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Sample records for euseius concordis chant

  1. Variações morfológicas intra e interpopulacionais de Euseius citrifolius Denmark & Muma e Euseius concordis (Chant (Acari, Phytoseiidae Intra and interpopulational morphological variations of Euseius citrifolius Denmark & Muma and Euseius concordis (Chant (Acari, Phytoseiidae

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    Aloyséia Cristina da Silva Noronha

    2002-12-01

    Full Text Available The determination of morphologic variability within and between populations of phytoseiid mites is important for the precise species identification. Euseius citrifolius Denmark & Muma, 1970 and Euseius concordis (Chant, 1959 are phytoseiids commonly found on different crops in Brazil and other South American countries. The morphologic characterization of populations preliminarily identified as E. citrifolius and E. concordis was done through examination of 10 adult females and 10 adult males of each population and of 2 to 10 adult females and males resulting from crosses between those populations. The plant substrate and collection site of each population were: E. citrijolius: Bauhinia sp. in Arroio do Meio, Rio Grande do Sul, Coffea arabica Linnaeus in Campinas, São Paulo and Terminalia catappa Linnaeus in Petrolina, Pernambuco. E. concordis: Passiflora edulis Sims. i.flavicarpa Deg. in Arroio do Meio, Manihot esculenta (Crantz in Jaguariúna, São Paulo, Hevea brasiliensis Muell. Arg. in Pontes e Lacerda, Mato Grosso, T. catappa in Petrolina and C arabica in Viçosa, Minas Gerais. A comparison of the measurements of different structures of individuals of each population and of type specimens of E. citrifolius and E. concordis confirmed the preliminary identification of the populations. Significant relationships were observed between mean setal lengths and the respective ranges within each population. Females and males of E. citrifolius from Petrolina and E. concordis from Jaguariúna had some of the setae generally shorter than those of other populations of the same species. Measurements of males resulting from heterogamic crosses indicated that E. citrifolius and E. concordis reproduce by pseudo-arrhenotoky.

  2. BIOLOGIA E TABELA DE VIDA DO ÁCARO PREDADOR Euseius concordis (CHANT, 1959 (ACARI: PHYTOSEIIDAE EM PINHÃO-MANSO

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    CLECIA DE CARVALHO MARQUES

    2015-01-01

    Full Text Available The objective of this study was to evaluate the development and the intrinsic growth rate (rm of Euseius concordis on Tetranychus bastosi on physic nut (Jatropha curcas. The experiment was conducted in incubator BOD at 25 ° C and 70 % RH, with 12h photoperiod environment. The evaluations were performed twice daily for the biology of the mite, and once to the reproductive parameters. The average life cycle of fe-males was 6.3 ± 0.14 days and the males of 6.22 ± 0.14 days. The sex ratio was 0.64, and the average longevi-ty of females was 22.6 ± 2.22 days with an average production of 7,42 eggs per female. The parameters of the life table were obtained : net reproductive rate (Ro, 54,9 individuals ; average length of generations (T , 7,77 days; intrinsic growth rate (rm, 0,22 female per female per day; finite rate of increase (λ, 1,24 female per fe-male; and in population doubling time (TD, 3,16 days. The E. concordis mite has developed satisfactorily when created with T. diet bastosi, with the short development cycle.

  3. Resistance of the predacious mite, euseius kenyae (acari ...

    African Journals Online (AJOL)

    This study was carried out to assess whether the predacious phytoseiid mite, Euseius kenyae (Swirski and Ragusa), commonly found in major coffee growing regions in Kenya has developed resistance to Chlorpyrifos. Mite populations were collected from coffee farms harbouring E. kenyae and where Chlorpyrifos or other ...

  4. Transcription of Byzantine Chant - Problems, Possibilities, Formats

    DEFF Research Database (Denmark)

    Troelsgård, Christian

    2007-01-01

    Discusses the problems and possibilities for transsription of Byzantine chant on the basis of medieval musical manuscripts. A relatively 'neutral' style of transcription is suggested for musicological purposes.......Discusses the problems and possibilities for transsription of Byzantine chant on the basis of medieval musical manuscripts. A relatively 'neutral' style of transcription is suggested for musicological purposes....

  5. Stabat Mater. Chant gregorien / Patric Wiklacz

    Index Scriptorium Estoniae

    Wiklacz, Patric

    1997-01-01

    Uuest heliplaadist "Stabat Mater. Chant gregorien. Palestrina: Stabat Mater a 8; Pärt: Stabat Mater; Browne: Stabat Mater dolorosa a 6. Fretwork (concort de violes)". Virgin Classics 545 272-2 (CD: 167F)

  6. IMPROVING STUDENTS‟ PRONUNCIATION USING JAZZ CHANTS

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    Primanda Dewanti

    2017-04-01

    Full Text Available As a habit, language needs to be used repeatedly. Jazz chants provides repeated and rhythmical words and sentences which are easily memorized. Due to the fact mentioned, Jazz chants can be considered to be used in conducting the activities enhancing the students‘ pronunciation accuracy. This study aims to analyze (1 whether Jazz chants can improve students‘ pronunciation accuracy, and (2 the advantages of the Jazz chants implementation to improve students‘ pronunciation. This research was conducted in the first semester students of Diploma 3 of Economy and Business Faculty of a university in Surakarta. The action research was conducted in two cycles comprising three meetings in each cycle. The research procedures used in this research are planning, acting, observing, and reflecting. The writer applied observation, interview, questionnaire, and test to collect the data. The quantitative data were analyzed by descriptive statistics, while the qualitative ones by Interactive Model. The research results in the conclusions, including: (1 Jazz chants could improve students‘ pronunciation in terms of stress, intonation, and connected speech and (2 Jazz chants is beneficial that it stimulates the class to be more active, improves motivation, and supports students‘ memory.

  7. The Byzantine Chant Heritage in Sicily

    DEFF Research Database (Denmark)

    Sanfratello, Giuseppe

    historical development, and function as marker of identity among the Arbëreshe community in Sicily. Therefore, the Byzantine chant heritage in Sicily is not an inflexible and static musical tradition, but it envisages a dynamic mode of existence, susceptible to changes, and maintained by interior principles...... of organisation. After five centuries of oral transmission, it still lives, despite, or maybe thanks to the lack of ‘original’ written sources, and it might thus be seen as a multi-layered musical tradition, featuring multiple versions and encompassing a certain degree of melodic heterogeneity....

  8. ÁCAROS ASOCIADOS AL CULTIVO DEL AGUACATE (Persea americana Mill EN LA COSTA CENTRAL DE PERÚ

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    Jorge Luis Muñoz Marticorena

    2014-01-01

    Full Text Available En la costa central de Perú (Lima e Ica, se cultiva el aguacate con fines de exportación, especialmente la variedad Hass. Con el objetivo de conocer la diversidad de ácaros depredadores en huertos comerciales de aguacate, se realizaron recolectas en 6 lugares de la costa central, duran - te el 2010 al 2012. Se registraron 12 especies de la familia Phytoseiidae, de los cuales algunos tendrían potencial como depredadores eficien - tes de Oligonychus sp . (Guanilo et ál. 2012; estos son: Amblyseius aerialis (Muma, Ambly - seius chungas (Demmark y Muma, Amblyseiella setosa (Muma, Euseius emanus (El–Banhawy, Euseius concordis (Chant, Euseius stipulatus (Athias–Henriot, Phytoseiulus persimilis (Athias Henriot, Phytoseiulus macropilis (Banks, Neo - seiulus californicus (McGregor, Typhlodromina subtropica (Chant, Typhlodromus ( Antoseius evectus (Schusters y Aristadromips n.sp. Se con - firmó que la vegetación espontánea cumple un rol importante en la conservación de las especies halladas en este cultivo y que además la intro - ducción de un ácaro depredador exótico, como Euseius stipulatus, contribuyó significativamente con el control de la plaga durante la temporada de invierno.

  9. Invention et interprétation : chants de boisson et chants chamaniques chez les Suruí du Rondônia

    OpenAIRE

    Yvinec, Cédric

    2014-01-01

    Invention et interprétation : chants de boisson et chants chamaniques chez les Suruí du Rondônia. Cet article examine les techniques rhétoriques mises en œuvre par deux genres de chants rituels des Suruí du Rondônia, chants de fête de boisson et chants chamaniques, notamment les écarts par lesquels la langue et l’énonciation rituelles se distinguent du discours ordinaire. Ces procédés rhétoriques trouvent un écho au niveau sociologique, à travers le statut du chamane et celui du grand homme d...

  10. Chinese Prayer Chant to the Goddess of Fertility

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    Natalya V. Zakharova

    2017-12-01

    Full Text Available The article examines the prayer chant to the Goddess of Fertility performed by a blind singer and accompanied by the stringed instrument banghu and foot castanets in the temple of the Spirit of the Tanshan Dong Yue mountain, in Puxian county Shangxi province of the Republic of China. The video of the chant was recorded in April 2011, during the days before the Temple festival in honor of Dong Yue, a tradition that has been revived in the modern China. We publish the text of the chant not only in the Russian translation but also in Chinese. There are three graphic variants of the Chinese text presented — in Chinese characters, in standardized Pinyin, and in transcribed Pinyin that gives an idea of the actual pronunciation and allows the reader to trace dialectical specificity of the song. The article includes the music of both the chant and the instrumental accompaniment together with their ethno-musicological characteristics. The musical structure of the instrument and the modal specificity attribute this piece to the musical style of Northern China. The Authors analyze the verse and the strafica of the chant. They argue that its metrical structure consists of couplets (except for the last three line stanza, with instrumental wagering played in between that is characteristic of the ancient Chinese lyrics. The analysis of the text’s contents and imagery reveals that it reflects popular notions of Songzi nannan, the Goddess of Fertility. It also shows that the chant dates back to the feudal China: it predicts the fate of the future son of the young couple that ordered the chant by describing his future life of the “official” and the “noble man,” the image that has been developed on the basis of Confucian canons within the two millennia of Chinese history.

  11. Can Euseius alatus DeLeon (Acari: Phytoseiidae) prey on Aceria guerreronis Keifer (Acari: Eriophyidae) in coconut palm?; Pode Euseius alatus DeLeon (Acari: Phytoseiidae) predar Aceria guerreronis Keifer (Acari: Eriophyidae) em coqueiro?

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    Melo, Jose W. da S.; Domingos, Cleiton A.; Gondim Junior, Manoel G.C. [Universidade Federal Rural de Pernambuco (UFRPE), Recife, PE (Brazil). Dept. de Agronomia. Area de Fitossanidade]. E-mail: mguedes@depa.ufrpe.br; Moraes, Gilberto J. de [Universidade de Sao Paulo (USP), Piracicaba, SP (Brazil). Escola Superior de Agricultura Luiz de Queiroz (ESALQ). Dept. de Entomologia, Fitopatologia e Zoologia Agricola]. E-mail: gjmoraes@carpa.ciagri.usp.br

    2009-01-15

    Mites of the genus Euseius are generally considered specialist as pollen feeders. Euseius alatus DeLeon is one of the six species of phytoseiid mites most commonly found on coconut plants in northeast Brazil associated with Aceria guerreronis Keifer. Although the morphology of E. alatus does not favor the exploitation of the meristematic area of the fruit inhabited by A. guerreronis, the predator may have some role in the control of this eriophyid during the dispersion process. The objective of this work was to evaluate the development and reproduction of E. alatus on the following diets: A. guerreronis, Ricinus communis pollen (Euphorbiaceae), and Tetranychus urticae Koch (Tetranychidae) + R. communis pollen + honey solution 10%. Euseius alatus developed slightly faster and had slightly higher oviposition rate when feeding on the diet composed of T. urticae + pollen + honey. However, life table parameters were very similar on all diets, suggesting that E. alatus may contribute in reducing the population of A. guerreronis in the field. (author)

  12. Can Euseius alatus DeLeon (Acari: Phytoseiidae) prey on Aceria guerreronis Keifer (Acari: Eriophyidae) in coconut palm?

    International Nuclear Information System (INIS)

    Melo, Jose W. da S.; Domingos, Cleiton A.; Gondim Junior, Manoel G.C.; Moraes, Gilberto J. de

    2009-01-01

    Mites of the genus Euseius are generally considered specialist as pollen feeders. Euseius alatus DeLeon is one of the six species of phytoseiid mites most commonly found on coconut plants in northeast Brazil associated with Aceria guerreronis Keifer. Although the morphology of E. alatus does not favor the exploitation of the meristematic area of the fruit inhabited by A. guerreronis, the predator may have some role in the control of this eriophyid during the dispersion process. The objective of this work was to evaluate the development and reproduction of E. alatus on the following diets: A. guerreronis, Ricinus communis pollen (Euphorbiaceae), and Tetranychus urticae Koch (Tetranychidae) + R. communis pollen + honey solution 10%. Euseius alatus developed slightly faster and had slightly higher oviposition rate when feeding on the diet composed of T. urticae + pollen + honey. However, life table parameters were very similar on all diets, suggesting that E. alatus may contribute in reducing the population of A. guerreronis in the field. (author)

  13. Territory and nest defence in polyandrous pale chanting goshawks ...

    African Journals Online (AJOL)

    The behaviour of polyandrous and monogamous pale chanting goshawks Melierax canorus was investigated to determine if co-breeders, by defending the territory and nest contents, helped to increase the fitness of polyandrous trios. Polyandrous trios consisted of a female and male breeder, as well as a subordinate ...

  14. Restauration de Sapho ou Le Chant de Raoul Verlet

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    Lucie Courtiade

    2012-06-01

    Full Text Available L'étude de Sapho ou Le Chant, modèle de fonderie en plâtre élaboré par Raoul Verlet et conservé au Musée d'Angoulême depuis 1926, a permis d'aborder un sujet courant, celui des plâtres fracturés par l'expansion de la corrosion d'armatures internes causée par l'humidité. La principale intervention s'est axée sur le remontage des fragments nécessitant la conception d'une structure de remontage en acier inoxydable. Les interventions  structurelles ont été complétées par des collages simples ou renforcés des fragments de grandes dimensions.The study of Sapho ou Le Chant, a plaster cast foundry created by Raoul Verlet and preserved in the Angoulême Museum since 1926, has allowed to approach a common problematic, that one of split plaster cast by the expansion of steel reinforcements corrosion, caused by high humidity conservation conditions. The main intervention concerned the fragments reconstruction requiring the design and the execution of a stainless steel pedestal. The structural interventions was completed with simple and reinforced stickings of the larger fragments.

  15. CHANT (CHinese ANcient Texts): a comprehensive database of all ancient Chinese texts up to 600 AD

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    Ho, Che Wah

    2006-01-01

    The CHinese ANcient Texts (CHANT) database is a long-term project which began in 1988 to build up a comprehensive database of all ancient Chinese texts up to the sixth century AD. The project is near completion and the entire database, which includes both traditional and excavated materials, will be released on the CHANT Web site (www.chant.org) in mid-2002. With more than a decade of experience in establishing an electronic Chinese literary database, we have gained much insight useful to the...

  16. Seletividade de acaricidas e inseticidas a ácaros predadores (Acari: Phytoseiidae encontrados em seringueira no centro-oeste do Brasil Side-effect of acaricides and insecticides to predatory mites (Acari: Phytoseiidae found in rubber-trees in mid-west Brazil

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    Noeli Juarez Ferla

    2006-04-01

    Full Text Available Euseius concordis (Chant e Neoseiulus anonymus (Chant & Baker são ácaros predadores da família Phytoseiidae comumente encontrados em seringueira (Hevea brasiliensis Muell. Arg. em Mato Grosso, região centro-oeste do Brasil. Este trabalho foi realizado para verificar o efeito de acaricidas e inseticidas-acaricidas empregados em plantações de seringueira, e outros que teriam potencial para serem empregados contra insetos e ácaros considerados pragas dessa cultura, sobre E. concordis e N. anonymus. Utilizou-se o método residual de pulverização em superfície, recomendado como padrão pelo Grupo de Trabalho "Pesticidas e Artrópodes Benéficos", da Organização Internacional de Controle Biológico e Integrado de Plantas e Animais Nocivos/Seção Regional do Paleártico Oeste. Duas concentrações de cada um dos seguintes ingredientes ativos foram utilizadas: acefato, dicofol, endosulfan, formetanate, metomil, monocrotofós, óxido de fenbutatin e propargite. Uma das concentrações utilizadas foi uma média daquelas sugeridas pelos fabricantes para o controle de ácaros e insetos fitófagos presentes em outras culturas, uma vez que nenhum dos produtos testados tem registro para o uso em seringueira e a outra correspondeu à cerca de um terço da primeira. Endosulfan a 320ppm, dicofol a 100ppm e óxido de fenbutatin a 100 e 320ppm foram inócuos a E. concordis, enquanto que endosulfan a 320ppm e dicofol a 100ppm foram inócuos a N. anonymus. Acefato, formetanate e monocrotofós, nas concentrações testadas, foram nocivos às duas espécies.Euseius concordis (Chant and Neoseiulus anonymus (Chant & Baker are predatory mites of the family Phytoseiidae commonly found on rubber trees (Hevea brasiliensis Muell. Arg. in the State of Mato Grosso, in the mid-west Brazil. This work was conducted to verify the effect of acaricides and insecticides-acaricides occasionally used in rubber tree plantations, and other products that could be used against

  17. Stamping, Clapping and Chanting: An Ancient Learning Pathway?

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    Marion M. Long

    2006-04-01

    Full Text Available In this review I explore the effect of temporal integration as a means of improving learning in schoolchildren. I focus first on theorists that have linked physical activity with a positive effect on children’s learning and second to psychological studies that have established the existence of innate temporal patterns. These findings are related to a model of temporal integration that I have developed from Croce’s writings on aesthetics (1900. From philosophy to neurology, I discuss recent neurological findings relating to timing and conclude that an organ of temporal integration, regulation and coordination operates in the brain with respect to physical, intuitive and higher cognitive function. I link recent findings in neurophysiology to notably similar findings in recent biomusicological studies. The finding that humans have an involuntary physical response to loud, low-frequency sounds are attributed to an innate legacy of proto-music and proto-dance behaviour among hominids. I develop the model of temporal integration further by examining the literature on stamping and clapping patterns of ancient traditional dances in relation to Husserl’s writings on theoretical succession. From philosophy to pedagogy, I summarise the review by proposing stamping, clapping and chanting as a means of achieving improved temporal integration.

  18. Effects of Euseius stipulatus on establishment and efficacy in spider mite suppression of Neoseiulus californicus and Phytoseiulus persimilis in clementine.

    Science.gov (United States)

    Abad-Moyano, Raquel; Urbaneja, Alberto; Hoffmann, Daniela; Schausberger, Peter

    2010-04-01

    The two-spotted spider mite, Tetranychus urticae, is one of the most problematic phytophagous pests in Spanish clementine orchards. The most abundant predatory mites in this ecosystem are Euseius stipulatus, Phytoseiulus persimilis and Neoseiulus californicus. Euseius stipulatus is dominant but poorly adapted to utilize T. urticae as prey. It mainly persists on pollen and citrus red mite, Panonychus citri. A recent study suggested that the more efficacious T. urticae predators P. persimilis and N. californicus are negatively affected by lethal and non-lethal intraguild interactions with E. stipulatus. Here, we investigated the potential of N. californicus and P. persimilis to colonize and thrive on young clementine trees infested by T. urticae in presence and absence of E. stipulatus. Presence of E. stipulatus interfered with establishment and abundance of P. persimilis and negatively affected the efficacy of N. californicus in T. urticae suppression. In contrast, the abundance of E. stipulatus was not affected by introduction of a second predator. Trait-mediated effects of E. stipulatus changing P. persimilis and N. californicus behavior and/or life history were the most likely explanations for these outcomes. We conclude that superiority of E. stipulatus in intraguild interactions may indeed contribute to the currently observed predator species composition and abundance, rendering natural control of T. urticae in Spanish clementine orchards unsatisfactory. Nonetheless, stronger reduction of T. urticae and/or plant damage in the predator combination treatments as compared to E. stipulatus alone indicates the possibility to improve T. urticae control via repeated releases of N. californicus and/or P. persimilis.

  19. A Byzantine chant collection from Sicily: a collaboration between Copenhagen and Piana degli Albanesi (Palermo)

    DEFF Research Database (Denmark)

    Sanfratello, Giuseppe

    2016-01-01

    The aim of this paper is to give an account of the collaboration between a collector of the Byzantine chant tradition of Piana degli Albanesi (Palermo) in Sicily, namely fr. Bartolomeo Di Salvo, and the editorial board of the Monumenta Musicae Byzantinae, i.e. an institution under the aegis...

  20. Mbem mask chants as poetry: a brief expose | Okoye | Creative Artist ...

    African Journals Online (AJOL)

    Creative Artist: A Journal of Theatre and Media Studies. Journal Home · ABOUT THIS JOURNAL · Advanced Search · Current Issue · Archives · Journal Home > Vol 9, No 1 (2015) >. Log in or Register to get access to full text downloads. Username, Password, Remember me, or Register. Mbem mask chants as poetry: a brief ...

  1. Nest site selection of the Southern Pale Chanting Goshawk in the ...

    African Journals Online (AJOL)

    This study investigated whether Southern Pale Chanting Goshawks Melierax canorus that est in the low woody vegetation of the arid Little Karoo reduce nest predation by selecting nest trees and sites that are less accessible to and conspicuous for terrestrial predators. The 114 nest trees and shrubs sampled were taller (0 ...

  2. On the chanting space and hymns that were sung in it. Searching for chanting-architectural connections in the middle ages

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    Peno Vesna

    2017-01-01

    Full Text Available The search for the unexplained interactions of domestic medieval liturgical music and sacred architecture of the Moravian style has not been the subject of interdisciplinary study so far. A reflection on the potential relationg between church chanting and architecture is absent from the largest part of the existing literature on the development of medieval sacral art. The scarcity of written historical sources, and especially musical ones, made it particularly difficult to define the connection between the chanting circumstances and the changes in the architectural form of the late Byzantine period, which is almost a standardized Moravian architectural form. The earliest preserved bilingual - Greek-Slavic neumatic manuscripts, mentioning both the names of the first famous Serbian medieval composers, and the more or less well known late Byzantine musicians who had actively participated in the earliest religious services of the Serbian Church, confirm that the culmination of the chanting art in Serbia occured precisely at the turn of the 15th century and then until the fall of Serbia under Turkish rule. Comparing the available data, with a general insight into the migration flows that led to the Byzantinization of Serbian culture in that period, showed that after the reconciliation of the Serbian Patriarchate and the Patriarchate of Constantinople, in 1374, the world-class building tradition was adopted, which until then was sporadically seen on the Serbian soil. The architectural form of the Moravian style would become recognizable by the singing apses in the axis of the transept, in the middle of the already adopted form of the inscribed cross from the early 14th century. Within the framework of the overall church, political and cultural transformation that was visible in Serbian society, the chanting practice of the Serbian Church, or more precisely the greater affirmation of the liturgical art and the increase in the number of the chanters

  3. AHP 40: NAMUYI TIBETAN pha⁵⁴ tsə⁵⁴ RITUALS AND ORAL CHANTS

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    Libu Lakhi (Li Jianfu

    2016-02-01

    Full Text Available sa54 da54 (b. 1939 is a Namuyi pha54 tsə54 - a traditional Namuyi religious practitioner/ specialist - who chants and conducts religious rituals. He lives and practices in Liangshan Yi Autonomous Prefecture, Sichuan Province, China. This article introduces pha54 tsə54 sa54 da54 and the many hours of his oral materials recorded by Libu Lakhi in 2009 that are archived at http://tinyurl.com/lgf3row. In addition, aspects of Namuyi religion are described, including terms of mountain deities, ill omens and taboos, the pha54 tsə54, sa54 da54, chants, and a personal account of a ritual done in Dashui Village, Minsheng Township, Xichang City, Sichuan Province in March 2013. An appendix, seven photographs, and a diagram provide additional detail.

  4. Le vaudeville des chants patriotiques dans La fille soldat de Desfontaines

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    Tomoko Nakayama

    2017-12-01

    Full Text Available Dans la première moitié du dix-huitième siècle, les vaudevilles servaient surtout à un effet comique. Mais l’époque révolutionnaire donne un nouvel essor aux spectacles à vaudevilles. On peut s’interroger dès lors sur les raisons de cette affinité entre le contexte révolutionnaire et les vaudevilles qui revient au goût du jour. Nous allons, pour ce faire, tenter d’analyser les effets produits par des vaudevilles tirés de La fille soldat (1794 de Desfontaines (1733-1825. La particularité des vaudevilles de cette pièce réside dans l’emploi des chants révolutionnaires. La musique et les paroles de ces chants font directement écho à la guerre appartenant à la réalité des spectateurs ou bien, à la scène détachée du contexte de l’air original et employés de manière autonome. Les vaudevilles tirés des chants révolutionnaires attestent de la pénétration des musiques patriotiques dans tous les secteurs de la vie culturelle, même sur les tréteaux dévolus au pur divertissement.

  5. Evaluation of the Supraglottic and Subglottic Activities Including Acoustic Assessment of the Opera-Chant Singers.

    Science.gov (United States)

    Petekkaya, Emine; Yücel, Ahmet Hilmi; Sürmelioğlu, Özgür

    2017-12-28

    Opera and chant singers learn to effectively use aerodynamic components by breathing exercises during their education. Aerodynamic components, including subglottic air pressure and airflow, deteriorate in voice disorders. This study aimed to evaluate the changes in aerodynamic parameters and supraglottic structures of men and women with different vocal registers who are in an opera and chant education program. Vocal acoustic characteristics, aerodynamic components, and supraglottic structures were evaluated in 40 opera and chant art branch students. The majority of female students were sopranos, and the male students were baritone or tenor vocalists. The acoustic analyses revealed that the mean fundamental frequency was 152.33 Hz in the males and 218.77 Hz in the females. The estimated mean subglottal pressures were similar in females (14.99 cmH 2 O) and in males (14.48 cmH 2 O). Estimated mean airflow rates were also similar in both groups. The supraglottic structure compression analyses revealed partial anterior-posterior compressions in 2 tenors and 2 sopranos, and false vocal fold compression in 2 sopranos. Opera music is sung in high-pitched sounds. Attempts to sing high-pitched notes and frequently using register transitions overstrain the vocal structures. This intense muscular effort eventually traumatizes the vocal structures and causes supraglottic activity. Copyright © 2017 The Voice Foundation. Published by Elsevier Inc. All rights reserved.

  6. Common scale features of the recent Greek and Serbian church chant traditions

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    Peno Vesna

    2008-01-01

    Full Text Available This paper is an attempt to show the similarity between the Serbian and Greek Post-Byzantine chanting traditions, especially those which relate to the scale organization of modes. Three teachers and reformers from Constantinople, Chrisantos, Gregorios and Chourmousios, established a fairly firm theoretical system for the first time during the long history of church chant. One of the main results of their reform, beside changes relating to neums, was the assignment of strict sizes to the intervals in the natural tonal system. There are three kinds of natural scales: diatonic, chromatic and encharmonic. They all have their place in the Greek Anastasimatarion chant book, whose first edition was prepared by Petar Peloponesios, and later edited by Ionnes Protopsaltes. The first, first plagal and forth plagal modes are diatonic in each of their melos, with very few exceptions; the second and second plagal are soft and hard chromatic, while the third and varis are encharmonic. It is important to note that the Greek chanter is very conscious of the scale foundation of the melody, so he begins to chant the apechima foremost, the intonation formula that comprehends all indisposed details to enter the adequate mode, i. e. melos. One mode could use one sort of scale for all groups of melodies - melos. However, in some modes there are different melos, whose scale organisation is not equal at all. That means that it is not proper to equate mode with scale, but rather to look for the specific scale's shape through the melodies that belong to the melos. The absence of formal Serbian church music theory and, especially, the very conservative way in which church melodies are learnt by ear and by heart, has caused significant gaps, which preclude an adequate approach to the essentional principals of Serbian chant. Over the years many Serbian chanters and musicians have noted down church melodies, especially those from the Octoechos, in F or in G, with the key

  7. Intraguild interactions between Euseius stipulatus and the candidate biocontrol agents of Tetranychus urticae in Spanish clementine orchards: Phytoseiulus persimilis and Neoseiulus californicus.

    Science.gov (United States)

    Abad-Moyano, Raquel; Urbaneja, Alberto; Schausberger, Peter

    2010-01-01

    Spanish clementine orchards are frequently infested by the two-spotted spider mte Tetranychus urticae. Natural control of T. urticae is insufficient despite the presence of Neoseiulus californicus and Phytoseiulus persimilis. The phytoseiid community is dominated by the generalist Euseius stipulatus which is poorly adapted to exploit T. urticae. Having the intention to promote biological control of T. urticae by augmentative releases we were interested whether P. persimilis and N. californicus are negatively affected by intraguild (IG) interactions with E. stipulatus. Two experiments were conducted. Firstly, we assessed female aggressiveness (quantified as combination of attack probability and latency) in IG predation on larvae. Secondly, we measured mortality, escaping rate and developmental time of immature IG prey in presence and absence of an adult IG predator female. Euseius stipulatus appeared the strongest IG opponent but microhabitat structure modulated the IG interactions and the advantage of E. stipulatus was partially offset when spider mite webbing was present. Implications of these IG interactions for natural and biological control of T. urticae in clementine orchards are discussed.

  8. Chants of the Byzantine Rite: the Italo-Albanian Tradition in Sicily / Canti Ecclesiastici della Tradizione Italo-Albanese in Sicilia

    DEFF Research Database (Denmark)

    Troelsgård, Christian; Garofalo, Girolamo

    Chants of the Byzantine Rite: The Italo-Albanian Tradition in Sicily offers for the first time transcriptions of the full repertory of orally transmitted hymns for the celebration of the Byzantine Rite in Sicily. This little-known chant tradition has without interruption been cultivated by the Al...

  9. Acute effects of 3G mobile phone radiations on frontal haemodynamics during a cognitive task in teenagers and possible protective value of Om chanting.

    Science.gov (United States)

    Bhargav, Hemant; N K, Manjunath; Varambally, Shivarama; Mooventhan, A; Bista, Suman; Singh, Deepeshwar; Chhabra, Harleen; Venkatasubramanian, Ganesan; T M, Srinivasan; H R, Nagendra

    2016-06-01

    Mobile phone induced electromagnetic field (MPEMF) as well as chanting of Vedic mantra 'OM' has been shown to affect cognition and brain haemodynamics, but findings are still inconclusive. Twenty right-handed healthy teenagers (eight males and 12 females) in the age range of 18.25 ± 0.44 years were randomly divided into four groups: (1) MPONOM (mobile phone 'ON' followed by 'OM' chanting); (2) MPOFOM (mobile phone 'OFF' followed by 'OM' chanting); (3) MPONSS (mobile phone 'ON' followed by 'SS' chanting); and (4) MPOFSS (mobile phone 'OFF' followed by 'SS' chanting). Brain haemodynamics during Stroop task were recorded using a 64-channel fNIRS device at three points of time: (1) baseline, (2) after 30 min of MPON/OF exposure, and (3) after 5 min of OM/SS chanting. RM-ANOVA was applied to perform within- and between-group comparisons, respectively. Between-group analysis revealed that total scores on incongruent Stroop task were significantly better after OM as compared to SS chanting (MPOFOM vs MPOFSS), pre-frontal activation was significantly lesser after OM as compared to SS chanting in channel 13. There was no significant difference between MPON and MPOF conditions for Stroop performance, as well as brain haemodynamics. These findings need confirmation through a larger trial in future.

  10. Experiences in adapting post-byzantine chant into foreign languages: Research and praxis

    Directory of Open Access Journals (Sweden)

    Olkinuora Jaakko

    2011-01-01

    Full Text Available This article presents the current state of the research and practical methodology of the adaptation of Byzantine melodies written in the “New Method” into foreign languages, with Romanian, English and Finnish serving as examples. The adaptation of independent, “fixed” melodies as well as metrical liturgical texts (prosomoia and canons are examined. The challenges emerging in adapting Byzantine chant into Finnish are also discussed. The author also suggests some future subjects for research, which include the synthesis of examining arrangements in both “Old” and “New Method”.

  11. 从Jazz Chants 到 China Chants——Jazz Chants教学法初探

    Institute of Scientific and Technical Information of China (English)

    乐金马; 韩天霖

    2005-01-01

    @@ 约30年前,纽约大学Carolyn Graham教授创建了英语作为第二语言和外语(ESL/EFL)的教学方法:Jazz Chants.①自1978年以来,Graham出版了多本以Jazz Chants教学法为指导而编写的教材,她的chants还出现在其他许多著名英语教材和词典里.

  12. L’idéologie dans les chants de l’EPON

    Directory of Open Access Journals (Sweden)

    Joëlle Dalègre

    2011-11-01

    Full Text Available L’idéologie de l’EPON, (organisation de jeunesse de la résistance grecque vue à travers ses chants, l’une de ses armes favorites de propagande.Cette communication se propose, à travers quelques chants, de montrer les grandes thèmes idéologiques de l’EPON, tout en la replaçant dans le cadre spécifique grec. Créée par le mouvement de résistance de masse du pays, l’EAM, l’EPON se propose d’encadrer les jeunes de tous âges, de les faire participer à la résistance, civile et parfois armée et de les conduire vers la construction de l’avenir radieux qui leur est promis à la fin de la guerre. Le chant fait partie des nombreux moyens de propagande utilisés par l’EPON (et précédemment par l’EON mais aussi d’un réel travail d’éducation entrepris en tous lieux par les cadres de l’organisation, souvent des enseignants. Justice, travail, école, prospérité, égalité homme/femme, des réalités inconnues dans la Grèce de l’avant-guerre qui ne peuvent que provoquer enthousiasme et espérance dans une génération prête à se sacrifier généreusement.Based on a number of songs, this communication summarizes the great ideological themes of EPON, while at the same time placing them in the specifically Greek context. Created by EAM, the national resistance movement, EPON set out to recruit the young of all ages, to make them participate in the civil and armed resistance against the occupiers, and to help them build the brilliant future they were promised at the end of the war. Song was one of the many forms of propaganda used by EPON, but also a real form of education undertaken everywhere by the heads of the organisation, who were often teachers. Justice, work, school, prosperity, equality between men and women, unknown realities in pre-war Greece that could only inspire enthusiasm and hope in a generation prepared to make any sacrifice.

  13. Patrick Saurin, Teocuicatl. Chants sacrés des anciens Mexicains

    OpenAIRE

    Gruzinski, Serge

    2007-01-01

    Patrick Saurin s’est penché sur l’un des nombreux manuscrits laissés par le franciscain Bernardino de Sahagùn : les teocuicatl, ces hymnes sacrés composés en l’honneur des anciens dieux mexicains. Vraisemblablement d’origine mexica, ces chants ont été rassemblés à Tepepulco vers 1560. S’agit- il de textes archaïques comme la critique s’est accordée à le penser ? L’auteur propose d’y voir, au moins pour partie d’entre eux, des hymnes portant la « marque d’une réécriture, voire d’une écriture r...

  14. A computational comparison of theory and practice of scale intonation in Byzantine chant

    DEFF Research Database (Denmark)

    Panteli, Maria; Purwins, Hendrik

    2013-01-01

    Byzantine Chant performance practice is quantitatively compared to the Chrysanthine theory. The intonation of scale degrees is quantified, based on pitch class profiles. An analysis procedure is introduced that consists of the following steps: 1) Pitch class histograms are calculated via non-parametric...... kernel smoothing. 2) Histogram peaks are detected. 3) Phrase ending analysis aids the finding of the tonic to align histogram peaks. 4) The theoretical scale degrees are mapped to the practical ones. 5) A schema of statistical tests detects significant deviations of theoretical scale tuning from...... the estimated ones in performance practice. The analysis of 94 echoi shows a tendency of the singer to level theoretic particularities of the echos that stand out of the general norm in the octoechos: theoretically extremely large scale steps are diminished in performance....

  15. Comparative toxicity of pesticides in three phytoseiid mites with different life-style occurring in citrus: Euseius stipulatus, Neoseiulus californicus and Phytoseiulus persimilis.

    Science.gov (United States)

    Argolo, Poliane Sá; Jacas, Josep A; Urbaneja, Alberto

    2014-01-01

    Conservation and augmentative biological control strategies have been developed to take full advantage of the natural enemies that occur in Spanish citrus orchards. Among them, the predatory mites Euseius stipulatus, Neoseiulus californicus and Phytoseiulus persimilis play an important role in the biological control of tetranychid mites. However, these predatory mites are often affected by pesticides and information about the side-effects of these products against these beneficial arthropods is essential to guarantee their efficacy. The side-effects of some pesticides remain unknown and the primary aim of this study was to fill this gap. We have further used this information and that collected from other sources to compare the response of these three mite species to pesticides. Based on this information, E. stipulatus has the most tolerant species, followed by N. californicus and P. persimilis. Therefore, using E. stipulatus as an indicator species in citrus may have led to the paradox of selecting presumed selective pesticides resulting in excessive impact on N. californicus and, especially on P. persimilis. Because these two latter species are considered key for the biological control of T. urticae in citrus, especially clementines, in Spain, we propose to use P. persimilis as the relevant indicator of such effects on predacious mites occurring in citrus instead of E. stipulatus. This change could have a dramatic impact on the satisfactory control of tetranychid mites in citrus in the near future.

  16. Reducing the impact of pesticides on biological control in Australian vineyards: pesticide mortality and fecundity effects on an indicator species, the predatory mite Euseius victoriensis (Acari: Phytoseiidae).

    Science.gov (United States)

    Bernard, Martina B; Cole, Peter; Kobelt, Amanda; Horne, Paul A; Altmann, James; Wratten, Stephen D; Yen, Alan L

    2010-12-01

    Laboratory bioassays on detached soybean, Glycine max (L.) Merr., leaves were used to test 23 fungicides, five insecticides, two acaricides, one herbicide, and two adjuvants on a key Australian predatory mite species Euseius victoriensis (Womersley) in "worst-case scenario" direct overspray assays. Zero- to 48-h-old juveniles, their initial food, and water supply were sprayed to runoff with a Potter tower; spinosad and wettable sulfur residues also were tested. Tests were standardized to deliver a pesticide dose comparable with commercial application of highest label rates at 1,000 liter/ha. Cumulative mortality was assessed 48 h, 4 d, and 7 d after spraying. Fecundity was assessed for 7 d from start of oviposition. No significant mortality or fecundity effects were detected for the following compounds at single-use application at 1,000 liter/ha: azoxystrobin, Bacillus thuringiensis (Bt) subsp. kurstaki, captan, chlorothalonil, copper hydroxide, fenarimol, glyphosate, hexaconazole, indoxacarb, metalaxyl/copper hydroxide, myclobutanil, nonyl phenol ethylene oxide, phosphorous acid, potassium bicarbonate, pyraclostrobin, quinoxyfen, spiroxamine, synthetic latex, tebufenozide, triadimenol, and trifloxystrobin. Iprodione and penconazole had some detrimental effect on fecundity. Canola oil as acaricide (2 liter/100 liter) and wettable sulfur (200 g/100 liter) had some detrimental effect on survival and fecundity and cyprodinil/fludioxonil on survivor. The following compounds were highly toxic (high 48-h mortality): benomyl, carbendazim, emamectin benzoate, mancozeb, spinosad (direct overspray and residue), wettable sulfur (> or = 400 g/100 liter), and pyrimethanil; pyrimethanil had no significant effect on fecundity of surviving females. Indoxacarb safety to E. victoriensis contrasts with its toxicity to key parasitoids and chrysopid predators. Potential impact of findings is discussed.

  17. Plantas de ocorrência espontânea como substratos alternativos para fitoseídeos (Acari, Phytoseiidae em cultivos de seringueira Hevea brasiliensis Muell. Arg. (Euphorbiaceae Weeds as alternative substrates to phytoseiids (Acari, Phytoseiidae in rubber tree Hevea brasilienis, Muell. Arg. (Euphorbiaceae cultivation

    Directory of Open Access Journals (Sweden)

    Marcos Roberto Bellini

    2005-03-01

    Full Text Available O objetivo deste estudo foi determinar as espécies de plantas espontâneas em áreas de cultivo de seringueira que poderiam servir com reservatório de ácaros predadores. O trabalho foi conduzido em Olímpia, Estado de São Paulo, Brasil, em dois cultivos de seringueira. A cada três meses, cerca de 1.000 cm³ de folhas de cada uma das cinco espécies de plantas espontâneas dominantes em cada cultivo foi tomada para determinar os fitoseídeos. Como as plantas espontâneas dominantes variaram durante o estudo, um total de 20 espécies foi verificado. Somente Cecropia sp. foi dominante em todo estudo, em ambos os cultivos. Um total de 336 fitoseídeos pertencentes às seguintes espécies foi encontrado: Euseius citrifolius Denmark & Muma, 1970, E. concordis (Chant, 1959, Galendromus annectens (DeLeon, 1958, Iphiseiodes zuluagai Denmark & Muma, 1972, Neoseiulus anonymus (Chant & Baker, 1965 e N. tunus (DeLeon, 1967. E. citrifolius (189 espécimes e N. tunus (138 espécimes foram os mais abundantes. A maior abundância (231espécimes e diversidade (5 espécies foram observadas sobre Cecropia sp. Sobre esta planta foi encontrado o maior número de ácaros por amostra (29 espécimes, seguida por Piper duncum Linnaeus (22, Guarea sp. (18 e Ageratum conyzoides Linnaeus (12. E. citrifolius tem sido determinado como um dos ácaros predadores mais abundantes sobre seringueiras cultivadas na região onde este trabalho foi conduzido. Cecropia sp. parece ser uma das plantas espontâneas mais importantes consideradas como reservatório de E. citrifolius porque está continuamente presente nos cultivos. Estudos complementares poderiam indicar a viabilidade de se manejar esta planta nas áreas de cultivo de seringueira para permitir o controle biológico dos ácaros-praga desta cultura.The objective of this study was to determine weed species of rubber tree cultivation areas that could serve as reservoirs of predatory mites. The work was conducted in Ol

  18. Evaluating the Effectiveness of Intervention in Long-Term Aphasia Post-Stroke: The Experience from CHANT (Communication Hub for Aphasia in North Tyneside)

    Science.gov (United States)

    Mumby, Katharyn; Whitworth, Anne

    2012-01-01

    Background: Despite recognition of the need for increased long-term support for people with aphasia following stroke, there remains limited evidence for effective service-level interventions. Aims: To evaluate the outcomes and experiences of people participating in the Communication Hub for Aphasia in North Tyneside (CHANT), a 2-year partnership…

  19. Les chants des oiseaux. Musiques, pratiques sociales et représentations du XIe au XVIIIe siècle.

    Directory of Open Access Journals (Sweden)

    Corinne Beck

    2007-10-01

    Full Text Available Le thème du chant des oiseaux a particulièrement été bien traité par les musicologues. L’objectif de ce projet consiste à reprendre cette thématique en l’élargissant à d’autres disciplines a priori éloignées, dont les problématiques centrales touchent essentiellement aux notions de nature, de langage et de mémoire. Jamais encore un projet autour d’un thème aussi étendu n’a été réalisé. L’ambition de ces rencontres interdisciplinaires et internationales vise alors à réunir les nombreux cherche...

  20. A Quantitative Comparison of Chrysanthine Theory and Performance Practice of Scale Tuning, Steps, and Prominence of the Octoechos in Byzantine Chant

    DEFF Research Database (Denmark)

    Panteli, Maria; Purwins, Hendrik

    2013-01-01

    Byzantine Chant performance practice is computationally compared to the Chrysanthine theory of the eight Byzantine Tones (octoechos). Intonation, steps, and prominence of scale degrees are quantified, based on pitch class profiles. The novel procedure introduced here comprises the following...... analysis steps: 1) The pitch trajectory is extracted and post processed with music-specific filters. 2) Pitch class histograms are calculated by kernel smoothing. 3) Histogram peaks are detected. 4) Phrase ending analysis aids the finding of the tonic to align pitch histograms. 5) The theoretical scale....... The analysis of 94 Byzantine Chants performed by 4 singers shows a tendency of the singers to level theoretic particu- larities of the echos that stand out of the general norm in the octoechos: theoretically extremely large steps are diminished in performance. The empirical intonation of the IV. scale degree...

  1. Fonds Fatima Al-Baydani-Alzawiya : Un artiste populaire chante des textes politiques accompagnés d'un oud de fabrication artisanale

    OpenAIRE

    Al-Baydani-Alzawiya , Fatima

    2016-01-01

    Cet artiste populaire et autodidacte chante dans la rue en jouant avec un oude de fabrication artisanale. Le chanteur a confectionné l’instrument à partir d’un morceau de bois et d’une boîte d’huile en métal. L’artiste écrivait et composait ses propres chansons politiques qu’il déclamait dans les rues de Ta'izz.

  2. Effect of listening to Vedic chants and Indian classical instrumental music on patients undergoing upper gastrointestinal endoscopy: A randomized control trial.

    Science.gov (United States)

    Padam, Anita; Sharma, Neetu; Sastri, O S K S; Mahajan, Shivani; Sharma, Rajesh; Sharma, Deepak

    2017-01-01

    A high level of preoperative anxiety is common among patients undergoing medical and surgical procedures. Anxiety impacts of gastroenterological procedures on psychological and physiological responses are worth consideration. To analyze the effect of listening to Vedic chants and Indian classical instrumental music on anxiety levels and on blood pressure (BP), heart rate (HR), and oxygen saturation in patients undergoing upper gastrointestinal (GI) endoscopy. A prospective, randomized controlled trial was done on 199 patients undergoing upper GI endoscopy. On arrival, their anxiety levels were assessed using state and trait scores and various physiological parameters such as HR, BP, and SpO 2 . Patients were randomly divided into three groups: Group I of 67 patients who were made to listen prerecorded Vedic chants for 10 min, Group II consisting of 66 patients who listened to Indian classical instrumental music for 10 min, and Group III of 66 controls who remained seated for same period in the same environment. Thereafter, their anxiety state scores and physiological parameters were reassessed. A significant reduction in anxiety state scores was observed in the patients in Group I (from 40.4 ± 8.9 to 38.5 ± 10.7; P classical instrumental music has beneficial effects on alleviating anxiety levels induced by apprehension of invasive procedures and can be of therapeutic use.

  3. Exus e Pombas-Giras: o masculino e o feminino nos pontos cantados da umbanda "Exus" and "Pombas-Giras": the male and female in umbanda chants

    Directory of Open Access Journals (Sweden)

    Adriano Roberto Afonso do Nascimento

    2001-12-01

    Full Text Available O presente trabalho tem como objetivo a caracterização dos Exus e Pombas-Giras, através dos pontos cantados da Umbanda, considerando aspectos que remetem a uma configuração mais ampla de componentes do imaginário social brasileiro. Foram submetidas à Análise de Conteúdo 221 letras de pontos de Exu e Pomba-Gira. Os pontos de Exu contêm maior freqüência de menções relacionadas à descrição de poder e funções atribuídas a essa entidade (31,6% das respostas e à sua identificação e saudação (22,4%. Os pontos de Pomba-Gira apresentam mais freqüentemente a descrição de poder/funções atribuídas (30,23% das respostas e a caracterização da entidade (30,23%. Os resultados possibilitam relacionar as características das entidades aos papéis socialmente esperados de homens e mulheres. Exu é representado pela liberdade, força e, principalmente, pelo trabalho. Pomba-Gira é representada através de atributos considerados típicos do sexo feminino, como beleza e sensualidade, e também pelo trabalho. Os dados remetem a uma análise que procura a articulação entre fatores raciais e de classe social presentes na sociedade brasileira e as características definidoras das entidades, identificadas nos pontos.The aim of the present paper is the characterization of the Exus (male entities, loosely associated with the devil and Pombas-Giras (female entities, the counterparts of the Exus in the singing chants of the Umbanda religion, focusing on aspects, which relate to a broader configuration of components of the Brazilian social imagery. Two hundred and twenty one lyrics of Exu and Pomba-Gira chants were subjected to Content Analysis. Exu chants have a higher frequency of citations related to the description of power and functions attributed to this entity (31.6% of the answers and to identification and greeting (22.4%. Pomba-Gira chants present most frequently the description of attributed power/functions (30.23% of the responses

  4. The symphonic music of the national schools in 20th century Europe in the repertoire of the Philharmonic of Cluj (1955-1989. Creative perspectives of C. Silvestri’s Chants Nostalgiques op. 27 no. 1

    Directory of Open Access Journals (Sweden)

    Simona Spiridon

    2015-09-01

    Full Text Available The present work focuses on the national cultures of the early 20th century in several European countries, such as Czechoslovakia, Poland, Hungary, Spain, Russia and Romania. Since my PhD thesis analyses the evolution of the Philharmonic “Transilvania”of Cluj between 1955-1989, there will be a thorough statistic of the concerts which were held during that period in which the orchestra performed musical pieces of the composers mentioned in this essay. For some concerts, there will also be stated the date when the concert took place, as well as the conductor who was invited to Cluj. There will also be an analysis of a piano work of the Romanian composer Constantin Silvestri (Chants Nostalgiques op. 27 no. 1 which I personally played a few years ago. The study will contain a musical bibliography, as well as several footnotes stating the documents found in the archives of the Philharmonic of Cluj.

  5. La moisson des Argonautiques et la poétique d’Apollonios dans le chant III Harvesting in Argonautica and Apollonios' poetics in book III La mietitura delle Argonautiche e la poetica di Apollonio nel canto III

    Directory of Open Access Journals (Sweden)

    Françoise Létoublon

    2013-05-01

    to correspond to no Homeric scheme, as if narrating this untold ordeal had the result of freeing Apollonius more and more from his dependance to Homer.Un examen détaillé des comparaisons du chant III des Argonautiques par rapport aux comparaisons homériques montre qu’Apollonios s’inspire très fortement de ses modèles, dans la forme et dans le lexique en particulier. La plupart du temps pourtant, il détourne les comparaisons homériques de leur contexte d’origine pour les remodeler à son dessein personnel. Dans la première partie du chant III, les comparaisons servent une volonté commune de montrer les troubles que l’amour apporte dans l’âme et le comportement de Médée. Dans la seconde, les épreuves de Jason donnent lieu de manière surprenante à des images guerrières pour décrire les préparatifs, mais ensuite, Apollonios a recours à un registre artisanal et agricole pour évoquer des tâches qui effectivement consistent en un attelage, un labour, un semis et une moisson. Le plus remarquable est que plusieurs comparaisons groupées vers la fin du chant ne semblent répondre à aucun modèle homérique, comme si le récit de cette épreuve inédite avait peu à peu libéré Apollonios de sa dépendance par rapport à Homère.

  6. Canto Gregoriano: redutor de ansiedade de mães com filhos hospitalizados El Canto Gregoriano: reductor de la ansiedad de madres con hijos hospitalizados Gregorian chant: reducing anxiety of mothers with hospitalized children

    Directory of Open Access Journals (Sweden)

    Ana Paula Almeida

    2012-01-01

    Full Text Available OBJETIVO: Verificar a presença de alteração do estado de ansiedade das mães de crianças hospitalizadas com a audição de canto Gregoriano. MÉTODOS: Pesquisa descritiva, exploratória, correlacional com análise quantitativa, quase experimental. A coleta dos dados foi realizada no período de julho de 2009 a fevereiro de 2010. A amostra inicial foi de 71 mães e destas 28 concluíram todas as etapas da pesquisa. RESULTADOS: O uso do canto Gregoriano diminuiu o estado de ansiedade das mães de crianças hospitalizadas em um hospital pediátrico de atenção quaternária acomodadas em quartos individuais. CONCLUSÃO: É necessário investigar os possíveis efeitos do canto Gregoriano em outros ambientes do hospital e em outras formas de acomodação do cliente.OBJETIVO: Verificar la presencia de alteración del estado de ansiedad de las madres de niños hospitalizados con la audición del canto Gregoriano. MÉTODOS: Investigación descriptiva, exploratoria, correlacional con análisis cuantitativa, cuasi experimental. La recolección de los datos se realizó en el período de julio del 2009 a febrero del 2010. La muestra inicial fue de 71 madres y de éstas 28 concluyeron todas las etapas de la investigación. RESULTADOS: El uso del canto Gregoriano disminuyó el estado de ansiedad de las madres de niños hospitalizados en un hospital pediátrico de atención cuaternaria ubicados en cuartos individuales. CONCLUSIÓN: Es necesario investigar los posibles efectos del canto Gregoriano en otros ambientes del hospital y en otras formas de acomodación del cliente.OBJECTIVE: To determine whether Gregorian chant changes the state of anxiety of mothers with hospitalized children. METHODS: This study was descriptive, exploratory, and correlational with quasi-experimental, quantitative analysis. Data collection was completed during the period of July 2009 to February 2010. RESULTS: Seventy-one mothers were investigated, with 28 mothers meeting all of

  7. Life Table Parameters and Consumption Rate of Cydnodromus picanus Ragusa, Amblyseius graminis Chant, and Galendromus occidentalis (Nesbitt on Avocado Red Mite Oligonychus yothersi (McGregor (Acari: Phytoseiidae, Tetranychidae Parámetros de Tabla de Vida y Tasa de Consumo de Cydnodromus picanus Ragusa, Amblyseius graminis Chant y Galendromus occidentalis (Nesbitt, sobre la Arañita Roja del Palto Oligonychus yothersi (McGregor (Acari: Phytoseiidae, Tetranychidae

    Directory of Open Access Journals (Sweden)

    Tommy Rioja S

    2009-06-01

    Full Text Available The avocado red mite Oligonychus yothersi (McGregor is the major leaf pest in Chile’s avocado orchards. Itaffects leaf physiology and makes it necessary to seek new natural enemies to interact with low population densities of O. yothersi. The potentiality of three predator mites: Cydnodromus picanus Ragusa, Amblyseius graminis Chant, and Galendromus occidentalis (Nesbitt was evaluated under laboratory conditions (27 ± 1.93ºC, 87 ± 3.61% H.R. and 16:8 (L:D photoperiod on avocado leaf disks Persea americana Mill. var. Hass (Ø = 5 cm by separately feeding eggs, immature, and adult females of O. yothersi, and registering postembryonic development, consumption, as well as life table parameters. The postembryonic development of C. picanus was significantly lower (5.46 days compared to both A. graminis (7.33 days and G. occidentalis (8.69 days which were fed with immature O. yothersi. The life table parameters of C. picanus were net reproductive rate R0 = 25.41, finite rate of increase λ = 1.29, and Mean Generation Time T = 12.46. The Net Intrinsic Rate of Increase (r m was significantly higher for C. picanus (r m = 0.25 in contrast with G. occidentalis (r m = 0.19, while A. graminis showed r m = -0.06 indicating that its population didn’t have descendants. Under laboratory conditions, r m registered by C. picanus is an indicator of its predatory potential to control O. Yothersi. It can be assumed that the pest population reduction pattern could be maintained under field conditions.En Chile la arañita roja del palto Oligonychus yothersi (McGregor es la plaga más importante a nivel foliar en huertos comerciales afectando la fisiología de la hoja, siendo necesario la búsqueda de nuevos enemigos naturales que interactúen a bajas densidades poblacionales de O. yothersi. Se evaluó en condiciones de laboratorio (27±1,93ºC, 87±3,61 % H.R. y un fotoperíodo de 16:8 (L:O sobre discos de hojas de palto Persea americana Mill. var. Hass (Ø = 5

  8. Jazz Chants Born in a Piano Bar

    Directory of Open Access Journals (Sweden)

    Caroline Graham

    2010-01-01

    Full Text Available When I first arrived in New York in the late sixties, I began teaching ESL at New York University. I didn`t really think of teaching as a profession for me. I just thought it would pay the rent so I could do what I really wanted to do which was to sing and play ragtime piano in the piano bars. When I got my first piano job in an Irish Bar it was uptown, far away from NYU so I didn`t feel it was necessary to mention this night job to my boss.

  9. Territory and nest defence in polyandrous pale chanting goshawks ...

    African Journals Online (AJOL)

    1996-02-19

    Feb 19, 1996 ... expected to alter their behaviour to take advantage of the pres- ence of group members .... Spiral night and aggressive-call - PCG thermalled in small circles with very fast ..... saturation model of cooperative breeding. Am. Nat.

  10. Short communications: Bat-hunting behaviour of the Dark Chanting ...

    African Journals Online (AJOL)

    The PDF file you selected should load here if your Web browser has a PDF reader plug-in installed (for example, a recent version of Adobe Acrobat Reader). If you would like more information about how to print, save, and work with PDFs, Highwire Press provides a helpful Frequently Asked Questions about PDFs.

  11. The Complete Book of Rhymes, Songs, Poems, Fingerplays, and Chants.

    Science.gov (United States)

    Silberg, Jackie; Schiller, Pam

    Aside from being fun to do, singing songs, saying poems and rhymes, and doing finger plays with children helps them develop early literacy skills. The 700 selections in this compilation of songs and rhymes will help children ages 3 to 6 build a strong foundation in skills and concepts such as listening; colors, shapes, and counting; vocabulary;…

  12. Candy Bar Chants, Mozart Maps: Creativity in Your Choral Classroom.

    Science.gov (United States)

    Larson, Laurie

    2003-01-01

    Focuses on how music teachers can make choral rehearsals more interesting for students by incorporating creative lessons and activities. Explores what it means to be creative and includes examples of creative lessons that can be used in the choral rehearsal. (CMK)

  13. Ecology and distribution ofof Euseius finlandicus (Parasitiformes, Phytoseiidae in garden phytocenoses of Transcarpathian region

    Directory of Open Access Journals (Sweden)

    K. V. Shtymak

    2015-07-01

    Full Text Available The article describes the ecology and distribution of the species Eu. finlandicus Oudemans, 1915 (Parasitiformes, Phytoseiidae in the garden phytocenoses of Transcarpathian region. In Ukraine, such studies were conducted for the Forest-Steppe zone. The mites were collected during the period of 2012–2014. In total, nine settlements of Transcarpathian region were studied. On the researched territory Eu. finlandicus inhabits at least 26 species of plants. For the first time, the status of the species Eu. finlandicus is determined in acaro-complexes of the family Phytoseiidae in garden phytocenoses of Transcarpathian region. The indices of occurrence and dominance for this species are calculated. Species of plants on which Eu. finlandicus is present in garden phytocenoses of Transcarpathian region are described. Results of the study suggest that Eu. finlandicus is a common species in garden phytocenoses of Transcarpathian region. The results can become the theoretical basis for development of schemes aimed at enhancing the protective function of useful mites in phytocenoses of the Uzhgorod district.

  14. Seasonal variation in the populations of Polyphagotarsonemus latus and Tetranychus bastosi in physic nut (Jatropha curcas) plantations.

    Science.gov (United States)

    Rosado, Jander F; Picanço, Marcelo C; Sarmento, Renato A; da Silva, Ricardo Siqueira; Pedro-Neto, Marçal; Carvalho, Marcos Alberto; Erasmo, Eduardo A L; Silva, Laila Cristina Rezende

    2015-07-01

    Studies on the seasonal variation of agricultural pest species are important for the establishment of integrated pest control programs. The seasonality of pest attacks on crops is affected by biotic and abiotic factors, for example, climate and natural enemies. Besides that, characteristics of the host plant, crop management, location and the pests' bioecology also affect this seasonality. The mites Polyphagotarsonemus latus (Prostigmata: Tarsonemidae) and Tetranychus bastosi (Prostigmata: Tetranychidae) are the most important pests in the cultivation of physic nut, Jatropha curcas (Euphorbiaceae). All parts of J. curcas can be used for a wide range of purposes. In addition many researchers have studied its potential for use as neat oil, as transesterified oil (biodiesel), or as a blend with diesel. However studies about physic nut pests have been little known. The objective of this study was to assess the seasonal variation of P. latus and T. bastosi in physic nut. This study was conducted at three sites in the state of Tocantins, Brazil. We monitored climatic elements and the densities of the two mite species and of their natural enemies for a period of 2 years. Attack by P. latus occurred during rainy seasons, when the photoperiod was short and the physic nut had new leaves. In contrast, attack by T. bastosi occurred during warmer seasons with longer photoperiods and stronger winds. Populations of both mites and their natural enemies were greater in sites with greater plant diversity adjacent to the plantations. The predators found in association with P. latus and T. bastosi were Euseius concordis (Acari: Phytoseiidae), spiders, Stethorus sp. (Coleoptera: Coccinellidae) and Chrysoperla sp. (Neuroptera: Chrysopidae).

  15. Edward Burne-Jones’ Art and Music: A Chant of Love

    Directory of Open Access Journals (Sweden)

    Liana De Girolami Cheney

    2015-10-01

    Full Text Available This essay examines Edward Burne-Jones’ (August 28, 1833–June 17, 1898 artistic concepts of ut pictura poesis (as is painting, so is poetry and ut pictura musica (as is painting so is music, a comparison of poetry, music, and painting depicted in his imagery of the Female Musician of 1866 (at the Whitworth Art Gallery in Manchester, UK, Fig. 1, and Music of 1877 (at the Ashmolean Museum in Oxford, UK, Fig. 2.  The comparison or paragone between music and art is viewed here in two ways: 1 in a natural realm as an expression of love for a muse, Maria Cassavetti Zambaco; and 2 in a metaphysical realm as a vehicle of artist expression for depicting beauty. Painting and music are then poetical guidance for Burne-Jones’ manifestation of love. Maria is Burne-Jones’ model, muse, and sorceress. His paintings are depictions of musical scenes that capture a poetical world of ardent and endless love, as well the world of the senses, a physical realm, and the world of aesthetics, a metaphysical realm.

  16. AHP 4: na53 mʑi53 Tibetan Songs, Engagement Chants, and Flute Music

    Directory of Open Access Journals (Sweden)

    LIBU LAKHI (LI JIANFU 李建富, DAWA TENZIN ཟླ་བ་བསྟན་འཛིན།

    2010-06-01

    Full Text Available The present study is a straightforward, pragmatic attempt to document the particulars of na53 mi53 song and musical traditions comprising the local 'performance-scape'. The primary researcher, Libu Lakhi, is a native of the community who was trained in a specialized mode of auto-ethnography developed by Charles Kevin Stuart and Gerald Roche at Qinghai Normal University 青海师范大学, Xining City 西宁市, Qinghai Province 青海省. Drawing on ethnomusicology, socio-linguistics, and the 'performance' school of folkloristics, the model is intended to enable local peoples to document and display their own traditions in a form available to scholars and interested persons on a global scale.

  17. Mbem mask chants as poetry: a brief expose | Okoye | Creative Artist ...

    African Journals Online (AJOL)

    Creative Artist: A Journal of Theatre and Media Studies. Journal Home · ABOUT THIS JOURNAL · Advanced Search · Current Issue · Archives · Journal Home > Vol 9, No 1 (2015) >. Log in or Register to get access to full text downloads.

  18. Chanting Down the New Jerusalem: Calypso, Christianity, and Capitalism in the Caribbean

    NARCIS (Netherlands)

    Guadeloupe, F.E.

    2008-01-01

    In this brilliantly evocative ethnography, Francio Guadeloupe probes the ethos and attitude created by radio disc jockeys on the binational Caribbean island of Saint Martin/Sint Maarten. Examining the intersection of Christianity, calypso, and capitalism, Guadeloupe shows how a multiethnic and

  19. Religious chants and sermons in rural and urban areas: a glance from the Southern Andes

    Directory of Open Access Journals (Sweden)

    Andrés Eichmann Oehrli

    2016-03-01

    Full Text Available The religious poetry of the Golden Age destined to sing is not usually understood from its own specificity. In the following pages my purpose is first, to show which is the peculiarity of the poetry of circumstances. When considering the complementary role of poetry with the sermon (both forming part of a broader framework intermedia it may cover all religious poetry in vernacular languages, and cluster the pieces of this universe by the three rhetorical genres. And second, to observe the difference in density of production genres in urban areas relative to rural, allowing us to venture some hypotheses about the interaction of those who have been involved in the communication process. All this primarily in Charcas, but also in other territories of the Viceroyalty of Peru.

  20. 如何在语音教学中使用Jazz Chants

    Institute of Scientific and Technical Information of China (English)

    沈娜; 孟燕只

    2009-01-01

    Jazz Chants因其节奏活泼明快,内容贴近生活,又反映了一些语音朗读技巧,因此可以应用在语音教学中.它不仅可以活跃课堂气氛,还可以让学生更有效的掌握相关语音知识.

  1. Influence of the webbing produced by Oligonychus ilicis (McGregor) (Acari: Tetranychidae) on associated predatory phytoseiids

    International Nuclear Information System (INIS)

    Franco, Renato A.; Reis, Paulo R.; Oliveira, Daniel C.

    2010-01-01

    Oligonychus ilicis (McGregor) is among those mite species that can cause damage to coffee plants (Coffea spp.). Species of Phytoseiidae acari are considered the most important and studied predatory mites. The objective of this study was to evaluate the effects of the webbing produced by O. ilicis on its predation by females of the phytoseiids Iphiseiodes zuluagai Denmark and Muma, Euseius citrifolius Denmark and Muma and Amblyseius herbicolus (Chant). Four bioassays were conducted, with three treatments and ten replicates. Each replicate consisted of 25 O. ilicis per experimental unit (a leaf disc of Coffea arabica) according to the tested developmental stage, in independent experiments. To spin the web, 15 adult females were put on each experimental unit for 24h; females were then removed, leaving only the web, and predators and prey to be tested were introduced. Predation was assessed after 24h. In the presence of webbing, the consumption of eggs, larvae and nymphs by I. zuluagai and eggs and larvae by E. citrifolius was lower. For A. herbicolus, egg predation was lower, but larval predation did not vary significantly and predation of nymphs and adults was higher in the presence of webbing. Predators as a whole were more efficient consuming larvae regardless of the presence of webbing. Considering the stages of O. ilicis altogether, webbing reduced the predation potential of I. zuluagai and E. citrifolius, but not of A. herbicolus. (author)

  2. Influence of the webbing produced by Oligonychus ilicis (McGregor) (Acari: Tetranychidae) on associated predatory phytoseiids; Influencia da teia de Oligonychus ilicis (McGregor) (Acari: Tetranychidae) sobre os fitoseideos predadores associados

    Energy Technology Data Exchange (ETDEWEB)

    Franco, Renato A. [Bioagri Laboratorios Ltda., Piracicaba, SP (Brazil)], e-mail: r.franco@bioagri.com.br; Reis, Paulo R. [Empresa de Pesquisa Agropecuaria de Minas Gerais (EPAMIG), Belo Horizonte, MG (Brazil). Ecocentro], e-mail: paulo.rebelles@epamig.ufla.br; Zacarias, Mauricio S. [EMBRAPA Cafe, Lavras, MG (Brazil)], e-mail: zacarias@epamig.ufla.br; Oliveira, Daniel C. [Universidade Federal de Lavras (UFLA), MG (Brazil)

    2010-01-15

    Oligonychus ilicis (McGregor) is among those mite species that can cause damage to coffee plants (Coffea spp.). Species of Phytoseiidae acari are considered the most important and studied predatory mites. The objective of this study was to evaluate the effects of the webbing produced by O. ilicis on its predation by females of the phytoseiids Iphiseiodes zuluagai Denmark and Muma, Euseius citrifolius Denmark and Muma and Amblyseius herbicolus (Chant). Four bioassays were conducted, with three treatments and ten replicates. Each replicate consisted of 25 O. ilicis per experimental unit (a leaf disc of Coffea arabica) according to the tested developmental stage, in independent experiments. To spin the web, 15 adult females were put on each experimental unit for 24h; females were then removed, leaving only the web, and predators and prey to be tested were introduced. Predation was assessed after 24h. In the presence of webbing, the consumption of eggs, larvae and nymphs by I. zuluagai and eggs and larvae by E. citrifolius was lower. For A. herbicolus, egg predation was lower, but larval predation did not vary significantly and predation of nymphs and adults was higher in the presence of webbing. Predators as a whole were more efficient consuming larvae regardless of the presence of webbing. Considering the stages of O. ilicis altogether, webbing reduced the predation potential of I. zuluagai and E. citrifolius, but not of A. herbicolus. (author)

  3. Les chants populaires grecs de la côte égéenne What represents the popular song in Minor Asia, and especially near the Aegean coast? Τα ελληνικά λαικά τραγούδια των μικρασιατικών παραλιών

    Directory of Open Access Journals (Sweden)

    Catherine Nazloglou

    2012-05-01

    Full Text Available Considérées comme la « mémoire » des terres ancestrales perdues, les chants sont à la fois témoignages et expression, produit des classes moyennes et inférieures urbaines grecques, nées dans une population cosmopolite, non seulement à Smyrne, mais aussi dans les autres cités de l’Asie Mineure, et dans le développement économique et culturel d’Asie Mineure des années 1880-1922. Nous pouvons lire à travers elles une société avec ses conventions, sa morale, vivante, omniprésente jusqu’en 1922, et elles transmettent une forme de l’hellénisme ionien. Elles sont un matériau pour une étude musicologique et permettent aussi d’approcher les mentalités, les comportements, les problèmes et l’évolution des « petites patries », elles présentent une évocation, des images de Smyrne, des rivages de l’Égée et de la mer, de la vie quotidienne, collective comme privée, d’une population importante.The settlement of the population is cosmopolitan, not only in Smyrna, but also in the other Ionian cities. Regarded as a “memory” of the last fatherlands, the songs are their testimony and expression, product of the urban Greek lower middle class growing up in the micrasiatic economical and cultural development of the years 1880-1922. We can read through it a society with its conventions, morals as it is found alive, omnipresent, till 1922, and transmits a form of Ionian Hellenism. It is a material for musicology study but allows also an approach of mentalities, behaviors, problems and evolutions of the “small patries” and presents evocation, images of Smyrna, the Aegean shores and the sea, the daily life, collective as private of an important population.Μνήμη των προγονικών χαμένων πατρίδων, τα λαῖκά τραγούδια αποτελούν συγχρόνως μαρτυρία και ἐκφραση των μεσαίων και κατωτέρων τάξεων της ε

  4. Fitoseídeos (Acari: Phytoseiidae associados a cafezais e fragmentos florestais vizinhos Phytoseiids (Acari: Phytoseiidae associated to coffee plantations and adjacent forest fragments

    Directory of Open Access Journals (Sweden)

    Ester Azevedo Silva

    2010-10-01

    Full Text Available Existem poucas informações sobre a fauna de ácaros predadores (Phytoseiidae em ambientes naturais brasileiros adjacentes a agroecossistemas cafeeiros (Coffea spp. ou sobre a influência que essa vegetação exerce como reservatório de ácaros predadores. Neste estudo, objetivou-se avaliar a diversidade destes organismos em cafeeiros e fragmentos florestais adjacentes. Coletaram-se amostras das espécies Calyptranthes clusiifolia (Miq. O. Berg (Myrtaceae, Esenbeckia febrifuga (A. St.-Hil. A. Juss. ex Mart. (Rutaceae, Metrodorea stipularis Mart. (Rutaceae e Allophylus semidentatus (Miq. Radlk. (Sapindaceae, em oito fragmentos florestais, de 5 a 51 ha, e cafezais adjacentes, nos meses de junho (final período chuvoso e outubro (final período seco nos anos 2004 e 2005, na região Sul do Estado de Minas Gerais. Ácaros foram extraídos das folhas, utilizando o método de lavagem e, em seguida, montados em lâminas de microscopia em meio de Hoyer, para identificação específica. No total foram identificados 2.348 fitoseídeos, sendo 2.090 nos fragmentos florestais e 258 espécimes nos cafezais adjacentes, pertencentes a 38 espécies. Servindo-se de análise faunística, a espécie Iphiseiodes zuluagai Denmark & Muma, 1972 apresentou os melhores índices no agroecossistema cafeeiro, sendo muito frequente e constante nas épocas estudadas. Nos fragmentos florestais Amblyseius herbicolus Chant, 1959, Iphiseiodes affs. neonobilis Denmark & Muma, 1978, Leonseius regularis DeLeon, 1965 e Euseius alatus DeLeon, 1966 foram dominantes, muito abundantes, muito frequentes e constantes nas épocas estudadas. Podemos concluir que a vegetação nativa abriga ácaros predadores, inimigos naturais de ácaros-praga, que ocorrem na cultura cafeeira, possibilitando o desenvolvimento de programas de manejo ecológico com áreas de vegetação natural e agroecossistemas cafeeiros adjacentes.There is little information about the fauna of predatory mites

  5. The Analogies between the Chants of the Jistebnický Kancionál and the Repertory of the Oldest Czech Graduals in the 16th Century

    Czech Academy of Sciences Publication Activity Database

    Žůrek, Jiří

    2011-01-01

    Roč. 48, č. 1 (2011), s. 41-78 ISSN 0018-7003 R&D Projects: GA ČR(CZ) GA401/09/0419 Institutional research plan: CEZ:AV0Z90090514 Keywords : plainchant * utraquist liturgy * Czech mass Subject RIV: AA - Philosophy ; Religion

  6. Satan et la révolution dans Paradise Lost de Milton traduit par Chateaubriand : Commentaire traductologique du discours de Satan (chant I : vers 622-663

    Directory of Open Access Journals (Sweden)

    Aurélie Renault

    2010-01-01

    Full Text Available When Chateaubriand translated Paradise Lost by Milton, he revolutionized the universe of translation by offering a perfect imitation of Milton‘s work. Indeed, he used to call this device “traduire à la vitre”, which means providing a transparent translation. This way, he remained faithful to the strangeness of the English language and refused any adaptation. However, the translation of a work which to some values related to the English revolution by an author who left for London during the French revolution raises several questions: could the “Enchanteur” get rid of his stylistic prints? Didn’t he leave his imprint on Milton’s style? Was the positive side of Satan, assimilated to Freedom, completely depicted in the translation of a counter-revolutionary author? The analysis of Chateaubriand’s translation of Satan’s speech to his troops when the paradise is lost gives an answer to all these questions.

  7. Application of Jazz Chants in English Phonetic Training%Jazz Chants在英语语音训练中的应用

    Institute of Scientific and Technical Information of China (English)

    孙元春

    2011-01-01

    语音技能是非英语专业学生亟待解决的问题.在多元智能理论理指导下,将Jazz Chants用于自主语音训练.通过对比实验发现:与传统语音训练形式相比Jazz Chants在语音语调、语音节奏能力提高方面具有比较大的优势,而在单词正音方面的作用不明显;教师要根据学生语音实际状况,把Jazz Chants与传统的语音训练形式有效结合,切实提高学生的英语语音能力.

  8. Perch availability and ground cover: factors that may constitute ...

    African Journals Online (AJOL)

    1996-02-21

    Feb 21, 1996 ... pale chanting goshawks occupied areas where perch density (16 natural and 122 artificial/25 hal was signifi- ... sal and cooperative breeding in pale chanting goshawk families. ...... fortunes in the white-fronted bee-eater.

  9. Incipient merger of Cls 11 and 5 in Xhosa? | Gowlett | South African ...

    African Journals Online (AJOL)

    In Xhosa, there appears to be an incipient merger between Noun Classes 5 and 11, as revealed by frequent mismatches between Cl. 11 nouns and various concordial elements, and even the replacement of the Cl. 11 noun prefix by that of Cl. 5. In this article we explore possible reasons for this putative merger, and present ...

  10. The interaction of two-spotted spider mites, Tetranychus urticae Koch, with Cry protein production and predation by Amblyseius andersoni (Chant) in Cry1Ac/Cry2Ab cotton and Cry1F maize.

    Science.gov (United States)

    Crops producing insecticidal crystal (Cry) proteins from the bacterium, Bacillus thuringiensis (Bt), are an important tool for managing lepidopteran pests on cotton and maize. However, the effects of these Bt crops on non-target organisms, especially natural enemies that provide biological control s...

  11. Species diversity of phytoseiid mites on different ecosystems in Sari district

    Directory of Open Access Journals (Sweden)

    Javad Omidi

    2016-03-01

    Full Text Available Introduction Mites of the Phytoseiidae family have been extensively studied as biological control agents of different mites and insect pests. Some species also feed on nematodes, fungal spores, pollen and exudates from plants and insects. About 2,300 phytoseiid species belonging to 90 genera have been described in this family (Chant and McMurtry 2007. Considerable efforts have been made in recent years to the collection and identification of the predaceous phytoseiid mites in Iran (Rahmani et al. 2010. Despite some studies on phytoseiid mites in Iran, our knowledge remains limited about their fauna and diversity in Mazandaran province. The data of these studies showed that until recently, only 75 species were reported from Iran. The objective of this study was to evaluate the species diversity of Phytoseiidae and access to effective predatory mites for biological control of injurious mite pests in Sari, the center of Mazandaran province (Southern coast of the Caspian Sea, 35 ° 47'-36 ° 35' N, 50 ° 34'-54 ° 10' E Materials and methods Samples were taken from 80 plant species belonging to 46 plant families including forest trees, orchards and farm crops representing three types of ecosystems from September 2011 to October 2012. Harvested samples of each plant were separately collected in plastic bags and labeled with region and date of collection. The bags were transported to the laboratory on the same day and stored in a refrigerator at about 4°C for up to a week, until the materials washed for mite extraction. Samples were composed of leaves, stems and shoots of different ages and the number of leaves per sample varied between plant species. In order to assimilate the samples, a volume nearly equal mass of each sample were put in a two-liter water container. The mites were floated on water by adding 1.5 liters of tap water and a few droplets of detergent. The plant leaves and shoots were shaken for several times until the mites fall from

  12. 78 FR 59372 - Certain Multiple Mode Outdoor Grills and Parts Thererof; Institution of Investigation

    Science.gov (United States)

    2013-09-26

    ... complaint, except for any confidential information contained therein, is available for inspection during... Road, Xingtan, Shunde District, Foshan City, Guangdong Province, CHINA Chant Kitchen Equipment (HK...

  13. Anti-ISIS humor: Cultural resistance of radical ideology

    NARCIS (Netherlands)

    A.K. Al-Rawi (Ahmed)

    2016-01-01

    textabstractAfter the release of ISIS’s ‘Salil Al-Sawarem’ promotional and motivational video with its famous religious chant, hundreds of Arab YouTubers started mocking it by editing its chant and including it in funny dancing clips which they called ‘the popular edition’. Also, some Arabic and

  14. The use of social Stegodyphus spider retreats as nest-lining by pale ...

    African Journals Online (AJOL)

    The pale chanting-goshawk (Melierax canorus) incorporates silk nests (hereafter 'retreats') of the social spider Stegodyphus dumicola (Araneae: Eresidae) in the construction of the nest-lining of their own nests. This study investigates whether pale chanting-goshawks in the Little Karoo, South Africa, show a preference for ...

  15. Review of the ways of teaching pronunciation and analysis of Jazz Chants as an effective technique of English pronunciation teaching%外语语音教学的回顾与现状--兼评Jazz Chants作为英语语音教学的手段

    Institute of Scientific and Technical Information of China (English)

    乐金马; 韩天霖

    2006-01-01

    本文回顾了外语语音教学的发展,重点介绍了听说法、对比语言分析、交际语言教学、语意兼顾理论、英语作为国际语言、人文主义教育思想等主要教学流派对语音教学的影响.探讨了外语语音教学的原则,并将Jazz Chants作为一种有效的英语语音教学手段进行了分析介绍.

  16. Plaadid / Valner Valme

    Index Scriptorium Estoniae

    Valme, Valner, 1970-

    2003-01-01

    Uutest plaatidest Stereolab "Instant O In The Universe", Masters Of Gregorian Chant "Chapter IV", R.E.M. "In Time. The Best Of R.E.M.", Celia Cruz "Regalo de alma", John Mayer "Heavier Things", Dayampert "Shapes & Colors"

  17. New releases

    Index Scriptorium Estoniae

    2008-01-01

    Heliplaatidest: "Tormis. Holst Singers. Stephen Layton", "Wagenaar. Orch.Wks. Netherlands RSO/Klas", "Various Cpsrs. Powers of Heaven - Orthodox Chant. Estonian Philh CO/Hillier", "Tormis. Holst Singers. Stephen Layton" (lk. 141, Tormise heliplaadi reklaam ka lk 74)

  18. 78 FR 79007 - Certain Multiple Mode Outdoor Grills and Parts Thereof; Commission Determination Not To Review an...

    Science.gov (United States)

    2013-12-27

    ...-confidential documents filed in connection with this investigation are or will be available for inspection... Company of Brentwood, Tennessee; Guangdong Canbo Electrical Co., Ltd. of Foshan City, China; Chant Kitchen...

  19. Research Article Special Issue

    African Journals Online (AJOL)

    Published online: 01 February 2018. ABSTRACT ..... sessions such as playing language games, group chanting and doing actions while singing ... [2] Alonge S, Obadare F T, Obateru O T. Effect of differentiated phonics instructional strategy.

  20. Research Article Special Issue

    African Journals Online (AJOL)

    Published online: 01 February 2018. ABSTRACT ... instruction had a positive effect on EFL learners' literacy skills. Though there are many different ..... sessions such as playing language games, group chanting and doing actions while singing.

  1. Siidii / Kreete Reval

    Index Scriptorium Estoniae

    Reval, Kreete

    2003-01-01

    Heliplaatidest: "Erkki Otsman", Kärt Tomingas "Sinine kivi", Whitney Houston "Just Whitney", Amon Tobin "Out From Out Where", Gregorian "Masters Of Chant Chapter III", "Eesti heliloojad IV: Eesti Muusika Päevad 2002"

  2. An Ecoinformatics Approach to Field-Scale Evaluation of Insecticide Effects in California Citrus: Are Citrus Thrips and Citrus Red Mite Induced Pests?

    Science.gov (United States)

    Livingston, George; Hack, Lindsey; Steinmann, Kimberly P; Grafton-Cardwell, Elizabeth E; Rosenheim, Jay A

    2018-05-28

    Experimental approaches to studying the consequences of pesticide use, including impacts on beneficial insects, are vital; however, they can be limited in scale and realism. We show that an ecoinformatics approach that leverages existing data on pesticides, pests, and beneficials across multiple fields can provide complementary insights. We do this using a multi-year dataset (2002-2013) on pesticide applications and density estimates of two pests, citrus thrips (Scirtothrips citri (Moulton [Thysanoptera: Thripidae])) and citrus red mites (Panonychus citri McGregor [Acari: Tetranychidae]), and a natural enemy (Euseius spp. predatory mites) collected from citrus groves in the San Joaquin Valley of California. Using correlative analyses, we investigated the long-term consequences of pesticide use on S. citri and P. citri population densities to evaluate the hypothesis that the pest status of these species is largely due to the disruption of natural biological control-i.e., these are induced pests. We also evaluated short-term pesticide efficacy (suppression of citrus thrips and citrus red mite populations immediately post-application) and asked if it was correlated with the suppression of Euseius predator populations. Although the short-term efficacy of different pesticides varied significantly, our dataset does not suggest that the use of citrus pesticides suppressed Euseius densities or worsened pest problems. We also find that there is no general trade-off between pesticide efficacy and pesticide risk to Eusieus, such that highly effective and minimally disruptive compounds were available to citrus growers during the studied time period.

  3. Munajat Dalam Tarekat Naqsyabandiah Babussalam Langkat: Kajian Terhadap Fungsi, Makna Teks, Dan Struktur Melodi

    OpenAIRE

    Nasution, Wiwin Syahputra

    2012-01-01

    This study focused on the analysis of form, function and meaning Munajat as ideology and the media in keeping the congregation Naqsyabandiah lineage in the village of Padang Tualang Besilam Langkat District, North Sumatra Province. The study was conducted to provide a thorough understanding of the role of the congregation chanting Munajat Naqsyabandiah used as a sign of the entry of Fajr prayers, Maqhrib and Friday prayers. As the creator and the civilizing traditions of chanting Munajat read...

  4. 13 ISOLA Roulon-Doko WEB 03.pmd

    African Journals Online (AJOL)

    Owner

    groupes dont font partie les Gbaya 'bodoé chez qui je travaille. ... parole à un autre … et c'est à tour de rôle que tous ceux qui le souhaitent pourront dire un conte. Lorsque le conte comporte un, voire plusieurs chants, l'auditoire est toujours sollicité pour faire le répons du chant lancé par le conteur, à qui il revient de.

  5. El cantar fúnebre atribuido al Inca Yupanqui. Estudio semántico

    Directory of Open Access Journals (Sweden)

    Enrique Ballón

    2008-12-01

    Full Text Available The chroniclers of the Spanish conquest of the Andes gathered in their texts some traces of the colonized people’s ancestral oral tradition. Thus, Juan de Betanzos included in his Suma y narración de los incas ([¿1551?] 1987 a funeral chant ascribed to Tupac Inca Yupanqui. In this article, I present a semantic and semiolinguistic interpretation of this chant.

  6. Binukot at Nabukot: From Myth to Practice

    Directory of Open Access Journals (Sweden)

    Maria Christine Muyco

    2016-12-01

    Full Text Available Age-old tales, epic chants, and even contemporary television soap operas tell about the binukot, the well-kept maiden of the Panay Bukidnon, the highland inhabitants of Panay, Philippines. This article examines the binukot through myths and practices found in the people’s expressive culture: from the sugidanon (epic chants/chanting, to the tigbabayi (solo woman’s dance of the binanog (hawk-eagle music and dance tradition, to panubok (traditional embroidery, where the binukot is illustrated or exemplified. From various representations, the article moves to essay the binukot’s actual practice, including her present life living as a nabukot,1 a transformed status she gains when she gets married. I interlace my ethnographic observations regarding these states as part of a reconsideration of feminism from both Western and indigenous perspectives.

  7. Philosophical and cultural perspectives on acoustics in Vedic Hinduism

    Science.gov (United States)

    Prasad, M. G.

    2004-05-01

    Acoustics plays a very important multi-faceted role in Vedic Hinduism. Vedas, that is an infinitely large collection of chants (mantras) in ancient Sanskrit language, form the foundational literature of Vedic Hinduism. The Vedic chants have specific acoustical qualities and intonations. The Vedic literature describes the various aspects of acoustics, namely, philosophical, spiritual, and cultural. The use of sounds from conch-shell, bells, cymbal in addition to the Vedic chants in rituals shows the spiritual aspects. Vedic literature discusses the role of sound in the philosophical understanding of our world. Music, both vocal and instrumental, plays an important role in the cultural aspects of Vedic Hinduism. It can be seen that certain musical instruments such as ``mridangam,'' a percussion drum, reflect scientific principles underlying in their design. This paper presents an overview of the various important and interesting roles of acoustics in Vedic Hinduism.

  8. Starstruck

    CERN Multimedia

    2002-01-01

    Following the Oracle of Delphi, the Miméscope company is now presenting a new production that also comprises elements of the scientific, the acrobatic and the poetic. 'Le Chant de l'Etoile', a production that is both informative and entertaining, tackles the theme of the life and death of the stars. Le Chant de l'Etoile Grütli Theatre 16, rue Général-Dufour, Geneva From 5th to 28th March 2002 Tuesdays 7.00 p.m. Wednesdays to Saturdays 8.00 p.m. Sundays 6.00 p.m. Reservations + 41 22 328 98 78

  9. Birui jiibina ruana ñaɨte: “Today the Coca Plant Speaks of Songs”. Notes for an Anthropology of Music among the Uitoto-Murui

    Directory of Open Access Journals (Sweden)

    Edmundo Marcelo Pereira

    2010-02-01

    Full Text Available This work proposes an ethnographic approach to the musical universe –in particular the practice of chanting– of the indigenous group usually known as Uitoto (= Huitoto, Witoto, examining the case of one of its subgroups, the Murui from the Caraparana River, Colombian Amazon. This is partial material, but it proves revealing of the musical thinking and action within this group. It starts with the provocative question: What is the first lesson for someone who is beginning to learn chants? Or, more adequately: Where does the learning of chants begin? 

  10. Phytoseiid mites of the Canary Islands (Acari, Phytoseiidae. II. Tenerife and La Gomera Islands

    Directory of Open Access Journals (Sweden)

    Ferragut, F.

    2007-12-01

    Full Text Available Phytoseiid mites (Acari, Phytoseiidae inhabiting plants in natural ecosystems from Tenerife and La Gomera islands (Canary Islands have been studied. Surveys were conducted from 1997 to 2002. Eleven species were collected, one of them being reported for the first time from the Canary Islands and six of them reported for the first time from Tenerife and La Gomera islands. Euseius machadoi n. sp. collected from woody plants in the Canarian laurisilva is proposed as a new species.

    En muestreos realizados desde 1997 hasta 2002 se ha estudiado la fauna de ácaros fitoseidos (Acari, Phytoseiidae asociada a plantas de ecosistemas naturales de las islas de Tenerife y La Gomera (Islas Canarias. Se han recolectado un total de 11 especies, siendo una de ellas citada por vez primera en las islas Canarias y seis de ellas citadas por primera vez en las islas de Tenerife y La Gomera. Euseius machadoi n. sp., recolectado en plantas leñosas de la laurisilva canaria, se propone como una nueva especie.

  11. Fiche pratique: La vie en rose; Scenes de menage; Comptines en memoire; Premier emploi (Practical Ideas: Life through Rose-Colored Glasses; Home Life; Singsongs from the Past; First Job).

    Science.gov (United States)

    Lenoble, Martine; And Others

    1991-01-01

    Four ideas for French language classroom activities include creation of a parody horoscope, reenactment of household scenes from a comic strip, an exercise in memorizing grammatical rules through children's chants, and analysis of a videotape's content, aural, and visual components. (MSE)

  12. Sibelius: Integrale des poemes symphoniques / Pierre Gervasoni

    Index Scriptorium Estoniae

    Gervasoni, Pierre

    1992-01-01

    Uuest heliplaadist "Sibelius: Integrale des poemes symphoniques. Les 4 Legendes de Lemminkäinen. Finlandia. Luonnotar. Le Barde. En saga. La fille de Pohjola. La Dryade. La Chanson du printemps. Les Oceanides. Tapiola. Chevauchee nocturne et lever de soleil. Mare Jõgeva (soprano), Orchestre Philharmonique de Moscou, Vassili Sinaiski. Le Chant du Monde "Saison Russe"" LDC 288 015/17. 1991

  13. "Just Keep Going, Stay Together, and Sing OUT." Learning Byzantine Music in an Informal and Situated Community of Practice

    Science.gov (United States)

    Brashier, Rachel

    2016-01-01

    This project examines the communal process of music learning as it occurs in a Byzantine chant learning group at a Greek Orthodox Church. The goal of this project was to investigate the act of music making, as situated in a particular sociocultural context, in order to address the question: Through what processes do individuals share music…

  14. Predation on tent tortoise and leopard tortoise hatchlings by the pale ...

    African Journals Online (AJOL)

    Predation by the pale chanting goshawk Melierax canorus on Psammobates tentorius and Geochelone pardalis hatchlings correlates with the habitat preference of these tortoise species as well as with the breeding pattern of P. tentorius. It is not known why the particularly abundant Chersìna angolata was not preyed upon.

  15. Author Details

    African Journals Online (AJOL)

    Alarm calls of Bronze Mannikins communicate predator size to familiar conspecifics. Abstract · Vol 27, No 1 (1992) - Articles Predation on tent tortoise and leopard tortoise hatchlings by the pale chanting goshawk in the Little Karoo Abstract PDF · Vol 29, No 2 (1994) - Articles Temporal and spatial patterns of abundance and ...

  16. The relative influence of prey abundance and co-breeders on the ...

    African Journals Online (AJOL)

    This study investigates if the reproductive performance of polyandrous Pale Chanting-goshawks, Melierax canorus, is governed by the abundance of dominant rodent-prey species or a co-breeding male participating fully in prey being delivered to the female and young. Polyandrous trios in prey-rich habitat, the only habitat ...

  17. Bioinspired Surface Treatments for Improved Decontamination: Handling andDecontamination Considerations

    Science.gov (United States)

    2018-03-16

    and Decontamination Considerations Brandy J. White Martin H. Moore Brian J. Melde Laboratory for the Study of Molecular Interfacial Interactions...Decontamination Considerations Brandy J. White, Martin H. Moore, Brian J. Melde, Anthony P. Malanoksi, and Chanté Campbell1 Center for Bio/Molecular

  18. The Federal Cylinder Project: A Guide to Field Cylinder Collections in Federal Agencies. Volume 1, Introduction and Inventory.

    Science.gov (United States)

    Brady, Erika; And Others

    Volume one of a multivolume catalog inventories 247 federal agency collections of wax cylinder recordings made by early ethnographers during 5 decades (1890-1941) of field work with Native American, traditional American, and world cultures. Native American music, chants, and linguistic samples comprise the majority of the collection. In addition…

  19. Perch availability and ground cover: factors that may constitute ...

    African Journals Online (AJOL)

    In Succulent Karoe, pale chanting goshawks occupied areas where perch density (16 natural and 122 artificial/25 hal was significantly higher than in unoccupied areas (8 natural and 12 artificial/25 hal. The high proportion of cover formed by natural perches (trees and shrubs; 36%) and the low proportion of open ground ...

  20. 'mitologie'? ken wilber se bydrae tot

    African Journals Online (AJOL)

    9 Apr 2010 ... chanting; yoga and certain martial arts; hiking and even walking. They change us within and make this inner change consistent with our actions in the world in our daily lives. (Teasdale 1999:124). Selfs in die institusionele kerk is geestelike oefening dus noodsaaklik – eers om die ontwikkelingsvlakke en - ...

  1. Writers and chanters in the nineteenth century as keepers of the tradition of Serbian church music

    Directory of Open Access Journals (Sweden)

    Marjanović Nataša

    2014-01-01

    Full Text Available In this paper, parts of the memoir literary works from the second half of the nineteenth century are presented as important sources for the research of Serbian traditional church chant. The testimonies on church music from diaries, memoirs and autobiographical notes by famous Serbian writers, statesmen and politicians, namely Jovan Subotić, Jakov Ignjatović, Milan Savić, Milica Stojadinović Srpkinja, Todor Stefanović Vilovski, Vladimir Jovanović and Kosta Hristić, were analyzed. Those writings bring to light a time when church chant was appreciated as an important part of the spiritual, folk heritage and had an important role in everyday culture of Serbian people both in the Habsburg Monarchy and in the Principality and Kingdom of Serbia. The authors wrote about musical skills of chanters from clerical, church circles and about the practice of chanting among school teachers. They also described different kinds of musical performances of church chant among laymen and children. These sources testify to writers’ general and musical education and experiences, to their environment and its relation to the aesthetics of spiritual folk tradition. This paper also analyzes sources in the context of the history and theory of literature, having in mind the authors’ commentary techniques and narrative style. Those issues are discussed in relation to the poetics of romanticism, Biedermeier and realism in Serbian literature. [Projekat Ministarstva nauke Republike Srbije, br. 177004: Identiteti srpske muzike od lokalnih do globalnih okvira: tradicije, promene, izazovi

  2. Developing Musicality: Formal and Informal Practices

    Science.gov (United States)

    Jaffurs, Sheri E.

    2004-01-01

    Musicality is a loosely used term with many meanings. It can be applied to a small child who chants a nursery rhyme, or to a harmonica player who plays by ear, or to a conductor like Toscanini. Some educators and philosophers believe that musicality is manifested in the technical achievements of musicians. Others believe that technique is…

  3. Strengths and weaStrengths and Weaknesses of Ola Rotim's ...

    African Journals Online (AJOL)

    Besides using the play to address Nigeria's numerous problems at independence, Rotimi also brings in a lot of changes in the original Greek play. He dispenses with the chorus, in their place; he relies on the narrator and chiefs of Kutuje. He replaces Greek chants with African songs; he employs proverbs, riddles and other ...

  4. Threatre 1

    African Journals Online (AJOL)

    USER

    he states that “tactility seeks aesthetic quality in the effect that artwork has on the observer (10). As such .... the play; be it language, style, genre, plot, music, spectacle and techniques. Herein, the theory of deconstruction comes to .... TOMI (Chants with ritualistic tempo) Adieu! CHORUS OF WISHES. (from backstage) Adieu!

  5. Enhancing Care and Advocacy for Sexual Assault Survivors on Canadian Campuses

    Science.gov (United States)

    Quinlan, Elizabeth; Clarke, Allyson; Miller, Natasha

    2016-01-01

    Recent media coverage of the rape chant at Saint Mary's University, the misogynist Facebook posts at Dalhousie's dental school, and the suspension of the University of Ottawa's hockey team have brought the topic of campus sexual assault under intense public scrutiny and the media accounts point to a widespread systemic rape culture on Canadian…

  6. Pop / Mihkel Kleis

    Index Scriptorium Estoniae

    Kleis, Mihkel

    2004-01-01

    Heliplaatidest: Mihkel Kleis "Freddy Krueger Death Chant", Hope Of The States "The Lost Riots", Rammstein "Reise, Reise", Marillion "Marbles", Green Day "American Idiot", RH Factor "Strenght EP", Elvis Costello & The Imposters "The Delivery Man", Sigur Ros "Ba Ba Ti Ki Di Do EP", Dizzee Rascal "Showtime"

  7. Movement and Dance on the Sea Islands.

    Science.gov (United States)

    Twining, Mary Arnold

    1985-01-01

    Describes the role of movement and dance in the lives of Blacks living on the Sea Islands off the coasts of South Carolina and Georgia. Claims that the isolation of this area helps preserve its Africanicity and culture. Focuses particularly on the uses of rhythmic chanting in worship and in children's games. (KH)

  8. Tangomas' language: Orality and ritual discourse in Bakossi ...

    African Journals Online (AJOL)

    ... priority on the magical power of the word, as evidenced in their incantations, invocations and chants. The paper concludes that tangomas possess the best stock of poetical expressions and dramatic dialogue, which they employ to establish a rapport between people and the supernatural forces in the process of healing.

  9. Pop / Mart Juur

    Index Scriptorium Estoniae

    Juur, Mart, 1964-

    2002-01-01

    Heliplaatidest: Robbie Williams "Escapalogy", Suicide "American Supreme", Audioslave "Audioslave", Sigur Ros "()", Natacha Atlas & Mark Eagleton Project "Foretold in the Language of Dreams", Iron Maiden "Edward the Great", Gregorian "Masters Of Chant Chapter III", Everything But The Girl "Like Desert Miss The Rain"

  10. Israel Fires But “Palestinian Claim to Citizenship Has Never Been Stronger”

    DEFF Research Database (Denmark)

    Pace, Michelle

    2018-01-01

    On March 30, which happened to be Good Friday – a Christian holiday commemorating the crucifixion of Jesus and His death at Calvary — Palestinians in the Gaza Strip set off for their “Great March of Return”. Their plan: walk, chant, and sit meters from an electric fence surrounding the greatest p...

  11. “GAY RIGHTS ARE HUMAN RIGHTS”: : THE FRAMING OF NEW INTERPRETATIONS OF INTERNATIONAL HUMAN RIGHTS NORMS

    NARCIS (Netherlands)

    Holzhacker, Ron

    2014-01-01

    “Gay Rights are Human Rights” may have begun as a slogan chanted in the street, but academics and human rights organizations began to use the international human rights frame systematically in the 1990s to argue for universal human rights to fully apply to LGBT persons. This framing gradually began

  12. "Denuy Jangal Seen Bopp" (They Teach Themselves): Children's Music Learning in the Gambia

    Science.gov (United States)

    Koops, Lisa Huisman

    2010-01-01

    The author investigated the teaching and learning processes among children in a suburban community of The Gambia, West Africa. Participants included children and adults in the community (N = 101). The researcher used ethnographic techniques of participant and nonparticipant observation, interviews, and song and chant collection. Data consisted of…

  13. Between Looking and Gesturing, Pierre Hébert′s concept of ′Animation d′observation′

    DEFF Research Database (Denmark)

    Graca, Marina Estela

    the ?techniques? of the animated film. However, following Pierre Hébert's meeting with the Belgian poet Serge Meurant, it became evident that it was more than just a film. In CONFITURES DE GAGAKU (1986), the following production to THE SUBWAY, SONGS AND DANCES OF THE INANIMATE WORLD: THE SUBWAY / LE METRO, CHANTS...

  14. The offices and masses of St. Knud Lavard († 1131)

    DEFF Research Database (Denmark)

    Bergsagel, John

    The text in the music is in Latin. Editorial and critical notes in English Includes bibliographical references and "Alphabetical index of chants." "Published for the Study Group 'Cantus Planus' of the International Musicological Society."--Verso of each t.p Vol. 1 is v. 65/17a of series. Vol. 2...

  15. The Primacy of Poetry: Oral Culture and the Young Child.

    Science.gov (United States)

    Obbink, Laura Apol

    1990-01-01

    Discusses the importance of the spoken word and the tradition of nursery verse and other forms of poetry. Encourages teachers and students to never abandon the rhythm, balance, and pleasurable taste of language as it was first learned through oral chants, jingles, and rhymes of early childhood. (MG)

  16. Phytoseiidae of British Guyana with keys to species

    NARCIS (Netherlands)

    Leon, de Donald

    1966-01-01

    The Phytoseiidae have diverse habits. Some are apparently obligate predators, preying on other mites or on insects, others are facultative predators feeding on fungus hyphae, pollen, or plant sap when no prey is at hand (CHANT 1959a), and one species, Anthoseius hebetis DE LEON (1959b), is found

  17. Royal Murders in the Danish Middle Ages

    DEFF Research Database (Denmark)

    Petersen, Nils Holger

    2017-01-01

    Liner notes for an audio recording of music in medieval Denmark, including chants from the office of St Knud Lavard, martyred in 1131, and songs by Meister Rumelant about the murder of King Erik V "Klipping" (1286). The essay gives historical information about the murders and their later musical...

  18. Ritual. Medieval Liturgy and the Senses

    DEFF Research Database (Denmark)

    Petersen, Nils Holger

    2015-01-01

    , and movement within that setting. Also visual artefacts and in some cases, the 'sacramental' use of material objects were involved. In a particular ceremony, carried out since Antiquity on the basis of John 13:1-17, the narrative of Jesus washing the feet of the disciples, the singing of chants was combined...

  19. AHP 47: WAITING FOR THE RETURN

    Directory of Open Access Journals (Sweden)

    Rdo rje skyabs རྡོ་རྗེ་སྐྱབས།

    2017-04-01

    Full Text Available "Tshe ring, how many days has your father been away?" "Father's been gone for twenty-one days," Tshe ring replied. "Oh! Twenty-one days isn't a short time. It's time for him to return. I hope he comes back safely and quickly," Tshe ring's grandmother observed, and resumed chanting and spinning her old prayer wheel. ...

  20. Short Communications Predation on tent tortoise and leopard ...

    African Journals Online (AJOL)

    1991-06-26

    Jun 26, 1991 ... Predation by the pale chanting goshawk Melierax canorus on. Psammobates tentorius and Geoche/one pardalis hatchlings oorrelates with the habitat preference of these tortoise spe- ... into the region covered by the VI scute length of prey items ... pairs of birds occupying territories incorporating KBV and.

  1. A Meaningful Meaninglessness: Canadian University Culture as Gendered and Class-Based Privilege

    Science.gov (United States)

    Horsman, Melissa Rae; Cormack, Patricia

    2018-01-01

    Recent Canadian university student misbehaviour (rape chants, harassment, sexual assault, and anti-social media posts) has garnered much attention in the media and from university administrations. Most research concerned to address these issues focuses on sexual attitudes, gender, and party culture. In this study, we analyse student interviews…

  2. A Critique of Recent Trends in EFL Teaching.

    Science.gov (United States)

    Newman, Marianne

    1997-01-01

    English-as-a-foreign-language (EFL) teachers should not reject traditional methods of imparting knowledge. Storytelling, repetition through chanting, memorizing, and logical analysis all have a place in EFL instruction alongside contemporary approaches. Each child has a different mind and deserves to be taught appropriately. Whole brain teaching,…

  3. Is It More than a Supporting Role? Reflections on the Teaching of Reading from a Social Studies Teacher Educator

    Science.gov (United States)

    Chant, Richard H.

    2009-01-01

    The role of content-area teachers in reading instruction has long been a subject of debate. Chant, a social studies teacher educator, reasons through the argument that content-area teachers should also be reading teachers while balancing that with the demands on content-area teachers and the complex training required to be a skilled reading…

  4. Roráte karlo-arnoštské Kapitola z historie českých obrozenských mystifikací

    Directory of Open Access Journals (Sweden)

    Marie Škarpová

    2017-11-01

    Full Text Available One of the most significant changes in the manner of reproduction, distribution, usage and interpretation of Czech Rorate chants took place in the 1830s and 1840s. It was then that Czech catholic priest Václav Michael Pešina (1782–1859 provided an interpretation of early modern Czech utraquist liturgical Rorate chants (which were newly available in the edition published in 1823 by Jan Hostivít Pospíšil as Charles-Ernest Rorate, i.e. as old Czech chants of an advent worship for people, which, according to Pešina, were introduced into St. Vitus Cathedral and other Czech churches by Archbishop Ernest of Pardubice with the support of Charles IV. Pešina also put into effect new ways in which Czech Rorate chants were reproduced and distributed, and initiated their introduction into Czech catholic churches, including the Prague cathedral, as revived Old Czech morning advent catholic worship for the people. In this paper, we analyze the strategies which were used to assert the interpretation of Czech Rorate chants, such as the Charles-Ernest Rorate, in the Czech cultural domain, as well as the strategies which led to the Rorate from the year 1823 being determined as the primary source. We also focus on the demystifying processes which resulted in the rejection of the concept of the Charles-Ernest Rorate, and in the virtually complete erasure of Pešina’s person from the Czech collective memory. Attention is also paid to the identity- and culture-forming function of this Revivalist mystification and its potential to become a valuable analytic tool for the modern-day Czech society.

  5. Population survey of phytoseiid mites and spider mites on peach leaves and wild plants in Japanese peach orchard.

    Science.gov (United States)

    Wari, David; Yamashita, Jun; Kataoka, Yoko; Kohara, Yoko; Hinomoto, Norihide; Kishimoto, Hidenari; Toyoshima, Shingo; Sonoda, Shoji

    2014-07-01

    A population survey of phytoseiid mites and spider mites was conducted on peach leaves and wild plants in Japanese peach orchards having different pesticide practices. The phytoseiid mite species composition on peach leaves and wild plants, as estimated using quantitative sequencing, changed during the survey period. Moreover, it varied among study sites. The phytoseiid mite species compositions were similar between peach leaves and some wild plants, such as Veronica persica, Paederia foetida, Persicaria longiseta, and Oxalis corniculata with larger quantities of phytoseiid mites, especially after mid-summer. A PCR-based method to detect the ribosomal ITS sequences of Tetranychus kanzawai and Panonychus mori from phytoseiid mites was developed. Results showed that Euseius sojaensis (specialized pollen feeder/generalist predator) uses both spider mites as prey in the field.

  6. Traces of 'Simple Psalmody' in late- and post-Byzantine musical manuscripts. Melodic, modal and textual analysis of the Kekragarion tradition

    DEFF Research Database (Denmark)

    Sanfratello, Giuseppe

    2017-01-01

    The study of the Kekragarion chant tradition has over time become an important aspect of Byzantine musicology, especially regarding the development of “simple psalmody”. Simple psalmody describes the functional side of Byzantine “psalm tones”, pointing out a set of recurrent behaviours in the ada......The study of the Kekragarion chant tradition has over time become an important aspect of Byzantine musicology, especially regarding the development of “simple psalmody”. Simple psalmody describes the functional side of Byzantine “psalm tones”, pointing out a set of recurrent behaviours......, but for the actual analysis two manuscripts representing the Kekragaria versions contained in the whole group of manuscripts were selected for transcription. My survey shows how the melodic tradition of the late medieval Kekragarion has been partly maintained and partly developed over four centuries, and it also...

  7. [Dreams and sensoperception in epicurean theory].

    Science.gov (United States)

    Pangas, Julio César

    2007-01-01

    In this article, we analyse the epicurean vision on sensoperception and dreams. This epicurean vision is known to us, specially, from the wrintings of his roman divulger, Titus Lucretius Caro in his work "On the nature of things" ("De rerum natura"), IV Chant. The epicureans adopted the materialistic conception of nature, based upon Democritus of Abdera atomistic theory and, in this way, they distinguished their theories on dreams from the general principles prevailing in the popular greco-roman litterature, as well as from the divinatory perception of oneirocritics like Artemidorus and also from the first steps of the physiological conception of dreams from philosophers as the presocratics and Aristotle. We end this article with some of the more interesting paragraphs from Chant IV of the work by Lucretius, regarding this subjet.

  8. La mise en voix del Cantar del Mio Cid y el Códice de Vivar

    Directory of Open Access Journals (Sweden)

    Alejandro Higashi

    2007-11-01

    Full Text Available In the last years, the musical performance has taken an important place in the study of the mise en voix of the Cantar de Mio Cid. Although this perspective is laudable in many ways, I propose to take care on the textual and codicological plane, because many of the musical traces are lost for distinct reasons: the condition of the copy, finished according to the historiographical patterns of the medieval scriptorium; the indirect knowledge of the medieval epic music; the gaps in the understanding of how medieval cantillation was performed during public workship, in the laic or clerical life; the influence (or not of the medieval chant dialects (especially, mozarabic and eugenian chants, etc.

  9. Ukraine After the Orange Revolution: Can It Complete Military Transformation and Join the U.S.-Led War on Terrorism?

    Science.gov (United States)

    2006-10-01

    podolaty!” The rhythmic chant spread through the crowd of hundreds of thousands that filled Kiev’s Independence Square on the evening of November 22... analysis of official documents.15 By means of a case study of the attack by Al Sadr forces on the Coalition Provisional Authority (CPA) compound in Wasit...to raise social benefits, pensions, and wages, but its administrative methods have affected business, the investment climate , and economic growth

  10. Sacred byzantine music and its influence on old East Slavic Orthodox music

    Directory of Open Access Journals (Sweden)

    Włodzimierz Wołosiuk

    2014-11-01

    Full Text Available Sacred Byzantine music originates from three sources: “the liturgy of heaven”, synagogue music as well as old Greek theory of music and lays at the bottom of the East Slavs liturgical chant. The tonal base of the Byzantine music formed tetrachords. From them the so called Diatonic mode took shape. It was the easiest and the most popular sound arrangement steming from Greek music. The Cristian Church considered it to be in accordance with its Spirit and needs. From the tetrachords mentioned above other tones were created, namely Doric tones, Lydian, Phrygian and Mixolydian and, together withall their derivatives they gave beginning to the Oktoechos tradition. Byzantine music was flourishing in monasteries and in town areas andmany different forms were elaborated on like troparions, kontakions, stichiry, canons, etc. If one speaks about composers then certainly some names cannot be omitted. These are: St. Anatolius (Patriarchof Constantinople, St. Andrew of Crete, St. Romanos the Melodist,St. Sophronius of Jerusalem and, above all, St. John of Damascus who collected and systematized the liturgical chants creating mentioned Oktoechos. The acceptance of the Greek form of Christianity by Rus’ caused a cultivation of the sacred Greek vocal art on its territory which manifested in a form of so called Znamenny chant. This type of chant was at first similar to the Greek model but later on it moved away from it. Musical notation of the Old East Slavic singing was based on neumes which names in Old East Slavic have changed a little and only few survived. Furthermore, liturgical note books together with their genre and music content have been taken over from Byzantium. Especially visible in the Old East Slavic monody, Byzantine patterns were pervading also the later polyphony which proves they were always current. Moreover, this allows to claim that Rus’ became the real successor of the Greek Orthodox traditions in new circumstances of sacral

  11. Graceful Failure and Societal Resilience Analysis Via Agent-Based Modeling and Simulation

    Science.gov (United States)

    Schopf, P. S.; Cioffi-Revilla, C.; Rogers, J. D.; Bassett, J.; Hailegiorgis, A. B.

    2014-12-01

    Agent-based social modeling is opening up new methodologies for the study of societal response to weather and climate hazards, and providing measures of resiliency that can be studied in many contexts, particularly in coupled human and natural-technological systems (CHANTS). Since CHANTS are complex adaptive systems, societal resiliency may or may not occur, depending on dynamics that lack closed form solutions. Agent-based modeling has been shown to provide a viable theoretical and methodological approach for analyzing and understanding disasters and societal resiliency in CHANTS. Our approach advances the science of societal resilience through computational modeling and simulation methods that complement earlier statistical and mathematical approaches. We present three case studies of social dynamics modeling that demonstrate the use of these agent based models. In Central Asia, we exmaine mutltiple ensemble simulations with varying climate statistics to see how droughts and zuds affect populations, transmission of wealth across generations, and the overall structure of the social system. In Eastern Africa, we explore how successive episodes of drought events affect the adaptive capacity of rural households. Human displacement, mainly, rural to urban migration, and livelihood transition particularly from pastoral to farming are observed as rural households interacting dynamically with the biophysical environment and continually adjust their behavior to accommodate changes in climate. In the far north case we demonstrate one of the first successful attempts to model the complete climate-permafrost-infrastructure-societal interaction network as a complex adaptive system/CHANTS implemented as a ``federated'' agent-based model using evolutionary computation. Analysis of population changes resulting from extreme weather across these and other cases provides evidence for the emergence of new steady states and shifting patterns of resilience.

  12. Characterization of Tetraploid Somatic Cell Nuclear Transfer-Derived Human Embryonic Stem Cells.

    Science.gov (United States)

    Shin, Dong-Hyuk; Lee, Jeoung-Eun; Eum, Jin Hee; Chung, Young Gie; Lee, Hoon Taek; Lee, Dong Ryul

    2017-12-01

    Polyploidy is occurred by the process of endomitosis or cell fusion and usually represent terminally differentiated stage. Their effects on the developmental process were mainly investigated in the amphibian and fishes, and only observed in some rodents as mammalian model. Recently, we have established tetraploidy somatic cell nuclear transfer-derived human embryonic stem cells (SCNT-hESCs) and examined whether it could be available as a research model for the polyploidy cells existed in the human tissues. Two tetraploid hESC lines were artificially acquired by reintroduction of remained 1st polar body during the establishment of SCNT-hESC using MII oocytes obtained from female donors and dermal fibroblasts (DFB) from a 35-year-old adult male. These tetraploid SCNT-hESC lines (CHA-NT1 and CHA-NT3) were identified by the cytogenetic genotyping (91, XXXY,-6, t[2:6] / 92,XXXY,-12,+20) and have shown of indefinite proliferation, but slow speed when compared to euploid SCNT-hESCs. Using the eight Short Tendem Repeat (STR) markers, it was confirmed that both CHA-NT1 and CHA-NT3 lines contain both nuclear and oocyte donor genotypes. These hESCs expressed pluripotency markers and their embryoid bodies (EB) also expressed markers of the three embryonic germ layers and formed teratoma after transplantation into immune deficient mice. This study showed that tetraploidy does not affect the activities of proliferation and differentiation in SCNT-hESC. Therefore, tetraploid hESC lines established after SCNT procedure could be differentiated into various types of cells and could be an useful model for the study of the polyploidy cells in the tissues.

  13. The Pashtun Behavior Economy: An Analysis of Decision Making in Tribal Society

    Science.gov (United States)

    2011-06-01

    Constantine Leites and Charles Wolf, Rebellion and Authority: an Analytic Essay on Insurgent Conflicts (Chicago, IL: Markham Publishing Co., 1970), 150–52; E...the cause.30 In Afghanistan, the Taliban are adept at using lyrical propaganda in the form of chants to influence their target populations...values.118 This serves as a means of preserving the character of the group and prevents disintegration. 3. Literature and Poetry Poems and lyrical

  14. Tubin, Eduard. Sonate pour violon et piano dans le mode phrygien / Pierre Gervasoni

    Index Scriptorium Estoniae

    Gervasoni, Pierre

    1995-01-01

    Uuest heliplaadist "Tubin, Eduard. Sonate pour violon et piano dans le mode phrygien. Ballade pour piano en forme de Chaconne sur un theme de Mart Saar. Sonate pour saxophone alto et piano. Le Chant des soldats enrepli. Ave Maria. Societe Chorale Estudiantine de Lund, Neeme Järvi. BIS-CD 269, distribution Harmonia Mundi (CD: 161 F), 1984/85.TT: 1h 03'46"

  15. La Bible et Rina Lasnier, une intertextualité particulière // Bible and Rina Lasnier, the particular intertextuality

    Directory of Open Access Journals (Sweden)

    Hana Rozlozsnikova

    2015-12-01

    Full Text Available This study seeks to demonstrate the subject of the biblical intertextuality in the poetry written by Rina Lasnier. The study deals with the way how the subject of biblical intertextuality is reflected in the form of the poetic cycle Le Chant de la montée, as well as in the symbolically archetypal content of literary images inserted in the poetic universe connected to the elemental sources of being.

  16. Historicized Composition and Creative Ethnomusicology

    Directory of Open Access Journals (Sweden)

    Dániel Péter Biró

    2013-07-01

    Full Text Available This paper investigates relationship between compositional and ethnomusicological research. The method of historicized composition developed out of my work as a chant scholar, as ongoing ethnomusicological research has had a profound influence on my compositional work. Understanding and underscoring historical and phenomenological relationships between music and language, the act of composition becomes a creative discovery of relationships between musical material and music history.

  17. AHP 40: SOCIALIZING WITH GODS IN THE MONGGHUL BOG RITUAL

    OpenAIRE

    Limusishiden (Li Dechun); Gerald Roche

    2016-01-01

    This article introduces a communal ritual, known as Bog, as practiced among the Mongghul, a linguistically and culturally distinct group of people of the northeast Tibetan Plateau. The main activity of the Bog ritual involves deities and ancestral souls being invited to a sumptuous "banquet" where religious practitioners, called fashi, chant scriptures, sing, dance, joke, and burn incense to delight the "guests." This essay provides a thick description of the ritual. To provide context for th...

  18. The Inventory of Phytoseiid Mite on Apple Orchards in Durrës, Albania

    OpenAIRE

    AURELA SUPARAKU; ARIS HUQI; NATASHA HAKA (DURAJ)

    2014-01-01

    A survey to determine the presence and abundance of phytoseiid mite on apple orchards has been conducted in Durres (Shena-Vlash), Albania. Leaf samples were taken from five apple varieties: Pink Lady, Golden, Starking, Fuji, Gala and the phytoseiid were then extracted. As the result of the survey, two species belonging to the Phytoseiidae family were identified: Amblyseius andersoni (Chant) and Typhlodromus pyri (Scheuten). Amblyseius andersoni was found in all apple varieties analyzed in thi...

  19. East Europe Report, Political, Sociological and Military Affairs

    Science.gov (United States)

    1985-03-19

    organizations in bringing up the main and basic features in assessing the situation and creating conditions and a mood for decisive changes in the work and...already adults , were working with passionate belief and determination day and night—perhaps applauding and chanting more than neces- sary—are not...Nagy’s handwriting . 1014 CS0: 2500/191 52 JPRS-EPS-85-035 19 March 1985 HUNGARY REPORTS ABOUT CHINESE REFORM Preliminary Discussions, Economic

  20. U.S. House of Representatives Committee on Armed Services Panel on Roles and Missions: Initial Perspectives

    Science.gov (United States)

    2008-01-01

    opinions led Alexander Yakovlev, a principal architect of Mikhail Gorbachev’s perestroika, to bemoan his compatriots’ pen- chant for authoritarian rule...isn’t a communist country anymore. It’s got a different sys- tem: meritocratic paternalism . You joke: Imagine the Ivy League tak- ing over the shell of...long as the reforms never chal- lenge the political order). Most of all, you believe, edu- cated paternalism has delivered the goods. China is

  1. RELIGIUSITAS SISWA BERAGAMA BUDDHA PADA SEKOLAH MENENGAH PERTAMA TAMAN RAMA DENPASAR

    Directory of Open Access Journals (Sweden)

    Moh Rozi

    2013-02-01

    Buddhist students in SMP Taman Rama Denpasar in general there are similarities, such as by implementing the climbing chanting and meditation, perform puja in the dark (ceit and the moon light (capgo, Atthangasila, Pancasila Buddhist and implement in daily life. Second: the Buddha teachings as a spur to the religion practice and the power of self-religiosity. Third: the meaning of Buddhist students’ religiosity SMP Taman Rama Denpasar include the meaning of solidarity, harmony, and inner meaning of peace.

  2. Taira no Atsumori or melancholic ahimshā as “cold steel”

    Directory of Open Access Journals (Sweden)

    Fernando Cid Lucas

    2012-05-01

    Full Text Available In this article we will examine the personality of one of the most important characters in Heike monogatari, the young samurai Taira no Atsumori, and his view of the war and the trade of warrior. Likewise, we will focus on how this historic character is portrayed in some Noh plays, in which his tormented soul refused epics chants and honors achieved in the battlefield, in the search of its eternal rest through religious path.

  3. 数字解读(英文)

    Institute of Scientific and Technical Information of China (English)

    2008-01-01

    Beijing Olympics Facts Opening Ceremony On August 8,2008,the opening ceremony of the 29th Olympic Games was held in the Beijing National Stadium,also known as the"Bird's Nest."At the beginning of the ceremony,2008 actors chanted The Analects of Confucius,and each struck a fou(a clay pot played as percussion instrument)to welcome friends from around the world.

  4. Monitoraggio della biodiversità in relazione all’applicazione degli standard di condizionalità: 4.2c, 4.6, 4.3 (olivo

    Directory of Open Access Journals (Sweden)

    Claudia Corti

    2016-02-01

    Full Text Available Nel presente lavoro vengono riportati i risultati relativi ai monitoraggi della diversità faunistica per i seguenti standard: 4.2c, 4.3 (olivo, 4.6. I risultati ottenuti sono nel complesso interessanti sia dal punto di vista metodologico sia per quanto concerne gli aspetti conservazionistici e gestionali. Emerge l’importanza di utilizzare più indicatori o gruppi tassonomici che comprendano taxa ecologicamente e funzionalmente diversi per valutare la “biodiversità”. Relativamente allo sfalcio è stato osservato che una “blanda gestione” dei ritirati dalla produzione può favorire un certo incremento di biodiversità sia per quanto riguarda gli Artropodi, sia per quanto riguarda i Rettili. Risultati concordi sono stati osservati anche negli oliveti dove la gestione della vegetazione al suolo (sfalcio sembrerebbe incrementare la diversità. Tuttavia è opportuno ricordare che l’effetto monitorato, almeno nei ritirati dalla produzione, non è quello immediatamente successivo all’azione meccanica che invece provoca danni diretti e immediati alla fauna (ferimento e uccisione. Emerge con evidenza dai dati raccolti anche l’importanza della presenza, all’interno degli agro-ecosistemi, di aree a minor disturbo antropico, naturali e semi-naturali: fasce ecotonali e ripariali, ma anche bordure dei campi. Viceversa l’uniformità del paesaggio e la presenza di grandi estensioni coltivate a monocoltura rappresentano elementi sfavorevoli alla biodiversità animale. Nel monitoraggio attraverso l’utilizzo della tecnica di fototrappolaggio è emersa l’importante funzione svolta dai muretti a secco, “presenze” tipiche e diffuse nel paesaggio agricolo tradizionale del nostro territorio italiano. Per molti taxa animali detti manufatti assolvono a funzioni ecologiche diverse, quali: rifugio, aree di foraggiamento, passaggio o sosta nonché punti ottimali per la termoregolazione.

  5. The traditional and modern in church music: A study in canon and creativity

    Directory of Open Access Journals (Sweden)

    Peno Vesna

    2006-01-01

    Full Text Available Definitions of the terms "traditional" and "modern", relating to the chanting tradition of the Eastern Church, sprang from research into so-called kalophony – a specific compositional method that established melismatic melody. Despite differing academic opinions about the origins of this melody in the liturgical practice of the Eastern Church, it is evident that very embellished and elaborate kalophonic melodies appeared frequently from the mid-13th century onwards. The compositional treatment of various genres of these melodies began historically with partial respect for the established hymnographic text. This was followed by a more liberal arrangement, ending in a total departure from any textual base (kratema. The fact that the melody in melismatic mode superseded the text suggests that kalophony represented a certain kind of modernity. Even though musical manuscripts in neumatic notation had no written rules about methods of composition or how to balance tones and words, in the tradition of the Easternchanting practice, melody was always recognized as a helpful addition, an exegesis of the textus receptus. In order to fully comprehend the introduction of this "new sound" and "new style", this study focuses on the work of a major protagonist of them, a monk from the Great Lavra, blessed John Koukouzeles. I consider the following questions: 1 The purpose and function of chant in the art of Byzantium in general 2 The role of the composer/ artist and his creative freedom 3 Evaluating criteria for church-related arts/composition 4 Criteria which immortalized or buried artwork/composition of the time Allowing for what possibly motivated John Koukouzeles and his contemporaries to compose kalophonic melodies or to kalophonically modify old, traditional melodies this study focuses on the effects that hesychasm had on the chanting practice of the time. Considering the theological validation of kalophonic modifications of some liturgical hymns, an

  6. BUGSBY (Russ), Billy Graham,God’s Ambassador. A Life-long Mission of Giving Hope to the World

    OpenAIRE

    Fath, Sébastien

    2009-01-01

    Cet ouvrage de prestige n’est certes pas un livre d’histoire, encore moins une étude sociologique. Il intéresse pourtant les sciences sociales, dans la mesure où il représente un extraordinaire exemple d’exaltation du charisme personnel en protestantisme. Neuf sections structurent ce livre grand format, dont les admirateurs de Billy Graham feront le fleuron de leur bibliothèque. À l’heure du chant du cygne (Graham a plus de quatre-vingts ans : il est très affaibli et sévèrement atteint – comm...

  7. A Fundamental Step in IPM on Grapevine: Evaluating the Side Effects of Pesticides on Predatory Mites

    Directory of Open Access Journals (Sweden)

    Alberto Pozzebon

    2015-10-01

    Full Text Available Knowledge on side effects of pesticides on non-target beneficial arthropods is a key point in Integrated Pest Management (IPM. Here we present the results of four experiments conducted in vineyards where the effects of chlorpyrifos, thiamethoxam, indoxacarb, flufenoxuron, and tebufenozide were evaluated on the generalist predatory mites Typhlodromus pyri Scheuten and Amblyseius andersoni (Chant, key biocontrol agents of herbivorous mites on grapevines. Results show that indoxacarb and tebufenozide had a low impact on the predatory mites considered here, while a significant impact was observed for chlorpyrifos, flufenoxuron, and thiamethoxam. The information obtained here should be considered in the design of IPM strategies on grapevine.

  8. Türk Din Mûsikîsinde Ud Sazının Yeri ve Önemi

    OpenAIRE

    KOÇ, Ferdi

    2015-01-01

    As every religion, geography and society, Turks constitute their own religious music while they are living their spiritual life and use music as a tool in order to approach God. In Islam music has been existed firstly with chant of Kur’ân-ı kerim and with the performances of many religious music form such as; Ezan (Call to prayer), Sâlâ, Mevlevî Âyini (Mevlevi Ritual), İlâhi (Divine), Nefes, Kaside (Eulogium), Na‘t, Mirâciye, Şuğul and Tevşih. Oud instrument has been mostly used in such of th...

  9. Mary Magdalene, the Apostola of the Easter Morning: Changes in the Late Medieval Carthusian Office of St Mary Magdalene

    Directory of Open Access Journals (Sweden)

    Katarina Šter

    2017-06-01

    Full Text Available The Office of Mary Magdalene is one of the rare offices of the Carthusian liturgy that was changed after it had been established as a solemn feast with twelve lessons. In Matins, several chants changed their position or were even replaced by new ones. This article examines the relationship between the earlier and the later Office of St Mary Magdalene. Later corrections in the Lauds first antiphon, Maria stabat ad monumentum receive some special attention since they open new questions concerning the unity of the Carthusian liturgical tradition, and a possible connection between individual Carthusian manuscripts.

  10. The poetics of automation

    OpenAIRE

    Rot, Gwenaële; Vatin, François

    2017-01-01

    This article compares two examples of industrial patronage in the late 1950s. The first is the 1958 filming of Le Chant du styrène by filmmaker Alain Resnais, with a voiceover of a poem by Raymond Queneau, with funding from the Péchiney firm. The second is the 1959 exhibition Forces et rythmes de l’industrie (“Forces and Rhythmes of Industry”) by painter Reynold Arnould, organized with funding from 12 major French companies. We show how similar these two operations were, from two perspectives...

  11. BANQUETS, OUTMODED DELICACIES

    Directory of Open Access Journals (Sweden)

    Luis Maffei

    2014-04-01

    Full Text Available Os Lusíadas in its Chant VI presents some of the central issues of the poem. One of them relates to a series of developments that advertise themselves, in that point on the narrative to explode in future moments, from dicho­tomies that oppose, apparently, pleasure with food vs. sacrificial value, for instance. The delicacies and banquets are points of departure and arrival for much of this discussion, that envolves Veloso, Venus, Bacchus, wine, love and so on.

  12. Beyond an Elevator Speech: Define Your Story to Find Success - 13581

    International Nuclear Information System (INIS)

    Drouhard, Rachael

    2013-01-01

    Diversify or die has been a familiar industry chant, growing louder over the past five years. As companies seek opportunities in new markets, succinctly communicating who they are and what they do to people they've never met becomes common practice. Large and small, most companies lack a clear, concise story and communication tools to articulate what makes them unique amongst the competition. As a result business is lost with prospects and needs of current customers may never be identified. These, along with a common set of core challenges can be overcome by definition, standardization, on-going education and consistent / accurate communication at the brand level. (author)

  13. Beyond an Elevator Speech: Define Your Story to Find Success - 13581

    Energy Technology Data Exchange (ETDEWEB)

    Drouhard, Rachael [Imageworks 5710 Bedford St Pasco WA 99301 (United States)

    2013-07-01

    Diversify or die has been a familiar industry chant, growing louder over the past five years. As companies seek opportunities in new markets, succinctly communicating who they are and what they do to people they've never met becomes common practice. Large and small, most companies lack a clear, concise story and communication tools to articulate what makes them unique amongst the competition. As a result business is lost with prospects and needs of current customers may never be identified. These, along with a common set of core challenges can be overcome by definition, standardization, on-going education and consistent / accurate communication at the brand level. (author)

  14. Rituals in Death and Dying: Modern Medical Technologies Enter the Fray

    Directory of Open Access Journals (Sweden)

    Michael Gordon

    2015-01-01

    Full Text Available In the absence of immortality, the human species has over the millennia developed rites and rituals to help in the passing of life to honor the person who is dying or has died or in some way demonstrate their “courage” and perseverance as well as duty even in the face of almost certain death. The centuries-old traditions of the gathering of loved ones, the chanting of prayers, the ritual religious blessings are in the process of being replaced by the “miracles” of modern medical technology.

  15. MUSIC AND SOCIETY

    OpenAIRE

    Dr. Abhay Dubey

    2017-01-01

    In India, music is believed to be as eternal as God. Before the creation of the world —it existed as the all-pervading sound of "Om" —ringing through space. Brahma, the Creator, revealed the four Vedas, the last of which was the Sama Veda —dealing with music. Vedic hymns were ritualistic chants of invocation to different nature gods. It is not strange therefore to find the beginnings of Hindu music associated with Gods and Goddesses. The mythological heaven of Indra, God of Rain, was inhabite...

  16. Le zapping, les ethnologues, et leurs Indiens

    Directory of Open Access Journals (Sweden)

    Frédérique Langue

    2005-06-01

    Full Text Available Comme toujours s'agissant des expositions mises en scène au Grand Palais, la présentation est parfaite, impeccable. La mise en valeur des objets venus aussi bien de musées brésiliens qu'européens, et les commentaires qui les accompagnent, orientent le visiteur dans un labyrinthe "exotique" de poteries et d'objets de plume, coupé de temps à autre de documentaires portant sur les rituels amérindiens, chants psalmodiques à l'appui. L'auditoire y semble comme vissé sur place, davantage d'ailleur...

  17. Ácaros predadores (Acari em plantas nativas e cultivadas do Estado do Rio Grande do Sul, Brasil Predators mites (Acari in native and cultivated plants of the State of Rio Grande do Sul, Brazil

    Directory of Open Access Journals (Sweden)

    Noeli Juarez Ferla

    2002-12-01

    Full Text Available This research was carried out in twenty counties of the following regions in the state of Rio Grande do Sul: Plain, Central Depression, Plateau and Coast Plain to find out the diversity of mite predators in these places. Forty-six vegetable species were sampled, thirty species of miles of the families Anystidae, Ascidae, Cheyletidae, Cunaxidae, Phyloseiidae and Stigmaeidae were mel. The Phytoseiidae were the mite that presented the greatest diversity, being present in the majority of the sample plants. Most of the Phytoseiidae that were met belong to five species of the Euseius Wainstein, 1962 genus, the second genus of this family was Iphiseiodes DeLeon, 1966, with just one species. The Stigmaeidae come up as second family in number but fewer than Phytoseiidae. In this family, the most common mite belong to the Agistemus Sumers, 1960 genus. The biggest of the mites species (13 species, was met in Morus spp. (Moraceae and Tabebuia spp. (Bignoniaceae; Phaseolus vulgaris (Papilionaceae; only one species of the mite was met in Campomanesia spp. (Myrtaceae, Phaseolus vulgaris (Papilionaceae and Rosa spp. (Rosaceae. In Alamanda spp.(Apocinaceae, Ficus spp. (Moraceae, Jacaranda mimosifolia (Bignoniaceae and Solanum spp. (Solanaceae were met mites predators. A dichotomic key is presented to separate the families, genus and species of the mites.

  18. When do predatory mites (Phytoseiidae) attack? Understanding their diel and seasonal predation patterns.

    Science.gov (United States)

    Pérez-Sayas, Consuelo; Aguilar-Fenollosa, Ernestina; Hurtado, Mónica A; Jaques, Josep A; Pina, Tatiana

    2017-06-16

    Predatory mites of the Phytoseiidae family are considered one of the most important groups of natural enemies used in biological control. The behavioral patterns of arthropods can differ greatly daily and seasonally; however, there is a lack of literature related to Phytoseiidae diel and seasonal predation patterns. The predatory activity of three phytoseiid species (two Tetranychidae-specialists, Phytoseiulus persimilis and Neoseiulus californicus, and one omnivore, Euseius stipulatus) that occur naturally in Spanish citrus orchards was observed under laboratory conditions in winter and summer. The temperature and photoperiod of the climatic chamber where the mites were reared did not change during the experiment. Our study demonstrates that phytoseiids can exhibit diel and seasonal predatory patterns when feeding on Tetranychus urticae (Acari: Tetranychidae). Neoseiulus californicus was revealed to be a nocturnal predator in summer but diurnal in winter. In contrast, P. persimilis activity was maximal during the daytime, and E. stipulatus showed no clear daily predation patterns. The predatory patterns described in this study should be taken into account when designing laboratory studies and also in field samplings, especially when applying molecular techniques to unveil trophic relationships. © 2017 Institute of Zoology, Chinese Academy of Sciences.

  19. Búsqueda de enemigos naturales nativos de Frankliniella occidentalis (Pergande(thysanoptera: thripidae, sobre Dendranthema grandijlorum en el municipio de Piendamo, cauca.

    Directory of Open Access Journals (Sweden)

    Castro V. Ulises

    1999-06-01

    Full Text Available En la empresa "Flores del Cauca" en el municipio de Piendamó a 1S00 m.s.n.m. con temperatura promedia de 18° C y HR de SO ± 5%, se hizo una búsqueda de enemigos naturales nativos de F. occidentalis (Thysanóptera: Thripidae sobre eras experimentales de Dendranthema grandiflorum libres de control químico. La búsqueda se extendió a los hospedantes alternos del tisanóptero en áreas aledañas al cultivo. Semanalmente se cosechaban plantas de crisantemo, se llevaban al laboratorio para la recolección de thrips y sus enemigos naturales nativos. En el laboratorio se realizaron bioensayos para probar la acción depredadora de algunos de los enemigos de F. occídentalis que fueron encontrados en crisantemo. Se encontraron los siguientes enemigos naturales nativos: El hemíptero Orius sp. (Anthocoridae. los ácaros Amblyseius herbjcolus. Euseius naindaimei y Thyplodromalus peregrinus (Phytoseiidae, larvas de Chrysopidae; los thrips leptothirs sp. y Haplotrips gowdeyi (Phlaeothripidae, un ácaro de la familia Ascidae; difereflles especies de arañas; larvas de la familia Coccinellidae y adultos de F. occidentalis infectados por hongos no identificados.

  20. El canto popular entre política y religión: la visión de Mário de Andrade

    Directory of Open Access Journals (Sweden)

    Enea Zaramella

    2015-09-01

    Full Text Available Mário de Andrade identifies rhythm as the common structural underpinning between poetry and song. Rhythm is also the apple of discord between them, since it is with rhythm that we are able to note the fundamental distinction between the sung and the spoken word. As well as differentiating language by means of its use, popular song also fluctuates rhythmically; that is, it has another ‘wave’ (or mood which varies depending on a series of other factors, which Andrade calls to mind. By considering 'canto' (chant in psycho-physical terms, this essay offers an interpretation of Andrade’s reading of the masses present at one political event in 1930 described in “Dinamogenias políticas.” Moreover, this paper connects the political with the religious practices introduced in Brazil by the Jesuits, focusing above all on the Gregorian chant. I propose that with his “Crítica do gregoriano” Andrade offers a counterpoint by which to understand popular music in Brazil.

  1. Starstruck

    CERN Multimedia

    2002-01-01

    If you marvelled at the Oracle of Delphi, you will be thrilled by the song of the star! Following the show on antimatter that it staged at CERN last year, the Miméscope company is now presenting a new production that also comprises elements of the scientific, the acrobatic and the poetic. As part of the 'Science at the Theatre' series at Geneva's Grütli Theatre, Miméscope invites you on a voyage of discovery of the stars. 'Le Chant de l'Etoile', a production that is both informative and entertaining, tackles the theme of the life and death of the stars. As in its earlier productions, Miméscope combines the arts of mime, aerial acrobatics, tricks of light, music and prose.   Le Chant de l'Etoile Grütli Theatre 16, rue Général-Dufour, Geneva From 5th to 28th March 2002 Tuesdays 7.00 p.m. Wednesdays to Saturdays 8.00 p.m. Sundays 6.00 p.m. Reservations + 41 22 328 98 78

  2. A Morphology of Medieval Notations in the Optical Neume Recognition Project

    Directory of Open Access Journals (Sweden)

    Kate Helsen

    2017-01-01

    Full Text Available The study of medieval notations depends on effective categorization of individual signs in order to facilitate a comprehensive understanding of their musical meaning. Over the past century, chant scholars have developed several kinds of neume tables which arrange and contextualize neumes either according to graphical type, chronology, or scribal tradition. Some neume tables contain longer strings of neumes that link certain notation conventions with performance traditions. The course of neume table development reads like a history of the study of early notations, itself, and reveals the evolving interests and pursuits of the scholars who created them. It also sets the stage for the latest use of the neume table as a reference for document analysis software applied to digital images of medieval manuscripts. Now, instead of presenting a static list of discrete signs, the neume table can be understood as a reflection of the notational variety and nuance of the hundreds of thousands of neumes contained in every book of liturgical chant. On this scale, neume tables help scholars to understand the use of medieval neumes in the same way a linguist understands the morphology of words. This article presents the principles on which this new kind of neume table has been developed and suggests the ways in which this new way of thinking might inform the discipline in the future.

  3. Znamenny scale – fait accompli?

    Directory of Open Access Journals (Sweden)

    Alexei Yaropolov

    2010-12-01

    Full Text Available The author addresses one of the most sensitive topics of Znamenny chant: its scale. He tries to restore the “burned bridges” between ideographic and staff-notation of the Chant as he redefines and essentially generalizes the concept of scale as such. The possibility to artificially construct ad hoc many scales sounding sometimes very similar to the scale suggested by the modern staff-notation is a serious argument to regard the “staff-notation based” deciphering from the 17th century (dvoeznamenniki a pure game of chance. The constructed scales, presented in the paper, are different to “keyboard diatonica” and from one another and are never subject to the unified theorizing (unified nomenclature of degrees, etc. Critically commented is the practice to uncontrollably use the trivial pitch-symbols for deciphering, which ipso facto makes the probabilistic steps of unknown scales look as the ill-founded deviations from the diatonic scale steps, which are currently in use in the common musical education. This practice hinders the chance to acknowledge the right of the remote musical culture to rest on foundations that can be formulated both positively and explicitly, all the more so, as the usage of paleographic signs looks rather consistent. The resemblances and differences between musical cultures may be treated more liberally since no scale is seen a norm. The author is based on the writings of Russian musicologist and organologist Felix Raudonikas.

  4. Egg hatching response to a range of ultraviolet-B (UV-B) radiation doses for four predatory mites and the herbivorous spider mite Tetranychus urticae.

    Science.gov (United States)

    Koveos, Dimitrios S; Suzuki, Takeshi; Terzidou, Anastasia; Kokkari, Anastasia; Floros, George; Damos, Petros; Kouloussis, Nikos A

    2017-01-01

    Egg hatchability of four predatory mites-Phytoseiulus persimilis Athias-Henriot, Iphiseius [Amblyseius] degenerans Berlese, Amblyseius swirskii Athias-Henriot, and Euseius finlandicus Oudemans (Acari: Phytoseiidae)-and the spider mite Tetranychus urticae Koch (Acari: Tetranychidae) was determined under various UV-B doses either in constant darkness (DD) or with simultaneous irradiation using white light. Under UV-B irradiation and DD or simultaneous irradiation with white light, the predator's eggs hatched in significantly lower percentages than in the control non-exposed eggs, which indicates deleterious effects of UV-B on embryonic development. In addition, higher hatchability percentages were observed under UV-B irradiation and DD in eggs of the predatory mites than in eggs of T. urticae. This might be caused by a higher involvement of an antioxidant system, shield effects by pigments or a mere shorter duration of embryonic development in predatory mites than in T. urticae, thus avoiding accumulative effects of UV-B. Although no eggs of T. urticae hatched under UV-B irradiation and DD, variable hatchability percentages were observed under simultaneous irradiation with white light, which suggests the involvement of a photoreactivation system that reduces UV-B damages. Under the same doses with simultaneous irradiation with white light, eggs of T. urticae displayed higher photoreactivation and were more tolerant to UV-B than eggs of the predatory mites. Among predators variation regarding the tolerance to UV-B effects was observed, with eggs of P. persimilis and I. degenerans being more tolerant to UV-B radiation than eggs of A. swirskii and E. finlandicus.

  5. Disentangling mite predator-prey relationships by multiplex PCR.

    Science.gov (United States)

    Pérez-Sayas, Consuelo; Pina, Tatiana; Gómez-Martínez, María A; Camañes, Gemma; Ibáñez-Gual, María V; Jaques, Josep A; Hurtado, Mónica A

    2015-11-01

    Gut content analysis using molecular techniques can help elucidate predator-prey relationships in situations in which other methodologies are not feasible, such as in the case of trophic interactions between minute species such as mites. We designed species-specific primers for a mite community occurring in Spanish citrus orchards comprising two herbivores, the Tetranychidae Tetranychus urticae and Panonychus citri, and six predatory mites belonging to the Phytoseiidae family; these predatory mites are considered to be these herbivores' main biological control agents. These primers were successfully multiplexed in a single PCR to test the range of predators feeding on each of the two prey species. We estimated prey DNA detectability success over time (DS50), which depended on the predator-prey combination and ranged from 0.2 to 18 h. These values were further used to weight prey detection in field samples to disentangle the predatory role played by the most abundant predators (i.e. Euseius stipulatus and Phytoseiulus persimilis). The corrected predation value for E. stipulatus was significantly higher than for P. persimilis. However, because this 1.5-fold difference was less than that observed regarding their sevenfold difference in abundance, we conclude that P. persimilis is the most effective predator in the system; it preyed on tetranychids almost five times more frequently than E. stipulatus did. The present results demonstrate that molecular tools are appropriate to unravel predator-prey interactions in tiny species such as mites, which include important agricultural pests and their predators. © 2015 John Wiley & Sons Ltd.

  6. Tablet Keiti: Does it Contain Astronomical Instructions?

    DEFF Research Database (Denmark)

    Wieczorek, Rafal

    2010-01-01

    Ethnographic data collected on Easter Island in the late XIX and first half of the XX century suggest that the extant rongorongo tablets contain songs, legends or other chanted traditions. However, we have yet to succeed in relating any one of the rongorongo texts to one of the many legends...... collected by ethnographers. An interesting observation is that, while none of the Rapanuis with whom early visitors to the island were acquainted mentioned anything about astronomy in the context of rongorongo tablets, the only piece of rongorongo texts whose meaning we are certain of is the “calendar...... tablet Mamari”. In the four lines of this tablet, also known as rongorongo text C, we encounter 30 moon glyphs arranged in a pattern that mirrors the Rapa Nui lunar calendar as recorded by early Western visitors. This presentation argues that yet another rongorongo item – tablet Keiti, also known as text...

  7. The Personal and the Political in the Work of Mariama Bâ

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    Adele King

    1994-06-01

    Full Text Available In her two novels, Une si longue lettre and Un Chant écarlate , Mariama Bâ describes how political as well as domestic problems develop from the tensions between tradition and the modern world. Desire for power and money leads to a post-independence society, in which greed motivates politicians and in which a woman is treated as merchandise to be purchased by the richest man. Adherence to a supposed ideal pre-colonial community, however, can lead to both the subjugation of women and political isolation. Bâ wants a morality based on respect for others, and a willingness to discard those traditions that inhibit such respect. She is critical of any separatism, between man and woman, black and white, European and African.

  8. Solène Daoudal, Sirènes romanes en Poitou, XIe-XIIe siècles. Avatars sculptés d’une figure mythique

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    Didier Lett

    2009-07-01

    Full Text Available Vers 1140, dans la toute dernière lettre qu’il adresse à Héloïse, comme pour se rassurer face à « l’histoire de ses malheurs », Abélard termine par ces mots : « A l'abri de cette foi salutaire, je ne crains pas les aboiements de Scylla, je me ris des gouffres de Charybde, et j’entends sans frémir les chants des sirènes. Si la tempête éclate, je ne suis pas renversé. Si les vents grondent, je ne suis pas ému. Je suis fondé sur une pierre inébranlable ». Dans cet autoportrait du penseur scolast...

  9. AUTHOR’s ORIGINAL CREATIONS — CHERUBIC HYMNS FROM THE DIVINE LITURGY HYMNS CYCLE BY M. BEREZOVSCHI — COMPOSITIONAL AND DRAMATURGY PARTICULARITIES

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    BARBANOI HRISTINA

    2017-06-01

    Full Text Available This article presents the analysis of three Cherubic Hymns signed by the Bessarabian composer Mihail Berezovschi, that we find in the pages of his cycle „The Divine Liturgy Hymns”. The creations are analyzed in terms of compositional particularities and dramaturgy features. For each creation in part is appreciated the interpretative choral composition, the musical texture, including the polyphonic processes, musical form, the harmonic clothing, and also the suitability of the harmonic means used, raported to the Orthodox church singing harmony, not in the least the connection between the music and text — which is a very important aspect in the liturgical chant, but also the popularity degree and the viability of the three creations.

  10. La légitimation du rock en URSS dans les années 1970-1980

    OpenAIRE

    Zaytseva, Anna

    2017-01-01

    RésuméL'article analyse le chemin parcouru par le rock en URSS puis en Russie, de l'état d'une (sous)culture occidentalisée anglophone, ayant trouvé refuge dans les discothèques des années 1960-1970, jusqu'au canon du russkij rok actuel, devenu presque synonyme de poésie chantée, via sa légitimation progressive dans les années 1980. Celle-ci a été amorcée à la fin des années 1970 avec l’arrivée en force d'une nouvelle génération artistique au sein de l'underground rock (« nouvelle vague » de ...

  11. Oral perfomances in a (post-) literate society

    DEFF Research Database (Denmark)

    Sanfratello, Giuseppe

    2016-01-01

    The attempt of the present paper is to introduce the following question: How is it possible to still talk about “oral performances” in a literate, indeed “postliterate” society? In order to stress the relevance of such a topic, I will examine some achievements in research fields both dealing...... with literary studies and musicological enquiry. Taking into account some instances of oral musical traditions gathered during ethnomusicological fieldwork, e.g. the singing of mandinàdhes (couplets of improvised rhymed verses) from Crete and the Byzantine liturgical chant of the Albanians of Sicily, I...... will analyse the process both of (re)writing a poetic-formulaic tradition by adapting itself to the modern multimedia technology (i.e. the “media literate poets” case on Crete) and developing techniques of oral safeguarding without the usage of musical notation (i.e. the case of the Sicilian-Albanian community...

  12. A prosopographical perspective of the musical trades of the Cathedral of Valencia in the time of Guillem de Podio, 1480-1505

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    Francesc Villanueva Serrano

    2018-01-01

    Full Text Available The musical activity in the cathedral of Valencia before the XVIth century is quite unknown. This study seeks to advance the knowledge of this subject focusing on the groups of people carrying out the different trades with responsibility in the organization and the musical practice between 1480-1505. This period comprises treatise writer Guillem de Podio’s chant schools mastery in the above mentioned cathedral. The perspective offered here is provided by the prosopography, using data from this institution, other cathedrals and documental sources with different features like notarial, diocesan and those preserved in civil and royal archives. On the other hand, this work has also allowed enough evidence to be presented to dismiss the current identification hypothesis between the composer Juan Rodríguez de Sanabria and the singer of Isabella I of Castile, Juan Rodríguez de la Torre. A prosopographical catalogue of all of the studied individuals is included in an appendix.

  13. Skin in health and diseases in Ṛgveda saṃhiṭa: An overview

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    Amiya Kumar Mukhopadhyay

    2013-01-01

    Full Text Available Ṛgveda is the oldest religious book of the Aryans. It picturises the early lives of the Aryans. We get mention of various diseases in this Veda. Skin - both in health and diseases had caught attention of the Vedic sages. Skin was not merely an organ of attraction and look but its colour was important socially. Mentions of various diseases like leprosy, guinea worm, jaundice etc., are interesting. Mention of different disorders of the nails and hair are also there, though in a very primitive and mystic form. Management strategy was consisted of herbs, amulates, chanting of mantras, touching the body, uses of water and sunrays etc. This may be presumed that this Veda founded the base for the Βyurveda of the later period.

  14. Skin in health and diseases in ṛgveda saṃhiṭa: an overview.

    Science.gov (United States)

    Mukhopadhyay, Amiya Kumar

    2013-11-01

    Ṛgveda is the oldest religious book of the Aryans. It picturises the early lives of the Aryans. We get mention of various diseases in this Veda. Skin - both in health and diseases had caught attention of the Vedic sages. Skin was not merely an organ of attraction and look but its colour was important socially. Mentions of various diseases like leprosy, guinea worm, jaundice etc., are interesting. Mention of different disorders of the nails and hair are also there, though in a very primitive and mystic form. Management strategy was consisted of herbs, amulates, chanting of mantras, touching the body, uses of water and sunrays etc. This may be presumed that this Veda founded the base for the Āyurveda of the later period.

  15. Les dimensions religieuses de la Déclaration des droits de l’homme et du citoyen de 1789

    Directory of Open Access Journals (Sweden)

    Lucien Scubla

    2011-06-01

    Full Text Available Les droits et les dieux n’étaient pas autrefois des choses différentes.G. Vico, Origine de la poésie et du droit, p. 172. Tremblez ennemis de la France,Rois ivres de sang et d’orgueil.Le peuple souverain s’avance :Tyrans descendez au cercueil.Le chant du départ. La Déclaration des droits de l’homme et du citoyen du 26 août 1789 est un texte à la fois très bref et très dense. Il est bref parce qu’il a été conçu pour être saisi, comme le Décalogue, d’un seul coup d’œil. Mais sa concision même l...

  16. Football and Memories of Croatian Fascism on Facebook

    DEFF Research Database (Denmark)

    Andersen, Tea Sindbæk

    2016-01-01

    On 19 November 2013, as Croatia’s national football team defeated Iceland and thus secured its participation in the World Championship, Croatian defender Josip Šimunić celebrated by leading a chant associated with the fascist Ustasha regime, known for its genocidal campaigns against Serbs, Jews...... and Roma in Croatia and Bosnia during the Second World War. As a result of his celebration, Šimunić was fined by Zagreb’s county court for inciting racist hatred and the International Football Association, FIFA, banned Šimunić from participating in 10 international matches including the World Championship...... of memory negotiation that took place on the Facebook page supporting Šimunić and on the petition webpage. Indeed, the Facebook page and its users vehemently contested both the official Croatian interpretation and that of the international football organization, trying instead to construct from below...

  17. Systèmes coutumiers, centralisme juridique de l'Etat et usages du droit

    Directory of Open Access Journals (Sweden)

    Baudouin Dupret

    2000-01-01

    Full Text Available Il est de notoriété qu'au Yémen la justice coutumière est encore active, prépondérante, voire exclusive dans certaines régions. Pourtant, il existe peu de travaux la prenant pour objet et tâchant de mesurer l'impact de la construction étatique ­ et de son corollaire, l'instauration d'une justice civile centralisée ­ sur cette justice. Ce n'est pas tant que la recherche anthropologique se soit désintéressée du Yémen, loin s'en faut. Il suffit, à cet égard, de citer les travaux de Serjea...

  18. Séminaires

    Directory of Open Access Journals (Sweden)

    2004-04-01

    Full Text Available La composition de l'Odyssée Ce séminaire a repris le problème de la composition de l'Odyssée. Après avoir fait le point sur la critique homérique et analysé les apports essentiels fournis par les études qui se sont intéressées aux codes narratifs mis en œuvre par les traditions de poésie orale, ont été discutés des éléments du poème que la critique a souvent eu tendance à considérer comme superficiellement rattaché à l'ensemble : l'Orestie (rapport entre chants XI et XXIV, les récits de l'in...

  19. AHP 40: SOCIALIZING WITH GODS IN THE MONGGHUL BOG RITUAL

    Directory of Open Access Journals (Sweden)

    Limusishiden (Li Dechun

    2016-02-01

    Full Text Available This article introduces a communal ritual, known as Bog, as practiced among the Mongghul, a linguistically and culturally distinct group of people of the northeast Tibetan Plateau. The main activity of the Bog ritual involves deities and ancestral souls being invited to a sumptuous "banquet" where religious practitioners, called fashi, chant scriptures, sing, dance, joke, and burn incense to delight the "guests." This essay provides a thick description of the ritual. To provide context for this description, we introduce the community on which our description focuses, and also discuss the role of fashi. A chronological account of the ritual follows that includes not only descriptions of the ritual activities, but also interpretations of the meaning of these events from the perspective of the ritual practitioners. We also provide an analysis of the performances given during the ritual and how they contribute to creating a spectacle that delights both human and non-human participants.

  20. Patrick Vinton Kirch & Robert C. Green, Hawaiki, Ancestral Polynesia. An Essay in Historical Anthropology

    OpenAIRE

    Di Piazza, Anne

    2007-01-01

    Hawaiki, la patrie des ancêtres chantée par les Polynésiens, le lieu de rassemblement des âmes des morts, est aussi la terre mythique des archéologues. C’est bien celle-ci que ces derniers s’efforcent de localiser dans le temps et dans l’espace. Si l’on en croit Patrick Vinton Kirch et Roger Green, la culture ancestrale polynésienne s’est développée dans les archipels de Tonga et Samoa (avec leurs voisins immédiats) au cours du Ier millénaire avant J.-C. Les auteurs ne s’arrêtent pas à ce con...

  1. Etude expérimentale du séchage convectif à haute température d'un milieu granulaire

    OpenAIRE

    Messai , Souad; Sghaier , Jalila; Lecomte , Didier; Belghith , Ali

    2008-01-01

    International audience; Dans ce travail on présente une étude expérimentale et numérique du séchage convectif à haute température d'un milieu granulaire formé par des particules poreuses sphériques. La partie expérimentale a été consacrée à l'utilisation de l'air humide comme agent séchant. En prenant deux valeurs d'humidité relative de l'air, nous avons mis en évidence l'importance de ce paramètre sur le processus du séchage. Nous avons mesuré simultanément la cinétique de séchage du lit fix...

  2. Fútbol, etnicidad y otredad: el Club Atlético Atlanta de Buenos Aires

    Directory of Open Access Journals (Sweden)

    Raanan Rein

    2014-06-01

    While most historians would agree as to the centrality of soccer in Latin American societies, very little has been written on ethnicity and sports in such immigrant societies as Argentina and Brazil. This article focuses on the Club Atlético Atlanta, located in the neighborhood of Villa Crespo. Although populated by various ethnic groups, Villa Crespo has long been considered a Jewish neighborhood. During the second half of the 20th century, there has been a conspicuous Jewish presence among the fans, administrators and presidents of the Atlanta soccer club, to the extent that fans of rival teams often chant anti-Semitic slogans during matches. For the first immigrant generation, belonging to this club was a way of becoming Argentines. For the next generation, it was a way of maintaining ethnic Jewish identity, while for the third it has become a family tradition.

  3. SIM / SONGS

    Directory of Open Access Journals (Sweden)

    Jacques Portes

    2010-01-01

    Full Text Available Dans les États-Unis de 2006, la chanson contestataire n’est pas celle qui hante le plus les ondes : elle n’encombre pas les présentoirs des magasins de disque et ne mobilise pas le MP3. Une des seules exceptions est celle de « Strange Fruits », chantée pour la première fois par Billie Holliday en 1939 : elle a souvent été reprise et même été classée dans un bilan de l’an 2000 comme la meilleure chanson du XXe siècle.Certaines légendes attribuent rapidement à un chanteur une couronne de contes...

  4. AHP 47: THE PROVOCATIVE RABBIT

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    Rnam rgyal རྣམ་རྒྱལ།

    2017-04-01

    Full Text Available A retreatant finished chanting for a family, packed up the offerings from the host, and started back to his hermitage feeling satisfied. A rabbit, called Ja dkrug mgo 'Trouble Maker', watched the retreatant through an evergreen bush, and decided he wanted to cheat the retreatant out of his offerings. Trouble Maker came out of the bush and stood in front of the retreatant in the middle of the path. As the retreatant came closer, Trouble Maker ran forward a few steps and then again turned back to watch the retreatant, who chased the rabbit for a while, but the heavy bag burdened him and he soon got very tired. He finally threw down his bag and chased Trouble Maker, who ran just beyond the retreatant’s grasp. Finally, having left the retreatant far behind, Trouble Maker doubled back, picked up the retreatant's bag, and carried it off. ...

  5. Eugeniusz Tkaczyszyn-Dycki, Piosenka o zależnościach i uzależnieniach

    Directory of Open Access Journals (Sweden)

    Thibault Deleixhe

    2009-10-01

    Full Text Available Le jury du prix Nike adore surprendre ! Et cette année encore, il n’échappe pas à la règle. La victoire d’Eugeniusz Tkaczyszyn-Dycki, avec son recueil poétique Piosenka o zależnościach i uzależnieniach (Chant de la servitude et de la dépendance, était pour le moins inattendue. Le personnage est loin d’être un inconnu du monde de la poésie polonaise contemporaine, c’est plutôt cette dernière qui, depuis quelques années, peine à se frayer un chemin jusqu’à ses lecteurs. D’où la surprise du gra...

  6. Altazor

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    Tatiana Aguilar-Alvarez Bay

    2013-11-01

    Full Text Available This paper starts with an internal and external analysis of modernity and artistic avant-garde, annotating important reflexions from the plastic, aesthetic, historic and critical dimensions. The study of Altazor, the poem of the Chilean Vicente Huidobro, along with the study of the Creationism movement -of his authorship, where art stops imitating nature in order to imitate its creative power- constitutes the central axis of this article. From among the various reflexions dedicated to the main features of each chant of the poem, questions on the conciliation of the diverse poetic movements arise and on the true intention of poetry, which, finally, may not be other than the one Huidobro proposes.

  7. The Mechanic Eye: North American Visual Poetry in the Digital Age

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    Maria Goicoechea de Jorge

    2012-07-01

    Full Text Available http://dx.doi.org/10.5007/1807-9288.2012v8n1p78 This paper offers a revision of North American visual poetry from the contemporary perspective of the digital revolution. From the Native American chants to the digital poetry found on the Web, it will explore the internal drives of this sort of poetic manifestations that have endured through different time periods, aesthetic currents and cultural functions despite the various mediums employed for their production and dissemination. Digital poetry nourishes itself from previous literary traditions as well as from the multimedia convergence favored by the digital medium. We will analyze these influences, and the new reading strategies required to contextualize and make sense out of the digital work of poetry. As readers and writers reorganize their reading pacts, researchers of literature face a new challenge: the polymorphic and metamorphosing liquid text made possible by the digital language

  8. Estelle Freyermuth, L'éducation musicale des filles à Strasbourg au XIXe siècle

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    Estelle Freyermuth

    2008-06-01

    Full Text Available Parent pauvre de l'histoire de l'éducation des filles, l'histoire de l'enseignement musical dissimule une véritable corne d'abondance pour le chercheur. Entre leçons de musique forcées, cours de chant dans les écoles, répétitions plus ou moins assidues, auditions privées ou publiques, la musique faisait partie intégrante de l'éducation des filles. Cette étude se consacre aux jeunes filles de la bourgeoisie, couche sociale au sein de laquelle les arts d'agrément étaient cultivés avec le plus d...

  9. La mujer tenaza en la emancipación de Colombia

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    Néstor Emiro Piragauta Montaña

    2014-01-01

    Full Text Available It should be given more importance to the story, because in the last decades has been relegated in schools to remember a historic date, very few resources and momentum that have been given him. The story has huge advantages because through it we find the reason of human beings, their beliefs, their chants, songs, stories, oral transmission, science, art, their minds, their writing, their heroes, their heroes and heroines and so everything that makes the man and the changes he makes in favor of a society. The story has come to us through research that is done rigorously, so that each part of Colombian territory has something to tell and where it has left its mark, but many times we do not know, or who knows and is lost in time, new generations have lost their attachment to their homeland.

  10. 9. An Analysis of the Vocal Ensembles from the Opera “I Puritani” by Vincenzo Bellini

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    Simionescu Cristina

    2018-03-01

    Full Text Available I Puritani is the masterpiece that crowned the creation of the Italian composer Vincenzo Bellini, being remarked and appreciated for the richness of his melodicity and profound symbols filled with the inspiration and creativity of a creator. This was the last of the ten works composed by Bellini, whose disappearance was premature, at only 33 years, but the passion and talent with which he created revealed a work dominated by essence and emotion, which establishes a close connection between chant and the poetic text, providing new expressive valences to the lyrical universe. The extremely difficult and demanding vocal writing raises serious challanges, the Bel-canto style meaning not only a “beautiful chant” but also a difficult texture, a certain specific phrasing and a spread of spectacular acute tones.

  11. Vere risonanze elusive: la poetica del compositore Federico Incardona nello specchio di Maldoror riflesso da Bachelard

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    Stefano Lombardi Vallauri

    2012-10-01

    Full Text Available The musical poetics of the composer Federico Incardona (Palermo, 1958-2006 reveals deep affinities with the Chants de Maldoror by Isidore Ducasse. The method used to identify and analyze these affinities is an inter-disciplinary triangulation, linking music and poetry through the psychological and philosophical reading of the Chants given by Gaston Bachelard in his essay of 1939. The “active” poetry of Lautréamont, his “cinétisme”, his “dynamogénie” are reflected in the Incardonian idea of composition as transmutation of living bodies into sound. This is achieved by a treatment of timbre, articulation and intensity extremely mobile, “alive”, and by a tempo that combines an exhausted slowness with an aggressive, almost animal rapidity. The very act of composition can be conceived, in analogy to hunting, such as “capture” of sounds, in particular thanks to the twelve-tone device. The “complex of Lautréamont” is a phenomenon inextricably psychological and cultural; so also in Incardona adolescence is transformed from existential motive into artistic motif. Starting from the case of Lautréamont, Bachelard formulates a general poetics of metamorphosis, which extends validly in music, especially in the informal writing of Incardona. Finally, Lautréamont is useful to Bachelard for grafting, onto the “living” basis of writing, cultural and intellectual values??; Incardona as well, intending music as “night mathematics”, combines construction and expression, emotion and serial structure.

  12. The Cause of WanXi Folk Songs and music Characteristic%皖西民歌的成因及音乐特征

    Institute of Scientific and Technical Information of China (English)

    黄梅

    2014-01-01

    WanXi folk songs ,as an important branch of the Dabie Mountains , have distinct characteristics : both folk songs ,minor , and chant , chanting the words , rhythm and speed is relatively free . In the use of tuning , the symptoms of Pentatonic tuning is the most common ,following is five sound feather tuning and pentatonic Palace tuning , business transfer type , angle tuning barely , six sound and seven - tone style is rare . It different in pitch change and volume processing of each branches of WanXi folk songs . This form of music characterized and the body ,mainly due to the spread of WanXi folk songs birthplace and the main characteristics of the popular area .%皖西民歌作为大别山民歌的重要分支,具有鲜明的音乐特色:不论是山歌、小调,还是号子、诵词,音乐的节奏和速度都比较自由;在调式使用方面,最常见的为五声徵调式,其次是五声羽调式,再次是五声宫调式,商调式使用较少,而角调式几乎没有,六声及七声调式也很少见;在音高变化和音量处理方面,皖西民歌的各个支系皆有不同。这种音乐本体特征的形成,主要是受皖西民歌发源地和主要流传地的地域特征影响。

  13. La fauna come inferno della psiche. Metamorfosi animali nelle interpretazioni lautréamontiane di Gaston Bachelard e Georges Bataille

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    Francesco Agnellini

    2012-10-01

    Full Text Available The article emphasizes the reading about the work of Lautréamont given by Gaston Bachelard and, in particular, the very important role that has in it the animal metamorphosis. In a second step, it would approach it through the analysis given by Georges Bataille in La Littérature et le Mal (Literature and Evil, but never fully expressed. In the Lautréamont, Bachelard identifies as the formal cause of the Chants de Maldoror the vitalistic dynamism expressed by the rapid succession of images in the unit of animal metamorphosis. The procedure followed in the course of the analysis is similar to the one previously used in La Psychanalyse du feu (The psychoanalyse of the fire: to stress the infantile, subjective and poetic dimension that precedes any objective knowledge. Rather than an happy rêverie, Lautréamont makes figuratively evident an incendiary fantasy focused on the uprising, and expression of a complex of animal life which gives rise to a phenomenology of aggression; as if the call of the embers presented in La Psychanalyse du feu as an example of the most serene philosophy of the rest, had a necessary prelude in the hell of the psyche, graphically represented by the cruelty of animals that inhabit the Chants. Similarly, Georges Bataille sees in Lautreamont the founder of a literature that expressed herself as intensive communication, based on the knowledge of evil, far from everyday life, and near to the dark zones, unconscious, regulated by taboos, which heterology designates as the accursed share. Therefore, the combination between the two authors is potentially really profitable, in the common vision of the ducassian work as a mental space animated by metamorphic images and expression of violent obsessions that translates the needs of animals and the desire of freedom of each person.

  14. L’image du Turc dans la poésie épique serbe The image of Turk in the epic serbian poetry

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    Sanja Bošković

    2012-05-01

    Full Text Available L’œuvre de Vuk Karadjitch et son évocation de l’image du Turc dans la poésie épique serbe. Persuadé que la poésie épique serbe porte une valeur exceptionnelle dans la formation de la langue elle-même ainsi que dans la constitution de l’identité nationale et de la mémoire collective, Vuk Karadjitch se hâte, durant toute sa vie, de rencontrer les chanteurs épiques-aèdes pour les écouter et noter les poèmes. C’est ainsi qu’il réussit à recueillir environ mille chants populaires.Les critères de systématisation de Vuk Karadjitch prennent en compte le contenu thématique des poèmes. Il divise les chants en deux familles : les poèmes féminins traitant des sujets appropriés, et les poèmes masculins qui évoquent les thèmes héroïques, les batailles, les guerres, les personnages et les événements importants de l’histoire. Les chants masculins sont au centre de nos recherches dans cette étude. Ces poèmes qui parlent des batailles sanglantes et de l’héroïsme national se situent historiquement à l’époque de l’envahissement turc des territoires serbes. Selon les différentes périodes de l’occupation ottomane, on peut voir l’évolution de l’image de l’occupant turc, construite dans l’imaginaire collectif. Dans la présence turque, les Serbes ne voyaient pas seulement l’envahisseur cruel, mais surtout leur propre échec qui les fait appeler constamment à la vengeance et à la révolte. En ce sens, la poésie épique serbe de l’époque de la domination turque n’est qu’une longue épopée sur un thème unique : la liberté.Persuaded that epic Serbian poetry plays an exceptional part in the formation of the language itself as well as in the constitution of a national identity and collective memory, Vuk Karadjich hurries throughout his life to meet traditional epic-singers and note down their poems. It is in this way he is able to collect around one thousand popular songs.Vuk Karadjich

  15. Egy tanúságtevő hitvalló, szolgáló, tudományos és papi pálya lezárult: Petrasevics Nikefor József eperjesi görög katolikus kanonok és tudományos kutató emlékére (1915–2013 - Passed a Wittness of the Faith, Scientist, a Servant of The Lord, True Priest: Nicefor Petrashevich (1915–2013, canon of the Preshov Greek Catholic Eparchy

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    FÖLDVÁRI, Sándor

    2014-03-01

    Full Text Available Decease of the witness of the Faith, a servant of the Lord and a famous researcher of the religious folklore: Nicefor Joseph Petrashevich (1915–2013 distinguished member of the Capitol of Preshov Greek Catholic Eparchy Born in Čukalovce, East-Slovakia (then Csukalóc, Upper-Hungary in 1915 as the sixth of the eleven children in the family of a Greek Catholic bishop, he was inspired by his father and elder brother who served the Lord. He studied in the high school (gymnasium of the Cistercian Order in Eger (Northern Hungary which provided its pupils with knowledge and deep faith. He became a choir-minister of the Uzghorod Bishopric Basilica where he turned to the examination of folklore traditions reflected in the liturgical chants. Apparently, it was his calling and his findings on the Byzantine chants contributed significantly to the understanding of religious folklore. He was known as a gifted composer and singer too. The Greek Catholic Church was banned in the Soviet Union which obtained Subcarpathia after the World War II, and this church was oppressed in Slovakia as well, so he faced a dilemma: to convert to the Ortodox (Pravoslav Christianity and live free, or to remain faithful to the Catholic Church and be persecuted. Moreover, he was a coelebs, a priest who did not have a wife (despite the fact that Greek Catholic priests are allowed to have families. Consequently, he could have been elected as bishop, as the higher ranks in the Byzantine Churches are open for monks. The communist authorities offered Pope Nicefor the episcopate of the Slovak Ortodox Church, if he converted to the Ortodoxy. He refused it: “my head does not accept the mithra (bishops’ crone by leaving my Catholic faith” –he said. As a result, he was imprisoned for more than two years in Slovakia. Later he came to Hungary where could not serve as a parochial priest, but worked as cantor or helping pope in various places and in centres of pilgrimage where

  16. Un témoin de la réception méridionale des traditions d'enseignement du Nord aux XIVe et XVe siècles : Barcelona, Biblioteca de Catalunya, M. 883

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    Meyer, Christian

    2003-12-01

    Full Text Available The collection of music treatises deposited at the Catalonia Library in Barcelona under the shelve-mark M. 883 gathers the main matters of the mediaeval musical education -liturgical chant, « música plana », and polyphony (organum and discantus- with the exception of the mathematical theories of the « música speculativa ». The manuscript under study transmits educational traditions spread over a geographic area located between the Seine and the Rhine : not only does the Parisian milieu is clearly discernible in it, but monastic cultures, those of the Cîteaux Order and of the Preaching Friars in particular, can also be disclosed. The contents of this collection, which may have been realised in the surroundings of the Avignon Papacy (perhaps under the Cistercian Pope Benedict XII, met with a large success in Italy during the 15th century, and show in this respect a peculiar aspect of the cultural lag there in the fields of musical practice and theory from the late 14th to the beginning of the 15th century. By 1474 in Mantua, Franchinus Gafurius drew the essential of his Tractus brevis cantus plani from this collection of treatises.[fr] Le recueil de traités de musique conservé à la Bibliothèque de Catalogne à Barcelone sous la cote M. 883 réunit les principales matières de l'enseignement de la musique -chant liturgique, "música plana" et polyphonie (organum et déchant- à l'exception des théories mathématiques de la "música speculativa". Il représente des traditions d'enseignement répandues dans une aire géographique comprise entre Seine et Rhin : le milieu parisien y occupe une place prépondérante (tradition d'enseignement de Jean de Garlande, Lambertus, mais on y distingue également des cultures monastiques, en particulier celle de l'ordre de Cîteaux et des Frères prêcheurs. Ce recueil, qui pourrait avoir été constitué à la faveur ou dans un milieu proche de la papauté d'Avignon (peut-être sous le pontificat du

  17. Church music in the light of national legislation in the principality of Serbia and the Kingdom of Serbia

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    Peno Vesna

    2012-01-01

    Full Text Available Officially, the Serbian Orthodox Church enjoyed a legally guaranteed status throughout the 19th century and Orthodox faith was considered to be prevalent both in the Principality of Serbia and in the Kingdom of Serbia. Nevertheless, after gaining its autonomy within the Constantinople Patriarchate in 1831 (under whose forced jurisdiction it had been since 1766, Knez Milos’s attitude and a number of state provisions led to the unsparing diminishing of the Church authority together with frequent subversions of the Church Canon law. Introduction of the constitutional and legislative framework for the activities of the Serbian church, the enforcement of institutionalized mechanisms of control, and above all, direct interference of the State authorities in the elections of Church hierarchs and their activities, marked relations of the Church and the State in the 19th century. “Might makes right” rule was always on the State side. Investigations so far have least examined those provisions of the Government concerning general and theological education, in which church music also found its place. Presentation and analysis of the facts about the beginnings of organized music education go in favor of the existing findings on concurrencies and discrepancies in two cultural policies - that of the State and the one of the Church. Attitudes of the Sovereign and the Government towards the educational process, so vital during the decades of the State formation, are also indicative for affirmation of chanting practice and music art in general, as are (non- conflicting interests between the prelates and distinguished public figures on one, and those in charge at the ministries on the other side. This paper presents all relevant government legislations regulating religious and music education at regular and theological schools. Attempts of the Church dignitaries and learned Serbian musicians to raise the level of music culture with the help of the State

  18. Persistence, resistance, resonance

    Science.gov (United States)

    Tsadka, Maayan

    Sound cannot travel in a vacuum, physically or socially. The ways in which sound operates are a result of acoustic properties, and the ways by which it is considered to be music are a result of social constructions. Therefore, music is always political, regardless of its content: the way it is performed and composed; the choice of instrumentation, notation, tuning; the medium of its distribution; its inherent hierarchy and power dynamics, and more. My compositional praxis makes me less interested in defining a relationship between music and politics than I am in erasing---or at least blurring---the borders between them. In this paper I discuss the aesthetics of resonance and echo in their metaphorical, physical, social, and musical manifestations. Also discussed is a political aesthetic of resonance, manifested through protest chants. I transcribe and analyze common protest chants from around the world, categorizing and unifying them as universal crowd-mobilizing rhythms. These ideas are explored musically in three pieces. Sumud: Rhetoric of Resistance in Three Movements, for two pianos and two percussion players, is a musical interpretation of the political/social concept of sumud, an Arabic word that literally means "steadfastness" and represents Palestinian non-violent resistance. The piece is based on common protest rhythms and uses the acoustic properties inherent to the instruments. The second piece, Three Piano Studies, extends some of the musical ideas and techniques used in Sumud, and explores the acoustic properties and resonance of the piano. The final set of pieces is part of my Critical Mess Music Project. These are site-specific musical works that attempt to blur the boundaries between audience, performers and composer, in part by including people without traditional musical training in the process of music making. These pieces use the natural structure and resonance of an environment, in this case, locations on the UCSC campus, and offer an active

  19. Alphons Diepenbrock and the European world of composers at the fin-de-siècle

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    van der Leeuw Gerard

    2002-01-01

    Full Text Available The article consists of three parts. In the first part the author gives a survey of the large artistic renewal that took place in the Netherlands around 1900. Special attention is given to "de beweging van Tachtig"(the movement of the "Tachtigers", a renewal movement in literature in which the composer Alphons Diepenbrock was involved. In the second part a short description of the life and work of this most important Dutch composer of the end of the nineteenth century is given. In his early years Diepenbrock orientated himself to composers like Wagner, especially around the First World War (in which the Netherlands remained a neutral country, and he became a fervent admirer of French art. His music is a unique synthesis of Wagner's chromaticism, the word-bound rhythms of plain-chant and the polyphonic music of the old Flemish schools of Ockeghem and Josquin. In the third part the author deals with a couple of Diepenbrock's (artistic contacts. There are highlights on Mahler, Schönberg and Debussy, primarily based on their correspondence.

  20. Falquet de Romans, “Ma bella dompna, per vos dei esser gais” (BdT 156.8

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    Paolo Di Luca

    2010-08-01

    Full Text Available “Ma bella dompna per vos dei esser gais” by Falquet de Romans has been taken for a courtly song for a long time. However, the poem’s metrical form is derived directly from that of the epic, as illustrated by the use of monorhymed ‘décasyllabes’ with non-systematic epic caesura and the presence of a ‘petit vers’ at the end of each stanza. The poem may thus be defined as stanzaic but not lyric because its versification is that of the chanson de geste and its music must be that of an epic chant. Moreover, its content reflects the rhetorical structure of the ‘salut d’amor’, an epistolary genre in which the lover sends a letter to his lady asking her to respond to his love. Thus, “Ma bella dompna” should be considered a formal hybrid between ‘salut d’amor’ and ‘chanson de geste’; in this sense it is to be compared to those few compositions of an epistolary nature that employ epic form, such as Raimbaut de Vaqueiras’ famous letter to the Marquis Boniface of Monferrato, which is probably the prototype of this poetic experiment, along with two pairs of ‘laisses’ exchanged between Gui de Cavaillon and Bertran Folco d’Avignon.

  1. A pilot study: the effects of music therapy interventions on middle school students' ESL skills.

    Science.gov (United States)

    Kennedy, Roy; Scott, Amanda

    2005-01-01

    The purpose of this study was to investigate the effects of music therapy techniques on the story retelling and speaking skills of English as a Second Language (ESL) middle school students. Thirty-four middle school students of Hispanic heritage, ages 10-12, in high and low-functioning groups participated in the study for 12 weeks. Pretest to posttest data yielded significant differences on the story retelling skills between the experimental and control groups. Chi Square comparisons on English speaking skills also yielded significant results over 3 months of music therapy intervention. A variety of music therapy techniques were used including music and movement, active music listening, group chanting and singing, musical games, rhythmic training, music and sign language, and lyric analysis and rewrite activities as supplemental activities to the ESL goals and objectives. Comparisons of individual subjects' scores indicated that all of the students in the experimental groups scored higher than the control groups on story retelling skills (with the exception of 1 pair of identical scores), regardless of high and low functioning placement. Monthly comparisons of the high and low functioning experimental groups indicated significant improvements in English speaking skills as well.

  2. A week of Danjiki (Buddhist fasting ritual) on cardiometabolic health: a case report.

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    Tanaka, Hirofumi; Tomoto, Tsubasa; Sugawara, Jun

    2016-09-01

    Danjiki is an ascetic traditional fasting ritual in the Japanese Buddhism training. Here we present a case of a 48-year-old man who underwent a 1-week-long Danjiki fasting ritual in a remote Buddhist temple. The daily ritual consisted of waking up at 3:30 am, hiking strenuously in the steep mountains followed by meditations on the rocks, focused calligraphy of religious drawings and documents, recital of Buddhist prayer chanting, and standing under waterfalls while reciting prayers. He was allowed to drink water ad libitum and a cup of carrot juice a day. After a week of the Danjiki ritual, his body weight decreased by 5 kg. Resting metabolic rate did not change. Fasting blood glucose did not change but plasma triglyceride decreased 35 %. There were no changes in blood pressure. Arterial stiffness increased 15-25 % and endothelium-dependent vasodilation decreased 5 %. These results indicate that the Danjiki ritual produced significant weight loss but unexpectedly reduced vascular functions.

  3. The role of religion and spirituality in coping with kidney disease and haemodialysis in Thailand.

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    Yodchai, Kantaporn; Dunning, Trisha; Savage, Sally; Hutchinson, Alison M

    2017-06-01

    People with chronic kidney disease (CKD) face various problems including psychological, socioeconomic and physical effects associated with CKD and its treatment. They need to develop strategies to help them cope with CKD and life challenges. Religion and spirituality are important coping strategies, but their role in helping people cope with CKD and haemodialysis (HD) in Thailand is relatively unknown. To investigate the role of religion and spirituality in coping with CKD and its treatment in Thailand. An exploratory, qualitative approach was undertaken using semistructured individual interviews. Purposive sampling was used to recruit participants. Face-to-face, in-depth individual interviews using open questions were conducted during January and February 2012. Interviews were audio-recorded and transcribed verbatim. Data were analysed using the framework method of qualitative data analysis. Twenty people receiving HD participated: age range 23-77 years, mean 53.7 (±16.38 SD). Ten were women. Participants reported use of religious and spiritual practices to cope with CKD and its treatment, including religious and spiritual explanations for developing CKD, karmic disease, making merit, reading Dharma books, praying and chanting to save life and making a vow to Pran-Boon. Religion and spirituality provide powerful coping strategies that can help Thai people with CKD overcome the associated distress and difficulties. Religion and spirituality cannot be separated in Thai culture because Thai people are both religious and spiritual. © 2016 Nordic College of Caring Science.

  4. Biological control of Eotetranychus lewisi and Tetranychus urticae (Acari: Tetranychidae) on strawberry by four phytoseiids (Acari: Phytoseiidae).

    Science.gov (United States)

    Howell, Anna D; Daugovish, Oleg

    2013-02-01

    The spider mite, Eotetranychus lewisi (McGregor) (Acari: Tetranychidae), is a new emerging pest in California commercial strawberries. The predatory mite Phytoseiulus persimilis (Athias-Henriot) (Acari: Phytoseiidae), typically used for biocontrol of Tetranychus urticae (Koch) (Acari: Tetranychidae), provided growers little to no control of E. lewisi. Four commonly used phytoseiid predatory mites: P. persimilis, Neoseiulus californicus (McGregor), N. fallacis (Garman), and Amblyseius andersoni (Chant), were used in lab studies to investigate which is best at managing E. lewisi populations. We als o investigated t he interactions between T. urticae and E. lewisi and in relation to phytoseiid efficiency given the potential for indirect effects of biocontrol. When E. lewisi and T. urticae are present on the same leaf, T. urticae populations increase and begin displacing E. lewisi. P. persimilis did not feed on E. lewisi, but the other three predatory mites consumed the spider mites and lowered their populations. When both E. lewisi and T. urticae are present on the same leaf, N. fallacis and A. andersoni fed on both types of mites equally and were capable of decreasing both populations. N. californicus fed on E. lewisi first and decreased its population, but allowed T. urticae populations to increase. P. persimilis may be insufficient at controlling E. lewisi and its use may instead enhance E. lewisi populations.

  5. Reflection in phraseological neology of traumatic historical events connected with the terrorist threat

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    Skorobogatova Taisiya Ivanovna

    2016-03-01

    Full Text Available The article is devoted to the analysis of phraseological units - neologisms which are associated with such traumatic historical events, as the implementation of terrorist acts. Particular emphasis is placed on the description of English, Russian and French phraseological units that have introduced the memory of the terrorist threat in the XX-XXI centuries.: Eng. That’s so 10th September (lit. today September 10, fig: Do not worry ahead of time about nothing; Rus. мочить в сортире (descriptor: беспощадно расправиться; фр. le prince s’est mari, le m chant est mort, c’est une semaine Walt Disney (lit. prince married the villain died, week Walt Disney; descriptor: Idyll, g n ration Bataclan (lit. Bataklan generation; descriptor: young people age of the victims who died in the “Bataklane”, i.e. young people aged 25-35. Phraseology description of new, emerging units is one of the most important problems in theoretical linguistics, namely: to illustrate and confirm the fact that the phrasebook body of a single national language is the result of the two memories - historical and linguistic. At the same time important to consider such a significant factor that determines the specificity of the national phraseological fund as memory selectivity in general and historical memory in particular.

  6. MARKETING MIX IN SPORT

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    Srećko Novaković

    2011-03-01

    Full Text Available Marketing mix'' along the term of life cycle has robbed the trademark for the conception of marketing and the market direction of company, corporations and institutions. Essence marketing-mixa is in the simultaneous determining of the target market group of consumer (the buyer or stays the public and specially prepared and the coordinated impact of elements mixa, and this is the product, price, distributions and graduation ceremonies. Given that is mix combinations of verified variables, companies he use in order to would achieve are wished the scope sales on the target market. In the wider context significant influence of environment on the chosen structure marketing-mixa have not only technological, economic and competitive services already and socially-owned, legislative, legal and political services. From those reasons chant the marketing -mixa occasionally replaces expression are coordinated term acts on the market. Elements marketing-mix-and at sport marketings same are as well as at marketings every other activity. They contain the sportively product and the service, appreciate the sport product and services, distribution of sport product and services and the promotion of sport product and services.

  7. The War's Positive Impact on the Canadian Astronomical Community

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    Broughton, Peter

    2015-01-01

    At the beginning of WWI, the Canadian astronomical community was tiny and astrophysical research was just beginning. By the end of the war, the country had established the forerunner of its National Research Council and had the world's largest fully operational telescope, thanks to the late entry of the USA into the conflict. By 1918, Canada was on the verge of making significant contributions to science.In spite of the immense loss of life in this pointless war, I am aware of only one casualty affecting Canadian professional astronomers, and that was the indirect death of James Chant, son of University of Toronto's only professor of astronomy. Other Canadian astronomers, including Tom Parker, Bert Topham, and Harry Plaskett were on active service; each of their stories is unique.Among those engaged in scientific work during the war were two Canadians temporarily in England: John McLennan whose helium research for dirigibles led him to establish a cryogenic lab in Toronto where the green line in the spectrum of the aurora was identified in 1925, and Allie Douglas who worked as a statistician in the War Office. Later work with Eddington led her to become his biographer and to her distinction as the first person in Canada to earn a PhD in astronomy (in 1926).

  8. Cultural Preservation: Rediscovering the Endangered Oral Tradition of Maluku (A Case Study on Kapata of Central Maluku

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    Fathu Rahman

    2018-04-01

    Full Text Available Language and culture are two aspects which interchange each other where the language is a medium to get information about the culture. As the product of language and culture, oral tradition plays a vital role in Maluku not only as the most powerful and sacred chant that regulate the life of people but also as the folk song that contains history, advice, and prayer. Kapata nowadays is assumed as the endangered oral traditions in Maluku. To rediscover the endangered oral traditions, descriptive qualitative research by using interview and library study in gaining the supporting information was implemented. Furthermore, this research was aimed (1 to figure out the history of Kapata and the way to preserve it (2 to map out the categories of Kapata and its function in social life, and (3 to elaborate the meaning of language expression conveyed in Kapata. Through this research, it is hoped that Kapata can be preserved by implementing it in formal education, art performance and framing in an advanced documentation so that all generations of Maluku are able to not only to recognize and make use it in social life as the way to preserve the Kapata as an endangered oral tradition.

  9. Standing By Police Violence: On the Constitution of the Ideal Citizen as Sousveiller

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    Ben Brucato

    2016-10-01

    Full Text Available Individual citizens and social movement organizations document police with video, both serendipitously and deliberately. This documentation is characterized as an intervention, one that not only promises to alter events, but to fulfill civic responsibilities. Simply, video recording police makes one an active citizen, rather than a passive bystander. For instance, at Occupy Wall Street, video recording was a primary and normalized response by protesters when police used coercive force against other protesters. Their use of video streaming apps to live-broadcast such events—while chanting “The whole world is watching!”—shows how protesters framed watching as an intercession. The National Police Monitoring and Reporting Project frames citizen documentation of police as a duty, one that produces protective power against police violence. Copwatch “know your rights” training similarly portrays spontaneous filming as an intervention in violent policing. In other cases, however, video documentation is cast as a shame-worthy denial of a citizen’s responsibility to intervene to stop the perpetration of violence. In light of its equivocal standing, the treatment of documenting violence as an intervention is in doubt.

  10. A Buddhist Way of Drug Rehabilitation in Thailand - Approaching Drug Addiction With Loving Kindness: An Interview With Phra Maha Narong Chaiyatha

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    Carina Pichler

    2013-01-01

    Full Text Available Narong Chaiyatha has worked at the Quality Development of Life Center for 12 years and is engaged in diverse social projects as a Buddhist monk. The Quality Development of Life Center is an alternative program of dealing with drug addiction in Thailand and was established in 1993. On the premises of a Buddhist temple, the participants live together with monks, practice meditation, join chanting and dhamma talks, and help cultivate the temple. The program is part of the implementation of restorative justice in the criminal justice system. Depending on the severity of the drug addiction andthe social background of the person, the Department of Probation of the Ministry of Justice sends clients to the center to take part in the Buddhist rehabilitation program for two months. This interviewis based on the experiences of Narong Chaiyatha at the Quality Development of Life Center in Thep Mongkol temple, Amnat Charoen, Thailand, and gives an overview of some of the central elementsof the program, positive impacts for the community as well as challenges in its implementation. The interview was conducted at the same location on 28 January 2013.

  11. To revisit economics of nuclear technology. Lessons from the learning of a complex technology by major accidents

    International Nuclear Information System (INIS)

    Finon, Dominique

    2012-05-01

    The Fukushima accident raises again the issue of the social and economic viability of nuclear technology. To re-evaluate this viability, we analyse the past process of internalisation of external costs of nuclear energy, which present the specificities to be chanted by accidents and has had a constant effect of complexification. This process has provoked a de-organisation of the classical learning process reflected in constant cost increases and the change of social preferences, to end up by the lack of competitiveness before climate policies. Independent institutions of safety regulation have become essential elements of the social embeddedness of nuclear technology at the expense of technology stability and standardization, condition of its competitiveness. In this perspective, the paper argues that the new sequence of social costs' internalization opened by Fukushima will have limited effects on costs, because of anterior steps of safety improvements. Nuclear technology complexification reaches its asymptote: it is being to overcome the challenge of 'learning by major accidents'. On the other hand nuclear institutions must be re-designed in such a way that it could guarantee maximum safety records and minimum residual risks by going to the other root of the safety issue, the degree of independence and capabilities of the safety authorities in every country, what cannot be decreed. It is nevertheless at this price that could be preserved the global public good of the social acceptance of nuclear technology by limiting drastically chance of new accidents. (author)

  12. Performance Measurement Of Mel Frequency Ceptral Coefficient (MFCC) Method In Learning System Of Al- Qur’an Based In Nagham Pattern Recognition

    Science.gov (United States)

    Afrillia, Yesy; Mawengkang, Herman; Ramli, Marwan; Fadlisyah; Putra Fhonna, Rizky

    2017-12-01

    Most of research have used signal and speech processing in order to recognize makhraj pattern and tajwid reading in Al-Quran by exploring the mel frequency ceptral coefficient (MFCC). However, to our knowledge so far there is no research has been conducted to recognize the chanting of Al-Quran verse using MFCC. This term is also well-known as nagham Al-Quran. The characteristics of nagham Al-Quran pattern is much more complex then makhraj and tajwid pattern. In nagham the wave of the sound has more variation which implies the level of noice is much higher and has sound duration longer. The data testing in this research was taken term by real-time recording. The evaluation measurement in the system performance of nagham Al-Quran pattern is based on true and false detection parameter with accuracy 80%. To measure this accuracy it is necessary to modify the MFCC or to give more data learning process with more variation.

  13. Il De gemitu Columbae del cardinale Roberto Bellarmino e lo jus publicum ecclesiasticum

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    Alex Borghi

    2018-02-01

    ABSTRACT: One of the minor works of cardinal Roberto Bellarmino, De Gemitu Columbae sive De Bono lacrymarum (1617 is composed of three books: the first is dedicated to the "need for moans"; the second and third, respectively, to the sources and the fruits of the "tears". In investigating the origin of the moan, after quoting Isaiah and Nahum, the Author insists on a verse, particularly evocative, taken from the Song of Songs (6, 9. Therefore, the moan is not referred only to the animal in itself, but also to the whole Church: the work in question seems to be more connected to the textures of a "political theology" than to the classic counter-reformed edification readings. The present contribution aims to examine the relationships between De gemitu and the jus publicum ecclesiasticum, not only externum but also - and above all - internum. And, by this way, the highly debated theme of belonging to the Ecclesia, faced by the great Counter-reform theorist through the images of the dove and the chant.

  14. Théorème vivant

    CERN Document Server

    Villani, Cédric

    2012-01-01

    Théorème vivant est le récit de la genèse d'une avancée mathématique. Nous voici emportés dans le quotidien d'un jeune chercheur de talent : un véritable « road-trip », de Kyoto à Princeton et de Lyon à Hyderabad, dont Villani tient, au jour le jour, le carnet de bord. Entre des échanges enflammés avec son collaborateur et compagnon de route, quelques refrains de chansons fredonnés au fil des équations et les histoires merveilleuses que ce père de famille raconte à ses enfants, on suit la lente et chaotique élaboration d'un nouveau théorème qui lui vaudra la plus prestigieuse distinction du monde des mathématiques. Aux antipodes de l'ouvrage de vulgarisation scientifique traditionnel, Théorème vivant est un chant passionné qui se lit comme un roman d'aventures, jalonné de portraits de quelques-uns des plus grands noms de l'histoire des mathématiques et parsemé de vertigineuses équations qui exercent sur le lecteur une irrésistible fascination. Avis à tous ceux qui gardent un sou...

  15. Musical instruments of Brazilian capoeira: Historical roots, symbolism, and use

    Science.gov (United States)

    Ilari, Beatriz

    2002-11-01

    This paper describes the historical roots, symbolism, and uses of musical instruments in capoeira. A martial art form of Afro-Brazilian origin, capoeira is rhythmically performed to music in a roda (i.e., circle). Capoeira is at times defined as a martial art form disguised as dance because it is rooted in the struggles of African slaves. Elements of music, dance, fight, and ritual are part of this unique martial art form, which has two main styles: Angola and Regional. Capoeira styles are important as they determine rhythmic patterns, chant, movement, and musical instrumentation in a roda. The leading instrument in all capoeira styles is the berimbau. The instrument dictates the rhythm and movement of capoeira players in a roda (Ilari, 2001). Made out of a wooden stick, a wire, and a gourd and played with a stick and a coin, the berimbau is considered a sacred instrument due to its association with the cry of the slaves. Other instruments used in capoeira are pandeiros, agogo bells, reco-recos, and atabaques. A discussion regarding the use of these instruments within the context of capoeira will be presented at the conference. The incorporation of these instruments into contemporary Brazilian music will also be considered.

  16. Keeping chili powder out of their eyes.

    Science.gov (United States)

    Bernhard, B

    1997-03-01

    This paper discusses the performance under the Parivartan project initiated and implemented in India based on the first-hand experience of the author. This pilot project started with 10 individuals trained to perform plays on different subjects in various villages, and after 1 year of operation the casts were able to perform 4 plays in 30 targeted villages. Performance of these individuals entails a song to invoke and notify villagers, followed by another song, which briefly introduces the main point of the story. The performers first present the traditional folk section followed immediately by a contemporary version of the same story that is parallel to existing problems. The play generally ends with the entire acting company dancing, while the performers were chanting the lessons of the story. After the performance, an address to the audience to encourage small group discussions was made. Interviews with actresses revealed their enthusiasm in performing and the changes it made in their lives. Furthermore, the author emphasizes that the program could not be measured quantitatively, instead qualitative change in the lives and attitudes of the villagers could very well measure its success. To end, careful organization and administrative collaboration between villages in implementing the project have proven worthy as a model for such efforts.

  17. Using a Birth Center Model of Care to Improve Reproductive Outcomes in Informal Settlements-a Case Study.

    Science.gov (United States)

    Wallace, Jacqueline

    2018-06-04

    The world is becoming increasingly urban. For the first time in history, more than 50% of human beings live in cities (United Nations, Department of Economic and Social Affairs, Population Division, ed. (2015)). Rapid urbanization is often chaotic and unstructured, leading to the formation of informal settlements or slums. Informal settlements are frequently located in environmentally hazardous areas and typically lack adequate sanitation and clean water, leading to poor health outcomes for residents. In these difficult circumstances women and children fair the worst, and reproductive outcomes for women living in informal settlements are grim. Insufficient uptake of antenatal care, lack of skilled birth attendants and poor-quality care contribute to maternal mortality rates in informal settlements that far outpace wealthier urban neighborhoods (Chant and McIlwaine (2016)). In response, a birth center model of maternity care is proposed for informal settlements. Birth centers have been shown to provide high quality, respectful, culturally appropriate care in high resource settings (Stapleton et al. J Midwifery Women's Health 58(1):3-14, 2013; Hodnett et al. Cochrane Database Syst Rev CD000012, 2012; Brocklehurst et al. BMJ 343:d7400, 2011). In this paper, three case studies are described that support the use of this model in low resource, urban settings.

  18. Meditation-related activations are modulated by the practices needed to obtain it and by the expertise: an ALE meta-analysis study

    Science.gov (United States)

    Tomasino, Barbara; Fregona, Sara; Skrap, Miran; Fabbro, Franco

    2013-01-01

    The brain network governing meditation has been studied using a variety of meditation practices and techniques practices eliciting different cognitive processes (e.g., silence, attention to own body, sense of joy, mantras, etc.). It is very possible that different practices of meditation are subserved by largely, if not entirely, disparate brain networks. This assumption was tested by conducting an activation likelihood estimation (ALE) meta-analysis of meditation neuroimaging studies, which assessed 150 activation foci from 24 experiments. Different ALE meta-analyses were carried out. One involved the subsets of studies involving meditation induced through exercising focused attention (FA). The network included clusters bilaterally in the medial gyrus, the left superior parietal lobe, the left insula and the right supramarginal gyrus (SMG). A second analysis addressed the studies involving meditation states induced by chanting or by repetition of words or phrases, known as “mantra.” This type of practice elicited a cluster of activity in the right SMG, the SMA bilaterally and the left postcentral gyrus. Furthermore, the last analyses addressed the effect of meditation experience (i.e., short- vs. long-term meditators). We found that frontal activation was present for short-term, as compared with long-term experience meditators, confirming that experts are better enabled to sustain attentional focus, rather recruiting the right SMG and concentrating on aspects involving disembodiment. PMID:23316154

  19. Tula song folklore: genre-stylistic and dialectic peculiarities

    Directory of Open Access Journals (Sweden)

    Krasovskaya Nelli Alexandrovna

    2016-06-01

    Full Text Available The article analyzes the works of Tula folklore recorded in the western part of the Tula region, in terms of genre, stylistic and linguistic features. The relevance of the study is related to the fact that Tula folk songs has not been studied, linguistic features of the works are not subjected to serious analysis. The article describes the features of the genre of songs recorded in Belevsky district of Tula region, including the ancient fortunetelling chants, wedding ceremony songs, romantic ballads etc., it is cited numerous examples in the lyrics that reflect the dialectal features of the phonetic, grammatical, lexical levels. According to the authors, a modern folk song genre retains its diversity and is a kind of storeroom containing priceless linguistic wealth. The analysis allows to draw conclusions about the presence and well-preserved in the recorded music of South Russian dialect phonetic and grammatical features. So far, there is no established typology of Tula dialects, therefore, according to the authors, the fixation of folklore in the territories bordering on Tula dialects, is very important and interesting for further descriptive and comparative work on identifying the eastern and south-south-west differences in Tula dialects.

  20. Écriture et dissidence dans les fictions spéculatives de Pascal Quignard : sur l´exemple de Boutès

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    Patricia Martínez García

    2013-04-01

    Full Text Available In Boutès (2008 Pascal Quignard rescues the figure of this pre-Homeric neglected hero, hidden in one of the best known mythological legends, that of Ja-son and Argona, to which Apollonius of Rhodes only dedicates but a few lines. Contrary to Ulysses and Orpheus, Butes abandons the rowing and lets himself be carried away by the sirens’ chant. In Quignard´s opinion, he dissents from the exemplary model of the heroes that have founded our culture, and dissociates himself from the group that tries to enclose and domesticate the outcast. Based on Quignard´s reading of this myth, we propose an approach to his writing as a token of ethic and aesthetic dissidence, affecting different aspects: dissidence from prevailing models of socialization, dissi-dence from traditional literary forms and conventional genres, dissidence from meta-narratives and their linear vision of history, and finally, dissidence from modern conceptions of time and progress.

  1. Inter relationship of Ayurveda and Astrology.

    Science.gov (United States)

    Dwivedi, Jaiprakash Narayan

    2013-01-01

    In the universe all the creatures are related to Adhivyadhi, which indicates mental agony or bodily pain. Acharyas of Ayurveda like Charaka, Sushruta and Kashyap have classified diseases into various categories like Agantuja, Sharirika, Manasika, Swabhavika, etc. Charaka classified diseases based on the prognosis like Sadhya, Asadhya, Mrudu and Daruna. Ayurveda also suggested Daiva Vyapashraya Chikitsa which includes of Manidharana and chanting Mantras. Astrological sciences suggest 10 types of remedial measures in the treatment of diseases. This science considers that causative factors of various disorders are the Navagrahas (nine planets). The influence of the planets on various procedures like drug processing, bath taking, performing Yajna, wearing Ratna, etc. are well documented in Jyotishashastra. Drugs processed in Chandra Nakshatra acts as ambrosia and subdues Tridoshajanya Vyadhi. Medicated baths are suggested for diseases engendered due to involvement of different planet effects viz. Sarshpa for Shukra, Haridra and Daruharidra for Shani Lodhra for Ketu, Sharpunkha for Rahu, etc. In a close scrutiny it appears that Jyotishashastra Siddhanta can play crucial role in the management of chronic diseases.

  2. Juan Gelman, el monstruo está vivo

    Directory of Open Access Journals (Sweden)

    Ana Porrúa

    1996-11-01

    Full Text Available Traducciones III. Los poemas de Sidney West [1968] es la zona de la producción gelmaneana en la que se puede leer con mayor claridad la cuestión de la diferencia. En principio como gesto de discrepancia y hasta de provocación hacia el lugar de pertenencia, la poética argentina del '60, porque desaparece el texto político y el modo de enunciación que le era propio. Los enunciados asertivos, informativos o argumentativos se sustituyen por la puesta en escena de la configuración de la imagen, cuyo proceso responde a la tradición del surrealismo francés. Pero Traducciones III también se lee como una zona de discrepancia con las vanguardias históricas, o con sus textos de origen, dada la reescritura de Les Chants de Maldoror de Lautréamont. Ambos textos hablan de procesos de descomposición -evaporación, canibalización, corrosión- pero el de Gelman borra la voz adulta propia de la 'poesía maldita' e instala, como relectura desobediente, una voz infantil.

  3. Persistent Interictal Musical Hallucination in a Patient With Mesial Temporal Sclerosis-Related Epilepsy: First Case Report and Etiopathological Hypothesis.

    Science.gov (United States)

    Borelli, Paolo; Vedovello, Marcella; Braga, Massimiliano; Pederzoli, Massimo; Beretta, Sandro

    2016-12-01

    Musical hallucination is a disorder of complex sound processing of instrumental music, songs, choirs, chants, etc. The underlying pathologies include moderate to severe acquired hearing loss (the auditory equivalent of Charles Bonnet syndrome), psychiatric illnesses (depression, schizophrenia), drug intoxication (benzodiazepines, salicylate, pentoxifylline, propranolol), traumatic lesions along the acoustic pathways, and epilepsy. The hallucinations are most likely to begin late in life; 70% of patients are women. Musical hallucination has no known specific therapy. Treating the underlying cause is the most effective approach; neuroleptic and antidepressant medications have only rarely succeeded.Musical hallucination in epilepsy typically presents as simple partial seizures originating in the lateral temporal cortex. To our knowledge, no formal report of musical hallucination in the interictal state has been published before. In contrast, other interictal psychotic features are a relatively common complication, especially in patients with long-standing drug-resistant epilepsy.We describe a 62-year-old woman with a long history of mesial temporal lobe epilepsy whose musical hallucination was solely interictal. We speculate on the possible link between temporal epilepsy and her hallucination. We hypothesize that, as a result of her epileptic activity-induced damage, an imbalance developed between the excitatory and inhibitory projections connecting the mesial temporal cortex to the other auditory structures. These structures may have generated hyperactivity in the lateral temporal cortex through a "release" mechanism that eventually resulted in musical hallucination.

  4. Ecstasy and vision

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    Anders Hultgård

    1981-01-01

    Full Text Available In this paper we shall present some observations on the role played by ecstasy in the activity of the seer, as he emerges in ancient Jewish and Iranian texts. In the Jewish religious literature of the Hellenistic-Roman period, visions are described on almost every page, and visions were the most important means of divine revelation. Specific techniques for inducing the ecstatic state are not recorded in the Jewish sources. Some elements in the pattern leading up to the vision may be interpreted as parts of a method for inducing the final ecstasy; i.e. fasting and prayer. The Iranian material shows clearly the importance of ecstasy in the activity of the seer. The ecstatic seeing also means that the visionary shares with Ahura Mazda a divine quality, the "wisdom of omniscience". The granting of the "wisdom of omniscience" appears as a temporary and it conveys to the visionary a supernatural seeing. There is evidence to suggest that chanting was an important method of inducing ecstasy within the early Zoroastrian community. We do not find in the Jewish material a clear correspondence to the Iranian notion of "omniscient wisdom".

  5. Pembacaan Dangding Haji Hasan Mustapa terhadap Sastra Sufistik Sunda di Era Budaya Popular

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    Jajang A. Rohmana

    2014-08-01

    Full Text Available Dangding as a literary work is only meaningful when chanted. When one just reads in his/her mind silently, dangding becomes dry and lacks of meaning. This paper discusses the position of Mustapa’s dangding in literary context and their relevance to contemporary Sundanese discourse. The main focus of this study is the character of his mystical verses, structural aspects of dangding as a Sufism vessel, and to examine any discrepancy of meaning in reading process on his dangding for Sundanese literary today. Cultural studies approach is used to analyze the meaningfulness of his works in the current widespread popular cultural challenges. The study finds that with the decline of dangding tradition, Mustapa’s works receive a great deal of challenges seen from the development of modern literary: the influence of Indonesian literature (short stories, novels, etc. to the Sundanese literary; dangding becomes marginalized along with the loss of many cultural institutions where it is appreciated; and the problem of meaning discrepancies on reading it in popular culture, which is dominated by massively printed works that lost the meaning behind words and melody. It is difficult for it to compete in popular cultural hegemony that relies on uniformity, profit-oriented and passive consumer.

  6. Théâtre les 50

    CERN Document Server

    Théâtre les 50

    2011-01-01

    Le Théâtre Les 50 de Saint Jean de Gonville propose : ARAGON CHANTÉ ET PARLÉ : Ferré, Ferrat, Brassens LOUIS ARAGON, écrivain et poète français ... Cofondateur de la revue Libération en 1919, avec André Breton et Philippe Soupault, Aragon publia l'un des meilleurs romans surréalistes, Le Paysan de Paris (1926). Lié à la Résistance durant toute l'occupation, Aragon participa après la guerre aux activités du Parti communiste français. Son œuvre poétique fut marquée par son amour pour sa compagne, Elsa Triolet. À partir de la fin des années 1950, nombre de ses poèmes ont été mis en musique et chantés notamment par Jean Ferrat et Léo Ferré, contribuant à faire connaître son œ...

  7. Baroque néo-mélodique et barock’n’roll. Les identités musicales à Naples dans les années 1970

    Directory of Open Access Journals (Sweden)

    Gius Gargiulo

    2010-11-01

    Full Text Available Mon exposé vise à décrire les termes du débat sur l’identité culturelle et politique napolitaine au tourment des années soixante-dix, à travers le concept anthropologique et musical de napoletanità ou « napolétanité » élaboré par les élites musicales de la ville, comme Bennato et Daniele, qui rapprochaient, dans les rythmes de leurs chansons, les sonorités traditionnelles à celles du rock et du blues. De plus, la relecture philologique, par les musiciens-musicologues de la Nouvelle Compagnie de Chant Populaire, de l’imposant passé musical et populaire urbain de la ville, se situait à l’opposé des modules expressifs mélangés des chanteurs populaires néo-mélodiques. La problématique dans ce cas concerne la définition d’une esthétique sociale qui parvient a posteriori à configurer la notion d’identité baroque, « ba-rock » ou néo-baroque napolitain qui, à travers le pathétique, les excès, les croisements des sonorités, est capable de garder toujours à l’esprit une notion de centralité, un point de repère entre normalité et excès.

  8. Subjective study of preferred listening conditions in Italian Catholic churches

    Science.gov (United States)

    Martellotta, Francesco

    2008-10-01

    The paper describes the results of research aimed at investigating the preferred subjective listening conditions inside churches. The effect of different musical motifs (spanning Gregorian chants to symphonic music) was investigated and regression analysis was performed in order to point out the relationship between subjective ratings and acoustical parameters. In order to present realistic listening conditions to the subjects a small subset of nine churches was selected among a larger set of acoustic data collected in several Italian churches during a widespread on-site survey. The subset represented different architectural styles and shapes, and was characterized by average listening conditions. For each church a single source-receiver combination with fixed relative positions was chosen. Measured binaural impulse responses were cross-talk cancelled and then convolved with five anechoic motifs. Paired comparisons were finally performed, asking a trained panel of subjects their preference. Factor analysis pointed out a substantially common underlying pattern characterizing subjective responses. The results show that preferred listening conditions vary as a function of the musical motif, depending on early decay time for choral music and on a combination of initial time delay and lateral energy for instrumental music.

  9. Maçonneries murales de brique dans l’Espagne médiévale

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    Araguas, Philippe

    2005-12-01

    Full Text Available Few are the different bonds of brickwork in medievel Spain. Walls entirely built with bricks are scarce. Brick is used combining header bond and sideways bond, opus spicatum or vertical bond. Among mixed bonds, the «toledan bond» is very characteristic. A diachronic cartography can show the variation of these different bonds according to time and historical regionsLes modalités d’appareillage des murs de brique dans l’Espagne médiévale sont peu variées. Rares sont les murs construits entièrement en brique ; celle-ci est utilisée en appareil de revêtement en combinant disposition «en carreau» et « en boutisse, en opus spicatum ou «ce chant». Parmi les appareils mixtes, l’ «appareil tolédan» est aisément identifiable. Une cartographie diachronique permet de rendre compte de la variation de ces modes d’utilisation de la brique.

  10. The Divine Comedy revisited: the reflective paths of Giorgio Agamben in dantesque verses

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    Monique Bione Silva

    2017-12-01

    Full Text Available This essay intends to study some points of the Divine Comedy and its author, through the perspective of the Italian philosopher and literary critic Giorgio Agamben, and also, how he creates rhizomes among his texts using as object of study the Florentine poet. Being one of the most studied poems in different academic areas, the Dante an chants pass through time and remain updated and active not only in re-readings of poetic productions, but also in the eyes of scholars like Agamben. The literary critic presents a compilation of several texts, in a study differentiated from Dante's poetry with books like Estancias e Categorie Italiane. Agamben approaches the question of the meaning of poetry and how it can be decisive for poetic construction, as well as the conceptualization of enjambement; re-think about the title of Comedy; brings the understanding of the contemporaneity of the poets, especially Dante, and goes deeper into the theological foundations of politics to think about the question of acclamation as the center of political devices.

  11. Juan Gelman, el monstruo está vivo

    Directory of Open Access Journals (Sweden)

    Ana Porrúa

    1997-04-01

    Full Text Available Traducciones III. Los poemas de Sidney West [1968] es la zona de la producción gelmaneana en la que se puede leer con mayor claridad la cuestión de la diferencia. En principio como gesto de discrepancia y hasta de provocación hacia el lugar de pertenencia, la poética argentina del '60, porque desaparece el texto político y el modo de enunciación que le era propio. Los enunciados asertivos, informativos o argumentativos se sustituyen por la puesta en escena de la configuración de la imagen, cuyo proceso responde a la tradición del surrealismo francés. Pero Traducciones III también se lee como una zona de discrepancia con las vanguardias históricas, o con sus textos de origen, dada la reescritura de Les Chants de Maldoror de Lautréamont. Ambos textos hablan de procesos de descomposición -evaporación, canibalización, corrosión- pero el de Gelman borra la voz adulta propia de la 'poesía maldita' e instala, como relectura desobediente, una voz infantil.

  12. Meditation related activations are modulated by the practices needed to obtain it and by the expertise:an ALE meta-analysis study

    Directory of Open Access Journals (Sweden)

    Barbara eTomasino

    2013-01-01

    Full Text Available The brain network governing meditation has been studied using a variety of meditation practices and techniques practices eliciting different cognitive processes (e.g., silence, attention to own body, sense of joy, mantras, etc.. It is very possible that different practices of meditation are subserved by largely, if not entirely, disparate brain networks. This assumption was tested by conducting an activation likelihood estimation (ALE meta-analysis of meditation neuroimaging studies, which assessed 150 activation foci from 24 experiments. Different ALE meta-analyses were carried out. One involved the subsets of studies involving meditation induced through exercising focused attention. The network included clusters bilaterally in the medial gyrus, the left superior parietal lobe, the left insula and the right supramarginal gyrus. A second analysis addressed the studies involving meditation states induced by chanting or by repetition of words or phrases, known as ‘mantra’. This type of practice elicited a cluster of activity in the right supramarginal gyrus, the SMA bilaterally and the left postcentral gyrus. Furthermore, the last analyses addressed the effect of meditation experience (i.e., short- vs. long-term meditators. We found that frontal activation was present for short-term, as compared with long-term experience meditators, confirming that experts are better enabled to sustain attentional focus, rather recruiting the right supramarginal gyrus and concentrating on aspects involving disembodiment.

  13. Italian musicians in Greece during the nineteenth century

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    Romanou Ekaterini

    2003-01-01

    Full Text Available In Greece, the monophonic chant of the Orthodox church and its neumatic notation have been transmitted as a popular tradition up to the first decades of the 20th century. The transformation of Greek musical tradition to a Western type of urban culture and the introduction of harmony, staff notation and western instruments and performance practices in the country began in the 19th century. Italian musicians played a central role in that process. A large number of them lived and worked on the Ionian Islands. Those Italian musicians have left a considerable number of transcriptions and original compositions. Quite a different cultural background existed in Athens. Education was in most cases connected to the church - the institution that during the four centuries of Turkish occupation kept Greeks united and nationally conscious. The neumatic notation was used for all music sung by the people, music of both western and eastern origin. The assimilation of staff notation and harmony was accelerated in the last quarter of the 19th century. At the beginning of the 20th century in Athens a violent cultural clash was provoked by the reformers of music education all of them belonging to German culture. The clash ended with the displacement of the Italian and Greek musicians from the Ionian Islands working at the time in Athens, and the defamation of their fundamental work in music education.

  14. Acaricidas utilizados na citricultura convencional e orgânica: manejo da leprose e populações de ácaros fitoseídeos

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    Daniel Júnior de Andrade

    2010-12-01

    Full Text Available O controle da leprose dos citros no Estado de São Paulo é realizado quase que exclusivamente com aplicações de acaricidas para o controle do ácaro vetor Brevipalpus phoenicis, as quais contribuem para o aumento dos custos de produção e podem afetar negativamente as populações de organismos benéficos. Portanto, o objetivo do trabalho foi avaliar, durante quatro safras, os efeitos de acaricidas indicados para o controle do ácaro B. phoenicis em citros convencional e orgânico sobre a evolução da leprose dos citros e sobre ácaros fitoseídeos. O experimento foi instalado em outubro de 2003, em pomar de laranja localizado no município de Reginópolis-SP. O delineamento experimental foi em blocos casualizados, estabelecendo-se os tratamentos, expressos em mL de p.c./100 L de água: spirodiclofen a 20 mL e cyhexatin a 50 mL (aplicados em rotação, calda sulfocálcica a 4.000 mL e testemunha sem aplicação de acaricidas. Entretanto, a rotação entre spirodiclofen e cyhexatin iniciou-se em setembro de 2006 e, anteriormente a esse período, utilizou-se somente o spirodiclofen. A cada quinze dias, foram realizados levantamentos populacionais do ácaro B. phoenicis e dos ácaros predadores Iphiseiodes zuluagai e os do gênero Euseius. O nível de controle adotado para o B. phoenicis foi de 8,3%, sendo que as aplicações dos produtos foram realizadas com pulverizador de arrasto tratorizado munido com lanças manuais. Na safra de 2007-2008, coletaram-se 10 frutos caídos devido à leprose por parcela e quantificou-se o número de lesões de leprose presentes em cada fruto. Avaliaram-se, ao término da safra de 2007-2008, a produtividade, as perdas devido à leprose, bem como a incidência e a severidade da leprose. Constatou-se que o local das lesões no fruto é mais importante para determinar sua queda do que o número de lesões presentes. Quanto mais intensa a infestação do ácaro B. phoenicis, maior é o número de lesões de

  15. GRAÚNA: flights and sings of children “Quilombola’s” Curriculum

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    Marisa Terezinha Rosa Valladares

    2016-06-01

    Full Text Available Problematize (impossibilities of flights and chants in a curriculum lived by children in the areas of a quilombola community, in their first school years, motivated this work. The methodological composition, in a concept of daily research, encompassed conversations and narrations in recesses, classes and visits to the Graúna School, Itapemirim – Espírito Santo. Understanding that a lived curriculum adds teaching plans and learning, experienced in the daily academic life, invading community life, to beyond the school boundaries, structuring negotiations in conversations, authors whose comprehensions support these questions are invited to formulation of concepts, such as community/school. Graúna’s community holds peculiarity of quilombola registration by ancestry of its people, without a resistance movement for territory maintenance and without quilombola identity admitted by cultural tradition. The school’s curricular act, in pedagogical gesture, elaborates the entanglement community/school to (recreate the quilombola identity in the community. The reality of the Graúna children moves through figurative and concrete sights, where the open gates of the school do not encage hope, but give freedom for the little wings to prepare to fly over the world, chanting identities and well-being of stories lived in different times, in the impetus provided by a community/school, called Graúna – not by chance. Problematizar (impossibilidades de voos e (encantos num currículo vivido por crianças em geografias de uma comunidade quilombola, nos anos iniciais escolares, motivou este trabalho. A composição metodológica, numa concepção de pesquisa com cotidiano, abarcou conversações e narrativas em recreios, aulas e visitas à escola de Graúna, Itapemirim – Espírito Santo. Entendendo que um currículo vivido soma planos de ensino e aprendizagens, experimentadas no cotidiano escolar, invadindo vida de comunidade, para além muros de escola

  16. Conversing with Pelehonuamea: A workshop combining 1,000+ years of traditional Hawaiian knowledge with 200 years of scientific thought on Kīlauea volcanism

    Science.gov (United States)

    Kauahikaua, James P.; Babb, Janet L.; Kauahikaua, James P.; Babb, Janet L.

    2017-05-25

    The events surrounding volcanic eruptions and damaging earthquakes in Hawai‘i have often been described in journals, letters, and newspapers articles in the English language; however, the Hawaiian nation was among the most literate of countries in the 19th century, and many Hawaiian-language newspapers were in circulation through all but the earliest decades of the 19th century. Any modern reconstruction of the history of Hawaiian eruptions or earthquakes should take advantage of all available sources, and so we seek to add the Hawaiian-language newspaper articles, journals, stories, and chants to the volcano and earthquake literature. These sources have been used in many recent volcanological studies.Another aspect to the mix of science and traditional Hawaiian values is that many of the volcanic summits in Hawaiʻi are considered sacred to Hawaiians. Hawaiian travelers brought the first Western missionary team to the summit of Kīlauea and advised them of the proper protocols and behaviors while in this sacred area. The missionaries dismissed this advice as native superstition and they began a campaign of aggressively stamping out customs and protocols related to the Hawaiian volcano goddess Pelehonuamea. What has survived as native knowledge of the volcanoes is a few phrases from native guides included in some of the missionaries’ journals, and a few stories. Pualani and Kuʻulei Kanahele provide excellent introductions to the Pelehonuamea chants.In the 21st century, amid a reawakening of Hawaiian culture, modern Hawaiians are demanding protection of their sacred areas, and scientists must be aware of these interests. At the very least, scientists should show respect to Hawaiian values when working in these areas, and should try to minimize disruptions caused by their work. Kaeo Duarte, Peter Mills, and Scott Rowland describe taking this approach in their field work.Traditional knowledge is also contained in place names. It is important not only to preserve

  17. Effects of multimodal mandala yoga on social and emotional skills for youth with autism spectrum disorder: An exploratory study

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    Lyn Gorbett Litchke

    2018-01-01

    Full Text Available Context: Youth with autism spectrum disorder (ASD demonstrates impairment in the ability to socially and emotionally relate to others that can limit participation in groups, interaction with peers, and building successful life relationships. Aims: The aim of this exploratory study was to examine the effects of a novel multimodal Mandala yoga program on social and emotional skills for youth with ASD. Subjects and Methods: Five males with ASD attended 1 h yoga sessions, twice a week for 4 weeks. Multimodal Mandala yoga comprised 26 circular partner/group poses, color and tracing sheets, rhythmic chanting, yoga cards, and games. Treatment and Research Institute for ASD Social Skills Assessment (TSSA scores were collected before and after the eight yoga sessions. The Modified Facial Mood Scale (MFMS was used to observe mood changes before and after each yoga class. Paired sample t-tests were conducted on TSSA and MFMS scores to compare social and emotional differences post the 4-week camp. Narrative field notes were documented after each of the eight yoga sessions. Results: A significant improvement from pre- to post-test was found in overall TSSA (t(4 = −5.744, P = 0.005 and on respondent to initiation (t(4 = −3.726, P = 0.020, initiating interaction (t(4 = −8.5, P = 0.039, and affective understanding and perspective taking subscales (t(4 = −5.171 P = 0.007. Youth's MFMS scores increased from 80% to 100% at the end of eight yoga sessions demonstrating a pleasant or positive mood. Thematic analysis of the narrative notes identified three key factors associated with the yoga experience: (a enhanced mood and emotional expression, (b increased empathy toward others, and (c improved teamwork skills. Conclusion: This multimodal Mandala yoga training has implication for developing positive social and emotional skills for youth with ASD.

  18. Acoustic characteristics of modern Greek Orthodox Church music.

    Science.gov (United States)

    Delviniotis, Dimitrios S

    2013-09-01

    Some acoustic characteristics of the two types of vocal music of the Greek Orthodox Church Music, the Byzantine chant (BC) and ecclesiastical speech (ES), are studied in relation to the common Greek speech and the Western opera. Vocal samples were obtained, and their acoustic parameters of sound pressure level (SPL), fundamental frequency (F0), and the long-time average spectrum (LTAS) characteristics were analyzed. Twenty chanters, including two chanters-singers of opera, sang (BC) and read (ES) the same hymn of Byzantine music (BM), the two opera singers sang the same aria of opera, and common speech samples were obtained, and all audio were analyzed. The distribution of SPL values showed that the BC and ES have higher SPL by 9 and 12 dB, respectively, than common speech. The average F0 in ES tends to be lower than the common speech, and the smallest standard deviation (SD) of F0 values characterizes its monotonicity. The tone-scale intervals of BC are close enough to the currently accepted theory with SD equal to 0.24 semitones. The rate and extent of vibrato, which is rare in BC, equals 4.1 Hz and 0.6 semitones, respectively. The average LTAS slope is greatest in BC (+4.5 dB) but smaller than in opera (+5.7 dB). In both BC and ES, instead of a singer's formant appearing in an opera voice, a speaker's formant (SPF) was observed around 3300 Hz, with relative levels of +6.3 and +4.6 dB, respectively. The two vocal types of BM, BC, and ES differ both to each other and common Greek speech and opera style regarding SPL, the mean and SD of F0, the LTAS slope, and the relative level of SPF. Copyright © 2013 The Voice Foundation. Published by Mosby, Inc. All rights reserved.

  19. Retorica melosului bizantin (I

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    Daniel Suceava

    2009-12-01

    Full Text Available On a souligné volontiers l’oubli et même „la mort de la rhétorique”, notamment à l’époque du Romantisme et de l’école positiviste. Voilà plus d’un demi-siècle que nous assistons à un renouveau d’intérêt pour la vieille discipline et particulièrement, en ce qui concerne le domaine de la musicologie, pour ce qu’on a pu nommer la „rhétorique musicale”. Nous avons essayé, dans cette première partie d’une étude que nous espérons développer dans la suite, à définir un cadre d’analyse appliquée à la mélopée byzantine en extrapolant en partie une série terminologique dont la musica poetica tirait déjà profit depuis la Renaissance, comme enseignement plus ou moins officialisé et comme instrument supérieur de création musicale. Il a fallu en premier lieu résumer des données historiques liées aux commencements de l’enseignement des disciplines libérales dans le monde byzantin, comme héritage de la civilisation antique, spécialement la rhétorique et la musique, en tâchant de signaler les éléments de la théologie chrétienne aptes à définir la mise en rapport de la doctrina christiana avec l’apprentissage, dans les écoles auliques, cathédrales ou monastiques de l’Empire, des disciplines du trivium et du quadrivium d’une part et de la poésie religieuse de l’autre.

  20. Canto pré-natal: alquimias sonoras para gestantes

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    Janaina Trasel Martins

    2017-10-01

    Full Text Available Este artigo irá focar no canto pré-natal; nos benefícios da música e do canto durante a gestação; na audição do feto no ventre e na escuta da gestante do seu corpo. Como metodologia para pesquisar sobre estes temas foram realizados estudos teóricos nas áreas da musicoterapia obstétrica, da terapia sonora e da medicina e também foram realizadas práticas de canto pré-natal. Arte, movimento e saúde são integrados com as alquimias sonoras para ampliar a consciência da corporeidade da mulher durante a gestação. Com cantos femininos em um círculo de mulheres, nos apoiamos e nos fortalecemos durante a gestação e enviamos vibrações sonoras harmoniosas para o bebê no ventre. ABSTRACT This article will focus on prenatal singing; on the benefits of music and singing during pregnancy; on the baby's hearing in the womb and on the listening of the pregnant woman to her body. To determine the methodology for researching these themes, theoretical studies were done in obstetrical music therapy, sound therapy, medicine and also practical research in prenatal singing classes. Art, movement and health are integrated with sound alchemy to widen the woman’s body awareness during pregnancy. With feminine chants in a circle of women, we support and strengthen ourselves during pregnancy and we send harmonious sounds vibrations to the baby in the womb. KEYWORDS Prenatal singing, prenatal music, pregnancy, listening, consciousness.

  1. High-level radioactive wastes storage characterization and behaviour of spent fuels in long-term; Almacenamiento definitivo de residuos de radiactividad alta. Caracterizacion y comportamiento a largo plazo de los combustibles nucleares irradisos (II)

    Energy Technology Data Exchange (ETDEWEB)

    Diaz Arocas, P; Cobos, J; Quinones, J.; Rodriguez Almazan, J L; Serrano, J [CIEMAT, Madrid (Spain)

    2001-07-01

    In order to understand the long term spent fuel dissolution under repository this report shows the study performed by considering spent fuel as a part of the multi barriers containment system. The study takes into account that the oxidative alteration/dissolution of spent fuel matrix is influenced by the intrinsic spent fuel physicochemical characteristics and the repository environmental parameters. Experimental and modelling results for granite and saline repositories are reported. Parameters considered in this work were pH, pCO{sub 2}, S/V ratio, redox conditions and the influence of the container material in the redox conditions. The influence of alpha, beta and gamma radiation and the resulting radiolytic products formed remains as one of the main uncertainties to quantify the spent fuel behaviour under repository conditions. It was studied in a first approach through dose calculations, modelling of radiolytic products formation and leaching experiments in the presence of external gamma irradiation source and leaching experiments of alpha doped UO{sub 2} pellets. Materials considered are LWR spent fuel (UO{sub 2} and MOX fuel) and their chemical analogues non irradiated UO{sub 2}, SIMFUEL and alpha doped UO{sub 2}. Lea chants were granite groundwater, synthetic granite groundwater, synthetic granite groundwater saturated in bentonite, and high concentrated saline solutions. The matrix dissolution rate and release rate of key radionuclides (i. e. actinides and fission products) obtained through the several experimental techniques and methodologies (dissolution, co-dissolution, precipitation and co-precipitation) together with modelling studies supported in geochemical codes are proposed. Moreover, secondary phases formed that could control release and retention of key nuclides are identified. Maximum concentration values for these radionuclides are reported. The data provided by this study were used in ENRESA-2000 performance assessment. (Author)

  2. Qalandar-name. Chapter 2. “Praise and blessing upon Muhammad Mustafa”

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    Milyausha Ismagilova

    2014-09-01

    Full Text Available The present fragment contains the translated continuation of a medieval poetic text “Qalandar-name” written by the Crimean Sufi author Abu Bakr Qalandar. This fragment contains the second chapter devoted to praising (Salawat the Prophet Muhammad, after which the poet will glorify his righteous caliphs (al-Khulafa al-rashidun. As it appears from the author’s praises, he was a follower of Sunni Islam and, at the same time, a representative of the Sufi order (tariqa. Titles and names that Abu Bakr Kalandar uses in his chanting of Muhammad, are very familiar both to researchers of the Islamic religion and ordinary Muslims. He calls the Prophet the Lord (Sayyid of both worlds, Elect, Light, Leader of all the prophets and saints. The author mentions some famous miracles of the Messenger of Allah, such as the night journey (Isra and ascension to the seventh heaven (Mi’raj, the moon’s splitting and inanimate objects’ speaking. He also makes an allusion to the mystical interpretation of the Qur’an in relation to the hair of the Prophet. The Persian text is translated by Milyausha Ismagilova, a postgraduate student. Translation edition and comments are supplied by Damir Shagaviyev, Head of the Department of History of Public Thought and Islamic Studies of the Sh.Marjani Institute of History, Academy of Sciences of the Republic of Tatarstan (Kazan. * Continuation of the article. See beginning of the article in: Golden Horde Review, 2014, no. 2(4, pp.243–252.

  3. The Neural Mechanisms of Meditative Practices: Novel Approaches for Healthy Aging.

    Science.gov (United States)

    Acevedo, Bianca P; Pospos, Sarah; Lavretsky, Helen

    2016-01-01

    Meditation has been shown to have physical, cognitive, and psychological health benefits that can be used to promote healthy aging. However, the common and specific mechanisms of response remain elusive due to the diverse nature of mind-body practices. In this review, we aim to compare the neural circuits implicated in focused-attention meditative practices that focus on present-moment awareness to those involved in active-type meditative practices (e.g., yoga) that combine movement, including chanting, with breath practices and meditation. Recent meta-analyses and individual studies demonstrated common brain effects for attention-based meditative practices and active-based meditations in areas involved in reward processing and learning, attention and memory, awareness and sensory integration, and self-referential processing and emotional control, while deactivation was seen in the amygdala, an area implicated in emotion processing. Unique effects for mindfulness practices were found in brain regions involved in body awareness, attention, and the integration of emotion and sensory processing. Effects specific to active-based meditations appeared in brain areas involved in self-control, social cognition, language, speech, tactile stimulation, sensorimotor integration, and motor function. This review suggests that mind-body practices can target different brain systems that are involved in the regulation of attention, emotional control, mood, and executive cognition that can be used to treat or prevent mood and cognitive disorders of aging, such as depression and caregiver stress, or serve as "brain fitness" exercise. Benefits may include improving brain functional connectivity in brain systems that generally degenerate with Alzheimer's disease, Parkinson's disease, and other aging-related diseases.

  4. Effects of Multimodal Mandala Yoga on Social and Emotional Skills for Youth with Autism Spectrum Disorder: An Exploratory Study.

    Science.gov (United States)

    Litchke, Lyn Gorbett; Liu, Ting; Castro, Stephanie

    2018-01-01

    Youth with autism spectrum disorder (ASD) demonstrates impairment in the ability to socially and emotionally relate to others that can limit participation in groups, interaction with peers, and building successful life relationships. The aim of this exploratory study was to examine the effects of a novel multimodal Mandala yoga program on social and emotional skills for youth with ASD. Five males with ASD attended 1 h yoga sessions, twice a week for 4 weeks. Multimodal Mandala yoga comprised 26 circular partner/group poses, color and tracing sheets, rhythmic chanting, yoga cards, and games. Treatment and Research Institute for ASD Social Skills Assessment (TSSA) scores were collected before and after the eight yoga sessions. The Modified Facial Mood Scale (MFMS) was used to observe mood changes before and after each yoga class. Paired sample t -tests were conducted on TSSA and MFMS scores to compare social and emotional differences post the 4-week camp. Narrative field notes were documented after each of the eight yoga sessions. A significant improvement from pre- to post-test was found in overall TSSA ( t (4) = -5.744, P = 0.005) and on respondent to initiation ( t (4) = -3.726, P = 0.020), initiating interaction ( t (4) = -8.5, P = 0.039), and affective understanding and perspective taking subscales ( t (4) = -5.171 P = 0.007). Youth's MFMS scores increased from 80% to 100% at the end of eight yoga sessions demonstrating a pleasant or positive mood. Thematic analysis of the narrative notes identified three key factors associated with the yoga experience: (a) enhanced mood and emotional expression, (b) increased empathy toward others, and (c) improved teamwork skills. This multimodal Mandala yoga training has implication for developing positive social and emotional skills for youth with ASD.

  5. Історія виникнення та розвиток старовинних церковних розспівів від Київської Русі до xv століття

    OpenAIRE

    Стець, Лілія Леонідівна; Stets, L. L.

    2017-01-01

    У статті розкриваються витоки, історія розвитку та особливості вітчизняної церковної співочої культури у контексті історіографічних досліджень. В цілому піднято проблему спадковості у вітчизняній музичній культурі, актуалізовані специфічні властивості етнорелігійного світогляду українського народу. The article describes the sources and origin of ecclesiastical chanting in the ancient Kievan Rus and shows its transformation in the process of its historical development. It traces the genesis, e...

  6. Effect of yoga or physical exercise on physical, cognitive and emotional measures in children: a randomized controlled trial.

    Science.gov (United States)

    Telles, Shirley; Singh, Nilkamal; Bhardwaj, Abhishek Kumar; Kumar, Ankur; Balkrishna, Acharya

    2013-11-07

    Previous studies have separately reported the effects of physical exercise and yoga in children, showing physical, cognitive and emotional benefits. The present randomized controlled trial assessed the effects of yoga or physical exercise on physical fitness, cognitive performance, self-esteem, and teacher-rated behavior and performance, in school children. 98 school children between 8 to 13 years were randomized as yoga and physical exercise groups {n = 49 each; (yoga: 15 girls, group mean age 10.4 ± 1.2 years), (physical exercise: 23 girls, group mean age 10.5 ± 1.3 years)}. Both groups were blind assessed after allocation, using: (i) the Eurofit physical fitness test battery, (ii) Stroop color-word task for children, (iii) Battle's self-esteem inventory and (iv) the teachers' rating of the children's obedience, academic performance, attention, punctuality, and behavior with friends and teachers. After assessments the yoga group practiced yoga (breathing techniques, postures, guided relaxation and chanting), 45 minutes each day, 5 days a week. During this time the physical exercise group had jogging-in-place, rapid repetitive movements and relay races or games. Both groups were assessed at the end of 3 months. Data were analyzed with RM ANOVA and post-hoc tests were Bonferroni adjusted. There was one significant difference between groups. This was in social self-esteem which was higher after physical exercise compared to yoga (p exercise group, while plate tapping improved in the yoga group (p exercise group showed higher interference scores. Total, general and parental self-esteem improved in the yoga group (p exercise are useful additions to the school routine, with physical exercise improving social self-esteem. The study was registered in the Clinical Trials Registry of India (CTRI/2012/11/003112).

  7. YOUNG LEARNERS’ RHYTHMIC AND INTONATION SKILLS THROUGH DRAMA

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    Olena Beskorsa

    2016-11-01

    Full Text Available The article is devoted to the problem of implementing drama techniques into the process of developing young learners’ rhythmic and intonation skills. The main task of learning the foreign language is using it as a mean of pupils’ communication in oral and written forms. The author proves that drama techniques integrate successfully all types of speech activities. It is specified that this method transfers the focus from teaching grammatically correct speech to training clear and effective communication. The author emphasizes on that sentence stress and speed of speech has the greatest influence on the rhythm. The application of these drama techniques are thought to increase primary school pupils’ level of motivation to master the language skills perfectly, it provides a positive psychological climate in English classes. The teachers’ role has a tendency to minimizing. They act as facilitators. In author’s opinion if they do impose the authority implementing drama activities into the classroom, the educational value of drama techniques will be never gained. It is also disclosed that rhythmic and intonation skills shouldn’t be formed spontaneously, the process of their development has to be conducted in certain stages (presentation and production to make pupils’ speech fluent and pronunciation clear, introducing the exercises based on drama techniques. At the stage of presentation the following exercises have the most methodological value: speed dictations, dictogloss, asking questions to practise recognizing word boundaries, matching phrases to stress patterns, marking stresses and weak forms, authentic listening. At production stage they suggest using exercises like play reading and play production. The following pieces of drama texts are recommended to be applied for teaching primary school children: jazz chants, poems, scripted plays and simple scenes from different movie genres. It is also proved that drama techniques and

  8. Redefining the political moment

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    James Arvanitakis

    2011-07-01

    Full Text Available On 16 February 2003, more than half a million people gathered in Sydney, Australia, as part of a global anti-war protest aimed at stopping the impending invasion of Iraq by the then US Administration. It is difficult to estimate how many millions marched on the coordinated protest, but it was by far the largest mobilization of a generation. Walking and chanting on the streets of Sydney that day, it seemed that a political moment was upon us. In a culture that rarely embraces large scale activism, millions around Australian demanded to be heard. The message was clear: if you do not hear us, we would be willing to bring down a government. The invasion went ahead, however, with the then Australian government, under the leadership of John Howard, being one of the loudest and staunchest supporters of the Bush Administrations drive to war. Within 18 months, anti-war activists struggled to have a few hundred participants take part in anti-Iraq war rallies, and the Howard Government was comfortably re-elected for another term. The political moment had come and gone, with both social commentators and many members of the public looking for a reason. While the conservative media was often the focus of analysis, this paper argues that in a time of late capitalism, the political moment is hollowed out by ‘Politics’ itself. That is to say, that formal political processes (or ‘Politics’ undermine the political practices that people participate in everyday (or ‘politics’. Drawing on an ongoing research project focusing on democracy and young people, I discuss how the concept of ’politics‘ has been destabilised and subsequently, the political moment has been displaced. This displacement has led to a re-definition of ‘political action’ and, I argue, the emergence of a different type of everyday politics.

  9. SPIRITUALITY OF SALUANG SIROMPAK MUSIC IN TAEH BARUAH COMMUNITY, MINANGKABAU

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    Nil Ikhwan

    2015-02-01

    Full Text Available Saluang sirompak is a type of music which has spiritual strength and is performed at Taeh Baruah, Payakumbuh District, Lima Puluh Koto Regency, Minangkabau, West Sumatra. It is performed to bewitch a girl who has humiliated a young man who would like to propose her. This activity is called Basirompak. The Saluang Sirompak performed in Basirompak is supported by what is called gasiang tangkurak, a chant sung with magic formula and an offering. It is performed at one of the seven tanjungs around Taeh Baruah. The problems of the study are formulated as follows. (1 What is the spirituality of the saluang sirompak music performed at Taeh Baruah, Minangkabau like? (2 What is the spiritual function of the saluang sirompak music performed at Taeh Baruah, Minangkabau?, and (3 what is the meaning and implication of the spirituality of the saluang sirompak music on the customs and traditions and religion of the Taeh Baruah community, Minangkabau? The theory of Deconstruction supported by the theory of Aesthetics and the theory of Semiotics was used in the present study. The data were qualitatively analyzed. It was found that the spirituality of the saluang sirompak music caused the people’s mentality and attitude to change. The fact that the activity of Basirompak had never been performed for the last three decades proved this. That indicates that the people living at Taeh Baruah and around it were aware that they should be polite, behave well and have good character, and solve problems, especially the problems related to the friendship between a girl and a young man, amicably.

  10. Il «Roman de Flamenca» e la metamorfosi del lirico

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    Andrea Macciò

    2017-10-01

    Full Text Available Il contributo fa luce sul complesso rapporto tra il tardo-duecen­tesco Roman de Flamenca, esponente tra i piú rilevanti dell’“eccezione narrativa” occitana, e il tipo letterario della lirica trobadorica. Dal suo reimpiego nel ro­manzo, infatti, l’esperienza del grande canto cortese subirà una torsione dei pro­pri presupposti costitutivi, sia per l’inedito protagonismo ora assunto dalla domna e opposto al vuoto provocato dall’assenza dell’altro-da-sé (cioè dell’alterità femminile in cui la poesia della fin’amor aveva trovato il proprio spazio di esi­stenza, sia perché la dimensione cronologica indispensabile alla diegesi investe anche l’apporto della lirica, piegandola e funzionalizzandola alle esigenze del narrazione. The paper sheds light on the relationship between the late-thir­teenth-century Roman de Flamenca, one of the most important exponent of the Occitan “narrative exception”, and the literary genre of the troubadour lyric poetry. The tradition of the grand chant courtois re-used in the novel, in fact, un­dergoes a mutation of its constituent assumptions. This is due both for the unprecedented protagonism assumed by the domna, contrasting the absence of woman’s otherness in which the courtly love poetry founded its space, and be­cause the chronological dimension, which is essential to the diegesis, also invol­ves its lyric sources bending them to the demands of the narrative.

  11. A case of zootherapy with the tarantula Brachypelma vagans Ausserer, 1875 in traditional medicine of the Chol Mayan ethnic group in Mexico

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    Rojo Roberto

    2011-03-01

    Full Text Available Abstract Background In practically every human culture, the use of arthropods as medicinal resources has been reported. In Mexico, the Mayan people mainly use plants but occasionally also animals and minerals in their medicine. This article is the first to report the traditional use of the tarantula Brachypelma vagans by medicine men in the Chol community, an ancient indigenous group that inhabits the southeastern part of Mexico. We also describe the utility of such arachnids in traditional medicine. Methods This study was carried out in different Chol communities in the states of Chiapas and Campeche (southeastern Mexico from 2003 until 2007. We interviewed the local medicine men, patients and non-Chol people in each village visited to collect information about the rituals involved and the effectiveness of this traditional medicine and also their opinion of this traditional medicine. Results In all independent villages, the people who present an illness called 'aire de tarantula' or tarantula wind with symptoms including chest pain, coughing and asthma, were treated by the medicine man (called 'hierbatero' with a tarantula-based beverage. From village to village, the beverage has a similar base composition but some variations occur in additional ingredients depending on the individual medicine man. Like in all traditional Mayan medicine, the ritual of the ceremony consists of drinking the tarantula-based beverage and this is principally accompanied by chants and burning of incense. Conclusions The recipe of the tarantula-based beverage and the procedure of this ritual ceremony were fairly constant in all the villages visited. Our work shows that despite the tarantula's bad image in several cultures, in others positive use is made of these spiders, as in modern medicine.

  12. An evaluation of evidence pertaining to the origin of vein deposits exposed in Trench 14, Nevada Test Site, Nevada

    International Nuclear Information System (INIS)

    Stuckless, J.S.

    1991-01-01

    Large vein-like deposits of calcite and opaline silica that infill the Bow Ridge fault are exposed by Trench 14 at the Nevada Test Site. The origin of the deposits has been the center of considerable controversy because the deposits occur on the edge of Yucca Mountain, which is being characterized geologically as a possible site for the nation's first high level nuclear waste repository, and the various proposed modes of origin have differing implications for the performance of a geologic repository. Isotopic data for oxygen, carbon, strontium, and uranium in the carbonates preclude deposition by upwelling waters by any mechanism from either of the regionally extensive aquifers known to exist beneath Yucca Mountain. Data from the adjacent Ash Meadows flow system further suggest that the isotopic compositions of ground water in southern Nevada have not chanted markedly during the last 300 to 600 ky, and that therefore, conclusions based on present-day water compositions are probably valid for at least the last 600 ky. Geologic and paleontologic data are inconsistent with shallow a perched water spring origin for the veins, but are consistent with a pedogenic origin. Mineralogic and isotopic data match well with those for pedogenic deposits with perhaps minor modification from entrained or reacted wall rock. Taken as a whole, the data show that the carbonate and opaline silica deposits exposed in Trench 14 must have formed by a pedogenic process. Preliminary results suggest that veins in the sand ramps west of Busted Butte formed by the same mechanism. 26 refs., 11 figs

  13. High-level radioactive wastes storage characterization and behaviour of spent fuels in long-term

    International Nuclear Information System (INIS)

    Diaz Arocas, P.; Cobos, J.; Quinones, J.; Rodriguez Almazan, J. L.; Serrano, J.

    2001-01-01

    In order to understand the long term spent fuel dissolution under repository this report shows the study performed by considering spent fuel as a part of the multi barriers containment system. The study takes into account that the oxidative alteration/dissolution of spent fuel matrix is influenced by the intrinsic spent fuel physicochemical characteristics and the repository environmental parameters. Experimental and modelling results for granite and saline repositories are reported. Parameters considered in this work were pH, pCO 2 , S/V ratio, redox conditions and the influence of the container material in the redox conditions. The influence of alpha, beta and gamma radiation and the resulting radiolytic products formed remains as one of the main uncertainties to quantify the spent fuel behaviour under repository conditions. It was studied in a first approach through dose calculations, modelling of radiolytic products formation and leaching experiments in the presence of external gamma irradiation source and leaching experiments of alpha doped UO 2 pellets. Materials considered are LWR spent fuel (UO 2 and MOX fuel) and their chemical analogues non irradiated UO 2 , SIMFUEL and alpha doped UO 2 . Lea chants were granite groundwater, synthetic granite groundwater, synthetic granite groundwater saturated in bentonite, and high concentrated saline solutions. The matrix dissolution rate and release rate of key radionuclides (i. e. actinides and fission products) obtained through the several experimental techniques and methodologies (dissolution, co-dissolution, precipitation and co-precipitation) together with modelling studies supported in geochemical codes are proposed. Moreover, secondary phases formed that could control release and retention of key nuclides are identified. Maximum concentration values for these radionuclides are reported. The data provided by this study were used in ENRESA-2000 performance assessment. (Author)

  14. A "maravilha" na poesia de Manuel Botelho de Oliveira The wonderful in Manuel Botelho de Oliveira's poetry

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    Adma Muhana

    2011-12-01

    Full Text Available Trata-se de mostrar como a poesia de Manuel Botelho de Oliveira (Bahia, 1636-1711 visa construir a maravilha principalmente por meio das consonâncias que surpreendem, numa poesia assentada em analogias com a "música", o "canto", o "verso", a "lírica", o "ritmo", a "doçura" - conceitos presentes em tratados retóricos, poéticos e filosóficos antigos, e que, aqui, se alçam a centro desta poética, distanciada da aristotélica. Evidencia-se como, diferentemente do conceito engenhoso, causa eficiente das agudezas poéticas, o poeta êmulo de Marino privilegia em sua Lira sacra e na Música do Parnaso a sonoridade que faz admirabile o dizer do poema, tangendo finezas ou as maneiras cantáveis do "plectro doce e fino".This text explains how the poetry of Luzo-Brazilian Manuel Botelho de Oliveira (Bahia, 1636-1711 aims to build the wonderful especially through the consonances that provokes surprise, in a poetry grounded in analogies with the "music", the "chant", the "verse", the "lyrical", the "rhythm", the "sweetness" - concepts present in rhetorical, poetic and philosophical treatises of the Antiquity, and that here become center stage of this poetic, far removed from Aristotle. It highlights how, unlike the ingenious concept, the efficient cause of the acute poetry, the poet emulator of Marino favors sonority in the Lira Sacra and in the Música do Parnaso, his poem book. The musical elements turn admirabile what the poems says, playing finezas (niceties or singable manners of the plectro doce e fino (plectrum sweet and gentle.

  15. Measure for measure: curriculum requirements and children's achievement in music education.

    Science.gov (United States)

    Bond, Trevor; Bond, Marie

    2010-01-01

    Children in all public primary schools in Queensland, Australia have weekly music lessons designed to develop key musical concepts such as reading, writing, singing and playing simple music notation. Their understanding of basic musical concepts is developed through a blend of kinaesthetic, visual and auditory experiences. In keeping with the pedagogical principles outlined by the Hungarian composer, Zoltan Kodaly, early musical experiences are based in singing well-known children's chants - usually restricted to notes of the pentatonic scale. In order to determine the extent to which primary school children's musical understandings developed in response to these carefully structured developmental learning experiences, the Queensland Primary Music Curriculum was examined to yield a set of over 70 indicators of musical understanding in the areas of rhythm, melody and part-work,the essential skills for choral singing. Data were collected from more than 400 children's attempts at elicited musical performances. Quantitative data analysis procedures derived from the Rasch model for measurement were used to establish the sequence of children's mastery of key musical concepts. Results suggested that while the music curriculum did reflect the general development of musical concepts, the grade allocation for a few concepts needed to be revised. Subsequently, children's performances over several years were also analysed to track the musical achievements of students over time. The empirical evidence confirmed that children's musical development was enhanced by school learning and that indicators can be used to identify both outstanding and atypical development of musical understanding. It was concluded that modest adjustments to the music curriculum might enhance children's learning opportunities in music.

  16. Nuevos problemas y oportunidades en el desarrollo industrial de América Latina New problema and opportunities for industrial development in Latin America

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    Katz Jorge

    1996-12-01

    Full Text Available Reconociendo que la economía carece de una teoría adecuada del crecimiento económico, el presente artículo aborda las siguientes preguntas. ¿Cuáles son las diferencias esntre la estructura productiva latinoamericana actual y la de hace quince años? ¿El nuevo modelo de organización social de la produccón genera una productividad de los factores mejor o peor que el modelo sustitutivo? ¿Cuál sera el impacto del cambio en el régimen global de incentivos sobre los distintos países de América Latina? ¿Cuales son los nuevos escenarios de organización industrial y en que forma se están adaptando los agentes a las nuevas reglas del juego? ¿Cuáles son los cambios en la organización del trabajo y en la planeación de las firmas individuales? ¿Esos cambios son neutrales entre factores o están sesgados hacia el ahorro relativo de capital o trabajo? ¿Cuáles son las lecciones de este proceso para los países que abandonaron el régimen socialista?Recognizing that economics lacks and adequate theory of economic growth, this aticle raises the following questions. What are the'differences between the current productive structure of Latin America and that of fifteen years ago? Does the new model of social organization of production generate a better or worse factor productivity than the substitution model? What will be the impact of the change in the global incentives regime on the different countries of Latin America? Whnat are the new scenarios of industrial organization and how are agents adapting to the new rules of the game? What chantes have there beenin the organization of labor and the planning of production inindividual firms? Are these changes neutral between factors or they biased towards the relative saving of work or labor? What are the lessons of this process for those countries which have abandoned the socialist regime?

  17. No. 355-Physiologic Basis of Pain in Labour and Delivery: An Evidence-Based Approach to its Management.

    Science.gov (United States)

    Bonapace, Julie; Gagné, Guy-Paul; Chaillet, Nils; Gagnon, Raymonde; Hébert, Emmanuelle; Buckley, Sarah

    2018-02-01

    To review the evidence relating to nonpharmacological approaches in the management of pain during labour and delivery. To formulate recommendations for the usage of nonpharmacological approaches to pain management. Nonpharmacological methods available for pain management during labour and delivery exist. These should be included in the counselling and care of women. PubMed and Medline were searched for articles in French and English on subjects related to "breastfeeding," "pain," "epidural," "anaesthesia," "analgesia," "labour," "labor," and combined with "gate control theory," "alternative therapies," "massage," "position," "mobility," "TENS," "bathing," "DNIC," "acupuncture," "acupressure," "sterile water injection," "higher center," "control mind," "cognitive structuring," "holistic health," "complementary therapy(ies)," "breathing," "relaxation," "mental imagery," "visualization," "mind focusing," "hypnosis," "auto-hypnosis," "sophrology," "mind and body interventions," "music," "odors," "biofeedback," "Lamaze," "Bonapace," "prenatal training," "gymnastic," "chanting," "haptonomy," "environment," "transcutaneous electrical stimulus-stimulation," "antenatal education," "support," "continuous support," "psychosocial support," "psychosomatic medicine," "supportive care," "companion," "intrapartum care," "nurse," "midwife(ves)," "father," "doula," "caregiver," " hormones," "oxytocin," "endorphin," "prolactin," "catecholamine," "adrenaline," and "noradrenaline" from 1990 to December 2015. Additional studies were identified by screening reference lists from selected studies and from expert suggestions. No language restrictions were applied. The quality of the evidence is rated using the criteria described in the Report of the Canadian Task Force on Preventive Health Care. Recommendations for practice are ranked according to the method described in this report. The nonpharmacological method encourages an incremental approach to pain management that contributes to

  18. Réflexions sur le texte (pseudo-littéraire chez Paolo Mantegazza : Un giorno a Madera. Una pagina dell'igiene d'amore

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    Edwige Comoy Fusaro

    2011-01-01

    Full Text Available En 1868, à l'âge de trente-sept ans, l'anthropologue italien Paolo Mantegazza, auteur de nombreux ouvrages de divulgation scientifique, inaugure une nouvelle stratégie de communication avec la publication d'un roman, Un jour à Madère (Un giorno a Madera. En s'adressant au public plus restreint et plus cultivé des romans, Mantegazza tente d'élargir son audience à de nouvelles couches de la population. Cependant, ses motivations restent inchangées. Le genre pseudo-scientifique dissimulait des visées morales : la santé du corps étant liée à la santé morale, ses livres de divulgation véhiculaient essentiellement une ligne de conduite, un décalogue des bonnes mœurs. Avec le nouveau genre pseudo-romanesque, l'auteur dissimule sous la forme alléchante de la fiction narrative des visées médicales, plus précisément prophylactiques. Dans les deux cas, néanmoins, formes et savoirs sont instrumentalisés : la déontologie scientifique et l'esthétique du texte littéraire s'inclinent devant l'idéologie.Nel 1868, il trentasettenne antropologo monzese Paolo Mantegazza, già autore di numerosi libri di divulgazione scientifica, inaugura con la pubblicazione di un romanzo, Un giorno a Madera, una nuova strategia di comunicazione. Rivolgendosi al pubblico dei romanzi, più limitato e più colto, Mantegazza cerca di allargare il proprio lettorato. Tuttavia le sue motivazioni rimangono incambiate. Il genere pseudo-scientifico dissimulava fini moralistici : essendo la salute del corpo legata alla salute morale, i libri di divulgazione trasmettevano essenzialmente un modus operandi, un decalogo dei buoni costumi. Con il nuovo genere pseudo-romanzesco, l'autore dissimula sotto la forma allettante della finzione narrativa fini medici, nella fattispecie profilattici. In ambedue i casi, però, forme e saperi vengono strumentalizzati : la deontologia scientifica e l'estetica del testo letterario cedono il passo all'ideologia.

  19. Language of Science as a Bridge to Native American Educators and Students

    Science.gov (United States)

    Alexander, C. J.; Angrum, A.; Martin, M.; Ali, N.; Kingfisher, J.; Treuer, A.; Grant, G.; Ciotti, J.

    2010-12-01

    In the Western tradition, words and vocabulary encapsulate much of how knowledge enters the public discourse, and is passed from one generation to the next. Much of Native American knowledge is passed along in an oral tradition. Chants and ceremonies contain context and long-baseline data on the environment (geology, climate, and astronomy) that may even surpasses the lifespan of a single individual. For Native American students and researchers, the concept of ‘modern research and science education’ may be wrapped up into the conundrum of assimilation and loss of cultural identification and traditional way of life. That conundrum is also associated with the lack of language and vocabulary with which to discuss 'modern research.' Native Americans emphasize the need to know themselves and their own culture when teaching their students. Many Native American communities recognize that the retention of their language - and need to make the language relevant to the technological age we live in, represents one of their largest and most urgent challenges. One strategy for making science education relevant to Native American learners is identifying appropriate terms that cross the cultural divide. More than just words and vocabulary, the thought processes and word/concept relationships can be quite different in the native cultures. The U.S. Rosetta Project has worked to identify words associated with Western 'STEM' concepts in three Native American communities: Navajo, Hawaiian, and Ojibwe. The U.S. Rosetta Project is NASA’s contribution to the International Rosetta Mission. The Rosetta stone, inspiration for the mission’s name, is expected to provide the keys to the primordial solar system the way the original Rosetta Stone provided a key to ancient language. Steps taken so far include identification and presentation of online astronomy, geology, and physical science vocabulary terms in the native language, identification of teachers and classrooms - often in

  20. La découverte de l'amour par Hidi Xinu. Récit caxinaua

    Directory of Open Access Journals (Sweden)

    1999-01-01

    Full Text Available La littérature concernant la cosmologie caxinaua est assez connue, on propose néanmoins un récit jubilatoire qui raconte la découverte de l’amour par le personnage Xidi Xinu. Ce récit évoque le désespoir des Caxinaua qui prenaient le ‘vagin’ pour une méchante plaie. Malgré la connaissance de leur pharmacopée, ils n’arrivaient pas à la guérir. Cependant, un jour, l’un des Caxinaua, Hidi Xinu, a vu un couple de singes copuler et a compris la fonction du vagin : le réceptacle de l’amour, cutati. EL DESCUBRIMIENTO DEL AMOR POR HIDI SHINU. UNA NARRACIÓN CASHINAHUA. Aunque la literatura sobre la cosmología cashinahua es bastante conocida, proponemos aquí una alegre narración que cuenta el descubrimiento del amor por parte del personage Hidi Shinu. Esta narración evoca el desespero de los Cashinahua, quienes tomaban la vagina por una mala herida. A pesar de sus conocimientos farmacológicos, no lograban sanarla. Sin embargo, un día, uno de los Cashinahua vio copular a una pareja de micos y comprendió la función de la vagina: el receptáculo del amor, chutati. THE DISCOVERY OF LOVE BY HIDI SHINU. A CASHINAHUA TALE. The literature of the Cashinahua mythology is quite well known, thus I present an amusing tale about the discovery of love by the character Hidi Xinu. This tale reminds us of the despair of the Cashinahua who thought the vagina to be a very severe flesh wound. Regardless of their knowledge of pharmacopoeia, they could not heal her. However, one day, Hidi Xinu saw a couple of monkeys copulate and only then did he understand the function of the vagina: the chamber of love, chutati.

  1. Les paradoxes de l’amour au Moyen Âge

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    Crina-Magdalena Zărnescu

    2007-05-01

    Full Text Available Notre étude est centrée sur l’amour courtois en tant que moment essentiel dans l’histoire de l’affectivité médiévale, l’un des axes principaux de la culture et de la civilisation française. Elle se donne pour objectif d’examiner, à travers les théories de la critique moderne, l’amour courtois au XIIe siècle, tel qu’il a été chanté par les troubadours et les trouvères, et ses implications. L’amour courtois peut être considéré sous un double aspect en tant que phénomène culturel et mouvement littéraire qui véhicule une certaine idéologie et un code de valeurs et qui fait transparaître le mode de vie et de pensée d’une époque. Il a donné naissance à de différentes approches qui ont essayé de le cerner, de le décrire, et de l’analyser. Les aspects complémentaires, parfois contradictoires de ces approches relèvent à la fois des visions différentes des critiques et, surtout, de la nature ambiguë ou paradoxale de cet amour. Nous nous sommes, enfin, proposé de cerner les divergences qui définissent ce type d’amour et qui sont issues des contradictions qui existaient dans la société médiévale, entre les classes sociales ou entre les clercs et les laïques, à l’intérieur même des préceptes religieux et les concepts philosophiques. Les aspects contradictoires et ambigus tiennent autant aux structures poétiques qu’au langage, mélange savant de vocabulaire spirituel et sexuel. La fin’amors, qui a constitué à un moment donné l’expression symbolique et l’aspiration spirituelle d’une société en pleine construction a laissé des traces profondes, encore persistantes dans la culture et la littérature occidentales. Il n’y a pas de discours littéraire ou artistique qui n’en eût exploité d’une façon ou d’une autre les structures thématiques ou symboliques.

  2. The Early Planetary Research of Tobias C. Owen

    Science.gov (United States)

    Cruikshank, Dale P.

    2017-10-01

    Tobias Chant Owen (Toby) was a graduate student of G. P. Kuiper, receiving his Ph.D. in the Dept. of Astronomy, University of Arizona, in 1965. His thesis was broadly titled "Studies of Planetary Spectra in the Photographic Infrared", and primarily presented a study of the composition and other properties of Jupiter, as well as the abundance and surface pressure of CO2 on Mars. The surface pressure on Mars was a topic of debate at that time, with a wide range of diverse observational results from several investigators. The Jupiter work in particular consisted of the analysis of Kuiper's unpublished spectra that were made with photographic plates pushed to the longest wavelength possible, about 1120 nm, with ammonia-hypersensitized Kodak Z emulsions. Toby used the long-pathlength absorption cells at the Lunar and Planetary Lab to study the spectra of CH4 and NH3 at pressures and temperatures relevant to Jupiter (and Saturn), as well as to search for spectral signatures of potential minor components of their atmospheres. Toby also obtained new spectra of Io, Ganymede, and Saturn and its rings, extended to the long-wavelength limit of photographic emulsions. No new molecular absorptions were found, although Owen basically confirmed Kuiper's earlier result that Saturn's rings are covered (or composed of) with H2O ice or frost. As he pursued a broad range of problems of planetary atmospheres, Toby used existing and newly acquired spectra of the planets in the photographic and near-infrared wavelength regions, together with data he obtained in the laboratory with long-pathlength absorption cells, to resolve some outstanding issues of unidentified spectral features and to clarify issues of the compositions, temperatures, and atmospheric pressures of several bodies. This work laid the foundation for his later decades of studies of planetary atmospheres and comets with spacecraft as an active participant in many US and European missions. He was very influential in shaping

  3. Effects of yoga on functional capacity and well being

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    Pooja Akhtar

    2013-01-01

    Full Text Available Yoga has proven beneficial effects on various health domains including musculoskeletal conditions, cardiopulmonary conditions through the practice of asana and pranayamas as well as on mental health, as it is known to enhance the body-and mind coordination. There is paucity of data on the effect of yoga on functional capacity in literature using 6 min walk test. The present study aims to look at the effect of yoga on 6-min walked distance, rating of perceived exertion (RPE, recovery time following the walk and state of well being. This is a hospital-based longitudinal study where 30 physiotherapy students of the age group 18 - 22 years of either sex were enrolled. Subjects having musculoskeletal problems, cardio respiratory disease and those who were not willing to volunteer were excluded They received Yoga intervention in form of Yogic practices which included a combination of asanas, pranayamas and omkar chanting for 1 h for 30 sessions. A baseline 6-min walk test was conducted on subjects and the 6-min walked distance, rating of perceived exertion (RPE on modified Borg′s scale were recorded. The baseline state of well-being was noted using the Warwick- Edinburgh mental well-being scale and similar recording was done post intervention after 30 sessions. Of the 30 subjects, there were no drop outs as these were committed college students. Of them, 24 were females and 6 were males with a mean age of 21.5 years SD 2.38. Statistically significant improvements were observed in 6-min walk distance (P value = 0.000, RPE (P value < 0.000, recovery time (P value < 0.000 and sense of well being score (P value < 0.000. Yoga practices are beneficial in improving the functional capacity in young healthy adults. Yoga can very well be incorporated in medical practice for increasing the patient′s functional capacity, for those who have limitations in performing aerobic training due to various health reasons. The improved state of well being motivates the

  4. Methodological disputes about interpretation of neum notation in the 20th century

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    Peno Vesna

    2015-01-01

    Full Text Available Until the end of the twentieth century in Byzantine musicological science there were two diametrically opposite approaches to the interpretation of the Byzantine neum notation systems and post-Byzantine music heritage after the Fall of Constantinople. Western European scholars, ignoring the post-Byzantine Chant tradition and the last semeography reform from the early nineteenth century, looked at the problems of the musical past only from the perspective of the Middle Ages. Greek researchers have shared the belief that the condition of an adequate understanding of the mid-Byzantine notation, or the so-called old method, is the knowledge of analytical neum system and theory, the basics of which were set up by musicians from the end of the seventeenth and during the eighteenth century, and were finally shaped by Chrisantos, Gregory and Chourmouzios and officially accepted in the Greek church in 1814. The path to overcoming the issues relating to the development of neum notation, and finding an adequate manner of decoding it, led through the understanding of the phenomenon of "interpretation" and other tendencies that marked the post-Byzantine music practice. Two scientists -the Danish Jørgen Raasted, a follower of the Western European musicological methods established by founders of Monumenta Musicae Byzantinae, and Greek theologist and musicologist Gregory Stathes - are specifically responsible for the reconciliation of the different methodological approaches. After numerous and often heated debates, the Danish scientist eventually largely accepted the views of his Greek counterpart. Moreover, he himself insisted, at the musicological conferences organized during the 1980s, on reviewing the controversial issues: the existence of chromatic intervals in the psalmody of the Middle-Ages, the problem of syllabic and melismatic interpretations of stenographic neum records, and so on. Concerning the above mentioned issues, the contemporary trends in

  5. Steps on a journey to TB control in Solomon Islands: a cross-sectional, mixed methods pre-post evaluation of a local language DVD.

    Science.gov (United States)

    Massey, Peter D; Asugeni, Rowena; Wakageni, John; Kekeubata, Esau; Maena'aadi, John; Laete'esafi, John; Waneagea, Jackson; Asugeni, Vunivesi; MacLaren, David; Speare, Richard

    2015-02-03

    In Solomon Islands many people with Tuberculosis (TB) have challenges in accessing services because of socio-cultural, geographic and health service reasons, resulting in delays in TB treatment and low detection rates. The purpose of this project was to (i) develop a local language audio-visual resource (DVD) about TB (ii) share this resource with people in remote villages and (iii) evaluate the process and outcomes. The project involved the development and evaluation of a DVD in local Kwaio language. The DVD included five short videos based on the Australian Respiratory Council TB Education Flipchart. The DVD also included short videos of: traditional music/chanting (ai'imae); drama that presented an allegory of TB; and a short documentary on the redevelopment of the local TB Ward. A mixed-methods approach evaluated changes in TB knowledge and investigated the impact of the DVD. The DVD was recorded and produced in March-June 2013 and screened in 41 villages and hamlets. The pre-post DVD survey was completed by 64% (255/400) of people who viewed the DVD in the villages. Pre-DVD survey responses showed a moderate to high knowledge about TB signs, symptoms and treatment but 76/255 (30%) stated TB was caused by sorcery and 85/255 (33%) incorrectly stated that TB medication should be stopped when a patient feels better. The post-DVD survey showed a significant increase in people in coastal villages reporting (i) a 3-week cough would trigger a medical assessment and (ii) TB is mainly spread through the air. Statements that TB is not caused by sorcery increased post-DVD in both coastal and mountain villages, however belief in sorcery in mountain villages remained high at 20/70 (29%). The local DVD resource was developed within local cultural understandings and oral traditions of Kwaio people. Using modern but accessible DVD technology generated a lot of interest about the disease and the stories. The project evaluation indicates that current delays in seeking treatment

  6. Effect of laughter on mood and heart rate variability in patients awaiting organ transplantation: a pilot study.

    Science.gov (United States)

    Dolgoff-Kaspar, Rima; Baldwin, Ann; Johnson, Scott; Edling, Nancy; Sethi, Gulshan K

    2012-01-01

    Research shows that laughter has myriad health benefits, yet the medical community has not implemented it formally as a treatment. Patients awaiting organ transplantation have significant physical disabilities and are at risk for psychological distress. Attenuated heart rate variability (HRV) is a risk factor for a negative long-term outcome in some patients. The study intended to evaluate the clinical utility of laughter yoga in improving psychological and physiological measures in outpatients awaiting organ transplantation. Positive results would indicate promising areas to pursue in a follow-up study. Six participants met for 10 sessions over 4 weeks. The research team measured each participant's heart rate, HRV, blood pressure (BP), and immediate mood before and after the laughter and control interventions. The team assessed participants' longer-term mood (anxiety and depression) at the study's initiation, after a no-treatment control week, and at the end of the study. The study occurred at the Department of Surgery and Medicine at the University of Arizona Health Sciences Center, Tucson. Participants were patients awaiting transplants (three heart and three lung), two women and four men (ages 51-69 y). Participants had received no major surgery in the 3 months prior to the intervention, did not have a hernia or uncontrolled hypertension, and did not fall into the New York Heart Association function class 4. The 20-minute laughter intervention involved breathing and stretching exercises, simulated laughter (ie, unconditional laughter that is not contingent on the environment), chanting, clapping, and a meditation. The 20-minute control intervention involved the study's personnel discussing health and study-related topics with the participants. The research team measured BP, heart rate, and HRV and administered the Profile of Mood States, Beck Anxiety Inventory, and Beck Depression Inventory-II to evaluate immediate and longer-term mood. The team had planned

  7. Effect of laughter yoga on mood and heart rate variability in patients awaiting organ transplantation: a pilot study.

    Science.gov (United States)

    Dolgoff-Kaspar, Rima; Baldwin, Ann; Johnson, M Scott; Edling, Nancy; Sethi, Gulshan K

    2012-01-01

    Research shows that laughter has myriad health benefits, yet the medical community has not implemented it formally as a treatment. Patients awaiting organ transplantation have significant physical disabilities and are at risk for psychological distress. Attenuated heart rate variability (HRV) is a risk factor for a negative long-term outcome in some patients. The study intended to evaluate the clinical utility of laughter yoga in improving psychological and physiological measures in outpatients awaiting organ transplantation. Positive results would indicate promising areas to pursue in a follow-up study. Six participants met for 10 sessions over 4 weeks. The research team measured each participant's heart rate, HRV, blood pressure (BP), and immediate mood before and after the laughter and control interventions. The team assessed participants' longer-term mood (anxiety and depression) at the study's initiation, after a no-treatment control week, and at the end of the study. The study occurred at the Department of Surgery and Medicine at the University of Arizona Health Sciences Center, Tucson. Participants were patients awaiting transplants (three heart and three lung), two women and four men (ages 51-69 y). Participants had received no major surgery in the 3 months prior to the intervention, did not have a hernia or uncontrolled hypertension, and did not fall into the New York Heart Association function class 4. The 20-minute laughter intervention involved breathing and stretching exercises, simulated laughter (ie, unconditional laughter that is not contingent on the environment), chanting, clapping, and a meditation. The 20-minute control intervention involved the study's personnel discussing health and study-related topics with the participants. The research team measured BP, heart rate, and HRV and administered the Profile of Mood States, Beck Anxiety Inventory, and Beck Depression Inventory-II to evaluate immediate and longer-term mood. The team had planned

  8. À l’écoute des adaptations de Madame Bovary

    Directory of Open Access Journals (Sweden)

    Mary Donaldson-Evans

    2009-01-01

    Full Text Available Madame Bovary est un roman bruyant. Depuis le rire des écoliers jusqu’au chant de l’aveugle, Flaubert ne cesse de faire appel à l’ouïe. Que ce soit le son des cloches, le ronflement continu du tour de Binet ou le meuglement des vaches (pour ne mentionner que quelques-uns des nombreux bruits évoqués, la musique de la vie quotidienne en province fait partie intégrante de la narration. Rien de plus facile au cinéaste que de reproduire à l’écran ce mimétisme sonore du texte réaliste. Pourtant, une analyse de la bande-son de diverses adaptations révèle une interprétation souvent originale du texte.  Les ressources de la sonothèque ainsi que l’exploitation de diverses techniques relatives à la piste sonore (voix-off, musique diégétique et extra-diégétique, etc. permettent aux cinéastes de mettre leur propre griffe à leurs adaptations.Madame Bovary is a noisy novel. From the laughter of the school children to the blind man’s song, Flaubert constantly appeals to the sense of hearing. Whether it be the ringing of church bells, the continuous humming of Binet’s lathe or the lowing of cattle (to mention only a few of the numerous sounds evoked in the novel, the music of daily life in the provinces is an integral part of the narration.  Theoretically, there is nothing easier for the filmmaker than to reproduce on the screen this sonorous mimicry of the realist text. However, an analysis of the soundtrack of various adaptations reveals an often original interpretation of the text. The resources of the sound effects library as well as the exploitation of certain techniques associated with the soundtrack (voiceover, diegetic and extra-diegetic music, etc. allow filmmakers to put their own stamp on their adaptations.

  9. Kīlauea summit eruption—Lava returns to Halemaʻumaʻu

    Science.gov (United States)

    Babb, Janet L.; Wessells, Stephen M.; Neal, Christina A.

    2017-10-06

    In March 2008, a new volcanic vent opened within Halemaʻumaʻu, a crater at the summit of Kīlauea Volcano in Hawaiʻi Volcanoes National Park on the Island of Hawaiʻi. This new vent is one of two ongoing eruptions on the volcano. The other is on Kīlauea’s East Rift Zone, where vents have been erupting nearly nonstop since 1983. The duration of these simultaneous summit and rift zone eruptions on Kīlauea is unmatched in at least 200 years.Since 2008, Kīlauea’s summit eruption has consisted of continuous degassing, occasional explosive events, and an active, circulating lava lake. Because of ongoing volcanic hazards associated with the summit vent, including the emission of high levels of sulfur dioxide gas and fragments of hot lava and rock explosively hurled onto the crater rim, the area around Halemaʻumaʻu remains closed to the public as of 2017.Through historical photos of past Halemaʻumaʻu eruptions and stunning 4K imagery of the current eruption, this 24-minute program tells the story of Kīlauea Volcano’s summit lava lake—now one of the two largest lava lakes in the world. It begins with a Hawaiian chant that expresses traditional observations of a bubbling lava lake and reflects the connections between science and culture that continue on Kīlauea today.The video briefly recounts the eruptive history of Halemaʻumaʻu and describes the formation and continued growth of the current summit vent and lava lake. It features USGS Hawaiian Volcano Observatory scientists sharing their insights on the summit eruption—how they monitor the lava lake, how and why the lake level rises and falls, why explosive events occur, the connection between Kīlauea’s ongoing summit and East Rift Zone eruptions, and the impacts of the summit eruption on the Island of Hawaiʻi and beyond. The video is also available at the following U.S. Geological Survey Multimedia Gallery link (video hosted on YouTube): Kīlauea summit eruption—Lava returns to Halemaʻumaʻu

  10. PEMBACAAN ANGKA TAHUN PRASASTI SIRAH KẼTING DAN KAITANNYA DENGAN TOKOH ŚRĪ JAYAWARSA DIGWIJAYA ŚASTRAPRABHU

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    Churmatin Nasoichah

    2017-06-01

    Full Text Available The purpose of this paper is to know the exact age for Sirah Kĕting Inscription and its relation with Śrī Jayawarsa Digwijaya Śastraprabhu. The assessment was done by using inductive-deductive reasoning which moves from the facts on the field and then ends with a conclusion. In reading the Sirah Kĕting Inscription were found in the Ponorogo area, East Java, there are two different opinions in chanting year number. According to J.L.A. Brandes and W.F. Stutterheim readings, Sirah Kĕting Inscription was built on 1026 Śaka, while according to the Louis-Charles Damais readings, Sirah Kĕting Inscription was built on 1126 Śaka. From some of the results of the comparison can be concluded that the date Sirah Kĕting Inscription was built in 1126 Saka (1204 AD, the reading means agree with Louis-Charles Damais. Related to the Śrī Jayawarsa Digwijaya Śastraprabhu figure, is a king who has an autonomous kingdom (power located in the region of Madiun and Ponorogo, East Java and is the grandson of Dharmmawangsa Tguh. Keywords: Sirah Kĕting Inscription, date built, Śrī Jayawarsa Digwijaya Śastraprabhu, Mṛwak Inscription  Tujuan penulisan makalah ini adalah untuk mengetahui secara pasti angka tahun Prasasti Sirah Kĕting dan kaitannya dengan tokoh Śrī Jayawarsa Digwijaya Śastraprabhu. Pengkajian dilakukan dengan menggunakan penalaran induktif-deduktif yang bergerak dari fakta-fakta di lapangan yang kemudian diakhiri dengan sebuah simpulan. Dalam pembacaan Prasasti Sirah Kĕting yang ditemukan di daerah Ponorogo, Jawa Timur terdapat dua pendapat yang berbeda dalam penyebutan angka tahunnya. Menurut pembacaan  J.L.A. Brandes dan W.F. Stutterheim, Prasasti Sirah Kĕting berangka tahun 1026 Śaka, sedangkan menurut hasil pembacaan Louis-Charles Damais, Prasasti Sirah Kĕting berangka tahun 1126 Śaka. Berdasarkan beberapa hasil perbandingan dapat ditarik simpulan bahwa angka tahun pada Prasasti Sirah Kĕting adalah 1126 Śaka (1204 Masehi

  11. Towards the Establishment of Criteria for Discussing Music in Terms of Symmetry and Asymmetry (an Outline)

    Science.gov (United States)

    Csapó, Gyula

    Symmetry and asymmetry are universally present in music: our subject matter is vast, systematic applications abound. One cannot hope to do justice to this subject in an essay (only perhaps in a multi-volume book), let alone in a comprehensive manner that would include even the most important examples. The theoretical problems alone, concerning even the seemingly obvious cases, are considerable. Many of these arise from the complex, often interactive, simultaneous and temporal, i.e. multidimensional manner in which musical parameters1 behave. Thus, a rigorously systematic approach is necessary. This essay will attempt no more than to create scaffolding to facilitate future access to this subject. The bibliographical source references following the article will guide the readers to the editions of the musical examples. The terms symmetry and asymmetry (S/A for a while from here on) will be used to describe ephemeral and transitory, definitive, referential and background phenomena alike; and everything in-between. Further, S and A will be treated as a matter of degree, not as absolutes. In many instances, S/A will be thought of metaphorically or symbolically. With this caveat, many of the theoretical problems will no longer appear insurmountable. As stated before, examples of (systematic, conscious uses of) S and A in Western Art Music are universally present, all the way from Gregorian Chant to the music of Ockeghem; all the way from J.S. Bach through the Classical and Romantic eras to the increasingly conscious and mathematically ambitious applications from the Twentieth and Twenty-first Centuries (e.g. in the music of Bartók, Stravinsky, Schönberg, Webern, Boulez, Stockhausen or Xenakis). Therefore, I attempt to treat the subject by outlining the different models of how the question maybe thought of in musical terms. Specific examples will be provided to each section after the article. Although I consider these examples instructive, they by no means represent

  12. Le Bruit de l'amer: Time, Loss and Fossilized Romanticism in Madame Bovary

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    Luke Bouvier

    2011-07-01

    Full Text Available Des études récentes ont mis en lumière le « désordre temporel » d’Emma Bovary, son étrange inaptitude à produire un événement dans sa vie ou à intégrer le temps dans son expérience. Une scène clé à cet égard est celle où, curieusement, Emma échoue à pleurer la mort de sa mère alors même qu’elle met en place tout un rituel romantique du chagrin qui n’aboutit qu’à l’indifférence et à l’ennui. Élaborée à partir d’un schéma psychanalytique assez vaste qui englobe les dernières recherches sur le traumatisme et l’addiction, cette étude montre que cette scène est symptomatique d’une incapacité plus large à assimiler la perte, qui se manifeste à travers les problèmes d’ennui et d’addiction, ainsi que par l’incapacité générale d’Emma à s’orienter par rapport au passé. Les implications linguistiques de ce problème sont particulièrement importantes : un tel trouble temporel lié à un défaut de deuil peut en effet être lu précisément à travers les perturbations du langage qui en résultent. Dans la figure étrange et indéchiffrable de la mère Rollet, par exemple, on peut discerner l’aventure cryptique du langage qui se produit à partir du problème de la perte mal assimilée, la conspiration de mots qui conduit Emma au suicide par la mise en place de retours équivoques du signifiant. En dernier ressort, si l’échec d’Emma à faire le deuil de sa mère est révélateur d’une certaine inaptitude à faire le deuil du temps lui-même, cette scène initiale marque aussi l’incapacité ou le refus d’Emma de faire son deuil d’une esthétique morte. Quand Emma satisfait son goût pour l’imagerie romantique en écoutant « tous les chants de cygnes mourants », ce qu’elle n’entend pas est précisément le caractère stéréotypé et dégradé d’une telle imagerie, l’équivoque romantique se manifestant à travers un champ de signes mourants.Recent studies

  13. [Applying the Methodology and Practice of Microhistory: The Diary of a Confucian Doctor, Yi Mun-gǒn (1495-1567)].

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    Shin, Dongwon

    2015-08-01

    Since microhistory's approach to the past is based on an understanding of and a sympathy for the concrete details of human lives, its area of interests overlaps with the history of medicine and medical humanities, which examine illness and health. If we put a specific region and society in a specific period under a microscope and increase the magnifying power, we can understand the numerous network connections among the body, illness management, and medicine and how multilayered were the knowledge and power applied to them. And this approach of using microhistory to illuminate medical history can be more effective than any other historical approach. This article focuses on Yi Mun-gǒn's extensive volumes of Mukchaeilgi (Mukchae's diary) in approaching medical history from the perspective of microhistory. Simply defined, this work is a Confucian scholar-doctor's diary. Its author, Yi Mun-gǒn, played the role of a Confucian doctor, although not professionally, during his 23-year exile, after serving in a high governmental office on the senior grade of the third court rank. Thanks to this extensive and detailed diary, we can now get adetailed andthorough picture of his medical practice in the Sǒngju region, 270 kilometers southeast of Seoul, where he was exiled. This article aims to understand the state of medical practice in the Sǒngju region in the 16thcentury through the"zoom-in" method adopted by microhistory. In particular, I will focus on the following three aspects:1) Yi Mun-gǒn's motivation for and method of medical study, 2)the character of Yi Mun-gǒn'spatient treatment as hwarin (the act of life-saving), and 3) the plural existence of various illness management methods, including pyǒngjǒm (divination of illness), sutra-chanting, exorcism, and ch'oje (ritual toward Heaven). All three aspects are closely related to Confucianism. First, Yi Mun-gǒn decided to acquire professional-level medical knowledge in order to practice the Confucian virtue of filial

  14. Le plurilinguisme du perroquet

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    Manuel Mühlbacher

    2012-05-01

    Full Text Available La figure du perroquet occupe une position ambiguë face à la question de la traduction. Il est capable d’imiter des paroles en toutes les langues, mais il n’est capable d’en comprendre aucune — il ne peut que répéter des sons, c’est-à-dire des signifiants. Le traducteur semble faire le contraire quand il passe d’une langue à une autre en tâchant de transmettre une signification semblable par d’autres signes. L’article vise à discuter le rôle du traducteur et sa relation, éventuellement équivoque, au perroquet, en analysant la traduction allemande de Trois Contes par André Stoll et Cora van Kleffens. Un décalage au niveau sémantique peut éclairer l’interprétation du texte, par exemple en explicitant des allusions sous-jacentes, tandis que le transfert de la syntaxe française en allemand pose souvent des problèmes considérables. Comment le traducteur peut-il reproduire des structures syntaxiques qui n’existent pas en allemand, mais qui ne cessent de revenir dans le texte français ? Que faire si le texte se met à jouer au perroquet et finit par se singer lui-même ? André Stoll et Cora van Kleffens ont su trouver des stratégies pour affronter ces difficultés.The figure of the parrot holds an ambiguous position towards the question of translation. It is able to imitate all languages, but it will never understand any of them – its only skill is to mimic sounds, i.e. mere signifiers. On the contrary, the translator seems to be the antithesis of the parrot when he moves from one language to another. He endeavours to convey a similar meaning, but by different signs. The article aims at discussing the role of the translator and his or her eventually equivocal relation to the parrot by means of analysing the German translation of Trois Contes by André Stoll and Cora van Kleffens. Whereas a semantic divergence can result in a different tendency on the level of interpretation, as in the case of an underlying

  15. Kahua A'o—A Learning Foundation: Using Hawaiian Language Newspaper Articles for Earth Science Professional Development

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    Chinn, P. W.

    2012-12-01

    Kahua A'o, an NSF OEDG project, utilizes Hawaiian language newspaper articles written between 1843 and 1948 as a foundation for culturally responsive geoscience curriculum and professional development. In Hawaii, a lack of qualified teachers limits students' awareness of Earth Science in their lives, as careers and a way to understand past, present, and future. This particularly impacts Native Hawaiians, 28% of students in Hawaii''s public schools but underrepresented in STEM majors and careers. Guided by sociocultural theories that view learning as experiential and culturally situated, geoscientists, Hawaiian translators, and science educators utilize articles to develop meteorology and geology modules for middle school teachers. Articles provide insights about living sustainably on islands exposed to volcanic eruptions, earthquakes, tsunami, drought, and storms. Hawaii's remoteness and diverse topography supported the development of mountain-to-sea, sustainable, social ecosystems called ahupuaa. Hawaiians recognized each ahupuaa's unique winds, rains, fauna, flora, cultivars, and geologic features. The story of Pele chanting the winds of Kauai to prove she was not a stranger grounds identity and status in environmental knowledge. The story is culturally congruent with science explanations of how the Hawaiian Islands' diverse shapes and topography interact with heating, cooling, and large scale wind systems to create hundreds of local winds and rains. This presentation reports on "Local Winds and Rains of Hawaii, I Kamaāina i Na Makani a Me Nā Ua and "Weather Maps and Hazardous Storms in Hawaii, Nā 'Ino Ma Hawaii Nei." Highly detailed observations of an 1871 severe wind event enable students to estimate winds speeds using the Beaufort Scale, determine the storm's path and decide if it was the first recorded hurricane on the island of Hawaii. A visit to NOAA's National Weather Service triggered discussions about Hawaiian language weather reports. A Hawaiian

  16. La granitula de la Santa du Niolu

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    Davia Benedetti

    2012-01-01

    Full Text Available Abstract – IT   Quale modalità sociale fonda la pratica di una danza rituale pre-cristiana, la granitula, in occasione della festa annuale della Santa nel Niolo, in Corsica? Questa danza vi perdura nel quadro di un pellegrinaggio istituito sulla base di un racconto leggendario, in commemorazione della natività della Vergine. Essa è associata a una cerimonia religiosa e a una fiera. Consiste in una marcia a spirale a doppio senso, scandita da canti e condotta dai membri delle confraternite. La granitula ha rilievo nel campo etno-scenologico con la trasposizione corporea di immagini del labirinto, dell'origine e del sé. Simboleggia il corpo sociale corso e il suo senso d'appartenenza regionale e paesana. Coloro che la eseguono entrano in coesione con la comunità corsa. Fanno corpo con essa per proiettare nel vivere comune della società la loro assicurazione di uscita da ogni labirinto grazie a una prassi solidare, al rinserrare dei legami comunitari e a un adattamento identitario ai cambiamenti. Abstract – FR Quelle sociabilité fonde la pratique d’une danse rituelle antechrétienne, la granitula, lors de la fête annuelle de la Santa dans le Niolu, en Corse? Cette danse y perdure dans le cadre d’un pèlerinage établi sur un récit légendaire, en commémoration de la nativité de la Vierge. Elle est associée à une cérémonie religieuse catholique et à une foire. Elle consiste en une marche spiralée à double sens, scandée par des chants et exécutée par les membres des confréries. La granitula relève du champ de l’ethnoscénologie avec une mise en corps des figures du labyrinthe, de l’origine et du même. Elle symbolise le corps social corse et ses sentiments d’appartenance régionale et villageoise. Ses exécutants entrent en cohésion avec la communauté corse. Ils font corps avec elle pour projeter dans le vivre ensemble sociétal leur assurance de la sortie de tout labyrinthe par une pratique des solidarit

  17. Des monastères aux funérailles. La construction d’une relation ethnographique avec des chrétiennes de Damas (Syrie

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    Anna Poujeau

    2009-03-01

    Full Text Available Des monastères aux funérailles. La construction d’une relation ethnographique avec des chrétiennes de Damas (Syrie. En juillet 2004, j’ai assisté aux funérailles d’un jeune homme de la famille au sein de laquelle je vivais à Damas. À l’époque, l’intense émotion suscitée par cet événement empêcha que je m’y intéresse de plus près. Ce n’est que deux ans plus tard, en juillet 2006, que j’ai décidé d’enquêter sur l’un des aspects majeurs de la cérémonie : les lamentations funèbres féminines. Lors de ce dernier terrain, les femmes de la famille que j’interrogeais, que j’accompagnais aux funérailles et dont j’enregistrais les chants m’assignèrent alors une place tout à fait particulière. Puisque, moi aussi, « je m’habillais en noir et je venais aux funérailles », je ne pouvais plus être considérée comme une étrangère. Dès lors, elles firent de moi la fille d’une de leur sœur émigrée à Paris et mariée avec un Français. Ce statut me fut par ailleurs confirmé lorsqu’elles m’attribuèrent une place dans leurs plaisanteries entre sœurs, tantes et neveux matrilatéraux.Dans cet article, je souhaite engager une double réflexion : sur la position et l’implication de l’ethnologue sur un terrain où l’émotion est au premier plan, ainsi que sur la façon dont être assignée à une place dans la parenté de ses informateurs donne enfin toute liberté d’action à l’ethnologue sur son terrain.From monasteries to funerals. The construction of ethnographical relations with the Christians of Damascus (Syria. In July 2004, I attended the funeral of a young man from the family with whom I was staying in Damascus. At the time, the intense emotion provoked by that event prevented me from immediately examining it more closely. It was only two years later, in July 2006, that I decided to study one of the main features of the ceremony: the women’s lamentations. During this

  18. Kahua A';o--A Learning Foundation: Using Hawaiian Language Newspaper Articles for Science and Science Education

    Science.gov (United States)

    Chinn, P. W.; Businger, S.

    2013-12-01

    Kahua A';o, an NSF OEDG project, utilizes Hawaiian language newspaper articles written between 1843 and 1948 in lessons and professional development intended to increase participation of underrepresented Native Hawaiian students in earth science. Guided by sociocultural theories that view learning as experiential and culturally situated, geoscientists (Steven Businger, Scott Rowland, Floyd McCoy, UG student Kelly Lance); Hawaiian translators (M. Puakea Nogelmeier, GRAs Kapomaikai Stone and Iasona Ellinwood); science educators (Pauline Chinn, graduate student Lindsey Spencer), utilize articles to develop place-based meteorology and geology curricula for middle school teachers. Articles are valuable to science and science education: Native Hawaiians are citizen scientists who recorded, interpreted, and communicated findings to potentially critical audiences, while dated, descriptive, eye witness reports provide data on events unrecorded by westerners. Articles reveal Hawaiian intellectual tradition placed great value on environmental knowledge. Moolelo (traditional stories) e.g., Kuapākaa (Nakuina, 1905), translated as The Wind Gourd of Laamaomao, tells of Kuapākaa controlling all the winds of Hawai';i by chanting their names--a metaphor for the power of knowledge of winds, rains and their patterns. In the moolelo of Kalapana, a boy hero challenges and defeats the king of Kauai to a life-and-death riddling contest (Nakuina, 1902). Maly's (2001) translation of a riddle involving 22 zones spanning mountaintop to deep-sea underscores the knowledge base informing sustainable practices. Articles provide insight into indigenous maps (Nogelmeier, personal communication) while riddling contests (Beckwith, 1940/1970) establish demonstrations of knowledge as central to power, identity, and status. Eight field-based lessons have been presented to formal and informal science educators, with teachers adapting lessons for 3rd-12th grade students. Graduate students Spencer, Stone

  19. Palaeotsunamis and their significance for prehistoric coastal communities

    Science.gov (United States)

    Goff, J. R.

    2011-12-01

    The damage caused by large tsunamis to human populations at the coast has been all too evident over the past few years. However, while we have seen the immediate after-effects of such events, we are less familiar with the longer term changes associated with them. Using prehistoric New Zealand as a case study, the talk first addresses the wider geological context associated with a tsunami - what caused it and what were the consequences for the physical environment? Prehistoric Maori lived predominantly in coastal settlements, particularly during their early settlement period. They had far ranging canoe trade routes and made widespread use of intertidal and coastal resources. As such it is possible to determine much of the ecological and societal ramifications of a 15th century tsunami inundation. The 15th century tsunami is recorded in numerous purakau or oral recordings. These form part of Maori Traditional Environmental Knowledge (TEK), but the event can also be identified through archaeological, geological and palaeo-ecological indicators. One of several purakau from the 15th century refers to the "Coming of the Sand". This centres on a place called Potiki-taua, where Potiki and his group settled. Mango-huruhuru, the old priest, built a large house on low land near the sea while Potiki-roa and his wife put theirs on higher ground further inland. Mango-huruhuru's house had a rocky beach in front of it that was unsuitable for landing canoes and so he decided to use his powers to bring sand from Hawaiki. After sunset he sat on his roof and recited a karakia (prayer/chant). On conclusion a dark cloud with its burden of sand reached the shore. The women called out "A! The sea rises; the waves and the sand will overwhelm us". The people fell where they stood and were buried in the sand along with the house and cultivations and all the surrounding country, and with them, the old priest and his youngest daughter (memorialised and turned into a rock which stands there

  20. The light of the word in Ljubica Marić's music

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    Makević Zorica

    2009-01-01

    the Serbian Octoechos in the cycle Musica Octoicha (1958-1963. Thus, Ljubica Marić's music has entered its 'New Testament' time and become a specific story of the Logos and His presence in the world and history. In the opaque and dramatic course of that related musical time, the melodics of chanting is experienced as the manifestation of the light, meaning, reason freedom, awe. These graceful effects bring into the work a certain beyond-time dynamics - inverse perspective of time - and, like a Byzantine church dome, they bear witness to the divine condescension. Ljubica Marić's music is steeped in the mystery of the beginning and the end, which meet in eternity, in the One who is Alpha and Omega; in its one tone and in its entire course, it grasps the whole of time and existence - through the divine Word itself by which it has also been made.

  1. Rovesciamento e alterazione nei racconti Uranio, Vanadio e in Auschwitz, Città Tranquilla

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    Fausto Maria Greco

    2016-11-01

    other aspects of Levi’s writing: as in the case of Elie Wiesel in the novel Barbara, published in the collection Le chant des morts (1966, in Uranio Levi distances himself from the use of memory that distorts its contents and crosses the borders of truth in order to describe survivors as heroes. In Levi’s works, such overturned doubles as Bonino reveal menacing risks and disturbing events. Conversely, the processes of alteration and distortion which can be inscribed to the character of Cerrato, in the short story Argento, better conform to the writer’s struggle for knowledge of the universe of extermination camps. Beside Bonino and Cerrato, the same comparison can be established between Doktor Müller of Vanadio and the chemical engineer Mertens of Auschwitz, città tranquilla (published in 1984 and included in the collection Racconti e saggi. These characters are based on people Levi really met or dealt with. By analyzing Vanadio and Auschwitz, città tranquilla, the study aims to show how, as for Mertens, overturning reveals a provocative hypothesis, while alteration contributes to ethical knowledge in the case of Müller. PAROLE CHIAVEPrimo Levi; Elie Wiesel; rovesciamento; alterazione; narratore (attendibile/inattendibile; narrazione; testimonianza; doppio; lager; memoria.

  2. Book reviews

    Directory of Open Access Journals (Sweden)

    Redactie KITLV

    2011-06-01

    (reviewed by Anthony R. Stevens-Acevedo Chanting Down the New Jerusalem: Calypso, Christianity, and Capitalism in the Caribbean, by Francio Guadeloupe (reviewed by Catherine Benoît Once Jews: Stories of Caribbean Sephardim, by Josette Capriles Goldish (reviewed by Aviva Ben-Ur Black and White Sands: A Bohemian Life in the Colonial Caribbean, by Elma Napier (reviewed by Peter Hulme West Indian Slavery and British Abolition, 1783-1807, by David Beck Ryden (reviewed by Justin Roberts The Children of Africa in the Colonies: Free People of Color in Barbados in the Age of Emancipation, by Melanie J. Newton (reviewed by Olwyn M. Blouet Friends and Enemies: The Scribal Politics of Post/Colonial Literature, by Chris Bongie (reviewed by Jacqueline Couti Nationalism and the Formation of Caribbean Literature, by Leah Reade Rosenberg (reviewed by Bénédicte Ledent Signs of Dissent: Maryse Condé and Postcolonial Criticism, by Dawn Fulton (reviewed by Florence Ramond Jurney The Archaeology of the Caribbean, by Samuel M. Wilson (reviewed by Frederick H. Smith Crossing the Borders: New Methods and Techniques in the Study of Archaeological Materials from the Caribbean, edited by Corinne L. Hofman, Menno L.P. Hoogland & Annelou L. van Gijn (reviewed by Mark Kostro

  3. Yane Sandanski as a political leader in Macedonia in the era of the Young Turks

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    Mehmet Hacısalihoğlu

    2012-05-01

    Full Text Available Yane Sandanski a été de son vivant un héros dans la population macédonienne, et après sa mort, une légende dans toute la région et le sujet de nombreux chants populaires dans la région. Cependant, son image est aujourd’hui très controversée dans les historiographies des États balkaniques. Révolutionnaire, politicien et hommes d’affaires, il a été tué par les nationalistes bulgares en 1915. Il est difficile maintenant de formuler un jugement définitif sur son rôle et ses buts politiques. A-t-il trahi les intérêts nationaux bulgares en Macédoine ? Sans aucun doute ! Mais son alliance avec le CUP a protégé sa région de toute oppression de ce côté. Il était assurément pour une autonomie de la Macédoine, mais cela ne signifie pas qu’il considérait les chrétiens slaves de la région comme une nation distincte, une « nation macédonienne ».Yane Sandanski has been a hero among the Macedonian population in his lifetime, and after his death a legend in the region and the subject of many folksongs in the region. However his image is today very controversial in national historiographies in the Balkan states. Revolutionary, politician and businessman in the end, he was killed by the Bulgarian nationalists in 1915. Now it is difficult to give an absolute evaluation of his role and his political aims. Was he a betrayer of the national Bulgarian interests in Macedonia? definitely yes! But his alliance with the CUP protected his region from any oppression from this part. He was sure for an autonomy of Macedonia, but this does not mean that he regarded the Slavic Christians in Macedonia as a separate nation, namely a “Macedonian nation”.Yane Sandanski henüz hayattayken Makedonya halkı arasında kahraman olmuş Makedonyalı bir ihtilalci idi ve ölümünden sonra bölgede bir çok halk türküsüne konu olan bir efsane haline geldi. Bununla birlikte Sandanski günümüzde Balkan ülkelerinin tarih yazımlarında

  4. Oralité et échec programmé du manifeste-pétition Not In Our Name (NION

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    Simone RINZLER

    2011-10-01

    Full Text Available Cet article étudie la production d’une chanson manifestaire pré-pétition NION The Pledge of Resistance chantée lors de manifestations et de rassemblements-spectacles organisés par le groupe NION (Not In Our Name qui s’est constitué au printemps 2002 en défaveur d’une invasion et d’une guerre future en Irak. Cet article contribue à l’étude du genre non-fictionnel du manifeste politique en analysant l’oralité du genre manifestaire et en montrant sa relative inanité en tant que manifeste de plein droit. La voix qui s’exprime dans la chanson et dans la pétition ne croit guère à la force du langage. Elle contribue à l’érosion de la pragmatique politique du manifeste en tant que genre consacré à un appel à l’action par le biais d’un acte de langage conatif. Sachant que la guerre est imminente et inévitable, la seule action à laquelle sont conviés les Récepteurs-Lecteurs consiste uniquement à apposer leur signature au bas de la pétition-manifeste The Statement of Conscience. La visée pragmatique des signataires se borne à déclarer publiquement leur dissensus dans l’espace politique en refusant d’être considérés comme solidaires du consentement à une guerre injuste menée en leur nom. La chanson-manifeste The Pledge of Resistance manifeste le refus d’être considéré comme « Auteur » de la future guerre. Les signataires refusent que la guerre soit prise en charge au nom de l’intégralité des citoyens des États-Nations alors que se préparait l’opération « War on Terror » en Irak.Thispaper examines the production of a pre-petition-manifesto NIONThe Pledge of Resistance, sung in demonstrations and shows organised by NION (Not In Our Name, a group fighting the hypothesis of a future war in Iraq in Spring 2002. It contributes to the study of the non-fictional genre of the political manifesto by analysing the orality of the genre and by stating its low value as a common and garden

  5. The Spring Festival Celebration of the Nianzhe Family Clan---An Ethnography of a Mosuo Family's Spring Festival

    Institute of Scientific and Technical Information of China (English)

    ZHAO Peixi; ZHANG Bo; YANG Lifen; ZHANG Yongyi

    2014-01-01

    The Nianzhe ( family name ) family is a Mosuo family in Dapo village , Yongning Town-ship , Ninglang Yi Autonomous County in Yunnan Province .The Nianzhe family is a big Mosuo fami-ly full of harmony and warmth .The Spring Festival in 2011 was the happiest festival for the matriarch of the family, Nianzhe· Cierlamu ( “Old Mom”) who was 72 years, and for the patriarch, Laya· Danducier (“Old Daddy”) who was 73 years old. This was because , except for Nianzhe · Yongzhen-duma , their third daughter who married to a Naxi man, their other five children , two son-in-laws and five grandchildren came back to celebrate the spring festival with them . The Nianzhe family has a very strong sense of family, and the Spring Festival is the most impor-tant time for them to express their feelings to the family.All the family members place their joy and hope on the New Year's celebration ( Spring Festi-val).Actually, upon entering the twelfth month of the lunar year , the family began to busy them-selves with preparing food , new clothes and other things.They collected fire wood, made salted pork, prepared special wine , milled flour, made“huahuatang” ( a kind of handmade candy ) , and also prepared a special kind of bean curd , pieces of dried rice, butter, oil, Tsampa, and vegeta-bles.They also prepared other things such as“couplets”, prayer flags, and butter lamps. In accordance with the custom of the Mosuo , the Nianzhe family chose the 25 th day of the twelfth lunar month of the year to clean the house .This is because the animal zodiac sign of that day was not the same as any of the family members'birth ani-mal zodiac signs .If it were , it would be inauspi-cious for those family members whose birth signs were the same as that day .After they cleaned the house , a lama was invited to chant; some dough figures were made and the “zananiao muqi” ( the purifying scripture ) was recited . On the 27 th day of the twelfth lunar month , the Nianzhe clan family

  6. Şeyh Galipte Metafizik Buhran: Varlık-Yokluk ya da Ademden Ademe Varoluş Metaphysıcal Crisis in Sheikh Galip: Existence-non Existence Or Being From Nothing to Human

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    Mehmet BİRGÜL

    2012-12-01

    Full Text Available Building his poem on 'wisdom' Sheikh Galip is not only aesthetically a great poet, but a thinker who chant a deeper conception of being. His terci-i bend that expresses his internal crisis, is particularly noteworthy in this regard. Focused on nothingness this deep poetry is adorned with ideas to consider the relationship between human and the existence. Galip has offered the distress of 'nothingness'into which the self fell, to his Lord that he consider him as the Beingand thus expects a splash of metaphysical sense. Galip’s this significantpoem, showing the deep contemplation in the tradition of thought of ourcivilization, becomes a remarkable text illuminating the fundamentalstages of an individual's spiritual and metaphysical advance, when it iscompared to the other terci-i bend that presents human as the apple ofthe eye of Being whereat the cosmos. Therefore Galip’s these terci-ibends provide remarkable data on conceptions of the being, God andhuman in our wisdom tradition. In addition, to determine Galip’smetaphysical crisis should be considered an important example in orderto understand differences and similarities between the modern Westernphilosophical understanding and our traditional conception of wisdom.Is it mentioned that is there a structural relationship between Galip’smetaphysical crisis and the modern existentialist thought? CouldGalip’s conceptions of the being and human offer a contribution to theidea of a universal sense of humanity? For Anatolian intellectuals thesequestions are worth thinking, and to contribute, albeit small, to such adebate will make us happy. Şeyh Galip, sadece estetik açıdan büyük bir şair değil, şiirini ‘hikmet’ ile inşa etmiş olduğu için, derin bir ‘varlık’ kavrayışını terennüm etmiş bir mütefekkirdir. Onun kaleme aldığı ve yaşadığı iç buhranı dile getiren bir terci-i bendi, bu açıdan özellikle dikkate değerdir. ‘Yokluk’ üzerine yo

  7. 2000 years of sustainable use of watersheds and coral reefs in Pacific Islands: A review for Palau

    Science.gov (United States)

    Koshiba, Shirley; Besebes, Meked; Soaladaob, Kiblas; Ngiraingas, Madelsar; Isechal, Adelle Lukes; Victor, Steven; Golbuu, Yimnang

    2014-05-01

    , Cyrtosperma is treated as a food source for famine where it has high resistance to saltwater and longer plant life (3-5 years); it's a rich source of starch in times of droughts and other natural disaster. Colocasia, on the other hand, is viewed as prestigious source of food in Palau. Whereas Cyrtosperma requires little tending once it has been planted Colocasia is more delicate for its fragility and shorter plant life (8-12 months). Therefore more efforts are spent tending Colocasia than Cyrtosperma (McKnight and Obak, 1960; Bammann and Wey, 1991). Although both are eaten quite often, Colocasia can be found in many aspects of Palauan cultural practices (funerals, first birth ceremonies, transfer of title ceremonies) and used symbolically in chants, dances, proverbs, and stories with moral lessons (Palau Society of Historians, 2008).

  8. I concetti di "materia", "forma" e "ordine" nel pensiero teorico musicale medievale e contemporaneo

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    Cecilia Panti

    2011-01-01

    , implicando il loro tornare a imporsi sugli elementi primari della fisica del suono, non solo l’altezza, ma soprattutto il timbro, il volume e la durata. Già Schönberg, nel 1911, affermava come “l’ordine che chiamiamo forma artistica” è “un necessario espediente” elaborato “a causa della nostra incapacità a comprendere l’indistinto e il non-ordinato”, che è la condizione propria della materia sonora.   In its historical development, the Western theory of music has inevitably made use of specific concepts to define how the sound is musically organized or organizable. Among these notions, those of matter, form and order signify – in spite of the different linguistic areas and the various historical and philosophical backgrounds – that from which music is made, that to which it tends and how such tendency is realized. This paper aims to evaluate the philosophical implications and the use of these three concepts in the musical theories of the high Middle Ages and of the twentieth century, since, in spite of their chronological distance, they present significant similarities. A long process of theoretical and practical adjustments of the melodic structures of liturgical chants to the scale-systems of the Greek and Boethian theory contributed to developing what would become a familiar notion throughout the Middle Ages: that musical intervals (and, later on, the musical rhythms can be expressed in mathematical terms. According to this view, the words forma and ordo signify the mathematical measures that are applied to the “matter” of sound, which is considered as inorganic and indefinite in itself. This conception gradually disappears when the tonal system begins to emerge, since this new modality of composition implies that the physical sound is “pre-formed” and “pre-ordered” within the musical scale, according to the “natural” links of the harmonics. Consequently, the concepts of “form” and “order” do not refer any more to the

  9. Une éducation sentimentale ou le roman d’amour de Salammbô

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    Geneviève Mondon

    2010-09-01

    Full Text Available La transcription et l’étude des manuscrits préparatoires de Salammbô a permis de retracer la genèse du personnage féminin, en mettant en valeur son aventure personnelle. Les passages inédits, les marges et écritures interlinéaires apportent des éléments précieux pour construire le roman d’amour de l’héroïne, et lui donner une tonalité plus érotique, avant que Flaubert ne supprime, transforme ou masque habilement ces traces éphémères. Afin que les lignes soient plus nettes, ma recherche privilégie le point de vue de Salammbô, pour autant qu’on puisse connaître cette figure énigmatique. En laissant de côté, volontairement, les problèmes primordiaux du roman, la guerre historique de Carthage, la lutte mythique entre Tanit et Moloch, la grande Histoire et la mythologie, les batailles et les massacres, la lumière se concentre sur l’aventure sentimentale, absolument nécessaire dans un roman historique, l’auteur le sait. L’évocation du milieu social de la fille du suffète Hamilcar, l’analyse de son psychisme, de ses désirs, de ses rêves et de ses croyances apportent un éclairage sur sa vie de femme. L’examen d’un inédit comme les pages consacrées à la danseuse montre la volonté du romancier de créer un personnage séduisant et actif. Devant les guerriers a lieu l’« épiphanie », caractéristique des héros : le chant lyrique et la danse ésotérique en sont les signes manifestes. Après la rencontre, Salammbô et Mâtho, en proie au désir amoureux, se cherchent, se fuient et rêvent l’un de l’autre. Un inédit rapporte le songe de la jeune femme. Des expériences qui allient plaisir et souffrances, l’union mystique avec le serpent, la « baisade » contribuent à son éducation sentimentale mais la déception finale, l’échec du désir, est la vraie révélation.The transcription and study of Salammbô’s preparatory manuscripts enable us to retrace the genesis of the feminine

  10. La propagande du rêve. Le discours de l’Ejército Zapatista de Liberación Nacional : pour une poétique de la résistance

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    Nathalie Galland

    2010-01-01

    Full Text Available Si l’Ejército Zapatista de Liberación Nacional s’inscrit de fait dans la tradition des luttes révolutionnaires de l’Amérique latine, s’il hérite de l’histoire un souffle marxiste guévariste réinventé par un vaste imaginaire indigène, bientôt pourtant, comme il renonce aux balles, il renonce au discours dogmatique pour adopter une poétique singulière, prompte à s'abandonner au transport onirique. Et s’il y a bien propagande, une propagande fidèle à son armature étymologique de propagation, ce sera dès lors celle du rêve, une propagande des confins, débordant les frontières de ce que l'on nomme d'ordinaire politique. C'est que cet élan littéraire, éminemment conscient du pouvoir des mots, de la puissance de l’effraction onirique, véhicule éthéré de l’avènement d’un autre dire du monde, s'achemine inlassablement vers l'endroit de l'utopie, vers l'avènement d'un autre monde. De dissonance en dissidence, toutes deux matières de résistance, le discours devenu chant vagabond s'ouvre autrement sur le politique ; via la légitimité de la lutte, il projette un horizon : celui de la reconnaissance de la pluralité du monde, celui du passage à une démocratie pluri-culturelle.If the corpus of the texts constituted by the EjércitoZapatista de Liberación Nacional is rooted in the numerous revolutionary productions that Latin America has delivered, and, alongside it, in a Marxist Guevarist political field re-interpretated by a deep indigenous vision, we make the assumption that words incessantly bring it towards the dreamlike realm. If it is propaganda - linked to its etymological origin of “spreading”, it is a dream propaganda, engaging in the overflow, in the nonalignment of poetry, in the freedom of the spoken word, much more than dogmatic political discourse. With both memory and desire, dissonanceand dissidence, writing spreads itself out through the renovation of possible enunciations, leading to

  11. Osservazioni in margine sulla musica per l’immacolato concepimento della Vergine, al tempo di Sisto IV

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    Camilla Cavicchi

    2012-05-01

    , legata alla devozione dell’immagine dell’Immacolata. Le immagini furono, in effetti, uno strumento di particolare importanza nella strategia del pontefice. In esse la musica entrò dapprima con l’evocazione delle antifone e della preghiera, citate nei cartigli e nei bordi dei dipinti, poi attraverso la figura di re David (rappresentante della stirpe di Maria, nelle danze di angeli e, infine, con l’adozione di alcuni elementi iconografici propri dell’Assunzione. A partire dal primo quarto del Cinquecento l’iconografia dell’Immacolata s’arricchì dell’immagine degli angeli musicanti, evocazione certamente dell’armonia celeste, ma anche testimoni della pratica musicale legata alla devozione dell’Immacolato concepimento della Vergine.The introduction of the celebration of the Immaculate Conception prompted a series of innovations in liturgical music that changed the foundations of music and developed the figurative theme of the Virgin Mary.One of the first official actions of Pope Sixtus IV was to commission a new Office from Leonardo Nogarolo (1477, the Officium Immaculatae Virginis Mariae, and later the Officium Conceptionis Virginis Mariae by Bernardino Busti (1492, which both reached us without notation. Music for the Proper of the mass and for the Office by L. Nogarolo and the Introit of the mass Egredimini et videte filie Sion was composed and published, separately, in two collections by Francesco de Brugis: Antiphonarium and Graduale secundum morem sancte Romanae ecclesie (Venice, Lucantonio Giunta, 1503 and 1500. During the papacy of Sixtus IV, chants were undoubtedly inspired by the Office by L. Nogarolo, but it is also possible that several musical traditions coexisted during the first years after the establishment of the celebration. Records confirm that Sixtus IV used to celebrate this occasion in St. Peter’s Basilica, reciting the Office followed by the mass in the morning and, in the afternoon, leading a procession to the church of

  12. Book Reviews

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    Redactie KITLV

    2003-01-01

    + 241 pp. [BRC Occasional paper 1.] -Gerrit Knaap, Frédéric Mantienne, Les relations politiques et commerciales entre la France et la péninsule Indochinoise (XVIIe siècle. Paris: Les Indes Savantes, 2001, 395 pp. -Uli Kozok, James T. Collins, Malay, world language; A short history. Second edition. Kuala Lumpur: Dewan bahasa dan pustaka, 2000, xii + 101 pp. -Nathan Porath, Hoe Ban Seng, Semalai communities at Tasek Bera; A study of the structure of an Orang Asli society. [A.S. Baer and R. Gianno, eds.] Subang Jaya, Malaysia: Centre for Orang Asli concerns, 2001, xii + 191 pp. -Nathan Porath, Narifumi Maeda Tachimoto, The Orang Hulu; A report on Malaysian orang asli in the 1960's. [A.S. Baer, ed.] Subang Jaya, Malaysia: Centre for Orang Asli concerns, 2001, xiv + 104 pp. -Martin Ramstedt, Raechelle Rubinstein ,Staying local in the global village; Bali in the twentieth century. Honolulu: University of Hawai'i Press, 1999, xiii + 353 pp., Linda H. Connor (eds -Albert M. Salamanca, Thomas R. Leinbach ,Southeast Asia: diversity and development. Upper Saddle River, NJ: Prentice Hall, 2000, xiii + 594 pp., Richard Ulack (eds -Heather Sutherland, Muhamad Hisyam, Caught between three fires; The Javanese pangulu under the Dutch colonial administration, 1882-1942. Jakarta: Indonesian-Netherlands cooperation in Islamic studies (INIS, 2001, 331 pp. [Seri INIS 37.] -Heather Sutherland, Roderich Ptak, China's seaborne trade with South and Southeast Asia (1200-1750. Aldershot: Ashgate, 1999, xii + 366 pp. [Variorum collected studies series CS638.] -Sikko Visscher, M. Jocelyn Armstrong ,Chinese populations in contemporary Southeast Asian societies. Richmond, Surrey: Curzon, 2001, xiv + 268 pp., R. Warwick Armstrong, Kent Mulliner (eds -Reed Wadley, Clifford Sather, Seeds of play, words of power; An ethnographic study of Iban shamanic chants. Kuching: Tun Jugah foundation, 2001, xvii + 753 pp. [Borneo classic series 5.] -Boris Wastiau, Raymond Corbey, Tribal art traffic; A chronicle

  13. De l'honorable ennemi au compagnon de fortune From the respectable enemy to the one who shares a common destiny

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    Györgyi Mate

    2012-05-01

    Full Text Available Dans la culture hongroise, 150 ans de proche cohabitation avec l'Empire ottoman ont laissé d'innombrables traces. En littérature, la richesse relative en documents ne nous permet que de frôler la « question turque ». Nous proposons ici une récurrence fondamentale, l’honneur et tout particulièrement la parole donnée. Cette problématique peut être envisagée selon trois axes. Les engagements personnels – politiques et militaires – ; la question des conversions, recoupant le domaine de la religion ; le fonctionnement de la cohabitation, plus complexe. Les textes illustrant ces trois approches sont d'une grande diversité. Les mémoires d'esclave ou les chants épiques y tiennent une place égale avec le roman du XIXe siècle. L'image de l'Empire ottoman a subi une métamorphose considérable au cours des siècles en Hongrie. Au quinzième siècle, un des premiers témoignages européens présente un régime bien ordonné, dont les valeurs morales constituent un exemple à suivre pour la chrétienté. Vers le milieu du XVIe siècle, Hans Dernschwam ne trouve dans l'Empire que des « bizarreries ridicules et vicieuses ». Au même moment, les chansons de geste de Tinódi montrent le sultan Soliman en ennemi redouté des puissances occidentales. Un siècle plus tard, le poète Miklós Zrínyi sublime ce monarque en figure légendaire. Le XIXe siècle ouvre deux nouvelles voies : le romantisme de Jókai peint une âme profonde et orientale ; le réalisme de Tömörkény s’intéresse aux petites gens. Le XXe siècle exploite le sujet ottoman tout en hésitant entre l'image de l'ennemi séculaire, et celle d’une cohabitation paisible des deux peuples.The 150 years of the close cohabitation with the Ottoman Empire has certainly left numerous traces in the Hungarian culture. With regard to literature, the relative poorness of available documents does not allow us to even to venture in the road of the “Turkish question”. Here

  14. Le palais d’Aiétès et son jardin chez Apollonios de Rhodes (Arg., III, v. 194-252. Un exemple de paysage-palimpseste antique ? The Palace of Aeetes and its Garden in Apollonius of Rhodes (Arg., III, lines 194-252. An example of ancient landscape as palimpsest? Il palazzo di Eeta e il suo giardino in Apollonio Rodio (Arg., III, 194-252. Un esempio di paesaggio-palinsesto antico?

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    Laury-Nuria André

    2012-07-01

    Full Text Available Lorsque le lecteur découvre au chant III des Argonautiques d’Apollonios de Rhodes l’espace du « paysage urbain » colque, au fur et à mesure de la progression visuelle des personnages, se dessine mentalement tout un espace littéraire fait de réminiscences homériques. L’espace végétal semble composé d’un bouquet d’intertextes de nature endogène tandis que l’architecture palatiale combine structure archaïque et ornements hellénistiques. Nulle trace d’exotisme donc, mais un espace composé de référents grecs typiques. Du fait de ces référents littéraires, la construction de l’espace palatial urbain emprunte sa configuration même au type d’écriture poétique sollicité par le poète épique : la réécriture. Comment comprendre alors que le palais d’Aiétès puisse être à l’image du palais du souverain grec hellénistique, image idéale d’une architecture s’inscrivant dans l’ordre divin ? Il faut voir ici non seulement la mise en image, l’illustration concrète via l’architecture et, partant, le « paysage urbain » qui se singularise par sa nature hybride, de la volonté de rapprocher Orient et Occident, mais aussi et surtout les moyens mêmes de cette mise en œuvre. Le palais et son jardin ne seraient alors qu’une promesse, un prototype d’un modèle idéal à étendre, grandeur nature, sur l’ensemble du territoire colque, et de l’oïkoumène tout entière.When the reader of the third book of Apollonius of Rhodes discovers, in the course of the characters’ visual progression, the space of a Colchian “urban landscape”, s/he mentally creates a literary space made of Homeric recollections. The garden space seems composed of a bouquet of intertexts of endogenous nature, whereas the palatial architecture combines archaic structure with hellenistic ornamentation. So no trace of the exotic, but a space composed of typical Greek references. As a result of these literary references

  15. Tupamaro de Caxamarca: tonadas sobre la muerte del Inca Atahualpa contenidas en el códice Martínez Compañón (1782-85 Tupamaro de Caxamarca: Tunes about the Death of the Inca Atahualpa contained in the Codex Martínez Compañón (1782-85

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    Tiziana Palmiero

    2011-12-01

    (b: Adagio tonada el Tuppamaro de caxamarca"- could be related to the events of Cajamarca leading to the capture and death of Inca Atahualpa. The same volume II contains two other plates depicting the beheading of the Inca: "Danza de la degollación del Inga E 172; E173". Ifthis were the case these two tunes could be the only remaining musical fragments of the theatrical performances mentioned above. As a result of the analysis of these two scores we discovered that they could bear a relationship with other scores of the same codex on the basis of musical or text analogies which could be traced back to the tragic events of Cajamarca. These scores are the following: "E. 191, Magestuoso Cachua la Despedida de Guamachuco"; "E. 190 Allegro tonada la brugita para cantar de Guamachuco" and "E. 187. Andantino Tonada ElDiamante, para baylar de Chachapoyas". However our main interest was not to ascertain whether some "tonadas" of the codex could have been part of a theatrical performance of the capture and death of Atahualpa at the end of the colonial period. Indeed we are interested in interpreting these chants as bearing signs of a colonial discourse in two different aspects. On the one hand, the reinterpretation of such historical facts as the capture and death of Atahualpa, and on the other the lingering on of Andean codes in the remembrance of certain rituals such as the "ceremonial grieving". For the sake of musical analysis it was established the existence of a mode conceived initially as part of a system of modes of theInca era related to the system of European church modes. We have named this mode as "Inca grieving" and we will consider its relationships with the ceremonial grieving of the times of the incas as well as its role in the transmission of meanings related to the colonial Andean rituals.

  16. El boto y los geoglifos de Nasca: una contribución de la investigación estética en la arqueología

    Directory of Open Access Journals (Sweden)

    1974-01-01

    Full Text Available Dans cette nouvelle contribution de la recherche esthétique a l'archéologie, l'auteur expose tout d'abord l'idée que l'art et la religion se confondent en une harmonie conjuguant le fondement métaphysique du rite et la plastique que celui-ci adopte les deux éléments se mêlent dans un propos mystérieux mais également éloquent. L'art, comme dépassement des énergies, trouve ici la possibilité de réaliser, au moyen de ce reste d' 'énergie culturelle', la forme qu'exige la signification du mythe. Cette manifestation n'est pas nécessairement plastique elle peut s'exprimer par des formes artistiques différentes, telles les danses, les chants ou les actes sportifs, dans des compétitions (comme dans l' 'agon' grec se déroulant sur des espaces rigoureusement déterminés et consacrés à l'accomplissement des rites. Ce sont la les fondements du jugement critico-esthétique sur lequel s'appuie la thèse de l'auteur. L'astrologie (ou la religiosité, puisqu'il y a harmonie entre l'astre solaire et l'existence humaine se conjugue à l'art et s'exprime dans les multiples et complexes tracés rectilignes de plusieurs kilomètres parfois, au coté d'autres dessins totémiques enchevêtrés et en relation avec les tracés. L'auteur fait référence aux études antérieures sur le sujet et analyse le 'Rapport Hawkins', qui constitue l'apport scientifique le plus récent et attribue a ces tracés une date d'exécution entre 390 et 500 de l'ère chrétienne. Hawkins déclare que ces tracés 'ne semblent pas avoir de signification astronomique' ainsi tend-il a rejoindre l'hypothèse ludique de l'auteur de ces lignes en y voyant des expressions sociales ou intervient le sens du jeu et du sport religieux. Parmi les nombreux glyphes totémiques figure celui de l'orque (Orca gladiator, déjà présent dans la céramique de la première phase culturelle 'naturaliste', dont l'apogée se place durant 'la période correspondant du sous-style Nasca de

  17. Translation and Creative Writing: An Interview with Professor Margaret Rogers

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    Ruzbeh Babaee

    2016-01-01

    translator’s agency is redundant. Even texts which have standard equivalents in the other language / culture, e.g. notices such as ‘Beware of the dog’ (French Attention, chien méchant; German Vorsicht, bissiger Hund; Italian Attenti al cane!, could be translated differently if the purpose of the translation is to inform about the structure of the source text rather than produce a notice which is functionally appropriate. The scope for variation in literary translation is, of course, even wider in many cases and not necessarily linked to a change in the purpose of the translation. Toury’s Descriptive Translation Studies has shown us how important the norms of reception are and how these norms can vary according to time and place.   RB: How do you deal with a term with several different shades of meaning in the original language? MR: Even specialist terms can be ‘perspectivised’ in different ways in a text, depending on which characteristics of the concept (as specified in an intensional definition, for example are activated by the co-text. The translator’s job is to establish whether there is a similar affordance for such nuancing in the target language e.g. by researching model texts with similar content and design features to those of the source text, or by communicating with experts working in the relevant field. In the latter case, however, we always need to be prepared for puzzled reactions and sometimes poor insight into actual practice. These kinds of differences are rarely recorded in codified sources such as termbases or dictionaries, as they are often highly contextualised and therefore present difficulties for the abstraction that is necessary for codification.  If no immediate solution is apparent in the target language, perhaps the nuancing is not necessary or poses no problems for target-language readers. Examples of this kind of nuancing can, however, be found in Rogers 1999; 2007.   RB: Do you think that translation can be a rich source of

  18. The Characteristics and Social Function of the Tujia People’s Tima Sacred Songs

    Institute of Scientific and Technical Information of China (English)

    Chen Qian

    2016-01-01

    Sacrificial songs possess a mysteri-ous cultural identity and have been widely popular in Chinese folklore; at the same time it has been difficult to identify and record them all. Therefore, in the cultural history of the Han Chinese people, folkloristic sacrificial songs ( including ‘calling-soul-back lyrics’ or certain incantations closely re-lated to the sacrificial songs) rarely have been re-corded and/or successfully handed on to our day and age. In times past however, the sacrificial po-etry chanted by ethnic priests/shamans in various rituals and ceremonies was respected, protected, and widespread among the various people. Among all sacrificial music belonging to various ethnic groups in China, the music of the Tujia people is quite unique. The traditional worship culture of the Tujia has been very rich, elaborate, and mysterious. Due to intense cultural beliefs, the sacrificial mu-sic of the Tujia had become quite colorful. This u-nique musical style and rhyme reflects the Tujia people’ s unique historic and artistic charm, cus-toms, and connotations. The ancestors of the Tujia first lived in the isolated Wuling Mountains. Due to their limited productivity level, they weren’ t a-ble to interpret most natural and social phenome-na; instead they viewed these phenomena accord-ing to their personal animistic beliefs. In recent years, however, scholars have conducted a lot of research on the Tujia religious beliefs, including their sacrificial customs and music. In this con-text, the tima shenge ( tima sacred songs ) have enjoyed meticulous scholarly research from the per-spectives of both cultural philosophy and communi-cation. This article tries to explore the origin and mysterious musical features of the tima sacred songs, in order to better understand their socio-cultural function:this in turn could allow for a bet-ter protection and promotion of these songs. Tima sacred songs are the most ancient and o-riginal type of the Tujia songs. Tima is a

  19. Los grupos étnicos en la cuenca del Chuquimayo, siglos 15 y 16

    Directory of Open Access Journals (Sweden)

    1973-01-01

    'alimentation était le mais, le manioc, la patate douce et les haricots. La boisson provenait du mais et du manioc. Ces groupes avaient des pâturages et des auquénidés ils tissaient la laine et le coton. L'habillement était constitué par des chemises dont les dimensions variaient d'une nación à l'autre. Il en était de même pour la coiffure qui allait des tresses les plus longues à la coupe totale de la chevelure. 7. Un caractère culturel particulier a certains d'entre eux (Nehipe, Perico et Bagua était le salut effectué en léchant la main de la personne reçue. Ils parlaient plusieurs langues dont la plus commune était le patagon. 8. Ils préféraient se déplacer en utilisant des pirogues plutôt que des sentiers et savaient construire des ponts suspendus de lianes. Ils ont été d'extraordinaires nageurs et traversaient les torrents en portant leur charge sur la tête ou à la main. 9. Ils ne constituèrent jamais des états organisés et unifiés mais d'authentiques seigneuries (behetrías dans lesquelles les groupes vivaient indépendamment les uns des autres. Ils n'ont formé de confédération que dans les cas de danger. Les villages étaient petits et les maisons circulaires avec une charpente de bois et un toit de paille. Chaque famille avait en moyenne trois enfants. 10. Comme tout groupe humain de culture marginal de (marginale non englobé dans un état organisé, ils ont été de grands défenseurs de la liberté pour laquelle ils se sont battus. Ils avaient des lances, des sabres, des dards, des flèches et des boucliers de bais et de peau, tout comme des poignards d'os. Durant les batailles, des hommes et des femmes combattaient dans la nación de Bagua. 11. À partir de 1549 tous ces groupes ethniques ont été répartis sous forme d'encomiendas et remis a plusieurs espagnols qui conquirent et s'approprièrent les terres de Jaén. 12. L'invasion européenne a été à l'origine de graves difficultés psychologiques et biologiques. Le travail

  20. Where were you when the sun went out?

    Science.gov (United States)

    1999-11-01

    train from St Ives to Lelant in order to climb to the highest point for miles around - Trencrom hill where (on a clear day) there was a good view of the north and south Cornish coasts. We were not alone, however. Hundreds of others had the same idea and it was pretty crowded up there. As we waited on the crowed hill top the weather got wetter and wetter, and I wasn't very impressed with the New Age contingent who chanted and drummed to encourage the clouds to retreat - their `music' sounded more like a rain dance to me! The only comfort was the sight of the Radio 1 roadshow revellers, who were down the road at Marazion, getting a soaking too - the wonders of modern technology enabled us to watch them on top of the hill on a miniature TV! Well, it did get very dark and it was strange to see the flashes of hundreds of cameras going off all over the surrounding countryside. But I must admit that as I got soaked to the skin (I discovered that my rainproof jacket isn't!) and as the rain turned to hail as the temperature fell, I wondered what all the fuss was about. I was very glad to return to our friends' cottage and dry off. The real the highlight of the day was watching the latest Austin Powers film at the local cinema - so you can tell that the eclipse was a pretty disappointing experience! Norman Fancey writes: I was on a camp site in Austria just inside the boundary of totality. As a physicist, I was familiar with the theory and knew what to expect. Nevertheless, even in the period leading up to the total eclipse, I found the slowly increasing section being eaten out of the Sun's disc to be most interesting and the few seconds of totality and almost complete darkness to be an experience I will never forget. My previous reading about eclipses did not prepare me for the beautiful colours reflected from the clouds near to the line of sight to the Sun for the few minutes on either side of the few seconds of complete darkness. Philip Britton writes: What do I remember most