El enigma de Walter Benjamin

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Javier Sigüenza

2015-06-01

Full Text Available El siguiente ensayo inicia reconstruyendo el relato de los últimos días de la vida de Walter Benjamin, en el contexto histórico de la Segunda Guerra Mundial, y la existencia de un misterioso manuscrito perdido en su frustrada huida por la frontera franco-española en 1940; en la segunda parte se intenta descifrar la enigmática fisionomía del pensador berlinés, cuya perspectiva múltiple, tanto en lo teórico como en lo político, lo convierten en un autor incomprendido, pero tremendamente fascinante; en la tercera parte se explora uno de sus textos más herméticos, conocido como las tesis Sobre el concepto de historia, con la intención de poner de manifiesto el carácter crítico de su discurso, como clave para comprender los enigmas del mundo moderno y su necesaria transformación revolucionaria.

Ricardo Piglia lector de Walter Benjamin: compromiso político y vanguardia artística en los 70 argentinos.

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Luis Ignacio García García

2014-03-01

This paper analyzes the reception of Walter Benjamin by the young Ricardo Piglia. Walter Benjamin, together with Bertolt Brecht, was very important for Piglia’s self-comprehension in the context of the agitated aesthetical-political debates of the ’60s and ’70s. Piglia makes use of the Brechtian Benjamin to articulate aesthetics and politics in a way that singles out his critical work in those years. He builds, from the parameters of a production aesthetic, a position that goes beyond not only the idealistic aesthetics but also the principles of the socialist realism, putting aside the opposition between aesthetic experimentation and politicization of art.

L’esperienza estetica come esperienza di immagini. Walter Benjamin e Theodor W. Adorno

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Elena Tavani

2012-05-01

Full Text Available Both Walter Benjamin and Theodor W. Adorno consider ‘aesthetical experience’ as an “image experience” assuming a power of images “to set free forces” directed to produce or support aesthetical-political (Benjamin or aesthetical-critical (Adorno requirements. Profane illumination, ‘thinkimages’, phantasmagory, dialectical images, decayed ‘aura’ and technicalized images in Benjamin’s theory of aesthetical modernity. Expressive feature or “mimetic” eloquence in nature and art countering reality, dismantled ‘aura’ in contemporary desacralized work of art, but also persisting ‘aura’ in its meaningful dimension in Adorno’s aesthetical theory.

The Death and Life of Walter Benjamin

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David Kishik

2013-11-01

Full Text Available What if Walter Benjamin actually made it to New York as he was escaping the Nazis, settling there for the rest of his long life? What if he was working on a sequel to his Arcades Project, translating his ideas about Paris, capital of the nineteenth century, to his new city and own epoch? And what if I inadvertently discovered the manuscript of this so-called Manhattan Project, and decided to write a study dedicated to the unearthed text? This paper offers a few reflections on, and quotations from, the book that I am currently, truly working on, which is an analysis of a phantom of a book, inspired by a real collection of reflections and quotations that were made in preparation for another book that was also never written.

Walter Benjamin's allegory and the modernity

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João Batista Pereira

2013-12-01

Full Text Available Committed since Classical Antiquity with the rhetoric and the rules of oratory, the allegory was like a displaced metaphor, striving for clarity of speech. That purpose was transfigured throughout the Middle Ages, when its use was linked to decency and morality, a convention which was changed in Romanticism, when it met its demise. From the texts proposed by Walter Benjamin, its existence was perceived as a resource illuminating the aesthetic universe in the social times, a figure of speech tied to the historical context. We adopt in this article a dialectical perspective as a methodological that more accurately illustrates the contours assumed by allegory in modernity. With the light of experiences in a changing world of insecurity in its own values, it is now envisioned as a category indicting of fragmented representation of society, allowing us to understand the limits of literature as a vehicle in critical of reality.

Dialektisk billede af Benjamin

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Bøggild, Jacob

2004-01-01

Anmeldelse af Lars Brückner: "Løse blade. Læseren, kritikeren og fortælleren Walter Benjamin"......Anmeldelse af Lars Brückner: "Løse blade. Læseren, kritikeren og fortælleren Walter Benjamin"...

Abysmal Language. The Mystic of the Language in Walter Benjamin

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Emiliano Mendoza Solís

2014-01-01

Walter Benjamin expone en su ensayo de juventud denominado “Sobre el lenguaje en cuanto tal y sobre el lenguaje del hombre” (1916), los aspectos más importantes relativos a la teoría del lenguaje. La idea de lenguaje está fundamentadamediante el examen de los contenidos espirituales del hombre y surelación con el ser lingüístico. Esta distinción condiciona a la teoría a permanecer sobre el abismo que anida en el interior de la entidad espiritual del lenguaje. El elemento abismal da lugar a un...

Memória e história: Hannah Arendt em diálogo com Walter Benjamin

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Magalhães, Marionilde Brepohl de

2006-01-01

Full Text Available A autora tem como proposta refletir sobre o papel da memória e da História em nossa cultura contemporânea, através de uma aproximação ao pensamento de Hannah Arendt e Walter Benjamin

Walter Benjamin em Gotham City: sobre a violência pura

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Andityas Soares de Moura Costa Matos

2016-12-01

Full Text Available http://dx.doi.org/10.5007/2177-7055.2016v37n74p137 O presente trabalho reflete brevemente sobre as ideias de violência pura e de estado de exceção efetivo no pensamento de Walter Benjamin (1892-1940, lançando na seção 2 a hipótese de que são resultados de uma longa meditação que começa com o texto Sobre a crítica da violência (1921, passa pelo denso fragmento O caráter destrutivo (1931 e chega à obra intitulada Teses sobre o conceito de história (1940, quando Benjamin percebe com clareza à impossibilidade de se negociar com as instituições democrático-liberais, as quais funcionam como estruturas desaceleradoras (katéchonta do tempo da revolução, leitura apresentada na seção 1 mediante a profanação do conceito original schmittiano. O artigo passa então na seção 3 a interpretar as ideias de Benjamin em um cenário de ficção – a trilogia Batman de Christopher Nolan – que a cada dia parece mais terrivelmente real, concluindo com um parágrafo de sabor agambeniano sobre o direito-que-vem (seção 4.

Critica e derive del mito nell’opera di Walter Benjamin

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Matteo Meloni

2015-03-01

Full Text Available La ri essione critica sul mito e sulle sue derive nel mondo moderno sono pre- senti in buona parte del pensiero benjaminiano. A cominciare dagli scritti di filosofia del linguaggio nei quali il mito biblico istituisce il fondamento ontologico della parola originaria, tra rifiuto della storia e messianismo, fino alle considerazioni sul diritto e sul concetto di destino nella società borghese. Ma è soprattutto nella critica letteraria che Benjamin espone le sue più brillanti intuizioni: dallo sprigionarsi delle forze primordiali della natura che, nelle Affinità elettive di Goethe, tra violenza del diritto e libertà etica, si impossessano dei personaggi, alla dialettica del “risveglio” con Proust e i surrealisti, e all’esperienza profonda della vie antérieur di Baudelaire. Così, senza mai distanziarsi dal radicamento della condizione storica del suo tempo e senza mai cadere in facile misticismo, Walter Benjamin ha acutamente ispezionato le tracce del mito nella modernità, auspicando con intelligenza la liberazione umana dalla schiavitù della barbarie contingenti.

DESPERTAR DEL SUEÑO: WALTER BENJAMIN Y EL PROBLEMA DEL SHOCK

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Guido Vespucci

2010-01-01

Full Text Available El presente artículo pretende analizar la noción de shock como una puerta de acceso a la obra de Walter Benjamin. A través de la exploración de algunos de sus escritos más originales (tales como «La obra de arte en la época de su reproductibilidad técnica», las «Tesis de filosofía de la historia», el Libro de los Pasajes, entre otros y sobre la base de una selección de ensayos acerca de su obra, intentaremos capturar la productividad analítica del concepto con el fin de poder iluminar su función operativa (filosófica y política, en el tratamiento que Benjamin realiza sobre una variedad de temas como el arte, la cultura, el capitalismo, la reproducción técnica y la experiencia del sujeto moderno.

Massenmedien und Bildung: Eine padagogische Interpretation der Adorno-Benjamin-Kontroverse (Mass Media and Education: A Pedagogical Interpretation of the Controversy between Theodore Adorno and Walter Benjamin).

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Imai, Yasuo

1997-01-01

Gives a pedagogical interpretation of the controversy between Adorno (Theodore) and Benjamin (Walter). Sketches their different conceptions of what constitutes a pedagogical problem and discusses differences between their positions against the background of their shared concern, best described as "experiential poverty." (DSK)

A poética da tradução em Walter Benjamin e Haroldo de Campos

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Luciene Guimarães de Oliveira

2005-04-01

Full Text Available Este ensaio visa traçar um paralelo entre a poética da tradução de Walter Benjamin, em “A Tarefa do Tradutor”, e a de Haroldo de Campos, poeta, tradutor, e crítico brasileiro em sua teoria da tradução.

Abysmal Language. The Mystic of the Language in Walter Benjamin

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Emiliano Mendoza Solís

2014-01-01

Full Text Available Walter Benjamin expone en su ensayo de juventud denominado “Sobre el lenguaje en cuanto tal y sobre el lenguaje del hombre” (1916, los aspectos más importantes relativos a la teoría del lenguaje. La idea de lenguaje está fundamentadamediante el examen de los contenidos espirituales del hombre y surelación con el ser lingüístico. Esta distinción condiciona a la teoría a permanecer sobre el abismo que anida en el interior de la entidad espiritual del lenguaje. El elemento abismal da lugar a una revelación o principio (arché vinculadoa la mística del lenguaje.

Seeing and Playing as Labor: Toward a Visual Materialist Pedagogy of Video Games through Walter Benjamin

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Bulut, Ergin

2013-01-01

In this article, the author draws specifically on the work of Walter Benjamin and engages with the world of video games by focusing on the constitution of labor as it unfolds in modding practices, as well as approaching the very act of seeing labor in a highly visual culture where value is extracted not just through the labor process but also…

“Speaking German Like Nobody’s Business”: Anna May Wong, Walter Benjamin, and the Possibilities of Asian American Cosmopolitanism

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Lim, Shirley Jennifer

2012-01-01

In the summer of 1928 in Berlin, the noted German Jewish philosopher Walter Benjamin (1892–1940) and Chinese American actress Anna May Wong (1905–1961) shared an unlikely encounter that set in relief European and American conceptions of modernity as well as white European intellectual and American racial minority cosmopolitanisms. On July 6, 1928, Benjamin published the results as “Gespräch mit Anne May Wong” [“Speaking with Anna May Wong: A Chinoiserie from the Old West”] on the front page o...

Youth and pedagogy (On the genesis of the thought of Walter Benjamin

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Lluís BALLESTER BRAGE

2012-02-01

Full Text Available The authors analyze the 16 early writings that W. Benjamin wrote between the ages of 19 and 23, all of which relate to educative matters, and where the decisive influence of G. Wyneken is shown. The issues that the young Walter Benjamin addresses are also studied, such as idealism and youth culture, the necessity of reform in schools and universities and also in moral, aesthetic and religious education as well as in juvenile sexuality. However, the most important thing is that in these works one can find the constants that characterize the rest of his production, such as his individualism, his obsession with his own childhood experiences, his contradictions and thematic transitions, his interest in aesthetics and art, the complexity of his work, his agnosticism and his consideration of Judaism as a cultural element, and above all his critical sense and his vocation for criticism which starts to become evident. Somehow in these articles of educative content one can discover many of the constants of what will be the subsequent work of this author.

Antropologia e filosofia: estética e experiência em Clifford Geertz e Walter Benjamin

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Relivaldo Pinho de Oliveira

2012-06-01

Full Text Available Este artigo estuda as concepções de estética e experiência de Clifford Geertz e Walter Benjamin como possibilidades argumentativas e metodológicas para pensar a realidade e suas formas estéticas. Utiliza-se para isso as discussões metodológicas de Geertz, especialmente a respeito do lugar da estética e de sua relação com os demais âmbitos do humano, que encetaram uma nova forma de concebê-los para a etnografia e antropologia de modo geral, e os estudos de Benjamin a respeito da estética como expressão fisionômica de uma época, de determinada realidade, especialmente os que se referem sobre a modernidade. Constata-se essa possibilidade a partir da observação de que a estética e a experiência, nos autores, são tomadas como dimensões da realidade que se relacionam, não de modo mecânico, e sim como âmbitos que atravessam a realidade, os artefatos estéticos, os discursos, e esses assim devem ser observados.This article study the conceptions of aesthetics and experience of Clifford Geertz and Walter Benjamin as argumentative and methodological possibilities for thinking reality and its aesthetic forms. Uses for this Geertz's methodological discussions, especially regarding the place of aesthetics and its relation to other spheres of the human, which has embarked on a new way of conceiving them to ethnography and anthropology in general, and studies Benjamin about the aesthetics and physiognomical expression of an era, a certain reality, especially those concerning about modernity. There is that possibility from the observation that the aesthetics and experience, in the authors, are taken as the dimensions of reality are related, not mechanically, but as areas that cross the reality, the aesthetic artifacts, the speeches, and so these must be observed.

Arte, imagem e fotografia: um diálogo possível entre Roland Barthes, Walter Benjamin e Jacques Rancière = Art, image and photography: a possible dialogue between Roland Barthes, Walter Benjamin and Jacques Rancière

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Voigt, André Fabiano

2016-01-01

Full Text Available O presente artigo objetiva estabelecer um diálogo entre três autores que escreveram trabalhos importantes sobre a relação da arte com as imagens e a fotografia. Enquanto os pensamentos de Roland Barthes e Walter Benjamin se assemelham, Jacques Rancière apresenta uma postura dissonante ao analisar arte, imagem e fotografia no interior do que ele chama de regime estético das artes

Walter Benjamin's concept of aura and the cultural industry

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Bráulio Santos Rabelo de Araújo

2010-12-01

Full Text Available Trata-se de uma análise do texto A obra de arte na era da reprodutibilidade técnica, de 1935, de Walter Benjamin, no qual o autor analisa as alterações provocadas pelas novas técnicas de produção artística na esfera da cultura, e desenvolve, como elemento principal, a tese de a reprodutibilidade técnica provocar a superação da aura pela obra de arte. Tendo como apoio o contraste do texto de Benjamin com o texto A indústria cultural: O esclarecimento como mistificação das massas, de Theodor Adorno e Max Horkheimer, de 1947, e a observação da produção do cinema, da música e do livro (artes necessariamente reprodutíveis, este artigo (a analisa a tese da superação do conceito de aura pela obra de arte na era da reprodutibilidade técnica, (b contrasta essa tese com a reflexão sobre indústria cultural de Adorno e Horkheimer e com as características da obra de arte produzida no decorrer do século 20 e início do século 21, e (c apresenta as contribuições que podem ser retiradas dessa análise para a atual reflexão a respeito dos impactos da Internet e das tecnologias digitais sobre a produção cultural contemporânea. Como resultado principal e do qual decorre outras conclusões, o artigo considera que as técnicas analisadas por Benjamin, apesar de terem tornado a obra de arte independente de um substrato único, não a emanciparam de seu caráter aurático. Os elementos centrais da aura (autenticidade e unicidade não foram superados, mas, ao contrário, adaptaram-se às mudanças técnicas, adaptação essa que ocorreu em torno da industrialização, a qual marcou a produção cultural no século 20.

The sons of Caim: the race of outcasts and disinherited in Walter Benjamin and Charles Baudelaire

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Ricardo André Ferreira Martins

2014-08-01

Full Text Available This article aims to develop a reflection essay about the philosophical and literary representation concerning the marginalized and oppressed in history, inside the works of Charles Baudelaire and Walter Benjamin. This is to ascertain and analyze how these two authors, from their respective works, allowed the proletariat gradually took the shape of an object and productive character for social and lyrical reflection, thus, in the wake of works as Flowers of Evil, the assumption of themes drawn from a tradition historically long, connected, in turn, by the recent historiographical perspective from below.

Hacia una crítica del historicismo: Gustave Flaubert y las tesis Sobre el concepto de Historia de Walter Benjamin

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Jorge Luis Caputo

2018-04-01

Full Text Available In the seventh thesis of his essay On the concept of History, Walter Benjamin presents Gustave Flaubert as a representative figure of the empathic sensibility that underlies the historicist current of historiography. The first aim of this article is to analyze this mention and to confront it with other texts where Benjamin reflects on Flaubert: in this regard, it can be said that the concise judgment of the seventh thesis, in which Flaubert becomes the symbol of the inactive melancholy of historicism, can be challenged. Secondly, the article intends to prove that Flaubert’s literature (specially through the genre of historic novel as it is exemplified by Salammbô achieves two of the tasks that Benjamin assigns to the dialectical-materialistic historian: on one side, to be capable of hearing the grieving complaints of the defeated dead; on the other, to restitute potentiality in the past. En la séptima tesis del ensayo Sobre el concepto de Historia, Walter Benjamin presenta a Gustave Flaubert como la encarnación de la sensibilidad empática y pesimista que se encuentra en la base de la concepción historicista de la historia. El propósito de este trabajo es, en primer lugar, analizar esa mención contrastándola con el resto de los materiales benjaminianos en los que se hace mención de Flaubert: se verá que, así considerada, la fórmula apodíctica de la tesis (que erige al novelista como el emblema de la melancolía inactiva característica del historicismo admite ser matizada. En segundo lugar, se demostrará que la literatura de Flaubert (particularmente en su variante histórica encarnada por Salammbô cumple con dos de las tareas fundamentales que Benjamin asigna al historiador dialéctico-materialista: por un lado, disponerse a la escucha de los vencidos de la historia; por el otro, restituir la potencia del pasado.

Passacaglia van J.S. Bach en Das Passagen-Werk van Walter Benjamin - literêre montage as mosaïekwerk in Memorandum. 'n Verhaal met skilderye (2006)

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van Vuuren, Helize

2014-01-01

Van Niekerk se Memorandum-narratief is 'n gedenkskrif vir die elegies-realistiese skilder, Adriaan van Zyl, wat in September 2006 sterf - soos Walter Benjamin in sy laat veertigs en insgelyks met sy kunstenaarsloopbaan onderbreek. Van Niekerk stel in Memorandum vir haarself 'n uitdagende taak (soos Wiid dit formuleer aan die begin van "Memorandum 3"): om Bach se Passacaglia en fuga in C Mineur (BWV 582) (± 1715) te "vertaal" in prosa en om 'n kleiner, Afrikaanse weergawe van Benjamin se Das P...

Un taccuino a forma di strada. Su "Einbahnstrasse" di Walter Benjamin

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Pier Giovanni Adamo

2016-05-01

Full Text Available La poetica di F. Schlegel ha realizzato una storicizzazione della teoria dei generi letterari sostituendo alla dicotomia del classicismo tra forma e contenuto una distinzione tra forma e spirito, secondo cui i materiali linguistico-tematici rappresentano i precipitati di quest’ultimo. Riprendendo questa intuizione di P. Szondi, potremmo affermare che, nella modernità letteraria, l’ibridazione è il processo di transizione dei materiali attraverso le forme. Un’opera tanto esemplare quanto strutturalmente rilevante, nell’orizzonte dell’ibridazione, è Einbahnstraße di Walter Benjamin, dove i materiali più disparati sono combinati a modellare una forma innovativa. Vi si mescolano stilemi della poesia in prosa, narrazione diaristica, (antimetodo surrealista, satira e intuizioni filosofiche. L’unicità, d’altra parte, risiede innanzitutto nell’essenza metacritica del procedimento organizzativo del libro: il frammentismo sistematico è un’applicazione pratica della teoria allegorica del montaggio, descritta nell’Ursprung des deutschen Trauerspiels. Il saggio si propone di leggere il testo come «un taccuino a forma di strada», anche per indagarne il valore di prologo al Passagenwerk, nato dall’avida lettura del Paysan de Paris di Aragon: istituisce un confronto per rilevare, nell’affinità di fondo, la  diversità di approccio tra il pensatore tedesco e il surrealismo, distinguendo tecniche di assemblaggio e ruolo dell’immaginario nell’uso di pubblicità e altri oggetti metropolitani. L’intenzione di una simile analisi di Einbahnstraße è dimostrare che Benjamin combina modelli letterari (Baudelaire, Proust, Kraus su tutti con i nuovi linguaggi artistici e le strategie discorsive della stampa per creare un’«immagine dialettica» dell’esistenza nel XX secolo.Friedrich Schlegel’s poetics realized a historicisation of literary genres theory by replacing classicist dichotomy between form and content with a

The two sides of the commodity. For an archeology of critical theory of consumption in the work of Walter Benjamin

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Matías Romani

2017-03-01

Full Text Available The aim of this work is to trace a journey through the work of Walter Benjamin to give account of the existence of an incipient critical theory of consumption that appears, dispersed and fragmented among their major concerns as the status of the work of art, industrial technology or modern city. The idea that we intend to show is that the originality of Benjamin's proposal lies in the indirect nature by which access to the cultural question. Not so much as an instance derived from the production process determinations but from the transformations in the sphere of consumption. So the Arcades-Project can be read as a historic attempt to develop the contradiction of the commodity form that the consumer experience is presented as the cynical and utopian moment.

Benjamin, leitor de Kierkegaard

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Carla Milani Damião

2014-06-01

Full Text Available Trata-se de uma apresentação sobre a manifestação de interesse de Walter Benjamin por Kierkegaard. Buscamos nas referências ao pensamento do filósofo dinarmaquês explícitas em seus escritos, mapear citações e indicações, além da resenha que Benjamin escreveu sobre a obra Kierkegaard de Adorno. Levou-se em consideração comentários de alguns intérpretes de Kierkegaard e de Benjamin que se ocuparam da aproximação entre os dois filósofos. Desta apresentação, indicamos um vínculo teórico de virtual importância, presente na obra de Benjamin sobre o drama barroco alemão.

Distracción, shock, interrupción: la recepción de Walter Benjamin en las prácticas artísticas contemporáneas

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Castellano, Tania

2016-01-01

Nuestra investigación parte de la intrigante expresión “recepción en la distracción” que Walter Benjamin introduce en todas las versiones del ensayo titulado “La obra de arte en la época de su reproductibilidad técnica” (1935-1939). Con ella define un nuevo modo perceptivo presente en la modernidad. Pese a que antes de este ensayo Benjamin asumiera la percepción distraída en un sentido negativo, a partir de él arroja una nueva luz sobre el término distracción y lo defiende ante sus detractore...

Benjamin & Schmitt: uma arqueologia da exceção Benjamin & Schmitt: an archeology of exception

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Annie Dymetman

2001-01-01

Full Text Available Situados em pólos opostos da vida ideológica e cultural européia dos anos 20 e 30 do século passado, Walter Benjamin e Carl Schmitt são protagonistas em um complexo jogo de afinidade e repulsa no plano das suas concepções básicas, articuladas em torno do tema do excesso. A autora propõe uma hermenêutica do excesso.Situated at opposed poles of the ideological and cultural life in the twenties and thirties of the last century. Walter Benjamin and Carl Schmitt are protagonists in a complex play of affinity and repulsion on the level of their basic conceptions, which are built around the theme of excess. The author proposes an hermeneutic of excess.

Experiência e tradição em Walter Benjamin: ressonâncias para a educação

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Sérgio Luiz Alves da Rocha

2016-02-01

Full Text Available O proceso educativo faz com que diferentes gerações tenham que relacionar-se. Diante das modifcações dos últimos anos, alguns professores, adotam ora uma perspectiva saudosista, ora um discurso que valoriza de modo extremo os jovens e o novo. A ênfase, seja na experiência dos mais velhos, com a consequente desvalorização dos mais jovens, ou da experiência dos mais jovens, renegando-se a experiência dos mais velhos, nos impede de estabelecer pontes entre as gerações. Utilizo alguns textos de Walter Benjamin para refetir sobre o significado da experiência e da tradição. As ideias de Benjamin me permitem pensar sobre a relação entre as gerações no interior da escola a partir de uma postura ética que reconheça nosso papel como representantes de uma determinada tradição sem deixar de estarmos abertos às experiências dos jovens.

De Walter Benjamin a Theodor Adorno: traços que permanecem na contemporaneidade

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Carolina Diamantino Esser Santana

2017-08-01

Full Text Available O ensaio traz como base a crítica ao capitalismo, no que se refere aos efeitos negativos que ele impõe aos indivíduos, a partir dos estudos da primeira geração da Escola de Frankfurt. Analisar-se-á a história das ideias a partir de Walter Benjamin, Herbert Marcuse, Theodor Adorno e Max Horkheimer. Benjamin afirma que vive-se a perda da aura das obras de arte, já que a sua comercialização faz com que se perca a essência daquelas obras. Ademais, a imposição da novidade às obras e aos produtos consumidos representa uma ferramenta de manipulação do capitalismo, culminando na pobreza da experiência humana. Marcuse afirma que a sociedade vive o princípio do desempenho, que provoca modos de vida uniformizados, baseados numa concepção de trabalho e diversão homogêneos. Adorno propôs que o tempo livre provocava uma sensação de liberdade nos indivíduos, mas, na realidade, tratava-se do exercício de uma não liberdade, já que as formas de diversão seguiam à risca os padrões exigidos pelo capital. A partir do método adotado pela própria Teoria Crítica, afirma-se que a presente discussão teórica só se torna efetiva quando aplicada à prática, à sociedade atual.

Estruturas de sentimento na modernidade: um estudo sobre as experiências nas obras de Walter Benjamin, a propósito de Charles Baudelaire

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Fabíola Calazans

2011-01-01

Full Text Available A partir da noção de “estruturas de sentimento” do pensador do materialismocultural Raymond Williams, pretende-se estudar as experiências tecnológicas perceptivas nacultura moderna, do século XIX, imanentes às obras de Walter Benjamin, particularmente,nos textos referentes a Charles Baudelaire. Para tanto, faz-se um estudo exploratório dasprincipais categorias de experiência para se compreender as implicações na modernidade.

Eurydice at Euston?: Walter Benjamin and Marc Augé Go Underground

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Graeme Gilloch

2014-01-01

Full Text Available Taking as its point of departure Walter Benjamin’s repeatedly unsuccessful attempt to give spatial form to his past, this paper suggests that it is perhaps the contemporary French anthropologist, Marc Augé, who provides the most appropriate envisioning of a ‘map of memories’ in his brief writings on the Parisian métro system. For Augé, the labyrinthine subway network constitutes nothing less than a ‘memory machine’ in which lines and station names serve as mnemonics, recalling long-forgotten childhood encounters and experiences. Mirroring the cityscape above, places themselves unexplored, unknown, the serried toponyms of the métro become an incantation summoning forth the shades of the past. As Augé points out, those stations that provide opportunities to change lines are felicitously termed ‘correspondences’, a Baudelairean term that fascinated Benjamin and informed his key historiographical notion of the ‘dialectical image,’ the intersection and mutual illumination of past and present moments. For me, Augé’s highly suggestive reflections bring to mind my own memories of a London childhood around 1970. Looking at the London underground map today, I cannot but see the sites of many past meetings and partings, dots connected by lines forming complex figures, constellations of memory.

NATURALIZAÇÃO DA DESIGUALDADE NO BRASIL: UM DIÁLOGO COM CARL SCHMITT, WALTER BENJAMIN E GIORGIO AGAMBEN

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Bruna da Penha de Mendonça Coelho

2017-10-01

Full Text Available O artigo estabelece um diálogo entre as teorias de Carl Schmitt, Walter Benjamin e Giorgio Agamben, transpondo-as para a realidade social brasileira. A naturalização da desigualdade constitui marca cruel de nossa sociedade, e a filosofia do direito contribui para uma abordagem jurídica que leva em conta as disparidades sociais. Far-se-á, primeiramente, uma análise do estado de exceção à luz das obras de Benjamin e Agamben. Posteriormente, com Schmitt, a questão da exceção será analisada em conjunto com a decisão política, demonstrando a ligação intrínseca entre direito e política e o reflexo disto no agravamento das desigualdades sociais. Será estabelecida a diferença entre os conceitos de “inimigo”, de Schmitt, e homo sacer, de Agamben, na instauração do estado de exceção e como o conceito de “inimigo” foi desvirtuado com a construção da Teoria do Direito Penal do Inimigo.

[Narratives in the study of mental health care practices: contributions of the perspectives of Paul Ricoeur, Walter Benjamin and of medical anthropology].

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Onocko-Campos, Rosana Teresa; Palombini, Analice de Lima; Leal, Erotildes; de Serpa, Octavio Domont; Baccari, Ivana Oliveira Preto; Ferrer, Ana Luiza; Diaz, Alberto Giovanello; Xavier, Maria Angélica Zamora

2013-10-01

Narratives are ever more frequent in qualitative studies seeking to interpret experiences and the different viewpoints of individuals in a given context. Starting from this concept, the tradition that addresses narrative is reexamined, including the philosophy of Paul Ricoeur, the historical perspective of Walter Benjamin and the field of medical anthropology grounded in phenomenology. In Ricoeur, with hermeneutics as a variation derived from phenomenology, narrative is linked to temporality. In Benjamin, narrative comprised of bits and pieces, always inconclusive, emerges in spite of the official stories. If Ricoeur retrieves tradition from Gadamer as a fundamental component for the construction of the world of a text that makes imitation of life possible, Benjamin, faced with the collapse of tradition, suggests the invention of narrative forms outside the traditional canons, making it possible to hark to the past in order to change the present. Assumptions of medical anthropology are also presented, as they consider narrative a dimension of life and not its abstraction, namely an embodied and situated narrative. Lastly, three distinct research projects in mental health that use narrative linked to the theoretical concepts cited with their differences and similarities are presented.

MELANCOLÍA Y FLEMA (CONCEPCIONES HUMORALISTAS EN TORNO A LA NOCIÓN DE MELANCOLÍA EN "EL ORIGEN DEL TRAUERSPIEL ALEMÁN" DE WALTER BENJAMIN

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Juan Horacio de Freitas

2013-12-01

Full Text Available If something is usually considered to be remarkable about “The origin of German tragic drama”, a book written by Walter Benjamin in order to be a postulant as a teacher at the University, is its conceptual richness and innovation. This essay tries to accomplish two objectives: On the one hand, to understand the sense of one of these notions, that of melancholy, which is so important for Benjamin both in this work and all along his philosophical production. On the other hand, an attempt is made to investigate both implicit and explicit sources used by the philosopher to refer to the term under consideration. This will lead us to deal with classic medicine authors such as Hippocrates and Galen, from the renacentist astrological ideological repertoire such as Ficino and some Freudian proposals about mourning and melancholy.

PALAVRAS E HISTÓRIAS TRADUZIDAS ATRAVÉS DAS IMAGENS: UM PERCURSO FOTOGRÁFICO DE MÃOS DADAS COM DIDI-HUBERMAN E WALTER BENJAMIN

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Monique Bione Silva

2014-12-01

Full Text Available Este artigo busca pensar a fotografia não apenas como imagem, mas entender o papel da mesma como arquivo histórico a partir da concepção de imagem crítica elaborada por Didi-Huberman. Cabe aqui compreender o conceito de Walter Benjamin de imagem dialética aplicado à produção fotográfica. Imagens e arquivos sob a ótica de Didi-Huberman, inseridas na contemporaneidade, abrem um leque para estudar a sua representatividade na nossa sociedade e de qual forma a mesma encara tais conceitos atualmente.

Benjamin, Benson, and the Child's Gaze: Childhood Desire and Pleasure in the David Blaize Books

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Tribunella, Eric L.

2016-01-01

Walter Benjamin's writings on children and their books reflect a desire to imagine different possibilities in perceiving and engaging with the world. Benjamin's child, like the flâneur, experiences a particular way of seeing unfettered by instrumentality and characterised by a sense of wonder, aimlessness of path or purpose, and keen interest in…

'Los avisadores del fuego': Franz Rosenzweig, Walter Benjamin y Franz Kafka

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Mate, M. Reyes; Mayorga, Juan

2000-01-01

Hubo pensadores que supieron leer en su tiempo signos de la catástrofe venidera. No eran profetas sino finos analistas. Nos referimos a Rosenzweig, Benjamin y Kafka. Rosenzweig denunció en el "idealismo" de la filosofía que viene desde Jonia y llega hasta Jena la tendencia a un totalitarismo que la convertía en potencialmente en una "ontología de la guerra". Benjamin dejó constancia de la ambigüedad radical del concepto de progreso, tan fundamental para el pensamiento ilustrado. La barbarie, ...

"Estetização da política e politização da arte": a estética do fascismo nas obras de Walter Benjamin

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Rui Bragado Sousa

2015-07-01

Full Text Available O artigo examina a ascensão do fascismo na Alemanha a partir da estética de Walter Benjamin e propõe, ao final, um diálogo com Ernst Bloch. O método visa escapar de interpretações meramente econômicas que supostamente possibilitaram a chegada de Hitler ao poder. Procura-se um campo semântico mais vasto, dialético, como os conceitos utilizados por Benjamin como messianismo, alegoria e origem (ursprung. A “origem” é um protofenômeno no sentido teológico, quer seja ele o Paraíso ou o comunismo primitivo, uma idade edênica e igualitária na Terra. Literalmente são “saltos” para fora da continuidade histórica linear que rompem com o desenvolvimento meramente evolucionista da História. Com uma catástrofe iminente era necessário explodir o continuum da história.

Walter Benjamin Confidente de Adorno e Horkheimer na Dialetica do Esclarecimento (Walter Benjamin, Confidant of Adorno and Horkheimer in the Dialectic of the Enlightenment).

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Pucci, Bruno

2000-01-01

Explains that Benjamin, Adorno, and Horkheimer developed philosophical and aesthetic experiences concerning topics of the moment based on similar presuppositions and ideas. Approaches two areas within the confidentiality shared by the interliniation of the Dialectic of the Enlightenment: critique of history as progress and education of the senses.…

The concept of resistance in Benjamin and Adorno O conceito de resistência em Benjamin e Adorno

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Natalia A. Morato Fernandes

2007-05-01

Full Text Available That work intends, with base in some texts of Theodor Adorno and of Walter Benjamin, to discuss the meaning of the “resistance” concepts and of “conformism” for such authors. These concepts are not elaborated in way explicit or systematic by both, to the opposite they are related subtlety the some aspects of the contemporary social life, as the disappearance of the experience, the decline of the narration, the loss of the sense of the history and the consequent suppression of the memory, the appearance of the cultural industry. Of that it sorts things out, explicit those concepts, especially when referred the those subjects, it helps us not only to understand the conception of Benjamin and Adorno, but also your judgements on the cultural scene of the beginning of the century - without, though, to intend to establish a model of what can be the resistance or the conformism. Keywords: Resistance. Conformism. Culture. Romances. School of Frankfurt. Este trabalho pretende, com base em alguns textos de Theodor Adorno e de Walter Benjamin, discutir o significado dos conceitos de “resistência” e de “conformismo” para tais autores. Esses conceitos não são elaborados de modo explícito ou sistemático por ambos; ao contrário, são sutilmente relacionados a alguns aspectos da vida social contemporânea, como o desaparecimento da experiência, o declínio da narração, a perda do sentido da história e a conseqüente supressão da memória, e o surgimento da indústria cultural. Dessa maneira, explicitar esses conceitos, especialmente quando referidos a essas questões, ajuda-nos não só a entender a concepção de Benjamin e de Adorno, mas também seus juízos sobre a cena cultural do início do século XX - sem, todavia, pretender estabelecer um modelo do que possa ser a resistência ou o conformismo. Palavras-chave: Resistência. Conformismo. Cultura. Romances. Escola de Frankfurt.

Exhibiting or presenting? Politics, aesthetics and mysticism in Benjamin's and Deleuze's concepts of cinema

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Früchtl, J.

2010-01-01

In his famous "work of art" essay, Walter Benjamin places politics at the centre of an aesthetics of modernity. He provides a brisk contrast between the romantic tradition of art philosophy and a politicisation of perception, receiving its training through the experience of the metropolis, in terms

An art history of means: Arendt-Benjamin

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Jae Emerling

2009-12-01

Full Text Available Transmissibility is an essential concept for any discourse on historiography and aesthetics. In fact, this concept traverses the contemporary impasse of art historical critical practice. Although explicitly associated with Walter Benjamin, the entirety of Hannah Arendt’s work on art and history is premised on transmissibility as well. It allows them to conceive a space of history from within the aesthetic, the world of artifice. This essay reads Benjamin and Arendt alongside and against one other in order to rethink art and history without resorting to eschatology or the histrionics of political theology. In creating this virtual historiography—Arendt-Benjamin—it conceives transmissibility as an aesthetic-historiographic concept that renders an openness between past and future, poiesis and aisthesis. Writing the history of art becomes the creation of a passage between what-has-been and artifice; it becomes the opening of history into life, an event of recollection.

Entre a potência e o poder: Walter Benjamin e Roger Caillois

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Susana Scramim

2009-01-01

Full Text Available http://dx.doi.org/10.5007/1984-784X.2009v9n14p101 A escrita fragmentária empenhada por Benjamim em "Seqüência em Ibiza" e os aforismos do Oráculo Manual y Arte de Prudencia de Gracián  indicam o esboço de uma reflexão sobre o poder na obra de Benjamin a qual se materializará como limiar entre a forma e o informe, entre a autonomia e auto-implicação, entre a obra e a des-obra. Essa reflexão se torna aguda  no impacto provocado em Benjamin pela a leitura  de L´ariditè que Roger Caillois publica juntamente com outros ensaios, em 1938, no Colégio de Sociologia em Paris.

A janela da palavra: uma leitura de “Famigerado”, de Guimarães Rosa, à luz do conceito de limiar, de Walter Benjamin DOI - 10.5752/P.2358-3428.2012v16n31p185

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Edson Santos de Oliveira

2012-12-01

Full Text Available Nosso objetivo é fazer uma leitura do conto "Famigerado", de Guimarães Rosa, a partir do conceito de limiar, conforme Walter Benjamin. Pretendemos articular esse conceito com uma das categorias estéticas mais estudadas na obra de Guimarães Rosa: a ambiguidade. Assim, o espaço de transição em que se dá a narrativa se integra ao corpo ambíguo da linguagem, possibilitando não só a emergência de chistes por parte do jagunço Damásio, como também propiciando ao personagem-narrador uma oportunidade de se equilibrar no limiar da significação. Se o conceito de limiar em Benjamin permite um pensamento por imagem, processo semelhante ocorre na escrita rosiana.  Palavras-chave: Limiar. Ambiguidade escrita. Imagem.

Le cercle mythique: Walter Benjamin sur la politique et son interruption

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van Rooden, A.

2014-01-01

This contribution starts from the idea that it is not so much pre-modern political orders that appeal to mythical logic, but contemporary ones. Lacking an external authority, contemporary political orders cannot but erect themselves in an act of auto-constitution. With reference to Walter Benjamin’s

Perception urbaine, distraction et stratification chez Benjamin, Eisenstein et Vertov

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Rousse, Pascal

2008-01-01

La ville à l’écran est le substrat imaginaire et historique du cinéma. Mais le cinéma, burlesque et soviétique, transforme ce contexte tout en constituant sa mémoire. Walter Benjamin inaugura cette problématique avec la notion de « distraction », liant architecture et cinéma sur le fond du paradigme de la stratification de l’appareil psychique chez Freud.

Do Génio ao jogo. O papel da Técnica na Transformação dos Valores Estéticos em Walter Benjamin

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Nélio Rodrigues Conceição

Full Text Available Resumo: Analisando o papel desempenhado pela questão da técnica no pensamento de Walter Benjamin, o artigo debruça-se sobre a transformação dos valores estéticos, na modernidade. As técnicas de reprodução/registo inventadas nos séculos XIX e XX, como a fotografia e o cinema, obrigaram a uma revisão das articulações entre arte, técnica e história, articulações que Benjamin desenvolveu em diversos sentidos. Contudo, não encontramos, nos seus textos, uma filosofia da técnica de princípios claramente estabelecidos. Portanto, o presente artigo visa estabelecer uma constelação de temas, os quais, brotando dos seus textos, nos permitem clarificar como a técnica influencia a transformação e a criação de valores estéticos, sendo estes entendidos como eixos em torno dos quais se dão a produção e a crítica dos fenómenos estéticos. A fotografia, constituindo um momento de viragem incisivamente estudado pelo autor, é o fio condutor das diferentes leituras. Historicidade da percepção; dimensão política da arte; sua relação com a memória; elemento de jogo: são estes os quatro eixos em torno dos quais se procura clarificar e, sempre que possível, prolongar a proposta benjaminiana.

La puesta en escena de la autenticidad. Andalucía, un siglo de fascinación, de Basilio Martín Patino, y el “materialismo histórico” en Walter Benjamin

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Cornago Bernal, Óscar

2011-04-01

Full Text Available This article explores the theatrical estrategies that documentary genre develops to create an effect of reality. For this aim it will be analyzed the Basilio Martín Patino’s production for television Andalucía, a century of fascination, a serie of five documentaries filmed from 1992 to 1996 for the public channel Canal Sur Television. These films will be compared to previous work of Martin Patino and to other critics and directors’ points of view regarding documentary genre and simulation of objetivity in visual media. As methodology it will be discus the concept of “materialist history” in Walter Benjamin.

Este artículo explora las estrategias teatrales desarrolladas por el género documental para crear un efecto de realidad. Con este objetivo se analizará la producción para televisión de Basilio Martín Patino Andalucía, un siglo de fascinación, una serie de cinco documentales filmados entre 1992 y 1996 para la cadena pública Canal Sur Televisión. Estas películas serán comparadas con trabajos anteriores de Martín Patino y con el punto de vista de críticos y directores en relación a las prácticas documentales y la creación de un efecto de objetividad en los medios audiovisuales. Como metodología se aplicará el concepto de “historia material” desarrollado por Walter Benjamin.

Velhice, experiência e resistência: a ressignificação da memória nas obras de Ingmar Bergman e Walter Benjamin

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Rafael de Souza Dias

2014-10-01

Full Text Available Este texto apresenta uma breve reflexão sobre o ato de rememorar como um exercício motivador e gerador de novas perspectivas diante da vida na velhice. Para sua elaboração, utilizou-se como referência o filme “Morangos Silvestres”, de Ingmar Bergman, e o texto “A Infância em Berlim por volta de 1900”, de Walter Benjamin. Na obra literária, nos deparamos com a autobiografia de um filósofo que escreve diante da perseguição nazista e que vê a sua cidade sucumbir aos poderes autoritários, utilizando-se, assim, da memória como uma forma de lutar contra a opressão. No cinema, acompanhamos um personagem idoso e supostamente fictício que ao perceber a proximidade da morte, mergulha em uma viagem através de sua juventude, onde revê suas escolhas e avalia sua vida. Em ambas as obras, os personagens fazem das suas lembranças uma forma de ressignificar o presente.

Mito e política: notas sobre o conceito de destino no "jovem" Benjamin

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Ernani Chaves

1994-01-01

Full Text Available O conceito de mito é uma das chaves para a compreensão do pensamento de Walter Benjamin. O objetivo deste texto é reconstituir a gênese deste conceito com base em suas primeiras formulações, tal como apresentadas em Destino e caráter, texto escrito em 1919. O presente artigo se divide em duas partes: na primeira, reconstituímos os argumentos de Benjamin, a partir da filiação do conceito de destino ao domínio de uma Teoria do Direito e sua necessária inserção em um modo de "temporalidade" definido pela "repetição"; a segunda parte pretende demonstrar que as posições de Benjamin estão estreitamente ligadas a uma posição também política: seu objetivo era, em nome de um anarquismo confesso, se contrapor a todos os "mitos" nacionalistas (que levaram a Alemanha à guerra e à necessidade de "líderes", "condutores" (Führer para o povo. Como exemplo dessa perspectiva política, nos baseamos na confrontação, sempre presente, de Benjamin com o Sionismo.

As estruturas da reificação em curso: Walter Benjamin e Guy Debord, leitores de História e Consciência de Classe

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Deni Rubbo

2010-06-01

Full Text Available Partindo dos pressupostos da centralidade do fetichismo da mercadoria, lançados em História e Consciência de Classe, Lukács aqueceu alguns estudos posteriores, no âmbito do marxismo, tanto nos desdobramentos da teoria como na propulsão de reescrever a história. Em um primeiro momento, o foco será a relação desigual entre Marx e Lukács, no que concerne ao fenômeno da reificação. Depois, serão destacados os estudos de Walter Benjamin, em sua análise sobre a metrópole parisiense no século XIX, e Guy Debord, em uma explanação sobre um novo grau do fenômeno reificado, implicando uma imagem-espetáculo da vida social humana. Para ambos, as tensões temporais do mundo capitalista industrial e moderno se caracterizam em um “tempo prisioneiro” e para o qual tal rompimento incidiria sobre a negatividade do mundo do capital, atualizando, assim, em outros níveis, os postulados sobre fenômeno da reificação.

«…la fatica di ricostruire la naturale unità fra parola e immagine». Warburg, Benjamin e ciò che la storia non può dire

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Silvia Ferretti

2012-05-01

Full Text Available The paper intends to draw some topics about relationship between word and image in works and thinking of Aby Warburg and Walter Benjamin. In recent history of ideas, word and image are frequently interpreted as alternative ways to express reality. In both, Warburg and Benjamin, and in spite of  their very different methods of approaching history of art and history of culture, we can find a similar idea of the connection between word and image. The two authors deem that this relationship is necessary to understand historical facts and legacy.

Furio Jesi’s mythological machine and the quote to Walter Benjamin

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Mercedes Ruvitoso

2014-12-01

Full Text Available In his cognitive model called “mithological machine”, Furio Jesi proposes to circumscribe the concept of “myth” by means of a technique of critical composition of data and doctrines about the myth and the mythology. The model not only seeks to brave scientific-methodological reasons but also ethical-political ones. It’s about avoiding all the evocation and instrumentalization of myth in view of a political interest. This work analyzes the way as the model of Jesi resumes and develops two motives of Walter Benjamin’s work: (1 the one known as method of the quote without quotation marks and (2 the criticism of the reactionary theories of myth, specifically regarding the rehabilita­tion of Bachofen in the German culture from 1920’s and 1930’s.

Benjamin y la difusión radiofónica de la música popular

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Sammartino, Federico

2014-01-01

Los revolucionarios avances de la tecnología hacenque detenerse a pensar sobre la radio sea una actividadanacrónica. Sin embargo, la radio no sólo se ha adaptadoa nuevos dispositivos digitales tales como, Web, MP3 yteléfonos móviles, sino que en muchas partes de AméricaLatina es aún el medio primario para el consumo musical.En este trabajo repasaré algunos conceptos que WalterBenjamin planteó para la fotografía y que pueden seraplicados al abordar el estudio de la escucha radiofónicade la mús...

Benjamin's Angel of History and the Work of Mourning in Ethical Remembrance: Understanding the Effect of W.G. Sebald's Novels in the Classroom

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Joldersma, Clarence W.

2014-01-01

The paper develops a conceptual framework for understanding the work of ethical remembrance in the classroom. Using David Hansen's recent example of using Sebald's novels in his classroom to do the work or remembrance, the paper argues that the effect of Sebald's novels is best understood using Walter Benjamin's figure of the…

Rumsansning mellem vane og oplevelse

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Reeh, Henrik

2004-01-01

Walter Benjamin, Steen Eiler Rasmussen, arkitektur, sansning, vane, taktilitet, oplevelse, erfaring, Rom......Walter Benjamin, Steen Eiler Rasmussen, arkitektur, sansning, vane, taktilitet, oplevelse, erfaring, Rom...

La rue et ses légendes

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Reeh, Henrik

1997-01-01

Bykultur, kartografi, kunst, semiotik, Paris, Pierre Alechinsky, Gilbert Lascault, Walter Benjamin, Michel de Certeau......Bykultur, kartografi, kunst, semiotik, Paris, Pierre Alechinsky, Gilbert Lascault, Walter Benjamin, Michel de Certeau...

La enfermedad histórica de la hermenéutica y su transformación dialéctica. El pensamiento débil entre Gadamer y Benjamin

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Leandro Catoggio

2013-05-01

Full Text Available El presente trabajo tiene por fin mostrar cómo la hermenéutica nihilista de Gianni Vattimo mediante su crítica a la hermenéutica ontológica de Gadamer recupera la figura de Walter Benjamin y la asocia al proyecto de Heidegger. Esto lleva a que el presente trabajo, en primer lugar, describa cuáles son las críticas que Vattimo le realiza a Gadamer; y, en segundo lugar, muestre cómo es posible aunar la filosofía de Heidegger con el pensamiento crítico de Benjamin. Por último, se indica mediante la congruencia de estos autores cómo es posible la construcción de un sujeto post-metafísico

Juventud, memoria y derechos en tiempos de crisis. Una reflexión desde la crítica literaria de Walter Benjamin y la generación perdida de “Historias del Kronen”

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Albert Noguera Fernández

2014-07-01

Full Text Available A partir de la obra del crítico literario Walter Benjamin el presente artículo explica cómo la recuperación de la Memoria histórica y su conexión con el presente constituye un elemento indispensable para poder construir un proyecto político colectivo capaz de recuperar la democracia, los derechos y la justicia social hoy desmantelados con la muerte del Estado constitucional en Europa. Este objetivo implica poner sobre la mesa dos cuestiones complejas. La primera es la implicación en este proyecto de una generación de jóvenes desencantada que ha roto todos los lazos con los valores políticos y sociales de las generaciones anteriores y que construye sus referentes vitales y modelos a seguir a través del consumismo y sus imaginarios. Generación descrita muy sugerentemente por la novela, después película, Historias del Kronen. La segunda es la referida a los usos o tratamiento que hay que dar a la Memoria para convertirla en un instrumento útil para el fin planteado.

Gnadenlos und gnadenreich

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Goldbæk, Henning

2008-01-01

Om arkivet som formkategori i Adornos Beethovenbog og i Walter Benjamins Passageværk Udgivelsesdato: februar......Om arkivet som formkategori i Adornos Beethovenbog og i Walter Benjamins Passageværk Udgivelsesdato: februar...

La Bella Durmiente y el motivo del despertar de la juventud en el Walter Benjamin temprano

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Mariela Silvana Vargas

2016-11-01

Full Text Available El objetivo de este artículo es analizar la imagen del despertar como ‘despertar de la juventud’ en La Bella Durmiente (1911, el primer texto teórico de Benjamin y mostrar que esta figura no está exenta de una profunda ambigüedad y de contradicciones propias de su ‘metafísica de la juventud’. La juventud, como el sujeto capaz de llevar a cabo transformaciones sociales radicales debe ser, como la Bella Durmiente, despertada por otro. Esta paradójica pasividad marcaría el destino del Jugendbewegung.

Without Pictorial Detour: Benjamin, Mies and the Architectural Image

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Lutz Robbers

2016-05-01

Full Text Available It can be argued that architectural knowledge was of crucial importance to Walter Benjamin for elaborating his version of an anthropological historical materialism. Between 1929 and 1931 he encounters two publications on architectural history which had a decisive impact on his ensuing works: Sigfried Giedion’s Bauen in Frankreich, Bauen in Eisen, Bauen in Eisenbeton (1928 and Carl Linfert’s Die Grundlagen der Architekturzeichnung (1931. It can be argued that both works played a role in affirming, if not developing his historical method of awakening the dreaming collective into a ‘now of recognisability,’ a method which one can argue is based on a specific image-based epistemology. Especially the architectural image, whether in the form of a printed drawing, photographic illustration, or an actual built object, appears to have been crucial for placing the history of media technologies (architecture being one of these media in a constellation with the ‘archaic symbol-worlds of mythologies.’ If architecture is, as Benjamin claims in his initial notes for The Arcades Project, ‘the most important testimony to latent “mythology,”’ the architectural image might very well be the agent that causes the moment of awakening, the instance when a constellation between technology and ancient symbol worlds is formed. In the second part of this essay, I will attempt to elaborate such a designation for the specificity of the architectural image by analysing a number of Ludwig Mies van der Rohe’s drawings and collages from the 1920s as architectural images in the Benjaminian sense.

Hermetismo e provocação: sobre “A tarefa do tradutor”, de Walter Benjamin

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Georg Otte

2015-12-01

mesmo tempo um atrativo e um desafi o para seus leitores. Justapondo afirmações apodíticas, ele mesmo dá um exemplo dessa ambivalência pela provocativa ideia de que nem a obra literária nem sua tradução estariam dirigidas ao seu leitor. Considerando o uso comunicativo da linguagem como um abuso, Benjamin não apenas defende a autonomia da obra, mas também reivindica a autonomia da tradução como “forma”. Não sendo um canal de comunicação para o original nem sua derivação, a tarefa da tradução consiste em despertar a “pura língua” no original. Assim, correspondências escondidas têm de substituir a comunicação linear.

UNTERWEGS-­‐‑SEIN IN EUROPA ZWISCHEN VERGANGENHEIT UND ZUKUNFT. BENJAMINS UND BOBROWSKIS „WANDERER“

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Maria Behre

2015-12-01

Full Text Available In his Denkbilder, the Jewish philosopher and homme de lettre Walter Benjamin describes scenes from European metropolises. He offers a glance at quite heterogeneous and freely chosen life styles of the turbulent nineteen-twenties to sketch a possible future for Europe. Today’s reader of the Denkbilder can hardly suppress the memory of a political and personal crisis, namely that of Benjamin’s flight across the Pyrenees, which ended in the Spanish harbour town Portbou. In the poem Der Wanderer, the writer Johannes Bobrowski, a resident of East Berlin, captures the life of a wanderer who depends on the hospitality of others, because he is either persecuted or his freely chosen lifestyle requires him to roam about. For both authors, travelling becomes a substitute for “Heimat” and also a way of life that represents the future of Europe. This forward-looking attitude is based on the experience of cataclysmic events that have been memorably expressed in highly literate apocalyptic images. The writer and graphic designer Christoph Meckel emphasizes how life rises out of ruins only to return to them, by embedding the lyrical process in Eastern European villages, thereby creating a country for which Bobrowski had chosen the mythological name “Sarmatia”, which stands for a messianic utopian vision shared by Benjamin and others.

BENJAMIN HARRISON

Institute of Scientific and Technical Information of China (English)

无

2002-01-01

GRANDSON of a President and great-grandson of a signer of the Declaration of Independence, Benjamin Harrison carried a distinguished American name into the White House, but historians generally agree that he added very little distinction to it during his stay there.

Eesti graafika rahvusvahelisel areenil / Benjamin Vasserman

Index Scriptorium Estoniae

Vasserman, Benjamin

1999-01-01

26. VIII-28. XI Fredrikstadis Hebleri-nim. rahvusvahelises graafikakeskuses avatud XII Norra rahvusvahelisel graafikatriennaalil esindavad Eestit Anu Kalm, Avo Keerend, Vive Tolli, Benjamin Vasserman, Mare Vint. Peapreemia ئ Anthony Hill. Triennaali president - Herman Hebler (s. 1911). 24. VI-15. IX Poolas toimunud X Lodzi rahvusvahelisel väikegraafika triennaalil osalesid Eestist Virge Jõekalda, Benjamin Vasserman.

Taktile Rezeption und lebensweltliche Umsicht. Film und Stadterfahrung bei Benjamin und Heidegger

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Christian Ferencz-Flatz

2010-06-01

Full Text Available In his famous essay, The Work of Art in the Age of Mechanical Reproduction, Walter Benjamin compares the daily experience of buildings with the perception of films. His comparison relies on the peculiar concept of “tactile reception“, he opposes to the optically oriented traditional attitude towards art. The concept encompasses two essential traits: on the one hand, it designates the fact that films do not require a contemplative, focused attention, but a habitual, distracted approach, similar to that by which we perceive buildings in our everyday life-world. On the other hand, Benjamin’sconcept points to a particular “chock-effect” produced by cinematic experience, through its constant change of perspectives and points of view. By this, it challenges precisely the same form of ambient perception required in numerous situations of our daily life in the modern city. The two determinations sketch out a unitary concept that shows obvious similarities to the phenomenological idea of a “life-worldly circumspection” (Umsicht, a specific manner of sight guiding everyday practical life.

O narrador solidário de Juan Coytisolo

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Annete de Almeida Faria

2011-11-01

Full Text Available Resumo: Este artigo se propõe a analisar a construção do narrador de Cuaderno de Sarajevo: anotaciones de un viaje a la barbarie (1993, do escritor espanhol Juan Goytisolo, como expressão estética do seu compromisso ético. Tomamos como referência O narrador de Walter Benjamin para entender o narrador goytisolano como aquele que através das viagens busca o “outro”, elabora um arquivo memorial polifônico, misturando diferentes tipos de linguagem para dar voz às minorias.Palavras-chave: Literatura espanhola; Juan Goytisolo; Cuaderno de Sarajevo: anotaciones de un viaje a la barbarie; Walter Benjamin; O narrador; polifonia.Resumen: El propósito de este artículo consiste en analizar la construcción del narrador de Cuaderno de Sarajevo: anotaciones de un viaje a la barbarie (1993, del escritor español Juan Goytisolo, como expresión estética de su compromisso ético. Tomamos como base el ensayo El narrador, de Walter Benjamin, para comprender al narrador goytisolano como el que viaja en busca del “oro” (otredad para componer un archivo memorial polifónico, mezclando diferentes tipos de lenguaje para dar voz a las minorías.Palabras-clave: Literatura española; Juan Goytisolo; Cuaderno de Sarajevo: anotaciones de un viaje a la barbarie; Walter Benjamin; El narrador; polifonía.Keywords: Spanish literature; Juan Goytisolo; Cuaderno de Sarajevo: anotaciones de un viaje a la barbarie; Walter Benjamin; El narrador; poliphony.

Ideologia alemã: a produção do mito na teórica do fascismo em W. Benjamin e S. Kracauer [German Ideology: The Production of Myth in the Theory of Fascism in W. Benjamin and S. Kracauer

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Robson Breno Dourado de Araujo

2017-05-01

Full Text Available Este texto discute a constituição ideológica da intelectualidade alemã no período pós Primeira-Guerra tal como exposto por Walter Benjamin e Siegfried Kracauer. Inicialmente, apresentamos o mote formal da produção literária de Ernst Jünger e do Círculo Tat, analisados pelos autores, respectivamente, e as condições de emergência da “superestrutura das relações materiais” como posicionamento político capaz de fundar o mito da germanidade que alicerça o novo nacionalismo de então. Desta feita, tematiza-se o modo como tal produção intelectual gerencia a ideia do herói de guerra e do Estado-Povo pervertendo a experiência da guerra de trincheira sobrepondo-lhe uma miragem.

Vae Victis : Esimene juhtum : Walter Reder / Hannes Walter

Index Scriptorium Estoniae

Walter, Hannes, 1952-2004

2004-01-01

Teises maailmasõjas Saksamaa poolel võidelnud austerlasest Walter Rederist, kes mõisteti 1951. aastal Bolognas kommunistide korraldatud nn Stalini Venemaa stiilis kohtulavastuse tulemusena süüdi sõjaroimarina

ESTIMACIÓN DEL EXPONENTE DE HURST Y DIMENSIÓN FRACTAL PARA EL ANÁLISIS DE SERIES DE TIEMPO DE ABSORBANCIA UV-VIS

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Leonardo Plazas Nossa

2014-01-01

Full Text Available El objetivo de este trabajo es estimar el exponente o parámetro de Hurst y la dimensión fractal para el análisis de series de tiempo de espectrometría UV-Vis, utilizando el análisis de componentes principales PCA (Principal Component Analysis. El análisis se realiza para comprender si las series de tiempo de absorbancia UV-Vis son persistentes, anti-persistentes, determinísticas o si son ruido blanco. Se utilizaron tres diferentes series de tiempo de absorbancia UV-Vis para tres diferentes sitios de estudio: (i Planta de tratamiento de aguas residuales Salitre (PTAR en Bogotá; (ii Estación elevadora de Gibraltar en Bogotá (EEG; y (iii Planta de tratamiento de aguas residuales San Fernando (PTAR en Itagüí (sur de Medellín. Cada una de las series de tiempo tiene igual número de muestras (5705. Se redujo la dimensionalidad de los espectros de absorbancia, dada su alta correlación, con PCA y se utilizó para cada sitio de estudio la primera componente principal. Esta componente principal explicó entre el 82% al 94% de la variabilidad para los tres sitios de estudio. Se determinaron los exponentes de Hurst: (i 0.8 para PTAR Salitre; (ii 0.85 para EEG; y (iii 0.89 para PTAR San Fernando. A partir de los valores de los exponentes de Hurst se determinan las dimensiones fractales para las tres series de tiempo de absorbancia UV-Vis en los tres sitios de estudio y se obtiene en promedio una dimensión fractal de 1153. Las tres series de tiempo de absorbancia UV-Vis son persistentes y con alta auto-similitud, dado que el exponente de Hurst es mayor a 0.5.

Eestlased graafikanäitustel / Benjamin Vasserman

Index Scriptorium Estoniae

Vasserman, Benjamin

1999-01-01

IV Kochi graafikatriennaalil Jaapanis 13. III-18. IV osales Eestist Benjamin Vasserman tööga "Vaheldus I". Peapreemia: Eduardo Roca Zalazar. XIV rahvusvahelisel graafikanäitusel "Premio Internationale Biella per I'Incisione" Itaalias 23. IV-23. V osalesid Eestist Peeter Allik, Reti Saks, Benjamin Vasserman. Näituse nimeline preemia: Seung Yeon Kim. 26. VIII avati Fredrikstadis 12. Norra rahvusvaheline graafikatriennaal. 5. nov. avatakse X Varna graafikabiennaal Bulgaarias, 15. XII ئ III Egiptuse graafikatriennaal Gizas. "International Print Triennial Cracow 2000" näitustest

In Search of Lost Community: The Literary Image between “Proust” and “Baudelaire” in Walter Benjamin’s Modernization Lament

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Karyn Ball

2015-02-01

Full Text Available This essay takes up the encounter between philosophy and literature through a reconsideration of Walter Benjamin’s remarks from “On Some Motifs in Baudelaire” about Henri Bergson’s Matière et mémoire as an attempt “[t]owering above” other ventures into Lebensphilosophie to “lay hold of the ‘true’ experience, as opposed to the kind that manifests itself in the standardized, denatured life of the civilized masses”. Despite his initial affirmation of Bergson’s understanding of experience as connected with tradition, Benjamin criticizes the philosopher’s account for sidestepping “the alienating, blinding experience of the age of large-scale industrialism” in reaction to which, as Benjamin insists, Bergson’s philosophy of memory developed. Yet even as Bergson shuts out the historical import of modernization, according to Benjamin, he also spotlights a “complementary” visual experience “in the form of its spontaneous afterimage”. Benjamin subsequently defines Bergson’s philosophy as “an attempt to specify this afterimage and fix it as a permanent record”, an endeavor that inadvertently “furnishes a clue to the experience which presented itself undistorted to Baudelaire’s eyes, in the figure of his reader”. If the literary critic might be viewed here as weighing in on a long-running antagonism between philosophy and literature, then his assessment is resolute: by praising the self-conscious historicity of Baudelaire’s lyric, Benjamin declares that poetry succeeds where Lebensphilosophie fails. Notably, Baudelaire is not the only figure to upstage “ahistorical” Bergson, since Marcel Proust and Sigmund Freud facilitate this victory. To contextualize the second section of “Motifs”, where Benjamin discusses the novelist’s “immanent critique of Bergson” this essay offers a reading of “On the Image of Proust” as a propadeutic to Benjamin’s privileging of “Baudelaire” over �

Benjamin Vassermanile preemiad

Index Scriptorium Estoniae

2007-01-01

Graafik Benjamin Vasserman pälvis kolme digitaalse graafilise lehe eest žürii kiituse Ungaris Györis toimunud biennaalil "The Master of Drawing and Graphic Arts" ning II preemia nelja lehe eest Leedus Vilniuses toimunud VI rahvusvahelisel väikegraafika triennaalil. Eestist osalesid veel Reti Saks ja Kelli Valk

Sobre brinquedos e infância: aspectos da experiência e da cultura do brincar On toys and childhood: aspects of the experience and culture of playing

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Danielle Barbosa Lins de Almeida

2006-08-01

Full Text Available Partindo do paradigma do pensador Walter Benjamin, um dos mais proeminentes do século XX, cujo materialismo evoca a categoria da infância desvinculada da ótica ideológica de uma visão complacente, este trabalho busca capturar o pensar sobre tal experiência por intermédio da leitura e da subseqüente discussão sobre textos de cerca de 80 anos, os quais surpreendem pela sua contemporaneidade. Assim, o presente trabalho inicia-se de uma reflexão crítica sobre a infância oriunda da leitura dos luminosos textos de Walter Benjamin sobre a cultura da criança. Ao revisitá-los, espera-se contribuir em direção à elucidação do grande enigma dos valores da infância, sendo esta fundamental à compreensão da modernidade.Based on the paradigm of philosopher Walter Benjamin, whose materialism evokes the category of childhood detached from an ideological and indulgent view, the present paper aims at capturing the experience of childhood through the reading and subsequent discussion of Walter Benjamin's surprisingly contemporary 80-year-old texts on children's culture. By revisiting such articles, It expects to further elucidate the enigma of childhood values as well as to provide a view on how such values help promote a more comprehensive account of modernity.

Benjamin Fondane notebooks. Benjamin Fondane facing the History. About the Existential Monday. The Poem time, no. 14/2011, Editions Kedem, Tel Aviv, 243 p.

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Speranţa Sofia MILANCOVICI

2011-01-01

Full Text Available Luna august reprezintă, pentru membrii sau colaboratorii Socièté d’Etudes Benjamin Fondane, momentul întâlnirii ştiinţifice anuale sub genericul Rencontres de Peyresq. Fiecare astfel de reuniune este succedată de apariţia unui volum critic realizat cu sprijinul Centre National du Livre – France. Este vorba despre seria deja cunoscutelor, în bibliografia de specialitate, Cahiers Benjamin Fondane.Volumul recent apărut poartă titlul Benjamin Fondane devant l’Histoire. Autour du Lundi existentiel. Au temps du Poème şi este cel de al paisprezecelea număr din seria caietelor.În îngrijirea energicei şi competentei preşedinte a Société d’Etudes Benjamin Fondane, prof. dr. Monique Jutrin, volumul propune spre lectură cercetătorilor de specialitate un corpus de eseuri critice grupate pe secţiuni: editorial, filosofie, poezie, opera în limba română a lui Benjamin Fundoianu, bibliografie de specialitate etc.

El hilo sutil de la rememoración. Felicidad y redención histórica en la obra de Walter Benjamin

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Palermo, Sandra Viviana

2011-12-01

Full Text Available This paper presents an analysis of the structure of the Messianic time that Benjamin tries to think from the point of view of its inextricable connection to the concepts of happiness and redemption. The conceptual route goes from the early writings, in which the constellation happiness-redemption acquires a definite physiognomy —combining with an elegant and specific critique of modernity— to the thesis Über den Begriff der Geschichte, in which this constellation is intertwined with the figure of Eingedenken, which determines an important conceptual shift in the theoretical horizon of the author, also representing the specificity and richness of his reflections on time and history.

El texto presenta un análisis de la estructura del tiempo mesiánico que Benjamin intenta pensar desde el punto de vista de su indisoluble conexión con los conceptos de felicidad y redención. El recorrido conceptual va desde los escritos de juventud, en los que la constelación felicidad-redención adquiere una fisionomía definida —conjugándose con una crítica elegante y puntual de la modernidad—, a las tesis Sobre el concepto de historia, en las cuales tal constelación se entrelaza con la figura del Eingedenken, que determina un desplazamiento conceptual importante en el horizonte teórico del autor, representando además la especificidad y la riqueza de su reflexión sobre el tiempo y la historia.

"Los avisadores del fuego": Rosenzweig, Benjamin, Kafka

OpenAIRE

Mate, Reyes; Mayorga, Juan

2000-01-01

There were thinkers who foretold in their time the signs of the coming catastrophe. They were not prophets but fine analysts. We are referring to Rosenzweig, Benjamin and Kafka. In the "idealism" of the philosophy that comes from Jonia and reaches Jena, Rosenzweig animadverted on the tendency to a totalitarianism that potentially converted it into an "ontology of war". Benjamin brought to light the radical ambiguity within the concept of progress, so fundamental to the illustrated thought. Ba...

Integrable hydrodynamics of Calogero-Sutherland model: bidirectional Benjamin-Ono equation

International Nuclear Information System (INIS)

Abanov, Alexander G; Bettelheim, Eldad; Wiegmann, Paul

2009-01-01

We develop a hydrodynamic description of the classical Calogero-Sutherland liquid: a Calogero-Sutherland model with an infinite number of particles and a non-vanishing density of particles. The hydrodynamic equations, being written for the density and velocity fields of the liquid, are shown to be a bidirectional analog of the Benjamin-Ono equation. The latter is known to describe internal waves of deep stratified fluids. We show that the bidirectional Benjamin-Ono equation appears as a real reduction of the modified KP hierarchy. We derive the chiral nonlinear equation which appears as a chiral reduction of the bidirectional equation. The conventional Benjamin-Ono equation is a degeneration of the chiral nonlinear equation at large density. We construct multi-phase solutions of the bidirectional Benjamin-Ono equations and of the chiral nonlinear equations

Ideologia alemã: a produção do mito na teórica do fascismo em W. Benjamin e S. Kracauer

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Robson Breno Dourado de Araujo

2017-05-01

Full Text Available Este texto discute a constituição ideológica da intelectualidade alemã no período pós Primeira-Guerra tal como exposto por Walter Benjamin e Siegfried Kracauer. Inicialmente, apresentamos o mote formal da produção literária de Ernst Jünger e do Círculo Tat, analisados pelos autores, respectivamente, e as condições de emergência da “superestrutura das relações materiais” como posicionamento político capaz de fundar o mito da germanidade que alicerça o novo nacionalismo de então. Desta feita, tematiza-se o modo como tal produção intelectual gerencia a ideia do herói de guerra e do Estado-Povo pervertendo a experiência da guerra de trincheira sobrepondo-lhe uma miragem.

Walter Pater and the Language of Sculpture

DEFF Research Database (Denmark)

Østermark-Johansen, Lene

Walter Pater and the Language of Sculpture is the first monograph to discuss the Victorian critic Walter Pater's attitude to sculpture. It brings together Pater's aesthetic theories with his theories on language and writing, to demonstrate how his ideas of the visual and written language...... the idea of rivalry (paragone) more broadly, examining Pater's concern with positioning himself as an art critic in the late Victorian art world. Situating Pater within centuries of European aesthetic theories as never before done, Walter Pater and the Language of Sculpture throws new light...

Messianica ratio. Affinities and Differences in Cohen’s and Benjamin's Messianic Rationalism

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Fabrizio Desideri

2015-11-01

Full Text Available In my paper, I intend firmly to criticize Taubes' interpretation of Benjamin's Theology as a modern form of Gnosticism (Benjamin as a modern Marcionit. In a positive way, I sustain rather the thesis that Benjamin's Messianism is in close connection with his conception of reason (“the sharpened axe of reason” and, in particularly, with the paradoxical unity of Mysticism and Enlightenment, which, according to the famous definition of Adorno, distinguishes his thought. As a radically anti-magical and anti-mythical conception of the historical time, Benjamin's Messianism has to be considered as an original synthesis between motifs of the mystical tradition of the Jewish Kabbalah and motifs belonging to the rationalist tradition of the Jewish philosophy. Moving from Cohen's standpoint of a continuity between Maimonides and Kant, I consider therefore the affinity between his messianic conception of history and that of Benjamin. Both, Benjamin and Cohen, share, together with the reference to the a priori of the idea of justice, the reference to the Kantian connection between rationality and hope. Hence originates the non-eschatological Messianism of both. Motives of difference between Cohen and Benjamin’s messianic idea are to be found, conversely, in their different way to consider the idea of "the infinite task" and of its infinite fulfillment in the context of the historical time. Unlike the fundamentally ethical interpretation that Cohen gives of this relationship, Benjamin understands it ontologically in a monadological sense. This explains the constitutive relationship that exists, in Benjamin's philosophy, between Origin, Fragment and Revelation. In the light of this connection, Benjamin's messianic understanding of the historical time exceeds the Scholemian alternative between a restorative and a utopian conception of Messianism. Consequently, the Krausian motto “Ursprung ist das Ziel” (“The Origin is the Goal” displays its truth

Travelling wave solutions of the generalized Benjamin-Bona-Mahony equation

International Nuclear Information System (INIS)

Estevez, P.G.; Kuru, S.; Negro, J.; Nieto, L.M.

2009-01-01

A class of particular travelling wave solutions of the generalized Benjamin-Bona-Mahony equation is studied systematically using the factorization technique. Then, the general travelling wave solutions of Benjamin-Bona-Mahony equation, and of its modified version, are also recovered.

Benjamin's Theory of the Lyric

OpenAIRE

David E. Wellbery

1986-01-01

The paper reconstructs the argument of Benjamin's early Hölderlin essay, with special emphasis on the notion of das Gedichtete . This notion is shown to name a fundamental dissonance between two semiotic modalities, graphics and Gestalt .

Análise crítica do desempenho evolutivo da visão subnormal no Instituto Benjamin Constant Critical analysis of the progressive performance of low vision in Benjamin Constant Institute

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Helder Alves da Costa Filho

2005-12-01

Full Text Available OBJETIVO: Avaliar a efetividade do setor de Visão Subnormal no Instituto Benjamin Constant (IBC e comprovar a real necessidade de um Instituto nos moldes do Instituto Benjamin Constant na atual política de inclusão. MÉTODOS: Estudo ecológico, realizado de 1º de outubro de 1990 a 20 de dezembro de 2002, analisando três períodos de atendimento no setor de Visão Subnormal no Instituto Benjamin Constant: a 1991 - início do atendimento; b 1995 - integração médico-pedagógica; c 2002 - estágio atual. Nesta análise foram estudados os seguintes indicadores: I - número de atendimentos no setor de Visão Subnormal; II - condições do setor de Visão Subnormal no Instituto Benjamin Constant e III - associados. RESULTADOS: Observou-se aumento do atendimento, que passou a ser mais abrangente após a integração médico-pedagógica. Outros indicadores, como a capacitação de profissionais médicos, a participação em cursos de capacitação no Instituto Benjamin Constant, o aumento do número de convênios e encaminhamentos para o Instituto Benjamin Constant, além da Reabilitação, também confirmam a efetividade do setor de Visão Subnormal no Instituto Benjamin Constant. CONCLUSÕES: O setor de Visão Subnormal mostrou ser a interface entre o serviço médico e o serviço pedagógico, passando a interagir posteriormente com a Reabilitação e a Coordenação de Educação Física. Isto acarretou mudança de postura de diferentes setores do Instituto Benjamin Constant com relação ao paciente portador de visão subnormal, desde o educando até o paciente da comunidade. Desse modo, o Instituto Benjamin Constant mostrou a sua utilidade no tocante à política de inclusão.PURPOSE: To evaluate effectiveness of the Low Vision the Benjamin Constant Institute (BCI and confirm the real necessity of an Institute like BCI in the present inclusion policy. METHODS: Ecological study, analyzing 3 periods of Low Vision Assistance at the Benjamin

Benjamin's Theory of the Lyric

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David E. Wellbery

1986-09-01

Full Text Available The paper reconstructs the argument of Benjamin's early Hölderlin essay, with special emphasis on the notion of das Gedichtete . This notion is shown to name a fundamental dissonance between two semiotic modalities, graphics and Gestalt .

Análisis de estabilidad de controladores borrosos tipo Mamdani mediante el cálculo del exponente de Lyapunov

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Leonardo-Alonso Martínez Rivera

2015-10-01

Full Text Available Resumen: Determinar la estabilidad de los controladores, ya sea mediante simulaciones o mediante técnicas analíticas, es vital en su diseño e implantación. El método analítico de estabilidad en el sentido de Lyapunov requiere encontrar una función candidata, como criterio suficiente pero no necesario para tal fin. Esta función candidata es elusiva para los controladores borrosos. Se propone, como posible solución a este problema, cuantificar la estabilidad de los controladores borrosos mediante el exponente de Lyapunov (EL calculado numéricamente. Las series de tiempo de la cuales se calculan los exponentes de Lyapunov son obtenidas de la salida de diversos controladores borrosos tipo Mamdani en lazo cerrado con la dinámica de la planta no lineal estabilizada en una región de operación admisible. Los experimentos fueron llevados al cabo mediante la implantación del método numérico en la plataforma MATLAB, integrándolo con datos provenientes de la simulación de diversos controladores borrosos. La planta a controlar es el sistema carro-péndulo invertido modelado con la formulación Euler Lagrange. En cada experimento se obtuvo la serie de tiempo correspondiente a la señal de control y se calculó el exponente de Lyapunov. Aunque se observan variaciones en magnitud, el exponente calculado resulta negativo en todos los casos. Esto indica que los controladores difusos tipo Mamdani empleados son sistemas disipativos. Como trabajo futuro se esboza el empleo del EL en control adaptable. Abstract: In order to design and implement any type of controller, their stability analysis is pivotal. At this regard, Lyapunov's analytical method consists in finding a candidate function as a sufficient but not necessary condition to validate the stability of the controller. In the case of fuzzy controllers such a candidate function is not always found, leading to an uncertainty about their stability. To

"The Storyteller: Reflections on the Works of Nikolai Leskov."

Science.gov (United States)

International Journal of Oral History, 1981

1981-01-01

Presents 11 selections from Walter Benjamin's essay "The Storyteller" which illustrate how the work milieu and the significance of death are incorporated into stories. Benjamin compares historiography to traditional storytelling, and discusses the effect of the storyteller's need to maintain the listener's interest upon the story's style…

POR UMA CONCEPÇÃO CRÍTICA DE INFÂNCIA

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Marcelo Santana Ferreira

2015-08-01

Full Text Available O presente artigo se volta ao estudo de parte da obra de Walter Benjamin dedicada à problematização filosófica e política da infância, com o intuito de contribuir para o aprofundamento de discussões no campo da Psicologia a respeito do conceito de infância e seu caráter histórico. Walter Benjamin pode ser considerado um importante interlocutor para indagações críticas em Psicologia em torno da infância e da relação dialógica entre crianças e adultos. Após sugerir a fecundidade da aproximação, o artigo se volta à caracterização de Walter Benjamin acerca da experiência da infância, um dos aspectos mais significativos de seu esforço teórico e político de elaboração de um conceito de história materialista, atenta aos apelos dos vencidos e ao inacabamento do passado.

The essayistic style of Walter Benjamin

OpenAIRE

Ceserani, Remo

2015-01-01

Članek obravnava tipični esejistični stil Walterja Benjamina. Za vse žanre njegovega pisanja je značilna alegoričnost in surrealističnost s skritimi ter zasebnimi (in esejističnimi) pomeni, a tudi s preroško halucinatorično napetostjo.

Benjamin Thompson, Count Rumford Count Rumford on the nature of heat

CERN Document Server

Brown, Sanborn C

1967-01-01

Men of Physics: Benjamin Thompson - Count Rumford: Count Rumford on the Nature of Heat covers the significant contributions of Count Rumford in the fields of physics. Count Rumford was born with the name Benjamin Thompson on March 23, 1753, in Woburn, Massachusetts. This book is composed of two parts encompassing 11 chapters, and begins with a presentation of Benjamin Thompson's biography and his interest in physics, particularly as an advocate of an """"anti-caloric"""" theory of heat. The subsequent chapters are devoted to his many discoveries that profoundly affected the physical thought

O Atlas e as Passagens: a rarefação do eu diante do arquivo

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Kelvin dos Santos

2013-06-01

Full Text Available This essay attempts to trace, in the work of Aby Warburg and Walter Benjamin, the emergence of a new paradigm regarding critical thinking and historiography. The hypothesis is that, since the advent of the Warburg's Mnemosyne Atlas, and Walter Benjamin's Passagen-Werk, rises an axis of critical-artistic force, covering the entire twentieth century and surviving as primordial event to the contemporary scene. The main feature of this paradigm lies in its particular blend of individual choice and documentary work, which ends in a context of works endowed with multiple affiliations, ethical, political and aesthetic.

Mälestusi Walter Masingust

Index Scriptorium Estoniae

2006-01-01

Erich Asumäe, Ahto Tihkani, Aivi Rossi, Aigar Saliste, Joann Lillemägi, Henno Viili meenutusi professor Walter Masingust, kes aastatel 1956-1959 oli EOQC-i (Euroopa Kvaliteedikontrolli organisatsioon) president

Summary of Steve Jobs, Walter Isaacson

CERN Document Server

Reader, Capitol

2013-01-01

This ebook consists of a summary of the ideas, viewpoints and facts presented by Walter Isaacson in his book "Steve Jobs". This summary offers a concise overview of the entire book in less than 30 minutes reading time. However this work does not replace in any case Walter Isaacson's book.Isaacson reveals the story of Steve Jobs career, which is a tale filled with lessons about innovation, character, leadership and being true to one's own values.

Benjamin Button Effect: Recognizable Rejuvenation.

Science.gov (United States)

Waldorf, Heidi A

2017-06-01

The "Benjamin Button" effect inspired by the popular motion picture, is used to describe the goal of achieving a clearly younger and more attractive, yet still natural appearance utilizing noninvasive and minimally invasive therapies and procedures. Due to high patient demand for enhancement and rejuvenation of the face and body with minimal downtime, there is an ever-increasing number of companies developing products and devices, variety of indications, and field of practitioners offering them. Each option, including topicals, injectables, and devices, promises near magical results. Despite that, a brief review of online discussions and media resources reveals both patients complaining of inadequate results and celebrities with extreme appearances. For clinical practitioners, it is critical to understand the art, science, and economics of noninvasive rejuvenation in order to properly evaluate potential patients, set appropriate expectations, develop, and provide an effective noninvasive rejuvenation plan to achieve a true "Benjamin Button" effect for patients. J Drugs Dermatol. 2017;16(6 Suppl):s74-76..

Answer to Benjamin Dessus or how the ideology can cloud the best minds; Reponse a Benjamin Dessus ou Comment l'ideologie peut obscurcir les meilleurs esprits

Energy Technology Data Exchange (ETDEWEB)

Nifenecker, H

2009-01-15

The author aims to clarify the declarations of the article published by Benjamin Dessus, in Mediapart. He accuses him of manipulating data in order to find faults with the french nuclear program and more particularly the electric heating. The author then details and explains many affirmations of Benjamin Dessus: the CO{sub 2} contain of the electricity, which electric production must be taken into account, the nuclear and the energy independence, the french petroleum consumption, the central electric heating, the nuclear reactor power adjustment, the prices. The article of Benjamin Dessus is also provided in annex. (A.L.B.)

"Los avisadores del fuego": Rosenzweig, Benjamin, Kafka

Directory of Open Access Journals (Sweden)

Mate, Reyes

2000-12-01

Full Text Available There were thinkers who foretold in their time the signs of the coming catastrophe. They were not prophets but fine analysts. We are referring to Rosenzweig, Benjamin and Kafka. In the "idealism" of the philosophy that comes from Jonia and reaches Jena, Rosenzweig animadverted on the tendency to a totalitarianism that potentially converted it into an "ontology of war". Benjamin brought to light the radical ambiguity within the concept of progress, so fundamental to the illustrated thought. Barbarism, in general, and fascism, in particular, are not the opposite to progress but one of its possibilities. That fatal possibility is, for the victim, the rule. Kafka traced with foresight the fascist reduction of man to bare life in the recurrent animalisation of his characters, as well as the denial of the other in those presented as victims of incommunications.

Hubo pensadores que supieron leer en su tiempo signos de la catástrofe venidera. No eran profetas sino finos analistas. Nos referimos a Rosenzweig, Benjamin y Kafka. Rosenzweig denunció en el "idealismo" de la filosofía que viene desde Jonia y llega hasta Jena la tendencia a un totalitarismo que la convertía en potencialmente en una "ontología de la guerra". Benjamin dejó constancia de la ambigüedad radical del concepto de progreso, tan fundamental para el pensamiento ilustrado. La barbarie, en general, y el fascismo, en particular, no son lo opuesto al progreso sino una de sus posibilidades. Esa fatal posibilidad es, para la víctima, la norma. Kafka capta anticipadamente la reducción fascista del hombre a nuda vida en la recurrente animalización de sus personajes, así como la negación del otro en sus personajes víctimas de la incomunicación.

Benjamin's conception of language and Adorno's aesthetic theory

Directory of Open Access Journals (Sweden)

Rodrigo Duarte

Full Text Available According to the theory of language of the young Benjamin, the primary task of language isn't the communication of contents, but to express itself as a "spiritual essence" in which also men take part. That conception according to which language would be a medium to signification of something outside it leads to a necessary decrease of its original strength and is thus denominated by Benjamin bürgerlich. The names of human language are remainders of an archaic state, in which things weren't yet mute and had their own language. Benjamin suggests also that all the arts remind the original language of things, as they make objects "speak" in form of sounds, colors, shapes etc. That relationship between arts as reminders of the "language of things" and the possible reconciliation of mankind with itself and with nature has been developed by Theodor Adorno in several of his writings, specially in the Aesthetic Theory, where the artwork is ultimately conceived as a construct pervaded by "language" in the widest meaning - not in the "bourgeois" sense.

Benjamin's conception of language and Adorno's aesthetic theory

Directory of Open Access Journals (Sweden)

Rodrigo Duarte

2005-12-01

Full Text Available According to the theory of language of the young Benjamin, the primary task of language isn't the communication of contents, but to express itself as a "spiritual essence" in which also men take part. That conception according to which language would be a medium to signification of something outside it leads to a necessary decrease of its original strength and is thus denominated by Benjamin bürgerlich. The names of human language are remainders of an archaic state, in which things weren't yet mute and had their own language. Benjamin suggests also that all the arts remind the original language of things, as they make objects "speak" in form of sounds, colors, shapes etc. That relationship between arts as reminders of the "language of things" and the possible reconciliation of mankind with itself and with nature has been developed by Theodor Adorno in several of his writings, specially in the Aesthetic Theory, where the artwork is ultimately conceived as a construct pervaded by "language" in the widest meaning - not in the "bourgeois" sense.De acordo com a teoria da linguagem do jovem Benjamin, a tarefa primordial da linguagem não é a comunicação de Conteúdos, mas expressar a si própria como uma "essência espiritual", da qual também o gênero humano toma parte. Essa concepção, de acordo com a qual a linguagem seria um médium para a significação de algo fora dela leva necessariamente a uma diminuição de sua potência originária e é, portanto, chamada por Benjamin burguesa (bürgerlich. Os nomes da linguagem humana são resquícios de um estado arcaico, no qual as coisas ainda não eram mudas e tinham sua própria linguagem. Benjamin sugere também que todas as artes rememoram a linguagem originária das coisas, na medida em que fazem os objetos "falarem" em forma de sons, cores, formas etc. Essa relação entre arte como resquício da "linguagem das coisas" e a possível reconciliação do gênero humano consigo próprio e com a

Walter van der Cruijsen / Walter van der Cruijsen ; interv. Tilman Baumgärtel

Index Scriptorium Estoniae

Cruijsen, Walter van der

2006-01-01

1997. a. Berliinis tehtud intervjuu hollandi maali, võrgu- ja installatsioonikunstniku Walter van der Cruijseniga (sünd. 1958), kes kuulub Euroopa ühe edukama 1990-ndatel loodud võrguprojekti De Digitale Stad Amsterdam loojate hulka

The Virtual Aura--Is There Space for Enchantment in a Technological World?

Science.gov (United States)

Hazan, Susan

As Walter Benjamin described in his famous essay, "The Work of Art in the Age of Mechanical Reproduction", the role of art in society and the notion that art has become modified through mechanical reproduction has engaged not only artists, but also curators and the museum public. Benjamin embraced the severing of the quasi-mystical…

Kodu kaitseks / Hannes Walter

Index Scriptorium Estoniae

Walter, Hannes, 1952-2004

2012-01-01

Kõne Eesti Muinsuskaitse Seltsi ja Eesti Akadeemilise Sõjaajaloo Seltsi korraldatud aktusel "Kodu kaitseks!" Tallinna Linnahallis 14. detsembril 1988. a. Vabadussõjast, selle tähendusest õppetundidest. Poleemika: Väitlus / Margus Laidre, Tõnu Tannberg, Hannes Walter, samas, lk. 332-338

Cálculo del exponente de Hurst utilizando Spark Streaming: enfoque experimental sobre un flujo de transacciones de criptomonedas

OpenAIRE

Basgall, María José; Hasperué, Waldo; Naiouf, Marcelo; Bariviera, Aurelio F.

2017-01-01

Actualmente es cada vez más común encontrarse con problemas de Big Data, donde las aplicaciones desarrolladas para resolver dichos problemas son implementadas en frameworks específicos. Uno de los que más se utiliza es Apache Spark, que posee el módulo Spark Streaming el cual permite el tratamiento de datos provenientes de un flujo de información potencialmente infinito. En este trabajo se presenta una aplicación implementada en Spark Streaming que realiza el cálculo del exponente de Hurst, u...

O Método de Ensino Intuitivo e a política educacional de Benjamin Constant. The intuitive teaching method and the educational policy of Benjamin Constant

Directory of Open Access Journals (Sweden)

Silva, Daniele Hungaro da

2014-08-01

Full Text Available Este trabalho tem por objeto de investigação as inovações que emergiram dos debates sobre instrução pública na reforma educacional realizada por Benjamin Constant, nos anos finais do Império e no início da República no Brasil. Objetiva-se compreender o fenômeno educativo do Método de Ensino Intuitivo presente nas políticas educacionais de Benjamin Constant no Brasil. Para isso, procura-se estabelecer a concepção educacional que permeia a produção bibliográfica do Método de Ensino Intuitivo no que se refere às suas fundamentações teóricas, com a finalidade de se enfatizar o modelo pedagógico proposto pelo político para a organização da escola pública nacional. A pesquisa, de cunho bibliográfico, se fundamenta no Decreto nº. 981 em 08/11/1890 (BRASIL, 1890, bem como em leis e regulamentos que preconizaram a Reforma Educacional de Benjamin Constant. Utilizam-se, também, como fontes pertinentes para esta pesquisa, os trabalhos de Machado (2002, Silva (2008, Valdemarin (2004. No período republicano, Benjamin Constant Botelho de Magalhães foi o responsável pela continuação das Reformas de Instrução Pública. Contudo, se fazia necessária a discussão de uma reforma que definisse a aplicação de métodos modernos na didática pedagógica. Nos dias atuais, o presente artigo auxilia para compreensão do que significaram as reformas de Benjamin Constant para a instrução pública na época do Brasil República, além do entendimento a respeito sobre de como esses vestígios educacionais, aliados à difusão do Método de Ensino Intuitivo para todas as classes, projetaram a estrutura organizacional da escola brasileira que se encontra atualmente. The purpose of this study was to investigate the innovations that emerged from debates about public instruction in the educational reform made by Benjamin Constant in the late Imperial and early Republican governments in Brazil. This study aims to understand, historically

The Pedagogue of the Auratic Medium--Extending the Argument

Science.gov (United States)

Dobson, Stephen

2008-01-01

Nick Peim has recently revisited the work of Walter Benjamin; specifically his famous essay on art and mechanical reproduction. In this reply, I too draw upon the inspiration of Benjamin to extend the argument to the question of experience and what might count as knowledge, both in a philosophical sense and also in terms of the curriculum. To…

Walter Scandale honoured

CERN Multimedia

2009-01-01

On 9 December 2008, Walter Scandale, a member of the EN Department, received the decoration of Knight of the Order of Merit of the Italian Republic, one of Italy’s highest decorations. He was awarded the medal by the Consul-General of Italy in Geneva on behalf of the President of the Italian Republic in recognition of his services to Italy in the field of science.

Les modalités du temps chez Benjamin Franklin

OpenAIRE

Marienstras, Elise

2010-01-01

La renommée multiséculaire de Benjamin Franklin tient surtout à sa qualité d'homme des Lumières. Cet article s'intéresse à l'extrême complexité de sa pensée sur le temps comme concept, comme mode de vie, comme outil pour s'enrichir, et comme vision générale du progrès du genre humain.The long-lasting fame of Benjamin Franklin rests principally on his characteristics as a scientist and a philosopher of the Enlightenment. This article raises the question of Franklin's conception of time and exa...

Answer to Benjamin Dessus or how the ideology can cloud the best minds

International Nuclear Information System (INIS)

Nifenecker, H.

2009-01-01

The author aims to clarify the declarations of the article published by Benjamin Dessus, in Mediapart. He accuses him of manipulating data in order to find faults with the french nuclear program and more particularly the electric heating. The author then details and explains many affirmations of Benjamin Dessus: the CO 2 contain of the electricity, which electric production must be taken into account, the nuclear and the energy independence, the french petroleum consumption, the central electric heating, the nuclear reactor power adjustment, the prices. The article of Benjamin Dessus is also provided in annex. (A.L.B.)

Haworth, Prof. Walter Norman

Indian Academy of Sciences (India)

Home; Fellowship. Fellow Profile. Elected: 1948 Honorary. Haworth, Prof. Walter Norman Nobel Laureate (Chemistry) - 1937. Date of birth: 19 March 1883. Date of death: 19 March 1950. YouTube; Twitter; Facebook; Blog. Academy News. IAS Logo. 29th Mid-year meeting. Posted on 19 January 2018. The 29th Mid-year ...

Hess, Prof. Walter Rudolf

Indian Academy of Sciences (India)

Home; Fellowship. Fellow Profile. Elected: 1966 Honorary. Hess, Prof. Walter Rudolf Nobel Laureate (Medicine) - 1949. Date of birth: 17 March 1881. Date of death: 12 August 1973. YouTube; Twitter; Facebook; Blog. Academy News. IAS Logo. 29th Mid-year meeting. Posted on 19 January 2018. The 29th Mid-year meeting ...

Allanach Benjamin, LAPTH, France Altarelli Guido, CERN ...

Indian Academy of Sciences (India)

Allanach Benjamin, LAPTH, France. Altarelli Guido, CERN, Switzerland. Ananthanarayan Balasubramanian,. IISc, Bangalore, India. Antoniadis Ignatios, CERN, Switzer- land. Aziz T, TIFR, Mumbai, India. Babu K S, Oklahoma State Univ., USA. Bailey Stephen, Harvard/BaBar, USA. Bailin David, University of Sussex, UK.

Benjamin Bloom: His Research and Influence on Education.

Science.gov (United States)

Anderson, Lorin W.

1988-01-01

A student of the University of Chicago's Measurement, Evaluation, and Statistical Analysis Program reflects upon Benjamin S. Bloom's professional and personal educational contributions, including mastery learning, educational equity, and educational excellence. (CB)

Walter Ouro Alves

Directory of Open Access Journals (Sweden)

Revista Chasqui

2015-01-01

Full Text Available CIESPAL y la revista Chasqui, órgano de difusión de este Centro, unen su pesar al de la familia del compañero, amigo y maestro Walter Ouro Alves. Al rendir un homenaje de admiración y gratitud por su honesta y prolífica labor, C1ESPAL recomienda su nombre como impulsor de la democratización de las comunicaciones en América Latina.

Benjamin Banneker and the Law of Sines

Science.gov (United States)

Mahoney, John F.

2005-01-01

Benjamin Banneker, a self-taught mathematician, surveyor and astronomer published annual almanacs containing his astronomical observations and predictions. Banneker who also used logarithms to apply the Law of Sines believed that the method used to solve a mathematical problem depends on the tools available.

Walter User’s Manual (Version 1.0).

Science.gov (United States)

1987-09-01

queries and/or commands. 1.2 - How Walter Uses the Screen As shown in Figure 1-1, Walter divides the screen of your terminal into five separate areas...our attention to queries and how to submit them to the database. 1.3.1 - Submitting Queries A query is an expression consisting of words, parentheses...dates, but also with ranges of dates, such as "oct 15 : nov 15". Waiter recognizes three kinds of dates: * Specific dates of the form [date <month> <day

Fragmente taevase laega labürindist / Jan Kaus

Index Scriptorium Estoniae

Kaus, Jan, 1971-

2007-01-01

Arvustus: Benjamin, Walter. Ühesuunaline tänav : [väikesed proosalood] / saksa keelest tõlkinud [ja järelsõna:] Katrin Kaugver. Tallinn : Kultuurileht, 2007. (Loomingu Raamatukogu ; 2007, 25-26)

Ornaments of Metropolis: Siegfried Kracauer and Modern Urban Culture

DEFF Research Database (Denmark)

Reeh, Henrik

Arkitektur, byrum, idéhistorie, byhistorie, Sigfried Kracauer (1889-1966), Walter Benjamin, Georg Simmel, ornament, bykultur, Paris, Frankfurt am Main, berlin, Nice, Urban Studies, humanistiske bystudier, byplanlægning, byteori, bysociologi...

La forma come esperimento o come destino

Directory of Open Access Journals (Sweden)

Alessandro Ottaviani

2012-05-01

Full Text Available This essay focuses on the complex relationship between Walter Benjamin and Goethe’s morphological doctrines as a key way into defining the concept of the dialectical image. By analysing a wide and scarcely explored literature, it reconsiders Benjamin’s critical response to the re-utilisation of Goethe's work by German biologists. It thus establishes a theoretical framework for delineating Benjamin's radical opposition to Spengler’s philosophy of history.

Auf den Spuren des verschollenen Polarforschers Baron Eduard Toll und seines Freundes Hermann Walter auf der Kotelny-Insel / Erki Tammiksaar, Roland Walter, Hans-Otto von Walter... [jt.

Index Scriptorium Estoniae

Tammiksaar, Erki, 1969-

2011-01-01

Baltisakslaste koostööst kuulsa vene polaaruurija Dmitri Šparoga seoses baltisaksa polaaruurija Hermann Walteri säilmete ringimatmisega Kotelnõi saarel. Hermann Walter osales Eduard von Tolli Sannikovi maa otsimise ekspeditsioonis. Hermann Walteri põhjalik iseloomustus

STS-55 MS1/PLC Ross monitors Payload Specialist Walter's Anthrorack activity

Science.gov (United States)

1993-01-01

STS-55 German Payload Specialist 1 Ulrich Walter breathes into Rack 9 Anthrorack (AR) (Human Physiology Laboratory) device for Pulmonary Perfusion and Ventilation During Rest and Exercise experiment while working inside the Spacelab Deutsche 2 (SL-D2) science module aboard the Earth-orbiting Columbia, Orbiter Vehicle (OV) 102. Seated on the bicycle ergometer, Walter utilizes the respiratory monitoring system, part of a broad battery of experiments designed to investigate human physiology under microgravity conditions. In the background, Mission Specialist 1 (MS1) and Payload Commander (PLC) Jerry L. Ross monitors Walter's activity. Walter represents the German Aerospace Research Establishment (DLR) on the 10-day SL-D2 mission. Visible on the aft end cone are a fire extinguisher and the Crew Telesupport Experiment (CTE) Macintosh portable computer mounted on an adjustable work platform.

Walter Greiner: In Memoriam

Science.gov (United States)

Zen Vasconcellos, César; Coelho, Helio T.; Hess, Peter Otto

Walter Greiner (29 October 1935 - 6 October 2016) was a German theoretical physicist. His scientific research interests include the thematic areas of atomic physics, heavy ion physics, nuclear physics, elementary particle physics (particularly quantum electrodynamics and quantum chromodynamics). He is most known in Germany for his series of books in theoretical physics, but he is also well known around the world. Greiner was born on October 29, 1935, in Neuenbau, Sonnenberg, Germany. He studied physics at the University of Frankfurt (Goethe University in Frankfurt Am Main), receiving in this institution a BSci in physics and a Master’s degree in 1960 with a thesis on plasma-reactors, and a PhD in 1961 at the University of Freiburg under Hans Marshal, with a thesis on the nuclear polarization in μ-mesic atoms. During the period of 1962 to 1964 he was assistant professor at the University of Maryland, followed by a position as research associate at the University of Freiburg, in 1964. Starting in 1965, he became a full professor at the Institute for Theoretical Physics at Goethe University until 2003. Greiner has been a visiting professor to many universities and laboratories, including Florida State University, the University of Virginia, the University of California, the University of Melbourne, Vanderbilt University, Yale University, Oak Ridge National Laboratory and Los Alamos National Laboratory. In 2003, with Wolf Singer, he was the founding Director of the Frankfurt Institute for Advanced Studies (FIAS), and gave lectures and seminars in elementary particle physics. He died on October 6, 2016 at the age of 80. Walter Greiner was an excellent teacher, researcher, friend. And he was a great supporter of the series of events known by the acronyms IWARA - International Workshop on Astronomy and Relativistic Astrophysics, STARS - Caribbean Symposium on Cosmology, Gravitation, Nuclear and Astroparticle Physics, and SMFNS - International Symposium on Strong

Rozptýlení jako předpoklad soustředění: poznámky k pojetí recepce u Waltera Benjamina

Czech Academy of Sciences Publication Activity Database

Dvořák, Tomáš

2003-01-01

Roč. 15, č. 4 (2003), s. 67-84 ISSN 0862-397X Institutional research plan: CEZ:AV0Z9009908 Keywords : Walter Benjamin * distraction * concentration * media reception Subject RIV: AA - Philosophy ; Religion

78 FR 65040 - BNSF Railway Company, CBEC Railway Inc., Iowa Interstate Railroad, Ltd., and Union Pacific...

Science.gov (United States)

2013-10-30

... track to MidAmerican Energy Company's Walter Scott, Jr. Energy Center (MidAmerican), a distance of...); Benjamin M. Clark, Sullivan & Ward, P.C., 6601 Westown Parkway, Suite 200, West Des Moines, Iowa 50266...

Pergeseran Konsep Berarsitektur Walter Gropius

OpenAIRE

Rahmanina, Nur

2009-01-01

Tulisan ini akan membahas mengenai pengaruh professional environment terhadap arsitek dankonsepnya, sebagai objek pengkajian adalah Walter Gropius, seorang arsitek yang dikenal mengalamibeberapa kali pergeseran konsep dalam berarsitektur yang terjadi tidak dalam waktu yang lama.Pergeseran konsep berarsitektur Grapius dikaji untuk memperoleh gambaran penyebab terjadinyapergeseran tersebut dan adakah kemungkinan hal tersebut terjadi karena pengaruh unsur‐unsur di dalam professional environment.

Aline Ferreira & John W. Schwieter (eds.) (2015) Psycholinguistic and Cognitive Inquiries into Translation and Interpreting [Benjamins Translation Library 115] Amsterdam : John Benjamins

DEFF Research Database (Denmark)

Lykke Jakobsen, Arnt

2017-01-01

the most fruitful interaction of all has been with cognitive sciences, including neuroscience, cognitive psychology, and psycholinguistics. Volume 115 in the Benjamins Translation Library series aims at illustrating this latter trend by presenting the current state of the art in cognitively oriented...

Les modalités du temps chez Benjamin Franklin

Directory of Open Access Journals (Sweden)

Elise Marienstras

2010-01-01

Full Text Available La renommée multiséculaire de Benjamin Franklin tient surtout à sa qualité d'homme des Lumières. Cet article s'intéresse à l'extrême complexité de sa pensée sur le temps comme concept, comme mode de vie, comme outil pour s'enrichir, et comme vision générale du progrès du genre humain.The long-lasting fame of Benjamin Franklin rests principally on his characteristics as a scientist and a philosopher of the Enlightenment. This article raises the question of Franklin's conception of time and examines his numerous uses of « time » as a concept, as a way of living, as a means to obtain wealth, as a general vision of the progress of mankind.

Benjamin Verdery teeb klassikast laheda show / Mari Hiiemäe

Index Scriptorium Estoniae

Hiiemäe, Mari

2008-01-01

Seitsmendate Eesti kitarrimuusikapäevade Fiesta de la Guitarra 2008 ja peaesinejast, USAst pärit kitarristist Benjamin Verdery'st (esineb 8. nov. Tallinnas Mederi saalis ja 9. nov. Vanemuise kammersaalis), festivalist

The Benjamin-Bona-Mahony equation with dissipative memory

Czech Academy of Sciences Publication Activity Database

Dell'Oro, Filippo; Mammeri, Y.; Pata, V.

2015-01-01

Roč. 22, č. 4 (2015), s. 899-910 ISSN 1021-9722 Institutional support: RVO:67985840 Keywords : Benjamin-Bona-Mahony equation * dissipative memory * exponential stability * nonlinear contraction semigroup Subject RIV: BA - General Mathematics Impact factor: 0.797, year: 2015 http://link.springer.com/article/10.1007%2Fs00030-014-0308-8

Lwati: A Journal of Contemporary Research: Editorial Policies

African Journals Online (AJOL)

Professor Felix Mnthali: University of Botswana, Gaborone Professor Theresa Chisanga: Walter Sisulu University, Umtata, Republic of South Africa Venerable Professor Benjamin N. Egede: Ambrose Alli University, Ekpoma, Nigeria Professor Patrick J. Ebewo: Tshwane University of Technology, Pretoria, Republic of South ...

Sex appeal neorganického aneb jak malíř moderního života k postmoderní auře přišel

Czech Academy of Sciences Publication Activity Database

Dvořák, Tomáš

2004-01-01

Roč. 40, 1/2 (2004), s. 141-155 ISSN 0038-0288 Institutional research plan: CEZ:AV0Z9009908 Keywords : Walter Benjamin * reception and interpretation of his work Subject RIV: AA - Philosophy ; Religion Impact factor: 0.200, year: 2004

Walter Frank Raphael Weldon (1860–1906)

Indian Academy of Sciences (India)

the second child of Walter Weldon and Anne Cotton. He had ... dergo a regular school education till the age of thirteen, although he was informally taught by .... nent of the importance of discontinuous variations in evolution, and an opponent of ...

LITERATURA DE AUTOAJUDA: aproprio-me, logo existo!

Directory of Open Access Journals (Sweden)

Claudemir BERTUOLO

2011-01-01

Full Text Available Este texto tem como objetivo analisar as reflexões de Walter Benjamin relacionadas à temática da infância e demonstrar que as considerações do filósofo são relevantes para a sociedade contemporânea. Benjamin critica a pedagogia, dá ênfase à valorização da criança e vê o brincar como experiência formadora da infância plena e do adulto realizado. Através das proposições de Benjamin, pode-se ter outra visão sobre a experiência educacional da criança. A pesquisa é teórica confirmando o pensamento de Benjamin com outros autores em relação à criança, o brincar e à educação.

Baudelaire'i Pariis Walter Benjamini esseedes / Vappu Thurlow

Index Scriptorium Estoniae

Thurlow, Vappu, 1960-

2006-01-01

Marksismi kalduva Walter Benjamini kulturoloogilisest uurimusest, mis keskendub ühiskondlikule ja kultuurielule ning varases staadiumis olevale modernismile, mistõttu saab tema arutluskäikude keskseks kangelaseks Charles Baudelair kui flaneur

Pärt, Arvo. Cantus in memory of Benjamin Britten / Andrew Achenbach

Index Scriptorium Estoniae

Achenbach, Andrew

1995-01-01

Uuest heliplaadist "Pärt, Arvo. Cantus in memory of Benjamin Britten. BBC Northern Symphony Orchestra / Norman del Mar; BBC Symphony Orchestra / Gennady Rozhdestvensky". BBC Radio Classics CD BBCRD 9129 (71 minutes)

Digital divides in the era of widespread Internet access : Migrant youth negotiating hierarchies in digital culture.

NARCIS (Netherlands)

Leurs, K.H.A.

2016-01-01

In this chapter I analyse the digital practices of migrant youth as situated, power-laden, pleasurable and sometimes painful everyday experiences. I develop Walter Benjamin’s theorisations of the nineteenth century “arcade” or commercial passageway (Benjamin W (1999) The Arcades project. Harvard

O Sujeito no Interior do Enunciado e as Narrações do Mundo: problematizando as narrativas jornalísticas e imagéticas

Directory of Open Access Journals (Sweden)

Ana Paula Penkala

2008-12-01

Full Text Available In the 20th. century 30's, Walter Benjamin affirmed that, with the appearance of the modern romance, the narrative died. Fernando Resende, in 2006, affirms the possibility of thinking about journalist as a post-modern narrator, bringing Benjamin's affirmation to the journalistic doing. In this article I propose a discussion on journalistic narrative from these two bases, making a reflection on the subject in the interior of the enunciate and starting a problematization on this subject in the non-fiction film.

Religion as a philosophical matter

DEFF Research Database (Denmark)

Albinus, Lars

with groundbreaking thoughts about culture and a basic human 'conditionality' among interwar philosophers such as Ernst Cassirer, Ludwig Wittgenstein, Walter Benjamin, and Martin Heidegger. Finally it draws a line to Jean-Luc Nancy’s deconstruction of Christianity which can also be seen as a deconstruction...

Messianic Pedagogy

Science.gov (United States)

Lewis, Tyson

2010-01-01

Famously, Walter Benjamin once wrote that behind historical materialism lies a disavowed theological "hunchback." More importantly, it is only through a rejuvenated relation with this theological hunchback that historical materialism can ultimately realize its own revolutionary possibilities. While the theological dimension of critical theory has…

Traducción de poesía: forma, repetición y fantasma en el estudio comparado de traducciones de Emily Dickinson (Silvina Ocampo, Amelia Rosselli

Directory of Open Access Journals (Sweden)

Delfina Muschietti

2005-11-01

Full Text Available This work is recorded in the foundation Project of a Poetic Translation School in which we aim at thinking and practicing new specific criteria to translate poetry. Walter Benjamin and Giorgio Agambenïs theoretical premises are useful for us to think of our task as a New Philology in which cross disciplinary study merging Philosophy, History, Psychoanalysis, Aesthetics and Literary Theory will be fundamental. A Philology absorbed in facts and magic devotion for particulars, for the detail that Agamben highlights as fundamental in Benjamin.

Dialectical Imagery and Postmodern Research

Science.gov (United States)

Davison, Kevin G.

2006-01-01

This article suggests utilizing dialectical imagery, as understood by German social philosopher Walter Benjamin, as an additional qualitative data analysis strategy for research into the postmodern condition. The use of images mined from research data may offer epistemological transformative possibilities that will assist in the demystification of…

Methodological Issues in Documentary Ethnography: A Renewed Call for Putting Cameras in the Hands of the People.

Science.gov (United States)

Huesca, Robert

The participatory method of image production holds enormous potential for communication and journalism scholars operating out of a critical/cultural framework. The methodological potentials of mechanical reproduction were evident in the 1930s, when Walter Benjamin contributed three enduring concepts: questioning the art/document dichotomy; placing…

A King over Egypt, Which Knew Not Joseph.

Science.gov (United States)

Coffman, William E.

1993-01-01

Although it is true that today's education needs improvement, schools today are not all bad. The opinions of the following five experts, whose views are worth hearing are introduced: (1) Thomas Hopkins; (2) Ralph Tyler; (3) E. F. Lindquist; (4) Walter Cook; and (5) Harold Benjamin. (SLD)

Verdensudstillinger

DEFF Research Database (Denmark)

Gemzøe, Anker

2018-01-01

Verdensudstillinger. Andersen og Jensen i Paris Det 19.århundredes hovedstad kaldte Walter Benjamin Paris, en katalysator og et ikon for moderniteten. Sådan fungerede byen også for mange nordiske kunstnere og forfattere. Artiklen fremdrager to prominente danske forfattere som eksempel på den euro...

Benjamin Banneker's 18th Century Astronomy

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Howard, Sethanne

2018-01-01

Benjamin Banneker is considered to be the first African-American man of science (1731-1806), a contempory of George Washington and Thomas Jefferson. He was a self taught clock maker, mathematician, and astronomer. He owned land in Baltimore County near Ellicott City, Maryland where he farmed tobacco. He is especially known for his work on the Boundary Survey of our new Capital. Surveyors place boundary stones along the boundary of the nascent Capital. Banneker was part of the team who measured the latitutde and longitude for each stone. Using 18th century surveying techniques Banneker became part of the early history of Washington DC. He also published popular almanacs.

Ajaloo mõistest / Walter Benjamin ; tõlkinud Hasso Krull

Index Scriptorium Estoniae

Benjamin, Walter, 1892-1940

2010-01-01

Ajalooteaduse kriitika lähtudes juudi messianistlikust traditsioonist, historismi ja ajaloolise materialismi vastandlikkusest. Varem ilmunud pealkirja "Ajaloofilosoofilised teesid" all: Vikerkaar (2002) nr. 11/12 ja raamatus: Slavoj Žižek "ideoloogia ülev objekt" (Tallinn : Vagabund, 2003)

Double-diffusive convection of compressible rotating Walters' (B ...

African Journals Online (AJOL)

user

A great number of applications of such a flow in geophysics are found in a ... We have considered an infinite, horizontal, compressible electrically conducting Walters' (Model B′) fluid layer of .... Linearized stability theory and normal mode analysis .... boundaries the boundary conditions are (see Chandrasekhar, 1981). 2.

Benjamin and Koolhaas: History's Afterlife

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Frances Hsu

2016-05-01

Full Text Available Dialectical images are at the core of the methods suggested by two books written four decades apart yet published around the same time. The Arcades Project (first published as Das Passagen-Werk in 1981 and Delirious New York (1978 use images to critique established modes of historical interpretation. Each proposes a methodology of historical speculation based on the interpretation of fragmentary visual phenomena. Both construct alternative historical narratives about the impact of technology, mass culture and economy on the city. This essay contrasts and compares the similarities and differences between the respective authors’ treatments of the nineteenth century arcade and the Manhattan skyscraper to examine how the strategies and definitions suggested by Benjamin and Koolhaas address the function of images as tools for critical architectural analysis and knowledge.

Mirrors of monstrosity: the representation of the outcast in Benjamin Britten's Peter Grimes and Death in Venice

OpenAIRE

Gavin, Andrew

2016-01-01

The figure of the monster is at the heart of Benjamin Britten’s operas. By orchestrating and dramatizing various outcast figures from the world of literature, Britten and his librettists have illustrated that the monster is uncomfortably close to common human experience in our modern world. This dissertation seeks to combine the sociological and philosophical definitions of monstrosity with an analysis of dramatic and musical elements of Benjamin Britten’s first and last m...

78 FR 73109 - Radio Broadcasting Services; Benjamin and Cisco, TX; De Beque, CO; Port Lions, AK; Rule and...

Science.gov (United States)

2013-12-05

... Broadcasting Services; Benjamin and Cisco, TX; De Beque, CO; Port Lions, AK; Rule and Shamrock, TX AGENCY... 237C3 at Benjamin, Texas; Channel 261C3 at Cisco, Texas; Channel 288C2 at Rule, Texas; and Channel 225C2..., Channel 237C3; by removing Cisco, Channel 261C3; by removing Channel 288C2 at Rule; and by removing...

The Work of Art in the Age of Digital Reproduction.

Science.gov (United States)

Bruce, Bertram C.

2000-01-01

Argues that Web has become a major art medium. Investigates ways artists and appreciators of art are using the Web. Discusses the reproduction of art: from hand to mechanical to digital reproduction, focusing on the work of Walter Benjamin. Lists other sites where one can find art on the Web. (SR)

Shell Nouns as Cohesive Devices in Published and ESL Student Writing

Science.gov (United States)

Aktas, Rahime Nur; Cortes, Viviana

2008-01-01

This paper analyzes the use of a special type of unspecific noun, called "shell nouns" [Hunston, S., & Francis, G. (1999). "Pattern grammar". Amsterdam: Benjamins; Schmid, H. (2000). "English abstract nouns as conceptual shells: From corpus to cognition". Berlin: Walter de Gruyter], which are frequently used as cohesive devices, in the written…

Integrable Hierarchy of the Quantum Benjamin-Ono Equation

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Maxim Nazarov

2013-12-01

Full Text Available A hierarchy of pairwise commuting Hamiltonians for the quantum periodic Benjamin-Ono equation is constructed by using the Lax matrix. The eigenvectors of these Hamiltonians are Jack symmetric functions of infinitely many variables x_1,x_2,…. This construction provides explicit expressions for the Hamiltonians in terms of the power sum symmetric functions p_n=x^n_1+x^n_2+⋯ and is based on our recent results from [Comm. Math. Phys. 324 (2013, 831-849].

Walter Dill Scott and the Student Personnel Movement

Science.gov (United States)

Biddix, J. Patrick; Schwartz, Robert A.

2012-01-01

Walter Dill Scott (1869-1955), tenth president of Northwestern University and pioneer of industrial psychology, is an essential architect of student personnel work. This study of his accomplishments, drawing on records from the Northwestern University archives, tells a story about the people he influenced and his involvement in codifying what was…

Walter Isard's Contributions to Environmental Economics and Ecological Economics

NARCIS (Netherlands)

Rose, Adam; Folmer, Henk; Nijkamp, Peter

This article summarizes Walter Isard's important contributions to environmental economics and ecological economics. The former is the traditional field that incorporates some limited aspects of the environment into neoclassical economic theory, while the latter is a more comprehensive integration of

Voces resistentes: del poder foucaultiano al cepillo benjaminiano

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Manchado, Mauricio

2010-01-01

Full Text Available [es] El artículo propone entrecruzar, a partir de sus principales conceptos y proposiciones teóricas, a dos de los más importantes intelectuales del siglo XX: Walter Benjamin y Michel Foucault.Tanto Benjamin como Foucault propusieron pensar el orden social y, a partir de ello, elaboraron una maquinaria crítica que posibilitó definir cómo las prácticas y discursos que sofocan los cambios sociales son, al mismo tiempo, el propio dominio desde el cuál emprender una acción transformadora.En ese sentido, nuestro objetivo es, a pesar de las divergencias y distancias que reconocemos entre ambos autores, indagar aquellos discursos que nos permitan examinar sus convergencias respecto de cómo piensan la dinámica del cambio social. Para ello, reflexionamos acerca de las nociones de poder, derecho, violencia, verdad, discurso, sujeto, revolución e intelectual -entre otras- para observar de qué manera Benjamin y Foucault posibilitan pensar múltiples dimensiones de acción política transformadora en el sistema capitalista actual. [en] This article seeks to compare the main concepts and theoretical propositions of two of the most important intellectuals of the 20th century: Walter Benjamin and Michel Foucault.Both, Benjamin and Foucault, proposed to think the social order and, from there, they elaborated a critical machinery that made possible to define how the practices and discourses that suffocate social changes are, at the same time, the starting point for revolutionary action.In this regards, our aim is, in spite of the differences and distances that we recognize between both authors, to investigate those discourses that allow us to examine their convergences concerning how they think the dynamics of social change.With this purpose, we reflect about the notions of power, right, violence, truth, discourse, subject, revolution, intellectual, among others, to observe in which way Benjamin and Foucault make possible to think multiple dimensions

The Rolf and Gertrud Dahlgren Prize for 2017 Awarded to Hans Walter Lack

DEFF Research Database (Denmark)

Friis, Ib

2018-01-01

The reasons for awarding the Rolf and Gertrud Dahlgren Prize to Hans Walter Lack are summarised and the prize described. It is also mentioned that Rosén's Linnaeus Medal in Gold was awarded to Arne Strid at the same ceremony.......The reasons for awarding the Rolf and Gertrud Dahlgren Prize to Hans Walter Lack are summarised and the prize described. It is also mentioned that Rosén's Linnaeus Medal in Gold was awarded to Arne Strid at the same ceremony....

Agency and the Death of the Author: A Partial Defense of Modernism.

Science.gov (United States)

Trimbur, John

2000-01-01

Claims the story of the death of the author carries with it an edifying mission: (1) it gets rid of the mystifying figure of the author; and (2) it points the way toward rehabilitating the notion of agency. Supports Walter Benjamin's position that argues a need to socialize the author as producer. (NH)

Historically Speaking

DEFF Research Database (Denmark)

Sørensen, Trine Friis

2015-01-01

and objects. The article proceeds as a close reading of aspects of Olsson’s performance using three figures described by Walter Benjamin – the collector, the storyteller and the historian – as points of reference. By tracing out the contours of these figures in Olsson’s performance, I am able to elucidate...

El pasado en la novela española actual: el tema de la Guerra Civil

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David Becerra Mayor

2012-12-01

En ningún caso se produce la noción de memoria que Walter Benjamin desarrolló en sus Tesis sobre la Historia. El pasado, tal como queda descrito en estas novelas, empaña su contemporaneidad y conlleva una pérdida de la experiencia histórica en sentido activo.

Obituary: Walter Alexander Feibelman, 1930-2004

Science.gov (United States)

Oergerle, William

2005-12-01

Walter Alexander Feibelman, 79, an astronomer who discovered the E-ring of Saturn, died of a heart attack 19 November 2004 at his home at Riderwood Village in Silver Spring, Maryland. Walter was born 30 October 1925 in Berlin, Germany to Bernard and Dora Feibelman. He came to the United States with his parents in 1941. They were some of the last German Jews to flee Nazi Germany. Years later, he reported his experiences in an account contributed to the U.S. Holocaust Memorial Museum. As a youth, he worked at a cleaning shop and as a soda jerk before taking a course in tool and die making. He worked at the Abbey Photo Corp. in New York and in a model-making firm, where he constructed models of aircraft for use in identification courses by the Army Air Forces. After high school, he attended the Carnegie Institute of Technology and received his BS degree in 1956. Until 1969, he was a research scientist at the University of Pittsburgh. While working as an assistant research professor in physics and astronomy at the University of Pittsburgh in 1967, he examined a photo of Saturn taken a year earlier at the university's Allegheny Observatory. The E-ring -- unlike the bright main rings, A, B, C, D and F -- is faint and not easily spotted. He paired his observation with calculations and announced his discovery, which remained unconfirmed until the Pioneer 11 flyby in 1979. Walter joined the Optical Astronomy Division of Goddard Space Flight Center in Greenbelt in 1969, and worked there until 2002, when he became an emeritus astronomer at NASA. He became associated with the International Ultraviolet Explorer project, and worked on developing detectors for the orbiting observatory's spectrograph. The project turned out to be one of NASA's most successful observatories, operating from 1978 to 1996. In his scientific career, he published more than 200 refereed articles, mainly on hot stars and planetary nebulae. He also wrote papers in the fields of photography, spectroscopy

Time-periodic solutions of the Benjamin-Ono equation

Energy Technology Data Exchange (ETDEWEB)

Ambrose , D.M.; Wilkening, Jon

2008-04-01

We present a spectrally accurate numerical method for finding non-trivial time-periodic solutions of non-linear partial differential equations. The method is based on minimizing a functional (of the initial condition and the period) that is positive unless the solution is periodic, in which case it is zero. We solve an adjoint PDE to compute the gradient of this functional with respect to the initial condition. We include additional terms in the functional to specify the free parameters, which, in the case of the Benjamin-Ono equation, are the mean, a spatial phase, a temporal phase and the real part of one of the Fourier modes at t = 0. We use our method to study global paths of non-trivial time-periodic solutions connecting stationary and traveling waves of the Benjamin-Ono equation. As a starting guess for each path, we compute periodic solutions of the linearized problem by solving an infinite dimensional eigenvalue problem in closed form. We then use our numerical method to continue these solutions beyond the realm of linear theory until another traveling wave is reached (or until the solution blows up). By experimentation with data fitting, we identify the analytical form of the solutions on the path connecting the one-hump stationary solution to the two-hump traveling wave. We then derive exact formulas for these solutions by explicitly solving the system of ODE's governing the evolution of solitons using the ansatz suggested by the numerical simulations.

Time-periodic solutions of the Benjamin-Ono equation

International Nuclear Information System (INIS)

Ambrose, D.M.; Wilkening, Jon

2008-01-01

We present a spectrally accurate numerical method for finding non-trivial time-periodic solutions of non-linear partial differential equations. The method is based on minimizing a functional (of the initial condition and the period) that is positive unless the solution is periodic, in which case it is zero. We solve an adjoint PDE to compute the gradient of this functional with respect to the initial condition. We include additional terms in the functional to specify the free parameters, which, in the case of the Benjamin-Ono equation, are the mean, a spatial phase, a temporal phase and the real part of one of the Fourier modes at t = 0. We use our method to study global paths of non-trivial time-periodic solutions connecting stationary and traveling waves of the Benjamin-Ono equation. As a starting guess for each path, we compute periodic solutions of the linearized problem by solving an infinite dimensional eigenvalue problem in closed form. We then use our numerical method to continue these solutions beyond the realm of linear theory until another traveling wave is reached (or until the solution blows up). By experimentation with data fitting, we identify the analytical form of the solutions on the path connecting the one-hump stationary solution to the two-hump traveling wave. We then derive exact formulas for these solutions by explicitly solving the system of ODE's governing the evolution of solitons using the ansatz suggested by the numerical simulations

Infoühiskond / Raivo Suni

Index Scriptorium Estoniae

Suni, Raivo, 1976-

1999-01-01

Infoühiskond on paradigmana sattunud sotsiaalteadlaste tähelepanu alla seoses informatsiooni plahvatusliku väärtustumisega viimastele aastatel. Ka kultuuriimperialismist, kulturoloogilisest lähenemisest. Meediatehnoloogia areng on aidanud levida väärtustel, mis varem olid kättesaadavad vaid eliidile (Walter Benjamin "The Work of Art in the Age of Mechanical Reproduction")

On the "Critique of Everyday Life" to "Metaphilosophy": Henri Lefebvre's Philosophical-Political Legacy of the Cultural Revolution

Science.gov (United States)

Sünker, Heinz

2014-01-01

Henri Lefebvre (1901-91), philosopher and sociologist, is, together with Theodor W. Adorno, Max Horkheimer, Walter Benjamin and Ernst Bloch, one of the most relevant representatives of the first generation in Western Marxism. His engagement with Marxism led him to analyse everyday life in post-war France in order to decipher the possibilities of,…

"Reflecting Forward" on the Digital in Multidirectional Memory-Work between Canada and South Africa

Science.gov (United States)

Strong-Wilson, Teresa; Mitchell, Claudia; Morrison,, Connie; Radford,, Linda; Pithouse-Morgan, Kathleen

2014-01-01

We explore the place that the digital can occupy in teachers' pedagogical practices around social justice and especially how memory-work can deepen and enhance teacher practices. Like Walter Benjamin, we see memory as being a medium for exploring the past and where the digital provides greater opportunities for teachers to work productively across…

Citing "Whatever" Authority: The Ethics of Quotation in the Work of Giorgio Agamben

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Dickinson, Colby

2014-01-01

This article seeks to lay out an analysis of Giorgio Agamben's central claims with regard to the formation of a theory of citationality. By juxtaposing Walter Benjamin's theory of citations alongside his more recent, critical engagements with the Western theological tradition, Agamben sets himself the goal of redefining ethics along…

Avi Benjamin vahetas labajalavaltseri sünagoogimuusika vastu / Aarne Ruben

Index Scriptorium Estoniae

Ruben, Aarne, 1971-

2007-01-01

Juuditemaatikat käsitlevatest filmidest : Steven Spielbergi mängufilm "München" ("Munich"), Ameerika Ühendriigid 2005; dokumentaalfilm "Su nimi olgu Iisrael", režissöör Peeter Brambat, Adel TV 2004, Maiju Ingmani muusikaline portreefilm "Tagasitulek koju" Eesti päritolu Iisraeli heliloojast ja pianistist Avi Nedzvetskist (Iisraelis tuntud kui Avi Benjamin), Adel TV, 2007. Kahe viimase filmi käsikiri Irina Stelmachilt

Nietzsche, Walter Benjamin, Guimarães Rosa: uma ideia de história = Nietzsche, Walter Benjamin, Guimarães Rosa: an idea of History

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Roncari, Luiz

2012-01-01

Full Text Available Estudo da obra Corpo de baile, de Guimarães Rosa buscando perceber como a dispersão das personagens da primeira estória, seus reagrupamentos nas novelas intermediárias e a reintegração final, formam as ranhuras que amarravam o conjunto. Além de analisar como esses elementos de composição, que sustentam a unidade do livro, têm também um fundo ideológico, ou seja, apresentam uma visão da história e uma concepção da vida e do mundo

“Separate families, separate worlds, the same native space ...

African Journals Online (AJOL)

Through a brief discussion of most of the stories in the collection, the essay seeks to show how, in a single century, the short story has reflected the changing priorities, values and political realities of South Africa. In the process, too, the story itself has changed its nature from something close to Walter Benjamin's notion of the ...

Looking and Seeing: The Play of Image and Word--The Wager of Art in the Technological Society

Science.gov (United States)

Lovekin, David

2012-01-01

This study began with a fascination for the enigma of American artist Andy Warhol (1928-1987). I began to collect his words. I had been intrigued by German philosopher, literary critic, and essayist Walter Benjamin's (1892-1940) philosophical snapshots and with the notion of an aura that could be pealed from objects by photography. And I was taken…

Storytelling as Research/Research as Storytelling

Science.gov (United States)

Lewis, Patrick J.

2011-01-01

If story is central to human meaning why, in the research world, is there not more storytelling? Walter Benjamin (1973) noted that, "a story is different. It does not expend itself. It preserves and concentrates its strength and is capable of releasing it even after a long time" (p. 90). How might research not expend itself, but preserve and…

Colonial and Communist Pedagogy

Science.gov (United States)

Leslie, Esther

2016-01-01

Walter Benjamin wrote about pedagogy from the start of his writing life to its close. He was also an activist in the youth movement in Germany. This essay explores the importance of childhood, play, toys and education to his wider body of work--including his interests in photography, literary form, language acquisition and use, modern art. The…

Computerspil og kunstmuseer

DEFF Research Database (Denmark)

Hansen, Andre Wang

2009-01-01

Gennem en række eksempler diskuterer artiklen forskellige sammenhænge mellem teknologi, computer spil og præsentationer af kunst. På baggrund af Walter Benjamins berømte dictum fra fortiden, at fremtidens analfabeter ikke vil være de der ikke kan læse, men de som ikke forstår deres egen tids visu...

Political Tunings of the Piano

DEFF Research Database (Denmark)

Højlund, Marie Koldkjær; Riis, Morten S.

According to Timothy Morton the creation of ambient art posses an inherent critical potential similar to the ambiguity of the dialectical image found in the writings of Walter Benjamin. Subscribing to an object-oriented ontological understanding of how objects are riven between essence and appear......) as unfolding the ambiguity of various political tunings of the piano....

Benjamin Constant. Libertad, democracia y pluralismo

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Claudia Patricia Fonnegra Osorio

2015-12-01

Full Text Available A partir de un enfoque interpretativo, en este artículo se aborda por qué para Benjamin Constant la democracia solo puede darse en donde se presenta una relación necesaria entre la libertad entendida como defensa de los derechos individuales -libertad como independencia o negativa- y la libertad concebida como principio de la participación pública -libertad como autonomía o positiva-. Asimismo, se presenta la importancia que atribuye el autor a las tradiciones que dan vida a la configuración del universo cultural de un pueblo. Se concluye que en la obra de Constant se encuentra una clara defensa del Estado de derecho y del pluralismo, la cual puede iluminar la comprensión de los problemas políticos de la contemporaneidad.

Cloned images and the optical unconscious

DEFF Research Database (Denmark)

Romic, Bojana

unconscious. The camera conveys the virtuality of vision, through which the eye learns about the spatio-temporal arrangements of the photographic object 'with its devices of slow motion and enlargement' (Benjamin, 1931, pp. 510). In reference to this, Rosalind Krauss wrote in her book Optical unconscious...... contribute its special status. When Walter Benjamin coined the term optical unconscious, he was primarily referring to the psychoanalytical perspective: photography opened a new realm of experience that was not accessible to the naked eye – the same way that psychoanalysis provided an access to the physic......, because this young woman had no political/activist record – it was her image that communicated with the world. References: Benjamin, W. (1999) Little History of Photography. in: Jennings, M.W., Eiland, H., Smith, G. (eds) Selected Writings: Volume 2 1927-1934. Cambridge, Massachusetts: The Belknap Press...

Für das Spielen lernen wir – Konzept und Evaluation des internationalen Medizinstudierendenwettbewerbs "Benjamin Franklin Contest" [Learning for the game – concept and evaluation of the international medical student competition "Benjamin Franklin Contest"

Directory of Open Access Journals (Sweden)

Tolxdorff, Thomas

2010-08-01

Full Text Available [english] Objective: In 1998 an international contest for medical students called “Benjamin Franklin Contest” was initiated by the former university hospital of Freie Universität Berlin on the occasion of the 30th anniversary of its foundation in 1968. Since then, seven teams from Germany, Austria, and Switzerland have been competing against each other every year. Five medical students per team match up in paper cases, diagnosis of medical images, multiple choice tests, and practical skills.Methods: All participants of the 11th Benjamin Franklin Contest (2009 were asked about their motivation, preparation strategy, and experience with the contest. Results: In total 92% (32 of 35 participated in the evaluation study. We show that improvement of medical knowledge is one of the key motivating factors behind participation in the competition. The teams were trained by self-study, tutorials, and learning groups. Remarkably, students invested 54.2 hours (SD 32 hours of their free time to prepare for the contest. Conclusions: The Benjamin Franklin Contest is an innovative approach to facilitate self-directed learning and develope medical competencies. [german] Zielsetzung: Im Jahr 1998 wurde am damaligen Universitätsklinikum Benjamin Franklin der Freien Universität (FU in Berlin der internationale Medizinstudierendenwettbewerb „Benjamin Franklin Contest“ (BFC initiiert. Anlass war damals der 30. Jahrestag der Gründung der Universitätsmedizin an der FU. Seitdem findet jedes Jahr ein Wettbewerb zwischen sieben Teams von medizinischen Fakultäten aus Deutschland, Österreich und der Schweiz statt. Jeweils fünf Studierende messen sich in den Kategorien Papierfälle, Blickdiagnosen, Auswahlfragen und praktische Fähigkeiten.Methodik: Ziel dieser Arbeit ist die Beschreibung des Projektes BFC und eine erste Evaluation der Erfahrung von Teilnehmenden. Dazu wurden alle Teilnehmenden des 11. BFC (2009 mittels eines selbst entwickelten Fragebogens

Benjamin Crémieux, xxe siècle

OpenAIRE

Brangé, Mireille

2016-01-01

Mieux connu comme passeur de la littérature italienne et traducteur de Pirandello, Svevo et Moravia, Benjamin Crémieux (1888-1944) fut, au lendemain de la Première Guerre, l’un des plus importants critiques de la NRF. Dans une large mesure, sa méthode ne différait guère de celle de Thibaudet, s’appuyant sur une restitution synthétique de l’époque et, en son sein, sur un jeu de rapprochements entre contemporains; puis sur une lecture de l’ensemble de l’œuvre; enfin sur un effort de compréhensi...

Pärt, Arvo. Fratres (version 1980). Cantus in memoriam Benjamin Britten / Guillaume Connesson

Index Scriptorium Estoniae

Connesson, Guillaume

1995-01-01

Uuest heliplaadist "Pärt, Arvo. Fratres (version 1980). Cantus in memoriam Benjamin Britten. Summa. Spiegel im Spiegel. Festina lente. Tabula rasa: Tasmin Little (violon), Martin Roscoe (piano), Bournemouth Sinfonietta, Richard Studt" EMI Classics 565 031-2 (CD: 98 F). 1993. TT: 1h 03'42"

An Interview with Dr. Walter Lear

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The Editors

2009-03-01

Full Text Available In this issue of the English version of Social Medicine we are publishing the first of several pamphlets loaned to us by the US Health Activism History Collection. To introduce this collection we travelled to Philadelphia on June 18, 2008 to interview Dr. Walter J. Lear. Dr Lear, born in 1923, is the person responsible for the collection. In a wide-ranging interview in his home Dr. Lear discussed his personal background, the origins and purpose of the collection, the impact of the McCarthy period on the US health left, as well as his vision for the future.

Walter Cronkite Speaks to Teachers...(and That's the Way It Is).

Science.gov (United States)

Cronkite, Walter; Martorelli, Debra

1980-01-01

In this interview with "Instructor" assistant editor Debra Martorelli, respected television journalist Walter Cronkite discusses the amount of time children spend watching television, public concerns with the schools, and the news media's coverage of education. (SJL)

The Diegesis of Benjamin Button: A Method for Comparing Literature and Film (La diégesis de Benjamin Button: método para comparar literatura y cine

Directory of Open Access Journals (Sweden)

Joe Montenegro Bonilla

2014-11-01

Full Text Available This article proposes a specific structuralist methodology that may help organize the analysis of the relationship between literature and cinema. Through the instance of F. Scott Fitzgerald’s short story “The Curious Case of Benjamin Button” and David Fincher’s film adaptation of it, a focus on the comparable diegetic structures of a narrative cinematic text and the literary work on which it is based is offered, along with an exploration of the semiotic codes that support their comparative textual analyses. Este artículo propone una metodología estructuralista específica que posibilita organizar el estudio para analizar la relación entre la literatura y el cine. Utilizando como ejemplo el cuento de F. Scott Fitzgerald “El curioso caso de Benjamin Button” y su adaptación al cine de David Fincher, se ofrece un enfoque en las estructuras diegéticas comparables entre un texto cinematográfico narrativo y la obra literaria en la cual se basa; además de una exploración de los códigos semióticos que sustentan los análisis textuales comparados de ambos textos.

Vasserman ja Keerend rahvusvahelistel näitustel / Benjamin Vasserman

Index Scriptorium Estoniae

Vasserman, Benjamin

2001-01-01

17. VI-2. IX Kanada Quebeci provintsis Trois-Riviere'is toimuval II rahvusvahelisel graafikabiennaalil osaleb Benjamin Vasserman 7 graafilise lehega. Peapreemia - Tomoya Uchida graafiline sari "Nest". Valiknäituse "Triennial of One Hundred Cities" esimesel väljapanekul Dzierzoniowis osalesid Avo Keerend ja B. Vasserman, A. Keerendi töö "Vastasseis XII" on avaldatud näituse bukleti esikaanel. Itaalias Pisas 7.-14. VII toimunud III ülemaailmsel väikegraafika ja -maali näitusel "ITART 2001" pälvis B. Vassermani "Finalist" diplomi ja õiguse osaleda finalistide preemianäitusel Livornos.

Heat transfer in MHD flow of dusty viscoelastic (Walters' liquid model ...

Indian Academy of Sciences (India)

fluid in porous medium on a parallel plate channel inclined at an angle θ. ... temperature field, Nusselt number, skin friction and flow flux are obtained within the channel. The ... Walters [2] proposed a theoretical model for elastoviscous fluids.

Eckhaus and Benjamin-Feir instabilities near a weakly inverted bifurcation

International Nuclear Information System (INIS)

Brand, H.R.; Deissler, R.J.

1992-01-01

We investigate how the criteria for two prototype instabilities in one-dimensional pattern-forming systems, namely for the Eckhaus instability and for the Benjamin-Feir instability, change as one goes from a continuous bifurcation to a spatially periodic or spatially and/or time-periodic state to the corresponding weakly inverted, i.e., hysteretic, cases. We also give the generalization to two-dimensional patterns in systems with anisotropy as they arise, for example, for hydrodynamic instabilities in nematic liquid crystals

Speaking of Tongues

Science.gov (United States)

Fussner, Hannah

2004-01-01

In this paper I reflect on claims that artifacts, as alternatives to texts, can provide an effective means of access to learning. With reference to the work of Walter Benjamin, I analyse the role the aura of a ritual object played in engaging a group of Year 6 students, all of whom experienced various degrees of delayed literacy. Drawing on…

“Creative Industries” Strategies in Soviet Lithuania: Packages of Mass Consumption Goods

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Eglė Jaškūnienė

2015-07-01

Full Text Available The article explores the Soviet mechanism of including the creative potentials into formation of economical and ideological policy strategies. Research aims to examine, how mass media and culture theories of Walter Benjamin, Frankfurt school and British Culture studies reflect the situation of mass culture in Soviet system. Case study is based on Lithuanian package design of 1960–1970s.

Dialetical Images in the cinema

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Angélica Antonechen Colombo

2013-04-01

Full Text Available This paper aims to discuss cinema as a Work of Art, its main elements, as the image technique, montage and its role as an essential factor of the aesthetic, perceptive and cognitive variation, from the advent and analyzing the Eisenstein’s intellectual montage, based on Walter Benjamin, Vilém Flusser and Christian Metz ’s theory.

AFSC/ABL: Little Port Walter Marine Research Station Supply Run Oceanographic Observations

Data.gov (United States)

National Oceanic and Atmospheric Administration, Department of Commerce — In November, 2006, Oceanographic observations were initiated during the resupply cruises to the Little Port Walter Research Station on lower Baranof Island,...

Benjamin Fondane au Mémorial de la Shoah.

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Julia David

2010-09-01

Full Text Available Il est un temps de mourir et un temps de ne pas mourir de révolte perpétuelle. Benjamin Fondane, Titanic , 1937 Rien de plus dangereux que l’hommage ; rien de plus glaçant que la mémoire autorisée, assagissant le réel, rendant inoffensifs les assauts les plus rudes, désamorçant les subversions les plus puissantes pour en faire des objets saints 1 . On connaît l’obstacle. La biographie comme une immense chausse-trappe pour l’œuvre. La mise en scène comme une obsession du ...

Walter Schottky. Atom-theorist and electrotechnician. His life and work until the year 1941; Walter Schottky. Atomtheoretiker und Elektrotechniker. Sein Leben und Werk bis ins Jahr 1941

Energy Technology Data Exchange (ETDEWEB)

Serchinger, Reinhard W.

2008-07-01

In this first scientific biography of Walter Schottky at the one hand the origin of his scientific and technical works is reproduced and put in the physical-historical connection of his time. At the other hand his special role in the research strategy of the Siemens company becomes clear, which could in the framework of this research project for the first time be identified. Also psychological aspects were essentially included in the study, because else the binding of the particular more corresponding to an ivory-tower than and industrial physicist personality of Schottky to the Siemens trust not would be understandable. The example of Walter Schottky shows the importance of the researching individuum, which until today undoubtly can be an important element of company-internal innovation processes not only contrarily but also in the transition to scientific team work.

Whole Language, Computers and CD-ROM Technology: A Kindergarten Unit on "Benjamin Bunny."

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Balajthy, Ernest

A kindergarten teacher, two preservice teachers, and a college consultant on educational computer technology designed and developed a 10-day whole-language integrated unit on the theme of Beatrix Potter's "Benjamin Bunny." The project was designed as a demonstration of the potential of integrating the CD-ROM-based version of…

Jim Walter Resources installs new overland conveyor

Energy Technology Data Exchange (ETDEWEB)

Fiscor, S.

2008-12-15

Embarking on a major expansion plan, the company is constructing a new additional overland conveyor coal to a recently refurbished prep plant. Jim Walter Resources recently invested $20 million in a new 5-mile overland conveyor system to haul coal from the No.7 deep coal mine in Alabama to the No.5 coal preparation plant. The size of the No.7 mine was effectively doubled. The article describes how this expansion move was decided upon and describes the design and installation of the new conveyor which spans approximately 5 miles. 4 photos.

Walter Kaufmann and the Advocacy of German Thought in America.

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Soll, Ivan

1997-01-01

Examines the career and contributions of Walter Kaufmann. A refugee from Hitler's Germany, Kaufmann set himself the unlikely task of trying to revive interest in Hegel and Nietzsche in the United States. Kaufman's work as a translator, interpreter, and teacher of German philosophy had a long-term impact on U.S. intellectuals. (MJP)

Mimetismo y migración

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Raúl Antelo

2008-01-01

Full Text Available Los integrantes del Colegio de Sociología tendieron a la sacralización de la vida social y trataron de restaurar diferencias jerárquicas. En especial, Roger Caillois creía que el poder es preferible al goce. Ambos se excluían mutuamente pero no como mundos opuestos. Dominación y placer eran contiguos. Ese debate implicaba una crítica de la mímesis y una deriva hacia el mimetismo subversivo. Muchas de estas ideas fueron desarrolladas por Caillois en su exilio en la Argentina y seguidas de cerca por dos lectores alemanes, Theodor Adorno y Walter Benjamin. Members of College of Sociology tended to sacralize social life and tried to restore hierarchical differences. Roger Caillois particularly believed that domination was preferable to pleasure. Both were mutually exclusive, but not as separate worlds. Domination and pleasure are contiguous. The debate supposed a critique of mimesis and a drift into mimetic subversion. Most of these ideas were developed by Caillois during his exile in Argentina and they were closely followed by two German readers, Theodor Adorno and Walter Benjamin.

Intoxication of sheep exposed to ozark milkweed (Asclepias viridis Walter).

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Smith, R A; Scharko, P; Bolin, D; Hong, C B

2000-12-01

Some 20 sheep died 1 at a time on a farm in Fleming County, KY, in late July of 1999 after consumption of Asclepias viridis Walter. Major histological lesions were mild multifocal nonsuppurative myocarditis. Gross pathology revealed wet and heavy lungs. Many affected animals had a hunched appearance, and marked posterior paresis was also observed.

EL AUTOR, ESLABÓN FOSILIZADO: DE LA RENOVACIÓN ESTILÍSTICA DE LA NUEVA OLA DEL CINE FRANCÉS

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Francisco Montaña Ibáñez

2011-04-01

Full Text Available Recurriendo a algunas ideas de Walter Benjamin y del romanticismo, se intenta poner en perspectiva la relación que establece la Nueva Ola de Cine francés, y en particular Francois Truffaut, con la tradición cinematográfica. Luego, se confronta esas ideas con la idea del autor que es central en la mirada de Truffaut sobre la historia.

The Bauhaus Artist-Teacher: Walter Gropius's Philosophy of Art Education

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Daichendt, G. James

2010-01-01

Walter Gropius built the internationally known movement and art school known as the Bauhaus between the years 1919 and 1928. This new institution was born by combining two fledging schools: the Weimar School of Arts and Crafts with the Weimar Academy of Fine Arts. In this new academy all media were regarded as acceptable as Gropius sought to…

The neurosurgeon as baseball fan and inventor: Walter Dandy and the batter's helmet.

Science.gov (United States)

Brewster, Ryan; Bi, Wenya Linda; Smith, Timothy R; Gormley, William B; Dunn, Ian F; Laws, Edward R

2015-07-01

Baseball maintains one of the highest impact injury rates in all athletics. A principal causative factor is the "beanball," referring to a pitch thrown directly at a batter's head. Frequent morbidities elicited demand for the development of protective gear development in the 20th century. In this setting, Dr. Walter Dandy was commissioned to design a "protective cap" in 1941. His invention became widely adopted by professional baseball and inspired subsequent generations of batting helmets. As a baseball aficionado since his youth, Walter Dandy identified a natural partnership between baseball and medical practice for the reduction of beaning-related brain injuries. This history further supports the unique position of neurosurgeons to leverage clinical insights, inform innovation, and expand service to society.

Book review: Decolonisation and border thinking: Walter D. Mignolo, disobeying modern reason

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Jordi Quero

2015-12-01

Full Text Available Mignolo, Walter D. Habitar la frontera: Sentir y pensar la descolonialidad (Antología, 1999-2014. Carballo, Francisco y Herrera Robles, Luis Alfonso (prólogo y selección. CIDOB, 2015 505 págs.

Walter Pater and the Language of Sculpture

DEFF Research Database (Denmark)

Østermark-Johansen, Lene

are closely linked. Going beyond Pater's views on sculpture as an art form, this study traces the notion of relief (rilievo) and hybrid form in Pater, and his view of the writer as sculptor, a carver in language. Alongside her treatment of rilievo as a pervasive trope, Lene Østermark-Johansen also employs...... the idea of rivalry (paragone) more broadly, examining Pater's concern with positioning himself as an art critic in the late Victorian art world. Situating Pater within centuries of European aesthetic theories as never before done, Walter Pater and the Language of Sculpture throws new light...

Whitham modulation theory for the two-dimensional Benjamin-Ono equation.

Science.gov (United States)

Ablowitz, Mark; Biondini, Gino; Wang, Qiao

2017-09-01

Whitham modulation theory for the two-dimensional Benjamin-Ono (2DBO) equation is presented. A system of five quasilinear first-order partial differential equations is derived. The system describes modulations of the traveling wave solutions of the 2DBO equation. These equations are transformed to a singularity-free hydrodynamic-like system referred to here as the 2DBO-Whitham system. Exact reductions of this system are discussed, the formulation of initial value problems is considered, and the system is used to study the transverse stability of traveling wave solutions of the 2DBO equation.

Walter Rowe Courtenay, Jr. (1933–2014)

Science.gov (United States)

Benson, Amy J.

2016-01-01

WALTER R. COURTENAY, JR., ichthyologist and retired professor, Florida Atlantic University, Boca Raton, Florida, died in Gainesville, Florida, on 30 January 2014 at age 80. Walt was born in Neenah, Wisconsin, on 6 November 1933, son of Walter and Emily Courtenay. Walt's interest in fish began at a young age as evidenced by a childhood diary in which at 13 years of age he wrote about his first catch—a two-and-a-half pound “pike” from Lake Winnebago. When Walt turned ten, the family moved from Wisconsin to Nashville, Tennessee, the move precipitated by his father accepting a position as pastor of the First Presbyterian Church. During those early days in Nashville, Walt's father would take summers off and travel to Michigan to teach at Camp Miniwanca along the shore of Lake Michigan where father and son honed their angling skills. It was also at that time Walt's father had definite views on what his son should be doing in adult life—in Walt's case it was to become a medical doctor. However, his Woods Hole internship in marine biology and oceanography toward the end of his undergraduate years was a transformative experience for him so much so that he abandoned all ideas of becoming a medical doctor and instead specialized in ichthyology and oceanography. Apart from the inherent interest and opportunities Woods Hole opened to him, being back at the shore of a large body of water, in this case the Atlantic Ocean, was far more interesting than sitting in lectures on organic chemistry. With that, Walt completed his B.A. degree at Vanderbilt University in 1956. In 1960 while in graduate school in Miami, Walt met and married Francine Saporito, and over the next several years had two children, Walter III and Catherine. He went on to receive his M.S. in 1961 from The Rosenstiel School of Marine and Atmospheric Science at the University of Miami on the systematics of the genus Haemulon (grunts) and his Ph.D. degree in 1965 working under his advisor C. Richard �

Microsoft PowerPoint - Walter Coke Comm May 19 Karen correction presentation [Compatibility Mode

Science.gov (United States)

Contains slides from a presentation to Collegeville, Harriman Park, and Fairmont neighborhoods in North Birmingham, Alabama updating the community on the environmental sampling and next steps on the Walter Coke cleanup site.

Walter Charleton (1620 - 1707 e sua Teoria Atômica The atomic theory of walter charleton (1620 - 1707

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Paulo Alves Porto

1997-06-01

Full Text Available Several authors in the 17th century used the atomic hypothesis to explain observable phenomena. This paper analyzes some ideas about chemical transformation proposed by the English physician Walter Charleton. In Physiologia Epicuro-Gassendo-Charltoniana (London, 1654, Charleton examined philosophical aspects of the atomic theory, and suggested that the best explanation for all natural phenomena would be only in terms of atoms and their motions. Sometimes, however, he had to attribute to the atoms some kind of "internal virtue", to explain more complex properties of the matter. His idea of "element", and the little use of experimentation and quantification, also limited the range of Charleton's theory.

Täiustatud tõde ehk Walter Andersoni rahvajuttude enesekontrolli seadus / Elo-Hanna Seljamaa

Index Scriptorium Estoniae

Seljamaa, Elo-Hanna, 1980-

2007-01-01

Geograafilis-ajaloolise meetodi lähtealuste ja eesmärkide toel analüüsitakse Walter Andersoni, Tartu Ülikooli esimese folkloristikaprofessori käsitlusi folkloorist ja folkloori uurimisest ning tema tegevust meetodi edasiarendajana

Comentário filológico e crítica materialista

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Jeanne Marie Gagnebin

2011-01-01

Full Text Available A partir do ensaio (1922 de Walter Benjamin sobre as Afinidades Eletivas de Goethe, o artigo tenta mostrar como Benjamin, desde esse ensaio de juventude até seu último texto, as teses "Sobre o conceito de história" (1940, defende uma noção de filologia crítica, capaz de evidenciar no detalhe material a distância histórica que separa a obra, em sua concretude histórica, do momento histórico do intérprete ou historiador. Somente o reconhecimento desse distanciamento permite não cair nas armadilhas da Einfühlung (identificação afetiva, empatia hermenêutica e possibilita elaborar um posicionamento histórico e crítico.

Walter Lippmann’s Ethical Challenge to the Individual

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Steve Urbanski

2012-01-01

Full Text Available This essay analyzes in hermeneutic fashion random concepts of the individual from three of philosopher Walter Lippmann’s major works, Liberty and the News, Public Opinion, and The Phantom Public. The article addresses the following: By considering Lippmann’s multileveled representation of the individual, 21st-century media professionals can become empowered to avoid emotivism and strive toward a more narrative-based form of ethics. The article compares and contrasts Lippmann’s representation of the individual with John Dewey’s Great Community and Daniel Boorstin’s notion of the pseudo-event.

Federal president Walter Scheel on nuclear energy

International Nuclear Information System (INIS)

Scheel, W.

1977-01-01

On the occasion of the award of the Theodor-Heuss-Prize in Munich on February 11th, 1977, the President of the Federal Republic Walter Scheel commented on the citizens' contribution to basic values. In doing this the President also spoke about the peaceful utilization of nuclear energy and stated finally: 'It is wrong to see only the risk of nuclear energy, to discuss only this. We must realize that in many parts of our society we have ushered in developments which involve similar, partly even bigger danger and risk than nuclear energy. And we must be prepared to face those risks everywhere.' (orig./HP) [de

Language, Experience and Professional Learning (What Walter Benjamin Can Teach Us)

Science.gov (United States)

Doecke, Brenton; Pereira, Iris Susana Pires

2012-01-01

This essay raises questions about how language educators might construct and further develop their epistemology of practice in and through the situations in which they work from day to day. The occasion for this paper is our work as guest editors of a special issue of "L-1: Educational Studies in Language and Literature," when we invited…

Kunstiteos oma mehhaanilise reprodutseeritavuse ajastul / Walter Benjamin ; tõlkinud Mati Sirkel

Index Scriptorium Estoniae

Benjamin, Walter, 1892-1940

2010-01-01

Analüüsitakse kuidas kunstiteose repro ja filmikunst avaldavad tagasimõju kunstile tema traditsioonilisel kujul. Kunstiteose ehtsusest, selle olemusest, kultusväärtusest ja eksponeerimisväärtusest, koopia eelistest aga ka destruktiivsusest, eriti filmikunsti puhul kultuuripärandi traditsiooniväärtuse kaotamisel. Foto ja maalikunsti, teatri ja filmi erinevusest, eksponeerimisviisi muutumisest reproduktsioonitehnika läbi, mis muudab masside retseptsiooni - kunst versus meelelahutus

STS-55 MS1/PLC Ross and Payload Specialist Walter work in SL-D2 module

Science.gov (United States)

1993-01-01

STS-55 Mission Specialist 1 (MS1) and Payload Commander (PLC) Jerry L. Ross floats near cycle ergometer and Rack 9 Anthrorack (AR) (Human Physiology Laboratory) as German Payload Specialist 1 Ulrich Walter reviews a checklist in front of Rack 11 Experiment Rack. These experiment stations and the crewmembers are in the shirt-sleeve environment of the Spacelab Deutsche 2 (SL-D2) science module onboard the Earth-orbiting Columbia, Orbiter Vehicle (OV) 102. In the background is the SL-D2 aft end cone. Behind Ross and Walter is Rack 12 Experiment Rack with Baroreflex (BA).

Taking Care of Business: Walter Carpenter and the Management of American Enterprise.

Science.gov (United States)

Cheape, Charles W.

1996-01-01

Evaluates the life and career of DuPont corporate executive, Walter Carpenter, and uses it to illustrate the rise of the managerial class. Neither owners nor entrepreneurs, managers like Carpenter used their intelligence and skill to reorganize and expand the companies the companies where they worked. (MJP)

Electrotherapy for melancholia: the pioneering contributions of Benjamin Franklin and Giovanni Aldini

DEFF Research Database (Denmark)

Bolwig, Tom G; Fink, Max

2009-01-01

The electrical induction of seizures with a therapeutic aim began in 1938, but the history of electric currents to relieve mental illness began 2 centuries earlier with the pioneering work of the Italian Giovanni Aldini and the American Benjamin Franklin.These early experiments are described...... demonstrating that the electrical force encouraged hopeful applications. This history emphasizes the unique contribution in the induction of grand mal seizures as the therapeutic basis rather than the role of electricity alone....

Do documentario à ficção: a imprevisível “tradução” de «Els nens perduts del franquisme»

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Elisa Maria Amorim Vieira

2011-10-01

Full Text Available Resumo: Com base nas reflexões realizadas por Walter Benjamin e Haroldo de Campos sobre a tarefa do tradutor e a proposta presente em seus textos de dessacralização da relação entre obra original e obra traduzida, busca-se neste artigo analisar a tradução intersemiótica do documentário catalão Els nens perduts del franquisme, de Montse Armengou e Ricard Belis, para o romance Mala gente que camina, do escritor espanhol Benjamín Prado.Palavras-chave: Tradução intersemiótica; documentário; romance.Resumen: Considerando las reflexiones realizadas por Walter Benjamin y Haroldo de Campos sobre la tarea del traductor y la propuesta presente en sus textos de desacralización de la relación entre obra original y obra traducida, se propone en este artículo el análisis de la traducción intersemiótica del documental catalán Els nens perduts del franquisme, de Montse Armengou y Ricard Belis, para la novela Mala gente que camina, del escritor español Benjamín Prado.Palabras-clave: Traducción intersemiótica; documental; novela.Keywords: Intersemiotic translation; documentary; novel.

Medios de la memoria y legibilidad de la historia

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Juan Antonio Ennis

2011-11-01

Full Text Available Through the examination of certain areas in the work of Walter Benjamin and Georges Didi-Huberman, this paper aims to contribute to the discussión on the contemporary ways of working-through the traumatic memory of the twentieth century in literature, specially focusing the state of the art in this field in Spain. Given this framework, the discussión shall be centered on the concepts of 'medium' (the role of media in the twenty-first century, so as memory as medium and means and montageA partir de un examen detenido de ciertas zonas de la obra de Walter Benjamin y Georges Didi-Huberman, se propone aquí un aporte a la discusión en torno a la elaboración (sobre todo en la literatura de la memoria traumática del siglo XX en el presente, con especial atención al estado de la cuestión en este ámbito en España. En este marco, los ejes del debate se plantean en torno a la noción de 'medio' (del rol de los medios de comunicación en el siglo XXI y de la memoria como medio y a la de montaje

Escaping History: Benjamin Fondane's 'Mal des fantômes' and Interiority

OpenAIRE

Dickow, A

2017-01-01

AbstractThis article undertakes a detailed comparison of the work of Emmanuel Levinas and the poet-philosopher Benjamin Fondane. Fondane’s most iconic poem, quoted at the entrance to the Hall of Names in Jerusalem’s Holocaust museum, resembles a poetic illustration of Levinas’s key themes, such as the ‘face’ and the concept of ‘ethical speech.’ Likewise, Fondane’s long poem ‘Le Mal des fantômes’ illustrates Levinas and Fondane’s shared conception of the subject’s interiority and day-to-day ex...

Walter Gropius no Brasil: revisitando críticas

OpenAIRE

Rodrigo Marcondes Rocha

2013-01-01

O tema desta dissertação de mestrado nasce do interesse pela obra e pela figura do arquiteto alemão Walter Gropius (1883-1969) e enfoca sua passagem pelo Brasil em janeiro de 1954, quando participou como destaque da Exposição Internacional de Arquitetura (evento integrante da II Bienal Internacional de Artes de São Paulo, que por sua vez coincidia com as comemorações do IV Centenário da fundação da cidade), recebeu o Prêmio São Paulo de Arquitetura, em sua primeira e única e...

PROTAGONISM OF AMERICAN INDIANS IN WALTER LANTZ'S CARTOONS

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Rafael Duarte Oliveira Venancio

2011-06-01

Full Text Available Condemned to a dubious media representation in early cinema through the novels of the late nineteenth century, the North American Indians never had a high profile in films of this period. However, an animator, Walter Lantz, has a high degree of characterization of Native Americans in his work. The aim of this paper is to study the role of Native Americans in these cartoons and analyze the social implications of these choices, using the concepts of apparatus and formula. Furthermore, the analysis will include a portrayal of the American media scene before and after Lantz, seeking disruptions and legacies.

O lugar da obra de arte na era da reprodutibilidade técnica: Andy Warhol e a utilização da cultura massificada

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Talitta Tatiane Martins Freitas

2011-09-01

Full Text Available O presente artigo relaciona os trabalhos de Andy Warhol, ícone da chamada Pop Art, com os conceitos de Walter Benjamin, expressos no seu celebre artigo A obra de arte na era da reprodutibilidade técnica. Assim, busca-se refletir sobre de que forma Warhol consegue particularizar seus trabalhos artísticos (tornando-os facilmente reconhecidos, mesmo se utilizando de imagens já massificadas e difundidas pela mídia.

Memory and Education. Educating from the Memory of Victims

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Marcos Santos Gómez

2013-07-01

Full Text Available In the article the author emphasizes the necessity of a pedagogy of memory, which would include the memory of the victims produced by the course of history. In order to obtain this objective, he refers mainly to the philosophy of history of Walter Benjamin and the thought of T. W. Adorno. Some negative aspects of our way of life are indicated and a new pedagogy that avoids them is suggested.

"Machines to generate desire": Avant-garde Manifestos and Guerrilla Advertising

OpenAIRE

Hanna, Julian

2011-01-01

The association between the avant-garde and advertising is longstanding and bidirectional. Advertising, after all, is one of the “shocks” of modernity described by Walter Benjamin in his writings on Baudelaire. Avant-garde art reproduces the primary urban shock effects of crowds, advertisements, and other stimuli. The manifesto has always functioned as an advertisement for artistic movements, as for political and social ones. In this study I examine the relationship between the historic...

Por uma antropologia benjaminiana: repensando paradigmas do teatro dramático

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John C. Dawsey

2009-10-01

Full Text Available Este ensaio se apresenta como um canteiro de obras benjaminiano. A justaposição de figuras aparentemente distantes em relações bruscas e surpreendentes talvez provoque estranhamento. Mas as afinidades são reveladoras. Nos remoinhos dos estudos de Michael Taussig, busco uma composição teórica em contraponto: de um lado, Victor Turner e Clifford Geertz, cujos escritos nos levam a pensar possivelmente numa espécie de paradigma do teatro dramático na antropologia e, de outro, duas figuras às margens da antropologia e do teatro dramático - Walter Benjamin e Bertolt Brecht. A força gravitacional do ensaio encontra-se nessas margens, especialmente na obra fragmentada de Benjamin. Trata-se de um ensaio por uma antropologia benjaminiana, que se organiza em torno de três alegorias: 1. espelho mágico; 2. estilhaçamento; e 3. lampejos. O percurso não deixa de sugerir a forma de um rito de passagem insólito: a passagem para uma condição de passagem.This essay is presented as a Benjaminian work site. The juxtaposition of apparently distant figures in brusque and surprising relations may well cause puzzlement. But the affinities are revealing. In the whirlpools of Michael Taussig's studies, I search for a theoretical composition in counterpoint: on one side, Victor Turner and Clifford Geertz, whose writings possibly lead us to think of a kind of paradigm of the dramatic theatre in anthropology, and, on the other, two figures on the margins of anthropology and the dramatic theatre - Walter Benjamin and Bertolt Brecht. The essay's gravitational force is located on these margins, especially the fragmented work of Benjamin. In short, this is an essay towards a Benjaminian anthropology, organized around three allegories: (1 magic mirror; (2 shattering; and (3 flashes of light. In some ways, the journey suggests the form of an unusual rite of passage: the passage towards a passing condition.

Objects Retrieved from the Ruins of the Past and Dreaming of a Better Life: Thinking of the Collector as a Historical Materialist

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Esengül Ayyıldız

2015-11-01

Full Text Available In this article, collecting, seemingly an escape to fantasy in our everyday realities we believe to be stuck in, will be thought as an alternative life strategy by following the traces of Walter Benjamin and Ünsal Oksay. Meanwhile, this collective attitude is an act which antiquarian will spend money on and is not market oriented. It desires the liberation of todays’ commodified objects from their functionality they are imprisoned to, thereby creating the possibility of another life and desires these for the people as well. Thinking about this issue, the lectures of Ünsal Oskay, what he wrote about and how he looked at Benjamin, Nurdan Gürbilek’s translations and articles related to Benjamin and of course the writings of Benjamin himself are the basic references of this article. Beyond these, collectors and gatherers whom I met, whom I made in-depth interviews with, the narratives of the collectors and gatherers who joined our Programme “Piling: Th e Adventure of Collecting in the Humankind” we made with Kadir Kıvılcımlı on Açık Radyo between 2003 and 2004, and the people I met in second hand bookshops are the foci of thoughts in this article.

An Overview of Justice in Sir Walter Scott Waverley Novels: The Heart of Mid-Lothian

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Enrique García Díaz

2014-12-01

Full Text Available Although Sir Walter Scott is a well-known writer most of his readers know that he became an advocate in 1792, when he was admitted to the bar. Since then Scott and other advocates walked the floor at Parliament House (home of the Faculty of Advocates and the Court of Session waiting to be hired. Scott’s own experiences as a fledgling advocate are echoed in those of Alain Fairford in his novel Redgauntlet (Scott 1824, which provides a vivid picture of Parliament House in the eighteenth century. During his life, Scott combined extensive writing and editing issues with his daily work as Clerk of Session and Sheriff-Depute of Selkirkshire. Walter Scott was not unaware of Justice and Law and The Heart of Mid-Lothian is the novel in which he introduces to the reader the Scottish Legal System during the eighteenth century. However, there are few more examples that I will explain. Aunque Sir Walter Scott es un conocido escritor, la mayoría de sus lectores saben que en 1792 se hizo abogado, cuando fue admitido en el colegio de abogados. Desde entonces Scott y otros abogados rondaron el Parlamento con la esperanza de ser contratados. Las propias experiencias de Scott como un abogado novel se reflejan en las de Alain Fairford en su novela Redgauntlet (Scott 1824, lo que ofrece una vívida imagen del Parlamento (sede de la facultad de Derecho y Tribunal Supremo en el siglo XVIII. Durante su vida, Scott compaginó una profusa actividad como escritor y editor con su trabajo diario como juez en Selkirk. Walter Scott conocía la justicia y el derecho y El corazón de Mid-Lothian es la novela en la presenta al lector el régimen jurídico de Escocia durante el siglo XVIII. Sin embargo, se explicarán algunos otros ejemplos. DOWNLOAD THIS PAPER FROM SSRN: http://ssrn.com/abstract=2543538

Benjamin Rush, Edinburgh Medicine and the Rise of Physician Autobiography.

Science.gov (United States)

Jones, Catherine

2014-01-01

This chapter explores the place of Scottish medicine in the autobiographical writing of the Philadelphia physician and signer of the American Declaration of Independence, Benjamin Rush, who studied at the University of Edinburgh from 1766 to 1768. It focuses on Rush's 'Scottish journal' (his account of his period of study in Edinburgh), his protracted feud from 1797 over his treatment of yellow fever with the English journalist, politician and agriculturalist William Cobbett, and his account in 'Travels through Life' of that feud and of the influence of Cullen on his medical theory and practice. The different rhetorical strategies used by Rush to defend his character and practice and his role in the rise of physician autobiography are examined.

Structural stability and chaotic solutions of perturbed Benjamin-Ono equations

International Nuclear Information System (INIS)

Birnir, B.; Morrison, P.J.

1986-11-01

A method for proving chaos in partial differential equations is discussed and applied to the Benjamin-Ono equation subject to perturbations. The perturbations are of two types: one that corresponds to viscous dissipation, the so-called Burger's term, and one that involves the Hilbert transform and has been used to model Landau damping. The method proves chaos in the PDE by proving temporal chaos in its pole solutions. The spatial structure of the pole solutions remains intact, but their positions are chaotic in time. Melnikov's method is invoked to show this temporal chaos. It is discovered that the pole behavior is very sensitive to the Burger's perturbation, but is quite insensitive to the perturbation involving the Hilbert transform

The Daughters of Fire: Walter Hugo Khouri's female gothic

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Daniel Serravalle de Sá

2012-11-01

This article seeks to investigate the connections between WalterHugo Khouri’s film As Filhas do Fogo (1978 and the Gothicstressing matters of gender, race and nationality. More than asimple re-classification, this Gothic framework of study seeks todemonstrate that the representation of necromancy, mysteriousdeaths and female imprisonment in a tropical manor suggest issueslinked to Brazilian cultural identity and concerns. By associatingKhouri’s film to a form that is representative of popularentertainment this article seeks to establish a case in point ofhow the notion of Gothic can be a useful concept in the investigationof Brazilian film history.

"Alarme de incêndio": Michael Löwy e a crítica ecossocialista da civilização capitalista moderna "Fire alarm": Michael Löwy and the ecosocialist critique of the modern capitalist civilization

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Fabio Mascaro Querido

2013-04-01

Full Text Available A emergência da crise ecológica, como sintoma mais nítido de uma verdadeira crise civilizató-ria, impôs novos desafios ao pensamento crítico e, em especial, ao marxismo. Partindo desse pressuposto, o objetivo deste artigo é apresentar a defesa de Michael Löwy de uma radicalização ecossocialista da crítica marxista da modernidade, tarefa para a qual a grande recusa de Walter Benjamin das ideologias do pro- gresso é uma das fontes decisivas de inspiração. Para Michael Löwy, a ruptura com as ideologias do progresso e com o paradigma civilizatório capitalista moderno é uma condição indispensável para a atua-lização ecossocialista do marxismo.The emergence of the ecological crisis as a clearer symptom of a true civilizatory crisis has imposed new challenges to critical thought and, in particular, to Marxism. Based on this assumption, this article aims to present Michael Löwy's defense of an ecosocialist radicalization of the Marxist critique of modernity, a task for which Walter Benjamin's great refusal of the ideologies of progress is one of the critical sources of inspiration. To Michael Löwy, breaking away from the ideologies of progress and from the modern capitalistic civilizatory paradigm is a prerequisite for the ecosocialist updating of Marxism.

El diseñador como productor. Reflexiones en torno a la idea de responsabilidad social en el diseño contemporáneo.

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Ernesto Ramon Rispoli

2015-08-01

Full Text Available Este texto se propone reflexionar sobre el amplio abanico de alternativas “responsables” florecidas en el ambito de la cultura del diseño, a partir de los años Sesenta, en contra el modelo tecnicista y mercantilista dominante en la práctica profesional. La relectura de estas perspectivas a la luz de la idea de autor como productor de Walter Benjamin permite evidenciar los principios fundamentales que constituyen el terreno compartido de los diseñadores responsables contemporáneos: trabajadores intelectuales a la vez que materiales, capaces de considerar todas las implicaciones éticas, sociales, politicas y culturales de su actividad. The designer as producer. Some thoughts on the idea of social responsibility in contemporary design Abstract This text aims to reflect upon the wide range of “responsible” alternatives generated by design culture from the 1960s onwards, as opposed to the techno-centered, market-led model that has long dominated professional design practice. The re-reading of these perspectives in the light of Walter Benjamin’s notion of author as producer allows us to underline the fundamental principles constituting the common ground for responsible, contemporary designers, defined as intellectual as well as material workers, who are capable of considering all the ethical, social, political, and cultural implications of their activity. Keywords: Producer, Benjamin, Social responsibility, Designer as intellectual, Activism, Enabling

Thomas Walter Bannerman Kibble (1932 - 2016)

CERN Document Server

2016-01-01

Tom Kibble, an internationally-renowned theoretical physicist, passed away on Thursday 2 June.   Tom Kibble in the CMS cavern during a visit to CERN in 2014. (Photo: CMS/CERN) Professor Thomas Walter Bannerman Kibble passed away unexpectedly on 2 June at the age of 83. He was senior research investigator at the Blackett Laboratory and Emeritus Professor of Theoretical Physics at Imperial College, London. He made seminal contributions to our current understanding of symmetries and symmetry breaking in the Standard Model of particle physics. He was among those who, in 1964, proposed the mechanism of spontaneous symmetry breaking in gauge theories, together with G. Guralnik and C. Hagen in the autumn of that year, following the papers by R. Brout and F. Englert and by P. Higgs. When this new understanding was incorporated into a model proposed by S. Glashow in 1961, it led to the first formulations of the Standard Model by S. Weinberg and A. Salam. Kibble deepened our under...

Figure dell’assenza tra Salomon Maimon, Emmanuel Lévinas e Walter Benjamin

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Massimiliano Polari

2014-10-01

Full Text Available This text intends to propose a theoretical reflection on the path proposed by Salomon Maimon and Emmanuel Levinas, inspired by the philosophical aporie of the dialogue Parmenides of Plato on the theme of exaìphnes. Certainly both in the reflection of Levinas and in the reflection of Maimon acts a strongly Jewish force, that inspire our themes: Maimon for the complete resolution of the empirical in the intellect can take place only in the promised land of the infinite, for Levinas, the chiasm between the absolutely Other, which manifests itself escaping at the same time in the face of the other calls us continually to make exodus from ourselves. In the concrete, in that, which has no place, in the break, in the absence, in the discontinuity und in the highly contingent there is the element, that is the true transcendental mediation-element that binds reality, not in the categories of the intellect that provide us only a reality, that is valid for the our perception and objective representation or for a posthumous, fictitious facts. As tertium non datur between these two positions - the infinite intellect of Maimon und the perennial exodus from themselves in Lévinas – we intend to take an absent place of the xynòn or of the absent with (cum, that combines with a paradoxical blending the absolute nominalism of Hume with the world of Plato's ideas: the place of a absurd, absent homeland.

Oltre il frammento

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Luca Di Viesto

2017-11-01

Full Text Available This article intends to briefly analyze the characteristics that the form of the essay assumes in György Lukács, Walter Benjamin and Theodor W. Adorno’s thought. I focused on one single point: the central function that the essay acquires within the relations between particulars and system. The results are particularly interesting since, in the face of a substantial agreement on initial diagnosis, the three autors propose very different solutions: Lukács intends the form of the essay as the only possible way to overcome the fracture between world and totality; on the contrary, Adorno intends that same form as the only form adequate to express the insurmountability of the fracture; finally, Benjamin tries to keep both sides togheter: the autonomy of the trascendent and the salvation of the immanent.

The creation of an Alternative Subjectivity in Walter Mosley's Detective Novels.

OpenAIRE

Reyes Torres, Agustín

2008-01-01

Walter Mosley reappropriates the detective conventions to represent the American society of the 1950s and 1960s from a marginal perspective. He creates a black private eye, Easy Rawlins, whose profile mirrors that of his white counterparts but also subverts it. This thesis analyzes Raymond Chandlers canonical work The Simple Art of Murder and establish those traits that characterize Easy Rawlins. Likewise, it compares Mosley and Chester Himess black detective heroes and highlight the trait...

A cartography of childhood: a rereading exercise of A idade do serrote, by Murilo Mendes

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Francisco Thiago Camêlo

2016-12-01

Full Text Available This paper challenges traditional readings of Murilo Mendes’ work A idade do serrote (1968, and investigates the power of a “language childhood” in connection with Mendes’ writing. For this exercise, some chapters of his memoirs are discussed in a dialogue with philosophical propositions expressed by Gilles Deleuze, Giorgio Agamben, Jean-François Lyotard, and Walter Benjamin. By promoting an encounter between artistic expression and philosophical thinking, this article aims at showing childhood power as a discursive operator.

Towards a Benjaminian Critique of Hermann Cohen’s Logical Idealism

OpenAIRE

Homburg, Phillip

2017-01-01

This article aims to examine the relationship between Walter Benjamin and neo-Kantianism, particularly Herman Cohen’s logical idealism. I divide the article into two major sections: first, I examine the development of Cohen’s philosophy and its relationship to Hermann von Helmholtz and Friedrich Albert Lange’s early neo-Kantianism; second, I examine Benjamin’s critique of Cohen. I focus specifically on two of Benjamin’s early philosophical works — the fragment “On Perception” and the text “On...

Charles Baudelaire y la fotografía: el ojo-cámara del poeta

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Mariana de Cabo

2015-04-01

Full Text Available In Charles Baudelaire’s «Tableaux parisiens» and Le Spleen de Paris, an eye-camera that takes pictures of reality operates in a latent way. This photographic metaphor allows the poet to capture the Parisian landscape to fix it in the positive of poetry. In this article we analyze Baudelairian poetics by an interdisciplinary perspective that combines the language of literature and photography. We will use as theoretical framework Philippe Hamon’s semiological approach and Walter Benjamin Marxist theory.

The photographic subversion: Benjamin, Manet and Art(istic reproduction

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Lauren Weingarden

2006-12-01

Full Text Available Besides referring to museum masterpieces in his 1863 paintings Le déjeuner sur l’herbe and Olympia, Édouard Manet used photography, of both academic and pornographic models, new genres of commercial photography that emerged during the early 1850s. I argue that Manet deliberately conflated fine art reproductions and mass media products, a practice that invites discussion in the light of Walter Benjamin’s “The Work of Art in the Age of Its Technological Reproducibility”. Since both engaged in a dialogue with Charles Baudelaire’s writings on art, culture, and photography, these writings provide a framework for discerning modernist paradoxes inherent in Manet’s and Benjamin’s critical interpretations of popular and material culture.

Urphänomen and its Transpotition: Benjamin and the Goethean Idealism

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Tupac Cruz

2007-12-01

Full Text Available This reading of the ‘Erkenntnis-kritische Vorrede’ to the Ursprungdes deutsches Trauerspiels attempts to determine the way in which Benjamin carries out, in the theory of ideas sketched in that text, what he later called a ‘transposition’ of Goethe’s concept of the Urphänomen. A comparison with some of Goethe’s naturwissenschaftliche Schriften suggests that both authors suggest a way of thinking the relation between the concepts of truth and totality, by means of a confrontation and forceful manipulation of distinctions introduced in Kant’s critical philosophy. In this sense, their logical and epistemological sketches can be read as markers for the inaugural and closing moments of the project of German idealism.

Benjamin Franklin, 1706-2008 : anatomie d’un tricentenaire transatlantique

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Marie-Jeanne Rossignol

2009-12-01

Full Text Available Cet article analyse le Tricentenaire de Benjamin Franklin, qui eut lieu de 2006 à 2008. A l’occasion de cette date anniversaire, de nombreux livres furent publiés, des colloques et expositions organisés aux Etats-Unis. Ces travaux et manifestations ont produit un nouveau regard, critique, sur Franklin, père fondateur assez extraordinaire. L’exposition principale est venue à Paris, au cours de l’hiver 2007-2008, clairement dans le cadre d’une volonté de rapprocher les deux pays à la suite des controverses suscitées par la Guerre en Irak. Cette commémoration franco-américaine a eu comme objectif principal de souligner la diplomatie et la collaboration transatlantiques, et non de présenter Franklin sous toutes ses facettes, et de l’intégrer au contexte de son époque dans son pays. Un symposium fut donc organisé à l’Université Paris – Diderot afin de mettre en valeur les travaux scientifiques sur Franklin, français, mais aussi étrangers. Les principales communications sont présentées dans ce dossier.This paper offers reflections on the Benjamin Franklin Tercentenary, which took place from 2006 to 2008. This anniversary was celebrated by many publications, conferences and exhibitions in the United States, producing a renewed and critical understanding of Franklin, “not your usual founding father”. The main exhibition travelled to France (2007-2008, clearly as part of an attempt to patch up relationships between the two countries in the wake of the Iraq war controversy. The main focus in this Franco-American commemoration was on transatlantic diplomacy and collaboration, not really on Franklin in his multiple capacities, in his time and country of birth. The conference organized at Université Paris-Diderot in January 2008 was by contrast a scholarly affair, highlighting work on Franklin conducted by French and foreign specialists. Most of the papers are presented here.

Antes de los Estudios Culturales. Robert Warshow y la experiencia

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Antonio Lastra

2008-01-01

Full Text Available Este artículo estudia la influencia del concepto de experiencia que desarrolla Robert Warshow. Warshow ha supuesto el contrapunto americano a las teorías desarrolladas por Walter Benjamien en Europa. Si bien ambos insistieron en la pobreza de la experiencia, como resultado de la tecnificación de la sociedad, Warshow supo introducir matizaciones que influyeron en todo el círculo de intelectuales concentrados en Nueva York durante la etapa de consolidación de los Estudios Culturales. This paper studies the influence of the experience concept by Robert Warshow. Warshow is the American counterpoint to theories developed by Walter Benjamin in Europe. Although both insisted in the poverty of experience, as a result of technique, Warshow knew how to introduce nuances that influenced intellectuals in New York as Cultural Studies emerged.

Psychosurgery, ethics, and media: a history of Walter Freeman and the lobotomy.

Science.gov (United States)

Caruso, James P; Sheehan, Jason P

2017-09-01

At the peak of his career, Walter J. Freeman II was a celebrated physician and scientist. He served as the first chairman of the Department of Neurology at George Washington University and was a tireless advocate of surgical treatment for mental illness. His eccentric appearance, engaging personality during interviews, and theatrical demonstrations of his surgical techniques gained him substantial popularity with local and national media, and he performed more than 3000 prefrontal and transorbital lobotomies between 1930 and 1960. However, poor patient outcomes, unfavorable portrayals of the lobotomy in literature and film, and increased regulatory scrutiny contributed to the lobotomy's decline in popularity. The development of antipsychotic medications eventually relegated the lobotomy to rare circumstances, and Freeman's reputation deteriorated. Today, despite significant advancements in technique, oversight, and ethical scrutiny, neurosurgical treatment of mental illness still carries a degree of social stigma. This review presents a historical account of Walter Freeman's life and career, and the popularization of the lobotomy in the US. Additionally, the authors pay special attention to the influence of popular literature and film on the public's perception of psychosurgery. Aided by an understanding of this pivotal period in medical history, neurosurgeons are poised to confront the ethical and sociological questions facing psychosurgery as it continues to evolve.

Fantasmagorias e fantasmas em dois romances de Rui Mourão: Boca de Chafariz e Os demônios descem o morro.

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Ruth Silviano Brandão

2016-05-01

Full Text Available Este artigo analisa dois romances de Rui Mourão, Boca de chafariz e Os demônios descem o morro, com uma base teórica de Walter Benjamin, através de seus conceitos sobre a história, a melancolia, o barroco mineiro, a fantasmagoria. Além de Benjamin, recorremos a algumas ideias pontuais de Luciano de Samósata sobre como escrever história, principalmente sua relação com a verdade e a ficção. Os conceitos dos dois autores teóricos, Benjamin e Luciano, tangenciam-se em alguns pontos e, segundo nosso ponto de vista, favorecem um diálogo, tanto no plano ficcional, como com o histórico, através de figuras de outros séculos, presentes como fantasmas, que também dialogam com nosso presente, tornando os romances polissêmicos, pelo jogo de vozes. O método de leitura é comparativo, já que se articulam valores de duas culturas, vários autores, apresentando revisões da história, sob o olhar contemporâneo.

A Associação Brasileira de Enfermagem e o desenvolvimento da enfermagem no Brasil: um caminho em construção

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Maria Inês Monteiro Cocco

2001-06-01

Full Text Available As autoras buscam a partir do conceito de memoria expresso por Walter Benjamin identificar os fatos relevantes da Associação Brasileira de Enfermagem no desenvolvimento da enfermagem no Brasil. É destacada sua participação na legislação da área de enfermagem, na criação da Revista Brasileira de Enfermagem, dos Congressos Brasileiros de Enfermagem, além da luta política por melhores condições de saúde no Brasil.

Entweder/Und, Wiederkunft/Erlösung

OpenAIRE

Löschenkohl, Birte

2016-01-01

Mit merklicher Begeisterung verfasst Walter Benjamin am 6. Januar 1938 einen Brief an Max Horkheimer, in dem er ihm von einem "seltnen Fund" von höchster Bedeutsamkeit berichtet, der seine Arbeit "entscheidend beeinflussen" werde (GB VI, 9). Bei dem Fund handelte es sich um Louis Auguste Blanquis (1805–1881) kosmologische Schrift 'L’Éternité par les astres', verfasst 1871 im Kerker einer Gefängnisburg vor der Küste der Bretagne. Der Autor, einer der umtriebigsten Revolutionäre Frankreichs im ...

If You Don't Know Who Wrote it, You Won't Understand It: Lessons Learned from Benjamin S. Bloom.

Science.gov (United States)

Anderson, Lorin W.

1996-01-01

Describes how one college professor's relationship with author Benjamin Bloom influenced his thinking about education and his reading of education. Explains how the professor's personal and professional understandings of Bloom influenced his reading of virtually all of Bloom's writings, and discusses three points that are central to understanding…

78 FR 42036 - Radio Broadcasting Services; Port Lions, AK, De Beque, CO, Benjamin, Cisco, Rule, and Shamrock, TX

Science.gov (United States)

2013-07-15

... FEDERAL COMMUNICATIONS COMMISSION 47 CFR Part 73 [MB Docket No. 13-156; DA 13-1377] Radio Broadcasting Services; Port Lions, AK, De Beque, CO, Benjamin, Cisco, Rule, and Shamrock, TX AGENCY: Federal..., under Texas, Channel 237C3; Cisco, Channel 261C3; Rule, Channel 288C2; and Shamrock, Channel 225C2. [FR...

A pobreza de experiência

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Adolfo Junior Pereira

2016-12-01

Full Text Available Esse artigo pretende uma interpretação do texto Experiência e pobreza de Walter Benjamin. A experiência, para ele, é necessariamente devedora do modo como opera a transmissão. E a transmissão, devedora de um trabalho de velamento sobre um furo de sentido arcaico na linguagem e na cultura que determina o modo como experimentamos o tempo historicamente vivido. A transmissão se apresenta, assim, como o nexo temporal da experiência. Esse nexo não se funda em relações de causa e efeito, é um nexo de culpa. É nesse sentido que Benjamin pode ver com um bom olhar político a pobreza de experiência da vida moderna. Dentro daquilo que chamou de nova barbárie demonstra uma experiência que pode redimir nossa dívida com o passado.

Improved decay rates for solutions for a multidimensional generalized Benjamin-Bona-Mahony equation

KAUST Repository

Said-Houari, Belkacem

2014-01-01

In this paper, we study the decay rates of solutions for the generalized Benjamin-Bona-Mahony equation in multi-dimensional space. For initial data in some L1-weighted spaces, we prove faster decay rates of the solutions. More precisely, using the Fourier transform and the energy method, we show the global existence and the convergence rates of the solutions under the smallness assumption on the initial data and we give better decay rates of the solutions. This result improves early works in J. Differential Equations 158(2) (1999), 314-340 and Nonlinear Anal. 75(7) (2012), 3385-3392. © 2014-IOS Press.

77 FR 59899 - Proposed Information Collection; Comment Request; Coastal Zone Management Act Walter B. Jones and...

Science.gov (United States)

2012-10-01

... Collection; Comment Request; Coastal Zone Management Act Walter B. Jones and NOAA Excellence Awards AGENCY... approved information collection. The 1990 reauthorization of the Coastal Zone Management Act (CZMA) authorized an awards program to ``implement a program to promote excellence in coastal zone management by...

Walter Scandale receives the decoration of Knight of the Order of Merit of the Italian Republic

CERN Multimedia

2008-01-01

On 9 December 2008, Walter Scandale, a member of the EN Department, received the decoration of Knight of the Order of Merit of the Italian Republic, one of Italy's highest decorations. He was awarded the medal by the Consul-General of Italy in Geneva.

PROTAGONISMO DOS ÍNDIOS NORTE-AMERICANOS NOS DESENHOS ANIMADOS DE WALTER LANTZ

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RAFAEL DUARTE OLIVEIRA VENANCIO

2011-06-01

Full Text Available Condemned to a dubious media representation in early cinema through thenovels of the late nineteenth century, the North American Indians never had a high profile infilms of this period. However, an animator, Walter Lantz, has a high degree of characterizationof Native Americans in his work. The aim of this paper is to study the role of Native Americansin these cartoons and analyze the social implications of these choices, using the concepts ofapparatus and formula. Furthermore, the analysis will include a portrayal of the Americanmedia scene before and after Lantz, seeking disruptions and legacies.Condenados a uma duvidosa representação midiática no início do cinema graçasaos romances do final do século XIX, os índios norte-americanos nunca tiveram um grandedestaque nos filmes dessa época. No entanto, um realizador de desenhos animados, WalterLantz, possui um alto grau de caracterização de nativos norte-americanos em seus trabalhos. Oobjetivo do presente artigo é estudar o protagonismo dos índios norte-americanos nessesdesenhos animados, e analisar as implicações sociais dessas escolhas através do uso dosconceitos de dispositivo e fórmula. Além disso, a análise incluirá a retratação da cenamidiática norte-americana antes e depois de Lantz, buscando rupturas e legados.

Walter Reed Army Medical Center's Internet-based electronic health portal.

Science.gov (United States)

Abbott, Kevin C; Boocks, Carl E; Sun, Zhengyi; Boal, Thomas R; Poropatich, Ronald K

2003-12-01

Use of the World Wide Web (WWW) and electronic media to facilitate medical care has been the subject of many reports in the popular press. However, few reports have documented the results of implementing electronic health portals for essential medical tasks, such as prescription refills and appointments. At Walter Reed Army Medical Center, "Search & Learn" medical information, Internet-based prescription refills and patient appointments were established in January 2001. A multiphase retrospective analysis was conducted to determine the use of the "Search & Learn" medical information and the relative number of prescription refills and appointments conducted via the WWW compared with conventional methods. From January 2001 to May 2002, there were 34,741 refills and 819 appointments made over the Internet compared with 2,275,112 refills and approximately 500,000 appointments made conventionally. WWW activity accounted for 1.52% of refills and 0.16% of appointments. There was a steady increase in this percentage over the time of the analysis. In April of 2002, the monthly average of online refills had risen to 4.57% and online appointments were at 0.27%. Online refills were projected to account for 10% of all prescriptions in 2 years. The "Search & Learn" medical information portion of our web site received 147,429 unique visits during this same time frame, which was an average of 326 visitors per day. WWW-based methods of conducting essential medical tasks accounted for a small but rapidly increasing percentage of total activity at Walter Reed Army Medical Center. Subsequent phases of analysis will assess demographic and geographic factors and aid in the design of future systems to increase use of the Internet-based systems.

L´autobiografia e il desiderio: sulla trilogia di Walter Siti

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Alberto Casadei

2008-04-01

Full Text Available Neste ensaio é examinada toda a produção do escritor e crítico Walter Siti. A análise é desenvolvida segundo dois eixos fundamentais de um lado a relação com a forma da autobiografia, que se torna aqui explicitamente "falsificada", pondo em discussão a relação entre ficção/não ficção; de outro a relação com a tradição literária, especialmente com o modelo dantesco, decisivo para uma leitura "alegórica" dos vários contos.

Romance romântico e teoria do romance: Lucinde, de Friedrich Schlegel

OpenAIRE

Maas, Wilma Patricia Marzari Dinardo [UNESP

2011-01-01

Friedrich Schlegel’s novel, Lucinde, is here discussed as being part of a whole project for the establishment of the basis for a theory of modern novel. At the same time we try to point out some possible descendants of Schlegel’s ideas on the theory of the novel, as in Lukács and Walter Benjamin. Investiga-se aqui o estatuto do romance Lucinde, de Friedrich Schlegel, como parte do projeto do autor para a criação de uma teoria do romance moderno. Ao mesmo tempo, apontam-se prováveis descend...

Dialetical Images in the cinema

OpenAIRE

Angélica Antonechen Colombo

2013-01-01

This paper aims to discuss cinema as a Work of Art, its main elements, as the image technique, montage and its role as an essential factor of the aesthetic, perceptive and cognitive variation, from the advent and analyzing the Eisenstein’s intellectual montage, based on Walter Benjamin, Vilém Flusser and Christian Metz ’s theory. Discutir o cinema como obra de arte, seus principais elementos, como a imagem técnica, a montagem e o seu papel como fator essencial das variações estéticas, perc...

LO INEFABLE: LENGUAJE Y REVELACIÓN

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Emmanuel Taub

2012-07-01

Full Text Available Partiendo de la voz de Paul Valéry, Walter Benjamin y Gershom Scholem, estetrabajo intenta retomar la problemática de la redención y el lenguaje en la filosofía judíamoderna. Desde esta perspectiva se intenta pensar el problema de la redención como unproblema teológico-político que desde el lugar del lenguaje permite pensar lo divino frente alhombre, así como también aquello que hace al lugar de lo inefable: espacio de eternidad entreDios y el hombre.

Virtualizing the Word: Expanding Walter Ong's Theory of Orality and Literacy through a Culture of Virtuality

Science.gov (United States)

Dempsey, Jennifer Camille

2014-01-01

This dissertation seeks to create a vision for virtuality culture through a theoretical expansion of Walter Ong's literacy and orality culture model. It investigates the ubiquitous and multimodal nature of the virtuality cultural phenomenon that is mediated by contemporary technology and not explained by pre-existing cultural conventions. Through…

Hydromagnetic thermosolutal instability of compressible walters' (model B' rotating fluid permeated with suspended particles in porous medium

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G Rana

2016-09-01

Full Text Available The thermosolutal instability of compressible Walters' (model B' elastico-viscous rotating fluid permeated with suspended particles (fine dust in the presence of vertical magnetic field in porous medium is considered. By applying normal mode analysis method, the dispersion relation has been derived and solved analytically. It is observed that the rotation, magnetic field, suspended particles and viscoelasticity introduce oscillatory modes. For stationary convection the Walters' (model B' fluid behaves like an ordinary Newtonian fluid and it is observed that the rotation and stable solute gradient has stabilizing effects and suspended particles are found to have destabilizing effect on the system, whereas the medium permeability has stabilizing or destabilizing effect on the system under certain conditions. The magnetic field has destabilizing effect in the absence of rotation, whereas in the presence of rotation, magnetic field has stabilizing or destabilizing effect under certain conditions.

Walter Max Dale (formerly Deutsch) (1894-1969): pioneer and eminent radiobiochemist at the Christie Hospital and Holt Radium Institute, Manchester.

Science.gov (United States)

Shreeve, David R

2010-05-01

The political upheaval in Germany in 1933 and subsequent movement of medical scholars with the support of the Rockefeller Foundation allowed Manchester to benefit from the arrival of Dr Walter Deutsch, later known as Dr Walter Dale. His research background enabled him to develop a radiobiochemistry laboratory at the Christie Hospital and Holt Radium Institute where he became a world authority on the effects of X-rays on enzymes and also the protective effect of additional solutes. In 1959 he initiated and then edited the International Journal of Radiation Biology. By the time of his retirement in 1962 the strength of his research resulted in his laboratory being recognized by the Medical Research Council.

Experience in the Very Moment of Writing: Reconsidering Walter Benjamin's Theory of Mimesis

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Tsuji, Atsuko

2010-01-01

The purpose of this paper is to examine the ateleological moment of learning through imitation. In general, we can learn something new through imitating models we are given, which embody the values of our own society, culture and institutions. This means that imitation is understood in terms of the representation or reproduction of original…

Aberrations in the Body and in the Body Politic: The Eighteenth-Century Life of Benjamin Lay, Disabled Abolitionist

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Nathaniel Smith Kogan

2016-08-01

Full Text Available This article re-evaluates traditional interpretations and presentations of the (in-famous eighteenth century Quaker abolitionist, Benjamin Lay, by arguing that his physical disability provided the foundation for his advocacy to eliminate slaveholding amongst his fellow Friends. The article will first establish the historical context Benjamin Lay's life and transatlantic travels to explain the roots of his abolitionist advocacy. Then, this article will analyze Lay's radical abolitionism both within the context of eighteenth-century Quaker antislavery and through the lens of disability history. This methodological approach will reveal that Lay displayed a clear awareness of his non-conforming body and the ways that its marginalizing effects empowered him to radically challenge the Quaker slaveholding establishment. The article will then analyze Lay's All Slave-Keepers, Apostates and argue that Lay rhetorically constructed his own disability in this text through both a religious lens and through the emerging Enlightenment concept of human aberrance and hierarchy. Finally, the article will conclude by analyzing some of the earliest visual representations of Lay's strange body and contend that the context in which they were commissioned and circulated forged a positive connection between Lay's disability and his abolitionist accomplishments.

Internal Quality Assurance Reviews: Challenges and Processes--Walter Sisulu University's Business, Management Sciences and Law Faculty

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Moodly, A.; Saunderson, I.

2008-01-01

The Council for Higher Educations' (CHE) Higher Education Quality Committee (HEQC) requires internal quality evaluations to be performed on the various programmes offered by the Faculty before visitation by the HEQC. This article examines some of the challenges and processes followed by six of the departments of Walter Sisulu University's Faculty…

Draw the lightning down Benjamin Franklin and electrical technology in the age of enlightenment

CERN Document Server

Schiffer, Michael Brian; Bell, Carrie L

2006-01-01

Most of us know--at least we've heard--that Benjamin Franklin conducted some kind of electrical experiment with a kite. What few of us realize--and what this book makes powerfully clear--is that Franklin played a major role in laying the foundations of modern electrical science and technology. This fast-paced book, rich with historical details and anecdotes, brings to life Franklin, the large international network of scientists and inventors in which he played a key role, and their amazing inventions. We learn what these early electrical devices--from lights and motors to musical and medical i

El acontecimiento como categoría metodológica de investigación social

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Jairo Hernando Gómez-Esteban

2016-01-01

Full Text Available El proceso educativo hace que distintas generaciones se relacionen. Frente a las modificaciones de las últimas décadas algunos profesores adoptan desde una perspectiva nostálgica hasta un discurso elogioso y a veces extremo sobre los jóvenes y sobre lo nuevo. El énfasis, sea en la experiencia de los más viejos, el desprecio de la experiencia de los más jóvenes o renegando de la experiencia de los más viejos, nos impide establecer puentes entre las generaciones. Utilizo textos de Walter Benjamin para reflexionar sobre la experiencia y la tradición. Las ideas de Benjamin permiten pensar acerca de la relación entre generaciones al interior de la escuela a partir de una posición ética que reconoce nuestro papel como representantes de una determinada tradición sin dejar de estar abiertos a las experiencias de los jóvenes.

Control and Stabilization of the Benjamin-Ono Equation in {L^2({{T})}}

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Laurent, Camille; Linares, Felipe; Rosier, Lionel

2015-12-01

We study the control and stabilization of the Benjamin-Ono equation in {L^2({T})}, the lowest regularity where the initial value problem is well-posed. This problem was already initiated in Linares and Rosier (Trans Am Math Soc 367:4595-4626, 2015) where a stronger stabilization term was used (that makes the equation of parabolic type in the control zone). Here we employ a more natural stabilization term related to the L 2-norm. Moreover, by proving a theorem of controllability in L 2, we manage to prove the global controllability in large time. Our analysis relies strongly on the bilinear estimates proved in Molinet and Pilod (Anal PDE 5:365-395, 2012) and some new extension of these estimates established here.

Walter Reed Army Medical Center (WRAMC) and Office of Management and Budget (OMB) Circular A-76: Implications for the Future

National Research Council Canada - National Science Library

Grasso, Valerie B

2007-01-01

This report examines the issues surrounding the recent Walter Reed public-private competition conducted under OMB Circular A-76 and its potential impact on future Department of Defense competitions...

Business Case Analysis of the Walter Reed Army Medical Center Medical/Surgical Prime Vendor Generation III Service Level Electron Program

National Research Council Canada - National Science Library

Markot, Peter B

2007-01-01

...) staffing and medical/surgical services offered under the Prime Vendor (PV) Generation III contract would provide the best supply chain management solution for Walter Reed Army Medical Center (WRAMC...

El “aura” benjaminiana y los símbolos del Guernica

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Chihaia, Matei

2009-10-01

Full Text Available Picasso’s “Guernica” still is an icon, despite of its countless reproductions which make it an example of what Walter Benjamin calls the loss of aura in modern art. The history of its reception is marked by religious metaphors which bestow a simbolic distinction upon its technical transports. Several narrations about the mural’s deplacement (or the travel towards it can thus be differenciated from a narrative model which is based on replacement, as it is put forward in Luis de Castresana’s El otro árbol de Guernica, as well as from the franquist discourse, which dwells on the icons’ continuity. Finally, even theft in a movie (El robo más grande jamás contado by Daniel Monzón and in reality (concerning Richard Serra’s sculpture can be considered as illegitimate transfers which reveal the dialectics of aura as described by Benjamín.El “Guernica” de Picasso ganó su estatuto de icono, es decir, de objeto aurático, gracias a una reproducción industrial que, de acuerdo con Walter Benjamin, debería quebrar el aura del arte moderno. En la historia de su recepción un sistema de metáforas religiosas cubre precisamente los traslados mecánicos para conferirles una carga simbólica. Los relatos respectivos acerca del desplazamiento del mural (o hacia el mural se distinguen claramente de un modelo narrativo basado en el reemplazo, como propone El otro árbol de Guernica de Luis de Castresana, y también de un discurso franquista centrado en la continuidad de los iconos. Finalmente, incluso un robo de cine (en la película El robo más grande jamás contado de Daniel Monzón y un robo real (la escultura desaparecida de Richard Serra en tanto que traslados ilegítimos, intervienen como para revelar la dialéctica del aura descrita por Benjamin.

Benjamin Constant, surveillance en de strijd voor vrijheid en privacy : Vergeten gevoeligheden in een door Jeremy Bentham beïnvloed veiligheidsklimaat

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de Hert, Paul; de Hert, P.; Kinneging, A.; Colette, M.

2015-01-01

In deze bijdrage, concentreer ik me op Benjamin Constants (1767-1830) Principes de politique, een meesterwerk van de liberale theorie. In dit werk uit 1810 geeft Constant zelf op verschillende plaatsen aan dat hij geschiedenis aan het schrijven is. Hij is, zo merkt hij op, de eerste om aandacht te

Alfred Walter Campbell's return to Australia.

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Macmillan, Malcolm

2018-01-01

Alfred Walter Campbell (1868-1937) established the basic cytoarchitectonic structure of the human brain while he was working as a pathologist at the Rainhill Lunatic Asylum near Liverpool in the United Kingdom. He returned to Australia in 1905 and continued doing research while establishing a neurological practice. His research over the next 17 years focused on four topics: (a) localisation in the cerebellum, (b) the neuroses and psychoses in war, (c) localisation in the cerebral cortex of the gorilla, and (d) the causes and pathology of the mysterious Australian "X" Disease (later known as Murray Valley encephalitis). In this article, I elaborate on his research in these areas, which provided evidence (a) against Louis Bolk's thesis that variation in the size of the cerebellar cortex reflected variation in the amount of cortex controlling various groups of muscle, (b) against the view that the neuroses and psychoses in war were different from those in civilian life, (c) for a parcelation of the cortex of the gorilla brain that supported his earlier findings in the higher apes, and (d) on the cause and pathophysiology of Australian "X" disease. Much of this research was overlooked, but it remains of considerable value and historical significance.

[Decriminalizing traditional Andean medicine: an interview with Walter Álvarez Quispe].

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Quispe, Walter Álvarez; Loza, Carmen Beatriz

2014-01-01

Walter Álvarez Quispe, a Kallawaya healer and biomedical practitioner specializing in general surgery and gynecology, presents the struggle of traditional and alternative healers to get their Andean medical systems depenalized between 1960 and 1990. Bolivia was the first country in Latin America and the Caribbean to decriminalize traditional medicine before the proposals of the International Conference on Primary Health Care (Alma-Ata, 1978). The data provided by the interviewee show that the successes achieved, mainly by the Kallawayas, stem from their own independent initiative. These victories are not the result of official policies of interculturality in healthcare, although the successes achieved tend to be ascribed to them.

Com?rcio e cultura na fronteira: a cultura de consumo no setor varejista de Benjamin Constant

OpenAIRE

Matos, Francisco Carlos Dantas de

2016-01-01

Este trabalho pretendeu descrever o com?rcio varejista de Isl?ndia, de Let?cia e de Benjamin Constant; a log?stica de suprimento do Alto Solim?es; e a cultura de consumo em BC. Na pesquisa de campo realizaram-se entrevistas com comerciantes, consumidores e agentes log?sticos. As observa??es do Autor foram feitas na condi??o de consumidor, de morador da cidade de professor da Universidade, com vis?o de Administrador. Na conviv?ncia com benjaminenses e na intera??o com peruanos e colombianos no...

The Benjamin H. Kean Travel Fellowship in Tropical Medicine: Assessment of Impact at 15 Years.

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Carman, Aubri S; John, Chandy C

2017-09-01

The Benjamin H. Kean Fellowship in Tropical Medicine is an American Society of Tropical Medicine and Hygiene initiative that provides medical students with funding for international clinical or research experiences lasting at least 1 month. Of the 175 Kean fellows from 1998 to 2013, 140 had current available e-mails, and 70 of the 140 (50%) responded to a survey about their fellowship experience. Alumni indicated that the Kean Fellowship had a high impact on their career plans with regard to preparation for ( N = 65, 94.2%) and inspiration to pursue ( N = 59, 88.1%) a career in tropical medicine and global health. Continued involvement in tropical medicine and global health was common: 52 alumni (74.3%) were currently working in tropical medicine or global health, 49 (71.0%) had done so in the interim between the Kean fellowship and their current position; and 17 of 19 Kean fellows (89.4%) who had completed all medical training and were now in professional practice continued to work in tropical medicine and global health. Alumni had been highly productive academically, publishing a total of 831 PubMed-indexed manuscripts, almost all on tropical medicine or global health topics, in the period between their fellowship year and 2013. Alumni reported strengths of the fellowship including funding, networking, and flexibility, and suggested that more networking and career mentoring would enhance the program. The Benjamin H. Kean fellowship program has been highly successful at inspiring and fostering ongoing work by trainees in tropical medicine and global health.

Walter bustamante tejada, los invisibles en antioquia, 1886-1936: una arqueología de los discursos sobre la homosexualidad.

OpenAIRE

Bedoya Molina, Juan Pablo

2011-01-01

Los invisibles en Antioquia, 1886-1936: Una arqueología de los discursos sobre la homosexualidad del historiador Walter Alonso Bustamante Tejada, se presenta como un texto pionero para el estudio de la historia de la homosexualidad en Antioquia.

New Daily Persistent Headache: Historical Review and an Interview with Dr. Walter Vanast.

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Robbins, Matthew S; Vanast, Walter J; Allan Purdy, R

2017-06-01

New daily persistent headache (NDPH) is an idiopathic headache syndrome characterized by the abrupt onset of an unremitting, daily, continuous headache without an antecedent escalating headache pattern, and not attributable to other primary or secondary headache disorders. We review the history of NDPH in terms of its characterization and classification, and then interview Dr. Walter Vanast, the neurologist who initially described NDPH three decades ago, to gain his perspective now that there is more widespread recognition and interest in this syndrome. © 2017 American Headache Society.

Gothic elements in contemporary detective story : Matthew Gregory Lewis and Minette Walters compared

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Vesna Marinko

2009-12-01

Full Text Available One of the most shocking Gothic novels was written by Matthew Gregory Lewis in 1796. His Gothic novel The Monk contains all the typical Gothic elements such as a ruined castle, aggressive villain, women in distress, the atmosphere of terror and horror and a lot more. This article analyses and compares to what extent the Gothic elements of the late 18th century survived in the contemporary detective story The Ice House (1993 written by Minette Walters and how these elements have changed.

Testing some of Benjamin Graham’s Stock Selection Criteria: A Case of the FTSE Bursa Malaysia EMAS Index from Year 2000 to 2009

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Desmond Chang

2011-01-01

Full Text Available Benjamin Graham, also known as the “father of value investing” proposed that investment in the stock exchange can be a safe endeavor while receiving gains that outperform the market if the investor makes carefully thought out purchases. This study aims to determine if the use of some of Benjamin Graham’s stock selection criteria is able to generate returns that are significantly greater than the returns in the stock exchange of Malaysia, particularly, the comprehensive FTSE Bursa Malaysia EMAS Index. This study collected secondary data regarding fundamentals of companies listed in the FTSE Bursa Malaysia EMAS Index from the year 2000 to 2009. Five criteria were set up in this research based on one or a combination of price-to-earnings ratio, price-to-book value, current ratio and dividend yield. The listed companies were screened using those criteria. An equally weighted portfolio was created using the screened companies and their one-year and two-year returns calculated. The returns were compared to the market return. Hypotheses of this research were tested using t-test statistic to determine the significance of the data. This research found that most of the screening criteria used generated returns that were higher than the market return in almost every year they were tested in. Benjamin Graham’s stock selection criteria although have been conceived over 80 years ago is still applicable today in the Malaysian market. Further research can be conducted with different criteria with varying holding periods and in different markets.

Virtude, trabalho e riqueza: a concepção de sociedade civil em Benjamin Franklin

OpenAIRE

Ana Maria Brito Sanches

2006-01-01

Neste trabalho examinamos a concepção de sociedade civil no pensamento social e político de Benjamin Franklin, cujas idéias exerceram grande influência na formação da mentalidade do homem do Novo Mundo. Essa mentalidade inaugura um novo modo de conceber a vida em sociedade, exaltando tudo o que se opõe aos valores da velha ordem. Contra o princípio da honra, os títulos de nobreza e a posição social dos indivíduos, ela exalta a virtude republicana, celebra o trabalho e reclama o respeito à dig...

Richard J. Hill, Picturing Scotland through the Waverley Novels: Walter Scott and the Origins of the Victorian Illustrated Novel.

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Jacqueline Irene Cannata

2012-10-01

Full Text Available Richard J. Hill, Picturing Scotland through the Waverley Novels: Walter Scott and the Origins of the Victorian Illustrated Novel . Farnham, Surrey, and Burlington, VT: Ashgate, 2010. Pp. 236. ISBN 978-0-7546-6806-0. US$99.99.

O teatro atualiza a história: mediações entre o materialismo histórico de Benjamin e a peça Auto dos bons tratos, da Cia do Latão

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Alexandre Villibor Flory

2015-07-01

Full Text Available Este artigo, fundamentado no conceito do teatro épico e na relação entre literatura e processos de historicidade, tem por objetivo estudar a peça Auto dos bons tratos (2002, da Cia do Latão, grupo representativo de um contexto sócio-histórico específico de retomada do teatro épico no Brasil. A peça tematiza o processo de escravização dos índios, em 1546, pelo primeiro donatário da capitania de Porto Seguro que, marcado pela ética do trabalho capitalista, entra em uma disputa ideológica com a Igreja por ser contrário aos feriados de dia santo. Na prisão, tem uma visão a respeito da cordialidade, que indica a ele o modo ideal de se relacionar com os seus escravos e funcionários. Ao fazer menção a um fato histórico real relatado no processo movido pela Igreja Católica contra o donatário de terras, a peça revisita criticamente um acontecimento representativo da história oficial, em uma perspectiva que pode ser aproximada do materialismo histórico de Walter Benjamin. É, assim, reveladora de um momento histórico específico do processo de implantação do capitalismo em solo brasileiro e de suas consequências. Além disso, este tema é expresso formalmente por meio da apropriação crítica do auto, o que direciona também a um estudo das formas épicas.

On Reconsidering Park, Johnson, DuBois, Frazier and Reid: A Reply to Benjamin Bowser's "The Contribution of Blacks to Sociological Knowledge."

Science.gov (United States)

Watts, Jerry G.

1983-01-01

Contends that Benjamin Bowser's essay (title cited above) contains conceptual and factual errors on such matters as the relationship of African slavery to European economic expansion; influence of Social Darwinism; and the role of Robert Park, W.E.B. DuBois, E. Franklin Frazier, and other Black historians in sociological research in this country.…

The Spanish Inquisition’s Attack on Liberalism. The Indictment against Benjamin Constant’s Principes de Politique

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María Luisa SÁNCHEZ-MEJÍA

2014-02-01

Full Text Available In 1816, after close examination, the Spanish Inquisition forbade Benjamin Constant’s Principes de Politique, the most representative work of liberal ideology of its day. A careful study of the official indictment shows that in the early 19th c. the concepts of natural law and of the general will introduced by the Enlightenment were still being countered with the same arguments which had been used in the preceding century. Nonetheless, the consequences for Spain of the French Revolution would force the Inquisition to face the challenges posed by liberalism in Europe.

Gamma ray flashes add to mystery of upper atmosphere

Science.gov (United States)

Atmospheric electricity research has come a long way since Benjamin Franklin's kite-flying days. But what researchers have been learning lately about above-thunderstorm electricity has wrought a whole new era of mysteries.For a start, last summer a Colorado meteorologist sparked interest in a terrestrial phenomenon that the community first observed more than 100 years ago: optical flashes that occur above thunderstorms—at least 30 km above Earth. Walter Lyons with the Ft. Collins-based Mission Research Corporation, demonstrated that such flashes are not anomalies, as conventional scientific wisdom had held. He filmed hundreds of flashes during a 2-week period.

O suplementário Folhetim da Folha de São Paulo

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Marco Antonio Maschio Cardozo Chaga

1997-06-01

Full Text Available Para iniciar esta apresentação, gostaria de comentar rapidamente uma preocupação interessante de Oscar Wilde, e uma outra de Walter Benjamin, que, apesar de separadas de nós por quase cem anos, parecem nos prevenir de forma arrevesada sobre um ponto de convergência: escrevem, possivelmente por razões diferentes da minha, sobre um certo movimento de decadência e, como não poderia ser diferente, de um movimento contrário. Espero ser possível, apreciável, e razoavelmente clara semelhante aproximação.

Resenha

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Mauro Figueiredo Brito Júnior

2018-03-01

Full Text Available Autora de As desordens da biblioteca (2015, Muriel Pic (1974 é doutora pela l'École des Hautes Etudes em Sciences Sociales e ensina literatura francesa na universidade de Berna, Suíça. É pesquisadora associada ao FNS (Fonds National Suisse de la Recherche Scientifique. Investiga autores como Walter Benjamin, Theodor Adorno, Pierre Jean Jouve e Georges Bataille entre outros da literatura francesa e alemã do século XX. Além da obra analisada nesta resenha, publicou outros livros e artigos sobre literatura ainda não traduzidos no Brasil.

Sobre as possibilidades da impermanência: Fotografia e monumento

OpenAIRE

Lais Myrrha

2007-01-01

A partir da teoria da fotografia em Walter Benjamin e em Roland Barthes faremos algumas incursões pelas temáticas que envolvem a construção e permanência dos monumentos, das memórias e dos valores atribuídos aos objetos e às imagens. Destacaremos como questões fundamentais a distância e a ausência tal como pensada por esses autores. O mesmo peso terá ainda a análise pontual de algumas obras de Nan Goldin, Christian Boltanski, Rosângela Rennó, Joseph Beuys, Rachel Whiteread, Susan Hiller, Féli...

Présentation

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Stéphane Haber

2010-08-01

Full Text Available Les articles réunis dans ce dossier de la revue Astérion portent sur la première génération de la Théorie critique (dont Max Horkheimer, Walter Benjamin, Theodor W. Adorno, Herbert Marcuse et Erich Fromm constituent sans doute les figures principales. Ils se concentrent plus précisément sur les contributions philosophiques qui marquèrent la période ouverte par l’accession de Horkheimer à la direction de l’Institut de recherches sociales (1931 et close par la publication en 1944 de Dialektik...

"Walter Gropius" by Dean Carter. Exhibition of College of Architecture and Urban Studies Timeline and Portrait Busts.

OpenAIRE

Carter, Dean

2014-01-01

DEAN CARTER. Walter Gropius. Cast bronze. The Art Collection / Virginia Tech Foundation Exhibition of portrait busts and the timeline of the history College of Architecture and Urban Studies, on the occasion of the 50th anniversary of the College. Curated by Truman Capone and Deb Sim. Francis T. Eck Exhibition Corridor, Moss Arts Center, Virginia Tech. Image 13

Walter Benjamin y los pasajes de París: el abordaje metodológico

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Daniel Hiernaux-Nicolas

1999-01-01

la imagen dialéctica, el recurso a los "desechos o harapos" de la sociedad, la valorización del análisis del objeto material para reconstruir épocas pasadas, etc. Su obra y su vida misma se constituyen así en un referente de primer orden para definir senderos de investigación en la actualidad.

Regards sur un paysage anglais : « Seascape » de W.H. Auden à Benjamin Britten Views of an English landscape: “Seascape” from W.H. Auden to Benjamin Britten

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Nathalie Vincent-Arnaud

2009-10-01

Full Text Available This article aims to bring to light the close links that bind together W.H. Auden’s poem “Seascape” and other artistic languages such as painting and music since the poem was actually set to music by Benjamin Britten. In keeping with this inter-semiotic approach, the main structural and rhetorical elements of the poem will be discussed, and more particularly the stylistic devices that the musical work itself seems to echo through a combination of rhythmical, melodic and harmonic patterns which all serve to enhance the suggestive power of the text. We will try to define more precisely the intricate artistic heritage of the poem through which the reader both hears and sees the whole scene conjured up.

The implementation of research recommendations at the Walter Sisulu National Botanical Garden

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Martie Mearns

2009-09-01

Full Text Available A comparative study Biodiversity is not a static phenomenon and many variables have an effect on accelerated biodiversity loss. While most of the variables affecting biodiversity loss are caused by humankind, many species are affected by more than one variable simultaneously. Six fundamental causes for biodiversity loss have been identifi ed, namely unsustainable population growth and associated increased pressure on natural resources; a reduced spectrum of agricultural, forestry and fishery products; failure of economic systems to attach appropriate economic value to the environment and resources; inequality in ownership, flow and management of the benefits and utilisation of resources; insufficient knowledge in the application and use of resources; and legislation and institutional systems that promote unsustainable abuse of the environment (Middleton 2003:250. The worldwide loss of biodiversity makes the management of protected areas more important than ever. Protected areas are under increasing pressure to become economically viable and independent of state grants. Tourism creates the mechanism and opportunities for protected areas to increase their economic viability while advancing the appreciation of nature. The management of these protected areas therefore includes the management of visitors. South Africa is the third most bio diverse country in the world. Amongst a variety of nature conservation endeavours nine national botanical gardens are managed by the South African National Biodiversity Institute (SANBI. One of the nine national gardens is the Walter Sisulu National Botanical Garden situated in Roodekrans towards the west of Johannesburg. A study was launched to determine preferences of visitors to the Walter Sisulu National Botanical Garden by making use of semi-structured interviews. The purpose of the study was threefold. Firstly the study was launched to determine whether visitors to the garden had an increased awareness

Origens do realismo na teoria estética marxista do entreguerras

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Marcos Rogério Cordeiro

2016-12-01

Full Text Available Resumo: O objetivo deste artigo é apontar como percursos intelectuais distintos, na primeira metade do século XX, levaram importantes nomes da teoria estética a um método marxista comum, incorporado às discussões literárias no período entreguerras. Nesse sentido, busca-se demonstrar como o período formativo mais idealista do círculo de Bakhtin e dos formalistas russos, bem como o de György Lukács e de Walter Benjamin, não impediram que suas obras culminassem numa noção mais dialética e historicizada sobre o conceito estético de realismo. Assim, buscaremos enfatizar que a ideia de uma condensação não mecânica da realidade na forma artística é a baliza central de todos esses autores, e é o que, em última instância, mais unifica que aparta suas distintas teorias. Palavras-chave: Realismo, Marxismo, Bakhtin, Lukács, Benjamin. 

Translation: between what can be translated and what must be translated

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Magda Jeanrenaud

2016-02-01

Full Text Available Starting from a disconcerting interpretation of Jacques Derrida, our analysis aims at investigating and also tries to explain the blockage which appears in the English, French and Romanian translations (signed by Maurice de Gandillac, Antoine Berman, Laurent Lamy, Alexis Nouss, Harry Zohn, Steven Rendall, Martine Broda, Catrinel Pleșu etc. of a well-known text of Walter Benjamin, Die Aufgabe des Übersetzers, when translators transpose in their target languages the two quotations given by Benjamin: one of Mallarmé, left untranslated in the source text, and another, signed by Pannwitz. The fact is that both quotations have something in common: a discoursive form which results from an unusual syntax, as if they were already, in a certain sense, „translations”. As if the translators feared—a feature of the translator’s psychology?—not to render their text sufficiently accessible, even when the source text is not intended to be accessible. Hence the painful dilemma of the intentional fallacy (not only of the text to be translated.

A public health physician named Walter Leser.

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Mello, Guilherme Arantes; Bonfim, José Ruben de Alcântara

2015-09-01

A brief review of the career of the public health physician Walter Sidney Pereira Leser, who died in 2004 aged 94. Self-taught, from his 1933 doctoral thesis he became a country reference in the field of statistics and epidemiology, with dozens of studies and supervisions. In the clinical field he is one of the founders of Fleury Laboratory, and participates in the creation of CREMESP. As an academic, Leser was a professor at the Escola de Sociologia e Política de São Paulo, Escola Paulista de Medicina e Faculdade de Farmácia e Odontologia da USP. Also, Leser introduced objective tests in the college entrance examination, and led the creation of CESCEM and Carlos Chagas Foundation. In the Escola Paulista de Medicina he created the first Preventive Medicine Department of the country. As a public official, he was secretary of the State Department of Health of São Paulo between 1967 and 1971 and between 1975 and 1979, responsible for extensive reforms and innovations. Among the most remembered, the creation of sanitary medical career. Throughout this legacy, he lent his name to the "Medal of Honor and Merit Public Health Management" of the State of São Paulo.

Peer-Assisted Learning Programme: Supporting Students in High-Risk Subjects at the Mechanical Engineering Department at Walter Sisulu University

Science.gov (United States)

Makola, Qonda

2017-01-01

The majority of the students who enroll at the Walter Sisulu University (WSU) in South Africa are not equipped with the necessary academic/learning skills to cope with the university environment, especially in Mechanical Engineering. The Department of Higher Education and Training (2013, p. 17), further states that "students' support is…

Medicinas tradicionales andinas y su despenalización: entrevista con Walter Álvarez Quispe

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Quispe, Walter Álvarez; Loza, Carmen Beatriz

2014-01-01

Walter Álvarez Quispe, terapeuta kallawaya y biomédico especializado en cirugía general y ginecología, presenta la lucha de los terapeutas tradicionales y alternativos por la depenalización de estos sistemas médicos andinos realizada entre 1960 y 1990. Bolivia se torna el primer país en América Latina y el Caribe en despenalizar la medicina tradicional antes de los planteamientos de la Conferencia Internacional sobre Atención Primaria de Salud (Alma-Ata, 1978). Los datos aportados por el entr...

Música y medios de comunicación: en torno a Glenn Gould (1932-1982 Música y medios de comunicación: en torno a Glenn Gould (1932-1982

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Michèle Dufour

2008-04-01

Full Text Available Glenn Gould (Toronto,1932-82 fue una de las figuras artísticas más importantes de Canadá en el siglo XX. A 25 años de su muerte se conmemora no sólo a un gran virtuoso del piano; también a un actor social relevante, que contribuyó a la redefinición de la experiencia musical culta a partir del poder de las nuevas tecnologías en la sociedad contemporánea. Su vida y obra crítica guarda una estrecha relación –implícita o explícita– con otros importantes pensadores de su tiempo, como Marshall McLuhan, Theodor W. Adorno, Max Horkheimer y Walter Benjamin. Todos ellos involucrados en reflexionar sobre el devenir de la obra de arte en la era de la reproducción industrial y de la cultura de masa.Glenn Gould (Toronto,1932-82 has been one of the most important artistic personality of Canada in the twentieth century. Twenty five years after his death, we commemorate not only a great virtuoso of the piano but also an outstanding social actor who contributed to redefine the musical experience considering the power of mass medias in the contemporary society. His life and critical writings keep a link –implicit or explicitly– with others important thinkers of his time like Marshall McLuhan, Theodor W. Adorno, Max Horkheimer and Walter Benjamin, all of them involucrate in the process of redefinition of the work of art in the industrial reproduction era and mass culture.

In the course of history: the upsurge of photography in the image civilization Nos passos da história: o surgimento da fotografia na civilização da imagem

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Eduardo Ewald Maya

2008-03-01

Full Text Available In this article I present a part of my master’s degree dissertation which dealt with the path in the history of photography. The text starts by focusing the profound cleave it provoked in XIX Century iconographies. Next, it analyses the raise of the processes of photographic reproduction, e.g. images of an optical nature (of photographically automatized production. In closing it appraises the origins and transmutations witnessed in the relation artphotography. To do so it adopts the perspectives of photography thinkers such as Walter Benjamin and of researchers as Boris Kossoy, among others. It concludes that photography represented a new – and important spring in terms of multiplication and sharing of information, beyond opening new fields in the visual representations. Neste artigo, apresento uma parte da dissertação de mestrado, cujo objetivo é percorrer os passos da história da fotografia. O texto começa abordando o profundo corte que ela provocou nas iconografias do século XIX. Em seguida, analisa o surgimento dos processos de reprodução fotográfica, isto é, das imagens de natureza óptica (de produção automatizada fotograficamente. Por fim, aborda as origens e transmutações observadas na relação arte-fotografia. Para tanto, adota referenciais teóricos de pensadores da fotografia como Walter Benjamin e de pesquisadores como Boris Kossoy, entre outros. Conclui que a fotografia representou um novo – e importante – salto em termos de multiplicação e difusão da informação, além de abrir novos campos nas representações visuais.

A casa de Joana Dark: drama e montagem

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John Cowart Dawsey

2012-04-01

Full Text Available Neste artigo, ao discutir o modo como se configuram imagens de Nossa Senhora e de mães e mulheres no Jardim das Flores (ou “buraco dos capetas”, na periferia de uma cidade do interior paulista, pretende-se explorar a especificidade de estéticas dramáticas. A seguir, ainda mais do que a estética do drama social, associada à obra de Victor Turner, o princípio da montagem, que se inspira no cinema de Sergei Eisenstein, ilumina registros de cadernos de campo. E com Eisenstein - Julia Kristeva, Walter Benjamin, Michael Taussig, e Antonin Artaud. A quem se dispuser a fazer uma audição dessas mulheres, sugiro cautela. Pois em nossos ouvidos talvez ressoem os tiros de uma garrucha.While discussing images of Our Lady and of the mothers and women of the Garden of Flowers (or “Devils’ Hole”, a peripheral district of a city in the interior of São Paulo state, this paper intends to explore the specificity of dramatic aesthetics. Rather than depend upon the aesthetics of social drama, as discussed in the works of Victor Turner, the present paper deals with a concept of montage that is inspired by the cinema of Sergei Eisenstein in order to illuminate a selection of field notes... and, along with Eisenstein, Julia Kristeva, Walter Benjamin, Michael Taussig and Antonin Artaud. Wit regards to those readers interested in hearing what these women may have to say, caution is suggested, for the words of these women may ring in our ears as the sounds of musket shots.

Walter Miles, Pop Warner, B. C. Graves, and the psychology of football.

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Baugh, Frank G; Benjamin, Ludy T

2006-01-01

In 1926-1927, a graduate student, B. C. Graves, working with Stanford University psychologist Walter Miles and legendary football coach Pop Warner, conducted an investigation of variations in signal calling as they affected the charging times of football players. The study was one of two that involved Miles and the ingenious multiple chronograph that he had invented to time the reactions of seven players simultaneously. These studies represented a brief digression in the career of Miles, who certainly was no sport psychologist. They tell of an interesting collaboration between scientist and coaches that produced one of the richest studies in sport psychology in the first half of the twentieth century. Copyright 2006 Wiley Periodicals, Inc.

PENN neurodegenerative disease research - in the spirit of Benjamin Franklin.

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Trojanowski, John Q

2008-01-01

Benjamin Franklin (1706-1790) was entrepreneur, statesman, supporter of the public good as well as inventor, and his most significant invention was the University of Pennsylvania (PENN). Franklin outlined his plans for a college providing practical and classical instruction to prepare youth for real-world pursuits in his 'Proposals Relating to the Education of Youth in Pensilvania' (1749), and Franklin's spirit of learning to serve society guides PENN to the present day. This is evidenced by the series of articles in this special issue of Neurosignals, describing research conducted by seasoned and newly recruited PENN faculty, addressing consequences of the longevity revolution which defines our epoch at the dawn of this millennium. While aging affects all organ systems, the nervous system is most critical to successful aging. Thus, the articles in this special issue of Neurosignals focus on research at PENN that is designed to prevent or ameliorate aging-related neurodegenerative disorders such as Alzheimer's and Parkinson's disease, amyotrophic lateral sclerosis and frontotemporal dementia. This research could enhance our chances of aging successfully in the continuing longevity revolution, and the essay here provides context and background on this research.

W. Grey Walter, pioneer in the electroencephalogram, robotics, cybernetics, artificial intelligence.

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Bladin, Peter F

2006-02-01

With the announcement by William Lennox at the 1935 London International Neurology Congress of the use of electroencephalography in the study of epilepsy, it became evident that a new and powerful technique for the investigation of seizures had been discovered. William Grey Walter, a young researcher finishing his post-graduate studies at Cambridge, was selected to construct and study the EEG in clinical neurology at the Maudsley Hospital, London. His hugely productive pioneering career in the use of EEG would eventually lead to groundbreaking work in other fields --the emerging sciences of robotics, cybernetics, and early work in artificial intelligence. In this historical note his pioneering work in the fields of clinical neurophysiology is documented, both in the areas of epileptology and tumour detection. His landmark contributions to clinical neurophysiology are worthy of documentation.

Dispersive shock waves in systems with nonlocal dispersion of Benjamin-Ono type

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El, G. A.; Nguyen, L. T. K.; Smyth, N. F.

2018-04-01

We develop a general approach to the description of dispersive shock waves (DSWs) for a class of nonlinear wave equations with a nonlocal Benjamin-Ono type dispersion term involving the Hilbert transform. Integrability of the governing equation is not a pre-requisite for the application of this method which represents a modification of the DSW fitting method previously developed for dispersive-hydrodynamic systems of Korteweg-de Vries (KdV) type (i.e. reducible to the KdV equation in the weakly nonlinear, long wave, unidirectional approximation). The developed method is applied to the Calogero-Sutherland dispersive hydrodynamics for which the classification of all solution types arising from the Riemann step problem is constructed and the key physical parameters (DSW edge speeds, lead soliton amplitude, intermediate shelf level) of all but one solution type are obtained in terms of the initial step data. The analytical results are shown to be in excellent agreement with results of direct numerical simulations.

Wings of history, angels of desire

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Atílio Avancini

2012-12-01

Full Text Available Análise de leitura que o filme Asas do desejo (1987, de Wim Wenders, faz da cidade de Berlim, ressaltando a sintonia do projeto audiovisual com os escritores Walter Benjamin e Rainer Maria Rilke. Observa-se a cidade alemã dividida e fragmentada pelos traumas de guerra, mas diante da iminente queda do muro de Berlim. Na narrativa cinematográfica, a figura benjaminiana do “anjo da história” sustenta a ideia do conhecimento articulado pela luz da verdade e do amor e pela insustentabilidade da concepção histórica baseada na supremacia dos vencedores

Note e recensioni

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Autori Vari

2012-10-01

Full Text Available Adriano Ardovino, Raccogliere il mondo. Per una fenomenologia della rete [Angela Maiello] • Clive Bell, L’Arte [Filippo Focosi] • Alessandro Bertinetto, Il pensiero dei suoni. Temi di filosofia della musica [Domenica Lentini] • Terrence Deacon, Incomplete Nature. How Mind Emerged From Matter [Mariagrazia Portera] • Roger Scruton, La bellezza. Ragione ed esperienza estetica [Filippo Focosi] • Miriam Bratu Hansen, Cinema and Experience. Sigfried Kracauer, Walter Benjamin and Theoder W. Adorno [Domenico Spinosa] • Lawrence Barsalou, scritti sulla “Grounded Cognition” [Gialuca Consoli] • Dis-forme, Università degli Studi di Palermo, 28-29 maggio 2012 [Michele Bertolini e Pietro Conte

Citoyenneté et formes de violence. La violence de genre en Amérique latine

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Soriano, Michèle

2015-01-01

Dans son essai intitulé Critique de la violence, Walter Benjamin considère la violence dans ses rapports au droit. Il remarque que toute violence, en tant que moyen, « fonde le droit ou le conserve », et s’intéresse tout particulièrement à la violence létale ; il précise : « Dans l’exercice de la violence sur la vie et la mort, le droit lui-même se renforce plus que dans n’importe quelle autre de ses applications ». Le rapport que trace le philosophe entre la violence, la mort et le droit par...

Educomunicação e sua relação com a escola: a promoção de ecossistemas comunicativos e a aprendizagem distraída

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Ademilde Sartori

2010-11-01

Full Text Available Com este artigo, pretende-se discutir a Educomunicação como campo de aproximação das áreas de Educação e da Comunicação a partir de reflexões sobre algumas ideias de Marshall McLuhan, Walter Benjamin e Jesús Martín-Barbero, apontando a necessidade da escola aprender a conviver com as linguagens não escolares e com as novas percepções de mundo viabilizadas pelas NTIC, criando e potencializando ecossistemas comunicativos. Para a escola, a nova tarefa é o diálogo com a aprendizagem distraída.

O sonho e a literatura: mundo grego

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Meneses,Adélia Bezerra de

2000-01-01

A proposta é abordar não só o significado de que se revestem as produções oníricas no mundo grego, mas a congenialidade entre sonho e Literatura. Com efeito, tanto no sonho como na poesia, domínios do Mythos e não do Logos, colocam-se em ação energias cognitivas do inconsciente. Na Grécia, onde, como todos sabemos, o sonho tem valor oracular, as funções de adivinho e de poeta se sobrepõem, na capacidade de enxergar para além das aparências sensíveis, de ver o que Walter Benjamin chama de "sem...

Do assassinato como uma das belas artes, de Thomas de Quincey, ou quando a ética se torna uma questão de gosto

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Márcio Seligmann Silva

2010-12-01

Blackwood’s Magazine, a partir de certos conceitos e ideias desenvolvidos por Walter Benjamin (“crítica da Gewalt [violência/poder]”, “sacrifício” e “vida nua” e de Freud (Unheimlich, assassinato do pai da horda primeva. Ele discute e insere o texto de De Quincey em uma longa tradição, que remonta à Antiguidade (teoria da tragédia e passa pela teoria do sublime, tradição essa que pensa a literatura como local de encenação do assassinato. O texto de De Quincey também é visto como precursor, tanto do romance policial como do New Journalism.

O professor que cativa: entre a narrativa da história e o cuidado de si

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Marcello Paniz Giacomoni

2016-01-01

O presente artigo apresenta e discute os primeiros passos da pesquisa “Ensino de História e narrativas: o professor e a persuasão em sala de aula”, desenvolvida no Programa de Pós Graduação de Educação da UFRGS, em nível de doutorado, sob orientação do Prof. Dr. Fernando Seffner. Partindo de uma reflexão sobre o Ensino de História e analisando o caráter narrativo da história, passando por autores como Hayden White, Peter Gay, Jörn Rüsen, Paul Ricoeur, e Walter Benjamin, desejamos compreender ...

Mediar a presença nas artes visuais, ou, sobre o gesto e o sensível

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Silva, João Paulo Andrade da

2018-01-01

Este trabalho investiga em que medida o conceito de presença em Hans Ulrich Gumbrecht pode subsidiar o campo da mediação em artes visuais. O estudo parte do pressuposto que a obra de arte enquanto forma poética abre espaço para uma relação com a substância do mundo. Ao mesmo tempo, instaura uma situação de tensão com a dimensão de sentido proposta pela hermenêutica. Trata-se de um contraponto à situação delineada por Jonathan Crary e Walter Benjamin sobre dois traços da modernidade: o surgime...

De la estetización de la política a la política de la estética.

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Diego Paredes.

2009-12-01

Full Text Available This article seeks to show how different conceptions of aesthetics can determine the relationship between art and politics. To achieve this, it first explores the link found by Walter Benjamin between l’art pour l’art and the “aestheticization of politics.” It then compares this idea to the “politics of aesthetics” and “aesthetics of politics,” which Jacques Rancière locates in the heart of what he calls the “distribution of the sensible.” The article highlights how autonomous aesthetics leads to an aestheticization of politics, while an inherently political aesthetics illuminates the liberating potential of art.

Reviews of recent publications

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1994-06-01

Full Text Available Bjornson, Richard. The African Quest for Freedom and Identity: Cameroonian Writing and the National Experience by Thomas A. Hale Cixous, Hélène. 'Coming to Wrting' and Other Essays by Randi Brox Birn Derwin, Susan. The Ambivalence of Form: Lukacs, Freud, and the Novel by Eva L. Corredor Kaminsky, Amy K. Reading the Body Politic: Feminist Criticism and Latin American Women Writers by Naomi Lindstrom Nägele, Rainer. Theater, Theory, Speculation: Walter Benjamin and the Scenes of Modernity by Alice A. Kuzniar Tomlinson, John. Cultural Imperialism by Michael Filcher Weisberg, Richard. Poethics and Other Strategies of Law and Literature by Sara B. Blair

On cerebral celebrity and reality TV: subjectivity in times of brain scans and psychotainment.

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De Vos, Jan

2009-01-01

The philosopher Daniel Dennett developed a theory of consciousness in which he replaces the so-called Cartesian theater with conceptions such as "fame in the brain" and "cerebral celebrity." The paradox of this is that Dennett unwittingly reintroduces the metaphors of the stage and the screen. The use of this trope is pursued in this essay in order to juxtapose Dennett's theory with reality TV and celebrity culture. This will allow us to sketch out late-modern subjectivity in times of brains scans and "psychotainment." Drawing on Walter Benjamin, Giorgi Agamben, Slavoj Žižek, and others, a plea is made for a materialism of the zero-level of subjectivity.

Critical Irony or the Lovers of Ruins: The Aesthete, the Dandy and the Flâneur

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Naim Garnica

2016-12-01

Full Text Available This essay examines the critical character of Friedrich Schlegel’s Romantic irony, following its considerations and appropriations by Walter Benjamin, Harold Bloom and Paul de Man. Likewise, it shows a parallelism of this critical attitude of irony with three Romantic literary figures: the aesthete, the dandy and the flâneur. The aesthete, the dandy and the flâneur, joined by a prophetic faith in art, make of irony a profession moving between creation and destruction. Appropriation in the poststructuralist context allows us to perceive in irony such a radical incomprehension, developing an aesthetic pattern operating between creation and annihilation.

Strain analysis of I-c(epsilon) characteristic of YBCO coated conductor measured by a Walters spring

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Sugano, M; Choi, S; Miyazoe, A; Miyamatsu, K; Ando, T; Itoh, K; Kiyoshi, T; Wada, H; Selvamanickam, V

2008-01-01

lc-strain characteristic of YBCO coated conductor was measured using a Walters spring (WASP). In this technique, additional bending and thermal strains induced to the YBCO layer should be considered. In order to produce different initial bending strain to the YBCO layer, the conductor was wound around the springs with different diameters and in the different bending directions. The clear evidence was obtained that -strain curves using a WASP strongly depend on the initial bending strain state...

[Walter Leitsch. Sigismund III. von Polen und Jan Zamoysky : die Rolle Estlands in der Rivalität zwischen König und Hetman] / Martin Faber

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Faber, Martin

2009-01-01

Arvustus: Leitsch, Walter. Sigismund III. von Polen und Jan Zamoysky : die Rolle Estlands in der Rivalität zwischen König und Hetman. Wien : Verlag der Österreichischen Akademie der Wissenschaften, 2006

Ur phänomen y su transposición:: Benjamin y el Idealismo goetheano

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Tupac Cruz

2007-01-01

Full Text Available Una lectura de la "Erkenntnis-kritische Vorrede" a Ursprung des deutsches Trauerspiels busca determinar en qué sentido Benjamin efectúa, en la teoría de las ideas allí esbozada, lo que él mismo llamó después una "tranposicion" del concepto goetheano de Urphänomen. El cotejo con algunos de los naturwissenschaftliche Schriften de Goethe sugiere que ambos autores aventuran una manera de pensar la relación entre los conceptos de verdad y totalidad a través de la confrontación y manipulación forzosa de las distinciones introducidas por la filosofía crítica de Kant. En este sentido sus esbozos lógicos y epistemológicos se dejan leer como marcadores de los momentos inaugural y concluyente del proyecto del idealismo alemán.

TU-A-17A-01: Memorial to Benjamin M. Galkin - Memorial Lecture

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Suntharalingam, N

2014-01-01

This past year Medical Physics lost one of its active members, Benjamin M. Galkin. Ben Galkin was a Past-Treasurer of the AAPM. During his leadership role he played an important part in Securing membership, for the AAPM, in the American Institute of physics. As Treasurer he was also a prime mover in starting the journal, Medical Physics, and served as its business manager in the formative years.Ben Galkin received his Masters Degree at Columbia University in New York, under the mentorship of Dr. Edith Quimby, one of the pioneer Hospital Radiation Physicists in the country. He started his professional career at Jefferson Hospital in Philadelphia, joining Robert Gorson, and remained there until retirement. He served as the institution’s Radiation Safety Officer throughout his career. His research interest was Breast Imaging. He held joint faculty appointments in the Department of Radiology and the Department of Radiation Therapy and Nuclear Medicine, rising up to the rank of Full professor. He was a well respected teacher for the residents in Radiology

TU-A-17A-01: Memorial to Benjamin M. Galkin - Memorial Lecture

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Suntharalingam, N [Voorhees, NJ (United States)

2014-06-15

This past year Medical Physics lost one of its active members, Benjamin M. Galkin. Ben Galkin was a Past-Treasurer of the AAPM. During his leadership role he played an important part in Securing membership, for the AAPM, in the American Institute of physics. As Treasurer he was also a prime mover in starting the journal, Medical Physics, and served as its business manager in the formative years.Ben Galkin received his Masters Degree at Columbia University in New York, under the mentorship of Dr. Edith Quimby, one of the pioneer Hospital Radiation Physicists in the country. He started his professional career at Jefferson Hospital in Philadelphia, joining Robert Gorson, and remained there until retirement. He served as the institution’s Radiation Safety Officer throughout his career. His research interest was Breast Imaging. He held joint faculty appointments in the Department of Radiology and the Department of Radiation Therapy and Nuclear Medicine, rising up to the rank of Full professor. He was a well respected teacher for the residents in Radiology.

Leitura e escrita de professores em suas histórias de vida e formação Reading and writing experiences in teacher's lives and trajetories

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Sonia Kramer

1999-03-01

Full Text Available Este artigo apresenta pesquisa sobre narrativa, experiências de leitura/escrita e memória de professores. Baseado na teoria crítica da cultura e da modernidade, em especial em Walter Benjamin, procura conhecer práticas de leitura e escrita de professores e compreender como foi construída - ao longo de suas trajetórias - sua relação com a escrita e de que forma tal relação influencia a prática escolar. Discute questões de natureza teórico-metodológica; apresenta as etapas da pesquisa, seus desafios e os principais achados, tratando do período exploratório (entrevistas com professores de pré-escola e 1as séries do 1º grau e da investigação (entrevistas com professores que atuaram nas décadas de 20/30/40 e 50/60; e sintetiza o ensaio que vem sendo feito a partir de acervo de fotografias de situações de leitura e escrita captadas no cotidiano do Rio de Janeiro.This article presents a research about narrative, reading and writing experiences and teachers' biographies. Based on critical theory of culture and modernity, particularly on Walter Benjamin, the research intends to study reading and writing teachers' practices, to understand their relation with written language and to understand also in which way this relation influences pedagogic action. The article begins analysing theorethical and methodological questions; than it presents the phases performed by the research - exploratory period (when pre-school and elementary school teachers were interviewed, field study (when teachers that worked at the 20/30/40ies and the 50/60ies were interviewed, the main results; and, at the end, it summarizes the analyses that are being developed concerning reading and writing photographies in Rio de Janeiro daily life.

Aura fractal, fins da arte e capitalismo primitivista

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Leonardo Carvalho Bertolossi

2017-10-01

Full Text Available Objetiva-se refletir sobre as relações entre as artes visuais e a antropologia a partir do texto seminal de Walter Benjamin sobre a aura para pensar sobre as finalidades e os fins da metafísica da arte no Ocidente diante dos diagnósticos de fim de mundo/fim da história da arte, e da vitória do espetáculo e da indústria cultural no capitalismo contemporâneo. O artigo apresenta alguns dos sentidos da arte no mundo ocidental e em especial no romantismo, avança sobre a crise e o fim dos modelos estruturais e cognitivos do pensamento artístico moderno, destaca o interesse pela política e pela vida, e se indaga sobre a retomada do primitivismo nas artes visuais e na antropologia contemporânea como redenção e renovação das mortes anunciadas. ABSTRACT The objective is to reflect on the relations between the visual arts and anthropology from Walter Benjamin's seminal text on the aura to think about the purposes and ends of the metaphysics of art in the West in the face of end-of-world/end-of-art history, and the victory of spectacle and cultural industry in contemporary capitalism. The article presents some of the meanings of art in the Western world and especially in Romanticism, advances on the crisis and the end of the structural and cognitive models of modern artistic thought, highlights the interest in politics and life, and inquires about the resumption of Primitivism in the visual arts and contemporary anthropology as redemption and renewal of the announced deaths. KEYWORDS Anthropology of art, aura, soul, thanatology, primitivism

John Piper et Benjamin Britten : le renouveau de l’opéra anglais et ses décors John Piper and Benjamin Britten: backdrops to the renaissance of english opera

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Sophie Aymès

2009-10-01

Full Text Available From 1946 the artist John Piper designed sets for eight of Benjamin Britten’s operas. In this article, John Piper’s contribution to the renaissance of English opera is considered in the wider context of the artistic and political reconstruction of England after the Second World War. During the War, Piper was one of the artists who redefined Englishness. As an abstract artist turned architectural painter, he created a pastoral vision of the national heritage whose preservation had become necessary. The designs form a part of Piper’s pictorial work whose logical conclusion found expression in stained-glass windows. From the architectural designs for The Rape of Lucretia to the window he designed for the new Coventry Cathedral and to the last opera sets for Death in Venice, he created backdrops for Britten’s works that provided a sense of aesthetic continuity whilst reflecting the contradictions of opera as a social form of art in post-war Britain.

Nonlocal Symmetries, Conservation Laws and Interaction Solutions of the Generalised Dispersive Modified Benjamin-Bona-Mahony Equation

Science.gov (United States)

Yan, Xue-Wei; Tian, Shou-Fu; Dong, Min-Jie; Wang, Xiu-Bin; Zhang, Tian-Tian

2018-05-01

We consider the generalised dispersive modified Benjamin-Bona-Mahony equation, which describes an approximation status for long surface wave existed in the non-linear dispersive media. By employing the truncated Painlevé expansion method, we derive its non-local symmetry and Bäcklund transformation. The non-local symmetry is localised by a new variable, which provides the corresponding non-local symmetry group and similarity reductions. Moreover, a direct method can be provided to construct a kind of finite symmetry transformation via the classic Lie point symmetry of the normal prolonged system. Finally, we find that the equation is a consistent Riccati expansion solvable system. With the help of the Jacobi elliptic function, we get its interaction solutions between solitary waves and cnoidal periodic waves.

Community of Faithful Dissidents. Representations of Anabaptism in Swiss Historical Fiction by Walter Laedrach and Katharina Zimmermann

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Berit Jany

2016-10-01

Full Text Available The twentieth-century Swiss local authors Walter Laedrach and Katharina Zimmermann rediscovered the dark chapter of Swiss history documenting the torture and execution of non-resistant and non-conformist Christians in the Bernese Oberland. The following anal­ysis of the literary representation of these pacifist Anabaptists will identify historiographical sources that served as inspiration to the authors and the contributions their historical no­vels make in Switzerland’s process of coming to terms with its tragic past.

The Golem in the era of technical reproducibility: filmic apparatus, modern man and representation

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Isabella Cristina Stangherlin Santucci

2012-05-01

Full Text Available Approaching Walter Benjamin to the expressionist movement in its cinematic form and its subversive attitude, this article proposes to consider the automaton's image as an allegory in the Age of Mechanical Reproduction. Thus, starting from the ideal expressionist as cinematographic technique and plot, and going through the Benjamin's Theses "On the Concept of History", as well as going through the various ideas contained in the work of the German philosopher concerning the work of art in the twentieth century, we will see the Golem, mystical character of the Jewish tradition represented by the figure of a giant, made from inanimate matter, coming to life in this text-screen. Life that has come to interrupt the course of a History which presents herself as a continuous line reporting only the history of the winners, ie, of the holders of political and / or social power, and ignoring the history of the subdued men, that is, of the until now obedient men. And such irruption should not only be the work of a mythical being, but also work of the man, as a proletarian in the capitalistic system, and of the cinematography as apparatus and representation.

Machado de Assis, da troca de mãos às coisas perdidas

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Ana Luiza Andrade

2000-03-01

Full Text Available As crônicas de Machado de Assis funcionam esteticamente como alegorias modernas, no sentido de Walter Benjamin, de transição entre os resíduos de um modo de produção doméstico e manufaturado, para o industrial capitalista. Na crítica a ambos os modos, a crônica, como memória e esquecimento, recicla um corpo literário, orgânico, fantasmático,através das novas técnicas; ambiguamente progressista e antiprogressista. A dialética de seus movimentos e formas fragmentárias representa-se auto-consciente em seus hibridismos, através do desmembramento de um corpo cultural.

Apontamentos sobre o turismo. A regulação do desfrute via mercantilização cultural

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María Belén Espoz

2016-12-01

Full Text Available This paper aims to account for tourism as a mechanism for regulating sensitivity; this ‘form’ reconfigures the field of culture by establishing ‘markets of experiencies’ for consumption. We will analyze the way tourism becomes a pattern of consumption, studying it as a social practice and an State and Market policy, using as an example some aspects of the Argentine case. The Universal Exhibitions considered by Walter Benjamin allow us to see the continuities/discontinuities in the communicative and educational forms of merchandise, separating leisure/work as a fundamental distinction for the regulation of conflict. Finally, we wonder how this will impact on social relations and experiences of culture in plural.

Leituras de Kafka: Escólios sobre a burocracia e o exercício da lei

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Bruno Barbosa dos Santos

2017-12-01

Full Text Available Este ensaio tem como objetivo apresentar algumas considerações acerca da burocracia e do direito na obra de Franz Kafka. As breves notas que dão corpo ao texto buscam salientar conceitos fundamentais da literatura kafkiana para fazer deles um novo uso. Deste modo, distanciando-se da exegese “judaico-realística” de Max Brod, o texto recorrerá à fortuna crítica de autores como Walter Benjamin, Günther Anders e Giorgio Agamben para realizar outra leitura das categorias teológicas presentes em Kafka. Com isso, as notas a seguir procuram avaliar as estratégias investidas pelo prosador tcheco contra os mecanismos da lei.

The importance of high performance sports in social inclusion of blind people: A study centered on Benjamin Constant Institute - Brazil

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Pereira, Ramon; Osborne, Renata; Pereira, Antonino; Cabral, Soraia Izabel

2013-01-01

A população de pessoas deficientes vem crescendo a cada dia, gerando problemáticas sociais que interferem diretamente na qualidade de vida deste segmento. O objetivo dessa pesquisa foi investigar o esporte de alto rendimento como contribuição para inclusão social de atletas cegos do Instituto Benjamin Constant. Observou-se que os alunos egressos do Instituto, até duas décadas atrás, não davam prosseguimento aos seus estudos, embora gozassem de oportunidade igualitária e constitucional como ci...

Universos ficcionais: o romanesco em Walter Scott e José de Alencar

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Marcos Roberto Flamínio Peres

2016-10-01

Full Text Available Tamanha é a força do romanesco em Walter Scott que ele foi capaz de dar origem a duas linhas de força críticas antagônicas: uma tendendo a situá-lo dentro do conjunto da literatura ocidental, reatualizando arquétipos ancestrais (Frye; outra considerando-o a quintessência do romance histórico por representar momentos cruciais por que passava a sociedade capitalista entre os séculos XVIII e XIX (Lukács. À luz desse pano de fundo teórico contrastivo, este artigo busca analisar Waverley (1814, obra mais influente de Scott, em comparação com As minas de prata (1865-1866, romance mais ambicioso de José de Alencar e que lança mão de estratégias narrativas similares.

TRANSFORMING THE NARRATIVE ELEMENTS FROM THE FITZGERALD INTO FINCHER’S THE CURIOUS CASE OF BENJAMIN BUTTON

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Suryo Tri Saksono

2014-06-01

Full Text Available Adaptation is the process of transforming one form of art into another one. Many decent films are adapted from great literary work. In the adaptation process, some changes occur in film. It is because film is produced in different way from novel. This study focuses on the transformation of the narrative elements from the short story into the film entitled The Curious Case of Benjamin Button. This study uses the theory of adaptation by Linda Seger to explain the adaptation process from the short story into the film as the sources of data. There are three processes of adaptation: condensing and expanding the material, the process of making the film commercial, and varied changing. The narrative elements theory is also used to explain the structure that builds the literary work.

Benjamin Franklin's risk factors for gout and stones: from genes and diet to possible lead poisoning.

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Finger, Stanley; Hagemann, Ian S

2008-06-01

Benjamin Franklin's medical history shows that he suffered from repeated attacks of gout and a large bladder stone. These conditions caused him considerable pain, markedly decreased his mobility, and likely contributed in indirect ways to his decline and eventual death from a pulmonary disorder. This article examines Franklin's risk factors for gout and stones, both as Franklin understood them and as we know them today. Significantly, both of these disorders are associated with high blood levels of uric acid, a metabolic by-product. Franklin's risk factors included his gender, genetics, diet, drinking, advanced age, psoriasis, and exposure to lead. Although it is impossible to assign a weight to each of these factors, it can be shown that a number of factors, each capable of raising uric acid levels, converged and conspired against him.

Clima e vegetação natural do estado do Rio Grande do Sul segundo o diagrama climático de Walter e Lieth

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Galileo Adeli Buriol

2007-01-01

Full Text Available The natural vegetation in the State of Rio Grande do Sul was related to climatic availability through the climatic diagram of Walter and Lieth (1967. Values of mean monthly air temperature and rainfall from 41 meteorological stations during the period 1931-1960 were taken into account. For each meteorological station, a graph was plotted with months in the x axis and monthly air temperature and rainfall in the two y axis considering the y axis with rainfall two fold the y axis with air temperature. Results showed that Rio Grande do Sul as a whole fits in the zonobioma of warm humid temperate climate and forest vegetation. These results indicate the phytoclimate model of Walter and Lieth (1967 is not appropriate to represent the geographic distribution of the natural vegetation of the State, because this type of vegetation is not only that which covers the State that because it also parents praises.

Walter Benjamin's Conception of Experience: A Way of Thinking about Otherness in Educational Context

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Tsuji, Atsuko

2014-01-01

In the context of educational practice and research, the individual is often understood in terms of autonomy. From this point of view, we will see our experience as cumulative, as inside of us, and as strengthening us against others. It means that the conception of experience tends to be understood primarily in relation to usefulness. In search of…

Ensaio de linguagem ou linguagem de ensaio

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Pedro Duarte

2007-04-01

Full Text Available Este texto é um ensaio de linguagem, ou seja, um ensaio sobre a linguagem. Mas é, também, a investigação da linguagem do ensaio, isto é, do tipo de escrita que entra em jogo na forma de prosa que chamamos de ensaios. Para tanto, ele mobiliza autores como Heidegger e, principalmente, Walter Benjamin, Lukács e Adorno. Todos eles, porém, entram em cena no intuito de ajudar num estudo sobre a importância da linguagem no enfrentamento da situação contemporânea do pensamento, cuja problematização filosófica fica evidente a partir das dificuldades, por exemplo, de escrever uma tese acadêmica tradicional.

O narrador benjaminiano na Mídia contemporânea: notas sobre o documentário “nós que aqui estamos por vós esperamos

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Piccinin, Fabiana

2009-01-01

Full Text Available Este artigo se propõe a analisar a narrativa audiovisual a partir das competências exigidas de um narrador segundo Walter Benjamin. Para tanto, o texto discute a própria essência da narrativa, o entendimento da mesma sob a ótica benjaminiana (e suas influências frankfurtianas e sua aplicação na análise do documentário “Nós que aqui estamos por vós esperamos” de Marcelo Marsagão. O debate sugere que o documentário consegue validar as qualidades do narrador, vistas na capacidade de atualizar a obra tanto na forma (linguagem, quanto na temática mobilizadora que é a morte, mostrada aqui como imperativo de finitude

Do testemunho à memória: o a posteriori entre a história e as ruínas

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José César Coimbra

2012-01-01

Full Text Available Basado en investigación bibliográfica, este trabajo analiza las relaciones entre testimonio y memoria de Giorgio Agamben, Sigmund Freud, Walter Benjamin y verifica el lugar, en esas relaciones, de las nociones de olvido, de restos, de ruinas y el a posteriori. Se constata la sinergia de las elaboraciones de esos autores, las cuales destacan las posibilidades de desplazamiento de las posiciones subjetivas del testimonio frente al deber de la memoria. En el momento en que Brasil instala en primer plano su Comisión de la Verdad, la discusión abierta por el pasado revisitado resalta la importancia de comprender los límites de la expresión de la memoria que el testimonio proporciona.

Um “documento da barbárie” : Os 30 anos do PT e as filosofias da história

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Eide Sandra Azevedo Abreu

2010-04-01

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No texto são retomadas reflexões feitas por Walter Benjamin nas teses “Sobre o conceito de história”, com o objetivo de destacar o profundo significado político da alusão que a elas foi feita em texto comemorativo dos 30 anos do Partido dos Trabalhadores.

Distraction: heroic attitude before the metropolis

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Rafael Zacca Fernandes

2016-07-01

Full Text Available Considering distraction as the heroic ethos of  modernity, I intend to analyze the perceptive changes brought about by the advance of the productive forces under capitalism; and the subsequent apprehension  of this change by four contemporary poets, namely Liv Lagerblad, Heyk Pimenta, Alberto Pucheu and Eucanaã Ferraz. Each of these poets brings distraction as what Walter Benjamin classified as inner form. In all cases, distraction appears as a poetic force before the danger of annihilation in big cities. This reflection is the basis for another, another, yet concerning the relations between poetry and politics, thinking with Jacques Rancière its position on the "distribution of the sensible". Finally, a resumption of Baudelaire, a master of distraction, seems to be inevitable.

NÓBREGA E ANCHIETA: LEI E LÍNGUA

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Paulo Suess

1999-01-01

Full Text Available Depois da odisséia dos 500 anos, com suas proezas e naufrágios, astúcias e sacrifícios, navegando entre Cila e Caribde, entre o mito e a história, o "Encontro Internacional Nóbrega-Anchieta" pode ter o significado benjaminiano da "apropriação de uma memória no momento de um perigo". Esse perigo tem muitos nomes: colonização e globalização, expulsão e exclusão, conformismo e contingência. O perigo de cada época produz heróis e mitos, vítimas e astúcias. Walter Benjamin advertiu que "em cada época deve-se de novo tentar recuperar a tradição do conformismo".

Conference on Inequalities and Applications : Dedicated to the Memory of Wolfgang Walter

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Gilányi, Attila; Losonczi, László; Plum, Michael

2012-01-01

Inequalities arise as an essential component in various mathematical areas. Besides forming a highly important collection of tools, e.g. for proving analytic or stochastic theorems or for deriving error estimates in numerical mathematics, they constitute a challenging research field of their own. Inequalities also appear directly in mathematical models for applications in science, engineering, and economics. This edited volume covers divers aspects of this fascinating field. It addresses classical inequalities related to means or to convexity as well as inequalities arising in the field of ordinary and partial differential equations, like Sobolev or Hardy-type inequalities, and inequalities occurring in geometrical contexts. Within the last five decades, the late Wolfgang Walter has made great contributions to the field of inequalities. His book on differential and integral inequalities was a real breakthrough in the 1970’s and has generated a vast variety of further research in this field. He also organize...

Benjamin Ortmeyer: Mythos und Pathos statt Logos und Ethos, Zu den Publikationen führender Erziehungswissenschaftler in der NS-Zeit: Eduard Spranger, Herman Nohl, Erich Weniger und Peter Petersen, Weinheim / Basel: Beltz 2009 [Rezension

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Zimmer, Hasko

2010-01-01

Rezension von: Benjamin Ortmeyer: Mythos und Pathos statt Logos und Ethos, Zu den Publikationen führender Erziehungswissenschaftler in der NS-Zeit: Eduard Spranger, Herman Nohl, Erich Weniger und Peter Petersen, Weinheim / Basel: Beltz 2009, 606 S.

Lo camí de la fortuna i En Ricard Pobre : les dues versions catalanes de The Way to Wealth, de Benjamin Franklin

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Ugarte i Ballester, Xus

2014-01-01

Aquest treball s’emmarca dins les investigacions del grup de recerca consolidat Textos Literaris Contemporanis: Estudi, Edició i Traducció (2009 SGR 736) de la Universitat de Vic. El propòsit d’aquest article és analitzar les dues traduccions catalanes del llibret de Benjamin Franklin The Way to Wealth (1758). Aquest text, que ha deixat una empremta important en l’imaginari de la societat nord-americana, conté més de cent aforismes que insten al treball honrat, a l’estalvi i a la frugalita...

Enhet og Dannelse : En idehistorisk analyse av enhets og dannelses idealet til Bauhaus direktøren Walter Gropius

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Hansen, Britt Hogstad

2003-01-01

Sammendrag Denne avhandlingen presenterer et annet bild av den tyske arkitekten og pedagogen Walter Gropius (1883-1969) enn det som har vært vanlig til nå i Norge. Ofte blir han fremstilt som en av funksjonalismens fremste representanter og en som banet vei for den moderne arkitekturen. I denne sammenheng beskrives han ofte som en som brøt fullstendig med alle tidligere tradisjoner. Denne oppgaven vil derimot forsøke å vise at han ikke brøt med tidligere tradisjoner, men at han i høyeste ...

Rayleigh-Taylor instability of two superposed conducting Walters B' elastico-viscous fluids in hydromagnetics

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Sharma, R.C.; Kumar, Pardeep

1998-01-01

The Rayleigh-Taylor instability of two superposed electrically conducting Walters elastico-viscous fluids (Model B') of uniform densities when the whole system is immersed in a uniform horizontal magnetic field has been studied. The stability analysis has been carried out, for mathematical simplicity, for two highly viscoelastic fluids of equal kinematic viscosities and equal kinematic viscoelasticities. For the stable configuration as in hydrodynamic case, the system is found to be stable or unstable for the wave-number range k (2v') -12 depending on kinematic viscoelasticity v'. For the unstable configuration, the magnetic field has got stabilizing effect and completely stabilizes certain wave-number range which was always unstable in the absence of magnetic field. The behaviour of growth rates with respect kinematic viscosity and kinematic viscoelasticity parameters are examined analytically. (author)

Benjamin Loveluck, Réseaux, libertés et contrôle. Une généalogie politique d’internet

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Atten, Michel

2017-01-01

Dans ce livre issu de sa thèse, Benjamin Loveluck nous propose de rendre compte du succès d’internet — il est profondément intégré à notre vie quotidienne — en insistant sur le fait qu’il continue à incarner un certain idéal comme vecteur de transformations sociales. Il en fait une lecture qui se distingue radicalement de la « belle histoire » déterministe encore racontée de façon dominante, assure-t-il : internet comme fruit de la cascade d’innovations technologiques ponctuée par des étapes ...

Il desiderio Kitsch: i troppi paradisi di Walter Siti

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Ornella Tajani

2013-06-01

Full Text Available Cosa ne è del desiderio all’interno del Kitsch, sistema in cui la vita è vissuta come uno spot pubblicitario e l’identità come una eterna performance? In una dimensione utopistica in cui l’uomo non cerca altro che una continua soddisfazione come possono trovare spazio le tensioni e le mancanze che muovono il desiderio? Dopo una premessa teorica su cosa è il Kitsch, l’intervento si propone di rispondere al quesito attraverso tre opere di Walter Siti: i romanzi Troppi paradisi e Autopsia dell’ossessione e il reportage narrativo Il canto del diavolo. In queste opere vengono individuati tre paradigmi dell’esperienza Kitsch: il turismo, la televisione e un certo tipo di prostituzione. Indagandone le modalità e analizzando le riflessioni dell’autore in merito si vedrà come si deforma il desiderio quando si trova a dover fare i conti con il perpetuo sforzo del Kitschmensch di camuffarsi, per dirla con Kundera, «dans le miroir du mensonge embellissant et de s’y reconnaître avec une satisfaction émue». La meravigliosa e sostenibilissima leggerezza dell’essere che assurge a cifra interpretativa dell’utopia Kitsch non prevede la presenza del desiderio se non nella sua veste di “realizzabilità”: il desiderio Kitsch, il surrogato del desiderio, è offerto in omaggio col prodotto che lo appaga.

Lo camí de la fortuna i En Ricard Pobre : les dues versions catalanes de The Way to Wealth, de Benjamin Franklin

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Ugarte i Ballester, Xus

2014-01-01

El propòsit d’aquest article és analitzar les dues traduccions catalanes del llibret de Benjamin Franklin The Way to Wealth (1758). Aquest text, que ha deixat una empremta important en l’imaginari de la societat nord-americana, conté més de cent aforismes que insten al treball honrat, a l’estalvi i a la frugalitat com a vies segures per accedir a la fortuna econòmica. La primera versió catalana ens arriba un segle més tard, quan Gaietà Vidal i de Valenciano en fa el 1868 un anostrament més se...

RACISMO PRESENTE NA ANIMAÇÃO “SCRUB ME MAMA WITH A BOGGIE BEAT” DE WALTER LANTZ (1941)

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Julio Geraldo Carvalho de Jesus; Davi Alexandre Pistila

2017-01-01

As Animações são fontes interessantes de serem exploradas pela perspectiva histórica, uma vez que trazem questões impostas pelo contexto da produção e podem ser utilizadas como meio de transmitir conhecimentos e ideologias. O presente artigo faz uma reflexão acerca do tema do racismo nas animações dirigidas e produzidas por Walter Lantz, no ano de 1941, tomando como base o cartoon “Scrube Me Mama with a Boogie Beat”, distribuído pela Universal Studios, e reexibido no ano de 1948. Apesar do ra...

Memories in process: a communication study about the videos of companhia do latão and ói nóis aqui traveiz Memórias em processo: um estudo comunicacional sobre os vídeos da companhia do latão e do ó nóis aqui traveiz

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Danilo do Amaral Santos Lagoeiro

2012-05-01

Full Text Available The work aims to reflect on the relevance of the proposed method of Bertolt Brecht theatrical production through his reworking from the Brazilian culture, analyzing the videos, through their connections with the theatrical performances, two brazilian groups namely: Companhia do Latão (Sao Paulo and Ói Nóis Aqui Traveiz (Porto Alegre. The analytical methodology merges aesthetic and philosophical notions coined by Brecht and Walter Benjamin on the observations collected during a field survey along the two theater groups, aiming at a broader understanding of the connection between the theather and their audiovisual recordings on DVD. Examines the use of the effect-V in their video productions. Yet some formal experiments that intersection video theater in the service of memory and stage productions own experimental research in this field.O trabalho visa refletir sobre a atualidade das propostas do método de Bertolt Brecht de encenação teatral através de sua reelaboração a partir da cultura brasileira, analisando os vídeos, através de suas conexões com os espetáculos teatrais, de dois grupos brasileiros a saber: a Companhia do Latão (São Paulo e o Ói Nóis Aqui Traveiz (Porto Alegre. A metodologia analítica funde noções estético-filosóficas cunhadas por Brecht e Walter Benjamin às observações recolhidas durante uma pesquisa de campo junto aos dois grupos teatrais, objetivando uma compreensão mais ampla da conexão entre os espetáculos teatrais e os respectivos registros audiovisuais em DVD. Analisa o uso do efeito-V em suas produções em vídeo. E ainda algumas experiências formais dessa interseção vídeo-teatro a serviço da memória das produções cênicas e da própria pesquisa experimental nesse campo.

Uma ilha de competência: a história do Instituto de Química Agrícola na memória de seus cientistas An island of scientific competence: a history of Brazil's Institute of Agricultural Chemistry in the memory of its scientists

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Line Rodrigues de Faria

1997-06-01

Full Text Available Este artigo apresenta a história do IQA, mostrando sua importância para o desenvolvimento da ciência brasileira, bem como os motivos e circunstâncias históricas que provocaram sua desestruturação. A evolução desse instituto está associada às trajetórias de Walter Mors, Otto Gottlieb e Benjamin Gilbert, cujas pesquisas contribuíram para a formação de cientistas na área de química do produtos naturais. Na década de 1950, o instituto se projetou como "ilha de competência", mas foi afetado pelas mudanças ocorridas no Ministério da Agricultura e no setor agrícola nacional. A extinção desse centro de excelência não significou o fim das importantes tradições científicas que brotaram. Em grupos e instituições que surgiram em vários estados brasileiros, Mors, Gottheb a Gilbert deram continuidade às pesquisas que vinham implementando no instituto de origem.This history of Brazil's IQA, underscores the role the institution played in the development of Brazilian science as well as the historical motives and circumstances that led to its demise. The IQA's history is linked to the stories of Walter Mors, Otto Gottlieb, and Benjamin Gilbert whose research contributed to the training of scientists in the field of natural product chemistry. Although the institute earned a reputation as an "island of competence" during the 195Os, it was affected by changes within the Ministry of Agriculture and Brazil's farm sector. The closing of this center of excellence did not mean the end of important scientific traditions that blossomed there. As part of groups and institutions that emerged in different states around Brazil, Mors, Gottlieb, and Gilbert ensured the continuity of the research steadies they had been conducting within the IQA.

Humanismo, sujeto, modernidad. Sobre la crítica de la razón mítica de Franz Hinkelammert

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Estela Fernández Nadal

2010-03-01

Full Text Available El trabajo aborda la concepción de la historia y la crítica de la modernidad desarrolladas por F. Hinkelammert, a las que se ubica en la perspectiva desarrollada por (la primera Escuela de Frankfurt, particularmente por Walter Benjamin. En la elaboración de las categorías fundamentales de la reflexion hinkelammertiana sobre la historia, se destaca un primer hito fundamental, constituido por la Crítica de la razón utópica. En esta obra, el autor presenta la aspiración de alcanzar verdaderas metas imposibles, pensadas en términos de instituciones perfectas, a partir de acercamientos progresivos, como una tendencia propia de la racionalidad moderna que debe ser sometida a critica. La Crítica de la razón mítica constituye el segundo hito de ese desarrollo critico, en el cual se retoma la relación entre cristianismo y modernidad a partir del concepto de “secularización”, mostrando sus relaciones de continuidad/ ruptura respecto a los resortes miticos que alientan paradójicamente la razón instrumental Abstract The work approaches the conception of history and the critique of modernity developed by F. Hinkelammert’s, which lies in the perspective developed by the (first Frankfurt School, particularly by Walter Benjamin. In the developing of the fundamental categories of the Hinkelammert reflection on history, highlights a fundamental first landmark, constituted by the Critic of the utopian reason. In this work, the author presents the aspiration to achieve real impossible goals, thought in terms of perfect institutions, from progressive approaches, as an own tendency of the modern rationality that must be subjected to criticism. The Critic of the mythical reason constitutes the second landmark of that critical development, in which retakes the relation between Christianity and modernity from the concept of “secularization”, showing its relations of continuity/rupture in respect to the mythical springs that paradoxically

The Vanished Child: An inquiry into figures and their modes of appearance

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Bertrand Gervais

2010-12-01

Full Text Available Sophie Calle's texts are elaborate devices that facilitate the production of figures, of complex symbolic entities. In fact, her work enables us to better understand how figures emerge and unfold in the imaginary. Thus, we find in her Disparitions (Disappearances, a startling figure, which we can name the "Vanished Child". I will present this figure and explain how it stems from the description of a painting by Rembrandt, stolen at the Gardner Museum in Boston. I will start by identifying some of the essential processes implied in the identification of a figure, and, to do so, I will give two short examples, drawn from Witold Gombrowicz and Don DeLillo. Then, after having described in details the figure of the Vanished Child, I will argue, following the French art historian Georges Didi-Huberman in his reading of Walter Benjamin, that figures are auratic objects. Dans ses textes, Sophie Calle emploie des techniques détaillées qui facilitent la production de figures, d'entités symboliques complexes. Son œuvre nous permet effectivement de mieux comprendre comment les figures émergent et se déploient dans l'imaginaire. Ainsi, nous trouvons dans ses Disparitions (Disappearances une figure surprenante que nous pouvons désigner comme « l'enfant disparu ». Je présenterai cette figure en expliquant comment elle découle de la description d'un tableau de Rembrandt volé au musée Gardner à Boston. J'identifierai d'abord quelques-uns des procédés essentiels à l'identification d'une figure, et pour ce faire je donnerai deux exemples, tirés des œuvres de Witold Gombrowicz et Don DeLillo. Puis je décrirai de façon détaillée la figure de l'enfant disparu, avant de démontrer le caractère auratique des figures à partir de la lecture de Walter Benjamin qu'exécute l'historien de l'art français Georges Didi-Huberman.

Oltre la Bibbia. Il cinema tra narrazione e redenzione

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Mino Chamla

2011-06-01

Full Text Available In the Jewish tradition, the Bible is the origin of any possible interpretative and narrative development. Thus, starting from this statement and in the belief that film is, in its essence, narration and not representation, the author makes some remarks on the close and intimate relationship among Judaism, Jews and film, but also on the difficulty that movies have always experienced in the direct confrontation with the Bible while pretending to “represent it”. Moreover, if the cinema is mainly narrative and creative development of reality, we have to speak, with Walter Benjamin and Sigfried Kracauer, as for the Seventh art, about a sort of redemption of reality, in assonance, here again, with some profound and important trends of Judaism, and especially of the modern Jewish thought.

EAT THE PAST LIKE FAMINE BREAD: RELATIONSHIPS BETWEEN FOOD AND LITERATURE

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Sabrina Sedlmayer

2014-04-01

Full Text Available The thematization of the food, besides establish itself as a strong and pow­erful investigative field, able to integrate and relate to critical reflections regarding the memory, the space, the experience, the body and the rela­tionships between tradition and modernity, allows to open new lines of study in relation to the presentation of hunger and abundance in different cultural, historical and literary moments. It is intended to compare, in this work, literary texts that develop, in a polarized fashion, hunger and abun­dance (or the banquet, the feast, the junketing. The works of Fernando Pessoa, Manuel de Freitas and Carlos de Oliveira will be read through the philosophical thinking of Walter Benjamin, author who reflectively wrote about the food and its relation to subjectivity and memory.

Rio-baldo x Rio-bardo: as veredas do narrador

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Valéria Castro Fabricius

2015-12-01

Full Text Available Este artigo analisa a função do narrador da obra Grande sertão: Veredas de Guimarães Rosa enfocando dois aspectos principais: a ação narrativa como organizadora, afirmadora e reprodutora do universo regional coletivo, ao mesmo tempo, como reveladora e identificadora da individualidade do próprio narrador. Riobaldo apela à memória para narrar e através de suas reminiscências revela-nos quem somos como também revela a si mesmo. Para tanto, utilizamos como suporte teórico os artigos de Walter Benjamin intitulado "O narrador, observações sobre a obra de Nikolai Leskow" e o de Hanna Arendt denominado "Ação". Palavras-chave: Grande sertão: Veredas, narrador, memória, coletivo, individual.

The Violence of Post-Racial Memory and the Political Sense of Mourning

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Alfred Frankowski

2013-01-01

Full Text Available In this paper I argue that “post-raciality” entails a way of remembering that depoliticizes the social meaning of memory and thus of history. Through aesthetic critique, I attempt to show how the hyper-production of memory obscures the very real forms of violence directed toward non-whites. By developing the aesthetic critiques of W.E.B. Du Bois and Walter Benjamin, I argue that representing former violence as social memory fails to adequately address subtle forms of cultural and residual violence. Furthermore, I argue that post-racial memory produces sites and representations of the past only to enact a type of social forgetting in the present. I develop a political sense of mourning as a form of resistance against the violence of post-racial memory.

Stephen Hall Receives 2012 Walter Sullivan Award for Excellence in Science Journalism-Features: Citation

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Pearson, Helen

2013-01-01

Stephen Hall, a freelance science writer and science-communication teacher, received the Walter Sullivan Award for Excellence in Science Journalism-Features at the AGU Fall Meeting Honors Ceremony, held on 5 December 2012 in San Francisco, Calif. Hall was honored for the article "At Fault?" published 15 September 2011 in Nature. The article examines the legal, personal, and political repercussions from a 2009 earthquake in L'Aquila, Italy for seismologists who had attempted to convey seismic risk assessments to the public. The 6.3 magnitude quake devastated the medieval town and caused more than 300 deaths. Six scientists and one government official were subsequently convicted of manslaughter and sentenced to prison for inadequately assessing and mischaracterizing the risks to city residents, despite the inexact nature of seismic risk assessment. The Sullivan award is for work published with a deadline pressure of more than 1 week.

Subjectivity and the “Shocking”: Walter Pater, Oscar Wilde and Ethical Limits of Pleasure

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Ashmita Mukherjee

2016-02-01

Full Text Available The article analyzes the “shocking” and so-called “immoral” as a response to the institution-imposed methods of surveillance. This leads to initiation of discourses over behavior or actions which may not be unethical but which may be questionable in terms of social propriety. Moreover, the “shocking” may be seen as persistent attempts at formulation of subjectivity -the “performative self.” These ideas are analyzed with reference to Foucault's perspective on the issues and briefly in context of the late Victorian Aesthete culture spearheaded by Walter Pater and later, Oscar Wilde, the quintessential “dandy.” Their texts Marius the Epicurean and The Picture of Dorian Gray are read with the question of ethics and hedonism in mind, also relating the same to their fascination with classical Epicureanism.     Keywords: Aesthetics; Ethics; Pater; Wilde; Shocking; Surveillance; Foucault; Epicureanism.

A aldraxe proverbial da preguiza nas dúas versións españolas de The Way to Wealth de Benjamin Franklin

OpenAIRE

Ugarte i Ballester, Xus

2012-01-01

A admiración que destilou no seu tempo e durante o século XIX o bo sentido común das obras de Benjamin Franklin (1706-1790) plasmouse na tradución dos seus libros a un considerable número de linguas. The Way to Wealth (El camino de la fortuna o Cómo hacerse rico), publicado en 1758, contén máis de cen máximas que instan ao traballo honrado, á orde e ao aforro, condenando calquera sinal de preguiza ou desidia. O noso corpus nútrese dunha selección de trece aforismos que teñen re...

Las reproducciones o por qué con ellas no se acaba el aura : Consideraciones sobre Walter Benjamin

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Cappannini, Cecilia Beatriz

2011-01-01

Una de las cosas que podemos buscar en un filósofo no es tanto si estamos de acuerdo con todo lo que dijo sino cuánto nos desafía a pensar incluso contra él mismo. Este desafío puede consistir en buscar aquellas imágenes, conceptos y preguntas que el autor utiliza, para elaborar comprensiones de nuestra realidad. Entonces podemos aceptarla tal cual es, rechazarla en su totalidad o cuestionarla en algunos de sus aspectos. Pero a su vez podemos construirla. Elaborar un modo de comprender lo rea...

Le Songe d’une nuit d’été de Benjamin Britten : Nouvel éclairage scénique de l’héritage shakespearien Benjamin Britten’s A Midsummer Night’s Dream: A new way of staging Shakespeare

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Maéna Py

2009-08-01

Full Text Available Benjamin Britten’s opera A Midsummer Night’s Dream was composed and first performed in 1960, at a time when the performing arts were undergoing massive changes. While keeping the original text both as a pedagogical act and an act of allegiance, Britten nonetheless broke with the established aesthetic tradition of staging Shakespeare. He thus managed to create an innovative dramatic art capable of paving the way for other theatrical dramatic arts and for a different reading of Shakespeare’s plays, both in the opera and the theatre. By insisting on the sensuality and the physical dimension of the play and on its capacity to celebrate drama and all theatrical arts, Britten seems to have been at the centre of an aesthetic and ideological renewal which was to be carried on later by Jan Kott and Peter Brook, among others, thus making him an important figure in the history of the performances of Shakespeare’s masterpiece.

Benjamin Franklin a Jay Gatsby: Srovnání amerických literárních hrdinů, kteří se vypracovali vlastní silou

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Korejtková, Adéla

2011-01-01

The thesis focuses on Benjamin Franklin, as he is portrayed in his Autobiography, and Jay Gatsby, the protagonist of Fitzgerald's The Great Gatsby, who are connected not only by being self-made men. Firstly, they are both symbolical figures that made a powerful commentary on a period, on the country and on its core myth - the American Dream. Secondly, they are linked by Fitzgerald himself since his hero creates a schedule and a table of general resolves which clearly imitate Franklin's schedu...

Benjamin’s Dialectical Image and the Textuality of the Built Landscape

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Ross Lipton

2016-05-01

Full Text Available In The Arcades Project, Walter Benjamin describes the architectural expression of nineteenth century Paris as a dialectical manifestation of backwards-looking historicism and the dawn of modern industrial production (in the form of cast iron and mass produced plate glass. Yet in the same text, Benjamin refers to the dialectical image as occurring within the medium of written language. In this paper, I will first discuss the textuality of the dialectical image as it emerges from Benjamin’s discussion of allegorical and symbolic images in his Trauerspiel study and the ‘wish symbol’ in The Arcades Project. I will then discuss the ‘textual reductionism’ implicit in Benjamin’s theory of the dialectical image, in which the dense pluralities of urban space are reduced to a finite script to be pieced together through Benjamin’s constructivist method of historical observation. The textuality of the dialectical image will be elaborated on by discussing it in relation to the practice of translation. This discussion will be further contextualised by discussing a cadre of German/Austrian planners and architects who attempted to translate architectural idioms between cultural identities in Kemalist Era Turkey. The article concludes with a short recapitulation on the dialectical image as both an object of scrutiny and a method of observation, one which also takes into consideration the specific historicity of the observer.

Comentário sobre a esperança em O homem unidimensional, de Herbert Marcuse

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Imaculada Kangussu

2015-01-01

Full Text Available De acordo com o modelo adotado pelo Grupo de Trabalho em Estética, o presente escrito é um comentário ao texto do colega Bruno Guimarães, “Arte, liberdade e política, em diálogo com Danto”. “Somente para os desesperados é que nos foi dada a esperança”: essa frase enigmática, com a qual Marcuse encerra o livro One-Dimensional Man, aparece na última parte do trabalho comentado e é o foco desse ensaio. Trata-se de uma citação que Marcuse faz de Walter Benjamin que com ela também termina seu ensaio sobre As afinidades eletivas, de Goethe (“Goethes Wahlverwandtschaften”. Cabe a pergunta: o que o homem unidimensional tem em comum com a novela romântica de Goethe? Tendo como foco a ideia de esperança, discorremos sobre os três textos – o de Marcuse, o de Benjamin e o de Goethe – com o propósito de esclarecer o, quase desesperado, conceito de esperança que brilha no final das obras de Benjamin e de Marcuse. A escolha foi motivada por duas razões: por o outro comentador, Rodrigo Duarte, ter se dedicado, durante um tempo considerável, ao estudo das reflexões de Danto, com mestria admirável e, portanto, ser capaz de analisá-las com competência indiscutível; e pelo fato de One-Dimensional Man, a obra mencionada de Marcuse, filósofo a cujo estudo venho me dedicando, neste ano de 2014 comemorar seu cinquentenário e, com isso, justificar o desejo de fazer-lhe essa homenagem.

Representation and function of characters from Greek antiquity in Benjamin Britten’s Death in Venice

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B. Spies

2002-08-01

Full Text Available Lack of insight into Greek antiquity, more specifically the nature of classical tragedy and mythology, could be one reason for the negative reception of Benjamin Britten’s last opera Death in Venice. In the first place, this article considers Britten’s opera based on Thomas Mann’s novella as a manifestation of classical tragedy. Secondly, it is shown how mythological characters in Mann’s novella represent abstract ideas2 in Britten’s opera, thereby enhancing the dramatic impact of the opera considerably. On the one hand it is shown how the artist’s inner conflict manifests itself in a dialectic relationship between discipline and inspirat ion in Plato’s Phaedrus dialogue that forms the basis of Aschenbach’s monologue at the end of the opera. The conflict between Aschenbach’s rational consciousness and his irrational subconscious, on the other hand, is depicted by means of mythological figures, Apollo and Dionysus. Two focal points in the opera, namely the Games of Apollo at the end of Act 1 and the nightmare scene which forms the climax of the opera in Act 2, are used to illustrate the musical manifestation of this conflict.

Gerard Manley Hopkins and Walter Pater : the labyrinths of transience

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Mirko Starčević

2016-12-01

Full Text Available Transience forming life's very essence left an indelible mark on the creative explorations of Gerard Manley Hopkins and Walter Pater. The permanently indeterminable presence of mutability made both of them face the umbrous and unknowable aspect of death, thus revealing unto them the task of determining the role of art in life ruled by ceaseless corrosion. Pater accepts the flux of mutability as the primary particle in the revelatory act of the authentic creative experience. The power of that which is frolicsome in art augments the constitution of life's essence submerged in the unsettled condition of fate. Hopkins the priest particularly in his theoretic excursions recognizes in art itself only an approximate value to the timeless grandeur of God's ubiquity. His poetry, however, presents a dissimilar narrative. The poetic image that Hopkins forges corresponds to the mode of exposed individuality of the Romantic spirit, which Pater perceives as the harmony of strangeness and beauty. During Hopkins' student days at Oxford, Pater's relationship to the young poet was not confined to coaching only. Much of their time they spent in conversation, meditating upon the essential principles of artistic expression. Pater influenced Hopkins greatly and contributed impressively to the discipline of his poetic heart. Traces of this companionship do not find the path to Hopkins' religious ruminations; they announce their own existence, although very subtly, upon the individual levels of Hopkins' poetic yearnings.

O estilo em Alfred Döblin

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Elcio Loureiro Cornelsen

2010-01-01

Full Text Available O objetivo do presente artigo é apresentar alguns aspectos teóricos postulados pelo escritor alemão Alfred Döblin em seus ensaios ao desenvolver sua própria concepção da obra épica na "era da técnica" à luz de questões estilísticas, propondo conceitos como "estilo cinematográfico", "despersonalização", "fantasia factual" e "fantasia cinética". Para uma delimitação conceitual em relação à noção de "estilo", serão tomadas por base as considerações de Antoine Compagnon, postuladas na obra O demônio da teoria (1999, bem como as reflexões de Walter Benjamin, presentes na resenha "A crise do romance" (1930 e no ensaio "O narrador" (1936.

A Missão do Tradutor - Aspectos da Concepção Benjaminiana de Linguagem e Tradução

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Mauri Furlan

1996-01-01

Full Text Available MUITO ALÉM DO PRECONCEITO DE TRAIÇÃO que tradicionalmente possa evocar, a tradução, no pensamento benjaminiano, ressurge excelsa,com uma função redentora. Na hipótese algo platônica e místico-religiosa da existência de uma "língua pura" (reine Sprache, imaterial, supra-sensível, da qual todas as línguas são reflexo, encontra-se apossibilidade real da tradução. Walter Benjamin, em seu famoso textosobre tradução, A Tarefa do Tradutor, define tradução como "forma",esclarecendo-a também frente a outras definições negativas: traduçãonão é recepção, não é comunicação, não é imitação.

Deafness memories in Antonio Lobo Antunes’ chronicles “O surdo” (1998 and “Não foi com certeza assim mas faz de conta” (2002

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Alessandra Gomes Silva

2017-06-01

Full Text Available This work intends to analyze some images and meanings attributed to deafness in two chronicles of Portuguese writer António Lobo Antunes: “Não foi com certeza assim mas faz de conta” (2002 and “O surdo” (1998. We are also interested in the type of creation of these texts, drawing a parallel with the kind of reflection developed in some writings of Walter Benjamin, basically in “One-way street” and “Berlin childhood”. In both authors, the fictional production is linked to the issue of memory, taking as its starting point the contact with a seemingly simple everyday object. Finally, we emphasize the discussion of the normalization of bodies, based on the issue of not hearing and how it is socially perceived.---DOI: http://dx.doi.org/10.22409/abriluff.2017n18a369

"Ptosis" by Guadalupe Nettel and other stories about violence

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Maricruz Castro Ricalde

2017-07-01

Full Text Available The vast amount of published narratives on the last decade in Mexico, linked to an unnerving social climate produced by drug trafficking and corruption, is highly noticeable. In response to these sociopolitical conditions, it seems to me that the stories that don´t approach violence directly should be questioned. Here I pose that oblique writing is a form of resisting the possibility that violence is being nurtured from language. In this article I focus on “Ptosis”, one of the short stories in Pétalos y otras historias incómodas (2008 by Guadalupe Nettel. Appealing to the theoretical approaches of Ariel Dorfman, Amartya Sen, Arjun Appadurai, Walter Benjamin, and Roland Barthes, and others, I aim to reflect on the nature of identities and their survival methods, in the midst of a violence social context.

Performing Politics

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Troy R. E. Paddock

2016-01-01

Full Text Available Walter Benjamin’s observation that fascism turns politics into aesthetics is, by now, a well-worn idea. This article argues that Benjamin’s critique of politics can apply just as much to the modern democratic politics of the United States. Borrowing from Benjamin, Jürgen Habermas, and Carl Schmitt, this article suggests that modern political discourse in the United States does not follow the classical liberal ideal of rational discourse in the marketplace of ideas within the public sphere. Instead, contemporary politics has become spectacle where images and slogans replace thought and debate in a 24/7 news cycle and political infotainment programs. The result is that progressives and conservatives have their own political “ecospheres” which enable them to have their own perspective reinforced, and debate is replaced by straw man arguments and personal attacks.

Coleção e memória em "Uma vida iluminada", de Liev Schreiber

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Claudia Maia

2015-11-01

Full Text Available O filme Uma vida iluminada (2005, com roteiro e direção de Liev Schreiber, baseado no romance Tudo se ilumina, de Jonathan Safran Foer, narra a história de um jovem judeu norte-americano que viaja para a Ucrânia em busca de seu passado. A coleção para o protagonista do filme e para a mulher que ele encontra em Trachimbrod, sobrevivente de um massacre que destruiu toda a sua família, é de fundamental importância. Ambos os personagens reúnem objetos como forma de lutar contra a dispersão e o esquecimento, assim como argumentou Walter Benjamin sobre o colecionador. Em Uma vida iluminada, essa luta está intrinsecamente ligada à memória judaica, constantemente ameaçada por regimes totalitários.

Honey From Maggots: Aura, Sacrifice, and the Human Universe in Charles Olson's "The Kingfishers"

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Roethle, Christopher James

In this thesis, I contend that some form of aura can be recovered from the ravages of technological reproduction described in Walter Benjamin's "The Work of Art in the Age of its Technological Reproducibility (Third Version)." Recovering this aura, however, may require adopting an aesthetic of immediacy through destruction and even wanton disposability (what Georges Bataille in his general economic theory calls "nonproductive expenditure") to ensure that, though routinely diluted and discarded, the split-second authenticity of a work remains, its radical ephemerality and formal irreproducibility opposing the enslaving, commodifying powers of the copy. The poetry and poetic theory of American poet Charles Olson, especially in his long poem "The Kingfishers" and his essays "Projective Verse" and "Human Universe," serves as an example of how an author might inscribe auratic energy along nonproductive, general economic lines.

The firms Sandvik Coromant and Walter instruments choice algorithmization

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Євген Іванович Іванов

2015-11-01

Full Text Available This article describes the typical algorithms for choosing modern tools made by foreign firms Sandvik Coromant and Walter. The use of modern tools is effective on both new and old equipment. Algorithms ensure orderly operation of engineers in the development of new or upgrading old processes, and may also be useful for students enrolled in the specialty "Mechanical Engineering". The use of modern tools is effective on both new and old equipment. Correctly chosen tool make it possible for you to quickly recoup the cost of new equipment and significantly improve the work of the old equipment. Currently, all cutting tools can be divided into the following groups: a a solid; b composite; c assembly; d modular (dial-up. In composite cutting tools and parts theholders are attached permanently. For example, the attachment can be blocked by welding or soldering. At modular and modular cutting tools and parts are detachable. In those parts of the modular tool there are separate assembly units (modules with standardized mounting surface. Thus one and the same cutter head may be attached to a holder (mandrel housings of different configuration and function. The choice of the cutting part of such tools includes determining the shape and size of the indexable insert (SMP, the geometry of its front surface, corner radius and tool material. Selecting the holder (mandrel body includes determining its type and size. It is necessary to take into account the possibility of technological equipment (type and size of the mounting surfaces of the tool holder and tool spindle.After selecting the tool it is necessary to determine working regimes

Walter Gieseler, Komposition im 20. Jahrhundert. Details – Zusammenhänge, Celle, Moeck, 1975, pp. 228

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Wilma D'Ambrosio

2014-10-01

Full Text Available Stupisce molto che un libro come Komposition im 20. Jahrhundert. Details - Zusammenhänge [Composizione nel 20° secolo. Particolari – Connessioni] di Walter Gieseler, pubblicato in Germania quasi venticinque anni fa, non abbia mai ricevuto un'attenzione maggiore. Strano destino, per un libro così ricco e innovativo, scritto da un autore cui andrebbe per lo meno tributato il merito di essere stato uno dei primi a realizzare una descrizione sistematica delle tecniche compositive novecentesche. Le ragioni vanno forse cercate nel fatto di non avere mai beneficiato di traduzioni in una lingua più ‘internazionale’ e di non appartenere, in senso convenzionale, né al settore propriamente analitico, né teorico-compositivo, né storico-musicale. Di fatto, il libro riassume tutti questi aspetti, nonché argomenti di materia estetica, esecutiva, psicologico-percettiva, notazionale, ecc.

L’ontologie des Indivisibles et la structure du continu selon Gautier Burley The ontology of Indivisibles and the structure of continuity according to Walter Burley

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Alice Lamy

2011-12-01

Full Text Available Pour Aristote, sous le rapport de sa composition en parties, le continu est divisible mais sous le rapport de ses limites (point, ligne, surface et profondeur, le continu est indivisible. Walter Burley, comme ses contemporains, a commenté la coexistence problématique de la divisibilité et de l’indivisibilité dans la structure du continu. Bien plus, aux prises avec sa célèbre polémique contre son adversaire Guillaume d’Ockham à propos de l’ontologie de la catégorie de quantité, il admet une structure du continu originale qui semble contenir à la fois des intervalles ou parties divisibles et des points ou indivisibles.For Aristote, concerning its composition in parts, the continuous is divisible but concerning its limits (point, line, surface and depth, the continuous is indivisible. Walter Burley, as his contemporaries, commented on the problematic coexistence of the divisibility and the indivisibility in the structure of the continuous. Much more, battling against his opponent Wilhelm of Ockham about the ontology of the category of quantity, he admits an original structure of continuous who seems to contain at the same time intervals or divisible parts and indivisible points.

O problema da pobreza de experiência na formação do professor: desafios da educação inclusiva

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Michelli Agra

2018-04-01

Full Text Available O presente artigo tem por objetivo discutir os desafios da educação inclusiva, com base no conceito de experiência aplicado à problemática da formação do professor. Utiliza-se como referencial teórico-metodológico, a Teoria Crítica da Sociedade, com base nos autores Theodor Adorno e Walter Benjamin. As considerações giram em torno da argumentação das possíveis causas e efeitos do empobrecimento da experiência na sociedade burguesa capitalista, com a seguinte questão: ‘Para que viver experiências na formação de professor?’ No sentido que se procura expor, a experiência deixa marcas que passam a pertencer à subjetividade do indivíduo, além de potencializar a racionalidade e a autonomia. A educação inclusiva, por sua vez, revela a educação geral e pode contribuir para uma educação que propicie a resistência e a emancipação humana. Palavras-chave: Experiência; Formação do Professor; Educação Inclusiva.   The problem of poverty of experience in teacher training: challenges of inclusive education ABSTRACT This article aims to discuss the challenges of inclusive education, based on the concept of experience applied to the problem of teacher education. The Critical Theory of Society, based on the authors Theodor Adorno and Walter Benjamin was used as theoretical-methodological reference. Considerations revolve around arguing the possible causes and effects of the impoverishment of experience in capitalist bourgeois society, with the following question: 'Why live experiences in teacher training?' In the sense we seek to expose, experience leaves marks that pass to belong to the subjectivity of the individual, in addition to enhancing rationality and autonomy. Inclusive education, in turn, reveals general education and can contribute to an education that fosters resistance and human emancipation. Keywords: Experience; Teacher Training; Inclusive education.   El problema de la pobreza de experiencia en la formaci

K rozmnožení cti a chvály Boží a ku prospěchu vlasti. Mikuláš Walter z Waltersperku († 1578) a jeho studijní nadace

Czech Academy of Sciences Publication Activity Database

Holá, M.; Holý, Martin

2013-01-01

Roč. 28, č. 1 (2013), s. 5-27 ISSN 0231-7494 R&D Projects: GA ČR GPP405/12/P422 Institutional support: RVO:67985963 Keywords : educational foundations * Mikuláš Walter of Waltersperk * Prague University * Early Modern Period Subject RIV: AB - History

La persistencia de los márgenes. Reflexiones epistemológicas en torno a la obra de Walter Mignolo

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Ángel Octavio Álvarez Solís

2010-01-01

Full Text Available En este texto se analizan varias cuestiones suscitadas en torno a la obra de Walter Mignolo, principalmente el análisis de las condiciones que debe cumplir una teoría crítica decolonial. Para ello, en la primera parte se analizan los presupuestos epistemológicos que justifican la empresa teórica de Mignolo entendida como una epistemología de la postcolonialidad. En la segunda parte se desarrolla la forma en que nuestro autor utiliza el discurso histórico en su argumentación a fin de señalar por qué su interpretación puede entenderse como una hermenéutica de la deuda.

The Treachery in Teaching Henry James, Hayim Nachman Bialik, Walter Benjamin, and Nachman of Bratzlav's Tradition of Translation.

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Cutter, William

1989-01-01

Views teaching as a form of translation. Discusses the prospects of precise teaching and sets forth some thoughts concerning an ideal model. Delineates discussion from the literary, mystical, and philosophical dimensions in order to elucidate the instructional tasks of religious education. Points out the paradoxes of teaching. (KO)

La Jolie Fille de Perth de Bizet  ou comment trahir et honorer Walter Scott Bizet’s Jolie Fille de Perth or How to Betray and Honour Walter Scott

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Gilles Couderc

2011-11-01

Full Text Available What remains of Walter Scott’s Fair Maid of Perth in Bizet’s 1867 Jolie Fille de Perth, an opera in 4acts on a libretto by Jules Adenis and Vernoy de Saint-Georges? Not much when compared to other Scott-inspired operas. Little historical context or local colour, even in Bizet’s music. Some characters remotely linked to Scott in a libretto that mostly abides by the rules of French opera or opéra-comique of the time and recycles the dramatic ingredients favoured by Saint-Georges, a purveyor of libretti for opera or the ballet second only to Scribe, who engendered such international successes as Flotow’s Martha and Balfe’s Bohemian Girl, whose gipsy, long before his Carmen, haunts Bizet’s “Scottish” opera. Yet the work pays indirect homage to Scott, whose historical novels contributed to the birth of the French “grand opera”, by rewriting scenes or situations drawn from Scott. In spite of borrowing freely from French grand opera and opéra-comique, Bizet here attempts to find his own musical expression and his opera reflects aspects of Second Empire French society and the roles it assigned to women, before the appearance of his revolutionary Carmen on the stage.Que reste t’il du roman de Walter Scott The Fair Maid of Perth dans la Jolie Fille de Perth de Bizet, opéra en 4 actes de 1867 sur un livret de Vernoy de Saint-Georges, vieux routier du théâtre lyrique, et Jules Adenis ? Pas grand-chose par rapport aux opéras inspirés par Scott. Peu d’Ecosse, une absence remarquable de couleur locale ou historique, des personnages vaguement inspirés de Scott pour un livret qui se plie surtout aux règles de l’opéra français et de l’opéra-comique à la manière de Scribe et recycle les ingrédients habituels des livrets de Saint-Georges, père de succès internationaux comme la Martha de Flotow et de la Bohemian Girl de Balfe, dont la figure exotique de la bohémienne, longtemps avant Carmen, hante l’opéra �

Medizinhistorische Literatur [Medical history literature

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Bauer, Bruno

2012-09-01

Full Text Available [english] The focus of the current issue 1-2/2012 of GMS Medizin – Bibliothek – Information is on medical history literature. In six articles special collections and recent projects of medical history libraries in Berlin, Hamburg, Heidelberg, Leipzig, Vienna and Zurich are presented. The authors in this issue are Melanie Scholz & Vera Seehausen (From Augusta to Klingsor, from Luise to Benjamin – past, present and future of the library of the Institute of the History of Medicine in Berlin, Alexandra Veith (Library of the Institute for History of Medicine and Ethics of Medicine, Heidelberg, Melanie Kintzel, Meike Knittel & Tanja Krutky (Historic collections of the Medical Library of the University of the University Medical Center Hamburg-Eppendorf and their deacidification, Dagmar Geithner (Library of the Karl Sudhoff Institute for the History of Medicine and Science, Leipzig – a Historical Review, Harald Albrecht, Bruno Bauer & Walter Mentzel (The Josephinian Library and the medical-historic stock of the University Library of the Medical University of Vienna and Monika Huber & Ursula Reis (Library of the Institute and Museum of the History of Medicine Zurich.[german] Schwerpunktthema der aktuellen Ausgabe 1-2/2012von GMS Medizin – Bibliothek – Information ist medizinhistorische Literatur. In sechs Beiträgen werden Bestände und aktuelle Projekte medizinhistorischer Bibliotheken in Berlin, Hamburg, Heidelberg, Leipzig, Wien und Zürich vorgestellt. Verfasst wurden die Beiträge der Schwerpunktausgabe von Melanie Scholz & Vera Seehausen (Von August zu Klingsor, von Luise zu Benjamin – Vergangenheit, Gegenwart und Zukunft der Bibliothek des Instituts für Geschichte der Medizin in Berlin, Melanie Kintzel, Meike Knittel & Tanja Krutky (Medizinhistorische Buchbestände am Universitätsklinikum Hamburg-Eppendorf und ihre Entsäuerung, Ara Veith (Bibliothek des Instituts für Geschichte und Ethik der Medizin in Heidelberg, Dagmar Geithner

História, memória e narrativa: a revelação do "quem" nas histórias orais dos habitantes do Córrego dos Januários History, memory and narrative: the disclosure of "who are you?" in the oral story-telling of the inhabitants of Córrego dos Januários

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Denise Sampaio Gusmão

2010-08-01

Full Text Available O objetivo deste artigo é relatar uma pesquisa sobre as histórias de vida e as memórias dos habitantes de um pequeno povoado, situado na região leste de Minas Gerais, Brasil. Utilizando a "história oral" como estratégia metodológica e tendo como referência teórica o pensamento de Hannah Arendt, Walter Benjamin e Mikhail Bakhtin, os conceitos história, memória e narrativa são aqui analisados a partir das práticas discursivas entre a pesquisadora e os habitantes do Córrego dos Januários. Os resultados deste trabalho contribuem para a compreensão da ação e do discurso dos homens como condição do exercício da ética e da política na vida prática e, consequentemente, colocam em destaque a importância da experiência singular e a presença única de cada pessoa no mundo. A revelação da pergunta "quem és?", apresentada por Hanna Arendt em sua obra A condição humana, é aqui analisada a partir dos relatos das histórias de vida dos sujeitos envolvidos.The purpose of this article is reporting a research on stories of the life and memories of the inhabitants of a small village in the east region of Minas Gerais, Brazil. Using as methodological strategy the "oral story-telling", and as theoretical references the works and studies by Hannah Arendt, Walter Benjamin and Mikhail Bakhtin, the concepts history, memory and narrative are here analyzed based on the discursive practices between the researcher and the inhabitants of Córrego dos Januários. The results of this work contribute to the comprehension of action and discourse of men as a condition to the exercise of ethics and politics in practical life and, consequently, bring out the importance of singular experience and the unique presence of each and every person in the world. The disclosure of the question "Who are you", introduced by Hannah Arendt in her work The Human Condition, is here analyzed from the point of view of the life stories of the individuals involved.

Entre subjetividades e culturas: uma nova linha de pesquisa para a educação

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Alan Victor Pimenta de Almeida Pales Costa

2017-08-01

Full Text Available This article is a collective production by members from research line "Education, Culture and Subjectivity" of the Post-Graduation Program in Education at UFSCar (Federal University of São Carlos, Brazil, and it presents the thoughts of its members on the process of constitution of this research line. The researchers from the group present different theoretical references constituted by Frankfurtian Critical Theory, based mainly on the writings of Theodor Adorno, Max Horkheimer, Walter Benjamin, Herbert Marcuse, Jürgen Habermas, and Axel Honneth; by the studies of Max Weber and Bourdieu; and by the analytical references on discourse and power from the studies of Michel Foucault, and by the critique to racialization, by Frantz Fanon. These authors were critical to the social forms of power and control, materialized in the individuals´behaviors, who, by internalizing certain disciplinary processes, actively made effort to be passively controlled and directed by authoritarian words. O artigo é uma produção coletiva dos membros da linha “Educação, Cultura e Subjetividade” do Programa em Pós-Graduação em Educação da UFSCar (Universidade Federal de São Carlos, Brasil, e apresenta as reflexões dos seus professores e professoras sobre o processo de constituição dessa linha. Os pesquisadores e pesquisadoras da linha apresentam diferentes referenciais teóricos constituídos pelos estudos de Friedrich Nietzsche; pela Teoria Crítica frankfurtiana, fundamentados principalmente nos escritos de Theodor Adorno, Max Horkheimer, Walter Benjamin, Herbert Marcuse, Jürgen Habermas e Axel Honneth; pelos estudos de Max Weber e Bourdieu; pelos referenciais analíticos sobre discurso e poder dos estudos de Michel Foucault e Gilles Deleuze e pela crítica à racialização de Frantz Fanon. Esses autores foram críticos contumazes às formas sociais de poder e de controle que se materializavam nos comportamentos dos indivíduos que, ao

EXPERIÊNCIA E VIVÊNCIA, PERCEPÇÃO E CULTURA: UMA ABORDAGEM DIALÉTICA DAS MANIFESTAÇÕES CULTURAIS EM BAIRROS POPULARES DE SALVADOR-BAHIA

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Angelo SERPA

2004-12-01

Full Text Available Neste artigo, busca-se analisar os processos culturais de três bairros populares de Salvador, Bahia. Especial atenção é dada à análise do papel da cultura na vida social dos moradores, baseando-se em contribuições de Walter Benjamin, Hannah Arendt, Jürgen Habermas e Pierrre Bourdieu assim como em entrevistas estruturadas realizadas com residentes dos bairros. As manifestações culturais foram analisadas como proposto por Denis Cosgrove (que as classifica como dominantes, residuais, emergentes ou excluídas, a fim de explicitar as diferentes formas de manifestação da cultura popular ainda presentes nos bairros estudados, enfatizando, na análise, o confronto entre cultura popular e cultura oficial. Os resultados mostram que os bairros populares transformamse em microcosmos, com suas manifestações culturais e práticas sociais próprias, que representam muitos interesses (políticos, comerciais, promocionais, etc., restando, como diferencial, os interesses das associações de bairro, que realizam atividades culturais em prol da preservação e manutenção de sua tradição e identidade. Cognitive experience and immediate apprehension, perception and culture: a dialectical approach of cultural markers at popular neighborhoods in the suburb of Salvador municipality, Bahia State Abstract This article explores the analysis of cultural processes at three neighborhoods in the suburb of Salvador, Bahia. Consideration is given to the role of culture in inhabitants’ social life on the basis of the contributions made by Walter Benjamin, Hannah Arendt, Jürgen Habermas and Pierrre Bourdieu as well as of structured interviews accomplished with residents of the suburb of Salvador. The cultural manifestations were examined as proposed by Denis Cosgrove (classified as dominant, residual, emergent or excluded to bring forth new information about the different types of popular culture and to emphasize the confrontation between popular and official

O teatro dos "bóias-frias": repensando a antropologia da performance

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John C. Dawsey

2005-12-01

Full Text Available Os escritos de Victor Turner referentes à antropologia da performance são sugestivos para a análise do que poderíamos chamar de "teatro dos bóias-frias". Mas esse teatro de canaviais e carrocerias de caminhões também é sugestivo: trata-se de um lugar privilegiado para se repensar um conjunto de questões que emergem nas interfaces da performance e antropologia. Tendo-se em vista a especificidade da "prática de calcular o lugar olhado das coisas" que caracteriza esse teatro, os seguintes tópicos pontuam o texto que vem a seguir: 1 dramas sociais; 2 relações entre dramas sociais e dramas estéticos; 3 símbolos e montagens; e 4 paradigmas do teatro na antropologia. Uma observação: nesse exercício de repensar algumas contribuições "clássicas" de Victor Turner, Erving Goffman e Richard Schechner, encontro "afinidades eletivas" entre, por um lado, o pensamento de Walter Benjamin e a dramaturgia de Bertolt Brecht, e, por outro, os princípios dramatúrgicos dos "bóias-frias".The anthropology of performance, as understood by Victor Turner, provides interesting perspectives for the analysis of what may be referred to as the "theater of bóias-frias". Conversely, this theater may be of special interest for purposes of rethinking some of the main propositions which have arisen on the borders between anthropology and performance. Considering the specificity of "the practice which calculates the place from which one views things" of this theater, several topics present themselves as guidelines for the text which follows: 1 social dramas, 2 relations between social and aesthetic dramas, 3 symbols and montage, and 4 theater paradigms in anthropology. In this exercise to rethink some of the "classic" contributions of Victor Turner, Erving Goffman, and Richard Schechner, "elective affinities" have been found between, on the one hand, the writings of Walter Benjamin and Brechtian theater, and, on the other, the dramaturgical principles of the

Genetic Drift. The ancient Egyptian dwarfs of the Walters Art Museum.

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Kozma, Chahira

2010-10-01

The ancient Egyptians left an impressive artistic legacy documenting many aspects of their society including the existence of dwarfs as highly valued members. In previous publications in the Journal, I discussed dwarfs and skeletal dysplasia in ancient Egypt. In this study, I examined the ancient Egyptian representations of dwarfs of the Walters Art Museum in Baltimore, Maryland. One of the highlights of the collection is a group of five ivory figurines from Predynastic Times (pre 3500-3100 BCE) depicting a couple, a man with a child, and two females. Representations from other periods include ordinary as well as dwarf deities. The dwarf gods, Bes and Ptah, are frequently depicted holding or biting snakes or standing on crocodiles symbolizing their ability to ward off dangers. A couple of statuettes from the Greco-Roman Period that, in contrast to earlier Egyptian Periods, depict harsh physical anomalies, twisted bodies, and facial pain. The artistic impression can be interpreted as either tragic or humorous. The grotesque depiction of dwarfs during the Greco-Roman Period in ancient Egypt is believed to be due to a greater infusion of Hellenistic influence. This study provides a microcosm of the legacy of dwarfs in ancient Egypt and supports the premise that dwarfs were accepted and integrated in the ancient Egyptian society, and with a few exceptions, their disorder was not depicted as a physical handicap. Copyright © 2010 Wiley-Liss, Inc.

Alfred Walter Campbell and the visual functions of the occipital cortex.

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Macmillan, Malcolm

2014-07-01

In his pioneering cytoarchitectonic studies of the human brain, Alfred Walter Campbell identified two structurally different areas in the occipital lobes and assigned two different kinds of visual functions to them. The first area, the visuosensory, was essentially on the mesial surface of the calcarine fissure. It was the terminus of nervous impulses generated in the retina and was where simple visual sensations arose. The second area, the visuopsychic, which surrounded or invested the first, was where sensations were interpreted and elaborated into visual perceptions. I argue that Campbell's distinction between the two areas was the starting point for the eventual differentiation of areas V1-V5. After a brief outline of Campbell's early life and education in Australia and of his Scottish medical education and early work as a pathologist at the Lancashire County Lunatic Asylum at Rainhill near Liverpool, I summarise his work on the human brain. In describing the structures he identified in the occipital lobes, I analyse the similarities and differences between them and the related structures identified by Joseph Shaw Bolton. I conclude by proposing some reasons for how that work came to be overshadowed by the later studies of Brodmann and for the more general lack of recognition given Campbell and his work. Those reasons include the effect of the controversies precipitated by Campbell's alliance with Charles Sherrington over the functions of the sensory and motor cortices. Copyright © 2012 Elsevier Ltd. All rights reserved.

Von der Stadtsoziologie des Bürgertums zur Stadtsoziologie der industriellen Moderne? Kommentar zu Hartmut Häußermann & Walter Siebels „Thesen zur Soziologie der Stadt“

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Johanna Hoerning

2013-07-01

Full Text Available Der hier wieder veröffentlichte Artikel von Hartmut Häußermann und Walter Siebel aus dem Jahr 1978 ist beides, hoch aktuell – und ein Zeitzeuge. In jedem Fall aber ist er ein lehrreiches Traktat über die Frage nach dem Selbstverständnis einer gesellschaftstheoretischen und kritischen Soziologie, sowie über die methodologische Eruierung dessen, was im Rahmen einer so verstandenen (politischen Soziologie Stadtforschung sein kann [...

To Arrive Is to Begin: Benjamin Sáenz's Carry Me Like Water and the Pilgrimage of Origin in the Borderlands

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Alberto López Pulido

2001-01-01

Full Text Available This essay examines the "pilgrimage of origin" as presented in Benjamin Sáenz's novel Carry Me Like Water . As is the case with other ethnic literature, Carry Me Like Water teaches us that we must first go back before we can move forward and transform our lives. By pilgrimage of origin I make reference to a journey where participants are required to return to the past and the familiar. Unlike the more commonly described linear pilgrimage experience where participants are required to travel beyond the range of their familiar space, the pilgrimage of origin obligates participants to return to their sacred sources of origin and to interpret and experience them in new and transformative ways. Through the character of María Elena developed by Sáenz, Carry Me Like Water represents a "lyric" for explaining and understanding the unique dimensions of Chicana/o experiences in the borderlands.

A Photobook of the Shimmer: Pearl Fisheries, Photography, and British Colonialism in South Asia

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Natasha

2017-11-01

Full Text Available This article examines Lionel Wendt’s photographs of the Sri Lankan shoreline and its pearling economy during the British occupation in the 1930s and 1940s. It considers the light they shed on labour, as well as the tangled relationships between wealth and waste, in an environment where the detritus (cultch generated by harvesting luxury pearls also formed the most common building materials. The ambivalences of Wendt’s aesthetic are connected to the qualities of pearlescence and the shimmer, which themselves were freighted with both metaphorical meaning and technical possibility, for theorists of modernity like Walter Benjamin and early scientists of photography alike. Considering what was, and was not depicted in Wendt’s photographs, the article describes the materiality of the coercive labour that existed in the Gulf of Manaar, as well as its connected imaginaries, both local and colonial.

Revolutionary Climatology: Rings of Saturn, Ringed by Red Lightning

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Sarah K. Stanley

2016-05-01

Full Text Available Walter Benjamin’s concept of historical materialism is considered as a practice of media archaeology invented through literary montage and photo philosophy. The Arcades Project that facilitated this new research methodology involving a mobile archive. The main case involving architectural theory considers how Benjamin redeployed Sigfried Giedion and Laszlo Moholy-Nagy’s Building in France as a media environment, drawing upon its layout design, photo illustrations and textual systems. In terms of his urban writing, a reading of ‘A Berlin Chronicle’ considers how the diagram contributes to Benjamin’s archaeological methods, as a theory to generate site writing. Benjamin’s mode of media archaeology is then employed to map the arcades architecture onto the train stations and libraries in Berlin and Paris, sites that informed The Arcades Project. The final section assembles a set of citations as ‘Revolutionary Climatology’, thought-images as flashes of red lightning.

Lucciole e farfalle per un’immagine dialettica

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Elisabetta Villari

2012-05-01

Full Text Available This text as a postscript to the essay by Georges Didi Huberman who invites us to consider overturning a note metaphor of the disappearance of fireflies Pasolini speaks of "des Lucioles Survivance" Didi Huberman's provocation  is to resume the expression of Pasolini's writings  viewed by Guy Debord and Walter Benjamin refers to the political situation in Italy today and would like to make us reflect on a very topical subject as Berlusconi's Italy and a possible "resistance". This project intends to make a story pointing out that this symptom Sciascia had already used the metaphor about the Moro murder in the seventies after the death of Pasolini and it is important to remember and retrace your policy for this analysis that the book invites us to do, but do not forget some crucial steps to avoid the risk of the “eternal return of the same”.

A vida póstuma de Aby Warburg: por que seu pensamento seduz os pesquisadores contemporâneos da imagem?

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Mauricio Lissovsky

Full Text Available A fama de Aby Warburg (1866-1929 sempre superou o conhecimento de sua obra. Mas, nas últimas duas décadas, alguns dos mais importantes pensadores da estética - como Georges Didi-Huberman e Giorgio Agamben - encontram neste obscuro historiador da arte alemão um precursor de suas próprias investigações. Partindo do debate sobre o legado de Warburg nas obras de Ernst Gombrich e Erwin Panofsky, este ensaio procura historiar a trajetória deste resgate e repertoriar os conceitos e procedimentos warburgianos que mais mobilizam os teóricos contemporâneos. Sugere-se, por fim, que é devido à crescente influência de Walter Benjamin e às inquietações suscitadas pelo estatuto da imagem na contemporaneidade que os estudos de Warburg voltam a servir de referência para historiadores e estudiosos da imagem.

Menertawakan Fobia Komunis di Era Reproduksi Digital

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Triyono Lukmantoro

2017-04-01

Full Text Available Abstract. In May-June 2016 issue of the rise of the Indonesian Communist Party (PKI and the latent danger of communism appeared again. Excessive fear of PKI and communism continues propagated. That is what is referred to as a communist phobia. But, the issue is considered sensitive that it gave birth to criticism. The phenomenon is the presence of a number of memes comics whose contents laugh hammer and sickle symbol and three communist iconic figures, namely D.N. Aidit, Tan Malaka, and Mao Zedong. Meme comics containing parody to show incongruities that can only happen to the era of digital reproduction. The idea of meme comics can be traced to the thought Walter Benjamin about the works of art in the age of mechanical reproduction. In that era, aura was declining. The crisis and the disappearance of aura increasingly occurs to the time of digital reproduction.

Originals and reproductions: information society challenges

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Vilenka Jakac-Bizjak

2001-01-01

Full Text Available Due to digitisation of traditional documents new collections of electronic publications/resources are formed. The article deals with the process of planning of digitisation of library materials on traditional media, accompanying decisions and procedures, as well as methods of storage and preservation of digitised materials, the impact of target public on the decision about what to digitise and the questions of copyright. Acquisition and preservation of new media has an important influence on the work of libraries, especially on collection development. Parallel to these changes new technical terms develop, as for example information resources management.In the introduction, the author actualise the thought of Walter Benjamin on the impact of reproduction techniques on the status of original documents and on the separation of tradition from what was reproduced. The question whether digitisation changes the principles of national libraries underlying the preservation of national cultural heritage is raised.

Seasonal variation in secondary metabolites of edible shoots of Buck's beard [Aruncus dioicus (Walter) Fernald (Rosaceae)].

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Fusani, Pietro; Piwowarski, Jakub P; Zidorn, Christian; Kiss, Anna K; Scartezzini, Fabrizio; Granica, Sebastian

2016-07-01

Aruncus dioicus (Walter) Fernald is an herbaceous plant belonging to the Rosaceae family. In the northern regions of Italy young shoots of A. dioicus are collected and used as vegetable. No studies on the chemical composition of young shoots of A. dioicus have been reported so far. Thus, the aim of the present paper was to develop and validate a comprehensive chromatographic method allowing the identification and quantification of chemical compounds occurring in A. dioicus shoots harvested at different developmental stages. The results showed that shoots contain mainly polyphenols. Twenty-four compounds were detected. Caffeoylglucose derivatives were recognized as major compounds. It was also confirmed that shoots contain the cyanogenic compound prunasin at all investigated vegetation stages. It was shown that the prunasin content significantly increases during plant development, thus justifying the belief that after the development of the first green leaves, shoots should not be used for culinary purposes any longer. Copyright © 2016 Elsevier Ltd. All rights reserved.

Taking Charge: Walter Sydney Adams and the Mount Wilson Observatory

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Brashear, R.

2004-12-01

The growing preeminence of American observational astronomy in the first half of the 20th century is a well-known story and much credit is given to George Ellery Hale and his skill as an observatory-building entrepreneur. But a key figure who has yet to be discussed in great detail is Walter Sydney Adams (1876-1956), Hale's Assistant Director at Mount Wilson Observatory. Due to Hale's illnesses, Adams was Acting Director for much of Hale's tenure, and he became the second Director of Mount Wilson from 1923 to 1946. Behind his New England reserve Adams was instrumental in the growth of Mount Wilson and thus American astronomy in general. Adams was hand-picked by Hale to take charge of stellar spectroscopy work at Yerkes and Mount Wilson and the younger astronomer showed tremendous loyalty to Hale and Hale's vision throughout his career. As Adams assumed the leadership role at Mount Wilson he concentrated on making the observatory a place where researchers worked with great freedom but maintain a high level of cooperation. This paper will concentrate on Adams's early years and look at his growing relationship with Hale and how he came to be the central figure in the early history of Mount Wilson as both a solar and stellar observatory. His education, his years at Dartmouth and Yerkes (including his unfortunate encounter with epsilon Leonis), and his formative years on Mount Wilson are all important in learning how he shaped the direction of Mount Wilson and the development of American astronomy in the first half of the 20th century. This latter history cannot be complete until we bring Adams into better focus.

Diversidade de Agaricales (Basidiomycota na Reserva Biológica Walter Egler, Amazonas, Brasil Diversity of Agaricales (Basidiomycota in the Reserva Biológica Walter Egler, Amazonas, Brazil

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Helenires Queiroz de Souza

2004-01-01

Full Text Available Foi realizado um estudo dos representantes da Ordem Agaricales Clements (Hymenomycetes, Basidiomycotina, ocorrentes na Reserva Biológica Walter Egler, situada na Estrada AM-010, Manaus-Itacoatiara, Km 64, Latitude 02° 43' S e Longitude 59° 47' W, Rio Preto da Eva, Amazonas. A área abrange 709 ha de floresta de terra firme primária. As coletas foram realizadas no período de dezembro de 2000 a junho de 2001 e seguiu-se a metodologia usual para identificação de Agaricales. Foram estudadas um total de 39 espécies, distribuídas em 13 gêneros e seis famílias: Polyporaceae: Pleurotus sp.; Hygrophoraceae: Hygrocybe cf. megistospora, Hygrocybe aff. miniceps, Hygrocybe occidentalis var. scarletina, e mais oito espécies de Hygrocybe indeterminadas; Tricholomataceae: Clitocybe sp., Hydropus sp.1 e Hydropus sp.2, Macrocystidia sp., Marasmiellus sp., Marasmius bellus, Marasmius haedinus var. haedinus,Marasmius cf. leoninus, Marasmius cf. mazatecus, Marasmius cf. ruber,Marasmius cf. setulosifolius, Marasmius tageticolor, Marasmius cf. variabiliceps var. variabiliceps, Marasmius sp.1, Marasmius sp.2, Marasmius sp.3 e Marasmius sp.4, Tricholoma sp.; Agaricaceae: Agaricus sp.1 e Agaricus sp.2, Lepiota sp., Cystoderma sp.; Entolomataceae: Entoloma cf. azureoviride, Entoloma cf. cystidiophorum, Entoloma strigosissima, Entoloma sp.; Russulaceae: Lactarius panuoides. Destas, Entoloma azureoviride, Hygrocybe miniceps, Lactarius panuoides, Marasmius cf. mazatecus, Marasmius cf. setulosifolius e Marasmius variabiliceps var. variabiliceps, provavelmente, estão sendo aqui citadas pela primeira vez, para o Brasil. Com exceção de Marasmius tageticolor, as demais espécies são citadas pela primeira vez, para a Reserva Egler. São fornecidas tabelas com a ocorrência das espécies de acordo com o gradiente topográfico (baixio, vertente, platô e seus respectivos habitats.A study of the order Agaricales Clements (Hymenomycetes, Basidiomycotina, occurring in

Benjamin Cohen on global political order: when Keynes meets realism - and beyond

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Stefano Guzzini

2015-12-01

Full Text Available Abstract This article analyses the trajectory of Benjamin J. Cohen's work by focusing on his ongoing concern with the nature and governance of world order. It does so by playing out his debt to realism and to Keynesianism. In a first moment, Cohen criticises the economic determinism of dependency scholarship, while turning to political realism, and then to possible Keynesian co-operation under anarchy: agents have the power to affect positive change. Later, Cohen the disillusioned Keynesian, watching how the possible reform of financial markets is marginalised by politicians and academics alike, shifts his analysis to more structural aspects of governance or rule that affect actors' preferences. I draw two conclusions. First, in this shift towards theorising the global political order away from steering capacity towards impersonal rule and bias, Cohen also questions the very setup of the theories with which we deal with that world - only to see that this very inspiration of original IPE is abandoned in the course of the ongoing 'professionalisation' of IPE as practised in the United States. Second, his analysis seems to incorporate a warning. The underlying grand question is nothing less than the bargain between capitalism and liberal democracy as we know it, since the present system undermines equality before the law - money trumps equal political rights - and undermines democratic accountability. One of the main achievements of the post-war Keynesian turn was the reappropriation of political space from anti-democratic forces. Therefore, the decline of Keynesianism could provoke a Polanyian nightmare in which the 'double movement' by which the laissez-faire is answered by moves to protect society does not strengthen democracies, as in earlier times of 'embedded liberalism', but undermines them instead.

Cinematic innervation: the intuitive form of perception in the distracted perceptual field

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Sungyong Ahn

2013-09-01

Full Text Available In “The Work of Art in the Age of Its Technological Reproducibility,” Walter Benjamin alluded that the human perceptual field in his time would become more distracted by the intervention of technologies, and so masses’ tactility activated by distraction would be more important in the mechanized perception. Regarding this historical situation, Benjamin anticipated that the new mode of mass perception would be organized through people's collective “innervation” to technologies. This article aims to contextualize this physiological term's cultural, technical, and political implications within various discourses about perception from the late 19th century physiologies to early 20th century film theories. Benjamin considers the tactility of people's potential to reconstruct the optical scheme of perception from the “flatness of screen” in which distances between viewers and perceived objects collapse. In a similar vein, the late 19th century's physiology reconceptualized perception in its relation not so much to the transcendental division of subject/object as to the sensual condition of a retina as “a single immanent plane.” From this perspective, perception is phenomena entailed by a body's contact to a sensual environment, so how sense inputs circulate in a neural network is a determinant for explaining perceptual processes. With regard to this paradigm change, the invention of cinema in the late 19th century was significant because it radically changed the composition of the perceptual field in two directions. Cinema introduced the virtualized perceptual fields on which sense circulations were completely controlled by the operation of camera. At the same time, the mediation of projectors in theaters reorganized viewers’ neural paths for perceptual innervation. As Hugo Münsterberg and Sergei Eisenstein's theories reflect, cinematic media's intervention in the perceptual field made it possible for masses’ collective

Experiência e tradição em Walter Benjamin: ressonâncias para a educação

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Sérgio Luiz Alves da Rocha

2016-01-01

Full Text Available El presente texto plantea una reflexión sobre la metamorfosis de los movimientos juveniles en la transición de la era digital a lo que podemos denominar era hiperdigital (es decir, la era de la web social. Dicha transición se sintetiza en un cambio terminológico: Generación @ o Arroba versus Generación # o Hashtag. El artículo se organiza en dos partes. En la primera se retoma lo expuesto en un artículo publicado hace quince años (Feixa, 2000 y se compara las diferencias entre una y otra generación en los siguientes aspectos: historia de los significantes (es decir, de los signos @ y # y el significado de ambos términos. En la segunda, a partir del análisis comparativo de los dilemas de cada generación, se exponen las transiciones y los rasgos teóricos de la actual Generación hiperdigital o Generación #. Los movimientos sociales, protagonizados en muchos casos por jóvenes, son el lugar donde las transiciones aquí teorizadas se manifiestan en todo su esplendor.

Children’s Hospital of Pittsburgh and Diabetes Institute of the Walter Reed Health Care System Genetic Screening in Diabetes: Candidate Gene Analysis for Diabetic Retinopathy

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2010-05-01

Screening in Diabetes : Candidate Gene Analysis for Diabetic Retinopathy PRINCIPAL INVESTIGATOR: Robert A. Vigersky, COL MC CONTRACTING ORGANIZATION... Diabetes Institute of the Walter Reed Health Care System Genetic Screening in Diabetes : Candidate Gene Analysis for Diabetic Retinopathy 5c. PROGRAM... diabetic  neuropathy, and  diabetic   retinopathy .  This was an observational study in which the investigators obtained DNA samples from the blood of

Memórias autobiográficas em narrativas pós-ditatoriais = Autobiographical memories in post-dictatorial narratives

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Umbach, Rosani Ketzer

2013-01-01

Full Text Available Este artigo pretende analisar configurações de memória em narrativas oriundas de regimes ditatoriais e evidenciar seu entrelaçamento com a construção de identidade e subjetividade de quem narra suas experiências, relacionando-as com o período histórico. Para tanto, serão consideradas, entre outras, as teorias de Kenneth Burke sobre a literatura como ato simbólico e de Walter Benjamin sobre o conceito de história, além dos estudos realizados por Aleida Assmann sobre a cultura da memória. Com base nessas teorias, serão verificados aspectos concernentes aos limites e funções da memória em algumas obras: Tropical sol da liberdade, Collin e Cassandra. A primeira é da escritora brasileira Ana Maria Machado, as duas seguintes, respectivamente, dos escritores alemães Stefan Heym e Christa Wolf, ambos da extinta República Democrática Alemã (RDA

Cavalgando no dorso do tempo: a constituição da narrativa e o aspecto contemporâneo no romance de Mariana Lage

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Isabella Banducci Amizo

2015-07-01

Full Text Available Este artigo apresenta uma reflexão sobre o livro No dorso do leão (2013, primeiro romance da escritora mineira Mariana Lage. A partir da problematização dos estudos de teóricos como Theodor Adorno e Walter Benjamin, assim como dos brasileiros Jaime Ginzburg e Silviano Santiago, entre outros, trata dos principais elementos presentes na obra referentes à constituição da narrativa na contemporaneidade.  A narrativa se desenvolve por meio de cartas e notas, as quais transmitem ideias e sentimentos das personagens, explorando a busca por uma identidade e um sentido para a existência, a fuga e a procura de si mesmo, o caos interior como reflexo do caótico com que se lida externamente. O artigo, atento a tais aspectos, procura refletir sobre a relação da obra com a produção literária contemporânea.

The labyrinth of memories in Tristram Shandy and the surrealist procedures

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Aline Candido Trigo

2015-12-01

Full Text Available The life and opinions of Tristram Shandy, gentleman, by Laurence Sterne, is a rupture novel that launched narrative devices that were to be consolidated as moderns, in distinct areas. Therefore, the present work proposes a connection between shandyan writing and the ideals of surre­alism, in ways shown by André Breton about artists of previous periods who were as much surrealists as the movement founders. Their ideals of the totality of thought to achieve free writing, automatic writing, as well as the reaching of an abso­lute reality, were spread to many countries and surpassed barriers of temporality, projecting themselves into the contemporaneity. In this way, the present pa­per, starting from concepts by Walter Benjamin, ana­lyzes the resistance of this form of memory use that characterizes authors such as Aragon and others surreal­ists, but that had its beginning with the digressive novel by Laurence Sterne.

Note e recensioni

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Autori Vari

2012-05-01

Full Text Available Volumi C. Vassallo, La dimensione estetica nel pensiero di Plotino. Proposte per una nuova lettura dei trattati Sul bello e Sul bello intelligibile [Silvia Ferretti] • G. Gurisatti, Costellazioni. Storia, arte e tecnica in Walter Benjamin [Silvia Ferretti] • J. Balzer, L. Wiesing, Outcault. Die Erfindung des Comic [Mariagrazia Portera] • E.W. Straus, Il vivente umano e la follia. Studio sui fondamenti della psichiatria [Michele Gardini] • G. Böh­me, Atmosfere, estasi, messe in scena. L’estetica come teoria generale della percezione [Alessia Ruco] • T. Andina, Arthur Danto: un filosofo pop [Elisa Caldarola] • C. Abell, K. Bantinaki (eds., Philosophical Perspectives on Depiction [Elisa Caldarola]Convegni “Gérard Genette’s Aesthetic Thought”, Université de Rennes, 25-27 novembre 2010 [Sandrine Darsel] • “Carattere e stile”, Istituto per gli Studi Filosofici di Napoli, 15 dicembre 2010 [Assunta Carotenuto]     Autopresentazioni S. Halliwell, Between Ecstasy and Truth: Interpretations of Greek Poetics from Homer to Longinus

THE ALLEGORICAL DUALITY OF CATASTROPHE IN “O QUASE FIM DO MUNDO”, BY THE ANGOLAN WRITER PEPETELA

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Maria Geralda Miranda

2015-04-01

Full Text Available The present work aims to study the book "O quase fim do mundo", written by Pepetela. This impactful work relates the living conditions of a small group of survivors of a global catastrophe, caused by the deployment of a mass destruction weapon, created by fundamentalists. The study starts from the concept of allegory, in the way as Walter Benjamin conceives it; then, it situates the characters in time and space. The symbolic feature of the catastrophe will be debated from a dualistic view, having in mind that a collapse always allows a new beginning. First, the survivors had to understand the range of the disaster; next, they started to restructure their lives according to new patterns. The relation of the characters with the consumer goods, such as money, jewels, clothes, cars, airplanes, also received our attention, because the "values of use and exchange" of the products are totally altered.

Attention and Distraction: On the Aesthetic Experience of Video Installation Art

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Petersen, Anne Ring

2010-10-01

Full Text Available This article aims to examine the interrelationship between attention and distraction in the reception of video installation art, a genre which is commonly associated with "immersion" and an intensified feeling of presence in the discourses on new media art and installation art. This tends to veil the fact that the behaviour of many visitors is characterised by a certain restlessness and distraction. The article suggests that, in contradistinction to traditional disciplines of art like painting and sculpture, video installations seem to stimulate a "reception in distraction" (Walter Benjamin that is at odds with the ideal of a reception in concentration that governs the institutions of fine art as well as aesthetic theory. It intends to demonstrate how the experience of video installation art can only be understood by recognising that the close connections between, on the one hand, video art and, on the other hand, the cultural formations of television, film and computers have fundamentally re-configured "aesthetic experience."

Adolescent Occultism and the Philosophy of Things in Three Novels

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Samuel Finegan

2015-11-01

Full Text Available Shirley Jackson’s 1962 We Have Always Lived in the Castle, Iain Banks’s 1984 The Wasp Factory and Sonya Hartnett’s 2009 Butterfly are novels separated not only by decades, but by distance being produced in the United States, Scotland and Australia respectively. Despite this, each of these texts depicts a young adult in a mimetically recognisable world struggling to reconcile their intuitive occultism with that world. The mediation of magic through assemblages of charged objects creates a philosophy of things – modelling in intuitive and narrative terms the essence and nature of objects familiar from the philosophies of Martin Heidegger and Walter Benjamin. As such, the supernaturalism of Iain Banks, Shirley Jackson and Sonya Hartnett’s narratives implicates their readers – breaking the boundaries of fiction to comment on the material world itself, not through analogy or metaphor but through direct modelling of the potential power and worth of things.

Experiência, espaço urbano, pobreza: construindo algumas questões

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Thaís Troncon Rosa

2013-04-01

Full Text Available O questionamento sobre as possibilidades de configuração de uma efetiva experiência urbana para indivíduos em situação de pobreza é o mote deste trabalho, fruto de uma pesquisa de doutorado em andamento. Nesse sentido, procura acercar-se da polissêmica noção de “experiência” a partir de duas perspectivas distintas: a de Walter Benjamin, configurada em pleno auge da modernidade, e a de Michel Foucault, cujas últimas elaborações se fizeram em meio às discussões sobre a chamada “pós-modernidade”. Tendo em vista as tentativas, contemporâneas, de reconstrução e ressemantização da experiência, o trabalho procura algumas linhas de fuga que auxiliem na reflexão sobre as possíveis relações entre experiência, espaço urbano e pobreza.

Theater of "bóias-frias": rethinking anthropology of performance

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John C. Dawsey

2006-01-01

Full Text Available The anthropology of performance, as understood by Victor Turner, provides interesting perspectives for the analysis of what may be referred to as the "theater of bóias-frias". Conversely, this theater may be of special interest for purposes of rethinking some of the main propositions which have arisen on the borders between anthropology and performance. Considering the specificity of "the practice which calculates the place from which one views things" of this theater, several topics present themselves as guidelines for the text which follows: 1 social dramas, 2 relations between social and aesthetic dramas, 3 symbols and montage, and 4 theater paradigms in anthropology. In this exercise to rethink some of the "classic" contributions of Victor Turner, Erving Goffman, and Richard Schechner, "elective affinities" have been found between, on the one hand, the writings of Walter Benjamin and Brechtian theater, and, on the other, the dramaturgical principles of the bóias-frias.

Matter and memory

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Bergson, Henri

1991-01-01

Since the end of the last century," Walter Benjamin wrote, "philosophy has made a series of attempts to lay hold of the 'true' experience as opposed to the kind that manifests itself in the standardized, denatured life of the civilized masses. It is customary to classify these efforts under the heading of a philosophy of life. Towering above this literature is Henri Bergson's early monumental work, Matter and Memory."Along with Husserl's Ideas and Heidegger's Being and Time, Bergson's work represents one of the great twentieth-century investigations into perception and memory, movement and time, matter and mind. Arguably Bergson's most significant book, Matter and Memory is essential to an understanding of his philosophy and its legacy.This new edition includes an annotated bibliography prepared by Bruno Paradis.Henri Bergson (1859-1941) was awarded the Nobel Prize in 1927. His works include Time and Free Will, An Introduction to Metaphysics, Creative Evolution, and The Creative Mind.

EU VO LÁ ONTEM, PAPAI! ― EXPERIÊNCIA E CULTURAS INFANTIS: REFLEXÕES SOBRE INFÂNCIA E TEMPORALIDADE RECURSIVA

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Eduardo Oliveira Sanhces

2016-06-01

Full Text Available RESUMO: Este estudo de natureza teórica teve por objetivo realizar aproximações entre os pensamentos filosóficos de Walter Benjamin e as reflexões sociológicas de Manuel Jacinto Sarmento sobre infância, temporalidade recursiva, experiência(s e cultura(s infantil(is. Para tanto, dividimos nossa exposição em quatro seções que visam: evidenciar a infância como categoria histórica na modernidade; apresentar o olhar benjaminiano sobre a abordagem; evidenciar a perspectiva por meio da ótica de Sarmento; por fim, aproximar as concepções. Consideramos que a principal aproximação entre ambos é a de repensar o significado das dinâmicas sociais e as relações dos atores sociais no contemporâneo, portanto, não apenas os sentidos da infância na atualidade, mas a própria condição humana no tempo presente.

Dimensões comunicacionais no conceito de escultura social de Joseph Beuys como possibilidade de tradução criativa.

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Magda Salete Vicini

Full Text Available O presente artigo é resultado de pesquisa de doutorado em Comunicação e Semiótica, realizada na PUC-SP, sobre o conceito de Escultura Social na obra de Joseph Beuys, com recorte em pesquisadores como Matthias Bunge e Caroline Tisdall, bem como a influência dos filósofos românticos Schiller, Goethe, Hegel e de Novalis na construção deste conceito na obra de Rudolf Steiner. O contexto da arte é abordado através de críticos de arte que analisam o trabalho artístico de Beuys, cujas características comunicacionais são apresentadas em relação a Humberto Maturana e Francisco Varella e à crítica da comunicação. Finalmente, o artigo aborda a possibilidade de tradução criativa (Walter Benjamin, Georg Steiner e Haroldo de Campos deste conceito de Joseph Beuys.

Global paths of time-periodic solutions of the Benjamin-Ono equation connecting arbitrary traveling waves

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Ambrose, David M.; Wilkening, Jon

2008-12-11

We classify all bifurcations from traveling waves to non-trivial time-periodic solutions of the Benjamin-Ono equation that are predicted by linearization. We use a spectrally accurate numerical continuation method to study several paths of non-trivial solutions beyond the realm of linear theory. These paths are found to either re-connect with a different traveling wave or to blow up. In the latter case, as the bifurcation parameter approaches a critical value, the amplitude of the initial condition grows without bound and the period approaches zero. We propose a conjecture that gives the mapping from one bifurcation to its counterpart on the other side of the path of non-trivial solutions. By experimentation with data fitting, we identify the form of the exact solutions on the path connecting two traveling waves, which represents the Fourier coefficients of the solution as power sums of a finite number of particle positions whose elementary symmetric functions execute simple orbits in the complex plane (circles or epicycles). We then solve a system of algebraic equations to express the unknown constants in the new representation in terms of the mean, a spatial phase, a temporal phase, four integers (enumerating the bifurcation at each end of the path) and one additional bifurcation parameter. We also find examples of interior bifurcations from these paths of already non-trivial solutions, but we do not attempt to analyze their algebraic structure.

Traducerea: între ce se poate traduce și ce trebuie tradus

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Magda Jeanrenaud

2016-02-01

Full Text Available Pornind de la o tulburătoare interpretare a lui Jacques Derrida, studiul de față își propune să investigheze și încearcă să explice blocajul ce intervine în versiunile englezești, franceze și românești (semnate de Antoine Berman, Alexis Nouss, Steven Rendall, Catrinel Pleșu etc. ale celebrului text al lui Walter Benjamin, Die Aufgabe des Übersetzers, atunci cînd traducătorii transpun în cele trei limbi țintă cele două citate cuprinse în acesta: un citat din Mallarmé, lăsat netradus de Benjamin însuși, și un altul, din Pannwitz. Într-un fel sau altul, ambele citate au o formă discursivă ce lasă să se întrevadă o sintaxă ce se abate deliberat de la normă, ca și cum ar fi deja niște „traduceri”. Analiza mai pune în evidență și comportamentul (cumva o dominantă a psihologiei traducătorilor? celor ce au transpus textul benjaminian, comportament marcat de obsesia lizibilității văzută ca o trăsătură congenitală a oricărei traduceri, chiar și atunci cînd textul original nu tinde spre aceasta. De unde și dilema, dureroasă, legată de spinoasa chestiune a intenționalității textului (nu doar de tradus...

Determinación de los coeficientes de difusión multicomponente en capilares no saturados

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R. Gamero

2006-01-01

Full Text Available Este trabajo consiste en un estudio de transferencia simultánea de calor y masa con la finalidad de determinar la matriz de coeficientes de difusión multicomponente en fase líquida. La literatura reporta una fórmula semi-empírica desarrollada por Bandrowski y Kubaczka para calcular la matriz de coeficientes de difusión multicomponente, método que separa las contribuciones cinética y termodinámica a la transferencia de masa e incluye un exponente empírico para realizar cálculos más precisos. El presente trabajo propone la estimación del exponente empírico en un amplio rango de temperaturas estudiando la redistribución de composición en un capilar no isotérmico y no saturado, tomando en consideración las no idealidades descritas por la matriz de coeficientes de factores termodinámicos. Para tal fin, se ha utilizado el sistema ternario agua-etanol-acetona a dos diferentes rangos de temperaturas y dos diferentes grados de saturación. Los resultados muestran que el método es efectivo ya que se obtuvieron valores consistentes del exponente empírico que modifica la matriz de factores termodinámicos. Además, se evidencia que el exponente es dependiente de la temperatura.

Monoterpenoids from the traditional North Italian vegetable Aruncus dioicus (Walter) Fernald var. vulgaris (Maxim.) H.Hara (Rosaceae).

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Granica, Sebastian; Fusani, Pietro; Stanisławska, Iwona; Piwowarski, Jakub P; Melck, Dominique; Motta, Andrea; Zidorn, Christian

2017-04-15

Investigations of young shoots of Aruncus dioicus (Walter) Fernald var. vulgaris (Maxim.) H.Hara (Rosaceae), collected from the wild and used as vegetables in alpine provinces of Italy, yielded eight monoterpenoids. Besides known compounds, aruncin A, aruncide A, and cimicifugolide, five previously undescribed substances, aruncins C, D, and E, and aruncides D and E, were identified. Based on results from the full synthesis of aruncin B, structures of aruncin A and aruncide A were revised. Structures were established by HR mass spectrometry and extensive 1D and 2D NMR spectroscopy and based on data from synthetic aruncin B. An HPLC-DAD-ESI-MS method was developed to investigate the distribution of the monoterpenoids in different organs of Aruncus dioicus var. vulgaris and in aerial parts of A. dioicus var. aethusifolius (H.Lév.) H.Hara [Syn.: Aruncus aethusifolius (H.Lév.) Nakai]. Preliminary bioactivity studies moreover indicated weak cytotoxicity for some of the compounds against human prostrate adenocarcinoma cells. Copyright © 2016 Elsevier Ltd. All rights reserved.

"Cumbia Villera: Denuncia y Afirmación"

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Cena, Matías

2016-07-01

Full Text Available [es] Este trabajo es parte de un proyecto más amplio de estudio de la música popular entre los jóvenes, y como tal procura observar el contexto de emergencia de una de sus expresiones recientes más masivas: la cumbia villera. Si bien posteriormente fue asimilada por las industrias culturales -en especial las discográficas- su originalidad fue tal que, pese a coincidir con el creciente acceso a internet y las posibilidades que este conlleva, durante un tiempo -considerablemente extenso en un contexto plenamente globalizado-, fue una expresión artística primordialmente marginal. En este sentido, la cumbia villera explicita la violencia sistémica experimentada por décadas por los sectores marginalizados del conurbano bonaerense, y la forma descarnada que asumió provocó el miedo y la intolerancia de las clases medias y altas, e incluso la intervención del Estado. La polémica suscitada en torno a este estilo musical confirma su excepcionalidad en la cultura popular: inicialmente inasimilable por amplios sectores sociales e instituciones públicas y semi públicas, emergió y se mantuvo –hasta el momento de la manipulación por parte de las grandes industrias culturales-como una manifestación artística de aquello que Walter Benjamin (2010 B llamaría “carácter”, algo que no se podía anticipar. [en] This work seeks to deepen in the comprehension of cumbia villera origins, probably one of the most massive and original popular expression the argentinian culture has known in the last decades. Although later assimilated by cultural industries -particularly, the recording industry- it´s originality was such that for quite a long time it remained primarily a marginal artistic expression. This way, cumbia villera cumbia expressed the systemic violence experienced for decades by the marginalized sectors of Buenos Aires, and the explicit shape it took caused the fear and intolerance of the middle and upper classes, and even the state

Obituary: Walter G. Egan, 1923-2003

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Hilgeman, Theodore

2009-01-01

Walter G. Egan, a scientist and engineer with a professional life spanning well over half a century, died on 3 November 2003. Born to Caroline and George Egan on 12 October 1923 in New York City, Egan studied Electrical Engineering at the City College of New York from 1941 until 1943 when he was called to active duty in World War II, switching from enlisted reserve status. During the war, he served honorably in both the Signal Corps and the Medical Corps. Following his discharge in 1946, he resumed his college studies, obtaining a BEE in 1949 from City College of New York, an MA in Physics in 1951 from Columbia University, and a PhD in Solid State Physics in 1960 from the Polytechnic Institute of Brooklyn. Egan's PhD thesis was "Ferromagnetic Resonance in thin Nickel Films," performed under advisor H. Juretschke. Egan's professional career covered both industry and academia. In the summer of 1942, he worked for the Bruce Engineering Company. From 1957 to 1963, he worked for Ford Instrument Company, a Division of Sperry Rand Corporation, successively as an Engineering Project Supervisor, Assistant Director of Research, and Executive Assistant to the Director of Research. From 1964 to 1986 Egan worked as a Staff Scientist at the Grumman Corporation Corporate Research Center where his pioneering work consisted of research and development of remote sensing equipment and techniques for the remote sensing of terrestrial and space targets and backgrounds. I came to know and work with him during his tenure at the Grumman Corporation, where we co-authored many papers and a book. His insight into remote sensing engineering and research, shared willingly with younger colleagues, was a major stimulus to my future research in this field. Egan instilled a sense of discipline in publication, so our work could be shared with others in a timely way. This drive to share his knowledge with others also made him an excellent teacher. Subsequently, he held the position of Research

The utopian challenge to global capitalism by Walter van den Broeck in Terug naar Walden

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Andries Visagie

2012-12-01

Full Text Available The socialist sympathies that inform the writing of Flemish author Walter van den Broeck align him with a well-established tradition of socially engaged writing in Flanders. In his novel Terug naar Walden (Back to Walden, published in 2009, he revisits the Walden project of the Dutch reformer and writer Frederik van Eeden (1860−1932. Van den Broeck suggests that a reconsideration of the socialist ideals that inspired Van Eeden to establish settlements in the Netherlands and the United States is warranted in the light of the economic crisis triggered by unchecked capitalist practices in 2008. In Terug naar Walden Ruler Marsh, the richest man in the world, unleashes a global financial crisis as a form of retaliation against the capitalist system that ruined his parents. Marsh returns to the Kempen in Flanders where his family originated. In a Heideggerean affirmation of the local as exemplified by the country road, Van den Broeck articulates his vision of the common, that theorists Michael Hardt and Antonio Negri in their Empire trilogy have attempted to salvage from communist thinking, with a utopian notion that a stronger connection with the land and the people within one’s immediate environment may provide a useful premise for the development of viable alternatives to capitalism.

Causes of visual impairment and blindness in children at Instituto Benjamin Constant Blind School, Rio de Janeiro

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Daniela da Silva Verzoni

Full Text Available Abstract Objective: To determine the main causes of visual impairment and blindness in children enrolled at Instituto Benjamin Constant blind school (IBC in 2013, to aid in planning for the prevention and management of avoidable causes of blindness. Methods: Study design: cross-sectional observational study. Data was collected from medical records of students attending IBC in 2013. Causes of blindness were classified according to WHO/PBL examination record. Data were analyzed for those children aged less than 16 years using Stata 9 program. Results: Among 355 students attending IBC in 2013, 253 (73% were included in this study. Of these children, 190 (75% were blind and 63 (25% visually impaired. The major anatomical site of visual loss was retina (42%, followed by lesions of the globe (22%, optic nerve lesions (13.8%, central nervous system (8.8% and cataract/pseudophakia/aphakia (8.8%. The etiology was unknown in 41.9% and neonatal factors accounted for 30,9% of cases. Forty-eight percent of cases were potentially avoidable. Retinopathy of prematurity (ROP was the main cause of blindness and with microphthalmia, optic nerve atrophy, cataract and glaucoma accounted for more than 50% of cases. Conclusion: Provision and improvement of ROP, cataract and glaucoma screening and treatment and programs could prevent avoidable visual impairment and blindness.

Fundamental Astronomy and Solar System Dynamics : Invited Papers Honoring Prof. Walter Fricke on the occasion of his 70th birthday

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Lieske, J; Seidelmann, P

1986-01-01

"Fundamental Astronomy and Solar System Dynamics", a program of invited papers honoring Professor Walter Fricke, who for thirty years has been Director of the Astronomisches Rechen lnstitut in Heidelberg, was held at the Thompson Conference Center of the University of Texas at Austin on Wednesday 27 March 1985 on the occasion of his seventieth birthday and retirement as Director of ARl. Professor Fricke's contributions to astronomy encompass the areas of galactic dynamics, radial velocities, stellar statistics. the fundamental reference system and the constant of precession. Participants were welcomed to the Uni versi ty of Texas by Professor J. Parker Lamb, Chairman of the Department of Aerospace Engineering and Engineering Mechanics. The presentations ranged from discussions of astrometric problems concerned with the reference system, the constant of precession, major and minor planet observations, planetary ephemerides and lunar and satellite laser ranging, to a study of disc galaxies in massive halos. The...

Un episodio del pensamiento francés de la autonomía. Benjamin Constant y las idées très ingénieuses

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Francisco Gelman Constantin

2014-03-01

Full Text Available UN EPISODIO DEL PENSAMIENTO FRANCÉS DE LA AUTONOMÍA Benjamin Constant y las idées très ingénieuses   Francisco Gelman Constantin Facultad de Filosofía y Letras, Universidad de Buenos Aires     Abstract – This paper attempts a consideration of the significance of Benjamin Constant’s aesthetic thoughts within the context of the history of the concept of “aesthetic autonomy”. With that in mind it reevaluates his transformation of the German tradition, by way of its binding to the social theory corresponding to the cultural and historical analysis of early French Romanticism. Taking the coinage of the expression “art for art’s sake” as a starting point, this paper reconstructs the whole of Constant’s thought-system, as well as its exchanges with some of his contemporaries –namely Mme. de Staël and Henry Crabb Robinson– in the means of understanding the proper reach of the conceptual novelties brought in by him, as can be seen from the standing point of Begriffsgeschichte. The paper deals not only with his postulates referring specifically to a negative relationship towards the mercantile society, but also with the analogies he establishes between art, love, religion and morality, while it furthermore examines his theory of social autonomy. The reflexive setting together of this different elements, assembled from his political essays, his journals, the novel Adolphe and other writings, brings to the light a general form of a thought of the autonomous, which explains the manner in which Constant understands aesthetic autonomy in particular, by way of his collaboration and dissent with his European colleagues.   Keywords: autonomy; Constant; art for art’s sake; Begriffsgeschichte; religion     Resumen – Este trabajo se propone reconsiderar la importancia de las reflexiones estéticas de Benjamin Constant en el contexto de la historia del concepto de autonomía estética. Para ello reevalúa las transformaciones

Administracion y Organizaciones Su desarrollo evolutivo y las propuestas para el nuevo siglo

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Martínez Crespo, Jenny; Universidad de Medellín

2005-01-01

El presente artículo ofrece al lector un recorrido por el proceso evolutivo del pensamiento administrativo y organizacional de finales del siglo XIX hasta nuestros días.Inicialmente encontrará el pensamiento administrativo clásico y sus principales exponentes:F.W. Taylor, H. Fayol, M. Weber y E. Mayo; además de definir la contribución de ellos a la edificación del pensamiento administrativo contemporáneo.Antes de entrar al enfoque administrativo contemporáneo y sus principales exponentes, el ...

Sobre la existencia de la ley de Hack en las cuencas hidrográficas de Colombia.

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Mantilla Gutiérrez, Ricardo; Mesa Sánchez, Óscar José; Poveda Jaramillo, Germán

2000-01-01

En este trabajo se presenta una caracterización geomorfométrica de las cuencas hidrográficas de Colombia, en términos de un estudio detallado de la relación potencial encontrada por J. T. Hack [3], entre la longitud del cauce principal y el área de la cuenca, que busca determinar una explicación del exponente que se obtiene con datos muestrales para tal relación potencial. Nuestros resultados sugieren que en 1000 cuencas Colombianas, el exponente anómalo de Kack puede explicarse en término...

The Performer as Philosopher and Diplomat of Dissensus: Thinking and Drinking Tea with Benjamin Verdonck in Bara/ke (2000

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Christel Stalpaert

2015-04-01

Full Text Available Ecology and activism is a burning issue in theatre and performance studies. However, following the French philosopher Bruno Latour, a radically new encounter with ecology is needed today, if eco-activism still wants to have a future. It seems that, in order to survive, eco-activism and eco-art have to move beyond their narrow and limited anthropocentric perspective. In this paradigm shift, the performer as philosopher – in the sense of a diplomat of dissensus – might play an important role. The Flemish artist and performer Benjamin Verdonck picks up this role of a performer as philosopher. In his artistic tree houses, Verdonck invites passers-by for coffee or tea and gently raises ecological issues. He performs protest as what I call “a diplomat of dissensus”, combining Latour’s writings on contemporary ecology and the function of the diplomat therein, and Jacques Rancière’s writings on dissensus and art in public space. Ecology, for its part, moves into the direction of what Félix Guattari in The Three Ecologies refers to as “the ethico-aesthetic aegis of an ecosophy” (Guattari 2000, 41, a contraction of ecology and philosophy that connects the environmental with a reflection on the psychic production of subjectivity and social relations.

Walter Baade: Father of the Two Stellar Populations and Pioneer Supernova Researcher

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Osterbrock, D. E.

2001-05-01

Walter Baade was the great observational astronomer of the middle part of the past century. He lived and worked in Pasadena, where he ``discovered" the two stellar populations and did outstanding pioneer research on supernovae at Mount Wilson and Palomar Observatories from 1931 until 1959, when he returned to his native Germany, and died the following year. Baade was born in a little town in northwest Germany, and educated at Goettingen University, where he received his Ph.D. in 1919, just after the end of World War I. He got a research position at Hamburg Observatory, and quickly jumped into globular cluster and galactic structure work with its 40-in reflector, then the largest telescope in Europe. Baade recognized very early the great importance of the extremely rare ``highly luminous novae" which Heber D. Curtis and Knut Lundmark isolated in 1919-21. In 1929 Baade called these ``Hauptnovae" the key to measuring distances of faint galaxies. We call them supernovae today, a term he and Fritz Zwicky began using in 1932. Similarly Baade's first inkling that there was a spherically symmetric distribution of stars in our Galaxy, which he named Population II in his two great 1944 papers, came when he began picking up field RR Lyrae variables in 1926. Baade's research on the two stellar populations and supernovae was extremely important in opening up the whole fields of stellar and galactic evolution. His invited lectures at meetings and symposia, and his courses as a visiting professor inspired a whole generation of research astrophysicists. Baade's attractive personality made it possible for him to make his great discoveries in a land in which he was officially an enemy alien during World War II.

Simmel y la cultura del consumo

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JOSÉ MIGUEL MARINAS

2000-01-01

Full Text Available Este artículo que se encuadra en una serie de trabajos sobre los orígenes de la cultura del consumo en el principio de siglo, presenta un recorrido por los textos simmelianos relativos a la constitución de la identidad social basada no en el paradigma de la producción , sino en la relación con los objetos y procesos del consumo.Antes de la pauta del consumo de masas surge y se generaliza un modo cultural basado en el lujo y su ostentación (consumo conspicuo, según Veblen y, en general de la mediación de las mercancías y su lógica (fetichismo como formadoras de los sujetos sociales . Los elementos críticos y creativos que Simmel elabora resultarán de una enorme fecundidad en autores como Kracauer y, sobre todo, Walter Benjamin. De esta herencia en el análisis de las metrópolis de los pasajes comerciales (Passagen Werk se da cuenta detallada en la segunda parte de este trabajo.

O cinema brasileiro diante de um presente incendiário: o filme o caso dos irmãos Naves (1967, de Luís Sérgio Person, e o despertar das consciências durante o regime de exceção = Brazilian cinema in face of an incendiary present: the film o caso dos irmãos Naves (1967, by Luís Sérgio Person, and the awakening of consciousness during the dictatorial regime = El cine brasileño frente a un presente incendiario: la película o caso dos irmãos Naves (1967, de Luís Sérgio Person, y el despertar de las conciencias durante el régimen de excepción

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Silva, Jaison Castro

2017-01-01

Full Text Available O artigo analisa as diversas opiniões sobre o filme O Caso dos Irmãos Naves (1967, de Luís Sérgio Person, contidas na crítica cinematográfica da época da estreia do filme, que mobilizaram questões humanistas fundamentais, principalmente no que diz respeito à abordagem das violentas cenas de tortura, muitas vezes acusadas de sadismo, existentes naquela película. Em meio à discussão sobre a narrativa cinematográfica e às possibilidades de apagamento do cineasta frente à representação documental da verdade, despontava o debate sobre como as formas imagéticas de produção de sentido podem mobilizar sentimentos e/ou acionar consciências de maneira política. A abordagem histórica, a partir de referências como Walter Benjamin e Giorgio Agamben, insere-se na discussão sobre visualidade, investigando como, apesar de um quadro de referências comum, o período apresentava diferentes formas de acionar as imagens

The Realization of a Virtual Past in Günter Grass's Crabwalk

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Paul A. Youngman

2008-01-01

Full Text Available In his 1999 Nobel lecture, Günter Grass declares narration to be "a form of survival as well as a form of art." He sets out to demonstrate this declaration in his latest novella Crabwalk (2002, in which he echoes Walter Benjamin's concerns regarding war and information. The twist for Grass, the author who writes exclusively on his Olivetti typewriter, is that he analyzes the Internet as a narrative medium in his most recent work. This paper analyzes Crabwalk as a look at various forms of media—oral memories, historical monographs, film, and a website—through which humans narrate the past, in this case the 1945 sinking of the Wilhelm Gustloff , a German KdF (Strength Through Joy ship, by a Russian U-boat. The last medium, the Internet, is the focus of this paper as it serves as the central means of narrative development, as well as the single medium that inextricably intertwines Grass's "historical reality," the sinking of the Gustloff , with his "fictional reality," the murder of a "virtual" Jew by an apparently "virtual" Neo-Nazi.

Adolf Loos y el despertar

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Fernando Espuelas

2014-10-01

Full Text Available Walter Benjamin utiliza en el Libro de los Pasajes la metáfora de la acción de des­pertar para explicar la entrada en la modernidad de la sociedad burguesa del siglo XIX. Y pone la obra de Marcel Proust como ejemplo privilegiado de este cambio. Adolf Loos en arquitectura juega un papel similar al de Proust en literatura: despoja los interiores de las casas burguesas de oscuridad y simbolismo. La arquitectura de Loos incorpora dos rasgos del espíritu moderno: el dinamismo y la simultaneidad. Loos organiza los espacios de sus viviendas con una fuerte teatral­idad. La casa se hace con una suma de escenarios simultáneos puestos en relación por juegos de escaleras múltiples y aperturas visuales. La acción de subir o bajar una escalera introduce el dinamismo del que prescindía la casa burguesa del siglo XIX. Las piezas, situadas como pequeños escenarios, convierten a sus habitantes en instantáneos actores de lo cotidiano.

From a Catastrophe Itself to Cata/strophic Reading. The Poetry of Charles Baudelaire in the Account of Jorge Semprúna L’écriture ou la vie

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Judith Kasper

2015-01-01

Full Text Available This essay addresses the instable meaning of the term catastrophe over the course of history. The first part takes leave of the “the tiny fissures” in the continuous catastrophe noted by Walter Benjamin to develop a philology of the cata/strophe. This philology does not only register a given meaning (for instance, of the catastrophe, but intervenes actively as disruption. It insists on the strophe in the catastrophe, transforming catastrophe into cata/strophe that, in fatal situations, permits the poetic potential to become a dynamic force that can, at least on the linguistic level, open toward other dimensions without denying the catastrophe itself. The second part is dedicated to a reading of Jorge Semprún’s autobiographical novel L’écriture ou la vie from the perspective of this philological concept. It seeks to show how Semprún’s citing and reciting of Baudelaire’s strophes in the putrid atmosphere of the Buchenwald concentration camp literally produce, on the level of the signifiers, fresh air to breathe.

Copies, Concepts and Time

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Anne Eriksen

2017-09-01

Full Text Available Copies are defined by their relation to an original. The understanding and evaluation of this relationship has been changing over time. A main argument of this article is that originals and copies are phenomena with no "natural" or essential meaning outside of their specific historical settings. The idea to be explored is how changing historicity regimes have transformed notions of originals and copies over time and how these differences also are reflected in the intrinsically temporal relation between the two concepts. The discussion will be framed by two theory sets. The first is Alexander Nagel and Christopher Woods investigation of two kinds of temporality that vied for dominance in works of art in the late Middle Ages and the Renaissance. The second is Walter Benjamins discussion of artwork in the "age of mechanical reproduction", i.e. the twentieth century. The second half of the article seeks to add to the historical complexity described by both theory sets by introducing a concept of tradition and discussing the early modern ideals of exemplarity, emulation and copiousness.

A tradução desobediente do poeta Douglas Diegues

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Thais Ferreira Pompêo de Camargo

2017-12-01

Full Text Available Este artigo buscar ampliar o conceito de tradução embasado nas teorias de Walter Benjamin, Haroldo de Campos, Néstor García Canclini e John Milton, aproximando-o da crítica cultural. Busca também, a partir do conceito aumentado de tradução, analisar a obra de Douglas Diegues, cuja poética é cuidadosamente construída e enraizada sobre bases ligadas ao conceito de tradução criativa. O poeta brasileiro escreve em portunhol selvagem (mistura entre o português, espanhol e guarani, língua literária desobediente que funciona como ponte, aproximando diversas culturas que coabitam a América Latina. Uma narrativa poética que culmina na tradução de obras canônicas para o portunhol selvagem, prática batizada por ele de transdeliração. Dessa forma, o poeta, astutamente, cria diálogo e arcabouço retóricos e subjetivos codificados na língua fronteiriça.

Fractalidad cardiaca en adolescentes tempranos: sus asociaciones con la sintomatología ansiosa y la sensibilidad al castigo

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Alejandro de la Torre-Luque

2016-01-01

Full Text Available Introducción/Objetivo: Se ha asociado la existencia de sintomatología ansiosa con algunas propiedades lineales de la variabilidad cardiaca (VC, sin prestar demasiada atención a propiedades más esenciales del sistema cardiaco, como su naturaleza fractal. En este trabajo se pretendía evaluar si medidas de fractalidad (exponentes alométricos y medi - das de VC (potencia en la banda de altas frecuencias, AF permitían distinguir entre 24 adolescentes con alta sintomatología ansiosa y 26 adolescentes con baja. Además, se perseguía explorar las asociaciones de estas medidas con sensibilidad al castigo (SC, un factor de riesgo para ansiedad. Método: Se tomó la actividad cardiaca de los adolescen - tes en contexto ecológico y se calcularon dichas medidas sobre registros de 90 minutos. Resultados: Se encontraron exponentes alométricos significativamente mayores para los adolescentes con alta ansiedad ( p < 0,05, sin observarse diferencias significativas en potencia de AF ( p = 0,057. Además, sólo se encontraron correlaciones positivas significa - tivas entre los exponentes alométricos con SC, y dichos exponentes con varias escalas de ansiedad. Conclusiones: Estos resultados muestran que propiedades más básicas del sis - tema cardiaco parecen estar alteradas en adolescentes ansiosos más allá de la mera in - fluencia parasimpática. Estas propiedades pueden aportar información relevante para la detección y prevención de trastornos de ansiedad.

Memórias sobre a história de uma cidade: a História como labirinto Memories about the history of a city: the history as a labyrinth

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Lana Mara de Castro Siman

2008-06-01

Full Text Available Neste artigo, desenvolve-se a argumentação de que a escrita da história de cidades elaborada por meio do diálogo entre a memória e a História pode oferecer possibilidades de aprendermos a nelas nos perder para nelas nos reencontrar, num tempo labirintítico. A idéia do labirinto é inspirada em Walter Benjamin (1985, 1994 e em outros que trabalham nessa tradição teórica e representa uma contraposição à compreensão do tempo histórico forjado na modernidade. Enquanto este é linear, vazio, homogêneo, o tempo labirintítico é múltiplo, não-linear, repleto de possibilidades inscritas nas relações do presente com passado e futuro. Para decifrá-lo, é necessária a aprendizagem da leitura indiciária - dos sinais, dos signos, das ruínas, das marcas, dos gestos, dos silêncios, - deixados pela ação dos homens e relatados pelos seus testemunhos. É, também, em Benjamin que se apóia a idéia de que a história como labirinto é contada pelo narrador que narra a sua experiência histórica. A escrita híbrida da história - entre a História e a memória -, base para o desenvolvimento da referida argumentação, é fruto de uma pesquisa com fontes orais e outros conhecimentos históricos, elaborada para uma dissertação de mestrado defendida pela autora do artigo, sobre a história de Governador Valadares, Minas Gerais.In this article, it is developed an argumentation concerning the writing of the history of the cities being elaborated through the dialogue between the memory and the History. This argumentation is based on the idea of this kind of writing offer possibilities of learning to lose ourselves inside the memory and the History and to find ourselves again through them, in a labyrinth time. The idea of the labyrinth is inspired in Walter Benjamim (1985,1994 as well in others who work in this theoretical line. It represents a counter-position to the understanding of historical time constructed in modern time. While the

Walter B. Cannon's World War I experience: treatment of traumatic shock then and now.

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Ryan, Kathy L

2018-06-01

Walter B. Cannon (1871-1945), perhaps America's preeminent physiologist, volunteered for service with the Army Expeditionary Force (AEF) during World War I. He initially served with Base Hospital No. 5, a unit made up of Harvard clinicians, before moving forward to the front lines to serve at a casualty clearing station run by the British. During his time there, he performed research on wounded soldiers to understand the nature and causes of traumatic shock. Subsequently, Cannon performed animal experimentation on the causes of traumatic shock in the London laboratory of Dr. William Bayliss before being assigned to the AEF Central Medical Laboratory in Dijon, France, where he continued his experimental studies. During this time, he also developed and taught a curriculum on resuscitation of wounded soldiers to medical providers. Although primarily a researcher and teacher, Cannon also performed clinical duties throughout the war, serving with distinction under fire. After the war, Cannon wrote a monograph entitled Traumatic Shock (New York: Appleton, 1923), which encapsulated the knowledge that had been gained during the war, both from direct observation of wounded soldiers, as well as laboratory experimentation on the causes and treatment of traumatic shock. In his monograph, Cannon elucidates a number of principles concerning hemorrhagic shock that were later forgotten, only to be "rediscovered" during the current conflicts in Iraq and Afghanistan. This paper summarizes Cannon's wartime experiences and the knowledge gained concerning traumatic shock during World War I, with a comparison of current combat casualty care practices and knowledge to that which Cannon and his colleagues understood a century ago.

Big Data and : Walter Lippmann and the fallacy of data privacy self-management

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Jonathan A Obar

2015-10-01

Full Text Available In 1927, Walter Lippmann published The Phantom Public , denouncing the ‘mystical fallacy of democracy.’ Decrying romantic democratic models that privilege self-governance, he writes: “I have not happened to meet anybody, from a President of the United States to a professor of political science, who came anywhere near to embodying the accepted ideal of the sovereign and omnicompetent citizen.” Almost 90 years later, Lippmann’s pragmatism is as relevant as ever, and should be applied in new contexts where similar self-governance concerns persist. This paper does just that, repurposing Lippmann’s argument in the context of the ongoing debate over the role of the digital citizen in Big Data management. It is argued that proposals by the Federal Trade Commission, the White House and the US Congress, championing failed notice and choice privacy policy, perpetuate a self-governance fallacy comparable to Lippmann’s, referred to here as the fallacy of data privacy self-management . Even if the digital citizen had the faculties and the system for data privacy self-management, the digital citizen has little time for data governance. We desire the freedom to pursue the ends of digital production, without being inhibited by the means. We want privacy, and safety, but cannot complete all that is required for its protection. If it is true that the fallacy of democracy is similar to the fallacy of data privacy self-management, then perhaps the pragmatic solution is representative data management : a combination of non/for-profit digital dossier management via infomediaries that can ensure the protection of personal data, while freeing individuals from what Lippmann referred to as an ‘unattainable ideal.’

Memória de gestos na obra de Agnès Varda: pintura, fotografia, cinema

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Cristian Borges

2010-01-01

Full Text Available Antiga aluna da Escola do Louvre, Agnès Varda inicia sua carreira como fotógrafa, antes de se dedicar ao cinema. Raramente críticos e acadêmicos percebem ou destacam, em sua obra fílmica, o gosto acentuado e erudito pela pintura e pela fotografia, que se manifesta notadamente através da recorrência de gestos presentes na imagem. Analisaremos três procedimentos em que essa recorrência explícita pode ser percebida em alguns de seus filmes. Primeiramente, ao partir de uma imagem pictórica para reproduzir um gesto singular que se fixa pelo exercício da pausa (pose, colocando "em abismo" a relação pintura/cinema. Um segundo procedimento explora um gesto engendrado por uma fotografia em filmes cujos personagens encontram-se, em algum momento, congelados em seus gestos. Um terceiro procedimento evoca um prolongamento dos gestos, desta vez operado no seio da própria imagem cinematográfica, pela montagem. A recorrência dos gestos, tão presente na obra de Agnès Varda, encontra fortes ecos no pensamento de Gaston Bacherlard, Roland Barthes, Walter Benjamin e Aby Warburg. Assim, o que denominamos aqui uma "memória dos gestos" atesta, em seus filmes, uma fina conivência entre pintura, fotografia e cinema.Former student at the Louvre, Agnès Varda began her career as a photographer before turning to cinema. Critics and scholars rarely see or stand, in her films, the sharp and erudite taste for painting and photography, which manifests itself mainly by recurrent gestures on image. In this article, we are going to analyse three procedures by which that explicit recurrence can be seen in some of her films. First, by obtaining through a pictorial image the reproduction of a singular gesture that is fixed due to the use of pause (pose, proposing a 'mise en abyme' of the relationship between painting and film. A second procedure explores the gesture generated by a photograph, in films whose characters, frozen in their gestures, become

"No remoinho da tendência-espiral": questões de estética, literatura e ciências naturais na obra de Goethe "In the vortex of the spiral tendency": questions of aesthetics, literature and natural sciences in the work of Goethe

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Sabine Mainberger

2010-01-01

Full Text Available Em seus últimos anos de vida, Goethe esteve obcecado pela assim chamada "tendência-espiral". Essa questão, contudo, de modo algum constituía algo novo para ele, como demonstram claramente suas formulações anteriores em torno de linhas curvas e espirais. De fato, essas formas encontram-se nas zonas de intersecção entre literatura, artes visuais (em especial, as ornamentais e estudos científicos. Uma referência crucial para as estéticas do final do século XVIII foi a famosa concepção de William Hogarth sobre a "linha da beleza" (1753, a qual também deixou vestígios nos escritos de Goethe, até mesmo em sua fase tardia. O presente trabalho examina sua elegia "Amynthas" (1799, o ensaio "Touro fossilizado" (1822, assim como textos sobre a metamorfose das plantas e a tendência-espiral da vegetação. Formas espirais parecem ter exercido fascínio tão intenso sobre Goethe porque elas possibilitam, com seus múltiplos significados e funções, extrapolar fronteiras entre diferentes gêneros e disciplinas e estabelecer conexões entre diferentes pensamentos. Essa atividade intelectual transgressora, a que chamaríamos de "interdisciplinaridade", continuou sendo modelar para importantes pensadores do século XX, tais como Paul Valéry, Walter Benjamin ou Aby Warburg.In his final years Goethe was obsessed by the so-called "spiral tendency". The problem, however, was far from new to him as the versions and variations of curved lines and spirals in Goethe's work clearly show. These forms can actually be found at the crossroads of poetry, visual aesthetics (namely of ornaments, and scientific studies. A crucial point of reference for aesthetics in the later 18th century was William Hogarth's famous concept and model of the "line of beauty" (1753, which also left its traces in Goethe's writings, even in his late period. This study examines his elegy "Amyntas" (1799, the essay "Fossile Bull" (1822, and texts on the metamorphoses of plants and

Nota biobibliográfica + poética + creaciones («Rebel·lió: problema visual», «Tarot de Marsella: poema aleatorio», «Codex mundi. Contingencia: escritura fractal II-3», «Blanc o nada. Topoemalogía (trilingüe», «New York, Portbou, Benjamin» y «Bar 12 heures

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Ramon Dachs

2014-03-01

Full Text Available Nota biobibliográfica + poética + creaciones («Rebel·lió: problema visual», «Tarot de Marsella: poema aleatorio», «Codex mundi. Contingencia: escritura fractal II-3», «Blanc o nada. Topoemalogía (trilingüe», «New York, Portbou, Benjamin» y «Bar 12 heures» + cuestionario (Victoria Pineda

Estructura espacial de las órbitas caóticas en un modelo autoconsistente de galaxia elíptica

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Muzzio, J. C.

Hemos logrado construir modelos autoconsistentes de sistemas estelares utilizando una aproximación cuadrupolar para el potencial. Esto nos permite determinar órbitas y exponentes de Lyapunov de objetos que tienen posiciones y velocidades equivalentes a las que se obtienen de la funcón de distribución del sistema. La distribución espacial de las órbitas caóticas exhibe considerable estructura y, lo que es más importante aún, los valores de los exponentes de Lyapunov calculados sobre intervalos finitos de tiempo, muestran una fuerte correlación con el comportamiento de la órbita en esos mismos intervalos, por lo que permiten reconocer distintos subsistemas con diferentes distribuciones espaciales.

Morte e ressurreição: uma reflexão sobre as adaptações fílmicas "Dom Quixote" e "Hamlet", de Kozintsev

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Thayane Morais Silva

2017-03-01

Full Text Available RESUMOAo considerar os “400 anos da morte de Shakespeare e Cervantes”, é impossível não associar as obras desses respectivos autores à questão da autoria, tema tão recorrente nos Estudos Literários, amplamente discutido por Barthes Foucault e Agamben. Se passaram 400 anos desde a morte do corpo, e não da morte do legado artístico –é sempre bom lembrar, desses dois escritores.  Entretanto, diante de tantas reproduções técnicas que desencadearam a destruição da aura da obra de arte, propomos estabelecer uma relação entre a morte autoral desses dois autores e os conceitos que Walter Benjamin delineou para esclarecer a situação da obra de arte na era de sua reprodutibilidade técnica. A fim de exemplificar como a autoria de Cervantes e de Shakespeare é mortificada a partir de suas próprias obras, iremos investigar duas adaptações cinematográficas, Dom Quixote e Hamlet, ambas dirigidas por Grigori Kozintsev.PALAVRAS-CHAVE: Shakespeare; Cervantes; Autoria; Reprodutibilidade técnica; Adaptação cinematográfica.

Workforce, subject of law and education: introductory notes

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Carolina Roig Catini

2016-06-01

Full Text Available This article consists of an introductory exposition to the Marxist critique of law that, as we aim to demonstrate, provides relevant conceptual contributions to critical reflection on the specifically capitalistic social relations of education. It is an analysis of the fundamental concepts that circumscribe the social function of massive education in capitalism, under hegemony of the school form: workforce and subject of law. The mercantile social nexus, under the aegis of the blind and automatic movement of capital accumulation foresees not only the generalization of the worker "free" from the means of production, but also the universalization of the law-form, which conceals the economic subordination under the mask of equality between private owners. In the first section we briefly resumed a critical interpretation of the work presented by Karl Marx in Capital, in order to move on to the Marxist critique of law and in the second part, based on Evgène Pachukanis, Walter Benjamin and Bernard Edelman´s studies. Based on this presentation, we extract, by way of conclusion and in a preliminary way, some theoretical consequences for the apprehension of the specifically capitalist way of education. Keywords: Education. Work. Merchandise.

Biopolítica e Desenvolvimento? Foucault e Agamben sobre Estado, Governo e Violência

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Guilherme F. W. Radomsky

2015-06-01

Full Text Available Este artigo analisa as relações entre biopolítica e desenvolvimento sob o ângulo das noções de Estado, governo e violência. O objetivo consiste em examinar elementos analíticos que gravitam em torno de perspectivas críticas do desenvolvimento buscando um eixo interpretativo sobre a ambivalência das ações do Estado a partir de duas possibilidades teóricas que convergem no pensamento de Giorgio Agamben: a análise do biopoder e do governo em Foucault e as articulações entre violência e lei que remetem a Walter Benjamin. A reflexão sobre os argumentos teóricos é realizada examinando-se dados oriundos de pesquisa de abordagem qualitativa sobre políticas para a agricultura ecológica no sul do Brasil. As conclusões mostram que o desenvolvimento e seus benefícios podem ser problematizados pelo olhar do biopoder e da violência, que reconfiguram o que seja desenvolvimento, menos como expansão do bem-estar e mais como impulso modernizante de mudança que se ampara em administrar a vida.

Desconstruir para edificar: uma visão acerca da infância e uma proposta para sua compreensão através da chave da mudança

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Laryssa Frezze e Silva

2015-08-01

Full Text Available O presente trabalho buscará refletir sobre o papel da educação na formação do indivíduo, considerando para isso o lugar da escola na sociedade atual, o que se espera dessa instituição e como ela pode vir a intervir na dinâmica social que vivemos. O artigo está dividido em três seções; primeiramente, discute-se acerca da necessidade de modificação do sistema educacional brasileiro, fato que já é tomado como inquestionável, mas cuja aplicabilidade é sempre posta em xeque. Usamos como fundamento idéias de Walter Benjamin, Theodor Adorno e Ligia Averbuck. Depois fala-se brevemente sobre o construtivismo e, por fim, há um estudo de comparação entre dois programas televisivos infantis veiculados pela TV Cultura em diferentes épocas, quais sejam “O Castelo Rá-tim-bum” e “O Quintal da Cultura”. O objetivo desse estudo é o de comparar as diferentes visões de infância que cada programa apresenta e, a partir disso, fazer um julgamento de valor.

The Ghost-Image on Metropolitan Borders—In Terms of Phantom of the Opera and 19th-Century Metropolis Paris

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Changnam Lee

2013-12-01

Full Text Available This paper reviews Gaston Leroux’s Phantom of the Opera in the context of the social and cultural changes of the metropolis Paris at the end of the 19th century. The Phantom of the Opera, a success in the literary world and widely proliferated in its musical and film renditions afterward, is considered and interpreted mainly in the literary and artistic tradition. In this paper, however, this work will be considered from an urban sociological perspective, especially from that of Walter Benjamin, who developed the theory of the urban culture, focusing on the dreaming collectives at the end of the 19th century. Leroux’s novel can be regarded as an exemplary social form of the collective dreams of the period expressed in arts, architectures, popular stories and films and other popular arts. Given the premise that the dream images in the novel, so-called kitsch, reflect the fears and desires of the bourgeois middle class that were pathologized in the figure of the ghost, this paper reveals the cultural, social and transnational implications of the Ghost-Image in relation to the rapidly changing borders of the 19th century metropolis.

Fetichismos da carne: consumismo midiático no capitalismo contemporâneo

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Rodrigo Diaz de Vivar y Soler

2016-10-01

Full Text Available Este artigo procura apresentar os resultados de uma pesquisa realizada junto a estudantes de uma instituição superior de ensino localizada no interior do estado de Santa Catarina em que buscou-se observar através de entrevistas abertas e semiestruturadas como esse estudantes são afetadas pelo consumismo midiático, sobretudo a partir da noção de fetichismo inscrita dentro do pensamento do intelectual alemão Walter Benjamin. A partir da elaboração de sete categorias que envolviam a opinião dos entrevistados sobre as propagandas assistidas por eles, os seus produtos de consumo, a sua relação com a Internet, a representação da juventude nas grandes produções midiáticas, o seu conhecimento acerca do consumo sustentável e a opinião acerca das propagandas de cervejas e de bancos percebe-se que o fetichismo  é importante produtor de modos de subjetivação orquestrados em modos de governamentalidades responsáveis por fazer do consumo a única forma de existência possível na nossa sociedade.

Transmediality in Symbolist and Surrealist Photo-Literature

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Walden Lauren

2017-11-01

Full Text Available The fin de siècle period throughout Europe undoubtedly cultivated the “interdisciplinary principle of la fraternité des arts” (Genova 158. Literature, poetry, visual art and music superseded former hierarchical structures favouring the painterly. Correspondence between intellectuals would cross-fertilise between disparate realms through publishing in interdisciplinary cultural journals that were distributed internationally across cosmopolitan cityscapes. The ability for the photograph to be mechanically reproduced, postulated by Walter Benjamin in 1936, allowed for one of the first transmedial aesthetics, to become known as photo-literature. Previously, reproduction had been confined to the textual realm. Bruges La Morte by Georges Rodenbach was the first ever work of photo-literature to commingle these respective art forms, sixty-five years after the invention of photography in 1827. Rodenbach’s novella was first published in 1892 at the height of the symbolist movement which spanned literature, painting, photography and more. Its pseudo-progeny, Andre Breton’s surrealist text Nadja was published in 1928 depicting the author’s meandering through the Parisian cityscape. In these works, text and image engender a sense of cosmopolitanism through the function of transposition.

The (de construction of "I" n'Os cus of Judas

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Juliana Santos Garcia

2012-11-01

Full Text Available This work aims to bring to discussion the issue of composition of "I" in the autobiographical fiction of the asses of Judas (1979, the Portuguese writer António Lobo Antunes. To meet the proposed, it is necessary to assess how the author weaves his speech regarding the configuration of subjectivity associated with the image (undone by the dominant voice of the text, which is engaged during a night brooding watered the whiskey , gushing feelings, feelings, fears and anxieties. As the work is appealing to the unveiling of the "I" from a written memorial, we are introduced to the intimate with someone who shares the chaotic scenario derived from the colonial war in Angola. Thinking analyze the character of the character from what he account is relevant for allowing us to understand how it is configured contemporary thought, therefore, outlines the forms of art. As an aid predominant theory, will be referred to Stuart Hall, whose focus is selected the notion of identity, Walter Benjamin, for his statements about the narrator, Paula Sibilia for his study in favor of the manifestation of the intimate, and Michel Foucault by observations of individualization.

Alte Thesen neu gelesen: Perspektiven kritischer Stadtforschung. Kommentar zu Hartmut Häußermann & Walter Siebels „Thesen zur Soziologie der Stadt“

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Carsten Keller

2013-07-01

Full Text Available [Dieser Artikel ist Teil einer Debatte] Der Text „Thesen zur Soziologie der Stadt“ scheint mir besonders in den abschließend formulierten Perspektiven, die Hartmut Häußermann und Walter Siebel unter der Überschrift „Aufgaben einer kritischen Soziologie der Stadt“ formulieren, nach wie vor lesenswert und aktuell zu sein. Drei Perspektiven werden hier aufgezeigt: erstens eine Wissenschafts- und Ideologiekritik, zweitens eine empirisch orientierte Zustandsbeschreibung städtischer Strukturen und von Stadtentwicklung sowie drittens eine Analyse der staatlichen Stadtpolitik. Diese drei abschließenden Perspektiven möchte ich im Folgenden kommentieren. Es wird mithin keine immanente Auseinandersetzung mit dem gesamten Text und weiteren Arbeiten der beiden Autoren angestrebt. Es hätte mich zwar durchaus gereizt, die Entwicklung der Arbeiten von Häußermann und Siebel vor dem Hintergrund dieses frühen, emphatisch formulierten Textes zu reflektieren. Vielleicht auch wegen der persönlichen Bekanntschaft mit Häußermann, den ich als Projekt- und Dissertationsbetreuer an der Humboldt-Universität kennenlernte, erschien mir eine solche Zugangsweise zu den „Thesen“ durchaus naheliegend. [...

A perspective on 10-years HTS experience at the Walter and Eliza Hall Institute of Medical Research - eighteen million assays and counting.

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Lackovic, Kurt; Lessene, Guillaume; Falk, Hendrik; Leuchowius, Karl-Johan; Baell, Jonathan; Street, Ian

2014-03-01

The Walter and Eliza Hall Institute of Medical Research (WEHI) is Australia's longest serving medical research institute. WEHI's High Throughput Screening (HTS) Facility was established in 2003 with $5 million of infrastructure funds invested by WEHI, and the Victorian State Government's Strategic Technology Initiative through Bio21 Australia Ltd. The Facility was Australia's first truly academic HTS facility and was one of only a handful operating in publicly funded institutions worldwide at that time. The objectives were to provide access to enabling HTS technologies, such as assay design, liquid handling automation, compound libraries and expertise to promote translation of basic research in a national setting that has a relatively young biotech sector and does not have a big Pharma research presence. Ten years on and the WEHI HTS Facility has participated in over 92 collaborative projects, generated over 18 million data points, and most importantly, projects that began in the Facility have been commercialized successfully (due to strong ties with Business Development and emphasis on intellectual property management) and now have molecules progressing in clinical trials.

Obituary: Benjamin Franklin Peery Jr. (1922-2010)

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Cowley, Charles

2011-12-01

Professor Benjamin F. Peery, Jr. died at his home in Silver Spring, MD of natural causes on 30 November 2010. His full life began in St. Joseph, MO (home of the Pony Express) on 4 March 1922. His father was a railway mail clerk, so his family moved frequently. Most of his childhood was spent in southeastern Minnesota. He enlisted in the army in 1942, and served in campaigns in North Africa and Italy. After his discharge in 1945, he enrolled in the University of Minnesota, earning a BS in Physics in 1949. One of his early hobbies was to build and fly model airplanes. His intention to pursue aeronautical engineering changed to physics, but after receiving a MS in physics from Fisk University in 1955, he decided on a career in astronomy. He told the editors of the PBS series The Astronomers (1991, in which his career is highlighted) he thought it was shamefully absurd not to know what made the stars shine. So he began PhD studies in astronomy at the University of Michigan (Ann Arbor). His dissertation was on the complex eclipsing binary VV Cephei, where a compact hot star passes behind a cool giant star, revealing the structure of that giant's atmosphere. This task was especially demanding because of the complexity of the system's spectrum and the formidable array of observations assembled by Ben's advisor, Dean McLaughlin. Fortunately, Ben's strong physics background enabled him to design and construct one of the first oscilloscope measuring engines, which his fellow students called the PeeryScope. The final (1961) dissertation is an impressive combination of observational and astrophysical analysis. His degree was obtained in 1962; he had already begun a career at the University of Indiana, where he taught and did research (1959--1976). The Indiana years were highly productive. In addition to his own research, he was advisor on six PhD dissertations, and a master's thesis. Several of his students have also had productive careers. An ADS search on his students' names

Review: SERUYA, Teresa; D´HULST, Lieven; ASSIS ROSA, Alexandra; LIN MONIZ, Maria. Translation in Anthologies and Collections (19th and 20th Centuries. Amsterdam: John Benjamins, 2013.

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Paulo Henrique Pappen

2016-09-01

Full Text Available http://dx.doi.org/10.5007/2175-7968.2016v36n3p351 Translation in Anthologies and Collections (19th and 20th Centuries, como outros livros que abordam a questão, é produto de um evento organizado em 2010. Ao todo, são 16 artigos no volume, agrupados em três tópicos: “Discursive practices and scholarly agency”; “National and international canonization processes”; e “Selection and censorship”, em uma obra inteiramente redigida em inglês (menos o texto do espanhol Sabio Pinilla e publicada pela John Benjamins, bom indicador do público ao qual se dirige. Uma operação acertada parece ser a que guia a escolha do título, que ao invés de tentar antecipar uma definição de “antologias traduzidas”, ou “antologias de literatura traduzida”, propõe o guarda-chuva mais abarcador da “tradução em antologias e coleções”. Ou seja, o interesse passa a ser localizar a mediação tradutiva nessas obras.

"The casual cruelty of our prejudices": on Walter Lippmann's theory of stereotype and its "obliteration" in psychology and social science.

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Bottom, William P; Kong, Dejun Tony

2012-01-01

Reflecting on his wartime government service, Walter Lippmann (1922) developed a theory of policy formulation and error. Introducing the constructs of stereotype, mental model, blind spots, and the process of manufacturing consent, his theory prescribed interdisciplinary social science as a tool for enhancing policy making in business and government. Lippmann used his influence with the Rockefeller foundations, business leaders, Harvard and the University of Chicago to gain support for this program. Citation analysis of references to "stereotype" and Lippmann reveals the rapid spread of the concept across the social sciences and in public discourse paralleled by obliteration by incorporation of the wider theory in behavioral science. "Stereotype" is increasingly invoked in anthropology, economics, and sociology though Lippmann and his wider theory ceased being cited decades ago. In psychology, citations are increasing but content analysis revealed blind spots and misconceptions about the theory and prescription. Studies of heuristics, biases, and organizational decision substantiate Lippmann's theory of judgment and choice. But his model for social science failed to consider the bounded rationality and blind spots of its practitioners. Policy formulation today is supported by research from narrow disciplinary silos not interdisciplinary science that reflects an awareness of history. © 2012 Wiley Periodicals, Inc.

Infância, televisão e publicidade: uma metodologia de pesquisa em construção Child, television and publicity: a metodology in constructing research

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Rita Marisa Ribes Pereira

2002-07-01

Full Text Available Este estudo tem como foco principal a relação estabelecida entre criança e publicidade televisiva. A perspectiva teórica e metodológica é baseada nas idéias de Walter Benjamin, Mikhail Bakhtin e Oliviero Toscani. O objetivo é entender o contexto social e cultural mais amplo no qual essa questão é mantida sob permanente tensão, em especial em razão de algumas mudanças que o marcam acentuadamente: a emergência de novos agrupamentos familiares que, por diferirem dos arranjos nucleares tradicionais, demandam um reordenamento das relações criança-adulto; a desterritorialização do capitalismo e sua concentração no consumo; a fragmentação da vida cotidiana; a construção de uma política de vídeo e a inversão sofrida nos âmbitos públicos e privados; o lugar central hoje ocupado pela mídia e a constatação de que há uma hegemonia das tecnologias eletrônicas e virtuais nos processos de comunicação, bem como a pulverização dos espaços de saber. Nesse contexto, os meios audiovisuais- entre eles a televisão - têm compartilhado cada vez mais com a família e com a escola sua função educativa, ocasionando para ambas um grande desconforto: faz-se necessário, mais do que nunca, repensar o lugar social que ocupam.This research has, as its main focus, the relationship established between child and publicity on TV. The theoretical and methodological perspective is based on the ideas of Walter Benjamin, Mikhail Bakhtin and Oliviero Toscani. The goal is to understand the broader social and cultural context within which this issue is kept under permanent tension. Some important changes have marked it: the emergence of new family groups which, by differing from the traditional nucleus arrangements, asks for the reordering of the child-adult relationship; the loss of a clear delimitation for capitalism and its concentration on consumption; the fragmentation of every-day life; the construction of a video policy and the inversion

A cidade brasileira como espaço cultural

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Barbara Freitag-Rouanet

2000-05-01

Full Text Available O artigo discute uma tese polêmica do filósofo tcheco Vilém Flusser, que viveu mais de 30 anos em São Paulo, depois de escapar aos nazistas que ocuparam Praga. De todas as cidades brasileiras, São Paulo é a que menos merece o título de cidade. Falta-lhe um espaço cultural inovador, apesar da riqueza e dinâmica de sua economia e de sua força política. O conceito de cidade subjacente ao pensamento de Flusser orienta-se pelo modelo da pólis grega e da cidade de Praga, antes da Segunda Guerra. Além disso, Flusser valoriza os novos códigos (de linguagem, de expressão arquitetônica, estética, musical, pictoral, capazes de integrar as influências multiculturais da história brasileira. A autora procura compreender a argumentação de Flusser, hoje comparado a um Walter Benjamin da pós-modernidade, mostrando contudo que sua tese foi precipitada. Saiu nos anos 70 de São Paulo, antes do fim da ditadura; não conheceu as grandes realizações da Bienal de Arte Moderna; não conheceu o ciclo de realizações Arte e Cidade no fim da década de 90, essencialmente baseado nas tecnologias da micro eletrônica da era digital, do PC e da internet, que ela festejava como novas linguagens.This article discusses Vilém Flussers controversial thesis. The Czech philosopher lived in São Paulo for over 30 after having fled the Nazi occupation of Prague. Of all Brazilian towns, São Paulo is the one which least deserves to be called a city. It lacks an innovative cultural space, in spite of its rich and dynamic economy and political strength. The concept of city subjacent to Flussers view is based on the model of the Greek polis and on Prague before the Second World War. Flusser also values the new codes (of language, architectural, aesthetic, musical and pictorial expression which are parts of the multicultural influences on Brazilian history. The author analyses Flussers reasoning and shows how his was a hasty thesis. Flusser, who is considered to

Breve reflexión sobre la experiencia y el cuerpo/Brief reflection on the experience and the body

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Raumar Giménez Rodríguez

2007-01-01

Full Text Available El concepto de experiencia es, en principio, vasto en demasía como para proponerse un estudio profundo en poco tiempo. Por ello, en estas breves reflexiones que constituyen una de las trazas del recorrido iniciado a propósito de la relación cuerpo-lenguaje-enseñanza, la noción de experiencia es referida en primer lugar desde el texto homónimo escrito por Walter Benjamin en 1913 y luego desde las reflexiones que despliega Agamben en su “Infancia e historia”, escrito en 1978. A partir de allí, se presentan algunas ideas en las que se exploran las posibilidades que brinda la noción de experiencia para problematizar algunos rasgos específicos de la historia del cuerpo en la modernidad, su relación con una forma específica de producción de conocimiento (la ciencia moderna y los avatares de la experiencia corporal en la formación social capitalista. Para esta reflexión, se ha supuesto que para que acontezca algo del orden de lo educativo y de la enseñanza y que ello, a su vez, sea pensado desde la cuestión del cuerpo, es preciso una experiencia. El carácter exploratorio del trabajo tal vez no permitirá más que una delimitación rigurosa del problema de estudio. Para ello, se introducen tópicos teóricos de distinta procedencia que se ponen en juego a tales efectos. The concept of experience is, in itself, too vast to propose its deep study in a short period of time. That is the reason why, in these brief reflections that constitute one of the traces of the course initiated about the relation body-language-teaching, the notion of experience is referred to, in the first place, from the homonym text written by Walter Benjamin in 1913 and then from the reflections displayed by Agamben in his" Infancy and History ", written in 1978. From that point, some ideas are presented where the possibilities given by the notion of experience, to question some specific features of the history of the body in Modernity are explored, its

RACISMO PRESENTE NA ANIMAÇÃO “SCRUB ME MAMA WITH A BOGGIE BEAT” DE WALTER LANTZ (1941

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Julio Geraldo Carvalho de Jesus

2017-01-01

Full Text Available As Animações são fontes interessantes de serem exploradas pela perspectiva histórica, uma vez que trazem questões impostas pelo contexto da produção e podem ser utilizadas como meio de transmitir conhecimentos e ideologias. O presente artigo faz uma reflexão acerca do tema do racismo nas animações dirigidas e produzidas por Walter Lantz, no ano de 1941, tomando como base o cartoon “Scrube Me Mama with a Boogie Beat”, distribuído pela Universal Studios, e reexibido no ano de 1948. Apesar do racismo presente na obra, não há qualquer menção crítica ao filme, na época em que foi lançado, o que nos permitiu estabelecer um paralelo entre a animação de Lantz e a alegoria do açougue apresentada por Serguei Eisenstein no filme “A greve”. No filme de Eisenstein, a cena final mostra um boi sendo degolado. A violência da cena causou grande impacto na população urbana, mas não impactou da mesma forma os habitantes da zona rural, acostumados com a prática. Da mesma forma, a obra de Lantz, permeada de traços racistas, não causou indignação na população negra, sobretudo por ser comum dentro da sociedade norte americana da época.

Reseña de Bybee, J. and S. Fleischman (1995, Modality in Grammar and Discourse, (TypologicalStudies in Language 32, Amsterdam/Philadelphia, John Benjamins Publishing Company.

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José Luis Berbeira Gardón

2011-04-01

Full Text Available Normal 0 21 false false false ES X-NONE X-NONE MicrosoftInternetExplorer4 /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Tabla normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-qformat:yes; mso-style-parent:""; mso-padding-alt:0cm 5.4pt 0cm 5.4pt; mso-para-margin-top:0cm; mso-para-margin-right:0cm; mso-para-margin-bottom:10.0pt; mso-para-margin-left:0cm; line-height:115%; mso-pagination:widow-orphan; font-size:11.0pt; font-family:"Calibri","sans-serif"; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-fareast-font-family:"Times New Roman"; mso-fareast-theme-font:minor-fareast; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:"Times New Roman"; mso-bidi-theme-font:minor-bidi;} Se trata de una reseña de Bybee, J. and S. Fleischman (1995, Modality in Grammar and Discourse, (TypologicalStudies in Language 32, Amsterdam/Philadelphia, John Benjamins Publishing Company.

77 FR 6039 - Special Local Regulations; Savannah Tall Ships Challenge, Savannah River, Savannah, GA

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2012-02-07

..., call or email Chief Petty Officer Benjamin Mercado, Marine Safety Unit Savannah Office of Waterways Management, Coast Guard; telephone (912) 652-4353, email Benjamin.Mercado@uscg.mil . If you have questions on... its provisions or options for compliance, please contact Chief Petty Officer Benjamin Mercado, Marine...

«I’ll kill him and I’ll eat him!»: Peter Greenaway and the cinematic Trauerspiel

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Mattia Petricola

2017-11-01

Full Text Available The career of British director Peter Greenaway, now more than four decades long, has often been animated by a profound interest in what one may call the aesthetics of death. This is particularly true for his 80s and 90s films, which explore a wide array of strategies for the staging and ritualization of death. In The Cook, the Thief, his Wife & Her Lover (1989, for the first time, this interest takes Greenaway into the territories of the tragic.I propose to rethink the fundamental relationship that Greenaway’s film entertains with the narrative and aesthetic forms of the tragic. More precisely, I suggest to interpret The Cook in the light of the reflections on the Trauerspiel (mourning-play that Walter Benjamin elaborates in The Origin of German Tragic Drama [Ursprung des deutschen Trauerspiels]. After giving a short account of the first macro-section of Benjamin’s essay, I will argue that the opposition between the Thief and the Lover mirrors the Trauerspiel’s opposition between Tyrant and Martyr, that Benjamin regards as one of the conceptual cores of this theatrical form. This, in turn, reflects the presence in the film of a more abstract conflict between two systems for the construction of knowledge and experience. By drawing on Benjamin’s study, I will trace this conflict back to the opposition between nature and books in baroque culture.The battle between the Thief/Tyrant and the Lover/Martyr takes the form of a succession of rites and counter-rites for the (unmaking of social bonds, and the film constructs these rites by clearly referring to the Christian imagination and its subversion. I will contend that the motif of the subversion of the Holy Communion can provide us with a unifying key for the interpretation of the film. From a semiotic perspective, this manipulation consists in the substitution of what our culture constructs as food with its dysphoric counterparts: decay, excrement, and human flesh.

ENTRE PALAVRAS E VIDA: UMA LEITURA SOBRE DOCUMENTAÇÃO PEDAGÓGICA E NARRATIVA NO CONTEXTO DA EDUCAÇÃO INFANTIL INCLUSIVA

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Luciane Pandini Simiano

2015-12-01

Full Text Available O presente texto discute a documentação pedagógica como um percurso narrativo, uma peculiar forma de ler o cotidiano, sustentar o encontro, estar em relação. A partir de uma experiência na educação infantil, o material empírico analisa parte de uma documentação, construída em conjunto com uma criança incluída, seus colegas e familiares. Tal estudo efetivou-se a partir do diálogo entre a filosofia de Walter Benjamin, a psicanálise, o direito à educação e a pedagogia italiana. A escrita de um diário inscreveu a história escolar de Marcello como possibilidade e não como determinação; constituiu o professor como um narrador, atento aos detalhes, aos restos e aos silêncios. Pensar a documentação como narrativa nos lança em uma zona estranha, incerta e fascinante. Um convite a inverter o olhar e pensar uma lógica que vê e narra a pequena criança e sua deficiência não como faltosa ou inábil, mas como força, potência e possibilidade.

As narrativas de João da Filmadora

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Míriam Cristina Carlos Silva

2015-12-01

Full Text Available Este artigo é parte de uma pesquisa apoiada pela Fundação de Amparo à Pesquisa do Estado de São Paulo. Apresenta-se o trabalho de João da Filmadora, um comunicador informal que, apesar de ter concluído apenas o primeiro ciclo do ensino fundamental, atua como um produtor informal na cidade de Campina do Monte Alegre, SP.  Suas sugestões de pautas chegam às mídias regionais, nacionais e internacionais. Os objetivos consistem em, a partir de entrevistas e da análise de narrativas, narrar, descrever, organizar e, assim, analisar parte das práticas que inserem as pautas de João da Filmadora nas narrativas midiáticas. O aporte teórico se faz a partir das discussões de Walter Benjamin, Muniz Sodré, Eduardo Meditsch, Felipe Simão Pontes e Gislene Silva. Conclui-se que João da Filmadora é um narrador contemporâneo que se apropriou tanto da linguagem dos meios quanto dos jargões dos profissionais da comunicação e que exerce seu papel de narrador, ciente do poder simbólico de suas narrativas.

Cultura cabocla: o messianismo como elemento da cultura popular e erudita na Guerra do Contestado

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Rui Bragado Sousa

2016-02-01

Full Text Available Há uma estreita relação entre os movimentos de resistência e cultura popular com o messianismo. Este artigo examina essa aproximação a partir do conceito dialético benjaminiano de “origem” (ursprung. A “origem” é um protofenômeno no sentido teológico, quer seja ele o Paraíso ou o comunismo primitivo, uma idade edênica e igualitária na Terra. Literalmente são “saltos” para fora da continuidade histórica linear que rompem com o desenvolvimento meramente evolucionista da História. A quebra da continuidade histórica não volta-se exclusivamente ao passado idealizado, mas também para o futuro, à utopia, ao millenium. Entre a experiência no passado e a expectativa no porvir há o que pode ser denominado de “tempo messiânico”. No contexto da História Cultural, pode-se dizer que o messianismo está inserido tanto na cultura erudita (nas filosofias de Walter Benjamin e Ernst Bloch, como na cultura popular (entre os caboclos do Contestado, no folclore. Estes elementos constituem uma hipótese de circularidade cultural.

Risk communication and the transformations in the meta narrative of the nuclear field in the 20{sup th} and 21{sup st} centuries

Energy Technology Data Exchange (ETDEWEB)

Machado, Tariana B., E-mail: tariana@usp.br [Universidade de Sao Paulo (USP), SP (Brazil). Escola de Comunicacoes e Artes. Programa de Pos-Graduacao em Ciencias da Comunicacao

2015-07-01

The meta narrative of the nuclear field was influenced in the beginning by the perspectives of economic prosperity and the possibility of diversifying to alternative sources of power. However, it has been transformed throughout the 20{sup th} and the early 21{sup st} centuries by the collective memory and micro narratives of the nuclear bombs during the II World War and the nuclear or radiologic incidents of Three Mile Island, in 1979, Chernobyl, 1986, Goiania, 1987, and Fukushima, 2011. The most recent occurrence made countries like France and Germany, which depend a great deal on nuclear power supply, to suspend their nuclear programs, although having to retake them afterwards due to the impossibility of getting new sources of energy in a short period of time. All that attracted negative attention to the field and severely impacted the perception of risk by the society. This paper observes the future of the meta narrative in such area will be based in the influence of other national and supranational risk communication narratives around security, pollution, environment and economy. The discussion is based on theories by researchers such as Andreas Huyssen, Carlo Ginzburg, Lorenzo Negri, Maurice Halbwachs, Max Weber, Pedro Fernando Bendassolli, Peter Sandman, Roland Barthes, Ulrick Beck and Walter Benjamin. (author)

'For our garden of remembrance is somewhere else': Narratives of separation through the eyes of Freud's patients.

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Mahalel, Anat Tzur

2017-12-01

This article presents a unique collection of narratives of separation - unique because the separation here is from psychoanalysis and from Freud as analyst. These narratives were published as part of memoirs written about Freud by three of his patients. Their narratives of separation give us an innovative point of view on the psychoanalytic process, in particular with respect to the importance they place on the termination phase of the analysis at a time when Freud himself had not given it much consideration. The three autobiographical texts are Abram Kardiner's memoir (1977); the memoir of Sergei Pankejeff, known as the Wolf Man (Gardiner, ); and 'Tribute to Freud', by the poet H.D. (). These three distinguished narratives are discussed here as works of translation, as understood by Walter Benjamin (1968 [1955]), Paul Ricoeur (2006 [2004]), and Jean Laplanche (1999 [1992]). They express translation under three aspects: reconstruction of the past (the work of memory), interpreting the conscious residues of the transference (the work of mourning), and, as a deferred action, deciphering the enigmatic messages received from Freud as the parental figure. This representation of the analysand's writing suggests that the separation from analysis is an endless work of translation within the endless process of deciphering the unconscious. Copyright © 2017 Institute of Psychoanalysis.

“Continental Drift”: Translation and Kimiko Hahn’s Transcultural Poetry

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Xiwen Mai

2012-06-01

Full Text Available In the context of the expanding discourse of transnational Asian American Studies, this essay studies Kimiko Hahn, particularly her engagement with East Asian traditions in her poetry, and shows how her work exemplifies a transcultural Asian American literature that requires reading beyond the domestic boundaries of the United States. Drawing on Walter Benjamin's and Gayatri Spivak’s translation studies, it examines how Hahn critiques the assimilationist representation of Asian women in translations of Asian texts such as Arthur Waley’s version of Lady Murasaki’s The Tale of Genji. It then reads how, based on her thoughts about literary translation, Hahn experiments with creative practices of “translation,” including a retranslation of Ezra Pound’s Chinese images and untranslation of zuihitsu. Rewriting Ezra Pound’s Chinese images, Hahn reconstructs women’s voice in ancient Chinese writings. Undoing the simplistic interpretation of the classical Japanese form zuihitsu, her restorative untranslation of the form makes connections between the discursive agency of ancient Asian women writers and contemporary women poets. Thus, Hahn’s translational writing reveals a poetics of “continental drift,” a poetics that calls attention to the necessity of reading Asian American literature in transnational and transcultural contexts.

Confusão de línguas, trauma e hospitalidade em Sándor Ferenczi

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Alan Osmo

2012-06-01

Full Text Available Neste trabalho discutimos as ideias de confusão de línguas, de trauma e de hospitalidade no campo psicanalítico. Para Ferenczi, a relação adulto-criança é marcada por uma confusão decorrente de uma diferença de línguas, de forma que muitas vezes um não entende o outro. Nesse contexto, é possível a emergência do trauma patogênico. A experiência analítica, ao invés de levar o acontecimento traumático a domínios psíquicos melhores, pode reproduzir e até agravar o que foi vivido como catastrófico na infância. Neste sentido, o princípio de hospitalidade na clínica analítica é de suma importância para se evitar uma possível reprodução do trauma entre analista e analisando. Neste artigo utilizamos como referência principal a obra de Sándor Ferenczi, estabelecendo relações em alguns pontos com textos de Jacques Derrida e de Walter Benjamin, que discutem a origem da confusão de línguas e o problema da possibilidade da tradução.

‘”Hundreds of eyes”: Beyond Beholding in Riegl’s “Jakob van Ruysdael” (1902’

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Christopher P. Heuer

2013-12-01

Full Text Available Alois Riegl’s 1902 essay ‘Jakob van Ruysdael’ is among the strangest and least-understood writings in the art historian’s late corpus. Written in Vienna and predating the Gruppenporträt by mere months, the essay has previously been understood as a précis of Riegl’s later thoughts on Stimmung (mood, atmosphere and Aufmerksamkeit (attentiveness. Yet the essay, this paper contends, did not simply distil a method more fully rehearsed elsewhere. For Riegl, Ruisdael prompted meditation upon the beholding act, upon landscape painting as a genre, upon the viewer’s often-irrational role in the interpretation of ‘non-narrative’ subjects and, above all, upon the idea of art historical writing as a creative act. At the same time, the dense and little-read ‘Ruisdael’ essay was deeply engaged with late nineteenth-century models of ‘subjective vision,’ reacting to the theories of Wundt and Helmholtz on perception, anticipating the writings of Carl Einstein, Pavel Florensky, and Walter Benjamin on the destabilization of classical modes of visuality in accelerated capitalism. Riegl’s apparent adaptation – radical, even now – of landscape art as a subject suggesting a creative (and possibly irrational alternative to pat methodological historicism is the subject of this paper.

Risk communication and the transformations in the meta narrative of the nuclear field in the 20th and 21st centuries

International Nuclear Information System (INIS)

Machado, Tariana B.

2015-01-01

The meta narrative of the nuclear field was influenced in the beginning by the perspectives of economic prosperity and the possibility of diversifying to alternative sources of power. However, it has been transformed throughout the 20 th and the early 21 st centuries by the collective memory and micro narratives of the nuclear bombs during the II World War and the nuclear or radiologic incidents of Three Mile Island, in 1979, Chernobyl, 1986, Goiania, 1987, and Fukushima, 2011. The most recent occurrence made countries like France and Germany, which depend a great deal on nuclear power supply, to suspend their nuclear programs, although having to retake them afterwards due to the impossibility of getting new sources of energy in a short period of time. All that attracted negative attention to the field and severely impacted the perception of risk by the society. This paper observes the future of the meta narrative in such area will be based in the influence of other national and supranational risk communication narratives around security, pollution, environment and economy. The discussion is based on theories by researchers such as Andreas Huyssen, Carlo Ginzburg, Lorenzo Negri, Maurice Halbwachs, Max Weber, Pedro Fernando Bendassolli, Peter Sandman, Roland Barthes, Ulrick Beck and Walter Benjamin. (author)

A dimensão performativa do gesto na prática docente

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Marcelo de Andrade Pereira

2010-01-01

Full Text Available Este artículo, de carácter ensayístico, discurre, desde un punto de vista filosófico, sobre el sentido del gesto en forma general y en la práctica de la educación. El análisis procede de la diferenciación del sentido del gesto - del simple gesto motor en relación a los gestos figurados o expresivos - a partir de lo cual se desprende la acepción propia del gesto a la investigación. Se deduce que la dimensión del desempeño y, por lo tanto, expresiva del gesto, permite crear un espacio de experimentación y construcción del saber cualitativamente diferente del ordinario, no regulado por intenciones de orden puramente biológica, cognitiva o instrumental. Esta perspectiva comprende el gesto desde su dimensión de desempeño como un acto estético. Se describen y se analizan los contenidos, los objetos, las condiciones y los efectos del elemento estético en razón de una práctica docente de desempeño. La investigacipon es amparada por las intuiciones de Osman Lins, Walter Benjamin, Hans Ulrich Gumbrecht, Jean Galard, Baldine Saint Girons, entre otros.

Crítica e mercado: tendências e cultura na década de 70

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Eduard Marquardt

2001-06-01

Full Text Available De diversas maneiras, Walter Benjamin enuncia as mudanças que a aceleração do mundo contemporâneo, em sua necessidade de uma informação atualizada, diária, factual, acarreta na transmissão de qualquer tipo de experiência entre uma geração e a seguinte. O cotidiano da contemporaneidade impossibilita a manutenção de qualquer espécie de tradição que não seja a da ruptura, e, mesmo, rejeita o saber do narrador (“aquele que sabe contar”. Em detrimento da palavra oral, da tradição, da Erfahrung, o contemporâneo elege a imagem como estatuto da verdade; e dada a sua proliferação incessante, crescente, a desorientação do sujeito diante da formação de valores, de qualquer espécie, é inevitável, dado ser impossível a manutenção de uma comunidade. O saber “daquele que sabe dar conselhos” já não tem uma utilidade imediata na vida atual, e chega o momento em que qualquer tipo de experiência, num sentido positivo, acumulativo, torna-se impossível ou catastrófico.

Rostros urbanos, espacios públicos, iluminaciones profanas en las calles de Bogotá.

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María Teresa Salcedo.

2001-10-01

Full Text Available This article explores, through a teenager guerrilla member’s life story, the problem of encounters and the migrant’s face as representative expressions of the urban, and of cruelty in general. Using a narrative where alternative images of the war in the mountains appear, and a travel through Bogota streets, this images’ meeting is analyzed as a face or as a profane illumination, using Walter Benjamin and Emmanuel Levinas’ works. That which cannot be defined in an encounter, as in a face, and that which applies to the way we understand the problem of identity in the city, can only be compared with the surrealist experience of encounters and disencounters between Nadja and André Breton, similar also to the anthropological experience of facing object consumption and the look over things while we walk on the streets and descend from buses that bring us for the first time to the city.This essay is a shorter version of a paper I wrote for the Symposium “Cruel sceneries: esthetics and signs of trance and violence in Puerto Rico and Colombia” that took place in San Juan de Puerto Rico in April 2001. thank Manuel Hernández Benavides for his reading and suggestions to a previous version of this article.