WorldWideScience

Sample records for current music education

  1. The Evaluation of Music Faculty in Higher Education: Current Practices

    Science.gov (United States)

    Parkes, Kelly A.

    2015-01-01

    The purpose of this research was to ascertain the methods used to evaluate music faculty and whether achievement measures, or student progress, impact the evaluations made about teacher effectiveness for music faculty in the higher education context. The author surveyed Chairs of Departments or Directors of Schools of Music (n = 412) listed as…

  2. The Current State of Music Education in Ghana: A call for integration of Information and Communication Technology (ICT.

    Directory of Open Access Journals (Sweden)

    Anthony Yaw Nyamful

    2016-04-01

    Full Text Available The essence of this paper is to identify the current situation of music education in Ghana at the basic, secondary and tertiary level of education and the extent to which Information and Communication Technology has been integrated to the demands of the modern music student in Ghana. After studying the programmes of tertiary music institutions and syllabuses of examinations for basic and secondary schools it was revealed that there has been little emphasis as regards Information and communication technology. Furthermore, an interview conducted among a sample of music students, music teachers and professional musicians which was made out of a population across the southern section of Ghana, revealed limited knowledge pertaining to Music Technology as part of teaching and learning of music. Considering the importance of the study of music, the author of this paper therefore seeks to postulate that, as a means of upgrading teaching and learning of music, the Ministry of Education should organize workshops and conferences for music teachers in the area of Information and Communication Technology and how it could be applied to enhance the teaching and learning of music.

  3. Current Piano Education of Turkish Music Teacher Candidates: Comparisons of Instructors and Students Perceptions

    Science.gov (United States)

    Jelen, Birsen

    2015-01-01

    In recent years almost every newly opened government funded university in Turkey has established a music department where future music teachers are educated and piano is compulsory for every single music teacher candidate in Turkey. The aim of this research is to compare piano teaching instructors' and their students' perceptions about the current…

  4. Current Piano Education of Turkish Music Teacher Candidates: Comparisons of Instructors and Students Perceptions

    Science.gov (United States)

    Jelen, Birsen

    2015-01-01

    In recent years almost every newly opened government funded university in Turkey has established a music department where future music teachers are educated and piano is compulsory for every single music teacher candidate in Turkey. The aim of this research is to compare piano teaching instructors' and their students' perceptions about the current…

  5. Music in Nigerian Education.

    Science.gov (United States)

    Okafor, Richard C.

    1991-01-01

    Presents a brief history of music education in Nigerian educational institutions along with the goals and objectives. States music educators are traditional master musicians or Western educated professionals. Claims the focus of music education is on Western music. Makes recommendations for a radical revision of the curriculum and changes in…

  6. Educating the Music User

    Science.gov (United States)

    Adams, Mark C.

    2016-01-01

    To better serve students' evolving needs in music, music educators must connect classroom learning with how students use and interact with music in their daily lives. One way to accomplish this is by approaching classrooms with the music user in mind, which can open new possibilities for meaningful music making and remove students from the…

  7. Educating the Music User

    Science.gov (United States)

    Adams, Mark C.

    2016-01-01

    To better serve students' evolving needs in music, music educators must connect classroom learning with how students use and interact with music in their daily lives. One way to accomplish this is by approaching classrooms with the music user in mind, which can open new possibilities for meaningful music making and remove students from the…

  8. Decolonizing Music Education: Moving beyond Tokenism

    Science.gov (United States)

    Hess, Juliet

    2015-01-01

    Current music education curricula across Canada designate Western classical music as the music most worthy of study through emphasis on elements of music that are decidedly Western. Despite the way the curriculum is constructed, many music teachers strive to create diverse programs for their students. In her examination of women's studies…

  9. Decolonizing Music Education: Moving beyond Tokenism

    Science.gov (United States)

    Hess, Juliet

    2015-01-01

    Current music education curricula across Canada designate Western classical music as the music most worthy of study through emphasis on elements of music that are decidedly Western. Despite the way the curriculum is constructed, many music teachers strive to create diverse programs for their students. In her examination of women's studies…

  10. A Socratic Dialogue with Libby Larsen on Music, Musical Experience in American Culture, and Music Education

    Science.gov (United States)

    Strand, Katherine; Larsen, Libby

    2011-01-01

    This article represents conversations with the American composer Libby Larsen in which she described her beliefs about music, music education, and the dilemmas that our current system faces as we seek to provide relevant and meaningful music education to our students. Our conversation explores such topics as cognitive psychology, music theory,…

  11. A Socratic Dialogue with Libby Larsen on Music, Musical Experience in American Culture, and Music Education

    Science.gov (United States)

    Strand, Katherine; Larsen, Libby

    2011-01-01

    This article represents conversations with the American composer Libby Larsen in which she described her beliefs about music, music education, and the dilemmas that our current system faces as we seek to provide relevant and meaningful music education to our students. Our conversation explores such topics as cognitive psychology, music theory,…

  12. Constructivism in Music Education

    Science.gov (United States)

    Shively, Joseph

    2015-01-01

    Over the past twenty years, constructivism, as a theory of learning, has taken on an increasingly important role in music education. Efforts to shift music education toward a more constructivist practice have significant implications for policymaking at all levels of music education. In this article, I seek to recalibrate our thinking about what…

  13. Constructivism in Music Education

    Science.gov (United States)

    Shively, Joseph

    2015-01-01

    Over the past twenty years, constructivism, as a theory of learning, has taken on an increasingly important role in music education. Efforts to shift music education toward a more constructivist practice have significant implications for policymaking at all levels of music education. In this article, I seek to recalibrate our thinking about what…

  14. Music Education for All?

    Science.gov (United States)

    Bledsoe, Ryan N.

    2015-01-01

    School music programs are changing. For years the music education profession has emphasized large ensemble experiences for reasons that include quality of music making, sense of community, and individual and collective pride for many of the students involved. As a high school saxophonist, I valued that experience, but other high school…

  15. Music Education for All?

    Science.gov (United States)

    Bledsoe, Ryan N.

    2015-01-01

    School music programs are changing. For years the music education profession has emphasized large ensemble experiences for reasons that include quality of music making, sense of community, and individual and collective pride for many of the students involved. As a high school saxophonist, I valued that experience, but other high school…

  16. Music education in Malawi

    African Journals Online (AJOL)

    cation students (who become secondary school teachers) to study Music to ... music education in terms of methodology, philosophy, psychology, outcome and content. .... Overtoun Institute at Livingstonia offered students the highest and best ... the “traditional academic disdain' for some subjects such as Music in schools.

  17. Food Safety Education Using Music Parodies

    Science.gov (United States)

    Winter, Carl K.; Fraser, Angela M.; Gleason, Jeanne B.; Hovey, Susan K.; McCurdy, Sandra M.; Snider, O. Sue

    2009-01-01

    Musical parodies of contemporary songs with their lyrics altered to address current food safety issues were incorporated into a variety of food safety educational programs and the effectiveness of the music was evaluated by semiquantitative and qualitative measures. Audiences receiving the music-enriched curricula included school foodservice…

  18. Food Safety Education Using Music Parodies

    Science.gov (United States)

    Winter, Carl K.; Fraser, Angela M.; Gleason, Jeanne B.; Hovey, Susan K.; McCurdy, Sandra M.; Snider, O. Sue

    2009-01-01

    Musical parodies of contemporary songs with their lyrics altered to address current food safety issues were incorporated into a variety of food safety educational programs and the effectiveness of the music was evaluated by semiquantitative and qualitative measures. Audiences receiving the music-enriched curricula included school foodservice…

  19. Music, the Brain, and Education

    Science.gov (United States)

    Jones, Warren Puffer

    2005-01-01

    This article focuses on role of music education. If the society has changed how it values music, it is certainly worthwhile to reevaluate the role music should play in the education and development of a child. Children are not predisposed to be able to understand one style of music over another. Rather they learn traits of the style of their…

  20. Music, the Brain, and Education

    Science.gov (United States)

    Jones, Warren Puffer

    2005-01-01

    This article focuses on role of music education. If the society has changed how it values music, it is certainly worthwhile to reevaluate the role music should play in the education and development of a child. Children are not predisposed to be able to understand one style of music over another. Rather they learn traits of the style of their…

  1. Bilingual Education through Music.

    Science.gov (United States)

    Soy, Rosa H.

    The purpose of this project was to design a bilingual/bicultural kindergarten course of study based on the concepts of the Richards Education Through Music Method. This method is rooted in the Hungarian composer-educator Zoltan Kodaly's educational philosophy and was developed in the U.S. by Mary Helen Richards. This is a method of teaching all…

  2. 'Rhythmic Music' in Danish Music Education

    DEFF Research Database (Denmark)

    Pedersen, Peder Kaj

    In Danish state schools from elementary to upper secondary school music is part of curricula at all levels. It is widely accepted that both individuals and culture benefit from art subjects, creative activities etc. This type of motivation was sufficient support for maintaining music as a subject...... at all levels of the educational system from around 1960 to around 2000. This tradition dates back to the 1920s, when the first Social Democratic government in Danish history (1924-26), with Nina Bang as minister of education (probably the first female minister worldwide), in the field of music made...... genre of music, and in Denmark this interest manifested itself in attempts to integrate jazz in the musical education of the youth. A unique genre, the so-called ‘jazz oratorios’, was created by the composer Bernhard Christensen (1906-2004) and the librettist Sven Møller Kristensen (1909- 91...

  3. Music Education and Deliberative Democracy

    Science.gov (United States)

    Bladh, Stephan; Heimonen, Marja

    2007-01-01

    In this paper, the authors discuss the influence of democracy and law on music education in Sweden and Finland, and the potential for music education as training in democracy. The latter consideration can be instructive regardless of the nation, or its laws and paradigms of music education. The theoretical background is based on Jurgen Habermas'…

  4. What Is Effective Music Education?

    Science.gov (United States)

    Kay, Ann

    2000-01-01

    Discusses issues that affected the perspectives and roles of music education such as Howard Gardner's theory of multiple intelligences, a national interest in educational accountability, the National Standards for Music Education, and research focusing on the correlation between music skills and higher achievement. Recommends teaching strategies…

  5. The Current State of Music Therapy Theory?

    DEFF Research Database (Denmark)

    Bonde, Lars Ole

    2015-01-01

    An essay on themes from Ken Aigen (2014): "The Study of Music Therapy. Current Issues and Concepts"......An essay on themes from Ken Aigen (2014): "The Study of Music Therapy. Current Issues and Concepts"...

  6. Music Education Philosophy: Changing Times.

    Science.gov (United States)

    McCarthy, Marie; Goble, J. Scott

    2002-01-01

    Focuses on the changes in music philosophy over the past half-century. Discusses two main philosophical foundations within music education and reasons for the changes: (1) aesthetic education in the 1950s; and (2) praxial philosophy in the 1990s. Includes resources on music philosophy. (CMK)

  7. Music and Education: A Composer Writes about Musical Education.

    Science.gov (United States)

    Kabalevsky, Dimitrii Borisovich

    Music can play an important part in personality development. Music education for children encourages the capacity for creativity, improvisation, and understanding the beautiful and the good. This book traces the history of the music syllabus among teachers in the Soviet Union and discusses creative freedom and the instructor. It also presents a…

  8. Changing Paradigms in General Music Education

    Science.gov (United States)

    Özgül, Ilhan

    2015-01-01

    In Turkey, part of general music education in primary schools is music lessons, which are taught by primary school teachers for grades 1-4 and music teachers for grades 5-8. In the 21st century, the music education approach in schools has shifted from "school music" to "music in the school." This orientation is directly related…

  9. Changing Paradigms in General Music Education

    Science.gov (United States)

    Özgül, Ilhan

    2015-01-01

    In Turkey, part of general music education in primary schools is music lessons, which are taught by primary school teachers for grades 1-4 and music teachers for grades 5-8. In the 21st century, the music education approach in schools has shifted from "school music" to "music in the school." This orientation is directly related…

  10. Positive Musical Experiences in Education: Music as a Social Praxis

    Science.gov (United States)

    Cabedo-Mas, Alberto; Díaz-Gómez, Maravillas

    2013-01-01

    This research explores the possibilities of music education in relation to improved interpersonal and social relationships. The paper focuses mainly on music teachers in primary and secondary schools in Spain. It aims to collect, analyse and provide arguments to defend a musical education that integrates musical diversity and facilitates the…

  11. Positive Musical Experiences in Education: Music as a Social Praxis

    Science.gov (United States)

    Cabedo-Mas, Alberto; Díaz-Gómez, Maravillas

    2013-01-01

    This research explores the possibilities of music education in relation to improved interpersonal and social relationships. The paper focuses mainly on music teachers in primary and secondary schools in Spain. It aims to collect, analyse and provide arguments to defend a musical education that integrates musical diversity and facilitates the…

  12. Music Education Half a Century Hence.

    Science.gov (United States)

    Mahlmann, John J.

    2000-01-01

    Focuses on what music education will be like in the year 2050. Addresses issues such as: technology's impact on music, cognitive science's role in music education, the effects of changing delivery systems, and the relationship of music and the elderly. Highlights the next half century's impact on music education. (CMK)

  13. Concerning Justice and Music Education

    Science.gov (United States)

    Jorgensen, Estelle R.

    2007-01-01

    In this paper, I explore matters concerning justice and music education. I briefly sketch responses to five interrelated questions: Why should music educators be interested in justice? What is meant by the term social justice and how is it distinguished from justice of other kinds? How do liberal views of humanity, particularly the preciousness of…

  14. A Matter of Comparative Music Education? Community Music in Germany

    Science.gov (United States)

    Kertz-Welzel, Alexandra

    2009-01-01

    In German music education, the term "community music" is almost unknown. There could be various reasons for this fact such as a lack of community music activities in Germany, terminological problems concerning the German translation, or an appropriate explanation of the term "community music." This paper will discuss some of…

  15. Music therapy in palliative care: current perspectives.

    Science.gov (United States)

    O'Kelly, Julian

    2002-03-01

    As the music therapy profession has developed internationally over the last 25 years, so has its role in palliative care. Music is a highly versatile and dynamic therapeutic modality, lending itself to a variety of music therapy techniques used to benefit both those living with life-threatening illnesses and their family members and caregivers. This article will give a broad overview of the historical roots of music therapy and introduce the techniques that are employed in current practice. By combining a review of mainstream music therapy practice involving musical improvisation, song-writing and receptive/recreational techniques with case material from my own experience, this article aims to highlight the potential music therapy holds as an effective holistic practice for palliative care, whatever the care setting.

  16. The United States and International Music Education.

    Science.gov (United States)

    Werner, Robert J.

    1990-01-01

    Outlines music education's history since World War II, highlighting the work of the Music Educators National Conference (MENC). Emphasizes U.S. music educators' influence in international music education, arguing this influence should reflect multicultural, global perspectives. Notes the importance of understanding mass media's influence on young…

  17. Who Should Study Music Education? A Vocational Personality Approach

    Science.gov (United States)

    Cevik, Beste; Perkmen, Serkan; Alkan, Mahir; Shelley, Mack

    2013-01-01

    The main purpose of the current study was to examine the utility and usefulness of Holland's Theory of Personalities in Work Environments to understand the match between personality and the desire for music education. The participants included 99 pre-service music teachers in Turkey. The findings revealed that the pre-service music teachers were,…

  18. Who Should Study Music Education? A Vocational Personality Approach

    Science.gov (United States)

    Cevik, Beste; Perkmen, Serkan; Alkan, Mahir; Shelley, Mack

    2013-01-01

    The main purpose of the current study was to examine the utility and usefulness of Holland's Theory of Personalities in Work Environments to understand the match between personality and the desire for music education. The participants included 99 pre-service music teachers in Turkey. The findings revealed that the pre-service music teachers were,…

  19. Who Should Study Music Education? A Vocational Personality Approach

    Science.gov (United States)

    Cevik, Beste; Perkmen, Serkan; Alkan, Mahir; Shelley, Mack

    2013-01-01

    The main purpose of the current study was to examine the utility and usefulness of Holland's Theory of Personalities in Work Environments to understand the match between personality and the desire for music education. The participants included 99 pre-service music teachers in Turkey. The findings revealed that the pre-service music teachers…

  20. From the model of El Sistema in Venezuela to current applications: learning and integration through collective music education.

    Science.gov (United States)

    Majno, Maria

    2012-04-01

    Over the last years, El Sistema--the Venezuelan project started in 1975 and now acknowledged worldwide as the most significant example of collective music education--has inspired a profusion of remarkable initiatives on all continents. From the original impulse by founder José Antonio Abreu, strong social principles of integration are combined with specific musical approaches to achieve individual empowerment as a large-scale alternative to endemic juvenile crime, counteracting the risk factors of social unease, serving as a stimulating example toward emancipation, and providing professional opportunities to the talented. Such a network, in turn, proves to be a powerful instrument of cultural progress: the tenets of "Sistema" become shared values able to foster development, reaching into issues of disability and rehabilitation. This paper presents continuities and contrasts in various ramifications of such a successful trend and outlines perspectives for further impact of this powerful transformational agent.

  1. Otto Rudolph Ortmann, Music Philosophy, and Music Education

    Science.gov (United States)

    Gonzol, David J.

    2004-01-01

    What is music? What should be taught when music is taught? How should it be taught? In the early twentieth century, these most foundational questions relating to music education were addressed by the highly regarded, though less well known, educator and researcher, Otto Rudolph Ortmann. In 1922, he published an article in which he outlined a…

  2. Microelectronics and Music Education.

    Science.gov (United States)

    Hofstetter, Fred T.

    1979-01-01

    This look at the impact of microelectronics on computer-assisted instruction (CAI) in music notes trends toward new applications and lower costs. Included are: a rationale for CAI in music, a list of sample programs, comparison of five microelectronic music systems, PLATO cost projections, and sources of further information. (SJL)

  3. Music Education and Medicine: Music and the Neurology of Time.

    Science.gov (United States)

    Wilson, Frank R.

    1991-01-01

    Explores how the body's biological clock affects the way musicians practice and perform. Delineates questions concerning this phenomenon. Discusses the implications for music teaching and focuses on areas for collaborative research between neurology researchers and music educators. (NL)

  4. Music Education and Medicine: Music and the Neurology of Time.

    Science.gov (United States)

    Wilson, Frank R.

    1991-01-01

    Explores how the body's biological clock affects the way musicians practice and perform. Delineates questions concerning this phenomenon. Discusses the implications for music teaching and focuses on areas for collaborative research between neurology researchers and music educators. (NL)

  5. MUSICAL LITERACY AND EDUCATIONAL PARADIGMS

    Directory of Open Access Journals (Sweden)

    Alboni Marisa Dudeque Pianovski Vieira

    2016-04-01

    Full Text Available The article presents us contemporary conceptions of musical literacy and its relation to educational paradigmatic issues, thus exposing different types of paradigms and their modifications. The possibility to relate and discuss issues related to these paradigms and to the contributions from different authors to musical literacy issues, characterizing graduates, are also among the objectives of this work. The relevance of these issues is in the few existing debates on the paradigms within music education as well as within the possibility of such a study being able to provide useful material for educators. Of bibliographical and documentary nature, this study is based on the works of Schafer (1992, 1997 and Swanwick (1979, 2003, 2014. The results point to the new trend of musical literacy, with an inclusive commitment, made accessible not only to the student who aims to be a professional musician, but also to people from different social contexts.

  6. Online Music Collaboration Project: Digitally Mediated, Deterritorialized Music Education

    Science.gov (United States)

    Cremata, Radio; Powell, Bryan

    2017-01-01

    This article investigates and interrogates notions of student-centered music learning through collaboration in digital spaces. By harnessing the power and potential of Internet networks, one music educator in Miami, FL challenged his students to an online music collaboration project (OMCP) where students were asked to engage in deterritorialized…

  7. Self-Expressed Adult Music Education Interests and Music Experiences.

    Science.gov (United States)

    Bowles, Chelcy L.

    1991-01-01

    Discusses a survey of the music education interests of adults who attended musical events in Austin, Texas. Reports that the piano was the instrument most frequently chosen for private study, choral groups were the preferred performance organizations, and music history and aural analysis were favorite academic study areas. Examines influences upon…

  8. Music Therapy and Special Music Education: Interdisciplinary Dialogues

    OpenAIRE

    2013-01-01

    Drawing from Professor Alice-Ann Darrow’s life-long work in the fields of music therapy and special music education, this interview brings to the fore the importance of interdisciplinary dialogue. A range of themes (including the notion of ‘musical rights’ and inclusion) emerge and are discussed in relation to the development of interdisciplinary and collaborative work between different music practices. Darrow shares experiences from her personal and professional life that have shaped her wor...

  9. Creativity Research in Music Education: A Review (1980-2005)

    Science.gov (United States)

    Running, Donald J.

    2008-01-01

    This article lays a foundational groundwork of what is currently known regarding creativity and music education to encourage future research. It explores principal research avenues within various scholarly journals related to creativity and music education, including definitions of creativity, empirical measures of creativity, and effects of music…

  10. Music Education in Luxembourg and its Assessment

    OpenAIRE

    Sagrillo, Damien

    2014-01-01

    Music Education in Luxembourg and its Assessment. 1. Assessment of Pupils According to Martin Fautley (2012), not everything what is taught, is always learned, and therefore music education also needs assessment. In my lecture I will first give a short insight into the formal school system in Luxembourg and its recent change from summative to formative evaluation. In 1998 the parliament of Luxembourg voted a law of music education. The aim was to offer an equal level of music educ...

  11. Early Childhood Special Music Education

    Science.gov (United States)

    Darrow, Alice-Ann

    2011-01-01

    The process of early intervention is a critical component of Early Childhood Special Music Education. Early intervention is the process of providing services, education, and support to young children who have disabilities or to children who are at-risk of developing needs that may affect their physical, cognitive, or emotional development. The…

  12. Social Media in Music Education

    Science.gov (United States)

    Albert, Daniel J.

    2015-01-01

    Students in the United States use technology and social media platforms for both educational and noneducational purposes. Integration of social media in music education classes can help facilitate learning experiences that would be less likely to happen in a brick-and-mortar setting. However, issues such as privacy and cyberbullying continue to…

  13. Social Media in Music Education

    Science.gov (United States)

    Albert, Daniel J.

    2015-01-01

    Students in the United States use technology and social media platforms for both educational and noneducational purposes. Integration of social media in music education classes can help facilitate learning experiences that would be less likely to happen in a brick-and-mortar setting. However, issues such as privacy and cyberbullying continue to…

  14. Dave Brubeck on Music Education and Composing.

    Science.gov (United States)

    Ponick, F. S.

    2001-01-01

    Presents an interview with Dave Brubeck, a composer and performer in contemporary jazz. Covers topics such as how Brubeck introduced his sons to music, whether he differentiates between "popular" and "serious" music, suggestions for helping music teachers develop relationships with composers, and the role music education should have in schools.…

  15. The current situation and reform of vocal music education in normal university%高师声乐教育现状与改革探微

    Institute of Scientific and Technical Information of China (English)

    肖英群

    2013-01-01

    The vocal music education plays a very important role in the training of music teachers in primary and middle schools. But there still exists a variety of problems in vocal music education, so that the students in high colleges and universities can’t qualify music education for primary and secondary school or give up music education in primary and secondary school and to walk to occupation actor. In the new social conditions, how to reform the problems in high vocal music education, train outstanding music teachers has comprehensive quality in primary and middle schools, is the problem we must solve. This article from the present situation of vocal music education, to analyze the high vocal music educational reform strategy briefly.%  高师声乐教育在培养中小学音乐教师方面发挥着十分重要的作用。但高师的声乐教育还存在有种种问题,以至于高师院校培养出来的学生无法胜任中小学音乐教育的课堂或是放弃从事中小学音乐教育的道路而改向走职业演员的道路。在新的社会条件下,如何改革高师声乐教育存在的种种问题,培养出优秀的、具有综合素质的中小学音乐教师,是我们必须要解决的问题。本文从高师声乐教育的现状入手,简要分析了高师声乐教育改革的策略。

  16. Practices, Virtue Ethics, and Music Education

    Science.gov (United States)

    Bowman, Wayne

    2012-01-01

    Music education is generally equated with the act of teaching music. In "The Good Life of Teaching: An Ethics of Professional Practice," the remarkable book that orients the essays in this issue of "Action, Criticism, and Theory for Music Education," Chris Higgins argues, among other things, that the view of teaching as a helping profession--one…

  17. Mapping Music Education Research in the UK

    Science.gov (United States)

    Welch, Graham; Hallam, Susan; Lamont, Alexandra; Swanwick, Keith; Green, Lucy; Hennessy, Sarah; Cox, Gordon; O'Neill, Susan; Farrell, Gerry

    2004-01-01

    Over the past 25 years there has been an increasing and worldwide research interest in music education, embracing a range of disciplines and perspectives. As well as particular research foci on the nature of curricula, musical behaviour and development, new research literatures have been developed that link music education with ethnomusicology,…

  18. Learning Theories: Insights for Music Educators

    Science.gov (United States)

    Isbell, Dan

    2012-01-01

    Effective music educators often recognize that there is more than one way to teach a musical objective and understand that a specific approach may be more appropriate than another in a given setting. To meet contemporary demands, music educators need to be smart--understanding the nuances of various theories of learning, savvy--understanding their…

  19. Music Therapy and Special Music Education: Interdisciplinary Dialogues

    Directory of Open Access Journals (Sweden)

    Alice-Ann Darrow

    2013-07-01

    Full Text Available Drawing from Professor Alice-Ann Darrow’s life-long work in the fields of music therapy and special music education, this interview brings to the fore the importance of interdisciplinary dialogue. A range of themes (including the notion of ‘musical rights’ and inclusion emerge and are discussed in relation to the development of interdisciplinary and collaborative work between different music practices. Darrow shares experiences from her personal and professional life that have shaped her work and way of thinking over the years. This interview can provide a framework within which readers can situate and further understand Darrow’s rich contribution within the fields of music therapy and special music education both nationally and internationally.

  20. General Music Teachers' Attitudes and Practices Regarding Multicultural Music Education in Malaysia

    Science.gov (United States)

    Wong, Kwan Yie; Pan, Kok Chang; Shah, Shahanum Mohd

    2016-01-01

    This study examined the utilisation of multicultural music education by Malaysian music teachers, with an emphasis on the relationship between music teachers' attitudes and their subsequent degree of effort in developing and implementing multicultural music education in their music classes. Respondents for the study were 456 music teachers;…

  1. Music Education from Birth to Five: An Examination of Early Childhood Educators' Music Teaching Practices

    Science.gov (United States)

    Bolduc, Jonathan; Evrard, Melanie

    2017-01-01

    Children from birth to five are generally enthusiastic about music. However, because many early-childhood educators (ECEs) feel that they have insufficient knowledge to foster musical development, music education practices are not equivalent across ECEs. This study aimed to identify and determine the frequency of music activities used by ECEs. In…

  2. 浅析我国音乐教育的现状与改革%Analysis of the current situation and reform of music education in China

    Institute of Scientific and Technical Information of China (English)

    黄静

    2012-01-01

      音乐是一门创造性的学科,它的最大优势就是能够培养人感受美,创造美的能力,而音乐的实践特征、教学内容所具有的体验性和操作性也决定了音乐教学方法的多样性和多变性。随着时代的发展,我国音乐教育在教育观念、教学方法等方面等难以适应我国音乐教育事业的需要,改革势在必行。论文从音乐教育的多个角度入手,针对目前我国音乐教育中教育观念、教育思路、教育方法所存在问题,提出相应的解决办法和思路%  Music is a creative subject, its biggest advantage is to raise people to feel the beauty, the ability to create art, and practice characteristics, teaching content of music has experience and operation also determines the multiplicity and variability of music teaching method. With the development of the times, China's music education is difficult to adapt to China's music education reform need in education concept, teaching methods and other aspects, the reform is imperative. The paper from multiple angles of music education, in view of the problems in education concept, education idea, education method in present our country music education, proposes the corresponding solution and the train of thought.

  3. A Descriptive Study of Music Teacher Educators' Beliefs about Policy

    Science.gov (United States)

    Aguilar, Carla E.; Richerme, Lauren Kapalka

    2016-01-01

    While policies at all levels affect music educators, and music education researchers have called for increased attention to policy issues, few have explored preservice music teacher educators' beliefs about policy. This study examined music teacher educators' (N = 81) familiarity with and attitudes toward contemporary education and music education…

  4. Danish music education and the 'rhythmic music' concept

    DEFF Research Database (Denmark)

    Pedersen, Peder Kaj

    2014-01-01

    The article reflects on Danish music education and the concept of 'rhythmic music'. It highligths the so-called "jazz-oratorio", a unique genre, created by the composer Bernhard Christensen (1906-2004) and the librettist Sven Møller Kristensen (1909-91). The article shows that the term 'jazz' was...

  5. New Music: How Music Educators Can Save an Endangered Species

    Science.gov (United States)

    Costes, Therese

    2005-01-01

    Music educators today have a responsibility and a unique opportunity to introduce their students to the art music of the twentieth and twenty-first centuries. Elementary and secondary school students should know that composers are living and working in their communities. They should be aware of the diverse styles and genres of contemporary music…

  6. Current advances in the cognitive neuroscience of music.

    Science.gov (United States)

    Levitin, Daniel J; Tirovolas, Anna K

    2009-03-01

    The study of music perception and cognition is one of the oldest topics in experimental psychology. The last 20 years have seen an increased interest in understanding the functional neuroanatomy of music processing in humans, using a variety of technologies including fMRI, PET, ERP, MEG, and lesion studies. We review current findings in the context of a rich intellectual history of research, organized by the cognitive systems underlying different aspects of human musical behavior. We pay special attention to the perception of components of musical processing, musical structure, laterality effects, cultural issues, links between music and movement, emotional processing, expertise, and the amusias. Current trends are noted, such as the increased interest in evolutionary origins of music and comparisons of music and language. The review serves to demonstrate the important role that music can play in informing broad theories of higher order cognitive processes such as music in humans.

  7. Intersections between Music Education and Music Therapy: Education Reform, Arts Education, Exceptionality, and Policy at the Local Level

    Science.gov (United States)

    Salvador, Karen; Pasiali, Varvara

    2017-01-01

    In this article, a music teacher educator and a music therapy clinician and educator discuss special education policy and arts instruction at the district level. To illustrate the gulf between federal and local policies with regard to exceptional learners and arts instruction, we examine the intersections of music therapy and music education with…

  8. Teaching Stage Fright? -- Implications for Music Educators

    Science.gov (United States)

    Patston, Tim

    2014-01-01

    Music performance anxiety (MPA) is a widely acknowledged condition in the field of music performance. However, MPA is rarely discussed in the field of music education. Classroom, studio and conservatoire teachers observe their students experiencing MPA related to performances, examinations or auditions, but few have the prerequisite skills to…

  9. Teaching Stage Fright? -- Implications for Music Educators

    Science.gov (United States)

    Patston, Tim

    2014-01-01

    Music performance anxiety (MPA) is a widely acknowledged condition in the field of music performance. However, MPA is rarely discussed in the field of music education. Classroom, studio and conservatoire teachers observe their students experiencing MPA related to performances, examinations or auditions, but few have the prerequisite skills to…

  10. The Educational Appeal of Barbershop Music

    Science.gov (United States)

    DeGroot, Joanna

    2009-01-01

    Barbershop music has undergone some thing of a revival in recent years; some would argue that it never went away. The author discusses how music teachers can make use of this uniquely American art form. Rick Spencer, director of music and education for the Barbershop Harmony Society, the world's largest all-male singing organization, encourages…

  11. Critical Social Class Theory for Music Education

    Science.gov (United States)

    Bates, Vincent C.

    2017-01-01

    This work of critical social theory explores how formal music education in modern capitalist societies mirrors the hierarchical, means-ends, one-dimensional structures of capitalism. So, rather than consistently or reliably empowering and emancipating children musically, school music can tend to marginalize, exploit, repress, and alienate. The…

  12. Shifting Authenticities in Scandinavian Music Education

    Science.gov (United States)

    Dyndahl, Petter; Nielsen, Siw Graabraek

    2014-01-01

    There has been an ongoing tendency, taking place in the Scandinavian countries from the late 1970s onwards, to expand the repertoires and resources of music as an educational matter, an academic field, as well as an area for support and funding from cultural authorities, organisations and institutions. Here, popular music, jazz, folk music and…

  13. MUSIC EDUCATION AND MULTIMEDIA PROJECTS

    Directory of Open Access Journals (Sweden)

    Orlova Elena V.

    2013-12-01

    Full Text Available The article deals with the prerequisites of shift of music education paradigm in the XXI century, tells about emergence of new forms in the creative efforts of musicians enrolled in primary schools, and at secondary and highest education levels. Different types and genres of the multimedia creativity are considered. They were in demand by musicians at various events-contests, including Russian and international festivals and competitions in terms of which the music was called upon to play a leading role. Criteria of estimates of new forms of artistic expression are developed. The article contains some video examples given the varying multimedia projects noted by juries of several international competitions held in Moscow (Russia in 2008-2013.

  14. The Importance of Context, Reflection, Interaction, and Consequence in Rural Music Education Practice

    Science.gov (United States)

    Prest, Anita

    2013-01-01

    In this paper, I argue that aesthetic music education philosophy, which undergirds many current music teacher education programs, textbooks, practices, and networks, fosters assumptions that are not applicable to rural settings. I outline and critique the main principles of this philosophy and demonstrate the ways in which music teachers' habits…

  15. Psychology and Music Education since 1950.

    Science.gov (United States)

    Rideout, Roger R.

    2002-01-01

    Explores different movements in educational psychology that have affected music education since the 1950s: (1) behaviorism; (2) cognitivism; (3) humanism; and (4) a socio-biological model. Describes each of the four schools of thought in detail as they related to music education. (CMK)

  16. Psychology and Music Education since 1950.

    Science.gov (United States)

    Rideout, Roger R.

    2002-01-01

    Explores different movements in educational psychology that have affected music education since the 1950s: (1) behaviorism; (2) cognitivism; (3) humanism; and (4) a socio-biological model. Describes each of the four schools of thought in detail as they related to music education. (CMK)

  17. Music effect on pain threshold evaluated with current perception threshold

    Institute of Scientific and Technical Information of China (English)

    2001-01-01

    AIM: Music relieves anxiety and psychotic tension. This effect of music is applied to surgical operation in the hospital and dental office. It is still unclear whether this music effect is only limited to the psychological aspect but not to the physical aspect or whether its music effect is influenced by the mood or emotion of audience. To elucidate these issues, we evaluated the music effect on pain threshold by current perception threshold (CPT) and profile of mood states (POMC) test. METHODS: Healthy 30 subjects (12 men, 18 women, 25-49 years old, mean age 34.9) were tested. (1)After POMC test, all subjects were evaluated pain threshold with CPT by Neurometer (Radionics, USA) under 6 conditions, silence, listening to the slow tempo classic music, nursery music, hard rock music, classic paino music and relaxation music with 30 seconds interval. (2)After Stroop color word test as the stresser, pain threshold was evaluated with CPT under 2 conditions, silence and listening to the slow tempo classic music. RESULTS: Under litening to the music, CPT sores increased, especially 2 000 Hz level related with compression, warm and pain sensation. Type of music, preference of music and stress also affected CPT score. CONCLUSION: The present study demonstrated that the concentration on the music raise the pain threshold and that stress and mood influence the music effect on pain threshold.

  18. Music Education Intervention Improves Vocal Emotion Recognition

    Science.gov (United States)

    Mualem, Orit; Lavidor, Michal

    2015-01-01

    The current study is an interdisciplinary examination of the interplay among music, language, and emotions. It consisted of two experiments designed to investigate the relationship between musical abilities and vocal emotional recognition. In experiment 1 (N = 24), we compared the influence of two short-term intervention programs--music and…

  19. Music Education Intervention Improves Vocal Emotion Recognition

    Science.gov (United States)

    Mualem, Orit; Lavidor, Michal

    2015-01-01

    The current study is an interdisciplinary examination of the interplay among music, language, and emotions. It consisted of two experiments designed to investigate the relationship between musical abilities and vocal emotional recognition. In experiment 1 (N = 24), we compared the influence of two short-term intervention programs--music and…

  20. Music Preferences with Regard to Music Education, Informal Infuences and Familiarity of Music Amongst Young People in Croatia

    Science.gov (United States)

    Dobrota, Snježana; Ercegovac, Ina Reic

    2017-01-01

    The aim of this research was to investigate the relationship between music preference and music education, informal influences (attending classical music concerts and musical theatre productions) and familiarity of music. The research included students of the Faculty of Humanities and Social Sciences, University of Split (N = 341). The results…

  1. The spanisti music education: inconsistent educational policies

    Directory of Open Access Journals (Sweden)

    Reyes Marzal Raga

    2017-05-01

    Full Text Available The regulatory framework chosen by the legislator regarding the studies of the arts and music is based on a very singular educational policy. In the article below we will present some of the basics on which the teaching and qualifications of these disciplines are built, alongside with the teachers who teach them and the different options for the educational centres chosen for that purpose. Thus, we can identify the elements upon which this educational infrastructure lies, underlining the dysfunctional aspects created within the general educational system.

  2. Globalization, Values Education, and School Music Education in China

    Science.gov (United States)

    Law, Wing-Wah; Ho, Wai-Chung

    2009-01-01

    This paper examines music education's legitimation of values as a means of preparing students for entry into the new "knowledge society" of the People's Republic of China in a global age. It explores the ways in which values education relates to the teaching of both musical and non-musical meanings in the dual context of nationalism and…

  3. Knowledge and professionalism in music teacher education

    DEFF Research Database (Denmark)

    Holgersen, Sven-Erik; Holst, Finn

    2013-01-01

    Discussion of ways in which different kinds of pedagogical knowledge are present and develop in music education practices of preeschool, primary school and musicschool.......Discussion of ways in which different kinds of pedagogical knowledge are present and develop in music education practices of preeschool, primary school and musicschool....

  4. Values and Philosophizing about Music Education

    Science.gov (United States)

    Jorgensen, Estelle R.

    2014-01-01

    In this essay, a quintet of values in doing philosophy of music education are examined: the need for a broad view, a personal perspective, a constructive vision, a relevant plan, and the courage to speak about important issues in music education. The following questions frame the analysis of each, in turn: What do these values mean? What…

  5. El Sistema and American Music Education

    Science.gov (United States)

    Lesniak, Melissa

    2012-01-01

    The brainchild of Jose Antonio Abreu, El Sistema, a music education program for aspiring orchestra musicians launched in Venezuela for students of limited means and now spreading to other parts of the world, has become a subject of interest to music teachers and teacher educators in North America. This article examines a bit of the program's…

  6. Knowledge and professionalism in music teacher education

    DEFF Research Database (Denmark)

    2013-01-01

    Discussion of ways in which different kinds of pedagogical knowledge are present and develop in music education practices of preeschool, primary school and musicschool.......Discussion of ways in which different kinds of pedagogical knowledge are present and develop in music education practices of preeschool, primary school and musicschool....

  7. Reflections on Futures for Music Education Philosophy

    Science.gov (United States)

    Jorgensen, Estelle R.

    2006-01-01

    In this article, the author talks about the International Society for Philosophy of Music Education (ISPME). The ISPME is creating and institutionalizing a forum that can nurture and critique ideas and practices and sustain the work of philosophical reflection in music education over the longer term. It has begun to build an international team of…

  8. El Sistema and American Music Education

    Science.gov (United States)

    Lesniak, Melissa

    2012-01-01

    The brainchild of Jose Antonio Abreu, El Sistema, a music education program for aspiring orchestra musicians launched in Venezuela for students of limited means and now spreading to other parts of the world, has become a subject of interest to music teachers and teacher educators in North America. This article examines a bit of the program's…

  9. Values and Philosophizing about Music Education

    Science.gov (United States)

    Jorgensen, Estelle R.

    2014-01-01

    In this essay, a quintet of values in doing philosophy of music education are examined: the need for a broad view, a personal perspective, a constructive vision, a relevant plan, and the courage to speak about important issues in music education. The following questions frame the analysis of each, in turn: What do these values mean? What…

  10. Peer Learning in Specialist Higher Music Education

    Science.gov (United States)

    Hanken, Ingrid Maria

    2016-01-01

    Research on peer learning in higher education indicates that learning from and together with peers can benefit students in a number of ways. Within higher music education in Western, classical music, however, the master-apprentice tradition with its dominant one-to-one mode of tuition focuses predominantly on knowledge transmission from teacher to…

  11. Education, Civilization, and Music

    Science.gov (United States)

    Holloway, Carson

    2004-01-01

    Socrates taught that contemplation of beauty and knowledge reveals cosmic harmony and the rhythms of the universe. De Tocqueville, however, observed that a modern democracy places more immediate demands on its citizens, preoccupying them with utility and the fear of physical deprivation. Carson Holloway reminds us that liberal education for its…

  12. Music Education and/in Rural Social Space: Making Space for Musical Diversity beyond the City

    Science.gov (United States)

    Corbett, Michael

    2016-01-01

    In this paper I argue that there are established vernacular music traditions in rural communities that can be productively integrated into a hybrid music education curriculum. I draw on my own informal education in folk music, which bore an ambivalent relationship to the kind of formal music education on offer in my youth. I argue that music…

  13. Greasing the Skids of the Musical Mind: Connecting Music Learning to Mind Brain Education

    Science.gov (United States)

    Bugos, Jennifer A.

    2015-01-01

    Researchers suggest that musical training prepares the mind for learning; however, there are many obstacles to the implementation of research to practice in music education. The purpose of this article is to apply key principles of mind brain education to music education and to evaluate how music prepares the mind for learning. Practical teaching…

  14. Greasing the Skids of the Musical Mind: Connecting Music Learning to Mind Brain Education

    Science.gov (United States)

    Bugos, Jennifer A.

    2015-01-01

    Researchers suggest that musical training prepares the mind for learning; however, there are many obstacles to the implementation of research to practice in music education. The purpose of this article is to apply key principles of mind brain education to music education and to evaluate how music prepares the mind for learning. Practical teaching…

  15. The Use of Music Technology across the Curriculum in Music Education Settings: Case Studies of Two Universities

    Science.gov (United States)

    Cremata, Radio

    2010-01-01

    This study is an investigation of the uses of music technology in music education programs in two universities. The purpose of this study was to discover the ways in which music technology was used in two schools of music across the entire music curriculum for music education students. This study detailed the ways in which music technology was…

  16. How Musical We Are: John Blacking on Music, Education, and Cultural Understanding.

    Science.gov (United States)

    Campbell, Patricia Shehan

    2000-01-01

    Offers a biographic profile on the life of John Blacking who was a distinguished music scholar. Explores his approach to the study of children as a distinctive musical culture and the nature of their musicality; the role of physical movement and dance in musical experience; and the development of world music in education. (CMK)

  17. Music Education Research in Australia 2012-14

    Science.gov (United States)

    Power, Anne

    2014-01-01

    This report captures the variety of music education research between 2012-2014 and covers a range of topics and events such as the International Society for Music Education (ISME) 2012, Australian Society for Music Education (ASME) 2013 and Australian and New Zealand Association for Research in Music Education (ANZARME) 2014.

  18. Music Education in Montessori Schools: An Exploratory Study of School Directors' Perceptions in the United States

    Science.gov (United States)

    Rajan, Rekha S.

    2017-01-01

    This exploratory study examined the changing role of music education and the availability of musical experiences for students attending Montessori schools in the Midwestern United States. On a survey instrument designed by the researcher, Montessori school directors (N = 36) from eight states shared descriptions of the current role of music at…

  19. The teaching of music history in Japanese music education

    Directory of Open Access Journals (Sweden)

    Midori Sonoda

    2014-05-01

    Full Text Available One of the leading institutions in the field of musicology in Japan is the one hosted by “Tokyo University of the Arts” (previously Tokyo National University of Fine Arts and Music. The musicology course, started in 1949, was, and still is, the main promoter of music history teaching in the Japanese university system. A reflection on the over 60 years of its existence, which has been characterized by the fortunate coexistence of musicology students and students of ‘practical’ musical courses, might contribute to raise awareness among European musicologists about the pedagogic-didactic task that is expected of them in the current situation of Western musical culture.

  20. Exploring the Global Decline of Music Education

    Science.gov (United States)

    Aróstegui, José Luis

    2016-01-01

    This article seeks to explain the disjuncture between the decline of music education in schools and the importance music has in popular youth culture and in creativity within the new knowledge economy. The data discussed in this article have been derived from analyses of major documents on curriculum reform as well as e-mail responses from music…

  1. Music and Education in Our American Democracy

    Science.gov (United States)

    Mones, Leon

    2013-01-01

    In this article Leon Mones expresses his deep interest in the functional role of music in Western culture and particularly in the system of public education that has been designed to assure the survival and advancement of Western culture and the people who will live within it. In other words, he is interested in music as a dynamic experience in…

  2. Self-Regulation Competence in Music Education

    Science.gov (United States)

    Ludovico, Luca Andrea; Mangione, Giuseppina Rita

    2014-01-01

    This work starts from a systematic review about music education and self-regulation during learning processes. Then the paper identifies those meta-cognitive strategies that music students should adopt during their instrumental practice. The goal is applying such concepts in order to rethink the structure of a didactic e-book for instrumental…

  3. Mapping Music Education Research in Germany

    Science.gov (United States)

    Gruhn, Wilfried

    2004-01-01

    This article presents a very general survey of tracks and trends in music education research in Germany and its roots in the 19th century, where the beginning of empirical music psychology can be traced back to "Tonpsychologie" and perception research of scholars such as Helmholtz, Stumpf, Wundt, and Wellek. Focus areas that are addressed in the…

  4. Informal Music Learning, Improvisation and Teacher Education

    Science.gov (United States)

    Wright, Ruth; Kanellopoulos, Panagiotis

    2010-01-01

    This paper explores firstly the sense in which improvisation might be conceived of as an informal music education process and, secondly, the effects of a course in free improvisation on student teachers' perceptions in relation to themselves as musicians, music as a school subject and children as musicians. The results of a study conducted in two…

  5. University Vocal Training and Vocal Health of Music Educators and Music Therapists

    Science.gov (United States)

    Baker, Vicki D.; Cohen, Nicki

    2017-01-01

    The purpose of this study was to describe the university vocal training and vocal health of music educators and music therapists. The participants (N = 426), music educators (n = 351) and music therapists (n = 75), completed a survey addressing demographics, vocal training, voice usage, and vocal health. Both groups reported singing at least 50%…

  6. Neuroscience, Music, and Culture: Finding Pathways to Effective Multicultural Music Education

    Science.gov (United States)

    Halick, Mary E.

    2017-01-01

    There is a long-standing belief in U.S. music education that students should learn music from other cultures. Research that incorporates elements of neuroscience, music, and culture can provide evidence teachers need to improve the design and implementation of multicultural music education curricula. The purpose of this short-form literature…

  7. Using Music and Musical Activities in Special Education: Developments in Turkey

    Science.gov (United States)

    Kocabas, Ezgi Ozeke; Ozeke, Sezen

    2012-01-01

    Music, as an expressive art, plays a significant role in the lives of all children and it can be used in education to improve non-musical educational objectives as well as the musical ones. Music has also positive contributions to the development of children with special needs in terms of feeling the sense of achievement, giving self confidence,…

  8. Music, personhood, and eudaimonia: Implications for educative and ethical music education

    OpenAIRE

    Elliott, David; Silverman, Marissa

    2014-01-01

    This paper proposes that educative and ethical music making and teaching, which is based on a praxial philosophy of music education (Elliott and Silverman, 2014), can be carried out in a variety of ways that create places and spaces, in schools and community settings, for a variety of human values or “goods” that include, but go beyond, making and listening to classical instrumental music, or any other kind of music, for “the music itself.” One premise of this philosophical ...

  9. The Good and Its Relation to Music Education

    Science.gov (United States)

    Senyshyn, Yaroslav

    2008-01-01

    An aesthetic distinction between good music and the good in music is crucial for a philosophy of music education. Ultimately, it is not the music's fault, as it were, that someone may view it as being "not good" in either a social or aesthetic context. Regardless of how music is colored it remains an entity unto itself and thus untouched by our…

  10. Rap Music and Choral Education.

    Science.gov (United States)

    Bitz, Michael

    1998-01-01

    Suggests choral teachers use rap music to promote student interest and to teach music basics, such as rhythm, pitch, harmony, and timbre. Maintains that students can write the arrangements allowing them to gain experience in notating. Identifies selected recordings and offers an example of how to use rap music. (CMK)

  11. Preconference Educational Research Training Program in Music Education. Final Report.

    Science.gov (United States)

    Petzold, Robert; And Others

    The 1970 Preconference Educational Research Training Program (RTP) provided three 3-day sessions of intensive research training for a total of 160 music educators from across the country. The primary purpose of the RTP activity was to provide music education researchers and users of research with intensive training in three major areas (1)…

  12. 'Rhythmic Music' in Danish Music Education

    DEFF Research Database (Denmark)

    Pedersen, Peder Kaj

    ), and endeavors to establish courses in jazz in the public educational system were made by Bernhard Christensen and others as early as 1934. The term ‘jazz’ was avoided and the Danish term ‘rytmisk musik’ (‘rhythmic music’) was invented to emphasize the didactically qualified educational content of the activity...

  13. Music Theatre: At the Crest of Music Education's Third Wave

    Science.gov (United States)

    Legg, Robert; Green, Alex

    2015-01-01

    In the United Kingdom, curricular music education has seen two main waves of development and is in the process of shaping a third. Ideas from the second wave have maintained theoretical dominance to the present day, despite the concerns expressed by some about their practical implementation. This paper suggests that problems with the…

  14. Musical taste, employment, education, and global region.

    Science.gov (United States)

    North, Adrian C; Davidson, Jane W

    2013-10-01

    Sociologists have argued that musical taste should vary between social groups, but have not considered whether the effect extends beyond taste into uses of music and also emotional reactions to music. Moreover, previous research has ignored the culture in which participants are located. The present research employed a large sample from five post-industrial global regions and showed that musical taste differed between regions but not according to education and employment; and that there were three-way interactions between education, employment, and region in the uses to which participants put music and also their typical emotional reactions. In addition to providing partial support for existing sociological theory, the findings highlight the potential of culture as a variable in future quantitative research on taste.

  15. A Rediscovered Alliance: Can New Music Performance Teaching Policy Save Music Education? A New Framework for the Music Studio

    Science.gov (United States)

    Wexler, Mathias

    2012-01-01

    Music education in K-12 school programs may continue to lose ground to other subjects unless music education and performance studies are viewed as interdependent. The author argues that the reinvigoration of both music education and performance requires that the studio experience integrate a research-based pedagogy, multi-stylistic range of…

  16. A Comparative Content Analysis of "Music Educators Journal" and "Philosophy of Music Education Review" (1993-2012)

    Science.gov (United States)

    Stambaugh, Laura A.; Dyson, Brian E.

    2016-01-01

    Two journals reflecting the interests and concerns of music educators are "Music Educators Journal (MEJ)" and "Philosophy of Music Education Review (PMER)". The purpose of this study was to explore the interests of P--12 music teachers and university faculty as represented by the topics of articles in "MEJ" and…

  17. Measuring Music Education: Music Education Assessment in Illinois

    Science.gov (United States)

    Cangro, Richard M.

    2014-01-01

    There are many assessment initiatives and policy changes happening in Illinois concerning learning and teaching expectations that involve K-12 students, teacher candidates, and current teachers. The Illinois State Board of Education has adopted new Math and English Language Arts standards for K-12 education known as the "New Illinois State…

  18. Encouraging Students to Consider Music Education as a Future Profession

    Science.gov (United States)

    Porter, Ann M.; Payne, Phillip D.; Burrack, Frederick W.; Fredrickson, William E.

    2017-01-01

    The purpose of this study was to examine the attitudes, communication, and opportunities provided by music teachers to encourage consideration of the music teaching profession. Survey participants (N = 436) were music educators from the Southeast (235), Midwest (51), and Southwest (149) National Association for Music Education regions of the…

  19. Encouraging Students to Consider Music Education as a Future Profession

    Science.gov (United States)

    Porter, Ann M.; Payne, Phillip D.; Burrack, Frederick W.; Fredrickson, William E.

    2017-01-01

    The purpose of this study was to examine the attitudes, communication, and opportunities provided by music teachers to encourage consideration of the music teaching profession. Survey participants (N = 436) were music educators from the Southeast (235), Midwest (51), and Southwest (149) National Association for Music Education regions of the…

  20. Music Techniques in Therapy, Counseling, and Special Education, Third Edition

    Science.gov (United States)

    Standley, Jayne M.; Jones, Jennifer

    2007-01-01

    "Music Techniques in Therapy, Counseling, and Special Education" is the culmination of the first author's research in the skill development of prospective music therapists and music educators during graduate and undergraduate preparation. Standley studied the abilities and progress of students across multiple clinical music therapy and music…

  1. MUSIC EDUCATION AND MUSICAL ACTIVITIES IN LAGOS: THEN ...

    African Journals Online (AJOL)

    some personalities in the evolution of music in Lagos. Keywords: Music ..... could have take n music as a career could not. The music of .... disallowed these instruments had no choice but to accept these instruments back into the worship.

  2. Music Education and Music Therapy. Introduction to Plenary Session 3

    DEFF Research Database (Denmark)

    Bonde, Lars Ole

    2002-01-01

    Chairman's introduction to plenary session on the relationship between music therapy and music pedagogics......Chairman's introduction to plenary session on the relationship between music therapy and music pedagogics...

  3. Feminist music therapy pedagogy: a survey of music therapy educators.

    Science.gov (United States)

    Hahna, Nicole D; Schwantes, Melody

    2011-01-01

    This study surveyed 188 music therapy educators regarding their views and use of feminist pedagogy and feminist music therapy. The purpose of this study was two-fold: (a) to determine how many music therapy educators used feminist pedagogy and (b) to determine if there was a relationship between the use of feminist pedagogy and academic rank of the participants. Seventy-two participants responded to this study, with 69 participants included for data analysis. Stake and Hoffman's (2000) feminist pedagogy survey was adapted for this study, examining four subscales of feminist pedagogy: (a) participatory learning, (b) validation of personal experience/development of confidence, (c) political/ social activism, and (d) critical thinking/open-mindedness. The results revealed that 46% (n=32) of participants identified as feminist music therapists and 67% (n=46) of participants identified as using feminist pedagogy. Results of a mixed analysis of variance revealed a statistically significant difference within the four survey subscales (p<.0001), no significant difference (p=.32) for academic rank, and no significant interaction (p=.08) of academic rank and the four survey subscales. Tukey's post hoc analysis of the data indicated that the survey subscale measuring political activism (p<.0001) was significantly lower than the other three survey subscales. In addition, a qualitative analysis on open-ended responses is also included. Discussion of the results, limitations, and areas for future research are addressed.

  4. Students' Attitudes towards Individual Musical Instrument Courses in Music Education Graduate Programs in Turkey

    Science.gov (United States)

    Önder, Gülten Cüceoglu

    2015-01-01

    The Individual Musical Instrument course is a compulsory part of the curriculum, in the Music Education Departments of universities in Turkey. The main purpose of the course is to ensure that each student is able to play a musical instrument and, use the instrument once they become music teachers. This study aims to determine the attitudes of…

  5. What's So Important about Music Education? Routledge Research in Education

    Science.gov (United States)

    Goble, J. Scott

    2012-01-01

    "What's So Important About Music Education?" addresses the history of rationales provided for music education in the United States. J. Scott Goble explains how certain factors stemming from the nation's constitutional separation of church and state, its embrace of democracy and capitalism, and the rise of recording, broadcast, and computer…

  6. The Philosophy of Shinichi Suzuki: "Music Education as Love Education"

    Science.gov (United States)

    Hendricks, Karin S.

    2011-01-01

    This article attempts to bridge the philosophical gap between Western music education philosophers and practicing Suzuki music teachers. Specifically addressed is Estelle Jorgensen's critique of Suzuki-trained educators who may rely too heavily on rote pedagogical methods without careful reflection of the philosophical principles underlying their…

  7. Challenges to Values Education in Hong Kong School Music Education

    Science.gov (United States)

    Ho, Wai-Chung

    2006-01-01

    This study deals with the issue of incorporating values education in music education in Hong Kong's primary and secondary schools. It includes the development of the state's cultural and national identity since its handover from the United Kingdom to the People's Republic of China (PRC). Thirty primary and secondary school music teachers were…

  8. Undergraduate Music Education Major Identity Formation in the University Music Department

    Science.gov (United States)

    McClellan, Edward

    2014-01-01

    The purpose of this study was to determine relationships among social identity, value of music education, musician-teacher orientation, selected demographic factors, and self-concept as a music educator. Participants (N = 968) were volunteer undergraduate music education majors enrolled at four-year institutions granting a bachelor of music…

  9. Music Education in Puerto Rican Elementary Schools: A Study from the Perspective of Music Teachers

    Science.gov (United States)

    López-León, Ricardo; Lorenzo-Quiles, Oswaldo; Addessi, Anna Rita

    2015-01-01

    This article presents, for the first time, descriptive research on the status of music education in Puerto Rican public elementary schools. General music education at elementary schools on the island has been part of the school offering for more than 50 years. As yet, music education at this level has not been recognized as an essential discipline…

  10. Music Matters: How Music Education Helps Students Learn, Achieve, and Succeed

    Science.gov (United States)

    Arts Education Partnership (NJ1), 2011

    2011-01-01

    Beyond the intrinsic value of music to cultures worldwide, education in music has benefits for young people that transcend the musical domain. The Arts Education Partnership (AEP) reviewed an extensive body of research to identify high-quality, evidence-based studies that document student learning outcomes associated with an education in and…

  11. Musical Practices and Methods in Music Lessons: A Comparative Study of Estonian and Finnish General Music Education

    Science.gov (United States)

    Sepp, Anu; Ruokonen, Inkeri; Ruismäki, Heikki

    2015-01-01

    This article reveals the results of a comparative study of Estonian and Finnish general music education. The aim was to find out what music teaching practices and approaches/methods were mostly used, what music education perspectives supported those practices. The data were collected using questionnaires and the results of 107 Estonian and 50…

  12. Musical Practices and Methods in Music Lessons: A Comparative Study of Estonian and Finnish General Music Education

    Science.gov (United States)

    Sepp, Anu; Ruokonen, Inkeri; Ruismäki, Heikki

    2015-01-01

    This article reveals the results of a comparative study of Estonian and Finnish general music education. The aim was to find out what music teaching practices and approaches/methods were mostly used, what music education perspectives supported those practices. The data were collected using questionnaires and the results of 107 Estonian and 50…

  13. Music Education in the Curriculum of Ohio Charter Schools

    Science.gov (United States)

    Hedgecoth, David M.

    2017-01-01

    The purpose of the current investigation is to examine the extent to which music education is present in the curriculum of Ohio charter schools. These community schools, as they are identified within the state, enroll over 120,000 students across Ohio. While the mission and focus of these schools are easily found in promotional literature and…

  14. Rethinking the Roles of Assessment in Music Education

    Science.gov (United States)

    Scott, Sheila J.

    2012-01-01

    In music education, current attention to student-centered approaches for learning affects our understanding of student assessment. This view to curriculum reform requires new perspectives for assessment. There is a need to move beyond the summative use of assessment to assign grades to examining the roles of assessment in supporting and enhancing…

  15. Rethinking the Roles of Assessment in Music Education

    Science.gov (United States)

    Scott, Sheila J.

    2012-01-01

    In music education, current attention to student-centered approaches for learning affects our understanding of student assessment. This view to curriculum reform requires new perspectives for assessment. There is a need to move beyond the summative use of assessment to assign grades to examining the roles of assessment in supporting and enhancing…

  16. My Opinions on the Current Status of Vocal Teaching with the Construction of Group of Vocal Teaching and in the Major Field of Musical Education in Wuhan Conservatory of Music%武音音教专业方向声乐教学现状及其课程群建设的构想

    Institute of Scientific and Technical Information of China (English)

    魏艳

    2015-01-01

    That the conception of construction of group of vocal teaching in the direction of mu-sical education was based on the experience of reforming vocal program for higher normal college for 20 years, and combined the current situation of the reform in musical education direction in Wuhan Conservatory of Music. Its purpose is to break the oneness structure of vocal program, to establish curriculum structure of comprehensiveness multi-disciplinary, so that to perfect the system of vocal program on musical education.%音教方向声乐课程群建设的构想是基于高师声乐课改革20年来的经验,结合武汉音乐学院音乐教育方向声乐改革现状提出的。旨在打破声乐课单一性结构,建立综合性多学科的课程结构,使音教声乐课程体系更加完善。

  17. Rap Music on Education: A Preliminary Study

    OpenAIRE

    SEVER, Salim

    2016-01-01

    Rap music is a musical tool that lets the knowledge to be constructed via rhyme and rhythm. Participants’ opinions on the effect that this type of tools do in lessons is an essential issue to be determined. For this reason it is necessary to do a research including the opinions of the students on educational use of rap music. This research is designed in two parts. The first part is a descriptive survey model in which a questionnaire filled by participants (N=85). The second part of this rese...

  18. The Impact of Education Reform on Music Education: Paradigm Shifts in Music Education Curriculum, Advocacy, and Philosophy from "Sputnik" to Race to the Top

    Science.gov (United States)

    Branscome, Eric E.

    2012-01-01

    President Obama recently described America's current economic, societal, educational, and technological circumstances as "our generation's 'Sputnik' moment." If history repeats itself in the twenty-first century, music educators may face a situation similar to that which developed in the 1960s concerning the impact of education reform on…

  19. The Impact of Supervised Mentorship on Music Education Master's Degree Students

    Science.gov (United States)

    Russell, Joshua A.; Haston, Warren

    2015-01-01

    The purpose of this study was to investigate the influence of supervised mentorship in an authentic-context learning setting on music education graduate students' graduate school experiences. Participants were six current and former graduate music education majors who acted as supervised mentors to undergraduate students teaching instrumental…

  20. C-cards in Music Education

    DEFF Research Database (Denmark)

    Valente, Andrea; Lyon, Kirstin Catherine

    2005-01-01

    The paper proposes a new way of introducing music to classes of 8 to 10 years old pupils, by adopting a recent educational tool for teaching Computer Science. Our proposal builds in fact on computational cards (or c-cards), a playful and intuitive mind-tool, that has been applied to a variety...... of Computer Science concepts. Here a simple extension to c-cards is presented, that enables pupils to build and play with tangible musical machine....

  1. Making the Tough Decisions: Excellence in Music Teacher Education.

    Science.gov (United States)

    LeBlanc, Albert

    1984-01-01

    In order to improve teacher education programs in music, music educators must stop passing the buck. They must have tough entry standards and make the hard decisions necessary to enforce them. They must also intellectualize the curriculum. (RM)

  2. Benefits of Art and Music Education. ERIC/EECE Report.

    Science.gov (United States)

    Cesarone, Bernard

    1999-01-01

    Annotates 13 recent documents and journals from the ERIC database that discuss the benefits of art and music education to children's development and academic achievement. Includes art and music education Internet sites. (LBT)

  3. A Role for Music Therapy in Special Education.

    Science.gov (United States)

    Daveson, Barbara; Edwards, Jane

    1998-01-01

    Reviews the literature on the role and application of music therapy in special education in an Australian context. Notes that music therapy in Australia is practiced in medical contexts, education contexts, and in private practice and community programs. (DB)

  4. TABLET (MOBILE TECHNOLOGY FOR PROFESSIONAL MUSIC EDUCATION

    Directory of Open Access Journals (Sweden)

    Gorbunova Irina B.

    2016-12-01

    Full Text Available The article highlights issues associated with the introduction of cloud-centric and tablet (mobile devices in music education, use of which confronts the teacher-musician fundamentally new challenges. So, it's a development of practical teaching skills with the assistance of modern technology, a search of approaches to the organization of educational process, a creation of conditions for the continuity between traditional music learning and information technologies in educational process. Authors give the characteristics of cloud computing and the perspective of its use in music schools (distance learning, sharing, cloud services, etc.. Also you can see in this article the overview of some mobile applications (for OS Android and iOS and their use in the educational process.

  5. A Portfolio Model for Music Educators

    Science.gov (United States)

    Hill, Cheryl Frazes

    2008-01-01

    In recent years, portfolios in paper or digital form have become a requirement for teachers. Many university teacher education programs throughout the United States, including music education, require a portfolio as a graduation requirement. For practicing teachers interested in National Board Certification, a portfolio is part of the assessment…

  6. Integrated Learning with Physical Education and Music

    Science.gov (United States)

    Humphries, Charlotte A.; Bidner, Sara; Edwards, Cheryl

    2011-01-01

    Integrated learning is well established in education, primarily in the classroom subjects. This article describes settings and ways for extending integrated instruction to physical education and music. Benefits of these connections include reinforcing content and better meeting the needs of students whose intelligences include the bodily…

  7. Software Development as Music Education Research

    Science.gov (United States)

    Brown, Andrew R.

    2007-01-01

    This paper discusses how software development can be used as a method for music education research. It explains how software development can externalize ideas, stimulate action and reflection, and provide evidence to support the educative value of new software-based experiences. Parallels between the interactive software development process and…

  8. Integrated Learning with Physical Education and Music

    Science.gov (United States)

    Humphries, Charlotte A.; Bidner, Sara; Edwards, Cheryl

    2011-01-01

    Integrated learning is well established in education, primarily in the classroom subjects. This article describes settings and ways for extending integrated instruction to physical education and music. Benefits of these connections include reinforcing content and better meeting the needs of students whose intelligences include the bodily…

  9. Sexual Orientation and Music Education: Continuing a Tradition

    Science.gov (United States)

    Bergonzi, Louis

    2014-01-01

    This article offers an overview of sexual orientation and music education, in particular how sexual orientation--specifically, heterosexuality--has been dominant in the teaching of music in the United States. Scenarios of heterosexual privilege related to music students, music teachers, and instructional content are presented. After acknowledging…

  10. Resisting Elephants Lurking in the Music Education Classroom

    Science.gov (United States)

    Regelski, Thomas A.

    2014-01-01

    Music education has many "elephants" in its classrooms: obvious major problems that go unmentioned and suffered silently. Two of the larger, more problematic "elephants" are identified, analyzed, and critiqued: (1) the hegemony of university schools of music on school music and the resulting focus in school music on…

  11. Sexual Orientation and Music Education: Continuing a Tradition

    Science.gov (United States)

    Bergonzi, Louis

    2014-01-01

    This article offers an overview of sexual orientation and music education, in particular how sexual orientation--specifically, heterosexuality--has been dominant in the teaching of music in the United States. Scenarios of heterosexual privilege related to music students, music teachers, and instructional content are presented. After acknowledging…

  12. The Dynamics of Multiculturalism in "Music Matters: A Philosophy of Music Education"

    Science.gov (United States)

    Bradley, Deborah

    2015-01-01

    This review of "Music Matters," Second Edition, focuses on the portion of Chapter 13: "Music Education and Curriculum," dedicated to the discussion of multicultural music education. Discussions are presented through the discursive lens of antiracism and critical multiculturalism, positioned against the backdrop of the racial…

  13. The Intersections of Curriculum Development: Music, ICT and Australian Music Education

    Science.gov (United States)

    Southcott, Jane; Crawford, Renee

    2011-01-01

    Recently, in Australia both the "National Review of School Music Education" and "The Australian Curriculum" identify the importance of technology in school music education. However, the understanding of music technology, as demonstrated by state and territory curricular guidelines, is limited with technology mostly recognised…

  14. Professional Growth, Development Programs: Essential for Music Educators.

    Science.gov (United States)

    Myers, David E.

    1992-01-01

    Although mandated continuing education hours may provide the strongest incentive for teachers, they rarely represent the best reasons for pursuing additional education. Development areas important to music educators are musical growth, music teaching and learning, curriculum and program development, and psychology of learning. Various professional…

  15. Reflections on "Music Educators Journal" in Its Centennial Year

    Science.gov (United States)

    Reimer, Bennett

    2014-01-01

    This article views "Music Educators Journal" ("MEJ") and the hundred years of music education it has served through the lenses of the depth and breadth of music education at the present point in the profession's history. "MEJ" has been an important component in our depth of understanding of the nature and values…

  16. Music Education based on Competencies in Spain: Necessity or desire?

    Directory of Open Access Journals (Sweden)

    José Antonio Hernández-Bravo

    2014-09-01

    Full Text Available This paper is aimed at critically analyzing the implementation of a system based on competencies in the Spanish curriculum, more specifically in music education. Our current society, subject to vertiginous transformations, is demanding an effective educational response, as well as updated teaching and learning processes. In this context, this study has confirmed the need for both teachers and learners to acquire practical skills and to use active methodologies in the music field. Consequently, curricular contents will become of secondary importance and emphasis will be given to developing competencies that enable individuals to perform tasks and solve problems in real life situations. However, taking into account the importance still given to the traditional expository lecture approach, these changes raise questions about its viability in schools. Due to the inherent nature of music, working with competencies is more adequate in music than in other subjects, and, although its use is necessary to introduce students to music, reality is different than what is desired. The novelty of the topic and its practical implications make it a focus of interest for studies and reflections, like the one presented in this paper, in order to get a better understanding of this phenomenon and establish effective educational actions.

  17. Interactive Technologies in Musical and Arts Education

    Directory of Open Access Journals (Sweden)

    Y. Y. Glazyrina

    2013-01-01

    Full Text Available The paper substantiates the introduction of interactive techniques in music and arts education, and analyzes the definitions of interactivity – a key term of the modern educational paradigm. Various interpretationsof interactivity and its components – interaction, communication, dia logue, polylogue, interpretation, reinterpretation, intonation, feelings, comprehension, generalization (reflection, and experience – are given. In the methodology context, the author traces out the similarity of interactive concepts in general didactics and the humanities knowledge (M. M. Bakhtin, V. S. Bibler, and maintains that the main components of interactive teaching include the basic categories of culture, art, music, and psychology of artistic perception and creativity. Therefore, similarity of the content and approach to interpreting the conceptual terminological apparatus of interactive education makes it possible to implement the interactive techniques in teaching the cycle of music and arts disciplines.

  18. Music makes you smarter: a new paradigm for music education? perceptions and perspectives from four groups of elementary education stakeholders

    National Research Council Canada - National Science Library

    Vitale, John L

    2011-01-01

    ... groups of stakeholders in elementary education, namely; music teachers, students, parents, and non-music teachers. With a few exceptions, both quantitative and qualitative data have generated perceptions and perspectives that validate the "music makes you smarter" notion, suggesting that my own experiences of a paradigm shift within music edu...

  19. Music Makes You Smarter: A New Paradigm for Music Education? Perceptions and Perspectives from Four Groups of Elementary Education Stakeholders

    Science.gov (United States)

    Vitale, John Luke

    2011-01-01

    Through 14 years of teaching music in the Greater Toronto Area, the "music makes you smarter" notion has imbued many of the conversations I have had with multiple stakeholders in public education. Such conversations have suggested that the ancillary benefits of teaching music have now become the principal reason why we teach music--what…

  20. Music Education in Tune with the Times: Greeting the 1990s.

    Science.gov (United States)

    Glenn, Karl

    1990-01-01

    Explores the relationship between music education and the already occurring changes in schools and society. Notes the commitment of music educators to cultural diversity, early childhood education, educational reform, and technology. States principles of the Music Educators National Conference. (DB)

  1. Education in music: A critical approach to talent and music education

    Directory of Open Access Journals (Sweden)

    Ligia Ivette ASPRILLA

    2015-10-01

    Full Text Available The importance of music to life and retention in all cultures, allow conceived as a context for development and learning, rather than as a professional specialty. Both culture and training process as institutionalized education, converge in the music field, which suggests that it is possible to educate in music. From this discussion, the notion of talent becomes problematic and explores the whole concept of musical intelligence; different forms of assessment of musical potential are analyzed and finally a model of integration ranging from early childhood to graduate training aims to develop and articulate corporeality to various forms of symbolic, formal logical and creative thinking. The axes of the model is characterized by its breadth, flexibility and variability of ways you can express.

  2. The Role of an Integrated Approach in Music Education Technology

    Directory of Open Access Journals (Sweden)

    Natalia Popovych

    2014-04-01

    Full Text Available The purpose of this paper is to justify the role of integrated approach to music education of students. This requires the implementation of a theoretical analysis of the meaning and importance of an integrated approach to music education and training, determination of didactic conditions of integrating the music education in schools and coverage of methods of arrangement of the complex relationships of the main types of educational and creative activity for students in music lessons. It is proved that an integrated approach to the music education process causes the appearance of new original teaching forms and techniques that brings the process to a new qualitative level, enriching the musical and creative abilities of students, enabling them to realize the artistic and aesthetic taste preferences, to achieve the integrity of musical and creative development and high levels of formation of aesthetic consciousness and music.

  3. Music Education for Every Child – Idea or Reality?

    Directory of Open Access Journals (Sweden)

    Blaženka Bačlija Susić

    2017-03-01

    Full Text Available Contemporary pedagogical, psychological and sociological research highlight the need for music education available to every child. Starting from the fundamental point of view according to which music affects the development of the child's whole personality, this idea stands out in history since the 17th century. Various educators in the late nineteenth and early twentieth century emphasized the importance of music education for every child. With historical and theoretical overview of this idea, this paper tries to examine the possibility of its realization in contemporary educational practice. The Venezuelan music education program El Sistema, that promotes humanistic idea of changing society through classical music education stands out as a unique example of a good practice. As a form of music education which particularly promotes the idea of availability of music to every child, the conception of Functional Music Pedagogy by the Croatian music pedagogue Elly Bašić (1908-1998 was shown as well. Considering the status of music in American educational policy, it is indicated as a significant change, in which the music is recognized as an educational priority for the first time in the history of education and it became the basic academic subject in the American federal education policy plan, as well as unprecedentedly incorporated in the federal law.

  4. Music in U.S. Federal Education Policy: Estimating the Effect of "Core Status" for Music

    Science.gov (United States)

    Elpus, Kenneth

    2013-01-01

    This article reviews the political and empirical record within music education surrounding the Goals 2000: Educate America Act and reports a new study evaluating the effects of the law on music and arts education policies in U.S. high schools. School-level data (N = 670 schools) from the National Education Longitudinal Study of 1988 and the…

  5. Organization a Culture of Self-Education of Music Teachers

    Science.gov (United States)

    Dyganova, Elena Aleksandrovna; Yavgildina, Ziliya Mukhtarovna

    2015-01-01

    The article discusses the culture of self-education of music teacher as a professionally necessary quality of a modern specialist in the field of music education. The author proposes finalized definitions of basic concepts; consistently reveals the essence, structure, criteria and indicators of self-culture of music teacher; reveals the potential…

  6. Evolutionary Psychology: A Natural Selection for Music Education?

    Science.gov (United States)

    Graham, Rodger

    2006-01-01

    In this viewpoint it is suggested that recent research and authorship in the evolutionary psychology (EP) of music can provide musicians and educators with an enriched understanding of the adaptive role of music in human life. Within a climate of continual educational reform in which music is often marginalised from other mainstream curricular…

  7. Another Perspective: Music Education as/for Artistic Citizenship

    Science.gov (United States)

    Elliott, David J.

    2012-01-01

    If music education is going to meet its full potential in the twenty-first century, then people may need to rethink their assumptions about the central values of school music. The author fully supports all effective, educative, and ethical ways of teaching and learning music, as well as students' critically reflective and democratic engagement…

  8. Towards a Transcultural Theory of Democracy for Instrumental Music Education

    Science.gov (United States)

    Tan, Leonard

    2014-01-01

    At present, instrumental music education, defined in this paper as the teaching and learning of music through wind bands and symphony orchestras of Western origin, appears embattled. Among the many criticisms made against instrumental music education, critics claim that bands and orchestras exemplify an authoritarian model of teaching that does…

  9. Ethical Dilemmas of In-Service Music Educators

    Science.gov (United States)

    Lien, Joelle L.

    2012-01-01

    Like professionals in other disciplines, music educators are expected to observe certain behavioral standards. In addition to teaching musical skills, concepts, and context, music educators are also expected to protect the welfare of children, serve as trustworthy stewards of public property, and generally behave responsibly and professionally…

  10. Praxial Music education: A Critical Analysis of Critical Commentaries

    Science.gov (United States)

    Silverman, Marissa; Davis, Susan A.; Elliott, David J.

    2014-01-01

    Since its publication in 1995, a significant literature has developed around David J. Elliott's praxial philosophy of music education, as explained in "Music Matters: A New Philosophy of Music Education." This literature includes a range of commentaries in journals, books, edited books, and dissertations. Although Elliott has…

  11. The Power of Metaphor in Rural Music Education Research

    Science.gov (United States)

    Spring, Janet

    2016-01-01

    There are few studies that investigate rural music educators' lived experiences in relation to "place," particularly from an Ontario, Canada context. Yet in small rural schools, the music program is often seen as the catalyst for interaction and bonding with community as music educators strive to build and foster student involvement and…

  12. Reimagining the Role of Composition in Music Teacher Education

    Science.gov (United States)

    Deemer, Rob

    2016-01-01

    The disconnect between the need for music composition instruction at the precollege levels and the content of music education curricula across North America has been a concern for over two decades. To be able to effectively teach their students how to compose, music educators need to have both experience and comfort in the creative process of…

  13. The Dalcroze Approach to Music Education: Theory and Applications

    Science.gov (United States)

    Anderson, William Todd

    2012-01-01

    The methods of the Dalcroze approach to music education--eurhythmics, solfege, and improvisation--have had a profound influence on modern music education. In particular, the overt training in kinesthetic abilities, and the assertion that the relationship between music and movement is an intimate one, is at the heart of Dalcroze's approach to…

  14. Noela Hogg, Music Educator: Reminiscences of a Past Student

    Science.gov (United States)

    Burke, Harry

    2014-01-01

    Continual changes to Victorian secondary education since the 1990s have severely effected the teaching of classroom music in many schools. Similar to the 1970s-1980s, there is a need for music educators and teachers to develop innovative concepts and insights into teaching school music. From 1975 to 1984, a group of determined women…

  15. Strengthening the Educational Value of the Elementary Musical

    Science.gov (United States)

    Peterson, Barbara

    2004-01-01

    Presents an article on strengthening the educational value of the elementary musical presentations. Importance of the theories of constructivism and multiple intelligence in improving student learning; Factors which should be considered in planning a music program for elementary students; Suggestions for music educators who are developing music…

  16. The Perpetual Repeater: an Educative Musical Experience.

    Directory of Open Access Journals (Sweden)

    Svetlana Skriagina

    2014-05-01

    Full Text Available To commemorate the 40th anniversary of the Music Undergraduate Program of the Universidad Pedagógica Nacional (National Pedagogic University, two musical events were planned: an original work written for choir, soloists and symphonic band, and an opera for children. As a result, the cantata ‘The Perpetual Repeater” has been created as an adaptation of a work named “50 Milions de Segons” (50 Millions of Seconds, staged by the CATANIA project of the Barcelona Servei Educatiu de L’Auditori. This work tells the story of those school teachers who, paradoxically enough repeat the same course year after year. After visiting L’Auditori of Barcelona to participate in the pedagogic musical work carried out with school children, we considered the possibility of developing an analogous project, in a similar sociocultural and educational environment, within our Music Undergraduate Program. So, this article deals with two fundamental moments which are essential to understand the educational work implemented with the ISPA students of sixth degree, as well as with a group of the program’s students: The Purpose, which describes in detail the planning of the musical work for children, and The Experience, in which the way the process of The Perpetual Repeater Cantatawas carried out is described.

  17. Musical Intelligence and the Benefits of Music Education.

    Science.gov (United States)

    Colwell, Richard; Davidson, Lyle

    1996-01-01

    The multiple-intelligences perspective underlines the need to expand the musical intelligence concept and stress appreciation over performance. Music should be part of the curriculum. Successful music creates a more satisfied student body. Musical intelligence requires frequent instruction and clear instructional goals. It is not developed through…

  18. Instrumental distance learning in higher music education

    DEFF Research Database (Denmark)

    Levinsen, Karin Tweddell; Ørngreen, Rikke; Buhl, Mie;

    2011-01-01

    In this short paper we present a research proposal, for investigation of the complexity of challenges and potentials in which videoconferencing impact on teaching and learning processes in the domain of higher music education. The paper includes a brief historical outline of the research...... and development project, and a presentation of the first activities and preliminary findings which have generated new research question....

  19. A Theory of Change in Music Education

    Science.gov (United States)

    Randles, Clint

    2013-01-01

    The purpose of this conceptual work was to provide a theory of curricular change in music education. The author introduced a "Model of Psychological Dimensions," and suggested how it might help the profession conceptualise the nexus between the individual and society. Identity as a manifestation of cultural psychology, and the role and…

  20. "Bildung" and Music Education: A Finnish Perspective

    Science.gov (United States)

    Heimonen, Marja

    2014-01-01

    The article addresses "Bildung" from a Finnish perspective and asks: Are there specific meanings of Bildung that are typical of a certain time and place? The author applies a multi-layered theory of critical positivism, adapting its three-level structure to music education and the concept of "Bildung." First, she discusses…

  1. Attunement and Bodily Dialogues in Music Education

    Science.gov (United States)

    Fink-Jensen, Kirsten

    2007-01-01

    In this paper Kirsten Fink-Jensen suggests how a phenomenological-hermeneutic perspective can contribute to the knowledge of learning and teaching processes in music education in school. The philosophical frame is Danish philosophy of life, represented by Knud Ejler Logstrup, and Merleau-Ponty's philosophy of body, both pointing to the wholeness…

  2. Movement and Music Education: An Historian's Perspective.

    Science.gov (United States)

    Lewis, Barbara

    1998-01-01

    Believes that Emile Jaques-Dalcroze is not the only person who has affected movement-based instruction. Highlights the history of movement-based instruction in elementary music education by addressing the influence of Isadora Duncan and modern dance, the efforts of Francois Delsarte and Rudolph von Laban, and the role of remedial perceptual-motor…

  3. C-cards in Music Education

    DEFF Research Database (Denmark)

    Valente, Andrea; Lyon, Kirstin Catherine

    2005-01-01

    The paper proposes a new way of introducing music to classes of 8 to 10 years old pupils, by adopting a recent educational tool for teaching Computer Science. Our proposal builds in fact on computational cards (or c-cards), a playful and intuitive mind-tool, that has been applied to a variety...

  4. Human Needs Theory: Applications for Music Education

    Science.gov (United States)

    Bates, Vincent C.

    2009-01-01

    In this article the author reviews needs theory as a field of research and scholarship, examines seven needs theories (including Nussbaum's capabilities approach), and synthesizes elements of all of these into a list he used tentatively and speculatively to analyze two common instructional practices in music education. The author's intent is to…

  5. Music Teacher Educators' Visions of Music Teacher Preparation in Finland, Norway and Sweden

    Science.gov (United States)

    Thorgersen, Cecilia Ferm; Johansen, Geir; Juntunen, Marja-Leena

    2016-01-01

    In this study we investigated the visions of 12 music teacher educators who teach pedagogical courses called instrumental pedagogy and classroom music pedagogy in three music academies in Finland, Norway and Sweden. The data were collected through individual, semi-structured qualitative interviews. Drawing on Hammerness' concept of "teachers'…

  6. What Is Music Education For? Understanding and Fostering Routes into Lifelong Musical Engagement

    Science.gov (United States)

    Pitts, Stephanie E.

    2017-01-01

    Music education has a long history of defending its place in the school curriculum, with practitioners and researchers alike arguing for the creative, social and cognitive benefits of music in young people's lives. Meanwhile, those who doubt the benefits of musical learning--or more likely give them very little thought--are themselves the product…

  7. An Analysis of State Music Education Certification and Licensure Practices in the United States

    Science.gov (United States)

    May, Brittany Nixon; Willie, Karen; Worthen, Cherilyn; Pehrson, Allyssa

    2017-01-01

    Teacher certification and licensure practices for music educators vary by state. Enhancing music teacher educator knowledge of state music education certification and licensure practices can inform music teacher preparation and improve future music teacher quality. The purpose of this study was to compile relevant information for music educators…

  8. An Historical Perspective on the Chinese Americans in American Music Education

    Science.gov (United States)

    Lum, Chee-Hoo

    2009-01-01

    This study examines the music of Chinese American heritage, as portrayed in American music education from the late 19th century to the present. Specifically, representative music education materials, such as "Music Supervisors Journal," "Music Educators Journal," graded music series textbooks, and other available resource materials, were traced…

  9. The Influence of Professional Identity on Teaching Practice: Experiences of Four Music Educators

    Science.gov (United States)

    Carrillo, Carmen; Baguley, Margaret; Vilar, Mercè

    2015-01-01

    This study explores the influence of professional identity on the teaching practice of four school music educators, two from Spain and two from Australia. Narrative inquiry methodology was utilized in order to investigate the full spectrum of their musical experiences, ranging from their earliest childhood memories to their current positions in…

  10. The Influence of Professional Identity on Teaching Practice: Experiences of Four Music Educators

    Science.gov (United States)

    Carrillo, Carmen; Baguley, Margaret; Vilar, Mercè

    2015-01-01

    This study explores the influence of professional identity on the teaching practice of four school music educators, two from Spain and two from Australia. Narrative inquiry methodology was utilized in order to investigate the full spectrum of their musical experiences, ranging from their earliest childhood memories to their current positions in…

  11. A descriptive study of Myers-Briggs personality types of professional music educators and music therapists with comparisons to undergraduate majors.

    Science.gov (United States)

    Steele, Anita Louise; Young, Sylvester

    2011-01-01

    The purpose of the current study was to determine personality types and demographic characteristics of professional music educators and music therapists. The researchers also sought to determine if personality types of professionals were consistent with undergraduate majors in those fields and personal characteristics as suggested by The Music Education National Conference (MENC) and the American Music Therapy Association (AMTA). The research of Steele and Young (2008) found strong similarities and some differences between undergraduate music education and music therapy students. The possibility that basic types extend across the life span may strengthen understanding of job satisfaction, stress, burn out and other factors affecting retention. Participants were a voluntary convenience sample of 253 music educators (n=110) and music therapists (n=143). The highest preference for music educators was Extrovert-Intuition-Feeling-Judgment (ENFJ) and the highest preference for music therapists was Introvert-Intuition-Feeling-Judgment (INFJ). The difference in the collective type of each group was their "outlook on life", which was either Extrovert or Introvert. However, both groups were the same in their secondary type functions of "NFJ". A comparison of findings with the Steele and Young (2008) study suggested small changes in personality type over time. Caution must be exercised in generalizing findings; however this descriptive investigation may serve as the basis for future studies, which should help foster a stable work force in these professions.

  12. Astronomy Education with Movement and Music

    Science.gov (United States)

    Morrow, C. A.

    2006-08-01

    This paper will address the development of two multi-sensory approaches to astronomy education: 1) Kinesthetic Astronomy - an innovative series of lessons for 6th grade through adult learners that teach basic astronomical concepts through choreographed bodily movements; and 2) AstroJazz - a novel planetarium or auditorium-based public education program that blends live jazz music with astronomical imagery and dramatic insights into the wonders of our universe. The paper will discuss results from field testing these approaches.

  13. Music Educators' Perceptions Regarding the Inclusion of Students with Severe Disabilities in Music Classrooms.

    Science.gov (United States)

    Darrow

    1999-01-01

    The purpose of the present study was to: (a) examine music educators' perceptions regarding the practice of full inclusion, (b) conduct a descriptive analysis of their perceptions, and (c) compare and contrast choral, instrumental, and general music educators' perceptions regarding the practice of inclusion. The data collection technique used in the study was personal interviewing. Participants were instrumental, choral, and general music educators (N = 35) in a midwestern school district that supports the practice of full inclusion. Written transcripts of the 35 interviews were coded and analyzed for recurring themes and patterns using content analysis. Music educators identified 13 critical issues related to the inclusion of students with disabilities. The need for collaboration or consultation with special educators, music therapists, or others knowledgeable about students with disabilities was identified as a critical issue by nearly all of the participants. Many participants also identified as critical issues: the need for more information about the students included in their music classroom, the amount of time required to successfully include students with disabilities, and the range of abilities often found in the inclusive classroom. Most music educators felt that inclusion has had a positive impact on students both with and without disabilities, though reservations were also expressed by some of the music educators. Subject responses were also analyzed for frequency of: disabilities mentioned, positive and negative statements made regarding inclusion, personal anecdotes, and references to music therapy. Suggestions are given for the role music therapists can play in facilitating the inclusion of students with disabilities.

  14. What History Is Teaching Us: 100 Years of Advocacy in "Music Educators Journal"

    Science.gov (United States)

    Hedgecoth, David M.; Fischer, Sarah H.

    2014-01-01

    As "Music Educators Journal" celebrates its centennial, it is appropriate to look back over the past century to see how advocacy in music education has evolved. Of the more than 200 submitted articles on advocacy, four main themes emerged: music education in community, the relevancy of music education, the value of music education, and…

  15. Music Teachers' Constructions of Gender in Elementary Education

    Science.gov (United States)

    Roulston, Kathryn; Misawa, Mitsunori

    2011-01-01

    In spite of a growing body of research in music education that focuses on a variety of gender issues, there is still limited information on music teachers' experiences and constructions of their classroom practices in relation to their conceptualisations of gender. This paper examines music teachers' descriptions of gender in relation to their…

  16. The Shiver-Shimmer Factor: Musical Spirituality, Emotion, and Education

    Science.gov (United States)

    Bogdan, Deanne

    2010-01-01

    This article offers one approach to exploring the question of in what sense music educators can speak of music and its moving power as spiritual by inquiring into what might count as a "musical spiritual experience" in emotional terms. The essay's analytic framework employs the distinction between two related concepts which I call the "shiver" and…

  17. The Shiver-Shimmer Factor: Musical Spirituality, Emotion, and Education

    Science.gov (United States)

    Bogdan, Deanne

    2010-01-01

    This article offers one approach to exploring the question of in what sense music educators can speak of music and its moving power as spiritual by inquiring into what might count as a "musical spiritual experience" in emotional terms. The essay's analytic framework employs the distinction between two related concepts which I call the "shiver" and…

  18. The Socio-Educational Model of Music Motivation

    Science.gov (United States)

    MacIntyre, Peter D.; Potter, Gillian K.; Burns, Jillian N.

    2012-01-01

    The well-established socio-educational model of second language learning motivation developed by R. C. Gardner was adapted and applied to study instrumental music learning motivation. The similarities between music and language suggested that the adaptation might lead to new insights in the study of music motivation. At the heart of the proposed…

  19. Major Approaches to Music Education: An Account of Method.

    Science.gov (United States)

    Shehan, Patricia K.

    1986-01-01

    In a continuing effort to improve the music education of students in beginning stages, there is a need for the review of teaching techniques that motivate student learning behaviors. Historically, music methods actively engaged students in the music-making process. The approaches of Dalcroze, Orff, Suzuki, Kodaly, and Gordon continue that…

  20. A Historical View of Women in Music Education Careers

    Science.gov (United States)

    Howe, Sondra Wieland

    2009-01-01

    Women music educators in the USA have been active in public and private schools, churches, and community organizations. In the nineteenth century, Julia E. Crane founded the Crane Institute of Music, the first institution to train music supervisors; and women developed kindergarten programs throughout the US. In the "private sphere," women taught…

  1. Music Therapy and the Education of Students with Severe Disabilities

    Science.gov (United States)

    Stephenson, Jennifer

    2006-01-01

    Music therapists regard music therapy as a valuable intervention for students with moderate to severe intellectual disability or multiple disabilities, but many special educators would regard it as a controversial practice, unsupported by empirical research. This paper reviews the goals and strategies used by music therapists working with students…

  2. Music Therapy and the Education of Students with Severe Disabilities

    Science.gov (United States)

    Stephenson, Jennifer

    2006-01-01

    Music therapists regard music therapy as a valuable intervention for students with moderate to severe intellectual disability or multiple disabilities, but many special educators would regard it as a controversial practice, unsupported by empirical research. This paper reviews the goals and strategies used by music therapists working with students…

  3. Creative learning and music education: research pathways and educational perspectives

    Directory of Open Access Journals (Sweden)

    Viviane Beineke

    2012-01-01

    Full Text Available The present article discusses creativity conceptions which have echoed in education and music education fields, analyzing different creative concepts that guide researches and questions. Starting from creativity conceptions that guided educational tendencies during the 1960‘s and 1970‘s, we present emergent tendencies during the 21st century from the creative learning concept. From this point of view the focus move to musical practices culturally placed where the children’s creativity occurs, thinking that this creativity is needed to be promoted inside a wide ethical dimension, stressing the transformations in the human relationships that students experience and expand in the creative learning when they participate in a community musical practice. To conclude, we point out that the creative learning focus could indicate a possible alternative when we wish to build music education in the primary school contributing to educate people to be more sensitive, supportive, critical and transformative using the musical creation as a possibility to think in a better world.

  4. Pedagogical Challenges in Folk Music Teaching in Higher Education: A Case Study of Hua'er Music in China

    Science.gov (United States)

    Yang, Yang; Welch, Graham

    2016-01-01

    Recent literature suggests that traditional approaches in folk music education are not necessarily compatible with the pedagogical conventions of formal music education. Whilst several recent studies have tended to define these non-classical-music learning contexts as "informal", the practice of folk music that was recently introduced…

  5. Differences in Music Performance Anxiety Levels between Underclassmen and Upperclassmen Music Education Undergraduates

    Science.gov (United States)

    Edmonson, Jordan M.

    2012-01-01

    Research looking specifically at the performance anxiety levels of undergraduate music education majors is sparse. In one of the few studies that examined this issue, Conway, Eros, Pellegrino, and West (2010) found that the different emphases placed on music education majors made for a wider array of activities and foci. Undergraduates who focus…

  6. Opinions of University Music Teachers on the Musical Competencies Necessary for Primary Education Teachers

    Science.gov (United States)

    Begic, Jasna Šulentic; Begic, Amir; Škojo, Tihana

    2017-01-01

    This paper describes the research conducted in the Republic of Croatia during the 2012/13 academic year. We have gathered opinions from experts, i.e. teaching methods teachers from seven faculties of teacher education, regarding the music teaching competencies necessary for primary education teachers teaching music in the first several grades of…

  7. Music Education that Resonates: An Epistemology and Pedagogy of Sound

    Science.gov (United States)

    Abramo, Joseph

    2014-01-01

    Are there qualities of sound and the experience of listening that educators can extrapolate to inform the philosophy and practice of music education? In this essay, I imagine a music education where sound--how it behaves and how we experience it--serves not only as the subject of study, but generates the framework of the pedagogy. A sonic music…

  8. The Improvised Lives of Women in Music Education.

    Science.gov (United States)

    Richardson, Carol P.

    1992-01-01

    Discusses findings of a survey of 18 women music educators. Reports the educators' career paths, reasons for job changes, and professional influences. Reveals their appraisals of the importance of mentoring and goal setting and their definitions of success. Argues that it is up to women music educators to nurture one another. (SG)

  9. Music Education as Aesthetic Education: Past and Present. First of a Two-Part Series.

    Science.gov (United States)

    Reimer, Bennett

    1989-01-01

    Cites the publication of "Basic Concepts in Music Education," and "Foundations and Principles of Music Education," as the event which compelled music educators to seek guidance from aesthetics. Identifies two fundamental principals of aesthetic education. Concludes that computer technology and cognitive psychology will have a…

  10. Productive Dissonance: A Musical-Analytical Exploration of Teacher Educator Perceptions in a Multicultural Education Program

    Science.gov (United States)

    Clark, Lynn Violet

    2010-01-01

    The purpose of this study is to explore, using a musical metaphor, the consonance, counterpoint, dissonance, and resonance of a large-scale multicultural teacher education program. In particular, it examines the different instructional approaches of seven graduate students and two faculty who currently teach an undergraduate multicultural…

  11. Music education and mental health of music students

    Directory of Open Access Journals (Sweden)

    Mirović Tijana

    2013-01-01

    Full Text Available The existing findings point to peculiarities of personality traits of the musically gifted. These traits can be viewed as the result of acquisition and modelling of certain forms of behaviour, reactions and feelings in accordance with the conditions and demands of the educational and professional context. The aim of this paper is to explore whether the students of the Faculty of Music (FOM are different from the students of other faculties in the prominence of anxiety and depressive symptoms and early maladaptive schemas. Anxiety symptoms were measured by the Spielberger’s Test Anxiety Inventory - Trait (STAI-T, depressive symptoms by Beck’s Depression Inventory (BDI, while the presence of early maladaptive schemas was determined by the score on the shorter form of Young’s questionnaire that measures the presence of 15 schemas. The sample included 176 students, 48,9% of whom came from the FOM, and 51,1% from other Belgrade faculties. Descriptive analysis and multivariate analysis of variance indicate that both the anxiety (F(1,176=6,40; p<0,01 and depressive symptoms (F(1,176=10,15; p<0,01, as well as early maladaptive schemas (F(15,158=3,02; p<0,001 are more prominent in FOM students. Statistically significant differences are found for ten schemas, and using a Bonferroni adjusted alpha level of 0,003 a significant difference is found for four schemas: social isolation, dependence, entitlement and insufficient self-control. It can be concluded that music students are different from the students of other faculties in that they have more prominent anxiety and depressive symptoms, as well as more prominent maladaptive schemas. The obtained differences, i.e. higher vulnerability in musicians, are discussed in the context of the teaching process and the professional demands imposed upon them. [Projekat Ministarstva nauke Republike Srbije, br. 179018: Identifikacija, merenje i razvoj kognitivnih i emocionalnih kompetencija važnih dru

  12. GENDER DEFINITION OF MUSICAL ART IN THE EDUCATIONAL SYSTEM

    Directory of Open Access Journals (Sweden)

    V. V. Poliuha

    2017-06-01

    Full Text Available The article interprets the gender issues and their interconnection of musical art that leads to analyzis of music pedagogy and educational system in general. The purpose of the study is the selection and analysis of such gender definitions of music as ender dimension, gender roles, gender approach, the gender component in the system of music education. Methodology of the study is based on the interdisciplinary approach that involves the use of scientific methods of analysis, synthesis and synthesis. Also, there is the method of comparative analysis and analogy applied in understanding the problems related to the study of gender influence in art and education. Originality is reflected in modern educational concept that appeals to the understanding of gender issues as a way of more thorough understanding of individuals, their role status of the individual, which in turn defines social opportunities in educational activities. Accordingly, the modern science can not remain uninvolved into the problems of modern times. Conclusions. Studies of gender in musical art education leads to selection, analyzis and understanding of such definitions as: gender dimension, which is focused on the understanding of the principle of obtaining polysynthetic, gender sensation from a musical work; gender roles, which distinguish representation of women in different kinds of music; gender approach, which establishes the availability of gender imbalance in the system of music education; gender component, which distinguishes the importance of understanding and practical implementation of gender equality in the system of music education.

  13. Secondary School Students' Preferences for Popular Music and Perceptions of Popular Music Learned in School Music Education in Mainland China

    Science.gov (United States)

    Ho, Wai-Chung

    2017-01-01

    This study examined popular music and school music education as cultural constructs of teenage students amid the shifting cultural and social dynamics of contemporary China. Data were drawn from questionnaires completed by 6,780 secondary students (mainly ages 12 through 17) from three cities--Beijing, Changsha, and Shanghai. The survey results…

  14. The Importance of Research in Educating About Music Therapy

    Directory of Open Access Journals (Sweden)

    Barbara L. Wheeler

    2014-07-01

    Full Text Available In this "Essay" article, the author explores some ways in which music therapy research is important in educating people—music therapists and those outside of music therapy—about music therapy. There are different levels and types of research, and different levels are appropriate at different points in the development of music therapy in a country. However, some type of music therapy research is important for the development of music therapy in all cases and in all situations and all countries. The author suggests that music therapy research may be used to: (a describe a situation, (b identify and examine processes and causal factors, (c provide evidence about outcomes, or (d change a situation. Information on music therapy research for each purpose is provide. The article examines how all of these may be used to educate people about music therapy. It is suggested that music therapists in different countries have different needs for research and that one thing that leads to these variations is how highly developed music therapy is in the country.

  15. Using Informal Education through Music Video Creation

    Science.gov (United States)

    Cayari, Christopher

    2014-01-01

    Music video creation provides students a new way to express themselves and become better performers and consumers of media. This article provides a new perspective on Lucy Green's informal music pedagogy by enabling students to create music videos in music classrooms; thus, students are able to create music videos that informally develop…

  16. Music as a manifestation of life: exploring enactivism and the 'eastern perspective' for music education.

    Science.gov (United States)

    van der Schyff, Dylan

    2015-01-01

    The enactive approach to cognition is developed in the context of music and music education. I discuss how this embodied point of view affords a relational and bio-cultural perspective on music that decentres the Western focus on language, symbol and representation as the fundamental arbiters of meaning. I then explore how this 'life-based' approach to cognition and meaning-making offers a welcome alternative to standard Western academic approaches to music education. More specifically, I consider how the enactive perspective may aid in developing deeper ecological understandings of the transformative, extended and interpenetrative nature of the embodied musical mind; and thus help (re)connect students and teachers to the lived experience of their own learning and teaching. Following this, I examine related concepts associated with Buddhist psychology in order to develop possibilities for a contemplative music pedagogy. To conclude, I consider how an enactive-contemplative perspective may help students and teachers awaken to the possibilities of music education as 'ontological education.' That is, through a deeper understanding of 'music as a manifestation of life' rediscover their primordial nature as autopoietic and world-making creatures and thus engage more deeply with musicality as a means of forming richer and more compassionate relationships with their peers, their communities and the 'natural' and cultural worlds they inhabit.

  17. Community Music as a Part of Higher Education: Decisions from a Department Chair/Researcher

    Science.gov (United States)

    Rohwer, Debbie

    2011-01-01

    The following article addresses the partners in the lifelong music cycle (school music, collegiate music and community music) and how these partners might approach music education for the benefit of music participants. While community groups have commonly tapped graduating students from public schools to feed their groups, there is a need for…

  18. A Survey of Elementary and Secondary Music Educators' Professional Background, Teaching Responsibilities and Job Satisfaction in the United States

    Science.gov (United States)

    Matthews, Wendy K.; Koner, Karen

    2017-01-01

    The focus of this exploratory study was to examine the current trends of K-12 music educators in the United States regarding their (a) professional background, (b) classroom teaching responsibilities, and (c) job satisfaction. Participants included seven thousand four hundred and sixty-three (N = 7,463) currently employed music teachers who were…

  19. Musical Understanding, Musical Works, and Emotional Expression: Implications for Education

    Science.gov (United States)

    Elliott, David J.

    2005-01-01

    What do musicians, critics, and listeners mean when they use emotion-words to describe a piece of instrumental music? How can "pure" musical sounds "express" emotions such as joyfulness, sadness, anguish, optimism, and anger? Sounds are not living organisms; sounds cannot feel emotions. Yet many people around the world believe they hear emotions…

  20. Musical Understanding, Musical Works, and Emotional Expression: Implications for Education

    Science.gov (United States)

    Elliott, David J.

    2005-01-01

    What do musicians, critics, and listeners mean when they use emotion-words to describe a piece of instrumental music? How can "pure" musical sounds "express" emotions such as joyfulness, sadness, anguish, optimism, and anger? Sounds are not living organisms; sounds cannot feel emotions. Yet many people around the world believe they hear emotions…

  1. Preparing the Successful Urban Music Educator: The Need for Preservice and In-Service Development

    Science.gov (United States)

    Anderson, Steven Armon; Denson, Gregory Lamar

    2015-01-01

    The January 1970 Music Educators Journal's "Special Report: Facing the Music in Urban Education" included the article "Recommendations for Teacher Education Programs." This article contained seven recommendations to prepare successful future urban music educators. As two urban music educators, we examine how "MEJ"…

  2. Preparing the Successful Urban Music Educator: The Need for Preservice and In-Service Development

    Science.gov (United States)

    Anderson, Steven Armon; Denson, Gregory Lamar

    2015-01-01

    The January 1970 Music Educators Journal's "Special Report: Facing the Music in Urban Education" included the article "Recommendations for Teacher Education Programs." This article contained seven recommendations to prepare successful future urban music educators. As two urban music educators, we examine how "MEJ"…

  3. Music Training and Education Slow the Deterioration of Music Perception Produced by Presbycusis in the Elderly

    Directory of Open Access Journals (Sweden)

    Felipe N. Moreno-Gómez

    2017-05-01

    Full Text Available The perception of music depends on the normal function of the peripheral and central auditory system. Aged subjects without hearing loss have altered music perception, including pitch and temporal features. Presbycusis or age-related hearing loss is a frequent condition in elderly people, produced by neurodegenerative processes that affect the cochlear receptor cells and brain circuits involved in auditory perception. Clinically, presbycusis patients have bilateral high-frequency hearing loss and deteriorated speech intelligibility. Music impairments in presbycusis subjects can be attributed to the normal aging processes and to presbycusis neuropathological changes. However, whether presbycusis further impairs music perception remains controversial. Here, we developed a computerized version of the Montreal battery of evaluation of amusia (MBEA and assessed music perception in 175 Chilean adults aged between 18 and 90 years without hearing complaints and in symptomatic presbycusis patients. We give normative data for MBEA performance in a Latin-American population, showing age and educational effects. In addition, we found that symptomatic presbycusis was the most relevant factor determining global MBEA accuracy in aged subjects. Moreover, we show that melodic impairments in presbycusis individuals were diminished by music training, while the performance in temporal tasks were affected by the educational level and music training. We conclude that music training and education are important factors as they can slow the deterioration of music perception produced by age-related hearing loss.

  4. A Credo of Music Pedagogy

    Science.gov (United States)

    Olsson, Bengt

    2005-01-01

    More people are currently experiencing and performing music than at any previous time. New technology has made it possible to both create and distribute music all over the world. However, although it is of huge importance, the role of music education is often neglected. What then is the essence of music education? Traditionally people speak of…

  5. Gilles Apap's Mozart Cadenza and Expanding Musical Competences of Twenty-First-Century Musicians and Music Educators

    Science.gov (United States)

    Webb, Michael

    2008-01-01

    In western musical contexts at global and local levels, musicians are becoming increasingly involved in what might be termed multicode music making and are expanding their musical competences. In this article I consider the practical and cognitive implications of such an expanding of competences for music education at various levels. Combining…

  6. Gilles Apap's Mozart Cadenza and Expanding Musical Competences of Twenty-First-Century Musicians and Music Educators

    Science.gov (United States)

    Webb, Michael

    2008-01-01

    In western musical contexts at global and local levels, musicians are becoming increasingly involved in what might be termed multicode music making and are expanding their musical competences. In this article I consider the practical and cognitive implications of such an expanding of competences for music education at various levels. Combining…

  7. Practical Pluralism: Toward Anti-Racist Competencies in Music Educators

    Science.gov (United States)

    Rampal, Michelle

    2015-01-01

    The specialized curricula of music education degree programs afford relatively few opportunities to cultivate educators' abilities to recognize, acknowledge, and incorporate students' multiple lived realities within the music classroom. This is especially problematic in an age where public schools serve an increasingly diverse population of…

  8. Practical Pluralism: Toward Anti-Racist Competencies in Music Educators

    Science.gov (United States)

    Rampal, Michelle

    2015-01-01

    The specialized curricula of music education degree programs afford relatively few opportunities to cultivate educators' abilities to recognize, acknowledge, and incorporate students' multiple lived realities within the music classroom. This is especially problematic in an age where public schools serve an increasingly diverse population of…

  9. Concept Teaching in Instrumental Music Education: A Literature Review

    Science.gov (United States)

    Tan, Leonard

    2017-01-01

    This article is a review of research literature on the teaching of concepts in instrumental music education. It is organized in four parts (a) the value of concept teaching in large instrumental ensembles, (b) time spent teaching concepts during rehearsals, (c) approaches to concept teaching, and (d) implications for music education. Research has…

  10. Characteristics of "Music Education" Videos Posted on Youtube

    Science.gov (United States)

    Whitaker, Jennifer A.; Orman, Evelyn K.; Yarbrough, Cornelia

    2014-01-01

    This content analysis sought to determine information related to users uploading, general content, and specific characteristics of music education videos on YouTube. A total of 1,761 videos from a keyword search of "music education" were viewed and categorized. Results for relevant videos indicated users posted videos under 698 different…

  11. Promuse: professional integration of musicians and continuing education in music

    NARCIS (Netherlands)

    Smilde, Rineke

    2001-01-01

    The AEC has been actively involved in the Thematic Network’s Project (TNP) for Music, a Socrates project on the subject of artistic education. One of the specific projects within this programme has made a study of the situation and an analysis of the needs that exist in higher music education in Eur

  12. Music Education and Ethical Judgment in the Postmodern Condition

    Science.gov (United States)

    Locke, Kirsten A.

    2008-01-01

    In his book "Democracy and Music Education: Liberalism, Ethics, and the Politics of Practice," Paul Woodford issues an invitation for shared dialogue and debate regarding the state of music education in developed countries. Through an appropriation of John Dewey's thoughts regarding a democratic society, Woodford sees great hope for the position…

  13. Perpetuating Nigerian Cultures in Musical Arts Education within the ...

    African Journals Online (AJOL)

    Ike Odimegwu

    that the Nigerian child still has the capacity and ability to ... musical arts education and practice in the Nigerian traditional ... It involved learning to play .... The average adult Nigerian out there looks down on ... motor behavior in all, irrespective of their sex and age. And .... acquisition of modern music educational skills among.

  14. Introducing Social Emotional Learning to Music Education Professional Development

    Science.gov (United States)

    Edgar, Scott N.

    2013-01-01

    There are more knowledge bases, skills, and dispositions that teachers need to have than can be covered in undergraduate music teacher education. One knowledge base that music teachers could benefit from, which is rarely covered in preservice teacher education, is social emotional learning (SEL) and techniques to implement it in their classrooms.…

  15. Music Education and Ethical Judgment in the Postmodern Condition

    Science.gov (United States)

    Locke, Kirsten A.

    2008-01-01

    In his book "Democracy and Music Education: Liberalism, Ethics, and the Politics of Practice," Paul Woodford issues an invitation for shared dialogue and debate regarding the state of music education in developed countries. Through an appropriation of John Dewey's thoughts regarding a democratic society, Woodford sees great hope for the position…

  16. Women Working in Music Education: The War Machine

    Science.gov (United States)

    Gould, Elizabeth

    2009-01-01

    When women take up the work of music education, of the university, and become nomadic, engaging Deleuze and Guattari's war machine, all kinds of things happen. As nomads in music education, women traverse borders and boundaries that would otherwise limit and constrain them as they initiate alternative possibilities related to teaching and learning…

  17. Concept Teaching in Instrumental Music Education: A Literature Review

    Science.gov (United States)

    Tan, Leonard

    2017-01-01

    This article is a review of research literature on the teaching of concepts in instrumental music education. It is organized in four parts (a) the value of concept teaching in large instrumental ensembles, (b) time spent teaching concepts during rehearsals, (c) approaches to concept teaching, and (d) implications for music education. Research has…

  18. Teaching Improvisation through Processes. Applications in Music Education and Implications for General Education.

    Science.gov (United States)

    Biasutti, Michele

    2017-01-01

    Improvisation is an articulated multidimensional activity based on an extemporaneous creative performance. Practicing improvisation, participants expand sophisticated skills such as sensory and perceptual encoding, memory storage and recall, motor control, and performance monitoring. Improvisation abilities have been developed following several methodologies mainly with a product-oriented perspective. A model framed under the socio-cultural theory of learning for designing didactic activities on processes instead of outcomes is presented in the current paper. The challenge is to overcome the mere instructional dimension of some practices of teaching improvisation by designing activities that stimulate self-regulated learning strategies in the students. In the article the present thesis is declined in three ways, concerning the following three possible areas of application: (1) high-level musical learning, (2) musical pedagogy with children, (3) general pedagogy. The applications in the music field focusing mainly on an expert's use of improvisation are discussed. The last section considers how these ideas should transcend music studies, presenting the benefits and the implications of improvisation activities for general learning. Moreover, the application of music education to the following cognitive processes are discussed: anticipation, use of repertoire, emotive communication, feedback and flow. These characteristics could be used to outline a pedagogical method for teaching music improvisation based on the development of reflection, reasoning, and meta-cognition.

  19. Teaching Improvisation through Processes. Applications in Music Education and Implications for General Education

    Directory of Open Access Journals (Sweden)

    Michele Biasutti

    2017-06-01

    Full Text Available Improvisation is an articulated multidimensional activity based on an extemporaneous creative performance. Practicing improvisation, participants expand sophisticated skills such as sensory and perceptual encoding, memory storage and recall, motor control, and performance monitoring. Improvisation abilities have been developed following several methodologies mainly with a product-oriented perspective. A model framed under the socio-cultural theory of learning for designing didactic activities on processes instead of outcomes is presented in the current paper. The challenge is to overcome the mere instructional dimension of some practices of teaching improvisation by designing activities that stimulate self-regulated learning strategies in the students. In the article the present thesis is declined in three ways, concerning the following three possible areas of application: (1 high-level musical learning, (2 musical pedagogy with children, (3 general pedagogy. The applications in the music field focusing mainly on an expert's use of improvisation are discussed. The last section considers how these ideas should transcend music studies, presenting the benefits and the implications of improvisation activities for general learning. Moreover, the application of music education to the following cognitive processes are discussed: anticipation, use of repertoire, emotive communication, feedback and flow. These characteristics could be used to outline a pedagogical method for teaching music improvisation based on the development of reflection, reasoning, and meta-cognition.

  20. A Response to Commentaries on "Music Matters: A Philosophy of Music Education," Second Edition (2015)

    Science.gov (United States)

    Elliott, David J.; Silverman, Marissa

    2015-01-01

    This essay responds to five commentaries on "Music Matters: A Philosophy of Music Education," 2nd edition (2015). Because each author provides a substantial discussion of different aspects of the book, this essay does not attempt to address all points. Instead, we reflect on selected aspects of each scholar's critique.

  1. A Response to Commentaries on "Music Matters: A Philosophy of Music Education," Second Edition (2015)

    Science.gov (United States)

    Elliott, David J.; Silverman, Marissa

    2015-01-01

    This essay responds to five commentaries on "Music Matters: A Philosophy of Music Education," 2nd edition (2015). Because each author provides a substantial discussion of different aspects of the book, this essay does not attempt to address all points. Instead, we reflect on selected aspects of each scholar's critique.

  2. Thai Pre-Service Music Educators and Their Future in Music Education and Its Role in Society

    Science.gov (United States)

    Williams, Lindsey R.; Trakarnrung, Somchai

    2016-01-01

    The purpose of this investigation was to acquire a better understanding of the decision-making process of Thai pre-service music education students and their expectations of their post-graduation professional activities. Demographic data was gathered as well as self-reported participant influences regarding choosing to major in music education. A…

  3. Music education in the UK: Theory and Practice%Music education in the UK:Theory and Practice

    Institute of Scientific and Technical Information of China (English)

    阎堃郁

    2016-01-01

    Music curriculum plays a significant role in pupils' school education. The connection between National Curriculum and practical classes becomes the most important ability for teachers. This essay will contextualizing my group's scheme of work at Cleves Junior School relative to influential theory and research surrounding mainstream music education.

  4. Predicting Undergraduate Music Education Majors' Collegiate Achievement

    Science.gov (United States)

    Rohwer, Debbie

    2012-01-01

    In order for teachers to guide students in their preparation to be music majors, it would be useful to know those musical components that best predict overall collegiate success. The purpose of this study was to measure the relationship of predictor variables (Lessons, Music History, Music Theory, and Piano) to collegiate grade point average (GPA)…

  5. Mapping Musical Learning: An Evaluation of Research in Music Education in Singapore

    Science.gov (United States)

    Lum, Chee-Hoo; Dairianathan, Eugene

    2014-01-01

    In the most recent Ministry of Education work plan seminar (Ministry of Education, 2010), a clear signal was sent out that arts education, primarily music and visual art, would become one of the key areas of focus in pursuing the goal of holistic education of a primary school child in the Singapore school system. This article, as part of a larger…

  6. Is The Healing Force Of Music Far Away From The Undergraduate Music Education Students?

    Directory of Open Access Journals (Sweden)

    Erol Demirbatir

    2012-01-01

    Full Text Available Depression, anxiety and stress are common among undergraduate students and a world-wide phenomenon. In this study we wanted to assess depression, anxiety and stress levels as well as burnout and vigor among undergraduate music education students in one Turkish university and compare the results with the results of medical students from the same institution. We collected data from 160 music education and 928 medical students by self reporting using DASS-42 (Depression-Anxiety-Stress Scale-42, Shirom-Melamed Burnout (SMBM and Shirom-Melamed Vigor (SMVM measures. We found that mean depression, anxiety and stress scores were significantly higher among music education students compared to medicine students. There were no significant differences in terms of burnout whereas music education students were found more vigorous than medical students. We suggested some implications for prevention of depression, anxiety and stress.

  7. The Effects of Music Composition as a Classroom Activity on Engagement in Music Education and Academic and Music Achievement: A Quasi-Experimental Study

    Science.gov (United States)

    Hogenes, Michel; van Oers, Bert; Diekstra, René F. W.; Sklad, Marcin

    2016-01-01

    The present study aims to contribute to the understanding of the effects of music education, in particular music composition as a classroom activity for fifth- and sixth-graders. The intervention (experimental condition) focused on a three-step-model for music composition, based on the Cultural Historical Activity Theory of education, and has been…

  8. The Effects of Music Composition as a Classroom Activity on Engagement in Music Education and Academic and Music Achievement: A Quasi-Experimental Study

    Science.gov (United States)

    Hogenes, Michel; van Oers, Bert; Diekstra, René F. W.; Sklad, Marcin

    2016-01-01

    The present study aims to contribute to the understanding of the effects of music education, in particular music composition as a classroom activity for fifth- and sixth-graders. The intervention (experimental condition) focused on a three-step-model for music composition, based on the Cultural Historical Activity Theory of education, and has been…

  9. Music education and musicians: Expectations, course and outcomes

    Directory of Open Access Journals (Sweden)

    Bogunović Blanka

    2012-01-01

    Full Text Available Considering the long-term talent development, from the moment of its recognition to the moment when an adult is confronted with the necessity of integration in the professional music and life streams, we wonder whether education satisfies the needs of talents and provides, in the long run, the necessary knowledge and skills. The aim of this research was to investigate: (1 the initial motivation for learning music and expectations from music education; (2 the course of development of young musicians (the degree of self-actualisation, developmental perspectives, evaluation of music education and (3 outcomes of music education and development of the professional career. The sample (N=487 consisted of five subsamples: music kindergarten pupils, students of primary music schools, students of secondary music schools, university students of music and teachers at music schools and universities. The paper analyses psychological, educational and professional aspects of education of musically gifted pupils and students, as well as music teachers in five successive age groups. The results indicate that with an increase in age there is a considerable increase in the variety and scope of expectations and a higher aspiration towards personal, educational and professional lifelong improvement, while, at the same time, there is a considerable decrease in the level of fulfilment of expectations and the level of assessment of self-actualisation. This is indicative of a continuously present feeling of “hidden underachievement” in the group of (relatively successful young musicians and professionals. Analysis of respondents’ answers points out to the existence of still traditional system of music education, which lacks flexibility and innovation and fails to provide a sufficient level of transferable knowledge and skills. The findings point out to a whole cluster of controversies demanding further reconsideration and (redesigning of the curriculum of (high

  10. Professional competencies of musically gifted at the end of higher education in music arts

    OpenAIRE

    Bogunović, Blanka; Mirović, Tijana

    2014-01-01

    The research is a continuation of a whole range of existing ones dealing with the outcomes of music education for the gifted. Results obtained up to now have pointed to weak 'ecological validity' of professional competencies acquired at the level of higher education in music arts and their limitation within the demands of labour market and working conditions in contemporary social circumstances. Using qualitative methodology our intention was to examine in more details the attitudes of those ...

  11. Is The Healing Force Of Music Far Away From The Undergraduate Music Education Students?

    OpenAIRE

    Erol Demirbatir; Nuran Bayram; Nazan Bilgel

    2012-01-01

    Depression, anxiety and stress are common among undergraduate students and a world-wide phenomenon. In this study we wanted to assess depression, anxiety and stress levels as well as burnout and vigor among undergraduate music education students in one Turkish university and compare the results with the results of medical students from the same institution. We collected data from 160 music education and 928 medical students by self reporting using DASS-42 (Depression-Anxiety-Stress Scale-42),...

  12. A User Assessment of Workspaces in Selected Music Education Computer Laboratories.

    Science.gov (United States)

    Badolato, Michael Jeremy

    A study of 120 students selected from the user populations of four music education computer laboratories was conducted to determine the applicability of current ergonomic and environmental design guidelines in satisfying the needs of users of educational computing workspaces. Eleven categories of workspace factors were organized into a…

  13. Looking Backwards to Reach Forward: A Strategic Architecture for Professional Development in Music Education

    Science.gov (United States)

    Schmidt, Patrick; Robbins, Janet

    2011-01-01

    The article analyzes professional development in music education considering the ways in which policy change depends on conditions where renewed practice can become self supporting. The authors situate professional development amid the current politico-educational climate while offering an interpretive framework based on key issues and actions…

  14. Social Developments and School Music Education: The Struggles in Hong Kong

    Science.gov (United States)

    Ho, Wai-Chung

    2009-01-01

    This paper explores two current issues in the educational policies and practices of Hong Kong that have been shaped by the emergence of the nation-state and the return of Hong Kong's sovereignty from the UK to the People's Republic of China on 1 July 1997. Since this time there have been two great challenges facing music education. The first…

  15. Inclusive Education Policy in the Hong Kong Primary Music Classroom

    Science.gov (United States)

    Wong, Marina Wai-yee; Chik, Maria Pik-yuk

    2016-01-01

    An education reform policy and inclusive education policy have been implemented in Hong Kong for over a decade. As more students with special educational needs have entered the mainstream education system under these policies, Hong Kong's primary music classrooms offer a site where three policies interact--the education reform policy entitled…

  16. Music's Representation in Early Childhood Education Journals: A Literature Review

    Science.gov (United States)

    Bond, Vanessa L.

    2012-01-01

    In this review of literature, the author explored the representation of music in early childhood education researcher and practitioner journal articles. Thirty-eight pertinent journal articles were identified in a keyword search for "music" in eight journals. The search was limited to a 5-year period, 2005-2010. Article summaries were categorized…

  17. Towards an Epistemology of Authenticity in Higher Popular Music Education

    Science.gov (United States)

    Parkinson, Tom; Smith, Gareth Dylan

    2015-01-01

    Popular music education is becoming firmly established as an academic field, in the UK and internationally. In order to help ensure that scholarship and practice within the field develop in reflexive and ethical ways appropriate to particular traditions, musics, people and institutional contexts, the authors advocate a discursive and iterative…

  18. The United States Copyright Law: A Guide for Music Educators.

    Science.gov (United States)

    National Association of Schools of Music, Reston, VA.

    Music educators are informed of the applications of the 1976 revision of the United States copyright law to the use of sheet music, audiovisual recordings, and dramatic and choreographic works. Material is divided into five sections. Section 1 outlines the primary rights of copyright holders with regard to phonorecords, derivative works,…

  19. A Constructivist View of Music Education: Perspectives for Deep Learning

    Science.gov (United States)

    Scott, Sheila

    2006-01-01

    The article analyzes a constructivist view of music education. A constructivist music classroom exemplifies deep learning when students formulate questions, acquire new knowledge by developing and implementing plans for investigating these questions, and reflect on the results. A context for deep learning requires that teachers and students work…

  20. Perceptions of Jazz Improvisation among Pennsylvania Music Educators

    Science.gov (United States)

    Rummel, Jason Robert

    2010-01-01

    Jazz education has been a part of school music programs in the United States in both extracurricular and curricular settings since the 1920's. An enormous growth in the popularity of stage bands and jazz ensembles was experienced between the 1940's and 1980's resulting in a vibrant, widespread acceptance of jazz in the music curriculum (Luty,…

  1. Satis Coleman--A Spiritual Philosophy for Music Education

    Science.gov (United States)

    Shevock, Daniel J.

    2015-01-01

    Satis Coleman (1878-1961) was a pioneering but underacknowledged teacher in the history of American music education. Hers was a voice of teaching creativity in the twentieth century, which occurred at the progressive Lincoln Lab School and Teachers College, Columbia University, in New York City. This article considers Coleman's music education…

  2. Rap Music: An Education with a Beat from the Street.

    Science.gov (United States)

    Powell, Catherine Tabb

    1991-01-01

    Examines rap music's origins as street music and poetry in the early 1970s and as an expression of Black youth experience. Discusses rap groups, women and Whites in rap, Christian rap, copyright disputes, and distribution difficulties. Rap is an informal educational medium that affects adolescents' values and attitudes. (JB)

  3. A Constructivist View of Music Education: Perspectives for Deep Learning

    Science.gov (United States)

    Scott, Sheila

    2006-01-01

    The article analyzes a constructivist view of music education. A constructivist music classroom exemplifies deep learning when students formulate questions, acquire new knowledge by developing and implementing plans for investigating these questions, and reflect on the results. A context for deep learning requires that teachers and students work…

  4. Potential Contributions of Music Education to Peacebuilding: Curricular Concerns

    Science.gov (United States)

    Sandoval, Elaine

    2016-01-01

    This article examines the potential role of music education in peacebuilding, specifically concentrating on issues of structural, indirect violence often unwittingly perpetuated through Eurocentric music curricula. I point out that such violence occurs not only in curricula that represent only European classical traditions, but moreover in…

  5. Music Educators' Perceived Effectiveness of Inclusion

    Science.gov (United States)

    VanWeelden, Kimberly; Whipple, Jennifer

    2014-01-01

    The purpose of this research project was to examine whether music teachers' perceptions of effectiveness of inclusion, curriculum adaptations/modifications, or student achievement had altered from previous research findings 20 years before. A survey based on that used by Gfeller, Darrow, and Hedden was sent to music educators through the…

  6. Three Music Education Majors' Journeys through Aural Skills 101

    Science.gov (United States)

    Buonviri, Nathan O.

    2015-01-01

    The purpose of this narrative research was to examine the musical paths of three music education majors enrolled in their first semester of aural skills at a large university. The semester-long, interview-based study centered on a theoretical framework of the reciprocal relationship between students' self-perceptions and their academic success.…

  7. Perceptions of Jazz Improvisation among Pennsylvania Music Educators

    Science.gov (United States)

    Rummel, Jason Robert

    2010-01-01

    Jazz education has been a part of school music programs in the United States in both extracurricular and curricular settings since the 1920's. An enormous growth in the popularity of stage bands and jazz ensembles was experienced between the 1940's and 1980's resulting in a vibrant, widespread acceptance of jazz in the music curriculum (Luty,…

  8. The Role of Critical Formalism in Music Education

    Science.gov (United States)

    Louth, J. Paul

    2012-01-01

    This article discusses the emancipatory potential of critical formalism, a mode of critique that may be helpful in revealing to music students the taken-for-granted nature of some common musical and educational notions whose socially constructed nature may not always appear evident. The work is presented in two parts: "theory" and "praxis." The…

  9. Proposed Changes for the Undergraduate Elementary Music Education Curriculum

    Science.gov (United States)

    Spurgeon, Alan

    2004-01-01

    For the past few years, there has been a growing concern among in-service elementary and general music educators trained in the active music-making approaches of Orff-Schulwerk, Kodaly, Dalcroze Eurythmics, and Gordon that the student teachers who come to them are poorly prepared. Many feel that preservice teachers are not receiving the university…

  10. Music Education and Human Flourishing: A Meditation on Democratic Origins

    Science.gov (United States)

    Allsup, Randall Everett

    2012-01-01

    This philosophical essay is a meditation on the multiple and contested meanings of the concept of democracy with the aim of redirecting dominant discourses in music education practices and building new capacities for democracy's practical use in music classrooms. Inspired by philosopher John Dewey's travels to China, and his influence on major…

  11. What Are the Implications of Neuroscience for Musical Education?

    Science.gov (United States)

    Stewart, Lauren; Williamon, Aaron

    2008-01-01

    Background: In this paper, we consider music education in a broad sense-not merely pertaining to the development of exceptional levels of artistry in talented performers, but also to notions of musical listening and appreciation enjoyed by the casual listener. Purpose: This review cannot be exhaustive, but aims to illustrate what we already know…

  12. What Are the Implications of Neuroscience for Musical Education?

    Science.gov (United States)

    Stewart, Lauren; Williamon, Aaron

    2008-01-01

    Background: In this paper, we consider music education in a broad sense-not merely pertaining to the development of exceptional levels of artistry in talented performers, but also to notions of musical listening and appreciation enjoyed by the casual listener. Purpose: This review cannot be exhaustive, but aims to illustrate what we already know…

  13. Emotional Differences between Early and Late Degree Program Music Teacher Education Students Using a Concise Emotional Inventory

    Science.gov (United States)

    Fredrickson, William E.; Madsen, Clifford K.

    2010-01-01

    Teaching music can be a stressful profession. How current and future teachers perceive stress, and the personal emotions that result from stressful situations, raises many questions. This study investigated differences in perception of levels of emotional stress between early and late program students in music teacher education using a concise…

  14. Emotional Differences between Early and Late Degree Program Music Teacher Education Students Using a Concise Emotional Inventory

    Science.gov (United States)

    Fredrickson, William E.; Madsen, Clifford K.

    2010-01-01

    Teaching music can be a stressful profession. How current and future teachers perceive stress, and the personal emotions that result from stressful situations, raises many questions. This study investigated differences in perception of levels of emotional stress between early and late program students in music teacher education using a concise…

  15. Music as a manifestation of life: exploring enactivism and the ‘eastern perspective’ for music education

    OpenAIRE

    Dylan evan der Schyff

    2015-01-01

    The enactive approach to cognition is developed in the context of music and music education. I discuss how this embodied point of view affords a relational and bio-cultural perspective on music that decentres the Western focus on language, symbol and representation as the fundamental arbiters of meaning. I then explore how this ‘life-based’ approach to cognition and meaning-making offers a welcome alternative to standard Western academic approaches to music education. More specifically, I con...

  16. Music, Music Education, and Institutional Ideology: A Praxial Philosophy of Musical Sociality

    Science.gov (United States)

    Regelski, Thomas A.

    2016-01-01

    Music is a human action (praxis), guided by intentionality, that embodies sociality. The many significant "social" values of music, however, get lost in high-minded but faulty claims that music's essential value is to promote aesthetic experience. A survey of some basic aesthetic premises demonstrates that claims for "proper"…

  17. Analyses of the Current Rural Elementary School Music Education Teaching Present Situation and Countermeasures of Application%浅析目前农村小学音乐教育教学现状及应用对策

    Institute of Scientific and Technical Information of China (English)

    袁福和

    2014-01-01

    Music art as the main content of art form,is one of the important performance art form. But development in economy of rural schools,due to the influence of early education,music class in the countryside as long as with simple music element, its status is also not high, the status quo of the rural class,with the time development,on the basis of these problems,the rural music education teaching situation to make some discussions.%音乐艺术①作为艺术形式的主要内容,是艺术表现形式的重要表现手段。但在经济发展不景气的农村学校,由于早期教育的影响,音乐在农村课堂上只能以简单的音乐元素表现出来,其地位也不高,这些农村课堂上的现状,与时代发展相背离。依据这些问题,对农村的音乐教育教学现状做出一些探讨。

  18. Using Bursa Folk Songs for Voice Training in Departments of Music Education in Turkey

    Science.gov (United States)

    GüL, Gülnihal; Yildiz, Nedim; Yildiz, Goknur; Necef, Lale; Özer, Nilüfer; Egri, Mehmet

    2016-01-01

    The training of a music teacher's voice, via the examples in his own culture can contribute to getting better results in music education. Therefore, it is believed that transition to Contemporary Turkish Music and then to universal music from our traditional music may be much easier. Accordingly, the use of national resources in voice training is…

  19. Towards an Ethical Music Education? Looking through the Lens of Levinas

    Science.gov (United States)

    Jourdan, Kathryn

    2012-01-01

    What happens when pupils encounter unfamiliar musical expressions in the music classroom? What responsibility do we have towards those whose music we "use"? Underlying these concerns is the need for an ethical underpinning for music education. Drawing on a year-long ethnographically informed case study of music-making in the lives of a…

  20. Learning from the Experts: Applying Research in Expert Performance to Music Education.

    Science.gov (United States)

    Woody, Robert H.

    2001-01-01

    Discusses the issue of early musical experience to provide the necessary background for musical achievement in the future. Presents a review of research on musical practice, motivation, and cognitive skills of music performance. Addresses the implications of the research on music education overall. Includes references. (CMK)

  1. Toward Convergence: Adapting Music Education to Contemporary Society and Participatory Culture

    Science.gov (United States)

    Tobias, Evan S.

    2013-01-01

    Knowing how students engage with music outside school music programs can help music educators and their programs evolve. This article offers a look at music teaching and learning in terms of how people are increasingly interacting with music in participatory ways that involve digital technologies and media. This participatory culture offers a…

  2. Eduquemos con Musica (Let's Educate with Music).

    Science.gov (United States)

    Leiva, Raquel Ojeda

    This elementary and preschool music textbook is designed to reflect Latin America and Caribbean Island cultures and to be useful in both school classrooms and in teacher training courses. Short, easy to learn songs, illustrated pages, and 10 musical games are combined to teach musical forms, rhythm, auditory discrimination, language usage, motor…

  3. Eduquemos con Musica (Let's Educate with Music).

    Science.gov (United States)

    Leiva, Raquel Ojeda

    This elementary and preschool music textbook is designed to reflect Latin America and Caribbean Island cultures and to be useful in both school classrooms and in teacher training courses. Short, easy to learn songs, illustrated pages, and 10 musical games are combined to teach musical forms, rhythm, auditory discrimination, language usage, motor…

  4. The Relationship between Music Education Majors' Personality Profiles, Other Education Majors' Profiles, and Selected Indicators of Music Teaching Success.

    Science.gov (United States)

    Bergee, Martin J.

    1992-01-01

    Presents findings of a comparison of the personality profiles of music educators with indicators of teaching success. Reports that application of the Missouri Pre-Professional Teacher Interview (MPTI) showed that music teachers scored relatively well on "stimulator,""developer," and "command" themes but less well on "input drive." Concludes that…

  5. Public policies for basic education and its implications for the teaching of music

    Directory of Open Access Journals (Sweden)

    Luis Ricardo Silva Queiroz

    2012-01-01

    Full Text Available Current educational policies in the country and the new definitions for the teaching of music in school, established from the law 11.768/2008, have made important issues concerning the area of music education today emerge . Considering this reality, this study analyzes public policies related to basic education in Brazil,reflecting on their implications for the teaching of music in school. The discussions presented in the text are based on literature and documental sources related to programs and actions directed at basic education in the country. The analysis covers the objectives, procedures and impacts of proposals of evaluation of educational achievement (IDEB, consolidation and strengthening of basic education (FNDE, FUNDEB, PDE, PAR, and integration of different educational levels regarding the formation of teachers (PARFOR, PRODOCÊNCIA, PIBID. From the analysis, it is evident that there is a significant set of programs and actions for basic education in the country and that music education increasingly needs to participate effectively in the definition and implementation of educational policies that can strengthen the area, but, above all, school education as a whole.

  6. Ballet-related content in music education in the first cycle of primary education

    OpenAIRE

    Kovačič, Bojan; Črčinovič Rozman, Janja; Stergulec, Tjaša

    2015-01-01

    This paper deals with the integration of ballet-related content into music lessons in the first cycle of primary education. It seeks to outline some current findings concerning the positive impact of dance and classical ballet on integrated child development and the results of an empirical research study the objective of which was to compare the ability of primary school pupils aged six to nine years to perform a simple ballet choreography against that of ballet school pupils and to examine p...

  7. Music therapy in cardiac health care: current issues in research.

    Science.gov (United States)

    Hanser, Suzanne B

    2014-01-01

    Music therapy is a service that has become more prevalent as an adjunct to medical practice-as its evidence base expands and music therapists begin to join the cardiology team in every phase of care, from the most serious cases to those maintaining good heart health. Although applications of music medicine, primarily listening to short segments of music, are capable of stabilizing vital signs and managing symptoms in the short-term, music therapy interventions by a qualified practitioner are showing promise in establishing deeper and more lasting impact. On the basis of mind-body approaches, stress/coping models, the neuromatrix theory of pain, and entrainment, music therapy capitalizes on the ability of music to affect the autonomic nervous system. Although only a limited number of randomized controlled trials pinpoint the efficacy of specific music therapy interventions, qualitative research reveals some profound outcomes in certain individuals. A depth of understanding related to the experience of living with a cardiovascular disease can be gained through music therapy approaches such as nonverbal music psychotherapy and guided imagery and music. The multifaceted nature of musical responsiveness contributes to strong individual variability and must be taken into account in the development of research protocols for future music therapy and music medicine interventions. The extant research provides a foundation for exploring the many potential psychosocial, physiological, and spiritual outcomes of a music therapy service for cardiology patients.

  8. Rainbow Solfege: new perspective for color theory and music education

    Science.gov (United States)

    Colla, Virginia C.

    2002-06-01

    The Rainbow Solfege System is an innovative, interdisciplinary music teaching method that illustrates in living color the linear and vertical energy of melodic movement and harmonic progressions: a synthesis of color, shape, sound and language. The system is rooted in proven pedagogical practice, while providing a fresh approach to educational methodology. Rainbow Solfege is based upon principles of tertian harmony and concepts of tonality in music and is analogous to color theory and shape theory in art. The pedagogy is holistic in design involving a variety of learning modes - visual, aural and kinesthetic - and is an effective learning tool for all ages and stages. Educational uses run the gamut from teaching musical concepts and color/shape theory for very young children to applications in college level music theory and analysis courses. With consistent application, particularly in early childhood, the method has potential for increasing musical, artistic and linguistic abilities for life.

  9. Reconceptualizing the Music Teacher Education Curriculum for the Colleges of Education in Nigeria

    OpenAIRE

    Adebowale Oluranti Adeogun

    2015-01-01

    The Federal Government of Nigeria has realized that low educational quality has negative implications for sustainable national development, hence her commitment to develop national policies and national curriculum for teacher education to improve the quality of education (including music education). This article observes improvement in the preparation of musician-teachers as absolutely imperative to move modern music e...

  10. Where Do Teachers and Learners Stand in Music Education Research? A Multi-Voiced Call for a New Ethos of Music Education Research

    Science.gov (United States)

    Gouzouasis, Peter; Bakan, Danny; Ryu, Jee Yeon; Ballam, Helen; Murphy, David; Ihnatovych, Diana; Virag, Zoltan; Yanko, Matthew

    2014-01-01

    We offer a multi-voiced performance autoethnography where contemporary music education practices are informed and imbued with the voices of teachers and learners. By dialogically and musically engaging with the very people who live, make music, and engage with learners in music classrooms, we promote contemporary qualitative forms of research and…

  11. BoomTown Music Education and the Need for Authenticity--Informal Learning Put into Practice in Swedish Post-Compulsory Music Education

    Science.gov (United States)

    Karlsen, Sidsel

    2010-01-01

    The article reports on a 2-year higher education music programme for young rock musicians in Sweden called BoomTown Music Education. The pedagogical philosophy behind this programme is developed from the findings of two Swedish music education researchers, and the programme exemplifies how knowledge about popular musicians' learning strategies in…

  12. Leveraging the power of music to improve science education

    Science.gov (United States)

    Crowther, Gregory J.; McFadden, Tom; Fleming, Jean S.; Davis, Katie

    2016-01-01

    We assessed the impact of music videos with science-based lyrics on content knowledge and attitudes in a three-part experimental research study of over 1000 participants (mostly K-12 students). In Study A, 13 of 15 music videos were followed by statistically significant improvements on questions about material covered in the videos, while performance on 'bonus questions' not covered by the videos did not improve. Video-specific improvement was observed in both basic knowledge and genuine comprehension (levels 1 and 2 of Bloom's taxonomy, respectively) and after both lyrics-only and visually rich versions of some videos. In Study B, musical versions of additional science videos were not superior to non-musical ones in their immediate impact on content knowledge, though musical versions were significantly more enjoyable. In Study C, a non-musical video on fossils elicited greater immediate test improvement than the musical version ('Fossil Rock Anthem'); however, viewers of the music video enjoyed a modest advantage on a delayed post-test administered 28 days later. Music video viewers more frequently rated their video as 'fun', and seemed more likely to revisit and/or share the video. Our findings contribute to a broader dialogue on promising new pedagogical strategies in science education.

  13. Music plus Music Integration: A Model for Music Education Policy Reform That Reflects the Evolution and Success of Arts Integration Practices in 21st Century American Public Schools

    Science.gov (United States)

    Scripp, Lawrence; Gilbert, Josh

    2016-01-01

    This article explores the special case of integrative teaching and learning in music as a model for 21st century music education policy reform based on the principles that have evolved out of arts integration research and practices over the past century and informed by the recent rising tide of evidence of music's impact on brain capacity and…

  14. Analyzing Musical Self-Esteem and Performance Anxiety Levels of Students Receiving Professional Music Education at Different Institutions in Turkey

    Science.gov (United States)

    Otacioglu, Sena Gürsen

    2016-01-01

    The study was conducted to establish which variables cause the interrelations between musical self-esteem and performance-anxiety levels of students receiving professional music education at different institutions to vary. In relation to this framework, "musical self-esteem" and "performance anxiety" scores of students…

  15. The Effects of an Individualised ICT-Based Music Education Programme on Primary School Students' Musical Competence and Grades

    Science.gov (United States)

    Hernández-Bravo, Juan R.; Cardona-Moltó, M. Cristina; Hernández-Bravo, José A.

    2016-01-01

    The purpose of this study was to examine the effect of an information and communications technology (ICT)-based individualised music education programme on primary students' musical competence. A 2 × 3 aptitude treatment interaction factorial design was used to assess the impact of the programme as a function of students' musical aptitude (MA)…

  16. MUSIC EDUCATION AND TASTE FORMING OF CLASSICAL MUSIC STYLE: CASE STUDY IN CULTURAL INSTITUTIONKARTA PUSTAKA YOGYAKARTA INDONESIA

    Directory of Open Access Journals (Sweden)

    Inggit Sitowati

    2014-06-01

    Full Text Available Karta Pustaka is one of the cultural institutions in Yogyakarta, which has a classical music concert program. The purpose of this study is to describe the history of Karta Pustaka and organizing classical music concerts, the concert format, and its role in supporting classical music education in Yogyakarta. The method used in this study is qualitative research with historical and musicological approach.The data are collected by using interviews, documents and observations. Data were analyzed using qualitative descriptions technicians. The results showed that Karta Pustaka as cultural institution has become a classical musicmedia which has a supporting role in classical music education in Yogyakarta. The classical music concert program and classical music workshop held by Karta Pustaka information and knowledge for the students and people of musical art in Yogyakarta. In addition Karta Pustaka also acts as a forming media and the development of consumer’s classical music tastes and styles in Yogyakarta.

  17. Baltasar Bibiloni’s ideology and methodological contributions to musical education on the Balearic Islands

    Directory of Open Access Journals (Sweden)

    Llorenç Gelabert Gual

    2014-07-01

    Full Text Available The present special recognition of musical education at Spanish schools is based upon the approval of a law from 1970. However, this law was not implemented. The reason was the lack of a specialist teacher in the field. The implementation depended in many instances on voluntary initiatives and sporadically on teacher’s sensitivity to musical matters. In this article we wanted to examine the work which has been done by the Spanish musician and teacher Baltasar Bibiloni. His work, as a teacher in the field of teacher’s training and musical adaptations and arrangements for primary education, will become a benchmark for music on the Balearic Islands. Furthermore, it will be an important factor within legal constraints, which are currently being discussed.  Focal points of this article are three aspects of its ideology: the importance of musical education in schools, specific proposals for implementation and teachers willing and able to apply it.Received: 24/04/2013 / Accepted: 11/06/2013How to reference this articleGelabert Gual, Ll. (2014. Ideario y aportaciones metodológicas de Baltasar Bibiloni a la enseñanza musical en las Islas Baleares. Foro de Educación, 12(17, pp. 147-163. doi: http://dx.doi.org/10.14516/fde.2014.012.017.007

  18. The Future of Music Education in Kenya: Implementation of Curriculum and Instructional Teaching Strategies

    Science.gov (United States)

    Mochere, Joyce M.

    2017-01-01

    This paper is an evaluation of the parameters of the concept of music curriculum that examines principles underlying the teaching and learning of music. The paper also discusses the practical nature of music education and the need for experiential learning. Music educators worldwide advocate for methods that allow for discovery learning and hence…

  19. Music Teacher Education at a Liberal Arts College: Perspectives across Campus

    Science.gov (United States)

    Edgar, Scott N.

    2016-01-01

    In 2012, a committee at a small Midwestern liberal arts college, Lake Forest College, embarked on a journey to create a music education teacher licensure major. Drawing from narrative inquiry, this article reports how the dean of faculty, education department chair, music department chair, and assistant professor of music/music education…

  20. Response to June Boyce-Tillman, "Towards an Ecology of Music Education"

    Science.gov (United States)

    Bauer, Elizabeth

    2004-01-01

    June Boyce-Tillman explores the values implicit in the Western musical traditions that also dominate music education. She examines the five interlocking areas of materials, expression, construction, values, and spirituality and how these areas create a more holistic way of conceptualizing the musical experience within music education. By…

  1. The Field of Play in music therapy education

    Directory of Open Access Journals (Sweden)

    Debbie Carroll

    2010-07-01

    Full Text Available In this paper, I illustrate how the Field of Play model, developed by Carolyn Kenny (1989 as a guide for the theory and practice of music therapy, can also serve as a model for educational practice. Descriptions of each of the fields that comprise this model - aesthetic, musical space, field of play, ritual, a particular state of consciousness, power and creative process - provide a springboard for reflecting on my role as a music therapy educator in sowing a Field of Play with my students. I also discuss some of the theoretical and philosophical ideas that inform my work. I conclude with some ‘food’ for thought, including a list of questions for reflection aimed at inspiring you, the reader, to begin, or continue, reflecting on the assumptions, theories and values that inform your work as music therapy clinician, educator and/or researcher.

  2. The transposition of musical knowledge in intellectual education

    Directory of Open Access Journals (Sweden)

    Carla Cuomo

    2014-05-01

    Full Text Available The construction of European citizenship in the era of complexity requires that the transmission of knowledge be directed towards an intellectual formation, that is, the ‘shaping’ of a critical mind, one that is able to problematize, and hence to discern. This can be achieved by educating towards comprehension. In facing this issue, musicologists ask themselves ‘what to teach’ and ‘how to teach’ it, in order to prepare students to the comprehension of music – these questions form the basis of music didactics as the science of ‘transposing’ savoir savant (learned knowledge into savoir enseigné (didactic knowledge. The paper proposes a model appraoch to music comprehension, through the didactic transposition of a piece by Claude Debussy, La cathédrale engloutie. The example is based on a strategy developed by musicological and methodological-didactic research, and focuses on the continuity among listening, music performance, and music history.

  3. A History of American Music Education. Third Edition

    Science.gov (United States)

    Mark, Michael; Gary, Charles L.

    2007-01-01

    This book covers the history of American music education, from its roots in Biblical times through recent historical events and trends. It describes the educational, philosophical, educational, and sociological aspects of the subject, always putting it in the context of the history of the United States. It offers the most complete information on…

  4. A Study on Potential of Integrating Multimodal Interaction into Musical Conducting Education

    CERN Document Server

    Siang, Gilbert Phuah Leong; Yong, Pang Yee

    2010-01-01

    With the rapid development of computer technology, computer music has begun to appear in the laboratory. Many potential utility of computer music is gradually increasing. The purpose of this paper is attempted to analyze the possibility of integrating multimodal interaction such as vision-based hand gesture and speech interaction into musical conducting education. To achieve this purpose, this paper is focus on discuss some related research and the traditional musical conducting education. To do so, six musical conductors had been interviewed to share their musical conducting learning/ teaching experience. These interviews had been analyzed in this paper to show the syllabus and the focus of musical conducting education for beginners.

  5. College Music Education Reform Based on Popular Music Background%基于流行音乐背景的高校音乐教育改革

    Institute of Scientific and Technical Information of China (English)

    彭雪帆

    2015-01-01

    流行音乐因其自身的特点,被广大的人民群众普遍接受,尤其是当代的大学生,对流行音乐的追随更是严重。本文通过对流行音乐的概述,引出了流行音乐对高校学生的影响,通过分析当前高校音乐教育改革过程中的不足,给出了基于流行音乐背景的高校音乐教育改革措施。%Pop music by its own characteristics, the majority of the people were generally accepted, especially in contem-porary college students, to follow pop music is more serious. In this paper, an overview of popular music, leads the influence of popular music for college students, college music education reform through the analysis of the current deficiencies, gives college music education reform measures based on the popular musical backgrounds.

  6. How Music Can Influence the Body: Perspectives From Current Research

    Directory of Open Access Journals (Sweden)

    Imogen Nicola Clark

    2016-07-01

    Full Text Available Music is widely used by people of all ages as a stimulant and relaxant to manage everyday situations. Whether to motivate us for exercise or to help us unwind after a busy day, we seem to have an intuitive understanding about the influences music has on our bodies. The body’s responses to music are both conscious and unconscious, involving entrainment with rhythm, hormonal and neurological reactions, and changes in mood, emotion, and pain perception. This article explains these physiological responses to music and provides guidelines for consideration when selecting music to evoke desired bodily responses. Applications using music in rehabilitation are also provided to illustrate health-promoting qualities of music.

  7. A History of Education in Music

    Science.gov (United States)

    Colwell, Richard

    2012-01-01

    Music has pervaded American history since the founding fathers sang hymns aboard the Mayflower. From that time until the present, music has been so embedded in U.S. society that it is experienced subconsciously in events and activities that are a part of daily life. Learning and instruction take place in the home, in churches, in the community,…

  8. A History of Education in Music

    Science.gov (United States)

    Colwell, Richard

    2012-01-01

    Music has pervaded American history since the founding fathers sang hymns aboard the Mayflower. From that time until the present, music has been so embedded in U.S. society that it is experienced subconsciously in events and activities that are a part of daily life. Learning and instruction take place in the home, in churches, in the community,…

  9. Towards a Skill-Based Music Education in Reducing Poverty and ...

    African Journals Online (AJOL)

    Towards a Skill-Based Music Education in Reducing Poverty and Enacting Leadership Quality in Nigeria. ... research materials for effective teaching and learning of music education in secondary schools in order to inculcate in the students ...

  10. Contemporary Challenges in Learning and Teaching Folk Music in a Higher Education Context: A Case Study of Hua'er Music

    Science.gov (United States)

    Yang, Yang; Welch, Graham

    2014-01-01

    Literature reviews suggest that traditional approaches in folk music education are not necessarily compatible with the conventions of formal music education. Whilst many recent studies have tended to define these non-classical music learning contexts as "informal", the practice of folk transmission music appears to be much more complex…

  11. Professional Piano Education in Chinese Piano Music Culture

    Science.gov (United States)

    Wang, Changkui

    2010-01-01

    The development of Chinese piano music culture including professional piano education is based on the traditional culture of "neutralization", and in the researches about the professional piano education in the 21st century, the research of the piano teaching in normal colleges is the most active one, and it is mainly centralized in the…

  12. Engaging Scottish Young Offenders in Education through Music and Art

    Science.gov (United States)

    Anderson, Kirstin; Overy, Katie

    2010-01-01

    This study examined music and art classes as a way to engage young offenders in education, and to see if such engagement had an effect on their further participation in education, self-esteem, self-control, behaviour and literacy skills. The arts are often discussed as being an inviting and safe method of entry for young offenders who may have had…

  13. Lessons from Elsewhere?: Comparative Music Education in Times of Globalization

    Science.gov (United States)

    Kertz-Welzel, Alexandra

    2015-01-01

    In recent years, comparative education and comparative music education became important fields of research. Due to globalization, but also to international student assessments, it is most common to compare the outcomes of entire school systems or specific subject areas. The main goal is to identify the most successful systems and their best…

  14. Lessons from Elsewhere?: Comparative Music Education in Times of Globalization

    Science.gov (United States)

    Kertz-Welzel, Alexandra

    2015-01-01

    In recent years, comparative education and comparative music education became important fields of research. Due to globalization, but also to international student assessments, it is most common to compare the outcomes of entire school systems or specific subject areas. The main goal is to identify the most successful systems and their best…

  15. Writing Trojan Horses and War Machines: The Creative Political in Music Education Research

    Science.gov (United States)

    Gould, Elizabeth

    2011-01-01

    North American music education is a commodity sold to pre-service and in-service music teachers. Like all mass-produced consumables, it is valuable to the extent that it is not creative, that is, to the extent that it is reproducible. This is demonstrated in curricular materials, notably general music series textbook and music scores available…

  16. Beliefs of Applied Studio Faculty on Desirable Traits of Prospective Music Education Majors: A Pilot Study

    Science.gov (United States)

    Royston, Natalie Steele; Springer, D. Gregory

    2015-01-01

    The purpose of this pilot study was to examine the beliefs of applied music faculty on desirable traits of prospective music education majors. Researcher-designed surveys were sent electronically to applied music faculty at 12 National Association of Schools of Music-accredited institutions randomly selected from each of the four major divisions…

  17. Beliefs of Applied Studio Faculty on Desirable Traits of Prospective Music Education Majors: A Pilot Study

    Science.gov (United States)

    Royston, Natalie Steele; Springer, D. Gregory

    2015-01-01

    The purpose of this pilot study was to examine the beliefs of applied music faculty on desirable traits of prospective music education majors. Researcher-designed surveys were sent electronically to applied music faculty at 12 National Association of Schools of Music-accredited institutions randomly selected from each of the four major divisions…

  18. Effects of Music on Physical Activity Rates of Junior High School Physical Education Students

    Science.gov (United States)

    Brewer, Lindsey; Barney, David C.; Prusak, Keven A.; Pennington, Todd

    2016-01-01

    Music is an everyday occurrence in a person's life. Music is heard in the workplace, in homes, and in the mall. Music can also be heard as a person exercises. Therefore, the purpose of this study was to examine the effects of music on junior high students (n = 305) step counts and time in activity in junior high school physical education classes.…

  19. A Multilingual, Multicultural and Explanatory Music Education ...

    African Journals Online (AJOL)

    functions of a dictionary containing music terms from South Africa is considered, social factors in. South African ... It will also have a cognitive and scientific func- tion, fulfilling an ..... influence on the eventual access structure of the dictionary.

  20. A Chronicle of School Music Education in Hungary, 1700-2012

    Science.gov (United States)

    Kiss, Boglarka

    2013-01-01

    This inquiry is a chronological overview of the history of school music education in Hungary. The study explores the topic from a large-scale humanistic perspective, in which historical context, general education laws, individual institutions and music educators, as well as music curriculum, textbooks, and teaching methods serve as evidence. The…

  1. Teaching Children with Disabilities: Preparation through State Music Educators Association Conferences

    Science.gov (United States)

    VanWeelden, Kimberly; Meehan, Laura

    2016-01-01

    The purpose of this study was to determine the types and frequency of music and special education workshops held at state music educators association (MEA) conferences. Specifically, the researchers sought to determine the following within the past 10 years: (a) states that offered music and special education workshops at their MEA conferences,…

  2. C-cards in Music Education

    DEFF Research Database (Denmark)

    Valente, Andrea; Lyon, Kirstin Catherine

    Music and Computer Science share a dual nature: theory and practice relate in complex ways, and seem to be equally central for learners; for this no standard teaching approach for children has yet emerged in either of these two areas. Computational cards is a tabletop game, where cards act...... of the card; if the action is to generate a sound, then the circuit will effectively became a music machine....

  3. Music as Engaging, Educational Matrix: Exploring the Case of Marginalised Students Attending an "Alternative" Music Industry School

    Science.gov (United States)

    Cleaver, David; Riddle, Stewart

    2014-01-01

    "Harmony High" is an alternative school where music functions as an educational magnet to attract marginalised students who have disengaged from the mainstream. Through an investigation of the student perspective, we discover that while acting as a magnet, music also becomes the educational matrix or "heart and soul" that helps…

  4. Music for Citizenship: A Commentary on Paul Woodford's "Democracy and Music Education--Liberalism, Ethics, and the Politics of Practice"

    Science.gov (United States)

    Elliott, David J.

    2008-01-01

    In this article, the author engages in a lively interactive discussion with Paul Woodford's text, "Democracy and Music Education." He questions Woodford's criticism of Praxial Music Education (PME)--particularly his dismissal of PME as a "performance alone" notion. PME, this author asserts, is fundamentally multidimensional, contextually reflexive…

  5. Music Education and the Earth Sciences

    Science.gov (United States)

    Beauregard, J. L.

    2011-12-01

    Capturing the interest of non-science majors in science classes can be very difficult, no matter what type of science course it is. At Berklee College of Music, this challenge is especially daunting, as all students are majoring in some type of music program. To engage the Berklee students, I am trying to link the material in Earth science courses to music. The connection between Earth science and music is made in several different ways within the curriculum of each class, with the main connection via a final project. For their projects, students can use any creative outlet (or a standard presentation) to illustrate a point related to the course. Many students have chosen to compose original music and perform it for the class. Some examples of their work will be presented. These original compositions allow students to relate course material to their own lives. Additionally, since many of these students will enter professional careers in the performance and recording industries, the potential exists for them to expose large audiences to the issues of Earth sciences through music.

  6. Teachers' Perceptions on Current Piano Use in the Elementary General Music Classroom

    Science.gov (United States)

    Baker, Valerie A.

    2017-01-01

    The purpose of this study was to identify teacher opinion of piano use, the amount of piano use, and current purposes for pianos in elementary general music classrooms. A geographically diverse sample of general music teachers (N = 189) completed a piano use survey. The data indicated that teachers felt piano was an important part of elementary…

  7. Teachers' Perceptions on Current Piano Use in the Elementary General Music Classroom

    Science.gov (United States)

    Baker, Valerie A.

    2017-01-01

    The purpose of this study was to identify teacher opinion of piano use, the amount of piano use, and current purposes for pianos in elementary general music classrooms. A geographically diverse sample of general music teachers (N = 189) completed a piano use survey. The data indicated that teachers felt piano was an important part of elementary…

  8. The Self-Regulated Learning Model and Music Education

    Directory of Open Access Journals (Sweden)

    Maja Marijan

    2017-02-01

    Full Text Available Self-regulation and self-regulated learning (SRL are important features in music education. In this research self-regulated learning model is presented as a complex, multidimensional structure. SRL starts with the self-regulation. Self-regulation is formed through interaction with the environment, thus self-learning, self-analysis, self-judgment, self-instruction, and self-monitoring are the main functions in self-regulatory structure. Co-regulation is needed, and helps self-regulation to be activated and monitored. In music education, co-regulation refers to the instructions that teacher introduces in the lessons. These instructions have to enhance learning and develop regulation over emotions, cognitive, auditor, and motor skills in students. Learning techniques and learning strategies are core components in music education. Adapting those, students become aware of their learning processes, actions, thoughts, feelings and behaviors that are involved in learning. It is suggested that every teaching methodology has to develop learning techniques, as well as metamemory and metacognition in students, in order to gain expertise. The author has emphasized her attention to every aspect that is believed to belong to SRL. There are not many articles on the SRL in music education, written by musicians, in compare with those written by psychologists and neurologists,. Therefore, the author has suggested that this paper would encourage music teachers and performers to take an advantage in the research of SRL. These researches would help music educational systems and teachers to develop and promote learning techniques and strategies. The results would show improvement in student’s learning and self-regulation.

  9. Preschool Music Education: The Case of the Aguascalientes Institute of Education, Mexico.

    Directory of Open Access Journals (Sweden)

    Raúl Wenceslao Capistran

    2016-07-01

    Full Text Available Preschool music education is vital as part of children´s integral education. In this article, the author presents the results of a study that aimed to know the situation of preschool music education in the State of Aguascalientes, Mexico.  Additionally, the author shares the commendable efforts that the State of Aguascalientes Institute of Education in partnership with the Center for the Arts and the Culture from the Aguascalientes Autonomous University are doing in order to improve the musical and artistic level in this State.

  10. Music

    OpenAIRE

    Deinert, Herbert

    2010-01-01

    The musical ending [of Goethe's Novelle] recalls the fascination with "music as metaphor", "the power of music", among recent and contemporary poets from Pope and Dryden and Collins to E.T.A. Hoffmann and Kleist and, of course to Goethe himself. Music saves Faust's life on Easter morning at the end of a dreadful night, and we'll encounter a similar role of music in his Trilogie der Leidenschaft which we'll read in this context.

  11. Music performance tuition in higher education : student expectations.

    OpenAIRE

    Venn, EJ

    2010-01-01

    Findings of a study which aimed to develop an awareness of the expectations of performance students in higher education in order to compare these expectations with the stated educational aims and learning objectives of performance modules. The exploration of the nature of the gap between expectations and outcomes will enable a better understanding of how to design, deliver and market music performance modules in higher education.

  12. Music Production with Changing Tools – a Challenge to Formal Education

    OpenAIRE

    Gullö, Jan-Olof

    2010-01-01

    The Millennials, today’s pupils and students, is the first generation to grow up with tools for interactive communication and media production. Many students choose to study music production in higher education establishments. Therefore music production is an emerging subject and important research topic. The aim of this thesis is to develop knowledge of music production and to identify key skills necessary for music producers and music production teachers. Three sub-studies were performed to...

  13. Music Software in the Technology Integrated Music Education

    Science.gov (United States)

    Nart, Sevan

    2016-01-01

    The role of the teacher has changed as the traditional education methods, techniques and applications have left its place to the student-centered methods, techniques and applications along with the 21st century. Teachers are no more "source and share the information" but they do "guide" students to access information and…

  14. From music syllabi to teachers' pedagogical thinking: a comparative study of Estonian and Finnish basic school music education

    OpenAIRE

    2014-01-01

    This study represents comparative educational research focusing on music syllabi in the National Curricula for basic schools and the pedagogical thinking of music teachers in those schools in Estonia and Finland. The thesis consists of six articles and a summary explaining the background of the research, the research methods, as well as the conclusions and further discussions about the results. The aim of the research was to study and compare the music syllabi and their influence on general m...

  15. Reconceptualizing the Music Teacher Education Curriculum for the Colleges of Education in Nigeria

    Directory of Open Access Journals (Sweden)

    Adebowale Oluranti Adeogun

    2015-05-01

    Full Text Available The Federal Government of Nigeria has realized that low educational quality has negative implications for sustainable national development, hence her commitment to develop national policies and national curriculum for teacher education to improve the quality of education (including music education. This article observes improvement in the preparation of musician-teachers as absolutely imperative to move modern music education as a field in the direction for continued growth. It traces out a historical past and explores present-day circumstances by analyzing and critiquing the National Commission for Colleges of Education’s document—Approved Minimum Academic Standards for Music. As the document is based on exogenous paradigms, it is argued that it cannot produce the change agent in the Nigerian musician-teacher. A reconceptualization of music teacher curriculum that is socioculturally sensitive is suggested for colleges of education in Nigeria as a way of moving it toward developing sound, effective, and creative musician-teachers.

  16. A Report of Survey on Conditions of Preschool Children's Family Music Education

    Science.gov (United States)

    Bi, Yujuan

    2011-01-01

    The author composes a questionnaire about conditions of preschool children's family music education. The survey includes 280 preschool children in a city of Shandong province. It finds that most parents have recognized the importance of early childhood music education, but there is the tendency of utilitarian. The content of family music education…

  17. Tertiary Educators' Voices in Australia and South Africa: Experiencing and Engaging in African Music and Culture

    Science.gov (United States)

    Joseph, Dawn

    2015-01-01

    Music tertiary educators can foster positive experiences that promote diversity, enhance intercultural and cross-cultural understanding through our teaching. Through findings of interview data of tertiary music educators' understandings of multicultural music practice at two South African universities and at an Australia university, I used…

  18. Flipping the Misogynist Script: Gender, Agency, Hip Hop and Music Education

    Science.gov (United States)

    Tobias, Evan S.

    2014-01-01

    Excluding Hip Hop culture and rap music from music education misses opportunities for addressing key aspects of popular culture, society, and students' lives. This article addresses intersections of Hip Hop, gender, and music education to forward potential Hip Hop praxis. After tracing related scholarship, I discuss and problematize…

  19. Connecting Ideas to Practice: The Development of an Undergraduate Student's Philosophy of Music Education

    Science.gov (United States)

    Salazar, Ryan; Randles, Clint

    2015-01-01

    This article considers the personal reflections of an undergraduate music education major on both the significance of his experience as a participant in the Seventh International Symposium on the Sociology of Music Education, held at Michigan State University, in the United States, in June 2011, and on his place as a pre-service music teacher…

  20. The Promise and Practice of Pragmatism-Based Music Education in Democratic Societies

    Science.gov (United States)

    Goble, J. Scott

    2013-01-01

    In his book, "What's So Important about Music Education?" (2010), Goble J. Scott argues from a foundation of C. S. Peirce's pragmatist philosophy that school music education that enables students to understand and engage with the musical practices (or "praxes") of different cultural communities in terms of their…

  1. Remain or React: The Music Education Profession's Responses to "Sputnik" and "A Nation at Risk"

    Science.gov (United States)

    Kapalka Richerme, Lauren

    2012-01-01

    The 1957 launch of "Sputnik" and the 1983 publication of "A Nation at Risk" shifted national education policy. Music educators promoted an "intrinsic value" of music philosophy following "Sputnik" and music advocacy through politics and public performances following "A Nation at Risk." Examining the history of both the intrinsic value philosophy…

  2. Flipping the Misogynist Script: Gender, Agency, Hip Hop and Music Education

    Science.gov (United States)

    Tobias, Evan S.

    2014-01-01

    Excluding Hip Hop culture and rap music from music education misses opportunities for addressing key aspects of popular culture, society, and students' lives. This article addresses intersections of Hip Hop, gender, and music education to forward potential Hip Hop praxis. After tracing related scholarship, I discuss and problematize…

  3. Connecting Ideas to Practice: The Development of an Undergraduate Student's Philosophy of Music Education

    Science.gov (United States)

    Salazar, Ryan; Randles, Clint

    2015-01-01

    This article considers the personal reflections of an undergraduate music education major on both the significance of his experience as a participant in the Seventh International Symposium on the Sociology of Music Education, held at Michigan State University, in the United States, in June 2011, and on his place as a pre-service music teacher…

  4. The Impact of Music Education on Academic Achievement in Reading and Math

    Science.gov (United States)

    Deere, Kelli Beth

    2010-01-01

    Increased scrutiny on the place of music education in school systems has caused some school systems to eliminate their music program entirely. School systems are being forced to place more emphasis on increased testing and accountability with the No Child Left Behind Act of 2001. This study examined the impact music education has on academic…

  5. Mapping Music Education Research in Brazil and Argentina: The British Impact

    Science.gov (United States)

    Hentschke, Liane; Martinez, Isabel

    2004-01-01

    In this brief article we share with our colleagues around the world the British impact on the development of music education and psychology of music research in Brazil and Argentina. Although both countries are pursuing similar research policies, their research areas differ. Brazilian research on music education has had its focus on curriculum…

  6. A Safe Education for All: Recognizing and Stemming Harassment in Music Classes and Ensembles

    Science.gov (United States)

    Carter, Bruce Allen

    2011-01-01

    This article addresses the pervasiveness of harassment in schools in the United States and presents ways to recognize and stem bullying in music classrooms. Music educators are in a unique position to recognize atypical behaviors in their students. Music educators who teach middle and high school ensembles often retain the same students in their…

  7. Tertiary Educators' Voices in Australia and South Africa: Experiencing and Engaging in African Music and Culture

    Science.gov (United States)

    Joseph, Dawn

    2015-01-01

    Music tertiary educators can foster positive experiences that promote diversity, enhance intercultural and cross-cultural understanding through our teaching. Through findings of interview data of tertiary music educators' understandings of multicultural music practice at two South African universities and at an Australia university, I used…

  8. A Case for the Place of Music in the Outdoor Education Program.

    Science.gov (United States)

    Bernardy, Marie

    2000-01-01

    Music can become an indispensable part of outdoor education because music summons the basic connections that sustain human life. Outdoor education is challenged to reach beyond the traditional campfire and sing-a-long activities. Various works are cited regarding the relevance of music to multiple intelligence theory, logical-mathematics training,…

  9. Comparative Analysis of Music Teacher Education Curriculum in America and China%中美音乐教师教育课程比较分析

    Institute of Scientific and Technical Information of China (English)

    伍婷婷

    2015-01-01

    对中美音乐教师教育在培养目标、课程内容、课程实施、课程评价等方面作出比较,从而总结出美国在音乐教师教育课程方面之有益经验,以期对我国相关课程改革有所裨益。%music teacher education is a hot topic in current music education system and a key factor of the develop-ment of music teacher education. By comparison of American and Chinese music teacher education from the aspects of cultivation aim,curriculum content,curriculum implementation and curriculum evaluation,beneficial experience in A-merican music teacher education curriculum is summarized in order to be helpful for our countryˊs relevant curriculum re-form.

  10. Learning How to Be a Research-Minded Teacher: Four Instrumental Music Education Students Investigate Good Music Teaching through Case Study Methodology

    Science.gov (United States)

    Sindberg, Laura K.

    2016-01-01

    Increasing evidence, both in general education and music education, points to the significance of inquiry as a part of teacher preparation. The purpose of this case study was to investigate the ways in which an introductory research project would help preservice music educators understand good "music teaching" and to discover the extent…

  11. Learning How to Be a Research-Minded Teacher: Four Instrumental Music Education Students Investigate Good Music Teaching through Case Study Methodology

    Science.gov (United States)

    Sindberg, Laura K.

    2016-01-01

    Increasing evidence, both in general education and music education, points to the significance of inquiry as a part of teacher preparation. The purpose of this case study was to investigate the ways in which an introductory research project would help preservice music educators understand good "music teaching" and to discover the extent…

  12. Critical Pedagogy in the Community Music Education Programmes of Brazil

    Science.gov (United States)

    Abrahams, Frank

    2007-01-01

    Paulo Freire (1970) developed critical pedagogy to teach oppressed Brazilian adults to read. Freire documented his ideas in a landmark publication entitled Pedagogy of the Oppressed. This article discusses and reports my findings on Freirean methods evident in music education programmes in Rio de Janeiro, Alvorada, Recife and Sao Caetano.

  13. Social Capital as a Framework in Music Education Research

    Science.gov (United States)

    Prest, Anita

    2016-01-01

    In recent years, an increasing number of researchers have chosen to examine various sociological dimensions of music education (e.g., inclusion, civic engagement) through the lens of social capital. Yet, there has been no systematic discussion of the capacity and limitations of this conceptual framework to shed light on these sociological…

  14. Videoconferencing in Music Education at the Conservatory Level

    DEFF Research Database (Denmark)

    Ørngreen, Rikke; Levinsen, Karin; Buhl, Mie;

    2012-01-01

    This extended abstract presents preliminary findings from an investigation of the complex challenges and potentials of using video conferencing in connection with teaching and learning processes in the domain of higher music education at the conservatory level. The project and the initial findings...

  15. Fresh Out of School: Rap Music's Discursive Battle with Education

    Science.gov (United States)

    Au, Wayne

    2005-01-01

    The rap music lyrics were analyzed to flush out the hip-hop culture's perspective on the education of African American (AA) youth. It was found that there is a need for the implementation of more culturally relevant curricula in schools, which benefits the students to understand hip-hop culture.

  16. Social Capital as a Framework in Music Education Research

    Science.gov (United States)

    Prest, Anita

    2016-01-01

    In recent years, an increasing number of researchers have chosen to examine various sociological dimensions of music education (e.g., inclusion, civic engagement) through the lens of social capital. Yet, there has been no systematic discussion of the capacity and limitations of this conceptual framework to shed light on these sociological…

  17. Music Education, Multiculturalism, and Anti-Racism--Can We Talk?

    Science.gov (United States)

    Bradley, Deborah

    2006-01-01

    This paper is a beginning attempt to "decolonize" one's understanding of multiculturalism in music education. The author first considers the ways race is embedded as coded language in discourse, and the ways one's use of coded language hinders one's ability to talk about race directly. In this regard, the author addresses the silence that…

  18. Influential Pioneers of Creative Music Education in Victoria, Australia

    Science.gov (United States)

    Burke, Harry

    2014-01-01

    Throughout history, societies have been fascinated with creativity and the creative personality. Researching creativity and its place in music education however has been fraught with difficulties. After sixty years of intensive study mainly in the USA, there is still no accepted methodology for researching creativity or an agreed definition. In…

  19. Towards an Ancient Chinese-Inspired Theory of Music Education

    Science.gov (United States)

    Tan, Leonard

    2016-01-01

    In this philosophical paper, I propose a theory of music education inspired by ancient Chinese philosophy. In particular, I draw on five classical Chinese philosophical texts: the Analects (lunyu [Chinese characters omitted]), the Mencius (Mengzi [Chinese characters omitted]), the Zhuangzi ([Chinese characters omitted]), the Xunzi ([Chinese…

  20. MayDay Colloquium 24: The Aims of Music Education

    Science.gov (United States)

    Elliott, David J.

    2013-01-01

    On June 20, 2012, Professor John Kratus welcomed the MayDay Group to Michigan State University for "Colloquium 24: The Aims of Music Education". On behalf of all members of the Mayday Group, the author wishes to extend his deepest gratitude to Professor Kratus and his colleagues at Michigan State for their extremely gracious and…

  1. Two Perspectives on Method in Undergraduate Music Education

    Science.gov (United States)

    Coppola, Cathy

    2009-01-01

    Suzuki, Kodaly, Orff, Dalcroze, Gordon--if one is a music education student, he should be familiar with all these names. But just how familiar? Faced with curricular requirements and limitations, students may struggle to gain a deeper knowledge of these methods. What should they be expected to know about any single one, and how should they go…

  2. Democracy and Dissensus: Constructing Conflict in Music Education

    Science.gov (United States)

    Schmidt, Patrick K.

    2008-01-01

    In this essay, the author commends Paul Woodford for bringing music education into the political area and sees his contribution as important for the field's maturity and ongoing health. This essay seeks to expand Woodford's notion of democracy beyond the ideals of public intelligence or abstract reason so as to to highlight and engage with…

  3. Higher Education Music Students' Perceptions of the Benefits of Participative Music Making

    Science.gov (United States)

    Kokotsaki, Dimitra; Hallam, Susan

    2007-01-01

    This study aimed to assess the perceived impact of music students' active engagement in music making. Seventy-eight music students were asked to report on the impact that their participation in music making had on their lives. The data were analysed using Atlas.ti software. The findings fell within three categories: music making as a musical act,…

  4. Music Students’ National Values Cultivation in the Educational Process of a University

    Directory of Open Access Journals (Sweden)

    Xu Zhe

    2013-01-01

    Full Text Available The article analyses the problem of music students’ national values cultivation in the educational process of a university. The author proves that music students’ national values cultivation in the educational process of a university will be efficient if the following pedagogical conditions are realized: the use of forms and methods of education, aimed at the identification of the personally significant qualities of the future music teachers with the national values; involvement of music students in the individual creative activity, focused on the spiritual personality development; implementation of a special course, contributing to music students’ national values cultivation into the educational process

  5. Teaching Students with Special Educational Needs in Inclusive Music Classrooms: Experiences of Music Teachers in Hong Kong Primary Schools

    Science.gov (United States)

    Wong, Marina Wai-yee; Chik, Maria Pik-yuk

    2016-01-01

    It has been a decade since the implementation of Hong Kong's policy of inclusion, that mainstream schools should admit students with special educational needs (SEN). This study reports on music teachers' experiences of teaching SEN students in inclusive music classrooms. Data were derived from a qualitative multiple case study comprising 10…

  6. Cultural Omnivorousness and Musical Gentrification: An Outline of a Sociological Framework and Its Applications for Music Education Research

    Science.gov (United States)

    Dyndahl, Petter; Karlsen, Sidsel; Skårberg, Odd; Nielsen, Siw Graabraek

    2014-01-01

    In this article, we aim to develop a theoretical model to understand what we refer to as "musical gentrification" and to explore how this model might be applied to and inform music education research. We start from a Bourdieusian point of view, elaborating on the connections between social class and cultural capital, and then move on to…

  7. Cultural Omnivorousness and Musical Gentrification: An Outline of a Sociological Framework and Its Applications for Music Education Research

    Science.gov (United States)

    Dyndahl, Petter; Karlsen, Sidsel; Skårberg, Odd; Nielsen, Siw Graabraek

    2014-01-01

    In this article, we aim to develop a theoretical model to understand what we refer to as "musical gentrification" and to explore how this model might be applied to and inform music education research. We start from a Bourdieusian point of view, elaborating on the connections between social class and cultural capital, and then move on to…

  8. Social Justice and Music Education: Toward a Multicultural Concept of Music Education

    Science.gov (United States)

    Dobrota, Snježana

    2015-01-01

    One of the primary goals of multicultural education is to change the current structure of the educational system and to bridge the widening gaps between students of different background. Similarly, multicultural art curriculum fosters the formation of attitudes and perceptions that help people confront their sociocultural biases. The aim of this…

  9. Traversing the chiasm of lived teaching and learning experience embodied practicum in music teacher education

    OpenAIRE

    Thorgersen, Cecilia Ferm

    2015-01-01

    ABSTRACT. - Earlier studies have valued the practicum as one of the most important parts of music teacher education, and not least because it has been so widely appreciated by students. In order to develop high quality music teacher education, we have to understand what happens in practicum contexts. It is in meetings between student teachers, practicum supervisors, students, steering documents, culture and music that student teachers learn how to teach music in adequate ways. This article tr...

  10. Reflections on the pedagogical discourse and practice in Music Education

    Directory of Open Access Journals (Sweden)

    Luzmila Mendívil Trelles de Peña

    2010-11-01

    Full Text Available From the contributions of critical pedagogy, this article develops the pedagogical discourse and practice concept from the optics of what happens in the musical teaching and learning processes. It presents a critical and reflexive analysis of musical teaching, the activities, and teacher interactions included, as well as the actions promoted inside and outside the educational institutions. This is with the purpose of offering tracks that help to generate a bigger conscience of these unconscious processes in order to reduce their impact.

  11. Loud music listening.

    Science.gov (United States)

    Petrescu, Nicolae

    2008-07-01

    Over the past four decades, there has been increasing interest in the effects of music listening on hearing. The purpose of this paper is to review published studies that detail the noise levels, the potential effects (e.g. noise-induced hearing loss), and the perceptions of those affected by music exposure in occupational and non-occupational settings. The review employed Medline, PubMed, PsychINFO, and the World Wide Web to find relevant studies in the scientific literature. Considered in this review are 43 studies concerning the currently most significant occupational sources of high-intensity music: rock and pop music playing and employment at music venues, as well as the most significant sources of non-occupational high-intensity music: concerts, dicotheques (clubs), and personal music players. Although all of the activities listed above have the potential for hearing damage, the most serious threat to hearing comes from prolonged exposures to amplified live music (concerts). The review concludes that more research is needed to clarify the hearing loss risks of music exposure from personal music players and that current scientific literature clearly recognizes an unmet hearing health need for more education regarding the risks of loud music exposure and the benefits of wearing hearing protection, for more hearing protection use by those at risk, and for more regulations limiting music intensity levels at music entertainment venues.

  12. A comparison of music education and music therapy majors: personality types as described by the Myers-Briggs Type Indicator and demographic profiles.

    Science.gov (United States)

    Steele, Anita Louise; Young, Sylvester

    2008-01-01

    The purpose of this study was to develop both personality and demographic profiles for students who are interested in majoring in music education or music therapy. Two primary questions were addressed in the study: (a) Are there similarities and differences in the personality types of music education and music therapy majors as measured by the Myers Briggs Type Indicator (MBTI )? (b) Are there similarities and differences in demographic characteristics of music education and music therapy majors in regard to (i) principal instrument studied in college, (ii) grade point average, (iii) scholarship awards, (iv) high school participation in private study and (v) ensembles, (vi) church/community participation, and (vii) volunteerism in high school?

  13. Music

    DEFF Research Database (Denmark)

    Lech, Marcel Lysgaard

    2017-01-01

    Old Comedy was a musical experience of great variety. Accompanied by the piper, both choruses and actors sang frequently during the performance. Music in Old comedy reflects to some extend the importance of music in Athenian everyday life, but as Greek Comedy evolved and detached it self more...... and more from the everyday topics, music similarly lost part of its importance within the plays themselves....

  14. C-cards in Music Education

    DEFF Research Database (Denmark)

    Valente, Andrea; Lyon, Kirstin Catherine

    Music and Computer Science share a dual nature: theory and practice relate in complex ways, and seem to be equally central for learners; for this no standard teaching approach for children has yet emerged in either of these two areas. Computational cards is a tabletop game, where cards act...... as computational elements. Computing machines can be defined, physically built and animated by disposing cards on a table, and moving objectified symbols on top of them, following formal rules. We provide each card with one associated action. The action is performed each time a peg lands on one of the four ports...... of the card; if the action is to generate a sound, then the circuit will effectively became a music machine....

  15. Using music during childbirth.

    Science.gov (United States)

    Browning, C A

    2000-12-01

    The application of music in pain management has become popular in the past two decades. This article describes the responses of primiparas to the use of music therapy during the births of their children. Eleven women who attended childbirth education classes in Brantford, Ontario, Canada, volunteered to participate in a music therapy exercise. During pregnancy each participant selected preferred music, listened to it daily, and received instruction about focused listening. Within 72 hours after birth they were interviewed about their use of music as a coping strategy during labor. Women selected the combination of music and labor support as a helpful coping strategy during labor. All women used the music during labor to help distract them from the pain or their current situation. The planned use of music by mothers and caregivers can be an aid to prenatal preparation and an important adjunct in pain and stress management during labor and birth.

  16. Music

    DEFF Research Database (Denmark)

    Lech, Marcel Lysgaard

    2017-01-01

    Old Comedy was a musical experience of great variety. Accompanied by the piper, both choruses and actors sang frequently during the performance. Music in Old comedy reflects to some extend the importance of music in Athenian everyday life, but as Greek Comedy evolved and detached it self more...

  17. Neuroscience Meets Music Education: Exploring the Implications of Neural Processing Models on Music Education Practice

    Science.gov (United States)

    Collins, Anita

    2013-01-01

    Over the past two decades, neuroscientists have been fascinated by the way the brain processes music. Using new technologies, neuroscientists offer us a better understanding of the human brain's structures and functions. They have further proposed explanatory models for how the brain processes music. While these models shed light on how the…

  18. Neuroscience Meets Music Education: Exploring the Implications of Neural Processing Models on Music Education Practice

    Science.gov (United States)

    Collins, Anita

    2013-01-01

    Over the past two decades, neuroscientists have been fascinated by the way the brain processes music. Using new technologies, neuroscientists offer us a better understanding of the human brain's structures and functions. They have further proposed explanatory models for how the brain processes music. While these models shed light on how the…

  19. Why Music?

    Science.gov (United States)

    McTamaney, Catherine

    2005-01-01

    In this article, the author discusses the importance of music education in a child's development, and how music experiences affect the development of students' intellect. Music education has long been anecdotally linked to increased intellectual ability. Research suggests, though, that music education is far more than an entertaining diversion.…

  20. Parental Involvement and Home Environment in Music: Current and Former Students from Selected Community Music Programs in Brazil and the United States

    Science.gov (United States)

    Barnes, Gail V.; DeFreitas, Aureo; Grego, John

    2016-01-01

    The purpose of this study was to determine whether individuals' perceptions of parental involvement and home environment in music vary with nationality (Brazil/United States) and time frame (past/current). Past and current students from selected community music programs in the United States and Brazil completed the PI-HEM (Parental Involvement and…

  1. So Much More than Just the Music: Australian Pre-Service Music Teacher Education Students' Attitudes to Artists-in-Schools

    Science.gov (United States)

    Joseph, Dawn; Southcott, Jane

    2013-01-01

    Contemporary Australia is a country of ongoing migration and increasing cultural diversity which is reflected in its arts practices. This article considers the views held by Australian pre-service music education student teachers and their tertiary music educators about their perceptions concerning artists-in-schools programs in school music. This…

  2. Ballet-Related Content in Music Education in the First Cycle of Primary Education

    Directory of Open Access Journals (Sweden)

    Stergulec Tjaša

    2013-09-01

    Full Text Available This paper deals with the integration of ballet-related content into music lessons in the first cycle of primary education. It seeks to outline some current findings concerning the positive impact of dance and classical ballet on integrated child development and the results of an empirical research study the objective of which was to compare the ability of primary school pupils aged six to nine years to perform a simple ballet choreography against that of ballet school pupils and to examine pupils’ attitude towards classical ballet. For this end, we prepared additional ballet-related content in 2011 and incorporated it into classroom practice with students attending Fran Korun Koželjski Music School in Velenje and pupils attending the first and the third grades of Franc Rozman Stane Primary School in Maribor. To compare the performance of one and the other we used specific evaluation criteria, while we obtained pupils’ feedback on ballet lessons by means of a short questionnaire. It was established that children did possess the ability as well as the desire to practice classical ballet. The executions of the ballet choreography by both groups were comparable, and the only difference noticed regarded the physical ability, body coordination, and spatial coordination criteria, which were not fully achieved by the primary school pupils. Due to the positive influence of the activity on the integrated development of children and the children’s positive reaction, it is necessary to incorporate as many ballet-related subject matter as possible into music education.

  3. Placed-Based Music Education: A Case Study of a Rural Canadian School

    Science.gov (United States)

    Brook, Julia

    2016-01-01

    The purpose of this research is to examine how one music education program strengthens students' sense of place. Enhancing students' understanding of the people and places that surround them is integral in creating 21st century citizens. Making music allows people to be part of their culture; and engaging in group music-making activities provides…

  4. Beliefs of Applied Studio Faculty on Desirable Traits of Prospective Music Education Majors

    Science.gov (United States)

    Royston, Natalie Steele; Springer, D. Gregory

    2017-01-01

    The purpose of this study was to examine the beliefs of applied music faculty on desirable traits of prospective music education majors. Respondents (N = 326), who were sampled from 73 National Association of Schools of Music-accredited institutions in the United States, completed a survey instrument developed to determine the characteristics of…

  5. Music Education behind Bars: Giving Voice to the Inmates and the Students Who Teach Them

    Science.gov (United States)

    Abrahams, Frank; Rowland, Miranda M.; Kohler, Kristian C.

    2012-01-01

    This article describes a music program in a prison where two preservice music education majors conduct a choir of the inmates. The mission of the choir, framed in the context of social justice, is to move beyond barriers to create communities of hope that restore, enlighten, and transform lives through music. It is an outlet for the inmates to…

  6. Music Education at the New York Institution for the Blind, 1832-1863

    Science.gov (United States)

    Hash, Phillip M.

    2015-01-01

    The purpose of this study was to document the history of music education at the New York Institution for the Blind (NYIB) from the opening of the school in 1832 through the tenure of the facility's first music director, Anthony Reiff. Research questions pertained to the school's origin and operation and to its music curriculum, pedagogy, faculty,…

  7. Seeking a Philosophy of Music in Higher Education: The Case of Mid-Nineteenth Century Edinburgh

    Science.gov (United States)

    Golding, Rosemary

    2016-01-01

    In 1851-2 the Trustees of the Reid bequest at the University of Edinburgh undertook an investigation into music education. Concerned that the funds which supported the Chair of Music should be spent as efficiently and effectively as possible, they consulted professional and academic musicians in search of new forms of teaching music at university…

  8. Musicking in the City: Reconceptualizing Urban Music Education as Cultural Practice

    Science.gov (United States)

    Gaztambide-Fernandez, Ruben A.

    2011-01-01

    Descriptions of the urban contemporary format remain strongly grounded on the assumption that it is based on musical styles associated with African Americans, such as R&B, soul, hip hop, rap, and reggae. Even for the most progressive educators, to speak of urban music is to refer to a narrow set of musical genres associated with the umbrella term…

  9. Cosmopolitan Musicianship under Construction: Digital Musicians Illuminating Emerging Values in Music Education

    Science.gov (United States)

    Partti, Heidi

    2014-01-01

    This instrumental case study aims to explore meanings and values in digital musical culture, and to reflect on them in relation to wider conceptualizations of musicianship in the field of music education. The study employs a narrative-biographical approach in analyzing the music-related life stories of a group of practitioners at a London-based…

  10. The Sources of Self-Efficacy: Educational Research and Implications for Music

    Science.gov (United States)

    Hendricks, Karin S.

    2016-01-01

    Music teachers can empower students with control over their own music ability development by helping them foster positive self-efficacy beliefs. This article reviews general education and music research concerning Bandura's theoretical four sources of self-efficacy (enactive mastery experience, vicarious experience, verbal/social persuasion, and…

  11. A Case for the Place of Music in the Outdoor Education Program: Part II.

    Science.gov (United States)

    Bernardy, Marie

    2001-01-01

    The inclusion of music in outdoor educational programs exposes students to a form of communication outside verbal language, develops intrapersonal and interpersonal skills, and improves academic performance in other areas. Through music, one can reconnect with nature, appreciate other cultures, and improve listening skills. Including music in…

  12. Music Therapy in Schools: Working with Children of All Ages in Mainstream and Special Education

    Science.gov (United States)

    Tomlinson, Jo, Ed.; Derrington, Philippa, Ed.; Oldfield, Amelia, Ed.

    2011-01-01

    The majority of music therapy work with children takes place in schools. This book documents the wealth and diversity of work that music therapists are doing in educational settings across the UK. It shows how, in recent years, music therapy has changed and grown as a profession, and it provides an insight into the trends that are emerging in this…

  13. Pre-Professional Arts Based Service-Learning in Music Education and Art Therapy

    Science.gov (United States)

    Feen-Calligan, Holly; Matthews, Wendy K.

    2016-01-01

    This article describes a study of art therapy and music education students at a Midwestern university in the United States, who participated in single-semester service-learning assignments prior to their clinical internship or student teaching experience. Undergraduate music teacher-candidates taught music to homeschool students; art therapy…

  14. Music Therapy in Schools: Working with Children of All Ages in Mainstream and Special Education

    Science.gov (United States)

    Tomlinson, Jo, Ed.; Derrington, Philippa, Ed.; Oldfield, Amelia, Ed.

    2011-01-01

    The majority of music therapy work with children takes place in schools. This book documents the wealth and diversity of work that music therapists are doing in educational settings across the UK. It shows how, in recent years, music therapy has changed and grown as a profession, and it provides an insight into the trends that are emerging in this…

  15. Doctoral Students in Music Education: Occupational Identity, Career Intent and Commitment, and Confidence for Teaching in Higher Education

    Science.gov (United States)

    Martin, Lisa D.

    2016-01-01

    The purpose of this study was to examine music education doctoral students' shifting occupational identity beliefs, career intent and commitment, and overall confidence for teaching in higher education. A total of 124 music education doctoral students, enrolled at 29 institutions of higher education in the United States, completed a onetime,…

  16. Associations between music education, intelligence, and spelling ability in elementary school

    OpenAIRE

    Hille, Katrin; Gust, Kilian; Bitz, Urlich; Kammer, Thomas

    2011-01-01

    Musical education has a beneficial effect on higher cognitive functions, but questions arise whether associations between music lessons and cognitive abilities are specific to a domain or general. We tested 194 boys in Grade 3 by measuring reading and spelling performance, non verbal intelligence and asked parents about musical activities since preschool. Questionnaire data showed that 53% of the boys had learned to play a musical instrument. Intelligence was higher for boys playing an instru...

  17. Model of Cognitive Readiness of Musical Education Students

    Directory of Open Access Journals (Sweden)

    Almagul T. Ermuratova

    2014-05-01

    Full Text Available The article features scientific studies on cognitive readiness of musical education students. The author, in the course of his study, focuses on ideas and experience of folk pedagogy. In the course of the study, the author determines criteria and elements of cognitive readiness. The key achievement of the article is an identification of three possible levels of students’ cognitive readiness. The author concludes that establishment of cognitive activities of future music teachers, comes from their knowledge pedagogical principles, pedagogical principles of educational unity, fostering and development of human being, consistency and sequence, identification of pedagogical approaches with regard to individual peculiarities of students and professional pedagogical interaction between teachers and students.

  18. Music Educators' Involvement in the Individual Education Program Process and Their Knowledge of Assistive Technology

    Science.gov (United States)

    McCord, Kimberly A.; Watts, Emily H.

    2010-01-01

    In 1997, the Individuals With Disabilities Education Act of 1990 was amended to require that assistive technology be considered when preparing an individual education program (IEP). This study explored involvement of Midwestern music educators in the IEP development process as well as their knowledge and attitudes regarding use of assistive…

  19. Associations between music education, intelligence, and spelling ability in elementary school.

    Science.gov (United States)

    Hille, Katrin; Gust, Kilian; Bitz, Urlich; Kammer, Thomas

    2011-01-01

    Musical education has a beneficial effect on higher cognitive functions, but questions arise whether associations between music lessons and cognitive abilities are specific to a domain or general. We tested 194 boys in Grade 3 by measuring reading and spelling performance, non verbal intelligence and asked parents about musical activities since preschool. Questionnaire data showed that 53% of the boys had learned to play a musical instrument. Intelligence was higher for boys playing an instrument (p intelligence remained (p music education and general cognitive ability as well as a specific language link.

  20. Music

    Institute of Scientific and Technical Information of China (English)

    2008-01-01

    Popular music ( 流行音乐, 可简作 pop) , in its widestsense, embraces ( 包含) many genres ( 类型) of music. TheAmerican, especially African American, cultures have beenvery influential( 有影响力的) on pop, Jazz( 爵士乐) and BigBand ( 爵士乐团) music benefited ( 受益于) from the im-

  1. Measuring Music Education: A Philosophical Investigation of the Model Cornerstone Assessments

    Science.gov (United States)

    Richerme, Lauren Kapalka

    2016-01-01

    Despite substantial attention to measurement and assessment in contemporary education and music education policy and practice, the process of measurement has gone largely undiscussed in music education philosophy. Using the work of physicist and philosopher Karen Barad, in this philosophical inquiry, I investigated the nature of measurement in…

  2. Measuring Music Education: A Philosophical Investigation of the Model Cornerstone Assessments

    Science.gov (United States)

    Richerme, Lauren Kapalka

    2016-01-01

    Despite substantial attention to measurement and assessment in contemporary education and music education policy and practice, the process of measurement has gone largely undiscussed in music education philosophy. Using the work of physicist and philosopher Karen Barad, in this philosophical inquiry, I investigated the nature of measurement in…

  3. Instrumental Music as Content Literacy Education: An Instructional Framework Based on the Continuous Improvement Process

    Science.gov (United States)

    Neves, Victor Russell Tarbet

    2007-01-01

    Background: Educational guidelines and reforms focused on literacy, including No Child Left Behind (NCLB) and National Assessment of Educational Progress (NAEP), have contributed to a music education culture and climate focused on language literacy rather than on the core content literacies inherent in music itself. Purpose: The purpose of this…

  4. Neuromyths in Music Education: Prevalence and Predictors of Misconceptions among Teachers and Students

    Directory of Open Access Journals (Sweden)

    Reinhard Kopiez

    2017-04-01

    number of media about educational neuroscience and related topics (R2 = 0.06. For the group of students, the best predictors for discrimination performance were a high number of read media and the hitherto completed number of semesters (R2 = 0.14. Our findings make clear that both teachers and students are far from being experts on topics related to educational neuroscience in music and would therefore benefit from current education-related research in psychology and neuroscience.

  5. Applying Research in Motivation and Learning to Music Education: What the Experts Say

    Science.gov (United States)

    Cogdill, Susan H.

    2015-01-01

    Current research on motivation and learning may assist teachers in identifying strategies to help students be successful and persevere in the music classroom. Students' beliefs about their ability to learn, and the impact these beliefs have on their motivation to learn music, is a large focus of the research presented here. Aspects of music make…

  6. Applying Research in Motivation and Learning to Music Education: What the Experts Say

    Science.gov (United States)

    Cogdill, Susan H.

    2015-01-01

    Current research on motivation and learning may assist teachers in identifying strategies to help students be successful and persevere in the music classroom. Students' beliefs about their ability to learn, and the impact these beliefs have on their motivation to learn music, is a large focus of the research presented here. Aspects of music make…

  7. Applied Music Studio Teachers in Higher Education: Exploring the Impact of Identification and Talent on Career Satisfaction

    Science.gov (United States)

    Parkes, Kelly A.; Daniel, Ryan; West, Tore; Gaunt, Helena

    2015-01-01

    The purpose of this study was to explore how highly trained performing musicians, currently working in higher education conservatoires or universities, understand, categorize, and reflect on their identification as a studio music teacher. Using an online survey involving participants (N = 173) across nine western countries, respondents identified…

  8. Are They Ready to Teach with Technology? An Investigation of Technology Instruction in Music Teacher Education Programs

    Science.gov (United States)

    Haning, Marshall

    2016-01-01

    The purpose of this research was to investigate the type, quantity, and effects of technology instruction currently being provided to undergraduate music education majors. Undergraduate participants (n = 46) at 10 degree-granting institutions completed an online survey on the technology instruction received during their undergraduate degree…

  9. Education in music and creativity: a proposal for a creative development in collective ambiances of a music band.

    Directory of Open Access Journals (Sweden)

    Luciano da Costa Nazario

    2014-05-01

    Full Text Available The content of this article was generated from an ongoing study, funded by the Foundation for Research Support of São Paulo (FAPESP, developed at the music postgraduate program at University of Campinas - UNICAMP. The research proposes a reflection on the creative and cognitive aspects inside collective learning of music bands environments, as well as the search for theoretical and practical references and the use of a laboratory research with the aim of obtaining diagnoses that facilitate teaching and learning in these educational contexts. Thus, the epistemological principle of this article is the reflection and articulation of some activities of improvisation, as well as the analysis and examination of certain proposals focused entirely on creative and educational process. Thus, it is conjectured the possibility of instigating the creative act along with the instrumental learning, proposing and analyzing the elements that promote heuristic processes and musical development, considering the different social contexts and musical backgrounds of the students.

  10. Teaching Students with Disabilities: A Review of Music Education Research as It Relates to the Individuals with Disabilities Education Act

    Science.gov (United States)

    Jones, Sara K.

    2015-01-01

    This article explores trends in research since the 1975 passage of the Education for All Handicapped Children Act (now known as the Individuals with Disabilities Education Act), notes gaps in the literature, and offers suggestions for future directions music education researchers could take in exploring the needs and experiences of music teachers…

  11. Engagement and Skill Development through an Innovative Classroom Music Program

    Science.gov (United States)

    Richmond, James; McLachlan, Neil M.; Ainley, Mary; Osborne, Margaret

    2016-01-01

    Rates of music participation are low in developed nations. This may be attributed in part to the failure of school music to engage children sufficiently to motivate them to continue learning and participating in music. We tested the "Harmonix" program of classroom music education, which is currently being designed to maximize engagement…

  12. USAGE OF PICTOGRAMS TO INTRODUCE MUSICAL INSTRUMENTS TO EDUCABLE MENTALLY RETARDED CHILDREN AS AN ALTERNATIVE METHOD

    Directory of Open Access Journals (Sweden)

    Gunsu YILMA

    2014-01-01

    Full Text Available The purpose of this research is to examine and investigate the perception ability of musical instruments of educable mentally retarded children with the support of visual elements. The research is conducted for every children individually in a special education and rehabilitation centre. The problematic of this research is the level of perception ability of musical instruments with visual support on mild mentally retarded children. In this research, perception ability of defining pictograms by music is introduced as an alternative method. It is researched that how educable mentally retarded children perceive pictograms by music tools. In this case, it is aimed to introduce musical instruments to educable mentally retarded children by pictograms with music. The research is applied with a qualitative approach. Data were obtained with the recorder, then they were turned into texts and analyzed with content analysis method.

  13. Family involvement in music impacts participation of children with cochlear implants in music education and music activities

    Science.gov (United States)

    Driscoll, Virginia; Gfeller, Kate; Tan, Xueli; See, Rachel L.; Cheng, Hsin-Yi; Kanemitsu, Mikiko

    2014-01-01

    Objective Children with cochlear implants (CIs) participate in musical activities in school and daily lives. Considerable variability exists regarding the amount of music involvement and enjoyment. Using the Music Engagement Questionnaire-Preschool/Elementary (MEQ-P/E), we wanted to determine patterns of musical participation and the impact of familial factors on engagement. Methods Parents of 32 children with CIs (16 preschool, 16 elementary) completed a questionnaire regarding the musical involvement of their child with an implant and a normal-hearing (NH) sibling (if one existed). We compared CI children's involvement to that of their NH siblings as well as across groups of children with and without CIs. Correlations between parent ratings of music importance, demographic factors, and involvement of CI and NH children were conducted within and across groups. Results No significant differences were found between children with CIs and NH siblings, meaning children from the same family showed similar levels of musical involvement. When compared at the same developmental stage, no significant differences were found between preschool children with and without CIs. Parents who rated the importance of music as “low” or “middle” had children (NH and CI) who were less involved in music activities. Children whose parents rated music importance as “high” were involved in monthly to weekly music activities with 81.25% reporting daily music listening. Conclusion Despite a less-than-ideal auditory signal for music, preschool and school-aged CI children enjoy and are involved in musical experiences. Families who enjoy and spend a greater amount of time involved in music tend to have children who also engage more actively in music. PMID:25431978

  14. Family involvement in music impacts participation of children with cochlear implants in music education and music activities.

    Science.gov (United States)

    Driscoll, Virginia; Gfeller, Kate; Tan, Xueli; See, Rachel L; Cheng, Hsin-Yi; Kanemitsu, Mikiko

    2015-05-01

    Objective Children with cochlear implants (CIs) participate in musical activities in school and daily lives. Considerable variability exists regarding the amount of music involvement and enjoyment. Using the Music Engagement Questionnaire-Preschool/Elementary (MEQ-P/E), we wanted to determine patterns of musical participation and the impact of familial factors on engagement. Methods Parents of 32 children with CIs (16 preschool and 16 elementary) completed a questionnaire regarding the musical involvement of their child with an implant and a normal-hearing (NH) sibling (if one existed). We compared CI children's involvement to that of their NH siblings as well as across groups of children with and without CIs. Correlations between parent ratings of music importance, demographic factors, and involvement of CI and NH children were conducted within and across groups. Results No significant differences were found between children with CIs and NH siblings, meaning children from the same family showed similar levels of musical involvement. When compared at the same developmental stage, no significant differences were found between preschool children with and without CIs. Parents who rated the importance of music as 'low' or 'middle' had children (NH and CI) who were less involved in music activities. Children whose parents rated music importance as 'high' were involved in monthly to weekly music activities with 81.25% reporting daily music listening. Conclusion Despite a less-than-ideal auditory signal for music, preschool and school-aged CI children enjoy and are involved in musical experiences. Families who enjoy and spend a greater amount of time involved in music tend to have children who also engage more actively in music.

  15. Shaping pseudoneglect with transcranial cerebellar direct current stimulation and music listening.

    Science.gov (United States)

    Picazio, Silvia; Granata, Chiara; Caltagirone, Carlo; Petrosini, Laura; Oliveri, Massimiliano

    2015-01-01

    Non-invasive brain stimulation modulates cortical excitability depending on the initial activation state of the structure being stimulated. Combination of cognitive with neurophysiological stimulations has been successfully employed to modulate responses of specific brain regions. The present research combined a neurophysiological pre-conditioning with a cognitive conditioning stimulation to modulate behavior. We applied this new state-dependency approach to investigate the cerebellar role in musical and spatial information processing, given that a link between musical perception and visuo-spatial abilities and a clear cerebellar involvement in music perception and visuo-spatial tasks have been reported. Cathodal, anodal or sham transcranial cerebellar Direct Current Stimulation (tcDCS) pre-conditioning was applied on the left cerebellar hemisphere followed by conditioning stimulation through music or white noise listening in a sample of healthy subjects performing a Line Bisection Task (LBT). The combination of the cathodal stimulation with music listening resulted in a marked attentional shift toward the right hemispace, compensating thus the natural leftward bias of the baseline condition (pseudoneglect). Conversely, the anodal or sham pre-conditioning stimulations combined with either music and white noise conditioning listening did not modulate spatial attention. The efficacy of the combined stimulation (cathodal pre-conditioning and music conditioning) and the absence of any effect of the single stimulations provide a strong support to the state-dependency theory. They propose that tcDCS in combination with music listening could act as a rehabilitative tool to improve cognitive functions in the presence of neglect or other spatial disorders.

  16. Shaping pseudoneglect with transcranial cerebellar direct current stimulation and music listening

    Directory of Open Access Journals (Sweden)

    Silvia ePicazio

    2015-03-01

    Full Text Available Non-invasive brain stimulation modulates cortical excitability depending on the initial activation state of the structure being stimulated. Combination of cognitive with neurophysiological stimulations has been successfully employed to modulate responses of specific brain regions. The present research combined a neurophysiological pre-conditioning with a cognitive conditioning stimulation to modulate behavior. We applied this new state-dependency approach to investigate the cerebellar role in musical and spatial information processing, given that a link between musical perception and visuo-spatial abilities and a clear cerebellar involvement in music perception and visuo-spatial tasks have been reported. Cathodal, anodal or sham transcranial cerebellar Direct Current Stimulation (tcDCS pre-conditioning was applied on the left cerebellar hemisphere followed by conditioning stimulation through music or white noise listening in a sample of healthy subjects performing a Line Bisection Task (LBT. The combination of the cathodal stimulation with music listening resulted in a marked attentional shift toward the right hemispace, compensating thus the natural leftward bias of the baseline condition (pseudoneglect. Conversely, the anodal or sham pre-conditioning stimulations combined with either music and white noise conditioning listening did not modulate spatial attention. The efficacy of the combined stimulation (cathodal pre-conditioning and music conditioning and the absence of any effect of the single stimulations provide a strong support to the state-dependency theory. They propose that tcDCS in combination with music listening could act as a rehabilitative tool to improve cognitive functions in the presence of neglect or other spatial disorders.

  17. Value Orientation of Music Aesthetics in Music Education Reform%音乐审美在音乐教育改革中的价值导向

    Institute of Scientific and Technical Information of China (English)

    武宗琪

    2011-01-01

    音乐教育是艺术教育最重要的一部分,是提高大学生综合素质的关键,而音乐教育的最终目标是音乐审美能力的提高,由此可见音乐审美在音乐教育改革中的重要价值,加强大学生的音乐审美教育,是教育面向现代化、面向世界、面向未来的需要,是学校实施素质教育的重要内容.音乐课的教学特点与音乐审美教育特质间的关系,成为以音乐审美为核心的音乐教育改革中的焦点,以音乐审美为核心的音乐教育要注重音乐教育中的音乐基础知识和基本技能的学习.%The music education is the most important part of art education, is the key to enhance the overall quality of the college students, and the ultimate goal of music education is the enhancement of music aesthetic ability, thus music aesthetics has the important value in music education reform. To strengthen college students' music aesthetics education is the demand that education should be geared to the needs of modernization, of the world and of the future and the schools' important content of carrying out the quality education. The relationship between teaching features of music lesson and peculiarity of music aesthetics education has become the focus of music education reform which takes music aesthetics as the core, and music education taken music aesthetics as the core should pay attention to the learning of music basic knowledge and skills.

  18. Shifting from Fear to Self-Confidence: Body Mapping as a Transformative Tool in Music Teacher Education

    Science.gov (United States)

    Griffin, Shelley M.

    2015-01-01

    Fear and lack of self-confidence toward music teaching are frequently experienced by many Bachelor of Education teacher candidates when they imagine themselves as future elementary general music teachers. Integrating visual art body mapping in elementary music methods fosters a unique opportunity to identify and interrogate musical experience.…

  19. "Can't We Just Change the Words?": The Role of Authenticity in Culturally Informed Music Education

    Science.gov (United States)

    Koops, Lisa Huisman

    2010-01-01

    Music educators who value the teaching of music in cultural and social contexts face the issue of how best to teach a musical practice outside its home setting. Many curricular materials advocate careful attention to cultural context in order to present accurate musical practices, but teachers do not always have the time and resources, or perhaps…

  20. Upping the "Anti-": The Value of an Anti-Racist Theoretical Framework in Music Education

    Science.gov (United States)

    Hess, Juliet

    2015-01-01

    In a time that some have argued is "postracial" following the election and reelection of Barack Obama (see Wise 2010, for discussion), this paper argues that antiracism is a crucial theoretical framework for music education. I explore three areas of music education, in which such a framework can push toward change. The first area speaks…

  1. New Brain Research on Emotion and Feeling: Dramatic Implications for Music Education

    Science.gov (United States)

    Reimer, Bennett

    2004-01-01

    In this paper, the author concludes that the lesson for music educators is that every musical experience that is offered to students affects their brains, bodies, and feelings. In short, it changes their minds permanently, and, if educators are conscientious, it does so progressively. Such a process is called "learning." That capacity to learn, to…

  2. The Fourth Sociology and Music Education: Towards a Sociology of Integration

    Science.gov (United States)

    Wright, Ruth

    2014-01-01

    By identifying three main sociologies that characterise broad movements in the field since its inception, this paper provides a background to considerations of music education from the perspective of sociology. A fourth sociology is then proposed that may be useful to interrogate the complexities of the field of 21st century music education. This…

  3. Social Justice Issues and Music Education in the Post 9/11 United States

    Science.gov (United States)

    Wagoner, Cynthia L.

    2015-01-01

    The purpose of this paper is two-fold: first, to examine the impact of historical sociopolitical events on music education, particularly post 9/11 with the intent of establishing a context for social justice issues; and second, how we might examine the broad implications to further music education research focusing on social justice. Issues of…

  4. Music Education in China: In Search of Social Harmony and Chinese Nationalism

    Science.gov (United States)

    Law, Wing-Wah; Ho, Wai-Chung

    2011-01-01

    This article critically examines how interactions between social changes, social harmony, and historical memory shape school music education in China. As a historical review and documentary analysis, it traces the historical development of music education and examines the Chinese government's role in such interactions over time. The article argues…

  5. Algorithms and the Future of Music Education: A Response to Shuler

    Science.gov (United States)

    Thibeault, Matthew D.

    2014-01-01

    This article is a response to Shuler's 2001 article predicting the future of music education. The respondent assesses Shuler's predictions, finding that many have come true but critiquing Shuler's overall positive assessment. The respondent then goes on to make one prediction about the future of music education: that algorithms will…

  6. Beginning a Journey with Music Education: Voices from Pre-Service Primary Teachers

    Science.gov (United States)

    Kenny, Ailbhe

    2017-01-01

    This study examines pre-service primary teachers' first engagement with music education at university level in the Republic of Ireland. Data from focus group interviews and coursework present voices from the students in prolematising their learning journeys with music education. These qualitative research methods are used to investigate student…

  7. The Fourth Sociology and Music Education: Towards a Sociology of Integration

    Science.gov (United States)

    Wright, Ruth

    2014-01-01

    By identifying three main sociologies that characterise broad movements in the field since its inception, this paper provides a background to considerations of music education from the perspective of sociology. A fourth sociology is then proposed that may be useful to interrogate the complexities of the field of 21st century music education. This…

  8. Alice Carey Inskeep (1875-1942): A Pioneering Iowa Music Educator and MENC Founding Member

    Science.gov (United States)

    Hedden, Debra Gordon; Heller, George N.; Humphreys, Jere T.; Slattery, Valerie A.

    2007-01-01

    The purpose of this study was to examine the professional contributions of Alice Carey Inskeep (1875-1942), who contributed significantly to music education through her "positive and effective teaching, supervising, community service, and leadership in music education". Inskeep was born, in Ottumwa, Iowa, and taught for five years in that city's…

  9. Nationalism and Internationalism in the Philosophy of Music Education: The German Example

    Science.gov (United States)

    Vogt, Jurgen

    2007-01-01

    The philosophy of music education has grown remarkably during the last decades, and now has all the characteristics of an academic discipline, including a growing scientific community and several forums for public discussions--the MayDay-Group and its e-journal "Action, Criticism, and Theory for Music Education" are one proof of that,…

  10. The Use of E-Portfolios in Music Teacher Education Programs: 2003-2013

    Science.gov (United States)

    Rawlings, Jared

    2016-01-01

    This systematic review of literature presents empirical research published between 2003-2013 examining the use of E-portfolios within music teacher education programs located in the United States. International E-portfolio research in music teacher education offers a backdrop and a thematic influence throughout this review. The central research…

  11. Algorithms and the Future of Music Education: A Response to Shuler

    Science.gov (United States)

    Thibeault, Matthew D.

    2014-01-01

    This article is a response to Shuler's 2001 article predicting the future of music education. The respondent assesses Shuler's predictions, finding that many have come true but critiquing Shuler's overall positive assessment. The respondent then goes on to make one prediction about the future of music education: that algorithms will…

  12. Music Education in China: In Search of Social Harmony and Chinese Nationalism

    Science.gov (United States)

    Law, Wing-Wah; Ho, Wai-Chung

    2011-01-01

    This article critically examines how interactions between social changes, social harmony, and historical memory shape school music education in China. As a historical review and documentary analysis, it traces the historical development of music education and examines the Chinese government's role in such interactions over time. The article argues…

  13. Shoreline Special Education. Music and Dance. An ESEA Title III Project. Final Evaluation.

    Science.gov (United States)

    Shoreline School District 412, Seattle, WA.

    The goals of this project were to solve the educational problems of providing an instrumental music curriculum and achieving physiological and social changes through dance for children in special education classes (K-12). Innovative methods emphasized were: 1) neuromuscular skills set to music; and, 2) a modification of the Orff methods and…

  14. Music Education in Shanghai from 1895 to 1945: The Cultural Politics of Singing

    Science.gov (United States)

    Ho, Wai-Chung

    2012-01-01

    This article discusses the development of music education in China and the integration of cultural politics and nationalism, using Shanghai, twentieth-century China's most developed city, as a case study; it examines the historical and political processes in Shanghai's music education to show what is cultural about politics and what is political…

  15. Sociological Implications of English as an International Language in Music Education

    Science.gov (United States)

    Kertz-Welzel, Alexandra

    2016-01-01

    Internationalization and globalization have created a global music education community which is not only linked by similar ideas, but also shares a common language. English functions as a global language and facilitates the international discourse in music education. While it is good to have a common language supporting international dialogue, it…

  16. Alice Carey Inskeep (1875-1942): A Pioneering Iowa Music Educator and MENC Founding Member

    Science.gov (United States)

    Hedden, Debra Gordon; Heller, George N.; Humphreys, Jere T.; Slattery, Valerie A.

    2007-01-01

    The purpose of this study was to examine the professional contributions of Alice Carey Inskeep (1875-1942), who contributed significantly to music education through her "positive and effective teaching, supervising, community service, and leadership in music education". Inskeep was born, in Ottumwa, Iowa, and taught for five years in that city's…

  17. Nationalism and Internationalism in the Philosophy of Music Education: The German Example

    Science.gov (United States)

    Vogt, Jurgen

    2007-01-01

    The philosophy of music education has grown remarkably during the last decades, and now has all the characteristics of an academic discipline, including a growing scientific community and several forums for public discussions--the MayDay-Group and its e-journal "Action, Criticism, and Theory for Music Education" are one proof of that,…

  18. Globalisation and Localisation in Music Education in Hong Kong and Taiwan

    Science.gov (United States)

    Ho, Wai-Chung

    2013-01-01

    The purpose of the study is to analyse and discuss the influences of globalisation and localisation on music education in Hong Kong and Taiwan. It argues that the reform of music education concerns changes to the contents of the curriculum that envisage the cultural and political developments that arise from processes of globalisation and…

  19. Moving in a Field of Conflicting Forces: Problems of Music Education Policy in Germany

    Science.gov (United States)

    Jank, Werner

    2009-01-01

    In the years between the world wars, music education in Germany prospered, because successful policy made constructive cooperation among relevant institutions and representatives possible. The situation today is very different. Many music educators and researchers are not aware that policies affect them; nor do they see themselves as active…

  20. Upping the "Anti-": The Value of an Anti-Racist Theoretical Framework in Music Education

    Science.gov (United States)

    Hess, Juliet

    2015-01-01

    In a time that some have argued is "postracial" following the election and reelection of Barack Obama (see Wise 2010, for discussion), this paper argues that antiracism is a crucial theoretical framework for music education. I explore three areas of music education, in which such a framework can push toward change. The first area speaks…

  1. Sociological Implications of English as an International Language in Music Education

    Science.gov (United States)

    Kertz-Welzel, Alexandra

    2016-01-01

    Internationalization and globalization have created a global music education community which is not only linked by similar ideas, but also shares a common language. English functions as a global language and facilitates the international discourse in music education. While it is good to have a common language supporting international dialogue, it…

  2. Mapping the Possibilities of Qualitative Research in Music Education: A Primer

    Science.gov (United States)

    Roulston, Kathryn

    2006-01-01

    Increasing numbers of music education researchers have begun to use qualitative methods to examine research topics using interviews, observations, documents, and archival data. In this article, I review qualitative research methodology and its origins and methods, discuss topics that have been studied by music education researchers using…

  3. Sociology, Music Education, and Social Change: The Prospect of Addressing Their Relations by Attending to Some Central, Expanded Concepts

    Science.gov (United States)

    Johansen, Geir

    2014-01-01

    Studies on sociology and music education are important because they can enlighten how music education relates to social change. By studying how music education changes and is changed by society we enable ourselves to describe how it can contribute to the understanding of social change generally. This may lay the ground for us in contributing to…

  4. A View on the Future of an International Philosophy of Music Education: A Plea for a Comparative Strategy

    Science.gov (United States)

    Nielsen, Frede V.

    2006-01-01

    In this article, the author, a member of the International Society for the Philosophy of Music Education (ISPME), shares his views on the future of the "philosophy of music education." According to him, the "philosophy of music education" can be and is, many different things. He argues that the ISPME should develop an open and…

  5. Sociology, Music Education, and Social Change: The Prospect of Addressing Their Relations by Attending to Some Central, Expanded Concepts

    Science.gov (United States)

    Johansen, Geir

    2014-01-01

    Studies on sociology and music education are important because they can enlighten how music education relates to social change. By studying how music education changes and is changed by society we enable ourselves to describe how it can contribute to the understanding of social change generally. This may lay the ground for us in contributing to…

  6. Music Researchers' Musical Engagement

    Science.gov (United States)

    Wollner, Clemens; Ginsborg, Jane; Williamon, Aaron

    2011-01-01

    There is an increasing awareness of the importance of reflexivity across various disciplines, which encourages researchers to scrutinize their research perspectives. In order to contextualize and reflect upon research in music, this study explores the musical background, current level of musical engagement and the listening habits of music…

  7. Music Researchers' Musical Engagement

    Science.gov (United States)

    Wollner, Clemens; Ginsborg, Jane; Williamon, Aaron

    2011-01-01

    There is an increasing awareness of the importance of reflexivity across various disciplines, which encourages researchers to scrutinize their research perspectives. In order to contextualize and reflect upon research in music, this study explores the musical background, current level of musical engagement and the listening habits of music…

  8. Integrating Popular Music and Informal Music Learning Practices: A Multiple Case Study of Secondary School Music Teachers Enacting Change in Music Education

    OpenAIRE

    Martina Vasil

    2015-01-01

    The purpose of this study was to examine the practices and perspectives of music teachers who integrated popular music and informal music learning practices into their secondary school music programs. A primary goal was to understand music teachers’ perspectives on the process of enacting change. The data for this parallel multiple-case study were four semistructured interviews, two school site visits and observations, documents, and a researcher journal. The content of teachers’ interviews w...

  9. AESTHETICS IN EARLY CHILDHOOD EDUCATION: THE COMBINATION OF TECHNOLOGY INSTRUMENTS IN CHILDREN’S MUSIC, VISUAL ARTS AND PRETEND PLAY

    OpenAIRE

    Chia-Hui Ko; Mei-Ju Chou

    2014-01-01

    With the importance of aesthetics in current preschool curriculum, children’s aesthetics development and deloading learning plays a special attention to the relationship between technology instruments and the three critical early childhood education activities, namely music teaching and learning, visual arts and children’s pretend play in early childhood education. A rigorous literature review in Dewey, Steiner and Vygotsky explore the argument that technology instruments play a c...

  10. What Is "Known" in Community Music in Higher Education? Engagement, Emotional Learning and an Ecology of Ideas from the Student Perspective

    Science.gov (United States)

    Mellor, Liz

    2011-01-01

    This article aims to make explicit the evolving ecology of ideas in the field of community music and higher education that are particular to a context yet transferable across respective fields of enquiry--music education, community music, music therapy and community music therapy. This is contextualized in two ways: (1) through a consideration of…

  11. 1 Towards a Skill-Based Music Education in Reducing Poverty and ...

    African Journals Online (AJOL)

    2015-05-07

    May 7, 2015 ... Keywords: Poverty, Leadership, Skills, Music Education, Skill-Based Education. ... not adequately developed avenues by which people can have access ... poor, and the rate of employment is about 15 per cent (UNDP, 2009).

  12. Music Therapy and Music Therapy Research. Response

    DEFF Research Database (Denmark)

    Pedersen, Inge Nygaard

    2002-01-01

    This response to Keynote by Prof. Even Ruud (N)"Music Education and Music Therapy seeks to define these two areas with specific focus on tools and methods for analysis of music as these methods are developed in music therapy. This includes that the music therapist, the music and the client create...

  13. Music Therapy and Music Therapy Research. Response

    DEFF Research Database (Denmark)

    Pedersen, Inge Nygaard

    2002-01-01

    This response to Keynote by Prof. Even Ruud (N)"Music Education and Music Therapy seeks to define these two areas with specific focus on tools and methods for analysis of music as these methods are developed in music therapy. This includes that the music therapist, the music and the client create...

  14. Leading Together, Learning Together: Music Education and Music Therapy Students' Perceptions of a Shared Practicum

    Science.gov (United States)

    Ballantyne, Julie; Baker, Felicity A.

    2013-01-01

    The health benefits of musical engagement extend across the lifespan, with research documenting developmental and quality of life outcomes in senior adulthood. Whilst the psychological functions of music include three broad domains: cognitive, emotional and social, the social factors of music consumption have been, for the most part, ignored. This…

  15. Leading Together, Learning Together: Music Education and Music Therapy Students' Perceptions of a Shared Practicum

    Science.gov (United States)

    Ballantyne, Julie; Baker, Felicity A.

    2013-01-01

    The health benefits of musical engagement extend across the lifespan, with research documenting developmental and quality of life outcomes in senior adulthood. Whilst the psychological functions of music include three broad domains: cognitive, emotional and social, the social factors of music consumption have been, for the most part, ignored. This…

  16. Social inclusion as a therapeutic and educational factor in a music therapy setting

    OpenAIRE

    Loss, Felix

    2016-01-01

    Inclusive approaches for children with special needs are applied in both the fields of music therapy and (music) education. In practice, inclusive music therapy groups consist only of children with special needs, whereas an inclusive kindergarten group for example may consist of typical and non-typical children, yet not in an actual therapy setting. Both practices hold explicit benefits for typical and non-typical children, however mutually exclusive of one another. The aim of the study is to...

  17. Personal and Professional Characteristics of Music Educators: One Size Does Not Fit All.

    Science.gov (United States)

    Doherty, Mary Lynn; van Mersbergen, Miriam

    2017-01-01

    The prevalence of voice disorders among various educator groups is well known, and voice disorders among music educators are higher than the general classroom educators. Music educators vary with respect to behavioral and personality factors, personal characteristics, type of music taught, job-specific environment, and governmental professional expectations. This study aims to identify risk factors for voice disorders in a heterogeneous population of music educators. An online survey was conducted with 213 respondents. Survey questions addressed demographics, level of education, years of music teaching experience, specialty training, primary teaching assignments and instrument, vocal health behaviors, and diagnoses of voice disorders. Summary statistics and group comparisons are reported. Those whose primary instrument was voice reported a greater frequency of voice disorders. Female and older music educators also had a higher prevalence of voice disorders. Music educators are a heterogeneous group of individuals who require more careful consideration in the prevention and treatment of occupational voice problems. Copyright © 2017 The Voice Foundation. Published by Elsevier Inc. All rights reserved.

  18. Calvin Brainerd Cady: Thought and Feeling in the Study of Music.

    Science.gov (United States)

    Shiraishi, Fumiko

    1999-01-01

    Presents the life and work of Calvin Brainerd Cady, an influential U.S. music educator who developed a theory of music education that emphasized the unification of children's thoughts and feelings. Discusses Cady's educational practices in depth and how his work remains relevant to current music-education practices. (DSK)

  19. Assessment in Music Education: Relationships between Classroom Practice and Professional Publication Topics

    Science.gov (United States)

    McQuarrie, Sarah H.; Sherwin, Ronald G.

    2013-01-01

    The purpose of this study was to investigate the relationship between actual current assessment practices of elementary music teachers and the assessment topics as published in the literature aimed at those teachers. Specifically, this study sought to: 1) identify the current assessment techniques utilized by elementary music teachers; 2) identify…

  20. MUSIC

    Institute of Scientific and Technical Information of China (English)

    2009-01-01

    <正>1.伊朗音乐(MUSIC OF IRAN):伊朗伊斯兰革命之后的一张传统音乐精选合集,双CD,为日本厂牌KING RECORDS的"世界音乐图书馆"(WORLD MUSIC LIBRARY)中的专辑之一。2.伊朗古典音乐,达斯特加赫(CLASSICAL MUSIC OF IRAN:The Dastgah Systems):1991最初于1966年推出,这是省略3支曲目后的再版。3.波斯音乐大师,呐喊(Masters Of Persian Music Faryad):2005传统音乐悠扬婉转之余有人在吟唱几位伊朗著名诗人哈菲兹(Hafez)和萨迪(Sa di’)等的诗作,而独奏辅以独唱也是传统波斯音乐惯常的表演样式之一。4.失落的丝绸之路之歌(GHAZEL:LOST SONGS OF THE SILKROAD):2005这是一张更有想象力的CD,融合了南印度和伊朗的音乐形态。

  1. Seeking Aporia: Experiences with Teaching Social Justice in the Undergraduate Music Education Program

    Directory of Open Access Journals (Sweden)

    Colleen Sears

    2016-08-01

    Full Text Available Maxine Greene’s (1995 concept of “wide awakeness” challenges educators to think outside routine and comfort. She asserts that morality in education depends upon educators’ commitment to problematize transparent and oppressive norms by calling into question long held beliefs. Socrates referred to this process as aporia, a state of confusion that occurs when previously held assumptions are challenged and new understandings are formed. What role can aporia play in the undergraduate music education program? How can we encourage undergraduate music education students to identify and question Western, heterocentric, masculine norms that go undetected in the name of job training? In response to these questions, this paper will focus on the experience of engaging undergraduate music education students in social justice based, aporia-triggering experiences designed to broaden students’ ideas about what constitutes a meaningful and valuable music education experience.

  2. Problems, Visions and Concerns of Pre-Service Music and General Education Teachers in Greece Resulting from Their Teaching Practice in Music

    Science.gov (United States)

    Kokkidou, May; Dionyssiou, Zoe; Androutsos, Polyvios

    2014-01-01

    This study explores music education teaching practice in Greece, collecting data from three university departments: two music departments (M1 and M2) and one primary education department (P) during the academic year 2006-2007. The project was based on data from 84 students (N = 84). Fieldwork in students' teaching practice comprised a…

  3. Investigation on the Current Situation of Orchestral Music Education in Higher Vocational Colleges --Taking Jincheng Institute of Technology as an Example%高职院校管乐教育现状调查研究--以晋城职业技术学院为例

    Institute of Scientific and Technical Information of China (English)

    高百宁

    2015-01-01

    文章对晋城职业技术学院管乐教育进行了分析和总结,并通过调查研究、考察比较,分析学院管乐教育存在的主要原因,同时根据学院管乐教育现状,提出了对策建议。%By analyzing and summarizing the orchestral music education in Jincheng Institute of Technolo⁃gy, the paper analyses the main reasons of the problems and puts forward some suggestions about the music ed⁃ucation based on the present orchestral music education situation.

  4. Thresholdconcepts … an issue for Music Education Research?

    DEFF Research Database (Denmark)

    Uddholm, Mats

    2013-01-01

    as finally defined. An authentic music-pedagogical concept is not fixed to a scientific paradigm, but to critical thinking. It is also characterised by the fact that it is rooted in practical experience of music and development of musicals knowledge. Music pedagogical power of definition, therefore, could...... semiotic thinking that is connected to the pedagogue‘s ability to prepare learning-situations from the starting-point of his/her own interests and knowledge and the participants' musical capabilities. The music-pedagogical power of definition is not just awareness of the learning situation, but also...

  5. There's a Fine Line between Pleasure and Pain: Why Students Enrol in Higher Degrees in Music and Music Education

    Science.gov (United States)

    Harrison, Scott D.

    2011-01-01

    For many musicians and music educators, finding the time and inclination to undertake further studies can be stumbling blocks to engaging in a program of research. Without self-development of this kind, understanding and rejuvenation of teaching and performance practices are unlikely to occur. Furthermore, as the academy ages, there is a…

  6. What is the Significance of Research for Music Education in Practice?

    DEFF Research Database (Denmark)

    Nielsen, Frede V.

    2009-01-01

    The relation between music pedagogy as a field of research and the practice of music education is characterized as a continuum ranging from remoteness through cooperation to full integration. A typology is drawn up (the where the relation is separate, co-operative, integrated ,or parallel). All...... these types of relationship are considered necessary. The distinctive task of music pedagogical research is to question, explore, and develop issues, conditions, and potentialities within the practice of music education by rendering them accessible to consciousness and conceptual thought in verbal terms....... Consequently, it has to do its utmost not to degenerate into ideology. The role of teacher education is discussed. Examples show how research may matter to practical music teaching and learning. An overall conclusion is that the relationship in question should be marked by closeness and distance at the same...

  7. Importance of music like way of intercultural communication in the educational process

    Directory of Open Access Journals (Sweden)

    María del Mar BERNABÉ VILLODRE

    2013-07-01

    Full Text Available The aim of this article is show how the methodological and structural music nature leads the pupil to understanding, to estimating the cultural reality that wraps; since music is a fruit of an exchange of theoretical-practical experiences in different zones of the world and his methodology of learning is active and participative, needing from collaboration and understanding between the interpreters. All this, it leads to considering to be music an image of the time and of the company that has produced it, and, due to it, turns into a suitable tool to be employed the interculture at the classroom. This article takes as there basses one of aims of the artistic education, to promote the expression of the cultural diversity to reinforce personal values, to show how it is possible educate interculturally by means of music, that is to say, across what has come naming «educate for the music».

  8. What is the Significance of Research for Music Education in Practice?

    DEFF Research Database (Denmark)

    Nielsen, Frede V.

    2009-01-01

    . Consequently, it has to do its utmost not to degenerate into ideology. The role of teacher education is discussed. Examples show how research may matter to practical music teaching and learning. An overall conclusion is that the relationship in question should be marked by closeness and distance at the same......The relation between music pedagogy as a field of research and the practice of music education is characterized as a continuum ranging from remoteness through cooperation to full integration. A typology is drawn up (the where the relation is separate, co-operative, integrated ,or parallel). All...... these types of relationship are considered necessary. The distinctive task of music pedagogical research is to question, explore, and develop issues, conditions, and potentialities within the practice of music education by rendering them accessible to consciousness and conceptual thought in verbal terms...

  9. Pitch-informed solo and accompaniment separation towards its use in music education applications

    Science.gov (United States)

    Cano, Estefanía; Schuller, Gerald; Dittmar, Christian

    2014-12-01

    We present a system for the automatic separation of solo instruments and music accompaniment in polyphonic music recordings. Our approach is based on a pitch detection front-end and a tone-based spectral estimation. We assess the plausibility of using sound separation technologies to create practice material in a music education context. To better understand the sound separation quality requirements in music education, a listening test was conducted to determine the most perceptually relevant signal distortions that need to be improved. Results from the listening test show that solo and accompaniment tracks pose different quality requirements and should be optimized differently. We propose and evaluate algorithm modifications to better understand their effects on objective perceptual quality measures. Finally, we outline possible ways of optimizing our separation approach to better suit the requirements of music education applications.

  10. Uncommon Grounds: Preparing Students in Higher Music Education for the Unpredictable

    Science.gov (United States)

    Lapidaki, Eleni

    2016-01-01

    This article considers the contribution that Jacques Derrida's work "Of Hospitality" might make to higher music education as it unsettles the usual ascription of normative value to learning and teaching music at the university. Along these lines, what is most at issue in the encounter with Derrida's thinking is the concomitant notion of…

  11. Informal Music Education: The Nature of a Young Child's Engagement in an Individual Piano Lesson Setting

    Science.gov (United States)

    Kooistra, Lauren

    2016-01-01

    The purpose of this study was to gain insight into the nature of a young child's engagement in an individual music lesson setting based on principles of informal learning. The informal educational space allowed the child to observe, explore, and interact with a musical environment as a process of enculturation and development (Gordon, 2013;…

  12. New Legislation in Brazilian Music Education: Studying the Law and Its Implementation

    Science.gov (United States)

    Manning, Dwight; Kamil, Marilia

    2017-01-01

    In 2008, Brazilian legislators approved a law that added music on a mandatory basis to the basic national school curriculum. Despite the possibilities afforded by this legislation, music educators affirm that many questions remain due to its ambiguity. Given the 2012 deadline for the implementation of this law, there is a need to understand how it…

  13. Informal Music Education: The Nature of a Young Child's Engagement in an Individual Piano Lesson Setting

    Science.gov (United States)

    Kooistra, Lauren

    2016-01-01

    The purpose of this study was to gain insight into the nature of a young child's engagement in an individual music lesson setting based on principles of informal learning. The informal educational space allowed the child to observe, explore, and interact with a musical environment as a process of enculturation and development (Gordon, 2013;…

  14. Parents' Goals, Knowledge, Practices, and Needs Regarding Music Education for Their Young Children in South Korea

    Science.gov (United States)

    Youm, Hyun Kyung

    2013-01-01

    The purpose of this study was to explore South Korean parents' understanding of and desires for music education for their children. Following a constructivist paradigm and qualitative research methodology, data collection involved in-depth interviews, observations, written questionnaires, family music materials, and the researcher's journals. The…

  15. Investigating Burnout among Elementary and Secondary School Music Educators: A Replication

    Science.gov (United States)

    Bernhard, H. Christian II

    2016-01-01

    The primary purpose of the study was to compare perceived levels of burnout among music educators by grade level taught, state teaching certification status, and music specialization. The secondary purpose was to examine relationships among perceived burnout, and academic as well as personal variables. Participants for the study were 258…

  16. New Legislation in Brazilian Music Education: Studying the Law and Its Implementation

    Science.gov (United States)

    Manning, Dwight; Kamil, Marilia

    2017-01-01

    In 2008, Brazilian legislators approved a law that added music on a mandatory basis to the basic national school curriculum. Despite the possibilities afforded by this legislation, music educators affirm that many questions remain due to its ambiguity. Given the 2012 deadline for the implementation of this law, there is a need to understand how it…

  17. Uncommon Grounds: Preparing Students in Higher Music Education for the Unpredictable

    Science.gov (United States)

    Lapidaki, Eleni

    2016-01-01

    This article considers the contribution that Jacques Derrida's work "Of Hospitality" might make to higher music education as it unsettles the usual ascription of normative value to learning and teaching music at the university. Along these lines, what is most at issue in the encounter with Derrida's thinking is the concomitant notion of…

  18. An Examination of LGBTQ-Inclusive Strategies Used by Practicing Music Educators

    Science.gov (United States)

    Garrett, Matthew L.; Spano, Fred P.

    2017-01-01

    The purpose of this research was to examine LGBTQ-inclusive strategies used by practicing music educators in the United States. Participants (N = 300) in a nonprobabilistic sample completed a survey inquiring as to their comfort using LGBTQ-inclusive strategies in a school music class, their perceptions of barriers to LGBTQ inclusion, and whether…

  19. Effects of Music on Physical Activity Rates of Elementary Physical Education Students

    Science.gov (United States)

    Barney, David; Prusak, Keven A.

    2015-01-01

    Music is a pervasive presence in society and is routinely used to influence human behavior in a variety of settings and for a variety of purposes including exercise behaviors and physical education (PE) classes. However, little evidence exists to support what effect, if any, music has on learner outcomes in PE. The effects that playing music…

  20. Envisioning Autonomy through Improvising and Composing: Castoriadis Visiting Creative Music Education Practice

    Science.gov (United States)

    Kanellopoulos, Panagiotis A.

    2012-01-01

    Do psychological perspectives constitute the only way through which the role of musical creativity in education can be addressed, researched and theorised? This essay attempts to offer an alternative view of musical creativity as a deeply social and political form of human praxis, by proposing a perspective rooted in the thought of the political…

  1. Effects of Music on Physical Activity Rates of Elementary Physical Education Students

    Science.gov (United States)

    Barney, David; Prusak, Keven A.

    2015-01-01

    Music is a pervasive presence in society and is routinely used to influence human behavior in a variety of settings and for a variety of purposes including exercise behaviors and physical education (PE) classes. However, little evidence exists to support what effect, if any, music has on learner outcomes in PE. The effects that playing music…

  2. The Challenges of Imitation for Children with Autism Spectrum Disorders with Implications for General Music Education

    Science.gov (United States)

    Scott, Sheila

    2016-01-01

    With emphasis on inclusive education, many music teachers interact with children on the autism spectrum within regular classroom settings. Many of these teachers rely on rote learning to teach a variety of musical skills. This creates difficulties for children on the autism spectrum who respond differently to imitation than their typically…

  3. Experts, Entrepreneurs and Competence Nomads: The Skills Paradox in Higher Music Education

    Science.gov (United States)

    Johansson, Karin

    2012-01-01

    In this study, one-to-one tuition in higher music education (HME) was theorised as a culturally and historically grounded activity system consisting of relationships between musicians, instruments, music-making traditions and audiences. The "skills paradox", as seen in the inherent conflict between musicians' need for long-term artistic training…

  4. ELEMENTAL MUSIC-MAKING AS A HEALTH SAVING PHENOMENON IN THE SYSTEM OF GENERAL EDUCATION

    Directory of Open Access Journals (Sweden)

    N. V. Golubeva

    2013-01-01

    Full Text Available The paper aims at drawing the attention of teaching community to the health promoting potential of music making disregarded nowadays by educational establishments. The traditional musical education focused mainly on musicology leads to artificial intellectualization, and leaves no room for chil-dren's imagination, intuition, creativity, joyful feelings and activities.The author discusses the specificity of the music teaching concept, developed by Carl Orff and his followers, and based on the complex understanding of human nature, history, living conditions, and corresponding with genetic laws. On the one hand, the music-making involves consideration of the learners' psychological features and individual propensities, and on the other hand, it has a syncretic effect on the main psychological and physiological functions including communication, speech, motion, etc. As the result, it resists the hypodynamia and fatigue, and promotes health.The paper reveals the experience of the Music Education Department in the Institute of Psychology and Pedagogy of Tumen State University, providing specializations in the Elemental Music-Making in Educational Process and Health Saving Potential of Music Teaching. The outcomes of the practical seminars and experimental teaching in the Primary School № 3 in Pytyah Town of Khanty-Mansi Autonomous Region confirm the author’s theory of the positive emotional impact of music-making on the learning and health saving activities. 

  5. Medical Music Therapy: A Model Program for Clinical Practice, Education, Training and Research

    Science.gov (United States)

    Standley, Jayne

    2005-01-01

    This monograph evolved from the unique, innovative partnership between the Florida State University Music Therapy Program and Tallahassee Memorial HealthCare. Its purpose is to serve as a model for music therapy educators, students, clinicians, and the hospital administrators who might employ them. This book should prove a valuable resource for…

  6. Medical Music Therapy: A Model Program for Clinical Practice, Education, Training and Research

    Science.gov (United States)

    Standley, Jayne

    2005-01-01

    This monograph evolved from the unique, innovative partnership between the Florida State University Music Therapy Program and Tallahassee Memorial HealthCare. Its purpose is to serve as a model for music therapy educators, students, clinicians, and the hospital administrators who might employ them. This book should prove a valuable resource for…

  7. Extending the Vision: Three Women Who Saw the Future of Music Education--The Example and Words of Three MENC Presidents Can Still Inspire and Rally Our Profession Today

    Science.gov (United States)

    Freer, Patrick K.; Dansereau, Diana R.

    2007-01-01

    Twelve women have led MENC: The National Association for Music Education, including current president Lynn Brinckmeyer--six of them in the first fifty years of MENC's history. Frances Elliott Clark, known as the "Mother of the Conference," oversaw the founding of the Music Supervisors' National Conference (MSNC) in 1907 at a gathering in Keokuk,…

  8. Reflections on the "Teacher Identities in Music Education" [TIME] Project

    Science.gov (United States)

    Welch, Graham F.; Purves, Ross; Hargreaves, David J.; Marshall, Nigel

    2010-01-01

    At the turn of the century, there was a widespread perception on the part of pupils, teachers, and policy makers that a "problem with school music" existed, particularly at the secondary level. It was hypothesized that one contributory factor was the perceived authenticity of "school music" in relation to "music outside school," not least because…

  9. Reflections on the "Teacher Identities in Music Education" [TIME] Project

    Science.gov (United States)

    Welch, Graham F.; Purves, Ross; Hargreaves, David J.; Marshall, Nigel

    2010-01-01

    At the turn of the century, there was a widespread perception on the part of pupils, teachers, and policy makers that a "problem with school music" existed, particularly at the secondary level. It was hypothesized that one contributory factor was the perceived authenticity of "school music" in relation to "music outside…

  10. Educational Benefits of Music in an Inclusive Classroom

    Science.gov (United States)

    Sze, Susan; Yu, Sanna

    2004-01-01

    The purpose of this study is to highlight literature concerning the effects of music therapy on children with disabilities. The paper is organized in the following sections: (1) background of music and children with disabilities, (2) the aims of music therapy, (3) main contributions to cognitive, biopsychosocial development of children with…

  11. 中专音乐教育中创新人才的培养%On Innovative Talents Training in the Secondary Vocational School Music Education

    Institute of Scientific and Technical Information of China (English)

    赵鹏程

    2015-01-01

    近年来,随着素质教育的不断深入推进,在教育过程中加强其它人文类课程的教育变得越来越重要,音乐教育是当前素质教育过程中的一个重要组成部分,为了不断提高音乐教育教学质量,需要在中专教育过程中对音乐教育进行有效的创新。本文对当前中专音乐教育创新策略进行分析和探讨。%In recent years, deepening the promotion of quality education, strengthen education and other humanities courses is becoming increasingly important in the educational process, the quality of music education is currently in the process of education is an important part, in order to continuously improve the quality of teaching music education, in secondary edu-cation process needs to music education for effective innovation. In this paper, the current secondary music education inno-vative strategies for analysis and discussion.

  12. 浅谈高职院校音乐教育的多元化%On the Diversification of Music Education in Higher Vocational Colleges

    Institute of Scientific and Technical Information of China (English)

    蒋伟

    2016-01-01

    With the development of the times, state and the society for the quality of education and teaching in Higher Voca-tional Colleges proposed higher requirements, in order to comply with the requirements of the development of the times, higher vocational colleges were also a series of reforms, especially to strengthen the emphasis on music education. However, under the current situation, higher vocational colleges in the process of music education when there are still some problems, affecting the improvement of the quality level of music education, and diversification of music education appear, for the development of the current music education provides a reliable way, and promote the development of music education in Higher Vocational education. This article from the higher vocational colleges music education development present situation, analyzes the sig-nificance of music education diversity, explore the implementation of music education in Higher Vocational colleges.%随着时代的发展,国家以及社会对高职院校的教育教学质量提出了更高的要求,为了顺应时代发展的要求,高职院校也进行了一系列的改革,尤其是加强了对音乐教育的重视。然而,在当前形势之下,高职院校在进行音乐教育的过程当仍旧存在着一定的问题,影响着音乐教育质量水平的提高,而音乐教育多元化的出现,为当前音乐教育的发展提供了一条可靠的道路,促进了高职音乐教育的发展。本文从高职院校音乐教育发展的现状问题着手,分析音乐教育多元化的意义,探究高职院校实施音乐教育多元化的方法。

  13. Attributional Theory in Investigating Public Music Performance in Higher Music Education

    Science.gov (United States)

    Schneider Grings, Ana Francisca; Hentschke, Liane

    2017-01-01

    The purpose of this research was to investigate the causes attributed by undergraduate music students to situations of failure and success in public music performance. Attributional Theory has been used in this research as the theoretical framework to understand how situations of success and failure are interpreted by the person of the activity.…

  14. Popular Music and School Music Education: Chinese Students' Preferences and Dilemmas in Shanghai, China

    Science.gov (United States)

    Law, Wing-Wah; Ho, Wai-Chung

    2015-01-01

    This empirical study investigates Chinese students' popular music preferences in daily life and to what extent and in what ways they prefer learning popular music in school in Shanghai, China. Data were drawn from questionnaires completed by 1,730 secondary students (aged 12-17) and interviews with 60 students from 10 secondary schools, between…

  15. Celebrating Musical Diversity: Training Culturally Responsive Music Educators in Multiracial Singapore

    Science.gov (United States)

    Cain, Melissa

    2015-01-01

    This article explores outcomes of research into the role and place of cultural diversity in primary music classes at five government schools in Singapore. The study highlights the ways in which a variety of factors such as specialist music training, government policy, curriculum documents, and professional development influence teacher practice.…

  16. Celebrating Musical Diversity: Training Culturally Responsive Music Educators in Multiracial Singapore

    Science.gov (United States)

    Cain, Melissa

    2015-01-01

    This article explores outcomes of research into the role and place of cultural diversity in primary music classes at five government schools in Singapore. The study highlights the ways in which a variety of factors such as specialist music training, government policy, curriculum documents, and professional development influence teacher practice.…

  17. Popular Music and School Music Education: Chinese Students' Preferences and Dilemmas in Shanghai, China

    Science.gov (United States)

    Law, Wing-Wah; Ho, Wai-Chung

    2015-01-01

    This empirical study investigates Chinese students' popular music preferences in daily life and to what extent and in what ways they prefer learning popular music in school in Shanghai, China. Data were drawn from questionnaires completed by 1,730 secondary students (aged 12-17) and interviews with 60 students from 10 secondary schools, between…

  18. Attributional Theory in Investigating Public Music Performance in Higher Music Education

    Science.gov (United States)

    Schneider Grings, Ana Francisca; Hentschke, Liane

    2017-01-01

    The purpose of this research was to investigate the causes attributed by undergraduate music students to situations of failure and success in public music performance. Attributional Theory has been used in this research as the theoretical framework to understand how situations of success and failure are interpreted by the person of the activity.…

  19. Computer Applications to Music at the Ohio State University: Summer, 1971 through Winter, 1973.

    Science.gov (United States)

    Hofstetter, Fred T.

    An analytic, statistical, synthetic, bibliographic, instructional, and automated music printing systems is currently available at the Ohio State University. The computer analysis of music is described here, and a list of programs available for computer-assisted musical analysis is presented. Statistical research in music education is considered…

  20. Determining Views of Pre-School Teachers, Working at Pre-School Education Institutions on Pre-School Music Education

    Directory of Open Access Journals (Sweden)

    Aylin MENTİŞ KÖKSOY

    2005-06-01

    Full Text Available The main purpose of this study was to determine the opinions in about music education during the preschool period of kindergarten teachers working in state and private pre-schools of Ministry of Education in Çamardı, Bor, Altunhisar (Niğde and in Niğde.58 pre-scholl teachers were included in the study group. A questionnaire designed by researchers was given to the teachers. The questionnaire had two parts. In the first one there were personal questions about the teachers and in the second part their opinions about music education and some questions about the opportunitiesprovided by their instititutions about music education were asked. There were 10 questions in total. One of them was open-ended. In the study of data frequency, percent and one Way Anova analysis was used. According to the results, there were spinificant differences between the opinions of the teachers about music education depending on the institutions from which they graduated. In the study it was observed that musical instruments and music rooms at pre-school were insufficient. It was also seen by statement that some of the pre-schools teachers were not efficient in music.