Investigate and educate from the museum of contemporary art

Directory of Open Access Journals (Sweden)

Juan David Quintero Arbeláez

2011-01-01

Full Text Available This paper talks about the stake and lines of action in which the Museum of Contemporary Art of Uniminuto works regarding education and research. It presents the Museum as a promoter of experiences to stimulate the artistic and social development of the community. The text also mentions that these processes must be integrated with the real context of the community in order to have a great impact and challenge in their tasks. The intention with the community and the spreading of its heritage make part of an integral educational role of the museum. The most important tools from this project are the education and research in order to promote a sense of belonging, responsibility, own criteria and personal development in the community.

The Role of Authentic Objects in Museums of the History of Science and Technology: Findings from a Visitor Study

Science.gov (United States)

Hampp, Constanze; Schwan, Stephan

2015-01-01

One characteristic of science centers and science museums is that they communicate scientific findings by presenting real scientific objects. In particular, science museums focus on the historical context of scientific discoveries by displaying authentic objects, defined as original objects that once served a science-related, real-world purpose…

The Organization of Museums: Practical Advice. Museums and Monuments, IX.

Science.gov (United States)

Adams, Philip R.; And Others

This manual deals with the organization of museums. The manual includes 10 chapters written by different people involved in museum work in various parts of the world. Chapter I, The Museum and Its Functions, deals with such topics as definition, collecting, identifying, and recording. Chapter II considers the administration of museums. Chapter…

A comparative sociological study of peace museums and military museums

OpenAIRE

Murakami, Toshifumi

2003-01-01

This paper compares peace museums and military museums in Japan and foreign countries. It analyses the features, social functions of both peace and military museums, and considers the social influence on both museums. A public relations facility of the Self Defense Forces is regarded as a military museum in Japan, so the development and contents of the exhibition of such public relations facilities are analyzed. A half of them were established in a period between 1964 and 1969. Three new larg...

Museums USA: Art, History, Science, and Other Museums.

Science.gov (United States)

National Endowment for the Arts, Washington, DC.

The results and analysis of an earlier museum survey, presented in "Museum U.S.A.: Highlights" (ED 093 777), are given in this document. The purpose is to present a comprehensive picture of museums in the United States--their numbers and locations, types and functions, facilities and finances, personnel and trustees, and activities and attendance.…

Links between Libraries and Museums: a Case Study of Library-Museum Collaboration at the Hong Kong Maritime Museum

Directory of Open Access Journals (Sweden)

Patrick Lo

2013-07-01

Full Text Available Established in 2005, the Hong Kong Maritime Museum (HKMM is a relatively new private museum that aims to collect all forms of materials related to the development of boats, ships, maritime exploration and trade, and naval warfare on the South China coast, as well as its adjacent seas.  The Museum not only serves as a unique platform for teaching and learning of the local heritage in Hong Kong, it also contributes greatly to the promotion of community engagement and social connections.  The HKMM is also equipped with its own museum library, and it is called the CSSC (China State Shipbuilding Corporation Maritime Heritage Resource Centre.  In addition to supporting various research activities carried out by the Museum, this Resource Centre also serves as a central, and yet comprehensive repository for publications, and other archival documents on maritime heritage and history related to Southeastern China.  This paper aims to compare the distinctive operational practices, and user needs between museums and libraries.  It also examines the benefits and challenges of museum-library collaborations in the new knowledge-driven society.  This paper features an interview with Kitty But (Librarian, CSSC Maritime Heritage Resource Centre, The Hong Kong Maritime Museum and Robert Trio (Project Officer for Technology, The Hong Kong Maritime Museum, and in which they discussed their professional experiences in the fields of audience education; the implementation of different new technologies associated with the museum and library services; and various collaborative initiatives carried out between the Museum and the Resource Centre.  Upcoming challenges and opportunities faced by both the Museum and Resource Centre are also discussed in this paper.

Museo reale e museo digitale: il caso del Museo Archeologico Regionale “A. Salinas” un anno dopo la riapertura / Real and digital museum: the case of the Museo Archeologico Regionale “A. Salinas” one year after its reopening

Directory of Open Access Journals (Sweden)

Serena D'Orazio

2017-12-01

Full Text Available La riapertura del Museo Salinas, rimasto per anni inaccessibile a causa di un lungo restauro architettonico, ha rappresentato per la comunità e per l'istituzione stessa un momento di importante condivisione sociale. Accanto ai risultati raggiunti a museo "chiuso" in seguito all'adozione di una strategia di comunicazione capace di integrare l'attività sui canali social, l'adesione a campagne bottom-up per la valorizzazione digitale del patrimonio e la promozione di un ricco calendario di mostre ed eventi all’interno ed all’esterno dalla sede museale si affiancano ora grandi aspettative nei confronti di questa nuova realtà in cui i due sistemi - museo reale e museo digitale - hanno l'opportunità di interagire e comunicare. Questo contributo intende quindi analizzare, nell'ottica del miglioramento continuo, i risultati raggiunti dal museo a distanza di un anno dalla propria riapertura indagando sulle strategie adottate, sulla qualità dei servizi offerti e sulle opportunità ancora da sfruttare, dedicando particolare attenzione al tema dell'uso delle tecnologie digitali per la fruizione e la valorizzazione del patrimonio conservato. The reopening of the Museo Salinas, closed off for years due to a long architectural restoration, has represented a crucial moment of social sharing for both the community and the institution. Together with the results achieved as "closed" museum, thanks to the planning of a communication strategy aimed at introducing social channel activities, the adoption of a bottom-up campaign for cultural heritage digital evaluation and the promotion of a rich schedule of exhibitions and meetings outside of the museum, high expectations are present now for this new reality: two systems - the real museum and the digital museum - have the opportunity to interact and to communicate. The purpose of this paperwork is to analyze, for a continuous improvement, the achievements of the museum one year later the reopening by

Technology Museums in Denmark

DEFF Research Database (Denmark)

Søndergaard, Morten Karnøe

2012-01-01

This article presents an exhibit review of some of the major technology museums in Denmark. First comes an introduction to the Danish museum ”landscape”. Second a total of six museums and their technology focused exhibits are presented. Among the museums are the Fisheries and Maritime Museum...... in Esbjerg, housing one of the most impressive and representative exhibitions on the technology behind the strong Danish maritime sector. Another museum being mentioned is the Energy Museum, which covers the background for some of the major breakthroughs performed in Denmark within this area; particularly...... within wind power technology. Finally special attention is devoted to the Danish Technological Museum. A museum which is the oldest and most elaborate of all the technology museums. The museum covers virtually every technological breakthrough with any relevance in a Danish section, with a special focus...

Más allá de la piel y la máscara: turismo, autenticidad y prácticas expositivas en el Sacromonte

Directory of Open Access Journals (Sweden)

López López, Juan de Dios

2015-12-01

Full Text Available This study analyses how the Sacromonte neighbourhood of Granada has been shaped by an orientalist image since the 19th century, and how that image spread across the international tourism circuit. We explore the use of ethnicity [in this case Gypsy] as a tourist attraction and show how the neighbourhood’s configuration and adaptation to the demands of tourism have been considered evidence of its inauthenticity. After a theoretical review of the issue of authenticity in tourism studies, we discuss this orientalist representation and how various local exhibition practices have coloured tourist imaginary of the neighbourhood and its attractions. Finally, criticism that has been directed at Sacromonte’s authenticity since it became a tourist destination is analysed, and ethnographic research defended as a useful strategy to get beyond both primordialist and constructivist explanations in debates about authenticity and local identities in tourism contexts.En este estudio se analiza cómo se fue conformando una imagen orientalista del barrio granadino del Sacromonte desde el siglo XIX, y cómo dicha imagen fue diseminada a través del circuito del turismo internacional. En este análisis, el uso de la etnicidad [gitana, en este caso] como atractivo turístico ocupará un lugar preponderante. Se muestra cómo la adaptación y configuración del barrio a las demandas del turismo se ha considerado como un indicio de inautenticidad. Tras una revisión teórica sobre cómo ha sido tratada la cuestión de la autenticidad en los estudios sobre turismo, se expone cómo se fue configurando dicha representación orientalista y cómo distintas propuestas expositivas, surgidas en el ámbito local, han integrado la imaginería turística producida en torno al barrio y sus atractivos. Finalmente, se analizan distintas críticas en torno a la autenticidad del Sacromonte, que se han venido sucediendo desde su constitución como destino turístico, y defendemos la

Museums of Poland: ways of exploiting the National Heritage

Directory of Open Access Journals (Sweden)

Violeta Tipa

2017-12-01

Full Text Available Thanks to the fellowship Thesaurus Poloniae provided by the Ministry of Culture and Heritage of Poland and the International Cultural Centre Krakow I was able to visit a number of museums in the cities of Warsaw, Krakow, Lodz, and Poznan. The innovative method of using audiovisual media has especially attracted my attention. Visiting Polish museums, I concluded that the country's history, its past hasn't remained in archives, in documents hidden from the public eye and accessible only to specialists in the field. By possibilities of museums upgraded the past comes alive as a page in the life of Poles. The national heritage, studied and carefully preserved, is passed on to the younger generation through the most advanced methods. Today, digital techniques increasingly penetrate into all spheres of art and culture. Museums also look for non-trivial ways to demonstrate the most valuable objects from their collections through the latest information methods. The use of audiovisual media in various forms is an ideal opportunity to immerse visitors in the distant past, help them survive dramatic historical events in a dynamic, penetrate the spirit of patriotism. The screen (monitor has become a traditional element in Polish museums and exhibition halls equipped with touch screens allowing guests to browse and receive a variety of available information in international communication languages (English, French, German and, of course, Polish. On the screens placed in the exhibition halls, documents are displayed non-stop either completely or in fragments, a visual picture sends visitors to real museum exhibits. Museums opened after 2000 are equipped with cinema halls (National Museum, The Warsaw Rising Museum and POLIN Museum, Rynek Underground Museum and Oscar Schindler’s Enamel Factory in Krakowб etc., some of them are equipped for films in 3D, with panoramic projection. Expressive audiovisual entourage is created by playing light and shadow

Museum Learning.

Science.gov (United States)

Black, Susan

2002-01-01

Virtual museums focus on a specific curriculum theme and showcase electronic museum-type collections such as artifacts, paintings, photographs, numerous databases, and Web links to resources around the world. Museums of all types include vital teaching tools that help students make discoveries and form connections with the past, present, and…

iMuseumA: An Agent-Based Context-Aware Intelligent Museum System

Directory of Open Access Journals (Sweden)

Inmaculada Ayala

2014-11-01

Full Text Available Currently, museums provide their visitors with interactive tour guide applications that can be installed in mobile devices and provide timely tailor-made multimedia information about exhibits on display. In this paper, we argue that mobile devices not only could provide help to visitors, but also to museum staff. Our goal is to integrate, within the same system, multimedia tour guides with the management facilities required by museums. In this paper, we present iMuseumA (intelligent museum with agents, a mobile-based solution to customize visits and perform context-aware management tasks. iMuseumA follows an agent-based approach, which makes it possible to interact easily with the museum environment and make decisions based on its current status. This system is currently deployed in the Museum of Informatics at the Informatics School of the University of Málaga, and its main contributions are: (i a mobile application that provides management facilities to museum staff by means of sensing and processing environmental data; (ii providing an integrated solution for visitors, tour guides and museum staff that allows coordination and communication enrichment among different groups of users; (iii using and benefiting from group communication for heterogeneous groups of users that can be created on demand.

Investigating Iran's Traditional Display Approach In Display Museum Design: A Case Study In Kish Island

OpenAIRE

Takhtkeshian, Samaneh; Ghiai, Mohammad Mehdi

2016-01-01

Museum reflects thoughts and creativities of human that expresses his content with specific language namely, the real language of thing. Therefore, building a museum should be on the basis of cultural statute and certain regulations such as cultural requirement, religious, historical, tourism value, geographical area, proximity to centers of science and culture are the criteria for its building. Also, human consigns his past and present to the museum to regularly refer to it and t...

Museum Institutions in Monuments - Positive and Negative Aspects of Adaptation: The New Amber Museum and Museum of Science in Gdansk, Poland

Science.gov (United States)

Piatkowska, Ksenia

2017-10-01

The issue of the creation and location of new museums is a current topic. The decision of where and how to create new museum facilities will impact successful function in the future. Museums are either located in newly designed buildings or in existing buildings. In general, existing buildings adapted for museum use are either formally under conservational protection or not. With regard to museum location in preserved monuments, the author notes that the true impact on authentic monumental building structure still needs intense research. The adaptation of the Great Mill and St. Catherine’s Church - two preserved medieval objects located in the historical city center of Gdansk - provide case studies to investigate positive and negative aspects. In both cases, the author carried out architectural projects for the functional purposes of museums: The New Amber Museum and Museum of Science. The author concludes that mutual benefits of adaptation result from: the financial means of the museum institution to invest long-term; the institutional respect of the museum towards heritage, which translates into respect for conservational protection; and the competitive advantage created by the monumental features of the building and the privileged location in a well-established, branded space. Negative aspects result from: space limitations of monuments that disable the museum from extending its exposition and thus prevent institutional development; the overly restrictive requirements of restoration that take priority over the museum mission; and the lack of technically functional space required for contemporary museum technologies, which forces unconventional engineering solutions that are more expensive than the location of the museum in a newly constructed building.

Il Museo Salinas: un case study di social museum … a porte chiuse / The Salinas Museum: a case study of social museums… behind closed doors

Directory of Open Access Journals (Sweden)

Elisa Bonacini

2016-06-01

“Closed for renovation, open by vocation” that is the slogan with which the archaeological museum “Antonino Salinas” in Palermo began to revive its image about a year ago. Closed for four years for the restoration of the architectural complex that houses it, the seventeenth-century Olivella’ s House of the Philippine Fathers, the museum has decided to open up to the public through a strategic mix of cultural and educational activities, exhibitions, advertising visual campaigns on various social networks (Facebook, Twitter, Youtube, Google+, Pinterest and throgh adhesion to social improvement campaigns for museums, from #invasionidigitali to #museumweek. The result, after a year, it is of an unprecedented success and of the creation of a real brand and total renovation of the museum’s reputation.

Rancang Bangun Aplikasi Augmented Reality Museum Bali Berbasis Android Studi Kasus Gedung Karangasem dan Gedung Tabanan

Directory of Open Access Journals (Sweden)

I Gede Aditya Nugraha

2016-08-01

Full Text Available Museum Bali is one of the museum which is located in Denpasar City that established since 1910. The Museum collections consist of items such as living equipment, art, religion, handwriting, and other things that show the situation and the development of the Balinese culture. Augmented Reality is a technology which combines two-dimensional virtual objects or three-dimensional virtual objects into the real environment. Museum Bali has decreased the amount of visitors in recent years and requires an innovation to promote Museum Bali. One innovation that is expected to promote the Museum Bali is to create an augmented reality application that called Augmented Reality Museum Bali in Android platform. Utilizing augmented reality technology that works by detecting the marker then it show up the 3D object and the information from one of the objectsin Museum Bali. Markerless method used in detection marker that make this application moreattractive and expected to be a new experience for the people who want to know more about Museum Bali.

Experiencing memory museums in Berlin. The Otto Weidt Workshop for the Blind Museum and the Jewish Museum Berlin

Directory of Open Access Journals (Sweden)

Ana Souto

2018-03-01

Full Text Available This article explores memory studies from the audience’s perspective, focusing on the perception of Holocaust narratives in two museums in Berlin. This research builds on and contributes to a number of emerging issues on memory studies, tourism perception and museum design: the debate on experiential authenticity, Dark Tourism, as well as the analysis of memory studies from the perspective of the user. The main data facilitating the analysis is based on responses shared on TripAdvisor; the case studies being the Otto Weidt Workshop for the Blind Museum and the Jewish Museum Berlin. The analysis of these museums, focusing on their narratives, design features and comments from visitors, will highlight a potential shift from the traditional object-focused museum, to a phenomenological subject-focused one. It will be argued, then, that the understanding and consumption of authenticity encompasses a very flexible definition, not only based on the nature of the objects exhibited, but on the production of authentic experiences.

Performance Of The IEEE 802.15.4 Protocol As The Marker Of Augmented Reality In Museum

Science.gov (United States)

Kurniawan Saputro, Adi; Sumpeno, Surya; Hariadi, Mochamad

2018-04-01

Museum is a place to keep the historic objects and historical education center to introduce the nation’s culture. Utilizing technology in a museum to become a smart city is a challenge. Internet of thing (IOT) is a technological advance in Information and communication (ICT) that can be applied in the museum The current ICT development is not only a transmission medium, but Augmented Reality technology is also being developed. Currently, Augmented Reality technology creates virtual objects into the real world using markers or images. In this study, researcher used signals to make virtual objects appear in the real world using the IEEE 802.14.5 protocol replacing the Augmented Reality marker. RSSI and triangulation are used as a substitute microlocation for AR objects. The result is the performance of Wireless Sensor Network could be used for data transmission in the museum. LOS research at a distance of 15 meters with 1000 ms delay found 1.4% error rate and NLOS with 2.3% error rate. So it can be concluded that utilization technology (IOT) using signal wireless sensor network as a replace for marker augmented reality can be used in museum

DEVELOPMENT OF A VIRTUAL MUSEUM INCLUDING A 4D PRESENTATION OF BUILDING HISTORY IN VIRTUAL REALITY

OpenAIRE

T. P. Kersten; F. Tschirschwitz; S. Deggim

2017-01-01

In the last two decades the definition of the term “virtual museum” changed due to rapid technological developments. Using today’s available 3D technologies a virtual museum is no longer just a presentation of collections on the Internet or a virtual tour of an exhibition using panoramic photography. On one hand, a virtual museum should enhance a museum visitor's experience by providing access to additional materials for review and knowledge deepening either before or after the real ...

Musei, raccolte e collezioni in Puglia / Museums and collections in Puglia

Directory of Open Access Journals (Sweden)

Francesca Imperiale

2012-12-01

Full Text Available Il lavoro illustra un’indagine sui musei di Puglia, come conseguenza delle lacune normative e conoscitive esistenti sul tema e della recente estensione del fenomeno a livello locale. Ci si interroga in particolare se tutte le realtà promosse come istituti museali siano dei musei secondo gli standard prevalentemente conosciuti ed applicati. In tale direzione, il lavoro, articolato in quattro paragrafi, approfondisce dapprima il significato del concetto di museo, a livello normativo e dottrinale, contrapposto a quello di raccolta o collezione. Successivamente, dopo una breve descrizione sulle origini, normativa regionale e stato dell’arte dei musei di Puglia, espone il modello di analisi sviluppato per distinguere i “veri” musei dalle “semplici” raccolte o collezione. In conclusione riporta i risultati conseguiti dall’analisi di 85 musei pugliesi ed alcune osservazioni sullo scenario emerso e sul modello di analisi sviluppato.   This paper has, as starting point, a survey about museums of Puglia. The main question is if all these museum institutions are real museums or not. With this purpose, this research deepens two main aspects. The first one is to understand the meaning of the museum concept, focusing on normative and doctrinal levels, and the differences between a museum institution and a collection. Then, after a brief description about the museum origins, the regional normative, and the museums of Puglia state of the art, the paper presents the analysis model developed in order to distinguish between “real” museums and “mere” collections. The conclusion of this research shows the analysis results of 85 museums of Puglia and some observations based on the emerging context and the analysis model.

Factors Influencing Museum Sustainability and Indicators for Museum Sustainability Measurement

Directory of Open Access Journals (Sweden)

Izabela Luiza Pop

2016-01-01

Full Text Available The purpose of this research was to identify the factors upon which museum sustainability depends and the way in which this can be measured. Methodologically, we applied a qualitative research approach, using semi-structured interviews with experts from the Romanian museum sector, complemented by an in-depth study of the literature in this field. Results indicated that any objective measuring of sustainability must take into account the size of a museum’s collections and its organizational structure. It was also found that museum type can affect sustainability via its competitive advantage. However, the sustainability of a museum is not strictly determined by these factors, but also by the management and marketing strategies applied. Based on analysis of literature- and respondent-based factors influencing sustainability, this article proposes a set of 33 indicators that can be used by museums to measure their sustainability, as well as a model that enables evaluation of the sustainability levels of various museums comparatively, regardless of their type, size or importance (e.g., national, regional and local. The results obtained are useful both from a theoretical point of view, given that there are few writings on this topic, and from a practical point of view, as they provide a basis for a clear, objective model of museum sustainability measurement.

Mobile drama in an instrumented museum: inducing group conversation via coordinated narratives

Science.gov (United States)

Callaway, Charles; Stock, Oliviero; Dekoven, Elyon; Noy, Kinneret; Citron, Yael; Dobrin, Yael

2012-03-01

Museum visits can be more enjoyable to small groups if they can be both social and educational experiences. One very rewarding aspect of a visit, especially those involving small groups such as families, is the unmediated group discussion that can ensue during a shared cultural experience. We present a situated, mobile museum system that delivers an hour-long drama to museum visitors. It perceives and analyzes group behavior, uses the result to dynamically deliver coordinated dramatic narrative presentations about the nearby museum exhibit, with the expected result of stimulating group discussion. To accomplish this, our drama-based presentations contain small, complementary differences in the content delivered to each participant, leveraging the narrative tension/release cycle of drama to naturally lead visitors to fill in missing pieces by interacting with friends, thus initiating a conversation. We present two evaluations for these story variations, one in a closed, non-mobile environment, and the other a formative evaluation to gauge how well the methodology used in the non-mobile evaluation performs in evaluating the fully implemented system in a real museum environment.

Museums Connect: Teaching Public History through Transnational Museum Partnerships

Directory of Open Access Journals (Sweden)

Richard J. W. Harker

2015-12-01

Full Text Available Museums Connect is a program funded by the US Department of State and administered by the American Alliance of Museums that sponsors transnational museum partnerships. This program provides one model for teaching public history in a transnational context, and this article analyzes the experiences of two university-museums—the Museum of History and Holocaust Education (MHHE in the United States and the Ben M’sik Community Museum (BMCM in Morocco—during two grants between 2009 and 2012. In exploring the impact of the program on the staff, faculty, and students involved and by analyzing the experiences and reflections of participants, I argue that this program can generate positive pedagogical experiences. However, in addition to the successes of the MHHE and BMCM during their two grants, the participants encountered significant power differentials that manifested themselves in both the processes and products of the grants. It is the conclusion of this article that both partners in a public history project need to address and confront potential power issues at the outset in order to achieve a more balanced, collaborative partnership.

Can Virtual Museums Motivate Students? Toward a Constructivist Learning Approach

Science.gov (United States)

Katz, James E.; Halpern, Daniel

2015-12-01

This study aims to assess the effectiveness of immersive environments that have been implemented by museums to attract new visitors. Based on the frameworks introduced by telepresence and media richness theories, and following a constructivist-based learning approach, we argue that the greater the similarity of an online museum experience is to its physical counterpart, the more positive will be the observer's perception of the collection. We reason that the similarity would lead online visitors to develop greater cognitive involvement which in turn will produce more positive attitudes toward the collection. In support of this argument, we present the results of a comparative study in which 565 participants were exposed randomly to four different exhibitions: two-dimensional collections of art and aircraft museums and three-dimensional tours of similar museums. Results indicate that whereas 3D tours have a strong effect on users' intentions to visit the real museum, cognitive involvement and sense of presence mediate the association between these variables. In terms of managerial implications, our study shows that if educational professionals want to stimulate their students to visit museums, 3D tours appear to be more effective for engaging learners through a realistic-looking environment. By offering richer perceptual cues and multimodal feedback (e.g., users can view 3D objects from multiple viewpoints or zoom in/out the objects), the study suggests that participants may increase their reasoning process and become more interested in cultural content.

Development of a Virtual Museum Including a 4d Presentation of Building History in Virtual Reality

Science.gov (United States)

Kersten, T. P.; Tschirschwitz, F.; Deggim, S.

2017-02-01

In the last two decades the definition of the term "virtual museum" changed due to rapid technological developments. Using today's available 3D technologies a virtual museum is no longer just a presentation of collections on the Internet or a virtual tour of an exhibition using panoramic photography. On one hand, a virtual museum should enhance a museum visitor's experience by providing access to additional materials for review and knowledge deepening either before or after the real visit. On the other hand, a virtual museum should also be used as teaching material in the context of museum education. The laboratory for Photogrammetry & Laser Scanning of the HafenCity University Hamburg has developed a virtual museum (VM) of the museum "Alt-Segeberger Bürgerhaus", a historic town house. The VM offers two options for visitors wishing to explore the museum without travelling to the city of Bad Segeberg, Schleswig-Holstein, Germany. Option a, an interactive computer-based, tour for visitors to explore the exhibition and to collect information of interest or option b, to immerse into virtual reality in 3D with the HTC Vive Virtual Reality System.

Interment: re-framing the death of the Red Location Museum building (2006 - 2013

Directory of Open Access Journals (Sweden)

Michelle Smith

Full Text Available The design and construction of the Red Location Precinct was the culmination of a national architectural competition, the first outcome of which was the Red Location Museum. Situated in New Brighton, Port Elizabeth, the materiality of the township impressed itself on the factory-styled museum building. However, the residents of New Brighton were not unanimously in favour of the building of a cultural precinct and museum, and through a number of protests, closed down the museum. Renaming it 'a house for dead people', the community began to disassemble the museum building. The museum is now a ruin, its frame decomposing. Rather than staging the porousness between an inside and an outside of the museum - and between the past and present, the real and the simulated, the living and the dead - as a problem to be worked out in dialogue, the museum has, by framing the struggle against apartheid commemoratively, incorporated the residents of New Brighton into what is called here a 'mortificationary complex'. This article elaborates the concept of the frame as it works through the displays within the Red Location Museum and its building, reframed by Simon Gush's installation, Red. Juxtaposing Red and the Red Location Museum allows the affects and effects of this artwork to seep beyond the confines of the events with which it explicitly grapples. Through the concept of the frame, this encounter asks that we rethink the materiality of the photograph, the commemoration of the struggle against apartheid, and the ways in which death marks the sights and sites of public history in museums after 1994.

Communicative Functions of the Museum Lobby

DEFF Research Database (Denmark)

Mortensen, Christian Hviid; Rudloff, Maja; Vestergaard, Vitus

2014-01-01

In a time with a heightened focus on how museum architecture and exhibition design shapes the museum visit, the entrance space of museums, the museum lobby, is remarkably absent from the museum literature and research. Still, the museum lobby is the first encounter visitors have with the museum...... and the last impression that they take home and share with others. This article analyzes museum lobbies as communication spaces in order to identify the different functions afforded by such spaces. In an explorative study of five Danish museum lobbies, we offer a preliminary categorization of these functions...

Implementasi Augmented Reality (AR) Pada Pengenalan Koleksi Museum Aceh Sebagai Sarana Pembelajaran Multimedia Berbasis Android

OpenAIRE

Heriza, Rahmat

2016-01-01

131421024 Berkembang nya laju teknologi Augmented Reality (AR) membuat kehidupan menjadi lebih real, dengan menggabungkan dunia maya kedalam dunia nyata dalam bentuk 3 Dimensi dengan menggunakan fitur kamera. Tujuan aplikasi ini memberi edukasi dan informasi kepada masyarakat mempelajari koleksi Museum Aceh dengan memanfaatkan teknologi augmented reality. AR sangat membantu dalam visualisasi bentuk objek, maka dengan dibuat nya aplikasi ini sebagai media pembelajaran objek koleksi Museum A...

La correspondencia entre la construcción de experiencias auténticas y la interpretación del patrimonio. Reflexiones desde la autenticidad existencial

OpenAIRE

Rico Cánovas, Elisa

2016-01-01

En este artículo se aborda la relación entre el concepto de autenticidad y el patrimonio cultural. Se analizan los puntos de encuentro entre ambos términos que se consideran claves para entender los diferentes turismos culturales en la actualidad, caracterizados por la especial relevancia que se le atribuye al componente emocional y sensorial. Estas experiencias se enmarcan en las nuevas tendencias de comportamiento y de motivación que se observan desde el lado de la demanda turística, fruto ...

MUSEUMS, MARKETING, TOURISM AND URBAN DEVELOPMENT. THE BRITISH MUSEUM – A SUCCESSFUL MODEL FOR ROMANIAN MUSEUMS

Directory of Open Access Journals (Sweden)

Răzvan-Andrei CORBOS

2011-01-01

Full Text Available The continuous growth of cultural influence upon the modern societycombined with the increasing role of tourism in the economic life of cities, ledto the development of the “emblem museums”. The “emblem museum”usually becomes a touristic attraction objective that must be visited bytourists from a city, and by taking the decision of prolonging their staying inthat city, the tourists will increase the amount of money they spend in thatlocation. The “emblem museums” represent a way to develop urban tourism,gain competitive advantage and attract new sources of income for the city`seconomy. A recent study showed that 3 out of 10 tourists visited London forits museums. One of them is the British Museum, which, in 2010 was on the2nd place in the top10 world`s most visited museums. This study aims topresent the British Museum from the mix marketing perspective, from thevisitor’s point of view, and to present some of the good practices this giant isusing to attract more visitors and to maintain its competitive advantage,practices which may be used by Romanian museums in order to increase thevisitors number and to obtain a better position in the economy life ofRomanian cities.

Virtual Museums as Educational Tool

DEFF Research Database (Denmark)

2007-01-01

Virtual Museums as Educational Tool On this web site you will find a collection of resources on virtual museums. The web site is meant to be a knowledge base for people with interest in museums, virtuality and education, and how virtual museums may contribute to adult education and lifelong...

Museums and Their Functions.

Science.gov (United States)

Osborne, Harold

1985-01-01

Historical background concerning the nature and function of museums is provided, and the aesthetic functions of museums are discussed. The first major aesthetic function of museums is to preserve the artistic heritage of mankind and to make it widely available. The second major function is patronage. (RM)

Orientalist Imaginations and Touristification of Museums

DEFF Research Database (Denmark)

Ooi, Can-Seng

2005-01-01

This paper draws inspiration from Edward Said's orientalism, and examines how the three National Museums of Singapore - the Singapore History Museum, the Singapore Art Museum and the Asian Civilizations Museums - are orientalized. The process is mediated through the museums' close links to touris...

Projections on museum exhibits - engaging visitors in the museum setting

DEFF Research Database (Denmark)

Basballe, Ditte Amund; Halskov, Kim

2010-01-01

Using animation, text, and visual effects as elements of projections on the Danish rune stone, Mejlbystenen (the Mejlby stone), we have explored approaches to engaging museum visitors. The installation positions itself in the field of previous installations and experiments exploring projection...... on physical objects, but is unique in focusing on fusing the projection and the object in an engaging approach to communicating information at a cultural heritage museum. The Mejlby stone installation is now a permanent installation at a cultural and historical museum, and, based on observation as well...

The Herbert Virtual Museum

Directory of Open Access Journals (Sweden)

Panagiotis Petridis

2013-01-01

Full Text Available In recent years, virtual reality and augmented reality have emerged as areas of extreme interest as unique methods for visualising and interacting with digital museum artefacts in a different context, for example, as a virtual museum or exhibition, particularly over the Internet. Modern cultural heritage exhibitions have evolved from static to dynamic exhibitions and challenging explorations. This paper presents two different applications developed for the Herbert Museum and Art Gallery that make the user’s experience more immersive, engaging, and interactive. The first application utilizes mobile phone devices in order to enrich the visitors experience in the museum, and the second application is a serious game for cultural heritage and in particular for museum environments focusing on the younger visitors.

The museum as information space

DEFF Research Database (Denmark)

Navarrete, T.; Mackenzie Owen, J.

2016-01-01

space to being outside the museum in the online information space of the Internet. This has fundamental implications for the institutional role of museums, our understanding of metadata and the methods of documentation. The onsite museum institution will, eventually, not be able to function...... as an institutional entity on the Internet, for in this new information space, objects, collections and museums, all function as independent components in a vast universe of data, side by side at everyone’s disposal at anytime. Potentially, users can access cultural heritage anytime, anywhere and anyhow. © The Author......Although museums vary in nature and may have been founded for all sorts of reasons, central to all museum institutions are the collected objects. These objects are information carriers organized in a catalogue system. In this chapter, the museum will be conceived as an information space, consisting...

Put a Frame on It: Contextualizing Climate Change for Museum Visitors

Science.gov (United States)

Canning, Katharine

Public opinion polls continue to show that Americans are divided---particularly along political and ideological lines---on whether climate change is real and warrants immediate action. Those in the natural and social sciences have recognized that effective communication is key to closing the gap that exists between scientific and public understanding on this issue. A body of social science research on climate change communication has emerged within the last decade. This field has identified strategies for climate change communicators and educators, emphasizing the importance of framing climate change issues in ways that help it resonate with a wider range of public concerns and values in order to develop a shared belief regarding the necessity of action. Museum exhibits and programs on climate change that were developed within the last five years are likely to have benefitted from this body of work. This qualitative research seeks to examine and analyze the various ways museums in the United States are communicating about climate change related issues to the public. Three case studies of museum exhibits on climate change issues were examined. The scope and purpose of climate change communication in museums, the specific messages that museums are choosing to communicate, and how those messages are being framed for public audiences were explored through these case studies. The findings suggest that museums are considering their audience when framing messages about climate change and have used work from the climate change communication field to inform message development. In particular, museums are making climate change issues more relevant by emphasizing social, economic, and human health concerns, and are considering strategies to counteract fear-fatigue and empower visitors to take action.

The Behavior of Online Museum Visitors on Facebook Fan Page of the Museum in Indonesia

Directory of Open Access Journals (Sweden)

Arta Moro Sundjaja

2017-11-01

Full Text Available The objective of this research was to discover the behavior of museum visitors on Facebook fan page in Indonesia based on the user motivation, user expectation, online community involvement, and Facebook fan page of the museum. This research used a quantitative approach to descriptive analysis. The population was the Facebook users who had followed the Facebook fan page of the museum in Indonesia. The samples used were 270 respondents. The researchers distributed the questionnaire to a Facebook group managed by museums or communities. Based on the demographic profile of respondent, the researchers discover that the respondents are highly educated, work as employees or student, and allocate more than Rp500.000,00 per month for traveling expense. Based on social media behavior of the respondents, the respondents are active using Facebook and not aware of the presence of museum in social media. The respondents require museum information, social interaction, and entertainment on Facebook fan page of the museum. Therefore, museum managers must maintain the content quality and perceived usefulness in delivering the information through Facebook. The involvement of cultural community can help people to get honest information about museum through credible opinion from the respondents.

Museums and Their Enemies.

Science.gov (United States)

Haskell, Francis

1985-01-01

Since the eighteenth century, both artists and art historians have received educational benefits from public art museums. The main function of public museums, however, has usually been the improvement or refinement of public taste. But in addition to education and pleasure, another museum objective is that of moral improvement. (RM)

National Museum of Military History

Directory of Open Access Journals (Sweden)

A Nicolaides

2011-01-01

Full Text Available Attractions such as military history museums which exhibit a wide range of important historical artefacts are fundamental sub-elements in any tourism systems, and yet their study suffers from lack of theoretical depth. Military history is an integral element of the history of any nation and countless varieties of tourists both local and international, visit military museums whenever the opportunity presents itself because museums are generally stimulating places of interest. This article focuses predominantly on international tourists visiting the Ditsong National Museum of Military History. In addition to the interest that such museums generate, they play a key role as the organizational foundation stones of modernity. It is via their many interesting exhibits that museums enlighten us about the past that intrinsically highlights its distance from the present era. Museums also selectively reconstitute aspects of history and in so doing alienate many artefacts from their original context and yet manage to impart deep understanding of events that shaped the modern world. Museums of all types thus impart knowledge and have a wide range of tales to tell concerning the many and diverse assortments of objects they hold. National pride is an obvious reason for having a military museum where the comprehensive display of military equipment is exceptionally unique while exhibition halls also offer an educational narrative of a nation’s history. What is also of interest to many visitors is the type of research that is carried out in a multiplicity of ways. The huge global growth in tourism in recent years has contributed to many museums radically altering their exhibits in both content and manner of exhibition. This is significant given the reciprocal impact that museums and tourism have on one another. The attractions in museums are regarded by many to be central to the tourism process and these are very often the main reason for many tourists visiting

Museums as Spaces for Cultural Citizenship

DEFF Research Database (Denmark)

Sattrup, Lise; Lejsgaard Christensen, Julie

2013-01-01

Ten museums and cultural institutions in Denmark examine their role as spaces for cultural citizenship. Based on one exhibition case at Thorvaldsen Museum, the paper will discuss how the theoretical framework of the project challenges the museums.......Ten museums and cultural institutions in Denmark examine their role as spaces for cultural citizenship. Based on one exhibition case at Thorvaldsen Museum, the paper will discuss how the theoretical framework of the project challenges the museums....

Sustainability in Modern Art Museums

DEFF Research Database (Denmark)

Campolmi, Irene

2013-01-01

The paper analyzes the concept of sustainability in European governmental museum policies. It takes into consideration great modern art museums, particularly Tate Modern. On the one hand, the issue of sustainability is linked to art museums inasmuch these institutions operate for the sustainable...... to their eligibility for funding and it is indeed an economic rather than a cultural issue. Though, modern art museums’ sustainability relies not only in developing economic and environmental strategies but mostly in creating cultural policies that favor art museums in accomplishing same tasks but from different...... curatorial and managerial perspectives. A long-term sustainable museum model steps beyond Foucault’s notion that art museums are “heterotopy”, i.e. spaces that present art as an alternative phenomenon outside reality. On the contrary, a sustainable model for museums acts as “archètopy”, i.e. a space (tòpos...

Det medialiserede museum

DEFF Research Database (Denmark)

Rudloff, Maja

2013-01-01

Over the past two decades, digital technologies have gained a greater and more important role in communication and dissemination of knowledge by museums. This article argues that the digitization of museum communication can be viewed as a result of a mediatization process that is connected...... to a cultural-political and museological focus on digital dissemination, in which user experience, interactivity, and participation are central concepts. The article argues that the different forms of communication, representation, and reception offered by digital media, together with the interactive and social...... of museum visiting has been transformed and somewhat adapted to new media-created forms of communication and action. From a more general perspective, the article may be regarded as a contribution to a continuous discussion of the role museums must play in a mediatized society....

La integridad del contenido y la autenticidad de origen en la transmisión o puesta a disposición de la factura

Directory of Open Access Journals (Sweden)

Juan Jesús Martos García

2011-10-01

Full Text Available

Desde la aprobación de la Directiva 2001/115/CE, la normativa comunitaria regula la factura transmitida y conservada digitalmente, al establecer como requisito genérico para su aceptación que se garantice la integridad del contenido y la autenticidad de origen. La aprobación de la Directiva 2010/45/UE, que tendrá que ser transpuesta antes del 1 de enero del 2013, modifica el marco jurídico de la factura electrónica, al afectar directamente a esta exigencia, lo que sin duda implicará una reforma de nuestra normativa interna.

Analisa Minat Wisata Museum Kota Bandung

Directory of Open Access Journals (Sweden)

Ani Solihat

2016-09-01

ABSTRACT Museum is a collection of historical objects as evidence that should be known by the public, especially the new generation as a study of the history. In Bandung there are a number of museums including the Geology Museum, Asian-African Museum, Mandala Wangsit Siliwangi Museum, Post Museum, Sri Baduga Museum, and Barli Museum. All six of the museum managed by the government and private parties. Until now the interest of tourists who come to the city of Bandung is just shopping, dining and tours of the city, it is not significant to the interests wisatawa education at the museum in the city of Bandung. Since 2014 Bandung many improvements done in various places, such as parks, Square Bandung, street like Braga as one of the attractions of the past, Dago, including the Asian-African region serve as a place Asian-African Conference ke- 50, it is one of the magnets increase the tourists to visit the city of Bandung. Increasing the tourists should have a great potential for the government of Bandung in increasing interest in the visit to the museum as a means of travel and history education. The purpose of this study was to identify how big tourist interest in visiting Bandung museums. The method used in this research is descriptive quantitative method, while respondents in this study is that Bandung tourists, which is in the area of shopping area, culinary tours, and city tours. The results showed that the interest  Bandung tourists is very low in visiting the museum in the Bandung city.  Keyword : Tourism, Consumer Interest, Museum Tours

Restoran Museum = Museum Restaurant

Index Scriptorium Estoniae

2009-01-01

Tallinnas Vana-Viru 14 asuva restorani Museum sisekujundusest. Sisearhitekt Toomas Korb, tema tähtsamate tööde loetelu. Varem paiknes nendes ruumides tuletõrjemuuseum, endiseid asukaid meenutavad raamitud mustvalged fotod. Ruumi ilmestavad Tom Dixoni loodud kuulvalgustid

MUSEUMS AS CULTURAL TOURISM ATTRACTIONS IN UBUD

Directory of Open Access Journals (Sweden)

Ida Bagus Kade Subhiksu

2016-03-01

Full Text Available Recently, there has been a shift in the attributes of several museums in Ubud in order to attract more tourists to visit museums as cultural tourism attractions. Some museums have expanded their collections and add other attributes to complement their main collections, which as the potential to alter the idealism, functions, and roles of museums. Another challenge faced by museum operators is the development of other tourist attractions, such as the addition of tourism destination attributes in Ubud, which was initially known as tourism destinations that offered art and culture such as dance performances and museums, and now have expanded into yoga destination, adventure destination, and so on. Based on these factors, the problem statements in this research are formulated as follows: (1 How are museums as tourist attractions in Ubud area, from the perspective of operators? (2 How are museums as tourist attractions in Ubud area, from the perspective of visitors? (3 How is the relationship between museums and other tourism components when examined from the role of museums as cultural tourism attractions in Ubud area?. This research on museums was conducted in the Ubud area because Ubud has made museums as the cultural tourism attractions in the area, which include the Blanco Museum, Museum Puri Lukisan, Agung Rai Museum of Art (ARMA, the Rudana Museum, and Neka Art Museum. This research is based on the theories of museum management, marketing, and theories on cultural tourism attraction. The research involved the participation of 82 foreign visitors and 79 domestic visitors as respondents, in addition to five museum owners and two museum professionals as informants. The conclusion of this research are as follows: (1 From the perspective of museum operators, museums function as cultural tourism attractions, as sources of historical information, as the media for cultural preservation, and the actualization of the noble objective of the museum

Climate Museum and Garden

Science.gov (United States)

Gregg, Jay; Bille, Dorthe

2017-04-01

The Climate Museum and Garden is conceived as a cross-disciplinary experience, where the arts and sciences link together to increase understanding of the Earth's climate and its relevance to our fate as a species. This would be a place of inspiration. The Climate Museum and Garden would merge concepts of modern art museums and modern science museums, with exhibitions, live music and theater performances, visitor interaction, unique discoveries and reflection. It would be a place where visitors are immersed in experiences, lingering indoors and out in quiet consideration and gratitude for our planet's atmosphere. The story of climate change is compelling in its own right; theories of the greenhouse effect go back over century and climate policy has stretched back a few decades. Whereas scientific researchers have been contributing to understanding the mechanisms and impacts of climate change for many decades; whereas researchers have participated in climate summits and informed policy makers; whereas researchers have taught classes of gifted students; in all of this, the public has mostly missed out. This public relations gap has been unfortunately filled by those that would seek to politicize and mislead the public, leading to an engagement gap among the general public. Now we stand on a precipice. Therefore we see a ripe opportunity to reach out and inspire the population. We build off of current pedagogic research that shows that experienced-based learning is more impactful when it engages the senses and elicits an emotional response. People understand what they experience, what they feel, and this serves as the basis for personal reflection. In this sense the visitor experience is generative, in that it promotes further personal investigation and interaction. The Climate Museum and Garden would be a start. In the future, we envisage a future network of climate museums in all major cities. It would be a flagship attraction for any city, along with their art

Telerobotic Haptic Exploration in Art Galleries and Museums for Individuals with Visual Impairments.

Science.gov (United States)

Park, Chung Hyuk; Ryu, Eun-Seok; Howard, Ayanna M

2015-01-01

This paper presents a haptic telepresence system that enables visually impaired users to explore locations with rich visual observation such as art galleries and museums by using a telepresence robot, a RGB-D sensor (color and depth camera), and a haptic interface. The recent improvement on RGB-D sensors has enabled real-time access to 3D spatial information in the form of point clouds. However, the real-time representation of this data in the form of tangible haptic experience has not been challenged enough, especially in the case of telepresence for individuals with visual impairments. Thus, the proposed system addresses the real-time haptic exploration of remote 3D information through video encoding and real-time 3D haptic rendering of the remote real-world environment. This paper investigates two scenarios in haptic telepresence, i.e., mobile navigation and object exploration in a remote environment. Participants with and without visual impairments participated in our experiments based on the two scenarios, and the system performance was validated. In conclusion, the proposed framework provides a new methodology of haptic telepresence for individuals with visual impairments by providing an enhanced interactive experience where they can remotely access public places (art galleries and museums) with the aid of haptic modality and robotic telepresence.

SEMIOTIC MODELS IN MUSEUM COMMUNICATION

Directory of Open Access Journals (Sweden)

Plokhotnyuk Vladimir

2018-02-01

Full Text Available This article proposes a way of formalizing the description of various types of relations between the elements of museum communication based on the semiotic approach and the concepts introduced by F. de Saussure, C.S. Pierce and C.W. Morris. Semiotic models can be used to explain the specifics of museum communication for museum studies and as a methodological basis for developing various versions of databases or other software for museum affairs.

Young people’s own museum views

DEFF Research Database (Denmark)

Drotner, Kirsten; Knudsen, Line Vestergaard; Mortenesen, Christian Hviid

2017-01-01

Taking a mixed-methods, visitor-focused approach to views on museums, this article examines what views young Danes aged 13–23 years (n = 2,350) hold on museums and how these views can be categorized and articulated. Arguing that studying views of museums as socially situated meaning-making practi......Taking a mixed-methods, visitor-focused approach to views on museums, this article examines what views young Danes aged 13–23 years (n = 2,350) hold on museums and how these views can be categorized and articulated. Arguing that studying views of museums as socially situated meaning...

NSU Art Museum Fort Lauderdale | Art Museum in Fort Lauderdale

Science.gov (United States)

NSU Art Museum Fort Lauderdale Visit Admissions Hours & Admission Policies & Accessibility Airports Shop & Dine About the Café & Store Store Café Menu Art Exhibitions Currently on View Thursday 2-for-1 specials on wine and craft beer in the Museum Café, and hands-on art projects for all

Another New Museum?

DEFF Research Database (Denmark)

Michels, Christoph; Beyes, Timon; Steyaert, Chris

2014-01-01

city is at work in the planning of a new art museum in a medium-sized Swiss city. The analysis shows how the entrepreneurial rationale is contested and re-appropriated through the use of classic and situational modes to organize this cultural institution. The ways of imagining the museum are described...... as the effects of these three modes of ordering – entrepreneurial, classic, and situational – as well as their hybridization. The authors conclude that by attending to the multiple layers of urban life, which unfold in and around museums, we can imagine other ‘new museums’ than those of the entrepreneurial city....

Migration, Socially Engaged Museum Theme, and Why Slovenian Museums Successfully Avoid it?

Directory of Open Access Journals (Sweden)

Verena Perko

2016-12-01

Full Text Available In the last year, the refugee crisis has turned into a human tragedy, in many ways resembling that of World War Two. The Mediterranean Sea, the highly praised Mare Nostrum, has become a horrifying collective tomb for countless people. Another consequence of war is also the destruction of historical urban centres, monuments, and other cultural heritage in so-called crisis areas – a destruction which has reached unfathomable proportions. Museums all across the world have actively responded to society’s needs. Their goal has been to encourage an open dialogue in our society, as well as alleviate fear of the unknown, and reduce the tide of hatred before it reaches world-shattering proportions. During the refugee crisis, it has become apparent that an intersocietal dialogue is both a necessity and a definitive imperative; without it, the society of the future cannot possibly be assured. Modern society has given museums the role of being a credible medium with a mission to communicate heritage contents. By using a metaphorical and metonymic language museums have an extraordinary social power and represent a bridge between science and modern society, between societies of the past and present, between the elites and marginal groups. The museum reformers of the second half of the 20th century were of the opinion that, despite many reorganizations, museums cannot serve the needs of modern society. This was the reason a new museology emerged that substantiates museums as a socially responsible institution. It equips that institution with specific theoretical knowledge that enables the conversion of heritage into a socially relevant communication of a nonverbal nature. The article theoretically argues for modern museum concepts and, using them, contemplates social responsibility in the inner workings of Slovenian museums. Contemporary museums or post-museums are institutions that carry out active social tasks. An engaged manner brings along social

Spectacular Attractions: Museums, Audio-Visuals and the Ghosts of Memory

Directory of Open Access Journals (Sweden)

Mandelli Elisa

2015-12-01

Full Text Available In the last decades, moving images have become a common feature not only in art museums, but also in a wide range of institutions devoted to the conservation and transmission of memory. This paper focuses on the role of audio-visuals in the exhibition design of history and memory museums, arguing that they are privileged means to achieve the spectacular effects and the visitors’ emotional and “experiential” engagement that constitute the main objective of contemporary museums. I will discuss this topic through the concept of “cinematic attraction,” claiming that when embedded in displays, films and moving images often produce spectacular mises en scène with immersive effects, creating wonder and astonishment, and involving visitors on an emotional, visceral and physical level. Moreover, I will consider the diffusion of audio-visual witnesses of real or imaginary historical characters, presented in Phantasmagoria-like displays that simulate ghostly and uncanny apparitions, creating an ambiguous and often problematic coexistence of truth and illusion, subjectivity and objectivity, facts and imagination.

Mobile Technologies in Museum Exhibitions

Directory of Open Access Journals (Sweden)

Sandra Medić

2014-10-01

Full Text Available In order to be up–to–date and give visitors a memorable and unique experience, museums are including usage of digital technologies in their exhibitions. Even though museums in Serbia are very important part of tourism offer, they still have traditional settings that are poorly interpreted. The majority of them have a scientific and historical review which is unattractive for various target groups of visitors and for museums it’s important to continually try out new ways in interpretation of their settings. Because technology continues to rapidly change the way we communicate, cultural institutions should adapt to new ways of communication with their visitors. This paper examines mobile technologies that can be used in museums to give visitors a different experience and transfer the knowledge innovatively. In that way it will be presented the modern concept of presentation of museum exhibitions, focusing on usage of mobile devices through mobile applications and QR codes. The paper provides the broad understanding of usage mobile technologies in museum exhibitions with its advantages and limitations. The research results can help the museums management to improve interpretation and communication with visitors and enrich the visitor experience.

RESOURCE CENTRE AT THE SOUTH AFRICAN MUSEUM

African Journals Online (AJOL)

ciunl ictlt.P cnnipc;. Material from other museums. Worksheets, activity books, guides, pamp~lets and other educational material from museums 1n Southern. Africa and overseas are kept in the museum education section of the Resource Centre. General infonnation on museums and museum technology are also collected.

Is Museum Education "Rocket Science"?

Science.gov (United States)

Dragotto, Erin; Minerva, Christine; Nichols, Michelle

2006-01-01

The field of museum education has advanced and adapted over the years to meet the changing needs of audiences as determined by new research, national policy, and international events. Educators from Chicago's Adler Planetarium & Astronomy Museum provide insight into a (somewhat) typical museum education department, especially geared for readers…

The British Museum: An Imperial Museum in a Post-Imperial World

Directory of Open Access Journals (Sweden)

Emily Duthie

2011-12-01

Full Text Available This article examines the British Museum’s imperialist attitudes towards classical heritage. Despite considerable pressure from foreign governments, the museum has consistently refused to return art and antiquities that it acquired under the aegis of empire. It is the contention of this article that the British Museum remains an imperialist institution. The current debates over the British Museum’s collections raise profound questions about the relationship between museums and modern nation states and their nationalist claims to ancient heritage. The museum’s inflexible response to repatriation claims also encapsulates the challenges inherent in presenting empire and its legacy to contemporary, post-imperial audiences.

75 FR 8139 - Institute of Museum and Library Services; Sunshine Act Meeting of the National Museum and Library...

Science.gov (United States)

2010-02-23

... policies with respect to the duties, powers, and authorities related to Museum and Library Services. If you... NATIONAL FOUNDATION ON THE ARTS AND THE HUMANITIES Institute of Museum and Library Services; Sunshine Act Meeting of the National Museum and Library Services Board AGENCY: Institute of Museum and...

How to Visit a Museum.

Science.gov (United States)

Rebetez, Pierre

The primary aim of this study is to encourage schools and museums to unite their efforts to further the use of the museum for teaching purposes and to promote the full development of creative faculties. The educational function of the museum is explored in consideration of the thirteen to eighteen year old age group. A recurring theme throughout…

The Conference in the Moscow Kremlin State Museums “Historical Weapons in Museums and Private Collections”

OpenAIRE

Sergey P. Orlenko

2017-01-01

In November 2016 in the Moscow Kremlin State Historical and Cultural Museum and Heritage Site in the framework of events dedicated to the 210th anniversary of the Armoury Chamber museum, an international conference “Historical weapons in museums and private collections”. This scientific forum continued the tradition of conferences held in the Moscow Kremlin Museums in 1999-2007. The participants of this forum discussed a number of priority topics for the studies of the weapon collection h...

Museum metamorphosis à la mode

DEFF Research Database (Denmark)

Baggesen, Rikke Haller

2014-01-01

museum practices correspond to the logic of fashion. Where Foucault once described museums as heterochronias; places representing an ’other-time’, museums now strive to be both of their time and in time with the Zeitgeist. As a consequence, they must keep up with the speedy cycles of technological...... advancements and cultural change, and not only deliver, but also stoke the desire for, novel experiences. The paper explores the current vogue for fashion exhibitions as a case in point, arguing that this trend serves to promote the museum as fashionably current, but can also support novel formats for cultural...

Museums and the Representation of War

Directory of Open Access Journals (Sweden)

Jay Winter

2012-11-01

Full Text Available Museums are the cathedrals of the twenty-first century, in that they have filled the void left by the conventional churches as a site in which mixed populations of different faiths or no faith at all, of different origins and beliefs, confront and meditate on sacred themes – sacrifice, death, mourning, evil, brotherhood, dignity, transcendence.1 War not only belongs in museums; war dominates museum space in much of the public representation of history and will continue to do so. That being so, it is the task of war museums to persuade visitors to pose the question: how can war be represented? While there is no adequate answer to this question, museum professionals must try to answer it anyway with a large dose of humility. By avoiding the didactic mode, that is, that they know the answer and will present it to the visitors, they can perform a major public service. By admitting the magnitude of the problems inherent in trying to represent war, and through it, trying to represent the pain of others, museum directors and designers fulfil a critical social task. Knowing about war is the business of an informed citizenship, and museums are those sites where moral questions are posed, questions inevitably raised about war, questions about sacrifice, suffering, brotherhood, courage, love, recovery, transcendence. Museums enable visitors to pose these enduring questions, by converting war time into museum space.

Museums and geographies of (national power

Directory of Open Access Journals (Sweden)

Gavrilović Ljiljana

2008-01-01

Full Text Available The paper raises a discussion about the relation of museums and (national politics, primarily about the concept of 'apolitcism' of museum work, the idea that is spread among many museum workers as reality. I analyze the process of appearing of big museums in Europe and Serbia, as well as the aims of their work, in order to show that museums - from the very beginning of their appearing - function as means for consolidating national borders (outer and inner, teaching about patriotism. I also analyze the influence of German romanticism, that created the illusion of 'apoliticism' of the culture in general, as well as of museums. The change of attitude towards the state-as-nation in contemporary European community means also the change of museologic activities that should take part in the constitution of Europeism/European identity as meta-nation. That change has not still come to museums in Serbia, which points to the fact that society has not changed yet in the direction of appropriating of European values.

Engaging Experiences in Interactive Museum Exhibitions

DEFF Research Database (Denmark)

Borup Lynggaard, Aviaja; Langballe, Line; Geert Jensen, Birgitte

2005-01-01

and history museums. There is considerable potential in the development of experiences and in the communication of information customized to visitors in the museum apart from personally held information devices. The paper will present background research for developing solutions to a new media museum......The aim of the present paper is to outline possibilities for the development of combined IT and architectural concepts supported by joint engaging experiences for visitors to the room of the museum of the future. Focus is upon a joint experience, as many existing IT-systems designed for museums...... primarily appeal to a strong individualised experience where the visitor views a PDA or similar, rather than experience the atmosphere and interaction of the room. In this context, there are several examples from practice and in the research literature of IT-systems for science centres, art museums...

Museums in Cultural Tourism in Poland

OpenAIRE

Krakowiak, Beata

2014-01-01

The article presents the museums, their potential and their significance for cultural tourism in Poland. Its aims are achieved through a presentation of registered national museums, ‘monuments of history’, museum buildings and the cultural activities undertaken by these institutions

Can museums survive the postmodern?

Directory of Open Access Journals (Sweden)

Suzanne Keene

2005-08-01

Full Text Available Although archaeologists regard museums as vital repositories of important research materials, museum professionals take a broader view of their role in not only preserving natural and cultural heritage but also of how they could or should be presented, or interpreted, to the public. In this personal view, issues of what museums should be, or seek to be, in a postmodern world are explored.

From interventions to interactions: Science Museum Arts Projects’ history and the challenges of interpreting art in the Science Museum

Directory of Open Access Journals (Sweden)

Hannah Redler

2009-06-01

Full Text Available Hannah Redler’s paper examines the 13 year history of Science Museum, London’s contemporary art programme and explores how changing cultural conditions and the changing function of museums are making the questions raised by bringing art into the Science Museum context increasingly significant. It looks at how Science Museum Arts Projects started as a quirky, experimental sideline aimed at shaking up the Museum and its visitors’ assumptions, but has now become a fundamental means by which the Science Museum chooses to represent the impact of science, medicine, engineering and technology on peoples’ everyday lives.

Contemporary collaborations between museums and universities

DEFF Research Database (Denmark)

Knudsen, Line Vestergaard; Simonsen, Celia Ekelund

2017-01-01

Numerous new types of cross-institutional collaborations have been conducted recently at the intersection between museums and universities. Museums of all subject areas have collaborated with university researchers, just as scholars from a broad range of disciplines including communications, media...... studies, IT and performance design and tourism increasingly collaborate with museums. Based on qualitative evaluation material and autobiographical experiences, this article analyzes a large Danish research project in which collaborations between several museums and universities took place. We investigate...

Playful Learning Culture in the Museum

DEFF Research Database (Denmark)

Marchetti, Emanuela

2013-01-01

not undergone much investigation. This study was conducted in cooperation with two historical museums, these being the Transport Museum in Coventry, England and The Viking Museum in Ribe, Denmark. A new learning platform called MicroCulture has been created, aimed at eliciting a sociocultural understanding......Museum learning culture is going through a paradigmatic change. Two main positions are dominant: the modernist, emphasizing the need for assessment and uniform learning outcomes, and the postmodern, encouraging dialogue and multiple learning outcomes. A critical factor is the potential contribution...... of history in young visitors. This study indicates that museum learning culture could be enriched by the introduction of mediated play as a resource for conceptual thinking and social interaction....

77 FR 68827 - Notice of Intent To Repatriate Cultural Items: The Museum of Indian Arts and Culture, Museum of...

Science.gov (United States)

2012-11-16

... Intent To Repatriate Cultural Items: The Museum of Indian Arts and Culture, Museum of New Mexico, Santa Fe, NM AGENCY: National Park Service, Interior. ACTION: Notice. SUMMARY: The Museum of Indian Arts... Museum of Indian Arts and Culture. DATES: Representatives of any Indian tribe that believes it has a...

Authenticity and origin of prehispanic ceramic material, analysis of zapotecan urns of the Ontario Real Museum

International Nuclear Information System (INIS)

Ramirez L, A.; Schaaf, P.; Martinez, Y.; Ortiz D, E.; Lazos, L.; Ruvalcaba, J.L.; Sellen, A.

2003-01-01

The Zapotec culture flourished approximately in Oaxaca of the year 220 B.C. up to the 800 D.C., in their funeral acts the Zapotec often took to the tomb to their deads accompanied of rich offerings including a great variety of ceramic, one of these varieties of ceramics were those urns that are kind of an adorned vessels with a sphinx, that is to say, a cylinder that has incorporate a figure generally anthropomorphous, which represented ancestres or divinities, the size of these urns went from the 15 cm until but of a meter high. At the beginning of the XX century the urns got the attention of the collectors and a number important of replies (false) they were manufactured copying the original ones, in this time C. Rickards gathers one of those but important collections of urns zapotec, in 1919 the Real Museum of Ontario (ROM) acquired the collection Rickards, in the 70 s they were practiced test of authenticity for thermoluminescence indicating that 36 of these urns were false, comparing their iconography with the other urns of the collection suggests the possibility that at least 80 of these pieces are not you authenticate. In this work the results are presented by thermoluminescence carried out to 17 pieces of the collection Rickards property of the Real Museum of Ontario like part of a first one work stage, for they were perforated it the urns with a drill of tungsten carbide extracting 50 milligrams approximately, of which 25 were used for thermoluminescence and the rest for analysis for X ray Emission Spectroscopy. Proton Induced X-ray Emission (PIXE) and for X-ray Diffraction (XRD). The test of authenticity for thermoluminescence beginning with the determination of the rate of annual dose starting from the determination of the concentration of the natural radioisotopes of uranium ( 238 U) and torio ( 232 Th) by means of an accountant of particles alpha, the potassium ( 40 K) by means of X-ray diffraction, later on the sample was treated chemically with

Teaching science in museums

Science.gov (United States)

Tran, Lynn Uyen

Museums are free-choice, non-threatening, non-evaluative learning and teaching environments. They enable learners to revisit contents, authentic objects, and experiences at their own leisure as they continually build an understanding and appreciation of the concepts. Schools in America have used museums as resources to supplement their curriculum since the 19 th century. Field trip research is predominantly from the teachers' and students' perspectives, and draws attention to the importance for classroom teachers and students to prepare prior to field trips, have tasks, goals, and objectives during their time at the museum, and follow up afterwards. Meanwhile, museum educators' contributions to field trip experiences have been scantily addressed. These educators develop and implement programs intended to help students' explore science concepts and make sense of their experiences, and despite their limited time with students, studies show they can be memorable. First, field trips are a break in the usual routine, and thus have curiosity and attention attracting power. Second, classroom science teaching literature suggests teachers' teaching knowledge and goals can affect their behaviors, and in turn influence student learning. Third, classroom teachers are novices at planning and implementing field trip planners, and museum educators can share this responsibility. But little is reported on how the educators teach, what guides their instruction, how classroom teachers use these lessons, and what is gained from these lessons. This study investigates two of these inquiries. The following research questions guided this investigation. (1) How do educators teaching one-hour, one-time lessons in museums adapt their instruction to the students that they teach? (2) How do time limitations affect instruction? (3) How does perceived variability in entering student knowledge affect instruction? Four educators from two museums took part in this participant observation study to

Pedagogy and Practice in Museum Online Learning

Science.gov (United States)

Din, Herminia

2015-01-01

How best might museums harness the interactive capabilities of online environments to provide active teaching and learning experiences for diverse learners and communities? How can museums engage learners in ways that encourage them to visit the museum in person and/or further explore online resources? What should be the role of the museum in…

Museum, exhibition, object : artefactual narratives and their dilemmas in the National Museum of Scotland

OpenAIRE

Bucciantini, Alima Maria

2009-01-01

National museums are spaces where stories of the past are told through the display and interpretation of material culture. The narratives that are created in this way reflect the ways in which the nation wants to be seen at that particular moment, and are often embedded in the larger political and social contexts of that time. This thesis looks at the National Museum of Scotland as having three levels of narrative: that of the museum as a physical space and national institution...

The Conference in the Moscow Kremlin State Museums “Historical Weapons in Museums and Private Collections”

Directory of Open Access Journals (Sweden)

Sergey P. Orlenko

2017-03-01

Full Text Available In November 2016 in the Moscow Kremlin State Historical and Cultural Museum and Heritage Site in the framework of events dedicated to the 210th anniversary of the Armoury Chamber museum, an international conference “Historical weapons in museums and private collections”. This scientific forum continued the tradition of conferences held in the Moscow Kremlin Museums in 1999-2007. The participants of this forum discussed a number of priority topics for the studies of the weapon collection history in the Kremlin. These topics were relevant to the national and world studies of weaponology as a whole. In addition to general issues of the history of arms and armour, a number of reports were devoted to the functioning of the historical centers of arms production, weapons collections in Russia and abroad, particular items, as well as the activities of gunsmiths, designers of weapons. The conference was attended by representatives of more than 20 Russian and foreign museums, 14 academic and university research centers and institutions, private collectors and lovers of ancient weapons. During the three days of the conference 36 reports were presented and discussed. Organizers of the conference highlighted a number of reports including new attributions of the items from the Kremlin collections. The conference program is available on the official website of the Moscow Kremlin State Museums. The conference results were published as a collection of proceedings. The weaponology forum in the Kremlin will be held annually. The Moscow Kremlin Museums invite researchers of historical weapons, museum employees and collectors to the active cooperation.

Type specimens in the Port Elizabeth Museum, South Africa, including the historically important Albany Museum collection. Part 1: Amphibians.

Science.gov (United States)

Conradie, Werner; Branch, William R; Watson, Gillian

2015-03-18

The Port Elizabeth Museum houses the consolidated herpetological collections of three provincial museums of the Eastern Cape, South Africa: the Port Elizabeth Museum (Port Elizabeth), the Amatole (previously Kaffarian) Museum (King Williams Town), and the Albany Museum (Grahamstown). Under John Hewitt, Albany Museum was the main centre of herpetological research in South Africa from 1910-1940, and he described numerous new species, many based on material in the museum collection. The types and other material from the Albany Museum are now incorporated into the Port Elizabeth Museum Herpetology collection (PEM). Due to the vague typification of much of Hewitt's material, the loss of the original catalogues in a fire and the subsequent deterioration of specimen labels, the identification of this type material is often troublesome. Significant herpetological research has been undertaken at the PEM in the last 35 years, and the collection has grown to be the third largest in Africa. During this period, numerous additional types have been deposited in the PEM collection, generated by active taxonomic research in the museum. As a consequence, 43 different amphibian taxa are represented by 37 primary and 151 secondary type specimens in the collection. This catalogue provides the first documentation of these types. It provides the original name, the original publication date, journal number and pagination, reference to illustrations, current name, museum collection number, type locality, notes on the type status, and photographs of all holotypes and lectotypes. Where necessary to maintain nomenclatural stability, and where confused type series are housed in the PEM collection, lectotypes and paralectotypes are nominated.

The Women’s Museum in Denmark

OpenAIRE

Ipsen, Merete

2010-01-01

The Women’s Museum in Denmark isa nationally accredited museum which explores women’s cultural history by linking the historical to the contemporary. The museum started as a grass root movement in the 1980s. Today the museum welcomes you to 1200 square meters of exhibitions. The exhibitions comprise a general history about women’s lives from prehistoric to present time where women are subject in the history, and a general history about the change in childhood with focus on gender. Add to this...

VIRTUAL MUSEUMS FOR LANDSCAPE VALORIZATION AND COMMUNICATION

Directory of Open Access Journals (Sweden)

E. Pietroni

2017-08-01

Full Text Available Research in the domain of landscape virtual reconstructions has been mainly focused on digitization and recording inside GIS systems, or real time visualization, paying a minor attention to the development of a methodological approach for the landscape narration, combing different registers, conceptual, emotional incitements and, thus, able to arouse in the public a feeling of emotional “sensing” and self- identification. The landscape reflects also the human activities in the territory and the communities’ cultural patterns, their sense of “belonging”. In a virtual museum of landscapes, the multidisciplinary approach, the multiplication of perspectives and voices, storytelling, acquire primary importance. A Virtual Museum of landscapes should integrate both holistic and delimited visions. The holistic vision requires a diachronic approach, including both present and past phases of life. On the other side, delimited, or “monographic”, representations are useful to go deeper into specific and exemplar stories, regarding specific groups of people. Beside, the emergence of new social media enhancing cultural interactions among people induce the creation of specific social platforms for Cultural Heritage for the active participation of a large number of stakeholders. Co-creation scenarios and tools can be particularly promising. Aton is an example of front-end VR social platform in the web end, for the efficient streaming of medium/large landscape, their exploration and characterization. The Tiber Valley Virtual Museum is an example of sensorial cultural landscape. Starting from the acquisition of topographical data through integrated technologies, several multi-sensory scenarios have been created, inside which visitors can feel embodied and involved.

Virtual Museums for Landscape Valorization and Communication

Science.gov (United States)

Pietroni, E.

2017-08-01

Research in the domain of landscape virtual reconstructions has been mainly focused on digitization and recording inside GIS systems, or real time visualization, paying a minor attention to the development of a methodological approach for the landscape narration, combing different registers, conceptual, emotional incitements and, thus, able to arouse in the public a feeling of emotional "sensing" and self- identification. The landscape reflects also the human activities in the territory and the communities' cultural patterns, their sense of "belonging". In a virtual museum of landscapes, the multidisciplinary approach, the multiplication of perspectives and voices, storytelling, acquire primary importance. A Virtual Museum of landscapes should integrate both holistic and delimited visions. The holistic vision requires a diachronic approach, including both present and past phases of life. On the other side, delimited, or "monographic", representations are useful to go deeper into specific and exemplar stories, regarding specific groups of people. Beside, the emergence of new social media enhancing cultural interactions among people induce the creation of specific social platforms for Cultural Heritage for the active participation of a large number of stakeholders. Co-creation scenarios and tools can be particularly promising. Aton is an example of front-end VR social platform in the web end, for the efficient streaming of medium/large landscape, their exploration and characterization. The Tiber Valley Virtual Museum is an example of sensorial cultural landscape. Starting from the acquisition of topographical data through integrated technologies, several multi-sensory scenarios have been created, inside which visitors can feel embodied and involved.

New initiatives in the Netherlands Open Air Museum: how an early open air museum keeps up with the times

NARCIS (Netherlands)

de Jong, A.

2010-01-01

The Netherlands Open Air Museum in Arnhem is one of the oldest open air museums of Europe. From the 1990s the staff has been engaged in an intense process of fundamentally changing the museum. The major step was to redefine the museum’s institutional identity. We believed that a good museum not only

Pilgrimages to the museums of the new age: appropriating European industrial museums in New York City (1927–1937

Directory of Open Access Journals (Sweden)

Dr Jaume Sastre-Juan

2016-11-01

Full Text Available How did industrial museums cross the Atlantic? When the first American museums of science and industry were created in the 1920s, they looked to Europe in order to import what was seen at that time as a burgeoning cultural institution. In this article, I look at this process of appropriation through an analysis of the changing perceptions of European industrial museums as expressed in the reports, surveys and books written by the curators, directors and trustees of the New York Museum of Science and Industry. I will pay particular attention to the 1927 film Museums of the New Age, documenting the main national industrial museums in Europe, and to a 1937 report on the techniques of display at the Palais de la Découverte. I will argue that their contrasting assessment of European industrial museums, which in only ten years ceased to be seen as cathedrals of a new age to become old-fashioned storehouses, is symptomatic of the significant transformation of museums of science and industry as cultural institutions during the 1930s in the United States.

FOR MUSEUM WORK

Directory of Open Access Journals (Sweden)

Margherita Sani

2017-05-01

Full Text Available The role of museums in society has expanded significantly in the last decades: from temples of knowledge to forums for debate and discussion, from repositories of objects to people-centred institutions with social responsibilities and functions. This shift reflects an ongoing trend to democratise museums and make them more accessible to wider audiences and responsive to the public’s changing needs, in particular the interests of local communities, whose composition has changed in recent years to include migrants and people of different ethnic backgrounds. With annual migration flows to the EU as a whole projected to increase from about 1 043 000 people in 2010 to 1 332 500 by 2020, the question of how cultural institutions can contribute to effective integration and dialogue has become more relevant than ever. Funders and society at large expect museums to play their part in facilitating the integration and peaceful coexistence of newcomers, with financial resources being made available, also at the EU level, to support them in this effort. Many questions can be raised as to whether it is right and appropriate to charge museums with these responsibilities and whether this would push the boundaries of their work too far and give the social function an exceedingly prominent role over the traditional conservation and educational tasks museums already fulfil. But this discussion seems to be already obsolete in the light of the growing body of evidence on good practices available at the European level. This essay aims to illustrate some of them, as well as to discuss some underpinning theoretical issues and methodological approaches.

Experiencing memory museums in Berlin. The Otto Weidt Workshop for the Blind Museum and the Jewish Museum Berlin

OpenAIRE

Ana Souto

2018-01-01

This article explores memory studies from the audience’s perspective, focusing on the perception of Holocaust narratives in two museums in Berlin. This research builds on and contributes to a number of emerging issues on memory studies, tourism perception and museum design: the debate on experiential authenticity, Dark Tourism, as well as the analysis of memory studies from the perspective of the user. The main data facilitating the analysis is based on responses shared on TripAdvisor; the ca...

Science Engagement at the Museum School: Teacher Perspectives on the Contribution of Museum Pedagogy to Science Teaching

Science.gov (United States)

Watermeyer, Richard

2015-01-01

This paper explores the accounts of science teachers working within the UK's only "museum school" and what they perceive as the benefits and shortcomings of "museum pedagogy" as a process of object-based teaching (and learning). Museum pedagogy is in this context considered for its potential in harmonising informal and formal…

Understanding the Exhibitionary Characteristics of Popular Music Museums

Directory of Open Access Journals (Sweden)

Charles Fairchild

2017-03-01

Full Text Available The literature on the popular music museum has primarily focused on the study of heritage and cultural memory with a secondary focus on tourism. Given the unprecedented expansion of the museum sector worldwide in recent decades, which has produced an increasing number of major museums dedicated to popular music, it is an opportune time to expand this range of analytical concerns. Specifically, the development of popular music museums has not yet been closely examined within the broader historical trajectory of the so-called ‘new museum.’ This article seeks to outline the range of exhibitionary types commonly used in a range of high-profile popular music museums in pursuit of this line of inquiry. The goal is not simply to produce a generic survey or typology of displays, but to place the use of different forms of museum display within the specific historical trajectory that has produced steadily larger numbers of these kinds of museums in recent years. I organize these exhibitionary types into two broad streams of museum exhibition practice implied in the historical survey presented here: a populist-vernacular stream of museum display and an institutional-educational one. I seek to place the exhibitionary practices of contemporary popular music museums in a broader and longer trajectory of similar practices in order to get a more grounded sense of the more important characteristics of these kinds of museums.

The Kaleidoscope of Culture: expanding the museum experience and the museum narrative by inviting visitors into the curatorial process

Directory of Open Access Journals (Sweden)

Kirsten Jensen

2015-07-01

Full Text Available Traditional art museum exhibitions are planned according to art-historical elements. At Trapholt – a museum of modern Danish art, design and applied art in Denmark, we are interested in exploring what happens when ordinary visitors are invited to curate personal exhibitions in the museum space. This paper analyses the project The Kaleidoscope of Culture, where people with no art historical background were invited to curate exhibitions based on the Trapholt collection of art and their own cultural backgrounds and experiences. The main argument is that, by allowing these personal voices in the museum space, new museum narratives are established. But to make the museum a truly transformative space the art- historical knowledge and methods must also be activate.

Museum Ullen Sentalu dalam Perspektif Seni Budaya

Directory of Open Access Journals (Sweden)

Doro Daniwati

2015-10-01

Full Text Available Museum merupakan tempat yang sering tidak bisa dilewatkan oleh wisatawan guna memuaskan rasa ingin tahu tentang keunikan dari sebuah kota tujuan wisata. Museum juga sering dikunjungi oleh baik para ilmuwan maupun para akademisi yang melakukan studi/riset/kajian tentang hal-hal yang memiliki nilai-nilai keunikan historis, arkeologis, estetis dan termasuk semua hal yang bernuansa memorabilia dan nostalgia. Ullen Sentalu merupakan museum yang agak unik karena di samping lokasinya yang agak jauh dari hingar bingar kesibukan kota, namun keberadaannya merupakan kebutuhan seni budaya perkotaan. Keunikan dari museum ini terletak pada nilai koleksi artefak-artefaknya yang menghadirkan khusus tentang benda-benda kewanitaan yang bernuansa warisan budaya monarki Mataram Lama yang berbeda dengan koleksi museum lainnya di tanah air.   Museum is a place where tourists are unable to easily neglect for satisfying their curiousity about the uniqueness found in the tourism destination cities.The museum is also commonly visited by artists, academicians, and scientists for their research and studies of variety subjects which discuss the values of historical, archeological, and aesthetic uniqueness, and any subjects that are concerned with those of memorabilia and nostalgic evidence. Ullen Sentalu museum is rather unique when we see the location in the ’remote’ area which is far from the frenetic bustle of the city yet its existence constitutes the needs of urban culture. The uniqueness of this museum lies on the value of artefacts collections which particularly bring the feminine objects nuenced the cultural heritage of the Old Mataram monarchy which are completely different from other museum collections in the country.

New Designs in the Museums

Directory of Open Access Journals (Sweden)

Nuri Özer Erbay

2016-07-01

Full Text Available Architectural structure of the museum shall be designed in an accessible way regarding safety. In these designs special needs of visitors shall be taken into consideration according to types thereof.  Architectural structure, topography and natural presence of the museum increase visitor accessibility.  Exhibition venue, showcases and platforms, staircases providing access to upstairs, stairs, slippery rugged surfaces and entrance and exit to the exhibition venue from the same door form inaccessible areas.   It mustn't be forgotten that special disabled visitors can create an unsafe environment for others. Existing designs in museums shall be redesigned to be made accessible by disabled persons.  Museum venues must be redesigned ad made accessible by disabled persons. All characteristics of visitors in museums should be taken into consideration and universal living spaces addressing integral attitude should be designed.  Museum environment designs with regard to visitor safety must be steady.  Ramps shouldn't be unnecessarily steep and slippery.  Floor tiles, carpets or other ground coatings must be attached each other in a safe way. Gaps in ground coating shouldn't exceed the radius of13 mm. Grounds with different colors should be used for highlighting the ground odds and drawing visitors' attention. A distinctive environment requirement should be provided for visitors especially who use walking sticks, crutches and wheelchairs and warning signs shouldn't be forgotten.

The Behavior of Online Museum Visitors on Facebook Fan Page of the Museum in Indonesia

OpenAIRE

Arta Moro Sundjaja; Ford Lumban Gaol; Sri Bramantoro Abdinagoro; Bahtiar S. Abbas

2017-01-01

The objective of this research was to discover the behavior of museum visitors on Facebook fan page in Indonesia based on the user motivation, user expectation, online community involvement, and Facebook fan page of the museum. This research used a quantitative approach to descriptive analysis. The population was the Facebook users who had followed the Facebook fan page of the museum in Indonesia. The samples used were 270 respondents. The researchers distributed the questionnaire to a Facebo...

Corporate Training in Museums

Science.gov (United States)

Causey, Adera

2011-01-01

Museums often court corporate audiences through special event rentals and development and promotional partnerships. But we rarely approach them as potential adult learners. In overlooking them, we miss the potential of reaching a large number of often novice museum participants who can gain from gallery learning and develop a relationship with our…

Increasing the Sustainability of Museums through International Strategy

Directory of Open Access Journals (Sweden)

Izabela Luiza POP

2014-12-01

Full Text Available Museums use resources in order to provide public goods and services. The most important sources of income for many museums are budgetary subsidies. Unfortunately, these grants are limited and shrinking. In this context, during the last years the need for sustainable development of museums was stressed. In order to continue to operate, museums were forced to find ways of increasing their own income and keeping their costs under control. Thus museums have begun to use management and marketing strategies similar to those used by private companies. This paper examines the positive effects of international strategy implementation on museums’ sustainability. The first part of the paper explains why it is necessary to reform the traditional management of museums, which its main development directions are, what the sustainable development of museums is and why they should become sustainable. In the second part our research conducted on three museums (Guggenheim, Louvre, Hermitage shows that international expansion helps museums to increase their sustainability. The international strategy enables museums to increase their revenue, through licensing agreements, reduce their storage costs, highlight their heritage, improve their market image and be closer to consumers. Thus, through a strategy applied until recently only in the private sector, museums can improve their sustainability, but also better fulfill their purpose of serving the society.

Mobile Technologies in Museum Exhibitions

OpenAIRE

Sandra Medić; Nataša Pavlović

2014-01-01

In order to be up–to–date and give visitors a memorable and unique experience, museums are including usage of digital technologies in their exhibitions. Even though museums in Serbia are very important part of tourism offer, they still have traditional settings that are poorly interpreted. The majority of them have a scientific and historical review which is unattractive for various target groups of visitors and for museums it’s important to continually try out new ways in interpretation of t...

Museums for all: evaluation of an audio descriptive guide for visually impaired visitors at the science museum

Directory of Open Access Journals (Sweden)

Silvia Soler Gallego

2014-12-01

Full Text Available Translation and interpreting are valuable tools to improve accessibility at museums. Theese tools permit the museum communicate with visitors with different capabilities. The aim of this article is to show the results of a study carried out within the TACTO project, aimed at creating and evaluating an audio descriptive guide for visually impaired visitors at the Science Museum of Granada. The project focused on the linguistic aspects of the guide’s contents and its evaluation, which combined the participatory observation with a survey and interview. The results from this study allow us to conclude that the proposed design improves visually impaired visitors’ access to the museum. However, the expectations and specific needs of each visitor change considerably depending on individual factors such as their level of disability and museum visiting habits.

75 FR 63516 - Institute of Museum and Library Services; Sunshine Act Meeting of the National Museum and Library...

Science.gov (United States)

2010-10-15

...: Elizabeth Lyons, Director of Special Events and Board Liaison, Institute of Museum and Library Services... and Library Services, related to museum and library services. If you need special accommodations due... NATIONAL FOUNDATION ON THE ARTS AND THE HUMANITIES Institute of Museum and Library Services...

Litteraturen og forfatteren på museum

DEFF Research Database (Denmark)

Lund, Niels Dichov

2016-01-01

to the digital society and virtual representation. The role and strength of the author/writer and the importance of place and space in the mediation of literature are enhanced as distinctive for these kinds of museums. It is concluded that the ongoing growth of literary museums is both a result of and an answer......The article discusses the connection between literature and museum and the role of museums for the preservation and engagement with literary heritage. Based on an overview of research in the field and a discussion of definitions, distinctions, typology, and current forms of institutions, new...... developments in literary theory, i.e. new book history and the literary studies’ theories of geographic place, but also concepts of materiality, presence, performance and literary scenes, are brought in to explain different connections between literature and the museum and the supposedly dialectic relation...

"In and against the Museum": The Contested Spaces of Museum Education for Adults

Science.gov (United States)

Grek, Sotiria

2009-01-01

This paper focuses on museum and gallery education for adults in Dundee, Scotland. Dundee has recently experienced a shift from being mainly working class to an educational, cultural and tourist centre. Hence, an interesting field for the examination of the educational policies and practices of the city museums/galleries and the different fashions…

75 FR 32818 - Institute of Museum and Library Services; Sunshine Act Meeting of the National Museum and Library...

Science.gov (United States)

2010-06-09

... NATIONAL FOUNDATION ON THE ARTS AND THE HUMANITIES Institute of Museum and Library Services; Sunshine Act Meeting of the National Museum and Library Services Board AGENCY: Institute of Museum and Library Services (IMLS), NFAH. ACTION: Notice of Meeting. SUMMARY: This notice sets forth the agenda of...

Building Staff Capacity to Evaluate in Museum Education

Science.gov (United States)

Kubarek, Joy

2015-01-01

For years, museums of all varieties, including art museums, science centers, history museums, zoos, and aquariums, have conducted education evaluation. However, museums are all too often faced with the challenge of allocating staff time, expertise, and other resources toward conducting evaluation, particularly evaluation that moves beyond program…

Poaching Museum Collections using Digital 3D Technologies

Directory of Open Access Journals (Sweden)

Sarah Younan

2015-12-01

Full Text Available This paper investigates the creative engagement with digital 3D models of museum artefacts and gives insight into new uses of museum collections enabled by digital scanning, editing and 3D printing technologies. Digital 3D models of museum artefacts are malleable and increasingly easy to use. Additionally, freely available 3D software has made 3D scanning, editing and manufacturing possible for non-specialists. These technologies allow users to create new artworks through the creation and transformation of digital replicas of museum artefacts. Examples of creative works, taken from two case studies that involve the creative use of digital reproductions of museum artefacts are presented in this paper. These projects are illustrative of a larger trend: the digital ‘poaching’ of heritage artefacts. This paper examines how digital 3D technologies can foster creative forms of museum engagement, democratise access to museum collections and engage users with personal forms of museum experience.

The Promotion of Peace Education through Guides in Peace Museums. A Case Study of the Kyoto Museum for World Peace, Ritsumeikan University

Science.gov (United States)

Tanigawa, Yoshiko

2015-01-01

This paper focuses on how peace education at a peace museum is promoted by a volunteer guide service for visitors. Peace museums are places where many materials related to war and peace history are on display. To support the learning experience of museum visitors, many peace museums in Japan provide a volunteer guide service. The Kyoto Museum for…

Ethics. An approach to understanding museums

Directory of Open Access Journals (Sweden)

Ignacio Fernández del Amo

2016-12-01

Full Text Available The idea of modern museums emerged in the second half of the Eighteenth Century with a clear ideology and ways of seeing the world and a particular set of skills with which to go about curating. As happens with human beings, this genetic code strongly determined museums' future development. This is why many of our museums present themselves as the unquestionable heirs of the encyclopedic knowledge that the philosophers of the Enlightenment pursued. Since they were first established they have based their authority on the mastery of knowledge and have developed a story of the world through a scientific mode of interpreting reality. This paper has two objectives: firstly, to analyze the nature of the museum as a technology of modernity and how they are employed as instruments of legitimation of liberal states; secondly, to show how ethics can help museums to adopt a new role in the knowledge society, by questioning the ideological foundations of the Western paradigm. It does this through an interdisciplinary analysis, combining the voices of philosophers, sociologists, anthropologists, and museum curators and concludes with a proposal on how to apply such thinking to the Latin American cultural environment.

Grounded Theory sebagai Metode Riset “Realitas Tertambah” di Museum Fatahillah

Directory of Open Access Journals (Sweden)

Leonardo Widya

2014-03-01

Full Text Available Augmented Reality (AR is part of the science of visual communication design/graphic design through theaddition of images on the real world with virtual information to enhance one’s senses with the help of “smart glasses”with three general characteristics: 1. The combination of real environment with virtual objects, 2. Interactivedisplay, 3. Display in 3D. Qualitative research methods and grounded theory approach in the real environmentin the area of Jakarta Fatahillah museum, discovered a new theory as a basis the idea that Visual PrototypingAugmented Reality technique with image manipulation-image nuanced Kota Tua as Jakarta Icon. The idea ofexploiting foreign tourists enriching way to learn more about Indonesia through social networking in a virtual worldstrategies to increase tourism.

THE MUSEUM OF FINE ARTS OF ASTURIAS AS AN EDUCATIONAL RESOURCE FROM A GENDER PERSPECTIVE

Directory of Open Access Journals (Sweden)

Ángel de la Fuente Martínez

2016-07-01

Full Text Available The museum as an educational resource is a proposal to make teachers reflect on the availability of media in the near environment regardless of the distance from the school to the museum. This gallery can work the general objectives in different educational stages, knowing the enhancement of historic buildings for activities of this type, the key work skills and promote the presence of women within the museum as an icon through different themes and artist. Our goal is to recover in perspective the presence of women sharing the same space and time with the man. The analysis of the trades, real social division of labor that this prefixed men do, that women, allows us to better understand the evolution of society. On the other hand, the postponement of the woman as artist, being supplanted by other painters, see Sofonisba Anguissola, it is another area in which it affects this article. Finally, different museums in which the woman is the protagonist in our country as an initiative to regain the role that women have played throughout the spatial and temporal coordinates, which are defining the development of the actions listed beings humans.

Museum Studies: Connecting the Elementary and Secondary Experience

Science.gov (United States)

Martin, Kachina; Yoder, Maureen

2009-01-01

Museum studies will certainly reinforce students' appreciation of art history and art production. A student's understanding of a museum's function will deepen with each museum visit. Students will recognize that a museum can be organized around materials and kinds of art, periods of art history and cultures, and the works of an individual artist.…

Anniversary celebrations at the National Museum of History

Directory of Open Access Journals (Sweden)

Elena Ploşniţa

2014-12-01

Full Text Available December 21, 2013 we celebrated 30 years since the founding of the National Museum of History of Moldova. On this occasion the museum has organized several events. Program of the day began with a Round Table “Policies for conservation and restoration of the museum heritage in the Republic of Moldova”. Then, the general director of the museum Eugen Sava opened a solemn assembly in the museum’s Blue Room. During the meeting there were presented congratulatory words addressed to the participants, public figures, university professors, researchers, and museum professionals. Among the activities celebrating the establishment of this prestigious museum on December 21, 1983, there was held the presentation of the second volume of “Studies on Museology” published in Chisinau in 2013. This volume on different aspects of museum work brings knowledge and encourages activities, and practical use of its publication is undeniable. Written in a clear and sober style, it will take an important place among the works devoted to this field of science. The proceedings were inspired by respect for the museum and museology and are a continuation of the tradition of museological research in the National Museum of History of Moldova. In honor of the anniversary there was organized a temporary exhibition “National Museum of History of Moldova: A Brief Illustrated History” aimed to reflect the history of the museum and some parts of its activities during the 30 years by means of photos and documents. The exhibition was divided into several compartments: “Establishment of the Museum”, “The Museum Building” “Exhibition Activities”, “Educational Activities”, “Promotion of the Museum”, “Scientific Development of Cultural and Historical Heritage”, “The Museum’s Publications”. All the events organized on the occasion of the anniversary were attended by a large audience that through its presence and laudatory responses recognized and

Concept "Medical Museum" as a Sociocultural Phenomenon

Science.gov (United States)

Chizh, Nina V.; Slyshkin, Gennady G.; Zheltukhina, Marina R.; Privalova, Irina V.; Kravchenko, Olga A.

2016-01-01

The article examines the concept "medical museum" as a sociocultural phenomenon. The register of medical museums in Russia makes the material of research. The complex methods of analysis of the concept "medical museum" are used. The philosophical, historical, cultural, structural, communicative and semantic analysis is carried…

The Bay of Pigs: Revisiting Two Museums

Directory of Open Access Journals (Sweden)

Peter Read

2007-08-01

Full Text Available The Museum of Playa Giron (the Bay of Pigs in the region of Cienega De Zapata, Cuba, celebrates the repulse of Brigade 2506 as the first reverse of US imperialism on the American continents. The equivalent Brigade 2506 Museum in Miami, dedicated to and maintained by the members of Brigade 2506, celebrates defeat at the Bay of Pigs as moral victory for the Cuban exiles. The forces were indeed implacable foes. Yet between the museums can be detected some curious similarities. Both present the common theme of the confrontation between forces of good and evil. Both celebrate the philosophy that dying for one’s country is the greatest good a citizen may achieve. Both museums fly the common Cuban flag. Both museums identify a common enemy: the United States of America. This article, by comparing the displays in the two museums, analyses some cultural elements of what, despite decades of separation, in some ways remains a common Cuban culture.

Building the image of modern art : the rhetoric of two museums and the representation and canonization of modern art (1935-1975) : the Stedelijk Museum in Amsterdam and the Museum of Modern Art in New York

NARCIS (Netherlands)

Leigh, Nana

2008-01-01

The Rhetoric of Two Museums and the Representation and Canonization of Modern Art (1935-1975): The Stedelijk Museum in Amsterdam and the Museum of Modern Art in New York Museums of modern art have determined the course of modern art history. Their contributions to the representation and

Translational mini-review series on vaccines: The Edward Jenner Museum and the history of vaccination.

Science.gov (United States)

Morgan, A J; Parker, S

2007-03-01

Edward Jenner's discovery of vaccination must rank as one of the most important medical advances of all time and is a prominent example of the power of rational enquiry being brought to bear during the Age of Enlightenment in 18th century Europe. In the modern era many millions of lives are saved each year by vaccines that work essentially on the same principles that were established by Edward Jenner more than 200 years ago. His country home in Berkeley, Gloucestershire, is where he carried out his work and where he spent most of his life. The building is now a museum in which the life and times of Jenner are commemorated including not only the discovery of smallpox vaccination but also his other important scientific contributions to natural history and medicine. The trustees of the Edward Jenner museum are committed to promoting the museum as a real and "virtual" educational centre that is both entertaining and informative.

The Bibliometric Analysis Of Literature On Museum Studies

Science.gov (United States)

Kuo, C. W.; Yang, Y. H.

2015-08-01

Museum studies, is the study of museums, museum curation, and how and why museums developed into their institutional role in education and culture through scientific, social, political and other related forces. The purpose of this study is to shed light on the application trends of the international literature related to museum studies on the SCIE, SSCI, and AHCI databases between 1995 and 2014 using a bibliometric technique and citation analysis. The results of this study reveal that influences of the literature related to museum studies on other subject areas continue to expand. Considering the publication of major countries, subject areas, journal and institutions, the results also discussed that the future trend through analysing most cited articles. Moreover, 12 core journal lists are identified by Bradford's law.

Adult Education in Museums and Public Libraries.

Science.gov (United States)

Miller, Harry G.

Both museums and public libraries are available sources of education for adults. Besides their traditional functions of collecting and preserving items from human artistic or scientific history, museums have taken on a more active role in educating the public, particularly adults. Some educational services provided by museums are dioramas, period…

Presidential Libraries Museum Collection Management Database

Data.gov (United States)

National Archives and Records Administration — MCMD serves as a descriptive catalog for the Presidential Libraries museum collections, and also supports a full range of museum collections management processes...

Please don't misuse the museum: 'declines' may be statistical.

Science.gov (United States)

Campbell Grant, Evan H

2015-03-01

Detecting declines in populations at broad spatial scales takes enormous effort, and long-term data are often more sparse than is desired for estimating trends, identifying drivers for population changes, framing conservation decisions, or taking management actions. Museum records and historic data can be available at large scales across multiple decades, and are therefore an attractive source of information on the comparative status of populations. However, changes in populations may be real (e.g. in response to environmental covariates) or resulting from variation in our ability to observe the true population response (also possibly related to environmental covariates). This is a (statistical) nuisance in understanding the true status of a population. Evaluating statistical hypotheses alongside more interesting ecological ones is important in the appropriate use of museum data. Two statistical considerations are generally applicable to use of museum records: first without initial random sampling, comparison with contemporary results cannot provide inference to the entire range of a species, and second the availability of only some individuals in a population may respond to environmental changes. Changes in the availability of individuals may reduce the proportion of the population that is present and able to be counted on a given survey event, resulting in an apparent decline even when population size is stable. Published 2014. This article is a U.S. Government work and is in the public domain in the USA.

Informal adult education and museum andragogics in the context of the history of modern museums in Ukraine (review historiography

Directory of Open Access Journals (Sweden)

T. O. Kutsaeva

2016-08-01

Full Text Available The author of the article set the goal to analyse the published academic/ scientific, popular scientific publications and the published results of Ukrainian museums’ practical developments for 1990-2010s, which in total can be described as a museum andragogics or informal adult education by museum means. Initially, it was found that despite the growing interest in these kinds of museum activities, the available research body is not systematized. It was found that brief reviews of the problem’s historiography are present mostly in preambles of museology, pedagogy, museums history articles. They are often related to the topic indirectly. Attempts to study purposefully the subject are now rare, although their aim is to summarize the existing Ukrainian experience. It was determined that, although it is impossible now to determine the museum andragogics as a separate sphere of knowledge on the basis of a small number of published investigations of Ukrainian specialists. These investigations are reflecting the national museums and available foreign publications’ experience in this sphere (translated into Ukrainian or published in Russian. But the formation of the andragogics in Ukraine is actual and necessary on the way towards the integration into the global cultural space. Summarizing the material the conclusion was made that the museum andragogics and non-formal adult education in museums are promising areas of scientific knowledge. A contribution of the museum’s and other Ukrainian connected sectors professionals in the process by years 2012-13 is notable both at the level of the foreign experience’s study and the reflection in practice, research, scientific and popular publications. However, until now there was no such activity surge, as it happened in the spheres of museum marketing or sociology. Such forms of activity as «Workshop», «Summer school», public lecture are not known and used enough by domestic museums, and therefore by

Museum promotion and cultural salience: the agenda of the Athenian Acropolis museum

OpenAIRE

Zakakis, Nikos; Bantimaroudis, Philemon; Zyglidopoulos, Stylianos

2015-01-01

This case study examines a process of agenda building in the context of cultural organizations. We chose the Acropolis Museum, as a new, emerging cultural organization in the European periphery which engages in public actions, in the form of symbolic initiatives, in order to set a specific cultural agenda for Greek and international media. We scrutinize seven symbolic initiatives publicized by the museum, as attributes that influence media content. We conclude that development of cultural/edu...

Contributions of Open Air Museums in preserving heritage buildings: study of open-air museums in South East England

Directory of Open Access Journals (Sweden)

Zuraini Md Ali

2010-12-01

Full Text Available Most open air museums were established to preserve and present a threatened aspect of regional or national culture and to help forge a sense of identity and achievement. Britain's open air museums have aroused controversy among both museum professionals and building conservationists. They have been praised for spearheading innovative and vivacious approaches towards heritage interpretation and saving neglected buildings, while some have criticised them for inconsistent standards of conservation especially for taking buildings out of their original settings. Such architectural issues were strongly debated in the 1970s, while recent debates focus on popular approaches towards attracting the public to the past. This paper describes the evolution of open air museums in Britain, their contribution in conserving unloved buildings and how they have become an increasingly competitive tourist attraction. Observations and lessons learned from interviews and visit to two open air museums in South East England provides some insight about the importance of such museums. Operated as registered charity organisations, they have played significant roles not only in saving various buildings and structures from demolition but also in helping visitors to appreciate the rich heritage of these regions.

Museum nuclear science programs during the past 30 years

International Nuclear Information System (INIS)

Marsee, M.D.

1990-01-01

The American Museum of Atomic Energy was opened as a program of the Atomic Energy Commission. The name was changed in 1977 to the American Museum of Science and Energy to reflect an expanded roll of the Department of Energy. From 1954 until 1980 the museum was the base for a Traveling Exhibit Program that visited schools, state fairs, shopping centers and malls, libraries, summer camps, and science museums throughout the United States. Today the museum transfers information on the research and development of all the energy sources, the environmental impact of these sources and possible solutions to these impacts. The museum also manages an Outreach Program to area schools and coordinates several special events for student visits to the museum

The impact of a museum travelling exhibition on middle school teachers and students from rural, low-income homes

Science.gov (United States)

Badger, James; Harker, Richard J. W.

2016-06-01

Schools may be places of learning, but a great deal of learning occurs outside of school. A growing body of literature investigates how school field trips allow rural students to make real-life connections with their school curriculum. This paper contributes to that area of research by describing how students from five middle schools in the United States responded to a travelling museum exhibition hosted at a non-museum site. The authors explore the impact of the exhibition on students from poor, rural backgrounds, discussing how it helped them to engage with themes such as freedom of expression, democracy, citizenship and Holocaust education. The results show that, by connecting curricular content with real-life situations, field trips such as this have the potential to change not only students' understanding of the curriculum, but also their teachers' estimation of their abilities.

Cultural property, museums and Tourism: analysis of the public factor in the Museum of Caceres (Spain

Directory of Open Access Journals (Sweden)

Javier Marcos Arévalo

2016-05-01

Full Text Available The present work exposes the interim analysis of the results obtained so far on the ongoing research carried on over the Social Anthropology final Master´s degree project at the University of Extremadura entitled "Analysis of public factor at the Cáceres’ Museum". The research aims to establish a profile of each one of the Caceres Museum Visitors and also to aknowledge the perceptions, representation and the connection the Museum neighborhood residents have towards the institution with the idea of using this previously mentioned gathered information in order to contribute to the planification of activities and to generate links between the Museum and its public. In order to accomplish this objective, Anthropology own data recollection techniques such as the participant observation and surveys have been used at the first instance and in-depth interviews at the later stage.

Museums as brokers of participation: how visitors view the emerging role of European science centres and museums in policy

Directory of Open Access Journals (Sweden)

Andrea Bandelli

2016-05-01

Full Text Available Science centres and museums in Europe traditionally offer opportunities for public participation, such as dialogues, debates and workshops. In recent years, starting with the support of grants from the European Commission, the purpose of these initiatives is increasingly more connected with the policy making processes where science centres play a role as brokers between the public and other stakeholders. This article begins an investigation on how these two levels of participation – the participation of museums in policy, and the participation of visitors in museums – are related in seven European science centres and museums. The results suggest that science centres and museums are regarded by their visitors as potential platforms to facilitate public participation in policy, especially in countries where the general infrastructure for public participation in science is weak.

Interfaith Dialogue at Peace Museums in Kenya

Science.gov (United States)

Gachanga, Timothy; Mutisya, Munuve

2015-01-01

This paper makes a case for further studies on the contribution of peace museums to interfaith dialogue debate. Based on our experiences as museum curators, teachers and peace researchers and a review of published materials, we argue that there is a lacuna in the study on the contribution of peace museums to the interfaith dialogue debate. The…

A rationale for a museum of health

Directory of Open Access Journals (Sweden)

Farzaneh Yousefi

2015-11-01

Full Text Available The museum of health is a place that presents health science and human body and any other subjects that can affect human health. In this museum visitors can learn the mechanisms and functions of human body and learn how to protect and take care of their bodies. They can also learn several diseases and their consequences on human body and how to fight against them. This museum is a big step for improvement of general society health level by increasing society’s health knowledge. In this article structure, departments and also benefits of the health museum are evaluated.

Authentication at a small museum: the kindness of strangers

Science.gov (United States)

Hyland, Douglas K. S.

2000-03-01

Over the last twenty years, I have served as curator and director of several small and medium size museums including the Helen Foresman Spencer Museum of Art, University of Kansas, Lawrence, Kansas; the Memphis Brooks Museum of Art, Memphis, Tennessee; the Birmingham Museum of Art, Birmingham, Alabama; the San Antonio Museum of Art, San Antonio, Texas, and most recently, the Fuller Museum of Art, Brockton, Massachusetts. The largest budget approached three million dollars, minute in comparison with the Metropolitan Museum of Art of the National Gallery. Our resources were limited and the demands of building maintenance, programs, acquisitions and conservation far outstripped the amount of money available to be spent. Each museum housed between five and thirty thousand art works and generally speaking the collections were eclectic. It is not unusual at these city museums to find extraordinary oddities ranging from the finest Wedgwood collection in the world in Birmingham to the most extensive group of Latin American folk art objects to be found anywhere in San Antonio. Each year museums of comparable size are offered thousands of art works on all shapes and sizes form all periods and cultures. Only rarely does the staff have the expertise to evaluate and determine the authenticity of the eclectic group of objects both in the collection and being offered. With few curators and in many cases even fewer local experts to call upon, the museum professional must be both bold and creative.

Museums of Gdansk - Tourism Products or Signs of Remembrance?

Science.gov (United States)

Wojtowicz-Jankowska, Dorota

2017-10-01

Museum buildings constitute a significant element in the composition and functionality of contemporary cities. They are both their attractions and landmarks. The article presents a case study illustrating the relation between museum buildings and their location, as well as the showcased exhibition. The article aims at demonstrating the way in which those elements form a harmonious whole - a cultural tourism product affecting the economics of the region. In the context of perceiving a museum as an element shaping the dynamics of tourism development, the location planned for the museum is not without significance. Enhancing the popularity of a city on the basis of the existing museums has become a common phenomenon and is viewed as a driving force of museum tourism development. Sometimes, the museum building itself is considered as one of the elements adding to the attractiveness of the city. The relationship between the exhibition as such and the location - the city - is not the most important factor. Gdańsk is an example of a city which contradicts that approach. Four new museum seats built in the 21st century serve to demonstrate how interesting it may be to seek the right architectural form of museums for the places where they are erected. Furthermore, the thematic scope of exhibitions is strictly related to the history of the place. Particularly worthy of attention are the National Maritime Museum, the European Solidarity Centre and the Museum of the Second World War. The examples discussed in the article prove that the value of a place as such in displaying the building and the museum collections is significant. It is impossible to disregard that connection, if the city aims at promoting not only the architectural form of the museum building, but also the exhibits, especially if they are related to its history. Gdańsk is an example of a place with museum buildings of interesting architectural forms which are not only style icons, but also unique symbols

(ReShaping History in Bosnian and Herzegovinian Museums

Directory of Open Access Journals (Sweden)

Vanja Lozic

2015-06-01

The article illustrates that during the Austrian-Hungarian Empire, which established the National Museum in 1888, the museum played an important part in the representation of Bosnian identity (bosnjastvo. After World War II, in the Socialist Federal Republic of Yugoslavia, all three analysed museums were summoned to interpret the past in accordance with the guidelines of the communist regime. Since the 1990s, a highly ethnicized process of identity building and of the musealization of heritage, and history permeates all three museums analysed here. When it comes to the central exhibition-themes following the 1990s war, one could conclude that whereas the National Museum and the History Museum highlight the recent creation of an independent BiH and ostracize BIH-Serbs, the Museum of the Republic of Srpska asserts the ostensible distinctiveness of the Republic of Srpska and excludes the narratives about BiH as a unified and independent nation-state. If an agreement about the future of BiH and its history is to be reached, a step towards multi-vocal historical narratives has to be made from both sides.

Review of The Museum of the World [website

Directory of Open Access Journals (Sweden)

Samantha Lash

2017-06-01

Full Text Available The British Museum, in partnership with the Google Cultural Institute, has developed a digital interface featuring selected objects from their collections: The Museum of the World. The mission of the project is to make knowledge and culture of the 'whole of humanity' available to all as a Museum of and for the World (MacGregor 2015. This impressive effort pushes the bounds of what digital heritage can be, but also raises important questions about the role of the museum, public interaction, and the presentation of world history. This article is a review of the digital interface: The Museum of the World.

United States Holocaust Museums: Pathos, Possession, Patriotism

Directory of Open Access Journals (Sweden)

Rob Baum

2011-12-01

Full Text Available This article examines the role of United States holocaust museums in directing (American knowledge and memory of World War II, and demonstrates how signifiers of race, colour and Jewishness are played out and theatricalised. Erected in two principal U.S. cities of Los Angeles and Washington, D.C., the Holocaust Museum and Museum of Tolerance uphold very different mandates: the first dedicated to revealing European civilian tragedies during WWII; the latter dealing with Jewish persecution and the L.A. Riots of 1991, with references to other cultural catastrophes. While these projects are different, they are not opposed; both museums locate the American perspective of events and their meanings at the forefront. American holocaust museums seem to challenge spaces between memory and its direction, vision and revision. Within the gruesome context of holocaust portrayal, interrogate the valences of memory’s play and expose American holocaust museums as theatres of pornographic memory. The seduction of feeling does not invite change so much as purgation, what Aristotle identified as catharsis — an emotional and physical release, unfortunately replicating the seductive techniques used by Goebbels for the glorification of Hitler. Through manipulation of viewers as automatic audiences, these museums function as centres for pathos I question the policy and polity of presenting genocide as an entertainment leading to catharsis, recognizing that the final act of purgation is all too easily negation.

In Search of Museum Professional Knowledge Base: Mapping the Professional Knowledge Debate onto Museum Work

Science.gov (United States)

Tlili, Anwar

2016-01-01

Museum professionalism remains an unexplored area in museum studies, particularly with regard to what is arguably the core generic question of a "sui generis" professional knowledge base, and its necessary and sufficient conditions. The need to examine this question becomes all the more important with the increasing expansion of the…

The role of museums in sustainable tourism development the Black Heritage Museum, Badagry

Directory of Open Access Journals (Sweden)

P. O. Adeniji

2013-01-01

Full Text Available The study examines the roles of museum to sustainable tourism development of the black heritage museum with special focus on the development of Badagry. Most scholars have been writing and are still writing on the need for cultural resource management laying emphasis on the role they play towards national development and tourism economic growth. These cultural resources are not properly managed. However, this mismanagement of cultural resources is becoming directly affecting the conservation and preservation of our cultural resources. The purpose of this study, among others, is to examine how the black heritage museum holding could be effectively utilized for sustainable tourism and to make suggestions for better utilization of the slave relics for tourism promotion. One hundred structured questionnaires were administered to both visitors and residents in Badagry. The chi-square correlation and paired sample test methods of analysis were used to analyze the data collected. The findings of the study reveal that the black heritage museum has played a role to the development of Tourism in Badagry. There are also some unrealized developments such as the physical development. This research concludes by recommending the way forward and suggests that general infrastructure development should be ensured for better sustainable tourism development.

Museums And Young People: The Heritage Of Pride | Onyebinama ...

African Journals Online (AJOL)

This paper discusses the origin of museum, its brief history in Nigeria , its meaning, types, need for museums and the relationship between museums and libraries. It specifically addresses the issue of young people and museum which is the heritage of their pride. The paper also discusses factors/problems which may ...

Italy: An Open Air Museum

Science.gov (United States)

Pizzorusso, Ann

2016-04-01

Imagine if you could see the River Styx, bathe in the Fountain of Youth, collect water which enhances fertility, wear a gem that heals bodily ailments, understand how our health is affected by geomagnetic fields, venture close to the flames of Hell on Earth and much, much, more. Know something? These things exist - on Earth - today - in Italy and you can visit them because Italy is an open air museum. Ann C. Pizzorusso, in her recent book, reveals how Italy's geology has affected its art, literature, architecture, religion, medicine and just about everything else. She explores the geologic birth of the land, describing the formation of the Alps and Apennines, romantic bays of Tuscany and Lazio, volcanoes of the south and Caribbean-like beaches of Puglia. But that's not all, from the first pages of this visually stunning book, the reader has the impression of being in an art museum, where one can wander from page to page to satisfy one's curiosity-- guided from time to time by the Etruscan priests, Virgil, Dante, Goethe or Leonardo da Vinci himself. Pizzorusso stitches together widely diverse topics - such as gemology, folk remedies, grottoes, painting, literature, physics and religion - using geology as a thread. Quoting everyone from Pliny the Elder to NASA physicist Friedemann Freund, the work is solidly backed scholarship that reads as easily as a summer novel. Wonderfully illustrated with many photos licensed from Italian museums, HRH Elizabeth II and the Ministero Beni Culturali the book highlights the best works in Italian museums and those outside in the "open air museums." This approach can be used in any other country in the world and can be used for cultural tourism (a tour following the book has been organized for cultural and university groups), an ideal way of linking museums to the surrounding landscape.

Museums? Evidence from two Countries

Directory of Open Access Journals (Sweden)

Azilah Kasim

2014-12-01

Full Text Available This paper provides evidence on Young Adults’ motivations for visiting and not visiting museums. Using purposive sampling, self-administered questionnaires were distributed to respondents in Kedah, Malaysia and Eskisehir, Turkey. Both Kedah and Eskisehir share one similarity – they both have many museums. The findings revealed that in both study contexts, young people tended to visit museums for practical reasons such as to help them prepare homework or a project. They also visit for intrinsic reasons such as to satisfy their curiosity. Both samples also illustrate Davies (2001 contention that awareness is an important precursor to potential visits. On the other hand, both samples are different in reasons for not visiting. While young people in Eskisehir cite emotional reasons for deciding not to visit, young people in Kedah offered more practical ones such as lack of time and interest, or more interested in other activities. The study findings are useful for understanding reasons behind the generally low museum visits among youth. Several managerial implications of the study were also proposed.

Other People’s Stories: Bringing Public-Generated Photography into the Contemporary Art Museum

Directory of Open Access Journals (Sweden)

Areti Galani

2013-07-01

Full Text Available Constituting the ‘defining other’ of art photography, amateur photographic practices have long been neglected or specifically excluded from official histories of photography. Even the term ‘amateur’ has historically been characterized by semantic ambiguity. In recent years, however, contemporary amateur photographs have been capturing the art curatorial imagination. This is often motivated by the institutional and political impetus to engage with personal, local stories, rather than official, national narratives alone. Amateur photographs, with their apparent rawness and immediacy may afford the art museum with a more credible record of ‘real life’ and enable the display of polyvocal narratives. Furthermore, the changing digital media landscape has opened up opportunities for art museums to reach new audiences through public-contributed content. In response to these developments, this article asks: How has amateur photography acquired a protagonist role in contemporary art museum displays? Drawing on contrasting case studies of exhibitions in the US and Europe, which have incorporated user-contributed photographic content in their displays, this article discusses how everyday photographic creativity and the raw materials of people’s stories serve as a means to interact with institutionally constructed histories of photography.

The Future of Museums and Libraries: A Discussion Guide

Science.gov (United States)

Institute of Museum and Library Services, 2009

2009-01-01

The Institute of Museum and Library Services (IMLS) is committed to bringing together museums and libraries across the country for conversations dedicated to developing a better understanding of the roles of libraries and museums as providers of public service to communities. The Future of Libraries and Museums in the 21st Century Planning…

Leisure time and museums - motives of visits

Directory of Open Access Journals (Sweden)

Medić Sandra

2015-01-01

Full Text Available Leisure time, as the time used to engage in a variety of activities, should provide a sense of satisfaction and relaxation. In order to satisfy the needs of the visitors and their desire to experience something new and authentic in tourist destination, it is very important to know what their choices are with regard to leisure activities. The aim of this paper is to determine how museum public usually spends its leisure time, which factors influence the motivation to visit museums, and to try to find a correlation between the two. The paper is based on the results of the study conducted between the end of May and the end of August, 2014 in the museums in Vojvodina Province (northern part of the Republic of Serbia. The main findings of this paper indicate that spending leisure time is primarily related to socialization and education, and that museums are visited mostly due to their educational role. The findings also indicate that there are differences between the choice of leisure activity and motivation for visiting museums and sociodemographic characteristics of the respondents. Significant correlation has been found between the choice of leisure activity and motivation for visiting museums.

A Social Media Framework of Cultural Museums

Directory of Open Access Journals (Sweden)

Gökçe ÖZDEMİR

2017-12-01

Full Text Available Museums are regarded as cultural products and the core attractions of a destination that offer cultural, historical and artistic possessions for locals as well as tourists. Technological developments in communication have also contributed to the museum pre-, onsite and postexperience of visitors. Thereby, social media enables the museums to extend their networks also on an international basis with up-to-date and credible information about current researches, special events, new exhibitions, excavations in process, and promotional activities. In this sense, this study demonstrates how social media is used by the museums through a research about the Facebook accounts of 10 well-known international museums. Thus, a 32-category framework is created based on the performances of each social media account eventually, this research provides insights into creation of an effective social media account with the emphasis on certain categories’ role to draw and maintain the interest of followers.

[Harmful biological agents at museum workposts].

Science.gov (United States)

Skóra, Justyna; Zduniak, Katarzyna; Gutarowska, Beata; Rembisz, Daria

2012-01-01

The aim of the studies was to determine the level and kind of microbiological contamination of air and surfaces in museum premises with various collection specificities. In addition, the criteria for selecting indicators of contamination with harmful biological agents at museum workposts are proposed. The analysis of microbial contamination was carried out in 14 museum premises (storehouses, restoration workshops, exhibition hall). Microbiological air purity was measured with a MAS-100 Eco Air Sampler. Surface samples were collected using contact plates RODAC Envirocheck. Biochemical API tests were used to identify bacteria and yeasts. Fungi were diagnosed with taxonomic keys, based on macro- and microscopic mycelia assessment. The levels of microbiological contamination in museums varied and ranged from 2.1 x 10(2) to 7.0 x 10(3) cfu/m3 in the air and from 1.4 x 10(2) to 1.7 x 10(4) cfu/100 cm2 on surfaces. The dominant microorganisms were fungi, which accounted respectively for 18-98% and 23-100% of all isolates from tested sites and surfaces. It was found that the amount of fungi in the indoor air of the Museum of Archeology and Ethnography and the Museum of Independence Traditions equaled respectively 4.2 x 10(2) cfu/m3 and 1.4 x 10(4) cfu/m3, which means that they exceeded the recommended reference value of 2.0 x 10(2) cfu/m3. Having analyzed the frequency of strain isolation, the source of microorganisms and the hazard to human health, 10 fungal species were isolated, which may be regarded as indicators of contamination with harmful biological agents at museum workposts. They are: Aspergillus (A. niger, A. versicolor), Cladosporium (C. herbarum, C. macrocarpum), Penicillium (P. carneum, P. digitatum, P. italicum, P. paneum, P. polonicum), Rhizopus nigricans.

The first book museums in Italy

Directory of Open Access Journals (Sweden)

Andrea De Pasquale

2016-11-01

Full Text Available Just before the advent of Fascism, in Turin, in the nearby town of Carmagnola and in Florence were born the first Italian examples of book museums. It was early and exceptional experiments of valorizing of book history and of the ancient techniques of manufacturing manuals in a time of great innovation. The first, called the National Museum of the book, was opened in 1913 as a result of the exhibition of the history of printing held during the Universal Exhibition of 1911; the second, created in 1921, was the result of collecting a notable family that took up the typographic tradition of Carmagnola old more than 4 centuries; the third, said Museum of books and illumination, was the result of the exploitation of the extraordinary collections of the Medici library and of the policy pursued by the Director Guido Biagi. Of such museums, outlining the events that led to their creation, only the museum in Carmagnola has come to this day, while the others for various reasons, were closed and never reconstituted. The contribution also provides an opportunity to reflect on the creation of a new museum of the book in Italy at a time when libraries lack visibility into the organization of the Ministry of cultural heritage, which could be distributed and polycentric in the offices of the State libraries in Rome, with its hub at the National Central Library.

IBA in the museum

International Nuclear Information System (INIS)

Menu, M.

1990-01-01

The Research Laboratory of the Museums of France (LRMF) has been a part of the Louvre Museum since 1931. At the beginning, paintings were only examined by means of optical microscopy, under UV or IR light, or by X-ray radiography. With the development of archaeometry in the early 1960s, different spectrometric techniques have been applied to the analysis of works of art and archaeological objects: UV spectrometry, XRF, and even SEM coupled to an X-ray Si(Li) detector. Crystalline objects were investigated with XRD and Fourier transform infrared spectrometry (FTIR); organic matter with gas chromatography, FTIR, UV and visible spectrophotometry. Thus the principal aim of the LRMF is to characterize the materials and the techniques involved in the creation of art and archaeological objects, for example, methods of production, provenance studies, authentication, and conservation. (The problem of dating is for the time being only a minor subject of research at the LRMF). Because of the valuable nature of such objects, nondestructive methods of analysis have been developed, and consequently the results have to be more and more accurate to answer the questions put to us by the art historian. Moreover, the works of art must stay inside the security area of the museum. Therefore, it was decided in 1982 to install within the Louvre an accelerator dedicated solely to museum problems. The installation of AGLAE, begun in 1984, has now been completed. The accelerator system, a Pelletron 6SDH2 from NEC, was rendered operational in June 1988. A general consensus with regard to the applications of the ion beam techniques in art and archaeology was arrived at during the International Workshop held in Pont-a-Mousson, France in 1985, which brought together museum scientists as well as IBA physicists who had applied these techniques to archaeology, geology and metallurgy. (orig./WL)

Evaluation of visitor profiles and motivations at Ankara museums

Directory of Open Access Journals (Sweden)

Eda Gürel

2013-12-01

Full Text Available Museums all over the world appear to be targeting their visitors for resources, thanks to diminishing state support. The purpose of this study is to recognize the profiles and motivations of visitors to museums in Ankara, in order to provide for the development of strategies that will help translate these visits to regular active participation. The results of the study conducted at Ankara’s five principal museums show that these museums play a significant part in education for the visitors. Certain internal and external factors – such as advertising and promotion – are essential to boost museum visits. Study results call attention to external factors in particular, as driving forces for recurrent museum visitors.

Engaging the d/Deaf Audience in Museums: A Case Study at the Calouste Gulbenkian Museum

Science.gov (United States)

Martins, Patrícia Roque

2016-01-01

This article addresses ways that museums can strengthen programming for d/Deaf audiences. Through the development and study of a tour for a d/Deaf audience conducted through signing and oral translation at the Calouste Gulbenkian Museum in Lisbon (Portugal), the author examines issues of language, identity and inclusion. She argues that the use of…

Paradigma Baru Dalam Museum Seni dan Budaya Jawa Ullen Sentalu

Directory of Open Access Journals (Sweden)

Amarena Nediari

2011-04-01

Full Text Available The existence of the museum building as  conservation collection of historic objects often give the impression that the museum is an ancient building, dark and disheveled. While the new paradigm in the management of the museum is a museum not only as a place to store historical objects, but need to present the collection in an attractive package so that visitors interested in coming back again to the museum. Museum of art and culture of Java Ullen Sentalu, in Kaliurang has provided a new insight to the culture, especially Javanese culture in the family palace of Yogyakarta and Solo Palace. The main attraction of this Sentalu Ullen is to deliver information about the historic collection from the family palace is presented as a whole, so that leaves a deep impression for visitors. This museum has given the world a new concept in museums in Indonesia, which certainly can be applied to other museums in Indonesia.  

Adoption of Social Media for Public Relations by Museums

Directory of Open Access Journals (Sweden)

Bojana Suzić

2016-06-01

Full Text Available Conceptual evolution of the Internet and Web, substantiated through Web 2.0 and the emergence of online social networks, reinvented the way that enterprises interact with their customers. Museums, as cultural institutions with an important mission, are not unaffected by that change, however. In order to fulfil their duties and societal purpose successfully, they have to attract visitors’ attention and engage the public effectively in a highly competitive and saturated environment. The goal of this paper is to analyze and compare the social media presence of museums in two European capitals. It focuses on museums in Prague and Berlin, and considers their general Web presence and the dynamics of activities on Facebook. In order to understand the integrative social media approach of museums in both regions, we investigated additionally Twitter and Youtube presence among museums with a Facebook account. The study reveals a lower presence of Prague museums both on the Web and in the identified social media networks, in comparison to Berlin museums. Moreover, we conclude that the presence of both regional museums on social media networks is low, while the integration and simultaneous application of more networks at the same time are negligible, both for Prague and Berlin museums.

Anniversary celebrations at the National Museum of History

OpenAIRE

Elena Ploşniţa

2014-01-01

December 21, 2013 we celebrated 30 years since the founding of the National Museum of History of Moldova. On this occasion the museum has organized several events. Program of the day began with a Round Table “Policies for conservation and restoration of the museum heritage in the Republic of Moldova”. Then, the general director of the museum Eugen Sava opened a solemn assembly in the museum’s Blue Room. During the meeting there were presented congratulatory words addressed to the participants...

Inspiring Leaders: Unique Museum Programs Reinforce Professional Responsibility

Science.gov (United States)

Ciardelli, Jennifer; Wasserman, JoAnna

2011-01-01

Since 1998, the United States Holocaust Memorial Museum has developed educational programs targeting adult audiences. Engaging public service professionals--those charged with serving and protecting our nation's democratic principles--has become a core outreach strategy to achieve the Museum's mission. This article describes the Museum's process…

The Nördlingen-Ries Geopark and nearby museums as a natural teaching laboratory for Geoscience students

Science.gov (United States)

Kaminski, Michael; Kaka, SanLinn; Kaminski, Matthew

2017-04-01

The hypervelocity impact of an asteroid in southern Germany around 15 million years ago not only caused an environmental catastrophe, but it also created a scenario that provides us with a world-class natural laboratory for teaching the basic Principles of Geology. The combination of museum visits and observation of rock outcrops enables the student to reinforce or rediscover the basic principles of physical and historical Geology that are presented in first- or second-year Geoscience courses. At KFUPM, our visit to the Ries Geopark begins at the Ries Crater Museum in Nördlingen, where students review knowledge learned in their Physical Geology course: the Nebular Theory, origin of the solar system, and the classification of meteorites based on real examples. Students then learn the stages of impact crater formation, shock metamorphism, and the products of impact crater formation such as tectites, impact breccia and suevite. Students also become familiar with the Mesozoic stratigraphy of Southern Germany, reviewing basic principals of stratigraphy. Visits to local outcrops reinforce the knowledge gained at the Museum. A visit to the nearby Solnhofen Museum and quarries provides insight into the nature of the late Jurassic animals that lived at the edge of the Tethys Sea, reinforcing many topics learned during their second-year Paleontology course, such as taphonomy, and the idea of a death assemblage. At the Museum of the Geosciences Department of the University of Tübingen, the students become familiar with Mesozoic ammonoids as part of their second-year Paleontology course. A visit to the Urwelt Museum and quarry in Holzmaden explores animal life during the Early Jurassic, stratigraphic principles as presented on the museum's "geological staircase", and the origin of petroleum source rocks. The museum houses spectacular examples of Early Jurassic marine reptiles. All knowledge gained in the Jurassic of southern Germany enriches the students' understanding of

The Role of Large Enterprises in Museum Digitization

Directory of Open Access Journals (Sweden)

Ying Wang

2014-12-01

Full Text Available By actively promoting museum digitalization, Japan finds an idiosyncratic way to museum digitalization. The mode of collaboration, in which the government plays a leading role while large enterprises’ R&D capabilities and museum’s cultural dynamics are both allowed to give full play, turns these powerful enterprises into the solid backing of museum digitalization, provides a concrete solution to the common financial and technical challenges museums face in the process. In the course of such collaboration, large enterprises succeed in cultivating a number of talents who understand both business world and museum operation. Thanks to their experiences in the business world, compared with museum professionals, they play a more vital role in marketing the potential commercial exploitation of related digital technologies. The benefits large enterprises could possibly gain from such mode of collaboration - realizing social values, enhancing corporate image, for instance - help to motivate their active involvement, thereby forming a positive cycle of sustainable development.

The Tourist Gaze and ‘Family Treasure Trails’ in Museums

DEFF Research Database (Denmark)

Larsen, Jonas; Svabo, Connie

2014-01-01

Museums are largely neglected in the tourist research literature. This is even more striking given that they are arguably designed for gazing. There is little doubt that “graying” of the Western population adds to the number and range of museums. And yet, even in adult museums, there will be chil......Museums are largely neglected in the tourist research literature. This is even more striking given that they are arguably designed for gazing. There is little doubt that “graying” of the Western population adds to the number and range of museums. And yet, even in adult museums......, there will be children who are “dragged along.” Museums are increasingly aware of such conflicts and dilemmas. Many museums offer printed booklets with “treasure trails.” They afford a trail through the museum that forms a treasure hunt for specific objects and correct answers to questions related to the objects....... This article draws attention to this overlooked, mundane technology and gives it its deserved share of the limelight. We are concerned with exploring ethnographically how trails are designed and especially used by young families in museums for gazing. The article gives insight into how children, broadly...

Perceived Authenticity of the Visitor Experience in Museums

DEFF Research Database (Denmark)

Hede, Anne-Marie; Garma, Romana; Josiassen, Alexander

2014-01-01

of perceived authenticity, resonating with Bal's (1996) research in this area. Findings also confirm that consumer scepticism and expectations are antecedents to perceived authenticity of the visitor experience in museums, and that perceived authenticity in turn affects visitor satisfaction and perceived...... corporate hypocrisy. Practical implications -This research provides a framework for museums to manage visitors' perceptions of authenticity, and to plan and design exhibits accordingly. Originality/value - Our research, set in the museum context, articulates the basis of perceived authenticity, its....... To investigate authenticity in a model with two antecedents and two outcomes, an additional data set was collected. Hypotheses were tested using structural equation modelling. Findings -The results show that perceived authenticity of the museum, the visitor and the materials in the museum are dimensions...

New optical museum at Saint-Petersburg for education and training

Science.gov (United States)

Vasil'ev, V. N.; Stafeef, S. K.; Tomilin, M. G.

2009-06-01

Nowadays the educational problem of teaching optics and photonics is to attract the young generation to the wonderful and magic world of light, optical science, technology and systems. The main issue is to explain that in the course of last several hundred years optics has been representing the most clear world view for humanity. In fact, the optics itself is a multidisciplinary complex of independent scientific directions, and, moreover, it has always been a generator of new fields of knowledge. Besides, optics and photonics are the fields within which the most fundamental problems of today's reality are to be resolved. It is absolutely necessary to encourage our scholars in getting optics and photonics education as an alternative physical basis to gaining solely computer knowledge. The main obstacle is the poor connection between program of optical education and the real optical researches, disintegration of different branches of the optical science, the demographic situation, some problems with teaching mathematics and physics at schools, and the collision between traditional educational methods and the mentality of the new generation. In Russia the Saint-Petersburg State University of Information Technologies, Mechanics and Optics offers partial solution to these problems: the organization of a real place for interactive optical science in a form of a new museum of optics, intended for education and training, seems to be the most effective way. This was the main reason for establishing such a museum in Saint-Petersburg at the end of 2008.

45 CFR 1180.2 - Definition of a museum.

Science.gov (United States)

2010-10-01

... devoted to museum functions as described in paragraph (a) of this section. (ii) The period of time that such museum functions have been carried out by the institution over the course of the institution's... devoted to such museum functions. (v) Such other information as the Director requests. (3) The Director...

Performing Witnessing: Dramatic Engagement, Trauma and Museum Installations

Science.gov (United States)

Hughes, Erika

2018-01-01

This article offers a discussion of two interactive museum installations, 'Remembering the Children: Daniel's Story' at the United States Holocaust Memorial Museum in Washington, DC, and the main exhibit at the Humanity House Museum in the Hague, Netherlands. Both are examples of what I term "self-guided dramas," taking the…

The Rural Open Air Museums: Visitors, Community and Place

Directory of Open Access Journals (Sweden)

Pawlikowska-Piechotka Anna

2015-12-01

Full Text Available Contemporary rural museums perform not only the traditional tasks but are also the places where both the visitors and the local community members have chances for entertainment and attractive leisure time. Consequently one can find in museums numerous catering offers such as cafes, bistros, snack bars, restaurants, pubs and wine bars. The material presented is the result of theoretical and field studies carried out in the selected open air museums in Poland and focused on newly introduced commercial activities (as catering. Our research results show that the development of sustainable cultural tourism as a generator of income in the open air rural museums is important in the challenging economic time. Museums having catering services of different character could easier overcome financial struggle. Moreover there is no doubt that the introduction of an interesting and ambitious cuisine in the restaurants located in the rural open air museum is of great importance also in other terms: popularization of the food culture, rural tradition of region, healthy diet and lifestyle, chance to increase the museum attractiveness, important economic support to the museum and the local community and the improvement of living quality.

The role of the imagination in museum visits

DEFF Research Database (Denmark)

Achiam, Marianne

2016-01-01

The imagination plays an important role in museums, today more than ever. Visitors use their repositories of imagination or repertoires to make sense of their encounters with objects and exhibits. In this article, I argue that this initial meaning making, rather than being the end goal of museum...... that becoming familiar with commonly occurring repertoires is necessary for exhibition designers in order for museums to continue to take their interpretive responsibility seriously, and I discuss how such a familiarisation may affect museum practice. I conclude with some perspectives on the implications...

How Some Art Museums Can Appeal to Teenagers

Science.gov (United States)

Striepe, Susan E.

2013-01-01

This article describes a case study that explores the question of how some art museums can appeal to teenagers. The significance of teenagers as the most underrepresented age demographic to visit museums is relevant to current museum practice where visitor studies have assumed increasing importance. As teenagers mature into adults, the long-term…

Musei parlanti. Corrado Ricci e la sfida di comunicare ad un ampio pubblico / Talking museums. Corrado Ricci and the challenge of communicating the museum to a wide audience

Directory of Open Access Journals (Sweden)

Silvia Cecchini

2013-05-01

Full Text Available Nel ruolo di direttore di musei Corrado Ricci sperimenta, tra il 1893 e il 1904, la possibilità di far comunicare il museo con un pubblico più ampio degli addetti ai lavori attraverso sale allestite secondo un impianto tipologico-iconografico.  Crea così le sale storico-topografiche e le sale dei ritratti. Il modello viene realizzato per la prima volta nella Galleria Reale di Parma, poi replicato nella Galleria Estense di Modena, nell’Accademia Carrara di Bergamo, ed anche nella mostra temporanea dedicata all’antica arte senese. Introduce uno spazio di mediazione tra gli spazi della città e le sale del museo, tra il tempo presente della vita e il passato ritratto nei quadri. Proposte che oggi ci possono sollecitare a riflettere sul ruolo della ricerca e su quello della traduzione, momenti essenziali del messaggio che il museo vorrebbe trasmettere.   As Museum Director Corrado Ricci experiences, between 1893 and 1904, the ability to communicate the Museum to a wider audience then the scholars through halls outfitted with a typological-iconographic system. He creates topographic-historic rooms and rooms of portraits. The model is realized for the first time in the Royal Gallery of Parma, then replicated in Galleria Estense in Modena, in the Accademia Carrara of Bergamo, and also in the temporary exhibition dedicated to ancient art of Siena. He introduces a mediation between the spaces of the city and the rooms of the Museum, between the present life and the past of the paintings. Proposals that today we shall seek to reflect on the role of research and translation, essential moments of the message that the Museum would like to transmit.

Lexington Children`s Museum final report on EnergyQuest

Energy Technology Data Exchange (ETDEWEB)

NONE

1998-08-01

EnergyQuest is a museum-wide exhibit that familiarizes children and their families with energy sources, uses, and issues and with the impact of those issues on their lives. It was developed and built by Lexington Children`s Museum with support from the US Department of Energy, Kentucky Utilities, and the Kentucky Coal Marketing and Export Council. EnergyQuest featured six hands-on exhibit stations in each of six museum galleries. Collectively, the exhibits examine the sources, uses and conservation of energy. Each EnergyQuest exhibit reflects the content of its gallery setting. During the first year after opening EnergyQuest, a series of 48 public educational programs on energy were conducted at the Museum as part of the Museum`s ongoing schedule of demonstrations, performances, workshops and classes. In addition, teacher training was conducted.

The Onomastic Octopus. Museum Data Bank Research Report No. 3.

Science.gov (United States)

Chenhall, Robert G.

Activities and information needs in museums and a project undertaken by the Margaret Woodbury Strong Museum to develop systematic solutions to problems in cataloging museum collections are described. Museum activities are grouped in three categories: (1) initial--acquisition, accession, registration, identification, and restoration; (2)…

The virtual museum of education. Identity, perspectives, attitudes

Directory of Open Access Journals (Sweden)

Chiara Baldassarri

2010-07-01

Full Text Available The museums conceived as spaces for communication are places where a prospective of lifelong learning is supported and facilitated. Hence, it is necessary to adopt didactic ways of communication that develop projects concerning innovations in the field of education through the application of new technologies in the museums themselves, in order to make those museums "virtual" by creating a complementary reality. The Scienze dell’Educazione department's research regarding the institution of a Museo dell’Educazione is working in this direction, trying to build a network that exploits the relationship among schools, institutions and museums. In dept, the aim of the analysis was individuate some guidelines for the creation of the Museo dell’Educazione website, beginning from a study of the main European virtual educational museums.

The National Cryptologic Museum Library

Science.gov (United States)

2010-09-01

telegrams. Modern communications and encryption methods have made them obsolete and mainly of historical interest. The library is also home to a...interpretations. Cross References The National Cryptologic Museum Library Eugene Becker Last year, a widely published German technical author, Klaus...Schmeh, e-mailed the library of the National Cryptologic Museum from his home in Gelsenkirchen, Germany. He needed information for an article on the

Museums as Theme Parks - A Possible Marketing Approach?

Directory of Open Access Journals (Sweden)

Alexandra ZBUCHEA

2015-09-01

Full Text Available Museums compete increasingly more with very diverse entertainment providers, such as theme parks, despite the fact that their offer is mainly cultural. Museums have had to be more active and they have had to diversify their offer, in order to be more popular, therefore to better achieve their complex cultural missions. They should be more “market oriented” and aim to develop their programs according with their visitors’ needs and desires, as well as with the evolutions in the contemporary society.  One answer to this challenge would be the controversial theme parkisation of museums. The paper discusses in what extent the market approach of theme parks could be a viable marketing strategy for museums. It underlines several differences and similarities between the marketing approaches of museums and theme parks, in order to better understand how a museum could preserve its cultural functions, while obtaining economic success. Only the latter would allow it to better develop its cultural activity and thus to better serve its visitors and the community.

COMPARATIVE CHARACTERISTIC OF TOURIST POTENTIAL OF MUSEUMS OF KRASNODAR REGION

Directory of Open Access Journals (Sweden)

Svetlana V. Kirilicheva

2017-01-01

Full Text Available Aim. The article describes the tourist potential of two large museums of the Krasnodar Territory, the Krasnodar State Historical and Archaeological Museum-Reserve named after E.D. Felitsyn and Krasnodar Regional Art Museum named after F.A. Kovalenko. Much attention is paid to the classification of museums in the Krasnodar Territory. Methods. In the study were used a comparative-geographical method, a systematic approach, an analysis of statistical-mathematical materials and an analysis of the leisure profile of citizens. Findings. A comparative assessment of the potential of two large museums of the region is given. We also conducted an analysis of the survey data of the leisure profile among the townspeople in the city of Krasnodar in order to identify which of the museums is more popular. The main indicators such as the number of storage units, the total exposition and exhibition area, the number of sightseeing visits and mass events, the number of educational programs and exhibitions, the number of employees were examined and analyzed. Distinctions between museums are also noted. Conclusions. An analysis of these data showed that both museums have sufficient tourist potential to represent the city and get acquainted with the city through museums. The results of an analysis of events held in museums to attract visitors are presented. The sufficient tourist potential of two large museums for representation of the city and region is defined. The directions for their development as objects of tourism are proposed.

United States Holocaust Museums: Pathos, Possession, Patriotism

OpenAIRE

Baum, Rob

2011-01-01

This article examines the role of United States holocaust museums in directing (American) knowledge and memory of World War II, and demonstrates how signifiers of race, colour and Jewishness are played out and theatricalised. Erected in two principal U.S. cities of Los Angeles and Washington, D.C., the Holocaust Museum and Museum of Tolerance uphold very different mandates: the first dedicated to revealing European civilian tragedies during WWII; the latter dealing with Jewish persecution and...

Portable Tablets in Science Museum Learning: Options and Obstacles

Science.gov (United States)

Gronemann, Sigurd Trolle

2017-06-01

Despite the increasing use of portable tablets in learning, their impact has received little attention in research. In five different projects, this media-ethnographic and design-based analysis of the use of portable tablets as a learning resource in science museums investigates how young people's learning with portable tablets matches the intentions of the museums. By applying media and information literacy (MIL) components as analytical dimensions, a pattern of discrepancies between young people's expectations, their actual learning and the museums' approaches to framing such learning is identified. It is argued that, paradoxically, museums' decisions to innovate by introducing new technologies, such as portable tablets, and new pedagogies to support them conflict with many young people's traditional ideas of museums and learning. The assessment of the implications of museums' integration of portable tablets indicates that in making pedagogical transformations to accommodate new technologies, museums risk opposing didactic intention if pedagogies do not sufficiently attend to young learners' systemic expectations to learning and to their expectations to the digital experience influenced by their leisure use.

Raising private investment funds for museums

NARCIS (Netherlands)

van der Burg, Tsjalle; Dolfsma, W.; Wilderom, Celeste P.M.

2004-01-01

The authors propose the notion of an "arts fund", a publicly traded investment fund for the purpose of acquiring increasingly costly art works to be displayed in museums. Public as well as private museums stand to benefit greatly from such an approach to financially supporting the arts. A

"I love Skagen Museum"

DEFF Research Database (Denmark)

Laursen, Ditte; Hviid Mortensen, Christian; Olesen, Anne Rørbæk

2017-01-01

this gap by investigating empirically how one type of institution, namely museums, and their Facebook followers, actually communicate. Our approach is innovative in combining analytical tools from speech act theory and Conversation Analysis (CA) to a corpus of activities from the Facebook pages of nine...... Danish museums of different types and sizes collected during eight consecutive weeks in 2013. This approach enables us to both investigate communicative actions as isolated speech acts and the micromechanics of the interaction that potentially arise from these actions. Our findings indicate that certain...

Simmons, J.E. (2016 Museums. A History. London: Rowman & Littlefield

Directory of Open Access Journals (Sweden)

Anna Tulliach

2017-11-01

Full Text Available Museums convincingly achieves the aim of giving a general summary of the key themes of the museum’s history. The author does not fail in missing a point: he offers a comprehensive history of museums from the ancient world to contemporary times, focusing on well-known historical examples of museum collections taken from different parts of the world and on contemporary subjects of debate in the museum world, producing a valuable synthesis of this wide topic. I recommend this book to museum studies students interested in the history of museums, but also to scholars who would like to have a complete and valuable summary of the subject.

Smart SfM: Salinas Archaeological Museum

Science.gov (United States)

Inzerillo, L.

2017-08-01

In these last years, there has been an increasing use of the Structure from Motion (SfM) techniques applied to Cultural Heritage. The accessibility of SfM software can be especially advantageous to users in non-technical fields or to those with limited resources. Thanks to SfM using, everyone can make with a digital camera a 3D model applied to an object of both Cultural Heritage, and physically Environment, and work arts, etc. One very interesting and useful application can be envisioned into museum collection digitalization. In the last years, a social experiment has been conducted involving young generation to live a social museum using their own camera to take pictures and videos. Students of university of Catania and Palermo were involved into a national event #digitalinvasion (2015-2016 editions) offering their personal contribution: they realized 3D models of the museums collection through the SfM techniques. In particular at the National Archaeological Museum Salinas in Palermo, it has been conducted an organized survey to recognize the most important part of the archaeological collection. It was a success: in both #digitalinvasion National Event 2015 and 2016 the young students of Engineering classes carried out, with Photoscan Agisoft, more than one hundred 3D models some of which realized by phone camera and some other by reflex camera and some other with compact camera too. The director of the museum has been very impressed from these results and now we are going to collaborate at a National project to use the young generation crowdsourcing to realize a semi-automated monitoring system at Salinas Archaeological Museum.

SMART SfM: SALINAS ARCHAEOLOGICAL MUSEUM

Directory of Open Access Journals (Sweden)

L. Inzerillo

2017-08-01

Full Text Available In these last years, there has been an increasing use of the Structure from Motion (SfM techniques applied to Cultural Heritage. The accessibility of SfM software can be especially advantageous to users in non-technical fields or to those with limited resources. Thanks to SfM using, everyone can make with a digital camera a 3D model applied to an object of both Cultural Heritage, and physically Environment, and work arts, etc. One very interesting and useful application can be envisioned into museum collection digitalization. In the last years, a social experiment has been conducted involving young generation to live a social museum using their own camera to take pictures and videos. Students of university of Catania and Palermo were involved into a national event #digitalinvasion (2015-2016 editions offering their personal contribution: they realized 3D models of the museums collection through the SfM techniques. In particular at the National Archaeological Museum Salinas in Palermo, it has been conducted an organized survey to recognize the most important part of the archaeological collection. It was a success: in both #digitalinvasion National Event 2015 and 2016 the young students of Engineering classes carried out, with Photoscan Agisoft, more than one hundred 3D models some of which realized by phone camera and some other by reflex camera and some other with compact camera too. The director of the museum has been very impressed from these results and now we are going to collaborate at a National project to use the young generation crowdsourcing to realize a semi-automated monitoring system at Salinas Archaeological Museum.

Implementasi Sapta Pesona Pada Museum Mandala Wangsit Siliwangi Kota Bandung

Directory of Open Access Journals (Sweden)

Faizal Hamzah

2016-09-01

ABSTRACT Museum refers to the building that keeping the treasures of ancient history or past. Museum is important for our place deepen the knowledge of past history. Many of them are less interested to come to the museum. Travelers make the museum as an alternative tourist spot. Visitors who visit the museum itself mostly for their tour schedule or from institutions or schools of the visitors which was scheduled to visit the museum. Establishing a tourist must pay attention to things that are important in the world of tourism, one  of Sapta Pesona. Sapta pesona is a condition that must be realized in order to attract more tourists to visit an area or region in our country. Meanwhile the condition seen at this time there are 7 (seven elements of Sapta Pesona have not been realized to the maximize at the Museum Mandala Wangsit Siliwangi, still there are some elements in Sapta Pesona are not realized by the museum management that influence the tourist attraction until this time. Some elements are not maximized application that is beautiful and memorable. It is necessary to change the management, promotion, and restoration spatial Mandala Museum Wangsit by 7 (seven elements of Sapta Pesona. Implementation of Sapta Pesona is done in order to attract tourists and increase the level of tourist traffic. Keywords: Museum, Implementation, Sapta Pesona.

Simmons, J.E. (2016) Museums. A History. London: Rowman & Littlefield

OpenAIRE

Anna Tulliach

2017-01-01

Museums convincingly achieves the aim of giving a general summary of the key themes of the museum’s history. The author does not fail in missing a point: he offers a comprehensive history of museums from the ancient world to contemporary times, focusing on well-known historical examples of museum collections taken from different parts of the world and on contemporary subjects of debate in the museum world, producing a valuable synthesis of this wide topic. I recommend this book to museum stud...

Case Studies of Three Midwestern Art Museums as They Function as Adult Education Institutions, with an Introductory History of Adult Education in American Art Museums.

Science.gov (United States)

Furstenberg, James Henry

The study describes current art museum adult education programs and objectives in three art museums. Data were gathered through interviews with museum staffs, from current publications and records, and from clipping files and historical documents. Each museum sponsors training for volunteer guides and a yearly show for collectors, and provides…

Multicultural University Education and Museum Pedagogy

Science.gov (United States)

Melnikova, G. F.; Gilmanshina, S. I.

2017-09-01

The specifics of the educational process in the museum are revealed. The experience of using the multicultural educational space of the museum for developing non-humanitarian directions of the university of general cultural competencies is expounded. The emphasis is on the formation of the ability to tolerate social, ethnic, confessional and cultural differences.

Portable technologies at the museum

DEFF Research Database (Denmark)

Svabo, Connie

2011-01-01

A topic of interest in contemporary museum studies is how digital technologies contribute to museum visitor experiences. Building on insights from media and technology studies that new media should be understood for how they overlap with old media, the article reports an ethnographic study...... of the intersections between the exhibition at a modern museum of natural history and three portable technologies – one of which is digital. Mobile phone cameras, exercise pamphlets and dress-up costumes link visitors with an exhibition, but they simultaneously shape this relation in their own specific directions....... This is shown by drawing on the concept of mediation as it is developed by philosopher Michel Serres and philosopher of technology Bruno Latour. The article is based on the Ph.D. thesis entitled “Portable Objects at the Museum”, defended at Roskilde University on 22 September 2010....

Nation Building at the Museum of Welsh Life

Directory of Open Access Journals (Sweden)

Rhiannon Mason

2004-03-01

Full Text Available This article explores the representational problems inherent in one museum’s attempt to tell a ‘national story’. The museum in question started life as the ‘Welsh Folk Museum’ but in 1995 became the much broader ‘Museum of Welsh Life’. This article examines how and why this change occurred and the challenges produced by this shift in remit. The article also illustrates the processes of selection and revision which occur within museum representations and considers how these relate to competing versions of ‘the national story’ present within Wales. I argue that such revisions are inevitable in national museums which, by their very nature, aim to tell a universal story and that, as a consequence, these museums function both as a catalyst for discussion and a public forum within which debates over the accepted nature of national identity and history will occur.

environmental education and culture history museums

African Journals Online (AJOL)

Zulu Cultural Museum has been built and where a large collection of indigenous regional cultural material is housed. Ondini today is a declared monument within the museum estate of 200 ha of thornvel d savannah, and is located 8 km outside the KwaZulu capital of. Ulundi on the through route to the Umfolozi Game.

History of Science and Science Museums

Science.gov (United States)

Faria, Cláudia; Guilherme, Elsa; Gaspar, Raquel; Boaventura, Diana

2015-01-01

The activities presented in this paper, which are addressed to elementary school, are focused on the pioneering work of the Portuguese King Carlos I in oceanography and involve the exploration of the exhibits belonging to two different science museums, the Aquarium Vasco da Gama and the Maritime Museum. Students were asked to study fish…

The Educational Use of Museums: An English Case Study.

Science.gov (United States)

Moffat, Hazel

1988-01-01

Discusses the establishment and function of the Museums Committee of Her Majesty's Inspectorate, a committee which was formed to encourage the effective use of England's museums. Describes the various programs initiated by the committee, focusing on the best practices of the schools using museum resources. (GEA)

Building Maintenance Management System for Heritage Museum

Directory of Open Access Journals (Sweden)

Md Azree Othuman Mydin

2012-09-01

Full Text Available An investment in the building maintenance aspect is massive throughout the world. In most of the countries, it signifies approximately 50% of the entire revenue of the construction industry. The value of buildings depends on the eminence of the maintenance invested in them. Maintenance management engages obtaining utmost advantage from the investment made on the maintenance activities. At the moment, maintenance in buildings in Malaysia is on the increase in spite of size, category, location, and ownership. This study focuses on Building Maintenance Management System for Heritage Museum, which consists of two case studies in Penang State Museum and Art Gallery, Malaysia and Museum of Perak, Malaysia. The aim of this study is to propose methods to improve the maintenance management system for heritage museum. From the results, the common problem occurs during the implementation for the maintenance of each building is the budget for the maintenance and worker’s skill. The department of each museum must have their own maintenance unit to keep an eye on the maintenance activities for their buildings in order to improve the maintenance management system in their building.

Mobile media, mobility and mobilisation in the current museum field

DEFF Research Database (Denmark)

Baggesen, Rikke Haller

2017-01-01

Introducing the concept of a 'mobile museology' to describe how museums are currently set in motion by a confluence of cultural, technological and museological developments, this chapter traces the connections between mobile media and notions of mobility and mobilisation in the museum field....... As illustrated by current examples in the chapter, mobile phones have thus provided an opportunity for both augmenting and transcending the museum space, blurring former boundaries between institutions and their environments. At the same time, technological advances and digitial culture developments have also...... required and inspired museums to become organisationally mobile, and to mobilise collections, audiences and institutions in order to fulfill museum missions. In this perspective, mobile media are thus seen as both catalysts and instruments for current museum developments....

What is Sustainability in Modern Art Museums?

DEFF Research Database (Denmark)

Campolmi, Irene

2013-01-01

aspects this value brings in management. However, art museums have left beside the analysis of sustainability in regards to their cultural policies and internal managerial organization. Though European museums have proposed sustainability strategies in the collection management (brand franchising...

History of Science and Science Museums

Science.gov (United States)

Faria, Cláudia; Guilherme, Elsa; Gaspar, Raquel; Boaventura, Diana

2015-10-01

The activities presented in this paper, which are addressed to elementary school, are focused on the pioneering work of the Portuguese King Carlos I in oceanography and involve the exploration of the exhibits belonging to two different science museums, the Aquarium Vasco da Gama and the Maritime Museum. Students were asked to study fish adaptations to deep sea, through the exploration of a fictional story, based on historical data and based on the work of the King that served as a guiding script for all the subsequent tasks. In both museums, students had access to: historical collections of organisms, oceanographic biological sampling instruments, fish gears and ships. They could also observe the characteristics and adaptations of diverse fish species characteristic of deep sea. The present study aimed to analyse the impact of these activities on students' scientific knowledge, on their understanding of the nature of science and on the development of transversal skills. All students considered the project very popular. The results obtained suggest that the activity promoted not only the understanding of scientific concepts, but also stimulated the development of knowledge about science itself and the construction of scientific knowledge, stressing the relevance of creating activities informed by the history of science. As a final remark we suggest that the partnership between elementary schools and museums should be seen as an educational project, in which the teacher has to assume a key mediating role between the school and the museums.

The Hutsul Ethnicity (Ethnic Group with Medieval Origins in the Romanian Space. The Transfer of Hutsul Households in the National Village Museum

Directory of Open Access Journals (Sweden)

Florian Dumitrache

2017-05-01

Full Text Available Along with the ethnographic natives, the attention of the Village Museum in Bucharest was focused, from the outset, on minority representation in the Romanian space, with their traits of life and the evolution of their material culture, spiritual experiences and last, but not least, with links regarding mutual cultural connections with the native population and other inhabitant minorities. Although a modest share and a hard custom culture, Guzuls’ ethnicity is real from a historical and folkloric point of view that could not be ignored by specialized museums and research institutes in history. The motivation for this research has been undertaken in Northern Moldavia, an area where the minority has been most present, the results of this research can be pursued today in exhibitions open in our museum and in specialized publications.

The Contemporary Museum as a Site for Displaying Values

Directory of Open Access Journals (Sweden)

Mare Kõiva

2007-12-01

Full Text Available Museums constitute an important cultural and social resource. The main objective of museums is making certain objects in the collection visible or, on the contrary, leaving them invisible. In contemporary society the institution serves many important roles, being a place for displaying historical and contemporary values, an institution for preserving and displaying personal and collective memory, cultural values, for collecting tangible and intangible values, an institution for creating identity and ethnic kudos, a work place, an educational environment, a framework for promoting ethnic handicraft and art, a place for integrating different folklore festivals, exhibitions, shows; they are connected to tourism patterns and museum business. The article reflects the changes in the development of museums in the late twentieth and early twenty-first century, focusing on the main key words being multifunctional museum, the museum as an open classroom, presentation of tangible and intangible history, the relation and mergence of permanent and temporary exhibitions. The issues of digitalization and preservation and the role of the exhibition curator and the person represented on displays have increased in the museology of the past few decades. The museums’ tradition of self-replication and an increased interest in museological anthropology indicate that museums fulfil an important role in society.

The Contemporary Museum as a Site for Displaying Values

Directory of Open Access Journals (Sweden)

Mare Kõiva

2011-03-01

Full Text Available Museums constitute an important cultural and social resource. The main objective of museums is making certain objects in the collection visible or, on the contrary, leaving them invisible. In contemporary society the institution serves many important roles, being a place for displaying historical and contemporary values, an institution for preserving and displaying personal and collective memory, cultural values, for collecting tangible and intangible values, an institution for creating identity and ethnic kudos, a work place, an educational environment, a framework for promoting ethnic handicraft and art, a place for integrating different folklore festivals, exhibitions, shows; they are connected to tourism patterns and museum business. The article reflects the changes in the development of museums in the late twentieth and early twenty-first century, focusing on the main key words being multifunctional museum, the museum as an open classroom, presentation of tangible and intangible history, the relation and mergence of permanent and temporary exhibitions. The issues of digitalization and preservation and the role of the exhibition curator and the person represented on displays have increased in the museology of the past few decades. The museums’ tradition of self-replication and an increased interest in museological anthropology indicate that museums fulfil an important role in society.

Designerly Learning: Workshops for Schools at the Design Museum

Science.gov (United States)

Charman, Helen

2010-01-01

This paper presents qualitative research recently undertaken by the Head of Learning at the Design Museum. The research explores how learning in the museum's workshop programme for schools is conceptualised by the museum educators who devise and teach on the programme. The study is framed by an epistemological stance of social constructionism, in…

Motivational Factors in Career Decisions Made by Chinese Science Museum Educators

Science.gov (United States)

Ji, Jiao; Anderson, David; Wu, Xinchun

2016-01-01

Conceptualized by the self-determination theory, this interpretive study examined 23 museum educators' perspectives from five Chinese science museums to understand their work motivation in relation to their professional practice of working in museums. Research outcomes showed that, Chinese science museum educators' work motivation followed a…

The World Soil Museum: education and advocacy on soils of the world

Science.gov (United States)

Mantel, Stephan; Land, Hiske

2013-04-01

The World Soil Museum (WSM) in Wageningen, is part of ISRIC World Soil Information and was founded in 1966 on request of the United Nations Educational, Scientific and Cultural Organization (UNESCO) and the International Soil Science Society. The World Soil Museum has a collection of over 1100 soil profiles from more than 70 countries. This soil profiles are vertical sections and show the composition, layering and structure of the soil. The collection is unique in the world and includes a significant number of soil profiles from the Netherlands. The Dutch soil collection is important for serving broader visitor groups, as some visitors, such as secondary school classes, are specifically interested in the Dutch landscape and soils. Broadly speaking, the World Soil Museum has five functions: (i) education and courses, (ii) research, (iii) information and edutainment, (iv) social function, and (v) a real museum function (Art). The World Soil Museum (World Soil Museum) is well known in national and international circles soil and the English name has almost 1,000 references on the Internet. The World Soil Museum is visited by about 1000 people a year, mainly university and college students from Western Europe. Other visitor groups that have found their way to the museum are students from disciplines broader then soil science, such as geography and rural development. Secondary school classes visit the museum for geography classes. The uniqueness and the value of the collection of soil profiles (soil monoliths) and associated collections, such as soil samples, hand pieces, thin sections, slides, is emphasized by the fact ISRIC is the only World Data Centre for Soils (WDC-Soils) within the World Data System of the International Council of Science (ICSU). The collection provides an insight in and overview of the diversity of soils in the world, their properties and their limitations and possibilities for use. A new building is under construction for the WSM, which is

Blind MuseumTourer: A System for Self-Guided Tours in Museums and Blind Indoor Navigation

OpenAIRE

Apostolos Meliones; Demetrios Sampson

2018-01-01

Notably valuable efforts have focused on helping people with special needs. In this work, we build upon the experience from the BlindHelper smartphone outdoor pedestrian navigation app and present Blind MuseumTourer, a system for indoor interactive autonomous navigation for blind and visually impaired persons and groups (e.g., pupils), which has primarily addressed blind or visually impaired (BVI) accessibility and self-guided tours in museums. A pilot prototype has been developed and is curr...

Department of Defense Operation and Financial Support for Military Museums

Science.gov (United States)

2009-01-01

and gives substance to tradition and enhances esprit de corps. The museum consists of a trailer complex and a warehouse which provide...and DV receptions . The museum provides safe, professional archival storage and exhibition of rare military cultural artifacts. The museum’s Spanish...built in the 1960s as a movie theater, classroom and auditorium used for basic training during the Vietnam War. Don F. Pratt Memorial Museum The

How a Museum Discovered the Transforming Power of Play

Science.gov (United States)

Eberle, Scott G.

2008-01-01

In 2006 the Strong Museum in Rochester, New York reopened as the Strong National Museum of Play. Devising a new interpretive plan proved crucial to transforming the institution's mission and decisive in leading toward a $37 million expansion that drove strong gains in attendance. Still, the new interpretive direction, articulated in the museum's…

The Hybrid Museum: Hybrid Economies of Meaning

DEFF Research Database (Denmark)

Vestergaard, Vitus

2013-01-01

Social media has created new ways of communicating and has brought about a new distinctive ethos. New literacies are not simply about new technology but also about this new ethos. Many museums are embracing this ethos by what is often called participatory practices. From a sociocultural perspective...... this article shows that there are two different museum mindsets where the second mindset leans towards participatory practices. It is shown how a museum can support a hybrid economy of meaning that builds on both a user generated economy of meaning and an institutional economy of meaning and adds value to both...

Constructing museum learning at the university level

DEFF Research Database (Denmark)

Christensen, Line Hjorth

2011-01-01

in a museum environment. How can museums be implemented at the university level and become part of a curriculum that demands high academic standards while at the same time exploiting and benefitting from the complexity and aesthetically determined learning potentials offered by museums? Following George A....... Hein’s notion of a ‘constructivist museum’ the purpose of the article is to suggest and demonstrate a learning strategy that focuses on the learner’s consideration of his or her own learning but elaborates on Hein’s general view of the physical surroundings and deals with the question of how exhibition...

THE FEATURES OF MUSEUM COMMUNICATION: THE JUSTIFICATION OF EXPECTATIONS AND THE SATISFACTION OF AESTHETIC NEED (ON THE EXAMPLE OF THE MUSEUM VISITORS

Directory of Open Access Journals (Sweden)

Svetlana Dzakhotovna Gurieva

2017-11-01

Full Text Available The article is devoted to the problem of interaction between the museum and visitors, actual in the modern society. It presents the results of empirical researches, held in the Museum (General Staff Building of the State Hermitage Museum. 2500 persons participated in this research. The subject of analysis is the correlation of aesthetic needs, the museum communication, the justification of expectations, and personal differences of the visitors, depending on the awareness and satisfaction of aesthetic need. Based on the scientific literature review, we concluded that it is necessary to approach to the study of the museum communication in terms of a socio-psychological process, considering that the aesthetic need expresses outwardly the inner psychological characteristics of a person. To analyze the structure of the museum communication, and justification of expectations we used the questionnaire surveys including the value judgments of the visitors. To explore personal characteristics of the museum visitors have been used: the test of hardiness S. Maddi, D.A. Leontiev, the brief version of E.N. Osin and E.I. Rasskazova the test of life orientations (DLC D.A. Leontiev, the questionnaire “Importance and satisfaction of needs” of L.V. Kulikov. As the mathematical-statistical methods were applied: the correlation analysis with the r-Spearman correlation coefficient; comparative analysis of mean values; comparative analysis of nominative variables of independent samples with the χ2-Pearson; factor analysis of the principal component with Varimax rotation. Statistical data processing was performed with the SPSS Statistica v. 20. The results can be applied in the field of socio-psychological researches and the practice of visitor’s museum activities.

Decolonising the Aceh Museum Objects, Histories and their Narratives

Directory of Open Access Journals (Sweden)

Ajeng Arainikasih

2018-06-01

Full Text Available The Aceh Museum, one of the oldest museums in Indonesia, was established during Dutch colonial rule. In this article the discussion of three objects of the colonial collections at the Aceh Museum (an ancient metal bell, colonial photographs and an old wooden weaving tool illustrate the complexities of decolonising museums in a previously colonised country. As this practice varies, depending on whether the country was colonised or was a coloniser, this case study shows that in the Indonesian context, decolonising museums means featuring narratives from the local perspective, challenging colonial legacies (such as social segregation and deconstruction of Indonesian postcolonial postcolonial official nationalist history.This article is part of the forum 'Decolonisation and colonial collections: An unresolved conflict'Het Aceh Museum, een van de oudste musea in Indonesië, werd opgericht tijdens het Nederlands koloniaal bewind. In dit artikel wordt aan de hand van verschillende voorwerpen uit de collectie van het Aceh Museum (een oude metalen klok, koloniale foto’s en een oud weefgereedschap ingegaan op de dekolonisatie van musea in vroegere gekoloniseerde landen. Aangezien de dekolonisatie van musea afhankelijk is van het gegeven of een museum in een gekoloniseerd land staat of juist in een land dat koloniseerde, laat deze case study zien hoe het dekoloniseren van musea in Indonesië zou moeten plaatsvinden door middel van narratieven vanuit lokaal perspectief, het ter discussie stellen van koloniale erfenissen (zoals sociale segregatie en het deconstrueren van de Indonesische, postkoloniale en officiële nationalistische geschiedschrijving.Dit artikel is onderdeel van het forum 'Decolonisation and colonial collections: An unresolved conflict'

Projections on museum exhibits - engaging visitors in the museum setting

DEFF Research Database (Denmark)

Basballe, Ditte Amund; Halskov, Kim

2010-01-01

Using animation, text, and visual effects as elements of projections on the Danish rune stone, Mejlbystenen (the Mejlby stone), we have explored approaches to engaging museum visitors. The installation positions itself in the field of previous installations and experiments exploring projection on...

Identifying behaviors that generate positive interactions between museums and people on a social media platform: An analysis of 27 science museums on Twitter

Science.gov (United States)

Baker, Stacy Christine

The aim of this study was to provide a detailed examination of how science museums use Twitter and suggest changes these museums should make to improve their current approach on this social media platform. Previous studies have identified the types of content museums are creating on social media, but none have quantitatively investigated the specific types of content most likely to generate interaction and engagement with a social media audience. A total of 5,278 tweets from 27 science museums were analyzed to determine what type of tweet yields the greatest impact measured in retweets and favorites. 1,453 of those tweets were selected for additional qualitative analysis. The results indicate that tweets with educational content, links, and hashtags lead to the greatest number of retweets and favorites. The results also indicate that the majority of tweets posted by museums do not generate interaction and engagement with a social media audience. A model for existing museums to improve their use of Twitter was created using the results of this study.

Improving the Work of the School Lenin Museums

Science.gov (United States)

Sarafannikova, G. P.

1970-01-01

A number of exemplary compositions and uses of School Lenin Museums are mentioned in this article which brings out the important function of these museums in the political-ideological education of youth. (JB)

The NMC Horizon Report: 2013 Museum Edition

Science.gov (United States)

Johnson, L.; Adams Becker, S.; Freeman, A.

2013-01-01

The "NMC Horizon Report: 2013 Museum Edition," is a co-production with the Marcus Institute for Digital Education in the Arts (MIDEA), and examines six emerging technologies for their potential impact on and use in education and interpretation within the museum environment: BYOD (Bring Your Own Device), crowdsourcing, electronic…

Public Participation and Scientific Citizenship in the Science Museum in London: Visitors’ Perceptions of the Museum as a Broker

NARCIS (Netherlands)

Bandelli, A.; Konijn, E.A.

2015-01-01

Science museums in Europe play an emerging and important role as brokers between the public and policy-making institutions and are becoming platforms that enable scientific citizenship. To do so, museums rely on the participation of their visitors. However, little is known about the relation between

Energy impact of ASHRAE’s museum climate classes : a simulation study on four museums with different quality of envelopes

NARCIS (Netherlands)

Kramer, R.P.; Schellen, H.L.; van Schijndel, A.W.M.

2015-01-01

ASHRAE's indoor climate design classes for general museums, galleries, archives and libraries are well known: AA (most strict), A, B, C and D (least strict). Museum staff often select class AA, presuming to gain the best overall preservation result that is possible. However, the exact consequences

Museum security and the Thomas Crown Affair.

Energy Technology Data Exchange (ETDEWEB)

Michaud, E. C. (Nuclear Engineering Division)

2010-01-01

Over the years, I've daydreamed about stealing a Vermeer, a Picasso, or Rembrandt. It tickles me, as much as watching the reboot of The Thomas Crown Affair. Why is it, do you suppose, so much fun to think about stealing a world renowned piece off the wall of a major metropolitan museum? Is it the romantic thoughts of getting away with it, walking past infrared detectors, and pressure sensors ala Indiana Jones with the sack of sand to remove the idol without triggering the security system? Is it the idea of snatching items with such fantastic prices, where the romance of possessing an item of such value is less intoxicating than selling it to a private collector for it to never be seen again? I suspect others share my daydreams as they watch theater or hear of a brazen daylight heist at museums around the world, or from private collections. Though when reality sets in, the mind of the security professional kicks in. How could one do it, why would one do it, what should you do once it's done? The main issue a thief confronts when acquiring unique goods is how to process or fence them. They become very difficult to sell because they are one-of-a-kind, easy to identify, and could lead to the people involved with the theft. The whole issue of museum security takes up an ironic twist when one considers the secretive British street artist 'Banksy'. Banksy has made a name for himself by brazenly putting up interesting pieces of art in broad daylight (though many critics don't consider his work to be art) on building walls, rooftops, or even museums. I bring him up for a interesting take on what may become a trend in museum security. In March of 2005, Banksy snuck a piece of his called 'Vandalized Oil Painting' into the Brooklyn Museum's Great Historical Painting Wing, plus 3 other pieces into major museums in New York. Within several days, 2 paintings had been torn down, but 2 stayed up much longer. In his home country of the UK, a

Portable Tablets in Science Museum Learning

DEFF Research Database (Denmark)

Gronemann, Sigurd Trolle

2016-01-01

Despite the increasing use of portable tablets in learning, their impact has received little attention in research. In five different projects, this media-ethnographic and design-based analysis of the use of portable tablets as a learning resource in science museums investigates how young people...... is identified. It is argued that, paradoxically, museums’ decisions to innovate by introducing new technologies, such as portable tablets, and new pedagogies to support them conflict with many young people’s traditional ideas of museums and learning. The assessment of the implications of museums’ integration...... of portable tablets indicates that in making pedagogical transformations to accommodate new technologies, museums risk opposing didactic intention if pedagogies do not sufficiently attend to young learners’ systemic expectations to learning and to their expectations to the digital experience influenced...

Museum Universe Data File FY 2015 Q3

Data.gov (United States)

Institute of Museum and Library Services — Browse a list of known museums and related organizations in the United States as of the third quarter of FY 2015. This list contains descriptive information about...

Virtual museum of manuscripts in teaching humanitarian subjects

Directory of Open Access Journals (Sweden)

Нина Леонидовна Панина

2013-12-01

Full Text Available The author examines existing forms of representation of the book in museum's online resources and proposes a new approach for virtual museum of the manuscript, specifically focused on the educational purposes.

DIORAMA ART – A POTENTIAL MEDIUM FOR MUSEUM ...

African Journals Online (AJOL)

User

The study recognizes the traditional role diorama plays as an effective medium for museum edu- cation and employed both ... Keywords: Diorama, Museum, Education, Aperture, Assemblage. ... velopment of the modern world. Aside the open ...

Museum Universe Data File FY 2014 Q3

Data.gov (United States)

Institute of Museum and Library Services — Browse a list of known museums and related organizations in the United States as of the third quarter of FY 2014. This list contains descriptive information about...

Museums – A Catalyst for Sustainable Economic Development in Sweden

OpenAIRE

Gustafsson, Christer; Ijla, Akram

2017-01-01

Museums have a great impact on the cultural economy of every country and museums have a very significant meaning for social integration within socio-cultural and socio-economic contexts. Studies have shown that the impact of museums may vary from one city to another, and from one country to another, at local, regional or national level. The role of museums in the cultural economy is very important, because they sustain cities in promoting themselves as cultural center‟s in the domestic and re...

A Museum for Palle Nielsen

DEFF Research Database (Denmark)

Thorborg, Christoffer

2016-01-01

The present project attempts to articulate architecturally the psychic content in the danish graphic artist and draftsman Palle Nielsen's oeuvre. The museum inscribes itself within the city of Copenhagen as a part of it, but simultaneously establishes a taut vacuum between the city's buildings......, thereby setting these existing, surrounding monumental buildings in relief. The interior of the museum manifests itself as a dramatic, labyrinthine course of empty spaces, within which the visitor is deprived of contact with the city, and potentially loses his or her sense of place....

THE MUSEUM: A PARTNER IN ENVIRONMENTAL EDUC.ATION

African Journals Online (AJOL)

. Museum resources are generally underutil ised by educational establishments, not least of all by environmental educators. Some museum activities are explained and ... What is their true mission in society? There are many descriptions of the ...

"Scientific peep show": the human body in contemporary science museums.

Science.gov (United States)

Canadelli, Elena

2011-01-01

The essay focuses on the discourse about the human body developed by contemporary science museums with educational and instructive purposes directed at the general public. These museums aim mostly at mediating concepts such as health and prevention. The current scenario is linked with two examples of past museums: the popular anatomical museums which emerged during the 19th century and the health museums thrived between 1910 and 1940. On the museological path about the human body self-care we went from the emotionally involving anatomical Venuses to the inexpressive Transparent Man, from anatomical specimens of ill organs and deformed subjects to the mechanical and electronic models of the healthy body. Today the body is made transparent by the new medical diagnostics and by the latest discoveries of endoscopy. The way museums and science centers presently display the human body involves computers, 3D animation, digital technologies, hands-on models of large size human parts.

Visitor Evaluation: An Exploratory Study for the USAF Museum

National Research Council Canada - National Science Library

Wosilius, William

1997-01-01

.... Constructs in the questionnaire included: motivation for visiting, evaluation of the museum experience, transportation issues, general awareness of museum services, and demographic information...

Cultural Diplomacy 2.0: Challenges and Opportunities in Museum International Practices

Directory of Open Access Journals (Sweden)

Natalia Grincheva

2013-03-01

Full Text Available This study discusses several issues that museums face when utilizing social media in their international communication. This discussion is framed within the discourse of the new cultural diplomacy and this paper proposes a specific role for museums in cross-cultural diplomatic relations. This new model for contemporary museums as vehicles for a ‘trans-cultural encounter’, or a ‘forum’ is based on the shift within museum institutional structures across communication, educational and political dimensions. Drawing on empirical materials, this study identifies three specific ways in which museums can use social media in their international diplomatic endeavours. The first section discusses how social technology can aid museums in responding to issues and concerns originating from foreign communities. This is followed by a discussion of how social media can connect foreign audiences to the cultural content of museums through direct participation activities. Finally, social media can enhance cultural exchange among people from different cultural communities by bringing them together online for collaborative activities.

The Significance Of Narrative To Interpret ‘Sherlock Holmes’ Characterin Museums

Directory of Open Access Journals (Sweden)

Hanny Wijaya

2015-11-01

Full Text Available This research focuses on the study of Sherlock Holmes character that has been a famous detective icon in the world, where this character then become the main theme interpreted by the museum.  The method employed by the museum to “narrate” that particular character is very significant to determine the objective and background for the museum as the exhibition organizer. Narration holds a crucial role to “guide” the understanding of the audiences to a character, or sometimes can make “confusion” to the audience when differentiate whether the character is fiction or non-fiction. By comparing the narration on the permanent displays of Museum of Sherlock Holmes to temporary exhibition display in Museum of London with Sherlock Holmes theme, it can be seen the significance of the relation between narration and interpretation of a character that also determine the message of that museum. Keywords: Narration, interpretation, Sherlock Holmes, museum, exhibition

Comic Strips to Accompany Science Museum Exhibits

Science.gov (United States)

Chung, Beom Sun; Park, Eun-mi; Kim, Sang-Hee; Cho, Sook-kyoung; Chung, Min Suk

2016-01-01

Science museums make the effort to create exhibits with amusing explanations. However, existing explanation signs with lengthy text are not appealing, and as such, visitors do not pay attention to them. In contrast, conspicuous comic strips composed of simple drawings and humors can attract science museum visitors. This study attempted to reveal…

Biletul de intrare şi marketingul muzeal / Entrance ticket and museum marketing

Directory of Open Access Journals (Sweden)

Elena Ploşniţa

2015-10-01

Full Text Available Today the museum as an institution serving society is recognized as one of the largest educational and cultural resources, open to the public and having a huge impact on people. But nowadays the museum is also perceived as the market of cultural values. The activities of the modern museums are increasingly measured by economic criteria: profitability, efficiency, number of visitors, the cost of a visit, demand, cultural product, etc. And this happens not only in USA or Western Europe, but throughout the world, including the Republic of Moldova. In order to survive in the society of market economy, museums use marketing strategy, and marketing is increasingly seen as a very useful tool for the successful execution of their duties in the public interest. The purpose of marketing is to attract visitors by finding the best ways to meet their needs and desires. Since the entrance to most museums is paid, the author of this article examines the marketing function of a museum ticket as a museum product. For analysis several tickets of the museums of the Republic of Moldova, as well as from a number of European countries were taken. The objectives of the museum ticket are the same everywhere: little information for visitors, promotion of the museum, the museum advertising, and so on. Its development is a complex process that must be monitored and evaluated step by step. In fact, the ticket is a document of strict accountability, containing several mandatory attributes such as name, logo of the museum, contact information, and so on. As a result of the analysis, the author concludes that the ticket can do a lot of marketing functions: to promote the museum, to inform visitors, to promote public relations, act as a souvenir. One of the main functions of an entrance ticket is communication.

The cost of a visit to the museum: Analysis of a survey

Directory of Open Access Journals (Sweden)

Elena Ploşniţa

2014-12-01

Full Text Available Author of the article “The cost of a visit to the museum: Analysis of a survey” analyzes the results of a survey of visitors conducted from July 26 to August 15, 2012 at three national museums – the National Museum of Ethnography and Natural History, the National Museum of Fine Arts, and the National Museum of History of Moldova, as well as at the Natural and Cultural Reserve “Old Orhei” and the Pushkin House Museum in Chisinau. There has been used a questionnaire consisting of 12 questions. After analyzing the social status and occupation of the respondents, after determination of the reason for visiting the museum, systematization of data on the degree of satisfaction and the views on the entrance fees, the authors of the study concluded that these five museums’ visitors willing to pay for access to the museum from 13 to 28 MDL, but only if this visit can meet their informational and emotional needs. The public requires a high standard of information, a lot of respect from museum staff, a certain atmosphere of relaxation and a treatment that satisfies all expectations. Regardless of social class, occupation, age, way of perceiving the museum institution, and the level of satisfaction, all respondents consider that the price of the entrance ticket should be increased. The survey results show that the museums do not attract tourist groups, indicating that the organizers of tours do not include museums in tourist routes. The authors consider that research to the public should be on the agenda of each museum in order to discover the needs and wishes of their visitors and to meet these requirements as best as possible.

Museums, Environments, Information

NARCIS (Netherlands)

Koutamanis, A.

2015-01-01

Modern digital media already permeate the physical world. The portability of information devices and the ubiquity of networks allow us to access information practically anyplace, creating digital overlays on reality. This also allows us to bring information we routinely archive in museums and

The spatial rhetoric of Gustav Zeiller's popular anatomical museum.

Science.gov (United States)

Fakiner, Nike

2016-01-01

This article focuses on the public experience of science by studying the exhibition practice of a small popular anatomy museum. The owner, Gustav Zeiller, a little-known German model maker and entrepreneur, opened his private collection in Dresden in 1888 with the aim of providing experts and laymen alike with a scientific education on bodily matters and health care. The spatial configuration of his museum environment turned the wax models into didactic instruments. Relying on the possible connexion between material culture studies and history of the emotions, this article highlights how Zeiller choreographed the encounter between the museum objects and its visitors. I argue that the spatial set up of his museum objects entailed rhetorical choices that did not simply address the social utility of his museum. Moreover, it fulfilled the aim of modifying the emotional disposition of his intended spectatorship. I hope to show that studying the emotional responses toward artefacts can offer a fruitful approach to examine the public experience of medicine.

The Museum of Solid Waste and Energy.

Science.gov (United States)

National Energy Education Development Project, Reston, VA.

This activity geared for grades 5-9 involves students in creating museum stations on eight solid waste and energy topics. While working in groups, students present their station topic to other students who are conducting a "museum tour." In doing so participants are encouraged to enhance their reading, writing, public speaking, and artistic skills…

Mining the Museum in an Age of Migration

DEFF Research Database (Denmark)

Petersen, Anne Ring

2014-01-01

with the aim of ‘mining’ and thereby undermining colonial perceptions of the world. If so, it is of particular relevance to museums: decolonial institutional interventions as a means to turn museums into sites of contamination capable of including formerly repressed histories and migrating memories. Second......, to which degree Mignolo’s equation of an artist’s intervention with the politics of decoloniality really captures the transformative potential of artists’ interventions in museums in an age of migration, when the much desired diversity of audiences should also be mirrored in the chosen exhibits and modes...

Museum professionals meet at CERN

CERN Multimedia

2005-01-01

As part of the World Year of Physics, CERN organised a day of meetings attended by professionals from French and Swiss science museums. The poster for the Einstein exhibition that will open in Bern on 16 June 2005. Around thirty professionals from science museums, as well as representatives of France's Office de Coopération et d'Information Muséographiques (OCIM) and the Suisse Romande Réseau Science et Cité, congregated at CERN on 10th February with the purpose, among other things, of exchanging ideas and information on proposed exhibitions for the World Year of Physics. "We thought that it would be a good idea to start the World Year of Physics with a meeting at CERN that could provide inspiration for future exhibitions", explains Emma Sanders, Head of the Visits Service and Microcosm. Many scientific museums are trying to improve the way they cover contemporary science, and CERN is an ideal place to observe science in the making. Other goals of the meeting were to strengthen links between French and...

Archaeology, museums and virtual reality

Directory of Open Access Journals (Sweden)

Laia Pujol

2004-04-01

Full Text Available This article looks at the idea that the virtual archaeological reconstructions seen in museums cannot be considered Virtual Reality (VR as they are based on an artistic conception of the discipline. The cause is to be found in the origins of Archaeology, which began in the 18th century and was closely linked to the History of Art. In the era of New Technologies, this concept has become both the cause and the consequence: determining the characteristics of VR from within the discipline, whilst simultaneously reinforcing the virtual reconstructions.To assess the relationship between VR and Archaeology, we must first establish a definition of Virtual Reality. Subsequently, we can take a brief look at the history so as to be able to understand the evolution of Archaeology and museums. This leads us to the analysis of some examples of VR in museums, from which we can gain conclusions on the current use of VR. Finally, we look at the possibilities for VR in terms of publicising Archaeology.

Scaffolding the Next Wave of Digital Visitor Interaction in Museums

DEFF Research Database (Denmark)

Rudloff, Maja

2013-01-01

Over the last ten years the possibilities for engaging in dialogue and participation with museum visitors have been greatly improved by developments in digital technologies. Throughout the world museums are experimenting with inclusive and participatory digital projects that can enhance the museum...... visitor experience. Many of these projects are unique and creative in their use of cutting edge technology, and in their search for finding new ways to reach differentiated groups of users. However, building on insights from user studies at a Danish digital museum installation, this paper also suggests...

Towards an Integrative Approach to Interactive Museum Installations

NARCIS (Netherlands)

Ray, C.A.; van der Vaart, M.; Addison, A.C.; Guidi, G.; De Luca, L.; Pescarin, S.

2013-01-01

Museum visits are quickly becoming more personalized and interactive with the help of technology. However, the introduction of technology could also result in drawing attention away from museum collections towards (technological) interpretation devices. How does the introduction of technology into

Teaching History with Museums: Strategies for K-12 Social Studies

Science.gov (United States)

Marcus, Alan; Stoddard, Jeremy; Woodward, Walter W.

2011-01-01

"Teaching History with Museums" provides an introduction and overview of the rich pedagogical power of museums. In this comprehensive textbook, the authors show how museums offer a sophisticated understanding of the past and develop habits of mind in ways that are not easily duplicated in the classroom. Using engaging cases to illustrate…

Creating the Public Connection: Interactive Experiences with Real-Time Earth and Space Science Data

Science.gov (United States)

Reiff, Patricia H.; Ledley, Tamara S.; Sumners, Carolyn; Wyatt, Ryan

1995-01-01

The Houston Museum of Natural Sciences is less than two miles from Rice University, a major hub on the Internet. This project links these two institutions so that NASA real-time data and imagery can flow via Rice to the Museum where it reaches the public in the form of planetarium programs, computer based interactive kiosks, and space and Earth science problem solving simulation. Through this program at least 200,000 visitors annually (including every 4th and 7th grader in the Houston Independent School District) will have direct exposure to the Earth and space research being conducted by NASA and available over the Internet. Each information conduit established between Rice University and the Houston Museum of Natural Science will become a model for public information dissemination that can be replicated nationally in museums, planetariums, Challenger Centers, and schools.

New Designs in Circulation Areas And Museums the Case of the Quai Branly Museum

Directory of Open Access Journals (Sweden)

Nihan CANBAKAL ATAOĞLU

2016-05-01

Full Text Available During the Pre-Modern Era of 1970s; new buildings questioning general typologies and offering advances in terms of design and function are started to be built. Architects not only looked for unattempted block structures but also their quest for unattempted block structures were continued for internal places, too and internal implicit setups were designed using ortographic tools like plans and sections. In today’s museums; new and multiple circulation routes are designed; in which visitors do not read books from beginning to end but choose their own paths and walk through the exhibition as if in a labyrinth on their own. These radical perceptional, spatial changes and spatial scenarios are particularly emphasized in museum buildings. These new spatial arrangements in circulation areas are offering new spatial experiences with irregular gaps in sections, regular but non-geometric floor plans, vagueness of the borders, striking colors, patterns and materials, differentiated circulation parts (stairs, moving stairways, elevators, platforms, bridges. In the study; Jean Nouvel’s Quai Branly Museum (2006 which is a recent example of this striking change will be analyzed thorough spatial experiences, observations, syntactic analysis technique and semantic examinations.   

Active Art Education in a University Museum: The Example of the Barber Institute

Directory of Open Access Journals (Sweden)

Şehnaz Yalçın Wells

2014-05-01

Full Text Available Museums provide individuals with access to a variety of artworks at a quality and quantity that is not possible any other way. Museum education is of great importance to get effective benefit from museums. Nowadays museum education starts at an early age, and is simultaneously given in appropriate subjects of different lessons. Turkey has made important progresses in museum education and museum studies in recent years, but clearly there is much more to do when compared to more developed countries. These steps can be summarised (a increasing research into museum education and museology, (b staff training, (c creation of social awareness, (d development and application of new projects. Managing all these is not possible with the state’s efforts. Private entrepreneurs and civil society should take the initiative and contribute towards museum education and museology. The aim of this research is to determine the potential and function of art education, and to introduce the museum/art activities made in this context in the Barber Museum of Fine Arts Institute at Birmingham University, England. In line with these aims the answers to these questions are being sought: 1. How was Barber Institute Museum been established and developed? a What is the history of the museum’s foundation? b In the context of the development of museology and art, how can the establishment of the museum by a person/family be evaluated? 2. What are the institutional features of the Barber Institute Museum? a What are the administrative features of the museum? b What are the spatial features and importance of the museum? c What is the artistic significance of its collections? 3. How is museum/art education applied at the Barber Institute Museum? 4. How can the example of the Barber Institute be assessed in terms of museology and museum/art education? Method: This is a qualitative research study, and the case study method is used accordingly. This method foresees the portrayal

Issue 7: Museum Attendance, Population Shifts, and Changing Tastes

OpenAIRE

Haselhoff, Kim; Ong, Paul M.

2005-01-01

SCS Fact Sheet no. 7 looks at the extent to which Southern California residents attend art and cultural museums. The findings are consistent with other studies, which have found differences in museum attendance based on ethnic and socioeconomic characteristics. We also found similarities in the general rate of museum attendance in the region over the past twenty years, as well as some changes in attendance rates among groups over the past two decades.

Museology-Museum and heritage, patrimonialization and musealization: environment of communion

Directory of Open Access Journals (Sweden)

Diana Farjalla Correia Lima

2012-04-01

Full Text Available The article presents a part of the research "Terms and Concepts of Museology", subject of Specialty Language, addressing the theory and practice that represent an area of knowledge, and which is expressed by the scientific communication (context of information/communication. In historical perspective, focuses on the intertwining Museology-Museum and Heritage from the training grounds of the Museum, museological field, and Heritage. Highlights processes of institutionalization of cultural objects (symbolic goods, namely Patrimonialization and Musealization, and its constructed meanings, over time, legitimizing the actions of 'ownership' of cultural bodies. The theoretical support has involved theoretical studies of Museology, communicative theory of terminology, socioterminology, economic theory of fields and symbolic power, Law, and Information Science. The objectives included analyzing the dynamics of creation, redefinition, change of terms/concepts, with results that provide subsidies for documentary language. The methodology developed comparative analysis of sources relating to representations and practices of the museological, heritage and terminological scenarios. The results showed one common basis for interaction between Museology and Heritage: the image publicizing the need to safeguard the assets for transmission to future generations – preservation, embodied in the sense borrowed from social act on the issue of identity, but whose real face is the practice of symbolic power

The publics’ opinion on Chorro Maíta site museum

Directory of Open Access Journals (Sweden)

Msc. Juan Carlos Osori- Remedios

2015-11-01

Full Text Available The article is about the Cuban complex environment  at present, where the museum  must perform its cultural impact,  because  it is  immersed  in a  scenario that doubly influence  on its functioning,  on one  hand, the publics’ development,  on the other hand,  the policies that have been drawn to maintain  the social successes achieved,  with a minor human cost. The objective is  to  look for alternatives to rearrange  the development of the museum and its cultural grow, as a solution to benefit  adequately the  relation  between  people-museum, inserting it in  the national and international context. It is employed the critical  reflexive method to the  publics studies and their  relationships  with the museum; the observation, analysis of the documents, the interview; and the hermeneutic methods were reviewed to study the meanings.Keywords:  Museum's public,  museum's  sociology,  cultural steps.

Physics in the Art Museum

Science.gov (United States)

Dale, Daniel A.; Bailey, Brenae L.

2003-02-01

Parisian artist Paul Signac met the impressionists Claude Monet and Georges Seurat in 1884. Their influence spurred his work in pointillism (or, where the juxtaposition of small dots of color in conjunction with the limited resolving power of the human eye lead to the impression of color coalescence).1-4 To stimulate a cross-disciplinary appreciation of science and art, we used the University of Wyoming Art Museum's Signac painting "Barques de Pêche à Marseilles" (see Fig. 1) to explore diffraction theory and the anatomical limitations to our vision during an optics exercise done in the museum.

Museums as a mirror of society

OpenAIRE

Clercq, Steven de

2005-01-01

Following the Darwinian approach, which describes a form in nature as the functional adaptation to its environment at a given time, I will explore the development of museums and collections of science as an expression of their function in historical and social context. This approach allows us to establish a classification of scientific museums where features like owner, user, role and use of the object and its social, cultural and intellectual environment act as discriminating factors. This a...

University museums: problems, policy and progress

Directory of Open Access Journals (Sweden)

Nick Merriman

2001-10-01

Full Text Available There are some 400 university museums and collections in the United Kingdom. During the 1990s their often neglected state came under close scrutiny and as a result their future role is now being re-assessed. A member of the Institute's staff has recently been appointed to the new position of Curator of UCL Museums and Collections, and he comments here on the national situation and describes some of the initiatives under way at UCL.

Air Contamination With Fungals In Museum

Science.gov (United States)

Scarlat, Iuliana; Haiducu, Maria; Stepa, Raluca

2015-07-01

The aim of the studies was to determine the level and kind of fungal contamination of air in museum, deposits patrimony, restoration and conservation laboratories and their effects on health of workers. Microbiological air purity was measured with a SAS-100 Surface Air System impactor. The fungal contamination was observed in all 54 rooms where we made determinations. The highest levels of fungal were recorded at rooms with hygroscopic patrimony objects, eg carpets, chairs, upholstered chairs, books etc. The most species identified included under common allergens: Aspergillus, Penicillium, and Mucor. There fungal species belonging to the genus identified in this study, can trigger serious diseases museum workers, such as for example Aspergillus fumigatus, known allergies and toxic effects that may occur. In some places of the museum, occupational exposure limit values to fungi present in the air in the work environment, recommended by the specialized literature, have been overcome.

Museum of the Second World War in Gdansk as an Example of Contemporary Design Trends in Museum Buildings

Science.gov (United States)

Wojtowicz-Jankowska, Dorota; Stasiak, Anna

2017-10-01

At a time when history gives us one of the last opportunities to confront our knowledge of World War II, with the knowledge of people living in those days, there are buildings created with strong transmission not only architectural, but also of a great emotional load. At the same time, when the political system does not forbid to speak openly about the past period, and the technology allows you to create structures, about which we could only dream of even several dozen years ago, and objects such as the Museum of the Second World War in Gdansk are designed. In this paper are presented the current trends shaping the museum facilities, with the example of the Museum of the Second World War. The diversity of forms, materials and technology makes it impossible to establish a single standard for this type of public buildings, and that makes each of these objects unique. At the same time, it is possible to identify some common spatial treatments noted in the sector of architecture devoted to exhibitions and commemoration. The Museum of the Second World War is a newly created structure, in the design of which the authors used advanced technology (which allows the implementation of its ideas) in order to meet the ever-growing needs of users. The popularity of museums depends on many factors, such as the type and form of the offered exhibitions, the transfer of information and emotional value, location of the building and adaptation of the facility to the users‧ needs, which differ in many respects (age, the efficiency of perception, education or wealth). Given that museums are usually buildings that have noticeable form in the urban landscape, the paper will describe how to set up the idea, and later its implementation, impact on urban space. Additionally, for some time exhibitions and architecture surrounding them have become a tool for the promotion of towns, regions, or even the whole countries. The fact is that the exhibitions are visited not only by local residents

Make Your Museum Talk: Natural Language Interfaces for Cultural Institutions.

Science.gov (United States)

Boiano, Stefania; Gaia, Giuliano; Caldarini, Morgana

A museum can talk to its audience through a variety of channels, such as Web sites, help desks, human guides, brochures. A considerable effort is being made by museums to integrate these different means. The Web site can be designed to be reachable or even updateable from visitors inside the museum via touchscreen and wireless devices. But these…

77 FR 39506 - Notice of Inventory Completion: Bishop Museum, Honolulu, HI

Science.gov (United States)

2012-07-03

... Inventory Completion: Bishop Museum, Honolulu, HI AGENCY: National Park Service, Interior. ACTION: Notice... 2, 2012. ADDRESSES: Noa Dettweiler, General Counsel, Bishop Museum, Honolulu, HI 96817, telephone..., General Counsel, Bishop Museum, 1525 Bernice Street, Honolulu, HI 96817, telephone (808) 847-8216, before...

Governing Difficult Knowledge: The Canadian Museum for Human Rights and Its Publics

Science.gov (United States)

Sharma, Karen

2015-01-01

This article examines how the Canadian Museum for Human Rights (CMHR) comes to invoke, realize, and mediate museum publics. The author writes that she is interested in how the museum's architecture, rhetoric, and governance framings imagine, and engage with the public. As Canada's newest national museum and the first to be built outside of the…

Presenting Cultural Artifacts in the Art Museum: A University-Museum Collaboration

Science.gov (United States)

Chung, Sheng Kuan

2009-01-01

With increasing emphasis on multicultural art education and integrative pedagogy, educators have incorporated community resources, such as cultural artifacts exhibited in art museums, to enrich their programs. Cultural artifacts are human-made objects which generally reveal historic information about cultural values, beliefs, and traditions.…

Indoor air quality of a museum in a subtropical climate: The Oscar Niemeyer museum in Curitiba, Brazil

International Nuclear Information System (INIS)

Godoi, Ricardo H.M.; Carneiro, Barbara H.B.; Paralovo, Sarah L.; Campos, Vania P.; Tavares, Tania M.; Evangelista, Heitor; Van Grieken, Rene; Godoi, Ana F.L.

2013-01-01

The assessment of damage to indoor cultural heritage, in particular by pollutants, is nowadays a major and growing concern for curators and conservators. Nevertheless, although many museums have been widely investigated in Europe, the effects of particulate matter and gaseous pollutants in museums under tropical and subtropical climates and with different economic realities are still unclear. An important portion of the world's cultural heritage is currently in tropical countries where both human and financial resources for preserving museum collections are limited. Hence, our aim is to assess the damage that can be caused to the artwork by pollution in hot and humid environments, where air quality and microclimatic condition differences can cause deterioration. As a case study, particulate matter as well as gases were collected at the Oscar Niemeyer Museum (MON) in Curitiba, Brazil, where large modern and contemporary works of art are displayed. NO 2 , SO 2 , O 3 , Acetic Acid, Formic Acids and BTEX, in the ambient air, were sampled by means of passive diffusive sampling and their concentrations were determined by IC or GC–MS. The particulate matter was collected in bulk form and analyzed with the use of energy dispersive X-ray fluorescence and aethalometer. The chemical compositions of individual particles were quantitatively elucidated, including low-Z components like C, N and O, as well as higher-Z elements, using automated electron probe microanalysis. The gaseous and particulate matter levels were then compared with the concentrations obtained for the same pollutants in other museums, located in places with different climates, and with some reference values provided by international cultural heritage conservation centers. Results are interpreted separately and as a whole with the specific aim of identifying compounds that could contribute to the chemical reactions taking place on the surfaces of artifacts and which could potentially cause irreversible

Instruction and Delight: Some Observations for Museums.

Science.gov (United States)

King, Margaret J.

This paper assesses the work of artist-creator Walt Disney as a model for museum educators to draw the public into its work. Disney Land and Disney World are viewed as monuments of U.S. life and imagination, a living museum that attracts 40 million U.S. visitors per year. The paper describes what should be a partnership among the image-making,…

Hun vil invitere kulturens frække lillesøster på museum

DEFF Research Database (Denmark)

Mackinney-Valentin, Maria

2010-01-01

Interview with director of Denmark's Design Museum, Bodil Busk Laursen about the plans for opening a Danish fashion museum.......Interview with director of Denmark's Design Museum, Bodil Busk Laursen about the plans for opening a Danish fashion museum....

77 FR 11572 - Notice of Inventory Completion: Bishop Museum, Honolulu, HI

Science.gov (United States)

2012-02-27

... Museum, Honolulu, HI AGENCY: National Park Service, Interior. ACTION: Notice. SUMMARY: The Bishop Museum..., HI 96817, telephone (808) 848-4144. SUPPLEMENTARY INFORMATION: Notice is here given in accordance... contact Betty Lou Kam, Vice-President, Cultural Resources, Bishop Museum, 1525 Bernice St., Honolulu, HI...

Implementation of accessible tourism concept at museums in Jakarta

Science.gov (United States)

Wiastuti, R. D.; Adiati, M. P.; Lestari, N. S.

2018-03-01

Accessibility, sustainability and equitable participation by all makeup what is known as Tourism for All. Tourism product must be designed for all people despite the age, gender and ability as one of the requirements to comply the accessible tourism concept. Museum as one of the elements of tourism chain must adhere to accessible tourism concept thus able to be enjoyed for everyone regardless of one’s abilities. The aim of this study is to identify the implementation of accessible tourism concept at the museum in Jakarta and to provide practical accessibility- improvement measures for the museum in Jakarta towards accessible tourism concept. This research is qualitative- explorative research. Jakarta Tourism Board website was used as the main reference to obtain which museum that was selected. Primary data collect from direct field observations and interview. The results outline museum implementation of accessible tourism that classified into five criteria; information, transport, common requirements, universal design, and accessibility. The implication of this study provides recommendations to enhance museums’ accessibility performance expected to be in line with accessible tourism concept.

Looking from above: saying and doing in the history museums of Latin America

Directory of Open Access Journals (Sweden)

Marisa González de Oleaga

2011-03-01

Full Text Available What functions might the history museum fulfill in the twenty-first century? How could this powerful ideological device, so closely linked in its origins to the nation-state and neo-colonial expansion, be changed into an instrument of multicultural citizenship? In some Latin American museums, new historical subjects and audio-visual media have been incorporated into the exhibits. But, is that enough? We do not believe so, because things are said in a museum, but things are also done while speaking: reality is ordered, evaluated and hierarchized, so that a certain way of conceiving and being in the world is conveyed. Therefore, making the museum suitable to the new needs of the community demands changes not only in what is said, but also in the way it is said. It serves little to incorporate new social subjects (the native peoples of Latin America, for example if this inclusion results from a pejorative conception of these communities, which is just what happens in the Museum of America in Madrid, where the Spanish appear as masters of the word while the indigenous people are represented by ceramic vessels. If, in the accounts of the museums, the part continues to be taken for the whole by essentializing and naturalizing the difference, then those other social subjects must appear to be merely a historical afterthought. It seems to us that the performative dimension of the discourse in the museum is a very important aspect at the moment its function in the new global society is evaluated. We propose two objectives for new museums: serving the purposes of multicultural coexistence, and being spaces where the subjects may examine their social situation. In order to do this, we have analyzed the setup of three museums: a colonial museum (the Museum of America in Madrid, a national museum (the National Historical Museum in Buenos Aires, and an ethnic museum (the Mennonite Jacob Unger Museum in the Paraguayan Chaco.

Application of an imaging system to a museum exhibition for developing interactive exhibitions

Science.gov (United States)

Miyata, Kimiyoshi; Inoue, Yuka; Takiguchi, Takahiro; Tsumura, Norimichi; Nakaguchi, Toshiya; Miyake, Yoichi

2009-10-01

In the National Museum of Japanese History, 215,759 artifacts are stored and used for research and exhibitions. In museums, due to the limitation of space in the galleries, a guidance system is required to satisfy visitors' needs and to enhance their understanding of the artifacts. We introduce one exhibition using imaging technology to improve visitors' understanding of a kimono (traditional Japanese clothing) exhibition. In the imaging technology introduced, one data projector, one display with touch panel interface, and magnifiers were used as exhibition tools together with a real kimono. The validity of this exhibition method was confirmed by results from a visitors' interview survey. Second, to further develop the interactive guidance system, an augmented reality system that consisted of cooperation between the projector and a digital video camera was also examined. A white paper board in the observer's hand was used as a projection screen and also as an interface to control the images projected on the board. The basic performance of the proposed system was confirmed; however continuous development was necessary for applying the system to actual exhibitions.

Finding a New Voice: Lifelong Learning Experiences in Museum Volunteering

Science.gov (United States)

Dahl, Mette Irene

2018-01-01

'Working with you all and finding my voice as an educator has changed my life', one of the retirees said as we were discussing their experiences as museum volunteers. When I was given a two-year contract as a museum educator to contribute to the renewal of a maritime museum in Norway by designing and developing a broad ranging outreach programme,…

Audiences, museums and the English middle class

Directory of Open Access Journals (Sweden)

Brian Longhurst

2004-07-01

Full Text Available The increasingly accepted way to analyse any media product is to consider production, text and audience processes. In a deceptively simple way, a television programme, for example, can be examined in the institutional, social and political context in which it is produced and with respect to the organizational framework that provides its immediate production environment. Second, its textual structures and strategies can be analysed using different approaches, such as structuralism or (in certain respects content analysis. Third, the way in which the audience understands (or decodes the text can be considered, as can the makeup of the audience, in terms of standard factors such as class, gender, age, ethnicity and so on. There are many variations on this sort of approach. This paper starts from such a premise. It suggests that in addition to the well formulated approaches to the study of the museum that focus generally on the institutional and wider social context for museums, or on specific museums and the processes that occur within them, or on the much studied strategies for display and narration of texts, the audiences for museums are also important.

The Museum Library in the United States: A Sample

Science.gov (United States)

Hull, David; Fearnley, Henry D.

1976-01-01

A statistical survey was made of the general condition and problems of the museum library, using a questionnaire sent to a random sample of 856 historical, art, science, and other museum libraries. (Author)

Absent Histories and Absent Images: Photographs, Museums and the Colonial Past

Directory of Open Access Journals (Sweden)

Elizabeth Edwards

2015-04-01

Full Text Available Based on research in a range of UK museums, this paper explores the visibility and invisibility of the photographic legacy of colonial relations and the representation of the colonial past in museum galleries. It explores the conditions of the ‘invisibility’ and ‘disavowal’ of the colonial past in the historical narrative developed by museums, and the anxieties that cluster around such narratives in a postcolonial and multicultural society. The paper argues that the photographic legacy of the colonial past offers a way into those histories, but it is one that can only be realized through the critical engagement with photographs themselves and the work they might be made to do in museums. As an example, it examines the active and complex role of photographs played in the galleries of the British Empire and Commonwealth Museum, Bristol. It concludes that the failure of museums to integrate colonial pasts into their narratives has worked against the wider liberal agendas to which museums subscribe, and that photographic invisibility is both a symptom of and metaphor for the ‘invisibility’ of the colonial past.

Use of twitter and Facebook by top European museums

OpenAIRE

Kostas Zafiropoulos; Vasiliki Vrana; Konstantinos Antoniadis

2015-01-01

With social media becoming so pervasive, museums strive to adopt them for their own use. Effective use of social media especially Facebook and Twitter seems to be promising. Social media offer museums the possibility to engage audiences, potential and active visitors with their collections and ideas. Facebook and Twitter are the market leaders of social media. This paper records the top European museums and their Facebook and Twitter accounts. It records the use of the two media, and by apply...

Nine meta-functions for science museums and science centres

DEFF Research Database (Denmark)

Achiam, Marianne; Sølberg, Jan

2017-01-01

Science centres and science museums face challenges such as increased accountability, increased demands for accessibility, and growing competition from leisure experiences. On their own, the traditional museum practices of preservation, communication, and research are insufficient to address...... Ecsite conference, to map out how these institutions address modern-day challenges. This analysis generates a new framework of nine meta-functions for science centres and science museums that can guide and help qualify discussions about their present and future activities. We discuss the new meta...

The museum foyer as a transformative space of communication

DEFF Research Database (Denmark)

Laursen, Ditte; Kristiansen, Erik; Drotner, Kirsten

2016-01-01

has four transformative functions, and we ask the following question: How do people entering the museum practise these transformative functions so as to become visitors – and become non-visitors again on leaving? Answers are provided through an empirical analysis of the foyer as a transformative...... communicative space. Based on qualitative studies of four divergent Danish museums and a science centre, we demonstrate that the foyer’s communicative space supports transformative functions consisting of multiple phases before and after the visit itself, namely arrival–orientation–service–preparation (before......This article explores how we may study physical museum foyers as multilayered spaces of communication. Based on a critical examination of ways in which the museum foyer is conceptualised in the research literature, we define the foyer as a transformative space of communication for visitors which...

The Museum of New Mexico and energy management

International Nuclear Information System (INIS)

Johnson, B.K.

1993-01-01

There are unique indoor conditioning and energy management challenges in museums. In Santa Fe, the Museum of New Mexico (MNM) is located in a unique climate and must stay within utility expenditure limits allocated through the State government budget process, while handling valuable collections with specific environmental requirements. Adequate humidity for indoor exhibitions is the top priority for heating, ventilating, and air-conditioning (HVAC) systems. Energy management systems (EMS) implemented by the Energy, Minerals and Natural Resources Department (EMNRD) in two MNM exhibition facilities avoid energy costs, but must be maintained regularly. Energy savings goals must yield priority in favor of maintaining proper indoor conditions. MNM is one of six Divisions within the State of New Mexico's Office of Cultural Affairs (OCA). The mission of OCA is to foster, preserve, and protect current and past expressions of culture and the arts, which are determined to be in the best interests of New Mexico. As a part of their mission, OCA is well-known for excellence in cultural collections, through MNM. MNM is comprised of the Museum of Fine Arts Museum of Southwest History Museum of International Folk Art Laboratory of Anthropology Museum of Indian Arts and Culture. There are eight separate physical facilities that house these operations, including administration. Behind the scenes, there are operational costs that must be managed carefully; the costs of heating, cooling, arid lighting the buildings that MNM uses are a part of this. EMNRD has assisted OCA in meeting its mission through the expertise of the Energy Conservation and Management Division (ECMD). ECMD is designated by the Governor as the State Energy Manager agency

‘All Museums Will Become Department Stores’: The Development and Implications of Retailing at Museums and Heritage Sites

OpenAIRE

Larkin, Jamie

2016-01-01

Museums and heritage sites have provided merchandise for visitors to purchase since their earliest incarnations as public attractions in the 18th century. Despite this longevity scant academic research has been directed towards such activities. However, retailing – formalised in the emergence of the museum shop – offers insights into a range of issues, from cultural representation and education, to eco- nomic sustainability. This paper outlines the historical development of retailing at museu...

Interpreters' Perceptions about the Goals of the Science Museum in Taiwan.

Science.gov (United States)

Chin, Chi-Chin

The competence of interpreters, so called "docents," influences visitors' learning in museums. The study reported in this paper investigated 16 interpreters' perceptions about: the educational goals of the science museum in Taiwan, the function of the interpreter in the science museum, the requirements for a competent interpreter, and…

Eco-Visualization: Promoting Environmental Stewardship in the Museum

Science.gov (United States)

Holmes, Tiffany

2007-01-01

Eco-visualizations are artworks that reinterpret environmental data with custom software to promote stewardship. Eco-visualization technology offers a new way to dynamically picture environmental data and make it meaningful to a museum population. The questions are: How might museums create new projects and programs around place-based information?…

[The collections of the museum and archives of the German Society of Urology. Reflections on objects in the museum].

Science.gov (United States)

Moll, F H; Rathert, P; Fangerau, H

2012-09-01

Objects in a museum that were used by urologists are part of the history of urology. If we know how to look at them they can be sources for a better understanding of the history of urology. In a museum visitors are confronted with objects during exhibitions which are the stage on which one possible interpretation of the history of urology is displayed. Objects have become"carriers of symbols" between the past and present (Pomian). Collections from medical societies which are not connected with a university or another public institution cannot be legitimized on the basis of the argument of conserving historical heritage only. The museum itself with its many tasks and as a classical site of scientific communication should be seen as a topic of scientific interest.

Environmental monitoring in four European museums

Science.gov (United States)

Camuffo, Dario; Van Grieken, Rene; Busse, Hans-Jürgen; Sturaro, Giovanni; Valentino, Antonio; Bernardi, Adriana; Blades, Nigel; Shooter, David; Gysels, Kristin; Deutsch, Felix; Wieser, Monika; Kim, Oliver; Ulrych, Ursula

In a European multidisciplinary research project concerning environmental diagnostics, museums have been selected, having different climate and pollution conditions, i.e.: Correr Museum, Venice (Italy); Kunsthistorisches Museum, Vienna (Austria); Royal Museum of Fine Arts, Antwerp (Belgium); Sainsbury Centre for Visual Arts, Norwich (UK). Some field tests investigated the microclimate, the gaseous and particulate air pollution and the biological contamination to suggest mitigative techniques that may reduce the potential for damage in the long run. Potential risk factors are generated by imbalance in temperature and humidity, generated by heating, air conditioning or ventilating system (HVAC), or the building structures, exchange of outside air, or large visitor numbers. HVAC may also enhance indoor gaseous pollution. Plants and carpets represent potential niches for bacterial colonisation. Pollutants and particles have been recognised having partly external and partly internal origin. Tourism has a direct negative impact, i.e. transport of external particles, release of heat, vapour and CO 2, as well as generation of turbulence, which increases the deposition rate of particulate matter. However, the main problem is that the microclimate has been planned for the well being of visitors during only the visiting time, disregarding the needs of conservation that requires a constant climate by day and by night. In some of these cases, better environmental niches have been obtained with the help of showcases. In other cases, showcases worsened the situation, especially when incandescent lamps were put inside.

Chinese perceptions of the interface between school and museum education

Science.gov (United States)

Kang, Changyun; Anderson, David; Wu, Xinchun

2010-09-01

The current political and social backdrop in China that is characterized by rapid educational reforms to the K-12 education system, rapid growth in the number of science museum institutions, and Central Government policy which encourages collaboration between museums and school has the potential to be fertile ground for meaningful engagement between museums and schools. Notwithstanding, the Chinese K-12 education system generally does not utilize museum resources to support the curriculum, as is common in Western countries. This hermeneutic phenomenographic study elucidates the current Chinese views and perceptions among three stakeholders—school teachers, museum staffs and science educators—around this collaborative concept. The outcomes demonstrate that strongly entrenched cultural views and long-standing practices among stakeholder groups are obstacles to meaningful collaboration despite Central Government policy which encourages such engagement. The cultural values and perceptual views of stakeholder groups were discerned with the purpose of promoting mutual understandings and ultimately enabling meaningful collaboration in support of K-12 education in China.

From Patrimonial Relics to Materialized Memories in the National Museum

Directory of Open Access Journals (Sweden)

Sandra Carolina Pulido Chaparro

2015-02-01

Full Text Available The following paper comes from an ethnographic work in the National Museum of Colombia, and it aims to analyze the objects exhibited in its halls and the store in order to understand the connection between patrimony and consumption. In this sense, the representation of the National Museum consolidates in the creation of a national identity based on the official history of the national heroes and their descendants, which is expressed in most of the objects displayed in the exhibit halls. On the other hand, another narrative guided by the neoliberal economy is constructed in the museum store. It takes afro, indigenous and rural representations that have been marginalized in most of the museum halls, strenghtened by the ethnic economy and promoted by tourism and advertising. This duality leads the museum visitors to consume both representations: the ones built by the State as well as the ones positioned by companies and multinationals.

Geology Museum-Based Learning in Soil Science Education

Science.gov (United States)

Mikhailova, E. A.; Tennant, C. H.; Post, C. J.; Cicimurri, C.; Cicimurri, D.

2013-01-01

Museums provide unique learning opportunities in soil science. The Bob Campbell Geology Museum in Clemson, SC, features an exhibit of minerals and rocks common in the state and in its geologic history. We developed a hands-on laboratory exercise utilizing an exhibit that gives college students an opportunity to visualize regional minerals and…

Tradition and Technology. A Magnet School-Museum Partnership.

Science.gov (United States)

Judd, Michael; Judd, Elizabeth

1996-01-01

Presents a case study of an educational partnership between an Albuquerque magnet elementary school and the New Mexico Museum of Natural History and Science. Descriptions of the school and museum are provided as well as the program's goals, current activities and products, outcomes, and future directions. The Proyecto Futuro program, a multiyear…

Curating Performance on the Edge of the Art Museum

DEFF Research Database (Denmark)

Groth, Sanne Krogh; Schwarzbart, Judith

two-day festival offers a format that vary considerable from the exhibition series the museum puts on most of the time. The performance program includes artists such as composers usually working with contemporary music, electronic music composers, as well as performance artists working from......Since the Intermedia and Fluxus movements a variety of timebased artforms have been contained within visual art contexts. The performative works draw often as much on the tradition of theatre, music, dance, and poetry reading as fine art. Although the institutional context plays a role...... art institution. Our research relates specifically to a festival for performative art, ACTS 2014, which we co-curate for the Museum of Contemporary Art in Roskilde. Having grown out of a Fluxus spirit, the museum is not foreign to time-based practices like many museums are. Nevertheless, the intensive...

Elements of museum mobile augmented reality for engaging hearing impaired visitors

Science.gov (United States)

Baker, Esraa Jaffar; Bakar, Juliana Aida Abu; Zulkifli, Abdul Nasir

2017-10-01

Nowadays, designers are more concern with the issue of engagement and informal learning at museum and gallery sites. This has made studies to focus more on the use of Mobile Augmented Reality (MAR) at museum and gallery sites. However, most of the MAR applications for museum visitors are largely tailored to normal hearing visitors while the hearing-impaired (HI) visitors are not supported. The hearing impaired (HI) community account for over 5% of the world's populace which is about 360 million people. Thus, this paper explores the design elements of mobile augmented reality for engaging hearing impaired visitors at the museum site. The findings of this paper argues that there are eleven major elements of engagement of MAR needed for the design of an efficient museum MAR app for hearing impaired visitors. These eleven elements include Aesthetics, Curiosity, Usability, Interaction, Motivation, Satisfaction, Self-Efficacy, Perceived Control, Enjoyment, Focused Attention and Interest. This study pointed out that for an efficient and engaged MAR app for the HI community especially HI visitors to museum sites, these eleven elements are critical. This finding will help MAR designers and developers on how to design an efficient and engaged MAR app for the HI community at large and museum HI visitors specifically.

The museum in the cross-border communication: a political project

Directory of Open Access Journals (Sweden)

Stefan BRATOSIN

2008-12-01

Full Text Available The study highlights the political stakes in the exposition organized to the Museum of the « Down Danube » in Călăraşi (Romania and to the Museum of History in Silistra (Bulgaria within the framework of the European project « Cultural – Historical Inheritance Without Boundaries ». It puts in evidence the role of the museum as cultural organization in the process of transborder cooperation by examining three essential questions : a the political sense of the cultural objectives of the project, b the local, national and European dimensions of the political stakes and c the incidences of the instrumentation of the local museum of culture and history.

Free-choice worksheets increase students' exposure to curriculum during museum visits

DEFF Research Database (Denmark)

Mortensen, Marianne Foss; Smart, Kimberly

2007-01-01

The museum visit is an important part of elementary school science teaching. However, a divide exists between teachers, who require curricular accountability, and museums, who emphasize free-choice exploration. Can a carefully constructed worksheet bridge this divide by providing free......-choice exploration of curricular topics during the museum visit? In the present study, a theoretical framework was constructed to inform the design of worksheets as free-choice learning devices. This framework was used to analyze the design of an existing museum worksheet. Subsequently, curriculum......-related conversations among school groups visiting a museum were monitored in groups supplied with the worksheet and in control groups without. Overall, the worksheet complied well with design criteria synthesized from the free-choice learning literature. Furthermore, the use of the worksheet increased the number...

An Audience-Centric Approach for Museums Sustainability

Directory of Open Access Journals (Sweden)

Laura Di Pietro

2014-08-01

Full Text Available The main purpose of this study is to propose a visitor centric perspective that can support museums towards sustainability. The main premise of this study is due to a concept of economic and social sustainability of museums, defined as the possession of sufficient resources to maintain the existence of an organization, and achieve their goals in the future, ensuring a certain flow of visitors. A great number of museums are characterized by a low number of visits; therefore, in order to become sustainable, museums should pay attention to audience and its internal diversity. In this way, a cultural site can plan tailored strategies to increase the number of visits and re-visits and to achieve community support. For this reason it is necessary to understand the cultural needs of visitors, acquiring appropriate monitoring tools, such as qualitative and quantitative ones. Generally, quantitative analyses are more reliable and complete, even if they require a considerable number of observations for the reliability of the results. Moreover, qualitative analysis provides more in depth information, even if their data do not allow us to make generalizations. The qualitative and quantitative methods for the detection of satisfaction are usually used separately, but their integration may bring significant added value in terms of the wealth of information. This study follows the analysis of the potential of the integration of qualitative and quantitative analysis techniques customized with respect to different types of targets. The results of the experimentation performed on ethnographic museums shows a consistency of the results obtained by the two different tools that increase the capacity information of survey instruments.

Providing Personal Assistance in the SAGRES Virtual Museum.

Science.gov (United States)

Bertoletti, Ana Carolina; Moraes, Marcia Cristina; da Rocha Costa, Antonio Carlos

The SAGRES system is an educational environment built on the Web that facilitates the organization of visits to museums, presenting museum information bases in a way adapted to the user's characteristics (capacities and preferences). The system determines the group of links appropriate to the user(s) and shows them in a resultant HTML page. In…

Scientific support of SciTech museum exhibits and outreach programs

International Nuclear Information System (INIS)

Peshkin, M.

1995-01-01

SciTech (Science and Technology Interactive Center) is a small hands-on science museum located in Aurora, Illinois, not far from Argonne National Laboratory. Its constituency includes prosperous suburbs and economically disadvantaged minority communities in Aurora and Chicago. Its mission is to contribute to the country's scientific literacy initiative by offering hands-on experiences on the museum floor and through outreach programs extended to school children, their teachers, and other groups. Argonne's participation is focused mainly on the development of exhibits to carry the ideas of modern science and technology to the public. This is an area in which traditional museums are weak, but in which SciTech has become a nationally recognized leader with the assistance of Argonne, Fermilab, nearby technological companies, and many volunteer scientists and engineers. We also participate in development and improvement of the museum's general exhibits and outreach programs. Argonne's Director, Alan Schriesheim, serves as a member of the museum's Board of Directors. Murray Peshkin serves part-time as the museum's Senior Scientist. Dale Henderson serves part-time as an exhibit developer. That work is supported by the Laboratory Director's discretionary funds. In addition, several members of the Physics Division voluntarily assist with exhibit development and the Division makes facilities available for that effort

The democratic horizons of the museum: Citizenship and culture

NARCIS (Netherlands)

Dahlgren, P.; Hermes, J.; Witcomb, A.; Message, K.

2015-01-01

Change is sweeping through the world of museums, technologically, financially, and ideologically, impacting on the sociocultural evolution of their roles and status. We seek to contribute to ongoing reflections by offering a conceptual framework that links museums with democratic theory, to

A Study of Applying Digital Mobile Museum Guide

Directory of Open Access Journals (Sweden)

Chao-yun Chaucer Liang

2003-09-01

Full Text Available With the prosperous development of information technology, museums begin to apply new technology to enhance operation and communication efficiency. One of the information technology. Personal Digital Mobile, featuring light weight and mobility, can help museum to set up an interactive navigation system, which offering capability of user-controlled guidance and both broad and depth information. In this study, literature related to museum tour guide, digital mobile navigation, and multimedia interaction design were reviewed, and two examples were offered for reference. The first one example is Exploratorium in American, which is cooperated with HP labs to integrate wireless networking and PDA devices. The domestic example is the design project of the Personal Digital Mobile Guide for the Emperor Ch’ien-lung’s Grand Cultural Enterprise Exhibition in National Palace Museum, 2002. This paper introduces the techniques involved, interactive storyboard, interface design, color planning, electronic element planning, etc. The process of applying theory into creative project may help future researches in the related areas.[Article content in Chinese

From changeling to citizen: learning disability and its representation in museums

Directory of Open Access Journals (Sweden)

Kathy Allday

2009-03-01

Full Text Available This paper examines why museums, both currently and historically, have excluded material relating to people with intellectual impairments. The national picture is examined briefly before the focus shifts to three UK museums in York, Leeds and Colchester where curatorial attitudes to including and presenting material on learning disability are compared and contrasted. Curatorial anxieties about the subject, a lack of national guidance on how to address learning disability in museum collections and displays and the elusive nature of available sources of material appears to discourage museums addressing the issue. Nevertheless, a few examples show that with organizational and professional commitment and the adoption of facilitative and consultative approaches, museums can present the history of learning disability in exciting and thought provoking ways that challenge pre-conceptions about intellectually impaired people. Given museums’ responsibilities under the Disability Discrimination Act (2005, the significance of the social inclusion agenda and calls for new museological practices, there has never been a better time for museums to reevaluate their approaches to learning impairment.

STEM promotion through museum exhibits on cardiac monitoring & cardiac rhythm management.

Science.gov (United States)

Countryman, Jordan D; Dow, Douglas E

2014-01-01

Formal education in science, technology, engineering and math (STEM) does not successfully engage all of the students who have potential to become skilled in STEM activities and careers. Museum exhibits may be able to reach and engage a broader range of the public. STEM Exhibits that are both understandable and capture the imagination of viewers may contribute toward increased interest in STEM activities. One such topic for such an exhibit could be cardiac pacemakers and cardioverter defibrillators that sustain life. Although museums have existed for centuries, the available types of exhibit designs has dramatically increased in recent decades due to innovations in technology. Science and technology museums have especially taken advantage of the progression of exhibit design to developed new ways to communicate to their viewers. These novel presentation tools allow museums to more effectively convey to and engage viewers. This paper examines the techniques employed by museums in exhibits and considers the practices of several museums with exhibits related to cardiac monitoring (CM) and cardiac rhythm management (CRM).

Et multietnisk boligområde på museum

DEFF Research Database (Denmark)

Jensen, Susanne Krogh; Egholk, Kirsten

2014-01-01

a research project on the social development in a multi-ethnic social housing area in Greve, south of Copenhagen, the paper identifies and discusses three characteristics of the postmodern museum project: a pluralistic approach to contemporary topics, the inclusion of new user groups in constructing both......Museums of today face the challenge of exploring and dealing with new topics such as immigration, integration and social differences. This paper argues that these new topics bring forth a new, postmodern paradigm for the museum as a contemporary institution. Exploiting concrete examples from...... the field of research and the field of communication, and the need to be aware of the context of each statement, whether material or verbal....

The First World War and Its Implications for Education in British Museums.

Science.gov (United States)

Kavanagh, Gaynor

1988-01-01

Examines how the First World War prompted British museums to change their educational functions. Discusses museums in pre-war Britain, wartime exhibitions and educational activities, the outcome of the war experience, and First World War's implications for education in museums. (GEA)

MUSEUM TARI DI MAKASSAR DENGAN PENDEKATAN EKSPOSE STRUKTUR PADA FASAD BANGUNAN DAN PENERAPAN TEORI FRAKTAL

Directory of Open Access Journals (Sweden)

Taufik Arfan

2015-12-01

Full Text Available Abstrak—Pentingnya museum tari di Makassar adalah untuk memperkenalkan budaya yang dimiliki di Sulawesi Selatan yang dapat dikenal oleh seluruh manca negara, serta parawisatawan dan semua orang untuk berkunjung. Tujuan penelitian non arsitektural ini adalah menampilkan unsur kebudayaan, sejarah serta memperkenalkan Tari Tradisional yang ada di Sulawesi Selatan, sedangkan tujuan arsitekturalnya adalah menentukan lokasi yang sesuai dengan keberadaan museum tari, merancang ruang-ruang yang dibutuhkan sesuai dengan standar Museum serta kebutuhan ruang untuk Museum seni tari, merancang museum tari yang dikaitkan dengan ekspos struktur pada fasad dan penggabungannya dengan teori fraktal, merancang penggunaan fasad bangunan,struktur, utilitas, penampilan bangunan, serta tranformasi bentuk pada museum tari dan merancang tata massa pada museum tari. Hasil laporan ini adalah mendesain bangunan museum tari di Makassar dengan pendekatan ekspos pada struktur fasade bangunan dan penerapan teori fraktal yang disesuaikan dengan standar dan kebutuhan ruang. Kata Kunci :Museum tari, struktur, fasad, fractal Abstract-The importance of dance in Makassar museum is to introduce a culture held in South Sulawesi, which can be known by all foreign countries, as well as parawisatawan and everyone to visit. The research objective non architecturally it is featuring elements of culture, history and introduce Traditional Dance in South Sulawesi, while the purpose of the architectural is to determine the location that corresponds to the existence of the museum of dance, designing spaces required in accordance with the standards Museum as well as the need for space for art museum dance, design a museum of dance that is associated with exposure to the facade structure and merger with fractal theory, designing the use of facades of buildings, structures, utilities, appearance of the building, as well as the transformation of the museum forms of dance and design the masses on

Modern Masters from the Smithsonian American Art Museum

Science.gov (United States)

Johnson, Mark M.

2009-01-01

A new traveling exhibition and catalogue produced by the Smithsonian's American Art Museum features works by 31 artists from the United States who came to maturity in the mid-20th century. These artists have become the most significant and influential artists over the past 50 years as their works adorn the modern galleries of hundreds of museums.…

Re-Presenting Slavery: Underserved Questions in Museum Collections

Science.gov (United States)

Levenson, Cyra

2014-01-01

This article looks at the notion of what, not who, is underserved in museum education. The importance of looking through, in, and from objects in order to uncover underserved questions and themes is vital. A willingness to consider new ways to approach collections and display is necessary to have a dialogue with our audiences about how museums can…

Visualizing, clustering, and predicting the behavior of museum visitors

NARCIS (Netherlands)

Martella, Claudio; Miraglia, Armando; Frost, Jeana; Cattani, Marco; van Steen, Maarten

2017-01-01

Fine-arts museums design exhibitions to educate, inform and entertain visitors. Existing work leverages technology to engage, guide and interact with the visitors, neglecting the need of museum staff to understand the response of the visitors. Surveys and expensive observational studies are

Use of twitter and Facebook by top European museums

Directory of Open Access Journals (Sweden)

Kostas Zafiropoulos

2015-12-01

Full Text Available With social media becoming so pervasive, museums strive to adopt them for their own use. Effective use of social media especially Facebook and Twitter seems to be promising. Social media offer museums the possibility to engage audiences, potential and active visitors with their collections and ideas. Facebook and Twitter are the market leaders of social media. This paper records the top European museums and their Facebook and Twitter accounts. It records the use of the two media, and by applying statistical analysis it investigates whether Twitter use is in accordance to Facebook use. Findings reveal that this is not the case. By using Principal Component Analysis and Cluster Analysis the paper finds that there is, however, a district group of top museums which manage to excel in both media mainly by adopting carefully planned strategies and paying attention to the potential and benefits that social media offer.

Popping the museum: the cases of Sheffield and Preston

Directory of Open Access Journals (Sweden)

Tara Brabazon

2006-07-01

Full Text Available This article excavates the ‘problem’ of popular culture in museums, with particular attention to Sheffield’s National Centre for Popular Music and Preston’s National Football Museum. In both cases, profound issues are raised for information and knowledge experts who must manage and negotiate the contradictions of the popular. These two case studies are contextualized through both urban regeneration policies and sports tourism strategies. Both institutions were situated in the North of England, and both faced extraordinary obstacles. What is interesting is that Sheffield’s Centre was termed – derisively – a Museum. It failed. Preston embraced the label of a National Museum, and after profound threats to the institution, has survived. Part of the explanation for these distinct trajectories is found in understanding the specific challenges that popular culture presents for the presentation of history, narrative, identity and space.

76 FR 73663 - Notice of Intent To Repatriate Cultural Items: Washington State University, Museum of...

Science.gov (United States)

2011-11-29

... below by December 29, 2011. ADDRESSES: Mary Collins, Director, Washington State University, Museum of... ethnographic collection from the Conner Museum to the Museum of Anthropology. In June of 2011, the curator of collections at the Conner Museum found four unassociated funerary items in the museum storage area and...

Museopathy: Exploring the Healing Potential of Handling Museum Objects

Directory of Open Access Journals (Sweden)

Helen Chatterjee

2009-11-01

Full Text Available To coincide with emerging arts and health practices, University College London Museums & Collections and University College London Hospitals Arts partnered to create a pilot project, entitled “Heritage in Hospitals”, which sought to assess whether handling museum objects has a positive impact on patient wellbeing. Quantitative data from 32 sessions conducted with patients in May through July (inclusive of 2008 demonstrated, on average, an increase in self-reported measures of life satisfaction and health status after handling museum objects. Constant comparative analysis of the qualitative data collected from the sessions revealed two major recurring themes: “impersonal/educational” and “personal/reminiscence”. The first theme included instances where handling museum objects allowed patients to access truths about the objects ascertainable solely through touch (such as gauging weight, texture, temperature, and spatial relation to the body, to verify what was seen, to facilitate an intimate and imaginative connection with the museum objects and their origins, to investigate and explore the objects, to permit an interaction with the “rare” and “museum-worthy”, and to assist with aesthetic appreciation. The second theme illustrated the project’s potential to assist with counselling on issues of illness, death, loss and mourning, and to help restore dignity, respect and a sense of identity (particularly among elderly patients by providing a springboard for reminiscing and the telling of life stories in a highly institutionalized setting. This paper contextualizes the project, explores the implications of the project’s methodology and its findings, and provides questions for future research.

The artificial organ museum in Cleveland (1979-1999) moved to Houston, Texas, and named in 2002 as the ICMT Museum for Artificial Organs.

Science.gov (United States)

Nosé, Yukihiko

2003-09-01

The artificial organ museum established in Cleveland, Ohio, in 1979 organized by the International Center for Artificial Organs and Transplantation (ICAOT), was moved to Houston, Texas, in 1999. The museum with expanded and renewed artificial organ exhibits was officially opened on the 8th and 9th of November, 2002, at the Cullen Pavilion of the original Memorial Hermann Hospital. This building is the oldest in the Texas Medical Center, which was built in 1922. The ICMT (International Center for Medical Technologies) Museum for Artificial Organs (Museum) was completed after phase I, II, and III expansions of the exhibit booths, which were made over the last two years. Approximately 250 historically important and currently widely used artificial organs are exhibited in the Museum. The official opening of the Museum was coordinated with the "Symposium on Artificial Organs: Past, Present, and Future" during two days in November. There were approximately 225 participants at these events, and approximately 40 pioneers and clinical experts in the development and practice of various types of artificial organs contributed. During these programs, a proposal to maintain human resources in addition to artificial organ hardware and software was made in addition to the Museum. This new organization would be called the International Academy of Artificial Organ Pioneers (Academy). All contributors to the symposium were invited to be members of the Academy. The attendants of the symposium accepted this proposal unanimously. An additional 40 individuals, who were recognized as contributors to artificial organ technologies, were later added to the original Academy members. Later, the effective utilization of the Museum and Academy was encompassed in the International Faculty for Health and Medical Technologies (Faculty), a new addition to the activities of the ICMT. Dr. Michael DeBakey was elected as Dean of the Faculty. This is considered a "university without walls," a "university

The attitude-behavior relationship in the domain of cultural consumption: A case of museums' festivals

Directory of Open Access Journals (Sweden)

Jokić Biljana

2017-01-01

Full Text Available In this paper, comparative analysis of two research studies about museum festivals' audience is presented (Museum Night 2012, N = 1480, and Museums of Serbia 2016, N = 2472. Both studies were designed according to the cultural consumption paradigm and the models about attitude-behavior relationship. Based on the distinction between the attitude towards the object and the attitude towards the behavior, both research studies included: attitudes towards museums, attitudes towards visiting museums, and frequency of museum visits during the past year. The main goals were to compare the audiences of two festivals (their attitudes and behavior, and to analyze the predictive power of two measures of attitude (towards museums and towards visiting museums for visiting museums during the past year as a criterion variable. Results show that attitudes towards museums are somewhat more positive at the festival 'Museums of Serbia', but the patterns at both festivals are basically the same: the lowest scores are for attribute pairs static - dynamic and boring - interesting, while the highest scores are for non-educative -educative and useless - useful. Attitude towards the behavior is a better predictor for visiting museums than the attitude towards the object. Results have been discussed in the framework of past findings of the higher predictive power of attitude towards the behavior in other domains of human behavior, while the attitude towards museums has been interpreted as an indicator of a general perception of museums by the public. Practical implications of the results were emphasized: the possibilities for repositioning museums as places which could combine the leisure and the educative roles in society.

Doing emotion work in museums: reconceptualising the role of community engagement practitioners

Directory of Open Access Journals (Sweden)

Ealasaid Munro

2014-03-01

Full Text Available In this paper I investigate the practice of community engagement, and suggest that ideas around emotion work and emotional labour might offer new ways of thinking about the role of museum staff in community engagement settings. Through material gathered as part of an ethnographic research project conducted with Glasgow Museums - the city of Glasgow’s municipal museums service - I show that community engagement practitioners routinely utilize emotional performances as part of their work. I argue that, often, the emotion work that is done in these settings is under-valued, and suggest that both scholars of museums and museum professionals need to pay more attention to the interpersonal relationships that might be forged within community engagement settings.

TYPES OF OPEN-AIR MUSEUM (SKANSEN IN UKRAINIAN CARPATHIANS

Directory of Open Access Journals (Sweden)

Andrii Chervinskyi

2015-04-01

Full Text Available The problems of preservation of wooden architecture of Ukraine are discussed. The museums under opened air are organized for better preservation of the wooden architecture. The Ukrainian Museums under opened air are described and their use for tourism purposes is analyzed.

Mediated co-construction of museums and audiences on Facebook

DEFF Research Database (Denmark)

Gronemann, Sigurd Trolle; Kristiansen, Erik; Drotner, Kirsten

2015-01-01

This article asks how we should research museum communication with audiences through social media. We argue that museums and audiences co-construct one another on social media, and we explore how particular modes of communication and discursive genres serve to generate mutual online positionings...

Digital Museum Collections and Social Media: Ethical Considerations of Ownership and Use

Directory of Open Access Journals (Sweden)

Kalliopi Fouseki

2013-12-01

Full Text Available This paper examines the role of digital collections and digital information in the democratisation process of museums. The paper focuses on ethical and ownership issues regarding Wikipedia’s online encyclopaedia initiative to widen access to digital images and knowledge through digital media, for the wider public. The paper draws on three cases of national museums in the UK, namely the Victoria and Albert Museum, the British Museum and the National Portrait Gallery. The paper argues that notions of governmentality, power, authority, and control - which traditionally characterise national museums - are still dominant in digital collections. This occasionally results in tensions that revolve around the issue of ownership of digital images and digital museum objects as well as their commercial and non-commercial uses. The paper shows that recent disputes and discourse related to the use of digital images by Wikipedians (active users of Wikipedia have raised issues of authority and control not only of physical objects but also of the information and knowledge related to these objects. The paper demonstrates that the level of collaboration with Wikipedia reflects to some extent the participatory nature, philosophy, and ideology of each museum institution.

National Identity, International Visitors: Narration and Translation of the Taipei 228 Memorial Museum

Directory of Open Access Journals (Sweden)

Chia-Li Chen

2017-03-01

Full Text Available Although many museums nowadays provide multilingual services, translations in museums have not received enough attention from researchers. The issue of how ideology is embedded in museum texts is translated is particularly underresearched. Since museums are often important sites for tourists to learn about a nation, translation plays a pivotal role in mediating how international visitors construct the host nation’s identity. The translation of national identity is even more important when sensitive topics are dealt with, such as exhibitions of the past in memorial museums. This paper takes the Taipei 228 Memorial Museum as a case study to examine how Taiwanese identity is formatted in the Chinese text and reframed in the English translation. The current study found inconsistent historical perspectives embedded in both texts, particularly in the English translation. We argue that, without awareness of ideological assumptions embedded in translations, museums run the risk of sending unintended messages to international visitors.

A study of a museum-school partnership

Science.gov (United States)

Wojton, Mary Ann

Partnerships between museums and schools never have been more important than they are today. Schools, especially urban schools, are facing challenges, including low student achievement and difficulty obtaining funding. Partners can help schools overcome these challenges by sharing educational and financial resources. Nearly 11,000 American museums spend more than $1 billion annually to provide over 18 million instructional hours for k-12 educational programs such as professional development for teachers, guided field trips, and staff visits to schools. Museums would seem like natural partners for challenged urban schools. Yet museums and schools struggle to establish and maintain effective partnerships. This study examined a partnership between a science center and an urban elementary school to provide additional knowledge and resources for those in the field to overcome these challenges in order to create relationships that help students. Using qualitative methods with interpretive descriptive purposes (Erickson, 1986; Glesne, 1999; Lincoln & Guba, 2000), the research design is based on several methods of data collection, including face-to-face, semi-structured interviews; observations; written text; and field notes. Participants in this study included students, parents, teachers, school administrators and museum educators. In addition, adult representatives of community organizations were interviewed to determine the impact of the partnership on the community. The study found that an effective partnership will have four basic elements: mutual goals, communication plan, key leader support, planning and research, and four interpersonal elements: personal responsibility, honesty, communication at the intimate level, and trust. Partners may have difficulty developing these to their fullest extent due to time limitations. No partnership is perfect. By creating strong interpersonal relationships, partners can mitigate challenges caused by limited basic elements and

Museums as a venue for public health intervention.

Science.gov (United States)

Ickovics, Jeannette R

2013-12-01

Big Food: Health, Culture, and the Evolution of Eating broke numerous records for museum attendance, highlighting the public's appetite for public health. During its 10-month run at the Yale Peabody Museum of Natural History, more than 120 000 visitors attended Big Food, including 25 000 students through the museum's public education program, an increase of 30% more than the average student attendance in the past decade. Big Food cost approximately $100 000 to build, comprising printed panels and objects, installation displays (e.g., custom-built cases to house such objects as sugar-sweetened beverages and healthy and diseased organs), temporary walls, video monitors, food products, and more. At less than $1 per visitor, this provided extraordinary public health value.

77 FR 68851 - Sunshine Act Meeting of the National Museum and Library Services Board

Science.gov (United States)

2012-11-16

... Coordinator for Special Events and Board Liaison, Institute of Museum and Library Services, 1800 M Street NW... NATIONAL FOUNDATION ON THE ARTS AND THE HUMANITIES Institute of Museum and Library Services Sunshine Act Meeting of the National Museum and Library Services Board AGENCY: Institute of Museum and...

78 FR 23311 - Sunshine Act Meeting of the National Museum and Library Services Board

Science.gov (United States)

2013-04-18

... policies with respect to the duties, powers, and authority of the Institute relating to museum, library and... NATIONAL FOUNDATION ON THE ARTS AND THE HUMANITIES Institute of Museum and Library Services Sunshine Act Meeting of the National Museum and Library Services Board AGENCY: Institute of Museum and...

Image as Interface : Consequences for Users of Museum Knowledge

NARCIS (Netherlands)

de Rijcke, Sarah; Beaulieu, Anne

2011-01-01

Photographs of objects are ubiquitous in the work and presentation of museums, whether in collection-management infrastructure or in Web-based communication. This article examines the use of images in these settings and traces how they function as interfaces and tools in the production of museum

Bring back history alive through transformation of old building into museum

Science.gov (United States)

Karim, Norashikin Abdul; Norlizaiha Harun, Siti; Ayob, Salwa

2018-05-01

When looking at the old building, it has aroused the curiosity of the glorious history of architecture and interior space in the past, such as the furniture, features, fittings, furnishings and interior layout. To save our old and heritage building from decay and loss of the heritage value, one of the Malaysian government efforts is to restore it to become a new function as a museum. There are some criteria should be considered for the transformation of an old and heritage buildings into a museum, there are; integrity of history; original structure and materials; new space and new function; showcase display and interpretation; and visitors’ perception. This paper will highlight the literature review on consideration factors in heritage museum restoration. This writing paper is also part of continuous research aimed at developing the criteria for assessing the old and heritage building as a museum. The proposed criteria could serve as a basis for heritage organizations to prepare guidelines to manage the transformation of an old and heritage building into a museum in Malaysia. Indirectly, it contributes the ultimate goal to give best heritage experience for the tourist in a museum tour.

The Role of Contextualism in Architectural Design of Museums

Directory of Open Access Journals (Sweden)

Muhammad Ali Tabarsa

2017-02-01

Full Text Available The early generator tool designs of architects in the design process are architectural context and design data, and they define the main approach of the design; this approach has led to extensive expressions of design options and ultimately they are followed by more successful assessment of solutions and more complete design. The study implements descriptive and historical analysis (using the data of ancient city and define a new set for reviving the identity and analyzing the new process. There is no doubt that the museum as a cultural institution in community is vital because the culture of a society is a general concept and it includes all the spiritual values of that community. Thus, culture is the heritage of every people, which is taken from his or her predecessors, and it has been changed and shifted to the next generation. Whenever a decision is taken to build a museum the preliminary basic problem that must be dealt with is choosing the location, a place with various facilities and each one of them need to be examined carefully. Now we should decide whether it should be in the downtown or in the suburb. But with the gradual speed increase and ease of use of public and private vehicles to get from one place to another, it was realized that a location of a museum in a downtown is not a priority anymore. A museum should be accessible from all parts of the city by public transport, and possibly by walking, and as much as possible they should be in the vicinity of schools, colleges, universities and libraries. Today, museums are seen as cultural centers more than past. But it should be noted that not only students visit them, but people who have different socio-economic background visit them. Visiting of museums are more likely if the museum is close and accessible, and coming these kinds of people even for spending their free time is an education hobby.

Seltsi muuseumist riigi keskmuuseumiks: ikka ajutiste lahendustega / Changes in the Estonian National Museum from 1909 to the present.

Directory of Open Access Journals (Sweden)

Krista Aru

2011-01-01

years we, the employees of the ENM, have been asking serious questions: Are we ready to develop the national museum in the context of a modern information society? How do we balance between the globalization of cultural developments and the growing need for local communities to secure their roots and heritage? Are we ready to play an important role in the quality of individual lives and in the quality of community? Can we help to construct a sort of collective social memory and fulfill community relations strategies?We know that the ENM’s future should be to operate with an open spirit and balance between the local and the global, the personal and the collective, ethnic and civil nationalism. The contemporary ENM is ready to operate in this spirit, in real contact with our own society.

A New World for Museum Marketing? Facing the Old Dilemmas while Challenging New Market Opportunities

Directory of Open Access Journals (Sweden)

Tanja Komarac

2014-12-01

Full Text Available Museums are part of a wider cultural and entertainment environment, which is ruled by highly demanding visitors who seek immersive experiences (edutainment and time-saving arrangement. This has encouraged and, in some opinions, forced museums to turn their focus from collections to visitors. In addition, museums have faced competition and new technologies in the form of virtual museums and virtual reality. This has emphasized the need to accept marketing as a survival tool and to make it into a link between museums and visitors. This article attempts to give current insights into museum marketing as part of the arts marketing field. Its aim is also to identify and explain some of the major challenges and opportunities facing everyday museum business, in order to provide insight into the complex world of museum marketing. Former findings about the development of museum marketing and its biggest changes and challenges are presented, summarized and analyzed.

Radiation preservation of cultural and museum objects

International Nuclear Information System (INIS)

Urban, J.

1985-01-01

The possibilities are summed up of using ionizing radiation for the treatment of museum collections, namely the biocidal effect of radiation on living organisms. An approximate assessment is made of the extent of damage to art and book collections by biological pests. Radiation preservation is compared with conventional methods which are unsatisfactory, because they do not affect deeper layers of materials. Experience is summed up with the use of radiation preservation in the Central Bohemian Museum in Roztoky. (J.C.)

Into the Future: Adult Professional Groups and the 21st Century Museum

Science.gov (United States)

Robinson, Cynthia

2011-01-01

Museum programs for working adults in their workplace groups are an interesting and important recent development. These programs have the potential to contribute significantly to the future health of museums. This article shows that these programs link to and build on three important trends in museums--customized experiences, deep engagement, and…

The Abode of the Other (Museums in German Concentration Camps 1933-1945

Directory of Open Access Journals (Sweden)

Božidar Jezernik

2011-03-01

Full Text Available In major German concentration camps, museums were set up with the aim of collecting exhibits and displaying them within a Rassenkunde (race science framework. As the discourse of racial anthropology was built on the rhetoric of the difference between the ‘pure’ races and people with ‘inferior hereditary quality,’ SS museums put on display ‘pieces of evidence’ with a view to rendering present and visible that which was absent and invisible: the hierarchical order of different races. Thus, collections displayed in SS museums in concentration camps were instrumental in the process of defining the Aryan Übermensch (superhuman as the personification of all desirable physical, cultural and intellectual attributes, born to conquer and rule the world as a member of the Herrenvolk (master race, and the non-Aryan, above all the Jewish Untermensch (subhuman as his opposite, a radically other and barely human, suitable only for menial chores.The first museum established in German concentration camps was opened in Dachau early in the 1930s. Similar museums worked in other German concentration camps (Buchenwald, Mauthausen and Auschwitz. The richest was the museum in Gusen I, the sub-camp of Mauthausen. In autumn 1940, when the SS began with the construction of a railway between KZ Gusen I and St Georgen railway station, a grave-yard from the Bronze-Age was found. All the finds were housed in an archaeological museum that was established at the Museumsbaracke (museum barrack within the camp. By the side of archaeological findings, human skins, skulls and body parts were put on view. At the time of the liberation of Gusen I, on 5 May 1945, a collection of 286 body parts was found and a voluminous album with fragements of tattooed human skin. Today, from all the SS museums’ anthropological exhibits not a single one is on display in the museum exhibitions set up in the former concentration camps. So far, these establishments also escaped the

The Abode of the Other (Museums in German Concentration Camps 1933-1945

Directory of Open Access Journals (Sweden)

Božidar Jezernik

2007-12-01

Full Text Available In major German concentration camps, museums were set up with the aim of collecting exhibits and displaying them within a Rassenkunde (race science framework. As the discourse of racial anthropology was built on the rhetoric of the difference between the ‘pure’ races and people with ‘inferior hereditary quality,’ SS museums put on display ‘pieces of evidence’ with a view to rendering present and visible that which was absent and invisible: the hierarchical order of different races. Thus, collections displayed in SS museums in concentration camps were instrumental in the process of defining the Aryan Übermensch (superhuman as the personification of all desirable physical, cultural and intellectual attributes, born to conquer and rule the world as a member of the Herrenvolk (master race, and the non-Aryan, above all the Jewish Untermensch (subhuman as his opposite, a radically other and barely human, suitable only for menial chores.The first museum established in German concentration camps was opened in Dachau early in the 1930s. Similar museums worked in other German concentration camps (Buchenwald, Mauthausen and Auschwitz. The richest was the museum in Gusen I, the sub-camp of Mauthausen. In autumn 1940, when the SS began with the construction of a railway between KZ Gusen I and St Georgen railway station, a grave-yard from the Bronze-Age was found. All the finds were housed in an archaeological museum that was established at the Museumsbaracke (museum barrack within the camp. By the side of archaeological findings, human skins, skulls and body parts were put on view. At the time of the liberation of Gusen I, on 5 May 1945, a collection of 286 body parts was found and a voluminous album with fragements of tattooed human skin. Today, from all the SS museums’ anthropological exhibits not a single one is on display in the museum exhibitions set up in the former concentration camps. So far, these establishments also escaped the

O remix e o haxixe: cultura popular e autenticidade na globalização The remix and the haxixe: popular culture and authenticity inside globalization

Directory of Open Access Journals (Sweden)

Michel Nicolau Netto

2008-12-01

Full Text Available Vemos em nossa época um discurso – semelhante ao romantismo – que tende a contrariar os discursos universalistas em benefício das particularidades. Ao contextualizar esses discursos os insiro em uma relação mais ampla de poder permeada pelo processo de globalização, na qual a valorização pueril da cultura popular se mostra, na verdade, como uma faceta das novas formas capitalistas de apropriação econômica e simbólica da cultura. Palavras-chave: Romantismo. Pós-modernismo. Globalização. Autenticidade. Identidade. We see in our age a discourse – similar to the romanticist – which tends to be opposed to the universal discourses in benefit of the particular ones. Contextualizing these discourses, I bring them into a broader relation of power in the process of globalization, in which the naïve encouragement of the popular culture is one of the facets of new economic and symbolic forms of capitalist appropriation of culture. Keywords: Romanticism. Postmodernism. Globalization. Authenticity. Identity.

Art expertise and attribution of museum porcelain and faience

Directory of Open Access Journals (Sweden)

Revenok N.N.

2017-06-01

Full Text Available the article considers problems of research of museum art porcelain and faience of the XIX – the beginning of the XX century in the process of carrying out fine art expertise and also reveals the main criteria of Museum attribution. An important part of the examination methodology of thin-ceramic products is the development of special methods for their study in the conditions of modern laboratories on the latest-generation devices. The results presented in the article can contribute to the practical application of the proposed methods in conducting art criticism of art porcelain and faience in the museum research and restoration work.

Teens, New Media and Contemporary Art: Expanding Authority in the Museum Context

Science.gov (United States)

Hill, Ryan; Douillette, Joe

2014-01-01

This article explores the impact of technology on contemporary art museums using case studies of teen media programs from the Hirshhorn Museum and the ICA Boston. Teens, as "digital natives," help to define the use of technology in museums. Responding to their needs opens up an institutional dialogue concerning issues of expertise,…

THE INTERPLAY OF MUSEUM DISCOURSE AND POPULAR CULTURE: HOW, WHEN AND WHERE HISTORY COMES ALIVE?

Directory of Open Access Journals (Sweden)

Mina Lukić

2015-03-01

Full Text Available Museum as an institution has been, throughout history, inevitably connected with ideology, involved in establishing and shaping of cultural memory, and crea-tion and affirmation of collective identities, based on scientific knowledge and interpretation of the past. Nowadays, other, more effective media are involved in those processes, e.g. film, which is examined in the paper as such a medium. Also, museums and media have been used for spreading different prejudices and stereotypes – some of our identities are often based on such preju-dices, either about our own or somebody else’s past or present. Nevertheless, museum as an institution has an aura of highest authority, based on scientific knowledge and legitimized by museum collections. Museum is seen as trustworthy, unbiased and objective. Such privileged status of museums is argued and contested, and the complexities of museum discourse are traced through critical analysis of the current policy of the American Museum of Natural History in New York and this muse-um’s participation in the production of a movie Night at the Museum (2006. As part of a “global village,” museum visitors are impacted by certain stereotypical images circulating within and outside of museums, which are a dense package of ideas (rooted in science, folklore, ide-ology, politics, etc. that thrive in cultural memory and collective imagination. These are constructed and circu-lated as commonsense or consensus narratives, en-trenched in the minds of the public, and they can take hold persistently against current scientific opinions. Mass media images that museum visitors bring with them to the museum are inevitably shaping their inter-pretations of exhibitions. What happens then, when a museum gets involved with Hollywood industry? What are the consequences of such an interaction? This pa-per’s aim is to shed some light on those consequences in the particular case of the AMNH.

Painting Shades of Gray: How to Communicate the History of Communism in Museums

Directory of Open Access Journals (Sweden)

Alexandra Zbuchea

2015-07-01

Full Text Available Communication of sciences / arts lies at the core of a museum public activity. It is a special type of communication, meant to make the collections and the domain of the expertise of the museum accessible to a wide public in order to fulfill the special cultural and social role that museums have in the contemporary society. This cannot be achieved without the cooperation of visitors, as well as the museum stakeholders. For fruitful relationships, museums have to design their activity and public offer taking into account the characteristics as well as the interests of various segments of its audience. The present paper discusses the prerequisites for a successful museum exhibition. Special attention is given to designing an effective exhibition on the history of communism. By investigating the profile of the potential visitors for such an exhibition, the paper draws a framework to be considered when designing it. The discussion is timely, since in the last few years there are discussions and initiatives related with the establishment of a museum of communism.

Museums, a consolidated offer for sustainable tourism and the quality of the landscape

Directory of Open Access Journals (Sweden)

Manuel Antonio Zárate Martín

2017-11-01

Full Text Available The International Council of Museums (ICOM and the World Federation of Friends of Museums (WFFM for worldwide Sustainable Cultural Tourism acknowledge that museums constitute an example of sustainable cultural tourism for a society with increasing free time and the ability to move for reasons of leisure and tourism. This paper analyzes the evolution of museums since their initial function of gathering material for its conservation to the current situation, in which museums form part of the tourism offer and compete among themselves to increase the number of visitors, and enhance feelings of a collective identity and of respect and tolerance towards other cultures in accordance with the Charter for Sustainable Tourism of 1995. Museums also contribute, through tourism, to generating employment and enhancing the landscape following strategies of the Convention of the European landscape of 2000.

Cultural mediation in museums

Directory of Open Access Journals (Sweden)

Gherghina Boda

2017-12-01

Full Text Available If we perceive the museum not only as a place of storing and conserving the patrimony, but also of transmitting it, then we can also see it as a mediator through which cultures can become collective patrimony. Tightly connected to patrimonial appropriation, mediation appears from this perspective as a process and not an end, as it manifests itself in animation, communication and making knowledge popular in relation to a precise patrimony. That is why we can see cultural mediation as a transmission, as a transformation, as an action or social project which aims at creating social bonds, the museum thus being not only a place of meeting for the public with the objects exposed, but also as a place of meeting between different cultures. Thus, cultural mediation presents itself as the most efficient means for access to culture of all categories of the public, situated as the crossroads of culture, continuous education and entertainment and is inscribed in the field of informal education.

Museums as spaces and times for learning and social participation.

Directory of Open Access Journals (Sweden)

César M.

2014-12-01

Full Text Available A museum is valued according to its collections, communication and knowledge exchange with visitors (Primo, 1999. Museums should be in dialogue with the public, contributing to their development (Skramstad, 2004 and collective memory (Wertsch, 2004. Social interactions and working in participants’ zone of proximal development (Vygotsky, 1934/1962 play an important role in non-formal learning opportunities that take place at museums. The National Museum of Natural History and Science (Lisbon University offers weekly holiday programmes for children and teenagers, aiming at developing scientific literacy in intercultural and inclusive spaces and times, facilitating knowledge appropriation and social participation. We studied these programmes, assuming an interpretive approach (Denzin, 2002 and developing an intrinsic case study (Stake, 1995. The main participants were these children and teenagers, their parents, and museum educational agents. Data collecting instruments included observation, interviews, questionnaires, children and teenagers’ protocols and tasks inspired in projective techniques. Data treatment and analysis was based on a narrative content analysis (Clandinin & Connelly, 1998 from which inductive categories emerged (Hamido & César, 2009. Some examples illuminate participants’ expectancies, their engagement in activities, and the contributions of social interactions and non-formal education to the development of scientific literacy.

How to meet the climate requirements? Evaluating the indoor climate in three types of Dutch museums

NARCIS (Netherlands)

Martens, M.H.J.; Schellen, H.L.; Schijndel, van A.W.M.; Aarle, van M.A.P.; Meinhold, U.; Petzold, H.

2007-01-01

In a lot of Dutch museums climate-related problems occur, especially in museums in which the ‘Delta plan’ is implied. Three different types of museums were chosen and thoroughly investigated. The problems in each type of museum are different. Therefore museum climate standards should be customized

X-ray analysis of cultural heritage at museums by using portable instruments

International Nuclear Information System (INIS)

Nakai, Izumi; Abe, Yoshinari

2009-01-01

We have been developing a portable powder diffractometer and XRF spectrometer since 2001 jointly with two X-ray makers: i.e., Institute of X-ray Technologies Co. Ltd. and OURSTEX Co. Ltd., respectively. The instruments were brought to several museums as well as many archeological sites in Egypt, Turkey, Italy, etc. to characterize the cultural heritage and the results were reflected on their improvement. The instruments thus developed are suitable for on site analyses with enough sensitivity, accuracy, and durability. The latest version of our diffractometer (weight 15 kg) adopted Si-PIN as a detector, which enable us to obtain EDX spectrum of the sample as well as a good powder diffraction pattern with low background. The XRF spectrometer (25 kg) is equipped with SDD detector and monochromatic/white X-ray sources. Recently the Be window of the detector was replaced with MOXTEK AP3 polymer window and vacuum sample chamber was introduced to quantify Na and Mg. The instruments were brought to Archaeological Museum in Zadar, Croatia, Okayama Orient Museum and MIHO Museum in Japan. The samples are glass, pottery, metallic and stone objects dated from second millennium B.C. to modern. We have chemically characterized 109 Roman glass artifacts excavated at a Roman necropolis found in Zadar, and classified based on decolorants, impurity and vessel types. We have studied glass, faience, pottery and metal collections at the Orient Museum. The results include identification of cassiterite in glazed Islamic pottery. At MIHO museum, stone objects from China and Middle East were characterized by the diffractometer. The analyses were made as joint projects with S. Gluscevic (Archaeological Museum), R. Shikaku (Orient Museum), Y. Azuma and Y. Kuwabara (MIHO Museum). (author)

Project AccessIT, Digitalization in Museums and Europeana (European Digital Library Project

Directory of Open Access Journals (Sweden)

Latif Özen

2011-03-01

Full Text Available This article emphasizes the importance of digitizing museum inventory records and establishing a data set in solving the problems of collection management in the museums of Turkey. Besides, the museum staff is encouraged to share the already existing digital content at the Europeana Digital Culture Portal by means of AccessIT project.

Perancangan Interior Museum Film Indonesia Di Surabaya

OpenAIRE

Limantoro, Lim Renawati

2013-01-01

Surabaya is a city with a thriving cultural variety with a pluralistic society where people in Surabaya is more modern that easy to accept new things that developed in the community. Museum is a public place so that the necessary interior educative and informative and can be used as a sports-themed Indonesian films. The purpose of designing the interior of the film museum in Surabaya this is a venue to preserve Indonesian films and give knowledge to the people of Surabaya on the world of cine...

Cultural minorities in Danish museums

DEFF Research Database (Denmark)

Kjørup, Søren

2009-01-01

Artikel om den forbløffende mangel på bevidsthed om minoriteter i danske museer, samt en diskussion af Dansk Jødisk Museum, specielt spillet mellem arkitekten Daniel Libeskinds koncept og museets egen meddelelse...

List of the primary types of social wasps (Hymenoptera: Vespidae) deposited in the Nationaal Natuurhistorisch Museum, Leiden, and the Zoölogisch Museum, Amsterdam

NARCIS (Netherlands)

Kojima, J.; Achterberg, van C.

1997-01-01

The primary types of social wasp subfamilies Vespinae, Polistinae and Stenogastrinae housed in the Nationaal Natuurhistorisch Museum in Leiden and the Zoölogisch Museum in Amsterdam are listed. Their complete label data are given unless they are available elsewhere. Lectotypes of Polistes snelleni

The four cultures: Public engagement with science only, art only, neither, or both museums.

Science.gov (United States)

Shein, Paichi Pat; Li, Yuh-Yuh; Huang, Tai-Chu

2015-11-01

This study uses an art-and-science comparative lens to understand the science culture, particularly the public engagement with science museums. A representational Taiwanese sample of 1863 subjects was categorized into "four cultures," who visit science only, art only, neither, or both museums, resulting in six multivariate logistic regression models. Knowledge of science, interests in scientific and social issues, and socio-demographic variables were considered in the models. Adults with children and males prefer science museums, females prefer art museums, and the young and urban intellects show no strong preference, appearing to be open to both science and art museums. The findings show the complex decisions the public make in visiting museums. It is no longer a strictly science or art decision, as framed by Snow's "The Two Cultures" argument; rather, the possibility of visiting both museums has emerged, a phenomenon we describe as cognitive polyphasia. © The Author(s) 2015.

Blind MuseumTourer: A System for Self-Guided Tours in Museums and Blind Indoor Navigation

Directory of Open Access Journals (Sweden)

Apostolos Meliones

2018-01-01

Full Text Available Notably valuable efforts have focused on helping people with special needs. In this work, we build upon the experience from the BlindHelper smartphone outdoor pedestrian navigation app and present Blind MuseumTourer, a system for indoor interactive autonomous navigation for blind and visually impaired persons and groups (e.g., pupils, which has primarily addressed blind or visually impaired (BVI accessibility and self-guided tours in museums. A pilot prototype has been developed and is currently under evaluation at the Tactual Museum with the collaboration of the Lighthouse for the Blind of Greece. This paper describes the functionality of the application and evaluates candidate indoor location determination technologies, such as wireless local area network (WLAN and surface-mounted assistive tactile route indications combined with Bluetooth low energy (BLE beacons and inertial dead-reckoning functionality, to come up with a reliable and highly accurate indoor positioning system adopting the latter solution. The developed concepts, including map matching, a key concept for indoor navigation, apply in a similar way to other indoor guidance use cases involving complex indoor places, such as in hospitals, shopping malls, airports, train stations, public and municipality buildings, office buildings, university buildings, hotel resorts, passenger ships, etc. The presented Android application is effectively a Blind IndoorGuide system for accurate and reliable blind indoor navigation.

Museum education today: creative synergies and pedagogic innovations in multicultural contexts

Directory of Open Access Journals (Sweden)

Anastasia Filippoupoliti

2015-03-01

Full Text Available Museums as mere repositories for cultural artefacts have long disappeared giving their place to museums as active institutions that prioritize engagement with a diverse range of communities. In today’s multicultural landscape1 that refers, reflects and at the same time adapts to diverse cultures, it is true that there is a growing international growing international recognition of the importance of ethnic diversity2 and a constant demand for museums to update their profile as social and learning settings (Ang 2005. Increasing emphasis has been put by museums, nowadays, on interacting with a variety of multicultural audiences, not only visitors and education programs’ participants, but also educators and teachers, via a wealth of education programmes (Acuff and Evans 2014. Also, several examples of museum exhibitions, mostly temporary, set out to narrate and share the stories of various social and ethnic groups. Museum education offers theoretical insights and practical means to engage visitors, trigger aesthetic and cultural sensitivities, exercise creativity and imagination, increase tolerance, reduce prejudices (Sleeter and Grant 1988, after Chin 2013, display historical empathy (Skolnick et al. 2004, as well as respect for all, promote equity and justice, in order to address challenges of cultural dialogue, social inclusion, and new models of cultural identity (Innocenti 2014, p. 2. Museums need to adapt to a diversifying and multicultural society and shall offer accessibility to inclusive, comprehensive and creative educational experiences that embrace and foster cultural diversity, and provide to everyone the ability to live and participate equally in a pluralistic society.

Museum Signage as Distributed Mediation to Encourage Family Learning

Science.gov (United States)

Kim, Kyungyoun

2009-01-01

Many prior studies conducted in museums have focused primarily on exhibits as the main objects for learning. Less progress has been made in studying signage as another meaning-making tool in museums. The present study was designed to understand the role of signage in family learning by answering the following research questions, "How does signage…

Museums for Peace: Agents and Instruments of Peace Education

Science.gov (United States)

Tamashiro, Roy; Furnari, Ellen

2015-01-01

Although museums for peace claim peace education to be a primary mission, their definitions of "peace" and their aims and practices for peace education vary widely. In this article, we draw from the field of critical museology and the knowledge construction perspective to understand the role of museums for peace in the service of peace…

Museums for Pop and Rock Music in the Nordic Region and Beyond

DEFF Research Database (Denmark)

Holt, Fabian

2014-01-01

Museums for rock and pop music are mushrooming in the early 21st century across the Nordic countries and Europe. These museums are one of the components of the new institutional infrastructure of popular music, along with showcase festivals and music export agencies. What is the role of rock...... and pop museums in future Nordic culture and society, and why was it the right decision to focus on network development at this stage? Fabian Holt reports on the museum dimension of the project "Popular Music in the Nordic Countries in the Early 21st Century" and talks to the management at Denmark's Rock...

77 FR 39269 - Submission for OMB Review, Comment Request, Proposed Collection: IMLS Museum Web Database...

Science.gov (United States)

2012-07-02

..., Proposed Collection: IMLS Museum Web Database: MuseumsCount.gov AGENCY: Institute of Museum and Library... request. SUMMARY: The Institute of Museum and Library Services announces that the following information... proposed collection of information is necessary for the proper performance of the functions of the agency...

Museumchronotopics: on the representation of the past in museums

Directory of Open Access Journals (Sweden)

Pascal Gielen

2004-11-01

Full Text Available Many visitor studies make social background variables the central point of departure to explain participation patterns. How the past is ‘staged’, however, also has an influence on those to whom it appeals. This relational perspective calls for new conceptual tools to grasp empirical reality. Inspired by the historical philosophy of Georg Simmel and the literary theory of Mikhail Bakhtin a number of concepts which enable us to grasp the subtle relationship between museum presentations and visitors are presented. Bakhtin’s notion of chronotopy serves as a key concept. By linking museum presentations and visitor perceptions with each other, it is also possible to identify certain tendencies within the contemporary museum landscape.

Learning Experiences in Museums: Harnessing Dewey's Ideas on Continuity and Interaction

Science.gov (United States)

Winstanley, Carrie

2018-01-01

Museum and gallery educators have become increasingly adept at creating environments that foster constructivist thinking, invite interaction and encourage activity. Leading museum educator, Hein, for example, directly attributes Dewey's influence, describing his ideas about experiences, as a 'crucial lesson for museum educators: engagement with…

Interaksi pada Museum Virtual Menggunakan Pengindera Tangan dengan Penyajian Stereoscopic 3D

Directory of Open Access Journals (Sweden)

Gary Almas Samaita

2017-01-01

Full Text Available Kemajuan teknologi menjadikan museum mengembangkan cara penyajian koleksinya. Salah satu teknologi yang diadaptasi dalam penyajian museum virtual adalah Virtual Reality (VR dengan stereoscopic 3D. Sayangnya, museum virtual dengan teknik penyajian stereoscopic masih menggunakan keyboard dan mouse sebagai perangkat interaksi. Penelitian ini bertujuan untuk merancang dan menerapkan interaksi dengan pengindera tangan pada museum virtual dengan penyajian stereoscopic 3D. Museum virtual divisualisasikan dengan teknik stereoscopic side-by-side melalui Head Mounting Display (HMD berbasis Android. HMD juga memiliki fungsi head tracking dengan membaca orientasi kepala. Interaksi tangan diterapkan dengan menggunakan pengindera tangan yang ditempatkan pada HMD. Karena pengindera tangan tidak didukung oleh HMD berbasis Android, maka digunakan server sebagai perantara HMD dan pengindera tangan. Setelah melalui pengujian, diketahui bahwa rata-rata confidence rate dari pembacaan pengindera tangan pada pola tangan untuk memicu interaksi adalah sebesar 99,92% dengan rata-rata efektifitas 92,61%. Uji ketergunaan juga dilakukan dengan pendasaran ISO/IEC 9126-4 untuk mengukur efektifitas, efisiensi, dan kepuasan pengguna dari sistem yang dirancang dengan meminta partisipan untuk melakukan 9 tugas yang mewakili interaksi tangan dalam museum virtual. Hasil pengujian menunjukkan bahwa semua pola tangan yang dirancang dapat dilakukan oleh partisipan meskipun pola tangan dinilai cukup sulit dilakukan. Melalui kuisioner diketahui bahwa total 86,67% partisipan setuju bahwa interaksi tangan memberikan pengalaman baru dalam menikmati museum virtual.

Current professional profile of a museum pedagogue: qualifications of museum pedagogues in the requirements of the Committee for Public Relations and Museum Pedagogy of the Czech Association of Museums and Galleries (Aktuální kontury profese muzejního pedagoga. Reflexe kvalifikační profilace pracovníků v oblasti muzejní pedagogiky na příkladu Komise pro práci s veřejností a muzejní pedagogiku AMG ČR

Directory of Open Access Journals (Sweden)

Lucie Jagošová

2017-09-01

Full Text Available Museum pedagogue as an independent museum profession has been paid an incre-ased attention in the practice, professional literature and in empirical research. The Committee for Public Relations and Museum Pedagogy at the Czech Association of Museums and Galleries also entered this sphere by updating the number of members and carrying out a questionnaire inquiry. Who are the members? Which professional qualities and specializations do they offer? The study presents current outputs of a research inquiry among educational workers in Czech museums and the other museum professions.

The Virtual Museum of the Tiber Valley Project

Directory of Open Access Journals (Sweden)

Antonia Arnoldus Huyzendveld

2012-11-01

Full Text Available The aim of the Virtual Museum of the Tiber Valley project is the creation of an integrated digital system for the knowledge, valorisation and communication of the cultural landscape, archaeological and naturalistic sites along the Tiber Valley, in the Sabina area between Monte Soratte and the ancient city of Lucus Feroniae (Capena. Virtual reality applications, multimedia contents, together with a web site, are under construction and they will be accessed inside the museums of the territory and in a central museum in Rome. The different stages of work will cover the building of a geo-spatial archaeological database, the reconstruction of the ancient potential landscape and the creation of virtual models of the major archaeological sites. This paper will focus on the methodologies used and on present and future results.

78 FR 64006 - Notice of Inventory Completion: Thomas Burke Memorial Washington State Museum, University of...

Science.gov (United States)

2013-10-25

... inventory of human remains under the control of the Burke Museum. The human remains were removed from Island....R50000] Notice of Inventory Completion: Thomas Burke Memorial Washington State Museum, University of... Memorial Washington State Museum, University of Washington (Burke Museum), has completed an inventory of...

78 FR 59955 - Notice of Inventory Completion: Thomas Burke Memorial Washington State Museum, University of...

Science.gov (United States)

2013-09-30

... completion of an inventory of human remains under the control of the Burke Museum, Seattle, WA. The human....R50000] Notice of Inventory Completion: Thomas Burke Memorial Washington State Museum, University of... Memorial Washington State Museum, University of Washington (Burke Museum), has completed an inventory of...

Myths, Mummies and Museums.

Science.gov (United States)

Norby, Shirley

1979-01-01

Greek mythology, Egyptian mummies, and the Metropolitan Museum of Art in New York City are the focus of a one-semester course given at the Sea Girt (New Jersey) Elementary School. It is an interdisciplinary program wherein students (grade 8) study ancient civilizations and do projects related to their studies. (KC)

Art Museum Education in Transition: Moderna Galerija in Slovenia

Science.gov (United States)

Zeleznik, Adela

2012-01-01

This essay examines the educational practices at the Moderna galerija, a national museum of modern and contemporary art in Ljubljana, Slovenia, in the last twenty years. Its aim is to reflect on the museum education in relation to broader historical context, of the former Yugoslavia (the country Slovenia was a part of until 1991) and discuss how…

Encountering the Creative Museum: Museographic Creativeness and the "Bricolage" of Time Materials

Science.gov (United States)

Tlili, Anwar

2016-01-01

The aim of this article is to trace some lines of thinking towards a conceptualization of the uniqueness of the creative work of museums, the mode of creativeness that belongs exclusively to museums, or at least that museums are capable of by virtue of the types of materials and forms as well as activities unique to what will be referred to as…

The communication of heritage: Assessment of the communicative process in museums of Asturias

Directory of Open Access Journals (Sweden)

Miguel Ángel SUÁREZ SUÁREZ

2017-06-01

Full Text Available Communicating of heritage, especially in museums, is a complex process due to certain particularities. Each museum is unique because of the diversity of objects, the discourses generated and the interactions between different audiences. It makes it difficult to build theories which help to understand and improve the communicative process with in the museum context. In this way, from prior studies and through both a direct observation and monitoring of the guided visits, this work shows the analysis of 7 museums from Asturias, focusing on the spatial distribution, the museography and the interventions of the teachers and students. The results show that museums are making an ef-fort to set up multidirectional communication models, doing a coherent design between exhibition spaces, the ob-jects’ museography and the teachers’ explanation. Nevertheless, there are some problems which impede a full con-nection between the school and the museum, which limit the effective communication of the message about herit-age.

Furtive Museums and Digital Reciprocity

Directory of Open Access Journals (Sweden)

Anabel Fernández Moreno

2016-05-01

Full Text Available The history of museums has gone through many stages where, depending on the time, priority is given to education, collection, curation, conservation or leisure. Museums have played an essential role for several centuries, but it was in the middle decades of the 20th Century when they were developed as a new type of institution that belongs to their community. With the arrival of Information and Communication Technology (hereafter ICT, they will continue to evolve and adapt to their social and cultural context. The idea of common heritage of humankind begins to mature at a time when privatization is imposed in all areas. In this context, the commons civic potential makes it an ideal tool for revitalizing the only institution capable of providing theories for understanding human beings as social beings through their material and immaterial content.

Musei del migration heritage / Migration heritage museums

Directory of Open Access Journals (Sweden)

Patrizia Dragoni

2015-01-01

Since the second half of the 1960s of the 20th century, a profound cultural innovation was accompanied to the radical change in the social, political and economic climate. The anthropological notion of culture as opposed to idealistic vision, the unusual and strong interest in material culture, the enunciation of the concept of cultural property by the Franceschini Commission, the luck of the Public History bring a change of the disciplinary statutes of historical sciences, which begin to attend to social history, focusing on the spontaneous sources of information and initiating experiences of oral history. To all this a remarkable transformation of the themes and of the social function of museums is added. This paper illustrates, in relation to this more general context, the foundation and the dissemination of museums dedicated to the history of migration in Italy and in the world, enunciates their possible social utility for the integration of present migrants in Italy and illustrates, by way of example, the museum recently opened in Recanati.

Conservation heating for a museum environment in a monumental building

NARCIS (Netherlands)

Neuhaus, E.; Schellen, H.L.

2007-01-01

For the conservation of an important museum collection in a historic building a better controlled indoor climate may be necessary. One of the most important factors is controlling relative humidity. Museum collections often are part of the interior of a historic building. In most cases the

The Laboratory of Museum Studies: Museality in the Making

Science.gov (United States)

Latham, Kiersten F.

2017-01-01

As makerspaces and hackerspaces pop up in libraries and museums, one little lab sits in the middle of an Information School, but it is not a maker-space, a gallery, or a museum. The MuseLab, at the Kent State School of Information, is something else, something new--or perhaps something familiar, but situated in a different context, making it less…

77 FR 34987 - Notice of Inventory Completion: University of Pennsylvania Museum of Archaeology & Anthropology...

Science.gov (United States)

2012-06-12

... Inventory Completion: University of Pennsylvania Museum of Archaeology & Anthropology, University of... of Pennsylvania Museum of Archaeology & Anthropology has completed an inventory of human remains in..., University of Pennsylvania Museum of Archaeology & Anthropology, University of Pennsylvania, 3260 South...

Heritage Education in Museums: an Inclusion- Focused Model

OpenAIRE

Fontal Merillas, Olaia; Marín Cepeda, Sofía

2016-01-01

Heritage Education in Museums: Inclusion Model (HEM-INMO) is one of the research conclusions of the Spanish Heritage Education Observatory (SHEO), funded by Spain’s Ministry of Economy and Competitiveness. The Observatory evaluates educational programs generated in Spain and in the international area in the last two decades, especially in museums as heritage education non-formal contexts. Also, the HEM-INMO model is included within the aims of the National Education and Heritage Plan (NE&HP),...

The Factors and Features of Museum Fatigue in Science Centres Felt by Korean Students

Science.gov (United States)

Kim, Minchul; Dillon, Justin; Song, Jinwoong

2018-03-01

One of the objectives of science education in science centres has been the enhancement of interest in science. However, museum fatigue has a negative impact on interest. Museum fatigue has been described as physical tiredness or a decrease in visitors' interest in a museum. The learning experience of students in science centres is also influenced by museum fatigue. The purpose of this study is to identify the phenomena of museum fatigue in science centres and to identity how it is manifested. First, we identified the factors causing museum fatigue in science centres using the data from an open-ended questionnaire which was given to 597 primary, middle and high school students in South Korea. From the responses to the questionnaire, 50 factors causing museum fatigue in science centres were identified. A second Likert-type questionnaire with the 50 factors of museum fatigue in science centres was administered to 610 primary, middle and high school students in South Korea. Using reliability and factor analyses, we developed a framework of the factors causing museum fatigue in science centres, which consists of three contexts, 12 categories and 50 factors. Secondly, through statistical analyses including T test and ANOVA analysis, the features of students' museum fatigue in science centres were analysed and compared regarding student gender, school level, interest in science, grade of school science, the number of visits, and type of visit. The results, which were found to be statistically significant, are reported and discussed. The findings of this study are intended to serve for a deeper understanding and practical improvement of science learning in science centres.

A "domestic" history about the Danish-Somalis at a Museum in Århus

DEFF Research Database (Denmark)

Zoppi, Marco

2017-01-01

Interview piece with the project coordinator of the exhibition titled “Et somalisk hjem” (A Somali home), at Den Gamle By museum, Denmark. Published on WardheerNews on May 5, 2017. http://www.wardheernews.com/a-domestic-history-about-the-danish-somalis-at-a-museum-in-arhus/......Interview piece with the project coordinator of the exhibition titled “Et somalisk hjem” (A Somali home), at Den Gamle By museum, Denmark. Published on WardheerNews on May 5, 2017. http://www.wardheernews.com/a-domestic-history-about-the-danish-somalis-at-a-museum-in-arhus/...

Designing a Personalized Guide Recommendation System to Mitigate Information Overload in Museum Learning

Science.gov (United States)

Huang, Yong-Ming; Liu, Chien-Hung; Lee, Chun-Yi; Huang, Yueh-Min

2012-01-01

Museum learning has received a lot of attention in recent years. Museum learning refers to people's use of museums to acquire knowledge. However, a problem with information overload has caused in engaging in such learning. Information overload signifies that users encounter a mass of information and need to determine whether certain information…

Performances of Occupational Therapy in the museum context: awareness of the diversity

Directory of Open Access Journals (Sweden)

Desirée Nobre Salasar

2016-01-01

Full Text Available The paper discusses the Occupational Therapist actions in a museum. Therefore, we approach issues that characterize the areas of museum environment presenting it as a possible workplace for the professionals, and will discuss which activities can be performed by professional occupational therapy in a museum, its relevance, and the achievement gap when performed by the occupational therapist and other professionals. Thus, the study’s main objective is to present a new occupational therapy work field for the highlighting the importance of public awareness activities and how these can influence the museum visitor experiences. We report two distinct activities with visually impaired awareness theme, conducted between February and March 2015, at the Batalha Community Museum in Portugal. We report the activities and analyze the results, seeking to qualitatively assess the public participation, and its response to the impact that such activities may bear in the cultural inclusion of visually impaired people.

Patents and Publics: Engaging Museum Audiences with Issues of Ownership and Invention

Directory of Open Access Journals (Sweden)

James F. Stark

2015-04-01

Full Text Available It is all very well to note the hyperbole about patents and ‘intellectual property’ in the recent battles between technology companies such as Apple, Samsung and HTC. But how can museums productively use collection items marked with a patent beyond workaday tasks of identification and cataloguing? We argue that information on patents can enhance visitors’ critical engagement with museum displays; complex ownership claims and counter-claims in patent disputes can underpin lively narratives based around museum objects. Asking why some objects and not others were patented, and how historical consumers responded to that status of ‘patented’ enables us to look at these objects afresh. In particular we analyse the responses of public consultation groups to patenting in the medical trade, as well as the engagement of museum staff with these issues. Such consultation processes offer information that can be used to enhance museum displays with engaging narratives of ownership and invention.

STRUCTURE, FUNCTIONING AND PROBLEMS OF NICE NATIONAL SPORT MUSEUM OF FRANCE

OpenAIRE

Neslihan Arikan; Özbay Güven

2017-01-01

Sport is an expression tool of the culture. Historical memory of sport, with its scientific and artistic side, serves as a bridge for societies to reach large masses. In this respect, cultural and sportive movements have led to the establishment of sports museums around the world. Sports museums are a form of expression and a story of a nation. They are the most meaningful bridges between past and future generations. With these aspects, the Nice National Sports Museum of France is one of the ...

From Clouds of Chemical Warfare to Blue Skies of Peace: The Tehran Peace Museum, Iran

Science.gov (United States)

Lewis, Elizabeth; Khateri, Shahriar

2015-01-01

Despite the limited number of peace museums around the world, there exists an essential role for existing peace museums to promote a culture of peace and peace education. The purpose of this article was to introduce the origins, rationale, scope and work of the Tehran Peace Museum in Iran. The concept of the museum is to facilitate peace education…

Making Difficult History Public: The Pedagogy of Remembering and Forgetting in Two Washington DC Museums

Science.gov (United States)

Segall, Avner

2014-01-01

In this article, Avner Segall explores some pedagogical processes in the context of two museums in Washington, DC, that focus on difficult knowledge, the National Museum of the American Indian (NMAI) and the United States Holocaust Memorial Museum. In doing so, Segall's aim is not to explore the museums as a whole or provide a comprehensive…

Didactics towards a Bottom-Up Museum Approach

Directory of Open Access Journals (Sweden)

Roberta Caldin

2018-03-01

Full Text Available The educational action to heritage does not consist uniquely in communicating the symbolic and cultural contents, yet and mostly in the possibility of reflecting on the identity of man and his community of belonging, which heritage is an expression of. In such a sense, the museum becomes a welcoming place when it supports an opening attitude to the person through different educational dimensions, among which the intellectual, emotional-relational, ethic and aesthetic ones. Such opening capable of promoting the necessary languages and tools, lets the museum become an institution able to guarantee an accessibility for all and each single person.

The Development of Museology in Turkey, a Spatial Analysis of Museums and their Contribution to Tourism in Turkey

Directory of Open Access Journals (Sweden)

Ismail Kervankiran

2016-07-01

Full Text Available Cultural attractions include museums, art galleries, festivals, ancient structures, historical and architectural monuments, heritage sites, artistic activities and demonstrations as well as religious trips, language characteristics, local and authentic values, olimpiads, clothing style, traditions, and food culture. As being one of the most important components of cultural tourism, the museums in recent years have experienced a change in their functions, increased the number of tourists and provided economic benefits in their regions by creating alternative destinations for tourism. For this reason the museums, the integral part of tourism, receive increasing investments and new museums are constructed with different functions and the presentation of different products to attract more visitors. This study was conducted to evaluate the development of the museums, to spatially analyze the number of museums, their visitor numbers and incomes by province, and to determine the contribution of museums to tourism in Turkey. The number of museums in Turkey obtained from the Ministry of Culture and Tourism, TÜRSAB and TÜİK, the number of artifacts in these museums, the number of visitors to these museums and the subsequent revenues according to the spatial distribution in the provinces have been mapped with the Geographical Information Systems (GIS and the spatial analysis (Standard Deviation Ellipse, Moran’s I, LISA of the museum indicators has been carried out and the results evaluated. Although museums have long been studied in Turkey with their different characteristics, the studies concerning the use of museums for tourism are quite new. As seen from the number of museums and their visitors, the museums are not being used sufficiently in Turkey. Apart from a very limited number of examples such as Topkapı Palace, Hagia Sophia Museum, Konya Museum, and Anıtkabir, the museums in Turkey are not sufficient in terms of their qualifications and the

How to Modernize the Academic Museum. Exhibition Activity of the Museum Group the ARAS as a Pilot Project of the Museum of History of Russian Academy of Science

Directory of Open Access Journals (Sweden)

Korneva-Chaeva Irina A.

2016-09-01

Full Text Available The article on the example of the Museum group of Archives of Russian Academy of Science is demonstrating new possibilities of representation of archival documents in the museum space. The authors focused on the potential exposure of the museum based on the principle of visualization. They explain the special role of representing scientific knowledge for education of youth. They offer a new form of interactive communication with the museum’s scientific heritage, based on the method of comprehending the reality as a “co-experience” and “re-discovery” that leads to the attainment the new generation to the new intellectual and spiritual experience. The experiment, the research paper, the science, the war, and even the modern art are the main themes of our exhibitions. The authors use the special new methods of exhibition to create the intriguing image of scientist. They use light boxes and interactive demonstrations. The main aim of the exposition is to show the documents of Archives of Russian Academy of Science, so we rely on the following materials: personal fond of academicians A.N. Nesmeyanov, V.L. Komarov, M.V. Keldysh, I.V. Kurchatov and others. Authors successfully solve the problems of the development of new theoretical principles exposing archival documents by modern methods.

The Museum as a platform for tobacco promotion in China.

Science.gov (United States)

Wang, Fan; Sun, Shaojing; Yao, Xinyi; Fu, Hua

2016-01-01

The China Tobacco Museum in Shanghai is the largest in China, consisting of seven pavilions of tobacco-related exhibits. A focus group and previous survey data revealed that the museum conveys messages that make tobacco use appealing. Of the pavilions, three were found to contain blatant misinformation about tobacco and tobacco consumption. We argue that the China Tobacco Museum is a platform for tobacco promotion, a form of tobacco advertising, promotion and sponsorship, and thus contravenes the FCTC. Published by the BMJ Publishing Group Limited. For permission to use (where not already granted under a licence) please go to http://www.bmj.com/company/products-services/rights-and-licensing/

Strategic Corporate Museums: An Analysis of the Bohemia Brewery

Directory of Open Access Journals (Sweden)

Alessandra de Sá Mello da Costa

2016-08-01

Full Text Available The interest of companies in establishing their historical spaces is not new. Over time, however, corporate museums have been resignified and, alongside traditional museums (static structures with the exhibition of old objects that tell the story of the company and serve as historical deposits, the strategic museum arises and the memory becomes a strategic asset of the organization. In this context, this research has sought to identify, describe and discuss the tour through the Cervejaria Bohemia factory as a strategic area of corporate memory. To achieve this goal - from the data collected in visits to the brewery that has been recorded in photos and videos, including field notes and a collection of institutional documents - the rooms that make up the visitation route have been analyzed in the light of the four primary functions of corporate museums. As a result, two functions have not been identified, namely, preserving the history of the company and developing a sense of pride and employee identification. The others have all been identified: all through their way visitors are informed about the company and its product line; thus it can be considered that the museum is actually used as a way to positively impact the public opinion. Nevertheless, when it comes to the construction of an organizational identity , it can be said that this space has not yet explored all its strategic potential, apparently tending to a setting that only favors a very specific utilitarian function for the use of memory and historical facts: to legitimize their business brand.

Museum Education and Art Therapy: Promoting Wellness in Older Adults

Science.gov (United States)

Rosenblatt, Brooke

2014-01-01

By combining museum education with art therapy, museums can make significant contributions to healthcare. The Creative Aging program at The Phillips Collection in Washington, D.C., unites these fields, using artworks and art-making as catalysts to explore feelings, invite self-exploration, and build community. The program fosters an interest in…

Unlikely cryptfellows: hospitality, difference, and spectrality at the 9/11 Museum

Directory of Open Access Journals (Sweden)

Lindsay Anne Balfour

2015-12-01

Full Text Available This paper offers a reading of the National September 11 Memorial and Museum to suggest that the encounter with strangers or strangeness is at the core of cultural and commemorative production in the aftermath of a terrorist attack. Specifically, I engage the museum as a text that has significant implications on how we approach the philosophy of hospitality in a time of terror. I argue that the ways in which objects and artifacts exist in relation to one another in the museum act out hospitality in ways that are both unexpected and unintended. For example, while human remains are stored on site, they are only referred to through symbolic art and digital displays that act as a kind of sleight of hand. In particular, I take up the inclusion of a brick from Osama Bin Laden's Abbottabad compound in Pakistan that has been incorporated into the museum in a fashion that is carefully orchestrated and framed. The brick, however, exceeds the frame in which it is permitted to be included in the exhibit; its visuality and materiality defy—and even contradict—the expected narrative of the museum. The brick appears as juxtaposed next to a Navy SEAL uniform and is meant to draw attention toward the distinction between terrorist and national hero, yet as a physical presence in the museum, it retains a sense of both vulnerability and affect as it bears striking resemblance to the bedrock of the towers themselves. Ultimately, I suggest that while the disjunctures between artifacts may seem initially jarring—these are items, after all, that are meant to produce very different material and mediatized effects; they offer a working-through of a hospitality that is crucial to the museum and all culture produced in response to the attacks.

Museums and cultural institutions as spaces for Cultural Citizenship

DEFF Research Database (Denmark)

Bernhardt, Nana; Sattrup, Lise

2014-01-01

How can museums and cultural institutions make a stronger impact as democratic educational institutions; as places where knowledge is not just something that is presented and put at the disposal of visitors, but actually created through interaction between museums and users? How can active partic...... participation, self-reflection, and multivoicedness be integrated into the museum’s practice and potentially provide a space for cultural citizenship?...

Toward a new vision to design a museum in historical places

Directory of Open Access Journals (Sweden)

Baher I. Farahat

2018-04-01

Full Text Available Some movements within modern architecture particularly emphasize the importance of matching buildings to their surroundings. However, practicing such “contextual architecture” is highly challenging and typically not something the future inhabitants of a building are well equipped for participating in. This paper attempts to be a new vision to design an important building in such sensitive places, for example, designing a museum in a historical context. The methodology of the study is a qualitative method based on a theoretical foundation. It sheds light on the concepts and definition of museums and contextualism, and answers the main question proposed in this paper: “How can we design a huge and important building such as a museum in historical context while respecting its importance and at the same time avoiding the deterioration of this historical place?” And based on answering the sub following questions too: What is the museum concept? What are the activities and functions of this prototype? What is the museum form and morphology? What are the types of contextual design? What are the strategies of contextual design? This part ends with electing some criteria that will be used as basis for the practical part. And thus it can be concluded the ideal strategy for designing a museum in historical context. Discussion of the findings is expected to enrich the talk in that domain. Keywords: Urban design, Built environment, Creative design, Design strategy, Contextual design

Museums as Theme Parks - A Possible Marketing Approach?

OpenAIRE

Alexandra ZBUCHEA

2015-01-01

Museums compete increasingly more with very diverse entertainment providers, such as theme parks, despite the fact that their offer is mainly cultural. Museums have had to be more active and they have had to diversify their offer, in order to be more popular, therefore to better achieve their complex cultural missions. They should be more “market oriented” and aim to develop their programs according with their visitors’ needs and desires, as well as with the evolutions in the contemporary soc...

Air Pollution in Museum Buildings

DEFF Research Database (Denmark)

Ryhl-Svendsen, Morten

2017-01-01

This paper reviews the main air pollutants relevant for preservation of cultural heritage objects. Air pollutants may originate from outdoor or indoor sources. Indoor sources include the emission of corrosive vapors from construction materials used for museum display settings. Air pollution may...

The Function of Museum Pedagogy in the Development of Artistic Appreciation

Directory of Open Access Journals (Sweden)

Matjaž Duh

2015-12-01

Full Text Available Contemporary museum pedagogy is located spatially in museums and galleries, which represent an authentic space for art. Artistic artefacts on display constitute an excellent basis for the development of art appreciation among children and young people. This means that the role of museum educators is not limited merely to classification, managing and presentation of art collections, but is also focused on in-depth educational work. Museum pedagogy must follow the guidelines of contemporary art-pedagogical practice, based on the development of productive and receptive skills among pupils and students. The simultaneous development of both skills is a prerequisite for discussing the development of artistic abilities. In the perception and reception of works of art, participants reach their own individual artistic interpretations of the given works of art. The method of aesthetic transfer emerges as the most appropriate didactic approach.

Art Perception in the Museum: How We Spend Time and Space in Art Exhibitions

Directory of Open Access Journals (Sweden)

Claus-Christian Carbon

2017-02-01

Full Text Available Aesthetics research aiming at understanding art experience is an emerging field; however, most research is conducted in labs without access to real artworks, without the social context of a museum and without the presence of other persons. The present article replicates and complements key findings of art perception in museum contexts. When observing museum visitors (N = 225; 126 female, M(age = 43.3 years while perceiving a series of six Gerhard Richter paintings of various sizes (0.26–3.20 sq. m in a temporary art exhibition in January and February 2015 showing 28 paintings in total, we revealed patterns compatible to previous research. The mean time taken in viewing artworks was much longer than was mostly realized in lab contexts, here 32.9 s (Mdn = 25.4 s. We were also able to replicate visitors spending more time on viewing artworks when attending in groups of people. Additionally, we uncovered a close positive relationship (r2 = .929 between canvas size and viewing distance, ranging on average between 1.49 and 2.12 m (M = 1.72 m. We also found that more than half of the visitors returned to paintings, especially those people who had not previously paid too much attention at the initial viewing. After adding the times of returning viewers, each picture was viewed longer than had been estimated in previous research (M = 50.5 s, Mdn = 43.0 s. Results are discussed in the context of current art perception theories, focusing on the need for the ecologically valid testing of artworks in aesthetics research.

Reflections of the academician of AUAS Fedor Schmitt on the museum audience of 1910-1920s and the relevance of their study in the context of museum sociology in Ukraine (1990-2000s years

Directory of Open Access Journals (Sweden)

T. O. Kutsaeva

2017-06-01

Full Text Available The aim of the research is to study the origins of the actual direction of the museum activities  development in Ukraine — museum sociology, which has been described in the significant array of publications starting from the early 1990’s. Those publications are focused on different aspects of learning of needs, motivations, expectations, behaviors, a social-demographic portrait and categories of the museum audience. It has been shown that the attention of the Ukrainian museum staff to the discussed aspects is not only limited by year 1991. The scientific heritage of the academician of All-Ukrainian Academy of Sciences Fedor Schmitt (1877-1937 has been analyzed by the author of the study in order to separate aspects of his activity that can become the certain foundations of the study of the museums audience (museum sociology both in the days of the scientist and in modern Ukraine. The Soviet system not only denied his progressive views, but condemned them to death. It has been summarized by the author that most Schmitt’s papers on the issues of the museum audience were published during the scientist’s work in Kharkiv in 1912-1921. It is quite predictable that the issue of the museum audience was studied by the heritage saver and art scientist. Beginning of Ukrainian school of museology, where the leader was Mykola Bilyashivsky, the director of Kiev Museum of Antiquities and Arts (National History Museum of Ukraine, happened within the Archaeological Commission under the Ukrainian Academy of Sciences. It was led by F. Schmitt. The draft charter of commission, designed by him, pushed to the study of the theory and practice of museology in all its spheres. Schmitt’s ideas on museums that had to be built on the territory of  the Russian Empire, which suffered from the First World War, were formed under the influence of his travels to cultural centers of Europe. Although none of F. Schmitt works before the beginning of 1920s included

Learning Museum genbesøgt

DEFF Research Database (Denmark)

Zipsane, Henrik; Fristrup, Tine; Lundborg, Maria Domeij

Hvordan kan LM-modellens fokus på det tværinstitutionelle samarbejde mellem skole, læreruddannelse og museum anskues som en kapacitetsopbyggende strategi i forbindelse med implementeringen af folkeskolereformen? Dette undersøgelsesspørgsmål udgør det centrale omdrejningspunkt i nærværende...... forskere tilknyttet NCK: Henrik Zipsane (projektleder), Tine Fristrup (gæsteforsker fra DPU, Aarhus Universitet), Maria Domeij Lundborg og Sara Grut. Undersøgelsens baggrund skal først og fremmest findes i projektet ’Learning Museum’ som i perioden 2011-2013 etablerede et samarbejde mellem læreruddannelser...... og museer i hele Danmark. Det var resultaterne fra dette projekt, som igangsatte nærværende undersøgelse eftersom ændringer af læreruddannelsen (fra LU07 til LU13) i forbindelse med folkeskolereformen i 2013 faldt sammen med afslutningen på Learning Museum projektet. Folkeskolereformen og dermed...

Keien van helden. De maanstenen van Museum Boerhaave

Directory of Open Access Journals (Sweden)

Ad Maas

2010-03-01

Full Text Available Rocks of Heroes. The Moon Rocks of Museum Boerhaave After both the first successful manned moon landing in 1969 (Apollo 11 and the last one in 1972 (Apollo 17 the United States authorities donated small samples of moon rocks to the heads of state of other countries. However, not all of these samples were kept in a careful manner; quite a few even disappeared. I argue that this can partly be explained through cultural differences and misunderstandings between the United States and other countries about the nature and recognition of heroic achievements. This article's point of departure is the fate of the samples that were given to the then Dutch head of state, Queen Juliana. In turn, she donated these to the Dutch National Museum for the History of Science and Medicine (now: Museum Boerhaave, where they have been held in storage ever since, instead of being put on display.

Vitruvian Character: The Case of the Egyptian Museum

Directory of Open Access Journals (Sweden)

Khaled Asfour

2014-11-01

Full Text Available In Vitruvius’ treatise, what makes good architecture is its ability to communicate to the public particular messages that reflects the program of the building with spaces and components arranged in an orderly way. According to Vitruvius these messages when acknowledges by the public the building posses strong character. This research discusses this idea by reflecting on the 1895 competition of the Egyptian Museum project. Marcel Dourgnon, the French architect of the winning scheme, showed profound understanding of character resulting in a building that had positive vibe with the local community.  Today Vitruvius’ idea is still living with us. Norman Foster succeeded in upgrading the British Museum in a way that addressed all cultures of the world through his grand atrium design.  Similarly, Emad Farid and Ramez Azmy revived the presence of the Egyptian Museum in public cognition.  Spatial experience that evokes similar perceptions to all its visitors is a timeless piece that transcends cultural boundaries.

The Development of a Virtual Marine Museum for Educational Applications

Science.gov (United States)

Tarng, Wermhuar; Change, Mei-Yu; Ou, Kuo-Liang; Chang, Ya-Wen; Liou, Hsin-Hun

2009-01-01

The objective of this article is to investigate the computer animation and virtual reality technologies for developing a virtual marine museum. The museum consists of three exhibition areas. The first area displays fishes in freshwater, including creeks, rivers, and dams in Taiwan. The second area exhibits marine ecology and creatures of different…

A Study of Early Learning Services in Museums and Libraries

Science.gov (United States)

Sirinides, P.; Fink, R.; DuBois, T.

2017-01-01

Museums and libraries can play a role in providing opportunities for early learning, and there is clear momentum and infrastructure already in place to help make this happen. Researchers conducted a mixed-methods descriptive study to generate new evidence about the availability of services for young children in museums and libraries, and the…

Building and Sustaining Digital Collections: Models for Libraries and Museums.

Science.gov (United States)

Council on Library and Information Resources, Washington, DC.

In February 2001, the Council on Library and Information Resources (CLIR) and the National Initiative for a Networked Cultural Heritage (NINCH) convened a meeting to discuss how museums and libraries are building digital collections and what business models are available to sustain them. A group of museum and library senior executives met with…

Extra-Curricular Social Studies in an Open Air History Museum

Science.gov (United States)

Morris, Ronald Vaughan

2008-01-01

This article discusses extra-curricular social studies in an Open Air History Museum. Open Air History Museum, Conner Prairie Interpretive Park in Fishers, Indiana, is a cultural institution that encourages and supports talented students as they participate in an extra-curricular program. Ten-to sixteen-year-old youths "apply for jobs"…

78 FR 22285 - Notice of Inventory Completion: Carnegie Museum of Natural History, Pittsburgh, PA

Science.gov (United States)

2013-04-15

....R50000] Notice of Inventory Completion: Carnegie Museum of Natural History, Pittsburgh, PA AGENCY: National Park Service, Interior. ACTION: Notice. SUMMARY: The Carnegie Museum of Natural History has... associated funerary objects should submit a written request to the Carnegie Museum of Natural History. If no...

The Museum as 'Dream Space': Psychology and Aesthetic Response in George Eliot’s Middlemarch

Directory of Open Access Journals (Sweden)

Victoria Mills

2011-04-01

Full Text Available This essay explores the relationship between aesthetics and psychology through the idea of the museum as a ‘dream space’ in George Eliot’s 'Middlemarch.' It' 'begins with a discussion of Charles Dickens’s Amy Dorrit and Hilda in Nathaniel Hawthorne’s 'The Marble Faun', two women who, like Dorothea Brooke, dream their way around Italian museums and the fragment-rich spaces of Rome. Pregnant moments of female subjectivity take place in museum spaces characterised by their oneiric qualities. Such fictional depictions extend Sheldon Annis’s notion of the museum as ‘dream space’, taking account of a variety of sleep states associated with the museum that include mesmeric trance and double consciousness. 'Middlemarch,' in particular, draws on contemporary psychological accounts of such phenomena developed by John Addington Symonds, Enaeas Sweetland Dallas and Frances Power Cobbe. Eliot’s depiction of Dorothea’s responses to the museum of Rome engages with theories of consciousness and debates about the nature of spontaneous, individual will. In 'Middlemarch' the creative potential of the unconscious mind is explored through the idea of the museum as a dream space.

Taking Up Space: Museum Exploration in the Twenty-First Century

Science.gov (United States)

Sutton, Tiffany

2007-01-01

Museums have become a crucible for questions of the role that traditional art and art history should play in contemporary art. Friedrich Nietzsche argued in the nineteenth century that museums can be no more than mausoleums for effete (fine) art. Over the course of the twentieth century, however, curators dispelled such blanket pessimism by…

Frames of References – Art Museums as Unique Visual Media

Directory of Open Access Journals (Sweden)

Aneta Hristova

2015-10-01

Full Text Available The age old activity of collecting arts is not intrinsically dependent on the art museum as separate architectural type. How was the art museum as an independent structure conceptualized and why? What was the idea behind that concept? Was it created as a medium consciously and what kind of messages was it supposed to deliver? What kind of unique “textual” overlaps the various disciplines of archaeology, art history, politics, literature, science and architecture created in order to produce what we today recognize as art museum space? This study focuses on the crucial historical moments of the late 17th century when such questions were posed for the first time within the classical discourse of the French architectural theory which followed the consolidation of French absolutism and the foundation of the Royal academies of arts and sciences, until the mid 19th century when the answers to those questions were finally exemplified in built architecture. The study gives a comprehensive overview of the cultural context art museums as public institutions emerged from and became new spatial models for collective cultivation.

Motivation in the museum - Mediating between everyday engagement and cultural heritage

DEFF Research Database (Denmark)

Dindler, Christian; Iversen, Ole Sejer

We explore the concepts of motivation and motives in relation to creating engaging museum exhibitions. Drawing on Cultural Historical Activity Theory, we present a theoretical conception of motivation and motives and their relation to museum engagement. We propose an approach for creating...

Museum 2.0: A study into the culture of expertise within the museum blogosphere

NARCIS (Netherlands)

J. Verboom (Jessica); P.A. Arora (Payal)

2013-01-01

textabstractWhile studies on popular culture have a more vast understanding of the impact of the participatory culture on experts and expertise, there is a dearth of literature on the impact of Web 2.0 on museums, which are established authorities within the cultural field. We aim to answer the

Museum 2.0: A study into the culture of expertise within the museum blogosphere

NARCIS (Netherlands)

J. Verboom (Jessica); P.A. Arora (Payal)

2013-01-01

textabstractWhile studies on popular culture have a vast understanding of the impact of the participatory culture on experts and expertise, there is a dearth of literature on the impact of Web 2.0 on museums, which are established authorities within the cultural field. We aim to answer the following

The Variable and Changing Status of Performance Art Relics and Artifacts in Museum Collections

DEFF Research Database (Denmark)

Cone, Louise

2017-01-01

The status of an artwork in a museum collection is variable and contingent upon factors and parameters that are specific not only to the logic of the museum world but also to factors extrinsic to the museum. In particular older performance art 'relics' are subject to contextual interpretations...

Museums and Modernization: The Football Kit, the Tractor, and the Plastic Doll

Directory of Open Access Journals (Sweden)

Ivan Kovačević

2016-02-01

Full Text Available The paper looks at the modernization of museum displays as well as at resistance to this process. This slow process of modernization and the resistance that the transformation of museum practice has encountered from the first are exemplified by two exhibitions at the Museum of Ethnography in Belgrade (“Football Fans’ Uniforms and Gear” in 1986 and “The Plastic 1990s” in 2010 and the events that accompanied these exhibitions. The paper then proceeds to reflect on an exhibition that was to have been held, and which could have marked a turning-point had it been held at that particular time. The conclusion that can be drawn from the three examples is that this transformation could have been achieved at a much faster pace, and that an opportunity was missed for museum ethnology to become, through the transformation of museum exhibits and displays, a leader in the modernization of the field, which at the time was fossilized both in a thematic and in an interpretational sense.

The Lenin Museum in the School

Science.gov (United States)

Seinenskii, A. E.

1973-01-01

New developments in the work practices of school Lenin halls and museums are observed. Emphasis is increasingly on the integration of these centers for ideological and political indoctrination and the educational process. (KM)

Considerations for Producing Media for Science Museum Exhibits: A Volcano Video Case Study

Science.gov (United States)

Sable, MFA, J.

2013-12-01

While science museums continue to expand their use of videos in exhibits, they are also seeking to add engaging content to their websites in the hope of reaching broader audiences. As a cost-effective way to do both, a project is undertaken to develop a video for a museum website that can easily be adapted for use in an exhibit. To establish goals and constraints for the video, this project explores the needs of museums and their audiences. Past literature is compared with current exhibitions in several U.S. museums. Once identified, the needs of science museums are incorporated into the content, form, and style of the two-part video "Living in Pele's Paradise." Through the story of the spectacular 1959-60 eruption of Kilauea Volcano, Hawai'i, the video shows how research and monitoring contribute to helping communities prepare for volcanic hazards. A 20-minute version of the video is produced for the web, and a 4-minute version is developed for use in a hypothetical science museum exhibit. The two versions of the video provide a cross-platform experience with multiple levels of content depth.

The Materiality of Museum Politics

DEFF Research Database (Denmark)

Bjerregaard, Peter

on the agency of objects that assert that ‘art objects' (in a wide definition of the concept) are not simply materialisation of culture or identity, but deliberate attempts to change the social world. Furthermore, empirical examples of community ownership, and reinterpretation of museum collections may cause...

Use of miniature C-14 counters in dating and authentication in the museum

International Nuclear Information System (INIS)

Harbottle, G.; Sayre, E.V.; Stoenner, R.W.

1983-01-01

Curators often do not understand the basis for the C-14 method of age determination and its limitations. Purpose of this paper is to describe the underlying principles, and how these must influence the interpretation of the radiocarbon measurement of a museum specimen in terms of age. Several techniques for that measurement are described briefly, focussing on the miniature proportional counters that were developed for the Smithsonian Institution, and three museum problems are described which were attacked, and some interesting further research on museum objects that has been proposed. Finally some projections on the future applications of the different methods are made, in the context of museum work

Participatory Design at the Museum - inquiring into children's everyday engagement in cultural heritage

DEFF Research Database (Denmark)

Dindler, Christian; Iversen, Ole Sejer; Smith, Rachel Charlotte

We address the challenge of creating intersections between children’s everyday engagement and museum exhibitions. Specifically, we propose an approach to participatory design inquiry where children’s everyday engagement is taken as the point of departure. We base our discussion on a design workshop...... – Gaming the Museum – where a primary school class was invited to participate in creating future exhibition spaces for a museum based on their everyday use of computer games and online communities. We reflect on the results of the workshop and discuss more broadly the qualities of design inquiries that use...... the everyday engagement of children as point of departure for designing interactive museum exhibitions....

Embracing a New Understanding of the City: The Museum of Vancouver's Vision in Action

Science.gov (United States)

Gosselin, Viviane

2013-01-01

The Museum of Vancouver recently undertook a major rethinking of its role in the city. New interplays are being proposed between emerging conceptions of urbanity and civic participation, and the museum's collection and function as facilitator and advocate. This short paper provides a brief overview of the museum's recent transformation, situates…

A New Approach to A Science Magnet School - Classroom and Museum Integration

Science.gov (United States)

Franklin, Samuel

2009-03-01

The Pittsburgh Science & Technology Academy is a place where any student with an interest in science, technology, engineering or math can develop skills for a career in life sciences, environmental sciences, computing, or engineering. The Academy isn't just a new school. It's a new way to think about school. The curriculum is tailored to students who have a passion for science, technology, engineering or math. The environment is one of extraordinary support for students, parents, and faculty. And the Academy exists to provide opportunities, every day, for students to Dream. Discover. Design. That is, Academy students set goals and generate ideas, research and discover answers, and design real solutions for the kinds of real-world problems that they'll face after graduation. The Academy prepares students for their future, whether they go on to higher education or immediate employment. This talk will explain the unique features of the Pittsburgh Science & Technology Academy, lessons learned from its two-year design process, and the role that the Carnegie Museums have played and will continue to play as the school grows.

The Virtual Museum for Meteorites

Science.gov (United States)

Madiedo, J. M.

2012-09-01

Meteorites play a fundamental role in education and outreach, as these samples of extraterrestrial materials are very valuable tools to promote the public's interest in Astronomy and Planetary Sciences. Thus, for instance, meteorite exhibitions reveal the interest and fascination of students, educators and even researchers for these peculiar rocks and how these can provide information to explain many fundamental questions related to the origin and evolution of our Solar System. However, despite the efforts of private collectors, museums and other institutions to organize meteorite exhibitions, the reach of these is usually limited. But this issue can be addressed thanks to new technologies related to the Internet. In fact we can take advantage of HTML and related technologies to overcome local boundaries and open the possibility of offering these exhibitions for a global audience. With this aim a Virtual Museum for Meteorites has been created and a description of this web-based tool is given here.

New Mexico Museums and Cultural Centers

Data.gov (United States)

Earth Data Analysis Center, University of New Mexico — This dataset provides an initial version of the locations of museums and cultural centers in New Mexico, in point form, with limited attributes, compiled using...

Designing Websites for Learning and Enjoyment: A study of museum experiences

Directory of Open Access Journals (Sweden)

Aleck C. H. Lin

2006-12-01

Full Text Available This study reports on an exploratory research study that examined the design of websites that encourage both learning and enjoyment. This study examines museum websites that offer educational materials. As part of their mission, most museums provide the general public with educational materials for study and enjoyment. Many museums use the Internet in support of their mission. Museum websites offer excellent opportunity to study learning environments designed for enjoyment. Computer-supported learning of various types has been studied over the years, including computer-aided learning, computer-aided instruction, computer-managed learning, and more recently, learning via the Internet. Some relevant work appears in the literature on pleasure; however, the concept of online learning for enjoyment – specifically when learning is not part of a formal instructional undertaking – has not been well studied and thus is not well understood. This study seeks to redress this gap in the literature, specifically ‘learning for enjoyment,’ by reporting on a number of semi-structured in-depth interviews with museum and educational experts in Taiwan. Our study identified a number of characteristics required of online learning websites, and we conclude some suggested guidelines for developing an online learning website for enjoyment.

Institutional comunication and cultural marketing: Peculiarities in museum communication within the framework of public relations

Directory of Open Access Journals (Sweden)

Camelia BURGHELE

2011-01-01

Full Text Available Cultural management theoreticians believe that the main target of museum communication is gaining knowledge on specific messages by as large a number of people as possible. Museum public relation practice – intensified and upgraded at the same time with the revolution of the new communication technologies – is both science and art which analyse certain tendences (in attitude, taste and informal of anticipating their consequences for implementing certain museum offer programs to appeal to the public.As an institution with a decisive role in guarding cultural heritage and in outlining cultural identity – as it keeps the necessary instruments for this, the specialists and also the motivation through its own purposes – the museum in its dynamic, modern, enhanced shape must provide an attractive cultural product to the public, based on a anthropological approach to cultural fact.Modern museum-ology is built upon the concept that museum is a story and modern museums stimulate to a high degree participative learning, generated by a productive dialogue.

Air quality in low-ventilated museum storage buildings

DEFF Research Database (Denmark)

Ryhl-Svendsen, Morten; Aasbjerg Jensen, Lars; Klenz Larsen, Poul

2014-01-01

Modern low-energy museum storage buildings are often designed for a low air exchange rate, on the order of less than 1 exchange per day. We investigated how this affected the indoor air quality in six Danish museum storage buildings. The infiltration of ambient pollutants, and the level to which...... internally-generated pollutants accumulate, were measured by passive sampling of ozone, nitrogen dioxide, and organic acids. The air exchange rates and the interchange of air between storage rooms were measured by the per-fluorocarbon tracer gas method. Ambient pollutants were reduced in concentration...

Hygrothermal optimisation of museum storage spaces

DEFF Research Database (Denmark)

Janssen, Hans; Christensen, Jørgen Erik

2013-01-01

Despite the large economic and ecologic costs, museum storage spaces are often equipped with extensive air conditioning, to provide the desired stable interior climate. The new “passive conditioning” paradigm aims at resolving these costs: a high-hygrothermal-inertia building with a high-hygrothe......Despite the large economic and ecologic costs, museum storage spaces are often equipped with extensive air conditioning, to provide the desired stable interior climate. The new “passive conditioning” paradigm aims at resolving these costs: a high-hygrothermal-inertia building with a high...... and ecologic cost of conditioning, the paper finally assesses “concentrated dehumidification”: dehumidification during a part of the day only, while leaving the humidity free-running during the rest of the day. It is established that the hygric inertia of the interior air, building walls and stored objects...

77 FR 46120 - Notice of Inventory Completion: Peabody Museum of Archaeology and Ethnology, Harvard University...

Science.gov (United States)

2012-08-02

... Inventory Completion: Peabody Museum of Archaeology and Ethnology, Harvard University, Cambridge, MA... Museum of Archaeology and Ethnology, Harvard University, Cambridge, MA. The human remains and associated..., Repatriation Coordinator, Peabody Museum of Archaeology and Ethnology, Harvard University, 11 Divinity Avenue...

75 FR 52023 - Notice of Inventory Completion: Thomas Burke Memorial Washington State Museum, University of...

Science.gov (United States)

2010-08-24

... DEPARTMENT OF THE INTERIOR National Park Service Notice of Inventory Completion: Thomas Burke Memorial Washington State Museum, University of Washington, Seattle, WA AGENCY: National Park Service... of the Thomas Burke Memorial Washington State Museum (Burke Museum), University of Washington...

75 FR 36672 - Notice of Inventory Completion: Thomas Burke Memorial Washington State Museum, University of...

Science.gov (United States)

2010-06-28

... DEPARTMENT OF THE INTERIOR National Park Service Notice of Inventory Completion: Thomas Burke Memorial Washington State Museum, University of Washington, Seattle, WA AGENCY: National Park Service... of the Thomas Burke Memorial Washington State Museum (Burke Museum), University of Washington...

British Museum paintings

OpenAIRE

Edmonds, Frances

2011-01-01

Frances Edmonds is one of a group of artists selected for the show ‘Territories’ taking place at Galerie Windkracht 13 in Den Helder, Holland this July 2012. This exhibition is curated by Sharon Beavan and Gethin Evans. The artists represented work across the boundaries of two and three-dimensional and time based form. The brief – to interrogate and explore the notion of territories. Frances will be showing several paintings from the British Museum series, based on imagery collected ...

Palácio Itamaraty em Brasília: Análise de Adequação às Normas Brasileiras sobre Acessibilidade e Propostas de Melhoria, Respeitando a Autenticidade

Directory of Open Access Journals (Sweden)

Marco Aurélio da Silva Máximo

2015-08-01

Full Text Available Brasília é a única cidade construída no século XX considerada pela UNESCO como Patrimônio Cultural da Humanidade, pelo reconhecimento mundial do seu Plano Urbanístico como um exemplar ímpar do urbanismo modernista caracterizado pelo racionalismo e funcionalismo. O Decreto Federal nº 5.296, de 02 de dezembro de 2004, consolidou a legislação brasileira de acessibilidade e tornou obrigatória a norma brasileira NBR 9050:2004. O país está em processo de adaptação e o respeito à legislação envolve adaptações do patrimônio arquitetônico, tanto “histórico” como contemporâneo. O processo de adaptação deve garantir a acessibilidade e a preservação do bem. Este artigo apresenta uma análise, com uso da ferramenta “Matriz de Autenticidade e Acessibilidade”, do Palácio Itamaraty – referência integrada da arquitetura moderna, inserido no conjunto urbanístico tombado - onde foi possível obter informações para melhoria das condições de acessibilidade, respeitando sua autenticidade. Brasilia, the only twentieth century city recognized by UNESCO as a World Heritage Site, is characterized by its rationalism, functionalism and as a unique specimen of the modern urbanism. In 2004, a Federal Decree # 5.296/2004 consolidated the Brazilian legislation on accessibility and so the Brazilian standard NBR-9050:2004 became mandatory. Since then, the country has been adapting its architectural heritage to fit its requirements. During the process changes to the site and to the building itself must be made to ensure accessibility, but how it can be done in order to prevent damages to the integrity and authenticity of the good and to the city. This paper presents an analysis on The Itamaraty Palace using a tool “Matrix of Authenticity and Accessibility” in order to identify characteristics and needs to accessibility. The palace is a reference of the modern architecture and is located inside the urban preservation perimeter

76 FR 62842 - Notice of Inventory Completion: Peabody Museum of Archaeology and Ethnology, Harvard University...

Science.gov (United States)

2011-10-11

...: Peabody Museum of Archaeology and Ethnology, Harvard University, Cambridge, MA AGENCY: National Park Service, Interior. ACTION: Notice. SUMMARY: The Peabody Museum of Archaeology and Ethnology, Harvard... the human remains may contact the Peabody Museum of Archaeology and Ethnology, Harvard University...

77 FR 52058 - Notice of Inventory Completion: Longyear Museum of Anthropology, Colgate University, Hamilton, NY

Science.gov (United States)

2012-08-28

... Inventory Completion: Longyear Museum of Anthropology, Colgate University, Hamilton, NY AGENCY: National Park Service, Interior. ACTION: Notice. SUMMARY: The Longyear Museum of Anthropology has completed an... cultural affiliation with the human remains should contact the Longyear Museum of Anthropology at the...

76 FR 28072 - Notice of Inventory Completion: University of Pennsylvania Museum of Archaeology and Anthropology...

Science.gov (United States)

2011-05-13

...: University of Pennsylvania Museum of Archaeology and Anthropology, Philadelphia, PA AGENCY: National Park... in the possession of the University of Pennsylvania Museum of Archaeology and Anthropology... remains was made by University of Pennsylvania Museum of Archaeology and Anthropology professional staff...

76 FR 73664 - Notice of Inventory Completion: Washington State University, Museum of Anthropology, Pullman, WA

Science.gov (United States)

2011-11-29

...: Washington State University, Museum of Anthropology, Pullman, WA AGENCY: National Park Service, Interior. ACTION: Notice. SUMMARY: The Washington State University, Museum of Anthropology (WSU) has completed an... University, Museum of Anthropology, Pullman, WA 99164-4910, telephone (509) 335-4314. SUPPLEMENTARY...

The Bomb in the Museum: Nuclear Technology and the Human Element

Directory of Open Access Journals (Sweden)

Robin Gerster

2013-11-01

Full Text Available This article examines the commemorative role played by museums of nuclear technology in the United States, particularly those supported by the government agency responsible for the nation’s nuclear weapons and reactor programs, the Department of Energy. The management of public perceptions of America’s nuclear history in these museums reflects national defence and security imperatives in the post 9/11 era. The legacy of American nuclearism is complex and contradictory, and presents a daunting challenge to curators in museums sanctioned by vested interests. The many beneficial civilian applications of nuclear technology have be balanced by the recognition of the dire destructiveness of nuclear weapons; the compulsion to celebrate American technological achievement has to be checked by the acknowledgement of the damage wrought by the military use of nuclear energy both at home and abroad. A comparison with the Hiroshima Peace Memorial Museum suggests that nuclear ‘victory’ is more problematic to exhibit than nuclear victimhood.

Educational tools in the Museum of Rocks and Minerals

Science.gov (United States)

de Brito Barreto, S.; Ribeiro Sales, E.; de Lima Correia, A. Maria; Lima, M. Abreu e.; Bretas Bittar, S. Maria

2012-04-01

The Museum of Rocks and Minerals is a small museum which belongs to the Department of Geology of the Federal University of Pernambuco, Brazil. It was founded in the 1950's and its main exhibits are samples of scarns and pegmatites from the Northeast of Brazil, especially from the Borborema Pegmatitic Region. This museum has been visited by a wide variety of people, but mainly students from private and state schools on scheduled visits. Over the years museum staff felt the necessity to develop some mediating tools to develop a relationship between exhibits and visitors. Due to a lack of technical staff and finance to create interactive exhibits as well as space limitations, the museum decided to produce some games such as memory games, puzzles and dominoes. These fifteen games deal with different subjects of geosciences, especially those more interesting for children. The subjects chosen were: minerals, industrial minerals, gems, dimension stones, rock cycle, fossils, dinosaur footprints (Ichnofossils), wood fossils, Mohs scale. The games were created by the authors, and undergraduate students were responsible for researching concepts and images. Each game presents a concept and images related to it. The interns are undergraduate students of geology and mining engineering and this experience gives them an opportunity to review and improve some concepts and discuss what is important such as pedagogical actions in museums and geology teaching. To give an example, the subject of the industry mineral was treated using two games - a memory game and a puzzle. The first one shows images of minerals related each one to an industrial product and in the second, children can see different parts of a house labeled with the minerals used in the production of that space. Another interesting example is the puzzle about dinosaur footprints that uses an image of a dinosaur footprint, part of the paleontological collection of the Departament, and a representative ichnofossil from the

Locally-sourced: How climate science can collaborate with arts & humanities museums to achieve widespread public trust and communication

Science.gov (United States)

Walker, C. G.

2017-12-01

Local history, art and culture museums have a large role to play in climate science communication. Unfortunately, in our current society, scientific evidence and logic is not universally accepted as truth. These messages can be dispersed through trusted institutional allies like humanities and arts museums. There are many reasons for scientific institutions to work with humanities and arts museums of all sizes, especially local museums that have personal, trusted relationships with their communities. First, museums (by definition) are public educators; the work that they do is to disperse challenging information in an understandable way to a wide array of audiences. Museums are located in every state, with over 35,000 museums in the nation; 26% of those are located in rural areas. These museums serve every demographic and age range, inspiring even those with difficulty accepting climate change information to act. Second, in a recent public opinion survey commissioned by the American Alliance of Museums, museums - especially history museums - are considered the most trustworthy source of information in America, rated higher than newspapers, nonprofit researchers, the U.S. government, or academic researchers. Scientific institutions must collaborate with local museums to improve science communication going forward. Not only will important climate and sustainability research be dispersed via trusted sources, but the public will engage with this information in large numbers. In 2012 alone, over 850 million people visited museums - more than the attendance for all major league sports and theme parks combined. A recent impact study shows that history and art museums, especially, are not seen as "having a political agenda," with over 78% of the public seeing these museums as trusted institutions. There are many ways in which the scientific community can collaborate with "the arts." This presentation will speak to the larger benefit of working with sister arts & humanities

Investigation of the energy efficiency of the military museum building by infrared thermography

Directory of Open Access Journals (Sweden)

Slavica S. Ristić

2013-06-01

Full Text Available Infrared (IR thermography, as a diagnostic technique, is used to find anomalies in the thermal signature of the Military museum building in Belgrade, to identify irregularities or deficiencies, such as wet materials, voids, or missing insulation and to inspect energy efficiency of the museum building and microclimatic indoor conditions.  It is very important to perform preventative maintenance and stop undesirable environment influences that induce structural damage, modification of materials and agglomeration of pollutants and microorganisms on the cultural heritage artifacts, stored in the museum depot or exhibited in the galleries. The main causes for corrosion in historical buildings and museum artifacts are moisture and changeable temperature conditions. This paper deals with the results obtained in the application of IR thermography in determination of these conditions in the Military museum building, where very important metal artifacts are exhibited and deposed. The results show poor thermal insulation, wet walls and, generally, low energy efficiency.

Web-Based Museum Trails on PDAs for University-Level Design Students: Design and Evaluation

Science.gov (United States)

Reynolds, R.; Walker, K.; Speight, C.

2010-01-01

This paper describes the development and evaluation of web-based museum trails for university-level design students to access on handheld devices in the Victoria and Albert Museum (V&A) in London. The trails offered students a range of ways of exploring the museum environment and collections, some encouraging students to interpret objects and…

Enhancing international tourism to the Ditsong (South African) National Museum of Military History

OpenAIRE

A Nicolaides

2011-01-01

Attractions such as military history museums which exhibit a wide range of important historical artefacts are fundamental sub-elements in any tourism systems, and yet their study suffers from lack of theoretical depth. Military history is an integral element of the history of any nation and countless varieties of tourists both local and international, visit military museums whenever the opportunity presents itself because museums are generally stimulating places of int...

75 FR 26283 - Proposed Collection, Submission for OMB Review, Museums for America Grant Program Evaluation

Science.gov (United States)

2010-05-11

... Review, Museums for America Grant Program Evaluation AGENCY: Institute of Museum and Library Services..., Submission for OMB Review. SUMMARY: The Institute of Museum and Library Services announces the following... functions of the agency, including whether the information will have practical utility; Evaluate the...

78 FR 19301 - Notice of Inventory Completion: University of Pennsylvania Museum of Archaeology and Anthropology...

Science.gov (United States)

2013-03-29

...-PPWOCRADN0] Notice of Inventory Completion: University of Pennsylvania Museum of Archaeology and Anthropology... Pennsylvania Museum of Archaeology and Anthropology has completed an inventory of human remains, in... Museum of Archaeology and Anthropology. Repatriation of the human remains to the Indian tribes stated...

77 FR 46116 - Notice of Inventory Completion: Maxwell Museum of Anthropology, University of New Mexico...

Science.gov (United States)

2012-08-02

... Inventory Completion: Maxwell Museum of Anthropology, University of New Mexico, Albuquerque, NM AGENCY: National Park Service, Interior. ACTION: Notice. SUMMARY: The Maxwell Museum of Anthropology has completed... has a cultural affiliation with the human remains should contact the Maxwell Museum of Anthropology at...

77 FR 74871 - Notice of Inventory Completion: The Museum of Anthropology at Washington State University...

Science.gov (United States)

2012-12-18

... Inventory Completion: The Museum of Anthropology at Washington State University, Pullman, WA AGENCY: National Park Service, Interior. ACTION: Notice. SUMMARY: The Museum of Anthropology has completed an... objects may contact the Museum of Anthropology at Washington State University. Repatriation of the human...

78 FR 2432 - Notice of Inventory Completion: The Museum of Anthropology at Washington State University...

Science.gov (United States)

2013-01-11

... Inventory Completion: The Museum of Anthropology at Washington State University, Pullman, WA AGENCY: National Park Service, Interior. ACTION: Notice. SUMMARY: The Museum of Anthropology has completed an... objects may contact the Museum of Anthropology at Washington State University. Repatriation of the human...

77 FR 51564 - Notice of Inventory Completion: Thomas Burke Memorial Washington State Museum, University of...

Science.gov (United States)

2012-08-24

... Inventory Completion: Thomas Burke Memorial Washington State Museum, University of Washington, Seattle, WA AGENCY: National Park Service, Interior. ACTION: Notice. SUMMARY: The Thomas Burke Memorial Washington... of human remains under the control of the Thomas Burke Memorial Washington State Museum (Burke Museum...

75 FR 23803 - Notice of Inventory Completion: Bishop Museum, Honolulu, HI

Science.gov (United States)

2010-05-04

..., Honolulu, HI AGENCY: National Park Service, Interior. ACTION: Notice. Notice is here given in accordance... completion of an inventory of human remains in the possession and control of the Bishop Museum, Honolulu, HI..., Bishop Museum, 1525 Bernice St., Honolulu, HI 96817, telephone (808) 848-4144, before June 3, 2010...

A New World for Museum Marketing? Facing the Old Dilemmas while Challenging New Market Opportunities

OpenAIRE

Tanja Komarac

2014-01-01

Museums are part of a wider cultural and entertainment environment, which is ruled by highly demanding visitors who seek immersive experiences (edutainment) and time-saving arrangement. This has encouraged and, in some opinions, forced museums to turn their focus from collections to visitors. In addition, museums have faced competition and new technologies in the form of virtual museums and virtual reality. This has emphasized the need to accept marketing as a survival tool and to make it int...

The administration system of French museums (SYSTÉM ŘÍZENÍ FRANCOUZSKÝCH NÁRODNÍCH MUZEÍ

Directory of Open Access Journals (Sweden)

Prokůpek Marek

2017-03-01

Full Text Available This paper analyzes the history and the current state of the French museum system. French state museums have always played an important role in French public life and the go-vernment has used museums as symbols of political power and promulgators of ideology. This was most evident during the French revolution when Louvre was first opened and many other state museums were founded. The French museum system has always been strongly centralized both in geographical terms and in terms of administration and funding. Recently, the French government has begun to move away from this model and allow for regional and municipal satellite museums to be built, while at the same time, Louvre and Centre Pompidou were allowed to license their names to branch museums built outside of France (Abu Dhabi and Shanghai. At the same time, there is a movement to decentralize museum administration and management and give them more autonomy.

Education at the Dittrick Museum of Medical History, Case Western Reserve University, Cleveland, Ohio, USA.

Science.gov (United States)

Edmonson, James M

2009-01-01

The Dittrick Museum of Medical History pursues an educational mission as being part of a major research university. While the Dittrick dates to 1899 as a historical committee of the Cleveland Medical Library Association, it first affiliated with Case Western Reserve University in 1966, and became a department of the College of Arts and Sciences of CWRU in 1998. The Dittrick maintains a museum exhibition gallery that is open to the public free of charge, and museum staff provide guided tours on appointment. Much of the teaching and instruction at the Dittrick is conducted by university professors; their classes meet in the museum and use museum resources in the form of artifacts, images, archives, and rare books. Class projects using Dittrick collections may take the form of research papers, exhibitions, and online presentations. Dittrick staff assist in these classes and are available to help researchers use museum resources.

Young Children's Learning in Art Museums: A Review of New Zealand and International Literature

Science.gov (United States)

Terreni, Lisa

2015-01-01

In order to examine the existing literature in relation to the benefits of art museum education for the young, as well as to emphasise the literature gap in early childhood education research pertaining to access to and use of art museums by young children, a review of literature that discussed museum education for young children was undertaken. A…

Contributions of a Science Museum for the Initial Training

Directory of Open Access Journals (Sweden)

Azizi Manuel Tempesta

2017-04-01

Full Text Available In this paper we present some results obtained in a master’s research which aimed to evaluate what are the contributions that the acting as Physical monitor in a Science Museum has for the initial training and the beginning of the teaching career. Basing our analysis, we have adopted as theoretical assumptions the Teachers Knowledge and the Training Needs. We interviewed a group of ten teachers who played the function of Physics mediator in the Interdisciplinary Dynamic Museum (MUDI of the State University of Maringá, and submit to the Textual Analysis Discursive process. The results allowed us to realize that the contributions go beyond the expected, revealing the great potential of the Science museums of as an aid to initial training, contributing to the development of competencies and abilities that today is required of the teacher, and them providing experiences load which otherwise would not be reached.

77 FR 65403 - Notice of Inventory Completion: Maxwell Museum of Anthropology, University of New Mexico...

Science.gov (United States)

2012-10-26

... Inventory Completion: Maxwell Museum of Anthropology, University of New Mexico, Albuquerque, NM AGENCY... affiliated with the human remains may contact the Maxwell Museum of Anthropology. Repatriation of the human..., Maxwell Museum of Anthropology, MSC01 1050, University of New Mexico, Albuquerque, NM 87131-0001...

76 FR 28073 - Notice of Inventory Completion: Logan Museum of Anthropology, Beloit College, Beloit, WI

Science.gov (United States)

2011-05-13

... Museum of Anthropology, Beloit College, Beloit, WI AGENCY: National Park Service, Interior. ACTION... the Logan Museum of Anthropology, Beloit College, Beloit, WI. The human remains were removed from... assessment of the human remains was made by the Logan Museum of Anthropology, Beloit College, professional...

76 FR 48178 - Notice of Inventory Completion: Longyear Museum of Anthropology, Colgate University, Hamilton, NY

Science.gov (United States)

2011-08-08

...: Longyear Museum of Anthropology, Colgate University, Hamilton, NY AGENCY: National Park Service, Interior. ACTION: Notice. SUMMARY: The Longyear Museum of Anthropology has completed an inventory of a human remain... human remain should contact the Longyear Museum of Anthropology at the address below by September 7...

76 FR 28075 - Notice of Inventory Completion: Logan Museum of Anthropology, Beloit College, Beloit, WI

Science.gov (United States)

2011-05-13

... Museum of Anthropology, Beloit College, Beloit, WI AGENCY: National Park Service, Interior. ACTION... funerary objects in the possession of the Logan Museum of Anthropology, Beloit College, Beloit, WI. The... assessment of the human remains was made by the Logan Museum of Anthropology, Beloit College, professional...

76 FR 56468 - Notice of Inventory Completion: Maxwell Museum of Anthropology, University of New Mexico...

Science.gov (United States)

2011-09-13

...: Maxwell Museum of Anthropology, University of New Mexico, Albuquerque, NM AGENCY: National Park Service, Interior. ACTION: Notice. SUMMARY: The Maxwell Museum of Anthropology, University of New Mexico has... contact the Maxwell Museum of Anthropology, University of New Mexico. Repatriation of the human remains to...

77 FR 65404 - Notice of Inventory Completion: Maxwell Museum of Anthropology, University of New Mexico...

Science.gov (United States)

2012-10-26

... Inventory Completion: Maxwell Museum of Anthropology, University of New Mexico, Albuquerque, NM; Correction... affiliated with the human remains may contact the Maxwell Museum of Anthropology. Repatriation of the human..., Maxwell Museum of Anthropology, MSC01 1050, University of New Mexico, Albuquerque, NM 87131-0001...

Engaging Strangeness in the Art Museum: an audience development strategy

Directory of Open Access Journals (Sweden)

Jane Deeth

2012-03-01

Full Text Available What is the public art museum’s role in enhancing hesitant viewers’ engagement with contemporary art, especially its more challenging and conceptual aspects? In considering this question, the notion that contemporary art is too difficult for general audiences to engage with directly is refuted. It is suggested that the capacity for viewers to make sense of contemporary art, understood as the discursive practices that have come to the fore since the 1960s, is hindered not by the art but by the art theory that hesitant viewers employ. As representational and formalist aesthetic codes remain the dominant modes of responding to art, for the art museum to become more inclusive, there needs a greater emphasis on discursive approaches to experiencing art. From an examination of claims made across disciplines that advocate discursive practice, including George Hein’s constructivist museum, Helen Illeris’s performative museum and Jacques Lacan’s psychoanalytic conversation, a strategy for the enhancement of the experience of contemporary art for the hesitant or disconnected viewer is proposed that involves reorienting the role of the public art museum from expert speaker to expert listener.

Art Perception in the Museum: How We Spend Time and Space in Art Exhibitions.

Science.gov (United States)

Carbon, Claus-Christian

2017-01-01

Aesthetics research aiming at understanding art experience is an emerging field; however, most research is conducted in labs without access to real artworks, without the social context of a museum and without the presence of other persons. The present article replicates and complements key findings of art perception in museum contexts. When observing museum visitors ( N  = 225; 126 female, M (age) = 43.3 years) while perceiving a series of six Gerhard Richter paintings of various sizes (0.26-3.20 sq. m) in a temporary art exhibition in January and February 2015 showing 28 paintings in total, we revealed patterns compatible to previous research. The mean time taken in viewing artworks was much longer than was mostly realized in lab contexts, here 32.9 s ( Mdn  = 25.4 s). We were also able to replicate visitors spending more time on viewing artworks when attending in groups of people. Additionally, we uncovered a close positive relationship ( r 2  = .929) between canvas size and viewing distance, ranging on average between 1.49 and 2.12 m ( M  = 1.72 m). We also found that more than half of the visitors returned to paintings, especially those people who had not previously paid too much attention at the initial viewing. After adding the times of returning viewers, each picture was viewed longer than had been estimated in previous research ( M  = 50.5 s, Mdn  = 43.0 s). Results are discussed in the context of current art perception theories, focusing on the need for the ecologically valid testing of artworks in aesthetics research.

Urban Planning Aspects of Museum Quarters as an Architectural Medium for Creative Cities

Science.gov (United States)

Kochergina, Ekaterina

2017-10-01

Since the second half of the 20th century, urban environment has experienced significant transformation. Splash of interactivity, bottom-up initiations with development of creative sector of city economy and participatory planning, irretrievably changed the attitude to the urban medium. One of the most intensively growing field - creative industry - provided cities with numerous cultural clusters, which boosted urban economic development and social cohesion. Supported in many cases by gentrification and revitalization, these processes brought renovation of brownfield and more comprehensive approaches to urban design. Understanding of the economic benefits made city managers start an active promotion of creative clusters and their intensive integration into urban life, involving the main museums and cultural institutions. Thus, a new type of cultural clusters - Museum Quarter - appeared. Holding the position of cultural flagman in the historical heart of the city, Museum Quarters (MQs) pretend to take on an important role both in urban planning structure and in social life. Furthermore, such role usually has strong influence on the surrounding districts, in a positive or negative way. Although basic principles are still applied for all types of cultural districts, the phenomena of “Museum Quarters” due to the complexity of planning, operating and maintenance issues, stepped far above basic cultural clusters, requiring substantially new attitude to the planning of such urban entities. Five clusters were chosen for this study: MQs in Vienna, Berlin, Amsterdam, Copenhagen and the currently developing project in Budapest. The main purpose of this paper is to elaborate the principles for the practical implementation of Museum Quarters by the definition and classification of their specific urban planning aspects. The complexity of target object - Museum Quarter - and its multi-level relationships with the whole city, require from the research interdisciplinary

Museums, Memory, and the Just Nation in Post-Civil War El Salvador

Directory of Open Access Journals (Sweden)

Robin DeLugan

2015-07-01

Full Text Available In 1992 El Salvador ended a 12-year civil war infamous in part for the high level of state violence against innocent civilians. A United Nations Truth Commission report, which detailed these and other excesses, recommended that state and society commemorate the war and its violence to advance the establishment of a more just nation. The postwar government did construct an impressive new National Museum of Anthropology to actively promote national culture, history, and identity. However, this important museum remains silent about the civil war. In contrast, new public—though not official - museums and monuments are finally bringing attention to the civil war and past state violence. This paper explores the social memory work of non-official museums, arguing that by combating silence and forgetting, their truth-telling aims to shape ideas about the nation and improve state-society dynamics.

Public Libraries, Museums and User Participation - An outline of a research projeckt

DEFF Research Database (Denmark)

Jochumsen, Henrik; Rasmussen, Casper Hvenegaard

2013-01-01

The aim of this paper is to sketch a research project on user participation in public libraries and museums. For several years’ user participation, participatory culture and user driven innovation have been “buzzwords” in the ongoing development of cultural institutions in general and in museums...... of the research project. The case of Roskilde is particularly illustrative as it not only contains user participation, libraries and museums but also illustrate how the development of user participation actually blurs the borders of the two institutions. After a definition of the concept of user participation...... and a brief discussion of the institutional and political relevance of doing research into the field, we will pinpoint some challenges that both libraries and museums are facing so as to emphasize the importance of studying how the increasing focus on user development is expressed in both institutions...

Creating/Curating Cultural Capital: Monuments and Museums for Post-Apartheid South Africa

Directory of Open Access Journals (Sweden)

Elizabeth Rankin

2013-03-01

Full Text Available Since the first democratic elections in 1994, South Africa has faced the challenge of creating new cultural capital to replace old racist paradigms, and monuments and museums have been deployed as part of this agenda of transformation. Monuments have been inscribed with new meanings, and acquisition and collecting policies have changed at existing museums to embrace a wider definition of culture. In addition, a series of new museums, often with a memorial purpose, has provided opportunities to acknowledge previously marginalized histories, and honor those who opposed apartheid, many of whom died in the Struggle. Lacking extensive collections, these museums have relied on innovative concepts, not only the use of audio-visual materials, but also the metaphoric deployment of sites and the architecture itself, to create affective audience experiences and recount South Africa’s tragic history under apartheid.

Impacts of Art Museum-Based Dementia Programming on Participating Care Partners

Science.gov (United States)

Lamar, Katherine L.; Luke, Jessica J.

2016-01-01

The purpose of this study was to describe the impacts of art museum-based dementia programming on participating care partners (CPs). Data were collected through telephone interviews with 29 caregivers who participated in one of three dementia programs: "here: now" at The Frye Art Museum, Seattle; "Meaningful Moments" at the…

Four steps in the history of museum technologies and visitors' digital participation

DEFF Research Database (Denmark)

Christensen, Jørgen Riber

2011-01-01

technologies used today in three different museums and galleries: the Bode Museum in Berlin, the Victoria and Albert Museum and Dr. Johnson's House in London. The historical verification and documentation in this article describe four steps in the development of exhibition technologies: the Boydell Shakespeare...... participation of visitors and audience. Here the argumentation is based on how the displayed object creates signification in its position between its autonomy and its contexts. The following display technologies are described and analysed: stipple engraving, photography, the audio guide, and the interactive...

Experience in-between architecture and context: the New Acropolis Museum, Athens

Directory of Open Access Journals (Sweden)

Annette Svaneklink Jakobsen

2012-06-01

Full Text Available This article is an introduction to how architecture's context and conditions can be understood as signaletic with reference to Gilles Deleuze's concept of the signaletic material. The understanding of architecture's signaletic material addresses the process of becoming through the potentials of context and the requests towards function and programme, as well as through the methods for creating architecture—all seen as conditional components of a specific work of architecture and, consequently, as part of the signaletic material. A visit to the New Acropolis Museum is analysed to discuss how the potential of the in-between encounters of architecture, context and the experiencing subject can be part of the signaletic material and the process of becoming. This potential is actualised, for instance, in relation to the movement through the museum. The museum architecture affords experiences on potentially several levels spanning from the most pragmatic and functional use of the building as exhibition space, restaurant, book shop, etc. to the awareness of being part of an architectural intentionality as a moving body, a contemplating viewer and as a perceiver of relations between the museum building and its historical and geographical context. In the article the term “visitor” is used to emphasise this complexity of experiential potential that is made accessible by the museum's architectural design.

Health museums or theme parks: a new approach to intersectoral collaboration.

Science.gov (United States)

Seymour, H; Ashton, J; Edwards, P

1986-01-01

This paper is an outline of a proposed initiative on intersectoral collaboration in health promotion--collaboration between health, tourist, cultural and entertainment sectors to provide a powerful mass educational experience about the human mind and body. There has been a recent rise in interest in using the technology of museums, science centres, exploratories and theme parks for the promotion of health. This revival is shown to have a historical tradition in the health education museum started in this century in Europe 75 years ago at the Deutsches Hygiene Museum and then spreading to the USA. The proposed Body, Mind, City Museum planned for Liverpool acts as a future model for a new type of health Museum; a mixture of science exploratorium and a Walt Disney-style them park. It is intended that "hand-on" exhibits using interactive video, computers, games and experiences will be used to test people's own capacities or to describe biological functions or processes. This will be combined with park rides and simulations with their inherent appeal of fun, movement and surprise, for example the ride through the blood vessels and the "walk-through brain". This type of venture has a number of special features and advantages; it is truly intersectoral, it may be self-financing, and it can provide a mass audience with a powerful individual experience.

Prosthetic memory and post-memory: cultural encounters with the past in designing a museum

Directory of Open Access Journals (Sweden)

Mălina Ciocea

2015-07-01

Full Text Available This paper1 investigates the sources of representations on the communist period and the type of engagement with the past in an experiential museum, in the context of the National Network of Romanian Museums’ project for a laboratory-museum of Romanian Communism. Our analysis of focus-groups in October-November 2012 explores the public’s expectations in terms of museum experience and engagement with objects and the potential of an experiential museum to facilitate deliberation about the past. We use the conceptual framework of recent studies on postmemory (Hirsch, 2008 and prosthetic memory (Landsberg, 2004, 2009 to focus on ways of building the experiential archive needed to produce prosthetic memory. We consider that such an analysis is relevant for two interconnected problems: the bidirectional relationship between a projected museum of communism and a prospective public, and the methodological insights available for investigating this relation. With regard to the first problem, this paper makes a case for treating museums as a memory device rather than a lieu de memoire and analyses the role of the museum in relation to cultural memory. With regard to the second problem, it offers an example of conducting research on prospective publics which departs from traditional marketing approaches, adopting theoretical insights and analytical categories from specific conceptualizations in the field of memory studies.

78 FR 45962 - Notice of Inventory Completion: University of Denver Museum of Anthropology, Denver, CO

Science.gov (United States)

2013-07-30

....R50000] Notice of Inventory Completion: University of Denver Museum of Anthropology, Denver, CO AGENCY: National Park Service, Interior. ACTION: Notice. SUMMARY: The University of Denver Museum of Anthropology... funerary objects should submit a written request to the University of Denver Museum of Anthropology. If no...

Museums for Science Education: can we make the difference? The case of the EST project

Directory of Open Access Journals (Sweden)

Maria Xanthoudaki

2007-06-01

Full Text Available This paper addresses the role of museums in education in science and technology through the discussion of a specific project entitled EST “Educate in Science and Technology”. The Project puts together methodologies and activities through which museums can be used as resources for long-term project work. In-service training for teachers, work in class with learning kits or with materials brought in by a Science Van, and visits to the museum are planned and developed jointly by museum experts and teachers. The Project proposes a teaching and learning model which sees the museum experience as central and integral part of a teaching and learning process with more effective outcomes. The analysis of the Project activities and methodologies is based on the work carried out at the National Museum of Science and Technology Leonardo da Vinci, which perceives the learner (the visitor at the heart of its educational methodologies and provision.

Queensland Museum Online Learning Resources

Science.gov (United States)

Bauer, Adriana

2009-01-01

This article evaluates three online educational resources on the Queensland Museum website in terms of their use of ICTs in science education; how they relate to the Queensland Middle School Science Curriculum and the Senior Biology, Marine Studies, Science 21 syllabuses; their visual appeal and level of student engagement; the appropriateness of…

A Day at the Museums

Science.gov (United States)

Hubel, Joy Alter

2009-01-01

The school field trip, once a supporting player in a well-rounded education, is slowly becoming endangered. Widespread budget cuts have made happily anticipated class trips to museums, zoos, and other cultural destinations increasingly scarce. A librarian may be able to rescue the field trip from extinction by transforming the school building into…

78 FR 59964 - Notice of Inventory Completion: Thomas Burke Memorial Washington State Museum, University of...

Science.gov (United States)

2013-09-30

....S.C. 3003, of the completion of an inventory of human remains under the control of the Burke Museum....R50000] Notice of Inventory Completion: Thomas Burke Memorial Washington State Museum, University of... Washington (Burke Museum), and Central Washington University have completed an inventory of human remains, in...

Informal and Non-formal Education: An Outline of History of Science in Museums

Science.gov (United States)

Filippoupoliti, Anastasia; Koliopoulos, Dimitris

2014-04-01

Although a growing number of research articles in recent years have treated the role of informal settings in science learning, the subject of the history of science in museums and its relationship to informal and non-formal education remains less well explored. The aim of this review is to assemble the studies of history of science in science museums and explore the opportunities for the further use of the history of science in science museum education practice.

The Emotional Museum. Thoughts on the “Secular Relics” of Nineteenth-Century History Museums in Paris and their Posterity

Directory of Open Access Journals (Sweden)

Felicity Bodenstein

2011-04-01

Full Text Available Cet article examine le discours élaboré dans les musées d’histoire à Paris au cours du XIXe siècle à travers la présentation d’effets personnels et privés « ayant appartenu à » des personnages historiques célèbres, des artistes ou écrivains. Comment et pourquoi a-t-on choisi de présenter des objets en soi aussi banals et profanes que le mouchoir de Napoléon ou une boucle des cheveux de Marie-Antoinette ? Dans le cadre rationnel du musée public, quel sens peut-on encore donner à ces objets qui ne fournissent pas d’information documentaire et qui n’ont pour ainsi dire pas de valeur esthétique ?De fait, cette tradition muséographique a encore toute sa place dans les musées d’aujourd’hui, surtout dans les musées maisons et les musées biographiques. Nous allons considérer son apparition depuis la Révolution comme la transposition de pratiques commémoratives chrétiennes dans le monde laïc de l’État républicain, mais aussi comme le transfert d’un culte privé dans le domaine public. Cela nous permet d’examiner le caractère affectif des rapports que ces objets établissent avec l’histoire.This article examines the discourse elaborated in Paris’ historical museums during the nineteenth century through the display of personal, private objects “having belonged to” famous historical figures, artistes and writers. How and why do we exhibit objects in and of themselves as banal as the handkerchief of Napoleon or locks of Marie-Antoinette’s hair? In the scheme of the rational public museum, what meaning was and is still given to these objects of little documentary or artistic importance?Indeed this museographical tradition still holds an important place in museums today, especially in biographical or personal museums, its appearance during the Revolution and its subsequent development will be considered as the transposition of a commemorative practice taken from Catholicism and introduced into the

Augmenting the agora: Media and civic engagement in museums

Directory of Open Access Journals (Sweden)

Rikke Haller Baggesen

2014-05-01

Full Text Available Mirroring digital culture developments in society at large, museums are increasingly incorporating social media platforms and formats into their communication practices. More than merely providing additional channels of communication, this development is invested with an understanding of social media as integral to the ongoing democratisation of the museum. The confluences of new media affordances with New Museology objectives along with the underpinning of the aforementioned understanding is discussed in this article. The article will argue that development in this area is not only driven by solid results and public demand but also by collective assumptions and associations as well as by a political need for institutions to justify their relevance in society. In conclusion, the article suggests that, while the integration of social media communication may serve to market the museum as inclusive, it may also simply pay lip service to genuine civic engagement and democratic exchanges with the public.

A sustainable storage solution for the Science Museum Group

Directory of Open Access Journals (Sweden)

Marta Leskard

2015-11-01

Full Text Available Museums in recent years have sought ways to reduce the environmental impact of their operations. One approach has been to look at ways to cut back on the energy required to stabilise storage conditions, particularly relative humidity, through passive moisture control rather than mechanical systems of heating and air conditioning. To this end the Science Museum Group employed hemp in the form of hemp-lime concrete, to construct a new storage facility for its collections, drawing on research into the buffering ability of hygroscopic natural building materials. The objective was to reduce energy use, to decrease reliance on mechanical systems and to produce very stable levels of relative humidity, in order to ensure the preservation of significant heritage collections. Although a prototype, to date, this building has performed as anticipated despite some initial construction snags and mechanical system malfunctions. The results encourage further investigation into hygroscopic construction materials to design even more energy-saving ways of providing stable storage conditions for museums.

Alternative legacies: Artist projects in history museums & the importance of context

Directory of Open Access Journals (Sweden)

Lyndsey Boekenkamp

2013-06-01

Full Text Available The primary focus of this paper is to investigate why artists are drawn to working in history museums, and how an artist-driven critique of museum practices encourages dialogue about artistic and historical authority, and the role of the museum. Drawing from the fields of public history, art history, anthropology, and journalism, this study argues that artists play an important role in fostering multiple interpretations within traditional historical and academically informed museum practices. The primary theorists influencing this study include Art Historian, Douglas Crimp and his analysis of postmodernism; Professor of Art Education, Dipti Desai and her theory of ethnographic shift; Modern European Historian, Susan Crane and her theory of disruption or “excess of memory”; English Professor, Bettina Carbonell and her theory of “bearing witness”; and Patricia Romney’s analysis of Russian Philosopher, Mikhail Bakhtin and his theory of dialogism. As an outgrowth of this pre-existing scholarship, this study sought to prove that artists were better positioned to intervene in and manipulate traditional museum practices, not because they helped facilitate shared authority, but because they asserted their own artistic authority in the creation of alternative narratives. Through an analysis comparing Fred Wilson’s installation Liberty/Liberte—shown first in the 2006-2007 exhibition Legacies: Contemporary Artists Reflect on Slavery at the New-York Historical Society, and then in its current placement as part of the Historical Society’s official renovations—this study instead concludes that artists are more than capable of successful interventions in non-art environments – specifically, history museums. However, the context in which the artwork is placed, as well as the conversation between the artist and the institution throughout the duration of any project, has the power to make or break the success of these artist interventions.

Kastenhof - museum in Landau. Kastenhof - Museum in Landau

Energy Technology Data Exchange (ETDEWEB)

Anon,

1991-08-01

When modifying the box-type court to a subsidiary museum of the prehistoric national compilation of Munich with multiple-purpose hall and a little restaurant, a considerable expenditure with regard to the preservation of monuments had to be done in order to uncover and keep the old built volumes. A low-temperature heating system as well as low-temperature oil/gas boiler were applied as heating system. The heating is realized via floor heating, plate heat exchanger for avoiding corrossions, hot-air heating, heating units and fan convectors. For energy saving an air-to-water heat pump was applied which can be used alternatively for heating or cooling. In addition, energy distribution and system control are treated by means of flowsheets. (BWI).

The exhibition of the other: tradition, memory and colonialism in museums in Mexico

Directory of Open Access Journals (Sweden)

Mario Ruffer

2014-12-01

Full Text Available This article starts from the notion of "complex exhibitorio" on classical pedagogical function of the Western Museum (historical and ethnographic, and reviewed in, specifically Mexican contemporary Latin American contexts. The text contrasts ethnographic work in community museums with certain aspects of the Boards of ethnography at the National Museum of Anthropology in Mexico. The central thesis seeks to demonstrate is that the current rhetoric of post-colonial heritage and "cultural diversity" environments, still using the logic of exhibitorio complex but with a different mechanism and the classical notion of early twentieth century end. No longer try to exhibit the feats of the modern order and national construction, but a poetic return. Tradition would no longer fixed forever in the national museum in the capital, but that is installed on the spatial distance of the town or village: those who were the subject of museum and exhibition become subject to production of a look and an order. Finally he asks: have really moved the mechanisms defined and retained authority over cultural heritage?

Analysis of Tourists Preferences on Smart Tourism in Yogyakarta (Case: Vredeburg Fort Museum)

Science.gov (United States)

Amanda, Rima; Santosa, PInsap; Nur Rizal, M.

2018-04-01

Smart tourism is a supporting system of an individual tourism in the terms of a comprehensive and integrated information and technology service. An educational tourist destination such as a museum is expected to present an informative and interactive atmosphere. Vredeburg Fort Museum as one of the tourist destinations in Yogyakarta begins to lose its visitors. The lack of interest of public towards the museum and the assumption that the museum is an ancient, less well maintained, and boring place become main obstacles in attracting tourists. This research aims to find the important factors becoming the preferences of tourists to visit the Vredeburg Museum in Yogyakarta. The research method used is the Principal Component Analysis. The analysis shows there are four main factors with eigenvalue more than 1, i.e. the first factor of 8,623, the second factor of 1,920, the third factor of 1,175, and the fourth factor of 1.082. Those four factors are the result of the grouping of 20 preference determinant variables.

Clarifying the Complexities of School--Museum Interactions: Perspectives from Two Communities

Science.gov (United States)

Kisiel, James F.

2014-01-01

If we truly wish to promote science or STEM education, then it would seem that the joining of resources and expertise from the communities of formal schooling and informal science education institutions or ISEIs (museums, aquariums, and the like) would be an important early step. Yet creating such connections between teacher and museum remain a…

Seeking the "museum of the future": Public exhibitions of science, industry, and the social, 1910-1940.

Science.gov (United States)

Charles, Loïc; Giraud, Yann

2018-06-01

Using as case studies the initiatives developed by two museum curators, the Belgian bibliographer Paul Otlet (1868-1944) and the Austrian social scientist Otto Neurath (1882-1945), and their subsequent collaboration with an extended network of scientists, philanthropists, artists, and social activists, this article provides a portrait of the general movement toward the creation of a new form of museum: the "museum of the future," as Neurath labeled it. This museum would be able to enlighten the people by showing the nature of modern industrial civilization. The promoters of the "museum of the future" intended to reform museum practices by organizing exhibitions of social facts, but also by integrating several dimensions - architecture, commerce, entertainment, pedagogy, and science and technology - to create a holistic frame to address their audience. However, the effortlessly circulating museum Neurath and Otlet envisioned stood in sharp contrast to the many, often immaterial, boundaries they encountered in their attempt to implement their vision. Ever-growing nationalism, the professionalization of social science, and the increasing commercialization of scientific vulgarization are some of the factors that help explain their failure.

Non-destructive analysis of museum objects by fibre-optic Raman spectroscopy.

Science.gov (United States)

Vandenabeele, Peter; Tate, Jim; Moens, Luc

2007-02-01

Raman spectroscopy is a versatile technique that has frequently been applied for the investigation of art objects. By using mobile Raman instrumentation it is possible to investigate the artworks without the need for sampling. This work evaluates the use of a dedicated mobile spectrometer for the investigation of a range of museum objects in museums in Scotland, including antique Egyptian sarcophagi, a panel painting, painted surfaces on paper and textile, and the painted lid and soundboard of an early keyboard instrument. The investigations of these artefacts illustrate some analytical challenges that arise when analysing museum objects, including fluorescing varnish layers, ambient sunlight, large dimensions of artefacts and the need to handle fragile objects with care. Analysis of the musical instrument (the Mar virginals) was undertaken in the exhibition gallery, while on display, which meant that interaction with the public and health and safety issues had to be taken into account. Experimental set-up for the non-destructive Raman spectroscopic investigation of a textile banner in the National Museums of Scotland.