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Sample records for spray painting

  1. Modeling and Experiments of Spray System for Cable Painting Robot

    ZHANG Jia-liang; Lü Tian-sheng; LI Bei-zhi

    2008-01-01

    Many cable-stayed bridges have been built in the world in the past decades,and cable-stayed structures have been adopted in many large constructions.The cable painting robot is safe and economically efficient for stay cable maintenance.In order to satisfy the need for spraying cables in hiigh attitude,an automatic cable spray system for cable painting robots is presented in this paper.Using the βdistribution,paint thickness distribution on a cylinder surface is modeled.The spray gun's number,angle and movement are analyzed to get coat evenness.Then a robotic spray system engineering prototype has been developed,which includes a cable electric running climbing base,a spray cover,four airless spray guns and a pressurized paint container.Experiments indicate that four airless spray guns can guarantee good coat quality for general stay cables.The field tests have been successfully conducted on Nanpu Bridge,Shanghai.

  2. Passive Wireless Hermetic Environment Monitoring System for Spray Painting Workshop.

    Wang, Lifeng; Ma, Jingjing; Huang, Yan; Tang, Dan; Huang, Qing-An

    2016-08-01

    Passive wireless sensors have the advantages of operating without a power supply and remote sensing capability. Hence, they are very suitable for some harsh environments, such as hermetic environments, rotating parts, or very high temperature environments. The spray painting workshop is such a harsh environment, containing a large amount of flammable paint mist and organic gas. Aiming at this special environment of spray painting workshop, a passive wireless hermetic environment monitoring system was designed, fabricated, and demonstrated. The proposed system is composed of a transponder and a reader, and the circuit design of each part is given in detail in this paper. The power and the data transmission between the transponder and the reader are realized by the inductive coupling mechanism. Utilizing the back scatter modulation and channel multiplexing, the frequency signals generated by three different environmental sensors-together with their interfaces in the transponder-are wirelessly read out by the reader. Because of the harsh environment of the spray painting room, the package of the monitoring system is quite important. Three different kinds of filter films for the system package were compared. The experimental results show that the composite filter film aluminum anodic oxide/polytetrafluoroethylene (AAO/PTFE) has the best performance. After fabrication, the measured temperature, humidity, and pressure sensitivities were measured and found to be 180 Hz/°C in the range of 0~60 °C, 100 Hz/%RH in the range of 15~95 %RH, and 42 Hz/hPa in the range of 600~1100 hPa, respectively. Additionally, the remote sensing distance of the monitoring system reaches 4 cm. Finally, the passive wireless hermetic environment monitoring system was installed on the glass wall of the spray painting workshop and was successfully demonstrated.

  3. Assessment of dermal exposure during airless spray painting using a quantitative visualisation technique

    Brouwer, D.H.; Lansink, C.M.; Cherrie, J.W.; Hemmen, J.J. van

    2000-01-01

    The range of dermal exposure to non-volatile compounds during spray painting was studied in a semi-experimental study involving three enterprises and 12 painters. A fluorescent tracer was added to the paint and deposition of the tracer on clothing and uncovered parts of the skin was assessed using v

  4. Exposure to Airborne Particles and Volatile Organic Compounds from Polyurethane Molding, Spray Painting, Lacquering, and Gluing in a Workshop

    Bjarke Mølgaard

    2015-04-01

    Full Text Available Due to the health risk related to occupational air pollution exposure, we assessed concentrations and identified sources of particles and volatile organic compounds (VOCs in a handcraft workshop producing fishing lures. The work processes in the site included polyurethane molding, spray painting, lacquering, and gluing. We measured total VOC (TVOC concentrations and particle size distributions at three locations representing the various phases of the manufacturing and assembly process. The mean working-hour TVOC concentrations in three locations studied were 41, 37, and 24 ppm according to photo-ionization detector measurements. The mean working-hour particle number concentration varied between locations from 3000 to 36,000 cm−3. Analysis of temporal and spatial variations of TVOC concentrations revealed that there were at least four substantial VOC sources: spray gluing, mold-release agent spraying, continuous evaporation from various lacquer and paint containers, and either spray painting or lacquering (probably both. The mold-release agent spray was indirectly also a major source of ultrafine particles. The workers’ exposure can be reduced by improving the local exhaust ventilation at the known sources and by increasing the ventilation rate in the area with the continuous source.

  5. Exposure to airborne particles and volatile organic compounds from polyurethane molding, spray painting, lacquering, and gluing in a workshop.

    Mølgaard, Bjarke; Viitanen, Anna-Kaisa; Kangas, Anneli; Huhtiniemi, Marika; Larsen, Søren Thor; Vanhala, Esa; Hussein, Tareq; Boor, Brandon E; Hämeri, Kaarle; Koivisto, Antti Joonas

    2015-04-02

    Due to the health risk related to occupational air pollution exposure, we assessed concentrations and identified sources of particles and volatile organic compounds (VOCs) in a handcraft workshop producing fishing lures. The work processes in the site included polyurethane molding, spray painting, lacquering, and gluing. We measured total VOC (TVOC) concentrations and particle size distributions at three locations representing the various phases of the manufacturing and assembly process. The mean working-hour TVOC concentrations in three locations studied were 41, 37, and 24 ppm according to photo-ionization detector measurements. The mean working-hour particle number concentration varied between locations from 3000 to 36,000 cm-3. Analysis of temporal and spatial variations of TVOC concentrations revealed that there were at least four substantial VOC sources: spray gluing, mold-release agent spraying, continuous evaporation from various lacquer and paint containers, and either spray painting or lacquering (probably both). The mold-release agent spray was indirectly also a major source of ultrafine particles. The workers' exposure can be reduced by improving the local exhaust ventilation at the known sources and by increasing the ventilation rate in the area with the continuous source.

  6. Painting

    Petersen, Anne Ring

    2012-01-01

    energy has been put into expanding painting physically by exploring painting’s relations to objects, space, place, and ‘the everyday’. The text focuses on works of art that are conceived as an installation based on the medium of painting, including works by Slovak artists Dorota Sadovská and Daniel...... a commonly held opinion that painting has transformed itself into an expanded field and thus renewed itself – again. The article argues that in recent decades a remarkable number of painters have explored the possibility of developing painting by redefining what ‘space’ is in relation to painting. Much....... Text in English (pp. 66-83) and Slovak (pp. 44-65)....

  7. DEMONSTRATION OF SPLIT-FLOW VENTILATION AND RECIRCULATION AS FLOW-REDUCTION METHODS IN AN AIR FORCE PAINT SPRAY BOOTH - VOLUME II. APPENDICES D-J

    During a series of painting operations in a horizontal-flow paint spray booth at Travis AFB, CA, baseline concentrations of four classes of toxic airborne pollutants were measured at 24 locations across a plane immediately forward of the exhaust filters, in the exhaust duct, and ...

  8. Spray-painted binder-free SnSe electrodes for high-performance energy-storage devices.

    Wang, Xianfu; Liu, Bin; Xiang, Qingyi; Wang, Qiufan; Hou, Xiaojuan; Chen, Di; Shen, Guozhen

    2014-01-01

    SnSe nanocrystal electrodes on three-dimensional (3D) carbon fabric and Au-coated polyethylene terephthalate (PET) wafer have been prepared by a simple spray-painting process and were further investigated as binder-free active-electrodes for Lithium-ion batteries (LIBs) and flexible stacked all-solid-state supercapacitors. The as-painted SnSe nanocrystals/carbon fabric electrodes exhibit an outstanding capacity of 676 mAh g(-1) after 80 cycles at a current density of 200 mA g(-1) and a considerable high-rate capability in lithium storage because of the excellent ion transport from the electrolyte to the active materials and the efficient charge transport between current collector and electrode materials. The binder-free electrodes also provide a larger electrochemical active surface compared with electrodes containing binders, which leads to the enhanced capacities of energy-storage devices. A flexible stacked all-solid-state supercapacitor based on the SnSe nanocrystals on Au-coated PET wafers shows high capacitance reversibility with little performance degradation at different current densities after 2200 charge-discharge cycles and even when bent. This allows for many potential applications in facile, cost-effective, spray-paintable, and flexible energy-storage devices. The results indicate that the fabrication of binder-free electrodes by a spray painting process is an interesting direction for the preparation of high-performance energy-storage devices.

  9. Therapeutic paint of cidofovir/sucralfate gel combination topically administered by spraying for treatment of orf virus infections.

    Sonvico, Fabio; Colombo, Gaia; Gallina, Laura; Bortolotti, Fabrizio; Rossi, Alessandra; McInnes, Colin J; Massimo, Gina; Colombo, Paolo; Scagliarini, Alessandra

    2009-06-01

    The aim of the research was to study a new cidofovir/sucralfate drug product to be used as a spray for treating the mucosal and/or skin lesions. The product, i.e., a water suspension of sucralfate (15% w/w) and cidofovir (1% w/w), combines the potent antiviral activity of the acyclic nucleoside phosphonate cidofovir ((S)-1-[3-hydroxy-2-(phosphonomethoxy)propyl]cytosine) and the wound healing properties of sucralfate gel (sucrose octasulphate basic aluminum salt). The product was characterized in vitro with respect to compatibility between drug and carrier, spray particle size, spray deposition, drying kinetics, and drug content and release. An interaction between the two active substances was found. The interaction between sucralfate and cidofovir was counteracted by introducing sodium dihydrogen phosphate (16% w/w) in the preparation. The spray formulation containing cidofovir/sucralfate gel painted the skin and dried quickly to a scab, remaining firmly adhered to the lesions. The therapeutic paint was tested in vivo on lambs infected with orf virus by treating the animals with different cidofovir/sucralfate formulations (0.5% or 1% cidofovir + sucralfate 15% + NaH(2)PO(4) 16% w/w) and with sucralfate gel suspension alone as control. The treatment with formulations containing cidofovir and phosphate salt for four consecutive days resulted in a rapid resolution of the lesions, with scabs containing significantly lower amounts of viable virus when compared with untreated lesions and lesions treated with sucralfate suspension alone.

  10. 手喷漆清洗剂的研制%Preparation of Hand-spray Paint Remover

    刘长虹; 卓晶晶; 吴树新

    2009-01-01

    In order to effectively clear small hand-painting and graffiti in the streets of a city, an emulsion-type paint remover was developed to remove the hand-painting of thermoplastic acrylic resin. The types and contents of organic solvents used, the mass ratio of cosolvent, surfactant type, dosage were studied, as well as the amount of formic acid and their effect on the paint stripping efficiency with the single-factor experiment. The experimental results showed that the best paint remover was prepared with butyl acetate as the primary solvent, benzyl alcohol as assistant cosolvent, ABS and OP-10 compound as the surface-active agent, formic acid as promoter and paraffin as the volatile inhibitors. When butyl acetate for 27 g, benzyl alcohol for 9 g, ABS for 1 g, OP-10 for 1 g, formic acid for 2 g, paraffin for 6 g, the paint remover had the best paint removing effect. In the best formula and the amount of experimental conditions, the area of film that 1 mL paint remover can erase was 70. 65 cm~2. The water content of the paint remover was more than 50% , and the remaining components were low toxicity, low volatile substances, readily biodegradable. The composing materials of hand-spray paint remover may be bought in common market, which was low cost, in line with the green chemistry efficient, clean, economic, and met environmental protection requirements.%为了有效地清除城市小广告以及街头涂鸦,研制了一种针对热塑性丙烯酸树脂类手喷漆的乳液型脱漆剂.采用单因素实验法研究了有机溶剂的种类、用量,主、助溶剂的质量比,表面活性剂的种类、用量,甲酸的用量,对脱漆效率的影响.实验结果表明:脱漆剂的最佳组成为以乙酸丁酯为主溶剂,苯甲醇为助溶剂,十二烷基苯磺酸钠和OP-10复配为表面活性剂,甲酸为促进剂,石蜡为挥发抑制剂.当乙酸丁酯为27 g,苯甲醇为9 g,十二烷基苯磺酸钠为1 g,OP-10为1 g,甲酸为2 g,石蜡为6 g时脱漆效率

  11. DEMONSTRATION OF SPLIT-FLOW VENTILATION AND RECIR CULATION AS FLOW-REDUCTION METHODS IN AN AIR FORCE PAINT SPRAY BOOTH - VOLUME I. MAIN REPORT, APPENDICES A-C

    During a series of painting operations in a horizontal-flow paint spray booth at Travis AFB, CA, baseline concentrations of four classes of toxic airborne pollutants were measured at 24 locations across a plane immediately forward of the exhaust filters, in the exhaust duct, and ...

  12. Paints and Preservatives.

    Powell, Larry E.; Miller, Larry E.

    The publication contains an outline for use by agriculture teachers in developing a teaching plan for a unit on paints and preservatives. The topics included are (1) recognizing, solving, and preventing paint problems and (2) operating and using power spray painting equipment. Items presented for each topic are: the situation, (intended to inform…

  13. 29 CFR 1917.153 - Spray painting (See also § 1917.2, definition of Hazardous cargo, materials, substance, or...

    2010-07-01

    ... under construction, major repair or rebuilding of terminal structures, or portable spraying apparatus..., splices or connections. (iv) Portable electric lights shall not be used during spraying operations. Lights... thereafter to exhaust hazardous vapor concentrations. (7) Rotating fan elements shall be nonsparking or...

  14. Analysis of the Waste of Paint Spraying and its Treatment%浅谈喷漆的主要污染物及处理措施

    彭园花; 杨波

    2012-01-01

    Paint spraying produced a lot of waste gas and solid wastes. Waste gas included dimethylbenzene, methylbenzene, non -methane hydrocarbon and particulate matter. Solid wastes were hazardous waste, including paint waste and exhaust gas purifying system waste. The sourse of waste gas and solid wastes was analyzed, and the countermeasures were puts forward.%喷漆产生的主要污染为大气污染和固体废物污染。其中大气污染物主要为二甲苯、甲苯、非甲烷总烃等有机物和颗粒物等。固体废物均为危险废物,包括油漆废物和废气净化系统废物。本文分析了喷漆工艺产生的废气和固体废物的主要来源,并提出了防治喷漆车间污染的对策。

  15. Process Waste Assessment - Paint Shop

    Phillips, N.M.

    1993-06-01

    This Process Waste Assessment was conducted to evaluate hazardous wastes generated in the Paint Shop, Building 913, Room 130. Special attention is given to waste streams generated by the spray painting process because it requires a number of steps for preparing, priming, and painting an object. Also, the spray paint booth covers the largest area in R-130. The largest and most costly waste stream to dispose of is {open_quote}Paint Shop waste{close_quotes} -- a combination of paint cans, rags, sticks, filters, and paper containers. These items are compacted in 55-gallon drums and disposed of as solid hazardous waste. Recommendations are made for minimizing waste in the Paint Shop. Paint Shop personnel are very aware of the need to minimize hazardous wastes and are continuously looking for opportunities to do so.

  16. 大空间内封闭喷漆作业的火灾危险性及消防安全对策研究%Research on fire hazard analysis and fire safety measures of a large paint shop with enclosed paint-spraying operation

    郝爱玲; 王宗存; 石宗维; 刘庭全

    2011-01-01

    Taken a large paint shop which has paint-spraying chambers inside as an example, fire hazard risk in the chamber and the open space of the paint shop was analyzed. TNO Multi-Energy method was used to calculate the blast wave overpressure of the paint-spraying chamber explosion. The results showed that explosion happened during the spray painting operation would produce different degrees of damage to the enclosure structure of the paint shop.Therefore, it is necessary to strengthen the fire safety measures to protect the large paint shop that has enclosed paint-spraying operations. Based on the quantitatively and qualitatively fire hazard analysis and the requirement of the relevant codes, corresponding safety measures were proposed. The measures include installation of fire extinguishing systems, automatic fire alarm systems, ventilation systems, and practice of the safety management regulations. These measures will help to provide technical support to ensure the fire safety of this kind of paint shop.%以采用封闭喷漆工艺的某喷漆车间为研究对象,分别分析了车间内封闭喷漆室以及敞开空间的火灾危险性.采用多能法进行了喷漆室爆炸冲击波超压计算,发现封闭喷漆作业的火灾爆炸事故会对车间置护结构产生不同程度破坏作用.因此,对大空间内采用封闭喷漆作业的情况,加强消防安全措施十分必要.结合上述火灾危险性定性、定量分析结果和相关标准规范要求,从设置灭火系统、火灾自动报警系统、通风系统、明确安全管理规定等角度提出了相应的消防安全措施建议,为确保此类场所的消防安全提供了技术支持.

  17. Analysis on Design Dynamic Pressure Chamber and Static Pressure Chamber Integration Wind Pressure Chamber of Spray Paint Room%喷漆室动压室及静压室整合风压室的设计浅析

    贺大军

    2012-01-01

    简要介绍了动压室和静压室合一的喷漆室的缺点以及设计和施工中的处理方法和其使用场合。%The shortcomings, design and the construction of the processing method and its application occasion of dynamic pressure chamber and static pressure chamber syncretic spray paint room were briefly introduced.

  18. Design and evaluation of a solid sampler for the monitoring of airborne 1,6-hexamethylene diisocyanate (HDI) and its prepolymers in two-component spray painting.

    Huynh, C K; Vu-Duc, T; Savolainen, H

    1992-03-01

    An active, solvent-free solid sampler was developed for the collection of 1,6-hexamethylene diisocyanate (HDI) aerosol and prepolymers. The sampler was made of a filter impregnated with 1-(2-methoxyphenyl)piperazine contained in a filter holder. Interferences with HDI were observed when a set of cellulose acetate filters and a polystyrene filter holder were used; a glass fiber filter and polypropylene filter cassette gave better results. The applicability of the sampling and analytical procedure was validated with a test chamber, constructed for the dynamic generation of HDI aerosol and prepolymers in commercial two-component spray paints (Desmodur N75) used in car refinishing. The particle size distribution, temporal stability, and spatial uniformity of the simulated aerosol were established in order to test the sampler. The monitoring of aerosol concentrations was conducted with the solid sampler paired to the reference impinger technique (impinger flasks contained 10 mL of 0.5 mg/mL 1-(2-methoxyphenyl)piperazine in toluene) under a controlled atmosphere in the test chamber. Analyses of derivatized HDI and prepolymers were carried out by using high-performance liquid chromatography and ultraviolet detection. The correlation between the solvent-free and the impinger techniques appeared fairly good (Y = 0.979X-0.161; R = 0.978), when the tests were conducted in the range of 0.1 to 10 times the threshold limit value (TLV) for HDI monomer and up to 60 micrograms/m3 (3 U.K. TLVs) for total -N=C=O groups.

  19. Design and evaluation of a solid sampler for the monitoring of airborne 1,6-hexamethylene diisocyanate (HDI) and its prepolymers in two-component spray painting

    Huynh, C.K.; Vu-Duc, T.; Savolainen, H. (Institut Universitaire de Medecine et d' Hygiene du Travail, Universite de Lausanne, (Switzerland))

    1992-03-01

    An active, solvent-free solid sampler was developed for the collection of 1,6-hexamethylene diisocyanate (HDI) aerosol and prepolymers. The sampler was made of a filter impregnated with 1-(2-methoxyphenyl)piperazine contained in a filter holder. Interferences with HDI were observed when a set of cellulose acetate filters and a polystyrene filter holder were used; a glass fiber filter and polypropylene filter cassette gave better results. The applicability of the sampling and analytical procedure was validated with a test chamber, constructed for the dynamic generation of HDI aerosol and prepolymers in commercial two-component spray paints (Desmodur N75) used in car refinishing. The particle size distribution, temporal stability, and spatial uniformity of the simulated aerosol were established in order to test the sampler. The monitoring of aerosol concentrations was conducted with the solid sampler paired to the reference impinger technique (impinger flasks contained 10 mL of 0.5 mg/mL 1-(2-methoxyphenyl)piperazine in toluene) under a controlled atmosphere in the test chamber. Analyses of derivatized HDI and prepolymers were carried out by using high-performance liquid chromatography and ultraviolet detection. The correlation between the solvent-free and the impinger techniques appeared fairly good (Y = 0.979X-0.161; R = 0.978), when the tests were conducted in the range of 0.1 to 10 times the threshold limit value (TLV) for HDI monomer and up to 60 micrograms/m3 (3 U.K. TLVs) for total -N=C=O groups.

  20. Evaluation of high pressure water blast with rotating spray bar for removing paint and rubber deposits from airport runways, and review of runway slipperiness problems created by rubber contamination

    Horne, W. B.; Griswold, G. D.

    1975-01-01

    A high pressure water blast with rotating spray bar treatment for removing paint and rubber deposits from airport runways is studied. The results of the evaluation suggest that the treatment is very effective in removing above surface paint and rubber deposits to the point that pavement skid resistance is restored to trafficked but uncontaminated runway surface skid resistance levels. Aircraft operating problems created by runway slipperiness are reviewed along with an assessment of the contributions that pavement surface treatments, surface weathering, traffic polishing, and rubber deposits make in creating or alleviating runway slipperiness. The results suggest that conventional surface treatments for both portland cement and asphaltic concrete runways are extremely vulnerable to rubber deposit accretions which can produce runway slipperiness conditions for aircraft operations as or more slippery than many snow and ice-covered runway conditions. Pavement grooving surface treatments are shown to be the least vulnerable to rubber deposits accretion and traffic polishing of the surface treatments examined.

  1. Synergism in anticorrosive paints

    G BLUSTEIN; C DEYÁ; R ROMAGNOLI

    2016-06-01

    The present work depicts synergism anticorrosive behaviour between zinc hypophosphite and zinc phosphate in a commercial pigment mixture. Also, the performance of anticorrosive paints was evaluated. Synergism anticorrosive behaviour was evaluated by corrosion potential and linear polarization measurements in pigment suspensions. The protective layer obtained with this pigment mixture was investigated by scanning electron microscopy (SEM). Then, the anticorrosive properties of the pigment were assessed by incorporating it into alkyd and epoxy paints which were evaluated by salt spray test and electrochemical noise technique. The morphology and the nature of the protective layer grown under the paint film were also studied by SEM. Experimental results showed that improved anticorrosion protection is achieved in paints with reduced zinc phosphate contents as a consequence of the synergistic interaction between zinc hypophosphite and the other components of the pigment mixture. The electrochemical noise technique proved to be adequate to monitor corrosion in painted panels and is able to detectcorrosion under the paint film from very early stages. This paper identified the need to study synergism between anticorrosive pigments to try to reduce the phosphate content in anticorrosive paints.

  2. Experiments on Paint Rheology

    Hartranft, Thomas J.; Settles, Gary S.

    1998-11-01

    We seek a better understanding of the atomization of paints for purposes of limiting the environmental impact of spray painting. However, to do so one must confront both the shear and extensional rheology of mobile non-Newtonian fluids whose very composition is often complex and even unknown. A conventional Couette rheometer yields data on paint shear behavior, but no commercial instrument is available to measure the extensional viscosity, which is believed to govern ligamentary breakup in spray painting. Here a converging-flow extensional rheometer has been built for this purpose. Flow rate and orifice pressure drop are measured and related to the rheological properties of the fluid. At first, experience was gained by visualizing in this device the flow of clear aqueous solutions of both Newtonian (glycerol) and non-Newtonian (polyacrylamide) thickeners. Commercial latex and marine paints were then tested, with the goal of characterizing their extensional behavior and the hope that they might be replaceable by simpler aqueous rheological "substitute" fluids insofar as their atomization behavior is concerned. (Research supported by the US Navy via the Penn State Applied Research Laboratory.)

  3. Painted Pickup.

    Wheeler, Kimberly

    2001-01-01

    Discusses a six week art class project for elementary school children that lasted for six weeks. Explains that the students painted sunflowers in the style of Vincent van Gogh over the rust spots of a pickup truck. Reports that the painting served as great publicity for the art classes. (CMK)

  4. Painted Rhythms.

    Bastian, Duane

    1985-01-01

    In this art activity gifted students, ages 10 to 13, learn about internal and external rhythms and make a painting of an internal rhythm. The lesson can be expanded with a discussion of Kandinsky, Pollock, and other painters who have painted sound or have demonstrated rhythms. (RM)

  5. Monster Paintings

    Huggler, Silvia

    2010-01-01

    In this article, the author describes a unit on monsters wherein students were charged with painting an imaginary character and, in so doing, demonstrated mastery of expression, organization of space, control of paint media, and application of the elements of art. Students discovered how color and line could be used to convey expression. The media…

  6. Study on the technological improvement in the removal of phosphorus from spraying & painting wastewater%喷涂废水除磷工艺改进研究

    王秀玲; 冯晓翔

    2013-01-01

    Aiming at the lime precipitation-activated carbon adsorption process used for the treatment of painting wastewater at a machinery plant,the factors affecting the dephosphorization rate has been studied.Some corresponding process improvement measures are brought forward through monitoring and analysis.Before the improvement,the effluent phosphate is 1.22 mg/L,but after the improvement,the effluent phosphate is <0.4 mg/L,meeting the first class requirements of Integrated Wastewater Discharge Standard (DB 12/356-2008) of Tianjin City.The economic and environmental benefits of this process are pretty high,having certain popularizing significance.%针对某机械厂采用石灰沉淀—活性炭吸附处理涂装废水的工艺,研究了影响磷去除率的因素.通过对水质的监测分析,提出了相应的工艺改进措施.改进前出水磷酸盐为1.22 mg/L,改进后出水磷酸盐<0.4 mg/L,符合天津市《污水综合排放标准》(DB 12/356-2008)一级排放标准.该处理技术经济效益和环境效益较高,具有一定的推广意义.

  7. Ultraviolet-radiation-curable paints

    Grosset, A M; Su, W F.A.; Vanderglas, E

    1981-09-30

    In product finishing lines, ultraviolet radiation curing of paints on prefabricated structures could be more energy efficient than curing by natural gas fired ovens, and could eliminate solvent emission. Diffuse ultraviolet light can cure paints on three dimensional metal parts. In the uv curing process, the spectral output of radiation sources must complement the absorption spectra of pigments and photoactive agents. Photosensitive compounds, such as thioxanthones, can photoinitiate unsaturated resins, such as acrylated polyurethanes, by a free radical mechanism. Newly developed cationic photoinitiators, such as sulfonium or iodonium salts (the so-called onium salts) of complex metal halide anions, can be used in polymerization of epoxy paints by ultraviolet light radiation. One-coat enamels, topcoats, and primers have been developed which can be photoinitiated to produce hard, adherent films. This process has been tested in a laboratory scale unit by spray coating these materials on three-dimensional objects and passing them through a tunnel containing uv lamps.

  8. SPARK MACHINING FOR STEEL SURFACES TO IMPROVE PAINT COATINGS QUALITY

    Sergey Levchenko

    2015-12-01

    Full Text Available Spark machining of steel surfaces enhances the subsequent paint coatings adhesion and protective properties. These factors improvement was confirmed at the salt-spray chamber testing and by both adhesion to the surface and depth of corrosion penetration below the paint coating layer measurements.

  9. Dye Painting!

    Johnston, Ann

    This resource provides practical instructions for applying color and design directly to fabric. Basic information about the dye painting process is given. The guide addresses the technical aspects of fabric dye and color use and offers suggestions for fabric manipulation and dye application in order to achieve various design effects. This…

  10. Rock Paintings.

    Jones, Julienne Edwards

    1998-01-01

    Discusses the integration of art and academics in a fifth-grade instructional unit on Native American culture. Describes how students studied Native American pictographs, designed their own pictographs, made their own tools, and created rock paintings of their pictographs using these tools. Provides a list of references on Native American…

  11. Personnel Exposure to Airborne Isocyanates and Solvents During Shipboard Painting With 2-Pack Polyurethane Paints

    2008-12-01

    contain low volatility isocyanate prepolymers in addition to small quantities of volatile isocyanate monomers [2,3]. The monomers may become airborne as...vapour whilst the non-volatile prepolymers and partially cured oligomers may form aerosols during spray painting and sanding of the painted surface...JL (1992) “ Prepolymers of hexamethylene diisocyanate as a cause of occupational asthma” J. Allergy Clinical Immunol. 91 850-61. 5. Redlich CA, Bello

  12. Painting models

    Baart, F.; Donchyts, G.; van Dam, A.; Plieger, M.

    2015-12-01

    The emergence of interactive art has blurred the line between electronic, computer graphics and art. Here we apply this art form to numerical models. Here we show how the transformation of a numerical model into an interactive painting can both provide insights and solve real world problems. The cases that are used as an example include forensic reconstructions, dredging optimization, barrier design. The system can be fed using any source of time varying vector fields, such as hydrodynamic models. The cases used here, the Indian Ocean (HYCOM), the Wadden Sea (Delft3D Curvilinear), San Francisco Bay (3Di subgrid and Delft3D Flexible Mesh), show that the method used is suitable for different time and spatial scales. High resolution numerical models become interactive paintings by exchanging their velocity fields with a high resolution (>=1M cells) image based flow visualization that runs in a html5 compatible web browser. The image based flow visualization combines three images into a new image: the current image, a drawing, and a uv + mask field. The advection scheme that computes the resultant image is executed in the graphics card using WebGL, allowing for 1M grid cells at 60Hz performance on mediocre graphic cards. The software is provided as open source software. By using different sources for a drawing one can gain insight into several aspects of the velocity fields. These aspects include not only the commonly represented magnitude and direction, but also divergence, topology and turbulence .

  13. Huashan rock paintings and other simitar paintings

    2004-01-01

    China is one of the countries with the rechest rock paintings in the world. The Huashan rock paintings features color paintings, quite different from those in the North China areas where petroglyphs were created by engraving, chiseling,incising,or grinding,such as those in Inner Mongolia and Helan Mountains in Gansu.The rock paintings at Ulanchabu of Inner Mongolia are regarded as works of the Neolithic age,bronze age and iron age ,featuring mainly such grassland animals as

  14. ENVIORNMENTAL TECHNOLOGY VERIFICATION REPORT: ANEST IWATA CORPORATION LPH400-LV HVLP SPRAY GUN

    This Enviornmental Technology Verification reports on the characteristics of a paint spray gun. The research showed that the spray gun provided absolute and relative increases in transfer efficiency over the base line and provided a reduction in the use of paint.

  15. Example based painting generation

    GUO Yan-wen; YU Jin-hui; XU Xiao-dong; WANG Jin; PENG Qun-sheng

    2006-01-01

    We present an approach for generating paintings on photographic images with the style encoded by the example paintings and adopt representative brushes extracted from the example paintings as the painting primitives. Our system first divides the given photographic image into several regions on which we synthesize a grounding layer with texture patches extracted from the example paintings. Then, we paint those regions using brushes stochastically chosen from the brush library, with further brush color and shape perturbations. The brush direction is determined by a direction field either constructed by a convenient user interactive manner or synthesized from the examples. Our approach offers flexible and intuitive user control over the painting process and style.

  16. Tangka Painting of Gesar

    JAMBIAN; GYAMCO

    2002-01-01

    Rope and other patterns on pottery unearthed from the Karub cultural sites, dating back some 5,000 years, are considered to be the earliest examples of painting art known so far. Rock paintings believed to have come later constitute the embryo of Tibetan painting art.Tangka painting is closely related to frescoes in terms of painting art. Tangka is created to reproduce what is painted in the fresco. Cultures prevalent in China’s hinterland, India and Nepal exerted deep influence on Tibetan painting art.Both Princess Wencheng and Princess Jincheng brought the Han Chinese culture into Tibet, which proved to be a boon for the development of Tibetan painting art. With construction of the Potala Palace, Jokhang, Qamzhub and other monasteries, Tibetan painting art developed apace. Frescoes in Jokhang Monastery, Qamzhub Monastery and Potala Palace, still visible today, feature a simple nature, with rich colors and concise lines, while figures were painted in an

  17. Nanoparticles Ni electroplating and black paint for solar collector applications

    J. El Nady

    2016-06-01

    Full Text Available A nanoparticles layer of bright nickel base was deposited on copper substrates using electrodeposition technique before spraying the paint. IR reflectance of the paint was found to be around 0.4 without bright nickel layer and the reflectance increased to 0.6 at a Ni layer thickness of 750 nm. The efficiency of the constructed solar collectors using black paint and black paint combined with bright nickel was found to be better than black paint individually. After aging tests under high temperature, Bright nickel improved the stability of the absorber paint. The collector optical gain FR(τα was lowered by 24.7% for the commercial paint and lowered by 19.3% for the commercial paint combined with bright nickel. The overall heat loss FR(UL was increased by 3.3% for the commercial paint and increased by 2.7% for the commercial paint combined with bright nickel after the temperature aging test.

  18. Spraying painting robots path planning based on point cloud data processing technology%基于点云处理技术的喷涂机器人喷枪轨迹生成研究

    孙国朋; 戴立玲; 卢章平; 李明珠

    2011-01-01

    That point cloud data is used a the data formats ofsprayingpainting robot path planning is put forward.The point cloud data processing technology is used to generate spraying robot path,which includes point cloud preprocessing、region segmentation、point cloud slicing、acquiring the normal vectors of the sampled points、the sampled points offsetting and so on. The point cloud data processing technology is used to spraying robot trajectory planning,point cloud segmentation make its features clear and reduce the complexity of spraying process,it can control the position of spraying gun well and also improve quality and efficiency of spraying%提出了以点云数据作为喷涂机器人轨迹生成的数据格式,采用点云处理技术,通过对点云的预处理、区域分割,点云切片、采样点求取法矢量及沿法矢量方向偏移等方法实现了喷涂机器人轨迹的生成.将点云技术运用到喷涂机器人轨迹规划,通过点云区域分割细化了点云特征,降低了喷涂工艺的复杂性,同时很好的控制喷枪的位置,提高了喷涂的质量和效率.

  19. MEASUREMENTS OF VOLATILE ORGANIC COMPOUNDS AND PARTICLES DURING APPLICATION OF LATEX PAINT WITH AN AIRLESS SPRAYER

    The paper discusses experiments, conducted at EPA's Indoor Air Quality Research House, to measure airborne concentrations of volatile organic compounds (VOCs) and particles during and following the spray-application of latex wall paint. (NOTE: Paint may be applied indoors by a v...

  20. Egyptian Tomb Painting.

    Schroeder, Liesa

    1999-01-01

    Provides an activity where sixth-grade students replicated the Egyptian art form of tomb painting. Explains that the students researched information about Egyptian culture and history in order to familiarize themselves with Egyptian wall-painting style. Discusses the process of creating tomb paintings in detail. (CMK)

  1. Occupational exposure during application and removal of antifouling paints

    Links, I.; Jagt, K.E.V.D.; Christopher, Y.; Lurvink, M.; Schinkel, J.; Tielemans, E.; Hemmen, J.J.V.

    2007-01-01

    Exposure data on biocides are relatively rare in published literature, especially for secondary exposure. This is also the case for antifouling exposure. Therefore, a field study was carried out measuring exposure to antifouling paints. Both primary exposure (rolling and spraying) and secondary expo

  2. The influence of paint dispersion parameters on the spectral selectivity of black-pigmented coatings

    Gunde, M.K.; Orel, Z.C. [National Institute of Chemistry, Ljubljana (Slovenia); Hutchins, M.G. [Oxford Brookes University, Oxford (United Kingdom). School of Engineering

    2003-10-31

    The optical properties of variously prepared black-pigmented solar absorbing paints were calculated in terms of their effective absorption and scattering abilities. The phenomenological two-parameter Kubelka-Munk effective medium theory was applied. Paints with the same composition were prepared for different degrees of pigment dispersion and characterized by the average size of pigment agglomerates present in the pigment/vehicle system. Prepared paints were applied to aluminium foil in two ways, by coil coating and by spraying. The size of coarse pigment particles and the paint application technique influence the spectral selectivity and thus determine the final performance of spectrally selective surfaces. (author)

  3. EVALUATION OF SUPERCRITICAL CARBON DIOXIDE TECHNOLOGY TO REDUCE SOLVENT IN SPRAY COATING APPLICATIONS

    This evaluation, part of the Pollution Prevention Clean Technology Demonstration (CTD) Program, addresses the product quality, waste reduction, and economic issues of spray paint application using supercritical carbon dioxide (CO2). Anion Carbide has developed this technology and...

  4. Oil-based paint poisoning

    Paint - oil based - poisoning ... Hydrocarbons are the primary poisonous ingredient in oil paints. Some oil paints have heavy metals such as lead, mercury, cobalt, and barium added as pigment. These heavy metals can cause additional ...

  5. Chromosome painting in plants.

    Schubert, I.; Fransz, P.F.; Fuchs, J.; Jong, de J.H.

    2001-01-01

    The current 'state-of-art' as to chromosome painting in plants is reviewed. We define different situations described as painting so far: i) Genomic in situ hybridisation (GISH) with total genomic DNA to distinguish alien chromosomes on the basis of divergent dispersed repeats, ii) 'Chromosomal in si

  6. Jasper Johns' Painted Words.

    Levinger, Esther

    1989-01-01

    States that the painted words in Jasper Johns' art act in two different capacities: concealed words partake in the artist's interrogation of visual perception; and visible painted words question classical representation. Argues that words are Johns' means of critiquing modernism. (RS)

  7. Development of 6-DOF painting robot control system

    Huang, Junbiao; Liu, Jianqun; Gao, Weiqiang

    2017-01-01

    With the development of society, the spraying technology of manufacturing industry in China has changed from the manual operation to the 6-DOF (Degree Of Freedom)robot automatic spraying. Spraying painting robot can not only complete the work which does harm to human being, but also improve the production efficiency and save labor costs. Control system is the most critical part of the 6-DOF robots, however, there is still a lack of relevant technology research in China. It is very necessary to study a kind of control system of 6-DOF spraying painting robots which is easy to operation, and has high efficiency and stable performance. With Googol controller platform, this paper develops programs based on Windows CE embedded systems to control the robot to finish the painting work. Software development is the core of the robot control system, including the direct teaching module, playback module, motion control module, setting module, man-machine interface, alarm module, log module, etc. All the development work of the entire software system has been completed, and it has been verified that the entire software works steady and efficient.

  8. The National Shipbuilding Research Program. 1993 Ship Production Symposium. Paper No. 24: Thermal Spray for Corrosion Control: A Competitive Edge for Commercial Shipbuilding

    1993-11-01

    precautions ultra clean practices are required to maintain surface cleanliness until it is coated. Arc spray is much more forgiving to surface ...the cost of thermal spray to below that of painting, while providing the highest quality coating. The process is forgiving to surface cleanliness requirements... cleanliness requirements, and requires blasting standards similar to painting, with the exception that arc spraying requires blasting with an angular grit to

  9. Pilot-study on treatment of paint spray booth emissions by integrating biotrickling filter with biofilter%生物滴滤-生物过滤组合工艺处理汽车喷漆废气中试研究

    刘建伟; 黄力华; 马文林

    2011-01-01

    采用中试规模的生物滴滤-生物过滤组合工艺设备处理某汽车厂喷漆车间废气,研究了组合式反应器对废气的净化效果和2处理单元对污染组分的去除能力及微生物特性.该汽车厂喷漆车间废气中的主要组分为甲苯、二甲苯、乙酸乙酯、乙酸丁酯、丁醇、丙酮和甲基丙基甲酮.组合式反应器对废气中的污染物有较好的处理效果,但不同的污染组分在不同处理单元中的去除特性不同,其中亲水性的乙酸乙酯、乙酸丁酯、丁醇和丙酮在生物滴滤塔怛元中的去除效率较高,而疏水性的甲苯、二甲苯和甲基丙基甲酮主要在生物滤塔单元中去除.2个处理单元内附着的优势微生物的种类和数量均有所不同,生物滴滤塔单元内的优势微生物以异养细菌为主,而生物滤塔单元内的优势微生物为异养细菌和真菌.%A pilot-scale combined-bioreactor, consisting of a biotrickling filter unit and a biofilter unit, was developed to treat paint spray booth emissions from an automobile manufacturing plant. Treatment efficiencies of emissions, removal capacities of different pollutants and microbiological characteristics in individual unit were investigated in this study. The main components of paint spray booth emissions were toluene, xylene, ethyl acetate, butyl acetate, butanol, acetone, and methyl propyl ketone. Gaseous pollutants in the emissions can be removed efficiently by the combined-bioreactor, but the removal characteristics in two different units were different. Most of hydrophilic compounds such as ethyl acetate, butyl acetate, butanol and acetone were removed in the biotrickling filter unit and most of hydrophobic compounds such as toluene, xylene and methyl propyl ketone were removed in the biofilter unit. Types and quantities of dominant microorganisms in two units were different.The heterotrophic bacteria were dominant in the biotrickling filter unit, while both heterotrophic

  10. Fire retardant paints

    D.B. Parihar

    1954-04-01

    Full Text Available The mechanism involved in the flame-proofing of cellulose is explained on modern electronic concepts. Some recent developments on intumescent paint and mastic compositions with the scope of their further improvement are discussed.  

  11. Paint for Motherland

    2008-01-01

    @@ On August 15, the Chinese Outstanding Art Exhibition in calligraphy and painting will bc held in mid-ring of Hong Kong, where Olympic equestrian events co-hosted, representing the masterpieces of China mainland artists. The event is a part of exchange during the 2008 Olympic period among Olympic co-hosting cities. The most eyeball-attracting showpiece will be a 960 m2 painting. "Ten Thousand Miles of Motherland", from the hand of Zhao Xiufeng.

  12. Homesickness (Decorative Painting)

    1995-01-01

    Traditionally. nchly colored Chinese painting is widely recognized for its line and rhythm. As early as 1.1000 years ago. the Dunhuang frescos of the Tang Dynasty (618907) reached a high level. "Homesickness" represents a female figure thinking about the motherland. The painter uses traditional painting techniques in reference to linn and color. The dragon and phoenix motif in the background represents the 5.000 year-old cultural history of

  13. Development of Universal Portable Spray Stand for Touch-Up Process in The Automotive Paintshop

    Fatah Muhamed Mukhtar, Muhamed Abdul; Mohideen Shahul Hameed, Rasool

    2016-02-01

    A spray stand is a custom-made tool used to hold the automotive body parts as well as the devices used to facilitate the operator during the Touch Up process in Paint shop production. This paper discusses about the development of Universal Portable Spray Stand (UPSS) as a tool to hold various types of automotive body parts and model of car during the painting process. The main objective of this study is to determine the effective application of UPSS at the International College of Automotive (ICAM) and also in the automotive industry. This will be helpful to add features to the current spray stand in ICAM and to add value to the spray stand based on selected criteria which are universal, portable and cost saving. In addition, study in the UPSS is also expected to bring reduction in cycle time during the touch up process, in the paint defects and in the ergonomics issues among the operators.

  14. Nanjing Painting & Calligraphy Academy

    1996-01-01

    FOUNDED in 1979,the Nanj-ing Painting and CaligraphyAcademy consists of 20 profes-sional painters,over 40 invited paintersand a few brilliant graduates from sev-eral art schools.The academy hasemerged as a major art force,withmost of its members being young andmiddle-aged painters.The academy is composed of aChinese painting research studio,anexhibition section,arts and crafts salessection and an administrative office.In1992 the Nanjing municipal govern-ment made cotributions to the acade-my for the construction of a paintingstudio and an exhibition hall coveringa combined floor area of 1,000 square

  15. Oil Paintings by Ou Yang

    2000-01-01

    Ou Yang, professor of the Oil Painting Department of Guangdong Art College, has been pursuing perfection in the field of art for many years. With their rich emotional color, paintings by her do not simply

  16. A Painting Tells Its Story

    2011-01-01

    Separated parts of an ancient Chinese painting to be displayed together Chinese Premier Wen Jiabao told a story about a famous Chinese painting Dwelling in the Fuchun Mountains at a press conference after the Third Session of the

  17. LSST Painting Risk Evaluation Memo

    Wolfe, Justin E. [Lawrence Livermore National Lab. (LLNL), Livermore, CA (United States)

    2016-11-10

    The optics subsystem is required to paint the edges of optics black where possible. Due to the risks in applying the paint LSST requests a review of the impact of removing this requirement for the filters and L3.

  18. Wet/dry film thickness measurement of paint by absorption spectroscopy with acousto-optic tunable filter spectrometer

    Sinha, Pranay G.; Xiong, Xiangchun; Jin, Feng; Trivedi, Sudhir; Prasad, Narashima S.

    2005-08-01

    Controlling/monitoring the thickness of applied paint in real time is important to many situations including painting ship and submarine hulls in dry docks for maintaining health of ships and submarines against the harshness of the sea, in automobile and aerospace industries, and in a variety of other industries as a control sensor that plays significant role in product quality, process control, and cost control. Insufficient thickness results to inadequate protection while overspray leads to waste and pollution of the environment. A rugged instrumentation for the real time non-contact accurate measurement of wet and dry paint film thickness measurement will be immensely valuable. As paint is applied with several layers of the same or different type, thickness of each newly sprayed wet layer is of most interest, but measurement on dry paint is also useful. In this study, we use acousto-optic tunable filter-based near infrared spectrometer to obtain the absorption spectrum of layers of paint sprayed on sand blasted steel surface and thus measure the thickness of coating under both wet and dry situations. NIR spectra are obtained from 1100 to 2300 nm on four sample of different thickness of paint up to 127 micron. Partial least squares model built with the spectra shows good correlation with standard error of prediction within ~ 0.7 micron. Results indicate that the spectra also respond to the amount of organic solvent in the wet paint and can be used to monitor the degree of dryness of the paint in real time.

  19. Estimating the colors of paintings

    Nascimento, Sérgio M C; Linhares, João M. M., ed. lit.; João, Catarina A. R.; Amano, Kinjiro; Montagner, Cristina; Melo, Maria J.; Vilarigues, Marcia

    2015-01-01

    Observers can adjust the spectrum of illumination on paintings for optimal viewing experience. But can they adjust the colors of paintings for the best visual impression? In an experiment carried out on a calibrated color moni- tor images of four abstract paintings obtained from hyperspectral data were shown to observers that were unfamiliar with the paintings. The color volume of the images could be manipulated by rotating the volume around the axis through the average (a*, b*) point for eac...

  20. Lined canvas paintings

    Krarup Andersen, Cecil

    2013-01-01

    and tensile testing samples from the tacking edges as well as lined mock-up samples. The ability of the different lining techniques to support canvas paintings is evaluated in terms of their initial stretching and during fluctuations of relative humidity. Six different combinations of lining adhesives...

  1. Painting and Writing Matters

    Balle, Søren Hattesen

    2006-01-01

    materialization. At the same time as O’Hara and Rivers investigate the often conflicting powers of both genres to incarnate the reality of the material world (especially the human body) in their respective media, they also playfully foreground the materiality of painterly/poetic text as paint and writing...

  2. Judgement of abstract paintings

    Dakulović Sandra

    2006-01-01

    Full Text Available In two experiments the judgement of twenty one abstract paintings was investigated. In Experiment 1, subjects were asked to make similarity judgements of 210 pairs of paintings on a 7 step bipolar scale (similar-dissimilar. The Multi-dimensional scaling (MDS method was used for data analysis. The distribution of paintings within MDS 2-D space suggested two grouping criteria: colorfullness (e.g. from Klee to Kline and geometrization (e.g. from Vasarely to Kandinsky. In Experiment 2, subjects were asked to judge the same paintings on three factors of the instrument SDF 9 (Marković et al., 2002b: Evaluation, Arousal and Regularity. The purpose of this experiment was to specify the subjective criteria on which the (dissimilarity judgements were based. In the regression analysis the three factors of SDF 9 were defined as predictors, whereas the x and y coordinates of MDS 2-D space were defined as dependent variables. The results have shown that the dimension x was reducible to the Evaluation factor, and dimension y is reducible to the Regularity factor.

  3. Rabbit Repellent Paint

    US Fish and Wildlife Service, Department of the Interior — Five gallons of rabbit repellent paint were sent to George Wilson to be applied on the trees of the Tewaukon tree plot. Mr. Wilson requires a 3 or 4 in. brush for...

  4. Artists Paint ... Fantasy

    Herberholz, Barbara

    2012-01-01

    When he painted a portrait of Holy Roman Emperor Rudolph II (1552-1612), Giuseppe Arcimboldo used his imagination, and portrayed him as "Vertumnus," the Roman god of vegetation and the seasons. It's fun to find the different fruits, vegetables and flowers he used: pea-pod eyelids, a gourd for the forehead. Court painters of the time usually…

  5. The Farmers’ Woodcut Paintings

    1998-01-01

    Folk art is not constrained by scholastic regulations such as proportion and perspective. Taking rural life as their subject matter, farmers from the Hubei mountains by the Yangtze River’s Xiling Gorge create woodcut paintings with a humorous and unpretentious charm. Recently, more than a hundred works created by these farmer painters were exhibited in the China Art Gallery in Beijing.

  6. Paint it nanoblack

    Perkowitz, Sidney

    2016-08-01

    Ever since our ancestors painted images on the walls of caves, artists have sought pigments to represent the 10 million tints that humans can differentiate. Now they have a new ally: researchers who are using optical design principles, nanotechnology and inspiration from nature to create deeper blacks and purer whites.

  7. Improved Paint Removal Technique

    1978-04-25

    4 (Phenol)1: p1P4 ji:i Condition of Point Surface Condition of Paint: Surface 4 after 45 minutes ufter 25 minutes Ten~t Pronsidure No. I. on~ Tent ...the ,.I .- pit so high velume water flow can be used to flush the pit floor clean at I the end of each day. Installation of removable grating is also

  8. Painting for public perception

    Collison, M.

    2011-12-15

    This paper presents the work of a wildlife artist, Lucas Seaward, in eliciting public opinion on the oilsands industry. He is in the process of creating 20 or more paintings using oil on canvas, not the Chagall or van Gogh sort of oil, but bitumen extracted near Fort McMurray. The paintings are designed for an exhibition to travel across Canada. His aim is to spread awareness that the oilsands industry is working hard towards sustainability and the protection of wildlife. Apart from being evil-smelling, bitumen is stiff, it does not dry quickly, and it wears out paint brushes really fast. Similarly to producers who add a diluent for proper flow, Seaward also found an additive that allowed smooth flow so that he could paint the bitumen in thin layers that dried properly and also was able to produce gradations of color. The idea is to educate the general public out of his personal experience of Fort McMurray and the oilsands industry.

  9. LDRD summary report. Part 1: initiation studies of thin film explosvies used for scabbling concrete. Part 2: investigation of spray techniques for use in explosive scabbling of concrete

    Benham, R.A.; Bickes, R.W. Jr.; Grubelich, M.C.; Wackerbarth, D.E.; Brock, J.L.

    1996-11-01

    We describe a new method for the scabbling of concrete surfaces using a thin layer of explosive material sprayed onto the surfaces. We also developed a new explosive mixture that could be applied with commercial spray painting equipment. The first part of our record describes experiments that studied methods for the initiation of the sprayed explosive. We successfully initiated layers 0.36 mm thick using a commercial EBW detonator, a flying plate detonator, and by pellet impact. The second part of our report describes a survey of spray methods and tests with two commercial spray systems that we believe could be used for developing a robotic spray system.

  10. Reducer Selection When Doing Overall Paint Jobs Using Enamel Paints. Lesson Plan No. 1 of Auto Repair and Painting.

    Tyau, Layton M.

    This lesson, which is part of a high school course in auto body repair and painting, deals with selecting a reducer when doing overall paint jobs using enamel paints. Students are taught the general properties of different types of enamel paints and selection of the proper reducer for each type of paint, depending on the weather and the specific…

  11. Numerical and Experimental Investigation on the Spray Coating Process Using a Pneumatic Atomizer: Influences of Operating Conditions and Target Geometries

    Qiaoyan Ye

    2017-01-01

    Full Text Available This paper presents a numerical simulation of the spray painting process using a pneumatic atomizer with the help of a computational fluid dynamics code. The droplet characteristics that are necessary for the droplet trajectory calculation were experimentally investigated using different shaping air flow rates. It was found that the droplet size distribution depends on both the atomizing and the shaping air flow rate. An injection model for creating the initial droplet conditions is necessary for the spray painting simulation. An approach for creating these initial conditions has been proposed, which takes different operating conditions into account and is suitable for practical applications of spray coating simulation using spray guns. Further, tests on complicated targets and complex alignments of the atomizer have been carried out to verify this numerical approach. The results confirm the applicability and reliability of the chosen method for the painting process.

  12. Shang Yang’s Paintings

    1998-01-01

    Shang yang is a highly representative painter in the contemporary Chinese oil painting circle. In the past few decades, his painting style has changed several times; he abandoned his successful original style and familiar subjects when he turned from realism to abstraction. In the two pieces shown here, the people of the Loess Plateau are depicted as existing as an integral whole with nature, mutually inside and outside of it. Beholden to some techniques from traditional Chinese painting Shang’s

  13. Are we ready for spray-on carbon nanotubes?

    Maynard, Andrew D.

    2016-01-01

    Earlier this year, British sculptor, Anish Kapoor was given exclusive rights to use a new spray-on carbon nanotube-based paint. The material, produced by UK-based Surrey NanoSystems and marketed as Vantablack S-VIS, can be applied to a range of surfaces, and absorbs well over 99% of the light that falls onto it. It is claimed to be the world's blackest paint, and there is growing interest in its use in works of art and high-end consumer products. It's easy to see the appeal of Vantablack S-VI...

  14. Butorphanol Nasal Spray

    ... of your treatment.Butorphanol nasal spray may be habit-forming. Use butorphanol nasal spray exactly as directed. ... tiredness difficulty falling asleep or staying asleep unusual dreams constipation stomach pain feeling hot flushing pain, burning, ...

  15. LOVE AESTHETICS AND PAINTING

    ZUhal ARDA

    2015-04-01

    Full Text Available Talking about love, while we are talking about a culture and world view means. People love for the people, the passion that inhabited the earth of mankind, the "love" for the first time since love always makes life meaningful emotions has been replaced in the front row between. Throughout history, many artists, scientist, philosopher, and polymath has committed about love are in the works. Poetry, music, theatre, dance, painting, sculpture, each with its own specific language, an art form they are given immortal works about love. Sense of friendship and love of antiquity, Medieval spiritual journeys, when more stunning and dramatic to modern times, trends, human love, to the concept of gaining various dimensions of divine love. Understanding by seeing through these exchanges pictures-meaning maybe the concept of "love" will shed light on the changing values, too. When you do this, both from the east and from the west, giving examples to do a comparison over the years has diversified, changing the concept of "love" art of painting will be an indication that reflected how.

  16. Neural correlates of viewing paintings

    Vartanian, Oshin; Skov, Martin

    2014-01-01

    Many studies involving functional magnetic resonance imaging (fMRI) have exposed participants to paintings under varying task demands. To isolate neural systems that are activated reliably across fMRI studies in response to viewing paintings regardless of variation in task demands, a quantitative...

  17. Yang Hua's Modern Chinese Painting

    2000-01-01

    Yang Hua, a female painter from Hainan Province forms her style of modern Chinese painting with an original, exotic and ingenious means of artistic expression. Full of vigor, her paintings convey intimacy among human beings. She expresses her feelings towards nature and society through her dimly visible and disorderly pictures. The harmony of abstract and

  18. Breast Cancer in Art Painting

    2011-01-01

    Breast cancer is an emotive cancer. It is a disease that affects a visible sexual organ and it is the commonest single cause of death of women between 40 and 60 years of age. Nevertheless, this type of cancer was infrequently depicted in art paintings. In this article the themes from the breast cancer in famous art paintings are discussed.

  19. Microscale radiocarbon dating of paintings

    Hendriks, Laura; Hajdas, Irka; McIntyre, Cameron [ETH Zurich, Ion Beam Physics, Zurich (Switzerland); Kueffner, Markus; Ferreira, Ester S.B. [SIK-ISEA, Zurich, Zurich (Switzerland); Scherrer, Nadim C. [Bern University of Applied Sciences, HKB, Bern (Switzerland)

    2016-03-15

    In this paper, radiocarbon dating of paintings using minimal sample sizes has been investigated, in an effort to address the problem of limited access to sample material in paintings. {sup 14}C analyses were conducted on signed and dated paintings from two Swiss artists of the twentieth century. The selected paintings dated from the 1930s and 1960s, provided the opportunity to evaluate the dating accuracy on paintings realized before and after 1950 AD when the {sup 14}C bomb peak was created, as a result of the nuclear tests conducted in the 1950/1960s. The work focused on the one hand on minimizing the size of the canvas sample required for accelerator mass spectrometer radiocarbon measurement on the gas ion source of the MICADAS and, on the other hand, on testing the possibility of dating the organic binder of the paint. Following careful characterization of the paint composition by X-ray fluorescence spectroscopy, Fourier transformed infrared spectroscopy, and Raman spectroscopy, paints containing no other carbon source than the natural organic binder were identified and dated. (orig.)

  20. Microscale radiocarbon dating of paintings

    Hendriks, Laura; Hajdas, Irka; McIntyre, Cameron; Küffner, Markus; Scherrer, Nadim C.; Ferreira, Ester S. B.

    2016-03-01

    In this paper, radiocarbon dating of paintings using minimal sample sizes has been investigated, in an effort to address the problem of limited access to sample material in paintings. 14C analyses were conducted on signed and dated paintings from two Swiss artists of the twentieth century. The selected paintings dated from the 1930s and 1960s, provided the opportunity to evaluate the dating accuracy on paintings realized before and after 1950 AD when the 14C bomb peak was created, as a result of the nuclear tests conducted in the 1950/1960s. The work focused on the one hand on minimizing the size of the canvas sample required for accelerator mass spectrometer radiocarbon measurement on the gas ion source of the MICADAS and, on the other hand, on testing the possibility of dating the organic binder of the paint. Following careful characterization of the paint composition by X-ray fluorescence spectroscopy, Fourier transformed infrared spectroscopy, and Raman spectroscopy, paints containing no other carbon source than the natural organic binder were identified and dated.

  1. Supercritical Fluid Spray Application Process for Adhesives and Primers

    2003-03-01

    and adhesives (1-3), synthesis of polymers with microcellular structures (4), and drying of silica aerogel (5-11) already have been developed into...poor solvent and a good solute. In applications such as spraying paint, coatings, and adhesives, aerogel -making, and impregnations, carbon dioxide...microns. Tepper and Levit (64) also demonstrated the deposition of microspheres of high molecular weight poly(dimethylsiloxane) onto the sensing surface

  2. Characterization of sprays

    Chigier, N.; Mao, C.-P.

    1984-01-01

    It is pointed out that most practical power generation and propulsion systems involve the burning of different types of fuel sprays, taking into account aircraft propulsion, industrial furnaces, boilers, gas turbines, and diesel engines. There has been a lack of data which can serve as a basis for spray model development and validation. A major aim of the present investigation is to fill this gap. Experimental apparatus and techniques for studying the characteristics of fuel sprays are discussed, taking into account two-dimensional still photography, cinematography, holography, a laser diffraction particle sizer, and a laser anemometer. The considered instruments were used in a number of experiments, taking into account three different types of fuel spray. Attention is given to liquid fuel sprays, high pressure pulsed diesel sprays, and coal-water slurry sprays.

  3. 压缩机涂装生产线工艺设计%Design of Painting Process of Compressor Production Line

    章伟国; 左江

    2013-01-01

    This paper offers the design of the compressor painting process and the layout of the painting product line by analyzing the compressor production and the characteristic of painting. Also, it is briefly introduced the conformation principle of the painting equipment about the cleaning room, paint spray booth, duplex drying room etc. and the application of painting production.%通过对压缩机产品及涂装特性的分析,提出了压缩机产品涂装工艺设计和涂装生产线的平面布置;并扼要介绍了清洗室、喷漆室、双联烘干室等主要涂装设备的构造原理和涂装生产应用。

  4. The Conservation of Panel paintings

    Until the early 17th century almost all portable paintings were created on wood supports, including masterpieces by famous painters, ranging from Giotto to Dürer to Rembrandt. The structural conservation of these paintings requires specific knowledge and skills as the supports are susceptible...... to damage caused by unstable environmental conditions. Unfortunately, past structural interventions often caused significant damage due to insufficient knowledge of the behaviour of the wood panels, glue and paint layers. Over the last fifty years, the field has developed treatment strategies based...

  5. Paint removal activities in Canada

    Foster, Terry

    1993-03-01

    Paint removal activities currently under way in Canada include: research and development of laser paint stripping; development and commercialization of a new blasting medium based on wheat starch; commercialization of a new blasting medium and process using crystalline ice blasting for paint removal and surface cleaning; and the development of automated and robotic systems for paint stripping applications. A specification for plastic media blasting (PMB) of aircraft and aircraft components is currently being drafted by NDHQ for use by the Canadian Armed Forces (CAF) and contractors involved in coating removal for the CAF. Defense Research Establishment Pacific (DREP) is studying the effects of various blast media on coating removal rates, and minimizing the possibility of damage to substrates other than aluminum such as graphite epoxy composite and Kevlar. The effects of plastic media blasting on liquid penetrant detection of fatigue cracks is also under investigation.

  6. Overview of paint removal methods

    Foster, Terry

    1995-04-01

    With the introduction of strict environmental regulations governing the use and disposal of methylene chloride and phenols, major components of chemical paint strippers, there have been many new environmentally safe and effective methods of paint removal developed. The new methods developed for removing coatings from aircraft and aircraft components include: mechanical methods using abrasive media such as plastic, wheat starch, walnut shells, ice and dry ice, environmentally safe chemical strippers and paint softeners, and optical methods such as lasers and flash lamps. Each method has its advantages and disadvantages, and some have unique applications. For example, mechanical and abrasive methods can damage sensitive surfaces such as composite materials and strict control of blast parameters and conditions are required. Optical methods can be slow, leaving paint residues, and chemical methods may not remove all of the coating or require special coating formulations to be effective. As an introduction to environmentally safe and effective methods of paint removal, this paper is an overview of the various methods available. The purpose of this overview is to introduce the various paint removal methods available.

  7. Cold spray nozzle design

    Haynes, Jeffrey D.; Sanders, Stuart A.

    2009-06-09

    A nozzle for use in a cold spray technique is described. The nozzle has a passageway for spraying a powder material, the passageway having a converging section and a diverging section, and at least the diverging section being formed from polybenzimidazole. In one embodiment of the nozzle, the converging section is also formed from polybenzimidazole.

  8. A fabrication method of unique Nafion® shapes by painting for ionic polymer-metal composites

    Trabia, Sarah; Hwang, Taeseon; Kim, Kwang J.

    2016-08-01

    Ionic polymer-metal composites (IPMC) are useful actuators because of their ability to be fabricated in different shapes and move in various ways. However, producing unique or intricate shapes can be difficult based upon the current fabrication techniques. Presented here is a fabrication method of producing the Nafion® membrane or thin film through a painting method. Using an airbrush, a Nafion water dispersion is sprayed onto an acrylonitrile butadiene styrene surface with a stencil of the desired shape. To verify that this method of fabrication produces a Nafion membrane similar to that which is commercially available, a sample that was made using the painting method and Nafion 117 purchased from DuPont™ were tested for various characteristics and compared. The results show promising similarities. The painted Nafion sample was chemically plated with platinum and compared with a traditional IPMC for its displacement and blocking force capabilities. The painted IPMC sample showed comparable results.

  9. Spray Rolling Aluminum Strip

    Lavernia, E.J.; Delplanque, J-P; McHugh, K.M.

    2006-05-10

    Spray forming is a competitive low-cost alternative to ingot metallurgy for manufacturing ferrous and non-ferrous alloy shapes. It produces materials with a reduced number of processing steps, while maintaining materials properties, with the possibility of near-net-shape manufacturing. However, there are several hurdles to large-scale commercial adoption of spray forming: 1) ensuring strip is consistently flat, 2) eliminating porosity, particularly at the deposit/substrate interface, and 3) improving material yield. Through this program, a new strip/sheet casting process, termed spray rolling, has been developed, which is an innovative manufacturing technique to produce aluminum net-shape products. Spray rolling combines the benefits of twin-roll casting and conventional spray forming, showing a promising potential to overcome the above hurdles associated with spray forming. Spray rolling requires less energy and generates less scrap than conventional processes and, consequently, enables the development of materials with lower environmental impacts in both processing and final products. Spray Rolling was developed as a collaborative project between the University of California-Davis, the Colorado School of Mines, the Idaho National Engineering and Environmental Laboratory, and an industry team. The following objectives of this project were achieved: (1) Demonstration of the feasibility of the spray rolling process at the bench-scale level and evaluation of the materials properties of spray rolled aluminum strip alloys; and (2) Demonstration of 2X scalability of the process and documentation of technical hurdles to further scale up and initiate technology transfer to industry for eventual commercialization of the process.

  10. NGAWANG JIGME'S MODERN WASH PAINTINGS

    KELZANG; DORJE

    2007-01-01

    Having received a thorough college education.Ngawang Jigme naturally expresses his academic knowledge and skills through his washing paintings.Though he grew up on the plateau cating Tsampa and yak flesh,drinking yak buttered tea,living in the clear atmosphere,sunny sky and mountain scenery,he would hardly be expected to tolerate the monotone world of wash painting,which adopts black and white as its principal theme and acknow ledges"blur impression"as the ultimate aim.He strives for total absorption int...

  11. The Swimming Pool (oil painting)

    1998-01-01

    Chen Xi was born in 1968 in Chongqing City, Sichuan Province. In 1991, she graduated with a Bachelor’s degree from the Oil Painting Department of the Central Academy of Fine Arts. Her paintings are soaked through with her mixed emotions towards urban life. The city, the concentrated mirror of human civilization, drives the human race further and further away from mother nature Molded ever more strictly by the socialization process, human beings live more and more like commodities. The ever-shrink-

  12. The transdisciplinary potential of remediated painting

    Petersen, Anne Ring

    2011-01-01

    painting as a point of departure but moves beyond the limitations of dialogic intermedia into the field of transdisciplinary aesthetics. In support of my argument, I turn to the concept of remediation as it was first applied in new media theory by Jay David Bolter and Richard Grusin. The ambition...... and performance etc. This paper suggests that the transformation of the discipline of painting into an expanded field has not only liberated painting from its ties to its traditional repertoire of materials and modes of representation. It has also released a tremendous potential for image making that takes...... is to develop an apprehension of painting not as an artistic artifact or 'medium-specific' practice, but as a critical remediating process - painting as remediated painting. What could be gained from this reconceptualisation of the expanded field of painting? Firstly, it introduces an apprehension of painting...

  13. EVALUATION OF LOW-VOC LATEX PAINTS

    The paper gives results of an evaluation of four commercially available low-VOC (volatile organic compound) latex paints as substitutes for conventional latex paints by assessing both their emission characteristics and their performance as coatings. Bulk analysis indicated that ...

  14. Thermal Arc Spray Overview

    Hafiz Abd Malek, Muhamad; Hayati Saad, Nor; Kiyai Abas, Sunhaji; Mohd Shah, Noriyati

    2013-06-01

    Usage of protective coating for corrosion protection was on highly demand during the past decade; and thermal spray coating played a major part during that time. In recent years, the thermal arc spray coating becomes a popular coating. Many big players in oil and gas such as PETRONAS, EXXON MOBIL and SHELL in Malaysia tend to use the coating on steel structure as a corrosion protection. Further developments in coating processes, the devices, and raw materials have led to expansion of functional coatings and applications scope from conventional coating to specialized industries. It is widely used because of its ability to withstand high process temperature, offer advantages in efficiency, lower cost and acts as a corrosion protection. Previous research also indicated that the thermal arc spray offers better coating properties compared to other methods of spray. This paper reviews some critical area of thermal spray coating by discussing the process/parameter of thermal arc spray technology and quality control of coating. Coating performance against corrosion, wear and special characteristic of coating are also described. The field application of arc spray technology are demonstrated and reviewed.

  15. Are we ready for spray-on carbon nanotubes?

    Maynard, Andrew D

    2016-01-01

    Earlier this year, British sculptor, Anish Kapoor was given exclusive rights to use a new spray-on carbon nanotube-based paint. The material, produced by UK-based Surrey NanoSystems and marketed as Vantablack S-VIS, can be applied to a range of surfaces, and absorbs well over 99% of the light that falls onto it. It is claimed to be the world's blackest paint, and there is growing interest in its use in works of art and high-end consumer products. It's easy to see the appeal of Vantablack S-VIS. Apart from technical applications where stray reflections need to be suppressed, this is a material that potentially enables manufacturers and artists to give their products a unique aesthetic edge. Yet, having worked on carbon nanotube safety for some years, I was intrigued to see the material in a spray-paint designed to coat objects that people may possibly come into contact with. It was, after all, only a few years ago that journalists were asking if carbon nanotubes were the next asbestos. And while this is unlike...

  16. Electrophoretic painting on AZ31 Mg alloy pretreated in cerium conversion coating solutions prepared in ethanol-water mixtures

    Van Phuong, Nguyen; Fazal, Basit Raza; Moon, Sungmo

    2017-01-01

    Electrophoretic painting (E-paint) was prepared on AZ31 Mg alloy samples pretreated in cerium conversion coating (CeCC) solutions with various ratios of ethanol and water mixture and its characteristics, adhesion and corrosion resistance were investigated. It was found that CeCC formed on AZ31 Mg alloy in a CeCC solution without ethanol was partly cracked structure and mainly consisted of Mg(OH)2/MgO, which exhibited weak adhesion with E-painting layer after water immersion test, and low corrosion resistance, as indicated by rapid formation of blisters and paint delamination during salt spray test. The addition of ethanol promoted the growth of a fine nano-crystalline CeO2 layer over the entire substrate surface. The E-paint on AZ31 pretreated in the CeCC solutions with addition of ethanol showed also improved corrosion resistance, as represented by the delayed time for paint delamination and blister formation. The E-paint layers on the CeCC layers formed in solutions containing 50-80 vol% ethanol showed stronger adhesion and better corrosion resistance than those formed on the samples treated in a non-ethanol containing CeCC solution.

  17. Mural Painting as Inclusive Art Learning Experience

    Ho, Kong

    2010-01-01

    Traditional art education, like other academic disciplines, emphasizes competitiveness and individualism. Through a mural painting curriculum, learners participate in mural art and history appreciation, are active in mural theme or content construction, and engage in hands-on mural design and painting processes. When mural paintings are produced…

  18. Enhanced multifunctional paint for detection of radiation

    Farmer, Joseph C.; Moses, Edward Ira; Rubenchik, Alexander M.

    2017-03-07

    An enhanced multifunctional paint apparatus, systems, and methods for detecting radiation on a surface include providing scintillation particles; providing an enhance neutron absorptive material; providing a binder; combining the scintillation particles, the enhance neutron absorptive material, and the binder creating a multifunctional paint; applying the multifunctional paint to the surface; and monitoring the surface for detecting radiation.

  19. Stop and Paint the Flowers.

    Phillips, Shelley

    2002-01-01

    Describes an art lesson where students used watercolors to paint a flower bouquet arranged in a vase. Explains that the students viewed examples of flower bouquets by artists such as Vincent van Gogh and Odilon Redon. Discusses, in detail, the process of creating the artworks. (CMK)

  20. Microclimate boxes for panel paintings

    Wadum, Jørgen

    1998-01-01

    The use of microclimate boxes to protect vulnerable panel paintings is, therefore, not a new phenomenon of the past two or three decades. Rather, it has been a concern for conservators and curators to protect these objects of art at home and in transit since the end of the nineteenth century. The...

  1. Desalination of painted brick vaults

    Larsen, Poul Klenz

    The subject of the thesis is salt and moisture movement that causes damage to wall paintings on church vaults. The deterioration was studied in the churches of Fanefjord, Kirkerup and Brarup. A desalination method was tested om location. The salt and moisture transfer was examined in detail...

  2. The Painting on the Wall

    Barbara Alfano

    2016-01-01

    Full Text Available This personal essay describes what influenced my development as a creative writer, in my childhood and adolescence. It delineates the effect on my imagination of family story-telling and of images—paintings and prints. I grew up in Italy, where I spent the first thirty years of my life.

  3. Paint the World with Light

    Gran, David

    2010-01-01

    Two classrooms on opposite sides of the world happened to be working on a very similar project at the same time. In both Shanghai, China, and Palm Springs, California, students were learning how to turn their flashlights and other light-emitting objects into paintbrushes. Light painting is a form of long-exposure photography in which the shutter…

  4. Zolmitriptan Nasal Spray

    ... a copy of the manufacturer's information for the patient.To use the nasal spray, follow these steps: ... used to treat certain types of migraine headaches (hemiplegic or basilar) or other types of headaches (such ...

  5. Budesonide Nasal Spray

    ... ingredients in budesonide nasal spray. Check the package label for a list of the ingredients.tell your doctor and pharmacist what prescription and nonprescription medications, vitamins, nutritional supplements, and herbal products you are taking or ...

  6. Fluticasone Nasal Spray

    ... ingredients in fluticasone nasal spray. Check the package label for a list of the ingredients.tell your doctor and pharmacist what prescription and nonprescription medications, vitamins, nutritional supplements, and herbal products you are taking, or ...

  7. 2001 spray program prospectus

    US Fish and Wildlife Service, Department of the Interior — This report summarizes weed control on Malheur National Wildlife Refuge in 2001. A total of 2,152 acres were sprayed. Pesticide application report records are...

  8. But when was it painted?

    Lundstad, E.; Woll, G.

    2009-04-01

    The Munch Museum, Oslo, Norway, is dedicated to the visual works of the famous Norwegian painter Edvard Munch (1863 - 1944). Edvard Munch was a symbolist, expressionist painter and printmaker from Oslo, Norway. He was regarded as the pioneer of the amazing Expressionist movement. His art work from the late 1800's is the most well known, but his later work is gradually attracting more attention and is quite an inspiration of many of today's artists. The Munch Museum catalogue for 2008 contains about 1700 paintings of which virtually very few have a precise date. Even when the artist has written the year on the painting itself, there may be a significant uncertainty about this date, and partly due to unclear writing making it difficult to interpret the numbers. This means that other sources need to be applied to verify an accurate date. The climatologist at the Norwegian Meteorological Institute can help dating paintings of Munch. E. g. the painting "Standing Woman with Arms Folded". The painting shows a woman in front of a hill with much snow. The location is almost certainty Grimsrød on Jeløya, a property Munch began renting on March 1, 1913. Jeløya is an island at the southeastcoast of Norway near the town Moss. Jeløya has usually not so much snow because it is near by the sea and windy. The last digit in the date is unclear and has been read as both '3' and '5'. The woman in the portrait, Ingeborg Kaurin, was Munch's model up to the beginning of 1915, so both dates are possible. The year written on the painting has been read as both 1913 and 1915, and since 1974 it has usually been interpreted as 1913 (Stenersensamlingen's catalogue 1974). In the project "But when was it painted?" disclose that it could be another year. One way to reconsider when a painting was painted is to study geophysical characteristics and consider historical observations of snow. The method that is used here is to study daily meteorological snow data from this period from the

  9. Sensors in Spray Processes

    Fauchais, P.; Vardelle, M.

    2010-06-01

    This paper presents what is our actual knowledge about sensors, used in the harsh environment of spray booths, to improve the reproducibility and reliability of coatings sprayed with hot or cold gases. First are described, with their limitations and precisions, the different sensors following the in-flight hot particle parameters (trajectories, temperatures, velocities, sizes, and shapes). A few comments are also made about techniques, still under developments in laboratories, to improve our understanding of coating formation such as plasma jet temperature measurements in non-symmetrical conditions, hot gases heat flux, particles flattening and splats formation, particles evaporation. Then are described the illumination techniques by laser flash of either cold particles (those injected in hot gases, or in cold spray gun) or liquid injected into hot gases (suspensions or solutions). The possibilities they open to determine the flux and velocities of cold particles or visualize liquid penetration in the core of hot gases are discussed. Afterwards are presented sensors to follow, when spraying hot particles, substrate and coating temperature evolution, and the stress development within coatings during the spray process as well as the coating thickness. The different uses of these sensors are then described with successively: (i) Measurements limited to particle trajectories, velocities, temperatures, and sizes in different spray conditions: plasma (including transient conditions due to arc root fluctuations in d.c. plasma jets), HVOF, wire arc, cold spray. Afterwards are discussed how such sensor data can be used to achieve a better understanding of the different spray processes, compare experiments to calculations and improve the reproducibility and reliability of the spray conditions. (ii) Coatings monitoring through in-flight measurements coupled with those devoted to coatings formation. This is achieved by either maintaining at their set point both in-flight and

  10. Order-fractal transitions in abstract paintings

    Calleja, E.M. de la, E-mail: elsama79@gmail.com [Instituto de Física, Universidade Federal do Rio Grande do Sul, Caixa Postal 15051, 91501-970, Porto Alegre, RS (Brazil); Cervantes, F. [Department of Applied Physics, CINVESTAV-IPN, Carr. Antigua a Progreso km.6, Cordemex, C.P.97310, Mérida, Yucatán (Mexico); Calleja, J. de la [Department of Informatics, Universidad Politécnica de Puebla, 72640 (Mexico)

    2016-08-15

    In this study, we determined the degree of order for 22 Jackson Pollock paintings using the Hausdorff–Besicovitch fractal dimension. Based on the maximum value of each multi-fractal spectrum, the artworks were classified according to the year in which they were painted. It has been reported that Pollock’s paintings are fractal and that this feature was more evident in his later works. However, our results show that the fractal dimension of these paintings ranges among values close to two. We characterize this behavior as a fractal-order transition. Based on the study of disorder-order transition in physical systems, we interpreted the fractal-order transition via the dark paint strokes in Pollock’s paintings as structured lines that follow a power law measured by the fractal dimension. We determined self-similarity in specific paintings, thereby demonstrating an important dependence on the scale of observations. We also characterized the fractal spectrum for the painting entitled Teri’s Find. We obtained similar spectra for Teri’s Find and Number 5, thereby suggesting that the fractal dimension cannot be rejected completely as a quantitative parameter for authenticating these artworks. -- Highlights: •We determined the degree of order in Jackson Pollock paintings using the Hausdorff–Besicovitch dimension. •We detected a fractal-order transition from Pollock’s paintings between 1947 and 1951. •We suggest that Jackson Pollock could have painted Teri’s Find.

  11. Measurements in liquid fuel sprays

    Chigier, N.

    1984-01-01

    Techniques for studying the events directly preceding combustion in the liquid fuel sprays are being used to provide information as a function of space and time on droplet size, shape, number density, position, angle of flight and velocity. Spray chambers were designed and constructed for: (1) air-assist liquid fuel research sprays; (2) high pressure and temperature chamber for pulsed diesel fuel sprays; and (3) coal-water slurry sprays. Recent results utilizing photography, cinematography, and calibration of the Malvern particle sizer are reported. Systems for simultaneous measurement of velocity and particle size distributions using laser Doppler anemometry interferometry and the application of holography in liquid fuel sprays are being calibrated.

  12. Development of spray coated cathodes for RITS-6.

    Simpson, Sean; Leckbee, Joshua J.; Miller, Stephen Samuel

    2013-09-01

    This report documents work conducted in FY13 to conduct a feasibility study on thermal spray coated cathodes to be used in the RITS-6 accelerator in an attempt to improve surface uniformity and repeatability. Currently, the cathodes are coated with colloidal silver by means of painting by hand. It is believed that improving the cathode coating process could simplify experimental setup and improve flash x-ray radiographic performance. This report documents the experimental setup and summarizes the results of our feasibility study. Lastly, it describes the path forward and potential challenges that must be overcome in order to improve the process for creating uniform and repeatable silver coatings for cathodes.

  13. Paint or color? Bursa example

    Habib, Susan; Cetinturk, Nihal

    2002-06-01

    While traditional/vernacular color scheme of a city in historical regions should be protected, changes in life style reflect on cityscapes in all ways, in which the role of new materials, paints, etc. cannot be denied. Lack of architectural and urban design studies in this field added to existing countless opportunities of new technology, with the strong desire to trying those by building owners, users and contractors have caused a chaotic situation in the use of color in cities; Bursa with its historical colorful background is no exception. All these form a trial and error phase, with painted or materials applied on surfaces without a sensitive touch to transform them to color. This must be taken in mind that color with its inherent power can bind past, present and future of the city and create an urban sense of place.

  14. Washi Painting Exchanges Promote Friendship

    Chuan; You

    2014-01-01

    <正>Invited by the Sichuan Provincial People’s Association for Friendship with Foreign Countries(SIFA),a washi painting exchange delegation headed by Umeko Iwai,President of Rainbow Society of Japan,a Hiroshima-based non-profit organization,visited Sichuan Province from November 3 to 5,2013.Rice paper was invented in China in ancient times.When the paper-making

  15. JIT Spraying and Mitigations

    Bania, Piotr

    2010-01-01

    With the discovery of new exploit techniques, novel protection mechanisms are needed as well. Mitigations like DEP (Data Execution Prevention) or ASLR (Address Space Layout Randomization) created a significantly more difficult environment for exploitation. Attackers, however, have recently researched new exploitation methods which are capable of bypassing the operating system’s memory mitigations. One of the newest and most popular exploitation techniques to bypass both of the aforementioned security protections is JIT memory spraying, introduced by Dion Blazakis. In this article we will present a short overview of the JIT spraying technique and also novel mitigation methods against this innovative class of attacks. An anti-JIT spraying library was created as part of our shellcode execution prevention system.

  16. Droplets and sprays

    Sazhin, Sergei

    2014-01-01

    Providing a clear and systematic description of droplets and spray dynamic models, this book maximises reader insight into the underlying physics of the processes involved, outlines the development of new physical and mathematical models, and broadens understanding of interactions between the complex physical processes which take place in sprays. Complementing approaches based on the direct application of computational fluid dynamics (CFD), Droplets and Sprays treats both theoretical and practical aspects of internal combustion engine process such as the direct injection of liquid fuel, subcritical heating and evaporation. Includes case studies that illustrate the approaches relevance to automotive applications,  it is also anticipated that the described models can find use in other areas such as in medicine and environmental science.

  17. Nasal spray flu vaccine (image)

    The flu vaccine can also be administered as a nasal spray instead of the usual injection method. It can be ... the recombinant influenza vaccine (RIV). The nasal spray flu vaccine (live attenuated influenza vaccine or LAIV) should not ...

  18. Conservation problems with paintings containing fluorescent layers of paint

    Stefanie De Winter

    2010-11-01

    Full Text Available L’artiste moderne cherche continuellement de nouvelles techniques. Des nouveaux matériaux tels que l’éponge, le polyester, le sable, etc. sont devenus courants. Ces développements amènent de nouveaux problèmes dans le domaine de la conservation (préventive des matériaux en question. Chaque matériau doit être analysé individuellement afin de préserver  le mieux possible l’intention de l’artiste à long terme. La présente recherche concerne des matériaux très récents: les pigments et les couleurs fluorescentes. Ces derniers n’ont fait leur apparition qu’au vingtième siècle. Pour cette raison les données concernant leur dégradation et leur conservation sont peu nombreuses. La majorité des tableaux fluorescents sont conçus pour être montrés sous éclairage UV. En cas de dommage, si l’œuvre a besoin d’être retouchée, ceci pose un grand problème esthétique. La retouche devient visible sous les lampes UV. La première partie de la recherche concerne la composition des différentes sortes de pigments et de peintures. Par la suite, les différentes causes de dégradation- lumière UV, chaleur, etc.- sont analysées en détail. Pour conclure, un possible remède est proposé.In modern art we can see that artists are breaking with traditional techniques. New materials like sponge, polyester, sand, etc. are being used. This causes a lot of new problems in the (preventive conservation of works containing these materials. Every material needs to be researched individually so the exact intention of the artist can be preserved for a (relatively long period. My research is about very recent materials: fluorescent pigments and paints. These only started to be used by artists from the 60’s. That's why there is not much information about their aging and ways to (preventively conserve them. A lot of fluorescent paintings are meant to be shown under UV-light. If a fluorescent painting has damage and needs to be retouched

  19. Ernst H. Gombrich on Abstract Painting

    Elisa Caldarola

    2015-11-01

    Full Text Available Ernst H. Gombrich criticized abstract painting with several remarks scattered around his wide oeuvre. I argue that his view of abstract paintings is coherent with the account of pictorial representation he put forward in Art and Illusion, show some limits of such view, and maintain that, although several of Gombrich’s criticisms of abstract painting should be rejected, some of his remarks are insightful and worth of consideration.

  20. Ernst H. Gombrich on Abstract Painting

    Elisa Caldarola

    2015-01-01

    Ernst H. Gombrich criticized abstract painting with several remarks scattered around his wide oeuvre. I argue that his view of abstract paintings is coherent with the account of pictorial representation he put forward in Art and Illusion, show some limits of such view, and maintain that, although several of Gombrich’s criticisms of abstract painting should be rejected, some of his remarks are insightful and worth of consideration.

  1. The magnetic imaging of oil paintings

    Ribeiro, P Costa [Department of Physics, PUC-Rio, R. Marques de Sao Vicente 225, 22453-900 Rio de Janeiro, RJ (Brazil); Barros, H Lins de [CBPF, R. Xavier Sigaud 150, 22290-180 Rio de Janeiro, RJ (Brazil); Portinari, J C [Projeto Portinari, PUC-Rio, R. Marques de Sao Vicente 225, 22453-900 Rio de Janeiro, RJ (Brazil); Wolff, C S [Department of Physics, PUC-Rio, R. Marques de Sao Vicente 225, 22453-900 Rio de Janeiro, RJ (Brazil); Kafensztok, S M [Department of Physics, PUC-Rio, R. Marques de Sao Vicente 225, 22453-900 Rio de Janeiro, RJ (Brazil); Carvalho, H R [Department of Physics, PUC-Rio, R. Marques de Sao Vicente 225, 22453-900 Rio de Janeiro, RJ (Brazil); Acosta-Avalos, D [IP and D-UNIVAP, Av. Shihima Hifumi 2911, 12244-000 Sao Jose dos Campos, SP (Brazil); Symko, O G [Department of Physics, University of Utah, 84112 UT (United States); Bruno, A C [Department of Physics, PUC-Rio, R. Marques de Sao Vicente 225, 22453-900 Rio de Janeiro, RJ (Brazil)

    2004-06-01

    We propose a new technique for authentication of oil paintings, using a scanning SQUID technique to measure its magnetic field. The paintings are pre-magnetized in an homogeneous field of 100 G. It was observed that the response depends on the ferromagnetic properties of each paint independent of its colour. This shows that a magnetic image could be used as a magnetic signature for authentication purposes. (rapid communication)

  2. The Transdisciplinary Potential of Remediated Painting

    Petersen, Anne Ring

    2010-01-01

    the limitations of dialogic intermedia into the field of transdisciplinary aesthetics. In support of my argument, I turn to the concept of remediation as it was first applied in new media theory by Jay David Bolter and Richard Grusin. The ambition is to develop an apprehension of painting not as an artistic...... that the transformation of the discipline of painting into an expanded field has not only liberated painting from its ties to its traditional repertoire of materials and modes of representation. It has also released a tremendous potential for image making that takes painting as a point of departure but moves beyond...

  3. Order-Fractal transition in abstract paintings

    De la Calleja, E. M.; Cervantes, F.; De la Calleja, J.

    2015-01-01

    We report the degree of order of twenty-two Jackson Pollock's paintings using \\emph{Hausdorff-Besicovitch fractal dimension}. Through the maximum value of each multi-fractal spectrum, the artworks are classify by the year in which they were painted. It has been reported that Pollock's paintings are fractal and it increased on his latest works. However our results show that fractal dimension of the paintings are on a range of fractal dimension with values close to two. We identify this behavio...

  4. 49 CFR 173.173 - Paint, paint-related material, adhesives, ink and resins.

    2010-10-01

    ... resins. 173.173 Section 173.173 Transportation Other Regulations Relating to Transportation PIPELINE AND... Than Class 1 and Class 7 § 173.173 Paint, paint-related material, adhesives, ink and resins. (a) When..., paint-related material, adhesives, ink and resins must be packaged as follows: (1) As prescribed...

  5. Very Low Volatile Organic Compound Spray Application Process for Iron Filled Elastomeric Coatings

    2006-05-31

    painting industry (aircraft, furniture, and automotive), the consumer product industry ( deodorants , hair sprays, topical anesthetics and antiseptics...Pro-Engineer software module. The atomizer is constructed primarily out of aluminum . The atomizer has a top plate which is interchangeable for...and liquid is fed through the inner tube. The inner tube is constructed out of brass. All other parts of the atomizer are made with aluminum

  6. Melody of Autumn (oil painting)

    1997-01-01

    Perhaps because of the nature of a woman, I take great interest in painting flowers and plants. But the difference is I prefer instead of the blooming flowers the dry flowers surviving the blossom. The dry cockscomb, sunflower, lotus and the wild flowers whose names I don’t know can always remind me of past stories. In recent years, my dried flawers have been displayed at exhibitions both at home and abroad and won appraisal and the top prize at the 1995 Eighth National Arts Exhibition. Some works have been collected by the China Art Gallery and private collectors from Hang Kong, Singapore, Taiwan and Europe.

  7. A Modified BP Based Model of Thickness Growth of Film Sprayed with Painting Robot%基于优化 BP 算法的涂装机器人喷涂漆膜厚度成长模型的研究

    杨连生; 李爱平; 祁国栋; 罗曦; 刘雪梅

    2016-01-01

    A specialized experiment platform was established and the orthogonal experiment design with the scheme of 3 factors and 5 levels was used to develop a film thickness growth model in robotically-applied painting process applied in shipbuilding industry. BP algorithm was used to train the data obtained. Levenberg-Marquardt Algorithm (LM-BP), Bayesian regularization (BR-BP), and Genetic Algorithm (GA), Particle Swarm Optimization Algorithm (PSO) was used to training weights and bias values in the BP network. By Comparing training precision, validation precision, test precision, running time and iteration times comprehensively, it is concluded that optimization by LM-BP is the best among the methods mentioned above.%为了建立用于涂装机器人喷涂的船体漆膜厚度成长模型,搭建了专门的试验平台。根据正交试验方法设计三因素五水平试验方案,运用 BP 算法来训练已获取的数据,分别采用莱温伯格-麦夸特算法(LM-BP)和贝叶斯算法(BR-BP)对训练函数进行优化,采用遗传算法(GA)和粒子群算法(PSO)对权值、阈值进行优化。通过对比训练精度、验证精度、测试精度、运算时间以及迭代次数,确定采用 GA-LM 联合优化 BP算法得出的涂装机器人喷涂漆膜厚度成长模型,以满足涂装机器人喷涂船体漆膜厚度控制的质量要求。

  8. Monitoring temperature and pressure over surfaces using sensitive paints

    Guerrero-Viramontes, J. Ascención; Moreno Hernández, David; Mendoza Santoyo, Fernando; Morán Loza, José Miguel; García Arreola, Alicia

    2007-03-01

    Two techniques for monitoring temperature and pressure variations over surfaces using sensitive paints are presented. The analysis is done by the acquisition of a set of images of the surface under analysis. The surface is painted by a paint called Pressure Sensitive Paint (PSP) for pressure measurements and Temperature Sensitive Paints (TSP) for temperature measurements. These kinds of paints are deposited over the surface under analysis. The recent experimental advances in calibration process are presented in this paper.

  9. Spray Technique: Tracing the Sketch Traditions of Limestone Cave in Lenggong, Perak”

    Yahaya Fatan Hamamah

    2015-01-01

    Full Text Available Archaeological research provides the widest opportunity for researchers to analyse various aspects and disciplines appropriate to the subject and the object of choice. Subject and object selection is the work of exploration artefacts found in particular sites and archaeological heritage. Exploration and excavation on of a world heritage site such as Lenggong enables researchers to uncover various archaeological artefacts that are rich and meaningful. To find evidence of the strength and benefits of an artefact, further studies on each artefact should be carried out continuously. This essay will track the wisdom of the ancient artists use to produce paintings in a limestone cave in Lenggong, Perak, using spray techniques. Some artefacts that are identified as cave paintings show a very interesting sketch technique that are unique and special. This essay will also examine some of the cave paintings in other caves in Perak and also other caves in several countries as comparison. Studies involving cave paintings in Malaysia are new compared to Western countries. Thus, the study of one of the technique which is spray technique can open the eyes of the audience to acknowledge and recognise the ancient heritage. It also hoped that this study is able to increase the body of knowledge that goes beyond the boundaries of the arts district and the country.

  10. Selective paint coatings for coloured solar absorbers: Polyurethane thickness insensitive spectrally selective (TISS) paints (Part II)

    Orel, B.; Spreizer, H.; Surca Vuk, A.; Fir, M. [National Institute of Chemistry, Hajdrihova 19, SI-1000 Ljubljana (Slovenia); Merlini, D.; Vodlan, M. [Color d.d., Cesta komandanta Staneta 4, SI-1230 Medvode (Slovenia); Koehl, M. [Fraunhofer-Institute for Solar Energy Systems ISE, Heidenhofstr. 2, D-79110 Freiburg (Germany)

    2007-01-23

    Red, green and blue paints were prepared for use as thickness insensitive spectrally selective (TISS) paint coatings for solar facade absorbers. The paints were composed of a polyurethane resin binder in which various pigments were incorporated in such a way that they formed stable paint dispersions, satisfying stability criteria for facade coatings. A low emittance of the paints was achieved by using low-emittance aluminium flake pigments combined with iron oxide (red coloured paints). Black pigment was added to adjust solar absorptance. Blue and green paints were made by the addition of coloured aluminium flake pigment and the solar absorptance was also adjusted by the addition of black pigment. Efficiency for photo-thermal conversion of solar radiation was assessed by evaluation of the corresponding performance criteria, which enabled the selection of paints whose performance criteria values were higher than 0 (spectrally non-selective black coating). The results confirmed that blue and green paints and to minor extent red ones, combined selectivity with colour. The morphology of the paints was assessed, revealing that the colours originated from the deposition of finely dispersed colour and/or black pigment on the surface of the aluminium flakes during paint preparation. (author)

  11. Painting with Clay Van Gogh Style.

    Skophammer, Karen

    1999-01-01

    Discusses Vincent Van Gogh's painting "Starry Night" and describes a lesson where fifth- and sixth-grade students created their own version of the artwork. Explains that the students utilized four colors of Permoplast clay, using their hands and fingers as brushes and blending tools and the clay as paint. (CMK)

  12. THz reflectometric imaging of medieval wall paintings

    Dandolo, Corinna Ludovica Koch; Jepsen, Peter Uhd

    2013-01-01

    Terahertz time-domain reflectometry has been applied to the investigation of a medieval Danish wall painting. The technique has been able to detect the presence of carbonblack layer on the surface of the wall painting and a buried insertion characterized by high reflectivity values has been found...

  13. Mural paintings deterioration – a multianalytical approach

    Rosado, T; J. Mirão; Candeias, A J; Caldeira, A. T.

    2015-01-01

    This work presents a novel microanalytical approach in the mural paintings microbial diversity characterisation and identification of the damages promoted by their biological activity. Mortar microfragments, removed from visually biodegraded mural paintings, were analysed by several microscopic/spectroscopy techniques: variable pressure scanning electron microscopy coupled with energy dispersive X-ray spectrometry (VP-SEM-EDS), raman microspectrometry and infrared spectrometry in ...

  14. Digital color restoration of old paintings.

    Pappas, M; Pitas, I

    2000-01-01

    Physical and chemical changes can degrade the visual color appearance of old paintings. Five digital color restoration techniques, which can be used to simulate the original appearance of paintings, are presented. Although a small number of color samples is employed in the restoration procedure, simulation results indicate that good restoration quality can be attained.

  15. Detecting Corrosion Under Paint and Insulation

    Bastin, Gary L.

    2011-01-01

    Corrosion is a major concern at the Kennedy Space Center in Florida due to the proximity of the center to the Atlantic Ocean and to salt water lagoons. High humidity, salt fogs, and ocean breezes, provide an ideal environment in which painted steel structures become corroded. Maintenance of painted steel structures is a never-ending process.

  16. Painted Beauties-East and West

    VALERIE SARTOR

    2010-01-01

    @@ "Chinese painting, specifi-cally painting with ink or watercolors, has a different perspective from the way Western artists create images:" said my friend Ting Ting. She's a professional editor and she loves classical Chinese art. Ting Ting often invites me to attend gallery openings around Beijing.

  17. Zhang Qing and His Meticulous Chinese Paintings

    JULIE; M.SEGRAVES

    2002-01-01

    ZHANG Qing was initially drawn to the bird and flower paint-ings of the Tang and Song dynasties (7th-12th centuries). Later,Qing Dynasty (1644-1911) artist Ren Bonian, famous for hispaintings of figures, also became an important influence.Although Zhang Qing considers his style to be firmly rooted in tradi-

  18. Structural color painting by rubbing particle powder.

    Park, ChooJin; Koh, Kunsuk; Jeong, Unyong

    2015-02-09

    Structural colors originate from purely physical structures. Scientists have been inspired to mimic the structures found in nature, the realization of these structures still presents a great challenge. We have recently introduced unidirectional rubbing of a dry particle powder on a rubbery surface as a quick, highly reproducible means to fabricate a single crystal monolayer assembly of particles over an unlimited area. This study extends the particle-rubbing process to a novel fine-art painting, structural color painting (SCP). SCP is based on structural coloring with varying iridescence according to the crystal orientation, as controlled by the rubbing direction. This painting technique can be applied on curved surfaces, which enriches the objects to be painted and helps the painter mimic the structures found in nature. It also allows for quick fabrication of complicated particle-assembly patterns, which enables replication of paintings.

  19. Subsurface Raman analysis of thin painted layers.

    Conti, Claudia; Colombo, Chiara; Realini, Marco; Zerbi, Giuseppe; Matousek, Pavel

    2014-01-01

    Here we present, for the first time, an extension of spatially offset Raman spectroscopy to thin (tens of micrometers thick), highly turbid stratified media such as those encountered in paintings. The method permits the non-destructive interrogation of painted layers in situations where conventional Raman microscopy is not applicable due to high turbidity of the top layer(s). The concept is demonstrated by recovering the pure Raman spectra of paint sub-layers that are completely obscured by paint over-layers. Potential application areas include the analysis of paintings in art preservation and restoration avoiding the cross-sectional analysis used currently with this type of samples. The technique also holds promise for the development as a non-destructive subsurface tool for in situ analysis using portable instruments.

  20. Structural Color Painting by Rubbing Particle Powder

    Park, Choojin; Koh, Kunsuk; Jeong, Unyong

    2015-02-01

    Structural colors originate from purely physical structures. Scientists have been inspired to mimic the structures found in nature, the realization of these structures still presents a great challenge. We have recently introduced unidirectional rubbing of a dry particle powder on a rubbery surface as a quick, highly reproducible means to fabricate a single crystal monolayer assembly of particles over an unlimited area. This study extends the particle-rubbing process to a novel fine-art painting, structural color painting (SCP). SCP is based on structural coloring with varying iridescence according to the crystal orientation, as controlled by the rubbing direction. This painting technique can be applied on curved surfaces, which enriches the objects to be painted and helps the painter mimic the structures found in nature. It also allows for quick fabrication of complicated particle-assembly patterns, which enables replication of paintings.

  1. Characterization and Optimization of Polymer-Ceramic Pressure-Sensitive Paint by Controlling Polymer Content

    Hitoshi Ishikawa

    2011-07-01

    Full Text Available A pressure-sensitive paint (PSP with fast response characteristics that can be sprayed on a test article is studied. This PSP consists of a polymer for spraying and a porous particle for providing the fast response. We controlled the polymer content (% from 10 to 90% to study its effects on PSP characteristics: the signal level, pressure sensitivity, temperature dependency, and time response. The signal level and temperature dependency shows a peak in the polymer content around 50 to 70%. The pressure sensitivity was fairly constant in the range between 0.8 and 0.9 %/kPa. The time response is improved by lowering the polymer content. The variation of the time response is shown to be on the order of milliseconds to ten seconds. A weight coefficient is introduced to optimize the resultant PSPs. By setting the weight coefficient, we can optimize the PSP for sensing purposes.

  2. Numerical modelling of fuel sprays

    Bergstroem, C.

    1999-06-01

    The way the fuel is introduced into the combustion chamber is one of the most important parameters for the power output and the generation of emissions in the combustion of liquid fuels. The interaction between the turbulent gas flow field and the liquid fuel droplets, the vaporisation of them and the mixing of the gaseous fuel with the ambient air that are vital parameters in the combustion process. The use of numerical calculations is an important tool to better understand these complex interacting phenomena. This thesis reports on the numerical modelling of fuel sprays in non-reacting cases using an own developed spray module. The spray module uses the stochastic parcel method to represent the spray. The module was made in such manner that it could by coupled with different gas flow solver. Results obtained from four different gas flow solvers are presented in the thesis, including the use of two different kinds of turbulence models. In the first part the spray module is coupled with a k-{eta} based 2-D cylindrical gas flow solver. A thorough sensitivity analysis was performed on the spray and gas flow solver parameters, such as grid size dependence and sensitivity to initial values of k-{eta}. The results of the spray module were also compared to results from other spray codes, e.g. the well known KIVA code. In the second part of this thesis the spray was injected into a turbulent and fully developed crossflow studied. The spray module was attached to a LES (Large Eddy Simulation) based flow solvers enabling the study of the complex structures and time dependent phenomena involved in spray in crossflows. It was found that the spray performs an oscillatory motion and that the Strouhal number in the wake was about 0.1. Different spray breakup models were evaluated by comparing with experimental results 66 refs, 56 figs

  3. Plasma Spray Forming

    2002-01-01

    In the course of plasma spray, the plasma jet is comprehensively functioned by such effects as thermal pinch, magnetic pinch and mechanical compression and the flow is jetting at a high speed, the energy is concentrated and its center temperature is so high as to reach upwards of 15 000 ℃ which is capable of melting various kinds of materials inclusive of ceramic, it has a broad applied prospects in the fields of automobile, electronics, telecommunications, medical treatment, air navigation & space navigati...

  4. Combustion Characteristics of Sprays

    1989-08-01

    regarded by implication or otherwise, or in any way licensing the holder or any other person or corporation, or conveying any rights or permission to...00 _’N 1. TI TLE inctuat Security CZaaafication5 Combustion Characteristics of Sprays 12. PERSONAL AUTHOR(S) Sohrab, Siavash H. 13& TYPE OF REPORT...to ?!HF of rich butane/air 3unsen flames. .lso, the rotacion speed and :he oerodic temDeracure fluc:uations of rotacfng ?HF are examined. :’!naily

  5. Fundamental studies of spray combustion

    Li, S.C.; Libby, P.A.; Williams, F.A. [Univ. of California, San Diego, CA (United States)

    1997-12-31

    Our research on spray combustion involves both experiment and theory and addresses the characteristics of individual droplets and of sprays in a variety of flows: laminar and turbulent, opposed and impinging. Currently our focus concerns water and fuel sprays in two stage laminar flames, i.e., flames arising, for example from a stream of fuel and oxidizer flowing opposite to an air stream carrying a water spray. Our interest in these flames is motivated by the goals of reducing pollutant emissions and extending the range of stable spray combustion. There remains considerable research to be carried out in order to achieve these goals. Thus far our research on the characteristics of sprays in turbulent flows has been limited to nonreacting jets impinging on a plate but this work will be extended to opposed flows with and without a flame. In the following we discuss details of these studies and our plans for future work.

  6. Tomographic shadowgraphy for spray diagnostics

    Klinner, Joachim; Willert, Christian

    2011-01-01

    This contribution introduces 3-D shadowgraphy which is capable of resolving the placement of the liquid phase within a certain spray volume both spatially and temporally. The method is based on a multiple view camera setup and inline illumination provided by current pulsed LEDs. The quality of spray reconstruction was investigated using experimental data from multiple view shadowgraphs of hollow cone and flat fan water sprays. After calibration and determination of a 3-D mapping f...

  7. KLIMT, FROM PAINTING TO FASHION

    URDEA Olimpia

    2015-05-01

    Full Text Available Fashion has been a subject for most fields of art, starting from visual arts to cinema and literature. The metamorphoses of fashion, an art in itself, are under the sign of history that marked the social during the evolution of humanity. The present paper makes a reference to the links between fashion and Klimt’s work. Klimt proved to be a visionary by means of his visual, unique and unmistakable signature concerning the way he treated the clothed woman. As he worshipped the female body, he portrayed it, reflecting the fashion style of an era that was meant to be renewed. His work, strongly influenced by feminine values, became conspicuous as a manifesto against the rigidity of the Viennese society in the late nineteenth century and early twentieth century. The modernity of Klimt’s vision generated the metamorphosis of the woman model, from the corseted woman until that time, and not only in terms of fashion, to the freed woman, using the metaphorical instruments of his art. The artist’s complex creativity helps us find him in four different situations, all in close connection with fashion art: the painter Klimt, who portrays woman who shows herself by showing her garment; the fashion designer Klimt who suggests outfits for his collaborator, Emilie Flöge, remoulding the dress as a clothing item; the fashion photographer from the photographs of Emilie Flöge wearing his creations; and, indirectly, by his paintings from the cycle Women, which had a powerful impact on contemporary fashion. Such a complex, visionary creator, whose painting and fashion interfere, is worth mentioning for his contribution to the fashion art avatars.

  8. Degradation of insecticides used for indoor spraying in malaria control and possible solutions

    2011-01-01

    Background The insecticide dichloro-diphenyl-trichloroethane (DDT) is widely used in indoor residual spraying (IRS) for malaria control owing to its longer residual efficacy in the field compared to other World Health Organization (WHO) alternatives. Suitable stabilization to render these alternative insecticides longer lasting could provide a less controversial and more acceptable and effective alternative insecticide formulations than DDT. Methods This study sought to investigate the reasons behind the often reported longer lasting behaviour of DDT by exposing all the WHO approved insecticides to high temperature, high humidity and ultra-violet light. Interactions between the insecticides and some mineral powders in the presence of an aqueous medium were also tested. Simple insecticidal paints were made using slurries of these mineral powders whilst some insecticides were dispersed into a conventional acrylic paint binder. These formulations were then spray painted on neat and manure coated mud plaques, representative of the material typically used in rural mud houses, at twice the upper limit of the WHO recommended dosage range. DDT was applied directly onto mud plaques at four times the WHO recommended concentration and on manure plaques at twice WHO recommended concentration. All plaques were subjected to accelerated ageing conditions of 40°C and a relative humidity of 90%. Results The pyrethroids insecticides outperformed the carbamates and DDT in the accelerated ageing tests. Thus UV exposure, high temperature oxidation and high humidity per se were ruled out as the main causes of failure of the alternative insecticides. Gas chromatography (GC) spectrograms showed that phosphogypsum stabilised the insecticides the most against alkaline degradation (i.e., hydrolysis). Bioassay testing showed that the period of efficacy of some of these formulations was comparable to that of DDT when sprayed on mud surfaces or cattle manure coated surfaces. Conclusions

  9. Degradation of insecticides used for indoor spraying in malaria control and possible solutions

    Massinga Pedro

    2011-10-01

    Full Text Available Abstract Background The insecticide dichloro-diphenyl-trichloroethane (DDT is widely used in indoor residual spraying (IRS for malaria control owing to its longer residual efficacy in the field compared to other World Health Organization (WHO alternatives. Suitable stabilization to render these alternative insecticides longer lasting could provide a less controversial and more acceptable and effective alternative insecticide formulations than DDT. Methods This study sought to investigate the reasons behind the often reported longer lasting behaviour of DDT by exposing all the WHO approved insecticides to high temperature, high humidity and ultra-violet light. Interactions between the insecticides and some mineral powders in the presence of an aqueous medium were also tested. Simple insecticidal paints were made using slurries of these mineral powders whilst some insecticides were dispersed into a conventional acrylic paint binder. These formulations were then spray painted on neat and manure coated mud plaques, representative of the material typically used in rural mud houses, at twice the upper limit of the WHO recommended dosage range. DDT was applied directly onto mud plaques at four times the WHO recommended concentration and on manure plaques at twice WHO recommended concentration. All plaques were subjected to accelerated ageing conditions of 40°C and a relative humidity of 90%. Results The pyrethroids insecticides outperformed the carbamates and DDT in the accelerated ageing tests. Thus UV exposure, high temperature oxidation and high humidity per se were ruled out as the main causes of failure of the alternative insecticides. Gas chromatography (GC spectrograms showed that phosphogypsum stabilised the insecticides the most against alkaline degradation (i.e., hydrolysis. Bioassay testing showed that the period of efficacy of some of these formulations was comparable to that of DDT when sprayed on mud surfaces or cattle manure coated

  10. Occupational risk assessment of paint industry workers

    Hugo M de Oliveira

    2011-01-01

    Full Text Available Background: Thousands of chemical compounds are used in paint products, like pigments, extenders, binders, additives, and solvents (toluene, xylene, ketones, alcohols, esters, and glycol ethers. Paint manufacture workers are potentially exposed to the chemicals present in paint products although the patterns and levels of exposure to individual agents may differ from those of painters. The aim of the present study was to evaluate genome damage induced in peripheral blood lymphocytes and oral mucosa cells of paint industry workers. Materials and Methods: Genotoxicity was evaluated using the alkaline Comet assay in blood lymphocytes and oral mucosa cells, and the Micronucleus test in oral mucosa cells. For the micronucleus test in exfoliated buccal cells, no significant difference was detected between the control and paint industry workers. Results: The Comet assay in epithelia buccal cells showed that the damage index (DI and damage frequency (DF observed in the exposed group were significantly higher relative to the control group ( P≤0.05. In the same way, the Comet assay data in peripheral blood leukocytes showed that both analysis parameters (DI and DF were significantly greater than that for the control group ( P≤0.05. Conclusions: Chronic occupational exposure to paints may lead to a slightly increased risk of genetic damage among paint industry workers.

  11. Nanjing Children’s Painting & Calligraphy Association

    1996-01-01

    THE Nanjing Children’s Painting and Calligraphy Association,founded in 1982,is an organization engaged in the training, composition.exhibition and exchange of children’s painting and calligraphy.The association boasts a group of prestigious painters and calligraphers at home and abroad as its consultants,its membership exceeding 400.The Nanjing Children’s Painting and Calligraphy Association has had a collection of over 6,000 art works attend exhibitions held in more than 30 countries and regions worldwide.

  12. 24 CFR 35.135 - Use of paint containing lead.

    2010-04-01

    ... 24 Housing and Urban Development 1 2010-04-01 2010-04-01 false Use of paint containing lead. 35... Urban Development LEAD-BASED PAINT POISONING PREVENTION IN CERTAIN RESIDENTIAL STRUCTURES General Lead-Based Paint Requirements and Definitions for All Programs. § 35.135 Use of paint containing lead....

  13. 24 CFR 3280.814 - Painting of wiring.

    2010-04-01

    ... wires, as the color coding may be obliterated by the paint. ... 24 Housing and Urban Development 5 2010-04-01 2010-04-01 false Painting of wiring. 3280.814... Painting of wiring. During painting or staining of the manufactured home, it shall be permitted to...

  14. Edge-Based Shading as a Depth Cue in Paintings

    Venderbosch, M. E.; van Doorn, Andrea J; Koenderink, Jan J; te Pas, Susan F

    2015-01-01

    We explored how an artist who uses a particular monochrome modern painting style generates the impression of relief in paintings. Three portraits, painted after model, were created especially for the experiment. Photographs of the paintings were presented on a computer screen. To investigate the per

  15. Plasma spraying system with distributed controlling

    李春旭; 陈克选; 张成

    2003-01-01

    A distributed control system is designed for plasma spraying equipment and the configurations of system software and hardware is discussed. Through founding an expert database, the spraying process parameters are worked out and the initialization and control of spraying process are realized. The plasma spraying system with this control configuration can simplify the spraying operation, improve automation level of spray process, and approach the experience criterion as soon as possible.

  16. Microplasma sprayed hydroxyapatite coatings

    Dey, Arjun

    2015-01-01

    ""This unique book on development of microplasma sprayed HAp coating has been organized in a very compact yet comprehensive manner. This book also highlights the horizons of future research that invites the attention of global community, particularly those in bio-medical materials and bio-medical engineering field. This book will surely act as a very useful reference material for both graduate/post-graduate students and researchers in the field of biomedical, orthopedic and manufacturing engineering and research. I truly believ that this is the first ever effort which covers almost all the

  17. Standard Operating Procedure for the Preparation of Lead-Containing Paint Films and Lead-in-Paint Diagnostic Test Materials

    This SOP describes the preparation of stand-alone, lead paint films, prepared according to the old paint recipes. Further, this SOP describes the use of these paint films for the preparation of simulated old paints on a variety of substrates. Substrates used included wood, stee...

  18. Terahertz imaging for non-destructive evaluation of mural paintings

    Jackson, J. B.; Mourou, M.; Whitaker, J. F.; Duling, I. N.; Williamson, S. L.; Menu, M.; Mourou, G. A.

    2008-02-01

    The feasibility of applying time-domain, terahertz spectroscopic imaging to the evaluation of underdrawings and paint layers embedded within wall paintings is demonstrated. Metallic and dielectric paint patterns and a graphite drawing are resolved through both paint and plaster overlayers using a pulsed-terahertz reflectometer and imaging system. We calculated the bulk refractive indices of four common pigments and used them to confirm color domains in a terahertz-beam spectral image of a painting.

  19. Spray algorithm without interface construction

    Al-Kadhem Majhool, Ahmed Abed; Watkins, A. P.

    2012-05-01

    This research is aimed to create a new and robust family of convective schemes to capture the interface between the dispersed and the carrier phases in a spray without the need to build up the interface boundary. The selection of the Weighted Average Flux (WAF) scheme is due to this scheme being designed to deal with random flux scheme which is second-order accurate in space and time. The convective flux in each cell face utilizes the WAF scheme blended with Switching Technique for Advection and Capturing of Surfaces (STACS) scheme for high resolution flux limiters. In the next step, the high resolution scheme is blended with the WAF scheme to provide the sharpness and boundedness of the interface by using switching strategy. In this work, the Eulerian-Eulerian framework of non-reactive turbulent spray is set in terms of theoretical proposed methodology namely spray moments of drop size distribution, presented by Beck and Watkins [1]. The computational spray model avoids the need to segregate the local droplet number distribution into parcels of identical droplets. The proposed scheme is tested on capturing the spray edges in modelling hollow cone sprays without need to reconstruct two-phase interface. A test is made on simple comparison between TVD scheme and WAF scheme using the same flux limiter on convective flow hollow cone spray. Results show the WAF scheme gives a better prediction than TVD scheme. The only way to check the accuracy of the presented models is by evaluating the spray sheet thickness.

  20. Paintings in Atlantic Megalithic Art: Barnenez

    Bueno Ramírez, Primitiva; de Balbín Behrmann, Rodrigo; Laporte, Luc; Gouezin, Philippe; Barroso Bermejo, Rosa; Hernanz Gismero, Antonio; Gavira-Vallejo, José M.; Iriarte Cela, Mercedes

    2012-01-01

    The use of technique is usually considered in European megalithic art as an indicator of the level of culture sophistication attained by a particular community. Traditionally, it was considered that only the Iberian Peninsula is home to painted dolmens. The analysis of chamber H of the Barnenez tumulus together with some information scattered over the continent, prove that painting was part of the graphic programs in the most archetypal Atlantic sites, such as Brittany. A highly rewarding pan...

  1. IDENTIFICATION OF BACTERIA IN LATEX PAINTS

    Rojas, J.

    2008-01-01

    Full Text Available The bacteria are prokaryote organisms with a high capacity to colonize many types of habits. This research was developed with the object to identify extremophiles bacteria presents in latex paint. The bacteria were cultivated in culture mediums TSA, Blood Agar, Mc Conkey and finally the biochemical proof API-NF® for bacteria's isolation and identification, respectively. Characterization showed bacterial profile of Pasteurella sp. Hypothesis that could be found extremophiles bacteria in latex paint were demonstrated.

  2. A quantitative approach to painting styles

    Vieira, Vilson; Fabbri, Renato; Sbrissa, David; da Fontoura Costa, Luciano; Travieso, Gonzalo

    2015-01-01

    This research extends a method previously applied to music and philosophy (Vilson Vieira et al., 2012), representing the evolution of art as a time-series where relations like dialectics are measured quantitatively. For that, a corpus of paintings of 12 well-known artists from baroque and modern art is analyzed. A set of 99 features is extracted and the features which most contributed to the classification of painters are selected. The projection space obtained provides the basis to the analysis of measurements. These quantitative measures underlie revealing observations about the evolution of painting styles, specially when compared with other humanity fields already analyzed: while music evolved along a master-apprentice tradition (high dialectics) and philosophy by opposition, painting presents another pattern: constant increasing skewness, low opposition between members of the same movement and opposition peaks in the transition between movements. Differences between baroque and modern movements are also observed in the projected "painting space": while baroque paintings are presented as an overlapped cluster, the modern paintings present minor overlapping and are disposed more widely in the projection than the baroque counterparts. This finding suggests that baroque painters shared aesthetics while modern painters tend to "break rules" and develop their own style.

  3. Implicit and explicit features of paintings.

    Marković, Slobodan; Radonjić, Ana

    2008-01-01

    Implicit features of the paintings are properties that are imposed by the observer (e.g. how pleasant, interesting, tense a painting appears), whereas explicit features refer to properties that can be directly perceived (form, color, depth, etc.). The aim of Experiments 1 and 2 was to investigate the underlying structure of implicit and explicit features of paintings using the factor analysis of elementary judgments. In the preliminary studies, representative sets of paintings and elementary implicit and explicit dimensions (in the form of bipolar scales) were selected. Four implicit factors were extracted: Regularity, Relaxation, Hedonic Tone and Arousal. Four explicit factors were extracted: Form, Color, Space and Complexity. The following significant correlations between implicit and explicit factors were obtained: Regularity-Form, Regularity-Space, Hedonic Tone-Form and Arousal-Complexity. In Experiment 3 the role of implicit and explicit factors in similarity-dissimilarity ratings was specified. Significant correlations between the position of paintings in MDS space and mean judgments of explicit factors Color, Space and Complexity and implicit factor Relaxation were obtained, suggesting that similarity ratings of paintings are primarily based on explicit features. The causal relation of explicit and implicit features is discussed.

  4. Scientific Basis for Paint Stripping: Elucidated Combinatorial Mechanism of Methylene Chloride and Phenol Based Paint Removers

    2013-10-10

    Electron Microscope SERDP - Strategic Environmental Research and Development Program Tg – Glass Transition TGA – Thermal Gravimetric Analysis UV... analysis , visible microscopy and spectroscopy and vibrational spectroscopy to understand the mechanism of how methylene chloride based paint removers...allowed for analysis of the different components of methylene chloride based paint strippers. Methocel is the trade name of hydroxypropyl

  5. Best lighting for visual appreciation of artistic paintings--experiments with real paintings and real illumination.

    Nascimento, Sérgio Miguel Cardoso; Masuda, Osamu

    2014-04-01

    In a previous study based on monitor simulations of artistic paintings, it was found that the average correlated color temperature (CCT) of daylight preferred by a large set of observers to illuminate paintings was around 5100 K. The goal of the present study was to test if this result holds in real viewing conditions, i.e., with real paintings and real light sources. The same 11 paintings were tested in real conditions illuminated by a spectrally tunable light source and with accurate monitor simulations. To ensure uniform illumination across the paintings, only a central part of the paintings was visible to the observers. It was found that the average CCT preferred for real and monitor viewing conditions were very similar, 5500 and 5700 K, respectively. The somewhat larger CCT obtained with monitor viewing in relation to the former study was only observed in some paintings and was attributed to the smaller viewing area. These results confirm that CCT for best appreciation of paintings is higher than normally used in museums, and the viewing conditions, real or simulated, have only a minor effect.

  6. A ‘painted chamber’ in Beverwijk by Jacobus Luberti Augustini: novel insights into the working methods and painting practices in a painted wall-hanging factory

    Verslype, I.; Verhave, J.; Smelt, S.; Keune, K.; Sigmond, H.; van Eikema Hommes, M.; Evans, H.; Muir, K.

    2015-01-01

    The restoration of the ‘painted chamber’ in Beverwijk by Jacobus Luberti Augustini instigated an in-depth technical study of the room and its painted canvas wall hangings. Through close observation with the naked eye, ultraviolet light, infrared reflectography and the study of paint samples in combi

  7. Sea Spray Aerosols

    Butcher, Andrew Charles

    a relationship between plunging jet particle ux, oceanic particle ux, and energy dissipation rate in both systems. Previous sea spray aerosol studies dissipate an order of magnitude more energy for the same particle ux production as the open ocean. A scaling factor related to the energy expended in air...... emissions produced directly from bubble bursting as the result of air entrainment from breaking waves and particles generated from secondary emissions of volatile organic compounds. In the first paper, we study the chemical properties of particles produced from several sea water proxies with the use...... jet in high concentrations of surface active organics and brackish water salinities. The jet produces particles with less cloud condensation activity, implying an increase in organic material in aerosol particles produced by the plunging jet over the frit. In the second paper we determine...

  8. Developing a dispersant spraying capability

    Gill, S.D.

    1979-01-01

    In developing a national dispersant spraying capability, the Canadian Coast Guard (CCG) has undertaken a modification program to enable the conventional offshore spraying gear to be mounted on almost any vessel of convenience. Smaller, more versatile inshore spraying vessels and pumps have been designed and built. With the popularization of concentrated dispersants, the inshore pumping equipment can be used aboard hovercraft for special application situations. A program of acquiring mobile dispersant storage tanks has been undertaken with auxiliary equipment that will facilitate the shipment of dispersants in bulk by air freight. Work also has commenced on extending the dispersant application program to include the CCG fleet of helicopters.

  9. Ultrasonic Plasma Spray--A New Plasma Spray Process

    LU Zhi-qing; ZHANG Hua-tang; WEN Xiong-wei; LI Lu-ming

    2004-01-01

    The method of arc- ultrasonic is introduced into plasma spray process. The process of spray ZrO2-NiCoCr AlY thermal barrier coatings (TBCs) using air plasma spray (APS) process is studied. A exciting source which can be adjusted from audio frequency to several hundred thousand Hertz is designed successfully. The ultrasonic exciting source is coupled with conventional DC spraying power supply. A few ultrasonic frequencies are selected in the testing. Several parts of the coatings with the coupling arc- ultrasonic are compared with the coatings without it. The results show: with 50 kHz and 80 kHz ultrasound, the coating qualities are improved, whereas 30 kHz has an opposite effect.

  10. Laser cleaning treatment of burnt paintings

    Antonopoulou-Athera, N.; Chatzitheodoridis, E.; Doulgerides, M.; Evangelatos, Ch.; Serafetinides, A. A.; Terlixi, A.

    2015-01-01

    Three samples taken from two paintings partly burned by fire are investigated for cleaning with lasers. The paintings belong to the collection of the National Gallery of Athens and were made by the great Greek artist Konstantinos Parthenis. To remove the damaged surface and achieve an acceptable restoration result, the optimum combination of fluence and wavelength are sought. Seven different wavelengths with a set of fluences where used, i.e., the five harmonics of a Nd:YAG laser (1064, 532, 355, 266, and 213 nm), a TEA 10.6 μm CO2 and a free running laser Er:YAG 2.94 μm. Characterization was performed prior and after the cleaning process by optical and electron microscopy and analysis (SEM/BSE EDS), as well as X-Ray Diffraction (XRD). The results of this work indicate that the wavelength in the visible spectrum (532 nm) with fluences between 0.1-0.4J/cm2 show the optimum cleaning. The optical microscopy observation shows that with these laser parameters the burnt layer was preferentially removed, exposing the original colors that Parthenis had used in these paintings. Electron microscopy imaging and chemical analysis revealed that the original texture and materials of these samples are preserved after irradiation. Since the damage varies along the surface of the painting, more experiments should be performed in order to find and optimize the full cleaning and characterization process for the homogeneous cleaning of the whole surface of the painting.

  11. Spray nozzle for fire control

    Papavergos, Panayiotis G.

    1990-09-01

    The design of a spray nozzle for fire control is described. It produces a spray of gas and liquid having an oval transverse cross section and it comprises a mixing chamber with an oval transverse cross section adapted to induce a toroidal mixing pattern in pressurized gas and liquid introduced to the mixing chamber through a plurality of inlets. In a preferred embodiment the mixing chamber is toroidal. The spray nozzle produces an oval spray pattern for more efficient wetting of narrow passages and is suitable for fire control systems in vehicles or other confined spaces. Vehicles to which this invention may be applied include trains, armoured vehicles, ships, hovercraft, submarines, oil rigs, and most preferably, aircraft.

  12. Preference for and discrimination of paintings by mice.

    Shigeru Watanabe

    Full Text Available I measured preference for paintings (Renoir vs. Picasso or Kandinsky vs. Mondrian in mice. In general mice did not display a painting preference except for two mice: one preferred Renoir to Picasso, and the other preferred Kandinsky to Mondrian. Thereafter, I examined discrimination of paintings with new mice. When exposure to paintings of one artist was associated with an injection of morphine (3.0 mg/kg, mice displayed conditioned preference for those paintings, showing discrimination of paintings by Renoir from those by Picasso, and paintings by Kandinsky from those by Mondrian after the conditioning. They also exhibited generalization of the preference to novel paintings of the artists. After conditioning with morphine for a set of paintings consisting of two artists, mice showed discrimination between two sets of paintings also from the two artists but not in association with morphine. These results suggest that mice can discriminate not only between an artist's style but also among paintings of the same artist. When mice were trained to discriminate a pair of paintings by Kandinsky and Renoir in an operant chamber equipped with a touch screen, they showed transfer of the discrimination to new pairs of the artists, but did not show transfer of discrimination of paintings by other artists, suggesting generalization.

  13. Preference for and discrimination of paintings by mice.

    Watanabe, Shigeru

    2013-01-01

    I measured preference for paintings (Renoir vs. Picasso or Kandinsky vs. Mondrian) in mice. In general mice did not display a painting preference except for two mice: one preferred Renoir to Picasso, and the other preferred Kandinsky to Mondrian. Thereafter, I examined discrimination of paintings with new mice. When exposure to paintings of one artist was associated with an injection of morphine (3.0 mg/kg), mice displayed conditioned preference for those paintings, showing discrimination of paintings by Renoir from those by Picasso, and paintings by Kandinsky from those by Mondrian after the conditioning. They also exhibited generalization of the preference to novel paintings of the artists. After conditioning with morphine for a set of paintings consisting of two artists, mice showed discrimination between two sets of paintings also from the two artists but not in association with morphine. These results suggest that mice can discriminate not only between an artist's style but also among paintings of the same artist. When mice were trained to discriminate a pair of paintings by Kandinsky and Renoir in an operant chamber equipped with a touch screen, they showed transfer of the discrimination to new pairs of the artists, but did not show transfer of discrimination of paintings by other artists, suggesting generalization.

  14. Paint indusry and environmental problem. Toryo kogyo to kankyo mondai

    Osawa, A. (Nippon Oil and Fats Co., Tokyo (Japan))

    1991-10-11

    Relating to the paint industry, introduction was made of environmental problem, particularly trend of the hydrocarbonexhaust regulation, and problem against the global warming gas and acid rain. Environmental pollution matter produced by the paint industry and painting industry being mainly hybrocarbon (organic solvent), the worldwide quantity of hydrocabon exhausted in the atmosphere is estimated to be annually 20 million tons, of which 18%, i.e., an annual quantity of 3.5 million tons is exhausted from the field of paint industry. The role to be played by the paint industry is important for the lowering in pollution by the hydrocarbon. Useful paints for the environmental maintenance comprise high solid paint, aqueous paint, slurry paint, powder paint and UV-hardened paint. The automobile coating is being also changed from the metallic coating to the aqueous coating. Low temperature hardening paint is used for the countermeasures against the global warming gas. For those against the acid rain, urethane hardening, hardening by the acid-epoxy group reaction, hardening by the alkoxyl froup reaction and other hardenings are developed to replace the conventional hardening by the melamine resin for heightening in acidproofness of paint film. 5 ref., 1 fig., 3 tabs.

  15. Methylisothiazolinone and benzisothiazolinone are widely used in paint: a multicentre study of paints from five European countries

    Schwensen, Jakob F; Lundov, Michael; Bossi, Rossana

    2015-01-01

    were found in paints from all five countries. Paints purchased in Denmark and Sweden contained especially high concentrations of BIT. CONCLUSION: The use of MI across European countries is extensive. In view of the ongoing epidemic of MI contact allergy, an evaluation of the safety of MI in paints...... of MI, methylchloroisothiazolinone (MCI) and benzisothiazolinone (BIT) in paints on the European retail market. METHODS: Wall paints (n = 71) were randomly purchased in retail outlets in five European countries. The paints were quantitatively analysed for their contents of MI, MCI and BIT by high...

  16. Focal cerebral lesions and painting abilities.

    Mazzucchi, Anna; Sinforiani, Elena; Boller, François

    2013-01-01

    Focal lesions such as strokes significantly affect painting production in the vast majority of artists. In particular, painters, when they resume painting, show changes in their painting style. In exceptional cases, there may be an apparent improvement in style, but in most cases, the changes represent nothing short of deterioration. This, however, varies according to the hemisphere affected. Painters with left-hemisphere lesions tend to show an inability to deal adequately with perspective and also tend to use simplified colors with fewer nuances. One often witnesses an evolution toward simpler, often "naïve" techniques, and at times rigid geometric repetitive features. Painters with right-hemisphere lesions also become unable to represent tridimensionality. In addition, their figures are often drawn in very summary fashion, with lack of coordination between volumes and space and a chromatic impoverishment; their main problem, however, is visuospatial, leading to neglect of the left side of the canvas.

  17. The Actinobacterial Colonization of Etruscan Paintings

    Diaz-Herraiz, Marta; Jurado, Valme; Cuezva, Soledad; Laiz, Leonila; Pallecchi, Pasquino; Tiano, Piero; Sanchez-Moral, Sergio; Saiz-Jimenez, Cesareo

    2013-01-01

    The paintings from Tomba della Scimmia, in Tuscany, are representative of the heavy bacterial colonization experienced in most Etruscan necropolises. The tomb remained open until the late 70′s when it was closed because of severe deterioration of the walls, ceiling and paintings after decades of visits. The deterioration is the result of environmental changes and impacts suffered since its discovery in 1846. We show scanning electron microscopy and molecular studies that reveal the extent and nature of the biodeterioration. Actinobacteria, mainly Nocardia and Pseudonocardia colonize and grow on the tomb walls and this process is linked to the availability of organic matter, phyllosilicates (e.g. clay minerals) and iron oxides. Nocardia is found metabolically active in the paintings. The data confirm the specialization of the genera Nocardia and Pseudonocardia in the colonization of subterranean niches. PMID:23486535

  18. Visual comparison testing of automotive paint simulation

    Meyer, Gary; Fan, Hua-Tzu; Seubert, Christopher; Evey, Curtis; Meseth, Jan; Schnackenberg, Ryan

    2015-03-01

    An experiment was performed to determine whether typical industrial automotive color paint comparisons made using real physical samples could also be carried out using a digital simulation displayed on a calibrated color television monitor. A special light booth, designed to facilitate evaluation of the car paint color with reflectance angle, was employed in both the real and virtual color comparisons. Paint samples were measured using a multi-angle spectrophotometer and were simulated using a commercially available software package. Subjects performed the test quicker using the computer graphic simulation, and results indicate that there is only a small difference between the decisions made using the light booth and the computer monitor. This outcome demonstrates the potential of employing simulations to replace some of the time consuming work with real physical samples that still characterizes material appearance work in industry.

  19. Perceptual dimensions of style in paintings

    Marković Slobodan

    2007-01-01

    Full Text Available The main purpose of this study is to specify the basic perceptual dimensions underlying the judgments of the physical features which define the style in paintings (e.g. salient form, colorful surface, oval contours etc.. The other aim of the study is to correlate these dimensions with the subjective (affective dimensions of the experience of paintings. In the preliminary study a set of 25 pairs of elementary perceptual descriptors were empirically specified, and a set of 25 bipolar scales were made (e.g. uncolored-multicolored. In the experiment 30 subjects judged 24 paintings (paintings were taken from the study of Radonjić and Marković, 2004 on 25 scales. Factor analysis revealed the four factors: form (scales: precise, neat, salient form etc., color (color contrast, lightness contrast, vivid colors, space (voluminosity, depth and oval contours and complexity (multicolored, ornate, detailed. Obtained factors reflected the nature of the phenomenological and neural segregation of form, color, depth processing, and partially of complexity processing (e.g. spatial frequency processing within both the form and color subsystem. The aim of the next step of analysis was to specify the correlations between two groups of judgments: (a mean judgments of 24 paintings on perceptual factors and (b mean judgments of the same set of 24 paintings on subjective (affective experience factors, i.e. regularity, attraction, arousal and relaxation (judgments taken from Radonjić and Marković, 2005. The following significant correlations were obtained: regularity-form, regularity-space, attraction-form and arousal-complexity (negative correlation. The reasons for the unexpected negative correlation between arousal and complexity should be specified in further studies.

  20. Breast Mass in a Rubens Painting

    Davide Lazzeri

    2016-04-01

    Full Text Available Deformity of the breast and axilla observed in famous paintings is a fascinating field for the medico-artists. The attempt of a retrospective diagnosis of breast tumors is highly challenging. This paper deals with a Rubens painting portraying the heroine Judith with a visible but previously unreported left breast mass. Though speculative, the present medico-artistic diagnosis is of a tumor likely to be of benign nature. It is of interest that the present case is the sixth breast disease discovered in Rubens’s works.

  1. Breast Mass in a Rubens Painting.

    Lazzeri, Davide; Lippi, Donatella; Castello, Manuel Francisco; Weisz, George M

    2016-04-19

    Deformity of the breast and axilla observed in famous paintings is a fascinating field for the medico-artists. The attempt of a retrospective diagnosis of breast tumors is highly challenging. This paper deals with a Rubens painting portraying the heroine Judith with a visible but previously unreported left breast mass. Though speculative, the present medico-artistic diagnosis is of a tumor likely to be of benign nature. It is of interest that the present case is the sixth breast disease discovered in Rubens's works.

  2. Painting the Soul of the Yangtze River

    2008-01-01

    Chen Kezhi:a prestigious oil painter and a household name in Chinese fine arts circles,is add- ing luster to the cultural prosperity of the country with his artistic efforts.The latest sensation is over his masterpieces of the Three Gorges area.Since 1996,he has devoted himself to the Three Gorges series.These paintings reproduce the original impression of the Three Gorges area that will never be seen again.The paintings deliver the mystic atmosphere of the orient and the majestic scenery of China.Chen recently sat down with Beijing Review reporter Huang Jun to share his views and experience on these masterpieces.

  3. BICARBONATE OF SODA BLASTING TECHNOLOGY FOR AIRCRAFT WHEEL PAINTING

    This evaluation addressed product quality, waste reduction/pollution prevention and economics in replacing chemical solvent strippers with a bicarbonate of soda blasting technology for removal of paint from aircraft wheels. The evaluation was conducted in the Paint Stripping Sho...

  4. Pigeons' discrimination of paintings by Monet and Picasso

    Watanabe, Shigeru; Sakamoto, Junko; Wakita, Masumi

    1995-01-01

    Pigeons successfully learned to discriminate color slides of paintings by Monet and Picasso. Following this training, they discriminated novel paintings by Monet and Picasso that had never been presented during the discrimination training. Furthermore, they showed generalization from Monet's to Cezanne's and Renoir's paintings or from Picasso's to Braque's and Matisse's paintings. These results suggest that pigeons' behavior can be controlled by complex visual stimuli in ways that suggest cat...

  5. Clay ground in paintings: from Northern to Southern Europe

    Buti, David; Vila, Anna; Haack Christensen, Anne;

    it give more flexibility to the painting support? Was it connected to the tile industry? Was it a waste/reuse from the ceramic production? To better understand the role of clay ground as a material and its influence on painting techniques, a number of Danish and Italian 17th century paintings from...

  6. 47 CFR 17.53 - Lighting equipment and paint.

    2010-10-01

    ... Lighting equipment and paint. The lighting equipment, color or filters, and shade of paint referred to in... 47 Telecommunication 1 2010-10-01 2010-10-01 false Lighting equipment and paint. 17.53 Section 17... (Color No. 17875, FS-595). Aviation surface orange TT-P-59 1 (Color No. 12197, FS-595). Aviation...

  7. 风电叶片油漆安全存储与安全操作概述%Secure Storage of Paint Materials and Safe Operation of Painting for Wind Turbine Blades

    郝志勇; 陈阳

    2015-01-01

    风电叶片的油漆操作是指将涂料涂覆于叶片外表面形成具有防护、装饰和特定功能(航标警示)的涂层的过程。对目前国内外风电叶片普遍采用的油漆喷涂工艺中原材料的安全存储与安全操作进行了简要概述。介绍了风电叶片油漆作业过程中材料的存放与使用、个人的防护与潜在危害,最后对常用油漆喷涂方法进行了分类说明,并指出了存在的危险。%The spraying operation for wind turbine blade refers to blade surface paintingto form a paintcoat with functions of protection,decoration and warning as a navigation mark.In this paper,safe storage of raw materials and safe handling of paint spraying for wind turbine blades both at home and abroad were reviewed.In addition,the storage and use of mate-rials,personal protection and potential hazards during wind turbine blade spraying were introduced.At last,commonly used spraying methods were classified and described and existing dangers were pointed out.

  8. Cartesian Control of a Spray-Painting Robot with Redundant Degrees of Freedom

    Olav Egeland

    1987-10-01

    Full Text Available A controller for redundant manipulators with a small, fast manipulator mounted on a positioning part has been developed. The controller distributes the fast motion to the small, fast manipulator and the slow, gross motion to the positioning part. A position reference is generated on-line to the positioning part to avoid singularities and the loss of degrees of freedom. This reference is selected according to an ad hoc procedure which makes the small, fast manipulator work around the centre of its working range. In the control system, the task space position vector is augmented with the generalized coordinates of the positioning part. The resulting augmented task space vector contains a set of generalized coordinates for the manipulator. Feedback linearization and decoupling are applied in the augmented task space to obtain a model consisting of decoupled double integrators. The low and high frequency motion is distributed by controlling the double integrators associated with the end effector with a high bandwidth, while the double integrators associated with the positioning part are controlled with a low bandwidth.

  9. Painting: Is It Indigenous to Ghanaian Culture?

    Emmanuel Antwi

    2014-10-01

    Full Text Available Painting could be said to be well grounded in all cultures worldwide. This is underpinned by the vast record of cave art as globally represented, even though this phenomenon does not seamlessly continue into some ancient traditions that followed. In the face of the above however, to find the traditional period of a people one has to identify the geographical area of this group in order to consider the autochthonous art practice of the place so as to determine its cultural beginnings, extent, and forms of art explored. In the case of Ghana, one observes that, art historians usually site the beginning of painting at the time when colonial educational training of the arts was begun in Achimota from the 1900s. The study was conducted using historical review and analysis, unstructured interview guides as well as participant and non-participant observational techniques in a descriptive design at Sirigu, Ahwiaa and Ntonso, revealing the forms of painting that existed in the country before the introduction of formal training by the colonial masters. The result showed that Ghanaians traditionally practiced different kinds of painting, long before the colonial art training programme was introduced. We feel it should be of concern for any people to be able to tell, not only how, and why but also when they started doing the things that matter to their existence and cultural heritage.

  10. Integrate Art! Match Poetry to Painting.

    Parks, Mary

    1994-01-01

    It is possible to connect art and language arts using traditional Japanese art. After explaining the Japanese art forms of Haiku poetry and sumi-e painting, the article describes a project in which students write haiku on special paper then illustrate their poems with gung and shey strokes. (SM)

  11. Nabokov and the Art of Painting

    Vries, de Gerard J.M.; Johnson, D. Barton

    2005-01-01

    Vladimir Nabokov was one of the greatest novelists of the previous century and his mastery of English and Russian prose is unequalled. Nabokov had originally trained to become a painter and shared Marc Chagall's tutor in Paris. In Nabokov and the Art of Painting the authors demonstrate how the art o

  12. Piezoelectric paint sensor for ultrasonic NDE

    Li, X.; Zhang, Y.

    2007-04-01

    This paper deals with a distributed acoustic emission sensing method, which is especially suitable for piezoelectric paint. Piezoelectric paint is a composite piezoelectric material that is comprised of tiny piezoelectric particles randomly dispersed within a polymer matrix phase. An overview of the distributed acoustic emission sensing method for defect monitoring is given in this paper. The use of piezoelectric materials for ultrasonic signal measurements is next discussed along with a series of ultrasonic tests performed to verify the ultrasonic sensing capability of piezoelectric paint. To examine the mechanism of the distributed acoustic emission sensing method for crack initiation detection, the results of a finite element simulation based study is presented in this paper. The finite element model used in the parametric study is calibrated with experimental data. The effect of sensor numbers included in the array has been studied using both simulation and experimental data. Based on the preliminary results of this study, piezoelectric paint sensor appears to hold a potential for use in on-line monitoring of cracks such as those caused by fatigue in metal structures although more work is still needed before successful practical application can be made.

  13. The Ancient Art of Silk Painting

    Yonker, Kim

    2010-01-01

    In this article, the author describes a silk-painting project with a sea-creature theme for eighth-grade students. Other themes can be used such as geometric quilt designs, tropical rain forest, large flowers, Art Nouveau motifs, portraits and more. (Contains 2 resources.)

  14. Failure-probability driven dose painting

    Vogelius, Ivan R; Håkansson, Katrin; Due, Anne K;

    2013-01-01

    To demonstrate a data-driven dose-painting strategy based on the spatial distribution of recurrences in previously treated patients. The result is a quantitative way to define a dose prescription function, optimizing the predicted local control at constant treatment intensity. A dose planning stu...

  15. Soap bubbles in paintings: Art and science

    Behroozi, F.

    2008-12-01

    Soap bubbles became popular in 17th century paintings and prints primarily as a metaphor for the impermanence and fragility of life. The Dancing Couple (1663) by the Dutch painter Jan Steen is a good example which, among many other symbols, shows a young boy blowing soap bubbles. In the 18th century the French painter Jean-Simeon Chardin used soap bubbles not only as metaphor but also to express a sense of play and wonder. In his most famous painting, Soap Bubbles (1733/1734) a translucent and quavering soap bubble takes center stage. Chardin's contemporary Charles Van Loo painted his Soap Bubbles (1764) after seeing Chardin's work. In both paintings the soap bubbles have a hint of color and show two bright reflection spots. We discuss the physics involved and explain how keenly the painters have observed the interaction of light and soap bubbles. We show that the two reflection spots on the soap bubbles are images of the light source, one real and one virtual, formed by the curved surface of the bubble. The faint colors are due to thin film interference effects.

  16. Early Netherlandish Paintings : Rediscovery, Reception and Research

    Ridderbos, Bernhard; Buren, van Anne; Veen, van Henk

    2004-01-01

    The so-called Flemish Primitives, a group of 15th-century painters from the Southern Netherlands, acquired their name in the 19th century. Among them were the world-famous artists such as Rogier van der Weyden, Hans Memling, the brothers Van Eyck, and Hugo van der Goes. Their masterpieces, oil paint

  17. The Beauty of Painting in English Writing

    郝艳慧

    2016-01-01

    English writing ability is emphasized in English teaching without any doubt. And this article attempts to reexamine the teaching of writing and explain the nature of writing from an aesthetic perspective-its beauty of painting. Hope either teachers or students could make a deep aesthetic understanding of English writing from this article.

  18. Rendering Visible: Painting and Sexuate Subjectivity

    Daley, Linda

    2015-01-01

    In this essay, I examine Luce Irigaray's aesthetic of sexual difference, which she develops by extrapolating from Paul Klee's idea that the role of painting is to render the non-visible rather than represent the visible. This idea is the premise of her analyses of phenomenology and psychoanalysis and their respective contributions to understanding…

  19. Radiocarbon dating of ancient rock paintings

    Ilger, W.A.; Hyman, M.; Rowe, M.W. [Texas A and M Univ., College Station, TX (United States). Dept. of Chemistry; Southon, J. [Lawrence Livermore National Lab., CA (United States)

    1995-06-20

    This report presents progress made on a technique for {sup 14}C dating pictographs. A low-temperature oxygen plasma is used coupled with high-vacuum technologies to selectively remove C-containing material in the paints without contamination from inorganic carbon from rock substrates or accretions.

  20. Spray Foam Exterior Insulation with Stand-Off Furring

    Herk, Anatasia [IBACOS, Inc., Pittsburgh, PA (United States); Baker, Richard [IBACOS, Inc., Pittsburgh, PA (United States); Prahl, Duncan [IBACOS, Inc., Pittsburgh, PA (United States)

    2014-03-01

    IBACOS, in collaboration with GreenHomes America, was contracted by the New York State Energy Research and Development Authority to research exterior wall insulation solutions. This research investigated cost-effective deep energy retrofit (DER) solutions for improving the building shell exterior while achieving a cost-reduction goal, including reduced labor costs to reach a 50/50 split between material and labor. The strategies included exterior wall insulation plus energy upgrades as needed in the attic, mechanical and ventilation systems, and basement band joist, walls, and floors. The work can be integrated with other home improvements such as siding or window replacement. This strategy minimizes physical connections to existing wall studs, encapsulates existing siding materials (including lead paint) with spray foam, and creates a vented rain screen assembly to promote drying. GreenHomes America applied construction details created by IBACOS to a test home. 2x4 framing members were attached to the wall at band joists and top plates using "L" clips, with spray foam insulating the wall after framing was installed. Windows were installed simultaneously with the framing, including extension jambs. The use of clips in specific areas provided the best strength potential, and "picture framing" the spray foam held the 2x4s in place. Short-term testing was performed at this house, with monitoring equipment installed for long-term testing. Testing measurements will be provided in a later report, as well as utility impact (before and after), costs (labor and materials), construction time, standard specifications, and analysis for the exterior wall insulation strategy.

  1. Spray Foam Exterior Insulation with Stand-Off Furring

    Herk, A.; Baker, R.; Prahl, D.

    2014-03-01

    IBACOS, in collaboration with GreenHomes America, was contracted by the New York State Energy Research and Development Authority to research exterior wall insulation solutions. This research investigated cost-effective deep energy retrofit (DER) solutions for improving the building shell exterior while achieving a cost-reduction goal, including reduced labor costs to reach a 50/50 split between material and labor. The strategies included exterior wall insulation plus energy upgrades as needed in the attic, mechanical and ventilation systems, and basement band joist, walls, and floors. The work can be integrated with other home improvements such as siding or window replacement. This strategy minimizes physical connections to existing wall studs, encapsulates existing siding materials (including lead paint) with spray foam, and creates a vented rain screen assembly to promote drying. GreenHomes America applied construction details created by IBACOS to a test home. 2x4 framing members were attached to the wall at band joists and top plates using 'L' clips, with spray foam insulating the wall after framing was installed. Windows were installed simultaneously with the framing, including extension jambs. The use of clips in specific areas provided the best strength potential, and 'picture framing' the spray foam held the 2x4s in place. Short-term testing was performed at this house, with monitoring equipment installed for long-term testing. Testing measurements will be provided in a later report, as well as utility impact (before and after), costs (labor and materials), construction time, standard specifications, and analysis for the exterior wall insulation strategy.

  2. Properties of Spray Dried Food and Spray Drying Characteristics

    Katoh, Fumio

    The following conclusions are obtained, studying properties of spray dried food and drying characteristics. (a) Dried particles are similar to spray droplets in size distribution (y=2.5), and particle count distribution is arranged as (dn/dx = ae-bx). (b) The ratio of the particle diameters before and after drying is calculated with moisture before and after drying, and porosity is given as (εp = ww4). (c) The standard drying method is presented to evaluate accurately drying problems at a certain standard. (d) Equilibrium moisture at 20 up to 100°C are summarized in terms of adsorption potential. (e) It makes clear that calulation based on the theory of residence time and drying time represents well complex spray drying characteristics.

  3. Evaluation of Water Resistance and Diffusion Properties of Paint Materials

    J. Drchalová

    2001-01-01

    Full Text Available A simple method is presented for evaluating the water-proofness quality of paints on lining materials. The method is based on measuring the integral capillarity in dependence on time, and then comparing this value to the value determined for the basic lining material. Measurements of the effective water vapor permeability then provide information on the risk of condensation which may increase after applying the paint. A practical application of the method is performed with four Karlocolor paints on glass concrete substrates. All the Karlocolor paints are found to be very effective materials for driven rain protection. The diffusion properties of all the paints are found to be excellent.

  4. Air formaldehyde and solvent concentrations during surface coating with acid-curing lacquers and paints in the woodworking and furniture industry.

    Thorud, Syvert; Gjolstad, Merete; Ellingsen, Dag G; Molander, Paal

    2005-06-01

    An investigation of contemporary exposure to formaldehyde and organic solvents has been carried out during surface coating with acid-curing lacquers and paints in the Norwegian woodworking and furniture industry over a period of 3 years. The investigation covered 27 factories of different sizes and with different types of production, and totally 557 parallel formaldehyde and solvent samples were collected. The formaldehyde concentration (geometric mean) was 0.15 ppm (range 0.01-1.48 ppm) with about 10% of the samples exceeding the Norwegian occupational exposure limit of 0.5 ppm. The solvent concentration as additive effect (geometric mean) was 0.13 (range 0.0004-5.08) and about 5% of the samples exceeded the Norwegian occupational exposure limit. The most frequently occurring solvents from acid-curing lacquers were n-butyl acetate, ethanol, ethyl acetate and 1-butanol, which were found in 88-98% of the samples. Toluene, n-butyl acetate and 1-butanol were the only solvents with maximum concentrations exceeding their respective occupational exposure limits. Curtain painting machine operators were exposed to the highest concentrations of both formaldehyde (geometric mean 0.51 ppm, range 0.08-1.48 ppm) and organic solvents (additive effect, geometric mean 1.18, range 0.02-5.08). Other painting application work tasks such as automatic and manual spray-painting, manual painting and dip painting, showed on average considerably lower concentrations of both formaldehyde (geometric means 0.07-0.16 ppm) and organic solvents (additive effect, geometric mean 0.02-0.18). Non-painting work tasks also displayed moderate concentrations of formaldehyde (geometric means 0.11-0.17 ppm) and organic solvents (additive effect, geometric mean 0.04-0.07).

  5. Computer simulation to arc spraying

    梁志芳; 李午申; 王迎娜

    2004-01-01

    The arc spraying process is divided into two stages: the first stage is atomization-spraying stream (ASS) and the second one is spraying deposition (SD). Then study status is described of both stages' physical model and corresponding controlling-equation. Based on the analysis of study status, the conclusion as follows is got. The heat and mass transfer models with two or three dimensions in ASS stage should be established to far deeply analyses the dynamical and thermal behavior of the overheat droplet. The statistics law of overheated droplets should be further studied by connecting simulation with experiments. More proper validation experiments should be designed for flattening simulation to modify the models in SD stage.

  6. The 2016 Thermal Spray Roadmap

    Vardelle, Armelle; Moreau, Christian; Akedo, Jun; Ashrafizadeh, Hossein; Berndt, Christopher C.; Berghaus, Jörg Oberste; Boulos, Maher; Brogan, Jeffrey; Bourtsalas, Athanasios C.; Dolatabadi, Ali; Dorfman, Mitchell; Eden, Timothy J.; Fauchais, Pierre; Fisher, Gary; Gaertner, Frank; Gindrat, Malko; Henne, Rudolf; Hyland, Margaret; Irissou, Eric; Jordan, Eric H.; Khor, Khiam Aik; Killinger, Andreas; Lau, Yuk-Chiu; Li, Chang-Jiu; Li, Li; Longtin, Jon; Markocsan, Nicolaie; Masset, Patrick J.; Matejicek, Jiri; Mauer, Georg; McDonald, André; Mostaghimi, Javad; Sampath, Sanjay; Schiller, Günter; Shinoda, Kentaro; Smith, Mark F.; Syed, Asif Ansar; Themelis, Nickolas J.; Toma, Filofteia-Laura; Trelles, Juan Pablo; Vassen, Robert; Vuoristo, Petri

    2016-12-01

    Considerable progress has been made over the last decades in thermal spray technologies, practices and applications. However, like other technologies, they have to continuously evolve to meet new problems and market requirements. This article aims to identify the current challenges limiting the evolution of these technologies and to propose research directions and priorities to meet these challenges. It was prepared on the basis of a collection of short articles written by experts in thermal spray who were asked to present a snapshot of the current state of their specific field, give their views on current challenges faced by the field and provide some guidance as to the R&D required to meet these challenges. The article is divided in three sections that deal with the emerging thermal spray processes, coating properties and function, and biomedical, electronic, aerospace and energy generation applications.

  7. Officials: Aerial Spraying Working Against Miami Mosquitoes

    ... 160274.html Officials: Aerial Spraying Working Against Miami Mosquitoes The insects are to blame for first cases ... 2016 (HealthDay News) -- Aerial spraying is killing many mosquitoes in a part of Miami where the insects ...

  8. [Internal contamination by tritium caused by radioluminescent paints].

    Adamiak-Ziemba, J; Doniec, J

    1985-01-01

    The internal contamination investigations covered 23 persons using radioluminescence paints containing tritium, assembling devices painted with those paints, and those having no contact with active paints but working next to the painting room. Determined were concentrations of tritium excreted with urine, air contamination at workplaces, contamination of workplace areas and hand skin. At the time covered by the investigations, the mean annual equivalent doses for those using tritium paints were reduced from 14-20 mSv to about 5 mSv. In those working next to the painting room they were reduced from 5.8-15 to 0.23 mSv. The exposure of those assembling the devices does not exceed 1 mSv. It was demonstrated that the main cause of the tritium exposure level was air contamination in working rooms.

  9. Spray casting project final report

    Churnetski, S.R.; Thompson, J.E.

    1996-08-01

    Lockheed Martin Energy Systems, Inc. (Energy Systems), along with other participating organizations, has been exploring the feasibility of spray casting depleted uranium (DU) to near-net shape as a waste minimization effort. Although this technology would be useful in a variety of applications where DU was the material of choice, this effort was aimed primarily at gamma-shielding components for use in storage and transportation canisters for high-level radioactive waste, particularly in the Multipurpose Canister (MPC) application. In addition to the waste-minimization benefits, spray casting would simplify the manufacturing process by allowing the shielding components for MPC to be produced as a single component, as opposed to multiple components with many fabrication and assembly steps. In earlier experiments, surrogate materials were used to simulate the properties (specifically reactivity and density) of DU. Based on the positive results from those studies, the project participants decided that further evaluation of the issues and concerns that would accompany spraying DU was warranted. That evaluation occupied substantially all of Fiscal Year 1995, yielding conceptual designs for both an intermediate facility and a production facility and their associated engineering estimates. An intermediate facility was included in this study to allow further technology development in spraying DU. Although spraying DU to near-net shape seems to be feasible, a number of technical, engineering, and safety issues would need to be evaluated before proceeding with a production facility. This report is intended to document the results from the spray-casting project and to provide information needed by anyone interested in proceeding to the next step.

  10. Hollow Cone Spray Characterization and Integral Modeling

    Bollweg, Peter

    2013-01-01

    The thesis presents a computationally efficient spray model for hollow cone sprays suitable for engine system simulation of direct injecting gasoline internal combustion engines. The model describes the transient evolution of the spray as a two-phase jet. Spatial gradients are resolved along the main injection direction. Momentum exchange, droplet heat-up, and fuel evaporation are accounted for. Diffusive transport of momentum, energy, and fuel species mass between the dense spray zone an...

  11. Diesel spray characterization; Dieselmoottorin polttoainesuihkujen ominaisuudet

    Pitkaenen, J.; Turunen, R.; Paloposki, T.; Rantanen, P.; Virolainen, T. [Helsinki Univ. of Technology, Otaniemi (Finland). Internal Combustion Engine Lab.

    1997-10-01

    Fuel injection of diesel engines will be studied using large-scale models of fuel injectors. The advantage of large-scale models is that the measurement of large-scale diesel sprays will be easier than the measurement of actual sprays. The objective is to study the break-up mechanism of diesel sprays and to measure drop size distributions in the inner part of the spray. The results will be used in the development of diesel engines and diesel fuels. (orig.)

  12. 14 CFR 27.239 - Spray characteristics.

    2010-01-01

    ... 14 Aeronautics and Space 1 2010-01-01 2010-01-01 false Spray characteristics. 27.239 Section 27... AIRWORTHINESS STANDARDS: NORMAL CATEGORY ROTORCRAFT Flight Ground and Water Handling Characteristics § 27.239 Spray characteristics. If certification for water operation is requested, no spray...

  13. 14 CFR 23.239 - Spray characteristics.

    2010-01-01

    ... 14 Aeronautics and Space 1 2010-01-01 2010-01-01 false Spray characteristics. 23.239 Section 23.239 Aeronautics and Space FEDERAL AVIATION ADMINISTRATION, DEPARTMENT OF TRANSPORTATION AIRCRAFT... Handling Characteristics § 23.239 Spray characteristics. Spray may not dangerously obscure the vision...

  14. 14 CFR 29.239 - Spray characteristics.

    2010-01-01

    ... 14 Aeronautics and Space 1 2010-01-01 2010-01-01 false Spray characteristics. 29.239 Section 29... AIRWORTHINESS STANDARDS: TRANSPORT CATEGORY ROTORCRAFT Flight Ground and Water Handling Characteristics § 29.239 Spray characteristics. If certification for water operation is requested, no spray...

  15. Influence of Cold-Sprayed, Warm-Sprayed, and Plasma-Sprayed Layers Deposition on Fatigue Properties of Steel Specimens

    Cizek, J.; Matejkova, M.; Dlouhy, I.; Siska, F.; Kay, C. M.; Karthikeyan, J.; Kuroda, S.; Kovarik, O.; Siegl, J.; Loke, K.; Khor, Khiam Aik

    2015-06-01

    Titanium powder was deposited onto steel specimens using four thermal spray technologies: plasma spray, low-pressure cold spray, portable cold spray, and warm spray. The specimens were then subjected to strain-controlled cyclic bending test in a dedicated in-house built device. The crack propagation was monitored by observing the changes in the resonance frequency of the samples. For each series, the number of cycles corresponding to a pre-defined specimen cross-section damage was used as a performance indicator. It was found that the grit-blasting procedure did not alter the fatigue properties of the steel specimens (1% increase as compared to as-received set), while the deposition of coatings via all four thermal spray technologies significantly increased the measured fatigue lives. The three high-velocity technologies led to an increase of relative lives to 234% (low-pressure cold spray), 210% (portable cold spray), and 355% (warm spray) and the deposition using plasma spray led to an increase of relative lives to 303%. The observed increase of high-velocity technologies (cold and warm spray) could be attributed to a combination of homogeneous fatigue-resistant coatings and induction of peening stresses into the substrates via the impingement of the high-kinetic energy particles. Given the intrinsic character of the plasma jet (low-velocity impact of semi/molten particles) and the mostly ceramic character of the coating (oxides, nitrides), a hypothesis based on non-linear coatings behavior is provided in the paper.

  16. Biological Treatment of Solvent-Based Paint

    2011-01-01

    GAC granular activated carbon H2O water HP horsepower IWG inches of water gauge IWTC Industrial Wastewater Treatment Complex JGDM Joint...biofiltration system) were procured, installed, and tested over a 1-yr period in cooperation with the Industrial Wastewater Treatment Complex (IWTC) in...were steam reforming, incineration, ultrafiltration , activated carbon, and photochemical oxidation. Because the paint is not suspended in water, its

  17. Stylometry of Painting Techniques - A Survey

    Sanaz keshvari; Abdolah Chalechale

    2016-01-01

    To discover a scientific relationship for art is an interesting and challenging problem. Recognition of artist Identification and stylometry of painting have been important issues at artwork. Image processing techniques can be an effective solution for resolving these problem. To the best of our knowledge, these problems have not been widely investigated. This paper presents a comprehensive survey about both proposed stylometry approaches and artist identification. Finally, It also compares a...

  18. Stylometry of Painting Techniques - A Survey

    Sanaz keshvari

    2016-12-01

    Full Text Available To discover a scientific relationship for art is an interesting and challenging problem. Recognition of artist Identification and stylometry of painting have been important issues at artwork. Image processing techniques can be an effective solution for resolving these problem. To the best of our knowledge, these problems have not been widely investigated. This paper presents a comprehensive survey about both proposed stylometry approaches and artist identification. Finally, It also compares and summarizes all reviewed methods.

  19. Role of microorganisms in mural paintings decay

    Rosado, T; J. Mirão; Gil, M.; Candeias, A.; Caldeira, A. T.

    2014-01-01

    The action of microbial communities on mural paintings, particularly in mortars and in pictorial layers, triggered numerous studies to identify the main biodeteriogenic agents and to better understand the role of microorganisms in the biodeterioration/biodegradation of these artworks. The biodegradation phenomenon is an important issue for the conservation of cultural heritage that needs urgent answers to their rehabilitation. Microbial activity and their ability to obtain elements by bios...

  20. Blanching of paint and varnish layers in easel paintings: contribution to the understanding of the alteration

    Genty-Vincent, Anaïs; Eveno, Myriam; Nowik, Witold; Bastian, Gilles; Ravaud, Elisabeth; Cabillic, Isabelle; Uziel, Jacques; Lubin-Germain, Nadège; Menu, Michel

    2015-11-01

    The blanching of easel paintings can affect the varnish layer and also the paint layer with a blurring effect. The understanding of the physicochemical and optical phenomena involved in the whitening process remains an important challenge for the painting conservation. A set of ca. 50 microsamples from French, Flemish, and Italian blanched oil paintings, from sixteenth to nineteenth century, have been collected for in deep investigations. In parallel, the reproduction of the alteration was achieved by preparing some paint layers according to historical treatises and altering them in a climatic chamber in a humid environment or directly by immersing in ultrapure water. The observation of raw samples with a field-emission gun scanning electron microscope revealed for the first time that the altered layers have an unexpected highly porous structure with a pore size ranging from ca. 40 nm to 2 μm. The formation mechanism of these pores should mostly be physical as the supplementary analyses (Fourier transform infrared spectroscopy, gas chromatography-mass spectrometry) do not reveal any noticeable molecular modification. Considering the tiny size of the pores, the alteration can be explained by the Rayleigh or Mie light scattering.

  1. Ligament-mediated spray formation

    Villermaux, E.; Marmottant, Ph.; Duplat, J.

    2004-01-01

    The spray formed when a fast gas stream blows over a liquid volume presents a wide distribution of fragment sizes. The process involves a succession of changes of the liquid topology, the last being the elongation and capillary breakup of ligaments torn off from the liquid surface. The coalescence o

  2. No Heat Spray Drying Technology

    Beetz, Charles [ZoomEssence, Inc., Hebron, KY (United States)

    2016-06-15

    No Heat Spray Drying Technology. ZoomEssence has developed our Zooming™ spray drying technology that atomizes liquids to powders at ambient temperature. The process of drying a liquid into a powder form has been traditionally achieved by mixing a heated gas with an atomized (sprayed) fluid within a vessel (drying chamber) causing the solvent to evaporate. The predominant spray drying process in use today employs air heated up to 400° Fahrenheit to dry an atomized liquid into a powder. Exposing sensitive, volatile liquid ingredients to high temperature causes molecular degradation that negatively impacts solubility, stability and profile of the powder. In short, heat is detrimental to many liquid ingredients. The completed award focused on several areas in order to advance the prototype dryer to a commercial scale integrated pilot system. Prior to the award, ZoomEssence had developed a prototype ‘no-heat’ dryer that firmly established the feasibility of the Zooming™ process. The award focused on three primary areas to improve the technology: (1) improved ability to formulate emulsions for specific flavor groups and improved understanding of the relationship of emulsion properties to final dry particle properties, (2) a new production atomizer, and (3) a dryer controls system.

  3. Difference in brain activations during appreciating paintings and photographic analogs.

    Mizokami, Yoshinori; Terao, Takeshi; Hatano, Koji; Hoaki, Nobuhiko; Kohno, Kentaro; Araki, Yasuo; Kodama, Kensuke; Makino, Mayu; Izumi, Toshihiko; Shimomura, Tsuyoshi; Fujiki, Minoru; Kochiyama, Takanori

    2014-01-01

    Several studies have investigated neural correlates of aesthetic appreciation for paintings but to date the findings have been heterogeneous. This heterogeneity may be attributed to previous studies' measurement of aesthetic appreciation of not only the beauty of paintings but also the beauty of motifs of the paintings. In order to better elucidate the beauty of paintings, it seems necessary to compare aesthetic appreciation of paintings and photographic analogs which included corresponding real images. We prepared for famous painters' pictures and their photographic analogs which were set up to resemble each painting in order to investigate the hypothesis that there exist specific neural correlates associated with the aesthetic appreciation for paintings. Forty-four subjects participated in functional magnetic resonance study which required comparisons of aesthetic appreciation of paintings of still life and landscape versus photographic analogs including corresponding real images of still life and landscape. Bilateral cuneus and the left lingual gyrus were activated in the comparison of aesthetic appreciation of paintings versus photographic analogs. In conclusion, the present findings suggest a possibility of the existence of specific neural correlates associated with the aesthetic appreciation for paintings and that bilateral cuneus and the left lingual gyrus may be involved.

  4. Capability to Paint and Alzheimer’s Disease

    Emelie Miller

    2016-02-01

    Full Text Available Although quite many qualitative studies on painting in Alzheimer’s disease (AD have been conducted, there is a lack of quantitative studies, examining the ability to paint in people with AD in relation to disease stages, and to what extent instructions are associated with actual performance. The present study aimed at investigating the capability to paint among nonartist AD participants (N = 17 in an instructed painting condition versus a noninstructed painting condition. Differences in time spent and area of canvas used in the two painting conditions were assessed and related to scores on the Mini Mental State Examination (MMSE and the Clock Test. Number of colors used and color preferences were also assessed. A within-subjects experimental design was used. Analyses revealed a statistically significant difference between time and area used in the two painting conditions, where both time and area were used more in the noninstructed condition. MMSE scores and scores on the Clock Test correlated significantly with time spent in both conditions. Higher scores predicted longer painting sessions. Mean number of colors used was 5. Color preferences were bright colors in general and green in particular. Possible artistic development was noted. The overall conclusion is that people with AD have a preserved capability to paint, with and without instructions, even those in the later stages of the disease. The results also indicate that an artistic development is possible and that painting can be used as an appreciated and beneficial activity for people with AD.

  5. [Deafness and mentality in Francisco Goya's paintings].

    Betlejewski, Stanisław; Ossowski, Roman

    2009-01-01

    The famous painter Francisco Goya y Lucientes (1746-1828) suffered during his life one or several diseases, the nature of which has not been determined with certainty. At age of 46, Goya suffered from severe illness that lasted a few months. It caused loss of vision and hearing, tinnitus, dizziness, a right-sides paralysis, weakness and general malaise. Although he recovered from a cerebral stroke which accompanied it, the deafness remained unaltered. The illness divides Goya's artistic life into two great different periods. After in the painter produces his greatest works. The visual experience after the illness was heightened by the exclusion of acoustics stimuli and the artist's talent rose to the highest level. His character became more withdrawn and introspective and his entire vitality was direscted to his painting. Goya's painting became progressively more gloom and satirical during his long convalescence. The artist suffered a stroke at age 73 that again rendered him paralysed on the right side. The precise cause of his illness has long been debated. Ome medical writers have favored the diagnosis of syphilis, some consider the possibility of an exogenous psychosis, and other suggests that the symptoms of the illness are more congruent with heavy metal poisoning, particulary lead. It is interesting to speculate how the Goya's deafness influenced the artist's mentality and the changes of his painting. Interesting is also the problem of the sensory compensation in fact of disturbance of physiological function of one of the senses.

  6. Statistics Analysis Measures Painting of Cooling Tower

    A. Zacharopoulou

    2013-01-01

    Full Text Available This study refers to the cooling tower of Megalopolis (construction 1975 and protection from corrosive environment. The maintenance of the cooling tower took place in 2008. The cooling tower was badly damaged from corrosion of reinforcement. The parabolic cooling towers (factory of electrical power are a typical example of construction, which has a special aggressive environment. The protection of cooling towers is usually achieved through organic coatings. Because of the different environmental impacts on the internal and external side of the cooling tower, a different system of paint application is required. The present study refers to the damages caused by corrosion process. The corrosive environments, the application of this painting, the quality control process, the measures and statistics analysis, and the results were discussed in this study. In the process of quality control the following measurements were taken into consideration: (1 examination of the adhesion with the cross-cut test, (2 examination of the film thickness, and (3 controlling of the pull-off resistance for concrete substrates and paintings. Finally, this study refers to the correlations of measurements, analysis of failures in relation to the quality of repair, and rehabilitation of the cooling tower. Also this study made a first attempt to apply the specific corrosion inhibitors in such a large structure.

  7. Self Cleaning Paint: Introduction of Photocatalytic Particles into a Paint System

    Gunnarsson, Sverrir Grimur

    consists of an introduction to relevant concepts and literature followed by results, presented as research papers, and a patent application. Four research papers are introduced as individual chapters. Chapter 4 discusses the synthesis and optimisation of anatase TiO2 coated microspheres, chapter 5...... discusses the self-cleaning properties and degradation mechanisms of photocatalytic organic coatings containing TiO2 coated microspheres, chapter 6 discusses the rheological and mechanical properties of such coatings and chapter 7 discusses the durability and weather stability of photocatalytic self......-cleaning coatings containing TiO2 coated microspheres. The results show that introducing a photocatalyst into an organic paint system as a coating on inert carrier particles results in durable and weather stable paint films. The paint films exhibit selfcleaning properties and are able to resist the attack of micro...

  8. The extraction and preliminary characterization of paint oil and paint wax

    Ren Yingjie; Wu Maoyu; Zhang Feilong

    2012-01-01

    To study the best technology of extraction of paint wax and paint seed oil, we performed the single factor experiment and analyzed the composition of different varieties of paint oil by infrared analysis. The results show that: the optimum conditions for paint wax, are that, using petroleum ether(30℃ -60℃ ) as extracting agent, extraction temperature 50℃, ratio of solid to liquid 1 : 20, the extraction time 12h, paint seed skin mesh size, greater than 100 ; optimum conditions for paint oil are that, petroleum ether( 30℃ -60℃ ) as extracting agent, extraction temperature 50℃, ratio of solid to liquid 1 : 30, the extraction time 3h, paint seed skin mesh size greater than 100. Extracted paint oil' s IR spectral peak positions are basically the same, which indicates that their chemical compositions are basically the same.%研究漆籽油和漆蜡提取的最佳工艺,进行单因素实验,对不同品种漆油进了红外分析。结果表明:漆蜡的最佳工艺条件是:石油醚(30℃~60℃)作为提取剂,提取温度为50℃,固液比为1∶20,提取时间12h,漆籽皮的目数是大于100目;漆油的最佳工艺条件是:石油醚(30℃~60℃)作为提取剂,提取温度为50℃,固液比为1∶30,提取时间3h,漆籽皮的目数是大于100目。通过萃取所得的漆油在红外图谱上出峰位置基本一致,表明其化学成分基本相同。

  9. Computerized Comparison and Analysis of Vincent van Gogh's Painting Brushstrokes

    Wang, James Z.

    2009-03-01

    With advanced digitization techniques, museums have routinely begun to assemble vast digital libraries of images of their collections. These images can be analyzed by computers to assist art historians for a number of tasks. In our work, we focus on three challenges: artist identification, dating of an art work, and finding distinguishing features among artists. Two complementary approaches were taken: (1) the analysis of the geometric statistics based on the extracted individual brushstroke, and (2) the modeling of overall brushstroke texture. These approaches aim at assisting art historians in comparing a painting or parts of a painting to a group of paintings based on multiple criteria. Statistical methods have been used to compare groups of paintings. Each painting image is divided into subimages. Individual brushstrokes are segmented automatically. Geometric features, including the curvature, the overall orientation, and the size, are computed for each brushstroke. We also compute the features representing the interactivity of the brushstrokes extracted. The statistics, including average and standard deviation, of those features are used to model certain aspects of the artist's brushstrokes. For capturing the local brushstroke texture, we first apply a wavelet transform to the image. A spatial model, the 2-D hidden Markov model, is used to model the texture features of each subimage. The methods have shown to be able to distinguish van Gogh paintings and non van Gogh paintings to a great extent. The techniques can provide clues for the dating of van Gogh paintings. A comparison of the van Gogh paintings, Monticelli's paintings, and paintings by contemporary artists provides insights on their similarities and differences. The analysis has provided numerical statistics for further studying these and other paintings.

  10. Smart Surfaces: New Coatings & Paints with Radiation Detection Functionality

    Farmer, J; Choi, J

    2007-03-12

    Paints are being developed and tested that might ultimately be able to detect radiological agents in the environment by incorporating special pigments into an organic polymeric binder that can be applied as a paint or coatings. These paints detect radioactive sources and contaminants with inorganic or organic scintillation or thermo-luminescent pigments, which are selected based upon the radiation ({alpha}, {beta}, {gamma} or n) to be detected, and are shown in Figure 1.

  11. Alternative Solvents/Technologies for Paint Stripping: Phase 1.

    1994-03-01

    and: PZ 600 N-Methylpyrrolidone >50 100 mg/L Turco:Trco Hydrotreated Napthenic Distillate 15 5 m/r 3 Monoethanol Amine 30 3 mg/L N-Methylpyrrolidone 45... amines . Organic acids such as formic acid hydrolyze ether linkages in the paint film and destroy crosslinking to allow rapid penetration of the primary...as water, acids, and amines in the paint strippers. g. Surfactants Surfactants assist in the removal of the softened paint and stripper residues. 3

  12. Revealing pentimenti: the hidden history in a painting

    Gooch, Amy A.

    2007-02-01

    Art conservators often explore X-ray images of paintings to help find pentimenti, the artist's revisions hidden beneath the painting's visible first surfaces. X-ray interpretation is difficult due to artifacts in the image, superimposed features from all paint layers, and because image intensity depends on both the paint layer thickness and each pigment's opacity. We present a robust user-guided method to suppress clutter, find visually significant differences between X-ray images and color photographs, and visualize them together. These tools allow domain experts as well as museum visitors to explore the artist's creative decisions that led to a masterpiece.

  13. Astronomical Dating of Edvard Munch's Summer Sky Paintings

    Pope, Ava; Olson, Donald

    2010-02-01

    Norwegian painter Edvard Munch, most famous for The Scream, created many spectacular works depicting the skies of Norway. Our Texas State group used astronomical methods to analyze three of these paintings: Starry Night, The Storm, and Sunrise in Asgardstrand. Astronomical dating of these paintings has some importance because the precise days when Munch visited Asgardstrand are unknown. Our research group traveled to Norway in August 2008 to find the locations from which Munch painted these three works. We then used astronomical calculations, topographical analysis, historical photographs, and weather records to determine the precise dates and times for the scenes depicted in these paintings. )

  14. Preventive conservation applied to "Casa dos Patudos" oil painting collection

    Mafalda Fernandes

    2016-01-01

    Full Text Available The main objective of this work was the identification of specific risks affecting the collection of oil paintings in the historic house "Casa dos Patudos" (Alpiarça, Portugal and the development of mitigation strategies for the risks encountered. The methodology used was proposed by the Canadian Conservation Institute. The results showed that the main risks affecting this collection result from incorrect handling, increase in paint detachment due to the maintenance of paintings with paint lifting on display, occurrence of insect pests, high fluctuations in relative humidity and, excessive exposure to ultraviolet radiation. Several preventive conservation strategies to mitigate these risks are proposed.

  15. Trompe l'oeil painting for the scientific illustrator.

    Hodge, G P

    2000-01-01

    Trompe l'oeil is a French term meaning fool-the-eye. When this concept is applied to the art of painting, the painted objects must look as convincingly real as do the actual objects. With the scientific illustrator having a background of rendering concepts which are realistic and accurate, he or she should have no trouble moving into the trompe l'oeil fine art field. The author lists the necessary aspects of why a trompe l'oeil painting is different from a realistic scientific illustration, a still life, or a landscape painting.

  16. Cold Spray Forming of Inconel 718

    Wong, W.; Irissou, E.; Vo, P.; Sone, M.; Bernier, F.; Legoux, J.-G.; Fukanuma, H.; Yue, S.

    2013-03-01

    Inconel 718 was cold spray formed to a 6-mm thickness on an 8-cm diameter aluminum alloy tube using Sulzer Amdry 1718 powder and the Plasma Giken PCS-1000 cold spray system. The effects of spray particle velocity and post-spray heat treatment were studied. Post-spray annealing was performed from 950 to 1250 °C for 1-2 h. The resulting microstructures as well as the corresponding mechanical properties were characterized. As-sprayed coatings exhibited very low ductility. The tensile strength and ductility of the heat-treated coatings were improved to varying levels depending on the heat-treatment and spray conditions. For coatings sprayed at higher particle velocity and heat treated at 1250 °C for 1 h, an elongation of 24% was obtained. SEM micrographs showed a higher fraction of interparticle metallurgical bonds due to some sintering effect. Corresponding fracture surfaces also revealed a higher fraction of dimple features, typically associated with ductile fracture, in the annealed coatings. The results demonstrate that cold spray forming of Inconel 718 is feasible, and with appropriate heat treatment, metallurgical bonding can be increased. The ductility of the spray-formed samples was comparable to that of the bulk material.

  17. Model Stickiness in Spray Drying

    Petersen, Thomas

    a droplet would encounter in a spray dryer. The droplet is recorded using a CCD-camera during drying and the subsequent stickiness test. After a user-specifed drying time a piston strikes the partially dried particle at a user-specifed velocity. After the impact the piston surface is inspected...... and if the particle was sticky it is seen adhering to the surface, while a clean piston signifes a non-sticky particle. The setup was designed specically to test the stickiness of a particle produced by drying a droplet of the desired feed - something unlike methods of literature where dry particles have been...... design of spray dryers. The experimental work centers around a new technique for measuring when, during drying, a particle becomes non-sticky based on a single droplet drying technique used to study drying kinetics. An acoustic levitator is used to dry a levitated droplet in conditions similar to those...

  18. Sprays and Cartan projective connections

    Saunders, D. J.

    2004-10-01

    Around 80 years ago, several authors (for instance H. Weyl, T.Y. Thomas, J. Douglas and J.H.C. Whitehead) studied the projective geometry of paths, using the methods of tensor calculus. The principal object of study was a spray, namely a homogeneous second-order differential equation, or more generally a projective equivalence class of sprays. At around the same time, E. Cartan studied the same topic from a different point of view, by imagining a projective space attached to a manifold, or, more generally, attached to a `manifold of elements'; the infinitesimal `glue' may be interpreted in modern language as a Cartan projective connection on a principal bundle. This paper describes the geometrical relationship between these two points of view.

  19. Uniform-droplet spray forming

    Blue, C.A.; Sikka, V.K. [Oak Ridge National Lab., TN (United States); Chun, Jung-Hoon [Massachusetts Institute of Technology, Cambridge, MA (United States); Ando, T. [Tufts Univ., Medford, MA (United States)

    1997-04-01

    The uniform-droplet process is a new method of liquid-metal atomization that results in single droplets that can be used to produce mono-size powders or sprayed-on to substrates to produce near-net shapes with tailored microstructure. The mono-sized powder-production capability of the uniform-droplet process also has the potential of permitting engineered powder blends to produce components of controlled porosity. Metal and alloy powders are commercially produced by at least three different methods: gas atomization, water atomization, and rotating disk. All three methods produce powders of a broad range in size with a very small yield of fine powders with single-sized droplets that can be used to produce mono-size powders or sprayed-on substrates to produce near-net shapes with tailored microstructures. The economical analysis has shown the process to have the potential of reducing capital cost by 50% and operating cost by 37.5% when applied to powder making. For the spray-forming process, a 25% savings is expected in both the capital and operating costs. The project is jointly carried out at Massachusetts Institute of Technology (MIT), Tuffs University, and Oak Ridge National Laboratory (ORNL). Preliminary interactions with both finished parts and powder producers have shown a strong interest in the uniform-droplet process. Systematic studies are being conducted to optimize the process parameters, understand the solidification of droplets and spray deposits, and develop a uniform-droplet-system (UDS) apparatus appropriate for processing engineering alloys.

  20. Spray calcination of nuclear wastes

    Bonner, W.F.; Blair, H.T.; Romero, L.S.

    1976-01-01

    The spray calciner is a relatively simple machine; operation is simple and is easily automated. Startup and shutdown can be performed in less than an hour. A wide variety of waste compositions and concentrations can be calcined under easily maintainable conditions. Spray calcination of all commercial fuel reprocessor high-level liquid wastes and mixed high and intermediate-level wastes have been demonstrated. Wastes have been calcined containing over 2M sodium. Thus waste generated during plant startup and shutdown can be blended with normal waste and calcined. Spray calcination of ILLW has also been demonstrated. A remotely replaceable atomizing nozzle has been developed for use in plant scale equipment. The 6 mm (0.25 inch) orifice and ceramic tip offer freedom from plugging and erosion thus nozzle replacement should be required only after several months operation. Calciner capacity of over 75 l/h (20 gal/h) has been demonstrated in pilot scale equipment. Sintered stainless steel filters are effective in deentraining over 99.9 percent of the solids that result from calcining the feedstock. Since such a small amount of radionuclides escape the calciner the volume of recycle required from the effluent treatment system is very small. The noncondensable off-gas volume is also low, less than 0.5 m/sup 3//min (15 scfm) for a liquid feedrate of 75 l/hr (20 gal/hr). Calcine holdup in the calciner is less than 1 kg, thus the liquid feedrate is directly relatable to calcine flowrate. The calcine produced is very fine and reactive. Successful remote operation and maintenance of a heated wall spray calciner has been demonstrated while processing actual high-level waste. During these operations radionuclide volatilization from the calciner was acceptably low. 8 figures. (DLC)

  1. Thermal characterization of intumescent fire retardant paints

    Calabrese, L.; Bozzoli, F.; Bochicchio, G.; Tessadri, B.; Rainieri, S.; Pagliarini, G.

    2014-11-01

    Intumescent coatings are now the dominant passive fire protection materials used in industrial and commercial buildings. The coatings, which usually are composed of inorganic components contained in a polymer matrix, are inert at low temperatures and at higher temperatures, they expand and degrade to provide a charred layer of low conductivity materials. The charred layer, which acts as thermal barrier, will prevent heat transfer to underlying substrate. The thermal properties of intumescent paints are often unknown and difficult to be estimated since they vary significantly during the expansion process; for this reason the fire resistance validation of a commercial coatings is based on expensive, large-scale methods where each commercial coating-beam configuration has to be tested one by one. Adopting, instead, approaches based on a thermal modelling of the intumescent paint coating could provide an helpful tool to make easier the test procedure and to support the design of fire resistant structures as well. The present investigation is focused on the assessment of a methodology intended to the restoration of the equivalent thermal conductivity of the intumescent layer produced under the action of a cone calorimetric apparatus. The estimation procedure is based on the inverse heat conduction problem approach, where the temperature values measured at some locations inside the layer during the expansion process are used as input known data. The results point out that the equivalent thermal conductivity reached by the intumescent material at the end of the expansion process significantly depends on the temperature while the initial thickness of the paint does not seem to have much effect.

  2. Paintings in Atlantic Megalithic Art: Barnenez

    Bueno Ramírez, Primitiva

    2012-06-01

    Full Text Available The use of technique is usually considered in European megalithic art as an indicator of the level of culture sophistication attained by a particular community. Traditionally, it was considered that only the Iberian Peninsula is home to painted dolmens. The analysis of chamber H of the Barnenez tumulus together with some information scattered over the continent, prove that painting was part of the graphic programs in the most archetypal Atlantic sites, such as Brittany. A highly rewarding panorama appears for European megalithic art with potential new readings. The most suitable method of detecting paintings and interpreting them in funerary contexts must be reviewed.

    La técnica ha venido estableciéndose en el arte megalítico europeo como una categoría cultural. Solo la Península Ibérica disponía de dólmenes pintados. Pero algunos datos dispersos en el resto del continente, junto con los análisis que se aportan procedentes de la cámara H del túmulo de Barnenez, certifican que la pintura formó parte de los programas gráfi cos de los más clásicos conjuntos atlánticos, como es el bretón. Se abre un panorama muy enriquecedor de nuevas lecturas para un arte megalítico europeo en el que habrá de contemplarse la metodología pertinente para la detección de pinturas y su interpretación en los discursos funerarios.

  3. Impact on the environment from steel bridge paint deterioration using lead isotopic tracing, paint compositions and soil deconstruction.

    Gulson, Brian; Chiaradia, Massimo; Davis, Jeffrey; O'Connor, Gary

    2016-04-15

    Deterioration and repair of lead paint on steel structures can result in contamination of the ambient environment but other sources of lead such as from past use of leaded paint and gasoline and industrial activities can also contribute to the contamination. Using a combination of high precision lead isotopic tracing, detailed paint examination, including with scanning electron microscopy, and soil deconstruction we have compared paint on a steel bridge and bulk soil and lead-rich particles separated from soil. The majority of Pb found in the paint derives from Australian sources but some also has a probable US origin. The isotopic data for the bulk soils and selected particles lie on a mixing line with end members the geologically ancient Broken Hill lead and possible European lead which is suggested to be derived from old lead paint and industrial activities. Data for gasoline-derived particulates lie on this array and probably contribute to soil Pb. Although paint from the bridge can be a source of lead in the soils, isotopic tracing, paint morphology and mineralogical identification indicate that other sources, including from paint, gasoline and industrial activities, are contributing factors to the lead burden. Even though physical characteristics and elemental composition are the same in some particles, the isotopic signatures demonstrate that the sources are different. Plots using (206)Pb/(208)Pb vs (206)Pb/(207)Pb ratios, the common representation these days, do not allow for source discrimination in this investigation.

  4. Investigating shoulder muscle loading and exerted forces during wall painting tasks: influence of gender, work height and paint tool design.

    Rosati, Patricia M; Chopp, Jaclyn N; Dickerson, Clark R

    2014-07-01

    The task of wall painting produces considerable risk to the workers, both male and female, primarily in the development of upper extremity musculoskeletal disorders. Insufficient information is currently available regarding the potential benefits of using different paint roller designs or the possible adverse effects of painting at different work heights. The aim of this study was to investigate the influence of gender, work height, and paint tool design on shoulder muscle activity and exerted forces during wall painting. Ten young adults, five male and five female, were recruited to perform simulated wall painting at three different work heights with three different paint roller designs while upper extremity muscle activity and horizontal push force were recorded. Results demonstrated that for female participants, significantly greater total average (p = 0.007) and integrated (p = 0.047) muscle activity was present while using the conventional and curly flex paint roller designs compared to the proposed design in which the load was distributed between both hands. Additionally, for both genders, the high working height imposed greater muscular demands compared to middle and low heights. These findings suggest that, if possible, avoid painting at extreme heights (low or high) and that for female painters, consider a roller that requires the use of two hands; this will reduce fatigue onset and subsequently mitigate potential musculoskeletal shoulder injury risks.

  5. Mural Paintings in A Liao Tomb

    1998-01-01

    It was a custom in the Liao Dynasty to decorate tombs with murals. The paintings in Zhao Dejun’s tomb, excavated in Beijing, provide a well-known example. During the Five Dynasties period, Zhao Dejun was a warlord in Youzhou, which became the southern capital of Nanjing in the Liao Dynasty (and even later, was renamed Beijing). The Zhaos grew to become a very powerful family in the area, as can be seen from the size of Zhao’s tomb and the value of the funerary objects buried with him. His tomb

  6. Immunodetection of proteins in ancient paint media.

    Cartechini, Laura; Vagnini, Manuela; Palmieri, Melissa; Pitzurra, Lucia; Mello, Tommaso; Mazurek, Joy; Chiari, Giacomo

    2010-06-15

    Diagnostic immunology is a powerful tool, widely used in clinical and biochemical laboratories for detecting molecules. In recent years, the technique has been adapted to materials sciences as a result of the extensive advances achieved in immunology. Today, many companies supply custom antibodies as well as new high-performance bioprobes for virtually any use. The idea of using immunodetection in the field of conservation science is not new. This analytical methodology is, in fact, particularly attractive for investigating biopolymers in painting materials; it is highly sensitive and selective with respect to the biological source of the target molecules. Among biopolymers, proteins have been widely used in the past as painting binders, adhesives, and additives in coating layers. An accurate assessment of these materials is necessary to obtain deeper insights into an artist's technique as well as to design proper restoration and conservation methods. In spite of the diagnostic potential offered by immunodetection-based techniques, some analytical drawbacks had, until recently, limited their use in routine applications in conservation science. In this Account, we highlight the most important results achieved in our research on the development of analytical methodologies based on the use of enzyme-linked immunosorbent assay (ELISA) and immuno-fluorescence microscopy (IFM) techniques for the highly sensitive and specific identification of proteins in artistic and archeological materials. ELISA and IFM offer two alternative analytical routes to this final goal: ELISA provides a fast, cost-effective, quantitative analysis of microsamples put in solution, whereas IFM combines the immunodetection of the targeted molecules with the characterization of their spatial distribution. The latter approach is of great value in the stratigraphic investigation of paintings. We discuss the limits and strengths of these methodologies in the context of the complex matrixes usually

  7. Flood Overflows Jinshan Temple (Chinese Painting)

    1999-01-01

    The Chinese painting Flood Ouerflows Jinshan Temple draws its subject from a beautiful and well-known legend,The white Snake.In the tale Jinshan was an islet in the Yangtze River of yesteryear.Inorder to aave her husband kept in a temple at the top of the isle.Bai Niangzi.incarnation of the whitesnake.bravely fought Monk Fahat.She borrowed the Yangtze River’s water to overcome Jinshan Templeand force Fahai to release her husband.

  8. Tangka Painting Art of the Tibetan Race (Ⅰ)

    2004-01-01

    Tibetan painting art is mainly revealed in mural paintings aswell as tangka. Tangka incarnates not only the special character of Tibetan painting art but also the features of Tibetan traditional crafts and mounting.

  9. A method of using commercial virtual satellite image to check the pattern painting spot effect

    Wang, Zheng-gang; Kang, Qing; Shen, Zhi-qiang; Cui, Chang-bin

    2014-02-01

    A method of using commercial virtual satellite image to check the pattern painting spot effect contrast with the satellite images before painting and after painting have been discussed. Using a housetop as the testing platform analyses and discusses the factors' influence such as resolution of satellite image, spot size and color of pattern painting spot and pattern painting camouflage method choosing to the plan implement. The pattern painting design and spot size used in the testing has been ensured, and housetop pattern painting has been painted. Finally, the small spot pattern painting camouflage effect of engineering using upon painting pattern size, color and texture have been checked, contrasting with the satellite image before painting and after painting.

  10. The history and future of thermal sprayed galvanically active metallic anticorrosion coatings used on pipelines and steel structures in the oil and gas industry

    Rodijnen, Fred van [Sulzer Metco, Duisburg (Germany)

    2008-07-01

    Since its invention by M. U. Schoop in the beginning of the 20th century, thermal spray has been used for corrosion protection applications in naval, on-shore, submerged and atmospheric environments. Thermally sprayed coatings of zinc, zinc alloys, aluminum and aluminum alloys are currently the most popular materials used for active corrosion protection of steel and concrete, which can be applied using either of the widely known thermal spray processes of combustion wire or electric arc wire. In the oil and gas exploration and production industry, corrosion protection applications using these technologies have evolved since the early sixties. Thermal spray technology has successfully been used to protect steel-based materials from corrosion in many different fields of application like platforms and pipelines. The most used material in the oil and gas industry is TSA (Thermally Sprayed Aluminum) coating. TSA coatings, with a lifetime of 25 to 30 years, require no maintenance except for cosmetic reasons when painted. The surface temperature of a TSA can go as high as 480 deg C. Although TS (Thermal Spray) is an older process, the number of applications and the number of m{sup 2} it is applied to is still increasing resulting from its maintenance-free and reliable active corrosion-protection features. (author)

  11. Evaluation of the Eulerian-Lagrangian spray atomisation (ELSA) in spray simulations

    Hoyas, S.; Pastor Enguídanos, José Manuel; KHUONG, ANH DUNG; MOMPÓ LABORDA, JUAN MANUEL; Ravet, Frederic

    2011-01-01

    Many approaches have been used to simulate the spray structure especially in modelling fuel sprays, i.e., Eulerian, Lagrangian, Lagrangian- Eulerian, Eulerian-Eulerian and Eulerian-Lagrangian approaches. The present study uses an Eulerian-Lagrangian spray atomisation (ELSA) method which is an integrated model for capturing the whole spray evolution starting directly from injector nozzle still the end. Our goal in this study is to evaluate the ELSA model which is implementing into the commerci...

  12. Wind Tunnel and Field Evaluation of Drift from Aerial Spray Applications with Multiple Spray Formulations

    2012-01-01

    movement of sprays from aerial sprays continues to be a major concern. Ongoing research and edu- cation efforts, new product developments , and adaption...emulsifiable con- centrate, a liquid flowable, and a water dispersable granule ), with and without a non-ionic surfactant and a crop oil, sprayed in a 52 m/s... Development of the Spray Drift Task Force Database for Aerial Applications,” Envir. Toxic. Chem., Vol. 21, No. 3, 2002, pp. 648–658. [14] Spanoghe, P

  13. Algorithms for improving accuracy of spray simulation

    ZHANG HuiYa; ZHANG YuSheng; XIAO HeLin; XU Bo

    2007-01-01

    Fuel spray is the pivotal process of direct injection engine combustion. The accuracy of spray simulation determines the reliability of combustion calculation. However, the traditional techniques of spray simulation in KIVA and commercial CFD codes are very susceptible to grid resolution. As a consequence, predicted engine performance and emission can depend on the computational mesh. The two main causes of this problem are the droplet collision algorithm and coupling between gas and liquid phases. In order to improve the accuracy of spray simulation, the original KIVA code is modified using the cross mesh droplet collision (CMC) algorithm and gas phase velocity interpolation algorithm. In the constant volume apparatus and D.I. Diesel engine, the improvements of the modified KIVA code in spray simulation accuracy are checked from spray structure, predicted average drop size and spray tip penetration, respectively. The results show a dramatic decrease in grid dependency. With these changes, the distorted phenomenon of spray structure is vanished. The uncertainty in predicted average drop size is reduced from 30 to 5 μm in constant volume apparatus calculation, and the uncertainty is further reduced to 2 μm in an engine simulation. The predicted spray tip penetrations in engine simulation also have better consistency in medium and fine meshes.

  14. Augmenting painted architectures for communicating cultural heritage

    Alberto Sdegno

    2015-07-01

    Full Text Available The paper presents a research under development at the University of Trieste to analyze a painted architecture by Paolo Veronese and to present the results using AR systems (Augmented Reality Systems. The canvas was painted in 1573 and it is now at the Gallerie dell’Accademia Museum in Venice. The aim of the research was to transform a two-dimensional work of art in a three dimensional one, allowing all the visitors of a museum to enter the space of the representation and perceive it in a more direct way. After the geometrical analysis of the picture, we started the digital restitution of the perspective references and proceed to model the virtual scene using Boolean primitives and applying all the textures to render the scene in a very realistic way. The further step was to convert the model into a dynamic form with AR algorithms and associate it with spatial references to allow users to do a virtual experience of it.

  15. New biocide-free anti-fouling paints are toxic.

    Karlsson, Jenny; Eklund, Britta

    2004-09-01

    A number of new anti-fouling paints claimed to be more friendly to the environment, have entered the market since prohibition of biocide containing paints have been enforced in many areas. Leakage waters from five new anti-fouling paints were tested for toxic effects to the macro algae Ceramium tenuicorne and Ceramium strictum and to the crustacean Nitocra spinipes. A banned copper and irgarol 1051 containing anti-fouling paint was used as reference. Five of the six paints tested were toxic to all or some of the organisms after two weeks of leakage with EC50 ranging from 0.08 to around 2% leakage water and LC50 ranging from 1.1% to 88%. The toxicity of leakage water from these paints was still high after 16 weeks. We conclude that these paints contain substances toxic to common organisms in the coastal Baltic ecosystem. A silicone based paint did not exhibit toxic effects to the two organisms. We recommend that biological tests should be used to identify the most harmful products before they are released on the market.

  16. UN to lssue Stamps of Chinese Children’s Paintings

    1996-01-01

    A set of stamps designed by Chinese children who took peace as their theme will be issued by the United Nations on October 25, 1996. This will be the first time the United Nations has used children’s paintings in its stamps. The paintings chosen are prize-winners of the Chinese national stamp-designing

  17. Reconsidering Chinese Painting%中国画再审视

    梁耀

    2001-01-01

    Reconsidering the traditional painting, including its philosophy and techniques, is always done by contemporary artists. The result is not very important. What we can concern is the expression in the painting, which would show the thinking progress, of the artist. Let's appreciate works of Mr. Liang Yao.

  18. 75 FR 39706 - Natural Bristle Paint Brushes From China

    2010-07-12

    ... the antidumping duty order on natural bristle paint brushes from China (75 FR 21347, April 23, 2010... revoke the order on June 16, 2010 (75 FR 34097). In light of these developments, the Commission is... COMMISSION Natural Bristle Paint Brushes From China AGENCY: United States International Trade...

  19. The Monetary Appreciation of Paintings : From Realism to Magritte

    Renneboog, L.D.R.; van Houte, T.

    1999-01-01

    This study investigates how investments in painted arts compare to those in stocks in terms of risk return trade off using Sharpe and Treynor ratios and Markowitz efficient frontiers. A large database was analysed consisting of more than 10500 auction prices of Belgian painted art over the period 19

  20. 29 CFR 1915.33 - Chemical paint and preservative removers.

    2010-07-01

    ... or alkalies, employees shall be protected by suitable face shields to prevent chemical burns on the... 29 Labor 7 2010-07-01 2010-07-01 false Chemical paint and preservative removers. 1915.33 Section... Preparation and Preservation § 1915.33 Chemical paint and preservative removers. (a) Employees shall...

  1. Non-Photorealistic Rendering in Chinese Painting of Animals

    2002-01-01

    A set of algorithms is proposed in this paper to automatically transform 3D animal models to Chinese painting style. Inspired by real painting process in Chinese painting of animals, we divide the whole rendering process into two parts: borderline stroke making and interior shading. In borderline stroke making process we first find 3D model silhouettes in real-time depending on the viewing direction of a user. After retrieving silhouette information from all model edges, a stroke linking mechanism is applied to link these independent edges into a long stroke. Finally we grow a plain thin silhouette line to a stylus stroke with various widths at each control point and a 2D brush model is combined with it to simulate a Chinese painting stroke. In the interior shading pipeline, three stages are used to convert a Gouraud-shading image to a Chinese painting style image: color quantization, ink diffusion and box filtering. The color quantization stage assigns all pixels in an image into four color levels and each level represents a color layer in a Chinese painting. Ink diffusion stage is used to transfer inks and water between different levels and to grow areas in an irregular way. The box filtering stage blurs sharp borders between different levels to embellish the appearance of final interior shading image. In addition to automatic rendering, an interactive Chinese painting system which is equipped with friendly input devices can be also combined to generate more artistic Chinese painting images manually.

  2. Replicas in Caravaggio's paintings: the correct use of scientific analysis

    Diana, Maurizio; Moioli, Pietro; Seccaroni, Claudio

    1998-05-01

    Painting techniques and materials employed by Caravaggio are analyzed by X-ray fluorescence and radiography of unquestioned genuine works and compared to replicas of his earlier work. This approach is important in the attribution of recently discovered paintings and copies from the XVII century.

  3. Finite Element Modeling of Vibrations in Canvas Paintings

    Chiriboga Arroyo, P.G.

    2013-01-01

    Preventing vibration damage from occurring to valuable and sensitive canvas paintings is of main concern for museums and art conservation institutions. This concern has grown in recent years due to the increasing demand of paintings for exhibitions worldwide and the concomitant need for their handli

  4. SUBSTRATE EFFECTS ON VOC EMISSIONS FROM A LATEX PAINT

    The effects of two substrates -- a stainless steel plate and a gypsum board -- on the volatile organic compound (VOC) emissions from a latex paint were evaluated by environmental chamber tests. It was found that the amount of VOCs emitted from the painted stainless steel was 2 to...

  5. Chromosome-specific painting in Cucumis species using bulked oligonucleotides

    Chromosome-specific painting is a powerful technique in molecular cytogenetic and genome research. We developed an oligonucleotide (oligo)-based chromosome painting technique in cucumber (Cucumis sativus) that will be applicable in any plant species with a sequenced genome. Oligos specific to a sing...

  6. The social lives of paintings in Sixteenth-Century Venice

    Kessel, Elisabeth Johanna Maria van

    2011-01-01

    This thesis studies Venetian painting in its golden age, the sixteenth century, from an unconventional, anthropological point of view. Paintings of masters like Titian are demonstrated to have had social lives. Together with human beings they were embedded in social networks in which humans and pain

  7. The painting collection of baron Willem Vincent van Wyttenhorst

    Boers, M

    2004-01-01

    The Catholic Baron Willem Vincent van Wyttenhorst (1613-1674) from Utrecht was an enthusiastic collector of paintings. In his translation of Guarini's Il Pastor Fido, Hendrick Bloemaert even lauded Willem Vincent's 'Lofweerdigh cabinet' (commendable cabinet) of paintings. The inventory Wyttenhorst m

  8. Chromatic changes on the wall paintings in Sanderum Church (Denmark)

    Brajer, Isabelle Eve; Christensen, Mads Christian

    2011-01-01

    This paper describes observations and results of analyses undertaken to find explanations for several phenomena affecting the colours on the Gothic wall paintings in Sanderum Church (Denmark). Paintings have been exposed on four webs of the chancel vault and one web in the nave since 1882. Three...

  9. Artists' Perception of the Use of Digital Media in Painting

    Agyeman, Cynthia A.

    2015-01-01

    Painting is believed to predate recorded history and has been in existence for over 35,000 (Ayres, 1985; Bolton, 2013) years. Over the years, painting has evolved; new styles have been developed and digital media have been explored. Each period of change goes through a period of rejection before it is accepted. In the 1960s, digital media was…

  10. Automotive Painting Technology A Monozukuri-Hitozukuri Perspective

    Salazar, Abraham; Saito, Kozo

    2013-01-01

    This book offers unique and valuable contributions to the field. It offers breadth and inclusiveness. Most existing works on automotive painting cover only a single aspect of this complex topic, such as the chemistry of paint or paint booth technology. Monozukuri and Hitozukuri are Japanese terms that can be translated as “making things” and “developing people” but their implications in Japanese are richer and more complex than this minimal translation would indicate. The Monozukuri-Hitozukuri perspective is drawn from essential principles on which the Toyota approach to problem-solving and continuous improvement is based. From this perspective, neither painting technology R&D nor painting technology use in manufacturing can be done successfully without integrating technological and human concerns involved with making and learning in the broadest sense, as the hyphen is meant to indicate. The editors provide case studies and examples -- drawn from Mr. Toda’s 33 years of experience with automotiv...

  11. Population densities of painted buntings in the southeastern United States

    Meyers, J. Michael

    2011-01-01

    The eastern population trend of Passerina ciris (Painted Bunting) declined 3.5% annually during the first 30 yrs of the Breeding Bird Survey (BBS, 1966–1996). Recently, the US Fish and Wildlife Service listed Painted Buntings as a focal species. Surveys for this focal species for the next 10 yrs (BBS, 1997–2007), however, are too low (2 in young pine plantations to 42 per km2 in maritime shrub. Effective detection radii for habitats varied from 64 to 90 m and were slightly higher in developed than in undeveloped habitats. Distance sampling is recommended to determine densities of Painted Buntings; however, large sample sizes (70–100 detections/habitat type) are required to monitor Painted Bunting densities in most habitats in the Atlantic coastal region of the southeastern United States. Special attention should be given to maritime shrub habitats, which may be important to maintaining the Painted Bunting population in the southeastern US.

  12. Service-Learning General Chemistry: Lead Paint Analyses

    Kesner, Laya; Eyring, Edward M.

    1999-07-01

    Houses painted with lead-based paints are ubiquitous in the United States because the houses and the paint have not worn out two decades after federal regulations prohibited inclusion of lead in paint. Remodeling older homes thus poses a health threat for infants and small children living in those homes. In a service-learning general chemistry class, students disseminate information about this health threat in an older neighborhood. At some of the homes they collect paint samples that they analyze for lead both qualitatively and quantitatively. This service-learning experience generates enthusiasm for general chemistry through the process of working on a "real" problem. Sample collection familiarizes the students with the concept of "representative" sampling. The sample preparation for atomic absorption spectroscopic (AAS) analysis enhances their laboratory skills. The focus of this paper is on the mechanics of integrating this particular service project into the first-term of the normal general chemistry course.

  13. Fly ash based zeolitic pigments for application in anticorrosive paints

    Shaw, Ruchi; Tiwari, Sangeeta

    2016-04-01

    The purpose of this work is to evaluate the utilization of waste fly ash in anticorrosive paints. Zeolite NaY was synthesized from waste fly ash and subsequently modified by exchanging its nominal cation Na+ with Mg2+ and Ca2+ ions. The metal ion exchanged zeolite was then used as anticorrosive zeolitic pigments in paints. The prepared zeolite NaY was characterized using X-Ray diffraction technique and Scanning electron microscopy. The size, shape and density of the prepared fly ash based pigments were determined by various techniques. The paints were prepared by using fly ash based zeolitic pigments in epoxy resin and the percentages of pigments used in paints were 2% and 5%. These paints were applied to the mild steel panels and the anticorrosive properties of the pigments were assessed by the electrochemical spectroscopy technique (EIS).

  14. Large-Scale Quantitative Analysis of Painting Arts

    Kim, Daniel; Son, Seung-Woo; Jeong, Hawoong

    2014-12-01

    Scientists have made efforts to understand the beauty of painting art in their own languages. As digital image acquisition of painting arts has made rapid progress, researchers have come to a point where it is possible to perform statistical analysis of a large-scale database of artistic paints to make a bridge between art and science. Using digital image processing techniques, we investigate three quantitative measures of images - the usage of individual colors, the variety of colors, and the roughness of the brightness. We found a difference in color usage between classical paintings and photographs, and a significantly low color variety of the medieval period. Interestingly, moreover, the increment of roughness exponent as painting techniques such as chiaroscuro and sfumato have advanced is consistent with historical circumstances.

  15. 24 CFR 35.1320 - Lead-based paint inspections, paint testing, risk assessments, lead-hazard screens, and...

    2010-04-01

    ... 24 Housing and Urban Development 1 2010-04-01 2010-04-01 false Lead-based paint inspections, paint testing, risk assessments, lead-hazard screens, and reevaluations. 35.1320 Section 35.1320 Housing and Urban Development Office of the Secretary, Department of Housing and Urban Development LEAD-BASED...

  16. CHARACTERIZATION OF LOW-VOC LATEX PAINTS: VOLATILE ORGANIC COMPOUND CONTENT, VOC AND ALDEHYDE EMISSIONS, AND PAINT PERFORMANCE

    The report gives results of laboratory tests to evaluate commercially available latex paints advertised as "low-odor," "low-VOC (volatile organic compound)," or "no-VOC." Measurements were performed to quantify the total content of VOCs in the paints...

  17. CAPSTONE REPORT ON THE DEVELOPMENT OF A STANDARD TEST METHOD FOR VOC EMISSIONS FROM INTERIOR LATEX PAINT AND ALKYD PAINTS

    The report gives details of a small-chamber test method developed by the EPA for characterizing volatile organic compound (VOC) emissions from interior latex and alkyd paints. Current knowledge about VOC, including hazardous air pollutant, emissions from interior paints generated...

  18. 多喷枪协同式喷涂五轴混联机器人设计%Design of 5-axes Hybrid Robot with Several Spray Guns for Collaborative Spraying

    李菊; 赵德安; 沈惠平; 邓嘉鸣; 蒋益兴; 徐伟

    2012-01-01

    A parallel mechanism was used in spray painting equipment for large and flat cube workpiece. A 5-axes decoupling hybrid spraying robot was designed. The mechanism design, working principle, kinematical analysis, drive mode, hardware composition and control method of control system for the spraying robot were expounded. The robot had compact structure, high spraying efficiency, uniform coating thickness, simple operation, and good prospect.%针对大型扁平型立方体工件的喷涂工艺特点,将并联机构应用于喷涂工艺,设计了一种控制解耦性很好的五轴混联喷涂机器人,阐述了这种喷涂机器人的机构设计、工作原理、运动学分析、驱动方式、控制系统硬件组成及其控制方式.该机器人具有结构紧凑、喷涂效率高、涂层厚度均匀和操作简便等特点,具有较好的应用前景.

  19. New tools to optimise spray dryers

    Verschueren, M.; Straatsma, J.; Schutyser, M.A.I.; Akkerman, C.; Jong, de P.

    2007-01-01

    Spray drying is an essential unit operation for the manufacture of many products with specific powder properties. It is characterised by atomisation of a solution or suspension into droplets, followed by subsequent drying of these droplets by evaporation of water or other solvents. Spray drying is u

  20. Diuretic plants in the paintings of Pompeii.

    Melillo, L

    1994-01-01

    The plants that appear in the paintings and mosaics of Pompeii are chiefly edible and medicinal, though flowers with purely esthetic appeal are also shown. An important example is one of the floor mosaics from the House of the Faun, in which it is possible to identify lemon, cherry, strawberry, pomegranate, grape and olive, leaves of grape, fig, apple and olive, and flowers of corn cockle. The diuretic properties of some of these plants are mentioned in the Naturalis Historia of Pliny the Elder. A silver cup from the House of Menandro, one of the most refined examples of plant decoration in antiquity, shows olive branches and fruits. The presence of plants in such artefacts confirms that people of classical times were conscious that plants were important producers of food, oils, fibers, woods and medicines.

  1. Ikuo Hirayama Painting Exhibition Held in Beijing

    2008-01-01

    <正>To celebrate the 30th anniversary of the signing of the Sino-Japanese Peace and Friendship Treaty, the Ikuo Hirayama Painting Exhibition jointly sponsored by the China-Japan Friendship Association (CJFA), the China International Culture Association (CICA) and the Japan-China Friendship Association (JCFA), was held in the National Art Museum of China from April 17 to 26. At the invitation of the CJFA, Tomiichi Murayama, former Japanese prime minister, and Ikuo Hirayama, president of the JCFA and famous painter, who led a delegation of over 200 people of various circles, paid a visit to China to attend the opening ceremony of the exhibition and take part in the relevant activities from April 16 to 20.

  2. Judgement of paintings belonging to different tendencies in the 20th century painting

    Radonjić Ana

    2004-01-01

    Full Text Available In this study Trifunović’ hypothesis that there are three objective lines in the development of modern art was psychologically evaluated. According to Trifunović, in the first line (Cézanne - cubism - neoplasticism - suprematism the geometrization of form prevails, in the second (Van Gogh - expressionism - abstract expressionism the use of color is dominant, whereas the main features of the third line (Gauguin - fauvism are symbolic use of color and reduction of perspective. Fifteen reproductions of paintings that represent the three developmental lines were used as stimuli. The subjects were asked to judge the stimuli on nine bipolar 7-step scales. These scales constitute the three factors of instrument SDF 9: Evaluation, Arousal and Regularity (3 scales x 3 factors = 9 scales. Four clusters of paintings were obtained: Abstract-expressionistic (moderate Evaluation, high Arousal and low Regularity, Figural-expressionistic (very low Evaluation, low Arousal and high Regularity, Constructivistic (moderate Evaluation, low Arousal and high Regularity and Realistic (high Evaluation, high Arousal and high Regularity. The results partially confirm Trifunović’ hypothesis indicating that, besides the formal features, the content (abstract vs. figural is also significant factor of subjective clustering of paintings.

  3. A study on impact monitoring using a piezoelectric paint sensor

    Choi, Kyung Woo; Kang, Dong Hoon [Korea Railroad Research Institute, Uiwang (Korea, Republic of); Park, Seung Bok; Kang, Lae Hyong [Chonbuk National University, Jeonju (Korea, Republic of)

    2015-10-15

    The piezoelectric paint sensor is a paint type sensor comprising of an epoxy and piezoelectric powder, which is the main component of a piezoelectric material. This sensor can be easily attached to any type of structure as compared to other sensors because it is viable to directly apply it on structures, as in the case with a typical paint. In this study, the capability of piezoelectric paint sensor for impact detection was evaluated. In Particular, the applications of the piezoelectric paint sensor for railroad vehicles were considered. There have been various cases reported about the damages caused by flying gravel to the under-cover of the railroad vehicle during operation. In order to prevent this, real-time monitoring of the large under-cover surface of the railroad vehicle is unavoidable. Under the assumption of vehicle application, sensor sensitivities were measured after multiple and prolonged exposure to thermal cycle environment -20⁓60 degrees Celsius). Sensitivity evaluation of paint sensor under environmental conditions was conducted in an aluminum specimen. In results, despite the small variations in sensitivity, we could confirm the applicability of this paint sensor for impact detection even after a severe environmental exposure test.

  4. Investigation on the hazing of a Brazilian contemporary painting

    Puglieri, Thiago S.; Lavezzo, Ariane S.; Santos, Isabela F. S. dos; de Faria, Dalva L. A.

    2016-04-01

    A whitish crystalline-like coating was observed on the surface of the painting "Incêndio", 1990, produced by Emmanuel Nassar and awarded at the 6th Biennial of Cuenca. This work belongs to the Contemporary Art Museum of the University of São Paulo (MAC-USP) and such coating modified the artwork characteristics, causing an unpleasant effect and compromising its exhibition. The choice of the proper conservation and restoration strategies involves the understanding of the degradation process, demanding the identification of the chemical compounds formed on the painting surface, as well as of the other components in the painting. The results here obtained from Raman and optical microscopies, FTIR-ATR, SEM-EDS and GC-MS, revealed that the efflorescence chemical composition is almost only palmitic acid, with minor contents of stearic acid and their methyl esters, and that the paints are composed by chrome yellow, amorphous carbon and toluidine red pigment; an aluminum silicate filler in the black paint applied on the aluminum ground was also detected. Hierarchical Cluster Analyses (HCA) of the Raman spectra also revealed that the concentration of the efflorescence minor components depends on the paint composition. It was suggested, therefore, that the degradation process resulted from segregation and migration of mainly palmitic acid from the dried paints. Restoration methodologies used in similar cases, as well as factors that contribute to this process, were discussed.

  5. Paint removal and surface cleaning using ice particles

    Foster, Terry; Visaisouk, S.

    1995-04-01

    Research into the possibility of using ice particles as a blast medium was first initiated at Defence Research Establishment Pacific (DREP) in an effort to develop a more environmentally acceptable paint removal method. A paint removal process was also required that could be used in areas where normal grit blasting could not be used due to the possibility of the residual blasting grit contaminating machinery and other equipment. As a result of this research a commercial ice blasting system was developed by RETECH. This system is now being used to remove paint from substrates that cannot be easily blasted by conventional techniques and also to clean soiled or contaminated surfaces. The problems involved in the development of an ice blast system and its components and their functions are described. Due to the complexity of paint removal using ice blasting, parameters such as air pressure, ice particle size and ice particle flow rate were studied and adjusted to suit the nature of the particular coating and substrate of interest. The mechanism of paint removal by ice particles has also been investigated. A theoretical model has been developed to explain the different paint removal mechanisms such as erosion by abrasion and erosion by fracture as they relate to ice blasting. Finally, the use of ice blasting to removal paint from a variety of substrates is presented as well as examples of surface cleaning and surface decontamination.

  6. Toluene removal by oxidation reaction in spray wet scrubber: experimental, modeling and optimization

    Roumporn Nikom

    2006-11-01

    Full Text Available Toluene, an important volatile organic compound (VOC, is used in many kinds of industries, such as painting, printing, coating, and petrochemical industries. The emission of toluene causes serious air pollution, odor problem, flammability problem and affects human health. This paper proposes the removal of toluene from waste air using a spray wet scrubber combining the absorption and oxidation reaction. Aqueous sodium hypochlorite (NaOCl solution was used as the scrubbing liquid in the system. NaOCl, the strongest oxidative agent, presents an effective toluene removal. As the scrubbed toluene is reacted, recirculation of the scrubbing liquid could be operated with a constant removal efficiency throughout the operting time. The investigated variables affecting the removal efficiency were air flow rate, inlet toluene concentration, NaOCl concentration, scrubbing liquid flow rate and size of spray nozzle. Influence of the scrubbing parameters was experimentally studied to develop a mathematical model of the toluene removal efficiency. The removal model reveals that the increase of scrubbing liquid flow rate, toluene concentration, and NaOCl concentration together with the decrease of air flow rate and size of spray nozzle can increase the toluene removal efficiency. Optimization problem with an objective function and constraints was set to provide the maximum toluene removal efficiency and solved by Matlab optimization toolbox. The optimization constraints were formed from the mathematical model and process limitation. The solution of the optimization was an air flow rate of 100 m3/h, toluene concentration of 1500 ppm, NaOCl concentration of 0.02 mol/l, NaOCl solution feed rate of 0.8 m3/h, and spray nozzle size of 0.5 mm. Solution of the optimization gave the highest toluene removal efficiency of 91.7%.

  7. An environmentally safe and effective paint removal process for aircraft

    Kozol, Joseph

    2001-03-01

    To reduce hazardous waste from fleet and depot aircraft paint stripping and to conform to regulations banning toxic chemical paint strippers, the U.S. Naval Air Systems Team (materials division, depots, and head-quarters) teamed with the U.S. Air Force at Warner Robins Air Logistics Center for concept development, characterization, and demonstration of a mature, advanced paint-removal system, the Boeing xenon/flashlamp CO2 (Flashjet®) process. Extensive metallic and composite-materials testing was conducted. This paper describes the development and characterization program leading to authorization of the process for use on fixed-wing navy aircraft.

  8. Multispectral infrared reflectography to differentiate features in paintings.

    Daffara, Claudia; Fontana, Raffaella

    2011-10-01

    Infrared reflectography is a well-known technique based on wideband imaging in the near-infrared (NIR) range used for painting diagnostics in conservation laboratories.. This work is focused on the application of multiband reflectography for analysis of pictorial layers and differentiated detection of painting features. This technique generates a set of narrowband NIR images of the painting. Starting from a dataset that is registered, metrically correct, and calibrated, the capability of collecting both spectral and spatial information has been exploited by processing the image cube with interplane techniques. Examples on artworks by Caravaggio, Veronese, Bronzino, and Schiavone are presented.

  9. Study of multilayers by PIXE technique. Application to paintings

    Brissaud, Ivan; Lagarde, Gérard; Midy, Pierre

    1996-08-01

    In this article we propose the application of a new algorithm to determine the concentration profile of colour pigments in painting. This is performed by PIXE technique at different proton energies. The algorithm is based on the singular value decomposition of the matrix obtained by discretization of the integral equation for the concentration profile. To check this method, many paint multilayers of acrylic colours were prepared. First results obtained from different experiments at the AGLAE accelerator in the Palais du Louvre at Paris are presented: the nature and the thickness of each colour layer were determined with a good agreement. The analysis of easel paintings is in progress.

  10. Analytical studies of the Alexandrovo Thracian tomb wall paintings

    Glavcheva, Z.; Yancheva, D.; Velcheva, E.; Stamboliyska, B.; Petrova, N.; Petkova, V.; Lalev, G.; Todorov, V.

    2016-01-01

    A profound study of samples obtained from Thracian tomb wall paintings at Alexandrovo, Bulgaria (dating back to the fourth century BC) were carried out by differential scanning calorimetry (DSC), Fourier transform infrared spectroscopy (FTIR) and Attenuated Total Reflectance Fourier transform infrared spectroscopy (ATR FTIR), high-resolution transmission electron microscopy (HRTEM) and energy dispersive X-ray spectroscopy (EDS). The current work provides a glimpse of the ingenious construction and painting techniques used in Thracian tomb at Alexandrovo. The results suggest that beeswax was used as a paint binder and also revealed presence of various nano-materials.

  11. Trends in the automotive paint industry for corrosion protection

    Blandin, Nathalie; Brunat, William [PPG Industries France, 3 Z.A.E. Les Dix Muids, B.P. 89, F-59583 Marly (France); Neuhaus, Ralf [PPG Industries Lacke GmbH, Stackenbergstrasse 34, D-42329 Wuppertal (Germany); Sibille, Ettore [PPG Industries Italia, Via Serra11, I-15028 Quattordio (Italy)

    2004-07-01

    Since many years ED-paints are protecting car bodies against corrosion. Currently the automotive paint industry is faced with increasing demands of higher levels of corrosion protection and also requests to comply with new environmental regulations and economical pressures. Some key factors that contributed significantly towards the improvement of corrosion protection systems are: - New generations of lead free ED-paints; - Weldable organic thin film for corrosion protection, especially in box cavities and flange areas. The goal of this paper is to show how the various elements of the 'anti-corrosion package' interact. (authors)

  12. PMT signal increase using a wavelength shifting paint

    Allada, K; Ou, L; Schmookler, B; Shahinyan, A; Wojtsekhowski, B

    2015-01-01

    We report a 1.65 times increase of the PMT signal and a simple procedure of application of a new wavelength shifting (WLS) paint for PMTs with non-UV-transparent windows. Samples of four different WLS paints, made from hydrocarbon polymers and organic fluors, were tested on a 5-inch PMT (ET 9390KB) using Cherenkov radiation produced in fused silica disks by $^{106}$Ru electrons on a `table-top' setup. The best performing paint was employed on two different types of 5-inch PMTs (ET 9390KB and XP4572B), installed in atmospheric pressure CO$_2$ gas Cherenkov detectors, and tested using GeV electrons.

  13. Pigeons can discriminate "good" and "bad" paintings by children.

    Watanabe, Shigeru

    2010-01-01

    Humans have the unique ability to create art, but non-human animals may be able to discriminate "good" art from "bad" art. In this study, I investigated whether pigeons could be trained to discriminate between paintings that had been judged by humans as either "bad" or "good". To do this, adult human observers first classified several children's paintings as either "good" (beautiful) or "bad" (ugly). Using operant conditioning procedures, pigeons were then reinforced for pecking at "good" paintings. After the pigeons learned the discrimination task, they were presented with novel pictures of both "good" and "bad" children's paintings to test whether they had successfully learned to discriminate between these two stimulus categories. The results showed that pigeons could discriminate novel "good" and "bad" paintings. Then, to determine which cues the subjects used for the discrimination, I conducted tests of the stimuli when the paintings were of reduced size or grayscale. In addition, I tested their ability to discriminate when the painting stimuli were mosaic and partial occluded. The pigeons maintained discrimination performance when the paintings were reduced in size. However, discrimination performance decreased when stimuli were presented as grayscale images or when a mosaic effect was applied to the original stimuli in order to disrupt spatial frequency. Thus, the pigeons used both color and pattern cues for their discrimination. The partial occlusion did not disrupt the discriminative behavior suggesting that the pigeons did not attend to particular parts, namely upper, lower, left or right half, of the paintings. These results suggest that the pigeons are capable of learning the concept of a stimulus class that humans name "good" pictures. The second experiment showed that pigeons learned to discriminate watercolor paintings from pastel paintings. The subjects showed generalization to novel paintings. Then, as the first experiment, size reduction test

  14. Spotless, Jade-like Personality (traditional Chinese painting)

    1995-01-01

    The interpretation of the traditional Chinese paintings done by Xie Lijun vividly expresses a woman’s tolerance and silence. In traditional Chinese paintings black is the main component and the function of the color red is only to provide a striking contrast, so it is only used occasionally. On the contrary, in "Spotless. ,Jade-Like Personality." the color red is the main color in the painting. So different from its usual function, the red set against the quiet internal world passes from the expression of the figure’s eyes. The red color adds more elegance and inlplicit meaning to the work.

  15. Method for simulating paint mixing on computer monitors

    Carabott, Ferdinand; Lewis, Garth; Piehl, Simon

    2002-06-01

    Computer programs like Adobe Photoshop can generate a mixture of two 'computer' colors by using the Gradient control. However, the resulting colors diverge from the equivalent paint mixtures in both hue and value. This study examines why programs like Photoshop are unable to simulate paint or pigment mixtures, and offers a solution using Photoshops existing tools. The article discusses how a library of colors, simulating paint mixtures, is created from 13 artists' colors. The mixtures can be imported into Photoshop as a color swatch palette of 1248 colors and as 78 continuous or stepped gradient files, all accessed in a new software package, Chromafile.

  16. The female images in the tang dynasty painting

    靳丽霞

    2014-01-01

    the tang dynasty is the most prosperous dynasties in ancient China. Both in the cultural, economic, political and artistic performance is very outstanding. Historical development of the era makes unprece-dented open people's minds, such open also natural y seep into the woman's behavior, they have a certain personal freedom and individuality liberation, the status of women is rising. This painting in the tang dy-nasty has very good reflected in the female image. At times like these, had appeared Zhang Xuan, zhou-fang painter, their painting art has ex-erts a far-reaching influence on the later tang dynasty figure painting.

  17. Push-Pull Ventilation in a Painting Shop for Large Steel Constructions

    Svidt, Kjeld; Heiselberg, Per

    This paper describes the analysis of a push-pull ventilation system for a painting shop that is used for painting steel chimneys and windmill towers.......This paper describes the analysis of a push-pull ventilation system for a painting shop that is used for painting steel chimneys and windmill towers....

  18. 24 CFR 965.701 - Lead-based paint poisoning prevention.

    2010-04-01

    ... URBAN DEVELOPMENT PHA-OWNED OR LEASED PROJECTS-GENERAL PROVISIONS Lead-Based Paint Poisoning Prevention § 965.701 Lead-based paint poisoning prevention. The requirements of the Lead-Based Paint Poisoning... 24 Housing and Urban Development 4 2010-04-01 2010-04-01 false Lead-based paint...

  19. Effects of Tactile Sensations during Finger Painting on Mindfulness, Emotions, and Scope of Attention

    Stanko-Kaczmarek, Maja; Kaczmarek, Lukasz D.

    2016-01-01

    Research has shown that creative performance, such as painting, influences affective and cognitive processes. Yet little is known about how tactile sensations experienced during painting determine what individuals feel and how they think while they create. Based on prior research, finger painting (compared to brush painting) was expected to…

  20. On the modeling of fuel sprays

    Bergstroem, Christer

    1997-12-01

    This report concerns on the modelling of fuel sprays in a non-combustible case using an own developed fuel spray code module. The spray code is made as an independent module to simplify the use of different gas flow solvers together with the spray module. This enables the possibility to use different turbulence models. In the report two turbulence models has been used, the standard k-{epsilon} and the LES (Large Eddy Simulation) model. The report presents results obtained from a sensitivity study of both numerical and physical parameters on an evaporating spray under diesel like conditions (light duty diesel engine) with the spray code module attached to a cylindrical gas phase flow solver. The results from the sensitivity analysis showed that these effects were not so pronounced as has been reported. It was suggested that this was due to the `easy` nature of the investigated case, where the flow field could be sufficiently resolved without violating the droplet void fraction criteria and break-up, collision and combustion that may increase the grid spacing sensitivity were not modelled. An investigation was performed to valuate the feasibility of using LES as turbulence model. Calculations of the initial phase of a developing jet were made and it was found that in the initial phase of the spray and the flow structure were similar to that of a spatially developing jet flow, which is in agreement with experimental observations. Results from LES calculations on a developing spray jet was also compared with k-{epsilon} based ones. This result showed that the spray-LES approach captured the transition from a laminar to a turbulent flow field with an increase in turbulent kinetic energy k along the injection direction 45 refs, 37 figs, 2 tabs

  1. A Scheduling Method for Painting Line under Pull Production

    Yoo, Jae Kyu; Shinbo, Kojiro; Shimizu, Yoshiaki

    This paper concerns with a scheduling method for painting (preceding) line with much longer production lead-time than assembly (subsequent) line. In general, production schedule of the painting line is made independently based on the forecasted job requirement at the assembly line. When the job requirement changes at the assembly line by virtue of the change of customer order, therefore, production balance is destroyed between the both lines. To avoid the tardiness caused by such unbalance, we need to have many inventories for the painting line. Such countermeasure is taken place in many companies actually. Thus, to avoid the tardiness while keeping small inventory, we propose a scheduling method that makes a Pseudo-Pull production possible for the painting line. We have evaluated the proposed method through computer simulations.

  2. 4D Visualization of Painted Sculpture and Murals

    Ai, M. Y.; Tong, H.; Shen, L.; Wang, R. X.; Zhang, F.; Zhang, Z. C.; Hu, Q. W.; Zhu, Y. X.; Zhang, H.

    2015-08-01

    Most cultural heritage applications address visualization with using various media or platforms: desktop-based multimedia presentations, museum kiosks, or videos produced with computer animation. However, these techniques can not directly reveal or show the course that the colorful surface of painted sculpture and murals becomes faint along with the change of the climate and time. Most current techniques just preserve the current appearance and disseminate the current situation of the painted sculpture and murals. The course how these forms of cultural heritage change along the time has not been visualized. In this paper we developed an approach to modelling of painted sculpture and murals that has undergone changes over the years. Different hypotheses has also be given if there is uncertainty. A painted sculpture of Mogao Grottoes is used to demonstate this approach.

  3. Canvas Supports in Paintings by Nicolai Abildgaard: Fabrics and Formats

    Filtenborg, Troels Folke

    2015-01-01

    An investigation of the technique and materials in paintings by the Danish artist Nicolai Abildgaard (1743 – 1809) included examination of the canvas supports in a large number of his works. Thread count and weave density were studied by automated weave-mapping computer software, designed...... for working with digital X-radiographs. This was also used for the comparison of weave patterns in order to establish matches between the canvases of various paintings and thereby verify that different canvases originated from the same bolt. The canvas supports in paintings executed by Abildgaard in Rome 1772...... conditions and manufacture circumstances. This applied to the quality of the fabric, i.e. the type of fibre, thread count and tightness of weave, as well as the scale and the formats within which the majority of the paintings fall....

  4. Historical restoration recipes: the cleaning of paintings 1600-1900

    Stols-Witlox, M.; Bridgland, J.

    2011-01-01

    Knowledge about historical cleaning methods and materials is important since remnants may still be presentwithin the paint structure and should be taken into account when interpreting instrumental analyses and deciding about future conservation treatments. This paper provides analyses of historical

  5. Minimal invasive control of paintings cleaning by LIBS

    Staicu, A.; Apostol, I.; Pascu, A.; Urzica, I.; Pascu, M. L.; Damian, V.

    2016-03-01

    In cultural heritage restoration and conservation, it has been proved that LIBS is an appropriate technique for pigments identification, analysis of multilayered paintings, and quantitative analysis of ancient materials. Generally, experiments involving the use of laser for paint cleaning and LIBS in order to identify the composition of the removed material are made. Here, we report LIBS studies on mastic and dammar varnishes removal using visible (532 nm) and UV (266 nm) laser pulses (5 ns) with fluences in the range 0.6-4.4 J/cm2. The studied varnish layers were on-purpose painted on glass supports or were part of several mock-up samples having dammar or mastic as final layer - gold foil, yellow ochre or cobalt blue egg tempera as painting layer - chalk or acrylic ground as link to an wooden support. LIBS was used to monitor the laser induced stepwise selective removal of the layers and to analyze their composition.

  6. Investigation of multilayer painting by means of molecular spectroscopy

    Kadikova, I. F.; Grigorieva, I. A.

    2016-12-01

    The study of paintings' layer structure under microscope was implemented in the early XX century; since that time method of cross-section preparation as well as composition of embedded materials changed and capabilities of optical microscopy broadened. Nevertheless, until recently cross-sections were prepared only for analysis of paintings' layer-specific structure, morphological and technological features, tracks of restoration treatments. Examination of chemical composition required additional sampling as well as division of these samples layer by layer in order to determine pigments and binding media; these procedures didn't always lead to proper results. Micro-Raman and micro-FTIR spectroscopy allow carrying out investigation of painting cross-sections without any additional preliminary sampling; this is shown on example of investigation of a number of paintings.

  7. Manganese and Iron Catalysts in Alkyd Paints and Coatings

    Ronald Hage

    2016-04-01

    Full Text Available Many paint, ink and coating formulations contain alkyd-based resins which cure via autoxidation mechanisms. Whilst cobalt-soaps have been used for many decades, there is a continuing and accelerating desire by paint companies to develop alternatives for the cobalt soaps, due to likely classification as carcinogens under the REACH (Registration, Evaluation, Authorisation and Restriction of Chemicals legislation. Alternative driers, for example manganese and iron soaps, have been applied for this purpose. However, relatively poor curing capabilities make it necessary to increase the level of metal salts to such a level that often coloring of the paint formulation occurs. More recent developments include the application of manganese and iron complexes with a variety of organic ligands. This review will discuss the chemistry of alkyd resin curing, the applications and reactions of cobalt-soaps as curing agents, and, subsequently, the paint drying aspects and mechanisms of (model alkyd curing using manganese and iron catalysts.

  8. Diseases of Old Age in Two Paintings by Rembrandt

    George M. Weisz

    2015-10-01

    Full Text Available Two paintings of older men by Rembrandt (1609–1669 are examined to demonstrate that historical attitudes toward diseases of old age and the ageing person’s response to illness can be investigated in paintings. The works selected are of different genres and date from different stages of Rembrandt’s own life, one from his youth and one from his old age. Both paintings show figures who have joint pathologies typically associated with the ageing process, the first involving the subject’s foot and the second involving the subject’s hand. Despite the sometimes painful nature of these conditions, the subjects are shown accommodating their illnesses while maintaining both their intellectual and social engagement and their emotional composure. Although the seventeenth century offered older people very little effective medical treatment in comparison with what is presently available, these paintings nevertheless present a view of illness as a subsidiary rather than a dominant feature of old age.

  9. Emissivity measurement of high-emissivity black paint at CENAM

    Cardenas G, D., E-mail: dcardena@cenam.mx [Centro Nacional de Metrologia, Km 4.5 Carretera a los Cues, El Marques, 76246 Santiago de Queretaro, Queretaro (Mexico)

    2014-07-01

    To measure the temperature of the surface of an opaque object by radiation thermometry, it is necessary to know its surface emissivity. High emissivity black paint can be applied to the inner walls of a cavity to be used as a blackbody radiator. It can also be applied to some highly reflecting metals so that their temperature can be estimated by radiation thermometry. In this work, it is described the emissivity measurement of high-emissivity black paint that has been used for the two applications described above. The average emissivity of the measured paint in the 8 to 14 micrometers wavelength range was estimated as 0.972 ± 0.012. The results obtained may be of use for those using the paint at temperatures from 50 to 150 grades C. (Author)

  10. Method of making superhydrophobic/superoleophilic paints, epoxies, and composites

    Simpson, John T.; Hunter, Scott Robert

    2016-05-10

    Superhydrophobic paints and epoxies comprising superoleophilic particles and surfaces and methods of making the same are described. The superoleophilic particles can include porous particles having a hydrophobic coating layer deposited thereon. superoleophilic particles.

  11. Warburg and Poliakoff, Movement and Style (a contribution to the contemporary study of images and paintings)

    João Ferreira Vale

    2012-01-01

    The foundation of painting on its sources or “influences” serves to achieve its integration in a group of reference from which painting, any true painting that aims at the present, can and should take part. This work aims at an updating of the analysis these influences from the means that serve as references to the pictorial analysis and creation, the images (reproductions) and the paintings themselves, by crossing two major references of Art History and Modern Painting (Aby Warburg and Serge...

  12. A Review on Design & Development of Semi-Automated Colour Painting Machine.

    Dhaval Thakar; Chetan P. Vora

    2014-01-01

    Painting is the practice of applying paint, pigment, colour or other medium to a surface (support base). The medium is commonly applied to the base with a brush but other objects can be used. In art, the term painting describes both the act and the result of the action. However, painting is also used outside of art as a common trade among craftsmen and builders. Paintings may have for their support such surface as walls, paper, canvas, wood, glass, lacquer, clay, leaf, copper ...

  13. Sea Spray Generation at a Rocky Shoreline

    2015-07-01

    Report 3. DATES COVERED (From - To) 6/15/2012 – 9/15/2015 4. TITLE AND SUBTITLE “Sea Spray Generation at a Rocky Shoreline ” 5a. CONTRACT...this project. The paper, “Sea Spray Generation at Rocky Shoreline ” by Ed Andreas was accepted for publication and as of July 2016 was being...13 Sea Spray Generation at a Rocky Shoreline 14 15 16 17 Edgar L Andreas 18 19 NorthWest Research Associates, Inc. 20 Lebanon, New

  14. Wall painting in the Roman empire: colour, design and technology

    Elizabeth Pye

    2000-11-01

    Full Text Available Roman wall paintings are frequently admired by visitors to such famous sites as Pompeii and Herculaneum, and traces of them also survive in the remains of many towns and villas throughout the lands of the former empire, but the technological skill of the Roman painters is less widely appreciated. Here the sources of the pigments used and the methods the painters employed to plaster and paint the walls are described.

  15. APPLICATION AND CHARACTERISTICS OF WATERBORNE ROAD MARKING PAINT

    Darko Babić

    2015-06-01

    Full Text Available Horizontal road markings are one of the essential safety features of modern roadways. All of the utilised systems consist of a pigmented coating containing partially embedded retroreflective elements such as glass beads. In addition to durability and functionality of the road marking, ease of application and effect on human health and environment are primary considerations for their selection. Road marking systems can be divided into plural component materials that cure due to chemical reaction occurring at the site of application, thermoplastics that require heat for application, and paints, drying upon evaporation of the dissolving medium. The focus of this paper is on road marking paints with a special emphasis on contemporary waterborne materials. Over 100 years old solventborne technology furnishes paints that afford consistent application properties under a variety of conditions such as lower temperatures and high humidity. Their environmental and human health impact is significant and durability quite poor. Modern waterborne paints are based on acrylic resins and incorporate developed in the 1990s quick-set chemical mechanism for drying. Under favourable weather conditions, they dry faster as compared to solventborne. However, their known weakness is risk of washout in case of rain and sluggish development of washout resistance at marginal application conditions like high humidity and low temperature. Impact of waterborne paints on human health and environment is very significantly minimised as compared to other materials. Their durability is significantly higher as compared to solvent-based paints. Analysis of characteristics of waterborne road marking paints and preliminary results from their trial application in Croatia are presented herein. Based on the presented comparison with solventborne materials, after results from test application become available, intelligent decisions regarding future use of waterborne road marking paints in

  16. Critical realism art——On Russia Tour group Painting

    杜月英

    2012-01-01

      The Tour group Painting inherited and developed some precious qualities of the early 19th century critical realism. The Tour group Painting artists were deeply influenced by the Russian realistic literature. They cared about reality, the history of the nation, focusing on the expression of personal feelings. They agreed that the art has the responsibility to educate people, to improve their consciousness .In their opinion, artists are also social activists. So they tirelessly fought towards critical realism and national art.

  17. Bo Painting with Human, Dragon and Phoenix Pattern

    1995-01-01

    During the period between the Warring States and Qin (221-207 B.C.), Han (206 B.C.-A.D. 220) dynasties in China, silk was called bo, so paintings on silk were called bohua and words on silk boshu. The bohua with a human, dragon and phoenix pattern excavated in 1949 in Changsha, Hunan Province, dates back to the Warring States. It is the earliest painting

  18. REACH exposure assessment of anticorrosive paint products--determination of exposure from application and service life to the aquatic environment.

    Gade, Anne Lill; Heiaas, Harald; Thomas, Kevin; Hylland, Ketil

    2011-12-01

    The European Community Regulation on the registration, evaluation, authorisation and restriction of chemicals (REACH) introduced exposure scenarios describing safe use quantitatively, and enhancing the importance of scientific based exposure assessments. This paper presents methods to determine exposure from the airless spray application of anti-corrosive paint and leaching of painted articles submerged in seawater, to establish whether it is possible to test these exposures in a reproducible and feasible way. The paper also presents results from using the methods in order to assess how well the default values recommended under REACH coincide with the tested values and corresponding values available in literature. The methods used were feasible under laboratory conditions. The reproducibility of the application study was shown to be good and all analyses of the leaching showed concentrations below detection limit. More replicates will be required to validate the reproducibility of the growth inhibition tests. Measured values for the present overspray scenario were between, and the leaching values below, values from REACH guidelines and emission scenario documents. Further development of the methods is recommended.

  19. Self-Cleaning Mineral Paint for Application in Architectural Heritage

    Sudipto Pal

    2016-10-01

    Full Text Available A mineral silicate paint has been developed for architectural heritage. To enhance durability, any type of organic additive has been avoided. Potassium silicate was the binder agent intended to give strong adherence and durability to stone and concretes. Incorporation of mainly anatase titanium dioxide was intended to act both as a white, bright pigment and as a photocatalyst. Reflectivity analyses on the paint in the visible-to-near infrared wavelength region show high solar heat reflection. The self-cleaning activity of the mineral paint was evaluated by the degradation of organic dyes under solar light irradiation. Anatase titania was effective in decomposing organic and airborne pollutants with the solar radiation. The optical properties and self-cleaning activity were compared with the organic binder-based paints and commercial paints. Developed paints possess high stability: since they contain only inorganic components that do not fade with exposure to solar radiation, photocatalytic self-cleaning capability further enhances such stability.

  20. MUTUAL INFLUENCE OF PAINTING, THEATRE AND EVERYDAY LIFE

    L. G. Suvorova

    2015-01-01

    Full Text Available Basing on the works of Yu.M. Lotman, the author examines the process of interaction between painting and theater, and their mutual influence on the routine. The emphasis is on identifying the peculiarities of the interaction of theatre and painting in the period from the late XVIII – early XIX century. Theatre using expressive means of painting, created new forms of performing arts. The scenery becomes actors, not serving as a background for the actors. Acting technique was also being changed, the dynamics of the movements was changed into the static of dynamic postures. The identification of the scene and the picture led to the emergence of a new genre of "living paintings". Not only the art of painting influenced a theatre, creating new forms, but the theatre influenced painting too, creating a portrait typifying a model in accordance with the traditional theatrical characters. Gradually the boundary between art and commonplace had been crumbling, the theatre entered the life. It turned out that the theatricality of everyday life became the logical result of the considered process. Real life started to be considered as a performance that opened not only new possibilities in the prescribed range of permitted conduct, but also went beyond and was the legislator of individual behaviors, filled everyday reality with events, and thus, made a person free from the control of custom.

  1. 41 CFR 101-42.1102-7 - Lead-containing paint and items bearing lead-containing paint.

    2010-07-01

    ... ingested by children or when lead-containing paint is burned off. (2) Banned hazardous products. The... established by 16 CFR part 1303 (no cautionary labeling is required): (A) Mirrors which are part of...

  2. The identification of synthetic organic pigments in modern paints and modern paintings using pyrolysis-gas chromatography-mass spectrometry.

    Russell, Joanna; Singer, Brian W; Perry, Justin J; Bacon, Anne

    2011-05-01

    A collection of more than 70 synthetic organic pigments were analysed using pyrolysis-gas chromatography-mass spectrometry (Py-GC-MS). We report on the analysis of diketo-pyrrolo-pyrrole, isoindolinone and perylene pigments which are classes not previously reported as being analysed by this technique. We also report on a number of azo pigments (2-naphthol, naphthol AS, arylide, diarylide, benzimidazolone and disazo condensation pigments) and phthalocyanine pigments, the Py-GC-MS analysis of which has not been previously reported. The members of each class were found to fragment in a consistent way and the pyrolysis products are reported. The technique was successfully applied to the analysis of paints used by the artist Francis Bacon (1909-1992), to simultaneously identify synthetic organic pigments and synthetic binding media in two samples of paint taken from Bacon's studio and micro-samples taken from three of his paintings and one painting attributed to him.

  3. High-resolution colorimetric imaging of paintings

    Martinez, Kirk; Cupitt, John; Saunders, David R.

    1993-05-01

    With the aim of providing a digital electronic replacement for conventional photography of paintings, a scanner has been constructed based on a 3000 X 2300 pel resolution camera which is moved precisely over a 1 meter square area. Successive patches are assembled to form a mosaic which covers the whole area at c. 20 pels/mm resolution, which is sufficient to resolve the surface textures, particularly craquelure. To provide high color accuracy, a set of seven broad-band interference filters are used to cover the visible spectrum. A calibration procedure based upon a least-mean-squares fit to the color of patches from a Macbeth Colorchecker chart yields an average color accuracy of better than 3 units in the CMC uniform color space. This work was mainly carried out as part of the VASARI project funded by the European Commission's ESPRIT program, involving companies and galleries from around Europe. The system is being used to record images for conservation research, for archival purposes and to assist in computer-aided learning in the field of art history. The paper will describe the overall system design, including the selection of the various hardware components and the design of controlling software. The theoretical basis for the color calibration methodology is described as well as the software for its practical implementation. The mosaic assembly procedure and some of the associated image processing routines developed are described. Preliminary results from the research will be presented.

  4. Direct morphological comparison of vacuum plasma sprayed and detonation gun sprayed hydroxyapatite coatings for orthopaedic applications.

    Gledhill, H C; Turner, I G; Doyle, C

    1999-02-01

    Hydroxyapatite coatings on titanium substrates were produced using two thermal spray techniques vacuum plasma spraying and detonation gun spraying. X-ray diffraction was used to compare crystallinity and residual stresses in the coatings. Porosity was measured using optical microscopy in conjunction with an image analysis system. Scanning electron microscopy and surface roughness measurements were used to characterise the surface morphologies of the coatings. The vacuum plasma sprayed coatings were found to have a lower residual stress, a higher crystallinity and a higher level of porosity than the detonation gun coatings. It is concluded that consideration needs to be given to the significance of such variations within the clinical context.

  5. Experimental research on spray and combustion characteristics of the third generation conical spray

    FENG Li-yan; LONG Wu-qiang; DU Bao-guo; TIAN hua; OBOKATA Tomio

    2005-01-01

    A new generation conical spray system for conventional diesel engines or premixed combustion diesel engines is introduced. By means of oriented impingement method, flexible spray penetration in design is realized. High-speed photograph was used to investigate the spatial distribution characteristics of the new spray for cases of different impingement angles and needle valve opening pressures. The results show that, by applying spray impingement orientation, fuel jets spread along the cone surface as shape of sectors, so the dispersion of jets is increased obviously. Changing on impingement angle leads to variation of penetration, which is critical in homogeneous mixture preparation. Due to the flexibility of spray penetration in design, the spray impingement on liner is avoided in a great extent. The results also indicate that higher needle valve opening pressure results in longer penetration and larger spray angle after impingement. Combustion characteristics of the impinged conical spray were studied in the 1135 type diesel engine. The new impinged conical spray system work smoothly in full load range with better fuel economy and lower emissions of NOx and soot than the original test engine.

  6. Spot Spraying Reduces Herbicide Concentrations in Runoff.

    Melland, Alice R; Silburn, D Mark; McHugh, Allen D; Fillols, Emilie; Rojas-Ponce, Samuel; Baillie, Craig; Lewis, Stephen

    2016-05-25

    Rainfall simulator trials were conducted on sugar cane paddocks across dry-tropical and subtropical Queensland, Australia, to examine the potential for spot spraying to reduce herbicide losses in runoff. Recommended rates of the herbicides glyphosate, 2,4-D, fluoroxypyr, atrazine, and diuron were sprayed onto 0, 20, 40, 50, 70, or 100% of the area of runoff plots. Simulated rainfall was applied 2 days after spraying to induce runoff at one plant cane and three ratoon crop sites. Over 50% of all herbicides were transported in the dissolved phase of runoff, regardless of the herbicide's sediment-water partition coefficient. For most sites and herbicides, runoff herbicide concentrations decreased with decreasing spray coverage and with decreasing herbicide load in the soil and cane residues. Importantly, sites with higher infiltration prior to runoff and lower total runoff had lower runoff herbicide concentrations.

  7. Spray drying formulation of amorphous solid dispersions.

    Singh, Abhishek; Van den Mooter, Guy

    2016-05-01

    Spray drying is a well-established manufacturing technique which can be used to formulate amorphous solid dispersions (ASDs) which is an effective strategy to deliver poorly water soluble drugs (PWSDs). However, the inherently complex nature of the spray drying process coupled with specific characteristics of ASDs makes it an interesting area to explore. Numerous diverse factors interact in an inter-dependent manner to determine the final product properties. This review discusses the basic background of ASDs, various formulation and process variables influencing the critical quality attributes (CQAs) of the ASDs and aspects of downstream processing. Also various aspects of spray drying such as instrumentation, thermodynamics, drying kinetics, particle formation process and scale-up challenges are included. Recent advances in the spray-based drying techniques are mentioned along with some future avenues where major research thrust is needed.

  8. Water Reclamation using Spray Drying Project

    National Aeronautics and Space Administration — This purpose of this project is to develop a spray drying prototype to for the recovery and recycle of water from concentrated waste water recovery system brine....

  9. Properties of Plasma and HVOF Sprayed Coatings

    Wojciech Żórawski

    2012-11-01

    Full Text Available The work compares the properties of plasma and HVOF thermally sprayed coatings obtained by blending the NiCrBSi and Fe2O3 powders. The deposition was performed by means of the Plancer PN-120 and the Diamond Jet guns for plasma spraying and HVOF spraying respectively. The SEM (EDS method was employed to study the microstructure of the produced coatings. Although the blended powders differ in particle size, shape, and distribution, it is possible to obtain composite coatings with an NiCrBSi matrix containing iron oxides. Except for a different microstructure, plasma and HVOF coatings have a different phase composition, which was examined using the Bruker D-8 Advance diffractometer. Studies of the coatings wear and scuffing resistance showed that an optimal content of Fe2O3 is about 26 % for plasma sprayed coatings and 22.5 % for HVOF deposited coatings.

  10. Water Reclamation using Spray Drying Project

    National Aeronautics and Space Administration — We propose a new spray drying technology for the recovery and recycle of water while stabilizing the solid wastes or residues as found in advanced life support...

  11. Degradation of Emerald green in oil paint and its contribution to the rapid change in colour of the Descente des vaches (1834-1835) painted by Theodore Rousseau

    Keune, K.; Boon, J.J.; Boitelle, R.; Shimadzu, Y.

    2013-01-01

    Descente des vaches (1836) by Theodore Rousseau in the Mesdag Collection in The Hague is barely readable and its paint layers are in poor condition. The surface of the painting is strongly deformed and cracked, the whole painting has darkened and especially the greens have lost all or most of their

  12. [Equipment for spray-freezing in ophthalmology].

    Anders, M; Matthes, R

    1991-05-01

    The authors discuss the theoretical background of the method of spray/freezing for destructive processes and their advantages. They demonstrate a cryo-apparatus IKG 3 for liquid nitrogen which is part of the Dresden equipment and was elaborated by the department for cryomedicine of the "Carl Gustav Carus" Academy in cooperation with the Technical University in Dresden. The apparatus produces a fine dispensable spray of the cooling mixture and permits treatment even of small tissue areas.

  13. Atypical presentations of methemoglobinemia from benzocaine spray.

    Tantisattamo, Ekamol; Suwantarat, Nuntra; Vierra, Joseph R; Evans, Samuel J

    2011-06-01

    Widely used for local anesthesia, especially prior to endoscopic procedures, benzocaine spray is one of the most common causes of iatrogenic methemoglobinemia. The authors report an atypical case of methemoglobinemia in a woman presenting with pale skin and severe hypoxemia, after a delayed repeat exposure to benzocaine spray. Early recognition and prompt management of methemoglobinemia is needed in order to lessen morbidity and mortality from this entity.

  14. Studies on Ultrasonic Spray Dryer (1)

    井上, 昌夫

    1981-01-01

    Author has initiated research and development activities for a epochal ultrasonic spray dryer in order to obtain large quantities of droplets in uniform diameters, from which a practically applicable ultrasonic spray dryer would possibly be developed. Since the time Wood, Loomis et al. reported their experiments on atomization of liquids by ultrasonic power, research in this field is now widely attempted in many countries. In Japan, this field is being investigated by Ohno et al. Chiba, and M...

  15. Numerical modeling for dilute and dense sprays

    Chen, C. P.; Kim, Y. M.; Shang, H. M.; Ziebarth, J. P.; Wang, T. S.

    1992-01-01

    We have successfully implemented a numerical model for spray-combustion calculations. In this model, the governing gas-phase equations in Eulerian coordinate are solved by a time-marching multiple pressure correction procedure based on the operator-splitting technique. The droplet-phase equations in Lagrangian coordinate are solved by a stochastic discrete particle technique. In order to simplify the calculation procedure for the circulating droplets, the effective conductivity model is utilized. The k-epsilon models are utilized to characterize the time and length scales of the gas phase in conjunction with turbulent modulation by droplets and droplet dispersion by turbulence. This method entails random sampling of instantaneous gas flow properties and the stochastic process requires a large number of computational parcels to produce the satisfactory dispersion distributions even for rather dilute sprays. Two major improvements in spray combustion modelings were made. Firstly, we have developed a probability density function approach in multidimensional space to represent a specific computational particle. Secondly, we incorporate the Taylor Analogy Breakup (TAB) model for handling the dense spray effects. This breakup model is based on the reasonable assumption that atomization and drop breakup are indistinguishable processes within a dense spray near the nozzle exit. Accordingly, atomization is prescribed by injecting drops which have a characteristic size equal to the nozzle exit diameter. Example problems include the nearly homogeneous and inhomogeneous turbulent particle dispersion, and the non-evaporating, evaporating, and burning dense sprays. Comparison with experimental data will be discussed in detail.

  16. Structure of high-speed sprays

    Bracco, Frediano V.

    1995-01-01

    This work covered both measurements and computations and its results are documented in eight appendices. Measurements were made of drop velocity in vaporizing, steady, full-cone sprays and of drop velocity and drop size in non-vaporizing steady full-cone sprays. In similar conditions, measurements had previously been made of the intact core and of the size of the drops in the immediate vicinity of the injector, thus generating an extensive set of data which were particularly useful for the assessment and the development of multidimensional models of engine sprays. On the computational side, a line source technique was introduced to simulate the intact-core in engine sprays and two extensive numerical studies were carried out to explain the strong anisotropy of the drop velocity fluctuations that had been found in the measurements. In another interesting and timely study, the accuracy of the stochastic method of computing drop collisions and coalescence (which is the one universally used) was assessed by corresponding deterministic computations (more accurate but much more time consuming). It was concluded that the accuracy of the stochastic method in practical computations can be wanting. Finally, a numerical study of the structure of hollow-cone sprays was initiated that has since been followed by significant experimental and computational work on liquid-only and air-assisted hollow-cone injectors and sprays.

  17. Characteristics of MCrAlY coatings sprayed by high velocity oxygen-fuel spraying system

    Itoh, Y.; Saitoh, M.; Tamura, M.

    2000-01-01

    High velocity oxygen-fuel (HVOF) spraying system in open air has been established for producing the coatings that are extremely clean and dense. It is thought that the HVOF sprayed MCrAlY (M is Fe, Ni and/or Co) coatings can be applied to provide resistance against oxidation and corrosion to the hot parts of gas turbines. Also, it is well known that the thicker coating can be sprayed in comparison with any other thermal spraying systems due to improved residual stresses. However, thermal and mechanical properties of HVOF coatings have not been clarified. Especially, the characteristics of residual stress, that are the most important property from the view point of production technique, have not been made clear. In this paper, the mechanical properties of HVOF sprayed MCrAlY coatings were measured in both the case of as-sprayed and heat-treated coatings in comparison with a vacuum plasma sprayed MCrAlY coatings. It was confirmed that the mechanical properties of HVOF sprayed MCrAlY coatings could be improved by a diffusion heat treatment to equate the vacuum plasma sprayed MCrAlY coatings. Also, the residual stress characteristics were analyzed using a deflection measurement technique and a X-ray technique. The residual stress of HVOF coating was reduced by the shot-peening effect comparable to that of a plasma spray system in open air. This phenomena could be explained by the reason that the HVOF sprayed MCrAlY coating was built up by poorly melted particles.

  18. Aesthetic Emotions Across Arts: A Comparison Between Painting and Music.

    Miu, Andrei C; Pițur, Simina; Szentágotai-Tătar, Aurora

    2015-01-01

    Emotional responses to art have long been subject of debate, but only recently have they started to be investigated in affective science. The aim of this study was to compare perceptions regarding frequency of aesthetic emotions, contributing factors, and motivation which characterize the experiences of looking at painting and listening to music. Parallel surveys were filled in online by participants (N = 971) interested in music and painting. By comparing self-reported characteristics of these experiences, this study found that compared to listening to music, looking at painting was associated with increased frequency of wonder and decreased frequencies of joyful activation and power. In addition to increased vitality, as reflected by the latter two emotions, listening to music was also more frequently associated with emotions such as tenderness, nostalgia, peacefulness, and sadness. Compared to painting-related emotions, music-related emotions were perceived as more similar to emotions in other everyday life situations. Participants reported that stimulus features and previous knowledge made more important contributions to emotional responses to painting, whereas prior mood, physical context and the presence of other people were considered more important in relation to emotional responses to music. Self-education motivation was more frequently associated with looking at painting, whereas mood repair and keeping company motivations were reported more frequently in relation to listening to music. Participants with visual arts education reported increased vitality-related emotions in their experience of looking at painting. In contrast, no relation was found between music education and emotional responses to music. These findings offer a more general perspective on aesthetic emotions and encourage integrative research linking different types of aesthetic experience.

  19. Aesthetic emotions across arts: A comparison between painting and music

    Andrei C. Miu

    2016-01-01

    Full Text Available Emotional responses to art have long been subject of debate, but only recently have they started to be investigated in affective science. The aim of this study was to compare perceptions regarding frequency of aesthetic emotions, contributing factors and motivation which characterize the experiences of looking at painting and listening to music. Parallel surveys were filled in online by participants (N = 971 interested in music and painting. By comparing self-reported characteristics of these experiences, this study found that compared to listening to music, looking at painting was associated with increased frequency of wonder and decreased frequencies of joyful activation and power. In addition to increased vitality, as reflected by the latter two emotions, listening to music was also more frequently associated with emotions such as tenderness, nostalgia, peacefulness and sadness. Compared to painting-related emotions, music-related emotions were perceived as more similar to emotions in other everyday life situations. Participants reported that stimulus features and previous knowledge made more important contributions to emotional responses to painting, whereas prior mood, physical context and the presence of other people were considered more important in relation to emotional responses to music. Self-education motivation was more frequently associated with looking at painting, whereas mood repair and keeping company motivations were reported more frequently in relation to listening to music. Participants with visual arts education reported increased vitality-related emotions in their experience of looking at painting. In contrast, no relation was found between music education and emotional responses to music. These findings offer a more general perspective on aesthetic emotions and encourage integrative research linking different types of aesthetic experience.

  20. Failure-probability driven dose painting

    Vogelius, Ivan R.; Håkansson, Katrin; Due, Anne K.; Aznar, Marianne C.; Kristensen, Claus A.; Rasmussen, Jacob; Specht, Lena [Department of Radiation Oncology, Rigshospitalet, University of Copenhagen, Copenhagen 2100 (Denmark); Berthelsen, Anne K. [Department of Radiation Oncology, Rigshospitalet, University of Copenhagen, Copenhagen 2100, Denmark and Department of Clinical Physiology, Nuclear Medicine and PET, Rigshospitalet, University of Copenhagen, Copenhagen 2100 (Denmark); Bentzen, Søren M. [Department of Radiation Oncology, Rigshospitalet, University of Copenhagen, Copenhagen 2100, Denmark and Departments of Human Oncology and Medical Physics, University of Wisconsin, Madison, Wisconsin 53792 (United States)

    2013-08-15

    Purpose: To demonstrate a data-driven dose-painting strategy based on the spatial distribution of recurrences in previously treated patients. The result is a quantitative way to define a dose prescription function, optimizing the predicted local control at constant treatment intensity. A dose planning study using the optimized dose prescription in 20 patients is performed.Methods: Patients treated at our center have five tumor subvolumes from the center of the tumor (PET positive volume) and out delineated. The spatial distribution of 48 failures in patients with complete clinical response after (chemo)radiation is used to derive a model for tumor control probability (TCP). The total TCP is fixed to the clinically observed 70% actuarial TCP at five years. Additionally, the authors match the distribution of failures between the five subvolumes to the observed distribution. The steepness of the dose–response is extracted from the literature and the authors assume 30% and 20% risk of subclinical involvement in the elective volumes. The result is a five-compartment dose response model matching the observed distribution of failures. The model is used to optimize the distribution of dose in individual patients, while keeping the treatment intensity constant and the maximum prescribed dose below 85 Gy.Results: The vast majority of failures occur centrally despite the small volumes of the central regions. Thus, optimizing the dose prescription yields higher doses to the central target volumes and lower doses to the elective volumes. The dose planning study shows that the modified prescription is clinically feasible. The optimized TCP is 89% (range: 82%–91%) as compared to the observed TCP of 70%.Conclusions: The observed distribution of locoregional failures was used to derive an objective, data-driven dose prescription function. The optimized dose is predicted to result in a substantial increase in local control without increasing the predicted risk of toxicity.

  1. Schematic Rock Painting: the panel, social space

    Martínez García, Julián

    2002-06-01

    Full Text Available The panel, which is used to support the symbols of a certain social formation, is turned into a space for the representation of this formation. It is used to incorporate or arrange or mess up the elements that circulate in a certain system. Thus, the social action is reflected in a product that is characterised by a symbolic nature. However, it is obvious that this social representation does not have an exclusive nature when dealing with the schematic rock painting. In the following pages we are going to try to analyse the relationship between the organization and configuration of this space, the panel, and the social dynamics, getting information from the different stages of its course, in series of sequences which are arranged by the coordinates of what we have called 'Social Spacial and Time'.

    El panel, utilizado para soportar los símbolos de una determinada formación social, es obvio que se convierte en un espacio de representación de la misma. Se aprovecha para incorporar, ordenar o desordenar los elementos que circulan en un determinado sistema. La acción social queda así reflejada en un producto de carácter simbólico. Aunque, evidentemente, esta representación social no tiene carácter exclusivo en la pintura rupestre esquemática, en las siguientes páginas intentaremos analizar cómo la organización y la configuración de este espacio, panel, tiene que ver con la propia dinámica social, informándonos sobre los diversos estadios de su recorrido, en una secuencia que se ordena bajo las coordenadas de lo que hemos denominado "espacio-tiempo social".

  2. CHARACTERIZATION OF DIESEL SPRAY IMAGES USING A SHAPE PROCESSING METHODOLOGY

    Cecile Petit

    2011-05-01

    Full Text Available In Diesel engines, a key element in achieving a clean and efficient combustion process is a proper fuel-air mixing, which is a consequence of the fuel spray development and fuel-air interaction inside the engine combustion chamber. The spray structure and behavior are classically described by the length (penetration and width (angle of the spray plume but these parameters do not give any clue on the geometrical injection center and on the spray symmetry. The purpose of this paper is to find out original tools to characterize the Diesel spray: the virtual spray origin is the geometrical injection center, which may (or may not coincide with the injector axis. Another interesting point is the description of the Diesel spray in terms of symmetry: the spray plume internal and external symmetry characterize the spray and the injector performance. Our approach is first to find out the virtual spray origin: after the image segmentation, the spray is coded with the Freeman code and with an original shape coding from which the moments are derived. The symmetry axes are then computed and the spray plumes are discarded (or not for the virtual spray origin computation, which is derived from a Voronoi diagram. The last step is the internal and external spray plume symmetry characterization thanks to correlation and mathematical distances.

  3. Efficacy of Selected Insecticide Sprays and Aerosols against the Common Bed Bug, Cimex lectularius (Hemiptera: Cimicidae

    Changlu Wang

    2016-01-01

    Full Text Available We evaluated the residual efficacy of four liquid sprays and four ready-to-use aerosols that are commonly used in the U.S. against a field-collected bed bug, Cimex lectularius L., strain with moderate resistance level to pyrethroids. The four liquid sprays were: Tandem (0.1% thiamethoxam, 0.03% lambda-cyhalothrin, Temprid SC (0.05% imidacloprid, 0.025% cyfluthrin, Transport GHP (0.05% acetamiprid, 0.06% bifenthrin, and Demand CS (0.03% lambda-cyhalothrin. The four aerosols were: Alpine (0.5% dinotefuran, Bedlam (0.4% sumithrin, 1.6% MGK 264, Bedlam Plus (0.4% sumithrin, 1% MGK 264, 0.05% imidacloprid, and Phantom (0.5% chlorfenapyr. Bed bugs were confined for 4 h to treated substrates (aged 24 h. Four substrates were tested: fabric, unpainted wood, painted wood, and vinyl. Bedlam, Demand CS, and Temprid SC resulted in ≤70% mortality on all tested substrates. Among the other five products, substrate type significantly affected their residual efficacy, except for Transport GHP, which caused ≥89.7% mortality regardless of the substrate. The effect of exposure time (5 min, 4 h, and 24 h on the efficacy of Transport GHP and Phantom aerosol also was evaluated. A 4 h continuous exposure to Phantom aerosol or Transport GHP residue caused similar mortality to 24 h exposure and higher mortality than 5 min exposure.

  4. Efficacy of Selected Insecticide Sprays and Aerosols against the Common Bed Bug, Cimex lectularius (Hemiptera: Cimicidae).

    Wang, Changlu; Singh, Narinderpal; Zha, Chen; Cooper, Richard

    2016-01-29

    We evaluated the residual efficacy of four liquid sprays and four ready-to-use aerosols that are commonly used in the U.S. against a field-collected bed bug, Cimex lectularius L., strain with moderate resistance level to pyrethroids. The four liquid sprays were: Tandem (0.1% thiamethoxam, 0.03% lambda-cyhalothrin), Temprid SC (0.05% imidacloprid, 0.025% cyfluthrin), Transport GHP (0.05% acetamiprid, 0.06% bifenthrin), and Demand CS (0.03% lambda-cyhalothrin). The four aerosols were: Alpine (0.5% dinotefuran), Bedlam (0.4% sumithrin, 1.6% MGK 264), Bedlam Plus (0.4% sumithrin, 1% MGK 264, 0.05% imidacloprid), and Phantom (0.5% chlorfenapyr). Bed bugs were confined for 4 h to treated substrates (aged 24 h). Four substrates were tested: fabric, unpainted wood, painted wood, and vinyl. Bedlam, Demand CS, and Temprid SC resulted in ≤70% mortality on all tested substrates. Among the other five products, substrate type significantly affected their residual efficacy, except for Transport GHP, which caused ≥89.7% mortality regardless of the substrate. The effect of exposure time (5 min, 4 h, and 24 h) on the efficacy of Transport GHP and Phantom aerosol also was evaluated. A 4 h continuous exposure to Phantom aerosol or Transport GHP residue caused similar mortality to 24 h exposure and higher mortality than 5 min exposure.

  5. COUPLED ATOMIZATION AND SPRAY MODELLING IN THE SPRAY FORMING PROCESS USING OPENFOAM

    Gjesing, Rasmus; Hattel, Jesper Henri; Fritsching, Udo

    2009-01-01

    model for droplet cooling and solidification. The model is tested and validated against results from literature and experiments. Subsequently, the model is used to simulate the complex flow fields in the spray forming process and the results are discussed. The presented model of the spray forming......The paper presents a numerical model capable of simulating the atomization, break-up and in-flight spray phenomena in the spray forming process. The model is developed and implemented in the freeware code openFOAM. The focus is on studying the coupling effect of the melt break-up phenomena...... by describing the thermal state of the particles in the spray. Therefore, the model includes a full thermal solver for the droplets, which also takes the rapid solidification of different drop sizes into account....

  6. Study on Spray Characteristics and Spray Droplets Dynamic Behavior of Diesel Engine Fueled by Rapeseed Oil

    Sapit Azwan

    2014-07-01

    Full Text Available Fuel-air mixing is important process in diesel combustion. It directly affects the combustion and emission of diesel engine. Biomass fuel needs great help to atomize because the fuel has high viscosity and high distillation temperature. This study investigates the atomization characteristics and droplet dynamic behaviors of diesel engine spray fueled by rapeseed oil (RO. Optical observation of RO spray was carried out using shadowgraph photography technique. Single nano-spark photography technique was used to study the characteristics of the rapeseed oil spray while dual nano-spark shadowgraph technique was used to study the spray droplet behavior. The results show that RO has very poor atomization due to the high viscosity nature of the fuel. This is in agreement with the results from spray droplet dynamic behavior studies that shows due to the high viscosity, the droplets are large in size and travel downward, with very little influence of entrainment effect due to its large kinematic energy.

  7. Technical study of Germolles’ wall paintings: the inputof imaging technique

    Christian Degrigny

    2016-11-01

    Full Text Available The Château de Germolles is one of the rare palace in France dating from the 14th century. The noble floor is decorated with wall paintings that are a unique example of courtly love spirit that infused the princely courts of the time. After being concealed sometime in the 19th century, the paintings were rediscovered and uncovered in the middle of the 20th century and partly restored at the end of the 1990s. No scientific documentation accompanied these interventions and important questions, such as the level of authenticity of the mural decorations and the original painting technique(s used in the medieval times remained unanswered. The combined scientific and financial supports of COSCH Cost Action and DRAC-Burgundy enabled to study Germolles’ wall paintings using some of the most innovative imaging and analytical techniques and to address some of the questions raised. The study provided significant information on the material used in the medieval times and on the conservation condition of the paintings. The data collected is vast and varied and exposed the owners of the property to the challenges of data management.

  8. In situ investigations of vault paintings in the Antwerp cathedral.

    Deneckere, Annelien; Schudel, Walter; Van Bos, Marina; Wouters, Helena; Bergmans, Anna; Vandenabeele, Peter; Moens, Luc

    2010-02-01

    X-ray fluorescence spectroscopy (XRF) and Raman spectroscopy have been used to examine 15th century mediaeval and 16th century renaissance vault paintings in the Our Lady's Cathedral (Antwerp, Belgium) in view of their restoration. The use of mobile instruments made it possible to work totally non-destructively. This complementary approach yields information on the elemental (XRF) and on the molecular composition (Raman) of the pigments. For the 15th century vault painting the pigments lead-tin yellow (Pb(2)SnO(4)), lead white (2PbCO(3)xPb(OH)(2)), vermilion (HgS), massicot (PbO) and azurite (2CuCO(3).Cu(OH)(2)) could be identified. The pigments used for the 16th century vault painting could be identified as red lead (Pb(3)O(4)), hematite (Fe(2)O(3)), lead white (2PbCO(3)xPb(OH)(2)) and azurite (2CuCO(3)xCu(OH)(2)). For both paintings the presence of the strong Raman scatterer calcite (CaCO(3)) resulted in a difficult identification of the pigments by Raman spectroscopy. The presence of gypsum (CaSO(4)x2H(2)O) on the mediaeval vault painting probably indicates that degradation took place.

  9. New approaches for investigating paintings by ion beam techniques

    Beck, L., E-mail: Lucile.beck@cea.f [Centre de Recherche et de Restauration des Musees de France (C2RMF), CNRS-UMR 171, Palais du Louvre - Porte des Lions, 14 quai Francois Mitterrand, 75001 Paris (France); Viguerie, L. de; Walter, Ph.; Pichon, L. [Centre de Recherche et de Restauration des Musees de France (C2RMF), CNRS-UMR 171, Palais du Louvre - Porte des Lions, 14 quai Francois Mitterrand, 75001 Paris (France); Gutierrez, P.C. [Centro de Micro-Analisis de Materiales (CMAM), Universidad Autonoma de Madrid, Campus de Cantoblanco, E-28049 Madrid (Spain); Salomon, J.; Menu, M. [Centre de Recherche et de Restauration des Musees de France (C2RMF), CNRS-UMR 171, Palais du Louvre - Porte des Lions, 14 quai Francois Mitterrand, 75001 Paris (France); Sorieul, S. [Centre d' Etudes Nucleaires de Bordeaux-Gradignan, IN2P3, UMR 5797, Universite de Bordeaux 1, Chemin du Solarium BP120, 33175 Gradignan Cedex (France)

    2010-06-15

    Up to now, among the IBA techniques, only PIXE has been used for analyzing paintings. However, quantitative PIXE analysis is sometimes difficult to interpret due to the layered structure, the presence of varnish and organic binder and, in some cases, discoloration of the pigments has been observed due to the interaction of the ion beam with the compounds. In order to improve the characterization of paintings, we propose some alternative experimental procedures. First of all, backscattering spectrometry (BS) and PIXE are simultaneously combined in order to collect complementary information such as layer thickness and organic compound quantification. The simultaneous PIXE and BS experiments also have the advantage of being able to analyze the same area in one experiment. This combination, implemented with an external beam, was directly applied on paintings and on painting cross-sections for the study of Italian Renaissance masterpieces. We have obtained valuable results not only on the pigment itself but also, for the first time, on the binder to pigment proportion which is not well documented in the ancient recipes. Moreover, in order to restrain beam damages due to the ion stopping power, we propose to analyze very thin painting cross-sections by a combination of PIXE-RBS and Scanning Transmission Ion Microscopy (STIM).

  10. Cyclic voltammetry and RBS study of paint components

    Bowman, Lynn [Center for Irradiation of Materials, Alabama A and M University, 4900 Meridian Street, P.O. Box 1447, Normal, AL 35762 (United States); Spencer, Dirk [Plant and Soil Science Department, Alabama A and M University, Normal, AL 35762-1447 (United States); Muntele, Claudiu [Center for Irradiation of Materials, Alabama A and M University, 4900 Meridian Street, P.O. Box 1447, Normal, AL 35762 (United States)]. E-mail: claudiu@cim.aamu.edu; Muntele, Iulia [Center for Irradiation of Materials, Alabama A and M University, 4900 Meridian Street, P.O. Box 1447, Normal, AL 35762 (United States); Ila, D. [Center for Irradiation of Materials, Alabama A and M University, 4900 Meridian Street, P.O. Box 1447, Normal, AL 35762 (United States)

    2007-08-15

    Heavy metals and metalloid ions are found in environmental matrices. The most toxic are lead, cadmium and mercury. These three heavy metals have no biological function and are toxic at all concentrations. Lead is one of the most insidious heavy metals and is introduced into the environment by many different means. It persists in both urban and rural settings, being found in paint chips, pottery, crystal and pharmaceutical and nutritional products. The analysis of heavy elements such as lead in soil is of particular importance [W.T. Sturges, R.M. Harrison, Sci. Total Environ. 44 (3) (1985) 225; M.L. Lepow, L. Bruckman, M. Gillette, S. Markowitz, R. Robino, J. Kapish, Environ. Res. 10 (3) (1975) 415; A.E. Daniels, J.R. Kominsky, P.J. Clark, J. Hazard. Mater. B 87 (2001) 117; G. Hutter, D. Moshman, J. Hazard. Mater. 40 (1995) 1]. In preparing the methods for lead detection in paint, we have used Rutherford backscattering spectrometry (RBS) in order to study the type and amount of heavy metal content in paint samples collected at various sites in the historic campus at A and M University (AAMU). We will show the results of our study with emphasis on comparison of what we learned about presence of lead in paints using our ion beam methods compared with the analysis of lead in paints using cyclic voltammetry.

  11. Modern Changes of Colors in Chinese Painting%浅谈中国画的现代色彩观

    徐莉萍

    2003-01-01

    Affected by the view of literati painting, colors in Chinese painting were often neglected and belittled in visual aesthetics.Learning color application from Western arts and exploiting pigments are two major approaches to strengthening visual effects in traditional painting...

  12. Art Painting Diagnostic Before Restoration with Terahertz and Millimeter Waves

    Guillet, Jean-Paul; Roux, M.; Wang, K.; Ma, X.; Fauquet, F.; Balacey, H.; Recur, B.; Darracq, F.; Mounaix, P.

    2017-01-01

    Art painting diagnostic is commonly performed using electromagnetic waves at wavelengths from terahertz to X-ray. These former techniques are essential in conservation and art history research, but they could be also very useful for restoring artwork. While most studies use time domain imaging technique, in this study, a painting has been investigated using both time domain imaging (TDI) and frequency-modulated continuous wave (FMCW) system in the millimeter frequency range. By applying these systems to a painting of the eighteenth century, we detect and analyze the structure of some defects. This study underlines the differences between FMCW and TDI. We present the advantages and disadvantages of each technique on a real artwork.

  13. Raman spectroscopic study of "The Malatesta": a Renaissance painting?

    Edwards, Howell G M; Vandenabeele, Peter; Benoy, Timothy J

    2015-02-25

    Raman spectroscopic analysis of the pigments on an Italian painting described as a "Full Length Portrait of a Gentleman", known also as the "Malatesta", and attributed to the Renaissance period has established that these are consistent with the historical research provenance undertaken earlier. Evidence is found for the early 19th Century addition of chrome yellow to highlighted yellow ochre areas in comparison with a similar painting executed in 1801 by Sir Thomas Lawrence of John Kemble in the role of Hamlet, Prince of Denmark. The Raman data are novel in that no analytical studies have previously been made on this painting and reinforces the procedure whereby scientific analyses are accompanied by parallel historical research.

  14. Art Painting Diagnostic Before Restoration with Terahertz and Millimeter Waves

    Guillet, Jean-Paul; Roux, M.; Wang, K.; Ma, X.; Fauquet, F.; Balacey, H.; Recur, B.; Darracq, F.; Mounaix, P.

    2017-04-01

    Art painting diagnostic is commonly performed using electromagnetic waves at wavelengths from terahertz to X-ray. These former techniques are essential in conservation and art history research, but they could be also very useful for restoring artwork. While most studies use time domain imaging technique, in this study, a painting has been investigated using both time domain imaging (TDI) and frequency-modulated continuous wave (FMCW) system in the millimeter frequency range. By applying these systems to a painting of the eighteenth century, we detect and analyze the structure of some defects. This study underlines the differences between FMCW and TDI. We present the advantages and disadvantages of each technique on a real artwork.

  15. The bacterial aetiology of rosy discoloration of ancient wall paintings.

    Imperi, Francesco; Caneva, Giulia; Cancellieri, Laura; Ricci, Maria A; Sodo, Armida; Visca, Paolo

    2007-11-01

    The inventory of microorganisms responsible for biological deterioration of ancient paintings has become an integral part of restoration activities. Here, the microbial agent of rosy discoloration on medieval frescoes in the Crypt of the Original Sin (Matera, Italy) was investigated by a combination of microscopic, molecular and spectroscopic approaches. The bacterial community from three rosy-discoloured painting sites was characterized by 16S rRNA gene-based techniques. The eubacterial population was prevalently composed of Actinobacteria, among which Rubrobacter radiotolerans-related bacteria accounted for 63-87% of the 16S rRNA gene pool per sampled site. Archaea, with prevalence of Haloarchaea-related species, were detected in one of the three sites where they accounted for paintings.

  16. Analysis of plant meiotic chromosomes by chromosome painting.

    Lysak, Martin A; Mandáková, Terezie

    2013-01-01

    Chromosome painting (CP) refers to visualization of large chromosome regions, entire chromosome arms, or entire chromosomes via fluorescence in situ hybridization (FISH). For CP in plants, contigs of chromosome-specific bacterial artificial chromosomes (BAC) from the target species or from a closely related species (comparative chromosome painting, CCP) are typically applied as painting probes. Extended pachytene chromosomes provide the highest resolution of CP in plants. CP enables identification and tracing of particular chromosome regions and/or entire chromosomes throughout all meiotic stages as well as corresponding chromosome territories in premeiotic interphase nuclei. Meiotic pairing and structural chromosome rearrangements (typically inversions and translocations) can be identified by CP. Here, we describe step-by-step protocols of CP and CCP in plant species including chromosome preparation, BAC DNA labeling, and multicolor FISH.

  17. Chromatic perception of non-invasive lighting of cave paintings

    Zoido, Jesús; Vazquez, Daniel; Álvarez, Antonio; Bernabeu, Eusebio; García, Ángel; Herraez, Juán A.; del Egido, Marian

    2009-08-01

    This work is intended to deal with the problems which arise when illuminanting Paleolithic cave paintings. We have carried out the spectral and colorimetric characterization of some paintings located in the Murcielagos (bats) cave (Zuheros, Córdoba, Spain). From this characterization, the chromatic changes produced under different lighting conditions are analysed. The damage function is also computed for the different illuminants used. From the results obtained, it is proposed an illuminant whose spectral distribution diminishes the damage by minimizing the absorption of radiation and optimises the color perception of the paintings in this cave. The procedure followed in this study can be applied to optimise the lighting systems used when illuminating any other art work

  18. Virtual hairy brush for digital painting and calligraphy

    XU Songhua; Lau Francis C. M.; XU Congfu; PAN Yunhe

    2005-01-01

    The design of user friendly and expressive virtual brush systems for interactive digital painting and calligraphy has attracted a lot of attention and effort in both computer graphics and human-computer interaction circles for a long time. Providing a digital environment for paper-less artwork creation is not only challenging in terms of algorithmic design, but also promising for its potential market values. This paper proposes a novel algorithmic framework for interactive digital painting and calligraphy based a novel virtual hairy brush model. The algorithms in the kernel of our simulation framework are built upon solid modeling techniques. Implementing the algorithms, we have developed a virtual hairy brush prototype system with which end users can interactively produce high-quality digital paintings and calligraphic artwork. (The latest progress of our virtual brush project is reported at the website "http://www.cs.hku.hk/~songhua/e-brush/".)

  19. Image-Based Synthesis of Chinese Landscape Painting

    YU JinHui(于金辉); LUO GuoMing(罗国明); PENG QunSheng(彭群生)

    2003-01-01

    This paper describes a new framework for synthesizing Chinese landscape painting using an image-based approach. The framework involves two stages: a preprocessing phase, in which a few brush stroke texture primitivities (BSTP) are collected from samples of hand-made Chinese paintings, and the control picture is constructed to provide color IDs of mountains, and the on-line phases, in which the fog image is synthesized and mountains are "drawn" by mapping multiple layers of BSTP guided by the control picture. When more complex shading is needed, the shading picture is constructed and used during the BSTP mapping phase. Finally, the synthesized Chinese landscape paintings of a variety of styles are given and they look more close to the handmade work than those produced with previous modeling methods.

  20. Siquieros accidental painting technique: a fluid mechanics point of view

    Zetina, Sandra

    2012-01-01

    This is an entry for the Gallery of Fluid Motion of the 65th Annual Meeting of the APS-DFD (fluid dynamics video). This video shows an analysis of the 'accidental painting' technique developed by D.A. Siqueiros, a famous Mexican muralist. We reproduced the technique that he used: pouring layers of paint of different colors on top of each other. We found that the layers mix, creating aesthetically pleasing patterns, as a result of a Rayleigh-Taylor instability. Due to the pigments used to give paints their color, they can have different densities. When poured on top of each other, if the top layer is denser than the lower one, the viscous gravity current undergoes unstable as it spread radially. We photograph the process and produced slowed-down video to visualize the process.

  1. Rheological behavior of acrylic paint blends based on polyaniline

    Alex da Silva Sirqueira

    Full Text Available Abstract The rheological properties of acrylic paints and polyaniline (PAni blends, with different contents of PAni doped by dodecyl benzene sulphonic acid (DBSA and, dispersed by mechanical stirrer and ultrasonic, were investigated by controlled shear rate testing ramps. The results showed that the commercial acrylic paint had tended to deliver the required stability on the blends, in order to avoid sedimentation process. All samples exhibited non-Newtonian flow behavior (shear thinning, increasing PAni content the flow behavior index (n decreased (0.41 to 0.11 and power law model were used to fitted the experimental curves. The results showed that the addition of PAni-DBSA affects the viscoelastic behavior of the mixtures due to the interactions between the components in the mixture. The best properties were obtained for samples 90/10 wt % dispersed by ultrasonic, indicating the feasibility of the usage as a conducting paint.

  2. Microalgal cell disruption via ultrasonic nozzle spraying.

    Wang, M; Yuan, W

    2015-01-01

    The objective of this study was to understand the effect of operating parameters, including ultrasound amplitude, spraying pressure, nozzle orifice diameter, and initial cell concentration on microalgal cell disruption and lipid extraction in an ultrasonic nozzle spraying system (UNSS). Two algal species including Scenedesmus dimorphus and Nannochloropsis oculata were evaluated. Experimental results demonstrated that the UNSS was effective in the disruption of microalgal cells indicated by significant changes in cell concentration and Nile red-stained lipid fluorescence density between all treatments and the control. It was found that increasing ultrasound amplitude generally enhanced cell disruption and lipid recovery although excessive input energy was not necessary for best results. The effect of spraying pressure and nozzle orifice diameter on cell disruption and lipid recovery was believed to be dependent on the competition between ultrasound-induced cavitation and spraying-generated shear forces. Optimal cell disruption was not always achieved at the highest spraying pressure or biggest nozzle orifice diameter; instead, they appeared at moderate levels depending on the algal strain and specific settings. Increasing initial algal cell concentration significantly reduced cell disruption efficiency. In all UNSS treatments, the effectiveness of cell disruption and lipid recovery was found to be dependent on the algal species treated.

  3. Containment atmosphere response to external sprays

    Green, J.; Almenas, K. [Univ. of Maryland, College Park, MD (United States)

    1995-09-01

    The application of external sprays to a containment steel shell can be an effective energy removal method and has been proposed in the passive AP-600 design. Reduction of the steel shell temperature in contact with the containment atmosphere enhances both heat and mass transfer driving forces. Large scale experimental data in this area is scarce, therefore the measurements obtained from the E series tests conducted at the German HDR facility deserve special attention. These long term tests simulated various severe accident conditions, including external spraying of the hemispherical steel shell. This investigation focuses upon the integral response of the HDR containment atmosphere during spray periods and upon methods by which lumped parameter system codes, like CONTAIN, model the underlying condensation phenomena. Increases in spray water flowrates above a minimum value were ineffective at improving containment pressure reduction since the limiting resistance for energy transfer lies in the noncondensable-vapor boundary layer at the inner condensing surface. The spray created an unstable condition by cooling the upper layers of a heated atmosphere and thus inducing global natural circulation flows in the facility and subsequently, abrupt changes in lighter-than-air noncondensable (J{sub 2}/He) concentrations. Modeling results using the CONTAIN code are outlined and code limitations are delineated.

  4. Survival of bifidobacteria after spray-drying.

    Lian, Wen-Chian; Hsiao, Hung-Chi; Chou, Cheng-Chun

    2002-03-25

    To investigate the survival of bifidobacteria after spray-drying, Bifidobacterium infantis CCRC 14633, B. infantis CCRC 14661, B. longum ATCC 15708, B. longum CCRC 14634 and B. longum B6 were first spray-dried with different carrier media including 10% (w/w) gelatin, gum arabic and soluble starch. B. infantis CCRC 14633 and B. longum were also determined in skim milk. It was found that survival of bifidobacteria after spray-drying varied with strains and is highly dependent on the carriers used. Among the test organisms, B. longum B6 exhibited the least sensitivity to spray-drying and showed the highest survival of ca. 82.6% after drying with skim milk. Comparisons of the effect of carrier concentrations revealed that spray-drying at 10% (w/w) gelatin, gum arabic or soluble starch resulted in the highest survival of bifidobacteria. In addition, among the various outlet-air temperatures tested, bifidobacteria showed the highest survival after drying at 50 degrees C. Elevation of outlet-air temperature caused increased inactivation of bifidobacteria. However, the inactivation caused by increased outlet-air temperature varied with the carrier used, with the greatest reduction observed using soluble starch and the least with skim milk.

  5. Computer modelling of the meteorological and spraying parameters that influence the aerial dispersion of agrochemical sprays

    Mokeba, M. L.; Salt, D. W.; Lee, B. E.; Ford, M. G.

    An insight into the nature of prevailing meteorological conditions and the manner in which they interact with spraying parameters is an important prerequisite in the analysis of the dynamics of agrochemical sprays. Usually, when these sprays are projected from hydraulic nozzles, their initial velocity is greater than that of the ambient wind speed. The flowfield therefore experiences changes in speed and direction which are felt upstream as well as downstream of the spray droplets. The pattern of the droplet flow, i.e. the shape of the streamlines marking typical trajectories, will be determined by a balance of viscous forces related to wind speed, inertial forces resulting from the acceleration of the airstream and pressure forces which can be viewed in terms of the drag forces exerted on the spray droplets themselves. At a certain distance in the ensuing motion, when the initial velocity of the spray droplets has decreased sufficiently for there to be no acceleration, their trajectories will be controlled entirely by the random effects of turbulence. These two transport processes in the atmosphere can be modelled mathematically using computers. This paper presents a model that considers the velocity of spray droplets to consist of a ballistic velocity component superimposed by a random-walk velocity component. The model is used to study the influence of meteorological and spraying parameters on the three-dimensional dynamics of spray droplets projected in specified directions in neutral and unstable weather conditions. The ballistic and random-walk velocity components are scaled by factors of (1-ξ) and ξ respectively, where ξ is the ratio of the sedimentation velocity and the relative velocity between the spray droplets and the surrounding airstream. This ratio increases progressively as the initial velocity of the spray droplet decreases with air resistance and attains a maximum when the sedimentation velocity has been reached. As soon as this occurs, the

  6. The “Nationalization” of Oil Painting and Cartoons

    LI Nan; Tan Mingxiang; Sun Hong

    2013-01-01

    1 .Breakout of Oil Painting After crushing the "gang of four"in October 1976, Deng Xiaoping returned to political power , and all China advocated “emancipating the mind , and seeking truth from facts”.Following this , peo-ple began to break through extreme leftist thought , and re -think the gains and losses which came from nationalization . It was only then that oil painting could experience a spring of letting “all flowers bloom together and all schools of thought contend together” .For instance,“Conquering the President’ s Mansion” painted by Chen Yifei and Wei Jingshan in 1977 used the former Soviet U-nion ’ s realism and French Romanticism; Gao Xiaohua , a representative of scar fine art School , painted “Why” and “Catch the Train” in 1978, which both presented the former Soviet Union ’ s realism style;“Father” painted by Luo Zhongli in 1980 shows the American surrealism style; “The Spring Wind Has Woken Up” painted by He Duolin in 1982 illustrates American realism style;“ Tibet Series ” by Chen Dangqing in 1982 re-flects Courbet ’ s realistic style; “Qu Qiubai in Prison” painted by Xin Shanyi in 1984 incorpo-rates a French Classical Style; “Field” made by Wang Yuqi in 1984 is a work painted with Rem-brandt ’ s realistic style; “Girls from the North”painted by Yang Feiyun in 1987 has a French clas-sical realism style .Of course , there were also art-ists who formed a “national form” from painting murals. These included Yuan Yunsheng , Xiao Huixiang, Li Huaji, Liu Bingjiang , even the“Nationalistic” painter , Wu Guanzhong . During this period, the creation of oil paint-ings had very specific, individual features.All works came from the painters ’ individual feelings and desires, and this broke away from having to choose a single “national style”.These works are the result of human -oriented rules which respec-ted artistic rules, and originated from the artists’ life experiences.In the

  7. LET-painting increases tumour control probability in hypoxic tumours.

    Bassler, Niels; Toftegaard, Jakob; Lühr, Armin; Sørensen, Brita Singers; Scifoni, Emanuele; Krämer, Michael; Jäkel, Oliver; Mortensen, Lise Saksø; Overgaard, Jens; Petersen, Jørgen B

    2014-01-01

    LET-painting was suggested as a method to overcome tumour hypoxia. In vitro experiments have demonstrated a well-established relationship between the oxygen enhancement ratio (OER) and linear energy transfer (LET), where OER approaches unity for high-LET values. However, high-LET radiation also increases the risk for side effects in normal tissue. LET-painting attempts to restrict high-LET radiation to compartments that are found to be hypoxic, while applying lower LET radiation to normoxic tissues. Methods. Carbon-12 and oxygen-16 ion treatment plans with four fields and with homogeneous dose in the target volume, are applied on an oropharyngeal cancer case with an identified hypoxic entity within the tumour. The target dose is optimised to achieve a tumour control probability (TCP) of 95% when assuming a fully normoxic tissue. Using the same primary particle energy fluence needed for this plan, TCP is recalculated for three cases assuming hypoxia: first, redistributing LET to match the hypoxic structure (LET-painting). Second, plans are recalculated for varying hypoxic tumour volume in order to investigate the threshold volume where TCP can be established. Finally, a slight dose boost (5-20%) is additionally allowed in the hypoxic subvolume to assess its impact on TCP. Results. LET-painting with carbon-12 ions can only achieve tumour control for hypoxic subvolumes smaller than 0.5 cm(3). Using oxygen-16 ions, tumour control can be achieved for tumours with hypoxic subvolumes of up to 1 or 2 cm(3). Tumour control can be achieved for tumours with even larger hypoxic subvolumes, if a slight dose boost is allowed in combination with LET-painting. Conclusion. Our findings clearly indicate that a substantial increase in tumour control can be achieved when applying the LET-painting concept using oxygen-16 ions on hypoxic tumours, ideally with a slight dose boost.

  8. [The simultaneous contrast of the colors in Van Gogh paints].

    Cernea, P

    2002-01-01

    Vincent Van Gogh, Dutchman painter, is a forerunner but also a spokesman of the expressionism. His life was short and sad, marked by a psychic instability. In his paintings the color is subordinated of some subjective motivations. Van Gogh uses complementary colors to get a maximum intensity of the overlapped tones. The chromatic increase serves to obtain some strong emotions. In his landscapes the special distances are suggested through tonal distances. The increase of the pure tones through complementary contrast, the cancel of the imitation colors through sensation-colors, the explosive chromatic are characteristic of her painting. In his singular creation, Vincent Van Gogh created his suffering ego.

  9. PaintShop Pro x6 for photographers

    McMahon, Ken

    2014-01-01

    Written for photographers of all levels, PaintShop Pro X6 for Photographers is packed with inspirational, full-color images and easy-to-follow step-by-step projects that will have you producing great images in PaintShop Pro in no time! Everything you need to enhance and improve your digital photography is right here in this Corel® endorsed guide.In this new edition, Ken McMahon looks at the pros and cons of the new, faster 64-bit version of the software and covers new features, including working with the Instant Effects palette, using the Smart selection brush, mapping photos, automatically ta

  10. PaintShop Pro X4 for photographers

    McMahon, Ken

    2012-01-01

    Great for those new to PaintShop Pro or digital imaging in general, this book is packed with inspirational, full-color images and easy to follow, step-by-step projects that will have you producing great images in PaintShop Pro in no time! Everything you need to turn your photos into stunning works of art is right here in this Corel-reviewed guide. In this new edition, Ken covers new features including how to make the most of the newly organized workspaces, use the redesigned HDR tool, and instantly publish photos on Flickr and Facebook. Squeeze every ounce of detail out of RAW files using the

  11. The motif of the sea – marine painting

    Pregelj, Ervin

    2014-01-01

    In my diploma paper I was researching sea and coast images as a specific theme of a landscape painting called marina. History of this particular theme is connected to life by the sea, shipping, still life and others similar links which have started in the 18th century. Later on the theme became integrated into a living space as a bourgeois accessory, as a romantically designed painting and later it became a part of a modernism in sense of exploring the light. The theme was preserved in variou...

  12. Three-dimensional visual illusion of graphic painting

    于静

    2012-01-01

    Visual illusion is the visual design of a special category.It is a set of technology and art in one of a unique form of artistic expression.Visual illusion can give people a taste of the spirit, with strong cultural con- tent and artistic appeal.So by this way of painting, it has a clever and unique perspective. Aspect If the plane can be realistic paintings to life, then the three-dimensional, two-dimensional space can be called even more powerful by aspects.

  13. Method for warning of radiological and chemical substances using detection paints on a vehicle surface

    Farmer, Joseph C [Tracy, CA

    2012-03-13

    A system for warning of corrosion, chemical, or radiological substances. The system comprises painting a surface with a paint or coating that includes an indicator material and monitoring the surface for indications of the corrosion, chemical, or radiological substances.

  14. Surface with two paint strips for detection and warning of chemical warfare and radiological agents

    Farmer, Joseph C.

    2013-04-02

    A system for warning of corrosion, chemical, or radiological substances. The system comprises painting a surface with a paint or coating that includes an indicator material and monitoring the surface for indications of the corrosion, chemical, or radiological substances.

  15. Application of time-of-flight secondary ion mass spectrometry to automobile paint analysis.

    Lee, Y; Han, S; Yoon, J H; Kim, Y M; Shon, S K; Park, S W

    2001-06-01

    Time-of-flight secondary ion mass spectrometry (TOF-SIMS) provides a method of elemental analysis that can distinguish among automotive paint samples of the same or nearly the same color. TOF-SIMS survey spectra were employed to determine the relative abundances of elements in the surface layers of the paint chips. The depth profile of paint samples permitted the analysis of small paint chips, the reproducible results for specific elements, and the identification of each car paint. Seventy-three samples of blue, red, white, and silver automobile paints from the major manufacturers in Korea were investigated using high resolution TOF-SIMS technique. It was found that paints of the same color produced by different manufacturers could be distinguished by this technique. TOF-SIMS is a reliable, nondestructive, and small area analyzing method for characterization of the elemental composition of automotive paint chips.

  16. EXPOSURE AND EMISSION EVALUATIONS OF METHYL ETHYL KETOXIME (MEKO) IN ALKYD PAINTS

    Small environmental chamber tests were conducted to characterize the emissions of a toxic chemical compound -- methylethylketoxime (MEKO) -- from three different alkyd paints. It was found that MEKO emissions occurred almost immediately after each alkyd paint was applied to a pin...

  17. 78 FR 79058 - Culturally Significant Objects Imported for Exhibition Determinations: “Chinese Paintings from...

    2013-12-27

    ... From the Federal Register Online via the Government Publishing Office DEPARTMENT OF STATE Culturally Significant Objects Imported for Exhibition Determinations: ``Chinese Paintings from Japanese..., 2003), I hereby determine that the objects to be included in the exhibition ``Chinese Paintings...

  18. Paint for detection of corrosion and warning of chemical and radiological attack

    Farmer, Joseph C.

    2010-08-24

    A system for warning of corrosion, chemical, or radiological substances. The system comprises painting a surface with a paint or coating that includes an indicator material and monitoring the surface for indications of the corrosion, chemical, or radiological substances.

  19. Microstructure evolution of cold-sprayed coating during deposition and through post-spraying heat treatment

    LI Chang-jiu; LI Wen-ya

    2004-01-01

    The microstructural features of cold-sprayed coatings were investigated using Cu, Ti and Zn feedstocks by optical microscopy, scanning electron microscopy and transmission electron microscopy to reveal the microstructure evolution mechanisms in cold spray. Four typical effects including tamping, refinement, impact-induced fusion and annealing were examined on microstrueture. It is found that the microstructure of cold spray coating is remarkably influenced by spray materials. Ti coatings consist of evident porous layer and Cu coatings present a limited porous layer only near the surface. It is clear that the successive tamping effect and dynamic refinement of grains significantly influence the microstructure evolution of cold-sprayed coating. The tamping effect leads to the densification of porous coating layer gradually and the refinement effect leads to the formation of fine microstructure. It is considered that the large difference in the formation of porous layer is attributed to the dynamic impact pressure and hardenability of materials. It is also found that the impact-induced fusion during deposition of Zn coating can also modify the interfacial microstructure between particles in cold spray coating. Moreover, the nanocrystalline phase can be formed at the interfaces among particles resulting from the localized melting of the interfaces and tamping effect. Furthermore, the annealing treatment can modify the microstructure and property of a cold-sprayed coating.

  20. Design of a Microgravity Spray Cooling Experiment

    Baysinger, Kerri M.; Yerkes, Kirk L.; Michalak, Travis E.; Harris, Richard J.; McQuillen, John

    2004-01-01

    An analytical and experimental study was conducted for the application of spray cooling in a microgravity and high-g environment. Experiments were carried out aboard the NASA KC-135 reduced gravity aircraft, which provided the microgravity and high-g environments. In reduced gravity, surface tension flow was observed around the spray nozzle, due to unconstrained liquid in the test chamber and flow reversal at the heat source. A transient analytical model was developed to predict the temperature and the spray heat transfer coefficient within the heated region. Comparison of the experimental transient temperature variation with analytical results showed good agreement for low heat input values. The transient analysis also verified that thermal equilibrium within the heated region could be reached during the 20-25s reduced gravity portion of the flight profile.

  1. Silver nasal sprays: misleading Internet marketing.

    Gaslin, Michael T; Rubin, Cory; Pribitkin, Edmund A

    2008-04-01

    Long-term use of silver-containing products is associated with a permanent bluish-gray discoloration of the skin known as argyria, but they remain widely available despite several measures by the FDA to regulate them. Several recent case reports have described the occurrence of argyria as a result of using these "natural" products. We used the five most common Internet search engines to find Web sites providing information on silver-containing nasal sprays. Of 49 Web sites analyzed, only 2 (4%) mentioned argyria as a possible complication, although 30 (61%) did caution against long-term use. Eight sites (16%) made specific claims about the health benefits of the product. All 49 sites (100%) provided direct or indirect links to buy silver-containing nasal sprays. We conclude that information about silver-containing nasal sprays on the Internet is misleading and inaccurate. Therefore, otolaryngologists should be aware of the misinformation their patients may be receiving about these products.

  2. Examining properties of arc sprayed nanostructured coatings

    A. Czupryński

    2016-04-01

    Full Text Available The article presents the results of examining properties of arc sprayed coating obtained with nano-alloy on the iron matrix with a high amount of fine carbide precipitates sprayed on non-alloyed steel plates intended for high temperature operation. Powder metal cored wire EnDOtec DO*390N 1,6 mm diameter, was used to produce, dense, very high abrasion and erosion resistant coatings approx. 1,0 mm thick. Nano-material coatings characterization was done to determine abrasion resistance, erosion resistance, adhesion strength, hardness as well as metallographic examinations. Results have proved high properties of arc sprayed nano-material coatings and have shown promising industrial applications.

  3. Spray Drying of Mosambi Juice in Lab

    Singh, S. V.; Verma, A.

    2014-01-01

    The studies on spray drying of mosambi juice were carried out with Laboratory spray dryer set-up (LSD-48 MINI SPRAY DRYER-JISL). Inlet and outlet air temperature and maltodextrin (drying agent) concentration was taken as variable parameters. Experiments were conducted by using 110 °C to 140 °C inlet air temperature, 60 °C to 70 °C outlet air temperature and 5-7 % maltodextrin concentration. The free flow powder of mosambi juice was obtained with 7 % maltodextrin at 140 °C inlet air temperature and 60 °C outlet air temperature. Fresh and reconstituted juices were evaluated for vitamin C, titrable acidity and sensory characteristics. The reconstituted juice was found slightly acceptable by taste panel.

  4. Process for Non-Contact Removal of Organic Coatings from the Surface of Paintings

    Banks, Bruce A. (Inventor); Rutledge, Sharon K. (Inventor)

    1996-01-01

    The present invention discloses a method of removing organic protective coatings from a painting. In the present invention degraded protective coatings such as lacquers, acrylics, natural resins, carbons, soot, and polyurethane are safely removed from the surface of a painting without contact to the surface of the painting. This method can be used for restoration of paintings when they have been damaged, through age, fire, etc.

  5. Comparison of x-ray absorption and emission techniques for the investigation of paintings

    Cabal, Ana; Schalm, Olivier; Eyskens, Peter; Willems, Peter; Harth, Astrid; Van Espen, Piet

    2014-01-01

    Transmission radiography is an excellent and easy to use method to visualize the internal structure and spatial distribution of heavy Z pigments in the paint layer of 15th to 17th-century panel paintings. It is used to examine the creation process of the artist (e.g. changes in composition, underlying paintings, etc.), to identify older restorations and to solve authentication problems. However, some historical paintings have white lead-based preparatory layers. As a result, the pictorial lay...

  6. Formulation effects on the release of silica dioxide nanoparticles from paint debris to water.

    Zuin, Stefano; Massari, Andrea; Ferrari, Arlen; Golanski, Luana

    2014-04-01

    Waterborne paints with integrated nanoparticles have been recently introduced into the market as nanoparticles offer improved or novel functionalities to paints. However, the release of nanoparticles during the life cycle of nano-enhanced paint has only been studied to a very limited extent. The paint composition could determine in what quantities and forms the nanoparticles are released. In this work, paint formulations containing the same amount of silicon dioxide (SiO2) nanoparticles but differing in the pigment volume concentration (PVC) and in amount and type of binder and pigment, were studied through leaching test to investigate the influence of these parameters on release of Si from paint. The results indicate greater release of Si, about 1.7 wt.% of the SiO2 nanoparticles in the paint, for paint formulated with higher PVC value (63%), suggesting that the PVC is a crucial factor for release of SiO2 nanoparticles from paints. This hypothesis was also based on the fact that agglomerates of SiO2 nanoparticles were only found in leachates from paint with higher PVC. A paint sample with the higher amount of binder and less calcite filler exhibited a lower release of Si among the paints with a low PVC value (35%), and no SiO2 particles were detected in leachates collected from this paint. This could be due to the fact that a high portion of binder forms a suitable matrix to hold the SiO2 ENPs in paint. The paint sample in which the amount of calcite was partially substituted with TiO2 pigment did not show an important reduction on Si release. Our work suggests that paint debris containing SiO2 nanoparticles may release a limited amount of Si into the environment, and that by adjusting the properties of the binder in combination with common pigments it is possible to reduce the release of SiO2 nanoparticles.

  7. Development of Expert Controller for Plasma Spraying Process

    LIChun-xu; CHENKe-xuan; LIHe-qi; LIDe-wu

    2004-01-01

    Aiming at the plasma spraying process control, the control system model is developed on the basis of analyzing control parameters and coating properties and their correlation, and the corresponding control method and regulations are also given. With the developed expert controller for plasma spraying process, stable spraying can be realized using ordinary spraying powder and the coating of compaction, homogeneity and high bonding strength can be obtained.

  8. Spray drying technique: II. Current applications in pharmaceutical technology.

    Sollohub, Krzysztof; Cal, Krzysztof

    2010-02-01

    This review presents current applications of spray drying in pharmaceutical technology. The topics discussed include the obtention of excipients and cospray dried composites, methods for increasing the aqueous solubility and bioavailability of active substances, and modified release profiles from spray-dried particles. This review also describes the use of the spray drying technique in the context of biological therapies, such as the spray drying of proteins, inhalable powders, and viable organisms, and the modification of the physical properties of dry plant extracts.

  9. Dynamic residual stress in thermal sprayed coatings

    Wang Zhiping; Yang Yuanyuan

    2005-01-01

    With the modified Almen method, the forming and development process of residual stress in a thermal sprayed coating has been obtained. The test results identify that the residual stress in a coating is depend on coating material properties, technique and coating thickness. The paper pays much attention to the hysteresis between the coating temperature and residual stress in the coating or between the applied stress and the strain of the coating, and confirms that the fact is resulted from the"Gas Fix" character of a thermal sprayed coating.

  10. Electrospray painted article containing thermally exfoliated graphite oxide and method for their manufacture

    Korkut, Sibel (Inventor); Prud'Homme, Robert K. (Inventor); Aksay, Ilhan A. (Inventor)

    2011-01-01

    A painted polymer part containing a conductive polymer composition containing at least one polymer and a modified graphite oxide material, which is a thermally exfoliated graphite oxide with a surface area of from about 300 sq m/g to 2600 sq m/g, wherein the painted polymer part has been electrospray painted.

  11. Topographical scanning and reproduction of near-planar surfaces of paintings

    Elkhuizen, W.S.; Zaman, T.; Verhofstad, W.; Jonker, P.P.; Dik, J.; Geraedts, J.M.P.

    2014-01-01

    Paintings are near-planar objects with material characteristics that vary widely. The fact that paint has a material presence is often overlooked, mostly because we often encounter these artworks in the form of two-dimensional reproductions. Capturing paintings in the third dimension is not only imp

  12. Simultaneous capture of the color and topography of paintings using fringe encoded stereo vision

    Zaman, T.; Jonker, P.P.; Lenseigne, B.A.J.; Dik, J.

    2014-01-01

    Introduction: Paintings are versatile near-planar objects with material characteristics that vary widely. The fact that paint has a material presence is often overlooked, mostly due to the fact that we encounter many of these artworks through two dimensional reproductions. The capture of paintings i

  13. Mnemonic Artwork-Learning Strategies: Helping Students Remember More than "Who Painted What?"

    Franke, Todd M.; And Others

    1991-01-01

    In 2 experiments, 168 undergraduates tested a newly devised mnemonic strategy to help recall various paintings' themes and contents. The effectiveness of cuing the artist's name with a prominent feature of the painting was demonstrated. A mnemonic variation that incorporated a verbally described mnemonic interaction into the painting was most…

  14. VOLATILE ORGANIC COMPOUND EMISSIONS FROM LATEX PAINT - PART 1. CHAMBER EXPERIMENTS AND SOURCE MODEL DEVELOPMENT

    Latex paints are widely used in residential and commercial indoor environments. The surface areas covered by the paints in these environments are relatively large. Thus, latex paints have the potential for having a major impact on indoor air quality (IAQ). A study was undertaken ...

  15. Allergic contact dermatitis from 2-n-octyl-4-isothiazolin-3-one, a paint mildewcide

    Mathias, C G; Andersen, Klaus Ejner; Hamann, K

    1983-01-01

    Severe allergic contact dermatitis from a paint mildewcide, 2-n-octyl-4-isothiazolin-3-one, developed in a worker formulating latex paints within a paint manufacturing company, Guinea pig maximization testing demonstrated this to be a moderate sensitizer. Further cases of allergic contact...... dermatitis may be encountered as the use of this biocide increases in the market place....

  16. Study on Performance Improvement of Oil Paint Image Filter Algorithm Using Parallel Pattern Library

    Siddhartha Mukherjee

    2014-03-01

    Full Text Available This paper gives a detailed study on the performanc e of oil paint image filter algorithm with various parameters applied on an image of RGB model . Oil Paint image processing, being very performance hungry, current research tries to find improvement using parallel pattern library. With increasing kernel-size, the processing time of oil paint image filter algorithm increases exponentially.

  17. Library Signage: Applications for the Apple Macintosh and MacPaint.

    Diskin, Jill A.; FitzGerald, Patricia

    1984-01-01

    Describes specific applications of the Macintosh computer at Carnegie-Mellon University Libraries, where MacPaint was used as a flexible, easy to use, and powerful tool to produce informational, instructional, and promotional signage. Profiles of system hardware and software, an evaluation of the computer program MacPaint, and MacPaint signage…

  18. Numerical Simulation and Experimental Characterization of a Binary Aluminum Alloy Spray - Application to the Spray Rolling Process

    S. B. Johnson; J.-P. Delplanque; Y. Lin; Y. Zhou; E. J. Lavernia; K. M. McHugh

    2005-02-01

    A stochastic, droplet-resolved model has been developed to describe the behavior of a binary aluminum alloy spray during the spray-rolling process. In this process, a molten aluminum alloy is atomized and the resulting spray is depostied on the rolls of a twin-roll caster to produce aluminum strip. The one-way coupled spray model allows the prediction of spray characteristics such as enthalph and solid fraction, and their distribution between the nozzle and the depostion surface. This paper outlines the model development and compares the predicted spray dynamics to PDI measurements performed in a controlled configuration. Predicted and measured droplet velocity and size distributions are presented for two points along the spray centerline along with predicted spray averaged specific enthalph and solid fraction curves.

  19. A Grey-Box Model for Spray Drying Plants

    Petersen, Lars Norbert; Poulsen, Niels Kjølstad; Niemann, Hans Henrik;

    2013-01-01

    Multi-stage spray drying is an important and widely used unit operation in the production of food powders. In this paper we develop and present a dynamic model of the complete drying process in a multi-stage spray dryer. The dryer is divided into three stages: The spray stage and two fluid bed...

  20. 9 CFR 590.542 - Spray process drying operations.

    2010-01-01

    ... 9 Animals and Animal Products 2 2010-01-01 2010-01-01 false Spray process drying operations. 590..., Processing, and Facility Requirements § 590.542 Spray process drying operations. (a) The drying room shall be... interrupted. (1) Spray nozzles, orifices, cores, or whizzers shall be cleaned immediately after cessation...

  1. Alignment Fixtures For Vacuum-Plasma-Spray Gun

    Woodford, William H.; Mckechnie, Timothy N.; Power, Christopher A.; Daniel, Ronald L., Jr.

    1993-01-01

    Fixtures for alignment of vacuum-plasma-spray guns built. Each fixture designed to fit specific gun and holds small, battery-powered laser on centerline of gun. Laser beam projects small red dot where centerline intersects surface of workpiece to be sprayed. After laser beam positioned on surface of workpiece, fixture removed from gun and spraying proceeds.

  2. Experimental research on flash boiling spray of dimethyl ether

    Zhang, Peng

    2014-12-01

    The high-speed digital imaging technique is applied to observe the developing process of flash boiling spray of dimethyl ether at low ambient pressure, and the effects of nozzle opening pressure and nozzle hole diameter on the spray shape, spray tip penetration and spray angle during the injection are investigated. The experimental results show that the time when the vortex ring structure of flash boiling spray forms and its developing process are determined by the combined action of the bubble growth and breakup in the spray and the air drag on the leading end of spray; with the enhancement of nozzle opening pressure, the spray tip penetration increases and the spray angle decreases. The influence of nozzle hole diameter on the spray tip penetration is relatively complicated, the spray tip penetration is longer with a smaller nozzle hole diameter at the early stage of injection, while the situation is just opposite at the later stage of injection. This paper establishes that the variation of spray angle is consistent with that of nozzle hole diameter.

  3. Experimental Research on Flash Boiling Spray of Dimethyl Ether

    Peng Zhang

    2014-01-01

    The high-speed digital imaging technique is applied to observe the developing process of flash boiling spray of dimethyl ether at low ambient pressure, and the effects of nozzle opening pressure and nozzle hole diameter on the spray shape, spray tip penetration and spray angle during the injection are investigated. The experimental results show that the time when the vortex ring structure of flash boiling spray forms and its developing process are determined by the combined action of the bubble growth and breakup in the spray and the air drag on the leading end of spray;with the enhancement of nozzle opening pressure, the spray tip penetration increases and the spray angle decreases. The influence of nozzle hole diameter on the spray tip penetration is relatively complicated, the spray tip penetration is longer with a smaller nozzle hole diameter at the early stage of injection, while the situation is just opposite at the later stage of injection. This paper establishes that the variation of spray angle is consistent with that of nozzle hole diameter.

  4. Synthesis of Copper Pigments, Malachite and Verdigris: Making Tempera Paint

    Solomon, Sally D.; Rutkowsky, Susan A.; Mahon, Megan L.; Halpern, Erica M.

    2011-01-01

    Malachite and verdigris, two copper-based pigments, are synthesized in this experiment intended for use in a general chemistry laboratory. The preparation of egg tempera paint from malachite is also described. All procedures can be done with a magnetic stir plate, standard glassware present in any first-year laboratory, and household chemicals.…

  5. Aesthetic experience and the emotional content of paintings

    Slobodan Marković

    2010-03-01

    Full Text Available In this study we investigated the relationship between aesthetic experience and other emotional qualities judged in paintings. Aesthetic experience was defined as an exceptional state of mind in which a person is focused on a particular object, transcending its everyday uses and meanings and losing the awareness of surroundings and even of himself/herself. In this state a person has an exceptional emotional experience, that is a feeling of unity with the object. Our basic idea is that aesthetic experience is not reducible to pleasure or a positive hedonic tone, but a person can equally be fascinated with both pleasant and unpleasant objects. In preliminary studies we specified the stimulus set of figural and semi-figural paintings, and a set of descriptors of emotions, feelings and aesthetic experience. Participants judged the paintings on descriptors (seven-point scales. Factor analysis revealed two large factors: the bipolar factor Affective Tone (descriptors on the positive pole: lovely, charming, cheerful, etc; descriptors on the negative pole: scary, disgusting, hateful etc. and Aesthetic Experience (descriptors: exceptional, profound, unique, etc.. Additional analyses have shown no significant correlation between the two factors. These findings confirmed our idea that aesthetic experience is independent of pleasure or affective attraction, and that it can be induced by both pleasant and unpleasant paintings.

  6. Paint and Click: Unified Interactions for Image Boundaries

    Summa, B. [Univ. of Utah, Salt Lake City, UT (United States). Scientific Computing and Imaging (SCI) Inst.; Gooch, A. A. [Univ. of Utah, Salt Lake City, UT (United States). Scientific Computing and Imaging (SCI) Inst.; Scorzelli, G. [Univ. of Utah, Salt Lake City, UT (United States). Scientific Computing and Imaging (SCI) Inst.; Pascucci, V. [Univ. of Utah, Salt Lake City, UT (United States). Scientific Computing and Imaging (SCI) Inst.

    2015-06-22

    Image boundaries are a fundamental component of many interactive digital photography techniques, enabling applications such as segmentation, panoramas, and seamless image composition. Interactions for image boundaries often rely on two complementary but separate approaches: editing via painting or clicking constraints. In this work, we provide a novel, unified approach for interactive editing of pairwise image boundaries that combines the ease of painting with the direct control of constraints. Rather than a sequential coupling, this new formulation allows full use of both interactions simultaneously, giving users unprecedented flexibility for fast boundary editing. To enable this new approach, we provide technical advancements. In particular, we detail a reformulation of image boundaries as a problem of finding cycles, expanding and correcting limitations of the previous work. Our new formulation provides boundary solutions for painted regions with performance on par with state-of-the-art specialized, paint-only techniques. In addition, we provide instantaneous exploration of the boundary solution space with user constraints. Finally, we provide examples of common graphics applications impacted by our new approach.

  7. Beauty in abstract paintings: Perceptual contrast and statistical properties

    Birgit eMallon

    2014-03-01

    Full Text Available In this study, we combined the behavioral and objective approach in the field of empirical aesthetics. First, we studied the perception of beauty by investigating shifts in evaluation on perceived beauty of abstract artworks (Experiment 1. Because the participants showed heterogeneous individual preferences for the paintings, we divided them into seven clusters for the test. The experiment revealed a clear pattern of perceptual contrast. The perceived beauty of abstract paintings increased after exposure to paintings that were rated as less beautiful, and it decreased after exposure to paintings that were rated as more beautiful. Next, we searched for correlations of beauty ratings and perceptual contrast with statistical properties of abstract artworks (Experiment 2. The participants showed significant preferences for certain image properties. These preferences differed between the clusters of participants. Strikingly, next to color measures like hue, saturation, value and lightness, the recently described PHOG self-similarity value seems to be a predictor for aesthetic appreciation of abstract artworks. We speculate that the shift in evaluation in Experiment 1 was, at least in part, based on low-level adaptation to some of the statistical image properties analyzed in Experiment 2. In conclusion, our findings demonstrate that the perception of beauty in abstract artworks is altered after exposure to beautiful or non-beautiful images and correlates with particular image properties, especially color measures and self-similarity.

  8. Beauty in abstract paintings: perceptual contrast and statistical properties.

    Mallon, Birgit; Redies, Christoph; Hayn-Leichsenring, Gregor U

    2014-01-01

    In this study, we combined the behavioral and objective approach in the field of empirical aesthetics. First, we studied the perception of beauty by investigating shifts in evaluation on perceived beauty of abstract artworks (Experiment 1). Because the participants showed heterogeneous individual preferences for the paintings, we divided them into seven clusters for the test. The experiment revealed a clear pattern of perceptual contrast. The perceived beauty of abstract paintings increased after exposure to paintings that were rated as less beautiful, and it decreased after exposure to paintings that were rated as more beautiful. Next, we searched for correlations of beauty ratings and perceptual contrast with statistical properties of abstract artworks (Experiment 2). The participants showed significant preferences for particular image properties. These preferences differed between the clusters of participants. Strikingly, next to color measures like hue, saturation, value and lightness, the recently described Pyramid of Histograms of Orientation Gradients (PHOG) self-similarity value seems to be a predictor for aesthetic appreciation of abstract artworks. We speculate that the shift in evaluation in Experiment 1 was, at least in part, based on low-level adaptation to some of the statistical image properties analyzed in Experiment 2. In conclusion, our findings demonstrate that the perception of beauty in abstract artworks is altered after exposure to beautiful or non-beautiful images and correlates with particular image properties, especially color measures and self-similarity.

  9. Egyptian Symbols and Figures. Hieroglyphs [and] Scroll Paintings. [Lesson Plan].

    2002

    This lesson introduces students to the writing, art, and religious beliefs of ancient Egypt through hieroglyphs, one of the oldest writing systems in the world, and through tomb paintings. Hieroglyphs consist of pictures of familiar objects that represent sounds and were used in ancient Egypt from about 3100 BC to 400 CE. In the first part of the…

  10. Authentic Classical Haiku and Painting Studies on the Web.

    Saga, Hiroo

    2003-01-01

    Describes the author's Web site, which is devoted to the Japanese poet-painter Yosa Buson (1716-1784) and contains articles on Buson, bibliographic resources, and a pictorial catalog of haiku and paintings. This paper covers project purpose and background, subject area and materials, contexts of the development, structure of the Web site,…

  11. New Generation Of Paper For Calligraphy And Painting

    2004-01-01

    <正>Among the calligraphic and painting collections, the new generation of paper which was developed by Yu Chunrong is the best and has enjoyed flavour of the collectors. The paper traced in gold has become an artistic work with inscriptions of famous calligraphers and painters.It is worth collecting.

  12. 19th Century Plains Indian Robe Painting: Wearable Art Form.

    McMaster, Gerald R.

    1983-01-01

    The Indians of the Great Plains of North America once wore some of the most magnificent works of art in the form of bison robes that were painted in a variety of modes. These forms of expression have become obsolete and their function has been replaced by new materials. (Availability: CHEA National Office, 151 Slater Street, Ottawa, Ontario K1P…

  13. Occupational exposure to airborne chemical substances in paintings conservators

    Anna Jeżewska

    2014-02-01

    Full Text Available Background: This paper presents the results of the quantitative study of the airborne chemical substances detected in the conservator's work environment. Material and Methods: The quantitative tests were carried out in 6 museum easel paintings conservation studios. The air test samples were taken at various stages of restoration works, such as cleaning, doubling, impregnation, varnishing, retouching, just to name a few. The chemical substances in the sampled air were measured by the GC-FID (gas chromatography with flame ionization detector test method. Results: The study results demonstrated that concentrations of airborne substances, e.g., toluene, 1,4-dioxane, turpentine and white spirit in the work environment of paintings conservators exceeded the values allowed by hygiene standards. It was found that exposure levels to the same chemical agents, released during similar activities, varied for different paintings conservation studios. It is likely that this discrepancy resulted from the indoor air exchange system for a given studio (e.g. type of ventilation and its efficiency, the size of the object under maintenance, and also from the methodology and protection used by individual employees. Conclusions: The levels of organic solvent vapors, present in the workplace air in the course of painting conservation, were found to be well above the occupational exposure limits, thus posing a threat to the worker's health. Med Pr 2014;65(1:33–41

  14. Digital Tools: Enhancing Painting Skills among Malaysian Secondary School Students

    Samah, Azimah A.; Putih, Abu Talib; Hussin, Zaharah

    2016-01-01

    Digital tools refer to software applications in the production of artworks particularly in painting. Digital art work is materialized by using computers, software and a combination of computer peripherals such as tablet support. With the aid of electronic equipment, digital artists manipulate pixels or coloring with light to compose the work and…

  15. Experiments on an Exhaust Hood for the Paint Industry

    Nielsen, Peter V.; Madsen, Ulla; Tveit, David J.

    There is a great variation of production machinery and pollution sources in the paint industry. This paper shows the examination of a process where wood preservation is filled into cans in a process which releases organic solvents to the surrounding air....

  16. Beauty in abstract paintings: perceptual contrast and statistical properties

    Mallon, Birgit; Redies, Christoph; Hayn-Leichsenring, Gregor U.

    2014-01-01

    In this study, we combined the behavioral and objective approach in the field of empirical aesthetics. First, we studied the perception of beauty by investigating shifts in evaluation on perceived beauty of abstract artworks (Experiment 1). Because the participants showed heterogeneous individual preferences for the paintings, we divided them into seven clusters for the test. The experiment revealed a clear pattern of perceptual contrast. The perceived beauty of abstract paintings increased after exposure to paintings that were rated as less beautiful, and it decreased after exposure to paintings that were rated as more beautiful. Next, we searched for correlations of beauty ratings and perceptual contrast with statistical properties of abstract artworks (Experiment 2). The participants showed significant preferences for particular image properties. These preferences differed between the clusters of participants. Strikingly, next to color measures like hue, saturation, value and lightness, the recently described Pyramid of Histograms of Orientation Gradients (PHOG) self-similarity value seems to be a predictor for aesthetic appreciation of abstract artworks. We speculate that the shift in evaluation in Experiment 1 was, at least in part, based on low-level adaptation to some of the statistical image properties analyzed in Experiment 2. In conclusion, our findings demonstrate that the perception of beauty in abstract artworks is altered after exposure to beautiful or non-beautiful images and correlates with particular image properties, especially color measures and self-similarity. PMID:24711791

  17. High-performance shape-engineerable thermoelectric painting

    Park, Sung Hoon; Jo, Seungki; Kwon, Beomjin; Kim, Fredrick; Ban, Hyeong Woo; Lee, Ji Eun; Gu, Da Hwi; Lee, Se Hwa; Hwang, Younghun; Kim, Jin-Sang; Hyun, Dow-Bin; Lee, Sukbin; Choi, Kyoung Jin; Jo, Wook; Son, Jae Sung

    2016-11-01

    Output power of thermoelectric generators depends on device engineering minimizing heat loss as well as inherent material properties. However, the device engineering has been largely neglected due to the limited flat or angular shape of devices. Considering that the surface of most heat sources where these planar devices are attached is curved, a considerable amount of heat loss is inevitable. To address this issue, here, we present the shape-engineerable thermoelectric painting, geometrically compatible to surfaces of any shape. We prepared Bi2Te3-based inorganic paints using the molecular Sb2Te3 chalcogenidometalate as a sintering aid for thermoelectric particles, with ZT values of 0.67 for n-type and 1.21 for p-type painted materials that compete the bulk values. Devices directly brush-painted onto curved surfaces produced the high output power of 4.0 mW cm-2. This approach paves the way to designing materials and devices that can be easily transferred to other applications.

  18. Programming balanced optical beam splitters in white paint

    Huisman, S.R.; Huisman, T.J.; Goorden, S.A.; Mosk, A.P.; Pinkse, P.W.H.

    2014-01-01

    Wavefront shaping allows for ultimate control of light propagation in multiple-scattering media by adaptive manipulation of incident waves. We shine two separate wavefront-shaped beams on a layer of dry white paint to create two enhanced output spots of equal intensity. We experimentally confirm by

  19. Democracy in Conservation – Wall Painting Conservation and Church Communities

    Brajer, Isabelle Eve

    2007-01-01

    Wall painting conservation in Denmark has been functioning within a democratically organised church infrastructure for more than 100 years, which permits an overview of community involvement in conservation over a longer period. The case stories presented here show widely varying attitudes held...

  20. Laser decontamination and decomposition of PCB-containing paint

    Anthofer, A.; Kögler, P.; Friedrich, C.; Lippmann, W.; Hurtado, A.

    2017-01-01

    Decontamination of concrete surfaces contaminated with paint containing polychlorinated biphenyls is an elaborate and complex task that must be performed within the scope of nuclear power plant dismantling as well as conventional pollutant cleanup in buildings. The state of the art is mechanical decontamination, which generates dust as well as secondary waste and is both dangerous and physically demanding. Moreover, the ablated PCB-containing paint has to be treated in a separate process step. Laser technology offers a multitude of possibilities for contactless surface treatment with no restoring forces and a high potential for automation. An advanced experimental setup was developed for performing standard laser decontamination investigations on PCB-painted concrete surfaces. As tested with epoxy paints, a high-power diode laser with a laser power of 10 kW in continuous wave (CW) mode was implemented and resulted in decontamination of the concrete surfaces as well as significant PCB decomposition. The experimental results showed PCB removal of 96.8% from the concrete surface and PCB decomposition of 88.8% in the laser decontamination process. Significant PCDD/F formation was thereby avoided. A surface ablation rate of approx. 7.2 m2/h was realized.

  1. A Curious Reality: Exploring the Paintings of Philip C. Curtis

    Stephens, Pamela; Walkup, Nancy

    2011-01-01

    Many of the paintings of 20th-century American artist Philip C. Curtis defy clear classification. Curtis's artworks often show dreamlike and fantastical qualities and are therefore frequently pigeonholed as Surrealistic. While this classification is not completely erroneous, it fails to acknowledge some subtle differences between Curtis's artwork…

  2. Birds of a Feather... and Clay, Wire, Tissue and Paint!

    Feiner, Lois

    2011-01-01

    What began as a review lesson in clay construction quickly became a fun learning experience filled with inspiring conversations and creatively painted birds. This lesson was successful from beginning to end, with a final reward when the artwork was displayed. The author describes the process of working on this project and shares how the students…

  3. Painting Cloud Nine: A Study of Magritte's Bottle Series.

    Turner, Dianne

    2000-01-01

    Provides background information on Rene Magritte and his work. Offers an activity in which elementary and middle school students can learn about Magritte's sky and silhouette series of painted wine bottles. Explains that the lesson should be used when students are learning about poetry in language arts classes. (CMK)

  4. DROPLETS AND PARTICLES IN SPRAYS: TAILORING PARTICLE PROPERTIES WITHIN SPRAY PROCESSES

    Udo Fritsching

    2005-01-01

    Particle generation via atomization and spray processes is a widely applied method for powder production.By means of atomization processes, the relevant particle properties may be tailored to the powder user's need in a wide range. Understanding and control of the main subprocesses of atomization is a key feature for choosing a suitable type of spray process and operation conditions. Tailoring particle properties and extending the applications of particle production beyond the current limits is also possible in this way. This contribution highlights some features of spray processes for powder production, namely the gas- and fluid-dynamic processes involved, the materials-related subprocesses, and the formation of the multiphase flow in the spray. As an example, the production of fibre- or sphere-shaped particles from melt atomization is discussed.

  5. Study of molecular iodine-epoxy paint mass transfer

    Belval-Haltier, E. [Inst. de Protection et Surete Nucleaire, IPSN, CEN Cadarache, St. Paul-lez-Durance (France)

    1996-12-01

    The mass transfer phenomena may have a significant influence on the quantity of I{sub 2} which could be released following a severe accident of a nuclear power plant and specially the mass transfer of iodine onto containment surfaces. So, the objective of the present work was to evaluate which phase limited the adsorption process of iodine onto gaseous epoxy paint under a range of conditions which may be relevant to a severe reactor accident. In this aim, a series of experiments was conducted in which the sorption kinetics of molecular iodine, labelled with {sup 131}I, was measured by monitoring continuously the accumulation of this species on the epoxy surface. For each test condition, the initial deposition velocity was determined and the corresponding gas phase mass transfer, kg, was estimated by using the heat transfer analogy for a laminar flow passing over a flat plate. Then, the surface reaction rate, Kr, was deduced from these two values. Experiments performed indicated that iodine adsorption onto epoxy paint is highly dependent on temperature, relative humidity of the carrier gas and moisture content of the painted coupon. In dry air flow conditions, the adsorption of iodine onto paint was found to increase with temperature and to be limited by the surface reaction rate, Kr. The I{sub 2} adsorption rate was found to increase with the humidity of carrier gas and in some studied conditions, the initial deposition velocity appeared to be controlled by gas phase mass transfer rather than surface interaction. The same phenomenon has been observed with an increase of the initial water content of the painted coupon. (author) 6 figs., 1 tab., 8 refs.

  6. Lorenzo Lotto's painting materials: an integrated diagnostic approach

    Amadori, Maria Letizia; Poldi, Gianluca; Barcelli, Sara; Baraldi, Pietro; Berzioli, Michela; Casoli, Antonella; Marras, Susanna; Pojana, Giulio; Villa, Giovanni C. F.

    2016-07-01

    This paper presents the results of a comprehensive diagnostic investigation carried out on five paintings (three wood panels and two paintings on canvas) by Lorenzo Lotto, one of the most significant artists of the Italian Renaissance in the first half of 16th century. The paintings considered belong to 1508-1522 period, corresponding to the most significant years of Lotto's evolution. A wide array of non-invasive (reflectance spectrometry and X-ray fluorescence) and micro-invasive analytical techniques (optical microscopy, scanning electron microscopy with energy dispersive spectroscopy, micro-FTIR spectroscopy, micro-Raman spectroscopy, gas chromatography coupled with mass spectrometry and high performance liquid chromatography coupled with photodiode array detection and mass spectrometry) were applied in order to provide a large set of significant data, limiting as much as possible the sampling. This study has proved that Lotto's painting palette was typical of Venetian practice of that period, but some significant peculiarities emerged: the use of two kinds of red lakes, the addition of calcium carbonate and colourless powdered glass, the latter frequently found in pictorial and ground layers. Moreover, the integrated investigation showed that Lotto's technique was sometimes characterized by the use of coloured priming and multi-layer sequences with complex mixtures. Chromatographic analyses allowed to identify in all specimens: azelaic, palmitic and stearic acids, generally referring to the presence of drying oils. The extension of additional non-invasive examination to about 50 paintings by the same author, spanning from 1505 to around 1556, helped to verify the evolution in the use of some pigments, such as the yellow ones, where Pb-Sb yellow was used alongside Pb-Sn yellow.

  7. Implementation and Development of an Eulerian Spray Model for CFD simulations of diesel Sprays

    2016-01-01

    [EN] The main objective of this work is the modeling of diesel sprays under engine conditions, including the atomization, transport and evaporation processes pivotal in the diesel spray formation and its development. For this purpose, an Eulerian single fluid model, embedded in a RANS environment, is implemented in the CFD platform OpenFOAM. The modeling approach implemented here is based on the ⅀-Y model. The model is founded on the assumption of flow scales separation. In actual i...

  8. Producing Quantum Dots by Spray Pyrolysis

    Banger, Kulbinder; Jin, Michael H.; Hepp, Aloysius

    2006-01-01

    An improved process for making nanocrystallites, commonly denoted quantum dots (QDs), is based on spray pyrolysis. Unlike the process used heretofore, the improved process is amenable to mass production of either passivated or non-passivated QDs, with computer control to ensure near uniformity of size.

  9. Growth and cation accumulation in spray carnations

    Spithorst, L.S.

    1980-01-01

    Spray carnations (Dianthus caryophyllus ‘Exquisite’), planted as potted cuttings in December, had a maximum dry-matter production in summer of 22 g m−2 day−1, calculated for the net surface area completely covered by the crop. This value is fairly similar to the maxima established for outdoor crops

  10. [Ocular injury by artificial snow spray].

    Ben-Nissan, D; Savir, H

    1990-12-01

    We treated the eyes of 12 children, aged 2.5-16 years, which were injured by artificial snow-spray during Israel's Independence Day festivities in 1987 and 1989. There was chemical damage to the conjunctiva and cornea which took 1-3 weeks to heal.

  11. New atomization nozzle for spray drying

    Deventer, H.C. van; Houben, R.J.; Koldeweij, R.B.J.

    2013-01-01

    A new atomization nozzle based on ink jet technology is introduced for spray drying. Application areas are the food and dairy industry, in the first instance, because in these industries the quality demands on the final powders are high with respect to heat load, powder shape, and size distribution.

  12. Spray Forming Aluminum - Final Report (Phase II)

    D. D. Leon

    1999-07-08

    The U.S. Department of Energy - Office of Industrial Technology (DOE) has an objective to increase energy efficient and enhance competitiveness of American metals industries. To support this objective, ALCOA Inc. entered into a cooperative program to develop spray forming technology for aluminum. This Phase II of the DOE Spray Forming Program would translate bench scale spray forming technology into a cost effective world class process for commercialization. Developments under DOE Cooperative Agreement No. DE-FC07-94ID13238 occurred during two time periods due to budgetary constraints; April 1994 through September 1996 and October 1997 and December 1998. During these periods, ALCOA Inc developed a linear spray forming nozzle and specific support processes capable of scale-up for commercial production of aluminum sheet alloy products. Emphasis was given to alloys 3003 and 6111, both being commercially significant alloys used in the automotive industry. The report reviews research performed in the following areas: Nozzel Development, Fabrication, Deposition, Metal Characterization, Computer Simulation and Economics. With the formation of a Holding Company, all intellectual property developed in Phases I and II of the Project have been documented under separate cover for licensing to domestic producers.

  13. Computational Modeling of Turbulent Spray Combustion

    Ma, L.

    2016-01-01

    The objective of the research presented in this thesis is development and validation of predictive models or modeling approaches of liquid fuel combustion (spray combustion) in hot-diluted environments, known as flameless combustion or MILD combustion. The goal is to combine good physical insight, a

  14. Laser treatment of plasma sprayed HA coatings

    Khor, KA; Vreeling, A; Dong, ZL; Cheang, P

    1999-01-01

    Laser treatment was conducted on plasma sprayed hydroxyapatite (HA) coatings using a Nd-YAG pulse laser. Various laser parameters were investigated. The results showed that the HA surface melted when an energy level of greater than or equal to 2 J and a spot size of 2 mm was employed during continuo

  15. The erosive potential of candy sprays

    Gambon, D.L.; Brand, H.S.; Nieuw Amerongen, A.V.

    2009-01-01

    Objective To determine the erosive potential of seven different commercially available candy sprays in vitro and in vivo. Material and methods The erosive potential was determined in vitro by measuring the pH and neutralisable acidity. The salivary pH and flow rate were measured in healthy volunteer

  16. Terahertz paintmeter for noncontact monitoring of thickness and drying progress in paint film

    Yasui, Takeshi; Yasuda, Takashi; Sawanaka, Ken-Ichi; Araki, Tsutomu

    2005-11-01

    We propose a paintmeter for noncontact and remote monitoring of the thickness and drying progress of a paint film based on the time-of-flight measurement of the echo signal of a terahertz (THz) electromagnetic pulse. The proposed method is effectively applied to two-dimensional mapping of the painting thickness distribution for single-layer and multilayer paint films. Furthermore, adequate parameters for the drying progress are extracted from the THz pulse-echo signal and effectively applied to monitor the wet-to-dry transformation. The THz paintmeter can be a powerful tool for quality control of the paint film on the in-process monitoring of car body painting.

  17. Warburg and Poliakoff, Movement and Style (a contribution to the contemporary study of images and paintings

    João Ferreira Vale

    2012-12-01

    Full Text Available The foundation of painting on its sources or “influences” serves to achieve its integration in a group of reference from which painting, any true painting that aims at the present, can and should take part. This work aims at an updating of the analysis these influences from the means that serve as references to the pictorial analysis and creation, the images (reproductions and the paintings themselves, by crossing two major references of Art History and Modern Painting (Aby Warburg and Serge Poliakoff.

  18. A Review on Design & Development of Semi-Automated Colour Painting Machine.

    Dhaval Thakar

    2014-04-01

    Full Text Available Painting is the practice of applying paint, pigment, colour or other medium to a surface (support base. The medium is commonly applied to the base with a brush but other objects can be used. In art, the term painting describes both the act and the result of the action. However, painting is also used outside of art as a common trade among craftsmen and builders. Paintings may have for their support such surface as walls, paper, canvas, wood, glass, lacquer, clay, leaf, copper or concrete, and may incorporate multiple other materials including sand, clay, paper, gold leaf as well as objects.

  19. Research of Plasma Spraying Process on Aluminum-Magnesium Alloy

    Patricija Kavaliauskaitė

    2016-04-01

    Full Text Available The article examines plasma sprayed 95Ni-5Al coatings on alu-minum-magnesium (Mg ≈ 2,6‒3,6 % alloy substrate. Alumi-num-magnesium samples prior spraying were prepared with mechanical treatment (blasting with Al2O3. 95Ni-5Al coatings on aluminum-magnesium alloys were sprayed with different parameters of process and coating‘s thickness, porosity, micro-hardness and microstructure were evaluated. Also numerical simulations in electric and magnetic phenomena of plasma spray-ing were carried out.

  20. Research on automatic spraying of single-walled carbon nanotubes and detection of spraying effects

    Jianwen Zhao

    2014-04-01

    Full Text Available Single-walled carbon nanotubes (SWNTs have been introduced as compliant electrodes for dielectric elastomers (DEs due to fault tolerance. To acquire a better electrostrictive strain and longer lifetime, it is essential to obtain a certain and uniform width of the SWNT electrode. To ensure uniform width manually, a small flux and longer time are necessary. Moreover, it is difficult to control the width of the electrode for the randomness of manual spraying. Therefore, a new type of automatic spraying process is presented in this paper. The width and homogeneity of the electrode can be easily controlled by certain parameters of the process. Two methods for detecting the homogeneity of the electrode are introduced in this paper: Measurement of surface resistance and luminosity. The coefficient of variation (CV values detected by the two methods are virtually equal and less than 8%, which shows the feasibility of the detection method and homogeneity of automatic spraying. The speed of automatic spraying is 102 mm2/s, which is higher than that of manual spraying. The spraying process and the method used to detect homogeneity in this paper provide a reference for the relevant processes.

  1. Metal stearate distributions in modern artists' oil paints: surface and cross-sectional investigation of reference paint films using conventional and synchrotron infrared microspectroscopy.

    Osmond, Gillian; Boon, Jaap J; Puskar, Ljiljana; Drennan, John

    2012-10-01

    Zinc oxide is a prevalent industrial-age pigment that readily reacts with fatty acids in oil-based paints to form zinc carboxylates. Zinc stearate aggregates are associated with deterioration in late nineteenth and twentieth century paintings. The current study uses both conventional and synchrotron Fourier transform infrared spectroscopy (FT-IR) to investigate metal carboxylate composition in a range of naturally aged artists' oil paints and reference paint film draw-downs. The paints contain zinc oxide alone or in combination with lead white, titanium white, and aluminum stearate and are prepared with linseed and safflower oils. Attenuated total reflectance (ATR)-FT-IR using the conventional source identifies marked differences in carboxylate profiles between exposed and protected surfaces in a large number of samples. Synchrotron FT-IR microspectroscopy of thin paint cross-sections maps metal carboxylate distributions at high spatial resolution and resolves broad concentration gradients and micrometer-scale phase separation of carboxylate species. Aluminum stearate, a common paint additive, is found to influence the distribution of zinc carboxylates more strongly than pigment composition or oil type. The presence of aluminum stearate results in higher concentrations and more pronounced separation of saturated C16 and C18 chain zinc carboxylates in the margin of paint nearest the polyester substrate. The presence of aluminum stearate in association with zinc oxide has a clear influence on zinc carboxylate formation and distribution, with potential implications for long term stability of vulnerable paintings.

  2. Guest Editorial Particle Sizing And Spray Analysis

    Chigier, Norman; Stewart, Gerald

    1984-10-01

    The measurement of particle size and velocity in particle laden flows is a subject of interest in a variety of industrial applications. In combustion systems for electricity generation, industrial processes and heating, and transportation, where liquid and solid fuels are injected into air streams for burning in furnaces, boilers, and gas turbine and diesel engines, the initial size and velocity distributions of particles are determining factors in the overall combustion efficiency and the emission of pollutants and particulates. In the design of injectors and burners for the atomization of liquid fuels, a great deal of attention is being focused on developing instrumentation for the accurate measurement of size and velocity distributions in sprays as a function of space and time. Most recent advances in optical engineering techniques using lasers for particle measurement have focused on detailed spray characterization, where there is a major concern with spherical liquid droplets within the size range of 1 to 500 μm in diameter, with droplet velocities within the range of 1 to 100 m/s, and the requirement for making in situ measurements of moving particles by nonintrusive optical probes. The instruments being developed for spray analysis have much wider applications. These include measurement in particle laden flows encountered in a variety of industrial processes with solid particles in gas and liquid streams and liquid particles in gas streams. Sprays used in agriculture, drying, food processing, coating of materials, chemical processing, clean rooms, pharmaceuticals, plasma spraying, and icing wind tunnels are examples of systems for which information is being sought on particle and fluid dynamic interactions in which there is heat, mass, and momentum transfer in turbulent reacting flows.

  3. Visualization of pigment distributions in paintings using synchrotron K-edge imaging

    Krug, K.; Dik, J. [TU Delft, Department of Materials Science and Engineering, Delft (Netherlands); Leeuw, M. [Atelier for Restoration and Research of Paintings, The Hague (Netherlands); Whitson, A. den [L3 Communications, Woburn, MA (United States); Tortora, J. [JK Consulting, Sudbury, MA (United States); Coan, P.; Nemoz, C.; Bravin, A. [European Synchrotron Radiation Facility, Grenoble (France)

    2006-05-15

    X-ray radiography plays an important role in the study of artworks and archaeological artifacts. The internal structure of objects provides information on genesis, authenticity, painting technique, material condition and conservation history. Transmission radiography, however, does not provide information on the exact elemental composition of objects and heavy metal layers can shadow or obscure the ones including lighter elements. This paper presents the first application of synchrotron-based K-edge absorption imaging applied to paintings. Using highly monochromatic radiation, K-edge imaging is used to obtain elemental distribution images over large areas. Such elemental maps visualize the distribution of an individual pigment throughout the paint stratigraphy. This provides color information on hidden paint layers, which is of great relevance to art historians and painting conservators. The main advantage is the quick data acquisition time and the sensitivity to elements throughout the entire paint stratigraphy. The examination of a test painting is shown and further instrumental developments are discussed. (orig.)

  4. Flower Men: The Australian Canon and Flower Painting 1910-1935

    Ann Elias

    2008-12-01

    Full Text Available Historical studies of Hans Heysen, George Lambert, Tom Roberts and Arthur Streeton concentrate on paintings of landscape and people. Less well known are their paintings of flowers, which take the form of still-life painting or adjuncts to figure painting, such as portraits. While these artists are famous for the masculine way they approached masculine themes, and flower painting represents a stereotypically feminine subject, I argue that by making flowers their object of study, they intended to define and differentiate femininity from masculinity in an era of the ‘New Woman’. Sex and gender are central to the subject of flower painting and are important for discussions about the work produced by all four men, although sex is often camouflaged behind the innocence of naturalistically painted flowers.

  5. Study on the transverse painting during the injection process for CSNS/RCS

    Huang, Ming-Yang; Huang, Nan; Qiu, Jing; Xu, Shou-Yan; Huang, Liang-Sheng

    2015-01-01

    For the China Spallation Neutron Source (CSNS), a combination of the H- stripping and phase space painting method is used to accumulate a high intensity beam in the Rapid Cycling Synchrotron (RCS). In this paper, firstly, the injection processes with different painting ranges and different painting methods were studied. With the codes ORBIT and MATLAB, the particle distribution and painting image were obtained. Then, the reasonable painting range which is suitable for the aperture size and magnet gap can be selected. Since the real field uniformity of BH3 and BV3 is not completely in conformity with the design requirement, the painting method and painting range also need to be selected to reduce the effects of bad field uniformity.

  6. A simplified model of aerosol removal by containment sprays

    Powers, D.A. (Sandia National Labs., Albuquerque, NM (United States)); Burson, S.B. (Nuclear Regulatory Commission, Washington, DC (United States). Div. of Safety Issue Resolution)

    1993-06-01

    Spray systems in nuclear reactor containments are described. The scrubbing of aerosols from containment atmospheres by spray droplets is discussed. Uncertainties are identified in the prediction of spray performance when the sprays are used as a means for decontaminating containment atmospheres. A mechanistic model based on current knowledge of the physical phenomena involved in spray performance is developed. With this model, a quantitative uncertainty analysis of spray performance is conducted using a Monte Carlo method to sample 20 uncertain quantities related to phenomena of spray droplet behavior as well as the initial and boundary conditions expected to be associated with severe reactor accidents. Results of the uncertainty analysis are used to construct simplified expressions for spray decontamination coefficients. Two variables that affect aerosol capture by water droplets are not treated as uncertain; they are (1) [open quote]Q[close quote], spray water flux into the containment, and (2) [open quote]H[close quote], the total fall distance of spray droplets. The choice of values of these variables is left to the user since they are plant and accident specific. Also, they can usually be ascertained with some degree of certainty. The spray decontamination coefficients are found to be sufficiently dependent on the extent of decontamination that the fraction of the initial aerosol remaining in the atmosphere, m[sub f], is explicitly treated in the simplified expressions. The simplified expressions for the spray decontamination coefficient are given. Parametric values for these expressions are found for median, 10 percentile, and 90 percentile values in the uncertainty distribution for the spray decontamination coefficient. Examples are given to illustrate the utility of the simplified expressions to predict spray decontamination of an aerosol-laden atmosphere.

  7. 浅谈中国画的设色%A Brief Discussion on the Color Design in Chinese Paint-ing

    刘静雯

    2014-01-01

    中国画的色彩有其自身的独特性,一幅好的绘画作品,色彩的表现是尤为重要的,设色可以说是一幅绘画作品的主题,内容表现也是很重要的。一幅作品的好坏,成功与否,大部分都是色彩所决定的。尤其是一张以色彩来突出主题的画,例如:中国画中的工笔重彩的人物画、工笔花鸟以及一些青山绿水画更是突出色彩的重要性。在画面上也是起到了举足轻重的作用。[1]%The color of Chinese painting possess its own inde-pendence. For a good painting, color performance is particular-ly important, and the painting design can be said to be the theme of the painting, and the content expression is also very important. What determines whether a painting is successful or not is mostly the color, especially a painting with its color to highlight the theme, such as claborate-style figure painting in the Chinese painting, claborate-style painting of flowers and birds and some paintings of mountains and rivers, in which the importance of colors is highlighted. In addition, it also plays an important role in the frame of a painting.

  8. Energy recycling by co-combustion of coal and recovered paint solids from automobile paint operations.

    Suriyawong, Achariya; Magee, Rogan; Peebles, Ken; Biswas, Pratim

    2009-05-01

    During the past decade, there has been substantial interest in recovering energy from many unwanted byproducts from industries and municipalities. Co-combustion of these products with coal seems to be the most cost-effective approach. The combustion process typically results in emissions of pollutants, especially fine particles and trace elements. This paper presents the results of an experimental study of particulate emission and the fate of 13 trace elements (arsenic [As], barium [Ba], cadmium [Cd], chromium [Cr], copper [Cu], cobalt [Co], manganese [Mn], molybdenum [Mo], nickel [Ni], lead [Pb], mercury [Hg], vanadium [V], and zinc [Zn]) during combustion tests of recovered paint solids (RPS) and coal. The emissions from combustions of coal or RPS alone were compared with those of co-combustion of RPS with subbituminous coal. The distribution/partitioning of these toxic elements between a coarse-mode ash (particle diameter [dp] > 0.5 microm), a submicrometer-mode ash (dp combustion of RPS alone were lower in concentration and smaller in size than that from combustion of coal. However, co-combustion of RPS and coal increased the formation of submicrometer-sized particles because of the higher reducing environment in the vicinity of burning particles and the higher volatile chlorine species. Hg was completely volatilized in all cases; however, the fraction in the oxidized state increased with co-combustion. Most trace elements, except Zn, were retained in ash during combustion of RPS alone. Mo was mostly retained in all samples. The behavior of elements, except Mn and Mo, varied depending on the fuel samples. As, Ba, Cr, Co, Cu, and Pb were vaporized to a greater extent from cocombustion of RPS and coal than from combustion of either fuel. Evidence of the enrichment of certain toxic elements in submicrometer particles has also been observed for As, Cd, Cr, Cu, and Ni during co-combustion.

  9. Effect of Solution Spray Rate on the Properties of Chemically Sprayed ZnO:In Thin Films

    Merike Kriisa

    2013-01-01

    Full Text Available ZnO:In thin films were grown from 100 mL of spray solution on glass substrates by chemical spray at Ts=400°C using solution spray rates of 0.5–6.7 mL/min. Zinc acetate and indium(IIIchloride were used as Zn and In sources, respectively, with [In]/[Zn] = 3 at.%. Independent of solution spray rate, the crystallites in ZnO:In films grow preferentially in the (101 plane parallel to the substrate. The solution spray rate influences the surface morphology, grain size, film thickness, and electrical and optical properties. According to SEM and AFM studies, sharp-edged pyramidal grains and canvas-resembling surfaces are characteristic of films grown at spray rates of 0.5 and 3.3 mL/min, respectively. To obtain films with comparable film thickness and grain size, more spray solution should be used at low spray rates. The electrical resistivity of sprayed ZnO:In films is controlled by the solution spray rate. The carrier concentration increases from 2·1019 cm−3 to 1·1020 cm−3 when spray rate is increased from 0.5 mL/min to 3.3 mL/min independent of the film thickness; the carrier mobilities are always lower in slowly grown films. Sprayed ZnO:In films transmit 75–80% of the visible light while the increase in solution spray rate from 0.5 mL/min to 3.3 mL/min decreases the transmittance in the NIR region and increases the band gap in accordance with the increase in carrier concentration. Lower carrier concentration in slowly sprayed films is likely due to the indium oxidation.

  10. To spray or not to spray? Understanding participation in an indoor residual spray campaign in Arequipa, Peru.

    Paz-Soldán, Valerie A; Bauer, Karin M; Hunter, Gabrielle C; Castillo-Neyra, Ricardo; Arriola, Vanessa D; Rivera-Lanas, Daniel; Rodriguez, Geoffrey H; Toledo Vizcarra, Amparo M; Mollesaca Riveros, Lina M; Levy, Michael Z; Buttenheim, Alison M

    2016-05-17

    Current low participation rates in vector control programmes in Arequipa, Peru complicate the control of Chagas disease. Using focus groups (n = 17 participants) and semi-structured interviews (n = 71) conducted in March and May 2013, respectively, we examined barriers to and motivators of household participation in an indoor residual spray (IRS) campaign that had taken place one year prior in Arequipa. The most common reported barriers to participation were inconvenient spray times due to work obligations, not considering the campaign to be necessary, concerns about secondary health impacts (e.g. allergic reactions to insecticides), and difficulties preparing the home for spraying (e.g. moving heavy furniture). There was also a low perception of risk for contracting Chagas disease that might affect participation. The main motivator to participate was to ensure personal health and well-being. Future IRS campaigns should incorporate more flexible hours, including weekends; provide appropriate educational messages to counter concerns about secondary health effects; incorporate peer educators to increase perceived risk to Chagas in community; obtain support from community members and leaders to build community trust and support for the campaign; and assist individuals in preparing their homes. Enhancing community trust in both the need for the campaign and its operations is key.

  11. Terahertz analysis of an East Asian historical mural painting

    Fukunaga, K.; Hosako, I.; Kohdzuma, Y.; Koezuka, T.; Kim, M.-J.; Ikari, T.; Du, X.

    2010-05-01

    Terahertz (THz) spectroscopy and THz and imaging techniques are expected to have great potential for the non-invasive analysis of artworks. We have applied THz imaging to analyse the historic mural painting of a Lamaism temple by using a transportable time-domain THz imaging system; such an attempt is the first in the world. The reflection image revealed that there are two orange colours in the painting, although they appear the same to the naked eye. THz imaging can also estimate the depth of cracks. The colours were examined by X-ray fluorescence and Raman spectroscopy, and the results were found to be in good agreement. This work proved that THz imaging can contribute to the non-invasive analysis of cultural heritage.

  12. Investigation of multilayer painting by means of molecular spectroscopy

    Kadikova I.F.

    2017-01-01

    Full Text Available The study of paintings’ layer structure under microscope was implemented in the early XX century; since that time method of cross-section preparation as well as composition of embedded materials changed and capabilities of optical microscopy broadened. Nevertheless, until recently cross-sections were prepared only for analysis of paintings’ layer-specific structure, morphological and technological features, tracks of restoration treatments. Examination of chemical composition required additional sampling as well as division of these samples layer by layer in order to determine pigments and binding media; these procedures didn’t always lead to proper results. Micro-Raman and micro-FTIR spectroscopy allow carrying out investigation of painting cross-sections without any additional preliminary sampling; this is shown on example of investigation of a number of paintings.

  13. Bleaching of red lake paints in encaustic mummy portraits

    Miliani, Costanza; Daveri, Alessia; Spaabaek, Lin; Romani, Aldo; Manuali, Valentina; Sgamellotti, Antonio; Brunetti, Brunetto Giovanni

    2010-09-01

    The present paper reports on the study of the development of whitish opacity in pink paints in encaustic mummy portraits. Non-invasive measurements carried out on two encaustic portraits belonging to the Ny Carlsberg Glyptotek, Copenhagen, by reflectance FTIR and UV-vis fluorescence have shown that the areas prone to the bleaching phenomenon had been painted with melted beeswax and an anthraquinone vegetal lake mixed with calcium sulphate hemihydrate and dihydrate. The hypothesis that the bleaching disease was neither related to a degradation of the dyes nor to an alteration of the wax but rather to a dehydration-hydration reaction of the CaSO4-H2O system, has been corroborated by the analyses of two microsamples from the bleached areas and ascertained by accelerated ageing experiments on encaustic models.

  14. Structural examination of easel paintings with optical coherence tomography.

    Targowski, Piotr; Iwanicka, Magdalena; Tymińska-Widmer, Ludmiła; Sylwestrzak, Marcin; Kwiatkowska, Ewa A

    2010-06-15

    Identification of the order, thickness, composition, and possibly the origin of the paint layers forming the structure of a painting, that is, its stratigraphy, is important in confirming its attribution and history as well as planning conservation treatments. The most common method of examination is analysis of a sample collected from the art object, both visually with a microscope and instrumentally through a variety of sophisticated, modern analytical tools. Because of its invasiveness, however, sampling is less than ideally compatible with conservation ethics; it is severely restricted with respect to the amount of material extirpated from the artwork. Sampling is also rather limited in that it provides only very local information. There is, therefore, a great need for a noninvasive method with sufficient in-depth resolution for resolving the stratigraphy of works of art. Optical coherence tomography (OCT) is a noninvasive, noncontact method of optical sectioning of partially transparent objects, with micrometer-level axial resolution. The method utilizes near-infrared light of low intensity (a few milliwatts) to obtain cross-sectional images of various objects; it has been mostly used in medical diagnostics. Through the serial collection of many such images, volume information may be extracted. The application of OCT to the examination of art objects has been in development since 2003. In this Account, we present a short introduction to the technique, briefly discuss the apparatus we use, and provide a paradigm for reading OCT tomograms. Unlike the majority of papers published previously, this Account focuses on one, very specific, use of OCT. We then consider two examples of successful, practical application of the technique. At the request of a conservation studio, the characteristics of inscriptions on two oil paintings, originating from the 18th and 19th centuries, were analyzed. In the first case, it was possible to resolve some questions concerning the

  15. Mapping of egg yolk and animal skin glue paint binders in Early Renaissance paintings using near infrared reflectance imaging spectroscopy.

    Dooley, Kathryn A; Lomax, Suzanne; Zeibel, Jason G; Miliani, Costanza; Ricciardi, Paola; Hoenigswald, Ann; Loew, Murray; Delaney, John K

    2013-09-01

    In situ chemical imaging techniques are being developed to provide information on the spatial distribution of artists' pigments used in polychrome works of art such as paintings. The new methods include reflectance imaging spectroscopy and X-ray fluorescence mapping. Results from these new methods have extended the knowledge obtained from site-specific chemical analyses widely in use. While these mapping methods have aided in determining the distribution of pigments, there is a growing interest to develop methods capable of identifying and mapping organic paint binders as well. Near infrared (NIR) reflectance spectroscopy has been extensively used in the remote sensing field as well as in the chemical industry to detect organic compounds. NIR spectroscopy provides a rapid method to assay organics by utilizing vibrational overtones and combination bands of fundamental absorptions that occur in the mid-IR. Here we explore the utility of NIR reflectance imaging spectroscopy to map organic binders in situ by examining a series of panel paintings known to have been painted using distemper (animal skin glue) and tempera (egg yolk) binders as determined by amino acid analysis of samples taken from multiple sites on the panels. In this report we demonstrate the success in identifying and mapping these binders by NIR reflectance imaging spectroscopy in situ. Three of the four panel paintings from Cosimo Tura's The Annunciation with Saint Francis and Saint Louis of Toulouse (ca. 1475) are imaged using a highly sensitive, line-scanning hyperspectral imaging camera. The results show an animal skin glue binder was used for the blue skies and blue robe of the Virgin Mary, and egg yolk tempera was used for the red robes and brown landscape. The mapping results show evidence for the use of both egg yolk and animal skin glue in the faces of the figures. The strongest absorption associated with lipidic egg yolk features visually correlates with areas that appear to have white

  16. Measuring Spray Droplet Size from Agricultural Nozzles Using Laser Diffraction.

    Fritz, Bradley K; Hoffmann, W Clint

    2016-09-16

    When making an application of any crop protection material such as an herbicide or pesticide, the applicator uses a variety of skills and information to make an application so that the material reaches the target site (i.e., plant). Information critical in this process is the droplet size that a particular spray nozzle, spray pressure, and spray solution combination generates, as droplet size greatly influences product efficacy and how the spray moves through the environment. Researchers and product manufacturers commonly use laser diffraction equipment to measure the spray droplet size in laboratory wind tunnels. The work presented here describes methods used in making spray droplet size measurements with laser diffraction equipment for both ground and aerial application scenarios that can be used to ensure inter- and intra-laboratory precision while minimizing sampling bias associated with laser diffraction systems. Maintaining critical measurement distances and concurrent airflow throughout the testing process is key to this precision. Real time data quality analysis is also critical to preventing excess variation in the data or extraneous inclusion of erroneous data. Some limitations of this method include atypical spray nozzles, spray solutions or application conditions that result in spray streams that do not fully atomize within the measurement distances discussed. Successful adaption of this method can provide a highly efficient method for evaluation of the performance of agrochemical spray application nozzles under a variety of operational settings. Also discussed are potential experimental design considerations that can be included to enhance functionality of the data collected.

  17. Study of Multi-Function Micro-Plasma Spraying Technology

    WANG Liuying; WANG Hangong; HUA Shaochun; CAO Xiaoping

    2007-01-01

    A multi-functional micro-arc plasma spraying system was developed according to aerodynamics and plasma spray theory. The soft switch IGBT (Insulated Gate Bipolar Transistor) invert technique, micro-computer control technique, convergent-divergent nozzle structure and axial powder feeding techniques have been adopted in the design of the micro-arc plasma spraying system. It is not only characterized by a small volume, a light weight, highly accurate control, high deposition efficiency and high reliability, but also has multi-functions in plasma spraying, welding and quenching. The experimental results showed that the system can produce a supersonic flame at a low power, spray Al2O3 particles at an average speed up to 430 m/s, and make nanostructured AT13 coatings with an average bonding strength of 42.7 MPa. Compared to conventional 9M plasma spraying with a higher power, the coatings with almost the same properties as those by conventional plasma spray can be deposited by multi-functional micro-arc plasma spraying with a lower power plasma arc due to an improved power supply design, spray gun structure and powder feeding method. Moreover, this system is suitable for working with thin parts and undertaking on site repairs, and as a result, the application of plasma spraying will be greatly extended.

  18. A review on paint sludge from automotive industries: Generation, characteristics and management.

    Salihoglu, Guray; Salihoglu, Nezih Kamil

    2016-03-15

    The automotive manufacturing process results in the consumption of several natural sources and the generation of various types of wastes. The primary source of hazardous wastes at an automotive manufacturing plant is the painting process, and the major waste fraction is paint sludge, which is classified with EU waste code of 080113* implying hazardous characteristics. The amount of the paint sludge generated increases every year with the worldwide increase in the car production. The characteristics of the paint sludge, which mainly designate the management route, are mainly determined by the type of the paint used, application technique employed, and the chemicals applied such as flocculants, detackifiers, pH boosters, antifoam agents, and biocides as well as the dewatering techniques preferred. Major routes for the disposal of the paint sludges are incineration as hazardous waste or combustion at cement kilns. Because of high dissolved organic carbon content of the paint, the paint sludge cannot be accepted by landfills according to European Union Legislations. More investigations are needed in the field of paint sludge recycling such as recycling it as a new paint or as other formulations, or making use of the sludge for the production of construction materials. Research on the applicability of the paint sludge in composting and biogasification can also be useful. Ongoing research is currently being conducted on new application techniques to increase the effectiveness of paint transfer, which helps to prevent the generation of paint sludge. Advancements in paint and coating chemistry such as the reduction in the coating layers with its thickness also help to decrease the level of paint sludge generation. Investigations on the effects of the chemicals on the recycling potential of paint sludges and consideration of these effects by the chemical manufacturer companies would be extremely important. This review presents the formation of paint sludge, the factors

  19. On the First Case of Pre-action Injunction Granted in Beijing: Red Lion Paint Co., Ltd. v. Red Lion Jing Paint Trading Co., Ltd.

    2006-01-01

    The case in brief The Beijing Red Lion Paint Co., Ltd. (the RL for short) is a business that manufactures and markets paint, and the proprietor of several registered trademarks of the "RED LION" words, device and the combination thereof. The registered "RED LION" trademark has been, on several occasions, rewarded by the relevant departments the title of Famous Trademark in Beijing.

  20. Do roads reduce painted turtle (Chrysemys picta populations?

    Alexandra Dorland

    Full Text Available Road mortality is thought to be a leading cause of turtle population decline. However, empirical evidence of the direct negative effects of road mortality on turtle population abundance is lacking. The purpose of this study was to provide a strong test of the prediction that roads reduce turtle population abundance. While controlling for potentially confounding variables, we compared relative abundance of painted turtles (Chrysemys picta in 20 ponds in Eastern Ontario, 10 as close as possible to high traffic roads (Road sites and 10 as far as possible from any major roads (No Road sites. There was no significant effect of roads on painted turtle relative abundance. Furthermore, our data do not support other predictions of the road mortality hypothesis; we observed neither a higher relative frequency of males to females at Road sites than at No Road sites, nor a lower average body size of turtles at Road than at No Road sites. We speculate that, although roads can cause substantial adult mortality in turtles, other factors, such as release from predation on adults and/or nests close to roads counter the negative effect of road mortality in some populations. We suggest that road mitigation for painted turtles can be limited to locations where turtles are forced to migrate across high traffic roads due, for example, to destruction of local nesting habitat or seasonal drying of ponds. This conclusion should not be extrapolated to other species of turtles, where road mortality could have a larger population-level effect than on painted turtles.

  1. Colloids in Paints Colloids and Interface Science, Volume 6

    Tadros, Tharwat F

    2011-01-01

    The first modern approach to relate fundamental research to the applied science of colloids, this series bridges academic research and practical applications, thus providing the information vital to both. Written by the very best scientists in their respective disciplines, this volume describes the role of colloids in paints, highlighting the importance of fundamental research in industrial applications.For surface, polymer and physicochemists, materials scientists, and chemical engineers.

  2. A Robotic Solution for the Restoration of Fresco Paintings

    Marco Ceccarelli

    2015-11-01

    Full Text Available In this paper, a service robot solution is presented for the analysis, surveying and restoration of fresco paintings. The proposed design approach integrates robot design and restoration operation. It aims to merge them into a feasible solution that can be both practical and feasible for restorers. The simulation results are reported to show a successful design solution, which has been conceived with the constraints of a low-cost user-oriented design and the consideration of cultural heritage.

  3. A Robotic Solution for the Restoration of Fresco Paintings

    Marco Ceccarelli; Francisco Blanco-Moreno; Giuseppe Carbone; Pilar Roig; Michela Cigola; Jose Luis Regidor

    2015-01-01

    In this paper, a service robot solution is presented for the analysis, surveying and restoration of fresco paintings. The proposed design approach integrates robot design and restoration operation. It aims to merge them into a feasible solution that can be both practical and feasible for restorers. The simulation results are reported to show a successful design solution, which has been conceived with the constraints of a low-cost user-oriented design and the consideration of cultural heritage.

  4. Energy conservation and pollution control in the paint finishing industry

    Broadbent, D.

    1974-07-01

    An incinerating system is described which operates at well above the 90% reduction requirements for hydrocarbon emissions and incorporates heat recuperation for high thermal efficiency. Polluted oven gases are exhausted to an incinerator where their temperature is raised to the critical reaction point at which the complex hydrocarbon materials are oxidized to carbon dioxide and water. These very hot gases are passed through a heat exchanger unit and then to atmosphere. Incoming air is warmed and supplied to another oven for painting.

  5. Black painted pottery, Kildehuse II, Odense County, Denmark

    Trąbska, Joanna; Wesełucha-Birczyńska, Aleksandra; Zięba-Palus, Janina; Runge, Mads Thagård

    2011-08-01

    This work aimed at characterization of a black layer covering a Bronze Age (period VI) pot surface. To solve research problems plane polarized light microscopy (PLM), scanning microscopy with X-ray microanalyser (SEM/EDS), Raman and FTIR microspectroscopies were applied. Observation of the black layer under the PLM suggests that we deal with an opaque, isotropic layer, purposely put on leather-hard, burnished surface of a pot. No traces of organic substances that might have modified a pot surface before painting were detected. The black layer coats the pot with a continuous 0.2-0.4 μm thick layer. The black layer must have been applied while warm or hot. It is recognized that the black layer is a true painting layer. Spectroscopic analyses (Raman and FTIR) point that birch tar or a birch-pine tar had been applied. Carbon black should be definitely excluded. The analyzed organic substance is structurally ordered in various degrees, due to varying temperature influence. Some Raman spectra reveal, in second-order region of the spectrum (>2000 cm -1), the graphite presence. Scarce points reveal the presence of inorganic admixtures: clay minerals, feldspars and quartz. The next question is: Is it an organic paint or a carbon-based, "mixed" paint? Inorganic admixtures are only casual. Relatively high concentration of alumina is expected to have appeared due to aluminum mobility in acidic environment and this was provided by organic tar/pitch substances. Phosphorus (usually with calcium) mostly concentrates together with clay minerals. Thus, hypothesis on bone powder or ash addition to tar/pitch should be excluded. Some elements may originate not only from inorganic substances but also from wood ashes.

  6. Reclamation of Wood Materials Coated with Lead-Based Paint

    2009-03-01

    determine the final fate of each material. Asphalt shingles are recyclable, but if they are contaminated with asbestos they must be handled as... abrasion where dust levels are greater than defined in this Rule, (2) damaged or deteriorated paint on an impact surface, (3) any chewable LBP where...specific areas and employees will wear high visibility apparel (e.g. safety vests or shirts) and avoid working in areas that will subject them to being

  7. Through the Flat Canvas: The Motor Meaning of Realistic Paintings

    Silvano Zipoli Caiani

    2016-01-01

    It is well known that common objects in the environment can evoke possibilities of action, but what about their bi-dimensional representation? Do pictures or paintings that represent action-related objects evoke the same possibilities of actions of the objects that they represent? In contemporary cognitive science, there are two contrasting views on this issue. On the one hand, the ecological-dispositional approach to perception supports the idea that viewing depicted objects as endowed with ...

  8. Direct 3D Painting with a Metaball-Based Paintbrush

    WAN Huagen; JIN Xiaogang; BAO Hujun

    2000-01-01

    This paper presents a direct 3D painting algorithm for polygonal models in 3D object-space with a metaball-based paintbrush in virtual environment.The user is allowed to directly manipulate the parameters used to shade the surface of the 3D shape by applying the pigment to its surface with direct 3D manipulation through a 3D flying mouse.

  9. Raman spectroscopic analysis of a `noli me tangere' painting

    Hibberts, Stephen; Edwards, Howell G. M.; Abdel-Ghani, Mona; Vandenabeele, Peter

    2016-12-01

    The discovery of an oil painting in seriously damaged condition with an important historical and a heterodox detail with possible origins in the late fifteenth century has afforded the opportunity for Raman microscopic analysis prior to its restoration being undertaken. The painting depicts a risen Christ following His crucifixion in a `noli me tangere' pose with three women in an Italian terrace garden with a stone balustrade overlooking a rural landscape and an undoubted view of late-medieval Florence. The picture has suffered much abuse and is in very poor condition, which is possibly attributable to its controversial portrayal of a polydactylic Christ with six toes on His right foot. By the late sixteenth century, after the Council of Trent, this portrayal would almost certainly have been frowned upon by the Church authorities or more controversially as a depiction of the holy. Raman spectroscopic analysis of the pigments places the painting as being consistent chronologically with the Renaissance period following the identification of cinnabar, haematite, red lead, lead white, goethite, verdigris, caput mortuum and azurite with no evidence of more modern synthetic pigments or of modern restoration having been carried out. An interesting pigment mixture found here is that of the organic dye carmine and cinnabar to produce a particular bright red pigment coloration. Stratigraphic examination of the paint fragments has demonstrated the presence of an orange resin layer immediately on top of the canvas substrate, effectively rendering the pigment as a sandwich between this substratal resin and the overlying varnish. The Raman spectroscopic evidence clearly indicates that an attribution of the artwork to the Renaissance is consistent with the scientific analysis of the pigment composition. This article is part of the themed issue "Raman spectroscopy in art and archaeology".

  10. Technical analysis of four archaeological andean painted textiles

    2016-01-01

    This project investigates the materials and manufacturing techniques used to create four archaeological Andean painted textiles in the collection of the National Museum of the American Indian, Smithsonian Institution. The textiles are attributed to Peru but have minimal provenience. Building on previous work by other scholars on similar archaeological textiles, the materials and manufacturing techniques are identified and characterized by observation, documentation, and scientific analysis. S...

  11. Thermodynamics of Paint Related Systems with Engineering Models

    Lindvig, Thomas; Michelsen, Michael Locht; Kontogeorgis, Georgios

    2001-01-01

    Paints are complex materials composed of polymers (binders) dissolved in one or more solvents, pigments, and other additives. The thermodynamics of such systems is essential, for example, for selecting improved solvents and understanding a number of phenomena related especially! to adhesion...... that, despite the uncertainties involved, several models yield reasonably accurate activity coefficients, even at infinite dilution. Thus, engineering models may be useful for solvent selection via semiempirical rules of thumb, which are based on thermodynamic considerations....

  12. CFD Modeling & Verification in an Aircraft Paint Hangar

    2011-05-01

    Collaboration •Navy Bureau of Medicine and Surgery (BUMED), IH Division –Assists CNO with health and safety of Navy aircraft artisans –Quarterly monitoring...levels • Handling paint particulates and vapors 10 E2S2. Verification Pitfalls • Artisans change process in the weeks between baseline and...verification – Added a fabric blanket in front of filter to save filter bank blocking exhaust airflow during sanding • Learn how to go w/o sleep

  13. When Van Gogh meets Mandelbrot: Multifractal Classification of Painting's Texture

    Abry, Patrice; Wendt, Herwig; Jaffard, Stéphane

    2013-01-01

    International audience; In a recent past, there has been a growing interest for examining the po- tential of Image Processing tools to assist Art Investigation. Simultaneously, several research works showed the interest of using multifractal analysis for the description of homogeneous textures in images. In this context, the goal of the present contribution is to study the benefits of using the wavelet leader based multifractal formalism to characterize paintings. To that end, after a brief r...

  14. Dominant inheritance of overo spotting in paint horses.

    Bowling, A T

    1994-01-01

    Analysis of selected studbook records of the American Paint Horse Association, consisting of 687 foals sired by 13 overo stallions from non-overo mares, supports the inheritance of overo spotting as an autosomal dominant gene. More than one gene may control patterns registered as overo. Additional studies are necessary to explain the sporadic occurrence of overo spotting from nonspotted quarter horse parents and to confirm the inheritance of overo spotting in other breeds.

  15. Development of process data capturing, analysis and controlling for thermal spray techniques - SprayTracker

    Kelber, C.; Marke, S.; Trommler, U.; Rupprecht, C.; Weis, S.

    2017-03-01

    Thermal spraying processes are becoming increasingly important in high-technology areas, such as automotive engineering and medical technology. The method offers the advantage of a local layer application with different materials and high deposition rates. Challenges in the application of thermal spraying result from the complex interaction of different influencing variables, which can be attributed to the properties of different materials, operating equipment supply, electrical parameters, flow mechanics, plasma physics and automation. In addition, spraying systems are subject to constant wear. Due to the process specification and the high demands on the produced coatings, innovative quality assurance tools are necessary. A central aspect, which has not yet been considered, is the data management in relation to the present measured variables, in particular the spraying system, the handling system, working safety devices and additional measuring sensors. Both the recording of all process-characterizing variables, their linking and evaluation as well as the use of the data for the active process control presuppose a novel, innovative control system (hardware and software) that was to be developed within the scope of the research project. In addition, new measurement methods and sensors are to be developed and qualified in order to improve the process reliability of thermal spraying.

  16. Gas entrainment by one single French PWR spray, SARNET-2 spray benchmark

    Malet, J., E-mail: jeanne.malet@irsn.fr [Institut de Radioprotection et de Sûreté Nucléaire, Saclay (France); Mimouni, S., E-mail: stephane.mimouni@edf.fr [Electricité de France, EDF MF2E, Chatou (France); Manzini, G., E-mail: giovanni.manzini@rse-web.it [RSE, Milano (Italy); Xiao, J., E-mail: jianjun.xiao@kit.edu [IKET, KIT, Karlsruhe (Germany); Vyskocil, L., E-mail: vyl@ujv.cz [UJV Rez (Czech Republic); Siccama, N.B., E-mail: siccama@nrg.eu [NRG, Safety and Power (Netherlands); Huhtanen, R., E-mail: risto.huhtanen@vtt.fi [VTT, PO Box 1000, FI-02044 VTT (Finland)

    2015-02-15

    Highlights: • This paper presents a benchmark performed in the frame of the SARNET-2 EU project. • It concerns momentum transfer between a PWR spray and the surrounding gas. • The entrained gas velocities can vary up to 100% from one code to another. • Simplified boundary conditions for sprays are generally used by the code users. • It is shown how these simplified conditions impact the gas entrainment. - Abstract: This paper presents a benchmark performed in the frame of the SARNET-2 EU project, dealing with momentum transfer between a real-scale PWR spray and the surrounding gas. It presents a description of the IRSN tests on the CALIST facility, the participating codes (8 contributions), code-experiment and code-to-code comparisons. It is found that droplet velocities are almost well calculated one meter below the spray nozzle, even if the spread of the spray is not recovered and the values of the entrained gas velocity vary up to 100% from one code to another. Concerning sensitivity analysis, several ‘simplifications’ have been made by the contributors, especially based on the boundary conditions applied at the location where droplets are injected. It is shown here that such simplifications influence droplet and entrained gas characteristics. The next step will be to translate these conclusions in terms of variables representative of interesting parameters for nuclear safety.

  17. Art expertise reduces influence of visual salience on fixation in viewing abstract-paintings.

    Naoko Koide

    Full Text Available When viewing a painting, artists perceive more information from the painting on the basis of their experience and knowledge than art novices do. This difference can be reflected in eye scan paths during viewing of paintings. Distributions of scan paths of artists are different from those of novices even when the paintings contain no figurative object (i.e. abstract paintings. There are two possible explanations for this difference of scan paths. One is that artists have high sensitivity to high-level features such as textures and composition of colors and therefore their fixations are more driven by such features compared with novices. The other is that fixations of artists are more attracted by salient features than those of novices and the fixations are driven by low-level features. To test these, we measured eye fixations of artists and novices during the free viewing of various abstract paintings and compared the distribution of their fixations for each painting with a topological attentional map that quantifies the conspicuity of low-level features in the painting (i.e. saliency map. We found that the fixation distribution of artists was more distinguishable from the saliency map than that of novices. This difference indicates that fixations of artists are less driven by low-level features than those of novices. Our result suggests that artists may extract visual information from paintings based on high-level features. This ability of artists may be associated with artists' deep aesthetic appreciation of paintings.

  18. Is painting by elephants in zoos as enriching as we are led to believe?

    Megan English

    2014-07-01

    Full Text Available The relationship between the activity of painting and performance of stereotyped and other stress-related behaviour was investigated in four captive Asian elephants at Melbourne Zoo, Australia. The activity involved the elephant being instructed to paint on a canvas by its keeper in front of an audience. Painting by elephants in zoos is commonly believed to be a form of enrichment, but this assumption had not been based on any systematic research. If an activity is enriching we would expect stress-related behaviour to be reduced but we found no evidence of the elephants anticipating the painting activity and no effect on the performance of stereotyped or other stress-related behaviour either before or after the painting session. This indicates that the activity does not fulfil one of the main aims of enrichment. However, if an elephant was not selected to paint on a given day this was associated with higher levels of non-interactive behaviour, a possible indicator of stress. Behavioural observations associated with ear, eye and trunk positions during the painting session showed that the elephant’s attentiveness to the painting activity or to the keeper giving instruction varied between individuals. Apart from positive reinforcement from the keeper, the results indicated that elephants gain little enrichment from the activity of painting. Hence, the benefits of this activity appear to be limited to the aesthetic appeal of these paintings to the people viewing them.

  19. The Visual Poetry of Chinese Bamboo: Some Notes on Traditional Chinese Xieyi Painting

    Maningning C. Miclat

    2000-06-01

    Full Text Available Chinese painting (Huo Hua which dates back to the Han Dynasty (25 A.D.-135 A.D. has two traditions: the Xieyi and the Gong Pi. Xieyi means "writing the meaning down" and its practitioners are literati artists who execute expressionistic and gestural strokes. Gong Pi painting is known for its application of colors and fine strokes. It is a naturalistic rendition of the subject that imitates the superficial likeness of the world. While Xieyi painting aims to capture the Qi or the vital spirit in the practice of painting and calligraphy,1 the naturalistic rendition of Gong Pi painting exhibits the dexterity of the artist. However, capturing the Qi is a more sophisticated preoccupation as far as the Chinese scholars of the classical times are concerned.Xieyi painting is associated with literati paintings or the Wen Ren Hua practiced by scholars. It includes mainly landscapes, flora and fauna, human figures, and the Si Jun Zi Hua2 or the Four Noblemen Painting. In the Si Jun Zi Hua painting of the Bamboo, the different brushstrokes of Chinese calligraphy are applied.3 Unlike Gong Pi painting, which takes many days or weeks to finish,4 the Xieyi painting is finished in one sitting. A Xieyi painting is composed by the artist on the spot. The blank paper signifies Yin and the brush strokes signify Yang. To balance a composition is to achieve harmony and wholeness. A good composition is achieved when the spirit or the essence of the subject is captured with the masterful brush strokes and a good sense of balance in the composition.In this paper, I will examine the history of Chinese literati painting, its materials, its tradition and milieu, the symbolism of its themes, and its practice in post-Cultural Revolution China.

  20. An investigation of the neural substrates of mind wandering induced by viewing traditional Chinese landscape paintings

    Tingting eWang

    2015-01-01

    Full Text Available The present study was conducted to investigate whether the calming effect induced by viewing traditional Chinese landscape paintings would make disengagement from that mental state more difficult, as measured by performance on a cognitive control task. In Experiment 1 we examined the subjective experience of viewing traditional Chinese landscape paintings vs. realistic oil landscape paintings in a behavioral study. Our results confirmed that, as predicted, traditional Chinese landscape paintings induce greater levels of relaxation and mind wandering and lower levels of object-oriented absorption and recognition, compared to realistic oil landscape paintings. In Experiment 2 we used functional Magnetic Resonance Imaging (fMRI to explore the behavioural and neural effects of viewing traditional Chinese landscape paintings on a task requiring cognitive control (i.e., the flanker task—administered immediately following exposure to paintings. Contrary to our prediction, the behavioural data demonstrated that compared to realistic oil landscape paintings, exposure to traditional Chinese landscape paintings had no effect on performance on the flanker task. However, the neural data demonstrated an interaction effect such that there was greater activation in the inferior parietal cortex (IPC and the superior frontal gyrus (SFG on incongruent compared with congruent flanker trials when participants switched from viewing traditional Chinese landscape paintings to the flanker task than when they switched from realistic oil landscape paintings. These results suggest that switching from traditional Chinese landscape paintings placed greater demands on the brain’s attention and working memory networks during the flanker task than did switching from realistic oil landscape paintings.

  1. Using Hypermedia in Teaching Art & Design: Baroque Dutch Paintings

    Inas A. Alkholy

    2010-09-01

    Full Text Available Although the whole world adapts ICT -information and communication technologies- in learning and teaching visual arts for the benefit of both the student and the society, the Middle East is motionless. ME teachers need training, institutional support and motivation to apply ICT in classrooms. Preparing a traditional lecture, including visual projected examples by data show takes less time. Doing comparisons and contrast, going through formal analysis or juggling between visual examples is complex within classrooms' technological limitations of having one projector. There is an urgent need to alter traditional methods of teaching art and design and integrate pictorial approaches. This paper discusses design/art pedagogy via a suggested model lesson, which utilizes hypermedia to resemble internet interface. The lesson teaches Dutch Baroque interior design through a selection of Vermeer's paintings. Vermeer accurately painted interior elements in his paintings. The development of technology stimulates students’ imagination and develops their understanding of more influencing graphical forms. Any other art and design themes and styles can be taught by using the same interface.

  2. Limewashed mural paintings as seen by VIS-IR reflectography

    Fontana, R.; Striova, J.; Barucci, M.; Pampaloni, E.; Raffaelli, M.; Pezzati, L.; Mariotti, P.

    2015-06-01

    Near-Infrared (NIR) reflectography is a well-established technique for painting diagnostics, offering a fundamental contribution to the conservation of paintings. Since the '80s it has been routinely applied to study the execution technique of the author, as well as the presence of pentimenti, retouches, integrations or underdrawing. In the last decades IR reflectography has been extended to the visible (VIS) spectral range, providing information about the pigment composition. Up to now the multispectral analysis is still applied at an experimental level, as the processing of the image set is not straightforward. Rarely multispectral VIS-IR application has been applied to frescos, probably due to the lack, in most cases, of a scattering background. In this work we present the results provided by a multispectral scanning device based on single sensor acquisition, working in the 380-2500 nm spectral range, that is a laboratory prototype specifically built for research-grade imaging. The technique have been applied on a mock up simulating a mural painting substrate where an underdrawing, made of either carbon or iron-gall ink, was covered by different surface layers of limewash, the so-called scialbo.

  3. Organogel formulations for the cleaning of easel paintings

    Baglioni, Piero; Bonelli, Nicole; Chelazzi, David; Chevalier, Aurelia; Dei, Luigi; Domingues, Joana; Fratini, Emiliano; Giorgi, Rodorico; Martin, Morgane

    2015-11-01

    Gels are particularly useful for the cleaning of works of art, as they allow the controlled delivery of cleaning fluids on solvent-sensitive substrates such as easel paintings. Owing to the presence of covalent cross-links between the polymer chains, chemical gels exhibit mechanical properties that allow their easy handling and their residue-free removal from artistic surfaces after the cleaning intervention. Organogels based on the cross-linking of methyl methacrylate (MMA) can be prepared as loaded with solvents for the controlled removal of unwanted layers from the surface of canvas paintings. Here, we propose MMA-based organogels obtained by solubilizing MMA in pure organic solvents (e.g., ethyl acetate, butyl acetate and ketones) and using a dimethacrylate cross-linker. The uptake/release behavior of the gels has been investigated, and their mesoporosity has been characterized through small-angle X-ray scattering. Finally, the gels have been used for the removal of historical varnishes from canvas painting samples, checking the absence of gel residues with attenuated total reflectance Fourier transform infrared spectroscopy (ATR-FTIR).

  4. Painting cracks: A way to investigate the pictorial matter

    Giorgiutti-Dauphiné, Frédérique; Pauchard, Ludovic

    2016-08-01

    An old painting generally exhibits a wide variety of crack patterns. From a strictly aesthetic point of view, cracks are undesirable; nevertheless, they can be seen as the fingerprints of the painting and provide valuable knowledge about the art piece. Precisely, the morphology of crack patterns can be related to the mechanical properties of the pictorial matter or they can reveal information about the methods used by the artist or the conditions of conservation. In the present paper, we show how drying dispersions of colloidal particles in a volatile solvent on a non-porous substrate provides a good candidate to study crack formation in a solid layer. We recover the crack patterns observed in paintings, and we investigate the role of the substrate, e.g., the sub-layer, and of the thickness of the layer in the crack spacing. We show how to deduce mechanical properties of a sub-layer, provided the thickness and the elastic modulus of the layer are known. These experiments aim to propose a potentially non-invasive method to deduce quantitative information about mechanical properties of a pictorial matter which could be of great interest for cultural heritage.

  5. Comparison of pigment content of paint samples using spectrometric methods

    Trzcińska, Beata; Kowalski, Rafał; Zięba-Palus, Janina

    2014-09-01

    The aim of the paper was to evaluate the influence of pigment concentration and its distribution in polymer binder on the possibility of colour identification and paint sample comparison. Two sets of paint samples: one containing red and another one green pigment were prepared. Each set consisted of 13 samples differing gradually in the concentration of pigment. To obtain the sets of various colour shades white paint was mixed with the appropriate pigment in the form of a concentrated suspension. After solvents evaporation the samples were examined using spectrometric methods. The resin and main filler were identified by IR method. Colour and white pigments were identified on the base of Raman spectra. Colour of samples were compared based on Vis spectrometry according to colour theory. It was found that samples are homogenous (parameter measuring colour similarity ΔE < 3). The values of ΔE between the neighbouring samples in the set revealed decreasing linear function and between the first and following one - a logarithmic function.

  6. Emotional Dimensions of Music and Painting and their Interaction.

    Campos-Bueno, J J; DeJuan-Ayala, O; Montoya, Pedro; Birbaumer, N

    2015-07-20

    Usually it is accepted that human manifestations such as music or painting share a common artistic trait. However, very little is known about the genetic, behavioral, developmental and neurobiological basis of such a musical-pictorial "universal". In an attempt to approach commonalities and differences between the psychology of music and pictorial art in Experiment 1 we investigated the emotional dimensions valence and arousal in a large sample (N =156, M age = 21,44 years, SD = 3,89 years, range = 16-35 years) using a representative selection of musical and pictorial artistic stimuli. We found a stronger variability of valence and arousal with paintings and stronger effects of music on valence. In Experiment 2 (N =202, M age = 21,35 years, SD = 3,57 years, range = 16-35 years) we present first quantitative data on the interaction between the two artistic categories of stimuli on a behavioral level, again observing effects of pictorial art and music on valence and arousal. Furthermore in Experiment 2 we replicated a more pronounced effect of music on the valence of pictures, particularly on positive valence the results of the ANOVA showed an increase in group A2: F(1, 120) = 6.23, p music, group A1: F(1, 127) = 19.69, p music over painting.

  7. Aurora Borealis, A Painting by Frederic Edwin Church

    Love, J. J.

    2015-12-01

    This year marks the sesquicentennial anniversary of the end of the American Civil War. In 1865, the same year as the War's end, the great American landscape artist, Frederic Edwin Church, unveiled Aurora Borealis, a painting that depicts a fantastic, far-northern place, an auroral arch stretched across a quiet night-time sky, above dark mountains and a frozen sea. Church was born in Connecticut, lived in New York, and traveled to Labrador; he would have often seen the northern lights. Church might have also been influenced by the spectacular displays of aurora that were caused by some unusually intense magnetic storms in 1859. Aurora Borealis can certainly be interpreted in terms of 19th-century romanticism, scientific philosophy, and Arctic missions of exploration, all subjects of interest to Church. As with so many of his paintings, Church's meticulous attention to detail in Aurora Borealis reveals his deep admiration of nature. But his depiction of auroral light is a curious and possibly intentional departure from natural verisimilitude. Some art historians have suggested that Church painted Aurora Borealis as a subdued tribute to the end of the Civil War, with the drapery of auroral light forming an abstract representation of the American flag. If so, then colors of the flag have been unfurled across a cold and barren landscape, not in extravagant celebration, but in somber recognition of the reality of post-war desolation and an uncertain future.

  8. The Reading of a Painting%读画

    梁实秋

    2012-01-01

    本刊2000年第3期曾刊登朱纯深先生所翻译并导读的《读画》·文,本篇汉英对照与前篇稍有改动,作为附录附于正文之后,以飨读者。%Yuan Mei has this to say in his Suiyuan Notes on Poetry: "Artists believe in the reading of a painting, yet I can find nothing to be read in a painting -- What one reads is the poetry it bears." The old gentleman was making a good point here. Reading means reciting, or chanting aloud the words to appreciate the meaning, so one must have the words, the text, before one can do the reading. As such, how can you read a painting? The so-called reading of a painting, therefore, should be reading the poetry it carries.

  9. USE OF NANOTECHNOLOGY PRE-TREATMENT IN AUTOMOTIVE PAINTING LINE

    Alberto Nei Carvalho Costa

    2012-09-01

    Full Text Available The current safety requirements, environmental impacts and performance have been ledding the automotive industry to search for new alternatives, not just for new car bodies materials, also for new sheet surface treatments as well, used in the painting process in order to fit simultaneous, environmental requirements and corrosion resistance maintenance, that are the key feature guarantees offered by automakers and are also vital to the durability of the vehicle. This fact is of great importance considering that, besides the various types of steels and their metalic coatings, another factor that directly influences the corrosion resistance is the painting system used. Within this context, the GMB, in partnership with CSN, has been performing several works by adding the knowledge of the supplier to automotive technology. An example of this partnership we have the present study, which aimed to, comparatively, evaluate the corrosion resistance of two systems of painted galvanized steel, the first one with pre-treatment based on a traditional phosphate, and the another one based on a nano-ceramic film. In this study, was found out that materials with pre-treatment based on results of nanotechnology showed similar corrosion resistance comparing the phosphatized materials in a traditional way.

  10. Structural analysis of paintings based on brush strokes

    Sablatnig, Robert; Kammerer, Paul; Zolda, Ernestine

    1998-05-01

    The origin of works of art can often not be attributed to a certain artist. Likewise it is difficult to say whether paintings or drawings are originals or forgeries. In various fields of art new technical methods are used to examine the age, the state of preservation and the origin of the materials used. For the examination of paintings, radiological methods like X-ray and infra-red diagnosis, digital radiography, computer-tomography, etc. and color analyzes are employed to authenticate art. But all these methods do not relate certain characteristics in art work to a specific artist -- the artist's personal style. In order to study this personal style of a painter, experts in art history and image processing try to examine the 'structural signature' based on brush strokes within paintings, in particular in portrait miniatures. A computer-aided classification and recognition system for portrait miniatures is developed, which enables a semi- automatic classification and forgery detection based on content, color, and brush strokes. A hierarchically structured classification scheme is introduced which separates the classification into three different levels of information: color, shape of region, and structure of brush strokes.

  11. Advanced Diagnostics for High Pressure Spray Combustion.

    Skeen, Scott A.; Manin, Julien Luc; Pickett, Lyle M.

    2014-06-01

    The development of accurate predictive engine simulations requires experimental data to both inform and validate the models, but very limited information is presently available about the chemical structure of high pressure spray flames under engine- relevant conditions. Probing such flames for chemical information using non- intrusive optical methods or intrusive sampling techniques, however, is challenging because of the physical and optical harshness of the environment. This work details two new diagnostics that have been developed and deployed to obtain quantitative species concentrations and soot volume fractions from a high-pressure combusting spray. A high-speed, high-pressure sampling system was developed to extract gaseous species (including soot precursor species) from within the flame for offline analysis by time-of-flight mass spectrometry. A high-speed multi-wavelength optical extinction diagnostic was also developed to quantify transient and quasi-steady soot processes. High-pressure sampling and offline characterization of gas-phase species formed following the pre-burn event was accomplished as well as characterization of gas-phase species present in the lift-off region of a high-pressure n-dodecane spray flame. For the initial samples discussed in this work several species were identified, including polycyclic aromatic hydrocarbons (PAH); however, quantitative mole fractions were not determined. Nevertheless, the diagnostic developed here does have this capability. Quantitative, time-resolved measurements of soot extinction were also accomplished and the novel use of multiple incident wavelengths proved valuable toward characterizing changes in soot optical properties within different regions of the spray flame.

  12. Plasma Spray Forming of Nanostructured Composite Coatings

    2002-01-01

    The nanostructure composite coating is obtained via plasma spraying of Al2O3-13 wt pct TiO2 powder. Brittle and hard lamella results from melted nanostructured powder. Ductile nanostructured matrix forms from unmelted nanostructured particles. Through the adjustment of constituent and nanostructure, hardness/strength and toughness/ductility are balanced and overall properties of the structure composite are achieved.

  13. Fundamental Cost Analysis of Cold Spray

    Stier, O.

    2014-01-01

    The cost structure of the cold spray (CS) process is analyzed using a generic cost model applicable to all present types of CS systems ("high pressure," "low pressure," KM™, "kinetic spraying," etc.) and kinds of application (coating, restoration, additive manufacturing, near-net forming). The cost model has originally been developed at SIEMENS and is easy to use, while being sufficiently accurate to support decisions. The dependence of the process costs on the gas stagnation properties is discussed. It is shown (i) that high pressure is generally favorable, (ii) that He-N2 blends possess economic potential, and (iii) that He recovery saves costs in high volume production, even when He-N2 blends are used. The cost model allows for the determination of the cost-optimal He concentration of the propellant gas for a given application. CS is, among others, suited to spray bond coatings on gas turbine blades and offers cost-saving potential, as shown in a case study.

  14. Spray printing of organic semiconducting single crystals

    Rigas, Grigorios-Panagiotis; Payne, Marcia M.; Anthony, John E.; Horton, Peter N.; Castro, Fernando A.; Shkunov, Maxim

    2016-11-01

    Single-crystal semiconductors have been at the forefront of scientific interest for more than 70 years, serving as the backbone of electronic devices. Inorganic single crystals are typically grown from a melt using time-consuming and energy-intensive processes. Organic semiconductor single crystals, however, can be grown using solution-based methods at room temperature in air, opening up the possibility of large-scale production of inexpensive electronics targeting applications ranging from field-effect transistors and light-emitting diodes to medical X-ray detectors. Here we demonstrate a low-cost, scalable spray-printing process to fabricate high-quality organic single crystals, based on various semiconducting small molecules on virtually any substrate by combining the advantages of antisolvent crystallization and solution shearing. The crystals' size, shape and orientation are controlled by the sheer force generated by the spray droplets' impact onto the antisolvent's surface. This method demonstrates the feasibility of a spray-on single-crystal organic electronics.

  15. Spray freeze drying of YSZ nanopowder

    Raghupathy, Bala P. C.; Binner, J. G. P.

    2012-07-01

    Spray freeze drying of yttria stabilised zirconia nanopowders with a primary particle size of 16 nm has been undertaken using different solids content starting suspensions, with the effect of the latter on the flowability and crushability of the granules being investigated. The flowability and fill density of the granules increased with an increase in the solid content of the starting suspension, whilst the crushability decreased. The powder flowability, measured using a Hall flowmeter and model shoe-die filling tests, showed that the flowability of otherwise poorly flowable nanopowders can be improved to match that of the commercial spray dried submicron powder. The 5.5 vol.% solid content based suspension yielded soft agglomerates whilst a 28 vol.% solid content suspension formed hard agglomerates on spray freeze drying; the granule relics were visible in the fracture surface of the die pressed green compact in the latter case. The increase in granule strength is explained by the reduction in inter-particle distance based on the theories developed by Rumpf and Kendall. The flaw sizes computed using the Kendall model are comparable with those seen in the micrographs of the granule. With an optimum solid content, it is possible to have a granulated nanopowder with reasonable flowability and compactability resulting in homogeneous green bodies with 54 % of theoretical density.

  16. High Speed Imaging of Diesel Fuel Sprays

    Jackson, Ja'kira; Bittle, Joshua

    2016-11-01

    Fuel sprays primarily serve as methods for fuel distribution, fuel/air mixing, and atomization. In this research, a constant pressure flow rig vessel is being tested at various pressures and temperatures using n-heptane. The experiment requires two imaging techniques: color Schlieren and Mie-scatter. Schlieren captures density gradients in a spray which includes both liquid and vapor phases while Mie-scatter is only sensitive to the liquid phase of the fuel spray. Essentially, studies are mainly focused on extracting the liquid boundary from the Schlieren to possibly eliminate the need for acquiring the Mie-Scatter technique. Four test conditions (combination of low and high pressure and temperatures) are used in the application to attempt to find the liquid boundary independent of the Mie-scatter technique. In this pursuit the following methods were used: a color threshold, a value threshold, and the time variation in color. All methods provided some indication of the liquid region but none were able to capture the full liquid boundary as obtained by the Mie-scatter results. Funding from NSF REU site Grant EEC 1358991 is greatly appreciated.

  17. Non-invasive in situ Examination of Colour Changes of Blue Paints in Danish Golden Age Paintings

    Buti, David; Vila, Anna; Filtenborg, Troels Folke

    impermanence and behaviour following light exposure [1, 2]. Several papers have been published investigating this phenomenon [2, 3] on laboratory paint models. By means of X-ray fluorescence (XRF), Fourier-transformed infrared spectroscopy (FTIR), UV-vis-NIR reflectance spectroscopy and digital microscopy......, the current in situ campaign aimed at mapping and understanding the degradation of Prussian blue and lead white admixtures using non-invasive portable techniques. The presence of Prussian blue was detected, with the MOLAB analytical means, in all the exposed, faded areas, although the colour had turned pale...... of the blue pigment also highlighting some differences. The non-invasive analysis is complemented by the results collected on some micro-samples previously taken during restoration [4]. To rationalize the data and understand the degradation phenomenon occurring in the Danish Golden Age paintings, specifically...

  18. Detailed investigation of a vaporising fuel spray. Part 1: Experimental investigation of time averaged spray

    Yule, A. J.; Seng, C. A.; Boulderstone, R.; Ungut, A.; Felton, P. G.; Chigier, N. A.

    1980-01-01

    A laser tomographic light scattering technique provides rapid and accurate high resolution measurements of droplet sizes, concentrations, and vaporization. Measurements using a computer interfaced thermocouple are presented and it is found that the potential exists for separating gas and liquid temperature measurements and diagnosing local spray density by in situ analysis of the response characteristics of the thermocouple. The thermocouple technique provides a convenient means for measuring mean gas velocity in both hot and cold two phase flows. The experimental spray is axisymmetric and has carefully controlled initial and boundary conditions. The flow is designed to give relatively insignificant transfer of momentum and mass from spray to air flow. The effects of (1) size-dependent droplet dispersion by the turbulence, (2) the initial spatial segregation of droplet sizes during atomization, and (3) the interaction between droplets and coherent large eddies are diagnosed.

  19. Microstructural and Mechanical Properties of Ni-Base Thermal Spray Coatings Deposited by Flame Spraying

    Amokrane, Bradai Mohand; Abdelhamid, Sadeddine; Youcef, Mouadji; Abderrahim, Benabbas; Nedjemeddine, Bounar; Ahmed, Mammeri

    2011-10-01

    In this work, two different Ni-base powders, namely, ProXon 21021 (P21) and ProXon 21031 (P31), were sprayed onto a steel substrate 35CrMo4 using a thermal flame spray technique. The morphology and chemical composition of the phases that are present in the powders and coatings were characterized by using X-ray diffraction (XRD), scanning electron microscopy (SEM), and energy dispersive spectroscopy (EDS). The hardness and wear resistance of the coatings were investigated. The XRD analysis revealed that the phases present in the coatings are different from the initial powders. In addition, some inhomogeneities such as oxides, porosity, and unmelted particles were observed by SEM. It was found that the P31 spray-coated exhibited higher microhardness, higher wear resistance, and significantly lower friction coefficient in comparison with those of P21 coatings.

  20. On the study of oil paint adhesion on optically transparent glass: Conservation of reverse paintings on glass

    Bayle, M.; Waugh, D. G.; Colston, B. J.; Lawrence, J.

    2015-12-01

    Reverse painting on glass is a technique which consists of applying a cold paint layer on the reverse-side of glass. The main challenge facing these artworks is the fragile adhesion of the pictorial layer - a simple movement can modify the appearance of the painting. This paper details a study into the adhesion parameters of pigments on glass and the comparison between different pigments. The relationships between the binder (linseed oil) with pigments and the glass with or without the use of an adhesive are studied. Physical analyses by surface characterisation have been carried out to better understand the influence of the pigment. The use of a sessile drop device, optical microscopy, scanning electron microscopy (SEM), a surface 3D profiler and a pencil hardness scratch tester were necessary to establish a comparison of the pictorial layer adhesion. A comparison of the effect of two adhesives, namely ox gall and gum arabic, has shown that the adhesion is not only linked to the physical parameters but that possible chemical reactions can influence the results. Finally, a treatment based on humidity-extreme storage has shown the weakness of some pictorial layers.