specific fiction genre: Topics by WorldWideScience.org

Sample records for specific fiction genre

Emotional Sentence Annotation Helps Predict Fiction Genre.

Science.gov (United States)

Samothrakis, Spyridon; Fasli, Maria

2015-01-01

Fiction, a prime form of entertainment, has evolved into multiple genres which one can broadly attribute to different forms of stories. In this paper, we examine the hypothesis that works of fiction can be characterised by the emotions they portray. To investigate this hypothesis, we use the work of fictions in the Project Gutenberg and we attribute basic emotional content to each individual sentence using Ekman's model. A time-smoothed version of the emotional content for each basic emotion is used to train extremely randomized trees. We show through 10-fold Cross-Validation that the emotional content of each work of fiction can help identify each genre with significantly higher probability than random. We also show that the most important differentiator between genre novels is fear.
Emotional Sentence Annotation Helps Predict Fiction Genre.

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Spyridon Samothrakis

Full Text Available Fiction, a prime form of entertainment, has evolved into multiple genres which one can broadly attribute to different forms of stories. In this paper, we examine the hypothesis that works of fiction can be characterised by the emotions they portray. To investigate this hypothesis, we use the work of fictions in the Project Gutenberg and we attribute basic emotional content to each individual sentence using Ekman's model. A time-smoothed version of the emotional content for each basic emotion is used to train extremely randomized trees. We show through 10-fold Cross-Validation that the emotional content of each work of fiction can help identify each genre with significantly higher probability than random. We also show that the most important differentiator between genre novels is fear.
Emotional Sentence Annotation Helps Predict Fiction Genre

Science.gov (United States)

Samothrakis, Spyridon; Fasli, Maria

2015-01-01

Fiction, a prime form of entertainment, has evolved into multiple genres which one can broadly attribute to different forms of stories. In this paper, we examine the hypothesis that works of fiction can be characterised by the emotions they portray. To investigate this hypothesis, we use the work of fictions in the Project Gutenberg and we attribute basic emotional content to each individual sentence using Ekman’s model. A time-smoothed version of the emotional content for each basic emotion is used to train extremely randomized trees. We show through 10-fold Cross-Validation that the emotional content of each work of fiction can help identify each genre with significantly higher probability than random. We also show that the most important differentiator between genre novels is fear. PMID:26524352
Making fictions sound real - On film sound, perceptual realism and genre

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Birger Langkjær

2010-05-01

Full Text Available This article examines the role that sound plays in making fictions perceptually real to film audiences, whether these fictions are realist or non-realist in content and narrative form. I will argue that some aspects of film sound practices and the kind of experiences they trigger are related to basic rules of human perception, whereas others are more properly explained in relation to how aesthetic devices, including sound, are used to characterise the fiction and thereby make it perceptually real to its audience. Finally, I will argue that not all genres can be defined by a simple taxonomy of sounds. Apart from an account of the kinds of sounds that typically appear in a specific genre, a genre analysis of sound may also benefit from a functionalist approach that focuses on how sounds can make both realist and non-realist aspects of genres sound real to audiences.
Making fictions sound real - On film sound, perceptual realism and genre

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Birger Langkjær

2009-09-01

Full Text Available This article examines the role that sound plays in making fictions perceptually real to film audiences, whether these fictions are realist or non-realist in content and narrative form. I will argue that some aspects of film sound practices and the kind of experiences they trigger are related to basic rules of human perception, whereas others are more properly explained in relation to how aesthetic devices, including sound, are used to characterise the fiction and thereby make it perceptually real to its audience. Finally, I will argue that not all genres can be defined by a simple taxonomy of sounds. Apart from an account of the kinds of sounds that typically appear in a specific genre, a genre analysis of sound may also benefit from a functionalist approach that focuses on how sounds can make both realist and non-realist aspects of genres sound real to audiences.
The logic of crime fiction genre in modern person’s consciousness

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G. O. Krapivnyk

2014-08-01

Full Text Available The author provides philosophical anthropological analysis of the logic of the crime fiction genre in the modern person’s consciousness. It was shown that detective texts convey hyper-orderliness, which compensates for the lack of systematization in real life, directly influences the recipient, setting the limits of personal freedom, and indirectly structures social order. The research assumes that classical crime fiction is related to the positivist philosophy, rationalism and scientific thinking, whereas the formula of the late Modern crime fiction stories is gradually getting more sophisticated, which reflects the evolution of the philosophical thinking on the whole. The special feature of the crime fiction genre logic is in the fact that available in crime fiction texts typical formal logical elements of a hypothesis, versions, evidence and contradiction are combined by the addressers with creative inspiration, intuition, true life, which are not the characteristics of pure science. The logic in the texts of the crime fiction genre helps a modern person to virtually build a system of universal philosophical and cultural values, applied by the society as its basis for social norms, rules and laws of any modern state. In addition, the specific logic of investigation encourages person’s everyday activities, since cultural reading enables a person not only to perceive but also to transfer and use the laws of logic, inherent in the crime fiction genre, in their professional activities, including research work.
Taming the Alien Genre: Bringing Science Fiction into the Classroom.

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Bucher, Kathrine T.; Manning, M. Lee

2001-01-01

Notes the popularity of the science fiction/fantasy genre, and offers a definition of these genres. Discusses teachers' reluctance to read or teach science fiction, but emphasizes its appeal and its usefulness. Discusses how teachers can select and use good science fiction books. Offers a checklist for evaluating such books, and suggests 18…
Hybridization of crime fiction genre forms as a representation of contemporary cultural process

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G. O. Krapivnyk

2014-05-01

Full Text Available The research is devoted to the consideration of hybridization of crime fiction forms in the contemporary cultural process. The work showed that, from the point of view of the culture development, sophistication of the classical crime fiction formula, hybridization of detective fiction with other fiction genres is a natural process of the strive to vary і diversify, combine genres, styles and means of text presentation (from a hard copy or audio book to video and computer games, which is related to the crisis of the Modernity project epoch, where fiction genres were quite selfsufficient, and the transition to the postmodern (or updated Modern, where the human consciousness is dominated by the processes of simultaneous specialization and combination of various industries, in other words, divergence and convergence. It may be claimed that a detective text as one of the most popular genres in the contemporary information culture, in particular, because it reveals secrets, clarifies vague things and assists in discovering the truth, transforms so that there is a process of detectivization of different text products of the cultural industry. At the same time the very detective formula as a component of various genres becomes a tool for playing and influencing the consciousness of a contemporary person.
Children's Acquisition of Literary Genre: Science Fiction versus Fantasy.

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Shechter, Myriam; Schecter, Sandra R.

Using ethnographic observations of 30 children in a multicultural inner-city fifth grade class over a period of one year, a study examined the children's classroom interactions with the literary genres of science fiction and fantasy, investigating their sequential acquisition of the constitutive elements of the two genres as well as their…
Epistemological-motivational bases of literary non-fiction genre as factors determining the linguistic structure of text

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GALSTYAN ASHOT

2016-01-01

This article dwells on epistemological-motivational aspects of the literary non-fiction genre. The general features of memoir literature are examined form the point of view of their epistemological and cognitive aspects. The cognitive and informational specificities of non-fictional narratives are also considered.
Categorizing moving objects into film genres: the effect of animacy attribution, emotional response, and the deviation from non-fiction.

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Visch, Valentijn T; Tan, Ed S

2009-02-01

The reported study follows the footsteps of Heider, and Simmel (1944) [Heider, F., & Simmel, M. (1944). An experimental study of apparent behavior. American Journal of Psychology, 57, 243-249] and Michotte (1946/1963) [Michotte, A. (1963). The perception of causality (T.R. Miles & E. Miles, Trans.). London: Methuen (Original work published 1946)] who demonstrated the role of object movement in attributions of life-likeness to figures. It goes one step further in studying the categorization of film scenes as to genre as a function of object movements. In an animated film scene portraying a chase, movements of the chasing object were systematically varied as to parameters: velocity, efficiency, fluency, detail, and deformation. The object movements were categorized by viewers into genres: non-fiction, comedy, drama, and action. Besides this categorization, viewers rated their animacy attribution and emotional response. Results showed that non-expert viewers were consistent in categorizing the genres according to object movement parameters. The size of its deviation from the unmanipulated movement scene determined the assignment of any target scene to one of the fiction genres: small and moderate deviations resulted in categorization as drama and action, and large deviations as comedy. The results suggest that genre classification is achieved by, at least, three distinct cognitive processes: (a) animacy attribution, which influences the fiction versus non-fiction classification; (b) emotional responses, which influences the classification of a specific fiction genre; and (c) the amount of deviation from reality, at least with regard to movements.
Stepping into Science Fiction: Understanding the Genre

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Barone, Diane; Barone, Rebecca

2014-01-01

This manuscript focuses on fifth graders' understanding of science fiction. It is argued that it is necessary for students to understand both reading strategies and the key elements of a genre for comprehension. Students read "The Giver" within literature circles and conversation and written responses about the book were used for…
De l’avantage (ou non) de définir la science-fiction : théorie des genres, science-fiction et Histoire

OpenAIRE

Rieder, John

2013-01-01

Cet essai a pour but d’aider à la clarification et au renforcement de l’impact d’une théorie historique des genres dans les études sur la science-fiction. Il explique et défend cinq propositions sur ce genre, chacune pouvant servir de thèse en elle-même : la science-fiction est historique et mouvante ; la science-fiction n’a pas d’essence, pas de caractéristique unifiante, et pas de point originel ; la science-fiction n’est pas un ensemble de textes, mais plutôt un usage des textes et une man...
Making fictions sound real

DEFF Research Database (Denmark)

Langkjær, Birger

2010-01-01

This article examines the role that sound plays in making fictions perceptually real to film audiences, whether these fictions are realist or non-realist in content and narrative form. I will argue that some aspects of film sound practices and the kind of experiences they trigger are related...... to basic rules of human perception, whereas others are more properly explained in relation to how aesthetic devices, including sound, are used to characterise the fiction and thereby make it perceptually real to its audience. Finally, I will argue that not all genres can be defined by a simple taxonomy...... of sounds. Apart from an account of the kinds of sounds that typically appear in a specific genre, a genre analysis of sound may also benefit from a functionalist approach that focuses on how sounds can make both realist and non-realist aspects of genres sound real to audiences....
Genre as Fictional Action

DEFF Research Database (Denmark)

Auken, Sune

2014-01-01

The arcticle is an interdisciplinary study between literary and rhetorical genre research. Its starting point is the well-deserved leading position held by Rhetorical Genre Studies (RGS). The article proposes a scholarly collaboration between Literary Studies and RGS and posits one possible start...... starting point for this collaboration by utilizing Carolyn Miller´s central concept of "Genre as Social Action" as a way to analyze literary characters´ social actions within narratives through an interpretation of their uses of genre....
Voyage au cœur d’un futur inconnu : analyse du genre dans le cinéma de science-fiction chinois du nouveau millénaire

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Yang, Wei

2017-01-01

Cet article étudie le cinéma de science-fiction comme nouveau genre du cinéma chinois. Tout en empruntant largement à son équivalent hollywoodien – costumes, décor, intrigue, caractérisation, effets visuels, et ainsi de suite – le cinéma de science-fiction chinois met rarement en scène les conceptions ou explorations scientifiques qui ont marqué un grand nombre de films de science-fiction ambitieux en Occident. En partie à cause du monopole hollywoodien du genre, les films de science-fiction ...
Fiction Film Dialogue vs Documentary Film Dialogue: Genre Peculiarities of Translation

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Вера Евгеньевна Горшкова

2016-12-01

Full Text Available The article gives an analysis of the film dialogue translation depending on the genre peculiarities of a spoken word medium, i. e. of a fiction film and of a documentary. The latter is traditionally disregarded by linguists and translators due to an established opinion that it lacks an overt literary aesthetic component. Thus it makes a documentary much easier to translate and its text gets closer to the information text the translation dominant of which is to render its information component. The article analyses an universal character of image-sense applied to different cinematographic genres. This thesis is demonstrated with examples from fiction and documentary film dialogues such as The Artist, Il y a longtemps que je t’aime, Espionne pendant la seconde guerre mondiale translated into French and Russian. It is highlighted that particular verbal components/utterances quite often get especially crucial in the context of the film dialogue increasing its poetic function and creating a complete image-sense. Such lexical units as personal pronouns «ты» and «вы» (you as the 2nd person singular in Russian and the 2nd person plural, respectively have no small share in the above process as their adequate translation contributes to the audience's integral perception of the film as an aesthetic phenomenon. It is postulated that a documentary that deals with «the creative elaboration of the reality» has a lot in common with a fiction film in the regard of its compliance with the director's intention, the presentation of the sequence of events and their respective interpretation in the film. In this regard the adequate rendering of the image-sense of a documentary is especially vital in the analysis of events separated in time. That supposition can be backed up by a translation project carried out on the material of the film dialogue translation of the documentary «Espionne pendant la seconde guerre mondiale» from French into Russian.
Science Fiction: A Collection of Critical Essays.

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Rose, Mark, Ed.

The articles collected in this volume focus on the literary genre science fiction. Part one, "Backgrounds," includes "Starting Points" (Kingsley Amis), "Science Fiction and Literature" (Robert Conquest), and "The Roots of Science Fiction" (Robert Scholes). Part two, "Theory," contains "On the Poetics of the Science Fiction Genre" (Darko Suvin),…
Genre-Specific Semantic Video Indexing

NARCIS (Netherlands)

Wu, J.; Worring, M.

2010-01-01

In many applications, we find large video collections from different genres where the user is often only interested in one or two specific video genres. So, when users are querying the system with a specific semantic concept, they are likely aiming a genre specific instantiation of this concept.
Fostering the Memoir Writing Skills as a Creative Non-Fiction Genre Using a WebQuest Model

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Al-Sayed, Rania Kamal Muhammad; Abdel-Haq, Eman Muhammad; El-Deeb, Mervat Abou-Bakr; Ali, Mahsoub Abdel-Sadeq

2016-01-01

The present study aimed at developing the memoir writing skills as a creative non-fiction genre of second year distinguished governmental language preparatory school pupils using the a WebQuest model. Fifty participants from second year at Hassan Abu-Bakr Distinguished Governmental Language School at Al-Qanater Al-Khairia(Qalubia Governorate) were…

Genre and Everyday Conversation

DEFF Research Database (Denmark)

Gregersen, Frans

2015-01-01

The paper outlines the analysis of speech genres synchronically and diachronically and exemplifies how speech genres are emulated and transformed in an analysis of a piece of literary fiction by the Danish author Katrine Marie Guldager...
Approaches to Scandinavian Crime Fiction

DEFF Research Database (Denmark)

Agger, Gunhild

2010-01-01

as the approach of genre typology and the concept of evil – seemingly disparate concepts and approaches, but all related to the complex processes in the borderlands between crime fiction and society. Using examples from Scandinavian crime fiction, I discuss whether the growing proximity to international genres......The working paper discusses some of the major approaches to Scandinavian crime fiction in the light of the dominant features of crime culture, e.g. the broad exposure of crime fiction via different platforms and media. In this connection, the concept of mediatization is considered as well......, ways of production and standards increasingly removes Scandinavian crime fiction from its original attractions or not....
Intermediate Genre Study. Historical Fiction.

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Novelli, Joan; Lasky, Kathryn

1996-01-01

Students can learn to appreciate history as readers and writers of historical fiction. This section presents an introduction to historical fiction, a display idea, a mystery history game, discussion of character-building, charts for students to fill in with information on historical characters, suggestions for customizing writing centers and for…
Topos of the cosmic space in science fiction

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Poutilo Oleg Olegovich

2015-09-01

Full Text Available The article examines the forms of cosmic space in science fiction, its characteristics and main trends of evolution. Cosmic space is seen as a dichotomy of “our” and “their”, though their interaction is complicated and full interiorization is impossible. The specificity of the described cosmic space is the absence of the traditional system of coordinates associated with the sides of the world. Authors have to resort to the use of “map-route”, describing the journey sequentially, from the point of view of a moving person. In this regard, in recent years there has been a tendency to reduce the role of images of cosmic space in science fiction novels. Their appearance in the works becomes a kind of stamp, a concession to the classical traditions of the genre. Once popular genres of strict science fiction or space opera inferior position to the other, recreating a far more convincing picture of the probable future of humanity - cyberpunk dystopia and post-apocalyptic fiction.
Augmenting the City with Fiction: Fictional Requirements for Mobile Guides

DEFF Research Database (Denmark)

Kjeldskov, Jesper; Paay, Jeni

2007-01-01

In this position paper, we discuss the user experience of a new genre of mobile guide services, which augments the users’ physical surroundings with fiction rather than with facts. First, we outline sources of inspiration from fiction, storytelling in place and on the move, and related research...
Special science-fiction (Science Fiction Special).

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Francais dans le Monde, 1985

1985-01-01

An issue devoted to the use of science fiction in the French language classroom discusses such topics as the development of the genre, literary techniques, themes, imagery, sociolinguistic elements, and potential classroom activities. (MSE)
Fictionalized History: Signifying Changes to the Malaysian Nation and Identity

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Sim Chee Cheang

2016-04-01

Full Text Available As one of the cornerstones of fiction, writers often use and confront history in their claim to “reality” and “identity” in their writing. Linda Hutcheon’s claim for “a postmodern concern for the multiplicity and dispersion of truth(s; truth(s relative to the specificity of place and culture” (1988, p. 108 is relevant to the use of history in recent Malaysian literature. The multiple and varied claims of truth(s as reflected through the fictionalizing of Malaysian history is the focus of the analysis in this article, which aims to expose the social, economic, and political implications of the Malaysian identity. The analysis of three current works of fictionalized Malaysian history from the different fictional genres of comic series, children’s history, and occidental history, represents a cross section of genres that challenge the supremacy of history’s ontological claim over identity. The deliberate contestation of received Malaysian history in fictional modes acknowledges the peripheral identity structures of race, religion, and economics that are sensitive in a multiracial country such as Malaysia.
Efficient genre-specific semantic video indexing

NARCIS (Netherlands)

Wu, J.; Worring, M.

2012-01-01

Large video collections such as YouTube contain many different video genres, while in many applications the user might be interested in one or two specific video genres only. Thus, when users are querying the system with a specific semantic concept like AnchorPerson, and MovieStars, they are likely
The evolution and extinction of science fiction.

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Hrotic, Steven

2014-11-01

Science fiction literature reflects our constantly evolving attitudes towards science and technological innovations, and the kinds of societal impacts believed possible. The newly popular subgenre 'steampunk' shows that these attitudes have significantly shifted. Examined from a cognitive anthropological perspective, science fiction reveals the cultural evolution of the genre as intelligently designed, and implies a cognitive mechanism of group membership reliant on implicit memory. However, such an analysis also suggests that genre science fiction as it was in the 20th century may no longer exist. © The Author(s) 2013.
Not Just Pulp Fiction: Science Fiction Integral to U.S. Culture and LC Collections.

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Johnson, Eric A.; Stumbaugh, Colleen R. C.

1996-01-01

Traces the evolution of the science fiction genre and its representation at the Library of Congress, including original paperbacks, hardcovers, television, film, and sound recordings. Highlights include science fiction "classics", the Library of Congress collection development policy, library programs, and preservation activities…
Genre on Time

DEFF Research Database (Denmark)

Givskov, Cecilie

2009-01-01

In a Danish context the political fiction film has not been heavily promoted or been the centre of attention for directors, and when it has been explored it has in fact not been a very successful genre. However, recently, an interest in the political sphere has emerged among filmmakers in Denmark...... the journalistic credo. The article analyze how the socio-cultural political context developed especially since 2001 interacts with the content and form of the political fiction films, and how the films are embedded in a general mediatization of culture which implies that subject matter related to for example...... politics is framed in popular form - in news and in fiction films....
Anthropological reading of science fiction

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Ljiljana Gavrilović

2016-03-01

Full Text Available The paper gives an overview of the prevalence of the analysis of science fiction literature and science fiction in other segments of popular culture in Serbian anthropology. This overview is preceded by a consideration of science fiction as a genre while keeping in mind the fluidity of the genre and the interweaving of subgenres as well as the transformations which science fiction is undergoing in certain media (books, films, TV shows and video games. In Serbian anthropology research on science fiction is more prevalent than the study of other phenomena, as the number of anthropologists whose work is represented in the paper is fairly large compared to the size of the anthropological community as a whole. The causes for this can primarily be found in a collective focus on questions such as: who are we and who the others are, what the basis of creating and building identity is or what the role of context in recognition of species is. Anthropology gives answers to these questions through the interpretation, explanation and understanding of the world around us, while science fiction does it through the literary considerations of these same questions.
The Genre of “Sensational Novel” in the Ukrainian Immigrant Literature

OpenAIRE

Wesselenyi, Olexandr

2013-01-01

The literary process of the Ukrainian immigration is a special segment of Ukrainian culture and shows an “alternative way” in the development of literature. The purpose of this article is to study the specifications of sensational novels in the Ukrainian immigrant literature.The literary genre “sensational novel” appeared in Great Britain in the second half of the XIX century. These novels typologically descend from another popular Victorian genre – gothic fiction. Later they transformed into...
Science Fiction: Better than Delphi Studies.

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Wolf, Milton T.

1994-01-01

Considers science fiction as a literary genre and as a predictor of technological advances, particularly in the information industry. An annotated bibliography is included of 11 science fiction titles and 1 nonfiction book that suggest possible information futures. (LRW)
Emotion, gender and genre

DEFF Research Database (Denmark)

Agger, Gunhild

2011-01-01

Traditionally, Scandinavian TV crime fiction has been regarded as a public arena for critical exhibition of and debate about salient features in contemporary social development. To explain the acknowledged impact of this kind of crime fiction, it is necessary to involve the notions of emotion...... and gender in combination with the mixing of genres, as especially the thriller and the melodrama have invaded the police procedural. This is demonstrated in an analysis of The Killing....
Building Collections: Science Fiction

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Krapp, JoAnn Vergona

2005-01-01

Fantasy and science fiction are two genres that are products of imagination. Both present alternate worlds governed by their own laws and values, but it is the plausibility of events in each world that sets the two apart. In fantasy, events happen by magic or inexplicable means. In science fiction, events could happen based on advanced…
The Future as Fiction.

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Jennings, Lane

Because good future studies and good fiction have a great deal in common, futurists need to recognize and apply the skills of word artists from all genres, particularly novelists and short-story writers. One form of science fiction that futurists could use is the scenario, which is an exploration of an alternative future. A good scenario should be…
Linking Technology to Genre-Based Reading (Technology Links to Literacy).

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Wepner, Shelley B.

1991-01-01

Introduces a new column written for the one-computer classroom and offers several perspectives for connecting software applications to trade book reading. Describes eight software packages for extending and enhancing students' reading of different genres: fairy tales, realistic fiction, science fiction, and biography and historical fiction in…
The Return of Historical Fiction

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Rycik, Mary Taylor; Rosler, Brenda

2009-01-01

Recently, historical fiction has begun to dominate major children's book awards. This article describes the values of using high-quality historical fiction in the classroom and presents different ways to respond to this genre including using modern technology. Two tables, one of picture books and one of novels, with paired nonfiction texts, are…
"Emotions-Only" versus "Special People": Genre in fan discourse

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Louisa Ellen Stein

2008-09-01

Full Text Available This essay looks at genre as a complex set of discursive threads running unevenly through production, TV text, and fan reception. Through a case study of the reception of fan favorite Roswell, this essay interrogates the role of genre in spectatorship. In its mixing of teen and science fiction elements, Roswell trod upon contested generic spaces, eliciting strong reaction from its viewers. Connections between genre and gender came to the fore, as producer commentary linked science fiction with male audiences and teen romance with female audiences. Fans responded with analyses that greatly complicated and at times overtly rejected industrial suppositions regarding the gendered work of genre. Through these fan conversations, we can witness the complexity of genre as discursive thread moving through not only TV texts but also multivariant fan responses. I intend this essay to work at two levels. My analysis of fan responses to Roswell models the possibilities of a close study of genre discourse. At the same time, my case study probes the nature of genre in fan engagement, as genre discourses intersect with other fan concerns such as character identification, perceptions of textual quality, and questions of gender representation. While we cannot necessarily look to fan accounts for proof of how viewers engage with genre, they do tell us how fans frame their engagement with genre, how they incorporate genre into their performance of fannishness, and how they perform and thus enact genre itself as a shared cultural process.

The Gendering Power of Genres

DEFF Research Database (Denmark)

Alacovska, Ana

2017-01-01

writers in Denmark have coped with and experienced the gendering effect of the genre in which they work and to which they are financially beholden. I also tease out the ways in which crime fiction, a masculine genre, causes anxiety of authorship and affects female producers’ identity and boundary work......This article introduces the notion of genre as an analytical category for the study of gender inequality in creative work. Research on gender and creative labour typically identifies external, systemic and structural causes for gender inequality in media industries. In contrast, I argue that genres......, by virtue of their internal, structural and discursive patterning, play a constitutive role in regulating media producers’ gendered professional identities, shaping their struggle for recognition and structuring their economic sustainability. Rather than being merely outcomes of production processes, genres...
SCIENCE FICTION IN HISTORICAL AND CULTURAL LITERARY DISCOURSE

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Simona Siderevičiūtė

2014-04-01

Full Text Available This work intends to complement literary studies in science fiction. It discusses the history of global science fiction, overviews the most characteristic features of its historical periods, and provides an introduction to Lithuanian science fiction, indicating its main features and topics. In the context of culture, science fiction is often defined as a literary genre with the emphasis on its nature as fiction. Only rarely are the history of the origin of science fiction, its variations, and the pioneers of science fiction whose works are still highly valued taken into account. Science fiction is often criticized through the filter of preconceived ideas that consider this type of literature to be “frivolous.” This article discusses the possible reasons for such an approach. In Lithuania, this genre is still associated only with pop literature, and its expression cannot yet equal the works of foreign authors. The basic classical motifs of global science fiction found in Lithuanian science fiction include: representatives of extraterrestrial civilizations and human contact with them, scientists and inventors, agents of military institutions, and space travel. Lithuanian science fiction writers follow the traditions of global science fiction when using these classical motifs; however, a general lack of original and individual themes, motifs, and manifestations may be observed.
Distinguishing fiction from non-fiction with complex networks

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Larue, David M.; Carr, Lincoln D.; Jones, Linnea K.; Stevanak, Joe T.

2014-03-01

Complex Network Measures are applied to networks constructed from texts in English to demonstrate an initial viability in textual analysis. Texts from novels and short stories obtained from Project Gutenberg and news stories obtained from NPR are selected. Unique word stems in a text are used as nodes in an associated unweighted undirected network, with edges connecting words occurring within a certain number of words somewhere in the text. Various combinations of complex network measures are computed for each text's network. Fisher's Linear Discriminant analysis is used to build a parameter optimizing the ability to separate the texts according to their genre. Success rates in the 70% range for correctly distinguishing fiction from non-fiction were obtained using edges defined as within four words, using 400 word samples from 400 texts from each of the two genres with some combinations of measures such as the power-law exponents of degree distributions and clustering coefficients.
Science Fiction at the Far Side of Technology

DEFF Research Database (Denmark)

Johansen, Mikkel Willum

2017-01-01

This book explores what science fiction can tell us about the human condition in a technological world (with the dilemma's and consequences that this entails) and also engages with the genre at points where we apparently find it on the far side of science, technology or human existence. As such......, it is the result of the joint efforts of scholars and scientists from various disciplines. While some of the contributors to this volume have been working professionally with science fiction for some time, others are newcomers who bring perspectives from their own field of specialization to the study of this genre....... Although a scholarly work, this book is also designed to be accessible to a general audience that has an interest in science fiction as well as a broader academic audience. Aspiring (or experienced) science fiction writers may be interested in reading critical assessments of the science and technology...
First Contact: Science Fiction in the Library, 1920-1949.

Science.gov (United States)

Sullivan, Kathryn

This report examining the status of science fiction in libraries during the 30-year period of the genre's infancy discusses past attitudes toward science fiction and policies concerning its selection and acquisition. In order to determine how strong an influence reviews would have been on the purchase of science fiction, the book announcements and…
Speculation and Fiction: Introduction

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Sourit Bhattacharya

2015-07-01

Full Text Available As students of literature, one of the most frequent questions we encounter is: how does one write anything? What are the factors responsible for writing fiction? Does fiction have its autonomous qualities? Put in a slightly different way: what is thought or how is thought put into fiction? Broadly speaking, the study into the domain of thought is speculation. The Oxford English dictionary defines “speculation” this way: “the forming of a theory or conjecture without firm evidence.”1 Speculation then is a field of thinking thought, conjecture, or hypothesis which seeks for evidence to become “fact” or “practice.” In such argument, the foundational aspect of all philosophy appears to be speculation. This won’t be an overstatement if we endeavour to trace the genealogy and use of the term in ancient Indian philosophy to the Greco-Roman world, or in the mediaeval scholastic philosophy in Europe.2 From the term’s rooted traditional philosophical basis to a particular meaning-making in genre fiction, there have been many developments but one aspect has been relatively unchanged: the question of conjecture. Speculative fiction does not have a rigid definition and is putatively understood to be an amalgam of many genres, forms, thoughts, or techniques. It is also about a world which is not necessarily the existent but in most cases the “material-possible”: the conjectural. Fiction in that analysis appears to be the medium through which the conjectural element of speculation is given a concrete material body. But fiction is not an end product only, the printed book or the text in this case, but also a world of ideas, thoughts, and imagination. In that sense, there is fiction already always within the “genre” of speculation. These are some of the interrelated but not always easily articulable aspects that we wanted to engage with in this volume, “Speculation and Fiction.”
Online Fan Fiction and Critical Media Literacy

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Black, Rebecca W.

2010-01-01

This article explores English-language-learning (ELL) youths' engagement with popular media through composing and publicly posting stories in an online fan fiction writing space. Fan fiction is a genre that lends itself to critical engagement with media texts as fans repurpose popular media to design their own narratives. Analyses describe how…
Transnational Crime Fictions and Argentina's Criminal State

OpenAIRE

Caballero, Juan

2013-01-01

My dissertation, titled "Transnational Crime Fictions and Argentina's Criminal State," proposes a new understanding of the dictatorship novels of Ricardo Piglia, Juan José Saer, and Manuel Puig grounded in their shared appropriation from popular crime fiction. Across the 1940's, 50's, and 60's, a wide range of popular crime fiction was translated, written, theorized, printed and reprinted in Argentina, and these popular genres grew steadily in readership, visibility, and cultural legitimacy....
Scottish science fiction: writing Scottish literature back into history

OpenAIRE

Miller, Gavin

2010-01-01

The increasing vigour of Scottish literature since the 1980s has led not only to a revival in literary fiction, but also to a growing diversification into other narrative genres. The detective story – in the form of so-called “tartan noir” – has been the most obvious popular genre to undergo revival, but science fiction has also blossomed in the work of authors such as Alasdair Gray, Iain (M.) Banks, and Ken MacLeod. In this article, I trace something of the problematic history of Scottish sc...
Un autre genre d’antimémoires

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Boisen, Jørn

2010-01-01

One of the main characteristics of Romain Gary is the constant attempt to transgress the boundaries between life and fiction. His autobiographic texts are as a rule highly fictitious. On the other hand, in real life, he tried to live out a fiction written for him by his mother and, later on......, by himself. The ambivalence of the relation between fiction and truth characterizes all of his books, but it is particularly interesting in his attempts at the autobiographical genre where it reveals a quite original understanding of human identity, and the dialectics of memory and forgetting...
The Affordances of Fiction for Teaching Chemistry

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Yerrick, Randy K.; Simons, Tiffany

2017-01-01

As science fiction has a way of capturing the human imagination that few other genres can rival, this study sought to investigate the effects of using science fiction on the performance and interest of high school chemistry students. An action research approach was used to guide the first author's practice as she studied two college preparatory…
Readers' Knowledge of Popular Genre

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Dixon, Peter; Bortolussi, Marisa

2009-01-01

This research examined readers' knowledge of popular genres. Participants wrote short essays on fantasy, science fiction, or romance. The similarities among the essays were measured using latent semantic analysis (LSA) and were then analyzed using multidimensional scaling and cluster analysis. The clusters and scales were interpreted by searching…
La correspondance comme genre éthique Correspondance as an Ethical Genre

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Anna Jaubert

2010-10-01

Full Text Available Les caractéristiques d’un genre de discours découlent de la situation de communication dans laquelle il s’inscrit, et qu’il reflète. Pour une correspondance, et singulièrement pour une correspondance d’auteurs, cette situation est celle d’une interaction à la fois directe et biaisée qui engage l’ethos de l’épistolier. Nous analysons les idéaux qu’il produit sur un fond de valeurs partagées. Le champ d’investigation retenu est celui de certaines correspondances célèbres du 18e siècle, car la lettre est à cette époque une manifestation très accomplie de la sociabilité. De ce fait, elle a connu une dérive littérarisante, source d’un décalage pragmatique qui l’attire dans la mouvance d’un genre second, la correspondance littéraire, où l’implication éthique du discours devient sa détermination majeure.The characteristics of a genre of discourse depend upon its specific situation of communication - the genre being embedded in this situation and, at the same time, reflecting it. Concerning correspondences, especially between authors, this situation consists of an interaction both direct and indirect, involving the ethos of the letter writer. Our analysis focuses on the ideals it produces on a background of shared values. The field of inquiry is a choice of famous correspondences of the 18th century, since the letter was at that time an accomplished manifestation of sociability. As such, it adopted a literary form, which created a pragmatic gap and put it under the dependence of another genre, the fictional correspondence, in which ethic implications became its determining factor.
Modern Science Fiction.

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Dailey, Jennie Ora Marriott

The major prerequisite to studying science fiction as literature is determining the criteria by which it is to be evaluated. A middle ground which recognizes both literary merit and the genre's uniqueness (scientific orientation, dominancy of idea, and interest of speculation) proves to be the most workable approach and stresses the versatility…
Dark Matter: British Weird Fiction and the Substance of Horror, 1880-1927

OpenAIRE

Camara, Anthony Christopher

2013-01-01

This dissertation examines the origins of British weird horror fiction, an understudied literary genre that had an extraordinary impact on later writers whose works appeared in popular magazines such as The Argosy (1882-1978) and Weird Tales (1923-1954). By far the most popular writer associated with the latter publication is H.P. Lovecraft, an American practitioner of cosmic weird horror whose astounding fictions have become emblematic of the genre in the mainstream imagination. This disse...
Anthropology and Genre: Science Fiction – Communication of Identity

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Bojan Žikić

2016-02-01

Full Text Available Genre production uses the shared nature of cultural communication in order to establish certain kinds and models of cultural identity, and these identities go on to have a social and cultural existence outside genre communication. Anthropology insists on the shared nature of cultural communication, more precisely, on the fact that those who shape the information transmitted in this way have to share its code with the intended recipients. The anthropological study of genres is actually the study of certain cultural artefacts characteristic of the societies and cultures in which they have been created. on the fact that those who shape the information transmitted in this way have to share its code with the intended recipients. The anthropological study of
Science Fiction at the Far Side of Technology

DEFF Research Database (Denmark)

Johansen, Mikkel Willum

2017-01-01

behind some of the major works of their genre; assessments that may in turn provide the inspiration for new stories based on an enhanced understanding of the dynamics of science and technology. Film critics and literary critics with a good working knowledge of science fiction may find fresh insight......This book explores what science fiction can tell us about the human condition in a technological world (with the dilemma's and consequences that this entails) and also engages with the genre at points where we apparently find it on the far side of science, technology or human existence. As such....... It is our hope that this interdisciplinary approach will set an example for those who, like us, have been busy assessing the ways in which fictional attempts to fathom the possibilities of science and technology speak to central concerns about what it means to be human in a contemporary world of technology...
Dementia and detectives: Alzheimer's disease in crime fiction.

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Orr, David Mr

2018-01-01

Fictional representations of dementia have burgeoned in recent years, and scholars have amply explored their double-edged capacity to promote tragic perspectives or normalising images of 'living well' with the condition. Yet to date, there has been only sparse consideration of the treatment afforded dementia within the genre of crime fiction. Focusing on two novels, Emma Healey's Elizabeth is Missing and Alice LaPlante's Turn of Mind, this article considers what it means in relation to the ethics of representation that these authors choose to cast as their amateur detective narrators women who have dementia. Analysing how their narrative portrayals frame the experience of living with dementia, it becomes apparent that features of the crime genre inflect the meanings conveyed. While aspects of the novels may reinforce problem-based discourses around dementia, in other respects they may spur meaningful reflection about it among the large readership of this genre.
Best Science Fiction, Fantasy, and Horror 2001.

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Voice of Youth Advocates, 2002

2002-01-01

Presents an annotated bibliography of 81 science fiction, fantasy, and horror genre titles that were judged best-reads by reviewers in "Voice of Youth Advocates" from June 2001 through April 2002. (LRW)
Science Fiction in the Classroom.

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Brake, Mark; Thornton, Rosi

2003-01-01

Considers science fiction as an imaginative forum to focus on the relationships between science, culture, and society. Outlines some of the ways in which using the genre can help achieve a dynamic and pluralistic understanding of the nature and evolution of science. (Author/KHR)

The history of science fiction

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Roberts, Adam

2016-01-01

This book is the definitive critical history of science fiction. The 2006 first edition of this work traced the development of the genre from Ancient Greece and the European Reformation through to the end of the 20th century. This new 2nd edition has been revised thoroughly and very significantly expanded. An all-new final chapter discusses 21st-century science fiction, and there is new material in every chapter: a wealth of new readings and original research. The author’s groundbreaking thesis that science fiction is born out of the 17th-century Reformation is here bolstered with a wide range of new supporting material and many hundreds of 17th- and 18th-century science fiction texts, some of which have never been discussed before. The account of 19th-century science fiction has been expanded, and the various chapters tracing the twentieth-century bring in more writing by women, and science fiction in other media including cinema, TV, comics, fan-culture and other modes.
Reflections on Science Fiction in Light of Today's Global Concerns.

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Aiex, Patrick K.

Science fiction is a literary genre that can be used in humanities courses to discuss ideas, attitudes, ethics, morality, and the effects of science and technology on the world's population. One of the best examples of a "classic" science fiction novel which can provoke class discussion is Aldous Huxley's "Brave New World,"…
THE ROLE OF GENDER IN READING COMPREHENSION: AN ANALYSIS OF COLLEGE-LEVEL EFL STUDENTS’ COMPREHENSION OF DIFFERENT GENRES

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Didem Koban Koç

2016-07-01

Full Text Available The purpose of the present study is to examine the effects of gender on comprehending different types of genre. The study involved 60 first year college students (30 males and 30 females who were taking an advanced reading course at a government university in Turkey. The students were given three reading passages of different genres such as historical fiction, essay and fantasy and were asked to answer comprehension questions related to the passages. Descriptives statistics, one-way ANOVA and repeated measures ANOVA were employed to analyse the relationship between gender and the test scores for each text type. The results showed that (1 the participants, in general, were significantly better at understanding the essay than historical fiction and fantasy (2 there was not a statistically significant difference between males and females regarding comprehending the different types of genres (3 both the male and female participants were significantly better at understanding the essay than historical fiction and fantasy. The study offers suggestions regarding incorporating different types of genre in the classroom.
Aesthetics of destruction in contemporary science fiction cinema

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Warton, John Phillips

2015-01-01

Mass destruction imagery within the science fiction film genre is not a new cinematic development. However, a swell of destruction-centred films has emerged since the proliferation of digital technologies and computer-generated imagery that reflect concerns that extend beyond notions of spectacle. Through illusionistic realism techniques, the aesthetics of mass destruction imagery within science fiction cinema can be seen as appropriating the implied veracity of other film trad...
Globalisation of Cultural Circuits. The Case of International Awards for Fiction

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Bacanu Horea

2015-12-01

Full Text Available In the international circuit of fictional texts from the last fifty years (perhaps even one hundred years, in some cases, several independent international organizations, academic and editorial platforms of critique and debate have been established. They have been organizing international contests, fine authorities of critical appreciation, evaluation and awarding of most prolific authors and most successful fictional texts: novels, short stories, stories or utopian and dystopian fictions. The allotment on cultural corridors, the geographical identification of both author and title dynamics which have been nominated at the most prestigious international awards for fiction demonstrates an increased emergence of several zones where wide international circulation texts were seldom, fifty years ago. In this paper, we suggest a reinterpretation and a comprehension of the political context from the contemporary fiction, by regrouping in one category, the three classical genres (historic novel, social novel, political novel and also the universal fiction which implies characters and relations of power. Thus, we create a category which is known as „political fiction”. The increased individualization of this literary macro-genre called „political fiction” is also a creative answer to the high speed of circulation and at the general international amplitude with which contemporary socio-political novels are distributed.
Murder by the book: using crime fiction as a bibliotherapeutic resource.

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Brewster, Liz

2017-03-01

Crime is a popular genre of fiction, widely read but sometimes seen as 'throwaway'. Disregarding this type of fiction because it is seen as low quality does not take into account its value to readers. Reading has been established as a means of improving mental health and well-being-often known as bibliotherapy. This often focuses on fiction considered to have literary merit rather than genre fiction like crime. However, in framing therapeutic reading in this way, the impact of texts considered to have low cultural value such as crime has been concealed. Examining readers' responses as a starting point identifies some reasons why crime fiction fulfils a need. Readers in an empirical study spoke about the strong narrative as a distraction, the predictability as a comfort and the safe distance from events as a reassurance that left them feeling that reading crime fiction was a refuge from the world. In exploring readers' responses in relation to the academic literature, the paper argues that there is a need to think differently about how readers engage with texts and how they experience reading as therapeutic, with a role for fiction like crime. Published by the BMJ Publishing Group Limited. For permission to use (where not already granted under a licence) please go to http://www.bmj.com/company/products-services/rights-and-licensing/.
Science Fiction and Life after Death

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Burt, Stephen Louis

2014-01-01

Science fiction (SF) is, and has been since its inception as a self-conscious genre, centrally and persistently interested in presenting some version of or figure for an afterlife, some way to survive the death of the body, some place where our consciousness might live on after we die. We can find representations of an afterlife within every period of SF properly so-called, from late-nineteenth-century “scientific romance” to Campbellian magazine fiction, to the New Wave of the 1960s, to the ...
Claiming lesbian history: the romance between fact and fiction.

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Garber, Linda

2015-01-01

The contested field of lesbian history exists along a continuum, with undisputed evidence on one end and informed speculation on the other. Lesbian historical fiction extends the spectrum, envisioning the lives of lesbian pirates, war heroes, pioneers, bandits, and stock romantic characters, as well as the handful of protagonists examined here whose quests specifically highlight the difficulty and importance of researching the lesbian past. The genre blossomed in the 1980s, just as the Foucauldian insistence that homosexual identity did not exist before the late nineteenth century gained sway in the academy. The proliferation of lesbian historical fictions signals the growing desire for more thorough (if not completely factual) historical underpinnings of the burgeoning lesbian identities, communities, and politics set in motion in the 1970s.
Octavia Butler and Virginia Hamilton: Black Women Writers and Science Fiction.

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Hampton, Gregory Jerome; Brooks, Wanda M.

2003-01-01

Notes that African American literature has always had science fiction elements in its focus on narratives of the alienated and marginalized "other." Contends that Octavia Butler and Virginia Hamilton are two African American writers of science fiction who examine the connections between the stories of a culture and the genre of science…
Från flygkamrater till “rymdrevolutionärer.” Om Sven Wernströms tidigaste science fiction

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Jerry Määttä

2012-11-01

Full Text Available “From Flight Comrades to Space Revolutionaries: On the Earliest Science Fiction of Sven Wernström”. The Swedish author Sven Wernström (b. 1925, mostly known for his political children's and young adult fiction, is also one of the most prolific and widely read Swedish writers of science fiction (sf. His first attempts in the genre consisted of stray sf elements in some of his aviation novels on “Flygkamraterna” (“The Flight Comrades”, 1947–1957, and the fullblown sf novel Flygkamraterna korsar rymden (“The Flight Comrades Cross Space”, 1949, which depicts a trip to Mars and an encounter with an alien civilisation literally divided into different strata in their underground society. This study examines the transition from Wernström's first aviation novels to his first sf novel, and studies the extent to which Wernström's early science fiction makes use of the specific conventions of the genre. After a very brief survey of the history of sf in Sweden up until the 1950s, this study deals with the two novels Flygkamraterna (“The Flight Comrades”, 1947 and Flygkamraterna korsar rymden when it comes to their view on science and technology, their uses of technological speculation and futurological extrapolation, estrangement, and evocation of the sublime. It is commonly believed that Wernström's writing didn't really become political until the 1960s. One of the main conclusions of this study, however, is that already in his earliest science fiction from the late 1940s, Wernström makes ample use of the genre's potential to conduct indirect social commentary.
Medical thrillers: doctored fiction for future doctors?

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Charpy, Jean-Pierre

2014-12-01

Medical thrillers have been a mainstay of popular fiction since the late 1970s and still attract a wide readership today. This article examines this specialized genre and its core conventions within the context of professionally-based fiction, i.e. the class of thrillers written by professionals or former professionals. The author maps this largely unchartered territory and analyzes the fictional representations of doctors and medicine provided in such novels. He argues that medical thrillers, which are not originally aimed at specialized readers and sometimes project a flawed image of medicine, may be used as a pedagogical tool with non-native learners of medical English.
Exploring Mars and Beyond: Science Fiction a Resource for Environmental Education.

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Miller, Ryder W.

The purpose of this article is to show how traditional science fiction, an empowering literature of social criticism, can be used by environmental educators to reach the traditional goals of environmental education. The sub-genres of science fiction are discussed along with ways in which they can be used to reach certain goals of environmental…
Gender as a body memory in science-fiction films

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Carmen Irene Correia Oliveira

2013-07-01

Full Text Available This concept of working memory genre (Bakhtin, from remakes science-fiction. Takes gender as a dynamic force that works towards permanence and change, articulating the elements that determine intertextuality. In current a long tradition, a work brings the outstanding characteristics of a genre that works as a “body memory” in a relatively autonomous way. States that, in the context of the films analyzed, the elements that propagate within the genre underwent some changes in reshoots, depending on the socio-historical context, while the stay is marked by recurring themes.
Contemporary Ghost Stories: Cyberspace in Fiction for Children and Young Adults

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Harris, Marla

2005-01-01

This essay identifies a genre of popular fiction for children and young adults, prevalent in the 1990s and continuing into the early twenty-first century, that incorporates computers and the internet, e-mails and chat rooms, into its plots. However, along with a focus on technology, this fiction frequently features the supernatural. So, too,…
Subject cataloguing of the works of fiction at the National and University Library

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Tatjana Kovač

2006-01-01

Full Text Available The article reviews the principles of construction and policies of application of subject headings to works of fiction at the National and University Library in Ljubljana, Slovenia. The records are created in COMARC format, and the literary type, genre and the language of a document are each assigned a code, whereas literature is also indexed by using UDC class numbers. The principles for constructing and assigning subject headings for fiction are in accordance with the IFLA Principles Underlying Subject Heading Languages, and the rules of the Slovenian General List of Subject Headings (2002. The author presents the general and more specific rules and procedures for the construction of subject headings. Most frequently used subject headings for the works of fiction are name, topical or geographic headings.
How to Tell the Schlock from the Good Stuff in Science Fiction.

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Harris, June

1992-01-01

Asserts that not all science fiction is great. Discusses ways to tell the difference between the good and the bad. Encourages even those teachers who are most leery of a genre with which they are unfamiliar to jump in and try science fiction as a way of opening up student minds and imaginations. (PRA)
Italian Science Fiction, Nuclear Technologies: Narrative Strategies Between the “Two Cultures” (1950s-1970s)

International Nuclear Information System (INIS)

Iannuzzi, Giulia

2017-01-01

This chapter critically investigates how science fiction interacted with, and contributed to the development of a collective imagery related to nuclear energy in Italy between the 1950s and the 1970s, within a context characterized by a difficult relationship between the “two cultures”. To do this, it takes into account the theme of nuclear technologies in science fiction genre narratives, and its treatment on the part of non-genre Italian writers. An initial enthusiasm toward nuclear energy is interpreted as part of new hopes connected to an unprecedented modernization in the peninsula and a new centrality of techno-science – of which science fiction was an apt expression. The hostility toward both nuclear technologies and science fiction on the part of the Italian cultural elite during subsequent decades is read as two different sides of the same “malaise of modernity”.
Beyond Historical Fiction: Speare's "The Witch of Blackbird Pond."

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Thuente, Mary Helen

1985-01-01

Reviews "The Witch of Blackbird Pond" by E. Speare to show how the full narrative power of the novel derives from the author's successful integration of two separate narrative genres: historical fiction and the folktale. (EL)
Stranger than fiction: literary and clinical amnesia.

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Dieguez, Sebastian; Annoni, Jean-Marie

2013-01-01

This chapter broadly covers literary uses of amnesia and memory disorders. Amnesia in fiction offers authors an efficient and dramatic device to tackle themes such as identity, personal liberty, or guilt. We argue against the common complaint that fictional amnesia is scientifically inaccurate, pointing out that the goals of literature are different from those of science, that amnesia is still poorly understood, and that real-life cases can sometimes be stranger than fiction. The chapter provides examples from the neuropsychological literature, media reports, mythology, historical cases, detective stories, war stories, theatrical plays, and other genres. Special attention is given to retrograde and dissociative amnesia, as these are the most frequent types of amnesia portrayed in fiction, while other types of memory disorders are more shortly treated. We argue that the predominance of disorders affecting autobiographical memory in fiction is in itself a revealing fact about the mechanisms of human memory, illustrating how fictional treatments of pathology can inform back neurological and psychological research. Copyright © 2013 S. Karger AG, Basel.
Manipulating Our Futures: The Role of Science Fiction in Education.

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Michalsky, Walt

1979-01-01

A rationale is presented for using science fiction in the English classroom, emphasizing that students like the genre and that it teaches them to analyze and interpret social and technological change. (SJL)

Belaboring the Maritime Novel: The Nigger of the ‘Narcissus’, Sea Fiction, and Constituent Power

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Brandon Jernigan

2017-09-01

Full Text Available In this article, I argue that Joseph Conrad’s revision of popular maritime fiction in 'The Nigger of the ‘Narcissus’' (1897 stages the anachronistic nature of romantic adventure in modernity in order to recuperate its own recognition of the revolutionary capacity of the body and collective labor. Throughout his work, Conrad participates in a range of popular genres, often engaging with, and drawing on, multiple genres in the space of a single novel. His formal flexibility at least partially accounts for his complex critical legacy as a writer who exposes the imperialist ideology in which he participates. 'The Nigger of the ‘Narcissus’', however, demands that we partially amend our notion of Conrad’s deconstructive aesthetic. This approach helps to clarify how the novella engages in critical self-reflection as it reveals the fragile constructedness of both genre and history. In adapting the genre of sea fiction, Conrad places pressure on extant tensions within the genre, especially around labor, and nearly renders the romantic adventure untenable. However, this pressure ultimately becomes an adaptive strategy to confront growing anxiety around imperial interdependency, including the rejection of commodified labor. At a moment in imperial history when the recognition of global interdependence and antagonism threatens the ideological, economic, and political underpinnings of imperialism, Conrad adapts the flexibility of sea fiction to confront this mounting pressure on the imperial consciousness and thus to reconstruct a more flexible representation of imperial relations.
Science fiction and the medical humanities.

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Miller, Gavin; McFarlane, Anna

2016-12-01

Research on science fiction within the medical humanities should articulate interpretative frameworks that do justice to medical themes within the genre. This means challenging modes of reading that encourage unduly narrow accounts of science fiction. Admittedly, science studies has moved away from reading science fiction as a variety of scientific popularisation and instead understands science fiction as an intervention in the technoscientific imaginary that calls for investment in particular scientific enterprises, including various biomedical technologies. However, this mode of reading neglects science fiction's critical relationship to the construction of 'the future' in the present: the ways in which science fiction proposes concrete alternatives to hegemonic narratives of medical progress and fosters critical self-awareness of the contingent activity which gives 'the future' substance in the here-and-now. Moreover, the future orientation of science fiction should not distract from the function of medical science fiction as 'cognitive estrangement': the technological innovations that dominate science-fiction narratives are less concrete predictions and more generic devices that explain in historical time the origins of a marvellous world bearing provocative correspondences to our own, everyday reality. The editorial concludes with a series of introductions to the articles comprising the special issue, covering the print edition and a special online-only section. Published by the BMJ Publishing Group Limited. For permission to use (where not already granted under a licence) please go to http://www.bmj.com/company/products-services/rights-and-licensing/.
Trashing the millenium: Subjectivity and technology in cyberpunk science fiction

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J. A. Sey

1992-05-01

Full Text Available 'Cyberpunk’ science fiction is a self-proclaimed movement within the genre which began in the 1980s. As the name suggests, it is an extrapolative form of science fiction which combines an almost obsessional interest in machines (particularly information machines with an anarchic, amoral, streetwise sensibility This paper sketches the development of the movement and seeks to make qualified claims for the radical. potential of its fiction. Of crucial importance are the ways in which human subjectivity (viewed in psychoanalytic terms interacts with 'technological subjectivity' in cyberpunk, particularly with regard to implications of these interactions for oedipalization.
Genre Anxiety

DEFF Research Database (Denmark)

Alacovska, Ana

2015-01-01

This article explores how the concept of genre can enrich our understanding of gender inequality in media industries. All media work takes place within genre-specific production worlds, which seem to be gender-segregated. By examining the gendered and gendering ideology of genres, an outcome...... of genre-gender discursive, historical and cultural crossover, we obtain a holistic view of the complexities of the psycho-biographical gender dynamics of media work. To this end, I trace the ways in which the andocentric genre of travel writing (a genre based on a masculine ideology) causes professional...
Adult education and publishing Canadian fiction in a global context: a Foucauldian analysis

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Susan M Holloway

2014-04-01

Full Text Available This paper draws upon findings from a research study on the relationship between fiction, citizenship, and lifelong learning. It includes interviews with authors from several genres, publishing houses, and arts councils. This paper explores many of the ambivalent outcomes of the shifting power elements in publishing that can simultaneously benefit and disadvantage the publication of a national body of fiction. Although focused on the Canadian context, fiction writers and publishers around the globe face similar challenges. Using a Foucauldian analysis, it considers the importance of fiction and adult learning in shaping discourses of citizenship and critical social learning.
Probing the limits of reality: the metaphysics in science fiction

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Taylor, John L.

2003-01-01

Science fiction provides a genre in which metaphysical questions concerning the ultimate structure of reality regularly arise. In addressing these questions, contemporary scientists tend to assume that the questions are of a scientific nature and should be handled solely by reference to our best theories. In this paper, it is argued that we cannot afford to neglect the role of conceptual analysis - a distinctively philosophical task - in thinking critically about the possibilities that science fiction claims to describe.
Radioactivity and Nuclear Issues in Science Fiction

International Nuclear Information System (INIS)

Franic, Z.

2008-01-01

In this work are presented and reviewed science fiction narratives, films and comics that exploit radioactivity and nuclear issues. These topics to some science fiction authors serve as metaphor of evil and holocaust as well as nice instrument for elaborating various manipulations and conspiracy theories. In that context are of special interest science fiction works depicting apocalyptic post-nuclear worlds and societies, such works being closely connected with cyberpunk genre. However, other more technologically optimistic authors nuclear energy and research regarding nuclear technology and radioactivity consider as eligible and inevitable solution for world peace and prosperity Nowadays, public interest and global fears are shifted from radioactivity and nuclear issues to other catastrophic scenarios threatening future of the mankind, these for example being climate changes and global warming, asteroid impact, collapse of information infrastructure, nanotechnology, robotics and artificial intelligence etc. Consequently, these issues are as well increasingly reflected in contemporary science fiction stories.(author)
Fiction series in TVE between 1956 and 1989

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Elvira Canós Cerdá

2016-05-01

Full Text Available The change in the Spanish television landscape resulting from the loss of the monopoly of RTVE and the landing of private regional television and national channels, created a new context marked by competition between different private channels. In this scenario, there was a confluence of several factors that led to the launch of the national fiction production in our own country from the hands of a renewal of the genre with new creative and production systems (García de Castro, 2008:150. All this contrasts with the existence of certain gaps in research on the Spanish television fiction in years for the TVE television monopoly, as pioneer of today's fiction. Therefore, the presence of in-depth studies to clarify the trajectory of a fiction that will lay the foundation for self-produced fiction in Spain is necessary. This paper has as general objective an approach to the birth and evolution of serial fiction formats in TVE until the advent of private television, and the study of its distinctive features. This research can be understood under the phenomenological paradigm and is located within the television studies that focus specifically on the textual historicism (Ellis, 2007, in which the text is studied in relation to its historical context taking into account the influence of the period which the program was carried out when studying its meaning. It will be approached with a methodological pluralism that combines the qualitative method and historical method. The main technique used is the documentary observation of primary sources; mainly TV programs from the studied period. From the study of a significant sample of fiction programs produced and broadcast by Spanish public TV we can identify the traits that characterize them. Some of them still remain in the current TV series and another traits have been evolving in time.
Do you believe in magic? The Potency of the Fantasy Genre

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Stephan Matthias

2016-04-01

Full Text Available This article explores the popularity of the fantasy genre in the recent decades. In so doing, it seeks to provide a definition of the genre, claiming that fantasy literature is fiction that offers the reader a world estranged from their own, separated by nova that are supernatural or otherwise consistent with the marvelous, and which has as its dominant tone a sense of wonder. It does this through a discussion of previous definitions of fantasy, the fantastic, science fiction and supernatural horror. Furthermore, through a consideration of texts by Tolkien, and an exploration of contemporary novels (Kazuo Ishiguro’s The Buried Giant; Terry Brooks The Sword of Shannara trilogy and other franchises (Star Wars, it demonstrates how the generic boundaries should be read outside of the traditional limitations, and how these texts, coupled with contemporary technology, offer a freer range to imagination and make fantasy a potent critical force
Science Fiction at the Far Side of Technology

DEFF Research Database (Denmark)

Johansen, Mikkel Willum

2017-01-01

This book explores what science fiction can tell us about the human condition in a technological world (with the dilemma's and consequences that this entails) and also engages with the genre at points where we apparently find it on the far side of science, technology or human existence. As such....... It is our hope that this interdisciplinary approach will set an example for those who, like us, have been busy assessing the ways in which fictional attempts to fathom the possibilities of science and technology speak to central concerns about what it means to be human in a contemporary world of technology....... Although a scholarly work, this book is also designed to be accessible to a general audience that has an interest in science fiction as well as a broader academic audience. Aspiring (or experienced) science fiction writers may be interested in reading critical assessments of the science and technology...
THE MOTIF OF THE SECOND COMING IN RUSSIAN FANTASTIC FICTION

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Tatyana I. Khoruzhenko

2017-06-01

Full Text Available The motif of the Second Coming of Christ takes a special place in Russian fantastic fiction at the turn of the millennium. In the recent decades allusions to the Gospel topic appears in increasing frequency in the genre of fantasy. The aim of the given article was to analyze the peculiarities of the depiction of the subject of Advent in Russian fantastic fiction. As the basis for the research the novels of Y. Voznesenskaya, N. Perumov, V. Khlumov, S. Lukyanenko and T. Ustimenko are of particular interest. The Advent motif appears in the story line of each of the novels in question. Though, the attitude of the authors to the image of the Savior and his second coming to the world fluctuates: from a respectful expectation (Y. Voznesenskaya, T. Ustimenko, S. Lukyanenko to the depiction of the Savior as a monster (N. Perumov. The possibility of an ambivalent interpretation of the Savior is the eloquent evidence of desacralization of this image. The profaning of the sacred is one of the tendencies of the modern popular culture. The genre of fantastic fiction, as a product of mass culture, has caught this trend quite precisely.
Teaching Science Fiction Film Genre: Theory, Form, and Theme.

Science.gov (United States)

Roth, Lane

Intended to provide a paradigm for teachers planning a course in science fiction film, the instructional approach outlined in this paper examines films in relation to each other and to culture. The paper provides a course outline, a discussion of lecture topics, a suggested reading list, and a film list. The instructional approach suggested by the…
A Genre-Specific Investigation of Video Game Engagement and Problem Play in the Early Life Course.

Science.gov (United States)

Ream, Geoffrey L; Elliott, Luther C; Dunlap, Eloise

2013-05-21

This study explored predictors of engagement with specific video game genres, and degree of problem play experienced by players of specific genres, during the early life course. Video game players ages 18-29 (n = 692) were recruited in and around video game retail outlets, arcades, conventions, and other video game related contexts in New York City. Participants completed a Computer-Assisted Personal Interview (CAPI) of contemporaneous demographic and personality measures and a Life-History Calendar (LHC) measuring video gaming, school/work engagement, and caffeine and sugar consumption for each year of life ages 6 - present. Findings were that likelihood of engagement with most genres rose during childhood, peaked at some point during the second decade of life, and declined through emerging adulthood. Cohorts effects on engagement also emerged which were probably attributable to changes in the availability and popularity of various genres over the 12-year age range of our participants. The relationship between age and problem play of most genres was either negative or non-significant. Sensation-seeking was the only consistent positive predictor of problem play. Relationships between other variables and engagement with and problem play of specific genres are discussed in detail.
A Question of Ethics: Themes in the Science Fiction Genre.

Science.gov (United States)

McNurlin, Kathleen Woitel

1995-01-01

Continues an article that began in the summer 1995 "Interdisciplinary Humanities." Examines ethical concerns about nuclear power, societal control, and prejudice articulated in science fiction literature. Authors studied include Ray Bradbury, Philip K. Dick, and Damon Knight. The earlier article covered literature concerned with ecology…
Depictions of global environmental change in science fiction : an overview of educational applications

Energy Technology Data Exchange (ETDEWEB)

Kadonaga, L. [Victoria Univ., BC (Canada). Dept. of Geography

2000-06-01

This paper examined how the use of science fiction books and movies can be used as a tool to educate the public. Narratives encourage interest in global environmental changes and can help demystify how science works. Although most science fiction depictions of global environmental change are outdated and oversimplified, the genre can encourage discussion of ecological and social impacts. Writers of science fiction consider both natural systems and human societies, anticipating the work of impacts researchers. It was argued that while both science fiction writers and global change researchers require knowledge and creativity to construct realistic extrapolations, a well-written science fiction book is likely to reach a larger audience. Science fiction books emphasize that climate projections are intended as warnings. If properly handled, they can improve public awareness of issues such as global warming and climatic change. It was suggested that collaboration between researchers and science fiction writers could produce some interesting work. 48 refs.
Science et littérature : mélange des genres

OpenAIRE

Lissalde, Claire

2016-01-01

Cet article expose les démarches et les enjeux de l’organisation de l’exposition Science/Fiction, voyage au cœur du vivant par l’INSERM. Il souligne également l’innovation proposée par une médiation qui utilise le mélange des genres littéraires et scientifiques pour atteindre son public.
Modelos de gestión de conflictos en serie de ficción televisiva (Conflict management models in television fiction series

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Yolanda Navarro-Abal

2012-12-01

Full Text Available Television fiction series sometimes generate an unreal vision of life, especially among young people, becoming a mirror in which they can see themselves reflected. The series become models of values, attitudes, skills and behaviours that tend to be imitated by some viewers. The aim of this study was to analyze the conflict management behavioural styles presented by the main characters of television fiction series. Thus, we evaluated the association between these styles and the age and sex of the main characters, as well as the nationality and genre of the fiction series. 16 fiction series were assessed by selecting two characters of both sexes from each series. We adapted the Rahim Organizational Conflict Inventory-II for observing and recording the data. The results show that there is no direct association between the conflict management behavioural styles presented in the drama series and the sex of the main characters. However, associations were found between these styles and the age of the characters and the genre of the fiction series.
The role of science fiction within the fluidity of slipstream literature

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Janez Steble

2015-12-01

Full Text Available The paper explores the complex and contradictory role of science fiction in slipstream, the type of postmodern non-realistic literature situated between the fantastic genres and the mainstream literary fiction. Because of its unstable status of occupying an interstitial position between multiple literary conventions, the article first deals with an expansive terminology affiliated with slipstream and elucidates upon using a unified term for it. Avantpop, transrealism, and interstitial fiction all help us in understanding the vast postmodern horizon of slipstream. Furthermore, the slipstream's philosophy of cognitive dissonance in comparison to science fiction's is analysed to see the similarities and differences between them. The section is mainly concerned on expanding Darko Suvin's concept of cognition and viewing it as partially compatible with slipstream's estrangement techniques. The final part is focused on the exemplary slipstream novel Vurt by Jeff Noon, a perfect example of science fiction providing material, including latest post-Newtonian paradigms of science, for slipstream to mould it in its own fashion.
Exploring Young Children's Response to Three Genres of Literature in Small-Peer Groups

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Griffin, Jennifer Adams

2010-01-01

This teacher research studied second graders' small-group, peer-led discussions about three genres of literature--realistic fiction, biography picture books, and science information books--across one school year (during three units in the fall, winter, and spring). It set out to explore how this peer talk, in general, mediated children's responses…
Ghetto Fabulous: Reading Black Adolescent Femininity in Contemporary Urban Street Fiction

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Marshall, Elizabeth; Staples, Jeanine; Gibson, Simone

2009-01-01

In this article the authors provide a general overview of the controversies associated with urban street fiction, a brief introduction to the genre and an introduction to the complex representations of Black adolescent femininity within two contemporary titles, "Black and Ugly" (Styles, 2006) and "Bitch" (King, 2006). The authors provide a…

Chemistry in Victorian Detective Fiction: "A Race with the Sun"

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Last, Arthur M.

2012-01-01

The late-Victorian era provided aficionados of detective fiction with an abundance of short stories belonging to this literary genre. Many of these works contained some aspect of chemistry, either in the execution of a crime or in the identification of the perpetrator. In the example discussed in this article, the gas-phase reaction of hydrogen…
Compensatory function of crime fiction texts in mass culture

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G. O. Krapivnyk

2014-09-01

Full Text Available Philosophical and anthropological analysis allowed to confirm that the compensatory function is one of the basic functions of formulaic crime fiction texts in mass culture. It closely interacts and has no clear borderlines with other anthropological functions of the crime fiction genre. Structuring and systematizing human consciousness, entertaining and educating the recipient, the compensatory function positively influences the addresser, the addressee and the modern society. In the mass culture the function under consideration has a number of aspects, in particular, therapeutic, entertaining, educating etc. It transforms into a mechanism of regulating mental state when life processes are becoming more complicated and human psyche needs regular training and relaxation (including the creation of virtual situations in the crime fiction world, associated with crime, violence, aggression and their effects for all the related parties. However, the compensatory function of crime fiction texts also follows classical traditions, oriented on rationalism and enlightenment, as well as encourages regulation of moral and legal state system in the times of Modernity and Postmodernity, that is promotes moral and legal culture in the society.
Mike Ashley. Out of This World: Science Fiction, But Not As You Know It

OpenAIRE

Ransom, Amy J.

2013-01-01

The British Library held an exhibition on science fiction from 25 May to 25 September, 2011. Mike Ashley’s beautiful companion volume, Out of This World, offers a brilliant, illustrated history of science fiction. Destined for newcomers to the genre, the oversize tome provides a useful handbook and even some tidbits of lesser-known factoids for the specialist. I highly recommend this work for all libraries and coffee tables. Ashley has proven himself to be one of the genre’s foremost historia...
Hard-Boiled for Hard Times in Leonardo Padura Fuentes's Detective Fiction

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Song, H. Rosi

2009-01-01

Focusing on Leonardo Padura Fuentes's hard-boiled fiction, this essay traces the origin and evolution of the genre in Cuba. Padura Fuentes has challenged the officially sanctioned socialist "literatura policial" that became popular in the 1970s and 1980s. creating a new model of criticism that is not afraid to confront the island's socio-economic…
The historical issue in film genre Commedia all 'italiana: the first world war in fiction

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Celina Vivian Lima Augusto

2011-10-01

Full Text Available The theme chosen for this article was to join "Cinema and History" to the cinematographic genre commedia all'italiana. First, there is a general introduction that discusses the italian genre. The second part deals with the historical representation in the commedia all' italiana, analyzing the Mario Monicelli’s work, the movie "La Grande Guerra".
A hybrid documentary genre: Animated documentary and the analysis of Waltz with Bashir (2008 Movie

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Barış Tolga Ekinci

2017-09-01

Full Text Available The word documentary has been described as an advice” in “Oxford English Dictionary” in the late 1800s. Document is a main source of information for lawyers. And in cinema, basic film forms are defined with their own properties. The common sense is to separate documentary from fiction, experimental from main current and animation from the live action films. While these definitions were being made, it has been considered that which expression methods were used. The film genre which is called documentary has been defined in many different ways. In this study, animated documentary genre which is a form of hybrid documentary has been concerned with Baudrillard’s theory. In this context, Ari Folman’s animated documentary Waltz with Bassir (2008 has been analyzed with genre criticism method.
Vers une esthétique de la science-fiction

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Joanna Russ

2013-04-01

Full Text Available Les outils critiques élaborés en ayant à l’esprit une littérature entièrement différente ne fonctionnent pas quand ils sont appliqués à la science-fiction. Dans cet article, j’avance la proposition suivante : que la science-fiction est didactique. Malgré des similitudes superficielles avec la fiction moderne naturaliste (ou autre, les personnages de science-fiction sont toujours des personnes collectives, jamais individuelles. Je suggère que la critique littéraire contemporaine n’est pas l’outil idéal pour traiter de fiction didactique, ou pour évaluer une littérature nouvelle et différente. Appliquer les critères et les méthodes auxquels nous sommes habitués ne peut mener qu’à trois résultats : le rejet de toute science-fiction comme n’étant pas de la littérature, une préférence pour certains genres restreints de science-fiction (parce qu’on peut les comprendre au moins partiellement selon la manière habituelle, ou une conception et une perception erronées des textes que l’on essaie précisément de comprendre. La troisième catégorie est restée rare jusqu’ici, parce que l’intérêt universitaire pour la science-fiction était rare, mais elle pourrait devenir bien trop courante si la popularité croissante des cours d’université sur ce sujet ne s’accompagne pas d’une critique adaptée à son sujet.
Cultural products go online: Comparing the internet and print media on distributions of gender, genre and commercial success

NARCIS (Netherlands)

M.N.M. Verboord (Marc)

2011-01-01

textabstractThis article examines whether the attention to cultural products on the internet is more democratically structured (in terms of gender and genre distributions) than in traditional print media, and how these types of media attention affect commercial success. For the U.S. fiction book
An Analysis of Cross-Genre and In-Genre Performance for Author Profiling in Social Media

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Medvedeva, Masha; Haagsma, Hessel; Nissim, Malvina

2017-01-01

User profiling on social media data is normally done within a supervised setting. A typical feature of supervised models that are trained on data from a specific genre, is their limited portability to other genres. Cross-genre models were developed in the context of PAN 2016, where systems were
The material co-construction of hard science fiction and physics

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Hasse, Cathrine

2015-12-01

This article explores the relationship between hard science fiction and physics and a gendered culture of science. Empirical studies indicate that science fiction references might spur some students' interest in physics and help develop this interest throughout school, into a university education and even further later inspire the practice of doing science. There are many kinds of fiction within the science fiction genre. In the presented empirical exploration physics students seem particularly fond of what is called `hard science fiction': a particular type of science fiction dealing with technological developments (Hartwell and Cramer in The hard SF renaissance, Orb/TOR, New York, 2002). Especially hard science fiction as a motivating fantasy may, however, also come with a gender bias. The locally materialized techno-fantasies spurring dreams of the terraforming of planets like Mars and travels in time and space may not be shared by all physics students. Especially female students express a need for other concerns in science. The entanglement of physics with hard science fiction may thus help develop some students' interest in learning school physics and help create an interest for studying physics at university level. But research indicates that especially female students are not captured by the hard techno-fantasies to the same extent as some of their male colleagues. Other visions (e.g. inspired by soft science fiction) are not materialized as a resource in the local educational culture. It calls for an argument of how teaching science is also teaching cultural values, ethics and concerns, which may be gendered. Teaching materials, like the use of hard science fiction in education, may not just be (yet another) gender bias in science education but also carrier of particular visions for scientific endeavours.
Should psychiatrists write fiction?

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Bladon, Henry

2018-04-01

This paper looks at the relationship between fiction and psychiatry. Specifically, the idea of psychiatrists as fiction writers is explored, and reference is made to various fictional texts to illustrate the problems of stigma and negative imagery. These two main areas of focus are highlighted as ones that the practice of writing fiction might address, and some potential pitfalls are discussed. The paper suggests how psychiatrists might ameliorate the present problems by incorporating their unique clinical skills and knowledge into fictional narratives. Declaration of interest None.
The Use of "Literary Fiction" to Promote Mentalizing Ability.

Science.gov (United States)

Pino, Maria Chiara; Mazza, Monica

2016-01-01

Empathy is a multidimensional process that incorporates both mentalizing and emotional sharing dimensions. Empathic competencies are important for creating interpersonal relationships with other people and developing adequate social behaviour. The lack of these social components also leads to isolation and exclusion in healthy populations. However, few studies have investigated how to improve these social skills. In a recent study, Kidd and Castano (2013) found that reading literary fiction increases mentalizing ability and may change how people think about other people's emotions and mental states. The aim of our study was to evaluate the effects of reading literary fiction, compared to nonfiction and science fiction, on empathic abilities. Compared to previous studies, we used a larger variety of empathy measures and utilized a pre and post-test design. In all, 214 healthy participants were randomly assigned to read a book representative of one of three literary genres (literary fiction, nonfiction, science fiction). Participants were assessed before and after the reading phase using mentalizing and emotional sharing tests, according to Zaki and Ochsner' s (2012) model. Comparisons of sociodemographic, mentalizing, and emotional sharing variables across conditions were conducted using ANOVA. Our results showed that after the reading phase, the literary fiction group showed improvement in mentalizing abilities, but there was no discernible effect on emotional sharing abilities. Our study showed that the reading processes can promote mentalizing abilities. These results may set important goals for future low-cost rehabilitation protocols for several disorders in which the mentalizing deficit is considered central to the disease, such as Autism Spectrum Disorders and Schizophrenia.
Film: Genres and Genre Theory

DEFF Research Database (Denmark)

Bondebjerg, Ib

2015-01-01

Genre is a concept used in film studies and film theory to describe similarities between groups of films based on aesthetic or broader social, institutional, cultural, and psychological aspects. Film genre shares similarities in form and style, theme, and communicative function. A film genre...
Saints, Cops and Camorristi. Editorial Policies and Production Models of Italian TV Fiction

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Luca Barra

2015-05-01

Full Text Available Contemporary Italian TV fiction production is the result of both a long historical tradition and a complex broadcasting scenario. In recent years, three different models clearly emerged, following the divergent goals and needs of public service broadcaster Rai, commercial television Mediaset and pay-TV operator Sky Italia: respectively, with a pedagogical approach resulting in hagiographic miniseries, socially committed fiction and relevant comedies; with procedural and legal dramas following the US commercial models and romance-filled prime time soaps; and with a cable-oriented tension towards anti-heroes, high-budget productions and “quality television”. The paper reconstructs the main traits of each model, focusing on their main titles and most emblematic genres, as well as on the national production companies that helped the broadcasters in defining and establishing peculiar “fiction styles” and editorial policies.
Ethnicity and Social Critique in Tony Hilleman’s Crime Fiction

OpenAIRE

Bubíková Šárka

2016-01-01

American mystery writer Tony Hillerman (1925-2008) achieved wide readership both within the United States and abroad, and, significantly, within the US both among white Americans and Native Americans. This article discusses Hillerman’s detective fiction firstly within the tradition of the genre and then focuses on particular themes and literary means the writer employs in order to disseminate knowledge about the Southwestern nations (tribes) among his readers using the framework of mystery (c...
Fictional names and fictional discourse

OpenAIRE

Panizza, Chiara

2017-01-01

[eng] In this dissertation I present a critical study of fiction, focusing on the semantics of fictional names and fictional discourse. I am concerned with the issue of whether fictional names need to refer, and also with the related issue of whether fictional characters need to exist, in order to best account for our linguistic practices involving fictional names. Fictional names like ‘Sherlock Holmes’, ‘Anna Karenina’, ‘Emma Woodhouse’ and ‘Don Quixote of La Mancha’ ordinarily occur in diff...
Use of traditional motives in Serbian science-fiction literature

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Đorđević Ivan

2006-01-01

Full Text Available Subject of this paper is consideration of use of traditional motives in Serbian science-fiction literature in relation with socio-cultural milieu of Serbia from late 80s until now. The author tries to point out ways of usage and construction of some traditional and mythological patterns in certain literature works. This genre of literary production is perceived as a popular culture phenomenon - with this premise, the paper intents to analyze communication process between text and audiences.
PSYCHOLINGUISTIC PREREQUISITES FOR DEVELOPING LISTENING COMPETENCE OF PRE-SERVICE TEACHERS THROUGH FICTION AUDIOBOOKS

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Iryna Bilianska

2017-07-01

Full Text Available The quality of the professional training of foreign language teachers presupposes high level of their listening competence. However, in non-authentic language environment developing proficiency in listening is recognized as a difficult task. Therefore, Ukrainian methodologists are in search of new ways to improve listening skills of pre-service teachers. The purpose of this article is to explore recent research into psycho-linguistic issues and analyse the grounds for the development of listening competence by means of fiction audiobooks. This paper therefore deals with the analysis of cognitive processes and psychological mechanisms, listening stages (motivational, analytically-synthetic, executive and controlling. It goes on to focus on artistic perception and its mechanisms and the information processing mechanisms. Since fiction is an art of words, specific features of listening to audiobooks are primarily related to the category of art. It is revealed that at all levels of the structure of an artistic text (genre, plot, structure there are some authors guidelines which guide, direct attention and activate apperception. The typical benchmarks of audiobooks that help to activate apperception (genre, cover, title, sample, summary, reviews, author / narrator, volume, rating etc. have been determined. It has been found that listening to an audiobook should result into its "projection" in the recipients mind. The "projection" may be materialized through a secondary text. It is concluded that the mechanisms of listening to fiction audiobooks are: 1 mental processes (perception, thinking, memory, attention; 2 psychological mechanisms (speech hearing, articulation, anticipation, comprehension, working memory; 3 mechanisms of artistic perception (emotions and feelings, imagination, apperception, figurative and associative thinking; 4 information processing mechanisms (mechanism of equivalent replacements, transcoding, compression, expansion
Applied genre analysis: a multi-perspective model

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Vijay K Bhatia

2002-04-01

Full Text Available Genre analysis can be viewed from two different perspectives: it may be seen as a reflection of the complex realities of the world of institutionalised communication, or it may be seen as a pedagogically effective and convenient tool for the design of language teaching programmes, often situated within simulated contexts of classroom activities. This paper makes an attempt to understand and resolve the tension between these two seemingly contentious perspectives to answer the question: "Is generic description a reflection of reality, or a convenient fiction invented by applied linguists?". The paper also discusses issues related to the nature and use of linguistic description in a genre-based educational enterprise, claiming that instead of using generic descriptions as models for linguistic reproduction of conventional forms to respond to recurring social contexts, as is often the case in many communication based curriculum contexts, they can be used as analytical resource to understand and manipulate complex inter-generic and multicultural realisations of professional discourse, which will enable learners to use generic knowledge to respond to novel social contexts and also to create new forms of discourse to achieve pragmatic success as well as other powerful human agendas.
Perceptions of television violence: effects of programme genre and type of violence on viewers' judgements of violent portrayals.

Science.gov (United States)

Gunter, B; Furnham, A

1984-06-01

This paper reports two studies which examined the mediating effects of programme genre and physical form of violence on viewers' perceptions of violent TV portrayals. In Expt 1, a panel of British viewers saw portrayals from five programme genres: British crime-drama series, US crime-drama series, westerns, science-fiction series and cartoons which feature either fights or shootings. In Expt. 2, the same viewers rated portrayals from British crime-drama and westerns which featured four types of violence, fist-fights, shootings, stabbings and explosions. All scenes were rated along eight unipolar scales. Panel members also completed four subscales of a personal hostility inventory. Results showed that both fictional setting and physical form had significant effects on viewers' perceptions of televised violence. British crime-drama portrayals, and portrayals that featured shootings and stabbings, were rated as most violent and disturbing. Also, there were strong differences between viewers with different self-reported propensities towards either verbal or physical aggression. More physically aggressive individuals tended to perceive physical unarmed violence as less violent than did more verbally aggressive types.

Ethnicity and Social Critique in Tony Hillerman´s Crime Fiction

OpenAIRE

Bubíková Šárka

2016-01-01

American mystery writer Tony Hillerman (1925 – 2008) achieved wide readership both within the United States and abroad, and, significantly, within the US both among white Americans and Native Americans. The article discusses Hillerman’s detective fiction firstly within the tradition of the genre and then focuses on particular themes and literary means the writer employs in order to disseminate knowledge about the Southwestern nations (tribes) among his readers using the framework of mystery (...
"The epic love story of Sam and Dean": "Supernatural," queer readings, and the romance of incestuous fan fiction

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Catherine Tosenberger

2008-09-01

Full Text Available This article examines incestuous slash fan fiction produced for the CW television series Supernatural. I argue that "Wincest" fan fiction is best understood not as perverse, oppositional resistance to a heterosexual, nonincestuous show, but an expression of readings that are suggested and supported by the text itself. I examine the literary, cultural, and folkloric discourses of incest and queerness invoked by the series, paying special attention to Romanticism, the Gothic, and horror as underliers to those discourses, and how those genres inform both the series and the fan fiction. I discuss a number of Wincest stories in detail, focusing upon how these stories build upon thematic elements within the series. In conclusion, I argue that the most resistive aspect of Wincest fan fiction is that it gives the main characters a lasting happiness that the series eternally defers.
“They All Lived Happily Ever After. Obviously.”: Realism and Utopia in Game of Thrones-Based Alternate Universe Fairy Tale Fan Fiction

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Anne Kustritz

2016-06-01

Full Text Available Fan fiction alternate universe stories (AUs that combine Game of Thrones characters and settings with fairy tale elements construct a dialogue between realism and wonder. Realism performs a number of functions in various genres, but becomes a particularly tricky concept to tie down in fantasy. Deployments of realism in “quality TV” series like Game of Thrones often reinforce social stigmatization of feminine genres like the romance, melodrama, and fairy tale. The happily-ever-after ending receives significant feminist criticism partly because it falls within a larger framework of utopian politics and poetics, which are frequently accused of essentialism and authoritarianism. However, because fan fiction cultures place all stories in dialogue with numerous other equally plausible versions, the fairy tale happy ending can serve unexpected purposes. By examining several case studies in fairy tale AU fan fiction based on Game of Thrones characters, situations, and settings, this paper demonstrates the genre’s ability to construct surprising critiques of real social and historical situations through strategic deployment of impossible wishes made manifest through the magic of fan creativity.
Futuristic stories older than might appear: origin of ideas of science fiction screenplays

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Carlos Alberto Machado

2013-12-01

Full Text Available The paper discusses the origin of the ideas of most movie scripts modern science fiction, and literaty concepts such as soft and hard, also present in the film. Pointed out the origin of these scripts mostly in the 1950s, 1960s and 1970s, they considered fertile periods in foreign science fiction literature. Also discusses about the casual predictions of the authors of this genre that end up bringing their ideas to contemporary unreasonably, but exciting, leading the media to call them visionary means. Some authors like Carrière, Xavier, Bez, Koff and Comparato assist in corroborating these ideas. Thus, the reader is led to reflect on the historical origin of these ideas.
L’Imaginaire du temps dans le fantastique et la science-fiction (2011)

OpenAIRE

Julie Schutz

2013-01-01

Ce numéro des cahiers du LAPRIL contient vingt-deux contributions sur la question du temps en science-fiction et dans le fantastique, dans sa dimension thématique, mais aussi pour faire ressortir l'influence de cette question sur l'évolution même de ces genres. Une partie des réflexions concerne aussi les représentations d'un temps « mythique ».
A New Chapter. The Fresh Voices of Hispanic Fiction Writers Are Being Heard by a Growing Mainstream Audience.

Science.gov (United States)

Frase-Blunt, Martha

1992-01-01

Highlights numerous Hispanic fiction writers who are beginning to experience popularity. Describes Hispanic genre such as "magic realism" in which real action is tinged with dreamlike surrealism. Discusses Hispanic writers' experiences with small independent presses as well as major publishers. Expresses such concerns as patronization and the lack…
SPECIFIC OF GENRE OF I.S. TURGENEV’S DRAMA “THE NEGLIGENCE”

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Isakova Yana Nazirbekovna

2013-05-01

Full Text Available Opinions about genre of the I.S. Turgenev’s play «The Negligence» are mixed. A drama sketch attracts attention. In the article considered the features of dramatic conflict and genre Turgenev’s play «The Negligence». Necessary, analyzing the key judgments of critics, researchers, scientists, and to identify the genre of the play features dramatic conflict. Methods: To achieve this goal using a range of methods and approaches of the various areas of knowledge, in the first place, cultural and literary studies. The interdisciplinary nature of the problem requires an integrated approach that combines cultural studies, literary-historical, comparative, artistic aspects of the analysis of texts. Results: Turgenev's play «The Negligence» is a difficult genre formation in which manifested traits melodrama, a romantic drama, the play-scene elements of psychological drama. Application: Analysis of genre affiliation plays can learn more particularly Turgenev’s dramatic works.
SPECIFIC OF GENRE OF I.S. TURGENEV’S DRAMA “THE NEGLIGENCE”

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Яна Назирбековна Исакова

2013-05-01

Full Text Available Opinions about genre of the I.S. Turgenev’s play «The Negligence» are mixed. A drama sketch attracts attention. In the article considered the features of dramatic conflict and genre Turgenev’s play «The Negligence». Necessary, analyzing the key judgments of critics, researchers, scientists, and to identify the genre of the play features dramatic conflict.Methods:To achieve this goal using a range of methods and approaches of the various areas of knowledge, in the first place, cultural and literary studies. The interdisciplinary nature of the problem requires an integrated approach that combines cultural studies, literary-historical, comparative, artistic aspects of the analysis of texts.Results:Turgenev's play «The Negligence» is a difficult genre formation in which manifested traits melodrama, a romantic drama, the play-scene elements of psychological drama.Application:Analysis of genre affiliation plays can learn more particularly Turgenev’s dramatic works.DOI: http://dx.doi.org/10.12731/2218-7405-2013-5-4
Ray Guns and Radium: Radiation in the Public Imagination as Reflected in Early American Science Fiction

Science.gov (United States)

Slaughter, Aimee

2014-01-01

The 1920s and 1930s were a period which saw great popular interest in radiation and radioactivity in America, and the establishment of a new genre of pulp literature, science fiction. Radiation was prevalent in American popular culture at the time, and sf stories were dependent upon radiation for much of their color and excitement. In this case…
L’Imaginaire du temps dans le fantastique et la science-fiction (2011

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Julie Schutz

2013-04-01

Full Text Available Ce numéro des cahiers du LAPRIL contient vingt-deux contributions sur la question du temps en science-fiction et dans le fantastique, dans sa dimension thématique, mais aussi pour faire ressortir l'influence de cette question sur l'évolution même de ces genres. Une partie des réflexions concerne aussi les représentations d'un temps « mythique ».
Inter Genre Similarity Modelling For Automatic Music Genre Classification

OpenAIRE

Bagci, Ulas; Erzin, Engin

2009-01-01

Music genre classification is an essential tool for music information retrieval systems and it has been finding critical applications in various media platforms. Two important problems of the automatic music genre classification are feature extraction and classifier design. This paper investigates inter-genre similarity modelling (IGS) to improve the performance of automatic music genre classification. Inter-genre similarity information is extracted over the mis-classified feature population....
Ethnicity and Social Critique in Tony Hilleman’s Crime Fiction

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Bubíková Šárka

2016-07-01

Full Text Available American mystery writer Tony Hillerman (1925-2008 achieved wide readership both within the United States and abroad, and, significantly, within the US both among white Americans and Native Americans. This article discusses Hillerman’s detective fiction firstly within the tradition of the genre and then focuses on particular themes and literary means the writer employs in order to disseminate knowledge about the Southwestern nations (tribes among his readers using the framework of mystery (crime fiction. Hillerman’s two literary detectives Lieutenant Joe Leaphorn and Sergeant Jim Chee, both of the Navajo Tribal Police, are analyzed and contrasted with female characters. Finally, the article analyzes the ways in which Hillerman makes the detectives’ intimate knowledge of the traditions, beliefs and rituals of the southwestern tribes and of the rough beauty of the landscape central to the novels’ plots, and how he presents cultural information.
Based on Brevity: Fiction in 140 Characters or Less

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Ritika Singh

2016-12-01

Full Text Available This paper examines how short-short stories published on social media platforms such asFacebook and Twitter experiment with brevity. It examines the use of devices such as planned spaces between words, colors, and enjambments, a genre called twitter fiction, to deliver the literary after-taste of ‘byte-sized’ fiction. What are the ramifications, requirements, and results of this form of brevity? Since the works are written and published on/for the digital media, what other aids supplement the reading process, if any? What forms of innovation does this conciseness allow? Two platforms of reading and writing short-short stories (of 140 characters or less will be used to examine these questions: Terribly Tiny Tales on Facebook and Very Short Story (@veryshortstoryon Twitter. Keywords: digital humanities, twitter fiction, brevity, short story, technology, social mediaThe six-word story by Ernest Hemingway, written in the 1920s, can be seen as an exemplary precursor to the recent burgeoning of short-short stories on Twitter and Facebook. To clearly define the term in the context of length is a complicated process as not only do short-short stories have different names, there is no fixity in terms of how short they must be or which style or form they deal with – ranging from myths and fables to serialized novels. However, works that are strictly 140 characters or less come under the subset of short-short stories and are popularly known as ‘140 stories,’ ‘short-shorts,’ and ‘very short stories.’ These are mostly published on social platforms like Twitter, Facebook, Tumblr and personal blogs to allow immediacy in writing, self-publishing, and reaching out to an audience. Restricting the work to this minimum character limit allows the writer to publish the work across different social platforms.Therefore, the underlining requirement of this form of literature is that it must be brief. This becomes the first and the most important
Detecting Two-Spirit erotics: The fiction of Carole laFavor.

Science.gov (United States)

Tatonetti, Lisa

2016-01-01

This article examines the life and novels of Carole laFavor, arguing for her importance to and influence in Two-Spirit studies. Along with being a writer, laFavor was a powerful voice for social justice and Indigenous health sovereignty in Minnesota and the nation. Her two novels, Along the Journey River and Evil Dead Center, which both focus on Anishinaabe lesbian detective protagonist Renee LaRoche, are the first lesbian detective fiction published by a Native author. Renee's embrace of a specifically Two-Spirit erotics anchors her to family and brings her tribal community a powerful healing when she employs her skills to protect her people from instances of racism, abuse, and injustice. This article, then, reads these novels as the first of an emerging genre of texts that claim an overtly Two-Spirit erotic as well as vital precursors to the present embrace of sovereign erotics in Indigenous studies.
PRACTICE OF USING DIFFERENT WAYS OF ANALYSIS OF A FICTION WORK AT LITERARY READING LESSONS

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Valeriy Syrotenko

2017-04-01

domestic situations. A fairy-tale by A. Dimarov “What people need a heart for” (the 3rd grade is examined through the prism of the analysis of the problem and theme: from defining a problem to the questions about this problem; from problem questions to problem tasks; from problem tasks to the searching work aimed at solving a certain problem. Therefore, some episodes are selected for the detailed analysis and brainstorming. And the work ends when the children receive a task to write a work-reflection “And do I know about my heart?” It is relevant to apply holistic analysis for literary works such as poetry by L. Kostenko, for instance “Autumn day” (4th grade. The choice of the way of analysis is stipulated by the difficulties schoolchildren are going to come across with poetry: appeal to the inner emotional world of a person, presence of a specific character of the hero etc. So when poetry is taught all attention is concentrated on finding the emotional charge of the poem, its voice-coloured palette, that assists in awakening in children’s hearts the corresponding feelings and associations. It is similar to the final work with a poetry book: making illustrations for lines that are accumulated in the memory. These recommendations will be useful for teachers and students in conducting literary reading lesson where different fiction works are studied; their semantic, expressive and genre signs are defined.
Two Systems for Automatic Music Genre Recognition

DEFF Research Database (Denmark)

Sturm, Bob L.

2012-01-01

We re-implement and test two state-of-the-art systems for automatic music genre classification; but unlike past works in this area, we look closer than ever before at their behavior. First, we look at specific instances where each system consistently applies the same wrong label across multiple...... trials of cross-validation. Second, we test the robustness of each system to spectral equalization. Finally, we test how well human subjects recognize the genres of music excerpts composed by each system to be highly genre representative. Our results suggest that neither high-performing system has...... a capacity to recognize music genre....
Multicolor-FICTION

Science.gov (United States)

Martín-Subero, José Ignacio; Chudoba, Ilse; Harder, Lana; Gesk, Stefan; Grote, Werner; Novo, Francisco Javier; Calasanz, María José; Siebert, Reiner

2002-01-01

Phenotypic and genotypic analyses of cells are increasingly essential for understanding pathogenetic mechanisms as well as for diagnosing and classifying malignancies and other diseases. We report a novel multicolor approach based on the FICTION (fluorescence immunophenotyping and interphase cytogenetics as a tool for the investigation of neoplasms) technique, which enables the simultaneous detection of morphological, immunophenotypic, and genetic characteristics of single cells. As prerequisite, multicolor interphase fluorescence in situ hybridization assays for B-cell non-Hodgkin’s lymphoma and anaplastic large-cell lymphoma have been developed. These assays allow the simultaneous detection of the most frequent primary chromosomal aberrations in these neoplasms, such as t(8;14), t(11;14), t(14;18), and t(3;14), and the various rearrangements of the ALK gene, respectively. To establish the multicolor FICTION technique, these assays were combined with the immunophenotypic detection of lineage- or tumor-specific antigens, namely CD20 and ALK, respectively. For evaluation of multicolor FICTION experiments, image acquisition was performed by automatic sequential capturing of multiple focal planes. Thus, three-dimensional information was obtained. The multicolor FICTION assays were applied to well-characterized lymphoma samples, proving the performance, validity, and diagnostic power of the technique. Future multicolor FICTION applications include the detection of preneoplastic lesions, early stage and minimal residual diseases, or micrometastases. PMID:12163366
Welsh Women's Industrial Fiction 1880-1910.

Science.gov (United States)

Bohata, Kirsti; Jones, Alexandra

2017-10-02

From the beginning of the genre, women writers have made a major contribution to the development of industrial writing. Although prevented from gaining first-hand experience of the coalface, Welsh women writers were amongst the first to try to fictionalize those heavy industries-coal and metal in the south, and slate in the north-which dominated the lives of the majority of the late nineteenth-century Welsh population. Treatment of industrial matter is generally fragmentary in this early women's writing; industrial imagery and metaphor may be used in novels that are not primarily "about" industry at all. Yet from c. 1880-1910, Welsh women writers made a significant-and hitherto critically neglected-attempt to make sense in literature of contemporary industrial Wales in powerful and innovative ways. This essay maps their contribution and considers anglophone Welsh women writers' adaptations and innovations of form (particularly romance) as they try to find a way of representing industrial landscapes, communities and the daily realities of industrial labour. It identifies the genesis in women's writing of tropes that would become central to later industrial fiction, including depictions of industrial accident, injury, death and disability. And it explores the representation of social relations (class, gender, ethnicity, sexuality) and conflict on this tumultuous, dangerous new stage.
Oral genres, argumentation and teaching

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Zilda G. O. Aquino

2015-02-01

Full Text Available This paper aims at dealing with issues related to language spoken in the classroom, focusing on discursive practices that highlight argumentation. We believe that the discussions that were made around genres, especially guided by the studies of Bakhtin and Text Linguistics, have been providing a breakthrough towards the necessity for the school to promote language teaching through the discursive genre approach. That is what we expect to be happening since both writing and spoken modalities deserve space in learning. We believe that oral genres demand that teachers acquire specific knowledge of the features of spoken language interaction that arise from its use in practical situations. Because these studies are recent among our researchers (not longer than three decades, they should still be very present in our discussions. In this paper, we focus on a specific genre of oral tradition – the debate. It is ideal for knowledge building and taking a stand at issues that arise in society, all of which is particularly important to the school. Besides contributing to the development of skills required by certain sociodiscursive practices, it is proposed that the teaching of argumentation in oral genres concentrate on the observation of selected strategies in interactions. We are particularly interested in interactions that emerge when one interaction party is trying to persuade the other. The corpus consists of the transcriptions of debates which occurred both in the classroom and in other contexts, such as the media. The methodological approach is done by identifying the arguments and their strategic use in specific situations. The theoretical discussion rests on the works of Orecchioni (2010, Marcuschi (2004, Dolz and Schneuwly (2004, Perelman and Olbrechts-Tyteca (1996 [1958], among others.
"Analysing Genre: Language Use in Professional Settings." A Review.

Science.gov (United States)

Drury, Helen

1995-01-01

"Analysing Genre," by Vijay K. Bhatia, is a timely addition to the literature on genre analysis in English for specific purposes. It is divided into three parts: the first provides theoretical background; the second explains how genre analysis works in different academic and professional settings; and the third exemplifies the…

Literacy competence based on fiction

DEFF Research Database (Denmark)

Broström, Stig

tool towards children's general Bildung and more specific development of literacy competence in the first years of school, in 2007 we carried out an investigation about fiction as a part of mother-tongue teaching and the process of children's learning to read. Via the investigation and general studies...... we want to get more knowledge ablout following questions: How to define fiction which holds a personal and language "Bildung"? How to define the importance of fiction related to children's literacy competence? What kind of fiction do teachers use? How do teachers mediate fiction, how and in what...... extend do teachers make use of drawing and play activities? How to find a balance between to maintain the aesthetical and narrative methods and expressions AND gaining a literacy competence? This paper has focus on the fourth question....
Étudier la science-fiction en France aujourd’hui

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Irène Langlet

2012-10-01

Full Text Available La science-fiction est une pratique intermédiatique reconnue dans la culture contemporaine mais discrète dans le monde universitaire. Ce contraste s’explique par l’histoire du genre et sa constitution progressive, dans notre pays, en « paralittérature », voire en « subculture ». Mais la situation évolue, grâce à des pratiques académiques en pleine recomposition disciplinaire, ainsi renouvellement des générations accentuant la porosité des barrières culturelles. Les perspectives qui peuvent en être tirées se déduisent de ce paysage complexe.
The Emotional Healing Efficacy of Romance Fiction for Undergraduates with Love-related Emotional Disturbance Problems: An Exploratory Research

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Chen Su-may Sheih

2014-12-01

Full Text Available Previous studies have revealed that emotional healing reading materials can sooth readers’ negative emotions. Among the various reading materials, the romance fiction is a genre of high healing efficacy for undergraduate students who encounter love-related emotional disturbance. To explore the problems they experience in love relationships and the emotional healing efficacy of romance fictions for such situations, this study first employed content analysis to identify a list of fictions that are considered of emotional healing efficacy. It continued to conduct an online survey to examine the emotional healing process in undergraduate students’ reading experiences. The results showed that undergraduate students often experienced one-sided love, ambiguous relationship, lack of intimacy, rivalry, conflict, and breakup. It also identified 18 Chinese romance titles that may assist the readers to go through the emotional healing stages of identification, catharsis, and insight. [Article content in Chinese
Wilde Rewound: Time-Travelling with Oscar in Recent Author Fictions

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Kirby Joris

2012-05-01

Full Text Available In the early 1980s historical figures in general – and writers from the past in particular – entered a kind of Golden Age thanks to fiction. Through various forms of semi-biographical novels and other narratives, they have, from that time forward, been enjoying a pampered life in a new genre called “the author-as-character” (Franssen and Hoenselaars 1999 or “author fictions” (Savu 2009 that reanimate them or conjure them up in a present that constantly seeks to reassert its link with the past. This is particularly true of Oscar Wilde’s life, for his disparate and colourful personality has been time and again re-appropriated in recent fiction. This article focuses on three of these contemporary fictional depictions: an epistolary novel, an epistolary website and a fictional interview, all three dealing with a fictionalised Oscar Wilde conversing with a contemporary author who is also an interviewer in his or her own way and right. Because they are very close to each other in terms of narration (i.e. impersonation and pastiche and subject, putting words in Wilde’s mouth as though they were his own, The Unauthorized Letters of Oscar Wilde, the website Dialogus, and Coffee with Oscar Wilde, represent three fascinating means of exploring how Oscar’s rebirth as a man and author actually takes place. Among the numerous fictional portraits of Oscar Wilde, I have thus chosen to pay particular attention to the depictions that are well anchored in the twentieth and twenty-first centuries and which do not, therefore, display a narrative that would merely take place during the fin de siècle, with only period-style people in period costume. By contrast, the three portraits are literal time-travelling narratives that endeavour to bridge the gap between past, present and future.
What genre theory does

DEFF Research Database (Denmark)

Andersen, Jack

2015-01-01

Purpose To provide a small overview of genre theory and its associated concepts and to show how genre theory has had its antecedents in certain parts of the social sciences and not in the humanities. Findings The chapter argues that the explanatory force of genre theory may be explained with its...... emphasis on everyday genres, de facto genres. Originality/value By providing an overview of genre theory, the chapter demonstrates the wealth and richness of forms of explanations in genre theory....
Der Sound der Roboter. Maschinenmenschen prägen den neuen Science-Fiction-Film – und das Kino erfindet für sie eine besondere Klangsignatur

NARCIS (Netherlands)

Mehring, F.

2017-01-01

Im Genre des Science-Fiction-Films zeichnet sich wieder einmal ein thematischer Wandel ab. Immer häufiger stellt sich die Frage: Wie werden in Zukunft die Begegnungen zwischen Menschen und intelligenten Maschinen aussehen, und wie werden sie inszeniert? Dabei scheint die geografische Nähe zwischen
YOUTH STUDIES – A SPECIFIC GENRE OF THE EMPIRICAL PARADIGM IN SOCIAL SCIENCES

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Agnė Dorelaitienė

2017-09-01

Full Text Available The article presents the situation of youth in contemporary society. Neoliberal economy, ageing society, rapid globalisation, technological changes, increase of social risk have prompted specific, historically unfamiliar, and fairly difficult to forecast social change. Social adaptation and construction of own identity are becoming challenging to youth as a specific social group in this period of great uncertainty, risk, and opportunities. Youth studies are referred to as one of the means to help understand the youth phenomenon and form the respective policy. Aim of the article is to reveal the role of youth studies as a specific interdisciplinary genre of the empirical-analytic paradigm in social sciences. Research objectives: (1 To identify the traditions of youth studies and differences between them; (2. To reveal the specific character of youth studies as an empirical paradigm in the contemporary context. Analysis of scientific sources and document analysis are used for achievement of the goal and objectives. Since the 20th century, youth studies have been developing as an independent research discipline and tradition. Perception of the notion of a young person has been changing along with development of the paradigmatic and methodological research traditions. Modernity has doubtlessly contributed to a young person finding his/her place in other age groups and putting an emphasis on the importance of youth as a specific social group. Recently, youth has been viewed as both the risk and the opportunity group. Although qualitative research, in particular, where youth emancipation is aspired, prevails in the contemporary research tradition, the empirical-analytic paradigm has not lost its relevance. The research has demonstrated that empirical-analytic paradigm is a specific genre of the youth studies characterised by quantitative approach and strong link to politics and practical situation of the phenomenon.
Fear and Madness: A Prelude for the Anthropological Study of Genre-Literature

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Bojan Žikić

2016-03-01

Full Text Available This paper represents a continuation of my previous analysis of the motive of the overlapping of spatial and/or temporal dislocation, with such a dislocation in a mental and/or real meaning, in the work of Stephen King. In this paper, I consider the same motive in the so-called genre literature. This label, referring to science fiction, fantasy and horror, is used to display the criteria that the form of cultural communication we commonly call "literature" has to fulfill in order to be subject to valid anthropological analysis and interpretation. Starting from the premise that – if we aspire to meaningful conclusions – the subject of research must be shared, or common, I have studied the genre usage of the mentioned motive in the communicational sense both in the context of New England’s literary tradition and sci-fi, fantasy and horror as such. The conclusions support some premises of anthropological theory: the necessity of existence of certain communicational resources common to individual creators and their audience, and the necessity of shared competence for the use of those resources.
Beneath sci-fi sound: primer, science fiction sound design, and American independent cinema

OpenAIRE

Johnston, Nessa

2012-01-01

Primer is a very low budget science-fiction film that deals with the subject of time travel; however, it looks and sounds quite distinctively different from other films associated with the genre. While Hollywood blockbuster sci-fi relies on “sound spectacle” as a key attraction, in contrast Primer sounds “lo-fi” and screen-centred, mixed to two channel stereo rather than the now industry-standard 5.1 surround sound. Although this is partly a consequence of the economics of its production, the...
Andrew Milner, ed., Tenses of Imagination: Raymond Williams on Science Fiction, Utopia and Dystopia.

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Antonis Balasopoulos

2011-03-01

Full Text Available Tenses of Imagination, an anthology of Raymond Williams’s writings on science fiction, utopia and dystopia is the seventh volume in the growing Ralahine Utopian Studies Series. It is also, in my view, something of a treasure. For it not only offers an illuminating compendium of Williams’s most important engagements, critical and creative, with SF, utopia and dystopia, but also furnishes us with a heretofore unavailable account of the long-term significance of these frequently spurned genres a...
The influence of game genre on Internet gaming disorder.

Science.gov (United States)

Na, Euihyeon; Choi, Inyoung; Lee, Taek-Ho; Lee, Hyeseon; Rho, Mi Jung; Cho, Hyun; Jung, Dong Jin; Kim, Dai-Jin

2017-06-29

Background and aims Although Internet gaming disorder (IGD) has been investigated in detail, minimal research has been conducted regarding the influence of different game genres on IGD. The aim of this study is to compare the characteristics of members of game genre-specific groups with IGD and to identify factors associated with IGD status in each group in a large sample of adults. Methods Internet games were categorized into four genres: real-time strategy games, massive multiplayer online role-playing games (MMORPG), sport games, and first-person shooter (FPS) games. Participants (n = 2,923) who usually played one of these games completed an anonymous online survey that collected sociodemographic, game usage pattern, and psychopathological assessment data. Results MMORPG and FPS game players more frequently met the criteria for IGD than participants in the other two groups. Differences between the IGD-suspected gamers within the genre-specific groups were observed for a few items, such as average game-playing time and the subscales of the behavioral activation system; however, the factors that contributed to the development of IGD within each game genre-specific group were found to be considerably different. Discussion and conclusions The findings of this study suggest that IGD is a stable psychiatric diagnosis encompassing users of a broad range of game genres. In addition, the development of strategies for the prevention of and early intervention on individuals at high risk for developing IGD may require consideration of the distinct characteristics identified as effective predictors of IGD in users of each game genre.
Narrative versus style: Effect of genre-typical events versus genre-typical filmic realizations on film viewers’ genre recognition

NARCIS (Netherlands)

Visch, V.; Tan, E.

2008-01-01

This study investigated whether film viewers recognize four basic genres (comic, drama, action and nonfiction) on the basis of genre-typical event cues or of genre-typical filmic realization cues of events. Event cues are similar to the narrative content of a film sequence, while filmic realization
Testimony, Documentary, Fiction

DEFF Research Database (Denmark)

Hansen, Hans Lauge

2017-01-01

to the memory of the Civil War and Francoist repression: the detective plot, the divided plotline between present and past, and metafictional reflections. But what role did it actually play in the development of the case of the stolen children? This paper studies the relation between different social discourses...... (testimony, fiction, investigative journalism, historiography) and different media (printed books, TV, cinema and theatre) in the development of the case, and explores the specific relation between documentary and fiction in this context. The article follows a line of dialogic interaction between social......This paper examines the remedialisation of the abduction of the children of “rojas” by the Francoist regime. In 2006 the Spanish author Benjamin Prado published Mala gente que camina, a novel that shares most of the characteristics of the fiction published after the turn of the millennium dedicated...
Fiction-reading for good or ill: eating disorders, interpretation and the case for creative bibliotherapy research.

Science.gov (United States)

Troscianko, Emily T

2018-04-21

Compared with self-help bibliotherapy, little is known about the efficacy of creative bibliotherapy or the mechanisms of its possible efficacy for eating disorders or any other mental health condition. It is clear, however, that fiction is widely used informally as a therapeutic or antitherapeutic tool and that it has considerable potential in both directions, with a possibly significant distinction between the effects of reading fiction about eating disorders (which may-contrary to theoretical predictions-be broadly negative in effect) or one's preferred genre of other fiction (which may be broadly positive). Research on creative bibliotherapy, especially systematic experimental research, is lacking and requires a medical humanities approach, drawing on knowledge and methods from psychology and cognitive literary studies as well as clinical disciplines to expand our understanding of how the dynamic processes of interpretation mediate between textual structures and characteristics of mental health and illness. © Article author(s) (or their employer(s) unless otherwise stated in the text of the article) 2018. All rights reserved. No commercial use is permitted unless otherwise expressly granted.
Iscenesættelse af genre

DEFF Research Database (Denmark)

Molbæk, Marie-Louise

2013-01-01

The focus of this article is on the concept of genre and how genre is represented in two learning materials. The article defines genre as a sociosemiotic phenomenon and terms the definition critical concept of genre. This is illustrated by a graphic circle model, which shows the aspects of the de......The focus of this article is on the concept of genre and how genre is represented in two learning materials. The article defines genre as a sociosemiotic phenomenon and terms the definition critical concept of genre. This is illustrated by a graphic circle model, which shows the aspects...... of the developing process of genre and the effects from and toward discourses.The article argues (a) that the school curriculum should include critical genre awareness and (b) that the circle model represents an understanding of aspects of genre which the students should be engaged in to achieve critical genre...... awareness. The critical genre awareness is defined as the awareness of the context of communication (the correlation between discourse, situation, purpose, other texts, author, recipient) and the ability to make use of this knowledge while consuming and writing generic texts.The article looks at the speech...
The Use of Genre-Specific Evaluation Criteria for Revision

Science.gov (United States)

Philippakos, Zoi A.; MacArthur, Charles A.

2016-01-01

Revision is a challenging step of the writing process and students often focus their attention to mechanics or grammar instead of making organizational and meaning changes. It is important for students to critically read and independently evaluate their work when revising. This practitioner article discusses the importance of genre-specific…
Genres of War

DEFF Research Database (Denmark)

Skouvig, Laura

2015-01-01

Purpose This chapter presents a case study of the communication of information in Copenhagen during the siege in 1807. The purpose of this chapter is to investigate how information was formed by different genres and how these genres relate to different genre systems. Finally, a purpose of this ch...
Desperate Housewives – fiction de toutes les fictions

OpenAIRE

Cros, Renan

2016-01-01

Fiction de toutes les fictions, Desperate Housewives, entre ironie et empathie, accumule et désarticule les codes du soap opera pour mettre sur l’écran l’imaginaire d’une nation. À partir d’un récit balisé, la série fait de la répétition un mode de lecture. Répétition des situations mais aussi répétition de fictions préexistantes, Desperate Housewives fait du feuilleton l’art de la répétition en célébrant la culture populaire américaine. Fiction of all fictions, Desperate Housewives, betwe...
Micromégas: Altered Body-Environment Scaling in Literary Fiction.

Science.gov (United States)

Dieguez, Sebastian

2016-01-01

Architectonic embodiment postulates a bidirectional link between bodily awareness and the architectural environment. The standard size and features of the human body, for instance, are thought to influence the structure of interiors and buildings, as well as their perception and appreciation. Whereas architectural practice and theory, the visual arts and more recently the cognitive sciences have explored this relationship of humans with their crafted environments, many fictional literary works have long experimented with alterations of body-environment scaling. This so-called Gulliver theme - popular in the science-fiction genre but also in children's literature and philosophical satire - reveals, as a recurrent thought-experiment, our preoccupation with proportions and our fascination for the infinitely small and large. Here I provide an overview of the altered scaling theme in literature, including classics such as Voltaire's Micromégas, Swift's Gulliver's Travels, Caroll's Alice, and Matheson's The Shrinking man, closely examining issues relevant to architectonic embodiment such as: bodily, perceptual, cognitive, affective, and social changes related to alterations in body size relative to people, objects and architectural environments. I next provide a taxonomy of the Gulliver theme and highlight its main psychological features, and then proceed to review relevant work from cognitive science. Although fictional alterations of body-environment scaling far outreach current possibilities in experimental research, I argue that the peripetiae and morals outlined in the literary realm, as products of the human imagination, provide a unique window into the folk-psychology of body and space.
The friends that game together: A folkloric expansion of textual poaching to genre farming for socialization in tabletop role-playing games

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Michael Robert Underwood

2009-03-01

Full Text Available Tabletop role-playing games (RPGs are a folkloric form for creating and reaffirming community bonds and performing identity. Gaming is used to communicate and perform cultural capital and identity through fictional narratives, functioning as a form of community building and/or personal expression. With quotations from ethnographic research over the course of 2 years, including interviews with several groups of gamers and participant observation, I examine the ways that players create and affirm social bonds. I return to Michel De Certeau's idea of textual poaching, as adapted by Henry Jenkins, to contrast with it a new concept of genre farming. As both platform for and object of genre farming, RPGs allow players to display cultural competence, create and reaffirm social ties, and seek entertainment in a collaborative fashion.

Fictional Names, Fictional Characters and Persons Referred to in Narrative Fiction

Czech Academy of Sciences Publication Activity Database

Koťátko, Petr

2017-01-01

Roč. 24, č. 3 (2017), s. 308-338 ISSN 1335-0668 Institutional support: RVO:67985955 Keywords : fictional name * literary character * fictional world * pretense Subject RIV: AA - Philosophy ; Religion OBOR OECD: Philosophy, History and Philosophy of science and technology
A concise culture review of Aboriginal and Australian fiction

Directory of Open Access Journals (Sweden)

Lončar-Vujnović Mirjana N.

2012-01-01

Full Text Available Interpreting the Australian fiction, we have suggested that some blossoming of this Australian genre happened during the nineteenth century, so in this review we have to start with some earlier works to express the cultural and poetical picture just unpretentious but completely. Firstly, it ought to be the Aboriginal literature which is of great importance to many both within Australia and internationally. This culture review will relate to the Aboriginal writing in English. The transformative survey of Aboriginal writing presents the stories and patterns of Australian culture and society in new ways, foregrounding and celebrating Indigenous experience and expression. It introduces powerful and creative individual voices as it also reveals a larger history of struggle, suffering and strength.
Understanding genre

DEFF Research Database (Denmark)

Auken, Sune

2018-01-01

of genres tends to naturalize them, thus leading to the question whether teaching genre is a conservative measure whereby the teacher, knowingly or unknowingly, naturalizes existing ideologies and power structures to the students. Drawing on these insights, the second, and shorter, part of the article...
The Pleasures of Reading Mystery Fiction and Mystery Readers’ Book Selection Behavior

Directory of Open Access Journals (Sweden)

Chiu-Yen Wu

2016-11-01

Full Text Available The mystery fiction is a popular pleasure reading genre in Taiwan. This article describes a grounded theory study that explored the reading pleasures and selection behavior of mystery fans. Based on the in-depth interview with 21 engaged mystery readers, this study identified seven types of reading pleasures, i.e., a sense of achievement from puzzle solving, feelings of amazement from the revelation of truths, satisfaction of curiosity for the unknown, a sense of compensation from seeing justice, senses of empathy and sympathy from identifying with the story characters, and the reflection of the social issues and values raised in the stories. The charms of mystery fiction may be systematically described by following four of Hudson’s (1910 conceptualization of fiction elements: i.e. the plot, characters, time and place, and the author’s view of life prevailed in the stories. In regards to readers’ selection behavior, this study identified four selection approaches commonly used by the experienced readers to discover works that possibly meet their expectations, i.e., the subgenre-oriented, author-oriented, series-oriented, and story-oriented approaches. In addition, six factors may influence readers’ selection of works, i.e., availability of expert comments, trust and confidence in the publishers, book award information, adaptation into movies or television, quality of translation, and first impression of the physical books.
Blockbuster genres in Danish independent film

DEFF Research Database (Denmark)

Hansen, Kim Toft

2013-01-01

is a certain reluctance towards supporting specific international blockbuster genres such as horror, the gangster drama and action film. Throughout the past decade, Danish independent cinema – motivated by for instance the alternative film school Super16 and self-governing film-milieus around Denmark – has...... genres and styles in the search for what is missing in Danish cinema. This works for some directors, principally, by directly reacting against the institutional and economic dominance and protectionism of primarily The Danish Film Institute. Indirectly, the some of the filmmakers seem to react against...... ‘what is allowed’ in Danish film culture. Thus, they actually define themselves as being non-mainstream by focussing on international mainstream genres. By way of examples from the Danish indie scene and interviews with noteworthy indie filmmakers, this article draws attention to a still fairly...
The fashion blog as genre

DEFF Research Database (Denmark)

Engholm, Ida; Hansen-Hansen, Erik

2013-01-01

Fashion as a phenomenon cannot be understood indepen- dently of the visual images and designed presentations that convey the content and forms of fashion. With the breakthrough of the digital media in the 2000s we were introduced to new ways of communicating and staging fashion where the blog...... in particular has established a new media culture for the distribution and exchange of potential fashion-based self-presentation forms and resulted in new design strategies. In this article, the fashion blog is presented as a specific genre that is charac- terised by remediating existing genre forms and combin......- ing them into new formats, where amateur bricolage approaches are combined with the reproduction of fam- iliar features from the established fashion media. The article presents four types of fashion blogs, each represent- ing a specific design strategy for presenting and interact- ing with fashion...
Ethical Design Fiction

DEFF Research Database (Denmark)

Jensen, Thessa; Vistisen, Peter

2017-01-01

In this paper we examine how ethical challenges can be approached in and through design fiction. To do so, we develop a new framework for analysis as well as creation of design fictions. Our main focus will be on design fiction within a strategical setting, connecting the notion of design fiction...
Text Genres in Information Organization

Science.gov (United States)

Nahotko, Marek

2016-01-01

Introduction: Text genres used by so-called information organizers in the processes of information organization in information systems were explored in this research. Method: The research employed text genre socio-functional analysis. Five genre groups in information organization were distinguished. Every genre group used in information…
Narrative versus Style: Effect of Genre Typical Events versus Genre Typical Filmic Realizations on Film Viewers' Genre Recognition

OpenAIRE

Visch, V.; Tan, E.

2008-01-01

This study investigated whether film viewers recognize four basic genres (comic, drama, action and nonfiction) on the basis of genre-typical event cues or of genretypical filmic realization cues of events. Event cues are similar to the narrative content of a film sequence, while filmic realization cues are similar to stylistic surface cues of a film sequence. It was predicted that genre recognition of short film fragments is cued more by filmic realization cues than by event cues. The results...
The use of genre analysis in the design of electronic meeting systems

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Pedro Antunes

2006-01-01

Full Text Available Introduction. Genre analysis is an approach to study communication patterns and thus it can be applied to the specific context of meetings. This research investigates the impact of genre analysis on the design of electronic meeting systems. Background. The primary goal of genre analysis is to understand how virtual communities use digital communication to collaborate. This knowledge is fundamental to inform IT design, particularly in areas where communication and informality are paramount. However, the research literature does not report any experiments where genre analysis has been used to inform electronic meeting system design. Problems. The paper tackles the following common problems found in current electronic meeting systems: (1 reduced organizational integration, neglecting many contextual cues and explaining factors necessary to make meeting outcomes usable within the organization; (2 lack of support to specific communities of users, stressing the dependency on a facilitator to configure and manage the technology; and (3 lack of support to meeting occurrences that span across long time periods. Conclusion. . The paper describes how genre analysis was used to develop electronic meeting systems for several organizations and meeting genres. It covers the complete design process, from genre elicitation to validation. The obtained results demonstrate that the genre approach produces electronic meeting systems focused on organizational integration, pre-configured to communities of users, supporting long-term usage and added organizational value.
Micromégas: Altered Body–Environment Scaling in Literary Fiction

Science.gov (United States)

Dieguez, Sebastian

2016-01-01

Architectonic embodiment postulates a bidirectional link between bodily awareness and the architectural environment. The standard size and features of the human body, for instance, are thought to influence the structure of interiors and buildings, as well as their perception and appreciation. Whereas architectural practice and theory, the visual arts and more recently the cognitive sciences have explored this relationship of humans with their crafted environments, many fictional literary works have long experimented with alterations of body–environment scaling. This so-called Gulliver theme – popular in the science-fiction genre but also in children’s literature and philosophical satire – reveals, as a recurrent thought-experiment, our preoccupation with proportions and our fascination for the infinitely small and large. Here I provide an overview of the altered scaling theme in literature, including classics such as Voltaire’s Micromégas, Swift’s Gulliver’s Travels, Caroll’s Alice, and Matheson’s The Shrinking man, closely examining issues relevant to architectonic embodiment such as: bodily, perceptual, cognitive, affective, and social changes related to alterations in body size relative to people, objects and architectural environments. I next provide a taxonomy of the Gulliver theme and highlight its main psychological features, and then proceed to review relevant work from cognitive science. Although fictional alterations of body-environment scaling far outreach current possibilities in experimental research, I argue that the peripetiae and morals outlined in the literary realm, as products of the human imagination, provide a unique window into the folk-psychology of body and space. PMID:27148156
Genre and contemporary Romantic Comedy

OpenAIRE

Woodyard, Andrew

2017-01-01

The aim of my thesis was to look at the evolution of the Romantic Comedy throughout the 1990s and early 2000s, to attempt to establish what changes occurred within the genre and how these changes influenced our understanding of genre theory as a whole. Through this discussion, I hoped to develop tools that could be used to examine different genres with varied historical records. My initial examination of genre theory showed that Genre History was one of the largest problems in the study of fi...
Australian Queer Science Fiction Fans.

Science.gov (United States)

Kerry, Stephen Craig

2017-10-23

Science fiction (sf) does more than provide a fleeting moment of entertainment; it has many personal and social functions. In addition to offering audiences "romantic escapism" (Gerrold, 1996, pp. 5-6), sf also enables the "postulation of an alternative reality from which to contemplate this one" (Gerrold, 1996, pp. 5-6); as such, it is especially important "for groups which have had limited stakes in the status quo" (Jenkins, 1995, p. 242). To date, no research has been undertaken on the relationship between Australian queers and sf fandom. This article reports the findings of an online survey and explores the psycho-social features of Australian queer sf fans and why they like the genre. While the characteristics of this sample mirror those of Australian queers generally, they also have slightly higher rates of mental illness and are far more likely to state they have "no religion." Furthermore, while enjoying the "sciency" (P10, bisexual woman) aspects of sf, Australian queers also like the "poignant metaphors for our own civilization" (P45, asexual man).
Science Fiction on Film.

Science.gov (United States)

Burmester, David

1985-01-01

Reviews science fiction films used in a science fiction class. Discusses feature films, short science fiction films, short story adaptations, original science fiction pieces and factual science films that enrich literature. (EL)
Genre, technology and embodied interaction: The evolution of digital game genres and motion gaming

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Andreas Gregersen

2011-11-01

Full Text Available Technology has been given relatively little attention in genre theory, but this article argues that material technologies can be important components in genre development. The argument is based on a historically informed analysis of digital games, with special attention paid to home console video games and recent genre developments within this domain commonly referred to as motion gaming. The main point is that digital game genres imply structured embodied activity. A constitutive element of digital game mediation is a control interface geared to player embodiment, and I propose the concept of ‘interaction modes’ to describe the coupling of technology and player embodiment and show how this can be integrated with genre theory. The resulting framework allows for increased attention to continuity and change in game and communication genres, material and digital technologies, and the related interaction modes.
Genre-dependent interaction of coherence and lexical cohesion in written discourse

NARCIS (Netherlands)

Berzlánovich, I.; Redeker, G.

2012-01-01

We investigate the interaction between coherence and lexical cohesion in expository and persuasive texts using seven encyclopedia texts and seven fundraising letters. We describe genre structure in terms of genre-specific moves and coherence structure with Rhetorical Structure Theory. For lexical
A Study on Emotional Healing Efficacy of Fiction for Undergraduate

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Chen Su-May Sheih

2014-01-01

Full Text Available In modern society, undergraduates may encounter multiple pressures and thus feel the sense of alienation, anxiety, disturbance and depression. For undergraduates, reading can be independently conducted without the intervention of an instructor; therefore, undergraduates who feel reluctant to expose private emotions to counselors can help themselves through the reading of emotional healing books. This is the application of bibliotherapy. Among various resources, fiction can serve as an appropriate emotional reading material. The researcher deployed semi-structured in-depth interview, and interviewed 21 undergraduates in Taipei City and Taipei County. This study is aimed to understand the kinds of fictions undergraduates read when they are upset and to analyze the emotional healing process of identification, catharsis, and insight so that the emotional healing efficacy can be evaluated. The findings showed that romance, realistic fiction, fantasy, martial arts novel, inspirational fiction, historical fiction, and science fiction can provide full process of emotional healing efficacy. However, detective fiction, online novel, psychological fiction, and horror fiction can only provide parts of the healing process. Besides, the healing efficacy of a specific fiction is different from reader to reader.
Socio-cognitive aspects of hedging in two legal discourse genres

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Holly Vass

2004-04-01

Full Text Available While there are many studies on hedging in a wide variety of disciplinary discourses, the field of Law, to date, has been largely overlooked. Moreover, most research on hedging approaches the phenomenon from either a textual or pragmatic perspective, and tends to compare the same genre across disciplines. By contrast, the objective of this study was to analyse hedging in two legal written discourse genres, namely U.S. Supreme Court opinions and American law review articles, from a comprehensive, socio-cognitive, intra-disciplinary perspective. Due to the essential roles of intuition and hedging competence in the identification of hedges, qualitative data gathering and interpretation techniques were used. Results indicate that differences between the two genres can be linked to certain prototypical features of the genres themselves, particularly context and communicative purposes. Therefore, it is possible to postulate that hedging is in fact genre-specific, at least insofar as legal genres are concerned. Further comparative research must be done to determine if the same is true in other fields as well.
Multimodal genres in textbooks: are students being schooled for visual literacy?

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Cláudia Graziano Paes de Barros

2012-11-01

Full Text Available In this paper, we discuss some issues involved in teaching and learning reading, especially schooling in visual literacy. We seek to observe the work developed with genres that combine verbal and visual languages, found in the reading activities of two high school textbook series for Portuguese language teaching. Our goal was to understand to what extent these activities contribute towards the development of reading skills needed to deal with the specificities of these genres. Therefore, we used the enunciative and discursive assumptions of the socio-historical approach of Bakhtin Circle, as well as the Social Semiotics perspective to understand multimodality. Data analysis revealed that the incidence of multimodal genres studied in the two textbook series is hardly representative. The didactic treatment these genres receive in reading activities does not favor the mobilization of specific reading skills and contributes little to students‟ visual literacy schooling.
Patterns of choices on video game genres and Internet addiction.

Science.gov (United States)

Floros, Georgios; Siomos, Konstantinos

2012-08-01

In this study, we attempt to identify motives pivotal in choices made regarding online and offline game genres and assess whether they are meaningful predictors of Internet addiction. A separate goal was to determine how an assessment of Internet-related cognitions compares to criteria-based research instruments on Internet addiction, and demonstrate its clinical usefulness. We are using data from a cross-sectional study of the entire adolescent student population aged 12-18 of the island of Kos. Results indicate that specific game genres and motives for choosing a game are important predictors of Internet addiction, even after accounting for sociodemographic and Internet-use-related variables. Gender differences are not statistically important when we account for genre choices and motives for choosing them. Boys' thought content tends to revolve more around their Internet use compared to girls. Several patterns of motives to play specific genres were identified with the help of a canonical correlation analysis, demonstrating the fact that the simple observation of overt behavior is not enough to deduce the meaning of these actions for the individual. Using multiple measures of online addiction, examining genre preferences and underlying motives for choosing a game can be helpful in reaching a better understanding of the individual game player.

Narrative versus Style : Effect of Genre Typical Events versus Genre Typical Filmic Realizations on Film Viewers' Genre Recognition

NARCIS (Netherlands)

Visch, V.; Tan, E.

2008-01-01

This study investigated whether film viewers recognize four basic genres (comic, drama, action and nonfiction) on the basis of genre-typical event cues or of genretypical filmic realization cues of events. Event cues are similar to the narrative content of a film sequence, while filmic realization
Genre and Interpretation

DEFF Research Database (Denmark)

Auken, Sune

2015-01-01

Despite the immensity of genre studies as well as studies in interpretation, our understanding of the relationship between genre and interpretation is sketchy at best. The article attempts to unravel some of intricacies of that relationship through an analysis of the generic interpretation carrie...
Guerre et genre

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Fabrice Virgili

2010-01-01

Full Text Available Ce mémoire d’habilitation à diriger des recherches comprend, sous le titre « Guerre et genre », trois volumes. Le rapport de synthèse (volume 3 retrace le parcours personnel et intellectuel de l’auteur autour de trois axes : Identités de genre et guerre, violence en temps de guerre, historiographie du genre. Le recueil (volume 2 comprend dix articles significatifs de ces thématiques. Enfin, le mémoire inédit (volume 1 porte sur les enfants nés de couple franco‑allemands pendant la Seconde ...
The World of Science Fiction.

Science.gov (United States)

Schwartz, Sheila

1971-01-01

Science fiction is discussed from the following standpoints: What Is Science Fiction?; The History of Science Fiction; and The Themes of Science Fiction. A list of films, books, and records about science fiction is given. (DB)
Genre theory in information studies

CERN Document Server

Andersen, Jack

2015-01-01

This book highlights the important role genre theory plays within information studies. It illustrates how modern genre studies inform and enrich the study of information, and conversely how the study of information makes its own independent contributions to the study of genre.
Fiction as an Introduction to Computer Science Research

Science.gov (United States)

Goldsmith, Judy; Mattei, Nicholas

2014-01-01

The undergraduate computer science curriculum is generally focused on skills and tools; most students are not exposed to much research in the field, and do not learn how to navigate the research literature. We describe how fiction reviews (and specifically science fiction) are used as a gateway to research reviews. Students learn a little about…
The Role of Narrative Fiction and Semi-Fiction in Organizational Studies

NARCIS (Netherlands)

G.M. Whiteman (Gail); N. Phillips (Nelson)

2006-01-01

textabstractIn this chapter, we discuss the use of narrative fiction and semi-fiction in organizational research and explore the strengths and weaknesses of these alternative approaches. We begin with an introduction reviewing the existing literature and clarifying what we mean by fiction and
City, marginalization, and violence in José B. Adolph's Mañana, las ratas. Between realism and science-fiction

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Rodja Bernardoni

2018-01-01

Full Text Available This paper aims to investigate the novel Mañana, las ratas by the peruvian-german author José Bernardo Adolph. Our intention is to analyze the book to point out how through cience-fiction, a literary genre usually considered as marginal, Adolph succeed in creating a text that, by representig the exclusionist dynamics and the conflicts between center and margin of peruvian urban society of the 70’s, unmask the true nature of Power and of its stategies.
Oral genres of humor : On the dialectic of genre knowledge and creative authoring

OpenAIRE

Kotthoff, Helga

2006-01-01

The article discusses humorous conversational activities (e.g. jokes, teasing, joint fantasizing) in the context of genre theory. The high degree of creativity, emergent construction and artistry typical of humor call for a flexible concept of genre which makes sense of modifications and transgressions in communicative processes. Some forms of conversational humor are generic, for example, standardized jokes, joint fantasizing or teasing. Other forms exploit our knowledge of serious genres an...
“They All Lived Happily Ever After. Obviously” : Realism and Utopia in Game of Thrones-Based Alternate Universe Fairy Tale Fan Fiction, Special Issue “Fairy Tale and its Uses in Contemporary New Media and Popular Culture,” Ed Claudia Schwabe

NARCIS (Netherlands)

Kustritz, A.M.

2016-01-01

Fan fiction alternate universe stories (AUs) that combine Game of Thrones characters and settings with fairy tale elements construct a dialogue between realism and wonder. Realism performs a number of functions in various genres, but becomes a particularly tricky concept to tie down in fantasy.
Fiction as Reconstruction of History: Narratives of the Civil War in American Literature

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Reinhard Isensee

2009-09-01

Full Text Available Even after more than 140 years the American Civil War continues to serve as a major source of inspiration for a plethora of literature in various genres. While only amounting to a brief period in American history in terms of years, this war has proved to be one of the central moments for defining the American nation since the second half of the nineteenth century. The facets of the Civil War, its protagonists, places, events, and political, social and cultural underpinnings seem to hold an ongoing fascination for both academic studies and fictional representations. Thus, it has been considered by many the most written-about war in the United States.
Of Men, Machines and Apocalypses: Masculine Anxieties in Indian Speculative Fiction

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Dibyadyuti Roy

2015-07-01

Full Text Available Exploding bombs embedded with catastrophic potential have remained central to our eschatological conceptualizations for more than a century. Future war fiction—a key sub-genre of speculative fiction—in building upon this obsession introduces us to unforeseen apocalyptic settings, which are brought forth through a nexus between gendered bodies and destructive military machinery. In underscoring the decidedly masculine nature of future war fiction, this article explores depictions of anxious postcolonial masculinity within the little-explored terrain of Indian speculative fiction. Apocalyptic settings in these texts, I argue, provide a topos for enacting postcolonial masculine anxieties, which are subsequently countered through making male bodies contingent on the volatile performances of destructive military technology. In utilizing R.W Connell’s conceptualization of “hegemonic masculinity,” I explore the reasons behind the emergence of postcolonial masculine insecurities, which, I argue, results from India’s colonial history and its continued legacy within the subcontinent. Finally, my examination of representative Indian speculative texts, namely Mainak Dhar’s Line of Control (2009 and Sami Ahmad Khan’s Red Jihad (2012 emphasizes that making hegemonic postcolonial masculinity contingent on the destructive capabilities of military technology results in unstable and threatening masculine performances; much like the unpredictable nature of war machinery highlighted in these texts.
Gothic Fiction Elements in Pedro Almodóvar’s The Skin I Live In (2011

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Jelena Pataki

2016-12-01

Full Text Available The aim of this paper is to explore the elements of Gothic fiction in the critically acclaimed Spanish director Pedro Almodóvar’s 2011 film The Skin I Live In. The film is often viewed as a distinctly modern piece of art in that it dwells on contemporary issues referring to complex ethical and moral dilemmas connected to genetic engineering and the disintegration of an individual’s identity. However, despite the undeniable presence of the said issues, the idea is to show that the film’s structure is in fact solidly built on a much older Gothic fiction matrix featuring many of its well-established, easily discernible motifs and conventions. Starting with the classic Gothic topos – a helpless heroine set in an eerie, claustrophobic architecture, and a grotesque atmosphere evoking a feeling of imminent doom – the paper will consider the film’s portrayal of concepts such as death, doubles, and dreams in order to show that the work of the Spanish director bears many similarities to the canonical Anglophone genre. Inevitably, the analysis will also examine the distinct parallel between Mary Shelley’s seminal Gothic fiction text, Frankenstein, and the contemporary counterparts of its mad scientist and his Creation embodied by Almodóvar’s Dr Robert Ledgard and his Vera.
City, marginalization, and violence in José B. Adolph's Mañana, las ratas. Between realism and science-fiction

OpenAIRE

Rodja Bernardoni

2018-01-01

This paper aims to investigate the novel Mañana, las ratas by the peruvian-german author José Bernardo Adolph. Our intention is to analyze the book to point out how through cience-fiction, a literary genre usually considered as marginal, Adolph succeed in creating a text that, by representig the exclusionist dynamics and the conflicts between center and margin of peruvian urban society of the 70’s, unmask the true nature of Power and of its stategies.
Fictional Marriage Proposal of Anonymous Astrakhan Khan

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Roman Hautala

2017-03-01

Full Text Available The following text is reproduced from a handwritten copy of the letter made by the Italian humanist Gian Vincenzo Pinelli (1535–1601 and contained in one codex of Ambrosiana Library in Milan (R 104 sup., fol. 194r [see the description of the codex in: 3, no. 341. p. 125]. This codex (588 folios contains Italian and Latin texts of the 16th century of extremely diverse content, which does not allow to determe neither the name of the author of the reproduced letter, nor the date of its writing. Nevertheless, a reference to the name of “Luther” in the letter suggests that it must have been written in the 16th century and an indication of the main purpose of the letter – matchmaking to anonymous queen – makes it possible to put forward quite a bold (but, for now, unproven hypothesis that this letter might be addressed to approximates of the Polish Queen Bona Sforza and the widow of King Sigismund I the Old starting with the April 1, 1548. Following this hypothesis, the alleged author of the letter could be the ruler of Astrakhan Yamgurchi or the Crimean khan Sahib Giray. However, this assumption remains only a hypothesis, and the author of this article hopes that future researchers will be able to identify both the author of the letter and its recipients. Be that as it may, this letter is of undoubtedly fictitious character since it does not indicate the name of its author and the date of writing and obviously differs from official form of the Tatar rulers’ letters. Undoubtedly, this letter refers to the literary genre of fictional letters of the rulers, which became extremely popular in Europe since the second half of the 15th century. As an illustration of this genre, the author of this article presents a “letter” of the Turkish sultan to the Tatars and their “response” from the fictional collection of “Letters of the Great Turk” [1, fol. 18r] of Laudivius Hierosolymitanus, which was a relatively widespread in Europe in the
Reading literary fiction improves theory of mind.

Science.gov (United States)

Kidd, David Comer; Castano, Emanuele

2013-10-18

Understanding others' mental states is a crucial skill that enables the complex social relationships that characterize human societies. Yet little research has investigated what fosters this skill, which is known as Theory of Mind (ToM), in adults. We present five experiments showing that reading literary fiction led to better performance on tests of affective ToM (experiments 1 to 5) and cognitive ToM (experiments 4 and 5) compared with reading nonfiction (experiments 1), popular fiction (experiments 2 to 5), or nothing at all (experiments 2 and 5). Specifically, these results show that reading literary fiction temporarily enhances ToM. More broadly, they suggest that ToM may be influenced by engagement with works of art.
Mimesis, fiction, paradoxes

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Françoise Lavocat

2010-04-01

Full Text Available Les théories contemporaines de la fiction, comme les poétiques de la Renaissance, privilégient une conception de la mimesis fondée sur la vraisemblance : la démonstration du profit cognitif et moral de la fiction passe toujours par une définition de l’imitation (de quelque façon qu’on la définisse fondée sur la rationalité. L’auteur de cet article examine tout d’abord le statut des contradictions et de l’impossible chez quelques théoriciens actuels (principalement J.-M. Schaeffer, M.-L. Ryan, L. Doležel et poéticiens du 16e siècle (L. Castelvetro et F. Patrizi. Sont ensuite étudiées la forme et la fonction que prend l’impossible dans trois fictions narratives de la Renaissance. L’hypothèse majeure qui est défendue est que ces paradoxes permettent de penser le non-existant, dans la continuité de la scolastique médiévale et en relation avec une problématique religieuse, sérieuse ou parodique. Par là même, et en raison de leur auto-référentialité constitutive, les paradoxes inscrivent dans la fiction une réflexion sur elle-même qui n’a rien d’une apologie. La pensée de la fiction s’articule en définitive de façon bien différente dans les théories et dans les fictions elles-mêmes.Like Renaissance poetics, contemporary theories of fiction do favour a conception of mimesis based on likelihood. In order to underscore the benefits of fiction, in terms of cognition or ethics, both ancient and present-day authors usually identify imitation (however this is understood as a kind of rationality. The aim of this article is to question the status of contradictions and impossibilities, first in current theories of fiction (J-M Schaeffer, M.-L. Ryan, L. Doležel, then in two sixteenth century comments of Aristotle (by L. Castelvetro and F. Patrizi. In the following steps, forms and functions of the impossible are studied in three narratives of the Renaissance. The main hypothesis here is the following: in
College Course File: Studies in Genre--Horror.

Science.gov (United States)

Olson, Scott R.

1996-01-01

States that a Studies in Genre course essentially explores genre theory with the "hook" of a particular popular genre (in this case, horror) that serves as case study and exemplar for more general theories of genre. Describes the course's modular design so it can be expanded into other genres as time passes. Discusses each unit's…
Genre: Language, Context, and Literacy.

Science.gov (United States)

Hyland, Ken

2002-01-01

Focuses on genre and its application in language teaching and learning. Suggests genre approaches have had an impact on how we understand discourse and transform literacy education in different contexts around the world. Describes studies on generic integrity and variation, and the ways that genres are seen as similar and different in terms of…
Automatic Genre Classification of Musical Signals

Science.gov (United States)

Barbedo, Jayme Garcia sArnal; Lopes, Amauri

2006-12-01

We present a strategy to perform automatic genre classification of musical signals. The technique divides the signals into 21.3 milliseconds frames, from which 4 features are extracted. The values of each feature are treated over 1-second analysis segments. Some statistical results of the features along each analysis segment are used to determine a vector of summary features that characterizes the respective segment. Next, a classification procedure uses those vectors to differentiate between genres. The classification procedure has two main characteristics: (1) a very wide and deep taxonomy, which allows a very meticulous comparison between different genres, and (2) a wide pairwise comparison of genres, which allows emphasizing the differences between each pair of genres. The procedure points out the genre that best fits the characteristics of each segment. The final classification of the signal is given by the genre that appears more times along all signal segments. The approach has shown very good accuracy even for the lowest layers of the hierarchical structure.

Teaching Science Fiction by Women.

Science.gov (United States)

Donawerth, Jane

1990-01-01

Reviews the 200-year-old tradition of women science fiction authors. Discusses the benefits of teaching science fiction written by women. Describes 5 science fiction short stories and 5 science fiction novels suitable for high school students. (RS)
“I Stand Out Like a Raven”: Depicting the Female Detective and Tudor History in Nancy Bilyeau’s The Crown

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Beyer Charlotte

2017-06-01

Full Text Available This article examines the portrayal of female identity and crime in the Tudor period in Nancy Bilyeau’s contemporary historical crime fiction novel, The Crown (2012. Featuring a female detective figure, Joanna Stafford, Bilyeau’s novel forms part of the wealth of contemporary fiction using Tudor history as context, reflecting a continued interest in and fascination with this period and its prominent figures. This article examines Bilyeau’s representation of the Tudor period in The Crown through the depiction of English society and culture from a contemporary perspective, employing genre fiction in order to highlight issues of criminality. My investigation of The Crown as crime fiction specifically involves analysing gender-political questions and their portrayal within the novel and its tumultuous historical context. This investigation furthermore explores the depiction of agency, individuality, religion, and politics. The article concludes that Bilyeau’s suspense-filled novel provides an imaginative representation of Tudor history through the prism of the crime fiction genre. Central to this project is its employment of a resourceful and complex female detective figure at the heart of the narrative.
Jordan Krall's speculative fiction

DEFF Research Database (Denmark)

Doubinsky, Sebastien

2017-01-01

Jordan Krall is one of the most interesting writers in American speculative fiction. This article studies the way Krall redefines the tropes and frames of classical dystopian fiction and references, turning them into an idiosyncratic construction.......Jordan Krall is one of the most interesting writers in American speculative fiction. This article studies the way Krall redefines the tropes and frames of classical dystopian fiction and references, turning them into an idiosyncratic construction....
Deceived by orchids: sex, science, fiction and Darwin.

Science.gov (United States)

Endersby, Jim

2016-06-01

Between 1916 and 1927, botanists in several countries independently resolved three problems that had mystified earlier naturalists - including Charles Darwin: how did the many species of orchid that did not produce nectar persuade insects to pollinate them? Why did some orchid flowers seem to mimic insects? And why should a native British orchid suffer 'attacks' from a bee? Half a century after Darwin's death, these three mysteries were shown to be aspects of a phenomenon now known as pseudocopulation, whereby male insects are deceived into attempting to mate with the orchid's flowers, which mimic female insects; the males then carry the flower's pollen with them when they move on to try the next deceptive orchid. Early twentieth-century botanists were able to see what their predecessors had not because orchids (along with other plants) had undergone an imaginative re-creation: Darwin's science was appropriated by popular interpreters of science, including the novelist Grant Allen; then H.G. Wells imagined orchids as killers (inspiring a number of imitators), to produce a genre of orchid stories that reflected significant cultural shifts, not least in the presentation of female sexuality. It was only after these changes that scientists were able to see plants as equipped with agency, actively able to pursue their own, cunning reproductive strategies - and to outwit animals in the process. This paper traces the movement of a set of ideas that were created in a context that was recognizably scientific; they then became popular non-fiction, then popular fiction, and then inspired a new science, which in turn inspired a new generation of fiction writers. Long after clear barriers between elite and popular science had supposedly been established in the early twentieth century, they remained porous because a variety of imaginative writers kept destabilizing them. The fluidity of the boundaries between makers, interpreters and publics of scientific knowledge was a highly
[Asperger syndrome in contemporary fictions].

Science.gov (United States)

Pourre, F; Aubert, E; Andanson, J; Raynaud, J-P

2012-12-01

During recent years, fictions featuring a character with Asperger syndrome have been increasingly produced in literature, cinema and TV. Thus, the public has gradually discovered the existence of this specific category of autism spectrum, which is far removed from old popular representations of autistic disorders, often associated with mental retardation. To describe the reactions generated by these characters in order to identify their major functions and also to try to explain their recent increase in fictions. First, we explored international publications concerning this topic. A group of experienced clinicians systematically examined works of fiction produced between 2000 and 2010 that included a character with Asperger syndrome. More than 30 productions have been identified and analyzed using a method adapted from focus group. Over 30 productions have been recorded and analyzed. The reactions generated by these characters are described. They range from fascination to empathy; if these heroes sometimes induce laughter (because of comedy situations), they also lead us to question our vision of the world and ask ourselves about notions such as difference, normality and tolerance. We illustrate this phenomenon with examples from literature, cinema or television. Four hypotheses are proposed trying to explain the recent multiplication of these fictional characters with Asperger syndrome. The first puts forward authors' informative and educational motivations, these authors being aware of this issue. The second is supported by the "hero" concept, which has evolved gradually into the figures of the scientific world and the so-called "Geek" community. The third hypothesis, a metaphorical one, considers these heroes as symbols of a future society: a hyper systematized society, devoid of empathy, as if to warn of a risk of evolution of humanity toward a generalized mental blindness. The fourth and last hypothesis explores the personal resonance, supported by
The remediation of the fan convention: Understanding the emerging genre of cosplay music videos

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Nicolle Lamerichs

2015-03-01

Full Text Available Through cosplay (costume play, fans perform existing fictional characters in self-created costumes, thereby enriching and extending popular narratives. Cosplay is an understudied form of appropriation that transforms and actualizes an existing story or game in close connection to the fan community and the fan's own identity. Although the costume can be experienced firsthand at convention sites, it is also remediated in photography, thereby extending its potential audience and performative possibilities. In the rich emerging genre of cosplay music videos, commonly shot and produced at convention sites, fans juxtapose different cosplayers and texts. Informed by work on other fan videos, such as machinima, I propose a reading of a selected corpus of videos to analyze the dynamics of costume culture as it transcends the convention grounds.
The Representation of Immigrants in Spanish television fiction. A proposal for a Content Analysis. El Comisario y Hospital Central

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Dra. Elena Galán Fajardo

2006-01-01

Full Text Available Spanish society is getting more and more multicultural. Demographys has changed considerably. Anyway, hegemonic media, especially televisión fiction as one of the most demanded genres on prime-time, avoiding or just showing them into ilegality, exclusion or margination plots. This research analyzes the image of immigrants in the plots of two of the Spanish workplace series with more audience nowadays. They were from 1999 to 2005. Using a content analyses these series has been estudied and the stereotypes used has been observed. In addition, the results of this study has been compared with the information from the Spanish National Institute of Statistics to show similarities and differences with the results obtained of the reality in the same temporary period. Finally, it has been observed a massive employment of negative stereotypes assigned to the image of the immigrant in both series and a correlation between reality and fiction.
Genre-Based Tasks in Foreign Language Writing: Developing Writers' Genre Awareness, Linguistic Knowledge, and Writing Competence

Science.gov (United States)

Yasuda, Sachiko

2011-01-01

This study examines how novice foreign language (FL) writers develop their genre awareness, linguistic knowledge, and writing competence in a genre-based writing course that incorporates email-writing tasks. To define genre, the study draws on systemic functional linguistics (SFL) that sees language as a resource for making meaning in a particular…
Fiction and Organization Studies

NARCIS (Netherlands)

Savage, P. (Paul); J.P. Cornelissen (Joep); Franck, H. (Henrika)

2017-01-01

textabstractThe topic of fiction is in itself not new to the domain of organization studies. However, prior research has often separated fiction from the reality of organizations and used fiction metaphorically or as a figurative source to describe and interpret organizations. In this article, we go
Genre-based Pedagogy: A case of an Iranian ESP Business Management course

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Hadis Toufani Asl

2015-11-01

Full Text Available Genre-based instruction has been latterly a very common method used in language courses. In spite of the various research conducted on academic genres, there are still very few studies which examine the learners’ perceptions of genre-based pedagogy, particularly in courses like English for Specific Purposes (ESP. Therefore, the present study aimed at considering the Sophomore Business Management learners’ perspective on genre instruction in their ESP course, at the University of Tehran. The focuses of the present study were the focal genres of textbook and teaching method in terms of the content feature. The data was collected by means of both quantitative and qualitative instruments which were subject to both statistical analysis and constant comparative method of qualitative analysis. Results of the study revealed that the practice of genres were relevant to some of the learners’ subsequent academic and non-academic performance. Furthermore, the results regarding the questionnaire section indicated that a number of learners could apply the genre features and they were conscious of them. By and large, it was concluded that the explicit instruction together with the provision of more English-mediated content courses, for practices outside of the classroom, can have a higher impact on ESP programs. Keywords: ESP, genre-based pedagogy, content, textbook, teaching method, activities, learners’ perception
Jean Painlevé : de la science à la fiction scientifique.

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Florence Riou

2009-12-01

Full Text Available Si l'image documentaire, et à fortiori l'image scientifique est encore souvent perçue comme la réalité elle-même, elle n'est cependant qu’interprétation. Nous nous proposons ici, par une approche issue de l'histoire des techniques, d'interroger la construction des images liées à la pratique de biologiste. La mise en formes de ces images est tout à la fois le reflet de l'expérimentateur, de l'instrument, et celui de la connaissance de l'époque. Mais dans un désir de partage de la science au plus grand nombre, elles soulèvent aussi la question du lien existant entre science et fiction. Jean Painlevé (1902-1989, réalisateur et scientifique usant du cinématographe, met l'accent sur ce point dès les années trente. Conscient de notre tendance naturelle à l'anthropomorphisme, il souligne la nécessité d'une éducation du regard pour plus d'indépendance et d'esprit critique vis à vis des images. Et, en tirant du contenu scientifique lui même la substance et la dramaturgie de ses histoires, il propose une mise en fiction de la science qui renouvelle le genre documentaire.
Beyond Flash Gordon and "Star Wars": Science Fiction and History Instruction

Science.gov (United States)

Cooper, B. Lee

1978-01-01

Historical concepts can be taught through analysis of science fiction. Offers a class outline with science fiction resources to examine the boundaries of historical inquiry; six themes for student investigation based on specific resources; and a bibliography of 44 additional anthologies and books. (AV)
THE PROBLEM OF GENRE DEFINING WORKS OF D.DEFOE AND J.SWIFT

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M. A. Maslova

2014-01-01

Full Text Available The article addresses the question of genre specifics of works D.Defoe and J.Swift. Novels of English writers of the 18th century are presented as a synthesis of various genre models: travel, adventure, philosophical novel, an allegorical parable, satire, utopia. The emphasis is on the analysis of the philosophical content of the novels.
Research insights and insides:"Science-in-Fiction" as a contribution to the Third Culture Concepts.

Science.gov (United States)

Erren, Thomas C; Falaturi, Puran

2009-05-01

Here we suggest to encourage more "Science-In-Fiction" [SIF], a genre which has been explored by Carl Djerassi since the late 1980s with the intent to convey science in writing beyond traditional publication categories and "to smuggle scientific facts into the consciousness of a scientifically illiterate public". In our view, SIF can serve 3 purposes: (a) inform the public at large about scientific findings, ethics and procedures; (b) infuse lay readers with interest in scientific endeavours; (c) enable the general population to better evaluate and judge scientific conduct, results and implications. While it would be desirable to have more scientists write about their own (like Watson and Maguejo) and others' discoveries (like Voltaire and Perutz), this expectation is not realistic. Indeed, some scientists may not want to share and write about their experiences and others simply should not. As one recipe for informing the lay public and instigating interest in research insights and insides, science-in-fiction such as Dr. Djerassi's novels could be written and read. This may contribute to the The Third Culture Concepts envisaged by Snow in the 1960s and elaborated by Brockman in 1995.
Science Fiction & Scientific Literacy

Science.gov (United States)

Czerneda, Julie E.

2006-01-01

The term "science fiction" has become synonymous, in the media at least, for any discovery in science too incredible or unexpected for the nonscientist to imagine. One of the most common classroom uses of science fiction is for students to pick out flaws in science fiction movies or television shows. Unfortunately, this approach can result in…
Klasifikasi Lagu Berdasarkan Genre pada Format WAV

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Nurmiyati Tamatjita

2014-07-01

Abstract Music genre is getting complex from time to time. As the size of digital media grows along with amount of data, manual search of digital audio files according to its genre is considered impractical and inefficient; therefore a classification mechanism is needed to improve searching. Zero Crossing Rate (ZCR, Average Energy (E and Silent Ratio (SR are a few of features that can be extracted from digital audio files to classify its genre. This research conducted to classify digital audio (songs into 12 genres: Ballad, Blues, Classic, Harmony, Hip Hop, Jazz, Keroncong, Latin, Pop, Electronic, Reggae and Rock using above mentioned features, extracted from WAV audio files. Classification is performed several times using selected 3, 6, 9 and 12 genres respectively. The result shows that classification of 3 music genres (Ballad, Blues, Classic has the highest accuracy (96.67%, followed by 6 genres (Ballad, Blues, Classic, Harmony, Hip Hop, Jazz with 70%, and 9 genres (Ballad, Blues, Classic, Harmony, Hip Hop, Jazz, Keroncong, Latin, Pop with 53.33% accuracy. Classification of all 12 music genres yields the lowest accuracy of 33.33%. Keywords— Zero Crossing Rate (ZCR, Average Energy (E, Silent Ratio (SR, Euclidean Distance
Transferring Generic Features and Recontextualizing Genre Awareness: Understanding Writing Performance in the ESP Genre-Based Literacy Framework

Science.gov (United States)

Cheng, An

2007-01-01

Despite the impact of the ESP genre-based framework of teaching discipline-specific writing to L2 learners, especially to L2 graduate students, the writing performance of learners in such a framework is still not fully explored. In this paper, I analyze three article introductions written by a Chinese-speaking graduate student in electrical…
Genre Complexes in Popular Music.

Science.gov (United States)

Silver, Daniel; Lee, Monica; Childress, C Clayton

2016-01-01

Recent work in the sociology of music suggests a declining importance of genre categories. Yet other work in this research stream and in the sociology of classification argues for the continued prevalence of genres as a meaningful tool through which creators, critics and consumers focus their attention in the topology of available works. Building from work in the study of categories and categorization we examine how boundary strength and internal differentiation structure the genre pairings of some 3 million musicians and groups. Using a range of network-based and statistical techniques, we uncover three musical "complexes," which are collectively constituted by 16 smaller genre communities. Our analysis shows that the musical universe is not monolithically organized but rather composed of multiple worlds that are differently structured-i.e., uncentered, single-centered, and multi-centered.
High on Crime Fiction and Detection

DEFF Research Database (Denmark)

Grodal, Torben Kragh

2010-01-01

how crime fiction activates strong salience (in some respects similar to the effect of dopamine-drugs like cocaine, Ritalin, and amphetamine) and discusses the role of social intelligence in crime fiction. It further contrasts the unempathic classical detector fictions with two subtypes of crime...... fiction that blend seeking with other emotions: the hardboiled crime fiction that blends detection with action and hot emotions like anger and bonding, and the moral crime fiction that strongly evokes moral disgust and contempt, often in conjunction with detectors that perform hard to fake signals...
Revisiting Inter-Genre Similarity

DEFF Research Database (Denmark)

Sturm, Bob L.; Gouyon, Fabien

2013-01-01

We revisit the idea of ``inter-genre similarity'' (IGS) for machine learning in general, and music genre recognition in particular. We show analytically that the probability of error for IGS is higher than naive Bayes classification with zero-one loss (NB). We show empirically that IGS does...... not perform well, even for data that satisfies all its assumptions....

Psychologizing the Semantics of Fiction

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John Woods

2010-04-01

Full Text Available Psychologiser la sémantique de la fictionLes théoriciens sémantistes de la fiction cherchent typiquement à expliquer nos relations sémantiques au fictionnel dans le contexte plus général des théories de la référence, privilégiant une explication de la sémantique sur le psychologique. Dans cet article, nous défendons une dépendance inverse. Par l’éclaircissement de nos relations psychologiques au fictionnel, nous trouverons un guide pour savoir comment développer une sémantique de la fiction. S’ensuivra une esquisse de la sémantique.Semantic theorists of fiction typically look for an account of our semantic relations to the fictional within general-purpose theories of reference, privileging an explanation of the semantic over the psychological. In this paper, we counsel a reverse dependency. In sorting out our psychological relations to the fictional, there is useful guidance about how to proceed with the semantics of fiction. A sketch of the semantics follows.
Genre Complexes in Popular Music

Science.gov (United States)

Childress, C. Clayton

2016-01-01

Recent work in the sociology of music suggests a declining importance of genre categories. Yet other work in this research stream and in the sociology of classification argues for the continued prevalence of genres as a meaningful tool through which creators, critics and consumers focus their attention in the topology of available works. Building from work in the study of categories and categorization we examine how boundary strength and internal differentiation structure the genre pairings of some 3 million musicians and groups. Using a range of network-based and statistical techniques, we uncover three musical “complexes,” which are collectively constituted by 16 smaller genre communities. Our analysis shows that the musical universe is not monolithically organized but rather composed of multiple worlds that are differently structured—i.e., uncentered, single-centered, and multi-centered. PMID:27203852
The paradox of fiction: Emotional response toward fiction and the modulatory role of self-relevance.

Science.gov (United States)

Sperduti, Marco; Arcangeli, Margherita; Makowski, Dominique; Wantzen, Prany; Zalla, Tiziana; Lemaire, Stéphane; Dokic, Jérôme; Pelletier, Jérôme; Piolino, Pascale

2016-03-01

For over forty years, philosophers have struggled with the "paradox of fiction", which is the issue of how we can get emotionally involved with fictional characters and events. The few neuroscientific studies investigating the distinction between the processing of real and fictional entities have evidenced that midline cortical structures and lateral fronto-parietal regions are more engaged for real and fictional entities, respectively. Interestingly, the former network is engaged in autobiographical memory retrieval and self-reference, processes that are known to boost emotional reactivity, while the latter underpins emotion regulation. Thus, a possible modulation of the emotional response according to the nature (real or fictional) of the stimulus is conceivable. To test this hypothesis, we presented short emotional (negative and positive) and neutral video as fictional or real. For negative material, we found that subjective emotional experience, but not physiological arousal measured by electrodermal activity, was reduced in the fictional condition. Moreover, the amount of personal memories linked to the scenes counteracted this effect boosting the subjective emotional response. On the contrary, personal memories elicited by the scenes, but not fiction, modulate the emotional response for positive material. These results suggest that when a stimulus triggers a personal memory, the emotional response is less prone to be modulated by contextual factors, and suggest that personal engagement could be responsible for emotional reaction toward fiction. We discuss these results in the emotion regulation framework and underline their implications in informing theoretical accounts of emotion in the neuroscientific domain and the philosophical debate on the paradox of emotional response to fiction. Copyright © 2016. Published by Elsevier B.V.
Predicting film genres with implicit ideals

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Andrew McGregor Olney

2013-01-01

Full Text Available We present a new approach to defining film genre based on implicit ideals. When viewers rate the likability of a film, they indirectly express their ideal of what a film should be. Across six studies we investigate the category structure that emerges from likability ratings and the category structure that emerges from the features of film. We further compare these data-driven category structures with human annotated film genres. We conclude that film genres are structured more around ideals than around features of film. This finding lends experimental support to the notion that film genres are set of shifting, fuzzy, and highly contextualized psychological categories.
Predicting film genres with implicit ideals.

Science.gov (United States)

Olney, Andrew McGregor

2012-01-01

We present a new approach to defining film genre based on implicit ideals. When viewers rate the likability of a film, they indirectly express their ideal of what a film should be. Across six studies we investigate the category structure that emerges from likability ratings and the category structure that emerges from the features of film. We further compare these data-driven category structures with human annotated film genres. We conclude that film genres are structured more around ideals than around features of film. This finding lends experimental support to the notion that film genres are set of shifting, fuzzy, and highly contextualized psychological categories.
RAPE CASES: GENRE AND RHETORICAL ANALYSIS OF CONTROVERSIAL MALAYSIAN LEGAL JUDGEMENTS

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Maya Khemlani David

2016-12-01

Full Text Available Kachru and Smith (2008 emphasize that effectual communication in the context in which different varieties of world English are used, entails awareness of the varieties in use and their cultural, social, and ideational functions. Court reports by Malaysian Judges are part of legal documents, which may be considered as a genre. Investigating the linguistic details of these reports may be helpful in understanding the argumentative and persuasive strategies used in these judgments. The issue of rape and justice is an important concern in society. The aim of this study is to investigate Malaysian judgment reports in the English language on rape cases from a linguistic perspective. Specifically, the aim of the study is to identify court of appeal judgment reports of rape cases as a Genre and to identify the moves used in this genre. The moves within the genre were identified by studying two controversial reports which showed that the judgments might suffer from relying on pathos argumentation in one critical move.
Historical Fiction as a Mixture of History and Romance: Towards the Genre Definition of the Historical Novel

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Nagy Ladislav

2014-09-01

Full Text Available This article focuses on Walter Scott’s Waverley and its classification as the founding text of the historical novel by Georg Lukacs. The author attempts to show that Lukacs takes Scott too much at his word and posits Waverley in the tradition of the English historical novel as it developed from Defoe and Fielding, while neglecting the close ties that Waverley has with marginalized genres such as romance. The author also argues that rather than being an expression of class consciousness, Waverley is an attempt to justify a certain change in political attitude, from radicalism to conservatism
Fiction and Non-Fiction Reading and Comprehension in Preferred Books

Science.gov (United States)

Topping, Keith J.

2015-01-01

Are the books preferred and most enjoyed by children harder than other books they read? Are non-fiction books read and understood at the same level of difficulty as fiction books? The Accelerated Reader software offers computerized comprehension quizzes of real books individually chosen by children, giving children (and teachers, librarians, and…
Science Fiction and Science Education.

Science.gov (United States)

Cavanaugh, Terence

2002-01-01

Uses science fiction films such as "Jurassic Park" or "Anaconda" to teach science concepts while fostering student interest. Advocates science fiction as a teaching tool to improve learning and motivation. Describes how to use science fiction in the classroom with the sample activity Twister. (YDS)
Fictional Separation Logic

DEFF Research Database (Denmark)

Jensen, Jonas Buhrkal; Birkedal, Lars

2012-01-01

, separation means physical separation. In this paper, we introduce \\emph{fictional separation logic}, which includes more general forms of fictional separating conjunctions P * Q, where "*" does not require physical separation, but may also be used in situations where the memory resources described by P and Q...
Fan fiction, early Greece, and the historicity of canon

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Ahuvia Kahane

2016-03-01

Full Text Available The historicity of canon is considered with an emphasis on contemporary fan fiction and early Greek oral epic traditions. The essay explores the idea of canon by highlighting historical variance, exposing wider conceptual isomorphisms, and formulating a revised notion of canonicity. Based on an analysis of canon in early Greece, the discussion moves away from the idea of canon as a set of valued works and toward canon as a practice of containment in response to inherent states of surplus. This view of canon is applied to the practice of fan fiction, reestablishing the idea of canonicity in fluid production environments within a revised, historically specific understanding in early oral traditions on the one hand and in digital cultures and fan fiction on the other. Several examples of early epigraphic Greek texts embedded in oral environments are analyzed and assessed in terms of their implications for an understanding of fan fiction and its modern contexts.
Англомовна література жахів: еволюція жанру

OpenAIRE

Раті, Андріана Олександрівна

2013-01-01

The article analyses the evolution of horror fiction genre, underlines the basic diachronic aspect and emphasizes the main typical features and principles of horror genre functioning, discusses the correlation between gothic and horror literature and touches upon the role of mystics in the process of creating horror fiction. Moreover, the article dwells upon the physical and cognitive emotions, that are evoked in readers by horror fiction and studies the roots of their appearance in the recip...
Jeu et fiction dans un jeu de cartes à collectionner : le cas de Magic : l’Assemblée

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Pierre Cuvelier

2011-06-01

Full Text Available Le genre du jeu de cartes à collectionner apparaît en 1993 avec Magic : l’Assemblée de Richard Garfield. Si la plupart des émules de Magic sont des jeux dérivés d’univers de licence comme Pokémon, Magic se fondait sur un univers de fantasy inédit, enrichi par des extensions successives, et dont les cartes restent le principal vecteur. Je me propose ici de réfléchir sur les rapports qui se nouent entre le jeu et la fiction dans Magic, et d’examiner les contraintes, le fonctionnement et les principaux procédés fictionnels propres à ce support singulier. Magic fait partie des jeux à composante fictionnelle forte, dont les règles comportent un caractère mimétique certain, bien que limité. Les différents éléments d’une même carte et les cartes entre elles fonctionnent comme des fragments qui se combinent pour pointer vers une réalité fictive qui, bien que conçue par l’éditeur sur le modèle des univers de licence à forte cohérence (notamment les récentes fictions transmédiatiques, laisse à rêver aux joueurs par les blancs et les ambiguïtés inhérentes à cette articulation entre jeu et fiction. Les tâtonnements de l’éditeur au fil des extensions sont riches d’enseignements sur les possibilités et les limites d’un tel support, où la fiction narrative linéaire doit laisser place, à petite échelle, à une fiction plus structurelle, prenant la forme d’environnements mis en tension plutôt que de narrations linéaires.
Amateur mythographies: Fan fiction and the myth of myth

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Ika Willis

2016-03-01

Full Text Available This paper draws on classical scholarship on myth in order to critically examine three ways in which scholars and fans have articulated a relationship between fan fiction and myth. These are (1 the notion of fan fiction as a form of folk culture, reclaiming popular story from corporate ownership; (2 the notion of myth as counterhegemonic, often feminist, discourse; (3 the notion of myth as a commons of story and a universal story world. I argue that the first notion depends on an implicit primitivizing of fan fiction and myth, which draws ultimately on the work of Gottfried von Herder in the 18th century and limits our ability to produce historically and politically nuanced understandings of fan fiction. The second notion, which is visible in the work of Henry Jenkins and Constance Penley, is more helpful because of its attention to the politics of narration. However, it is the third model of myth, as a universal story world, where we find the richest crossover between fan fiction's creative power and contemporary classical scholarship on myth, especially in relation to Sarah Iles Johnston's analysis of hyperserial narrative. I demonstrate this through some close readings of fan fiction from the Greek and Roman Mythology fandom on Archive of Our Own. I conclude the paper by extending Johnston's arguments to show that fan-fictional hyperseriality, specifically, can be seen as mythic because it intervenes not only in the narrative worlds of its source materials but also in the social world of its telling.
The Wearing Out of Genre Materials

Science.gov (United States)

Russ, Joanna

1971-01-01

Scenes and plots wear out in three distinct stages: Innocence, Plausibility, and Decadence. Examines westerns, spy stories, nurse novels, detective stories, science fiction, pornography, avant-garde fiction, etc. (Author/RB)
The genre of everyday life

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Tzvetan Todorov

2012-01-01

Full Text Available The present essay shows the new genres of the seventeenth century Dutch painting (portrait, landscape and genre painting, viewed as painting of everyday life, as an alternative proposition to the historical painting then dominant in the academic categorization. What used to be marginal, peripheral and of secondary importance became the main motif in the majority of Dutch painting. Minor genres came to prominence and acquired autonomous status. The interest in the elements of everyday life could be traced in European art earlier but it was the seventeenth century Dutch artists that ultimately led “low” and realistic subject themes to come into their own commercially and artistically. Occasionally, even religious themes were presented as genre scenes, thus introducing to the presented images an air of ambivalence. In the works of Dutch painters, the uniqueness of high subject themes was opposed by pictures of everyday life and the repetitiveness of everyday domestic activities, not shunning, however, the allegorical potential contained in some of the depictions.
Variable discursive constructions of three genres of science ...

African Journals Online (AJOL)

The present study reports on a comparison of the research article, university textbook and science news article as a preamble to capturing ideological differences between these three genres of scientific writing. The linguistic dimension to the comparison relies on Systemic Functional Linguistics, specifically the ...
On the Breath of a Cloud (Young Adult Literature).

Science.gov (United States)

Beers, Kylene; Lesesne, Teri

1996-01-01

Argues that students of all ages respond to the mystery, possibility, and adventure of science fiction and fantasy and should not be discouraged from reading in these genres under the pretense that they are "less grown up" than more "realistic" genres. Reviews a number of good science fiction books published from 1994-95. (TB)
What If?: Writing Exercises for Fiction Writers. Revised and Expanded Edition.

Science.gov (United States)

Bernays, Anne; Painter, Pamela

This book is designed to be a how-to-write-fiction guide that is long on specifics and short on theoretical material. Each section of the book deals with a separate element of fiction--characterization, dialogue, point of view, plot, etc. Every exercise in the book is introduced in an opening paragraph, followed by instructions for completing the…
The Instructional Text like a Textual Genre

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Adiane Fogali Marinello

2011-07-01

Full Text Available This article analyses the instructional text as a textual genre and is part of the research called Reading and text production from the textual genre perspective, done at Universidade de Caxias do Sul, Campus Universitário da Região dos Vinhedos. Firstly, some theoretical assumptions about textual genre are presented, then, the instructional text is characterized. After that an instructional text is analyzed and, finally, some activities related to reading and writing of the mentioned genre directed to High School and University students are suggested.

Stranger than fiction: Fan identity in cosplay

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Nicolle Lamerichs

2011-09-01

Full Text Available Academic accounts of fan cultures usually focus on creative practices such as fan fiction, fan videos, and fan art. Through these practices, fans, as an active audience, closely interpret existing texts and rework them with texts of their own. A practice scarcely examined is cosplay ("costume play", in which fans produce their own costumes inspired by fictional characters. Cosplay is a form of appropriation that transforms and actualizes an existing story in close connection to the fan community and the fan's own identity. I provide analytical insights into this fan practice, focusing on how it influences the subject. Cosplay is understood as a performative activity and analyzed through Judith Butler's concept of performativity. I specifically focus on boundaries between the body and dress, and on those between reality and fiction. I aim to show that cosplay emphasizes the personal enactment of a narrative, thereby offering new perspectives on fan identity.
Science in Science Fiction.

Science.gov (United States)

Allday, Jonathan

2003-01-01

Offers some suggestions as to how science fiction, especially television science fiction programs such as "Star Trek" and "Star Wars", can be drawn into physics lessons to illuminate some interesting issues. (Author/KHR)
How Musical Instrumentation Affects Perceptual Identification of Musical Genres

OpenAIRE

Brene, Sofia; Thome, Carl

2014-01-01

A listening experiment was conducted to investigate which musical instruments are the most important for defining certain musical genres. 66 participants genre classified a series of audio samples, with the same songs recurring both with full instrumentation and partial instrumentation. The report used the collected genre classifications to clarify therelationship between certain musical genres and song instrumentation. A numericalanalysis of the classifications, in the context of genre tradi...
Genre Identification of Very Brief Musical Excerpts

Science.gov (United States)

Mace, Sandra T.; Wagoner, Cynthia L.; Teachout, David J.; Hodges, Donald A.

2012-01-01

The purpose of this study was to examine how well individuals were able to identify different music genres from very brief excerpts and whether musical training, gender and preference played a role in genre identification. Listeners were asked to identify genre from classical, jazz, country, metal, and rap/hip hop excerpts that were 125, 250, 500,…
Food and beverage cues in children's television programmes: the influence of programme genre.

Science.gov (United States)

Scully, Paul; Reid, Orlaith; Macken, Alan; Healy, Mark; Saunders, Jean; Leddin, Des; Cullen, Walter; Dunne, Colum; O'Gorman, Clodagh S

2016-03-01

The link between childhood obesity and both television viewing and television advertising have previously been examined. We sought to investigate the frequency and type of food and beverage placements in children-specific television broadcasts and, in particular, differences between programme genres. Content of five weekdays of children-specific television broadcasting on both UK (BBC) and Irish (RTE) television channels was summarized. Food and beverage placements were coded based on type of product, product placement, product use and characters involved. A comparison was made between different programme genres: animated, cartoon, child-specific, film, quiz, tween and young persons' programming. A total of 1155 (BBC=450; RTE=705) cues were recorded giving a cue every 4·2 min, an average of 12·3 s/cue. The genre with most cues recorded was cartoon programming (30·8%). For the majority of genres, cues related to sweet snacks (range 1·8-23·3%) and sweets/candy (range 3·6-25·8%) featured highly. Fast-food (18·0%) and sugar-sweetened beverage (42·3%) cues were observed in a high proportion of tween programming. Celebratory/social motivation factors (range 10-40 %) were most common across all genres while there were low proportions of cues based on reward, punishment or health-related motivating factors. The study provides evidence for the prominence of energy-dense/nutrient-poor foods and beverages in children's programming. Of particular interest is the high prevalence of fast-food and sugar-sweetened beverage cues associated with tween programming. These results further emphasize the need for programme makers to provide a healthier image of foods and beverages in children's television.
Hybrid Fictionality and Vicarious Narrative Experience

DEFF Research Database (Denmark)

Hatavara, Mari Annukka; Mildorf, Jarmila

2017-01-01

This article discusses the recent trends in Fictionality Studies and argues for a point of view focusing more on the narrative dimension of fictionality than on the fictive story content. With the analysis of two case studies, where a non-fictional third person narrator represents the experience...... with other minds travel between fictional and nonfictional narratives, and between stories artistically designed and those occurring in conversational or documentary environments....
Science Fiction Exhibits as STEM Gateways

Science.gov (United States)

Robie, Samantha

Women continue to hold less than a quarter of all STEM jobs in the United States, prompting many museums to develop programs and exhibits with the express goal of interesting young girls in scientific fields. At the same time, a number of recent museum exhibits have harnessed the popularity of pop culture and science fiction in order to interest general audiences in STEM subject matter, as well as using the exhibits as springboards to expand or shift mission goals and focus. Because science fiction appears to be successful at raising interest in STEM fields, it may be an effective way to garner the interest of young girls in STEM in particular. This research seeks to describe the ways in which museums are currently using science fiction exhibits to interest young girls in STEM fields and careers. Research focused on four institutions across the country hosting three separate exhibits, and included staff interviews and content analysis of exhibit descriptions, promotional materials, a summative evaluation and supplementary exhibit productions. In some ways, science fiction exhibits do serve young girls, primarily through the inclusion of female role models, staff awareness, and prototype testing to ensure interactives are attractive to girls as well as to boys. However, STEM appears to be underutilized, which may be partly due to a concern within the field that the outcome of targeting a specific gender could be construed as "stereotyping".
Acoustic Features Influence Musical Choices Across Multiple Genres.

Science.gov (United States)

Barone, Michael D; Bansal, Jotthi; Woolhouse, Matthew H

2017-01-01

Based on a large behavioral dataset of music downloads, two analyses investigate whether the acoustic features of listeners' preferred musical genres influence their choice of tracks within non-preferred, secondary musical styles. Analysis 1 identifies feature distributions for pairs of genre-defined subgroups that are distinct. Using correlation analysis, these distributions are used to test the degree of similarity between subgroups' main genres and the other music within their download collections. Analysis 2 explores the issue of main-to-secondary genre influence through the production of 10 feature-influence matrices, one per acoustic feature, in which cell values indicate the percentage change in features for genres and subgroups compared to overall population averages. In total, 10 acoustic features and 10 genre-defined subgroups are explored within the two analyses. Results strongly indicate that the acoustic features of people's main genres influence the tracks they download within non-preferred, secondary musical styles. The nature of this influence and its possible actuating mechanisms are discussed with respect to research on musical preference, personality, and statistical learning.
An Anthology as a Representative Genre in Contemporary Ukrainian Literature

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Olena Haleta

2013-12-01

Full Text Available In this article is analyzed a history and functions of an anthology in a modern Ukrainian literature from the last quarter of the 19th c. to the beginning of the 21st. An anthology is treated as a literary and anthropological project which is characterized by recasting of original materials and specific politics of its re-arangement. It proposes a new cultural value hierarchy, defines a literary field and the rules of its organization. As a form of literary self-representation an anthology participates in a process of forming a literary tradition and canon, its diversification up to the emergence of anti-canon; it intensifies a work of cultural memory, represents new literary genres and styles and also indicates an appearance of diaspora as a model of cultural citizenship. Numerous anthological projects also stress spacial, performative, subjective, gender, erotical, somatic, and oneirological aspects of creative writing; they rethink a very nature of literature as a creative experiment and as a social action in a context of mass culture and new media development. This allows us to consider the literary anthology as a way of a literary self-reflection and as a separate meta-genre in modern Ukrainian literature. The main genre-defining anthological qualities are such as selectivity, double methonimity, integrity and an ability to create new cultural values. The history of anthology as a specific meta-genre helps us to understand the general pecularities of modenr and postmodern literature, its structure and principles of development, its key problems and challanges and also its the most important achievements.
BYLINA AS A LITERARY GENRE

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Olga V. Zakharova

2015-11-01

Full Text Available The bylina is a Russian epic song about the bogatyrs. Diff erent genre transformations of bylinas are known in folklore: prosaic narrations [pobyval’shchiny], bogatyr tales, legends about the bogatyrs, lubok tales about the feats of the bogatyrs and knights. In the early 19th century, Russian literature was actively absorbing epic images and motives: the bogatyrs were turning into characters of novellas, literary tales, poems, novels, operas. Some poets and writers were attempting to develop the bylina as a literary genre. Their genre search was a creative imitation of Th e Tale of Igor’s Campaign [“Slovo o polku Igoreve”] published in 1800 and in some cases of the Collection of Kirsha Danilov (1804. One of the first attempts was Gavrila R. Derzhavin’s work Dobrynya, Dramatic Musical Performance in Five Acts [“Dobrynya, teatral’noe predstavlenie s muzykoyu, v pyati deystviyakh”, 1804]. Glorifying the idea of the state, the poet composes a work where epic and literary characters act and the plot is derived not only from bylinas and tales, but also from chivalric novels. In Stepan S. Andreev’s poem Levsil, a Russian Bogatyr [“Levsil, russkiy bogatyr’”, 1807] the hero is not only a folkloric (epic and fabulous character, but also a literary one. Alexander F. Veltman’s novel Koshchei the Immortal. A Bylina of the Old Times [“Koshchey bessmertnyy. Bylina starogo vremeni”, 1833] was an ingenious genre experiment. The word ‘bylina’ was used in its title in the literary genre meaning for the fi rst time ever. The genre of Easter novella Ilya Muromets. A Tale from the Rus’ of the Bogatyrs [“Il’ya Muromets. Skazka Rusi bogatyrskyi”, 1836] by Vladimir I. Dahl emerged from a complicated interaction of the tale, the bylina, the Old Russian novella and the hagiography. The literary transformations of folkloric genre stemmed from the authors’ imaginative need to create a national and historical myth
Music Genre Classification Systems - A Computational Approach

DEFF Research Database (Denmark)

Ahrendt, Peter

2006-01-01

Automatic music genre classification is the classification of a piece of music into its corresponding genre (such as jazz or rock) by a computer. It is considered to be a cornerstone of the research area Music Information Retrieval (MIR) and closely linked to the other areas in MIR. It is thought...... that MIR will be a key element in the processing, searching and retrieval of digital music in the near future. This dissertation is concerned with music genre classification systems and in particular systems which use the raw audio signal as input to estimate the corresponding genre. This is in contrast...... to systems which use e.g. a symbolic representation or textual information about the music. The approach to music genre classification systems has here been system-oriented. In other words, all the different aspects of the systems have been considered and it is emphasized that the systems should...
The Creation, Evolution and Aftermath of Lovecraftian Horror

OpenAIRE

Ghodrati, Negin

2013-01-01

There is a newly-coined genre of horror literature called “Lovecraftian horror.” However, this type of horror has been lurking in modern horror fiction and various productions of arts and entertainment for over half a century. H. P. Lovecraft—whom the genre is named after—was one of the undeniable masters of modern horror fiction. He created a unique form of horror referred to as “cosmic horror” which is the main ingredient for the creation of this genre of horror. This thesis introduces and ...
Family Resemblances: Human Reproductive Cloning as an Example for Reconsidering the Mutual Relationships between Bioethics and Science Fiction.

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Hansen, Solveig L

2018-03-08

In the traditions of narrative ethics and casuistry, stories have a well-established role. Specifically, illness narratives provide insight into patients' perspectives and histories. However, because they tend to see fiction as an aesthetic endeavour, practitioners in these traditions often do not realize that fictional stories are valuable moral sources of their own. In this paper I employ two arguments to show the mutual relationship between bioethics and fiction, specifically, science fiction. First, both discourses use imagination to set a scene and determine a perspective. Second, bioethics and science fiction share the family resemblance of expressing moral beliefs. I then consider how understanding bioethics and science fiction as interrelated discourses can be the basis of a methodology for inquiry into relational autonomy in the context of biotechnologies and medicine. As an example of this methodology, I analyse Fay Weldon's novel The Cloning of Joanna May (1989).
Video genre classification using multimodal features

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Jin, Sung Ho; Bae, Tae Meon; Choo, Jin Ho; Ro, Yong Man

2003-12-01

We propose a video genre classification method using multimodal features. The proposed method is applied for the preprocessing of automatic video summarization or the retrieval and classification of broadcasting video contents. Through a statistical analysis of low-level and middle-level audio-visual features in video, the proposed method can achieve good performance in classifying several broadcasting genres such as cartoon, drama, music video, news, and sports. In this paper, we adopt MPEG-7 audio-visual descriptors as multimodal features of video contents and evaluate the performance of the classification by feeding the features into a decision tree-based classifier which is trained by CART. The experimental results show that the proposed method can recognize several broadcasting video genres with a high accuracy and the classification performance with multimodal features is superior to the one with unimodal features in the genre classification.
Thinking about television science: How students understand the nature of science from different program genres

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Dhingra, Koshi

2003-02-01

Student views on the nature of science are shaped by a variety of out-of-school forces and television-mediated science is a significant force. To attempt to achieve a science for all, we need to recognize and understand the diverse messages about science that students access and think about on a regular basis. In this work I examine how high school students think about science that is mediated by four different program genres on television: documentary, magazine-format programming, network news, and dramatic or fictional programming. The following categories of findings are discussed: the ethics and validity of science, final form science, science as portrayed by its practitioners, and school science and television science. Student perceptions of the nature of science depicted on the program sample used in this study ranged from seeing science as comprising tentative knowledge claims to seeing science as a fixed body of facts.
Handedness and "Open-Earedness": Strong Right-Handers Are Less Likely to Prefer Less Popular Musical Genres

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Christman, Stephen D.

2013-01-01

Research shows that strong right-handedness is associated with decreased cognitive flexibility and decreased tendencies to update beliefs, arising from decreased interhemispheric interaction. In the current study, strong right-handedness was associated with decreased overall liking of less popular musical genres (with the specific genres of…
Genre and ..

DEFF Research Database (Denmark)

these connections in a series of articles that each analyzes the relationship between genre and one other central scholarly concept: conversation, rhetoric, categorization, paratext, interpretation etc., with examples spanning from Sherlock Holmes and avantgardistic literature to car commercials. The authors...
Corporate Fictions

DEFF Research Database (Denmark)

Staunæs, Dorthe; Søndergaard, D. M.

2006-01-01

The article describes a particular strategy of communication called a social science fiction. The strategy was taken up following an empirical research project on gender and management, in order to communicate results to the company's managers and Human Resource Staff. The research results showed...... fiction was the kind of narrative therapy, which aims to reconfigure the problem in focus by a process of externalisation that allows a reconstruction and retelling of the issue. The article describes how three cultural mechanisms in the company were condensed into three imaginary figures: Mr. Corporate...
Fiction: Simulation of Social Worlds.

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Oatley, Keith

2016-08-01

Fiction is the simulation of selves in interaction. People who read it improve their understanding of others. This effect is especially marked with literary fiction, which also enables people to change themselves. These effects are due partly to the process of engagement in stories, which includes making inferences and becoming emotionally involved, and partly to the contents of fiction, which include complex characters and circumstances that we might not encounter in daily life. Fiction can be thought of as a form of consciousness of selves and others that can be passed from an author to a reader or spectator, and can be internalized to augment everyday cognition. Copyright © 2016 Elsevier Ltd. All rights reserved.
Reading Comprehension Course Through a Genre-Oriented Approach at a School in Colombia

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Andrés Rodríguez Sánchez

2017-07-01

Full Text Available This paper reports on an action-research study aimed at identifying the problems and needs of a specific group of tenth graders at a school in Colombia in relation to their reading comprehension in English in order to design, partially implement, and evaluate a genre-oriented syllabus. Findings show that the explicit instruction of metacognitive strategies helped students become more efficient readers, as well as the fact that the exposure and analysis of genres developed a better comprehension of different kinds of texts, making these students aware of the structure and patterns of the texts they were reading as they approached them with reading strategies that were appropriate for each genre and stage.

Auditory profiles of classical, jazz, and rock musicians: Genre-specific sensitivity to musical sound features

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Mari eTervaniemi

2016-01-01

Full Text Available When compared with individuals without explicit training in music, adult musicians have facilitated neural functions in several modalities. They also display structural changes in various brain areas, these changes corresponding to the intensity and duration of their musical training. Previous studies have focused on investigating musicians with training in Western classical music. However, musicians involved in different musical genres may display highly differentiated auditory profiles according to the demands set by their genre, i.e. varying importance of different musical sound features. This hypothesis was tested in a novel melody paradigm including deviants in tuning, timbre, rhythm, melody transpositions, and melody contour. Using this paradigm while the participants were watching a silent video and instructed to ignore the sounds, we compared classical, jazz, and rock musicians’ and non-musicians’ accuracy of neural encoding of the melody. In all groups of participants, all deviants elicited an MMN response, which is a cortical index of deviance discrimination. The strength of the MMN and the subsequent attentional P3a responses reflected the importance of various sound features in each music genre: these automatic brain responses were selectively enhanced to deviants in tuning (classical musicians, timing (classical and jazz musicians, transposition (jazz musicians, and melody contour (jazz and rock musicians. Taken together, these results indicate that musicians with different training history have highly specialized cortical reactivity to sounds which violate the neural template for melody content.
Auditory Profiles of Classical, Jazz, and Rock Musicians: Genre-Specific Sensitivity to Musical Sound Features.

Science.gov (United States)

Tervaniemi, Mari; Janhunen, Lauri; Kruck, Stefanie; Putkinen, Vesa; Huotilainen, Minna

2015-01-01

When compared with individuals without explicit training in music, adult musicians have facilitated neural functions in several modalities. They also display structural changes in various brain areas, these changes corresponding to the intensity and duration of their musical training. Previous studies have focused on investigating musicians with training in Western classical music. However, musicians involved in different musical genres may display highly differentiated auditory profiles according to the demands set by their genre, i.e., varying importance of different musical sound features. This hypothesis was tested in a novel melody paradigm including deviants in tuning, timbre, rhythm, melody transpositions, and melody contour. Using this paradigm while the participants were watching a silent video and instructed to ignore the sounds, we compared classical, jazz, and rock musicians' and non-musicians' accuracy of neural encoding of the melody. In all groups of participants, all deviants elicited an MMN response, which is a cortical index of deviance discrimination. The strength of the MMN and the subsequent attentional P3a responses reflected the importance of various sound features in each music genre: these automatic brain responses were selectively enhanced to deviants in tuning (classical musicians), timing (classical and jazz musicians), transposition (jazz musicians), and melody contour (jazz and rock musicians). Taken together, these results indicate that musicians with different training history have highly specialized cortical reactivity to sounds which violate the neural template for melody content.
War in Contemporary Danish Children's Literature

DEFF Research Database (Denmark)

Skyggebjerg, Anna Karlskov

are in various genres from novels to non-fiction picture books, and they are made with several purposes from entertainment to classroom reading. They depict war in many ways and they address child readers at different levels. What they have in common is an ambition of realism and sharing of knowledge (or...... 2008), theory about the construction of childhood in children’s literature (for instance Hans-Heino Ewers 2001, Nina Christensen 2012) and genre theory focussed on the relation between fiction and non-fiction in children’s literature (Nina Goga 2008)....
Alternative Genres in Information Systems Research

DEFF Research Database (Denmark)

Avital, Michel; Mathiassen, Lars; Schultze, Ulrike

2017-01-01

discuss thenature of the academic article genre and the role of alternative ways of writing.We also introduce the six exemplars of alternative genres in the special issue,namely conversation, French new novel, meditation, memoir, allegory, andcrowdsourced research. We highlight key insights....... Furthermore, we wishto encourage Information Systems (IS) scholars to leverage a wider array ofalternative genres to present their research in order to develop new insights onsubject matters of interest to the IS discipline, as well as expand on howcontemporary and emergent phenomena of interest are conceived...... and contemplate theirimplications for current and future IS research....
Final Summary: Genre Theory in Information Studies

DEFF Research Database (Denmark)

Andersen, Jack

2015-01-01

Purpose This chapter offers a re-description of knowledge organization in light of genre and activity theory. Knowledge organization needs a new description in order to account for those activities and practices constituting and causing concrete knowledge organization activity. Genre and activity...... informing and shaping concrete forms of knowledge organization activity. With this, we are able to understand how knowledge organization activity also contributes to construct genre and activity systems and not only aid them....
Improving Readability in an Explicit Genre-Based Approach: The Case of an EFL Workplace Context

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Albino, Gabriel

2017-01-01

The present study investigates how learners of English as a foreign language (EFL) improve the readability of their texts in an explicit genre-based approach that is utilized in an oil and gas exploration workplace in Angola. By drawing on the English for Specific Purposes and Systemic Functional Linguistics genre traditions, the study engages 18…
GENRE ANALYSIS IN TEACHING ENGLISH FOR PROFESSIONAL COMMUNICATION

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Klaudia Valdmanová

2014-03-01

Full Text Available During their studies of general English at secondary school students obtain knowledge of the forms and meaning of words used in everyday situations, knowledge of grammatical components and frequently occurring language functions. Then they enroll in university to study a profession. English for Professional Communication is usually a part of their curriculum. Within it, they need to acquire communicative competence enabling them to enter a discourse community of experts. In addition to learning the terminology used in a profession they have to acquire sociolingual and discourse competences as well including generic one. It is a challenge that English teachers face when they decide to enclose authentic genres into their teaching materials. This paper presents suggestions how written genres can be used in teaching English for nurses. Most of the discourse and genre analyses relate to face-to-face doctor-patient encounters and nurses´ computer-mediated communications. To my knowledge, less attention has been given to written genres of the nursing discourse. Therefore the paper presents the most important concepts of genre, explains the roles of genre in organizational communication and gives a brief description of the discourse community of nurses and ways it uses task-oriented and patient-oriented genres as mechanisms of interaction.It also explains the purpose of individual genres. In the process of creating materials for learning professional English one of the most important tasks is the selection of suitable texts as they should meet learners´ needs and represent texts used in practice. I consider a Nursing Care Plan for a key text. Therefore, I present a detailed analysis of its parts focused on their communicative functions, description of standardized lexis, grammar structures and broken grammar rules. I suggest a method how to teach the Nursing Care Plan genre in English lessons and present tasks leading to the acquisition of receptive
Essay Genre in Tatar Journalism

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Aigul A. Guseinova

2017-11-01

Full Text Available In this article, an essay is considered as a journalistic genre in the context of modern Tatar journalism. Using the example of works by contemporary authors in the Tatar-speaking periodicals of Russia, the main genre and the semantic features of this genre are studied. An essay is a publicistic form to reflect on the topical issues of Russian reality. The reproduction of a fact is not so important for an essay. An important role is played by the description of the author's impressions, reflections and emotions. The periodical press has many materials in the Tatar language in which the author's opinion, author's principle and subjective opinion are strongly expressed. In fact, during the last decades of the twentieth century and the beginning of the twenty-first century there was a surge of essays in modern journalism. Due to some political events in Russia during the early 90s of the twentieth century, it was possible to express their thoughts and speak on the urgent problems in society openly in comparison with the Soviet reality. The object of research is essayism as a kind of journalistic creativity, the subject of the study is the essay genre in Tatar journalism. The empirical basis of the work consisted of the essays from Tatar journalists, publicists and writers. Provided that the personality of an author is one of the effectiveness factors concerning the publications in the genre of essay, the essayization of texts in Tatar journalism will be increased in the future.
Science Fiction: Serious Reading, Critical Reading

Science.gov (United States)

Zigo, Diane; Moore, Michael T.

2004-01-01

Science fiction deserves a greater respect, serious and critical reading and a better place in high school literature classes. Some of the science fiction books by Isaac Asimov, Alfred Bester, Ray Bradbury and Octavia L. Butler and various activities for incorporating science fiction into the English language arts instruction classroom are…
Utterance and Function in Genre Studies: A Literary Perspective

DEFF Research Database (Denmark)

Auken, Sune

2015-01-01

of the complexities involved when Genre Studies confront genres whose utterances are more complex than the “homely discourses” usually discussed in RGS. Formal and thematic features play a far too significant role in literary works to be explicable simply as derivations from function alone. But this is not limited...... to formal and thematic interpretations of genre, by allowing the utterances themselves to re-enter center stage. This enables an improved understanding of complex genres. It also revives close reading as a viable approach to understanding genre and thus to inform the rhetorical, linguistic, and sociological...
Graham Greene's novel: The peculiar experiment in modern fiction

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Lončar-Vujnović Mirjana N.

2011-01-01

Full Text Available Graham Greene's The Quiet American could be understood as the specific and unique example in experimental modern and post modern fiction during the twentieth century. This novel could be accepted as the peculiar application of the experiment what makes it almost the exceptional case in modern fiction. Greene used some innovative and usual modern elements expressing them through the prism of completely unusual experimental aspect of form. In the novel, Greene made the combination of already known innovative and usual modern elements and traditional elements of form. Actually, he covered the experimental innovations with the common thematic structure, narrative form and partly with the specific psychoanalytical presentation of character's minds, observing and expressing them all at the same time.
The effects of music genre on young people's alcohol consumption: an experimental observational study.

Science.gov (United States)

Engels, Rutger C M E; Poelen, Evelien A P; Spijkerman, Renske; Ter Bogt, Tom

2012-01-01

The aim of this study was to test whether exposure to specific music genres in a social drinking setting leads to differences in drinking levels. An observational experimental design was used in which we invited peer groups of young adults into a bar lab, a lab which is furnished like an ordinary, small pub. Between two tasks, people had a break of 50 minutes in which they could order nonalcoholic and alcoholic beverages. During the break, participants were exposed to a specific music genre: popular, hard rock, rap, or classical music. Those groups who were exposed to classical music drank significantly more alcohol than those who were exposed to other music genres. This pattern is quite robust and does not depend on participants' sex or age, drinking habits, own music preference, and relative importance of music in participant's lives. The study's limitations are mentioned.
Science and Science Fiction

Science.gov (United States)

Oravetz, David

2005-01-01

This article is for teachers looking for new ways to motivate students, increase science comprehension, and understanding without using the old standard expository science textbook. This author suggests reading a science fiction novel in the science classroom as a way to engage students in learning. Using science fiction literature and language…
Instant Messaging: A Written or an Oral Genre?

Science.gov (United States)

Majidi, Mojdeh

2005-01-01

This study aims to investigate Instant Messaging from the new rhetorical genre perspective. Considering IM as a primary genre (Bakhtin, 1986) I intend to examine its social motive and social and textual features. Also, using Vygotsky's (1978, 1986) concept of situated learning, I will explain how IM users learn the genre to communicate through it.…
The Fictions of Surrealism

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Walter A. Strauss

1996-06-01

Full Text Available Surrealism is an attitude toward life, even more than a literary and artistic movement. It aspired to no less than the remaking of man and the world by reintroducing "everyday" magic and a new idealization of the Female. In many respects, its goal was spiritual renewal. This enterprise was most prominently successful in the domain of poetry and painting. The major spokesman for the movement, Andre Breton, disliked the novel. Nevertheless, the members of the movement and their associates made numerous ventures into prose fiction, with notable results. Four types of fiction are delineated: the neo-Gothic romance; the adventure diary of "magic" experience—this one being probably the most typical of all the kinds of narrative invented; the erotic (or pornographic récit , and the linguistic extravaganza, in which language becomes the major instrument of sorcery. In many ways, the Surrealist "experiment" could be characterized as an attempt at the liberation of languages. This observation raises a number of questions about the impact of Surrealism on subsequent developments in French fiction (and the theatre, as well as upon its impact on Western fiction in general. The conclusion drawn is that Surrealist fiction has been a major contribution, a pioneering effort, in the shaking up of narrative concepts and techniques in the second half of the twentieth century.
Inference or enaction? The impact of genre on the narrative processing of other minds.

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James Carney

Full Text Available Do narratives shape how humans process other minds or do they presuppose an existing theory of mind? This study experimentally investigated this problem by assessing subject responses to systematic alterations in the genre, levels of intentionality, and linguistic complexity of narratives. It showed that the interaction of genre and intentionality level are crucial in determining how narratives are cognitively processed. Specifically, genres that deployed evolutionarily familiar scenarios (relationship stories were rated as being higher in quality when levels of intentionality were increased; conversely, stories that lacked evolutionary familiarity (espionage stories were rated as being lower in quality with increases in intentionality level. Overall, the study showed that narrative is not solely either the origin or the product of our intuitions about other minds; instead, different genres will have different-even opposite-effects on how we understand the mind states of others.
The Impact of Science Fiction Film on Student Understanding of Science

Science.gov (United States)

Barnett, Michael; Wagner, Heather; Gatling, Anne; Anderson, Janice; Houle, Meredith; Kafka, Alan

2006-04-01

Researchers who have investigated the public understanding of science have argued that fictional cinema and television has proven to be particularly effective at blurring the distinction between fact and fiction. The rationale for this study lies in the notion that to teach science effectively, educators need to understand how popular culture influences their students' perception and understanding of science. Using naturalistic research methods in a diverse middle school we found that students who watched a popular science fiction film, The Core, had a number of misunderstandings of earth science concepts when compared to students who did not watch the movie. We found that a single viewing of a science fiction film can negatively impact student ideas regarding scientific phenomena. Specifically, we found that the film leveraged the scientific authority of the main character, coupled with scientifically correct explanations of some basic earth science, to create a series of plausible, albeit unscientific, ideas that made sense to students.
Chinese court case fiction

DEFF Research Database (Denmark)

Hansen, Kim Toft

2011-01-01

established as early as the 6th Century AD, whereas the first substantial evidence of the tradition is from 13th Century and the first Chinese crime fiction novels were written during the 17th Century. This article is, then, a corrective for the international history of crime fiction based on numerous...
Maritime English as a code-tailored ESP: Genre-based curriculum development as a way out

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Yan Zhang

2018-04-01

Full Text Available Maritime English (ME, as a type of English for Specific Purposes (ESP, is somewhat different in that its instruction and research are founded on specific international legal procedures. Thus, it is vital to determine an ESP framework that bridges the code-tailored ME curriculum development with the communicative language teaching approach. This paper reports on the revision of the International Maritime Organization (IMO’s Model Course 3.17, Maritime English, where an integrated genre-based ESP framework helps to achieve the balance between language learning’s “wide-angled” quality and ME’s legal consistency. It is argued that code-tailored ME competences find expressions in maritime domain-specific genres; those are the typical sets of English communicative events that seafarers are involved in while achieving their maritime professional objectives. The curriculum can be designed as to integrate linguistic systems, professional motivation and behaviors, communicative skills and cultural awareness into the teaching process, which entails a process of learning Maritime English while taking maritime domain-specific action. Specifically, the principle of genre as social action apprises the two-stage syllabus mapping, that is, General Maritime English (GME and Specialized Maritime English (SME. In GME, the focus is placed on the linguistic content and how language tasks embedded in the maritime contexts are fulfilled; in SME, the focus is placed on the professional content and how the maritime workplace duties and identities are fulfilled through the English language. As such, syllabus mapping calculates the discursion-profession correlation and helps to ensure that code-tailored ME teaching is communicative performance-oriented. Thus, the multi-syllabus task design and content selection must consistently maintain the genre-based balance on the linguistic-communicative continuum. As a result, the English linguistic systems underlying the
Characteristics of Internet use in relation to game genre in Korean adolescents.

Science.gov (United States)

Lee, Moon-Soo; Ko, Young-Hoon; Song, Hyoung-Seok; Kwon, Ku-Hyung; Lee, Hyeon-Soo; Nam, Min; Jung, In-Kwa

2007-04-01

As the number of internet users increases, a new game genre using the internet as a networking tool is emerging. Some game genres are regarded as having greater addiction potentials than others. Games and the internet are closely related. We investigated games frequently used by adolescents and classified each of them with the help of game professionals. We also examined internet use patterns to identify relationships between game genre and internet use patterns. 627 middle school and high school students (male 488, female 139) completed questionnaires concerning computer and game use patterns and Korean internet addiction scales. Game genres were divided into eight criteria (simulation, role playing game, web board, community, action, adventure, shooting, and sports). Using Korean internet addiction scales, 627 participants were divided into a normal group (474), a potential risk group (128), and a high-risk group (25). Each group showed significant differences in total internet addiction scores. We classified players into specific game users based upon the game types they most prefer. Role playing game users showed significantly higher internet addiction scores than web board and sports game users. Game and internet addictions are also connected with interpersonal relationship patterns. We suggest that users of some game genre have unique psychological addiction potentials that are different from others and that this influences both game selection and internet use.

The creation of football slash fan fiction

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Abby Waysdorf

2015-06-01

Full Text Available Although sports fandom and fan fiction are often thought of as different worlds, in the contemporary media environment, this is not the case. Sport is a popular source text for fan fiction, and high-level European football, one of the world's most watched sports, has long had an online fan fiction presence. In a study of the LiveJournal community Footballslash over the 2011–12 European football season, I investigate what makes football a suitable source text for fan fiction, especially slash fan fiction; what fan fiction authors are doing with football; and what this suggests about how football and fan fiction are used in the present day. I present a new understanding of football as a media text to be transformed as well as provide an in-depth look into how this type of real person slash is developed and thought of by its practitioners. In doing so, I show what happens when fandoms and fan practices converge in the 21st century.
Chop Shop and Foreign Parts settle on the fuzzy boundary between fiction and documentary: new representations of New York City in Contemporary Cinema.

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Fernando Canet

2013-06-01

Full Text Available Capturing reality has been a constant aim of different movements throughout the history of the cinema. Historically, this challenge has been taken up by makers of both documentaries and fiction, through hybrid proposals that blended strategies from both fields. Even though these proposals have been ignored by traditional film historians, they constitute a persistent tendency from the cinema’s earliest times, as Rhodes and Springer pointed out in their book Docufictions: Essay on the intersection of documentary and fictional filmmaking (2006. There are good examples of these proposals in contemporary cinema that have even won awards at leading international film festivals, including the two movies referred to in this paper: the fictional Chop Shop made by Ramin Bahrani in 2007 and the documentary Foreign Parts by Verena Paravel and J.P. Sniadecki in 2010. Both movies try to portray the same reality in the form of the little known Willets Point (Queens, New York City. Both films aim to show the truth behind the reality portrayed by its inhabitants in real life situations. The main goal of this paper is to reveal their manner of doing this and to show how both movies, even though belonging to different genres, share the same strategies to such an extent that their images could be interchangeable.
An ESP Genre-based Approach to the Teaching of Reading

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Maria Raquel Bambirra

2011-07-01

Full Text Available This article aims to present the work done with a group of undergraduate students of ‘Technology in Normalization and Industrial Quality’ at CEFET/MG, during the first semester of 2005. The subject matter English for Specific Purposes was planned and taught within the theoretical principles provided by the Australian theories on textual genre. The main aspects considered were: the collective knowledge construction, the complete interrelation between texts and their social roles, and Halliday’s contributions related to the concepts of language and text (1978 and to the context of culture (1989. The learning assessment was socialized and continuous, carried out through several informal classroom activities and two formal written assignments. It seems that the students feel more motivated and show major progress in developing their reading skills at courses of English for Specific Purposes when these courses are taught using a textual genre approach.
Audio Mining with emphasis on Music Genre Classification

DEFF Research Database (Denmark)

Meng, Anders

2004-01-01

Audio is an important part of our daily life, basically it increases our impression of the world around us whether this is communication, music, danger detection etc. Currently the field of Audio Mining, which here includes areas of music genre, music recognition / retrieval, playlist generation...... the world the problem of detecting environments from the input audio is researched as to increase the life quality of hearing-impaired. Basically there is a lot of work within the field of audio mining. The presentation will mainly focus on music genre classification where we have a fixed amount of genres...... to choose from. Basically every audio mining system is more or less consisting of the same stages as for the music genre setting. My research so far has mainly focussed on finding relevant features for music genre classification living at different timescales using early and late information fusion. It has...
Finding Time for Fiction.

Science.gov (United States)

Johnson, Justin M

2015-12-01

With growing advances in psychiatric care come growing amounts of knowledge to be read by psychiatry trainees. This essay presents one resident's experience putting aside some of the official psychiatric literature during residency in favor of more fiction, and his self-perceived growth because of that. Fiction, in the author's perspective, can make us all better psychiatrists.
The cognitive science of fiction.

Science.gov (United States)

Oatley, Keith

2012-07-01

Fiction might be dismissed as observations that lack reliability and validity, but this would be a misunderstanding. Works of fiction are simulations that run on minds. They were the first kinds of simulation. All art has a metaphorical quality: a painting can be both pigments on canvas and a person. In literary art, this quality extends to readers who can be both themselves and, by empathetic processes within a simulation, also literary characters. On the basis of this hypothesis, it was found that the more fiction people read the better were their skills of empathy and theory-of-mind; the inference from several studies is that reading fiction improves social skills. In functional magnetic resonance imaging meta-analyses, brain areas concerned with understanding narrative stories were found to overlap with those concerned with theory-of-mind. In an orthogonal effect, reading artistic literature was found to enable people to change their personality by small increments, not by a writer's persuasion, but in their own way. This effect was due to artistic merit of a text, irrespective of whether it was fiction or non-fiction. An empirically based conception of literary art might be carefully constructed verbal material that enables self-directed personal change. WIREs Cogn Sci 2012, 3:425-430. doi: 10.1002/wcs.1185 For further resources related to this article, please visit the WIREs website. Copyright © 2012 John Wiley & Sons, Ltd.
Fictional and Factual Discourses in Narratives - and the Grey Zone Between

DEFF Research Database (Denmark)

Søndergaard, Leif

2012-01-01

fictionalizing, non fiction fictionalizing and meta fictionalizing. Exemples from international literature during centuries. Part 2: Blending of discourses in contemporary Danish Literature with special focus on Knud Romer and Das Beckwerk (Claus Beck-Nielsen). Judicial and ethical problems in the use of proper......Part 1: Blurring of the border between public and private areas and increasing use of the reality effect in order to create authenticity. Various levels of fictionalizing: minimal fictionalizing, medium fictionalizing, extra fictionalizing, total fictionalizing, super fictionalizing, non...
Birth of the cool: a two-centuries decline in emotional expression in Anglophone fiction.

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Morin, Olivier; Acerbi, Alberto

2017-12-01

The presence of emotional words and content in stories has been shown to enhance a story's memorability, and its cultural success. Yet, recent cultural trends run in the opposite direction. Using the Google Books corpus, coupled with two metadata-rich corpora of Anglophone fiction books, we show a decrease in emotionality in English-speaking literature starting plausibly in the nineteenth century. We show that this decrease cannot be explained by changes unrelated to emotionality (such as demographic dynamics concerning age or gender balance, changes in vocabulary richness, or changes in the prevalence of literary genres), and that, in our three corpora, the decrease is driven almost entirely by a decline in the proportion of positive emotion-related words, while the frequency of negative emotion-related words shows little if any decline. Consistently with previous studies, we also find a link between ageing and negative emotionality at the individual level.
Rubem Fonseca and Noir Literature

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Pere Comellas

2014-10-01

Full Text Available Rubem Fonseca is considered a key author in the introduction of crime fiction in Brazil. This article reviews his contribution to the genre and analyzes the specifics of his narrative in the context of Brazilian literature, in which Fonseca breaks from and exceeds the traditional dichotomies between high and popular literature. Fonseca becomes part of the distinct tradition of crime fiction, which he reinterprets differently in his short stories by giving voice to the marginalized, and in his novels by incorporating elements of hardboiled, noir fiction, and even whodunit. The character of Mandrake is situated in a context that increasingly includes paraliterary concerns.
From the wizard to the doubter: prototypes of scientists and engineers in fiction and non-fiction media aimed at Dutch children and teenagers.

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Van Gorp, Baldwin; Rommes, Els; Emons, Pascale

2014-08-01

The aim of this paper is to gain insight into the prototypical scientists as they appear in fiction and non-fiction media consumed by children and teenagers in The Netherlands. A qualitative-interpretive content analysis is used to identify seven prototypes and the associated characteristics in a systematic way. The results show that the element of risk is given more attention in fiction than in non-fiction. Also, eccentric scientists appear more often in fiction. In non-fiction, the dimension useful/useless is more important. Furthermore, fictional scientists are loners, although in practice scientists more often work in a team. In both fiction and non-fiction, the final product of the scientific process gets more attention than the process itself. The prototype of the doubter is introduced as an alternative to the dominant representations because it represents scientists and engineers in a more nuanced way.
Early Spring Booklist.

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Heins, Ethel L.; And Others

1984-01-01

Reviews and recommends recent new publications and rereleases of both fiction and nonfiction works for young children, older adolescents, and adults. Genres include science fiction, mysteries, and biographies. (CRH)
RETHINKING ACADEMIC ESSAY WRITING: SELECTED GENRES IN COMPARISON

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Dedi Turmudi

2017-10-01

Full Text Available How do opinion, discussion, and argumentative convince readers? How does each of them look different each other seen from the generic structure, and language use? This conceptual paper is exploring how three selected genres in academic writing differ from each other. By reviewing journal of related topic of recently published, the writer convinces that opinion genre is less strong in persuading readers, and argumentative is very strong in assuring readers, whereas discussion is neutral in affecting readers The implication is that each genre has its own place to make readers satisfied and each of which indicates the level of ego and sophisticated countering back the statement called rebuttal and arguments and example. By reading this article readers will detect the tone of each genre and to what extent does each genre reach the readers’ mind. The implication is that any teacher or lecturer is best recommended to present this model, particularly in EFL context.
Reading and Writing as Scientists? Text Genres and Literacy Practices in Girls' Middle-Grade Science

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Faller, S. Elisabeth

2018-01-01

Science teachers are often charged with providing discipline-specific literacy instruction. However, little is known about the reading and writing genres, or text types, typically found in these classrooms. In particular, there is a lack of knowledge about what opportunities adolescents have to engage with the genres privileged in science to learn…
Clever Toolbox - the Art of Automated Genre Classification

DEFF Research Database (Denmark)

2005-01-01

Automatic musical genre classification can be defined as the science of finding computer algorithms that a digitized sound clip as input and yield a musical genre as output. The goal of automated genre classification is, of course, that the musical genre should agree with the human classificasion....... This demo illustrates an approach to the problem that first extract frequency-based sound features followed by a "linear regression" classifier. The basic features are the so-called mel-frequency cepstral coefficients (MFCCs), which are extracted on a time-scale of 30 msec. From these MFCC features, auto......) is subsequently used for classification. This classifier is rather simple; current research investigates more advanced methods of classification....
Reality-Based Genre Preferences Do Not Direct Personal Involvement

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Konijn, Elly A.; Hoorn, Johan F.

2004-01-01

Although it seems plausible that people who prefer a particular genre would appreciate characters from that category more than those from other genres, this appears not to be the case. We devised a parsimonious reality-based genre taxonomy that differentiates nonfiction, realism, fantasy, and humor. In Study 1, evidence from film viewers' genre…
Hal in the Classroom: Science Fiction Films.

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Amelio, Ralph J.

The articles in this book provide political, social, sociological, psychological, sexual, mythical, literary, and filmic approaches to the study of science fiction film. "Journey into Science Fiction" by W. Johnson and "The Imagination of Disaster" by S. Sontag treat broadly the essentials of science fiction films. "For the Future: The Science…
Parallel Stories, Differentiated Histories. Exploring Fiction and Memory in Spanish and Portuguese Television

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José Carlos Rueda Laffond

2013-06-01

Full Text Available Integrated into an international project on the characteristics of historical fiction on TV in Spain and Portugal during 2001–2012, the study traces the main aspects of these productions as entertainment products and memory strategies. Historical fiction on Iberian television channels express qualitative problems of interpretation. Its development must be related to issues such practices, meanings and forms of recognition, and connected with specific memory systems. The article explores a set of key–points: uses and topics of historical fiction; its visions through similarly proposals; polarization in several historical times, and its convergent perspectives about Franco and Oliveira Salazar as Iberian contemporary dictators.
Transgressing the Non-fiction Transmedia Narrative

OpenAIRE

Gifreu-Castells, Arnau; Misek, Richard; Verbruggen, Erwin

2016-01-01

abstractOver the last years, interactive digital media have greatly affected the logics of production, exhibition and reception of non-fiction audiovisual works, leading to the emergence of a new area called ‘interactive and transmedia non-fiction’. Whilethe audiovisual non-fiction field has been partially studied, a few years ago emerged a new field focusing on interactive and transmedia non-fiction narratives, an unexplored territory that needs new theories and taxonomies to differentiate f...
Study and Analysis of Fictional Elements of Fraed o Soluk

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Ali Reza Nabilu

2010-10-01

Full Text Available This article reviews and analyzes fictional elements of Fraed o Soluk.We research these titles: tale and story, genre, size, language, dialogue, character, narrator and speakers, view angle, action and structure of stories, moral results,time and place in Fraed o Soluk.This study explains the structure of stories from different dimensions. Fraed o Soluk includes the moral stories and its prose was written according to the method of Kalile va Demneh and Sandbadname.In stories and tales of Fraed of Soluk, there are features such as emphasis on the events, the absence of a strong cause and effect relationships between events, absolutism, moral results, immutability of characters, quality of narrative, common themes, and hypothetical time and place.There are 58 stories in Fraed o Soluk. The main stories are longer than secondary stories. Dialogue occurs mostly between main characters of stories. Linguistic features of technical prose (sixth and seventh century in this book can be seen. There are 289 characters in the stories of this book. 85 percent are public and 15 percent are special. Most characters are animals (29 percent, men and boys (19/5 percent and job holders (14 percent. Main narrators include: bookâs author, Behrooz, businessman son and Ghasir.The main narrators of the stories are often unknown.From a total of 58 stories, 45 percent have action and 55 percent have no specific action.95 percent of stories have moral results and recommendations.38 percent of the stories have time.70 percent of the stories have place.
Genre-adaptive Semantic Computing and Audio-based Modelling for Music Mood Annotation

DEFF Research Database (Denmark)

Saari, Pasi; Fazekas, György; Eerola, Tuomas

2016-01-01

This study investigates whether taking genre into account is beneficial for automatic music mood annotation in terms of core affects valence, arousal, and tension, as well as several other mood scales. Novel techniques employing genre-adaptive semantic computing and audio-based modelling are prop......This study investigates whether taking genre into account is beneficial for automatic music mood annotation in terms of core affects valence, arousal, and tension, as well as several other mood scales. Novel techniques employing genre-adaptive semantic computing and audio-based modelling...... related to a set of 600 popular music tracks spanning multiple genres. The results show that ACTwg outperforms a semantic computing technique that does not exploit genre information, and ACTwg-SLPwg outperforms conventional techniques and other genre-adaptive alternatives. In particular, improvements......-based genre representation for genre-adaptive music mood analysis....

Super Bitches and Action Babes

DEFF Research Database (Denmark)

Schubart, Rikke

An analysis of the female hero in popular film genres such as actionfilms, war films, wip-films, rape-revenge dramas, science fiction from 1970-2006. Mostly American films but with chapters on Michelle Yeoh and Meiko Kaji.......An analysis of the female hero in popular film genres such as actionfilms, war films, wip-films, rape-revenge dramas, science fiction from 1970-2006. Mostly American films but with chapters on Michelle Yeoh and Meiko Kaji....
The schematic structure of a genre and the logical-semantic relations in an example of argument genre

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Angela Maria Rossi

2017-12-01

Full Text Available From the focus on genre from the School of Sydney (ROSE; MARTIN, 2012 and the Systemic Functional Grammar (HALLIDAY; MATTHIESSEN, 2014, this article aimed to verify how the logic-semantical relation contribute to the organization of the Scheme Structure of a sample of the discussion genre. As predominant, it was verified hypotactical and paratactical relations of intensification, and simplexes.
COMMERCIAL FICTION CINEMA AS A DIFFUSER OF OFFICIAL SPEECHES IN MEXICO (1946-1952. INDUSTRY, AUDIENCE AND MAIN GENRES

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IRIS PASCUAL GUTIÉRREZ

2015-06-01

Full Text Available During the presidency of Miguel Alemán (1946-1952, the film industry in Mexico was one of the most fertile fields for the state intervention in the economic and social life. This industry developed based on three parameters: profitability, low quality and predominance of conservative speeches. It is understood that these aspects are indissoluble, and to study the weight of the commercial movies as creator of models, imaginary, and other social issues, we will take into account to three realities: the mechanisms of relation between public power and private initiative in this ambience, the features of the Mexican spectator type and, finally, how the principal genres and themes were spreading messages of acceptance towards the official politicies.
The thousand and one tries: Storytelling as an art of failure in Rabih Alameddine’s Fiction

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Tabačková Zuzana

2015-09-01

Full Text Available The paper discusses experimental fiction of Rabih Alameddine, an American writer of Lebanese origin, whose literary pursuits subvert Orientalist discourse based on the East/West dichotomy by focusing on the commonalities of the two. The recurring motif of searching for one’s identity (while being trapped in-between two mutually distant and at the same time similar worlds is reflected in the subversion of the traditional understanding of the narrative which is destined to a constant failure. Alameddine’s storytelling is, in reality, a “story-trying.“ By employing multiple narrators, intertwining plots, genres and languages, the author is striving hard to tell “hisstory” about American homophobia, Lebanese sectarianism as well as the physical and psychological outcomes of war - a story which turns up to be a narration of the thousand and one failed beginnings.
Cultural Artifacts as Scaffolds for Genre Development.

Science.gov (United States)

Kamberelis, George; Bovino, Thomas D.

1999-01-01

Shows that children in the primary grades possessed considerable working knowledge of the cultural conventions of narrative genres but much less working knowledge of the cultural conventions of informational genres. Reveals grade-related developmental differences for some dimensions of linguistic and textual organization. Shows that cultural…
ARGUMENTAÇÃO NA LINGUÍSTICA DOS GÊNEROS: ESPECIFICIDADES TEÓRICO-METODOLÓGICAS / Argumentation in linguistics of genres: theoretical and methodological specificities

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Rosalice Pinto

2016-05-01

of a sample of a political poster produced in Portugal. Preliminary studies confirm the correlation between contextual coercions imposed by genre and the selection of textual resources. Specifically, in this prototypical sample, the place of circulation and the objective of the text constrain significantly the multimodal argumentative construction of the political poster genre. Keywords: Argumentation, Linguistics of Genres, Multimodality.
The Poetics of Design Fiction

DEFF Research Database (Denmark)

Markussen, Thomas; Knutz, Eva

2013-01-01

Design fiction is an emergent field within HCI and interaction design, the understanding of which ultimately relies, so we argue, of an integrative account of poetics and design praxis. In this paper we give such an account. Initially, a precise definition of design fiction is given by drawing...
Variability in Written Japanese: Towards a Sociolinguistics of Script Choice.

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Smith, Janet S.; Schmidt, David L.

1996-01-01

Tests widely-held associations among script types, genres, writers, and target readers via statistical analysis in popular Japanese fiction. Subjects texts to lexical analysis to see whether choice of vocabulary can account for variability in script selection. Finds that Japanese writers fashion their script type choices to specific contexts, as…
Legal genres in English and Spanish: some attempts of analysis

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Mª Ángeles Orts Llopis

2009-10-01

Full Text Available Understanding the differences and subtleties between the legal communication of the English-speaking world, and the Continental law countries –and, more specifically, Spain- has become a necessary practice in the global context. For the most part, it involves unravelling the differences and concomitances between the array of legal genres produced by the professionals of the specialist communities within these two traditions (i.e., Common Law and Continental Law. This paper attempts an analysis in layers –generic or pragmatic, textual or cognitive, and formal or superficial– of two types of genre within the domain of public and private law, namely delegated legislation and tenancy agreements or leases, the study of which has been seldom attempted, despite the customary presence of these instruments in the legal routine. The result of such analysis will, hopefully, cast some light on the way these communities interact within themselves and with the rest of the world, providing new clues to tackle the application of those genres and making it possible to draw new conclusions about the way in which linguistic interaction takes place in the context of these specialist communities in English and Spanish.
Fascinating! Popular Science Communication and Literary Science Fiction

DEFF Research Database (Denmark)

Meyer, Gitte

2017-01-01

Some see literary Science Fiction as a possible vehicle for critical discussions about the future development and the ethical implications of science-based technologies. According to that understanding, literary Science Fiction constitutes a variety of science communication. Along related lines, ......, popular science communication with science fiction features might be expected to serve a similar purpose. Only, it is far from obvious that it actually works that way.......Some see literary Science Fiction as a possible vehicle for critical discussions about the future development and the ethical implications of science-based technologies. According to that understanding, literary Science Fiction constitutes a variety of science communication. Along related lines...
NEW TECHNOLOGIES AND GENRE VARIATION. PRINTED AND ELECTRONIC DOCUMENTS IN TERTIARY EDUCATION ESP' COURSES

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Piedad Fernandez Toledo

2002-06-01

Full Text Available New technologies are as present nowadays in university as they are in society in general, influencing all aspects OS the teaching-learning dynamics. Within this electronic environment new genre types have arisen which should be as familiar to students as computers themselves. In this chapter the impact of technologies on genre variation is discussed, especially in relation to aulthentic malerial as teaching support. This influence is shown in a specific ESP area, that OS English For Library and lnformation Science (LIS, examining the possibilities, based on the relationship between older and newer genres, that are brought into the classroom. An example of changes brought about by Information Technologies on a classroom project is given: this now involves using web sites as a resource for the construction of leaflets. Following this, some advantages derived from its implementation during two academic years are discussed. The conclusions point to the benefit that new genre exploration in the ESP classroom offers for the building of academic literacy at tertiary level.
Fictions et interactions : les fictions artistiques et la question de l’espace

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Bernard Guelton

2015-10-01

Full Text Available Dans cette courte présentation, je vais esquisser quelques questions sur les rapports possibles entre l’espace et la fiction puis je vais faire un aperçu sur l’évolution de la ligne de recherche Fictions et interactions. Dans la première partie, je vais aborder trois questions : 1 le rapport entre la fiction et l’espace des images, 2 les espaces immersifs et 3 trois exemples d’oeuvres artistiques et performatives qui mettent en jeu les espaces en réalités alternées. RESUMO Nessa curta apresentação, vou esboçar algumas questões sobre as relações possíveis entre o espaço e a ficção, depois farei um panorama da evolução da linha de pesquisa Fictions & Interactions (Ficções & Interações. Na primeira parte abordarei três questões: 1 a relação entre a ficção e a espacialidade das imagens; 2 os espaços imersivos; e 3 três exemplos de obras artísticas e performativas que põem em jogo a noção de espaço em realidades alternadas. PALAVRAS-CHAVE Ficção, espaço, imersão.
Haruspicating With Science Fiction Or Through the Looking Glass -- Dimly.

Science.gov (United States)

Chatham, George N.

This paper examines the use of science fiction to predict the future. First, science fiction is compared to other fiction literature forms; then the changes in science fiction over the last 20 years are discussed. The influence of recent scientific advances on science fiction is also presented. The generation of alternative scenarios of the future…
Fictional Reports A Study on the Semantics of Fictional Names

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Fiora Salis

2010-06-01

Full Text Available Normal 0 21 false false false ES X-NONE X-NONE MicrosoftInternetExplorer4 /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Tabla normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-qformat:yes; mso-style-parent:""; mso-padding-alt:0cm 5.4pt 0cm 5.4pt; mso-para-margin:0cm; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:11.0pt; font-family:"Calibri","sans-serif"; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-fareast-font-family:"Times New Roman"; mso-fareast-theme-font:minor-fareast; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:"Times New Roman"; mso-bidi-theme-font:minor-bidi;} Against standard descriptivist and referentialist semantics for fictional reports, I will defend a view according to which fictional names do not refer yet they can be distinguished from one another by virtue of their different name-using practices. The logical structures of sentences containing fictional names inherit these distinctions. Different interpretations follow.
Clashing and Emerging Genres: The interplay of knowledge forms in educational gaming

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Thorkhild Hanghøj

2011-09-01

Full Text Available Based upon a series of design interventions with the educational computer game series Global Conflicts at various secondary schools, this article explores how educational gaming can be understood as a complex interplay between four knowledge forms – i.e. students’ everyday knowledge (non-specialised knowledge, the institutionalised knowledge forms of schooling, teachers’ subject-specific knowledge (specialised knowledge forms, and game-specific knowledge forms such as professional journalism, which is one of the inspirations for the game scenario. Depending on how the GC series was enacted by different teachers and students, these knowledge forms were brought into play rather differently. More specifically, several students experienced genre clashes in relation to their expectations of what it means to play a computer game, whereas other students experienced emerging genres – e.g. when one student was able to transform the game experience into a journalistic article that challenged her classmates’ understanding of journalistic writing.
Sentence-Level Effects of Literary Genre: Behavioral and Electrophysiological Evidence

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Stefan Blohm

2017-11-01

Full Text Available The current study used event-related brain potentials (ERPs and behavioral measures to examine effects of genre awareness on sentence processing and evaluation. We hypothesized that genre awareness modulates effects of genre-typical manipulations. We manipulated instructions between participants, either specifying a genre (poetry or not (neutral. Sentences contained genre-typical variations of semantic congruency (congruent/incongruent and morpho-phonological features (archaic/contemporary inflections. Offline ratings of meaningfulness (n = 64/group showed higher average ratings for semantically incongruent sentences in the poetry vs. neutral condition. ERPs during sentence reading (n = 24/group; RSVP presentation at a fixed per-constituent rate; probe task showed a left-lateralized N400-like effect for contemporary vs. archaic inflections. Semantic congruency elicited a bilateral posterior N400 effect for incongruent vs. congruent continuations followed by a centro-parietal positivity (P600. While N400 amplitudes were insensitive to the genre, the latency of the P600 was delayed by the poetry instruction. From these results, we conclude that during real-time sentence comprehension, readers are sensitive to subtle morphological manipulations and the implicit prosodic differences that accompany them. By contrast, genre awareness affects later stages of comprehension.
The Genre of Syllabus in Higher Education

Science.gov (United States)

Afros, Elena; Schryer, Catherine F.

2009-01-01

This article examines the genre of syllabus in higher education. In particular, it focuses on the intertextuality and interdiscursivity of paper-based and web-mediated syllabi and the ways they are used to promote links between various academic--classroom and research--genres and discourse communities. The corpus consists of ten syllabi with…
Teaching Tomorrow: A Handbook of Science Fiction for Teachers.

Science.gov (United States)

Calkins, Elizabeth; McGhan, Barry

Science Fiction appeals to young people and is suited for use in a wide range of classrooms. This handbook of Science Fiction for Teachers suggests ways of using Science Fiction to teach literature and English skills. Study guides based on two Science Fiction stories are presented, with activities such as individual papers and small group…
Køn og genre i TAXA

DEFF Research Database (Denmark)

Pedersen, Vibeke

1998-01-01

SUMMARY: Gender and Genre in “Taxa”: Sensitive Masculinity and Mothers on Trial The article looks at the new Danish prime-time soap opera “Taxa”, asking why a usually devaluated women’s genre as the soap opera has succeeded in addressing the entire family in prime time on Sunday evening. The serial...... is discussed in the light of Christine Gledhill’s statement that in the new prime-time soap “melodrama and realism, women’s and men’s culture, intersect (...) in a particularly productive way”. I conclude that while it it true that the male characters in “Taxa” are multi-dimensional personalities, women...... in this Danish soap opera are not only almost absent as writers and directors, but the female figures are also highly mythologized. Thus the costs of the soap genre going mainstream are marginalization and trivialization of women....
Blockbuster genres in Danish independent film

DEFF Research Database (Denmark)

Hansen, Kim Toft

market dominance. They respond, instead, by delving directly into international blockbuster genres and styles in the search for something missing in Danish cinema. This works, principally, by directly reacting against the institutional and economic dominance and protectionism of primarily The Danish Film...... Institute. Indirectly, the filmmakers seem to react against ‘what is allowed’ in Danish film culture. Therefore, they actually define themselves as being non-mainstream by focussing on international mainstream genres....

Literêre genre van die Daniëlverhale

Directory of Open Access Journals (Sweden)

M. Nel

2001-08-01

Full Text Available Literary genre of the stories in die Book of Daniel The literary genre of the stories in the book of Daniel has acquired a central position in modern research. Most researchers agree that the stories contain material that is older than the visions contained in Daniel 7-12. Corresponding to the narrative of Daniel and his three friends the following can be listed: the biblical stories of Joseph and Esther; the Assyrian story of Ahikar; the stories of Tobit and Judith; Daniel and Susannah; Daniel, Bel and the Snake; and the story in 1 Esdras 3:1-4:63. The issue regarding the genre of these narratives thus should be addressed. The article proposes that the Daniel stories be read as wisdom literature. Furthermore, the different opinions of the following researchers are discussed: W.L. Humphreys, J.J. Collins, R.R. Wilson, P.R. Davies, G.W.E. Nickelsburg, as well as S. Niditch and R. Doran. The conclusion arrived at is that no consensus on the classification of the genre of the stories exists and that the lack of a standardised system in the classification of genre hampers the discussion.
Prophecy, Pulp, or Punt: Science Fiction, Scenarios, and Values.

Science.gov (United States)

Spinks, C. W.

A brief history of science fiction and an analysis of its functions precedes a description of a university level course taught at Trinity University on science fiction, technology, and values. Science fiction writing is briefly traced from Mary Shelley's "Frankenstein" through the golden age of science fiction in the 1940s and 1950s to its…
The genre tutorial and social networks terminology

Directory of Open Access Journals (Sweden)

Márcio Sales Santiago

2014-02-01

Full Text Available This paper analyzes the terminology in the Internet social networks tutorials. A tutorial is a specialized text, full of terms, aiming to teach an individual or group of individuals who need some guidelines to operationalize a computerized tool, such as a social network. It is necessary to identify linguistic and terminological characteristics from the specialized lexical units in this digital genre. Social networks terminology is described and exemplified here. The results show that it is possible to refer to two specific terminologies in tutorials which help to determine the terminological profile of the thematic area, specifically from the point of view of denomination.
Genre Transformation of the Fairy Tale in Contemporary Russian Literature

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Ekaterina Zueva

2017-09-01

Full Text Available This research is devoted to some peculiarities of structure and semantics of contemporary Russian fairy tale. The analyzed genre model is quite actual in the literature of modern turn of the centuries. It is actualized in the creativity of L. Petrushevskaya, A. Kabakov, B. Akunin, M. Fray, D. Bykov, etc. This is connected with the universality of themes and problems and the dynamics of structure of genre analyzed. Modern literature process suggests the use of various genre forms (including fairy-tale one in the context of realization of game strategies of world construction with the deconstruction principle domination. The usage of the most productive for such kind of research methods (structural-semantical and comparative ones gives grounds for understanding the specifics of realization of deconstruction principle through the variety of forms and meanings. For example, the scheme of “genre memory” is widely used in contemporary fairy tale. If that scheme deals with the sphere of semantics, then structural components are actively deconstructed (e.g. fairy tales by L. Petrushevskaya. If the meaningful fairy tale composition models are actualized, then the semantic component is widely transformed (e.g. Moscow Fairy Tales by A. Kabakov. The most important peculiarity of contemporary fairy tale is the integration of fairy tale, legendary, mythological and literary plots to the one game system. The result of this is on the one hand travestying of the iconic plots, on the other hand achieving the new meanings due to including context mechanisms.
Reading fiction during sick leave, a multidimensional occupation.

Science.gov (United States)

Mårtensson, Lena; Andersson, Christina

2015-01-01

In bibliotherapy, the therapeutic gains of reading fiction are ascribed to the literature. Viewing reading fiction as an occupation may give other explanations of its therapeutic function. The aim of this qualitative study was to explore the experiences of reading fiction among women during a period of sick leave. A qualitative approach was applied. Eight women who had been reading fiction during sick leave were interviewed. An overarching theme: Supporting one's active self, comprised five categories of experiences: a prospect of ordinary life, a place of refuge, a life together with others, a source of power, and as supporting an active life. Based on the categories, reading fiction is seen to comprise intentional, functional, mental, relational, and personal dimensions. A tentative model of supporting one's active self is proposed, which may be helpful in clarifying the mechanisms of the process of change. The health-related dimensions of reading fiction suggest that reading fiction should be regarded as a significant occupation comparable with other, more highlighted ones. Understood in this way, it is argued that the results add to the knowledge base in occupational therapy focusing on how meaningful occupations connect to occupational life trajectories.
A María Teresa León’s Fictional Biography: Cervantes, el soldado que nos enseñó a hablar

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Martina Vinatea

2013-11-01

Full Text Available Our purpose is to study the limits between reality and fiction in the central chapters of the story of the foundation of the Convento de la Encarnación of Lima by Father Antonio de la Calancha. The convent was founded in 1556 by Leonor de Portocarrero and her daughter Doña Mencía de Sosa, widow of the crown’s traitor Francisco Hernández Girón. Despite the chronicles are consider a «hybrid genre» between literature and history by contemporary critics, Father Calancha’s story is basically historic as it follows the model of humanist histography of the XVI century. We argue that in this model aesthetic values are functional to the interpretation.
The Double Feedback Loop and the Parameter Theory of Text Genres

DEFF Research Database (Denmark)

Bundgaard, Peer; Østergaard, Svend

2014-01-01

on the first feedback loop: the way genres develop as deviations from existing text types and then stabilize as text types proper with a normative import. The second scope of this article consists in developing a typological apparatus consistent with the dynamic approach to the emergence of genres. This is our...... parameter theory of genres which is presented in Section 3. Here we consider genres as governed by parameters external to them and intrinsic to the situations they are dynamically related to. Genres should thus be understood not simply in terms of inherent textual or formal traits, but also relative...
Communicative Purpose as Genre Determinant

DEFF Research Database (Denmark)

Askehave, Inger

1999-01-01

Through the years researchers and LSP teachers alike have used various parameters for classifying texts. This article sets out to discuss the notion of "communicative purpose" as a means for classifying text. It points to some of the difficulties associated with the functional approaches to genre...... classification in general and the notion of "communicative purpose" in particular.......Through the years researchers and LSP teachers alike have used various parameters for classifying texts. This article sets out to discuss the notion of "communicative purpose" as a means for classifying text. It points to some of the difficulties associated with the functional approaches to genre...
Genre and categorization

DEFF Research Database (Denmark)

Ulbæk, Ib

2015-01-01

Artiklen undersøger forholdet mellem genre-kategorien og sætter den i forbindelse med andre former for kategorisering med henblik på at afklare om genrebegrebet har en særstatus eller om sprogbrugeren kan udnytte sin almene kategorividen til at forstå tekster....
Children Reading Fiction Books Because They Want To

NARCIS (Netherlands)

van Ours, J.C.

2006-01-01

This paper investigates the reading of fiction books by 15-year-olds in 18 OECD countries.It appears that girls fiction books more often than boys, whereas boys read comic books more often than girls.The intensity by which children read fiction books is influenced by parental education, family
TED Talks as an Emergent Genre

OpenAIRE

Ludewig, Julia

2017-01-01

In her article "TED Talks as an Emergent Genre" Julia Ludewig analyzes TED talks—short, informational, and entertaining presentations that are given during TED conferences in North America and abroad—as a hybrid and emerging genre. Based on a qualitative interpretation of 14 such talks, she offers a list of recurring thematic, argumentative, and rhetorical features, which she aligns with three parent genres—the sales pitch, the memoir, and the academic lecture. Comparing recent versions of TE...
The genre mask: Rhetorical style and audience activation in the investigation film

NARCIS (Netherlands)

Gamaker, E.D.A.

2015-01-01

The Genre Mask discusses the use of genre and generic tropes as a mask for hidden or subversive meaning held beneath the familiar aesthetic of genre-observant film productions. This idea is approached from the perspective of genre classification and identification, and for the purposes of this study
Representativeness in corpora of literary texts: introducing the C18P project

Directory of Open Access Journals (Sweden)

Gemeinböck, Iris

2016-07-01

Full Text Available Currently there are very few specialised corpora of literary texts that are tailored to the needs of literary critics who are interested in corpus stylistic analyses of prose fiction. Many existing corpora including literary texts were compiled for linguistic research interests and are often unsuitable for corpus stylistic purposes. The paper addresses three of the main problems: the absence of labelling of the texts for literary genre, the use of extracts, and the prevalence of linguistic periodisation schemes. C18P is a corpus of prose fiction designed specifically to address these issues. It traces the early development of the novel from 1700 up until the Victorian era. It can, for instance, be used for an analysis of the characteristic linguistic features of individual literary genres and forms. The following paper introduces the design of the corpus as well as some of its potential uses.
A media discursive genre: The defender of the viewer

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Víctor Alfonso Barragán Escarpeta

2016-08-01

Full Text Available The following article presents the progress of the research called “A media discursive genre: The defender of the viewer” and has the objective to characterize this particular genre. This research is based on the ideas of Bajtin (1982, Carranza (2012 as well as Social-Communicative Perspective of Charaudeau (2012 about genres, in the way that they give theoretical and methodological elements to the establishment of this characterization, and, in the same way, for being perspectives that emphasize on the social component of texts, let us to understand aspects such as relations between participants and the influence of these in discourse. To do this, our methodology analyzes two different programs of public television channels through making transcripts and images, selected from the establishment of the following categories: the field of social practice, the overall situation of communication (SGC and the specific situation of communication (SEC; also discursive properties and the formal properties; flexible frameworks and the subject agent. In this way, this article makes a practical-theoretical exercise of an inductive nature which rescues how categories of the communicative situation and the analysis of elements such as supports allow a greater deepening of different dimensions in the media discursive practices (social relation, themes, etc. as well as observing to what extent we are talking about discursive genders and sub genders in daily life.
Necessary text genres and themes to act in professional and academic contexts in Biotechonology

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Sara Fernandes Lima

2012-10-01

Full Text Available Considering the existing gap in the Brazilian context of researches in the area of specific purpose course planning based on text genres (RAMOS, 2004 and trying to contribute to its development, we present the text genres and themes evaluated as necessary to act in professional and academic contexts of the Biotechnology area. To map these necessities, we applied a questionnaire to students and teachers, in a federal institution, and analyzed the results based on the sociodiscoursive interactionism principles, theory which has Bronckart, Schneuwly and Dolz (MACHADO, 2005 as precursors.
Delayering journalistic genres in the praxis of the new media

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Tomić Boban

2016-01-01

Full Text Available With this work we actualize the problem of application of journalistic genres in contemporary production of the press, radio, television and new media. We provide an overview of the different uses of journalistic genres in contemporary media, including identifying deviations and declination from the standardized norms for writing certain journalistic genres. We start from the premise that journalistic forms / shapes grouped into functional genres and, as such, represent the linguistic, narrative and discursive basis of each media. By this way we base our argument on the necessity of the existence of the necessary level of conventionality and standards setting writing techniques and construction of journalistic genres with the aim to preserve and improve the overall media discourse, language standard and increase the informativeness of the media as the most important communicative value and function. In this paper we point out the most common forms of deviation and destruction of some forms / shapes within the genres of contemporary journalism practice. The deviations we see as opportunity to improve the function of the journalistic narrative, but more often we see the danger of destruction of tissue and textual stratification of genres, forms of journalistic expression to new, hybrid and uncomplete forms that reduce the informativeness and increase ancillary or related attributes of journalistic text. In particular, we draw attention to the appearance of hybrid genres that intensify the relationship with the audience, actualize psycho-social relations and suggest value and differential categories and changes in audience behavior. The origin of the work we provide definition of layering genres and point to the potential dangers of disintegration threaten journalistic narrative. We point out potential solutions, the place and role of professional journalistic community, education institutions, science and public institutions in preventing and
Best Science Fiction, Fantasy, & Horror 2000.

Science.gov (United States)

Voice of Youth Advocates, 2001

2001-01-01

Presents the annual annotated list of the best science fiction, fantasy, and horror titles for teens that have been reviewed in this journal. Also includes a sidebar with four annotated titles of nonfiction resources related to science fiction, fantasy, and horror. (LRW)
Įvadas į detektyvinių romanų analizę

OpenAIRE

Danytė, Milda

2011-01-01

This text serves as an introduction to critical analysis of crime fiction in English. After a brief review of the pre-history of crime fiction in English, the principal focus is on sub-genres such as Golden Age detective stories, American noir thrillers, thrillers in general and police procedurals. For each sub-genre a list of characteristics is provided. Some major authors like Agatha Christie, Raymond Chandler, P.D. James, Ruth Rendell, Ian Rankin and Kathy Reichs are given closer attention...
Going to the dogs

OpenAIRE

Petsko, Gregory A

2008-01-01

The article analyses the fourth detective novel by Julian Barnes «Going to the Dogs» written under an assumed name Dan Kavanagh. Appealing to the genre of classic English detective fiction, Barnes proceedes with the veiled experiments with genre. Furthermore the author manages with the canonical elements of the comprised «formula» of English detective fiction in a postmodern way, which in the atmosphere of questionable morality and overall criminal setting of London at the end of the XXth cen...
Exploiting link structure for web page genre identification

KAUST Repository

Zhu, Jia

2015-07-07

As the World Wide Web develops at an unprecedented pace, identifying web page genre has recently attracted increasing attention because of its importance in web search. A common approach for identifying genre is to use textual features that can be extracted directly from a web page, that is, On-Page features. The extracted features are subsequently inputted into a machine learning algorithm that will perform classification. However, these approaches may be ineffective when the web page contains limited textual information (e.g., the page is full of images). In this study, we address genre identification of web pages under the aforementioned situation. We propose a framework that uses On-Page features while simultaneously considering information in neighboring pages, that is, the pages that are connected to the original page by backward and forward links. We first introduce a graph-based model called GenreSim, which selects an appropriate set of neighboring pages. We then construct a multiple classifier combination module that utilizes information from the selected neighboring pages and On-Page features to improve performance in genre identification. Experiments are conducted on well-known corpora, and favorable results indicate that our proposed framework is effective, particularly in identifying web pages with limited textual information. © 2015 The Author(s)

Exploiting link structure for web page genre identification

KAUST Repository

Zhu, Jia; Xie, Qing; Yu, Shoou I.; Wong, Wai Hung

2015-01-01

As the World Wide Web develops at an unprecedented pace, identifying web page genre has recently attracted increasing attention because of its importance in web search. A common approach for identifying genre is to use textual features that can be extracted directly from a web page, that is, On-Page features. The extracted features are subsequently inputted into a machine learning algorithm that will perform classification. However, these approaches may be ineffective when the web page contains limited textual information (e.g., the page is full of images). In this study, we address genre identification of web pages under the aforementioned situation. We propose a framework that uses On-Page features while simultaneously considering information in neighboring pages, that is, the pages that are connected to the original page by backward and forward links. We first introduce a graph-based model called GenreSim, which selects an appropriate set of neighboring pages. We then construct a multiple classifier combination module that utilizes information from the selected neighboring pages and On-Page features to improve performance in genre identification. Experiments are conducted on well-known corpora, and favorable results indicate that our proposed framework is effective, particularly in identifying web pages with limited textual information. © 2015 The Author(s)
Genre Fotografi yang Diminati oleh Fotografer di Indonesia

Directory of Open Access Journals (Sweden)

Agnes Paulina Gunawan

2014-10-01

Full Text Available When speaking of progress, photography is one of the things that is experiencing a quite vast development, and relatively wide in terms of technology or its visual feature. What it means by visual feature here is that in a long period of time, a lot has changed in its idea or concept. Also, it means the print media, or even its printing technique. Moreover he most basic of all is its character of the result in the photo itself. Whether the object taken, moment or time of the photo shoot, all these factors quite represent several genres in photography. For example, if the photography is making a human being to become its model, it might mean a modeling photo shoot, kids, or family photo shoot. Also it might mean a studio/indoor photo shoot or an outdoor photo shoot, when speaking of genre category. If the photo taken is a moment or an event, it might be a journalistic genre or a documentation one. Several themes or visual feature in a photo shoot will become one of the aspects for us the subject to be able to categorize the kind of genre they are. Hence, those genres definitely serve different functions.
Booktalking Science Fiction to Young Adults.

Science.gov (United States)

Klause, Annette Curtis

1990-01-01

Identifies the elements of science fiction that might appeal to adolescent readers and offers suggestions for developing innovative book talks on science fiction books. A bibliography of 133 books, categorized by subgenres such as hard science, space travel, and mysteries, is provided. (eight references) (CLB)
Transgressing the Non-fiction Transmedia Narrative

NARCIS (Netherlands)

Gifreu-Castells, Arnau; Misek, Richard; Verbruggen, Erwin

2016-01-01

abstractOver the last years, interactive digital media have greatly affected the logics of production, exhibition and reception of non-fiction audiovisual works, leading to the emergence of a new area called ‘interactive and transmedia non-fiction’. Whilethe audiovisual non-fiction field has been
Pseudoscience and science fiction

CERN Document Server

May, Andrew

2017-01-01

Aliens, flying saucers, ESP, the Bermuda Triangle, antigravity … are we talking about science fiction or pseudoscience? Sometimes it is difficult to tell the difference. Both pseudoscience and science fiction (SF) are creative endeavours that have little in common with academic science, beyond the superficial trappings of jargon and subject matter. The most obvious difference between the two is that pseudoscience is presented as fact, not fiction. Yet like SF, and unlike real science, pseudoscience is driven by a desire to please an audience – in this case, people who “want to believe”. This has led to significant cross-fertilization between the two disciplines. SF authors often draw on “real” pseudoscientific theories to add verisimilitude to their stories, while on other occasions pseudoscience takes its cue from SF – the symbiotic relationship between ufology and Hollywood being a prime example of this. This engagingly written, well researched and richly illustrated text explores a wide range...
Playing the Tune: Video Game Music, Gamers, and Genre

OpenAIRE

Summers, Tim

2011-01-01

This article proposes a particular approach to video game music, advocating the usefulness of genre-based enquiry. Two generic levels are active in video game music: ‘interactive genre’ (the type of game/interactive mechanism) and ‘environmental genre’ (the ‘setting’ of the game). The interaction between these levels produces the game’s music. By examining games within the same interactive genre, even if the environmental genre is markedly different, we can begin to uncover similar concerns, ...
Gedanken fictions

Science.gov (United States)

Gardner, Kate

2017-07-01

The 14 pairs of short story and essay in Thought X: Fictions and Hypotheticals have at their root the concept that thought experiments in science and philosophy tell stories as they build a scenario to prove a point.
The didactic gesture of internal regulation in the ‘genres didactic sequence’

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Eliana Merlin Deganutti de Barros

2015-10-01

Full Text Available This article brings results of a doctoral research based in the studies of Sociodiscursive Interactionism (SDI, particularly, in its didactic aspect. Data was obtained in a field research carried out in a public school of Londrina, Paraná State, in a 6th grade class, focused in the didactic transposition of the genre ‘letter of complaint’, under the instrumentalization of the ‘genre didactic sequence’ (GDS procedure. The epistemological focus of the article concentrates on the analysis of a founder didactic gesture: ‘the internal regulation’ –implemented by the diagnostic evaluation of the students initial production. The objective is to show the accomplishment of this gesture in the development of this step of the SDG, highlighting both the result of the learning diagnostic process and the specific didactic gestures mobilized to set this stage of the learning project. It was found that the didactic approach of the diagnostic regulation mobilized after the writing of the first version of the genre, is essential for the GDS global development, since it shows the ‘errors’ that require the didactic intervention.
Topic Modeling Genre: An Exploration of French Classical and Enlightenment Drama

OpenAIRE

Schöch, Christof

2015-01-01

This version of the article is outdated. Please consider a more recent version here: https://zenodo.org/record/166356. The concept of literary genre is a highly complex one: not only are different genres frequently defined on several, but not necessarily the same levels of description, but consideration of genres as cognitive, social, or scholarly constructs with a rich history further complicate the matter. This contribution focuses on thematic aspects of genre with a quantitative approa...
Fictional Discourse. Replies to Organon F Papers (Part II)

Czech Academy of Sciences Publication Activity Database

Koťátko, Petr

2016-01-01

Roč. 23, č. 1 (2016), s. 102-124 ISSN 1335-0668 Institutional support: RVO:67985955 Keywords : fictional worlds * fictional characters * fictional names * pretense * text-work relation Subject RIV: AA - Philosophy ; Religion http://hdl.handle.net/11104/0258865
Fiction, History and Pedagogy: A Double-Edged Sword

Science.gov (United States)

Clark, Penney; Sears, Alan

2017-01-01

There are many areas of overlap between history and fiction. Teachers of history have long recognized this connection and used a range of fictional accounts in their teaching. In this article, we argue that fiction is a double-edged sword that must be handled carefully. On the one hand, it presents compelling characters and accounts that provide…
Urban Image in Iranian Fiction Films

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Azam Ravadrad

2011-11-01

Full Text Available Tehran as a symbol of Iranian modernity has been considered in many Iranian fiction films. Representation of Tehran in cinema can be the representation of Iranian modernity revolution. This study focuses on the representation of urban image in Iranian fiction films through critical theories such as Simmel or Benjamin opinions. In this article we discus about the mediator role of cinema for representing the Urban life Image and confliction of modernity in Iran.Meanwhile some megalopolis such as Paris, Berlin, Moscow, New York and sanpitersboorg est.…have had great opportunity for understanding confliction of modernity in their situation, Tehran has never have that chance. Regarding to this vacuum we want to explain the role of Iranian fiction films for understanding the entrance of modernity consequences in different eras. We believed that fiction films can represent confliction of city and village, represent of modern dualities, non cohesive rationality and many other gaps in Iranian modernity that we have to know.
Gel state of the fictional body in Mario Bellatin’s 'Rosa Canina' and "Flores"

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Isabel Jasinski

2015-12-01

Full Text Available Mario Bellatin creates a peculiar "space of sense" in fiction, related to the visual and performatic expressions of language. So, his literary project presents writing as body language, a territory of significance constantly deterritorialized by sensations connected to the narrative game, with images and symbols in the literary actions. A sense of creative destruction constitutes the paradox expressed by fiction as body and by the body as fiction, in what we call Bellatin’s "nomadic writing", by means of the abnormality of the characters, their sexuality and religiosity, as one can note in Flores (2000, especially in "Rosa canina", published online by Cosac Naify in 2009. The position adopted by the protagonist in this work seems to indicate a specific "regime of signification”, as Josefina Ludmer puts it, according to which art and reality, fiction and biography blur their borders in a “gel state exchange”.
Writing business research article abstracts: A genre approach

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Carmen Piqué-Noguera

2012-10-01

Full Text Available A great deal has been published about oral and written genres in business (e.g., letters, research articles, oral presentations, etc., and less attention has been paid to business research article abstracts as a written genre, as many experts would argue. This research intends to raise rhetorical awareness about the role of abstracts in today’s academic world. To this effect, the abstracts of two official publications of the Association of Business Communication, Journal of Business Communication and Business Communication Quarterly, have been analyzed and compared in terms of structure and content according to models published in the specialized literature. The results show an irregular and inconsistent presentation of abstracts, a good number of them following no set pattern and thus lacking in important information for researchers. These findings suggest, first of all, that abstracts have a specific mission to fulfil and should not be disregarded; and, secondly, that journal guidelines for authors should be more explicit in their instructions on how to write and structure abstracts.
What Pauline Doesn't Know: Using Guided Fiction Writing to Educate Health Professionals about Cultural Competence.

Science.gov (United States)

Saffran, Lise

2017-01-07

Research linking reading literary fiction to empathy supports health humanities programs in which reflective writing accompanies close readings of texts, both to explore principles of storytelling (narrative arc and concrete language) and to promote an examination of biases in care. Little attention has been paid to the possible contribution of guided fiction-writing in health humanities curricula toward enhancing cultural competence among health professionals, both clinical and community-based. Through an analysis of the short story "Pie Dance" by Molly Giles, juxtaposed with descriptions of specific writing exercises, this paper explains how the demands of writing fiction promote cultural competency.
Framing Mass Shootings: Fictional Depictions of Real-life Gun Massacres in American Cinema

OpenAIRE

Tryggeseid, Ane Johannessen

2017-01-01

This thesis examines the concept of real-life mass shootings and its depiction in American fictional cinema. The issue of mass shootings is a highly controversial subject of discussion, both within the public and political sphere, as it necessarily touches upon rigid perceptions of civil liberties – specifically those of the Second Amendment – which further permeates the field of fictional cinema. As opposed to assessing the issue of mass shootings as a product of a prevailing culture of guns...
American Film Genre Program: The Movies in Our Lives

Science.gov (United States)

Mallery, David

1976-01-01

The American Film Genre Program helps students get into exploring the genre film as experience in examples of work that reflects the art of the film at a powerful and imagination-kindling level. (Author/RK)
Genre, Identity, and the Brain: Insights from Neuropsychology

Science.gov (United States)

Clark, Irene

2016-01-01

The article explores several perspectives on the interconnection between genre and identity, an issue that has generated significant scholarship in rhetorical genre studies. It suggests that current work in neuroplasticity--that is, changes in the brain that can occur through learning and experience--complicates and problematizes the issue and is…
Science Fiction and the Big Questions

Science.gov (United States)

O'Keefe, M.

Advocates of space science promote investment in science education and the development of new technologies necessary for space travel. Success in these areas requires an increase of interest and support among the general public. What role can entertainment media play in inspiring the public Â especially young people Â to support the development of space science? Such inspiration is badly needed. Science education and funding in the United States are in a state of crisis. This bleak situation exists during a boom in the popularity of science-oriented television shows and science fiction movies. This paper draws on interviews with professionals in science, technology, engineering and mathematics (STEM) fields, as well as students interested in those fields. The interviewees were asked about their lifelong media-viewing habits. Analysis of these interviews, along with examples from popular culture, suggests that science fiction can be a valuable tool for space advocates. Specifically, the aspects of character, story, and special effects can provide viewers with inspiration and a sense of wonder regarding space science and the prospect of long-term human space exploration.
Genre.

Directory of Open Access Journals (Sweden)

Jacques Lévy

2004-10-01

Full Text Available Depuis quelques années, le mot « genre » tend à remplacer le mot « sexe » dans les sciences sociales francophones. Pour une part, ce changement est probablement plus justifié en anglais, pour lequel le mot « sex » renvoie plus exclusivement qu’en français à la sexualité ( to have sex = faire l’amour. L’engouement francophone s’explique cependant, pour l’essentiel, par la même motivation que celui des anglophones : montrer que les différences observées dans ...

Gen(dered power: Die Macht des Genres im Streit um die Frauenrolle in Pastoralbriefen und Paulusakten

Directory of Open Access Journals (Sweden)

Annette Merz

2012-04-01

Full Text Available Gen(dered power: The power of genre in the debate about women’s roles in the Pastoral Letters and the Acts of Paul. Two texts that contributed to the discussion on gender roles in formative Christianity, 1 Timothy and the Acts of Paul, are investigated. In both cases the emphasis is on the much-disputed role of women. Power plays a role on different levels. On the one hand power relations between the sexes are depicted or directly addressed by the text (‘gendered’ power, while on the other hand the power of persuasion is brought to bear on both male and female readers to legitimize the patriarchal, videlicet the encratitic model of gender. This is done by rhetorical means that are text-specific, but also make use of genre-specific persuasion strategies. This ‘genred power’ is still mostly unchartered territory in exegetical discussions and is therefore the focus of my investigation. Especially important in both genres are intertextual allusions to authoritative texts. Fictive self-references which enable the author (’Paul’ to correct himself are one focus of interest. Narrative strategies (i.e. character and plot development which also have an intertextual dimension are a second focal point. The take-over of the role of Peter who denies Jesus and repents by Paul in the Acts of Thecla turns out to be of major rhetorical significance.
PURE OR HYBRID? THE DEVELOPMENT OF MIXED DICTIONARY GENRES

OpenAIRE

Reinhard R. K. Hartmann

2005-01-01

This paper explores 'hybrid' genres of dictionaries and other reference works. Against the tradition of general dictionaries becoming ever more specialised, there has also been a growing trend of mixing two or more 'pure' dictionary types for achieving specific purposes, e.g. the combination of alphabetic and thematic dictionary,general dictionary and technical glossary, dictionary and thesaurus, dictionary and encyclopedia, monolingual and bilingual dictionary, etc. Examples of these various...
Stylistic features of case reports as a genre of medical discourse.

Science.gov (United States)

Lysanets, Yuliia; Morokhovets, Halyna; Bieliaieva, Olena

2017-03-13

The present paper discusses the lexical and grammatical peculiarities of English language medical case reports, taking into account their communicative purposes and intentions. The objective of the research is to clarify the principal mechanisms of producing an effective English language medical case report and thus to provide recommendations and guidelines for medical professionals who will deal with this genre. The analysis of medical case reports will largely focus on the most significant linguistic peculiarities, such as the use of active and passive voice, the choice of particular verb tenses, and pronouns. The selected medical case reports will be considered using methods of lexico-grammatical analysis, quantitative examination, and contextual, structural, narrative, and stylistic analyses. The research revealed a range of important stylistic features of medical case reports which markedly distinguish them from other genres of medical scientific writing: educational and instructive intentions, conciseness and brevity, direct and personal tone, and material presented in a narrative style. The present research has shown that the communicative strategies of the analyzed discourse, mentioned immediately above, are effectively implemented by means of specific lexical units and grammatical structures: the dominance of active voice sentences, past simple tense, personal pronouns, and modal verbs. The research has also detected the occasional use of the present perfect, present simple, and future simple tenses and passive voice which also serve particular communicative purposes of medical case reports. Medical case reports possess a range of unique characteristics which differ from those of research articles and other scientific genres within the framework of written medical discourse. It is to be emphasized that it is highly important for medical professionals to master the major stylistic principles and communicative intentions of medical case report as a genre in
Mandatory Genres: The case of European Public Assessment Report (EPAR) summaries

DEFF Research Database (Denmark)

Askehave, Inger; Zethsen, Karen K.

2008-01-01

The aim of this article is to consider the nature of mandatory genres (legally regulated genres) emanating from European Union directives and point to the challenges which such genres pose due to their legal origin and complex text production and text reception processes. Taking its point of depa...
An exploratory study of the impact of hypermedia-based approach and science-in-fiction approach for instruction on the polymerase chain reaction

Science.gov (United States)

Britton, Lynda A.

1998-12-01

Exploration of meaningful learning of the polymerase chain reaction (PCR) followed instruction by a researcher-developed hypermedia computer program that incorporated human constructivist principles and a "science-in-fiction" chapter of a novel that described PCR. Human constructivism is the Ausubel-Novak-Gowin (1997) meaningful learning theory that supports science learning through graphic representations and multiple examples. Science-in-fiction is a new genre of fiction introduced by the prominent scientist, Carl Djerassi, to engender an appreciation for science, and its ethical dilemmas. Chapter 19 of Djerassi's 1994 novel, The Bourbaki Gambit, was placed into hypermedia format to standardize the presentation. As part of a clinical microbiology course in the medical technology curriculum at a major medical center in the Deep South, 10 undergraduates participated in this study. Each first read The Bourbaki Gambit, and then half of the participants experienced the human constructivist approach first (the PCR group) while the others first encountered the science-in-fiction approach (the Chapter 19 group). For the rest, the order of presentation was reversed, so that all experienced both programs. Students' explanations while using the computer were videotaped. Students were tested and interviewed before experiencing either program, after their first instructional session, and again after the second instructional session. These students were also assessed on their knowledge of the nature of science by taking the Nature of Science Questionnaire, before and after instruction (Roach, 1993) and interviewed as a cross-check on its reliability. Students' preferred learning approaches were determined using Schmeck's Inventory of Learning Processes (Schmeck, Ribich, & Ramanaiah, 1977). Data were collected and analyzed both qualitatively and quantitatively using appropriate verbal analysis techniques (Chi, 1997). All but three students reached a structural level of PCR
Genre Analysis and Writing Skill: Improving Iranian EFL Learners Writing Performance through the Tenets of Genre Analysis

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Nazanin Naderi Kalali

2015-12-01

Full Text Available The main thrust of this study was to determine whether a genre-based instruction improve the writing proficiency of Iranian EFL learners. To this end, 30 homogenous Iranian BA learners studying English at Islamic Azad University, Bandar Abbas Branch were selected as the participants of the study through a version of TOEFL test as the proficiency test. The selected participants were 15 females and 15 males who were randomly divided into two groups of experimental and control. The both experimental and control groups were asked to write on a topic determined by the researcher which were considered as the pre-test. The writing of the students were scored using holistic scoring procedure. The subjects received sixteen hours instruction—the experimental group using a genre-based pedagogy and the control group through the traditional methodology which was followed by a post-test—the subjects were, this time, asked to write on the same topic which they were asked to write before instruction. Their post-writings were also scored through the holistic scoring procedures. In analyzing the data, t-test statistic was utilized for comparing the performances of the two groups. It was found that there is statistically significant difference between the writing ability of the participants who go under a genre-based instruction and who don’t. The study, however, didn’t find any significant role for gender. Keywords: genre analysis, writing skill, holistic scoring procedure, pre-test, post-test, t-test
On the genre-fication of music: a percolation approach

Science.gov (United States)

Lambiotte, R.; Ausloos, M.

2006-03-01

We analyze web-downloaded data on people sharing their music library. By attributing to each music group usual music genres (Rock, Pop ...), and analysing correlations between music groups of different genres with percolation-idea based methods, we probe the reality of these subdivisions and construct a music genre cartography, with a tree representation. We also discuss an alternative objective way to classify music, that is based on the complex structure of the groups audience. Finally, a link is drawn with the theory of hidden variables in complex networks.
Understanding the videograme genre: a qualitative analysis of the “playing contract”

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Tulia Maria Cășvean

2015-12-01

Full Text Available Available in the widest variety of forms, with or without the ”story” or the scoring, played alone (single player, with a few partners (multiplayer or with many others (massive multiplayer online games, the videogames categories are built on multiple perspectives that depend on the observer and his or her agenda. Embedded in the popular culture, videogames exploit models and formal containers, pre-worked materials, well-known heroes, stereotypes and myths. Paraphrasing Umberto Eco, (1989 different videogame categories become a “playing contract” between producers and players, who should instantly recognize on its basis the videogame’s genre -characterized by multiple meanings, functions, production models and audience expectations, and evolving through time. The overall understanding of videogames depends on defining their genre framework as opposed to labels or marketing tools used by the game producers – a blueprint that requires an arrangement of specific elements. While not proposing an exhaustive genre categorization, this paper aims to assess the plot as a suitable criterion for videogame genre framework by correlating the specialists’ opinions on plot usage with the manner in which the plot is reflected into the game features. The findings and the conclusion of this paper are supported by in-depth interviews with industry professionals and by a videogames plot evaluation grid built in line with the methodology proposed by Aarseth, Smedetad and Sunnanå (2003 and Tobias’ plot evaluation (1993.
Genre of Music and Lyrical Content: Expectation Effects.

Science.gov (United States)

Ballard, Mary E; Dodson, Alan R; Bazzini, Doris G

1999-12-01

This study was designed to examine whether people's expectations differ regarding how music lyrics affect individual behavior as a function of music genre. Because legislative attention and media publicity have been biased against certain types of popular music (i.e., heavy metal and rap), the authors expected that those genres of music would be viewed more negatively than other genres of popular music, for which there has been little or no negative publicity (i.e., pop and country). Participants (N = 160 college students) rated their perceptions of how the lyrical content of a song would affect listeners' behavior. The authors presented prosocial or antisocial lyrical passages to students (N = 160) under the guise of four musical genres (heavy metal, rap, pop, and country). Participants rated the potential impact of the lyrics on listeners' behavior. Findings indicated that lyrics labeled as heavy metal or rap were perceived as less likely to inspire prosocial behavior but not more likely to inspire antisocial behavior than the same lyrics labeled as country or pop.
Twitter Fiction: A New Creative Literary Landscape

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Laila Al Sharaqi

2016-08-01

Full Text Available Twitter, synonymous with social networking, has become a successful social platform for the exchange of ideas, news, and information. It has also emerged as an experimental platform through which users explore creative realms of poetic and narrative content, albeit in 140 characters. The real-time tweets are fundamentally unique and increasingly sophisticated. The attention deficit generation of the fast-paced contemporary world has little time on its hands for extended discourse. Brief stories have been told throughout human history, however, the popularity of short stories skyrocketed with the advent of digital story telling. Twitter has now become a frontier medium that allows a unique mode of digital storytelling that facilitates creative literary experimentation. Twitter offers a unique freedom to writers insofar as a tweet can be an entire bite-sized story or even a snapshot of a story that requires readers’ active imagination to complete. Twitter fiction signifies stylistic word economy, compactness, symbolic structure, and implied narrative. Fragmentariness of the story is a marker of Twitter fiction. The proponents of Twitter fiction enjoy the originality, freedom, and diversity of perspectives offered by the Twitter fiction. Critics, however, argue that the mandated 140 character limitation stunts story development and strangulates creativity. This paper examines Twitter fiction and proposes that limited characters stories are the evolutionary answer to the reduced attention span of the tech-savvy generation. Keywords: twitterature, fiction, brevity, literary art
When Fiction Is Just as Real as Fact: No Differences in Reading Behavior between Stories Believed to be Based on True or Fictional Events

Science.gov (United States)

Hartung, Franziska; Withers, Peter; Hagoort, Peter; Willems, Roel M.

2017-01-01

Experiments have shown that compared to fictional texts, readers read factual texts faster and have better memory for described situations. Reading fictional texts on the other hand seems to improve memory for exact wordings and expressions. Most of these studies used a “newspaper” vs. “literature” comparison. In the present study, we investigated the effect of reader's expectation to whether information is true or fictional with a subtler manipulation by labeling short stories as either based on true or fictional events. In addition, we tested whether narrative perspective or individual preference in perspective taking affects reading true or fictional stories differently. In an online experiment, participants (final N = 1,742) read one story which was introduced as based on true events or as fictional (factor fictionality). The story could be narrated in either 1st or 3rd person perspective (factor perspective). We measured immersion in and appreciation of the story, perspective taking, as well as memory for events. We found no evidence that knowing a story is fictional or based on true events influences reading behavior or experiential aspects of reading. We suggest that it is not whether a story is true or fictional, but rather expectations toward certain reading situations (e.g., reading newspaper or literature) which affect behavior by activating appropriate reading goals. Results further confirm that narrative perspective partially influences perspective taking and experiential aspects of reading. PMID:28983269
When Fiction Is Just as Real as Fact: No Differences in Reading Behavior between Stories Believed to be Based on True or Fictional Events

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Franziska Hartung

2017-09-01

Full Text Available Experiments have shown that compared to fictional texts, readers read factual texts faster and have better memory for described situations. Reading fictional texts on the other hand seems to improve memory for exact wordings and expressions. Most of these studies used a “newspaper” vs. “literature” comparison. In the present study, we investigated the effect of reader's expectation to whether information is true or fictional with a subtler manipulation by labeling short stories as either based on true or fictional events. In addition, we tested whether narrative perspective or individual preference in perspective taking affects reading true or fictional stories differently. In an online experiment, participants (final N = 1,742 read one story which was introduced as based on true events or as fictional (factor fictionality. The story could be narrated in either 1st or 3rd person perspective (factor perspective. We measured immersion in and appreciation of the story, perspective taking, as well as memory for events. We found no evidence that knowing a story is fictional or based on true events influences reading behavior or experiential aspects of reading. We suggest that it is not whether a story is true or fictional, but rather expectations toward certain reading situations (e.g., reading newspaper or literature which affect behavior by activating appropriate reading goals. Results further confirm that narrative perspective partially influences perspective taking and experiential aspects of reading.
"Frankenstein" as Science Fiction and Fact

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van der Laan, J. M.

2010-01-01

Often called the first of its kind, "Frankenstein" paved the way for science fiction writing. Its depiction of a then impossible scientific feat has in our time become possible and is essentially recognizable in what we now refer to as bioengineering, biomedicine, or biotechnology. The fiction of "Frankenstein" has as it were given way to…
21st Century South African Science Fiction

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CARAIVAN LUIZA

2014-12-01

Full Text Available The paper analyses some aspects of South African science fiction, starting with its beginnings in the 1920s and focusing on some 21st century writings. Thus Lauren Beukes’ novels Moxyland (2008 and Zoo City (2010 are taken into consideration in order to present new trends in South African literature and the way science fiction has been marked by Apartheid. The second South African science fiction writer whose writings are examined is Henrietta Rose-Innes (with her novel Nineveh, published in 2011 as this consolidates women's presence in the SF world.
Actualism and Fictional Characters

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André Leclerc

2016-04-01

Full Text Available http://dx.doi.org/10.5007/1808-1711.2016v20n1p61 In what follows, I present only part of a program that consists in developing a version of actualism as an adequate framework for the metaphysics of intentionality. I will try to accommodate in that framework suggestions found in Kripke’s works and some positions developed by Amie Thomasson. What should we change if we accept “fictional entities” in the domain of the actual world? Actualism is the thesis that everything that exists belongs to the domain of the actual world and that there are no possibilia. I shall defend that there are abstract artefacts, like fictional characters, and institutions. My argument could be seen as a version of Moore’s paradox: it is paradoxical to say: “I made (created it, but I do not believe it exists”. Moreover, there are true sentences about them. I will examine what it means to include abstract artefacts in the domain of the actual world. I favour a use of “exist” that includes beings with no concrete occupation of tri-dimensional space; to exist, it is enough to have been introduced at some moment in history. Abstract artefacts, like fictional characters, exist in that sense. I argue that it is important to distinguish two perspectives (internal and external in order to clarify the kind of knowledge we have of fictional characters. However, their existence presupposes a relation of dependence to a material basis and the mental activities of many people.
A genre analysis of English language research grant proposal abstracts in Chile

OpenAIRE

Matzler, Pascal P

2014-01-01

The writing of English-language research genres represent a challenging task for non-native-speaker researchers. Grant proposals, in particular, are a high-stakes genre that will greatly influence a researcher’s career development opportunities; however, novice researchers are faced with an urgent lack of publicly available exemplars or teaching materials for this genre. The present study attempts to address this issue by means of Swalesian genre analysis. First, a move system analysis is app...
Vers une esthétique de la science-fiction

OpenAIRE

Russ, Joanna

2013-01-01

Les outils critiques élaborés en ayant à l’esprit une littérature entièrement différente ne fonctionnent pas quand ils sont appliqués à la science-fiction. Dans cet article, j’avance la proposition suivante : que la science-fiction est didactique. Malgré des similitudes superficielles avec la fiction moderne naturaliste (ou autre), les personnages de science-fiction sont toujours des personnes collectives, jamais individuelles. Je suggère que la critique littéraire contemporaine n’est pas l’...
Replication Research in Comparative Genre Analysis in English for Academic Purposes

Science.gov (United States)

Basturkmen, Helen

2014-01-01

In recent years a number of comparative studies based on an established approach to genre analysis have been published in the English for Academic Purposes (EAP) literature. Studies in this emerging strand of research typically aim to identify how the rhetorical structure of a particular genre (a text type) or part of a genre may vary across…
Journeys beyond pages: The use of fiction in tourism

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Lipovšek Emilija

2014-01-01

Full Text Available The paper aims at looking into the examples of most popular literary induced tours on the European continent in order to establish interconnectivity between works of fiction as created cultural forms and their impact on tourism industry and consumer society. Accordingly, not only does the human urge to travel refer to the phenomenon of escapism and escapism into fictional, but it is also intrinsically linked to the fact of recreating oneself, i.e. finding one's own destiny/destination. Therefore, the focus is on the acknowledgement that fictional is employed in the non-fictional setting so as to produce man-made tourist attractions. Thus, the illusion of the fictional is perpetuated into the actual places used as attractions for avid readers and cinephiles. For instance, 221b Baker Street in London known as the Sherlock Holmes's home is recreated in reality and made into a museum for those intrigued by the mystery of Conan Doyle's fiction. The tourist is thus perceived both as a consumer and homo ludens in the postmodern contemporary context. The same way as a reader immerses into the text, the tourist embarks on a journey. Thus, various literary tours represent a twofold experience of the fictional world.
Faith Fictions: "The Word between This World and God"

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Le Tran, Mai-Anh

2009-01-01

The search for religious truth and depth in "fiction" invites a conceptualization of life and fictional narratives as "faith fictions"--narrative accounts of human experiences and the human condition that bridge this world and God. This article juxtaposes "Mother Crocodile", "Hunger", and "Lost in Translation" to highlight the ways in which they,…

Psychopathy and the cinema: fact or fiction?

Science.gov (United States)

Leistedt, Samuel J; Linkowski, Paul

2014-01-01

The authors investigated the relationship between cinema and psychopathy to describe and analyze the portrayal of fictional psychopathic characters in popular films and over cinematic history. From 400 films (1915-2010), 126 fictional psychopathic characters (21 female and 105 male) were selected based on the realism and clinical accuracy of their profiles. Movies were then analyzed by senior forensic psychiatrists and cinema critics. Secondary (71%) and manipulative (48%) subtypes were the most common in the female group, while secondary (51%) and prototypical (34%) were the most common in the male group. Corresponding to the increased understanding of clinical psychopathy by professional mental health providers over time, the clinical description of and epidemiological data on fictional psychopaths in popular films have become more realistic. Realistic fictional psychopaths remain in the minority but are very important for didactic purposes in Academic facilities, as "teaching Movies." © 2013 American Academy of Forensic Sciences.
Horror from the Soul--Gothic Style in Allan Poe's Horror Fictions

Science.gov (United States)

Sun, Chunyan

2015-01-01

Edgar Allan Poe made tremendous contribution to horror fiction. Poe's inheritance of gothic fiction and American literature tradition combined with his living experience forms the background of his horror fictions. He inherited the tradition of the gothic fictions and made innovations on it, so as to penetrate to subconsciousness. Poe's horror…
Genre pedagogy in the mediation of socially-situated literacies ...

African Journals Online (AJOL)

In this article, the writer explores learner experience during the scaffolding of subjectspecific academic literacies using a genre pedagogical approach that views linguistic expertise as a socially-situated phenomenon. For the learners of this case study, the mastery of the descriptive report genre, in particular, was ...
Apps: a new medium for non-fiction innovation

OpenAIRE

Allen, Catherine

2015-01-01

Apps are now a dominant content medium: in the US people spend more time on apps than they do watching TV. Non-fiction content is being avidly consumed on mobile devices, but in a completely different way to the book model. This article explores three strands of potential that the app medium holds for non-fiction content, putting forward the case that apps have the power to further weave non-fiction into the fabric of society and life.
GENRE MIGRATION IN “ARTIST” BY NIKOLA PETROV

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Bogdan ALEXANDROV

2016-10-01

Full Text Available The study aims at identifying, examining and analyzing the Dynamics in the genre of the picture “Artist” by Nikola Petrov and the reasons for its migration aspirations. Evidence is argumentatively applied in defence of the thesis that at different stages of the artistic life of the work it comes under three well-grounded distinct painting genres; self-portrait, portrait (single and double and one figure composition (with the “presence” of a latent image. The hypothesis of genre migration is built on the basis of circumstances and facts that “accompany” the work from its creation till becoming part of a donation by the heirs of the author to a gallery in his hometown. An idea is argued that the simultaneous presence of several genres in the painting is unique for Bulgarian art from the early 20th century, which dimensions could only be rationalized when compared with current ideas and practices in art and nowadays views of portraying in particular. An inference is made in the text by proving that the hypothesis also applies to subsequent paradigm shifts with the time regarding portraying.
Music Genre as Method

OpenAIRE

Timothy Laurie

2014-01-01

A review of Jennifer C. Lena, Banding Together: How Communities Create Genres in Popular Music (Princeton University Press, 2012), Michelle Phillipov, Death Metal and Music Criticism: Analysis at the Limits(Lexington Books, 2012) and Graham St John, Global Tribe: Technology, Spirituality and Psytrance (Equinox Publishing, 2012).
Emotional responses to interactive fictions

OpenAIRE

Hagger, Andrzej

2012-01-01

We commonly feel a variety of emotional responses to works of fiction. In this thesis I propose to examine what we understand by the terms fictional and narrative, and to describe what sorts of narrator might be required within a narrative work. Of particular interest are interactive works of art, both narrative and non-narrative, and I provide a definition of what features a work should possess if it should properly be considered interactive. I discuss the notions of interactive narrative...
"Genre Means...": A Critical Discourse Analysis of Fourth Grade Talk about Genre

Science.gov (United States)

Schaenen, Inda

2010-01-01

This action research study investigates how genre theory can be integrated into the practice of a writing enrichment program and how the frameworks of Critical Discourse Analysis and Multimodal Analysis can help assess and improve both student learning and teacher practice. A multilayered exploration of teacher-student discourse in an urban public…
The Power of Love: Rewriting the Romance in Isabel Allende's The House of the Spirits and Eva Luna

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Frances Jane P. Abao

2000-12-01

Full Text Available Despite its ongoing popularity with women readers, romantic fiction has traditionally been regarded as an instrument of women's oppression, largely due to its reinforcement and even glorification of sexual stereotypes and bourgeois values. Latin American writer Isabel Allende's novels The House of the Spirits and Eva Luna both contain a number of the elements and conventions of romantic fiction, including distinct similarities to the two acknowledged foundations of this genre: Charlotte Brontë's Jane Eyre and Emily Brontë's Wuthering Heights.However, The House of the Spirits and Eva Luna can also be read as rewritings of the genre of romantic fiction. In these two texts, Isabel Allende appropriates and then reworks certain conventions of romantic fiction in order to portray her notion of "fulfilling egalitarian relationships" between men and women. Nevertheless, despite these feminist revisions, Allende's rewritten romances do retain the "wish-fulfillment" element-or ideal-of romantic fiction, its depiction of women's fantasy of feminine values being appreciated and validated within heterosexual romantic relationships in the real world.
Biography versus Fiction or the Value of Testimony in Jacobs’s and Stowe’s Narratives about Slavery (Autobiographie contre fiction ou la valeur du témoignage dans les récits d’esclavages de Jacobs et de Stowe

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Anne Garrait-Bourrier

2009-11-01

Full Text Available Cette étude comparée a pour projet de souligner les différences culturelles qui existent entre deux genres littéraires de la période antebellum : les récits d’esclaves et la fiction abolitionniste. Via l’approche d’extraits de textes tirés de l’autobiographie d’Harriet Jacobs Incidents in the Life of A Slave Girl, écrite sous le pseudonyme de Linda Brent et du roman de Harriet Beecher-Stowe Uncle Tom’s Cabin, nous soulignerons le témoignage historique commun qui ressort de ces deux textes. Bien que d’essence et de sources différentes, ces deux récits – celui de l’ancienne esclave et celui de l’intellectuelle blanche – offrent une image authentique de l’histoire américaine d’avant guerre civile essentielle et dénoncent le même fléau: l’esclavage.
Genre Analysis in the Frame of Systemic Functional Linguistics

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Najih Imtihani

2012-08-01

Full Text Available Systemic Functional Linguistics is a linguistics approach which cop-siders not only the structure of the language but also its social context. In the Systemic Functional Linguistics the concept of genre is defined as a step-by-step activity to reach the goal. The concept of genre is used to describe the cultural context in a language. According to this view, text should be seen and observed in its interaction with the context and social background. For that, the genre analysis will constantly involve the linguistic social context in the forms of field, tenor, mode, schematic structure and its realization in the text.
Les origines de la critique de science-fiction : de Kepler à Wells

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Arthur B. Evans

2012-10-01

Full Text Available Des notes de 1634 de Johannes Kepler sur son Songe aux essais d’H. G. Wells au début du xxe siècle, il y a eu de nombreuses explorations critiques de la littérature que nous appelons à présent science-fiction. Les commentaires de ces premiers critiques (souvent oubliés importent principalement parce qu’ils exprimaient nombre des inquiétudes (sinon toutes qui deviendraient plus tard centrales à la critique de la SF du xxe siècle : l’impact de la science et de la technologie sur les valeurs humaines, la logistique du voyage spatial, les frontières fluctuantes entre le réel et l’imaginaire, la description de l’« altérité » radicale, et les futurs possibles de notre monde. Bien plus, elles soulevaient invariablement des questions essentielles concernant les traits définitoires du genre lui-même dans sa forme en constante évolution : ses thèmes de prédilection, ses visées sociales, son didactisme scientifique et moral, son degré de vraisemblance constitutif, et sa place dans le canon littéraire occidental. Enfin, à l’aube du nouveau millénaire, il semble pertinent de regarder notre passé lointain pour redécouvrir ce que ces premiers commentateurs avaient à dire des nombreux ouvrages de science-fiction de leur époque : ceci sert à approfondir notre connaissance de la continuité historique du débat actuel sur la SF et à nous faire prendre conscience de la façon dont les choses ont à la fois beaucoup et peu changé à travers les siècles.
Apps: a new medium for non-fiction innovation

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Catherine Allen

2015-07-01

Full Text Available Apps are now a dominant content medium: in the US people spend more time on apps than they do watching TV. Non-fiction content is being avidly consumed on mobile devices, but in a completely different way to the book model. This article explores three strands of potential that the app medium holds for non-fiction content, putting forward the case that apps have the power to further weave non-fiction into the fabric of society and life.
The Perilous Life of a Linguistic Genre Convention

DEFF Research Database (Denmark)

Borchmann, Simon

2014-01-01

, the descriptions are more informative than the structures hitherto described by text linguistics. Secondly, as historical norms, they are a testimony to the development and change of language use. Thirdly, the descriptions contribute to language users’ awareness of the origin of standards, their understanding......The primary, theoretical aim of the article is to present a linguistic text analysis that differs from standard text linguistic approaches by being informative with regard to the linguistic choices and textual organisation that characterise a text as a social act. The analysis is exemplified...... by using texts of a relatively new Danish journalistic genre nyhedsanalyse (news analysis). The secondary, empirical aim of the article is to present a corpus-based, linguistic analysis of central elements of the genre nyhedsanalyse within the Danish system of newspaper genres. Text linguistics is based...
Network Fictions and the Global Unhomely

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Aris Mousoutzanis

2016-04-01

Full Text Available The paper suggests that the increasing proliferation of network fictions in literature, film, television and the internet may be interpreted through a theoretical framework that reconceptuallises the originally strictly psychoanalytic concept of the 'Unheimlich' (Freud’s idea of the ‘unhomely’ or ‘uncanny’ within the context of political, economic and cultural disources fo globalisation. ‘Network fictions’ are those texts consisting of multiple interlocking narratives set in various times and places that explore the interconnections of characters and events across different storylines: novels such as William Gibson’s 'Pattern Recognition' (2003, Hari Kunzro’s 'Transmission' (2005 and 'Gods Without Men' (2011, David Mitchell’s 'Cloud Atlas' (2004, or Rana Dasgupta’s 'Tokyo Cancelled' (2005 are some examples. My argument is that central to these fictions is a sense of a ‘global unhomely’. The sense of displacement, unhomeliness and global mobility that is conveyed in these fictions is fundamental to the experience of the 'Unheimlich'. In addition, the ability of the concept to convey a combined sense of the familiar and the strange is useful in exploring the ways in which these fictions engage with theoretical debates on globalisation that perceive the interaction between global flows and local cultures either in terms of homogenisation and uniformity or of heterogenisation and hybridity. Moreover, the repetitive temporality of the 'Unheimlich' is another distinctive aspect that allows a reading of the disjunctive, non-linear temporal structure of these fictions from this perspective. The ‘repetition compulsion’, however, that Freud considered to be an example of uncanniness was also theorised by him as a post-traumatic symptom, and this implicit association of uncanniness with post-traumatic experience also allows to interpret the persistent preoccupation of these fictions with suffering and disaster, as well as
Temporal feature integration for music genre classification

DEFF Research Database (Denmark)

Meng, Anders; Ahrendt, Peter; Larsen, Jan

2007-01-01

, but they capture neither the temporal dynamics nor dependencies among the individual feature dimensions. Here, a multivariate autoregressive feature model is proposed to solve this problem for music genre classification. This model gives two different feature sets, the diagonal autoregressive (DAR......) and multivariate autoregressive (MAR) features which are compared against the baseline mean-variance as well as two other temporal feature integration techniques. Reproducibility in performance ranking of temporal feature integration methods were demonstrated using two data sets with five and eleven music genres...
Social Robots, fiction, and sentimentality

DEFF Research Database (Denmark)

Rodogno, Raffaele

2016-01-01

in the philosophy of art and in cognitive science that attempts to solve the so called paradox of fictional emotions, i.e., the seemingly paradoxical way in which we respond emotionally to fictional or imaginary characters and events. If sentimentality were not at issue, neither would its immorality. For the sake...... argue that there are other reasons to be worried about the wide-spread use of ersatz companionship technology that have to do with the potential loss of valuable, self-defining forms of life....
Music Genre Classification Revisited: An In-Depth Examination Guided by Music Experts

DEFF Research Database (Denmark)

Pálmason, Haukur; Jónsson, Björn Thór; Schedl, Markus

2017-01-01

Despite their many identified shortcomings, music genres are still often used as ground truth and as a proxy for music similarity. In this work we therefore take another in-depth look at genre classification, this time with the help of music experts. In comparison to existing work, we aim...... at including the viewpoint of different stakeholders to investigate whether musicians and end-user music taxonomies agree on genre ground truth, through a user study among 20 professional and semi-professional music protagonists. We then compare the results of their genre judgments with different commercial...
Literary Fiction Influences Attitudes Toward Animal Welfare.

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Wojciech Małecki

Full Text Available Literary fiction has been credited with considerable power to improve attitudes toward outgroups. It was even argued that it has been an important factor behind the global decline of violence against various minorities in the last centuries. Could it also help to reduce the human-inflicted suffering of animals? To test this, we studied the attitude toward animal welfare of n = 921 (experimental group people of both sexes who read a short fragment of an unpublished novel with a motif of the physical abuse of an animal. The control group (n = 912 read a fragment of a similar length but not related to animals. After reading the text all subjects filled out an on-line questionnaire with seven items (camouflaged among many others items measuring attitudes toward animal welfare. The questionnaire included also demographical questions, such as whether the subject keeps pets. We found that in comparison with the control group, the experimental group was significantly more concerned about animal welfare. This result indicates that literary fiction can influence attitudes toward other species. It is also worth noting that our study is characterized by a high level of ecological validity, i.e. a relatively high extent to which its results can be generalized (or extended to real-world settings. Due to its specific design, which involved the cooperation of a bestselling author and his publisher, the study approximated the typical conditions in which people read fiction in a remarkably accurate way. Finally, our research has potential practical implications for promoting animal welfare.
Literary Fiction Influences Attitudes Toward Animal Welfare.

Science.gov (United States)

Małecki, Wojciech; Pawłowski, Bogusław; Sorokowski, Piotr

2016-01-01

Literary fiction has been credited with considerable power to improve attitudes toward outgroups. It was even argued that it has been an important factor behind the global decline of violence against various minorities in the last centuries. Could it also help to reduce the human-inflicted suffering of animals? To test this, we studied the attitude toward animal welfare of n = 921 (experimental group) people of both sexes who read a short fragment of an unpublished novel with a motif of the physical abuse of an animal. The control group (n = 912) read a fragment of a similar length but not related to animals. After reading the text all subjects filled out an on-line questionnaire with seven items (camouflaged among many others items) measuring attitudes toward animal welfare. The questionnaire included also demographical questions, such as whether the subject keeps pets. We found that in comparison with the control group, the experimental group was significantly more concerned about animal welfare. This result indicates that literary fiction can influence attitudes toward other species. It is also worth noting that our study is characterized by a high level of ecological validity, i.e. a relatively high extent to which its results can be generalized (or extended) to real-world settings. Due to its specific design, which involved the cooperation of a bestselling author and his publisher, the study approximated the typical conditions in which people read fiction in a remarkably accurate way. Finally, our research has potential practical implications for promoting animal welfare.

The Role of Fiction in Experiments within Design, Art & Architecture

DEFF Research Database (Denmark)

Knutz, Eva; Markussen, Thomas; Christensen, Poul Rind

2013-01-01

This paper offers a typology for understanding design fiction as a new approach in design research. The typology allows design researchers to explain design fictions according to 5 criteria: (1) “What if scenarios” as the basic construal principle of design fiction; (2) the manifestation of criti...
“Wreck IT Ralph”: Studi Genre Pada Film Disney Animation Studios

OpenAIRE

Devita, Fransisca

2013-01-01

“Wreck It Ralph” adalah sebuah film animasi produksi Disney Animation Studios yang menceritakan kehidupan dan petualangan seorang penjahat di dunia permainan bernama Ralph. Film ini adalah sebuah film yang membawa konvensi-konvensi genre yang berbeda dari film Disney sebelumnya. Peneliti melakukan analisis genre terhadap film “Wreck It Ralph” menggunakan 6 konvensi genre menurut Jane Stokes, yaitu setting, lokasi, peristiwa-peristiwa naratif, plot, karakter, dan ikonografi, untuk mengetahui g...
Preschoolers can infer general rules governing fantastical events in fiction.

Science.gov (United States)

Van de Vondervoort, Julia W; Friedman, Ori

2014-05-01

Young children are frequently exposed to fantastic fiction. How do they make sense of the unrealistic and impossible events that occur in such fiction? Although children could view such events as isolated episodes, the present experiments suggest that children use such events to infer general fantasy rules. In 2 experiments, 2- to 4-year-olds were shown scenarios in which 2 animals behaved unrealistically (N = 78 in Experiment 1, N = 94 in Experiment 2). When asked to predict how other animals in the fiction would behave, children predicted novel behaviors consistent with the nature of the fiction. These findings suggest that preschoolers can infer the general rules that govern the events and entities in fantastic fiction and can use these rules to predict what events will happen in the fiction. The findings also provide evidence that children may infer fantasy rules at a more superordinate level than the basic level. (PsycINFO Database Record (c) 2014 APA, all rights reserved).
What Books Should Anyone Working with Teens Know?

Science.gov (United States)

Lesesne, Teri S.

2002-01-01

Presents an annotated list of 44 young adult books that represent the wide range of young adult literature available for teens. Represents a variety of genres from poetry to science fiction/fantasy to historical fiction and story collections. Lists the 2002 winners for six major awards. (SG)
Charting Relationships in American Popular Film. Part II.

Science.gov (United States)

Burke, Ken

1998-01-01

Explores the concept of genre evolution through the experimental, classic, refinement, and deconstructivist phases of American films. A series of detailed diagrams present a synthesis of influences and developments in the western, supercop, detective, gangster, futuristic science fiction, fantasy, outer space science fiction, horror, musical, and…
Teaching English and History through Historical Fiction.

Science.gov (United States)

Hicks, Alun; Martin, Dave

1997-01-01

Explores the appeal of historical fiction for young readers and describes its place within any school curriculum. Describes a project in Dorset Middle Schools which used historical fiction to teach medieval history and English. Notes that students' historical thinking was improved, their knowledge of medieval world advanced, and their writing was…
Strategies for Improving Non-Fiction Reading Comprehension.

Science.gov (United States)

Bell, Karen; Caspari, Amy

This report describes a program for introducing students to strategies for improving their comprehension of non-fiction materials. The targeted population consisted of students of one third grade class in a small, middle class suburb, northwest of a large, midwestern city. Difficulty reading and comprehending non-fiction material was documented…
The Bildungsroman in Cameroon Anglophone Literature: John ...

African Journals Online (AJOL)

This paper investigates the bildungsroman genre in postcolonial Cameroon Anglophone fiction through a textual analysis of John Nkemngong Nkengasong's Across the Mongolo and Margaret Afuh's Born before Her Time. It seeks to show that these two writers have borrowed a foreign genre and successfully manipulated ...
Konstruksi Genre Dalam Film “the Lego Movie”

OpenAIRE

Natalia, Vivi

2014-01-01

“The Lego Movie” adalah film animasi dari produsen film Warner Bros yang menceritakan kehidupan dan petualangan Emmet, seorang konstruksi bangunan yang salah terdeteksi sebagai orang spesial yang mampu menyelesaikan masalah dunia. Film ini adalah sebuah film yang membawa konvensi-konvensi genre yang berbeda dibanding film-film animasi lainnya. Peneliti melakukan analisis genre terhadap film “The Lego Movie” menggunakan 6 elemen menurut Jane Stoke, yaitu setting, lokasi, peristiwa naratif, plo...
The Role of Fiction in Experiments within Design, Art & Architecture

DEFF Research Database (Denmark)

Knutz, Eva; Markussen, Thomas; Christensen, Poul Rind

2014-01-01

This paper offers a typology for understanding design fiction as a new approach in design research. The typology allows design researchers to explain design fictions according to 5 criteria.The typology is premised on the idea that fiction may integrate with reality in many different ways in design...
Queer Tracings of Genre

DEFF Research Database (Denmark)

Balle, Søren Hattesen

as (re)tracings of genres that appear somehow residual or defunct in a post-modernist poetic context. On the other, they are made to "encode new [and queer, shb] meanings" (Anne Ferry) inasmuch as Ashbery, for instance, doubles and literalizes Dante's false etymology of the word ‘eclogue' (aig- and logos...
Rewriting the Salem Witchcraft Trials in Contemporary Popular Literature

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Marta María Gutiérrez Rodríguez

2016-10-01

Full Text Available The Salem Witchcraft Trials (1692 have received a lot of attention from history and literature, although there are very few critical analysis of how this historical event has entered the literary field. Many works of historical fiction – considered the most suitable literary genre to talk about an historical event - have used it in their storylines; however, popular genres such as romance, crime fiction, fantasy and science fiction have also shown an interest in this witch hunt. The main reason for this interest can be found in the lack of final conclusions as regards what really happened in Salem. The main objective of this paper is to show how what happened in Salem has entered contemporary popular fiction with the aim of showing the interest that it still arises and to vindicate the production of more critical works about the literary construction of one of the events that most dramatically has affected the configuration of the American mind.
Teenage sexual attitudes, norms, desires and intentions: The impact of preferred musical genres

OpenAIRE

Agbo-Quaye, Sena

2006-01-01

This thesis was submitted for the degree of Doctor of Philosophy and awarded by Brunel University. This thesis focuses on teenage sexual attitudes and norms as moderated by their preferred music genre. The research questions addressed here are: What are the genre differences in lyrical representations of relationships and male and female characteristics? What are young peoples' perceptions of the impact of these genre differences on their lives? How does genre preference influence...
The Effect of Genre-Based Teaching on EFL Learners' Speaking Performance

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Mohammad Bagher Khatibi

2014-09-01

Full Text Available Abstract The present study examined the effect of genre-based tasks on EFL learners' speaking performance and probed whether genre-based tasks may empower EFL learners to perform better on speaking tests. A further concern of the study was to explore whether the effect of genre-based tasks on speaking ability of EFL learners varied across different age groups, i.e. teenagers (13-16 years old and young adults (24-27 years old. To this end, some generic based consciousness-raising tasks (CRT were adapted from the model proposed by Benedict (2006 to develop control of a genre used as the treatment procedures. Two different speaking tests of different genres (e.g. recount, report, review, etc., used as pretest and posttest, were administered to 120 senior university students majoring in English language translation. The results indicated that consciousness-raising tasks significantly affected EFL learners' speaking performance. However, the effect of generic-based CRTs did not vary across different age groups. Overall, the findings provided empirical support for the facilitative effect of generic-based consciousness-raising tasks on speaking performance of EFL learners. The findings may promise implications for EFL speaking syllabuses and provide guidelines to designers to accommodate the insights derived from the genre-based instruction perspective.
Genre-Based Teaching and Assessment in Secondary English Classrooms

Science.gov (United States)

Lee, Icy

2012-01-01

This study investigates how genre can be used as an organisational principle to interweave teaching and assessment in the L2 school context. Relying on data from interviews and lesson observations gathered from two Secondary 1 (that is, Grade 7) Hong Kong classrooms, the study sought to discover how teachers implemented genre-based teaching and…
Graham Greene: The Films of His Fiction.

Science.gov (United States)

Phillips, Gene D.

This book makes a comparative study of the prose fiction of Graham Greene and the films made from that fiction. Special attention is focused upon the "cinematic" style of Greene's prose, the effect of Greene's screenwriting on his novels, and the characteristics of Greene's filmscripts. The book is divided into considerations of Greene…
"Hypothetical machines": the science fiction dreams of Cold War social science.

Science.gov (United States)

Lemov, Rebecca

2010-06-01

The introspectometer was a "hypothetical machine" Robert K. Merton introduced in the course of a 1956 how-to manual describing an actual research technique, the focused interview. This technique, in turn, formed the basis of wartime morale research and consumer behavior studies as well as perhaps the most ubiquitous social science tool, the focus group. This essay explores a new perspective on Cold War social science made possible by comparing two kinds of apparatuses: one real, the other imaginary. Even as Merton explored the nightmare potential of such machines, he suggested that the clear aim of social science was to build them or their functional equivalent: recording machines to access a person's experiential stream of reality, with the ability to turn this stream into real-time data. In this way, the introspectometer marks and symbolizes a broader entry during the Cold War of science-fiction-style aspirations into methodological prescriptions and procedural manuals. This essay considers the growth of the genre of methodological visions and revisions, painstakingly argued and absorbed, but punctuated by sci-fi aims to transform "the human" and build newly penetrating machines. It also considers the place of the nearly real-, and the artificial "near-substitute" as part of an experimental urge that animated these sciences.
Co-occurrence Models in Music Genre Classification

DEFF Research Database (Denmark)

Ahrendt, Peter; Goutte, Cyril; Larsen, Jan

2005-01-01

Music genre classification has been investigated using many different methods, but most of them build on probabilistic models of feature vectors x\\_r which only represent the short time segment with index r of the song. Here, three different co-occurrence models are proposed which instead consider...... genre data set with a variety of modern music. The basis was a so-called AR feature representation of the music. Besides the benefit of having proper probabilistic models of the whole song, the lowest classification test errors were found using one of the proposed models....
Music Genre Classification Using MIDI and Audio Features

Science.gov (United States)

Cataltepe, Zehra; Yaslan, Yusuf; Sonmez, Abdullah

2007-12-01

We report our findings on using MIDI files and audio features from MIDI, separately and combined together, for MIDI music genre classification. We use McKay and Fujinaga's 3-root and 9-leaf genre data set. In order to compute distances between MIDI pieces, we use normalized compression distance (NCD). NCD uses the compressed length of a string as an approximation to its Kolmogorov complexity and has previously been used for music genre and composer clustering. We convert the MIDI pieces to audio and then use the audio features to train different classifiers. MIDI and audio from MIDI classifiers alone achieve much smaller accuracies than those reported by McKay and Fujinaga who used not NCD but a number of domain-based MIDI features for their classification. Combining MIDI and audio from MIDI classifiers improves accuracy and gets closer to, but still worse, accuracies than McKay and Fujinaga's. The best root genre accuracies achieved using MIDI, audio, and combination of them are 0.75, 0.86, and 0.93, respectively, compared to 0.98 of McKay and Fujinaga. Successful classifier combination requires diversity of the base classifiers. We achieve diversity through using certain number of seconds of the MIDI file, different sample rates and sizes for the audio file, and different classification algorithms.
“The Naming of Cats”: Automated Genre Classification

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Yunhyong Kim

2007-07-01

Full Text Available This paper builds on the work presented at the ECDL 2006 in automated genre classification as a step toward automating metadata extraction from digital documents for ingest into digital repositories such as those run by archives, libraries and eprint services (Kim & Ross, 2006b. We have previously proposed dividing features of a document into five types (features for visual layout, language model features, stylometric features, features for semantic structure, and contextual features as an object linked to previously classified objects and other external sources and have examined visual and language model features. The current paper compares results from testing classifiers based on image and stylometric features in a binary classification to show that certain genres have strong image features which enable effective separation of documents belonging to the genre from a large pool of other documents.

TOWARDS A SEMANTICS FOR THE ARTIFACTUAL THEORY OF FICTION AND BEYOND

OpenAIRE

Fontaine , M; Rahman , Shahid

2014-01-01

International audience; In her book Fiction and Metaphysics [1999] Amie Thomasson, influenced by the work of Roman Ingarden, develops a phenomenological approach to fictional entities in order to explain how non-fictional entities can be referred to intrafictionally and transfictionally, for example in the context of literary interpretation. As our starting point we take Thomasson's realist theory of literary fictional objects, according to which such objects actually exist, albeit as abstrac...
Using Fan Fiction to Teach Critical Reading and Writing Skills

Science.gov (United States)

Kell, Tracey

2009-01-01

In this article, the author talks about fan fiction, which is defined by Jenkins (2008) as "original stories and novels which are set in the fictional universe of favorite television series, films, comics, games or other media properties." Fan fiction generally involves writing stories with a combination of established characters and established…
Genre of khaghani’s elegies

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Alireza Shanazari

2016-02-01

Full Text Available Abstract Elegy in word is derived from Rasa-Yarso means weeping on dead people. It is also defined as enumerating deceased benefits and composing the poem about. Elegy is categorized into different parts as follows: 1. Courtier 2. Personal 3. Religious 4. Philosophical 5. Social 6. Fictional. Not only did Khaghani prove himself at composing praise and commendation, lampoon and imprisoned poems, but also he proved himself at composing elegy. Commentators of khaghani’s poems know him as an exclusive poet regarding elegy- making. Also Khaghani composed some odes in loyalty mourning and the world transience as well as personal, courtier and religious elegies which are sub- categories of philosophical elegies. Khaghani’s “Ivane Madayen” ode is considered as a social elegy. In this article, one just analyzes the elegies that Khaghani composed about people. This type of elegies in Khaghani’s Divan are categorized in three parts: a Personal and family elegies which are about Khaghani’s son, wives, girl, son-in-law, uncle and his cousin, b Courtier or ceremonial elegies which are about Nosrat od-Din Espahbud Leyalvashir, Fakhr od-Din Manuchehr Shervanshah, Shervanshah’s children (Azed od-Din Fariborz and aljijak and other courtier men, c Religious elegies composed about Imam Mohammad Yahya, Sheikh ol-Islam Abu Mansoor Hafade, Azed od-Din bu Emran and other religious characters. There have not been any comprehensive research projects conducted about Khaghani’s elegies. Nasrollah Imami had presented summarized explanations in “Composing elegy” book at Persian courtesy, in the part about Khaghani that were valuable, and he used them as the reference in this article. Two valuable articles were written about comparative literature: comparison of Khaghani’s and Hogo’s elegies about sorrow of their sons by Reza Irandust Tabrizi and “Elegy composing in Persian and Arabic courtesy with the help of comparing Khaghani Shervani and
Compte rendu de Gouanvic (Jean-Marc, Pratique sociale de la traduction. Le roman réaliste américain dans le champ littéraire français (1920-1960

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Séverine Olivier

2008-04-01

Full Text Available Pratique sociale de la traduction fait suite à l’ouvrage Sociologie de la traduction (1999, dans lequel Jean-Marc Gouanvic analysait l’introduction de la science-fiction américaine dans la France des années 1950 et l’émergence concomitante d’un champ autonome de la science-fiction française. Dans son nouvel opus, Gouanvic se penche sur le genre romanesque réaliste — genre qu’il considère comme dominant en Occident — et plus particulièrement sur la traduction de romans réalistes américains da...
Commodification of culture in fiction-induced tourism

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Lipovšek Emilija

2015-01-01

Full Text Available In the fiction-induced tourism, the illusion of the fictional world is maintained for the sake of the tourist in the real locations and thus it can be used to attract readership and cinephiles alike. Their desire to travel is based on the chronotope (Bakhtin, 1981 that is used as the background in their favourite books and films. Upon reading a book or seeing a film, the audience is inspired to visit the locations in a city where the plot took place. Thus the chronotope of the city featured in fiction develops palimpsestic features. If the flâneur experiences the city, its streets and inhabitants as he/she wanders aimlessly and translates afterwards all this into words in the urban narrative (Benjamin, 1968, then the tourist acts as a 'flâneur ranversé', while they walk the city and observe it in search of the places described in their favourite works of fiction. Moreover, the paper will consider some of the examples of the commodification of cultural products, including Harry Potter bookshop, guided walks and themed studio tours.
Dorothy L. Sayers and C. S. Lewis: Christian Postmodernism beyond Boundaries

Science.gov (United States)

Yuasa, Kyoko

2012-01-01

Modern critics do not consider science fiction and mystery novels to be "serious reading", but Dorothy L. Sayers and C. S. Lewis questioned the boundaries between "popular" and "serious" literature. Both Christian writers critically discuss the spiritual crisis of the modern world in each fiction genre. This paper…
Hierarchical vs non-hierarchical audio indexation and classification for video genres

Science.gov (United States)

Dammak, Nouha; BenAyed, Yassine

2018-04-01

In this paper, Support Vector Machines (SVMs) are used for segmenting and indexing video genres based on only audio features extracted at block level, which has a prominent asset by capturing local temporal information. The main contribution of our study is to show the wide effect on the classification accuracies while using an hierarchical categorization structure based on Mel Frequency Cepstral Coefficients (MFCC) audio descriptor. In fact, the classification consists in three common video genres: sports videos, music clips and news scenes. The sub-classification may divide each genre into several multi-speaker and multi-dialect sub-genres. The validation of this approach was carried out on over 360 minutes of video span yielding a classification accuracy of over 99%.
Rich and Strange: The Yuppie Horror Film.

Science.gov (United States)

Grant, Barry Keith

1996-01-01

States that many critics concerned with genre theory deny that the genres of horror and science fiction are flexible and adaptable. Discusses a group of recent American horror films that present a distinct variation of the horror film, including "Fatal Attraction,""Single White Female," and "After Hours." Concludes…
Glossaire genre et macroéconomie

OpenAIRE

Alexander, Patricia; Baden, Sally

2017-01-01

Les relations de genre dans l’analyse économique : vue d’ensemble Bien que les économistes aient traité les questions de la participation des hommes et des femmes à la force de travail dès le début des années 1900, le genre en lui-même n’était pas utilisé comme catégorie d’analyse. (Le terme “genre” est utilisé lorsqu’il est question des catégories sociales ; c’est-à-dire qu’il signifie qu’au-delà des fonctions élémentaires de la reproduction humaine, les rôles des hommes et des femmes ne rel...
Modifiable futures: science fiction at the bench.

Science.gov (United States)

Milburn, Colin

2010-09-01

Science fiction remains an alien dimension of the history of science. Historical and literary studies of science have become increasingly attentive to various "literary technologies" in scientific practice, the metaphorical features of scientific discourse, and the impact of popular science writing on the social development of scientific knowledge. But the function of science fiction and even literature as such in the history of scientific and technological innovation has often been obscured, misconstrued, or repudiated owing to conventional notions of authorship, influence, and the organic unity of texts. The better to address those close encounters where scientific practice makes use of speculative fiction, this essay proposes that we instead analyze such exchanges as processes of appropriation, remixing, and modification.
The Ethical Implications of Cultural Intervention by Space-faring Civilizations -- What Science Fiction Has to Say

Science.gov (United States)

Ciupa, M.

Science fiction (Scifi) plays out the concerns of our possible scientistic futures; it is a source for exploring the deep rooted psychological concerns of mankind with science and the humanities. In this paper it is proposed Scifi is a valid source of hypotheses to examine, not as "evidence", but as candidate often cautionary notions, i.e., scenarios to be studied. Scifi represents a kind of Jungian mythological based story-telling, putting forward tales that express our conscious/unconscious concerns. Thus, when looking into ethical questions like, "where will techno-progressive futures take us?", we import into them these archetypes, hopes and fears, as a result they frequently reappear as familiar tropes. In this respect it is appropriate not to ignore them, but to openly challenge/appreciate them: to see what scenarios are indeed likely and how they may impact us reciprocally. This paper examines some of these aspects, and provides examples of how they are represented in the Scifi genre, in particular with consideration of the ethical implications of cultural intervention by space-faring civilizations. Given the specific analysis/examples provided, it concludes with an ethical scenario analysis (a dialectic argument), within the limiting conditions of the Drake Equation, Fermi Paradox and Cultural History. It comments on the potential existential risk of the Active SETI programmes recently initiated, indeed the need for an ethical exosociological review of all proposed Interstellar projects that express an "Intervention-Propensity".
Convolutional Neural Network Achieves Human-level Accuracy in Music Genre Classification

OpenAIRE

Dong, Mingwen

2018-01-01

Music genre classification is one example of content-based analysis of music signals. Traditionally, human-engineered features were used to automatize this task and 61% accuracy has been achieved in the 10-genre classification. However, it's still below the 70% accuracy that humans could achieve in the same task. Here, we propose a new method that combines knowledge of human perception study in music genre classification and the neurophysiology of the auditory system. The method works by trai...
The Importance of Reading in Earnest: Non-Fiction for Young Children

Science.gov (United States)

Job, Jennifer; Coleman, Mary Ruth

2016-01-01

Until recently, reading instruction for early grades has focused on fiction. However, the Common Core State Standards and the Next Generation Science Standards both emphasize the reading of nonfiction texts to gain specific skill sets for analyzing information. Research has shown that gifted students and children with culturally/linguistically…
THE SPECIFICITY OF THE FICTIONAL SPACE IN THE NOVELS BY CRÉBILLON-FILS

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Natalia T. Pakhsarian

2017-03-01

Full Text Available The interest of contemporary literary theory and literary history in the problem of fictional space and in the space in the 18 th century novels in particular reveals both achievements and gaps in this field. The latest studies have shed light on the intimization and feminization of the fictional space in rococo novels and have defined the spatial units in such novels by Crébillon-fils as L’Écumoire ou Tanza ï et Néadarné, Le Sopha, and Les Égarements du cœur et de l’esprit. However, the inner-novel spatial relationships have been generally neglected. Juxtaposition of the topography of such novels as L’Astrée by Honoré d’Urfé, La Princesse de Clèves by Madame de La Fayette, and the novels by Crébillon-fils demonstrates that rhetorical theatricality of the baroque and classicist space had been replaced in these works by de-theatralization and topographical abstraction of rococo novels. Purely verbal, playful voyeurism of the novels by Crébillonfils does not match with topographical precision of pose and gesture as described in the frivolous erotic writings of the period (as, for example in “Thérèse-philosophe”. Transformation of rhetorical spatial topoi of the baroque and classicist periods occurs in the works of Crébillon-fils, as it does in the works of other authors of rocaille novels, through naturalizing and psychologizing the novel’s generic features.
Teaching Evolution with the Aid of Science Fiction

Science.gov (United States)

Bixler, Andrea

2007-01-01

Students obtain much misinformation from TV and movies. Teachers can use the analysis of science fiction to correct misconceptions about biology and spur students' interests in the subject. Suggestions for discussions and assignments based on literary-quality science fiction works are included.
Automated Determination of the Type of Genre and Stylistic Coloring of Russian Texts

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Barakhnin Vladimir

2017-01-01

Full Text Available In this paper we propose the algorithm of automated definition of the genre type and semantic characteristics of poetic texts in Russian. We formulated the approaches to the construction of a joint (“two-dimensional” classifier of genre types and stylistic colouring of poetic texts, based on the definition of interdependence of the type of genre and stylistic colouring of the text. On the basis of these approaches the principles of formation of the training samples for the algorithms for the definition of styles and genre types were analyzed. The computational experiments with a corpus of texts of the Lyceum lyrics of A.S.Pushkin were implemented, which showed good results in determining the stylistic colouring of poetic texts and sufficient results in determining the genres. The proposed algorithms can be used for automation of the complex analysis of Russian poetic texts, significantly facilitating the work of the expert in determining their styles and genres by providing appropriate recommendations.
Stranger than fiction

CERN Document Server

2007-01-01

Is the universe - correction: 'our' universe - no more than a speck of cosmic dust amid an infinite number of parallel worlds? A staple of mind-bending science fiction, the possibility of multiple universes has long intrigued hard-nosed physicists, mathematicians and cosmologists too.
Genre analysis of linguistics research introductions

Directory of Open Access Journals (Sweden)

Anthony Porras

2017-12-01

Full Text Available The emergence of exploring genre analysis has been a trend in Applied Linguistics, not only for its interesting factor, but also because of its pedagogical implications. This study aimed to determine the overall structure, specifically the presence and conformity of moves and steps of the research introductions in the field of Linguistics. Twelve (12 available research introductions were analyzed using Create-A-Research-Space (CARS model. The findings revealed that moves and steps across the research introductions are present. Majority of the research introductions conformed to the CARS model, but did not necessarily follow the suggested sequence. Results imply that teachers of research writing should acknowledge and introduce the CARS model as a basis for teaching the method of writing research introductions effectively.
To Work or Play? Junior Age Non-Fiction as Objects of Design.

Science.gov (United States)

Moss, Gemma

2001-01-01

Examines change and variation in the design of non-fiction texts which have a junior-age readership. Argues that different forms of presentation of non-fiction offer different ways of reading non-fiction texts, which as yet are neither fully described nor recognized. Suggests that non-fiction texts can be more or less firmly orientated towards…
Révision du genre Digitaria Haller (Poaceae) au Sénégal ...

African Journals Online (AJOL)

Le genre Digitaria Haller (Poaceae) constitue l'un des genres les plus diversifiés des Poaceae du Sénégal avec 19 espèces. Bien qu'il y ait une monographie mondiale du genre, la détermination des espèces reste difficile et repose essentiellement sur les caractères de l'appareil reproducteur. Ce travail, qui est une ...

Auto-fictional narratives about death in the family

DEFF Research Database (Denmark)

Frølunde, Lisbeth

2017-01-01

What are the interrelations of fiction-based and non-fiction based research? In this presentation I explore these interrelations through researching, retracing, and writing about my father’s suicide. In tandem, I consider the methodological issues of using narratives – that they enable a reader...
Rocketry, film and fiction: the road to Sputnik

Science.gov (United States)

Brake, Mark; Hook, Neil

2007-07-01

The launch of Sputnik 1 in 1957 was fuelled by science fiction as well as science fact. The field of early rocketry included the work of Russians Nikolai Rynin and Konstantin Tsiolkovsky, American Robert Goddard, and German engineers Herman Oberth and Wernher Von Braun. All were directly inspired and influenced by early science fiction that heralded a space age decades ahead of time. The work of these pioneers led directly to the development of the technology needed to boost Sputnik skyward. After the launch of Sputnik, the context of the nuclear arms race opened the floodgates for a new wave of apocalyptic fiction.
Fictional Inquiry

DEFF Research Database (Denmark)

Dindler, Christian; Iversen, Ole Sejer

At designe i en fortællemæssig ramme giver brugere og designere mulighed for i fællesskab at udforske fremtidens it-anvendelser. Metoden hedder Fictional Inquiry, og den motiverer brugerne til at tænke ud over dagligdagens begrænsninger og sætte ord på ting i hverdagen, som ellers er svære...
The Strange Discourse of "The X-Files": What It Is, What It Does, and What Is at Stake.

Science.gov (United States)

Bellon, Joe

1999-01-01

Gives a thorough rhetorical investigation of "The X-Files" beginning with an exploration of the show's antecedent genre. Links the show to the genre of ontological detective stories, not science fiction. Describes the way in which the show simultaneously deconstructs and reconstructs authority. Creates a new story using science,…
Embracing the Other in Gothic Texts: Cultivating Understanding in the Reading Classroom

Science.gov (United States)

Del Nero, Jennifer Renner

2018-01-01

This case study explores the understandings that seventh graders constructed with Gothic texts in a reading unit designed by the researcher. Gothic is a fictional genre defined by horror and mystery. The stories' protagonists are often marginalized individuals. The genre was selected due to its popularity with adolescents. Qualitative data were…
Nordic Noir on Television: The Killing I-III

DEFF Research Database (Denmark)

Agger, Gunhild

2012-01-01

The Nordic Noir has been applied by many countries as a slightly distorting mirror of tendencies in their own societies. On the background of its international appeal, the article analyses the prevalent genre of The Killing – the thriller – and relates it to the genres of crime fiction, political...
Music Genre Classification Using MIDI and Audio Features

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Abdullah Sonmez

2007-01-01

Full Text Available We report our findings on using MIDI files and audio features from MIDI, separately and combined together, for MIDI music genre classification. We use McKay and Fujinaga's 3-root and 9-leaf genre data set. In order to compute distances between MIDI pieces, we use normalized compression distance (NCD. NCD uses the compressed length of a string as an approximation to its Kolmogorov complexity and has previously been used for music genre and composer clustering. We convert the MIDI pieces to audio and then use the audio features to train different classifiers. MIDI and audio from MIDI classifiers alone achieve much smaller accuracies than those reported by McKay and Fujinaga who used not NCD but a number of domain-based MIDI features for their classification. Combining MIDI and audio from MIDI classifiers improves accuracy and gets closer to, but still worse, accuracies than McKay and Fujinaga's. The best root genre accuracies achieved using MIDI, audio, and combination of them are 0.75, 0.86, and 0.93, respectively, compared to 0.98 of McKay and Fujinaga. Successful classifier combination requires diversity of the base classifiers. We achieve diversity through using certain number of seconds of the MIDI file, different sample rates and sizes for the audio file, and different classification algorithms.
Meta-media and meta-communication - Revisiting the concept of genre in the digital media environment

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Klaus Bruhn Jensen

2011-08-01

Full Text Available As analytical categories, genres have traditionally occupied a middle ground – between media as technologies and institutions, on the one hand, and discourses as material and modal forms of expression and interaction, on the other. With digitalization, the very concept of genre is in doubt: is the world wide web, Facebook, or the writing on its walls the genre? This article situat es genre in relation to the concepts of meta-media and meta-communication. First, I characterize the computer and the internet as metamedia, incorporating previous genres of embodied communication as well as mass communication. Second, I describe genres as a variety of meta-communication, which serves to configure communication in the first place. In conclusion, I discuss whether and how a category of meta-genres might help to account for some distinctive features of the digital media environment.
The Double Helix: Why Science Needs Science Fiction.

Science.gov (United States)

Andreadis, Athena

2003-01-01

Discusses why science needs science fiction, commenting on the author's book about science that draws heavily on the "Star Trek" series. The best science, in spite of popular thinking, comes from leaps of intuition, and science fiction provides a creative spark that encourages participation in science. (SLD)
Reading Comprehension Course through a Genre-Oriented Approach at a School in Colombia

Science.gov (United States)

Rodríguez Sánchez, Andrés

2017-01-01

This paper reports on an action-research study aimed at identifying the problems and needs of a specific group of tenth graders at a school in Colombia in relation to their reading comprehension in English in order to design, partially implement, and evaluate a genre-oriented syllabus. Findings show that the explicit instruction of metacognitive…
Interdiction de Genre: La Loi Qui Fait Taire le Corp

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Renato Duro Dias

2015-12-01

Full Text Available Cette recherche discute les identités de genre avec la base dans l'analyse du travail La Ley no escrita (2012 d'Oihana Cordero. Le travail de l'artiste plasticien a comme l'objectif provoque la réflexion sur les lois et les normes juridiques-sociales qu'ils existent autour du caractère ficcional et le genre performatife, révélant de nouvelles lectures sur l'acte du corps. C'est un travail sculptural (KRAUSS, 1984, composé par une base blanche, une épée et un groupe de feuilles, dans lesquelles ils sont exprimés, par un contrat de genre, comme ils se prononcent, interseccionam et c'est des interdictions imposées aux possibilités de genre. Comme ceci, les règles et des règlements sont faits la preuve imposés par le binarisme du genre que la force soumet et ils arrêtent des identités pour le compte de la normalisation (normatisation des corps. Pour cette enquête les concepts de genre sont problematize, le corps subjugué, la normativité et de la performance dans le Butler (2012a, 2012b, 2013, Foucault (1997, 1998, 2014, Fraser (2002, 2006, 2009, Scott (2008, Cordero (2012 et Preciado (2011. Cordero (2012, dans son travail, nous présente les copies multiples d'un contrat de papier imprimé a passé par une épée. C'est une métaphore, une forme de représentation dogmatizé du corps par les actes visibles et invisibles qui compose et ils naturalisent les identités de genre dans une dualité obscurantiste homme/femme. Ce travail comme l'objet conceptuel (FREIRE 2006 produit la puissance exprimée pour en plus d'un document légal perforé, elle vise à provoquer les gens de contempler sur leurs pratiques et leurs corps, mais, par-dessus tout, réfléchir comme ces périmètres ont de transgression difficile. Lors de l'analyse de l'intersection possible des identités de genre et un objet artistique dans le domaine juridique est prévu pour gérer des éléments capables de révéler les technologies complexes corporels politiques
Music genre preference and tempo alter alpha and beta waves in human non-musicians

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Hunter Gentry

2013-10-01

Full Text Available This study examined the effects of music genre and tempo on brain activation patterns in 10 nonmusicians.Two genres (rock and jazz and three tempos (slowed, medium/normal, andquickened were examined using EEG recording and analyzed through Fast Fourier Transform(FFT analysis. When participants listened to their preferred genre, an increase in alpha waveamplitude was observed. Alpha waves were not significantly affected by tempo. Beta waveamplitude increased significantly as the tempo increased. Genre had no effect on beta waves. Thefindings of this study indicate that genre preference and artificially modified tempo do affectalpha and beta wave activation in non-musicians listening to preselected songs.
"I listened with my eyes": writing speech and reading deafness in the fiction of Charles Dickens and Wilkie Collins.

Science.gov (United States)

Esmail, Jennifer

2011-01-01

While characters with disabilities appear frequently in Victorian fiction, deaf characters, specifically, are almost entirely absent. In fact, the only deaf characters who use sign language in Victorian fiction are Madonna Blyth in Wilkie Collins’s Hide and Seek and Sophy Marigold in Charles Dickens’s “Doctor Marigold.” Grounding its analysis in these two texts, this article contends that it is, in particular, a deaf character’s relationship to language that disqualifies him or her from conventional representation in Victorian fiction. Through reading Hide and Seek and “Doctor Marigold” in the context of Victorian deaf history, Collins and Dickens’s realist aims, and Victorian generic conventions rooted in transcribing orality, this essay argues that the absence of deaf characters reveals the investment of mid-Victorian fiction in a particular and normativized relationship between bodies, spoken language, and textuality.
Matilda, where are you: subject description of juvenile fiction in the Slovenian catalogue and catalogues of neighbouring countries

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Alenka Šauperl

2009-01-01

Full Text Available Differences in subject description of juvenile fiction was investigated on five examples of international classics in five library catalogues: Oton Župančič Public Library (Knjižnica Otona Župančiča in Ljubljana, Slovenia, Stadtbibliothek public library in Graz, Austria, integrated catalogues of libraries in the Gorizia region in Italy (Sistema bibliotecario della Provincia di Gorizia and the Karlovac region in Croatia (Skupni katalog knjižnica Karlovačke županije in September 2008. As Slovenian youth rarely speaks languages of neighbouring countries, British Library catalogue was added.Results show that catalogue records are inconsistent within an individual library as well as in comparision with other libraries in the sample. Librarians do not make consistent subject descriptions. Class number, which is present in all catalogues except in the Austrian one, usually represents: the author’s country, language and/or nationality,the literary genre, and the target audience.Subject headings in the sample bring information on the subject (aboutness, author’s country, language and/or nationality, the literary genre, and target audience. Summaries tell more on the story. But they can also bring information on emotional experience of the reader, information on the author or history of the literary work. It would be economically beneficial if subject description could be more consistent. But uniform subject description is not possible because of diverse library collections and users.The solution might be in the use of multiple levels of subject description regarding to the type of the libraries.
Alternative Genres of IS Research

DEFF Research Database (Denmark)

Avital, Michel; Mathiassen, Lars; Crowston, Kevin

2012-01-01

The potential value of alternative genres in IS research is the core question that drives this panel discussion. The term “Alternative Genres” refers to unconventional forms of thinking, doing, and communicating scholarship and practice. It relates to innovation with respect to epistemological pe...
Automatic music genres classification as a pattern recognition problem

Science.gov (United States)

Ul Haq, Ihtisham; Khan, Fauzia; Sharif, Sana; Shaukat, Arsalan

2013-12-01

Music genres are the simplest and effect descriptors for searching music libraries stores or catalogues. The paper compares the results of two automatic music genres classification systems implemented by using two different yet simple classifiers (K-Nearest Neighbor and Naïve Bayes). First a 10-12 second sample is selected and features are extracted from it, and then based on those features results of both classifiers are represented in the form of accuracy table and confusion matrix. An experiment carried out on test 60 taken from middle of a song represents the true essence of its genre as compared to the samples taken from beginning and ending of a song. The novel techniques have achieved an accuracy of 91% and 78% by using Naïve Bayes and KNN classifiers respectively.
Confronting the Past

DEFF Research Database (Denmark)

Bondebjerg, Ib

2013-01-01

Historical films are important carriers of collective memory, and as a genre historical films can activate both strong feelings and strong debate. Historical fiction films often tell very accurate and almost documentary stories, but fictional films have the freedom to make historical reality...... in quite another way than factual historical films. This article deals with some of the most important historical film genres and uses a general theory of genres, emotions, memory and history to analyse the historical films of Polish film director Andrzej Wajda, especially those made post 1989. Dealing...... with both his heritage drama Pan Tadeusz (1999) and critical historical drama Katyn (2007), the article analyses the ways in which Wajda uses historical narratives to comment on both history and contemporary society, and how this strategy is reflected in all his historical films. The article argues...
Mandatory Genres: The case of European Public Assessment Report (EPAR) summaries

DEFF Research Database (Denmark)

Askehave, Inger; Zethsen, Karen K.

2008-01-01

The aim of this article is to consider the nature of mandatory genres (legally regulated genres) emanating from European Union directives and point to the challenges which such genres pose due to their legal origin and complex text production and text reception processes. Taking its point...... information which is understandable and useful to laypersons, respectively. The article points to some of the reasons why, in spite of careful preparation, and extensive guidelines prior to its ‘launch' into the discourse community, the EPAR summary apparently fails to fulfil its communicative purposes....
Spanish Comics as Genre

Science.gov (United States)

Kiely, Kristin

2018-01-01

Since the beginning of literary time, genre has been an issue for critics and scholars. Comics and graphic novels have stepped into the fray in recent decades causing even more confusion. This is even more evident in Spain where the publishers are foolhardy men and women simply out to make money and who are too deeply embedded in their bourgeois…
Discovery Mondays: 'Separating science from fiction'

CERN Multimedia

2006-01-01

Photo credit: ESA/NASA, the AVO project and Paolo PadovaniDoes the imaginary word of fiction always end up becoming scientific reality? What futuristic visions can we extrapolate from today's technologies? Here is a short quiz to test your knowledge. Can YOU tell truth from fiction? True False The laser swords featuring in the Star Wars films really exist. Time travel is possible using black holes. You could eat a cake of antimatter. Levitation vehicles really exist. Dan Brown is a space alien. How can you distinguish truth from fiction, dreams from reality, real science and technology from the sci-fi fantasies so realistically described in novels, television and cinema? You are invited to come and discuss these questions at a Discovery Monday at the very frontiers of science..... Join us at Microcosm (Reception, Building 33, Meyrin site), on Monday, 4 September from 7:30 p.m. to 9 p.m. Entrance Free The event will be conducted in French. http://www.cern.ch/LundisDecouverte/ ...

Images de l’ennemi : Nouvelles et moins nouvelles figures du barbare et de la barbarie

Directory of Open Access Journals (Sweden)

Raphaël Villatte

2013-01-01

Full Text Available Africa is not only a continent forgotten by international concern, but also by popular fiction. Since Africa draws creators’ attention, it arouses phantasms and provokes both modern and colonial-mythological fiction that reflects each other, where new representations of enemy and barbarous can be found regardless time, genres or media.
Science Fiction in the Political Science Classroom: A Comment

Science.gov (United States)

Landers, Clifford E.

1977-01-01

Science fiction can be used for introducing and analyzing political concepts at the undergraduate level for either a specialized theory-oriented course such as Political Science Fiction or an Introduction to Political Science course. (Author/RM)
Science Fiction at the Far Side of Technology

DEFF Research Database (Denmark)

Johansen, Mikkel Willum

2017-01-01

. Further, those with a concern for the future may find inspiration in what a study of the politics and ethics of science fiction can tell us about the moral and political dilemmas of our own time. Although this book is more likely to be picked up by someone who already has an interest in science fiction....... It is our hope that this interdisciplinary approach will set an example for those who, like us, have been busy assessing the ways in which fictional attempts to fathom the possibilities of science and technology speak to central concerns about what it means to be human in a contemporary world of technology...
Le style modal de la science-fiction

Directory of Open Access Journals (Sweden)

Emmanuel Boisset

2013-04-01

Full Text Available La faiblesse de style dont souffrirait la science-fiction est en fait le signe que la science y est davantage discours du possible que description du réel. Un « style modal » va suspendre la valeur de vérité, et le style de la possibilité va décontextualiser les métaphores disponibles. En science-fiction, le processus métaphorique génère et structure la diégèse. Un exemple chez Iain M. Banks montre un dialogue quasi incompréhensible mettre à l’épreuve la signification comme possibilité. Les métaphores figées sont revitalisées par la décontextualisation de la fiction, dont le texte peut exploiter l’impertinence.
THE STRATEGY OF GENRE IN A. PLATONOV’S SHORT NOVELS OF THE 1930

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Marina V. Zavarkina

2015-11-01

Full Text Available The article analyzes a writer’s genre strategy based on the materials of A. Platonov’s short novels of the 1930s (“Th e Foundation Pit” [“Kotlovan”], “For future use” [“Vprok”], “Bread and reading” [“Hleb i chtenie”], “Juvenile sea” [“Uvenil’noe more”], “Dzhan”. These short novels became a link between his two novels “Chevengur” (1926—1928 and “Happy Moscow” (1933—1936. The comprehensive analysis of the short novels of the 1930s in the dialectics of genre development allows us to understand Andrei Platonov’s artistic world, the role of genre in the implementation of his creative idea, the specifi cs of genre thinking, and to identify the relationship between the genre and utopian/dystopian strategies of the writer. The article concludes that the short novels of the 1930s constitute a cycle and are united by a usual plot of “test”, the type of a hero (a worker-wanderer, the poetics of the conclusions. The recon-struction of the author’s model of the genre and its dynamics in the works of one of the distinguished writers of Russian and World literature of contemporary history leads to a deeper understanding of the artistic nature, role and genesis of the short novel in genre analysis of 20th century-literature
Aprendiendo de la ficción televisiva. La recepción y los efectos socializadores de «Amar en tiempos revueltos» Learning from Television Fiction. The Reception and Socialization Effects from Watching «Loving in Troubled Times»

Directory of Open Access Journals (Sweden)

Mar Chicharro Merayo

2011-03-01

the viewer’s personal and social characteristics. This work examines the informational usefulness and significance for personal identity of a specific television genre, the telenovela, a fictional product which, despite focusing its narrative on romantic events and personal conflicts, can also provide the viewer with explanations and interpretations of society’s past and present. In particular, this analysis of the melodramatic format sets out to establish the meanings and representations in «Amar en tiempos revueltos» («Loving in Troubled Times» for its female viewers. Based on the analysis of in-depth interviews, the article will explore the female audience’s reception processes through variables such as age and education. This study concludes that the majority of female viewers use fiction in an explanatory sense, and that the telenovela is a genre in which women identify themselves individually and as a group.
Shakespeare’s Eternal Voice: Fictional autobiographies of the Bard

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Tomasz Kowalski

2017-11-01

Full Text Available The paper focuses on two fictional works that strive to revive Shakespeare's voice, that is Christopher Rush's "Will" (2007, and J. P. Wearing's ÒThe Shakespeare's Diaries: A Fictional Autobiography" (2007, which although significantly different in terms of form find common ground in employing the first-person narrative in order to depict Shakespeare's life. The author analyses the image of the Bard that emerges from the novel and the diary, and the way in which both works transform the facts known from certain documents or based on extensive research into a fictional narrative. He argues that although both works try to satisfy the curiosity of the readers, they belong to two different types of representations found in fictional biographies of the Bard, and therefore the images they create address different kinds of collective desires and fantasies of the mass audience.
Between solidarity and argument: Interpersonal negotiation in two legal genres

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Krisda Chaemsaithong

2016-11-01

Full Text Available This study presents a comparative examination of interpersonal negotiation in two monologic courtroom genres: the opening statement and closing argument. Drawing upon a corpus of three high-profile American trials, the quantitative and qualitative analysis identifies the traces and degree of the jury’s presence through lexico-grammatical resources, and reveals distinct interactional patterns, which are indicative of the interactive goals of the two speech genres. Such relational practice does not merely “oil the wheels” of courtroom communication, but also constitutes a key way in the meaning-making process of these genres. The findings attest to the centrality of relational work in accomplishing transactional goals in institutional discourses.
Re-Describing Knowledge Organization — A Genre and Activity-Based View

DEFF Research Database (Denmark)

Andersen, Jack

2015-01-01

Purpose This chapter offers a re-description of knowledge organization in light of genre and activity theory. Knowledge organization needs a new description in order to account for those activities and practices constituting and causing concrete knowledge organization activity. Genre and activity...
Thomas Hardy's Victorian Gothic: Reassessing Hardy's Fiction and His Gothic Sensibility.

Science.gov (United States)

Goldstein, Norma Walrath

Proposing that Thomas Hardy's fiction exhibits strong Gothic sensibilities which offer insight into his artistic vision and add to the power of his fiction, creating a new form of the Gothic, a Victorian Gothic, this dissertation reassesses the Gothic strains in Hardy's fiction. The dissertation is in eight chapters: (1) Introduction to Hardy's…
Genre scripts and appreciation of negative emotion in the reception of film.

Science.gov (United States)

Tan, Ed S; Visch, Valentijn T

2017-01-01

The Distancing-Embracing model reserves a role for genre scripts in the hedonic valuation of negative emotion in art. Genre scripts, as defined in the target article, leave higher-level recipient intuitions out of scope. We argue that, in film genre scripts, lower-level stylistic features lend access to more complex conceptual knowledge, including pragmatic principles. The argument implies a consideration of the communicative dimension of aesthetic works, which could strengthen both factors of the Distancing-Embracing model.
Introducing People – Genre Analysis and Oral Comprehension and Oral Production Tasks

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Keila Rocha Reis de Carvalho

2012-02-01

Full Text Available This paper aims at presenting an analysis of the genre introducing people and at suggesting listening comprehension and oral production tasks. This work was developed according to the characterization of the rhetorical organization of situations taken from seventeen films that contain the genre under analysis. Although several studies in the ESP area carried out recently (Andrade, 2003; Cardoso, 2003; Shergue, 2003; Belmonte, 2003; Serafini, 2003 have identified listening comprehension and oral production as the abilities that should be prioritized in an English course, much needs to be done, especially concerning the oral genres that take into account the language the learners of English as a second language need in their target situation. This work is based on Hutchinson & Waters (1987 theoretical background on ESP, Swales’ (1990 genre analysis, Ramos’ (2004 pedagogical proposal, and also on Ellis´ (2003 tasks concept. The familiarization of learners of English as a second language with this genre will provide them with the opportunity to better understand and use the English language in their academic and professional life.
Genre, the organization of knowledge and everyday life

DEFF Research Database (Denmark)

Andersen, Jack

2017-01-01

as a communicative activity in everyday life. Method. This is a text-based argument which pulls together different sources for developing and discussing the contention. Analysis. I will start out with some brief reflections on digital media and communicative interaction. From there I will look into some steps...... already made toward understanding knowledge organization as an everyday activity, before providing some examples of how the organization of knowledge in digital media can be understood as genre-based communication in everyday life. Results. Due to the saturation of digital media in everyday life, genre...
The Effects of Music Genre on Young People's Alcohol Consumption: An Experimental Observational Study

NARCIS (Netherlands)

Engels, R.C.M.E.; Poelen, E.A.P.; Spijkerman, R.; Bogt, T.F.M. ter

2012-01-01

he aim of this study was to test whether exposure to specific music genres in a social drinking setting leads to differences in drinking levels. An observational experimental design was used in which we invited peer groups of young adults into a bar lab, a lab which is furnished like an ordinary,
From 'essay' to 'personal text': The role of genre in Norwegian EFL exam papers 1996-2011

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Sigrid Ørevik

2012-12-01

Full Text Available Introduction This article investigates developments in the use of genre in Norwegian EFL exam papers for first year upper secondary school during the time period from 1996 to 2011, describing genres rendered in texts for reception (attached text material and texts for production (task options in the main exam assignment in the two curriculum periods Reform 94 and the Knowledge Promotion of 2006. Genre-related patterns are identified and compared, and the aspect of multimodality in texts for reception and production in EFL exams is discussed. Material and method Sixteen exam papers from 1996 to 2011 constitute the corpus material of the study. Genres rendered in attached text material are categorized, as well as specified and inferred genre instructions in the chief assignment for text production. The study employs a mixed method combining quantitative and qualitative analyses. Findings The results show significant changes in genres rendered in texts for reception. A few computer-generated genres are observed in the last curriculum period; but no increase in multimodal texts from R94 to LK06 is observed. The range of genres for production remains largely unchanged through the period of investigation, although the distribution among the genres changes. Moreover, genre instructions in text assignments are, to a certain extent, unclear or mixed in both curriculum periods, although more so in R94 than in LK06. Discussion and conclusion Based on these findings the article suggests further investigation and debate concerning genre awareness connected to EFL exams, among education authorities as well as among teachers and students of English.
Music Genre Classification Revisited: An In-Depth Examination Guided by Music Experts

OpenAIRE

Pálmason, Haukur; Jónsson, Björn Thór; Schedl, Markus; Knees, Peter

2017-01-01

Despite their many identified shortcomings, music genres are still often used as ground truth and as a proxy for music similarity. In this work we therefore take another in-depth look at genre classification, this time with the help of music experts. In comparison to existing work, we aim at including the viewpoint of different stakeholders to investigate whether musicians and end-user music taxonomies agree on genre ground truth, through a user study among 20 professional and semi-profession...
THE ANALYSIS OF DETECTIVE GENRE IN MEDIA STUDIES IN THE STUDENT AUDIENCE

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Alexander Fedorov

2011-11-01

Full Text Available Development of skills for the critical analysis of media texts - an important task of media education. However, media literacy practice shows that students have the problems with the discussion / analysis of entertainment genres in the early stages of media studies, for example, the difficulties in the process of understanding and interpreting the author's conception, plot and genre features. This article substantiates the methodological approaches to the analysis skills of detective/thriller genre in media studies in the student audience.
Does art imitate death? Depictions of suicide in fiction.

Science.gov (United States)

Pridmore, Saxby; Walter, Garry

2013-02-01

To determine whether fiction (narrative products) deals with the issue of suicide and, if so, what it tells us about suicide "drivers". Accounts of suicide in narrative products were sought through web-based lists, book club members, other active readers and a prize-winning film writer and producer. Seventy-one depictions of fictional suicidal events were identified. In 12 suicides, the author appeared to indicate that the death was directly or indirectly due to mental disorder. In 15 suicides, the motivation could not be determined by the reader, and in 44 cases the motivation was social/situational factors. Suicidal events are depicted in fiction, and the features are broadly similar to the features of suicide in the real world. Should it be determined that cultural influences, including fiction, are important in suicide, any preventive activities aimed at modifying cultural influences will need to consider all forms of narrative product.
Assessing business proposals: genre conventions and audience response in document design

NARCIS (Netherlands)

Lagerwerf, L.; Bossers, Ellis

2002-01-01

We carried out two studies in which several genre conventions were tested on professional readers to verify the usefulness of applying genre conventions to business proposals. In the first study, 39 male business clients of the company IBM Netherlands compared an authentic busi ness proposal with a
Analytical Approach to Fictional Elements of Sandbadnameh

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a عارفی

2014-05-01

Using stock and allegorical characters, fixed tone and style in dialogue tales, lack of variegated plot and logical and stable relationship between events make this work far from contemporary criteria of fiction writing in spite of its great volume, and introduce it as a symbolic and allegorical tale. On the other hand, bombastic and embellished prose as well as being loyal to ancient fiction writing have added to literary significance of this literary work.

‘Every age gets the art it deserves’ ‐ science fiction : history, background and definitions

OpenAIRE

Grech, Victor E.; Vassallo, Clare; Callus, Ivan

2012-01-01

It would be logical to commence this essay by attempting to identify the approximate locus of SF within the general corpus of literature as perceived by the academy. Fiction might here be seen as having four main categories: canonical fiction (the classics), serious fiction that strives to become canonical, plain fiction (best sellers or general works) and junk fiction: popular and gauche fiction that includes mysteries, thrillers, westerns, romances, fantasy, and SF. It has been argued that ...
Literatura faktu na českém knižním trhu: portrét Grigorije Rasputina

OpenAIRE

Štollová, Jitka

2012-01-01

This bachelor thesis explores the development of non-fiction literature in the Czech and Czechoslovakian book markets by means of the analysis of publications focused on the character of Russian mystic Grigory Efimovich Rasputin. The main attention is paid to the question in which manner the heretofore released titles show the versatility of the genre of non-fiction literature. The thesis at first examines the history of non-fiction literature in the world and in Czechoslovakia and the Czech ...
Music genre classification via likelihood fusion from multiple feature models

Science.gov (United States)

Shiu, Yu; Kuo, C.-C. J.

2005-01-01

Music genre provides an efficient way to index songs in a music database, and can be used as an effective means to retrieval music of a similar type, i.e. content-based music retrieval. A new two-stage scheme for music genre classification is proposed in this work. At the first stage, we examine a couple of different features, construct their corresponding parametric models (e.g. GMM and HMM) and compute their likelihood functions to yield soft classification results. In particular, the timbre, rhythm and temporal variation features are considered. Then, at the second stage, these soft classification results are integrated to result in a hard decision for final music genre classification. Experimental results are given to demonstrate the performance of the proposed scheme.
Teaching and Learning Psychology through an Analysis of Social Science Fiction

Science.gov (United States)

Herman, William E.

2009-01-01

This paper is designed to accompany an appearance by the author as a panelist during a session on science fiction and teaching methods at the I-CON 28 Science Fiction Convention held April 3-5, 2009, on Long Island (near New York City). The author describes how he employs social science fiction in an honors course at the university level to…
Exploring different approaches for music genre classification

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Antonio Jose Homsi Goulart

2012-07-01

Full Text Available In this letter, we present different approaches for music genre classification. The proposed techniques, which are composed of a feature extraction stage followed by a classification procedure, explore both the variations of parameters used as input and the classifier architecture. Tests were carried out with three styles of music, namely blues, classical, and lounge, which are considered informally by some musicians as being “big dividers” among music genres, showing the efficacy of the proposed algorithms and establishing a relationship between the relevance of each set of parameters for each music style and each classifier. In contrast to other works, entropies and fractal dimensions are the features adopted for the classifications.
Screen Present and Fictional Present

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Robin Le Poidevin

Full Text Available ABSTRACT I intend in this paper to explore the possible consequences for our understanding of fiction of a particular view of the nature of time, namely the hypothesis of the open future. The kind of fiction we will particularly concerned with is film, which provides a convenient way of focusing the general issue I want to raise here. The issue could also be raised in relation to theatre and certain types of novel, but there are nevertheless some disanalogies between film and these other art forms, and I shall indicate these below. The essay is intended as an exercise in bringing metaphysics and aesthetics together, to the benefit (I hope and trust of both.
Place-Specific Computing

DEFF Research Database (Denmark)

Messeter, Jörn; Johansson, Michael

project place- specific computing is explored through design oriented research. This article reports six pilot studies where design students have designed concepts for place-specific computing in Berlin (Germany), Cape Town (South Africa), Rome (Italy) and Malmö (Sweden). Background and arguments...... for place-specific computing as a genre of interaction design are described. A total number of 36 design concepts designed for 16 designated zones in the four cities are presented. An analysis of the design concepts is presented indicating potentials, possibilities and problems as directions for future......An increased interest in the notion of place has evolved in interaction design. Proliferation of wireless infrastructure, developments in digital media, and a ‘spatial turn’ in computing provides the base for place-specific computing as a suggested new genre of interaction design. In the REcult...
THE ADDRESSEE AGE AS A FACTOR DETERMINING THE DISCURSIVE STRUCTURE OF A WORK OF FICTION

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Beloglazova Elena Vladimirovna

2014-12-01

Full Text Available In the present paper the author attempts to establish the connection between the discursive structure of a work of fiction and the addressee age factor. At that the point of departure for the argument is (a the thesis on discursive heterogeneity being a feature of fiction in general, which is a direct consequence of literature of literature being aimed at reflecting the world in its entirety and complexity, and (b the assumption that the above-said is applicable to children's fiction, though discursive heterogeneity undergoes a certain transformation due to the specific nature and role of literature for children. The category of addressee in the cornerstone of children's fiction predetermining: on the surface level – the selection of organization of language means in the text; on the contents level – the selection of story and characters; on the ideology level – the configuration of the polydiscourse of the children's fiction, as well as the selection of discourses' representatives. The peculiarity of children's fiction is primarily due to the ideology underlying it - what the society demands from the right book for kids, which is viewed as a socializing tool. And in order to be efficient, the tool needs to be tailored for its object, its exact parameters, age being one of them. Thus the complexity of the discursive structure of literary works for children appears to be directly related to the age of their ideal reader, which is shown in the article by comparative analysis of works addressed to floor and ceiling audiences of the childhood span. The analysis reveals the fact that older readership leads not only to a greater complexity of a literary work's discursive structure, but also to a wider variety in the ways of introducing interdiscursemes into text.
Evaluating music emotion recognition:Lessons from music genre recognition?

OpenAIRE

Sturm, Bob L.

2013-01-01

A fundamental problem with nearly all work in music genre recognition (MGR)is that evaluation lacks validity with respect to the principal goals of MGR. This problem also occurs in the evaluation of music emotion recognition (MER). Standard approaches to evaluation, though easy to implement, do not reliably differentiate between recognizing genre or emotion from music, or by virtue of confounding factors in signals (e.g., equalization). We demonstrate such problems for evaluating an MER syste...
'I love Rock 'n' Roll'--music genre preference modulates brain responses to music.

Science.gov (United States)

Istók, Eva; Brattico, Elvira; Jacobsen, Thomas; Ritter, Aileen; Tervaniemi, M

2013-02-01

The present study examined the effect of participants' music genre preference on the neural processes underlying evaluative and cognitive judgements of music using the event-related potential technique. To this aim, two participant groups differing in their preference for Latin American and Heavy Metal music performed a liking judgement and a genre classification task on a variety of excerpts of either music genre. A late positive potential (LPP) was elicited in all conditions between 600 and 900 ms after stimulus onset. During the genre classification task, an early negativity was elicited by the preferred compared to the non-preferred music at around 230-370 ms whereas the non-preferred genre was characterized by a larger LPP. The findings suggest that evaluative and cognitive judgements of music are accompanied by affective responses and that the valence of music may spontaneously modulate early processes of music categorization even when no overt liking judgement is required. Copyright © 2012 Elsevier B.V. All rights reserved.
BIOGRAPHY GENRE IN RUSSIAN LITERATURE: EUROPEAN AND BRITISH INFLUENCES

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Eugenia V. Ivanova

2016-12-01

Full Text Available The article examines the development of the genre of biography and life writing that influenced Russian biographical tradition. This tradition stems from Plutarch’s Comparative Biographies that influenced English life writing represented by such names as James Boswell, Lytton Strachey, and others. Philosophical premises of the English biography genre are to be found in the treatise Heroes, HeroWorship, and The Heroic in History (1841 by Thomas Carlyle. French tradition represented by Gaston Tissandier’s book Science Martyrs pursued the opposite aim: to honor ordinary scientists and inventors, responsible for the technical advance of the modern civilization. Wilhelm Dilthey and Georg Simmel practiced a different approach to life writing in that they conceived biography as the history of the person’s spiritual development. This conception had direct influence on the theorists of biography genre in Russia, G. O. Vinokur, and A. G. Gabrichevsky.
American Film Genres: Approaches to a Critical Theory of Popular Film.

Science.gov (United States)

Kaminsky, Stuart M.

This book is divided into twelve sections and contains photographs from many of the films discussed. The introduction defines film genre and describes the general theories behind this book; "The Individual Film" analyzes the film "Little Caesar" as it relates to the genre of gangster films; "Comparative Forms"…
A. E. van Vogt's "Unreality" and Formula Writing.

Science.gov (United States)

Drake, H. L.

A. E. van Vogt's theory of "unreality" explains in part how he has become so prolific in a literary genre--science fiction/science fantasy--which only recently has experienced a rise in popularity. His theory states that the science fictional sentence must have in it something that requires a contribution from the reader. If the author…
Topics of Stress and Abuse in Picture Books for Children

Science.gov (United States)

Smith-D'Arezzo, Wendy M.; Thompson, Susan

2006-01-01

Numerous children face abuse at home and in the workplace. These situations of domestic and societal abuse are found depicted in children's books for younger and younger ages. This manuscript examines books in several genres, both fiction and non-fiction. The books are analyzed for the quality of the writing, the depiction of an authentic story,…
Visionary medicine: speculative fiction, racial justice and Octavia Butler's 'Bloodchild'.

Science.gov (United States)

Pasco, John Carlo; Anderson, Camille; DasGupta, Sayantani

2016-12-01

Medical students across the USA have increasingly made the medical institution a place for speculating racially just futures. From die-ins in Fall 2014 to silent protests in response to racially motivated police brutality, medical schools have responded to the public health crisis that is racial injustice in the USA. Reading science fiction may benefit healthcare practitioners who are already invested in imagining a more just, healthier futurity. Fiction that rewrites the future in ways that undermine contemporary power regimes has been termed 'visionary fiction'. In this paper, the authors introduce 'visionary medicine' as a tool for teaching medical students to imagine and produce futures that preserve health and racial justice for all. This essay establishes the connections between racial justice, medicine and speculative fiction by examining medicine's racially unjust past practices, and the intersections of racial justice and traditional science and speculative fiction. It then examines speculative fiction author Octavia Butler's short story 'Bloodchild' as a text that can introduce students of the medical humanities to a liberatory imagining of health and embodiment, one that does not reify and reinscribe boundaries of difference, but reimagines the nature of Self and Other, power and collaboration, agency and justice. Published by the BMJ Publishing Group Limited. For permission to use (where not already granted under a licence) please go to http://www.bmj.com/company/products-services/rights-and-licensing/.
Queer Tracings of Genre

DEFF Research Database (Denmark)

Balle, Søren Hattesen

A prominent feature of John Ashbery's debut collection Some Trees is the near ubiquity of classical and post-classical genre designations attached as titles to its poems. Among them appear titles such as "Eclogue", "Sonnet", "Meditations of a Parrot", and "A Pastoral". Neither does Ashbery hesita...... to a dominant cultural climate in the ‘50s when the homosexual theme was deemed beyond normal hetero-normative classifications of gender identity....
À quelles conditions une charte est-elle efficace ? What are the conditions for an efficient charter?

Directory of Open Access Journals (Sweden)

Emmanuelle Danblon

2010-04-01

Full Text Available Dans cet article, on soutient que la déclaration des droits de l’homme constitue un genre rhétorique dont les conditions d’efficacité peuvent s’analyser à trois niveaux : les conventions, les fictions et les motivations. Sa visée est la création d’un monde commun. On montre à travers l’exemple de la déclaration pour le droit des animaux comment une charte échoue à réaliser cette visée.In this paper, it is argued that the Declaration of Human Right is a rhetorical genre that is efficient if three conditions are fullfilled: the expression of conventions, of fictions and of motivations. The aim of such a genre is to create a common world. It is shown with the Declaration for Animals’ Rights how such a charter can fail to achieve this purpose.
Eco's Echoes: Fictional Theory and Detective Practice in The Name of the Rose

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David H. Richter

1986-01-01

Full Text Available Umberto Eco's The Name of the Rose is a serio-comic pastiche of the detective story set in the middle ages, which uses history as "a distant mirror" to comment, from a Western Marxist perspective, on contemporary political issues. Structurally, however, The Name of the Rose is a fictional enactment of many of the semiotician's recent critical and philosophical ideas. ( 1 Eco's discussion of "abductive" reasoning in C. S. Peirce and Aristotle appears in a detective not only more fallible than Sherlock Holmes but more aware of what his powers consist of and why they work and fail. (2 Eco's explanation of what he calls the "iterative scheme" in popular fiction—ways of handling time that allow for indefinite sequelae —appears negatively here, where time and time's passage are given their full durational weight. (3 Eco's discussion of closed and open texts, and of a third category "of which the chairman is probably Tristram Shandy ," which evades both modes of reading and forces one into consciousness of the reading process itself, is enacted in The Name of the Rose , in a traditionally closed genre (the mystery which is first opened but finally given an ending that deconstructs the mystery novel by forcing the reader into the third, Shandean, mode.
"May the journey continue": Earth 2 fan fiction, or Filling in gaps to revive a canceled series

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Francesca Musiani

2010-09-01

Full Text Available This essay explores writing practices in a fan community having to give life to a story deprived of an "official" version: the television series Earth 2. I argue that fan fiction writing for this prematurely canceled series exhibits peculiar features in comparison to fan writing for established series: for example, temporality, choice of protagonists, character pairings, and challenges to the original conception(s of the series. Writing fan fiction for a canceled series is not about creating alternatives to an existing story, but about filling in gaps; it brings to light the ways in which fan fiction deals with closure. I take as a case study Earth 2, a series aired by NBC in the United States in 1994–95, whose first and only season ended in a cliffhanger episode hinting that a mysterious ailment had struck the main and most popular character. Shortly afterward, a significant number of Earth 2 Web sites, online conventions, and especially fan stories started developing; they explored what could have happened next and bore nostalgic but combative mottoes and titles such as "May the Journey Continue." I explore the specific features of Earth 2 fan fiction production and sharing by analyzing the main Earth 2 fan fiction archives on the Web and the responses to my email interviews of fan writers. Exemplars of the Earth 2 case are compared to those of other science fiction TV series, both prematurely canceled (Firefly, Space: Above and Beyond and long-lived (Babylon 5, Star Trek: Deep Space 9.
Authentication Projects for Historical Fiction: Do You Believe It?

Science.gov (United States)

McTigue, Erin; Thornton, Elaine; Wiese, Patricia

2013-01-01

Authentication projects, particularly for historical fiction, provide a means for students to explore literature and history while practicing critical literacy skills. The authors 1) present benefits and cautions for historical fiction use in elementary classrooms, 2) introduce authentication projects as a means to mitigate risks and enhance…

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