence for centuries enduring heat, wind and weather. A simulation of the painting technique was done at the Materials and Corrosion Laboratory, UABC by collecting mineral pigments, preparing the paint as a paste or slurry and applying it on a granitic rock. Knowing the paint composition, production and application techniques will be useful in e conservation and restoration of cave paintings and stone-built, ancient structures such as pyramids, cathedrals and monuments. (Author)

A Qualitative Study of Student Responses to Body Painting

Science.gov (United States)

Finn, Gabrielle M.; McLachlan, John C.

2010-01-01

One hundred and thirty-three preclinical medical students participated in 24 focus groups over the period 2007-2009 at Durham University. Focus groups were conducted to ascertain whether or not medical students found body painting anatomical structures to be an educationally beneficial learning activity. Data were analyzed using a grounded theory…

Investigation of Environmental-friendly Technology for a Paint Industry Wastewater Plant in Turkey

Directory of Open Access Journals (Sweden)

Pelin YAPICIOĞLU

2018-02-01

Full Text Available Paint manufacturing process has several unfavorable aspects to the environment in Turkey. One of these impacts is wastewater treatment. Paint wastewater contains huge amounts of toxic chemical substances, bio refractory compounds, pigments and microorganisms. So, advanced treatment requirement is available to dispose of colour, microorganisms and chemical oxygen demand (COD. The high organic content of wastewater causes serious environmental challenges and contamination for the living organisms and the ecosystem in the receiver media unless it is treated adequately. In this context, the treatment process to be implemented should be preferred in such a way as to give the least damage to the environment. In this study, three treatment scenarios that contain electrocoagulation (Scenario-1, Fenton process (Scenario-2 and membrane distillation (Scenario-3 have been created for wastewater treatment facility of a paint industry in Turkey. For three scenarios, environmental impact assessment has been carried out with Fine-Kinney method. It is aimed to choose best environmental technology before investment. The evaluation results revealed that Scenario-2 has the less environmental impacts that total impact value is 556. Scenario-1 has the highest total impact value as 756, relatively. Total impact value related to Scenario-3 is 637. According to the evaluation results, Fenton process is the best environmental-friendly treatment technology for wastewater treatment of a paint industry in Turkey.

Augmenting painted architectures for communicating cultural heritage

Directory of Open Access Journals (Sweden)

Alberto Sdegno

2015-07-01

Full Text Available The paper presents a research under development at the University of Trieste to analyze a painted architecture by Paolo Veronese and to present the results using AR systems (Augmented Reality Systems. The canvas was painted in 1573 and it is now at the Gallerie dell’Accademia Museum in Venice. The aim of the research was to transform a two-dimensional work of art in a three dimensional one, allowing all the visitors of a museum to enter the space of the representation and perceive it in a more direct way. After the geometrical analysis of the picture, we started the digital restitution of the perspective references and proceed to model the virtual scene using Boolean primitives and applying all the textures to render the scene in a very realistic way. The further step was to convert the model into a dynamic form with AR algorithms and associate it with spatial references to allow users to do a virtual experience of it.

Basic Color Terms (BCTs) and Categories (BCCs) in Three Dialects of the Spanish Language: Interaction Between Cultural and Universal Factors.

Science.gov (United States)

Lillo, Julio; González-Perilli, Fernando; Prado-León, Lilia; Melnikova, Anna; Álvaro, Leticia; Collado, José A; Moreira, Humberto

2018-01-01

Two experiments were performed to identify and compare the Basic Color Terms (BCTs) and the Basic Color Categories (BCCs) included in three dialects (Castilian, Mexican, and Uruguayan) of the Spanish language. Monolexemic Elicited lists were used in the first experiment to identify the BCTs of each dialect. Eleven BCTs appeared for the Spanish and the Mexican, and twelve did so for the Uruguayan. The six primary BCTs ( rojo "red," verde "green," amarillo "yellow," azul "blue," negro "black," and blanco "white") appeared in the three dialects. This occurred for only three derived BCTs ( gris "gray," naranja "orange," and rosa "pink") but not for the other five derived BCTs ( celeste "sky blue," marrón "brown," café "brown," morado "purple," and violeta "purple"). Color transitions were used in the second experiment for two different tasks. Extremes naming task was used to determine the relation between two different dialects' BCTs: equality, equivalence or difference. The results provided the first evidence for marrón "brown" and café "brown" being equivalent terms for the same BCC (brown in English) as is the case of morado "purple" and violeta "purple." Uruguayan celeste "sky blue" had no equivalent BCT in the other two dialects. Boundary delimitation task required the selection of the color in the boundary between two categories. The task was used to reasonably estimate the volume occupied by each BCC in the color space considering its chromatic area and lightness range. Excluding sky blue ( celeste "sky blue") and blue ( azul "blue"), the other BCCs color volumes were similar across the three dialects. Uruguayan sky blue and blue volumes conjointly occupied the portion of the color space corresponding to the Castilian and Mexican blue BCC. The fact that the BCT celeste "sky blue" only appeared in Uruguayan very probably derived from specific cultural factors (the use of the color in the flags and the arrival of an important number of Italian immigrants

Fish-robot interactions in a free-swimming environment: Effects of speed and configuration of robots on live fish

Science.gov (United States)

Butail, Sachit; Polverino, Giovanni; Phamduy, Paul; Del Sette, Fausto; Porfiri, Maurizio

2014-03-01

We explore fish-robot interactions in a comprehensive set of experiments designed to highlight the effects of speed and configuration of bioinspired robots on live zebrafish. The robot design and movement is inspired by salient features of attraction in zebrafish and includes enhanced coloration, aspect ratio of a fertile female, and carangiform/subcarangiformlocomotion. The robots are autonomously controlled to swim in circular trajectories in the presence of live fish. Our results indicate that robot configuration significantly affects both the fish distance to the robots and the time spent near them.

76 FR 27044 - Lead-Based Paint Renovation, Repair and Painting, and Pre-Renovation Education Activities in...

Science.gov (United States)

2011-05-10

..., Repair and Painting, and Pre- Renovation Education Activities in Target Housing and Child Occupied...), and a lead-based paint pre-renovation education program in accordance with section 406(b) of TSCA, 15... renovation and remodeling activities of pre-1978 housing and child-occupied facilities in the State of...

Automotive Painting Technology A Monozukuri-Hitozukuri Perspective

CERN Document Server

Salazar, Abraham; Saito, Kozo

2013-01-01

This book offers unique and valuable contributions to the field. It offers breadth and inclusiveness. Most existing works on automotive painting cover only a single aspect of this complex topic, such as the chemistry of paint or paint booth technology. Monozukuri and Hitozukuri are Japanese terms that can be translated as “making things” and “developing people” but their implications in Japanese are richer and more complex than this minimal translation would indicate. The Monozukuri-Hitozukuri perspective is drawn from essential principles on which the Toyota approach to problem-solving and continuous improvement is based. From this perspective, neither painting technology R&D nor painting technology use in manufacturing can be done successfully without integrating technological and human concerns involved with making and learning in the broadest sense, as the hyphen is meant to indicate. The editors provide case studies and examples -- drawn from Mr. Toda’s 33 years of experience with automotiv...

Painting with polygons: a procedural watercolor engine.

Science.gov (United States)

DiVerdi, Stephen; Krishnaswamy, Aravind; Měch, Radomír; Ito, Daichi

2013-05-01

Existing natural media painting simulations have produced high-quality results, but have required powerful compute hardware and have been limited to screen resolutions. Digital artists would like to be able to use watercolor-like painting tools, but at print resolutions and on lower end hardware such as laptops or even slates. We present a procedural algorithm for generating watercolor-like dynamic paint behaviors in a lightweight manner. Our goal is not to exactly duplicate watercolor painting, but to create a range of dynamic behaviors that allow users to achieve a similar style of process and result, while at the same time having a unique character of its own. Our stroke representation is vector based, allowing for rendering at arbitrary resolutions, and our procedural pigment advection algorithm is fast enough to support painting on slate devices. We demonstrate our technique in a commercially available slate application used by professional artists. Finally, we present a detailed analysis of the different vector-rendering technologies available.

Color change in acrylic resin processed in three ways after immersion in water, cola, coffee, mate and wine.

Science.gov (United States)

Waldemarin, Renato Fa; Terra, Priscila C; Pinto, Luciana R; Faot, Fernanda; Camacho, Guilherme B

2013-01-01

Denture bases may undergo color change over time induced by pigment accumulation within their body; however there is a lack of information regarding the role of yerba mate tea in this process. This work evaluated the effect of five common beverages, including yerba mate tea, on color changes of acrylic denture base resins processed in three different ways. Three different processing techniques were used (P1--microwave irradiation/microwave activated resin; P2--heat polymerization/conventional heat activated resin and P3--microwave irradiation/conventional heat polymerized resin) to make twenty five resin discs each (3.0 mm thick x 20 mm diameter), totaling seventy-five resin discs. The discs made with each technique were randomly divided into five groups (n = 5) and placed in the following solutions: G1-water; G2-cola; G3-coffee; G4-yerba mate tea; G5-red wine, for 30 days at 37 degrees C. The solutions were renewed every 3 days. Color change on the CIE-L*a*b* scale was measured with a Konica-Minolta CR-10 colorimeter and compared with original L* a* and b* values of each specimen prior to immersion. Data were analyzed using 2-way ANOVA, and showed no difference among techniques and significant statistical differences among solutions (p < 0.05). Tukey's post-hoc test showed that the lowest color changes were for water and cola, which were undistinguishable from each other; coffee produced the second lowest color change; yerba mate tea produced second greatest color change, while the greatest color change was produced by red wine. Within the limitations of this study, it was concluded that almost all the solutions used can change color in acrylic resin, especially yerba mate tea, considered distinguishable by professionals, and red wine, considered distinguishable by patients and clinically unacceptable.

Microdissection and chromosome painting of the alien chromosome in an addition line of wheat--Thinopyrum intermedium.

Science.gov (United States)

Deng, Chuanliang; Bai, Lili; Fu, Shulan; Yin, Weibo; Zhang, Yingxin; Chen, Yuhong; Wang, Richard R-C; Zhang, Xiangqi; Han, Fangpu; Hu, Zanmin

2013-01-01

In this study, chromosome painting was developed and used to identify alien chromosomes in TAi-27, a wheat--Thinopyrum intermedium addition line, and the chromosomes of the three different genomes of Th. Intermedium. The smallest alien chromosome of TAi-27 was microdissected and its DNA amplified by DOP-PCR was used as a probe to hybridize with metaphase chromosomes of TAi-27 and Th. intermedium. Results showed that hybridization signals were observed in all regions of a pair of the smallest alien chromosomes and the pericentromeric area of another pair of alien chromosomes in TAi-27, indicating that the probe from microdissected chromosome is species specific. In Th. intermedium, 14 chromosomes had wide and strong hybridization signals distributed mainly on the pericentromere area and 9 chromosomes with narrow and weak signals on the pericentromere area. The remaining chromosomes displayed a very weak or no signal. Sequential FISH/GISH on Th. intermedium chromosomes using the DNAs of microdissected chromosome, Pseudoroegneria spicata (St genome) and pDbH12 (a J(s) genome specific probe) as the probes indicated that the microdissected chromosome belonged to the St genome, three genomes (J(s) , J and St) in Th. intermedium could be distinguished, in which there is no hybridization signal on J genome that is similar to the genome of Th. bessarabicum. Our results showed that the smallest alien chromosomes may represent a truncated chromosome and the repetitive sequence distribution might be similar in different chromosomes within the St genome. However, the repetitive sequence distributions are different within the J(s) genome, within a single chromosome, and among different genomes in Th. intermedium. Our results suggested that chromosome painting could be feasible in some plants and useful in detecting chromosome variation and repetitive sequence distribution in different genomes of polyploidy plants, which is helpful for understanding the evolution of different

Microdissection and Chromosome Painting of the Alien Chromosome in an Addition Line of Wheat - Thinopyrum intermedium

Science.gov (United States)

Yin, Weibo; Zhang, Yingxin; Chen, Yuhong; Wang, Richard R.-C.; Zhang, Xiangqi; Han, Fangpu; Hu, Zanmin

2013-01-01

In this study, chromosome painting was developed and used to identify alien chromosomes in TAi-27, a wheat - Thinopyrum intermedium addition line, and the chromosomes of the three different genomes of Th. Intermedium. The smallest alien chromosome of TAi-27 was microdissected and its DNA amplified by DOP-PCR was used as a probe to hybridize with metaphase chromosomes of TAi-27 and Th . intermedium . Results showed that hybridization signals were observed in all regions of a pair of the smallest alien chromosomes and the pericentromeric area of another pair of alien chromosomes in TAi-27, indicating that the probe from microdissected chromosome is species specific. In Th . intermedium , 14 chromosomes had wide and strong hybridization signals distributed mainly on the pericentromere area and 9 chromosomes with narrow and weak signals on the pericentromere area. The remaining chromosomes displayed a very weak or no signal. Sequential FISH/GISH on Th . intermedium chromosomes using the DNAs of microdissected chromosome, Pseudoroegneria spicata (St genome) and pDbH12 (a Js genome specific probe) as the probes indicated that the microdissected chromosome belonged to the St genome, three genomes (Js, J and St) in Th . intermedium could be distinguished, in which there is no hybridization signal on J genome that is similar to the genome of Th . bessarabicum . Our results showed that the smallest alien chromosomes may represent a truncated chromosome and the repetitive sequence distribution might be similar in different chromosomes within the St genome. However, the repetitive sequence distributions are different within the Js genome, within a single chromosome, and among different genomes in Th . intermedium . Our results suggested that chromosome painting could be feasible in some plants and useful in detecting chromosome variation and repetitive sequence distribution in different genomes of polyploidy plants, which is helpful for understanding the evolution of different

Imagined memories of painting

OpenAIRE

Horta, Maia Schmidt, 1974-

2011-01-01

Tese de mestrado, Pintura, Universidade de Lisboa, Faculdade de Belas Artes, 2011 A Tese é compsota por dois volumes, um em portugês, outro em inglês Visual imagery, narratives and locations have always been linked to the study of memory. Memory has always been linked to art history and historical shifts in the study of memory had a direct impact on the history of painting. Painting was based on stories and served to make those stories memorable. Since then there have been numerous inve...

A Short History of the Chemistry of Painting.

Science.gov (United States)

Friedstein, Harriet G.

1981-01-01

Includes information on: (1) relationship of art and science; (2) paintings' early history; (3) Egyptian, Greek, Chinese, Byzantine, and Medieval painting; (4) chemical analysis of pigments; (5) chemistry of early pigments; and (6) paint media. Tabular data are provided on chemical names for artists' pigments with their earliest known dates. (CS)

Painted surfaces - Important sources of polychlorinated biphenyls (PCBs) contamination to the urban and marine environment

International Nuclear Information System (INIS)

Jartun, Morten; Ottesen, Rolf Tore; Steinnes, Eiliv; Volden, Tore

2009-01-01

A study of a large number of samples of flaking old paint from various buildings in Bergen, Norway (N = 68) suggests that paint may be the most important contemporary source of PCBs in this urban environment with concentrations of PCB 7 up to 3.39 g/kg. Twenty-three of the samples were collected from a single building, and the concentrations were found to vary over 3 orders of magnitude. In addition, 16 concrete samples from a large bridge previously coated with PCB-containing paint were collected and separated into outer- and inner samples indicating that PCBs are still present in high concentrations subsequent to renovation. PCBs were found in several categories of paint from wooden and concrete buildings, potentially introduced to the environment by natural weathering, renovation, and volatilization. Consequently, this dispersion may lead to increased levels of PCBs in urban atmospheres, soils, and harbor sediments where high concentrations have resulted in Governmental advice against consumption of certain seafood. - Paint from structures built during the period 1950-1970 may be the most important source of PCBs in an urban environment

Staicele Paint Manufactory, Ochre Deposit of Reciems: A Retrospective Journey Through the History of Staicele Paint Manufactory and Evaluation of Production Technologies

Directory of Open Access Journals (Sweden)

Kokins Aigars

2017-05-01

Full Text Available A historical paint manufactory in Staicele, Latvia (1967, was using local resources – colour earth. Oil paint composition consisted of pigment, drying oil, varnish and siccative. It had two different tones that are obtained by using natural colour earth pigments: ochre and its burnt form (burnt umber. Pigment quality was analyzed using historical documents, modern pigment tests, and manufactory technology. Chemical composition, particle size, and pigment tone were determined, and the coating ability was calculated. A palette of oil paints based on the historical recipes for restoring Staicele oil paints was created. Properties of colour earth pigments were compared to specimens taken from the local source of iron that is located near the old paint factory. Results provide a historical and technological insight as well as insight in the properties of the basic paint composition.

Fish Assemblages in Three Northwest Florida Urbanized Bayous before and after Two Hurricanes

Science.gov (United States)

A six-year survey (1993 - 1998) is summarized for fish collected from chemically-contaminated, urbanized bayous in northwest Florida. Fifty-two monthly collections (January - November) were conducted by trawls and seines at 22 sites located in three adjacent bayous associated wi...

The Comparison Between Nmf and Ica in Pigment Mixture Identification of Ancient Chinese Paintings

Science.gov (United States)

Liu, Y.; Lyu, S.; Hou, M.; Yin, Q.

2018-04-01

Since the colour in painting cultural relics observed by our naked eyes or hyperspectral cameras is usually a mixture of several kinds of pigments, the mixed pigments analysis will be an important subject in the field of ancient painting conservation and restoration. This paper aims to find a more effective method to confirm the types of every pure pigment from mixture on the surface of paintings. Firstly, we adopted two kinds of blind source separation algorithms, which are independent component analysis and non-negative matrix factorization, to extract the pure pigment component from mixed spectrum respectively. Moreover, we matched the separated pure spectrum with the pigments spectra library built by our team to determine the pigment type. Furthermore, three kinds of data including simulation data, mixed pigments spectral data measured in laboratory, and the spectral data of an ancient painting were chosen to evaluate the performance of the different algorithms. And the accuracy was compared between the two algorithms. Finally, the experimental results show that non-negative matrix factorization method is more suitable for endmember extraction in the field of ancient painting conservation and restoration.

THE COMPARISON BETWEEN NMF AND ICA IN PIGMENT MIXTURE IDENTIFICATION OF ANCIENT CHINESE PAINTINGS

Directory of Open Access Journals (Sweden)

Y. Liu

2018-04-01

Full Text Available Since the colour in painting cultural relics observed by our naked eyes or hyperspectral cameras is usually a mixture of several kinds of pigments, the mixed pigments analysis will be an important subject in the field of ancient painting conservation and restoration. This paper aims to find a more effective method to confirm the types of every pure pigment from mixture on the surface of paintings. Firstly, we adopted two kinds of blind source separation algorithms, which are independent component analysis and non-negative matrix factorization, to extract the pure pigment component from mixed spectrum respectively. Moreover, we matched the separated pure spectrum with the pigments spectra library built by our team to determine the pigment type. Furthermore, three kinds of data including simulation data, mixed pigments spectral data measured in laboratory, and the spectral data of an ancient painting were chosen to evaluate the performance of the different algorithms. And the accuracy was compared between the two algorithms. Finally, the experimental results show that non-negative matrix factorization method is more suitable for endmember extraction in the field of ancient painting conservation and restoration.

Simple approach to three-color two-photon microscopy by a fiber-optic wavelength convertor.

Science.gov (United States)

Li, Kuen-Che; Huang, Lynn L H; Liang, Jhih-Hao; Chan, Ming-Che

2016-11-01

A simple approach to multi-color two-photon microscopy of the red, green, and blue fluorescent indicators was reported based on an ultra-compact 1.03-μm femtosecond laser and a nonlinear fiber. Inside the nonlinear fiber, the 1.03-μm laser pulses were simultaneously blue-shifted to 0.6~0.8 μm and red-shifted to 1.2~1.4 μm region by the Cherenkov radiation and fiber Raman gain effects. The wavelength-shifted 0.6~0.8 μm and 1.2~1.4 μm radiations were co-propagated with the residual non-converted 1.03-μm pulses inside the same nonlinear fiber to form a fiber-output three-color femtosecond source. The application of the multi-wavelength sources on multi-color two-photon fluorescence microscopy were also demonstrated. Overall, due to simple system configuration, convenient wavelength conversion, easy wavelength tunability within the entire 0.7~1.35 μm bio-penetration window and less requirement for high power and bulky light sources, the simple approach to multi-color two-photon microscopy could be widely applicable as an easily implemented and excellent research tool for future biomedical and possibly even clinical applications.

Correlated evolution of short wavelength sensitive photoreceptor sensitivity and color pattern in Lake Malawi cichlids

Directory of Open Access Journals (Sweden)

Michael J. Pauers

2016-02-01

Full Text Available For evolutionary ecologists, the holy grail of visual ecology is to establish an unambiguous link between photoreceptor sensitivity, the spectral environment, and the perception of specific visual stimuli (e.g., mates, food, predators, etc.. Due to the bright nuptial colors of the males, and the role female mate choice plays in their evolution, the haplochromine cichlid fishes of the African great lakes are favorite research subjects for such investigations. Despite this attention, current evidence is equivocal; while distinct correlations among photoreceptor sensitivity, photic environment, and male coloration exist in Lake Victorian haplochromines, attempts to find such correlations in Lake Malawian cichlids have failed. Lake Malawi haplochromines have a wide variability in their short-wavelength-sensitive photoreceptors, especially compared to their mid- and long-wavelength-sensitive photoreceptors; these cichlids also vary in the degree to which they express one of three basic color patterns (vertical bars, horizontal stripes, and solid patches of colors, each of which is likely used in a different form of communication. Thus, we hypothesize that, in these fishes, spectral sensitivity and color pattern have evolved in a correlated fashion to maximize visual communication; specifically, ultraviolet sensitivity should be found in vertically-barred species to promote ‘private’ communication, while striped species should be less likely to have ultraviolet sensitivity, since their color pattern carries ‘public’ information. Using phylogenetic independent contrasts, we found that barred species had strong sensitivity to ultraviolet wavelengths, but that striped species typically lacked sensitivity to ultraviolet light. Further, the only variable, even when environmental variables were simultaneously considered, that could predict ultraviolet sensitivity was color pattern. We also found that, using models of correlated evolution, color

Applying the three R's: Reduce, reuse, and recycle in the chemical industry.

Science.gov (United States)

Mostafa, Mohamed K; Peters, Robert W

2017-03-01

Pollution prevention (P2) assessment was conducted by applying the three R's, reduce, reuse, and recycle, in a chemical industry for the purpose of reducing the amount of wastewater generated, reusing paint wastewater in the manufacture of cement bricks, recycling cooling water, and improving water usage efficiency. The results of this study showed that the annual wastewater flow generated from the paint manufacturing can be reduced from 1,100 m 3 to 488.4 m 3 (44.4% reduction) when a high-pressure hose is used. Two mixtures were prepared. The first mixture (A) contains cement, coarse aggregate, fine aggregate, Addicrete BVF, and clean water. The second mixture (B) contains the same components used in the first mixture, except that paint wastewater was used instead of the clean water. The prepared samples were tested for water absorption, toxicity, reactivity, compressive strength, ignitability, and corrosion. The tests results indicated that using paint wastewater in the manufacture of the cement bricks improved the mechanical properties of the bricks. The toxicity test results showed that the metals concentration in the bricks did not exceed the U.S. EPA limits. This company achieved the goal of zero liquid discharge (ZLD), especially after recycling 2,800 m 3 of cooling water. The total annual saving could reach $42,570 with a payback period of 41 days. This research focused on improving the water usage efficiency, reducing the quantity of wastewater generated, and potentially reusing wastewater in the manufacture of cement bricks. Reusing paint wastewater in the manufacture of the bricks prevents the hazardous pollutants in the wastewater (calcium carbonate, styrene acrylic resins, colored pigments, and titanium dioxide) from entering and polluting the surface water and the environment. We think that this paper will help to find the most efficient and cost-effective way to manage paint wastewater and conserve fresh water resources. We also believe that this

Efficacy and toxicity of self-polishing biocide-free antifouling paints

International Nuclear Information System (INIS)

Loeschau, Margit; Kraetke, Renate

2005-01-01

The ban on harmful substances in antifouling paints requires the development of new antifouling strategies. Alternatives should be as effective as conventional paints but of lower toxicity. In the present study two commercially available, self-polishing antifouling paints were examined in order to get information on their antifouling properties and toxicological potential. Efficacy was shown in settlement assays with the marine barnacle species Balanus amphitrite, however, efficacy was related to toxic effects observed on target and non-target organisms. Toxicity of the paint extracts was concentration-dependent and differed according to the paint and the species investigated. Toxicity could at least partially be attributed to zinc leached from the paints. Effects of a water-soluble paint were more pronounced in larvae of B. amphitrite, Artemia salina and in the green algae Dunaliella tertiolecta. Embryos of the freshwater species Danio rerio and Vibrio fisheri were more affected by a paint based on organic solvents. - For alternative antifouling paints efficacy as well as adverse effects on non-target organisms and the aquatic environment should be carefully assessed

Antifouling efficacy of a controlled depletion paint formulation with acetophenone

Directory of Open Access Journals (Sweden)

Sangmok Jung

2017-12-01

Full Text Available Biofouling is an inevitable problem that occurs continually on marine fishing vessels and other small crafts. The nature of the antifouling (AF coatings used to prevent biofouling on these small vessels is of great environmental concern. Therefore, the efficacy of a non-toxic AF candidate, acetophenone, was evaluated in preliminary laboratory assays using marine bacteria, diatom and Ulva spores. At a low concentration of 100 μg cm–2 of acetophenone, spore attachment of a green fouling alga was significantly reduced (p < 0.01. Similarly, 40% acetophenone coatings significantly inhibited diatom attachment. This new non-toxic AF agent was incorporated into controlled depletion paint (CDP. Fouling coverage (%, biomass, and fouling resistance (% were estimated. On CDP coatings made with acetophenone (40%, a significant decrease in fouling biomass was estimated (p < 0.01.

Piezoelectric paint: characterization for further applications

International Nuclear Information System (INIS)

Yang, C; Fritzen, C-P

2012-01-01

Piezoelectric paint is a very attractive piezoelectric composite in many fields, such as non-destructive testing, or structural health monitoring. However, there are still many obstacles which restrict the real application of it. One of the main problems is that piezoelectric paint lacks a standard fabrication procedure, thus characterization is needed before use. The work presented here explores the characterization of piezoelectric paint. It starts with fabrication of samples with certain piezoelectric powder weight percentages. The microstructures of the samples are investigated by a scanning electron microscope; the results indicate that the fabrication method can produce high quality samples. This is followed by measurements of Young’s modulus and sensitivity. The piezoelectric charge constant d 31 is then deduced from the experimental data; the results agree well with a published result, which validates the effectiveness of the fabrication and characterization method. The characterized piezoelectric paint can expand its applications into different fields and therefore becomes a more promising and competitive smart material. (paper)

Effect of hydrophobic paints coating for tritium reduction in concrete materials

International Nuclear Information System (INIS)

Edao, Y.; Fukada, S.; Nishimura, Y.; Katayama, K.; Takeishi, T.; Hatano, Y.; Taguchi, A.

2012-01-01

Highlights: ► Effects of hydrophobic paint coating in tritium transport are investigated. ► Two kinds of paints, acrylic-silicon resin and epoxy resin are used. ► The hydrophobic paints are effective to reduce tritium permeation. ► The effect of tritium reduction of epoxy paint is higher than that of silicon. - Abstract: The effects of hydrophobic paint coating on a concrete material of cement paste on the tritium transport are investigated. The cement paste is coated with two kinds of paints, acrylic-silicon resin paint and epoxy resin paint. We investigated the amount of tritium trapped in the samples exposed to tritiated water vapor by means of sorption and release. It was found that both the hydrophobic paints could reduce effectively tritium permeation during 50 days exposure of tritiated water vapor. The effect of tritium reduction of the epoxy paint was higher than that of silicon while the amount of tritium trapped in the epoxy paint was larger than that of silicon due to difference of the structure. Based on an analysis of a diffusion model, the rate-determining step of tritium migration through cement paste coated with the paints is diffusion through the paints respectively. It was found that tritium was easy to penetrate through silicon because there were many pores or voids in the silicon comparatively. In the case of tritium released from the epoxy paint, it is considered that tritium diffusion in epoxy is slow due to retardation by isotope exchange reaction to water included in epoxy paint.

Gill monogenean communities on three commercially important sparid fish in Omani waters

Directory of Open Access Journals (Sweden)

Gilha Yoon

2015-01-01

Full Text Available The prevalence and intensity of polyopisthocotylean monogeneans on the gills of three commercially important species of sparid caught in Omani coastal waters close to the city port of Muscat were determined and compared. Throughout May 2012 to April 2013, infections on bi-weekly samples of the soldier seabream, Argyrops filamentosus (Valenciennes, 1830, the king soldier seabream, Argyrops spinifer (Forsskål, 1775, and, the silver seabream, Rhabdosargus sabra were evaluated. From a total of 200 specimens (standard length of 26–52 cm, caught by line angling or by traps, at least three species of gill monogenean, namely Omanicotyle [Bivagina] heterospina, Heteromicrocotyla sp. and Microcotyle sp., were commonly encountered. Silver bream, which was infected by all three monogeneans, bore the highest infections (100% prevalence; mean intensity of 20.14 ± 0.92 parasites fish-1, whilst the soldier bream, which was infected only by O. heterospina had the lowest levels of infection (of the three sparids with 63.8% prevalence; mean intensity 5.8 ± 0.17 parasites fish-1. Comments on the distribution of monogeneans on each host are provided but to what extent this is influenced by water current speeds passing through the buccal and opercular cavities, gill morphology, parasite size, and / or the morphology and efficiency of the parasite’s attachment apparatus requires establishing and forms the basis of ongoing investigations.

Experimental investigation of drag reduction effect of Si-Polyurea paint

International Nuclear Information System (INIS)

Lee, In Won; Jang, Ho Yun; Chun, Ho Hwan; Kwon, Sang Hoon

2008-01-01

A novel Silicone-Polyurea paint has been newly developed and introduced for the antifouling marine paint. This paint is featured with such advantages as the shock-proofness and the scratch-proofness. In addition, the roughness of the resulting paint film is found to be much less than the conventional SPC AF paints. Ultra fast drying ability enables the formation of very thick paint film, e. g., 500μm. The Silicone-Polyurea resin exhibits similar material behavior as that of silicone rubber in terms of hardness and elongation. This material is regarded as a potent candidate to substantiate the compliant coating for the skin friction reduction. This study aims at the assessment of the drag reducing efficiency of the silicone-polyurea paint

Electrochemical assessment of magnetite anti corrosive paints

International Nuclear Information System (INIS)

Escobar, D. M.; Arroyave, C.; Jaramillo, F.; Mattos, O. R.; Margarit, I. c.; Calderon, J.

2003-01-01

With the purpose of deepening in the understanding of the mechanisms of protection of anticorrosive pigments based on iron oxides, this work has been carried out on the production of pure magnetite, and copper and chromium doped magnetite, which were evaluated by different characterization techniques. The paints were prepared with a solvent less epoxy resin maintaining the Pigment volume Content near the Practical Critical value (CPVC), established for each pigment. The paints were applied on polished steel and monitored with electrochemical techniques at total immersion conditions. Permeability and impedance measurements of free films were also done. Impedance data were simulated with the Boukamp software. Results show that the paints pigmented with doped magnetite present better behaviour than a paint prepared with commercial hematite. (Author) 8 refs

75 FR 5887 - Listing of Color Additives Exempt From Certification; Astaxanthin Dimethyldisuccinate...

Science.gov (United States)

2010-02-05

... use of astaxanthin dimethyldisuccinate as a color additive in the feed of salmonid fish to enhance the... CFR Part 73 Color additives, Cosmetics, Drugs, Medical devices. 0 Therefore, under the Federal Food... of Food Additive Safety, notice is given that no objections or requests for a hearing were filed in...

Content-Based Image Retrieval Benchmarking: Utilizing color categories and color distributions

NARCIS (Netherlands)

van den Broek, Egon; Kisters, Peter M.F.; Vuurpijl, Louis G.

From a human centered perspective three ingredients for Content-Based Image Retrieval (CBIR) were developed. First, with their existence confirmed by experimental data, 11 color categories were utilized for CBIR and used as input for a new color space segmentation technique. The complete HSI color

Difference in brain activations during appreciating paintings and photographic analogues

Directory of Open Access Journals (Sweden)

Yoshinori eMizokami

2014-07-01

Full Text Available Several studies have investigated neural correlates of aesthetic appreciation for paintings but to date the findings have been heterogeneous. This heterogeneity may be attributed to previous studies’ measurement of aesthetic appreciation of not only the beauty of paintings but also the beauty of motifs of the paintings. In order to better elucidate the beauty of paintings, it seems necessary to compare aesthetic appreciation of paintings and photographic analogues which included corresponding real images. We prepared for famous painters’ pictures and their photographic analogues which were set up to resemble each painting in order to investigate the hypothesis that there exist specific neural correlates associated with the aesthetic appreciation for paintings. Forty-four subjects participated in functional magnetic resonance study which required comparisons of aesthetic appreciation of paintings of still life and landscape versus photographic analogues including corresponding real images of still life and landscape. Bilateral cuneus and the left lingual gyrus were activated in the comparison of aesthetic appreciation of paintings versus photographic analogues. In conclusion, the present findings suggest a possibility of the existence of specific neural correlates associated with the aesthetic appreciation for paintings and that bilateral cuneus and the left lingual gyrus may be involved.

Space Environmental Effects on Colored Coatings and Anodizes

Science.gov (United States)

Kamenetzky, Rachel R.; Finckenor, Miria M.; Vaughn, Jason A.

1999-01-01

Colored coatings and anodizes are used on spacecraft as markers and astronaut visual aids. These materials must be stable in the space environment and withstand atomic oxygen, ultraviolet radiation, particulate radiation, thermal cycling, and high vacuum without significant change in optical and mechanical properties. A variety of colored coatings and anodizes have been exposed to simulated space environments at Marshall Space Flight Center and also actual space environment as part of the Passive Optical Sample Assembly (POSA) - I flight experiment. Colored coatings were developed by AZ Technology, Huntsville, AL, under a NASA contract for International Space Station (ISS). These include yellow, red, blue, and black paints suitable for Extra-Vehicular Activity (EVA) visual aids and ISS emblems. AaChron, Inc., Minneapolis, MN, developed stable colored anodizes, also in yellow, red, blue, and black, for astronaut visual aids. These coatings were exposed in the laboratory to approximately 550 equivalent sun-hours of solar ultraviolet radiation and approximately 1 x 10(exp 21) atoms/sq cm of atomic oxygen in vacuum. The AZ Technology yellow colored coating, designated TMS800IY, and all four AaChron colored anodizes were flown on POSA-I. POSA-I was a Risk Mitigation Experiment for ISS. It was attached to the exterior of the Mir space station docking module by EVA and was exposed for 18 months. The laboratory-simulated space environment, the natural space environment and the unique environment of an orbiting, active space station and their effects on these developmental materials are discussed.

A UK NEQAS ISH multicenter ring study using the Ventana HER2 dual-color ISH assay.

LENUS (Irish Health Repository)

Bartlett, J M S

2011-01-01

We performed a multicenter assessment of a new HER2 dual-color chromogenic in situ hybridization (CISH) test and herein report on concordance of CISH data with fluorescence in situ hybridization (FISH) data and intraobserver and interlaboratory scoring consistency. HER2 results were evaluated using duplicate cores from 30 breast cancers in 5 laboratories using the Ventana HER2 dual-color ISH assay (Ventana Medical Systems, Cambridgeshire, England) and in 1 central laboratory using a standard FISH assay. Overall 93.3% of cases were successfully analyzed by CISH across the 5 participating laboratories. There was excellent concordance (98.0% overall) for diagnosis of HER2 amplification by CISH compared with FISH. Intraobserver variability (7.7%) and intersite variability (9.1%) of absolute HER2\\/chromosome enumeration probe 17 ratios were tightly controlled across all participating laboratories. The Ventana HER2 dual-color ISH assay is robust and reproducible, shows good concordance with a standard FISH assay, and complies with requirements in national and international guidelines for performance of ISH-based diagnostic tests.

Using image analysis to monitor biological changes in consume fish

DEFF Research Database (Denmark)

Dissing, Bjørn Skovlund; Frosch, Stina; Nielsen, Michael Engelbrecht

2011-01-01

The quality of fish products is largely defined by the visual appearance of the products. Visual appearance includes measurable parameters such as color and texture. Fat content and distribution as well as deposition of carotenoid pigments such as astaxanthin in muscular and fat tissue...... fishes is based on highly laborious chemical analysis. Trichromatic digital imaging and point-wise colorimetric or spectral measurement are also ways of estimating either the redness or the actual astaxanthin concentration of the fillet. These methods all have drawbacks of either cumbersome testing...... are biological parameters with a huge impact on the color and texture of the fish muscle. Consumerdriven quality demands call for rapid methods for quantification of quality parameters such as fat and astaxanthin in the industry. The spectral electromagnetic reflection properties of astaxanthin are well known...

KARAKTERISASI PROTEIN MIOFIBRIL DARI IKAN KUNIRAN (Upeneus moluccensis DAN IKAN MATA BESAR (Selar crumenophthalmus [Characterization of Myofibrillar Protein from Goldband Goat Fish (Upeneus moluccensis and Bigeye Scad Fish (Selar crumenophthalmus

Directory of Open Access Journals (Sweden)

Achmad Subagio

2004-04-01

Full Text Available Characteristics of myofibrillar protein from goldband goat fish (U. moluccensis and bigeye scad fish (S. crumenophthalmus were studied for their development as food ingredient. Color analysis using chromameter showed that myfibrillar protein from goldband goat fish was light colored, while that of bigeye scad was slightly drak colored. Proximate analysis showed that their contents were similar by crude protein 7-10%, crude fat 0.2-0.5%, and ash 0.4-0.7%. Amino acid compositions of both myofibrillar proteins were very close, dominated by glutamic acid (20%, aspartic acid (10% and lysine (9%. However, comparing with bigeye scad, myofibrillar proteins from goldband goatfish were easily aggregated, had higher gelation capacity and higher emulsion activity, but lower solubility. Based on these result, myofibrillar protein from goldband goatfish has good charachteristics as food ingredient especially for restructured products comparing with bigeye scad

Development of paint area estimation software for ship compartments and structures

Directory of Open Access Journals (Sweden)

Doo-Yeoun Cho

2016-03-01

Full Text Available The painting process of large ships is an intense manual operation that typically comprises 9–12% of the total shipbuilding cost. Accordingly, shipbuilders need to estimate the required amount of anti-corrosive coatings and painting resources for inventory and cost control. This study aims to develop a software system which enables the shipbuilders to estimate paint area using existing 3D CAD ship structural models. The geometric information of the ships structure are extracted from the existing shipbuilding CAD/CAM system and used to create painting zones. After specifying the painting zones, users can generate the paint faces by clipping structural parts inside each zone. Finally, the paint resources may be obtained from the product of the paint areas and required paint thickness. Implementing the developed software system to real shipbuilders' operations has contributed to improved productivity, faster resource estimation, better accuracy, and fewer coating defects over their conventional manual calculation methods for painting resource estimation.

Tracing aquatic bioavailable Hg in three different regions of China using fish Hg isotopes.

Science.gov (United States)

Liu, Cheng-Bin; Hua, Xiu-Bing; Liu, Hong-Wei; Yu, Ben; Mao, Yu-Xiang; Wang, Ding-Yong; Yin, Yong-Guang; Hu, Li-Gang; Shi, Jian-Bo; Jiang, Gui-Bin

2018-04-15

To trace the most concerned bioavailable mercury (Hg) in aquatic environment, fish samples were collected from three typical regions in China, including 3 rivers and 1 lake in the Tibetan Plateau (TP, a high altitude background region with strong solar radiation), the Three Gorges Reservoir (TGR, the largest artificial freshwater reservoir in China), and the Chinese Bohai Sea (CBS, a heavily human-impacted semi-enclosed sea). The Hg isotopic compositions in fish muscles were analyzed. The results showed that anthropogenic emissions were the main sources of Hg in fish from TGR and CBS because of the observed negative δ 202 Hg and positive Δ 199 Hg in these two regions (TGR, δ 202 Hg: - 0.72 to - 0.29‰, Δ 199 Hg: 0.15 - 0.52‰; CBS, δ 202 Hg: - 2.09 to - 0.86‰, Δ 199 Hg: 0.07 - 0.52‰). The relatively higher δ 202 Hg and Δ 199 Hg (δ 202 Hg: - 0.37 - 0.08‰, Δ 199 Hg: 0.50 - 1.89‰) in fish from TP suggested the insignificant disturbance from local anthropogenic activities. The larger slopes of Δ 199 Hg/Δ 201 Hg in fish from TGR (1.29 ± 0.14, 1SD) and TP (1.25 ± 0.06, 1SD) indicated methylmercury (MeHg) was produced and photo-reduced in the water column before incorporation into the fish. In contrast, the photoreduction of Hg 2+ was the main process in CBS (slope of Δ 199 Hg/Δ 201 Hg: 1.06 ± 0.06, 1SD). According to the fingerprint data of Hg isotopes, the most important source for aquatic bioavailable Hg in TP should be the long-range transported Hg, contrasting to the anthropogenic originated MeHg from surface sediments and runoffs in TGR and inorganic Hg from continental inputs in CBS. Therefore, the isotopic signatures of Hg in fish can provide novel clues in tracing sources and behaviors of bioavailable Hg in aquatic systems, which are critical for further understanding the biogeochemical cycling of Hg. Copyright © 2017 Elsevier Inc. All rights reserved.

Color Space and Its Divisions: Color Order from Antiquity to the Present

Science.gov (United States)

Kuehni, Rolf G.

2003-03-01

It has been postulated that humans can differentiate between millions of gradations in color. Not surprisingly, no completely adequate, detailed catalog of colors has yet been devised, however the quest to understand, record, and depict color is as old as the quest to understand the fundamentals of the physical world and the nature of human consciousness. Rolf Kuehni's Color Space and Its Divisions: Color Order from Antiquity to the Present represents an ambitious and unprecedented history of man's inquiry into color order, focusing on the practical applications of the most contemporary developments in the field. Kuehni devotes much of his study to geometric, three-dimensional arrangements of color experiences, a type of system developed only in the mid-nineteenth century. Color spaces are of particular interest for color quality-control purposes in the manufacturing and graphics industries. The author analyzes three major color order systems in detail: Munsell, OSA-UCS, and NCS. He presents historical and current information on color space developments in color vision, psychology, psychophysics, and color technology. Chapter topics include: A historical account of color order systems Fundamentals of psychophysics and the relationship between stimuli and experience Results of perceptual scaling of colors according to attributes History of the development of mathematical color space and difference formulas Analysis of the agreements and discrepancies in psychophysical data describing color differences An experimental plan for the reliable, replicated perceptual data necessary to make progress in the field Experts in academia and industry, neuroscientists, designers, art historians, and anyone interested in the nature of color will find Color Space and Its Divisions to be the authoritative reference in its field.

Comparative transcriptome analysis reveals the genetic basis of skin color variation in common carp.

Directory of Open Access Journals (Sweden)

Yanliang Jiang

Full Text Available The common carp is an important aquaculture species that is widely distributed across the world. During the long history of carp domestication, numerous carp strains with diverse skin colors have been established. Skin color is used as a visual criterion to determine the market value of carp. However, the genetic basis of common carp skin color has not been extensively studied.In this study, we performed Illumina sequencing on two common carp strains: the reddish Xingguo red carp and the brownish-black Yellow River carp. A total of 435,348,868 reads were generated, resulting in 198,781 assembled contigs that were used as reference sequences. Comparisons of skin transcriptome files revealed 2,012 unigenes with significantly different expression in the two common carp strains, including 874 genes that were up-regulated in Xingguo red carp and 1,138 genes that were up-regulated in Yellow River carp. The expression patterns of 20 randomly selected differentially expressed genes were validated using quantitative RT-PCR. Gene pathway analysis of the differentially expressed genes indicated that melanin biosynthesis, along with the Wnt and MAPK signaling pathways, is highly likely to affect the skin pigmentation process. Several key genes involved in the skin pigmentation process, including TYRP1, SILV, ASIP and xCT, showed significant differences in their expression patterns between the two strains.In this study, we conducted a comparative transcriptome analysis of Xingguo red carp and Yellow River carp skins, and we detected key genes involved in the common carp skin pigmentation process. We propose that common carp skin pigmentation depends upon at least three pathways. Understanding fish skin color genetics will facilitate future molecular selection of the fish skin colors with high market values.

Comparative transcriptome analysis reveals the genetic basis of skin color variation in common carp.

Science.gov (United States)

Jiang, Yanliang; Zhang, Songhao; Xu, Jian; Feng, Jianxin; Mahboob, Shahid; Al-Ghanim, Khalid A; Sun, Xiaowen; Xu, Peng

2014-01-01

The common carp is an important aquaculture species that is widely distributed across the world. During the long history of carp domestication, numerous carp strains with diverse skin colors have been established. Skin color is used as a visual criterion to determine the market value of carp. However, the genetic basis of common carp skin color has not been extensively studied. In this study, we performed Illumina sequencing on two common carp strains: the reddish Xingguo red carp and the brownish-black Yellow River carp. A total of 435,348,868 reads were generated, resulting in 198,781 assembled contigs that were used as reference sequences. Comparisons of skin transcriptome files revealed 2,012 unigenes with significantly different expression in the two common carp strains, including 874 genes that were up-regulated in Xingguo red carp and 1,138 genes that were up-regulated in Yellow River carp. The expression patterns of 20 randomly selected differentially expressed genes were validated using quantitative RT-PCR. Gene pathway analysis of the differentially expressed genes indicated that melanin biosynthesis, along with the Wnt and MAPK signaling pathways, is highly likely to affect the skin pigmentation process. Several key genes involved in the skin pigmentation process, including TYRP1, SILV, ASIP and xCT, showed significant differences in their expression patterns between the two strains. In this study, we conducted a comparative transcriptome analysis of Xingguo red carp and Yellow River carp skins, and we detected key genes involved in the common carp skin pigmentation process. We propose that common carp skin pigmentation depends upon at least three pathways. Understanding fish skin color genetics will facilitate future molecular selection of the fish skin colors with high market values.

Audience Perception of Effective Communication in Nigerian Paintings

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Johnson Adelani Abodunrin

2017-01-01

Full Text Available Artists in Nigeria perceived effective communication differently irrespective of the socio-economic status.Communication effectiveness depends largely on the understanding of the message being passed between a sender and a receiver. Painting has been used over time to express emotion and feeling to the perceiving audience. The study is audience’s perception of communication in Nigeria painting and how it varies with the socio-economic characteristics such as age, education, gender, and being professional artist or art lovers. Questionnaires were distributed and administered to examine how the status of the art audience makes or mars effective communication in painting. The inferential statistics that were employed include “chi-square test” to test the relationship between different variables. The data were taken in ordinal form using Likert’s scale, and transformed into interval data. This was done by attaching statistical weights to the responses in the order of importance which were summed up for the parametric testing. Findings show that gender factor has nothing to do with the understanding of paintings. Also, the level of education obtained by the audience does not have much to do with understanding of contemporary Nigerian painting but a better exposure to the issue concerning the stylistic development of Nigerian painting. Art practitioners must adequately be guided on stylistic trend in painting, art education should be more intensified in educational curriculum in Nigeria. The paper concludes that audience requires a better exposure to the issues concerning the stylistic development of Nigerian painting for effective communication to take place.

Color Analysis

Science.gov (United States)

Wrolstad, Ronald E.; Smith, Daniel E.

Color, flavor, and texture are the three principal quality attributes that determine food acceptance, and color has a far greater influence on our judgment than most of us appreciate. We use color to determine if a banana is at our preferred ripeness level, and a discolored meat product can warn us that the product may be spoiled. The marketing departments of our food corporations know that, for their customers, the color must be "right." The University of California Davis scorecard for wine quality designates four points out of 20, or 20% of the total score, for color and appearance (1). Food scientists who establish quality control specifications for their product are very aware of the importance of color and appearance. While subjective visual assessment and use of visual color standards are still used in the food industry, instrumental color measurements are extensively employed. Objective measurement of color is desirable for both research and industrial applications, and the ruggedness, stability, and ease of use of today's color measurement instruments have resulted in their widespread adoption.

Historical evolution of oil painting media: A rheological study

Science.gov (United States)

de Viguerie, Laurence; Ducouret, Guylaine; Lequeux, François; Moutard-Martin, Thierry; Walter, Philippe

2009-09-01

Rheology is the science of flow, which is a phenomenon found in every painting operation, such as decorative paintings or protective coatings. In this article, the principles of rheology as applied to paintings and coatings are recalled in a first part and the rheological criteria required in the paint industry presented. Indeed, different flow behaviours leads to different finishes. The same procedure and techniques as in industry can be employed to explain some evolutions in oil painting aspects over the centuries. The first recipes for oil painting indicate the use of treated oil, resins and spirits. This article deals with the evolution of the composition of these systems as media for oil painting, according to rheological clues. During the Renaissance period, the media used were Newtonian or slightly shear thinning and allowed one a perfect levelling. Then techniques changed, paints became more opaque with less addition of oil/resin media, and brushstrokes appeared visible. Some preparations containing lead, oil and mastic resin, whose flow behaviour is closed to those required in industry, may have appeared during the 17th century and are still used and sold today. To cite this article: L. de Viguerie et al., C. R. Physique 10 (2009).

The genetic mineralogical characteristics of fish otoliths and their ...

African Journals Online (AJOL)

... are indicators of the temperature of the water where the fish lives. The geometry, color, common and trace elements, oxygen and carbon isotopes of the zones can be employed effectively to classify the species, trace the source, migration habits, nutrition level of the fish and the variation of the ocean environment, in order ...

Basic Color Terms (BCTs) and Categories (BCCs) in Three Dialects of the Spanish Language: Interaction Between Cultural and Universal Factors

Science.gov (United States)

Lillo, Julio; González-Perilli, Fernando; Prado-León, Lilia; Melnikova, Anna; Álvaro, Leticia; Collado, José A.; Moreira, Humberto

2018-01-01

Two experiments were performed to identify and compare the Basic Color Terms (BCTs) and the Basic Color Categories (BCCs) included in three dialects (Castilian, Mexican, and Uruguayan) of the Spanish language. Monolexemic Elicited lists were used in the first experiment to identify the BCTs of each dialect. Eleven BCTs appeared for the Spanish and the Mexican, and twelve did so for the Uruguayan. The six primary BCTs (rojo “red,” verde “green,” amarillo “yellow,” azul “blue,” negro “black,” and blanco “white”) appeared in the three dialects. This occurred for only three derived BCTs (gris “gray,” naranja “orange,” and rosa “pink”) but not for the other five derived BCTs (celeste “sky blue,” marrón “brown,” café “brown,” morado “purple,” and violeta “purple”). Color transitions were used in the second experiment for two different tasks. Extremes naming task was used to determine the relation between two different dialects' BCTs: equality, equivalence or difference. The results provided the first evidence for marrón “brown” and café “brown” being equivalent terms for the same BCC (brown in English) as is the case of morado “purple” and violeta “purple.” Uruguayan celeste “sky blue” had no equivalent BCT in the other two dialects. Boundary delimitation task required the selection of the color in the boundary between two categories. The task was used to reasonably estimate the volume occupied by each BCC in the color space considering its chromatic area and lightness range. Excluding sky blue (celeste “sky blue”) and blue (azul “blue”), the other BCCs color volumes were similar across the three dialects. Uruguayan sky blue and blue volumes conjointly occupied the portion of the color space corresponding to the Castilian and Mexican blue BCC. The fact that the BCT celeste “sky blue” only appeared in Uruguayan very probably derived from specific cultural factors (the use of the

Basic Color Terms (BCTs and Categories (BCCs in Three Dialects of the Spanish Language: Interaction Between Cultural and Universal Factors

Directory of Open Access Journals (Sweden)

Julio Lillo

2018-05-01

Full Text Available Two experiments were performed to identify and compare the Basic Color Terms (BCTs and the Basic Color Categories (BCCs included in three dialects (Castilian, Mexican, and Uruguayan of the Spanish language. Monolexemic Elicited lists were used in the first experiment to identify the BCTs of each dialect. Eleven BCTs appeared for the Spanish and the Mexican, and twelve did so for the Uruguayan. The six primary BCTs (rojo “red,” verde “green,” amarillo “yellow,” azul “blue,” negro “black,” and blanco “white” appeared in the three dialects. This occurred for only three derived BCTs (gris “gray,” naranja “orange,” and rosa “pink” but not for the other five derived BCTs (celeste “sky blue,” marrón “brown,” café “brown,” morado “purple,” and violeta “purple”. Color transitions were used in the second experiment for two different tasks. Extremes naming task was used to determine the relation between two different dialects' BCTs: equality, equivalence or difference. The results provided the first evidence for marrón “brown” and café “brown” being equivalent terms for the same BCC (brown in English as is the case of morado “purple” and violeta “purple.” Uruguayan celeste “sky blue” had no equivalent BCT in the other two dialects. Boundary delimitation task required the selection of the color in the boundary between two categories. The task was used to reasonably estimate the volume occupied by each BCC in the color space considering its chromatic area and lightness range. Excluding sky blue (celeste “sky blue” and blue (azul “blue”, the other BCCs color volumes were similar across the three dialects. Uruguayan sky blue and blue volumes conjointly occupied the portion of the color space corresponding to the Castilian and Mexican blue BCC. The fact that the BCT celeste “sky blue” only appeared in Uruguayan very probably derived from specific cultural factors (the

Color-quality control using color-difference formulas: progress and problems

Science.gov (United States)

Melgosa, M.; Gómez-Robledo, L.; García, P. A.; Morillas, S.; Fernández-Maloigne, C.; Richard, N.; Huang, M.; Li, C.; Cui, G.

2017-08-01

We report on some recent advances in industrial color-difference evaluation focused in three main fields: Development of reliable experimental visual datasets; proposal of new color spaces and color-difference formulas; tools to evaluate the merits of color-difference formulas. The use of fuzzy techniques to assign consistency degrees to color pairs in combined visual datasets is described. The CIE/ISO joint proposal of the CIEDE2000 color-difference formula as a standard will facilitate the communication among companies and users. The CIE recommendation of the STRESS index to assess observers' variability and relative merits of different color-difference formulas is reported. Power functions are an efficient method to improve the performance of modern color-difference formulas. We need of advanced color-difference formulas accounting for new materials with different kind of textures and gonioapparent effects.

Earth as art three

Science.gov (United States)

,

2010-01-01

For most of us, deserts, mountains, river valleys, coastlines even dry lakebeds are relatively familiar features of the Earth's terrestrial environment. For earth scientists, they are the focus of considerable scientific research. Viewed from a unique and unconventional perspective, Earth's geographic attributes can also be a surprising source of awe-inspiring art. That unique perspective is space. The artists for the Earth as Art Three exhibit are the Landsat 5 and Landsat 7 satellites, which orbit approximately 705 kilometers (438 miles) above the Earth's surface. While studying the images these satellites beam down daily, researchers are often struck by the sheer beauty of the scenes. Such images inspire the imagination and go beyond scientific value to remind us how stunning, intricate, and simply amazing our planet's features can be. Instead of paint, the medium for these works of art is light. But Landsat satellite sensors don't see light as human eyes do; instead, they see radiant energy reflected from Earth's surface in certain wavelengths, or bands, of red, green, blue, and infrared light. When these different bands are combined into a single image, remarkable patterns, colors, and shapes emerge. The Earth as Art Three exhibit provides fresh and inspiring glimpses of different parts of our planet's complex surface. The images in this collection were chosen solely based on their aesthetic appeal. Many of the images have been manipulated to enhance color variations or details. They are not intended for scientific interpretation only for your viewing pleasure. Enjoy!

Comparing Color Change Value of Three Types of Composite Resins in Distilled Water during the First 24 Hours after Exposure to Light

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S Afkhami

2016-09-01

Full Text Available BACKGROUND AND OBJECTIVE: Color change of composite resin restorations is one the most common causes for replacing these restorations, which might occur due to internal and external factors. This research was carried out to study and compare color change value of three types of composite resins in distilled water during the first 24 hours after exposure to light. METHODS: In this laboratory research, 120 samples were prepared from three types of composites (Z350, Z250 and Heliomolar and were divided into 3 groups of 40. Samples with 2 mm thickness and 7 mm diameter were prepared. After assessing the initial color by spectrophotometer, samples were exposed to distilled water for 1, 6, 12 and 24 hours, respectively. Then, the final color was assessed by EasyShade device and the color change value (ΔE was calculated for all samples. Moreover, ΔE<3.3 was clinically acceptable. FINDINGS: In 12h group, Heliomolar composite showed lowest color change value compared with two other composites (Z350=1.385, Z250=1.179 and Heliomolar=0.854 (p<0.05, while no significant difference was observed in other groups. Furthermore, lowest color change value in each composite was observed 1 hour after curing (Z350=0.352, Z250=0.641 and Heliomolar=0.298 and color change value increased 24 hours after curing (Z350=1.888, Z250=1.903 and Heliomolar=1.929. CONCLUSION: Results of the study revealed that color change value of all three composites in distilled water was less than 3.3 after 24 hours and it was clinically acceptable

A Case Study Application Of Time Study Model In Paint ...

African Journals Online (AJOL)

This paper presents a case study in the development and application of a time study model in a paint manufacturing company. The organization specializes in the production of different grades of paint and paint containers. The paint production activities include; weighing of raw materials, drying of raw materials, dissolving ...

Follow-up of translocations and dicentrics by chromosome painting (Fish) after accidental exposure to ionizing radiation

International Nuclear Information System (INIS)

Lindhom, C.; Salomaa, S.; Tekkel, M.; Veidebaum, T.

1997-01-01

Chromosome painting was applied to follow the frequencies of translocations and dicentrics in blood lymphocytes from eight persons involved in a radiation accident in Estonia, 1994. Complete translocation frequencies remained relatively constant during the first year of study, whereas the rate of complete dicentrics declined rapidly in patients exposed to 1 Gy or more. The high proportion of incomplete translocations observed right after the accident declined during the first year after the exposure, approaching the level of incomplete dicentrics. (authors)

Measurement, modeling and perception of painted surfaces: A Multi-scale Analysis of the Touch-up Problem

Science.gov (United States)

Kalghatgi, Suparna Kishore

Real-world surfaces typically have geometric features at a range of spatial scales. At the microscale, opaque surfaces are often characterized by bidirectional reflectance distribution functions (BRDF), which describes how a surface scatters incident light. At the mesoscale, surfaces often exhibit visible texture -- stochastic or patterned arrangements of geometric features that provide visual information about surface properties such as roughness, smoothness, softness, etc. These textures also affect how light is scattered by the surface, but the effects are at a different spatial scale than those captured by the BRDF. Through this research, we investigate how microscale and mesoscale surface properties interact to contribute to overall surface appearance. This behavior is also the cause of the well-known "touch-up problem" in the paint industry, where two regions coated with exactly the same paint, look different in color, gloss and/or texture because of differences in application methods. At first, samples were created by applying latex paint to standard wallboard surfaces. Two application methods- spraying and rolling were used. The BRDF and texture properties of the samples were measured, which revealed differences at both the microscale and mesoscale. This data was then used as input for a physically-based image synthesis algorithm, to generate realistic images of the surfaces under different viewing conditions. In order to understand the factors that govern touch-up visibility, psychophysical tests were conducted using calibrated, digital photographs of the samples as stimuli. Images were presented in pairs and a two alternative forced choice design was used for the experiments. These judgments were then used as data for a Thurstonian scaling analysis to produce psychophysical scales of visibility, which helped determine the effect of paint formulation, application methods, and viewing and illumination conditions on the touch-up problem. The results can be

The abstract unconscious in painting

OpenAIRE

Parker, David

2009-01-01

The Abstract Unconscious in Painting addresses painting as experiential process, critically examining the psychological factors involved in the formation of imagery as it emerges through imaginative responses to the process of mark making and the structuring of space and form. The paper sets this process in relation to theoretical material drawn from Jungian and Post Jungian Psychology ( Avens, 1980; Hillman, 1975) the arts ( Gombrich, 1960; Kuspit, 2000; McKeever, 2005; Worringer, 1908) and ...

The Efficacy of Specific Essential Oils on Yeasts Isolated from the Royal Tomb Paintings at Tanis, Egypt

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Akmal Ali SAKR

2012-06-01

Full Text Available Yeast strains play an important role in the biodeterioration and biodegradation of paintings in ancient Egyptian tombs. Thirteen yeast were isolated from the royal tombs at Tanis (Oserkon II, Psunes and Shashanq, Sharkia Governorate, Egypt, dated back to 840 B.C., by using a sterile cotton swab. Those strains were identified as Saccharomyces cerevisiae, Candida albicans, C. lipolytica and Lodderomyces elongspous. The S. cerevisiae strains were halotolerant for sodium chloride, up to 10 %. Moreover, they caused a fading for the azurite blue color in laboratory cultures and S. cerevisiae was the most potent agent in fading the color. Five essential oils (lemon, spearmint, fennel, marjonam and rosemary were used to control their growth. Spearmint and lemon oils were the most effective oils in inhibiting the growth of those strains, whereas marjonam, fennel and rosemary had no effect on their growth.

Introductory guide to painting

CSIR Research Space (South Africa)

Cromarty, R.E

1985-01-01

Full Text Available , and have doubts about it, you are wel- come to contact the NBRl for advice. It is always best when buying a paint system to select the products of a single manufacturer. the grain as it dries. Several coats can be used to give a high-gloss finish... rendering Those who have lived on a farm will probably remember how surplus fat used to be treated with an alkali to make soap. The same thing can happen at the point where some oil paints come in contact with the wall. The alkali, which is always...

Paintings discrimination by mice: Different strategies for different paintings.

Science.gov (United States)

Watanabe, Shigeru

2017-09-01

C57BL/6 mice were trained on simultaneous discrimination of paintings with multiple exemplars, using an operant chamber with a touch screen. The number of exemplars was successively increased up to six. Those mice trained in Kandinsky/Mondrian discrimination showed improved learning and generalization, whereas those trained in Picasso/Renoir discrimination showed no improvements in learning or generalization. These results suggest category-like discrimination in the Kandinsky/Mondrian task, but item-to-item discrimination in the Picasso/Renoir task. Mice maintained their discriminative behavior in a pixelization test with various paintings; however, mice in the Picasso/Renoir task showed poor performance in a test that employed scrambling processing. These results do not indicate that discrimination strategy for any Kandinsky/Mondrian combinations differed from that for any Picasso/Monet combinations but suggest the mice employed different strategies of discrimination tasks depending upon stimuli. Copyright © 2017 Elsevier B.V. All rights reserved.

Evaluation of the accuracy and limitations of three tooth-color measuring machines

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Jiun-Yao Chang

2015-03-01

Conclusion: By knowing the limits of each machine after being analyzed with the Munsell Book of Color, we can use the color measuring instrument in the specific color space range that the devices measuring accuracy performs the best in to achieve objective and accurate tooth-color measuring results in routine dental practice.

Using anti-corrosive paints on ships

Energy Technology Data Exchange (ETDEWEB)

Smith, J

1969-02-07

Anit-corrosive paints on the outside of ship's hulls fall into 3 groups: the area below the water, the boot- topping area at the waterline, and the weatherwork including the hull and superstructure. Typical formulations of primer and paint are given for use in each section. Anti-corrosion paints must always be considered in conjunction with the kind and amount of surface preparation that can be given. The requirement for faster descaling techniques and higher standards of surface preparation has led to the introduction of automated centrifugal abrasive blasting machines for all new plates and sections. If it is not possible to remove old coatings by abrasive blasting, then the traditional method of chipping followed by wire brushing must be used. The removal of mill scale by abrasive blasting can produce a clean metal surface which is liable to rapid corrosion unless it is painted immediately. A pre-fabrication or shop primer is used which is normally applied by airless spray equipment synchronized with the sand blasting machinery.

TeraHertz imaging of hidden paint layers on canvas

NARCIS (Netherlands)

Adam, A.J.L.; Planken, P.C.M.; Meloni, S.; Dik, J.

2009-01-01

We show terahertz reflection images of hidden paint layers in a painting on canvas and compare the results with X-ray Radiography and Infrared Reflectography. Our terahertz measurements show strong reflections from both the canvas/paint interface and from the raw umber/lead white interface,

Climate change alters the reproductive phenology and investment of a lacustrine fish, the three-spine stickleback.

Science.gov (United States)

Hovel, Rachel A; Carlson, Stephanie M; Quinn, Thomas P

2017-06-01

High-latitude lakes are particularly sensitive to the effects of global climate change, demonstrating earlier ice breakup, longer ice-free seasons, and increased water temperatures. Such physical changes have implications for diverse life-history traits in taxa across entire lake food webs. Here, we use a five-decade time series from an Alaskan lake to explore effects of climate change on growth and reproduction of a widely distributed lacustrine fish, the three-spine stickleback (Gasterosteus aculeatus). We used multivariate autoregressive state-space (MARSS) models to describe trends in the mean length for multiple size classes and to explore the influence of physical (date of ice breakup, surface water temperature) and biological (density of con- and heterospecifics) factors. As predicted, mean size of age 1 and older fish at the end of the growing season increased across years with earlier ice breakup and warmer temperatures. In contrast, mean size of age 0 fish decreased over time. Overall, lower fish density and warmer water temperatures were associated with larger size for all cohorts. Earlier ice breakup was associated with larger size for age 1 and older fish but, paradoxically, with smaller size of age 0 fish. To explore this latter result, we used mixing models on age 0 size distributions, which revealed an additional cohort in years with early ice breakup, lowering the mean size of age 0 fish. Moreover, early ice breakup was associated with earlier breeding, evidenced by earlier capture of age 0 fish. Our results suggest that early ice breakup altered both timing and frequency of breeding; three-spine stickleback spawned earlier and more often in response to earlier ice breakup date. While previous studies have shown the influence of changing conditions in northern lakes on breeding timing and growth, this is the first to document increased breeding frequency, highlighting another pathway by which climate change can alter the ecology of northern lakes

Atlantic salmon skin and fillet color changes effected by perimortem handling stress, rigor mortis, and ice storage.

Science.gov (United States)

Erikson, U; Misimi, E

2008-03-01

The changes in skin and fillet color of anesthetized and exhausted Atlantic salmon were determined immediately after killing, during rigor mortis, and after ice storage for 7 d. Skin color (CIE L*, a*, b*, and related values) was determined by a Minolta Chroma Meter. Roche SalmoFan Lineal and Roche Color Card values were determined by a computer vision method and a sensory panel. Before color assessment, the stress levels of the 2 fish groups were characterized in terms of white muscle parameters (pH, rigor mortis, and core temperature). The results showed that perimortem handling stress initially significantly affected several color parameters of skin and fillets. Significant transient fillet color changes also occurred in the prerigor phase and during the development of rigor mortis. Our results suggested that fillet color was affected by postmortem glycolysis (pH drop, particularly in anesthetized fillets), then by onset and development of rigor mortis. The color change patterns during storage were different for the 2 groups of fish. The computer vision method was considered suitable for automated (online) quality control and grading of salmonid fillets according to color.

Does pregnancy coloration reduce female conspecific aggression in the presence of maternal kin?

Science.gov (United States)

Bailey, Andrea; Eberly, Lynn E; Packer, Craig

2015-10-01

Colour signals arise in a variety of sexual contexts, including advertising reproductive status. Despite potentially attracting negative attention from unrelated competitors, bright pregnancy coloration may communicate gestation to kin and potential fathers, thereby garnering aid during agonistic encounters and reducing the overall amount of aggression received by pregnant females. To establish whether this 'pregnancy sign' influences rates of aggression in the presence versus absence of maternal kin, we conducted behavioural observations of wild olive baboons, Papio anubis , in Gombe National Park, Tanzania, in groups composed of maternal kin and nonkin, and of captive baboons at the Southwest National Primate Research Center (SNPRC, San Antonio, TX, U.S.A.), in group enclosures that were unlikely to include close kin. At SNPRC, we also experimentally obscured the coloration of the pregnancy sign, and we performed playback experiments to measure male responses to the distress calls of pregnant females. Free-ranging female baboons experienced significantly less aggression from nonkin females after the onset of the pregnancy sign compared to the pre-pregnancy sign. In contrast, captive pregnant females whose pregnancy coloration was obscured with paint experienced significantly lower aggression rates from female conspecifics compared to pre-painting. Male aggression towards females did not differ in the presence versus absence of the pregnancy sign in either the wild or the captive population, although captive fathers paid significantly more attention to distress calls of pregnant cage-mates than they did to those of cycling cage-mates, suggesting a willingness to aid mothers that were carrying their unborn offspring.

Training facilitates object recognition in cubist paintings

Directory of Open Access Journals (Sweden)

Martin Wiesmann

2010-03-01

Full Text Available To the naïve observer, cubist paintings contain geometrical forms in which familiar objects are hardly recognizable, even in the presence of a meaningful title. We used fMRI to test whether a short training session about Cubism would facilitate object recognition in paintings by Picasso, Braque and Gris. Subjects, who had no formal art education, were presented with titled or untitled cubist paintings and scrambled images, and performed object recognition tasks. Relative to the control group, trained subjects recognized more objects in the paintings, their response latencies were significantly shorter, and they showed enhanced activation in the parahippocampal cortex, with a parametric increase in the amplitude of the fMRI signal as a function of the number of recognized objects. Moreover, trained subjects were slower to report not recognizing any familiar objects in the paintings and these longer response latencies were correlated with activation in a fronto-parietal network. These findings suggest that trained subjects adopted a visual search strategy and used contextual associations to perform the tasks. Our study supports the proactive brain framework, according to which the brain uses associations to generate predictions.

Characterization of Angle Dependent Color Travel of Printed Multi-Color Effect Pigment on Different Color Substrates

Directory of Open Access Journals (Sweden)

Mirica Karlovits

2015-03-01

Full Text Available Color-travel pigments, which exhibit much more extensive color change as well provide angle-dependent optical effect can be used in many industrial products. In present paper the multi-color effect pigment printed on three different foils with different background color (black, silver and transparent was investigated. The pigment was based on synthetically produced transparent silicon dioxide platelets coated with titanium dioxide. CIEL*a*b* values and reflection of prints were measured by multi-angle spectrophotometer at constant illumination at an angle of 45º and different viewing angles (-15º, 15°, 25º, 45º, 75º and 110º were used. The measurements of printed multi-color pigment showed that CIEL*a*b* color coordinates varied to great extents, depending on detection angles as well on color of the printing substrate. The study revealed that pigmnet printed on black background obtained significant change in color. The study has also shown that when viewing angle increases, the reflection curves decreases.

The art in science: electron microscopy and paintings conservation

International Nuclear Information System (INIS)

Waters, L.

2003-01-01

Full text: When examining a painting, a conservator uses many different and complementary methods of analysis to build an understanding of the materials and way the painting was constructed. Common methods of examination include x-radiography, infrared reflectography, ultraviolet fluorescence and optical microscopy of the surface of the painting. Minute samples of paint prepared as cross-sections are sometimes taken for optical examination under the microscope, and it is these that can, conveniently, be further analysed with electron microscopy to yield another level of information. Electron microscopy has a valuable role to play within the examination of paintings, be it for pigment identification alone, or at the other end of the spectrum, for informing issues around the attribution of works of art. This paper provides an overview of the use of electron microscopy in the conservation of paintings by discussing examples of work undertaken by the National Gallery of Victoria and the CSIRO. Work described includes the problem of distinguishing between restorers' original paint in a landscape by Arthur Streeton, and the examination of the ground or priming layer in a Rembrandt portrait which clarified its attribution to his studio. Copyright (2003) Australian Microbeam Analysis Society

Enforced neutrality and color-flavor unlocking in the three-flavor Polyakov-loop Nambu-Jona-Lasinio model

International Nuclear Information System (INIS)

Abuki, H.; Ciminale, M.; Nardulli, G.; Ruggieri, M.; Gatto, R.

2008-01-01

We study how the charge neutrality affects the phase structure of the three-flavor Polyakov-loop Nambu-Jona-Lasinio (PNJL) model. We point out that, within the conventional PNJL model at finite density, the color neutrality is missing because the Wilson line serves as an external colored field coupled to dynamical quarks. In this paper we heuristically assume that the model may still be applicable. To get color neutrality, one has then to allow nonvanishing color chemical potentials. We study how the quark matter phase diagram in (T,m s 2 /μ)-plane is affected by imposing neutrality and by including the Polyakov-loop dynamics. Although these two effects are correlated in a nonlinear way, the impact of the Polyakov loop turns out to be significant in the T direction, while imposing neutrality brings a remarkable effect in the m s 2 /μ direction. In particular, we find a novel unlocking transition, when the temperature is increased, even in the chiral SU(3) limit. We clarify how and why this is possible once the dynamics of the colored Polyakov loop is taken into account. Also we succeed in giving an analytic expression for T c for the transition from two-flavor pairing (2SC) to unpaired quark matter in the presence of the Polyakov loop.

Color Appearance of the Neon Color Spreading Effect

Directory of Open Access Journals (Sweden)

Damir Vusić

2017-04-01

Full Text Available As a part of this paper, the influence of various parameters within the target process of graphic reproduction on the color appearance of the neon color spreading effect was investigated. The shift in a color appearance qualitatively is determined through the calculation of changes in perceptual attributes of color, i.e. differences in lightness, chroma and hue. The influence of different media (printed images, and LCD display in the “cross-media” system was examined, as well as the role of the inserted segment color choice and background of the primary stimulus as an element of design solutions. These parameters were evaluated in a variety of ambient conditions and under the observation of three CIE standard light sources and illuminants. It was found that it was mostly the changes of the chroma and lightness. The change in the color hue is the lowest.

Detecting Corrosion Under Paint and Insulation

Science.gov (United States)

Bastin, Gary L.

2011-01-01

Corrosion is a major concern at the Kennedy Space Center in Florida due to the proximity of the center to the Atlantic Ocean and to salt water lagoons. High humidity, salt fogs, and ocean breezes, provide an ideal environment in which painted steel structures become corroded. Maintenance of painted steel structures is a never-ending process.