WorldWideScience

Sample records for theaters

  1. Shanghai-School Theater

    Institute of Scientific and Technical Information of China (English)

    1993-01-01

    SHANGHAl-SCHOOL Thea-ter has played an importantrole in modern Chinese cul-tural history.At the turn of the 20thcentury,when there were great so-cial changes.Chinese traditionaltheater extended itself to take inWestern cultural elements,causingchanges and developments in thestructure and form of traditionalChinese theater.Because this newtype.of theater started in shang-hai,it was named Shanghai-SchoolTheater.The fundaments of thetheatrical school emphasized the opening,integration and renovation of theatrlcal art.It actually tried tomodermize the traditional Chinesetheater.

  2. Energy Theater

    Science.gov (United States)

    Daane, Abigail R.; Wells, Lindsay; Scherr, Rachel E.

    2014-01-01

    Energy Theater is a dynamic, full-body activity that engages all students in representing the flow of energy in various phenomena, such as a light bulb burning steadily or a refrigerator cooling food. In Energy Theater, each participant acts as a unit of energy that has one form at a time. Regions on the floor correspond to objects in a physical…

  3. The Fast Theater Model (FATHM)

    National Research Council Canada - National Science Library

    Brown, Gerald G; Washburn, Alan R

    2002-01-01

    The Fast Theater Model (FATHM) is an aggregated joint theater combat model that fuses Air Force Air-to-Ground attack sortie optimization with Ground-to-Ground deterministic Lanchester fire-exchange battles using attrition rates...

  4. How Theaters Remember: Cultures of Memory in Institutionalized Systems

    Directory of Open Access Journals (Sweden)

    Milena Dragićević Šešić

    2014-11-01

    Full Text Available The aim of this study is to explore organizational policies and strategies regarding the institutional memory of Belgrade’s repertoire theaters. The concept of institutional (organizational memory has not been developed within the culture of memory theory. The role of theater in the culture of memory has been researched mostly through studies of its repertoire, corresponding to how theaters deal with issues of glory, guilt, or shame. This study explores how theaters rethink their own past and organizational culture, how they use their capacity for re-imagining themselves, for clarifying their role and function in different historical moments. The objective of this research is to identify the main institutional policies and types of strategies used for preserving institutional memory through key narratives of remembering, and key methods of inter-generational transfer. The sample comprises of four Belgrade-based public repertoire theaters: the Yugoslav Dramatic Theater (JDP, the Belgrade Dramatic Theater (BDP, Atelje 212, and Bitef Theater. Specific attention is given to the means of transmission, of individual (episodic memories into the collective consciousness, influencing organizational cultures and shaping a theater’s identity (semantic memory. Research has shown that there are important differences in active policies of preserving institutional memory among Belgrade’s theaters. Different organizational and programming strategies were implemented in order to safeguard institutional identity and memory, particularly in theaters with a permanent ensemble. The major difference is between theaters whose culture of memory might be called “non-existent” (Bitef, or “in storage” (BDP, and those succeeding in creating a functional memory (JDP, Atelje 212.

  5. Development of Cyber Theater titled "PINOCCHIO" and Cyber Theater Scenario Language: CTSL

    Directory of Open Access Journals (Sweden)

    Hiroshi Matsuda

    2003-10-01

    Full Text Available In Japan, most of children haven't read the Fairy Tales or tales of old Japan because the high technology video games are more exciting than most of picture books. But they must be effective to bring up the children's cultivation of aesthetic sensitivity. And we have heard from teachers of elementary schools that most of themes of computer education in school are the operation of Painting Tool or Game Software. To improve these problems and to aid the courses of computer-based education in elementary school, we developed new educational support tool named Cyber Theater. Cyber Theater provides the capability of easy making the 3D-CG animation of children's story by using Script language named CTSL (Cyber Theater Scenario Language. We hope schoolteachers will be able to use Cyber Tales as teaching materials in elementary schools. We also hope that upper-aged students (including junior high school students are able to make their original CG-animation stories as the Creative Lesson.

  6. Sustainment Stocks for the Korean Theater

    National Research Council Canada - National Science Library

    St

    1998-01-01

    .... This study concludes that the Army intends to provide theater Class VII combat loss replacements, in the Korean theater, in the early stage of conflict or war from Army Pre-positioned Stocks-Sustainment 4 (APS-S 4...

  7. Using Readers' Theater with Multicultural Literature

    Science.gov (United States)

    Weisenburger, Stephanie

    2009-01-01

    The author needed a way to engage her students in the reading process and found one extremely successful strategy: using Readers' Theater. Readers' Theater "dramatizes" literature through a classroom performance and provides visual and oral stimulus to students who are not used to using imagination to appreciate literary texts. It involves a…

  8. Safety of definitive in-theater repair of facial fractures.

    Science.gov (United States)

    Lopez, Manuel A; Arnholt, Jonathan L

    2007-01-01

    To determine the safety of definitive in-theater facial fracture repair on American military personnel wounded during Operation Iraqi Freedom. A retrospective review of all patients with head and neck trauma treated at the 322nd Expeditionary Medical Group/Air Force Theater Hospital, Balad Air Base, Iraq, from May 7, 2005, through September 18, 2005, was performed. This study focused on the outcomes of wounded American military personnel whose facial fractures were definitively repaired in theater. The criteria used to determine candidacy for definitive in-theater facial fracture repair on American military personnel were (1) the fracture site was exposed through either a soft tissue wound or because of an adjacent surgical approach, (2) treatment would not delay evacuation from theater, and (3) treatment would allow the military member to remain in theater. From May 2005 to September 2005, 207 patients were taken to the operating room and required 388 procedures. A total of 175 patients (85%) were operated on for traumatic injuries, and 52 of these patients required open reduction and internal fixation (ORIF) of a facial fracture. Of the 52 patients who underwent an ORIF, 17 were American military personnel. Of the 17 American patients who were definitively treated for their facial fractures in theater, 16 were contacted and/or followed up on the global military medical database. None of these patients developed an Acinetobacter baumannii infection or had a complication caused by the definitive in-theater ORIF. The range of follow-up was 2 months to 11 months, with a mean of 8.3 months. Definitive repair of facial fractures with ORIF on American military personnel in theater is advised when the aforementioned criteria are observed. An otolaryngologist is a crucial member of the head and neck trauma team.

  9. Improvisational Theater Games: Performatory Team-Building Activities

    Science.gov (United States)

    Ingalls, Joan S.

    2018-01-01

    This article describes five improvisational theater games for building "teams" in the classroom and on the sports field. Particular attention is given to understanding how teams must challenge the hyper-individuality of modern culture. Improvisational theater games for team building are designed to help participants find a balance…

  10. [Health guidance through theater: an experience account].

    Science.gov (United States)

    Nazima, Tue Jollo; Codo, Carla Regina Bianchi; Paes, Irani Aparecida Dalla Costa; Bassinello, Greicelene Aparecida Hespanhol

    2008-03-01

    Theater could be considered as a dramatic game and as an educational method, because it reaches the child as a whole, encompassing creativity and learning through entertainment. This article is a report of nursing students' experience in guiding children through theater in a public nursery located in the interior of São Paulo state. The objective was to report on the benefits of using theatre with children. The methodology to develop the study was a dialogue based on literature review articulated with the account of experience. It was concluded that theater can be used as an important educational tool, diversifying the way of teaching children, surpassing the simple pass on of knowledge, increasing involvement and integration.

  11. On the acoustics of ancient Greek and Roman theaters.

    Science.gov (United States)

    Farnetani, Andrea; Prodi, Nicola; Pompoli, Roberto

    2008-09-01

    The interplay of architecture and acoustics is remarkable in ancient Greek and Roman theaters. Frequently they are nowadays lively performance spaces and the knowledge of the sound field inside them is still an issue of relevant importance. Even if the transition from Greek to Roman theaters can be described with a great architectural detail, a comprehensive and objective approach to the two types of spaces from the acoustical point of view is available at present only as a computer model study [P. Chourmouziadou and J. Kang, "Acoustic evolution of ancient Greek and Roman theaters," Appl. Acoust. 69, re (2007)]. This work addresses the same topic from the experimental point of view, and its aim is to provide a basis to the acoustical evolution from Greek to Roman theater design. First, by means of in situ and scale model measurements, the most important features of the sound field in ancient theaters are clarified and discussed. Then it has been possible to match quantitatively the role of some remarkable architectural design variables with acoustics, and it is seen how this criterion can be used effectively to define different groups of ancient theaters. Finally some more specific wave phenomena are addressed and discussed.

  12. A conversation of a bookseller and a poet: А. Pluchart’s “Theater almanac” within the context of the early 19th c. theater critique

    Directory of Open Access Journals (Sweden)

    Ю. Ю. Полякова

    2014-07-01

    Full Text Available The article gives a general description of the “Theater Almanac” (1830, published by A. Pluchart, in comparison with other literary almanacs of the first third of the 19th century. Having analyzed the anonymous introductory note to the almanac, as well as A. Delvig’s critical review, the author brings forward a hypothesis that the note may have been written by A. Pluchart himself, or by R.M. Zotov, a writer of that period. The article also contains an assessment of the introductory note to the “Theater Almanac” as a source for studying the history of theater and theater critique in Russia.

  13. Factors Influencing the Intention of Attending Theater Performances: Exploration Study

    Directory of Open Access Journals (Sweden)

    Sri Bramantoro Abdinagoro

    2017-09-01

    Full Text Available The phenomenon of theater goers who are not satisfied when watching but at the next show they were still watching, being the opposite of the concept of satisfaction. This research aimed to find the factors that caused people to intend to watch the theater again to answer the phenomenon. The researcher used an exploratory study that focused on exploring important features in the theater performing arts on those who had been watching and who had not watched. In this study, author constructed semi-structured interview questionnaires that were focused on; (1 reason for people watching the theater, (2 theatrical attributes, (3 audience expectation, and (4 audience development. The participants of the exploratory study in this study were; (1 a group of actors and performing arts workers, (2 people who watched the performing arts, and (3 people who did not watch the performing arts. The total participants were 15 persons. From the exploration results with at least 16 keywords or phrases obtained, the researcher analyzes and classifies the keywords and phrases with the same meaning and understanding that exist in each word. There are 8 (eight constructs formed based on these keyword groupings; theater play, theater reputation, goal achievement, theater atmosphere, satisfaction, flow, intention to watch again, and word of mouth. The results of this exploratory study at the next stage of the research will be the input of the research model.

  14. Theater of "bóias-frias": rethinking anthropology of performance

    Directory of Open Access Journals (Sweden)

    John C. Dawsey

    2006-01-01

    Full Text Available The anthropology of performance, as understood by Victor Turner, provides interesting perspectives for the analysis of what may be referred to as the "theater of bóias-frias". Conversely, this theater may be of special interest for purposes of rethinking some of the main propositions which have arisen on the borders between anthropology and performance. Considering the specificity of "the practice which calculates the place from which one views things" of this theater, several topics present themselves as guidelines for the text which follows: 1 social dramas, 2 relations between social and aesthetic dramas, 3 symbols and montage, and 4 theater paradigms in anthropology. In this exercise to rethink some of the "classic" contributions of Victor Turner, Erving Goffman, and Richard Schechner, "elective affinities" have been found between, on the one hand, the writings of Walter Benjamin and Brechtian theater, and, on the other, the dramaturgical principles of the bóias-frias.

  15. Latino Teen Theater: A Theater Intervention to Promote Latino Parent-Adolescent Sexual Communication.

    Science.gov (United States)

    Noone, Joanne; Castillo, Nancy; Allen, Tiffany L; Esqueda, Teresa

    2015-01-01

    Latina teen pregnancy rates continue to be a health disparity in the United States. This study evaluated a parenting intervention using interactive theater to facilitate Latino parent-adolescent communication about sexuality and pregnancy prevention. The intervention, conducted in Spanish and with teen actors, consisted of scenes involving the audience. Fifty-nine parents participated in this 3-month prospective study. Spanish measures of comfort with communication, general communication, and parent-child sexual communication were employed comparing paired t tests for each scale. Acceptability of the intervention was assessed and demonstrated. Eighty-six percent of parents used information from the performance to talk to their child. Improvements in general communication (p < .02), sexual communication (p < .001), and comfort (p < .001) occurred. Interactive theater is an innovative approach to facilitate Latino parent communication about sexuality and pregnancy prevention.

  16. Theater Logistics Management: A Case for a Joint Distribution Solution

    National Research Council Canada - National Science Library

    Garcia, Jr, Mario V

    2008-01-01

    ...) and Joint Force Commanders (JFC). It explores the factors affecting theater distribution and joint theater logistics management including Joint Reception Staging Onward Movement and Integration (JRSOI) operations...

  17. Treasured Texas Theaters

    Science.gov (United States)

    Horton, Anita

    2012-01-01

    Dallas artist Jon Flaming's deep love of Texas is evident in his paintings and sculpture. Although he has created one sculptural Texas theater, his work primarily showcases old Texas barbershops, vacant homes, and gas stations. In this article, the author describes how her students, inspired by Flaming's works, created three-dimensional historical…

  18. Various Stagings of Cankar’s Works at the Slovenian National Theater in Ljubljana and Other Slovenian Theaters in the Interwar Period (1918–1941

    Directory of Open Access Journals (Sweden)

    Ana Kocjančič

    2007-12-01

    Full Text Available Plays by Ivan Cankar unequivocally marked Slovenian theater in the period from 1918 to 1941. In addition to Shakespeare’s works, it was Cankar’s plays that were most frequently performed on the Slovenian stage. His works especially appealed to directors that were seeking deeper, symbolic meanings of the text, which they tried to present to the audience to the best of their ability. Thus, Cankar’s narrative was intensified through directing and acting, whereas the scenery was of secondary importance in most performances. These mostly included painted scenes or backdrops to represent the setting. Only the stagings of Pohujšanje v dolini Šentflorjanski (The Scandal in the St. Florian Valley, Kralj na Betajnovi (The King of Betajnova, Hlapec Jernej in njegova pravica (The Servant Jernej and His Justice, and Lepa Vida (The Beautiful Vida contained more developed scenography. However, until the 1930s, scenery design for Cankar’s plays performed on the professional stage varied between painted backdrops and expressionist sets. It was not until the appearance of the director and scenographer Bojan Stupica that the scenery of these plays reached the boundaries of new realism and modern avant-garde. Until then, an unspoken rule had been in force that the scenery of Cankar’s plays should not extend beyond the boundaries of expressionism. This rule was observed even by the avant-garde painter Avgust Černigoj. However, Cankar’s plays were staged completely differently in workers’ theaters and popular theaters. With new avant-garde staging, they often surpassed the development of theater design in professional theaters, and caught up with contemporary formal ideas in Slovenian and European fine arts. Here, Cankar’s works were staged as anti-political propaganda. In order to better express their new ideas, these theaters also used new tools, such as projectors and film clips, and experimented with spotlights. The most original among these

  19. Theater for Peace: Reflections on the Amani People´s Theater Model

    DEFF Research Database (Denmark)

    Awino, Okech; Owiso, Michael

    2018-01-01

    approaches, as utilized by Amani People´s Theater (APT) in Kenya are traced to provide the practicum perspective. APT is an organization that employs multi-arts approaches to peacebuilding since 1994. The organization implemented an intervention dubbed ``Building Sustainable Structures for Peace`` from 2007...

  20. Theater and the Discourse on Power: Jose Rizal’s Participation in Philippine Theater in the Last Decades of the Nineteenth Century

    Directory of Open Access Journals (Sweden)

    Apolonio B. Chua

    2007-06-01

    Full Text Available The study focuses on Jose Rizal’s participation in Philippine Theater during the last decades of the nineteenth century. It starts with a careful inventory of attitudes towards existing theater forms and a description of the culture of theater as conceived and imagined in Rizal’s Noli Me Tangere (1887 and El Filibusterismo (1891. In Chapter 20: “The Town Council’s Meeting” in Noli Me Tangere, the study zooms in on the debate on what would be the best and most appropriate theatre piece for the town fiesta. Here, Rizal delineates theater enmeshed in issues of power and Spanish colonialism. He notes as significant the ilustrados’ claim to theatre space and ideology, thereby interrogating Spanish hegemony. The debate becomes the central imagery and situation for Rizal’s analysis and construction of the history of Philippine theater in the novel. Conservative and radical elements duel. The conflict becomes sharper as Rizal continues his critique by putting into his fictional world the very historical actors known at that time; namely, Nemesio Ratia, Jose Carvajal and Praxedes Julia Fernandez (also known as “Yeyeng”. They were part of the comedia troupe hired by the town for the fiesta. In Rizal’s second novel, El Filibusterismo, we encounter the events surrounding the presentation by a French opera troupe in Teatro de Variedades, which Rizal considers as the Manila theater model. The features of this model include a particular ticket system, various kinds of audiences, imported dramatic texts which were largely incomprehensible, actors behaving as actors both on-stage and off-stage, and the Teatro de Variedades space as stage for seizure or possession of power. When the students in the audience stage a walk-out in the theatre of the city and when in provincial San Diego, a stampede cuts short a comedia performance, the interrelationships between society and a discourse of power are revealed.Rizal’s annotations of Philippine

  1. In-theater piracy: finding where the pirate was

    Science.gov (United States)

    Chupeau, Bertrand; Massoudi, Ayoub; Lefèbvre, Frédéric

    2008-02-01

    Pirate copies of feature films are proliferating on the Internet. DVD rip or screener recording methods involve the duplication of officially distributed media whereas 'cam' versions are illicitly captured with handheld camcorders in movie theaters. Several, complementary, multimedia forensic techniques such as copy identification, forensic tracking marks or sensor forensics can deter those clandestine recordings. In the case of camcorder capture in a theater, the image is often geometrically distorted, the main artifact being the trapezoidal effect, also known as 'keystoning', due to a capture viewing axis not being perpendicular to the screen. In this paper we propose to analyze the geometric distortions in a pirate copy to determine the camcorder viewing angle to the screen perpendicular and derive the approximate position of the pirate in the theater. The problem is first of all geometrically defined, by describing the general projection and capture setup, and by identifying unknown parameters and estimates. The estimation approach based on the identification of an eight-parameter homographic model of the 'keystoning' effect is then presented. A validation experiment based on ground truth collected in a real movie theater is reported, and the accuracy of the proposed method is assessed.

  2. A Database Design and Development Case: Home Theater Video

    Science.gov (United States)

    Ballenger, Robert; Pratt, Renee

    2012-01-01

    This case consists of a business scenario of a small video rental store, Home Theater Video, which provides background information, a description of the functional business requirements, and sample data. The case provides sufficient information to design and develop a moderately complex database to assist Home Theater Video in solving their…

  3. Minimalist Theater and the Classroom: Some Experiments with Shakespeare and Beckett.

    Science.gov (United States)

    Homan, Sidney

    1990-01-01

    Argues in favor of using minimalist theater when teaching literature. Describes how minimalist theater was used to teach works by William Shakespeare and Samuel Beckett to undergraduate students. (PRA)

  4. A press for the theater

    Directory of Open Access Journals (Sweden)

    Luciana Penna França

    2017-12-01

    Full Text Available Understanding the history of the amateur theater at the end of the XIXth century and the beginning of the XXth is possible, largely, because of the newspapers dedicated to the “theatrical affairs”. Such publications are important for the quantity and the diversity, revealing not only the place occupied by the theater in the capital, but also for the recognition of the press as a means of disclosure of plays, public education and opinion, artist projection, etc, not to mention personal affairs and requests, and the exchange of favors among managers and journalists. Even more, the press production of the dramatic amateurs clubs demonstrate the understanding of its role in the dissemination of ways to act and think beyond the stage and in the everyday life.

  5. The First Afro-American Theater

    Science.gov (United States)

    Molette, Carlton W., II

    1970-01-01

    Article focuses on the pre-Civil War black theater, and sees narrative story telling, story telling in dialogue form, persuasive speeches, sermons, song, dance, and instrumental music as part of the black theatrical heritage. (KG)

  6. PUPPET THEATER REVIVAL IN KHABAROVSK AT THE TURN OF XX–XXI CENTURIES

    Directory of Open Access Journals (Sweden)

    Ms. Nalalia N. Ababkova

    2016-06-01

    Full Text Available Theatrical art had a significant influence on the formation of social and cultural space of the city at all times. Currently Khabarovsk is one of the theatrical art centres in the Russian Far East. In this regional center theaters of different genres and periods exist. To study the Khabarovsk puppet theater is relevant because of growing interest of viewers of different ages to its activity, as well as the increasing role of the theater in the cultural and social development of the Far Eastern region. The puppet theater was created and later revived in the period of social modernization of the 1920s and 1990s. The paper attempts to identify the causes of the popularization of puppet theaters in certain historical periods. The peculiarities of a puppet genre can be explained by the Russian Far East situation at that time that created the appearance of the city puppeteers in the theatrical space whose work accumulated all the best traditions of Russian and the world puppet genre. Archive documentation analysis allowed creating a holistic view of the puppet theater major directions in the period of radical transformation of the 1990s.

  7. THEATER IN THE AESTHETICS OF THE “YOUNG VIENNA” GROUP

    Directory of Open Access Journals (Sweden)

    Alla A. Strelnikova

    2017-06-01

    Full Text Available The article examines “theater” as a cultural and artistic universal that served as a means ofThe article examines “theater” as a cultural and artistic universal that served as a means of developing mindset and self-identity of the Austrian literary group “Young Vienna” at the thth turn of the 19 and 20 centuries. Theater as a metaphor of the human life becomes integral part of the poetics in the works of the group members. The essay examines ideas and fictional worlds of the writers belonging to the group against the context of their contemporary culture. It touches upon Russian perception of the aesthetics of Viennese theater (A. Block, A.J. Tairov and involves retrospective evidences and reflections of Austrian authors (Stefan thth weig, G. Broch on Vienna at the turn of the 19 and 20centuries. As soon as Habsburgs’ empire loses its political positions, the theatrical illusion becomes more and more important. Yet it is the “Young Vienna” that makes the idea of the theater all-pervading: this concept includes both the motif of hopeless masquerade (Schnitzler and the motif of liberation from the false play of masks (Hofmannsthal. According to the concept of the group’s mastermind H. Bahr, the theater played essential role in the spiritual and aesthetic integration of Austria. References to the mystery genre, the street theater, the puppet theater may be traced in the plays written by the members of the group. Austrian authors reconstructed folk plays that enabled the mactualize primordial theatrical forms and inspired them to subtly play with these forms. For the “Young Vienna” group, theater becomes a projection of doubts and misgivings of their time. In place of a jaded actor, there comes a person without a mask who appears at once unprotected and open to acquire his or her “true” face.

  8. The Evolution of the Motion Picture Theater Business in the 1980s.

    Science.gov (United States)

    Guback, Thomas

    1987-01-01

    Assesses the status of the movie theater business during the past seven years, which has seen major changes in production, distribution, types of theaters, seating capacity, and the general media landscape. (NKA)

  9. Assessing the Nontechnical Skills of Surgical Trainees: Views of the Theater Team.

    Science.gov (United States)

    Al-Jundi, Wissam; Wild, Jonathan; Ritchie, Judith; Daniels, Sarah; Robertson, Eleanor; Beard, Jonathan

    2016-01-01

    This study aims to explore the views of members of theater teams regarding the proposed introduction of a workplace-based assessment of nontechnical skills of surgeons (NOTSS) into the Intercollegiate Surgical Curriculum Programme in the United Kingdom. In addition, the previous training and familiarity of the members of the surgical theater team with the concept and assessment of NOTSS would be evaluated. A regional survey of members of theater teams (consultant surgeons, anesthetists, scrub nurses, and trainees) was performed at 1 teaching and 2 district general hospitals in South Yorkshire. There were 160 respondents corresponding to a response rate of 81%. The majority (77%) were not aware of the NOTSS assessment tool with only 9% of respondents reporting to have previously used the NOTSS tool and just 3% having received training in NOTSS assessment. Overall, 81% stated that assessing NOTSS was as important as assessing technical skills. Trainees attributed less importance to nontechnical skills than the other groups (p ≤ 0.016). Although opinion appears divided as to whether the presence of a consultant surgeon in theater could potentially make it difficult to assess a trainee's leadership skills and decision-making capabilities, overall 60% agree that the routine use of NOTSS assessment would enhance safety in the operating theater and 80% agree that the NOTSS tool should be introduced to assess the nontechnical skills of trainees in theater. However, a significantly lower proportion of trainees (45%) agreed on the latter compared with the other groups (p = 0.001). Our survey demonstrates acceptability among the theater team for the introduction of the NOTSS tool into the surgical curriculum. However, lack of familiarity highlights the importance of faculty training for assessors before such an introduction. Copyright © 2015 Association of Program Directors in Surgery. Published by Elsevier Inc. All rights reserved.

  10. A Randomized Controlled Trial of a Multi-Dose Bystander Intervention Program Using Peer Education Theater

    Science.gov (United States)

    McMahon, Sarah; Winter, Samantha C.; Palmer, Jane E.; Postmus, Judy L.; Peterson, N. Andrew; Zucker, Sharon; Koenick, RuthAnne

    2015-01-01

    This article reports findings from a longitudinal, experimental evaluation of a peer education theater program, Students Challenging Realities and Educating Against Myths (SCREAM) Theater. This study examines the impact of SCREAM Theater on a range of bystander-related outcomes (i.e. bystander intentions, bystander efficacy, perception of friend…

  11. Vocal Qualities in Music Theater Voice: Perceptions of Expert Pedagogues.

    Science.gov (United States)

    Bourne, Tracy; Kenny, Dianna

    2016-01-01

    To gather qualitative descriptions of music theater vocal qualities including belt, legit, and mix from expert pedagogues to better define this voice type. This is a prospective, semistructured interview. Twelve expert teachers from United States, United Kingdom, Asia, and Australia were interviewed by Skype and asked to identify characteristics of music theater vocal qualities including vocal production, physiology, esthetics, pitch range, and pedagogical techniques. Responses were compared with published studies on music theater voice. Belt and legit were generally described as distinct sounds with differing physiological and technical requirements. Teachers were concerned that belt should be taught "safely" to minimize vocal health risks. There was consensus between teachers and published research on the physiology of the glottis and vocal tract; however, teachers were not in agreement about breathing techniques. Neither were teachers in agreement about the meaning of "mix." Most participants described belt as heavily weighted, thick folds, thyroarytenoid-dominant, or chest register; however, there was no consensus on an appropriate term. Belt substyles were named and generally categorized by weightedness or tone color. Descriptions of male belt were less clear than for female belt. This survey provides an overview of expert pedagogical perspectives on the characteristics of belt, legit, and mix qualities in the music theater voice. Although teacher responses are generally in agreement with published research, there are still many controversial issues and gaps in knowledge and understanding of this vocal technique. Breathing techniques, vocal range, mix, male belt, and vocal registers require continuing investigation so that we can learn more about efficient and healthy vocal function in music theater singing. Copyright © 2016 The Voice Foundation. Published by Elsevier Inc. All rights reserved.

  12. Theater Education and Hirsch's Contextualism: How Do We Get There, and Do We Want to Go?

    Science.gov (United States)

    Gillespie, Patti P.

    1990-01-01

    Discusses theater education in the areas of curriculum, production, and criticism, as proposals in E. D. Hirsch's, "Cultural Literacy" might affect it. Explains context, cultural literacy, and contextual criticism in theater education. Traces interwoven history of education and theater. Explores how embracing Hirsch's proposal would…

  13. Jan Fabre: death and rebirth of the theater

    Directory of Open Access Journals (Sweden)

    Roberto Giambrone

    2012-11-01

    Full Text Available Jan Fabre is one of the most controversial European scene figures. His interests range from visual arts to theater and dance. His works, disturbing and provocative, are very contemporary in style and language, while referring to the tradition of Flemish painting. With his performances Fabre demolishes traditional theatre conventions. Theatrical device questioning leads him to disorganize dynamics of representation and to elaborate the concept of crisis until death and apocalypse boundaries. In representing death, Fabre revives theater, according to the principle of metamorphosis. His entire choreography can be defined by balance seeking between opposite poles, good and evil, stasis and movement, beauty and chaos, life and death.

  14. Making Invisible Intersectionality Visible through Theater of the Oppressed in Teacher Education

    Science.gov (United States)

    Powers, Beth; Duffy, Peter B.

    2016-01-01

    The arts generally and theater specifically offer effective strategies to help educators recognize and make visible the multiple student and teacher identities within classrooms. Without student and teacher agency in schools, there cannot be equitable and liberatory learning environments. Noted Brazilian theater artist and activist Augusto Boal's…

  15. Caribbean and Central American Women's Feminist Inquiry through Theater-Based Action Research

    Science.gov (United States)

    Sánchez Ares, Rocío

    2015-01-01

    Feminist action research interrogates gendered dynamics in the development of a collective consciousness. A group of immigrant Latina women (Latinas) from the Caribbean and Central America employed community-based theater as an instrument to mobilize diverse audiences against discriminatory practices and policies. Based on their theater work, I…

  16. Enabling In-Theater Processes for Indigenous, Recycled, and Reclaimed Material Manufacturing

    Science.gov (United States)

    2015-12-01

    plastic , chemicals, food, cloth , oil, grease, biological materials, animal and agricultural waste, and sludge. It is expected that one of these...ARL-TR-7560 ● DEC 2015 US Army Research Laboratory Enabling In-Theater Processes for Indigenous, Recycled , and Reclaimed Material...ARL-TR-7560 ● DEC 2015 US Army Research Laboratory Enabling In-Theater Processes for Indigenous, Recycled , and Reclaimed Material

  17. Machine en Theater. Ontwerpconcepten van winkelgebouwen

    NARCIS (Netherlands)

    Kooijman, D.C.

    1999-01-01

    Machine and Theater, Design Concepts for Shop Buildings is a richly illustrated study of the architectural and urban development of retail buildings, focusing on six essential shop types: the passage and the department store in particular in Germany and France in the nineteenth century; supermarkets

  18. Machine en theater : ontwerpconcepten van winkelgebouwen

    NARCIS (Netherlands)

    Kooyman, D.

    1999-01-01

    Machine and Theater. Design Concepts for Shop Buildings Most retail trade takes place in shops. For retailers a shop is the physical context for their commercial activities. Consumers spend a substantial amount of their time there, making essential purchases and also window shopping. Machine and

  19. The role and importance of UAV within the current theaters of operations

    Directory of Open Access Journals (Sweden)

    Niculae MARIN

    2010-06-01

    Full Text Available Current theaters of operations are not limited to battlefields, but they are much morediversified, including the fight against the international terrorism phenomenon, the social conflicts (ofreligious, political, economic and separatist nature within several countries, thus supplying somepolitical-military conflicts within different states and areas of the world. The armed interference mustbe done based on some highly accurate information that must be gathered without endangering thehuman lives. This is the role currently played by the unmanned air vehicles (UAVs; they can performseveral functions: surveillance, information gathering, data storage and their transmission to theground stations, including the function of interference, when needed. This paper presents, within theabove context, the status of the current theaters of operations and of the UAVs performing differentmissions within these theaters, together with their role and importance in warfare operations.

  20. Also, spielen wir Theater / Aarne Vinkel

    Index Scriptorium Estoniae

    Vinkel, Aarne, 1918-2006

    1998-01-01

    Rets. rmt.: Kitching, Laurence. Europe's itinerant players and the advent of German-language theatre in Reval, Estonia. Unpublished petitions of the Swedish era, 1630-1692, in the Reval City Archives. Frankfurt am Main : P. Lang, 1996 (German sudies in Canada; 7); Das deutschsprachige Theater im baltischen Raum, 1630-1918. Frankfurt am Main : P. Lang, 1997 (Thalia Germanica; 1)

  1. Science as Performance: Communicating and Educating through Theater, Music, and Dance

    Science.gov (United States)

    Schwartz, Brian B.

    2010-01-01

    Theater, music, dance, the literary and the visual arts can convey the joys and controversies of science. We describe a program at the Graduate Center entitled Science & the Arts which is designed to communicate to the public the excitement and wonder of science, technology, engineering and mathematics. Over the past few years there have been major successes in communicating science to the public through the arts. This is especially evident in theater, film and opera with such recent plays as Copenhagen, the Oscar winning film A Beautiful Mind and the opera Doctor Atomic at the Met. The performance series Science & the Arts has been developed and tested at the Graduate Center of the City University of New York (CUNY) in mid-Manhattan for more than nine years, see http://web.gc.cuny.edu/sciart/ . We have established working relationships with actors, playwrights, dancers, choreographers, musicians, composers, artists and scientists who work at the intersection of science and the arts. In this presentation we will illustrate many of our collaborations in theater, dance, music and art. Faculty members, professionals and students from the university, other educational institutions, museums, theaters and government laboratories as well as the public with an interest science and arts programs should find this presentation of particular interest. Supported in part by the National Science Foundation, NSF PHY-0431660.

  2. Usefulness of Image Theater Workshops for Exploring Dilemmas in Diabetes Self-Management Among Adolescents.

    Science.gov (United States)

    Kupper, Frank; Peters, Louk W H; Stuijfzand, Sarah M; den Besten, Heleen A A; van Kesteren, Nicole M C

    2018-01-01

    Diabetes treatment involves a demanding self-management regime that is particularly challenging to adolescents. There is a need for qualitative research into the specific contexts in which adolescents attempt to balance self-management demands with the needs and desires of adolescent life. This study investigates the usefulness of image theater, a participatory form of theater using the body as an expressive tool, to articulate these dilemmas in daily life contexts. We performed a qualitative analysis of two image theater workshops with 12- to 18-year-old adolescents living with diabetes. Our results show three areas of application: (a) unraveling the contextual complexity of lived experience, (b) the articulation of implicit understandings and underlying motives, and (c) the playful exploration of new behavior. We conclude that image theater is a promising method, especially with respect to the opportunities of a more contextual and action-oriented understanding of the trade-offs made in self-management provide for diabetes education and counseling.

  3. Why Teach Theater in the High School?

    Science.gov (United States)

    Grover, Charles A.

    1994-01-01

    Theater participation aids students in several areas, including self-expression, self-development, self-understanding, self-esteem, self-discipline, analytical skills, empathy, human understanding, and competition. Balance between academics and the arts is essential if students are to be prepared to live well-rounded, meaningful lives in the…

  4. Judge upholds closing of theater that was site of high-risk sex.

    Science.gov (United States)

    1995-05-05

    New York City's decision to close a gay movie theater where inspectors found male patrons engaging in unsafe sexual activity with other men was upheld by Justice Marilyn G. Diamond of the Supreme Court in Manhattan. She rejected the theater owner's argument that the city's March 31, 1995 closure of the New David Cinema on West 54th Street violated the Constitution's guarantee of freedom of speech. The city based its action on a provision in the state health code which prohibits oral, anal or vaginal sex in commercial establishments. Despite several warnings from the city, the movie house did not follow the demands that it move forcefully to prevent high-risk sexual activity among patrons. The New David was one of two theaters and one sex club shut down by the Health Department in recent weeks, but the only one still closed at press time. Some gay activists contend the action was unjustified, since most of the sex that occurs in those establishments in consensual and involves solo or mutual masturbation. Others point out that a good deal of unsafe sex does occur. Because men often have several sexual liaisons during a single night at a theater or club, the risk of HIV transmission is magnified many-fold.

  5. Workplace rights: a popular theater performance.

    Science.gov (United States)

    Becker, Meryl; Rabin, Richard

    2014-01-01

    Theater acting can help build the social skills needed for effective communication at work and in the wider community. The following short play is about workers fighting for their rights at a textile factory in the early 20th century. It was written by an adult education teacher, performed by her students and attended by the school's students and teachers.

  6. Use of interactive theater and role play to develop medical students' skills in breaking bad news.

    Science.gov (United States)

    Skye, Eric P; Wagenschutz, Heather; Steiger, Jeffrey A; Kumagai, Arno K

    2014-12-01

    Creative arts have been increasingly implemented in medical education. This study investigated the use of interactive theater and role play with professional actors in teaching breaking bad news to medical students. The objectives were to explore the contexts, approaches, experiences, and reactions in giving and receiving bad news. Second-year medical students participated in a required educational session that utilized interactive theater which helps students learn about the issues of breaking bad news to a patient with cancer. Following the interactive theater piece, professional actors provided students role play experiences in small groups with breaking bad news. Anonymous evaluation surveys were given out to all second-year medical students at the conclusion of the breaking bad news session. Surveys contained quantitative and qualitative responses. Three years of evaluations were analyzed. A total of 451 (88 %) students completed the evaluations. Comments were thematically analyzed. Ninety-four percent agreed that the theater piece prompted reflection on patient-provider communications, and 89 % agreed that it stimulated discussion on complex issues with breaking bad news. The two most common themes in student comments concerned the importance of realism in the theater piece, and the value of experiencing multiple perspectives. Use of professional actors during the role play exercises enhances the realism and pushed the students out of their own "comfort zones" in ways that may more closely approximate real life clinical situations. Interactive theater can be a potentially powerful tool to teach breaking bad news during medical school.

  7. Air quality monitoring of the post-operative recovery room and locations surrounding operating theaters in a medical center in Taiwan.

    Directory of Open Access Journals (Sweden)

    Chin-Sheng Tang

    Full Text Available To prevent surgical site infection (SSI, the airborne microbial concentration in operating theaters must be reduced. The air quality in operating theaters and nearby areas is also important to healthcare workers. Therefore, this study assessed air quality in the post-operative recovery room, locations surrounding the operating theater area, and operating theaters in a medical center. Temperature, relative humidity (RH, and carbon dioxide (CO2, suspended particulate matter (PM, and bacterial concentrations were monitored weekly over one year. Measurement results reveal clear differences in air quality in different operating theater areas. The post-operative recovery room had significantly higher CO2 and bacterial concentrations than other locations. Bacillus spp., Micrococcus spp., and Staphylococcus spp. bacteria often existed in the operating theater area. Furthermore, Acinetobacter spp. was the main pathogen in the post-operative recovery room (18% and traumatic surgery room (8%. The mixed effect models reveal a strong correlation between number of people in a space and high CO2 concentration after adjusting for sampling locations. In conclusion, air quality in the post-operative recovery room and operating theaters warrants attention, and merits long-term surveillance to protect both surgical patients and healthcare workers.

  8. Air quality monitoring of the post-operative recovery room and locations surrounding operating theaters in a medical center in Taiwan.

    Science.gov (United States)

    Tang, Chin-Sheng; Wan, Gwo-Hwa

    2013-01-01

    To prevent surgical site infection (SSI), the airborne microbial concentration in operating theaters must be reduced. The air quality in operating theaters and nearby areas is also important to healthcare workers. Therefore, this study assessed air quality in the post-operative recovery room, locations surrounding the operating theater area, and operating theaters in a medical center. Temperature, relative humidity (RH), and carbon dioxide (CO2), suspended particulate matter (PM), and bacterial concentrations were monitored weekly over one year. Measurement results reveal clear differences in air quality in different operating theater areas. The post-operative recovery room had significantly higher CO2 and bacterial concentrations than other locations. Bacillus spp., Micrococcus spp., and Staphylococcus spp. bacteria often existed in the operating theater area. Furthermore, Acinetobacter spp. was the main pathogen in the post-operative recovery room (18%) and traumatic surgery room (8%). The mixed effect models reveal a strong correlation between number of people in a space and high CO2 concentration after adjusting for sampling locations. In conclusion, air quality in the post-operative recovery room and operating theaters warrants attention, and merits long-term surveillance to protect both surgical patients and healthcare workers.

  9. On the first play Ukrainian professional theater in Kiev

    Directory of Open Access Journals (Sweden)

    A. S. Yukhimets

    2016-05-01

    Full Text Available The analysis of archival sources, published memories of the corypheus (the leading actors of the Ukrainian theatre Marko Kropivnitskiy, Larisa Staryts’ka-Chernyakhivs’ka, Sofia Tobilevych, materials of the periodical press (the newspapers «Trud», «Zarya», «Kievlianin» allowed to examine the question of the first performance by the Ukrainian Professional Drama Theatre the play «Nazar Stodolya» by Taras Shevchenko in Kyiv in January 1882. The question of what preceded and caused the holding of the first performance in the Ukrainian language by the Ukrainian Professional Drama Theatre in January 1882 in Kyiv was investigated. The importance of this event for the Ukrainian society and the development of the Ukrainian Professional Drama Theatre as a whole was revealed. It is noted that in her memories L.M. Staryts’ka-Cherniakhivs’ka emphasized the value of the performance of Ukrainian Professional Drama Theater in Kyiv for the Ukrainian community. She wrote that the spectators filled the lobby and corridors, faces of all present viewers were burning from ardor and enthusiasm, their eyes were shining, there was a lively noise, the native Ukrainian language rang everywhere in the theater.  She noted that the spectators were dressed in Ukrainian national clothes, there were visible bright suits of Ukrainian women in the theater lodges, many children and parents were dressed in Ukrainian costumes in the theater lodges, there could be heard everywhere the native Ukrainian language in the theater. There was the abundance of the heart everywhere. It is found that the partial lifting of restrictions on the Ukrainian staging plays in 1881, made possible for Kyiviets to see the first performance of the Ukrainian Professional Drama Theatre in the Ukrainian language in 1882. It is found that the very first performance of the play «Nazar Stodolya» by the Ukrainian professional actors’ troupe consolidated the Ukrainian speaking Kyiviets and

  10. A Research-Based Community Theater Performance to Promote Ageing: Is It More than Just a Show?

    Science.gov (United States)

    Feldman, Susan; Radermacher, Harriet; Lorains, Felicity; Haines, Terence

    2011-01-01

    Research-based community theater can address important life issues in a safe and entertaining environment. This study investigated using a theater performance about widowhood as a medium for facilitating older people's engagement with key life events and countering negative stereotypes. Quantitative questions incorporating semistructured…

  11. Machine en theater : ontwerpconcepten van winkelgebouwen

    OpenAIRE

    Kooyman, D.

    1999-01-01

    Machine and Theater. Design Concepts for Shop Buildings Most retail trade takes place in shops. For retailers a shop is the physical context for their commercial activities. Consumers spend a substantial amount of their time there, making essential purchases and also window shopping. Machine and theatre, design concepts for shop buildings investigates the function and the significance of shop space. The arcade, the department store, the supermarket, the shopping centre, the big-box retail par...

  12. Performing Stories. Erzählen in Theater und Performance von Nina Tecklenburg

    Directory of Open Access Journals (Sweden)

    Denise Sumi

    2014-09-01

    Full Text Available Nina Tecklenburg forscht als Teil des Kollektivs She She Pop nicht nur im Berliner HAU sondern auch zu narrativen Aufführungspraktiken um die Jahrtausendwende. Unter dem Begriff "Theater der Narration" vereint die Autorin in ihrem ersten Buch Performing Stories. Erzählen in Theater und Performance eine Reihe von Theateraufführungen und Performances, die sich von der schriftsprachlichen Literatur, der Epik und Dramatik befreien und anstelle dieser klassischen Dispositive des Narrativen das (Geschichten-Erzählen als kulturelle und performative Praxis vorführen.

  13. A User's Guide to the Federal Theater Project.

    Science.gov (United States)

    Sheridan, Frank; Leslie, Linda

    1997-01-01

    Presents a lesson plan constructed around materials found in the User's Guide to the Federal Project. The Federal Theater Project produced radical and populist plays during the Great Depression before being de-funded by a conservative Congress. The lessons include activities and discussion built around the original plays. (MJP)

  14. Medical Readers' Theater: Relevance to Geriatrics Medical Education

    Science.gov (United States)

    Shapiro, Johanna; Cho, Beverly

    2011-01-01

    Medical Readers' Theater (MRT) is an innovative and simple way of helping medical students to reflect on difficult-to-discuss topics in geriatrics medical education, such as aging stereotypes, disability and loss of independence, sexuality, assisted living, relationships with adult children, and end-of-life issues. The authors describe a required…

  15. Soviet Theater Nuclear Forces’ Issues.

    Science.gov (United States)

    1979-12-01

    survivability) of those staffs. 18 Receit Soviet accounts of the "revolution in military affairs" stress the growing operational role of the General Staff...e.g., 29 economic) means and (ii) the West is preparing to take military advantage of its growing relative strength. The other factor is China. It seems...simple model of Soviet theater nuclear doctrine, might as well go hunting unicorns . He will not find it because, in any meaningful sense, it does not

  16. Machine en Theater. Ontwerpconcepten van winkelgebouwen

    OpenAIRE

    Kooijman, D.C.

    1999-01-01

    Machine and Theater, Design Concepts for Shop Buildings is a richly illustrated study of the architectural and urban development of retail buildings, focusing on six essential shop types: the passage and the department store in particular in Germany and France in the nineteenth century; supermarkets and malls and their relation to the suburbanisation and the emerging car use; and the peripheral retail park and location-free virtual store as the most recent developments. On the basis of a larg...

  17. German Literature and Culture under "Revue": Learner Autonomy and Creativity through the Theme-Based Theater Practicum

    Science.gov (United States)

    Koerner, Morgan

    2012-01-01

    This article proposes a theatrically oriented, thematically structured course model for the upper level undergraduate German curriculum. The traditional focus on staging a single play in the German foreign language theater practicum neglects theater's potential to explore other literary genres and cultural texts and runs the danger of…

  18. Vocal tract shapes in different singing functions used in musical theater singing-a pilot study.

    Science.gov (United States)

    Echternach, Matthias; Popeil, Lisa; Traser, Louisa; Wienhausen, Sascha; Richter, Bernhard

    2014-09-01

    Singing styles in Musical Theater singing might differ in many ways from Western Classical singing. However, vocal tract adjustments are not understood in detail. Vocal tract shapes of a single professional Music Theater female subject were analyzed concerning different aspects of singing styles using dynamic real-time magnetic resonance imaging technology with a frame rate of 8 fps. The different tasks include register differences, belting, and vibrato strategies. Articulatory differences were found between head register, modal register, and belting. Also, some vibrato strategies ("jazzy" vibrato) do involve vocal tract adjustments, whereas others (classical vibrato) do not. Vocal tract shaping might contribute to the establishment of different singing functions in Musical Theater singing. Copyright © 2014 The Voice Foundation. Published by Elsevier Inc. All rights reserved.

  19. Street Theater and Subject Formation in Wartime China: Toward a New Form of Public Art

    Directory of Open Access Journals (Sweden)

    Xiaobing Tang

    2016-03-01

    Full Text Available Based on archival research, this article presents a succinct history of the street theater movement in China through the 1930s. It examines how complex discourses and competing visions, as well as historical events and practices—in particular the War of Resistance against Japan—both shaped and propelled the movement. The author focuses on theoretical and practical issues that promoters and practitioners of street theater dealt with and reflected on in three succeeding stages. Observing that the street theater movement hastened the formation of a modern national imagination, the author argues that the movement presented a paradigmatic development as it foregrounded the imperative to engage rural China as well as the need for participants to acquire new subject positions.

  20. Architectural acoustics and the heritage of theater architecture in Andalusia (Acustica arquitectonica y patrimonio teatral en Andalucia)

    Science.gov (United States)

    Leon, Angel Luis

    2003-11-01

    This thesis reports on the study of the acoustic properties of 18 theaters belonging to the Andalusian historical and architectural heritage. These theaters have undergone recent renovations to modernize and equip them appropriately. Coincident with this work, evaluations and qualification assessments with regard to their acoustic properties have been carried out for the individual theaters and for the group as a whole. Data measurements for this purpose consisted of acoustic measurements in situ, both before the renovation and after the renovation. These results have been compared with computer simulations of sound fields. Variables and parameters considered include the following: reverberation time, rapid speech transition index, back-ground noise, definition, clarity, strength, lateral efficiency, interaural cross-correlation coefficient, volume/seat ratio, volume/audience-area ratio. Based on the measurements and analysis, general conclusions are given in regard to the acoustic performance of theaters whose typology and size are comparable to those that were used in this study (between 800 and 8000 cubic meters). It is noted that these properties are comparable to those of the majority of European theaters. The results and conclusions are presented so that they should be of interest to architectural acoustics practitioners and to architects who are involved in the planning of renovation projects for theaters Thesis advisors: Juan J. Sendra and Jaime Navarro Copies of this thesis written in Spanish may be obtained by contacting the author, Angel L. Leon, E.T.S. de Arquitectura de Sevilla, Dpto. de Construcciones Arquitectonicas I, Av. Reina Mercedes, 2, 41012 Sevilla, Spain. E-mail address: leonr@us.es

  1. Theater gateway closure: a strategic level barricade

    Science.gov (United States)

    logistical planners at the strategic level can anticipate or mitigate the effects of a theater gateway closure on military operations. Through two...that at the strategic level the effects are based on the economic and diplomatic elements of the national power, affecting proportionally sustainment...Finally, logistical planners at the strategic level need to have a vast and ample knowledge and understanding of the operational environment to

  2. Nursing and Theater: Teaching Ethics Through the Arts.

    Science.gov (United States)

    Coleman, Jennifer J; Dick, Tracey K

    2016-01-01

    Prelicensure nursing education needs to prepare students for their future roles as professional nurses with ethical and moral decision-making skills. This article describes the use of theater as one approach to teaching nursing ethics at the prelicensure level. Students perform as actors, directors, and discussion leaders in a series of simulated ethical scenarios designed to encourage individual accountability and responsibility for action.

  3. Effective and efficient learning in the operating theater with intraoperative video-enhanced surgical procedure training

    OpenAIRE

    van Det, M.J.; Meijerink, W.J.; Hoff, C.; Middel, B.; Pierie, J.P.

    2013-01-01

    INtraoperative Video Enhanced Surgical procedure Training (INVEST) is a new training method designed to improve the transition from basic skills training in a skills lab to procedural training in the operating theater. Traditionally, the master-apprentice model (MAM) is used for procedural training in the operating theater, but this model lacks uniformity and efficiency at the beginning of the learning curve. This study was designed to investigate the effectiveness and efficiency of INVEST co...

  4. Contractors In The Theater: Implications For Joint Operational Planning And Execution

    National Research Council Canada - National Science Library

    Binder, Jeanne

    2003-01-01

    The use of contractors in the theater of operations is nothing new. However downsizing efforts and outsourcing as well as the increasing complexity of military equipment has increased military reliance on contractors...

  5. Communication and Social Exchange Processes in Community Theater Groups

    Science.gov (United States)

    Kramer, Michael W.

    2005-01-01

    This study explores the communication experiences of two volunteer groups involved in the production of community theater musicals. Based on social exchange theory, it examined what group members perceived to be the positive benefits (primarily meeting people and having an opportunity to perform) and the negative costs (primarily disorganization,…

  6. Stages of Drama: Classical to Contemporary Theater. Third Edition.

    Science.gov (United States)

    Klaus, Carl H.; And Others

    Organized along broadly historical lines, this comprehensive collection of outstanding plays includes 41 works from the classical Greek period to the contemporary. As an introduction to the theater, the collection is unmatched for its theatrical variety and cultural diversity. It provides: (1) a general introduction on reading and witnessing a…

  7. Segmenting the Performing Arts Markets: The Case of Czech National Theater Attenders’ Motivations

    Directory of Open Access Journals (Sweden)

    Chytková Zuzana

    2012-09-01

    Full Text Available Strategic marketing instruments such as segmentation and targeting can benefit performing arts institutions and render their offer more competitive. To segment classical performing arts audiences, however, the traditionally used variable is social class. In this paper, it is argued that such often suggested traditional segmentation criteria can prove to be context-insensitive and as such cannot be applied invariably across different settings. Based on an analysis of Czech National Theater audiences and its motivations, we propose the sought benefit of the theater visit as an alternative segmentation basis that may prove to be more context-sensitive.

  8. Reproduction, Contestation, and Political Theater: Reflections on Three Productions.

    Science.gov (United States)

    Shirley, Dennis

    1986-01-01

    Considers the potential of political theater to raise questions of social justice in a provocative manner for students. Describes three productions at a Swiss boarding school, in which the author served as director: a feminist "Taming of the Shrew," a student-written satirical cabaret, and Brecht's "The Good Person of Sezuan."…

  9. Theater Program Development in Colleges and Universities

    Directory of Open Access Journals (Sweden)

    Gilberto Martinez, Ed.D.

    2013-06-01

    Full Text Available This study sought to find answers to how best colleges and universities can adapt the teaching of theatre in its curriculum. It was then necessary to track the different ways drama has evolved throughout time and how its adoption in formal education has affected its students, both present and past. To this end the researcher examined theater from its earliest inception to its adoption by schools of higher education, more specifically, public colleges and universities.

  10. When Theater Comes to Engineering Design: Oh How Creative They Can Be.

    Science.gov (United States)

    Pfeiffer, Ferris M; Bauer, Rachel E; Borgelt, Steve; Burgoyne, Suzanne; Grant, Sheila; Hunt, Heather K; Pardoe, Jennie J; Schmidt, David C

    2017-07-01

    The creative process is fun, complex, and sometimes frustrating, but it is critical to the future of our nation and progress in science, technology, engineering, mathematics (STEM), as well as other fields. Thus, we set out to see if implementing methods of active learning typical to the theater department could impact the creativity of senior capstone design students in the bioengineering (BE) department. Senior bioengineering capstone design students were allowed to self-select into groups. Prior to the beginning of coursework, all students completed a validated survey measuring engineering design self-efficacy. The control and experimental groups both received standard instruction, but in addition the experimental group received 1 h per week of creativity training developed by a theater professor. Following the semester, the students again completed the self-efficacy survey. The surveys were examined to identify differences in the initial and final self-efficacy in the experimental and control groups over the course of the semester. An analysis of variance was used to compare the experimental and control groups with p engineering design following the semester of creativity instruction. The results of this pilot study indicate that there is a significant potential to improve engineering students' creative self-efficacy through the implementation of a "curriculum of creativity" which is developed using theater methods.

  11. What is global theater? or, What does new media studies have to do with performance studies?

    Directory of Open Access Journals (Sweden)

    Abigail De Kosnik

    2015-03-01

    Full Text Available This piece summarizes some key historical points of connection between new media studies and performance studies, beginning with Marshall McLuhan's concept of telecommunications networks as constitutive of a global theater. In combination with Kurt Lancaster's and Francesca Coppa's theories of fan works as performances, the global theater model can yield new insights into the nature and purpose of Internet fan fiction and fan fiction archives.

  12. Lingon sa Iskolarsyip sa Dulaan (1948-2007 Looking Back on Theater Scholarship (1948-2007

    Directory of Open Access Journals (Sweden)

    Apolonio B. Chua

    2012-12-01

    Full Text Available From 1948 to 2007, the academic community produced about a hundred titles of theses and dissertations on drama and theater, or made use of data from drama and theater for larger spheres of studies. The current article looked into identifying trends and points of emphasis, as the researches and studies progressed through roughly half a century of research production in the academic setting. Inductive in approach and tentative and exploratory in its analysis, the study identified four trends and points of emphasis in research production. In the fifties and sixties, the emphasis was more on studying the play text or drama; studies veered towards a literary reading and orientation. Eventually, this trend gave way to studying the larger phenomenon of mounting, and the mise en scéne and the spectator became additional units of concern for research. Studies began to have sections on props, costumes, and staging techniques. In the eighties, a larger concern for looking at theater as social production followed. Participant observation, field work and ethnography gave equal emphasis on the social context of theater. Marxism and other perspectives from the social sciences framed theater studies then; correlations between theater and society became useful. Towards the last decade of the century, theater studies aimed at a more conceptual approach, emphasizing core concepts like panata and other related or equivalent terms, elevating and defining the study of theater as a study of culture itself. Gamit ang mahigit sa sandaang tesis at disertasyon hinggil sa dula at dulaan o sinasangkot ang mga ito na lumabas sa akademya mula 1948 hanggang 2007, kapwa sa Unibersidad ng Pilipinas at sa iba pa, nilayon ng “Lingon sa Iskolarsyip sa Dulaan (1948-2007” na pulsuhan ang pangkalahatang daloy, tutok, tunguhin o kalakaran sa pagdadala ng mga pag-aaral. Panimula at exploratory sa inductive nitong lapat, nakatukoy ang pag-aaral ng apat na sapit o tutok sa daloy ng

  13. Establishment and evaluation of a theater influenza monitoring platform.

    Science.gov (United States)

    Wang, Jian; Yang, Hui-Suo; Deng, Bing; Shi, Meng-Jing; Li, Xiang-Da; Nian, Qing-Gong; Song, Wen-Jing; Bing, Feng; Li, Qing-Feng

    2017-11-20

    Influenza is an acute respiratory infectious disease with a high incidence rate in the Chinese army, which directly disturbs military training and affects soldiers' health. Influenza surveillance systems are widely used around the world and play an important role in influenza epidemic prevention and control. As a theater centers for disease prevention and control, we established an influenza monitoring platform (IMP) in 2014 to strengthen the monitoring of influenza-like illness and influenza virus infection. In this study, we introduced the constitution, influenza virus detection, and quality control for an IMP. The monitoring effect was also evaluated by comparing the monitoring data with data from national influenza surveillance systems. The experiences and problems associated with the platform also were summarized. A theater IMP was established based on 3 levels of medical units, including monitoring sites, testing laboratories and a checking laboratory. A series of measures were taken to guarantee the quality of monitoring, such as technical training, a unified process, sufficient supervision and timely communication. The platform has run smoothly for 3 monitoring years to date. In the 2014-2015 and 2016-2017 monitoring years, sample amount coincided with that obtained from the National Influenza Surveillance program. In the 2015-2016 monitoring year, due to the strict prevention and control measures, an influenza epidemic peak was avoided in monitoring units, and the monitoring data did not coincide with that of the National Influenza Surveillance program. Several problems, including insufficient attention, unreasonable administrative intervention or subordination relationships, and the necessity of detection in monitoring sites were still observed. A theater IMP was established rationally and played a deserved role in the prevention and control of influenza. However, several problems remain to be solved.

  14. U.S. Theater Nuclear Policy

    International Nuclear Information System (INIS)

    Thompson, J.A.

    1994-01-01

    In the brief period between May 1978 and December 12, 1979, U.S. policy, and the policy of the NATO Alliance, toward theater nuclear forces (TNF) changed dramatically. The consequences of this change now dominate the political agenda in East-West (and West-West) relations. The ultimate outcome of the now renamed intermediate-range nuclear force (INF) debate will have far-reaching consequences for the future of the Atlantic Alliance. How did this issue emerge? Why did the US change its policy? How did it work with its Alliance to change NATO policy? These questions, among others, are now figuring in the debate. The answers to these questions are discussed in detail

  15. YouDash3D: exploring stereoscopic 3D gaming for 3D movie theaters

    Science.gov (United States)

    Schild, Jonas; Seele, Sven; Masuch, Maic

    2012-03-01

    Along with the success of the digitally revived stereoscopic cinema, events beyond 3D movies become attractive for movie theater operators, i.e. interactive 3D games. In this paper, we present a case that explores possible challenges and solutions for interactive 3D games to be played by a movie theater audience. We analyze the setting and showcase current issues related to lighting and interaction. Our second focus is to provide gameplay mechanics that make special use of stereoscopy, especially depth-based game design. Based on these results, we present YouDash3D, a game prototype that explores public stereoscopic gameplay in a reduced kiosk setup. It features live 3D HD video stream of a professional stereo camera rig rendered in a real-time game scene. We use the effect to place the stereoscopic effigies of players into the digital game. The game showcases how stereoscopic vision can provide for a novel depth-based game mechanic. Projected trigger zones and distributed clusters of the audience video allow for easy adaptation to larger audiences and 3D movie theater gaming.

  16. Theater, Live Music, and Dance: Conversations about Young Audiences

    Science.gov (United States)

    Friedman, Susan

    2010-01-01

    What types of theater performances are appropriate for preschoolers? What might toddlers get out of a visit from a cellist who plays a song and demonstrates the different sounds she can make with her instrument? Would inviting a local jazz dance group to perform be beneficial for your early first-graders? The author spoke with a musician, the…

  17. Staging the Saints: Mormonism and American Musical Theater

    OpenAIRE

    Johnson, Jacob Vaughn

    2017-01-01

    American musical theater is often dismissed as frivolous or kitschy entertainment. But what if musicals actually mattered a great deal? What if perhaps the most innocuous musical genre in America actually defines the practices of Mormonism—America’s fastest-growing religion? I address these questions in this dissertation by applying methodologies from Musicology, Voice Studies, Performance Studies, and American Studies to the unexpected yet dynamic relationship between Mormonism and American ...

  18. Teaching Resistance to Narrative: Brecht's Theater Praxis as a Response to Florian Henckel Von Donnersmarck's "Das Leben der Anderen"

    Science.gov (United States)

    Koerner, Morgan

    2016-01-01

    This article explores the potential of Brecht's theater praxis for teaching millennial students to question dramatic narratives and rethink their own spectatorial positions, especially in regards to mainstream cinema that emphasizes character identification and plot. The article reflects on a five-day teaching unit on Brecht's theater in a senior…

  19. The faces of power in the theater of Cervantes

    Directory of Open Access Journals (Sweden)

    Ignacio Arellano

    2017-11-01

    Full Text Available This article examines various aspects of power and authority in the theater of Cervantes, where the topic is manifested in a number of categories concerning the dramatic genre: power of love and the pulchritude, power of interest and money, political power or power of God… are some of the aspects that are found in the dramatic works of Cervantes.

  20. Theater Blood Application Was Not Effectively Developed and Implemented

    Science.gov (United States)

    2015-07-17

    blood product by unit; and • monitor non- Food and Drug Administration Blood Product Testing. The CONOPS document also identified over 400 specific...time of a transfusion. However, this requirement was not identified in the CONOPS document. Further, PEO DHCS officials provided a traceability ...the CONOPS document, requirements management database, and the traceability matrix increased the risk that the Theater Blood Application

  1. How to optimize joint theater ballistic missile defense

    OpenAIRE

    Diehl, Douglas D.

    2004-01-01

    Approved for public release, distribution is unlimited Many potential adversaries seek, or already have theater ballistic missiles capable of threatening targets of interest to the United States. The U.S. Missile Defense Agency and armed forces are developing and fielding missile interceptors carried by many different platforms, including ships, aircraft, and ground units. Given some exigent threat, the U.S. must decide where to position defensive platforms and how they should engage poten...

  2. A review of three educational projects using interactive theater to improve physician-patient communication when treating patients with irritable bowel syndrome

    Directory of Open Access Journals (Sweden)

    Ben Saypol

    2015-05-01

    Full Text Available Background: Quality communication skills and increased multicultural sensitivity are universal goals, yet teaching them have remained a challenge for educators. Objective: To document the process and participant responses to Interactive Theater when used as a method to teach physician-patient communication and cross-cultural competency. Design, setting, and participants: Three projects are reported. They were collaborations between Theater Delta, the UNC Center for Functional GI and Motility Disorders, the Rome Foundation, the World Gastroenterology Organization, and the American Gastroenterological Association. Outcome measures: 8 forced choice and 6 open ended were collected from each participant using a post-performance evaluation form. Results: Responses to the 8 indicators relating to a positive experience participating in the Interactive Theater. The vast majority either agreed or strongly agreed with the statements on the evaluation form. Written comments explained why. Conclusions: Data indicates that Interactive Theater stimulates constructive dialogue, analysis, solutions, and intended behavior change with regard to communication skills and adapting to patients from multicultural backgrounds. Interactive Theater directly focuses on communication itself (active listening, empathy, recognizing cultural differences, etc. and shows promise as an effective way to improve awareness and skills around these issues.

  3. Performance analysis of air conditioning system and airflow simulation in an operating theater

    Science.gov (United States)

    Alhamid, Muhammad Idrus; Budihardjo, Rahmat

    2018-02-01

    The importance of maintaining performance of a hospital operating theater is to establish an adequate circulation of clean air within the room. The parameter of air distribution in a space should be based on Air Changes per Hour (ACH) to maintain a positive room pressure. The dispersion of airborne particles in the operating theater was governed by regulating the air distribution so that the operating theater meets clean room standards ie ISO 14664 and ASHRAE 170. Here, we introduced several input parameters in a simulation environment to observe the pressure distribution in the room. Input parameters were air temperature, air velocity and volumetric flow rate entering and leaving room for existing and designed condition. In the existing operating theatre, several observations were found. It was found that the outlet air velocity at the HEPA filter above the operating table was too high thus causing a turbulent airflow pattern. Moreover, the setting temperature at 19°C was found to be too low. The supply of air into the room was observed at lower than 20 ACH which is under the standard requirement. Our simulation using FloVent 8.2™ program showed that not only airflow turbulence could be reduced but also the amount of particle contamination could also be minimized.

  4. Missiles for Asia The Need for Operational Analysis of U.S. Theater Ballistic Missiles in the Pacific

    Science.gov (United States)

    2016-01-01

    durability of the Intermediate-Range Nuclear Forces Treaty is in doubt. • China’s rapid military modernization could threaten U.S. forces. • Theater...conventional land-based theater ballistic missiles (TBMs) could add to the U.S. portfolio of strike capabilities. In particular, the U.S. Army should ana- lyze...the potential military value of TBMs in the Pacific and whether they might plausibly help the U.S. offset China’s military modernization . TBMs could

  5. Intra-Theater Air Mobility and Theater Distribution for the Joint Force Commander: Is the United States Central Command Model the Best (Revised)

    Science.gov (United States)

    2011-06-01

    produced a new C2 and information architecture called Theater Battle Management Core System ( TBMCS ).43 This system was developed by Air Force Material...able to work through challenges that could potentially be encountered by CENTCOM when TBMCS became operational.45 In April 2001, CENTCOM CAOC...In 2007, the Global Cyber Integration Center at Langley Air Force Base, Virginia initiated the release of Service Pack 7 to TBMCS . This was “a

  6. Evolution of Soviet Theater Nuclear Forces

    International Nuclear Information System (INIS)

    Atkeson, E.B.

    1994-01-01

    Soviet theater nuclear forces were a major pillar of Soviet superpower strength, rising sharply under Krushchev in the latter 1950s to their zenith under Brezhnev twenty years later. Most recently they have begun their decline under Gorbachev, and while not yet facing extinction, may be headed for a much reduced role under the new thinking in the USSR. This paper deals with the Soviet TNF in six periods of their life: The Post-war Stalin Period (1945-1953), the Post-Stalin Period (1953-1955), The Transition Period (1955-1959), The Period of Nuclear Revolution (1960-1964), The Period of Modern TNF Planning (1965-1980), and The Period of Non-nuclear Planning (1980-1987)

  7. 3D-image theater system using TLP770J LCD data projector; Ekisho data projector wo mochiita rittai eizo theater system

    Energy Technology Data Exchange (ETDEWEB)

    Kawasato, H. [Toshiba Corp., Tokyo (Japan)

    2000-02-01

    In today's multimedia era, visual systems are widely used not only for two-dimensional images but also for the depiction of virtual reality and for simulated three-dimensional images. At the same time, the projection technology used in large-screen projectors is shifting from the cathode ray tube (CRT) to the liquid crystal display (LCD). Toshiba has developed a simplified 3D-image theater system using the TLP770J LCD data projector, which offers easy maintenance and lower costs. (author)

  8. A Prospective Observation Study of Medical Toxicology Consultation in a U.S. Combat Theater.

    Science.gov (United States)

    Maddry, Joseph K; Ng, Patrick C; Sessions, Daniel; Bebarta, Vikhyat S

    2016-11-01

    Since 2001, U.S. military personnel and active duty, uniformed physicians providing medical support have been deployed to Afghanistan. Medical toxicologists are among the physicians deployed. There is a paucity of information present in the literature that has documented cases treated by toxicologists in theater. This prospective observational study describes 15 male patients treated in theater by a military medical toxicologist. We performed a prospective observational study in which a medical toxicologist consulted and reported on deployed toxicology cases occurring during a 5-month deployment to Bagram, Afghanistan. Fifteen toxicology cases were collected during the 5-month period. The patients included three Afghan civilians, three U.S. civilians, and nine U.S. military personnel. Eight cases were attempts at recreational euphoria, two were self-harm attempts, two were from performance-enhancing supplements, two were accidental occupational exposures and one was alcohol withdrawal. Methanol was the most common exposure followed by dextromethorphan, supplements, opiates, and chlorine gas. In our study, we found that toxic alcohols and nonprescription medications were the most common exposures. In addition, this is the first study to describe bedside toxicology consults for U.S. combat forces in theater and the use of an observation unit for critically ill patients. Reprint & Copyright © 2016 Association of Military Surgeons of the U.S.

  9. "Welch Schauspiel! Aber ach! ein Schauspiel : Fußball und Theater

    OpenAIRE

    Thiergen, Peter

    2009-01-01

    Der Essay zeigt, wie eng Fußball und Schauspiel/Theater/Drama zusammenhängen. Dabei wird nicht nur einer Vielzahl von sprachlichen und insbesondere metaphorischen Entsprechungen nachgespürt, in denen sich die beiden Publikumsereignisse wechselseitig interpretieren, sondern auch gezeigt, auf welchen medialen Grundlagen, Erfahrungen und Rezeptionsdispositionen diese Entsprechungen beruhen.

  10. Effective and efficient learning in the operating theater with intraoperative video-enhanced surgical procedure training.

    Science.gov (United States)

    van Det, M J; Meijerink, W J H J; Hoff, C; Middel, B; Pierie, J P E N

    2013-08-01

    INtraoperative Video Enhanced Surgical procedure Training (INVEST) is a new training method designed to improve the transition from basic skills training in a skills lab to procedural training in the operating theater. Traditionally, the master-apprentice model (MAM) is used for procedural training in the operating theater, but this model lacks uniformity and efficiency at the beginning of the learning curve. This study was designed to investigate the effectiveness and efficiency of INVEST compared to MAM. Ten surgical residents with no laparoscopic experience were recruited for a laparoscopic cholecystectomy training curriculum either by the MAM or with INVEST. After a uniform course in basic laparoscopic skills, each trainee performed six cholecystectomies that were digitally recorded. For 14 steps of the procedure, an observer who was blinded for the type of training determined whether the step was performed entirely by the trainee (2 points), partially by the trainee (1 point), or by the supervisor (0 points). Time measurements revealed the total procedure time and the amount of effective procedure time during which the trainee acted as the operating surgeon. Results were compared between both groups. Trainees in the INVEST group were awarded statistically significant more points (115.8 vs. 70.2; p < 0.001) and performed more steps without the interference of the supervisor (46.6 vs. 18.8; p < 0.001). Total procedure time was not lengthened by INVEST, and the part performed by trainees was significantly larger (69.9 vs. 54.1 %; p = 0.004). INVEST enhances effectiveness and training efficiency for procedural training inside the operating theater without compromising operating theater time efficiency.

  11. A common body of care: the ethics and politics of teamwork in the operating theater are inseparable.

    Science.gov (United States)

    Bleakley, Alan

    2006-06-01

    In the operating theater, the micro-politics of practice, such as interpersonal communications, are central to patient safety and are intimately tied with values as well as knowledge and skills. Team communication is a shared and distributed work activity. In an era of "professionalism," that must now encompass "interprofessionalism," a virtue ethics framework is often invoked to inform practice choices, with reference to phronesis or practical wisdom. However, such a framework is typically cast in individualistic terms as a character trait, rather than in terms of a distributed quality that may be constituted through intentionally collaborative practice, or is an emerging property of a complex, adaptive system. A virtue ethics approach is a necessary but not sufficient condition for a collaborative bioethics within the operating theater. There is also an ecological imperative-the patient's entry into the household (oikos) of the operating theater invokes the need for "hospitality" as a form of ethical practice.

  12. Konference Music, body and stage: The iconography of music theater and opera

    Czech Academy of Sciences Publication Activity Database

    Vácha, Štěpán

    2008-01-01

    Roč. 20, č. 1 (2008), s. 7-8 ISSN 0862-612X Institutional research plan: CEZ:AV0Z80330511 Keywords : music iconography * theater * opera Subject RIV: AL - Art, Architecture, Cultural Heritage http://www.dejinyumeni.cz/bulletin/UHS_1_2008.pdf

  13. Salamanca’s theater and musical activity in the first quarter of twentieth century through the local press

    Directory of Open Access Journals (Sweden)

    Francisco José Álvarez García

    2011-06-01

    Full Text Available The theaters at the beginning of twentieth century are one of the main focuses in which condenses the musician-artistic activity of small and large Spanish cities. Salamanca could not be less and in the three capitals theaters “Liceo”, “Bretón” and “Moderno” we find a very rich musical activity like Zarzuelas, Concerts, Lyric Theatre, Tunas, etc., which will make to Salamanca the most important center of the music scene in the province until almost the Second Spanish Republic.

  14. The Performing Arts: Music, Dance, and Theater in the Early Years

    Science.gov (United States)

    Koralek, Derry

    2010-01-01

    This article presents an interview with Mimi Brodsky Chenfeld, a longtime early childhood teacher, author, teacher educator, and advocate for integrating the arts with every aspect of the curriculum. In this interview, Chenfeld shares her thoughts about the performing arts: music, dance, and theater. She explains why it is important for young…

  15. Extending U.S. Theater Missile Defense to Northeast Asia: Ramifications for Regional Security

    National Research Council Canada - National Science Library

    Attenweiler, Steven

    2001-01-01

    The absence of a formidable U.S. and allied Theater Missile Defense (TMD) capability in the East Asian region has encouraged a build-up in offensive missile capability on the part of the People's Republic of China (PRC...

  16. Theater and Dialogue to Increase Youth's Intentions to Advocate for LGBTQQ People

    Science.gov (United States)

    Wernick, Laura J.; Kulick, Alex; Dessel, Adrienne B.; Graham, Louis F.

    2016-01-01

    Objective: This study evaluates the effectiveness of an intervention using theater and dialogue to raise awareness about homophobia and transphobia and increase intentions to participate in macro-level change efforts around lesbian, gay, bisexual, transgender, queer, and questioning (LGBTQQ) issues. Methods: Using a pretest-posttest design, this…

  17. "Think Differently, Get Creative": Producing Precarity in India's Corporate Theater Culture Industry

    Science.gov (United States)

    Saddler, Sarah

    2017-01-01

    In India's rapidly developing global cities, large multinational corporations implement theater-based corporate training programs that are designed to inspire employees to be more dynamic, aspirational, and self-motivated at work. Offering a performance ethnography of a week-long "Theatre in Excellence" program hosted in Bangalore…

  18. Plakate des Theaters in Thorn in den Sammlungen der Kopernikus-Bücherei und im Bestand des Staatsarchivs in Thorn

    Directory of Open Access Journals (Sweden)

    Marlena Jabłońska

    2011-12-01

    Full Text Available Theaterplakate gehören zur Tätigkeit des Theaters. Anfangs erfüllten sie eine reine Gebrauchsfunktion, indem sie über ein kulturelles Ereignis informierten, das an einem bestimmten Tag, zu einer bestimmten Uhrzeit, an einem bestimmten Ort stattfinden wird. Mit der Zeit bekamen sie jedoch die Eigenschaften eines Zeugens aus der Vergangenheit, indem sie die Geschichte ihres Urhebers zeigten, das Profil seiner Tätigkeit, die in seiner Struktur vor sich gehenden Veränderungen. Die Wurzeln der Theaterplakate sind schon in der Antike zu suchen, sie wurden von Ägyptern, Römern und Griechen geschaffen. Das älteste neuzeitliche Plakat erschien 1429 in London und ist heute ein Exponat im Londoner Theatermuseum. Die Geschichte der polnischen Plakate reicht bis ins 16. oder 17. Jahrhundert zurück, hier sind sich die Forscher nicht einig, und ist entweder mit einem Jesuitenkollegium oder mit dem königlichen Theater verbunden. Die im Text analysierten Thorner Plakate stammen aus den Jahren 1922-1975 und werden in den Sammlungen der Kopernikus-Bücherei und in den Beständen des Staatsarchivs in Thorn aufbewahrt. Geschaffen wurden sie vom Theater in Thorn. Heute ist es das Wilam-Horzyca-Theater, doch sein Name, sein Tätigkeitsfeld, seine Organisationsstruktur und auch sein Profil und die Art seiner Tätigkeit änderten sich im Laufe der besprochenen Jahre vielmals. Die Plakate wurden in chronologischer Ordnung mit einer Aufteilung in Gruppen besprochen. Die Autorinnen beachteten den Inhalt, seine Anordnung und die Form der Aufzeichnung, das Format der Plakate, ihre Farbgebung, Ornamentik und die verwendete Ikonographie. Jede Gruppe wurde detailliert besprochen und illustriert. Nicht allein das Theater in Thorn schuf in der Stadt Theaterplakate. Eine ähnliche aktenkundliche Analyse lässt sich in Bezug auf das Puppentheater „Baj Pomorski” durchführen, doch ist das schon Material für einen gesonderten Artikel.

  19. Participatory Theater, Is It Really? A Critical Examination of Practices in Timor-Leste

    Directory of Open Access Journals (Sweden)

    Julia Scharinger

    2013-01-01

    Full Text Available Dance, music, and oral narratives are an important and vibrant part of cultural practice and heritage in Timor-Leste. But while Timorese people have used such creative methods and processes during rituals, celebrations, and their fight for independence, today arts and artistic expression become an increasingly popular strategy in development cooperation. Especially diff erent forms of so-called participatory theater with origins in development cooperation, arts, and social movements, present themselves as innovative, participatory, and well applicable in terms of capacity building and stimulating positive social transformation. Based on the author’s experience and observations, this article critically examines the alliance between various stakeholders in Timor-Leste engaging with the fact that the current scene of participatory theater can hardly be seen as an independent grassroots or even social movement, rather than an initiated top-down process by donors with specific agendas.

  20. Management of colonic injuries in the combat theater.

    Science.gov (United States)

    Cho, S David; Kiraly, Laszlo N; Flaherty, Stephen F; Herzig, Daniel O; Lu, Kim C; Schreiber, Martin A

    2010-05-01

    Combat injuries are more often associated with blast, penetrating, and high-energy mechanisms than civilian trauma, generating controversy about the management of combat colonic injury. Despite implementation of mandatory colostomy in World War II, recent civilian data suggest that primary repair without diversion is safe and feasible. This study describes the modern management of battle-related colonic injuries and seeks to determine whether management strategy affects early complications. Records from the combat theater (downrange) and tertiary referral center in Germany were retrospectively reviewed from 2005 to 2006. Patient characteristics, management strategy, treatment course, and early complications were recorded. Comparison groups by management strategy were as follows: primary repair, diversion, and damage control. A total of 133 (97% male) patients sustained colonic injuries from penetrating (71%), blunt (5%), and blast (23%) mechanisms. Average injury severity score was 21 and length of stay in the referral center was 7.1 days. Injury distribution was 21% ascending, 21% descending, 15% transverse, 27% sigmoid, and 25% rectum. Downrange complications for primary repair, initial ostomy, and damage control groups were 14%, 15%, and 30%, respectively. On discharge from the center, 62% of patients had undergone a diversion. The complication rate was 18% overall and was unrelated to management strategy (P = .16). Multivariate analysis did not identify independent predictors of complications. Early complications were similar by mechanism, anatomic location, severity of injury, and management strategy. More diversions were performed for rectosigmoid injury. Good surgical judgment allows for low morbidity and supports primary repair in selected cases. Damage control surgery is effective in a multinational theater of operations.

  1. Lope de Vega and the Conquest of Spanish Theater in the Netherlands

    NARCIS (Netherlands)

    Blom, F.R.E.; van Marion, O.

    2017-01-01

    This contribution focuses on Lope’s conquest of Amsterdam’s Grand Theater in the 40s and 50s of the seventeenth century. Focusing on creative industries, we analyze the producer’s side for Lope’s “invasion” in the Netherlands, and the channels that were developed in order to faciltate the new

  2. Report of the Defense Science Board/Defense Policy Board Task Force On Theater Missile Defense

    National Research Council Canada - National Science Library

    1996-01-01

    ... also tackled the controversial subject of the ABM Treaty and its effect on theater missile defenses Subsequent to its interim report, which expressed strong concerns about the demarcation path the US...

  3. The Theater as a mobilizing strategy of emotions and attitudes towards physics classes

    Directory of Open Access Journals (Sweden)

    Hely Cordero

    2017-04-01

    Full Text Available We describe a teaching strategy, namely, the Great Theater of Physics, which stages a series of eight nontrivial demonstrations in the areas of mechanics, electricity, magnetism and waves. The aim was to generate feelings and attitudes that would promote the learning of physics, and to explore the motivation of Chemistry and Biology students towards classes in physics. The strategy was applied with a group of new students in Physics and Mathematics at the Faculty of Sciences at the Universidad Central de Venezuela. The method used was exploratory-descriptive.  Information was collected using a questionnaire with closed questions. In general, students from Physics and Mathematics disciplines experienced a significant increase in positive feelings towards physics after attending the theater; and negative feelings decreased, though not significantly. A greater percentage of women than men experienced an increase in positive feelings, though men experienced more intense positive feelings. This was not the case for negative feelings.

  4. Theaters of time and space American planetaria, 1930-1970

    CERN Document Server

    Marche, Jordan

    2005-01-01

    Every year, millions of Americans visit planetariums and are captivated by their strikingly realistic portrayal of the night sky. Today, it is indeed difficult to imagine astronomy education without these magnificent celestial theaters. But projection planetariums, first developed in Germany, have been a part of American museum pedagogy only since the early twentieth century and were not widespread until the 1960s. In this unique social history, former planetarium director and historian of science Jordan D. Marché II offers the first complete account of the community of individuals and institu

  5. The pedagogical emancipation of Jacques Rancière and the theater of the oppressed as a re-distribution of the sensible

    Directory of Open Access Journals (Sweden)

    Pedro Augusto Boal Costa Gomes

    2015-07-01

    Full Text Available The aim of this paper is to demonstrate how Jaques Rancière’s pedagogical theory, intellectual emancipation, esthetics and politics as used as a basis to understand the Theater of the Oppressed as a form of re-distribution of the sensible inside contemporary society. The Theater of the Oppressed practices, able to provide social and political emancipation with esthetical resources, can renew the ways of sensible appropriation, as well as the snip of this appropriation. The “intelligentsia equality” assumption, allied to several mechanisms that can give the oppressed people the artistic means of production, will be exposed here as a voice capable of answering the contemporary challenges of political emancipation. This article has the intention to articulate an interdisciplinary perspective, because it works with conceptions from politics, philosophy, theater and education.

  6. Vascular Surgery in the Pacific Theaters of World War II: The Persistence of Ligation Amid Unique Military Medical Conditions.

    Science.gov (United States)

    Barr, Justin; Cherry, Kenneth J; Rich, Norman M

    2018-06-18

    : Although multiple sources chronicle the practice of vascular surgery in the North African, Mediterranean, and European theaters of World War II, that of the Pacific campaign remains undescribed. Relying on primary source documents from the war, this article provides the first discussion of the management of vascular injuries in the island-hopping battles of the Pacific. It explains how the particular military, logistic, and geographic conditions of this theater influenced medical and surgical care, prompting a continued emphasis on ligation when surgeons in Europe had already transitioned to repairing arteries.

  7. A Theater-Based Approach to Primary Prevention of Sexual Behavior for Early Adolescents

    Science.gov (United States)

    Lieberman, Lisa D.; Berlin, Cydelle; Palen, Lori-Ann; Ashley, Olivia Silber

    2012-01-01

    Early adolescence is a crucial period for preventing teen pregnancy and sexually transmitted infections. This study evaluated STAR LO, a theater-based intervention designed to affect antecedents of sexual activity among urban early adolescents (N = 1,143). Public elementary/middle schools received the intervention or served as a wait-listed…

  8. System Attraction of Visual and Iconographic Material as a Development Thrustof Modern Ballet Theater

    Directory of Open Access Journals (Sweden)

    Tatiana Portnova

    2015-08-01

    Full Text Available The article deals with the issues of artwork impact on ballet artists’ and ballet masters’ creativity – creation of choreographic works based on artworks. Facts (examples demonstrating such borrowing are involved, but more significantly, the range of potential opportunities, which may enrich modern ballet theater, is outlined. The matter of figurative material takes on particular importance, i.e. the issue to what extent a choreographic work reflects the essence of an artwork accurately, deeply, and adequately. The article considers the connection and mutual benefit of the processes of creative interpenetration of graphics, art, sculpture, arts and crafts, and ballet theater. Different techniques of figurative sources are studied: illustration, statement, demonstration, comparison, event localization, generalization, stylistic device, and their visualization by means of choreographic dynamics. It’s concluded the synthetic nature of ballet theatergives rise to new polygenre structures that can intensify both expressive and semantic content of choreographic image, create original stage solutions.

  9. Effective and efficient learning in the operating theater with intraoperative video-enhanced surgical procedure training

    NARCIS (Netherlands)

    van Det, M.J.; Meijerink, W.J.; Hoff, C.; Middel, B.; Pierie, J.P.

    INtraoperative Video Enhanced Surgical procedure Training (INVEST) is a new training method designed to improve the transition from basic skills training in a skills lab to procedural training in the operating theater. Traditionally, the master-apprentice model (MAM) is used for procedural training

  10. Utilizing Peer Education Theater for the Primary Prevention of Sexual Violence on College Campuses

    Science.gov (United States)

    McMahon, Sarah; Postmus, Judy L.; Warrener, Corinne; Koenick, Ruth Anne

    2014-01-01

    To address the widespread problem of sexual assault, many colleges and universities are providing primary prevention education programs. Although a number of such programs exist and appear in the literature (for review see Vladutiu, Martin, & Macy, 2011), the role of peer education theater offers a unique approach. Peer education has been…

  11. Theater of the oppressed and Occupational Therapy: a proposed action with youth in social vulnerability

    Directory of Open Access Journals (Sweden)

    Izabela Alves

    2013-08-01

    Full Text Available Youth is one of the challenging issues to social development policies in Latin America. When socially vulnerable, this age group is at risk of losing future prospects in case minimum conditions are not ensured for active participation in the process of gaining citizenship. In this sense, it is important to develop actions to enable a reduction of the vulnerability process impacts in their daily lives. In this study, we aimed to describe and analyze the use of drama as a therapeutic resource with young people in occupational social vulnerability in the process of awareness and youth participation. To this end, we carried out a case study with qualitative approach in a philanthropic institution in the state of Minas Gerais. Ten meetings were conducted using drama the activities proposed by Augusto Boal, a theatrical presentation to the community using the technique of the theater-forum and focus groups. Data collection occurred through filming and the production of journals analyzed by Content Analysis. We developed three thematic categories: drama as an instrument of expression of the vulnerability conditions of young people; drama and social microcosm of the group and the family; and Theatre Forum and the development of coping strategies. Throughout the process, the technique of the theater of the oppressed enabled the critical thinking development of young people regarding the problems experienced, which helped to promote a dialogue with the community and the family. The community realized the social role of theater, reflecting on the problems experienced by youth.

  12. Incorporation of Indigenous Forces in Major Theater War: Advantages, Risks and Considerations

    Science.gov (United States)

    2004-05-03

    training exercises and programs like the International Military Education and Training (IMET) program, to name a few, the United States has a far better...USAWC STRATEGY RESEARCH PROJECT INCORPORATION OF INDIGENOUS FORCES IN MAJOR THEATER WAR: ADVANTAGES , RISKS AND CONSIDERATIONS by Ms. Priscilla... Advantages , Risks and Considerations 5a. CONTRACT NUMBER 5b. GRANT NUMBER 5c. PROGRAM ELEMENT NUMBER 6. AUTHOR(S) Priscilla Sellers 5d. PROJECT NUMBER

  13. Einstein and relativity takes the stage: dialogue on the theater in school and a creative Physics education

    Directory of Open Access Journals (Sweden)

    Letícia Maria Oliveira

    2016-12-01

    Full Text Available In this work, a creative way to teach Physics to the students in Regular Education is suggested, by presenting the following aspects: how it happened, outcomes, and the way to present it to the readers. The theater was chosen, considering that scientific knowledge can be represented beyond its rigidity, at the same time that art provokes reflections in the actor and in the spectator. A group of scientific theater was created in a school in Brejo Santo, Ceará, and besides staging, a website was elaborated. The characters "Traditional Teaching" and "New Physics" are the protagonists of the story and they will show us in their dialogues, how difficult it is, however possible, to show possibilities of Physics teaching through an entertaining approach in regular schools. Among the results, positive changes were noticed in the group, as the student's posture in classroom, besides receptivity and respect among the friends and with the teacher. Besides, they began to see Physics in another way, becoming more motivated to learn this science. In that sense, considering the current brazilian education, the objective of this work focuses on the teacher's need to act in a differentiated way, through strategies and new methodologies. Therefore, the theatrical practice, more specifically, the scientific theater, can be a tool of great didactic potential in teachers’ practice, contributing for teaching process and learning of Physics.

  14. Acts of Reciprocity: Analyzing Social Exchange in a University Theater for Social Change Project

    Science.gov (United States)

    Cloeren, Nicole Birgit

    2010-01-01

    In this study I sought to understand the complexities of the processes of reciprocity within a theater for social change service-learning project. My sample included three university students, one university faculty member, four high school students, one high school principal, and one high school teacher. As a participant- observer, I conducted an…

  15. Mirzam C. Pérez, The Comedia of Virginity: Mary and the Politics of Seventeenth-Century Spanish Theater

    Directory of Open Access Journals (Sweden)

    Natalia Fernández

    2016-01-01

    Full Text Available Reseña de Mirzam C. Pérez, The Comedia of Virginity: Mary and the Politics of Seventeenth-Century Spanish Theater, Waco (Texas, Baylor University Press, 2012, 173 pp. ISBN: 9781602586451.

  16. 78 FR 29156 - Certain Digital Media Devices, Including Televisions, Blu-Ray Disc Players, Home Theater Systems...

    Science.gov (United States)

    2013-05-17

    ..., and the sale within the United States after importation of certain digital media devices, including... INTERNATIONAL TRADE COMMISSION [Docket No 2954] Certain Digital Media Devices, Including Televisions, Blu-Ray Disc Players, Home Theater Systems, Tablets and Mobile Phones, Components Thereof and...

  17. 78 FR 36573 - Certain Digital Media Devices, Including Televisions, Blu-Ray Disc Players, Home Theater Systems...

    Science.gov (United States)

    2013-06-18

    ... importation, and the sale within the United States after importation of certain digital media devices... INTERNATIONAL TRADE COMMISSION [Investigation No. 337-TA-882] Certain Digital Media Devices, Including Televisions, Blu-Ray Disc Players, Home Theater Systems, Tablets and Mobile Phones, Components...

  18. From theater to the world wide web--a new online era for surgical education.

    LENUS (Irish Health Repository)

    O'Leary, D Peter

    2012-07-01

    Traditionally, surgical education has been confined to operating and lecture theaters. Access to the World Wide Web and services, such as YouTube and iTunes has expanded enormously. Each week throughout Ireland, nonconsultant hospital doctors work hard to create presentations for surgical teaching. Once presented, these valuable presentations are often never used again.

  19. NASA/NOAA: Earth Science Electronic Theater 1999

    Science.gov (United States)

    Hasler, A. Fritz

    1999-01-01

    The Electronic Theater (E-theater) presents visualizations which span the period from the original Suomi/Hasler animations of the first ATS-1 GEO weather satellite images in 1966 to the latest 1999 NASA Earth Science Vision for the next 25 years. Hot off the SGI-Onyx Graphics-Supercomputer are NASA's visualizations of Hurricanes Mitch, Georges, Fran and Linda. These storms have been recently featured on the covers of National Geographic, Time, Newsweek and Popular Science. Highlights will be shown from the NASA hurricane visualization resource video tape that has been used repeatedly this season on National and International network TV. Results will be presented from a new paper on automatic wind measurements in Hurricane Luis from 1-min GOES images that appeared in the November BAMS. The visualizations are produced by the NASA Goddard Visualization and Analysis Laboratory (VAL/912), and Scientific Visualization Studio (SVS/930), as well as other Goddard and NASA groups using NASA, NOAA, ESA, and NASDA Earth science datasets. Visualizations will be shown from the Earth Science E-Theater 1999 recently presented in Tokyo, Paris, Munich, Sydney, Melbourne, Honolulu, Washington, New York, and Dallas. The presentation Jan 11-14 at the AMS meeting in Dallas used a 4-CPU SGI/CRAY Onyx Infinite Reality Super Graphics Workstation with 8 GB RAM and a Terabyte Disk at 3840 X 1024 resolution with triple synchronized BarcoReality 9200 projectors on a 60ft wide screen. Visualizations will also be featured from the new Earth Today Exhibit which was opened by Vice President Gore on July 2, 1998 at the Smithsonian Air & Space museum in Washington, as well as those presented for possible use at the American Museum of Natural History (NYC), Disney EPCOT, and other venues. New methods are demonstrated for visualizing, interpreting, comparing, organizing and analyzing immense HyperImage remote sensing datasets and three dimensional numerical model results. We call the data from many

  20. 78 FR 56736 - Certain Digital Media Devices, Including Televisions, Blu-Ray Disc Players, Home Theater Systems...

    Science.gov (United States)

    2013-09-13

    ... INTERNATIONAL TRADE COMMISSION [Investigation No. 337-TA-882] Certain Digital Media Devices, Including Televisions, Blu-Ray Disc Players, Home Theater Systems, Tablets and Mobile Phones, Components... (``section 337''), in the importation into the United States, the sale for importation, and the sale within...

  1. Moving social work norms via theater for senior farmers.

    Science.gov (United States)

    Reed, Deborah B; Claunch, Deborah T

    2017-02-01

    Senior farmers have a 2.6-fold risk of fatal injury compared to their younger counterparts. Usual educational interventions have resulted in limited success in reducing injury. An innovative strategy, didactic readers theater, was piloted. Farmers' stories provided the foundation for the scripts. The approach incorporated adult learning strategies based on Ajzen's Theory of Planned Behavior. The intervention was marketed as a "dinner theater" to farm couples. Three short socio-novels (plays) were presented by local farmers who served as actors. Following each play participants completed a reaction form and participated in a short discussion about the play's content. One week later a phone survey was completed that tapped further reaction to the content and behavior changes. Thirty-three farm household individuals (including 16 couples) participated. Participants expressed favorable reaction to the intervention. Within one week post intervention, 42% had made safety changes and 67% were "thinking about/intending" to make changes. The use of real stories contributed to the success of this intervention. Farmers identified with the stories and began to think and talk about the impact that aging exerts on their health and safety. Interaction among the group identified work modifications which empowered the farmers to make positive changes in their own work behavior. Educational interventions with farmers have met with limited success in reducing farm-related injuries. Moreover, few interventions have utilized the family unit. This novel program, incorporating local organizations and using limited financial resources, resulted in swift behavior changes. Total Worker Health includes not only the worker, but also the family. Interventions that include family units should be considered when possible. This format is effective, easily adapted to local issues, can be delivered using existing infrastructure, and is acceptable to the farm community. It is currently being tested

  2. An independent verification and validation of the Future Theater Level Model conceptual model

    Energy Technology Data Exchange (ETDEWEB)

    Hartley, D.S. III; Kruse, K.L.; Martellaro, A.J.; Packard, S.L.; Thomas, B. Jr.; Turley, V.K.

    1994-08-01

    This report describes the methodology and results of independent verification and validation performed on a combat model in its design stage. The combat model is the Future Theater Level Model (FTLM), under development by The Joint Staff/J-8. J-8 has undertaken its development to provide an analysis tool that addresses the uncertainties of combat more directly than previous models and yields more rapid study results. The methodology adopted for this verification and validation consisted of document analyses. Included were detailed examination of the FTLM design documents (at all stages of development), the FTLM Mission Needs Statement, and selected documentation for other theater level combat models. These documents were compared to assess the FTLM as to its design stage, its purpose as an analytical combat model, and its capabilities as specified in the Mission Needs Statement. The conceptual design passed those tests. The recommendations included specific modifications as well as a recommendation for continued development. The methodology is significant because independent verification and validation have not been previously reported as being performed on a combat model in its design stage. The results are significant because The Joint Staff/J-8 will be using the recommendations from this study in determining whether to proceed with develop of the model.

  3. Naval Theater Ballistic Missile Defense (TBMD): development of the information exchange requirements

    OpenAIRE

    Brintzinghoffer, Daniel M.

    1996-01-01

    As the United States moves into the next century one of the biggest threats facing her national interests is the proliferation of Theater Ballistic Missile (TBM) Systems, with their potential for carrying Weapons of Mass Destruction(WMD). In order for the United States to 'project power', the Navy must play a large role in the protection of friendly assets from TBM attacks. Thus, the Navy is continuing to develop new systems and technologies as it attempts to migrate older weapons systems to ...

  4. Theater as a therapeutic resource for the prevention ofsubstance abuse: teenagers’ perception

    OpenAIRE

    Edyr Marcelo Costa Hermeto; Lidiane Luzia de Araújo Fernandes; Nágela Maria da Silva; Isabel Cristina Luck Coelho de Holanda

    2014-01-01

    Objective: To understand the importance of theater as an occupational therapy resource for the prevention of substance abuse by teens enrolled in a community-based psychosocial project. Methods: A qualitative, descriptive study with a critical reflection approach held at a community center in the Community of Dendê, Fortaleza-Ceará, Data were collected from March to May 2009 in a group of ten (10) teenagers of both sexes, aged 12 to 18 years, who lived in socially vulnerable situations and pa...

  5. Theater Security Cooperation Planning with Article 98: How the 2002 Servicemembers' Protection Act Fosters China's Quest for Global Influence

    National Research Council Canada - National Science Library

    Hernandez, Jaime A

    2005-01-01

    The Combatant Commander is hindered in constructing Theater Security Cooperation plans due to the restrictions placed upon foreign military aid dispersal as a result of the 2002 American Servicemembers' Protection Act...

  6. Survey of health problems in musical theater students: a pilot study.

    Science.gov (United States)

    Wanke, Eileen M; Kunath, Esther K; Koch, Franziska; Davenport, Jaqueline; Weisser, Burkhard; Groneberg, David A; Mache, Stefanie; Endres, Eva; Vitzthum, Karin

    2012-12-01

    Musical theater performers are the "triathletes" in the performing arts. The field requires versatility in a combination of skills including dancing, singing, and drama in a high frequency of performances. The aim of this study was to analyze and evaluate the health situation of musical theater students using a complete musical educational institute as an example (n = 37). The basis for the evaluation was a questionnaire survey (standardized F 1000). All students of the school participated (20 males, 17 females). Of the students, 62% have a part-time job for financial reasons, and 67.7% state only a "partial satisfaction" with their body. Regarding injury, 45.9% claim to sustain an orthopaedic injury up to twice a year, and 29.7% up to three or four times. A total of 49 acute injuries (1.3/student) and 42 chronic complaints (1.1/student) were stated. The lower extremity was the most common acutely injured region (65.3%), followed by the spine (16.3%) and upper extremity (14.3%). Of chronic complaints, the lumbar spine was the most commonly affected area, followed by the hip joint and pelvic area. Thirty-three and 24% of acute injuries occurred during "spins" and/or "stretching," respectively. There were various causes for physical and mental problems. The results show both parallels and differences to the relevant literature. It is shown that health hazards already arise in the education of musical performers. This provides particulars for the implementation of injury prevention measures during the theoretical and practical education of musical students.

  7. The Urgent Need for a Comprehensive, Fully Integrated, Joint Intra-Theater Aeromedical Evacuation System

    Science.gov (United States)

    2017-04-06

    the Middle East and Africa , it is critical for the Army’s Medical Department (AMEDD) and the Joint Staff continue to leverage joint patient...Service and a single Service would prevent the establishment of a watered -down, lowest-common-denominator AE system that would result from a joint...to provide quality enroute care to increase survivability rates and decrease long-term morbidity. The current joint intra-theater AE system lacks

  8. What Do Students Learn when We Teach Peace? A Qualitative Assessment of a Theater Peace Program

    Science.gov (United States)

    Duckworth, Cheryl Lynn; Allen, Barb; Williams, Teri Triguba

    2012-01-01

    This is a qualitative assessment of a theater arts peace education program for high-school students. We present the results of qualitative interviews with students who participated in a peace education program. They tell us in their own words what they believe they learned. Given that most peace education evaluation is quantitative or focuses on…

  9. Law and Justice in Literature, Film and Theater

    DEFF Research Database (Denmark)

    This book is a Nordic contribution to law and humanities. It treats the legal culture of the Nordic countries through intensive analyses of canonical Nordic artworks. Law and justice have always been ‘burning issues’ in Nordic literature, film and theater from the Icelandic sagas through...... and for the understanding of the interdisciplinary exchange of law and humanities? Law and literature was originally developed in countries of common law. This book investigates law and humanities from a different legal tradition, and contributes thus both to the discussion of the general and the comparative studies of law...... for instance Ludvig Holberg and Henrik Ibsen until Lars Noréns theatre and Lars von Trier's dogmefilms of today. This book strives to answer two fundamental questions: is there a special Nordic justice? And what does the legal and literary/aesthetic culture of the North mean for the concept of law and justice...

  10. Reducing Youth Risk Behaviors Through Interactive Theater Intervention

    Directory of Open Access Journals (Sweden)

    Ryan J. Watson

    2016-02-01

    Full Text Available The reduction of risk behaviors in secondary schools is a key concern for parents, teachers, and school administrators. School is one of the primary contexts of socialization for young people; thus, the investment in school-based programs to reduce risk behaviors is essential. In this study, we report on youth who participated in an intervention designed to improve decision-making skills based on positive youth development approaches. We examine changes in decision-making skills before and after involvement in the Teen Interactive Theater Education (TITE program and retrospective self-assessment of change in knowledge, abilities, and beliefs as a result of participating in TITE (n = 127. Youth that reported increases in knowledge, abilities, and beliefs due to the intervention (n = 89 were more likely to think about the consequences of their decisions and list options before making a decision compared to their counterparts that reported less overall learning (n = 38. Implications for intervention research and stakeholders are discussed.

  11. The Cultural Value of Older People's Experiences of Theater-making: A Review.

    Science.gov (United States)

    Bernard, Miriam; Rickett, Michelle

    2017-04-01

    Although a number of existing reviews document the health and social benefits of arts participation by older people, there are none which focus specifically on theater and drama. This article presents the findings of a study conducted as part of the UK's Arts and Humanities Research Council "Cultural Value Project." The 2-year (2013-2015) "Cultural Value Project" sought to make a major contribution to how we think about the value of arts and culture to individuals and to society. It made 72 awards: 19 critical reviews of existing bodies of research, 46 research development awards to carry out new research, and 7 expert workshop awards to facilitate discussions among academics and practitioners. Together, these awards explored the components of cultural value and the ways in which cultural value is evidenced and evaluated. Following an extensive search of academic databases and E-mail requests via relevant organizations and networks, 77 publications formed the basis for our own critical review. Our findings highlight the benefits and value of older people's theater and drama participation on health and well-being, group relationships, learning and creativity, and draw attention to the importance of the esthetic value and quality of older people's drama. Despite the recent surge of interest in this field (a third of the reviewed literature was published between 2010 and 2014), we suggest that there are multiple areas for further research. © The Author 2016. Published by Oxford University Press on behalf of The Gerontological Society of America. All rights reserved. For permissions, please e-mail: journals.permissions@oup.com.

  12. Enhancing Teaching, Adaptability and Presentation Skills through Improvisational Theater

    Directory of Open Access Journals (Sweden)

    Thomas J. Marlowe

    2014-10-01

    Full Text Available Improvisational theater, creative role-playing and open-ended scenarios are increasingly being used as ways to emphasize the importance of combining planning with flexibility and evolution to respond to changes in context. These skills and capabilities are extremely valuable in teaching, especially for strengthening communication and interpersonal skills, as well as the capacity for critical thinking and problem solving. Further, this combination of planning with flexibility is also a major theme of agile software development and a number of other problem-solving domains, and in the collaborative development of intellectual property in technical areas. With improvisation, the plan becomes less of a fixed framework, and more of a guideline. In software engineering, it becomes a mutable structure on which to hang goals and objectives, progress, processes, artifacts, and properties. In this submission, we explore the ramifications of this approach.

  13. Local structural properties and attribute characteristisc in 2-mode networks: p* models to map choices of theater events

    NARCIS (Netherlands)

    Agneessens, F.; Roose, H.

    2008-01-01

    Choices of plays made by theatergoers can be considered as a 2-mode or affiliation network. In this article we illustrate how p* models (an exponential family of distributions for random graphs) can be used to uncover patterns of choices. Based on audience research in three theater institutions in

  14. The face and life of Lisbon movie theaters in the 20th century

    Directory of Open Access Journals (Sweden)

    Talitha Ferraz

    2013-12-01

    Full Text Available In the book Os cinemas de Lisboa: um fenômeno do século XX [Movie theaters in Lisbon: a 20th century phenomenon], Margarida Acciaiuoli makes a discuss about the relationship between collective equipment of cinema leisure and urban settings of the Portuguese capital, signaling as the exhibition was engendered in the processes of production of social space and sociabilities of the city, over the past century. Our review highlights the issues raised by the author, about the history of cinema-building as a symbol of modern time.  

  15. Exposure to Alcohol Commercials in Movie Theaters Affects Actual Alcohol Consumption in Young Adult High Weekly Drinkers: An Experimental Study

    NARCIS (Netherlands)

    Koordeman, R.; Anschutz, D.J.; Engels, R.C.M.E.

    2011-01-01

    The present pilot study examined the effects of alcohol commercials shown in movie theaters on the alcohol consumption of young adults who see these commercials. A two (alcohol commercials vs. nonalcohol commercials) by two (high weekly alcohol consumption vs. low weekly alcohol consumption)

  16. Flux Festival - nieuwste muziek en anti-muziek - het instrumentale theater, Scheveningen, 13 November 1964 and Rotterdam, 23 November 1964

    DEFF Research Database (Denmark)

    van der Meijden, Peter Alexander

    2012-01-01

    Artiklen skitserer omstændighederne for tilblivelsen af en Fluxusfestival med titel "Flux Festival - nieuwste muziek en anti-muziek - het instrumentale theater" på Kurzaal-teateret i Scheveningen, nær Den Haag, d. 13. november 1964 og De Lantaren-teateret i Rotterdam d. 23. november 1964, samt...

  17. Alternative ventilation system for operating theaters: parameter study and full-scale assessment of the performance of a local ventilation system

    NARCIS (Netherlands)

    J.G.H. Loogman; Dr. H.S.M. Kort; M.G.L.C. Loomans; I.M. de Visser

    2016-01-01

    A local operating theater ventilation device to specifically ventilate the wound area has been developed and investigated. The ventilation device is combined with a blanket which lies over the patient during the operation. Two configurations were studied: Configuration 1 where HEPA-filtered air was

  18. Collective Imagining: Collaborative Story Telling through Image Theater

    Directory of Open Access Journals (Sweden)

    Warren Linds

    2008-05-01

    Full Text Available This article is a dialogue between two practitioners of Image theater—a technique which involves using the body to share stories. Working in Quebec and Scotland, we discuss the potential ways such a form of performative inquiry (FELS, 1998 can, through an online medium, be documented and disseminated in ways that are coherent with, and build on, the principles of interactive theater. Our hope is that such an exploration will enable the participants in the work, ourselves, and our readers as performative social science researchers, so that we may engage as spect-actors (BOAL, 1979 with the material and build communities of practice through reflection on action (praxis. A key aspect we consider is ways in which physical dialogue through the body evolves—first as a method of enacting the world, where collective meaning emerges and secondly, as a concept that uses symbolic/metaphoric aesthetic language through what one colleague calls "body-storming" (like "brain-storming," but with the emotional and sensory body as a source and language of expression. URN: urn:nbn:de:0114-fqs0802568

  19. Health Detectives: Uncovering the Mysteries of Disease (LBNL Science at the Theater)

    Energy Technology Data Exchange (ETDEWEB)

    Bissell, Mina; Canaria, Christie; Celnicker, Susan; Karpen, Gary

    2012-04-23

    In this April 23, 2012 Science at the Theater event, Berkeley Lab scientists discuss how they uncover the mysteries of disease in unlikely places. Speakers and topics include: World-renowned cancer researcher Mina Bissell's pioneering research on the role of the cellular microenvironment in breast cancer has changed the conversation about the disease. How does DNA instability cause disease? To find out, Christie Canaria images neural networks to study disorders such as Huntington's disease. Fruit flies can tell us a lot about ourselves. Susan Celniker explores the fruit fly genome to learn how our genome works. DNA is not destiny. Gary Karpen explores how environmental factors shape genome function and disease through epigenetics.

  20. Conscious sedation for awake craniotomy in intraoperative magnetic resonance imaging operating theater

    Science.gov (United States)

    Takrouri, Mohamad Said Maani; Shubbak, Firas A.; Al Hajjaj, Aisha; Maestro, Rolando F. Del; Soualmi, Lahbib; Alkhodair, Mashael H.; Alduraiby, Abrar M.; Ghanem, Najeeb

    2010-01-01

    This case report describes the first case in intraoperative magnetic resonance imaging operating theater (iMRI OT) (BrainSuite®) of awake craniotomy for frontal lobe glioma excision in a 24-year-old man undergoing eloquent cortex language mapping intraoperatively. As he was very motivated to take pictures of him while being operated upon, the authors adapted conscious sedation technique with variable depth according to Ramsey's scale, in order to revert to awake state to perform the intended neurosurgical procedure. The patient tolerated the situation satisfactorily and was cooperative till the finish, without any event. We elicit in this report the special environment of iMRI OT for lengthy operation in pinned fixed patient having craniotomy. PMID:25885085

  1. Reactions to Diversity: Using Theater to Teach Medical Students about Cultural Diversity

    Science.gov (United States)

    Ivory, Kimberley D; Dwyer, Paul; Luscombe, Georgina

    2016-01-01

    Training medical students to understand the effects of culture and marginalization on health outcomes is important to the future health of increasingly diverse populations. We devised and evaluated a short training module on working with diversity to challenge students’ thinking about the role of both patient and practitioner culture in health outcomes. The workshop combined didactic teaching about culture as a social determinant of health using the cultural humility model, interactive exercises, and applied theater techniques. We evaluated changes in the students’ perceptions and attitudes over time using the Reaction to Diversity Inventory. There was initial significant improvement. Women and students with no past diversity training responded best. However, scores largely reverted to baseline over 12 months. PMID:29349320

  2. Reactions to Diversity: Using Theater to Teach Medical Students about Cultural Diversity.

    Science.gov (United States)

    Ivory, Kimberley D; Dwyer, Paul; Luscombe, Georgina

    2016-01-01

    Training medical students to understand the effects of culture and marginalization on health outcomes is important to the future health of increasingly diverse populations. We devised and evaluated a short training module on working with diversity to challenge students' thinking about the role of both patient and practitioner culture in health outcomes. The workshop combined didactic teaching about culture as a social determinant of health using the cultural humility model, interactive exercises, and applied theater techniques. We evaluated changes in the students' perceptions and attitudes over time using the Reaction to Diversity Inventory. There was initial significant improvement. Women and students with no past diversity training responded best. However, scores largely reverted to baseline over 12 months.

  3. Sun protection training based on a theater play for preschoolers: an effective method for imparting knowledge on sun protection?

    Science.gov (United States)

    Seidel, Nadja; Stoelzel, Friederike; Garzarolli, Marlene; Herrmann, Sandra; Breitbart, Eckhard Wilhelm; Berth, Hendrik; Baumann, Michael; Ehninger, Gerhard

    2013-09-01

    Sun protection in childhood is important to reduce the risk of developing skin cancer later in life. The "Periods-of-Life-Program" for primary prevention of skin cancer introduces a combination of individual and environmental interventions for the preschool period. Within this pilot study, an intervention group received cognitive-behavioral and environmental interventions. A control group had solely received the environmental intervention, and a wait-control group received no intervention. Nursery school children (n = 80, 3 to 6 years of age) of four nursery schools were randomly assigned to these groups on school level. The ability of the cognitive-behavioral intervention (a theater play) to enhance sun protection knowledge was examined. The theater play improved knowledge over all age groups (p < .05 η(2) = .06). Age-specific analyses showed better results for children aged 5 to 6 (p < .05 η(2) = .20) compared to children aged 3 to 4 years (p = .17 η(2) = .04). In combining cognitive-behavioral and environmental interventions, the "Periods-of-Life-Program" is a promising strategy for primary prevention of skin cancer.

  4. Feed back of the parents and / or relatives witnessing a squint surgery of their ward in the operation theater

    Directory of Open Access Journals (Sweden)

    Mihir Kothari

    2011-01-01

    Full Text Available The aim of the study was to know the response of the relatives attending the squint surgery of their ward. A trained secretary administered an eight item questionnaire by live / telephonic interview. Of the 44 attendees, two left the Operation Theater before completion of the surgery. Mean age of the patients was 7.2 years ± 7.8 and that of the attendees was 36.1 years ± 8.5. Forty patients had a surgery under general anesthesia and four under local anesthesia. Eleven (25% attendees experienced an increase in anxiety. Thirty-six (82% attendees reported increased transparency, 38 (86% reported increased confidence, and 43 (98% reported increased awareness. None found any disadvantage. Twenty-seven (61% recommended this practice for all and 16 (36% recommended the practice selectively. The internal validity of the questionnaire was fair (Cronbach′s Alpha = 0.6. It was concluded that the presence of relatives in the Operation Theater during the surgery could bring in more transparency, accountability, confidence, awareness, and trust.

  5. Exposure therapy with and without virtual reality to treat PTSD while in the combat theater: a parallel case series.

    Science.gov (United States)

    McLay, Robert N; McBrien, Colleen; Wiederhold, Mark D; Wiederhold, Brenda K

    2010-02-01

    Exposure therapy (ET) has been observed to be an effective modality for the treatment of combat-related posttraumatic stress disorder (PTSD). Recently, efforts have been made to use virtual reality (VR) to enhance outcome with modes of ET. How such therapy applies to service members who are facing the reality of a combat deployment has been unknown. This case series documents the first use of VR-based therapy to the treatment of PTSD in a combat theater. Results of therapy are reported from a mental health clinic in Camp Fallujah, Iraq. Combat PTSD constituted a relatively small percentage of overall mental health patients seen. Those who did present with PTSD were offered VR-based ET or traditional ET. Patients who received either treatment modality showed significant gains, and no service member in treatment had to be medically evacuated because of ongoing PTSD symptoms. This demonstrates that ET, with or without the use of VR, can be an effective means of helping service members with mental health issues while they serve in theater.

  6. Live theater on a virtual stage: incorporating soft skills and teamwork in computer graphics education.

    Science.gov (United States)

    Schweppe, M; Geigel, J

    2011-01-01

    Industry has increasingly emphasized the need for "soft" or interpersonal skills development and team-building experience in the college curriculum. Here, we discuss our experiences with providing such opportunities via a collaborative project called the Virtual Theater. In this joint project between the Rochester Institute of Technology's School of Design and Department of Computer Science, the goal is to enable live performance in a virtual space with participants in different physical locales. Students work in teams, collaborating with other students in and out of their disciplines.

  7. Alternative conventional defense postures in the European theater

    International Nuclear Information System (INIS)

    Brauch, H.D.; Kennedy, R.

    1992-01-01

    This book is about change: in the Soviet Union, in Eastern Europe, and how we in the West should respond. Few observers of the international scene, even in their wildest dreams, could have imagined the course of events that have taken place in Europe since early 1989. The communist system came to a dead end. Old social, economic, political, and psychological recipes no longer were acceptable, either in the Soviet Union or in Eastern Europe. Soviet leadership had only two choices: repress change in Eastern Europe and demand continued sacrifices from its own people, or press forward on the road of economic reform and political restructuring at home and the pursuit of new relationships abroad. The three volumes on Alternative Conventional Defense Postures in the European Theater contributed significantly to the current debate in Europe and in the United States on the future of European security. As an outgrowth of a German-American workshop at the Army War College in Carlisle, Pennsylvania, the two editors have succeeded in bringing together statesmen, soldiers, and civilian defense specialist from the Federal Republic, the United States, and the Soviet Union, who represent a variety of schools of political and strategic thinking

  8. Seeing the Light (LBNL Science at the Theater)

    Energy Technology Data Exchange (ETDEWEB)

    Brunger, Axel; Segalman, Rachel; Westphal, Andrew

    2011-09-12

    Berkeley Lab's Science at the Theater event "Seeing the Light" took place on Sept 12, 2011, at Berkeley Repertory's Roda Theatre. Learn how the Advanced Light Source is improving medicine, paving the way for clean energy, changing the future of computers, and much more. Featured speakers are Berkeley Lab's Roger Falcone, Rachel Segalman, Andrew Westphal, and Stanford University's Axel Brunger. Rachel Segalman: The future of clean energy technology relies on a better understanding of materials at the nanoscale. Berkeley Lab's Rachel Segalman uses the ALS to conduct this research, which could lead to improved photovoltaics and fuel cells. Axel Brunger: Improved treatment for human diseases hinges on understanding molecular-scale processes. Stanford University's Axel Brunger will discuss a new melanoma drug that was developed by a local company, Plexxikon, using the ALS for X-ray data collection. Andrew Westphal: What's comet dust made of? Andrew Westphal of UC Berkeley's Space Sciences Laboratory uses the ALS to study comet dust and interplanetary space dust collected by a NASA spacecraft. Moderated by Roger Falcone, Division Director of the Advanced Light Source

  9. Reactions to Diversity: Using Theater to Teach Medical Students about Cultural Diversity

    Directory of Open Access Journals (Sweden)

    Kimberley D Ivory

    2016-01-01

    Full Text Available Training medical students to understand the effects of culture and marginalization on health outcomes is important to the future health of increasingly diverse populations. We devised and evaluated a short training module on working with diversity to challenge students’ thinking about the role of both patient and practitioner culture in health outcomes. The workshop combined didactic teaching about culture as a social determinant of health using the cultural humility model, interactive exercises, and applied theater techniques. We evaluated changes in the students’ perceptions and attitudes over time using the Reaction to Diversity Inventory. There was initial significant improvement. Women and students with no past diversity training responded best. However, scores largely reverted to baseline over 12 months.

  10. Dramatic Rewritings of the Spanish Golden Age Theater of Cervantes´s La fuerza de la sangre

    Directory of Open Access Journals (Sweden)

    Juan Manuel Escudero Baztán

    2013-12-01

    Full Text Available This paper analyzes the Golden age spanish theater recreations of Cervantes’s exemplary novel La fuerza de la sangre. Specifically, the paper reviews three important stages in these recreations: La fuerza de la sangre of Guillen de Castro, El agravio satisfecho de Castillo Solórzano, and No hay cosa como callar de Calderon de la Barca. Different rewrites indicate a close relationship between the three dramatic texts through intertextuality and other influences.

  11. Electronic delivery of alternative contents in cinemas before the digital era: the case of theater television in the US exhibition market in the 1940s and 1950s

    Directory of Open Access Journals (Sweden)

    Kira Kitsopanidou

    2012-08-01

    Full Text Available Au début des années 1950, la 20th Century–Fox a acquis les droits à un système suisse de télévision projetée (theater television appelé Eidophor, qui allait, selon la direction du studio, élargir le champ des opportunités économiques pour les exploitants de salles. L’idée était de transmettre en direct aux salles abonnées des « événements spéciaux » (des pièces à succès en provenance de Broadway, des opéras, des concerts, des événements sportifs et des films dans une qualité d’image et de son optimale. En 1952, 300 transmissions ont pu avoir lieu dans les salles de cinéma aux Etats-Unis, dont cinq organisées au niveau national. En décembre 1952, l’opéra Carmen a été diffusé en direct depuis le Metropolitan Opera de New York dans 31 salles de 26 villes différentes. Le gala d’ouverture de l’Opéra en 1954 a même été transmis dans un réseau de salles encore plus étendu. Envisagé au départ comme un complément régulier de la programmation des salles, le contenu hors film fera finalement l’objet d’une exploitation plutôt événementielle. Les exploitants (notamment de circuits importants n’installeront finalement l’équipement nécessaire que pour les transmissions justifiant la dépense. La numérisation du parc de salles américain et mondial appelle aujourd’hui à réexaminer les stratégies de programmation de contenus hors film dans les années 1950 et à revoir le discours de la 20th Century–Fox au sujet des possibilités ouvertes par la diffusion électronique. Cet article a pour objectif d’étudier l’un des chapitres les moins connus de l’histoire de l’exploitation cinématographique aux Etats-Unis. En effet, à la lumière des évolutions contemporaines dans le domaine des médias numériques, cette première tentative d’introduction à grande échelle d’une forme de distribution dématérialisée de contenus film et hors film vers les salles de cinéma rev

  12. What Physiological Changes and Cerebral Traces Tell Us about Adhesion to Fiction During Theater-Watching?

    Science.gov (United States)

    Metz-Lutz, Marie-Noëlle; Bressan, Yannick; Heider, Nathalie; Otzenberger, Hélène

    2010-01-01

    Live theater is typically designed to alter the state of mind of the audience. Indeed, the perceptual inputs issuing from a live theatrical performance are intended to represent something else, and the actions, emphasized by the writing and staging, are the key prompting the adhesion of viewers to fiction, i.e., their belief that it is real. This phenomenon raises the issue of the cognitive processes governing access to a fictional reality during live theater and of their cerebral underpinnings. To get insight into the physiological substrates of adhesion we recreated the peculiar context of watching live drama in a functional magnetic resonance imaging (fMRI) experiment, with simultaneous recording of heart activity. The instants of adhesion were defined as the co-occurrence of theatrical events determined a priori by the stage director and the spectators' offline reports of moments when fiction acted as reality. These data served to specify, for each spectator, individual fMRI time-series, used in a random-effect group analysis to define the pattern of brain response to theatrical events. The changes in this pattern related to subjects' adhesion to fiction, were investigated using a region of interest analysis. The results showed that adhesion to theatrical events correlated with increased activity in the left BA47 and posterior superior temporal sulcus, together with a decrease in dynamic heart rate variability, leading us to discuss the hypothesis of subtle changes in the subjects' state of awareness, enabling them to mentally dissociate physical and mental (drama-viewing) experiences, to account for the phenomenon of adhesion to dramatic fiction.

  13. What physiological changes and cerebral traces tell us about adhesion to fiction during theater-watching?

    Directory of Open Access Journals (Sweden)

    Marie-Noëlle Metz-Lutz

    2010-08-01

    Full Text Available Live theater is typically designed to alter the state of mind of the audience. Indeed, the perceptual inputs issuing from a live theatrical performance are intended to represent something else, and the actions, emphasised by the writing and staging, are the key prompting the adhesion of viewers to fiction, i.e. their belief that it is real. This phenomenon raises the issue of the cognitive processes governing access to a fictional reality during live theater and of their cerebral underpinnings. To get insight into the physiological substrates of adhesion we recreated the peculiar context of watching live drama in a functional magnetic resonance imaging experiment, with simultaneous recording of heart activity. The instants of adhesion were defined as the co-occurrence of theatrical events determined a priori by the stage director and the spectators’ offline reports of moments when fiction acted as reality. These data served to specify, for each spectator, individual fMRI time-series, used in a random-effect group analysis to define the pattern of brain response to theatrical events. The changes in this pattern related to subjects’ adhesion to fiction, were investigated using a region of interest analysis. The results showed that adhesion to theatrical events correlated with increased activity in the left BA47 and pSTS, together with a decrease in dynamic heart rate variability, leading us to discuss the hypothesis of subtle changes in the subjects’ state of awareness, enabling them to mentally dissociate physical and mental (drama-viewing experiences, to account for the phenomenon of adhesion to dramatic fiction.

  14. El Profesor de Idiomas: El Teatro, Los Titeres Y Los Sketches (The Language Teacher: The Theater, the Puppets, and the Sketches).

    Science.gov (United States)

    Galvez Touzet, Teresa

    This guide in Spanish for the foreign language teacher suggests that more emphasis be placed on theater and art in the second language classroom. Easy methods for creating functional and attractive visual aids for the classroom are described. This guide for elementary school teachers describes: (1) easy theatrical techniques that can be used daily…

  15. "I Caught It at the Movies": Reflections on Medical History, Movie Theaters, and the Cinema of Contagion.

    Science.gov (United States)

    Wahlert, Lance

    2016-01-01

    Undertaking an examination of the precarious places of the movies and movie theaters in queer lives in the 20th century, this article takes up a series of anecdotal episodes and feature-length films to consider how the space-related stakes of LGBT health have been best understood in literal cinema houses and the narrative cinema projections inside of them. The author argues for an appreciation of LGBT-themed motion pictures as oscillating between perpetuator of queer pathology and its potential solution.

  16. Partilha do sensível na comunidade: interseções entre psicologia e teatro Sharing the sensible in the community: intersections between psychology and theater

    Directory of Open Access Journals (Sweden)

    Tatiana Gomes da Rocha

    2008-08-01

    Full Text Available O objetivo deste artigo é promover uma discussão sobre psicologia e teatro, buscando compreender algumas relações e efeitos possíveis quando ambos se aproximam e se voltam para a produção de subjetividade nas comunidades populares. Um conceito central é o de partilha do sensível, formulado por Jacques Rancière. O texto discute as formas que a partilha do sensível configura tanto no teatro quanto na psicologia comunitária quando estes se propõem a ser vetores da transformação social, e aponta entraves quando estes se limitam à representação convencional dos conflitos sociais. Outro aspecto considerado é a necessidade de dar mais relevo aos processos de produção de desejo na comunidade.This essay aims to discuss psychology and theater, their relations and possible effects when they are both involved with the production of subjectivity in popular communities. One main concept is the distribution of the sensible, created by Jacques Rancière. The text analyses the distribution of the sensible performed by the theater and by community psychology when they search social transformation. This study's conclusions indicate that the persistence of the conventional representation of the social conflicts constitutes an obstacle shared by psychology and theater, and point to the necessity of giving more relevance to the production of desire in the community.

  17. IntertextualitY and discourse in Dea Loher’s Theater

    Directory of Open Access Journals (Sweden)

    Júlia Mara Moscardini Miguel

    2016-10-01

    Full Text Available Discourse is made of several voices, a premise that was announced since Bakhtin’s studies. The advances in the field of intertextuality allowed a wider specification of the term and broaden the discussion of many different occurrence of the intertext in literature. The work of a German contemporary playwright, Dea Loher, brings the recurrence of intertext, and the present paper aims to investigate this manifestation in two of her plays, Olgas Raum and Licht. Loher uses citation, references and allusions, cutting pieces of other texts and pasting them into her writing. This game of cutting and pasting is also visible inside her aesthetic, as she uses elements that are part of other theatrical aesthetics and adapts them in her work, creating an original style. Representing the political side of theater, Loher provides her reader with the possibility of reflecting and, in the considered two plays, she does it through the deconstruction of the canonic discourse, showing how discourses are made and how they are connected to power maintenance. This way, intertext, the hybrid aesthetic and other aesthetical and linguistic resources are organized to receive these political themes that come to the reader as questions and inquires.

  18. Sacral Theater, a code to simulate the propagation of the superconducting magnet LHC atlas barrel toroid transition

    International Nuclear Information System (INIS)

    Gastineau, B.

    2000-06-01

    Sacral Theater has been developed for the toroid magnet Atlas of the CERN LHC project. This three dimensional calculations code calculates the propagation of the transition of a superconducting coil in 25 m long hippodrome. Procedures to study low currents have been included. This work is a part of the magnet safety system because the coils protection is made by warmers activating the quench propagation in case of default detection. This allows the complete dissipation of storage energy that can reach 1080 MJ on Atlas. (N.C.)

  19. Epilepsy and secondary perceived stigma in a social setting: A night at the theater.

    Science.gov (United States)

    Kaufman, Kenneth R

    2016-08-01

    Stigma impacts >50% of persons with epilepsy (PWE) and is a key factory in quality of life. Stigma can be both enacted (external factors) and felt (internal factors). In this article, felt/perceived stigma is more broadly defined as a combination of internal factors and perceptions of external factors. Secondary perceived stigma is felt/perceived stigma by a third party. A key, but often underappreciated, consideration in felt/perceived stigma may occur when a seemingly innocuous statement by a speaker is perceived as stigmatizing by the PWE and/or even by an unintended third party. This autobiographic short report addresses secondary perceived stigma in a social setting, the theater. Copyright © 2016 Elsevier Inc. All rights reserved.

  20. Development concepts of a Smart Cyber Operating Theater (SCOT) using ORiN technology.

    Science.gov (United States)

    Okamoto, Jun; Masamune, Ken; Iseki, Hiroshi; Muragaki, Yoshihiro

    2018-02-23

    Currently, networking has not progressed in the treatment room. Almost every medical device in the treatment room operates as a stand-alone device. In this project, we aim to develop a networked operating room called "Smart Cyber Operating Theater (SCOT)". Medical devices are connected using Open Resource interface for the Network (ORiN) technology. In this paper, we describe the concept of the SCOT project. SCOT is integrated using the communication interface ORiN, which was originally developed for industry. One feature of ORiN is that the system can be constructed flexibly. ORiN creates abstracts of the same type of devices and increases the robustness of the system for device exchange. By using ORiN technology, we are developing new applications, such as decision-making navigation or a precision guided treatment system.

  1. Family planning uses traditional theater in Mali.

    Science.gov (United States)

    Schubert, J

    1988-01-01

    Mali's branch of the International Planned Parenthood Federation has found a vehicle that effectively conveys the idea of family planning through the use of contraception, a method that blends the country's cultural heritage and modern technology. Despite becoming the first sub-Saharan francophone country to promote family planning, Mali only counted 1% of its population using a modern method of contraception. So with the aid of The Johns Hopkins University/Population COmmunication Services (JHU/PCS), the Association Malienne pour la Protection et la Promotion de la Famille (AMPPF) developed several programs to promote contraception, but none were more successful than the Koteba Project, which used Mali's traditional theater form to communicate the message. While comical, the Koteba generally deals with social issues -- it informs and entertains. This particular Koteba told the story of two government employees, one with two wives and many children, the other with one wife and few children. The first one sees nothing but family problems: fighting wives and delinquent children. The second one, who had used family planning, enjoys a peaceful home. Upon hearing of his friend's successes with family planning, the tormented government employee becomes convinced of its needs, and persuades his wives to accompany him to a family planning clinic. Developed at a cost of approximately US $3000 and televised nationwide, the Koteba proved effective. A survey of 500 people attending an AMPPF clinic revealed that 1/4 of them remembered the program. With the success of the Koteba, JHU/PCS and AMPPF are now exploring other traditional channels of communication.

  2. Charitable collaborations in Bronzeville, 1928-1944: the "Chicago Defender" and the Regal Theater.

    Science.gov (United States)

    Semmes, Clovis E

    2011-01-01

    In the twentieth century, race-based residential and commercial segregation that supported racial oppression and inequality became an elemental characteristic of urban black communities. Conflict-ridden, black-white relationships were common. However, the Chicago Defender Charities, Inc., the entity that sponsors the largest African American parade in the country and that emerged in 1947, embodied a tradition of charitable giving, self-help, and community service initiated in 1921 by Chicago Defender newspaper founder and editor, Robert S. Abbott. The foundation of this charitable tradition matured as a result of an early and sustained collaboration between Chicago’s white-owned Regal Theater and the black-owned Chicago Defender newspaper. Thus, in segregated African American communities, black and white commercial institutions, under certain conditions, were able to find important points of collaboration to uplift the African American communities of which they were a part.

  3. Evaluating the Joint Theater Trauma Registry as a data source to benchmark casualty care.

    Science.gov (United States)

    O'Connell, Karen M; Littleton-Kearney, Marguerite T; Bridges, Elizabeth; Bibb, Sandra C

    2012-05-01

    Just as data from civilian trauma registries have been used to benchmark and evaluate civilian trauma care, data contained within the Joint Theater Trauma Registry (JTTR) present a unique opportunity to benchmark combat care. Using the iterative steps of the benchmarking process, we evaluated data in the JTTR for suitability and established benchmarks for 24-hour mortality in casualties with polytrauma and a moderate or severe blunt traumatic brain injury (TBI). Mortality at 24 hours was greatest in those with polytrauma and a severe blunt TBI. No mortality was seen in casualties with polytrauma and a moderate blunt TBI. Secondary insults after TBI, especially hypothermia and hypoxemia, increased the odds of 24-hour mortality. Data contained in the JTTR were found to be suitable for establishing benchmarks. JTTR data may be useful in establishing benchmarks for other outcomes and types of combat injuries.

  4. El Teatro Social como herramienta docente para el desarrollo de competencias interculturales = The Social Theater as a teaching tool for the development of intercultural competences

    Directory of Open Access Journals (Sweden)

    Rocio Cárdenas-Rodríguez

    2017-05-01

    Full Text Available Resumen: El presente artículo recoge el proceso de implementación del Teatro Social como metodología participativa para el desarrollo de competencias interculturales en el ámbito universitario. A su vez, presentamos los resultados de la evaluación llevada a cabo a través del cuestionario y del grupo de discusión, para determinar si se han alcanzado los objetivos propuestos. Los resultados nos muestran que el Teatro Social fomenta las competencias interculturales, desarrolla en el alumnado una actitud crítica ante las desigualdades sociales, favorece la empatía, la sensibilidad, la escucha activa, la comunicación verbal y no verbal, y a la vez crea conciencia social tanto en los/as actores/actrices como en los/as espectadores/as. Es importante llevar a cabo metodologías docentes que fomenten la creatividad y conviertan al alumnado en agentes de cambio, y el Teatro Social es una herramienta pedagógica que favorece la participación social a partir de experiencias vividas por el alumnado en primera persona.Abstract: This article presents the process of implementing Social Theater as a participatory methodology for the development of intercultural competences in the University. We present the results of the evaluation carried out through the questionnaire and the discussion group, in order to determine if the proposed objectives have been achieved. The results show that Social Theater foment intercultural competences, develops in students a critical attitude to social inequalities, favors empathy, sensitivity, active listening, verbal and non-verbal communication, and at the same time creates social conscience in the actors and actresses as in the spectators. It is important to carry out teaching methodologies that foment creativity and convert students to agents of change, and Social Theater is a pedagogical tool that favors social participation based on experiences lived by students in first person. 

  5. S-TEAMS: A Truly Multiprofessional Course Focusing on Nontechnical Skills to Improve Patient Safety in the Operating Theater.

    Science.gov (United States)

    Stewart-Parker, Emma; Galloway, Robert; Vig, Stella

    Possessing adequate nontechnical skills (NTS) in operating theaters is of increasing interest to health care professionals, yet these are rarely formally taught. Teams make human errors despite technical expertise and knowledge, compromising patient safety. We designed a 1-day, multiprofessional, multidisciplinary course to teach, practice, and apply these skills through simulation. The course, "S-TEAMS," comprised a morning of lectures, case studies, and interactive teamworking exercises. The afternoon divided the group into multiprofessional teams to rotate around simulated scenarios. During the scenarios, teams were encouraged to focus on NTS, including communication strategies, situational awareness, and prompts such as checklists. A thorough debrief with experienced clinician observers followed. Data was collected through self-assessments, immediate and 6-month feedback to assess whether skills continued to be used and their effect on safety. In total, 68 health care professionals have completed the course thus far. All participants felt the course had a clear structure and that learning objectives were explicit. Overall, 95% felt the scenarios had good or excellent relevance to clinical practice. Self-assessments revealed a 55% increase in confidence for "speaking up" in difficult situations. Long-term data revealed 97% of the participants continued to use the skills, with 88% feeling the course had prevented them from making errors. Moreover, 94% felt the course had directly improved patient safety. There is a real demand and enthusiasm for developing NTS within the modern theater team. The simple and easily reproducible format of S-TEAMS is sustainable and inclusive, and crucially, the skills taught continue to be used in long term to improve patient safety and teamworking. Copyright © 2016 Association of Program Directors in Surgery. Published by Elsevier Inc. All rights reserved.

  6. Noise exposure in movie theaters: a preliminary study of sound levels during the showing of 25 films.

    Science.gov (United States)

    Warszawa, Anna; Sataloff, Robert T

    2010-09-01

    The harmful effects of noise exposure during leisure-time activities are beginning to receive some scrutiny. We conducted a preliminary study to investigate the noise levels during the showings of 25 different films. During each screening, various sound measurements were made with a dosimeter. The movies were classified on the basis of both their Motion Picture Association of America (MPAA) rating and their genre, and the size of the theater and the size of the audience were taken into consideration in the final analysis. Our findings suggest that the sound levels of many movies might be harmful to hearing, although we can draw no definitive conclusions. We did not discern any relationship between noise levels and either MPAA rating or genre. Further studies are recommended.

  7. Exploring domestic violence and social distress in Australian-Indian migrants through community theater.

    Science.gov (United States)

    O'Connor, Manjula; Colucci, Erminia

    2016-02-01

    In many parts of the world, young adult women have higher levels of common mental disorders than men. The exacerbation of domestic violence (DV) by migration is a salient social determinant of poor mental health. Ecological models describe factors contributing to DV as operating at individual, family, cultural, and societal levels. We explored the interplay among these factors in an Indian community living in Melbourne, Australia, in a qualitative participatory action research study using a modified Forum Theater approach. We here present findings on connections between migration, societal factors, and social/family/cultural factors in DV. The study captured the voices of women living in the community as they describe how DV contributes to their emotional difficulties. Improved understanding of the sociocultural dynamics of DV and the associated social distress in this migrant Indian community can be used to guide the development of culturally sensitive prevention and response programs to assist migrant women from the Indian subcontinent who present with psychopathology and suicidal behaviors associated with DV. © The Author(s) 2015.

  8. Tourniquets and exsanguinators: a potential source of infection in the orthopedic operating theater?

    LENUS (Irish Health Repository)

    Brennan, Stephen A

    2009-04-01

    BACKGROUND AND PURPOSE: Fomites are increasingly being recognised as a source of hospital-acquired infection. We have therefore assessed tourniquets and exsanguinators for the presence of bacterial pathogens in 1 elective and 2 trauma orthopedic hospitals. MATERIAL AND METHODS: Swabs were taken prior to and after decontaminating these devices with 1 of 3 different cleaning modalities. These were then assessed for colony counts and organisms identified. RESULTS: Bacteria commonly implicated in surgical site infections such as coagulase-negative staphylococci, Staphylococcus aureus and Proteus spp. were prevalent. We also found a resistant strain of Acinetobacter and Candida. Exsanguinators were the most heavily contaminated devices, and colony counts in the trauma hospitals were up to 400% higher than in the elective hospital. Alcohol- and non-alcohol-based sterile wipes were both highly effective in decontaminating the devices. INTERPRETATION: Infectious organisms reside on the tourniquets and exsanguinators presently used in the orthopedic theater. These fomites may possibly be a source of surgical site infection. We have demonstrated a simple and effective means of decontaminating these devices between cases.

  9. Ground Penetrating Radar Investigations in the Noble Hall of São Carlos Theater in Lisbon, Portugal

    Science.gov (United States)

    Fontul, S.; Solla, M.; Cruz, H.; Machado, J. S.; Pajewski, L.

    2018-05-01

    This paper describes a study conducted by the National Laboratory for Civil Engineering of Portugal (LNEC), in cooperation with the Defense University Center at the Spanish Naval Academy and "La Sapienza," University of Rome, to assess the health and safety conditions of the Noble Hall floor in the São Carlos National Theater (Lisbon, Portugal). In a multidisciplinary approach, extensive fieldwork was carried out. The survey included the location and characterization of beams in the various areas of the floor by using two ground penetrating radar (GPR) systems equipped with two different ground- or air-coupled antennas, local inspection openings to visually assess the geometry, timber species and conservation state of structural members, and an assessment of the conservation state of the timber beam ends using drilling equipment. All the tests performed and the results obtained are presented. The potential of using non-destructive tests for the inspection of timber cultural heritage structures, particularly GPR, is discussed, and some practical recommendations are made.

  10. Theater as a therapeutic resource for the prevention ofsubstance abuse: teenagers’ perception

    Directory of Open Access Journals (Sweden)

    Edyr Marcelo Costa Hermeto

    2014-05-01

    Full Text Available Objective: To understand the importance of theater as an occupational therapy resource for the prevention of substance abuse by teens enrolled in a community-based psychosocial project. Methods: A qualitative, descriptive study with a critical reflection approach held at a community center in the Community of Dendê, Fortaleza-Ceará, Data were collected from March to May 2009 in a group of ten (10 teenagers of both sexes, aged 12 to 18 years, who lived in socially vulnerable situations and participated in the GESTTO group (Group of Socio-theatrical Expressions in Occupational Therapy. A structured interview was used with a simple observation of groups of theatrical activities and a field book. The analysis of the empirical material was based on Orlandi’s discourse analysis. Results: It was found that theatrical activities used as an occupational therapy resource constitute a powerful tool for the prevention of substance abuse, promoting increased self-esteem, the restructuring of the model of social identity, and the discovery of potentialities and abilities by teenagers so that they can become peer educators for the prevention of substance abuse in the community. Conclusion: The theatrical activity provided teenagers with a clear understanding of the use and abuse of illicit drugs, making them more sensitive to prevention and self-identity, making a significant change in their lives. doi:10.5020/18061230.2013.p333

  11. LED surgical lighting system with multiple free-form surfaces for highly sterile operating theater application.

    Science.gov (United States)

    Liu, Peng; Zhang, Yaqin; Zheng, Zhenrong; Li, Haifeng; Liu, Xu

    2014-06-01

    Although the ventilation system is widely employed in the operating theater, a strictly sterile surgical environment still cannot be ensured because of laminar disturbance, which is mainly caused by the surgical lighting system. Abandoning traditional products, we propose an LED surgical lighting system, which can alleviate the laminar disturbance and provide an appropriate lighting condition for surgery. It contains a certain amount of LED lens units, which are embedded in the ceiling and arranged around the air supply smallpox. The LED lens unit integrated with an LED light source and a free-form lens is required to produce a uniform circular illumination with a large tolerance to the change of lighting distance. To achieve such a dedicated lens, two free-form refractive surfaces, which are converted into two ordinary differential equations by the design method presented in this paper, are used to deflect the rays. The results show that the LED surgical lighting system can provide an excellent illumination environment for surgery, and, apparently, the laminar disturbance also can be relieved.

  12. The sociological investigation of the audience of the Opera of the National theater in Belgrade

    Directory of Open Access Journals (Sweden)

    Hadžibulić Sabina

    2012-01-01

    Full Text Available The Opera of the National Theater in Belgrade was founded in 1920, but it is well known that opera performances were held long before its official opening. Despite the fact that this is the sole opera house in Belgrade (and one of the only two in Serbia, as well as the fact that it did not face any strong audience fluctuation, it is unusual that no one ever tried to investigate and profile its audience. During the last decades we were witnessing the popularization of the opera via various medias, as well as development and extention of the music industry, which surely changed its social status. The aim of the investigation that is going to be presented is to discover if this social life of opera changed its audience and does it still consists of - according to stereotypes - elderly, high educated individuals of certain professions and high material standards, i.e. at which level the opera is present in the private and public sphere of their lives.

  13. Organizational trauma – Types of organizational forgetting in the case of Belgrade theaters

    Directory of Open Access Journals (Sweden)

    Milena Dragićević-Šešić

    2017-08-01

    Full Text Available Organizational memory studies (OMS frame memory in a managerial mode, treating it as a data storage, limiting the scope from wider field of social memory studies. There is a lack of understanding about how the process of institutional forgetting works and how some memories stay a part of oral narratives and communicative social memory while they are omitted from the official memory represented by the official documents and events of remembering. Inspired by Paul Connerton’s article on the typology of forgetting we explore his typology in selected case studies of three public theaters located in Belgrade, focusing on remembering policy and practices investigating if a type of forgetting typical for a state/society/nation level is possible to be applied in the context of a cultural organization. We agree with Wessel and Moulds that developing common language and terminology would be important and beneficial for cross disciplinary dialogue. In this sense, the study shows how the typology of forgetting in societies can be applied and developed in the organizational memory studies and cultural management. The focus of the research is the dynamics of remembering and forgetting explored through analysis of the interaction between changing context, official institutional memories, and social communicative memories. 

  14. Aller au cinéma pour apprendre à être « moderne » ? Movie-going as a way to learn to be “modern”? The experience of the movie theater in Beijing: end of the 1910’s – beginning of the 1920’s.

    Directory of Open Access Journals (Sweden)

    Anne Kerlan

    2012-04-01

    Full Text Available Si le cinéma des premiers temps, en Chine, a investi des lieux traditionnels de la culture chinoise (maisons de thé, jardins, salles de théâtre et d’opéra, l’idée s’est rapidement imposée que le spectacle cinématographique devait se dérouler en un lieu susceptible de refléter son entière nouveauté, tant dans l’architecture et l’aménagement intérieur de la salle, que dans les règles de conduite édictées pour le personnel comme pour les spectateurs. Ceci était particulièrement vrai des salles de cinéma projetant des films occidentaux, comme si aller voir un film américain, allemand ou français, était perçu comme un forme d’apprentissage global à la modernité occidentale que ces films exposaient. Cet article se propose d’étudier la façon dont le public de Pékin a adopté les nouveaux rites du spectacle cinématographique en étudiant l’histoire d’une salle très particulière, le théâtre Lumière véritable (Zhenguang xiyuan, lieu de mise en pratique de règles de conduite inspirées de celles supposées en vigueur dans les salles occidentales. Mais on verra aussi que si le spectacle cinématographique permettait une certaine expérience de la modernité occidentale, il n’en fut pas moins adapté localement par les spectateurs pékinois en fonction d’exigences propres aux milieux sociaux concernés.  Movie at its beginnings in China took over many places traditionally dedicated to Chinese culture (teahouse, gardens, theater and opera houses; however, it became very quickly obvious that movie screenings should be held in places that could mirror the novelty of the show, either by the architecture, the design of the room or by the etiquette. This was particularly true for theaters where western films were screened: going to see such films could be conceived as a global experience, a way to learn in all aspects the western modernity carried by these products. This article explains, through the

  15. The incidence of fever in US Critical Care Air Transport Team combat trauma patients evacuated from the theater between March 2009 and March 2010.

    Science.gov (United States)

    Minnick, Joanne M; Bebarta, Vikhyat S; Stanton, Marietta; Lairet, Julio R; King, James; Torres, Pedro; Aden, James; Ramirez, Rosemarie

    2013-11-01

    Most critically ill injured patients are transported out of the theater by Critical Care Air Transport Teams (CCATTs). Fever after trauma is correlated with surgical complications and infection. The purposes of this study are to identify the incidence of elevated temperature in patients managed in the CCATT environment and to describe the complications reported and the treatments used in these patients. We performed a retrospective review of available records of trauma patients from the combat theater between March 1, 2009, and March 31, 2010, who were transported by the US Air Force CCATT and had an incidence of hyperthermia. We then divided the cohort into 2 groups, patients transported with an elevation in temperature greater than 100.4°F and patients with no documented elevation in temperature. We used a standardized, secure electronic data collection form to abstract the outcomes. Descriptive data collected included injury type, temperature, use of a mechanical ventilator, cooling treatment modalities, antipyretics, intravenous fluid administration, and use of blood products. We also evaluated the incidence of complications during the transport in patients who had a recorded elevation in temperature greater than 100.4°F. A total of 248 trauma patients met the inclusion criteria, and 101 trauma patients (40%) had fever. The mean age was 28 years, and 98% of patients were men. The mechanism of injury was an explosion in 156 patients (63%), blunt injury in 11 (4%), and penetrating injury in 45 (18%), whereas other trauma-related injuries accounted for 36 patients (15%). Of the patients, 209 (84%) had battle-related injuries and 39 (16%) had non-battle-related injuries. Traumatic brain injury was found in 24 patients (24%) with an incidence of elevated temperature. The mean temperature was 101.6°F (range, 100.5°F-103.9°F). After evaluation of therapies and treatments, 80 trauma patients (51%) were intubated on a mechanical ventilator (P cooling interventions

  16. Integrated methodology for the evaluation of the vulnerability of archaeological sites: the Roman Theater of Verona

    International Nuclear Information System (INIS)

    Cescatti, Elvis; Lorenzoni, Filippo; Caldon, Mauro; Modena, Claudio; Da Porto, Francesca

    2016-01-01

    The knowledge-based methodologies for assessing the structural safety and vulnerability of historical buildings are based on the application of an operational approach that is divided into several phases including historical research, the execution of non-destructive or moderately destructive investigations, monitoring and structural analysis. Monitoring is a useful tool to be used throughout the whole process of knowledge not only in the preliminary diagnosis, but also for the control of the quality and effectiveness of the interventions, in the context of appropriate conservation programs e protection of the object being studied. From this point of view, monitoring becomes essential for: (i) the evaluation of the real structural behavior and the identification of vulnerabilities, prior to the execution of any intervention; (ii) minimization and optimization of interventions, firstly by providing indications regarding those that are not necessary and / or invasive. This methodology has been recently applied and valid from the authors to an archaeological site of particular relevance: the Roman Theater of Verona. The deepening of the knowledge phase (historical analysis, survey, study of the subsoil, properties of materials), combined with the installation of a permanent monitoring system and the structural modeling, allowed to obtain a reliable assessment of the site's vulnerabilities with the aim of guaranteeing in an effective and careful protection and enhancement.

  17. EL TEATRO COMO HERRAMIENTA DIDÁCTICA EN LA ENSEÑANZA DE LA HISTORIA DE LA EDUCACIÓN CONTEMPORÁNEA / THEATER AS A PEDAGOGICAL TOOL TO TEACH HISTORY OF CONTEMPORARY EDUCATION

    Directory of Open Access Journals (Sweden)

    Pablo Álvarez Domínguez

    2016-06-01

    Full Text Available RESUMEN: Si la Universidad actual está demandando una educación que capacite al individuo para afrontar los cambios del futuro, hoy estamos retados a educar para el cambio. La innovación, la creatividad y el teatro como arte, son pilares fundamentales para una construcción más reveladora del conocimiento histórico educativo. Desde este planteamiento, justificamos una enseñanza de la Historia de la Educación más práctica y significativa, amparada en el uso de recursos pedagógicos más atractivos para el estudiante. Este trabajo recoge el desarrollo de una innovación docente en la asignatura Historia de la Educación Contemporánea del Grado en Pedagogía de la Universidad de Sevilla, que se concreta en la aplicación y uso de una pedagogía teatral como recurso didáctico para el conocimiento del pasado educativo. ABSTRACT: If current universities demand an education that trains individuals to face future changes, now we face the challenge to educate for change. Innovation, creativity and theater as art are fundamental pillars for a more revealing construction of historical and educational knowledge. From this approach, we can provide justification for a more practical and significant teaching of History of Education, based on the use of pedagogical resources that are more attractive for students. This paper presents the development of a teaching innovation in the History of Contemporary Education subject of the Degree Course on Pedagogy at the University of Seville, which results in the application and use of theater pedagogy as a teaching resource to learn about education in the past.

  18. From theater to the world wide web--a new online era for surgical education.

    Science.gov (United States)

    O'Leary, D Peter; Corrigan, Mark A; McHugh, Seamus M; Hill, A D; Redmond, H Paul

    2012-01-01

    Traditionally, surgical education has been confined to operating and lecture theaters. Access to the World Wide Web and services, such as YouTube and iTunes has expanded enormously. Each week throughout Ireland, nonconsultant hospital doctors work hard to create presentations for surgical teaching. Once presented, these valuable presentations are often never used again. We aimed to compile surgical presentations online and establish a new online surgical education tool. We also sought to measure the effect of this educational tool on surgical presentation quality. Surgical presentations from Cork University Hospital and Beaumont Hospital presented between January 2010 and April 2011 were uploaded to http://www.pilgrimshospital.com/presentations. A YouTube channel and iTunes application were created. Web site hits were monitored. Quality of presentations was assessed by 4 independent senior surgical judges using a validated PowerPoint assessment form. Judges were randomly given 6 presentations; 3 presentations were pre-web site setup and 3 were post-web site setup. Once uploading commenced, presenters were informed. A total of 89 presentations have been uploaded to date. This includes 55 cases, 17 journal club, and 17 short bullet presentations. This has been associated with 46,037 web site page views. Establishment of the web site was associated with a significant improvement in the quality of presentations. Mean scores for pre- and post-web site group were 6.2 vs 7.7 out of 9 respectively, p = 0.037. This novel educational tool provides a unique method to enable surgical education become more accessible to trainees, while also improving the overall quality of surgical teaching PowerPoint presentations. Copyright © 2012 Association of Program Directors in Surgery. Published by Elsevier Inc. All rights reserved.

  19. THE JOURNEY OF TRUTH: FROM PLATO TO ZOLA

    Directory of Open Access Journals (Sweden)

    Ribut Basuki

    1999-01-01

    Full Text Available Western theater theory and criticism is generally considered to be set forth by the Greeks. Plato was "the first theater critic" with his negative comments about theater owing to his idealistic views about "the truth." Then came Aristotle who used a different viewpoint from that of Plato, saying that there is "truth" in theater. However, hostile criticism on theater came back in the Middle Ages, championed by Tertulian before Aristotelian theory was revived by the neo-classicists such as Scaliger and Castelvetro. Theater theory and criticism discourse was then made more alive by the romanticists who disagreed with the neo-classicists' rigid rules on theater. As the influence of science became dominant in the theater world, naturalism and realism emerged and became the mainstream of theater theory and criticism until well into the twentieth century.

  20. Using video and theater to increase knowledge and change attitudes-Why are gorillas important to the world and to Congo?

    Science.gov (United States)

    Breuer, Thomas; Mavinga, Franck Barrel; Evans, Ron; Lukas, Kristen E

    2017-10-01

    Applying environmental education in primate range countries is an important long-term activity to stimulate pro-conservation behavior. Within captive settings, mega-charismatic species, such as great apes are often used to increase knowledge and positively influence attitudes of visitors. Here, we evaluate the effectiveness of a short-term video and theater program developed for a Western audience and adapted to rural people living in two villages around Nouabalé-Ndoki National Park, Republic of Congo. We assessed the knowledge gain and attitude change using oral evaluation in the local language (N = 111). Overall pre-program knowledge about Western gorillas (Gorilla gorilla) was high. Detailed multivariate analysis of pre-program knowledge revealed differences in knowledge between two villages and people with different jobs while attitudes largely were similar between groups. The short-term education program was successful in raising knowledge, particularly of those people with less pre-program knowledge. We also noted an overall significant attitude improvement. Our data indicate short-term education programs are useful in quickly raising knowledge as well improving attitudes. Furthermore, education messages need to be clearly adapted to the daily livelihood realities of the audience, and multi-variate analysis can help to identify potential target groups for education programs. © 2017 Wiley Periodicals, Inc.

  1. Single Neurosurgeon Operative Experience at Craig Joint Theater Hospital During the Afghanistan Surge (November 2010 to April 2011), Part II: Humanitarian Cases.

    Science.gov (United States)

    Steele, John Joseph

    2017-01-01

    The Afghanistan Surge saw NATO troops working with their Afghan partners to remove Taliban governance and replace it with a more democratic model. As part of this endeavor, medical support for both trauma and humanitarian cases was needed. Identify and discuss disease trends to better prepare for future combat medical treatments. Retrospective review of operative experience from a neurosurgeon from November 2010 to April 2011. 63 cases were performed on 20 NATO and 43 Afghan patients. Combat-related neurotrauma represented 73% (46/63) of cases and humanitarian cases represented the remainder. The most common diseases among humanitarian cases were benign tumors (29%, 5/17), cranioplasty (23%, 4/17), obstructive hydrocephalus (11%, 2/17), nonobstructive hydrocephalus (11%, 2/17), hemifacial spasm (11%, 2/17), and cerebral angiography (11%, 2/17). There was 1 death from ventriculitis for a complication rate of 6%. In select well-nourished, patients with minimal risk of needing tracheostomy, humanitarian neurosurgery can be safely performed in theater with a complication rate (6%) no worse than patients operated on in the United States. Reprint & Copyright © 2017 Association of Military Surgeons of the U.S.

  2. Science as theater, theater as science

    Science.gov (United States)

    Lustig, Harry

    2002-04-01

    Beginning with Bertold Brecht's "Galileo" in 1942 and Friedrich Dürrenmatt's "The Physicists" in 1962, physics and other sciences have served a number of dramatists as backdrops for the exposition of existential problems, as well as the provision of entertainment. Michael Frayn's 1998 play "Copenhagen" broke new ground by giving a central role to the presentation of scientific substance and ideas and to the examination of recent controversial and emotionally charged events in the history of science and of the "real world". A rash of "science plays" erupted. How should we physicists react to this development? Surely, it can be argued, any exposure of science to the public is better than none and will help break down the barriers between the "two cultures". But what if the science or the scientists are badly misrepresented or the play is a weapon to strip science of its legitimacy and its claims to reality and truth? After reviewing a half dozen of the new plays, I conclude that "Copenhagen", though flawed, is not only the best of show, but a positive, even admirable endeavor. The contributions of Bohr, Heisenberg, Born, Schrödinger, and other scientists and their interactions in the golden years of the creation of quantum mechanics are accurately and thrillingly rendered. There may be no better non-technical exposition of complementarity and the uncertainty principle than the one that Frayn puts into the mouths of Bohr and Heisenberg. The treatment of the history of the atomic bomb and Heisenberg's role in Germany's failure to achieve a bomb is another matter. Frayn can also be criticized for applying uncertainly and complementarity to the macroscopic world and, in particular, to human interactions, thereby giving some aid and comfort to the post-modernists. These reservations aside, Copenhagen is a beautiful contribution to the appreciation of science.

  3. A report of 3 soldiers returned to full duty after lumbar radiofrequency facet denervation in a theater of war.

    Science.gov (United States)

    Dragovich, Anthony; Trainer, Robert J

    2011-04-01

    To provide the advanced interventional procedure of zygapophysial joint neurotomy to soldiers meeting the diagnostic criteria in a combat environment and thus reduce medical evacuations of soldiers from a theater of war. Retrospective chart review was performed on three consecutive soldiers who received neuroablation of the lumbar ZP joint. Patients received single MBB with 1 cc of 1% lidocaine at the b/l L3-L5 levels considered diagnostic if >50% analgesia was achieved concordant with duration of anesthetic.   All procedures were co-performed by the two authors at the Ibn Sina hospital in Baghdad, Iraq over a 3-month period. Three consecutive patients with >50% pain relief from diagnostic medial branch blocks were treated with radiofrequency ablation of the bilateral L3-L4 medial branch nerves and L5 posterior primary ramus. Sensory test stimulation at 50 Hz and motor stimulation at 2 Hz were performed at each level. The nerves were then lesioned at 80° Centigrade for 90 seconds after injection of lidocaine and methylprednisolone. Procedure was considered successful if patients were able to wear body armour without significant discomfort (at least 1 hour/day). Medical evacuation from Iraq was prevented and all soldiers returned to rigorous combat duties including the wearing of body armour daily. We believe to be the first to report on the use of RF nerve ablation in a war time setting and with this functional outcome. Wiley Periodicals, Inc.

  4. Air Ground Integration and the Brigade Combat Team

    Science.gov (United States)

    2013-06-13

    Theater Air Control System TADIL-J Tactical Digital Information Link-J TAGS Theater Air Ground System TAIS Tactical Air Integration System TBMCS Theater...during planning and execution. This system interacts with the Theater Battle Management Core System ( TBMCS ) used by the JAOC to build and disseminate...control nodes within the AAGS, in conjunction with the interoperability with the TBMCS and Army mission command systems facilitates information flow during

  5. Assessment of preventive measures for accidental blood exposure in operating theaters: a survey of 20 hospitals in Northern France.

    Science.gov (United States)

    Tarantola, Arnaud; Golliot, Franck; L'Heriteau, François; Lebascle, Karin; Ha, Catherine; Farret, Danièle; Bignon, Sylvie; Smaïl, Amar; Doutrellot-Philippon, Catherine; Astagneau, Pascal; Bouvet, Elisabeth

    2006-08-01

    Accidental exposures to blood of body fluids (ABE) expose health care workers (HCW) to the risk of occupational infection. Our aim was to assess the prevention equipment available in the operating theater (OT) with reference to guidelines or recommendations and its use by the staff in that OT on that day and past history of ABE. Correspondents of the Centre de Coordination de la Lutte contre les Infections Nosocomiales (CCLIN) Paris-Nord ABE Surveillance Taskforce carried out an observational multicenter survey in 20 volunteer French hospitals. In total, 260 operating staff (including 151 surgeons) were investigated. Forty-nine of the 260 (18.8%) staff said they double-gloved for all patients and procedures, changing gloves hourly. Blunt-tipped suture needles were available in 49.1% of OT; 42 of 76 (55.3%) of the surgeons in these OT said they never used them. Overall, 60% and 64% of surgeons had never self-tested for HIV and hepatitis C virus (HCV), respectively. Fifty-five surgeons said they had sustained a total of 96 needlestick injuries during the month preceding the survey. Ten of these surgeons had notified of 1 needlestick injury each to the occupational health department of their hospital (notification rate, 10.4%). The occurrence of needlestick injury remained high in operating personnel in France in 2000. Although hospitals may improve access to protective devices, operating staff mindful of safety in the OT should increase their use of available devices, their knowledge of their own serostatus, and their ABE notification rate to guide well-targeted prevention efforts.

  6. Theater

    CERN Multimedia

    Staff Association

    2011-01-01

    LES TERRIENS texte et mise en scène de Claire Rengade Un spectacle inspiré de la vie du CERN ! Depuis deux ans, Claire Rengade et son équipe sont en chantier de leur prochaine création, Les Terriens, texte né d'un vagabondage au CERN (Centre Européen de Recherche Nucléaire). Omnubilée par la parole, elle propose une recherche singulière et passionnée, une forme très novatrice entre théâtre, poésie et reportage. Après une rencontre avec divers scientifiques du CERN (Ghislain Roy, Jean-Pierre Quesnel, Vincent Baglin...), Claire Rengade invente une "machine-à-regarder-comment-le-monde-est-fait". Sur fond d'accélérateur de particules, le résultat n'est pas un documentaire, c'est une fiction. Une boîte à expérimenter par l...

  7. Comprehensive measures of sound exposures in cinemas using smart phones.

    Science.gov (United States)

    Huth, Markus E; Popelka, Gerald R; Blevins, Nikolas H

    2014-01-01

    Sensorineural hearing loss from sound overexposure has a considerable prevalence. Identification of sound hazards is crucial, as prevention, due to a lack of definitive therapies, is the sole alternative to hearing aids. One subjectively loud, yet little studied, potential sound hazard is movie theaters. This study uses smart phones to evaluate their applicability as a widely available, validated sound pressure level (SPL) meter. Therefore, this study measures sound levels in movie theaters to determine whether sound levels exceed safe occupational noise exposure limits and whether sound levels in movie theaters differ as a function of movie, movie theater, presentation time, and seat location within the theater. Six smart phones with an SPL meter software application were calibrated with a precision SPL meter and validated as an SPL meter. Additionally, three different smart phone generations were measured in comparison to an integrating SPL meter. Two different movies, an action movie and a children's movie, were measured six times each in 10 different venues (n = 117). To maximize representativeness, movies were selected focusing on large release productions with probable high attendance. Movie theaters were selected in the San Francisco, CA, area based on whether they screened both chosen movies and to represent the largest variety of theater proprietors. Measurements were analyzed in regard to differences between theaters, location within the theater, movie, as well as presentation time and day as indirect indicator of film attendance. The smart phone measurements demonstrated high accuracy and reliability. Overall, sound levels in movie theaters do not exceed safe exposure limits by occupational standards. Sound levels vary significantly across theaters and demonstrated statistically significant higher sound levels and exposures in the action movie compared to the children's movie. Sound levels decrease with distance from the screen. However, no influence on

  8. Analýza motivace diváků pražských profesionálních činoherních divadel

    OpenAIRE

    Hájková, Mariana

    2012-01-01

    This Master Thesis maps the scene of the professional theaters in Prague from the spectators' perspective. Consequently it points out the most important motivation factors for each market segment that leads people to visit the shows. The theoretical part defines the terms theater and drama. It also analysis theater market in the Czech Republic and Prague's professional drama scene. Moreover, it specifies a marketing mix in the context of theaters, introduces the basic principles of marketing ...

  9. The Cancelled Duel Between R.B. Apollonsky and V.E. Meyerhold: From the History of Russian Theater During the Epoch of Revolution

    Directory of Open Access Journals (Sweden)

    Gordeev Petr Nickolaevich

    2015-04-01

    Full Text Available In the beginning of April 1917 a conflict burst out in the troupe of the Alexandrinsky Theatre: a number of prominent actors brought an accusation of aesthetic and political nature against director V.E. Meyerhold. The immediate reason for this was Meyerhold’s act – the director attended the meeting of “theatrical figures” convened by F.A. Golovin, the Commissioner of the Provisional government, not being among the persons elected to participate in the meeting of the troupe. In particular, artist R.B. Apollonsky compared V.E. Meyerhold with a famous friend of Nicholas II – G.E. Rasputin. Therefore, having ignored the accusations in “modernism”, he reacted harshly to the comparison with Rasputin. Outraged by this, Meyerhold called Apollonsky out to a duel. As a result, the duel did not take place, but the story was covered in press in unfriendly to Meyerhold light. The author concludes that Meyerhold represented in press after the February Revolution as a representative of the “old regime”, during this period was trying to distance himself from the fallen monarchy, actively assimilating the radical vocabulary. The isolation of Meyerhold in the circles of theater community took place after the described incident and was likely to make it easier for him in future to join the party of Bolsheviks.

  10. «Театральная критика»: границы функционирования в современном украинском театральном процессе

    Directory of Open Access Journals (Sweden)

    Victor Sobiansky

    2016-10-01

    Full Text Available The paper deals with the need to analyze the interpretation of the term „theater criticism” and revision of established views on this concept. Unfortunately, the understanding of the basic tasks and functions of theater criticism is often limited by modern reflections. Also sometimes the hermeneutical function of criticism is unjustifiably ignored. We cannot forget about the scientific understanding of the theatrical process component. The specificity of theatre criticism as a kind of artistic creativity found some generalization at the "Code of Practice" of the International Association of Theatre Critics. All of these factors directly influenced on the formation of an indefinite space of criticism in today’s theatrical process. More and more often quite inaccurate phrase „theater journalism” can be found at scientific literature. The situations with difficult delimitation of theater criticism function today even more overdue in Ukraine. Due to economic conditions, the situation of publishing media, the need for reform of theater arts and education, with a change in the reader’s consciousness, the theater criticism is increasingly turning into a hobby. Is there a future for the profession of theater critic, and what transformations can comprehend it?

  11. Real-time measurements of airborne biologic particles using fluorescent particle counter to evaluate microbial contamination: results of a comparative study in an operating theater.

    Science.gov (United States)

    Dai, Chunyang; Zhang, Yan; Ma, Xiaoling; Yin, Meiling; Zheng, Haiyang; Gu, Xuejun; Xie, Shaoqing; Jia, Hengmin; Zhang, Liang; Zhang, Weijun

    2015-01-01

    Airborne bacterial contamination poses a risk for surgical site infection, and routine surveillance of airborne bacteria is important. Traditional methods for detecting airborne bacteria are time consuming and strenuous. Measurement of biologic particle concentrations using a fluorescent particle counter is a novel method for evaluating air quality. The current study was to determine whether the number of biologic particles detected by the fluorescent particle counter can be used to indicate airborne bacterial counts in operating rooms. The study was performed in an operating theater at a university hospital in Hefei, China. The number of airborne biologic particles every minute was quantified using a fluorescent particle counter. Microbiologic air sampling was performed every 30 minutes using an Andersen air sampler (Pusong Electronic Instruments, Changzhou, China). Correlations between the 2 different methods were analyzed by Pearson correlation coefficients. A significant correlation was observed between biologic particle and bacterial counts (Pearson correlation coefficient = 0.76), and the counting results from 2 methods both increased substantially between operations, corresponding with human movements in the operating room. Fluorescent particle counters show potential as important tools for monitoring bacterial contamination in operating theatres. Copyright © 2015 Association for Professionals in Infection Control and Epidemiology, Inc. Published by Elsevier Inc. All rights reserved.

  12. Creating the Vision: Directors Don't Do It Alone.

    Science.gov (United States)

    Carlisle, Barbara; Drapeau, Don

    1997-01-01

    Argues that good directors are not as autocratic and individualistic as they are often portrayed. Suggests that theater is much more of an ensemble effort. States that good theater grows out of the performers' desire to reach the audience. Articulates guidelines for the teacher or theater director who wishes to change "I" to…

  13. Proses Kreatif Teater Garasi Yogyakarta Dalam Lakon Waktu Batu

    Directory of Open Access Journals (Sweden)

    Nur Iswantara

    2013-11-01

    The Creative Process of Garasi Theater Yogyakarta for the Story of Waktu Batu. The aims of this research is to understand the creative concept and process of Garasi Theater Yogyakarta. It is one of the phenomenal Indonesian contemporary groups of theater. Some of its works have already been performed in front of local and national audiences as well. This research mainly focuses on the internal and external factors which have influnced the condusive situation towards the development and popularity of Garasi Theater Yogyakarta. In order to solve the problems formulated in the research, the theory of creativity and the comparison between semiotic and management arts were actively used. The result of the research showed that Garasi Theater Yogyakarta has a traditional characteristic developed in a theater community of Yogyakarta and soon afterwards it has carried out such an artistic rebellion. The Garasi Theater Yogyakarta is as a group of contemporary theatre which has very clear vision and mission. By doing the creative work through a laboratory of theatrical production, Garasi Theater Yogyakarta was able to create a masterpiece of a performance entitled Waktu Batu. The performance of Waktu Batu consists of three sub-titles, namely: ‘Waktu Batu 1, Kisah-kisah yang Bertemu di Ruang Tunggu’; ‘Waktu Batu 2, Ritus Seratus Kecemasan dan Wajah Siapa yang Terbelah’; dan ‘Waktu Batu 3, Deus ex Machina dan Perasaan-perasaan Padamu’. This theatrical work can be said as an inspirative work in which it took four years in its creative process, had been activated by youngsters, and had been performed by means of a road-show program through some cities in Indonesia and Singapore. Keywords: Garasi Theater, Yogyakarta arts, Waktu Batu

  14. 75 FR 59968 - Presumptions of Service Connection for Persian Gulf Service

    Science.gov (United States)

    2010-09-29

    ..., naval, or air service in the Southwest Asia theater of operations, or to a degree of 10 percent or more..., naval, or air service in the Southwest Asia theater of operations; or (ii) If there is affirmative..., naval, or air service in the Southwest Asia theater of operations during the Persian Gulf War. (2) The...

  15. Visions of our Planet's Atmosphere, Land and Oceans: NASA/NOAA Electronic-Theater 2002. Spectacular Visualizations of our Blue Marble

    Science.gov (United States)

    Hasler, A. F.; Starr, David (Technical Monitor)

    2002-01-01

    Spectacular Visualizations of our Blue Marble The NASA/NOAA Electronic Theater presents Earth science observations and visualizations in a historical perspective. Fly in from outer space to the 2002 Winter Olympic Stadium Site of the Olympic Opening and Closing Ceremonies in Salt Lake City. Fly in and through Olympic Alpine Venues using 1 m IKONOS "Spy Satellite" data. Go back to the early weather satellite images from the 1960s and see them contrasted with the latest US and international global satellite weather movies including hurricanes & "tornadoes". See the latest visualizations of spectacular images from NASA/NOAA remote sensing missions like Terra, GOES, TRMM, SeaWiFS, Landsat 7 including new 1 - min GOES rapid scan image sequences of Nov 9th 2001 Midwest tornadic thunderstorms and have them explained. See how High-Definition Television (HDTV) is revolutionizing the way we communicate science. (In cooperation with the American Museum of Natural History in NYC). See dust storms in Africa and smoke plumes from fires in Mexico. See visualizations featured on the covers of Newsweek, TIME, National Geographic, Popular Science & on National & International Network TV. New computer software tools allow us to roam & zoom through massive global images e.g. Landsat tours of the US, and Africa, showing desert and mountain geology as well as seasonal changes in vegetation. See animations of the polar ice packs and the motion of gigantic Antarctic Icebergs from SeaWinds data. Spectacular new visualizations of the global atmosphere & oceans are shown. See vertexes and currents in the global oceans that bring up the nutrients to feed tiny algae and draw the fish, whales and fisherman. See the how the ocean blooms in response to these currents and El Nicola Nina climate changes. See the city lights, fishing fleets, gas flares and biomass burning of the Earth at night observed by the "night-vision" DMSP military satellite.

  16. [A Teaching Experience: Psychiatric Interview on a Simulated Scenario With the Participation of Actors of the Altergesto Theater Group].

    Science.gov (United States)

    Betancourt Galeano, Wendy; Castrillón Muñoz, Eduardo; Godoy Jaimes, Kristy Alejandra; Matheus Lamus, Johanna; Ramírez Rivera, Sandra Milena; Ríos Castañeda, Sandra Viviana

    2016-01-01

    Simulation has been used as a learning tool in different disciplines and professions, including medicine and its specialties. Its usefulness is directly related to the integration of objectives, contents, methodologies and specific resources in each area of knowledge. To describe the development of an educational experience implemented in the Pontificia Universidad Javeriana Cali (Cali, Colombia) with medical students of Human Behavior II program, between 2012 and 2013. This experience was performed with simulated patients played by actors of the Altergesto theater group, that were interviewed by students under the supervision of psychiatrists and teachers of the subject, using the Simulated Hospital of the University. A historical development recall of the teaching sequence was made from the first half of 2012 to the second half of 2013, a statement of pedagogical objectives, and a description of the teaching-learning strategies. 158 interviews were conducted over a period of two years during which it was necessary to raise methodological solutions to adapt this teaching sequence to the content and objectives of the subject. The high-fidelity simulation, integrating actors who represent psychiatric patients mixed with the technology of a Simulated Hospital was useful to achieve compliance with the objectives proposed in the course of Human Behavior II, as a part of the program of Medicine at the Pontificia Universidad Javeriana Cali. In parallel, the construction of experience as an interdisciplinary project and the practical approach of this strategy may impact on cognitive, emotional, behavioral dimensions of the participants, encouraging meaningful learning. An easy access database for the collected material and the study of the effects of this strategy in the formation of long-term students is needed. Copyright © 2015 Asociación Colombiana de Psiquiatría. Publicado por Elsevier España. All rights reserved.

  17. A arte do encontro: a Educação Eestética Ambiental atuando com o Teatro do Oprimido The art of meeting: the Aesthetic Environmental Education acting with the Theater of the Oppressed

    Directory of Open Access Journals (Sweden)

    Eduardo Silveira

    2009-12-01

    Full Text Available A educação ambiental tem a tarefa de buscar novas formas de relacionamento entre ser humano e natureza, pautadas em um posicionamento ético, mas carrega as dificuldades impostas por um modelo de educação engessado, pautado na lógica da racionalidade técnico-científica que permeia toda a sociedade. Na tentativa de superar essa condição, propomos a educação estética ambiental como forma de o ser humano relacionar-se com o mundo que habita, tendo o desafio de provocar o reencontro do humano com as dimensões sensível, afetiva e poética que o compõem. Tendo este campo como fundamento, buscamos, teoricamente, refletir sobre a inserção de uma proposta artística como meio de se chegar aos objetivos necessários à educação ambiental. No campo da arte, voltamo-nos ao teatro do oprimido, que tem como principal objetivo a democratização do teatro, considerada atividade orgânica do ser humano. Identificamos nele aproximações com os princípios e objetivos buscados pela educação estética ambiental.The environmental education is aimed at seeking new forms of relationship between human beings and nature. Although based on an ethical position, it carries the difficulties imposed by a plaster model of education, based on the logic of technical-scientific rationality that permeates society. In an attempt to overcome such condition we propose the aesthetic environmental education as a way of human beings to relate with the world they inhabit while posing the challenge to lead the reunion with their sensitive, emotional and poetic dimensions. Having this field as a basis, we, theoretically, reflect on the inclusion of an artistic proposal as a means of achieving the necessary goals for the environmental education. In the field of art, we turn to the theater of the oppressed, which has the goal of theater democratization, as an organic activity of human beings. We have identified in it approximations to the principles and objectives

  18. The association of PTSD with physical and mental health functioning and disability (VA Cooperative Study #569: the course and consequences of posttraumatic stress disorder in Vietnam-era Veteran twins)

    Science.gov (United States)

    Magruder, Kathryn M.; Forsberg, Christopher W.; Kazis, Lewis E.; Üstün, T. Bedirhan; Friedman, Matthew J.; Litz, Brett T.; Vaccarino, Viola; Heagerty, Patrick J.; Gleason, Theresa C.; Huang, Grant D.; Smith, Nicholas L.

    2018-01-01

    Purpose To assess the relationship of posttraumatic stress disorder (PTSD) with health functioning and disability in Vietnamera Veterans. Methods A cross-sectional study of functioning and disability in male Vietnam-era Veteran twins. PTSD was measured by the Composite International Diagnostic Interview; health functioning and disability were assessed using the Veterans RAND 36-Item Health Survey (VR-36) and the World Health Organization Disability Assessment Schedule 2.0 (WHODAS 2.0). All data collection took place between 2010 and 2012. Results Average age of the 5,574 participating Veterans (2,102 Vietnam theater and 3,472 non-theater) was 61.0 years. Veterans with PTSD had poorer health functioning across all domains of VR-36 and increased disability for all subscales of WHODAS 2.0 (all p < .001) compared with Veterans without PTSD. Veterans with PTSD were in poorer overall health on the VR-36 physical composite summary (PCS) (effect size = 0.31 in theater and 0.47 in non-theater Veterans; p < .001 for both) and mental composite summary (MCS) (effect size = 0.99 in theater and 0.78 in non-theater Veterans; p < .001 for both) and had increased disability on the WHODAS 2.0 summary score (effect size = 1.02 in theater and 0.96 in non-theater Veterans; p < .001 for both). Combat exposure, independent of PTSD status, was associated with lower PCS and MCS scores and increased disability (all p < .05, for trend). Within-pair analyses in twins discordant for PTSD produced consistent findings. Conclusions Vietnam-era Veterans with PTSD have diminished functioning and increased disability. The poor functional status of aging combat-exposed Veterans is of particular concern. PMID:24318083

  19. Teatro e desenvolvimento psicológico infantil

    Directory of Open Access Journals (Sweden)

    Andreia Anna Amaral Porto

    2013-03-01

    Full Text Available This article aims to investigate the role of theater in children’s psychological development, seeking to investigate which developmental aspects are present in the act of making theater. Six observations were made between April and September in the year of 2012 of the activities in a theater group for children aged from seven to twelve years old. The participants are part of a social project developed by a theater school in the town of Curitiba, Southern Brazil. The categories of analysis chosen from the concepts proposed by Vygotsky were: language, signs, mediation, imitation, emotion, voluntary activities, appropriation of cultural elements. By the end of the project it was observed that the theater provides means that make several psychological development aspects possible for the individual, which therefore can be understood as a mediator in the process of constitution of the human being.

  20. Oficina de teatro de rua utilizando a literatura de cordel: um olhar-fazer etnográfico sobre a pedagogia teatral do grupo Imbuaça

    Directory of Open Access Journals (Sweden)

    Narciso Telles

    2014-10-01

    Full Text Available O presente artigo é uma etnografia da oficina de teatro de rua do Grupo Imbuaça. Aqui apresentamos e discutimos a partir desta experiência artístico-pedagógica, as relações entre as atividades e a linguagem de teatro popular do Grupo. ABSTRACT This paper is an ethnographic approach of the Group Imbuaça street theater workshop. As an active member of this artistic-pedagogical experience, we present and discuss the relationships between the activities of the workshop and the popular theater language of the group. KEYWORDS Pedagogy of theater, popular theater, Imbuaça Group, ethnography.

  1. Improving the Quality of Service and Security of Military Networks with a Network Tasking Order Process

    Science.gov (United States)

    2010-09-01

    44 TACFIRE TACtical FIRE direction system 51 TACOPDAT TACtical Operational DATa 20 TBMCS Theater Battle Management...the MAAP process is complete, the ATO data is finally compiled into Theater Battle Management Core System ( TBMCS ), united with any inputs to SPINS...table. 3.1.5 Other NTO Process Considerations The Air Force uses Theater Battle Management Core System ( TBMCS ) to assist in planning and executing

  2. Fire Safety Aspects of Polymeric Materials. Volume 7. Buildings

    Science.gov (United States)

    1979-01-01

    Custodial Buildings 136 4.5.5 Retail Stores, Malls, etc. 138 l’ 4.5.6 Restaurants and Nightclubs 4.5.7 Public Assembly Occupancies - Auditoria , Theaters... auditoria , theaters, exhibition halls, arenas, transportation terminals; educational buildings and indus- trial buildings. Many of the fire safety...usage are developed. 4.5.7 Public Assembly Occupancies - Auditoria , Theaters, Exhibition Halls, Arenas, Transportation Terminals, Etc. The factors

  3. U.S. Army Airspace Command and Control at Echelons Above Brigade

    Science.gov (United States)

    2010-01-01

    Systems TACS Theater Air Control System TAIS Tactical Airspace Integrations System TAGS Theater Air Ground System TBMCS Theater Battle Management...Systems ( TBMCS ) in the C/JAOC. The approved Airspace Control Measure Requests are passed to all the Service’s ACS via the TBMCS . The TAIS receives the...shared between TBMCS and the Advanced Field 42 Artillery Tactical Data System through the Publish and Subscribe Server or via the TAIS. There is

  4. 77 FR 37710 - National Register of Historic Places; Notification of Pending Nominations and Related Actions

    Science.gov (United States)

    2012-06-22

    ... in your comment to withhold your personal identifying information from public review, we cannot..., 1611 Roy Acuff Pl., Nashville, 12000420 WASHINGTON Clark County Kiggins Theater, (Movie Theaters in...

  5. As implicações das leis de incentivo à cultura sobre o processo de produção dos espetáculos no Theatro Municipal de São Paulo The implications of culture incentive laws on the production of spectacles in the Municipal Theater of São Paulo

    Directory of Open Access Journals (Sweden)

    Maria Aparecida Alves

    2011-04-01

    Full Text Available O objetivo deste trabalho é analisar os efeitos da utilização das leis de incentivo fi scal em favor dos investimentos na área da cultura. Para compreendermos os reflexos dessa forma de financiamento sobre o processo de produção dos espetáculos nos pautaremos na realidade vivenciada pelo Theatro Municipal de São Paulo. Observamos que esse teatro possui uma forma de gerir a cultura que está cada vez mais infl uenciada por princípios da economia de mercado. Apesar de o Estado regular as políticas culturais, esse mecanismo se efetiva por meio do apoio da iniciativa privada, que se dá majoritariamente através das leis de incentivo fi scal. Portanto, buscaremos compreender as consequências dessa política de fi nanciamento para o desenvolvimento das atividades culturais. Palavras-chave: Políticas culturais. Leis de incentivo. Produção cultural. This article aims to analyze the effects of tax incentive laws in favor of investments in culture. In order to understand the effects of this fi nancial support to the spectacle productions, we will analyze the experiences of the Municipal Theater of São Paulo. We note this theater has been managing their cultural activities guided more and more by market economy principles. Despite the regulation of the cultural policies by the State, this mechanism comes through by the support of the private sector, majorly due to tax incentive laws., We then try to understand the consequences of this funding policy for the development of cultural activities. Keywords: Cultural policies. Incentive laws. Cultural production.

  6. Theater Management

    DEFF Research Database (Denmark)

    Baldin, Andrea; Bille, Trine

    The purpose of this paper is to analyze how audiences choose between different theatre performances and how they try to evaluate the quality. Especially the impact of professional reviews is analyzed. The audience may use different quality indicators to evaluate the quality beforehand. These qual...

  7. Aesthetic and intellectual values of the theatrical decor in modern theatrical trends القيم الجمالية والفكرية للديكور المسرحي في الاتجاهات المسرحية الحديثة

    Directory of Open Access Journals (Sweden)

    Prof. Dr. Abbas Ali Jaafar الاستاذ الدكتور عباس علي جعفر

    2015-01-01

    Full Text Available Stanislavski began in the light of the natural theater earlier in (Germany Al Mengjd In France, Andre Antoine trying to achieve foreign conforming to historical reality through numerous studies for decoration and fashion ... where natural theater depends on the decor on the principle of accuracy in the reproduction of reality and that everything stage must be real as possible. And construction on stage not only multiplicity of rooms and even multi-storey also real and ladders and doors of oak. The natural theater owners aspire to is sought by (Yan sativa in public landscapes something integration decree with the real thing. And the artist in the natural theater as when (Yan sativa create and collaborator closer cooperation with carpenter and woodcutter and the play-maker accessories. It also seeks to transform the stage to show the tools real museum age or less copied estimate for age fees or by photographs taken from museums. ( In this way, coupled with a way to copy the historical style and transport photography natural theater to achieve the principle of Foreign conforming to historical reality.

  8. Theatre City and Identity: Narodno pozorište-Nepszίnház-KPGT

    Directory of Open Access Journals (Sweden)

    Lazar Jovanov

    2016-04-01

    Full Text Available This study considers the concept of Theatre City and its role in the formation of the desired identity of a community. More specifically, the research is at a crossroads of sociological and anthropological use of this theater form, in a function of the reconstruction of the community, examining the relationship between theater and the city, as a functional European theater concept, which has the potential to generate multiple socio-cultural values, participating in the formation of the so-called free spaces, free theater, which rejects the idea of elitism because it is intended for the wider population. In this regard, the subject of this research is the concept of Subotica Theatre City established by National Theater-Nepszίnház-KPGT in the context of creating a (multicultural identity of the community, while the focus is on socio-anthropological, philosophical and aesthetic analyse of the play Madach, the comments, which was the inaugural project of the new aesthetic and cultural policy of the city of Subotica in the former Yugoslavia in 1985.

  9. Combat Health Support of the Transformation Force in 2015

    National Research Council Canada - National Science Library

    Gouge, Steven

    2001-01-01

    .... Minimizing death and morbidity requires appropriate and timely evacuation and treatment. Joint medical doctrine has been changed to emphasize evacuation of less-stable patients out of theater and decrease the theater hospital footprint...

  10. Nora Tully MacAlvay--Her Life in the Theatre.

    Science.gov (United States)

    Webb, Dorothy

    1996-01-01

    Recounts the life and times of a pioneer children's theater playwright and fiction author, Nora Tully MacAlvay (1900-86). Points out that her interest in children's theater and children's literature was lifelong and intense. (PA)

  11. The Open role : some remarks on contemporary acting

    OpenAIRE

    Mažeikienė, Rūta

    2006-01-01

    Traditionally, actor is considered to be a theater artist, who represents the other during a theater play: it can be a fictional character or a real person, animated or inanimate stage object. However, the practice of contemporary theater questions such definition of actor. In analyzing certain roles, it is difficult to pinpoint what is the task of an actor: should (s)he perform a role of a fictional character, or address the audience by his/her own name, or to perform specific plastic / visu...

  12. Lokasi Dan Kelompok Teater Indonesia 2001-2005 (Analisis Rubrik Teater Majalah Tempo

    Directory of Open Access Journals (Sweden)

    Nurhadi Nurhadi

    2010-06-01

    Full Text Available Artikel ini bertujuan mendeskripsikan kelompok-kelompok teater yang berkecimpung dalam pementasan teater di Indonesia dan peta lokasi pementasan sebagaimana diulas dalam majalah Tempo tahun 2001-2005. Hasil penelitian ini menunjukan kelompok teater yang paling konsisten dalam mementaskan suatu naskah setiap tahunnya adalah Teater Koma. Kelompok teater berikutnya yang relatif banyak berkiprah dari tahun 2001-2005 berdasarkan artikel rubrik teater Tempo yaitu Teater Mandiri, Teater Garasi, dan Actors Unlimited Bandung. Kelompok teater pada jajaran berikutnya yang mementaskan lebih dari satu kali pada periode 2001-2005, yaitu Teater Gandrik, Bengkel Teater, dan Mainteater Jakarta. Lokasi pementasan teater selama 2001-2005 berdasarkan rubrik teater majalah Tempo sebagian besar berlangsung di berbagai gedung teater di Jakarta. Perbandingan jumlah lokasi pertunjukannya adalah sebagai berikut: Jakarta (50 pementasan, Yogyakarta (6 pementasan, Surakarta (2 pementasan dan Bandung (1 pementasan. Abstract: This article aims to describe the theater groups being active in theater performances in Indonesia and the performance location map as reviewed in Tempo magazine in 2001-2005. The research result has shown that the most consistent theater group in performing a script each year is Teater Koma. The next group which have relatively many performances in 2001-2005 according to Tempo’s articles are Teater Mandiri, Teater Garasi, and Actors Unlimited Bandung. The next level groups which have more than one performance in 2001-2005 are Teater Gandrik, Bengkel Teater, and Mainteater Jakarta. The theater performance locations in 2001-2005, according to Tempo’s articles, mostly took place in Jakarta’s theater houses. The ratio of performance locations amount is as follows: Jakarta (50 performances, Yogyakarta (6 performances, Surakarta (2 performances, and Bandung (1 performance. Key Words: theater performance location, theater group, Tempo magazine

  13. Must the show go on? The case for Theatre for Development.

    Science.gov (United States)

    Prentki, T

    1998-11-01

    This article discusses the reasons for use and nonuse of folk theater for communicating development messages. Theater for Development (TFD) is a tool used by development agencies for improving the quality of life among vulnerable populations. TFD uses fiction and the "safe space" of performance to comment on reality and offer alternatives. The medium offers the opportunity to explore roles that would normally be denied in real life and to explore a community's developmental aspirations. Most TFD draws on talent from the dramatic arts that is unfamiliar with development perspectives. TFD is finally being recognized as important for cultural expression suitable for self-development. Communication is the single most important aspect in the process of development. The constraints to TFD are lack of inclusion within development policy, the lack of development artists, and most importantly, time. Groups with a history of silence, oppression, and marginalization need facilitators. The Freirean model is a consciousness raising one. Participatory theater is centuries old. The most vigorous, sustained TFD theaters are in places with deprivation, poverty, disease, and hunger. These situations are well suited to TFD as a critical intervention for change. An example from the Nigerian Popular Theater Alliance is used to illustrate consciousness raising about government provision of services. TFD allows communities to draw agendas of their own. India has a substantial tradition of Social Action Groups and street theater. TFD can reverse power relations, is not dependent on literacy, and offers an entertaining way of spreading information.

  14. Representasi Betara Kala dalam Pertunjukan Teater Kontemporer Kalamanungsa

    Directory of Open Access Journals (Sweden)

    INDRA SUHERJANTO

    2013-11-01

    Full Text Available Representation of Batara Kala in Contemporar Theater of Kalamanungsa. This Kalamanungsa theater tellshumanitarian issues, the journey of human life, human beings who have characters that need to fi nd a way out forthe better life. Starting from the myth Betara Kala that was born not intentionally emerges a wide range of results.Kalamanungsa will show something different. Existence Betara Kala, Kala Betara existence presented, and the mythof the birth of stalling and Betara Kala is an inspiring creation performance theater Kalamanungsa. Kalamanungsaraised the issue of modern society life with invented characters, with burdened by the dialogues that contain philosophy,poetry, with strong musical aspect. Kalamanungsa is showed with a modern theatrical approach, by presentingthe symbols to express meaning and emotion, using multimedia, projector/LCD, with music that is processed ona computer elaborated with a variety of traditional and modern musical instruments as the stage spectacle which isintentionally presented to give specifi c meaning. Theater performance Kalamanungsa tries to explain all elements ofart in a show, like music art, dance art, lighting and other art media with hope that Kalamanungsa will attend as ashow of modern theater.

  15. Impactul imaginilor audiovizuale asupra structurii teatrului modern

    Directory of Open Access Journals (Sweden)

    Violeta Tipa

    2016-10-01

    Full Text Available With the development of digital technologies, the universe of theatrical performance knows a new wave of visual image invasion. Almost a century from the first attempts to introduce elements of cinematic language, theater people offer new opportunities for including movie images (video in the performance structure, expanding the space and time of the dramatic actions. Being more sophisticated and used at maximum, they have generated some new forms of theater, such as media theater and visual theater. The trend toward the modernization of the performance, by imposing video sequences, often change the optics of the traditional performance. Theater performances of the theatres from Poland: Hamlet by Krzysztof Garbaczewski, the performances Hommage to Chagall and Metamorphosis by director Adolf Weltschek; the Romanian performances Everything is Well between Us by Radu Afrim, the show King Ubu by Slava Sambris and the ones presented within BITEI 2016 are among the experiments in this context. Having a significant impact on the theatrical language, as well as on the structure of modern performance, the presence of the audio-visual causes a phenomenon worthy of research under various aspects.

  16. Performing "the Other"

    DEFF Research Database (Denmark)

    Riis, Helle Bach

    2013-01-01

    A group of youngsters perform their self-composed rap lyrics on stage in the Betty Nansen Theater in Copenhagen. The theater claims, that the performance portraits the youngsters as they truly are – as opposed to the medias portrayal. The play is part of an integration project, co-financed by the......A group of youngsters perform their self-composed rap lyrics on stage in the Betty Nansen Theater in Copenhagen. The theater claims, that the performance portraits the youngsters as they truly are – as opposed to the medias portrayal. The play is part of an integration project, co......-financed by the Danish Ministry of Integration. This essay presents a critical analysis of the representation of the youngsters on stage. The analysis is especially based on the concepts of performance and performativity and on hip-hop as a genre framework for the representation....

  17. The Tableau Vivant as Basic to Theatre Study.

    Science.gov (United States)

    Dow, Marguerite R.

    1980-01-01

    Defines "tableaux vivant" as the three-dimensional enactment of still pictures. Describes its use in the theater and as a tool in theater study. Presents a series of warm-up and tableaux exercises for use in the classroom. (JMF)

  18. Evaluation of Modern Navies’ Damage Control and Firefighting Training using Simulator Platforms

    Science.gov (United States)

    2011-09-01

    RESPONSES The inspiration for the following analysis is Zaharee’s, (2003) Training Program Review: Theater Battle Management Core Systems ( TBMCS ...rep1&ty pe=pdf. Zaharee, M. E. (2003). Training Program Review: Theater Battle Management Core Systems ( TBMCS ) Training Program Evaluation. Andover

  19. Using Theatric Pedagogy To Develop Social And Emotional Skills In Order To Improve Employability Of Engineering Students

    Science.gov (United States)

    Pertea, Alina; Grecu, Valentin

    2015-07-01

    This research is the result of intense concerns about the role of theater in society beyond the theater show, from the creative process of analysis and introspective psychological insight, to the side effects of theater as a form of expression of the individual, and reception, assimilation and processing of theatrical codes and messages. The paper focuses therefore on theatric pedagogy, the forming tools and the size of the theater, and its value as a means and as a didactic factor for personality stimulation and development, both in terms of form and content. To this end, there are presented both theoretical perspectives and an exploratory study, which aims to verify the applicability, usefulness and effectiveness of theatric pedagogy means as an additional training method to facilitate the integration of graduates in employment and a successful professional collaboration, in an industry mainly in the field of real profile

  20. 75 FR 43452 - Nondiscrimination on the Basis of Disability by State and Local Governments and Places of Public...

    Science.gov (United States)

    2010-07-26

    ...-out, seat selection, boarding passes, or ordering food in restaurants and cafeterias. See 75 FR 13457... listed in the ADA, such as restaurants, movie theaters, schools, day care facilities, recreational..., recreational facilities, such as health clubs or golf courses, restaurants, movie theaters, schools, and day...

  1. Regulate the culture: the police intervention in musical practices (Buenos Aires, 1820-1833

    Directory of Open Access Journals (Sweden)

    Guillermina Mariel Guillamon

    2017-03-01

    Full Text Available The aim of this work is to analyze what were the main areas of intervention of the police respect the musical culture. To do this, at first we inquire about the action of musicians, theater manager and officials of the provincial government at the time of claim and regulate activities, contracts and materials spaces through the police. In a second part, we aprroach about that that was enunciated as part of the " desirable order” for activities and musical practices , customs and habits of the public frequent the theater Coliseo Provisional, rights and obligations of the theater manager , musicians and government.

  2. La salle de cinéma comme attraction spectacle : le cas Captain Eo à Disneyland Paris The Movie theater as attraction: The Case of Captain Eo at Disneyland Paris

    Directory of Open Access Journals (Sweden)

    Jean-Baptiste Massuet

    2012-04-01

    Full Text Available Cet article a pour ambition d’interroger le rapport du public à une salle de cinéma précise, au cœur du parc Disneyland Paris à Marne-La-Vallée. Cette salle projette à nouveau depuis juin 2010 l’attraction Captain Eo, film de science-fiction en 3D relief réalisé par Francis Ford Coppola en 1986, avec Michael Jackson dans le rôle-titre. Remplacé depuis 1998 par une autre attraction, Captain Eo fait son retour un an après le décès de la star, et implique dès lors un rapport très particulier à son public, par son statut d’hommage post-mortem. Il s’agira de comprendre la façon dont l’attraction structure son public, et la façon dont celui-ci peut construire à son tour le sens du film qu’il est en train de voir. C’est donc une approche sémio-pragmatique que nous convoquons ici, en nous référant à Roger Odin, afin d’envisager, à partir du film lui-même et de son mode de diffusion, ce que l’attraction Captain Eo révèle théoriquement du lien entre le spectateur et l’image d’une star comme Michael Jackson, qui plus est un an après son décès. Il s’agira de comprendre de quelle manière le film de Coppola ainsi que son contexte de diffusion – le parc d’attraction Disneyland Paris – permettent de penser ou d’interroger un type de pratique spectatorielle différent de celles engendrées par d'autres salles de cinéma.This article tries to question the link between the public and a precise movie theater, in Disneyland Paris Marne-La-Vallée, proposing again since june 2010 the attraction Captain Eo, science-fiction 3D movie by Francis Ford Coppola in 1986, starring Michael Jackson. Replaced since 1998 by another attraction, Captain Eo comes back one year after the death of the star, and implies un specific link with its public, being a post-mortem tribute. We have to understand the way the attraction builds its public, and the way this one can build the movie signification in return. We have

  3. Exploring Groundwater origin for theater-headed valleys on the walls of Ius Chasma based on geomorphological analogy to the Saharan Plateaus

    Science.gov (United States)

    Farag, A. Z. A.; Heggy, E.; Mohamed, R.

    2017-12-01

    Understanding the origin and evolution of Martian fluvial landforms constrains the ambiguities associated to the variability of paleoclimatic and hydrological conditions. Despite of the significance of understanding the mechanism of formation of theater-headed valleys (THV) in Valles Mariners, where abundant distribution of seasonal liquid water flow is reported, their origin remains debatable. The original groundwater sapping hypothesis is challenged by the capability of springs to cut canyons into massive rocks and alternatively mega-floods and landslides were suggested. On Earth however, widespread THV cutting through the carbonate plateaus in the Sahara are confirmed to be of long-lasting groundwater processes based on recent isotopic, geochemical and hydrogeological evidences. Geomorphological characterizations of the THV in both the Sahara and in Valles Marineris suggest similar settings including: (1) widespread and dense occurrence along the length of escarpments, (2) low relief floors, (3) association with extensive faulting, and (4) lack of well-developed stream networks and small upstream contributing areas. The above suggest that both the Martian and the Saharan THV to be of groundwater origins. Herein, we constraint the geomorphological, lithological and textural characteristics of THV in El Diffa and El-Merir plateaus in the Eastern Sahara as a limited analog to the THV in Ius Chasma using structural and textural mapping derived from ALOS PalSAR scenes and similar settings on Mars using SHARAD, MOLA and HIRISE images. These observations are correlated with several in-situ field and laboratory measurements for hardness, granulometry and channel morphology to support the common phenomenology. Preliminary findings show that in both sets of THV, we observe a spatial confinement of boulders to the sidewalls with relatively finer grains along the channel courses, and association with large-scale hydrated sulphates along the sidewalls and channel bottoms

  4. Origin of Theater-Headed Tributaries to Escalante and Glen Canyons, Utah: Analogs to Martian Valley Networks

    Science.gov (United States)

    Irwin, R. P.; Fortezzo, C. M.; Tooth, S. E.; Howard, A. D.; Zimbelman, J. R.; Barnhart, C. J.; Benthem, A. J.; Brown, C. C.; Parsons, R. A.

    2008-12-01

    shape maximizes strength and is not a direct consequence of sapping. Infrequent flash floods of ~1-10 m3/s (woody debris and erosion indicated depth) exceed the magnitude of 1-2 L/s spring discharges by more than three orders of magnitude, and flooding is primarily responsible for sediment transport, particularly imbricated rocks up to tens of cm in size. The tributary canyons are growing headward along their contributing streams rather than up the structural dip, except where the contributing plateau surface is a dip slope (e.g., Fence and Explorer canyons). Few headwalls and contributing streams follow a large exposed tectonic joint; any structural control is primarily due to cumulative smaller fractures. These observations suggest a hybrid model for theater-headed valleys in massive rocks. Seepage weathering is an essential factor in forming steep headwalls and alcoves in Navajo sandstone, but headward retreat and erosion of debris depends on flash floods rather than seepage erosion. Plateau topography, contributing streams, and small joints rather than structural dip or large tectonic fractures control the valley planform.

  5. Zoete rust : Een muzikale soap-detective

    NARCIS (Netherlands)

    Maas, P.

    1989-01-01

    De komedie' Zoete Rust' werd geschreven in opdracht van Theater de Tobbe in Voorburg . Naast de circa 120 professionele voorstellingen die elk seizoen in dit theater plaats vinden, organiseert De Tobbe een maal per laar een eigen theaterproduktie, die wordt gespeeld door het Tobbe-toneel, een ad-hoc

  6. The Dramaturgy of the Body in the Indian Theatre as a Visible Poetry

    Directory of Open Access Journals (Sweden)

    Ricardo Carlos Gomes

    2017-01-01

    Full Text Available This article intends to analyze the concept of dṛśya kāvya (visible poetry from the Indian scenic tradition, as a proposal to a dramaturgy of the body. Starting from the impact that the Asian scenic tradition caused in the European theater in the 20th century, we will examine some concepts and acting techniques from the Indian classical dance-theater (specially Orissi and Kathakali, which are based in the translation of the word into physical gesture. We also question the relevance of this discussion to a theater seeking to distance itself from a logocentric model, in an intercultural perspective.

  7. Arte, política y redes transnacionales: el teatro La Mama en Nueva York y Bogotá, 1961-1972

    Directory of Open Access Journals (Sweden)

    Paulo Cesar Leon Palacios

    2015-03-01

    Full Text Available The article analyzes a transnational network of artistas that involved El Café Teatro La Mama, one of the main experimental theaters of New York, and its Bogota subsidiary, from 1961 to 1972. Three main lines make it possible to narrate the establishment, development and rupture of said network: the theater as a cultural practice, the relation between avant-garde art and politics, and the emotional dimension of the process. The main conclusion of this research is that there has been a prolific correspondence of ideas around some paradigms of contemporary vanguard theater but, at the same time, an ambivalence between artistic romanticism and political values.

  8. Militarized Maneuver Terrorism

    Science.gov (United States)

    2015-06-12

    striking the heart of the Indian tourism market and creating a siege in the Taj Mahal, it was certain to create a theater of terror. A drama played out... sport facilities, malls, movie theaters, and more. Grossman argues that American society has put forth enormous effort preparing and preventing harm to

  9. La réception du théâtre de Voltaire dans les Provinces-Unies au XVIIIème siècle

    NARCIS (Netherlands)

    Hageman, Marjolein

    2010-01-01

    Summary: The Reception of Voltaire’s theater in the Netherlands during the eighteenth century. Nowadays, when you think about Voltaire, you think about his “Tales”. Who does not know Candide or Zadig? However, in the XVIIIth century, he was famous and wanted to be celebrated for his theater. A few

  10. Using Intermodal Psychodrama to Personalize Drama Students' Experience: Two Case Illustrations

    Science.gov (United States)

    Orkibi, Hod

    2011-01-01

    J. L. Moreno (1889-1974), the founder of psychodrama, argued against legitimate theater, asserting it is a "rigid drama conserve," a finished product of the preceding creative process. In particular, Moreno protested against the centripetal manner in which actors of legitimate theater assimilate a role from a written play: an external…

  11. Artistic Works for Children.

    Science.gov (United States)

    Cieslikowski, Jerzy

    This paper discusses the nature and function of children's literature and theater. Artistic creative work for children is constituted not only by literature but also by the theater, film, radio and television. Children's literature used to be an art of narration, a verbal text coupled with gesture. Modern, highly technical communication media have…

  12. Dokumentation 2009 / 2010

    Index Scriptorium Estoniae

    2009-01-01

    Saksamaa ja Austria ooperiteatrites töötavad muusikud: Bremer Theater'is dirigent Tarmo Vaask, Flensburg Musiktheater der Schleswig-Holsteinishen Landestheater'is dirigent Mihkel Kütson ja laulja Mati Turi, Hamburgische Staatsoper'is laulja Lauri Vasar, Theater Magdeburg'is dirigent Anu Tali, Wiener Staatsoperis laulja Ain Anger, Volksoper Wien'is laulja Annely Peebo

  13. Mold contamination in a controlled hospital environment: a 3-year surveillance in southern Italy.

    Science.gov (United States)

    Caggiano, Giuseppina; Napoli, Christian; Coretti, Caterina; Lovero, Grazia; Scarafile, Giancarlo; De Giglio, Osvalda; Montagna, Maria Teresa

    2014-11-15

    Environmental monitoring of airborne filamentous fungi is necessary to reduce fungal concentrations in operating theaters and in controlled environments, and to prevent infections. The present study reports results of a surveillance of filamentous fungi carried out on samples from air and surfaces in operating theaters and controlled environments in an Italian university hospital. Sampling was performed between January 2010 and December 2012 in 32 operating theaters and five departments with high-risk patients. Indoor air specimens were sampled using a microbiological air sampler; Rodac contact plates were used for surface sampling. Fungal isolates were identified at the level of genera and species. Sixty-one samples (61/465; 13.1%) were positive for molds, with 18 from controlled environments (18/81; 22.2%) and 43 (43/384; 11.2%) from operating theaters. The highest air fungal load (AFL, colony-forming units per cubic meter [CFU/m(3)]) was recorded in the ophthalmology operating theater, while the pediatric onco-hematology ward had the highest AFL among the wards (47 CFU/m(3)). The most common fungi identified from culture of air specimens were Aspergillus spp. (91.8%), Penicillium spp., (6%) and Paecilomyces spp. (1.5%). During the study period, a statistically significant increase in CFU over time was recorded in air-controlled environments (p = 0.043), while the increase in AFL in operating theaters was not statistically significant (p = 0.145). Molds were found in 29.1% of samples obtained from surfaces. Aspergillus fumigatus was the most commonly isolated (68.5%). Our findings will form the basis for action aimed at improving the air and surface quality of these special wards. The lack of any genetic analysis prevented any correlation of fungal environmental contamination with onset of fungal infection, an analysis that will be undertaken in a prospective study in patients admitted to the same hospital.

  14. Ergonomic suitability of educational furniture and possible health implications in a university setting

    Science.gov (United States)

    Odunaiya, Nse A; Owonuwa, Dolapo D; Oguntibeju, Oluwafemi O

    2014-01-01

    Ergonomically unsuitable school furniture is frequently considered one of the major causes of severe posture problems in adulthood. This study was designed to determine the ergonomic suitability of educational furniture in the lecture theaters at the University of Ibadan to serve as a case study. Sample of convenience was used to select participants for this study. The lecture theaters were selected based on their capacity, design, and dimension. A total of 240 students (120 males and 120 females) participated in this study. The ergonomic suitability of lecture theaters was determined by analyzing the mismatches between student anthropometric dimensions and furniture dimensions, and also by analyzing the design and orientation of the lecture theaters. The data were analyzed using descriptive statistics of mean, standard deviation, range, and median. The results showed that there was a significant difference in height between males and females but no significant difference between other anthropometric variables measured. About 20% of the participants had a fitting seat height, while seat height was unsuitable for the remaining 80.4%. On the other hand, 23.3% had a fitting seat depth, while it was unsuitable for 76.7% of the participants, and 99.6% of the participants had fitting desk clearance but 0.4% found it unsuitable. A total of 25.8% of the participants had a fitting desk height, while 74.2% of the students found it unsuitable. It was concluded that the furniture in the lecture theaters at the university studied was not ergonomically suitable for the students. Hence it is recommended that further studies, including more universities across a wide spectrum of society, should be performed to determine the effect of furniture on student health, and the need to adopt the use of adjustable furniture in lecture theaters to prevent health hazards that may occur secondary to the use of unsuitable furniture. PMID:24511247

  15. Using Improvisational Exercises in General Education to Advance Creativity, Inventiveness and Innovation

    Science.gov (United States)

    Hackbert, Peter H.

    2010-01-01

    Creativity is the process of generating something new or original that has value to an individual, a group, an organization, an industry or a society. Improvisational theater techniques are used to enhance creative thinking and action in a variety of disciplines as broad as education, theater, dance, painting, writing and music, law, business, and…

  16. Contemporary Drama in the English Class.

    Science.gov (United States)

    Siegfried, William

    1968-01-01

    Various approaches that teachers can use to help students interpret contemporary plays are presented in this discussion of teaching drama. Plays discussed include two from the Theater of Illusion ("Look Back in Anger,""A Raisin in the Sun"), two from the Theater of the Absurd ("Rhonoceros,""Rosencrantz and Guildenstern are Dead"), and two from…

  17. Establishing a convention for acting in healthcare simulation: merging art and science.

    Science.gov (United States)

    Sanko, Jill S; Shekhter, Ilya; Kyle, Richard R; Di Benedetto, Stephen; Birnbach, David J

    2013-08-01

    Among the most powerful tools available to simulation instructors is a confederate. Although technical and logical realism is dictated by the simulation platform and setting, the quality of role playing by confederates strongly determines psychological or emotional fidelity of simulation. The highest level of realism, however, is achieved when the confederates are properly trained. Theater and acting methodology can provide simulation educators a framework from which to establish an acting convention specific to the discipline of healthcare simulation. This report attempts to examine simulation through the lens of theater arts and represents an opinion on acting in healthcare simulation for both simulation educators and confederates. It aims to refine the practice of simulation by embracing the lessons of the theater community. Although the application of these approaches in healthcare education has been described in the literature, a systematic way of organizing, publicizing, or documenting the acting within healthcare simulation has never been completed. Therefore, we attempt, for the first time, to take on this challenge and create a resource, which infuses theater arts into the practice of healthcare simulation.

  18. TSAR`S AUTHORITY AND THE FIRST PLAYS OF RUSSIAN THEATRE IN THE LATE 17TH CENTURY

    Directory of Open Access Journals (Sweden)

    Marianna KAPLUN

    2014-08-01

    Full Text Available This article investigates the causes of the first Russian court theater in the 1670s at the court of Tsar Aleksey Mikhailovich Romanov The Quietest. The history of the first Russian theater is closely related to the formation of a new court culture in the late 17th century. The first plays of Russian theater "Ahasuerus action" and "Judith" was intended not only to a certain extent, "entertain" the Tsar Aleksey Mikhailovich, but also reflect the court ceremonial and the strengthening of royal authority in a transitional time in Russian history. Rich pictorial series of the plays was the basis of ceremonial esthetics and its embodiment in the stage form.

  19. The Use of Theatre Tours in Road Safety Education.

    Science.gov (United States)

    Powney, Janet; And Others

    The Scottish Road Safety Campaign and the Road Safety Council of Wales have made a large investment in theater tours as a method of providing road safety education. This study aimed to evaluate the effectiveness of a road safety message delivered by a theater group, Road Safety Officers (RSOs), or, teachers for pupils in upper secondary classes.…

  20. Wind in the Willows--Theatre Activity Packet.

    Science.gov (United States)

    New York City Board of Education, Brooklyn, NY. Div. of Curriculum and Instruction.

    Part of the New York City Board of Education's Early Stages program, and intended for elementary and secondary school teachers who wish to include a unit on theater in their classes, this guide offers suggestions for lessons and activities to accompany viewing a performance of "Wind in the Willows" at the Nederlander Theater. Part one of…

  1. Constance D'Arcy Mackay: A Historiographical Perspective.

    Science.gov (United States)

    van de Water, Manon

    1995-01-01

    States that Constance D'Arcy Mackay was instrumental in defining the genre of children's theater in the early 20th century. Discusses her career highlights. Concludes that Mackay played a pivotal role in the "making" of the history of children's theater in the United States, and that while little of her personal history is known, her…

  2. 77 FR 25660 - State of Nevada; Regional Haze State and Federal Implementation Plans; BART Determination for...

    Science.gov (United States)

    2012-05-01

    ...), EPA announced a public hearing in Ron Dalley Theater at the Moapa Valley Empowerment High School on... 18, 2012, EPA announced a public hearing in Ron Dalley Theater at the Moapa Valley Empowerment High School on 2400 St. Joseph Street in Overton, Nevada from 6:30 p.m. to 8:30 p.m. on May 3, 2012, with an...

  3. The Concept of the Intellectual and its Representations in the Iraqi Theater Text (The play of Abu al-Tayyib al-Mutanabi model (مفهوم المثقف و تمثلاته في النص المسرحي العراقي ( مسرحية أبي الطيب المتنبي أنموذجا

    Directory of Open Access Journals (Sweden)

    Aamir .M . Hussain عامر محمد حسين

    2017-09-01

    Full Text Available It is clear that the intellectual is the person who can or can be a vision of his own through the surrounding whether it is a human or community or nature, so that he can express his vision and colors and words and languages and other expressions, and since the study of the intellectual variety, such as representations or images, so must To be studied according to the data of cultural criticism, which is one of the post-modern monetary activities and events is concerned with "criticism of the inherent patterns of cultural discourse in all manifestations, patterns and formulas, what is unofficial and non-institutional and what is the same, both" ( Phenomena and brain Thus, the intellectual will reveal to us this conscience through his image in the text of the theater, which is a culture of humanity is constantly proliferating and diverse, and this is a claim to the study of the intellectual as a phenomenon present and wide at the level of theatrical text, especially the Iraqi, and access to the keys of his personality made us think that it is a phenomenon is a problem reflected us by questioning Next: (What are the representations of the intellectual in the Iraqi theater text in the light of cultural criticism?.

  4. The Future of the Brigade Combat Team: Air-Ground Integration and the Operating Environment

    Science.gov (United States)

    2017-06-09

    coordinate, and control joint and multinational aircraft during CAS situations in combat and training. The current system which the CAS mission falls...current system , experiences from Vietnam, Operation Desert Storm, Afghanistan and Iraq help to identify future challenges to the operating environment ...multinational partners. 15. SUBJECT TERMS Air Ground Integration, Theater Air Ground System , Theater Air Control System , Army Air Ground System , Joint

  5. Nontherapeutic Laparotomy in American Combat Casualties: A 10-year Review

    Science.gov (United States)

    2014-09-10

    hemodynamically stable during initial workup be considered for SNOM.5 While SNOMfor abdominal traumahas been studied andbecomewidely accepted in...clinical outcomes.6 The Joint Theater Trauma Registry is a computer application used by deployed tri-service nurse co- ordinators to collect...previous military conflicts. The original Joint Theater Trauma System Clinical Practice Guideline in 2004 for BAT permitted SNOMof hemodynamically

  6. Signs of Change: New Directions in Theatre Education

    Science.gov (United States)

    Lazarus, Joan

    2012-01-01

    There is no one-size-fits-all way to keep pace with the changes affecting students and those who educate them. That's why Joan Lazarus has gathered here the insights of hundreds of theater teachers and teaching artists on how they have responded to the shifting demands of theater education in today's schools. She paints a portrait of active,…

  7. Building a Joint Force on the Fly: The Relationship of Admiral Aubrey W. Fitch and Lieutenant General Millard F. Harmon

    Science.gov (United States)

    2017-06-01

    REQUIREMENTS SCHOOL OF ADVANCED AIR AND SPACE STUDIES AIR UNIVERSITY MAXWELL AIR FORCE BASE , ALABAMA JUNE 2017...World War II, led by two flag officers of different services. This campaign was pivotal to the allied advance in the Pacific theater but has...leading all land- based aviation in the theater, and Lieutenant General Millard Harmon, Commanding General, South Pacific, the overall land component

  8. Digital cinema video compression

    Science.gov (United States)

    Husak, Walter

    2003-05-01

    The Motion Picture Industry began a transition from film based distribution and projection to digital distribution and projection several years ago. Digital delivery and presentation offers the prospect to increase the quality of the theatrical experience for the audience, reduce distribution costs to the distributors, and create new business opportunities for the theater owners and the studios. Digital Cinema also presents an opportunity to provide increased flexibility and security of the movies for the content owners and the theater operators. Distribution of content via electronic means to theaters is unlike any of the traditional applications for video compression. The transition from film-based media to electronic media represents a paradigm shift in video compression techniques and applications that will be discussed in this paper.

  9. Drama therapy and eating disorders: a historical perspective and an overview of a Bolognese project for adolescents.

    Science.gov (United States)

    Pellicciari, Alessandro; Rossi, Francesca; Iero, Luisa; Di Pietro, Elena; Verrotti, Alberto; Franzoni, Emilio

    2013-07-01

    The authors present a description of a theater workshop ("Metamorphosis Project"), developed at the Bologna Eating Disorders Center. The workshops are aimed at young, hospitalized patients, and are largely based on the principles of drama therapy. In this article, this therapeutic modality is introduced by a discussion of the theoretical basis for the use of theater in psychiatry from the points of view of several preeminent psychiatrists, including Freud, Winnicott, Klein, and Moreno. Three (3) clinical reports are presented. The satisfaction rate among the first groups of participants was 93%. It is suggested that theater can be useful in decreasing defense mechanisms, allowing a patient-focused approach, mitigating specific symptoms, and improving the quality of life during the hospital stay.

  10. Is it the motion picture or the theater?: What influences moviegoers in Porto Alegre? ¿La película o la sala de cine?: ¿Que es lo que lleva el espectador portoalegrense al cine? O filme ou a sala?: O que leva o espectador porto-alegrense ao cinema?

    Directory of Open Access Journals (Sweden)

    Luiz Antonio Slongo

    2009-12-01

    Full Text Available Lack of time these days makes leisure moments increasingly valuable. While movies are an important entertainment option in big cities recently there have been changes in theaters around the world and many adaptations have been made to attract and retain viewers. This article addresses key attributes and motivations with respect to movies and theaters that influence moviegoers in Porto Alegre. Data analyzed reveals that the main moviegoer motivation is leisurely entertainment. Seating comfort and cleanliness are the most important attributes for motion picture theaters while cast and script rate highest for motion pictures. This information may influence more of a focus on actions for customer preferences in the endeavor to attract more viewers.La creciente falta de tiempo de las personas en los tiempos actuales ha dejado los momentos de ocio cada vez más valorados. La ida al cine es una de las principales opciones de entretenimiento de la población en las grandes ciudades. Sin embargo, en los últimos años, ha habido cambios en varios aspectos de las salas de cine en todo el mundo, cambios que dan cuenta que las empresas del ramo, en proceso de permanente adaptación, incorporan nuevas formas de conquistar y hacer leales a sus clientes. Este artículo busca tratar de los principales atributos y motivaciones de las salas de cine y de las películas que determinan la ida del espectador al cine en la ciudad de Porto Alegre. El análisis de los datos recolectados en este estudio revela que la principal motivación que lleva a las personas al cine es el entretenimiento/ocio. Los atributos de las salas de cine más valorados, según los datos presentados, son la comodidad de los asientos y la limpieza e higiene, mientras que los atributos de las películas más valorados son el guión y el elenco. Las informaciones analizadas en este estudio podrán influenciar la toma de decisiones de las empresas del ramo para que dirijan sus esfuerzos hacia

  11. Using theatrical presentations as a means of disseminating knowledge of HIV/AIDS risk factors to migrant farmworkers: an evaluation of the effectiveness of the Infórmate program.

    Science.gov (United States)

    Hovey, Joseph D; Booker, Victoria; Seligman, Laura D

    2007-04-01

    Previous research has suggested that Mexican migrant farmworkers are at elevated risk for contracting HIV/AIDS and that they are in need of receiving HIV/AIDS-related education. The present study evaluated the impact of the Infórmate adolescent theater program on HIV/AIDS knowledge and attitudes among farmworker audience members of various ages. Audience members from 7 migrant farmworker camps completed a self-administered questionnaire before and after they observed the Infórmate performance. Paired-samples t-tests and McNemar tests indicated an increase in knowlege in "modes of HIV transmission," "body fluids that can transmit HIV," and items assessing HIV/AIDS "myths." In addition, a greater percentage of farmworkers at posttest reported that they believed that condoms should always be used during sex. The overall findings from this study suggest that theater can be an effective medium for increasing HIV/AIDS-related knowledge among migrant farmworkers. However, it is suggested that, because some farmworkers held false beliefs regarding modes of HIV transmission after viewing the theater program, theater used in combination with other prevention activities may provide for a more comprehensive educational experience.

  12. Brecht, Hegel, Lacan: Brecht's Theory of Gest and the Problem of the Subject

    Directory of Open Access Journals (Sweden)

    Philip E. Bishop

    1986-01-01

    Full Text Available Brecht used the term "gest" to describe the generic components of human social behavior. He schooled actors in "decomposing" real conduct into distinct gestic images, which were criticized, compared, and altered by other actor-spectators. In his pedagogic theater, Brecht's young players engaged in a reciprocal process of acting and observing, which prepared them to act critically outside the theater. This gestic reciprocality echoes the master-slave dialectic in Hegel's Phenomenology and Lacan's description of the mirror phase. In Hegel, a subject achieves mastery (or self-consciousness through the recognition of another subject. In Lacan, the infant recognizes itself in an (alienated mirror-image and in its dramatic interactions with other infants. In each of these inter-subjective dialectics, the subject achieves sovereignty through the recognition of others and through a dramatic exchange with others. For Brecht, however, the structural roles of actor and spectator, teacher and student, were reversible, thus yielding a utopian notion of shared or collective sovereignty that is absent from Lacan. Furthermore, Brecht hoped that the sovereignty gained in the gestic theater would be transferred to actions outside the theater, on the stage of history.

  13. Leading the Development of Concepts of Operations for Next-Generation Remotely Piloted Aircraft

    Science.gov (United States)

    2016-01-01

    danced around the next-generation RPA CONOPS through technology demonstration for several years. Individual programs have developed key enabling...party system to take command of the aircraft and sensor payload. Aircraft equipped with Link 16 have the option of slaving their sensor payloads to...collection, shift transmission to theater nodes, and continue to slave the payloads to cues given by joint partners in-theater. Embracing Leadership in

  14. آليات التجريب في العرض المسرحي الحلي Experimentation mechanisms In the Helliy city Play

    Directory of Open Access Journals (Sweden)

    Amer Sabah Nouri Almrzuk عامر صباح نوري المرزوك

    2016-01-01

    Full Text Available His theater since its inception, the tendency of experimentation in the methods of expression , in order to put forward ideas for new forms keep pace with the changes that occur in the community , and to develop communication transcended the boundaries of the traditional , and is no doubt that this development led directly to the creation of new horizons for playwrights , the discovery of ways and tools and new possibilities in the embodiment of creative and artistic creation . Still this active ingredient _ experimentation _ in the history of theater actor and substantially in the reality of contemporary , where he witnessed the theater of contemporary Arab transitions essential in the field of ( experimentation , through the crystallization of this concept in terms of infrastructure intellectual and applied to a number of productions play, which is destined to be a model unique in terms of drafting the pilot , and the search for semantic knowledge that need to be director Achtgalat provide an effective level of formal and Alamadamina , especially as she was taking pictures experimentation ranges modernizing wide . Perhaps the experimentation of the distinctive features which dominated the contemporary theater and with the Arab theater and from Iraq , because without experimentation can not be for the theater to remain an influential and well-developed , and in particular he cares Palmsthaddt , and here lies the importance of experimentation , as a shift in the mentality of playwrights of writers, directors and technicians , as he excluded the taste of aesthetic consumer , science refuses to stand about the achievements of mankind, it is a project to destroy the constants in the creative process , and that the goal of every theatrical experience continuous research and conscious in the technical art recognized as an authority letter of theatrical classic , in order to overcome them and find the approach theatrical necessarily help to bring new

  15. The Reconfiguration of the Theatre Space and the Relationship between Public and Private in the Case of Apartment Theatre

    Directory of Open Access Journals (Sweden)

    Andreea Gabriela Lupu

    2017-01-01

    Full Text Available This article tackles the means of theatre space reconfiguration in the apartment theater (lorgean theater, simultaneously analyzing the relation between public and private specific to this form of art. Structured around both a theoretical analysis and a qualitative empirical investigation, this paper emphasizes the traits of the theatre space as component of an artistic product received by the audience, and its value in the process of artistic production, within the theatre sector. The case study of lorgean theater, including a participant observation and an individual interview, enables the understanding of these two aspects of the spatial configuration, emphasizing its hybrid nature in terms of spatial configuration and the public-private relation as well as the act of reappropriation of the domestic space through an alternative practice of theatre consumption.

  16. Pamięć o Zagładzie w perspektywie historyka teatru

    Directory of Open Access Journals (Sweden)

    Jacek Popiel

    2015-11-01

    Full Text Available In his Polski teatr Zagłady [The Polish Theater of the Holocaust], Grzegorz Niziołek, who starts with theater and specific theatrical performances and who focuses on artistic phenomena, presents problems that go far beyond art. This is a book that should be read by historians, literary scholars, political scientists and cultural experts. Sociologists and psychologists who study social behavior will also find some of its sections interesting. This Cracow theatrologist presents the extermination of Jews during the occupation of Poland as well as Polish-Jewish relations, i.e. one of the most difficult Polish problems, permeated with silence and resentment, in the form of a monograph and in relation to the history of post-war theater, of which it is an important part.

  17. Chemical Agents of Opportunity for Terrorism Workshop

    Science.gov (United States)

    2014-04-01

    Moscow theater hostage crisis was the seizure of a crowded Moscow theatre on October 23, 2002 by about 40 armed Chechen – taking 850 hostages and...respiratory depression. Some like the opioids are associated with deep respiratory depression, explaining the high fatality rate in the Moscow Theater...Metropolitan University, UK In 2009 the global turnover of the chemical industry was €1.87 trillion (exclusive of pharmaceuticals) with 200-300 new

  18. Humanitarian Assistance and ’Soft’ Power Projection

    Science.gov (United States)

    2012-05-04

    organization consisted of military and civilian leadership, which managed the Pacification Programs throughout Vietnam. This program was a historic example...assistance efforts. The directorate that manages humanitarian assistance operations varies from theater to theater. The J9 Directorate labeled as either...2012) 12 (JP) 3-07.3, I-6. 13 A. Cooper Drury et al, The Politics of Humanitarian Aid: U.S. Foreign Disaster Assistance, 1964-1995, (Cambridge

  19. Laval võib teha kõike, ainult mitte valetada / Aare Toikka

    Index Scriptorium Estoniae

    Toikka, Aare

    1999-01-01

    Saksamaa teatribiennaal "Augenblick mal" Berliinis ja ASSITEJ 13. maailmakongress ning festival Tromsø's Norramaal. ASSITEJ Eesti Keskuse delegaatidena osalesid Ivo Eensalu ja Mart Kampus. Eestit esindas festivalil VAT Teatri lavastus "Tuudur, Plutt ja Magdaleena". Juttu lasteteatritest Saksamaal (GRIPS Teater, Halle nukuteater, Theater Junge Generation Dresdenist, Neubrandenburgi Kammerteater), Taanis (Paraply-teater, teatritrupp "Batida", Egnsteatret Gruppe 38), Hollandis (Teater "Artemis"), Rootsis (Unga Klara teatrikompanii Stockholmi Linnateatri juures) ja Austraalias (Zeal Theater)

  20. Enacting Conceptual Metaphor through Blending: Learning activities embodying the substance metaphor for energy

    Science.gov (United States)

    Close, Hunter G.; Scherr, Rachel E.

    2015-04-01

    We demonstrate that a particular blended learning space is especially productive in developing understanding of energy transfers and transformations. In this blended space, naturally occurring learner interactions like body movement, gesture, and metaphorical speech are blended with a conceptual metaphor of energy as a substance in a class of activities called Energy Theater. We illustrate several mechanisms by which the blended aspect of the learning environment promotes productive intellectual engagement with key conceptual issues in the learning of energy, including distinguishing among energy processes, disambiguating matter and energy, identifying energy transfer, and representing energy as a conserved quantity. Conceptual advancement appears to be promoted especially by the symbolic material and social structure of the Energy Theater environment, in which energy is represented by participants and objects are represented by areas demarcated by loops of rope, and by Energy Theater's embodied action, including body locomotion, gesture, and coordination of speech with symbolic spaces in the Energy Theater arena. Our conclusions are (1) that specific conceptual metaphors can be leveraged to benefit science instruction via the blending of an abstract space of ideas with multiple modes of concrete human action, and (2) that participants' structured improvisation plays an important role in leveraging the blend for their intellectual development.

  1. LEO TOLSTOY’S POPULAR THEATRE: THE BEGINNING OF THE WRITER’S EDUCATIONAL SERVICE

    Directory of Open Access Journals (Sweden)

    Irina I. Sizova

    2016-12-01

    Full Text Available This article examines the first phase of Leo Tolstoy’s educational service in the field of the popular theatre on the example of the stage history of his comedy The First Distiller (1886. I see my task in the reconstruction of the first stage version of this play prepared by V. G. Chertkov on the author’s request, with the use of archival information and data from the periodicals of 1886. For the first time, the essay argues that Chertkov was working in four different directions. He was negotiating with Moscow Buffonery Theatre, Vasileostrovskiy Workers’ Theater, St. Petersburg scenic platforms, and the Theatre of Popular Entertainment in the village of Alexandrovskoe near St. Petersburg. Chertkov covered the first performance of The First Distiller (Alexandrovskoe, July 6 and 20 1886 that had a big resonance. The essay explains (for the first time in Tolstoy criticism why other performances of this play had never taken place. Technical and financial difficulties prevented performances in Moscow Buffonery Theater and Vasileostrovskiy Theater. The symbolism of Tolstoy’s comedy (his images of devils and hell became an impediment for staging the play at other popular theaters that Chertkov reached with the help of the patron of art, I. M. Sibiryakov.

  2. Forma sociale della psicologia alfabetica. Il teatro nell'ipotesi "neuroculturale" di de Kerckhove

    Directory of Open Access Journals (Sweden)

    Fabrizio Deriu

    2014-11-01

    Full Text Available Following the studies of Marshall McLuhan and Eric Havelock, Derrick De Kerchkove argues that the invention of theater by the Athenian community between the sixth and fifth centuries BC marks a decisive moment in the formation of Western mind, to be closely connected with the contemporary invention of alphabetic writing. Since attending to the theatrical performance requires attention and behavior characterized by immobility, distance and mental reflection, theater would have contributed to the emergence of modes of perception and participation in social life dependent on the increasing value of eye and sight, while promoting the decline of the oral and tribal ear. Theater was indeed one of the main instruments of what de Kerckhove call “desensorialization” of knowledge and experience. Has the profound transformation of communication media brought to some change? Signals from experimental theater of the second half of the twentieth century seem to suggest a significant change in the status of the performing arts, if not a true reversal. In the context of contemporary communicaton, characterized by virtuality and digital networks, the practice of performing arts (theatre, music, dance acquires a predominantly opposite value as a potential "accelerator" of “ri-sensorialization” of knowledge.

  3. LANGUAGE THEATRICALITY AS A VISUAL VALUE

    Directory of Open Access Journals (Sweden)

    Bunyamin Aydemir

    2016-12-01

    Full Text Available The theater is an aesthetic transfer tool that collects voice, verbal, visual and moving codes around a certain track and generates meaning. It reflects a memorable breaking moment of life through perceptual cues, and here is a prime aesthetic transfer of design. Theater is not equal to say. Theater is not just a ritualistic show or 'show'. First of all, it should be regarded as a process that conveys the information that the action created from the mimetic path carries to the audience. A mimetic action is a re-creation of real and imaginary relationships that show relationships between people, and it is in the presence of the real person or the like (eg, puppets or portraits and the audience that it is the moment that is happening. The necessity of being theatrical can be called.

  4. Theater and action research

    DEFF Research Database (Denmark)

    Tofteng, Ditte Maria Børglum; Husted, Mia

    2011-01-01

    Action research on marginalization and exclusion often seeks to examine relations between recognition, respect, and inclusion, but addressing these topics is difficult. Theatre-based action research opens up a new way to communicate and make visible knowledge and experiences from below that have...... difficulties reaching the public agenda or influencing structures of power. In this article we follow the creation of a play and of scenes that address the life, sufferings, and wishes of unemployed people. The skills of actors, writers, and producers are worked into a critical utopian action research project...

  5. Overseas Contingency Operations: OMB and DOD Should Revise the Criteria for Determining Eligible Costs and Identify the Costs Likely to Endure Long Term

    Science.gov (United States)

    2017-01-01

    the theater of operations; Within the theater, the incremental costs above the funding programmed in the base budget to: • support commanders in the...billion in funding for OCO. While DOD’s OCO budget request has included amounts for contingency operations primarily in Iraq and Afghanistan, more...the extent to which OMB’s 2010 criteria address the activities included in DOD’s OCO budget request; and (2) whether DOD has developed and

  6. Enabling Disciplined Initiative: An Experiential Lesson

    Science.gov (United States)

    2016-05-26

    Prentice-Hall, 1984), 41. 13 theorists such as John Dewey , Kurt Lewin , and Jean Piaget .42 A process of learning through reflection on doing...29; James R. Arnold, Grant Wins the War: Decision at Vicksburg (New York: John Wiley & Sons, Inc., 1997), 52. 4 Eastern Theater and Lincoln was...in the Western Theater 1862, 29-62; Winschel, Triumph & Defeat, 5-7; Arnold, Grant Wins the War, 27-98. 8 Jean Edward Smith, Grant, reprint ed

  7. The FY 1986 Department of Defense Program for Research, Development and Acquisition.

    Science.gov (United States)

    1985-01-01

    enhanced capabilty MOBILITY SYSTEMS C-58 Transport * Expamded force Drojection IL-76 (CANDID) Tanker 0 improved in-flight refueling a Outsized cargo ...transport CONDOR Transport * Comparable to C-S C-i 7 Transport 0 Provides expanded inter theater and intra-theater airlift capability Has out- sized cargo ...b sucesful n ahie ngour initiatives which are underway to provide • we were to be successful in achieving our cost-effective management of spare

  8. Operation Iraqi Freedom 06-08

    Science.gov (United States)

    2008-02-14

    Managemen 15.6.6 Results Related t 15.6.7 NCOs and Multiple-Deployments 15.6.8 Validated Trainin 15.6.9 Theater Suicide Prevention Program and Suicide...include mental health providers who have deployed to the IT0 and are experienced using AHLTA- T . As noted above, as the operational theater matures in...Mental Health Advisory Team (MHAT) V Operation Iraqi Freedom 06-08 14 February 2008 Office of the Surgeon Multi-National Force-Iraq and Office

  9. The U.S. Navy in the World (1991-2000): Context for U.S. Navy Capstone Strategies and Concepts

    Science.gov (United States)

    2012-03-01

    1990s: State of the Navy (IV) CNA USN strike capabilities increasingly dispersed among platform types Increased strike precision, networking...Requirements & Assessments (N8) • OP-08 had been OP-090 before 1987 • Platform "barons" (OP-02, OP-03, OP-05) under N8 • 3-star DCNO for Naval...Gentian ( WIX -290) • Former buoy tender (WLB-290) • Multi-national crew for in-theater Theater Security Cooperation (TSC) ops 92 1990s: USN-USCG

  10. Joint Vision 2010 and Accelerated Cumulative Warfare: The Masters of War Evaluate a Future Strategy

    Science.gov (United States)

    1997-01-01

    red real-tvne satellite video lvlth the Llnued Nations shotzllng the preparations of the combrned Arab a?mles Despite v30rld and fellow Arab ...flo-rvrng into theater U S -based srrategx and theater tactical an-forces assisted Turkey’s arm? to slow the Arab offense and establish command of...generals did not halye time to display, let alone evaluate, the hundreds of engagement reports received porn the front and throughout their te? rzto?y

  11. Exploratory model analysis of the Space Based Infrared System (SBIRS) Low Global Scheduler problem

    OpenAIRE

    Morgan, Brian L.

    1999-01-01

    Approved for public release; distribution is unlimited Proliferation of theater ballistic missile technologies to potential U.S. adversaries necessitates that the U.S. employ a defensive system to counter this threat. The system that is being developed is called the Space-Based Infrared System (SBIRS) "System of Systems". The SBIRS Low component of the SBIRS "System of Systems" will track strategic and theater ballistic missiles from launch to reentry and relay necessary cueing data to mis...

  12. Strategy-Policy Mismatch: How the U.S. Army Can Help Close Gaps in Countering Weapons of Mass Destruction

    Science.gov (United States)

    2014-01-01

    and Colonel Todd Key (G-35), MG John Rossi and Mr. Tim Muchmore (G-8/QDRO), Colonel Brad Gericke (Chief of Staff Coordina- tion Group), and LTG (ret...2006; and UNMOVIC, 2007. 2 32d AAMDC, Operation Iraqi Freedom Theater Air and Missile Defense History, Fort Bliss , Texas, September 2003. 3 T...Operation Iraqi Freedom Theater Air and Missile Defense History, Fort Bliss , Texas, September 2003. Abdelaziz, Salma, and Jim Sciutto, “OPCW: Only 11% of

  13. Can the Army Provide Bulk Petroleum Support to Joint Force 2020?

    Science.gov (United States)

    2013-03-01

    Petroleum Officer (JPO) and one or more Sub Area Petroleum Officers ( SAPO ). The JPO coordinates petroleum support to all forces in a theater on behalf...position is the SAPO , established by the Combatant Commander or a Joint Force Commander (JFC) to fulfill bulk petroleum planning and execution in a...section of the theater for which the JPO is responsible.7 A key duty of the SAPO is to advise the JFC and his/her staff on petroleum logistics

  14. Democratization or else vulgarization of cultural capital? The role of social networks in theater’s audience behavior

    OpenAIRE

    Carmela Milano

    2015-01-01

    This paper investigates the participation in social networks of theater's audiences. Our purpose is to observe, describe and understand the role of social networks in the consumption behavior of the theater field. In particular, we put the accent on the concept of cultural capital with its social dimension. We realize an exploratory study that consists in a dozen of qualitative semi-structured interviews with theater’s audiences that participate in social networks. We provide an analytical fr...

  15. Negotiating energy dynamics through embodied action in a materially structured environment

    Directory of Open Access Journals (Sweden)

    Rachel E. Scherr

    2013-07-01

    Full Text Available We provide evidence that a learning activity called Energy Theater engages learners with key conceptual issues in the learning of energy, including disambiguating matter flow and energy flow and theorizing mechanisms for energy transformation. A participationist theory of learning, in which learning is indicated by changes in speech and behavior, supports ethnographic analysis of learners’ embodied interactions with each other and the material setting. We conduct detailed analysis to build plausible causal links between specific features of Energy Theater and the conceptual engagement that we observe. Disambiguation of matter and energy appears to be promoted especially by the material structure of the Energy Theater environment, in which energy is represented by participants, while objects are represented by areas demarcated by loops of rope. Theorizing mechanisms of energy transformation is promoted especially by Energy Theater’s embodied action, which necessitates modeling the time ordering of energy transformations.

  16. Zmowa kobiet? Inscenizacje feministyczne w polskim teatrze dwudziestolecia międzywojennego

    Directory of Open Access Journals (Sweden)

    Diana Poskuta-Włodek

    2015-11-01

    Full Text Available The first wave of feminism in Poland consisted of a wide range of events. All women who were educated, independent, and professionally active and successful were regarded as feminists (regardless of their self-identification. Women of the theater, i.e., playwrights, directors, actresses and scenographers, who occupied themselves with “womanly subjects” in the 1920s and 1930s, created feminist theater which was important though it did not last long. In numerous feminist performances, theatrical productions dealt with subjects such as women in control of their own sexuality and bodies, women’s full participation in life, as well as economic independence and equal rights for women. Feminists in Polish theater, for example, Zofia Modrzewska, Maria Morozowicz-Szczepkowska, Irena Grywińska and Marcelina Grabowska, were typically not treated seriously by male critics, who were condescending, scornful, and unable to transcend their male perspective.

  17. Building University Capacity to Visualize Solutions to Complex Problems in the Arctic

    Science.gov (United States)

    Broderson, D.; Veazey, P.; Raymond, V. L.; Kowalski, K.; Prakash, A.; Signor, B.

    2016-12-01

    Rapidly changing environments are creating complex problems across the globe, which are particular magnified in the Arctic. These worldwide challenges can best be addressed through diverse and interdisciplinary research teams. It is incumbent on such teams to promote co-production of knowledge and data-driven decision-making by identifying effective methods to communicate their findings and to engage with the public. Decision Theater North (DTN) is a new semi-immersive visualization system that provides a space for teams to collaborate and develop solutions to complex problems, relying on diverse sets of skills and knowledge. It provides a venue to synthesize the talents of scientists, who gather information (data); modelers, who create models of complex systems; artists, who develop visualizations; communicators, who connect and bridge populations; and policymakers, who can use the visualizations to develop sustainable solutions to pressing problems. The mission of Decision Theater North is to provide a cutting-edge visual environment to facilitate dialogue and decision-making by stakeholders including government, industry, communities and academia. We achieve this mission by adopting a multi-faceted approach reflected in the theater's design, technology, networking capabilities, user support, community relationship building, and strategic partnerships. DTN is a joint project of Alaska's National Science Foundation Experimental Program to Stimulate Competitive Research (NSF EPSCoR) and the University of Alaska Fairbanks (UAF), who have brought the facility up to full operational status and are now expanding its development space to support larger team science efforts. Based in Fairbanks, Alaska, DTN is uniquely poised to address changes taking place in the Arctic and subarctic, and is connected with a larger network of decision theaters that include the Arizona State University Decision Theater Network and the McCain Institute in Washington, DC.

  18. World War II: A Chronology. December 1943

    Science.gov (United States)

    1943-12-01

    34 35 VI. Central Pacific Theater • . . . . . 49 VII. Southwest Pacific Theater 55 VIII: Political, Economic , Psychological. 79 1 Dec...on IJ+! mpu b;r 10 enenw planes. Kesa11vai attacked a:t ·dawn by eneziw l)laries; ,no dar.iage’ re")qr~.?9.·•. ·~Solomon ls.: Impro’v~ng vJeather...EOLTTJC.(!.L, ECONOMIC , PSYCHOLOGIC.iiL 1943 11 ·8 Yugoslav. Government-in-exile as its representative on Advisory ’Council to Allied Control

  19. War-related stressors as predictors of post-deployment health of Air Force women.

    Science.gov (United States)

    Pierce, Penny F; Lewandowski-Romps, Lisa; Silverschanz, Perry

    2011-01-01

    Little is known about the effects of combat exposure on women's health after service in Operation Iraqi Freedom (OIF). Our purpose was to describe the incidence and nature of physical heath symptoms reported by deployed women to identify problematic areas where early intervention or better surveillance might be directed. Using a random, stratified sample (theater vs. non-theater; parent vs. non-parent; and military component including active, guard, and reserve members) of 1,114 Air Force women, we provide descriptive statistics, group comparisons, and multiple regression models to identify health concerns and potential predictors of physical health outcomes. Findings revealed that those in the reserve/guard forces (vs. active duty) and those in the theater of operations (vs. elsewhere during the same time period) reported greater physical health problems (β = -0.07, p social functioning (β = 0.08, p war-related predictors of health among women serving in deployed locations around the world. Copyright © 2011. Published by Elsevier Inc.

  20. Mesa-redonda - A estética do teatro de Brecht

    Directory of Open Access Journals (Sweden)

    Caco Coelho

    2000-11-01

    Full Text Available Drei Erfahrungsberichte über Bertolt Brechts Theater auf brasilianischen Bühnen. Caco Coelho spricht über den Zyklus der Brecht-Lesungen, -Aufführungen und -Vorträge seiner Theatergruppe Os Fodidos Privilegiados 1998 in Rio de Janeiro. Fernando Peixoto vertritt die Ansicht, daß der zentrale Punkt von Brechts Theater darin besteht, Emotionen im zwischenmenschlichen Verhalten und in ihren politisch-historischen Kontexten verstehbar zu machen. Er erzählt unter anderm von einer "Wiederentdeckung" der Brechtschen Theaterästhetik durch eine Laiengruppe in Amazonien und vertritt insgesamt ein undogmatisches, auf die heutigen Verhältnisse ausgerichtetes Lernen mit Brecht. Willi Bolle berichtet von seiner Inszenierung von Brechts Die Hochzeit (1919 mit einer Laien-Theatergruppe in São Paulo 1997-1998, in der die lineare Struktur des Textes durchbrochen wurde durch die Einführung einer neuen Perspektive sowie einer neuen Figur, der Braut, die sich das Hochzeitsfest in der Erinnerung vergegenwärtigt.

  1. Revenue and Attendance Simultaneous Optimization in Performing Arts Organizations

    DEFF Research Database (Denmark)

    Baldin, Andrea; Bille, Trine; Ellero, Andrea

    2018-01-01

    Performing arts organizations are characterized by different objectives other than revenue. Even if, on the one hand, theaters aim to increase revenue from box office as a consequence of the systematic reduction in public funds; on the other hand, they pursue the objective to increase its attenda...... and the demand forecast, taking into account the impact of heterogeneity among customer categories in both choice and demand. The proposed model is validated with booking data referring to the Royal Danish theater during the period 2010–2015....

  2. Losing the Dark: A Planetarium PSA about Light Pollution

    Science.gov (United States)

    Petersen, Carolyn Collins; Walker, Constance

    2015-03-01

    Losing the Dark is a six-minute PSA video created for fulldome theaters by Loch Ness Productions, the International Dark Sky Association Education Committee headed by Dr. Constance Walker of the National Optical Astronomy Observatories, Dome3, Adler Planetarium, and Babak Tafreshi (The World at Night). It explains light pollution, its effects, and ways to implement ``wise lighting`` practices to mitigate light pollution. The show is also made in flat-screen HD format for classical planetariums, non-dome theaters, and for presentatons by IDA speakers.

  3. Operation Iraqi Freedom 06-08: Iraq. Operation Enduring Freedom 8: Afghanistan

    Science.gov (United States)

    2008-02-14

    Optimizing Theater Assets 15.6.3 Addressing Reported Short 15.6.4 Leadership and R 15.6.5 Sleep Managemen 15.6.6 Results Related t 15.6.7 NCOs and...36.4% 32.0% 0.02 Continuous operations . 38.8% 33.3% 000 Long deployment length. 57.1% 57.1% 0.99 6.2.2 Top Concerns in MHA T V While the...IT0 and are experienced using AHLTA- T . As noted above, as the operational theater matures in Iraq, there is a clear push to use EMR reporting

  4. Gender, Social Change and the Media

    DEFF Research Database (Denmark)

    The book introduces the recent complex development trajectory of Nepal. The first part consist of a number of specialist contributions on gender, social change and media; while the second is focused more specifically on the role of art and theater in its societal context.......The book introduces the recent complex development trajectory of Nepal. The first part consist of a number of specialist contributions on gender, social change and media; while the second is focused more specifically on the role of art and theater in its societal context....

  5. A relação da literatura de cordel na antroponímia dos fantoches populares portugueses

    Directory of Open Access Journals (Sweden)

    José Luís de Oliveira

    2018-04-01

    Full Text Available RESUMO: O mundo do teatro de bonecos em Portugal está envolto numa bruma, devido, em parte, a algum desinteresse da classe teatreira, mas principalmente, à escassa documentação sobre esta arte ancestral. O teatro de marionetas popular era pouco palavroso, em oposição ao teatro de atores de carne e osso, onde o verbo era fundamental. O repertório de texto diminuto, transmitido por via oral, levou à perda substancial de um entretenimento que fez os encantos de miúdos e graúdos ao longo dos séculos. Uma das lacunas é a génese dos próprios apodos pelos quais os bonifrates eram conhecidos. Atualmente encontra-se vulgarizado o cognome Dom Roberto (conhecido até 1962 por robertos para designar os bonecos de luva populares portugueses. Este evoluiu a partir do drama de cordel adaptado da lenda medieval Roberto do diabo e que fez parte do repertório do teatro de bonecos populares portugueses. PALAVRAS-CHAVE: Teatro de bonecos, literatura de cordel, folhetos volantes. ________________________ ABSTRACT: The world of puppet theater in Portugal is shrouded in mist, partly due to some disinterest in theater professionals, but mainly due to the scarce documentation about this ancestral art. The popular puppet theater was of few text, as opposed to the actors theater, where the verb was fundamental. The diminutive repertoire of orally transmitted text has led to the substantial loss of entertainment that has made the charms of kids and adults over the centuries. One of the gaps is the genesis of the nicknames for which puppets were known. At the moment the name Dom Roberto (known until 1962 by robertos is popularized to designate the Portuguese glove popular puppets. This evolved from the chapbook drama adapted from the medieval legend Robert the devil and that was part of the repertoire of Portuguese popular puppet theatre.  KEYWORDS: Puppet theater, chapbooks.

  6. Ande-Ande Lumut: Adaptasi Folklor ke Teater Epik Brecht

    Directory of Open Access Journals (Sweden)

    Philipus Nugroho Hari Wibowo

    2013-11-01

    and Japan. The adaptation theory is developing well; everything can be used as an adaptation object, poems, novels, dramas, paintings, dances, and video games. Kemuning is performed by the performing concept of Brecht’s epic theater. However, this is an effort to fi nd out the new form of reading in Ande-Ande Lumut story. The epic theater against one of the main elements in Aristotle’s drama that has been developed by Stanislavsky’s method; there should be an empathy in every aspect of performance. According to Brecht, this process has caused an effect which should be avoided because it brings audience’s passive attitude. Therefore, he tried to make a theory of destroying the illusion, of interrupting method, and of controlling emotion. Brecht’s identical works focus on the social themes, especially on the themes that show the poor people who are suffering from the authority’s policy. The common problems between the master and its worker are refl ected on hisstory. The Kemuning performance has tried to show the prostitutes’ life that is closed to any negative things. In fact, they are still being needed by the society. Unfortunately, sometimes they become the source of scapegoats to any troubles and are always blamed to. Implicitly, this performance is aimed to fi ght for the prostitutes’ life. The audience is invited to see the other points of view about their life that are often regarded as negative by the people. Moreover, Brecht said that a good and demanded theater in this modern era is a theater that can arouse the audience’s critical thinking activities. Therefore, this performance is supposed to be able to motivate the arts lovers in producing a critical analysis to any social awareness and in creating a new movement to any signifi cant changes in society. Keywords: Folklore, Ande-Ande Lumut, Adaptation, and Brecht’ Epic Theater

  7. O teatro de Augusto Boal e a educação profissional em saúde The theater of Augusto Boal and the vocational education in health

    Directory of Open Access Journals (Sweden)

    Irene Leonore Goldschmidt

    2012-06-01

    Full Text Available O presente artigo discute as possibilidades da inserção do teatro na educação profissional em saúde, tendo como referência a proposta estética e pedagógica de Augusto Boal. A concepção de politecnia, ao defender para a formação dos trabalhadores uma integração entre trabalho, ciência e cultura, abre espaço para novas possibilidades nesse campo. Autores como Paulo Freire, na educação, e Augusto Boal, no teatro, convergem para a perspectiva de construção, por parte dos trabalhadores, de uma cultura e estética próprias, que reflitam sua concepção de mundo. Buscamos pensar de que forma as proposições teatrais de Augusto Boal podem ser apropriadas para o campo da educação em saúde, tentando estabelecer afinidades e relações entre essas duas práticas, dentro da ótica de uma educação para os trabalhadores da saúde que lhes propicie uma formação humana para além daquela requerida de forma mais imediatista pelo mercado de trabalho.This article discusses the possibilities of including the performing arts in professional health education based on the aesthetic and pedagogical proposal set forth by Augusto Boal. The polytechnic concept, by advocating that workers' training include an integration of work, science and culture, opens space for new possibilities in this field. Authors such as Paulo Freire, in the field of education, and Augusto Boal, in theater, converge towards the prospect of the workers building both a culture and aesthetics of their own to reflect their world view. Our goal was to think about how Augusto Boal's theatrical propositions may be appropriate for the field of health education in an attempt to establish relationships and affinities between these two practices, from the perspective of health worker education, that they will provide the professionals with a more humanistic type of training that will extend beyond the labor market's more immediate requirements.

  8. History of autostereoscopic cinema

    Science.gov (United States)

    Funk, Walter

    2012-03-01

    This paper covers the history of autostereoscopic cinema, from the beginnings of autostereoscopy in the 1800s, the development of motion capability and it's subsequent evolution to present techniques. Public viewings of autostereoscopic movies have occurred on a semi-ongoing basis since the early 1940s. In Moscow and other cities, theaters were constructed called stereokinos, for showing autostereoscopic films, with specially positioned seating for proper viewing. The Cyclostéréoscope was an autostereoscopic cinema system invented by François Savoye in France. It was based around a drum made of metal bars that revolve around a screen. For several years in the 1940s and 1950s, it was open to the public in Paris. Any film made in a dual film format could be shown. Besides dedicated theaters in Russia and France, exhibits of content have occurred outside devoted theaters. The paper focuses on the history of autostereoscopic technology developed for entertainment, public viewing of content, the individuals involved and the content itself.

  9. STARPOWER: An IMAX reg-sign Film on Fusion

    International Nuclear Information System (INIS)

    Kirsch, J.W.

    1995-01-01

    The Reuben H. Fleet Space Theater and Science Center and Four Square Productions, Inc. are producing STARPOWER, a new IMAX/OMNIMAX reg-sign film about thermonuclear fusion. The film's storyline will link our understanding of fusion as the power source of the stars with our current quest to develop a practical machine that uses fusion to produce electric power. The goal is to reach the world-wide audience of 40,000,000 people who visit IMAX/OMNIMAX reg-sign theaters each year, about half of which are in the United States and Canada. This document is the final report on a project to research and develop the concept. It was supported by grants from the Department of Energy (Museum Science Education Program), the International Space Theater Consortium (ISTC's Film Development Fund), and contributions by the Fleet Center and Four Square Productions. The report describes the development of the film's educational objectives, findings on the current state of fusion research, film treatments and marketing research for the project, preparation of the project prospectus, and planned next steps

  10. Setting and Supporting the Theater

    Science.gov (United States)

    2015-11-01

    State, through the U.S. Agency for Inter- national Development, worked with the government of Liberia and the U.S. Africa Command to attain the...agreements and resources needed to fight the Ebola virus disease in West Africa. The whole-of-government ap- proach enables alliances, military

  11. An Alaskan Theater Airlift Model.

    Science.gov (United States)

    1982-02-19

    entire mission is reJected. The scheduler does not attempt to optimis missions; rather, it sequentially examines each mission in order of priority...AIRDROP MISSIONS (CARGO CODES 3-6) ARE ASSUMED TO REQUIRE C EXTRA BRIEFING AND LOADING TIME. AIRDROPS REQUIRE AN C EXTRA 10 MIN AT DEST BASE FOR LINEUP ...PIGGYBACK KN ATRIDS ONTO ACFT C IF POSITION LEG NEEDED, PUT ITS DATA IN CURRENT LEG SLOTS C (Al-IS), THEN PLACE MISSION LEGS IN SEQUENTIAL LEG SLOTS C

  12. Theater of Struggle 2.0?

    DEFF Research Database (Denmark)

    Mathieu, David

    In order to study the relationship between media and society, researchers often turn to audience, and this move was originally translated into reception analysis, the empirical study of the text-context nexus. Today the text has become technological. Hall (1973/1980) referred to the text...... replaced by the technological text? Are users once again passive? Are empirical uses of media even considered in this new research? Is meaning once again a site of resistance (Fiske, 1990)? This paper will consider and question the usefulness of reception analysis to the study of social media...... and participatory media culture. Is the ideological-semiotic framework (Schrøder, 2000) developed by Hall still relevant today? Is it the occasion to reconsider reception analysis? And to adapt it to the realities of user-generated content, produsage and circulation?...

  13. Design Laboratories as Everyday Theater

    DEFF Research Database (Denmark)

    Binder, Thomas

    2014-01-01

    . Together with a small network of mobile phone users we had explored the everyday transition going to work and returning back home. We had played design games with visual materials gathered through our participation in these transitions and together we had enacted a small series of fictional video stories...... was no longer a blind search for openings in the company product strategy (or for that sake in the mundaneness of established user practices), but instead a completely open and contingent landscape unfolding in front of us. It is such moments of encountering the possible that I will address in the following...

  14. Griffith Observatory: Hollywood's Celestial Theater

    Science.gov (United States)

    Margolis, Emily A.; Dr. Stuart W. Leslie

    2018-01-01

    The Griffith Observatory, perched atop the Hollywood Hills, is perhaps the most recognizable observatory in the world. Since opening in 1935, this Los Angeles icon has brought millions of visitors closer to the heavens. Through an analysis of planning documentation, internal newsletters, media coverage, programming and exhibition design, I demonstrate how the Observatory’s Southern California location shaped its form and function. The astronomical community at nearby Mt. Wilson Observatory and Caltech informed the selection of instrumentation and programming, especially for presentations with the Observatory’s Zeiss Planetarium, the second installed in the United States. Meanwhile the Observatory staff called upon some of Hollywood’s best artists, model makers, and scriptwriters to translate the latest astronomical discoveries into spectacular audiovisual experiences, which were enhanced with Space Age technological displays on loan from Southern California’s aerospace companies. The influences of these three communities- professional astronomy, entertainment, and aerospace- persist today and continue to make Griffith Observatory one of the premiere sites of public astronomy in the country.

  15. Acting with Technology: Rehearsing for Mixed-Media Live Performances

    DEFF Research Database (Denmark)

    Barkhuus, Louise; Rossitto, Chiara

    2016-01-01

    require a different type of engagement from the actors and rehearsing is challenging, as it can be impossible to rehearse with all the functional technology and interaction. Here, we report experiences from a case study of two mixed-media performances; we studied the rehearsal practices of two actors who......Digital technologies provide theater with new possibilities for combining traditional stage-based performances with interactive artifacts, for streaming remote parallel performances and for other device facilitated audience interaction. Compared to traditional theater, mixed-media performances...... and mixed media performances through addressing critical factors of implementing technology into rehearsal practices....

  16. Scenario e ruoli sociali delle Associazioni teatrali non professionistiche italiane

    Directory of Open Access Journals (Sweden)

    Cinzia Toscano

    2016-07-01

    Full Text Available This paper investigates the present scenario of the non-professional theater associations in Italy so as to understand their current form of organization. The study focuses on the changes that have characterized in time the non-professional associations (due also to the improvement of the legislation regulating the no profit sector and the social role in contemporary local communities. The survey was conducted within the two most relevant Italian associations of non-professional theater: the Italian Federation of non-professional Theatre (Federazione Italiana Teatro Amatori and the Italian Union of Free Theatre (Unione Italiana Libero Teatro.

  17. THEATRE PERFORMANCE COMMUNICATION FROM THE PERSPECTIVE OF THEATRE SEMIOTICS

    Directory of Open Access Journals (Sweden)

    Nur Sahid

    2013-02-01

    Full Text Available This article investigates the processes of communicating performance elements including word sign systems, facial expressions, tones, gestures, motions, make-up, hair styles, costumes, props, settings, lighting, music, voice or sound effects from the performers to the audience. The success of a theatrical performance actually depends on the successful communication of these elements by the performers. This study adopts the perspective of theater semiotics. Hopefully this article can benefit theater creators in communicating performance codes and messages to the audience. Thus, a theatrical performance can be a productive communication between them and the audience.

  18. An Essay on Actor, Actress in Turkish Cinema, Human Ans Sector Ethics in the 21st Century

    Directory of Open Access Journals (Sweden)

    Nevin Algül

    2015-07-01

    The purpose of this article is to analyze the definition of actor, actress mostly addressing female performers, give some examples in history and in today’s world, promote the re-thinking on the reason why cinema is important over the 21st century ‘human’ and to bring the responsibilities of sector and artists up for discussion and to analyze the ethics/responsibilities of the sector in countries such as Turkey where the level of education is low and problematic and where social differences are very evident. The difference between theater and cinema and the acting in cinema and theater were also addressed.

  19. Triply redundant integrated navigation and asset visibility system

    Science.gov (United States)

    Smith, Stephen F [Loudon, TN; Moore, James A [Powell, TN

    2011-11-29

    Methods and apparatus are described for a navigation system. A method includes providing a global positioning system fix having a plurality of tracking parameters; providing a theater positioning system fix; monitoring the plurality of tracking parameters for predetermined conditions; and, when the predetermined conditions are met, sending a notifying signal and switching to the theater positioning system fix as a primary fix. An apparatus includes a system controller; a global positioning system receiver coupled to the system controller; a radio frequency locating receiver coupled to the system controller; and an operator interface coupled to the system controller.

  20. O teatro dos "bóias-frias": repensando a antropologia da performance

    Directory of Open Access Journals (Sweden)

    John C. Dawsey

    2005-12-01

    Full Text Available Os escritos de Victor Turner referentes à antropologia da performance são sugestivos para a análise do que poderíamos chamar de "teatro dos bóias-frias". Mas esse teatro de canaviais e carrocerias de caminhões também é sugestivo: trata-se de um lugar privilegiado para se repensar um conjunto de questões que emergem nas interfaces da performance e antropologia. Tendo-se em vista a especificidade da "prática de calcular o lugar olhado das coisas" que caracteriza esse teatro, os seguintes tópicos pontuam o texto que vem a seguir: 1 dramas sociais; 2 relações entre dramas sociais e dramas estéticos; 3 símbolos e montagens; e 4 paradigmas do teatro na antropologia. Uma observação: nesse exercício de repensar algumas contribuições "clássicas" de Victor Turner, Erving Goffman e Richard Schechner, encontro "afinidades eletivas" entre, por um lado, o pensamento de Walter Benjamin e a dramaturgia de Bertolt Brecht, e, por outro, os princípios dramatúrgicos dos "bóias-frias".The anthropology of performance, as understood by Victor Turner, provides interesting perspectives for the analysis of what may be referred to as the "theater of bóias-frias". Conversely, this theater may be of special interest for purposes of rethinking some of the main propositions which have arisen on the borders between anthropology and performance. Considering the specificity of "the practice which calculates the place from which one views things" of this theater, several topics present themselves as guidelines for the text which follows: 1 social dramas, 2 relations between social and aesthetic dramas, 3 symbols and montage, and 4 theater paradigms in anthropology. In this exercise to rethink some of the "classic" contributions of Victor Turner, Erving Goffman, and Richard Schechner, "elective affinities" have been found between, on the one hand, the writings of Walter Benjamin and Brechtian theater, and, on the other, the dramaturgical principles of the

  1. El «Teatro Francés» de Madrid (1851-1861

    Directory of Open Access Journals (Sweden)

    Ojeda, Pedro

    2003-12-01

    Full Text Available The objective of this study is to analize the French plays staged by French troupes in Madrid between 1851 and 1861 and the repercussion it had on the Spanish theater of that time. During these nine seasons theater-lovers had the opportunity to see nearly 400 French works in their original version, the titles of which are to be found in an appendix to this study. The works can be catalogued in a variety of subgenres —comedies, dramas, operas, operettas, etc.—, but Madrid theater-goers preferred vaudeville.El objetivo de este trabajo es el análisis del teatro francés representado por compañías francesas en Madrid en la década de 1851 a 1861 y las repercusiones que tuvo para el mundo teatral de la época. En este período, durante nueve temporadas, los aficionados al teatro pudieron presenciar la puesta en escena de cerca de cuatrocientos textos dramáticos en francés, cuyos títulos se ofrecen en un apéndice. Aunque se ejecutaron comedias, dramas, óperas, operetas y otras modalidades, el género preferido fue el vaudeville.

  2. The epidemiology of vascular injury in the wars in Iraq and Afghanistan.

    Science.gov (United States)

    White, Joseph M; Stannard, Adam; Burkhardt, Gabriel E; Eastridge, Brian J; Blackbourne, Lorne H; Rasmussen, Todd E

    2011-06-01

    Blood vessel trauma leading to hemorrhage or ischemia presents a significant cause of morbidity and mortality after battlefield injury. The objective of this study is to characterize the epidemiology of vascular injury in the wars of Iraq and Afghanistan, including categorization of anatomic patterns, mechanism, and management of casualties. The Joint Theater Trauma Registry was interrogated (2002-2009) for vascular injury in US troops to identify specific injury (group 1) and operative intervention (group 2) groups. Battle-related injuries (nonreturn to duty) were used as the denominator to establish injury rates. Mechanism of injury was compared between theaters of war and the management strategies of ligation versus revascularization (repair and interposition grafting) reported. Group 1 included 1570 Troops injured in Iraq (OIF) (n = 1390) and Afghanistan (OEF) (n = 180). Mechanism included explosive (73%), gunshot (27%), and other (wars and varies according to theater of war, mechanism of injury and operational tempo. Methods of reconstruction are now applied to nearly half of the vascular injuries and should be a focus of training for combat surgery. Selective ligation of vascular injury remains an important management strategy, especially for minor or distal vessel injuries.

  3. MEDICAL PROTECTION FOR THE EXPEDITIONARY FORCE IN THE EVENT OF USING BIOLOGICAL AGENTS

    Directory of Open Access Journals (Sweden)

    Viorel ORDEANUL

    2014-12-01

    Full Text Available The ADM/CBRN military or terrorist attack is most likely to be enforced on the force deployed in the theaters of operations (TO, as peace making troops, peace keeping troops, etc. For the medical protection of the expeditionary forces deployed in external theaters of operations (T.O., when using biological agents, we conducted a documentary study on the prophylaxis and specific treatment for the medical force protection, when using biological agents, by updating and improving the medical protection countermeasures against BWA, by anti-infective prophylaxis (antibacterial and antiviral pre-exposure, post-exposure and anti-infective etiology and support of the vital fuctions treatment.

  4. Defense Science Board 1998 Summer Study. Joint Operations Superiority in the 21st Century: Integrating Capabilities Underwriting Joint Vision 2010 and Beyond. Volume 2: Supporting Reports

    National Research Council Canada - National Science Library

    1998-01-01

    .... These supporting challenges include assured knowledge superiority, responsive global targeting, exploitation of the littoral battlespace, inter- and intra-theater mobility, coalition warfare, force...

  5. Experiências e práticas teatrais para um novo modo de envelhecer (Theatrical experience and practices for a new age mode Doi: 10.5212/Emancipacao.v.15i1.0008

    Directory of Open Access Journals (Sweden)

    Graciele Barbosa de Moraes Barros

    2016-05-01

    Full Text Available Resumo: O objeto de estudo desse trabalho foi buscar uma intervenção sobre uma questão social atual: o aumento mundial da longevidade, da população de idosos. É preciso oferecer a essas populações alternativas que impactem na sua qualidade de vida e diminuição de demandas para o setor saúde. Surge o papel do teatro na terceira idade, que permite a manutenção de uma autovalorização do idoso. O teatro, espaço de representação, expressões e sentidos passa a ser uma forma de recriação de vivências plenas de significados e capazes de serem expressas de forma lúdica. O objetivo do artigo é propiciar uma reflexão sobre a ação do teatro na população idosa, particularizada num grupo específico, buscando perceber qual o contributo deste na melhoria da qualidade de vida dos idosos estudados. O presente texto objetiva ainda demonstrar como os idosos podem através do teatro melhorar sua autoestima. A metodologia utilizada no projeto foi baseada na pesquisa aplicada com base qualitativa, utilizando observação participante e grupo focal. A delimitação da aplicação do projeto se deu no do Grupo de teatro Ativo da Universidade Aberta para Terceira Idade da UEPG-Pr.  Palavras-chave: Teatro. Idosos. Qualidade de Vida. Abstract: The work of this study object was to seek an intervention on a current social issue: the global increase in longevity, the elderly population. We must offer alternatives to this population that impact on their quality of life and reduced demands for the health sector. Comes the role of theater in old age, which allows the maintenance of self-worth of the elderly. The theater, the space of representation, expressions and meanings becomes a form of recreation of full experiences of meaning and capable of being expressed in a playful manner. The paper aims to provide a reflection on the theater of action in the elderly, particularized in a specific group, seeking to understand what the contribution of

  6. Course of Posttraumatic Stress Disorder 40 Years After the Vietnam War: Findings From the National Vietnam Veterans Longitudinal Study.

    Science.gov (United States)

    Marmar, Charles R; Schlenger, William; Henn-Haase, Clare; Qian, Meng; Purchia, Emily; Li, Meng; Corry, Nida; Williams, Christianna S; Ho, Chia-Lin; Horesh, Danny; Karstoft, Karen-Inge; Shalev, Arieh; Kulka, Richard A

    2015-09-01

    The long-term course of readjustment problems in military personnel has not been evaluated in a nationally representative sample. The National Vietnam Veterans Longitudinal Study (NVVLS) is a congressionally mandated assessment of Vietnam veterans who underwent previous assessment in the National Vietnam Veterans Readjustment Study (NVVRS). To determine the prevalence, course, and comorbidities of war-zone posttraumatic stress disorder (PTSD) across a 25-year interval. The NVVLS survey consisted of a self-report health questionnaire (n = 1409), a computer-assisted telephone survey health interview (n = 1279), and a telephone clinical interview (n = 400) in a representative national sample of veterans who served in the Vietnam theater of operations (theater veterans) from July 3, 2012, through May 17, 2013. Of 2348 NVVRS participants, 1920 were alive at the outset of the NVVLS, and 81 died during recruitment; 1450 of the remaining 1839 (78.8%) participated in at least 1 NVVLS study phase. Data analysis was performed from May 18, 2013, through January 9, 2015, with further analyses continued through April 13, 2015. Study instruments included the Mississippi Scale for Combat-Related PTSD, PTSD Checklist for DSM-IV supplemented with PTSD Checklist for DSM-5 items (PCL-5+), Clinician-Administered PTSD Scale for DSM-5 (CAPS-5), and Structured Clinical Interview for DSM-IV, Nonpatient Version. Among male theater veterans, we estimated a prevalence (95% CI) of 4.5% (1.7%-7.3%) based on CAPS-5 criteria for a current PTSD diagnosis; 10.8% (6.5%-15.1%) based on CAPS-5 full plus subthreshold PTSD; and 11.2% (8.3%-14.2%) based on PCL-5+ criteria for current war-zone PTSD. Among female veterans, estimates were 6.1% (1.8%-10.3%), 8.7% (3.8%-13.6%), and 6.6% (3.5%-9.6%), respectively. The PCL-5+ prevalence (95% CI) of current non-war-zone PTSD was 4.6% (2.6%-6.6%) in male and 5.1% (2.3%-8.0%) in female theater veterans. Comorbid major depression occurred in 36.7% (95% CI, 6

  7. Shakespeare in Brazilian Portuguese: Hamlet as a case in point Shakespeare in Brazilian Portuguese: Hamlet as a case in point

    Directory of Open Access Journals (Sweden)

    Marcia Amaral Peixoto Martins

    2008-04-01

    Full Text Available Any discussion about the modern reception of Shakespearean dramaturgy has necessarily to deal with the dual nature that it has acquired since the Elizabethan period. While Elizabethans filled the theaters to hear theatrical performances, post-Renaissance admirers of Shakespeare can choose either to read his plays as literary works or see them as they are staged in theaters around the world. Translators of his works are thus faced with the initial choice of leaning towards either the page or the stage, which will affect the meter, register, diction, and syntax used. Stage-oriented renderings can be in verse, provided that the lines are not too long. Also, such translations—in prose or in verse— tend to avoid scholarly diction and unorthodox word order. Although most translations for the page eventually come out in book form, this does not mean that all published translations are necessarily pageoriented texts, or unfit for performance. Any discussion about the modern reception of Shakespearean dramaturgy has necessarily to deal with the dual nature that it has acquired since the Elizabethan period. While Elizabethans filled the theaters to hear theatrical performances, post-Renaissance admirers of Shakespeare can choose either to read his plays as literary works or see them as they are staged in theaters around the world. Translators of his works are thus faced with the initial choice of leaning towards either the page or the stage, which will affect the meter, register, diction, and syntax used. Stage-oriented renderings can be in verse, provided that the lines are not too long. Also, such translations—in prose or in verse— tend to avoid scholarly diction and unorthodox word order. Although most translations for the page eventually come out in book form, this does not mean that all published translations are necessarily pageoriented texts, or unfit for performance.

  8. المضامين الفكرية في النص المسرحي الحسيني ((الحسين ثائراً أنموذجاً Ntellectual content in a theatrical text Husseini ((Hussein flustered model

    Directory of Open Access Journals (Sweden)

    Sahar Fadel Abdul Amir م.م. سحر فاضل عبد الأمير

    2017-06-01

    Full Text Available Annexation of this search for chapters singled out first quarter framework of systematic search contained on the research problem of wonder what implication of knowledge on the play- Hussein flustered as manifested itself the importance of search being informs the libraries and related to the source of an active for the theater- husseini, as well as being achieve its contribution to clear in the development of contents of intellectual in the theater of contemporary Arabic, as well as being a benefit of knowledge students of performing arts in general and Darcy the theater- Husseini, in particular, either the aim of the research represents in the disclosure of contents of intellectual in the theater- Husseini, either the limits find either the objective was a play- Hussein flustered and spatial was in Egypt and temporal was 1970 concluded this chapter in the definition of the terms the necessary received in the title either chapter II has contained on the theoretical framework which contained three Investigation Section first spoke for references and cognitive and the second talked about references and expressive pima contained a third section for sauce play for contemporary Arab concluded this indicators of theoretical framework the third chapter ensure that measures to the research under Select research community and choose a sample find a play- Hussein flustered the research methodology has adopted the research approach to the analytical descriptive and then analysis of the sample by- edge to him the researcher of indicators framework Theoretical, The fourth chapter contained on the result of analysis of the sample has to ensure the conclusions and recommendations and proposals list of sources concluded with a summary of a very English.

  9. Epidemiology of modern battlefield colorectal trauma: a review of 977 coalition casualties.

    Science.gov (United States)

    Glasgow, Sean C; Steele, Scott R; Duncan, James E; Rasmussen, Todd E

    2012-12-01

    Traumatic injuries to the lower gastrointestinal tract occur in up to 15% of all injured combatants, with significant morbidity (up to 75%) and mortality. The incidence, etiology, associated injuries, and overall mortality related to modern battlefield colorectal trauma are poorly characterized. Using data from the Joint Theater Trauma Registry and other Department of Defense electronic health records, the ongoing Joint Surgical Transcolonic Injury or Ostomy Multi-theater Assessment project quantifies epidemiologic trends in colon injury, risk factors for prolonged or perhaps unnecessary fecal diversion, and quality of life in US military personnel requiring colostomies. In the current study, all coalition troops with colon or rectal injuries as classified by DRG International Classification of Diseases-9th Rev. diagnosis and Abbreviated Injury Scale (AIS) codes in the Joint Theater Trauma Registry were included. During 8 years, 977 coalition military personnel with colorectal injury were identified, with a mean (SD) Injury Severity Score (ISS) of 22.2 (13.2). Gunshot wounds remain the primary mechanism of injury (57.6%). Compared with personnel with colon injuries, those with rectal trauma sustained greater injury to face and extremities but fewer severe thoracic and abdominal injuries (p colon trauma. There was little difference in diversion rates between theaters for rectal injuries (59.6% vs. 50%, p colon or rectal trauma continue to have elevated mortality rates, even after reaching surgical treatment facilities. Furthermore, associated serious injuries are commonly encountered. Fecal diversion in these patients may lead to reduced mortality, although prospective selection criteria for diversion do not currently exist. Future research into risk factors for colostomy creation, timing of diversion in relation to damage-control laparotomy, and quality of life in veterans with stomas will produce useful insights and help guide therapy. Epidemiologic study, level

  10. Tracce, scambi, interpretazioni ed eredità. Analisi dei legami tra il Nordisk Teaterlaboratorium e l'America latina

    Directory of Open Access Journals (Sweden)

    Arianna Berenice De Sanctis

    2016-04-01

    Full Text Available Odin Teatret formed in 1964. This international theater group first began its activities in Norway and then moved to Denmark. In the course of its long and valuable existence, this group has established a network of contacts throughout the world and, from the 1970s onward began focusing on developing its contacts in Latin America. These particular relations provide the structural key to understanding the theory and praxis characteristic of Odin. The encounter with Latin America proved decisive in shaping the political and aesthetic thinking of Eugenio Barba, for whom the theater would remain the favored means of exploring this part of the world. Moreover, the communitarian and familial structure of the Odin, its predilection for the ceremonial, its artisanal dimension, its obsession with «memory» and «commemoration» align themselves with the interests and concerns of many Latin American artists and these have insured the survival of this ensemble through the present day (2014, half a century after its inception. Throughout its many tours on the Latin American continent, Odin Teatret has been more famous for its meta-theatrical activities than for its productions, organizing conferences, encounters, seminars, master classes, trocs, and video projections, while at the same time developing significantly its publishing activities. Given that this network is based both on former and current relationships, whether established or exploratory, born at very different times and places, this current study aims to provide a micro-history of these in order highlight the meaning and design in the choices and activities implemented by the Danish group. This case study of an exemplary phenomenon in international theater in the 20th century allows us to better understand and contextualize the evolution of contemporary live theater.

  11. LINGUA E TEATRO: L’ITALIANO, UN DRAMMA?

    Directory of Open Access Journals (Sweden)

    Sara Faggiano

    2011-02-01

    Full Text Available L’articolo ha lo scopo di mostrare, attraverso esempi e proposte didattiche, come si possa, attraverso l’esperienza teatrale, sviluppare l’apprendimento della lingua italiana come LS  contemporaneamente alla consapevolezza interculturale degli apprendenti stranieri  e creare un contesto  di accoglienza e inclusione.  La “glottodidattica teatrale” è un metodo che non consente solo di agire sull’apprendimento della lingua straniera e sulle difficoltà linguistiche e comunicative che gli allievi possono incontrare in tale processo, ma anche di affrontare e cercare di superare problemi determinati dalla condizione di discriminazione linguistica, culturale, religiosa, relazionale e sociale in cui spesso si viene a trovare lo studente immigrato.  Fare teatro con finalità formative e per favorire il processo di inclusione degli apprendenti stranieri è una modalità didattica da proporre a scuola originale ed efficace. Grazie a questa esperienza l’immigrato raggiunge lo scopo di conoscere la lingua italiana attraverso il teatro coniugando formazione e divertimento.   Language and theater: italian, a drama? This article aims at showing through examples and didactic activities, how the theater can develop learning Italian as a foreign language together with the intercultural awareness of foreign learners and create contexts for inclusion and learning.  “Theatrical glottodidactics” is a method that does not only allow for  dealing with learning a foreign language and the linguistic and communicative  difficulties students may encounter, but also for dealing with and attempting to overcome these problems caused by the linguistic, cultural, religious, relational and social discrimination which foreign students may be subject to.  Doing theater in a didactic setting and to encourage the inclusion of foreign students is an original and effective method to employ in the school setting.  Thanks to this experience the foreigner can

  12. Between School and University: dinosaurs and little notebooks towards an embodied dramaturgy

    Directory of Open Access Journals (Sweden)

    Taís Ferreira

    2017-01-01

    Full Text Available This six-hand written paper insists on the non-dichotomy between body and mind, action and thought, objectivity and subjectivity, in order to reach the fertile adult-child relationships within fictionality. It supports the practice of theater teaching both at the university and at school, in the key of an embodied dramaturgy: a writing mode and usage of the dramaturgical text in which corporeality is central. Presenting more questions than answering them, it searches for a dramaturgical work that narrates, dialogues, and proposes performativity and changes in the worlds-of-life of teachers in Undergraduate Theater Teachers Education as well as in the worlds-of-life of their prospective students, Brazilian children and teenagers.

  13. Logistics Support of Naval Expeditionary Units

    National Research Council Canada - National Science Library

    Nilsen, Jan

    2004-01-01

    .... Based on literature from strategic management, logistics, and supply chain management, the research evaluates the existing theater logistics capabilities and the requirements of the supported expeditionary units...

  14. Cumhuriyet’in İlk Yıllarında Yazılan Tiyatro Eserlerinde Atatürk ve Atatürkçülük An Examination of Atatürk and Kemalism in the Works of Theater in the Early Years of the Republic

    Directory of Open Access Journals (Sweden)

    Ertan EROL

    2012-09-01

    Full Text Available A new move of renovation started with the foundation of the Republic of Turkey after the country was freed from enemy invasion. At that time it was the Western nations who made up the modern worldand owned the cutting edge science and technology. Consequently thenew Turkish republic looked to the Western civilization whichrepresented "the modern". Renovation involved not only the fields ofscience and technology which were deemed as the catalysts ofmodernization but also cultural issues. In the aftermath of thefoundation of the republic modernization was directed toward culturalissues. Various cultural activities were organized in order to make thepublic adopt the new regime through and increase public interest in art.Among these cultural activities production and staging on theaters ofnew plays are remarkable.The aim in this study is to examine the works of theater producedafter the proclamation of the Republic, between 1923-1938 from thepoint of view of Kemalism. In this paper, those theater works whichwere produced between 1923 and 1938 (the year when M.KemalAtatürk passed away are examined. It was observed that the “MaviYıldırım/Blue Lightening” by Aka Gündüz “Gavur İmam/Infidel Imam”by Burhan Cahit, “Destan/Legend” by Galip Naşit, “Kahraman/Hero”and “Akın/Raid” by Faruk Nafiz, “On Yılın Destanı/The Legend of theDecade” by Halit Fahri, “Beş Devir/Five Eras” by Yaşar Nabi,“Bayönder/Mr. Leader” by Münir Hayri, “Oğuz Destanı/Oğuz Legend”by Vehbi Cem Aşkun were produced during the aforementioned period.In this study, the question as to what extend these works oftheater reflect Kemalist thinking and Kemalism with respect to theirthemes, characters and the characteristics is examined. Türk ulusunun düşman işgalinden kurtuluşundan sonra Cumhuriyet’in ilanıyla birlikte yeni bir çağdaşlaşma hamlesi başlamıştır. O dönemin şartları içinde çağdaş dünya ülkeleri arasında yer

  15. [Intelligent operating room suite : From passive medical devices to the self-thinking cognitive surgical assistant].

    Science.gov (United States)

    Kenngott, H G; Wagner, M; Preukschas, A A; Müller-Stich, B P

    2016-12-01

    Modern operating room (OR) suites are mostly digitally connected but until now the primary focus was on the presentation, transfer and distribution of images. Device information and processes within the operating theaters are barely considered. Cognitive assistance systems have triggered a fundamental rethinking in the automotive industry as well as in logistics. In principle, tasks in the OR, some of which are highly repetitive, also have great potential to be supported by automated cognitive assistance via a self-thinking system. This includes the coordination of the entire workflow in the perioperative process in both the operating theater and the whole hospital. With corresponding data from hospital information systems, medical devices and appropriate models of the surgical process, intelligent systems could optimize the workflow in the operating theater in the near future and support the surgeon. Preliminary results on the use of device information and automatically controlled OR suites are already available. Such systems include, for example the guidance of laparoscopic camera systems. Nevertheless, cognitive assistance systems that make use of knowledge about patients, processes and other pieces of information to improve surgical treatment are not yet available in the clinical routine but are urgently needed in order to automatically assist the surgeon in situation-related activities and thus substantially improve patient care.

  16. How green is my operation theater?

    OpenAIRE

    Nishant Kumar; Ranju Singh; Aruna Jain; Abhijit Bhattacharya

    2014-01-01

    Objective: To ascertain the awareness regarding global warming and the anesthesia practices contributing to it in the city of Delhi. Materials and Methods: A questionnaire was circulated amongst the qualified anesthesiologists (consultants and senior residents) in the city of Delhi. The initial contact was made through e-mail and the questionnaire was required to be filled and returned electronically. The questionnaire was also made available online at http://sites.google.com/site/surveydelhi...

  17. How green is my operation theater?

    Directory of Open Access Journals (Sweden)

    Nishant Kumar

    2014-01-01

    Full Text Available Objective: To ascertain the awareness regarding global warming and the anesthesia practices contributing to it in the city of Delhi. Materials and Methods: A questionnaire was circulated amongst the qualified anesthesiologists (consultants and senior residents in the city of Delhi. The initial contact was made through e-mail and the questionnaire was required to be filled and returned electronically. The questionnaire was also made available online athttp: sites.google.com/site/surveydelhi. After 1 month, the forms were distributed physically. Assuming that at least 50% of the approximately 1200 practising anesthesiologists would be able to recognize the greenhouse gases correctly, the target number of responses was 150 with 99% confidence limit. Results: Of the 831 anesthesiologists contacted, only 184 responded. Ninety-eight percent were aware of the greenhouse effect, but only 15.8% (29 could correctly identify all the greenhouse gases. However, 47.28% (87 could identify nitrous oxide and inhalational agents as a cause of greenhouse effect. Ninety percent of the respondents use circle system and 87% use low flows frequently. Ninety-three percent (171 of respondents routinely use nitrous oxide, and 32.1% (59 would, however, not use air even if made available. Seventy-nine percent (145 advocated total intravenous anesthesia as an alternative to reduce the menace. Conclusion: Only 22% were motivated enough to respond to the survey. More than half of these anesthesiologists were not aware about the anesthetic agents contributing to the greenhouse effect. However, their clinical practices inadvertently do not add to the environmental pollution.

  18. How green is my operation theater?

    Science.gov (United States)

    Kumar, Nishant; Singh, Ranju; Jain, Aruna; Bhattacharya, Abhijit

    2014-10-01

    To ascertain the awareness regarding global warming and the anesthesia practices contributing to it in the city of Delhi. A questionnaire was circulated amongst the qualified anesthesiologists (consultants and senior residents) in the city of Delhi. The initial contact was made through e-mail and the questionnaire was required to be filled and returned electronically. The questionnaire was also made available online at http://sites.google.com/site/surveydelhi. After 1 month, the forms were distributed physically. Assuming that at least 50% of the approximately 1200 practising anesthesiologists would be able to recognize the greenhouse gases correctly, the target number of responses was 150 with 99% confidence limit. Of the 831 anesthesiologists contacted, only 184 responded. Ninety-eight percent were aware of the greenhouse effect, but only 15.8% (29) could correctly identify all the greenhouse gases. However, 47.28% (87) could identify nitrous oxide and inhalational agents as a cause of greenhouse effect. Ninety percent of the respondents use circle system and 87% use low flows frequently. Ninety-three percent (171) of respondents routinely use nitrous oxide, and 32.1% (59) would, however, not use air even if made available. Seventy-nine percent (145) advocated total intravenous anesthesia as an alternative to reduce the menace. Only 22% were motivated enough to respond to the survey. More than half of these anesthesiologists were not aware about the anesthetic agents contributing to the greenhouse effect. However, their clinical practices inadvertently do not add to the environmental pollution.

  19. PROVOCATIVE PERFORMANCE, PROVOCATIVE THEATER: AESTHETIC INTERACTION

    Directory of Open Access Journals (Sweden)

    ROŞCA ANGELINA

    2017-12-01

    Full Text Available The author directs her attention to an yet-understudied area of theatre science, namely the aesthetic interaction between the provocative performance and the provocative theatre. The article sheds light on the conceptual coordinates of the performance placed among such artistic trends as Actionism, Conceptualism, Fluxus and Happening. Elements of performing arts infiltrated into the theatre long ago. And it is not just a co-occurrence within an artistic act, but an interference indeed. The provocative performance dispossesses the alternative arts of their distinct codes. First in the USA, then in Europe and eventually in the former Socialist Camp and the territory of the ex-USSR, the performance conquered the theatrical territory. This process has been accelerating since the dramatic theatre began to yield its positions to the post-dramatic one. Some of the overlapping points, which unite the performance with the spectacle in contemporary art, are followed in: the strategy of idiocy in provocative practices; the ready made; the corporeality; the pictorial.

  20. Weather. European Theater Weather Orientation (ETWO)

    Science.gov (United States)

    1992-11-01

    EGUL RAF Lakenheath KBKF Buckdey CO EGUN RAF Mildenhall KSAW Sawyer MI EDAS Sembach GM KGRF Ft Lewis WA EDAB Bitburg GM KFRI Ft Riley KS EDAT...Stability Idez (2) The following list shows the bulletin headers with stations included on each FJ•UEO EDEX EDIC EDIN EDOP EDID EDOT FUE51 EGUA EGUN

  1. Multiradar tracking for theater missile defense

    Science.gov (United States)

    Sviestins, Egils

    1995-09-01

    A prototype system for tracking tactical ballistic missiles using multiple radars has been developed. The tracking is based on measurement level fusion (`true' multi-radar) tracking. Strobes from passive sensors can also be used. We describe various features of the system with some emphasis on the filtering technique. This is based on the Interacting Multiple Model framework where the states are Free Flight, Drag, Boost, and Auxiliary. Measurement error modeling includes the signal to noise ratio dependence; outliers and miscorrelations are handled in the same way. The launch point is calculated within one minute from the detection of the missile. The impact point, and its uncertainty region, is calculated continually by extrapolating the track state vector using the equations of planetary motion.

  2. Soon at a theater near you...

    CERN Multimedia

    Connie Potter

    While at CERN recently gathering images and input for his new movie based on Dan Brown's best-seller "Angels and Demons", director Ron Howard and his technical designer managed to fit in a visit to the ATLAS cavern accompanied by Rolf "Antimatter" Landua from CERN and members of the CERN Press Office. Both were very impressed with the ATLAS installations, with Ron Howard's parting words being...."Tom's going to love this"! So, all you cavern-dwellers... keep your eyes open... for 'Tom'! Ron Howard, director of the "Da Vinci Code" movie, checked out the scene in the ATLAS cavern, preparing for his new project, "Angels and Demons".

  3. Indigenous Construction Materials for Theater Facilities

    Science.gov (United States)

    2013-09-01

    is shown as a step-by-step plan in Figure 1. ERDC TR-13-13 5 Figure 1. Infrastructure planning. The pyramid can be initially divided into two...disadvantages in terms of constructability, structural integrity, environmental impact, and sociocultural impacts. The lower portions of the pyramid ...United States or the Nile in Sudan and Egypt ) is vital to the local economy and can provide a means for transport- ing such construction materials

  4. 75 FR 81651 - United States

    Science.gov (United States)

    2010-12-28

    ... that case, two movie theater booking agents agreed to refrain from actively soliciting each other's... order necessary or appropriate for the modification, interpretation, or enforcement of the Final...

  5. 75 FR 60820 - United States v. Adobe Systems, Inc., et al.; Proposed Final Judgment and Competitive Impact...

    Science.gov (United States)

    2010-10-01

    ... that case, two movie theater booking agents agreed to refrain from actively soliciting each other's... order necessary or appropriate for the modification, interpretation, or enforcement of the Final...

  6. Optimizing the Capacity and Operation of U.S. Army Ammunition Production Facilities

    National Research Council Canada - National Science Library

    Bayram, Vedat

    2002-01-01

    .... The Army must also manage and maintain capacity to replenish ammunition consumed by major theater wars without expanding the industrial base, The combined organic and inorganic industrial base...

  7. Effects-Based Operations: A Historical Perspective for a Way Ahead

    National Research Council Canada - National Science Library

    Wagenhals, Lee W; Levis, Alexander H; McCrabb, Maris

    2003-01-01

    .... They investigate methods, tools, and techniques that have been developed to enable the warfighters in the theater and civilian and military leadership to analyze complex situations, determine desired...

  8. 78 FR 14356 - National Register of Historic Places; Notification of Pending Nominations and Related Actions

    Science.gov (United States)

    2013-03-05

    ... properties under the National Register criteria for evaluation. Comments may be forwarded by United States... Tobacco Storage Warehouse, 1211 Manchester St., Lexington, 13000110 Kenton County Ludlow Theater, The, 322...

  9. Joint Force Headquarters - Global Strike: Preserving, Advancing, and Accelerating Operational Art for the Joint Force Commander

    National Research Council Canada - National Science Library

    Kruse, Jeffrey

    2004-01-01

    ... combatant commanders. It can be viewed as infringing upon theater unity of command, a potential avenue for increased national level control and interference, and a competitor for finite warfighting resources...

  10. Pop / Tõnu Kaalep

    Index Scriptorium Estoniae

    Kaalep, Tõnu, 1966-2018

    2004-01-01

    Heliplaatidest: Marianne Faithfull "Before the Poison", Louis Armstrong "What A Wonderful World", Depeche Mode "Remixes '81-'04", Manic Street Preachers "Lifeblood", Seal "Best 1991-2004", Dream Theater "Live At Budokan"

  11. Money in the Bank. Lessons Learned from Past Counterinsurgency (COIN) Operations

    National Research Council Canada - National Science Library

    Rabasa, Angel; Warner, Lesley A; Chalk, Peter; Khilko, Ivan; Shukla, Paraag

    2007-01-01

    The Global War on Terror (GWOT) is being waged in multiple theaters possessing a wide spectrum of social dynamics, regional relationships, histories, political cultures, strengths and weaknesses, and salient grievances...

  12. A Heuristic Algorithm for U.S. Naval Mission Resource Allocation

    National Research Council Canada - National Science Library

    Dwyer, Derek T

    2008-01-01

    Current military leadership is directing the U.S. Navy to engage in theater security cooperation activities or missions to bolster confidence and build trust relationships with other national military forces...

  13. The Rising Tiger (United States Policy Consideration towards Southeast Asia)

    National Research Council Canada - National Science Library

    Douglas, Carla; Pagliano, Gary; Rosner, Elliot J

    1997-01-01

    .... soldiers Island-hopped through the Philippines enjoying ultimate victory in the Pacific theater, while during the Vietnam War, the United States experienced policy failures and conflicts in the nation's will...

  14. Now and Then: Combat Casualty Care Policies for Operation Iraqi Freedom and Operation Enduring Freedom Compared With Those of Vietnam

    National Research Council Canada - National Science Library

    Cordts, Paul R; Brosch, Laura A; Holcomb, John B

    2008-01-01

    Between December 2004 and June 2007, 13 key Operation Iraqi Freedom/ Operation Enduring Freedom combat casualty care policies were published to inform medical practice in the combat theater of operations...

  15. Public Affairs Capacity Building: A Soft Tool for Combatant Commanders

    National Research Council Canada - National Science Library

    Salata, Jason P

    2008-01-01

    Public affairs capacity building is a valuable soft component of the Combatant Commander's Theater Campaign Plan that builds habitual relationships, fosters transparency, and enhances the ability to shape the AOR...

  16. Warfighter's Edge: Using Intelligent Agents To Solve Warfighter Problems

    National Research Council Canada - National Science Library

    Scheiber, Lane

    2001-01-01

    ... the conflict sooner and at less cost to our forces Improving our forces' capability to locate and destroy the enemy's theater missile launchers and infrastructure would significantly contribute to shortening...

  17. WARFIGHTER'S EDGE: Using Intelligent Agents to Solve Warfighter Problems

    National Research Council Canada - National Science Library

    Scheiber, Lane

    2001-01-01

    ... sooner and at less cost to our forces. Improving our forces' capability to locate and destroy the enemy's theater missile launchers and infrastructure would significantly contribute to shortening the conflict...

  18. Una reflexión sobre la violencia y la construcción de paz desde el teatro y el arte

    Directory of Open Access Journals (Sweden)

    Patricia Tovar

    2015-03-01

    Full Text Available A reflection on violence and peacebuilding from theater and art Abstract This paper is an invitation to think about art and the legacy of violence and injustice in the history of mankind and the efforts from different artistic projects on conflict resolution and the promotion of peace in the world. Some of these experiences are presented and analyzed and it is examined how they have been applied by different disciplines to solve or make progress on some of the problems society faces. It is also important to think about the use of art, theater and creativity as a methodological strategy and as an exercise of participatory research that allows transformative research in the field of violence and teamwork from the affected communities.

  19. The actor between dictatorship and post-dictatorship. Corporealities in conflict in Argentine cinema and theatre during the return of democracy (1983/1989

    Directory of Open Access Journals (Sweden)

    Karina Mauro

    2016-03-01

    Full Text Available We propose to analyze the acting in cinema and theater of the argentine democratic return, in order to highlight its political dimension implied. Thanks to the willingness to represent the recent past, acting in films will be limited to the realism. But at the same time, new expressions of young artists based in the irruption of the body and sexuality emerged in the theater. We believe that this aggressive deployment of a revulsive, offset and young corporality, constituted a vital affirmation before the horror of the dictatorship. In addition, these experiences reacted to the imposition of an acting performance at the service of transmission of a message, imaginary of "productive body" present in realism, but also in groups militants of the 70s.

  20. Importance of computerized tomography for surgical treatment of intracranial hematomas

    International Nuclear Information System (INIS)

    Diemath, H.E.

    1982-01-01

    The improved treatment by using computerized tomography (CT) located operating theater and intensive care unit is reported in comparison of 3,382 patients with severe head injuries. By preoperative use of CT the frequency of diagnosed hermatomas was about the same (29.5% before CT; 27.0% with CT) but the preoperative diagnosed multiple hematomas were much more frequent (14.0% resp. 27.0%). The most important advantage however is the saving of time by CT in this localisation by which the chance of survival has increased from 54% to 69%. Without any doubt everywhere in neurotraumatology the CT should be situated as near as possible to the intensive care unit and to the operating theater and should be available 24 hours a day. (Author) [de

  1. 28 CFR 36.305 - Alternatives to barrier removal.

    Science.gov (United States)

    2010-07-01

    ... shelves or racks; (3) Relocating activities to accessible locations; (c) Multiscreen cinemas. If it is not... theaters of a multiscreen cinema, the cinema shall establish a film rotation schedule that provides...

  2. The Use of Contingency Contracting in a Deployed Environment at the Tactical Level

    National Research Council Canada - National Science Library

    Tomasetti, Boyd J

    2006-01-01

    This thesis studied the use of contingency contracting, specifically the use of theater support contractors at the tactical level in a deployed environment and how this capability can be better used...

  3. Operational Requirements Document (ORD) for Warfighters' Simulation (WARSIM) 2000

    National Research Council Canada - National Science Library

    1997-01-01

    .... The WARSIM 2000 simulation system will use a computer based simulation and associated hardware to support the training of unit commanders and their staffs from battalion through theater level as well...

  4. Biometrics in support of special forces medical operations.

    Science.gov (United States)

    Kershner, Michael R

    2012-01-01

    Recommendations on ways in which the ODA can leverage biometrics in medical operations to improve their security, improve relations with indigenous personnel, and contribute to the larger theater biometrics program. 2012.

  5. Strengthening U.S. Interests in Africa: The African Partnership Initiative (API)

    National Research Council Canada - National Science Library

    Lambert, Terry

    2008-01-01

    .... The current African Union (AU) Peace and Security Architecture and the Theater Security Cooperation Plan of the newly established combatant command, AFRICOM, should be integrated into the proposed hybrid partnering program...

  6. Anatomy of a Reform: The Expeditionary Aerospace Force

    National Research Council Canada - National Science Library

    Davis, Richard G

    2003-01-01

    .... Yet the nation's strategy of selective engagement dictated that the service be ready to fight and win two nearly simultaneous major theater wars, while maintaining its commitments to a growing string...

  7. 32 CFR 552.18 - Administration.

    Science.gov (United States)

    2010-07-01

    ... Driver-Selection, Testing, and Licensing. A copy of the above documents may be obtained by writing to... exchanges, motion picture theaters, and post restaurants are used to supplement appropriated funds in...

  8. Toward the Effective Use of Military Veterinarians in Stability Operations

    National Research Council Canada - National Science Library

    Moore, Melinda; Fisher, Gail

    2008-01-01

    ... operations, all core missions and of equal importance. In active theaters such as Afghanistan and Iraq, medical civil-military stability operations figure prominently and include activities carried out by military veterinarians...

  9. Africa: A Common Operational Structure for the Future

    National Research Council Canada - National Science Library

    Nelson, Richard W

    2005-01-01

    .... A lack of synchronization of Theater Security Cooperation activities in each of the three Combatant Commands with responsibility in Africa -- EUCOM, CENTCOM, and PACOM -- represents a weakness in the U.S. approach...

  10. Extension Service :: Calendar

    Science.gov (United States)

    meeting 10:30am CC Master Gardener Board Meeting 5:30pm Beaverton | Science on Tap - Man's Best Friends 4 Exhibits Festivals / Fairs / Cultural Events Lectures / Seminars Music Student Activities Theater / Film

  11. Data Acquisition Executive Summary (DAES) Report, PATRIOT PAC-3

    National Research Council Canada - National Science Library

    1997-01-01

    PATRIOT, the centerpiece of the Army's corps and theater air defense forces, is an extremely capable high to medium altitude, long range air defense missile system which provides air defense of ground...

  12. Coming in From the Cold ... War: Defense Humint Services Support to Military Operations Other Than War

    National Research Council Canada - National Science Library

    Becker, David

    2000-01-01

    ...) and theater commander in chiefs (CINCs) in military operations other than war (MOOTW). The examination included a study into the recent history of military HUMINT, and the Department of Defense's (DoD's...

  13. Exploratory Model Analysis of the Space Based Infrared System (SBIRS) Low Global Scheduler Problem

    National Research Council Canada - National Science Library

    Morgan, Brian

    1999-01-01

    ...) "System of Systems". The SBIRS Low component of the SBIRS "System of Systems" will track strategic and theater ballistic missiles from launch to reentry and relay necessary cueing data to missile interceptors...

  14. The Design and Development of a Robotically Emplaced Hand Packed Shaped Charge

    National Research Council Canada - National Science Library

    DeFisher, S; Baker, E; Wu, Yi; Wu, J; Richwald, A; Miller, G

    2006-01-01

    .... Army, in terms of both lives and materiel lost in the South West Asian (SWA) theater. The safe destruction of these types of devices is currently the responsibility of explosive ordnance disposal...

  15. The murga: voice and popular feeling

    Directory of Open Access Journals (Sweden)

    Franca Roibal Fernández

    2016-03-01

    Full Text Available Murga is, in its simplest terms, popular musical theater of Uruguayan Carnival, but in reality it is much more than this. It is theater, music, identity, myth, political criticism; it is the voice of the people. The murga is a group of popular musical theater whose members sing and act on various tablados –neighborhood makeshift stages– and it is the most political component of Uruguayan Carnival. The murga criticizes, satirizes and questions society, politicians and situations constantly, but it never defines itself as political nor theoretical. It is simply a form of popular art. It is a way to take the issues, which affect everyone, to the masses, to the tablados which are filled every night of Carnaval. During the dictatorship, which brought with it censorship of every sort, murgas were censored just like all artistic endeavors. However, murgas were able to subvert the censorship of their lyrics, permitting them to criticize the outrages and crimes of the government with the music itself. Although the political situation has now changed dramatically, the murga is still a necessary element of Uruguayan socio-political discourse. This article aims to summarize the history of Carnival in Uruguay and specifically the murga, as well as to analyze song lyrics from historically important shows from two different eras.

  16. 77 FR 60603 - National Arts and Humanities Month, 2012

    Science.gov (United States)

    2012-10-04

    ... their best, great works of literature, theater, dance, fine art, and music reflect something common in... children read their first book, pick up their first instrument, or perform in their first play, they...

  17. 75 FR 43467 - Nondiscrimination on the Basis of Disability; Movie Captioning and Video Description

    Science.gov (United States)

    2010-07-26

    ... into one of twelve categories listed in the ADA, such as restaurants, movie theaters, schools, day care... operators. These State Attorneys General said that such discretion in the selection of the type of...

  18. A Campaign of Ropes. An Analysis of the Duke of Wellington's Practice of Military Art During the Peninsular War, 1808 to 1814

    National Research Council Canada - National Science Library

    Hendrick, J

    1998-01-01

    ... advantage in a theater of war. As military theory recognizes two general types of military art, classical strategy and operational art, the research question was constructed to determine if Wellington practiced pure classic...

  19. Plaadid / Mart Normet

    Index Scriptorium Estoniae

    Normet, Mart, 1979-

    2006-01-01

    Uutest heliplaatidest Missy Elliott "Respect M.E.", The Guillemots "Throught The Windopane", Stereotyp "Keepin Me", Dream Theater "Score: 20th Anniversary World Tour", Agent M "Šokolaad", DJ Shadow "The Outsider", Miossec "Letreinte"

  20. Ferdinand Břetislav Mikovec jako přispěvatel Die Grenzboten und Wiener Zeitung

    Czech Academy of Sciences Publication Activity Database

    Petrbok, Václav

    2015-01-01

    Roč. 26, č. 2 (2015), s. 78-88 ISSN 0862-5409 Institutional support: RVO:68378068 Keywords : Mikovec, Ferdinand Břetislav * theater * journalism * culture * cultural mediation Subject RIV: AJ - Letters, Mass-media, Audiovision

  1. ICT

    African Journals Online (AJOL)

    Jane

    2011-08-17

    Aug 17, 2011 ... Key words: Information and communication technologies (ICT), tools, food security, rural ... albums, posters, theater, human interactions, markets and plays .... Frequency Percent Cumulative percent. Little. 15. 8.8. 8.8. Medium.

  2. A Vote for Open Classrooms.

    Science.gov (United States)

    American School and University, 1980

    1980-01-01

    Northwest High School in Wichita (Kansas) is arranged pinwheel fashion around a central commons that serves as space for eating, lockers, informal gatherings, and the foyer of a 804-seat theater. (Author/MLF)

  3. Missile Defense Attack Operations (Joint Force Quartery, Winter 2000-2001)

    National Research Council Canada - National Science Library

    Watanabe, Nathan

    2001-01-01

    ...- 01.5, Doctrine for Joint Theater Missile Defense, often invokes the term integrate. Although the services are making progress in vertical integration on all levels, little has been done to harmonize efforts horizontally...

  4. 77 FR 4582 - National Register of Historic Places; Notification of Pending Nominations and Related Actions

    Science.gov (United States)

    2012-01-30

    ... ask us in your comment to withhold your personal identifying information from public review, we cannot... Theatre, (Movie Theaters of Iowa MPS) 218 Main St., Sioux Rapids, 12000030 OHIO Cuyahoga County Jones Home...

  5. Analysis of the Contingency Contracting Support Plan within the Joint Planning Process Framework

    National Research Council Canada - National Science Library

    Anderson, Michael

    2003-01-01

    ...) flexibility and responsiveness. Current OPLANS at the Joint-level generally discuss how forces will be contractually supported in-theater, but are not specific enough within the framework of the Joint Planning Process (JPP...

  6. Estimating the Costs of Military Operations in Iraq

    National Research Council Canada - National Science Library

    Gilmore, J. M

    2007-01-01

    This testimony, given by J. Michael Gilmore, Assistant Director for National Security, before the Committee on the Budget, United States Senate, discusses the costs of operations in the Iraq theater and issues associated...

  7. Seni Sastra, Teater, dan Film dalam Konteks Perkotaan: Industrialisasi dan Urbanisme (Studi Kasus Serial Sinetron Film ”Intan”

    Directory of Open Access Journals (Sweden)

    Soediro Satoto

    2010-06-01

    Full Text Available Tulisan ini bertujuan memaparkan korelasi antara produksi seni sastra, seni teate, dan film serta menjelaskan keterkaitan yang erat antara urbanisasi, industrialisasi, dan urbanisme dengan perkembangan iptek dan seni, termasuk seni sastra, seni drama/teater, dan seni film/sinetron. Seirama dengan dinamika proses globalisasi di segala bidang, termasuk budaya dan seni, fenomena tersebut akan berdampak pada proses akulturasi lintas/silang budaya, perge- seran dan atau perubahan tata nilai dan identitas budaya bangsa. Akankah muncul identitas bu- daya ’baru’ (sebut yang khas ’urban’ dengan cara mengesampingkan atau membuang jauh-jauh identitas budaya ’lama’ (sebut tradisional yang dianggap sudah ketinggalan zaman? Bagaimana sepantasnya ’masyarakat sastra, teater, dan film’ menyikapi fenomena-fenomena tersebut secara kritis, realistis, dinamis, dan arif? Serial Sinetron Film “Intan” dalam makalah ini diambil seba- gai studi kasus karena rating-nya yang relatif konstan tertinggi jika dibandingkan dengan serial sinetron film lainnya di media yang sama dalam kurun waktu yang sama. Abstract: This paper is aimed to describe correlation between literary, theater, and film art production and explain the strong interrelatedness between urbanization, industrialization, and urbanism by the development of science technology and art, including literary art, drama/theater art, and film/sinetron art. Along with the dynamic of globalization process in all aspects, including culture and art (literary, theater, and film art in this case, the phenomena will have influences to cross/inter-cultural acculturation process, shift and/or change in a nation’s cultural identity and values. Will a ‘new’ (call it urban cultural identity emerge by putting aside or getting rid of the ‘old’ cultural identity (call it traditional which is regarded as old fashion? How should a ‘literary, theater, and film community’ behave critically, realistically

  8. Penciptaan Drama Musikal Sweeney Todd: The Demon Barber of Fleet Street (Sweeney Todd:Tukang Cukur Haus Darah

    Directory of Open Access Journals (Sweden)

    Husni Wardhana

    2013-11-01

    seluruh pertunjukan. Kata kunci: penyutradaraan, drama musikal, kisah legendaris, Sweeney Todd, teater sekolah. ABSTRACT The musical drama Sweeney Todd: Th e Demon Barber of Fleet Street. The creative directing process of this drama has given many good lessons to the art work of performing arts, especially to musical drama performance. The musical drama has its own unique characteristics in its process and performance. This type of drama is very popular in the USA, and has been the only contribution from the USA to enrich the typical of world theater. Sweeney Todd: The Demon Barber of Fleet Street is as an English legend, especially in England. This script created by Christopher Bond has been performed for several times in all around the globe. Having seen from its creating history, the story of a barber who takes revenge has been through long adaptation process. Some big authors in this era, before proceeded by Christopher Bond’s creative touch, had creatively recreated this script. The musical drama Sweeney Todd: The Demon Barber of Fleet Street was fi rstly created from the musical comedy drama and since 1920 has shown serious themes that are well known as Broadway music or American music. This drama has commonly been shown on a big stage West End and Broadway in London and New York, also in Australia and Asia. Moreover, it has also been performed by groups of school-theater and amateur theater. Most of the musical drama performances Sweeney Todd: The Demon Barber of Fleet Street are accompanied by music and are sung as well. The dialog is changed into songs. The actors are supposed to be able to sing, to act, and to dance. The musical drama is a performance that uses three main characteristics, namely: singing (solo, ensemble, and choir, dancing (individual and group, and acting, that dominates in most parts of the performance. Key words: directing, musical drama, legend story, Sweeney Todd, theater.

  9. Pop / Jan Berkovitch

    Index Scriptorium Estoniae

    Berkovitch, Jan

    2005-01-01

    Heliplaatidest: Must Missa "The Target of Hate", Four Tet "Everything Ecstatic", Pat Metheny/Ornette Coleman "Song X (20th Anniversary)", Dream Theater "Octavarium", Vanessa & The O's "La Ballade d'O", The Lucksmiths "Warmer Corners"

  10. NATO and U.S. Ballistic Missile Defense Programs: Divergent or Convergent Paths?

    National Research Council Canada - National Science Library

    Toms, Kevin E

    2008-01-01

    ...) information network to support the Theater Missile Defense (TMD) capabilities of specific Allies for the protection of forward deployed troops, and studies of the feasibility and political-military implications of Ballistic Missile Defense (BMD...

  11. Commercial Fast Freight Ferry Designs and Their Application to Operational Logistics

    National Research Council Canada - National Science Library

    McIntyre, Ian

    2000-01-01

    .... As we enter the era of Network Centric Warfare (NCW), where Speed of Command is often measured in seconds, theater operational logistics must keep pace with an increased demand for speed in the battlespace...

  12. Regional Combatant Commanders and the Center of Gravity of Radical Islamic Terrorism

    National Research Council Canada - National Science Library

    Ridings, Sr, Charles O

    2005-01-01

    ... his theater objectives in the Global War on Terrorism (GWOT). The author begins with a brief history of Islam and selected sects, shedding insight as to the origin of the radical Islamic terrorist ideology...

  13. 78 FR 73881 - National Register of Historic Places; Notification of Pending Nominations and Related Actions

    Science.gov (United States)

    2013-12-09

    ... review, we cannot guarantee that we will be able to do so. Dated: November 21, 2013. J. Paul Loether... Central Elementary School, 401 S. 8th St., Tacoma, 13000998 Spokane County Garland Theater, (Movie...

  14. Vision - night blindness

    Science.gov (United States)

    ... walking through a dark room, such as a movie theater. These problems are often worse just after ... Lippincott Williams & Wilkins; 2013:vol 3, chap 2. Review Date 8/20/2016 Updated by: Franklin W. ...

  15. Genetics Home Reference: bradyopsia

    Science.gov (United States)

    ... such as when walking out of a darkened movie theater into daylight. Their eyes also have trouble ... Robson AG, Holder GE. Pathognomonic (diagnostic) ERGs. A review and update. Retina. 2013 Jan;33(1):5- ...

  16. Remembering the Future of Centralized Control-Decentralized Execution

    National Research Council Canada - National Science Library

    Sheets, Patrick

    2003-01-01

    ... concepts which should drive system development. To realize the significance of the USAF C2 tenet of "centralized control-decentralized execution," one must understand how C2 is executed, in contingency theaters of operation...

  17. Teenagers (15-17 years of age)

    Science.gov (United States)

    ... this age group might: Have more interest in romantic relationships and sexuality. Go through less conflict with ... in activities such as sports, music, theater, and art. Encourage your teen to volunteer and become involved ...

  18. Environmental Assessment for Ford Island Conference Center, Pearl Harbor Naval Complex, O'ahu, Hawaii

    National Research Council Canada - National Science Library

    2004-01-01

    ... (formerly the Ford Island Theater), a historic property, at Ford Island, Oahu, Hawaii. The Proposed Action would have an adverse effect on Building 89 due to its partial demolition and alterations to the interior...

  19. A arte do teatro Clown no cuidado às crianças hospitalizadas El arte del teatro Clown en el cuidado de niños hospitalizados The art of Clown theater in care for hospitalized children

    Directory of Open Access Journals (Sweden)

    Regina Aparecida Garcia de Lima

    2009-03-01

    ísticas como forma de comunicación, participación del binomio niño y acompañante y el clown como recurso terapéutico. Los resultados indicaron que esta experiencia se constituyó en una intervención concreta que valoriza el proceso de desarrollo infantil, ya que abre espacio para la fantasía, la risa, la alegría y la apropiación de lo cotidiano en el hospital; además es un ejemplo de ampliación del proceso diagnóstico y terapéutico con la incorporación de intervenciones que privilegian las necesidades afectivas, emocionales y culturales del niño y su familia, en la busca del cuidado sin traumas.Hospitalization can be a very traumatic experience for children and their family members. The purpose of this study was to explore the experience of using clown theater art in the care for hospitalized children, starting with an activity developed by undergraduate students in the healthcare area. Data were obtained by observing 20 children and 11 students, characters in the clown theater interacting in the pediatric clinic in a school hospital in the state of São Paulo. The empirical data were analyzed with the thematic content analysis, which were grouped around the following themes: artistic expressions as a form of communication, participation of the binomial child and accompanying partner, and the clown as a therapeutic resource. The results show that this experience was a concrete intervention, emphasizing the children's development process, since it opens up a space for fantasy, laughter, happiness and the appropriation of the hospital routine; it is an example of widening the diagnostic and therapeutic process with the incorporation of intervention focusing on the affective, emotional and cultural necessities of the child and the family, in the search for non-traumatic care.

  20. NATO's requirements and policy for LRTNF

    International Nuclear Information System (INIS)

    Davis, L.E.

    1994-01-01

    In a special meeting of Foreign and Defense Ministers, the NATO alliance on 12 December 1979 decided to modernize its long range theater nuclear forces (LRTNF) through the deployment in Europe of 572 Pershing II and ground launched cruise missiles (GLCM). This decision was accompanied by an offer from the US to the U.S.S.R. to negotiate limitations on these LRTNF which would be global, equal, and verifiable. The story of NATO's dual-track decision as well as the INF Treaty is well chronicled. What is missing is a detailed study of the processes within the US government and the NATO alliance by which the LRTNF decisions were made. The role that analysis played, and the lessons that can be drawn for future policies on NATO's theater nuclear forces are discussed

  1. ``Losing the Dark:'' A Planetarium PSA about Light Pollution

    Science.gov (United States)

    Productions, L. N.; Walker, D. C.

    2013-04-01

    Losing the Dark is a PSA video being created for fulldome theaters by Loch Ness Productions under the direction of the International Dark Sky Association Education Committee headed by Dr. Constance Walker of the National Optical Astronomy Observatories. It explains the problems with light pollution, its effects on life, and three ways in which people can implement “wise lighting” practices to mitigate light pollution. The show is also being produced in a flat-screen HD format for use in classical planetarium and non-dome theaters, for presentations by IDA speakers when addressing planning boards, etc. and will be posted on the IDA and other web sites. The final length is six minutes for both versions. Funding has been provided by The International Planetarium Society and the International Dark-Sky Association.

  2. Hollywood blockbusters and long-tailed distributions

    Science.gov (United States)

    Sinha, S.; Raghavendra, S.

    2004-11-01

    Numerical data for all movies released in theaters in the USA during the period 1997-2003 are examined for the distribution of their popularity in terms of (i) the number of weeks they spent in the Top 60 according to the weekend earnings, and (ii) the box-office gross during the opening week, as well as, the total duration for which they were shown in theaters. These distributions show long tails where the most popular movies are located. Like the study of Redner [S. Redner, Eur. Phys. J. B 4, 131 (1998)] on the distribution of citations to individual papers, our results appear to be consistent with a power-law dependence of the rank distribution of gross revenues for the most popular movies with a exponent close to -1/2.

  3. Developing a Command and Control Application: Lessons Learned from FLEX

    National Research Council Canada - National Science Library

    Frantz, Albert G; Waller, Howard T; O'Neill, Patrick J; Clark, Thomas A; Marks, David L; Flo, Robert M; Griffith, David A

    1999-01-01

    ...) application, the Force Level EXecution (FLEX) software system. FLEX is the battle management software for monitoring the execution of Joint Air Operations in the Air Force Electronic Systems Center's Theater Battle Management Core Systems (TBMCS...

  4. Case report

    African Journals Online (AJOL)

    raoul

    2011-11-21

    Nov 21, 2011 ... poor areas where ancillary tests and treatment options may be ... Making a preoperative diagnosis is difficult. ... The child was brought to the theater where, under general anesthesia, a midline laparotomy was performed.

  5. Anti-Ballistic Missile Laser Predictive Avoidance of Satellites: Theory and Software for Real-Time Processing and Deconfliction of Satellite Ephemerides With a Moving Platform Laser, Book 1

    National Research Council Canada - National Science Library

    vloedman, David

    1999-01-01

    The Anti-Ballistic missile Laser (ABL) Project is committed to defense against attack from enemy-launched Theater Ballistic Missiles using an airborne laser platform to disable an enemy missile in the boost phase of launch...

  6. 32 CFR 634.49 - Standards for impoundment.

    Science.gov (United States)

    2010-07-01

    ... facility. (iii) When blocking an emergency exit door of any public place (installation theater, club, dining hall, hospital, and other facility). (iv) In a “tow-away” zone that is so marked with proper signs...

  7. Separate and Unequal: Race Relations in the AAF During World War 2

    National Research Council Canada - National Science Library

    Osur, Alan M

    2000-01-01

    Race relations between white and black Americans in the Army Air Forces (AAF) during World War II ran the gamut from harmonious to hostile, depending upon the unique circumstances existing within each unit, command, and theater...

  8. Strategic Defense Initiative Overview

    National Research Council Canada - National Science Library

    1990-01-01

    ... to Third World and other nations. I will then discuss the scope of the SDI effort, the evolving strategic defense system architectures and theater defense, our compliancy with the ABM Treaty, technology spinoffs resulting from SDI...

  9. Teaching the Surgical Craft: Surgery Residents Perception of the ...

    African Journals Online (AJOL)

    often a stressful environment with a background of distractions.[5] ... variables that may improve the operating theater education of our trainees. Materials and .... Gender was not ..... completed at a single institution using a convenient sample of.

  10. Mapping Intermediality in Performance

    NARCIS (Netherlands)

    2010-01-01

    Mapping Intermediality in Performance benadert het vraagstuk van intermedialiteit met betrekking tot performance (vooral theater) vanuit vijf verschillende invalshoeken: performativiteit en lichaam; tijd en ruimte; digitale cultuur en posthumanisme; netwerken; pedagogiek en praxis. In deze boeiende

  11. Major Links.

    Science.gov (United States)

    Henderson, Tona

    1995-01-01

    Provides electronic mail addresses for resources and discussion groups related to the following academic majors: art, biology, business, chemistry, computer science, economics, health sciences, history, literature, math, music, philosophy, political science, psychology, sociology, and theater. (AEF)

  12. Muzikologická produkce v českých zemích v roce 2016 s doplňky z předchozích let (výběrová bibliografie)

    Czech Academy of Sciences Publication Activity Database

    Kordík, Pavel

    2017-01-01

    Roč. 54, č. 4 (2017), s. 473-494 ISSN 0018-7003 Institutional support: RVO:68378076 Keywords : bibliography * musicology * 2016 Subject RIV: AL - Art, Architecture, Cultural Heritage OBOR OECD: Performing arts studies (Musicology, Theater science, Dramaturgy)

  13. Infectious Diseases - Diseases Related to Service in Gulf War, Iraq, and Afghanistan

    Science.gov (United States)

    ... qualify for VA health care . Diseases related to Gulf War, Iraq and Afghanistan service VA presumes that the ... Southwest Asia theater of military operations during the Gulf War August 2, 1990 to present and in Afghanistan ...

  14. Architecture and Concept of Operations for a Warfighter's Internet. Volume 1

    National Research Council Canada - National Science Library

    1998-01-01

    ... to a backbone network of airborne communications nodes that are within line of sight of theater forces, within line of sight of each other, and are also connected to command and support centers through the Global...

  15. 12 CFR 723.21 - Definitions.

    Science.gov (United States)

    2010-01-01

    ... existing farming operation, this is a member business loan but is not a construction or development loan. A... property. Example 2. A loan to convert a movie theater into a restaurant is a construction or development...

  16. Joint Stars and the Darkstar Unmanned Aerial Vehicle: An Operating and Support Cost Estimate

    National Research Council Canada - National Science Library

    SIKRA, JAMES

    1998-01-01

    With the 1997 Quadrennial Defense Review's (QDR) reduction of Joint STARS aircraft from 19 to 13, the program will not be able to maintain the Department of Defense requirement to fully support two major theater wars (MTWs...

  17. Health Care: Report on the DoD Patient Movement System

    National Research Council Canada - National Science Library

    Joseph, Michael A; Tonkovic, Timothy J; Hanlon, Robert J; Martin, Anna P; Hatten, Danny O; Hubbell, Mary A; Ali, Tamika S; Noell, Monica L

    2005-01-01

    The primary mission of the DoD patient movement system is to safely transport U.S. military casualties from a combat zone to fixed medical treatment facilities and field hospitals in or out of the combat theater...

  18. Pop / Bertil Tüvi

    Index Scriptorium Estoniae

    Tüvi, Bertil

    2007-01-01

    Heliplaatidest: Bonde Do Role "With Lasers", Cribs "Men's Needs Women's Needs Whatever", Dylan Donkin "Food for Thoughtlessness", Dream Theater "Systematic Chaos", Smashing Pumpkins "Zeitgeist", Suzanne Vega "Beauty and Crime", The Beach Boys "The Warmth Of The Sun"

  19. Phasma Dionysiacum Pragense 1617-2017, Praha 4.-5. února 2017

    Czech Academy of Sciences Publication Activity Database

    Kapsa, Václav

    2017-01-01

    Roč. 54, č. 1 (2017), s. 105-107 ISSN 0018-7003 Institutional support: RVO:68378076 Keywords : conference * conference report * musicology Subject RIV: AL - Art, Architecture, Cultural Heritage OBOR OECD: Performing arts studies (Musicology, Theater science, Dramaturgy)

  20. Joint Logistics, Fact or Fiction?

    National Research Council Canada - National Science Library

    Carroll, Walton

    1998-01-01

    ...) and the evolution of Joint doctrine to meet these new demands. The focus of this examination remains at the strategic level and the ability of the Services to meet the logistical demands of the modern theater battlefield...

  1. Hymenoptera of Afghanistan and the central command area of operations: assessing the threat to deployed U.S. service members with insect venom hypersensitivity.

    Science.gov (United States)

    Turbyville, Joseph C; Dunford, James C; Nelson, Michael R

    2013-01-01

    Insect venom hypersensitivity can pose a threat to personnel deployed to a combat zone but the exposure risk in Afghanistan is currently unknown. This study was designed to assess the threat of Hymenoptera stings and associated allergic reactions in Afghanistan. Hymenoptera species were collected during a deployment to southern Afghanistan from June 2010 through January 2011. The literature was also reviewed to determine species of medically important Hymenoptera recorded in the region. The U.S. Army theater electronic medical data system was mined for ICD-9 codes associated with insect stings to determine the number of theater medical clinic encounters addressing insect sting reactions. Three species of flying hymenoptera were commonly encountered during the study period: Vespa orientalis L., Polistes wattii Cameron, and Vespula germanica (F.). A literature review also confirms the presence of honeybees (Apidae), numerous velvet ant (Mutillidae) species, and various ant (Formicidae) species all capable of stinging. No evidence was identified to suggest that fire ants (Solenopsis ssp.) are a threat in the region. Based on electronic medical records from the U.S. Central Command area of operations over a 2-year period, roughly 1 in 500 clinic visits involved a patient with a diagnosis of insect bite or sting. Cross-reactive members of all five flying Hymenoptera species commonly assessed for in Hymenoptera allergy evaluations are present in Afghanistan. The review of in-theater medical records confirms that insect stings pose an environmental threat to deployed service members.

  2. Pertunjukan Teater Karo Hip Hop Kontemporer KAI

    Directory of Open Access Journals (Sweden)

    Silvia Anggreni Purba

    2013-11-01

    Pertunjukan Teater Karo Hip Hop Kontemporer KAI. The performance of Karo Theater collaborated with Hip Hop stems from a simple idea to collaborate Karo cultural traditions with popular culture. The performances can be enjoyed without having limitation on the language and culture. The process of combining two different cultures is a form of hybrid culture, and it may occur due to the globalization process. Through the process of deposition of the observations and strong impression, this performance is then brought into the form of Hip Hop as a preferred form which is energetic, personal and global. This performance is part of a modern tragedy with its destructive character which has explored the emotion and has presented it to the audiences. The exploration of Karo cultural tradition and Hip Hop dance as a language of symbols is able to reinforce words. The movement is not revealed by the verbal phrase but is presented through the movement of Hip Hop dance. The interpretation of the legend and texts into movement is carried out through the training process at the laboratory as a searching process and experiment, and afterward can be realized by considering the basic elements of Hip Hop, Karo cultural elements and performance. Karo Hip Hop Theatre is expected to become a preferred aesthetic form of a modern theater without losing its tradition form. Keyword: a contemporary Karo theater, Hip Hop, hybrid culture.

  3. Erfolgreiche Ambivalenz. Sarah Bernhardts Inszenierungen von Weiblichkeit Successful Ambivalence: Sarah Bernhardt’s Staging of Femininity

    Directory of Open Access Journals (Sweden)

    Doris Kolesch

    2007-03-01

    Full Text Available Claudia Thorun untersucht die Inszenierungen von Weiblichkeit am Beispiel der Schauspielerin Sarah Bernhardt, die im späten 19. und beginnenden 20. Jahrhundert zu den erfolgreichsten Künstlerinnen ihrer Zeit gehörte. Dazu werden die Darstellungen ausgewählter Rollenfiguren ebenso analysiert wie die schauspieltheoretischen Überlegungen Bernhardts und schließlich die Rezeption ihres Schaffens in Theaterkritiken, aber auch Werbebildern und Medieninszenierungen. Das lesenswerte Buch erlaubt Einblicke in konkrete theatrale Verkörperungen von Weiblichkeit im Fin de Siècle, unternimmt jedoch keine ausreichende theatergeschichtliche wie kulturwissenschaftliche Kontextualisierung, obwohl die Verfasserin in der Einleitung ihrer Studie das Ziel formuliert, Gendertheorie, Theatergeschichte und Kulturwissenschaft zu verknüpfen.Claudia Thorun examines the staging of femininity using the example of the actress Sarah Bernhardt, who in the late nineteenth century was among the most successful artists of her time. The study includes analyses of the representation of specific roles, Bernhardt’s theories on acting, and finally the reception of her work in theater critiques, as well as advertisement images and representations in the media. The book, which is a worthwhile read, allows for insight into the concrete theatrical embodiment of femininity at the fin de siècle. It does not provide, however, adequate contextualization within theater history nor cultural studies, even though in her introduction, the author asserts that it is her intention to link together gender theory, theater history, and cultural studies.

  4. The War Film: Historical Perspective or Simple Entertainment

    National Research Council Canada - National Science Library

    Sheffield, Clayton

    2001-01-01

    This thesis studies the depiction of military life and actions in war movies. The public's perception of the military is shaped through a variety of means, one of which is the feature film showing at the local theater...

  5. Global Hawk Systems Engineering. Case Study

    Science.gov (United States)

    2010-01-01

    Management Core System ( TBMCS ) (complex software development) • F-111 Fighter (joint program with significant involvement by the Office of the...Software Requirements Specification TACC Tailored Airworthiness Certification Criteria TBMCS Theater Battle Management Core System TEMP Test and

  6. Modern Airships: A Possible Solution for Rapid Force Projection of Army Forces

    National Research Council Canada - National Science Library

    Newbegin, Charles

    2003-01-01

    ...). This reliance makes JRSOI sites in a theater predictable and thus a target for the enemy. Current OSD belief is that a lighter and more lethal fighting force could complete the deployment process faster than current heavy forces...

  7. Perceiving and experiencing fictional characters: an integrative account

    NARCIS (Netherlands)

    Hoorn, J.F.; Konijn, E.A.

    2003-01-01

    Fictional characters (PCs) and mediated persons in literature, theater, film, art, TV, and digital media fulfill basic psychological functions, although the processes involved remain unspecified. Departing from identification and empathy hypotheses, a new context-sensitive model draws upon

  8. Operation Thursday: Birth of the Air Commandos

    National Research Council Canada - National Science Library

    Mason, Herbert A., Jr; Bergeron, Randy G; Renfrow, James A., Jr

    1994-01-01

    .... On March 5-6, 1944, the Allies conducted an air invasion of Burma in an attempt to push back the Japanese in the China-Burma-India Theater and reestablish the land route between India and China. U.S...

  9. Kunst voorbij identiteit en differentiatie

    NARCIS (Netherlands)

    F.D.R. Maet (Frank)

    2005-01-01

    textabstractFrank Maet heeft opleidingen gevolgd in theater (Kleine Academie Brussel) en beeldende kunst (Rietveld Academie Amsterdam) en vervolgens filosofie gestudeerd (V.U.Brussel). Zijn eindverhandeling zocht naar invloeden van de esthetica op de wetenschapsfilosofie (met voornamelijk aandacht

  10. African Arts and the Social Studies.

    Science.gov (United States)

    Crane, Louise

    1982-01-01

    Suggests ways in which the rich resources of African arts--literature, sculpture, music, dance, theater--can be made more accessible to elementary and secondary social studies classrooms. A bibliography of print and nonprint materials is also provided. (RM)

  11. Poznámky k žánru ochotnické parodistické operety

    Czech Academy of Sciences Publication Activity Database

    Čadková, Daniela

    2017-01-01

    Roč. 28, č. 1 (2017), s. 27-36 ISSN 0862-5409 Institutional support: RVO:67985955 Keywords : parody * operetta * Czech amateur theatre Subject RIV: AJ - Letters, Mass-media, Audiovision OBOR OECD: Performing arts studies (Musicology, Theater science, Dramaturgy)

  12. Schiller Goes to the Movies: Locating the Sublime in "Thelma and Louise."

    Science.gov (United States)

    Hoyng, Peter

    1997-01-01

    Endeavors to make students aware of similarities between today's movie culture and the theater of the 18th century; parallels between a traditional drama and a movie script; and Schiller's understanding of the sublime. (36 references) (Author/CK)

  13. Theater of Operations Dental Work Load Estimation

    Science.gov (United States)

    1984-05-01

    services of the Defense Technical Information Center (per DOD Instruction 5200.21) may-purchase copies directly from the following: Defense Technical ...47633, 34, or ,35 AlI other requests or these reports will be directed to the following: * . U~ Departr.ent of Conmerce National Technical Information...61 0.1. 323.3 0.6 7811 REDUCTION OF DISLOCATION 121 0.2 108.9 0.2 7815 MYOFASCIAL PAIN DYS TX 1851 3.2 3516.9 6.1* 7835 MAND MANIPULATION .1489 2.6

  14. Operational Planning for Theater Anti-Submarine Warfare

    Science.gov (United States)

    2017-03-01

    or P-8 as a supplementary platform to a ship or sub and never assigned to search alone . This thesis allows the MPRA to search alone and has 10 a...Marina, I will truly miss sitting in class with you guys wondering what a basis is. Finally, to my dog, Dougie: thank you for not eating my homework...can have trouble searching and tracking one submarine, let alone multiple submarines in different regions or mission areas. B. LITERATURE REVIEW

  15. The Military Theater Distribution Network Design Problem

    Science.gov (United States)

    2015-03-26

    64 Appendix B. VBA Code . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 72 Appendix C. Story Board...had equal access to coverage?” The critical consideration was the maximum time or distance a house- hold was from an emergency care facility. For...application that allows calculation, graphing, and a macro programming language called Visual Basic for Applications ( VBA ). CPLEX is a commercial

  16. Simulation-based planning for theater air warfare

    Science.gov (United States)

    Popken, Douglas A.; Cox, Louis A., Jr.

    2004-08-01

    Planning for Theatre Air Warfare can be represented as a hierarchy of decisions. At the top level, surviving airframes must be assigned to roles (e.g., Air Defense, Counter Air, Close Air Support, and AAF Suppression) in each time period in response to changing enemy air defense capabilities, remaining targets, and roles of opposing aircraft. At the middle level, aircraft are allocated to specific targets to support their assigned roles. At the lowest level, routing and engagement decisions are made for individual missions. The decisions at each level form a set of time-sequenced Courses of Action taken by opposing forces. This paper introduces a set of simulation-based optimization heuristics operating within this planning hierarchy to optimize allocations of aircraft. The algorithms estimate distributions for stochastic outcomes of the pairs of Red/Blue decisions. Rather than using traditional stochastic dynamic programming to determine optimal strategies, we use an innovative combination of heuristics, simulation-optimization, and mathematical programming. Blue decisions are guided by a stochastic hill-climbing search algorithm while Red decisions are found by optimizing over a continuous representation of the decision space. Stochastic outcomes are then provided by fast, Lanchester-type attrition simulations. This paper summarizes preliminary results from top and middle level models.

  17. Multistage Deployment of the Army Theater Hospital

    Science.gov (United States)

    2013-12-01

    analysis on the effects warfare tactics, casualty timing, and casualty types had on the medical treatment facility (Cecchine et al., 2001). This proved...the 44-bed mobile portion of the current CSH was potentially inadequate to support approximately four brigades in an asymmetrical warfare scenario...systems and its increased force effectiveness on the fleet. He utilized quantitative analysis with Lanchester and Hughes-Salvo models to show that

  18. Army Aviation Operations in the Pacific Theater

    Science.gov (United States)

    2014-12-04

    security globally, we will of necessity rebalance toward the Asia-Pacific region. Our relationships with Asian allies and key partners are critical...Freedom was embarking upon an eight-month deployment to that Southeast Asian nation and making good on then-Secretary Gates’ commitment from 2011...number of armed vehicles, displaying the flexibility of helicopter operations in this particular theatre .36 A total of 22 Apache missions (49 combat

  19. Kino, Theater, Fernsehen : André Bazins Publikumstheorie

    NARCIS (Netherlands)

    Hanich, Julian; Mundhenke, Florian; Weber, Thomas

    2017-01-01

    What did the great French film theorist André Bazin think of the collective experience in the cinema? What did he write about the influence co-viewers can have on the emotional engagement, the evaluation and the interpretation of a film? In short: What was his audience theory? To be sure, Bazin is

  20. Towards a Flexible Theater Air Warfare Doctrine

    National Research Council Canada - National Science Library

    Gunzinger, Mark A

    1996-01-01

    "Billy Mitchell was right." These words hung in the foyer of the Air Force Air Command and Staff College during Desert Storm, reflecting the belief that air power had finally come of age in the skies over Iraq...

  1. Dance Theatre of Harlem--Theater Activity Packet.

    Science.gov (United States)

    New York City Board of Education, Brooklyn, NY. Div. of Curriculum and Instruction.

    Intended to complement the New York City communication arts curriculum, this packet introduces young students, guided by the classroom teacher, to a dress rehearsal performance of the Dance Theatre of Harlem ballet company. The packet is one of a series in the "Early Stages" program, a joint effort of the Mayor's Office of Film, Theater…

  2. Space, self, and the theater of consciousness.

    Science.gov (United States)

    Trehub, Arnold

    2007-06-01

    Over a decade ago, I introduced a large-scale theory of the cognitive brain which explained for the first time how the human brain is able to create internal models of its intimate world and invent models of a wider universe. An essential part of the theoretical model is an organization of neuronal mechanisms which I have named the Retinoid Model [Trehub, A. (1977). Neuronal models for cognitive processes: Networks for learning, perception and imagination. Journal of Theoretical Biology, 65, 141-169; Trehub, A. (1991). The Cognitive Brain: MIT Press]. This hypothesized brain system has structural and dynamic properties enabling it to register and appropriately integrate disparate foveal stimuli into a perspectival, egocentric representation of an extended 3D world scene including a neuronally tokened locus of the self which, in this theory, is the neuronal origin of retinoid space. As an integral part of the larger neuro-cognitive model, the retinoid system is able to perform many other useful perceptual and higher cognitive functions. In this paper, I draw on the hypothesized properties of this system to argue that neuronal activity within the retinoid structure constitutes the phenomenal content of consciousness and the unique sense of self that each of us experiences.

  3. Extreme Science (LBNL Science at the Theater)

    Energy Technology Data Exchange (ETDEWEB)

    Ajo-Franklin, Caroline; Klein, Spencer; Minor, Andrew; Torok, Tamas

    2012-02-27

    On Feb. 27, 2012 at the Berkeley Repertory Theatre, four Berkeley Lab scientists presented talks related to extreme science - and what it means to you. Topics include: Neutrino hunting in Antarctica. Learn why Spencer Klein goes to the ends of the Earth to search for these ghostly particles. From Chernobyl to Central Asia, Tamas Torok travels the globe to study microbial diversity in extreme environments. Andrew Minor uses the world's most advanced electron microscopes to explore materials at ultrahigh stresses and in harsh environments. And microbes that talk to computers? Caroline Ajo-Franklin is pioneering cellular-electrical connections that could help transform sunlight into fuel.

  4. Engineering Multiagent Systems - Reflections

    DEFF Research Database (Denmark)

    Villadsen, Jørgen

    2012-01-01

    In the first part I look at a theater performance by artistic director Troels Christian Jakobsen as a multiagent system. It is designed as a self-organising critical system using a framework where within its borders but without a script there is real interaction between the elements of the perfor......In the first part I look at a theater performance by artistic director Troels Christian Jakobsen as a multiagent system. It is designed as a self-organising critical system using a framework where within its borders but without a script there is real interaction between the elements...... of the performance. In the second part I discuss the ideas behind my recent monograph on propositional attitudes and inconsistency tolerance. Natural language sentences are parsed using a categorial grammar and correctness of arguments are decided using a paraconsistent logic. In the third part I present...

  5. Jogos teatrais na escola pública

    Directory of Open Access Journals (Sweden)

    Ricardo Ottoni Vaz Japiassu

    1998-07-01

    Full Text Available O artigo apresenta os resultados parciais de pesquisa etnográfica que acompanha aspectos do desenvolvimento cultural de pré-adolescentes com a linguagem teatral em classe multisseriada, através do ensino regular de Teatro, em escola de ensino fundamental da rede pública estadual de São Paulo-SP. Os dados obtidos permitem afirmar que a linguagem cênica contribui na conscientização das novas possibilidades de significação da palavra na prática discursiva.The article shows partial results of ethnographic research in which kids are observed in their cultural development process with theater classes in public school education in São Paulo/Brazil. The data colected indicates that the use of theater games in school education helps students to be aware of a word’s new meaning possibilities in human comunication.

  6. Staging and Performing Dialogue

    DEFF Research Database (Denmark)

    Knox, Jeanette Bresson Ladegaard

    2015-01-01

    A Socratic Dialogue Group (SDG) harbors human drama in the stories and reflections of its participants.Through the use of a theater metaphor, I theoretically expand the method and practical action of SDG, whereby a distinctive approach is developed that emphasizes the art and craftsmanship involved...... in facilitating Socratic dialogue. It also allows me to bring forth the particular dramatic circumstances of the participants and the communal effort of each individual player in the ensemble. The micro cosmos of SDG incarnates the living, moving world that theater represents. It connects the drama...... of an individual life to the larger-scale human stories of moral tragedies and the empowering resilience that we see depicted in great plays. In 2012-2013, I conducted three SDGs in connection with a research project involving seventeen rehabilitating cancer patients. In this article, I use these dialogues...

  7. A Photographer From Ankara: Osman Darcan

    Directory of Open Access Journals (Sweden)

    Gülseren Mungan Yavuztürk

    2015-12-01

    Full Text Available This work introduces Osman Darcan, an important name in the history of Ankara photography studios. Darcan followed in the footsteps of famous Austrian photographer Othmar Pferschy, whom he met in Istanbul, to go on to create his own valuable work. On leaving the Public Press Authority Photo Film Center, where he worked as a newsreel photographer and film operator, in 1943 he began taking photographs at the Tatbikat Theater at the Ankara State Conservatoire, where he continued as the photographer for the State Theater until the end of his life. At the same time, this master photographer took the pictures of a select coterie of Ankara’s leading individuals and well-known performers at a studio he opened on Anafartalar Caddesi. In both these roles, his photographs evoke admiration thanks to Darcan’s professional abilities and level of artistry.

  8. A Native American Theatre Ensemble

    Science.gov (United States)

    Brown, Kent R.

    1973-01-01

    The ceremonial rituals American Indians have practiced for centuries are uncontestable testimony to how strongly they respond to theatre. These rituals, a pure and functional form of dramatic art, are practiced today by a Native American theater group. (FF)

  9. On Dramatic Instruction: Towards a Taxonomy of Methods.

    Science.gov (United States)

    Courtney, Richard

    1987-01-01

    Examines the many possible methods used by instructors who work with dramatic action: in educational drama, drama therapy, social drama, and theater. Discusses an emergent taxonomy whereby instructors choose either spontaneous/formal, overt/covert/, or intrinsic/extrinsic methods. (JC)

  10. Air Refueling Operations in the North Pacific: Is There a More Efficient Method?

    National Research Council Canada - National Science Library

    Rauenhorst, Michael

    1998-01-01

    ... in new mission areas and optimizing the reverse associate unit. The best location to attempt either a KC-135 reverse associate unit or a non-traditional Air National Guard KC-135 squadron might be in the North Pacific Theater...

  11. A Challenge for Developers: Preserving the Interactivity of Human Relations in a Standalone Application.

    Science.gov (United States)

    Mazur, F. E.

    1993-01-01

    Describes the efforts taken by the Cornell Interactive Theater Ensemble to provide interactive human relations training on date rape using live dramatizations, video with facilitated audience participation, and an electronic multimedia format with decision trees for interactive involvement. (EA)

  12. Strong Geometry.

    Science.gov (United States)

    American School and University, 1981

    1981-01-01

    The new multi-use Public Affairs Center houses administrative offices, academic offices, conference areas, and classrooms as well as food service facilities. Other features are a studio theater, a 2,200 seat auditorium, and simulation gaming facilities. (Author/MLF)

  13. 77 FR 5243 - Proposed Priority, Requirements, Definitions, and Selection Criteria-Arts in Education National...

    Science.gov (United States)

    2012-02-02

    ...-quality arts education and arts integration activities and services in music, dance, theater, media arts... DEPARTMENT OF EDUCATION Proposed Priority, Requirements, Definitions, and Selection Criteria--Arts in Education National Program (AENP) AGENCY: Office of Innovation and Improvement, Department of...

  14. Creating A Theater-Based Operational Link Between Strategic Mobility and Theater-Level Logistics For The Joint Task Force Commander

    National Research Council Canada - National Science Library

    Moncrief, Keith

    2003-01-01

    ... required. Only the correct delivery of these commodities will help JFCs mitigate risk to U.S. (and coalition) forces, accomplish mission essential tasks, and safeguard precious human life during contingencies...

  15. U.S. Special Operations Forces (SOF): Background and Issues for Congress

    Science.gov (United States)

    2017-01-06

    3 Information in this section is taken from USSOCOM Information Paper , “Special Operations Forces: 2020: Theater Special Operations...1985), Panama (1989), the Mideast during the Gulf War (1991), Somalia (1993), Haiti (1994), the Balkans (1996-2002), Afghanistan (2001-present), and

  16. Fort Hood Building and Landscape Inventory with WWII and Cold War Context

    Science.gov (United States)

    2007-03-01

    barracks, 1970s (NARA)........................................................... 112 Figure 37. Palmer Movie Theater (NARA...revised 1953) showing layout of Hood Village and trailer park (Fort Hood...arms ammunition storage building #92012 (ERDC-CERL, 2004). ......... 260 Figure 163: Radio reception building #92063 (ERDC-CERL, 2004

  17. Acoustique des salles: aspects physiques et perceptifs

    DEFF Research Database (Denmark)

    Polack, Jean-Dominique

    1999-01-01

    The theory of dynamical systems makes it possible to describe reverberation sound fields in rooms, but not the first reflections which are perceptively dominant. Therefore modern acousticians still rely on experience, such as gathered by visiting Concert Halls and Theater....

  18. Consolidation of Contingency Data and Its Use in Computer Graphics to Plan Bare Base Facility Construction at a Forward Operating Location.

    Science.gov (United States)

    1983-09-01

    a number of Harvest Eagle kits positioned in Europe and the Pacific theaters (12). Harvest Bare, a prepackaged kit of prefabricated expandable...Environmental Studies. San Diego University. Ecological Assessment of Vandenberg Air Force Base, California. Volume III. Environ- mental Planning System

  19. DOD Dictionary of Military and Associated Terms

    Science.gov (United States)

    2017-03-01

    career sea pay; causeway section, powered; contracting support plan CSS Central Security Service (NSA); combat service support CSSA combat...effects team TETK TeleEngineering Toolkit TEU technical escort unit; twenty-foot equivalent unit TEWLS Theater Enterprise Wide Logistics System TF

  20. Final EIS for the Proposed Homeporting of Additional Surface Ships at Naval Station, Mayport, FL. Volume 1. Final Environmental Impact Statement

    Science.gov (United States)

    2008-11-21

    Recreational and entertainment amenities in the Jacksonville vicinity include sporting events, museums, musical entertainment, theater, festivals , shops on...provides service industries for those who live and work at NAVSTA Mayport, and has developed some sport fishing and casino boat tourism industries

  1. Nadání nerozhoduje. Příspěvek ke hledání inspiračních zdrojů jezuitských školských her

    Czech Academy of Sciences Publication Activity Database

    Bobková, Kateřina

    2010-01-01

    Roč. 21, č. 3 (2010), s. 29-38 ISSN 0862-5409 R&D Projects: GA AV ČR IAA800150902 Institutional research plan: CEZ:AV0Z80150510 Keywords : history * baroque theater * history of education Subject RIV: AB - History

  2. Dokončené dílo etnomuzikoložky Olgy Hrabalové (28. 11. 1930 Milonice u Bučovic - 20. 1. 2017 Brno)

    Czech Academy of Sciences Publication Activity Database

    Frolcová, Věra

    2017-01-01

    Roč. 65, č. 1 (2017), s. 102-103 ISSN 1335-1303 Institutional support: RVO:68378076 Keywords : Olga Hrabalová * Ethnomusicology * Ethnology * Music * Folk music Subject RIV: AC - Archeology, Anthropology, Ethnology OBOR OECD: Performing arts studies ( Music ology, Theater science, Dramaturgy)

  3. Plaadid / Erkki Luuk

    Index Scriptorium Estoniae

    Luuk, Erkki, 1971-

    2005-01-01

    Uutest heliplaatidest "Ulmeralismi tähised", Destiny's Child "Destiny FulFilled", Brian McFadden "Irish Son", dream Theater "Live at Budokan", Meat Loaf "Bat Out Of Hell Life", Axis of Justice "Concert Series vol. 1", Incubus "Alive at Red Rocks"

  4. Plaadid / Valner Valme

    Index Scriptorium Estoniae

    Valme, Valner, 1970-

    2002-01-01

    Uutest plaatidest Dream Theater "Six Degrees Of Inner Turbulence", Michael Jackson "Greatest Hits HIStory", Lulu "Together", Reba Mcentyre "I'm A Survivor", Harry Connick "Songs I Heard" Julio Iglesias "Ao Meu Brasil", Chris Norman "Breathe Me In", Sex Pistols "Jubilee"

  5. الدلالات الجمالية للماكياج في العرض المسرحي الصامت

    Directory of Open Access Journals (Sweden)

    حميد عبد الله علوان القدح

    2017-08-01

    Full Text Available Longer make up a key component of the composition of the picture for display of theatrical elements, particularly the display of theatrical silent and has the ability to configure and transmit the semantics sham carry aesthetic and intellectual contents show through outstanding employment on the face and the body of actor, also confirms make-up active role in the detection of the dimensions of theatrical personalities and motivations of during those symbols formed and indications of drawn and expressive forms for theatrical figures, where unite elements make up with each other to give indications of aesthetic through a clear picture determines theatrical silent figures in light of this current research comes studied by specialists from the theater through the study of the semantic aesthetic makeup supply silent playwright, has included the first chapter of systematic research framework which included the formulation of the research problem by asking the following: ((Did the make-up connotations of aesthetic value as a means of expression with the actor in the play silent? The importance of research has addressed placed make-up as an aesthetically Tagged in theater silent, as chapter included the aim of the research in the know connotations aesthetic makeup in the theater and silent were limits search for theatrical performances silent presented in Baghdad and Babylon, the time period of the (2004-2010 as the research to determine the terms contained in the title and body of research. The second chapter identifies key sectors included two sections the first of them on the concept and significance of their ratings and their types and their applications in the silent theater and eat the second section of the chapter elements make-up and its relation to the technical components in the play Silent (decor, lighting, costumes. The third chapter ensure that measures research and identified the research community consisting of 10 performances silent was

  6. Battle Environment Assessment for Commanders: A Concept of Support for Joint and Component Strategy and Operations.

    Science.gov (United States)

    1988-03-14

    focused application of decision aids. These decision aids must incorporate standardized processes, computer assisted artificial intelligence, linkage...Theater Planning. A Strategic-Operational Perspective,’ by COL MIke ,or i n Olesak, John, LTC Office of the Deputy Chief of Staff, Inteligence , U S

  7. Muusika / Valner Valme

    Index Scriptorium Estoniae

    Valme, Valner, 1970-

    2005-01-01

    Uutest heliplaatidest Jamiroquai "Dynamite", Wallflowers "Rebel, Sweetheart", Corgan, Billy "The Future Embrace", Mariza "Transparente", Turin Brakes "JackinABox", Hellacopters "Rock& Roll is Dead", Belle & Sebastian "Push bar To Open Old", Farmer, Mylene "Avant Guel'ombre", Kreck "If You Live", Dream Theater "Octavarium"

  8. Tactical Mission Command (TMC)

    Science.gov (United States)

    2016-03-01

    and TBMCS . Exchange information with coalition digital C2 systems. Display overlays created by MCS and other ABCS Systems Exchange information...Equipment TBMCS - Theater Battle Management Core Systems USMC - United States Marine Corps WARNO - Warning Order TMC 2016 MAR UNCLASSIFIED 10 Cost

  9. Command and Control Rapid Prototyping Continuum (C2RPC): The Framework for Achieving a New C2 Strategy

    Science.gov (United States)

    2011-06-01

    Sync Matrix Assessing J/ADOCS (Fires) TBMCS (ATO) Executing Monitoring (SA) C2 Strategy Objectives • Provide Expanded Mission Management...Computers, and Intelligence T&E Test and Evaluation PMW150 Program Warfare Office Command and Control TBMCS Theater Battle Management Core System POR

  10. Collective Travel Planning in Spatial Networks

    KAUST Repository

    Shang, Shuo; Chen, Lisi; Wei, Zhewei; Jensen, Christian; Wen, Ji-Rong; Kalnis, Panos

    2015-01-01

    meeting points. When multiple travelers target the same destination (e.g., a stadium or a theater), they may want to assemble at meeting points and then go together to the destination by public transport to reduce their global travel cost (e.g., energy

  11. Global Journal of Humanities

    African Journals Online (AJOL)

    Journal Homepage Image. Global Journal of Humanities is aimed at promoting reasearch in all areas of Humanities including philosophy, languages, linguistics, literature, history, fine/applied arts, theater arts, architecture, etc. Visit the Global Journal Series website here: http://www.globaljournalseries.com/ ...

  12. Cultuurberichtgeving in een tijdperk van globalisering

    NARCIS (Netherlands)

    Janssen, S.; Kuipers, G.; Verboord, M.

    2008-01-01

    This article aims at charting and elucidating key developments and cross-national variations in the coverage given to foreign and indigenous cultural products (classical and popular music, dance, film, literature, theater, television fiction, and visual arts) in American, Dutch, French, and German

  13. 75 FR 56163 - Nondiscrimination on the Basis of Disability in State and Local Government Services

    Science.gov (United States)

    2010-09-15

    ... as restaurants, movie theaters, schools, day care facilities, recreational facilities, and doctors... implementing title II, 28 CFR 35.103, provides the following: (a) Rule of interpretation. Except as otherwise... certain areas, including equipment and furniture, accessible golf cars, and movie captioning and video...

  14. 75 FR 23280 - Choctaw Nation of Oklahoma Alcohol Control Ordinance

    Science.gov (United States)

    2010-05-03

    .... Application of Federal Law. Federal law forbids the introduction, possession, and sale of liquor in Indian... State of Oklahoma. D. ``Applicant'' means any person who submits an application to the Alcohol... adjacent thereto; public restaurants, buildings, meeting halls, hotels, theaters, retail stores, and...

  15. 77 FR 34975 - Seminole Nation of Oklahoma-Alcohol Control and Enforcement Ordinance

    Science.gov (United States)

    2012-06-12

    ... Seminole Nation of Oklahoma and the delivery of important governmental services. Section 704. Application.... ``Applicant'' means any person who submits an application to the Alcohol Regulatory Authority for an Alcoholic... restaurants, buildings, meeting halls, hotels, theaters, retail stores, and business establishments generally...

  16. 75 FR 3985 - Trade Regulation Rule Relating to Power Output Claims for Amplifiers Utilized in Home...

    Science.gov (United States)

    2010-01-26

    ..., Federal Trade Commission, Washington, DC 20580. SUPPLEMENTARY INFORMATION: I. Introduction The Commission... introduction of multichannel ``home theater'' equipment with five or more channels also has dramatically..., 197 (Focal Press 2007) (discussing the soundtrack for the beach landing scenes of the film Saving...

  17. Cost–benefit analysis of resilience training : How to reduce post-deployment psychosocial strain, psychopathology, and associated costs

    NARCIS (Netherlands)

    Kallen, V.L.; Korteling, J.E.

    2013-01-01

    Military deployment in theaters of war, like Iraq or Afghanistan, may cause considerable psychosocial disturbances in any given soldier. These symptoms may develop over time into full blown—deployment related—psychopathology, with severe consequences, not only for the individual involved but for

  18. Exposure to alcohol commercials in movie theatres affects actual alcohol consumption in young adult high weekly drinkers: an experimental study

    NARCIS (Netherlands)

    Koordeman, R.; Anschutz, D.J.; Engels, R.C.M.E.

    2011-01-01

    The present pilot study examined the effects of alcohol commercials shown in movie theaters on the alcohol consumption of young adults who see these commercials. A two (alcohol commercials vs. nonalcohol commercials) by two (high weekly alcohol consumption vs. low weekly alcohol consumption)

  19. 75 FR 70162 - Presumptive Service Connection for Diseases Associated With Persian Gulf War Service: Functional...

    Science.gov (United States)

    2010-11-17

    ... Diseases Associated With Persian Gulf War Service: Functional Gastrointestinal Disorders AGENCY: Department... theater of operations during the Persian Gulf War. DATES: Comments must be received by VA on or before... Service Connection for Diseases Associated With Persian Gulf War Service: Functional Gastrointestinal...

  20. Deconstructing Harry: A Practical Approach To Getting the Most Out of a Certain Young Wizard.

    Science.gov (United States)

    Greene, Pamela M.

    2000-01-01

    Presents ideas for activities geared to children ages seven and up that revolve around the Harry Potter books, based on a Harry Potter Holiday Club developed at the Beverly Hills (California) Public Library. Includes costs, craft activities, theater performances, and games. (LRW)

  1. Lecture Hall and Learning Design: A Survey of Variables, Parameters, Criteria and Interrelationships for Audio-Visual Presentation Systems and Audience Reception.

    Science.gov (United States)

    Justin, J. Karl

    Variables and parameters affecting architectural planning and audiovisual systems selection for lecture halls and other learning spaces are surveyed. Interrelationships of factors are discussed, including--(1) design requirements for modern educational techniques as differentiated from cinema, theater or auditorium design, (2) general hall…

  2. JPRS Report, Soviet Union, Political Affairs, Republic Language Legislation.

    Science.gov (United States)

    1989-12-05

    Goskomizdat Ensure that auditoria in the republic capital and in cities of republic subordination where basic political activities are carried on, and...also the auditoria of theater and entertainment enterprises in these cities, are equipped with the technical facilities for simultaneous translation

  3. 78 FR 54670 - Miami Tribe of Oklahoma-Liquor Control Ordinance

    Science.gov (United States)

    2013-09-05

    ... operations on Miami Tribe of Oklahoma Trust Land. The enactment of a tribal ordinance governing liquor and... continued operation and strengthening of the tribal government and the delivery of tribal government... dining rooms of hotels, restaurants, theaters, gaming facilities, entertainment centers, stores, garages...

  4. A Feedback Loop Model of Postmerger Performance: Customers and Competitors.

    Science.gov (United States)

    Bastien, David T.

    1994-01-01

    Offers a case study of a merger of two local theaters. Finds that organizational change causes customers to change vendors; the announcement of a merger fuels efforts by competitors to "steal" market share; and organizational change leads to more organizational change. (SR)

  5. Twelve tips for using applied improvisation in medical education.

    Science.gov (United States)

    Hoffmann-Longtin, Krista; Rossing, Jonathan P; Weinstein, Elizabeth

    2018-04-01

    Future physicians will practice medicine in a more complex environment than ever, where skills of interpersonal communication, collaboration and adaptability to change are critical. Applied improvisation (or AI) is an instructional strategy which adapts the concepts of improvisational theater to teach these types of complex skills in other contexts. Unique to AI is its very active teaching approach, adapting theater games to help learners meet curricular objectives. In medical education, AI is particularly helpful when attempting to build students' comfort with and skills in complex, interpersonal behaviors such as effective listening, person-centeredness, teamwork and communication. This article draws on current evidence and the authors' experiences to present best practices for incorporating AI into teaching medicine. These practical tips help faculty new to AI get started by establishing goals, choosing appropriate games, understanding effective debriefing, considering evaluation strategies and managing resistance within the context of medical education.

  6. News from Afar

    DEFF Research Database (Denmark)

    Harmsen, Peter

    in Denmark immediately following the Allied invasion of Sicily in 1943, and a second wave erupted in the summer of 1944 after the Normandy landings. In other words, knowledge of the war at large was an important aspect of life in German-controlled Europe in the 1940s, but remains somewhat understudied......News filtering through about the changing fortunes of the Axis had a direct impact on public opinion in occupied Europe during the war years, not only affecting morale but also at times triggering mass popular action. For example, a wave of protests against the German occupation broke out...... theater of war by writers of diaries in Denmark. It can be tentatively concluded that while reporting on the Pacific was relatively neutral in tone and did not, to a systematic extent, exaggerate Japanese victories, the Danish public especially paid attention to that theater of war in 1941 and 1942...

  7. Lope de Vega y el poder monárquico: una puesta al día

    Directory of Open Access Journals (Sweden)

    Marcella Trambaioli

    2012-04-01

    Full Text Available The essay tries to outline the ‘state-of-the-art’ about the relationship between Lope deVega and the contemporary monarchic power. After some early studies merely concerning the politicaltheory present inside the texts, the scholars have started to analyze his historical theater in relation withhis construction of the Spanish Empire mythology, even if only recently some of them have realized thatthis glorification of both the Austrias and the Spanish nobles gets on with Lope’s self-promotionstrategies, in order to obtain an official post at court. On the contrary, some scholars, mainlyAnglosaxon, have tried to interpret his works in a critical and satyrical perspective, without consideringthe necessary contextualization of his theater. The reception theory may help studying this controversialmatter, only if it tries to match in the right way both the historical and cultural context of the authorand the cultural background of the contemporary audience.

  8. Medico-Artistic Complicities on Swedish Stages: The Boys in the Band and the Regulation of Gay Male Representation in the Welfare State.

    Science.gov (United States)

    Gindt, Dirk

    2016-01-01

    Seeking to understand the highly unfavorable conditions for the development of gay male theater in Sweden, this essay engages in a historical study of the national opening of Mart Crowley's The Boys in the Band at Malmö City Theatre in 1970. Propelled by a Foucauldian-inspired theoretical approach, it identifies the subtle, yet highly effective, measures of control that the, at the time, social democratic welfare state exercised over representations of homosexuality on stage. State representatives, who complied with the official political and medical doctrine that homosexuality was a mental illness and posed a potential threat to social stability, interfered at various levels of the production, including the rehearsal process and post-performance talks between cast members and audiences. This alliance between Swedish theaters and members of the medical, psychological, and sexological professions constituted a medico-artistic complicity that supervised and regulated early attempts of gay representation on stage.

  9. Sangku Mencari Riang: Pertemuan Sangkuriang dan Oidipus dalam Perlawanan terhadap Takdir dan Nasib

    Directory of Open Access Journals (Sweden)

    Giri Mustika Roekmana

    2013-11-01

    Sangku Looking For Riang Theatre: performances: Sangkuriang meetings and Oedipus in the fight against Destiny and Fate. “Sangku Mencari Riang” is a story which describes the meet of Sangkuriang from Sundanese and Oidipus from Ancient Greek. This story was created as a continuation story of folklore Sangkuriang of Sunda with the story of the Greek tragedy of Sophocles’s work, that is Oidipus the King. Through the intertext study, then, a new interpretation of the story was created, and finally the story of “Sangku Mencari Riang” was offered with its new meaning as well. This story will be perfomed to approach the concept of the folk theater of Sundanese which is regarded as flexible and dynamic, and has a dynamic structure. This concept will be combined with some elements found in the classical Greek theater, in which there is a choir role with poetic words in any dialogues on the performance. Moreover, the use of media which gives the impression of refinement masks of the characters and the ritualistic and aesthetic views for spectators are given to this concept as well. Therefore, these two concepts will provide a new perspective in the work space of theatrical arts creation. Then the result of the collaboration between the two concepts will be seen in the performance with musical powers, essential thematic, visual aesthetics, and oral dynamics, and afterward it will be supposed to give rise to any great attraction for the spectators. Key words: folklore, intertext, Sundanese myth, Greek Theater.

  10. PTSD and Use of Outpatient General Medical Services Among Veterans of the Vietnam War.

    Science.gov (United States)

    Schlenger, William E; Mulvaney-Day, Norah; Williams, Christianna S; Kulka, Richard A; Corry, Nida H; Mauch, Danna; Nagler, Caryn F; Ho, Chia-Lin; Marmar, Charles R

    2016-05-01

    The primary goal of this analysis was to assess whether recent use of outpatient services for general medical concerns by Vietnam veterans varies according to level of posttraumatic stress disorder (PTSD) symptomatology over time. Another goal was to determine whether PTSD symptomatology was associated with veterans' reports of discussing behavioral health issues as part of a general medical visit. Self-reported service use data and measures of PTSD were from a nationally representative sample of 848 male and female Vietnam theater veterans (individuals who were deployed to the Vietnam theater of operations) who participated in the National Vietnam Veterans Longitudinal Study, a 25-year follow-up of a cohort of veterans originally interviewed from 1984-1988 as part of the National Vietnam Veterans Readjustment Study. Four categories of PTSD symptomatology course over 25 years were defined, and logistic regression models were used to assess their relationship with recent use of outpatient general medical services. Male and female theater veterans with high or increasing PTSD symptomatology over the period were more likely than those with low symptomatology to report recent VA outpatient visits. Males in the increasing and high categories were also more likely to discuss behavioral health issues at general medical visits. Vietnam veterans with high and increasing PTSD symptomatology over time were likely to use VA outpatient general health services. Attention to stressors of the aging process and to persistence of PTSD symptoms is important for Vietnam veterans, as is addressing PTSD with other psychiatric and medical comorbidities within the context of outpatient general medical care.

  11. The functional consequences of Generalized Joint Hypermobility

    DEFF Research Database (Denmark)

    Scheper, Mark C; de Vries, Janneke E; Juul-Kristensen, Birgit

    2014-01-01

    among students from the Amsterdam School of Health Professions (ASHP) (n = 36) and the Amsterdam School of Arts (ASA), Academy for dance and theater (n = 36) in Amsterdam, The Netherlands. From each participant the following data was collected: Functional status performance (self-reported Physical...

  12. The Need for Dynamic Airspace Management in Coalition Operations (The International C2 Journal, Volume 5, Number 3, 2011)

    Science.gov (United States)

    2011-01-01

    Automated Deep Operations Coordination System (JADOCS), Theater Battle Management Core System ( TBMCS ), and Air Defense System Integrator (ADSI). NATO’s...be submitted to TBMCS at the AOC for inclusion in the daily ACO or change ACO. Missions requiring rapid response, such as MEDEVACs, fire missions

  13. Target acquisition: Human observer performance studies and TARGAC model validation (Final Report)

    NARCIS (Netherlands)

    Valeton, J.M.; Bijl, P.; Gillespie, P.

    1995-01-01

    Human target acquisition performance was studied using the thermal imagery that was collected during Battlefield Emissives Sources Trials under the European Theater Weather and Obscurants, (BEST TWO), organized by NATO AC243/Panel4/RSG.l5 in 1990. Recognition and identification probabilities were

  14. The role of the architect as a facilitator of a new “common” space : Transformation of the NDSM shipwharf, Amsterdam

    NARCIS (Netherlands)

    Havik, K.M.

    2016-01-01

    This paper discusses the collaborative process of the redevelopment of the Dutch state heritage shipwharf NDSM in Amsterdam into a cultural incubator: a creative hub with artist studios, theater spaces, a skatepark and other (sub) cultural facilities. This process of redevelopment, which started in

  15. Memory during general anesthesia : Practical and methodological aspects

    NARCIS (Netherlands)

    Bonebakker, AE; Jelicic, M; Passchier, J; Bonke, B

    1996-01-01

    Evidence coming from several studies into memory and awareness during general anesthesia suggests that in surgical patients who seem to be adequately anesthetized (i.e., unaware of what happens in the operating theater), some form of cognitive functioning is preserved. This finding has important

  16. «The work of cutting oats will give more materials for a playwright...» soviet writer's intelligentsia in country of 1930s

    Directory of Open Access Journals (Sweden)

    Е Д Гордина

    2008-12-01

    Full Text Available The article has opened role of the soviet writes in formation new views and loyal attitude toward government thought enlightenment and making theaters in the country in thirtieth years the twentieth century. At the same time soviet writes learned everyday life peasants.

  17. The Literature of Foreign Language Programs: The Road to Cultural Studies Is Not Paved with Literary History . . . Tick Tock . . . Tick Tock.

    Science.gov (United States)

    Essif, Les

    2002-01-01

    Describes a French department's efforts to free itself of course sequences organized by century, questions the value of curriculum based primarily on the past and recommends that faculty members be more open to new approaches made accessible through theater, cinema, and cultural studies. (Author/VWL)

  18. Fiche Pratique: Pour en finir avec les histoires de modes; Faire parler les bruits; FDM Frequence Plus: La revue de presse; Construire l'absurde (Practical Ideas: Finishing the Modal Story; Making Noises Speak; FDM Frequence Plus: The Press Review; Constructing the Absurd).

    Science.gov (United States)

    Courally, Sylvie; And Others

    1993-01-01

    Four ideas for French language instruction are described, including an exercise on modals, an activity focusing on the use of noises for expression, a listening comprehension exercise, and a lesson on humorous possibilities in language using material from the theater of the absurd. (MSE)

  19. 75 FR 43460 - Nondiscrimination on the Basis of Disability; Accessibility of Web Information and Services of...

    Science.gov (United States)

    2010-07-26

    ... restaurants, movie theaters, schools, day care facilities, recreational facilities, and doctors' offices) and..., electronic commerce, or ``e-commerce,'' often offers consumers a wider selection and lower prices than... establishment as the residence of the proprietor; (2) A restaurant, bar, or other establishment serving food or...

  20. JPRS Report, Soviet Union, Kommunist.

    Science.gov (United States)

    1988-01-22

    create the most favorable conditions for a new upsurge in Soviet cinema and theater. It is only the healthy, competitive and creative atmo- sphere, in...Communist Party), Vox (Colombian Communist Party), Unidad ( Peruvian Communist Party), Hora and Popular (Uruguayan Communist Party), and Pueblo (Ecuadorian

  1. Cultural globalization and arts journalism: The international orientation of arts and culture coverage in Dutch, French, German, and U.S. newspapers, 1955 to 2005

    NARCIS (Netherlands)

    M.S.S.E. Janssen (Susanne); G. Kuipers (Giselinde); M.N.M. Verboord (Marc)

    2008-01-01

    textabstractThis article charts key developments and cross-national variations in the coverage of foreign culture (i.e., classical and popular music, dance, film, literature, theater, television, and visual arts) in Dutch, French, German, and U.S. elite newspapers between 1955 and 2005. Such

  2. 78 FR 56980 - Muscle Shoals Reservation Redevelopment, Colbert County, Alabama

    Science.gov (United States)

    2013-09-16

    ... provided in accordance with the Council on Environmental Quality's regulations (40 CFR 1500 to 1508) and... management. Under Alternative C, TVA would declare the MSR study area surplus and sell it with the... alternative could include mall, theaters, government buildings, gas stations, department stores, restaurants...

  3. Investigating the impact of gaming habits, gender, and age on the effectiveness of an educational video game: An exploratory study

    NARCIS (Netherlands)

    Torrente, Javier; Fernandez-Vara, Clara; Manero, Borja; Fernandez-Manjon, Baltasar

    2017-01-01

    This study examines the influence of players’ age, gender, and gaming preferences and habits (from now on, “gaming preferences”) on the effectiveness of a specific videogame that has been designed to increase the interest towards classical theater among teenagers. Using a validated instrument,

  4. Arts-Integrated Literacy Instruction: Promising Practices for Preservice Teaching Professionals

    Science.gov (United States)

    Sharp, Laurie A.; Coneway, Betty; Hindman, Janet Tipton; Garcia, Beth; Bingham, Teri

    2016-01-01

    Classroom teachers are facing increasing responsibility to integrate the arts during literacy instruction. In order to address the arts effectively, teachers require understandings, confidence, and competence with visual arts, music, dance, and theater. Therefore, educator preparation programs must develop the knowledge and skills of preservice…

  5. Clickende Clubbers, Twittermeisjes en Actieve vogels: De meerwaarde van sociale media in poppodiummarketing.

    NARCIS (Netherlands)

    drs Annelies de Bruine; dr. Koos Zwaan

    2015-01-01

    Inleiding voor de bundel Het lectoraat Media, Cultuur en Burgerschap heeft in de periode 2011-2013 onderzoek gedaan naar poppodia en theaters in een samenwerking met de Inholland lectoraten City Marketing en Leisure Management en Media Business en met de brancheverenigingen Vereniging Schouwburg- en

  6. Toward Operational Art in Special Warfare

    Science.gov (United States)

    2016-02-23

    combatant commanders develop special warfare cam- paign options for their theaters that can be integral parts of the national approach. Getting buy -in at...the resistance spawning franchise operations at home or abroad? – Is the resistance attracting funding or other forms of assistance (indigenous

  7. 77 FR 31071 - Research Advisory Committee on Gulf War Veterans' Illnesses, Notice of Meeting

    Science.gov (United States)

    2012-05-24

    ... DEPARTMENT OF VETERANS AFFAIRS Research Advisory Committee on Gulf War Veterans' Illnesses, Notice... Advisory Committee Act) that the Research Advisory Committee on Gulf War Veterans' Illnesses will meet on... Asia theater of operations during the Gulf War. The Committee will review VA program activities related...

  8. 75 FR 28686 - Research Advisory Committee on Gulf War Veterans' Illnesses; Notice of Meeting

    Science.gov (United States)

    2010-05-21

    ... DEPARTMENT OF VETERANS AFFAIRS Research Advisory Committee on Gulf War Veterans' Illnesses; Notice... Advisory Committee Act) that the Research Advisory Committee on Gulf War Veterans' Illnesses will meet on... Asia theater of operations during the Gulf War. The Committee will review VA program activities related...

  9. 76 FR 9407 - Research Advisory Committee on Gulf War Veterans' Illnesses; Notice of Meeting

    Science.gov (United States)

    2011-02-17

    ... DEPARTMENT OF VETERANS AFFAIRS Research Advisory Committee on Gulf War Veterans' Illnesses; Notice... Advisory Committee Act) that the Research Advisory Committee on Gulf War Veterans' Illnesses will meet on... Southwest Asia theater of operations during the Gulf War. The Committee will review VA program activities...

  10. 75 FR 65405 - Research Advisory Committee on Gulf War Veterans' Illnesses; Notice of Meeting

    Science.gov (United States)

    2010-10-22

    ... DEPARTMENT OF VETERANS AFFAIRS Research Advisory Committee on Gulf War Veterans' Illnesses; Notice... Advisory Committee Act) that the Research Advisory Committee on Gulf War Veterans' Illnesses will meet on... Asia theater of operations during the Gulf War. The Committee will review VA program activities related...

  11. Training Counseling Students to Develop Group Leadership Self-Efficacy and Multicultural Competence through Service Learning

    Science.gov (United States)

    Midgett, Aida; Hausheer, Robin; Doumas, Diana M.

    2016-01-01

    This article describes a service-learning project designed to increase student group leadership self-efficacy and multicultural competence. Students facilitated debriefing groups for campus and community members after they participated in a theater production aimed at increasing awareness of oppression, power, and privilege. Students completed…

  12. A method to determine methylmethacrylate in air

    DEFF Research Database (Denmark)

    Darre, E; Gottlieb, J; Nielsen, P M

    1988-01-01

    To determine the air concentrations of methylmethacrylate monomer and thus obtain information about the safety in the operating theater, a methylmethacrylate Dräger tube was used in connection with a bellows pump. This method gives an instantly readable value correlated with more complicated gas...

  13. A Beginning Workshop in the Basic Skill Areas of Theatre Sports Improvisation.

    Science.gov (United States)

    Belt, Lynda

    1990-01-01

    Describes "Theatre Sports," a type of improvisational theater that actively involves the audience. Presents a beginning workshop that explains the basic skills of improvisation (group cohesion and trust, movement, pantomime, spontaneity, offers and blocking, characterization and status, narrative, and endowment) and explains how to play…

  14. 29 CFR 779.338 - Effect of 1961 and 1966 amendments.

    Science.gov (United States)

    2010-07-01

    ... were: Hotels, motels, restaurants, motion picture theaters, seasonally operated amusement or... mentally handicapped or gifted children. These establishments were exempt if they met the basic 50 percent..., motels, and restaurants must meet the same tests as other retail or service establishments (see § 779.337...

  15. Cultural globalization and arts journalism: the international orientation of arts and culture coverage in Dutch, French, German, and U.S. newspapers, 1955 to 2005

    NARCIS (Netherlands)

    Janssen, S.; Kuipers, G.; Verboord, M.

    2008-01-01

    This article charts key developments and cross-national variations in the coverage of foreign culture (i.e., classical and popular music, dance, film, literature, theater, television, and visual arts) in Dutch, French, German, and U.S. elite newspapers between 1955 and 2005. Such coverage signals

  16. The last picture show? Timing and order of movie distribution channels

    NARCIS (Netherlands)

    Hennig-Thurau, Thorsten; Henning, Victor; Sattler, Henrik; Eggers, Felix; Houston, Mark B.

    2007-01-01

    Movies and other media goods are traditionally distributed across distinct sequential channels (e.g., theaters, home video, video on demand). The optimality of the currently employed timing and order of channel openings has become a matter of contentious debate among both industry experts and

  17. Improv(ing) the Academy: Applied Improvisation as a Strategy for Educational Development

    Science.gov (United States)

    Rossing, Jonathan P.; Hoffmann-Longtin, Krista

    2016-01-01

    Improvisational theater training (or "improv") is a strategy employed by many business leaders and educators to cultivate creativity and collaboration amid change. Drawing on improv principles such as "Yes, And…" and "Make your scene partners look good," we explore the ways in which educational developers might apply…

  18. Cognitive Abilities and Creative Behaviors: CAB-5 and Consequences.

    Science.gov (United States)

    Guastello, Stephen J.; And Others

    1992-01-01

    The validity of 6 indices of divergent production was examined in relation to creative output by 144 undergraduates in 8 domains: visual arts, music, literature, theater, science and engineering, business, apparel design, and video and photographic work. Semantic fluency, ideational fluency, originality, and remote consequences correlated with…

  19. An Interior's Interior. The American Film Institute

    Science.gov (United States)

    Morton, David

    1974-01-01

    In the John F. Kennedy Center for the Performing Arts, architects have broken some old conventions and rules of good taste in designing offices and a film theater through intelligent use of space and tacky flowered carpeting, garish colors, and automobile hoods and fenders. (Author/MF)

  20. Prime Time.

    Science.gov (United States)

    Ashley, Salley

    1989-01-01

    Describes a three-week interdisciplinary summer workshop in visual arts, drama, and creative writing for talented middle school students. Regular faculty and community artists taught poetry, theater arts, batiking methods, watercolor painting, and ceramics. An evening showcase presentation for parents and friends concluded the program. (LS)