American television fiction transforming Danish teenagers' religious imaginations

DEFF Research Database (Denmark)

Petersen, Line Nybro

2010-01-01

This paper argues that American television fiction with supernatural themes offers Danish teenage audiences a playground for exploring different religious imaginations in a continuous process of internal negotiations; thereby transforming their imaginations. This process of the mediatization...... narratives. This essay presents the findings of an empirical qualitative study of seventy-two Danish teenagers and considers two primary parameters for the case-based reception study: the teenagers' levels of fandom and their connection with institutionalized religion. In other words, how are religious...

On learning science and pseudoscience from prime-time television programming

Science.gov (United States)

Whittle, Christopher Henry

The purpose of the present dissertation is to determine whether the viewing of two particular prime-time television programs, ER and The X-Files, increases viewer knowledge of science and to identify factors that may influence learning from entertainment television programming. Viewer knowledge of scientific dialogue from two science-based prime-time television programs, ER, a serial drama in a hospital emergency room and The X-Files, a drama about two Federal Bureau of Investigation agents who pursue alleged extraterrestrial life and paranormal activity, is studied. Level of viewing, education level, science education level, experiential factors, level of parasocial interaction, and demographic characteristics are assessed as independent variables affecting learning from entertainment television viewing. The present research involved a nine-month long content analysis of target television program dialogue and data collection from an Internet-based survey questionnaire posted to target program-specific on-line "chat" groups. The present study demonstrated that entertainment television program viewers incidentally learn science from entertainment television program dialogue. The more they watch, the more they learn. Viewing a pseudoscientific fictional television program does necessarily influence viewer beliefs in pseudoscience. Higher levels of formal science study are reflected in more science learning and less learning of pseudoscience from entertainment television program viewing. Pseudoscience learning from entertainment television programming is significantly related to experience with paranormal phenomena, higher levels of viewer parasocial interaction, and specifically, higher levels of cognitive parasocial interaction. In summary, the greater a viewer's understanding of science the more they learn when they watch their favorite science-based prime-time television programs. Viewers of pseudoscience-based prime-time television programming with higher levels

Star Trek Physics: Where Does the Science End and the Fiction Begin?

Science.gov (United States)

Radhe, Sue Ellen; Cole, Lynn

2002-01-01

Uses the science fiction television show "Star Trek" as an instructional medium to teach physics concepts. Includes suggestions on how to motivate students through "Star Trek" episodes and the Internet. (YDS)

Robots as Imagined in the Television Series Humans.

Science.gov (United States)

Wicclair, Mark R

2018-07-01

Humans is a science fiction television series set in what appears to be present-day London. What makes it science fiction is that in London and worldwide, there are robots that look like humans and can mimic human behavior. The series raises several important ethical and philosophical questions about artificial intelligence and robotics, which should be of interest to bioethicists.

Modelos de gestión de conflictos en serie de ficción televisiva (Conflict management models in television fiction series

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Yolanda Navarro-Abal

2012-12-01

Full Text Available Television fiction series sometimes generate an unreal vision of life, especially among young people, becoming a mirror in which they can see themselves reflected. The series become models of values, attitudes, skills and behaviours that tend to be imitated by some viewers. The aim of this study was to analyze the conflict management behavioural styles presented by the main characters of television fiction series. Thus, we evaluated the association between these styles and the age and sex of the main characters, as well as the nationality and genre of the fiction series. 16 fiction series were assessed by selecting two characters of both sexes from each series. We adapted the Rahim Organizational Conflict Inventory-II for observing and recording the data. The results show that there is no direct association between the conflict management behavioural styles presented in the drama series and the sex of the main characters. However, associations were found between these styles and the age of the characters and the genre of the fiction series.

Saints, Cops and Camorristi. Editorial Policies and Production Models of Italian TV Fiction

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Luca Barra

2015-05-01

Full Text Available Contemporary Italian TV fiction production is the result of both a long historical tradition and a complex broadcasting scenario. In recent years, three different models clearly emerged, following the divergent goals and needs of public service broadcaster Rai, commercial television Mediaset and pay-TV operator Sky Italia: respectively, with a pedagogical approach resulting in hagiographic miniseries, socially committed fiction and relevant comedies; with procedural and legal dramas following the US commercial models and romance-filled prime time soaps; and with a cable-oriented tension towards anti-heroes, high-budget productions and “quality television”. The paper reconstructs the main traits of each model, focusing on their main titles and most emblematic genres, as well as on the national production companies that helped the broadcasters in defining and establishing peculiar “fiction styles” and editorial policies.

Intertextuality and Television Discourse: The Max Headroom Story.

Science.gov (United States)

Braddlee

Max Headroom, the computer-generated media personality, presents a good opportunity for an investigation of the degree of intertextuality in television. Max combines narrative genres (science fiction and film noir), television program types (prime-time episodic narrative, made-for-TV movie, talkshows), advertising and programming, and electronic…

Science Fiction on Film.

Science.gov (United States)

Burmester, David

1985-01-01

Reviews science fiction films used in a science fiction class. Discusses feature films, short science fiction films, short story adaptations, original science fiction pieces and factual science films that enrich literature. (EL)

[Santiago Ramon y Cajal in literature, cinema and television].

Science.gov (United States)

Collado-Vazquez, S; Carrillo, J M

2016-11-16

The life and work of Santiago Ramon y Cajal has been portrayed in scientific papers, biographical and autobiographical works, comics, films, television series or documentaries that have attempted to reflect upon his life or his contributions to science and to bring him closer to the general public. To analyse the different ways Santiago Ramon y Cajal has been represented in literature, cinema and television, and to become more closely acquainted with this scientist through his fictional writings. A number of biographical works have been written about Santiago Ramon y Cajal, including scientific papers, comics, books for children and youngsters, as well as the autobiographical writings, essays and even science fiction stories, which provide a good introduction to the life of the scientist and his work. His life has also been adapted to film (Leap to fame) or television (Ramon y Cajal, historia de una voluntad; The butterflies of the soul), which have, with varying degrees of success and accuracy, made him better known to the general population. The numerous biographical writings, historical notes, articles, the scientific work itself, the essays and fictional works by Cajal, as well as the portrayals of the Spanish Nobel Prize winner produced for films and television, can be used to obtain some interesting insights into the scientist, teacher, science populariser, humanist physician and, in short, the man who made such important contributions to neuroscience.

Science Fiction and Science Education.

Science.gov (United States)

Cavanaugh, Terence

2002-01-01

Uses science fiction films such as "Jurassic Park" or "Anaconda" to teach science concepts while fostering student interest. Advocates science fiction as a teaching tool to improve learning and motivation. Describes how to use science fiction in the classroom with the sample activity Twister. (YDS)

The World of Science Fiction.

Science.gov (United States)

Schwartz, Sheila

1971-01-01

Science fiction is discussed from the following standpoints: What Is Science Fiction?; The History of Science Fiction; and The Themes of Science Fiction. A list of films, books, and records about science fiction is given. (DB)

Science and Science Fiction

Science.gov (United States)

Oravetz, David

2005-01-01

This article is for teachers looking for new ways to motivate students, increase science comprehension, and understanding without using the old standard expository science textbook. This author suggests reading a science fiction novel in the science classroom as a way to engage students in learning. Using science fiction literature and language…

Women’s bodies reappropriation in television fiction. analysis of "Orange is the New Black"

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Patricia Martínez García

2017-12-01

Full Text Available Traditionally, fictional television stereotypes women and it become them invisible because of a representation linked to pleasure of men, only like a passive object. However, the Third Golden Age of Television allows spaces to products that break this normative androcentric model, such as Orange is the New Black (Netflix, 2013. Thus, this research study the discourses about women sexuality and bodies through a Feminist Critical Discourse Analysis. In particular, it uses two paradigmatic episodes where these topics are dealt: A Whole Other Hole (204 and Fear, and Other Smells (308. In these sense, Jenji Kohan’s drama allows to re-appropriate women`s sexualities and bodies through a diverse representation and breaking the patriarchy’s silences about female realities.

ANALYSIS OF THE INTERACTIONS BETWEEN IMMIGRANT/FOREIGN CHARACTERS AND NATIONAL/AUTOCHTHONOUS CHARACTERS IN SPANISH TELEVISION FICTION

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María Marcos Ramos

2014-10-01

Full Text Available In this paper we present the results of an empirical research in which it were analysed the interactions between immigrants and national characters in a sample of Spanish television fictional programs broadcasted on prime time. This study is a content analysis of 282 interactions between immigrant/foreign and national characters. Thus, it was found that the largest number of relationships between the characters involved was produced in a working context. Moreover, there was a higher proportion of the use of aggressive humour from the national characters to the immigrant/foreigners than in the reverse way. It was also observed that the immigrant/foreigner characters hardly spoke about their feelings, nor were heard by the nationals when they did it, although there were a high number of interactions in which immigrant characters were expressing their opinions and these were attended by national characters. The analysis of the interactions between immigrant and national characters in television fiction is a very important research issue, because it has been proposed that the parasocial interactions are complementary of the interpersonal interactions taking place in daily life (Müller, 2009; Park, 2012.

Teaching Science Fiction by Women.

Science.gov (United States)

Donawerth, Jane

1990-01-01

Reviews the 200-year-old tradition of women science fiction authors. Discusses the benefits of teaching science fiction written by women. Describes 5 science fiction short stories and 5 science fiction novels suitable for high school students. (RS)

Poland’s Return To Europe: Polish Terrestrial Broadcasters And TV Fiction

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Sylwia Szostak

2012-11-01

Full Text Available The changing political sphere in 1989 and the subsequent 2004 European Union accession had a profound impact on Poland’s economic, political and social spheres. Both events are considered to have marked Poland’s ‘return to Europe’ and strengthened the relations with its Western neighbours. This article examines the changing patterns of television fiction programming flow in Poland in the post-Soviet era, exploring the impact of those two events on Poland’s audiovisual sector. This article therefore assesses whether, and if so – how, this metaphorical ‘return to Europe’ is manifested on Polish television screens.

River, escape, clock, material, mirror: the height of fiction television series in the labyrinth of time

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José María Lozano Maneiro

2016-05-01

Full Text Available TV series during the last decades have achieved a narrative maturity as well as a visual perfection which demand to be linked with the authorial tradition that has been usually just granted to film. If, on the one hand it is imperative to integrate its contribution to the centenary heritage of audiovisual fiction, on the other hand it is necessary to review its contribution in light of Cultural History, Literary Theory and Film Aesthetics, applying the series and serials the analytical tools credited through the thoughtful effort that, while going back to the ancient Greeks, encompass the current developments of formal analysis and creation preceptive. From this broad perspective applied to contemporary fiction series and serials the time conception analysis is undertaken. The two capital paradigms, the linear one and the iterative one, are placed into resonance with the narrative tradition to chart the modern genealogy of the different ways of serial storytelling and its contemporary variants. The new paradigms of textual expansion call into question the axioms currently ascribed to time management on film and ask for new premises liable to be applied to the time analysis of the new audiovisual fiction regarding to novel adaptations and biopics. From there, the analysis can be extended to the storytelling models which, while are deeply rooted on the cultural tradition, move towards innovative paradigms built on the tension between story and drama in contemporary fiction made for television. Nevertheless the most relevant fact about the time distension is may be the emergence of new ways to address narrative rhythm which confer to audiovisual storytelling the textual thickness and the sense of psychological durée that have been traditionally considered as belonging exclusively to novel.

Fascinating! Popular Science Communication and Literary Science Fiction

DEFF Research Database (Denmark)

Meyer, Gitte

2017-01-01

Some see literary Science Fiction as a possible vehicle for critical discussions about the future development and the ethical implications of science-based technologies. According to that understanding, literary Science Fiction constitutes a variety of science communication. Along related lines, ......, popular science communication with science fiction features might be expected to serve a similar purpose. Only, it is far from obvious that it actually works that way.......Some see literary Science Fiction as a possible vehicle for critical discussions about the future development and the ethical implications of science-based technologies. According to that understanding, literary Science Fiction constitutes a variety of science communication. Along related lines...

He works outside the home, she drinks coffee and does the dishes : gender roles in fiction programs on Dutch television

NARCIS (Netherlands)

Emons, P.; Wester, F.; Scheepers, P.

2010-01-01

Using a sample of 503 prime-time fiction programs broadcast on Dutch television between 1980 and 2005, the study compared gender portrayals in programs produced in the US with Dutch programs. It revealedmore older males, more females involved in childcare, more males in paid employment, and fewer

"He Works Outside the Home; She Drinks Coffee and Does the Dishes" Gender Roles in Fiction Programs on Dutch Television

NARCIS (Netherlands)

Emons, P.A.A.; Wester, F.P.J.; Scheepers, P.L.H.

2010-01-01

Using a sample of 503 prime-time fiction programs broadcast on Dutch television between 1980 and 2005, the study compared gender portrayals in programs produced in the US with Dutch programs. It revealed more older males, more females involved in childcare, more males in paid employment, and fewer

El espejo televisivo de Claude. Estética, ciencia y ficción en Black Mirror / Claude’s Television Mirror. Aesthetic, Science and Fiction in Black Mirror

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Laura García Pousa

2016-08-01

Full Text Available A través del estudio de la primera temporada de la serie televisiva Black Mirror (Charlie Brooker/ Zeppotron, 2011- exploramos una tipología de ficción contemporánea que, desde su particular e identificable definición británica, crece en modos y se expande convirtiéndose en un nuevo referente de creación audiovisual internacional. Asimilados los límites dramáticos y estéticos de la era del drama y de la post-televisión, y superada la vinculación cine / videoarte, televisión / publicidad, Black Mirror adopta una perspectiva cultural del progreso científico y tecnológico que determina su drama. El análisis específico de sus tres dispares capítulos –«TheNational Anthem», «Fifteen Million Merits» y «The Entire History of You»– nos llevará por un camino comparativo con el objetivo de identificar su valor narrativo y su aportación artística, desde una metafórica vinculación conceptual con el espejo oscuro y el clasicismo pictórico de Claude Lorrain.Palabras clave: Black Mirror, ciencia, ficción, drama, televisión, pantallas, realidad virtual, futuro, «The National Anthem», «Fifteen Million Merits», «The Entire History of You».AbstractThrough the study of the first season of the TV series Black Mirror (Charlie Brooker / Zeppotron,2011- we explore a typology of contemporary fiction that develops from its particular and identifiably British definition into a new referent for international audiovisual creations. Assuming both the dramatic and aesthetic boundaries of the era of drama and of post-television, and the established connections between film / video-art, television / publicity, the plot of Black Mirror is determined by its adoption of a culturally-specific perspective on scientific and technological progress. Beginning with a metaphorical conceptual link to the [notion of the]dark mirror and the pictorial classicism of Claude Lorrain, this comparative analysis of its three disparate episodes�

Where has the doctor gone? The mediazation of medicine on Dutch television, 1961-2000.

Science.gov (United States)

Verhoeven, Piet

2008-10-01

Health issues and medical science receive a lot of attention on television. Of all the sciences, the European public is most interested in medicine, and the public uses television as their main source of information on science. There has been hardly any empirical research, however, into the historical development of the representation of medical science on television. The development of medical television was explored by carrying out a content analysis of Dutch non-fiction medical television programs spanning a period of 40 years. The speaking time allotted to experts has decreased over the years, while that allotted to laypeople has increased. We are seeing fewer references to sources and science and more expression of emotion and tension. The results suggest three periods of medical television: a scientific, a journalistic and a lay period. Medical television in 2000 shows a personified picture of patients against an instrumentalized and symbolized medical backdrop.

Factual accuracy and the cultural context of science in popular media: Perspectives of media makers, middle school students, and university students on an entertainment television program.

Science.gov (United States)

Szu, Evan; Osborne, Jonathan; Patterson, Alexis D

2017-07-01

Popular media influences ideas about science constructed by the public. To sway media productions, public policy organizations have increasingly promoted use of science consultants. This study contributes to understanding the connection from science consultants to popular media to public outcomes. A science-based television series was examined for intended messages of the creator and consulting scientist, and received messages among middle school and non-science university students. The results suggest the consulting scientist missed an opportunity to influence the portrayal of the cultural contexts of science and that middle school students may be reading these aspects uncritically-a deficiency educators could potentially address. In contrast, all groups discussed the science content and practices of the show, indicating that scientific facts were salient to both media makers and audiences. This suggests popular media may influence the public knowledge of science, supporting concerns of scientists about the accuracy of fictional television and film.

Special science-fiction (Science Fiction Special).

Science.gov (United States)

Francais dans le Monde, 1985

1985-01-01

An issue devoted to the use of science fiction in the French language classroom discusses such topics as the development of the genre, literary techniques, themes, imagery, sociolinguistic elements, and potential classroom activities. (MSE)

Science fiction and the medical humanities.

Science.gov (United States)

Miller, Gavin; McFarlane, Anna

2016-12-01

Research on science fiction within the medical humanities should articulate interpretative frameworks that do justice to medical themes within the genre. This means challenging modes of reading that encourage unduly narrow accounts of science fiction. Admittedly, science studies has moved away from reading science fiction as a variety of scientific popularisation and instead understands science fiction as an intervention in the technoscientific imaginary that calls for investment in particular scientific enterprises, including various biomedical technologies. However, this mode of reading neglects science fiction's critical relationship to the construction of 'the future' in the present: the ways in which science fiction proposes concrete alternatives to hegemonic narratives of medical progress and fosters critical self-awareness of the contingent activity which gives 'the future' substance in the here-and-now. Moreover, the future orientation of science fiction should not distract from the function of medical science fiction as 'cognitive estrangement': the technological innovations that dominate science-fiction narratives are less concrete predictions and more generic devices that explain in historical time the origins of a marvellous world bearing provocative correspondences to our own, everyday reality. The editorial concludes with a series of introductions to the articles comprising the special issue, covering the print edition and a special online-only section. Published by the BMJ Publishing Group Limited. For permission to use (where not already granted under a licence) please go to http://www.bmj.com/company/products-services/rights-and-licensing/.

Science Fiction: A Collection of Critical Essays.

Science.gov (United States)

Rose, Mark, Ed.

The articles collected in this volume focus on the literary genre science fiction. Part one, "Backgrounds," includes "Starting Points" (Kingsley Amis), "Science Fiction and Literature" (Robert Conquest), and "The Roots of Science Fiction" (Robert Scholes). Part two, "Theory," contains "On the Poetics of the Science Fiction Genre" (Darko Suvin),…

The Double Helix: Why Science Needs Science Fiction.

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Andreadis, Athena

2003-01-01

Discusses why science needs science fiction, commenting on the author's book about science that draws heavily on the "Star Trek" series. The best science, in spite of popular thinking, comes from leaps of intuition, and science fiction provides a creative spark that encourages participation in science. (SLD)

Science Fiction: Serious Reading, Critical Reading

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Zigo, Diane; Moore, Michael T.

2004-01-01

Science fiction deserves a greater respect, serious and critical reading and a better place in high school literature classes. Some of the science fiction books by Isaac Asimov, Alfred Bester, Ray Bradbury and Octavia L. Butler and various activities for incorporating science fiction into the English language arts instruction classroom are…

Sci-Fi Science.

Science.gov (United States)

Freudenrich, Craig C.

2000-01-01

Recommends using science fiction television episodes, novels, and films for teaching science and motivating students. Studies Newton's Law of Motion, principles of relativity, journey to Mars, interplanetary trajectories, artificial gravity, and Martian geology. Discusses science fiction's ability to capture student interest and the advantages of…

SCIENCE FICTION IN HISTORICAL AND CULTURAL LITERARY DISCOURSE

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Simona Siderevičiūtė

2014-04-01

Full Text Available This work intends to complement literary studies in science fiction. It discusses the history of global science fiction, overviews the most cha­racteristic features of its historical periods, and provides an introduction to Lithuanian science fiction, indicating its main features and topics. In the context of culture, science fiction is often defined as a literary genre with the emphasis on its nature as fiction. Only rarely are the history of the origin of science fiction, its variations, and the pioneers of science fiction whose works are still highly valued taken into account. Science fiction is often criticized through the filter of preconceived ideas that consider this type of literature to be “friv­olous.” This article discusses the possible reasons for such an approach. In Lithuania, this genre is still associated only with pop literature, and its expression cannot yet equal the works of foreign authors. The basic classical motifs of global science fiction found in Lithuanian science fiction include: representatives of extraterrestrial civilizations and human contact with them, scientists and inventors, agents of military institutions, and space travel. Lithuanian science fiction writers follow the tra­ditions of global science fiction when using these classical motifs; however, a general lack of original and individual themes, motifs, and manifestations may be observed.

Building Collections: Science Fiction

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Krapp, JoAnn Vergona

2005-01-01

Fantasy and science fiction are two genres that are products of imagination. Both present alternate worlds governed by their own laws and values, but it is the plausibility of events in each world that sets the two apart. In fantasy, events happen by magic or inexplicable means. In science fiction, events could happen based on advanced…

Science Fiction in the Political Science Classroom: A Comment

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Landers, Clifford E.

1977-01-01

Science fiction can be used for introducing and analyzing political concepts at the undergraduate level for either a specialized theory-oriented course such as Political Science Fiction or an Introduction to Political Science course. (Author/RM)

Hal in the Classroom: Science Fiction Films.

Science.gov (United States)

Amelio, Ralph J.

The articles in this book provide political, social, sociological, psychological, sexual, mythical, literary, and filmic approaches to the study of science fiction film. "Journey into Science Fiction" by W. Johnson and "The Imagination of Disaster" by S. Sontag treat broadly the essentials of science fiction films. "For the Future: The Science…

Pseudoscience and science fiction

CERN Document Server

May, Andrew

2017-01-01

Aliens, flying saucers, ESP, the Bermuda Triangle, antigravity … are we talking about science fiction or pseudoscience? Sometimes it is difficult to tell the difference. Both pseudoscience and science fiction (SF) are creative endeavours that have little in common with academic science, beyond the superficial trappings of jargon and subject matter. The most obvious difference between the two is that pseudoscience is presented as fact, not fiction. Yet like SF, and unlike real science, pseudoscience is driven by a desire to please an audience – in this case, people who “want to believe”. This has led to significant cross-fertilization between the two disciplines. SF authors often draw on “real” pseudoscientific theories to add verisimilitude to their stories, while on other occasions pseudoscience takes its cue from SF – the symbiotic relationship between ufology and Hollywood being a prime example of this. This engagingly written, well researched and richly illustrated text explores a wide range...

Booktalking Science Fiction to Young Adults.

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Klause, Annette Curtis

1990-01-01

Identifies the elements of science fiction that might appeal to adolescent readers and offers suggestions for developing innovative book talks on science fiction books. A bibliography of 133 books, categorized by subgenres such as hard science, space travel, and mysteries, is provided. (eight references) (CLB)

Exploring science through science fiction

CERN Document Server

Luokkala, Barry B

2014-01-01

How does Einstein’s description of space and time compare with Dr. Who? Can James Bond really escape from an armor-plated railroad car by cutting through the floor with a laser concealed in a wristwatch? What would it take to create a fully-intelligent android, such as Star Trek’s Commander Data? How might we discover intelligent civilizations on other planets in the galaxy? Is human teleportation possible? Will our technological society ever reach the point at which it becomes lawful to discriminate on the basis of genetic information, as in the movie GATTACA? Exploring Science Through Science Fiction addresses these and other interesting questions, using science fiction as a springboard for discussing fundamental science concepts and cutting-edge science research. The book is designed as a primary text for a college-level course which should appeal to students in the fine arts and humanities as well as to science and engineering students. It includes references to original research papers, landmark scie...

Teaching Tomorrow: A Handbook of Science Fiction for Teachers.

Science.gov (United States)

Calkins, Elizabeth; McGhan, Barry

Science Fiction appeals to young people and is suited for use in a wide range of classrooms. This handbook of Science Fiction for Teachers suggests ways of using Science Fiction to teach literature and English skills. Study guides based on two Science Fiction stories are presented, with activities such as individual papers and small group…

Science Fiction: Better than Delphi Studies.

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Wolf, Milton T.

1994-01-01

Considers science fiction as a literary genre and as a predictor of technological advances, particularly in the information industry. An annotated bibliography is included of 11 science fiction titles and 1 nonfiction book that suggest possible information futures. (LRW)

Use of Fictional Medical Television in Health Sciences Education: A Systematic Review

Science.gov (United States)

Hoffman, Beth L.; Hoffman, Robert; Wessel, Charles B.; Shensa, Ariel; Woods, Michelle S.; Primack, Brian A.

2018-01-01

While medical television programs are popular among health profession trainees, it is not clear to what extent these programs affect their knowledge, perceptions, and/or behaviors. Therefore, we conducted a systematic review of research evaluating associations between program exposure and outcomes. We conducted systematic literature searches in…

Social network analysis of character interaction in the Stargate and Star Trek television series

Science.gov (United States)

Tan, Melody Shi Ai; Ujum, Ephrance Abu; Ratnavelu, Kuru

This paper undertakes a social network analysis of two science fiction television series, Stargate and Star Trek. Television series convey stories in the form of character interaction, which can be represented as “character networks”. We connect each pair of characters that exchanged spoken dialogue in any given scene demarcated in the television series transcripts. These networks are then used to characterize the overall structure and topology of each series. We find that the character networks of both series have similar structure and topology to that found in previous work on mythological and fictional networks. The character networks exhibit the small-world effects but found no significant support for power-law. Since the progression of an episode depends to a large extent on the interaction between each of its characters, the underlying network structure tells us something about the complexity of that episode’s storyline. We assessed the complexity using techniques from spectral graph theory. We found that the episode networks are structured either as (1) closed networks, (2) those containing bottlenecks that connect otherwise disconnected clusters or (3) a mixture of both.

Prophecy, Pulp, or Punt: Science Fiction, Scenarios, and Values.

Science.gov (United States)

Spinks, C. W.

A brief history of science fiction and an analysis of its functions precedes a description of a university level course taught at Trinity University on science fiction, technology, and values. Science fiction writing is briefly traced from Mary Shelley's "Frankenstein" through the golden age of science fiction in the 1940s and 1950s to its…

Lægen som figur på film og i tv

DEFF Research Database (Denmark)

Bondebjerg, Ib

2017-01-01

. A typology of doctors on film and television, from doctors as scientific front runners to romantic doctor characters is presented. From the first silent movies to modern television series, such fictions have often in both dramatic and realistic ways told stories of ethical and human dilemmas. They have shown......This article deals with doctors, hospitals, and the medical science in film and television fiction in a historical and generic perspective. Doctors have always occupied a prominent place in film and on television, and this reflects the centrality of doctors and medicine in our everyday life...... us historical and contemporary aspects of the development of medicine and surgery and, also, critical stories of the health system. Doctors and medicine hold a central place in our film and television history, they embody and symbolise central aspects and dimensions of the development of modern...

Best Science Fiction, Fantasy, & Horror 2000.

Science.gov (United States)

Voice of Youth Advocates, 2001

2001-01-01

Presents the annual annotated list of the best science fiction, fantasy, and horror titles for teens that have been reviewed in this journal. Also includes a sidebar with four annotated titles of nonfiction resources related to science fiction, fantasy, and horror. (LRW)

Haruspicating With Science Fiction Or Through the Looking Glass -- Dimly.

Science.gov (United States)

Chatham, George N.

This paper examines the use of science fiction to predict the future. First, science fiction is compared to other fiction literature forms; then the changes in science fiction over the last 20 years are discussed. The influence of recent scientific advances on science fiction is also presented. The generation of alternative scenarios of the future…

Fiction series in TVE between 1956 and 1989

Directory of Open Access Journals (Sweden)

Elvira Canós Cerdá

2016-05-01

Full Text Available The change in the Spanish television landscape resulting from the loss of the monopoly of RTVE and the landing of private regional television and national channels, created a new context marked by competition between different private channels. In this scenario, there was a confluence of several factors that led to the launch of the national fiction production in our own country from the hands of a renewal of the genre with new creative and production systems (García de Castro, 2008:150. All this contrasts with the existence of certain gaps in research on the Spanish television fiction in years for the TVE television monopoly, as pioneer of today's fiction. Therefore, the presence of in-depth studies to clarify the trajectory of a fiction that will lay the foundation for self-produced fiction in Spain is necessary. This paper has as general objective an approach to the birth and evolution of serial fiction formats in TVE until the advent of private television, and the study of its distinctive features. This research can be understood under the phenomenological paradigm and is located within the television studies that focus specifically on the textual historicism (Ellis, 2007, in which the text is studied in relation to its historical context taking into account the influence of the period which the program was carried out when studying its meaning. It will be approached with a methodological pluralism that combines the qualitative method and historical method. The main technique used is the documentary observation of primary sources; mainly TV programs from the studied period. From the study of a significant sample of fiction programs produced and broadcast by Spanish public TV we can identify the traits that characterize them. Some of them still remain in the current TV series and another traits have been evolving in time.

The evolution and extinction of science fiction.

Science.gov (United States)

Hrotic, Steven

2014-11-01

Science fiction literature reflects our constantly evolving attitudes towards science and technological innovations, and the kinds of societal impacts believed possible. The newly popular subgenre 'steampunk' shows that these attitudes have significantly shifted. Examined from a cognitive anthropological perspective, science fiction reveals the cultural evolution of the genre as intelligently designed, and implies a cognitive mechanism of group membership reliant on implicit memory. However, such an analysis also suggests that genre science fiction as it was in the 20th century may no longer exist. © The Author(s) 2013.

Re-writing the Script: Representations of Transgender Creativity in Contemporary Young Adult Fiction and Television

Directory of Open Access Journals (Sweden)

Norbury, Kate

2014-12-01

Full Text Available The transgender, gender-atypical or intersex protagonist challenges normative assumptions and expectations about gender, identity and sexuality. This article argues that contemporary transgender-themed young adult fiction and television uses the theme of creativity or the creative achievement script to override previously negative representations of adolescent transgender subjectivities. I consider three English-language novels and one television series for young adults and use script theory to analyse these four texts, each of which has an optimistic ending. The television series, Glee (2009- , is now in its sixth season and therefore has not yet formally concluded. This more recent selection of texts which date from 2011 validate young adult transgender experience and model diversity and acceptance. Cris Beam’s I Am J (2011 and Kirstin Cronn-Mills’ Beautiful Music for Ugly Children (2012, both originally published in the United States, depict female to male transitions. Alyssa Brugman’s Alex as Well (2013, originally published in Australia, foregrounds the experience of an intersex teenager, Alex, raised as a boy, but who, at the age of fourteen, decides she is female. Glee introduced the transgender character Unique in 2012, and she continues to be a central member of the New Directions choir. The Swedish graphic novel, Elias Ericson’s Åror (2013, includes two transgender characters who enact the creative achievement script and fall in love with each other. In other words, Ericson’s graphic novel goes further than the English-language texts to date. Collectively, these transgender, gender-atypical or intersex protagonists and central characters assert their individual agency and creative sense of self. The transgender character’s particular creativity ultimately secures a positive sense of self.

Understanding Management, Trade, and Society Through Fiction

DEFF Research Database (Denmark)

Holt, Robin; Zundel, Mike

2014-01-01

The article analyzes the television series "The Wire," focusing on elements of the series of interest in relation to management science. The authors discuss strengths of the show as fiction, including the density of its portrayal of urban life and its avoidance of closure. Other topics include...... the management styles portrayed by the show's characters in a range of settings including police work and the illegal drug trade.....

21st Century South African Science Fiction

Directory of Open Access Journals (Sweden)

CARAIVAN LUIZA

2014-12-01

Full Text Available The paper analyses some aspects of South African science fiction, starting with its beginnings in the 1920s and focusing on some 21st century writings. Thus Lauren Beukes’ novels Moxyland (2008 and Zoo City (2010 are taken into consideration in order to present new trends in South African literature and the way science fiction has been marked by Apartheid. The second South African science fiction writer whose writings are examined is Henrietta Rose-Innes (with her novel Nineveh, published in 2011 as this consolidates women's presence in the SF world.

More than "Cool Science": Science Fiction and Fact in the Classroom

Science.gov (United States)

Singh, Vandana

2014-02-01

The unfortunate negative attitude toward physics among many students, including science majors, warrants creative approaches to teaching required physics courses. One such approach is to integrate science fiction into the curriculum, either in the form of movies or the written word. Historically this has been done since at least the 1970s, and by now many universities and colleges have courses that incorporate science fiction stories or film. The intent appears to be to a) increase student interest in physics, b) increase the imaginative grasp of the student, and c) enable a clearer understanding of physics concepts. Reports on these experiments, from Freedman and Little's classic 1980 paper to more recent work like that of Dubeck et al.,2 Dark,3 and Smith,4 indicate that such innovative approaches do work. I was curious as to whether a combination of science fiction and science fact (in the form of a science news article) might enhance the benefits of including science fiction. Below I describe how I used a science fiction story along with a science article on a related theme to pique the interest of students in a new and exciting area of research that was nevertheless connected to the course material.

Modifiable futures: science fiction at the bench.

Science.gov (United States)

Milburn, Colin

2010-09-01

Science fiction remains an alien dimension of the history of science. Historical and literary studies of science have become increasingly attentive to various "literary technologies" in scientific practice, the metaphorical features of scientific discourse, and the impact of popular science writing on the social development of scientific knowledge. But the function of science fiction and even literature as such in the history of scientific and technological innovation has often been obscured, misconstrued, or repudiated owing to conventional notions of authorship, influence, and the organic unity of texts. The better to address those close encounters where scientific practice makes use of speculative fiction, this essay proposes that we instead analyze such exchanges as processes of appropriation, remixing, and modification.

Science or Science Fiction?

DEFF Research Database (Denmark)

Lefsrud, Lianne M.; Meyer, Renate

2012-01-01

This paper examines the framings and identity work associated with professionals’ discursive construction of climate change science, their legitimation of themselves as experts on ‘the truth’, and their attitudes towards regulatory measures. Drawing from survey responses of 1077 professional......, legitimation strategies, and use of emotionality and metaphor. By linking notions of the science or science fiction of climate change to the assessment of the adequacy of global and local policies and of potential organizational responses, we contribute to the understanding of ‘defensive institutional work...

The material co-construction of hard science fiction and physics

Science.gov (United States)

Hasse, Cathrine

2015-12-01

This article explores the relationship between hard science fiction and physics and a gendered culture of science. Empirical studies indicate that science fiction references might spur some students' interest in physics and help develop this interest throughout school, into a university education and even further later inspire the practice of doing science. There are many kinds of fiction within the science fiction genre. In the presented empirical exploration physics students seem particularly fond of what is called `hard science fiction': a particular type of science fiction dealing with technological developments (Hartwell and Cramer in The hard SF renaissance, Orb/TOR, New York, 2002). Especially hard science fiction as a motivating fantasy may, however, also come with a gender bias. The locally materialized techno-fantasies spurring dreams of the terraforming of planets like Mars and travels in time and space may not be shared by all physics students. Especially female students express a need for other concerns in science. The entanglement of physics with hard science fiction may thus help develop some students' interest in learning school physics and help create an interest for studying physics at university level. But research indicates that especially female students are not captured by the hard techno-fantasies to the same extent as some of their male colleagues. Other visions (e.g. inspired by soft science fiction) are not materialized as a resource in the local educational culture. It calls for an argument of how teaching science is also teaching cultural values, ethics and concerns, which may be gendered. Teaching materials, like the use of hard science fiction in education, may not just be (yet another) gender bias in science education but also carrier of particular visions for scientific endeavours.

Mars: A Freshmen Year Seminar of Science and Science-fiction

Science.gov (United States)

Svec, Michael; Moffett, D. A.; Winiski, M.

2013-06-01

"Mars: On the shoulder of giants" is a freshmen year seminar developed collaboratively between the physics, education, and center for teaching and learning. This course focuses on how scientific knowledge is developed through the lens of our changing view of Mars throughout history. Analyses of current studies of Mars are juxtaposed against historical understanding and perceptions of the planet found in scientific and popular literature of the day, as well as the movies. Kim Stanley Robinson’s "Red Mars" provides a unifying story throughout the course complimented by Fredrick Taylor’s "The Scientific Exploration of Mars" and Hartmann’s "A Traveler’s Guide to Mars." Based on the three-years of experience, the authors advocate the use of the speculative science-fiction novel and argue for its use in high school and undergraduate courses including those for science majors. Many of the students who selected this seminar went on to major in science and in subsequent interviews discussed the influence of science fiction on their decision to major in science. Science fiction provided story, science, and speculation that became a rich medium for critical-thinking skills and critical literacy. Student reflections indicated that science fiction served as a reminder of why they study science, a source for imagination, and exploration of science as a human endeavor. Based on this experience, we propose five elements for selecting science-fiction for inclusion in science classes: 1) Provides a deep description of the science content or technologies, 2) Describes science and technologies are plausible or accurate to the time period, 3) Contains a novum or plausible innovation that plays a key element in the speculation, 4) Exploration of the impact on society or humanity, and, 5) Shows science and technology as human endeavors.

Comparing Socialist and Post-Socialist Television Culture. Fifty Years of Television in Croatia

Directory of Open Access Journals (Sweden)

Zrinjka Peruško

2014-06-01

Full Text Available This article builds a theoretical model for comparative analysis of media culture based on the notion of genre, and applies it to a comparative analysis of television as a cultural form in socialist and post-socialist Croatia. The paper explores how the shares and generic composition of program modes of information, entertainment and fiction change in time, and how the contribution of different genres to program flow and modes varies with the changes of political, economic and technological context. Longitudinal trends in television flows are comparatively evaluated in relation to trends in genre developments in Europe and their relationship to the changes in the cultural role of television. The results show a decrease in the information and an increase in the fiction mode between socialism and democracy, with some similarities of the Croatian and western television culture in relation to genre and mode composition and flow, albeit with a belated introduction of neo television genres. Notwithstanding the limited freedom of expression and ideological content, which necessarily influenced socialist media culture, television as a cultural form in Croatia developed in concert with the global program flows. The article is based on original content analysis of television schedules where the unit of analysis is a televisions program listing. The analogue television universe is represented by longitudinal data for 1959, 1969, 1979, 1989, 1999, and 2009. The stratified systematic sample (N=3934 for each chosen year consists of two constructed weeks from a universe of all listed programs broadcast on all free to air television channels with a national reach license.

Television, Parents, and the Political Socialization of Children.

Science.gov (United States)

Liebes, Tamar

1992-01-01

Discusses the role of television in constructing social reality and teaching children to participate in society, examining Israeli research on the role of television fiction and news in parent-child interactions. The article notes how family cultures affect the way television is incorporated into the socialization process in all households. (SM)

First Contact: Science Fiction in the Library, 1920-1949.

Science.gov (United States)

Sullivan, Kathryn

This report examining the status of science fiction in libraries during the 30-year period of the genre's infancy discusses past attitudes toward science fiction and policies concerning its selection and acquisition. In order to determine how strong an influence reviews would have been on the purchase of science fiction, the book announcements and…

De l’avantage (ou non) de définir la science-fiction : théorie des genres, science-fiction et Histoire

OpenAIRE

Rieder, John

2013-01-01

Cet essai a pour but d’aider à la clarification et au renforcement de l’impact d’une théorie historique des genres dans les études sur la science-fiction. Il explique et défend cinq propositions sur ce genre, chacune pouvant servir de thèse en elle-même : la science-fiction est historique et mouvante ; la science-fiction n’a pas d’essence, pas de caractéristique unifiante, et pas de point originel ; la science-fiction n’est pas un ensemble de textes, mais plutôt un usage des textes et une man...

Science Fiction at the Far Side of Technology

DEFF Research Database (Denmark)

Johansen, Mikkel Willum

2017-01-01

This book explores what science fiction can tell us about the human condition in a technological world (with the dilemma's and consequences that this entails) and also engages with the genre at points where we apparently find it on the far side of science, technology or human existence. As such....... It is our hope that this interdisciplinary approach will set an example for those who, like us, have been busy assessing the ways in which fictional attempts to fathom the possibilities of science and technology speak to central concerns about what it means to be human in a contemporary world of technology....... Although a scholarly work, this book is also designed to be accessible to a general audience that has an interest in science fiction as well as a broader academic audience. Aspiring (or experienced) science fiction writers may be interested in reading critical assessments of the science and technology...

Science Fiction at the Far Side of Technology

DEFF Research Database (Denmark)

Johansen, Mikkel Willum

2017-01-01

This book explores what science fiction can tell us about the human condition in a technological world (with the dilemma's and consequences that this entails) and also engages with the genre at points where we apparently find it on the far side of science, technology or human existence. As such......, it is the result of the joint efforts of scholars and scientists from various disciplines. While some of the contributors to this volume have been working professionally with science fiction for some time, others are newcomers who bring perspectives from their own field of specialization to the study of this genre....... Although a scholarly work, this book is also designed to be accessible to a general audience that has an interest in science fiction as well as a broader academic audience. Aspiring (or experienced) science fiction writers may be interested in reading critical assessments of the science and technology...

Radioactivity and Nuclear Issues in Science Fiction

International Nuclear Information System (INIS)

Franic, Z.

2008-01-01

In this work are presented and reviewed science fiction narratives, films and comics that exploit radioactivity and nuclear issues. These topics to some science fiction authors serve as metaphor of evil and holocaust as well as nice instrument for elaborating various manipulations and conspiracy theories. In that context are of special interest science fiction works depicting apocalyptic post-nuclear worlds and societies, such works being closely connected with cyberpunk genre. However, other more technologically optimistic authors nuclear energy and research regarding nuclear technology and radioactivity consider as eligible and inevitable solution for world peace and prosperity Nowadays, public interest and global fears are shifted from radioactivity and nuclear issues to other catastrophic scenarios threatening future of the mankind, these for example being climate changes and global warming, asteroid impact, collapse of information infrastructure, nanotechnology, robotics and artificial intelligence etc. Consequently, these issues are as well increasingly reflected in contemporary science fiction stories.(author)

'The televising of science is a process of television': establishing Horizon, 1962-1967.

Science.gov (United States)

Boon, Timothy

2015-03-01

BBC Television's Horizon series, fifty years old on 2 May 2014, despite its significance to the history of the public culture of science, has been little studied. This microhistorical account follows the gestation and early years of the programme, demonstrating how it established a social and cultural account of science. This was a result of televisual factors, notably the determination to follow the format of the successful arts television programme Monitor. It illuminates how the processes of television production, with a handful of key participants - Aubrey Singer, Gerald Leach, Philip Daly, Gordon Rattray Taylor, Ramsay Short, Michael Peacock and Robert Reid - established the format of the programme. This occurred over seventeen months of prior preparation followed by three troubled years of seeking to establish a stable form. This was finally achieved in 1967 when the programme adopted a film documentary approach after extended attempts at making it as a studio-based magazine programme. The story has implications for understanding the social accounts of science that were circulating in the key decade of the 1960s.

Vers une esthétique de la science-fiction

OpenAIRE

Russ, Joanna

2013-01-01

Les outils critiques élaborés en ayant à l’esprit une littérature entièrement différente ne fonctionnent pas quand ils sont appliqués à la science-fiction. Dans cet article, j’avance la proposition suivante : que la science-fiction est didactique. Malgré des similitudes superficielles avec la fiction moderne naturaliste (ou autre), les personnages de science-fiction sont toujours des personnes collectives, jamais individuelles. Je suggère que la critique littéraire contemporaine n’est pas l’...

Science Fiction in the Classroom.

Science.gov (United States)

Brake, Mark; Thornton, Rosi

2003-01-01

Considers science fiction as an imaginative forum to focus on the relationships between science, culture, and society. Outlines some of the ways in which using the genre can help achieve a dynamic and pluralistic understanding of the nature and evolution of science. (Author/KHR)

Scheduling science on television: A comparative analysis of the representations of science in 11 European countries.

Science.gov (United States)

Lehmkuhl, Markus; Karamanidou, Christina; Mörä, Tuomo; Petkova, Kristina; Trench, Brian

2012-11-01

This article explores the factors that influence the volume and structure of science programming by European television broadcasters, focussing on differences among channel patterns. It proposes three factors as relevant to understanding differences in science programming: A) the segmentation/fragmentation of television markets; B) the presence of middle sized commercial channels; C) the dependency of public service TV channels on commercial income (trading/advertising). We identified countries whose channel patterns encourage a varied picture of science - namely Sweden, Finland and Germany. They are distinguished from those which show a less differentiated picture and present a smaller volume of science content on television - such as Great Britain and Ireland. Finally, we identified countries whose channel patterns don't encourage a varied picture of science - namely Spain, Greece, Bulgaria and Estonia - and these countries present their small volume of science content at off-peak hours, in contrast to patterns in Great Britain and Ireland.

Taming the Alien Genre: Bringing Science Fiction into the Classroom.

Science.gov (United States)

Bucher, Kathrine T.; Manning, M. Lee

2001-01-01

Notes the popularity of the science fiction/fantasy genre, and offers a definition of these genres. Discusses teachers' reluctance to read or teach science fiction, but emphasizes its appeal and its usefulness. Discusses how teachers can select and use good science fiction books. Offers a checklist for evaluating such books, and suggests 18…

Vers une esthétique de la science-fiction

Directory of Open Access Journals (Sweden)

Joanna Russ

2013-04-01

Full Text Available Les outils critiques élaborés en ayant à l’esprit une littérature entièrement différente ne fonctionnent pas quand ils sont appliqués à la science-fiction. Dans cet article, j’avance la proposition suivante : que la science-fiction est didactique. Malgré des similitudes superficielles avec la fiction moderne naturaliste (ou autre, les personnages de science-fiction sont toujours des personnes collectives, jamais individuelles. Je suggère que la critique littéraire contemporaine n’est pas l’outil idéal pour traiter de fiction didactique, ou pour évaluer une littérature nouvelle et différente. Appliquer les critères et les méthodes auxquels nous sommes habitués ne peut mener qu’à trois résultats : le rejet de toute science-fiction comme n’étant pas de la littérature, une préférence pour certains genres restreints de science-fiction (parce qu’on peut les comprendre au moins partiellement selon la manière habituelle, ou une conception et une perception erronées des textes que l’on essaie précisément de comprendre. La troisième catégorie est restée rare jusqu’ici, parce que l’intérêt universitaire pour la science-fiction était rare, mais elle pourrait devenir bien trop courante si la popularité croissante des cours d’université sur ce sujet ne s’accompagne pas d’une critique adaptée à son sujet.

Are We Really the Prey? Nanotechnology as Science and Science Fiction

Science.gov (United States)

Bowman, Diana M.; Hodge, Graeme A.; Binks, Peter

2007-01-01

Popular culture can play a significant role in shaping the acceptance of evolving technologies, with nanotechnology likely to be a case in point. The most popular fiction work to date in this arena has been Michael Crichton's techno-thriller "Prey," which fuses together nanotechnology science with science fiction. Within the context of "Prey,"…

Teaching Science Fact with Science Fiction

Science.gov (United States)

Raham, R. Gary

2004-01-01

The literature of science fiction packs up the facts and discoveries of science and runs off to futures filled with both wonders and warnings. Kids love to take the journeys it offers for the thrill of the ride, but they can learn as they travel, too. This book will provide the reader with: (1) an overview of the past 500 years of scientific…

T. rex and Godzilla: Finding Science in Science Fiction

Science.gov (United States)

Engelmann, G. F.; Chure, D. J.

2017-12-01

Works of fiction act as a powerful vehicle for inculcating an intuitive understanding (or misunderstanding) of scientific concepts in the audience. They can communicate information about scientific phenomena or how science is done. These entertainments can contribute to scientific literacy of the public and provide valuable outreach opportunities, but scientific accuracy is rarely even a minor consideration in developing fictional stories. Science educators can still make use of popular fiction to promote science education and outreach. Varied approaches have focused on the physical science in classic space operas, but historical sciences can make use of public interest in fictional tales involving prehistoric creatures and settings. Dinosaurs like T. rex inspire awe and widespread popular appeal that can nurture an interest in fossils but also serves as a gateway to all the other sciences on which paleontology depends, and to the scientific endeavor itself. But the portrayal of dinosaurs has met with negative criticism of details that is not likely to be productive of further discussion and learning. Perhaps it is not so important that authors and film makers didn't get it right; that "correctness" of terms and reconstructions is less important than the opportunity to improve public understanding of how science works; to cultivate a habit of critical thinking and an analytical approach to interpreting the world. Dinosaurs and other long extinct creatures can provide examples of how we know what we know; what kind of evidence is available and how it can be interpreted; how creative framing of hypotheses allows imaginative conjectures to be constrained by observations. They can open informative discussions of how scientists work in gathering data and developing and testing hypotheses. For example, how do paleontologists find fossils? Monsters, unrealistic fantasy creatures like Godzilla, have great charismatic appeal, and can prompt discussions of the obstacles

Le style modal de la science-fiction

Directory of Open Access Journals (Sweden)

Emmanuel Boisset

2013-04-01

Full Text Available La faiblesse de style dont souffrirait la science-fiction est en fait le signe que la science y est davantage discours du possible que description du réel. Un « style modal » va suspendre la valeur de vérité, et le style de la possibilité va décontextualiser les métaphores disponibles. En science-fiction, le processus métaphorique génère et structure la diégèse. Un exemple chez Iain M. Banks montre un dialogue quasi incompréhensible mettre à l’épreuve la signification comme possibilité. Les métaphores figées sont revitalisées par la décontextualisation de la fiction, dont le texte peut exploiter l’impertinence.

Science Fiction at the Far Side of Technology

DEFF Research Database (Denmark)

Johansen, Mikkel Willum

2017-01-01

. Further, those with a concern for the future may find inspiration in what a study of the politics and ethics of science fiction can tell us about the moral and political dilemmas of our own time. Although this book is more likely to be picked up by someone who already has an interest in science fiction....... It is our hope that this interdisciplinary approach will set an example for those who, like us, have been busy assessing the ways in which fictional attempts to fathom the possibilities of science and technology speak to central concerns about what it means to be human in a contemporary world of technology...

"Frankenstein" as Science Fiction and Fact

Science.gov (United States)

van der Laan, J. M.

2010-01-01

Often called the first of its kind, "Frankenstein" paved the way for science fiction writing. Its depiction of a then impossible scientific feat has in our time become possible and is essentially recognizable in what we now refer to as bioengineering, biomedicine, or biotechnology. The fiction of "Frankenstein" has as it were given way to…

Modern Science Fiction.

Science.gov (United States)

Dailey, Jennie Ora Marriott

The major prerequisite to studying science fiction as literature is determining the criteria by which it is to be evaluated. A middle ground which recognizes both literary merit and the genre's uniqueness (scientific orientation, dominancy of idea, and interest of speculation) proves to be the most workable approach and stresses the versatility…

Science Fiction Exhibits as STEM Gateways

Science.gov (United States)

Robie, Samantha

Women continue to hold less than a quarter of all STEM jobs in the United States, prompting many museums to develop programs and exhibits with the express goal of interesting young girls in scientific fields. At the same time, a number of recent museum exhibits have harnessed the popularity of pop culture and science fiction in order to interest general audiences in STEM subject matter, as well as using the exhibits as springboards to expand or shift mission goals and focus. Because science fiction appears to be successful at raising interest in STEM fields, it may be an effective way to garner the interest of young girls in STEM in particular. This research seeks to describe the ways in which museums are currently using science fiction exhibits to interest young girls in STEM fields and careers. Research focused on four institutions across the country hosting three separate exhibits, and included staff interviews and content analysis of exhibit descriptions, promotional materials, a summative evaluation and supplementary exhibit productions. In some ways, science fiction exhibits do serve young girls, primarily through the inclusion of female role models, staff awareness, and prototype testing to ensure interactives are attractive to girls as well as to boys. However, STEM appears to be underutilized, which may be partly due to a concern within the field that the outcome of targeting a specific gender could be construed as "stereotyping".

Science fiction by scientists an anthology of short stories

CERN Document Server

2017-01-01

This anthology contains fourteen intriguing short stories by active research scientists and other writers trained in science. Science is at the heart of real science fiction, which is more than just westerns with ray guns or fantasy with spaceships. The people who do science and love science best are scientists. Scientists like Isaac Asimov, Arthur C. Clarke, and Fred Hoyle wrote some of the legendary tales of golden age science fiction. Today there is a new generation of scientists writing science fiction informed with the expertise of their fields, from astrophysics to computer science, biochemistry to rocket science, quantum physics to genetics, speculating about what is possible in our universe. Here lies the sense of wonder only science can deliver. All the stories in this volume are supplemented by afterwords commenting on the science underlying each story.

Fiction as an Introduction to Computer Science Research

Science.gov (United States)

Goldsmith, Judy; Mattei, Nicholas

2014-01-01

The undergraduate computer science curriculum is generally focused on skills and tools; most students are not exposed to much research in the field, and do not learn how to navigate the research literature. We describe how fiction reviews (and specifically science fiction) are used as a gateway to research reviews. Students learn a little about…

Topos of the cosmic space in science fiction

Directory of Open Access Journals (Sweden)

Poutilo Oleg Olegovich

2015-09-01

Full Text Available The article examines the forms of cosmic space in science fiction, its characteristics and main trends of evolution. Cosmic space is seen as a dichotomy of “our” and “their”, though their interaction is complicated and full interiorization is impossible. The specificity of the described cosmic space is the absence of the traditional system of coordinates associated with the sides of the world. Authors have to resort to the use of “map-route”, describing the journey sequentially, from the point of view of a moving person. In this regard, in recent years there has been a tendency to reduce the role of images of cosmic space in science fiction novels. Their appearance in the works becomes a kind of stamp, a concession to the classical traditions of the genre. Once popular genres of strict science fiction or space opera inferior position to the other, recreating a far more convincing picture of the probable future of humanity - cyberpunk dystopia and post-apocalyptic fiction.

Depictions of global environmental change in science fiction : an overview of educational applications

Energy Technology Data Exchange (ETDEWEB)

Kadonaga, L. [Victoria Univ., BC (Canada). Dept. of Geography

2000-06-01

This paper examined how the use of science fiction books and movies can be used as a tool to educate the public. Narratives encourage interest in global environmental changes and can help demystify how science works. Although most science fiction depictions of global environmental change are outdated and oversimplified, the genre can encourage discussion of ecological and social impacts. Writers of science fiction consider both natural systems and human societies, anticipating the work of impacts researchers. It was argued that while both science fiction writers and global change researchers require knowledge and creativity to construct realistic extrapolations, a well-written science fiction book is likely to reach a larger audience. Science fiction books emphasize that climate projections are intended as warnings. If properly handled, they can improve public awareness of issues such as global warming and climatic change. It was suggested that collaboration between researchers and science fiction writers could produce some interesting work. 48 refs.

Science Fiction at the Far Side of Technology

DEFF Research Database (Denmark)

Johansen, Mikkel Willum

2017-01-01

behind some of the major works of their genre; assessments that may in turn provide the inspiration for new stories based on an enhanced understanding of the dynamics of science and technology. Film critics and literary critics with a good working knowledge of science fiction may find fresh insight......This book explores what science fiction can tell us about the human condition in a technological world (with the dilemma's and consequences that this entails) and also engages with the genre at points where we apparently find it on the far side of science, technology or human existence. As such....... It is our hope that this interdisciplinary approach will set an example for those who, like us, have been busy assessing the ways in which fictional attempts to fathom the possibilities of science and technology speak to central concerns about what it means to be human in a contemporary world of technology...

Science fiction/science fact: medical genetics in news stories.

Science.gov (United States)

Petersen, Alan; Anderson, Alison; Allan, Stuart

2005-12-01

News media coverage of biotechnology issues offers a rich source of fictional portrayals, with stories drawing strongly on popular imagery and metaphors in descriptions of the powers and dangers of biotechnology. This article examines how science fiction metaphors, imagery and motifs surface in British newspaper (broadsheet and tabloid) coverage of medical genetic issues, focusing on press reporting of two recent highly publicised news media events; namely, the Hashmi and Whitaker families' plights to use stem cells from a 'perfectly matched sibling' for the treatment of their diseased children. It is concerned in particular with the extent to which journalists' use of certain literary devices encourages preferred formulations of medical genetics, and thereby potentially shapes public deliberation about scientific developments and their consequences for society. Understanding how science fiction sustains science fact, and vice versa, and how the former is portrayed in news media, it is argued, would thus seem to be crucial in the effort to understand why people respond so strongly to biotechnologies, and what they imagine their consequences to be.

Using Fan Fiction to Teach Critical Reading and Writing Skills

Science.gov (United States)

Kell, Tracey

2009-01-01

In this article, the author talks about fan fiction, which is defined by Jenkins (2008) as "original stories and novels which are set in the fictional universe of favorite television series, films, comics, games or other media properties." Fan fiction generally involves writing stories with a combination of established characters and established…

A character network study of two Sci-Fi TV series

Science.gov (United States)

Tan, M. S. A.; Ujum, E. A.; Ratnavelu, K.

2014-03-01

This work is an analysis of the character networks in two science fiction television series: Stargate and Star Trek. These networks are constructed on the basis of scene co-occurrence between characters to indicate the presence of a connection. Global network structure measures such as the average path length, graph density, network diameter, average degree, median degree, maximum degree, and average clustering coefficient are computed as well as individual node centrality scores. The two fictional networks constructed are found to be quite similar in structure which is astonishing given that Stargate only ran for 18 years in comparison to the 48 years for Star Trek.

Teaching and Learning Psychology through an Analysis of Social Science Fiction

Science.gov (United States)

Herman, William E.

2009-01-01

This paper is designed to accompany an appearance by the author as a panelist during a session on science fiction and teaching methods at the I-CON 28 Science Fiction Convention held April 3-5, 2009, on Long Island (near New York City). The author describes how he employs social science fiction in an honors course at the university level to…

How Do We Write about Performance in Serial Television?

OpenAIRE

Elliott Logan

2015-01-01

Television studies has produced few sustained analyses of performance in serial television. Yet film studies scholarship has shown how attending to the integration of performances with other aspects of film style is crucial to the interpretation and appreciation of expression and meaning in filmed narrative fictions. However, as a particle form of filmed serial narrative, series television raises a number of questions about performance that will not necessarily be satisfyingly addressed by th...

Tuning in to Young Viewers: Social Science Perspectives on Television.

Science.gov (United States)

MacBeth, Tannis M., Ed.

Research indicates that children are especially vulnerable to the effects of television viewing. Taking a psychological, social-science perspective, this book explores how television viewing affects children. Chapter 1, "Introduction," (MacBeth) discusses the issues involved, how researchers go about studying media effects, whether television…

The portrayal of Tourette Syndrome in film and television.

Science.gov (United States)

Calder-Sprackman, Samantha; Sutherland, Stephanie; Doja, Asif

2014-03-01

To determine the representation of Tourette Syndrome (TS) in fictional movies and television programs by investigating recurrent themes and depictions. Television and film can be a source of information and misinformation about medical disorders. Tourette Syndrome has received attention in the popular media, but no studies have been done on the accuracy of the depiction of the disorder. International internet movie databases were searched using the terms "Tourette's", "Tourette's Syndrome", and "tics" to generate all movies, shorts, and television programs featuring a character or scene with TS or a person imitating TS. Using a grounded theory approach, we identified the types of characters, tics, and co-morbidities depicted as well as the overall representation of TS. Thirty-seven television programs and films were reviewed dating from 1976 to 2010. Fictional movies and television shows gave overall misrepresentations of TS. Coprolalia was overrepresented as a tic manifestation, characters were depicted having autism spectrum disorder symptoms rather than TS, and physicians were portrayed as unsympathetic and only focusing on medical therapies. School and family relationships were frequently depicted as being negatively impacted by TS, leading to poor quality of life. Film and television are easily accessible resources for patients and the public that may influence their beliefs about TS. Physicians should be aware that TS is often inaccurately represented in television programs and film and acknowledge misrepresentations in order to counsel patients accordingly.

A training purpose for the Bachelor: physics and Fiction Science

International Nuclear Information System (INIS)

Bacas Leal, P.; Martin, M.J.; Perera Cendal, F.; Pizarro Galan, A.M.

1997-01-01

Science fiction can be used in the classroom as a fantastic narrative which exploits the imaginative outlooks of modern science. In this paper some of the teaching prospects which science fiction offers are analysed, and for instance, those offered by A.C. Clarke's Maelstrom II are developed. (Author)

L Ron Hubbard's science fiction quest against psychiatry.

Science.gov (United States)

Hirshbein, Laura

2016-12-01

Layfayette Ronald Hubbard (1911-1986) was a colourful and prolific American writer of science fiction in the 1930s and 1940s. During the time between his two decades of productivity and his return to science fiction in 1980, Hubbard founded the Church of Scientology. In addition to its controversial status as a religion and its troubling pattern of intimidation and litigation directed towards its foes, Scientology is well known as an organised opponent to psychiatry. This paper looks at Hubbard's science fiction work to help understand the evolution of Scientology's antipsychiatry stance, as well as the alternative to psychiatry offered by Hubbard. Published by the BMJ Publishing Group Limited. For permission to use (where not already granted under a licence) please go to http://www.bmj.com/company/products-services/rights-and-licensing/.

Science fiction as a culture of global innovation

Directory of Open Access Journals (Sweden)

Thomas MICHAUD

2010-01-01

Full Text Available Science fiction participates to the creation of a global culture of innovation. It is diffused in most of the developed countries to promote technical innovation and has motivated a lot of actors of capitalism to imitate the utopian technologies represented in these very popular movies and novels. The stake of this article is to define the strategic habitus in a cultural environment constituted of multiple centers of Research and Development (R&D organized in network. The management of science fiction is necessary to optimize innovation at a global level. After the step of the ideological filtering of science fiction, the construction of discursive philters permits to manage productive systems with common and normalized cultural considerations. The approaches of sensemaking, storytelling and “strategy as discourse” are used at the theoretical level.

The Material Co-Construction of Hard Science Fiction and Physics

Science.gov (United States)

Hasse, Cathrine

2015-01-01

This article explores the relationship between hard science fiction and physics and a gendered culture of science. Empirical studies indicate that science fiction references might spur some students' interest in physics and help develop this interest throughout school, into a university education and even further later inspire the practice of…

Aesthetics of destruction in contemporary science fiction cinema

OpenAIRE

Warton, John Phillips

2015-01-01

Mass destruction imagery within the science fiction film genre is not a new cinematic development. However, a swell of destruction-centred films has emerged since the proliferation of digital technologies and computer-generated imagery that reflect concerns that extend beyond notions of spectacle. Through illusionistic realism techniques, the aesthetics of mass destruction imagery within science fiction cinema can be seen as appropriating the implied veracity of other film trad...

Teaching the Future: On the Use of Science Fiction in English Language Learning.

Science.gov (United States)

Stockwell, Peter

2001-01-01

Outlines the features of "pulpstyle" and its continuing influence on later science fiction. Considers some science fiction texts that explicitly address language issues. These ideas are related to practical techniques of using science fiction in the language classroom. (Author/VWL)

Reflections on Science Fiction in Light of Today's Global Concerns.

Science.gov (United States)

Aiex, Patrick K.

Science fiction is a literary genre that can be used in humanities courses to discuss ideas, attitudes, ethics, morality, and the effects of science and technology on the world's population. One of the best examples of a "classic" science fiction novel which can provoke class discussion is Aldous Huxley's "Brave New World,"…

Television News Imagery: A Hierarchy of Diegetic Mediation through Viewer Positioning.

Science.gov (United States)

Hudson, Timothy J.

The ways in which, and the extent to which, changes in viewer positioning mediate the diegesis of commercial television news is problematic, since television news is generally considered to be "non-fiction." Diegesis can be defined as the depicted real-world. The choices made in depicting the scene have implications as to the positioning…

Holy sci-fi! where science fiction and religion intersect

CERN Document Server

Nahin, Paul J

2014-01-01

Can a computer have a soul? Are religion and science mutually exclusive? Is there really such a thing as free will? If you could time travel to visit Jesus, would you (and should you)? For hundreds of years, philosophers, scientists, and science fiction writers have pondered these questions and many more. In Holy Sci-Fi!, popular writer Paul Nahin explores the fertile and sometimes uneasy relationship between science fiction and religion. With a scope spanning the history of religion, philosophy, and literature, Nahin follows religious themes in science fiction from Feynman to Foucault, and from Asimov to Aristotle. An intriguing journey through popular and well-loved books and stories, Holy Sci-Fi! shows how sci-fi has informed humanity's attitudes towards our faiths, our future, and ourselves.

Dickens and Science Fiction: A Study of Artificial Intelligence in Great Expectations

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Pete Robert Orford

2010-04-01

Full Text Available Dickens didn't write science fiction - or did he? More to the point, why on earth wouldn't Dickens write science fiction? In an era when writers were experimenting more and more with the fusion of science and the unknown in their writing, the apparent absence of such a work by Dickens appears conspicuous. This article addresses this issue by exploring the confused beginnings of science fiction and goes on to present a detailed study of robotics in 'Great Expectations. 'It seeks out the resonances between Dickens's novel and early robot fiction of the nineteenth century, examining Estella's inhumanity and the way in which both she and Pip are 'made' by Miss Havisham and Magwitch. Ultimately, the paper aims to show that Dickens's writing does indeed have a place in the study of science fiction.

In the Spotlight of Misperception: Japanese Science Fiction Vis-à-vis Western Science Fiction Set in Japan

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Baryon Tensor Posadas

2000-06-01

Full Text Available In 1984, William Gibson published a novel that began new traditions in science fiction writing —Neuromancer. the novel won a hat-trick of all three of the major science fiction awards: The Hugo, Nebula, and the Philip K. Dick. The opening chapter was set in Chiba prefecture, a large coastal region east of the capital Tokyo with the line "The sky above the port was the color of television turned to a dead channel" (Gibson 1. It was the centerpiece of the cyberpunk movement characterized by a mix of high technology in the fields of computer networking and biomechanical interface and urban street life (Sterling xi.Yet despite its opening scenes being set in Tokyo, Gibson at that time had never set foot in Japan. Furthermore, practically all of Gibson's novels—Neuromancer (1984, Count Zero (1986, Mona Liza Overdrive (1988, Virtual Light (1991, and Idoru (1995 along with several of his short stories, have dealt with Japan in varying degrees, wether as a setting or by involving Japanese social system sush as the yakuza and the zaibatsu system of corporate management as atmospheric elements.Another impetus came from Delia Aguilar's study on Filipino housewives and the politics of gender. This study reveals that " . . . in the private space of the family as the major mechanism for the reproduction of social relations, women are at once validated and oppressed, a process that is powerfully mediated by the maternal ideology of which women are the foremost proponents." This maternal ideology shapes Filipino women's idea of motherhood that sees devotion to children, self-sacrifice, and care giving as the essence of motherhood, allowing them to embrace oppression and subordination. In this context, the interrogation of maternal ideology in Philippine literature is important to the overall feminist movement. Women writers who have freed themselves from the mystifying notions of motherhood may have been inspired to represent women in their works

The role of science fiction within the fluidity of slipstream literature

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Janez Steble

2015-12-01

Full Text Available The paper explores the complex and contradictory role of science fiction in slipstream, the type of postmodern non-realistic literature situated between the fantastic genres and the mainstream literary fiction. Because of its unstable status of occupying an interstitial position between multiple literary conventions, the article first deals with an expansive terminology affiliated with slipstream and elucidates upon using a unified term for it. Avantpop, transrealism, and interstitial fiction all help us in understanding the vast postmodern horizon of slipstream. Furthermore, the slipstream's philosophy of cognitive dissonance in comparison to science fiction's is analysed to see the similarities and differences between them. The section is mainly concerned on expanding Darko Suvin's concept of cognition and viewing it as partially compatible with slipstream's estrangement techniques. The final part is focused on the exemplary slipstream novel Vurt by Jeff Noon, a perfect example of science fiction providing material, including latest post-Newtonian paradigms of science, for slipstream to mould it in its own fashion.

Perceptions of television violence: effects of programme genre and type of violence on viewers' judgements of violent portrayals.

Science.gov (United States)

Gunter, B; Furnham, A

1984-06-01

This paper reports two studies which examined the mediating effects of programme genre and physical form of violence on viewers' perceptions of violent TV portrayals. In Expt 1, a panel of British viewers saw portrayals from five programme genres: British crime-drama series, US crime-drama series, westerns, science-fiction series and cartoons which feature either fights or shootings. In Expt. 2, the same viewers rated portrayals from British crime-drama and westerns which featured four types of violence, fist-fights, shootings, stabbings and explosions. All scenes were rated along eight unipolar scales. Panel members also completed four subscales of a personal hostility inventory. Results showed that both fictional setting and physical form had significant effects on viewers' perceptions of televised violence. British crime-drama portrayals, and portrayals that featured shootings and stabbings, were rated as most violent and disturbing. Also, there were strong differences between viewers with different self-reported propensities towards either verbal or physical aggression. More physically aggressive individuals tended to perceive physical unarmed violence as less violent than did more verbally aggressive types.

[The democratic side of science-fiction].

Science.gov (United States)

Lecellier, Charles-Henri

2011-04-01

Suspicion towards technological advances has progressively grown during the xx(th) century. However, in the XXI(st) century, reading the NBIC (nanotechnology, biotechnology, information technology and cognitive science) report of the National Science Foundation, we can note that science has caught up with science fiction. These changes in public mentality on one side and in scientific capacities on the other argue for an evolution of the debate on sciences. The recent example of the national debate on nanotechnology in France has clearly shown that the public is no longer waiting for additional sources of scientific knowledge but rather waiting for the recognition of its authority to participate in the definition of the national R&D priority and associated scientific strategies. This is all the more legitimate that these strategies will have profound impact on the future of our societies and therefore cannot be decided only by scientists. Hence, it is crucial to identify innovative tools promoting debate on sciences and their technological spin-off. Here, we contend that science fiction has major assets that could face this challenge and facilitate the dialogue between sciences and society.

Using Social Science to Improve Children's Television: An NBC Case Study.

Science.gov (United States)

Stipp, Horst; And Others

1987-01-01

Describes the evolution and activities of the Social Science Advisory Panel at NBC (National Broadcasting Company) that brings knowledge about children and television to the production of Saturday morning children's television programs. Highlights include self-regulatory aspects of the panel, issues confronted such as violence and stereotyping,…

Synthetic Literature : Writing Science Fiction in a Co-Creative Process

NARCIS (Netherlands)

Manjavacas, Enrique; Karsdorp, F.B.; Burtenshaw, Ben; Kestemont, Mike

This paper describes a co-creative text generation system applied within a science fiction setting to be used by an established novelist. The project was initiated as part of The Dutch Book Week, and the generated text will be published within a volume of science fiction stories. We explore the

Science Fiction and Life after Death

OpenAIRE

Burt, Stephen Louis

2014-01-01

Science fiction (SF) is, and has been since its inception as a self-conscious genre, centrally and persistently interested in presenting some version of or figure for an afterlife, some way to survive the death of the body, some place where our consciousness might live on after we die. We can find representations of an afterlife within every period of SF properly so-called, from late-nineteenth-century “scientific romance” to Campbellian magazine fiction, to the New Wave of the 1960s, to the ...

Social Justice and Out-of-School Science Learning: Exploring Equity in Science Television, Science Clubs and Maker Spaces

Science.gov (United States)

Dawson, Emily

2017-01-01

This article outlines how social justice theories, in combination with the concepts of infrastructure access, literacies and community acceptance, can be used to think about equity in out-of-school science learning. The author applies these ideas to out-of-school learning via television, science clubs, and maker spaces, looking at research as well…

Critique and Fiction: Doing Science Right in Rural Education Research

Science.gov (United States)

Howley, Craig

2009-01-01

This essay explains the relevance of fiction to the practice of rural education research, in so doing engaging questions about the nature and purposes of research and, therefore, of science itself. Although many may assume science and fiction (in this account, novels) harbor contrary purposes and devices, this essay argues that, to the contrary,…

Beyond Flash Gordon and "Star Wars": Science Fiction and History Instruction

Science.gov (United States)

Cooper, B. Lee

1978-01-01

Historical concepts can be taught through analysis of science fiction. Offers a class outline with science fiction resources to examine the boundaries of historical inquiry; six themes for student investigation based on specific resources; and a bibliography of 44 additional anthologies and books. (AV)

Reaching Nonscience Students through Science Fiction

Science.gov (United States)

Smith, Donald A.

2009-01-01

In 2006 I had the chance to design a physics course for students not majoring in scientific fields. I chose to shape the course around science fiction, not as a source for quantitative problems but as a means for conveying important physics concepts. I hoped that, by encountering these concepts in narratives, students with little or no science or…

Trashing the millenium: Subjectivity and technology in cyberpunk science fiction

Directory of Open Access Journals (Sweden)

J. A. Sey

1992-05-01

Full Text Available 'Cyberpunk’ science fiction is a self-proclaimed movement within the genre which began in the 1980s. As the name suggests, it is an extrapolative form of science fiction which combines an almost obsessional interest in machines (particularly information machines with an anarchic, amoral, streetwise sensibility This paper sketches the development of the movement and seeks to make qualified claims for the radical. potential of its fiction. Of crucial importance are the ways in which human subjectivity (viewed in psychoanalytic terms interacts with 'technological subjectivity' in cyberpunk, particularly with regard to implications of these interactions for oedipalization.

Sexualité, échange de pouvoir et science-fiction : Une étude SMiotique de quelques textes de science-fiction québécoise

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Sylvie Bérard

2008-07-01

Full Text Available Cet article s’attarde à trois textes de science-fiction québécoise contemporaine mettant en scène une interaction sadomasochiste: « La carte du tendre » d’Élisabeth Vonarburg, Lame d’Esther Rochon et La mue de l'hermaphrodite de Karoline Georges. Combinant entre autres l’analyse du discours narratif, les théories psychanalytiques, et l’étude de la performance, il s’intéresse non seulement à ce que la science-fiction nous dit de la sexualité et du sadomasochisme, mais il tente de cerner ce que le sadomasochisme, en tant que cadre d’analyse, peut nous apprendre à propos de l’écriture de science-fiction et, pourquoi pas, à propos de l’écriture en général.

Geoscience on television: a review of science communication literature in the context of geosciences

Science.gov (United States)

Hut, Rolf; Land-Zandstra, Anne M.; Smeets, Ionica; Stoof, Cathelijne R.

2016-06-01

Geoscience communication is becoming increasingly important as climate change increases the occurrence of natural hazards around the world. Few geoscientists are trained in effective science communication, and awareness of the formal science communication literature is also low. This can be challenging when interacting with journalists on a powerful medium like TV. To provide geoscience communicators with background knowledge on effective science communication on television, we reviewed relevant theory in the context of geosciences and discuss six major themes: scientist motivation, target audience, narratives and storytelling, jargon and information transfer, relationship between scientists and journalists, and stereotypes of scientists on TV. We illustrate each theme with a case study of geosciences on TV and discuss relevant science communication literature. We then highlight how this literature applies to the geosciences and identify knowledge gaps related to science communication in the geosciences. As TV offers a unique opportunity to reach many viewers, we hope this review can not only positively contribute to effective geoscience communication but also to the wider geoscience debate in society.

Future Tense: Science Fiction Confronts the New Science.

Science.gov (United States)

Antczak, Janice

1990-01-01

Describes 10 science fiction stories for young readers whose contents address recent developments on the frontiers of scientific research, including genetic engineering, artificial intelligence, and robotics. The use of these materials to inform young readers about the issues and dangers involved in scientific developments is discussed. (CLB)

The Impact of Science Fiction Films on Student Interest in Science

Science.gov (United States)

Laprise, Shari; Winrich, Chuck

2010-01-01

Science fiction films were used in required and elective nonmajor science courses as a pedagogical tool to motivate student interest in science and to reinforce critical thinking about scientific concepts. Students watched various films and critiqued them for scientific accuracy in written assignments. Students' perception of this activity was…

The extinct animal show: the paleoimagery tradition and computer generated imagery in factual television programs.

Science.gov (United States)

Campbell, Vincent

2009-03-01

Extinct animals have always been popular subjects for the media, in both fiction, and factual output. In recent years, a distinctive new type of factual television program has emerged in which computer generated imagery is used extensively to bring extinct animals back to life. Such has been the commercial audience success of these programs that they have generated some public and academic debates about their relative status as science, documentary, and entertainment, as well as about their reflection of trends in factual television production, and the aesthetic tensions in the application of new media technologies. Such discussions ignore a crucial contextual feature of computer generated extinct animal programs, namely the established tradition of paleoimagery. This paper examines a selection of extinct animal shows in terms of the dominant frames of the paleoimagery genre. The paper suggests that such an examination has two consequences. First, it allows for a more context-sensitive evaluation of extinct animal programs, acknowledging rather than ignoring relevant representational traditions. Second, it allows for an appraisal and evaluation of public and critical reception of extinct animal programs above and beyond the traditional debates about tensions between science, documentary, entertainment, and public understanding.

Octavia Butler and Virginia Hamilton: Black Women Writers and Science Fiction.

Science.gov (United States)

Hampton, Gregory Jerome; Brooks, Wanda M.

2003-01-01

Notes that African American literature has always had science fiction elements in its focus on narratives of the alienated and marginalized "other." Contends that Octavia Butler and Virginia Hamilton are two African American writers of science fiction who examine the connections between the stories of a culture and the genre of science…

Eliciting physics students mental models via science fiction stories

International Nuclear Information System (INIS)

Acar, H.

2005-01-01

This paper presents the results of an experiment which investigated the effects of the using science fiction stories in physics lessons. A questionnaire form containing 2 open-ended questions related to Jules Vernes story From the Earth to the Moon was used with 353, 9th and 10th grade students to determine their pre-conceptions about gravity and weightlessness. Mental models explaining students scientific and alternative views were constructed, according to students replies. After these studies, 6 students were interviewed. In this interview, researches were done about whether science fiction stories had an effect on bringing students pre-conceptions related to physics subjects out, on students inquiring their own concepts and on increasing students interest and motivation towards physics subjects. Studies in this research show that science fiction stories have an effect on arousing students interest and curiosity, have a role encouraging students to inquire their own concepts and are effective in making students alternative views come out

2101, Sciences & Fiction: a way of developing teenagers' interest for science

Science.gov (United States)

Vauglin, I.; Chiuzzi, P.

2017-12-01

Since nearly 30 years, many european studies have demonstrated a worrying decline of young people's interest in science and technical studies. Despite the number of efforts and programs made to reverse the trend, there are still few signs of improvement. We must step up our efforts otherwise this will impact the long-term innovation capacities of our country. We have tried to participate to these efforts with the creation of a digital and interactive comics "2101, Science & Fiction", created by Chromatiques, that explores the connections between reality of science and science fiction. It takes advantage of the new opportunities opened by digital technology and is another way of developing interest in learning sciences. Free access on: http://2101.fr The goal is to create an new opportunity to popularize science and attract the young generation in different fields of technology and science. L'e-poster présentant cette BD numérique interactive en français est disponible à cette adresse: ttp://sf2a.eu/semaine-sf2a/2017/posterpdfs/294_224_66.pdf

Exploring Mars and Beyond: Science Fiction a Resource for Environmental Education.

Science.gov (United States)

Miller, Ryder W.

The purpose of this article is to show how traditional science fiction, an empowering literature of social criticism, can be used by environmental educators to reach the traditional goals of environmental education. The sub-genres of science fiction are discussed along with ways in which they can be used to reach certain goals of environmental…

"May the journey continue": Earth 2 fan fiction, or Filling in gaps to revive a canceled series

Directory of Open Access Journals (Sweden)

Francesca Musiani

2010-09-01

Full Text Available This essay explores writing practices in a fan community having to give life to a story deprived of an "official" version: the television series Earth 2. I argue that fan fiction writing for this prematurely canceled series exhibits peculiar features in comparison to fan writing for established series: for example, temporality, choice of protagonists, character pairings, and challenges to the original conception(s of the series. Writing fan fiction for a canceled series is not about creating alternatives to an existing story, but about filling in gaps; it brings to light the ways in which fan fiction deals with closure. I take as a case study Earth 2, a series aired by NBC in the United States in 1994–95, whose first and only season ended in a cliffhanger episode hinting that a mysterious ailment had struck the main and most popular character. Shortly afterward, a significant number of Earth 2 Web sites, online conventions, and especially fan stories started developing; they explored what could have happened next and bore nostalgic but combative mottoes and titles such as "May the Journey Continue." I explore the specific features of Earth 2 fan fiction production and sharing by analyzing the main Earth 2 fan fiction archives on the Web and the responses to my email interviews of fan writers. Exemplars of the Earth 2 case are compared to those of other science fiction TV series, both prematurely canceled (Firefly, Space: Above and Beyond and long-lived (Babylon 5, Star Trek: Deep Space 9.

[The Six Million Dollar Man: from fiction to reality].

Science.gov (United States)

Langeveld, C H Kees

2013-01-01

The term 'bionic' has been in existence since 1958, but only gained general recognition from the television series 'The Six Million Dollar Man'. Following a crash, the central figure in this series - test pilot Steve Austin - has an eye, an arm and both legs replaced by prostheses which make him stronger and faster than a normal person. This story is based on the science fiction book 'Cyborg' by Martin Caidin. In the world of comic books and films there are a number of examples of people who are given superhuman powers by having technological gadgets built in. Although the latter is not yet possible, the bionic human has now become reality.

Best Science Fiction, Fantasy, and Horror 2001.

Science.gov (United States)

Voice of Youth Advocates, 2002

2002-01-01

Presents an annotated bibliography of 81 science fiction, fantasy, and horror genre titles that were judged best-reads by reviewers in "Voice of Youth Advocates" from June 2001 through April 2002. (LRW)

Science on Television

Science.gov (United States)

Stringer, John

2011-01-01

Television is frequently blamed for the problems adults face with some young people. Does television affect their understanding and behaviour? Of course it does. "Sesame Street", the most researched educational programme in the world, gave its pre-school viewers a head start in literacy that was still measurable ten years later. BBC…

Las series televisivas juveniles: tramas y conflictos en una «teen series» Television Fiction Series Targeted at Young Audience: Plots and Conflicts Portrayed in a Teen Series

Directory of Open Access Journals (Sweden)

Núria García Muñoz

2011-10-01

Full Text Available Se presentan los principales hallazgos de un estudio sobre las «teen series», es decir las series de ficción televisiva protagonizadas por personajes adolescentes y dirigidas expresamente a una audiencia juvenil. El análisis del retrato de los jóvenes representados en productos específicamente dirigidos a un público juvenil tiene un valor muy significativo tanto por la producción de ficción como por la recepción, ya que los consumidores potenciales se encuentran en un momento clave del proceso de construcción de sus identidades. Después de repasar los principales antecedentes en el estudio de la representación de los jóvenes en la ficción televisiva, se describe el marco conceptual relativo a las «teen series» y se discute su relación con el consumo juvenil. Sucesivamente se presenta un estudio de caso que consiste en un análisis de contenido de la serie norteamericana «Dawson’s creek», realizado sobre una muestra representativa de tres temporadas de la serie, para analizar dos grupos de variables: variables relativas a los personajes y variables relativas a las tramas y a los conflictos. Se discuten los resultados relativos al segundo grupo de variables, con particular atención a las características de las tramas y al papel de los personajes en el desarrollo y en la resolución de las mismas. La aceptación de la identidad personal, el amor y la amistad han resultado ser las temáticas más recurrentes. Además, las relaciones sociales entre los personajes han resultado ejercer un papel fundamental en el desarrollo de las tramas y de los conflictos.This paper presents the main findings of a research project on teen series, which are television fiction series featuring teenagers and specifically targeted at a young audience. The analysis of the portrayal of young people in television fictional series specifically targeted at a young audience has a meaningful value both for television production and for audience reception

Probing the limits of reality: the metaphysics in science fiction

Science.gov (United States)

Taylor, John L.

2003-01-01

Science fiction provides a genre in which metaphysical questions concerning the ultimate structure of reality regularly arise. In addressing these questions, contemporary scientists tend to assume that the questions are of a scientific nature and should be handled solely by reference to our best theories. In this paper, it is argued that we cannot afford to neglect the role of conceptual analysis - a distinctively philosophical task - in thinking critically about the possibilities that science fiction claims to describe.

Audience reach of science on television in 10 European countries: An analysis of people-meter data.

Science.gov (United States)

Lehmkuhl, Markus; Boyadjieva, Pepka; Cunningham, Yvonne; Karamanidou, Christina; Mörä, Tuomo

2016-02-01

Beginning with a differentiation of science programmes into five different editorial concepts, this article explores the audience reach of science on television in 10 European countries with a special emphasis on young audiences aged between 14 and 29 years. In relation to the share of this age group in the entire population, science programmes in all countries reach a considerably smaller proportion of younger viewers. Specific preferences for science content on television do not seem to be relevant in explaining aggregated viewing behaviours especially of young audiences. Unlike all other segments, the young science viewer segment is almost intangible as an aggregated group, as a definable segment of a mass audience that can be targeted by science programme makers. © The Author(s) 2014.

Representations of Teachers' and Students' Inquiry in 1950s Television and Film

Science.gov (United States)

Ryan, Patrick A.; Townsend, Jane S.

2010-01-01

In examining images of the 1950s fictional teacher, scholars have discussed gender roles and stereotypes, but media analysis generally focuses on sociological and political trends, such as the Cold War and the cultural construction of meaning through audience reception. Television and film studies also include attention to teaching media literacy…

Sara Wasson and Emily Alder, Gothic Science Fiction 1980-2010

OpenAIRE

Beaulé, Sophie

2014-01-01

With their collection of essays Gothic Science Fiction 1980-2010, Sara Wasson and Emily Alder illustrate the richness of gothic tropes in contemporary forms, from novels and movies to card games. More than cliché, melodrama, or gore, the “gothick” (to borrow Adam Roberts’s term, xi) allows for the hybridity in contemporary production, especially in science fiction, that the collected articles examine. The book is divided into three parts, “Redefining Genres”, “Biopower and Capital”, and “Gend...

How to Tell the Schlock from the Good Stuff in Science Fiction.

Science.gov (United States)

Harris, June

1992-01-01

Asserts that not all science fiction is great. Discusses ways to tell the difference between the good and the bad. Encourages even those teachers who are most leery of a genre with which they are unfamiliar to jump in and try science fiction as a way of opening up student minds and imaginations. (PRA)

Using Project-Based Data in Physics to Examine Television Viewing in Relation to Student Performance in Science

Science.gov (United States)

Espinoza, Fernando

2009-10-01

Mass media, particularly television, influence public conceptions and attitudes toward learning science. The discovery of an original method that does not rely on self-reported viewing habits to measure the impact of television on students' performance in science arose from a study of a unit on electricity in a Physics course. In determining the number of television sets at home and the number of hours of operation, data emerged that allowed an investigation of associations between each of these variables and student performance in physics. A negative impact on performance was found in its consistent decrease as both the number of sets and the time the sets are on increase. These results provide dramatic independent confirmation of the negative impact of television viewing on achievement determined through meta-analysis of many studies, and are also consistent with those in the literature at large, particularly from the Third International Mathematics and Science Study, and the National Assessment of Educational Progress. Furthermore, the totally `blind' participation of the subjects lends a degree of authenticity rarely found in a classically designed study. The findings impact scientific literacy, since performance in science and conceptions of science and scientists, are all inextricably linked.

H.G. Wells's Science Fiction: The Cyborg Visual Dromological Discourse

Directory of Open Access Journals (Sweden)

Ehsaneh Eshaghi

2015-01-01

Full Text Available H. G. Wells, as the forefather of science fiction, has used the relative notion of time in his stories such as Time Machine (1895. Speed is the initiator of a discourse in which humans are floating and moving ahead and has become one of the main “discourses” of the human being. Paul Virilio's theory of “dromology”, "vision machine" and “virtual reality”, along with "the aesthetics of disappearance" are applied in criticizing the novel scientific discourse by Wells who engenders a machinic, in the Deleuzian sense, and a cyborg discourse, through which he connotes the imperial narratives and the dromocratic powers. The usage of the Cyborg discourse by Wells in his science fiction stories has been to emphasize how the dromological and vision discourses are the prerequisite to the panoptical discourse through the microscopic and telescopic visions. It is concluded that the splintering frame is the created visual frame in the Wellsian science fiction.

More than "Cool Science": Science Fiction and Fact in the Classroom

Science.gov (United States)

Singh, Vandana

2014-01-01

The unfortunate negative attitude toward physics among many students, including science majors, warrants creative approaches to teaching required physics courses. One such approach is to integrate science fiction into the curriculum, either in the form of movies or the written word. Historically this has been done since at least the 1970s, and by…

Stranger that fiction parallel universes beguile science

CERN Document Server

2007-01-01

Is the universe -- correction: 'our' universe -- no more than a speck of cosmic dust amid an infinite number of parallel worlds? A staple of mind-bending science fiction, the possibility of multiple universes has long intrigued hard-nosed physicists, mathematicians and cosmologists too.

Stranger than fiction: parallel universes beguile science

CERN Document Server

Hautefeuille, Annie

2007-01-01

Is the universe-correction: 'our' universe-no more than a speck of cosmic dust amid an infinite number of parallel worlds? A staple of mind-bending science fiction, the possibility of multiple universes has long intrigued hard-nosed physicists, mathematicians and cosmologists too.

Frames of scientific evidence: How journalists represent the (un)certainty of molecular medicine in science television programs.

Science.gov (United States)

Ruhrmann, Georg; Guenther, Lars; Kessler, Sabrina Heike; Milde, Jutta

2015-08-01

For laypeople, media coverage of science on television is a gateway to scientific issues. Defining scientific evidence is central to the field of science, but there are still questions if news coverage of science represents scientific research findings as certain or uncertain. The framing approach is a suitable framework to classify different media representations; it is applied here to investigate the frames of scientific evidence in film clips (n=207) taken from science television programs. Molecular medicine is the domain of interest for this analysis, due to its high proportion of uncertain and conflicting research findings and risks. The results indicate that television clips vary in their coverage of scientific evidence of molecular medicine. Four frames were found: Scientific Uncertainty and Controversy, Scientifically Certain Data, Everyday Medical Risks, and Conflicting Scientific Evidence. They differ in their way of framing scientific evidence and risks of molecular medicine. © The Author(s) 2013.

Reactions of Children to Violence on TV.

Science.gov (United States)

Linne, Olga

A study was devised to investigate the possible impact of fictional television violence on children with reference to short and long term effects. Thirty-four children ranging in age from five to six were selected from a sample of children who had seen a series of violent television programs and were divided into two groups according to high and…

Dimensional expansions and shiftings: fan fiction and transmedia storytelling the the Fringeverse

Directory of Open Access Journals (Sweden)

Mar Guerrero-Pico

2016-12-01

Full Text Available This article explores the characteristics of user-generated texts in fictional transmedia storytelling based on the fan fiction originating from FOX’s television series Fringe (2008-2013. A fan fiction (also known as fanfic or fic is a piece of writing in which the author recreates the setting, events and characters of a source text or canon. After reviewing fan theories and practices, the article focuses on three examples examples of Fringe fan fiction analysing them with a double-edged methodology that combines narrative semiotics and narratology. Based on the results we update a set of transmedia narrative strategies by adding dimensional expansion and shifting, and also redefine the different areas of the storyworld where fan fiction is set with special emphasis on alternate universe (AU scenarios.

Science Fiction Movies as a Tool for Revealing Students' Knowledge and Alternative Conceptions

Science.gov (United States)

Ongel-Erdal, Sevinc; Sonmez, Duygu; Day, Rob

2004-01-01

According to renowned physicist Stephen Hawking, "science fiction is useful both for stimulating the imagination and for diffusing fear of the future." Indeed, several studies suggest that using science fiction movies as a teaching aid can improve both motivation and achievement. However, if a movie's plot crosses the line between good…

Filmes de ficção científica como mediadores de conceitos relativos ao meio ambiente Science fiction movies and environmental education: is it possible?

Directory of Open Access Journals (Sweden)

Carlos Alberto Machado

2008-01-01

Full Text Available Muito se fala sobre o meio ambiente nos meios de comunicação e nas escolas, mas pouco se sabe sobre toda sua gama e envergadura. Confundem-se princípios ecológicos com o ensino generalizado do meio ambiente que cobre uma gama muito maior de conceitos e uma complexidade de relações urgentes e esquece-se que o estudo do meio ambiente deve tratar do todo envolvido pelo homem, do todo ao redor. Visões utópicas e distópicas a respeito desse tema estão presentes em alguns filmes de ficção científica feitos para cinema e televisão. Este texto analisa relações entre esses filmes e conceitos científicos relativos ao meio ambiente e aponta possibilidades de uso dos mesmos no ensino de ciência.The environment is one of the most important scientific subjects in the XXI century. Schools and the media talk about it all the time but they do not have enough knowledge. They forget that environmental studies must embrace the human beings and the whole world around them. Utopian and non-utopian conceptions about this subject are often presented in science fictions movies made for the cinema or for the television. This text discusses the relation between science fiction movies and scientific environmental concepts. In addition, it suggests a way to use the science in these kinds of films at school to develop science teaching.

Grey’s Anatomy effect: television portrayal of patients with trauma may cultivate unrealistic patient and family expectations after injury

Science.gov (United States)

Serrone, Rosemarie O; Weinberg, Jordan A; Goslar, Pamela W; Wilkinson, Erin P; Thompson, Terrell M; Dameworth, Jonathan L; Dempsey, Shawna R; Petersen, Scott R

2018-01-01

Background Expectations of the healthcare experience may be influenced by television dramas set in the hospital workplace. It is our perception that the fictional television portrayal of hospitalization after injury in such dramas is misrepresentative. The purpose of this study was to compare trauma outcomes on television dramas versus reality. Methods We screened 269 episodes of Grey’s Anatomy, a popular medical drama. A television (TV) registry was constructed by collecting data for each fictional trauma portrayed in the television series. Comparison data for a genuine patient cohort were obtained from the 2012 National Trauma Databank (NTDB) National Program Sample. Results 290 patients composed of the TV registry versus 4812 patients from NTDB. Mortality was higher on TV (22% vs 7%, P<0.0001). Most TV patients went straight from emergency department (ED) to operating room (OR) (71% vs 25%, P<0.0001). Among TV survivors, a relative minority were transferred to long-term care (6% vs 22%, P<0.0001). For severely injured (Injury Severity Score ≥25) survivors, hospital length of stay was less than 1 week for 50% of TV patients versus 20% in NTDB (P<0.0001). Conclusions Trauma patients as depicted on television dramas typically go from ED to OR, and survivors usually return home. Television portrayal of rapid functional recovery after major injury may cultivate false expectations among patients and their families. Level of evidence Level III. PMID:29766127

The medical science fiction of James White: Inside and Outside Sector General.

Science.gov (United States)

Howard, Richard

2016-12-01

James White was a Northern Irish science fiction author working in the subgenre of medical science fiction from the mid-1950s to the end of the twentieth century. The aim of this article is to introduce White to scholars working in the medical humanities, pointing to features of interest and critiquing the more excessive utopian impulses of the author. The article covers White's Sector General series, set on a vast intergalactic hospital, as well as the author's standalone fictions. Published by the BMJ Publishing Group Limited. For permission to use (where not already granted under a licence) please go to http://www.bmj.com/company/products-services/rights-and-licensing/.

Fictional Names, Fictional Characters and Persons Referred to in Narrative Fiction

Czech Academy of Sciences Publication Activity Database

Koťátko, Petr

2017-01-01

Roč. 24, č. 3 (2017), s. 308-338 ISSN 1335-0668 Institutional support: RVO:67985955 Keywords : fictional name * literary character * fictional world * pretense Subject RIV: AA - Philosophy ; Religion OBOR OECD: Philosophy, History and Philosophy of science and technology

Moving People from Science Adjacent to Science Doers with Twitch.tv

Science.gov (United States)

Gay, Pamela L.; CosmoQuest

2017-10-01

The CosmoQuest community is testing the ability to attract people from playing online videogames to doing fully online citizen science by engaging people through the Twitch.tv streaming platform. Twitch.tv launched in 2011 as an online platform for video gamers to stream their gameplay while providing narrative. In its six years of regular growth, the platform has added support for people playing non-video games, and for those participating in non-game activities. As part of their expansion, in April 2017, Twitch.tv hosted a science week during which they streamed the Cosmos series and allowed different feeds provide real-time commentary. They also hosted panel discussions on a variety of science topics. CosmoQuest participated in this event and used it as a jumping off point for beginning to interact with Twitch.tv community members online. With CosmoQuest’s beta launch of Image Detectives, they expanded their use of this streaming platform to include regular “office hours”, during which team members did science with CosmoQuest’s online projects, took questions from community members, and otherwise promoted the CosmoQuest community. This presentation examines this case study, and looks at how well different kinds of Twitter engagements attracted audiences, the conversion rate from viewer to subscriber, and at how effectively CosmoQuest was able to migrate users from viewing citizen science on Twitch.tv to participating in citizen science on CosmoQuest.org.This project was supported through NASA cooperative agreement NNX17AD20A.

Gender role biases on Indian television.

Science.gov (United States)

Behera, S K

1989-01-01

Gender role biases in Indian television have served to reinforce and even enhance the degradation of women in the broader society. A content analysis of 20 news programs, 20 fictionalized serials, and 100 commercials conducted over a 3-week period in 1988 indicated that women are portrayed as victims, caretakers, and sex objects while men are presented as masters, doers, and intellectuals. Of the 400 hours of news programs studied, men newsmakers accounted for 71% of the content while women were featured in only 10% of the segments. Even then, women's portrayal in the news tended to center on their roles as beneficiaries of welfare schemes, victims of accidents, or as the wives of male dignitaries. Fictionalized dramas reinforced the sex role stereotypes of men as decisive, assertive, dominant, and career- oriented, and of women as emotionally dependent, eager to please, sentimental, and primarily concerned with family relationships. Female characters in these series were most often housewives, secretaries, teachers, or nurses. Women were featured more often (56% of content) than men in Indian commercials, yet were shown performing stereotyped female activities such as shopping, preparing meals, and dressing to obtain the sexual approval of men. This sex role stereotyping in the media is seriously impeding the struggles of women in India to achieve economic and political autonomy. To promote more positive role modeling and change women's self-image, Indian television must move immediately to portray women achieving self-realization through their careers and social participation and to depict cooperation between men and women in performing household chores.

Hospital doctors' Opinions regarding educational Utility, public Sentiment and career Effects of Medical television Dramas: the HOUSE MD study.

Science.gov (United States)

Haboubi, Hasan N; Morgan, Holly; Aldalati, Omar

2015-12-14

To evaluate the opinions of practicing clinicians on medical television dramas and the effects these series have on society as well as their own practice. Observational study using a structured questionnaire disseminated among doctors of all grades and specialties at one tertiary centre and two large secondary care district general hospitals in Wales, United Kingdom. Three hundred and seventy-two questionnaires were distributed over a 3-month period, with 200 completed questionnaires received (response rate, 54%). Frequency and reasons for watching these programs, and opinions regarding realism, educational value and public perception, evaluated by doctors' grades and specialties. Identification of work practice with any observed traits in fictional doctors was also analysed. 65% of doctors surveyed admitted to watching these programs on more than one occasion. Junior doctors (interns and resident medical officers) were more regular viewers. Most doctors who admitted to watching medical dramas did so for entertainment purposes (69%); 8% watched for educational purposes and, of these, 100% watched House MD, 82% felt that these dramas were unrepresentative of daily practice, and 10% thought that they accurately portrayed reality. Most of the positive responses were from junior doctors. 61% of doctors identified some aspect of their clinical practice with another doctor (fictional or non-fictional; most junior doctors identified with a fictional doctor, compared with non-fictional role models for more senior practicing clinicians. This survey shows that a large body of the medical workforce watches medical television dramas and that such programs exercise a growing influence on the practice of junior doctors, particularly those in physicianly specialties. The reasons for certain role model selections remain unknown and may require further evaluation.

Apps: a new medium for non-fiction innovation

OpenAIRE

Allen, Catherine

2015-01-01

Apps are now a dominant content medium: in the US people spend more time on apps than they do watching TV. Non-fiction content is being avidly consumed on mobile devices, but in a completely different way to the book model. This article explores three strands of potential that the app medium holds for non-fiction content, putting forward the case that apps have the power to further weave non-fiction into the fabric of society and life.

Stepping into Science Fiction: Understanding the Genre

Science.gov (United States)

Barone, Diane; Barone, Rebecca

2014-01-01

This manuscript focuses on fifth graders' understanding of science fiction. It is argued that it is necessary for students to understand both reading strategies and the key elements of a genre for comprehension. Students read "The Giver" within literature circles and conversation and written responses about the book were used for…

Nobel laureates in fiction: From La fin du monde to The Big Bang Theory.

Science.gov (United States)

Brodesco, Alberto

2018-05-01

The history of the Nobel Prize, since its establishment, interlaces with the history of the public image of science. The aim of this article is to illustrate cinematic scientists, portrayed precisely in their moment of maximum glory. The films and television shows upon which the study is based compose a corpus of 189 media texts. The article identifies three main areas that concern the relation between the Nobel Prize and its audiovisual representations: biopics of real Nobel laureates, the presence of real or fictional Nobel laureates in the film or the show plot, and films and TV series that depict the Nobel ceremony. The article then focuses on four texts that deserve a detailed examination: La fin du monde, The Prize, The Simpsons and The Big Bang Theory. The conclusion compares the representation of the Nobel scientist with general changes in the image of the scientist conveyed by cinema and television.

Testimony, Documentary, Fiction

DEFF Research Database (Denmark)

Hansen, Hans Lauge

2017-01-01

to the memory of the Civil War and Francoist repression: the detective plot, the divided plotline between present and past, and metafictional reflections. But what role did it actually play in the development of the case of the stolen children? This paper studies the relation between different social discourses...... (testimony, fiction, investigative journalism, historiography) and different media (printed books, TV, cinema and theatre) in the development of the case, and explores the specific relation between documentary and fiction in this context. The article follows a line of dialogic interaction between social......This paper examines the remedialisation of the abduction of the children of “rojas” by the Francoist regime. In 2006 the Spanish author Benjamin Prado published Mala gente que camina, a novel that shares most of the characteristics of the fiction published after the turn of the millennium dedicated...

Science Fiction in Education: Case Studies from Classroom Implementations

Science.gov (United States)

Vrasidas, Charalambos; Avraamidou, Lucy; Theodoridou, Katerina; Themistokleous, Sotiris; Panaou, Petros

2015-01-01

This manuscript reports on findings from the implementation of the EU project "Science Fiction in Education" (Sci-Fi-Ed). The project provides teachers with tools, training, and guidance that will assist them in enhancing their teaching, making science more attractive to students, connecting it with real-life issues such as the…

Italian Science Fiction, Nuclear Technologies: Narrative Strategies Between the “Two Cultures” (1950s-1970s)

International Nuclear Information System (INIS)

Iannuzzi, Giulia

2017-01-01

This chapter critically investigates how science fiction interacted with, and contributed to the development of a collective imagery related to nuclear energy in Italy between the 1950s and the 1970s, within a context characterized by a difficult relationship between the “two cultures”. To do this, it takes into account the theme of nuclear technologies in science fiction genre narratives, and its treatment on the part of non-genre Italian writers. An initial enthusiasm toward nuclear energy is interpreted as part of new hopes connected to an unprecedented modernization in the peninsula and a new centrality of techno-science – of which science fiction was an apt expression. The hostility toward both nuclear technologies and science fiction on the part of the Italian cultural elite during subsequent decades is read as two different sides of the same “malaise of modernity”.

Teacher candidates' perceptions regarding the integration of fictional literature into elementary science instruction

Science.gov (United States)

Everman, Daphne Jane

The purpose of this study was to investigate the thoughts, feelings, and beliefs held by teacher candidates (TCs) regarding the integration of fictional literature into elementary science instruction. Data were collected in the forms of a Q sort completed by two sections of TCs as an in-class activity, demographics and background information filled out by each participant, and two focus groups. The data were analyzed through a blend of Q methodology and Yin's five phase analysis approach (2011), and a constructivist framework was used to analyze the potential impact TCs' background had on their perceptions of the use of fictional literature in elementary science. Key findings indicated that while many TCs have limited backgrounds in the use of fictional literature during science and would like more information about how to use it, overall, there was strong support for its use as a science teaching tool because it makes science more approachable, builds excitement, and encourages students to become more engaged.

Apps: a new medium for non-fiction innovation

Directory of Open Access Journals (Sweden)

Catherine Allen

2015-07-01

Full Text Available Apps are now a dominant content medium: in the US people spend more time on apps than they do watching TV. Non-fiction content is being avidly consumed on mobile devices, but in a completely different way to the book model. This article explores three strands of potential that the app medium holds for non-fiction content, putting forward the case that apps have the power to further weave non-fiction into the fabric of society and life.

[The portrayal of multiple sclerosis in television series].

Science.gov (United States)

Karenberg, A

2009-04-01

An increasing number of television series deal with neurological disorders, including fictional portrayals of multiple sclerosis (MS). The aim of this paper was to analyze every available TV episode with an MS character. Productions were identified by film databases and by hand search. Each episode was evaluated along neurologic and cinematic lines. Between 1985 and 2006, portrayals of MS appeared in 17 episodes produced in Germany, the US, and the UK. The frequency of symptoms shown onscreen strongly differed from epidemiological data. In particular sensory, cognitive, and bladder symptoms as well as difficulties with sexual function were under-represented. The authenticity of the disease depiction was strongly dependent upon the genre. Coping stories could be identified as the most prominent genre. Television patients were often portrayed as "brave fighters", "refined characters", and "afflicted without symptoms". Television series attract millions of viewers and thus shape the public image of a disease. Sound knowledge of how symptoms, diagnosis, and therapeutic options are presented in mass media is therefore indispensable for all who deal with MS patients, relatives, and caregivers.

How Do We Write about Performance in Serial Television?

Directory of Open Access Journals (Sweden)

Elliott Logan

2015-05-01

Full Text Available Television studies has produced few sustained analyses of performance in serial television. Yet film studies scholarship has shown how attending to the integration of performances with other aspects of film style is crucial to the interpretation and appreciation of expression and meaning in filmed narrative fictions. However, as a particle form of filmed serial narrative, series television raises a number of questions about performance that will not necessarily be satisfyingly addressed by the direct adoption and application of approaches to writing about performance that have been honed in regard to film. How, then, do we write about performance in television serials in ways that recognise and accommodate the form’s relationship to film, while at the same time appropriately acknowledging and responding to long-form television’s serial status? To examine the difficulties and opportunities of approaching performance in serial television this way, the article conducts close readings of various pieces of television studies writing on performance, by scholars such as Jason Mittell, Sue Turnbull, George Toles, and Steven Peacock. Their work brings into view film and television’s points of common relation, and the distinctive challenges, achievements, and rewards of appreciating the best television serials, and the performances in them.

Scottish science fiction: writing Scottish literature back into history

OpenAIRE

Miller, Gavin

2010-01-01

The increasing vigour of Scottish literature since the 1980s has led not only to a revival in literary fiction, but also to a growing diversification into other narrative genres. The detective story – in the form of so-called “tartan noir” – has been the most obvious popular genre to undergo revival, but science fiction has also blossomed in the work of authors such as Alasdair Gray, Iain (M.) Banks, and Ken MacLeod. In this article, I trace something of the problematic history of Scottish sc...

Toward Improved Collections in Medical Humanities: Fiction in Academic Health Sciences Libraries

Science.gov (United States)

Dali, Keren; Dilevko, Juris

2006-01-01

Although fiction plays a prominent role in the interdisciplinary field of medical humanities (MH), it is physically and intellectually isolated from non-fiction in academic health sciences libraries. Using the Literature, Arts, and Medicine Database (LAMD) as a tool for selection and subject analysis, we suggest a method of integrating fiction…

Far Out: Some Approaches to Teaching the Speculative Literature of Science Fiction and the Supernatural.

Science.gov (United States)

Los Angeles City Schools, CA. Div. of Instructional Planning and Services.

This curriculum guide contains course descriptions (for minicourses and semester-long courses), outlines, and class projects for teaching science fiction and the supernatural in junior and senior high schools. The eight course descriptions include objectives, methods, activities, and resources and materials. Lists of science fiction books and…

[Poliomyelitis in literature, cinema and television].

Science.gov (United States)

Collado-Vázquez, Susana; Carrillo, Jesús M; Águila-Maturana, Ana M

2014-10-01

Poliomyelitis is an infectious disease whose initial symptoms are fever, fatigue, headaches, vomiting, a stiff neck and pains in the limbs. In many cases, the sequelae are irreversible paralysis and may result in death if there is bulbar or respiratory compromise. A set of symptoms, called post-polio syndrome, which appears years after the acute infection, are also described. To analyse the way poliomyelitis has been dealt with in literature, cinema and television. Film and television writers and directors have shown an interest in poliomyelitis and have portrayed it in a correct and realistic manner, both in fiction and in biographies or documentary-type works. Nemesis, Silver wattle, Leave her to heaven or The fall are some examples of literary works on the subject. Cinema has also portrayed polio all the way back to silent movies, with titles such as The woman in his house, The Silver Streak, Sister Kenny or The sessions. This disease and its sequelae have also been portrayed on television in series such as Hospital Central, Grey's anatomy, House M.D. or Amar en tiempos revueltos, and in TV films like El asunto, Eleanor and Franklin or Warm Springs. Poliomyelitis has been portrayed in literature, cinema and television in a realistic manner, showing its symptoms, sequelae, and the personal, familial and social impact of this disease.

[Epilepsy in literature, cinema and television].

Science.gov (United States)

Collado-Vázquez, Susana; Carrillo, Jesús María

2012-10-01

Literature, cinema and television have often portrayed stereotypical images of people that have epilepsy and have helped foster false beliefs about the disease. To examine the image of epilepsy presented by literature, cinema and television over the years. Epilepsy has frequently been portrayed in literary works, films and television series, often relating it with madness, delinquency, violent behaviours or possession by the divine or the diabolical, all of which has helped perpetuate our ancestral beliefs. The literary tales and the images that appear in films and on television cause an important emotional impact and, bearing in mind that many people will only ever see an epileptic seizure in a film or in a TV series or might gain some information about the disorder from a literary text, what they see on the screen or read in the novels will be their only points of reference. Such experiences will therefore mark the awareness and knowledge they will have about epilepsy and their attitudes towards the people who suffer from it. Novels and films are fiction, but it is important to show realistic images of the disease that are no longer linked to the false beliefs of the past and which help the general public to have a more correct view of epilepsy that is free from prejudices and stereotypes. Literature, cinema and television have often dealt with the subject of epilepsy, sometimes realistically, but in many cases they have only helped to perpetuate false beliefs about this disease.

Stranger than fiction parallel universes beguile science

CERN Multimedia

2007-01-01

A staple of mind-bending science fiction, the possibility of multiple universes has long intrigued hard-nosed physicists, mathematicians and cosmologists too. We may not be able -- at least not yet -- to prove they exist, many serious scientists say, but there are plenty of reasons to think that parallel dimensions are more than figments of eggheaded imagination.

[Asperger syndrome in contemporary fictions].

Science.gov (United States)

Pourre, F; Aubert, E; Andanson, J; Raynaud, J-P

2012-12-01

During recent years, fictions featuring a character with Asperger syndrome have been increasingly produced in literature, cinema and TV. Thus, the public has gradually discovered the existence of this specific category of autism spectrum, which is far removed from old popular representations of autistic disorders, often associated with mental retardation. To describe the reactions generated by these characters in order to identify their major functions and also to try to explain their recent increase in fictions. First, we explored international publications concerning this topic. A group of experienced clinicians systematically examined works of fiction produced between 2000 and 2010 that included a character with Asperger syndrome. More than 30 productions have been identified and analyzed using a method adapted from focus group. Over 30 productions have been recorded and analyzed. The reactions generated by these characters are described. They range from fascination to empathy; if these heroes sometimes induce laughter (because of comedy situations), they also lead us to question our vision of the world and ask ourselves about notions such as difference, normality and tolerance. We illustrate this phenomenon with examples from literature, cinema or television. Four hypotheses are proposed trying to explain the recent multiplication of these fictional characters with Asperger syndrome. The first puts forward authors' informative and educational motivations, these authors being aware of this issue. The second is supported by the "hero" concept, which has evolved gradually into the figures of the scientific world and the so-called "Geek" community. The third hypothesis, a metaphorical one, considers these heroes as symbols of a future society: a hyper systematized society, devoid of empathy, as if to warn of a risk of evolution of humanity toward a generalized mental blindness. The fourth and last hypothesis explores the personal resonance, supported by

Freeze, Wait, Reanimate: Cryonic Suspension and Science Fiction

Science.gov (United States)

Shoffstall, Grant

2010-01-01

This essay takes as its chief point of departure Jacques Ellul's contention that imaginative treatments of malevolent technology in antitechnological science fiction, by way of inviting rejection, refusal, dismissal, or condemnation, conspire in facilitating human acceptance of and adjustment to technology as it otherwise presently is. The author…

Forging Futures with Teens and Science Fiction: A Conversation with Greg Bear and David Brin.

Science.gov (United States)

Moltz, Sandy

2003-01-01

Presents an interview with Greg Bear and David Brin, two science fiction writers who started Reading for the Future, an international project geared toward secondary school students that shows teachers and librarians how science fiction inspires young readers. Discusses programs that have come out of this group; standards for books geared toward…

Science Fiction and Ontologies of Leadership

OpenAIRE

Jana Vizmuller-Zocco

2014-01-01

The role of leadership in science fiction receives a particular analysis which is based on what can be termed transhumanist novels published in Italy between 2008 and 2013. The main purpose of this study is to answer the following question: What happens to (the nature of) leadership in a technologically-driven society? Four novels form the backbone of the description of futuristic leadership. The four conclusions drawn from this analysis regarding the nature of leadership in a technologically...

Family Resemblances: Human Reproductive Cloning as an Example for Reconsidering the Mutual Relationships between Bioethics and Science Fiction.

Science.gov (United States)

Hansen, Solveig L

2018-03-08

In the traditions of narrative ethics and casuistry, stories have a well-established role. Specifically, illness narratives provide insight into patients' perspectives and histories. However, because they tend to see fiction as an aesthetic endeavour, practitioners in these traditions often do not realize that fictional stories are valuable moral sources of their own. In this paper I employ two arguments to show the mutual relationship between bioethics and fiction, specifically, science fiction. First, both discourses use imagination to set a scene and determine a perspective. Second, bioethics and science fiction share the family resemblance of expressing moral beliefs. I then consider how understanding bioethics and science fiction as interrelated discourses can be the basis of a methodology for inquiry into relational autonomy in the context of biotechnologies and medicine. As an example of this methodology, I analyse Fay Weldon's novel The Cloning of Joanna May (1989).

Imagine That!: Science Fiction as a Learning Motivation

Science.gov (United States)

Ontell, Val

2003-01-01

This article, based on a presentation made by the author at the 2003 California Library Association conference, provides examples of how librarians and teachers can use Science Fiction to provide catalysts for discussion in a variety of subjects; teach students how to question intelligently; and stimulate their imaginations, thus motivating them…

JST Thesaurus Headwords and Synonyms: National Television System Committee [MeCab user dictionary for science technology term[Archive

Lifescience Database Archive (English)

Full Text Available MeCab user dictionary for science technology term National Television System Commit...tee 名詞 一般 * * * * ＮＴＳＣ ＮＴＳＣ エヌティーエスシー Thesaurus2015 200906068914886147 C EF11 UNKNOWN_2 National Television System Committee

Manipulating Our Futures: The Role of Science Fiction in Education.

Science.gov (United States)

Michalsky, Walt

1979-01-01

A rationale is presented for using science fiction in the English classroom, emphasizing that students like the genre and that it teaches them to analyze and interpret social and technological change. (SJL)

Deceived by orchids: sex, science, fiction and Darwin.

Science.gov (United States)

Endersby, Jim

2016-06-01

Between 1916 and 1927, botanists in several countries independently resolved three problems that had mystified earlier naturalists - including Charles Darwin: how did the many species of orchid that did not produce nectar persuade insects to pollinate them? Why did some orchid flowers seem to mimic insects? And why should a native British orchid suffer 'attacks' from a bee? Half a century after Darwin's death, these three mysteries were shown to be aspects of a phenomenon now known as pseudocopulation, whereby male insects are deceived into attempting to mate with the orchid's flowers, which mimic female insects; the males then carry the flower's pollen with them when they move on to try the next deceptive orchid. Early twentieth-century botanists were able to see what their predecessors had not because orchids (along with other plants) had undergone an imaginative re-creation: Darwin's science was appropriated by popular interpreters of science, including the novelist Grant Allen; then H.G. Wells imagined orchids as killers (inspiring a number of imitators), to produce a genre of orchid stories that reflected significant cultural shifts, not least in the presentation of female sexuality. It was only after these changes that scientists were able to see plants as equipped with agency, actively able to pursue their own, cunning reproductive strategies - and to outwit animals in the process. This paper traces the movement of a set of ideas that were created in a context that was recognizably scientific; they then became popular non-fiction, then popular fiction, and then inspired a new science, which in turn inspired a new generation of fiction writers. Long after clear barriers between elite and popular science had supposedly been established in the early twentieth century, they remained porous because a variety of imaginative writers kept destabilizing them. The fluidity of the boundaries between makers, interpreters and publics of scientific knowledge was a highly

Los movimientos de renovación en las series televisivas españolas Renewal movements in the Spanish television series

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Mario García de Castro

2008-03-01

Full Text Available El presente trabajo analiza los resultados de una investigación cualitativa desarrollada por la televisión pública de España en torno a los valores y características del género de la ficción televisiva nacional, así como otros aspectos de la evolución última del género. Las conclusiones del análisis cualitativo y los datos de audiencia confirman la hegemonía del género dentro de la programación televisiva generalista de nuestro país. De igual forma se analizan sus tendencias más recientes y lo que llega a calificarse como última renovación de la ficción televisiva doméstica que podría denominarse la del hiperrealismo, por sus características extremas. The present paper analyzes the results of a qualitative investigation developed by the Spanish public television on the values and characteristics of the national television fiction genre, as well as other aspects of its latest evolution. The conclusions of this qualitative analysis and the audience ratings confirm the hegemony of the genre within the generalist television programming. In the same sense, the paper analyzes its latest tendencies and what is called the last renewal of domestic television fiction.

A dialogue regarding "The material co-construction of hard science fiction and physics"

Science.gov (United States)

Geelan, David; Prain, Vaughan; Hasse, Cathrine

2015-12-01

Science fiction and the `technofantasies' of the future that it provides may attract some students to study physics. The details and assumptions informing these `imaginaries' may, on the other hand, be unattractive to other students, or imply that there is not a place for them. This forum discussion complements Cathrine Hasse's paper discussing the ways in which gender and other interests interact in the `entanglement' of physics and science fiction. The conversation interrogates some of the issues in Cathrine's paper, and brings in complementary literatures and perspectives. It discusses the possibility of a `successor science' and new, more inclusive ways of imagining and constructing our possible futures.

The cognitive science of fiction.

Science.gov (United States)

Oatley, Keith

2012-07-01

Fiction might be dismissed as observations that lack reliability and validity, but this would be a misunderstanding. Works of fiction are simulations that run on minds. They were the first kinds of simulation. All art has a metaphorical quality: a painting can be both pigments on canvas and a person. In literary art, this quality extends to readers who can be both themselves and, by empathetic processes within a simulation, also literary characters. On the basis of this hypothesis, it was found that the more fiction people read the better were their skills of empathy and theory-of-mind; the inference from several studies is that reading fiction improves social skills. In functional magnetic resonance imaging meta-analyses, brain areas concerned with understanding narrative stories were found to overlap with those concerned with theory-of-mind. In an orthogonal effect, reading artistic literature was found to enable people to change their personality by small increments, not by a writer's persuasion, but in their own way. This effect was due to artistic merit of a text, irrespective of whether it was fiction or non-fiction. An empirically based conception of literary art might be carefully constructed verbal material that enables self-directed personal change. WIREs Cogn Sci 2012, 3:425-430. doi: 10.1002/wcs.1185 For further resources related to this article, please visit the WIREs website. Copyright © 2012 John Wiley & Sons, Ltd.

Science Fiction in Social Education: Exploring Consequences of Technology

Science.gov (United States)

Mason, Lance E.

2013-01-01

An NCSS Technology Position Statement and Guidelines, published in 2006 (an updated version is published in this issue of "Social Education"), affirms that social studies students should critically examine relations between technology and society. This article describes how teachers can use science fiction to introduce critical questions…

Science fiction and human enhancement: radical life-extension in the movie 'In Time' (2011).

Science.gov (United States)

Roduit, Johann A R; Eichinger, Tobias; Glannon, Walter

2018-03-20

The ethics of human enhancement has been a hotly debated topic in the last 15 years. In this debate, some advocate examining science fiction stories to elucidate the ethical issues regarding the current phenomenon of human enhancement. Stories from science fiction seem well suited to analyze biomedical advances, providing some possible case studies. Of particular interest is the work of screenwriter Andrew Niccol (Gattaca, S1m0ne, In Time, and Good Kill), which often focuses on ethical questions raised by the use of new technologies. Examining the movie In Time (2011), the aim of this paper is to show how science fiction can contribute to the ethical debate of human enhancement. In Time provides an interesting case study to explore what could be some of the consequences of radical life-extension technologies. In this paper, we will show how arguments regarding radical life-extension portrayed in this particular movie differ from what is found in the scientific literature. We will see how In Time gives flesh to arguments defending or rejecting radical life-extension. It articulates feelings of unease, alienation and boredom associated with this possibility. Finally, this article will conclude that science fiction movies in general, and In Time in particular, are a valuable resource for a broad and comprehensive debate about our coming future.

Researchers' Night: science at the shops

CERN Multimedia

Corinne Pralavorio

2015-01-01

On 25 September, as part of European Researchers’ Night, CERN and POPScience joined forces to welcome the public at the Balexert shopping centre in Geneva. The Bulletin presents its gallery of photographs from the exciting and educational event.   Science through comic strips, games, cinema and television: POPScience approaches scientific questions through popular culture, with great success! Around 500 children attended the sessions for schools at Balexert's multiplex cinema, and 600 spectators flocked to the public screenings.  Using the big screen, scientists, directors and authors were on hand to disentangle truth from untruths and science from science fiction. The guests, some of whom appeared in person and others via video link, included Jorge Cham, author of PhD Comics and the spin-off film; David Saltzberg, physicist at CMS and scientific consultant for the television series The Big Bang Theory; Kip Thorne, scientific consultant for the film Interstellar; Lawrence ...

Science and Fiction. On Don Quijote’s Epistemological Skepticism

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Félix Schmelzer

2016-11-01

Full Text Available The present work seeks to analyze the representation of scientific knowledge in Cervantes’ Quixote, focusing on various passages that underline the scientific expertise of don Quixote himself. It is shown that the novel contains a subtle critique of science, based on an epistemological skepticism with regard to the arbitrariness of our world concepts. The characterization of don Quixote as a man of science even permits deducting that he suffers from a ‘double mental damage’, caused by the lecture of both books of cavalry and science. Cervantes thus would consider science to be fiction, a very modern point of view.

'Limbitless Solutions': the Prosthetic Arm, Iron Man and the Science Fiction of Technoscience.

Science.gov (United States)

Smith, Susan

2016-12-01

Early last year, a non-profit organisation called 'Limbitless Solutions' modelled a 3D printed prosthetic arm on a fighting suit that features in the popular superhero film series, Iron Man (2008-2013). In addition, 'Limbitless Solutions' resourcefully deployed the fictional character and inventor of the Iron Man suit, weapons specialist and philanthropist, Tony Stark, played by Robert Downey Jr, in a celebrity/superhero endorsed promotional short film, showing 'Tony', the 'real Iron Man', gifting the futuristic military styled 'gauntlet' to Alex, a 7-year-old boy with a partially developed right arm. Engaging with scholarly work on the science fiction of technoscience, prostheses and the posthuman, and disability and DIY assistive technology, I analyse 'Limbitless Solutions' use of science fiction in a high-profile media event that problematically portrays an impaired child 'in need' of 'repair' and subsequently 'fixed' by technology. Overall, the aim is to integrate science fiction tropes, such as the wounded hero, the fighting suit and prosthetic arm, with disability studies, to highlight the sustained challenges that emerging theories of disability and technology face as contemporary economic, political and ideological forces endorse and promote militarised images of cyborg assimilation over human variation and physical difference. Published by the BMJ Publishing Group Limited. For permission to use (where not already granted under a licence) please go to http://www.bmj.com/company/products-services/rights-and-licensing/.

Mike Ashley. Out of This World: Science Fiction, But Not As You Know It

OpenAIRE

Ransom, Amy J.

2013-01-01

The British Library held an exhibition on science fiction from 25 May to 25 September, 2011. Mike Ashley’s beautiful companion volume, Out of This World, offers a brilliant, illustrated history of science fiction. Destined for newcomers to the genre, the oversize tome provides a useful handbook and even some tidbits of lesser-known factoids for the specialist. I highly recommend this work for all libraries and coffee tables. Ashley has proven himself to be one of the genre’s foremost historia...

"Vraisemblance" and the Western Setting in Contemporary Science Fiction Film.

Science.gov (United States)

Roth, Lane

Analyzing the setting of six recent "blockbuster" films, this study outlines numerous instances of the Western's influence on several contemporary science fiction films, "Star Wars,""Battlestar Galactica,""Star Trek: The Motion Picture,""The Black Hole,""The Empire Strikes Back," and…

The matrix reformed : science fiction, technology, and Christian philosophy

NARCIS (Netherlands)

Cusveller, B.; Verkerk, M.J.; Vries, de M.J.

2011-01-01

The Matrix Reformed provides an analysis of both science fiction and the contemporary adoration of technology from a Christian point-of-view, weaving a discussion of issues in religion, philosophy, and ethics in major sci-fi works (e.g., The Matrix, Star Wars, and Star Trek) with the insights and

‘Resistance to Narrative in Narrative Fiction: Excessive Complexity in Quentin Dupieux’s Réalité ’

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Willemsen, Steven; Kiss, Miklós

2017-01-01

For a significant share of audiences today, film and serial television form one of the main means of engaging with fictional stories. But in recent years, film and television have also become a site for reflecting on the possibilities and limits of narrative forms, with an abundance of mainstream

Network Fictions and the Global Unhomely

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Aris Mousoutzanis

2016-04-01

Full Text Available The paper suggests that the increasing proliferation of network fictions in literature, film, television and the internet may be interpreted through a theoretical framework that reconceptuallises the originally strictly psychoanalytic concept of the 'Unheimlich' (Freud’s idea of the ‘unhomely’ or ‘uncanny’ within the context of political, economic and cultural disources fo globalisation. ‘Network fictions’ are those texts consisting of multiple interlocking narratives set in various times and places that explore the interconnections of characters and events across different storylines: novels such as William Gibson’s 'Pattern Recognition' (2003, Hari Kunzro’s 'Transmission' (2005 and 'Gods Without Men' (2011, David Mitchell’s 'Cloud Atlas' (2004, or Rana Dasgupta’s 'Tokyo Cancelled' (2005 are some examples. My argument is that central to these fictions is a sense of a ‘global unhomely’. The sense of displacement, unhomeliness and global mobility that is conveyed in these fictions is fundamental to the experience of the 'Unheimlich'. In addition, the ability of the concept to convey a combined sense of the familiar and the strange is useful in exploring the ways in which these fictions engage with theoretical debates on globalisation that perceive the interaction between global flows and local cultures either in terms of homogenisation and uniformity or of heterogenisation and hybridity. Moreover, the repetitive temporality of the 'Unheimlich' is another distinctive aspect that allows a reading of the disjunctive, non-linear temporal structure of these fictions from this perspective. The ‘repetition compulsion’, however, that Freud considered to be an example of uncanniness was also theorised by him as a post-traumatic symptom, and this implicit association of uncanniness with post-traumatic experience also allows to interpret the persistent preoccupation of these fictions with suffering and disaster, as well as

The psychologist, the psychoanalyst and the 'extraordinary child' in postwar British science fiction.

Science.gov (United States)

Tisdall, Laura

2016-12-01

A sudden influx of portrayals of 'extraordinary children' emerged in British science fiction after the Second World War. Such children both violated and confirmed the new set of expectations about ordinary childhood that emerged from the findings of developmental psychologists around the same time. Previous work on extraordinary children in both science fiction and horror has tended to confine the phenomenon to an 'evil child boom' within the American filmmaking industry in the 1970s. This article suggests that a much earlier trend is visible in British postwar science fiction texts, analysing a cluster of novels that emerged in the 1950s: Arthur C. Clarke's Childhood's End (1953), William Golding's Lord of the Flies (1954) and John Wyndham's The Midwich Cuckoos (1957). It will be argued that the groups of extraordinary children in these novels both tap into newer child-centred assertions about the threats posed by abnormal childhood, underwritten by psychology and psychoanalysis, and represent a reaction to an older progressive tradition in which children were envisaged as the single hope for a utopian future. This article will ultimately assert that the sudden appearance of extraordinary children in science fiction reflects a profound shift in assessment criteria for healthy childhood in Britain from the 1950s onwards, an issue that had become vitally important in a fledgling social democracy. Published by the BMJ Publishing Group Limited. For permission to use (where not already granted under a licence) please go to http://www.bmj.com/company/products-services/rights-and-licensing/.

Communicating the Nature of Science through "The Big Bang Theory": Evidence from a Focus Group Study

Science.gov (United States)

Li, Rashel; Orthia, Lindy A.

2016-01-01

In this paper, we discuss a little-studied means of communicating about or teaching the nature of science (NOS)--through fiction television. We report some results of focus group research which suggest that the American sitcom "The Big Bang Theory" (2007-present), whose main characters are mostly working scientists, has influenced…

Children's Acquisition of Literary Genre: Science Fiction versus Fantasy.

Science.gov (United States)

Shechter, Myriam; Schecter, Sandra R.

Using ethnographic observations of 30 children in a multicultural inner-city fifth grade class over a period of one year, a study examined the children's classroom interactions with the literary genres of science fiction and fantasy, investigating their sequential acquisition of the constitutive elements of the two genres as well as their…

Perceiving and experiencing fictional characters: an integrative account

NARCIS (Netherlands)

Hoorn, J.F.; Konijn, E.A.

2003-01-01

Fictional characters (PCs) and mediated persons in literature, theater, film, art, TV, and digital media fulfill basic psychological functions, although the processes involved remain unspecified. Departing from identification and empathy hypotheses, a new context-sensitive model draws upon

Identifying With a Stereotype: The Divergent Effects of Exposure to Homosexual Television Characters.

Science.gov (United States)

McLaughlin, Bryan; Rodriguez, Nathian S

2017-01-01

Scholars examining homosexual television characters have typically come to one of two conclusions: either exposure to homosexual characters can lead to increased acceptance, or homosexual characters serve to reaffirm negative stereotypes. We seek to bridge these two bodies of research by introducing the concept of stereotyped identification-the idea that cognitively and emotionally identifying with fictional characters can increase acceptance of minorities, while reinforcing implicit stereotypes about how they look, act, and talk. Results from our national survey (N = 972) offer support for this hypothesis.

"Normal" feelings in "abnormal" worlds : on the political uses of emotion in science fiction manga

NARCIS (Netherlands)

Li, Carl Ka-hei

2015-01-01

Scholars such as Darko Suvin have successfully argued for science fiction (SF) as fiction that portrays political alternatives through a focus on cognitive processes. This conception of SF minimizes the importance of character emotions, which has opened it to criticism from those who argue in favor

A Question of Ethics: Themes in the Science Fiction Genre.

Science.gov (United States)

McNurlin, Kathleen Woitel

1995-01-01

Continues an article that began in the summer 1995 "Interdisciplinary Humanities." Examines ethical concerns about nuclear power, societal control, and prejudice articulated in science fiction literature. Authors studied include Ray Bradbury, Philip K. Dick, and Damon Knight. The earlier article covered literature concerned with ecology…

Production design and location in the Danish television drama series Arvingerne

DEFF Research Database (Denmark)

Ion Wille, Jakob; Waade, Anne Marit

2016-01-01

Television fiction is most often referred to as the writer’s medium, whereas feature film is generally perceived as the vision and work of the director. In this article we turn our focus to the role and function of the production design and locations in developing and conceptualising a television...... drama series. We use the drama series Arvingerne (The Legacy, DR, 2014-2015) to illustrate how design ideas can be developed at an early stage, in pre-pre-production, as part of a collective, creative process that includes the scriptwriter, the production designer and the producer. Our empirical study...... of the series draws on an analysis of in-house design/concept documents [1], interviews with the production designer Mia Stensgaard [2], and promotional material made for the series [3]. The paper also draws on visual analysis of the finished production. Our overall argument is that the importance of location...

Teaching Science Fiction Film Genre: Theory, Form, and Theme.

Science.gov (United States)

Roth, Lane

Intended to provide a paradigm for teachers planning a course in science fiction film, the instructional approach outlined in this paper examines films in relation to each other and to culture. The paper provides a course outline, a discussion of lecture topics, a suggested reading list, and a film list. The instructional approach suggested by the…

Linking Science Fiction and Physics Courses

Science.gov (United States)

McBride, Krista K.

2016-05-01

Generally, cohorts or learning communities enrich higher learning in students. Learning communities consist of conventionally separate groups of students that meet together with common academic purposes and goals. Types of learning communities include paired courses with concurrent student enrollment, living-learning communities, and faculty learning communities. This article discusses a learning community of 21 students that I created with a colleague in the English department. The community encompasses two general education courses: an algebra-based physics course entitled "Intro to Physics" and a literature course entitled "Science Fiction, Science Fact." Students must enroll in both of these courses during the same semester. Additionally, I highlight advantages to linking these courses through surveying the assignments and course materials that we used in our learning community. Figure 1 shows the topics that are covered in both physics and literature courses.

Shaping Dreams: Design Ideas and Design Fiction in Movie and Television Production Design

DEFF Research Database (Denmark)

Ion Wille, Jakob

2015-01-01

practitioners value the contribution of designers in developing the narrative through visual support. The paper suggests a comparison of design and screenplay research and analysis. In addition, it touches on the subject of design fiction in the case of a project involving collaboration of production design...

Futuristic stories older than might appear: origin of ideas of science fiction screenplays

Directory of Open Access Journals (Sweden)

Carlos Alberto Machado

2013-12-01

Full Text Available The paper discusses the origin of the ideas of most movie scripts modern science fiction, and literaty concepts such as soft and hard, also present in the film. Pointed out the origin of these scripts mostly in the 1950s, 1960s and 1970s, they considered fertile periods in foreign science fiction literature. Also discusses about the casual predictions of the authors of this genre that end up bringing their ideas to contemporary unreasonably, but exciting, leading the media to call them visionary means. Some authors like Carrière, Xavier, Bez, Koff and Comparato assist in corroborating these ideas. Thus, the reader is led to reflect on the historical origin of these ideas.

Aprendiendo de la ficción televisiva. La recepción y los efectos socializadores de «Amar en tiempos revueltos» Learning from Television Fiction. The Reception and Socialization Effects from Watching «Loving in Troubled Times»

Directory of Open Access Journals (Sweden)

Mar Chicharro Merayo

2011-03-01

Full Text Available La ficción televisiva suele ser entendida como producto cultural encaminado a la evasión y el entretenimiento. Sin embargo, sus funciones no son estrictamente comerciales. De hecho, el presente trabajo surge del interés por conocer los efectos socializadores y educativos de los mensajes de ficción. Del mismo modo, reflexiona sobre el papel activo de los espectadores en el proceso de recepción, sobre su capacidad para definir e interpretar los mensajes de acuerdo con sus características personales y sociales. Más concretamente, el trabajo se interesa por las utilidades informativas y significados identitarios de un género televisivo concreto: la telenovela. Si bien focaliza el grueso de sus tramas en los avatares románticos y los conflictos personales, este producto de ficción, puede además proveer al espectador de explicaciones e interpretaciones en relación con el pasado y el presente de una sociedad. Concretando nuestro análisis en un formato melodramático concreto, «Amar en tiempos revueltos», analizaremos los significados y representaciones que ofrece a sus públicos femeninos. A partir de ahí, y mediante el análisis de contenido de los discursos obtenidos a través de la técnica de la entrevista en profundidad, se explorarán los procesos de recepción de las espectadoras, en función de variables como la edad y el nivel educativo. De este modo, se concluirá señalando cómo el grueso de las espectadoras utiliza la ficción en un sentido explicativo, y se reconocen en ella personal y grupalmente.Television fiction is often understood as a cultural product whose aim is entertainment and escapism. However, its functions are not merely commercial. In fact, this article aims to improve understanding of the socializing and educational effects of television’s fictional messages. It also reflects on the active role of the audience in the process of reception, and on its capacity to define and interpret messages according to

Reflecting on Scientists' Activity Based on Science Fiction Stories Written by Secondary Students

Science.gov (United States)

Reis, Pedro; Galvao, Cecilia

2007-01-01

In this article the authors resort to a qualitative analysis of the plot of science fiction stories about a group of scientists, written by two 11th-grade Earth and Life Science students (aged 17), and to semi-structured interviews, with the double purpose of diagnosing their conceptions of the nature of science (namely, as regards scientists'…

"The epic love story of Sam and Dean": "Supernatural," queer readings, and the romance of incestuous fan fiction

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Catherine Tosenberger

2008-09-01

Full Text Available This article examines incestuous slash fan fiction produced for the CW television series Supernatural. I argue that "Wincest" fan fiction is best understood not as perverse, oppositional resistance to a heterosexual, nonincestuous show, but an expression of readings that are suggested and supported by the text itself. I examine the literary, cultural, and folkloric discourses of incest and queerness invoked by the series, paying special attention to Romanticism, the Gothic, and horror as underliers to those discourses, and how those genres inform both the series and the fan fiction. I discuss a number of Wincest stories in detail, focusing upon how these stories build upon thematic elements within the series. In conclusion, I argue that the most resistive aspect of Wincest fan fiction is that it gives the main characters a lasting happiness that the series eternally defers.

Television in Latin America Is “Everywhere”: Not Dead, Not Dying, but Converging and Thriving

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Guillermo Orozco

2016-07-01

Full Text Available In Latin America, the now-venerable expression “the end of television” itself looks old, tired, and flawed: markets, cultures, politics, and policies alike find television more alive than ever, albeit in its usual state of technological, institutional, and textual flux. Advertising investment in TV continues to increase, governments still use television to promote generalized propaganda as well as their daily agendas, football on screen remains wildly popular, and fiction programs, most notably telenovelas, dominate prime time and draw large audiences aged between 25 and 60. While younger viewers watch television on a wider variety of screens and technologies, and do so at differing times, the discourse of TV remains an important referent in their audiovisual experiences. In addition, across age groups, divides persist between a minority with routine high-quality access to the digital world of technology and information and a majority without alternatives to the traditional audiovisual sphere, for whom cell phones, for instance, are at most devices for communicating with friends and family members. We cannot predict the future of TV in Latin America—but we can say with confidence that the claims for its demise are overstated. Television remains the principal cultural game in town.

Emotional Expression in Reality TV

DEFF Research Database (Denmark)

Rasmussen, Tove Arendt

Reality TV has been disputed and discussed along many lines for the last 20 years; the media themselves always with a twist of concern about reality programs crossing moral borderlines while research has put more interest in questions of genre and representation of more or less useful and maybe...... empowering social identities. In the latest generation of reality TV which Misha Kava has described as the “celebrity generation”, it seems that reality creates new standards for mixing facts and fiction and even different “realities” as participants become media stars while more traditional celebrities...... are being treated as ordinary people. My article will discuss different presentations of selves and especially the emotional verbal and nonverbal expressions in reality TV communication. Aspects of the intimate self and its emotional expressions seem to be strategically managed in reality TV and even...

The Schrödinger Sessions: Science for Science Fiction

Science.gov (United States)

Orzel, Chad; Edwards, Emily; Rolston, Steven

In July 2015, we held a workshop for 17 science fiction writers working in a variety of media at the Joint Quantum Institute at the University of Maryland, College Park. ''The Schrödinger Sessions,'' funded by an outreach grant from APS, provided a three-day ''crash course'' on quantum physics and technology, including lectures from JQI scientists and tours of JQI labs. The goal was to better inform and inspire stories making use of quantum physics, as a means of outreach to inspire a broad audience of future scientists. We will report on the contents of the workshop, reactions from the attendees and presenters, and future plans. Funded by an Outreach Mini-Grant from the APS.

Nonsense,Nonscience,and Science from Creationism to Aliens

CERN Document Server

Krauss, L

1997-01-01

In 1996, U.S. presidential candidate Patrick Buchanan announced on national television that he was not descended from monkeys, and moreover, he thought children should not be taught this. Yet, not a single reporter questioned him on this remarkable statement, in spite of detailed questions on his economic policies. For some reason, the media is hesitant, when referring to scientific issues, to indicate that in certain issues there is no debate, namely there is simply a right answer and a wrong answer. This is so in spite of the fact that science provides, perhaps more than anything else, a set of techniques for distinguishing nonsense. I will talk about the historical context of this issue, the dangers it imposes, and provide examples from the press, as well as clips from television and movies, of mixing up science and fiction, as well as describe ways to avoid this.

Från flygkamrater till “rymdrevolutionärer.” Om Sven Wernströms tidigaste science fiction

Directory of Open Access Journals (Sweden)

Jerry Määttä

2012-11-01

Full Text Available “From Flight Comrades to Space Revolutionaries: On the Earliest Science Fiction of Sven Wernström”. The Swedish author Sven Wernström (b. 1925, mostly known for his political children's and young adult fiction, is also one of the most prolific and widely read Swedish writers of science fiction (sf. His first attempts in the genre consisted of stray sf elements in some of his aviation novels on “Flygkamraterna” (“The Flight Comrades”, 1947–1957, and the fullblown sf novel Flygkamraterna korsar rymden (“The Flight Comrades Cross Space”, 1949, which depicts a trip to Mars and an encounter with an alien civilisation literally divided into different strata in their underground society. This study examines the transition from Wernström's first aviation novels to his first sf novel, and studies the extent to which Wernström's early science fiction makes use of the specific conventions of the genre. After a very brief survey of the history of sf in Sweden up until the 1950s, this study deals with the two novels Flygkamraterna (“The Flight Comrades”, 1947 and Flygkamraterna korsar rymden when it comes to their view on science and technology, their uses of technological speculation and futurological extrapolation, estrangement, and evocation of the sublime. It is commonly believed that Wernström's writing didn't really become political until the 1960s. One of the main conclusions of this study, however, is that already in his earliest science fiction from the late 1940s, Wernström makes ample use of the genre's potential to conduct indirect social commentary.

The Official Radio and Television Institute in Spain

Science.gov (United States)

Ruiz, Anibal Arias

1976-01-01

A description of the Official School of Radio and Television which is designed to train university graduates in the fields of journalism, the sciences of cinema, radio and television, and advertising. (JY)

Specifying a curriculum for biopolitical critical literacy in science teacher education: exploring roles for science fiction

Science.gov (United States)

Gough, Noel

2017-12-01

In this essay I suggest some ways in which science teacher educators in Western neoliberal economies might facilitate learners' development of a critical literacy concerning the social and cultural changes signified by the concept of biopolitics. I consider how such a biopolitically inflected critical literacy might find expression in a science teacher education curriculum and suggest a number of ways of materializing such a curriculum in specific literatures, media, procedures, and assessment tasks, with particular reference to the contributions of science fiction in popular media.

Access, Astronomy and Science Fiction. A Case Study in Curriculum Design

Science.gov (United States)

Saunders, Danny; Brake, Mark; Griffiths, Martin; Thornton, Rosi

2004-01-01

It is argued that a positive response to lifelong learning policies involves the use of imaginative curriculum design in order to attract learners from disadvantaged backgrounds who are otherwise alienated from higher education. In this article a case study is presented based on the popularity of science fiction within popular culture, beginning…

Voyage au cœur d’un futur inconnu : analyse du genre dans le cinéma de science-fiction chinois du nouveau millénaire

OpenAIRE

Yang, Wei

2017-01-01

Cet article étudie le cinéma de science-fiction comme nouveau genre du cinéma chinois. Tout en empruntant largement à son équivalent hollywoodien – costumes, décor, intrigue, caractérisation, effets visuels, et ainsi de suite – le cinéma de science-fiction chinois met rarement en scène les conceptions ou explorations scientifiques qui ont marqué un grand nombre de films de science-fiction ambitieux en Occident. En partie à cause du monopole hollywoodien du genre, les films de science-fiction ...

Performance in the Science Fiction and Fantasy Writing Workshop

OpenAIRE

Angus, Tiffani

2017-01-01

This paper looks at the dynamic of science fiction and fantasy (SFF) writing workshop critique groups. Because of the nature of SFF as a fandom group, critiques and feedback in writing workshops—in this case, affinity groups with the same goal—can cross the line from participation to performance; group members tend to perform depending on their levels of cultural literacy and impostor syndrome, both of which influence fans working to become published writers. The performance can have positive...

'El Ministerio del Tiempo’, tha Introduction of New Concepts in the Spanish TV Series

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Víctor Javier Martínez Román

2016-05-01

Full Text Available El Ministerio del Tiempo (TVE, 2015- has brought freshness to the Spanish television fiction introducing successfully such a stranger concept to the public as time travel. It is a bold proposal, because Spanish TV series rarely have innovative topics. They are usually framed within mystery, adventure, comedy and, in the last years, historic series. This may allow Fantasy and Science Fiction genre –settled in other countries with series like Black Mirror (Channel 4, 2011- or Battlestar Galactica (SyFy, 2004-2009– to become as important as other genres. The main objective is to know the reasons why El Ministerio del Tiempo has succeeded with such an innovative proposal. To do so, the keys of other successful series have been analyzed with the objective of knowing what audience likes. In this case, given their variety of topics, filming and target, Cuéntame cómo pasó  (TVE, 2001-, Águila Roja (TVE, 2009- y La que se Avecina (Telecinco, 2007- have been selected. Subsequently, El Ministerio del Tiempo has been analyzed and compared to them. Data show El Ministerio del Tiempo key is his transversatility of topics, because his main distinctive point, time travel, joins the best features of each genre. Taking from the mystery, his capacity of ask questions; from the adventure, his dynamism; the use of the comedy as a relief point in the plot; and from the historic series his empathy with the audience.

Semio-Linguistic Creative Actualization of the Concept “Information About the Future” in the Science Fiction Discourse

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Andrey Vladimirovich Olyanich

2015-11-01

Full Text Available The article deals with the cognitive category of "semio-linguistic creativity", that serves as a tool for implification of the concept "Information about the future" in the science fiction discourse. The correlation between the categories of future and information is studied in semio-linguistic aspect; the conceptual core, internal and external zones of the concept "Information about the future" are explored in connection with the concepts "Future", "Myths" and "Expectations" that are viewed as belonging to the science fiction discourse. The following issues are considered: coordination between axiological and imaginative spheres of the concept "Information about the future"; the mechanism of transforming information from present and past into the future by means of literary imagination, which is aimed at constructing the imaginary hyper-reality with the use of concepts that belong to contemporary reality; it is stated that such activity lays the basis for multiple forecasts. After the analysis of the novels by Vasily Golovachev, a famous Russian science fiction writer, the authors present their interpretation of the process of science-fiction discourse unfolding that involves groups of signs from the following semio-linguistic clusters (The Man as a species; Food; Space, Earth, their semantic content is directly related to the needs of the future. The proposed algorithm of analysis may be applied to studying other semio-linguistic clusters: "Habitat," "Communications", "Social Environment", "Transport", "Technology", that may explicate the concept "Information about the future".

Colonizing Bodies: Corporate Power and Biotechnology in Young Adult Science Fiction

Science.gov (United States)

Guerra, Stephanie

2009-01-01

The American cultural and political landscape has seen changes on the level of seismic shifts in the past four decades, thanks in part to the two very diverse fields of big business and biotechnology. Linking the two arenas together in the literary landscape is a growing body of young adult science fiction that envisions a future shaped profoundly…

Social acceleration and the network effect: a defence of social 'science fiction' and network determinism.

Science.gov (United States)

Hassan, Robert

2010-06-01

This essay is a response to Judy Wajcman's essay 'Life in the fast lane? Towards a sociology of technology and time' (2008: 59-77). In that article Wajcman argued that recent developments in the sociology of temporal change had been marked by a tendency in social theory towards a form of 'science fiction'--a sociological theorizing, she maintains, that bears no real relation to actual, empirically provable developments in the field and should therefore be viewed as not contributing to 'a richer analysis of the relationship between technology and time' (2008: 61). This reply argues that as Wajcman suggests in her essay, there is indeed an 'urgent need for increased dialogue to connect social theory with detailed empirical studies' (2008: 59) but that the most fruitful way to proceed would not be through a constraining of 'science fiction' social theorizing but, rather, through its expansion--and more, that 'science fiction' should take the lead in the process. This essay suggests that the connection between social theory and empirical studies would be strengthened by a wider understanding of the function of knowledge and research in the context of what is termed 'true originality' and 'routine originality'. The former is the domain of social theory and the latter resides within traditional sociological disciplines. It is argued that both need each other to advance our understanding of society, especially in the context of the fast-changing processes of technological development. The example of 'technological determinism' is discussed as illustrative of how 'routine originality' can harden into dogma without the application of 'true originality' to continually question (sometimes through ideas that may appear to border on 'science fiction') comfortable assumptions that may have become 'routine' and shorn of their initial 'originality'.

Use of traditional motives in Serbian science-fiction literature

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Đorđević Ivan

2006-01-01

Full Text Available Subject of this paper is consideration of use of traditional motives in Serbian science-fiction literature in relation with socio-cultural milieu of Serbia from late 80s until now. The author tries to point out ways of usage and construction of some traditional and mythological patterns in certain literature works. This genre of literary production is perceived as a popular culture phenomenon - with this premise, the paper intents to analyze communication process between text and audiences.

Nuclear and science-fiction: voyage through the social imaginary (1914-1980)

International Nuclear Information System (INIS)

Timbal-Duclaux, L.

1981-01-01

Is science fiction a pure literature of escape or fantasy. Or, under the mask of fiction, on the contrary, isn't it something which reveals the ideology and fantasies of an epoch. This is the contention put forward by the author who endeavours to relate this literature to the reactions of public opinion to the major scientific, economic and social problems of the times. Irony of fate: like the Princesses of olden times, nuclear energy is never so attractive as when it hasn't yet appeared. The postwar nuclear dream was succeeded by today's solar myth: although man needs to feel fear, he also needs to dream. But, in sort, these dreams and nightmares teach us less about nuclear energy than about the way in which man sees himself [fr

The Response in Twitter to an Assisted Suicide in a Television Soap Opera.

Science.gov (United States)

Scourfield, Jonathan; Colombo, Gualtiero; Evans, Rhiannon; Jacob, Nina; Le Zhang, Meng; Burnap, Pete; Edwards, Adam; Housley, William; Williams, Matthew

2016-09-01

Concern has been expressed about the potentially contagious effect of television soap opera suicides and suicidal language in social media. Twitter content was analyzed during the week in which a fictional assisted suicide was broadcast on a British television soap opera, "Coronation Street." Tweets were collected if they contained language indicating possible suicidal intent or used the word suicide. The modified Thompson tau method was used to test for any differences in the volume of tweets in both categories on the day of screening. Content analysis broke down the use of the word suicide into six thematic categories. There was no evidence on the day of screening of an increase in tweets expressing possible suicidal intent but there was an increase in tweets containing the word suicide. Content analysis found the most common thematic category to be information or support, followed by the raising of moral issues in relation to suicide. It is possible that for certain high-profile media events Twitter may be used more as a civic reactive forum than as a medium for introspection or disclosure of distress.

The Future as Fiction.

Science.gov (United States)

Jennings, Lane

Because good future studies and good fiction have a great deal in common, futurists need to recognize and apply the skills of word artists from all genres, particularly novelists and short-story writers. One form of science fiction that futurists could use is the scenario, which is an exploration of an alternative future. A good scenario should be…

ANALYZING THE RELATIONSHIP BETWEEN MOVIES AND TV COMMERCIALS TYPES

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Frank Van Der Valk

2017-09-01

Full Text Available The aim of this paper is to shed some light on whether there is any connection between the types of movies broadcasted on TV and types of commercials or not. A total of 20 different movies of Polish channels have been recorded and visually analyzed including the contents of the commercials broadcasted before, after and, during them. The different types of movies examined include comedies of manners, romantic comedies, thrillers, action movies, dramas, crimes, science-fiction and adventures. The research results show that there is a relationship between the types of movies broadcasted and the commercials before, during and after them. This connection is based on the needs and consuming behavior of each movie’s viewers.

Science or Fiction - Is there a Future for Nuclear

International Nuclear Information System (INIS)

Wenisch, A.; Kromp, R.; Reinberger, D.

2007-01-01

This booklet served as preparation for both participants and speakers at the conference »Science or Fiction – Is there a Future for Nuclear?«. This international conference on fusion energy and new nuclear reactor models was organized by Global 2000/Friends of the Earth Austria and took place 8 November 2007 in Vienna. This booklet contains our contribution to the ongoing discussion about future energy security and what paths we should take. We focus on the possible future scenarios for nuclear power. The nuclear industry is trying to secure its own future by reintroducing old concepts like nuclear fusion and updating old fission reactors in so-called Generation IV systems. While there is enough information available on both fission and fusion energy from project financiers, research institutions and the European Commission, who gave the lion share of energy research funds into fusion research, we attempt here to provide a broader perspective and examine how much is Fiction and what these concepts could mean in some future Reality, which is upon us to decide on Now. (author)

Science or Fiction - Is there a Future for Nuclear

Energy Technology Data Exchange (ETDEWEB)

Wenisch, A.; Kromp, R.; Reinberger, D.

2007-07-01

This booklet served as preparation for both participants and speakers at the conference »Science or Fiction – Is there a Future for Nuclear?«. This international conference on fusion energy and new nuclear reactor models was organized by Global 2000/Friends of the Earth Austria and took place 8 November 2007 in Vienna. This booklet contains our contribution to the ongoing discussion about future energy security and what paths we should take. We focus on the possible future scenarios for nuclear power. The nuclear industry is trying to secure its own future by reintroducing old concepts like nuclear fusion and updating old fission reactors in so-called Generation IV systems. While there is enough information available on both fission and fusion energy from project financiers, research institutions and the European Commission, who gave the lion share of energy research funds into fusion research, we attempt here to provide a broader perspective and examine how much is Fiction and what these concepts could mean in some future Reality, which is upon us to decide on Now. (author)

REVIEW OF SCHREIBMAN'S THE SCIENCE AND FICTION OF AUTISM

Science.gov (United States)

LeBlanc, Linda A; Losowski-Sullivan, Sheryl; Riley, Andrew R

2010-01-01

Although the awareness of autism in the general public has increased significantly over the past 20 years, much of the widely disseminated information is not fully grounded in scientific fact. In The Science and Fiction of Autism (2005), Laura Schreibman addresses a series of debates and controversies in areas ranging from diagnostic practices and etiological theories to effective clinical practices. This book provides an overview of the field of autism that is suitable for well-educated parents and new professionals in the field.

Corporate Fictions

DEFF Research Database (Denmark)

Staunæs, Dorthe; Søndergaard, D. M.

2006-01-01

The article describes a particular strategy of communication called a social science fiction. The strategy was taken up following an empirical research project on gender and management, in order to communicate results to the company's managers and Human Resource Staff. The research results showed...... fiction was the kind of narrative therapy, which aims to reconfigure the problem in focus by a process of externalisation that allows a reconstruction and retelling of the issue. The article describes how three cultural mechanisms in the company were condensed into three imaginary figures: Mr. Corporate...

Jean Painlevé : de la science à la fiction scientifique.

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Florence Riou

2009-12-01

Full Text Available Si l'image documentaire, et à fortiori l'image scientifique est encore souvent perçue comme la réalité elle-même, elle n'est cependant qu’interprétation. Nous nous proposons ici, par une approche issue de l'histoire des techniques, d'interroger la construction des images liées à la pratique de biologiste. La mise en formes de ces images est tout à la fois le reflet de l'expérimentateur, de l'instrument, et celui de la connaissance de l'époque. Mais dans un désir de partage de la science au plus grand nombre, elles soulèvent aussi la question du lien existant entre science et fiction. Jean Painlevé (1902-1989, réalisateur et scientifique usant du cinématographe, met l'accent sur ce point dès les années trente. Conscient de notre tendance naturelle à l'anthropomorphisme, il souligne la nécessité d'une éducation du regard pour plus d'indépendance et d'esprit critique vis à vis des images. Et, en tirant du contenu scientifique lui même la substance et la dramaturgie de ses histoires, il propose une mise en fiction de la science qui renouvelle le genre documentaire.

"Hypothetical machines": the science fiction dreams of Cold War social science.

Science.gov (United States)

Lemov, Rebecca

2010-06-01

The introspectometer was a "hypothetical machine" Robert K. Merton introduced in the course of a 1956 how-to manual describing an actual research technique, the focused interview. This technique, in turn, formed the basis of wartime morale research and consumer behavior studies as well as perhaps the most ubiquitous social science tool, the focus group. This essay explores a new perspective on Cold War social science made possible by comparing two kinds of apparatuses: one real, the other imaginary. Even as Merton explored the nightmare potential of such machines, he suggested that the clear aim of social science was to build them or their functional equivalent: recording machines to access a person's experiential stream of reality, with the ability to turn this stream into real-time data. In this way, the introspectometer marks and symbolizes a broader entry during the Cold War of science-fiction-style aspirations into methodological prescriptions and procedural manuals. This essay considers the growth of the genre of methodological visions and revisions, painstakingly argued and absorbed, but punctuated by sci-fi aims to transform "the human" and build newly penetrating machines. It also considers the place of the nearly real-, and the artificial "near-substitute" as part of an experimental urge that animated these sciences.

Rocketry, film and fiction: the road to Sputnik

Science.gov (United States)

Brake, Mark; Hook, Neil

2007-07-01

The launch of Sputnik 1 in 1957 was fuelled by science fiction as well as science fact. The field of early rocketry included the work of Russians Nikolai Rynin and Konstantin Tsiolkovsky, American Robert Goddard, and German engineers Herman Oberth and Wernher Von Braun. All were directly inspired and influenced by early science fiction that heralded a space age decades ahead of time. The work of these pioneers led directly to the development of the technology needed to boost Sputnik skyward. After the launch of Sputnik, the context of the nuclear arms race opened the floodgates for a new wave of apocalyptic fiction.

Astronomers Who Write Science Fiction: Using SF as a Form of Astronomy Outreach

Science.gov (United States)

Fraknoi, Andrew

2017-01-01

In a recent survey, I have identified 21 living professional astronomers who write science fiction, plus a yet uncounted number of physicists. Many of the science fiction stories by this group involve, as you might imagine, reasonable extrapolation from current scientific ideas and discoveries. These stories, some of which are available free on the Web or are collected in inexpensive anthologies, represented a method of astronomy outreach to which relatively little attention has been paid. I will list the authors identified in the survey and provide a representative list of their stories or novels, organized by astronomical topic. I will also discuss how written SF (and SF films based on ideas by scientists, such as Kip Thorne's "Interstellar") can be used in general education classes and public programs. Scientists do not need to cede the field to wizards, dragons, and zombies! (Note: The author is included in the list of 21, having published two short stories in two different anthologies recently.)

Gender as a body memory in science-fiction films

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Carmen Irene Correia Oliveira

2013-07-01

Full Text Available This concept of working memory genre (Bakhtin, from remakes science-fiction. Takes gender as a dynamic force that works towards permanence and change, articulating the elements that determine intertextuality. In current a long tradition, a work brings the outstanding characteristics of a genre that works as a “body memory” in a relatively autonomous way. States that, in the context of the films analyzed, the elements that propagate within the genre underwent some changes in reshoots, depending on the socio-historical context, while the stay is marked by recurring themes.

The Affordances of Fiction for Teaching Chemistry

Science.gov (United States)

Yerrick, Randy K.; Simons, Tiffany

2017-01-01

As science fiction has a way of capturing the human imagination that few other genres can rival, this study sought to investigate the effects of using science fiction on the performance and interest of high school chemistry students. An action research approach was used to guide the first author's practice as she studied two college preparatory…

Fictional names and fictional discourse

OpenAIRE

Panizza, Chiara

2017-01-01

[eng] In this dissertation I present a critical study of fiction, focusing on the semantics of fictional names and fictional discourse. I am concerned with the issue of whether fictional names need to refer, and also with the related issue of whether fictional characters need to exist, in order to best account for our linguistic practices involving fictional names. Fictional names like ‘Sherlock Holmes’, ‘Anna Karenina’, ‘Emma Woodhouse’ and ‘Don Quixote of La Mancha’ ordinarily occur in diff...

[The coverage of science in television news programs in Brazil and Colombia: a comparative study of media constructs].

Science.gov (United States)

Ramalho, Marina; Arboleda, Tania; Hermelin, Daniel; Reznik, Gabriela; Massarani, Luisa

2017-01-01

This study analyzes and compares the science and technology coverage in Brazil's main television news program (Jornal Nacional) and its Colombian counterpart (Noticias Caracol). Using content analysis, we investigated a corpus of news stories broadcast from April 2009 to March 2010. We found that Jornal Nacional presented over twice as many reports on science and technology as Noticias Caracol, and that its levels of reporting remained fairly stable throughout the year. The Brazilian reports were also longer, were featured more prominently, and used more visual resources. Even so, some similarities were found: news about health and medicine was most frequent; the reports focused primarily on announcing new research; scientists were the main sources cited; and national research was prioritized.

“Spare me the endurance of endless time”:the influence of Christian and Buddhist ethics on the view of immortality in the TV series Doctor Who

OpenAIRE

Vuolteenaho, L. (Leena)

2013-01-01

Abstract This thesis examines the influence of Christian and Buddhist ethics on British science-fiction TV series Doctor Who, by looking at how the series’ depiction of immortality as an ethical issue reflects the views of Christianity and Buddhism. The study was conducted as qualitative, using as primary data a selection of episodes from which observations were made, with reference to theoretical background based on litera...

Gedanken fictions

Science.gov (United States)

Gardner, Kate

2017-07-01

The 14 pairs of short story and essay in Thought X: Fictions and Hypotheticals have at their root the concept that thought experiments in science and philosophy tell stories as they build a scenario to prove a point.

Australian Queer Science Fiction Fans.

Science.gov (United States)

Kerry, Stephen Craig

2017-10-23

Science fiction (sf) does more than provide a fleeting moment of entertainment; it has many personal and social functions. In addition to offering audiences "romantic escapism" (Gerrold, 1996, pp. 5-6), sf also enables the "postulation of an alternative reality from which to contemplate this one" (Gerrold, 1996, pp. 5-6); as such, it is especially important "for groups which have had limited stakes in the status quo" (Jenkins, 1995, p. 242). To date, no research has been undertaken on the relationship between Australian queers and sf fandom. This article reports the findings of an online survey and explores the psycho-social features of Australian queer sf fans and why they like the genre. While the characteristics of this sample mirror those of Australian queers generally, they also have slightly higher rates of mental illness and are far more likely to state they have "no religion." Furthermore, while enjoying the "sciency" (P10, bisexual woman) aspects of sf, Australian queers also like the "poignant metaphors for our own civilization" (P45, asexual man).

A Dialogue Regarding "The Material Co-Construction of Hard Science Fiction and Physics"

Science.gov (United States)

Geelan, David; Prain, Vaughan; Hasse, Cathrine

2015-01-01

Science fiction and the "technofantasies" of the future that it provides may attract some students to study physics. The details and assumptions informing these "imaginaries" may, on the other hand, be unattractive to other students, or imply that there is not a place for them. This forum discussion complements Cathrine Hasse's…

Visual presentations of efficacy data in direct-to-consumer prescription drug print and television advertisements: A randomized study.

Science.gov (United States)

Sullivan, Helen W; O'Donoghue, Amie C; Aikin, Kathryn J; Chowdhury, Dhuly; Moultrie, Rebecca R; Rupert, Douglas J

2016-05-01

To determine whether visual aids help people recall quantitative efficacy information in direct-to-consumer (DTC) prescription drug advertisements, and if so, which types of visual aids are most helpful. Individuals diagnosed with high cholesterol (n=2504) were randomized to view a fictional DTC print or television advertisement with no visual aid or one of four visual aids (pie chart, bar chart, table, or pictograph) depicting drug efficacy. We measured drug efficacy and risk recall, drug perceptions and attitudes, and behavioral intentions. For print advertisements, a bar chart or table, compared with no visual aid, elicited more accurate drug efficacy recall. The bar chart was better at this than the pictograph and the table was better than the pie chart. For television advertisements, any visual aid, compared with no visual aid, elicited more accurate drug efficacy recall. The bar chart was better at this than the pictograph or the table. Visual aids depicting quantitative efficacy information in DTC print and television advertisements increased drug efficacy recall, which may help people make informed decisions about prescription drugs. Adding visual aids to DTC advertising may increase the public's knowledge of how well prescription drugs work. Published by Elsevier Ireland Ltd.

Could television series be the best way to familiarize people with nuclear activities?

International Nuclear Information System (INIS)

Michel, A.

2010-01-01

If there is a greater acceptance of nuclear plants, nevertheless their development does still create some anxiety. Against that, the nuclear industry can not reassure only with rational technical reports. Doing so, it runs the risk of not being heard, covered by the continuous presence of dramatic fiction stories and imaginative anti-nuclear demonstrations. Based on years of observation, I will try to demonstrate that the nuclear industry needs to become more emotive and make use of the medium of fiction to get its message across to the public Nuclear energy is mainly presented dangerously in fiction such as James Bond films or 'The China Syndrome'. These films, and novels written in the same way, have certainly more influence on the images that people memorize than all the documents we can distribute. Thus they increase anxieties about nuclear and even the smallest incident makes the media headlines. I have described this situation in a number of papers and conferences previously. Now I consider that if we want to improve this situation, real nuclear activities must become more familiar. But how can we reach the lay-persons who do not really want to be informed, have no time to do so or lack the education to understand the facts? We must penetrate their homes, where they sit every evening looking at their favorite TV series. TV series have more influence than films because little by little, week after week, the situations, actors and atmosphere become familiar.Like other organisations (police, justice, hospitals, firemen,..), we should support producers and scriptwriters who are really interested to work on our subjects.. The present question is: shall we provide the 'seed money' for the production? (authors)

Change alone is eternal, perpetual, immortal : pharmacological immortality in science fiction

OpenAIRE

Grech, Victor E.; Vassallo, Clare; Callus, Ivan

2012-01-01

Immortality is a common feature in science-fiction (SF). This paper lists the ways in which the pharmacological induction of immortality has been depicted in SF, and the resultant outcomes. Immortality or extreme longevity are often melded with infertility in order to eliminate the overpopulation issues that would inevitably arise. This is only one way in which theoretical utopias which afford life extension become dystopias, cautionary tales that admonish against hubris. In this fashion, SF ...

Teenage consumption of television series. The case of “La que se avecina”

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Ana Isabel Abad

2016-11-01

Full Text Available Television series exert a significant influence on adolescents’ beliefs and opinions, especially in regards to gender, racial and social stereotypes. In this context, this work aims to discern youth involvement with fiction series by finding out what types of series they consume and what motivations they have for doing so. The bonds that are established by teenagers with the characters were also determined. For this purpose and by means of a mixed methodology; surveys and group dynamics were conducted with 236 adolescents from four education centers in Zaragoza. The results have shown that these teenagers consume Spanish sitcoms, such as La que se avecina as they are drawn to its absurd humour and also establish bonds with adult characters who are defined by their comicalness.

The Night Sky, The Forgotten Nature: Uncovering the Impact of One Television Programme on Astronomy Communication in Iran

Science.gov (United States)

Nazemi, P.

2017-09-01

In 2001, two brothers known as the Saffarianpour brothers started a television programme on Iranian state television called Aseman-e-shab (The Night Sky). The programme, which explores astronomy and space science, became one of the longest-running television shows in the history of Iranian television and played a major role in the public communication of science and astronomy. It inspired many of the next generation of Iranian scientists and astronomers and played a key role in the advancement of science journalism and science communication in Iranian media. This article outlines a brief history of the show and its producer and describes the role they played in Iranian society.

Time machine tales the science fiction adventures and philosophical puzzles of time travel

CERN Document Server

Nahin, Paul J

2017-01-01

This book contains a broad overview of time travel in science fiction, along with a detailed examination of the philosophical implications of time travel. The emphasis of this book is now on the philosophical and on science fiction, rather than on physics, as in the author's earlier books on the subject. In that spirit there are, for example, no Tech Notes filled with algebra, integrals, and differential equations, as there are in the first and second editions of TIME MACHINES. Writing about time travel is, today, a respectable business. It hasn’t always been so. After all, time travel, prima facie, appears to violate a fundamental law of nature; every effect has a cause, with the cause occurring before the effect. Time travel to the past, however, seems to allow, indeed to demand, backwards causation, with an effect (the time traveler emerging into the past as he exits from his time machine) occurring before its cause (the time traveler pushing the start button on his machine’s control panel to start his...

The Discovery of the Future: The Ways Science Fiction Developed. Miscellaneous Publication 13.

Science.gov (United States)

Gunn, James

This booklet discusses the development of science fiction, tracing its origins to the time of the industrial revolution. Many of the people of this time realized that life was changing and would continue to change, that there were new forces at work in the world, and that humankind should exercise some forethought about the direction in which…

Martin Luther in Primetime. Television Fiction and Cultural Memory Construction in Cold War Germany

Directory of Open Access Journals (Sweden)

Stewart Anderson

2013-06-01

Full Text Available In 1983, both East and West Germany celebrated Martin Luther’s 500th birthday with great fanfare.  Nowhere was this competition more provocative and visually arresting, however, than in two multi-part television plays which depicted Luther’s life: the West German Martin Luther, broadcast by the public station ZDF in April, and the East German title of the same name, aired in October.  In this essay, I argue that the East German version constituted an appropriative strategy of memory formation – one which depicted Luther’s positive qualities and grafted them into the Marxist canon of heroes.  In contrast, the ZDF Martin Luther, which featured a highly rational Luther, projected what Jan Assmann has termed a normative strategy of harnessing Luther’s memory, focusing on Luther’s intellectual arguments and anti-radicalism.

Television and the transnational memory of undemocratic pasts: a comparison between Spain and the Czech Republic

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Tiziana D’Amico

2017-07-01

Full Text Available The starting point for the present work is the conviction that we can study the memory of undemocratic pasts from both a transnational and comparative perspective. Television series offer viewers an account of the passage of official history, through the prism of both the fictional characters and viewers’ personal (emotional relationships. In light of this, some elements are going to be investigated common to two television products, the first set during the Francoism (Cuéntame cómo pasó and the second during Socialism (Vyprávěj, whose patent purpose is to depict how everyday life was under these repressive regimes. From a transnational point of view, the two TV series demonstrate the presence of at least one common narrative mode of undemocratic pasts, which goes beyond specific national features and characteristics. The specific elements mentioned in this work (the narrator as re-affirmation of the guide-values, the family as a synecdoche for the community that remembers, the television as the ‘memory medium’, and the emotional recognition between audience and character as the mediation space with a ‘problematic’ past can be interpreted as a possible first mapping of the different narrative modes that tend to be connected with the representation of undemocratic pasts in Europe.

L’Imaginaire du temps dans le fantastique et la science-fiction (2011)

OpenAIRE

Julie Schutz

2013-01-01

Ce numéro des cahiers du LAPRIL contient vingt-deux contributions sur la question du temps en science-fiction et dans le fantastique, dans sa dimension thématique, mais aussi pour faire ressortir l'influence de cette question sur l'évolution même de ces genres. Une partie des réflexions concerne aussi les représentations d'un temps « mythique ».

Étudier la science-fiction en France aujourd’hui

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Irène Langlet

2012-10-01

Full Text Available La science-fiction est une pratique intermédiatique reconnue dans la culture contemporaine mais discrète dans le monde universitaire. Ce contraste s’explique par l’histoire du genre et sa constitution progressive, dans notre pays, en « paralittérature », voire en « subculture ». Mais la situation évolue, grâce à des pratiques académiques en pleine recomposition disciplinaire, ainsi renouvellement des générations accentuant la porosité des barrières culturelles. Les perspectives qui peuvent en être tirées se déduisent de ce paysage complexe.

Soap, science, and flat-screen TVs a history of liquid crystals

CERN Document Server

Dunmur, David

2011-01-01

The terms 'liquid crystal' or 'liquid crystal display' (LCD) are well-known in the context of flat-screen televisions, but the properties and history of liquid crystals are little understood. This book tells the story of liquid crystals, from their controversial discovery at the end of the nineteenth century, to their eventual acceptance as another state of matter to rank alongside gases, liquids and solids. As their story unfolds, the scientists involved and their works are put into illuminating broader socio-political contexts. In recent years, liquid crystals have had a major impact on the display industry, culminating in the now widely available flat-screen televisions; this development is described in detail over three chapters, and the basic science behind it is explained in simple terms accessible to a general reader. New applications of liquid crystals in materials, bio-systems, medicine and technology are also explained.

The Pleasures of Reading Mystery Fiction and Mystery Readers’ Book Selection Behavior

Directory of Open Access Journals (Sweden)

Chiu-Yen Wu

2016-11-01

Full Text Available The mystery fiction is a popular pleasure reading genre in Taiwan. This article describes a grounded theory study that explored the reading pleasures and selection behavior of mystery fans. Based on the in-depth interview with 21 engaged mystery readers, this study identified seven types of reading pleasures, i.e., a sense of achievement from puzzle solving, feelings of amazement from the revelation of truths, satisfaction of curiosity for the unknown, a sense of compensation from seeing justice, senses of empathy and sympathy from identifying with the story characters, and the reflection of the social issues and values raised in the stories. The charms of mystery fiction may be systematically described by following four of Hudson’s (1910 conceptualization of fiction elements: i.e. the plot, characters, time and place, and the author’s view of life prevailed in the stories. In regards to readers’ selection behavior, this study identified four selection approaches commonly used by the experienced readers to discover works that possibly meet their expectations, i.e., the subgenre-oriented, author-oriented, series-oriented, and story-oriented approaches. In addition, six factors may influence readers’ selection of works, i.e., availability of expert comments, trust and confidence in the publishers, book award information, adaptation into movies or television, quality of translation, and first impression of the physical books.

An exploratory study of the impact of hypermedia-based approach and science-in-fiction approach for instruction on the polymerase chain reaction

Science.gov (United States)

Britton, Lynda A.

1998-12-01

Exploration of meaningful learning of the polymerase chain reaction (PCR) followed instruction by a researcher-developed hypermedia computer program that incorporated human constructivist principles and a "science-in-fiction" chapter of a novel that described PCR. Human constructivism is the Ausubel-Novak-Gowin (1997) meaningful learning theory that supports science learning through graphic representations and multiple examples. Science-in-fiction is a new genre of fiction introduced by the prominent scientist, Carl Djerassi, to engender an appreciation for science, and its ethical dilemmas. Chapter 19 of Djerassi's 1994 novel, The Bourbaki Gambit, was placed into hypermedia format to standardize the presentation. As part of a clinical microbiology course in the medical technology curriculum at a major medical center in the Deep South, 10 undergraduates participated in this study. Each first read The Bourbaki Gambit, and then half of the participants experienced the human constructivist approach first (the PCR group) while the others first encountered the science-in-fiction approach (the Chapter 19 group). For the rest, the order of presentation was reversed, so that all experienced both programs. Students' explanations while using the computer were videotaped. Students were tested and interviewed before experiencing either program, after their first instructional session, and again after the second instructional session. These students were also assessed on their knowledge of the nature of science by taking the Nature of Science Questionnaire, before and after instruction (Roach, 1993) and interviewed as a cross-check on its reliability. Students' preferred learning approaches were determined using Schmeck's Inventory of Learning Processes (Schmeck, Ribich, & Ramanaiah, 1977). Data were collected and analyzed both qualitatively and quantitatively using appropriate verbal analysis techniques (Chi, 1997). All but three students reached a structural level of PCR

L’Imaginaire du temps dans le fantastique et la science-fiction (2011

Directory of Open Access Journals (Sweden)

Julie Schutz

2013-04-01

Full Text Available Ce numéro des cahiers du LAPRIL contient vingt-deux contributions sur la question du temps en science-fiction et dans le fantastique, dans sa dimension thématique, mais aussi pour faire ressortir l'influence de cette question sur l'évolution même de ces genres. Une partie des réflexions concerne aussi les représentations d'un temps « mythique ».

Research insights and insides:"Science-in-Fiction" as a contribution to the Third Culture Concepts.

Science.gov (United States)

Erren, Thomas C; Falaturi, Puran

2009-05-01

Here we suggest to encourage more "Science-In-Fiction" [SIF], a genre which has been explored by Carl Djerassi since the late 1980s with the intent to convey science in writing beyond traditional publication categories and "to smuggle scientific facts into the consciousness of a scientifically illiterate public". In our view, SIF can serve 3 purposes: (a) inform the public at large about scientific findings, ethics and procedures; (b) infuse lay readers with interest in scientific endeavours; (c) enable the general population to better evaluate and judge scientific conduct, results and implications. While it would be desirable to have more scientists write about their own (like Watson and Maguejo) and others' discoveries (like Voltaire and Perutz), this expectation is not realistic. Indeed, some scientists may not want to share and write about their experiences and others simply should not. As one recipe for informing the lay public and instigating interest in research insights and insides, science-in-fiction such as Dr. Djerassi's novels could be written and read. This may contribute to the The Third Culture Concepts envisaged by Snow in the 1960s and elaborated by Brockman in 1995.

‘Dogmas’ for television drama

DEFF Research Database (Denmark)

Redvall, Eva Novrup

2013-01-01

the writer at the centre of the production process based on the concept of ‘one vision’ is highlighted as important to understanding the nature of the series from DR. The article discusses the concepts of public service ‘double storytelling’, organizing production based on notions of ‘crossover’ between...... the film and TV industry and ‘producer’s choice’. The article argues that while the strong talent behind the series and contextual aspects such as the recent interest in ‘Nordic Noir’ and new scheduling strategies for subtitled content by UK broadcaster BBC4 are important for understanding...... the international interest, major changes in the mode of production at DR Fiction since the late 1990s also need to be included in the understanding of the choice of content, the look and the recent success of several Danish series....

Stranger than fiction

CERN Document Server

2007-01-01

Is the universe - correction: 'our' universe - no more than a speck of cosmic dust amid an infinite number of parallel worlds? A staple of mind-bending science fiction, the possibility of multiple universes has long intrigued hard-nosed physicists, mathematicians and cosmologists too.

Doctors and Witches, Conscience and Violence: Abortion Provision on American Television.

Science.gov (United States)

Sisson, Gretchen; Kimport, Katrina

2016-12-01

Popular entertainment may reflect and produce-as well as potentially contest-stigma regarding abortion provision. Knowledge of how providers are portrayed on-screen is needed to improve understanding of how depictions may contribute to the stigmatization of real providers. All abortion provision plotlines on American television from 2005 to 2014 were identified through Internet searches. Plotlines were assessed in their entirety and coded for genre, abortion provision space, provider characteristics, method and efficacy of provision, and occurrence of violence. Inductive content analysis was used to identify themes in how these features were depicted. Fifty-two plotlines involving abortion provision were identified on 40 television shows; a large majority of plotlines appeared in dramas, particularly in the subgenre of medical dramas. Medical spaces were depicted as normal and safe for abortion provision, and nonmedical spaces were often portrayed as remote and unsafe. Legal abortion care using medical methods was depicted as effective and safe, and legal providers were presented as compassionate, while providers operating outside of medical and legal authority were depicted as ineffective, dangerous and uncaring. Fictional providers were largely motivated by the belief that abortion provision is a necessary and moral service. Plotlines linked abortion provision to violence. The differing ways in which legal and illegal abortion are portrayed reveal potential consequences regarding real-world abortion provision, and suggest that representations situated in medical contexts may work to legitimate and destigmatize such provision. Copyright © 2016 by the Guttmacher Institute.

Astronomy TV outreach, CUBA experiences

Science.gov (United States)

Alvarez, Oscar

2015-08-01

As professional astronomer and science communicator, I want to share my personal experience communicating Astronomy and general science principles in maybe, the most popular science outreach devoted TV program in Cuba. It is broadcasted nationwide in a prime time schedule every Sunday. The Science Popularization on TV, is in a Third World Country hard to do if you want to produce attractive materials for a broad audience. Budgets constraints in most of the cases and lack of the technical equipment required to produce first class visual materials conspire, against motivation and creativity of local scientists and media professionals. A way to show the advance of the national scientific community in Science fields and connecting them in a friendly relation with a broad majority of the people, is to combine the wisdom and knowledge of the local scientists together with the most spectacular TV production of the first world countries. Commenting, analyzing and conveying the hard science into the public debate of the common citizens. Here is shown a way to convey cutting edge science to the general public, using limited resources to produce imaginative television productions, highlighting the development, knowledge and wisdom of the local scientists.

Journey to DOR: A Retro Science-Fiction Story on Researching ePrescribing

OpenAIRE

Lichtner , Valentina; Venters , Will

2011-01-01

Part 5: Section 4: The Future of Information Technology and Work-Related Practices in Health Care; International audience; The core of this paper is a science fiction short story. We are on planet DOR. A group of scientists are working on an experiment, changing underlying mechanisms of transmissions of a colossus machine(a complex system of gears and levers, wires and pipes. Some of its mechanisms are also known as D for doctors, F for pharmacists, P for patients. Observers travel from Earth...

Learning from Television News: A Critique of the Research.

Science.gov (United States)

Berry, Colin

1983-01-01

This critical review of some approaches to research on the effectiveness of television newscasts considers viewer characteristics, news item characteristics, presentation variables, and the confounding of these variables. The importance of behavioral science issues to such research is stressed. (MBR)

Apocalypse, Event and Utopia Badiou and Žižek through Fiction

Directory of Open Access Journals (Sweden)

Jorge Fernández Gonzalo

2016-07-01

Full Text Available Our study attempts to analyze the concept of Apocalypse and event in contemporary philosophy and through audiovisual fiction. To do this, we use the proposals of Alain Badiou, Slavoj Žižek and psychoanalysis, with film references such as Time after Time or Peggy Sue Got Married, and TV series such as Flashforward and Lost.

Science Fiction and Ontologies of Leadership

Directory of Open Access Journals (Sweden)

Jana Vizmuller-Zocco

2014-12-01

Full Text Available The role of leadership in science fiction receives a particular analysis which is based on what can be termed transhumanist novels published in Italy between 2008 and 2013. The main purpose of this study is to answer the following question: What happens to (the nature of leadership in a technologically-driven society? Four novels form the backbone of the description of futuristic leadership. The four conclusions drawn from this analysis regarding the nature of leadership in a technologically-driven society point to a much greater need for leadership studies to pay attention to technological advances (and the philosophical underpinnings of, specifically, transhumanism. The impact of nano-bio-technology affecting the role of leaders, followers, goals, alignment, commitment has ontological repercussions on the manner in which (augmented and unaugmented humans deal with each other. If early augmented humans/cyborgs and any other sentient beings are in fact comparable to Giambattista Vico’s brutes, and if his corsi e ricorsi (ebbs and flows of human history can apply to non-human, sentient beings’ history, then the work is cut out for all disciplines, but especially for those which deal with ontologies of leadership.

Doctors in space (ships): biomedical uncertainties and medical authority in imagined futures.

Science.gov (United States)

Henderson, Lesley; Carter, Simon

2016-12-01

There has been considerable interest in images of medicine in popular science fiction and in representations of doctors in television fiction. Surprisingly little attention has been paid to doctors administering space medicine in science fiction. This article redresses this gap. We analyse the evolving figure of 'the doctor' in different popular science fiction television series. Building upon debates within Medical Sociology, Cultural Studies and Media Studies we argue that the figure of 'the doctor' is discursively deployed to act as the moral compass at the centre of the programme narrative. Our analysis highlights that the qualities, norms and ethics represented by doctors in space (ships) are intertwined with issues of gender equality, speciesism and posthuman ethics. We explore the signifying practices and political articulations that are played out through these cultural imaginaries. For example, the ways in which 'the simple country doctor' is deployed to help establish hegemonic formations concerning potentially destabilising technoscientific futures involving alternative sexualities, or military dystopia. Doctors mostly function to provide the ethical point of narrative stability within a world in flux, referencing a nostalgia for the traditional, attentive, humanistic family physician. The science fiction doctor facilitates the personalisation of technological change and thus becomes a useful conduit through which societal fears and anxieties concerning medicine, bioethics and morality in a 'post 9/11' world can be expressed and explored. Published by the BMJ Publishing Group Limited. For permission to use (where not already granted under a licence) please go to http://www.bmj.com/company/products-services/rights-and-licensing/.

Stranger than fiction: literary and clinical amnesia.

Science.gov (United States)

Dieguez, Sebastian; Annoni, Jean-Marie

2013-01-01

This chapter broadly covers literary uses of amnesia and memory disorders. Amnesia in fiction offers authors an efficient and dramatic device to tackle themes such as identity, personal liberty, or guilt. We argue against the common complaint that fictional amnesia is scientifically inaccurate, pointing out that the goals of literature are different from those of science, that amnesia is still poorly understood, and that real-life cases can sometimes be stranger than fiction. The chapter provides examples from the neuropsychological literature, media reports, mythology, historical cases, detective stories, war stories, theatrical plays, and other genres. Special attention is given to retrograde and dissociative amnesia, as these are the most frequent types of amnesia portrayed in fiction, while other types of memory disorders are more shortly treated. We argue that the predominance of disorders affecting autobiographical memory in fiction is in itself a revealing fact about the mechanisms of human memory, illustrating how fictional treatments of pathology can inform back neurological and psychological research. Copyright © 2013 S. Karger AG, Basel.

Social Robots, fiction, and sentimentality

DEFF Research Database (Denmark)

Rodogno, Raffaele

2016-01-01

in the philosophy of art and in cognitive science that attempts to solve the so called paradox of fictional emotions, i.e., the seemingly paradoxical way in which we respond emotionally to fictional or imaginary characters and events. If sentimentality were not at issue, neither would its immorality. For the sake...... argue that there are other reasons to be worried about the wide-spread use of ersatz companionship technology that have to do with the potential loss of valuable, self-defining forms of life....

The Representation of Immigrants in Spanish television fiction. A proposal for a Content Analysis. El Comisario y Hospital Central

Directory of Open Access Journals (Sweden)

Dra. Elena Galán Fajardo

2006-01-01

Full Text Available Spanish society is getting more and more multicultural. Demographys has changed considerably. Anyway, hegemonic media, especially televisión fiction as one of the most demanded genres on prime-time, avoiding or just showing them into ilegality, exclusion or margination plots. This research analyzes the image of immigrants in the plots of two of the Spanish workplace series with more audience nowadays. They were from 1999 to 2005. Using a content analyses these series has been estudied and the stereotypes used has been observed. In addition, the results of this study has been compared with the information from the Spanish National Institute of Statistics to show similarities and differences with the results obtained of the reality in the same temporary period. Finally, it has been observed a massive employment of negative stereotypes assigned to the image of the immigrant in both series and a correlation between reality and fiction.

Facts about real antimatter collide with fiction

CERN Multimedia

Siegfried, Tom

2004-01-01

When science collides with fiction, sometimes a best seller emerges from the debris. Take Dan Brown's Angels & Demons, for instance, a murder mystery based on science at CERN, the European nuclear research laboratory outside Geneva

Doctors on display: the evolution of television's doctors.

Science.gov (United States)

Tapper, Elliot B

2010-10-01

Doctors have been portrayed on television for over 50 years. In that time, their character has undergone significant changes, evolving from caring but infallible supermen with smoldering good looks and impeccable bedside manners to drug-addicted, sex-obsessed antiheroes. This article summarizes the major programs of the genre and explains the pattern of the TV doctors' character changes. Articulated over time in the many permutations of the doctor character is a complex, constant conversation between viewer and viewed representing public attitudes towards doctors, medicine, and science.

The Magic and Science of Grimm: A Television Fairy Tale for Modern Americans

Directory of Open Access Journals (Sweden)

Julianna Lindsay

2016-05-01

Full Text Available The National Broadcasting Company’s (NBC Grimm uses fairy tales and an altered history to explore modern issues in American society such as environmental concerns, individuality, and social and cultural change through magic and magic-tinged science. Worldwide chaos and strife are easily explained as part of the Grimm universe (Grimmverse through Wesen (humanoid creatures who share characteristics with animals such as appearance and behavior, leading to a more united view of humanity and equality of human experience. Evil is often more scientifically explained, and what may appear random within our reality becomes part of a pattern in Grimm. Grimm gives its American audience a form of societal unity through historic folklore and a fictional explanation for the struggles Americans perceive to be happening within their own society as well as in other parts of the world.

The pink journalism like not-fiction soap opera within the framework of the freedom of expression

Directory of Open Access Journals (Sweden)

Dr. Carlos Pérez Ariza

2007-01-01

Full Text Available This article aims to describe the yellow journalism phenomenon in Spain during recent years. We hypothesize that such sensationalism is instaled within the so called ‘gossip press’. We made a brief one, although exhaustive relation of the meaning of the yellow media or vein sensationalist in its American origins, whose objective era and is to sell newspaper, as well as timid and little the excellent attempts of this form of journalism in Spain. Its development, harnessed by the television, comes dice by the proliferation from programs to the use in the channels deprived public and, as well as the increase of the circulation of magazines of the heart, as much the traditional ones as Hello to most recent because You say to me, among others. We assert that the practice of this peculiar way of information very often goes beyond the limits of the citizen’s rights to be truthfully informed, to the expression of freedom, both of information authors as the audiences. In the same way, we face such a journalistic exercise in front of its own structure, that is close to the fiction metastory in which TV serials are based, here adopting the shape of a no-fiction discourse

76 FR 11680 - Digital Low Power Television, Television Translator, and Television Booster Stations and Digital...

Science.gov (United States)

2011-03-03

...] Digital Low Power Television, Television Translator, and Television Booster Stations and Digital Class A... Commission's Rules to Establish Rules for Digital Low Power, Television Translator, and Television Booster... Digital Low Power Television Translator, Television Booster Stations, and to Amend Rules for Digital Class...

Science in Drama: Using Television Programmes to Teach Concepts and Techniques

Science.gov (United States)

Rutter, Gordon

2011-01-01

By using a specific episode of the popular television cartoon series "The Simpsons," a range of techniques can be communicated, including microscope setup and use, simple chemical analysis, observation, and interpretation. Knowledge of blood groups and typing, morphological comparison of hair samples, fingerprint analysis, and DNA fingerprinting…

Uncovering a Cover: Marketing Swedish Crime Fiction in a Transnational Context

OpenAIRE

Nilsson, Louise

2016-01-01

During the twenty-first century, Swedish crime fiction became an international phenomenon and turned into a million-dollar industry. Besides being translated all over the world, the crime novels are converted into movies and TV series in Sweden, while remakes of these films are produced abroad. This success story is closely interwoven with the international book market and publishing houses’ marketing strategies. This article investigates how domestic literature is marketed in a globalized bo...

76 FR 72849 - Digital Low Power Television, Television Translator, and Television Booster Stations and To Amend...

Science.gov (United States)

2011-11-28

...] Digital Low Power Television, Television Translator, and Television Booster Stations and To Amend Rules... for Digital Low Power Television, Television Translator, and Television Booster Stations and to Amend... television, TV translator, and Class A television station DTV licensees''). The Commission has also revised...

Ray Guns and Radium: Radiation in the Public Imagination as Reflected in Early American Science Fiction

Science.gov (United States)

Slaughter, Aimee

2014-01-01

The 1920s and 1930s were a period which saw great popular interest in radiation and radioactivity in America, and the establishment of a new genre of pulp literature, science fiction. Radiation was prevalent in American popular culture at the time, and sf stories were dependent upon radiation for much of their color and excitement. In this case…

‘Every age gets the art it deserves’ ‐ science fiction : history, background and definitions

OpenAIRE

Grech, Victor E.; Vassallo, Clare; Callus, Ivan

2012-01-01

It would be logical to commence this essay by attempting to identify the approximate locus of SF within the general corpus of literature as perceived by the academy. Fiction might here be seen as having four main categories: canonical fiction (the classics), serious fiction that strives to become canonical, plain fiction (best sellers or general works) and junk fiction: popular and gauche fiction that includes mysteries, thrillers, westerns, romances, fantasy, and SF. It has been argued that ...

A Study on Emotional Healing Efficacy of Fiction for Undergraduate

Directory of Open Access Journals (Sweden)

Chen Su-May Sheih

2014-01-01

Full Text Available In modern society, undergraduates may encounter multiple pressures and thus feel the sense of alienation, anxiety, disturbance and depression. For undergraduates, reading can be independently conducted without the intervention of an instructor; therefore, undergraduates who feel reluctant to expose private emotions to counselors can help themselves through the reading of emotional healing books. This is the application of bibliotherapy. Among various resources, fiction can serve as an appropriate emotional reading material. The researcher deployed semi-structured in-depth interview, and interviewed 21 undergraduates in Taipei City and Taipei County. This study is aimed to understand the kinds of fictions undergraduates read when they are upset and to analyze the emotional healing process of identification, catharsis, and insight so that the emotional healing efficacy can be evaluated. The findings showed that romance, realistic fiction, fantasy, martial arts novel, inspirational fiction, historical fiction, and science fiction can provide full process of emotional healing efficacy. However, detective fiction, online novel, psychological fiction, and horror fiction can only provide parts of the healing process. Besides, the healing efficacy of a specific fiction is different from reader to reader.

47 CFR 73.3521 - Mutually exclusive applications for low power television, television translators and television...

Science.gov (United States)

2010-10-01

... television, television translators and television booster stations. 73.3521 Section 73.3521 Telecommunication... Applicable to All Broadcast Stations § 73.3521 Mutually exclusive applications for low power television, television translators and television booster stations. When there is a pending application for a new low...

Dissolvable tattoo sensors: from science fiction to a viable technology

Science.gov (United States)

Cheng, Huanyu; Yi, Ning

2017-01-01

Early surrealistic painting and science fiction movies have envisioned dissolvable tattoo electronic devices. In this paper, we will review the recent advances that transform that vision into a viable technology, with extended capabilities even beyond the early vision. Specifically, we focus on the discussion of a stretchable design for tattoo sensors and degradable materials for dissolvable sensors, in the form of inorganic devices with a performance comparable to modern electronics. Integration of these two technologies as well as the future developments of bio-integrated devices is also discussed. Many of the appealing ideas behind developments of these devices are drawn from nature and especially biological systems. Thus, bio-inspiration is believed to continue playing a key role in future devices for bio-integration and beyond.

Dissolvable tattoo sensors: from science fiction to a viable technology

International Nuclear Information System (INIS)

Cheng, Huanyu; Yi, Ning

2017-01-01

Early surrealistic painting and science fiction movies have envisioned dissolvable tattoo electronic devices. In this paper, we will review the recent advances that transform that vision into a viable technology, with extended capabilities even beyond the early vision. Specifically, we focus on the discussion of a stretchable design for tattoo sensors and degradable materials for dissolvable sensors, in the form of inorganic devices with a performance comparable to modern electronics. Integration of these two technologies as well as the future developments of bio-integrated devices is also discussed. Many of the appealing ideas behind developments of these devices are drawn from nature and especially biological systems. Thus, bio-inspiration is believed to continue playing a key role in future devices for bio-integration and beyond. (invited comment)

Beneath sci-fi sound: primer, science fiction sound design, and American independent cinema

OpenAIRE

Johnston, Nessa

2012-01-01

Primer is a very low budget science-fiction film that deals with the subject of time travel; however, it looks and sounds quite distinctively different from other films associated with the genre. While Hollywood blockbuster sci-fi relies on “sound spectacle” as a key attraction, in contrast Primer sounds “lo-fi” and screen-centred, mixed to two channel stereo rather than the now industry-standard 5.1 surround sound. Although this is partly a consequence of the economics of its production, the...

Picking of foreign television formats by Czech televisions

OpenAIRE

Šopovová, Andrea

2010-01-01

This paper is concerned with one of the impacts of media globalisation and it is a picking of foreign television formats. It analyzes the structure of television programs offered by Czech television broadcasters and its change from 2005 when TV Nova and TV Prima changed their owners to international ones. After the introduction of media globalisation, the paper describes the television formats and then it includes a list of licensed television programs and a comparison of chosen programs with...

76 FR 44821 - Digital Low Power Television, Television Translator, and Television Booster Stations and To Amend...

Science.gov (United States)

2011-07-27

...] Digital Low Power Television, Television Translator, and Television Booster Stations and To Amend Rules... Digital Low Power Television, Television Translator, and Television Booster Stations and to Amend Rules... translator facilities in the 700 MHz band. These provisions provide procedures for a primary wireless...

75 FR 63766 - Digital Low Power Television, Television Translator, and Television Booster Stations and Digital...

Science.gov (United States)

2010-10-18

...] Digital Low Power Television, Television Translator, and Television Booster Stations and Digital Class A... TV, TV Translator or TV Booster Station, FCC Form 346; 47 CFR 74.793(d); LPTV Out-of-Core Digital... collection requirements: 47 CFR 74.793(d) proposes that certain digital low power and TV translator stations...

Psychopathy and the cinema: fact or fiction?

Science.gov (United States)

Leistedt, Samuel J; Linkowski, Paul

2014-01-01

The authors investigated the relationship between cinema and psychopathy to describe and analyze the portrayal of fictional psychopathic characters in popular films and over cinematic history. From 400 films (1915-2010), 126 fictional psychopathic characters (21 female and 105 male) were selected based on the realism and clinical accuracy of their profiles. Movies were then analyzed by senior forensic psychiatrists and cinema critics. Secondary (71%) and manipulative (48%) subtypes were the most common in the female group, while secondary (51%) and prototypical (34%) were the most common in the male group. Corresponding to the increased understanding of clinical psychopathy by professional mental health providers over time, the clinical description of and epidemiological data on fictional psychopaths in popular films have become more realistic. Realistic fictional psychopaths remain in the minority but are very important for didactic purposes in Academic facilities, as "teaching Movies." © 2013 American Academy of Forensic Sciences.

A portrait of food and drink in commercial TV series.

Science.gov (United States)

Greenberg, Bradley S; Rosaen, Sarah F; Worrell, Tracy R; Salmon, Charles T; Volkman, Julie E

2009-06-01

This study examines the content and presentation of food and drink on fictional, commercial television. It provides the first comparison of food and drink consumption across different television program genres designated for different age groups. Data originated with a random sample of 50 taped episodes of children's shows, 50 episodes of "tween" programs (shows targeted for 9- to 14-year-olds), 40 episodes of afternoon soaps, and 50 episodes of prime time shows. The choice of TV series was based solely on the strength of Nielsen audience ratings. The study coded the foods for nutritional content and the drinks for alcoholic/nonalcoholic content, how they were used, and in what context. Findings indicate that foods were more commonly offered and consumed on children's shows, and that problematic foods (defined as oils, solid fats, and foods with added sugars) were significantly more prevalent in youth-oriented shows than in adult-oriented shows. Although there was only a negligible presence of alcohol on children's shows, the average hourly use of alcohol on the tween shows matched that of the adult programs; therefore, alcohol was as common in the shows directed at young audiences as in shows for adults. Negative outcomes were largely absent from food and drink behaviors on these TV series.

About Television.

Science.gov (United States)

Mayer, Martin

The entire broadcast television industry is the subject of this book. An attempt is made to present history, theory, and anecdotes about television programing, television advertising, television and politics, and network news, focusing all the while on American television, but with consideration given to alternative structures and methods.…

Desperate Housewives – fiction de toutes les fictions

OpenAIRE

Cros, Renan

2016-01-01

Fiction de toutes les fictions, Desperate Housewives, entre ironie et empathie, accumule et désarticule les codes du soap opera pour mettre sur l’écran l’imaginaire d’une nation. À partir d’un récit balisé, la série fait de la répétition un mode de lecture. Répétition des situations mais aussi répétition de fictions préexistantes, Desperate Housewives fait du feuilleton l’art de la répétition en célébrant la culture populaire américaine. Fiction of all fictions, Desperate Housewives, betwe...

Visionary medicine: speculative fiction, racial justice and Octavia Butler's 'Bloodchild'.

Science.gov (United States)

Pasco, John Carlo; Anderson, Camille; DasGupta, Sayantani

2016-12-01

Medical students across the USA have increasingly made the medical institution a place for speculating racially just futures. From die-ins in Fall 2014 to silent protests in response to racially motivated police brutality, medical schools have responded to the public health crisis that is racial injustice in the USA. Reading science fiction may benefit healthcare practitioners who are already invested in imagining a more just, healthier futurity. Fiction that rewrites the future in ways that undermine contemporary power regimes has been termed 'visionary fiction'. In this paper, the authors introduce 'visionary medicine' as a tool for teaching medical students to imagine and produce futures that preserve health and racial justice for all. This essay establishes the connections between racial justice, medicine and speculative fiction by examining medicine's racially unjust past practices, and the intersections of racial justice and traditional science and speculative fiction. It then examines speculative fiction author Octavia Butler's short story 'Bloodchild' as a text that can introduce students of the medical humanities to a liberatory imagining of health and embodiment, one that does not reify and reinscribe boundaries of difference, but reimagines the nature of Self and Other, power and collaboration, agency and justice. Published by the BMJ Publishing Group Limited. For permission to use (where not already granted under a licence) please go to http://www.bmj.com/company/products-services/rights-and-licensing/.

Imagining the future: The Power of Climate Change Fiction

Science.gov (United States)

Buhr Sullivan, S. M.; Kellagher, E.; Poppleton, K. L.

2013-12-01

Fiction has galvanized the public imagination around societal concerns throughout US history, on issues including slavery, worker abuse and animal cruelty. A growing body of fiction concerned with climate change, 'cli-fi', provides the opportunity for students to engage with climate science in more visceral and affective ways. The Inspiring Climate Education Excellence (ICEE) project ran a climate and energy book club from Spring 2012 through Winter 2013, in which educators, scientists and writers participated. The fictional works were intended for audiences ranging from youth through adult, with themes of dystopia, renewal, hope, oppression, and innovation. This presentation will describe the benefits, opportunities and caveats of using these works within science teaching contexts, highlight some of the works which stood out from the rest and provide an annotated bibliography of books which were included or considered.

Television viewing associated with adverse dietary outcomes in children ages 2-6.

Science.gov (United States)

Ford, C; Ward, D; White, M

2012-12-01

The aim of this paper was to systematically review the evidence for the association between television viewing and diet in children ages 2-6. Data sources included PubMed, PsycINFO, EMBASE, ERIC, SportDISCUS, Sociological Abstracts, Web of Science and hand searches of reference lists of relevant articles. Twelve studies were reviewed in which the relationship between television viewing and diet was assessed in children between the ages of 2 and 6. All but one study reported significant relationship between television viewing time and adverse dietary outcomes. Parent-reported television viewing time was used to assay child television viewing in all included studies. Food frequency survey was the most frequent method of dietary assessment, and parent served as proxies for children in all studies. Lower fruit and/or vegetable intake was the most frequently reported dietary outcome, followed by increased energy intake with increased television viewing. The majority of studies reported adverse dietary outcomes with as little as 1 h of daily television exposure. While these results are consistent with recommendations from child health advocates to limit television viewing in young children, they also suggest that further efforts to limit television viewing in young children may be needed to aid in obesity prevention. © 2012 The Authors. obesity reviews © 2012 International Association for the Study of Obesity.

MIDWEST PROGRAM ON AIRBORNE TELEVISION INSTRUCTION -- A REGIONAL EXPLORATION IN EDUCATION.

Science.gov (United States)

IVEY, JOHN E.; AND OTHERS

STARTING IN FEBRUARY 1961, THE MIDWEST PROGRAM ON AIRBORNE TELEVISION INSTRUCTION (MPATI) TRANSMITTED COURSES IN FOREIGN LANGUAGES, SCIENCE, ARITHMETIC, ART, THE HUMANITIES, MUSIC, SOCIAL STUDIES, AND INTERNATIONAL RELATIONS TO 18 SCHOOLS IN THE MIDWEST. THE AIRBORNE TELECAST OPERATED OVER NORTH CENTRAL INDIANA AND TRANSMITTED COURSES OVER AN AREA…

Andrew Milner, ed., Tenses of Imagination: Raymond Williams on Science Fiction, Utopia and Dystopia.

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Antonis Balasopoulos

2011-03-01

Full Text Available Tenses of Imagination, an anthology of Raymond Williams’s writings on science fiction, utopia and dystopia is the seventh volume in the growing Ralahine Utopian Studies Series. It is also, in my view, something of a treasure. For it not only offers an illuminating compendium of Williams’s most important engagements, critical and creative, with SF, utopia and dystopia, but also furnishes us with a heretofore unavailable account of the long-term significance of these frequently spurned genres a...

To Boldly Go Where No Learner Has Gone Before: Independent Inquiry, Educational Technology, and Society in Science Fiction

Science.gov (United States)

Andrews, Gillian

2015-01-01

Possibilities for a different form of education have provided rich sources of inspiration for science fiction writers. Isaac Asimov, Orson Scott Card, Neal Stephenson, Octavia Butler, and Vernor Vinge, among others, have all projected their own visions of what education could be. These visions sometimes engage with technologies that are currently…

Les origines de la critique de science-fiction : de Kepler à Wells

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Arthur B. Evans

2012-10-01

Full Text Available Des notes de 1634 de Johannes Kepler sur son Songe aux essais d’H. G. Wells au début du xxe siècle, il y a eu de nombreuses explorations critiques de la littérature que nous appelons à présent science-fiction. Les commentaires de ces premiers critiques (souvent oubliés importent principalement parce qu’ils exprimaient nombre des inquiétudes (sinon toutes qui deviendraient plus tard centrales à la critique de la SF du xxe siècle : l’impact de la science et de la technologie sur les valeurs humaines, la logistique du voyage spatial, les frontières fluctuantes entre le réel et l’imaginaire, la description de l’« altérité » radicale, et les futurs possibles de notre monde. Bien plus, elles soulevaient invariablement des questions essentielles concernant les traits définitoires du genre lui-même dans sa forme en constante évolution : ses thèmes de prédilection, ses visées sociales, son didactisme scientifique et moral, son degré de vraisemblance constitutif, et sa place dans le canon littéraire occidental. Enfin, à l’aube du nouveau millénaire, il semble pertinent de regarder notre passé lointain pour redécouvrir ce que ces premiers commentateurs avaient à dire des nombreux ouvrages de science-fiction de leur époque : ceci sert à approfondir notre connaissance de la continuité historique du débat actuel sur la SF et à nous faire prendre conscience de la façon dont les choses ont à la fois beaucoup et peu changé à travers les siècles.

Using Anthropomorphism and Fictional Story Development to Enhance Student Learning

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Kari A. Brossard Stoos

2017-05-01

Full Text Available Understanding mechanisms of human disease can be very challenging for students with a basic background in anatomy and biology, and it can be nearly impossible for students without any prior exposure to these basic sciences.  We have designed an approach for understanding human disease for learners of various science backgrounds.  By using fictional character associations with disease processes, we have anthropomorphized disease components to make the mechanisms accessible to students with little to no science background, while still appealing and exciting to students with significant science backgrounds.  By assisting students in the creation of fictional characters to represent disease processes, we have increased student understanding, engagement, enjoyment, and retention of course content.

Right Diet: a television series to combat obesity among adolescents in Kuwait

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Al-Haifi AR

2012-07-01

Full Text Available Ahmad R Al-Haifi,1 Mohammad A Al-Fayez,1 Bader Al-Nashi,1 Buthaina I Al-Athari,1 Hiba Bawadi,2 Abdulrahman O Musaiger,31Department of Food and Nutrition, College of Health Sciences, Showaikh, Kuwait; 2Department of Nutrition and Food Science, Jordan University of Science and Technology, Irbid, Jordan; 3Nutrition and Health Studies Unit, University of Bahrain and Arab Center for Nutrition, Kingdom of BahrainBackground: Adolescent obesity is a growing public health problem in Kuwait. Reducing obesity can lower the risk of several chronic diseases. Fourteen obese adolescent boys volunteered to participate in a 6-month multidimensional television series on weight loss.Methods: The adolescent boys were recruited through advertisements in schools. The program included counseling sessions, nutritional education, exercise, family support, peer group involvement, and incentives designed to motivate participants.Results: The mean age of the boys was 15.6 ± 0.8 years. On average, subjects lost 10.6 ± 8.9 kg in weight and gained 3.3 ± 1.6 cm in height during the study period. The difference in mean body mass index at baseline and at 6 months following intervention was significant (P < 0.001 at 36.8 ± 4.6 and 32.0 ± 5.4, kg/m2 respectively. Participants ranked counseling as the most important component of the program, followed by family support and type of program.Conclusion: This type of television series could be used as a model for future public health programs to prevent and control obesity among adolescents.Keywords: diet, television, obesity, adolescents

The Use of "Literary Fiction" to Promote Mentalizing Ability.

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Pino, Maria Chiara; Mazza, Monica

2016-01-01

Empathy is a multidimensional process that incorporates both mentalizing and emotional sharing dimensions. Empathic competencies are important for creating interpersonal relationships with other people and developing adequate social behaviour. The lack of these social components also leads to isolation and exclusion in healthy populations. However, few studies have investigated how to improve these social skills. In a recent study, Kidd and Castano (2013) found that reading literary fiction increases mentalizing ability and may change how people think about other people's emotions and mental states. The aim of our study was to evaluate the effects of reading literary fiction, compared to nonfiction and science fiction, on empathic abilities. Compared to previous studies, we used a larger variety of empathy measures and utilized a pre and post-test design. In all, 214 healthy participants were randomly assigned to read a book representative of one of three literary genres (literary fiction, nonfiction, science fiction). Participants were assessed before and after the reading phase using mentalizing and emotional sharing tests, according to Zaki and Ochsner' s (2012) model. Comparisons of sociodemographic, mentalizing, and emotional sharing variables across conditions were conducted using ANOVA. Our results showed that after the reading phase, the literary fiction group showed improvement in mentalizing abilities, but there was no discernible effect on emotional sharing abilities. Our study showed that the reading processes can promote mentalizing abilities. These results may set important goals for future low-cost rehabilitation protocols for several disorders in which the mentalizing deficit is considered central to the disease, such as Autism Spectrum Disorders and Schizophrenia.

Giant Ants and Walking Plants: Using Science Fiction to Teach a Writing-Intensive, Lab-Based Biology Class for Nonmajors

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Firooznia, Fardad

2006-01-01

This writing-intensive, lab-based, nonmajor biology course explores scientific inquiry and biological concepts through specific topics illustrated or inaccurately depicted in works of science fiction. The laboratory emphasizes the scientific method and introduces several techniques used in biological research related to the works we study.…

[The two (and more) cultures of the "clone". Utopia and fiction in post-war discourses of life sciences].

Science.gov (United States)

Brandt, Christina

2009-01-01

Since the late 1950s, "two cultures" has become a catch phrase for describing a deep divide between science and literature. When Charles P. Snow, who initiated this discussion, introduced the notion of "two cultures" in a lecture at the University in Cambridge in 1959, he referred to an incompatibility of scientific and literary worldviews in Western Societies. His thesis of two contradicting cultures immediately received a huge variety of different responses from philosophers, scientists, novelists and literary scholars. However, this article argues that this widespread debate was part of a broader post-war discourse on the impact of modern science on society, in which especially the idea of "scientific progress" was at stake. Central to this debate was the question of how scientific and technological progress could affect the notion of the "human" itself. The paper analyses the emerging discourse on cloning against this background. The constitutive role of fiction and imagination in both fields, science and literature, is explored by tracing the scientific, utopian and literary cultures in which figures of human clones have taken different shapes since the 1960s. At that time, scientists developed utopian views in which the "clone" became a metaphor for future possibilities of transcending and reshaping the human nature. Science fiction writers reacted to this by portraying the human clone as an individual and by depicting human clone figures in a psychological way

The new Horizons of Television Comedy in the 21st Century

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Dr. Joseba Bonaut Iriarte

2009-01-01

Full Text Available AbstractThe situation comedy or sitcom has always been considered one of the most classic television genres. Its narrative structure and the way of production have not changed substantially from its origins in the decade of the 50s. When Seinfield (NBC, 1990-1998, Frasier (NBC, 1993-2004 and Friends (NBC, 1994-2004 ended up in the 90s without an immediate generational shift, many critics augured the death of the sitcom. However, that "crisis" encouraged a new kind of television comedy that has revitalized the genre at present times. The audience solidly, while not massively, supports these comedies and the critics greatly admire them. Therefore these TV series are undoubtedly the springboard that will mark the path of TV comedy in this 21st century.This article points out the main characteristics of these new television comedies. There is an analysis of the first season of Arrested Development (FOX, 2003-2006and Extras (BBC-HBO, 2005-2007. The characteristics include fiction-reality content, cinematic influence, documentary style, eccentric protagonist portrayal and an absurd humor.ResumenLa comedia de situación, o también denominada sitcom, es uno de los formatos de televisión más convencionales ya que su estructura narrativa así como su producción no ha cambiado sustancialmente desde sus orígenes en la década de los 50. Cuando series como Seinfield (NBC, 1990-1998, Frasier (NBC, 1993-2004 y Friends (NBC, 1994-2004 finalizaron sus emisiones sin un relevo generacional inminente, muchos críticos auguraron la muerte de este formato televisivo. Sin embargo, esta crisis propició un nuevo tipo de comedia de situación que ha revitalizado a la sitcom a día de hoy. Con un sólido, aunque no masivo, apoyo popular y una gran admiración por parte de los críticos, series como Arrested Development (FOX, 2003-2006y Extras (BBC-HBO, 2005-2007 son, sin lugar a dudas, el trampolín que marcarán las tendencias de la comedia televisiva en el siglo

Identifying household television practices to reduce children’s television time

NARCIS (Netherlands)

Piotrowski, J.; Jordan, A.B.; Bleakley, A.; Hennessy, M.

2013-01-01

The risks associated with children’s heavy television viewing justify television-reduction efforts. Targeting parents and the household environment provides a promising strategy for limiting television. Research has highlighted household television practices to reduce children’s viewing, but more

The terminator syndrome: Science fiction, cinema and contemporary culture

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J. Sey

1992-05-01

Full Text Available This paper examines the impact of contemporary technology on representations of the human body in American popular culture, focusing on James Cameron’s science fiction films The Terminator (1984 and The Terminator II - Judgment Day (1991 in both of which the key figures are cybernetic organisms (cyborgs or a robot which can exactly imitate the human form . The paper argues that the ability of modern film technology’ to represent the human form in robotic guise undercuts the distinction between nature and culture which maintains the position of the human being in society. The ability of the robot or cyborg to be ‘polygendered’ in particular, undermines the position of a properly oedipalized human body in society, one which balances the instinctual life against the rule of cultural law. As a result the second Terminator film attempts a recuperation of the category of the human by an oedipalization of the terminator cyborg.

Egalitarian Fiction and Collective Fraud.

Science.gov (United States)

Gottfredson, Linda S.

1994-01-01

Social science today condones and perpetuates the egalitarian fiction that racial and ethnic groups never differ in average developed intelligence (general mental ability). Enforcement of this lie and avoidance of real research into these issues is aiding bigots more than the truth would and is degrading intellectual integrity. (SLD)

An Analysis of MSFC Public Affairs Television and Target Audiences with Suggestions for Future Growth and Directions

Science.gov (United States)

Smeyak, Gerald P.

1996-01-01

Because of profound changes in government and the space program, this may be an ideal time to evaluate MSFC's Public Affairs television efforts. The changes are continued downsizing of government programs; reduction in research and development; changes in the space program from periodic manned launches to a full-time presence in space with Space Station; and greater emphasis on science and communicating science information. At the same time that NASA is undergoing change, the media and society are also undergoing substantial upheaval. Twenty-five years ago, the three main over-the-air television networks (ABC, CBS and NBC) had a 93 share of the television audience. We now have four popular over-the-air networks (ABC, CBS, NBC and Fox) who maintain a 52 percent share of the television audience. Technological development, competition, and changing consumer tastes have created specialized media and audiences. This media fragmentation is part of a normal maturation cycle of use or adoption. While phases in the cycle vary in length due to many factors, the cycle has been consistent and reflects patterns of adoption. The cycle is: (1) Elite Media usage, (2) Popular or Mass Media usage, and (3) Specialized Media usage. Another factor that affects the media development and adoption cycle is the creation of new and competing mass and personal mediums. While television remains the dominant and most popular mass medium, it is declining and we see (via cable television) specialized networks catering to small audience segments. Because of changing technology and consumer behavior, we may not see a dominant mass media like television again.

Quando la fiction produce turismo. Due località per il cinema fantasy a confronto / When fiction produces tourism. Two localities for fantasy cinema in comparison

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Antonio Violante

2016-05-01

Full Text Available Dubrovnik, capitale del mondo medioevale fantasy della serie televisiva Game of Thrones, in cui essa è ambientata, è stata sottoposta a una “invasione” turistica non tanto per i suoi pregi in sé, quanto perché le sue strutture fungono da scenario alla fiction, da diventare proprio per questo meritevoli di visita. Si sono organizzati tour alla visita dei luoghi del set, con tanto di merchandising connesso.L’interesse verso gli ksour tunisini utilizzati nelle riprese dei film componenti la saga fantascientifica di Star Wars, ha prodotto un altro caso di turismo cinematografico. Infatti, Star Wars ha inciso profondamente sull’immagine turistica della Tunisia, anche ad anni di distanza dalle riprese colà avvenute.     Il metodo comparativo di indagine su queste località, condotta sulla base della documentazione esistente e di una ricognizione dei luoghi, ha mirato a porre in evidenza le contraddizioni in cui esse sono incorse; infatti, da centri celebri per i loro pregi artistici e architettonici, sono diventate poli di attrazione turistica in quanto  scenari per fiction di successo.   Dubrovnik – the capital of the Medieval fantasy world of the tv show Game of Thrones – has been “invaded” by tourists not just because its own merits, but especially because it is the scenary of the tv fiction and therefore worthy of visiting. There have been tours to set locations and all the connected merchandising. The interest towards the Tunisian ksour used during shooting of the movies within the sci-fi saga Star Wars produced another case of cinema tourism. In fact, Star Wars made a profound impact on Tunisia’s touristic image, despite all the years that have passed since the making of the movie.The comparative method used to analyse these localities, based on existing documentation and first-hand visits aims to highlight the contradictions noticed: in fact, instead of being famous for their artistic and architectural values, they

Ethical Design Fiction

DEFF Research Database (Denmark)

Jensen, Thessa; Vistisen, Peter

2017-01-01

In this paper we examine how ethical challenges can be approached in and through design fiction. To do so, we develop a new framework for analysis as well as creation of design fictions. Our main focus will be on design fiction within a strategical setting, connecting the notion of design fiction...

Identifying family television practices to reduce children's television time

NARCIS (Netherlands)

Piotrowski, J.; Jordan, A.B.; Bleakley, A.; Hennessy, M.

2015-01-01

The family system plays an important role in shaping children’s television use. The American Academy of Pediatrics has recommended that parents limit screen time, given the risks associated with children’s heavy television viewing. Researchers have highlighted family television practices that may be

Starry white trek: Science fiction and racial discourse

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Krstić Predrag

2012-01-01

Full Text Available This article demonstrates that the science fiction’s visions of the future are not exempt from problems of rasism even when openly opposed it. Film and TV Star Trek production is commonly regarded as a significant example of courageous and effective intervention of mass culture on the widespread racial prejudices legitimized by the public policy. Subsequent interpretations, however, in its ‘emancipatory text’ finds smuggled recurrences of the same racial discourse against which it acted, whether it concerns other ‘races’ on Earth or space aliens. A fair interpretation would have to conclude that the white male norm requires effort of its ‘deconstruction’ that would be more extensive then involvement in the program the non-white characters - if we do not want to extend his exclusive and discriminatory rule, in mitigated or disguised form, to the galaxy.

Using a Social Science--Fictional Play to Teach about Global Capitalism and Macro-Structural Systems in Introduction to Sociology

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Pelak, Cynthia Fabrizio; Duncan, Stacey

2017-01-01

This article explores the use of a social science-fictional play to teach macro-structural concepts related to global capitalism and surplus labor in a small and large Introduction to Sociology course. Relying on a cross-disciplinary and critical pedagogical approach that combines theory and practice to empower students to develop a critical…

Traumaculture and Telepathetic Cyber Fiction

Science.gov (United States)

Drinkall, Jacquelene

This paper explores the interactive CD-ROM No Other Symptoms: Time Travelling with Rosalind Brodsky, usingtelepathetic socio-psychological, psychoanalytic and narrative theories. The CD-ROMexists as a contemporary artwork and published interactive hardcover book authored by painter and new-media visual artist Suzanne Treister. The artwork incorporates Treister's paintings, writing, photoshop, animation, video and audio work with narrative structures taken from world history, the history of psychoanalysis, futurist science and science fiction, family history and biography.

Teaching Television Watchers.

Science.gov (United States)

Dunn, Judy Lee

1994-01-01

Presents activities to help teachers address the needs and behaviors of students raised on television; includes resources to help teachers use television productively in the classroom, a send-home reproducible on children and television violence, and notes on an interview with Shari Lewis and television tips for primary students. (SM)

Hidden addiction: Television

Science.gov (United States)

Sussman, Steve; Moran, Meghan B.

2013-01-01

Background and aims: The most popular recreational pastime in the U.S. is television viewing. Some researchers have claimed that television may be addictive. We provide a review of the definition, etiology, prevention and treatment of the apparent phenomenon of television addiction. Methods: Selective review. Results: We provide a description of television (TV) addiction, including its negative consequences, assessment and potential etiology, considering neurobiological, cognitive and social/cultural factors. Next, we provide information on its prevention and treatment. Discussion and conclusions: We suggest that television addiction may function similarly to substance abuse disorders but a great deal more research is needed. PMID:25083294

Television use in the 21st century: An exploration of television and social television use in a multiplatform environment

OpenAIRE

Cha, Jiyoung

2016-01-01

Recognizing the multiplatform and individualized video viewing environment, this study conducted focus groups to delve into reasons behind the choice and use of television over other types of video platforms, and the motives for using social television. The results suggest that the focus group participants feel affection for television as a medium itself — a feeling that is independent of the content available on television. The motives for seeking social television include a sense of communi...

Consumo y percepción juvenil sobre la ficción seriada televisiva: influencia por sexo y edad (Young adult consumption and perception of TV fiction: sex –and age– based influence

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María Isabel Menéndez Menéndez

2017-12-01

Full Text Available Este artículo se centra en la influencia de la ficción seriada televisiva en la construcción de la identidad juvenil. Los objetivos del trabajo son conocer la dieta mediática de la juventud española sobre ficción seriada, así como la percepción que tiene sobre la influencia de dichos formatos en sus vidas. Las principales conclusiones revelan el todavía gran consumo de series de ficción televisiva entre jóvenes en nuestro país, aunque se aprecian diferencias significativas entre los gustos masculinos y femeninos y entre las distintas edades, además de la mayor percepción de influencia entre las chicas en todos los ítems cuestionados. | This paper focuses on the influence of fictional TV series on the identity construction of young adults. The aims of the project are to acquire knowledge about the youth’s habits of consumption of TV series and to learn about their perception of the influence of this type of product on their lives. Our main conclusions reveal that there still exists an important habit of consumption of TV series among the youth in our country, although significant variations can be appreciated in the preferences of male and female informants of different age groups. To this we can add that girls have a stronger perception of the influence of all the items in the questionnaire.

The Radium Terrors. Science Fiction and Radioactivity before the Bomb.

Science.gov (United States)

Candela, Andrea

2015-01-01

At the beginning of the 20th century the collective imagination was fascinated and terrified by the discovery of radium. A scientific imagery sprang up around radioactivity and was disseminated by public lectures and newspaper articles discussing the ambiguous power of this strange substance. It was claimed that radium could be used to treat cholera, typhus and tuberculosis, but at the same time there were warnings that it could be used for military purposes. The media and the scientists themselves employed a rich vocabulary influenced by religion, alchemy and magic. The ambivalent power of radioactive elements exerted a great influence on science fiction novelists. This paper will examine some significant works published in Europe, America and Russia during the first decades of the 20th century and their role in the creation of the complex imagery of radioactivity that seized the public imagination long before the invention of the atomic bomb.

GOSPEL TEXT IN SCIENCE FICTION NOVELETTES BY V. P. KRAPIVIN (THE CYCLE "IN THE HEART OF THE GREAT CRYSTAL"

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Velikanova E. A.

2011-11-01

Full Text Available The article analyses evangelical motives and images in a cycle of science fiction stories In the heart of the Great Crystal by Vladislav Krapivin. The reference to the evangelical text and connection to folklore and literary elements create the modern moral maintenance of books of the writer addressed to the teenage reader.

Comparative study of children’s science fiction narratives in Galician and Portuguese litterature

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Mociño González, I.

2011-11-01

Full Text Available This paper is about some reflections on the comparative study of Galician and Portuguese science fiction narrative addressed to a children and young adult’s audience. It is focused on the main characteristics this output reflects as well as its reception, which is determined by the publishing market, the collections in which those works are integrated and the importance of literary awards for their canonization. The commented period includes the twentieth century and the first decade of the twenty first century, when some of the clues that define the configuration and development of a scarcely studied output from these two compared literary systems are revealed.

Producing "science/fictions" about the rural and urban poor: Community-based learning at a medical college in South India

Science.gov (United States)

Arur, Aditi Ashok

This dissertation is an ethnographic case study of a community-based teaching program (CBTP) in public health at a medical college in South India that explored how the CBTP produced particular ways of seeing and understanding rural and urban poor communities. Drawing from critical, feminist, and postcolonial scholars, I suggest that the knowledge produced in the CBTP can be understood as "science/fictions", that is, as cultural texts shaped by transnational development discourses as well as medical teachers' and students' sociospatial imaginations of the rural and urban poor. I explored how these science/fictions mediated medical students' performative actions and interactions with a rural and an urban poor community in the context of the CBTP. At the same time, I also examined how knowledge produced in students' encounters with these communities disrupted their naturalized understandings about these communities, and how it was taken up to renarrativize science/fictions anew. Data collection and analyses procedures were informed by critical ethnographic and critical discourse analysis approaches. Data sources includes field notes constructed from observations of the CBTP, interviews with medical teachers and students, and curricular texts including the standardized national textbook of public health. The findings of this study illustrate how the CBTP staged the government and technology as central actors in the production of healthy bodies, communities, and environments, and implicitly positioned medical teachers and students as productive citizens of a modern nation while rural and urban poor communities were characterized sometimes as empowered, and at other times as not-yet-modern and in need of reform. However, the community also constituted an alternate pedagogical site of engagement in that students' encounters with community members disrupted students' assumptions about these communities to an extent. Nevertheless, institutionalized practices of assessment

Comparing the Readability of Text Displays on Paper, E-Book Readers, and Small Screen Devices

Science.gov (United States)

Baker, Rebecca Dawn

2010-01-01

Science fiction has long promised the digitalization of books. Characters in films and television routinely check their palm-sized (or smaller) electronic displays for fast-scrolling information. However, this very technology, increasingly prevalent in today's world, has not been embraced universally. While the convenience of pocket-sized…

Without Television

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Keri A. Schwab

2014-03-01

Full Text Available The purpose of this follow-up study was to learn more about the leisure choices, hobbies, and lifestyles of young adults who had grown up without a television. Study participants responded to an online questionnaire that asked about their health, physical activity habits, hobbies, and level of current television viewing. A mixed methods approach to gathering and analyzing data revealed a picture of young adults who live active lives, watch little television, and appear to have a strong sense of personal agency to direct their lives. Themes of agency, including forethought and intentionality, and self-regulation were evident in the qualitative responses, as well as creation and choosing challenging hobbies or activities. This study provided much information for future research to examine the influence of television on youth development, specifically agency, challenge and life-long habits.

Style in Educational Television

Science.gov (United States)

Cain, John

1976-01-01

Characteristics of broadcast educational television for adult audiences are discussed in terms of: style in television, television grammar, and course and resource-type programs. The current British Broadcasting Company (BBC) Adult Literacy Project and the television program "On the Move" are used as examples. (LH)

Characteristics of hybrid broadcast broadband television (HbbTV

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Jakšić Branimir

2017-01-01

Full Text Available This paper describes the working principle of hybrid broadcast-broadband TV (Hybrid Broadcast Broadband TV - HbbTV. The architecture of HbbTV system is given, the principle of its operation, as well as an overview of HbbTV specification standards that are in use, with their basic characteristics. Here are described the services provided by Hybrid TV. It is also provided an overview of the distribution of HbbTV services in Europe in terms of the number of TV channels that HbbTV services offer, the number of active hybrid TV devices, HbbTV standards which are in use and models of broadcast networks used to distribute HbbTV service.

Television Violence and Behavior: The Effects of Television Violence on Children.

Science.gov (United States)

Crump, Charla A.

Television violence and the impact it has on children is a growing concern in the world today. Although research indicates that violence on television triggers aggressive behavior in children, the characteristics of those children also need to be examined. Factors such as age, intellectual level, identification with television personalities, the…

Providing the Larger Climate Context During Extreme Weather - Lessons from Local Television News

Science.gov (United States)

Woods, M.; Cullen, H. M.

2015-12-01

Local television weathercasters, in their role as Station Scientists, are often called upon to educate viewers about the science and impacts of climate change. Climate Central supports these efforts through its Climate Matters program. Launched in 2010 with support from the National Science Foundation, the program has grown into a network that includes more than 245 weathercasters from across the country and provides localized information on climate and ready-to-use, broadcast quality graphics and analyses in both English and Spanish. This presentation will focus on discussing best practices for integrating climate science into the local weather forecast as well as advances in the science of extreme event attribution. The Chief Meteorologist at News10 (Sacramento, CA) will discuss local news coverage of the ongoing California drought, extreme weather and climate literacy.

Sexist Attitudes Among Emerging Adult Women Readers of Fifty Shades Fiction.

Science.gov (United States)

Altenburger, Lauren E; Carotta, Christin L; Bonomi, Amy E; Snyder, Anastasia

2017-02-01

Stereotypical sexist representations of men and women in popular culture reinforce rigid views of masculinity (e.g., males as being strong, in control, masterful, and aggressive) and femininity (e.g., women as being fragile and weak, unassertive, peaceful, irrational, and driven by emotions). The present study examined associations between the fictional series Fifty Shades-one popular culture mechanism that includes pervasive traditional gender role representations-and underlying sexist beliefs among a sample of 715 women ages 18-24 years. Analyses revealed associations between Fifty Shades readership and sexism, as measured through the Ambivalent Sexism Inventory. Namely women who reported reading Fifty Shades had higher levels of ambivalent, benevolent, and hostile sexism. Further, those who interpreted Fifty Shades as "romantic" had higher levels of ambivalent and benevolent sexism. Our findings support prior empirical studies noting associations between interacting with aspects of popular culture, such as television and video games, and individual beliefs and behaviors.

Life without TV? cultivation theory and psychosocial health characteristics of television-free individuals and their television-viewing counterparts.

Science.gov (United States)

Hammermeister, Jon; Brock, Barbara; Winterstein, David; Page, Randy

2005-01-01

Much attention has been paid to the amount of time Americans spend watching television. Cultivation theory has been important in exploring behavioral effects of television viewing for many years. However, psychosocial health has received much less scrutiny in relation to television viewing time. This investigation examined the hypotheses that television-free individuals and viewers adhering to the American Academy of Pediatrics (AAP) recommendations (up to 2 hr of viewing per day) would display a more positive psychosocial health profile when compared with more frequent television viewers. Results confirmed the hypothesis for women, but not for men. Our analysis showed that moderate television viewing, as defined by the AAP, provides a similar relation with psychosocial health as being television-free. Results are discussed in a cultivation theory framework.

Construcción de género y ficción televisiva en España Gender construction and spanish fiction TV

Directory of Open Access Journals (Sweden)

Elena Galán Fajardo

2007-03-01

Full Text Available En los últimos años se ha producido un incremento de los estudios de género, debido a la incorporación de la mujer al mundo académico y a la existencia de una mayor concienciación social. Aún así, los análisis de este tipo, ubicados en el ámbito de la comunicación, siguen siendo poco frecuentes. El objetivo principal de este artículo es estudiar la construcción de género y los estereotipos empleados en la ficción televisiva española a través de dos series de gran éxito, proponiendo un modelo de ficha de análisis que permita reconocer y categorizar estas representaciones. In the last years there has been an increase of gender studies, with the incorporation of women at academic world and as consecuence of a bigger social awareness. Even so, the analyses of this type, specially in communication, are not very usual. The object of this paper is to analyze gender construction and stereotypes in spanish fiction TV through two successful Spanish series, proposing a model of analyses that allows to recognize and to clasificate these representations.

The Role of Narrative Fiction and Semi-Fiction in Organizational Studies

NARCIS (Netherlands)

G.M. Whiteman (Gail); N. Phillips (Nelson)

2006-01-01

textabstractIn this chapter, we discuss the use of narrative fiction and semi-fiction in organizational research and explore the strengths and weaknesses of these alternative approaches. We begin with an introduction reviewing the existing literature and clarifying what we mean by fiction and

A ficção científica e o ensino de ciências: o imaginário como formador do real e do racional Science teaching and science fiction: imaginary in the organization of the real and the rational

Directory of Open Access Journals (Sweden)

Marcilene Cristina Gomes-Maluf

2008-01-01

Full Text Available Este artigo apresenta uma reflexão sobre a inserção da ficção científica no ensino de Ciências, no qual buscamos identificar como a ficção científica incorpora elementos na estrutura conceitual dos educandos partindo do pressuposto de que teria um papel de desencadeadora e/ou organizadora da aprendizagem. O filme "Jurassic Park" foi estudado como constitutivo do conhecimento, transmutando o ficcional no real/racional, possibilitando a organização hierárquica dos conceitos, acrescendo novos elementos na estrutura conceitual dos educandos e atuando, também, na mediação do conhecimento - ora organizando, ora desencadeando.In this paper, we discuss the development of the science fiction approach in Science education. We are concerned to identify conceptual elements incorporated by students when faced with the science fiction approach in their development of scientific concepts. We use the movie "Jurassic Park" in this approach and found that the movie can be effective in the mediation of the fictional to the real.

Dissemination of Continuing Education Materials Via Television Delivery Systems. Final Technical Report and Final Report.

Science.gov (United States)

Munushian, Jack

In 1972, the University of Southern California School of Engineering established a 4-channel interactive instructional television network. It was designed to allow employees of participating industries to take regular university science and engineering courses and special continuing education courses at or near their work locations. Final progress…

Media and the making of scientists

Science.gov (United States)

O'Keeffe, Moira

This dissertation explores how scientists and science students respond to fictional, visual media about science. I consider how scientists think about images of science in relation to their own career paths from childhood onwards. I am especially interested in the possibility that entertainment media can inspire young people to learn about science. Such inspiration is badly needed, as schools are failing to provide it. Science education in the United States is in a state of crisis. Studies repeatedly find low levels of science literacy in the U.S. This bleak situation exists during a boom in the popularity of science-oriented television shows and science fiction movies. How might entertainment media play a role in helping young people engage with science? To grapple with these questions, I interviewed a total of fifty scientists and students interested in science careers, representing a variety of scientific fields and demographic backgrounds, and with varying levels of interest in science fiction. Most respondents described becoming attracted to the sciences at a young age, and many were able to identify specific sources for this interest. The fact that interest in the sciences begins early in life, demonstrates a potentially important role for fictional media in the process of inspiration, perhaps especially for children without access to real-life scientists. One key aspect to the appeal of fiction about science is how scientists are portrayed as characters. Scientists from groups traditionally under-represented in the sciences often sought out fictional characters with whom they could identify, and viewers from all backgrounds preferred well-rounded characters to the extreme stereotypes of mad or dorky scientists. Genre is another aspect of appeal. Some respondents identified a specific role for science fiction: conveying a sense of wonder. Visual media introduce viewers to the beauty of science. Special effects, in particular, allow viewers to explore the

PHILOSOPHICAL-CULTURAL CONCEPTION OF TELEVISION AS A VISUAL PRACTICES OF XX-XXI CENTURY

Directory of Open Access Journals (Sweden)

A. M. Tormakhova

2016-12-01

Full Text Available Purpose of the article is to analyze the philosophical and cultural ideas about television, which is a leading visual practice of XX century. It does not lose its relevance in the beginning of the XXI. The role of television lies in visual presentation and formation of the basic norms of taste and traditions of different social groups. Television is the leading communicative practice, which consideration is represented differently in modern science. Research methodology involves an appeal to the philosophical and cultural concepts, representing different approaches to the understanding of television. The paper considers the views of Western scholars, such as R. Arnheim, M. Wolff, A. Kroker, G. Lipovetsky, M. McLuhan, D. Mulvin, J. Mittell, N. Postman, L. Saffhil, J. Sterne, E. Thompson, J. Fiske, S. Shapiro. During analysis of the issue of the specific nature of television content the works of Russian scientists – T. Savitskaya, N. Samutina and Polish contemporary author – R. Sapenko were used. Originality lies in the depiction of the main approaches to the study of television as a visual communicative practice. Deployment of the author's position within the designated issues is presented as a historical digression – from the first attempts at understanding the phenomenon of television to the newest scientific theories that have found expression in contemporary American philosophical and cultural thought. Results of the study can be used in the training course "Visual communication and practices." Conclusions indicated that the majority of contemporary visual practices based on certain patterns, embedded TV. Despite the emergence of new media practices, TV does not lose relevance, everywhere present in the culture, which means that his research will allow a better understanding of the specificity of cultural creativity process.

LCA of Television

DEFF Research Database (Denmark)

Huulgaard, Rikke Dorothea

2011-01-01

The paper is a report documenting the life cycle assessment of a TV. The report is confidential and only handed to the manufacturer of the television, Philips. The paper was handed to the manufacturer in december 2011.......The paper is a report documenting the life cycle assessment of a TV. The report is confidential and only handed to the manufacturer of the television, Philips. The paper was handed to the manufacturer in december 2011....

Should psychiatrists write fiction?

Science.gov (United States)

Bladon, Henry

2018-04-01

This paper looks at the relationship between fiction and psychiatry. Specifically, the idea of psychiatrists as fiction writers is explored, and reference is made to various fictional texts to illustrate the problems of stigma and negative imagery. These two main areas of focus are highlighted as ones that the practice of writing fiction might address, and some potential pitfalls are discussed. The paper suggests how psychiatrists might ameliorate the present problems by incorporating their unique clinical skills and knowledge into fictional narratives. Declaration of interest None.

The impact of Televised and Non-Televised Instruction on achivement

African Journals Online (AJOL)

User

THE IMPACT OF TELEVISED AND NON-TELEVISED. INSTRUCTION ON ... instruction in motivating students by bringing real- life ... To the researchers' knowledge, the success .... promote their retention. Acknowledging the importance of engaging students in extended .... Instructional Technology ; its nature and use.

LCA of Television

DEFF Research Database (Denmark)

Huulgaard, Rikke Dorothea

2011-01-01

The paper is a report documenting the life cycle assessment of a TV. The report is confidential and only handed to the manufacturer of the television, Bang & Olufsen. The paper was handed to the manufacturer in december 2011.......The paper is a report documenting the life cycle assessment of a TV. The report is confidential and only handed to the manufacturer of the television, Bang & Olufsen. The paper was handed to the manufacturer in december 2011....

Mariner Mars 1971 television picture catalog. Volume 2: Sequence design and picture coverage

Science.gov (United States)

Koskela, P. E.; Helton, M. R.; Seeley, L. N.; Zawacki, S. J.

1972-01-01

A collection of data relating to the Mariner 9 TV picture is presented. The data are arranged to offer speedy identification of what took place during entire science cycles, on individual revolutions, and during individual science links or sequences. Summary tables present the nominal design for each of the major picture-taking cycles, along with the sequences actually taken on each revolution. These tables permit identification at a glance, all TV sequences and the corresponding individual pictures for the first 262 revolutions (primary mission). A list of TV pictures, categorized according to their latitude and longitude, is also provided. Orthographic and/or mercator plots for all pictures, along with pertinent numerical data for their center points are presented. Other tables and plots of interest are also included. This document is based upon data contained in the Supplementary Experiment Data Record (SEDR) files as of 21 August 1972.

When Science caught up with fiction Our Focus team explores the Large Hadron Collider, one of the world's largest scientific experiments

CERN Multimedia

2007-01-01

"You could be forgiven for thinking that what follows is an extract from a science fiction novel. Modern physics now has a a weel-established traditin of befogging the intuition of the tidiest minds, so readers are urged to leave behing their workaday common sense at the end of this paragraph." (6 pages)

From engaged citizen to lone hero: Nobel Prize laureates on British television, 1962-2004.

Science.gov (United States)

Gouyon, Jean-Baptiste

2018-05-01

Between 1962 and 2004, Nobel Prize laureates appear in the British television science programme Horizon in various roles, denoting differing understandings of science in relation to society and culture. These representations are the outcome of an interplay of cultural and institutional factors. They vary with the broadcasting environment. Notably, the article establishes that the choice of presenting scientists as heroic characters in strongly determined storylines from the late-1990s onwards originates in a reaction to institutional imperatives as a means to preserve the existence of the Horizon series. The article shows that exigencies of the institutional context in which media professionals operate are major factors influencing the representation of science in public.

High-Definition Television (HDTV) Images for Earth Observations and Earth Science Applications

Science.gov (United States)

Robinson, Julie A.; Holland, S. Douglas; Runco, Susan K.; Pitts, David E.; Whitehead, Victor S.; Andrefouet, Serge M.

2000-01-01

As part of Detailed Test Objective 700-17A, astronauts acquired Earth observation images from orbit using a high-definition television (HDTV) camcorder, Here we provide a summary of qualitative findings following completion of tests during missions STS (Space Transport System)-93 and STS-99. We compared HDTV imagery stills to images taken using payload bay video cameras, Hasselblad film camera, and electronic still camera. We also evaluated the potential for motion video observations of changes in sunlight and the use of multi-aspect viewing to image aerosols. Spatial resolution and color quality are far superior in HDTV images compared to National Television Systems Committee (NTSC) video images. Thus, HDTV provides the first viable option for video-based remote sensing observations of Earth from orbit. Although under ideal conditions, HDTV images have less spatial resolution than medium-format film cameras, such as the Hasselblad, under some conditions on orbit, the HDTV image acquired compared favorably with the Hasselblad. Of particular note was the quality of color reproduction in the HDTV images HDTV and electronic still camera (ESC) were not compared with matched fields of view, and so spatial resolution could not be compared for the two image types. However, the color reproduction of the HDTV stills was truer than colors in the ESC images. As HDTV becomes the operational video standard for Space Shuttle and Space Station, HDTV has great potential as a source of Earth-observation data. Planning for the conversion from NTSC to HDTV video standards should include planning for Earth data archiving and distribution.

Taking a Look at Television.

Science.gov (United States)

King, William, Comp.

1981-01-01

A collection of quotations drawn from research and opinion papers dealing with the impact of television viewing on children. Subtopics addressed are: television viewing statistics, effects of television violence, and the relationship of television to education. (JJD)

47 CFR 74.789 - Broadcast regulations applicable to digital low power television and television translator stations.

Science.gov (United States)

2010-10-01

... power television and television translator stations. 74.789 Section 74.789 Telecommunication FEDERAL... AND OTHER PROGRAM DISTRIBUTIONAL SERVICES Low Power TV, TV Translator, and TV Booster Stations § 74.789 Broadcast regulations applicable to digital low power television and television translator...

[Television and children: is television responsible for all the evils attributed to it?].

Science.gov (United States)

Caviedes Altable, B E; Quesada Fernández, E; Herranz, J L

2000-02-28

The purpose of this study was to analyze children's television viewing habits and their parents attitudes towards such viewing. Cross-sectional descriptive study. Primary care. A survey was undertaken with 317 three to fourteen year old children and their parents as part of the primary care check-up program for healthy children. Time devoted to television viewing was 106 +/- 50 minutes on weekdays and 141 +/- 80 minutes weekends. Despite this, 49.2% of parents thought their children saw little television, especially those with children under six (57.6%). Children of parents in highly qualified positions and of parents in the uppermost socioeconomic group saw television the least, on non-working days (70 +/- 61 minutes and 144 +/- 78 minutes respectively, p children watched television alone and 34% did so at meal-times. Altogether 48.3% of parents were unaware as to what their children watched and some 61.5% encouraged television viewing, above all those having children of under six (76%). The youngest children preferred to watch cartoons which were generally of a violent nature. For those aged from 11 to 14, 19.5% chose as their favorite programs those having a high level of violence. Television habits are an educational problem for parents, an important shake-up in their attitudes being called for, in which pediatricians should be involved in developing health programs aimed at proper use of the television.

Mimesis, fiction, paradoxes

Directory of Open Access Journals (Sweden)

Françoise Lavocat

2010-04-01

Full Text Available Les théories contemporaines de la fiction, comme les poétiques de la Renaissance, privilégient une conception de la mimesis fondée sur la vraisemblance : la démonstration du profit cognitif et moral de la fiction passe toujours par une définition de l’imitation (de quelque façon qu’on la définisse fondée sur la rationalité. L’auteur de cet article examine tout d’abord le statut des contradictions et de l’impossible chez quelques théoriciens actuels (principalement J.-M. Schaeffer, M.-L. Ryan, L. Doležel et poéticiens du 16e siècle (L. Castelvetro et F. Patrizi. Sont ensuite étudiées la forme et la fonction que prend l’impossible dans trois fictions narratives de la Renaissance. L’hypothèse majeure qui est défendue est que ces paradoxes permettent de penser le non-existant, dans la continuité de la scolastique médiévale et en relation avec une problématique religieuse, sérieuse ou parodique. Par là même, et en raison de leur auto-référentialité constitutive, les paradoxes inscrivent dans la fiction une réflexion sur elle-même qui n’a rien d’une apologie. La pensée de la fiction s’articule en définitive de façon bien différente dans les théories et dans les fictions elles-mêmes.Like Renaissance poetics, contemporary theories of fiction do favour a conception of mimesis based on likelihood. In order to underscore the benefits of fiction, in terms of cognition or ethics, both ancient and present-day authors usually identify imitation (however this is understood as a kind of rationality. The aim of this article is to question the status of contradictions and impossibilities, first in current theories of fiction (J-M Schaeffer, M.-L. Ryan, L. Doležel, then in two sixteenth century comments of Aristotle (by L. Castelvetro and F. Patrizi. In the following steps, forms and functions of the impossible are studied in three narratives of the Renaissance. The main hypothesis here is the following: in

The Paradigmatic Evolution of U.S. Television and the Emergence of Internet-Distributed Television

Directory of Open Access Journals (Sweden)

Amanda D. Lotz

2016-07-01

Full Text Available Television industries around the world have weathered profound change as technologies advanced and services developed to allow internet-distributed television to compete alongside broadcast and cable-distributed television. This article, drawn from the context of the U.S., explores the emergence of internet-distributed television as a mechanism that provides the affordance of nonlinear distribution. It assesses the preliminary organization of internet-distributed television by portals and explores the similarities and differences between portals and networks/channels with an eye toward conceptualizing emerging business practices and strategies.

Visual Information Processing for Television and Telerobotics

Science.gov (United States)

Huck, Friedrich O. (Editor); Park, Stephen K. (Editor)

1989-01-01

This publication is a compilation of the papers presented at the NASA conference on Visual Information Processing for Television and Telerobotics. The conference was held at the Williamsburg Hilton, Williamsburg, Virginia on May 10 to 12, 1989. The conference was sponsored jointly by NASA Offices of Aeronautics and Space Technology (OAST) and Space Science and Applications (OSSA) and the NASA Langley Research Center. The presentations were grouped into three sessions: Image Gathering, Coding, and Advanced Concepts; Systems; and Technologies. The program was organized to provide a forum in which researchers from industry, universities, and government could be brought together to discuss the state of knowledge in image gathering, coding, and processing methods.

Transnational European Television Drama

DEFF Research Database (Denmark)

Bondebjerg, Ib; Redvall, Eva Novrup; Helles, Rasmus

This book deals with the role of television drama in Europe as enabler of transnational, cultural encounters for audiences and the creative community. It demonstrates that the diversity of national cultures is a challenge for European TV drama but also a potential richness and source of creative...... variation. Based on data on the production, distribution and reception of recent TV drama from several European countries, the book presents a new picture of the transnational European television culture. The authors analyse main tendencies in television policy and challenges for national broadcasters...

Transfusion medicine on American television.

Science.gov (United States)

Karp, J K

2014-02-01

Television is a beloved American pastime and a frequent American export. As such, American television shapes how the global public views the world. This study examines how the portrayal of blood transfusion and blood donation on American television may influence how domestic and international audiences perceive the field of transfusion medicine. American television programming of the last quarter-century was reviewed to identify programmes featuring topics related to blood banking/transfusion medicine. The included television episodes were identified through various sources. Twenty-seven television episodes airing between 1991 and 2013 were identified as featuring blood bank/transfusion medicine topics. Although some accurate representations of the field were identified, most television programmes portrayed blood banking/transfusion medicine inaccurately. The way in which blood banking/transfusion medicine is portrayed on American television may assist clinicians in understanding their patient's concerns about blood safety and guide blood collection organisations in improving donor recruitment. © 2013 The Author. Transfusion Medicine © 2013 British Blood Transfusion Society.

The People Next Door: Getting along with the Neighbors in "Yoo-Hoo Mrs. Goldberg" and "District 9"

Science.gov (United States)

Beck, Bernard

2010-01-01

Two different perspectives on the immigrant struggles are found in a documentary about the radio and television program "The Goldbergs" and a science fiction thriller about the treatment of an immigrant alien community. "Yoo-Hoo Mrs. Goldberg" is optimistic and celebrates the achievements of an established ethnic community in America and the woman…

Television area detectors

International Nuclear Information System (INIS)

Arndt, V.W.

1977-01-01

This paper discusses the use of standard television camera tubes as X-ray detectors in X-ray diffraction studies. Standard tubes can be modified to detect X rays by depositing an external X-ray phosphor on the fibre optics face plate either of a highly sensitive television camera tube or of an image intensifier coupled to a camera tube. The author considers various X-ray phosphors and concludes that polycrystalline silver activated ZnS is most suitable for crystallographic applications. In the following sections various types of television camera tubes with adequate light sensitivity for use in an X-ray detection system are described, and also three types of image intensifiers. The digitization of the television output signals and their statistical precision are discussed and the electronic circuitry for the detector system is briefly described. (B.D.)

Fiction and Conviction | Blackburn | Philosophical Papers

African Journals Online (AJOL)

I claim that there is nothing so unusual in the interleaving of myth or fiction and history that Williams finds in Herodotus. I also reflect on the difficulty of separating acceptance of truth from acceptance of myth, metaphor, and model, not only in history but also in science. Philosophical Papers Vol.32(3) 2003: 243-260 ...

Selecting Television Programs for Language Learning: Investigating Television Programs from the Same Genre

Science.gov (United States)

Webb, Stuart

2011-01-01

The scripts of 288 television episodes were analysed to determine the extent to which vocabulary reoccurs in television programs from the same subgenres and unrelated television programs from different genres. Episodes from two programs from each of the following three subgenres of the American drama genre: medical, spy/action, and criminal…

Television tulevaisuus tubettajien aikana : miten YouTuben suosio vaikuttaa television tulevaisuuteen?

OpenAIRE

Mikkola, Ina

2015-01-01

Tässä opinnäytteessä selvitetään, millainen television murros on parhaillaan käynnissä. Keskeisimpänä kysymyksenä on kuitenkin television tulevaisuus. Jos nuoria katsojia kiinnostaa videopalvelu YouTube enemmän perinteisen televison sijaan, niin miten tämä tulee vaikuttamaan television tulevaisuuteen? Entä miksi nuoret ylipäätään katsovat YouTubea? YouTuben katselu sekä sisällön tuottajien eli tubettajien fanittaminen nuorten keskuudessa ovat kasvava ilmiö. Samaan aikaan perinteisen telev...

Escalation of the Space Domain

Science.gov (United States)

2015-04-01

vision of Arnold and other Air Force pioneers. Manned flight becomes the domain of NASA , and the United States shelves the idea of an aircraft-like...are similar in nature and application to those seen in science fiction moves or on television (i.e., Star Trek ) that can provide direct kinetic...Space, Infobase Publishing, New York: NY, 2011, pg. 12. 45 Ibid., pg. 12. 46 “Whom Gods Destroy.” Star Trek (original television series), Season 3

Television and children's executive function.

Science.gov (United States)

Lillard, Angeline S; Li, Hui; Boguszewski, Katie

2015-01-01

Children spend a lot of time watching television on its many platforms: directly, online, and via videos and DVDs. Many researchers are concerned that some types of television content appear to negatively influence children's executive function. Because (1) executive function predicts key developmental outcomes, (2) executive function appears to be influenced by some television content, and (3) American children watch large quantities of television (including the content of concern), the issues discussed here comprise a crucial public health issue. Further research is needed to reveal exactly what television content is implicated, what underlies television's effect on executive function, how long the effect lasts, and who is affected. © 2015 Elsevier Inc. All rights reserved.

[Children, television and violence].

Science.gov (United States)

Zann, M

2000-03-01

The relationships between children and television are a source of heated debate. Several studies, mainly conducted in North America, have found a correlation between television violence viewing and aggressive behavior, preadolescents appearing as the most vulnerable. However, in France opinions are more nuanced and one generally considers that television-induced violence in children mainly depends upon individual and educative socio-familial factors.

Learning geosciences from science fictions movies: A quantitative analysis of Pando-magnetism in Avatar.

Science.gov (United States)

Martin-Hernandez, F.; Negredo, A. M.; Salguero, J. M.

2015-12-01

Many storylines presenting a geoscientific background are portrayed in science fiction movies. However, this background is often discussed only in qualitative terms in outreach books and forums. Here we report a mentoring experience of an end of degree project carried out in the fourth year of the degree in Physics in the Complutense University of Madrid (Spain). The supervisors intended to take advantage of the students' passion for science fiction movies to foster learning by assessing a robust, quantitative and critical analysis of the main geoscientific phenomena appearing in Avatar movie by James Cameron (2009). The student was supposed to consult abundant scientific literature. Much interest was paid to analyze the conditions for the levitation of Hallelujah floating mountains in Pandora, the imaginary satellite where the movie action takes place. Pandora was assumed to be an Earth-like astronomical object where the same physical laws as in the Earth could be applied. Hallelujah Mountains are made of unobtanium, an electrical superconductor at room-temperature and therefore diamagnetic material and they are assumed to be located over a magnetic field pole. The numerical values of the magnetic susceptibility and the required field to make the material levitate at the Pandora's gravity conditions were estimated. For this purpose, the magnetic susceptibility of the superconductor with the highest critical temperature existing today on Earth, the cuprate YBa2Cu3O7 was estimated. Results were compared with the magnetic susceptibility of two diamagnetic and abundant materials in the Earth's crust, namely quartz and calcite, and with the water susceptibility. The magnetic field required to levitate cuprates was almost 9 T, about six orders of magnitude higher than the Earth's magnetic field. On the basis of the quantitative analysis of magnetic and gravity field in Pandora, the student provided a list of suggestions to improve the scientific basis for futures

Television picture signal processing

NARCIS (Netherlands)

1998-01-01

Field or frame memories are often used in television receivers for video signal processing functions, such as noise reduction and/or flicker reduction. Television receivers also have graphic features such as teletext, menu-driven control systems, multilingual subtitling, an electronic TV-Guide, etc.

Additive Manufacturing: Preparing for the Reality of Science Fiction

Science.gov (United States)

2015-09-01

used television cameras for targeting purposes. Following a manually piloted liftoff, the pilots would bail out to safety and control would be given to...R&D) efforts. In a letter to the Federal Aviation Administration (FAA) Administrator, Vice President for Global Public Policy at Amazon, Paul...technology to deliver packages to a customer’s door within 30 minutes of placing an order.99 Misener’s letter also highlights that Amazon’s own R&D

ObesiTV: how television is influencing the obesity epidemic.

Science.gov (United States)

Boulos, Rebecca; Vikre, Emily Kuross; Oppenheimer, Sophie; Chang, Hannah; Kanarek, Robin B

2012-08-20

Obesity is a major public health concern in the United States. Over the last several decades, the prevalence of obesity among both adults and children has grown at an alarming rate and is now reaching epidemic proportions. The increase in obesity has been associated with rises in a host of other chronic conditions including cardiovascular disease, type 2 diabetes, and some cancers. While the causes of obesity are multifaceted, there is growing evidence that television viewing is a major contributor. Results of numerous studies indicate a direct association between time spent watching television and body weight. Possible explanations for this relationship include: 1) watching television acts as a sedentary replacement for physical activity; 2) food advertisements for nutrient-poor, high-calorie foods stimulate food intake; and 3) television viewing is associated with "mindless" eating. In addition to decreasing physical activity and increasing the consumption of highly palatable foods, television viewing can also promote weight gain in indirect ways, such as through the use of targeted product placements in television shows; by influencing social perceptions of body image; and airing programs that portray cooking, eating and losing weight as entertainment. This paper will provide an interdisciplinary review of the direct and indirect ways in which television influences the obesity epidemic, and conclude with ways in which the negative impact of television on obesity could be reduced. Copyright © 2012 Elsevier Inc. All rights reserved.

Pedagogical Techniques Employed by the Television Show "MythBusters"

Science.gov (United States)

Zavrel, Erik

2016-11-01

"MythBusters," the long-running though recently discontinued Discovery Channel science entertainment television program, has proven itself to be far more than just a highly rated show. While its focus is on entertainment, the show employs an array of pedagogical techniques to communicate scientific concepts to its audience. These techniques include: achieving active learning, avoiding jargon, employing repetition to ensure comprehension, using captivating demonstrations, cultivating an enthusiastic disposition, and increasing intrinsic motivation to learn. In this content analysis, episodes from the show's 10-year history were examined for these techniques. "MythBusters" represents an untapped source of pedagogical techniques, which science educators may consider availing themselves of in their tireless effort to better reach their students. Physics educators in particular may look to "MythBusters" for inspiration and guidance in how to incorporate these techniques into their own teaching and help their students in the learning process.

Jordan Krall's speculative fiction

DEFF Research Database (Denmark)

Doubinsky, Sebastien

2017-01-01

Jordan Krall is one of the most interesting writers in American speculative fiction. This article studies the way Krall redefines the tropes and frames of classical dystopian fiction and references, turning them into an idiosyncratic construction.......Jordan Krall is one of the most interesting writers in American speculative fiction. This article studies the way Krall redefines the tropes and frames of classical dystopian fiction and references, turning them into an idiosyncratic construction....

Multitasking With Television Among Adolescents.

Science.gov (United States)

Christensen, Claire G; Bickham, David; Ross, Craig S; Rich, Michael

Using Ecological Momentary Assessment, we explored predictors of adolescents' television (TV) multitasking behaviors. We investigated whether demographic characteristics (age, gender, race/ethnicity, and maternal education) predict adolescents' likelihood of multitasking with TV. We also explored whether characteristics of the TV-multitasking moment (affect, TV genre, attention to people, and media multitasking) predict adolescents' likelihood of paying primary versus secondary attention to TV. Demographic characteristics do not predict TV multitasking. In TV-multitasking moments, primary attention to TV was more likely if adolescents experienced negative affect, watched a drama, or attended to people; it was less likely if they used computers or video games.

47 CFR 73.3572 - Processing of TV broadcast, Class A TV broadcast, low power TV, TV translators, and TV booster...

Science.gov (United States)

2010-10-01

... 47 Telecommunication 4 2010-10-01 2010-10-01 false Processing of TV broadcast, Class A TV broadcast, low power TV, TV translators, and TV booster applications. 73.3572 Section 73.3572... Rules Applicable to All Broadcast Stations § 73.3572 Processing of TV broadcast, Class A TV broadcast...

Representing climate change on public service television: A case study.

Science.gov (United States)

Debrett, Mary

2017-05-01

Publicly funded broadcasters with a track record in science programming would appear ideally placed to represent climate change to the lay public. Free from the constraints of vested interests and the economic imperative, public service providers are better equipped to represent the scientific, social and economic aspects of climate change than commercial media, where ownership conglomeration, corporate lobbyists and online competition have driven increasingly tabloid coverage with an emphasis on controversy. This prime-time snapshot of the Australian Broadcasting Corporation's main television channel explores how the structural/rhetorical conventions of three established public service genres - a science programme, a documentary and a live public affairs talk show - impact on the representation of anthropogenic climate change. The study findings note implications for public trust, and discuss possibilities for innovation in the interests of better public understanding of climate change.

Towards a structure of feeling: abjection and allegories of disease in science fiction 'mutation' films.

Science.gov (United States)

Pheasant-Kelly, Frances

2016-12-01

This article considers differences between the representation of mutation in science fiction films from the 1950s and the present, and identifies distinctive changes over this time period, both in relation to the narrative causes of genetic disruption and in the aesthetics of its visual display. Discerning an increasingly abject quality to science fiction mutations from the 1970s onwards-as a progressive tendency to view the physically opened body, one that has a seemingly fluid interior-exterior reversal, or one that is almost beyond recognition as humanoid-the article connects a propensity for disgust to the corresponding socio-cultural and political zeitgeist. Specifically, it suggests that such imagery is tied to a more expansive 'structure of feeling', proposed by Raymond Williams and emergent since the 1970s, but gathering momentum in later decades, that reflects an 'opening up' of society in all its visual, socio-cultural and political configurations. Expressly, it parallels a change from a repressive, patriarchal society that constructed medicine as infallible and male doctors as omnipotent to one that is generally more liberated, transparent and equitable. Engaging theoretically with the concept of a 'structure of feeling', and critically with scientific, cinematic and cultural discourses, two post-1970s' 'mutation' films, The Fly (1986) and District 9 (2009), are considered in relation to their pre-1970s' predecessors, and their aesthetics related to the perceptions and articulations of the medical profession at their respective historic moments, locating such instances within a broader medico-political canvas. Published by the BMJ Publishing Group Limited. For permission to use (where not already granted under a licence) please go to http://www.bmj.com/company/products-services/rights-and-licensing/.

[The image of animal magnetism in fictional literature: the cases of Poe, Doyle and Du Maurier].

Science.gov (United States)

Bonet Safont, Juan Marcos

2014-01-01

In this article, we focus on the social image of the phenomenon known as mesmerism, or animal magnetism, through analysis of the works: The Facts in the Case of M. Valdemar (1845) by Edgar Allan Poe, The Great Keinplatz Experiment (1885) by Conan Doyle and Trilby (1894) by George Du Maurier. We describe the stereotype of the mesmerist and the uses of mesmerism observed. We pay attention to the spaces and actors of the mesmeric transcript presented in the stories. We consider the reception of these stories by the public and the relationship of the authors with mesmeric and hypnotic knowledge. Nowadays, academic researchers in the discipline of psychology publish articles and books on popular myths about hypnosis in attempts to depict the distorted images related to this phenomenon. This distorted image of the hypnotic process and the hypnotist derives from "circus" hypnotism shows (stage hypnosis), the cinema, television and fictional literature. Works of fiction represent a unique and invaluable source of information, ideas, speculations, concerns and opportunities around animal magnetism and hypnosis, and the exploration and analysis of this literature is an essential chapter in any historical study of this topic. We see how the literary use of mesmerism by Poe, Doyle and Du Maurier is not chance or peripheral, with all three being intellectually interested in and stimulated by these ideas.

Weather uncertainty versus climate change uncertainty in a short television weather broadcast

Science.gov (United States)

Witte, J.; Ward, B.; Maibach, E.

2011-12-01

For TV meteorologists talking about uncertainty in a two-minute forecast can be a real challenge. It can quickly open the way to viewer confusion. TV meteorologists understand the uncertainties of short term weather models and have different methods to convey the degrees of confidence to the viewing public. Visual examples are seen in the 7-day forecasts and the hurricane track forecasts. But does the public really understand a 60 percent chance of rain or the hurricane cone? Communication of climate model uncertainty is even more daunting. The viewing public can quickly switch to denial of solid science. A short review of the latest national survey of TV meteorologists by George Mason University and lessons learned from a series of climate change workshops with TV broadcasters provide valuable insights into effectively using visualizations and invoking multimedia-learning theories in weather forecasts to improve public understanding of climate change.

The diffusion of television in India.

Science.gov (United States)

Singhal, A; Doshi, J K; Rogers, E M; Rahman, S A

1988-01-01

Between 1980 and 1987, the number of television sets increased by 10 times in India. Television now reaches an audience of about 800 million, 10% of the population. 3 main reasons account for the rapid diffusion of television in India: the role of communication satellites in expanding access to television signals, the introduction and popularity of soap operas, and the increasing revenues to the national television system (Doordarshan) from commercial advertising. Hum Log, the 1st soap opera on the national network, was patterned after pro-development soap operas in Mexico and addresses social issues such as family communication, women's status, small family size, national integration, dowry, and alcoholism. The main lesson from the Hum Log experience was that indigenous soap operas can attract large audiences and substantial profits. A 1987 household survey indicated that television ownership is more common in urban areas (88% of households) than rural areas (52%) and among households with incomes above RS 1500 (75% of television owners). The commercialization of Indian television has precipitated a policy debate about television's role. Supporters of further expansion of television services cite popular will, the potential to use this medium for educational development, high advertising incomes, the ability of satellite television to penetrate rural areas, and high government expenditures for television broadcasting. On the other hand, detractors of the commercialization policy argue that television promotes consumerism, widens the gap between the urban elite and the rural poor, disregards regional sociocultural norms, and diverts funding from development programs in areas such as health and education.

Factors in Dubbing Television Comedy.

Science.gov (United States)

Zabalbeascoa, Patrick

1994-01-01

Advocates a greater awareness of the factors involved with dubbing television comedies. Considers the translation of jokes and provides an outline of the various kinds of jokes in television shows. Calls for more research on comedy dubbing and television translation in general. (HB)

Television in the Schools: Instructional Television and Educational Media Resources at the National Public Broadcasting Archives

Science.gov (United States)

King, Karen

2008-01-01

In 1964, in "A Guide to Instructional Television," editor Robert M. Diamond defined "educational television" as a "broad term usually applied to cultural and community broadcasting which may include some programs for in-school use" (p. 278). His definition for instructional television was "television used within the formal classroom context on any…

Fiction and Organization Studies

NARCIS (Netherlands)

Savage, P. (Paul); J.P. Cornelissen (Joep); Franck, H. (Henrika)

2017-01-01

textabstractThe topic of fiction is in itself not new to the domain of organization studies. However, prior research has often separated fiction from the reality of organizations and used fiction metaphorically or as a figurative source to describe and interpret organizations. In this article, we go

Research on Translation Strategy of English Subtitle Television Drama for College Students based on Cultural Differences

Directory of Open Access Journals (Sweden)

Zhou Gang

2016-01-01

Full Text Available Abstract. Translation strategy is closely-tied with the translation of ESTD (English Subtitle Television Drama. The research of translation strategy is to serve translations of ESTD in earlier days. The 21 S century is the information times. The development of science and technology is quick. Quantities of ESTD grow explosively. Translations of English Subtitle Television Dramas play a significant role in the progress of Chinese science and technology. Although the quality of traditional manual translations is very good, the speed of translation is too slow. Traditional manual translations can not meet the need of translations of ESTD day by day. It is a new topic to face the new stern challenge and follow the development's steps of the times for technical translators. The paper will discuss the transformation of translation idea, and suggest carrying on translation strategy, web page translation and software translation. Finally, the author states her views on the implementation of computer assistant translation, the managements of translation projects and information-shared platform.

Multicolor-FICTION

Science.gov (United States)

Martín-Subero, José Ignacio; Chudoba, Ilse; Harder, Lana; Gesk, Stefan; Grote, Werner; Novo, Francisco Javier; Calasanz, María José; Siebert, Reiner

2002-01-01

Phenotypic and genotypic analyses of cells are increasingly essential for understanding pathogenetic mechanisms as well as for diagnosing and classifying malignancies and other diseases. We report a novel multicolor approach based on the FICTION (fluorescence immunophenotyping and interphase cytogenetics as a tool for the investigation of neoplasms) technique, which enables the simultaneous detection of morphological, immunophenotypic, and genetic characteristics of single cells. As prerequisite, multicolor interphase fluorescence in situ hybridization assays for B-cell non-Hodgkin’s lymphoma and anaplastic large-cell lymphoma have been developed. These assays allow the simultaneous detection of the most frequent primary chromosomal aberrations in these neoplasms, such as t(8;14), t(11;14), t(14;18), and t(3;14), and the various rearrangements of the ALK gene, respectively. To establish the multicolor FICTION technique, these assays were combined with the immunophenotypic detection of lineage- or tumor-specific antigens, namely CD20 and ALK, respectively. For evaluation of multicolor FICTION experiments, image acquisition was performed by automatic sequential capturing of multiple focal planes. Thus, three-dimensional information was obtained. The multicolor FICTION assays were applied to well-characterized lymphoma samples, proving the performance, validity, and diagnostic power of the technique. Future multicolor FICTION applications include the detection of preneoplastic lesions, early stage and minimal residual diseases, or micrometastases. PMID:12163366

Television the Surrogate Parent: Uses and Correlates of Television as Babysitter.

Science.gov (United States)

Gantz, Walter

A study was conducted to determine (1) how often television was used as a surrogate parent, (2) the reasons leading to its use as such, and (3) the correlates of using television as a babysitter. Telephone interviews were conducted with 226 mothers who had children between the ages of 2 and 12. The respondents answered questions that addressed…

Digital TV: structures of feeling in the television of becoming

Directory of Open Access Journals (Sweden)

Carlos Eduardo Marquioni

2013-06-01

Full Text Available The objective of this text is to present some reflections on theinsertion of a new model of television in Brazil (interactive digital TV,adopting the concept of culture as the center to think of the television system.The notion for structure of feeling, by Raymond Williams, opens up atype of new window that helps to understand this new television whichis being implanted.

The logic of crime fiction genre in modern person’s consciousness

Directory of Open Access Journals (Sweden)

G. O. Krapivnyk

2014-08-01

Full Text Available The author provides philosophical anthropological analysis of the logic of the crime fiction genre in the modern person’s consciousness. It was shown that detective texts convey hyper-orderliness, which compensates for the lack of systematization in real life, directly influences the recipient, setting the limits of personal freedom, and indirectly structures social order. The research assumes that classical crime fiction is related to the positivist philosophy, rationalism and scientific thinking, whereas the formula of the late Modern crime fiction stories is gradually getting more sophisticated, which reflects the evolution of the philosophical thinking on the whole. The special feature of the crime fiction genre logic is in the fact that available in crime fiction texts typical formal logical elements of a hypothesis, versions, evidence and contradiction are combined by the addressers with creative inspiration, intuition, true life, which are not the characteristics of pure science. The logic in the texts of the crime fiction genre helps a modern person to virtually build a system of universal philosophical and cultural values, applied by the society as its basis for social norms, rules and laws of any modern state. In addition, the specific logic of investigation encourages person’s everyday activities, since cultural reading enables a person not only to perceive but also to transfer and use the laws of logic, inherent in the crime fiction genre, in their professional activities, including research work.

49 CFR 393.88 - Television receivers.

Science.gov (United States)

2010-10-01

... 49 Transportation 5 2010-10-01 2010-10-01 false Television receivers. 393.88 Section 393.88... NECESSARY FOR SAFE OPERATION Miscellaneous Parts and Accessories § 393.88 Television receivers. Any motor vehicle equipped with a television viewer, screen or other means of visually receiving a television...

1979 Nielsen Report on Television.

Science.gov (United States)

Nielsen (A.C.) Co., Chicago, IL.

The Nielsen data on commercial television viewing and programming contained in this report are estimates of the audiences and other characteristics of television usage as derived from Nielsen Television Index and Nielsen Station Index measurements. Data and brief discussions are provided on the number of commercial and public stations; number of…

Television's Child; The Impact of Television on Today's Children; What Parents Can Do About It.

Science.gov (United States)

Morris, Norman S.

Based on an extensive series of interviews with clinical psychiatrists and psychologists, educators, television executives, producers, performers, advertisers, parents, and children themselves, this book explores the effect of television on a child's values. It delves into the question of a relationship between violence on television and violent…

Children's Impressions of Television Families.

Science.gov (United States)

Wartella, Ellen

This research study examines the types of social behaviors portrayed by families in various television series and explores children's impressions of the TV family members. Content analysis of nine family-oriented TV series was employed to describe the ranges of behaviors of fathers, mothers and children on television. Eleven shows from each series…

A GUIDE TO INSTRUCTIONAL TELEVISION.

Science.gov (United States)

DIAMOND, ROBERT M., ED.

THIS IS A GUIDE DESIGNED AS A SINGLE REFERENCE FOR ADMINISTRATORS, TEACHERS, STUDENTS, AND LAYMEN INTERESTED IN TELEVISION FOR A SPECIFIC SCHOOL OR SCHOOL SYSTEM. FOUR EXAMPLES OF SINGLE-ROOM TELEVISION ARE GIVEN AND SUCCESSFUL APPLICATIONS OF STUDIO TELEVISION ARE PRESENTED. ITS USE IN GUIDANCE AND IN ADMINISTRATION IS EXPLAINED. THE PROBLEMS…

Parents, television and cultural change

OpenAIRE

Hauk, Esther; Immordino, Giovanni; Universitat Autònoma de Barcelona. Unitat de Fonaments de l'Anàlisi Econòmica; Institut d'Anàlisi Econòmica

2011-01-01

This paper develops a model of cultural transmission where television plays a central role for socialization. Parents split their free time between educating their children which is costly and watching TV which though entertaining might socialize the children to the wrong trait. The free to air television industry maximizes advertisement revenue. We show that TV watching is increasing in cultural coverage, cost of education, TV's entertainment value and decreasing in the perceived cultural di...

47 CFR 76.51 - Major television markets.

Science.gov (United States)

2010-10-01

... 47 Telecommunication 4 2010-10-01 2010-10-01 false Major television markets. 76.51 Section 76.51... CABLE TELEVISION SERVICE Carriage of Television Broadcast Signals § 76.51 Major television markets. For purposes of the cable television rules, the following is a list of the major television markets and their...

National Television Violence Study. Volume 1.

Science.gov (United States)

Seawell, Margaret, Ed.

The National Television Violence Study (NTVS) was a 3-year effort to assess the effects of violence on television, of particular interest to education professionals is the effects of television violence on children. Funded by the National Cable Television Association, the project began in June 1994 and involved the participation of media scholars…

National Television Violence Study. Volume 2.

Science.gov (United States)

Seawell, Margaret, Ed.

The National Television Violence Study (NTVS) was a 3-year effort to assess the effects of violence on television, of particular interest to education professionals is the effects of television violence on children. Funded by the National Cable Television Association, the project began in June 1994 and involved the participation of media scholars…

National Television Violence Study. Volume 3.

Science.gov (United States)

Seawell, Margaret, Ed.

The National Television Violence Study (NTVS) was a 3-year effort to assess the effects of violence on television, of particular interest to education professionals is the effects of television violence on children. Funded by the National Cable Television Association, the project began in June 1994 and involved the participation of media scholars…

Extraordinary renditions: reflections upon the war on terror in British and American screen science fiction

Directory of Open Access Journals (Sweden)

Alec Charles

2010-11-01

Full Text Available Como la Guerra Fría influenció cuarenta años de ciencia ficción televisiva, así la sombra del 11/S formaliza la ciencia ficción popular en los primeros años del siglo XXI. La destrucción de Nueva York ha ocurrido en muchas películas como El día después de mañana, Cloverfield, La Guerra de los Mundos y La Leyenda. Como La Invasión, la última trilogía que reinventa la fábula de la Guerra Fría –La invasión de los ladrones de cuerpos, la Guerra de los Mundos y El hombre Omega- para la era neoconservadora, como 28 días después, 28 semanas después, Jericho y el remade Superviventes con un resurgimiento en un escenario post-apocalíptico que adolece de la serie Day of the Triffids. Como Star Trek: Enterprise vuelve su tradicional liberalismo como un ejercicio de patriotera paranoia, Batalla estelar (otro restaurada reliquia de la Guerra Fría ha presentado una visión más ambigua y problemática de la batalla de la democracia con el fundamentalismo. El re-hecho Doctor Who y Héroes han avanzado similares argumentos de nuevo en el totalizado seudo-utopismo de los cruzados o de los jihadistas a favor del stablishment de un consenso plural.Palabras clave: 11/S, ciencia ficción televisiva, Doctor Who, escenario post-apocalíptico, paranoia patriotera ___________________________ABSTRACT:As the Cold War influenced forty years of screen science fiction, so the shadow of 9/11 informs popular science fiction in the early twenty-first century. The destruction of New York has recurred in such films as The Day After Tomorrow, Cloverfield, War of the Worlds and I Am Legend. Like The Invasion, the latter pair reinvent Cold War fables – Invasion of the Body Snatchers, War of the Worlds and The Omega Man – for the neoconservative age, while 28 Days Later, 28 Weeks Later, Jericho and the remade Survivors witness a resurgence in post-apocalyptic concerns redolent of Day of the Triffids. While Star Trek: Enterprise turned its franchise�

Associations between children's diet quality and watching television during meal or snack consumption: A systematic review.

Science.gov (United States)

Avery, Amanda; Anderson, Catherine; McCullough, Fiona

2017-10-01

Studies have identified an association between watching television (TV) and childhood obesity. This review adds context to existing research by examining the associations between TV viewing, whilst eating, and children's diet quality. Web of Science and PubMed databases were searched from January 2000 to June 2014. Cross-sectional trials of case control or cohort studies, which included baseline data, measuring the associations between eating whilst watching TV and children's food and drink intake. Quality of selected papers was assessed. Thirteen studies, representing 61,674 children aged 1-18 yrs, met inclusion criteria. Of six studies reporting overall food habits, all found a positive association between TV viewing and consumption of pizza, fried foods, sweets, and snacks. Of eight studies looking at fruit and vegetable consumption, seven identified a negative association with eating whilst watching TV (p consumption of sugar-sweetened beverages and high-fat, high-sugar foods and fewer fruits and vegetables. Although these differences in consumption are small, the cumulative effect may contribute to the positive association between eating whilst watching TV and childhood obesity. © 2017 John Wiley & Sons Ltd.

Multitasking With Television Among Adolescents

OpenAIRE

Christensen, Claire G.; Bickham, David; Ross, Craig S.; Rich, Michael

2015-01-01

Using Ecological Momentary Assessment, we explored predictors of adolescents’ television (TV) multitasking behaviors. We investigated whether demographic characteristics (age, gender, race/ethnicity, and maternal education) predict adolescents’ likelihood of multitasking with TV. We also explored whether characteristics of the TV-multitasking moment (affect, TV genre, attention to people, and media multitasking) predict adolescents’ likelihood of paying primary versus secondary attention to T...

Locations in Television Drama Series

DEFF Research Database (Denmark)

Waade, Anne Marit

2017-01-01

This special issue is dedicated to the analysis of the increasingly significant role of location as a key element in television drama. In recent years, the popularity of serial television has progressively been tied to the expanded use of location as a central element in productions, both as sett...... mainly been considered as a practical term in film and television productions....

'I believe they felt attacked': discursive representation and construction of interculturality in Spanish news television

OpenAIRE

Pineda, Antonio; García-Jiménez, Leonarda; Rodrigo Alsina, Miquel, 1955-

2016-01-01

This article discusses the representation of interculturality in the media. Interculturality, the interaction between two different cultures, has taken on greater importance in the social and human sciences. However, in the field of media communications the representation of interculturality has not received much attention. Thus, we are interested in analysing the media representation of interculturality in Spanish television news. We analyse the discursive construction of interculturality in...

Television viewing and snacking.

Science.gov (United States)

Gore, Stacy A; Foster, Jill A; DiLillo, Vicki G; Kirk, Kathy; Smith West, Delia

2003-11-01

With the rise in obesity in America, the search for potential causes for this epidemic has begun to include a focus on environmental factors. Television (TV) viewing is one such factor, partially due to its potential as a stimulus for eating. The current study investigated the relationship between food intake and self-reported TV viewing in an effort to identify the impact of TV viewing on specific eating behaviors. Seventy-four overweight women seeking obesity treatment completed questionnaires assessing dietary habits and TV viewing behaviors. Results suggest that snacking, but not necessarily eating meals, while watching TV is associated with increased overall caloric intake and calories from fat. Therefore, interventions targeting stimulus control techniques to reduce snacking behavior may have an impact on overall caloric intake.

Television and Nostalgia. The Wonder Years and Cuéntame cómo pasó/ Televisión y nostalgia. The Wonder Years y Cuéntame cómo pasó

Directory of Open Access Journals (Sweden)

Dra. Amparo Guerra Gómez; aguerrag@ccinf.ucm.es, amparoguerragomez@yahoo.es

2009-01-01

Full Text Available From the start historical fiction had been functioning as a worldwide resource for television programming and contents. Concerning to dynamics and diachronic ways of development a couple of trends can be observed in re-constructions of the past of this sort. On a hand, visual resources tend to be represented by characters and scenes in the form of a diverse but affluent model that prevails in universal television products. On the other, formats show a clear confluence in terms of specific social and cultural treatment, local or national. This paper explores two representative examples of historical family television series: the American The Wonder Years (1988-1993, and the more recent Spanish one Cuéntame como pasó (2001…-. In the pages that follow contents and profiles of each fiction will be analyzed from a theoretical point of view and a methodology that remarks proper issues and topics in order to establish historical events in which narrative is supported. Both sharing nostalgia and empathy as key forms of identification in television evocative stories and ways of approaching to different audiences, each one refered to distant geographical and social contexts. La ficción histórica constituye un recurso característico en la programación televisiva internacional. En su desarrollo diacrónico pueden resaltarse dos dinámicas confluyentes: la derivada de la internacionalización de propuestas y formatos, y la referida a su adecuación a coordenadas socioculturales, mucho más específicas, de carácter nacional o local.Estos programas se han ambientado en escenarios históricos diversos. En lo que respecta a su emplazamiento en períodos relativamente próximos, con frecuencia han apelado a claves de reconocimiento nostálgico, implicadas con la memoria personal de un grueso de espectadores.Este trabajo se aproxima a dos ejemplos bien definidos de ficción histórica televisiva: la serie estadounidense The Wonder Years (1988-1993, y la

Meanings of television in older adults’ lives: an analysis of change and continuity in television viewing

NARCIS (Netherlands)

van der Goot, M.; Beentjes, J.W.J.; van Selm, M.

2012-01-01

Television viewing is an important leisure activity for older adults. The aim of the current study is to provide insight into the meanings of television in older adults' lives, by analysing change and continuity in their television viewing. A qualitative study was conducted that included in-depth

Television and Language Development.

Science.gov (United States)

Fisher, Eunice

1984-01-01

Considers characteristics of educational television that militate against effective language learning and argues that further research is needed to ascertain whether language development is promoted by educational television and which programs and formats are best. Research in the United States and suggestions for future research are discussed.…

Television Use by Children and Adolescents.

Science.gov (United States)

Rubin, Alan M.

1979-01-01

Examines the relationships between child and adolescent television use motivations and various sociodemographic characteristics, television viewing levels, program preference, and television attitudes. Viewing motivations include learning, passing time, companionship, escape, arousal, and relaxation. Discusses implications within the conceptual…

[Football, television and emergency services].

Science.gov (United States)

Miró, O; Sánchez, M; Borrás, A; Millá, J

2000-04-15

To know the influence of televised football on the use of emergency department (ED). We assessed the number, demographic characteristics and acuity of patients attended during the broadcast of football matches played by FC Barcelona during Champions' League (n = 12), and they were compared with days without televised football (n = 12). Televised football was associated with a decrease in visits to ED (-18%; p = 0.002). Such a decrease was observed for all ED units, but only for traumatology unit reached statistical significance (-28%; p = 0.006). Decay of ED visits were mainly due to a decrease of low-acuity consults (-30%; p = 0.04). There is a significant decrease on ED use associated with televised football.

Revealing Television's Analogue Heroes

Directory of Open Access Journals (Sweden)

Vanessa Jackson

2013-12-01

Full Text Available In this article I will argue that we need to create new archival models in order to preserve and share knowledge of historical, ‘hidden’ television professions and production cultures. Oral history traditions of recording life stories give us a useful starting point. Engineering ‘encounters’ between skilled television technicians, and the now obsolete equipment they operated in the 1970s and 80s, is challenging for a myriad of reasons, but videoing the interaction of man and machine provides us with a rich insight into how analogue television was produced and broadcast. Social media enables us to disseminate these histories in new and innovative ways..

Cable Television: Franchising Considerations.

Science.gov (United States)

Baer, Walter S.; And Others

This volume is a comprehensive reference guide to cable television technology and issues of planning, franchising, and regulating a cable system. It is intended for local government officials and citizens concerned with the development of cable television systems in their communities, as well as for college and university classes in…

Simulation and Measurement of the Transmission Distortions of the Digital Television DVB-T/H Part 2: Hierarchical Modulation Performance

Directory of Open Access Journals (Sweden)

R. Stukavec

2010-09-01

Full Text Available The paper deals with the second part of results of the Czech Science Foundation research project that was aimed into the simulation and measurement of the transmission distortions of the digital terrestrial television according to DVB-T/H standards. In this part the hierarchical modulation performance characteristics and its simulation and laboratory measurements are presented. The paper deals with the hierarchical oriented COFDM modulator for the digital terrestrial television transmission and DVB-T/H standards and possible utilization of this technique in real broadcasting scenarios – fixed, portable and mobile digital TV, all in one TV channel. Impact of the hierarchical modulation on Modulation Error Rate from I/Q constellations and Bit Error Rates before and after Viterbi decoding in DVB-T/H signal decoding are evaluated and discussed.

High on Crime Fiction and Detection

DEFF Research Database (Denmark)

Grodal, Torben Kragh

2010-01-01

how crime fiction activates strong salience (in some respects similar to the effect of dopamine-drugs like cocaine, Ritalin, and amphetamine) and discusses the role of social intelligence in crime fiction. It further contrasts the unempathic classical detector fictions with two subtypes of crime...... fiction that blend seeking with other emotions: the hardboiled crime fiction that blends detection with action and hot emotions like anger and bonding, and the moral crime fiction that strongly evokes moral disgust and contempt, often in conjunction with detectors that perform hard to fake signals...

Ethical Concerns About Human Genetic Enhancement in the Malay Science Fiction Novels.

Science.gov (United States)

Isa, Noor Munirah; Hj Safian Shuri, Muhammad Fakhruddin

2018-02-01

Advancements in science and technology have not only brought hope to humankind to produce disease-free offspring, but also offer possibilities to genetically enhance the next generation's traits and capacities. Human genetic enhancement, however, raises complex ethical questions, such as to what extent should it be allowed? It has been a great challenge for humankind to develop robust ethical guidelines for human genetic enhancement that address both public concerns and needs. We believe that research about public concerns is necessary prior to developing such guidelines, yet the issues have not been thoroughly investigated in many countries, including Malaysia. Since the novel often functions as a medium for the public to express their concerns, this paper explores ethical concerns about human genetic enhancement expressed in four Malay science fiction novels namely Klon, Leksikon Ledang, Transgenesis Bisikan Rimba and Transgenik Sifar. Religion has a strong influence on the worldview of the Malays therefore some concerns such as playing God are obviously religious. Association of the negative image of scientists as well as the private research companies with the research on human genetic enhancement reflects the authors' concerns about the main motivations for conducting such research and the extent to which such research will benefit society.

Parents, Television and Cultural Change

OpenAIRE

Esther Hauk; Giovanni Immordino

2011-01-01

This paper develops a model of cultural transmission where television plays a central role for socialization. Parents split their free time between educating their children, which is costly, and watching TV which though entertaining might socialize the children to the wrong trait. The free to air television industry maximizes advertisement revenue. We show that TV watching is increasing in cultural coverage, cost of education, TV’s entertainment value and decreasing in the perceived cultural ...

Augmenting the City with Fiction: Fictional Requirements for Mobile Guides

DEFF Research Database (Denmark)

Kjeldskov, Jesper; Paay, Jeni

2007-01-01

In this position paper, we discuss the user experience of a new genre of mobile guide services, which augments the users’ physical surroundings with fiction rather than with facts. First, we outline sources of inspiration from fiction, storytelling in place and on the move, and related research...

Social TV on Fiction Series and New Roles for a Media Librarian: ‘El Ministerio del Tiempo’ as a Case Study

Directory of Open Access Journals (Sweden)

David Rodríguez-Mateos

2015-07-01

Full Text Available New and multiple access devices and distribution channels to audiovisual content has led to the emergence of the phenomenon known as ‘second screen’ and the existence of more proactive and participatory consumption of audiovisual products by consumers. We make a bibliographic review on the concepts of social television and audience, transmedia storytelling and the new roles of audiovisual archivists on the generation of added value on audiovisual products, especially in social audiences deferred in time. To this end we have analized the television serie The Ministry of Time, premiered the public Spanish television  La 1 - TVE. We collected and analyzed more than 30,000 tweets sent with some of the hashtags used by producers and consumers of the television serie. The results show a high dispersion in the number of authors, a concentration of a few authors that send many tweets and a vast majority who just send one or two tweets but represent over 90% of all the tweets sent. We also conducted an analysis of both, hashtags and content analysis of the messages showing some terms and words that show the degree of consumer satisfaction with the serie and the positive sentiment to some of the characters.

Television Literacy: Amplifying the Cognitive Level Effects of Television's Prosocial Fare through Curriculum Intervention.

Science.gov (United States)

Abelman, Robert; Courtright, John

1983-01-01

An in-school mediation strategy focused on teaching children to watch television critically and to recognize the prosocial content of commercial television programs. Changes in children's attitudes and understanding that resulted from the strategy are discussed. (PP)

Television in the Philippines.

Science.gov (United States)

Ateneo de Manila Univ., Quezon City (Philippines). Center for Educational Television.

Information about instructional television (ITV) programing in the Philippines is summarized in this three part document. An outline of the status of the Center for Educational Television, Inc., (CETV) and a description of its current activities and financial support are provided in the first section. A narrative review of both CETV and other…

Nursing on television: student perceptions of television's role in public image, recruitment and education.

Science.gov (United States)

Weaver, Roslyn; Salamonson, Yenna; Koch, Jane; Jackson, Debra

2013-12-01

To explore nursing students' perceptions of how their profession is portrayed on medical television programmes. Recruitment and retention in nursing have been linked to the image of the profession in society. Images of nursing in popular media frequently draw on stereotypes that may damage the appeal of nursing for potential students and denigrate the value and status of the profession. A growing body of work analyses how nursing is portrayed in popular media, but less research asks nursing students themselves to reflect on this area. Convergent parallel mixed methods. Data were collected in 2011 from surveys of 484 undergraduate nursing students at a large university in New South Wales, Australia, that included demographic data, their viewing habits of medical television programmes and their opinions of how the shows handled nursing ethics and professionalism and the image of nursing on television and nursing role models. Most students watch medical television programmes. Students who do not speak English at home watched fewer programmes but were more positive about the depictions of professionalism. The qualitative data showed students were concerned that television can have a negative influence on the image of nursing, but they also recognized some educational and recruitment value in television programmes. It is important for nurses, educators and students to be critically engaged with the image of their profession in society. There is value in engaging more closely with contemporary media portrayals of nursing for students and educators alike. © 2013 John Wiley & Sons Ltd.

Cinematography and Television: Differences and Similarites

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Adriano Nazareth

2010-12-01

Full Text Available Television and Cinema present specific behaviour and language in relation to reality. If film focuses on its proximity to artistic practices, and this reflects the viewer’s relationship with the film, television, in turn, seeks in directness or the transposition of the real to the imaginary, the key to its success, the audience. We all see the possibilities that television has for viewers. Even those most aware of the various con- straints, and who claim themselves to be not influenced, come under the hypnotic power of the television screen. The quality of the programming continues to decline, succumbing to the claim that television channels have to get into the audience “ratings”.

Micromégas: Altered Body-Environment Scaling in Literary Fiction.

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Dieguez, Sebastian

2016-01-01

Architectonic embodiment postulates a bidirectional link between bodily awareness and the architectural environment. The standard size and features of the human body, for instance, are thought to influence the structure of interiors and buildings, as well as their perception and appreciation. Whereas architectural practice and theory, the visual arts and more recently the cognitive sciences have explored this relationship of humans with their crafted environments, many fictional literary works have long experimented with alterations of body-environment scaling. This so-called Gulliver theme - popular in the science-fiction genre but also in children's literature and philosophical satire - reveals, as a recurrent thought-experiment, our preoccupation with proportions and our fascination for the infinitely small and large. Here I provide an overview of the altered scaling theme in literature, including classics such as Voltaire's Micromégas, Swift's Gulliver's Travels, Caroll's Alice, and Matheson's The Shrinking man, closely examining issues relevant to architectonic embodiment such as: bodily, perceptual, cognitive, affective, and social changes related to alterations in body size relative to people, objects and architectural environments. I next provide a taxonomy of the Gulliver theme and highlight its main psychological features, and then proceed to review relevant work from cognitive science. Although fictional alterations of body-environment scaling far outreach current possibilities in experimental research, I argue that the peripetiae and morals outlined in the literary realm, as products of the human imagination, provide a unique window into the folk-psychology of body and space.

Telehealth in Schools Using a Systematic Educational Model Based on Fiction Screenplays, Interactive Documentaries, and Three-Dimensional Computer Graphics.

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Miranda, Diogo Julien; Chao, Lung Wen

2018-03-01

Preliminary studies suggest the need of a global vision in academic reform, leading to education re-invention. This would include problem-based education using transversal topics, developing of thinking skills, social interaction, and information-processing skills. We aimed to develop a new educational model in health with modular components to be broadcast and applied as a tele-education course. We developed a systematic model based on a "Skills and Goals Matrix" to adapt scientific contents on fictional screenplays, three-dimensional (3D) computer graphics of the human body, and interactive documentaries. We selected 13 topics based on youth vulnerabilities in Brazil to be disseminated through a television show with 15 episodes. We developed scientific content for each theme, naturally inserting it into screenplays, together with 3D sequences and interactive documentaries. The modular structure was then adapted to a distance-learning course. The television show was broadcast on national television for two consecutive years to an estimated audience of 30 million homes, and ever since on an Internet Protocol Television (IPTV) channel. It was also reorganized as a tele-education course for 2 years, reaching 1,180 subscriptions from all 27 Brazilian states, resulting in 240 graduates. Positive results indicate the feasibility, acceptability, and effectiveness of a model of modular entertainment audio-visual productions using health and education integrated concepts. This structure also allowed the model to be interconnected with other sources and applied as tele-education course, educating, informing, and stimulating the behavior change. Future works should reinforce this joint structure of telehealth, communication, and education.

Child's understanding of television programmes

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Martina Peštaj

2011-01-01

Full Text Available In the last decade, we have witnessed an unimaginable progress of the electronic media. The television takes the first place by its availability, importance and popularity, both with adults and with children. It has become the focal point of family interaction and is progressively taking on a key role in the process of children's socialization. Various research has proven that children begin watching television as babies and that toddlers are already accustomed and constant viewers. During their development, they become increasingly competent to understand and to use the television media, while the differences in the perception of television contents are mainly conditioned by the period of early childhood. The process of preschool child's understanding of media information goes from concrete to abstract and on two levels at the same time: understanding of formal features and understanding of content. Both levels have important role in child's understanding of the world, what could be observed in forming of gender stereotypes, where, as researches show, the television has a special influence.

Parents, television and children’s weight status: on lasting effects of parental television socialization in the Netherlands

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Notten, N.; Kraaykamp, G.; Tolsma, J.

2013-01-01

This study scrutinizes the long-term effects of parental television socialization activities on their children's weight status measured through body mass index (BMI-score). We address the question how parental television habits and parental television mediation in childhood relate to a person's

Wide-Screen Television and Home Movies: Towards an Archaeology of Television and Cinema Convergence Before Digitalisation

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Tom James Longley Steward

2014-12-01

Full Text Available In this article, Tom Steward uses past interrelations of television and cinema spectatorship, exhibition, production and aesthetics to historicize phenomenological digital-era discourses on, ontological definitions of, and cultural arguments about television and cinema convergence. He argues that television and cinema assisted in defining each other as late 20th Century media and cultural forms, have a multi-directional industrial and artistic flow, and are often interdependent in reception and distribution. Television and cinema convergence demonstrates the need for historical breadth in media convergence theory and an understanding of medium-specificity that incorporates interactions with other media.

21 CFR 1020.10 - Television receivers.

Science.gov (United States)

2010-04-01

... 21 Food and Drugs 8 2010-04-01 2010-04-01 false Television receivers. 1020.10 Section 1020.10 Food...) RADIOLOGICAL HEALTH PERFORMANCE STANDARDS FOR IONIZING RADIATION EMITTING PRODUCTS § 1020.10 Television receivers. (a) Applicability. The provisions of this section are applicable to television receivers...

Psychologizing the Semantics of Fiction

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John Woods

2010-04-01

Full Text Available Psychologiser la sémantique de la fictionLes théoriciens sémantistes de la fiction cherchent typiquement à expliquer nos relations sémantiques au fictionnel dans le contexte plus général des théories de la référence, privilégiant une explication de la sémantique sur le psychologique. Dans cet article, nous défendons une dépendance inverse. Par l’éclaircissement de nos relations psychologiques au fictionnel, nous trouverons un guide pour savoir comment développer une sémantique de la fiction. S’ensuivra une esquisse de la sémantique.Semantic theorists of fiction typically look for an account of our semantic relations to the fictional within general-purpose theories of reference, privileging an explanation of the semantic over the psychological. In this paper, we counsel a reverse dependency. In sorting out our psychological relations to the fictional, there is useful guidance about how to proceed with the semantics of fiction. A sketch of the semantics follows.

Der Sound der Roboter. Maschinenmenschen prägen den neuen Science-Fiction-Film – und das Kino erfindet für sie eine besondere Klangsignatur

NARCIS (Netherlands)

Mehring, F.

2017-01-01

Im Genre des Science-Fiction-Films zeichnet sich wieder einmal ein thematischer Wandel ab. Immer häufiger stellt sich die Frage: Wie werden in Zukunft die Begegnungen ­zwischen Menschen und intelligenten Maschinen aussehen, und wie werden sie inszeniert? Dabei scheint die geografische Nähe zwischen

Approaches to Scandinavian Crime Fiction

DEFF Research Database (Denmark)

Agger, Gunhild

2010-01-01

as the approach of genre typology and the concept of evil – seemingly disparate concepts and approaches, but all related to the complex processes in the borderlands between crime fiction and society. Using examples from Scandinavian crime fiction, I discuss whether the growing proximity to international genres......The working paper discusses some of the major approaches to Scandinavian crime fiction in the light of the dominant features of crime culture, e.g. the broad exposure of crime fiction via different platforms and media. In this connection, the concept of mediatization is considered as well......, ways of production and standards increasingly removes Scandinavian crime fiction from its original attractions or not....

La televisión: vista, oída y leída por adolescentes peruanos Television: Seen, Heard and Read by Peruvian Adolescents

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María Teresa Quiroz Velasco

2011-03-01

Full Text Available El presente trabajo analiza la relación actual de los adolescentes peruanos con la pantalla televisiva. La información consultada en diversas fuentes concluye que los adolescentes siguen consumiendo ampliamente la televisión, especialmente los más pobres de ciudades del interior del Perú. Los adolescentes valoran la televisión por cable como una fuente de aprendizaje, así como por su variedad y por la posibilidad de relacionarlos con el mundo. El interés por los dibujos animados y las series y películas y, en general, por la ficción televisiva, reafirma el sentido que tiene la televisión en familiarizarlos con la sociedad y su entorno. La información de lo que acontece más allá de sus localidades es fuente de referencia en su percepción del país y es compartida en familia. Más allá del conflicto cultural, desde el cual generalmente se ha evaluado los efectos de la televisión en el medio rural, ésta tiene para los adolescentes y sus padres un signo positivo porque favorece la desterritorialización visual al disolver la relación natural entre cultura y territorio geográfico. En el medio rural los padres y los jóvenes valoran a la televisión porque les ofrece más que la propia escuela. En medio de la crítica académica y profesional a la televisión, los adolescentes no distinguen entre medios tradicionales y nuevos medios porque todos ellos están integrados a su vida cotidiana.This paper analyzes the current relationship between Peruvian teenagers and television. The information accessed from various sources concluded that adolescents are consuming television extensively, especially the poorer within the country. Teens appreciate the cable television as a source of learning, and its variety and ability to relate it with the world. The interest in cartoons, movies and series –fiction genre in general– affirms the value of this media in society as well as the possibility to make them more familiar with their

Pressures on TV Programs: Coalition for Better Television's Case.

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Shipman, John M., Jr.

In 1981, the conservative Coalition for Better Television (CBTV) threatened an economic boycott against advertisers who marketed their wares on programs that the coalition felt had excessive sex and violence. Because television networks are dependent on advertising, the coalition believed economic pressure on advertisers would force a…

Television Violence: Implications for Violence Prevention.

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Hughes, Jan N.; Hasbrouck, Jan E.

1996-01-01

Reviews the scientific and public-opinion debate on the impact television violence in America has on aggression and violence. Research supports the view that television violence contributes to children's level of aggressiveness and subsequent violence and criminality. Describes attempts to improve the quality of television programming for children…

Television the Medium, the Message and Nutritional Health.

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Wadsworth, Laurie A.

1996-01-01

Presents a review of research linking nutritional health and body image attitudes with television viewing. Highlights include content analyses of advertisements and programming; audience uses of television; television as reality; socialization of attitudes and television; television, body image and self-esteem; television and health behaviors; and…

The portrayal of mental health and illness in Australian non-fiction media.

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Francis, Catherine; Pirkis, Jane; Blood, R Warwick; Dunt, David; Burgess, Philip; Morley, Belinda; Stewart, Andrew; Putnis, Peter

2004-07-01

To provide a detailed picture of the extent, nature and quality of portrayal of mental health/illness in Australian non-fiction media. Media items were retrieved from Australian newspaper, television and radio sources over a 1-year period, and identifying/descriptive data extracted from all items. Quality ratings were made on a randomly selected 10% of items, using an instrument based on criteria in Achieving the Balance (a resource designed to promote responsible reporting of mental health/illness). Reporting of mental health/illness was common, with 4351 newspaper, 1237 television and 7801 radio items collected during the study period. Media items most frequently focused on policy/program initiatives in mental health (29.0%), or on causes/symptoms/treatment of mental illnesses (23.9%). Stories about mental health issues in the context of crime were relatively uncommon, accounting for only 5.6% of items. Most media items were of good quality on eight of the nine dimensions; the exception was that details of appropriate help services were only included in 6.4% of items. In contrast to previous research, the current study found that media reporting of mental health/illness was extensive, generally of good quality and focused less on themes of crime and violence than may have been expected. This is encouraging, since there is evidence that negative media portrayal of mental health/illness can detrimentally affect community attitudes. However, there are still opportunities for improving media reporting of mental health/illness, which should be taken up in future media strategies.

The Selling of Cable Television 1972.

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National Cable Television Association, Inc., Washington, DC.

The 1972 Cable Television Marketing Workshop reviewed in depth a wide variety of marketing and public relations techniques as they pertain to cable television. The workshop was attended by representatives of commercial television systems throughout the United States; it was intended to disseminate the sales and marketing experience of those…

Some Structural Characteristics of Music Television Videos.

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Fry, Donald L.; Fry, Virginia H.

1987-01-01

Indicates, by analyzing two types of montage structures, that music television is a hybrid form of television programing displaying visual characteristics of both television commercials and drama. Argues that this amalgam of different characteristics gives music television its distinctive look and power as a promotional tool for the record…

Speculation and Fiction: Introduction

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Sourit Bhattacharya

2015-07-01

Full Text Available As students of literature, one of the most frequent questions we encounter is: how does one write anything? What are the factors responsible for writing fiction? Does fiction have its autonomous qualities? Put in a slightly different way: what is thought or how is thought put into fiction? Broadly speaking, the study into the domain of thought is speculation. The Oxford English dictionary defines “speculation” this way: “the forming of a theory or conjecture without firm evidence.”1 Speculation then is a field of thinking thought, conjecture, or hypothesis which seeks for evidence to become “fact” or “practice.” In such argument, the foundational aspect of all philosophy appears to be speculation. This won’t be an overstatement if we endeavour to trace the genealogy and use of the term in ancient Indian philosophy to the Greco-Roman world, or in the mediaeval scholastic philosophy in Europe.2 From the term’s rooted traditional philosophical basis to a particular meaning-making in genre fiction, there have been many developments but one aspect has been relatively unchanged: the question of conjecture. Speculative fiction does not have a rigid definition and is putatively understood to be an amalgam of many genres, forms, thoughts, or techniques. It is also about a world which is not necessarily the existent but in most cases the “material-possible”: the conjectural. Fiction in that analysis appears to be the medium through which the conjectural element of speculation is given a concrete material body. But fiction is not an end product only, the printed book or the text in this case, but also a world of ideas, thoughts, and imagination. In that sense, there is fiction already always within the “genre” of speculation. These are some of the interrelated but not always easily articulable aspects that we wanted to engage with in this volume, “Speculation and Fiction.”

The paradox of fiction: Emotional response toward fiction and the modulatory role of self-relevance.

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Sperduti, Marco; Arcangeli, Margherita; Makowski, Dominique; Wantzen, Prany; Zalla, Tiziana; Lemaire, Stéphane; Dokic, Jérôme; Pelletier, Jérôme; Piolino, Pascale

2016-03-01

For over forty years, philosophers have struggled with the "paradox of fiction", which is the issue of how we can get emotionally involved with fictional characters and events. The few neuroscientific studies investigating the distinction between the processing of real and fictional entities have evidenced that midline cortical structures and lateral fronto-parietal regions are more engaged for real and fictional entities, respectively. Interestingly, the former network is engaged in autobiographical memory retrieval and self-reference, processes that are known to boost emotional reactivity, while the latter underpins emotion regulation. Thus, a possible modulation of the emotional response according to the nature (real or fictional) of the stimulus is conceivable. To test this hypothesis, we presented short emotional (negative and positive) and neutral video as fictional or real. For negative material, we found that subjective emotional experience, but not physiological arousal measured by electrodermal activity, was reduced in the fictional condition. Moreover, the amount of personal memories linked to the scenes counteracted this effect boosting the subjective emotional response. On the contrary, personal memories elicited by the scenes, but not fiction, modulate the emotional response for positive material. These results suggest that when a stimulus triggers a personal memory, the emotional response is less prone to be modulated by contextual factors, and suggest that personal engagement could be responsible for emotional reaction toward fiction. We discuss these results in the emotion regulation framework and underline their implications in informing theoretical accounts of emotion in the neuroscientific domain and the philosophical debate on the paradox of emotional response to fiction. Copyright © 2016. Published by Elsevier B.V.

Digital Technology and the Interactive Television

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Ozéias Teixeira de Souza

2008-08-01

Full Text Available In this article it is analyzed the impact that the digital technology process causes in the way that television participates of the social life in Brazil. Trying a non-hermeneutic approach, it is proposed to think this new role of television, from the materiality existing on this media that can bring more interactivity and conducts the changes over people behavior. In our opinion, we realize that materiality can support the transposition of the nowadays analogical interaction form – the televiewer-television model – to a user-machine model in the digital television.

Presidential Elections in the Age of Television.

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Rothwell, Jennifer Truran

2000-01-01

Explores the role of television in politics providing historical examples of the use of television and its possible effects on elections. Focuses on television as the dominant medium for politics, the connections among television, advertising, and political money, and ideas for reforming the electoral process. Includes a teaching activity on…

Helping Parents Reduce Children's Television Viewing

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Jason, Leonard A.; Fries, Michael

2004-01-01

Parents and educators around the country are concerned about the amount of time children watch television. Part of this concern stems from the fact that a considerable amount of violence is regularly portrayed on television. In addition, those youngsters who watch an excessive amount of television have little time for developing other interests…

Television: The New State Religion?

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Gerbner, George

1977-01-01

Outlines the special characteristics of television that make it a formula-bound, ritualistic, repetitive, and nonselectively used system; concludes that television's social symbolic functions resemble preindustrial religions more than they do the media that preceded it. (GT)

There Is More(s) in Television. Studying the relationship between television and moral imagination

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A.F.M. Krijnen (Tonny)

2007-01-01

textabstractIn this dissertation the central focus lies with exploration the relationship of television and moral imagination. The underlying aim was to explore how television might be valuable in reaching moral maturity in order to diminish needless suffering in this world. To give form to these

Influences of Television Toward Modern Society Reflected in TV People by Haruki Murakami

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KHIKMAH, ZIYAADATUL

2014-01-01

Khikmah, Ziyaadatul. 2014. Influences of Television toward Modern SocietyReflected in TV People By Haruki Murakami. Study Program of English,Department of Languages and Literature, Faculty of Cultural Studies, UniversitasBrawijaya. Supervisor: Juliati; Co-supervisor : Arcci Tusita. Keyword: Television, Mass Media, Effect, Construction, Culture, Influence. Television has become part of daily life in the society in modern era. Television functions as a medium of information and entertainment. ...

The magic of television: Thinking through magical realism in recent TV [symposium

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Lynne Joyrich

2009-11-01

Full Text Available After decades in which television has been marked as more banal than bewitching, recalling the "magic of television" is more likely to evoke a sense of wonder for the perceived innocence of an earlier televisual audience than for television itself. With TV offered on demand, captured with DVRs, downloaded or watched streaming on the Web, purchased as DVD sets, miniaturized for private screenings, jumbo-sized for public spectacles, monitored in closed circuits, and accessed for open forums, once-mysterious television flows have flowed to new media forms, giving TV an appearing/disappearing, now-you-see-it/now-you-don't magical act of its own. Has TV disappeared, or has it multiplied—redoubled each time it's sawed in half, replicating like rabbits pulled out of a hat? Is it still TV or something else when programs are screened (as if through a magic curtain via today's delivery systems?