Pärt, Arvo. Litany; Psalom; Trisagion / Andreas Obst

Index Scriptorium Estoniae

Obst, Andreas

1996-01-01

Pärt, Arvo. Litany; Psalom; Trisagion. Hilliard Ensemble, Estonian Philharmonic Chamber Choir, Tallinn Chamber Orchestra, Tõnu Kaljuste; Lithuanian Chamber Orchestra, Saulius Sondeckis. ECM 1592/449 810-2

Arvo Pärt. Litany / Peter Korfmacher

Index Scriptorium Estoniae

Korfmacher, Peter

1996-01-01

Uuest heliplaadist "Pärt, Arvo. Litany; Psalom; Trisagion. Hilliard Ensemble, Estonian Philharmonic Chamber Choir, Tallinn Chamber Orchestra, Tõnu Kaljuste"; Lithuanian Chamber Orchestra, Saulius Sondeckis. ECM 1592/449 810-2

Pärt, Arvo: Litany. Psalom. Trisagion / Robert Cowan

Index Scriptorium Estoniae

Cowan, Robert

1996-01-01

Uuest heliplaadist "Pärt, Arvo: Litany. Psalom. Trisagion. Hilliard Ensemble, Estonian Philharmonic Chamber Choir, Tallinn Chamber Orchestra, Tõnu Kaljuste; Lithuanian Chamber Orchestra, Saulius Sondeckis" ECM New Series 449 810-4; 449 810-2 (42 minutes: DDD)

Pärt, Arvo: "Litany" / Patric Wiklacz

Index Scriptorium Estoniae

Wiklacz, Patric

1996-01-01

Uuest heliplaadist "Pärt, Arvo: "Litany". Litany. Psalom. Trisagion. The Hilliard Ensemble, Orchestre de chambre de Tallinn, Choeur de chambre Philharmonique d'Estonie, Tõnu Kaljuste. Orchestre de chambre de Lituanie, Saulius Sondeckis. ECM New Series ECM 1592, distribution Polygram 449 810-2 (CD:158F)

Pärt, Arvo: "Litany" / Barry Witherden

Index Scriptorium Estoniae

Witherden, Barry

1996-01-01

Uuest heliplaadist "Pärt, Arvo: "Litany". Litany. Psalom. Trisagion. The Hilliard Ensemble, Tallinn Chamber Orchestra, Estonian Philharmonic Chamber Orchestra, Estonian Philharmonic Chamber Choir, Tõnu Kaljuste. Orchestre de chambre de Lituanie, Saulius Sondeckis". ECM New Series ECM 1592, distribution Polygram 449 810-2 (CD:158F)

Kaks eesti kunsti näitust Vilniuses

Index Scriptorium Estoniae

1998-01-01

Rahvusraamatukogus E. Kiileri, P. Linnapi ja P. Toominga fotonäitus "Kaasaegne arheoloogia", kus on välja pandud Eestit uurivad tööd. Stikliu keskuses T. Ojaveri, L. Lestbergi ja A. Kalmu tööde näitus "Mäng". Kuraatorid Jolita Kanuskeviciute, Saulius Ercmonas

Freak out monumentum / Михаил Колосок

Index Scriptorium Estoniae

Колосок, Михаил

2009-01-01

Mälestusmärgi püstitamisest Ameerika rockmuusikule Frank Zappale Vilniuses. Ausamba püstitas Vilniuse Zappa fännide klubi eesotsas fotograaf Saulius Paukstysega 1995. aastal. Büsti autor on leedu skulptor Konstantinas Bogdanas. Paukstysel on idee kinkida Vilniuse kuju koopia Frank Zappa sünnilinnale Baltimore'ile

2017 Midwest Zebrafish Meeting Report.

Science.gov (United States)

Sandquist, Elizabeth; Petersen, Sarah C; Smith, Cody J

2017-12-01

The 2017 Midwest Zebrafish meeting was held from June 16 to 18 at the University of Cincinnati, sponsored by the Cincinnati Children's Hospital Divisions of Developmental Biology, Molecular Cardiovascular Biology, and Gastroenterology, Hepatology, and Nutrition. The meeting, organized by Saulius Sumanas, Joshua Waxman, and Chunyue Yin, hosted >130 attendees from 16 different states. Scientific sessions were focused on morphogenesis, neural development, novel technologies, and disease models, with Steve Ekker, Stephen Potter, and Lila Solnica-Krezel presenting keynote talks. In this article, we highlight the results and emerging themes from the meeting.

Ultra-pure, water-dispersed Au nanoparticles produced by femtosecond laser ablation and fragmentation

Directory of Open Access Journals (Sweden)

Kubiliūtė R

2013-07-01

Full Text Available Reda Kubiliūtė,1,2 Ksenia A Maximova,3 Alireza Lajevardipour,1 Jiawey Yong,1 Jennifer S Hartley,1 Abu SM Mohsin,1 Pierre Blandin,3 James WM Chon,1 Marc Sentis,3 Paul R Stoddart,1 Andrei Kabashin,3 Ričardas Rotomskis,2 Andrew HA Clayton,1,4 Saulius Juodkazis1,4 1Centre for Micro-Photonics and Industrial Research Institute Swinburne, Faculty of Engineering and Industrial Sciences Swinburne University of Technology, Hawthorn, VIC, Australia; 2Laboratory of Biomedical Physics, Vilnius University Institute of Oncology, Baublio, Vilnius, Lithuania; 3Aix-Marseille University, Centre National de la Recherche Scientifique (CNRS, Lasers, Plasmas and Photonics Processing Laboratory, Campus de Luminy, Marseille, France; 4The Australian National Fabrication Facility, Victoria node, Faculty of Engineering and Industrial Sciences, Swinburne University of Technology, Hawthorn, VIC, Australia Abstract: Aqueous solutions of ultra-pure gold nanoparticles have been prepared by methods of femtosecond laser ablation from a solid target and fragmentation from already formed colloids. Despite the absence of protecting ligands, the solutions could be (1 fairly stable and poly size-dispersed; or (2 very stable and monodispersed, for the two fabrication modalities, respectively. Fluorescence quenching behavior and its intricacies were revealed by fluorescence lifetime imaging microscopy in rhodamine 6G water solution. We show that surface-enhanced Raman scattering of rhodamine 6G on gold nanoparticles can be detected with high fidelity down to micromolar concentrations using the nanoparticles. Application potential of pure gold nanoparticles with polydispersed and nearly monodispersed size distributions are discussed. Keywords: nanotechnologies applications, methods of nanofabrication and processing, materials for nanomedicine

Kristijono Donelaičio Metų kompozicijos problemos | On Composition of Kristijonas Donelaitis’ Metai – Selected problems

Directory of Open Access Journals (Sweden)

Vaidas Šeferis

2012-01-01

Full Text Available The article deals with the crucial question of Kristijonas Donelaitis’ literary work: is his Metai (The Seasons a single and coherent literary text or a group of four independent poems? The first publisher of Donelaitis’ work Liudwig Rhesa (Liudvikas Rėza introduced in 1818 for the first time the title Metai (which was not given by Donelaitis himself, presented four seasons as a single poem and held on the traditional seasons-sequence, beginning the text with spring and ending it with winter. Next publishers August Schleicher (1865 and Georg Hans Ferdinand Nesselmann (1869 accepted neither the title Metai nor the idea of four seasons as a single poem. Especially Nesselmann was strongly against Rhesa’s concept and pointed out its textological and historical “inaccuracy”. Modern Lithuanian philology, however, came back to the concept of Rhesa. In this paper, the analysis of The Seasons shows that we need a more accurate approach to the question of its composition. According to the studies of Rimvydas Šilbajoris, Tomas Venclova, and Saulius Žukas, there is no single plot in The Seasons, which could serve as a basis for a poetic coherence of the poem. The structure of Donelaitis’ work is based on binary oppositions between an “ideal world” and “real world” – two semiotic paradigms existing in the dialectic relation to each other. Thus, the paradigmatic level of the text, on which both opposite semiotic worlds unfold, has a dominant position over the syntagmatic text relations. That is why the syntagmatic reading of Donelaitis’ work is inaccurate: four Donelaitian seasons build a coherent semiotic universe (which we traditionally call the seasons, but are not composed as a strong syntagmatic structure. The article suggests that The Seasons should be understood as a poetic cycle of four parts (seasons. In this circular composition, there is no reason to talk about “the beginning” or “the end” of the text. All four

Editorial. Kultūros reiškiniai šiuolaikinių informacijos ir komunikacijos technologijų sąlygomis: nuo meno ir televizijos iki politikos

Directory of Open Access Journals (Sweden)

Jovilė Barevičiūtė

2015-10-01

. Russellas J. Cookas gvildena ekrano medijų taktiliškumo problemas, keldamas garso matymo galimybės klausimus – tai fenomenologinė perspektyva. Saulius Kanišauskas svarsto filosofinius atsakomybės už šiuolaikinių technologijų naudojimą klausimus, remdamasis vokiečių egzistencialisto Martino Heideggerio keltomis jų ontologinio įšaknytumo žmogaus prigimtyje prielaidomis. Valdas Pruskus imasi šiuolaikinės politinės rinkodaros teorinių įžvalgų analizuodamas, kaip šiuolaikinės medijuotosios komunikacijos sąlygomis susiklosto palankios aplinkybės įvairioms politinėms manipuliacijoms ir politiniams manevrams, pavyzdžiui, artėjant rinkimams. Numerio sudarytoja dėkoja autoriams už jų tyrinėjimus, pasidalytus su skaitytojais, ir tikisi produktyvaus bendradarbiavimo ateityje – šiuolaikiniai medijuotieji kultūros procesai nuolat iškelia vis naujų iššūkių tiek įvairių kultūros reiškinių praktikavimui, tiek nusistovėjusioms jų teoretizavimo tradicijoms.