WorldWideScience

Sample records for nonprofit cinema guild

  1. Happy 40th Cinema Guild

    Science.gov (United States)

    Kuzyk, Raya

    2008-01-01

    On May 10, 1968, the Cannes Film Festival shuddered to a stop when filmmakers including Jean-Luc Godard and Francois Truffaut rushed the stage at the Palais des Festivals to protest French New Waver Henri Langlois's removal from his post as president of the National Cinematheque Francaise. Also that month, in that same spirit of film lovers'…

  2. Happy 40th Cinema Guild

    Science.gov (United States)

    Kuzyk, Raya

    2008-01-01

    On May 10, 1968, the Cannes Film Festival shuddered to a stop when filmmakers including Jean-Luc Godard and Francois Truffaut rushed the stage at the Palais des Festivals to protest French New Waver Henri Langlois's removal from his post as president of the National Cinematheque Francaise. Also that month, in that same spirit of film lovers'…

  3. European Cinema

    NARCIS (Netherlands)

    Elsaesser, Thomas

    2005-01-01

    In the face of renewed competition from Hollywood since the early 1980s and the challenges posed to Europe's national cinemas by the fall of the Wall in 1989, independent filmmaking in Europe has begun to re-invent itself. European Cinema: Face to Face with Hollywood re-assesses the different debate

  4. Dekooridiiva Tricia Guild / Piret Veigel

    Index Scriptorium Estoniae

    Veigel, Piret, 1961-

    2004-01-01

    Briti tekstiilikunstniku Tricia Guildi viimasest kollektsioonist, kus vastanduvad suureõielised ja triibulised mustrid, tema poolt avaldatud raamatuid. Tricia Guild juhib sisustuskangaid, tapeete ja mööblit tootvat firmat Designer's Guild. 5 ill

  5. Dekooridiiva Tricia Guild / Piret Veigel

    Index Scriptorium Estoniae

    Veigel, Piret, 1961-

    2004-01-01

    Briti tekstiilikunstniku Tricia Guildi viimasest kollektsioonist, kus vastanduvad suureõielised ja triibulised mustrid, tema poolt avaldatud raamatuid. Tricia Guild juhib sisustuskangaid, tapeete ja mööblit tootvat firmat Designer's Guild. 5 ill

  6. Enterprising nonprofits.

    Science.gov (United States)

    Dees, J G

    1998-01-01

    Faced with rising costs, more competition for fewer donations and grants, and increased rivalry from for-profit companies entering the social sector, nonprofits are turning to the commercial arena to leverage or replace their traditional sources of funding. The drive to become more businesslike, however, holds many dangers for nonprofits. In the best of circumstances, nonprofits face operational and cultural challenges in the pursuit of commercial funding. In the worst, commercial operations can undercut an organization's social mission. To explore the new possibilities of commercialization and to avoid its perils, nonprofit leaders need to craft their strategies carefully. A framework-what the author calls the social enterprise spectrum--can help such leaders understand and assess their options. Nonprofits first must identify potential sources of earned income; then they should set clear and realistic financial objectives. Commercial programs don't need to be profitable to be worthwhile. They can instead improve the efficiency and the effectiveness of organizations by reducing the need for donated funds; by providing a more reliable, diversified funding base; and by enhancing the quality of programs by instilling market discipline. In the end, commercial operations will not--and should not--drive out philanthropic initiatives. But thoughtful innovation in the social sector is essential if organizations are to leverage limited philanthropic resources.

  7. Another Cinema

    Directory of Open Access Journals (Sweden)

    Roger Crittenden

    2010-12-01

    Full Text Available É necessário reafirmar o lugar do cinema na cultura de cada lugar em particular e, além disso, que os realizadores apenas se tornam verdadeiramente enraizados em seus locais se eles fizerem filmes manteod o espírito que emana de suas próprias tradições: não imitando gêneros de segunda mão que têm dominado as telas quase desde o início do cinema. Isso diz respeito a ser passional em relação a suas raízes e inspirar-se em cada expressão criativa e artística em vez de inspirar-se apenas em outros filmes. Neste artigo, proponho debater tal questão em relação à minha própria experiência e em relação a alguns realizadores em particular, que representam a variedade da expressão cinematográfica agora disponível a nós ao redor do mundo.

  8. Teatro-cinema ou cinema-teatro

    Directory of Open Access Journals (Sweden)

    Samuel Paiva

    1996-09-01

    Full Text Available The eminent question of this work is intertextuality. Fassbinder’s films, plays and writings are considered according to Andre Bazin s essay “Théâtre et Cinéma” in Qu 'est-ce que te Cinéma? Bazin, as a critic, and Fassbinder, as filmmaker and playwright, are both emblematic in the context of the new cinemas, specially Nouvelle Vague and New German Cinema.

  9. Cinema e Shoah

    Directory of Open Access Journals (Sweden)

    Claudia Hassan

    2012-06-01

    Full Text Available Il cinema è memoria. Il cinema sulla Shoah, in particolare, è diventato il paradigma stesso della memoria. Nella prospettiva della dialettica tra memoria e oblio il discorso sulla memoria attraverso il cinema diventa quella grande mediazione, quello spazio di negoziazione delle tante rappresentazioni e della storia stessa. Il saggio s’interroga sulla catena di questi significati che le opere filmiche possono assumere nello spazio pubblico. Il cinema all’interno di questa cornice ha avuto un ruolo nella costruzione della memoria pubblica e di quella collettiva rispecchiando spesso però i tempi della elaborazione collettiva del lutto.

  10. Cinema's Golden Age

    Institute of Scientific and Technical Information of China (English)

    TANG YUANKAI

    2010-01-01

    @@ Beijing movie theaters posted notices around the New Year holiday that reminded audiences to avoid the flood of crowds flocking to the cinema.Many Shanghai cinema owners complained about a lack of screens-if they had more,they would have earned bigger box office returns.

  11. Are Nonprofits Obsolete?

    Directory of Open Access Journals (Sweden)

    Shiko Gathuo

    2015-11-01

    Full Text Available Can the nonprofit sector survive the barrage of government regulations, the fast changing environment, the changing priorities of donors and beneficiaries, the democratized nature of fundraising and a host of other internal and external factors? The nonprofit sector is threatened by its very nature, which is complex and seems to go against the established principles of successful organizations. At the same time the larger outer environment has continued to wreak havoc on a sector that is already internally weak. Can the nonprofit sector, as organized, continue to exist? This paper discusses the internal weaknesses inherent to the nonprofit sector including funding, legal organization, nature of nonprofit work, workers and clients, as well as the external threats to the sector including inter-sectoral competition, regulations and the changing global economic landscape. To stay relevant, nonprofits must adapt to the changing outer environment by evolving internally.

  12. The Invisible Cinema

    NARCIS (Netherlands)

    Hanich, Julian; Fossati, Giovanna; van den Oever, Annie

    2016-01-01

    The Invisible Cinema was an experimental movie theater designed by an experimental filmmaker. Devised by the Austrian avantgardist Peter Kubelka, it served as the first place of exhibition for the Anthology Film Archives in New York. Apart from the screen (and some exit signs and aisle lights instal

  13. The Cinema Alone

    NARCIS (Netherlands)

    Williams, James S.; Temple, Michael

    2000-01-01

    This volume of essays constitutes a comprehensive and interdisciplinary engagement with Jean-Luc Godard's current film and video work. Its key focus is the eight-part magnum opus Histoire(s) du cinema (1988-1998), an extraordinary experiment in film history that attempts to tell 'all the stories of

  14. Malaysian Cinema, Asian Film

    NARCIS (Netherlands)

    Heide, van der William

    2002-01-01

    This title series departs from traditional studies of national cinema by accentuating the intercultural and intertextual links between Malaysian films and Asian (as well as European and American) film practices. Using cross-cultural analysis, the author characterizes Malaysia as a pluralist society

  15. Cinema and Personality Disorders

    Directory of Open Access Journals (Sweden)

    Chrisa Georgopoulou

    2015-09-01

    Full Text Available Cinema constitutes an audiovisual mean, that represent facts and situations, in order to entertain, inform and teach. No other art form pervades the consciousness of the individual to the same extent and with such power as cinema. Many consider movies to be the most influential form of mass communication (Cape, 2003. The potential of teaching through cinema and movies is its nature and structure, which is linked to pleasure and entertainment. Thus, cinema is a really useful tool to whoever aims in teaching. More precisely, there is a variety of movies that represent many aspects of psychopathology and could be a part of the teaching process on mental health issues. Movies combine realism with imagination and include a lot of information in short timeframes. The use of movies for educational purposes helps and strengthens learning by keeping the interest of learners high and giving them a motivation to learn. Experiential learning is an alternative way of education that extends beyond the classroom, specific textbooks and frontal teaching.

  16. The Cinema Alone

    NARCIS (Netherlands)

    Williams, James S.; Temple, Michael

    2000-01-01

    This volume of essays constitutes a comprehensive and interdisciplinary engagement with Jean-Luc Godard's current film and video work. Its key focus is the eight-part magnum opus Histoire(s) du cinema (1988-1998), an extraordinary experiment in film history that attempts to tell 'all the stories of

  17. Cinema e Religiosidade

    Directory of Open Access Journals (Sweden)

    Geraldo Vieira Filho

    2002-01-01

    Full Text Available Propomos neste texto apresentar algumas reflexões sobre a abordagem de valores religiosos no cinema presentes em filmes como E o vento levou, Blade Runner - O Caçador de Andróides, O Exorcista, Matrix, dentre outros.

  18. Statement of the Authors Guild, Inc.

    Science.gov (United States)

    Karp, Irwin

    This paper is related to a similar statement presented at a Federal Trade Commission Symposium on Media Concentration. It was submitted by the Authors Guild to Senator Edward Kennedy's Subcommittee on Antitrust and Monopoly on May 10, 1978. It is one of several memoranda by the Guild opposing the acquisitions and mergers they feel have given…

  19. Mental health in Tamil cinema.

    Science.gov (United States)

    Mangala, R; Thara, R

    2009-06-01

    Tamil cinema is a vibrant part of the lives of many in south India. A chequered history and a phenomenal growth have made this medium highly influential not only in Tamil Nadu politics, but also in the social lives of the viewers. This paper provides an overview of the growth of Tamil cinema, and discusses in detail the way mental health has been handled by Tamil films. Cinema can be used very effectively to improve awareness about mental health issues.

  20. Cinema e novas tecnologias

    Directory of Open Access Journals (Sweden)

    Selonk, Aletéia Patrícia de Almeida

    2003-01-01

    Full Text Available Tomando como ponto de partida o Mito do Narciso, onde um homem fica fascinado pela sua imagem refletida e a teoria de Marshall McLuhann (1964, de que os individuos são facilmente seduzidos por qualquer extensão de si mesmos, em qualquer material que não seja o seu próprio corpo, o cinema é um dos artefatos tecnológicos mais importantes do século XX

  1. An Olfactory Cinema: Smelling Perfume

    Directory of Open Access Journals (Sweden)

    Jiaying Sim

    2014-09-01

    Full Text Available While technological improvements from the era of silent movies to that of sound cinema have altered and continued to affect audience’s cinematic experiences, the question is not so much how technology has increased possibility of a sensory response to cinema, rather, it is one that exposes how such technological changes only underscore the participation of our senses and the body in one’s experience of watching film, highlighting the inherently sensorial nature of the cinematic experience. This paper aims to address the above question through an olfactory cinema, by close analysis of Perfume: The Story of a Murderer (2006 by Tom Tykwer. What is an olfactory cinema, and how can such an approach better our understanding of sensorial aspects found within a cinema that ostensibly favours audio-visual senses? What can we benefit from an olfactory cinema? Perhaps, it is through an olfactory cinema that one may begin to embrace the sensual quality of cinema that has been overshadowed by the naturalized ways of experiencing films solely with our eyes and ears, so much so that we desensitize ourselves to the role our senses play in cinematic experiences altogether

  2. Cinema Futures: Cain, Abel or Cable?

    NARCIS (Netherlands)

    Elsaesser, Thomas; Hoffmann, Kay

    1998-01-01

    In the late 1960s, the cinema was pronounced dead. Television, like a Biblical Cain had slain his brother Abel. Some thirty years later, a remarkable reversal: rarely has the cinema been more popular. And yet, rarely has the cinema's future seemed more uncertain. Cinema Futures: Cain, Abel or Cable?

  3. Cinema Futures: Cain, Abel or Cable?

    NARCIS (Netherlands)

    Elsaesser, Thomas; Hoffmann, Kay

    1998-01-01

    In the late 1960s, the cinema was pronounced dead. Television, like a Biblical Cain had slain his brother Abel. Some thirty years later, a remarkable reversal: rarely has the cinema been more popular. And yet, rarely has the cinema's future seemed more uncertain. Cinema Futures: Cain, Abel or Cable?

  4. History of autostereoscopic cinema

    Science.gov (United States)

    Funk, Walter

    2012-03-01

    This paper covers the history of autostereoscopic cinema, from the beginnings of autostereoscopy in the 1800s, the development of motion capability and it's subsequent evolution to present techniques. Public viewings of autostereoscopic movies have occurred on a semi-ongoing basis since the early 1940s. In Moscow and other cities, theaters were constructed called stereokinos, for showing autostereoscopic films, with specially positioned seating for proper viewing. The Cyclostéréoscope was an autostereoscopic cinema system invented by François Savoye in France. It was based around a drum made of metal bars that revolve around a screen. For several years in the 1940s and 1950s, it was open to the public in Paris. Any film made in a dual film format could be shown. Besides dedicated theaters in Russia and France, exhibits of content have occurred outside devoted theaters. The paper focuses on the history of autostereoscopic technology developed for entertainment, public viewing of content, the individuals involved and the content itself.

  5. Cinema com Nancy

    Directory of Open Access Journals (Sweden)

    Artur de Vargas Giorgi

    2010-07-01

    Full Text Available http://dx.doi.org/10.5007/2175-7917.2010v15n1p269 Este trabalho parte do pensamento de Jean-Luc Nancy para armar um contato com o poema “Cinema”, de Guilherme de Almeida (publicado em 1925, no livro Encantamento, e, de maneira mais ampla, com a própria técnica cinematográfica. Tal contato se desdobra ou passa inevitavelmente por dois outros: o cinema com a modernidade, o cinema com a guerra. Nesse sentido, a partir de “Cinema”, a técnica cinematográfica, a modernidade brasileira dos anos 20 e a técnica belicista são vistas em alguns pontos de maior proximidade e mesmo de indissociação, mas também em oportunidades de distanciamento e recusa, em que experiências singulares tornam-se capazes de desfazer o consenso e de desarmar a guerra, de modo que o fechamento dos sentidos e o risco de extermínio se transformem em abertura e risco de vida, isto é, se transformem na vida que é colocada em jogo, sempre e novamente, por amor e combate, exposta em cada singularidade, em sua existência.

  6. Towards a transnational lesbian cinema.

    Science.gov (United States)

    Lewis, Rachel

    2012-01-01

    This article explores the relationship between lesbian independent cinema and transnational cinema in Europe. The first part of the article outlines two main directions--one thematic and the other aesthetic--in which independent lesbian films in Europe utilize aspects of transnational cinema. The next section considers how these films articulate lesbian desire in relation to new discourses of sexual citizenship and immigration in Europe. The third part of the article examines lesbian independent films that seek to underscore the violence of immigration controls in Fortress Europe. What is significant about this group of films is that they encourage us to rethink the issue of sexual citizenship from a transnational perspective.

  7. Passages on Brazilian scientific cinema.

    Science.gov (United States)

    de Almeida, Jane; da Silva, Cicero Inacio; Suppia, Alfredo; Stalbaum, Brett

    2017-07-01

    The article examines the conditions of production and recognition of scientific cinema in Brazil by comparing three distinct moments and contexts: the first moment takes place in the nineteenth century, and it is related to the contribution of a Brazilian astronomer otherwise little known to Brazilian film scholars, the second addresses Benedito Junqueira Duarte's voluminous mid-twentieth-century filmography, and the third moment documents recent scientific film experiences within ultra high resolution movies transmitted over photonic networks. Future trajectories for aesthetic concerns and practical issues such as the archiving of ultra high definition cinema are usefully informed by these histories of scientific cinema, even as a current generation of multidisciplinary teams including scientists, filmmakers, computer scientists, and network engineers reinvent, rediscover, and necessarily expand the scientific cinema toward concerns of real time collaboration and teaching.

  8. Financial Statement Analysis for Nonprofit Organizations

    OpenAIRE

    Travaglini,Claudio

    2007-01-01

    A financial statement analysis framework for nonprofit organizations is proposed, based on Nonprofit Commission of Certified Public Accountants Association (Commissione Aziende Nonprofit Ordine Nazionale Dottori Commercialisti) for Italian Nonprofits.

  9. [Cinema and professional vocation].

    Science.gov (United States)

    García Sánchez, José Elías

    2011-01-01

    Commercial cinema is both narrative art and a widely-used mass medium that is built upon human stories. Among the contents of these stories there are many vocational aspects. Taking advantage of these circumstances we will proceed to analyze health vocations through eight films. Patch Adams allows us to approach the fulfillment of vocation, which has not been an easy task for women, as we can see in Allá en el setenta y tantos. Vocational fulfillment is at the core of the plot in The Citadel. Something the Lord Made is a good example to illustrate an unfulfilled vocation, in the same way as Awakenings and Arrowsmith represent the fulfillment of an unexpected vocation and a long pursued one. Finally, vocation can demand great sacrifices, which is made crystal clear in Korczak, and when vocation is not strictly followed it might lead to the greatest abominations, which is the case in "The Fugitive. "

  10. 'Nonprofits' need surplus too.

    Science.gov (United States)

    Young, D W

    1982-01-01

    By definition profit refers to the difference between revenue and expenses. In for-profit organizations profit or surplus gives a return to the owners of the company and serves as a source of financing for capital acquisitions and working capital. Nonprofit organizations, which are not allowed a surplus, don't suffer on the first count because they have no owners. But they do suffer on the second count because, if expected to grow, they need to finance asset replacement and growth. In these days when funds for long-term debt are becoming scarcer, this author asserts, the need for regulators to allow 'nonprofits' to keep a surplus is increasing. In this article, he argues for a surplus and then discusses how managers and regulators can determine how much a nonprofit organization should be allowed. He presents a combination of a modified version of the return-on-asset pricing model used in for-profit organizations and a model for assessing working capital needs associated with growth.

  11. Global patterns of guild composition and functional diversity of spiders.

    Science.gov (United States)

    Cardoso, Pedro; Pekár, Stano; Jocqué, Rudy; Coddington, Jonathan A

    2011-01-01

    The objectives of this work are: (1) to define spider guilds for all extant families worldwide; (2) test if guilds defined at family level are good surrogates of species guilds; (3) compare the taxonomic and guild composition of spider assemblages from different parts of the world; (4) compare the taxonomic and functional diversity of spider assemblages and; (5) relate functional diversity with habitat structure. Data on foraging strategy, prey range, vertical stratification and circadian activity was collected for 108 families. Spider guilds were defined by hierarchical clustering. We searched for inconsistencies between family guild placement and the known guild of each species. Richness and abundance per guild before and after correcting guild placement were compared, as were the proportions of each guild and family between all possible pairs of sites. Functional diversity per site was calculated based on hierarchical clustering. Eight guilds were discriminated: (1) sensing, (2) sheet, (3) space, and (4) orb web weavers; (5) specialists; (6) ambush, (7) ground, and (8) other hunters. Sixteen percent of the species richness corresponding to 11% of all captured individuals was incorrectly attributed to a guild by family surrogacy; however, the correlation of uncorrected vs. corrected guilds was invariably high. The correlation of guild richness or abundances was generally higher than the correlation of family richness or abundances. Functional diversity was not always higher in the tropics than in temperate regions. Families may potentially serve as ecological surrogates for species. Different families may present similar roles in the ecosystems, with replacement of some taxa by other within the same guild. Spiders in tropical regions seem to have higher redundancy of functional roles and/or finer resource partitioning than in temperate regions. Although species and family diversity were higher in the tropics, functional diversity seems to be also influenced by

  12. Global patterns of guild composition and functional diversity of spiders.

    Directory of Open Access Journals (Sweden)

    Pedro Cardoso

    Full Text Available The objectives of this work are: (1 to define spider guilds for all extant families worldwide; (2 test if guilds defined at family level are good surrogates of species guilds; (3 compare the taxonomic and guild composition of spider assemblages from different parts of the world; (4 compare the taxonomic and functional diversity of spider assemblages and; (5 relate functional diversity with habitat structure. Data on foraging strategy, prey range, vertical stratification and circadian activity was collected for 108 families. Spider guilds were defined by hierarchical clustering. We searched for inconsistencies between family guild placement and the known guild of each species. Richness and abundance per guild before and after correcting guild placement were compared, as were the proportions of each guild and family between all possible pairs of sites. Functional diversity per site was calculated based on hierarchical clustering. Eight guilds were discriminated: (1 sensing, (2 sheet, (3 space, and (4 orb web weavers; (5 specialists; (6 ambush, (7 ground, and (8 other hunters. Sixteen percent of the species richness corresponding to 11% of all captured individuals was incorrectly attributed to a guild by family surrogacy; however, the correlation of uncorrected vs. corrected guilds was invariably high. The correlation of guild richness or abundances was generally higher than the correlation of family richness or abundances. Functional diversity was not always higher in the tropics than in temperate regions. Families may potentially serve as ecological surrogates for species. Different families may present similar roles in the ecosystems, with replacement of some taxa by other within the same guild. Spiders in tropical regions seem to have higher redundancy of functional roles and/or finer resource partitioning than in temperate regions. Although species and family diversity were higher in the tropics, functional diversity seems to be also

  13. 25 CFR 700.83 - Nonprofit organization.

    Science.gov (United States)

    2010-04-01

    ... 25 Indians 2 2010-04-01 2010-04-01 false Nonprofit organization. 700.83 Section 700.83 Indians THE... Policies and Instructions Definitions § 700.83 Nonprofit organization. The term nonprofit organization..., professional, or instructional activity on a nonprofit basis and that has established its nonprofit...

  14. Dialetical Images in the cinema

    Directory of Open Access Journals (Sweden)

    Angélica Antonechen Colombo

    2013-04-01

    Full Text Available This paper aims to discuss cinema as a Work of Art, its main elements, as the image technique, montage and its role as an essential factor of the aesthetic, perceptive and cognitive variation, from the advent and analyzing the Eisenstein’s intellectual montage, based on Walter Benjamin, Vilém Flusser and Christian Metz ’s theory.

  15. The West in Early Cinema

    NARCIS (Netherlands)

    Verhoeff, Nanna

    2006-01-01

    Verhoeff investigates the emergence of the western genre, made in the first two decades of cinema (1895-1915). By analyzing many unknown and forgotten films from international archives she traces the relationships between films about the American West, their surrounding films, and other popular medi

  16. Fish reproductive guilds downstream of dams.

    Science.gov (United States)

    Vasconcelos, L P; Alves, D C; Gomes, L C

    2014-11-01

    Fish reproductive guilds were used to evaluate the responses of species with different reproductive strategies during two different periods of post-dam construction. The data used for the comparisons were collected in the upper Paraná River floodplain (Brazil), downstream of the Porto Primavera dam, 2 and 10 years after impoundment. The abundance (catch per unit effort, CPUE), species richness, evenness and structure of communities, all within reproductive guilds, were used to test the hypothesis that these metrics vary spatially and temporally. The influence of damming on species structure and the diversity of fish reproductive guilds varied spatiotemporally, and species with opportunistic reproductive strategies tended to be less affected. Conversely, long-distance migratory species responded more markedly to spatiotemporal variations, indicating that the ecosystem dynamics exert greater effects on populations of these species. Thus, the effects of a dam, even if attenuated, may extend over several years, especially downstream. This finding emphasizes the importance of maintaining large undammed tributaries downstream of reservoirs.

  17. The transformation of traditional Chinese guilds In modem times

    Institute of Scientific and Technical Information of China (English)

    Zhu Ying

    2006-01-01

    As traditional business organizations that played an important role in China's economy,guilds have faced unprecedented challenges in modern times due to the invasion of Western capitalism and the changes of the traditional Chinese economic structure.It was difficult to maintain the old guild rules,such as limitations on opening new workshops,recruiting new apprentices,etc.Thus,some guilds that insisted on maintaining the old rules fell into decline,while other guilds,either willingly or unwillingly,made reforms in their organization and structural function to adjust themselves to the new situitions.The latter gradually transformed into the modern trade association.The different fates of traditional guilds proved that guilds had to reform properly and adapt themselves to new economic and social environments in order to survive in modern times.

  18. Tela em branco: cinema da origem,origem do cinema

    Directory of Open Access Journals (Sweden)

    André Brasil

    2009-06-01

    Full Text Available Por meio da tela em branco que aparece em três filmes (Zen for film, de Nam June Paik, Scénario du film Passion, de Jean-Luc Godard, e Onde jaz o teu sorriso?, de Pedro Costa e em um projeto fotográfico (Theatres, de Hiroshi Sugimoto, abordamos o conceito de origem na perspectiva de Walter Benjamin. Em sua abertura e inacabamento, a origem só pode se restituir no futuro, por um trabalho da memória, que se define como recriação a partir de vestígios da história. Aqui se busca um cinema da origem (diferente de um cinema das origens, em cujo saber se abriga sempre um não-saber originário. Nós o encontraremos na tela em branco, nos modos diversos como ela surge em cada uma destas obras.

  19. Cinema pós-moderno

    Directory of Open Access Journals (Sweden)

    Renato Luiz Pucci Junior

    1996-09-01

    Full Text Available Today the postmodern cinema is generally well accepted or tolerated, new films has been produced in accordance with its proposal. But, as every new artistic style, for along period the postmodern cinema has faced attacks from the critics. Its differences and proximities regarding to the classical and to the various modernist tendencies in the cinema caused this rejection. It must be defined the specificity of postmodern film to be recognized the meaning of this cinematographic line within a historical perspective.

  20. Player guild dynamics and evolution in massively multiplayer online games.

    Science.gov (United States)

    Chen, Chien-Hsun; Sun, Chuen-Tsai; Hsieh, Jilung

    2008-06-01

    In the latest versions of massively multiplayer online games (MMOGs), developers have purposefully made guilds part of game environments. Guilds represent a powerful method for giving players a sense of online community, but there is little quantitative data on guild dynamics. To address this topic, we took advantage of a feature found in one of today's most popular MMOGs (World of Warcraft) to collect in-game data: user interfaces that players can modify and refine. In addition to collecting data on in-game player activities, we used this feature to observe and investigate how players join and leave guilds. Data were analyzed for the purpose of identifying factors that propel game-world guild dynamics and evolution. After collecting data for 641,805 avatars on 62 Taiwanese World of Warcraft game servers between February 10 and April 10, 2006, we created five guild type categories (small, large, elite, newbie, and unstable) that have different meanings in terms of in-game group dynamics. By viewing players as the most important resource affecting guild life cycles, it is possible to analyze game worlds as ecosystems consisting of evolving guilds and to study how guild life cycles reflect game world characteristics.

  1. Sociology in cinema: Origins of social types in Turkish cinema

    OpenAIRE

    Coşkun, Çiçek

    2017-01-01

    Thereis a strong relationship between the social type concept in sociology andcinema. We can see representations of various social types in cinema films. Aimof this study is to examine the relationship between the social type concept insociology and origins of social types in classically narrated Turkishfilms.  After a general introduction,social type concept in sociology will be discussed first. Second, classicalnarrative structure will be examined. Then, we will examine character and typein...

  2. CINEMA 4D The Artist's Project Sourcebook

    CERN Document Server

    McQuilkin, Kent

    2011-01-01

    Cinema 4D is a fully integrated 3D modeling, animation, and rendering package used extensively in the film, television, science, architecture, engineering and other industries. Generally ranked as the 3rd most widely-used 3Dapplication Cinema 4D is widely praised for its stability, speed and ease of use. Recent film and broadcast productions that have used Cinema 4D include Open Season, Monster House, Superman Returns, Polar Express, Monday Night Football. This third edition of Cinema 4D is updated to address the latest release of the application as well as its critically acclaimed MoGr

  3. Service & non-profit marketing

    Directory of Open Access Journals (Sweden)

    Stanković Čedomir

    2002-01-01

    Full Text Available Services are dominantly untouchable products which cannot be physically owned. Services promotion is difficult for its untouchables. Personal sale is very powerful in service companies because customers must interact with employees. Price is very important for service's companies. It has psychological role, economic role and it creates attitude for goal achievement. Marketing goal for nonprofit organizations is to get an answer from target market Development of marketing strategies of nonprofit organizations consists of defining and analyzing target market and creating and maintaining marketing mix. In nonprofit organizations product is usually an idea or a service. Promotion in nonprofit organizations is very important. Personal sale, promotional sale, advertising and publicity are used for communicating an idea and informing people about services.

  4. Instant Cinema 4D starter

    CERN Document Server

    Kaminar, Aaron

    2013-01-01

    Get to grips with a new technology, understand what it is and what it can do for you, and then get to work with the most important features and tasks.This book is written in a friendly, practical style with lots of screenshots and help that will ensure you grow in confidence chapter by chapter.This book is recommended for artists that have experience in other 3D software packages, and who want to learn Cinema 4D. That being said, dedicated readers without experience in other 3D software should not be discouraged from reading this book to learn the basics of Cinema 4D as their first 3D package.

  5. Camera Movement in Narrative Cinema

    DEFF Research Database (Denmark)

    Nielsen, Jakob Isak

    2007-01-01

    known as ‘the poetics of cinema.’ The dissertation embraces two branches of research within this perspective: stylistics and historical poetics (stylistic history). The dissertation takes on three questions in relation to camera movement and is accordingly divided into three major sections. The first...... section unearths what characterizes the literature on camera movement. The second section of the dissertation delineates the history of camera movement itself within narrative cinema. Several organizational principles subtending the on-screen effect of camera movement are revealed in section two...... to illustrate how the functions may mesh in individual camera movements six concrete examples are analyzed. The analyses illustrate how the taxonomy presented can substantiate analysis and interpretation of film style. More generally, the dissertation - and particularly these in-depth analyses - illustrates how...

  6. Sosiaalisen median toimintasuunnitelma, case Guild Travel Ltd

    OpenAIRE

    Vanhanen, Anni

    2014-01-01

    Tämän työn tarkoituksena on luoda käyttökelpoinen sosiaalisen median markkinointi-suunnitelma lontoolaiselle matkatoimistolle, joka myy matkoja Suomeen. Työn toimek-siantaja on Guild Travel Ltd. Työ toteutettiin vuoden 2014 keväällä. Työssä esitellään toimeksiantaja matkailualan toimijana ja perehdytään markkinoinnin teoriaan. Käsittelyssä ovat useat eri markkinoinnin teoriat, kuten SOSTAC, SMART ja marketing mix. Näitä malleja hyödyntäen luodaan yrityksen sosiaalisen median toimin-tasuun...

  7. The new landscape for nonprofits.

    Science.gov (United States)

    Ryan, W P

    1999-01-01

    For most of this century, society's caring functions have been the work of government and charities. But social services in the United States are in a period of transition. Today the U.S. government no longer considers nonprofits to be entitled--or even best qualified--to provide social services. Profit-seeking companies like Lockheed Martin are now winning contracts for such services. William Ryan describes how government outsourcing and a new business mind-set have changed the landscape of social services. The change raises fundamental questions about the mission and future of nonprofits. Ryan attributes the growth of for-profits in the social service industry to four factors: size, capital, mobility, and responsiveness. While those attributes give for-profits an advantage in acquiring new contracts, nonprofits have not yet lost their foothold. Ryan cites examples of organizations like the YWCA and Abraxas to demonstrate various ways that nonprofits are responding--from subcontracting to partnership to outright conversion to for-profit status. By playing in the new marketplace, nonprofits will be forced to reconfigure their operations and organizations in ways that could compromise their missions. Because nonprofits now find themselves sharing territory with for-profits, sometimes as collaborators and sometimes as competitors, the distinctions between these organizations will continue to blur. The point, Ryan argues, is not whether nonprofits can survive opposition from for-profits. Many have already adjusted to the new competitive environment. The real issue is whether nonprofits can adapt without compromising the qualities that distinguish them from for-profit organizations.

  8. Jonas Mekas - cinema em lampejos

    Directory of Open Access Journals (Sweden)

    Bruna Machado Ferreira

    2015-06-01

    Full Text Available http://dx.doi.org/10.5007/2175-7917.2015v20n2p55 Este artigo apresenta reflexões acerca da criação cinematográfica de Jonas Mekas, um dos realizadores e pensadores do cinema de vanguarda norte-americano, que, como tal, traz, em seus filmes, a marca da reproposição da linguagem/montagem, uma outra compreensão do tempo e sua passagem, via o abandono da cronologia e de qualquer linearidade narrativa. A partir deste argumento, desdobra-se a leitura de um cinema que se faz no e pelo deslocamento, o trânsito pelo cotidiano, abertura para o acaso, contingência; que não parte de uma unidade espaço-temporal, mas se fragmenta – fragmento este que se apresenta como possibilidade ética diante da alteridade; passagens, rastros, vestígios de um gesto. Cenas que projetam o íntimo no público em uma espécie de celebração contínua e despretensiosa do cotidiano, do familiar. Cinema em exílio, cinema-asilo - ao mesmo tempo, sobrevivência e suspensão de uma memória, abrigo do corpo, da linguagem, do encontro, onde parece sempre se desenhar a possibilidade, abertura para a invenção de um espaço novo, inédito, espaço-vida, espaço-arte, sem fronteiras.

  9. [Deficiency, disability, neurology and cinema].

    Science.gov (United States)

    Collado-Vázquez, Susana; Cano de la Cuerda, Roberto; Jiménez-Antona, Carmen

    2010-12-16

    Cinema has been defined in many different ways, but most of them agree that it should be considered both a technique and an art. Although films often depict fantasy stories, in many cases they also reflect day-to-day realities. In its earliest days cinema was already attracted to the world of health and sickness, and frequently addressed topics like medical practice, how patients lived with their illnesses, bioethical issues, the relationship between physician and patient or research. To review the presence of neurological pathologies in the cinema with a view to identifying the main neurological disorders that have been portrayed in films. Likewise it also intends to describe the medical praxis that is employed, the relationship between physician and patient, how the experiences of the patient and the family are represented, the adaptation to social and occupational situations, and the intervention of other health care professionals related with neurological patients. Some of the most significant films that have addressed these topics were reviewed and it was seen that in some of them the illness is dealt with in a very true-to-life manner, whereas others tend to include a greater number of inaccuracies and a larger degree of fiction. Cinema has helped to shape certain ways of thinking about the health care professionals who work with neurological patients, the importance of support from the family and the social role, among other things. This confirms that resorting to cinematographic productions is a fruitful tool for stimulating a critical interest in the past and present of medical practice.

  10. Third World Cinema. Factfile No. 10.

    Science.gov (United States)

    Elsas, Diana, Ed.; And Others

    The nations included in this guide are countries in Africa (non-Arab), Latin America (including Cuba, Mexico, and Puerto Rico), India, and Southeast Asia (including the Philippines). The organizations listed with descriptive information are either actively involved in Third World cinema, international cinema as a whole, or will serve as resource…

  11. Cinema and Pedagogy: An Urban Education Seminar

    Science.gov (United States)

    Meyer, Karen Ann; Vellani, Al-Munir

    2014-01-01

    In "Cinema Paradiso" (Tomatore, 1988), Salvatore's love of movies came from spending his earlier, young life inside a cinema with the fatherly projectionist Alfredo, now blind and bitter. Alfredo is right. Life is much harder, yes, yet still very much "like in the movies" filled with frustrated actions, performed inside blind…

  12. Introduction: Special issue on Global Lesbian Cinema.

    Science.gov (United States)

    Farr, Daniel

    2012-01-01

    This article offers a brief introduction to this special issue on Global Lesbian Cinema. This issue particularly highlights the importance of recognizing lesbian discourse as a separate, related piece of the discourse of queer transnational and global cinema. Subsequently, brief summaries of the eight articles of this collection are provided.

  13. Asian Cinema and the Social Imaginary

    Science.gov (United States)

    Dissanayake, Wimal

    2009-01-01

    There is growing interest by schools and universities in understanding Asian societies and cultures. One way of deepening this interest productively is through the imaginative use of cinema. In this article, the author explores how cinema can be a window into the dynamics of contemporary Asian societies and cultures. Through "aesthetic…

  14. Cinema and Pedagogy: An Urban Education Seminar

    Science.gov (United States)

    Meyer, Karen Ann; Vellani, Al-Munir

    2014-01-01

    In "Cinema Paradiso" (Tomatore, 1988), Salvatore's love of movies came from spending his earlier, young life inside a cinema with the fatherly projectionist Alfredo, now blind and bitter. Alfredo is right. Life is much harder, yes, yet still very much "like in the movies" filled with frustrated actions, performed inside blind…

  15. European cinema: face to face with Hollywood

    NARCIS (Netherlands)

    T. Elsaesser

    2005-01-01

    In the face of renewed competition from Hollywood since the early 1980s and the challenges posed to Europe's national cinemas by the fall of the Wall in 1989, independent filmmaking in Europe has begun to re-invent itself. European Cinema: Face to Face with Hollywood re-assesses the different debate

  16. Digital rights management for digital cinema

    Science.gov (United States)

    Kirovski, Darko; Peinado, Marcus; Petitcolas, Fabien A. P.

    2001-12-01

    There is a wide consensus among the feature film production studios that the Internet era brings a new paradigm for film distribution to cinemas worldwide. The benefits of digital cinema to both producers and cinemas are numerous: significantly lower distribution and maintenance costs, immediate access to film libraries, higher presentation quality, and strong potential for developing new business models. Despite these advantages, the studios are still reluctant to jump into the digital age. The main showstopper for digital cinema is the danger of widespread piracy. Piracy already costs Hollywood an estimated two billion dollars annually and digital cinema without proper copyright enforcement could increase this number. In this paper, we present a copyright management system that aims at providing the set of necessary security tools: standard cryptographic primitives and copyright protection mechanisms that enable a reliable and secure feature film delivery system.

  17. O cinema está morto. Que viva o Cinema!

    OpenAIRE

    Nazareth, Adriano Joaquim Carvalho Barbosa

    2007-01-01

    Doutoramento Parte I A primeira parte deste trabalho consubstancia-se em três verbos : apresentar, reflectir, interrogar. Fiel ao objectivo implícito no subtítulo - Subsídios para o ensino da cinematografia numa escola de arte elaborou-se uma relação largada e abrangente das varias técnicas de registo de imagem em movimento acompanhada de notas históricas sobre a cinematografia guardando um especial enfoque sobre cinema e televisão. Em um segundo momento reflecte-se sobre a evolução t...

  18. Problems and Methods of Source Study of Cinema Documents

    Directory of Open Access Journals (Sweden)

    Grigory N. Lanskoy

    2016-03-01

    Full Text Available The article is devoted to basic problems of analysis and interpretation of cinema documents in historical studies, with the possibility of shared approach to the study of cinema and paper documents, the using of art studies principles to the analysis of cinema documents and the efficacy of textual approach to the study of cinema documents among them. The forms of applying different scientific methods to the evaluation of cinema documents as historical sources are also discussed in the article.

  19. Malayalam cinema and mental health.

    Science.gov (United States)

    Menon, Koravangattu Valsraj; Ranjith, Gopinath

    2009-06-01

    There is a tradition of using films to teach various aspects of psychiatry and we feel that Malayalam cinema can also be used suitably to teach effectively. These films can be an invaluable resource in cultural competency training as they depict the effects of culture on psychopathology and cultural and regional influences on attitudes to mental illness and stigma. We also note that the portrayal is often far from reality but this is not a barrier for using the films as an effective alternative to traditional and didactic teaching methods. This method of teaching can stimulate interest and discussion and demystify the myths of novice students and others about mental health.

  20. Luce, Trasparenze e Cinema tra Arte e Scienza - Light, Transparency and Cinema between Art and Science

    CERN Document Server

    Lorenzi, Marcella Giulia

    2009-01-01

    From light and physical phenomena to cinema, an interdisciplinary percourse between art and science, from historical and critical references to the ultimate digital frontiers, including digital movies revolution, stereoscopy, holography, interfaces. ----- Dalla luce ed i fenomeni fisici al cinema, un percorso interdisciplinare tra arte e scienza, dalle citazioni storiche e critiche alle ultime frontiere del digitale, inclusi il cinema digitale, la stereoscopia, la olografia, le interfacce.

  1. Maria Roberta Novielli, Animerama. Storia del cinema d’animazione giapponese

    OpenAIRE

    Bassi, Sabrina

    2016-01-01

    Maria Roberta Novielli, docente di discipline legate al cinema e alla letteratura giapponese presso l’Università Ca’ Foscari di Venezia, già autrice di monografie sul cinema del Giappone quali Storia del cinema giapponese, Metamorfosi. Schegge di violenza nel nuovo cinema giapponese e Lo schermo scritto. Letteratura e cinema in Giappone, offre al pubblico una nuova opera legata al cinema e al Giappone: questa volta si tratta del cinema di animazione che, escluso dal volume Storia del cinema g...

  2. Competition and Mergers among Nonprofits

    NARCIS (Netherlands)

    Prüfer, J.

    2007-01-01

    Should mergers among nonprofit organizations be regulated differently than mergers among for-profit firms? The relevant empirical literature is highly controversial, the theoretical literature is scarce. We analyze the question by modeling duopoly competition with quality-differentiated goods. We co

  3. Competition and Mergers among Nonprofits

    NARCIS (Netherlands)

    Prüfer, J.

    2007-01-01

    Should mergers among nonprofit organizations be regulated differently than mergers among for-profit firms? The relevant empirical literature is highly controversial, the theoretical literature is scarce. I analyze the question by modeling duopoly competition with quality-differentiated goods. I comp

  4. Defining the Nonprofit Sector: Denmark

    DEFF Research Database (Denmark)

    Ibsen, Bjarne; Habermann, Ulla

    Arbejdspapiret, som er en del af det danske bidrag til det internationale forskningsprojekt The Johns Hopkins Comparative Nonprofit Sector Project, redegør for den historiske udvikling af den frivillige sektor i Danmark. Dernæst beskrives forskellige måder af definere og afgrænse den frivillige s...

  5. Defining the Nonprofit Sector: Denmark

    DEFF Research Database (Denmark)

    Ibsen, Bjarne; Habermann, Ulla

    Arbejdspapiret, som er en del af det danske bidrag til det internationale forskningsprojekt The Johns Hopkins Comparative Nonprofit Sector Project, redegør for den historiske udvikling af den frivillige sektor i Danmark. Dernæst beskrives forskellige måder af definere og afgrænse den frivillige...

  6. Tela em branco: cinema da origem,origem do cinema

    OpenAIRE

    André Brasil

    2009-01-01

    Por meio da tela em branco que aparece em três filmes (Zen for film, de Nam June Paik, Scénario du film Passion, de Jean-Luc Godard, e Onde jaz o teu sorriso?, de Pedro Costa) e em um projeto fotográfico (Theatres, de Hiroshi Sugimoto), abordamos o conceito de origem na perspectiva de Walter Benjamin. Em sua abertura e inacabamento, a origem só pode se restituir no futuro, por um trabalho da memória, que se define como recriação a partir de vestígios da história. Aqui se busca um cinema da or...

  7. Guild composition and seasonal distribution of insects on Protea ...

    African Journals Online (AJOL)

    1990-06-12

    Jun 12, 1990 ... test of Lawton's (1983) hypothesis that plant height is of significance in ... (PI). Species are grouped by guild, then taxon. (PS = phytophagous sucker, PC ..... Detritivores. No. insects. No.insects .40,--_ _ _ _ _ _ _ _ _ _ _---, .. 0.

  8. 32 CFR 37.1315 - Nonprofit organization.

    Science.gov (United States)

    2010-07-01

    ... 32 National Defense 1 2010-07-01 2010-07-01 false Nonprofit organization. 37.1315 Section 37.1315... of the organization. (b) The term includes any nonprofit institution of higher education or nonprofit... REGULATIONS TECHNOLOGY INVESTMENT AGREEMENTS Definitions of Terms Used in This Part § 37.1315...

  9. 22 CFR 228.32 - Nonprofit organizations.

    Science.gov (United States)

    2010-04-01

    ... 22 Foreign Relations 1 2010-04-01 2010-04-01 false Nonprofit organizations. 228.32 Section 228.32 Foreign Relations AGENCY FOR INTERNATIONAL DEVELOPMENT RULES ON SOURCE, ORIGIN AND NATIONALITY FOR... USAID Financing § 228.32 Nonprofit organizations. (a) Nonprofit organizations, such as...

  10. Titaanide heitlus: Forum Cinemas vs Cinamon

    Index Scriptorium Estoniae

    2009-01-01

    Cinamon Group avab Solarise keskuses uue Cinamoni kinoketti kuuluva kino, mis konkureerib Coca-Cola Plazaga (võrdlev tabel, allikad: Cinamoni turundusjuht Evelyn Laar ja Forum Cinemas' levijuhi asetäitja Timo Diener)

  11. Video - Personal Competence Manager (Digital Cinema pilot)

    NARCIS (Netherlands)

    Santos, Patricia

    2008-01-01

    Video demonstrating the PCM (version year 2007) in the context of the Digital Cinema pilot. Elaborated for a eLearning Seminar within the International Master on Communication and Education (Autonomous University of Barcelona, academic year 2008)

  12. Titaanide heitlus: Forum Cinemas vs Cinamon

    Index Scriptorium Estoniae

    2009-01-01

    Cinamon Group avab Solarise keskuses uue Cinamoni kinoketti kuuluva kino, mis konkureerib Coca-Cola Plazaga (võrdlev tabel, allikad: Cinamoni turundusjuht Evelyn Laar ja Forum Cinemas' levijuhi asetäitja Timo Diener)

  13. The Crypt, the Haunted House, of Cinema

    Directory of Open Access Journals (Sweden)

    Alan Cholodenko

    2013-08-01

    Full Text Available As we know, it is a cliché that what we see on the screen is ghosts, phantoms, spectres. What I propose in this essay is that that cliché be taken seriously—do I dare say it, ‘deadly’ seriously—be given rigorous analytic attention for its relevance to the thinking of cinema and its senses, while at the same time acknowledging that even the finest account must come face to face with the ‘fact’ that there is no ghostbuster, not even the analyst/theorist of cinema, not even the Marxist analyst/theorist of cinema, so powerful as to master, defeat and eradicate the spectre of cinema. It is a key premise of this essay that not only is the spectre a privileged subject of film but that it would be the ur figure of cinema, if cinema could have an ur figure, if the spectre could be an ur figure, a figure not only operating at every second at every level in every aspect of every film but also at the level of the cinematic, or rather animatic, apparatus of film, hence at the level of film ‘as such’.

  14. Psychoanalysis and the Hindi cinema.

    Science.gov (United States)

    Bhugra, Dinesh; Gupta, Susham

    2009-06-01

    Psychoanalysis was developed in nineteenth-century Vienna and led to a major change in thinking about emotions and feelings, and entered common parlance. Psychoanalysis raises notions of individual's growth and development, and defence mechanisms are used to suppress anxiety and stress. Portrayal of psychoanalysis in modern Hindi cinema is rare. In this paper we look at two films released in the late 1960s which dealt directly with psychoanalysis. Using these films we illustrate the relationship between males and females and the interaction between mothers and sons in the Indian context. The role of nurses as nurturing maternal figures and the role of tradition and modernity related to gender and westernization are discussed. These films represent the emergent India and its relationship with modernity and traditional values.

  15. Business-nonprofit partnerships as a driver of internal marketing in nonprofit organizations. Consequences for nonprofit performance and moderators

    Directory of Open Access Journals (Sweden)

    Luis Ignacio Álvarez-González

    2017-04-01

    Full Text Available Nonprofit organizations (NPOs confront competitive pressures derived from complex economic and societal challenges. Their capacity to fulfil their mission increasingly depends on developing successful alliances with key external and internal stakeholders, including cooperative interorganizational relationships. In this context, the aim of this research is to analyze: (1 to which extent business-nonprofit partnerships (BNPPs foster the development of an internal marketing approach by NPOs; (2 the impact of this approach to human resource management on nonprofit performance; and (3 the possible moderating effect of the funding strategy of the nonprofit. This empirical research, based on a survey to a representative sample of Spanish NPOs, shows that cooperative relationships between nonprofit and business organizations are closely associated with a process of knowledge transfer, resulting in improved nonprofit performance; although these positive effects depend on the capacity of NPOs to generate income from commercial sources.

  16. Between cinema and contemporary art Entre cinema e arte contemporânea

    Directory of Open Access Journals (Sweden)

    André Parente

    2009-09-01

    Full Text Available Between cinema and contemporary art — How is the new media changing the original architectural, technological, and discursive dimensions of the "device" cinema? How do these experiments create new displacements or points of departure from the instituted representation model? The notion of "device" allows us to rethink cinema, avoiding cleavages and technological, historical and aesthetic determinisms. Unlike the dominant cinema, several cinematographic works reinvent the cinematographic "device", multiplying screens, exploiting other durations and intensities, transforming the projection room architecture, and entertaining other relations with spectators. De que modo as novas mídias estão transformando o dispositivo do cinema em suas dimensões primordiais: arquitetônica, tecnológica e discursiva? Como essas experiências criam novos deslocamentos ou pontos de fuga em relação ao modelo de representação instituído? A noção de dispositivo nos permite repensar o cinema, evitando clivagens e determinismos tecnológicos, históricos e estéticos. Ao contrário do cinema dominante, muitas obras cinematográficas reinventam o dispositivo cinematográfico, multiplicando as telas, explorando outras durações e intensidades, transformando a arquitetura da sala de projeção, entretendo outras relações com os espectadores.

  17. An Intimate Encounter: Negotiating Subtitled Cinema

    Directory of Open Access Journals (Sweden)

    Niall Flynn

    2016-01-01

    Full Text Available The question of subtitling has received little attention in Film Studies, despite being the primary means by which foreign-language cinema is experienced. Current literature focuses on important matters of language and translation, but there are other aspects that exceed these matters when we watch subtitled films, aspects which are able to affect and move viewers without relying on explanation through translation. My paper shows how viewers have to negotiate these affective elements in order to apprehend foreign-language films, with special attention on their indeterminate characteristics that escape representation. It considers the negotiation of subtitled cinema from numerous theoretical perspectives. Gilles Deleuze’s film-philosophy is popular in Film Studies for its theoretical flows and lines of flight, but this paper engages another Deleuzian thread—one of gaps and fissure—in order to explore the indeterminate negotiations of subtitled films. But in thinking about subtitling, we also have to reconsider the constitution of media. Cinema is not just made up of individual parts; rather, it is made of many interacting media, which cannot be separated. I argue that subtitled cinema consists of multiple affective elements that go beyond the interpretive methods of language and translation, and that the practice of negotiation is one way to apprehend them. In conclusion, this article, by exploring non-linguistic issues, argues that subtitling is not simply supplementary to cinema.

  18. Portrayal of gay characters in Bollywood cinema.

    Science.gov (United States)

    Bhugra, Dinesh; Kalra, Gurvinder; Ventriglio, Antonio

    2015-01-01

    Hindi cinema production from India is the largest in the world. Cinema reflects the society which it portrays, and in turn influences social attitudes. Hindi cinema, often known as Bollywood, demonstrates deep roots in society. In the last decade homosexual behaviour was legalized by the Delhi High Court but subsequently deemed illegal by the Supreme Court. These changes reflect changes in social attitudes. In this paper we highlight social attitudes to homosexuality - both male and female - in the context of portrayal in Hindi cinema. Historically, cultural and social values and the attitudes towards sexuality in India have been sex positive, but over the past 200 years under the British colonial rule they became very negative and indeed punitive towards homosexuality and homosexual men and women in line with prevalent Victorian attitudes to sex and sexual activity. Various descriptions and sexual identities have been identified and described in the literature. In this paper we describe a small selection of films from Hindi cinema which depict homosexuality. These portrayals have been largely negative. We describe the possible reasons for this and the potential impact these portrayals may have on audiences.

  19. Integrated fingerprinting in secure digital cinema projection

    Science.gov (United States)

    Delannay, Damien; Delaigle, Jean-Francois; Macq, Benoit M. M.; Quisquater, Jean-Jacques; Mas Ribes, Joan M.; Boucqueau, Jean M.; Nivart, Jean-Francois

    2001-12-01

    This paper describes the functional model of a combined conditional access and fingerprinting copyright (-or projectionright) protection system in a digital cinema framework. In the cinema industry, a large part of early movie piracy comes from copies made in the theater itself with a camera. The evolution towards digital cinema broadcast enables watermark based fingerprinting protection systems. Besides an appropriate fingerprinting technology, a number of well defined security/cryptographic tools are integrated in order to guaranty the integrity of the whole system. The requirements are two-fold: On one side, we must ensure that the media content is only accessible at exhibition time (under specific authorization obtained after an ad-hoc film rental agreement) and contains the related exhibition fingerprint. At the other end, we must prove our ability to retrieve the fingerprint information from an illegal copy of the media.

  20. CINEMA OF MIYAZAKI AND AUTEUR THEORY

    Directory of Open Access Journals (Sweden)

    Ali KARATAY

    2015-10-01

    Full Text Available Many different ideas have been put forward under the headings of ideas, theories, technology, technique and etc. in the environment where cinema as a concept is discussed. The discipline which is closely and explicitly connected to the artistic activities is no doubt cinema. Therefore, cinema has always maintained its position on the agenda. Methods being dependent on Auther Theory and produced as a reaction and alternative to the present cinema concept within the process have created their own languages by coping with certain bureaucratic requirements and managed to eliminate the understanding of producer's cinema. This step which Studio Ghibli and also Miyazaki have taken against the prevailing animation sector and concept of the period on the way to find their own style by preserving their sel-identity and this attitude developed and introduced by them are equivalent owing to the likeness between them. Miyazaki Cinema both decorating all elements used in its films with extremely fine details and being extremely specialized in detail possesses a value which can be judged by holistic approach even though it stands in a different position in terms of the relevant period. It is quite remarkable to be able to create such quality works both by aiming to appeal to general audience and without diverting from fictitious perspective. Particularly, the issue of being didactic, which is the reason for fear for many others, is of no concern for Miyazaki and he has transferred his discourse in his films to another dimension, that is, subject of future by delivering important milestones to the young people whom he has given value and advice without having any concern in being didactic.

  1. Optical Network Technologies for Future Digital Cinema

    Directory of Open Access Journals (Sweden)

    Sajid Nazir

    2016-01-01

    Full Text Available Digital technology has transformed the information flow and support infrastructure for numerous application domains, such as cellular communications. Cinematography, traditionally, a film based medium, has embraced digital technology leading to innovative transformations in its work flow. Digital cinema supports transmission of high resolution content enabled by the latest advancements in optical communications and video compression. In this paper we provide a survey of the optical network technologies for supporting this bandwidth intensive traffic class. We also highlight the significance and benefits of the state of the art in optical technologies that support the digital cinema work flow.

  2. Cinema 4D R13 Cookbook

    CERN Document Server

    Szabo, Michael

    2012-01-01

    This book contains short recipes designed to effectively teach tools in the minimum amount of time. Each recipe hits on a topic that can be combined or incorporated with other recipes to give you the building blocks you need to start making great designs with Cinema 4D. Rather than demonstrating how to make a few specific and extensive projects, the recipes create a solid base of knowledge to help the reader understand the tools available to foster their own creativity. This book is for anyone who wants to quickly get up to speed with Cinema 4D to create 3D projects that run laps around simple

  3. 24 CFR 200.195 - Removal of nonprofit organization from Nonprofit Organization Roster.

    Science.gov (United States)

    2010-04-01

    ... 24 Housing and Urban Development 2 2010-04-01 2010-04-01 false Removal of nonprofit organization from Nonprofit Organization Roster. 200.195 Section 200.195 Housing and Urban Development Regulations... Placement and Removal Procedures for Participation in FHA Programs Nonprofit Organization § 200.195...

  4. 24 CFR 200.194 - Placement of nonprofit organization on Nonprofit Organization Roster.

    Science.gov (United States)

    2010-04-01

    ... 24 Housing and Urban Development 2 2010-04-01 2010-04-01 false Placement of nonprofit organization on Nonprofit Organization Roster. 200.194 Section 200.194 Housing and Urban Development Regulations... Placement and Removal Procedures for Participation in FHA Programs Nonprofit Organization §...

  5. Physa Marmorata Guilding, 1828 (Pulmonata: Physidae

    Directory of Open Access Journals (Sweden)

    W. Lobato Paraense

    1986-12-01

    Full Text Available A description of Physa marmorata Guilding, 1828, based on material collected at its type-locality, the Caribbean island of Saint Vincent, is presented. The shell is thin, horn-colored, surface very glossy, diaphanous. Spire acute, elevated; protoconch distinct, rounded-conical, reddish-brown; five not shouldered, broadly convex whorls with subobsolete spiral lines and thin growth lines. Aperture elongated, 1.4-2.0 times as long as the remaining shell length, narrow obovate-lunate; upper half acute-angled,lower half oval,narrowly rounded at the base, outer lip sharp, inner lip completely closing the umbilical region; a very distinct callus on the parietal wall; columellar lip with a low ridge gradually merging into the callus. ratios: shell width/shell length = 0.44 - 0.52 (mean 0.47; spire length /shell lenght = 0.33-0.41 (mean 0.39; aperture length/shell lenght = 0.59-0.67 (mean 0.62. Oral lappets laterally mucronate, foot spatulate with deeply pigmented acuminate tail. Mantle reflection with 6-10 short triangular dentations covering nearly half the right surface of the body whorl, and 4-6 covering a part of the ventral wall. Body surface with tiny dots of greenish-yellow pigment besides melanin. Renal tube tightly folded in toa zigzag course. Ovotestis diverticula acinous, laterally pressed against each other around a collecting canal. Ovispermiduct with well-developed seminal vesicle. oviduct highly convoluted, merging into a less convoluted nidamental gland which narrows to a funnel-shaped uterus and a short vagina. Spermathecal body oblong, more or less constricted in the middle and somewhat curved; spermathecal duct uniformly narrow, a little longer than be body. About 20 prostatic diverticula, simple, bifurcate or divided into a few short branches, distalmost ones assembled into a cluster. Penis long, nearly uniformly narrow; penial canal with lateral opening about the junction of its middle and lower thirds. Penial sheath with a bulbous

  6. Faithful Strategies : How Religion Shapes Nonprofit Management

    NARCIS (Netherlands)

    Filistrucchi, L.; Prüfer, J.

    2013-01-01

    Abstract: This paper studies the strategies employed by Catholic and Protestant nonprofit hospitals in Germany and traces them back to the theological foundations of those religions, which shape managers' values. We find that Catholic nonprofit hospitals follow a strategy of horizontal diversificati

  7. Cinema and science, nature and culture

    Directory of Open Access Journals (Sweden)

    Marcio Barreto

    2017-05-01

    Full Text Available http://dx.doi.org/10.5007/1807-1384.2017v14n2p19 Faced with contemporary issues that call into question the boundaries between nature and culture, man and machine, society and environment, cinema is taken here as a guide for reflection on modern science by Bergson and Deleuze’s texts, among  other authors. Operating the passage from science to art and from art to science, cinema is here considered as a technical object and technical object as instrument to magnify perception. To highlight the artificiality of these borders, Newton's gravitational law is presented in its physical and metaphysical implications by the writings of Betty Dobbs and Newton himself. Through the lens of cinema, especially on movies such as 2001 A Space Odyssey, by Stanley Kubrick and Out of the present, by Andrei Ujica, the article shows that the power of cinema contributes to the perception that dimensions of science, which go beyond their alliances with the State and the market, are relevant to the challenges on the horizon of the 21’s century.

  8. Wide-Screen Cinema and Stereophonic Sound.

    Science.gov (United States)

    Wysotsky, Michael Z.

    Developments in the techniques of wide screen cinema and stereophonic sound throughout the world are detailed in this book. Particular attention is paid to progress in the Soviet Union in these fields. Special emphasis is placed on the Soviet view of stereophonic sound as a vital adjunct in the search for enchanced realism as opposed to the…

  9. Understanding the Realist Tendency in the Cinema.

    Science.gov (United States)

    Hudlin, Edward W.

    1980-01-01

    With reference to the work of Siegfried Kracauer, the author argues that realism as a special movement in the cinema is defensible and that its rejection by critics has been due to their mistaken assumption that realism is based on the doctrines of the "innocent eye" and the "artless style." (Author/SJL)

  10. Toward the Development of a Raza Cinema.

    Science.gov (United States)

    Camplis, Francisco X.

    Chicano teatro, poetry, and art appear to be more developed forms of Chicano cultural expression. Chicano literature and film are just getting off the ground. Film is the least developed of the two, primarily because it is an expensive medium. However, this medium can be a tool for social change. "Raza Cinema" could Conceivably include…

  11. The human chameleon: Hybrid Jews in cinema

    NARCIS (Netherlands)

    A. Vudka

    2016-01-01

    This research explores the seditious potential of hybrid Jewish figures in cinema, based on certain thinkers of post WWII French philosophy, feminist and postcolonial theories, and traditional Jewish texts, which in different ways point to a reevaluation of the "chameleon Jew" in positive terms. Whi

  12. Student Communities and Individualism in American Cinema

    Science.gov (United States)

    Warnick, Bryan R.; Dawson, Heather S.; Smith, D. Spencer; Vosburg-Bluem, Bethany

    2010-01-01

    Hollywood films partially construct how Americans think about education. Recent work on the representation of schools in American cinema has highlighted the role of class difference in shaping school film genres. It has also advanced the idea that a nuanced understanding of American individualism helps to explain why the different class genres are…

  13. Toward the Development of a Raza Cinema.

    Science.gov (United States)

    Camplis, Francisco X.

    Chicano teatro, poetry, and art appear to be more developed forms of Chicano cultural expression. Chicano literature and film are just getting off the ground. Film is the least developed of the two, primarily because it is an expensive medium. However, this medium can be a tool for social change. "Raza Cinema" could Conceivably include…

  14. Reencontro com o cinema de imagens

    Directory of Open Access Journals (Sweden)

    Hohlfeldt, Antônio

    2002-01-01

    Full Text Available Foram precisos exatos 26 anos para que Lavoura arcaica, o trágico romance de Raduan Nassar se transformasse num poema épico-subjetivo que a cinematografia de Luiz Fernando Carvalho nos entrega. Entre o romance de 1975 e o filme de 2001, o cinema brasileiro perdeu o medo de ser ele mesmo

  15. The human chameleon: Hybrid Jews in cinema

    NARCIS (Netherlands)

    Vudka, A.

    2016-01-01

    This research explores the seditious potential of hybrid Jewish figures in cinema, based on certain thinkers of post WWII French philosophy, feminist and postcolonial theories, and traditional Jewish texts, which in different ways point to a reevaluation of the "chameleon Jew" in positive terms. Whi

  16. Roteiros do cinema e do modernismo brasileiro

    Directory of Open Access Journals (Sweden)

    Regina Mota

    2010-12-01

    Full Text Available This article debates the common ideas that link the brazilian modernism and the Cinema Novo. It shows how movies kinetic properties promoted a revolution in the artistic experience in the beginning of twentieth century, and how this procedure was appropriated within the popular cultural values, in the artistic expression.

  17. [Pictures of autism in the American cinema].

    Science.gov (United States)

    Matusevich, Mauricio; Matusevich, Daniel

    2005-01-01

    The aim of this article is to analyze the different ways in which the autism appears in the american cinema; the genres chosen are comedy, thriller and road movie because they represent classical movie patterns. The movies commented are: Mercury rising, Rainman, Who eats Gilbert Grape.

  18. Development of Creative Potential of Cinema Tourism

    Science.gov (United States)

    Dzhandzhugazova, Elena A.; Ilinaa, Elena L.; Latkin, Aleksander N.; Koshelevava, Anna I.

    2016-01-01

    The relevance of the problem indicated in the article is caused by the fact that under current conditions it is necessary to offer high-quality and demanded tourist products, formed at the combination of various industries on the basis of wide application of creative potential of different industries, including tourism and cinema, a harmonious…

  19. Student Communities and Individualism in American Cinema

    Science.gov (United States)

    Warnick, Bryan R.; Dawson, Heather S.; Smith, D. Spencer; Vosburg-Bluem, Bethany

    2010-01-01

    Hollywood films partially construct how Americans think about education. Recent work on the representation of schools in American cinema has highlighted the role of class difference in shaping school film genres. It has also advanced the idea that a nuanced understanding of American individualism helps to explain why the different class genres are…

  20. East Asian Cinema (College Course File).

    Science.gov (United States)

    Ehrlich, Linda; Ma, Ning

    1990-01-01

    Provides guidelines for instructors who teach entire courses on (or who include) films from Japan and China. Considers issues of concern in contemporary Asian cinema such as conflicts between tradition and modernity, indigenous definitions of cultural identity and artistic form, and internationalization. (KEH)

  1. Cinema and science, nature and culture

    National Research Council Canada - National Science Library

    Marcio Barreto

    2017-01-01

    http://dx.doi.org/10.5007/1807-1384.2017v14n2p19 Faced with contemporary issues that call into question the boundaries between nature and culture, man and machine, society and environment, cinema is taken here as a guide for reflection...

  2. CompassPoint Nonprofit Services: strengthening the capacities of nonprofits (1971-2008).

    Science.gov (United States)

    Eschman, Jessica R; Schwartz, Sara L; Austin, Michael J

    2011-01-01

    CompassPoint Nonprofit Services is a nonprofit organization that delivers cutting-edge research and support services to the nonprofit community. Over its 30-year history, CompassPoint has transitioned from a small management support agency into a nationally-recognized leader in nonprofit capacity building and nonprofit management research. Through its strong internal operations and external connections, the agency has been able to stay current on the multiple challenges facing the local and national nonprofit community. CompassPoint has been a valuable resource for the nonprofit sector as it has struggled to retain its identity over the past 30 years, in relation to political and economic changes that have altered the functioning of the sector as a whole.

  3. 48 CFR 31.108 - Contracts with nonprofit organizations.

    Science.gov (United States)

    2010-10-01

    ... with nonprofit organizations. Subpart 31.7 provides principles and standards for determining costs applicable to contracts with nonprofit organizations other than educational institutions, State and local governments, and those nonprofit organizations exempted under OMB Circular No. A-122....

  4. Dvds, video games, and the cinema of interactions Dvds, video games, and the cinema of interactions

    Directory of Open Access Journals (Sweden)

    Richard Grusin

    2008-04-01

    Full Text Available The “cinema of interactions” in the title of my paper alludes to Tom Gunning’s paradigmatic conception of early cinema as a “cinema of attractions.” Borrowing from the idea that electronic textuality marks what has been called the late age of print, I argue that the history of cinema up to the present moment can be seen as an extension of early cinema. In describing the current cinematic moment in this fashion, I do not mean to suggest that film will disappear in the face of video games and other digital media, but rather that it will continue increasingly to be engaged with the social, technological, and aesthetic forms and practices of digital media. This engagement will not be marked (as many digital enthusiasts contend by the emergence of a distinctively new digital medium (and the concomitant abandonment of the technologically outmoded medium of celluloid film, but rather by the emergence of multiply networked, distributed forms of cinematic production and exhibition. Indeed I am convinced that in this sense we already find ourselves with a digital cinema—not as a distinctively new medium but as a hybrid network of media forms and practices. The “cinema of interactions” in the title of my paper alludes to Tom Gunning’s paradigmatic conception of early cinema as a “cinema of attractions.” Borrowing from the idea that electronic textuality marks what has been called the late age of print, I argue that the history of cinema up to the present moment can be seen as an extension of early cinema. In describing the current cinematic moment in this fashion, I do not mean to suggest that film will disappear in the face of video games and other digital media, but rather that it will continue increasingly to be engaged with the social, technological, and aesthetic forms and practices of digital media. This engagement will not be marked (as many digital enthusiasts contend by the emergence of a distinctively new digital medium

  5. Ambidexterity in non-profit, voluntary organizations

    DEFF Research Database (Denmark)

    Aagaard, Peter

    Artiklen forbinder organisatorisk læring med strategisk ledelse af nonprofit, frivillige organisationer. Den forklarer hvor de to forbundne strategiske udfordringer – frivilligt engagement og organisatorisk læring kan håndteres ved at anvende indsigt fra litteraturen om udforskning og udnyttelse og...... om ambidekstrale organisationer. Artiklen præsenterer tre cases om nonprofit, frivillige organisationer for at tydeliggøre forbindelserne mellem frivilligt engagement og organisatorisk læring. De strategiske implikationer er, at nonprofit frivillige organisationer bør have et ambidekstralt forhold...

  6. Taxation of Non-profit organization

    OpenAIRE

    BŘEHOVSKÝ, Miroslav

    2007-01-01

    Nowadays non-profit organizations are the integral parts of developed economics. They fill gap in the market, where exist market failures. Their main aim is not to reach profit but to offer services in which ``invisible hand of market{\\crqq} fail. But it doesn{\\crq}t mean, that they can{\\crq}t reach profit. Attention is on reasons why these non-profit organizations exist, potential profit or revenue are secondary aims. For these reasons there exist some differences in taxation of non-profit o...

  7. Nonprofits: check your attention to customers.

    Science.gov (United States)

    Andreasen, A R

    1982-01-01

    Nonprofit organizations chronically face financial difficulties. Now the situation has worsened because they are being squeezed between the uncertain economic climate and cutbacks in government support. While the managers of these institutions may think that they have already tried everything possible, more than ever they must be innovative in developing additional funding sources. As Mr. Andreasen argues, most nonprofits have failed to exploit marketing techniques which can build support from users or customers that leads to improved cash flow. The author contends that managers of nonprofit organizations focus too closely on their products or services; he admonishes them to give more attention to the needs and wants of their consumers.

  8. National Identities and Cinema: a critical recension of the book Directory of World Cinema: Spain

    Directory of Open Access Journals (Sweden)

    Isabel Macedo

    2012-12-01

    Full Text Available This critical review concerns the book Directory of World Cinema: Spain. This book is part of a series of volumes published in the Directory of World Cinema, by Intellect Books. The first part consists of a critique of the film "Biutiful", an interview with the director Jaime Rosales, followed by a reflection on the Spanish film industry. This part is also composed of a chapter in which are discussed the aspects that the authors consider to define the Spanish culture, concluding with a reflection on the work of some Spanish filmmakers. In the second part are presented ten film genres that characterize the Spanish cinema, and analyzed ten films by each gender. This book would benefit from a final reflection on the Spanish cinema, by recognizing and discussing the national character of the films produced, very marked by the national spaces and by the political, cultural and social history lived. Many European cinematographies became known as belonging to a particular national culture, and some even developed a style or have become specialized in a particular genre. This seems to be the reality of Spanish cinema, were the genre classified in this book as author melodram is very present.

  9. O cinema e a sociedade: um caso de amor = Cinema and society: a love affair

    Directory of Open Access Journals (Sweden)

    Martins, Sheila Peil

    2014-01-01

    Full Text Available Desde o início de seu desenvolvimento o cinema se mostrou importante na formação do espaço urbano das grandes cidades. O cinema penetrou na sociedade de modo a ditar os hábitos e costumes a serem seguidos, onde a população aproveitava para se divertir, passear e confraternizar. Em Porto Alegre centraram-se, inicialmente, na Rua da Praia. Assim, ia-se ao centro como um evento especial, todos queriam participar do famoso footing da Rua da Praia. Desse modo, as majestosas salas de cinemas de calçada se tornaram importantes espaços de lazer e encontro da sociedade porto-alegrense. Com efeito, toma-se como objeto deste trabalho os cinemas da cidade de Porto Alegre como um espaço de sociabilidade, focando-se nos nas décadas de 1940 e 1950, anos auge do cinema na cidade. Nesta pesquisa pode-se observar que nestes anos desenvolveu-se também o CineClube de Porto Alegre, mostrando a relevância da sétima arte para a vida social e cultural. Para que realizar esta análise foi necessária a seleção de uma bibliografia, como também uma pesquisa de campo

  10. Film festival as a factor of art cinema social institutionalization

    Directory of Open Access Journals (Sweden)

    O. Ye. Konovalov

    2014-05-01

    Full Text Available The increasing recently interest towards the art house cinema stipulates the relevance in the field of sociological investigations of the cinema proper as a social institution and directly the art cinema, as this area most brightly covers those pressing problems and cardinal social changes that occur nowadays. The article deals with the analysis of the film festival as a structural element when researching the art house cinema as a social institution. At the same time, carrying out the function of the mass media and social institution, the art house cinema represents a great interest for studying in the field of sociology. Acting as mass media, art cinema can originally influence its audience, forming specific models of behavior, social aims, and sometimes political views of its audience. A new judgment of factors of social institutionalization of art cinema is offered for consideration, one of which is the film festival. Basic research on the basis of modern scientific works of foreign researches of the cinema is conducted. This subject offers judgment of processes concerning social interaction in the framework of film festival acting as establishment for performing the function of mass media and a social institution on behalf of the art house cinema.

  11. Organizational capacity of nonprofit social service agencies.

    Science.gov (United States)

    Paynter, Sharon; Berner, Marueen

    2014-01-01

    The U.S. social safety net is formed by governmental and nonprofit organizations, which are trying to respond to record levels of need. This is especially true for local level organizations, such as food pantries. The organizational capacity literature has not covered front-line, local, mostly volunteer and low resource organizations in the same depth as larger ones. This analysis is a consideration of whether grassroots nonprofit organizations have the ability to be a strong component of the social safety net. Based on the literature on organizational capacity, a model is developed to examine how service delivery at the local level is affected by organizational capacity. Surprisingly, we find few of the characteristics previously identified as important are statistically significant in this study. Even when so, the material effect is negligible. Current organizational capacity research may apply to larger nonprofits, but not to the tens of thousands of small community nonprofits, a significant limitation to the research to date.

  12. The use of interest rate swaps by nonprofit organizations: evidence from nonprofit health care providers.

    Science.gov (United States)

    Stewart, Louis J; Trussel, John

    2006-01-01

    Although the use of derivatives, particularly interest rate swaps, has grown explosively over the past decade, derivative financial instrument use by nonprofits has received only limited attention in the research literature. Because little is known about the risk management activities of nonprofits, the impact of these instruments on the ability of nonprofits to raise capital may have significant public policy implications. The primary motivation of this study is to determine the types of derivatives used by nonprofits and estimate the frequency of their use among these organizations. Our study also extends contemporary finance theory by an empirical examination of the motivation for interest rate swap usage among nonprofits. Our empirical data came from 193 large nonprofit health care providers that issued debt to the public between 2000 and 2003. We used a univariate analysis and a multivariate analysis relying on logistic regression models to test alternative explanations of interest rate swaps usage by nonprofits, finding that more than 45 percent of our sample, 88 organizations, used interest rate swaps with an aggregate notional value in excess of $8.3 billion. Our empirical tests indicate the primary motive for nonprofits to use interest rate derivatives is to hedge their exposure to interest rate risk. Although these derivatives are a useful risk management tool, under conditions of falling bond market interest rates these derivatives may also expose a nonprofit swap user to the risk of a material unscheduled termination payment. Finally, we found considerable diversity in the informativeness of footnote disclosure among sample organizations that used interest rate swaps. Many nonprofits did not disclose these risks in their financial statements. In conclusion, we find financial managers in large nonprofits commonly use derivative financial instruments as risk management tools, but the use of interest rate swaps by nonprofits may expose them to other risks

  13. Psychopathy and the cinema: fact or fiction?

    Science.gov (United States)

    Leistedt, Samuel J; Linkowski, Paul

    2014-01-01

    The authors investigated the relationship between cinema and psychopathy to describe and analyze the portrayal of fictional psychopathic characters in popular films and over cinematic history. From 400 films (1915-2010), 126 fictional psychopathic characters (21 female and 105 male) were selected based on the realism and clinical accuracy of their profiles. Movies were then analyzed by senior forensic psychiatrists and cinema critics. Secondary (71%) and manipulative (48%) subtypes were the most common in the female group, while secondary (51%) and prototypical (34%) were the most common in the male group. Corresponding to the increased understanding of clinical psychopathy by professional mental health providers over time, the clinical description of and epidemiological data on fictional psychopaths in popular films have become more realistic. Realistic fictional psychopaths remain in the minority but are very important for didactic purposes in Academic facilities, as "teaching Movies." © 2013 American Academy of Forensic Sciences.

  14. 看电影%THE CINEMA

    Institute of Scientific and Technical Information of China (English)

    2012-01-01

    要想说一口地道的英语。俚语是必不可少的。请阅读下面对话。猜猜其中的俚语是什么意思。然后对照后面的单词表检验一下。本期主题:看电影。%Slang Dialogue Abigail: Are you still on for the cinema tonight? Leon: The cinema? Abigail: I sent you a text message a couple of days ago. Leon: Oh, right, yes, so you did. Sorry, it just completely slipped my mind! I' ve got a memory like a sieve these days- working too hard and not getting enough sleep. Anyway, yes, count me in! What time are we on for?

  15. Teaching the Five Cs with Cinema

    Directory of Open Access Journals (Sweden)

    Rimma Garn

    2012-08-01

    Full Text Available This paper discusses teaching the five Cs (as noted in the following introduction, delineated in the “National Standards for Foreign Language Learning in the 21st Century,” through a college content course based on cinema. It provides an overview of a 2009 Berkeley workshop, “Teaching Language and Culture with Film,” that addressed larger issues related to such courses within the curriculum, their design and teaching. The paper goes on to describe three Russian courses based on the same textbook, KinoTalk, yet designed for different student audiences: for traditional third year students and for various kinds of non-traditional students, for heritage speakers, and for former missionaries with two-years experience in the target country but minimal formal training in the language. In conclusion, the paper suggests ideas for further courses taught using the same textbook and for teaching the five Cs through language and cinema in general.

  16. O cinema e a imagem verdadeira

    Directory of Open Access Journals (Sweden)

    Marina Soler Jorge

    Full Text Available Este artigo procura analisar a questão ontológica no cinema conforme teorizada por André Bazin a partir de novas pesquisas em História da Arte desenvolvidas por Hans Belting. Com os escritos deste autor, veremos que a crença na imagem cinematográfica ultrapassa o suporte técnico e sua gênese mecânica, conforme colocava Bazin, e tem sua origem na cultura do Cristianismo que difunde a crença na imagem como prova da existência do Salvador, estabelecendo desta maneira uma identificação entre suporte material, representação e realidade que repercutirá no cinema.

  17. Israel: New history and post zionist cinema

    Directory of Open Access Journals (Sweden)

    Sheila Schvarzman

    2013-12-01

    Full Text Available This article discusses a cultural and political movement that seeks, by reviewing the history of the creation of Israel, to replace recognition of the Palestinians as well as the responsibility for their exile/deportation. Duty of memory and duty of recognition in which Israeli cinema is engaged, and to which filmmaker Eyal Sivan proposes constitute an archive with testimony of the perpetrators. Not only Palestinian victims, but especially Israeli perpetrators, questioning, too, the forms of documentary. 

  18. Cinema periférico de bordas

    Directory of Open Access Journals (Sweden)

    Bernadette Lyra

    2009-09-01

    Full Text Available Resumo O cinema de bordas é produzido por realizadores autodidatas, moradores de cidades pequenas ou de arredores das grandes capitais. Os filmes periféricos têm um público específico e apresentam características alternativas que estão voltadas para o entretenimento. Esses filmes são produtos adaptados às regiões, ao modo de vida e ao imaginário popular e massivo das comunidades envolvidas no processo de sua produção. Palavras-chave: Cinema de bordas; filmes periféricos; paracinema; estilo cinematográfico; consumo alternativo. Resumen El cine de bordes es producido por directores autodidactas, moradores de las pequeñas ciudades o de los suburbios de las grandes capitales. Las películas periféricas tienen un público específico y son alternativas volcadas al entretenimiento. Estas películas son productos adaptados a las regiones, al modo de vida y al imaginario popular y masivo de las comunidades envueltas en el proceso de su producción. Palabras-clave: Cine de bordes; películas periféricas; paracinema; estilo cinematográfico; alternativas de consumo. Abstract Borderline cinema is produced by self taught directors, people from small towns or from the outskirts of big capitals. Peripheral movies have specific audiences and they exhibit a mixture of alternatives meant for entertainment. These films are tailor made in order to address specific regions, the way of life and the popular imagination and massive communities involved in the process of each production. Keywords: Borderline cinema; peripheral movies; paracinema; cinematographic style; alternative consumption.

  19. A stereoscopic lens for digital cinema cameras

    Science.gov (United States)

    Lipton, Lenny; Rupkalvis, John

    2015-03-01

    Live-action stereoscopic feature films are, for the most part, produced using a costly post-production process to convert planar cinematography into stereo-pair images and are only occasionally shot stereoscopically using bulky dual-cameras that are adaptations of the Ramsdell rig. The stereoscopic lens design described here might very well encourage more live-action image capture because it uses standard digital cinema cameras and workflow to save time and money.

  20. Silencing cinema: film censorship around the world

    OpenAIRE

    2013-01-01

    Why does oppression by censorship affect the film industry far more frequently than any other mass media? "Silencing Cinema" brings together the key issues and authors to examine instances of film censorship throughout the world. Including essays by some of today's leading film historians, the book offers groundbreaking historical research on film censorship in major film production countries, including the United States, the United Kingdom, Russia/Soviet Union, India, China, and Nigeria, amo...

  1. Cinema Film Distribution and Exhibition in Ireland

    OpenAIRE

    O'Donnell, Damien

    1992-01-01

    This study of cinema film distribution and exhibition practices In Ireland examines key aspects of the Industry: firstly, the basic mechanics of the Industry and Its operations: secondly, the various alignments between exhibitors and distributors and consequences of those alignments: thirdly, the impact of the arrival of British multiplex companies: fourthly, the costs of film censorship; and finally, the idea of an 'art-house' circuit In Ireland.

  2. Literatura e cinema: interseções

    Directory of Open Access Journals (Sweden)

    Vera Lúcia Follain de Figueiredo

    2011-01-01

    Full Text Available Literature and cinema: intersections Vera Lúcia Follain de Figueiredo This article will focus on intersections and convergences motivated by market mediation in the field of cultural assets and technological advances that indicate a change of the position of literature in the cultural hierarchy. For this reason, it is questioned the eventual effects of the expansion of audio-visual means on the production, consumption and valuation agendas of literature works.

  3. Social-Ecological Guilds: Putting People into Marine Historical Ecology

    Directory of Open Access Journals (Sweden)

    Janna M. Shackeroff

    2011-03-01

    Full Text Available Marine historical ecology provides historic insights into past ocean ecosystems that are crucial to effectively confronting the declining health and resilience in marine ecosystems. A more 'peopled' approach to marine historical ecology is necessary, given the heightened emphasis on human dimensions in marine management. This study examined the historical ecology of Hawaiian coral reef ecosystems through oral histories of diverse ocean experts, representing six traditional, local, and scientific knowledge systems. Based on 61 in-depth interviews with these ocean experts, historical trends, abundance, and distribution over 80 years and a 50-mile region for 271 species emerged. Analyzing trends by ecological guild, e.g., herbivores, proved inappropriate to these data; rather, based on qualitative analyses, five distinct trends encompassing nearly all species emerged in what we term "social-ecological guilds." Ocean expert's observations of change were surprisingly consistent, regardless of their knowledge system, whereas perceptions of change varied widely. The historical picture was far broader and richer when the contributions of six knowledge systems were incorporated, compared to that of any one alone. Social-ecological guilds also matter critically from a management perspective, because understanding how experts from a multiplicity of perspectives observe, interpret, and respond to ecological change can help managers anticipate responses to management activities and perhaps to design better management strategies.

  4. Economics, mangement and development of non-profit making organization

    OpenAIRE

    Piskoř, Martin

    2009-01-01

    Non-profit making organization. Management analysis of non-profit making organization and its development. Utilization of rational action theory in management of non-profit making organization acting in dance. Example of an autarchic, flourishing and competitive non-profit making organization.

  5. Economics, mangement and development of non-profit making organization

    OpenAIRE

    Piskoř, Martin

    2009-01-01

    Non-profit making organization. Management analysis of non-profit making organization and its development. Utilization of rational action theory in management of non-profit making organization acting in dance. Example of an autarchic, flourishing and competitive non-profit making organization.

  6. 7 CFR 4279.71 - Public bodies and nonprofit corporations.

    Science.gov (United States)

    2010-01-01

    ... 7 Agriculture 15 2010-01-01 2010-01-01 false Public bodies and nonprofit corporations. 4279.71... § 4279.71 Public bodies and nonprofit corporations. Any public body or nonprofit corporation that... by a public body or nonprofit corporation in compliance with OMB Circulars A-128 or A-133 or...

  7. Cinema Interativo: novas possibilidades de ambientes imersivos

    Directory of Open Access Journals (Sweden)

    Natália Aly Menezes

    2011-12-01

    Full Text Available O texto “Cinema Interativo: novas possibilidades de ambientes imersivos”, sintetiza a pesquisa  de-senvolvida pela autora, como projeto de Pós-Graduação no curso Tecnologia da Inteligência e Design Digital – PUC-SP. A pesquisa busca reunir uma análise atenciosa diante da entrada da tecnologia di-gital, tecnologia esta que interfere inevitavelmente na linguagem cinematográfica, e não apenas em sua estética. Com a abertura do mundo dos números binários (código das informações computacionais, e a possibilidade de digitalização da imagem, o que era matéria se desmaterializa e infinitas possibilidades criacionais surgem, inclusive, abrindo portas para experimentar o cinema de maneira expandida. No-vas formas de construção narrativa, nova relação espectador-cinema, um novo tempo e espaço, novas formas de significações; tudo pode sofrer alterações. O texto parte de estudos feitos com base em teóri-cos como Peter Weibel, Jeffrey Shaw, Lev Manovich, entre outros.

  8. [Epilepsy in literature, cinema and television].

    Science.gov (United States)

    Collado-Vázquez, Susana; Carrillo, Jesús María

    2012-10-01

    Literature, cinema and television have often portrayed stereotypical images of people that have epilepsy and have helped foster false beliefs about the disease. To examine the image of epilepsy presented by literature, cinema and television over the years. Epilepsy has frequently been portrayed in literary works, films and television series, often relating it with madness, delinquency, violent behaviours or possession by the divine or the diabolical, all of which has helped perpetuate our ancestral beliefs. The literary tales and the images that appear in films and on television cause an important emotional impact and, bearing in mind that many people will only ever see an epileptic seizure in a film or in a TV series or might gain some information about the disorder from a literary text, what they see on the screen or read in the novels will be their only points of reference. Such experiences will therefore mark the awareness and knowledge they will have about epilepsy and their attitudes towards the people who suffer from it. Novels and films are fiction, but it is important to show realistic images of the disease that are no longer linked to the false beliefs of the past and which help the general public to have a more correct view of epilepsy that is free from prejudices and stereotypes. Literature, cinema and television have often dealt with the subject of epilepsy, sometimes realistically, but in many cases they have only helped to perpetuate false beliefs about this disease.

  9. [Parkinson's disease in literature, cinema and television].

    Science.gov (United States)

    Collado-Vázquez, Susana; Cano-de-la-Cuerda, Roberto; Carrillo, Jesús M

    2014-02-01

    INTRODUCTION. Since James Parkinson published what can be considered the first treaty on the disease that bears his name in 1817, the scientific literature on this pathology has not ceased to grow. But the illness has also been represented in literature, the cinema and on television, where the symptoms, treatment and socio-familial context of the disease have often been examined very closely. AIM. To address the cases in which Parkinson's disease appears in literature, cinema and television, as well as to reflect on the image of the condition presented in those contexts. DEVELOPMENT. We reviewed some of the most important works in the literature dealing with Parkinson's disease from any period of history and many of them were found to offer very faithful portrayals of the disease. Likewise, we also reviewed major films and TV series that sometimes offer the general public a close look at the vision and the impact of the disease on patients or their relatives. CONCLUSIONS. Literature, cinema and television have helped provide a realistic view of both Parkinson's disease and the related healthcare professionals, and there are many examples that portray the actual experiences of the patients themselves, while also highlighting the importance of healthcare and socio-familial care.

  10. [Poliomyelitis in literature, cinema and television].

    Science.gov (United States)

    Collado-Vázquez, Susana; Carrillo, Jesús M; Águila-Maturana, Ana M

    2014-10-01

    Poliomyelitis is an infectious disease whose initial symptoms are fever, fatigue, headaches, vomiting, a stiff neck and pains in the limbs. In many cases, the sequelae are irreversible paralysis and may result in death if there is bulbar or respiratory compromise. A set of symptoms, called post-polio syndrome, which appears years after the acute infection, are also described. To analyse the way poliomyelitis has been dealt with in literature, cinema and television. Film and television writers and directors have shown an interest in poliomyelitis and have portrayed it in a correct and realistic manner, both in fiction and in biographies or documentary-type works. Nemesis, Silver wattle, Leave her to heaven or The fall are some examples of literary works on the subject. Cinema has also portrayed polio all the way back to silent movies, with titles such as The woman in his house, The Silver Streak, Sister Kenny or The sessions. This disease and its sequelae have also been portrayed on television in series such as Hospital Central, Grey's anatomy, House M.D. or Amar en tiempos revueltos, and in TV films like El asunto, Eleanor and Franklin or Warm Springs. Poliomyelitis has been portrayed in literature, cinema and television in a realistic manner, showing its symptoms, sequelae, and the personal, familial and social impact of this disease.

  11. [Cinema and neurology: early educational applications].

    Science.gov (United States)

    Collado-Vázquez, Susana; Carrillo, Jesús M

    2015-03-01

    Since its earliest days, cinema has been used in the teaching of neurology both to illustrate the professor's explanations and to make learning easier for students. To analyse some of the first applications of cinema to the teaching and learning of neurology. Shortly after the birth of the film projector it became apparent that it could be a valuable aid in teaching medicine, and especially neurology. Initially, actual recordings made by doctors themselves were used, and later documentaries, short films and feature films were employed as means of showing diagnostic and therapeutic methods, as well as different pathological signs, such as movement disorders. The intention was not to replace other methodologies but instead to complement them and to make the process of acquiring knowledge easier. Applying cinema in teaching is a useful way to portray the contents of different subjects, especially in the field of neurology, and to favour the acquisition of both specific and cross-disciplinary competences, with very positive results being obtained among students.

  12. [Multiple sclerosis in literature, cinema and television].

    Science.gov (United States)

    Collado-Vazquez, S; Carrillo, J M; Cano-de-la-Cuerda, R

    2016-12-16

    Today, the care of patients with multiple sclerosis and those around them represents a clinical and therapeutic challenge for healthcare professionals. The aim of this study is to analyse the appearance of multiple sclerosis in literature, cinema and television, and to reflect upon the image it has in these media. Several representative works that have addressed multiple sclerosis were reviewed, and many of them were seen to offer a very true-to-life vision of the disease. Likewise, a review was also conducted of the most relevant films and TV series that, on occasions, offer the general public a close look at the impact of the disease on patients or relatives, although they are sometimes somewhat exaggerated for the sake of increased dramatic effect and offer a slightly distorted view of reality. Literature largely reflects the real epidemiology, the symptoms and development of the disease, while less attention seems to be given to the diagnostic and therapeutic options open to patients. Cinema and television have offered a correct image but sometimes with the addition of more dramatic effects. It is important for literature, cinema and television to offer a realistic view of this neurological disease so as to make it better known among the public and to help lessen the stigma attached to it.

  13. Cinematic realism and digital special effects in Hollywood cinema

    OpenAIRE

    Güney, Tolga

    1996-01-01

    Ankara : Department of Graphic Design and Institute of Fine Arts, Bilkent Univ., 1996. Thesis (Master's) -- Bilkent University, 1996. Includes bibliographical refences. This thesis attempts to understand changing conceptions of realism in entertainment cinema by the emergence of digital special effects as an implication of new modes of production in contemporary Hollywood cinema. It focuses on the reflexive, intertextual, and hyperreal characteristics of contemporary Holl...

  14. World Cinema: Realismus, Evidenz, Präsenz

    NARCIS (Netherlands)

    Elsaesser, T.

    2012-01-01

    World cinema (as a successor to national cinema) has always defined itself against Hollywood on the basis of its greater realism. Whether one thinks of Italian neo-realism, the French nouvelle vague’s semi-documentary cinéma vérité, or Ingmar Bergman’s clinically probing psychological realism: our

  15. Contribution of artists in the formation of cinema space

    Directory of Open Access Journals (Sweden)

    Skorik Elena

    2014-06-01

    Full Text Available This article analyzes the creative activity of artists from different eras, caused the birth and development of the cinema sphere. This study significantly expands our knowledge about the world history of cinematic art, its origins. It will also be of interest to the international cinema and art community for further multilateral study of the interaction of art and cinematic cultures.

  16. Mathematics in Literature and Cinema: An Interdisciplinary Course

    Science.gov (United States)

    Chabrán, H. Rafael; Kozek, Mark

    2016-01-01

    We describe our team-taught, interdisciplinary course "Numb3rs in Lett3rs & Fi1ms: Mathematics in Literature and Cinema," which explores mathematics in the context of modern literature and cinema. Our goal with this course is to advance collaborations between mathematics and the written/theatre-based creative arts.

  17. Travel, speed and entertainment in cinema territories and aviation

    Directory of Open Access Journals (Sweden)

    João Luís Jesus Fernandes

    2016-02-01

    Full Text Available Book review and critical reading of a book that crosses cinema and the aviation transport, a work that understands the latter as a territory of cinema diffusion. The films shown in the aircraft are designed to entertain the passengers, keep them calm, but also to promote marketing campaigns and lifestyles.

  18. Mathematics in Literature and Cinema: An Interdisciplinary Course

    Science.gov (United States)

    Chabrán, H. Rafael; Kozek, Mark

    2016-01-01

    We describe our team-taught, interdisciplinary course "Numb3rs in Lett3rs & Fi1ms: Mathematics in Literature and Cinema," which explores mathematics in the context of modern literature and cinema. Our goal with this course is to advance collaborations between mathematics and the written/theatre-based creative arts.

  19. The Filmmaker as Metallurgist: Political Cinema and World Memory

    NARCIS (Netherlands)

    Pisters, P.

    2016-01-01

    Compared to earlier waves of political cinema, such as the Russian revolution films of the 1920s and the militant Third Cinema movement in the 1960s, in today's globalized and digital media world filmmakers have adopted different strategies to express a commitment to politics. Rather than directly c

  20. World Cinema: Realismus, Evidenz, Präsenz

    NARCIS (Netherlands)

    T. Elsaesser

    2012-01-01

    World cinema (as a successor to national cinema) has always defined itself against Hollywood on the basis of its greater realism. Whether one thinks of Italian neo-realism, the French nouvelle vague’s semi-documentary cinéma vérité, or Ingmar Bergman’s clinically probing psychological realism: our n

  1. Guilds and middle-class welfare, 1550–1800: provisions for burial, sickness, old age, and widowhood.

    Science.gov (United States)

    Van Leeuwen, Marco H D

    2012-01-01

    Guilds provided for masters' and journeymen's burial, sickness, old age, and widowhood. Guild welfare was of importance to artisans, to the functioning of guilds, to the myriad of urban social relations, and to the political economy. However, it is an understated and neglected aspect of guild activities. This article looks at welfare provision by guilds, with the aim of addressing four questions. Firstly, for which risks did guild welfare arrangements exist in the Netherlands between 1550 and 1800, and what were the coverage, contributions, benefit levels, and conditions? Secondly, can guild welfare arrangements be regarded as insurance? Thirdly, to what extent and how did guilds overcome classic insurance problems such as adverse selection, moral hazards, and correlated risks? Finally, what was the position of guild provision in the Dutch political economy and vis-à-vis poor relief?

  2. The Neuro-Image: Alain Resnais's Digital Cinema without the Digits

    NARCIS (Netherlands)

    Pisters, P.

    2011-01-01

    This paper proposes to read cinema in the digital age as a new type of image, the neuroimage. Going back to Gilles Deleuze's cinema books and it is argued that the neuro-image is based in the future. The cinema of Alain Resnais is analyzed as a neuro-image and digital cinema .

  3. The Neuro-Image: Alain Resnais's Digital Cinema without the Digits

    NARCIS (Netherlands)

    Pisters, P.

    2011-01-01

    This paper proposes to read cinema in the digital age as a new type of image, the neuroimage. Going back to Gilles Deleuze's cinema books and it is argued that the neuro-image is based in the future. The cinema of Alain Resnais is analyzed as a neuro-image and digital cinema .

  4. Bird guild loss and its determinants on subtropical land-bridge islands, China

    Institute of Scientific and Technical Information of China (English)

    Zhifeng Ding; Kenneth James Feeley; Huijian Hu; Ping Ding

    2015-01-01

    Background:The guild concept is useful for understanding the community structure in a land-bridge island system, but most fragmentation studies have focused only on the importance of island area and isolation, other island attributes such as perimeter-area ratio (PAR) were overlooked or understudied. Methods:We have adopted a guild approach to investigate the impacts of island attributes on bird guild richness on a set of 41 recently isolated land-bridge islands in the Thousand Island Lake (TIL), China. Results:We found insectivores had the largest number of species (34 species), fol owed by understory foraging guilds (28 species), omnivores (27 species) and canopy guilds (25 species). Furthermore, our data showed that migrants and residents responded equal y to island area, insectivores and understory guilds were sensitive to island area but omnivores and canopy guilds were not very sensitive. Most guild richness was determined by island area, except for omnivores and canopy guilds. Conclusions:Although PAR or habitat diversity found to be important for bird species richness, our results highlight the importance of island area in maintaining bird diversity in fragmented island systems.

  5. Bird guild loss and its determinants on subtropical land-bridge islands, China

    Institute of Scientific and Technical Information of China (English)

    Zhifeng; Ding; Kenneth; James; Feeley; Huijian; Hu; Ping; Ding

    2015-01-01

    Background: The guild concept is useful for understanding the community structure in a land-bridge island system,but most fragmentation studies have focused only on the importance of island area and isolation, other island attributes such as perimeter-area ratio(PAR) were overlooked or understudied.Methods: We have adopted a guild approach to investigate the impacts of island attributes on bird guild richness on a set of 41 recently isolated land-bridge islands in the Thousand Island Lake(TIL), China.Results: We found insectivores had the largest number of species(34 species), fol owed by understory foraging guilds(28 species), omnivores(27 species) and canopy guilds(25 species). Furthermore, our data showed that migrants and residents responded equal y to island area, insectivores and understory guilds were sensitive to island area but omnivores and canopy guilds were not very sensitive. Most guild richness was determined by island area, except for omnivores and canopy guilds.Conclusions: Although PAR or habitat diversity found to be important for bird species richness, our results highlight the importance of island area in maintaining bird diversity in fragmented island systems.

  6. Development of Nonprofit-Sector in Albania

    Directory of Open Access Journals (Sweden)

    Xhiliola Agaraj (Shehu

    2012-12-01

    Full Text Available The purpose of this paper is to provide information on the development of non-profit organizations (NPOs in Albania. In Albania there were two political systems, communist system from 1945-1990 and democratic system after 1990. These systems have contributed to the development of non-profit sector in the country. Secondary sources are used to identify the development of non-profit sector in terms of number, field of activity, financial sources and primary sources are used to indicate which it is actually the situation of non-profit sector in Albania. Interviews and questionnaire distributed in the area of the north, south of Albania and Tirana (capital of Albania is used to provide information regarding the type of NPOs by location, field of ​​activity of NPOs in Albania by type and location, financial sources and sector development trends. Limitations of the paper are that in the study are taken non-profit organizations that are registered at Court of Tirana District as associations, foundations, and the center and not political parties or religious organizations. For data processing is used SPSS computer program.

  7. Historiografia do cinema canadense: balanço inicial * Historiography of Canadian cinema: starting survey

    Directory of Open Access Journals (Sweden)

    LUIZ ALEXANDRE PINHEIRO KOSTECZKA

    2013-08-01

    Full Text Available Resumo: O presente artigo apresenta os principais e mais referenciados estudiosos canadenses que se dedicaram ao estudo das elaborações audiovisuais do Canadá. Narra os percursos dessa historiografia e indica os principais eixos interpretativos utilizados para a análise de uma filmografia que perpassa mais de um século de intensa produção. Esses textos indicam uma diversidade de perspectivas, porém, apresentam um fio condutor comum que aloca esses trabalhos na envergadura do pensamento acerca da identidade canadense. Inferir a respeito da possibilidade/impossibilidade do conceito de nação nesse país é um elemento constituinte desses textos. Dessa forma, este artigo perscruta os meios e métodos utilizados nessas bibliografias para responder aos intermitentes dilemas da identidade nacional no cinema produzido no Canadá.Palavras-chave: Historiografia – Cinema – Canadá. Abstract: This paper presents the leading and most referenced Canadian scholars who have devoted themselves to the study of cinema production in Canada. It lists the movements of such historiography and point out the main interpretative axes used for the analysis of a filmography that pervades more than a century of powerful production. These several texts show a variety of perspectives; however, they have a common thread that allocates these works in the current of thought on the Canadian identity. To infer about the possibility/impossibility of the concept of nation in this country is a constitutive component of these texts. Therefore, this article aims to scrutinize the proceedings and methods used in these bibliographies to answer to the intermittent dilemmas of national identity in the cinema produced in Canada.Keywords: Historiography – Cinema – Canada.

  8. A New Source of Nonprofit Neurosurgical Funding.

    Science.gov (United States)

    Fernando, Amali M; Nicholas, Joyce S; O'Brien, Peter; Shabani, Hamisi; Janabi, Mohamed; Kisenge, Peter; Ellegala, Dilantha B; Bass, R Daniel

    2017-02-01

    The purpose of this paper is to propose and qualify a novel funding mechanism for international neurosurgical nonprofits. The article first identifies and explains neurosurgeons' means for practicing in the developing world through a literature review. After this examination of the current funding methods for surgical care in low-income regions, the work transitions to an explanation of the applications and limitations of a new resource: the internal wealth of a developing country. This wealth may be leveraged by way of a for-profit hospital to create sustainable and domestic funding for nonprofit neurosurgical training. The applicability of the proposed mechanism extends beyond the field of neurosurgery to nonprofits in any health-related discipline. Factors influencing the viability of this mechanism (including local disease burden, economic trajectory, and political stability) are examined to create a baseline set of conditions for success.

  9. Why most private hospitals are nonprofit.

    Science.gov (United States)

    Bays, C W

    1983-01-01

    In recent decades, restrictions that have been imposed on hospitals organized for profit have served to restructure the industry, generating a constant trend toward nonprofit organizations. Small proprietary hospitals in particular have disappeared while corporate chains have come to dominate what is left of the for-profit hospital sector. The trend toward nonprofit hospitals is not explained by the failure of the health service markets and is not the result of a desire to serve the public interest more effectively. Although a number of arguments have been advanced to explain the shift, the hypothesis that seems most consistent with the existing evidence is that the nonprofit form of organization serves most effectively to strengthen the restrictive character of the market for physicians' services and thereby to serve the individual economic interests of the physicians.

  10. The large terrestrial carnivore guild in Quaternary Southeast Asia

    Science.gov (United States)

    Louys, Julien

    2014-07-01

    Much of Southeast Asia's large terrestrial carnivores appeared, evolved and disappeared from the region for reasons that remain poorly understood. Two of the most significant extinctions are represented by the charismatic Pleistocene megacarnivores Pachycrocuta and Pliocrocuta. Southeast Asia hosts the last populations of these species globally. Their persistence in southern China until the late Pleistocene suggests their extinction was not tied to that of the machairodont cats, which like the rest of the world became extinct sometime in the early Pleistocene in this region. Instead the disappearance of the hyenids is probably related to climate change and deteriorating environmental conditions. There is some evidence that the wolf and domesticated dog first appeared in Southeast Asia, although confirmation of this awaits more detailed fossil records. There does not appear to be a large carnivore guild turnover of the same scale or time as recorded in Europe and Africa, although an extinction event in the late Pleistocene is provisionally recorded. Environmental changes and fluctuating sea levels have had a unique impact on the region's large carnivore guild. Several large carnivores from Java show unique genetic and morphological variations, and this could potentially be related to the connection between Java and the Indochinese mainland sometime during the middle Pleistocene. The effects of islands on the large carnivores are complicated and at times contradictory. Nevertheless, periods of isolation of large carnivores on Java, Sumatra and Borneo from the continent had impacts on both extinctions and speciations, with at least one well documented endemic large carnivore evolving in Sundaland (Sunda clouded leopard). Hunting and deforestation ongoing since the mid- to late Holocene means that many extant members of the large carnivore guild are at high risk of extinction.

  11. Development Professionals at Religiously Based Nonprofit Organizations

    Directory of Open Access Journals (Sweden)

    Jim Pinder

    2012-09-01

    Full Text Available The study of why a fundraising professional would choose to leave his or her employer is critical to the ongoing success of religiously based nonprofit organizations as they work to achieve their mission. Without continuity in the donor relationship, donors will likely leave the organization or become disenfranchised. This study focuses on development professionals at Seventh-Day Adventist institutions across North America. The results of this study are applicable to other religiously based nonprofit organizations. The present article reveals the reasons affecting employee retention and proposes approaches to mitigate the loss of valuable employees. Data were gathered using a structured online survey and analyzed for its descriptive outcomes.

  12. Cinema 4D R14 cookbook

    CERN Document Server

    Russell, Simon

    2013-01-01

    This book is written in a Cookbook style with short recipes designed to effectively teach tools in the minimum amount of time. Each recipe hits on a topic that can be combined or incorporated with other recipes to give you the building blocks you need to start making great designs with Cinema 4D. Rather than demonstrating how to make a few specific and extensive projects, the recipes create a solid base of knowledge to help the reader understand the tools available to foster their own creativity.This book is for professional artists working in architecture, design, production, or games and wan

  13. Cinema and the Collective Dimensions of Disease

    Directory of Open Access Journals (Sweden)

    Carlos TABERNERO HOLGADO

    2016-09-01

    Full Text Available The purpose of this article is to approach the understanding of the role played by films in the mechanismsfor the socio-cultural construction of health and disease. Our starting point is the consideration ofPublic health and cinema as sets of practices and discourses that are interrelated and essential for theprocesses of construction and functioning of contemporary societies. Based on this premise, we willanalyse the different types of representation of epidemics in films, seen as diseases that go beyond theprivate life of the individual. This provides some explanatory keys regarding our way of understanding,experiencing and managing the collective dimensions of disease.

  14. Deconstructing and reconstructing ‘transnational cinema'

    OpenAIRE

    Shaw, Deborah

    2013-01-01

    This chapter involves bringing together the work of a number of film theorists in order to consider aspects of transnational film cultures that are often taken in isolation. I then apply their findings, where possible, to my own area of expertise, Latin American cinema, and more specifically to my current research area, the work of contemporary ‘Mexican’ directors, Alfonso Cuarón, Alejandro González Iñárritu, Guillermo del Toro, and, to a lesser degree, Carlos Reygadas. s needed in the theori...

  15. Merci: um sistema interativo para cinema digital

    OpenAIRE

    Nóbrega, Mainara Rodrigues

    2013-01-01

    O cinema tem evoluído continuamente desde a sua criação. Passou a ter som, cores, efeitos visuais, especiais, tridimensionais, multissensoriais, e agora interatividade. Tais mudanças têm proporcionado ao público experiências cada vez mais realistas durante a exibição de um filme. Estas podem ser obtidas através de tecnologias implantadas no audiovisual e, algumas vezes, na própria sala de projeção para captação de movimento da plateia ou da voz de espectadores, com a finalidade de proporciona...

  16. Conjoined twins: scientific cinema and Pavlovian physiology.

    Science.gov (United States)

    Krementsov, Nikolai

    2015-01-01

    Through the lens of a 1957 documentary film, "Neural and humoral factors in the regulation of bodily functions (research on conjoined twins)," produced by the USSR Academy of Medical Sciences, this essay traces the entwined histories of Soviet physiology, studies of conjoined twins and scientific cinema. It examines the role of Ivan Pavlov and his students, including Leonid Voskresenkii, Dmitrii Fursikov and Petr Anokhin, in the development of "scientific film" as a particular cinematographic genre in Soviet Russia and explores numerous puzzles hidden behind the film's striking visuals. Crown Copyright © 2015. Published by Elsevier Ltd. All rights reserved.

  17. Commercial cinema: a medium for development communication.

    Science.gov (United States)

    Riber, J; Smith, S

    1985-01-01

    Worldview International Foundation, an international voluntary organization whose activities focus on practical participation in the information process, established a media center in Dhaka, Bangladesh in 1982 in an effort to use the film media to disseminate development messages. Initially, WIF worked with the Ministry of Education (MOE) to promote literacy. Using the social marketing approach to promote a development theme, the producers were able to plug into a commercially successful network that assured them of reaching a large, attentive audience for a very low cost. An estimated 8 million Bangladeshis have seen this literacy film in cinema halls, mobile film projection vans, and on television. Project evaluation showed that 95% of the surveyed audience enjoyed the film and understood the intended message. The film was so popular that it was submitted as the Bangladesh entry at an international film festival in Moscow. WIF's next project was the production of another film, this time for the Social Marketing Project -- an Agency for International Development (AID) funded family planning cimmunication project. This time a family planning theme was the social development message. The script was developed from research conducted by Manoff International, Inc., an American social marketing agency who worked closely with MRCB, a Bangladeshi market research agency. They identified the target audiences and the constraints against using contraceptive methods in Bangladesh. Then messages were designed to address these issues. A love story entitled "Together" was developed. The social message revolves around a newlywed couple; both are hesitant to immediately start a family, but neither feels comfortable discussing his/her feelings on the subject with the other because of strong cultural taboos against such a delay. As the story develops, the barriers are surmounted, and this "model couple" begins to discuss the issue -- using singing and dancing to express their

  18. Distribution of polychaete feeding guilds in sedimentary environments of the Campeche Bank, Southern Gulf of Mexico

    Science.gov (United States)

    Domínguez Castanedo, Nayeli; Hernández Alcántara, Pablo; Solís-Weiss, Vivianne; Granados Barba, Alejandro

    2012-12-01

    The aim of this study was to analyze the trophic structure of the polychaete assemblages found in the Campeche Bank, southern Gulf of Mexico and to examine the effect of the sediment composition on the spatial distribution of the feeding guilds. In all, 2,662 organisms belonging to 160 species and 16 feeding guilds were identified. Filter-feeders ( Fabricinuda trilobata and Bispira melanostigma) dominated. Five groups of stations were defined based on feeding guilds: one, in the southwest, characterized by motile jawed burrowers (17.14% contribution); the second, from the southeast to the northwest, characterized by seven guilds (45.25%), mainly filter-feeders and surface deposit-feeders; the third, in the southwest, characterized by three guilds (42.13%), mainly discretely motile tentaculate filter-feeders and motile unarmed burrowers; group four, in the east, was characterized by sessile tentaculate filter-feeders (63.68%); and group five, in the center and to the north, was characterized by four guilds (53.69%), mainly discretely motile tentaculate filter-feeders. The variety of feeding guilds was higher in the northwest with seven guilds, and the lowest variety was found in the east and south with only one or two guilds. Contrary to the starting hypothesis, the sediment composition was not the main factor that determined the distribution of the polychaete feeding guilds. Instead, salinity and depth were more important for the spatial arrangement of the trophic groups. The feeding guilds of polychaetes proved to be more sensitive to environmental changes than density or diversity.

  19. Claro e confuso: a mistura de imagens no cinema

    Directory of Open Access Journals (Sweden)

    Jacques Aumont

    2008-11-01

    Full Text Available No cinema, a mistura de imagens é um procedimento narrativo que pode ser obtido a partir da superposição de dois ou mais planos filmados. Este recurso vem sendo utilizado desde a fase do cinema mudo até os cineastas de vanguarda; pode ser facilmente observado tanto em filmes hollywoodianos quanto experimentais. Ao superpor imagens num mesmo quadro, o cinema nos obriga a pensar no estatuto e na "lógica" da imagem em movimento, estimulando-nos a entender, em última instância, o próprio processo de percepção e de constituição do sentido a partir de sua articulação no interior do plano ou entre planos. É da problemática da instauração e da apreensão perceptual e conceitual dessas imagens "misturadas" que este artigo se ocupa, valendo-se das relações possí­veis entre cinema, pintura e fotografia. Palavras-chave cinema, imagem, mistura, percepção, sentido Abstract In cinema, the dissolving of one image into another is a narrative procedure that is obtained through the juxtaposition of two or more shots. This resource has been utilized ever since the silent film era through to the vanguard filmmakers. It is present as much in Hollywood blockbusters as in experimental films. In superimposing images within a single frame, the cinema obliges us to in perceive the logic of the images in movement, leading us eventually to understand the actual process of perception and constitution of meaning through its articulation either within a single shot or between shots. This article is concerned with the issue of establishing these blended images and their perceptual, conceptual comprehension, exploring the possible relations between cinema, painting and phothograpy. Key words cinema, image, dissolve, perception, meaning

  20. O cinema e a pós-modernidade

    Directory of Open Access Journals (Sweden)

    Panzenhagen Junior, Helio Carlos

    2001-01-01

    Full Text Available A década de 60 foi plena de transformações que não cabem aqui ser listadas, mas que, sabe-se, atingiram os produtos culturais, entre os quais o cinema. Havia um cinema emergente sendo apresentado. Um cinema que destoava do senso comum, que precisava ser entendido e, para isso, precisava ser contextualizado. O homem moderno, que conquistara no final do século XIX a condição de sujeito de massa, consumidor de bens culturais, já não estava mais satisfeito em apenas estar num mundo moderno

  1. Cinema digital: a transformação do olhar

    OpenAIRE

    Rocha, Guilherme Espíndula da

    2007-01-01

    Este estudo busca identificar as transformações da linguagem cinematográfica a partir da sua integração ao formato digital nos meios de telecomunicação em rede, notadamente a Internet e os dispositivos móveis. Para tanto, partimos da análise de novos formatos de cinema que têm se mostrado através das novas tecnologias de comunicação em redes digitais. Um destes casos é o cinema na web, apresentado diretamente na Internet, abrindo um questionamento do que seja cinema dentro da rede. Para ident...

  2. Organizational resilience: Nonprofit organizations' response to change.

    Science.gov (United States)

    Witmer, Hope; Mellinger, Marcela Sarmiento

    2016-05-24

    Organizational resilience refers to the ability to respond productively to significant disruptive change and transform challenges into opportunities. There is a gap in the literature about resilient nonprofit organizations and its application for identifying organizational conditions for successful adaption to external variables that threaten their existence. The aim of this study was to identify organizational characteristics that point to the resilience of nonprofit behavioral healthcare organizations as they successfully adapt to funding changes. A multiple case study of two behavioral health nonprofit organizations was conducted. Data was collected through interviews and focus groups, and analyzed through a qualitative content analysis. Using the framework of resilience, six themes that equipped these organizations to successfully adapt to funding changes were identified. They included: commitment to the mission, improvisation, community reciprocity, servant and transformational leadership, hope and optimism, and fiscal transparency. The findings suggest that incorporating these qualities into an organizational system equips it to systematically adapt to funding changes and other disruptive challenges. Using resilience as a process and not simply an outcome after recovery, nonprofit organizations can have the capacity to continuously respond to challenges and provide uninterrupted and valuable services to society.

  3. Student Empowerment in the Nonprofit Management Classroom

    Science.gov (United States)

    Purcell, Margaret A.

    2015-01-01

    In summer 2011, a course titled "Nonprofit Management" was offered as an undergraduate, junior-level course for nontraditional, adult, distance students at the University of Alabama (UA) who were enrolled in the New College LifeTrack (NCLT) program. This article discusses how the course was centered around a service-learning experience…

  4. The nonprofit sector in the Netherlands

    NARCIS (Netherlands)

    Ary Burger; Paul Dekker

    2001-01-01

    This paper aims to provide an analytical description of the nonprofit sector in the Netherlands. We will review its historical and legal background, examine its treatment and definition, and chart the sector's contributions to the Dutch economy and society. This working paper is the first version o

  5. Nonprofit Communications from a Corporate Communications Viewpoint

    Science.gov (United States)

    Cross, Ava

    2006-01-01

    Nonprofit organizations, such as social service agencies, charities, and hospitals, plan and prepare communications that are vital to their missions. Although not corporations, these organizations produce news releases, newsletters, and annual reports that are similar to those created in the corporate sector. In this research project for a course…

  6. Nonprofit Sector: Workforce Education Needs and Opportunities

    Science.gov (United States)

    Garvey, David

    2009-01-01

    When some people think of nonprofit organizations, they think of small charities that are short-staffed, often struggle financially, and provide basic human needs to the most vulnerable in the society. Others think of organizations that support the civic and social infrastructure of communities, states, and nation, and serve as a vital component…

  7. Gender, occupation, and promotion to management in the nonprofit sector

    NARCIS (Netherlands)

    Damman, M.; Heyse, L.; Mills, M.

    2014-01-01

    Although one can assume the work values within nonprofit organizations promote gender equality in promotion decisions, there is preliminary evidence that in the nonprofit sector women are underrepresented in higher management positions. Whereas the mechanisms resulting in underrepresentation of wome

  8. Gender, occupation, and promotion to management in the nonprofit sector

    NARCIS (Netherlands)

    Damman, M.; Heyse, L.; Mills, M.

    2014-01-01

    Although one can assume the work values within nonprofit organizations promote gender equality in promotion decisions, there is preliminary evidence that in the nonprofit sector women are underrepresented in higher management positions. Whereas the mechanisms resulting in underrepresentation of

  9. The nonprofit sector's $100 billion opportunity.

    Science.gov (United States)

    Bradley, Bill; Jansen, Paul; Silverman, Les

    2003-05-01

    Imagine what an extra $100 billion a year could do for philanthropic and other nonprofit institutions. According to a new study, the nonprofit sector could free that amount--maybe even more--by making five changes in the way it operates. The study asked two central questions: Does the sector's money flow from its source to its ultimate use as efficiently and effectively as possible? If not, where are the big opportunities to increase social benefit? According to former senator Bill Bradley and McKinsey's Paul Jansen and Les Silverman, nonprofits could save roughly $25 billion a year by changing the way they raise funds. By distributing funds more quickly, they could put an extra $30 billion to work. Organizations could generate more than $60 billion a year by streamlining and restructuring the way in which they provide services and by reducing administrative costs. And they could free up even more money--an amount impossible to estimate--by better allocating funds among service providers. The authors admit that making those changes won't be easy. The nonprofit world, historically seen as a collection of locally focused charities, has become an enormous sector, but it lacks the managerial processes and incentives that help keep the for-profit world on track. And when the baby boomers start to retire in less than a decade, public budgets will be squeezed even more than they are today. If the nonprofit sector is to help the nation cope with the stresses ahead, it must become more efficient and challenge its traditional concepts of stewardship.

  10. Management trends: Internationalization of non-profit organizations

    Directory of Open Access Journals (Sweden)

    Inić Branimir P.

    2015-01-01

    Full Text Available Non-profit organizations are increasingly gaining importance in the modern economy with their development and their numbers increasing day by day. It is very important to note that non-profit organizations are often subject to various benefits that the for-profit companies are not. Thus, for example, preferential tax status of non-profit organizations is manifested primarily in the form of exemption from corporate income tax. In addition, private non-profit organizations enjoy various other state, local and federal taxes exemptions. Under certain conditions, these organizations are exempt from taxes on donations and membership fees. A feature that differentiates various non-profit organizations and profit-oriented companies is their source of income. Profit oriented companies depend on their income, obtained from sales of their goods or services to customers, who usually cover the price and cost of goods and services plus the profit. In contrast, nonprofit organizations are very dependent on membership fees, tax exemptions, members donations or depend on funds of the sponsoring agency which covers most of their costs, for example a federal government agency. Those non-profit organizations that have substantial operating costs beyond national borders and do not identify themselves as purely domestic in their mandate are International non-profit organizations. Most non-profit organizations remain in their national boundaries, on the territory of the country in which they were created, but a large number of non-profit organizations rapidly internationalize, and some larger non-profits have grown into important global actors. The paper includes the following sections: (1 introduction, (2 why is the 'non-profit' important, (3 the internationalization of non-profit organizations, (4 sources of income of non-profit organizations (4.1. causality of impact and of strategic decisions in cases pertaining to universities, (5 the limits of strategic

  11. Independent Mexican cinema and the dream of a national cinema in 1970s Mexico

    OpenAIRE

    2011-01-01

    This thesis analyzes film production during the Echeverría sexenio (1970-1976) where Mexican cinema would undergo both an infrastructural as well as developmental change. The Echeverría sexenio followed one of the most traumatic moments in Mexico City's history where politicized thought would be violently repressed. As a result of political and cultural changes post the 1968 student movements many students would begin to experiment and create independent film under the newly developed cinemat...

  12. Faíscas de cinema direto: prelúdio para uma narrativa do cinema cubano

    Directory of Open Access Journals (Sweden)

    Fernando Gómez Alvarez

    2009-08-01

    Full Text Available Using as the core of discourse the partial analysis of PM, acuban documentary film which was censored at the beginning of the 60s, but that until now remains almost unknown by the Brazilian scholars. I intend to make a reflection about the enunciations and common places of the official discourse, while at the same time, will sketch a wider panorama of the cuban cinema.

  13. 29 CFR 2.36 - Status of nonprofit organizations.

    Science.gov (United States)

    2010-07-01

    ... 29 Labor 1 2010-07-01 2010-07-01 true Status of nonprofit organizations. 2.36 Section 2.36 Labor... Beneficiaries § 2.36 Status of nonprofit organizations. (a) In general, DOL does not require that an... programs. Many such programs, however, do require an organization to be a “nonprofit organization” in...

  14. The non-profit sector and the market: opportunities & challenges.

    Science.gov (United States)

    2001-11-01

    By carefully examining the most important challenges and opportunities facing America's private non-profit organizations, the Non-profit Sector Strategy Group is working to stimulate a new consensus about the non-profit sector's roles and responsibilities, and offer practical recommendations to enhance policy, practice, research, and public education on this crucial set of institutions.

  15. Politics of Memory: A Study in Latin American Revolutionary Cinema

    Directory of Open Access Journals (Sweden)

    Mario Županović

    2013-06-01

    Full Text Available This work underlines the key concepts of the Third Way revolutionary cinema of Latin America contextualizing the collective memory and politics of remembrance. The National Project and reshaping of the National identities and the ideological shift from de-colonial and postcolonial matrixes in the revolutionary utopianism of modernistic cinema and its academic reevaluation is the basic assumption of the paper. Resurfacing of the ideologies of indianismo, indigenismo and mestizaje helps in revealing the true aims of the revolutionary filmmaking in Latin America which had more than aesthetic agenda in mind when it set trademarks of National cinemas like Yawar Mallku in Bolivia or La Hora de los Hornos in Argentina. The work tried to emphasize the original voice of the revolutionary cinema while tracking its apparatus with the theoretical works from de-colonial and Marxist perspective.

  16. Play and Gameful Movies: Ludification of Modern Cinema

    DEFF Research Database (Denmark)

    Larsen, Lasse Juel

    2017-01-01

    and transform the narrative compositional structures of modern cinema. The present study’s investigation will present an expanded conceptualisation of ludification, classified by playfulness and gamefulness through interactive/non-interactive properties, aesthetic expressions, and narrative compositions under...

  17. Dogma/Dogme 95 : manifesto for contemporary cinema and realism

    OpenAIRE

    Yalgın, Emre

    2003-01-01

    Cataloged from PDF version of article. This study investigates Dogma/Dogme’95, which is the latest collectivism seen in the history of cinema. Thesis explores this newest movement’s references to past and today’s filmmaking in relation to the concept of realism, in order to find out the possible structure of a movement in contemporary cinema. Yalgın, Emre M.S.

  18. Cinema and Media Studies: Snapshot of an "Emerging" Discipline

    Science.gov (United States)

    Gabbard, Krin

    2006-01-01

    Cinema and media studies have been a prominent part of American academy since the 1960s and at a few universities since the 1910s, but it was only in the mid-1990s that the field was declared to be an emerging discipline. A discussion on the state of cinema and media studies is presented as they stand on the verge of being officially recognized as…

  19. Cinema and Media Studies: Snapshot of an "Emerging" Discipline

    Science.gov (United States)

    Gabbard, Krin

    2006-01-01

    Cinema and media studies have been a prominent part of American academy since the 1960s and at a few universities since the 1910s, but it was only in the mid-1990s that the field was declared to be an emerging discipline. A discussion on the state of cinema and media studies is presented as they stand on the verge of being officially recognized as…

  20. Image: from the cinema to the performance

    Directory of Open Access Journals (Sweden)

    Carina

    2014-09-01

    Full Text Available In the scope of a research on the body arts, the text approaches the issue of image representation in face of corporeal forces. With Deleuze’s philosophical studies on cinema, we bring his image taxonomy, which passes from a movement-image to a time-image, and we also consider theater to analyze how an image is launched from a stratified and moralizing representation to a performative and resonating image. The work of contemporary artists allows and makes us think an image in its relation with the new, with what is impossible to restrain, with images produced by the art of performance, by a body which creates images successively

  1. Desejo de cinema, desejo de modernidade

    Directory of Open Access Journals (Sweden)

    Eliana Kuster

    2015-06-01

    Full Text Available Como algo que poderia ser simplesmente uma técnica torna-se um instrumento de contar histórias e fomentar o sonho? Partimos dessa questão para explorar os rumos percorridos pela projeção de imagens animadas até chegar ao que chamamos de cinema. Com base na obra de Edgar Morin, Arlindo Machado e Noël Burch, investigamos essa transição, estabelecendo sua relação intrínseca com a nascente modernidade capitalista urbana e o surgimento de novas formas de representação social que atenderam às expectativas da classe burguesa.

  2. Families in Bollywood cinema: changes and context.

    Science.gov (United States)

    Deakin, Nicholas; Bhugra, Dinesh

    2012-04-01

    With increasing and rapid urbanization and population changes in India, a growing number of people are migrating from rural areas to urban areas, which brings about major changes in support systems. As a result, the portrayal of families has also changed in Hindi cinema over the last 50 years. Recent family melodramas have focused on an idealized version of joint and extended families. In this paper we use some key Hindi films of the 1960s and of the last two decades to compare how films have changed and how, in view of changing audiences, they have created a version of the family which is far from real. Clinicians need to be aware of these changes while dealing with patients and their families (the latter may have unrealistic expectations of their own family members).

  3. Nonprofit brand strength’s moderational role

    OpenAIRE

    Walter Wymer

    2015-01-01

    The nature and characteristics of the nonprofit brand strength construct are conceptualized.  Brand strength is defined as a multidimensional construct, composed by brand familiarity, brand remarkability, and brand attitude.  Brand familiarity refers to the level of knowledge the target audience has about the brand object. Brand attitude refers to the degree to which a brand object is perceived favorably by a target group. Brand remarkability refers to the degree to which a brand object is pe...

  4. Assessing the habitat suitability of agricultural landscapes for characteristic breeding bird guilds using landscape metrics.

    Science.gov (United States)

    Borges, Friederike; Glemnitz, Michael; Schultz, Alfred; Stachow, Ulrich

    2017-04-01

    Many of the processes behind the decline of farmland birds can be related to modifications in landscape structure (composition and configuration), which can partly be expressed quantitatively with measurable or computable indices, i.e. landscape metrics. This paper aims to identify statistical relationships between the occurrence of birds and the landscape structure. We present a method that combines two comprehensive procedures: the "landscape-centred approach" and "guild classification". Our study is based on more than 20,000 individual bird observations based on a 4-year bird monitoring approach in a typical agricultural area in the north-eastern German lowlands. Five characteristic bird guilds, each with three characteristic species, are defined for the typical habitat types of that area: farmland, grassland, hedgerow, forest and settlement. The suitability of each sample plot for each guild is indicated by the level of persistence (LOP) of occurrence of three respective species. Thus, the sample plots can be classified as "preferred" or "less preferred" depending on the lower and upper quartiles of the LOP values. The landscape structure is characterized by 16 different landscape metrics expressing various aspects of landscape composition and configuration. For each guild, the three landscape metrics with the strongest rank correlation with the LOP values and that are not mutually dependent were identified. For four of the bird guilds, the classification success was better than 80%, compared with only 66% for the grassland bird guild. A subset of six landscape metrics proved to be the most meaningful and sufficiently classified the sample areas with respect to bird guild suitability. In addition, derived logistic functions allowed the production of guild-specific habitat suitability maps for the whole landscape. The analytical results show that the proposed approach is appropriate to assess the habitat suitability of agricultural landscapes for characteristic

  5. How do nonprofit hospitals manage earnings?

    Science.gov (United States)

    Leone, Andrew J; Van Horn, R Lawrence

    2005-07-01

    We hypothesize that, unlike for-profit firms, nonprofit hospitals have incentives to manage earnings to a range just above zero. We consider two ways managers can achieve this. They can adjust discretionary spending [Hoerger, T.J., 1991. 'Profit' variability in for-profit and not-for-profit hospitals. Journal of Health Economics 10, 259-289.] and/or they can adjust accounting accruals using the flexibility inherent in Generally Accepted Accounting Principles (GAAP). To test our hypothesis we use regressions as well as tests of the distribution of earnings by Burgstahler and Dichev [Burgstahler, D., Dichev, I., 1997. Earnings management to avoid earnings decreases and losses. Journal of Accounting and Economics 24, 99-126.] on a sample of 1,204 hospitals and 8,179 hospital-year observations. Our tests support the use of discretionary spending and accounting accrual management. Like Hoerger (1991), we find evidence that nonprofit hospitals adjust discretionary spending to manage earnings. However, we also find significant use of discretionary accruals (e.g., adjustments to the third-party-allowance, and allowance for doubtful accounts) to meet earnings objectives. These findings have two important implications. First, the previous evidence by Hoerger that nonprofit hospitals show less variation in income may at least partly be explained by an accounting phenomenon. Second, our findings provide guidance to users of these financial statements in predicting the direction of likely bias in reported earnings.

  6. [Coats of arms of the Amsterdam Surgeons' Guild in the dome of the Anatomy Theatre].

    Science.gov (United States)

    van Gulik, Thomas M; Ijpma, Frank F A; Middelkoop, Norbert E

    2014-01-01

    In 1731, Cornelis Troost (1696-1750) painted three wardens of the surgeons' guild in Amsterdam. We know their names from the family coats of arms shown on the wall behind them. The same coats of arms and names are painted in the dome of the Anatomy Theatre in the 'Waag', the former weighing house at the Nieuwmarkt in Amsterdam, which also housed the board room of the surgeons' guild. The 84 coats of arms in the beautifully restored dome are a testimony of the rich history of the surgeons' guild.

  7. European Cinema and the Postheroic Narrative: Jean-Luc Nancy, Claire Denis, and 'Beau Travail'

    NARCIS (Netherlands)

    Elsaesser, T.

    2012-01-01

    What is European cinema? First: European cinema does not exist, except as a bureaucratic dream or a promotional tool for national producers and distributors of art house films. Second: insofar as it is willed into existence, European cinema has over the past three decades been funded mainly by

  8. Cinema, biopolitics and “cinematic operative model”

    Directory of Open Access Journals (Sweden)

    Carlos Natalio

    2015-04-01

    Full Text Available Firstly, this article will try to grasp certain dimensions of the biopolitical in cinema. For this we will re-visit some ideas that connect cinema with the ability to “affect” thinking and/or the body. Secondly, what is at stake is to prove that the mutations in the concept of a new modus operandi in bio-technical and market-driven biopolitics not only mirror the undergoing changes in cinema, but will also be decisively affected by it. The task of an “audiovisualcy” as an extension of literacy, in the context of a “mandatory” digital hermeneutics, requires grasping the importance of cinematic procedures. What we aim to show is that cinema gave us a cinematic operative model for producing meaning that, due to its proximity with mechanisms of memory and perception, is vital to the way we will tackle the digital architectural world. It may be the case that after the (long proclaimed “death of cinema”, cinema has just begun at a much more complex and wider level.

  9. Changing Perspective. The Transnational Dimension of Contemporary Portuguese Cinema

    Directory of Open Access Journals (Sweden)

    Iván Villarmea Álvarez

    2016-02-01

    Full Text Available Portuguese film tradition has been marked by a series of thematic and aesthetic features that appear, as signs of identity, in the films of its main filmmakers, such as Manoel de Oliveira, Paulo Rocha, Fernando Lopes, João César Monteiro, António Reis and Margarida Cordeiro, Pedro Costa and Teresa Villaverde. Film critics usually study the relations and similarities in the work of these and other filmmakers in order to point out the elements that distinguish Portuguese cinema from other national cinemas. This approach, however, is incomplete in the context of globalization and post-modernity, because nowadays the present and future of national cinemas rely on their greater or lesser connection with the main global aesthetic and economic networks: thus, the greater the connection, the greater the distribution of films, which consequently helps a country and a culture to achieve a significant place in the contemporary geopolitics of cinema. Following this logic, the aim of this paper is to reverse the traditional approach of studies on national cinemas to rather explore the transnational linkages of Portuguese films and filmmakers.

  10. Community structure of macrozoobenthic feeding guilds in responses to eutrophication in Jakarta Bay

    Directory of Open Access Journals (Sweden)

    AM AZBAS TAURUSMAN

    2010-07-01

    Full Text Available Taurusman AA (2010 Community structure of macrozoobenthic feeding guilds in responses to eutrophication in Jakarta Bay. Biodiversitas 11: 133-138. The group of benthic fauna which feed on the same food sources are classified as a feeding guild. The objective of the present study was to evaluate the distribution and composition of macrozoobenthic feeding guilds along gradient of organic enrichment (trophic states in Jakarta Bay. The result of the present study was shown that at the hypertrophic stations of the bay dominated by species of surface deposit feeding polychaetes such as, Dodecaceria sp., Cirratulus sp., Capitella sp., and Spionidae. The eutrophic zone of the bay was dominated by suspension feeding bivalves Mactra sp., Chione sp. The offshore area (mesotrophic zone showed a high diversity of species and feeding guilds compared to other areas. The patterns of feeding guilds in the mesotrophic zone indicated a higher stability of macrozoobenthos community, indicated by the presence of deep-deposit feeder (e.g. Acetes sp., surface deposit feeders (e.g. Prionospio sp., suspension feeders (e.g. Chione sp., and carnivores (e.g. Nepthys sp. in comparable proportions. The structure of macrozoobenthic feeding guilds in an eutrophic coastal water is positively related to the quantity and quality of organic matters (eutrophic states, and the capability of benthic species in adaptation to such environmental condition.

  11. Nonprofits in Production: Race, Place, and the Politics of Care

    OpenAIRE

    Herrera, Juan Carlos

    2013-01-01

    In the contemporary United States, nonprofits serve as central conduits of urban reform and welfare provision including legal, health and job assistance for racialized neighborhoods. Despite the salience of nonprofit organizations in urban politics, few academic analyses investigate their crucial political work. My work critiques normative academic and popular understandings of nonprofit organizations as ahistorical and nonpolitical service providers fundamentally delinked from the state. In ...

  12. Partnerships and Perceived Organizational Effectiveness of Nonprofit Organizations

    Directory of Open Access Journals (Sweden)

    Naim Kapucu

    2016-01-01

    Full Text Available In recent years, interorganizational collaboration has become a prominent aspect of organizational functioning for many different types of organizations. Central Florida nonprofit organizations are catching on to this trend as they find increasing value in the empowerment of partnership. This study aims to contribute to the advancement of the current literature by investigating factors affecting nonprofit collaboration. The study demonstrates that nonprofits tend to collaborate when management perceive that collaboration is needed to accomplish the mission of the organization.

  13. Partnerships and Perceived Organizational Effectiveness of Nonprofit Organizations

    Directory of Open Access Journals (Sweden)

    Naim Kapucu

    2010-10-01

    Full Text Available In recent years, interorganizational collaboration has become a prominent aspect of organizational functioning for many different types of organizations. Central Florida nonprofit organizations are catching on to this trend as they find increasing value in the empowerment of partnership. This study aims to contribute to the advancement of the current literature by investigating factors affecting nonprofit collaboration. The study demonstrates that nonprofits tend to collaborate when management perceive that collaboration is needed to accomplish the mission of the organization.

  14. Marketing strategy of non-profit organisation Chance for Children

    OpenAIRE

    Holá, Kristýna

    2012-01-01

    The bachelor's thesis addresses the application of marketing in nonprofit organizations using "Chance for children" a civic association as an example. The main aim of this work is to define marketing strategies in nonprofit organizations, the greatest emphasis are placed on communication strategy and partly on product strategy. In the practical part I introduce the chosen nonprofit organization as such, outline the range of their products and their current marketing situation. Based on the re...

  15. A ESCOLA INFANTIL E O CINEMA

    Directory of Open Access Journals (Sweden)

    Tanea Regina Pereira

    2012-07-01

    Full Text Available http://dx.doi.org/10.5007/1980-4512.2012n26p108 Ao perceber o entusiasmo das crianças pelo cinema e tendo entrado em contato com a obra de Teixeira, Lopes e Larrosa (2006, tive certeza de que esta arte tinha o poder de abrir nossos olhos, nossa mente para um mundo sem fronteiras, no qual podemos viajar tal qual acontece em nossa imaginação quando lemos os livros. Com estas ferramentas podemos ir para o passado e para o futuro; para o Sol, para a Lua ou para o mar; posso ser branco, negro ou amarelo; posso passar de bruxa feia e fada madrinha num instante; posso ser líder, rei, presidente ou vilão. Abstract Seeing the children's enthusiasm for film and having come into contact with the work of Teixeira Lopes and Larrosa (2006, I knew that art had the power to open our eyes, our minds to a world without borders, in which can travel just as in our imagination when we read books. With these tools we can go into the past and the future, for the sun to the moon or the sea, could be white, black or yellow, can I go from ugly witch and fairy godmother in an instant, can be a leader, king, President or villain.

  16. [Death education for medical personnel utilizing cinema].

    Science.gov (United States)

    Jung, Hyun Chae

    2012-09-25

    Death and dying is an ultimate process that every human being must experience. However, in these days we do not like to think or discuss about death and dying. Actually, hatred and denial is the usual feeling when we encounter death and dying. Dying is more than a biological occurrence. It is a human, social, and spiritual event, but the spiritual dimension of patients is too often neglected. Whether death is viewed as a "wall" or as a "door" can have significantly important consequences for how we live our lives. Near death experience is one of the excellent evidences to prove that there should be spiritual component being separated from the human physical body when we experience death. People have called it soul, spirit, or nonlocal consciousness. Caregivers need to recognize and acknowledge the spiritual component of patient care. Learning about death and dying helps us encounter death in ways that are meaningful for our own lives. Among the several learning tools, utilizing cinema with its audio and visual components can be one of the most powerful learning tools in death education.

  17. APECTS REGARDING INTERNAL AUDIT PLANNING IN THE NONPROFIT ORGANIZATIONS

    Directory of Open Access Journals (Sweden)

    DANIELA VITAN

    2015-04-01

    Full Text Available Our study refers to the planning of internal audit within the nonprofit organizations. The starting point is the hypothesis that planning of internal audit in nonprofit organizations is printed by their specific features and we want to highlight the way this influence occurs, which are the specific objectives that have to be pursued within the internal audit. During our research, in order to test the hypothesis we studied the national legal regulations, the specific literature of the field and we realized a practical documentation by consulting the internal audit guides of a foreign nonprofit organization. Our study reveals that in this area the legislation in force refers only to the compulsiveness of developing the internal audit activity in some specific categories of nonprofit organizations, without referring to the specific rules of organizing this activity within the nonprofit organizations. The national literature of the field is poor, but at the international level, the authors have concerns regarding the internal audit within the nonprofits. From a practical point of view, we emphasized the specific aspects of nonprofit organizations followed while planning internal audit regarding the financial system, budgetary system, internal control system, financing sources and human resources. We concluded that each audited field is influenced by the specific features of non-profit organizations within them. These features must be taken into account when planning the audit and drawing up the specific procedures within the nonprofits in order to add value to the audited information within internal audit engagement.

  18. Classification of Program Activities: How Nonprofits Create Social Value

    Directory of Open Access Journals (Sweden)

    William Brown

    2017-05-01

    Full Text Available This paper defines and describes a framework to classify program activities utilized by nonprofit organizations to achieve public benefit objectives. Drawing on theory and practice from strategy, nonprofit management, and program planning, the paper proposes five program activities differentiated by the value created. Several factors define and differentiate the approaches and serve as decision areas for nonprofit managers when developing program strategies. Classifying program activities facilitates further research as it provides a common language and framework to analyze strategic choices enacted in nonprofit organizations.

  19. Image compression evaluation for digital cinema: the case of Star Wars: Episode II

    Science.gov (United States)

    Schnuelle, David L.

    2003-05-01

    A program of evaluation of compression algorithms proposed for use in a digital cinema application is described and the results presented in general form. The work was intended to aid in the selection of a compression system to be used for the digital cinema release of Star Wars: Episode II, in May 2002. An additional goal was to provide feedback to the algorithm proponents on what parameters and performance levels the feature film industry is looking for in digital cinema compression. The primary conclusion of the test program is that any of the current digital cinema compression proponents will work for digital cinema distribution to today's theaters.

  20. O Cinema Escolar como Berço do Entretenimento

    Directory of Open Access Journals (Sweden)

    Fábio de Godoy Del Picchia Zanoni

    2017-04-01

    Full Text Available O artigo que ora se apresenta pretende trazer à baila o processo histórico de constituição de um modelo específico de endereçamento ao cinema. À contramão do que tendemos a supor à primeira vista, o presente artigo busca argumentar, sobretudo a partir das teorizações foucaultianas, como a emergência do cinema de entretenimento não se explica a contento tão somente pelos ditames e exigência de cunho econômico, pois foi indissociável da escolarização do cinema ocorrida nos muros da escola brasileira e portuguesa, ao menos desde meados da década de 1930.

  1. Vertigo, poetry and creed of Alfred Hitchcock's cinema

    Directory of Open Access Journals (Sweden)

    Rafael J. Pascual

    2011-09-01

    Full Text Available In this article we analyse the film Vertigo -undoubtedly one of the North-American film di- rector Alfred Hitchcock’s masterpiece- as an audiovisual poem we could identify with such a characteristic and defining name as film-poetry. We will try to show some elements very typical of cinema -the use of the light, colour, and music, the aesthetic treatment of image and the camera movement- they all aspects that in- fluence -as well as does plot- the rhythm, form and content in the same way as a poem does, in order to place cinema at the same level as poetry. We will try to describe in a very essential way the relations between cinema and arts such as music, painting and literature.

  2. Criticism of cinema from the concept of Cultural Industry

    Directory of Open Access Journals (Sweden)

    Angélica Antonechen Colombo

    2015-06-01

    Full Text Available This article aims to discuss the film as a work of art, but also as a cultural and appropriate merchandise for Cultural Industry, and its role as an essential factor of aesthetic, perceptual and cognitive changes, based on the theories of Theodor Adorno. The methodology considers the position of this philosopher in relation to cinema, from its advent, analyzing its characteristics, its elements, the effects of the spectators, the role of industry in the evolution of cinema and its relation to the ideology of the culture industry, the changes that the cinema brought to the theories of art and society. It also states that the article is the product of an ongoing research, so your introductory content.

  3. Screening wish theories: dream psychologies and early cinema.

    Science.gov (United States)

    Marinelli, Lydia

    2006-03-01

    The analogy between dream and film represents a central thread in the psychoanalytic discussion of cinema. Using examples taken from films created between 1900 and 1906, this paper develops a typology of dream scenes in early film. The basis for the proposed typology is provided by the dream knowledge in circulation toward the end of the nineteenth century. This knowledge was fed by a great variety of sources, some of them in the proximity of scientific research and some of them far from it, including wish-fulfilling prognostic models and those based on the reservoir of memory or on bodily stimuli. By setting cinema in a context of contemporary dream psychologies, it is possible to trace the specific conditions under which the analogy between dream and cinema could become effective.

  4. Community benefit activities of private, nonprofit hospitals.

    Science.gov (United States)

    Bazzoli, Gloria J; Clement, Jan P; Hsieh, Hui-Min

    2010-12-01

    The definition of hospital community benefits has been intensely debated for many years. Recently, consensus has developed about one group of activities being central to community benefits because of its focus on care for the poor and on needed community services for which any payments received are low relative to costs. Disagreements continue, however, about the treatment of bad debt expense and Medicare shortfalls. A recent revision of the Internal Revenue Service's Form 990 Schedule H, which is required of all nonprofit hospitals, highlights the agreed-on set of activities but does not dismiss the disputed items. Our study is the first to apply definitions used in the new IRS form to assess how conclusions about the adequacy of nonprofit hospital community benefits could be affected if bad debt expenses and Medicare shortfalls are included or excluded. Specifically, we examine 2005 financial data for California and Florida hospitals. Overall, we find that conclusions about community benefit adequacy are very different depending on which definition of community benefits is used. We provide thoughts on new directions for the current policy debate about the treatment of bad debts and Medicare shortfalls in light of these findings.

  5. Idioma e identidad en el Novo Cinema Galego

    Directory of Open Access Journals (Sweden)

    Brais ROMERO SUÁREZ

    2015-12-01

    Full Text Available En boca de todos desde su nacimiento en 2010, el Novo Cinema Galego ha cosechado éxitos en todos los certámenes y festivales que ha estado presente. Desde el premio FIPRESCI en Cannes hasta el Mejor Director Emergente en Locarno, esta nueva corriente de cine sitúa a Galicia en el escenario mundial cinematográfico. Pero, ¿es adecuada la representación que hace el Novo Cinema Galego de Galicia? ¿Qué lugar ocupa el gallego en las obras de esta corriente?

  6. Simulation Frames: Young Adult Dystopian Cinema

    Directory of Open Access Journals (Sweden)

    Alison Tedman

    2015-07-01

    Full Text Available This article examines the ways in which Young Adult dystopian film Divergent (2014 successfully repurposes dystopia for a young demographic, making dystopia an aesthetically appealing space for heroic adventure. The film recombines Young Adult literary tropes with film conventions including those of science fiction. Divergent and other Young Adult dystopian films modify the potential for social critique associated with canonic dystopian fiction. The article’s critical framework includes theories of dystopia and of Young Adult dystopian literature, the Freudian uncanny, studies of the post-apocalyptic film city and new media theory. In Divergent, the dystopian division of society into factions is made enjoyable through production design, particularly in ‘Dauntless’, the faction joined by heroine Tris. This extends to transmedia marketing. The book’s violence is reduced to increase audience engagement, while lack of contextual detail precludes a critical dystopia. In Divergent, the spaces and ideologies of the post-apocalyptic film city are reframed as youth culture. Chicago is gamified, connoting an adventure playground. The space of the Dauntless ‘Pit’ offers symbolic rebirth, community and romance, yet its appeal is uncanny, as with communal spaces in The Host (2013 and The Maze Runner (2014. Divergent’s mirror simulation foregrounds spectacle but other simulations construct immediacy, appearing dream-like not immersive. Like the visions in Young Adult dystopian adaptations How I Live Now (2013 and Ender’s Game (2013, simulations convey individual awareness and supernatural communication. The film combines pleasurable classification and a divergence motif with its heroine’s development, revising dystopian cinematic space. Divergent represents a new form of dystopian cinema.

  7. TURISMO E CINEMA: UMA VIAGEM PELOS FILMES

    Directory of Open Access Journals (Sweden)

    Rejane dos Santos Silva

    2013-06-01

    Full Text Available O presente artigo propõe uma reflexão a partir da observação dos filmes Diários de Motocicleta e Sob o Sol da Toscana, tem como objetivo verificar as potencialidades turísticas existentes nas representações das citadas obras cinematográficas e perceber se os filmes servem como divulgadores dos destinos turísticos apresentados nas obras fílmicas. Para se chegar a tal percepção, utilizou-se de análise de conteúdo das obras cinematográficas convidando o leitor a viajar pelo filme e percorrer o roteiro realizado pelos protagonistas. Esses filmes foram escolhidos após aplicação de questionários com professores e alunos do oitavo período do curso de turismo da Universidade Federal do Piauí (UFPI, os quais citaram essas obras cinematográficas como sendo filmes que lhes despertaram o desejo de viajar. Após a aplicação desse questionário, obteve-se um total de dez filmes dos quais optou-se por analisar duas obras das mencionadas pelos sujeitos deste trabalho. Além disso, foi realizada uma abordagem bibliográfica sobre o cinema e sua relação com o turismo. Assim, a partir das reflexões aqui realizadas e da verificação das potencialidades turísticas mostradas nos filmes, notou-se que os filmes divulgam os locais exibidos através das paisagens nas imagens.

  8. Didactic use of cinema in Mathematics

    Directory of Open Access Journals (Sweden)

    Pablo BELTRÁN PELLICER

    2014-10-01

    Full Text Available The use of cinema as didactical resource in the Mathematics classroom has interested several authors and teachers during the last years, mainly because of its power to motivate students. On this point, suggestive compilations of scenes containing mathematical references, detailed analysis of movies closely related to Mathematics and even didactical materials to be used in the classroom have been developed. This article proposes a theoretical framework for designing classroom sequences based on the didactical situation which can arise from movies or fiction series scenes. In order to develop such a framework, we follow a didactical engineering process, taking into account some specific characteristics, as the one related to the didactical transposition, as it is required to consider the mathematic knowledge within the chosen scene, overall the way it appears. As well, a classroom experience is described, designed following the mentioned guidelines and implemented in the course of a collaborative project between two secondary education centers, where a significant motivation increase has been detected, due to using mathematical situations from the real world (or from fictional contexts but which can be easily assimilated by the students. There was also evidence about the fact that the designed didactical sequences allow to reduce the cognitive gap required to acquire certain mathematical concepts, because of the scenes provide additional information within an extra-mathematical context. Therefore, our proposal establishes some basic considerations in order to efficiently design didactical sequences using movie scenes as a resource, underlining its power to motivate as well as its facilitating ability when introducing new mathematical concepts to our students.

  9. America’s Lost Innocence and Cinema

    Directory of Open Access Journals (Sweden)

    Patrycja Włodek

    2015-10-01

    Full Text Available In my paper America’s Lost Innocence I intend to focus on American cinema of the ’50s, part of ’60s, and contemporary throwbacks to those decades. The ’50s have been called “the last decade of American innocence”, “the happiest decade in America’s history – when things were going on – that everybody misses” (by Jean Baudrillard. That era symbolically ceased on 22 November 1963; however, many scholars and publicists undermine the belief in its very existence. Michael Wood calls the ’50s a time of “self-deception”; therefore, the question raised is – has America ever been innocent? By concentrating on the message conveyed by mostly genre (e.g. drama, melodrama, musical, romantic comedy and mainstream movies made in the ’50s and early ’60s (e.g. A Place In the Sun, Cat on the Hot, Tin Roof, Home From the Hill, I intend to analyze the portrait of American society of that time, it’s rules and expectations towards individuals and system as a whole. In the second part of my paper I will focus on contemporary throwbacks to those times depicted mostly in movies made in the 21st century, although not exclusively (e.g. Far From Heaven, The Hours, Revolutionary Road, the TV series Mad Men [2007–], Pleasantville. Using those and other movies as examples, I intend to prove the thesis that the phenomenon of retro and contemporary retromania are not always and not by definition conservative, and can serve as a means to a critical approach towards society.

  10. Profiles of Nonprofit Education Management Organizations: 2008-2009

    Science.gov (United States)

    Miron, Gary; Urschel, Jessica

    2009-01-01

    This is the second "Profiles" report to examine nonprofit education management organizations (EMOs). This report is modeled after the 11 annual "Profiles" that cover for-profit EMOs. While the number of schools operated by for-profit EMOs grew rapidly in the 1990s and is now leveling off, the number of schools operated by nonprofit EMOs has been…

  11. Nonprofits' Expectations in PR Service-Learning Partnerships

    Science.gov (United States)

    Rogers, Cathy; Andrews, Valerie

    2016-01-01

    Little scholarly evidence exists about the communication needs of nonprofit community partners and what they think constitutes an ideal service-learning (SL) relationship. This study seeks to fill this gap by identifying SL projects and relationships that best serve nonprofit community partners with communication needs. The researchers conducted a…

  12. Rice University: Building an Academic Center for Nonprofit Education

    Science.gov (United States)

    Seaworth, Angela

    2012-01-01

    According to the author, the setting for their nonprofit education center was close to ideal: Support from a dean who cares deeply about nonprofit organizations; encouragement from the university and its renewed focus on reaching beyond its walls on the eve of its centennial; and a generous gift from alumni who have been affiliated with the…

  13. 7 CFR 3015.193 - Other non-profit organizations.

    Science.gov (United States)

    2010-01-01

    ... 7 Agriculture 15 2010-01-01 2010-01-01 false Other non-profit organizations. 3015.193 Section 3015.193 Agriculture Regulations of the Department of Agriculture (Continued) OFFICE OF THE CHIEF FINANCIAL... non-profit organizations. (a) OMB Circular No. A-122, including any subsequent amendments to...

  14. Doing Good in Challenging Times: How Nonprofits Can Profit.

    Science.gov (United States)

    Steckel, Richard

    1992-01-01

    Argues that the economic trends of the past decade have led to the entrepreneurial nonprofit organization, with strengthened management, redesigned financial systems, revenue-producing ventures, and partnerships with the corporate world. Successful strategies used to meet the challenges faced by nonprofit organizations, including libraries, are…

  15. Sustainability of Rural Nonprofit Organizations: Czech Republic and Beyond

    Directory of Open Access Journals (Sweden)

    Vladislav Valentinov

    2015-07-01

    Full Text Available Sustainability of nonprofit organizations is a key concern for today’s nonprofit scholars and practitioners. Building upon the nonprofit economics literature, the present paper introduces the distinction between the demand-side and supply-side determinants of nonprofit sustainability and makes the case for the discrepancy between them. This discrepancy presents not only a generic conceptual explanation of the nonprofit sustainability problems but is also applicable to the context of the European rural nonprofit sector. Three arguments are advanced. First, the notorious implementation problems of LEADER partnerships can be explained as a manifestation of the above discrepancy. Second, and related, the rural context implies the tendency of the supply-side determinants of nonprofit sustainability to undermine the demand-side ones. Third, recent empirical findings from the Czech Republic show that this tendency does not necessarily imply the possibility of a clear classification of the demand-side and supply-side sustainability determinants. Rather, those features of rural areas and communities that significantly affect the size of the local nonprofit sector exhibit a controversial entanglement of demand-side and supply-side identities.

  16. Nonprofits and Evaluation: Empirical Evidence from the Field

    Science.gov (United States)

    Carman, Joanne G.; Fredericks, Kimberly A.

    2008-01-01

    The authors explore what evaluation looks like, in practice, among today's nonprofit organizations on the basis of their survey results. The types of evaluation activities nonprofit organizations are engaging in on a regular basis, as well as the types of data they are collecting and how they are using these data, are described. How nonprofits…

  17. The Role of Nonprofits in Educational Technology Innovation

    Science.gov (United States)

    Zucker, Andrew A.

    2009-01-01

    For decades, nonprofit organizations have played a vital role in educational technology innovation. "Sesame Street," online high schools, probeware for science and mathematics teaching and learning, and many other innovations now widely used both in and outside schools were developed by nonprofits, including not only universities but also…

  18. A Framework for Assessing the Performance of Nonprofit Organizations

    Science.gov (United States)

    Lee, Chongmyoung; Nowell, Branda

    2015-01-01

    Performance measurement has gained increased importance in the nonprofit sector, and contemporary literature is populated with numerous performance measurement frameworks. In this article, we seek to accomplish two goals. First, we review contemporary models of nonprofit performance measurement to develop an integrated framework in order to…

  19. Nonprofit brand strength’s moderational role

    Directory of Open Access Journals (Sweden)

    Walter Wymer

    2015-03-01

    Full Text Available The nature and characteristics of the nonprofit brand strength construct are conceptualized. Brand strength is defined as a multidimensional construct, composed by brand familiarity, brand remarkability, and brand attitude. Brand familiarity refers to the level of knowledge the target audience has about the brand object. Brand attitude refers to the degree to which a brand object is perceived favorably by a target group. Brand remarkability refers to the degree to which a brand object is perceived by a target group to be extraordinary. In the brand management nomological net, brand strength acts as a moderator, influencing the strength of the relationship between marketing tactics (antecedents and marketing outcomes (consequents. Brand strength’s inter-dimensional relationships are conceptualized. A brand strength strategy grid is presented, which informs brand management strategy based on a brand’s current levels of brand familiarity and brand remarkability.

  20. The Walking Egg non-profit organisation.

    Science.gov (United States)

    Dhont, N

    2011-01-01

    The Walking Egg non-profit organisation (npo) was founded in 2010 by scientists and an artist to realise the Arusha Project which strives to implement accessible infertility programmes in resource-poor countries. Right from the start The Walking Egg has opted for a multidisciplinary and global approach towards the problem of infertility and in cooperation with the Special Task Force (STF) on "Developing countries and infertility" of the European Society of Human reproduction and Embryology (ESHRE) and the WHO, it gathers medical, social and economical scientists and experts along with artists to discuss and work together towards its goal. The project aims to raise awareness -surrounding childlessness in resource-poor countries and to make infertility care in all its aspects, including assisted reproductive technologies, available and accessible for a much larger part of the population.

  1. Democracy and non-profit housing

    DEFF Research Database (Denmark)

    Hansen, Anne Vorre; Langergaard, Luise Li

    2017-01-01

    Resident democracy as a special form of participatory democratic set-up is fundamental in the understanding, and self-understanding, of the non-profit housing sector in Denmark. Through a case study, the paper explores how resident democracy is perceived and narrated between residents and employees...... at a housing association. The study indicates that the meta-story of democracy is disconnected from practice and the lived lives of residents. Three analytical tensions structure the analysis, which relate to the conditions for realizing the democratic ideal embedded in the structure of the sector....... The tensions are related to representative versus participatory democracy; collectivity versus individuality; and service versus welfare. The tensions elucidate how resident democracy is squeezed between different logics, which result in an ambiguous setting for practising democracy. Based on the results...

  2. Nonprofit, payload process improvement through lean management

    Science.gov (United States)

    Sampson, Melissa

    Organizations that are successful and competitive long-term have learned to efficiently utilize their resources, such as money, people, facilities, and time. Over the last half-century, there have been a variety of theories and techniques put forth on how to do this. One recent theory applied in the aerospace industry is Lean Management (LM), which emphasizes a customer focus and a rigorous elimination of activities that do not add value from the customer's perspective. LM has not, until now, been evaluated for small, nonprofit, one-off production organizations (NOPOs). Previous research on LM focused on for-profit companies and large-scale production organizations, producing relatively similar products repetitively (e.g. automobiles, commercial satellites, aircraft, and launch vehicles). One-off production organizations typically create one-of-a-kind products. The purpose of this research is to examine the applicability of LM to a NOPO. LM will improve resource utilization and thereby competitiveness, as well as exploring a new area of knowledge and research. The research methodology consists of conducting case studies, formal and informal interviews, observation and analysis in order to assess whether and how LM may be beneficial. The research focuses on one particular NOPO, BioServe Space Technologies (BST): a nonprofit, payload development organization. Additional NOPOs were interviewed in order to draw more generalized conclusions about LM benefits. The research demonstrates that LM is applicable to NOPOs, thus providing a tool to improve efficiency and competitiveness. Results from this research are guidelines for payload development organizations to implement LM, and highlighting potential LM weaknesses. A major conclusion is that LM needs some minor modifications to be applicable and useful to NOPOs, particularly in terms of value stream mapping. The LM implementation roadmap developed for NOPOs introduces customized metrics, as well as including standard

  3. Productivity of functional guilds of fishes in managed wetlands in coastal South Carolina

    Science.gov (United States)

    Robinson, Kelly F.; Jennings, Cecil A.

    2014-01-01

    In coastal South Carolina, many wetlands are impounded and managed as migratory waterfowl habitat. Impoundment effects on fish production and habitat quality largely are unknown. We used the size-frequency method to estimate summer production of fish guilds in three impoundments along the Combahee River, South Carolina. We predicted that guild-specific production would vary with impoundment salinity, which ranged from 3 to 21 practical salinity units. We expected that marine species that use the estuary as nursery habitat would have greatest production in the impoundment with the highest salinity regime, and that species that inhabit the upper reaches of the estuary would have greatest production in the impoundment with the lowest salinity regime. Finally, we expected that estuarine species would be highly productive in all study impoundments, because these species can reproduce within these structures. We found that guild-specific productivity varied both among years and among impoundments, generally following salinity gradients, though to a lesser extent than expected. Our guild-specific estimates of fish productivity fell on the low end of the range of previously published estuarine fish production estimates. Additionally, we observed large mortality events in the study impoundments each summer. The results of our study indicate that during the summer, the study impoundments provided poor-quality fish habitat to all guilds.

  4. Diversity of Guilds of Amphibian Larvae in North-Western Africa

    Science.gov (United States)

    Escoriza, Daniel; Ben Hassine, Jihène

    2017-01-01

    The composition and diversity of biotic assemblages is regulated by a complex interplay of environmental features. We investigated the influence of climate and the aquatic habitat conditions on the larval traits and the structure of amphibian larval guilds in north-western Africa. We classified the species into morphological groups, based on external traits: body shape, size, and the relative positions of the eyes and oral apparatus. We characterized the guild diversity based on species richness and interspecific phylogenetic/functional relationships. The larvae of the urodeles were classified as typical of either the stream or pond type, and the anurans as typical of either the lentic-benthic or lentic-nektonic type. The variations in the body shapes of both urodeles and anurans were associated with the type of aquatic habitat (lentic vs lotic) and the types of predators present. Most of the urodele guilds (98.9%) contained a single species, whereas the anuran guilds were usually more diverse. Both the phylogenetic and functional diversity of the anuran guilds were positively influenced by the size of the aquatic habitat and negatively by aridity. In anurans, the benthic and nektonic morphological types frequently co-occurred, possibly influenced by their opportunistic breeding strategies. PMID:28125660

  5. Semantically transparent fingerprinting for right protection of digital cinema

    Science.gov (United States)

    Wu, Xiaolin

    2003-06-01

    Digital cinema, a new frontier and crown jewel of digital multimedia, has the potential of revolutionizing the science, engineering and business of movie production and distribution. The advantages of digital cinema technology over traditional analog technology are numerous and profound. But without effective and enforceable copyright protection measures, digital cinema can be more susceptible to widespread piracy, which can dampen or even prevent the commercial deployment of digital cinema. In this paper we propose a novel approach of fingerprinting each individual distribution copy of a digital movie for the purpose of tracing pirated copies back to their source. The proposed fingerprinting technique presents a fundamental departure from the traditional digital watermarking/fingerprinting techniques. Its novelty and uniqueness lie in a so-called semantic or subjective transparency property. The fingerprints are created by editing those visual and audio attributes that can be modified with semantic and subjective transparency to the audience. Semantically-transparent fingerprinting or watermarking is the most robust kind among all existing watermarking techniques, because it is content-based not sample-based, and semantically-recoverable not statistically-recoverable.

  6. Europa Cinemas auhindas Sõpruse kino / Katrin Rajasaare ; interv. Annika Koppel

    Index Scriptorium Estoniae

    Rajasaare, Katrin

    2005-01-01

    Euroopa ja Vahemere regiooni kinopidajaid ühendav organisatsioon Europa Cinemas kuulutas Sõpruse kino aasta parimaks noorsooürituste korraldamise kategoorias. Oma tööst räägib Sõpruse juht, kes käis ka 18. nov. Budapestis auhinda vastu võtmas

  7. Toward a stereoscopic encoder/decoder for digital cinema

    Science.gov (United States)

    Bensalma, Rafik; Larabi, Mohamed-Chaker

    2008-02-01

    The digital cinema is very challenging because it represents tomorrow way of capturing, post-producing and projecting movies. Specifications on this media are provided by DCI (Digital Cinema Initiatives) founded by the Hollywood Majors. Among the specifications we can find issues about resolution, bitrate, JPEG2000 compression Moreover, the market assumes that 3D could raise the turnover of cinema industry. The problem with is the availability of 2 streams (left and right) that double the amount of data and need adapted devices to decode and project movies. Cinema industry, represented by the stereoscopic group in SMPTE has expressed the need of having a unique master that combines two streams in one. This paper focuses on the study of the generation of a master with one of the streams and the embedment of the redundant information as metadata in JPEG2000 code-stream or MXF. The idea is to use the reference image in addition to some metadata to reconstruct the target image. The metadata represent the residual image and the contours description. Quality of reconstructed images depends on the compression ratio of the residual image. The obtained results are encouraging and the choice between JPEG2000 metadata embedding and MXF metadata still to be done.

  8. Europa Cinemas auhindas Sõpruse kino / Katrin Rajasaare ; interv. Annika Koppel

    Index Scriptorium Estoniae

    Rajasaare, Katrin

    2005-01-01

    Euroopa ja Vahemere regiooni kinopidajaid ühendav organisatsioon Europa Cinemas kuulutas Sõpruse kino aasta parimaks noorsooürituste korraldamise kategoorias. Oma tööst räägib Sõpruse juht, kes käis ka 18. nov. Budapestis auhinda vastu võtmas

  9. Review of Masculinity and Gender in Greek Cinema

    Directory of Open Access Journals (Sweden)

    Erato Basea

    2014-10-01

    Full Text Available This is a historical-sociological study based on the premise that cinema is a social institution that is ‘interactively changing along with the society in which it is produced and viewed’. As such, the representation of masculinity in the Greek films produced in this transitory period ‘becomes obscured, uncertain and problematic’.

  10. Context Based Learning: A Role for Cinema in Science Education

    Science.gov (United States)

    Arroio, Agnaldo

    2010-01-01

    This paper discusses the role of cinema as a tool for science education. Based on the socio-cultural approach put forward by Vygotsky, it draws attention to the fact that an audience can interact with the characters and share their emotions and actions showed in an audiovisual setting. Experiences come from an interaction with a learning…

  11. Genetics and Cinema: Personal Misconceptions That Constitute Obstacles to Learning

    Science.gov (United States)

    Muela, Francisco Javier; Abril, Ana María

    2014-01-01

    The primary objective of this paper is to find out whether the genetic concepts conveyed by cinema could encourage students' personal misconceptions in this area. To that end, two sources of conceptions were compared: the students' personal concepts (from a consolidated bibliography and from an experimental sample) and the concepts conveyed by…

  12. [Amyotrophic lateral sclerosis in literature, cinema and television].

    Science.gov (United States)

    Collado-Vázquez, Susana; Carrillo, Jesús María

    2014-07-01

    Amyotrophic lateral sclerosis (ALS) is a neurodegenerative disease with a progressive course that affects the corticospinal and spinal cord motor neurons, the main manifestations of which are muscular weakness, amyotrophy and hyperreflexia. It has an incidence of 0.4-2.4 cases/100,000 inhabitants/year, and a prevalence of 4-6 cases/100,000 inhabitants. It is more frequent in adult males over 50 years of age. A number of different neurological diseases have been portrayed in literature, cinema and television, including ALS, which has been presented correctly and realistically. To analysis how literature, cinema and television have addressed ALS. Several different literary works have dealt with ALS, such as El desencuentro, Lou Gehrig: the luckiest man or Tuesdays with Morrie; the cinema has also depicted this disease in films such as The pride of the Yankees, My love beside me (closer to Heaven) or Right to die; and on television this disease has been shown in series, documentaries and television films, such as: Tuesdays with Morrie, Jenifer or A love affair: the Eleanor and Lou Gehrig Story. Most of the works are of a biographical and testimonial nature, and portray the disease realistically, with the intention of making ALS more widely known and raising the population's awareness about the condition. Literature, cinema and television have portrayed ALS in a realistic and believable manner, unlike some other diseases of a neurological origin.

  13. Impossible Puzzle Films : A Cognitive Approach to Contemporary Complex Cinema

    NARCIS (Netherlands)

    Kiss, Miklós; Willemsen, Steven

    2017-01-01

    Narrative complexity is a trend in contemporary cinema. Since the late 1990s there has been a palpable increase in complex storytelling in movies. But how and why do complex movies create perplexity and confusion? How do we engage with these challenges? And what makes complex stories so attractive?

  14. Laughter and collective awareness: The cinema auditorium as public space

    NARCIS (Netherlands)

    Hanich, Julian

    2014-01-01

    This article looks at how the collective experience of laughter in the movie theater is related to the idea of the cinema as a public space. Through the non-verbal expression of laughter the audience ‘constructs’ a public space the viewers may not have been aware of to the same degree prior to the c

  15. Lights and Shadows of Business-Nonprofit Partnerships: The Role of Nonprofit Learning and Empowerment in this Ethical Puzzle

    Directory of Open Access Journals (Sweden)

    María José Sanzo

    2017-08-01

    Full Text Available Business-nonprofit partnerships have gained increased relevance in the context of the evolution of corporate social responsibility strategies and the existence of extremely complex societal and environmental challenges. However, these collaborations are also associated with important ethical concerns. Under such a scenario, this study attempts to shed light on the effects of high value-added partnerships—i.e., those characterized by a process of nonprofit empowerment—on two potential risks of business-nonprofit partnerships: co-optation and loss of personnel’s identification with the nonprofit’s social mission. Based on a two-step survey to a representative sample of Spanish nonprofits involved in social partnerships with firms, results reveal the existence of a mixed influence in both cases, positive and negative. Several implications for practitioners are drawn, specifically about how firms and nonprofits can reduce the negative ethical consequences of partnering.

  16. A review of evolution of oviposition guilds in the Bruchidae (Coleoptera

    Directory of Open Access Journals (Sweden)

    Clarence Dan Johnson

    2004-01-01

    Full Text Available Three guilds of bruchid beetles oviposit on seeds at different times and in different ways, i. e., in these guilds some species only oviposit on fruits while on the plant (Guild A, other species only oviposit on seeds exposed in fruits while still on the plant (Guild B and some only oviposit on seeds once they are exposed on the substrate (Guild C. It has been established that one plant species may be oviposited upon by all three guilds, some only by two guilds and some by only one guild. Before and after the inception of this concept many papers have been published that seem to establish that early oviposition behavior of bruchids was probably onto fruits where they burrowed through the fruit wall and fed on seeds (Guild A. Then, as evolution of the fruits developed for dispersal of seeds and possible escape from bruchid predation, bruchids developed to feed in seeds in various other ways (Guilds B and C. Our data show that about 78% of extant bruchids oviposit on fruits, and the other 22% with behavior of Guilds B and C. A review of these papers and new data on oviposition guilds and bruchid evolution are presented and discussed here.Uma revisão das guildas de oviposição em Bruchidae (Coleoptera. Os bruquídeos apresentam três guildas de oviposição caracterizadas por períodos e maneiras diferentes de postura. Algumas espécies somente ovipositam nos frutos enquanto presos à planta (Guilda A, outras somente em sementes expostas de frutos enquanto ainda estão na planta (Guilda B e algumas apenas em sementes livres no substrato (Guilda C. Uma espécie de planta pode ser infestada nas três condições, outras somente por duas e outras por apenas uma condição. Muitos artigos científicos têm sido publicados antes e após o conceito das guildas e, ao que parece, o comportamento primitivo dos bruquídeos provavelmente foi o de ovipositar sobre os frutos, com as larvas penetrando através de sua parede para se alimentarem das sementes

  17. Bat guilds, a concept to classify the highly diverse foraging and echolocation behaviors of microchiropteran bats

    Directory of Open Access Journals (Sweden)

    Annette eDenzinger

    2013-07-01

    Full Text Available Throughout evolution the foraging and echolocation behaviors as well as the motor systems of bats have been adapted to the tasks they have to perform while searching and acquiring food. When bats exploit the same class of environmental resources in a similar way, they perform comparable tasks and thus share similar adaptations independent of their phylogeny. Species with similar adaptations are assigned to guilds or functional groups. Habitat type and foraging mode mainly determine the foraging tasks and thus the adaptations of bats. Therefore we use habitat type and foraging mode to define seven guilds. The habitat types open, edge and narrow space are defined according to the bats’ echolocation behavior in relation to the distance between bat and background or food item and background. Bats foraging in the aerial, trawling, flutter detecting, or active gleaning mode use only echolocation to acquire their food. When foraging in the passive gleaning mode bats do not use echolocation but rely on sensory cues from the food item to find it. Bat communities often comprise large numbers of species with a high diversity in foraging areas, foraging modes, and diets. The assignment of species living under similar constraints into guilds identifies pattern of community structure and helps to understand the factors that underlie the organization of highly diverse bat communities. Bat species from different guilds do not compete for food as they differ in their foraging behavior and in the environmental resources they use. However, sympatric living species belonging to the same guild often exploit the same class of resources. To avoid competition they should differ in their niche dimensions. The fine grain structure of bat communities below the rather coarse classification into guilds is determined by mechanisms that result in niche partitioning.

  18. Seasonal variation of assemblage and feeding guild structure of fish species in a boreal tidal basin

    Science.gov (United States)

    Kellnreitner, Florian; Pockberger, Moritz; Asmus, Harald

    2012-08-01

    Species composition, abundance, feeding relationships and guild structure of the fish assemblage in the Sylt-Rømø bight, a tidal basin in the northern Wadden Sea, were investigated to show seasonal differences and the importance of functional groups in this area. The tidal flats and in shallow subtidal areas were sampled using a beach seine and a bottom trawl net was used for deeper subtidal areas and tidal gullies. Species richness of fish was highest in summer where 26 species were caught, while the lowest richness was recorded in winter (17 species). Clear differences in species richness and abundance were found between shallow areas and deeper parts of the bight. Clupea harengus and Ammodytes tobianus were the most abundant species in deeper areas, while Pomatoschistus microps and Pomatoschistus minutus dominated shallower waters. Gut contents of 27 fish species were identified and the guild structure analyzed by UPGMA clustering of niche overlaps. Calanoid copepods (19.9%), Crangon crangon (18.2%) and mysid shrimps (8.4%) were the most abundant prey items of all fish species combined. Seven feeding guilds were present in the fall and winter, and eight and six in spring and summer, respectively. Fish feeding on calanoid copepods and C. crangon were present year round, whereas the occurrence of other guilds varied between seasons. Species composition of prey changed through seasons and, for some fish species, even the feeding mode itself varied with season. Most noticeable, 11 fish species changed guilds between seasons. We found a convergence in summer towards abundant prey items, whereas in winter diet overlap was lower. This is the first investigation of guild structure of almost all fish species present in a Wadden Sea area, and shows that consideration of seasonal differences is essential when determining feeding relationships of fish in temperate areas.

  19. THE CONSTITUTION, ORGANIZATION AND OPERATION OF NON-PROFIT ORGANIZATIONS

    Directory of Open Access Journals (Sweden)

    DUMITRU FRANCA

    2012-05-01

    Full Text Available Non-profit organizations are associations, foundations or federations which use their own assets and revenues in order to pursue activities of general, community or non-patrimonial purpose. According to these legal regulations, associations and foundations can be constituted by natural or legal persons with the purpose of undertaking such activities of general, community or non-patrimonial (non-profit purpose. The organization and operation of non-profit organizations presents a series of particularities in the case of associations as opposed to foundations, but there are also common elements.

  20. Comparative Corporate Governance of Non-Profit Organizations

    DEFF Research Database (Denmark)

    Thomsen, Steen

    2014-01-01

    Based on the impressive work of Hopt and von Hippel (2010), I review the comparative corporate governance of non-profit organizations and propose topics for future research. There is evidence of agency problems in non-profit as well as for-profit organizations, but the governance mechanisms...... employed to address them are by necessity different. In the absence of important governance mechanisms like monitoring by external owners or performance based pay, other mechanisms like regulation, reputation and transparency come to the foreground. However, we have little systematic knowledge of the costs...... and benefits of alternative governance arrangements in non-profits, which provides a range of opportunities for future research....

  1. Cinema advertising and the Sea Witch ‘Lost Island’ film (1965)

    OpenAIRE

    Farmer, Richard

    2016-01-01

    Cinema advertising films have for many decades constituted an important element of British cinema programmes, yet they remain relatively under-researched. This article examines the production, distribution and reception of one such film, a 90-second mini-epic called ‘Lost Island’, which was made in 1965 to promote Sea Witch hair dyes. As well as outlining the technological and experiential aspects of the cinema and cinemagoing that continued to make film an attractive medium for advertisers e...

  2. Running quickbooks in nonprofits the only comprehensive guide for nonprofits using quickbooks

    CERN Document Server

    Ivens, Kathy

    2011-01-01

    Updated to include additional topics and to cover all versions of the software, this guide provides the most vital information on using QuickBooks to track financial data in nonprofit organizations. Management of donors, grants, and pledges, and topics such as allocating expenses to programs, handling donor restrictions, and generating the reports needed for donors and tax returns are covered in detail. In addition to easy-to-follow instructions and many tips and workarounds, information on using QuickBooks for fundraising is provided.

  3. An Analytical Study On Covert Advertising : Product Placement In Indian Cinema

    OpenAIRE

    Prachi Singh

    2013-01-01

    The cinema industry is known as a powerful promotional channel for product, which justifies the theme and purpose of this paper: product placement in Bollywood. Bollywood is defined as a mix between Bombay and Hollywood, hence the title Bollywood. It is the second largest cinema industry in the world after Hollywood, approximately 800 films are produced and distributed each year and are shown to 11,000,000 people every day in 13,000 cinemas across India and therefore it is the biggest cinema ...

  4. Roberto De Gaetano: impulse-images and the cinema between the forms and the forces

    Directory of Open Access Journals (Sweden)

    Bruno Bueno Pinto Leites

    2015-08-01

    Full Text Available Since the early nineties Roberto De Gaetano works on the relationship between cinema, aesthetics and philosophy. In this interview, he talks about the impulse-images, a concept among Gilles Deleuze`s taxonomy that has remained someway “marginal” although being powerful for understanding a large set of problems, as the body of images, the inscription of a death drive in cinema and the conception of worlds in the act of their own destruction. We also had the opportunity to talk about De Gaetano`s latest works and the difference that he establishes between cinema of form and the cinema of force.

  5. From modernity to memorial: the changing meanings of the 1930s cinema in Nottingham

    OpenAIRE

    Stubbings, Sarah

    2004-01-01

    This work examines local press reporting of the 1930s cinema from 1930 up to the present day. By focusing on one particular city, Nottingham, I formulate an analysis of the place that cinema has occupied in the city's history. Utilising the local press as the primary source enables me to situate the discourses on the cinema building and the practice of cinema-going within the broader socio-cultural contexts and history of the city. The work incorporates all the different forms of local press ...

  6. Reel Socialism: Making sense of history in Czech and German cinema since 1989

    DEFF Research Database (Denmark)

    Bechmann Pedersen, Sune

    This thesis is a comparative study of the communist past as depicted in Czech and German feature films since 1989, or "reel socialism". It is the first detailed study of post-1989 Czech history films and the first comparative study of German post-reunification cinema. It demonstrates that cinema...... has been a vehicle of similar sense-making processes in the two history cultures. Much of the research on cinema in Germany has treated the subject in isolation, blind to the commonalities it shares with other post-communist countries, while Czech post-communist history culture and cinema has been...

  7. User-centric technology design for nonprofit and civic engagements

    CERN Document Server

    Saeed, Saqib

    2014-01-01

    Due to the increased global political importance of the nonprofit sector, its technological support and organizational characteristics have become important fields of research. In order to conduct effective work, nonprofits need to communicate and coordinate effectively. However, such settings are generally characterized by a lack of resources, an absence of formal hierarchical structures and differences in languages and culture among the activists. Modern technologies could help nonprofit networks in improving their working. In order to design appropriate technological support for such settings, it is important to understand their work practices, which widely differ from traditional business organizations. This book aims to strengthen the body of knowledge by providing user studies and concepts related to user centered technology design process for nonprofit settings. The examination of ethnographic studies and user centered evaluation of IT artifacts in practice will further the understanding of design requ...

  8. PARTICULARITIES OF THE FINANCIAL INFORMATION SYSTEM IN NONPROFIT ORGANIZATIONS

    Directory of Open Access Journals (Sweden)

    Delia Corina MIHALȚAN

    2015-06-01

    Full Text Available Due to the crucial importance of financial information in the context of a knowledge society like ours, the present paper aims to highlight the typical aspects of the financial information system in nonprofit organizations, for the very reason that, inside it, the financial information is produced, which is so necessary to the decisional process. Starting from the hypothesis that the financial information system is influenced by the features specific of the nonprofit organizations, we have applied a methodological approach that has led us to the formulation of certain conclusions. We have studied the literature, the legislation in this domain and the practical realities of the nonprofit organizations analyzed. We concluded that the financial information system of the nonprofit organizations is structured according to the activities undertaken, the programs assumed, the type of funding, the type of target group, the budget-based activities and the presence of volunteers.

  9. GAMES OF INNOVATION: THE ROLES OF NONPROFIT ORGANISATIONS

    OpenAIRE

    MARGARET DALZIEL

    2007-01-01

    Games of innovation involve four types of organisational players: firms, governments, universities, and nonprofit organisations. Of the four, nonprofit organisations are the least well understood. To capture the contributions of all types of organisational players, I adopt the perspective of a focal firm and consider the roles that other organisations play with respect to its ability to innovate. I introduce the roles of institutional enabler and institutional balancer, in which another organ...

  10. Diet compositions and trophic guild structure of the eastern Chukchi Sea demersal fish community

    Science.gov (United States)

    Whitehouse, George A.; Buckley, Troy W.; Danielson, Seth L.

    2017-01-01

    Fishes are an important link in Arctic marine food webs, connecting production of lower trophic levels to apex predators. We analyzed 1773 stomach samples from 39 fish species collected during a bottom trawl survey of the eastern Chukchi Sea in the summer of 2012. We used hierarchical cluster analysis of diet dissimilarities on 21 of the most well sampled species to identify four distinct trophic guilds: gammarid amphipod consumers, benthic invertebrate generalists, fish and shrimp consumers, and zooplankton consumers. The trophic guilds reflect dominant prey types in predator diets. We used constrained analysis of principal coordinates (CAP) to determine if variation within the composite guild diets could be explained by a suite of non-diet variables. All CAP models explained a significant proportion of the variance in the diet matrices, ranging from 7% to 25% of the total variation. Explanatory variables tested included latitude, longitude, predator length, depth, and water mass. These results indicate a trophic guild structure is present amongst the demersal fish community during summer in the eastern Chukchi Sea. Regular monitoring of the food habits of the demersal fish community will be required to improve our understanding of the spatial, temporal, and interannual variation in diet composition, and to improve our ability to identify and predict the impacts of climate change and commercial development on the structure and functioning of the Chukchi Sea ecosystem.

  11. Chinese Guilds from the Seventeenth to the Twentieth Centuries: An Overview

    NARCIS (Netherlands)

    Moll-Murata, C.

    2009-01-01

    The Chinese merchant and craft associations that are most similar to European guilds originated in the late sixteenth century. They started to proliferate from the mid-eighteenth century onward and, after the intercession of the Taiping rebellion and the Opium Wars, their numbers soared from the mid

  12. American Guild of Musical Artists: A Case for System Development, Data Modeling, and Analytics

    Science.gov (United States)

    Harris, Ranida; Wedel, Thomas

    2017-01-01

    This article presents a case scenario that may be used in system analysis and design, database management, and business analytics classes. The case document includes realistic, detailed information on the operations at the American Guild of Musical Artists (AGMA). Examples of assignments for each class and suggested reading are presented. In each…

  13. Critical Analysis of National-Populist Rhetoric of Mihail Ralea, Labour Minister, about Guilds and Corporatism

    Directory of Open Access Journals (Sweden)

    Florin GRECU

    2014-03-01

    Full Text Available Corporatism, in the Romanian variant, under the monarchical authoritarian regime in 1938, was synonymous with Statism consisting in “unifying” the syndicates’, by means of a new institution called “guild” (meaning “breasla” in Romanian. The purpose of the guild law was to exercise the best control over the activity and life of the syndicates’ union, because it was considered that the workers were exposed to the ideological influences of that period of time. The guild was nothing more than a reproduction of the corporate law in fascist Italy. Moreover the Guilds, together with the single party, the National Renaissance Front, were the instrument, through which the state reorganized the syndicate unions resorting to nationalist and populist rhetoric. The latter one was used to disputing the former democratic regime’s institutions and to simplistically promoting collectivist values ​​by means of the Government’s members. The guilds had the political role to replace the political parties by sending their representatives in a new legislative body made ​​up from professional categories structured as corporations. The message of the new regime was centered on denying the ancient multiparty political regime and inducing political resentment. Ordinary citizens were misled by promoting enduring distrust related to the former democratic political class.

  14. Feeding guild composition of a macrobenthic subtidal community along a depth gradient

    Directory of Open Access Journals (Sweden)

    Marina Dolbeth

    2009-06-01

    Full Text Available The feeding guild composition of a macrobenthic community from southern Portugal was studied along a depth gradient (1.3 to 32 m. This gradient comprised shallow areas with severe physical stress and deeper areas with no significant hydrodynamic impact at the seafloor. The main goal was to determine the influence of the spatial and temporal differences of the hydrodynamic impact at the seafloor on the feeding guild composition of the macrobenthic community. The feeding guild composition changed gradually with depth, which reflects the differences in the hydrodynamics impact at the seafloor. Herbivores and sand-lickers dominated at the shallowest depths with fine sands, which correlated with higher levels of primary production. Scavengers were also distributed in the shallow areas, which was associated with the lower predation impact. Suspension feeders, in accordance with their physiological requirements, were distributed in coarser sands subjected to a physical impact. Carnivores, surface deposit feeders and sub-surface deposit feeders were distributed mainly below 8 m depth, where there was no significant impact from the wave climate. Carnivores were associated with coarser sands and were mainly small polychaetes and nemerteans. Sub-surface and surface deposit feeders were more abundant in the deepest areas of the depth gradient with fine sands and mud deposits with higher organic content. However, surface deposit feeders also occurred at shallower depths. Some seasonal differences related to disturbance impacts were found in the numerical dominance of the feeding guilds.

  15. RS485 Image Sensor for Digital Cinema System

    Directory of Open Access Journals (Sweden)

    Eunju Kim

    2016-01-01

    Full Text Available To activate various devices using RS485, a repeater is generally used. In current digital cinema systems, each device is controlled with RS485 by mixing RS485 and DMX512. However, as today’s cinema equips hundreds of 4D chairs and the environmental directors, it is nearly infeasible for the legacy system to control. To this end, this paper designs and implements a new system which makes hundreds of 4D chairs and the environmental directors be controlled simultaneously exploiting RS485 network topology and its repeaters. The proposed approach is tested in a real-time system for assessing the performance by Paessler Router Traffic Grapher (PRTG in Windows environment. Simulation results show that the tested system supports 4D chairs and their motions are well operated simultaneously with RS485.

  16. Comparison of subjective assessment protocols for digital cinema applications

    Science.gov (United States)

    Larabi, M.-C.

    2010-01-01

    Quality assessment is becoming an important issue in the framework of image processing. This need is expressed by the fact that the quality threshold of end-users has been shifted up because of the large availability of high fidelity sensors at very affordable price. This observation has been made for different application domains such as printing, compression, transmission, and so on. Starting from this, it becomes very important to manufacturers and producers to provide products of high quality to attract the consumer. This high interest on quality means that tools to measure it have to be available. This work is dedicated to the comparison of subjective methodologies in the digital cinema framework. The main goal is to determine with a group of observers, which methodology is better for assessing digital cinema content and what is the annoyance level associated to each of them. Several configurations are tested side by side, Butterfly, one by one, Horizontal scroll, vertical scroll, Horizontal and vertical scroll.

  17. Japan's progressive sex: male homosexuality, national competition, and the cinema.

    Science.gov (United States)

    Hall, J M

    2000-01-01

    This essay serves as a broad investigation of the origins of what came to be called the "gay boom" in 1990's Japanese cinema: a culmination of print media, television, and especially films which made the gay male not merely a visible (political) subject but also the site of displaced contestations of gendered (female) desire. The most visible transnational signifier of the "gay boom" was the 1992 film Okoge, a film which, in keeping with a Japanese trend which relocates the gay male as a safe displacement of female desire, posits the heterosexual female as the audience's point of identification in a film about the lives of gay Japanese men. Using this as a starting point, this essay seeks to explore how male homosexuality and gender construction operate within both Japanese nationalism and the transnational discourse of Japanese cinema's dissemination.

  18. De-framing video games from the light of cinema

    Directory of Open Access Journals (Sweden)

    Bernard Perron

    2015-09-01

    Full Text Available In this essay, we shall try to step back from a blinding cinema-centric approach in order to examine the impact such a framing has caused, to question its limitations, and to reflect on the interpretive communities that have relied on film (communities we are part of, due to our film studies background to position video games as an important cultural phenomenon as well as an object worthy of scholarly attention. Using Gaudreault and Marion’s notion of cultural series and wishing to spread a French theoretical approach we find very relevant to the discussion, we will question the bases on which we frame video games as cinema. This inquiry will focus on the audiovisual nature of both media and highlight their differing technical and aesthetic aspects, which will lead us to consider video games as being closer to other forms of audiovisual media.

  19. Cinema, ciência e percepção.

    Directory of Open Access Journals (Sweden)

    Márcio Barreto

    Full Text Available Resumo O cinema invoca a questão dos limites da percepção humana, pois modula o tempo em imagens tão reais quanto artificiais, revelando algo mais próximo de uma nova dimensão da realidade do que de sua representação. No início do século XX, a ciência modifica o real percebido através das lentes dos microscópios e das teorias da física moderna; o parentesco entre cinema e ciência está principalmente naquilo que excede o campo perceptivo e é explorado neste artigo para mostrar como a tensão entre o caráter estático da fotografia e a fluidez fugitiva do tempo revela a ciência sem seus estereótipos habituais.

  20. Visualising the Guild Chapel, Stratford-upon-Avon: digital models as research tools in buildings archaeology

    Directory of Open Access Journals (Sweden)

    Kate Giles

    2012-07-01

    Full Text Available This article disseminates the results of a programme of detailed archaeological survey and archive research on one of Europe's most important surviving late-medieval Guild Chapels — that of the Holy Cross Guild, Stratford-upon-Avon (Warwickshire. Today the building is part of Stratford-upon-Avon's tourist trail, located directly opposite William Shakespeare's home, 'New Place', and visited by thousands of tourists every year. However, its archaeological and historical significance has been overlooked owing to the extensive restoration of the building in the 19th and 20th centuries. This destroyed evidence for an internationally significant scheme of wall paintings within the Chapel, paid for by the London Mayor and Stratford-upon-Avon merchant, Hugh Clopton, an important member of the Holy Cross Guild and the original builder of 'New Place'. The paintings also have an important connection with Stratford-upon-Avon's most famous son, William Shakespeare, whose father may have been involved in their destruction and removal during the 16th century. Research by a team of historical archaeologists and digital heritage specialists at the Department of Archaeology, University of York, has revealed the significance of the Guild Chapel through the creation of a digital model and textual paradata, which form the focus of this article. The project is ground-breaking in that it moves beyond the traditional use of digital models as virtual reconstructions of past buildings to use the model itself as a research tool through which the user can explore and validate the evidence for the scheme directly. This is achieved through the creation of a palimpsest of antiquarian drawings of the paintings, made as they were revealed during restoration works in the 19th and 20th centuries, and set within their 3-dimensional architectural context. The model allows the user to compare and contrast differences in the recording methods, iconographies and interpretations of

  1. Unforeseen consequences: Medicaid and the funding of nonprofit service organizations.

    Science.gov (United States)

    Allard, Scott W; Smith, Steven Rathgeb

    2014-12-01

    Medicaid reimbursements have become a key source of funding for nonprofit social service organizations operating outside the medical care sector, as well as an important tool for states seeking resources to fund social service programs within a devolving safety net. Drawing on unique survey data of more than one thousand nonprofit social service agencies in seven urban and rural communities, this article examines Medicaid funding of nonprofit social service organizations that target programs at working-age, nondisabled adults. We find that about one-quarter of nonprofit service organizations--mostly providers offering substance abuse and mental health treatment in conjunction with other services--report receiving Medicaid reimbursements, although very few are overly reliant on these funds. We also find Medicaid-funded social service nonprofits to be less accessible to residents of high-poverty neighborhoods or areas with concentrations of black or Hispanic residents than to residents of more affluent and white communities. We should expect that the role of Medicaid within the nonprofit social service sector will shift in the next few years, however, as states grapple with persistent budgetary pressures, rising Medicaid costs, and decisions to participate in the Medicaid expansion provisions contained within the 2010 Patient Protection and Affordable Care Act.

  2. Child center closures: Does nonprofit status provide a comparative advantage?

    Science.gov (United States)

    Lam, Marcus; Klein, Sacha; Freisthler, Bridget; Weiss, Robert E

    2013-03-01

    Reliable access to dependable, high quality childcare services is a vital concern for large numbers of American families. The childcare industry consists of private nonprofit, private for-profit, and governmental providers that differ along many dimensions, including quality, clientele served, and organizational stability. Nonprofit providers are theorized to provide higher quality services given comparative tax advantages, higher levels of consumer trust, and management by mission driven entrepreneurs. This study examines the influence of ownership structure, defined as nonprofit, for-profit sole proprietors, for-profit companies, and governmental centers, on organizational instability, defined as childcare center closures. Using a cross sectional data set of 15724 childcare licenses in California for 2007, we model the predicted closures of childcare centers as a function of ownership structure as well as center age and capacity. Findings indicate that for small centers (capacity of 30 or less) nonprofits are more likely to close, but for larger centers (capacity 30+) nonprofits are less likely to close. This suggests that the comparative advantages available for nonprofit organizations may be better utilized by larger centers than by small centers. We consider the implications of our findings for parents, practitioners, and social policy.

  3. Wide-Screen Television and Home Movies: Towards an Archaeology of Television and Cinema Convergence Before Digitalisation

    NARCIS (Netherlands)

    Steward, Tom James Longley

    2014-01-01

    abstractIn this article, Tom Steward uses past interrelations of television and cinema spectatorship, exhibition, production and aesthetics to historicize phenomenological digital-era discourses on, ontological definitions of, and cultural arguments about television and cinema convergence. He argues

  4. 40 CFR 35.4011 - Do the general grant regulations for nonprofit organizations apply to TAGs?

    Science.gov (United States)

    2010-07-01

    ... nonprofit organizations apply to TAGs? 35.4011 Section 35.4011 Protection of Environment ENVIRONMENTAL... Assistance General § 35.4011 Do the general grant regulations for nonprofit organizations apply to TAGs? Yes... other nonprofit organizations. Because EPA awards TAGs to nonprofit organizations, 40 CFR part...

  5. 24 CFR 1006.335 - Use of nonprofit organizations and public-private partnerships.

    Science.gov (United States)

    2010-04-01

    ... 24 Housing and Urban Development 4 2010-04-01 2010-04-01 false Use of nonprofit organizations and... Requirements § 1006.335 Use of nonprofit organizations and public-private partnerships. (a) Nonprofit organizations. The DHHL must, to the extent practicable, provide for private nonprofit organizations...

  6. 7 CFR 1260.113 - Established national nonprofit industry-governed organizations.

    Science.gov (United States)

    2010-01-01

    ... national nonprofit industry-governed organizations. Established national nonprofit industry-governed organizations means organizations which: (a) Are nonprofit organizations pursuant to sections 501(c) (3), (5) or... 7 Agriculture 10 2010-01-01 2010-01-01 false Established national nonprofit...

  7. 7 CFR 1220.114 - National nonprofit producer-governed organization.

    Science.gov (United States)

    2010-01-01

    ... Definitions § 1220.114 National nonprofit producer-governed organization. The term national nonprofit producer-governed organization means an organization that— (a) Is a nonprofit organization pursuant to section 501(c... 7 Agriculture 10 2010-01-01 2010-01-01 false National nonprofit producer-governed...

  8. 24 CFR 5.107 - Audit requirements for non-profit organizations.

    Science.gov (United States)

    2010-04-01

    ... Non-profit Organizations” (see 24 CFR 84.26). For HUD programs, a non-profit organization is the... 24 Housing and Urban Development 1 2010-04-01 2010-04-01 false Audit requirements for non-profit... Federal Requirements; Waivers § 5.107 Audit requirements for non-profit organizations....

  9. DEPRIVATION, CLASS AND IDENTITY ISSUE IN CONTEMPORARY TURKISH CINEMA

    Directory of Open Access Journals (Sweden)

    Neşe Kaplan

    2016-01-01

    Full Text Available New economy–politics and globalization have not only been changing the structure of class but the representation of identities as well. New social roles are reproduced and also criticized by the means of cultural production in which media and cinema instruments included. In past, the class structure and attachment to identities were effected by modernization process; in a similar way; in the current state of modernization, the new cultural sphere shaped by global communication networks and global consumption attitudes have been alternating the class structure and attachment to identity. With this context, this study analyzed some contemporary social realistic films (Zerre, Araf, Köksüz, Yozgat Blues to understand how the position of individual changes within its role with herself and its relation to social institutions through a critical approach towards the dimensions of culture and economy-politics of the change. The aim is to start a discussion over cinema, about the effect of cultural change on class and representation of identity. The theoretic frame enlightening the change of the relation of the individual with her work, family, and society was built with the help of critical works. The economy-politics result of the globalization phenomenon has isolated the individual and detached her from its position, subject of politics. The structure of class has changed, the attachment to identity has weakened. The desperation of individual belonging to nothing, is a subject of cinema as well. The isolation and the deprivation of the new individual emerges as the very “violence” itself in the fantastic world of cinema.

  10. The cinema of Michael Bay : an aesthetic of excess

    OpenAIRE

    Bennett, Bruce

    2015-01-01

    The hyper-kinetic action films of Michael Bay have come to exemplify the commercial, technical and aesthetic transformations of contemporary blockbuster cinema during a period in which the dynamic, disorienting effects of media convergence are reconfiguring viewing practices and remodelling cinematic institutions. However, despite their commercial success and cultural visibility, these films remain more or less absent from academic criticism of late twentieth and early twenty-first century gl...

  11. Cinema, Vídeo, Digital: a virtualidade do audiovisual

    Directory of Open Access Journals (Sweden)

    Polidoro, Bruno

    2008-01-01

    Full Text Available O artigo propõe-se a refletir sobre as diversas manifestações contemporâneas do audiovisual, a partir das idéias de Vilém Flusser, focando-se no cinema, no vídeo e nas tecnologias digitais. Com os conceitos de Henri Bergson, busca perceber o audiovisual como uma virtualidade e, com isso, compreender o sentido de linguagem nesses diversos suportes de som e imagem

  12. Billboard and cinema advertising: missed opportunity or spoiled arms?

    OpenAIRE

    Frison, Steffi; Dekimpe, Marnik; Croux, Christophe; P. de Maeyer

    2014-01-01

    Advertising remains one of the most popular marketing instruments, and many studies have studied its sales effectiveness. However, prior research has either looked at the total spending of a brand/firm, or has focused on the most popular media, especially TV advertising. Even though huge amounts are also spent on “smaller” media such as billboards and cinema, little is known on their effectiveness. While many brands never use them (which could be a missed opportunity), others allocate a subst...

  13. Life after Birth: the Klan and cinema, 1915-1928.

    OpenAIRE

    Rice, T

    2007-01-01

    "Life after Birth" considers the relationship between the Ku Klux Klan and cinema during the 1920s, highlighting how the Klan used, produced and protested against film in order to recruit members, generate publicity, and define itself as a traditional Protestant American organisation. In my opening chapter I reassess the significance of The Birth of a Nation in the development of the Klan, and introduce a number of other overlooked films, such as The Face at Your Window that Kleagles (Klan re...

  14. Figuras do Idiota: literatura, cinema e banda desenhada

    OpenAIRE

    2015-01-01

    Inspirado em personagens como Bartleby, Macabéa ou Homer Simpson e em obras literárias como as de Flaubert, Dostoievski ou Lispector, este volume reúne um conjunto de artigos que refletem sobre as figuras do idiota na literatura, no cinema e na banda desenhada. Fundação para a Ciência e a Tecnologia, UE, COMPETE, QREN

  15. Simone Arcagni, Oltre il cinema. Metropoli e media

    Directory of Open Access Journals (Sweden)

    Mirko Lino

    2011-11-01

    Full Text Available Il libro di Simone Arcagni ci mostra la contemporaneità come un vasto media landscape, dove esperienze cinematografiche e sistema dei media non solo definiscono nuovi rapporti sociali, ma disegnano una precisa geografia, dove ritrovare, sulla scorta dell’Atlante delle emozioni di Giuliana Bruno, quella tensione al visibile che dialoga con i corpi, la tecnologia e gli spazi, che nella Modernità ha generato il cinema e nella contemporaneità è andata ben oltre lo stesso.

  16. [Psychiatry and psychiatrists in the U.S.A. cinema].

    Science.gov (United States)

    Tarsitani, Lorenzo; Tarolla, Emanuele; Pancheri, Paolo

    2006-03-01

    United States cinema motion pictures from the beginning of 20th century to the present are characterized by massive use of sterotypes to represent psychiatrist's image, as well as psychiatric treatment and inpatients psychiatric facilities. Representation tends to undergo considerable changes between psychiatric different historical periods. Psychiatric disorders also are commonly depicted in movies, often in a not realistic way. The images of psychiatrist and mental disorders shown in movies are likely to impact on the beliefs and attitudes of people towards psychiatry.

  17. Transvestites and transgressions: Panggagaya in Philippine gay cinema.

    Science.gov (United States)

    Tolentino, R B

    2000-01-01

    Philippine cinema has long afforded spectators constructions of queerness not only deviating from Western queer theory but also from other continentally Asian homosexual traditions. Using as my primary text Lino Brocka's 1978 film My Father, My Mother, I examine how indigenous ideas of transsexuality and transgender are not only constructed by alternatively sexual images manufactured and appropriated by the Marcos regime, but how those sexual images construct and perpetuate class divisions as criteria of an ongoing Philippine sexual economy.

  18. Metamorphosing Worlds in the Cinema of the Fantastic

    OpenAIRE

    Etxeberria, Juan González

    2008-01-01

    In his article "Metamorphosing Worlds in the Cinema of the Fantastic" Juan González Etxeberria reads fantastic films as appealing products of both unconscious psychological and institutionalized sociological anxieties. A result of the binary opposition of rhetorical strategies that shaped modern culture, the genre is an open door to other worlds where to dream of uncertainties and to indulge in our traumas. Its transgressive indeterminacy against the Cartesian system is traced from the origin...

  19. Amateur filmmaking in the history of Brazilian cinema

    Directory of Open Access Journals (Sweden)

    Lila Silva Foster

    2016-07-01

    Full Text Available As in many national cinemas, the history of Brazilian amateur film is still in its early stages of investigation. In addition to this historiographical deficit, there are many ways in which amateur cinema is a small and less visible production: films shot in 16mm, 9.5mm and Super 8 are dispensable and Brazilian film archives and cinemateques only started cataloguing these materials in recent years. In the following paper we wish to establish a set of theoretic and historical guidelines to analyse amateur films that express different forms of amateur production. Through the collection of home movies from Alves de Lima family deposited at Cinemateca Brasileira (São Paulo, the amateur fictional films from Cinemateca Capitólio (Porto Alegre and Raymond Chauvin's  experimental films belonging to Hipólito José da Costa Communications Museum (Porto Alegre we want to give visibility to films that are not yet part of Brazilian cinema history.

  20. [Locked-in syndrome in literature, cinema and television].

    Science.gov (United States)

    Collado-Vázquez, Susana; Carrillo, Jesús M

    2012-05-01

    Many diseases have been dealt with in literature, cinema or television, including epilepsy, cancer, mental disorders, movement disorders or infectious diseases. Among the many pathologies that have been considered, locked-in syndrome is one that has been of particular interest to writers and film-makers. To review how locked-in syndrome has been portrayed in literature, cinema and television. Locked-in syndrome is a state that is generally secondary to a brainstem lesion with involvement of the corticobulbar and corticospinal tracts, thereby impeding the patient from producing any kind of motor response. Patients remain conscious, maintain their higher functions and can both see and hear. Yet, they are quadriplegic with paralysis of the lower cranial nerves and cannot move or speak. They only conserve the capacity to move their eyes vertically and their eyelids, which they can use as a way to communicate. This pathology has come to the attention of writers and film and television directors, who have described characters with this syndrome. Likewise, there are also stories told in the first person by patients who have experienced this condition and who have written their story using eye movements as a means to communicate. Literature, cinema and television have shown an interest in locked-in syndrome and have placed special attention on the problems these patients have to communicate with others.

  1. O que o cinema aprendeu com Edgar Allan Poe: (e o que a literatura ainda aprende com o cinema

    Directory of Open Access Journals (Sweden)

    Gerbase, Carlos

    2009-01-01

    Full Text Available Edgar Allan Poe é um dos autores mais adaptados pelo cinema em todos os tempos. Há quase 200 filmes baseados ou inspirados em obras de Poe. Este ensaio analisa os motivos da fascinação que Poe exerce sobre o mundo do cinema, a partir de um ensaio do realizador e teórico Jean Epstein, publicado em 1921, e de reflexões mais recentes de Umberto Eco sobre traduções e adaptações. As semelhanças e diferenças entre as linguagens literária e cinematográfica também são abordadas, na perspectiva pragmática do processo de realização

  2. Cinema on Cinema: The Kinship between Cinema Paradiso and Zıkkımın Kökü, Karpuz Kabuğundan Gemiler Yapmak, Sinema Bir Mucizedir

    Directory of Open Access Journals (Sweden)

    Basak Demiray

    2011-08-01

    Full Text Available This study consists of a comparative analysis of four films which fall under the category of “cinema on cinema”. These films are Cinema Paradiso (Giuseppe Tornatore, 1988, Italy, Zıkkımın Kökü (Memduh Ün, 1993, Turkey, Karpuz Kabuğundan Gemiler Yapmak/ Boats out of Watermelon Rinds ( Ahmet Uluçay, 2004, Turkey, Sinema Bir Mucizedir/ Cinema is a Miracle (Memduh Ün- Tunç Başaran, 2005, Turkey. It will be argued that these films have four main points of similarity. First, they are the instances of “cinema on cinema”; second, they are biographical films; third, their plots are constructed upon the rural lives of the past; fourth, they are about cinephilia.

  3. Roteiro Uma bicicleta, minha mãe e dois cinemas e breve história dos cinemas de rua de Curitiba

    OpenAIRE

    Fabio Luciano Francener Pinheiro

    2010-01-01

    Este trabalho apresenta o roteiro do longa-metragem Uma Bicicleta, Minha Mãe e Dois Cinemas, que aborda o cotidiano de uma família que mora e trabalha em um cinema de bairro em Curitiba. Paralelamente ao roteiro, foi desenvolvida uma pesquisa sobre a história dos cinemas de rua de Curitiba, privilegiando depoimentos de profissionais que trabalharam na atividade exibidora. Os relatos influenciaram o formato final da dramaturgia, fornecendo indicações para a criação de personagens e situações, ...

  4. Cinema Education as an Exercise in "Thinking through Not-Thinking"

    Science.gov (United States)

    Decoster, Pieter-Jan; Vansieleghem, Nancy

    2014-01-01

    In this article we explore the educational potential of cinema. To do this we first analyse how the American critical thinker Henry Giroux tries to give body to an educational theory in relation to cinema. His "film pedagogy" is described as developing a critical response of the learner in relation to the public sphere of film.…

  5. Art-House Cinema, Avant-Garde Film, and Dramatic Modernism

    Science.gov (United States)

    Cardullo, Bert

    2011-01-01

    In this article, the author talks about art-house cinema, avant-garde film, and dramatic modernism. He believes that the most important modes of film practice are art-house cinema and the avant-garde, both of which contrast with the classical Hollywood mode of film practice. While the latter is characterized by its commercial imperative, corporate…

  6. De opkomst van het moderne medium cinema in de Ottomaanse hoofdstad Istanbul, 1896-1914

    NARCIS (Netherlands)

    Özen, M.

    2007-01-01

    The first two decades of cinema in the Ottoman capital of Istanbul, 1896-1914 This study explores the development of cinema in Istanbul, starting from the first public shows in December 1896 till the outbreak of the First World War in 1914. This period marks the transformation of the medium from an

  7. De opkomst van het moderne medium cinema in de Ottomaanse hoofdstad Istanbul, 1896-1914

    NARCIS (Netherlands)

    Özen, M.

    2007-01-01

    The first two decades of cinema in the Ottoman capital of Istanbul, 1896-1914 This study explores the development of cinema in Istanbul, starting from the first public shows in December 1896 till the outbreak of the First World War in 1914. This period marks the transformation of the medium from an

  8. On the Possibility and Impossibility of Modernist Cinema : Peter Forgacs'Own Death

    NARCIS (Netherlands)

    Alphen, van E.J.

    2015-01-01

    Whereas Modernism is a productive notion in literary studies and art history for the understanding of twentieth century cultural practices, in cinema studies it is hardly viable. The unique position of cinema is not only caused by a different history, but also by its medium specificity. But it is no

  9. On the Waterfront: Truth and Fiction in Postcolonial Cinema from the South of Europe

    NARCIS (Netherlands)

    Ponzanesi, S.

    2016-01-01

    This essay deals with the role of postcolonial cinema in articulating and visualizing issues of migration, uprooting and alienation, with specific relation to Europe and the Southern Mediterranean shore. Cinema as a transnational medium is particularly suitable for conveying denunciation and social

  10. Cinema Education as an Exercise in "Thinking through Not-Thinking"

    Science.gov (United States)

    Decoster, Pieter-Jan; Vansieleghem, Nancy

    2014-01-01

    In this article we explore the educational potential of cinema. To do this we first analyse how the American critical thinker Henry Giroux tries to give body to an educational theory in relation to cinema. His "film pedagogy" is described as developing a critical response of the learner in relation to the public sphere of film.…

  11. Art-House Cinema, Avant-Garde Film, and Dramatic Modernism

    Science.gov (United States)

    Cardullo, Bert

    2011-01-01

    In this article, the author talks about art-house cinema, avant-garde film, and dramatic modernism. He believes that the most important modes of film practice are art-house cinema and the avant-garde, both of which contrast with the classical Hollywood mode of film practice. While the latter is characterized by its commercial imperative, corporate…

  12. A tensão pós-moderna no cinema

    Directory of Open Access Journals (Sweden)

    Maria Helena Braga e Vaz da Costa

    2007-01-01

    Full Text Available Increasing interest in new special effect technologies has fostered new possibilities in the use of cinema apparatuses. Digital as well as other technologies, which have been used to represent illusion, fantasy or realism, have been a feature of contemporary cinema production. The general understanding is that cinema´s strength lies in the possibility of creating images of the real – not necessarily the real. This is the key element in the production of meaning, making cinema a signifying system connected to reality. Starting from different theories about the condition of post-modernity, this paper discusses contemporary cinema production by looking at the representation of urban space and violence as well as new paradigms for representing and understanding cultural identity in post-modernity and how we represent it through images

  13. Registros documentais no cinema da Revolução Mexicana Pictures of the Mexican Revolution: cinema and politics in documentary records

    OpenAIRE

    2007-01-01

    Este artigo pretende focar as relações entre cinema e história nas duas primeiras décadas do século XX no México. O cinema foi apresentado pela primeira vez no país em uma sessão dedicada a Porfirio Díaz. Percebendo seu potencial propagandístico, o ditador logo se converteria na primeira grande estrela do cinema mexicano. O cinema forjava-se como "documento histórico" stricto sensu, num registro da verdade inquestionável. A Revolução redefiniu seu papel, registrando a ebulição pela qual passa...

  14. Por uma memória do cinema documentário no Rio Grande do Sul: desafios para uma nova historiografia do cinema brasileiro

    Directory of Open Access Journals (Sweden)

    Cássio dos Santos Tomaim

    2010-12-01

    Full Text Available A partir de pesquisa bibliográfica e consulta a catálogos e dicionários de filmes brasileiros, buscamos uma compreensão histórica da produção de documentários no Rio Grande do Sul, a fim de problematizar a memória deste cinema. Primeiro foi preciso existir o cinema de não-ficção no Estado, em especial o de curta-metragem, para somente mais tarde ser possível o longa-metragem de ficção gaúcho. Indicativo de que a história do cinema no Rio Grande do Sul não é uma coleção de episódios isolados, como nos fez acreditar a historiografia clássica do cinema brasileiro.

  15. Energy efficiency in nonprofit agencies: Creating effective program models

    Energy Technology Data Exchange (ETDEWEB)

    Brown, M.A.; Prindle, B.; Scherr, M.I.; White, D.L.

    1990-08-01

    Nonprofit agencies are a critical component of the health and human services system in the US. It has been clearly demonstrated by programs that offer energy efficiency services to nonprofits that, with minimal investment, they can educe their energy consumption by ten to thirty percent. This energy conservation potential motivated the Department of Energy and Oak Ridge National Laboratory to conceive a project to help states develop energy efficiency programs for nonprofits. The purpose of the project was two-fold: (1) to analyze existing programs to determine which design and delivery mechanisms are particularly effective, and (2) to create model programs for states to follow in tailoring their own plans for helping nonprofits with energy efficiency programs. Twelve existing programs were reviewed, and three model programs were devised and put into operation. The model programs provide various forms of financial assistance to nonprofits and serve as a source of information on energy efficiency as well. After examining the results from the model programs (which are still on-going) and from the existing programs, several replicability factors'' were developed for use in the implementation of programs by other states. These factors -- some concrete and practical, others more generalized -- serve as guidelines for states devising program based on their own particular needs and resources.

  16. Classifying and comparing fundraising performance for nonprofit hospitals.

    Science.gov (United States)

    Erwin, Cathleen O

    2013-01-01

    Charitable contributions are becoming increasingly important to nonprofit hospitals, yet fundraising can sometimes be one of the more troublesome aspects of management for nonprofit organizations. This study utilizes an organizational effectiveness and performance framework to identify groups of nonprofit organizations as a method of classifying organizations for performance evaluation and benchmarking that may be more informative than commonly used characteristics such as organizational age and size. Cluster analysis, ANOVA and chi-square analysis are used to study 401 organizations, which includes hospital foundations as well as nonprofit hospitals directly engaged in fundraising. Three distinct clusters of organizations are identified based on performance measures of productivity, efficiency, and complexity. A general profile is developed for each cluster based upon the cluster analysis variables and subsequent analysis of variance on measures of structure, maturity, and legitimacy as well as selected institutional characteristics. This is one of only a few studies to examine fundraising performance in hospitals and hospital foundations, and is the first to utilize data from an industry survey conducted by the leading general professional association for healthcare philanthropy. It has methodological implications for the study of fundraising as well as practical implications for the strategic management of fundraising for nonprofit hospital and hospital foundations.

  17. Sex in the city: the rise of soft-erotic film culture in Cinema Leopold, Ghent, 1945-1954

    OpenAIRE

    Biltereyst, Daniël; Van de Vijver, Liesbeth

    2015-01-01

    Since the 1990s, film studies saw a disciplinary shift from approaches favoring a textual and ideological analysis of films to a broader understanding of the socio-cultural history of cinema under the banner of new cinema history. This turn not only allowed for ‘niche’ research domains to flourish such as film economics or cinema memory research, or for new empirical and critical methodologies to be applied to film and cinema history. This change in researching and writing film/cinema history...

  18. Managing corporate governance risks in a nonprofit health care organization.

    Science.gov (United States)

    Troyer, Glenn T; Brashear, Andrea D; Green, Kelly J

    2005-01-01

    Triggered by corporate scandals, there is increased oversight by governmental bodies and in part by the Sarbanes-Oxley Act of 2002. Corporations are developing corporate governance compliance initiatives to respond to the scrutiny of regulators, legislators, the general public and constituency groups such as investors. Due to state attorney general initiatives, new legislation and heightened oversight from the Internal Revenue Service, nonprofit entities are starting to share the media spotlight with their for-profit counterparts. These developments are changing nonprofit health care organizations as well as the traditional role of the risk manager. No longer is the risk manager focused solely on patients' welfare and safe passage through a complex delivery system. The risk manager must be aware of corporate practices within the organization that could allow the personal objectives of a few individuals to override the greater good of the community in which the nonprofit organization serves.

  19. Survival of the fittest: capacity building for small nonprofit organizations.

    Science.gov (United States)

    Kapucu, Naim; Healy, Bridget F; Arslan, Tolga

    2011-08-01

    This paper discusses capacity building activities designed for small nonprofits who are members of the Second Harvest Food Bank of Central Florida's ADEPT program. The Second Harvest Food Bank of Central Florida (SHFBCF) is a nonprofit organization that collects, stores and distributes donated food to more than 450 nonprofit partners in Brevard, Lake, Orange, Osceola, Seminole and Volusia counties. This project sought to delineate, design, and implement the capacity building trainings desired by ADEPT member agencies. It also analyzed the relationship between the number of clients served, number of staff, number of volunteers, and the training needs. At the conclusion of the capacity building trainings, data was collected to gauge participants' perceptions of the capacity building trainings and their perceived impact on the effectiveness of the ADEPT Program and its member agencies. The generalizability and applicability of the research results to other small community-based organizations providing social and human services is also discussed.

  20. Information, Community, and Action: How Nonprofit Organizations Use Social Media

    CERN Document Server

    Lovejoy, Kristen; 10.1111/j.1083-6101.2012.01576.x

    2012-01-01

    The rapid diffusion of "microblogging" services such as Twitter is ushering in a new era of possibilities for organizations to communicate with and engage their core stakeholders and the general public. To enhance understanding of the communicative functions microblogging serves for organizations, this study examines the Twitter utilization practices of the 100 largest nonprofit organizations in the United States. The analysis reveals there are three key functions of microblogging updates-"information," "community," and "action." Though the informational use of microblogging is extensive, nonprofit organizations are better at using Twitter to strategically engage their stakeholders via dialogic and community-building practices than they have been with traditional websites. The adoption of social media appears to have engendered new paradigms of public engagement. Keywords: microblogging; Twitter; social media; stakeholder relations; organizational communication; organization-public relations; nonprofit organi...

  1. Nonprofit Organizations in Disaster Response and Management: A Network Analysis

    Directory of Open Access Journals (Sweden)

    Naim Kapucu

    2011-05-01

    Full Text Available This paper tracks changes in the national disaster management system with regard to the nonprofit sector by looking at the roles ascribed to nonprofit organizations in the Federal Response Plan (FRP, National Response Plan (NRP, and National Response Framework (NRF. Additionally, the data collected from news reports and organizational after action reports about the inter-organizational interactions of emergency management agencies during the September 11 th attacks and Hurricane Katrina are analyzed by using network analysis tools. The findings of the study indicate that there has been an increase in the interactions of the National Voluntary Organizations Active in Disasters (NVOAD network member organizations on par with policy changes in the NRP to involve nonprofit organizations in the national disaster planning process. In addition, those organizations close to the center of the network experienced enhanced communication and resource acquisition allowing them to successfully accomplish their missions, a finding that supports the development of strong network connections.

  2. Guild-specific responses of avian species richness to LiDAR-derived habitat heterogeneity

    Science.gov (United States)

    Weisberg, Peter J.; Dilts, Thomas E.; Becker, Miles E.; Young, Jock S.; Wong-Kone, Diane C.; Newton, Wesley E.; Ammon, Elisabeth M.

    2014-01-01

    Ecological niche theory implies that more heterogeneous habitats have the potential to support greater biodiversity. Positive heterogeneity-diversity relationships have been found for most studies investigating animal taxa, although negative relationships also occur and the scale dependence of heterogeneity-diversity relationships is little known. We investigated multi-scale, heterogeneity-diversity relationships for bird communities in a semi-arid riparian landscape, using airborne LiDAR data to derive key measures of structural habitat complexity. Habitat heterogeneity-diversity relationships were generally positive, although the overall strength of relationships varied across avian life history guilds (R2 range: 0.03–0.41). Best predicted were the species richness indices of cavity nesters, habitat generalists, woodland specialists, and foliage foragers. Heterogeneity-diversity relationships were also strongly scale-dependent, with strongest associations at the 200-m scale (4 ha) and weakest associations at the 50-m scale (0.25 ha). Our results underscore the value of LiDAR data for fine-grained quantification of habitat structure, as well as the need for biodiversity studies to incorporate variation among life-history guilds and to simultaneously consider multiple guild functional types (e.g. nesting, foraging, habitat). Results suggest that certain life-history guilds (foliage foragers, cavity nesters, woodland specialists) are more susceptible than others (ground foragers, ground nesters, low nesters) to experiencing declines in local species richness if functional elements of habitat heterogeneity are lost. Positive heterogeneity-diversity relationships imply that riparian conservation efforts need to not only provide high-quality riparian habitat locally, but also to provide habitat heterogeneity across multiple scales.

  3. WORK AND ORGANIZATION IN THE OTTOMAN EMPIRE: NOTES ON THE TRADE GUILDS OF SIXTEENTH- AND SEVENTEENTH CENTURY BURSA

    Directory of Open Access Journals (Sweden)

    Dr. Ömer DÜZBAKAR

    2008-09-01

    Full Text Available The primary function of artisans’ and commercial guilds was toperform and maintain daily activities of economic life in harmony andsocial consolidation with minimal conflict. Thus, the state would get ridof the heavy burden of bureaucratic procedures on the one hand, and yetwould also have the guilds yield to a standard of production as well aseliminate unfair competition through their autonomous internal workingson the other. Through such an auto-control mechanism the guilds wouldsolve their own problems with minimum resort to administrative andjudicial institutions. This article sheds light on the origins of Ottomanguild system, workings of trade guilds of Bursa and the supervisoryfunctions of their managers as well as on the various roles and activitiesplayed by the guilds in imperial public life. It also examines the conflictsof interest, unruly acts and forms of resolution taking place within andacross the guilds, with or without having recourse to judicial and otherimperial authorities. The study is based on a set of original historical documents surveyed from the Shari’a Court records of Bursa in the 16thand 17th centuries.

  4. The depiction of electroconvulsive therapy in Hindi cinema.

    Science.gov (United States)

    Andrade, Chittaranjan; Shah, Nilesh; Venkatesh, Basappa K

    2010-03-01

    There is little literature on the depiction of electroconvulsive therapy (ECT) in movies. In India, Hindi cinema is an important source of public information and misinformation about ECT. We identified depictions of ECT in Hindi cinema through inquiries with e-communities, video libraries, and other sources. We also searched the PubMed database using search terms related to ECT and movies. Between 1967 and 2008, 13 Hindi movies contained referrals to or depictions of ECT. By and large, the depictions were inaccurate, distorted, and dramatized. Electroconvulsive therapy was administered to punish, to obliterate identity, to induce insanity, and for other rarely clinically valid indications. Electroconvulsive therapy was almost always administered by force. Premedication was rare. Genuine ECT devices were uncommonly used. Electroconvulsive therapy stimulation almost invariably appeared to cause pain. Multiple shocks were frequently delivered in the same session. The convulsions were usually bizarre. The treatment caused mental disturbance, amnesia, weakness, and even a zombielike state, thought not mortality; clinical improvement was rare. There was no pattern of increasing accuracy of depiction of ECT with recency of movie release. We examine the extent to which the identified inaccuracies are practically important and offer reasons for the inaccuracies. Although the inaccuracies are a cause for concern, we suggest that because Hindi cinema is generally hyperbolic, the public may be willing to distinguish real life from reel life when facing clinical decisions about ECT. Nevertheless, considering the potential for harm in the dissemination of misinformation, filmmakers should exhibit a greater sense of ethics when creating impressions that might adversely influence health.

  5. EFFECT OF REPRESENTATION OF MENTAL DISORDERS IN POPULAR INDIAN CINEMA

    Directory of Open Access Journals (Sweden)

    Alekha

    2014-10-01

    Full Text Available Indian cinema has always been fascinated by a variety of psychological disorders such as pervasive developmental disorders, mental retardation, anxiety and mood disorders, personality and identity disorders, etc. This paper is a qualitative research; the objective is to explore any disparity between the cinematic representation and the DSM criteria for diagnosis of the disorders, and the effect of these representations (or misrepresentations, if any on the layman’s perceptions of them. A review and analysis of certain popular Indian films (made between 1990 and 2010 that thematically explore certain prevalent psychological disorders is attempted here, focusing on four major film industries in India, namely- Hindi from the north, Tamil from the south, Marathi from the west and Bengali from the east. This also includes structured interviews to assess both the knowledge about and attitudes towards the same, as created by such cinema, among general public that is not predisposed to accurate information (in terms of correct clinical picture, causes and treatment. These were conducted on a random sample of 120 subjects in the age range of 15-60, who had no prior or present knowledge of psychology. Results were assessed in percentage and mean values. Observations found disparity between the representation of mental disorders in Indian cinema and their DSM descriptions, which had an influence on its audience. The general perception about mental disorders is that it is curable, maybe controlled with discipline and is largely unacceptable in society. It was concluded that accurate portrayals make for relatively correct impressions on the viewers and leave less scope for misconception.

  6. Internal branding : Within a Swedish non-profit organization

    OpenAIRE

    Diep, Lisa; Stedt, Amanda

    2015-01-01

    The aid sector has received a lot of attention the recent years whereas the public has recognized the societal situation in developing countries. As many people has become more generous with their donations, an increasing number of non-profit organizations (NPO) has emerged which has created a competitive environment in the non-profit sector. As a result, many NPOs has started to adapt business-like qualities such as implementing a marketing strategy and building a brand. The purpose of this ...

  7. Internal branding : Within a Swedish non-profit organization

    OpenAIRE

    Diep, Lisa; Stedt, Amanda

    2015-01-01

    The aid sector has receive a lot of attention the recent years whereas the public has recognized the societal situation in developing countries. As many people has become more generous with their donations, an increasing number of non-profit organizations (NPO) has emerged which has created a competitive environment in the non-profit sector. As a result, many NPOs has started to adapt business-like qualities such as implementing a marketing strategy and building a brand. The purpose of this s...

  8. Effects of heavy metal pollution of highway origin on soil nematode guilds in North Shenyang, China

    Institute of Scientific and Technical Information of China (English)

    HAN Dechang; ZHANG Xiaoke; TOMAR Vijay Vikram Singh; LI Qi; WEN Dazhong; LIANG Wenju

    2009-01-01

    Soil samples were collected with distance at 5, 20, 40, 80, 160 and 320 m from the Shen-Ha Highway, Northeast China, to investigate the effect of heavy metals of highway origin on soil nematode guilds. The contents of soil Pb, Cu and Zn and the nematode community structure in this investigation were analyzed. The results showed that the contents of total and available Pb, Cu and Zn varied significantly with the different distances from the highway. Pb was the main pollutant in the soils in the vicinity of Shen-Ha Highway and the zone from 20 to 40 m away from the highway was the most polluted area. The highest abundance of soil nematodes was found at 5 m while the lowest at 20 m away from the highway. Thirty six genera of nematodes belonging to 23 families were identified. Nematode guilds having different responses to soil heavy metals were classified into four types. Soil nematode guilds may act as a prominent indicator to heavy metal pollution of highway origin.

  9. Early recruitment equals long-term relative abundance in an alpine saxicolous lichen guild.

    Science.gov (United States)

    Hestmark, Geir; Skogesal, Olav; Skullerud, Øystein

    2007-01-01

    The relative abundance within a guild of six species of the lichen-forming fungal genus Umbilicaria was studied during primary colonization of rock surfaces in a chronosequence of ca. 245 y in an alpine glacier foreland in southern Norway. Although the density of the guild grew from zero to more than 1000 thalli/m2 and the species differ substantially in life history traits such as initial growth rate, maximal size, maturation rate and propagule types, the relative abundance among the species remained almost unchanged through those years. The relative abundance of species is correlated with their life history parameters, such as initial growth rate and size-related maturation. The pattern of relative abundance was also similar in the saxicolous communities outside the foreland, which are potentially several thousand years old. Outside the foreland however the density of the guild is only 1/10 of that in the oldest parts of the foreland, due to soil formation and vegetation growth that have covered many of the low profile rock habitats. Thus the areas affected by the disturbance of glacier expansions and retreats provide temporary opportunities for large increases in the population sizes of the members of the saxicolous community. The observations support the view that pre-emption of habitat rather than competitive exclusion is common in saxicolous lichen communities and that "succession" consists in the addition but rarely the loss of species.

  10. Ground Spider Guilds and Functional Diversity in Native Pine Woodlands and Eucalyptus Plantations.

    Science.gov (United States)

    Corcuera, Pablo; Valverde, Pedro Luis; Jiménez, María Luisa; Ponce-Mendoza, Alejandro; De la Rosa, Gabriela; Nieto, Gisela

    2016-04-01

    Vegetation structure and floristics have a strong influence on the relative abundance of spider guilds and functional diversity of terrestrial arthropods. Human activities have transformed much of the temperate woodlands. The aim of this study was to test five predictions related to the guild distribution and functional diversity of the ground spider communities of Eucalyptus plantations and native pine woodlands in western Mexico. Spiders were collected every fortnight from September to November from 15 pitfalls positioned in each of the eight sites. We also assessed the cover of grasses, herbs, shrubs, and leaf litter in each site. We found that the abundances of ground hunters and sheet weavers between plantations and pine woodlands were different. Nevertheless, there was not a consistent difference between sites of each of the vegetation types. Most species of ground hunters, sheet web weavers, and many other hunters were associated with litter and the grass cover. Nonetheless, in some cases, species of different families belonging to the same guild responded to different variables. Wolf spiders were related to the grass Aristida stricta Micheaux, 1803, while the species of the other families of ground hunters were associated with leaf litter. One Eucalyptus plantation and one pine woodland had the highest functional diversity of all sites. These sites have a well developed litter and grass cover. Our study suggests that the abundance of litter and a high cover of grasses explain the occurrence of species with different traits, and these habitat components results in a high functional diversity.

  11. Temporal change in functional richness and evenness in the eastern African plio-pleistocene carnivoran guild.

    Directory of Open Access Journals (Sweden)

    Lars Werdelin

    Full Text Available We analyze functional richness and functional evenness of the carnivoran guild in eastern Africa from 3.5 Ma to 1.5 Ma, and compare them to the present day. The data consist of characters of the craniodental apparatus of 76 species of fossil and extant carnivorans, divided into four 0.5 Ma time slices from 3.5 to 1.5 Ma, together with the modern fauna. Focus is on large (>21.5 kg carnivores. Results show that the large carnivore guild has lost nearly 99% of its functional richness since 3.5 Ma, in a process starting prior to 2 Ma. Measurement of functional evenness shows the modern large carnivore guild to be unique in being randomly distributed in morphospace while in all past time slices there is significant clustering of species. The results are analyzed in the light of known changes to climate and environment in eastern Africa. We conclude that climate change is unlikely to explain all of the changes found and suggest that the evolution of early hominins into carnivore niche space, especially the evolution of derived dietary strategies after 2 Ma, played a significant part in the reduction of carnivore functional richness.

  12. Changes in the trophic status of fish feeding guilds in response to flow modification

    Science.gov (United States)

    Delong, M. D.; Thoms, M. C.

    2016-03-01

    Rivers are among the most extensively modified ecosystems globally. Identifying linkages between critical drivers of change and ecological response is challenging because of the myriad of ways rivers are modified. This study examines longer-term relationships (>70 years) between the trophic status of fish and historical flow changes in rivers of the Mississippi Basin. The flow regime of each river is regulated but differs in terms of character of hydrological modification. Tissue samples from specimens obtained from museum collections were used for determination of carbon and nitrogen stable isotope ratios. Questions asked were as follows: (1) Are there differences in stable isotope ratios of fish feeding guilds prior to and following hydrological modification? (2) What hydrological attributes are associated with isotopic changes? And (3) are corresponding changes in stable isotope ratios and hydrology identifiable across different spatial scales? Significant and sustained changes in stable isotope ratios of fish feeding guilds occurred immediately following flow regulation in all rivers. These changes were not associated with human-induced biogeochemical alterations. The subsequent response was complex because (1) different guilds exhibited pronounced shifts in isotopic ratios, (2) hydrological modification differed between rivers, and (3) differences in stable isotopic ratios varied between spatial scales.

  13. Can Management Practices Make a Difference? Nonprofit Organization Financial Performance during Times of Economic Stress

    Directory of Open Access Journals (Sweden)

    Qian Hu

    2016-02-01

    Full Text Available The economic crisis presented unprecedented challenges to nonprofit organizations to sustain their services. In this study, we examined both financial and management factors that influence the financial performance of nonprofit organizations during times of economic stress. In particular, we investigated whether strategic planning and plan implementation, revenue diversification, and board involvement help nonprofit organizations deal with financial uncertainty and strengthen financial performance. Despite the negative impacts that the economic downturn had on nonprofit organizations, we found that the implementation of strategic plans can help nonprofit organizations reduce financial vulnerability. Our findings call attention to key management factors that influence the financial performance of nonprofit organizations.

  14. Can Management Practices Make a Difference? Nonprofit Organization Financial Performance during Times of Economic Stress

    Directory of Open Access Journals (Sweden)

    Qian HU

    2015-05-01

    Full Text Available The economic crisis presented unprecedented challenges to nonprofit organizations to sustain their services. In this study, we examined both financial and management factors that influence the financial performance of nonprofit organizations during times of economic stress. In particular, we investigated whether strategic planning and plan implementation, revenue diversification, and board involvement help nonprofit organizations deal with financial uncertainty and strengthen financial performance. Despite the negative impacts that the economic downturn had on nonprofit organizations, we found that the implementation of strategic plans can help nonprofit organizations reduce financial vulnerability. Our findings call attention to key management factors that influence the financial performance of nonprofit organizations.

  15. Laughter and collective awareness: The cinema auditorium as public space

    Directory of Open Access Journals (Sweden)

    Julian Hanich

    2014-12-01

    Full Text Available This article looks at how the collective experience of laughter in the movie theater is related to the idea of the cinema as a public space. Through the nonverbal expression of laughter the audience ‘constructs’ a public space the viewers may not have been aware of to the same degree prior to the collective public expression. Moreover, the public space created through laughter allows for an expedient type of monitoring: inappropriate laughter may be exposed in front of others. With viewers who laugh approvingly about racist violence or misogynist jokes, we can easily lay bare the ethical implications.

  16. Cinema em cartazes: um passeio pelo percurso da escrita verbovisual

    Directory of Open Access Journals (Sweden)

    Denise Azevedo Duarte Guimarães

    2011-01-01

    Full Text Available Este artigo tem cartazes de cinema como objeto de estudo e pretende demonstrar como eles dão continuidade, hoje, a um projeto em busca da visualidade, proveniente do barroco e que conquista espaço e forma na contemporaneidade. A linguagem do cartaz, como produto comunicativo híbrido, é analisada por intermédio de um estudo comparativo sobre a evolução da poesia visual no ocidente. Uma leitura intersemiótica tenta investigar processos criativos que integram signos verbais e interfaces icônicas no texto impresso.

  17. Duas ou três coisas sobre cinema

    OpenAIRE

    Rodrigues, Alda Alexandra Pastor Barreto Sarmento

    2008-01-01

    Tese de mestrado em Teoria da Literatura apresentada à Faculdade de Letras da Universidade de Lisboa, 2009 Esta tese parte da análise dos filmes The Birds, de Alfred Hitchcock, e Journal d'un curé de campagne, de Robert Bresson, e dos depoimentos destes dois realizadores, para fazer uma descrição geral do cinema e da importância do espectador na construção do significado de um filme. Nela são tratadas questões linguísticas, literárias e epistemológicas, sobre usos de palavras em filmes, so...

  18. Cinema/history: Philippe Garrel, Bernardo Bertolucci and May 1968

    OpenAIRE

    Leonard, Michael

    2011-01-01

    This article compares the engagement with the history of May 1968 in Philippe Garrel’s Les Amants réguliers/Regular Lovers (2005)and Bernardo Bertolucci’s The Dreamers (2004). Through a close study of both films, it demonstrates how Garrel finds a more nuanced and transformative aesthetic than Bertolucci in representing this defining moment in modern French culture and politics. The films share a number of aspects; most notably, they draw upon the history of cinema itself in recalling this pe...

  19. Cinema and Literature in Latin America: Mario Bellatin's interventions

    Directory of Open Access Journals (Sweden)

    Carlos Leonel Cherri

    2015-03-01

    Full Text Available In the last turn of the century, literature and cinema produced in Latin America have insisted on represent, in many ways, social violence. This phenomenon has been described as an aestheticized "boom" of violence and, at the same time, as a reflection on the marginality of certain subjects and the biopolitical relations that they expose. This work focuses on certain literary and audiovisual productions by Mario Bellatin such as Salón de Belleza, Bola negra – el musical de Ciudad Juárez and La escuela del dolor humano de Sechuán in order to address such matter.

  20. Absorption’s images: from cinema to digital immersive environments

    Directory of Open Access Journals (Sweden)

    Cesar Baio

    2014-06-01

    Full Text Available The text reviews the artistic production of virtual environments to examine the regimes established by imaging devices such as virtual reality, caves and digitals panoramas. The hypothesis guiding the analysis is that these devices establish what could be understood as absorption regimes, linking to a Platonic aesthetic heritage that was present in different ways throughout art history, spanning the Renaissance, the panoramas of the century XVIII, photography, and especially the cinema. To do so, we start from the philosophy Flusser and theorists of immersive environments and hypertextual narratives.

  1. Prodigal daughters: portraying lesbians in Hispanic Caribbean cinema.

    Science.gov (United States)

    Martinez-Reyes, Consuelo

    2012-01-01

    During the last twenty years, Hispanic Caribbean cinema has slowly developed roles to represent lesbians. In order to draw a conceptual map and to examine the un/successfulness of this new lesbian "public image," I analyze both independent films that challenge the status quo by portraying openly lesbian characters and mainstream films that insist on denying autonomy to same-sex love. Whereas commercial markets may deem an openly lesbian role transgressive, queer female roles can be considered "appropriate." Gender-queering functions as a symbolically transitional stage toward lesbian visibility and inclusion.

  2. The monstrous metallic in medicine and horror cinema.

    Science.gov (United States)

    Scott, Niall

    2014-01-01

    `This paper considers the monstrous nature of medical tools and devices through the lens of horror cinema and the art of Damien Hirst. In it I argue for a shift from the monster and the monstrous as organic to the threat of the monster as an inorganic object in tools such as the scalpel and syringe. However, the metaphorical significance of the monster is sustained in these tools where human technological creations continue the discourse of the monster as a product of human creativity.

  3. Sustainability in the Cinema: Akira Kurosawa’s looks

    Directory of Open Access Journals (Sweden)

    Rodrigo Avila Colla

    2011-12-01

    Full Text Available From the thematic context of sustainability, this article analyzes, based on thematic and esthetic-narrative elements, two fictional films directed by Akira Kurosawa: Dersu Uzala, 1975, and Dreams, 1990 For this, some authors from the fields of cinema and, specially, of the environment are used. It seeks to understand, in light of concepts concerning the issue of sustainability, such as Japanese artist expressed the relationship between man and nature in both movies. Over fifteen years, during which separated the release of this two films, can be perceived a development of ecological thinking director.

  4. The EU Accession's Impact on the Hungarian Nonprofit Sector, The Nonprofit Organisations' Role in the Accession Process

    Directory of Open Access Journals (Sweden)

    György JENEI

    2006-02-01

    Full Text Available The paper gives an overview of the roles played by the Hungarian nonprofit organizations in the EU accession process. These roles are as follows:• To encourage and organize a dialogue and direct contacts between the “old” and “new” European citizens. • To assist people in becoming informed about and involved in European networks, to build solidarity and develop participative European citizenship. • To tackle the problems which constitute serious obstacles in the way of meeting European standards. The paper also tries to identify the very first impacts of the EU accession on the Hungarian nonprofit sector. The authors detect the implications of the regional approach for the co-operation between nonprofit organizations and analyze whether the Hungarian third sector and its governmental partner institutions are prepared for a prompt reaction to the accessibility of the EU structural funds.

  5. Nonprofit financial assessment and research service learning: Evaluating the performance of an animal welfare nonprofit organization

    Directory of Open Access Journals (Sweden)

    Karen A. Maguire

    2016-12-01

    Full Text Available The objective of this project is to evaluate the current financial and compliance status of an animal welfare nonprofit organization (NPO by: analysis of trends over time using information reported on tax filings (Form 990; vertical and horizontal analyses of financial statements; analysis of trends over time using information from financial statements; reconciliation of financial statements to Form 990; ratio analysis of Form 990 Information; and comparison of reported information to local analogs and national standards. This project is conducted in collaboration with The Chapin Foundation. This research serves as a research service learning project with the participation of Master of Accountancy graduate students at Coastal Carolina University. Once the results are presented, recommendations are given for improving operational efficiency and achieving best practices. These recommendations are presented in the form of both short-term items to be addressed immediately—defined in this study as within 60 days—and long-term items to be undertaken in the future. Resources for applicable standards and requirements are also provided.

  6. Visual Narratives and (AntiExpanded Cinema in Julião Sarmento

    Directory of Open Access Journals (Sweden)

    Miguel Mesquita Duarte

    2015-02-01

    Full Text Available Beyond the difficulties in circumscribing expanded cinema theoretical and epistemological field – due to the plurality and multiple developments that it comprises, - one of the most pressing aspects concerning expanded cinema refers its relation with problems of narrativity. Although less obvious, the mention to Julião Sarmento’s work in this field seems to us particularly useful; to begin with, for the way his work is animated by a counter-narrative compulsion which, building up in the interior of a specific dialectic between cinema and photography, efficiently undermines structural centeredness and the linearity of sequential images. Following a thread encompassing the experimental films from the mid-70s to the installations of 2000s, we seek to argue that the importance of structuralism, as well the genealogical approach to the history and memory of cinema, constitute, within Sarmento’s oeuvre, increasingly important aspects to assess the new forms of perceptive, cognitive and topological arrangements that go along the emergence of the so called expanded cinema. Ultimately, the originality and the critical stance maintained by the artist leads us towards the consideration of an anti-expanded-cinema: more than a thematic traced within the limits of technological development and multi-disciplinary spreading, in Sarmento’s case, the expansion of cinema concerns, mostly, the expansion of the criteria related with the circulation of thought and desire throughout a topology of infra-signification that emerges from the new possibilities of narration, of making and exhibiting cinema. Accordingly, what is at issue is an overall distinct possibility of identify, designate and problematize the category of expanded cinema, beyond its orthodox definition.

  7. Through the Looking Glass: Educational Accountability Mirrors Nonprofit Accountability

    Science.gov (United States)

    Hoole, Emily R.

    2005-01-01

    The field of education has been shaken by announcements from prominent foundations (Annenberg Foundation, Pew Charitable Trusts, and Atlantic Philanthropies) that higher education will no longer be a high-priority funding area, due, in part, to a lack of measurable results (Marcy, 2003). Similarly, the nonprofit sector has been taken aback by an…

  8. Profiles of Nonprofit Education Management Organizations: 2009-2010

    Science.gov (United States)

    Miron, Gary; Urschel, Jessica L.

    2010-01-01

    This is the third Profiles report to examine nonprofit education management organizations (EMOs). This report is modeled after the 12 annual reports that cover for-profit EMOs. While the number of schools operated by for-profit EMOs grew rapidly in the 1990s and is now leveling off, the data contained in this report illustrate how the number of…

  9. A Foucauldian Reading of Learning in Feminist, Nonprofit Organizations

    Science.gov (United States)

    English, Leona M.

    2006-01-01

    This article reports on research with eight board members and eight directors of 10 feminist, nonprofit organizations. A Foucauldian poststructuralist reading of the data gives voice to undertheorized aspects of learning in feminist organizations and makes visible the power relationships. It explores women's learned practices of resistance and…

  10. Measurement of the effectiveness of non-profit organizations

    Directory of Open Access Journals (Sweden)

    Gudz Petro Vasilovych

    2015-10-01

    Full Text Available The necessity of implementing evaluation of effectiveness in non-profit organizations activity is grounded in this article. Shown adaptation EERL approach based on result monitoring. Analyzed one of the activity effectiveness on the example of the civil organization. Evaluation of effectiveness is important as for organizations to improve their services as to present the results for audience.

  11. Governance and Board Member Identity in an Emerging Nonprofit Organization

    Science.gov (United States)

    Aulgur, Jeffrey J.

    2016-01-01

    Organizational effectiveness is a term without a single definition about the nonprofit community; it is difficult to define, much less measure, due to the wide disparity in that community. Inconsistency in the sector leads to an array of hypotheses in the literature addressing organizational effectiveness. Through a comprehensive examination of a…

  12. Organizational Characteristics Associated With Fundraising Performance of Nonprofit Hospitals.

    Science.gov (United States)

    Erwin, Cathleen Owens; Landry, Amy Yarbrough

    2015-01-01

    Fundraising has become increasingly important to nonprofit hospitals as access to capital has grown more difficult and reimbursement for services more complex. This study analyzes the variation in organizational characteristics and fundraising performance among nonprofit acute care hospitals in the United States to identify and measure critical factors related to one key fundraising performance indicator: public support. Results indicate that the presence of an endowment, along with its value, investments in fundraising, and the geographic location of the organization, account for approximately 46% of variance in public support among nonprofit hospitals. The use of a separate foundation for the fundraising operation is not necessarily associated with measures of fundraising success; however, a majority of hospitals do use a foundation, signaling a strategic choice that may be made for numerous reasons. The study results and limitations are discussed and recommendations are made for maximizing the effectiveness of the fundraising enterprise within nonprofit hospitals. Increasing awareness of challenges associated with fundraising success will enhance the strategic management of fundraising operations by hospital executives and board members.

  13. Vocational Home Economics Education Classes as Non-Profit Businesses.

    Science.gov (United States)

    Morgan, Vesta C.

    1979-01-01

    Suggests organizing one or more vocational home economics classes by the entrepreneur system to operate the class as a nonprofit business. Lists activities for planning and implementing the operation, benefits for the students, and ideas to develop skills in professional sewing, food service production, and occupational homemaking. (MF)

  14. Nonprofit Groups Offer Genetic Testing for Jewish Students

    Science.gov (United States)

    Supiano, Beckie

    2008-01-01

    This article describes how nonprofit organizations like Hillel are offering free genetic testing for Jewish college students. A growing number of colleges, including Pittsburgh, Brandeis University, and Columbia University are offering students free or reduced-cost screenings for diseases common to Jewish population. Genetic diseases common to…

  15. CRM Implementation in Nonprofits: An Analysis of the Success Factors

    Science.gov (United States)

    Grattan, Kelly E.

    2012-01-01

    Constituent Relationship Management ("CRM") is defined as an organization-wide strategy designed to enable the organization to better manage, track and steward its constituents. CRM has benefited for-profit enterprises for nearly three decades. In the nonprofit sector, the concept of CRM is fairly new. Despite the increase in CRM…

  16. Micro-Level Interactions in Business-Nonprofit Partnerships

    NARCIS (Netherlands)

    Vock, M.; van Dolen, W.; Kolk, A.

    2014-01-01

    While most research on business-nonprofit partnerships has focused on macro and meso perspectives, this article pays attention to the micro level. Drawing on various theoretical perspectives from both marketing and management, this study conceptually relates the outcomes of active employee

  17. Transformative Learning in Nonprofit Organizations: A Feminist Interpretive Inquiry

    Science.gov (United States)

    English, Leona M.; Peters, Nancy

    2012-01-01

    This article reports on interpretive research, influenced by a feminist theoretical framework, with 8 women, in their 20s to 60s, who work or volunteer in feminist nonprofit organizations. Particular emphasis is placed on their experience of transformative learning in these organizations; the linkages with the theory of transformative learning;…

  18. 10 CFR 603.635 - Cost principles for nonprofit participants.

    Science.gov (United States)

    2010-01-01

    ... Section 603.635 Energy DEPARTMENT OF ENERGY (CONTINUED) ASSISTANCE REGULATIONS TECHNOLOGY INVESTMENT AGREEMENTS Award Terms Affecting Participants' Financial, Property, and Purchasing Systems Financial Matters § 603.635 Cost principles for nonprofit participants. So as not to force financial system changes for...

  19. Mapping out Patience: Cartography, Cinema and W.G. Sebald

    Directory of Open Access Journals (Sweden)

    Taien Ng-Chan

    2015-10-01

    Full Text Available Cinematic cartography can be an especially powerful tool for deep mapping, as it can convey the narratives, emotions, memories and histories, as well as the locations and geography that are associated with a place. This is evident in the documentary film Patience (After Sebald by Grant Gee, which follows in the footsteps of W.G. Sebald and his walking tour of Suffolk, England, as described in his book The Rings of Saturn. A variety of strategies in cinematic cartography are used quite consciously in Gee’s exploration of space, place and story. Using Teresa Castro’s three cartographic shapes of cinema, I structure an analysis of the film’s opening scene through a discussion of cinematic cartography, or the plotting of geospatial data onto a map, as well as what I will differentiate as cartographic cinema, or the mapping of space through the cinematographic image. I argue that both are necessary not only to have a deep understanding of the world and our place in it, but also in how to transmit that knowledge to others.

  20. Cinema, from scientific enquiry to artistic expression

    CERN Multimedia

    CERN Bulletin

    2013-01-01

    The CERN Cinéclub’s October cycle explores the evolution of cinema with film-makers Adelina von Fürstenberg and Jan Peters.   "In the Mirror of Maya Deren", a film by Martina Kudlácek. For the past few decades, the CERN Cinéclub has been screening films for the CERN community on Thursday evenings. New members have brought with them greater enthusiasm and new ideas for this Cinéclub tradition. The greatest of these new ideas has been the addition of “cycles”, dedicated either to directors (Luis Bunuel, Serguei Paradzanov, Emir Kusturica, Ken Loach) or to particular themes (Czech new wave, science fiction). Inspired by discussions with Jan Peters - winner of the Collide@CERN Geneva prize and CERN’s filmmaker in residence - the Cinéclub’s October film cycle has explored the evolution of cinema from a form of scientific enquiry to a true form of artistic ...

  1. System for objective assessment of image differences in digital cinema

    Science.gov (United States)

    Fliegel, Karel; Krasula, Lukáš; Páta, Petr; Myslík, Jiří; Pecák, Josef; Jícha, Marek

    2014-09-01

    There is high demand for quick digitization and subsequent image restoration of archived film records. Digitization is very urgent in many cases because various invaluable pieces of cultural heritage are stored on aging media. Only selected records can be reconstructed perfectly using painstaking manual or semi-automatic procedures. This paper aims to answer the question what are the quality requirements on the restoration process in order to obtain acceptably close visual perception of the digitally restored film in comparison to the original analog film copy. This knowledge is very important to preserve the original artistic intention of the movie producers. Subjective experiment with artificially distorted images has been conducted in order to answer the question what is the visual impact of common image distortions in digital cinema. Typical color and contrast distortions were introduced and test images were presented to viewers using digital projector. Based on the outcome of this subjective evaluation a system for objective assessment of image distortions has been developed and its performance tested. The system utilizes calibrated digital single-lens reflex camera and subsequent analysis of suitable features of images captured from the projection screen. The evaluation of captured image data has been optimized in order to obtain predicted differences between the reference and distorted images while achieving high correlation with the results of subjective assessment. The system can be used to objectively determine the difference between analog film and digital cinema images on the projection screen.

  2. Six-color solid state illuminator for cinema projector

    Science.gov (United States)

    Huang, Junejei; Wang, Yuchang

    2014-09-01

    Light source for cinema projector requires reliability, high brightness, good color and 3D for without silver screens. To meet these requirements, a laser-phosphor based solid state illuminator with 6 primary colors is proposed. The six primary colors are divided into two groups and include colors of R1, R2, G1, G2, B1 and B2. Colors of B1, B2 and R2 come from lasers of wavelengths 440 nm, 465 nm and 639 nm. Color of G1 comes from G-phosphor pumped by B2 laser. Colors of G2 and R1 come from Y-phosphor pumped by B1 laser. Two groups of colors are combined by a multiband filter and working by alternately switching B1 and B2 lasers. The combined two sequences of three colors are sent to the 3-chip cinema projector and synchronized with frame rate of 120Hz. In 2D mode, the resulting 6 primary colors provide a very wide color gamut. In 3D mode, two groups of red, green and blue primary colors provide two groups of images that received by left and right eyes.

  3. Genetic Manipulation: Frankenstein’s New Monster in the Cinema

    Directory of Open Access Journals (Sweden)

    Francisco Javier de Prada Pérez

    2008-10-01

    Full Text Available On many occasions the cinema has been concerned with launching the questions raised by scientific progress and its repercussions on the lives of human beings. Not in vain is science fiction a genre dedicated to this task, that of attempting to predict where humanity is going thanks to the application of new discoveries. Genetic manipulation, because of its extraordinary range of possibilities, could not escape scripts that try to glimpse how society might apply it in the near future.             This article analyses three representative titles, The Boys from Brazil (1978, Godsend (2004 and The Island (2005, to show how the cinema has not abandoned the narrative model begun by James Whale’s Frankenstein (1931, which in turn takes the Greek myth of Prometheus to show the terrible consequences undergone by those who dare to emulate God, the only creator of life.             Finally, a more detailed analysis of Gattaca (1997 by Andrew Niccol makes it possible to abandon this sensationalist model and, with an almost prophetic script which today is more science than fiction, call attention to the current fears of jurists, experts in bioethics and bodies such as the UNESCO regarding genetic privacy and the presumed determinism of the human genome.

  4. Códigos de linguagem no discurso sobre o cinema

    Directory of Open Access Journals (Sweden)

    Rosemari Fagás Viégas

    2014-01-01

    Full Text Available Este trabalho consiste em um estudo sobre os códigos da linguagem cinematográfica a partir de seus significados estético, psicológico e sociológico. Adotam-se como pontos de vista teóricos a divisão tricotômica dos signos proposta por Charles S. Peirce, a revisão crítica da Teoria da Imagem, a descrição de Walter Benjamin sobre a natureza política inerente aos processos técnicos de produção fílmica e a hipótese de que as respostas às questões apontadas pela análise do cinema, realizada por Christian Metz, dependem da solução de problemas lógicos da construção de classes de significação dentro da semiótica. O método utilizado é tanto o bibliográfico quanto aquele baseado em análise de filmografia selecionada. O trabalho procura explicitar a nova classe de signos e de representações que a linguagem digital do cinema deverá produzir no futuro próximo.

  5. [Tics and Tourette syndrome in literature, cinema and television].

    Science.gov (United States)

    Collado-Vázquez, Susana; Carrillo, Jesús M

    2013-08-01

    Different neurological diseases have often been portrayed in literature, cinema and television. Tics and Tourette syndrome, for example, are commonly represented from different perspectives, which are sometimes very realistic but in some cases are used for more dramatic purposes or to make a character look ridiculous. One of the main effects of these inadequate views is to further stigmatise those who suffer these movement disorders. To review the way tics and Tourette syndrome have been portrayed in certain literary works, films and television. Tics are rapid, stereotypic, involuntary, recurring, non-purposeful movements of the skeletal and pharyngeal-laryngeal muscles. In Gilles de la Tourette syndrome a number of tics are associated to involuntary vocalisations (echolalia, coprolalia). They begin in childhood and are usually associated to obsessive-compulsive behaviours. These disorders have appeared in literature in works such as Little Dorrit, Angel Guerra, La torre de los siete jorobados or Motherless Brooklyn. Film-makers have also shown an interest in tics and Tourette syndrome and they have been portrayed in films such as Young and Innocent, The Tic Code or Matchstick Men. Likewise, a number of television series also contain characters with these disorders, including Shameless, Ally McBeal, Quincy, M.E. or L.A. Law. Tics and Tourette syndrome have frequently been portrayed in literature, cinema and television, sometimes in a very realistic manner. In other cases, however, the way they are dealt with has only helped to create false beliefs and stereotyped images of the disorders.

  6. Pode-se dizer que há algo como um hiperrealismo sonoro no cinema argentino?

    OpenAIRE

    Fernando Morais da Costa

    2011-01-01

    Nos últimos anos, é comum aplicar-se o conceito de hiper-realismo para descrever a relação entre sons e imagens no cinema comercial. No cinema brasileiro atual, tem-se observado que, como em demais cinematografias, começam a aparecer exemplos de hiper-realismo sonoro. A pergunta que este trabalho propõe é: pode-se dizer que se passa o mesmo com o cinema argentino contemporâneo? E, se a resposta for...

  7. The orchestra of the north american cinema : the example of Bernard of Hermann

    OpenAIRE

    Daniel Tápia

    2012-01-01

    Resumo: Esta pesquisa teve por finalidade demonstrar o processo pelo qual caminhou a linguagem da orquestração até sua chegada à trilha musical cinematográfica e, posteriormente, trazer à tona os processos adquiridos na música de cinema tendo a obra de Bernard Herrmann como exemplo. Ao observar a produção musical da primeira década do cinema norte americano, é possível perceber que a orquestração sinfônica do cinema é um dos frutos diretos do desenvolvimento da instrumentação e orquestração d...

  8. O trem na paisagem: um olhar materialista sobre o cinema de Lumire

    Directory of Open Access Journals (Sweden)

    Marcelo Carvalho

    2012-06-01

    Full Text Available Este artigo prope pensar alguns aspectos do incio do cinema a partir do filme Larrive dun train en gare La Ciotat (1895, de Louis Lumire, conectando a histria da paisagem na pintura ocidental tal como concebida por Rainer Maria Rilke (em seu texto Sobre a paisagem s teses deleuzianas sobre o cinema. Nosso objetivo apontar para um caminho alternativo de leitura do perodo, considerando-o em seu aspecto material imanente. Tal postura nos direcionar para fora da questo do realismo das imagens desse momento do cinema, realismo que considera a matria como modelo transcendente da imagem cinematogrfica.

  9. Physically active lifestyles for all Americans: a call to action for non-profit organizations.

    Science.gov (United States)

    Doyle, Colleen; Hutber, Adrian; McCarthy, William J

    2009-10-01

    Many nonprofit organizations and non-governmental organizations (NGOs) are strategically poised to encourage and facilitate healthier lifestyles. Non-profit organizations can play leadership roles in improving physical levels among all Americans.

  10. Soundless Speech/ Wordless Writing: Language and German Silent Cinema

    Directory of Open Access Journals (Sweden)

    Marc Silberman

    2010-12-01

    Full Text Available Speech / Wordless Writing: Language and German Silent Cinema Marc Silberman If language loses its communicative and interpretative functions in direct proportion to the loss of its referential grounding, then the modernist crisis is simultaneously a crisis of its signifying practices. This means that the evolution of the silent cinema is a particularly rich site to examine the problematic relationship of language and image. This essay presents several expressionist films as a specific response to this crisis in order to describe the diverse cinematic forms of resistance to the word, to articulated speech. While some film makers developed the silence of the silent film into a “gestural language” that dramatized light and movement, others reproduced the film figures’ silent speech by means of graphically stylized intertitles. My thesis is that the expressionist cinema maintained an idealistic notion of the film as a pure work of art that aimed at a unified composition of all elements and missed the opportunity to explore the rich semiotic possibilities of the new technological medium with its hybrid, synergetic forms and provocative force. Hence, the expressionist cinema marks a transition or even the endpoint of a long process of reflection about the communicative possibilities of language that shifted to a fundamentally new level with the invention of sound cinema at the end of the 1920s. Parole muette / écriture sans mot: Le langage et le cinéma allemand muet Marc Silberman Le langage, dit-on, perd de ses functions communicatrices et interpretatives en proportion directe à la perte de sa force référentielle. On dira que la crise moderniste est également une crise des pratiques signifiantes. Ce qui revient à dire aussi que l’évolution du cinéma muet serait une site particulièrement riche pour examiner les problématiques du langage vs. l’image. Cet essai présente quelques films expressionnistes comme réactions à la crise

  11. Toward a Collaborative, Transformative Model of Non-Profit Leadership: Some Conceptual Building Blocks

    OpenAIRE

    Bramwell Osula; Eddie C. W. Ng

    2014-01-01

    In this paper, the authors propose extending the construct of non-profit leadership to accommodate collaborative and transformational themes. The suggestion is that the resultant broader definition accords with the modern context within which non-profits now operate and feeds into a more resilient model of non-profit leadership. The paper begins with a review of emergent trends in leadership theory and the changing context of the non-profit sector. The argument is made that the extraordinary...

  12. The management strategies of advocacy-oriented social service nonprofit organizations in Hong Kong

    OpenAIRE

    Wong, Hoi-lam; 王凱琳

    2014-01-01

    The political function of nonprofit organizations is widely recognized in the field of nonprofit management, but less practiced in the real world. The phenomenon has been attributed to neoliberal reforms in the welfare sector by some scholars, but aspirations of nonprofit organizations to be more engaged in the political arena have also been studied in other fields. This results in scattered insights concerning the topic of nonprofit advocacy, for which this thesis attempt to integrate under ...

  13. Memory and regional identity in Udihara’s cinema Memória e identidade regional no cinema de Udihara

    Directory of Open Access Journals (Sweden)

    Caio Júlio Cesaro

    2007-01-01

    Full Text Available The cinema produced by the Japanese immigrant Hikoma Udihara, for over 30 years, is a record of the first decades of colonization in Northern of Paraná. The content – a little more than 10 hours of images – constitutes essence of the memory and identity in the region. A file which, in spite of private and institutional efforts for its maintenance, is vanishing and deteriorating quickly. For this reason, urgent action is required for recuperation and preservation. O cinema produzido pelo imigrante japonês Hikoma Udihara, ao longo de mais de 30 anos, documenta as primeiras décadas da colonização do Norte do Paraná. O conteúdo – de pouco mais de dez horas de imagens – constitui-se essência da memória e da identidade da região. Um acervo que, apesar de esforços particulares e institucionais para sua manutenção, está esvaecendo e se desintegrando rapidamente. Em razão disso, necessita de ações urgentes de recuperação e preservação.

  14. The cinema and Walter Benjamin: a discontinuous experience of life Cinema e Walter Benjamin: para uma vivência da descontinuidade

    Directory of Open Access Journals (Sweden)

    Cássio dos Santos Tomaim

    2007-05-01

    Full Text Available This article is an initiative of presenting some elements of Walter Benjamin’s reflections about cinema, and, according to the author, it is an art that give the answers for the modern man perceptive longings, to whom any experience was denied. The cinema, “the work of art in the era of its technical reproduction”, is ultimately for the author the mark of a new perception, of a new relationship between public and the work of art: the collective perception. What the crowd searches is not the contemplation or the withdrawal in front of a work of art, but entertainment. The cinema insists on this characteristic of entertaining when it reproduces the benjaminian concept of “shock experience”, through successive exhibitions of its fragments and constantly interrupting the association of the spectators ideas, (reaffirming the character of amusement of the modern art. However, for the author, the cinema dialectically responds to the amusement as an appropriate instrument for a pedagogy of the crowds – through an emancipated art, the masses would also become emancipated. Keywords: Cine. Walter Benjamin. ‘The shock experience’. Modernity. Este artigo é uma iniciativa de destacar alguns elementos a respeito das reflexões de Walter Benjamin sobre o cinema, uma arte que, segundo o próprio autor, responde aos anseios perceptivos do homem moderno, àquele para o qual foi negada qualquer experiência. O cinema, “a obra de arte na era de sua reprodutibilidade técnica”, por excelência, é, para o autor, o marco de uma nova percepção, de uma nova relação entre público e obra de arte: a percepção coletiva. O que a multidão busca não é a contemplação ou o recolhimento diante da obra de arte, mas a sua distração. Fato que o cinema, ao reproduzir em sua forma o conceito benjaminiano de “experiência do choque”, por meio das sucessivas exposições de seus fragmentos, interrompendo constantemente a associação de id

  15. The Nonprofit Advantage: Producing Quality in Thick and Thin Child Care Markets

    Science.gov (United States)

    Cleveland, Gordon; Krashinsky, Michael

    2009-01-01

    Nonprofit child care centers are frequently observed to produce child care which is, on average, of higher quality than care provided in commercial child care centers. In part, this nonprofit advantage is due to different input choices made by nonprofit centers--lower child--staff ratios, better-educated staff and directors, higher rates of…

  16. 32 CFR 37.710 - What standards do I include for purchasing systems of nonprofit organizations?

    Science.gov (United States)

    2010-07-01

    ... systems of nonprofit organizations? 37.710 Section 37.710 National Defense Department of Defense OFFICE OF... standards do I include for purchasing systems of nonprofit organizations? (a) So as not to force system... governmental organization. (2) 32 CFR 32.40 through 32.49 if the participant is a nonprofit organization...

  17. 48 CFR 52.226-6 - Promoting excess food donation to nonprofit organizations.

    Science.gov (United States)

    2010-10-01

    ... donation to nonprofit organizations. 52.226-6 Section 52.226-6 Federal Acquisition Regulations System... Text of Provisions and Clauses 52.226-6 Promoting excess food donation to nonprofit organizations. As prescribed in 26.404, insert the following clause: PROMOTING EXCESS FOOD DONATION TO NONPROFIT...

  18. 7 CFR 3560.659 - Sale or transfer to nonprofit organizations and public bodies.

    Science.gov (United States)

    2010-01-01

    ... 7 Agriculture 15 2010-01-01 2010-01-01 false Sale or transfer to nonprofit organizations and... Housing Preservation § 3560.659 Sale or transfer to nonprofit organizations and public bodies. (a) Sales... housing project to a nonprofit organization or public body, two independent appraisals will be...

  19. Evaluation Capacity and Nonprofit Organizations: Is the Glass Half-Empty or Half-Full?

    Science.gov (United States)

    Carman, Joanne G.; Fredericks, Kimberly A.

    2010-01-01

    In this article, we explore the evaluation capacity of today's nonprofit organizations. We report the findings of a cluster analysis that suggest that when it comes to evaluation, there are three types of nonprofit organizations. The first type of nonprofit organization is one that, by most accounts, is satisfied with their evaluation efforts.…

  20. 48 CFR 731.770 - OMB Circular A-122, cost principles for nonprofit organizations; USAID implementation.

    Science.gov (United States)

    2010-10-01

    ... principles for nonprofit organizations; USAID implementation. 731.770 Section 731.770 Federal Acquisition... PRINCIPLES AND PROCEDURES Contracts With Nonprofit Organizations 731.770 OMB Circular A-122, cost principles for nonprofit organizations; USAID implementation. (a) Paragraph 6 of the transmittal letter for...

  1. 32 CFR 37.690 - How are nonprofit participants to manage real property and equipment?

    Science.gov (United States)

    2010-07-01

    ... governmental organizations. (b) 32 CFR 32.32 and 32.33, for other nonprofit participants, with the exception of nonprofit GOCOs and FFRDCs that are exempted from the definition of “recipient” in 32 CFR part 32. Although... institution of higher education or in a nonprofit organization whose primary purpose is conducting...

  2. 32 CFR 37.665 - Must I require nonprofit participants to have periodic audits?

    Science.gov (United States)

    2010-07-01

    ... nonprofit organizations. Note that those requirements also are appropriate for Government-owned, contractor... from the definition of “recipient” in 32 CFR part 32, because nonprofit GOCOs and FFRDCs are subject to... 32 National Defense 1 2010-07-01 2010-07-01 false Must I require nonprofit participants to...

  3. 20 CFR 416.1144 - If you live in a nonprofit retirement home or similar institution.

    Science.gov (United States)

    2010-04-01

    ....1144 If you live in a nonprofit retirement home or similar institution. (a) Definitions. For purposes of this section the following definitions apply: (1) Nonprofit retirement home or similar institution... private nonprofit organization and which does not provide you with— (i) Services which are (or could...

  4. Welcome to Our World: Bridging Youth Development Research in Nonprofit and Academic Communities

    Science.gov (United States)

    Bialeschki, M. Deborah; Conn, Michael

    2011-01-01

    This commentary discusses the emergence of youth development research and evaluation in the nonprofit arena over the past 10 to 15 years. Included in this discussion is the establishment of the context for youth development research in nonprofits, a brief description of key examples of research from three youth nonprofits that illustrate the…

  5. Welcome to Our World: Bridging Youth Development Research in Nonprofit and Academic Communities

    Science.gov (United States)

    Bialeschki, M. Deborah; Conn, Michael

    2011-01-01

    This commentary discusses the emergence of youth development research and evaluation in the nonprofit arena over the past 10 to 15 years. Included in this discussion is the establishment of the context for youth development research in nonprofits, a brief description of key examples of research from three youth nonprofits that illustrate the…

  6. 25 CFR 276.16 - Subgrants and subcontracts to non-profit organizations.

    Science.gov (United States)

    2010-04-01

    ... 25 Indians 1 2010-04-01 2010-04-01 false Subgrants and subcontracts to non-profit organizations... Subgrants and subcontracts to non-profit organizations. The uniform administrative requirements in this part... subgrants or subcontracts made to non-profit organizations....

  7. 13 CFR 120.820 - CDC non-profit status and good standing.

    Science.gov (United States)

    2010-01-01

    ... 13 Business Credit and Assistance 1 2010-01-01 2010-01-01 false CDC non-profit status and good... CDC non-profit status and good standing. A CDC must be a non-profit corporation, except that for-profit CDCs certified by SBA prior to January 1, 1987 may retain their certifications. An SBIC may...

  8. K-12 Education Nonprofit Employees' Perceptions of Strategies for Recruiting and Retaining Employees

    Science.gov (United States)

    Byrne, Tara Marie

    2013-01-01

    This qualitative study explored the key reasons individuals who work in K-12 education nonprofit organizations enter the field of K-12 nonprofit education and their motivations for doing so. The purpose of this study was to find new strategies for recruiting and retaining K-12 education nonprofit employees by examining the obstacles that exist to…

  9. 48 CFR 35.015 - Contracts for research with educational institutions and nonprofit organizations.

    Science.gov (United States)

    2010-10-01

    ... with educational institutions and nonprofit organizations. 35.015 Section 35.015 Federal Acquisition... CONTRACTING 35.015 Contracts for research with educational institutions and nonprofit organizations. (a... contracts with educational institutions and nonprofit organizations shall— (i) State that the...

  10. 28 CFR 58.15 - Qualifications for approval as a nonprofit budget and credit counseling agency.

    Science.gov (United States)

    2010-07-01

    ... nonprofit budget and credit counseling agency. 58.15 Section 58.15 Judicial Administration DEPARTMENT OF... Qualifications for approval as a nonprofit budget and credit counseling agency. (a) Definition of agency. As used in this section the term “agency” means nonprofit budget and credit counseling agency....

  11. The Nonprofit Clinic at the University of Pittsburgh: Preparing Students for Transition to Professional Settings

    Science.gov (United States)

    Kearns, Kevin P.

    2014-01-01

    The Nonprofit Clinic at the University of Pittsburgh gives graduate students the opportunity to serve as management consultants to nonprofit organizations. This article describes the learning objectives, logistics, and outcomes of the Nonprofit Clinic. Bloom's 1956 taxonomy of learning objectives is employed to assess learning outcomes.

  12. Cinema e territorio. Processi di valorizzazione e promozione (cineturistica delle destinazioni minori / Cinema and territory. Processes of enhancement and (cinetouristic promotion of minor destinations

    Directory of Open Access Journals (Sweden)

    Angela Cresta

    2016-05-01

    Il contributo, a partire da un’analisi delle più celebri pellicole girate in Irpinia, rilegge dunque il legame tra Cinema e territorio alla luce delle esperienze di progettualità in corso che vedono nel cine-turismo una possibile forme di sviluppo locale da valorizzare. The objective of the paper is to make a reflection on the relationship between cinema, creativity and practical tourism in the processes of development and promotion of cinetourism which affect, in particular, the minor destinations. To this end, the experience of Irpinia is presented, where the authenticity of the places and the aspirations of a few enlightened by love for the “Seventh Art” has, since the early twentieth century, inspired several film projects, mixing suggestions real with virtual effects film, have proposed a transposition of the culture and customs, traditions and ways of life of Irpinia. A combination between the cinema and Irpinia which transforms Avellino, at the time one of the poorest and remotest provincial of Italy, the world capital of cinema neorealist; able to influence actively on backwardness typical of southern reality. The contribution, through an analysis of the most famous films shot in Irpinia, reads the link between cinema and territory based on the experience of existing projects that see in cine-tourism possible forms of local development to be enhanced.

  13. The Performative Force of Bodies: Affective Realism in Contemporary Brazilian Cinema

    National Research Council Canada - National Science Library

    Brandão, Alessandra; Sousa, Ramayana Lira de

    2015-01-01

    AbstractThis article traces the emergence of a younger generation of Brazilian filmmakers whose works bypass traditional themes in Brazilian cinema such as urban violence and historical revisionism...

  14. Registros documentais no cinema da Revolução Mexicana

    OpenAIRE

    2007-01-01

    Este artigo pretende focar as relações entre cinema e história nas duas primeiras décadas do século XX no México. O cinema foi apresentado pela primeira vez no país em uma sessão dedicada a Porfirio Díaz. Percebendo seu potencial propagandístico, o ditador logo se converteria na primeira grande estrela do cinema mexicano. O cinema forjava-se como "documento histórico" stricto sensu, num registro da verdade inquestionável. A Revolução redefiniu seu papel, registrando a ebulição pela qual passa...

  15. Pode-se dizer que há algo como um hiperrealismo sonoro no cinema argentino?

    Directory of Open Access Journals (Sweden)

    Fernando Morais da Costa

    2011-07-01

    Full Text Available

    Nos últimos anos, é comum aplicar-se o conceito de hiper-realismo para descrever a relação entre sons e imagens no cinema comercial. No cinema brasileiro atual, tem-se observado que, como em demais cinematografias, começam a aparecer exemplos de hiper-realismo sonoro. A pergunta que este trabalho propõe é: pode-se dizer que se passa o mesmo com o cinema argentino contemporâneo? E, se a resposta for positiva, a questão se desdobra em: é certo afirmar que o exagero na representação dos sons que caracteriza a proposta hiper-realista surge da influência do cinema comercial norte-americano sobre as produções argentinas e brasileiras ou ela vem do contato com outras propostas estéticas?  

  16. American cinema and the construction of masculinity in film in the Federal Republic after 1945.

    Science.gov (United States)

    Leal, Joanne

    2012-01-01

    Since 1945, film in the Federal Republic has maintained an ambivalent relationship to American cinema and its embedded ideologies and nowhere is this more evident than in (West) German film's representations of masculinity. This article focuses on three historical moments when political and social shifts resulted in a problematising of male identities in the Federal Republic: the mid-1950s, the early 1970s and the late 1990s. Cinema responded to a perceived destabilisation of gender norms by exploring constructions of German masculinity in relation to the ambivalently received models of male identity offered by American cinema. With a detailed analysis of three specific examples – Georg Tressler's Die Halbstarken (1956), Rainer Werner Fassbinder's Der amerikanische Soldat (1970) and Fatih Akin's Kurz und schmerzlos (1998) – this article investigates the manner in which German cinema engages with these competing conceptions of masculinity and demonstrates the ways in which divergent understandings of gender identity can impact on representations of national and ethnic identity.

  17. Linguistics, Structuralism, and Semiology Approaches to the Cinema With a Bibliography

    Science.gov (United States)

    Harpole, Charles H.; Hanhardt, John G.

    1973-01-01

    An introduction to linguistics, structuralism, and semiology, with special emphasis on how these fields affect and can be applied in the study of cinema. The extensive bibliography includes books and articles in five languages. (CH)

  18. Diets and trophic-guild structure of a diverse fish assemblage in Chesapeake Bay, U.S.A.

    Science.gov (United States)

    Buchheister, A; Latour, R J

    2015-03-01

    Dietary habits and trophic-guild structure were examined in a fish assemblage (47 species) of the Chesapeake Bay estuary, U.S.A., using 10 years of data from >25 000 fish stomachs. The assemblage was comprised of 10 statistically significant trophic guilds that were principally differentiated by the relative amounts of Mysida, Bivalvia, Polychaeta, Teleostei and other Crustacea in the diets. These guilds were broadly aggregated into five trophic categories: piscivores, zooplanktivores, benthivores, crustacivores and miscellaneous consumers. Food web structure was largely dictated by gradients in habitat (benthic to pelagic) and prey size. Size classes within piscivorous species were more likely to be classified into different guilds, reflecting stronger dietary changes through ontogeny relative to benthivores and other guilds. Relative to predator species and predator size, the month of sampling had negligible effects on dietary differences within the assemblage. A majority of sampled fishes derived most of their nutrition from non-pelagic prey sources, suggesting a strong coupling of fish production to benthic and demersal food resources. Mysida (predominantly the opossum shrimp Neomysis americana) contributed substantially to the diets of over 25% of the sampled predator groups, indicating that this species is a critical, but underappreciated, node in the Chesapeake Bay food web.

  19. Global distribution of a key trophic guild contrasts with common latitudinal diversity patterns.

    Science.gov (United States)

    Boyero, Luz; Pearson, Richard G; Dudgeon, David; Graça, Manuel A S; Gessner, Mark O; Albariño, Ricardo J; Ferreira, Verónica; Yule, Catherine M; Boulton, Andrew J; Arunachalam, Muthukumarasamy; Callisto, Marcos; Chauvet, Eric; Ramírez, Alonso; Chará, Julián; Moretti, Marcelo S; Gonçalves, José F; Helson, Julie E; Chará-Serna, Ana M; Encalada, Andrea C; Davies, Judy N; Lamothe, Sylvain; Cornejo, Aydeè; Li, Aggie O Y; Buria, Leonardo M; Villanueva, Verónica D; Zúñiga, María C; Pringle, Catherine M

    2011-09-01

    Most hypotheses explaining the general gradient of higher diversity toward the equator are implicit or explicit about greater species packing in the tropics. However, global patterns of diversity within guilds, including trophic guilds (i.e., groups of organisms that use similar food resources), are poorly known. We explored global diversity patterns of a key trophic guild in stream ecosystems, the detritivore shredders. This was motivated by the fundamental ecological role of shredders as decomposers of leaf litter and by some records pointing to low shredder diversity and abundance in the tropics, which contrasts with diversity patterns of most major taxa for which broad-scale latitudinal patterns haven been examined. Given this evidence, we hypothesized that shredders are more abundant and diverse in temperate than in tropical streams, and that this pattern is related to the higher temperatures and lower availability of high-quality leaf litter in the tropics. Our comprehensive global survey (129 stream sites from 14 regions on six continents) corroborated the expected latitudinal pattern and showed that shredder distribution (abundance, diversity and assemblage composition) was explained by a combination of factors, including water temperature (some taxa were restricted to cool waters) and biogeography (some taxa were more diverse in particular biogeographic realms). In contrast to our hypothesis, shredder diversity was unrelated to leaf toughness, but it was inversely related to litter diversity. Our findings markedly contrast with global trends of diversity for most taxa, and with the general rule of higher consumer diversity at higher levels of resource diversity. Moreover, they highlight the emerging role of temperature in understanding global patterns of diversity, which is of great relevance in the face of projected global warming.

  20. Claustre Obert: David Trueba i Lorenzo Silva sobre literatura, cinema i dret

    OpenAIRE

    Mediauni-TV

    2013-01-01

    El director de cinema i escriptor David Trueba, el novel·lista Lorenzo Silva i el catedràtic de la Universitat de València Javier de Lucas dialogaran aquest dimecres 11 de setembre, a les 20 hores, en el Claustre Obert que se celebra al Centre Cultural La Nau de la Universitat de València. La taula redona es titula 'Diàleg sobre literatura, cinema i dret'.

  1. Feeling Absence: Horror in Cinema from Post War to Post-Wall

    OpenAIRE

    Wynter, Kevin Anthony

    2014-01-01

    Since the early 1990s the twin leitmotifs of the European art house, and French cinema in particular, have been images of intense graphic violence and explicit sexuality. Scholars and critics generally refer to this phenomenon as a tendency toward "New Extremism" in cinema. In this dissertation, I demonstrate that the violence and sexuality in these films is neither "new" nor "extreme," but extends and expands upon the themes and elements of the modern American horror film. Historical context...

  2. The Intimacy of Distance: South Korean Cinema and the Conditions of Capitalist Individuation

    OpenAIRE

    Kim, Jisung Catherine

    2013-01-01

    In The Intimacy of Distance, I reconceive the historical experience of capitalism's globalization through the vantage point of South Korean cinema. According to world leaders' discursive construction of South Korea, South Korea is a site of "progress" that proves the superiority of the free market capitalist system for "developing" the so-called "Third World." Challenging this contention, my dissertation demonstrates how recent South Korean cinema made between 1998 and the first decade of the...

  3. Linking river flow regimes to riparian plant guilds: a community-wide modeling approach.

    Science.gov (United States)

    Lytle, David A; Merritt, David M; Tonkin, Jonathan D; Olden, Julian D; Reynolds, Lindsay V

    2017-06-01

    Modeling riparian plant dynamics along rivers is complicated by the fact that plants have different edaphic and hydrologic requirements at different life stages. With intensifying human demands for water and continued human alteration of rivers, there is a growing need for predicting responses of vegetation to flow alteration, including responses related to climate change and river flow management. We developed a coupled structured population model that combines stage-specific responses of plant guilds with specific attributes of river hydrologic regime. The model uses information on the vital rates of guilds as they relate to different hydrologic conditions (flood, drought, and baseflow), but deliberately omits biotic interactions from the structure (interaction neutral). Our intent was to (1) consolidate key vital rates concerning plant population dynamics and to incorporate these data into a quantitative framework, (2) determine whether complex plant stand dynamics, including biotic interactions, can be predicted from basic vital rates and river hydrology, and (3) project how altered flow regimes might affect riparian communities. We illustrated the approach using five flow-response guilds that encompass much of the river floodplain community: hydroriparian tree, xeroriparian shrub, hydroriparian shrub, mesoriparian meadow, and desert shrub. We also developed novel network-based tools for predicting community-wide effects of climate-driven shifts and deliberately altered flow regimes. The model recovered known patterns of hydroriparian tree vs. xeroriparian shrub dominance, including the relative proportion of these two guilds as a function of river flow modification. By simulating flow alteration scenarios ranging from increased drought to shifts in flood timing, the model predicted that mature hydroriparian forest should be most abundant near the observed natural flow regime. Multiguild sensitivity analysis identified substantial network connectivity (many

  4. Bioconstructor Guild Analysis to Assess Maldivian Reefs Following Ocean Warming and Coral Bleaching

    Science.gov (United States)

    Bianchi, C. N.; Morri, C.; Montefalcone, M.

    2016-02-01

    Extreme climatic anomalies related to global warming have triggered coral bleaching events across most tropical regions. The hot wave of 1998 El Niño caused mass coral mortality throughout the Indian Ocean. The Maldives has been among the most affected countries, with 60-100% coral mortality reported. Hard coral cover, which dropped to less than 10% after the bleaching, returned to pre-bleaching values of around 50% only by 2014. Between 1997 and 2015, we evaluated the change in cover on Maldivian reef flats of different bioconstructor guilds: i) primary builders are those organisms that build the reef framework and therefore assure reef aggradation; ii) secondary builders provide calcareous material to fill in the frame; iii) binders are encrusters that consolidate the reef edifice; iv) bafflers are soft-bodied algae and colonial invertebrates that, although not actively participating in the bioconstruction, help retaining sediment; v) abiotic attributes (rock, rubble, sand) evidently do not give any contribution to the bioconstruction. A bioconstruction potential index (BCP) was devised using the following formula: BCP = Σin (siCi%) × 100-1where, n is the number of bioconstructor guilds (5, in this case), si is an importance score assigned to the ith guild, and Ci% is the cover of the ith guild. In this study, the value of si has been established at 3 for the primary builders, 2 for the secondary builders, 1 for the binders, 0 for the bafflers, and -1 for the abiotic attributes. Therefore, BCP ranges theoretically from 3, in the unrealistic case of 100% cover by primary constructors, to -1, when only abiotic attributes are present and no bioconstruction is possible, the reef thus being prone to erosion and drowning. When applied to the Maldives data, BCP provided clear threshold values to evaluate constructional capacity. Negative values characterised Maldivian reefs between 1999 and 2003-3007. Values between 0 and 1 depict reefs capable of constratal growth

  5. A review of hymenopterous parasitoid guilds attacking Anastrepha spp. and Ceratitis capitata (Diptera: Tephritidae) in Argentina

    Energy Technology Data Exchange (ETDEWEB)

    Ovruski, Sergio M.; Orono, Luis E.; Nunez-Campero, Segundo; Schliserman, Pablo; Albornoz-Medina, Patricia; Bezdjian, Laura P.; Nieuwenhove, Guido A. Van; Martin, Cristina B. [Consejo Nacional de Investigaciones Cientificas y Tecnicas (CONICET), Tucuman (Argentina). Planta Piloto de Procesos Industriales Microbiologicos y Biotecnologia. Div. Control Biologico de Plagas

    2006-07-01

    This study provides detailed information on the diversity, abundance, guilds, host plant and host fly ranges, distribution, and taxonomic status of hymenopterous parasitoid species associated with Ceratitis capitata (Wiedemann) and Anastrepha spp. (A. fraterculus (Wiedemann) and A. schultzi Blanchard) in Argentina. Moreover, the article also argues future needs regarding the use of some parasitoid species as an alternative tool in fruit fly management programs of the National Fruit Fly Control and Eradication Program (PROCEM-Argentina). Data used for this work were obtained from numerous old and recent published articles on fruit fly parasitoids in Argentina. (author)

  6. [Specific bacterial diversity in bats of different food guilds in Southern sierra Oaxaca, Mexico].

    Science.gov (United States)

    Galicia, Mónica Marcela; Buenrostro, Alejandra; García, Jesús

    2014-12-01

    Specific bacterial diversity in bats of different food guilds in Southern sierra Oaxaca, Mexico. Bats have different ecologic roles in variable ecosystems that have been already described. They have been linked to several zoonoses, however little is known about the relationship between bat microbiota and their diet, and studies on the bacterial ecology of the microbiota in bats are limited. To contribute with the description of this important interaction between microbiota and host, the aim of this work was to characterize the composition and bacterial diversity in the oral and anal regions of 10 species of bats, in relation to food guild. For this monthly samplings were conducted using four mist nets (19:00-24:00h) from February to October 2012; nets were reviewed every 45 minutes. Each captured organism was sampled in the oral and anal cavities with sterile swabs; these were placed in pre-enrichment media and stored at 4°C. Bacterial samples were studied which through selective media, chromogenic and biochemical tests. We obtained samples from 502 frugivorous, 29 hematophagous and 11 nectivorous bats. We found a total of 26 bacterial species, with the predominant phylum Proteobacteria and the family Enterobacteriaceae. Statistically significant differences were observed between oral and anal microhabitats: frugivorous (t = -3.516, g.1 = 14.761, p = 0.003), hematophagous (t = -3.320, g.l = 19.262, p = 0.003), and nectivorous (t = -2.497, g.l = 11.933, p = 0.026), and in some guilds [frugivorous and nectivorous in the anal region (t = 2.274, g.l = 29.660, p = 0.030), hematophagous and nectivorous anal region (t = 2.077, g.l = 29.904, p = 0.049)]. It was also shown that there is bacteria specificity in some guilds such as nectivorous and frugivorous with Bacillus cereus, B. sp. X. sp., as well as, Pseudomonas aeruginosa, Serratia marcescens, Staphylococcus aureus, S. epidermis, Aeromonas hydrophyla in hematophagous. Bacterial presence can be explained by the type

  7. Nonprofit organizations versus government agencies to reduce tobacco use.

    Science.gov (United States)

    Carver, Vivien; Reinert, Bonita; Range, Lillian M; Campbell, Catherine; Boyd, Nicole

    2003-01-01

    Tobacco settlement money can be allocated to nonprofit organizations or government agencies. Both have advantages and disadvantages. Nonprofit organizations may have relatively (a) more efficiency/flexibility, but less accountability; (b) narrower focus, but less experience; (c) more ability to advocate, but more obligations; (d) more independence from tobacco industry influence, but less funding; and, (e) more public trust, but less visibility. The present case study of the Partnership for a Healthy Mississippi focuses on six interconnected areas: education (school and community), raising awareness, advocacy, service, enforcement, and research. In 1999 and 2000, tobacco use declined in Mississippi, even compared to neighboring states. This unique partnership's multifaceted approach to social change probably facilitated this decline.

  8. Polish and Silesian Non-Profit Organizations Liquidity Strategies

    Directory of Open Access Journals (Sweden)

    Grzegorz Michalski

    2011-12-01

    Full Text Available The kind of realized mission inflows the sensitivity to risk. Among other factors, the risk results from decision about liquid assets investment level and liquid assets financing. The higher the risk exposure, the higher the level of liquid assets. If the specific risk exposure is smaller, the more aggressive could be the net liquid assets strategy. The organization choosing between various solutions in liquid assets needs to decide what level of risk is acceptable for her owners (or donors and / or capital suppliers. The paper shows how, in authors opinion, decisions, about liquid assets management strategy inflow the risk of the organizations and its economicalresults during realization of main mission. Comparison of theoretical model with empirical data for over 450 Silesian nonprofit organization results suggests that nonprofit organization managing teams choose more risky aggressive liquid assets solutions than for-profit firms.

  9. Effective Social Media Engagement for Nonprofits: What Matters?

    Directory of Open Access Journals (Sweden)

    Julia L Carboni

    2015-03-01

    Full Text Available We employ public management relationship theory to examine how nonprofits can effectively engage social media stakeholders in two-way communication. Though many nonprofit organizations have a social media presence, there is variance in how well organizations use social media to engage stakeholders. Simply having a social media presence is not enough to engage stakeholders.  We examine Facebook posts of a stratified random sample of youth development organizations to determine what predicts stakeholder engagement. We find the type of Facebook post is a significant predictor of stakeholder engagement.  Longer posts also significantly predict increased stakeholder engagement.  At the organizational level, having many posts is a significant negative predictor of stakeholder engagement, indicating that users may feel bombarded and are less likely to engage.  Increased organizational spending on advertising as a proportion of total budget is positively associated with stakeholder engagement. 

  10. AGU Cinema: Festival of short science films at Fall Meeting

    Science.gov (United States)

    Harned, Douglas A.

    2012-11-01

    New technologies have revolutionized the use of video as a means of science communication and have made it easier to create, distribute, and view. With video having become omnipresent in our culture, it sometime supplements or even replaces writing in many science and education applications. An inaugural science film festival sponsored by AGU at the 2012 Fall Meeting in San Francisco, Calif., in December will showcase short videos—30 minutes or less in length—developed to disseminate scientific results to various audiences and to enhance learning in the classroom. AGU Cinema will feature professionally produced, big budget films alongside low-budget videos aimed at niche audiences and made by amateurs. The latter category includes videos made by governmental agency scientists, educators, communications specialists within scientific organizations, and Fall Meeting oral and poster presenters.

  11. The chaos and complexity of classic Hollywood cinema.

    Science.gov (United States)

    Gillespie, Michael Patrick

    2006-01-01

    Classic Hollywood cinema, the standard narrative format for production of feature length films, seems at first glance one of the most linear, prescriptive methods of discourse. It centers the action on a main character and traces the resolution of a single, dominant problem. However, a close examination of the best films of this format shows that talented directors and actors use the predictability of this framework to anchor complex thematic explorations of the inherent ambiguity of the medium. Conventional, linear, cause and effect interpretive methods often fail to discern the multiple options for meaning inherent in these works because they lack the vocabulary to express these conditions. This essay explores how a critic can employ images from chaos and complexity theories to create metaphors that reach beyond the bounds of Cartesian thinking and enable far more sophisticated analyses of the films.

  12. Lab coats in Hollywood science, scientists, and cinema

    CERN Document Server

    Kirby, David A

    2013-01-01

    Stanley Kubrick’s 2001: A Space Odyssey, released in 1968, is perhaps the most scientifically accurate film ever produced. The film presented such a plausible, realistic vision of space flight that many moon hoax proponents believe that Kubrick staged the 1969 moon landing using the same studios and techniques. Kubrick’s scientific verisimilitude in 2001 came courtesy of his science consultants—including two former NASA scientists—and the more than sixty-five companies, research organizations, and government agencies that offered technical advice. Although most filmmakers don’t consult experts as extensively as Kubrick did, films ranging from A Beautiful Mind and Contact to Finding Nemo and The Hulk have achieved some degree of scientific credibility because of science consultants. In Lab Coats in Hollywood, David Kirby examines the interaction of science and cinema: how science consultants make movie science plausible, how filmmakers negotiate scientific accuracy within production constraints, and ...

  13. Italian comics and cinema: forms and functions of pornographic parody

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    Mauro Giori

    2016-12-01

    Full Text Available Il saggio si propone di indagare un fenomeno come il frequente ricorso alla parodia di testi preesistenti da parte della pornografia, un fenomeno tanto notorio quanto trascurato, anche dalla recente ondata di studi su questo particolare genere. Al centro dell’indagine viene posta una forma di pornografia che in Italia, tra gli anni ’60 e gli anni ’80, ha fatto da testa di ponte alla diffusione di quella cinematografica attraverso una produzione industriale vasta quanto peculiare: quella in forma di fumetto. Tale produzione verrà analizzata in una prospettiva intermediale, ovvero nelle sue molteplici relazioni con il mondo del cinema, che vanno dall’assegnazione di volti di attori celebri ad alcuni eroi delle sue serie fino alla vera e propria parodia di interi film. Si mettono così in luce caratteri e funzioni assolti dalla parodia nell’ambito specifico della pornografia.

  14. Literature, cinema and history in "Hiroshima Mon Amour"

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    Nismária Alves David Barros

    2013-06-01

    Full Text Available This article analyzes Hiroshima Mon Amour, realization by Alain Resnais divulged in 1959 and ciné-roman by Marguerite Duras published in 1960. Considering the Jeanne-Marie Clerc's theory (2004, we understand that the literature and the cinema are resources of expression that do not establish competition or subordination relations, but they establish complementary relations, they make mutual exchanges for their renewals. They are not the documents on the atomic tragedy of Hiroshima because they congregate historical facts, literary narrative and cinematographic techniques. This ciné-roman and this film displays a revolutionary position of the artistic form to express a critical vision on the world after war. They create a love history and a history of loss, focusing the individual anguish in the plot. Through  the return to the past, using a poetical language, they discloses the pains of the protagonist and the pains of the humanity. Therefore the receiver reflects on himself.

  15. O papel do cinema no ensino de filosofia

    OpenAIRE

    2014-01-01

    Relatório de estágio de mestrado em Ensino de Filosofia no Ensino Secundário O presente Relatório de Estágio pretende ser um registo e uma avaliação da implementação, nas aulas de filosofia da turma do 10ºAV1 da Escola Secundária Martins Sarmento, em Guimarães, do Plano de Intervenção Pedagógica intitulado “O papel do cinema no ensino de filosofia”, concebido no âmbito do estágio profissional do curso de Mestrado em Ensino de Filosofia no Ensino Secundário, da Universidade do M...

  16. Oltre la Bibbia. Il cinema tra narrazione e redenzione

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    Mino Chamla

    2011-06-01

    Full Text Available In the Jewish tradition, the Bible is the origin of any possible interpretative and narrative development. Thus, starting from this statement and in the belief that film is, in its essence, narration and not representation, the author makes some remarks on the close and intimate relationship among Judaism, Jews and film, but also on the difficulty that movies have always experienced in the direct confrontation with the Bible while pretending to “represent it”. Moreover, if the cinema is mainly narrative and creative development of reality, we have to speak, with Walter Benjamin and Sigfried Kracauer, as for the Seventh art, about a sort of redemption of reality, in assonance, here again, with some profound and important trends of Judaism, and especially of the modern Jewish thought.

  17. Speckle disturbance limit in laser-based cinema projection systems

    Science.gov (United States)

    Verschaffelt, Guy; Roelandt, Stijn; Meuret, Youri; van den Broeck, Wendy; Kilpi, Katriina; Lievens, Bram; Jacobs, An; Janssens, Peter; Thienpont, Hugo

    2015-09-01

    In a multi-disciplinary effort, we investigate the level of speckle that can be tolerated in a laser cinema projector based on a quality of experience experiment with movie clips shown to a test audience in a real-life movie theatre setting. We identify a speckle disturbance threshold by statistically analyzing the observers’ responses for different values of the amount of speckle, which was monitored using a well-defined speckle measurement method. The analysis shows that the speckle perception of a human observer is not only dependent on the objectively measured amount of speckle, but it is also strongly influenced by the image content. The speckle disturbance limit for movies turns out to be substantially larger than that for still images, and hence is easier to attain.

  18. The Cinema-Cognition Dialogue: A Match Made in Brain

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    Yadin eDudai

    2012-09-01

    Full Text Available That human evolution amalgamates biological and cultural change is taken as a given, and that the interaction of brain, body and culture is more reciprocal then initially thought becomes apparent as the science of evolution evolves (Jablonka & Lamb 2005. The contribution of science and technology to this process is probably the first to come to mind: the biology of Homo sapiens permits and promotes the development of artificial devices that in turn enable us to sense and reach physical niches previously inaccessible, hence extending the biological capabilities, while at the same time endowed with the potential to mould over time selective pressures on these innate capabilities. The jury is yet out on the pace in which critical biological changes take place in evolution, but there is no question that the kinetics of technological and cultural change is much faster, rendering the latter more important in the biography of the individual and at present, of the species alike. However, though the capacity of art to enrich human capabilities is recurrently tapped into by philosophers and critics (e.g. Arsitotle/Poetics, Richards 1925, Smith & Parks 1951, Gibbs 1994, less attention is commonly allotted to the role of the arts in the aforementioned ongoing evolutional tango. My position is that the art of cinema is particularly suited to explore the intriguing dialogue between art and the brain. Further, in the following set of brief notes, which goal is to merely to incite discussion, I posit that cinema provides an unparalleled and highly rewarding experimentation space for the mind of the individual consumer of that art, while at the same time providing a useful and promising device for investigating brain and cognition.

  19. The cinema-cognition dialogue: a match made in brain

    Science.gov (United States)

    Dudai, Yadin

    2012-01-01

    That human evolution amalgamates biological and cultural change is taken as a given, and that the interaction of brain, body, and culture is more reciprocal then initially thought becomes apparent as the science of evolution evolves (Jablonka and Lamb, 2005). The contribution of science and technology to this evolutionary process is probably the first to come to mind. The biology of Homo sapiens permits and promotes the development of technologies and artefacts that enable us to sense and reach physical niches previously inaccessible. This extends our biological capabilities, but is also expected to create selective pressures on these capabilities. The jury is yet out on the pace at which critical biological changes take place in evolution. There is no question, however, that the kinetics of technological and cultural change is much faster, rendering the latter particularly important in the biography of the individual and the species alike. The capacity of art to enrich human capabilities is recurrently discussed by philosophers and critics (e.g., Arsitotle/Poetics, Richards, 1925; Smith and Parks, 1951; Gibbs, 1994). Yet less attention is commonly allotted to the role of the arts in the aforementioned ongoing evolutional tango. My position is that the art of cinema is particularly suited to explore the intriguing dialogue between art and the brain. Further, in the following set of brief notes, intended mainly to trigger further thinking on the subject, I posit that cinema provides an unparalleled and highly rewarding experimentation space for the mind of the individual consumer of that art. In parallel, it also provides a useful and promising device for investigating brain and cognition. PMID:22969715

  20. Landscape in Cinema: Images to Think Time through Space

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    Filipa Rosário

    2017-01-01

    Full Text Available This text is an introduction to the special issue on ‘Landscape and Cinema’ published by Aniki. Portuguese Journal of the Moving Image. It is composed of a brief state of the art, which anchors this work within the bibliography on the subject, and a synthetic description of the discourses developed by the six papers included in the issue: the first one addresses the historical and aesthetic evolution of the background in the Russian and Soviet cinema of the first decades of the twentieth century; the second discusses the representation of the Portuguese landscape in Manuel Guimarães’ films; the third identifies a few cinematic techniques that work as conventions of psychological landscape film, such as juxtaposition and superimposition; the fourth interprets the meaning of Brazilian urban landscapes showed in the feature film A Vida Provisória (Maurício Gomes Leite, 1968; the fifth deals with the corporeal and conceptual relations between body, memory and landscape through a sensory reading of the films Ten Skies (James Benning, 2004 and Sin Peso (Cao Guimarães, 2007; and finally, the sixth undertakes a comparative analysis of three South American non-fiction works that show several waterscapes as places of memory: El botón de nácar (Patricio Guzmán, 2015, Los durmientes (Enrique Ramírez, 2015 and Las aguas del olvido (Jonathan Perel, 2013. The aim of this preliminary text is therefore to introduce the main contents of the issue and some of its conclusions. In this sense, it is necessary to emphasise the open and polysemic nature of landscape, which works, inside and outside cinema, as a palimpsest in which multiple meanings come together. For this reason, those films that depict, create and intervene in landscape allow to perceive, among other things, the overlapping of historical and subjective times that takes place in certain spaces.

  1. Defining the non-profit sector: some lessons from history

    OpenAIRE

    Morris, Susannah

    2000-01-01

    This paper seeks to establish whether the structural-operational definition of the sector, used by the John Hopkins Comparative Non-profit Sector Project (JHCNSP), is universal in its applicability. Historical case studies of primary health care and social housing provision in nineteenth-century England demonstrate that the definition cannot accommodate the institutional diversity of earlier periods and does not produce meaningful sectoral distinctions. The structural-operational definition r...

  2. Information, Community, and Action: How Nonprofit Organizations Use Social Media

    OpenAIRE

    Lovejoy, Kristen; Saxton, Gregory D.

    2012-01-01

    The rapid diffusion of "microblogging" services such as Twitter is ushering in a new era of possibilities for organizations to communicate with and engage their core stakeholders and the general public. To enhance understanding of the communicative functions microblogging serves for organizations, this study examines the Twitter utilization practices of the 100 largest nonprofit organizations in the United States. The analysis reveals there are three key functions of microblogging updates-"in...

  3. Competitive spillovers across non-profit and for-profit nursing homes.

    Science.gov (United States)

    Grabowski, David C; Hirth, Richard A

    2003-01-01

    The importance of non-profit institutions in the health care sector has generated a vast empirical literature examining quality differences between non-profit and for-profit nursing homes. Recent theoretical work has emphasized that much of this empirical literature is flawed in that previous studies rely solely on dummy variables to capture the effects of ownership rather than accounting for the share of non-profit nursing homes in the market. This analysis considers whether competitive spillovers from non-profits lead to higher quality in for-profit nursing homes. Using instrumental variables to account for the potential endogeneity of non-profit market share, this study finds that an increase in non-profit market share improves for-profit and overall nursing home quality. These findings are consistent with the hypothesis that non-profits serve as a quality signal for uninformed nursing home consumers.

  4. Registros documentais no cinema da Revolução Mexicana Pictures of the Mexican Revolution: cinema and politics in documentary records

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    Maurício de Bragança

    2007-01-01

    Full Text Available Este artigo pretende focar as relações entre cinema e história nas duas primeiras décadas do século XX no México. O cinema foi apresentado pela primeira vez no país em uma sessão dedicada a Porfirio Díaz. Percebendo seu potencial propagandístico, o ditador logo se converteria na primeira grande estrela do cinema mexicano. O cinema forjava-se como "documento histórico" stricto sensu, num registro da verdade inquestionável. A Revolução redefiniu seu papel, registrando a ebulição pela qual passava a sociedade em documentários que se distanciavam do mero aspecto da curiosidade espetacular para atingir uma verdadeira presença do realizador junto ao cenário político nacional. O desdobramento da Revolução, com a superação da fase insurrecional, e o processo de domesticação do discurso revolucionário no âmbito oficial acabaram por esvaziar o teor de contestação das imagens documentais. A imagem do corpo de Zapata assassinado, que circulou pelo território nacional, é um emblema deste projeto.This article shows the connections between cinema and history in the two first decades in XX century in Mexico. The cinema arrived in Mexico in a session dedicated to Porfirio Díaz. The president soon became the first star movie in mexican cinema, interested in its publicity potencial. The movies were seen as historical documents that pointed the true. The Mexican Revolution redefined the cinema role showing the social movement by the contact between the filmaker and the national politic moment. The development of the revolution after its battle phase, and the process of institucionalization of its discourse in the official sphere removed the protest power from the documental images. The image of Zapata dead body went all the country through and became a emblem of this project.

  5. Nonprofit Human Milk Banking in the United States.

    Science.gov (United States)

    Updegrove, Kimberly

    2013-01-01

    Human milk, widely understood to be beneficial for infants, can be lifesaving for preterm neonates, especially in reducing the risk of necrotizing enterocolitis. Donor human milk (DHM) is an option when mothers are unable to provide milk or have an inadequate supply for their infants. Nonprofit donor human milk banks are established to provide safe, processed human milk from milk donated by healthy lactating mothers who have undergone a rigorous screening process. These milk banks, operating under the auspices of the Human Milk Banking Association of North America, obtain, process, and dispense human milk under strict guidelines set by the association. Increasing the supply of donor human milk to meet a dramatic increase in demand poses a significant challenge for nonprofit milk banks. Efforts to increase supply nationwide include education of providers, use of social media to engage potential donors, and outreach to news media. In parallel, milk banks are establishing regional depots to collect donations, and additional milk banks are being developed. This article describes the current nonprofit milk bank industry in the United States, its challenges, and its future prospects. © 2013 by the American College of Nurse‐Midwives.

  6. Marketing the charitable image of the non-profit hospital.

    Science.gov (United States)

    Kolu, S; Parsons, R J

    1992-01-01

    Because of nonprofit hospitals' charitable contribution to communities, the great majority of these nonprofit hospitals deserve their tax-exempt status. In order for them to maintain this status, hospitals must promote their charitable image in the community. The hospital that is successful in promoting this image will benefit in several ways: 1. The citizens of the community will look on the hospital in a favorable light. 2. The local and state government officials will not feel compelled to vigorously pursue hospital tax dollars. 3. Those people in the community who need charity care will know of its availability. 4. New taxing legislation is less likely to be passed if the legislators know that their public is well educated on the benefits the hospitals provide. Over the years, the image of the hospital has become that of a business rather than that of a charitable service organization. The public has been inundated with information by the media on the business of healthcare rather than the social service role of the hospital. In order for nonprofit institutions to survive, they will need to communicate otherwise the public will remain ignorant, and the repercussions could be disastrous.

  7. Wide-Screen Television and Home Movies: Towards an Archaeology of Television and Cinema Convergence Before Digitalisation

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    Tom James Longley Steward

    2014-12-01

    Full Text Available In this article, Tom Steward uses past interrelations of television and cinema spectatorship, exhibition, production and aesthetics to historicize phenomenological digital-era discourses on, ontological definitions of, and cultural arguments about television and cinema convergence. He argues that television and cinema assisted in defining each other as late 20th Century media and cultural forms, have a multi-directional industrial and artistic flow, and are often interdependent in reception and distribution. Television and cinema convergence demonstrates the need for historical breadth in media convergence theory and an understanding of medium-specificity that incorporates interactions with other media.

  8. Cinema, arte e temporalità nella Montagna incantata. Bioscopia: un capitolo trascurato dell’estetizzazione della politica

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    Fabrizio Desideri

    2012-05-01

    Full Text Available Moving from the «Cinema-scene» of the fifth chapter of the novel Der Zauberberg by Thomas Mann, the essay aims to tackle the whole relation between the German novelist  and the cinema.  The subject is handled in the light of the Walter Benjamin’s artwork-essay  and of its analysis of the relation between cinema, fascism and aestheticization of  politics. The thesis of the author is that the emerging of the cinema has established a new political and symbolical dimension of the relation between art, technique and ‘magic’.

  9. Cinema, arte e temporalità nella Montagna incantata. Bioscopia: un capitolo trascurato dell'estetizzazione della politica

    OpenAIRE

    Fabrizio Desideri

    2009-01-01

    Moving from the «Cinema-scene» of the fifth chapter of the novel Der Zauberberg by Thomas Mann, the essay aims to tackle the whole relation between the German novelist  and the cinema.  The subject is handled in the light of the Walter Benjamin’s artwork-essay  and of its analysis of the relation between cinema, fascism and aestheticization of  politics. The thesis of the author is that the emerging of the cinema has established a new political and symbolical dimension of the relation between...

  10. Cinema impuro: contaminações entre cinema e vídeo a partir de um olhar sobre a série História(s do Cinema, de Jean-Luc Godard

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    Almeida, Gabriela Machado Ramos de

    2011-01-01

    Full Text Available Este artigo propõe uma apropriação da ideia de “cinema impuro”, de André Bazin, para pensar as contaminações mútuas entre o cinema e o vídeo, usando como objeto de análise a série de ensaios fílmicos produzidos para a televisão História(s do Cinema, de Jean-Luc Godard (1998. À luz também das contribuições de autores como Philippe Dubois e Arlindo Machado, este trabalho busca colocar em questão a forma como Godard incorpora e combina referências das mais diversas expressões artísticas - sobretudo a literatura, a pintura e a música, além do próprio cinema – na produção de um pensamento audiovisual, e como as suas colagens poéticas e narrativas se apresentam num meio de materialidade essencialmente tão fluida quanto o vídeo

  11. Survival of images from avant-garde cinema Sobrevivência de imagens do cinema das vanguardas

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    Eduardo Peñuela Cañizal

    2008-11-01

    Full Text Available My intention here is to discuss the hypothesis that the technology of some media builds supports that ensure the survival of cinematographic images. My own interest in this theme lies in its potential for creating subtle forms of intertextuality. To this end, I deal with iconographic forms molded by avant-garde cinema, distinguishing between "relative" and "surrealistic" images. Minha intenção neste trabalho é lidar com o pressuposto de que a tecnologia de algumas media constrói suportes que garantem a sobrevivência das imagens, além de produzir modos sutis de intertextualidade. Para tanto, lido com a distinção de dois tipos de imagens: as que advêm da "relatividade" e as que se engendram no Surrealismo.

  12. Pollinator guild organization and its consequences for reproduction in three synchronopatric species of Tibouchina (Melastomataceae

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    Ana Maria Franco

    2011-09-01

    Full Text Available Pollinator guild organization and its consequences for reproduction in three synchronopatric species of Tibouchina (Melastomataceae. In co-flowering plant species, pollinator sharing can result in interspecific pollen transfer and fecundity reduction. Competition will be relaxed whenever there is a large amount of initial pollen supply or if each plant species occupies different habitat patches. Reproduction in Tibouchina cerastifolia (Naudin Cogn., T. clinopodifolia (DC. Cogn. and T. gracilis (Bonpl. Cogn. was studied in an area of Atlantic rainforest to examine whether synchronopatry induces time partitioning among pollinator species. Eleven bee species comprised the pollinator guild. Among pollinators, there were overlaps in bee species composition and in flower visitation time. Direct competition for pollen in Tibouchina Aubl. at the study site seems to lead to different activity periods among the bee species, in which Bombus pauloensis Friese,1913 was most active earlier, while the other species were active later in the day. Bombus pauloensis, the largest bee species recorded on Tibouchina flowers, was the most important and efficient pollinator. This species harvested pollen before the other species and had the shortest handling time. The plants reproduced sexually by selfing or outcrossing, and hybridization was not avoided by incompatibility reactions at the style. The avoidance of direct competition for pollen and no pollinator partitioning among the synchronopatric species of Tibouchina may reflect a facilitative interaction among these pioneer plants.

  13. The Villafranchian carnivoran guild of Greece: implications for the fauna, biochronology and paleoecology.

    Science.gov (United States)

    Koufos, George D

    2014-08-01

    Knowledge on the Villafranchian faunas of Greece was limited for a long time, but over the past 3 decades several new fossiliferous sites have been discovered and new material has been unearthed. The carnivores constitute a remarkable part of this material and their study has provided useful information for the taxonomy, chronology and palaeoecology. The Villafranchian carnivoran guild includes numerous taxa belonging to various families. Some of them are interesting as they are differentiated from the other Eurasian families. They cover the entire Villafranchian but the mass is known from the Middle to the Epi-Villafranchian (EVC). Despite the discontinuous data, they provide useful biochronological results. The coexistence of Pliocrocuta perrieri and Pachycrocuta brevirostris in the locality of Gerakarou 1 is strong evidence for the Middle Villafranchian (MVC)/Late Villafranchian (LVC) boundary. The composition of the Villafranchian carnivores suggests that the canids predominate, while the felids, hyenids and mustelids are well represented; the ursids are represented by a single taxon, the well-known Ursus etruscus, which seems to be common during the entire Villafranchian. The carnivoran guild structure and the multivariate analysis of the Greek Villafranchian carnivoran assemblages (MVC, LVC and EVC) in comparison with modern assembalges from open and closed environments indicate a relatively open landscape, which is in agreement with previous results for the Villafranchian of Greece. During the EVC there is a faunal renewal that is related to a more open and dry environment, like savannah bushland/grassland.

  14. Determining the trophic guilds of fishes and macroinvertebrates in a seagrass food web

    Science.gov (United States)

    Luczkovich, J.J.; Ward, G.P.; Johnson, J.C.; Christian, R.R.; Baird, D.; Neckles, H.; Rizzo, W.M.

    2002-01-01

    We established trophic guilds of macroinvertebrate and fish taxa using correspondence analysis and a hierarchical clustering strategy for a seagrass food web in winter in the northeastern Gulf of Mexico. To create the diet matrix, we characterized the trophic linkages of macroinvertebrate and fish taxa present in Halodule wrightii seagrass habitat areas within the St. Marks National Wildlife Refuge (Florida) using binary data, combining dietary links obtained from relevant literature for macroinvertebrates with stomach analysis of common fishes collected during January and February of 1994. Heirarchical average-linkage cluster analysis of the 73 taxa of fishes and macroinvertebrates in the diet matrix yielded 14 clusters with diet similarity ??? 0.60. We then used correspondence analysis with three factors to jointly plot the coordinates of the consumers (identified by cluster membership) and of the 33 food sources. Correspondence analysis served as a visualization tool for assigning each taxon to one of eight trophic guilds: herbivores, detritivores, suspension feeders, omnivores, molluscivores, meiobenthos consumers, macrobenthos consumers, and piscivores. These trophic groups, cross-classified with major taxonomic groups, were further used to develop consumer compartments in a network analysis model of carbon flow in this seagrass ecosystem. The method presented here should greatly improve the development of future network models of food webs by providing an objective procedure for aggregating trophic groups.

  15. Spatial and temporal avoidance of risk within a large carnivore guild.

    Science.gov (United States)

    Dröge, Egil; Creel, Scott; Becker, Matthew S; M'soka, Jassiel

    2017-01-01

    Within a large carnivore guild, subordinate competitors (African wild dog, Lycaon pictus, and cheetah, Acinonyx jubatus) might reduce the limiting effects of dominant competitors (lion, Panthera leo, and spotted hyena, Crocuta crocuta) by avoiding them in space, in time, or through patterns of prey selection. Understanding how these competitors cope with one other can inform strategies for their conservation. We tested how mechanisms of niche partitioning promote coexistence by quantifying patterns of prey selection and the use of space and time by all members of the large carnivore guild within Liuwa Plain National Park in western Zambia. Lions and hyenas specialized on wildebeest, whereas wild dogs and cheetahs selected broader diets including smaller and less abundant prey. Spatially, cheetahs showed no detectable avoidance of areas heavily used by dominant competitors, but wild dogs avoided areas heavily used by lions. Temporally, the proportion of kills by lions and hyenas did not detectably differ across four time periods (day, crepuscular, early night, and late night), but wild dogs and especially cheetahs concentrated on time windows that avoided nighttime hunting by lions and hyenas. Our results provide new insight into the conditions under which partitioning may not allow for coexistence for one subordinate species, the African wild dog, while it does for cheetah. Because of differences in responses to dominant competitors, African wild dogs may be more prone to competitive exclusion (local extirpation), particularly in open, uniform ecosystems with simple (often wildebeest dominated) prey communities, where spatial avoidance is difficult.

  16. From daily movements to population distributions: weather affects competitive ability in a guild of soaring birds.

    Science.gov (United States)

    Shepard, Emily L C; Lambertucci, Sergio A

    2013-11-06

    The ability of many animals to access and exploit food is dependent on the ability to move. In the case of scavenging birds, which use soaring flight to locate and exploit ephemeral resources, the cost and speed of movement vary with meteorological factors. These factors are likely to modify the nature of interspecific interactions, as well as individual movement capacity, although the former are less well understood. We used aeronautical models to examine how soaring performance varies with weather within a guild of scavenging birds and the consequences this has for access to a common resource. Birds could be divided broadly into those with low wing loading that are more competitive in conditions with weak updraughts and low winds (black vultures and caracaras), and those with high wing loading that are well adapted for soaring in strong updraughts and moderate to high winds (Andean condors). Spatial trends in meteorological factors seem to confine scavengers with high wing loading to the mountains where they out-compete other birds; a trend that is borne out in worldwide distributions of the largest species. However, model predictions and carcass observations suggest that the competitive ability of these and other birds varies with meteorological conditions in areas where distributions overlap. This challenges the view that scavenging guilds are structured by fixed patterns of dominance and suggests that competitive ability varies across spatial and temporal scales, which may ultimately be a mechanism promoting diversity among aerial scavengers.

  17. From daily movements to population distributions: weather affects competitive ability in a guild of soaring birds

    Science.gov (United States)

    Shepard, Emily L. C.; Lambertucci, Sergio A.

    2013-01-01

    The ability of many animals to access and exploit food is dependent on the ability to move. In the case of scavenging birds, which use soaring flight to locate and exploit ephemeral resources, the cost and speed of movement vary with meteorological factors. These factors are likely to modify the nature of interspecific interactions, as well as individual movement capacity, although the former are less well understood. We used aeronautical models to examine how soaring performance varies with weather within a guild of scavenging birds and the consequences this has for access to a common resource. Birds could be divided broadly into those with low wing loading that are more competitive in conditions with weak updraughts and low winds (black vultures and caracaras), and those with high wing loading that are well adapted for soaring in strong updraughts and moderate to high winds (Andean condors). Spatial trends in meteorological factors seem to confine scavengers with high wing loading to the mountains where they out-compete other birds; a trend that is borne out in worldwide distributions of the largest species. However, model predictions and carcass observations suggest that the competitive ability of these and other birds varies with meteorological conditions in areas where distributions overlap. This challenges the view that scavenging guilds are structured by fixed patterns of dominance and suggests that competitive ability varies across spatial and temporal scales, which may ultimately be a mechanism promoting diversity among aerial scavengers. PMID:24026471

  18. Do non-profits make a difference?: Evaluating non-profit vis-à-vis for-profit organisations in social

    NARCIS (Netherlands)

    Koning, P.; Noailly, J.; Visser, S.

    2006-01-01

    This CPB Document provides a framework for the evaluation of non-profit organisations. This framework addresses the question under which conditions, and, if so, in what way non-profits should be stimulated. Essentially, in order to answer these questions, three steps can be followed: (i)

  19. Do non-profits make a difference?: Evaluating non-profit vis-à-vis for-profit organisations in social

    NARCIS (Netherlands)

    Koning, P.; Noailly, J.; Visser, S.

    2006-01-01

    This CPB Document provides a framework for the evaluation of non-profit organisations. This framework addresses the question under which conditions, and, if so, in what way non-profits should be stimulated. Essentially, in order to answer these questions, three steps can be followed: (i) identifyin

  20. A Different Kind of Lexicon for a Different Kind of Cinema

    Directory of Open Access Journals (Sweden)

    Mario Županović

    2016-12-01

    Full Text Available Not just another dictionary in the well-known Rowman & Littlefield “Historical Dictionaries” series – South American Cinema is a special kind of book for anyone delving into the broad field of national and regional cinema encompassed by the term South American. Author Peter H. Rist is a professor at Concordia University in Montreal and his PhD thesis dealt with the early films of John Ford. Rist is better known within film circles as the author of several papers on experimental Japanese cinema, so his solo venture into South American cinema is quite unexpected. It is even more surprising that he has produced a 701 page book of this stature on his own – definitely a huge task.What is quite different about this book is evident right from the title – South American – not Latin American, Hispano-American, or any other expected paradigm based on the language or the hyper-cultural context. Rist, as he notes in the preface, tried to envision a book bordered by the notion of the whole continent of South America. This rather unusual approach (where almost all other titles on the subject focus on Latin or Hispanic broadens the horizon with an exotic array that includes Surinamese, French Guianese, and Guyanese cinema. Rarely are these nations even noted in serious books, so entries with their names, brief as they are, make a difference. This is also discussion on the cinema of small Hispanic nations such as Ecuador and Paraguay. On another level, the South American context includes French, English and Dutch language cinema alongside prevailing Spanish and Portuguese, albeit the output of these films is negligible in comparison with the bigger and traditionally more important films of Brazil or Argentina.

  1. Optimization of Non-Profit Projects’ Portfolio: Chosen Aspects and Assumptions

    Directory of Open Access Journals (Sweden)

    Jacek Woźniak

    2014-09-01

    Full Text Available The chosen aspects and assumptions of the author’s proposal of the optimization model of the non-profit projects’ portfolio are presented. The functional model of the non-profit sector (third sector, which is the base for the further analyses, is also characterized. The article also contains the quantification of fundamental conditions of portfolio optimization. There is developed the utility model for the management system in the non-profit portfolio, in the framework of which there are specified the scope of the model and relationships between four categories of the non-profit portfolio’s participants/stakeholders: non-profit organizations, donors, co-participants and customers (recipients of the basic benefits/values associated with the realization of the non-profit projects. The main optimality conditions and optimization algorithm of the non-profit portfolio are also given. The paper is concluded with exemplary analytical matrixes used for optimization of the non-profit portfolios and based on the evaluation of both the optimization utility conditions and added parameters. Only basic and chosen aspects of the optimization of the non-profit projects’ portfolio have been described here. [b]Keywords[/b]: Management, Organization, Non-Profit, Project, Portfolio, Optimization, Utility

  2. Educação, cinema e infância: um olhar sobre práticas de cinema em hospital universitário

    Directory of Open Access Journals (Sweden)

    Fernanda Omelczuk

    2015-06-01

    Full Text Available O artigo apresenta o projeto “Cinema no Hospital?” que investiga o potencial pedagógico de ver e fazer cinema em enfermarias pediátricas em hospitais universitários. O cinema permite um exercício de alteridade – é um estrangeiro que entra no hospital desestabilizando rotinas e estruturas. O filme é pensado não no sentido de um instrumento ou suporte pedagógico para transmitir um saber, mas como a marca de um gesto de criação – uma arte. Espera-se encontrar, com o cinema no hospital, outras naturezas de aprendizagem, conexões e sentidos, que possam contribuir para o fazer da educação com jeitos renovados de pensar a relação com a aprendizagem, a arte e a saúde. As primeiras experiências mostram que a maioria dos pacientes desconhece a experiência do “ritual” da sala escura e que os mesmos se apresentam abertos e entusiasmados a outras possibilidades fílmicas e estéticas.

  3. CINEMA: FERRAMENTA OU ESTRATÉGIA PARA A EDUCAÇÃO JURÍDICA? / CINEMA: TOOL OR STRATEGY TO LEGAL EDUCATION?

    Directory of Open Access Journals (Sweden)

    Anna Clara Lehmann Martins

    2014-12-01

    Full Text Available This article aims to approach some of the limitations and potentialities offered by the cinema to the teaching of law, departing from the presence or absence of a specific problematic element during its use: the effort of contextualization. Our approach uses as comparative substrate two distinct conceptions of using cinema as a didactical pedagogical resource: cinema as tool and cinema as strategy. Each of these conceptions relate differently to the effort of contextualization, the former for its dispensability, the latter taking it as essential. Assuming that both conceptions can be applied with relative success in classes, depending on the proposal of the lesson, this work unfolds into two objectives: first, to verify, through bibliographic research, the limitations and potentialities unleashed by such conceptions to the learning of law, under the criteria of time and development of critical awareness; and, then, by suggesting the practical applicability of both conceptions in classrooms, through suggestions the use of Charles Chaplin’s film “Monsieur Verdoux” (1947, providing a lifeful color to the points raised earlier under theoretical form.

  4. AN INTERSECTION IN THE ECOLOGICAL PARADIGM: ECOLOGIST CINEMA

    Directory of Open Access Journals (Sweden)

    Refik YASLIKAYA

    2015-07-01

    Full Text Available We have witnessed the rise of ecologist movements since the second half of 20. Century when it is understood that t he mankind has exploited and polluted the world he/ she lives on as far as the world will be exterminated by the mankind. This rise has sometimes been concrete with the acts of an organization that is environmental protector; has come into existence with t he basic thesis of green parties that contains ecologist policies or has been one of the basic arguments of international politics. As a consequence of this, environmental awareness and protectionist approach have been mentioned from national policy docume nts and green party programs to international/ supranational agreements and acts of environmentalist activists in the academic studies in a broad framework. Moreover, a lot of ecological based philosophical trend like deep ecology, eco - socialism, eco - femin ism, etc. has emerged in this process. In the period in question, a sector has also adopted the environmental awareness as a subject; but this sector’s activities haven’t been mentioned so much in academic studies. Mentioned sector is cinema; in other wor ds, it is American and European based film industry. American based Holywood is the center that made the first production in this sense. Starting from 1970’s, lots of films have been begun to play under the main topic of disaster movie. European film indus try has started to use this theme as of 2000’s yet. First produced films were fictionalized via disaster scenarios which arise depending on a singular problem. In this frame, lots of factors like an earthquake, flood, a disease that a virus appears suddenl y creates were thought as the initiator of disaster. The solutions found for singular problem are usually the solutions found depending on the work of a person or a small group of professionals. In time, we can see that the themes change into global ecolog ical disasters which affect the world in general

  5. Bt crop effects on functional guilds of non-target arthropods: a meta-analysis.

    Directory of Open Access Journals (Sweden)

    L LaReesa Wolfenbarger

    Full Text Available BACKGROUND: Uncertainty persists over the environmental effects of genetically-engineered crops that produce the insecticidal Cry proteins of Bacillus thuringiensis (Bt. We performed meta-analyses on a modified public database to synthesize current knowledge about the effects of Bt cotton, maize and potato on the abundance and interactions of arthropod non-target functional guilds. METHODOLOGY/PRINCIPAL FINDINGS: We compared the abundance of predators, parasitoids, omnivores, detritivores and herbivores under scenarios in which neither, only the non-Bt crops, or both Bt and non-Bt crops received insecticide treatments. Predators were less abundant in Bt cotton compared to unsprayed non-Bt controls. As expected, fewer specialist parasitoids of the target pest occurred in Bt maize fields compared to unsprayed non-Bt controls, but no significant reduction was detected for other parasitoids. Numbers of predators and herbivores were higher in Bt crops compared to sprayed non-Bt controls, and type of insecticide influenced the magnitude of the difference. Omnivores and detritivores were more abundant in insecticide-treated controls and for the latter guild this was associated with reductions of their predators in sprayed non-Bt maize. No differences in abundance were found when both Bt and non-Bt crops were sprayed. Predator-to-prey ratios were unchanged by either Bt crops or the use of insecticides; ratios were higher in Bt maize relative to the sprayed non-Bt control. CONCLUSIONS/SIGNIFICANCE: Overall, we find no uniform effects of Bt cotton, maize and potato on the functional guilds of non-target arthropods. Use of and type of insecticides influenced the magnitude and direction of effects; insecticde effects were much larger than those of Bt crops. These meta-analyses underscore the importance of using controls not only to isolate the effects of a Bt crop per se but also to reflect the replacement of existing agricultural practices. Results will

  6. Fish guild structure along a longitudinally-determined ecological zonation of Teesta, an eastern Himalayan river in West Bengal, India

    Directory of Open Access Journals (Sweden)

    Chakrabarty, M

    2014-04-01

    Full Text Available The Eastern Himalaya Biodiversity Hotspot contains exceptional freshwater biodiversity and ecosystems that are of vital importance to local and regional livelihoods, but these are under threat from the developmental and anthropogenic pressures arising from the 62 million people living in the area. Therefore, monitoring the riverine health and considering future conservation approach, the study of fish biodiversity plays a significant role in this region. The River Teesta in the Brahmaputra basin in India forms one of the major rivers in the Eastern Himalayas. In the present investigation, we studied ecological fish guilds as they can enhance the usefulness of fish zonation concepts and serve as tools to assess and manage the ecological integrity of large rivers. We classified fish species according to their water flow preference and spawning substrate preference. Ten spawning habitats were identified, occurring in three water flow guilds. The most widely preferred habitat in upstream zones was lithophils while in lower stretches it was lithopleagophils. On applying predictions of the River Continuum Concept, our results indicated the presence of a zonation pattern based on fish species assemblage and their ecological attributes along the longitudinal stretch of the Teesta River in west Bengal. Along the longitudinal stretch of the river, species richness increased downstream, with maximum richness in the mid-reaches. However, species richness decreased further downstream. The number of ecological guilds also increased downstream, and there were clear shifts in the structure of the guilds.

  7. Soil DNA pyrosequencing and fruitbody surveys reveal contrasting diversity for various fungal ecological guilds in chestnut orchards.

    Science.gov (United States)

    Baptista, Paula; Reis, Francisca; Pereira, Eric; Tavares, Rui M; Santos, Pedro M; Richard, Franck; Selosse, Marc-André; Lino-Neto, Teresa

    2015-12-01

    Fungal diversity in Mediterranean forest soils is poorly documented, particularly when considering saprobic and pathogenic organisms. Next-generation sequencing (NGS) methods applied to soil fungi provide the opportunity to unveil the most inconspicuous functional guilds (e.g. saprobes) and life forms (e.g. Corticiaceae) of this tremendous diversity. We used fruitbody surveys over 2 years and soil 454 metabarcoding in Castanea sativa orchards to evaluate respectively the reproductive (fruitbodies) and vegetative (mycelia) parts of fungal communities in three 100-year-old stands. Analysis of 839 fruitbodies and 210 291 ITS1 reads revealed high fungal diversity, mainly shown by belowground analysis, with high (dominant) abundance of mycorrhizal fruitbodies and reads. Both methods displayed contrasted composition and structure of fungal communities, with Basidio- and Ascomycetes dominating above- and belowground, respectively. For the two dominant fungal guilds (i.e. ectomycorrhizal and saprobic), diversity above- and belowground overlapped weakly. This study is the first assessment of the complementarity of fruitbody surveys and NGS for analysing fungal diversity in Mediterranean ecosystems and shows that belowground methods still need to be completed by fruiting diversity to provide a comprehensive overview of the different fungal guilds. The results shed light on chestnut soil biodiversity and question the spatial distribution and synergies among fungal guilds.

  8. Il territorio delle Lipari tra ambiente, cinema e turismo

    Directory of Open Access Journals (Sweden)

    Elena Di Blasi

    2016-05-01

    Full Text Available Fino agli anni ’50 le Lipari (dette anche Eolie, sfavorite dall’insularità e con un’economia di sussistenza, basata su attività tradizionali, erano dominate da povertà ed emigrazione. Tutto mutò nel 1949, quando una troupe cinematografica, guidata da Rossellini, girò Stromboli, interpretato da Ingrid Bergman: tra i due era nata una storia d’amore. Poco dopo, un’altra troupe utilizzò Vulcano come location dell’omonimo film, con Anna Magnani, ex fiamma di Rossellini. Questi cult passarono alla storia del cinema come la guerra dei vulcani. I due film, con gli scoop legati alle vicende sentimentali dei protagonisti, hanno innescato un nuovo percorso per le Eolie, fuori dall’atavico letargo, che ha determinato un vero e proprio “boom turistico”. Indagando la variegata realtà delle Lipari, lo scopo del presente articolo è quello di dimostrare come, attraverso un’analisi storica del mercato turistico, l’arrivo del cinema nel territorio eoliano abbia innescato importanti processi di sviluppo economico e cambiamento sociale. Questa ricerca vuole, inoltre, evidenziare il rapporto privilegiato tra insularità e cineturismo. Till the late 50s the Aeolian Islands, plagued by insularity and characterized by a subsistence economy based on traditional activities, had been dominated by poverty and emigration. All changed in 1949 when Rossellini shot Stromboli featuring Ingrid Bergman, his new love. Soon after a crew shot in Volcano the homonymous film starring Anna Magnani, Rossellini’s old flame. The two films, gone down in history as the war of volcanoes, and the scoops about the love scandal have drawn a new path for the Aeolian Islands that has taken them to a tourist boom. The present paper aims to show by means of a historical analysis of the local tourist market how the coming of the film industry have triggered processes of economic growth and social change in the Aeolian Islands. This paper also aims to point out the

  9. Censorship and dubbing in italian cinema in the early sound movies

    Directory of Open Access Journals (Sweden)

    Antonio Catolfi

    2015-10-01

    Full Text Available Il cinema italiano durante gli anni Venti conosce una profonda crisi determinata da vari fattori, tra cui il fallimento dell’Unione cinematografica italiana. I film muti prodotti in Italia passano dai 1029 del 1911 ai 415 del 1920. Sono solo 23 nel 1929. Nel 1930 si tocca il fondo con 18 film italiani e 374 stranieri. Dal 1932 al 1933 invece riprendono in modo lento a crescere: 1931 (27 italiani e 262 stranieri, 1932 (31 italiani e 229 stranieri, 1933 (36 italiani e 260 stranieri probabilmente grazie al cinema sonoro che inizia a diffondersi e ad altre concause. Dopo il successo negli Stati Uniti del film il Cantante di Jazz l’industria si converte rapidamente alla possibilità di rendere sonora la pellicola. In Italia il Cantante di Jazz arriva due anni dopo, il 19 aprile 1929. Appena nato il sonoro nel cinema, l’industria cinematografica italiana deve affrontare subito il problema delle barriere linguistiche che causava una difficoltà enorme per la commerciabilità dei prodotti italiani fuori dai confini nazionali. L’avvento del regime fascista non aiuta la situazione della crisi generale del cinema italiano perché nella sua prima fase il regime non si occupa del cinema in maniera diffusa.

  10. Cinema e territorio. Processi di valorizzazione e promozione (cineturistica delle destinazioni minori

    Directory of Open Access Journals (Sweden)

    Angela Cresta

    2016-05-01

    Il contributo, a partire da un’analisi delle più celebri pellicole girate in Irpinia, rilegge dunque il legame tra Cinema e territorio alla luce delle esperienze di progettualità in corso che vedono nel cine-turismo una possibile forme di sviluppo locale da valorizzare. The objective of the paper is to make a reflection on the relationship between cinema, creativity and practical tourism in the processes of development and promotion of cinetourism which affect, in particular, the minor destinations. To this end, the experience of Irpinia is presented, where the authenticity of the places and the aspirations of a few enlightened by love for the “Seventh Art” has, since the early twentieth century, inspired several film projects, mixing suggestions real with virtual effects film, have proposed a transposition of the culture and customs, traditions and ways of life of Irpinia. A combination between the cinema and Irpinia which transforms Avellino, at the time one of the poorest and remotest provincial of Italy, the world capital of cinema neorealist; able to influence actively on backwardness typical of southern reality. The contribution, through an analysis of the most famous films shot in Irpinia, reads the link between cinema and territory based on the experience of existing projects that see in cine-tourism possible forms of local development to be enhanced.

  11. Nuclear shadows on silvered walls: Atomic Bomb Cinema, from 1935 to 1991

    Energy Technology Data Exchange (ETDEWEB)

    Shapiro, J.F.

    1991-01-01

    The cinema and the atomic bomb are two of the most significant technological innovations of the past-century - their influence on culture has provoked tremendous political, academic, and popular debate. The point at which these two technologies intersect is what the author calls Atomic Bomb Cinema.' Since 1945 almost six hundred films with images of nuclear weapons have been released in the US, and they have been virtually ignored by everyone but the film going public. This study shows how Bomb films' use recurring themes and formal structures, and therefore must be treated as a coherent body of films; identifies historical, mythological, and contemporary motifs; and analyzes these films from two points of view: interdisciplinary (history, politics, economics, sociology, and aesthetics) and cross-cultural (American, Japanese, British, and Australian). The most important element of Atomic Bomb Cinema is the Apocalyptic Imagination; film makers use it to structure their narratives and explore a wide range of ideological issues. In contrast to commonly held beliefs, Atomic Bomb Cinema is undeniably part of a process that helps people to understand the threat of nuclear war. In this instance, the cinema is one cultural institution that contributes to a healthy society.

  12. Idabloki unustatud kino : Ülevaade konverentiskogumikust "Via Transversa : Lost Cinema of the Former Eastern Bloc" / Martin Oja

    Index Scriptorium Estoniae

    Oja, Martin, 1978-

    2009-01-01

    2007. a. oktoobris Tallinnas toimunud konverentsi "Via Transversa : Lost Cinema of the Former Eastern Bloc" ettekannetel põhinevast kogumikust: Via Transversa : Lost Cinema of the Former Eastern Bloc / editors Eva Näripea, Andreas Trossek. Tallinn : Eesti Kunstiakadeemia, 2008. (Koht ja paik ; 7)

  13. Idabloki unustatud kino : Ülevaade konverentiskogumikust "Via Transversa : Lost Cinema of the Former Eastern Bloc" / Martin Oja

    Index Scriptorium Estoniae

    Oja, Martin, 1978-

    2009-01-01

    2007. a. oktoobris Tallinnas toimunud konverentsi "Via Transversa : Lost Cinema of the Former Eastern Bloc" ettekannetel põhinevast kogumikust: Via Transversa : Lost Cinema of the Former Eastern Bloc / editors Eva Näripea, Andreas Trossek. Tallinn : Eesti Kunstiakadeemia, 2008. (Koht ja paik ; 7)

  14. The need for strategic tax planning among nonprofit hospitals.

    Science.gov (United States)

    Smith, Pamela C

    2005-01-01

    Strategic tax planning issues are important to the nonprofit health care sector, despite its philanthropic mission. The consolidation of the industry has led management to fight for resources and develop alternative strategies for raising money. When management evaluates alternative collaborative structures to increase efficiency, the impact on governance structures must also be considered. The increased governmental scrutiny of joint ventures within the health care sector warrants management's attention as well. The financial incentives must be considered, along with the various tax policy implications of cross-sector collaborations.

  15. Fiduciary duties of interlocking directors within a nonprofit health system.

    Science.gov (United States)

    Hershey, Nathan; Jarzab, Christine M

    2005-01-01

    In response to regulatory and financial pressures, entities participating in the healthcare industry have joined with others in order to maintain, even improve, their market positions. In the non-profit sector of the industry, partnerships, mergers, and acquisitions have included arrangements whereby some corporate partners have interlocking directors. After review of the fiduciary duties of care and loyalty owed by corporate board members, and their application to traditional performance and conflict of interest situations, the authors address two scenarios raising interlocking director issues.

  16. Are religiously affiliated hospitals more than just nonprofits? A study on stereotypical patient perceptions and preferences.

    Science.gov (United States)

    Seemann, Ann-Kathrin; Drevs, Florian; Gebele, Christoph; Tscheulin, Dieter K

    2015-06-01

    Recent research on patients' perceptions of different hospitals predominantly concentrates on whether hospitals are nonprofit or for-profit. Nonprofit hospitals can be subdivided into hospitals that are affiliated with a religious denomination and those that are not. Referring to the stereotypic content model, this study analyzes patients' perceptions of religious hospitals based on the factors of warmth, competence, trustworthiness and Christianity. Using a survey of German citizens (N = 300) with a one-factorial between-subject design (for-profit vs. nonprofit vs. religious nonprofit), we found that religious affiliation increases the perceptions of hospitals' trustworthiness and attractiveness. The study indicated that patients' perceptions of nonprofit hospitals with a religious affiliation differ from patients' beliefs about nonprofit hospitals without a religious affiliation, implying that research into ownership-related differences must account for hospital subtypes. Furthermore, religious hospitals that communicate their ownership status may have competitive advantages over those with a different ownership status.

  17. Call for Papers – Special issue: Project Management in the Non-Profit Sector

    Directory of Open Access Journals (Sweden)

    Shankar Sankaran

    2015-04-01

    Full Text Available This journal special issue will explore diverse stakeholder perspectives and share examples of project management practices in the non-profit sector. Key objectives are to develop understandings of project management practice in the sector, to examine how cross-sectoral collaboration and learning can help non-profit organisations achieve their project and programme objectives, and to explore ways in which the wider project management community can learn from experiences in the non-profit sector.

  18. Applying the brand community concept in the nonprofit sector : the case of junior achievement Ireland

    OpenAIRE

    Thorsteinsson, Tomas Gunnar; Casalini, Giulia

    2015-01-01

    In this paper, we aim to investigate the benefits of the application of a brand community strategy into a nonprofit organization (NPO), as well as the strategies that the NPO could adopt in order to facilitate the creation of such a community. We review the challenges and opportunities of using marketing strategies in the nonprofit sector. With increased competition in the “third” sector, it has become ever more important for nonprofit organizations to engage in branding and ma...

  19. Human group formation in online guilds and offline gangs driven by a common team dynamic.

    Science.gov (United States)

    Johnson, Neil F; Xu, Chen; Zhao, Zhenyuan; Ducheneaut, Nicolas; Yee, Nicholas; Tita, George; Hui, Pak Ming

    2009-06-01

    Quantifying human group dynamics represents a unique challenge. Unlike animals and other biological systems, humans form groups in both real (offline) and virtual (online) spaces-from potentially dangerous street gangs populated mostly by disaffected male youths to the massive global guilds in online role-playing games for which membership currently exceeds tens of millions of people from all possible backgrounds, age groups, and genders. We have compiled and analyzed data for these two seemingly unrelated offline and online human activities and have uncovered an unexpected quantitative link between them. Although their overall dynamics differ visibly, we find that a common team-based model can accurately reproduce the quantitative features of each simply by adjusting the average tolerance level and attribute range for each population. By contrast, we find no evidence to support a version of the model based on like-seeking-like (i.e., kinship or "homophily").

  20. Human group formation in online guilds and offline gangs driven by a common team dynamic

    Science.gov (United States)

    Johnson, Neil F.; Xu, Chen; Zhao, Zhenyuan; Ducheneaut, Nicolas; Yee, Nicholas; Tita, George; Hui, Pak Ming

    2009-06-01

    Quantifying human group dynamics represents a unique challenge. Unlike animals and other biological systems, humans form groups in both real (offline) and virtual (online) spaces—from potentially dangerous street gangs populated mostly by disaffected male youths to the massive global guilds in online role-playing games for which membership currently exceeds tens of millions of people from all possible backgrounds, age groups, and genders. We have compiled and analyzed data for these two seemingly unrelated offline and online human activities and have uncovered an unexpected quantitative link between them. Although their overall dynamics differ visibly, we find that a common team-based model can accurately reproduce the quantitative features of each simply by adjusting the average tolerance level and attribute range for each population. By contrast, we find no evidence to support a version of the model based on like-seeking-like (i.e., kinship or “homophily”).

  1. Parasitised caterpillars suffer reduced predation: potential implications for intra-guild predation.

    Science.gov (United States)

    Chen, Wen-Bin; Vasseur, Liette; You, Min-Sheng; Li, Jian-Yu; Wang, Cheng-Xiang; Meng, Ruo-Xue; Gurr, Geoff M

    2017-02-23

    Intra-guild predation (IGP) is an important phenomenon structuring ecological communities and affects the success of biological control. Here we show that parasitism by the koinobiont wasp Cotesia vestalis is associated with behavioural changes in its larval host (diamondback moth, Plutella xylostella) that reduce risk of IGP. Compared with unparasitised caterpillars, parasitised P. xylostella moved less frequently to new feeding patches on plants and were less likely to fall from the plant. Wolf spiders killed significantly fewer parasitised larvae. Reflecting their reduced movement and capacity to select plant tissue of optimal quality, parasitised caterpillars fed at a lower rate and exhibited delayed development suggesting a trade-off between IGP avoidance and nutrient intake by the host. This change in behaviour to reduce risk may cascade to the first trophic level and help explain the stability of IGP systems.

  2. ‘Tell no one’: Cinema auditorium as game-space – Audience participation, performance and play

    Directory of Open Access Journals (Sweden)

    Helen Kennedy

    2015-09-01

    Full Text Available Taking Secret Cinema as its site for analysis, this article engages with the question what is ludic at the cinema. Secret Cinema delivers live, immersive, participatory cinema-going experiences and is a complex interaction between film, game, theatre and social media. Through the expansion and reimagining of a film’s milieu in both virtual and real spaces, Secret Cinema experiences encourage spectatorial performativity and ludic participation. Through the use of multiple methods, this article presents the formation of a dramatic and playful community in which the impact of game cultures and a ludic aesthetic upon cinematic audience spectatorship is illuminated. Cross-disciplinary in its approach, this article connects the registers of both game and film studies in order to account for this emerging playful engagement with cinematic texts. Through its use of empirical methods, we move towards a fuller understanding of audience experience and affective engagement.

  3. Stable Isotopes Reveal Trophic Partitioning and Trophic Plasticity of a Larval Amphibian Guild

    Science.gov (United States)

    Arribas, Rosa; Díaz-Paniagua, Carmen; Caut, Stephane; Gomez-Mestre, Ivan

    2015-01-01

    Temporary ponds are highly variable systems where resource availability and community structure change extensively over time, and consequently the food web is highly dynamic. Amphibians play a critical role both as consumers and prey in aquatic communities and yet there is still little information on the trophic status of most amphibians. More importantly, little is known about the extent to which they can alter their trophic ecology in response to changing conditions. We experimentally investigated the effects of increased amphibian density, presence of intraguild competitors, and presence of native and invasive predators (either free or caged) on the trophic status of a Mediterranean amphibian guild, using stable isotopes. We observed variations in δ13C and δ15N isotopic values among amphibian species and treatments and differences in their food sources. Macrophytes were the most important food resource for spadefoot toad tadpoles (Pelobates cultripes) and relatively important for all anurans within the guild. High density and presence of P. cultripes tadpoles markedly reduced macrophyte biomass, forcing tadpoles to increase their feeding on detritus, algae and zooplankton, resulting in lower δ13C values. Native dytiscid predators only changed the isotopic signature of newts whereas invasive red swamp crayfish had an enormous impact on environmental conditions and greatly affected the isotopic values of amphibians. Crayfish forced tadpoles to increase detritus ingestion or other resources depleted in δ13C. We found that the opportunistic amphibian feeding was greatly conditioned by intra- and interspecific competition whereas non-consumptive predator effects were negligible. Determining the trophic plasticity of amphibians can help us understand natural and anthropogenic changes in aquatic ecosystems and assess amphibians’ ability to adjust to different environmental conditions. PMID:26091281

  4. Contrasting responses of web-building spiders to deer browsing among habitats and feeding guilds.

    Science.gov (United States)

    Takada, Mayura; Baba, Yuki G; Yanagi, Yosuke; Terada, Saeko; Miyashita, Tadashi

    2008-08-01

    We examined web-building spider species richness and abundance in forests across a deer density gradient to determine the effects of sika deer browsing on spiders among habitats and feeding guilds. Deer decreased the abundance of web-building spiders in understory vegetation but increased their abundance in the litter layer. Deer seemed to affect web-building spiders in the understory vegetation by reducing the number of sites for webs because vegetation complexity was positively correlated with spider density and negatively correlated with deer density. In contrast, the presence of vegetation just above the litter layer decreased the spider density, and deer exerted a negative effect on this vegetation, possibly resulting in an indirect positive effect on spider density. The vegetation just above the litter layer may be unsuitable as a scaffold for building webs if it is too flexible to serve as a reliable web support, and may even hinder spiders from building webs on litter. Alternatively, the negative effect of this vegetation on spiders in the litter may be as a result of reduced local prey availability under the leaves because of the reduced accessibility of aerial insects. The response to deer browsing on web-building spiders that inhabit the understory vegetation varied with feeding guild. Deer tended to affect web-invading spiders, which inhabit the webs of other spiders and steal prey, more heavily than other web-building spiders, probably because of the accumulated effects of habitat fragmentation through the trophic levels. Thus, the treatment of a particular higher-order taxon as a homogeneous group could result in misleading conclusions about the effects of mammalian herbivores.

  5. Stable Isotopes Reveal Trophic Partitioning and Trophic Plasticity of a Larval Amphibian Guild.

    Directory of Open Access Journals (Sweden)

    Rosa Arribas

    Full Text Available Temporary ponds are highly variable systems where resource availability and community structure change extensively over time, and consequently the food web is highly dynamic. Amphibians play a critical role both as consumers and prey in aquatic communities and yet there is still little information on the trophic status of most amphibians. More importantly, little is known about the extent to which they can alter their trophic ecology in response to changing conditions. We experimentally investigated the effects of increased amphibian density, presence of intraguild competitors, and presence of native and invasive predators (either free or caged on the trophic status of a Mediterranean amphibian guild, using stable isotopes. We observed variations in δ13C and δ15N isotopic values among amphibian species and treatments and differences in their food sources. Macrophytes were the most important food resource for spadefoot toad tadpoles (Pelobates cultripes and relatively important for all anurans within the guild. High density and presence of P. cultripes tadpoles markedly reduced macrophyte biomass, forcing tadpoles to increase their feeding on detritus, algae and zooplankton, resulting in lower δ13C values. Native dytiscid predators only changed the isotopic signature of newts whereas invasive red swamp crayfish had an enormous impact on environmental conditions and greatly affected the isotopic values of amphibians. Crayfish forced tadpoles to increase detritus ingestion or other resources depleted in δ13C. We found that the opportunistic amphibian feeding was greatly conditioned by intra- and interspecific competition whereas non-consumptive predator effects were negligible. Determining the trophic plasticity of amphibians can help us understand natural and anthropogenic changes in aquatic ecosystems and assess amphibians' ability to adjust to different environmental conditions.

  6. Panmictic and Clonal Evolution on a Single Patchy Resource Produces Polymorphic Foraging Guilds

    Science.gov (United States)

    Getz, Wayne M.; Salter, Richard; Lyons, Andrew J.; Sippl-Swezey, Nicolas

    2015-01-01

    We develop a stochastic, agent-based model to study how genetic traits and experiential changes in the state of agents and available resources influence individuals’ foraging and movement behaviors. These behaviors are manifest as decisions on when to stay and exploit a current resource patch or move to a particular neighboring patch, based on information of the resource qualities of the patches and the anticipated level of intraspecific competition within patches. We use a genetic algorithm approach and an individual’s biomass as a fitness surrogate to explore the foraging strategy diversity of evolving guilds under clonal versus hermaphroditic sexual reproduction. We first present the resource exploitation processes, movement on cellular arrays, and genetic algorithm components of the model. We then discuss their implementation on the Nova software platform. This platform seamlessly combines the dynamical systems modeling of consumer-resource interactions with agent-based modeling of individuals moving over a landscapes, using an architecture that lays transparent the following four hierarchical simulation levels: 1.) within-patch consumer-resource dynamics, 2.) within-generation movement and competition mitigation processes, 3.) across-generation evolutionary processes, and 4.) multiple runs to generate the statistics needed for comparative analyses. The focus of our analysis is on the question of how the biomass production efficiency and the diversity of guilds of foraging strategy types, exploiting resources over a patchy landscape, evolve under clonal versus random hermaphroditic sexual reproduction. Our results indicate greater biomass production efficiency under clonal reproduction only at higher population densities, and demonstrate that polymorphisms evolve and are maintained under random mating systems. The latter result questions the notion that some type of associative mating structure is needed to maintain genetic polymorphisms among individuals

  7. Panmictic and Clonal Evolution on a Single Patchy Resource Produces Polymorphic Foraging Guilds.

    Directory of Open Access Journals (Sweden)

    Wayne M Getz

    Full Text Available We develop a stochastic, agent-based model to study how genetic traits and experiential changes in the state of agents and available resources influence individuals' foraging and movement behaviors. These behaviors are manifest as decisions on when to stay and exploit a current resource patch or move to a particular neighboring patch, based on information of the resource qualities of the patches and the anticipated level of intraspecific competition within patches. We use a genetic algorithm approach and an individual's biomass as a fitness surrogate to explore the foraging strategy diversity of evolving guilds under clonal versus hermaphroditic sexual reproduction. We first present the resource exploitation processes, movement on cellular arrays, and genetic algorithm components of the model. We then discuss their implementation on the Nova software platform. This platform seamlessly combines the dynamical systems modeling of consumer-resource interactions with agent-based modeling of individuals moving over a landscapes, using an architecture that lays transparent the following four hierarchical simulation levels: 1. within-patch consumer-resource dynamics, 2. within-generation movement and competition mitigation processes, 3. across-generation evolutionary processes, and 4. multiple runs to generate the statistics needed for comparative analyses. The focus of our analysis is on the question of how the biomass production efficiency and the diversity of guilds of foraging strategy types, exploiting resources over a patchy landscape, evolve under clonal versus random hermaphroditic sexual reproduction. Our results indicate greater biomass production efficiency under clonal reproduction only at higher population densities, and demonstrate that polymorphisms evolve and are maintained under random mating systems. The latter result questions the notion that some type of associative mating structure is needed to maintain genetic polymorphisms among

  8. Strategies and techniques of communication and public relations applied to non-profit sector

    Directory of Open Access Journals (Sweden)

    Ioana – Julieta Josan

    2010-05-01

    Full Text Available The aim of this paper is to summarize the strategies and techniques of communication and public relations applied to non-profit sector.The approach of the paper is to identify the most appropriate strategies and techniques that non-profit sector can use to accomplish its objectives, to highlight specific differences between the strategies and techniques of the profit and non-profit sectors and to identify potential communication and public relations actions in order to increase visibility among target audience, create brand awareness and to change into positive brand sentiment the target perception about the non-profit sector.

  9. Performance of non-profit organizations: Empirical contrasts between privately and publicly funded Croatian humanitarian organizations

    Directory of Open Access Journals (Sweden)

    Alfirević Nikša

    2014-01-01

    Full Text Available In this paper we contrast different aspects of non-profit organizations’ performance from the perspective of their funding sources. Based on previous empirical results indicating that sources of funding influence fundraising performance, we extend the existing research to the analysis of overall non-profit organizational performance. We use the social constructivist approach to non-profit performance to discuss contrasts between privately and publicly funded humanitarian organizations in Croatia. Some differences in growth- and development-oriented measures of nonprofit performance for these groups are identified and discussed in the context of future regional research.

  10. Film lessons: early cinema for historians of science.

    Science.gov (United States)

    Olszynko-Gryn, Jesse

    2016-06-01

    Despite much excellent work over the years, the vast history of scientific filmmaking is still largely unknown. Historians of science have long been concerned with visual culture, communication and the public sphere on the one hand, and with expertise, knowledge production and experimental practice on the other. Scientists, we know, drew pictures, took photographs and made three-dimensional models. Rather like models, films could not be printed in journals until the digital era, and this limited their usefulness as evidence. But that did not stop researchers from making movies for projection at conferences as well as in lecture halls, museums and other public venues, not to mention for breaking down into individual frames for analysis. Historians of science are more likely to be found in the library, archive or museum than the darkened screening room, and much work is still needed to demonstrate the major effects of cinema on scientific knowledge. Film may have taken as long to change science as other areas of social life, but one can begin to glimpse important ways in which 'image machines' (cameras, projectors and the like) were beginning to mediate between backstage experimental work and more public demonstration even around 1900.

  11. Impossible cartographies: approaching Raúl Ruiz’s cinema

    Directory of Open Access Journals (Sweden)

    Michael Goddard

    2013-06-01

    Full Text Available Raúl Ruiz (1931-2011, while considered one of the world’s most significant filmmakers by several film critics, is yet to be the subject of any thorough academic engagement with his work in English. My book Impossible Cartographies sets out on this task by mapping, as fully as possible, Ruiz’s cinematic trajectory across more than five decades of prolific work ranging from his earliest work in Chile to high budget ‘European’ costume dramas culminating in the recent Mysteries of Lisbon (2010. It does this by treating Ruiz’s work, with its surrealist, magic realist, popular cultural and neo-Baroque sources, as a type of ‘impossible’ cinematic cartography, mapping real, imaginary and virtual spaces, and crossing between different cultural contexts, aesthetic strategies, and technical media. In argues that across the different phases of Ruiz’s work identified, there are key continuities such as the invention of singular cinematic images and the interrogation of their possible and impossible combinations. This article will present some of the key themes of Ruiz’s cinema and use ideas of virtual cartography, tableaux vivants and the neo-baroque to illuminate a range of Ruiz’s films from the Hypothesis of the Stolen Painting (1978 to Mysteries of Lisbon, his last major project.

  12. Measurements of turbulent premixed flame dynamics using cinema stereoscopic PIV

    Energy Technology Data Exchange (ETDEWEB)

    Steinberg, Adam M.; Driscoll, James F. [University of Michigan, Department of Aerospace Engineering, Ann Arbor, MI (United States); Ceccio, Steven L. [University of Michigan, Department of Mechanical Engineering, Ann Arbor, MI (United States)

    2008-06-15

    A new experimental method is described that provides high-speed movies of turbulent premixed flame wrinkling dynamics and the associated vorticity fields. This method employs cinema stereoscopic particle image velocimetry and has been applied to a turbulent slot Bunsen flame. Three-component velocity fields were measured with high temporal and spatial resolutions of 0.9 ms and 140{mu}m, respectively. The flame-front location was determined using a new multi-step method based on particle image gradients, which is described. Comparisons are made between flame fronts found with this method and simultaneous CH-PLIF images. These show that the flame contour determined corresponds well to the true location of maximum gas density gradient. Time histories of typical eddy-flame interactions are reported and several important phenomena identified. Outwardly rotating eddy pairs wrinkle the flame and are attenuated at they pass through the flamelet. Significant flame-generated vorticity is produced downstream of the wrinkled tip. Similar wrinkles are caused by larger groups of outwardly rotating eddies. Inwardly rotating pairs cause significant convex wrinkles that grow as the flame propagates. These wrinkles encounter other eddies that alter their behavior. The effects of the hydrodynamic and diffusive instabilities are observed and found to be significant contributors to the formation and propagation of wrinkles. (orig.)

  13. Quantitative and qualitative problems of short film production in cinema education in Turkey

    Directory of Open Access Journals (Sweden)

    Erkanı Mehmet Emrah

    2016-01-01

    Full Text Available Although Turkish cinema has completed its 100 years, short film could not find the place it deserves in the institutions and in the sector. There are problems in terms of the narrative and technical characteristics of short films beside presentation, marketing and international festival attendance issues. Low budgets, course schedules and structures of the cinema departments and short films and the sector’s ignorance of the importance of short film are the obstacles to the development of short films in Turkey. Increasing the government support, strengthening the cooperation between the sector and the university, improving the festivals’ screening conditions, reforming the arrangements to increase the sponsorship incentives, solving the equipment problems of the institutions will positively affect the productivity of Turkish cinema.

  14. Alur Kerja Tahap Produksi Karakter Animasi Serial 3D Menggunakan Perangkat Lunak Maxon Cinema 4D

    Directory of Open Access Journals (Sweden)

    Ardiyan Ardiyan

    2011-04-01

    Full Text Available 3D Animation serial for television needs have been showed in the national television program, especially fantasy theme and educational program for children. There are so many and sequential needs which tricked by instant and high quality production so the work flow in creating 3D animation serial are facilitating the producers. The article will explain specifically how the software of Maxon Cinema 4D in process production in 3D animation serial. The article will also clarify and focus on how the work flow of Maxon Cinema 4D software in processing production and post-production stages. The writer does research including audio visual tutorial, end-result comparison and rendering time between some software, self-observation of work flow in creating 3D animation serial using Maxon Cinema 4D software and digital literature study (e-book.  

  15. Alur Kerja Tahap Produksi Karakter Animasi Serial 3D Menggunakan Perangkat Lunak Maxon Cinema 4D

    Directory of Open Access Journals (Sweden)

    Ardiyan

    2011-03-01

    Full Text Available 3D Animation serial for television needs have been showed in the national television program, especially fantasy theme and educational program for children. There are so many and sequential needs which tricked by instant and high-quality production so the work flow in creating 3D animation serial are facilitating the producers. The article will explain specifically how the software of Maxon Cinema 4D in process production in 3D animation serial. The article will also clarify and focus on how the work flow of Maxon Cinema 4D software in processing production and post-production stages. The writer does research including audio visual tutorial, end-result comparison and rendering time between some software, self-observation of work flow in creating 3D animation serial using Maxon Cinema 4D software and digital literature study (e-book.

  16. Sonho e cura : a narrativa como patologia no cinema terapêutico de Jodorowsky

    OpenAIRE

    Ana Carolina Ribeiro

    2016-01-01

    No filme A dança da realidade, o cineasta chileno Alejandro Jodorowsky revisita a infância e por meio de uma atmosfera onírica reconstrói sua história sob a perspectiva de idealização de um cinema terapêutico. Considerando as semelhanças estruturais entre o cinema e o sonho, condição observada por diversos teóricos, pretende-se constituir uma análise fílmica para investigar a forma como onírico é explorado na filmografia do cineasta. A produção teórica de Gilles Deleuze sobre o cinema clás...

  17. History and anxieties of African Cinema criticism through the life and work of Med Hondo

    Directory of Open Access Journals (Sweden)

    Beatriz Leal Riesco

    2014-10-01

    Full Text Available With the distance permitted by the passage of years and the perspectives opened up by the contemporary transformation of critical-theoretical paradigms in African cinema studies, we have arrived at an ideal moment for approaching the discourses that have arisen around the Mauritanian director Med Hondo. The history of criticism, theory, and the actual history of African cinemas are interwoven in the image/stigma of the rebellious and radical Marxist director, which has accompanied Hondo since his successful first film Soleil Ô (1969 and has clung to him up to the present day. An examination of the positions taken with respect to this director in academic publications relating to African cinemas reveals the anxieties and materialist provenance of specialized critics and theorists, and leads one to a recognition of the decisive effect that academic discourse has exercised on the diffusion, understanding, and reception of his work.

  18. Chatter, reverberation, and the static in the system: Noise in American cinema culture

    Science.gov (United States)

    Ward, Meredith C.

    Noise is unwelcome in film culture; it has long been associated with disruption, counter-productivity, and discord. Yet taking a historical approach to noise and connecting its various manifestations to American auditory culture at large reveals noise to be a historiographically productive category for study. Approaching noise through its effects on four areas of American cinema culture---the social, technological, acoustical, and aesthetic---in four key historical moments, this dissertation demonstrates that listening to noise can explain conflicts in the history of film sound and audiences. Examples include silencing the social noise of rowdy spectators during the nickelodeon period; the Academy of Motion Picture Arts and Science's attempt to compete with Bell Laboratories with technological, noise-based research during film's transition to sound; the rise of acoustical design in film theaters to quash noise and produce contemplative listening in film spectators; and the user's current navigation of her attention between the sounds of media and urban life while viewing films on smartphones. In each case, the presence of noise has produced tensions that reveal the power structure of film culture. Terming sound "noise" is an act of judgment that has social ramifications, and the struggle against noise is also a struggle between groups vying for power within cinema culture: conflict over who may determine whose sound is "noise"; competition between industries regarding who owns sound knowledge; debates about which sounds are "noise" and which are legitimate components of the cinema experience; and tensions between our established expectations of noisy public space and the ways in which we create quiet spheres via mobile listening. Looking to the aural historical dialogues in which cinema culture partook, this project outlines the conditions of possibility within which listening to the cinema emerged in these periods. Understanding these historical contexts, we can

  19. A Terra em Transe: o cosmopolitismo às avessas do cinema novo

    Directory of Open Access Journals (Sweden)

    Angela Prysthon

    2008-11-01

    Full Text Available Usando como referencial teórico os estudos culturais, este artigo analisa o cinema novo brasileiro como parte de uma estratégia terceiro mundista de conceber a cultura. A partir da emergência do conceito de terceiro mundo e das lutas de descolonização nos anos 1950 e 1960, a ideologia cosmopolita foi sendo vista pelos intelectuais de esquerda como a versão cultural da aliança com as forças hegemônicas da Europa e dos Estados Unidos. O projeto do cinema novo chama a atenção por suas afinidades ideológicas com o terceiro mundismo, mas, paradoxalmente, trazendo à tona uma polí­tica cosmopolita da periferia. Palavras-chave cinema novo, identidade, cultura brasileira, terceiro mundismo, estudos culturais. Abstract Using the cultural studies theoretical framework, this paper analyzes the cinema novo movement in Brazil as a part of the Third World conception of culture. Following the creation of the term "Third World" and the international politics of colonial independence of the 1950s and 1960s, a cosmopolitan attitude was seen by the intellectuals of the left as a cultural version of the alliance with the hegemonic forces of Europe and North America. Even though the cinema novo project can be associated with the ideology of an united Third World ,it brings about, paradoxically, a very cosmopolitan politics of the periphery. Key words cinema novo, identity, Brazilian culture, third world, cultural studies.

  20. Tolerancia y cine: el cine venezolano como texto de cultura Tolerance and Cinema: Venezuelan Cinema as Cultural Text

    Directory of Open Access Journals (Sweden)

    Carmen Ruiz

    2009-03-01

    Full Text Available En este artículo, la tolerancia es entendida como apertura ante individuos o grupos con características diferentes a las propias. La tolerancia, como variable capaz de afectar la dinámica de las relaciones sociales, ha cobrado fuerza discursiva ante fenómenos como el multiculturalismo y la globalización. Sobre la base de la semiótica de la cultura -Lotman y la Escuela de Tartú- la investigación propone un instrumento metodológico para operacionalizar la tolerancia como objeto sociológico. Entendida como contenido presente en los signos de producción artístico-culturales como el cine, la tolerancia permite delinear algunos aspectos de la identidad cultural venezolana.This article understands tolerance as openness to individuals or groups with different characteristics from one's own. Tolerance, as a variable capable of affecting the dynamics of social relations, has gained discursive force in relation to phenomena such as multiculturalism and globalization. On the basis of the semiotics of culture -Lotman and the Tartu School- this research proposes a methodological instrument for operationalizing tolerance as a sociological object. Understood as a content present in the signs of artistic and cultural production such as the cinema, tolerance enables to outline aspects of Venezuelan cultural identity.

  1. A fotografia no cinema noir: uma relação entre-imagens

    OpenAIRE

    Marcia Ortegosa

    2000-01-01

    This article is an attempt of discussing some aesthetic elements of the relationship between the photograph and the cinema noir, in three films of the gender: The lady from Shangai (1948, Orson Welles), Blade runner (1982, Ridley Scott) and The public eye (1992, Howard Franklin). Este artigo é uma tentativa de discutir alguns elementos estéticos da relação entre a fotografia e o cinema noir, em três filmes do gênero: A dama de Shangai (1948, Orson Welles), Blade Runner, o caçador de androi...

  2. Ir ao cinema em São Paulo nos anos 20

    Directory of Open Access Journals (Sweden)

    Sheila Schvarzman

    2005-01-01

    Full Text Available As críticas cinematográficas de Octávio Gabus Mendes publicadas na década de 1920 em Cinearte, revista carioca dedicada ao cinema, permitem conhecer o panorama do que era exibido em São Paulo, mas também as aspirações cinematográficas do crítico e os projetos para o cinema brasileiro.Mostram a relação entre as possibilidades de desenvolvimento do cinema brasileiro e as imagens que deveria mostrar do Brasil, e o papel central que as salas de cinema tinham na constituição da atividade cinematográfica no país. Pleiteando a constituição de salas ricas em bairros de freqüência burguesa, o cinema, nas aspirações do crítico, torna-se espaço de diferenciação social, e não de inclusão.Mostram já nos anos 20 a dicotomia entre as possibilidades de constituição do cinema popular, e as aspirações elitistas que deveriam norteá-lo tanto na constituição das imagens que deveria veicular, como na sua freqüentação e distribuição espacial na cidade.In the 20's, Octavio Gabus Mendes published film critics in Cinearte, a magazine on movies. His texts present an extensive coverage of the movie scene in São Paulo, as well as of his film-making ideas and his projects for Brazilian cinema. They show the relationship between the development of the Brazilian movie industry and the images they might construct about the country, and also the central role of movie theaters in the constitution of cinematographic activity in Brazil. As they look for rich theaters in rich places, movies might represent social exclusion rather than inclusion. In this process,we can see even in the 20's a dicothomy between the constitution of cinema as a popular activity and its elitist aspirations as shown by images, spaces and frequency.

  3. D.A. Pennebaker and the politics and aesthetics of mature-period direct cinema

    OpenAIRE

    Verano, Frank

    2016-01-01

    In this thesis, I offer a reappraisal of direct cinema through a study of documentarian\\ud D.A. Pennebaker’s mature-period direct cinema. This is an unexamined period in\\ud Pennebaker’s career that offers new perspectives on an often-maligned form of\\ud documentary. The period under study ranges from 1968 to 1970 and encompasses a\\ud range of films, commercials, abandoned projects and personal works. I focus on three\\ud films: Eat the Document, Sweet Toronto and One P.M. By shifting the criti...

  4. Use of Linear and Circular Polarization: The Secret LCD Screen and 3D Cinema

    Science.gov (United States)

    Richtberg, Stefan; Girwidz, Raimund

    2017-10-01

    References to everyday life are important for teaching physics. Discussing polarization phenomena, liquid crystal displays (LCDs) and 3D cinemas provide such references. In this paper we describe experiments to support students' understanding of linearly polarized light as well as the phenomenon of inverted colors using a secret LCD screen. Moreover we explain how 3D glasses work (when using polarizers) and introduce some experiments to point out why 3D cinemas use circularly polarized light instead of linearly polarized light. When using linearly polarized light, viewers must keep their head level all the time. Using circularly polarized light, this is not necessary.

  5. Borders, batons locos and barrios: Space as Signifier in Chicano Cinema.

    OpenAIRE

    2004-01-01

    Chicano cinema emerged as a tool for social and cultural change at a pivotal moment in both North American and Latin American history. The first Chicano films were screened as the Chicano Movement gained impetus, following the foundation of the Farm Worker Press under the guidance of Cesar Chavez and the establishment of the first Chicano Theatre, El Teatro Campesino, by Luis Valdez in the mid-1960s. In his 1975 essay on the early years of Chicano cinema, Francisco X. Camplis sugggests that a...

  6. Criticism and authorism - an Analysis of Making Cinema in Glauber and Godard

    OpenAIRE

    Malinowskimailto, Gabriel; Oliveira Filho, Wilson

    2010-01-01

    The present essay verifies the contexts and the bases that made possible the appearance of a new kind of cinema, namely the French Nouvelle Vague and the Cinema Novo in Brazil. As a means for transformation the issue of film criticism appears as a fundamental piece, be it for the critical debate it generated, be it for its own critical nature. Thus, around the late 1950s new cinematographic conceptions are presented, due to a cultural effervescence, both in Brazil and in France. Such a period...

  7. Santiago Ramón y Cajal and three-dimensional cinema.

    Science.gov (United States)

    Santarén, Juan Fernández

    2015-01-01

    In this article, I present and comment on two unpublished letters written by the Spanish engineer Carlos Mendizábal Brunet to Santiago Ramón y Cajal informing him of the development of a new device for three-dimensional cinema and asking for his approval. Fortunately, the answers given by Cajal to these two letters have also been preserved, and they reveal his interest in three-dimensional cinema; in the letters, he reported that he himself had designed a prototype capable of creating on a screen a feeling of 3-D relief, a subject about which he was always passionate.

  8. Sobre o som no cinema de horror: padrões recorrentes de estilo

    Directory of Open Access Journals (Sweden)

    Rodrigo Carreiro

    2011-07-01

    Full Text Available

    Este artigo procura listar alguns recursos estilísticos recorrentes no som do cinema de horror, examinando e discutindo algumas razões pelas quais essas ferramentas narrativas se tornaram populares entre cineastas, compositores e sound designers. Assim, partimos de uma definição estável do horror como gênero e analisamos a recorrência de certas técnicas narrativas em cada componente do som no cinema – voz, música e efeitos sonoros – em filmes que encaixam nessa definição.

  9. Are We There Yet? Travelling Toward the Self in Contemporary Japanese Cinema

    Directory of Open Access Journals (Sweden)

    ILES, Timothy

    2007-07-01

    Full Text Available This paper presents the relationship between travel and self-discovery in contemporary Japanese cinema, and suggests that this relationship grows from an existing tradition of literary and poetic travel writing in pre-modern Japan. However, while the pre-modern tradition focussed on travel away from the urban, daily world of the travelling poet, contemporary cinema presents the urban world as the location for travel and its attendant recuperative functions. Urban travel becomes a process by which an alienated individual may overcome his or her social, cultural, and personal alienation.

  10. Tela e tinta no cinema de Jean-Pierre Jeunet

    Directory of Open Access Journals (Sweden)

    Diener, Patrick

    2012-01-01

    Full Text Available O cineasta francês Jean-Pierre Jeunet, diretor de filmes como O Fabuloso Destino de Amélie Poulain (Le fabuleux destin d’Amélie Poulain e Eterno Amor (Un long dimanche de fiançailles admitiu em entrevistas ter sido influenciado pela estética do pintor catarinense, radicado em Paris, Juarez Machado. Entretanto o cineasta não aponta quais elementos visuais foram utilizados como inspiração para suas cenas. Esta dissertação tem como objetivo geral analisar quadros de Juarez Machado e filmes de Jean-Pierre Jeunet para apontar as características determinantes desta mencionada influência estética. Como objetivo específico o trabalho se propõe a exemplificar suas correlações e levantar características de movimentos artísticos que podem caber à ambas artes, cinema e pintura. O problema está em identificar as similaridades entre as obras. Em que pontos estas duas formas distintas de arte podem apresentar semelhanças e sob quais perspectivas ou nuances da direção de arte os filmes interagem com as telas de Machado ou as tem como referência? Para levantar tais dados e traçar os correlatos entre telas e filmes a dissertação utilizará pesquisa teórica bibliográfica entre telas do pintor e objeto. Como corpus de estudo serão utilizadas telas de Juarez Machado e o filme de 2001, O Fabuloso Destino de Amélie Poulain (Le fabuleux destin d’Amélie Poulain. Este trabalho discorre sobre análise da imagem, intertextualidade e mídias, com aporte teórico em Gérard Genette e Gilles Deleuze

  11. 32 CFR 37.620 - What financial management standards do I include for nonprofit participants?

    Science.gov (United States)

    2010-07-01

    ... 32 National Defense 1 2010-07-01 2010-07-01 false What financial management standards do I include... financial management standards do I include for nonprofit participants? So as not to force system changes..., your expenditure-based TIA's requirements for the financial management system of any nonprofit...

  12. Boards of directors under fire: an examination of nonprofit board duties in the health care environment.

    Science.gov (United States)

    Ono, N

    1998-01-01

    Attorney Ono presents a detailed discussion of fiduciary duty principles as applied to the directors of nonprofit health care corporations in the current health care environment. The article reviews general corporate responsibilities, the implication of the taxpayer's Bill of Rights 2, the care of In re Caremark International Inc. Derivative Litigation and particular issues faced by boards in nonprofit conversions.

  13. 10 CFR 603.705 - Standards for purchasing systems of nonprofit organizations.

    Science.gov (United States)

    2010-01-01

    ... Purchasing § 603.705 Standards for purchasing systems of nonprofit organizations. So as not to force system... governmental organization. (b) 10 CFR 600.140 through 10 CFR 600.149, if the participant is a nonprofit... 10 Energy 4 2010-01-01 2010-01-01 false Standards for purchasing systems of...

  14. Impact of Sarbanes-Oxley and IRS Form 990 on Nonprofit Organizations in Pennsylvania

    Science.gov (United States)

    Kisow, Matthew R.

    2011-01-01

    The Sarbanes-Oxley Act, an attempt to reform publicly traded companies that suffered from a series of scandalous failures in the late 1990's, did not apply to nonprofit organizations. Several high-profile scandals which occurred in the nonprofit sector between 1996 and 2002 led lawmakers to make several unsuccessful attempts at mandating that the…

  15. Nonprofit Organizations and Outcome Measurement: From Tracking Program Activities to Focusing on Frontline Work

    Science.gov (United States)

    Benjamin, Lehn M.

    2012-01-01

    Why do we continue to see evidence that nonprofit staff feel like outcome measurement is missing important aspects of their work? Based on an analysis of over 1,000 pages of material in 10 outcome measurement guides and a focused literature review of frontline work in three types of nonprofit organizations, this article shows that existing outcome…

  16. 34 CFR 361.31 - Cooperative agreements with private nonprofit organizations.

    Science.gov (United States)

    2010-07-01

    ... Administration § 361.31 Cooperative agreements with private nonprofit organizations. The State plan must describe... 34 Education 2 2010-07-01 2010-07-01 false Cooperative agreements with private nonprofit organizations. 361.31 Section 361.31 Education Regulations of the Offices of the Department of...

  17. 48 CFR 942.705-5 - Nonprofit organizations other than educational and state and local governments.

    Science.gov (United States)

    2010-10-01

    ... 48 Federal Acquisition Regulations System 5 2010-10-01 2010-10-01 false Nonprofit organizations... Indirect Cost Rates 942.705-5 Nonprofit organizations other than educational and state and local... procurement organization, distributes to each CDO the rates established by the cognizant agency....

  18. 48 CFR 42.705-5 - Nonprofit organizations other than educational and state and local governments.

    Science.gov (United States)

    2010-10-01

    ... 48 Federal Acquisition Regulations System 1 2010-10-01 2010-10-01 false Nonprofit organizations other than educational and state and local governments. 42.705-5 Section 42.705-5 Federal Acquisition... SERVICES Indirect Cost Rates 42.705-5 Nonprofit organizations other than educational and state and...

  19. Toward a Collaborative, Transformative Model of Non-Profit Leadership: Some Conceptual Building Blocks

    Directory of Open Access Journals (Sweden)

    Bramwell Osula

    2014-04-01

    Full Text Available In this paper, the authors propose extending the construct of non-profit leadership to accommodate collaborative and transformational themes. The suggestion is that the resultant broader definition accords with the modern context within which non-profits now operate and feeds into a more resilient model of non-profit leadership. The paper begins with a review of emergent trends in leadership theory and the changing context of the non-profit sector. The argument is made that the extraordinary challenges facing the sector signal the need for fresh new perspectives in leadership. The authors then proceed to examine the significance of a nascent non-profit culture point to a re-alignment of the sector that is informed by transformational principles and a values-orientation. The result is said to be a new model of non-profit and public sector leadership that raises important methodological questions which the authors maintain can inform future analyses of the structure, role, and responsibilities of non-profit leadership. Finally, a world of new possibilities is envisioned, one in which non-profit organizations are strategically repositioned to take advantage of a new values-based ethic that is rooted in principles of integrity, increased self-awareness, a collaborative agenda, intentionality, emphasis of followership, cultural competence, and orientation toward the future.

  20. 22 CFR 228.53 - Suppliers of services-privately owned commercial suppliers and nonprofit organizations.

    Science.gov (United States)

    2010-04-01

    ... 22 Foreign Relations 1 2010-04-01 2010-04-01 false Suppliers of services-privately owned commercial suppliers and nonprofit organizations. 228.53 Section 228.53 Foreign Relations AGENCY FOR... Waivers § 228.53 Suppliers of services—privately owned commercial suppliers and nonprofit...

  1. 37 CFR 201.24 - Warning of copyright for software lending by nonprofit libraries.

    Science.gov (United States)

    2010-07-01

    ... software lending by nonprofit libraries. 201.24 Section 201.24 Patents, Trademarks, and Copyrights COPYRIGHT OFFICE, LIBRARY OF CONGRESS COPYRIGHT OFFICE AND PROCEDURES GENERAL PROVISIONS § 201.24 Warning of copyright for software lending by nonprofit libraries. (a) Definition. A Warning of Copyright for...

  2. Training in Portuguese Non-Profit Organizations: The Quest towards Professionalization

    Science.gov (United States)

    Carvalho, Ana; Melo, Solange; Ferreira, Ana Paula

    2016-01-01

    The non-profit sector is increasingly important, both in terms of the services rendered to society and level of employment provided. As part of a move towards the professionalization of the sector, training is seen as a vital tool for capacity building. Although the training practices of non-profits are fairly well documented in countries like…

  3. Between state and market: Non-profit housing organisations in three national contexts

    NARCIS (Netherlands)

    Mullins, D.W.; Milligan, V.; Nieboer, N.E.T.

    2014-01-01

    This paper presents the results of an international collaborative study5 of non-profit housing involving researchers6 in three countries using a common methodology to engage the leaders of non-profit organisations themselves in the research process. The paper draws on earlier work on the

  4. 2 CFR Appendix C to Part 230 - Non-Profit Organizations Not Subject to This Part

    Science.gov (United States)

    2010-01-01

    ... 2 Grants and Agreements 1 2010-01-01 2010-01-01 false Non-Profit Organizations Not Subject to This... GUIDANCE Reserved COST PRINCIPLES FOR NON-PROFIT ORGANIZATIONS (OMB CIRCULAR A-122) Pt. 230, App. C Appendix C to Part 230—Non-Profit Organizations Not Subject to This Part 1. Advance Technology...

  5. 48 CFR 408.714 - Communications with the central nonprofit agencies and the Committee.

    Science.gov (United States)

    2010-10-01

    ... Communications with the central nonprofit agencies and the Committee. Any matter requiring referral to the... 48 Federal Acquisition Regulations System 4 2010-10-01 2010-10-01 false Communications with the central nonprofit agencies and the Committee. 408.714 Section 408.714 Federal Acquisition Regulations...

  6. 48 CFR 8.714 - Communications with the central nonprofit agencies and the Committee.

    Science.gov (United States)

    2010-10-01

    ... From Nonprofit Agencies Employing People Who Are Blind or Severely Disabled 8.714 Communications with... 48 Federal Acquisition Regulations System 1 2010-10-01 2010-10-01 false Communications with the central nonprofit agencies and the Committee. 8.714 Section 8.714 Federal Acquisition Regulations System...

  7. Museums and Other Nonprofits in the Current Recession: A Story of Resilience, Innovation, and Survival

    Science.gov (United States)

    Geller, Stephanie Lessans; Salamon, Lester M.

    2010-01-01

    This article presents the results of a nationwide survey conducted in the spring of 2009 that examined the impacts of the current recession on nonprofit organizations, including museums. The survey identified a host of negative effects that nonprofits have been experiencing as a result of the recession, including reduced organizational revenues,…

  8. Cooperation between Non-Profit Fee-Based Information Services and For-Profit Brokers.

    Science.gov (United States)

    Ward, Suzanne M.

    1995-01-01

    Provides an overview of U.S. nonprofit fee-based information services with emphasis on Purdue University's Technical Information Service. Discusses how these services can benefit profit-making brokers by supplying them documents on a nonprofit basis and by referring clients to brokers for specialized information projects. (Author/AEF)

  9. Museums and Other Nonprofits in the Current Recession: A Story of Resilience, Innovation, and Survival

    Science.gov (United States)

    Geller, Stephanie Lessans; Salamon, Lester M.

    2010-01-01

    This article presents the results of a nationwide survey conducted in the spring of 2009 that examined the impacts of the current recession on nonprofit organizations, including museums. The survey identified a host of negative effects that nonprofits have been experiencing as a result of the recession, including reduced organizational revenues,…

  10. 10 CFR 603.620 - Financial management standards for nonprofit participants.

    Science.gov (United States)

    2010-01-01

    ... INVESTMENT AGREEMENTS Award Terms Affecting Participants' Financial, Property, and Purchasing Systems Financial Matters § 603.620 Financial management standards for nonprofit participants. So as not to force... 10 Energy 4 2010-01-01 2010-01-01 false Financial management standards for nonprofit participants...

  11. Cinema e Política: a representação do jornalismo e do marketing político no cinema brasileiro

    Directory of Open Access Journals (Sweden)

    Lisandro Nogueira

    2007-06-01

    Full Text Available O cinema brasileiro dos anos noventa busca diagnosticar as rápidas mudanças ocorridas no campo da comunicação nesse período. O filme Doces Poderes, de Lúcia Murat, mostra como o jornalismo brasileiro, quando submetido ao marketing político e à publicidade, perde seu papel de fonte primária de informação e abre espaço para a "notícia enquanto produto". Ainda que o filme aparentemente vise lançar um olhar crítico sobre a situação do jornalismo dos anos noventa, a linguagem cinemática e a estrutura narrativa nele usadas solapam seu intento, revelando assim as fragilidades e limitações do cinema brasileiro de viés político.

  12. Factors associated with financial distress of nonprofit hospitals.

    Science.gov (United States)

    Kim, Tae Hyun

    2010-01-01

    Financial distress can have a detrimental influence on the performance of hospitals. Hospital management needs to monitor potential financial distress effectively and know how it will respond depending on the severity of the circumstances. This study examined the multiple factors that may explain the financial distress of nonprofit hospitals during 1998 to 2001 and discussed their importance. To obtain more robust results, financial distress was assessed in 2 ways: first, financial strength index was used to incorporate 4 financial dimensions including profitability, liquidity, leverage, and physical facilities; second, cash flow (CF) was used to address the issues of accrual-based accounting in hospitals. This study finds that decrease in occupancy rate and increase in Medicaid payer mix, health maintenance organization penetration, market competition, physician supply, and percentage of the elderly are associated with increased likelihood of financial distress of urban hospitals. Increases in both Medicare and Medicaid payer mix, however, are related to higher likelihood of financial distress of rural hospitals.

  13. A Hybrid Program Projects Selection Model for Nonprofit TV Stations

    Directory of Open Access Journals (Sweden)

    Kuei-Lun Chang

    2015-01-01

    Full Text Available This study develops a hybrid multiple criteria decision making (MCDM model to select program projects for nonprofit TV stations on the basis of managers’ perceptions. By the concept of balanced scorecard (BSC and corporate social responsibility (CSR, we collect criteria for selecting the best program project. Fuzzy Delphi method, which can lead to better criteria selection, is used to modify criteria. Next, considering the interdependence among the selection criteria, analytic network process (ANP is then used to obtain the weights of them. To avoid calculation and additional pairwise comparisons of ANP, technique for order preference by similarity to ideal solution (TOPSIS is used to rank the alternatives. A case study is presented to demonstrate the applicability of the proposed model.

  14. Turismo Induzido por Filmes: A Imagem do Nordeste Propagada pelo Cinema Brasileiro no Ponto de Vista do Estudante de Cinema no Ceará

    Directory of Open Access Journals (Sweden)

    Francisco Samuel Pereira Neto

    2013-12-01

    Full Text Available Esta pesquisa trata do fenômeno Turismo Induzido por Filmes como uma estratégia de marketing para lugares, abordando conceitos das três áreas alicerce, sendo elas o Marketing, o Turismo e o Cinema, para o estudo, explanação e formação das ideias. Traz o desenvolvimento do fenômeno no mundo, sua história, primeiras constatações de sua existência e valor como formador e fixador da imagem de um lugar na mente do público, além de enfatizar os benefícios na aplicação de tal estratégia para o crescimento local. Em seguida, o referencial teórico aborda a condição do cinema e a aplicação da estratégia no Brasil, e então trata da imagem do Nordeste, abordando, a princípio, como fora formada a ideia de nordeste que se tem mais fortemente fixada no imaginário das pessoas hoje, e como as artes, e mais tarde, o cinema, contribuiu e ainda contribui para isso. Finalmente, a pesquisa trata, por meio da aplicação de questionários, da visão dos estudantes de Cinema no Ceará, representados pela Universidade Federal do Ceará (UFC e Universidade de Fortaleza (UNIFOR, sobre as produções cinematográficas nacionais que retratam o Nordeste e a imagem que propagam da região.DOI: 10.5585/podium.v2i2.42

  15. Wolves in sheep's clothing: Is non-profit status used to signal quality?

    Science.gov (United States)

    Jones, Daniel B; Propper, Carol; Smith, Sarah

    2017-09-01

    Why do many firms in the healthcare sector adopt non-profit status? One argument is that non-profit status serves as a signal of quality when consumers are not well informed. A testable implication is that an increase in consumer information may lead to a reduction in the number of non-profits in a market. We test this idea empirically by exploiting an exogenous increase in consumer information in the US nursing home industry. We find that the information shock led to a reduction in the share of non-profit homes, driven by a combination of home closure and sector switching. The lowest quality non-profits were the most likely to exit. Our results have important implications for the effects of reforms to increase consumer provision in a number of public services. Copyright © 2017. Published by Elsevier B.V.

  16. Homem da Câmera de Filmar: o cinema ou uma história do cotidiano?

    Directory of Open Access Journals (Sweden)

    José da Silva Ribeiro

    2008-11-01

    Full Text Available Tomamos o filme O Homem da Câmera de Filmar — de Vertov, para abordar a temática cinema e história contemporânea, procurando perspectivar as múltiplas relações entre esse filme e a sociedade soviética dos anos 1920. Abordaremos o filme, o autor e os contextos de produção; a temática do filme e o contexto histórico e sócio-político que representa; o filme como processo criativo e social e como ritual de passagem; e, finalmente, o destino do filme, do autor e do processo criativo no contexto tecnológico e artístico em que foi produzido e suas retomadas em novos contextos sociais, tecnológicos e artísticos. Palavras-chave: cinema e história; contextos de produção; cinema e rituais de passagem; filme como processo; pós-cinema Abstract: The Man with the Movie Câmera: cinema or a story of everyday life? — We have chosen Vertov's 1929 film The Man with the Movie Camera to discuss the theme of Cinema and Contemporary History, seeking to put into perspective the multiplerelationships between this film and Soviet society in the 1920s. We discuss the movie, the author and the context of its production, as well as the film's theme and its historical and sociopolitical background. We focus on the film as a creative and social process and as a rite of passage, and lastly, on the destination of the film, its author and its creative process within the artistic and technological context in which it was produced. Lastly, we discuss its applicability to new social, technological and artistic contexts. Keywords: cinema and history; production contexts; cinema and rites of passage; film as a process; post cinema

  17. 从重庆湖广会馆管窥山城会馆园林特征%Analysis of the Features of Guild Hall Gardens in the Mountain City Chongqing——With Huguang Guild Hall as an Example

    Institute of Scientific and Technical Information of China (English)

    孙春红; 魏勇军

    2011-01-01

    以重庆湖广会馆为例,在前人的基础上,对会馆园林进行了概念上的界定.从相地选址、环境特征两个层面进行探究,以摸清会馆园林与中国古典主流园林类型的区别与联系,明确山城会馆园林的特征,进而挖掘我国这一特有的园林文化及对现代商务会所园林景观设计的借鉴意义.%With Chongqing Huguang Guild Hall as an example, this paper attempts to make a conceptual definition of guild hall gardens on the basis of the work of previous researchers.According to the study of location selection and environmental features, the differences and the interconnections between guild hall gardens and the main types of Chinese classical gardens are discussed so as to excavate the unique garden culture of our country and provide useful ,information for landscape design of modern business clubs.

  18. A preliminary survey of the practice patterns of United States Guild Certified Feldenkrais PractitionersCM

    Directory of Open Access Journals (Sweden)

    Buchanan Patricia A

    2010-04-01

    Full Text Available Abstract Background The Feldenkrais Method® of somatic education purports to guide people of varying ages and abilities to improve function. Many people choose this method to aid with recovery from injury, manage chronic conditions, or enhance performance even though limited research supporting its safety and effectiveness exists to guide decisions about use and referral. Very little information about practitioner characteristics and practice patterns is publicly available to assist researchers in the design of appropriate safety and effectiveness studies. The purpose of this study was to obtain an initial overview of the characteristics of United States Guild Certified Feldenkrais PractitionersCM. Methods Of 1300 certified Feldenkrais® practitioners at the time of the study, there were 1193 practitioners with email accounts who were sent invitations to complete a web-based survey. The survey inquired about practice locations, additional credentials, service patterns and workloads during the previous 3 months. Response rate and descriptive statistics were calculated. Results The survey had a 32.3% (385/1193 response rate. The top states in which responders practiced were California (n = 92 and New York (n = 44. Most responders did not hold other credentials as traditional health care providers or as complementary and alternative medicine providers. Among those who did, the most common credentials were physical therapist (n = 83 and massage therapist (n = 38. Just over a third of traditional health care providers only provided Feldenkrais lessons, compared to 59.3% of complementary and alternative providers. On average, responders saw 7.6 ± 8.1 (median = 5 clients per week for individual lessons, 8.4 ± 11.5 (median = 5 clients per week for group lessons, and 2.9 ± 3.9 (median = 2 new clients per month for individual lessons. Conclusions This preliminary survey of United States Guild Certified Feldenkrais Practitioners indicated that most

  19. CSR and Sustainability Report for Nonprofit Organizations. An Italian Best Practice

    Directory of Open Access Journals (Sweden)

    Patrizia GAZZOLA

    2017-09-01

    Full Text Available The purpose of this paper is to analyze the sustainability report for the communication of Corporate Social Responsibility (CSR in a nonprofit organization. To this aim, an Italian case study is analyzed: the Fondazione Renato Piatti Onlus, a nonprofit organization of Social Utility. In the first part, we analyze the CSR for nonprofit organizations and the sustainability report (also called ‘social balance’. In the second part, we present evidence from the case study. The research is exploratory in nature when considering the connection of corporate social responsibility efforts to the nonprofit sector, a qualitative methodology was chosen over quantitative methods. Specifically, the case study was used to show what strategy a nonprofit organization can develop. Nowadays CSR strategies received a growing attention from both businesses and nonprofit organizations but also from the EU which forced large public-interest entities to present a social balance. For nonprofit organizations, applying social responsibility is not a voluntary issue. Nonprofit organizations have an ethical obligation to their stakeholder and to the public to conduct their activities with accountability and transparency. Scholars have increasingly been studying the impact of corporate social responsibility as a business strategy in for-profit companies. However, there is still lack of researches on how nonprofit organizations implement CSR into the strategy. As a consequence of the above remarks, a large part of nonprofit organizations fails to correctly implement a successful long term CSR strategy. The Fondazione Renato Piatti Onlus belongs to that group that has been able to incorporate social responsibility within the organization, then expanding its content into a social report drawn up in accordance with the guidelines of the Italian Agency for the Third Sector.

  20. An Essay on Actor, Actress in Turkish Cinema, Human Ans Sector Ethics in the 21st Century

    Directory of Open Access Journals (Sweden)

    Nevin Algül

    2015-07-01

    The purpose of this article is to analyze the definition of actor, actress mostly addressing female performers, give some examples in history and in today’s world, promote the re-thinking on the reason why cinema is important over the 21st century ‘human’ and to bring the responsibilities of sector and artists up for discussion and to analyze the ethics/responsibilities of the sector in countries such as Turkey where the level of education is low and problematic and where social differences are very evident. The difference between theater and cinema and the acting in cinema and theater were also addressed.