Contemporary Nigerian Popular music: A Menace to National Development

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Ogunrinade D O A

2016-01-01

Full Text Available There is no gainsaying that most of the recent forms of contemporary popular music produced, packaged, made available for public consumption constitute grave danger and serious threat to moral uprightness in Nigerian society. This has exposed the Nigerian society to a wide variety of insecurity and violence. This is evident as seen from series of moral decadence and dissipation that infiltrated the lives of the citizenry - especially the youths (the leaders of tomorrow ranging from, sexual abuse, money mongering, indiscipline, examination malpractice and indecent dressing to mention but a few. Music is a powerful tool and a force for mobilization which brings about either reformation or deformation of character due to the type of rhythm, melody, harmony and principally the lyrics of the songs. This paper examines the new trend of contemporary popular music in Nigeria with a view to assess its negative and pessimistic impacts on the character molding of the citizenry in Nigerian society. Live performances of contemporary popular music were observed and audio and video tape materials relating to the said music were also analyzed based on their educational  and moral values of such songs. It was  discovered that contemporary popular music as we have it today in Nigeria communicates vulgarity and coarseness to the listeners and this poses a lot of negative effects on the attitude of the youths. Musicians employ indecent words to attract the youth thus creating negative influence on the character of the leaders of tomorrow (the youth to engage in various   debauchery.  The paper therefore, suggested that relevant agencies should be put in place to ensure that apart from entertainment, music should convey positive character building messages rather than music that egg on and motivate illicit acts. Likewise, musicians should compose songs in the spirit of societal reformation so as to impact moral virtues on the younger generation  thus

Teaching Japanese Popular Culture

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Deborah Shamoon

2010-04-01

Full Text Available Japanese popular culture has arrived on American college campuses as never before. Student interest in Japanese manga (comic books, anime (animated films and television shows, and video games drives much of the enrollment in Japanese courses and Japanese majors and minors. In response to student interest, as well as the establishment of popular culture as a topic of serious academic scholarship, the demand for courses on Japanese popular culture has never been higher. Yet the number of scholars specializing in the study of popular culture is still relatively small. This can potentially create problems, as faculty teach outside their expertise, and perhaps face an uncomfortable situation in which the students know more about the topic than the professor. In this article, I will offer some suggestions and advice for faculty creating a popular culture course for the first time, based on my experiences teaching undergraduates at the University of Notre Dame. The course I developed reflects my background in Japanese literature and film, and is but one example of many possible approaches to the topic. The sample syllabus and list of resources at the end of this article provide citations for all text and media sources mentioned.

Contemporary Zimbabwean popular music in the context of adversities

African Journals Online (AJOL)

2018-03-19

Mar 19, 2018 ... Contemporary Zimbabwean popular and urban genres of music namely, urban ... changes have been realised in the development of the genre and in the interviews ... and movements opposed to different forms of postcolonial oppression. ..... Global Children, Global Media: Migration, Media and Childhood.

Popular culture and the ’darker side’ of alternative spirituality: the case of metal music

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Marcus Moberg

2009-01-01

Full Text Available Metal is perhaps the most extreme and aggressive form of contemporary Western popular music. Even though it continues to spark controversy and debate, it has also enjoyed enduring popularity for decades and has spread on a global scale. Metal music and culture has always been characterized by its fascination for dark and austere themes and imagery. Commonly dealing with topics such as evil, death, war, alienation and suffering, metal groups have traditionally found much inspiration in the world of religion, particularly Judeo-Christian eschatology and apocalypticism, different forms of paganism, occultism, esotericism and, last but not least, Satanism. These kinds of religious/spiritual themes have arguably developed into an integral part of metal culture on the whole. They contribute significantly to investing metal music and culture with an apparent aura of sincerity and mystique as well as to raising its shock and entertainment value. At the same time, metal culture is also marked by its high degree of humour and self-irony, its fondness for exaggeration, spectacle and over-the-top theatrics. Even so, metal stands out as a global popular music culture replete with various kinds of often dark and austere religious and spiritual themes, many of which stand in stark contrast to Christianity. Seen in the wider context of the changing face of religion in the West and the increasingly important role played by popular culture in the transformation of religious and spiritual identities, metal has come to play an important role in the dissemination of a wide variety of ‘dark’ alternative religious/spiritual beliefs and ideas. This article sheds further light on this issue through focusing on some contemporary and successful metal groups from the Nordic countries. In relation to this, attention is also drawn to some of the ways in which dark alternative religious/spiritual ideas may be viewed as having become an inseparable part of some sections of

The 'Bollywoodization' of Popular Indian Visual Culture: A Critical Perspective

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Keval Joseph Kumar

2014-03-01

Full Text Available The roots of popular visual culture of contemporary India can be traced to the  mythological films which D. G. Phalke provided audiences during the decades of the ‘silent’ era (1912-1934.  The ‘talkies era of the 1930s ushered in the ‘singing’ /musical genre which together with Phalke’s visual style, remains the hallmark of Bollywood cinema. The history of Indian cinema is replete with films made in other genres and styles (e.g. social realism, satires, comedies, fantasy, horror, stunt in the numerous languages of the country; however, it’s the popular Hindi cinema (now generally termed ‘Bollywood’ that has dominated national Indian cinema and its audiovisual culture and hegemonized the entire film industry as well as other popular technology-based art forms including the press, radio, television,  music, advertising, the worldwide web,  the social media, and telecommunications media. The form and substance of these modern art forms, while adapting to the demands of the new media technologies, continued to be rooted in the visual arts and practices of folk and classical traditions of earlier times.

"Daddy Daycare," Daffy Duck, and Salvador Dali: Popular Culture and Children's Art Viewing Experiences

Science.gov (United States)

Eckhoff, Angela; Guberman, Steven

2006-01-01

In contemporary society, what, why, and how students come to gain knowledge and understandings of art defies traditional boundaries. In part, this is because of the prevalence of many forms of popular visual culture. In this article, the authors present three vignettes that demonstrate the ways in which three young children created connections…

Studying Popular Culture in Japan

DEFF Research Database (Denmark)

Moeran, Brian

, ceramics, fashion magazines and folk art as both products and as processes of design, manufacture, distribution, appreciation and use, which must all be taken into account. Precisely because popular cultural forms are both cultural products and commodities, they reveal the complementary nature of the two...... categories of culture and the economy. The paper outlines and analyses the different ways in which social, cultural, symbolic and economic capital are converted by those participating in advertising, ceramic, fashion magazine and folk art worlds, and suggests that popular culture may best be seen as a name...

The body complex in contemporary science, literature, and culture

Science.gov (United States)

Smith, Christopher Jason

1998-12-01

In the simplest terms, the purpose of this dissertation, entitled The Body Complex in Contemporary Science, Literature, and Culture is to examine the relationships between popular quantum mechanics, Chaos Theory (or complex dynamics), and contemporary Feminist/Gender theory. As the title is intended to suggest, this examination is narrowed to the 'event' of the body as it appears within the discourses of several different disciplines. The primary question is, 'what is the body and how do we define it?' And more, how do we conceive of 'a body' at all, from the cosmic to the molecular. How do these very different ideas of body reinforce and/or challenge our own concept of self and the experience of our bodies? And, how is this sense of embodiment represented in popular science, literature, and culture? Finally, the conclusion explores the possibility of liberating practices-complex actions-which may help to reveal the structures of power and alter in some useful ways our own sense of embodiment. This project relies most heavily upon the work of Michel Foucault and other gender critics such as Donna J. Harraway and Judith Butler. However, in support of these arguments a geneology of criticism is established which includes the Renaissance view of the body, a discussion of Karl Marx and materialism, Sigmund Freud and the body as the origin of mind, Lacan's linguistic approach to self-perception, and the theories of the French school of Feminism.

Popular Culture in the Junior College Library

Science.gov (United States)

Lonergan, David; Ayers, Meredith

2015-01-01

Popular culture is extremely influential in both academe and society at large. However, formal disciplinary study of popular culture lags far behind that influence. Anthropology, film studies, history, musicology, and sociology are only some of the disciplines that frequently include popular culture as a research focus. This article advises on how…

Islam and the Alleged Incompatibility with Popular Culture

OpenAIRE

Pierre Hecker

2017-01-01

This paper critically reflects upon the alleged incompatibility of Islam and popular culture, the antipathy toward the study of popular culture in the field of Islamic studies, and the question of what it is that puts "the popular" into culture.

Hybridization of crime fiction genre forms as a representation of contemporary cultural process

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G. O. Krapivnyk

2014-05-01

Full Text Available The research is devoted to the consideration of hybridization of crime fiction forms in the contemporary cultural process. The work showed that, from the point of view of the culture development, sophistication of the classical crime fiction formula, hybridization of detective fiction with other fiction genres is a natural process of the strive to vary і diversify, combine genres, styles and means of text presentation (from a hard copy or audio book to video and computer games, which is related to the crisis of the Modernity project epoch, where fiction genres were quite self­sufficient, and the transition to the postmodern (or updated Modern, where the human consciousness is dominated by the processes of simultaneous specialization and combination of various industries, in other words, divergence and convergence. It may be claimed that a detective text as one of the most popular genres in the contemporary information culture, in particular, because it reveals secrets, clarifies vague things and assists in discovering the truth, transforms so that there is a process of detectivization of different text products of the cultural industry. At the same time the very detective formula as a component of various genres becomes a tool for playing and influencing the consciousness of a contemporary person.

Performing Memory in Art and Popular Culture

NARCIS (Netherlands)

Plate, L.; Smelik, A.M.

2013-01-01

This volume pursues a new line of research in cultural memory studies by understanding memory as a performative act in art and popular culture. The authors take their cue from the observation that art and popular culture enact memory and generate processes of memory. They do memory, and in this

On Populist Pop Culture: Ethno as the Contemporary Political Ideology in Serbia

OpenAIRE

Irena Šentevska

2016-01-01

This study attempts to shift the debate of the contemporary facets of populist ideologies from the realm of institutional politics to the realm of everyday life, popular culture, media and “invented traditions”. My intention is to demonstrate how these realms generate new sources and voices of populism, often downplayed in the academic debates on the subject. The paper stems from comprehensive research on discourses of identity (re)construction in post-Yugoslav Serbia as communicated in pop-c...

The "Hidden Homeless" in Japan’s Contemporary Mobile Culture

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Miya Yoshida

2014-04-01

Full Text Available Mobile telephony and all it ensues has frequently gained incredible attention due to the massive impacts, which has had on the organization of daily life as well as on popular and youth cultures. This has been widely discussed in recent years as one significant aspect of the changes brought by the device; however that is not all. Attributed to capitalism, there are other, very contemporary socio-political issues at stake around the mobile telephone, especially among the younger people. In my article, I will focus on one specific phenomenon in Japanese society where the media have taken to speaking of so-called "hidden homeless".

Popular Geopolitics of Japan: Geopolitical Discourses of Anime

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Marta Zorko

2014-12-01

Full Text Available Geopolitical discourses are an integral part of the contemporary geopolitics of each state. Driven by geopolitical traditions and imagination, they intercept and thus create all aspects of the discipline of critical geopolitics- the formal, practical and popular. The main area of our research is the discourse embedded in the popular geopolitics of a specific cultural product of Japan, anime. Anime are unique and thus suited for analysis for two reasons. The first is their specific, local production and global recognition. The second is their double coding. Although they are a product of the traditional geopolitical culture of Japan’s entertainment industry, they are able to create a contemporary geopolitical culture at the same time. Through an analysis of three anime series, Tokyo Magnitude 8.0, Earth Maiden Arjuna and Mobile Suit Gundam 00, we explore the geographic and geopolitical characteristics of Japan and their influence on the traditional, as well as the contemporary geopolitical discourses.

The terminator syndrome: Science fiction, cinema and contemporary culture

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J. Sey

1992-05-01

Full Text Available This paper examines the impact of contemporary technology on representations of the human body in American popular culture, focusing on James Cameron’s science fiction films The Terminator (1984 and The Terminator II - Judgment Day (1991 in both of which the key figures are cybernetic organisms (cyborgs or a robot which can exactly imitate the human form . The paper argues that the ability of modern film technology’ to represent the human form in robotic guise undercuts the distinction between nature and culture which maintains the position of the human being in society. The ability of the robot or cyborg to be ‘polygendered’ in particular, undermines the position of a properly oedipalized human body in society, one which balances the instinctual life against the rule of cultural law. As a result the second Terminator film attempts a recuperation of the category of the human by an oedipalization of the terminator cyborg.

Rethinking Popular Culture and Media

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Marshall, Elizabeth, Ed.; Sensoy, Ozlem, Ed.

2011-01-01

"Rethinking Popular Culture and Media" is a provocative collection of articles that begins with the idea that the "popular" in classrooms and in the everyday lives of teachers and students is fundamentally political. This anthology includes outstanding articles by elementary and secondary public school teachers, scholars, and activists who…

Using Popular Culture to Teach Quantitative Reasoning

Science.gov (United States)

Hillyard, Cinnamon

2007-01-01

Popular culture provides many opportunities to develop quantitative reasoning. This article describes a junior-level, interdisciplinary, quantitative reasoning course that uses examples from movies, cartoons, television, magazine advertisements, and children's literature. Some benefits from and cautions to using popular culture to teach…

Organisational culture: A contemporary management perspective

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Richard Weeks

2010-12-01

Full Text Available Purpose: The purpose of this paper is to analyse the concept "organisational culture from a traditional and a more contemporary management perspective. Problem investigated: The concept organizational culture has assumed a very prominent place within the management literature and has been analysed from diverse multidisciplinary perspectives. Central to the importance attributed to the concept is the fact that it acts as a perceptual and behavioural determinant, which implies that it will have a significant impact on all human related institutional activities and thus the interest in the concept and its management. Researchers and management practitioners have come to assume that while the concept is difficult to manage in practice, it is possible to determine the prevailing culture of an institution, identify what is termed to be a desired culture for an institution and then analyse the cultural gap that exists. Based on the analysis conducted, it is further frequently assumed that the transition from the prevailing to a desired culture can be managed. A more contemporary management perspective, based on complexity theory, would appear to challenge the assumption of being able to actively manage the organisation's culture transformation process to ensure that a desired culture is manifest within the institution. The traditional and more contemporary approaches for dealing with the concept "organisational culture" are the focus of discussion and analysis in this paper. Methodology: A multidisciplinary literature review and analysis is undertaken to gain an insight of traditional and contemporary management theory and practice, as it relates to the concept "organisational culture" and its management. Findings: An important conclusion drawn from the study is that traditional paradigms of organisational culture management, that evolved within a more mechanistic manufacturing economy, is no longer effective for dealing with the unpredictable and

Cultural narratives and the succession scenario: Slumdog Millionaire and other popular films and fictions.

Science.gov (United States)

Paul, Robert A

2011-04-01

An approach to the analysis of cultural narratives is proposed drawing inspiration from Lévi-Strauss's analysis of myths as fantasied resolutions of conflicts and contradictions in culture and of typical dilemmas of human life. An example of such an analysis revolves around contradictions in the Western cultural construction of the succession of generations. The logic of the structural analysis of cultural representations is explicated, the schema of the succession scenario is laid out, and the conflicts that generate it are identified. The movie Slumdog Millionaire is examined in some detail as an illustration of the succession scenario at work, and a comparative analysis shows how the same underlying schema accounts for otherwise obscure aspects of comparable contemporary popular narratives including Harry Potter, The Lion King and Star Wars. Copyright © 2011 Institute of Psychoanalysis.

A Guide to Using Popular Culture to Teach Composition.

Science.gov (United States)

Smelstor, Marjorie, Ed.

The purpose of this guide is to offer possible answers to questions concerning popular culture that teachers might have and to offer suggestions on utilizing popular culture materials that are available. Lesson plans are presented using materials from advertising, newspapers, comics, film, television, popular music, radio, popular literature,…

Rewriting the Salem Witchcraft Trials in Contemporary Popular Literature

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Marta María Gutiérrez Rodríguez

2016-10-01

Full Text Available The Salem Witchcraft Trials (1692 have received a lot of attention from history and literature, although there are very few critical analysis of how this historical event has entered the literary field. Many works of historical fiction – considered the most suitable literary genre to talk about an historical event - have used it in their storylines; however, popular genres such as romance, crime fiction, fantasy and science fiction have also shown an interest in this witch hunt. The main reason for this interest can be found in the lack of final conclusions as regards what really happened in Salem. The main objective of this paper is to show how what happened in Salem has entered contemporary popular fiction with the aim of showing the interest that it still arises and to vindicate the production of more critical works about the literary construction of one of the events that most dramatically has affected the configuration of the American mind.

Popular Music Memories : Places and Practices of Popular Music Heritage, Memory and Cultural Identity

NARCIS (Netherlands)

A.J.C. van der Hoeven (Arno)

2014-01-01

markdownabstract__Abstract __ Ever since the late 1950s, people have grown up with popular music as an important element of their daily lives. This dissertation explores the connections between popular music memories, cultural identity and cultural heritage, looking at the different ways in

Space activities and global popular music culture

Science.gov (United States)

Wessels, Allison Rae; Collins, Patrick

During the "space age" era, space activities appear increasingly as a theme in Western popular music, as they do in popular culture generally. In combination with the electronics and tele-communications revolution, "pop/rock" music has grown explosively during the space age to become an effectively global culture. From this base a number of trends are emerging in the pattern of influences that space activities have on pop music. The paper looks at the use of themes and imagery in pop music; the role of space technology in the modern "globalization" of pop music; and current and future links between space activities and pop music culture, including how public space programmes are affected by its influence on popular attitudes.

Cultural Modulation and The Zero Originality Clause of Remix Culture in Australian Contemporary Art

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Ross Rudesch Harley

2009-12-01

Full Text Available Australian media artists particularly have been engaged in using found-footage strategies — as evidenced by work made over the past three decades and included in recent retrospective exhibitions such as 'SynCity: Remixing three generations of sample culture' (2006. Armed with techniques of cut and copy, these artists purposefully manipulate and hack found material for their own strategic purposes. In doing so, they dislocate archival material from its original techno-cultural location and re-animate global popular culture in their own personal/local style. Artists have always been plugged into archives, whether it be for inspiration, research purposes, or as a source of raw material. The present digitisation of archives into web databases and peer-to-peer networks has further accelerated this relationship of storage and cultural exchange. Tracing a conceptual bass-line that can be followed from the avant-garde filmmakers of the 20s, Situationist détournement and Burroughs’ cut-up techniques of the 1960s, 1980s Super8 strategies, contemporary VJ culture, creative commons, wikimedia, open source and P2P networks, this article lays out some of the stakes involved in remixing the archive in the bit-torrent age.

Resistance to Western Popular and Pop-Culture in India

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Algis Mickūnas

2017-03-01

Full Text Available The essay is designed to present the phenomena of popular culture, its difference from pop culture, both products of modern West, and their impact on film and advertisement media in India. First, the discussion focuses on the Critical School which proposed the initial thesis of commodification of culture with a resultant “lowering” of standards to appeal to “the masses”, and an appeal to the “average” tastes. In the essay an argument is presented that pop culture is a “critique” of popular culture and is an elitist position attempting to shock popular mores and media content. Given this setting, it is argued that while India has followed both the globalizing popular and pop cultures, neither are adequate to encompass Indian media, specifically their film content.

Constructing the contemporary via digital cultural heritage

DEFF Research Database (Denmark)

Andreasen, Torsten Arni Caleb

2015-01-01

The present article questions the construction of 'the contemporary' in digital cultural heritage archives as specific strategic articulations between past and present with regard to the future. A historical exploration of the discourse of cultural heritage presents three strategic axes supposedly...... the possibility of ascribing inherent epistemological, existential, empirical and geopolitical force to a given technological archival order. - See more at: http://twentyfour.fibreculturejournal.org/2015/06/04/fcj-174-constructing-the-contemporary-via-digital-cultural-heritage/#sthash.sNhW8uuA.dpuf...

Secondary School Students' Preferences for Popular Music and Perceptions of Popular Music Learned in School Music Education in Mainland China

Science.gov (United States)

Ho, Wai-Chung

2017-01-01

This study examined popular music and school music education as cultural constructs of teenage students amid the shifting cultural and social dynamics of contemporary China. Data were drawn from questionnaires completed by 6,780 secondary students (mainly ages 12 through 17) from three cities--Beijing, Changsha, and Shanghai. The survey results…

Archaeoastronomical Concepts in Popular Culture

Science.gov (United States)

Krupp, Edwin C.

Broad public embrace of archaic astronomy probably began in the eighteenth century with awareness of the summer solstice sunrise's affiliation with Stonehenge. Since that time, Stonehenge has retained an astronomical mystique that attracts crowds mobilized by the monument's supposed cosmic purpose. They are committed to witness prehistoric heritage operating in real time and with enduring function. More recently, mass media have intermittently thrown a spotlight on new archaeoastronomical discoveries. While the details, ambiguities, and nuances of disciplined study of astronomy in antiquity do not usually infiltrate popular culture, some astronomical alignments, celestial events, sky-tempered symbols, and astral narratives have become well known and referenced in popular culture. Places and relics that command public interest with astronomical connotations are transformed into cultural icons and capture visitors on a quest for the authenticity the past is believed to possess. Monuments and ideas that successfully forge a romantic bond with the past and inspire an imagined sense of sharing the experience, perspective, and wisdom of antiquity persist in the cultural landscape.

Contemporary practice of presentation: new tendencies in showing the cultural heritage

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Ljiljana Manić

2014-09-01

Full Text Available Because of its symbolic meaning, the cultural and historical heritage has a specific value for the modern generations, since it forms the identity and shapes the collective and individual culture of memory. It is of great importance that more and more young people get in touch with the works of art that make the material cultural heritage. However, the traditional ways of presentation are usually not very popular with the audience, since people are so used to the dynamics of the new media. Contemporary exhibitions are becoming a way for the audience to get information, entertainment and education, since they tell stories and offer arguments of diversity and importance of cultural heritage. In this paper we will analyze the advantages of technology in presentation and promotion of cultural heritage on the example of the multimedia exhibition “Refreshing of memory”. Through animation, projection and interactive presentation, intriguing lighting and sound sensations, the author of the exhibition Ivan Mangov has presented the medieval painting to the younger audience.

Vocação de criar: anotações sobre a cultura e as culturas populares Vocation to create: notes on culture and popular cultures

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Carlos Rodrigues Brandão

2009-12-01

Full Text Available O artigo examina diferentes dimensões da cultura e das polêmicas que envolvem o termo para dizer da(s cultura(s popular(es como derivação também controvertida. Diferentemente dos estudos sobre o eixo cultura-cultura popular, num exercício de memória, busca-se o processo de criação dos movimentos de cultura popular dos anos 1960 no Brasil para, então, aproximá-lo dos tempos atuais e mostrar como a cultura e a cultura popular foram levadas ao campo da prática política e integraram nelas um novo sentido dado à própria educação. Trata-se da discussão entre cultura e educação como espaços francamente abertos e dialógicos que se abrem à difícil e complexa arte da criação, da partilha e do intercâmbio de e entre culturas populares, do papel do saber e da reprodução do saber como questão substantiva no eixo entre cultura e educação.This article examines different dimensions of culture and the controversies surrounding this term when used to refer to "popular culture(s";. Unlike studies on the axis culture-popular culture, an attempt is made to return to the beginning of the Brazilian popular culture movements in 60's, in order to bring them closer to the present time. In doing so, it will be possible to show how culture and popular culture were taken to the field of political praxis, integrating in them a new meaning given to education itself. The discussion points out that a substantive issue to be considered is if culture and education are conceived as spaces overtly open and dialogical in nature, typical of the difficult and complex art of creating, sharing and interchanging of (and between popular cultures the role of knowledge and of the knowledge reproduction.

Ufology: The Origins of a “Science” in Popular Culture

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Nina Kulenović

2016-02-01

Full Text Available The paper indentifies pop-cultural precursors to contemporary ufology, an unusual amalgamation of beliefs, conceptions and ideas, based on ontologically officially inexistent phenomena. The focus of the paper is on the socio-cultural context which enabled the constitution and/or transformation of the contingent semantic matrix which would interpret “strange phenomena in the sky” as alien aircraft. By contextualizing ufology within the framework of popular culture on the shoulders of which it initially stood, I will shed light on the political, ideological and ethical climate in which the initial UFO discourse emerged. The trail for further ufological research was opened by pointing out that pop-culture – in the age of dwindling trust in official institutions which is symptomatic of the second half of the 20th century, as well as the dismantling of the idea of science as a value-neutral and objective way of looking at reality – had already paved the way for a pseudoscientific/sciencelike discourse like ufology to strive to constitute itself as a “science more scientific than science itself”, and as “more objective than the objective”. In other words, as a epistemologically valid, methodologically standardized, institutionally grounded, fiscally viable and ethically superior scientific discipline.

Popular culture and tourism: the case of music tourism

OpenAIRE

Metodijeski, Dejan; Stojanoski, Hristo

2014-01-01

The subject of research in this paper is the popular culture and tourism analysed from the perspective of the music aspect of tourism. Although tourism and music can be characterized as a popular culture, these two terms are not analysed individually. Instead, this research is taking into consideration their mutual relation and synergy. This paper is making an attempt to define the popular culture, tourism and music tourism through numerous examples of music tourism around the globe. In ad...

Homepage of the Philosophy Meets Popular Culture Initiative

DEFF Research Database (Denmark)

Grund, Cynthia M.

2008-01-01

-modern students, whose knowledge of various aspects of popular culture often is as encyclopedic as their classical liberal arts background is limited (some might say impoverished).   One goal of the PHILOSOPHY meets POPULAR CULTURE homepage (launched on October 7, 2008)  is to provide a forum for researchers, teachers...

Making Sense of Shakespeare: a Cultural Icon for Contemporary Audiences

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Michael Olsson

2013-11-01

Full Text Available The works of William Shakespeare are more popular in the 21st century than ever before, Why are theatre and audiences around the globe still drawn to his work? How do they make sense of these texts in ways that resonate with their cosmopolitan, contemporary audiences? This article uses the findings of a study interviewing 35 theatre professionals in Canada, Finland and the United Kingdom to explore these issues. Theoretically and methodologically, it is a bricollage, drawing on a range of approaches including Foucault’s discourse analysis, Hobsbawm’s invented traditions and Dervin’s Sense-Making to understand participants sense-making as an affective, embodied social practice. It argues that attempting to understand the significance of a major cultural icon such as Shakespeare in contemporary cosmopolitan civil society needs to recognise the many meanings, roles and significances that surround him and that this complexity makes it unlikely that any one theoretical lens will prove adequate on its own. DOI: http://dx.doi.org/10.5130/ccs.v5i3.3640

Myth Today: the Traditional Understanding of Myth in Critical Theories of Society and the Usefulness of Vernant's Concept of Ancient Greek Mythology for Contemporary Cultural Studies

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Jože Vogrinc

2004-12-01

Full Text Available There is no shortage of speaking about »myths« in contemporary popular culture, and often ancient Greek myths are evoked. »Myth«, however, is usually taken to mean a widely distributed story or belief which is inexact, false and/or fabricated – typically, to manipulate the multitude. In critical theories of society after Marx there are hints of different, theoretically more productive accounts of modern heritage or modern correspondences with Greek mythology. Marx himself has influenced cultural theorists with his account of the relationship between Greek mythology and Greek art as given in his Grundrisse. In his view, mythology serves as the arsenal and foundation of art because in mythology »nature and social forms are already reworked in an unconsciously artistic way by the popular imagination«. This account, together with a hint that there exist (in newspapers modern correspondences with such a relationship, has led to various theoretical elaborations of contemporary popular culture and ideology (e.g. in A. Gramsci, R. Williams, L. Althusser, P. Macherey etc.. None of them, however, retains »myth« as a concept; the word, when used, refers to ideology. Even R. Barthes, who developed a semiological concept of myth, did not refer to its Greek cultural meaning but used it explicitly as a tool for analysing the ideological manipulation of popular culture. C. Lévi-Strauss in social anthropology in general and J.-P. Vernant in the anthropology of ancient worlds have, on the other hand, developed the structural analysis of myths as essential to a culture without reducing it disparagingly to ideology. In our view, it should be possible to transpose Vernant's treatment of myth as a variable and shifting popular account of topics vital to its consumers to the study of today's popular culture and media.

Law and Popular Culture : International Perspectives

NARCIS (Netherlands)

Brown, K.J.; Asimow, Michael; Papke, David Ray

Commentators have noted the extraordinary impact of popular culture on legal practice, courtroom proceedings, police departments, and government as a whole, and it is no exaggeration to say that most people derive their basic understanding of law from cultural products. Movies, television programs,

The Politics of the Omnivores: Elite Culture, Popular Culture, and Libertarianism

NARCIS (Netherlands)

D. Houtman (Dick); P.H.J. Achterberg (Peter)

2004-01-01

textabstractPaper prepared for the workshop Collapsing Cultural Canons: Elite Culture, Popular Culture, and Politics in Late Modernity Ecole des Hautes Etudes en Sciences Sociales, Marseille, France, October 28-29, 2004

CULTURAL PHENOMENA AND PROCESSES IN CONTEMPORARY SOCIETY – DETERMINANTS OF CULTURAL POLICIES

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ANDREEA MIHAELA NITA

2012-05-01

Full Text Available Cultural phenomena and processes in the contemporary society, influenced by the social development models and by the fact that the constitutive elements of the culture have become the decisive factors of social change, are the determinants of the cultural policies. They are centered on the active process of cultural globalization that emphasizes besides the assimilation of the European principles, also the preservation of the cultural dialog without identity loss. Contemporary culture cannot be appreciated unless we know the main processes and phenomena that lately have generated impressive changes in the area of technology and means of communication. Due to these transformations we witness a change of the cultural paradigms, a mutation of values.

THE REFLECTIONS OF POPULAR CULTURE IN POSTER DESIGN

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İbrahim Gökhan CEYLAN

2015-09-01

Full Text Available Poster is a product of graphic prepared for ıntorducing a culture or goods; or tranmitting a message. We can come across a poster almost in anywhere. As a product of graphic, a poster hav found its own place in many art movements and that’s why one should have the same concern for it as for others in the aspects of design and artistic view. The most important target of a commercial or advertisement is to reach the exact target audience at the exact time. Poster from its very begining, has became an area that needs a speciality in appliyng. Poster design aims to leave the neccessary effect whether by introducing the idea/product or by directing the target audience to the idea/ product. It is for sure that while moving the target audience to the aimed idea/ product, it is more easily-remembered using the popular cultural ıbjects which have a profound effect on the target audıence. Popular culture is mass culture. It is aimed to move the massive population by using the popular people, products and etc. In fact popular culture is a society to burden the creatvity and prodcution. It also a reason to resemble the society each other and it is a unit of constant changing. It is a consumption society in another saying. It supports consumption. In poster designs, it can be seen that designs are done under the effect of these popular culture. It is via this poiciy that consumers are directed to the target message or product.

Abraham Lincoln in European Popular Culture

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John Dean

2016-05-01

Full Text Available This article argues that Lincoln is not a universal hero, but rather an indigenous, U.S., ethnocentric one. Lincoln has generally been absent as a model in European social and public life, rarely emphasized as an essential part of education or in the public forum. Among the reasons given for this difference are inaccurate references to his ecumenical qualities and the often negative attitude in Europe towards a U.S. popular taste culture which is an expression of values, a vital, half-wild, half-tame, communal expression of ‘We, the People of the United States.’ Especially in the 20th century, U.S. popular culture and popular icons have often been regarded in Europe as an expression of lowbrow entertainment. But in the U.S., ‘popular’ is much closer to ‘grassroots’ in the full, Whitmanesque meaning of the term. Some things don’t translate.

New Concepts of Play and the Problem of Technology, Digital Media and Popular-Culture Integration with Play-Based Learning in Early Childhood Education

Science.gov (United States)

Edwards, Susan

2016-01-01

Technology, digital media and popular culture form an important aspect of young children's life-worlds in contemporary post-industrial societies. A problem for early childhood educators is how to most effectively integrate these aspects of children's life-worlds into the provision of play-based learning. Traditionally, research has considered…

Popular Culture and the Rituals of American Football

OpenAIRE

Axelrod, Mark

2001-01-01

In his article, "Popular Culture and the Rituals of American Football," Mark Axelrod reflects on meanings of cultural practice in American popular culture. Before globalization -- driven by economics -- became a fact of life with profound implications, there were myths and rituals that provided a kind of insulation from the mysteries of life. These practices were ritualized by "primitive" men and women who, seemingly, did not understand the universe as well as we moderns do. But in fact one o...

Contemporary Culture and Aesthetic Education

DEFF Research Database (Denmark)

Friberg, Carsten

2011-01-01

relation to a specific cultural context, and our acquisition of it comes from being acquainted with cultural products. Aesthetics is thus closely related to hermeneutics, to how we interpret specific situations we find ourselves in. Key words: education, sensorial, judgement, hermeneutics, Kant...... century, a focus we on aesthetic education and communication. Important were arts and letters which still are important but very much on the defensive in our contemporary culture also because aesthetics often is a debate about criticism rather than about the sensorial and bodily aspect of cultural...

Bringing American Popular Culture to the English Departments in Indonesia*

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Dewi N.

2012-01-01

Full Text Available One outcome of the globalization process is the growing influence and dominance of American popular culture. The speed with which American music, films, and goods have flooded the markets worldwide is remarkably high, thanks to the advancement of telecommunication technologies and the Internet. Increased cultural transfer or, more precisely, internationalization of American culture has posed both fear and fascination to other cultures. How do people in the academia respond to this conundrum of cross-cultural contacts? What do we teach when we teach popular culture? What viable research in American popular culture is encouraged so as to result in impartially beneficial impacts for society at large? This paper is to argue that one can become an avid learner or critic of a certain culture when s/he finds meaningful connections between that culture and life itself. The teaching of American popular culture in the English Department, for instance, has to be locally contextualized, learner-participant oriented, and socially self-actualized. In this way, American Studies outside the U. S. may in turn become less centralized as the interchange of cross-cultural understanding takes place concurrently.

Popular Culture in Mainland Chinese Education

Science.gov (United States)

Ho, Wai-Chung

2006-01-01

The policy and practice of school education in mainland China have changed in response to the political and economic reformations and opening-up of the late 1970s. This paper argues that, despite the introduction and emphasis on popular culture in some areas of school education, traditional Chinese culture and values continue to consolidate the…

Nollywood, Popular Culture and Nigerian National Identity

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Charles Effiong

2017-09-01

Full Text Available Film culture in Nigeria has become very popular among Nigerian and transnational audiences especially in Africa to the extent that there is hardly a day people do not look for new films produced by Nollywood. In the same light, there is hardly a street in the country where one cannot find at least a video shop that distributes these films. Young and old people especially those in the rural areas are often found hanging around these shops to catch a glimpse of any of the films advertised by retail outlets. This has therefore proven the popularity of Nollywood productions among the people, who see in these films issues of culture that engage their attention and also try to give them awareness about socio-cultural practices that are common in the society. A major problem of concern is that although these films expose and treat cultural issues that affect the society, their promotion of a true national identity is questionable. In this regard, this paper is an attempt to examine how the films produced by Nollywood have been able to promote national identity vis-à-vis showcasing the cultural values of the people that can be cherished in the Nigerian society and beyond. Arguments on this will be done through qualitative (interview method and supported by Kantian morality theory, which will help in concluding that as popular culture, Nigerian films have created among Nigerians and the world some cultural practices that tend to give the Nigerian people a negative identity.

Culture Jamming Versus Popular Culture

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Leonardia Acynthia Putri

2013-11-01

Full Text Available Abstract: This literature study researched Adbusters, the anti-commercial organization, and described the organization’s activities and media usage, mainly in the period of 2007-2010, which critized the populer culture. Adbusters is an organization which performs “Culture Jamming”; a rebellious act reacting towards commercialism domination in many aspects including popular culture. Compared to other similar organizations, Adbusters has been executing more various activisms using several media which other organizations do not use. This study used the Adbusters’ official website and blogs as main data sources. The data of Adbusters’ activities and media usage were categorized and analyzed, thus the tendency of its development can be described. This study also analyzed Adbusters’ activity using Media Hegemony Theory and Political Economy Media Theory. The media has been dominated by a certain group that owns politic and economic power, so the information flow has been dominated by them. Media and its contents have been commercialized, thus capitalism and commercialism have been considered as a common system that should run the world. Adbusters has been trying to stop the domination and change the society’s way of thinking into a more critical way of thinking.   Abstrak: Studi literatur ini meneliti tentang Adbusters, sebuah organisasi anti komersial, dengan mendeskripsikan aktivitas serta penggunaan media organisasi tersebut dari tahun 2007-2010 dalam mengkritisi budaya populer. Adbusters adalah organisasi yang melakukan Culture Jamming, aksi perlawanan terhadap dominasi komersialisme di segala aspek termasuk popular culture. Dibandingkan dengan organisasi lain yang serupa, aktivitas Adbusters lebih bervariasi dan menggunakan media-media yang tidak biasa digunakan organisasi lain. Penelitian ini menggunakan situs online resmi Adbusters sebagai sumber data utama. Data mengenai aktivitas dan

"Popular Culture" and the Academy

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Igor Johannsen

2017-01-01

Full Text Available The term "popular culture" is mostly used to describe either cultural practices or products that are widespread and available for mass consumption or those practices that belong to the cultural sphere of "ordinary" people. The use of this concept in scholarly research and debate, however, is far from concise and often lacks the analytical clarity needed for sound and convincing knowledge production. Lacking a precise and viable definition for this concept, this essay argues for abolishing it in favor of the concept of "culture", which in itself can be operationalized so as to accommodate all forms and practices that can be perceived as cultural. The central argument consists of a critique of the inherent classifications of culture through respective adjectives that inevitably lead to normative assumptions and presuppose specific research questions or methods.

Anthropological Studies of Popular Culture

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Bojan Žikić

2016-02-01

Full Text Available One of the questions raised at the symposium "Our World, Other Worlds. Anthropology, Science Fiction and Cultural Identity", held in Belgrade in December 2009, is how anthropology is to study contemporary art forms: how research issues are to be defined and approached; how research is to be organized in a specific semantic area, which cannot always and with absolute certainty be said not to be an anthropological construction; whether the subject of research can be said to have the shared nature of cultural communication; whether the anthropologist is to interpret the author/artist’s intention, or that which is produced as a result of that intention, etc. The aim of this paper is to suggest some answers to these questions, from the point of view of a researcher focused on cultural communication.

Use of Popular Culture Texts in Mother Tongue Education

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Bal, Mazhar

2018-01-01

The aim of this study was to associate popular culture texts with Turkish language lessons of middle school students. For this purpose, a model was proposed and a suitable curriculum was prepared for this model. It was aimed to determine how this program, which was the result of associating popular culture texts with Turkish language lesson…

Shinsengumi - a historical and modern popular culture phenomenon

OpenAIRE

Rinkevičiūtė, Laura

2016-01-01

Shinsengumi - a Historical and Modern Popular Culture Phenomenon Shinsengumi was a special police force, which existed between 1864 and 1869 years. Shinsengumi means „Newly selected troops“. Nowadays they get a lot of attention in popular culture – films, shows, documentary, books, manga and anime. Because of it's existence in late Tokugawa period, Shinsengumi is often called „the last samurais“. They have become the object of various screening since the middle of twentieth century. After NHK...

Images of Freud in Popular Culture and Fiction

DEFF Research Database (Denmark)

Sørensen, Bent

in popular culture, where Sigmund has long had iconic status, both in terms of his own physical likeness and in terms of stereotyped versions of his main ideas. To complement this analysis I shall contrast the popular image of Freud with the use of him in recent fiction by E.L. Doctorow and John Irving.......Historiographic metafiction and postmodern pastiche, both defined by critic Linda Hutcheon as subversive literary and cultural strategies, have put Freud to work both as a clown and a stern cultural critic. My paper will first take a lighthearted look at some of the humorous images we find of Freud...

Popular culture and the narrative: the case of the James Bond 007 films

OpenAIRE

2008-01-01

This study examines the contribution of popular culture and artefacts in the narratives of the James Bond films and postulates that these narratives in turn become popular cultures of their own. In the audiovisual industry the actuality and novelty of the content and the production thereof relates directly to the success of the production. The main reason is because of actuality of the theme, topic and the popular culture portrayed in the production. The popular culture products at the time o...

Social space and cultural class divisions: the forms of capital and contemporary lifestyle differentiation.

Science.gov (United States)

Flemmen, Magne; Jarness, Vegard; Rosenlund, Lennart

2018-03-01

In this article, we address whether and how contemporary social classes are marked by distinct lifestyles. We assess the model of the social space, a novel approach to class analysis pioneered by Bourdieu's Distinction. Although pivotal in Bourdieu's work, this model is too often overlooked in later research, making its contemporary relevance difficult to assess. We redress this by using the social space as a framework through which to study the cultural manifestation of class divisions in lifestyle differences in contemporary Norwegian society. Through a Multiple Correspondence Analysis (MCA) of unusually rich survey data, we reveal a structure strikingly similar to the model in Distinction, with a primary dimension of the volume of capital, and a secondary dimension of the composition of capital. While avoiding the substantialist fallacy of predefined notions of 'highbrow' and 'lowbrow' tastes, we explore how 168 lifestyle items map onto this social space. This reveals distinct classed lifestyles according to both dimensions of the social space. The lifestyles of the upper classes are distinctly demanding in terms of resources. Among those rich in economic capital, this manifests itself in a lifestyle which involves a quest for excitement, and which is bodily oriented and expensive. For their counterparts rich in cultural capital, a more ascetic and intellectually oriented lifestyle manifests itself, demanding of resources in the sense of requiring symbolic mastery, combining a taste for canonized, legitimate culture with more cosmopolitan and 'popular' items. In contrast to many studies' descriptions of the lower classes as 'disengaged' and 'inactive', we find evidence of distinct tastes on their part. Our analysis thus affirms the validity of Bourdieu's model of social class and the contention that classes tend to take the form of status groups. We challenge dominant positions in cultural stratification research, while questioning the aptness of the metaphor of

The Influences of Western Food Culture on Contemporary Chinese Food Culture

Institute of Scientific and Technical Information of China (English)

张林

2017-01-01

Food, an essential prerequisite for existence, plays an irreplaceable role in the development of society and in the progress of human beings. Chinese food culture has a long and bril iant history, but under the huge impacts of the western civilization, it has been greatly influenced. From these study, the positive influences of the western food culture on the contemporary Chinese food culture can be clearly seen, which also have promoted the diverse developments of Chinese dietary culture.

Hábitat popular. Resistencia cultural materializada

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Paula Peyloubet

2006-01-01

Full Text Available En este artículo se presenta un enfoque alternativo acerca del valor del hábitat popular. Se considera su producción como un valor en sí mismo, intangible, donde se expresa el acervo cultural de los diversos pueblos que componen el Hábitat Popular materializado en Arquitectura de alto contenido simbólico. Se construyen los argumentos de este enfoque a partir de concepciones sociológicas y antropológicas que dilucidan la semiótica de esta expresión física tan singular y siempre presente en nuestras ciudades latinoamericanas.

The Cultural Revolution and Contemporary Chinese Art

Science.gov (United States)

Yang, Guey-Meei; Suchan, Tom

2009-01-01

Using this instructional resource, teachers can explore the impact of the Cultural Revolution (1966-1976) on contemporary art in mainland China with their students. The three artists Luo Zhongli (b. 1948), Xu Bing (b. 1955), and Wang Guangyi (b. 1957) came of age during the Cultural Revolution and are representative of a much larger number of…

文化漫游与精神家园——当代中国文化散文的公共语境 (Cultural Tours and the Spiritual Home: On Yu Qiuyu and Contemporary Chinese Cultural Essays

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Yi Zheng

2007-01-01

Full Text Available The essay explores the public social dimension of the “great cultural essays” as a popular post-socialist genre. It looks into the genre’s emergence and popularity as part of the making of a middleclass taste in contemporary China and its claim to a re-imagined cultural national inheritance. In particular, the discussion focuses on the example of essayist Yu Qiuyu and examines the implications of his successful transformation of an obsolete historical “Culture” into a desirable commodity that offers spiritual home to the aspiring and successful of a “Greater China”.

Fragmentation, Intertextuality and Hyperreality: The Postmodern and Popular Filipino Films

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Erwhin Clarin

2016-05-01

Full Text Available Watching popular films can help students take certain arguments in the theory of knowledge more seriously. Such claims bring to fore what the postmodernist critic Frederic Jameson (1998 refers to as the erosion of distinction between high culture (as represented by philosophy and the act of philosophizing and popular culture (embodied by popular films as when these products of mass culture are used as texts for philosophical and literary studies. The present study was designed to analyze popular Filipino films as text, in order to achieve the researcher’s aims: one is to prove that movies can truly be philosophic and literary, by highlighting the dominant features of postmodernist fiction discernible in the selected contemporary films, and how these features were related to the over-all narrative structure, characterization, and thematic content, and more importantly, to participate in the effacement of the line between high art and commercial art, demonstrating in the end that "le postmoderne" has finally reached the Philippines.

Video games as American popular culture

OpenAIRE

Wolf, Mark J.P.

2017-01-01

Video games have moved, possibly surpassing even movies, into a central role in American popular culture in a relatively short time, and today there is increasing evidence that the video game console –to some extent, as much as the personal computer– has emerged as a central media device through which “convergence culture” is taking place. In the world of massively multiplayer online games, new (and very real) economies and cultures have evolved with striking rapidity, while on a very differe...

La cultura popular anglofona en el curriculum del ingles a nivel superior (Popular Anglophone Culture in the English Curriculum at the College Level).

Science.gov (United States)

Zoreda, Margaret Lee

This paper examines the rationale for introducing popular culture into college-level English-as-a-Second-Language instruction in Mexico, drawing on research and theory in second language instruction, and it offers specific suggestions for classroom presentation of popular cultural content. It is argued that content in popular culture can enhance…

Popular Culture and Critical Media Literacy in Adult Education: Theory and Practice

Science.gov (United States)

Tisdell, Elizabeth J.

2007-01-01

This chapter introduces the volume, provides an overview of the theory and literature on popular culture and critical media literacy in education, and discusses ways to use popular culture in adult education.

Popular music as cultural heritage: scoping out the field of practice

NARCIS (Netherlands)

Brandellero, A.; Janssen, S.

2014-01-01

This paper sets out to deepen our understanding of the relationship between popular music and cultural heritage and to delineate the practices of popular music as cultural heritage. The paper illustrates how the term has been mobilised by a variety of actors, from the public to the private sector,

Popular music as cultural heritage: scoping out the field of practice

NARCIS (Netherlands)

A.M.C. Brandellero (Amanda); M.S.S.E. Janssen (Susanne)

2014-01-01

textabstractThis paper sets out to deepen our understanding of the relationship between popular music and cultural heritage and to delineate the practices of popular music as cultural heritage. The paper illustrates how the term has been mobilised by a variety of actors, from the public to the

On Populist Pop Culture: Ethno as the Contemporary Political Ideology in Serbia

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Irena Šentevska

2016-12-01

Full Text Available This study attempts to shift the debate of the contemporary facets of populist ideologies from the realm of institutional politics to the realm of everyday life, popular culture, media and “invented traditions”. My intention is to demonstrate how these realms generate new sources and voices of populism, often downplayed in the academic debates on the subject. The paper stems from comprehensive research on discourses of identity (reconstruction in post-Yugoslav Serbia as communicated in pop-cultural media forms (specifically, music videos of all genres, in which I used a sample of 4733 music videos produced between 1980 and 2010 (and later. In this paper, I have chosen to focus on the case of the charity campaign Podignimo Stupove and its music video output. The campaign was launched as a pop-cultural initiative to help the restoration of the 12th century monastery Đurđevi Stupovi in Stari Ras, a site of utmost historical significance and value for the national culture. Against the background of institutional changes that markedly redefined the place of religion in Serbian post-socialist society, the music videos discussed in this paper provide a valuable insight into the combined musical, textual and visual language of communication of some longstanding notions associated with “Serbian populism”.

Release the Dragon: The Role of Popular Culture in Children's Stories

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Urbach, Jennifer; Eckhoff, Angela

2012-01-01

Young learners come to the school environment with myriad literacy experiences, some of which are inevitably based in popular culture. While literacy knowledge drawn from experiences with popular culture has traditionally been viewed as less important than academic literacy, educators wishing to create classrooms that value all children need to…

Música popular brasileira, indústria cultural e identidade

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José Roberto Zan

2001-01-01

Full Text Available This text shows an overview approach of Brazilian popular music raise, connected with the development of the phonograph industry and its market in Brazil. It includes a tentative periodical division of Brazilian popular music history, in order to enlarge the understanding of how different ways symbolic elements related to the issue of identity were translated and reproduced by that cultural expression.

University Faculty Perceptions and Utilization of Popular Culture in the Classroom

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Peacock, Jessica; Covino, Ralph; Auchter, Jessica; Boyd, Jennifer; Klug, Hope; Laing, Craig; Irvin, Lindsay

2018-01-01

This article discusses results of a survey on the utilization of and attitudes and beliefs towards the use of popular culture among faculty in higher education. A total of 212 faculty members from a mid-sized public regional university provided responses, with the majority indicating that they utilize popular culture in their classroom teaching…

Crafting Sustainability: Handcraft in Contemporary Art and Cultural Sustainability in the Finnish Lapland

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Elina Härkönen

2018-06-01

Full Text Available Crafting sustainability is discussed here with respect to the dimensions of handcraft traditions in contemporary art for promoting cultural sustainability in the Scandinavian North. Aspects of decolonization, cultural revitalisation, and intergenerational dialogue form an integral part of the negotiations around the need for cultural survival and renewal for a more sustainable future. These dimensions should also be considered in the development of the current education of art teachers. Learning traditional skills and applying them in contemporary art constitute an influential method when striving for cultural sustainability. This study examines three handcraft-based contemporary art cases through art-based action research conducted in the Finnish and the Swedish Lapland. The results show that handcraft-based contemporary art practices with place-specific intergenerational and intercultural approaches create an open space for dialogue where the values and the perceptions on cultural heritage can be negotiated.

Black Voices, German Rebels: Acts of Masculinity in Postwar Popular Culture

OpenAIRE

Layne, Priscilla Dionne

2011-01-01

This dissertation examines practices of embodying Black popular culture in Germany. My analysis is based on close readings of texts from a variety of media including novels, films and musical theater from West and East Germany of the 1950s to the reunified Germany of the 1990s. Black popular culture, particularly popular music, has appealed to Germans since the 19th century, when the Fisk Jubilee singers toured Europe. In most of my analyses, music plays a prominent role as a gateway to Black...

'From War Cacophonies to Rhythms of Peace': Popular Cultural ...

African Journals Online (AJOL)

The materials being collected for the Popular Culture Archives at the Centre for Basic Research in Kampala are the point of departure for this paper. It focuses on the development of popular music genres in Uganda since 1986, places this in the context of political history since independence, and discusses the particular ...

Revisioning Premodern Fine Art as Popular Visual Culture

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Duncum, Paul

2014-01-01

Employing the concept of a rhetoric of emotions, European Premodern fine art is revisioned as popular culture. From ancient times, the rhetoric of emotion was one of the principle concepts informing the theory and practice of all forms of European cultural production, including the visual arts, until it was gradually displaced during the 1700s and…

Japanese Martial Arts as Popular Culture: Teaching Opportunity and Challenge

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Stephen Robert NAGY

2015-07-01

Full Text Available Japanese martial arts, here after Japanese budō, are popular cultural icons that are found in films, comics, video games and books. Teaching Japanese budō at university offers a novel way to teach about East Asian and in particular Japanese culture, history, and philosophy while including ideas about the globalization and the localization of culture. Question though remains as to how and what should we teach about the popular culture of Japanese budō at the university level? This paper found that a comprehensive approach to teaching about budō was effective. By using many kinds of materials and the incorporation of opportunities to experience budō and to try budō, students were better able to grasp the historical, cultural and religious characteristics of budō.

Hua Loo-Keng's Popularization of Mathematics and the Cultural Revolution.

Science.gov (United States)

Hudeček, Jiří

2017-09-01

Before 1966, Chinese mathematician Hua Loo-Keng had singled out "Two Methods" as a way to truly applied and useful mathematics. The Overall Planning Method, based on the Critical Path Method widely used in USA, mostly appealed to middle and upper management. This limited its spread during the Cultural Revolution. The Optimum Selection Method, also of US origin, was more mass-oriented and ready for popularization. Nevertheless, Hua met resistance from leftist radicals, whose ideological objections sprang from an underlying power struggle. Hua built popularization teams, mostly from talented younger people whose careers were disrupted by the Cultural Revolution, and thus opened a path for many of them to important roles in China's scientific infrastructure after 1976. Hua Loo-Keng's efforts, while interrupted during the Cultural Revolution and the subsequent political campaigns, were also helped by the populist ethos of the movement, and by the lack of other non-political endeavors at that time. In this sense, the Cultural Revolution gave Hua Loo-Keng's popularization its importance and long-term impact. Copyright © 2017 Elsevier Ltd. All rights reserved.

Chinese and American Children's Perceptions of Popularity Determinants: Cultural Differences and Behavioral Correlates

Science.gov (United States)

Li, Yan; Xie, Hongling; Shi, Junqi

2012-01-01

The present study aimed to investigate cultural construction of children's perceptions of popularity determinants using a cross-cultural approach. This study examined 327 Chinese and 312 American fifth-graders' perceptions of what individual characteristics and peer relationships would make a peer popular. Consistent with cultural emphases,…

The Art of Culture War: (Un)Popular Culture, Freedom of Expression, and Art Education

Science.gov (United States)

Darts, David

2008-01-01

This article examines the culture wars in the United States and considers their impact on the field of art education. Stretching across virtually ever facet of contemporary culture, these ideologically charged battles over opposing moral values and fundamental belief systems are an intrinsic part of the ongoing struggle to define and control U.S.…

The popularity of domestic cultural products: cross-national differences and the relation to globalization

NARCIS (Netherlands)

Bekhuis, H.

2013-01-01

This dissertation addressed the popularity of domestic cultural consumption. It aimed at describing and explaining the extent to which the popularity of domestic cultural consumption differs between countries and over time. We studied the popularity of domestic versus foreign film productions, the

FCJ-174 Constructing the contemporary via digital cultural heritage

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Torsten Andreasen

2015-06-01

Full Text Available The present article questions the construction of 'the contemporary' in digital cultural heritage archives as specific strategic articulations between past and present with regard to the future. A historical exploration of the discourse of cultural heritage presents three strategic axes supposedly executed by the archive. Via a fourfold problematisation of the notion of the contemporary these axes are further developed with regard to W.J.T. Mitchell and Georges Didi-Huberman's respective readings of Warburg's Atlas Mnemosyne and Malraux's Musée imaginaire. The article finally questions the possibility of ascribing inherent epistemological, existential, empirical and geopolitical force to a given technological archival order.

Batman and Batwoman Go to School: Popular Culture in the Literacy Curriculum.

Science.gov (United States)

Marsh, Jackie

1999-01-01

This case study investigated the introduction of a theme from popular culture into a sociodramatic role-play area in a northern England Nursery Infant school, focusing on its effects on 6- to 7-year olds' literacy activities. Findings indicated that the incorporation of themes from popular culture into the curriculum motivated children whose…

New forms of distribution of popular music in contemporary culture

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Pedro Buil Tercero

2016-05-01

Full Text Available Current changes in the dissemination of information and transmission technologies have greatly intensified the global distribution of music. Internet has become a great ally for the staging of music thanks to the emergence of various technologies for recording and distribution, supported by new formats, expanding the catalog of messages that the individual can receive through multiple music available and reopening an old debate about the role of music in the cultural universe. The music industry in the digital age, particularly recorded music, is immersed in an unstoppable evolution of the classical paradigms of the market. In this paper we analyze the evolution of the recording industry which is setting a scene of several clashes between the industry itself and other cultural agents who are becoming better positioned to new technologies.

Popular culture and the "new human condition": Catastrophe narratives and climate change

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Bulfin, Ailise

2017-09-01

Striking popular culture images of burnt landscapes, tidal waves and ice-bound cities have the potential to dramatically and emotively convey the dangers of climate change. Given that a significant number of people derive a substantial proportion of their information on the threat of climate change, or the ;new human condition;, from popular culture works such as catastrophe movies, it is important that an investigation into the nature of the representations produced be embedded in the attempt to address the issue. What climate change-related messages may be encoded in popular films, television and novels, how are they being received, and what effects may they have? This article adopts the cultural studies perspective that popular culture gives us an important means by which to access the ;structures of feeling; that characterise a society at a particular historic juncture: the views held and emotional states experienced by significant amounts of people as evident in disparate forms of cultural production. It further adopts the related viewpoint that popular culture has an effect upon the society in which it is consumed, as well as reflecting that society's desires and concerns - although the nature of the effect may be difficult to quantify. From this position, the article puts forward a theory on the role of ecological catastrophe narratives in current popular culture, before going on to review existing critical work on ecologically-charged popular films and novels which attempts to assess their effects on their audiences. It also suggests areas for future research, such as the prevalent but little studied theme of natural and environmental disaster in late-Victorian science fiction writing. This latter area is of interest because it reveals the emergence of an ecological awareness or structure of feeling as early as the late-nineteenth century, and allows the relationship of this development to environmental policy making to be investigated because of the

Overcoming Impossible Bodies: Using Media Literacy to Challenge Popular Culture.

Science.gov (United States)

Graydon, Shari

1997-01-01

Media education can be taught by analyzing the ways popular media represent the sexes. Discusses stereotyped gender images in popular culture and outlines classroom activities investigating modeling poses, images of ideal and successful males and females, gender sensitive language, sex role portrayal, and violence for a media literacy unit using…

Suicide and the afterlife: popular religion and the standardisation of 'culture' in Japan.

Science.gov (United States)

Picone, Mary

2012-06-01

For an overwhelming majority of commentators, including many anthropologists, 'Japanese culture' is still associated with a positive view of suicide. Western-language writings have contributed by feedback loop to perpetuate this stereotype. Besides the local 'samurai ethic', Japanese Buddhism is also said not to prohibit taking one's life. However, the most popular examples of heroic self-sacrifice, from the Edo period to WWII, are fraught with covert contradictions. From ancient times to the present religious practitioners of all sorts have maintained that suicide creates unhappy, resentful spirits who harm the living. This article discusses many examples of a diverse series of narratives, from spirit medium's séances to drama to contemporary films, in which the anguished spirits of suicides are allowed to express themselves directly. After the figures rose alarmingly in the late 1990s various religious organisations have attempted to fight the stigma suffered by bereaved family members and have introduced new interpretations and new rituals.

Popular Culture in Transglossic Language Practices of Young Adults

Science.gov (United States)

Sultana, Shaila; Dovchin, Sender

2017-01-01

Based on virtual conversations drawn from two separate intensive ethnographic studies in Bangladesh and Mongolia, we show that popular cultural texts play a significant role in young adults' heteroglossic language practices. On the one hand, they borrow voices from cultural texts and cross the boundaries of language, i.e., codes, modes, and…

The Japanese Mind: Understanding Contemporary Japanese Culture.

Science.gov (United States)

Davies, Roger J., Ed.; Ikeno, Osamu, Ed.

This collection of essays offers an overview of contemporary Japanese culture, and can serve as a resource for classes studying Japan. The 28 essays offer an informative, accessible look at the values, attitudes, behavior patterns, and communication styles of modern Japan from the unique perspective of the Japanese people. Filled with examples…

Shylock’s Daughters: Philosemitism, Popular Culture, And The Liberal Imagination

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Hess Jonathan M.

2015-03-01

Full Text Available S. H. Mosenthal’s blockbuster drama Deborah, popularized in the English-speaking world as Leah, The Forsaken, delivered generations of nineteenth-century theatergoers fantasies about Jewish women. This paper explores the rich performance history of this work, offering a new perspective on the role of popular culture in launching distinctly liberal forms of philosemitism.

Misrepresentation of UK homicide characteristics in popular culture.

Science.gov (United States)

Brown, J; Hughes, N S; McGlen, M C; Crichton, J H M

2014-03-01

The homicide statistics of a popular UK television fictional crime series and the former Lothian & Borders police force region, Scotland were compared. This comparison was used to consider the implications for public attitudes which may influence the adoption of public health interventions to reduce homicide. 217 homicides were identified by 105 perpetrators in the television series 'Midsomer Murders' between 1997 and 2011; these were compared to 55 homicides by 53 perpetrators in the regional sample between 2006 and 2011. The numbers of serial killings (p homicides, female perpetrators (p homicide by kitchen knives (p homicide rates. If the popular perception of UK homicides is influenced by popular culture, the importance of such a public health intervention may not be apparent. Copyright © 2014 Elsevier Ltd and Faculty of Forensic and Legal Medicine. All rights reserved.

Yugoslav Naive Art and Popular Culture

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Meta Kordiš

2009-12-01

After the Second World War, the Yugoslav socialist state also strove to equalize and democratize society through art by minimizing the differences between the producers and consumers of art. Such a policy led to the decentralization of culture by forming various cultural and artistic institutions and by holding cultural events and spectacles in the countryside and peripheral areas. Through these various informal ideological mechanisms, the state apparatus exercised its authority in socializing its people in the spirit of Yugoslav socialist self-management and the ideology of brotherhood and unity by joining together the producers and consumers of naive art from various ethnicities, cultures, and social classes. Unfortunately this transformed naive art at its peak of popularity into a decorative and souvenir artifact with a pastoral image and folklore motifs. The encouragement from the authorities on the one hand and the market on the other produced and reproduced simple art forms and narrative contents without a complex iconography, which were consumed uncritically and on a large scale. Consequently, this completely denied the core of naive art and resulted in its final devaluation.

Radioactivity And Nuclear Themes In Croatian Popular Culture

International Nuclear Information System (INIS)

Franic, Z.; Franic, S.

2015-01-01

Popular culture refers to the entirety of ideas, perspectives, attitudes, behaviours, ways of communication, cultural and artistic products, (visual, auditory, written, etc.) as well as other phenomena in the real or virtual world within mainstream culture. Heavily influenced by mass media, this collection of ideas permeates the everyday lives of society. In the so-called atomic age, which corresponds to the cold war period, stylistic coloration and application of the concepts of radiation that have persisted in everyday life to this day can be classified into four main groups of radiological-nuclear themes: monsters and mutants associated with radiation, nuclear accidents, nuclear terrorism and nuclear optimism. This paper discusses some examples relating to radioactivity, radiation and nuclear topics in Croatian popular culture, with special reference to the mass media, including some Internet portals. In Croatian mass media, like in other cultures, radiation and nuclear metaphors symbolize something scary and completely incomprehensible. However, further systematic research would be needed to analyse and explain all of the stereotypes in more detail. Results would be useful in creating a more effective way for informing the general public about the effects and use of radiation and nuclear technology, which is expected to play a far greater role in solving numerous problems dealing with energy supply, medicine, etc. in the near future. It should be noted that nowadays the collective public fears shift from radiation to other global threats such as climate change, genetically modified organisms, global terrorism and others. (author).

The Contemporary Gothic: Literacy and Childhood in Unsettled Times

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Carrington, Victoria

2012-01-01

This paper argues that the revival of the Gothic as an expression of contemporary tensions and issues has significance for our views of childhood and, as a consequence, for literacy and literacy education. While the ways in which Gothic literature and other Gothic popular culture forms are used to speak to these tensions have shifted across time…

The contemporary Malay Cultural and architecture in Medan City

Science.gov (United States)

Nawawiy Loebis, M.; Nirfalini Aulia, Dwira; Asdiana; Tuah Aditya Saragih, Jhon

2018-03-01

Malay is one of the identity of the city of Medan. Especially the Malay kingdom that has an important role in the history of the city of Medan and the river Deli. Some relics of the Malay kingdom in the form of buildings with Malay architecture that made the tourist area. In this modern era, many buildings are designed contemporary and leave behind a cultural background, especially Malay architecture. The research methodology used is qualitative methodology by way of observation and interviews with informants who are Malay people still in Medan city. And the distribution of questionnaires to the Malay community. The variables tested are, location and environment, language, technology, organizational livelihood system, the arts, and religious system. This study aims to determine the contemporary Malay culture and architecture prevailing in today’s Malay society.

Memory culture and the contemporary city : building sites

DEFF Research Database (Denmark)

Staiger, Uta; Steiner, Henriette; Webber, Andrew

"These essays by leading figures from academia, architecture and the arts consider how cultures of memory are constructed for and in contemporary cities. They take Berlin as a key case of a historically burdened metropolis, but also extend to other global cities: Jerusalem, Buenos Aires, Cape Town...

“Girls are dancin’”: shōjo culture and feminism in contemporary Japanese art

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Emily Jane Wakeling

2011-12-01

Full Text Available This article explores the gender-transgressive expressions found in shōjo culture in order to highlight the potential for feminist analysis in the prevalence of the shōjo motif in contemporary Japanese art. Shōjo culture is a fascinating cultural space, within contemporary Japanese culture, which fosters creative expressions of gender that negate or make complex hegemonic categories. Departing from stereotypes of Japanese girls, this article will pay particular interest to an emerging wave of figurative contemporary art practices in which the figure of the shōjo is utilised for a new generation of feminist critique. Aoshima Chiho, Kunikata Mahomi, Takano Aya, Sawada Tomoko and Yanagi Miwa are among the current artists who feature the shōjo motif in contexts that foreground female subjectivities found paralleled in shōjo culture. These works will then be contextualised in the greater picture of current trends and themes in global contemporary feminist art.

Ethnic Identity and Cultural Achievement: Popular Mythology and Archeological Realities.

Science.gov (United States)

Wallace, Ron

The difficulties faced by ethnic groups today are related not only to widespread unfamiliarity with the cultural evolution of specific groups, but to an inadequate popular understanding of the processes of cultural evolution itself, i.e., man's prehistory. Archeology can make significant contributions in this regard by counteracting the…

A Contribution to the Definition of the Concept of Popular Culture: An Empirical Inquiry into the Epistemological Shortcomings of Popular Conceptions about Pretrial Detention in Serbia

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Saša Nedeljković

2016-02-01

Full Text Available In an attempt to ascertain the functionality of certain definitions of the concept of popular culture, or rather, to point out certain methodological options for the study of popular culture through analyzing certain popular conceptions, I have sought out those areas of social life which are under-represented in popular culture. I consider their avoidance symptomatic, worthy of attention and suitable for analysis. Discovering pretrial confinement as one such neglected area or topic, and trying to indirectly discover what might be the cause of this, I have analyzed and systematized those of its characteristics and elements which do not fulfill the requirements of the syndrome of popularity as it is typically understood.

A study of popular culture and fandom : the case of Japanese manga

OpenAIRE

Büyüm, Bestem

2010-01-01

Ankara : The Department of Communication and Design and the Institute of Economics and Social Sciences of Bilkent University, 2010. Thesis (Master's) -- Bilkent University, 2010. Includes bibliographical references leaves 167-170. This thesis is an attempt to explore the practices, influence and reception of manga and anime as a global product of Japanese Popular culture as it concentrates on the emergence of manga as a popular culture product, how it became this wide spread in...

Classical Pop: Documenting Popular Musical Culture in Library Audio Collections.

Science.gov (United States)

Tarakan, Sheldon Lewis

1983-01-01

Discusses the library's role in developing a classical pop collection (defined as that music which is best representative of an era, event, or recognizable cultural trend). Popular culture, establishing the collection, funding, and archives are highlighted. A 230-item discography, addresses of five record companies, and 14 references are appended.…

The Prince and the Hobby-Horse: Shakespeare and the Ambivalence of Early Modern Popular Culture

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Natália Pikli

2013-03-01

Full Text Available The Shakespearean hobby-horse, mentioned emphatically in Hamlet, brings into focus a number of problems related to early modern popular culture. In the late sixteenth and early seventeenth centuries the word was characterised by semantic ambivalence, with simultaneously valid meanings of a breed of horse, a morris character, a foolish person, and a wanton woman. The overlapping of these meanings in different cultural discourses of the age (playtexts, emblem books, popular verse, pictures exemplifies the interaction of different productions of early modern popular culture, from social humiliating practices to festivals and public playhouses. This attests to a complex circulation of cultural memory regarding symbols of popular culture, paradoxically both ‘forgotten’ and ‘remembered’ as a basically oral-ritual culture was transformed into written forms. In this context, the Hamletian passage gains new overtones, while the different versions of the playtext (Q1 & 2: 1603, 1604, F: 1623 also offer insights into the changing attitudes regarding popular culture, as it became gradually commercialised and politicised in the following decades. Finally, Shakespeare’s The Winter’s Tale and Jonson’s Bartholomew Fair solidify a critical and sceptical attitude, which seems to have signalled the end of ‘Merry Old England’ on-stage and off-stage as well.

Cultura popular e Turismo: O Ceará nos anos 1970 / Popular Culture and Tourism: Ceará, Brazil, in the 70’s

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Ana Amélia Rodrigues de Oliveira

2015-04-01

Full Text Available Normal 0 21 false false false PT-BR X-NONE X-NONE MicrosoftInternetExplorer4 O artigo analisa o processo de atribuição de valor econômico à cultura popular, a partir da sua vinculação à atividade turística. Até a década de 1950, a cultura popular era entendida socialmente, apenas como um elemento constitutivo da identidade brasileira, calcada nos ideais de pureza e autenticidade. Com a criação de órgãos como o Banco do Nordeste e a Sudene, o governo federal tenta inserir o Nordeste na lógica de desenvolvimento capitalista, e começa a ver na produção popular uma possibilidade de gerar renda a partir do investimento na produção artesanal. O desenvolvimento do turismo influenciará na inserção das tradições populares no circuito econômico como atrativo turístico. Popular Culture and Tourism: Ceará, Brazil, in the 70’s - This paper analyzes the process of assigning economic value to popular culture and its link to tourism. Until the 1950's, popular culture was understood socially in an ideal of purity and authenticity, as a constitutive element of national identity. With creation of institutions such as Banco do Nordeste and Sudene, federal government intends to include the Brazilian Northeast in the capitalist development logic, and see the popular production as a possibility to generate income from investment in craft production. Tourism development will mark the insertion of popular traditions in the economic circuit as a tourist attraction.

From Keats to Kanye: Romantic Poetry and Popular Culture in the Secondary English Classroom

Science.gov (United States)

Bowmer, Megan E.; Curwood, Jen Scott

2016-01-01

This case study examined a Romanticism unit within a Year 9 English class in Sydney, Australia. It considered whether popular culture could build connections between students' lives and Romanticism, and whether the process of remixing "high" Romantic poetry with "low" popular culture could foster student engagement. Thematic…

Multimodal representations of gender in young children's popular culture

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Fredrik Lindstrand

2016-12-01

Full Text Available This article poses questions regarding learning and representation in relation to young children's popular culture. Focusing on gender, the article builds on multimodal, social semiotic analyses of two different media texts related to a specific brand and shows how gender and gender differences are represented multimodally in separate media contexts and in the interplay between different media. The results show that most of the semiotic resources employed in the different texts contribute in congruent ways to the representation of girls as either different from or inferior to boys. At the same time, however, excerpts from an encounter with a young girl who engages with characters from the brand in her role play are used as an example of how children actively make meaning and find strategies that subvert the repressive ideologies manifested in their everyday popular culture.

Christian rock concerts as a meeting between religion and popular culture

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Andreas Häger

2003-01-01

Full Text Available Different forms of artistic expression play a vital role in religious practices of the most diverse traditions. One very important such expression is music. This paper deals with a contemporary form of religious music, Christian rock. Rock or popular music has been used within Christianity as a means for evangelization and worship since the end of the 1960s. The genre of "contemporary Christian music", or Christian rock, stands by definition with one foot in established institutional (in practicality often evangelical Christianity, and the other in the commercial rock musicindustry. The subject of this paper is to study how this intermediate position is manifested and negotiated in Christian rock concerts. Such a performance of Christian rock music is here assumed to be both a rock concert and a religious service. The paper will examine how this duality is expressed in practices at Christian rock concerts.

Using Popular Movies in Teaching Cross-Cultural Management

Science.gov (United States)

Pandey, Satish

2012-01-01

Purpose: The present study aims to understand context and dynamics of cognitive learning of students as an outcome of the usage of popular movies as a learning tool in the management classroom and specifically in the context of a course on cross-cultural management issues. Design/methodology/approach: This is an exploratory study based on…

“Girls are dancin’”: shōjo culture and feminism in contemporary Japanese art

OpenAIRE

Emily Jane Wakeling

2011-01-01

This article explores the gender-transgressive expressions found in shōjo culture in order to highlight the potential for feminist analysis in the prevalence of the shōjo motif in contemporary Japanese art. Shōjo culture is a fascinating cultural space, within contemporary Japanese culture, which fosters creative expressions of gender that negate or make complex hegemonic categories. Departing from stereotypes of Japanese girls, this article will pay particular interest to an emerging wave of...

Borgesian Libraries and Librarians in Television Popular Culture

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Iana Konstantinova

2013-01-01

Full Text Available In the works of Jorge Luis Borges, the library appears frequently as a metaphor representative of life and its secrets. It becomes a metaphysical location, posing questions about the nature of time, life, and the universe itself. The librarian becomes a metaphysical figure, leading the search for answers to life’s questions. This article examines the way in which the Borgesian library metaphor has crossed over from the realm of literature into the realm of popular television. By examining two episodes of the BBC series Doctor Who , the TNT franchise The Librarian , and several episodes of Joss Whedon’s cult television series Buffy the Vampire Slayer , it demonstrates that the metaphysical questions posed by the library and its librarian in Borges’s short stories are quite similar to the metaphysical questions posed by the library and its librarians in popular television, demonstrating that the Borgesian library has crossed over into the realms of popular culture.

Adjustment of International Graduate Students of Eastern Cultures to the American Popular and Educational Culture : A Qualitative Research

OpenAIRE

稲葉, 美由紀; Inaba, Miyuki

2010-01-01

The number of international students coming into the U.S. for higher education is steadily rising. The ability of these students to perform well in their educational endeavors is related to their degree of success in adjusting to American popular and educational culture. This study uses a naturalistic perspective to understand the factors involved in the adjustment of international graduate students from India and Japan to American popular and educational culture. Implications of these result...

Ideological and political conflicts about popular music in Serbia

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Đurković Miša

2004-01-01

Full Text Available The paper is focused on ideological and political conflicts about popular music in Serbia, as a good example of wrong and confused searching for identity. Basic conflict that author is analyzing is about oriental elements (such as asymmetric rhythmic patterns and melismatic singing and the question if they are legitimate parts of Serbian musical heritage or not. Author is making an analysis of three periods in twentieth century, in which absolutely the same arguments were used, and he's paying special attention to contemporary conflicts, trying to explain why all of the theories are ideologically based. Author is insisting on role market played in development and modernization of popular music in Serbia. The article is ending with some recommendations for better understanding of cultural identity in Serbia, and for recognizing popular music as specific field of interest and research.

Self-publishing of Lithuanian cultural periodicals in Soviet and contemporary times

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Asta Urbanaviciute

2015-07-01

Full Text Available The aim of this article is to analyse self-publishing trends of Lithuanian cultural periodicals focusing on the historical and contemporary contexts. The article provides an overview of the reasons for historical cultural periodical self-published texts, known as samizdats, to appear, as well as their publishing and circulation trends in Lithuania. It also analyses what contemporary cultural self-publishing is: whether it is a completely independent, logical consequence of the digital age, which emerged under favourable circumstances, or if it can be characterized as having something in common with the past experiences. The most active years of the periodical underground press publishing in Soviet Lithuanian self-publishing development were between 1975 and 1981. Self-published texts ideologically diverged into three main directions: religious, civic, and cultural-artistic. A total of 22 publications were being published for a longer or shorter period of time. While analysing contemporary cultural self-publishing topics, the report focuses only on online cultural texts, irrespective of the printed ones. Survey method was used to find out how much and in what aspect modern Internet users perceive historical periodical self-publishing, and how and in what aspect they value modern cultural self-published texts. The results show that 18-35-year-old respondents have not acquired the skills necessary to analyse samizdat publishing. They associate the word self-publishing with digital texts only, which due to favourable conditions spread easily through social networks and blogs. In the era of advancing computer technologies and the Internet, every person who has the time and desire may become a developer, an author, or at least a disseminator of information: this tradition is becoming more and more topical and quite frequently – an almost self-evident phenomenon.

Teaching Sexual Matters in Taiwan: The Analytical Framework for Popular Culture and Youth Sexuality Education

Science.gov (United States)

Yang, Hsing-Chen

2014-01-01

Although most teachers realize the potential of using popular culture within the sexuality education classroom, incorporating it successfully is complex. Especially, how can teachers critically analyse the ideology contained in popular culture without lapsing into moralizing and design motivating activities? For teachers in Taiwan, whose training…

Teaching Popular Culture in a Second Language University Context

Science.gov (United States)

Pierson-Smith, Anne; Chik, Alice; Miller, Lindsay

2014-01-01

This article examines an established course on Popular Culture which is framed within the general educational model in an English-medium university. The article is organized into three parts: the underlining educational rationale for general educational courses, the course description, and the students' perspectives of their learning experience.…

The Role of Cultural Memory in Contemporary Migrant Activism: Staging Gender in a Transforming Welfare State

OpenAIRE

Alund, Aleksandra; Schierup, Carl Urlik

2015-01-01

Contemporary scientific and media debates about cultural conflict and gender relations have consolidated stereotypical categorisations of female migrants as passive victims of traditional cultural values. This risks veiling agency against ethnic, gender and other kinds of discrimination inherent in contemporary transformation of Swedish welfare state. In the light of a critical review of the current debate on gender and culture, the authors discuss an alternative understanding of past m...

Popular music, psychogeography, place identity and tourism: The case of Sheffield

OpenAIRE

Long, Philip

2014-01-01

Tourism and cultural agencies in some English provincial cities are promoting their popular music ‘heritage’ and, in some cases, contemporary musicians through the packaging of trails, sites, ‘iconic’ venues and festivals. This article focuses on Sheffield, a ‘post-industrial’ northern English city which is drawing on its associations with musicians past and present in seeking to attract tourists. This article is based on interviews with, among others, recording artists, promoters, producers ...

Pembacaan Dangding Haji Hasan Mustapa terhadap Sastra Sufistik Sunda di Era Budaya Popular

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Jajang A. Rohmana

2014-08-01

Full Text Available Dangding as a literary work is only meaningful when chanted. When one just reads in his/her mind silently, dangding becomes dry and lacks of meaning. This paper discusses the position of Mustapa’s dangding in literary context and their relevance to contemporary Sundanese discourse. The main focus of this study is the character of his mystical verses, structural aspects of dangding as a Sufism vessel, and to examine any discrepancy of meaning in reading process on his dangding for Sundanese literary today. Cultural studies approach is used to analyze the meaningfulness of his works in the current widespread popular cultural challenges. The study finds that with the decline of dangding tradition, Mustapa’s works receive a great deal of challenges seen from the development of modern literary: the influence of Indonesian literature (short stories, novels, etc. to the Sundanese literary; dangding becomes marginalized along with the loss of many cultural institutions where it is appreciated; and the problem of meaning discrepancies on reading it in popular culture, which is dominated by massively printed works that lost the meaning behind words and melody. It is difficult for it to compete in popular cultural hegemony that relies on uniformity, profit-oriented and passive consumer.

Communication of the popular

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Božilović Nikola

2015-01-01

Full Text Available The article deals with the problems of the communication of popular culture. It considers the more specialized meaning of popular culture, which primarily encompasses the works of artistic forms which have a popular character - easily understandable and entertaining contents and wide audience. The aesthetic communication of the popular through popular literature, film, pop and rock music is examined. The paper is divided into three parts. The first parts deals with the aesthetics of the communication of popular culture. It contains the analysis of the major formal-aesthetic procedures embedded in the creative expression of the popular. In the part which is dedicated to social aspects of the communication of popular art, the author examines the industrial, market and commercial principles upon which this whole culture is based. It is a time of new technologies and mass consumption, which represent, in the words of Eric Hobsbawm, a 'cultural landscape' that has transformed the manner in which a new audience experiences the artistic. Finally, popular culture stars are observed as communicators. The author adds them as a new, even crucial, link in the already known chain of communication comprising the author, the work and the audience. Stars (film, popular music are active factors of communication as well as its bearers. They are the intermediaries through which the audience establishes relationships with the authors (writers, directors, composers and the works in which those stars appear. Stars as 'new Olympians' (Morin are, indeed, another significant category that distinguishes the communication of popular culture.

Cultura popular e nacionalismo musical: uma discussão das ideias folcloristas sobre a música popular no Brasil * Popular culture and musical nationalism: a discussion of folklorists ideas about popular music in Brazil

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ISMAEL DE OLIVEIRA GEROLAMO

2014-02-01

Full Text Available Resumo: Neste trabalho discutimos como a noção de cultura popular torna-se elemento central para os debates em torno do nacionalismo nas esferas cultural e artística. Exploraremos, mais especificamente, as ideias de Mário de Andrade sobre o nacionalismo musical, tendo em vista a importância dessas ideias e suas possíveis ressonâncias nas discussões acerca da música popular no Brasil durante o século XX. A busca por uma “essência do povo” que constituiria a base de uma nação é ponto de referência para esse debate. Essas ideias, surgidas na Europa, ainda no século XIX, ligadas ao movimento romântico e a atuação dos folcloristas, ganham força no Brasil principalmente a partir do século XX e irão permear inúmeros debates em momentos distintos da história republicana do país.Palavras-chave: Nacionalismo Musical – Mário de Andrade – Música Popular. Abstract: In this paper, we discuss how the idea of popular culture becomes central to debates about nationalism in culture and art. We will explore more specifically the ideas of Mário de Andrade on musical nationalism, regarding the importance of these ideas and their possible resonances in discussions of popular music in Brazil during the twentieth century. The search for a "people's essence" that form the basis of a nation is in the core of this debate. These ideas emerged in Europe in the nineteenth century and are connected to the Romantic movement and actions of folklorists and will bulk in Brazil mostly from the twentieth century, when they will be part of numerous debates in distinguished moments in the country’s history.Keywords: Musical Nationalism – Mário de Andrade – Popular Music.

Defining popular iconic metaphor.

Science.gov (United States)

Columbus, Peter J; Boerger, Michael A

2002-04-01

Popular Iconic Metaphor is added to the cognitive linguistic lexicon of figurative language. Popular Iconic Metaphors employ real or fictional celebrities of popular culture as source domains in figurative discourse. Some borders of Popular Iconic Metaphor are identified, and Elvis Presley is offered as a prototype example of a popular iconic source domain, due to his ubiquity in American popular culture, which affords his figurative usage in ways consistent with decision heuristics in everyday life. Further study of Popular Iconic Metaphors may serve to illuminate how figurative expressions emerge in their localized contexts, structure conduct and experience, and affect mediation of cultural and personal meanings.

Conveying Sacred Knowledge through Contemporary Architectural Design: The Garma Cultural Knowledge Centre

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Elizabeth Grant

2016-01-01

Full Text Available The Indigenous peoples of north east Arnhem Land in Australia (Yolngu overlay their culture with the customs and social behaviour of other societies to achieve positive outcomes and autonomy. Passing down cultural knowledge is intrinsic to the cultural identity of Yolngu. The paper discusses the recently completed Garma Cultural Knowledge Centre and examines the cultural knowledge conveyed through the medium of contemporary architecture design. The paper finds that the Garma Cultural Knowledge Centre combined aspects of non-Aboriginal and Aboriginal cultures to form a coherent whole with multi-facetted meanings.

Constructing the popular: challenges of archiving ugandan 'popular ...

African Journals Online (AJOL)

Constructing the popular: challenges of archiving ugandan 'popular' music. ... on the intention of the one defining, the popular is also time- and culture-specific. ... in Uganda is commercially determined – by the media and the music industry.

Queer Girls and Popular Culture: Reading, Resisting, and Creating Media

Science.gov (United States)

Blackburn, Mollie V.

2010-01-01

This article reviews Driver's monograph, "Queer Girls and Popular Culture: Reading, Resisting, and Creating Media," reporting on queer girls' active engagement with television characters, films, lesbian magazines, online communities, and music. She explores the consequences of their engagements with these media on their lives and their…

Popular Culture Transcending National Borders and Genres in East Asia

OpenAIRE

Matsuda, Masako; Higashi, Nozomi

2006-01-01

Using highly advanced media technology, Asian cultural exchanges became very active since the latter half of the 1990s. Firstly, Japanese "trendy dramas" were favorably welcomed in Asia because they could show young people's problems in an Asian context against the background of a modernized city. These dramas have projected an image of Japan as an idealistically westernized country. Due to the popularity of Japanese culture such as manga, TV dramas, and movies, there seems to have risen a fe...

Rethinking Sponge Bob and Ninja Turtles: Popular Culture as Funds of Knowledge for Curriculum Co-Construction

Science.gov (United States)

Hedges, Helen

2011-01-01

Children's interest in popular culture was clear in my study of interests-based curriculum. Yet, perhaps unsurprisingly, it was a contentious site of curriculum co-construction. This article explores this tension. It argues that interpreting popular culture as "funds of knowledge" might assist teachers to consider a different view of this interest…

Ataques de nervios in Puerto Rico: culture-bound syndrome or popular illness?

Science.gov (United States)

Guarnaccia, P J

1993-04-01

Ataque de nervious is a popular illness category among Puerto Ricans and other Latinos written about in anthropological and psychiatric literature for over thirty years. This paper discusses the issue of categorizing ataque de nervios as a "culture-bound syndrome" using data from the first community-based study of this phenomena using epidemiological methods. The paper summarizes the social and psychological correlates of ataques de nervios and provides a preliminary overview of the situations which provoke ataques and the symptoms people experience. The paper critically examines the use of the "culture-bound syndrome" framework analyzing ataques de nervios and suggests that the term "popular illness" is a more effective label for categorizing this syndrome.

Moe and Internet Memes: The Resistance and Accommodation of Japanese Popular Culture in China

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Asako P. Saito

2017-05-01

Full Text Available The cultural exports of Japanese anime and manga have faced both praise and scorn in the Chinese market. Although the Chinese state generally regards these cultural artefacts as a negative influence, the adoption of visual techniques and concepts associated with Japanese popular culture has become common in China, particularly on the internet. This article seeks to understand the implications of the ‘glocalisation’ of Japanese anime and manga in China. It discusses how Japanese popular culture is perceived by the Chinese Communist Party and by the general public, and how the Chinese state has invested in its own domestic comics and animation industries in an attempt to curb the cultural flow from Japan. Through examining a satirical Chinese virtual character who is heavily influenced by Japanese graphic techniques and concepts, this article demonstrates that governments are not the final arbiters in matters of cultural influence and illuminates the complex nature of transnational cultural flows between China and Japan.

Afterword. Contesting Culture: Identity and Curriculum Dilemmas in the Age of Globalization, Postcolonialism, and Multiplicity.

Science.gov (United States)

McCarthy, Cameron; Giardina, Michael D.; Harewood, Susan Juanita; Park, Jin-Kyung

2003-01-01

Draws on articles in this special issue to find implications for educators of developments in popular culture, cultural globalization, and electronic images. Addresses questions concerning the reproduction of culture, identity, and community within contemporary educational debates. (Contains 48 references.) (Author/SK)

The role of Hallyu as pop culture in the creation and dissemination of the contemporary korean woman's image

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Nayelli López Rocha

2016-02-01

Full Text Available Categorized as a cultural phenomenon by its international scope and for being a diffuser and disseminator element of Korean culture during the last decade, this movement without precedents called "Hallyu" or "Korean wave" has been instrumental in the promotion and dissemination of Korea’s image in many countries around the world. Due to the importance that this cultural flow has achieved in the past ten years, its definition has been taking and integrating, during its development process, different characteristics. Nowadays, K-pop or pop music has become the most popular element contained within the called Korean pop culture that, in turn, becomes the country’s image to other latitudes. In this work the Hallyu is defined as a socio-cultural phenomenon of hybrid characteristics which contains elements of Korean traditional and modern culture, as elements of the socalled global culture, mixing it in a peculiar way in the local context redefining it as authentically Korean. This project specifically explores how, through Hallyu, the image of modern Korean woman has been modeled by certain characteristics, reaffirming an idea of women which do not necessarily represent the majority of them in this country. In this way, it is analyzed; the construction of the image of Korean women in its current society to understand in which circumstances this image of contemporary woman is created and recreated, establishing an image of being woman to recipients of Hallyu.

Violence in Pop-Culture Media and The Hunger Games as a Prime Artifact

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Jenna Benson

2014-10-01

Full Text Available This paper uses the Critical Discourse Analysis (CDA methodology to analyze the meanings conveyed in relation to violence in Suzanne Collins' popular novel The Hunger Games and its film. As a representational popular­culture artifact marketed to young adults and teens, it is a primary example for the exposure of this age group to the levels of violence regularly displayed in contemporary popular media. This analysis seeks to critique the assertion that the types of violent exposure in the novel and the film are possibly inappropriate for the audience targeted. A new wave of attention and awareness on the part of producers of popular media and people of contemporary society alike is necessary.

Popular Public Discourse at Speakers' Corner: Negotiating Cultural Identities in Interaction

DEFF Research Database (Denmark)

McIlvenny, Paul

1996-01-01

In this paper I examine how cultural identities are actively negotiated in popular debate at a multicultural public setting in London. Speakers at Speakers' Corner manage the local construction of group affiliation, audience response and argument in and through talk, within the context of ethnic...... in which participant 'citizens' in the public sphere can actively struggle over cultural representation and identities. Using transcribed examples of video data recorded at Speakers' Corner my paper will examine how cultural identity is invoked in the management of active participation. Audiences...... and their affiliations are regulated and made accountable through the routines of membership categorisation and the policing of cultural identities and their imaginary borders....

Traditional costume: contemporary elements in street culture

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Márcia Merlo

2016-06-01

Full Text Available The article discusses the memory of the costumes and the way people record and interpret their relations with them. This is on the assumption that we put ourselves at all, and for that reason, too, the popular costumes reveal the political place of each subject on the Festa de São Benedito in Congada de Ilhabela - manifestation of African descent culture chosen to treated in this text. This study aimed to understand the role of costume in the composition of the cultural identity of black ethnic-racial group of Ilhabela, to point out how a seemingly simple costume can reveal so many meanings for the group in question. The Congada de Ilhabela is the devotion of a population to a saint; holy and black people who resisted the many prejudices and deep social and economic transformations. Therefore, the expression of that culture and tradition invented by means of a negotiated identity will be discussed. Regarding the costume, the study will be based on material culture and participant observation conducted with this population between the years 1995 to 2002.

FCJ-142 Spectacles and Tropes: Speculative Design and Contemporary Food Cultures

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Carl DiSalvo

2012-07-01

Full Text Available Speculative design is a particularly inventive mode of design that is concerned with developing imaginative futures or alternate presents. Often, the purpose of speculative design is to prompt reflection on contemporary conditions and express possible implications of current trends in science and technology. Like all design, speculative design reproduces as well as invents culture and there are limits to the work it does. In this essay, I trace the ways speculative design reproduces contemporary food cultures through two projects: Guide to Free Farming (2009 and Family Whiskey (2010. From these projects I draw out and discuss two strategies of speculative design: the use of spectacle and the use of tropes. I describe how these strategies work to attract us to images and objects, and I identify their limits in providing content, meaning, and significance. In concluding, I consider how speculative design might enable more substantive engagement with issues.

The Sæby Riot of 1818 - Popular Protest and the Political Culture of late Danish Absolutism

DEFF Research Database (Denmark)

Mührmann-Lund, Jørgen

A microhistorical analysis of a popular riot in the small Danish town Sæby in 1818, showing the political culture of the period and especially the break with absolutist patriarchalism.......A microhistorical analysis of a popular riot in the small Danish town Sæby in 1818, showing the political culture of the period and especially the break with absolutist patriarchalism....

Ideal Positions: 3D Sonography, Medical Visuality, Popular Culture.

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Seiber, Tim

2016-03-01

As digital technologies are integrated into medical environments, they continue to transform the experience of contemporary health care. Importantly, medicine is increasingly visual. In the history of sonography, visibility has played an important role in accessing fetal bodies for diagnostic and entertainment purposes. With the advent of three-dimensional (3D) rendering, sonography presents the fetus visually as already a child. The aesthetics of this process and the resulting imagery, made possible in digital networks, discloses important changes in the relationship between technology and biology, reproductive health and political debates, and biotechnology and culture.

Mining the Popular Culture: The Mass Media and Freshman Composition.

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McRae, M. W.

The study of mass media and popular culture in a composition class allows students and teachers together to develop a critical awareness of television and advertising. Jerzy Kosinski's book, "Being There," a novel about the impact of television, is a beginning point for the study of television. Using that book as if it were a collection of events,…

Queer Breeding: Historicising Popular Culture, Homosexuality and Informal Sex Education

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Marshall, Daniel

2013-01-01

Through an analysis of gay protest music (1975) and an educational kit for students (1978), both sponsored by the Campaign for Homosexual Equality in the UK, this paper brings into focus a history of gay rights activists' efforts to marshal popular culture in the development of informal sex education for young people in the second half of the…

A Conspicuous Gap in Cultural Studies: Popular Music in the English Studies Classroom

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Knippling, Jim

2013-01-01

For the author, the key analytic question about a popular song is not "What does it mean?" or "What hidden or coded meaning does it express?" but "What does its popularity tell us about the cultural moment when it resonated with its public?" How did the song "create its audience," so to speak? Obviously, a 1973 hit song, if it could time-travel,…

"Those Anime Students": Foreign Language Literacy Development through Japanese Popular Culture

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Fukunaga, Natsuki

2006-01-01

Using multiliteracies and sociocultural perspectives on language and literacy learning, this article describes three Japanese as a foreign language (JFL) students' literacy development through involvement with Japanese popular culture. As part of a larger qualitative ethnographic study, the author interviewed JFL learners who have a particular…

Talkin' 'bout the ghetto: popular culture and urban imaginaries of immobility

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Jaffe, R.

2012-01-01

The concept of the ghetto, referring to specifically urban experiences of sociospatial marginalization, has played a prominent role in black popular culture. This article explores the role of the ghetto as a discursive space of immobility and traces its global journey as a mobile imaginary. Focusing

Popular music scenes and aging bodies.

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Bennett, Andy

2018-06-01

During the last two decades there has been increasing interest in the phenomenon of the aging popular music audience (Bennett & Hodkinson, 2012). Although the specter of the aging fan is by no means new, the notion of, for example, the aging rocker or the aging punk has attracted significant sociological attention, not least of all because of what this says about the shifting socio-cultural significance of rock and punk and similar genres - which at the time of their emergence were inextricably tied to youth and vociferously marketed as "youth musics". As such, initial interpretations of aging music fans tended to paint a somewhat negative picture, suggesting a sense in which such fans were cultural misfits (Ross, 1994). In more recent times, however, work informed by cultural aging perspectives has begun to consider how so-called "youth cultural" identities may in fact provide the basis of more stable and evolving identities over the life course (Bennett, 2013). Starting from this position, the purpose of this article is to critically examine how aging members of popular music scenes might be recast as a salient example of the more pluralistic fashion in which aging is anticipated, managed and articulated in contemporary social settings. The article then branches out to consider two ways that aging members of music scenes continue their scene involvement. The first focuses on evolving a series of discourses that legitimately position them as aging bodies in cultural spaces that also continue to be inhabited by significant numbers of people in their teens, twenties and thirties. The second sees aging fans taking advantage of new opportunities for consuming live music including winery concerts and dinner and show events. Copyright © 2018 Elsevier Inc. All rights reserved.

From the West Wing to Pink Floyd to Einstein Advertising: Astronomy in Popular Culture

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Fraknoi, Andrew

2007-12-01

In what popular movie does Darryl Hannah play an astronomer? What Japanese car company is named after a well-known star cluster? Can you name at least two murder mysteries that take place at an observatory? What national astronomy education project was mentioned on The West Wing television show (which had several "stealth astronomy” episodes)? What piece of classical music begins with a Big Bang and has the players expanding on stage and into the concert hall? Can you recite the most famous neutrino poem and name the poet? What science fiction story, written by an astronomer under a pseudonym, features an H-R diagram? What rock group had its members’ names included in a reference in the Astrophysical Journal, unbeknownst to the editor? How many astronomy related operas can you name? How many astronomers does it take to screw in a light bulb? Join in on an exploration of astronomy in popular culture, from stamp collecting to advertising, from science fiction (with accurate astronomy) to rock music, from Broadway musicals to modern poetry. Learn which astronomy colleagues have been writing fiction and poetry while you were busy publishing in the research literature. Bring your favorite example of astronomy in popular culture and we'll take the time at the end to share ideas and have some fun. A resource guide for exploring astronomy and popular culture will be available.

Places of popular music heritage: the local framing of a global cultural form in Dutch museums and archives

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A.J.C. van der Hoeven (Arno); A.M.C. Brandellero (Amanda)

2015-01-01

textabstractThrough the prism of popular music, this article examines how the preservation and display of this global cultural form positions itself at the nexus of the local and the global, and in so doing mediates attachment to place. Springing from the increasing cultural legitimacy of popular

Seen Any Good Movies?: Creating Space to Talk about Popular Culture.

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Bach, Hedy

1997-01-01

Argues that the concerns and reactions of young girls to popular culture often are deemed superficial and irrelevant in social studies. Recalls an incident where a 13-year-old's journal entry regarding her fascination with horror films was poorly graded. Includes transcripts of the girl talking about films. (MJP)

Places of popular music heritage: the local framing of a global cultural form in Dutch museums and archives

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van der Hoeven, A.; Brandellero, A.

2015-01-01

Through the prism of popular music, this article examines how the preservation and display of this global cultural form positions itself at the nexus of the local and the global, and in so doing mediates attachment to place. Springing from the increasing cultural legitimacy of popular music and the

Exploring Representations of "Super" Women in Popular Culture: Shaping Critical Discussions with Female College Students with Learning Exceptionalities

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Taber, Nancy; Woloshyn, Vera; Munn, Caitlin; Lane, Laura

2014-01-01

In this article, we discuss how our analysis of several popular culture artifacts featuring "super" women characters (superheroes and supernatural) provided the foundation for a media discussion group for female college students with learning exceptionalities. We explore the use of popular culture in discussion groups as well as discuss…

Ezoterizmo transformacijos šiuolaikinėje kultūroje. The transformations of esoterism in contemporary culture

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Dovilė Švilpienė

2010-01-01

Full Text Available The article concentrates on phenomena of Esoterism in contemporary culture, tries to reveal its variations and spread in the second half of the XXth century. The contemporary writer and publicist Jurga Ivanauskaitė is implicated in the context of the theme. Article is inspired by the majority expressions called Postmodernism: secularization, the fade of transcendental dimension, crisis of Religion, upheaval of traditional values that all together coincide with the new spread of Esoteric thought towards the end of the XXth century and beginning of the XXst century. The Postmodernism is even called an Egsoteric form of antecedent esoteric Modernism.The historical comparative method as well as theoretic-analytic are considered to be the most fertile to reveal changes that inspired the transformation in relations between sacrum (lat. sanctity and Esoterism. Esoterism in contemporary culture acts as transformed sanctity. The feeling of holiness is indispensable for human existence – the every spiritual crisis then traditional religiousness loses its power to organize and support spiritual nature of human existence opens the door for esoteric modifications of sacrum. Esoterism through the prism of Religion is an attempt of religious consciousness for individual awareness of deity – thereby esoteric experience is very close to religious one.Eastern Religions reveals themselves in Postmodernism as esoteric variations of sacrum, manifestations of chthonic nature where they are also affected by other tendencies of Western postmodern consciousness:Eastern Esoterismturns to widely usable exoticism – Egsoterism – hidden becomes popular, freely available and explorable.The reflection of East and West in the oeuvre of Jurga Ivanauskaitė is being developed by the principle of thesis/antithesis that contains the majority of postmodern implications. The East through writer’s eyes is seen as a quintessence of spiritual essence opposite to the West that

Popular Culture and Academic Literacies Situated in a Pedagogical Third Space

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Buelow, Stephanie

2016-01-01

This critical participatory action research study sought to understand what happens when students' interest and experiences with popular culture are integrated into a standards-based sixth grade English language arts curriculum. Multiple data sources were analyzed using the theoretical concept of third space. Findings showed that (a) a democratic,…

European-enlightenment and national-romanticist sources of cultural memory: Reflections in contemporary debates

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Đerić Gordana

2006-01-01

Full Text Available Each society is marked by a selective cultural memory which, beside events and traditions whose importance is emphasized, is also constituted by its parts and contents whose influence is either diminished or forgotten. Our society, too is marked by such kind of memory, with obvious reduction, value opposition and, in sum, general duality within the reception of cultural memory, which is always more complex than it appears in political speeches mother-tongue reading books or history textbooks. For this reason, an examination of construction and reception of cultural memory, with an emphasis on traditions of Enlightenment and Romanticism, stems from a necessity to answer a set of questions regarding the contemporary relation to the past, the way "distance" or "proximity" to the latter is constituted, and especially the way in which contemporary practices mark, change and make use of cultural history. Starting from the assumptions that shaping cultural history, its heritage and "memory" is closely connected to the beginnings of nation-building and that cultural memory is a never-ending political process it is my intention in this research project to examine the rivalry juxtapositions, "interruptions" and new foundations of traditions, focusing on the interdependent relation of Enlightenment and Romanticist strands, and particularly on their unmarked, empty spots. Just as cultural memory is a result of two opposed processes - foregrounding and oblivion - so this research is similarly devoted to a double and apparently paradoxical task. On one hand, the accent is on the resurrection and reinforcement of integrative segments of these traditions which, at the time of their emergence as well as in subsequent interpretations, were mostly neglected. On the other hand there is the need to keep pace with what is required by the current "acceleration of time", which amounts to nothing else but the necessity to forget. Briefly put, the aim is to point to

The Influence of Popular Culture and Entertainment Media on Adult Education

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Thompson, Patricia M.

2007-01-01

The idea that popular culture and entertainment media influence us in both conscious and unconscious ways is not new. The use of alternative spaces, such as internet sites, for creating entertainment will continue to influence society and challenge educators. The importance of the internet was reflected in Time magazine's choosing YOU (meaning the…

Monster as a Superhero: an Essay on Vampire Vogue in Contemporary Film Culture

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Lejla Panjeta

2012-01-01

Full Text Available The worldwide popular series Twilight is the mixed genre phenomenon in literature, media and cinema. After monstrous cinema interpretations of vampires, Edward Cullen becomes a vampire that women fall in love with. Narrative draws on the legend of vampires as well as on the fairy tales archetype of the love between The Lady and the Beast. Sexual connotation in the stories of vampires are not new, but the global identification of the audience with the main characters in the romantic-horror plot in this series needs to be analyzed through the evolution of the vampire genre and psychology related issues. The popularity of this series and blossoming hybrid genre is related to the artificial catharsis and fulfillment of the market demand. Contemporary audience demands “to be special” and these profitable narratives are the fulfilled promise to the audience.

Monster as a Superhero: an Essay on Vampire Vogue in Contemporary Film Culture

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Lejla Panjeta

2012-12-01

Full Text Available The worldwide popular series Twilight is the mixed genre phenomenon in literature, media and cinema. After monstrous cinema interpretations of vampires, Edward Cullen becomes a vampire that women fall in love with. Narrative draws on the legend of vampires as well as on the fairy tales archetype of the love between The Lady and the Beast. Sexual connotation in the stories of vampires are not new, but the global identification of the audience with the main characters in the romantic-horror plot in this series needs to be analyzed through the evolution of the vampire genre and psychology related issues. The popularity of this series and blossoming hybrid genre is related to the artificial catharsis and fulfillment of the market demand. Contemporary audience demands “to be special” and these profitable narratives are the fulfilled promise to the audience.

The diachronic temporality as a category in the study of contemporary cultures

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Rodrigo Manoel Dias da Silva

2011-12-01

Full Text Available This article examines the possible interpretations of diachrony, as a category of social analysis, in the study of contemporary cultural differences. The author reviews some studies and surveys that show the temporalities experienced in cultural practices, interested in observing different understandings of the category, in the investigative plan. It concludes that the temporality of events present in cultures have been a privileged locus for questioning about the personal trajectories and biographies of various actors, and the same wording that several areas of social practices are expected when individuals tense or move their strategies of appropriation of cultures in their times and spaces.

"Made in Germany": The Politics of Teaching German Popular Culture in the Twenty-First Century

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Kahnke, Corinna; Stehle, Maria

2011-01-01

In North American universities, pop culture increasingly appears in the German Studies classroom to "spice up" the curriculum. But what is conveyed and taught and how is it inserted into the curriculum and into the US cultural context? This article explores three examples of popular culture in the German Studies classroom:…

"That Ain't No Ninja Turtles": The Prevalence and Influence of Popular Culture in the Talk and Writing of Prekindergarten Children

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Kissel, Brian T.

2011-01-01

This article describes how 2 classrooms of 4-year-old children incorporated popular media (cartoons, television shows, video games, movies, and music) into their conversations with peers during writing. The findings assert that (a) children naturally incorporate popular culture into their writing, (b) children include popular culture in their…

Public and popular history

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De Groot, Jerome

2013-01-01

This interdisciplinary collection considers public and popular history within a global framework, seeking to understand considerations of local, domestic histories and the ways they interact with broader discourses. Grounded in particular local and national situations, the book addresses the issues associated with popular history in a globalised cultural world, such as: how the study of popular history might work in the future; new ways in which the terms 'popular' and 'public' might inform one another and nuance scholarship; transnational, intercultural models of 'pastness'; cultural translat

Infinite content, infinitely content : Self-expression in contemporary digital culture

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Waterloo, S.F.

2018-01-01

Social media have taken a prominent position in today’s society. We are able to connect, interact, and express ourselves in ways previously unheard of. In popular press, plenty of critics have raised concerns on the shift to the culture of social media consumption we currently find ourselves in.

Epics, popular culture and politics in a modern work of art

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Lidija Merenik

2016-02-01

Full Text Available “Death in Dallas” is a video-installation by Zoran Naskovski comprised of a visual documentary material connected to the assassination of John Fitzgerald Kennedy, the president of the USA and materials about his public and private life; b a soundtrack comprised of a poem accompanied by gusle by Jozo Karamatić with decasyllabic lyrics “Death in Dallas” by Božo Lasić. The unexpected and strange combo birthed a work of art which contains different layers of meaning and one of the most complete postmodern works of art in Serbian modern art. Naskovski had combined the seemingly incompatible codes of popular culture into a specific artistic method of its own genre – “Balkan noise”. Using the method of “noise” music, in which every noise, soundscape or voice has equal meaning and value; he included epics, tradition, politics, popular and folk culture. Finally, by doing so he had completely shifted the paradigm from modern to postmodern, from the substance of myth to a demystification of this type of representation.

History in Popular Magazines: Negotiating Masculinities, the Low of the Popular and the High of History

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Bodil Axelsson

2012-06-01

Full Text Available This article explores how the low of the popular and the high of history intersect to negotiate masculinities in the nexus of politics and war in a Swedish history magazine. It investigates the content of the magazine’s form and argues that it produces a kaleidoscopic take on the past which begs the reader to go along with the ads to buy another book, travel to one more historical site, buy a DVD or go to the movies, to turn the page, or to buy another issue of the magazine. Two articles, biographical in their outset, provide the basis for an analysis on how masculinities are negotiated by displaying political and military leaders in contradictory ways and enabling multiple entrance points for the contemporary reader and spectator. Articles on great men produce cultural imaginaries of warlords and political leaders by drawing on layers of historically contingent ways for men to act in public and private spheres and connecting late modern visual celebrity culture to the cults of fame in earlier centuries.

Young Asian Dutch constructing Asianness: Understanding the role of Asian popular culture

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Kartosen, R.A.

2016-01-01

This doctoral thesis is about young Asian Dutch, panethnic Asian identities and identifications, and Asian/Asian Dutch popular culture. It addresses several pressing questions, including: why do young Asian Dutch, who were born and/or raised in the Netherlands, identify as Asian and construct Asian

Ch. Dokou on Bernice M. Murphy's The Suburban Gothic in American Popular Culture.

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2010-06-01

Full Text Available Bernice M. Murphy, The Suburban Gothic in American Popular Culture. Houndmills, Basingstoke: Palgrave Macmillan, 2009. Pp. 236. ISBN: 98-0-230-21810-9Studies in pop culture have the advantage of dealing with material that is more or less familiar to a wide majority of readers and, what is more, appreciated for what it is: the enjoyable—hence surviving and proliferating—collective currency of concepts, facts and views, crude yet effective, by which a culture defines and establishes itself and ...

Understanding the Exhibitionary Characteristics of Popular Music Museums

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Charles Fairchild

2017-03-01

Full Text Available The literature on the popular music museum has primarily focused on the study of heritage and cultural memory with a secondary focus on tourism. Given the unprecedented expansion of the museum sector worldwide in recent decades, which has produced an increasing number of major museums dedicated to popular music, it is an opportune time to expand this range of analytical concerns. Specifically, the development of popular music museums has not yet been closely examined within the broader historical trajectory of the so-called ‘new museum.’ This article seeks to outline the range of exhibitionary types commonly used in a range of high-profile popular music museums in pursuit of this line of inquiry. The goal is not simply to produce a generic survey or typology of displays, but to place the use of different forms of museum display within the specific historical trajectory that has produced steadily larger numbers of these kinds of museums in recent years. I organize these exhibitionary types into two broad streams of museum exhibition practice implied in the historical survey presented here: a populist-vernacular stream of museum display and an institutional-educational one. I seek to place the exhibitionary practices of contemporary popular music museums in a broader and longer trajectory of similar practices in order to get a more grounded sense of the more important characteristics of these kinds of museums.

Popular Music: An Untapped Resource for Teaching Contemporary Black History.

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Cooper, B. Lee

1979-01-01

This essay suggests two innovative instructional approaches for using popular Black music as a model for historical study in the classroom: (1) biographies of popular music artists; and (2) lyrical demonstration of social themes. A list of lyric and album resources is provided. (Author/EB)

The conceptualization of winners and losers of transition in popular culture

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Vesna Trifunović

2016-02-01

Full Text Available This paper is about the reconstruction of social presentations (picture, vision of losers and winners of transition based on the products of the popular culture such as the domestic TV series. The given picture was considered in the context of the 1990s, when those TV series were filmed and aired (broadcast, which means that they are typical, primarily, for the period of the so-called first transition. The analysis meant the abstracting one of the dominant themes in both TV series which refers to a certain family of ordinary people, faced with the everyday problems of the time their time, and those problems being mainly existential ones. The identification of the messages about losers and winners of transition, which was being sent through these TV series, was later continued by establishing a formula based on which the mentioned theme (subject was structured, and in the end completed by putting in connection the perceived oppostitions via semiotic square. The conceptualization of losers and winners of transition, which is the result of this paper, in no way implies that this vision of theirs is the only and the dominant one in this society. On the other hand, it certainly exists (existed in the given moment and context and as such it came to surface through domestic TV series as the product of popular culture, through which often widespread and popular attitudes of a society are expressed.

Nectar for the taking: the popularization of scientific bee culture in England, 1609-1809.

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Ebert, Adam

2011-01-01

This essay expands and refines academic knowledge of English beekeeping during the seventeenth and eighteenth centuries. Scientific beekeeping focused on improvement, which, in turn, depended on the dissemination of ideas and practices. This analysis, therefore, encompasses the mentalities and tactics of popularizers. The article also identifies two neglected concepts in the popularization campaign. First, popularizers saw scientific beekeeping as a way to end the tradition of killing the bees in order to safely harvest. Second, they sought to promote a rural industry for the economic welfare of the nation. The case study of Exeter's Western Apiarian Society reveals precisely how popularization functioned in reality. The result is a more thorough history of scientific beekeeping and how the rhetoric of improvement related to the culture of practice.

Controversies in a "community of taste": a case study of a process of cultural reception in the contemporary popular world

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Nicolás Aliano

2017-03-01

Full Text Available The article reconstructs a controversy that took place between two groups of fans of the band Patricio Rey y sus Redonditos de Ricota. This controversy was unfolded in various internet forums and was motivated by the realization of a specific event: a “banderazo” in commemoration of the band, which took place in 2009. From recreating the process of argumentative debate previous to the realization of this banderazo –a practice that is transfered from the football world to the musical taste–,  the article show how are defined two modes of understanding and update the fanatism in this community of taste (Lash 1997. On the one hand, was identified those fans who valued in that event the opportunity to recreate an instance of collective participation; on the other, those who rejected the proposal emphasizing the intimate character of the taste. Derived from it, is analyze how these two modes process divergent person grammars (Martuccelli 2007 into the “community”, and generational disputes within these public. The development converge in a reflection about the dynamics that take the cultural reception processes in contemporary societies. The work is based on a methodological strategy that combined discourse analysis with ethnographic interview.

A Questao da Moral na Cultura Contemporanea (The Moral Question in Contemporary Culture).

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Barcellos, Carine

2000-01-01

Extends the debate concerning the discussion about the possibility of ethics on the present configuration of a social ethos based on the reflection of the circumscription of morality within contemporary culture. Turns to the internal debate in psychology, for clarification. (BT)

The Use of Visual Media and Popular Culture in Teaching English Composition.

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Pavlik, Katherine Bernice Payant

There are many ways films, paintings, and photographs can be used in teaching freshman college composition courses. These materials illustrate such rhetorical principles as unity, use of detail, comparison, point of view, and metaphor. Similarly, popular culture such as advertisements, song lyrics, comics, newspapers, and magazines can illustrate…

Psychasthenia Studio and the Gamification of Contemporary Culture

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Victoria Szabo

2018-06-01

Full Text Available What does it mean to say that Games Matter within a new media art context? Conversely, what contributions can artists and scholars exploring the medium make to the cultural conversation around their use and meaning? This contribution highlights the ways in which our interdisciplinary art collective, Psychasthenia Studio, has addressed the cultural effects of games and gamification as they have evolved over the last decade, using a series of videogame art projects as the medium of expression and critique. As Mary Flanagan (2009 suggested in Critical Play, “games carry beliefs within their representation systems and mechanics” (p. 4. Through their thematic content and interaction design, the three videogames developed by us in the interdisciplinary Psychasthenia Studio between 2009‒2017 draw attention to those beliefs as they exist not only in the games themselves, but also more broadly in an increasingly gamified contemporary culture. Psychasthenia Studio simultaneously intervenes in the discussion around games in society and pushes the boundaries of what constitutes new media art practice today. By playing the Psychasthenia games, our hope is that users both co-author and witness their own participation in the system.

"Are My Songs Literature?": A Postmodern Appraisal of Bob Dylan's American Popular Music Culture

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Marwa Essam Eldin Alkhayat

2018-02-01

Full Text Available The current study is a postmodern appraisal of Bob Dylan’s artistic career and vocal gestures to examine the way melody in popular music works in relation to speech and singing, the grand and the ordinary. It historicizes Bob Dylan’s protest music of the 1960s within the paradigm of folk music culture. Dylan’s music is full of riffs, blues sequences, and pentatonic melodies—all heavily part and parcel of blues, folk, gospel, and country music. It is the music that dwells on the pleasures of repetition, of circularity, and of the recurring familiar tune integrated within Dylanesque poetics of rhyme delivered with his idiosyncratic, deep and intense range of voices. Dylan is the official son of the legacies of social, communal, and ritual music-making that mirrors contemporary pop and rock back to folk and blues, street-sung broadsides and work songs, the melodies of medieval troubadours, and the blessed rhythms of Christianity and Judaism. The study is an attempt to illustrate how musicology and ethnomusicology in particular can contribute to understanding Dylan as a ‘performing artist’ within the postmodern paradigm. Thus, the study seeks to establish Dylan as a phenomenal, prolific postmodernist artist, as well as an anarchist. The power and originality of Dylan’s music constitute a prima facie case that his performances should be considered postmodernist art.

“Liting it up”: Popular Culture, Indo-Pak Basketball, and South Asian American Institutions

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Stanley Ilango Thangaraj

2010-08-01

Full Text Available South Asian American participants of a co-ethnic basketball league, known as Indo-Pak Basketball, utilized urban basketball vernacular through the phrase “liting it up” to identify individuals scoring points in great numbers. The person “liting it up” becomes visible and receives recognition. Accordingly, I want to “lite up” the scholarship on South Asian America whereby situating South Asian American religious sites and cultural centers as key arenas for “Americanization” through US popular culture. I situate sport as a key element of popular culture through which South Asian American communities work out, struggle through, and contest notions of self. Informed by an Anthropology of Sport, ethnography of South Asian American communities in Atlanta takes place alongside an examination of the North American Indo-Pak Basketball circuit. Accordingly, my findings indicate that such community formation has also taken shape at the intersections of institutions, gender, and sexuality whereby excluding queers, women, and other communities of color.

From Sheryl Crow to Homer Simpson: Literature and Composition through Pop Culture

Science.gov (United States)

Evans, Jerome

2004-01-01

Students use analyzing themes in song lyrics, rhetorical devices in essays and advertisements, and psychology in contemporary film, to improve their skills in critical thinking and writing. Popular culture is deduced to have an important place in English curricula.

Is there drama in contemporary America? : is there postmodernism in American drama?: Shepard vs. Mamet - whose America is (more real?

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Vesna Bratić

2015-12-01

Full Text Available Judged by the literary research conducted over the last decades of the previous and the first decade of this century, not only was drama an illegitimate offspring in the American literature but was also treated as a weak premature-born child in the postmodernist thought in general. A stage cohabitation of the postmodern experiment and a realist frame in the contemporary theatre is well illustrated by the two popular contemporary playwrights: Sam Shepard and David Mamet. By their creative opus, not only in the fields of drama and theatre, but also in other literary genres (poetry, essay as well as in film, through a variety of different characters and situations, these two authors reveal a rich variety of the many possible variations of American social (context. The society will be read in their plays as a unique cultural text outside which, as Derrida said, there is nothing. America, its myths and contemporary cultural industry, its class, racial and gender conflicts and the two authors established a mutual set of influences. The playwrights borrow raw materials from the treasury of mass culture (or should it, to be true to the new consumer culture, be more appropriate to say a warehouse break it down and re-assemble fragments into collages that articulate the contemporary issues in more condensed, more intense and more effective ways. Mamet and Shepard borrow from the contemporary culture only to pay it back with interest: they endow the cultural (context with a richer content, impregnated with meaning.

Communication and Cultural Memory in Contemporary Tourism Media Products: Culture-specific and Cross-cultural Perspectives

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Aleksandra Salamurović

2015-08-01

Full Text Available Communication practices which are a part of the contemporary media-culture are intrinsically tied to the processes of (recreating collective identities. One of the possible strategies in the frame of the mediated communication practice is to connect traditional ele-ments of cultural memory with new ones, which are declared as preferable and acceptable. In that way the collective identity remains, on the one hand, “homoge-neous”, offering stability to the members of communica-tion community, on the other hand, it is subject to change and dynamics, always “ready” to be reshaped in order to achieve wider acceptance. The tourism media products, especially tourism promotion videos, are the best examples for this mediated communication prac-tice. The visual images, combined with text messages, i.e. slogans, are not only some of the most important narrative mechanisms in the presentation of certain tourist destination, they are also the key elements of the mediated collective cultural memory and identity of the respective country presented in the tourism promotion videos. The main goal of this article is to examine the represen-tation and composition forms of some of the tourism promotion videos both from the Balkan countries as well as from other regions worldwide related especially to the elements of the cultural memory in order to de-fine culture-specific and cross-cultural strategies rele-vant to the creation of the collective identity. The analy-sis is based on the Critical Discourse Analysis, respec-tively the analytical framework of the “Grammar of Vis-ual Design” by Kress/van Leeuwen.

Christian music in contemporary Africa: a re-examination of its essentials

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F. Adedeji

2007-07-01

Full Text Available Christian music all over Africa (be it liturgical church music or gospel, in contemporary times has become so popular and well grown howbeit in divergent dimensions. As a result, there have been questions, debates and confusions both by insiders and outsiders of the Christian faith on what exactly constitutes Christian music. There then arises the need to theorise the fundamentals of Christian music, exhuming the Biblical, musical and socio-cultural basis for its performance practices. This article examines various principles that should guide contemporary Christian musicianship, especially as contained in the Scriptures; arguing that the practice of Christian music cannot be divorced from Bible even when the principles of musical sound organisation and the socio-cultural needs of the society have to be observed. The tension created by the superimposition of the three is also resolved. This article is therefore theoretical and prescriptive in focus and depth as it offers to the African audience the paradigms for understanding the art, gives guidance to the practitioners, and supplies scholarly information to the scholars and observers of Christian studies in general. The article concludes by recommending the indispensability of Biblical standards and skilful originality/artistry in contemporary Christian musicianship.

Either/or Rules: Social Studies Teachers' Talk about Media and Popular Culture

Science.gov (United States)

Mangram, Jefery A.

2008-01-01

This article examines how 15 secondary social studies teachers made meaning of media and popular culture, and how those perspectives informed their relationships with their students. Using data from a 3-year qualitative study in which multiple in-depth interviews were conducted, this article also analyzes the discourses that circulated in the…

Cultural Studies Methodologies and Narrative Family Therapy: Therapeutic Conversations About Pop Culture.

Science.gov (United States)

Tilsen, Julie; Nylund, David

2016-06-01

Therapists recognize that popular media culture is an influential force that shapes identities and relationships in contemporary society. Indeed, people have serious relationships with the commodities and practices that emerge from pop culture. However, they often lack the conceptual and conversational resources to engage meaningfully with clients about pop culture's influence in their lives. Cultural studies is introduced as an interdisciplinary approach that provides frameworks for both theory and practice that position therapists and clients to critically examine the role of pop culture in their lives. Cultural studies and narrative therapy are discussed as praxis allies that share a populist political intention and counter-hegemonic discursive practices. The integration of cultural studies methodologies into narrative therapy practice with a parent and her teenage daughter is illustrated through a case vignette. © 2016 Family Process Institute.

Feminismo, estudios culturales y cultura popular

OpenAIRE

Hollows, Joanne

2005-01-01

This paper explores the movement of feminism into academic life in general and the study of popular culture in particular. Assumptioms about the effects of popular culture on women had been a commonsense of second-wave feminism; however, by the mid-1970’s, questions about how gendered identities were culturally produced and reproduced became the topic of much more in-depth feminist research and discussion. This essay examines two main ways in which feminist research into popular culture enter...

"Boys Like Smart Girls More than Pretty Girls": Young Korean Immigrant Girls' Understanding of Romantic Love in American Popular Culture

Science.gov (United States)

Lee, Lena

2009-01-01

Despite the importance of understanding children's interpretations of popular culture in the United States, young children's voices have not been sufficiently explored in studies. Moreover, the perspectives of American immigrant children hardly have a presence in studies of popular culture. Thus, this paper explores how young immigrant children…

Are Atypical Things More Popular?

Science.gov (United States)

Berger, Jonah; Packard, Grant

2018-04-01

Why do some cultural items become popular? Although some researchers have argued that success is random, we suggest that how similar items are to each other plays an important role. Using natural language processing of thousands of songs, we examined the relationship between lyrical differentiation (i.e., atypicality) and song popularity. Results indicated that the more different a song's lyrics are from its genre, the more popular it becomes. This relationship is weaker in genres where lyrics matter less (e.g., dance) or where differentiation matters less (e.g., pop) and occurs for lyrical topics but not style. The results shed light on cultural dynamics, why things become popular, and the psychological foundations of culture more broadly.

Feminismo, estudios culturales y cultura popular

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Joanne Hollows

2005-01-01

Full Text Available This paper explores the movement of feminism into academic life in general and the study of popular culture in particular. Assumptioms about the effects of popular culture on women had been a commonsense of second-wave feminism; however, by the mid-1970’s, questions about how gendered identities were culturally produced and reproduced became the topic of much more in-depth feminist research and discussion. This essay examines two main ways in which feminist research into popular culture entered academic life: first, it examines the “images of women” debate, and second, it examines the Cultural Studies tradition and the feminist cultural analysis.

Cultural Diversity: Resources for Music Educators in Selected Works of Three Contemporary African-American Classical Composers

Science.gov (United States)

Choi, Eunjung; Keith, Laura J.

2016-01-01

Contemporary African-American classical composers Cedric Adderley, John Lane, and Trevor Weston intertwine strands of culture and individual experience to produce musical works whose distinct designs offer cultural resources that music educators can use to integrate diversity into instructional settings. Of special interest is their ability to…

Popular Music in Singapore: Cultural Interactions and the “Inauthenticity” of Singaporean Music

OpenAIRE

Fu Lequn

2015-01-01

The popular music industry in Singapore advocates for Western music as being superior to local Singaporean music. Singaporeans are usually skeptical about the quality of Singaporean musicians, because of the “inauthentic” stereotype of Singaporean music. So this paper analyses the culture interaction and Singapore music from some current phenomenon that J-pop, K-pop and other music types become an integral part of music culture in Singapore. At the same time, this paper elaborates Authenticit...

Pure and Public, Popular and personal

DEFF Research Database (Denmark)

Eriksson, Birgit

2013-01-01

In the article I reexamine the traditional aesthetical and political critiques of popular culture and reevaluate the social and communicative potential of bestselling cultural artifacts such as highly popular television series. First, I sketch the alleged aesthetic and social problems of popular...... and the exclusions of the public sphere. I argue that the ideals of a pure aesthetic and a public sphere neglect issues that are crucial to the type of commonality at stake in popular cultural artifacts: personal issues, social conflicts, and what is pleasurable to the senses or has to do with emotions. Third, I...

SONGS ABOUT THE REALITY OF ‘GLOBALIZATION’ AS POLITICAL DISCOURSE: IRONY AND CRITIQUE OF ‘GLOBALIZATION’ AND THE CONCEPT OF ‘WORLD’ IN THE LYRICAL TRADITION OF THE ENGLISH WESTERN POPULAR MUSIC OF THE LATE 20TH AND EARLY 21ST CENTURIES / CÂNTECE DESPRE REALITATEA GLOBALIZĂRII CA DISCURS POLITIC: IRONIA, CRITICA GLOBALIZĂRII ŞI CONCEPTUL DE “LUME” ÎN TRADIŢIA MUZICII POPULARE DIN VESTUL ANGLIEI LA SFÂRŞITUL SECOLULUI XX ŞI ÎNCEPUTUL SECOLULUI XXI

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Fee-Alexandra Haase

2015-11-01

Full Text Available Globalization has developed into one of the most interdisciplinary topics in the fields of culture, politics, and economics since the late 20th century. This article is interested in its terminology and reflections in the arts in the case of the lyrics of contemporary U.S. American and British English popular music. Even though the term ‘globalization’ was coined in the late 20th century and is associated with the idea of a universal economic, social, and cultural process in the world, conceptual elements of ‘globalization’ can be found in human history before the term was coined. The arts conceptualized the ‘world’ as an idea long before the emergence of the concept of ‘globalization’. The elements of ‘globalization’ and its history of associated ideas are found ironized and critically revised in the contemporary arts. At this point, social and cultural criticism arises and describes the contrast between ethical values and reality. Even an individualized form of poetry like the lyric poems of 20th and 21st century U.S. American popular music reflects critically as a contribution to contemporary political discourse on the concept of ‘globalization’.

Constructions of Mathematicians in Popular Culture and Learners' Narratives: A Study of Mathematical and Non-Mathematical Subjectivities

Science.gov (United States)

Moreau, Marie-Pierre; Mendick, Heather; Epstein, Debbie

2010-01-01

In this paper, based on a project funded by the UK Economic and Social Research Council considering how people position themselves in relation to popular representations of mathematics and mathematicians, we explore constructions of mathematicians in popular culture and the ways learners make meanings from these. Drawing on an analysis of popular…

NIGERIAN VALUES AND CONTEMPORARY POPULAR MUSIC: A ...

African Journals Online (AJOL)

Dean SPGS NAU

community, maintain highly and uncontaminated cultural and moral values. Most of ... A brief look at the major concepts of this study is necessary at this juncture. .... relativism which is based on the simple fact that there are different cultures ...

"They Are Weighted with Authority": Fat Female Professors in Academic and Popular Cultures

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Fisanick, Christina

2007-01-01

The images of fat professors encountered in popular culture are few in number and negative in depiction. In this article, the author discusses on how will the professorial body affect the way in which students perceive the professor's teaching abilities. The author concludes that bias against fat professors, professors of color, and other…

Popular Music in Singapore: Cultural Interactions and the “Inauthenticity” of Singaporean Music

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Fu Lequn

2015-01-01

Full Text Available The popular music industry in Singapore advocates for Western music as being superior to local Singaporean music. Singaporeans are usually skeptical about the quality of Singaporean musicians, because of the “inauthentic” stereotype of Singaporean music. So this paper analyses the culture interaction and Singapore music from some current phenomenon that J-pop, K-pop and other music types become an integral part of music culture in Singapore. At the same time, this paper elaborates Authenticity and its importance in Singaporean music and media industry and its influences.

A moveable feast: Contemporary relational food cultures emerging from local food networks.

Science.gov (United States)

O'Kane, Gabrielle

2016-10-01

Although the globalised food system delivers unparalleled food variety and quantity to most in the developed world it also disconnects consumers from where, how and by whom food is grown. This change in the food system has resulted in an acceptance of an anonymous and homogeneous food supply, which has contributed to over-consumption and the rise in diet-related diseases. 'Nutritionism' responds to this issue by maintaining that a 'healthy diet' can be achieved by consuming the correct balance of energy and nutrients, but with limited success. Yet, some food cultures can moderate the effects of the environmental drivers of increasing global obesity rates. This paper draws on this premise and presents an alternative eco-dietetic response, exploring people's meaning-making of food and food culture through local food networks. This research used narrative inquiry methodology and purposive sampling to gather stories through focus group conversations. Twenty people attended focus groups comprised of food procurers from one of three local food networks in the Canberra region: community gardens, a modified Community Supported Agriculture (CSA) and farmers' markets. The findings showed that those using local food networks enjoyed a 'contemporary relational food culture' that highlighted the importance of people, place and time, in their visceral experiences of food. The community gardeners made meaning of food through their connections to the earth and to others. The farmers' market and CSA food procurers valued the seasonal, local and ethical food produced by their beloved farmer(s). This paper provides qualitative evidence that local food networks enable people to enjoy multi-dimensional relationships to food. Further research is required to examine whether experiencing a contemporary relational food culture can lead to improved health outcomes for people and the planet. Copyright © 2016 Elsevier Ltd. All rights reserved.

On the contemporary – and contemporary art history. A review of Terry Smith, What Is Contemporary Art

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Anthony Gardner

2011-06-01

Full Text Available This analysis of Terry Smith’s 'What Is Contemporary Art?' evaluates Smith’s ongoing project to theorise contemporary art around the theme of multiple, interconnected temporalities. It questions how this ‘contemporaneity’ differs from the classic teleologism of modernism and postmodern relativism and suggests that Smith’s categories may be valuable for understanding other cultural areas, such as contemporary music. It then raises methodological problems associated with charting the terrain of contemporary art and how they overlap with economic considerations, arguing that the task implies particular forms of privilege that may threaten the autonomy of critical analysis, but that Smith’s work goes some way toward exposing this problem.

The sociology of popular music, interdisciplinarity and aesthetic autonomy.

Science.gov (United States)

Marshall, Lee

2011-03-01

This paper considers the impact of interdisciplinarity upon sociological research, focusing on one particular case: the academic study of popular music. 'Popular music studies' is an area of research characterized by interdisciplinarity and, in keeping with broader intellectual trends, this approach is assumed to offer significant advantages. As such, popular music studies is broadly typical of contemporary intellectual and governmental attitudes regarding the best way to research specific topics. Such interdisciplinarity, however, has potential costs and this paper highlights one of the most significant: an over-emphasis upon shared substantive interests and subsequent undervaluation of shared epistemological understandings. The end result is a form of 'ghettoization' within sociology itself, with residents of any particular ghetto displaying little awareness of developments in neighbouring ghettos. Reporting from one such ghetto, this paper considers some of the ways in which the sociology of popular music has been limited by its positioning within an interdisciplinary environment and suggests two strategies for developing a more fully-realized sociology of popular music. First, based on the assumption that a sociological understanding of popular music shares much in common with a sociological understanding of everything else, this paper calls for increased intradisciplinary research between sociologists of varying specialisms. The second strategy, however, involves a reconceptualization of the disciplinary limits of sociology, as it argues that a sociology of popular music needs to accept musical specificity as part of its remit. Such acceptance has thus far been limited not only by an interdisciplinary context but also by the long-standing sociological scepticism toward the analysis of aesthetic objects. As such, this paper offers an intervention into wider debates concerning the remit of sociological enquiry, and whether it is ever appropriate for sociological

Spanish Federation of Popular Universities (FEUP)

Science.gov (United States)

Serrano, Isabel Garcia-Longoria

2006-01-01

This article features the Spanish Popular Universities, which are defined as "a project of cultural development that acts in the municipality, whose objective is to promote social participation, education, training, and culture in order to improve life quality" (Federation of Popular Education Universities, 2000). A century of history of…

Encuentros esteticos deweyanos con la cultura popular anglofona en la ensenanza de ingles como lengua extranjera (EILE). Working Paper (Deweyan Aesthetic Encounters with Anglophone Popular Culture in the Teaching of English as a Foreign Language. Working Paper).

Science.gov (United States)

Zoreda, Margaret Lee

This paper discusses how the introduction of Anglophone popular culture in the English-as-a-foreign-language class can serve to foster critical aesthetic experiences. It is argued that the popular culture of the hegemonic Anglophone countries is already part of students' lives and for that reason should be included in any critical Anglophone…

Chemistry in the Popular Culture: Mass Media, Music and Outreach Events

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Jergović, B.

2011-01-01

Full Text Available Science is often identified with the discipline of chemistry particularly in the popular sphere and in visual culture. The image of science or its profile is created mainly in the mass media, but also in other spheres and in many different ways. Mass media are in the focus of many research groups, as the most frequent and efficient source of scientific information to the public. Science communication research is rather intense also in the attempt to understand the non-linear interaction with popular music and film. In addition, public activities of scientific institutions are being investigated, as well as the public image of science in projects where scientists are directly communicating with the general, lay audience. Notwithstanding, a link between research and the practice of science communication is non-existent. Public communication of science is more emerging than planned, there are many isolated actors and programs, and ‘hard’ sciences are not keen on using the social sciences’ knowledge and skills. In order to improve this situation, it is essential to understand how the public image of science is created, and how science interacts with its audiences. Here, the public image of science is discussed with regard to the news values and the new circumstances for mass communication, particularly the convergence of different media, which offers new possibilities for science in the public. An analysis of the media coverage of chemistry in the International Chemistry Year 2011 shows huge differences in the frequency and nature of the media coverage, particularly with regard to media convergence and the use of different media simultaneously. Outreach events are discussed in the light of the influence on their visitors. Since science communication is present in other spheres of popular culture, and in nonlinear top-down manner, we shortly discuss communication about chemistry in pop music in the attempt to suggest the need to communicate

Form and Function of Carrying Tools in Traditional and Contemporary Culture

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Hendriana Werdhaningsih

2009-07-01

Full Text Available The Javanese Traditional Carrying Tools are categorized into two kinds based used of materials: anyaman made of woven bamboo or rattan and the other was made of cloth. The Traditional Javanese Carrying Tools that were made of bamboo/ rattan is actually a kind of container with different shapes. The types of goods that were brought was related to the shapes of the containers, demonstrate the type of interactions between the carrier and the goods. The Traditional Carrying Tools made of cloth have the flexibility in terms of being the containers of the carried goods. Selendang is used to carry goods, including the bamboo/ rattan containers and to carry babies. It can be used rumpled and straightened depends on the technical needs of carrying tools preferred by the user. In contemporary culture, the form and design of carrying tools more less construct by fashion and trends besides those practical used. Some product are being 'classic', some other are being 'fad'. Both products, traditional and contemporary have their own style, uniqueness, and own context. Analyzing both in design point of view is important as evaluation process, to finding new problems that will be starting point to create new products. Indonesia is well known for its abundant richness in traditions, which include the culture, the art, and the traditional products. Such treasure of traditions can inspire the development and invention of various kinds of artwork and current products.

The Nigeria-Biafra war, popular culture and agitation for sovereignty of a Biafran nation

NARCIS (Netherlands)

Julius-Adeoye, R.J.

2017-01-01

The date 6 July 2017 marks the 50th anniversary of the war considered as one of the worst in recent human history, the Nigeria-Biafra war. My paper focuses on the representation of this war in popular culture – with an emphasis on film, fictional and non-fictional literature. It interrogates the

Young Asian Dutch constructing Asianness: Understanding the role of Asian popular culture

OpenAIRE

Kartosen, R.A.

2016-01-01

This doctoral thesis is about young Asian Dutch, panethnic Asian identities and identifications, and Asian/Asian Dutch popular culture. It addresses several pressing questions, including: why do young Asian Dutch, who were born and/or raised in the Netherlands, identify as Asian and construct Asian identities? What is the content or meaning of these Asian identities and identifications young Asian Dutch imagine? And how do these relate to young Asian Dutch’ Dutch and homeland identities and i...

Achilles in the age of steel: Greek Myth in modern popular music

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Eleonora Cavallini

2009-03-01

Full Text Available From the Sixties until today, the presence of Greek Mythology in so-called “popular music” appears to be far more frequent and significant than one could imagine. Nevertheless, at the beginning such references are rather generic, loose and even ironical; on the other side, in the Eighties and afterwards, particularly in the framework of certain music genres, entire concept albums are inspired to the deeds of Achilles and Odysseus, or by the tragic vicissitudes of the house of Atreus. Special attention is dedicated to the character of Achilles, who, as a prototype of the modern “super hero”, is somehow close to the sensibility and the expectations of contemporary youth cultures and their associated media.

High theory/mass markets: Newsweek magazine and the circuits of medical culture.

Science.gov (United States)

Lewis, Bradley

2007-01-01

Medicine is driven by much more than science and reason (ethics); it is also driven by the circuits of culture within which it operates. This article examines how postmodern theory deconstructs standard ideals of science and reason and allows medical humanities scholars to better contextualize the world of medicine. As such, postmodern theory provides an invaluable tool for understanding the circuits of popular culture and medicine's place within these circuits. Using a recent issue of Newsweek magazine devoted to health and technology to illustrate the main points, this essay argues that contemporary popular influences on medicine are deeply problematic, and that through an appreciation of the dynamics of culture, medical humanities scholars can join the struggle over medical culture. This perspective allows medical humanities to make important contributions toward alternative circuits of medical representation, consumption, and identification.

In Search of the English Sabbat: Popular Conceptions of Witches’ Meetings in Early Modern England

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James Sharpe

2013-03-01

Full Text Available This article explores the evidence for belief in the witches’ sabbat in early modern England. England is generally thought of as a country where the concept of the sabbat did not exist, and it was certainly largely absent from elite thinking on witchcraft, as displayed in the witchcraft statutes of 1563 and 1604 and Elizabethan and Jacobean demonological writings. But evidence entering the historical record mainly via deposi- tions taken by justices of the peace suggests that there was a widespread popular belief in the sabbat or in parallel forms of witches’ meetings, evidence that the concept of the sabbat existed in popular culture. In this, the English evidence seems to support Carlo Ginzburg’s model of the sabbat being essentially a popular construction in its origins. The article also examines a play based on one of the historical incidents analysed, Richard Brome and Thomas Heywood’s The Late Lancashire Witches (1634, and uses it as a starting point for a brief discussion of witchcraft motifs in contemporary drama, notably Shakespeare’s Macbeth.

Between Contemporary Art and Cultural Analysis: Alternative Methods for Knowledge Production

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Billy Ehn

2012-03-01

Full Text Available Artistic research suggests alternative methods for producing various kinds of knowledge, whether within or without the confines of academe. These methods may involve either the production of investigative artworks or the writing by the artist of a doctoral dissertation about his or her own work. For cultural researchers, the methods employed by artists engaged in these processes are both familiar and challenging, as conventional ethnography is mixed with more unpredictable experiments. This article presents several contemporary artworks, including sculpture, film, dance, installation and performance that explore various aspects of reality. What can be learnt from these works? And what could be achieved by an open exchange between artists and academic researchers? Four methodological approaches are highlighted as being of particular interest. The first relates to artists’ tendency to live experimentally, using themselves both as actors and as research objects. The second arises from the very tangible ways in which contemporary artworks approach the theme of materiality. The third relates to the emotional nature of much of contemporary art – even when it is categorised as conceptual – in its creation, forms of presentation, and influence on the spectator. Finally, many artists are gifted with the ability to find and communicate surprising meanings in ordinary life. How do they do this? Part of the answer seems to be that although artists are open to the implementation of “wild whims”, they exploit their spontaneity in a highly professional manner.

Tsonga popular music: negotiating ethnic identity in 'global' music ...

African Journals Online (AJOL)

identity performance'. Although ethnic identity continues to be performed in contemporary black South African popular music, this article argues for the existence of a performance of, and discourse on, identities that go beyond ethnicity. Here the ...

A produção de reconhecimento num contexto popular: devoção e narrativa contemporâneas / The production of recognition in a popular context: contemporary devotion and narrative

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Régis de Toledo Souza

2010-01-01

Full Text Available Dentro da dinâmica de lutas de reconhecimento da cultura popular do vale do Paraíba paulista, identificamos sujeitos responsáveis pelo registro e pela transmissão oral das narrativas de grupos devocionais do catolicismo popular. Atualmente, para sistematizar o registro de suas narrativas, verificamos que alguns sujeitos populares apropriam-se das técnicas e tecnologias antes exclusivas dos profissionais (jornalistas e pesquisadores que geralmente não participam do cotidiano dos sujeitos populares. Constatamos que, ao realizarem esse movimento, esses sujeitos populares passaram a ocupar um espaço de coexistência de vários discursos que disputam os sentidos dessas práticas religiosas, criando uma circularidade dos significados que colocam um desafio para os próprios pesquisadores, pois os discursos e práticas dos pesquisadores tornam agora mais complexas as interpretações das devoções populares e de seus sujeitos. Nas novas narrativas dos especialistas “nativos" existe o uso de categorias assimiladas da lógica de domínios exógenos mais amplos que se fazem presentes em seus cotidianos. / Within the dynamic of struggles for recognition of popular culture in Paraiba Valley, state of São Paulo/Brazil, we identified individuals responsible for the register and oral transmission of narratives of devotional groups of popular Catholicism. Nowadays, to systematize the register of their narratives, we verified that some individuals of these groups appropriate techniques and technologies which were once exclusive to professionals (journalists and researchers that generally do not participate in the individual‟s everyday life. It was observed that, by making this movement, these popular Catholics started to occupy a space of coexistence of several discourses which fight for the meanings of these religious practices, creating a circularity of meanings that challenge the researchers, since their discourses and practices now make the

How cultural capital, habitus and class influence the responses of older adults to the field of contemporary visual art☆

Science.gov (United States)

Newman, Andrew; Goulding, Anna; Whitehead, Christopher

2013-01-01

This article explores the responses of 38 older people to contemporary visual art through the results of a 28-month study entitled, Contemporary Visual Art and Identity Construction: Wellbeing amongst Older People. A framework for the analysis is provided by previous work on the consumption of art and by Bourdieu's constructs of cultural capital, habitus and field. Five groups of older people, with a range of different backgrounds, were taken to galleries and their responses were recorded, transcribed and analysed. It is concluded that participants’ responses are influenced by their cultural capital, habitus and class—which, in turn, are affected by their life course experiences. Those who could not recognise the field (e.g., did not view contemporary art as “art”) created their own meanings that they associated with the artworks. Evidence indicates that group dynamics and class mobility are likewise important. Participants also used the experience to respond to real or anticipated age-associated deficits. PMID:24748712

How cultural capital, habitus and class influence the responses of older adults to the field of contemporary visual art.

Science.gov (United States)

Newman, Andrew; Goulding, Anna; Whitehead, Christopher

2013-10-01

This article explores the responses of 38 older people to contemporary visual art through the results of a 28-month study entitled, Contemporary Visual Art and Identity Construction: Wellbeing amongst Older People . A framework for the analysis is provided by previous work on the consumption of art and by Bourdieu's constructs of cultural capital, habitus and field. Five groups of older people, with a range of different backgrounds, were taken to galleries and their responses were recorded, transcribed and analysed. It is concluded that participants' responses are influenced by their cultural capital, habitus and class-which, in turn, are affected by their life course experiences. Those who could not recognise the field (e.g., did not view contemporary art as "art") created their own meanings that they associated with the artworks. Evidence indicates that group dynamics and class mobility are likewise important. Participants also used the experience to respond to real or anticipated age-associated deficits.

The Invisible Turn to the Future: Commemorative Culture in Contemporary Shanghai

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Lü Pan

2012-01-01

Full Text Available After decades of fierce political struggles in the Mao era, the People’s Republic of China has strived economically under the open-door policy since the end of the 1970s. However, the still firm national monuments that weathered the social vicissitudes are left open to the question of how they could be incorporated into the new national ideology. In comparison to Beijing, Shanghai’s overwhelmingly predominant image centers on its role as the economic dragonhead of China. This article argues that Shanghai, exactly because of this ostensibly apolitical profile, provides a rarely discussed but highly meaningful approach to examining the dynamics between contemporary Chinese commemorative culture and the postsocialist urban spatial order. Unlike the East European cases, the “critical juncture” of ideology in China is invisible in the official narratives of the monuments. In some circumstances, the renovation of old memorials seem to fulfill the task of glorifying a certain past but in effect, it leaves the place a self-enclosed venue that sheds the rest of the city from the ideological burden. In other cases, some monuments of the seemingly core nationalistic narratives are marginalized. What’s more, new attentions are now drawn to the memorials for the history of “others” in the name of cosmopolitanism. The invisibility of the commemorative narratives speaks directly to the perplexity of assuming national identity in contemporary China. In the light of Prasenjit Duara’s idea of “bifurcated history”, national memory culture in Shanghai suggests the multiple possibilities of deciphering the city’s past and its future.

The Construction of National Memory Through Popular Culture. The Case of the Argentinian TV Show,

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Elizondo Oviedo, María Verónica

2010-07-01

Full Text Available This article addresses the borders of the complex television sign through the analysis of the Argentinian TV show "Peter Capusotto y sus videos". In it we find that humor is used as a mechanism to dismantle binary hierarchic political and social oppositions. The program is presented as a musical and comedy TV show where concepts such as popular culture and mass culture are questioned through different false musicians. We focus our attention in the character of Bombita Rodríguez, el Palito Ortega montonero due to the controversy generated in the cultural scene by the fact of bringing up recent aspects of Argentinian history.

TALKING POLITICS ONLINE WITHIN SPACES OF POPULAR CULTURE : THE CASE OF THE BIG BROTHER FORUM

NARCIS (Netherlands)

Graham, T.S.

2010-01-01

Talking politics online is not bound to spaces dedicated to politics, particularly the everyday political talk crucial to the public sphere. The aim of this article is to move beyond such spaces by examining political talk within a space dedicated to popular culture. The purpose is to see whether a

The Destruction of the Young Black Male: The Impact of Popular Culture and Organized Sports.

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Gaston, John C.

1986-01-01

Argues that the negative aspects of popular culture and organized sports in American society contribute to the economic, psychological, and social destruction of the Black male. The media nurtures unrealistic fantasies in young Black males, preventing them from acquiring the education and skills necessary to participate in the mainstream. (ETS)

Pramod K. Nayar, The Extreme in Contemporary Culture: States of Vulnerability

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Zmarzlinski Adam

2017-12-01

Full Text Available Pramod K. Nayar’s inventive 150-page examination of physical and psychological vulnerability of man under extreme circumstances-torture, terminal illness, environmental and geographical limits etc.-is a brilliant work best described as a thought-provoking, and surprisingly emotional, equivalent of an academic horror story. 'The Extreme in Contemporary Culture' leads the reader through film, literature, extreme sports, two major historical events-9/11 and Chernobyl-and the prisons of Abu Ghraib and Guantanamo Bay, and, like a neat multi-flowered bouquet, interlinks these different topics in one (unfloral cone: the human body under duress.

It’s Not [Just] Cricket: The Art and Politics of the Popular – Cultural Imperialism, ‘Sly Civility’ & Postcolonial Incorporation

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Andrew Jones

2013-01-01

Full Text Available Ashutosh Gowariker’s critically acclaimed Lagaan (2001, is a marvellous piece of cinematic troubling, which, via an astute use of allegory, reflects upon identity politics and power relations in both colonial and postcolonial contexts. Bringing two cornerstones of Indian popular culture together, namely cricket and Hindi formulae films, Gowariker produces an engagingly, affective alchemy of image and sound, which intervenes critically in the discourses of British colonial rule. This article’s intention is to demonstrate the mimetic devices inherent in Lagaan’s narrative, and how they mirror the regional resilience evident in the global success of both popular Indian cinema and the Indian performance of cricket. The sport of cricket and its role and effectiveness within a larger colonial project, is contextualized and reconsidered by tracing some resistant tangents in the sports evolution and performance in the Asia Pacific region. Making the most of the South Asian diaspora, which has exploited the networks and routes of the former British Empire, Indian popular cinema, likewise, serves to illustrate the point that local cultural dynamics can add their own nuances to global media flows. Interdisciplinary approaches are required to traverse within and between cultures, and to underscore the deep currents of contestation, as well as the radical and often surprising politics that characterise popular culture. In this respect, a range of scholars from different fields of study are consulted; Ashis Nandy, Arjun Appadurai, Chandrima Chakraborty and Homi Bhabha amongst them. Their voices will help to open up uncertainties in the conventional discourses, and to articulate some of the cultural politics and poetics at play in Lagaan specifically and the performance of cricket more generally.

O remix e o haxixe: cultura popular e autenticidade na globalização The remix and the haxixe: popular culture and authenticity inside globalization

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Michel Nicolau Netto

2008-12-01

Full Text Available Vemos em nossa época um discurso – semelhante ao romantismo – que tende a contrariar os discursos universalistas em benefício das particularidades. Ao contextualizar esses discursos os insiro em uma relação mais ampla de poder permeada pelo processo de globalização, na qual a valorização pueril da cultura popular se mostra, na verdade, como uma faceta das novas formas capitalistas de apropriação econômica e simbólica da cultura. Palavras-chave: Romantismo. Pós-modernismo. Globalização. Autenticidade. Identidade. We see in our age a discourse – similar to the romanticist – which tends to be opposed to the universal discourses in benefit of the particular ones. Contextualizing these discourses, I bring them into a broader relation of power in the process of globalization, in which the naïve encouragement of the popular culture is one of the facets of new economic and symbolic forms of capitalist appropriation of culture. Keywords: Romanticism. Postmodernism. Globalization. Authenticity. Identity.

Governmentalities of Alevi Cultural Heritage: On Recognition, Surveillance and "Domesticated Diversity" in Contemporary Turkey

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Benjamin Weineck

2014-12-01

Full Text Available Although Cultural Heritage as such has a rather positive connotation, bringing together notions of safeguarding and human creativity, critical investigations have underlined the various strategic, economic and political rationalities inscribed in this term. In 2010 the UNESCO rendered the Alevi ritual sequence semah Intangible Cultural Heritage and as such it was inscribed in the Turkish National Inventory of Cultural Heritage – although Alevis are not recognized by the Turkish state and its Sunni-Turkist understandings of belonging. The celebration of an Alevi ritual as enriching Turkey’s ‘cultural diversity’ thus asks for an analytical approach that comes to terms with this tension of recognition, ongoing political surveillance and the very specific understandings of diversity that are put into play. With reference to Foucaults (and particularly Roses approach to contemporary government as “governmentality”, Cultural Heritage can be grasped in its ambivalent (but not necessarily conflicting nature as cultural self-fulfillment and governmental control. The paper thus enlarges the analytical scale of thinking about Cultural Heritage in its correlation with identity-formation, the politics of recognition and governance.

The Recontextualization of Burik (Traditional Tattoos of Kabayan Mummies in Benguet to Contemporary Practices

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Analyn Salvador-Amores

2012-06-01

Full Text Available What practices and techniques contribute to the “recontextualization” of an extinct traditional tattoo tradition in contemporary practice? Through what channels do today’s practitioners revive the application and use of extinct tattoos? This paper is about the “recontextualization” of burik, an extinct traditional tattoo found in some of the mummies in Kabayan, Benguet, north of Luzon, Philippines. While the traditional cultural bearers are already nonextant, I explore the contemporary transformations of the burik through “cultural borrowing” and “appropriation,” such as (a graphic designs on clothing, (b actual tattoo designs on the skin, and (c an aesthetic tattoo practice. Tattooing, in terms of both practice and design, has become a popular practice worldwide. In the Philippines, tattoo artists turn to traditional tattoo practice by “re-invoking” the features of tattoos (pain, permanence, and the “graphicness” (designs is appropriated to recent practices in tattooing the skin (“skin-deep” and incorporated in tattoo designs on clothing (“surface”.I argue that the successive phases and changes in the status of burik tattoos—enabled by the advent of modern technology, the Internet, and mass media—encourage an interaction between contemporary and historical influences rather than an extinction of past practice. Such cross-sector sources continue to characterize the reinterpretation of traditional tattoos in contemporary practices. To understand fully the significance of burik today, I draw on Appadurai’s notion of objects as “things-in-motion” and Kopytoff’s “social biography of objects” as the burik relate to relevant socioeconomic and political contexts across time.

Boys' Literacy Development: Navigating the Intersection of Popular Culture, New Literacies, and High-Stakes Assessments

Science.gov (United States)

Yeung, Daniel; Curwood, Jen Scott

2015-01-01

Prior scholarship suggests that many boys are disengaged from school-based literacy because they do not see its value or significance in their lives. In response, this study investigates the role of popular culture and new literacies in motivating adolescent boys within secondary English. Drawing on sociocultural approaches to literacy research,…

Cephalopods Between Science, Art, and Engineering: A Contemporary Synthesis

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Ryuta Nakajima

2018-06-01

Full Text Available Cephalopods are outstanding animals. For centuries, they have provided a rich source of inspiration to many aspects of human cultures, from art, history, media, and spiritual beliefs to the most exquisite scientific curiosity. Given their high esthetical value and “mysteriously” rich behavioral repertoire they have functioned as boundary objects (or subjects connecting seemingly distinct thematic fields. Interesting aspects of their being span from the rapid camouflaging ability inspiring contemporary art practices, to their soft and fully muscular body that curiously enough inspired both gastronomy and (soft robotics. The areas influenced by cephalopods include ancient mythology, art, behavioral science, neuroscience, genomics, camouflage technology, and bespoken robotics. Although these might seem far related fields, in this manuscript we want to show how the increasing scientific and popular interest in this heterogeneous class of animals have indeed prompted a high level of integration between scientific, artistic, and sub-popular culture. We will present an overview of the birth and life of cephalopod investigations from the traditional study of ethology, neuroscience, and biodiversity to the more recent and emerging field of genomics, material industry, and soft robotics. Within this framework, we will attempt to capture the current interest and progress in cephalopod scientific research that lately met both the public interest and the “liberal arts” curiosity.

Polish Wild at Heart for fifty zlotys – popular culture in Zrób mi jakąś krzywdę by Jakub Żulczyk

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Wojciech Małecki

2009-01-01

Full Text Available The article presents an analysis of selected functions carried out by the popular cultural references in Żulczyk’s novel Zrób mi jakąś krzywdę, czyli wszystkie gry wideo są o miłości. The first section of the article considers some methodological problems related to the subject matter of the article and discusses the book in view of Shusterman’s aesthetic experience model in the aesthetic legitimization of popular art. The next section includes the analysis of the text and focuses on such issues as references to popular culture in the protagonist’s characteristics. In the conclusion of the article, the author sums up that the popular culture threads are not included in the novel purely for decorative reasons but constitute it at a multi-tiered level and cannot be removed from the novel otherwise it would disrupt, or even destroy, its structure and thus, without some knowledge of the basic elements of pop culture, the reading and understanding of the book can be substantially impaired and incomplete.

Cruel and Unusual: Negative Images of Arabs in American Popular Culture. Third Edition. ADC Issue Paper No. 15.

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Michalak, Laurence

This document addresses the negative image of Arabs among the U.S. public. While formal education has created many of the misconceptions about Arabs that abound in the west, many of the misconceptions come from the informal education of popular culture. The western image of the Arab is possibly more interesting than the reality of Arab culture.…

The language of poetic texts in contemporary Tuvan pop songs

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Oyumaa M. Saaya

2017-06-01

Full Text Available The article presents a linguistic analysis of lyrics of modern Tuvan pop songs. While studying them is important for understanding contemporary songwriting in Tuva, it is also necessary to discover what linguistic means, functional styles and vocabulary are used by modern authors of popular lyrics. The study can also help identify how contemporary global trends influence songwriting in means of linguistics. Three groups of songs can be defined in Tuvan pop music. The first of them comprises songs written by both professional poets and amateurs with good writing skills. Their texts have homogenous literary style and are intended for general audience (rather than specific groups of listeners. They do not feature any jargon or youth slang. The second group consists of “songs of the people” which are still popular and relevant, but not classified as folklore. This group also contains songs previously banned by censorship, and those written by ex-convicts. Their lyrics differ in style, and the vocabulary is also heterogenous: they can include slang and contain vernacular language. The third group includes songs following popular global and Russian trends, which  triggered rapid evolution in Tuvan songwriting. There is significant number of authors or even creative unions, who write both lyric and music. They are stylistically uneven, contain a lot of neologisms, borrowed vocabulary, slang and jargon words and sometimes even macaronic (mixed language. The author provides a more in-depth analysis of lyrics belonging to the third group of songs. They can be divided into 6 thematic subgroups which greatly vary in lexical content and the use of tropes. The lyrics of contemporary Tuvan songs are quite close to the everyday language young people use. Active employment of jargon in the language of young and middle-aged people, especially in lyrics of modern songs, steadily decreases the literary norms of Tuvan language. The author emphasizes that

Edward Albee’s The Zoo Story: Echo/es of Contemporary Subversive Culture

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Naqibun Nabi

2016-02-01

Full Text Available The post-world war II American social and cultural setting was ambiguously featured with enforced conformity in the name of prosperity and Americanization of the nation. Despite of this fact, American writers, especially, dramatists conveyed their message against this fixation through variety and intellectuality. Edward Albee’s The Zoo Story is one of those literary assets which dedicatedly cut through the illusions of contemporary American social and cultural ethos. Here, his characters are seen struggling constantly with their insecurities and existential angst in the society. He presents America, the so-called ‘Land of Free and Home of Braves’ (note 1, in such a portrayal that unveils the traps of cages and confinement underneath. The target of this paper is to trace Edward Albee’s heightened awareness about the post-war American socio-cultural reality evident in The Zoo Story. It also looks for the voice in which the text echoes out the anti-communist, materialistic, gender-coded boundaries, coupled with paradoxical media representations, religious bordering and how Albee challenges these issues with an anti-establishment tone. Keywords: subversive culture, anti-communism, media, religion and homosexuality

Ontology of Iranian-French Cultural Relations: With an Emphasis on Contemporary Iranian History Prior to the Islamic Revolution

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Foad Pourarian

2017-12-01

Full Text Available Culture is one of the most prominent concepts that can also be the source of many changes in the range of action and application, in addition to its theoretical competence. One of the major outcomes of culture in contemporary history is its importance in international relations, insofar as these relations can broaden the level of relations or even create deep political or economic links between countries. In contemporary history, Iran began its experience of cultural relations with the West, especially France; Reza Shah, who put Iran's modernization at the top of his goals, pursued literacy and expanded academic circles, and in this regard, one of the most prominent of his plans was to send students to the West, especially to France, which also contributed to the expansion of the presence of French culture and language in Iran. The second Pahlavi era was accompanied by a change in some of the transboundary equations, including the emergence of the United States as a superpower, a special interest of Mohammad Reza Shah in the United States as well as Washington's agenda for the presence in Iran that slowly diminished French cultural influence in Iran, and the English language and culture were replaced. However, French ideas and thoughts still constituted a significant part of the educated layers of Iran given its strong presence in the Iranian academic circles in the past.

Practicing Critical Media Literacy Education: Developing a Community of Inquiry among Teachers Using Popular Culture

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Flores-Koulish, Stephanie

2010-01-01

Media literacy compels us to look anew at the most mundane, that which surrounds us: the media and our popular culture. From there media literacy compels us to accept that the media are constructed and to seek various ways to analyze them, while considering our own beliefs to evaluate for ourselves an ultimate interpretation. This process has the…

Consumption Of Counterfeit Alcohol In Contemporary Russia: The Role Of Cultural And Structural Factors

OpenAIRE

Zoya Kotelnikova

2014-01-01

The majority of Russians believe that counterfeit alcohol may cause death. Nevertheless, alcohol is a common target of counterfeiting in contemporary Russia as are branded clothes, accessories and audio products. This paper aims to reveal whether counterfeit alcohol consumers are distinctive in terms of structure and culture. It investigates the prevalence and structure of counterfeit alcohol purchasing and consumption; attitudes and beliefs about counterfeit alcohol; and predictors of counte...

Television's "crazy lady" trope: female psychopathic traits, teaching, and influence of popular culture.

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Cerny, Cathleen; Friedman, Susan Hatters; Smith, Delaney

2014-04-01

This article describes notable illustrations of female psychopathy on modern television to review various characters that will have utility in teaching students about female psychopathy in distinction to male psychopathy and to encourage consideration of the potential effects that viewing these countless examples may have on a generation of young women. The authors use examples from soap operas, crime procedurals, reality television, fantasy, comedies, and young adult programs to illustrate gender differences in psychopathy and make specific teaching points. They also review the research literature related to popular culture's impact on behavior and gender roles. Gender differences in real-world psychopathy are mirrored in television portrayals. For example, female psychopaths, on TV and in reality, use sexual manipulation, demonstrate unstable emotions, and employ social aggression to achieve their ambitions. The examples of female psychopathic traits are prevalent on TV and easily accessible for teaching purposes. Research does give some support for a popular culture impact on behavior and gender roles. As compared to male psychopathy, female psychopathy is less recognized, and there are some notable differences in how the psychopathic traits manifest. Television provides myriad teaching examples that can highlight the gender distinctions such as use of sexual manipulation, emotional instability, and social aggression. Research suggests that the prevalence of "crazy ladies" on television may be negatively impacting gender stereotypes and normalizing bad behavior in young women.

A constructivist approach to popular culture and foreign policy: the case of Turkey and Valley of Wolves: Ambush

OpenAIRE

Yukaruc, Umut

2017-01-01

In this thesis, I argue that, as a popular text, Valley of the Wolves: Ambush functions as a site for consent production for foreign policies formed by the AKP elites within the last decade, through a process of reproduction of state identities, ideologies, and discourses at the level of narrative. This thesis positions its argument in two fields: Turkish Foreign Policy (TFP) studies and Popular Culture and World Politics (PCWP) within the larger International Relations (IR) co...

Amy Caiazza, Mothers and Soldiers. Gender, Citizenship and Civil Society in Contemporary Russia. Routledge. New York and London 2002.

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Elena Zdravomyslova

2005-04-01

Full Text Available This book examines the importance of gender and citizenship ideologies and the opportunities available for interest groups and related civic initiatives in relation to the role of conscripts mother’s in contemporary Russia. Amy Ciazza asks: what is the role of gender culture in the development of the Russian civil society? The author argues that gender-typing of citizenship and popular beliefs about the different civic obligations of men and women can be efficiently mobilized by interest grou...

流行文化與課程Popular Culture and Curriculum

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楊洲松Chou-Sung Yang

2015-03-01

Full Text Available 本文旨在透過理論取向，分析流行文化之意義與特性，並據以闡釋其在學校課程上的意涵。本文首先分析與歸納流行文化的意義有：廣受人們喜愛的文化、次級的、大眾的、人民的、文化鬥爭的與後現代主義等六項。其次就流行文化的特性而言，本文提出：一、流行文化呈現出某個世代的獨有共同文化；二、流行文化具有對抗主流母文化的內在性格；三、流行文化是一種創造性的意義表達文化；四、流行文化具有媒體文化及商品化的消費性格。復次，根據上述流行文化之意義與特性，闡釋流行文化之課程意涵有：一、提醒教師教學需顧及學生生活經驗的統整；二、轉化傳統教學方式成為多元解讀的教學方式；三、作為學生滿足自我表現及創造之需求的文化形式；四、提示媒體素養教育的重要性；五、作為新興的文化創意產業，與課程結合可促進學用合一。 Through theoretical approach, this paper aims at analyzing contemporary ‘popular culture’ and its implications in schooling. Firstly, this paper lays bare the meanings and characters of ‘popular culture’ with the related issues. Then, it justifi es the implications of the ‘popular culture’ in school curriculum. Finally, it provides some suggestions about teaching and learning.

The Evolution of Hip-Hop Culture and Its Influence upon the Sexual Views of Mainstream Youth.

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Larson, Scott J.

1998-01-01

Suggests that contemporary hip-hop music may be dominant in worldwide youth culture. It has evolved from the violence of "gangsta rap" toward more broadly popular mainstream themes of retreat into drugs and illicit sexuality. States that adults need to engage youth in communication about the exploitative values inherent in these cultural…

Unlocking the black box: teaching mathematical modeling with popular culture.

Science.gov (United States)

Lofgren, Eric T

2016-10-01

Mathematical modeling is an important tool in biological research, allowing for the synthesis of results from many studies into an understanding of a system. Despite this, the need for extensive subject matter knowledge and complex mathematics often leaves modeling as an esoteric subspecialty. A 2-fold approach can be used to make modeling more approachable for students and those interested in obtaining a functional knowledge of modeling. The first is the use of a popular culture disease system-a zombie epidemic-to allow for exploration of the concepts of modeling using a flexible framework. The second is the use of available interactive and non-calculus-based tools to allow students to work with and implement models to cement their understanding. © FEMS 2016. All rights reserved. For permissions, please e-mail: journals.permissions@oup.com.

Performing sound of the past: Remix in electronic dance music culture

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Cvijanović Irina

2014-01-01

Full Text Available The term remix, defined as an activity of taking data from pre-existing materials to combine them into new forms according to personal taste, relates to various elements and areas of contemporary culture. Whichever model used, consideration of the remix depends on recognition of pre-existing cultural codes. Therefore, as a second layer, the remix relies on the authority of the original and it functions at the meta-level. The audience may see a trace of history with the pre-existing object and the meaning creates in the viewer(s, reader(s, listener(s or, in the contemporary world of DJs and popular electronic dance music culture - in dancer(s. With the aim of specifying modes of creating particular ambients, this paper will consider and examine the song Why Don’t You? remixed by Marko Milićević, a Serbian DJ also known as Gramophonedzie, and illuminate how material from the past can create a constructive (musical dialogue.

Point of View: Does Popular Music Have Educational Value?

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Music Educators Journal, 1979

1979-01-01

Eight music educators offer their views on the pros and cons of including pop/rock music in the curriculum. Some participants describe methods they've developed to highlight or to integrate contemporary music in their courses. This article is part of a theme issue on popular music. (SJL)

Popular Media, Critical Pedagogy, and Inner City Youth

Science.gov (United States)

Leard, Diane Wishart; Lashua, Brett

2006-01-01

In this article, we explored ways youth, traditionally silenced, engaged with popular culture to voice experiences and challenge dominant narratives of public schools and daily lives. We also considered how educators use popular culture as critical pedagogy with inner city youth. Through ethnographic bricolage and case study methods, and drawing…

Part 2 - The Recontextualization of Burik (Traditional Tattoos of Kabayan Mummies in Benguet to Contemporary Practices

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Analyn Salvador-Amores

2012-06-01

Full Text Available What practices and techniques contribute to the “recontextualization” of an extinct traditional tattoo tradition in contemporary practice? Through what channels do today’s practitioners revive the application and use of extinct tattoos? This paper is about the “recontextualization” of burik, an extinct traditional tattoo found in some of the mummies in Kabayan, Benguet, north of Luzon, Philippines. While the traditional cultural bearers are already nonextant, I explore the contemporary transformations of the burik through “cultural borrowing” and “appropriation,” such as (a graphic designs on clothing, (b actual tattoo designs on the skin, and (c an aesthetic tattoo practice. Tattooing, in terms of both practice and design, has become a popular practice worldwide. In the Philippines, tattoo artists turn to traditional tattoo practice by “re-invoking” the features of tattoos (pain, permanence, and the “graphicness” (designs is appropriated to recent practices in tattooing the skin (“skin-deep” and incorporated in tattoo designs on clothing (“surface”.I argue that the successive phases and changes in the status of burik tattoos—enabled by the advent of modern technology, the Internet, and mass media—encourage an interaction between contemporary and historical influences rather than an extinction of past practice. Such cross-sector sources continue to characterize the reinterpretation of traditional tattoos in contemporary practices. To understand fully the significance of burik today, I draw on Appadurai’s notion of objects as “things-in-motion” and Kopytoff’s “social biography of objects” as the burik relate to relevant socioeconomic and political contexts across time.

Classifications in Popular Music: Discourses and Meaning Structures in American, Dutch and German Popular Music Reviews

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A.T. van Venrooij (Alex)

2009-01-01

textabstractPopular music is one of the cultural fields – together with film, photography, and jazz – which in the second half of the twentieth century have apparently gained much in status and recognition (Janssen, 1999; Janssen, Kuipers & Verboord, 2009). Popular music has become ‘aesthetically

The Exotic Other: Representations of Latina tropicalism in U.S. popular culture

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Martynuska Małgorzata

2016-05-01

Full Text Available U.S. Latina/o identity is a complex and panethnic construction. One of the most enduring tropes surrounding Latina women in US culture is that of tropicalism, which by erasing ethnic specificity helps construct homogenous stereotypes such as bright colours, rhythmic music, and brown skin that are represented in visual texts. Tropicalization helps position the Latina body as oversexed as well as sexually available; all that is identified with seductive clothing, curvaceous hips and breasts, long brunette hair or extravagant jewellery. The article concerns Latina images in US media and popular culture and focuses on such stars as Jennifer Lopez and Salma Hayek in order to explore the gendered signifiers surrounding Latinidad and Latina iconicity. The female ethnicity is depicted as other through its categorization and marginalization in relation to dominant constructions of Whiteness and femininity. The article bridges the approaches of gender studies and Latina/o studies with recent research on hybridity and transnational identities.

Los Jóvenes que Viven en Barrios Populares Producen más Cultura que Violencia/Youth Who Live in Popular Neighborhoods Produce More Culture than Violence/Os Jovens que Moram em Bairros Populares Produzem mais Cultura do que Violência

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James Cuenca

2016-03-01

Full Text Available Este escrito analiza la situación en la que viven los jóvenes de los barrios populares al estar enfrentados a un fuerte estigma social que los reduce a delincuentes, drogadictos y violentos. Retomando la categoría de barrio popular, se critica esta posición y, a cambio, se propone una interpretación en la que se destaca la productividad cultural que tienen los jóvenes que viven en estos barrios. Se toma como caso a los raperos que viven en la ciudad de Cali, Colombia. Así, en el documento se puede constatar que, con el rap y el hip hop, los jóvenes afirman positivamente sus identidades y sus orígenes sociales como habitantes del barrio popular.

Iklan dan Budaya Popular: Pembentukan Identitas Ideologis Kecantikan Perempuan oleh Iklan di Televisi

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Inda Fitryarini

2013-12-01

Full Text Available Abstract: Mass media is not only a channel to deliver messages but also is a channel to build a special image about the world, such as the beauty image of women. Advertisements create it in their messages. Most of them show women with white skin, slim and have long black hair. These cases are a part of popular culture or mass culture because it could be a homogen-standard value. Advertising is related with popular culture. Advertising is a reflection of popular culture and it is an inventor of popular culture.

Bhadžis paplūdimyje: hibridinė tapatybė ir populiarieji diskursai Didžiosios Britanijos diasporiniame kine | Bhaji on the Beach: Hybrid Identity and Popular Discourses in British Diasporic Cinema

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Deimantas Valančiūnas

2012-01-01

Full Text Available Gurinder Chadha is a British South Asian diasporic director who attained international acclaim releas­ing films Bend it like Beckham (2002 and Bride and Prejudice (2004. However, her first feature film Bhaji on the Beach (1993 is one of the finest exam­ples of British diasporic films. Released in the sensi­tive post-Thatcheric era, it investigates the complex issues of gender relations, racism, domestic violence, and hybridity in the diasporic environment. The film director also emphasizes different ideological for­mations which are produced in, and disseminated through popular discourses. Therefore this article ex plores the ways identity is constructed through vari­ous ideological and nationalistic discourses embed­ded in the popular culture, particularly in Bollywood and imperial British cinema and heritage films. Such popular discourses are seen as major ideological forces used to establish monolithic and fixed identity, creating disruptions and crises when it clashes with contemporary hybrid British culture.

"Let's Talk about Race": Exploring Racial Stereotypes Using Popular Culture in Social Studies Classrooms

Science.gov (United States)

Childs, David Jason

2014-01-01

Imagery and sounds from television, film, music, the Internet, and other media bombard American youth; dictating to them how they should act, think, or what they should believe. They often do not realize that they find much of their identity and belief systems in messages put forth to them by popular culture (Du Gay 1997; Hall 1997). Young people…

Popularity of Different Lampyrid Species in Japanese Culture as Measured by Google Search Volume.

Science.gov (United States)

Takada, Kenta

2011-07-05

I investigated the popularity of different lampyrid species (34 species) in Japanese culture as part of a study on cultural entomology. Popularity was assessed by the Google search volume for Japanese lampyrid species names in katakana and hiragana scripts, using the Keyword Tool of Google AdWords. The search volume of lampyrid species as "Genji-botaru" (Luciola cruciata Motschulsky), "Heike-botaru" (Luciola lateralis Motschulsky) and "Hime-botaru" (Hotaria parvula Kiesenwetter), in either or both katakana and hiragana syllabic scripts, was enormously high relative to other lampyrid species, indicating the biased attention of Japanese to these lampyrid species. In addition, search volumes for familial or common lampyrid name ("Hotaru") was assessed and compared with that of 34 lampyrid species. This analyzing result showed that: (1) the search volumes for katakana and hiragana were 37.7 and 773.1 times higher for "Hotaru" than "Genji-botaru", respectively; and (2) the search volume for all lampyrid species was clearly higher in katakana than hiragana, whereas the search volumes for "Hotaru" were clearly higher in hiragana than katakana. These results suggest that: (1) the Japanese public tends to perceive lampyrids with not a clear but an ambiguous taxonomic view; and (2) the attitude of the Japanese public toward lampyrids differs between those who perceive lampyrids with a clear taxonomic view (at species level) and with an ambiguous taxonomic view.

Categories of Experience: A Paradigm for the Study of Contemporary World Cultures at Western State College of Colorado.

Science.gov (United States)

Becker, Robert

1992-01-01

Presents a framework used at Western State College to teach an interdisciplinary general education course. The framework helps students organize a large volume of material about Contemporary World Cultures according to a taxonomy of human experience, including artistic/literary expression; thought and belief; relationships/associations with…

Myth about immortality in the contemporary pop culture: A case study about Toše Proeski

Directory of Open Access Journals (Sweden)

Stevanović Lada

2013-01-01

Full Text Available This paper explores the intersection of death and ideology in the sphere of popular culture, as exemplified by the afterlife destiny of Toše Proeski, a Macedonian pop singer whose huge popularity continued even after his death. His sudden, untimely death in his twenties had exploded as huge news, preoccupying all sorts of media. What I am interested in this paper is what has happened afterwards. In which way his popularity and his afterlife continue? Can we identify some kind of pop hero cult here, and is it possible to recognize common elements, or even a pattern according to which (newborn stars develop an afterlife destiny? Can we use this opportunity to discuss immortality myths? Do pop stars get monuments or are these reserved just for national heroes?

The Development of the Wechsler Scales and Their Influence on Contemporary Intelligence Testing

Science.gov (United States)

Benisz, Mark

2014-01-01

The history of intelligence testing merits study as standardized intelligence tests have been administered for only a little over a century. The most popular tests in use today are the Wechsler scales, despite the availability of other test batteries that are better grounded in contemporary theory. To understand why contemporary revisions of…

Cultural feminization of educational practices: ethnographies of the popularization of science and technology in two southern countries

Directory of Open Access Journals (Sweden)

Tania Pérez-Bustos

2010-07-01

Full Text Available This research paper explores experiences with the popularization of science and technology from an ethnographic perspective. It argues that they become culturally feminized –rather than only demographically– in their educational mise-en-scene and that it occurs in a similar manner in two southern countries, India and Colombia. The first experience is an example of hands on science models and the second, refers to fun science models. The article closes by proposing some connections between these experiences, aiming at providing an understanding as to how the educational staging of the popularization of science and technology reinforces a central dichotomy between what is considered androcentric and feminized

Popular cinema and lesbian interpretive strategies.

Science.gov (United States)

Dobinson, C; Young, K

2000-01-01

In its examination of the relationship between popular film and lesbian viewing practices, this study attempts to more fully elucidate current ideas around audience engagement and forms of cultural reception. Drawing on 15 in-depth interviews conducted in Western Canada in 1996, the results clearly demonstrate the existence of active lesbian viewers, whose interpretations of popular film are intimately informed by lesbian-specific life experiences and cultural competencies. Although the social conditions which create the need for resistant viewing are themselves oppressive, subversion of mainstream film holds out some possibility of empowerment for lesbian viewers.

Constructing Public Space: Global Perspectives on Social Media and Popular Contestation

NARCIS (Netherlands)

Poell, T.; van Dijck, J.

2016-01-01

This introduction to the special section on the construction of public space in social media activism discusses (1) the types of social media practices involved in the construction of publicness during contemporary episodes of popular contention, (2) the particular political institutional contexts

The Potential of Popular Culture for the Creation of Left Populism in Serbia: The Case of the Hip-Hop Collective “The Bombs of the Nineties”

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Jovana Papović

2016-12-01

Full Text Available The focus of this article is to highlight the potential of popular culture to become an agent of leftist populist politics in contemporary Serbia. The authors observe the hip-hop collective “The Bombs of the Nineties”, whose music tackles topics from recent history, and who subvert the fashion style of the 1990s “Dizel” subculture, which is often connected to Serbian nationalism and war profiteering. The paper analyses the relationships “The Bombs of the Nineties” create between their practices, class warfare and leftist discourses, aiming to show the potentials and threats those relationships introduce. Following Ernesto Laclau’s understanding of populism as a “hegemonic political articulation of demands”, we assume that “The Bombs of the Nineties” could represent a solid populist political agent in that they attempt to reveal and draw attention to the “unfulfilled demands” of disempowered Serbian youth. On the other hand, the counter-intuitive merge of ideologies they operate, and the limited impact of their strategies on the official politics could be an obstacle to the expansion of their message.

Pixar with Lacan

DEFF Research Database (Denmark)

Rösing, Lilian Munk

The book presents Lacanian interpretations of the animations films from Pixar Studio with the double aim of analysing an influential filmic oeuvre of contemporary popular culture and giving an introduction to Lacanian cultural analysis......The book presents Lacanian interpretations of the animations films from Pixar Studio with the double aim of analysing an influential filmic oeuvre of contemporary popular culture and giving an introduction to Lacanian cultural analysis...

The Circuit of Culture as a Generative Tool of Contemporary Analysis: Examining the Construction of an Education Commodity

Science.gov (United States)

Leve, Annabelle M.

2012-01-01

Contemporary studies in the field of education cannot afford to neglect the ever present interrelationships between power and politics, economics and consumption, representation and identity. In studying a recent cultural phenomenon in government schools, it became clear that a methodological tool that made sense of these interlinked processes was…

Content analysis of tobacco, alcohol, and other drugs in popular music.

Science.gov (United States)

Primack, Brian A; Dalton, Madeline A; Carroll, Mary V; Agarwal, Aaron A; Fine, Michael J

2008-02-01

To perform a comprehensive content analysis of substance use in contemporary popular music. We analyzed the 279 most popular songs of 2005 according to Billboard magazine. Two coders working independently used a standardized data collection instrument to code portrayals of substance use. Presence and explicit use of substances and motivations for, associations with, and consequences of substance use. Of the 279 songs, 93 (33.3%) portrayed substance use, with an average of 35.2 substance references per song-hour. Portrayal of substance use varied significantly (P musical genre. The substance use depicted in popular music is frequently motivated by peer acceptance and sex, and it has highly positive associations and consequences.

Abortion and contemporary hip-hop: a thematic analysis of lyrics from 1990-2015.

Science.gov (United States)

Premkumar, Ashish; Brown, Katherine; Mengesha, Biftu; Jackson, Andrea V

2017-07-01

To evaluate the representation of abortion in contemporary hip-hop music, gaining insight into the myriad of attitudes of abortion in the black community. We used Genius, an online storehouse for lyrical content, to identify songs by querying the database for search terms related to family planning, including slang terms. We then cross-referenced identified songs using an online list of songs about abortion. We analyzed eligible songs using grounded theory in order to identify key themes. Of 6577 songs available, a total of 101 songs performed by 122 individual artists met inclusion criteria. The majority of artists were Black men; five artists were Black women. Key themes were: use of abortion as braggadocio; equating abortion with sin, genocide, or murder; male pressure for women to seek abortion; and the specific association of Planned Parenthood services with abortion. The moral and ethical themes surrounding abortion in hip-hop lyrics reveal a unique perspective within a marginalized community. The overall negative context of abortion in hip-hop lyrics needs to be reconciled with the gendered, economic, historical, political, racial and ethnic background of hip-hop and rap music in America. This study is the first to evaluate lyrical content from contemporary popular music in relation to abortion and family planning. Examining the intersection of reproductive rights and popular culture can provide a unique insight into the limited knowledge of the perspectives of abortion in the black community. Copyright © 2017 Elsevier Inc. All rights reserved.

Manic Defences in Contemporary Society. The Psychocultural Approach.

Science.gov (United States)

Rudan, Dusko; Jakovljevic, Miro; Marcinko, Darko

2016-12-01

The article discusses the impact of contemporary culture on the individual's personality. We used the "psychocultural" approach whose key feature is the amalgamation of theories and methods belonging to psychodynamic and psychosocial studies, as well as those used in the field of media and cultural studies. The idea of a potentially therapeutic effect of culture (therapy culture) can already been seen in Freud's and Lacan's texts, and it is often used in critical analyses of contemporary corporate culture, which is more or less developed in some parts of the world. In their criticisms, many contemporary authors emphasize that modern societies have a tendency towards the weakening of basic commitment, or lack thereof, to a social equivalent of Winnicott's concept of environmental provisions as an inalienable democratic right essential for human emotional and mental progress or emotional well-being. The article describes frequent resorting to the so-called manic defences that defensively distort, deny and obscure the awareness that a human being is not the omnipotent source of life, but instead depends on other human beings, and often tries to compensate for loss through various activities. The article describes excessive shopping as an activity that often serves as an attempt to find what was lost, i.e. to fill an emotional void. This solution (resorting to manic defences) is encouraged by contemporary culture, especially through promotional material (e.g. advertising). The main theses of this article are supported by quotations and data from world literature.

Spectacles of shame: Ryan Murphy as curator of queer cultural memory

Directory of Open Access Journals (Sweden)

Stepić Nikola N.

2017-01-01

Full Text Available In the anthology Queer Shame, edited by David M. Halperin and Valerie Traub, 'the personal and the social shame attached to eroticism' is taken to task in relation to the larger contemporary discourse surrounding gay pride (understood in terms of activism and cultural production, while being seen as a defining characteristic of queer history, culture and identity. Shame, as theorized by Eve Kosofsky Sedgwick, Halperin and others, is predicated on a larger issue of queer people's access to discursive power, which Sedgwick herself had theorized in The Epistemology of the Closet. Such a conceptualizing of queer culture and queer politics begs the interrogation of how queer shame is contained and negotiated in contemporary popular culture. One of the most successful auteurs working in film and television today, Ryan Murphy's opus is marked by a constant dialogue with queer cultural artifacts. The excitement that his productions generate is typically predicated on his use of queer cultural objects, especially as they are rearticulated for mainstream audiences. This paper investigates the inherent shame of queer memory as embodied in Murphy's show American Horror Story through reference and negotiation of queer icons, filmic traditions and on-screen bodies. Utilizing queer and film theory as its framework, this paper treats Murphy's queer vernacular as the uncanny that destabilizes conventions of both the horror genre and mainstream television, in turn legitimizing and exploiting 'shameful' queer categories such as trauma, excess, diva worship and camp through the language of popular television and the bodies that populate it. Finally, this essay evaluates the productive power of Murphy's repository of 'disgraceful' bodily images-allegorical and literal-in furthering a critical remediation of the vernacular of queer shame.

Contemporary Minangkabau food culture in West Sumatra, Indonesia.

Science.gov (United States)

Lipoeto, N I; Mmedsci; Agus, Z; Oenzil, F; Masrul, M; Wattanapenpaiboon, N

2001-01-01

Diet has a strong relationship with food culture and changes in it are likely to be involved in the pathogenesis of newly emergent degenerative diseases. To obtain in-depth opinions about the food culture of Minangkabau people, focus group discussions were conducted in a Minangkabau region, represented by four villages in West Sumatra, Indonesia, from January to March 1999. The members of the discussion groups were principally women aged from 35 to 82 years old. Minangkabau culture is matriarchal and matrilineal which accounts for female gender dominants in the discussions. Rice, fish, coconut and chilli are the basic ingredients of the Minangkabau meals. Meat, especially beef and chicken, is mainly prepared for special occasions; pork is not halal and therefore not eaten by Muslim Minangkabau people; and for reasons of taste preference and availability, lamb, goat and wild game are rarely eaten. However, rendang, a popular meat dish, has been identified as one of the Minangkabau food culture characteristic dishes. Vegetables are consumed daily. Fruit is mainly seasonal, although certain kinds of fruit, such as banana, papaya and citrus, can be found all year around. Coconut has an important role in Minangkabau food culture and is the main source of dietary fat. While almost all food items consumed by the Minangkabau can be cooked with coconut milk, fried food with coconut oil is considered to be a daily basic food. Desiccated coconut is also used as a food ingredient on about a weekly basis and in snack foods almost every day. Although there have been no changes in food preparation and there is a slight difference in taste preference between the young and the old generations, there has been a dramatic shift in food preferences, which is reflected in the changing percentage of energy consumed over the past 15 years. The traditional combination of rice, fish and coconut in Minangkabau culture goes back hundreds of years, long before the emergence of the degenerative

Jewish Writers in Contemporary Germany: The Dead Author Speaks

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Sander L. Gilman

1989-08-01

Full Text Available The question I wish to address in this essay is really quite simple: Given the fact that there are "Jews" who seem to play a major role in contemporary German "Kultur" (at least that narrower definition of culture, meaning the production of cultural artifacts, such as books—a field which, at least for Englemann, was one of the certain indicators of a Jewish component in prewar German culture—what happened to these "Jews" (or at least the category of the "Jewish writer" in postwar discussions of culture? Or more simply: who lulled the remaining Jews in contemporary German culture and why? Why is it not possible to speak about "German-Jews" in the contemporary criticism about German culture? And, more to the point, what is the impact of this denial on those who (quite often ambivalently see (or have been forced to see themselves as "Germans" and "Jews," but not as both simultaneously.

Popularity of Different Lampyrid Species in Japanese Culture as Measured by Google Search Volume

Directory of Open Access Journals (Sweden)

Kenta Takada

2011-07-01

Full Text Available I investigated the popularity of different lampyrid species (34 species in Japanese culture as part of a study on cultural entomology. Popularity was assessed by the Google search volume for Japanese lampyrid species names in katakana and hiragana scripts, using the Keyword Tool of Google AdWords. The search volume of lampyrid species as “Genji-botaru” (Luciola cruciata Motschulsky, “Heike-botaru” (Luciola lateralis Motschulsky and “Hime-botaru” (Hotaria parvula Kiesenwetter, in either or both katakana and hiragana syllabic scripts, was enormously high relative to other lampyrid species, indicating the biased attention of Japanese to these lampyrid species. In addition, search volumes for familial or common lampyrid name (“Hotaru” was assessed and compared with that of 34 lampyrid species. This analyzing result showed that: (1 the search volumes for katakana and hiragana were 37.7 and 773.1 times higher for “Hotaru” than “Genji-botaru”, respectively; and (2 the search volume for all lampyrid species was clearly higher in katakana than hiragana, whereas the search volumes for “Hotaru” were clearly higher in hiragana than katakana. These results suggest that: (1 the Japanese public tends to perceive lampyrids with not a clear but an ambiguous taxonomic view; and (2 the attitude of the Japanese public toward lampyrids differs between those who perceive lampyrids with a clear taxonomic view (at species level and with an ambiguous taxonomic view.

POLTERGEIST PHENOMENA IN CONTEMPORARY FOLKLORE

OpenAIRE

Oana VOICHICI

2017-01-01

The article deals with instances of the supernatural in Romanian urban legends, namely what we call the strigoi , or poltergeist. Usually, folklorists tend to exclude the supernatural f rom the category of urban legends, however we have decided to take these accounts into consideration based on the fact that the transmitter, the narrators do not distinguish between these elements and the rest of contemporary legends and today’s popular cu lture abounds in such accounts.

Popular Music and Society

DEFF Research Database (Denmark)

2007-01-01

the collapse of the Soviet Union: What present trends can be observed?  How has the Soviet context influenced the popular music of today?  How is music performed and consumed?  How has the interrelationship between cultural industry and performers developed?  How are nationalist sensibilities affecting popular......Fifteen years after the collapse of the Soviet Union, popular music is thriving in the former Soviet territories and covers a broad variety of genres.  Among these are rock bands formed in the Soviet era, surviving legends of Soviet pop, and younger bands and performers of the 1990s and 2000s.......   Local and foreign musics blend as new impulses arrive from without and arise from within the region.  Thanks to the most recent wave of Russian emigrants, these popular musics have also spread to various localities around the world, as exemplified by the phenomenon of "Russendisko" in Berlin...

Silencing the Everyday Experiences of Youth? Deconstructing Issues of Subjectivity and Popular/Corporate Culture in the English Classroom

Science.gov (United States)

Savage, Glenn

2008-01-01

This paper investigates the influence of popular/corporate culture texts and discourses on the subjectivities and everyday social experiences of young people, and the extent to which such influences are critically analysed in the English classroom. I present two levels of synthesised information using data analysis born of a mixed-methods…

‘Justin Bieber Sounds Girlie’: Young People’s Celebrity Talk and Contemporary Masculinities

OpenAIRE

Kim Allen; Laura Harvey; Heather Mendick

2015-01-01

In this article, we explore the ways that contemporary young masculinities are performed and regulated through young people’s relationship with celebrity. We address the relative paucity of work on young men’s engagements with popular culture. Drawing on qualitative data from group interviews with 148 young people (aged 14-17) in England, we identify ‘celebrity talk’ as a site in which gender identities are governed, negotiated and resisted. Specifically we argue that celebrity as a s...

Remembering the 1960s: popular music and memory in Europe

NARCIS (Netherlands)

A.J.C. van der Hoeven (Arno)

2015-01-01

textabstractFollowing the increasing attention paid to popular music in heritage discourses, this article explores how the popular music culture from the 1960s is remembered in Europe. I discuss the role of heritage organizations, media and the cultural policy of the EU in the construction of a

Dada Redux: Elements of Dadaist Practice in Contemporary Electronic Literature

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Scott Rettberg

2008-01-01

Full Text Available The Dada movement was a multimedia avant-garde art practice that began in Zurich during World War I and flourished in Berlin, Paris, and New York from 1916 until 1920. Beginning as a disgusted response to the war and the blithely nationalistic bourgeois attitudes the Dada felt were at the root of the conflict, the Dada developed and refined the notion of “anti-art” as an expression of dissatisfaction with the dominant contemporary ideology. Although the period in which Dada was an active organized cultural movement was quite short, its legacy is widespread and profound. Through readings of works of electronic literature, the essay argues that while techniques have been adapted to the media-specific affordances of the networked computer, many of the practices popularized by the Dada during the early twentieth century form the basis of methods utilized by new media artists and writers today. By comparing the art and activities of early Dadaist artists to the work of contemporary digital writers, the essay advocates a critical approach to new media writing that both accounts for the specific properties of literature produced for networked computer environments and also examines these artifacts within the contextualizing historical framework of the avant-garde.

Literacy in the contemporary scene

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Angela B. Kleiman

2014-11-01

Full Text Available In this paper I examine the relationship between literacy and contemporaneity. I take as a point of departure for my discussion school literacy and its links with literacies in other institutions of the contemporary scene, in order to determine the relation between contemporary ends of reading and writing (in other words, the meaning of being literate in contemporary society and the practices and activities effectively realized at school in order to reach those objectives. Using various examples from teaching and learning situations, I discuss digital literacy practices and multimodal texts and multiliteracies from both printed and digital cultures. Throughout, I keep as a background for the discussion the functions and objectives of school literacy and the professional training of teachers who would like to be effective literacy agents in the contemporary world.

Songs that resonate: the uses of popular music nostalgia.

NARCIS (Netherlands)

A.J.C. van der Hoeven (Arno)

2018-01-01

textabstractThis chapter explores the phenomenon of popular music nostalgia. In the cultural and heritage industries, nostalgia is widely used to make an affective connection to music consumers. Popular music nostalgia can be defined as a longing for the past that is evoked through popular music’s

Fashion vs. function in cultural evolution: the case of dog breed popularity.

Science.gov (United States)

Ghirlanda, Stefano; Acerbi, Alberto; Herzog, Harold; Serpell, James A

2013-01-01

We investigate the relationship between characteristics of dog breeds and their popularity between years 1926 and 2005. We consider breed health, longevity, and behavioral qualities such as aggressiveness, trainability, and fearfulness. We show that a breed's overall popularity, fluctuations in popularity, and rates of increase and decrease around popularity peaks show typically no correlation with these breed characteristics. One exception is the finding that more popular breeds tend to suffer from more inherited disorders. Our results support the hypothesis that dog breed popularity has been primarily determined by fashion rather than function.

Fashion vs. Function in Cultural Evolution: The Case of Dog Breed Popularity

Science.gov (United States)

Ghirlanda, Stefano; Acerbi, Alberto; Herzog, Harold; Serpell, James A.

2013-01-01

We investigate the relationship between characteristics of dog breeds and their popularity between years 1926 and 2005. We consider breed health, longevity, and behavioral qualities such as aggressiveness, trainability, and fearfulness. We show that a breed's overall popularity, fluctuations in popularity, and rates of increase and decrease around popularity peaks show typically no correlation with these breed characteristics. One exception is the finding that more popular breeds tend to suffer from more inherited disorders. Our results support the hypothesis that dog breed popularity has been primarily determined by fashion rather than function. PMID:24040341

POLTERGEIST PHENOMENA IN CONTEMPORARY FOLKLORE

Directory of Open Access Journals (Sweden)

Oana VOICHICI

2017-05-01

Full Text Available The article deals with instances of the supernatural in Romanian urban legends, namely what we call the strigoi , or poltergeist. Usually, folklorists tend to exclude the supernatural f rom the category of urban legends, however we have decided to take these accounts into consideration based on the fact that the transmitter, the narrators do not distinguish between these elements and the rest of contemporary legends and today’s popular cu lture abounds in such accounts.

Aspectos “Subjetivos” do Fetichismo da Mercadoria Cultural no Ensaio Sobre Música Popular de T. W. Adorno

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Fábio César da Silva

2017-05-01

Full Text Available Neste artigo, apresento uma leitura do ensaio Sobre Música Popular (1941 de T. W. Adorno (1903-1969, enfatizando os aspectos “subjetivos” do fetichismo da mercadoria cultural. Considero aspectos “subjetivos” do fetichismo quando se enfatiza o consumo de mercadorias. Esse ensaio fez parte dos resultados de pesquisa de rádio da Universidade de Princeton, feita nos Estados Unidos entre 1938 a 1940, cujo objetivo era analisar as programações radiofônicas. Focarei a leitura na seção Teoria do Ouvinte, pois nela Adorno enfatizou esses aspectos “subjetivos” por meio de análises específicas do consumo da música popular americana supondo seus modos de recepção.

‘Everyone can be a designer’: Amateurs in Contemporary Fashion Culture

DEFF Research Database (Denmark)

Mackinney-Valentin, Maria; Holt, Fabian

2015-01-01

This article offers an analytical perspective on the implications of recent media evolutions for the conventional roles of the designer, with a particular emphasis on the changing relation between amateur and professional design in fashion culture. The article builds on the recent media studies...... literature on the intensification of media communications in the early 21st century and how it involves deeper transformations — mediatizations — of many areas in business and society. There are already extensive literatures on the mediatization of finance, politics, food, and religion, for instance, but how...... creativity. The article is a conceptual paper that begins by situating the evolution of amateur design in theories of media and modernity to offer a contemporary theorization of amateur design and to establish an analytical perspective from which core aspects of the changing amateur/industry divide...

What's Our Position? A Critical Media Literacy Study of Popular Culture Websites with Eighth-Grade Special Education Students

Science.gov (United States)

Kesler, Ted; Tinio, Pablo P. L.; Nolan, Brian T.

2016-01-01

This article reports on an action research project with 9 eighth-grade special education students in a self-contained classroom in an urban public school. The 1st author, in collaboration with the classroom teacher (3rd author), taught the students a critical media literacy framework to explore popular culture websites. Students learned to analyze…

Interview with Contemporary Armenian Writer and Translator Diana Hambardzumyan

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Beatrice Tottossy

2016-12-01

Full Text Available A conversation with Diana Hambardzumyan, a contemporary Armenian writer, translator and lecturer in English Literature at the University of Yerevan, foregrounds a series of significant features of contemporary Armenian literature and the country’s key social and cultural issues. She interconnects current events with the literary memory, highlighting and confirming the Armenian writers’ need to maintain their traditional role as representatives of the cultural will of their people.

Arte Popular y Feminismo

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Eli Bartra

2000-01-01

Full Text Available En este artículo se lleva a cabo, en primer lugar, una propuesta metodológica de cómo abordar el estudio del arte popular desde un punto de vista feminista. A continuación se realiza un acercamiento a un ejemplo específico de arte popular mexicano que se halla en estrecha relación con el arte elitista y se puede considerar que se trata de un proceso de sincretismo cultural un tanto sui generis: las friditas de Josefina Aguilar como recreaciones de la obra plástica de Frida Kahlo. Con base en este “close up” se intenta mostrar un posible método para conocer el arte popular contemplando las divisiones sociales por género, etnia y clase.

"Girl, You Better Go Get You a Condom": Popular Culture and Teen Sexuality as Resources for Critical Multicultural Curriculum

Science.gov (United States)

Ashcraft, Catherine

2006-01-01

Teens encounter a barrage of messages about sexuality in popular culture--messages that shape their identities and schooling experiences in profound ways. Meanwhile, teen sexuality, pregnancy, and sexually transmitted diseases (STDs) increasingly arouse public panic. To date, however, schools do little to help teens make sense of their…

Popular Culture, English Out-of-Class Activities, and Learner Autonomy among Highly Proficient Secondary Students in Hong Kong

Science.gov (United States)

Chan, Hoi Wing

2016-01-01

This paper reports on how and why proficient learners of English in Hong Kong participated in popular culture, out-of-class activities, with an emphasis on their development of learner autonomy. Autonomy in language learning is defined as an individual's ability and responsibility to take charge of his or her own learning [1]. Out-of-class…

A Literature Review of the Impact of Walt Disney Productions Inc. on American Popular Culture and Children's Literature.

Science.gov (United States)

Taxel, Joel

This paper provides an overview of the literature about Walt Disney and his many diverse enterprises. In order to show how the processes of production shape and affect the final content and form of items of popular culture, the paper first discusses some of the many technological advances achieved by the Disney studio. Disney's groundbreaking use…

Indústria cultural, lazer e turismo: percalços e perspectivas na contemporaneidade * Cultural industry, tourism and leisure: mishaps and perspectives in contemporary

Directory of Open Access Journals (Sweden)

ELIS REGINA BARBOSA ANGELO

2013-12-01

Full Text Available Resumo: Ao se pensar a sociedade contemporânea como uma fábrica de indivíduos da era mercantil, ansiados pela troca de produtos gerados pela Indústria Cultural, para os quais as opções de lazer e turismo acabaram se tornando uma necessidade para viver no mundo globalizado e intermediado pela desenfreada mobilização de compra e venda, todo o sistema deve ser repensado. Consumo e a exposição desse consumo, no qual também se incluem a experiência do turismo e do lazer, viraram, quase exclusivamente, o ponto nevrálgico desse processo de querer ser e fazer dos processos que envolvem a formação do indivíduo. Dessa forma, este trabalho busca pensar o contexto contemporâneo do viver na indústria cultural, sendo a sociedade catalisadora e organizadora sem precedentes na formação do indivíduo na história do tempo e espaço presentes, ou na era do vazio , ou ainda na era da sociedade líquida.Palavras-chave: Sociedade – Indústria Cultural – Turismo – Espaço – Contemporaneidade. Abstract: When we think on contemporary society as a factory of individuals of mercantile age, longed for the exchange of products generated by the culture industry, whose leisure and tourism options has become a requirement to live in a globalized world and intermediated by rampant mobilization of buying and selling, the entire system must be rethought. Consumption and its exposure, which also includes the experience of tourism and leisure, became almost exclusively the core center of this process of willingness to be and to do the processes that involve the formation of the individual. Thus, this paper seeks out to think on the contemporary context of living in the culture industry, where society is the catalyst and the unprecedent organizer in the formation of the individual in the current time and space history, or in the age of emptiness, or even in the liquid society age.Keywords: Society – Cultural Industry – Tourism – Space �

Integrating Cultural Heritage into Contemporary Life. The Perspective of Local Communities: The Case of Arcadia, Greece

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Alexandra Lappa

2016-01-01

Full Text Available The current study aims to highlight the importance of integrating cultural heritage into contemporary life as a means to contribute to the economic and tourism development of a historical area and as an asset to local development. The study focuses on the cultural goods of Arcadia in central Peloponnese, Greece, an area of great history and rich architectural heritage, which gives a distinct cultural identity to the region. The overall objective of the current research is to describe how the different kinds of cultural benefits, derived by tourism, are perceived by the local community. A questionnaire based survey, conducted in Arcadia during the period 2012-2014, demonstrates that the locals strongly support the promotion of the architectural richness of the region in order to become an attraction for visitors, contributing both to the improvement of the quality of life, as well as the economic and tourism development of the area. The survey results confirm that cultural tourism is seen as an opportunity to contribute to the economic and cultural sustainability of the area and the local community. The implementation of a linear regression model shows that education is the key factor influencing the residents’ view regarding the promotion of cultural tourism in the region.

Canção do Amor Demais: marco da música popular brasileira contemporânea Canção do Amor Demais [Song of Too Much Love]: a milestone in contemporary Brazilian popular music

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Liliana Harb Bollos

2010-12-01

Full Text Available Discussão sobre a importância do LP Canção do Amor Demais dentro do panorama da cultura brasileira, mais do que do âmbito da música popular em si, a partir do texto de Vinícius de Moraes na contracapa do disco e da crítica de José da Veiga Oliveira. A fronteira existente entre o popular e erudito fica menos evidente neste disco, por conta do alto grau composicional das canções e pelos arranjos assinados por Jobim, tendo em vista que ali se deu a apresentação de João Gilberto em disco e da batida do violão que iria simbolizar a Bossa Nova.This article discusses the importance of the LP Canção do Amor Demais (Song of Too Much Love within the panorama of Brazilian culture, much more than simply within the area of popular music itself. As the a starting point, this discussion uses the LP's liner notes by Vinícius de Moraes and the critique by José da Veiga Oliveira to demonstrate that the existing border between popular classical music become less evident with this album. This is due to the high compositional quality of the songs and arrangements by Tom Jobim, the introduction of João Gilberto and the guitar rhythms that would come to symbolize bossa nova.

The Populist Conception of Democracy beyond Popular Sovereignty

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Pepijn Corduwener

2014-11-01

Full Text Available With populist parties making electoral progress across the European continent, the question of what their electoral success means for contemporary democratic systems has gained increasing significance. This article investigates how two populist radical right parties, the Austrian FPÖ and the Dutch PVV, conceptualise democracy, based on a wide range of party documents released over recent decades. It builds upon recent academic consensus that the relationship between populism and democracy is best understood from a ‘minimalist’ perspective, seeing populism not as antagonistic to democracy, but as an ideology that conceptualises democracy primarily in terms of popular sovereignty. The article adds to the existing literature by demonstrating that we can extend this understanding of the populist conception of democracy in three aspects: the populist emphasis on state neutrality; a two-fold notion of equality; and the extension of the political sphere in society. Based upon these three issues, the article concludes by exploring how the populist conception of democracy relates to the most dominant form of democracy practised nowadays, liberal democracy, and to what extent it reflects changes in our democratic political culture.

Festas populares e turismo cultural - inserir e valorizar ou es-quecer? O caso dos Moçambiques de Osório, Rio Grande do Sul

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Ribeiro, Marcelo

2004-01-01

Full Text Available This article analises the relations between popular culture, whith religious theme and cultural tourism. The structure of Moçambiques afrobrasilian group, in the Rio Grande do Sul State, southern Brazil and his celebration like a cultural tourism resource. The formulation of cultural policies nearest to touristic policies and one shape of a new preservation and knowledge

Neurofeminism and feminist neurosciences: a critical review of contemporary brain research.

Science.gov (United States)

Schmitz, Sigrid; Höppner, Grit

2014-01-01

To date, feminist approaches to neurosciences have evaluated the debates surrounding practices of knowledge production within and research results of contemporary brain research. Consequently, neurofeminist scholars have critically examined gendered impacts of neuroscientific research. Feminist neuroscientists also develop research approaches for a more gender-appropriate neuroscientific research on several levels. Based on neurofeminist critique feminist neuroscientists aim to enrich neuroscientific work by offering methodological suggestions for a more differentiated setup of categories and experimental designs, for reflective result presentations and interpretations as well as for the analysis of result validity. Reframing neuro-epistemologies by including plasticity concepts works to uncover social influences on the gendered development of the brain and of behavior. More recently, critical work on contemporary neurocultures has highlighted the entanglements of neuroscientific research within society and the implications of 'neurofacts' for gendered cultural symbolisms, social practices, and power relations. Not least, neurofeminism critically analyses the portrayal of neuro-knowledge in popular media. This article presents on overview on neurofeminist debates and on current approaches of feminist neurosciences. The authors conclude their review by calling for a more gender-appropriate research approach that takes into account both its situatedness and reflections on the neuroscientific agenda, but also questions neurofeminist discourse in regards to uses and misuses of its concepts.

Characterizing and modeling the dynamics of online popularity.

Science.gov (United States)

Ratkiewicz, Jacob; Fortunato, Santo; Flammini, Alessandro; Menczer, Filippo; Vespignani, Alessandro

2010-10-08

Online popularity has an enormous impact on opinions, culture, policy, and profits. We provide a quantitative, large scale, temporal analysis of the dynamics of online content popularity in two massive model systems: the Wikipedia and an entire country's Web space. We find that the dynamics of popularity are characterized by bursts, displaying characteristic features of critical systems such as fat-tailed distributions of magnitude and interevent time. We propose a minimal model combining the classic preferential popularity increase mechanism with the occurrence of random popularity shifts due to exogenous factors. The model recovers the critical features observed in the empirical analysis of the systems analyzed here, highlighting the key factors needed in the description of popularity dynamics.

Masculinity in Indonesian Popular Culture in the Early Era of the New Order Regime

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Ferry Fauzi Hermawan

2017-05-01

Full Text Available This study aimed to identify the forms of masculinity in the Indonesian popular culture in the beginning of New Order regime. This study was based on the two novels: Cross Mama and Kekasih-Kekasih Gelap, written by Motinggo Busye. The analysis used new historicism theory proposed by Stephen Greenblatt. The analysis also considered various cultural contexts emerged in 1970s. The results show three shared trends in the novels. The first trend shows that the masculinity tends to be represented by both men worshiping patriarchal values such as the myth of woman’s virginity and men perceiving woman as a sexual object. The second trend shows that masculinity is stereotyped based on masculinity, power, and male dominance. The third trend shows that masculinity relates to various products of mass culture at the time. This last trend shows that in that era, the ideal male figure is represented as the one who: (1 is sexually active with many women, (2 has a muscular body, (3 has a handsome look, and (4 has a financial capability. Besides the shared three trends, the result also shows that the texts in the novels do not only reflect the cultural situations in the 60’s and 70’s but also contribute in shaping the social values of thecultural situations. Normal 0 false false false IN X-NONE X-NONE  

Teaching Conversations, Contemporary Art, and Figure Drawing

Science.gov (United States)

Graham, Mark A.

2012-01-01

An important problem for high school art teachers is deciding what belongs in the art curriculum. What works of art, media, or ideas will inspire their students to more fully develop their own artistic potential and critically engage with contemporary art and culture? What artifacts of art, visual culture, or material culture should be included…

Feminist Popular Education in Transnational Debates: Building Pedagogies of Possibility. Comparative Feminist Studies

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Manicom, Linzi, Ed.; Walters, Shirley, Ed.

2012-01-01

This book is a collection of grounded accounts by feminist popular educators reflecting critically on processes of collective learning and self- and social transformation in various geopolitical settings. Engaging contemporary feminist political issues and theory, contributors explore emerging pedagogical practices. This book contains the…

Imagining the Mathematician: Young People Talking about Popular Representations of Maths

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Epstein, Debbie; Mendick, Heather; Moreau, Marie-Pierre

2010-01-01

This paper makes both a critical analysis of some popular cultural texts about mathematics and mathematicians, and explores the ways in which young people deploy the discourses produced in these texts. We argue that there are particular (and sometimes contradictory) meanings and discourses about mathematics that circulate in popular culture, that…

AN ARCHITECTURAL ANALYSIS: THE MUSEUM OF CONTEMPORARY ART, TEHRAN, IRAN

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Kambiz Navai

2010-03-01

Full Text Available Kamran Tabatabai Diba is one of Iranian Architects, whose works during 60’s and 70’s are well-known among architects and scholars. His works are mostly considered as examples of Modern Style, scented by Iranian Architecture. His efforts on creating public, socio-cultural centers in Iran was a result of his concern about social matters, as well as seeking for a national, contemporary Architecture. Tehran’s Museum of Contemporary Art is one of the most popular and well-known Diba’s works. In this article an effort has been made to get a better understanding of this remarkable piece of work, and to light up the Architect’s intents and the architectural methods he used to express them. The critique is concentrated mostly on two mentioned aspects of Diba’s works: “Integrating Modern Style and traditional Iranian Architecture”, and “Creating socio-cultural centers and institutions well related to society.” The Analysis is based on the most important features of every work of Architecture: “Space” and “Form”. The author seeks for the meaning by “watching” the whole complex carefully, “giving descriptive information” about it, and in the meantime “analyzing data” with the help of “basic design methods” together with the knowledge of “Modern Style”, “Characteristics of Late Modern Movement” and “Traditional Iranian Architecture.” Text is accompanied by drawings and figures, which help for better knowing the complex. The effort is made to use a simple language, understandable not only by Architects or scholars, but by every other interested non-specialist reader.

Design and the question of contemporary aesthetic experiences

DEFF Research Database (Denmark)

Folkmann, Mads Nygaard; Jensen, Hans-Christian

2017-01-01

The article raises the question of the historical relativism of aesthetic experiences and argues that aesthetic experiences have changed according to new conditions in the contemporary age of globalization, mediatization and consumer culture. In this context, design gains attention as a primary...... case for aesthetic evaluation as design objects are, more than ever, framed and staged to be experienced aesthetically. Basing on this starting point, the article argues that an understanding of contemporary aesthetic experiences requires a meeting of cultural theory and philosophical approaches....... On the one hand, cultural theory is required to understand the changed conditions of the production, circulation and consumption of aesthetic meaning in cultural forms of art and design. On the other, philosophical aesthetics gives access to understanding the mechanisms of aesthetic judgments and how...

Popular Culture and Workplace Gendering among Varieties of Capitalism: Working Women and their Representation in Japanese Manga

OpenAIRE

Matanle, P.; Ishiguro, K.; Mccann, L.

2014-01-01

Female empowerment is a prerequisite for a just and sustainable developed society. Being the most developed non-western country, Japan offers an instructive window onto concerns about gender worldwide. Although overall gender equality is advancing in Japan, difficulties remain, especially in achieving equality in the workplace. We draw on theories of ontological commitment and the psychology of fiction to critically analyse the role of popular culture - in this case manga - in the reproductio...

The global popularity of Cognitive-Behavior Therapy

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Frank M. Dattilio

2012-03-01

Full Text Available This article addresses the efficacy of Cognitive-Behavior Therapy and the increasing global popularity of the approach among various cultures with a broad range of emotional and behavioral disorders. The article specifically discusses future direction in the field and implications for practitioners in various cultures.

Authenticity and its Contemporary Challenges

DEFF Research Database (Denmark)

Bork Petersen, Franziska

2013-01-01

In this thesis I investigate what ‘authenticity’ means in a contemporary popular context and how it is used in the staging of bodies. Furthermore, I analyse works of dance and fashion from the past fifteen years with a focus on their strategies of challenging the notion of ‘bodily authenticity...... self’. I scrutinise the staging techniques and the codes of appearance that bodies have to comply with in order to be deemed ‘authentic’ on the shows. To define them and place them in the history of the idea of ‘bodily authenticity’, I complement my study with an outline of how ‘authenticity...... and by a depiction of 'working hard'. But various techniques also mask the hard work, for example by showing a participant ‘having fun’ performing it. Contemporary works of dance and fashion challenge the problematic implications in the notion of ‘bodily authenticity’. I analyse three strategies of undermining...

Book Review: Instagram and contemporary image, Lev Manovich

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Carla Barrio Romera

2018-05-01

Full Text Available Book Review: Instagram and contemporary image, Lev Manovich, California Institute for Telecommunication and Information & The Graduate Center, City University of New York (CUNY, Cultural Analytics Lab, 2017, http://manovich.net/index.php/projects/instagram-and-contemporary-image, Attribution-NonCommercial-NoDerivatives 4.0 International Creative Commons license, 148 págs.

Popular Music in Southeast Asia : Banal Beats, Muted Histories

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Barendregt, Bart; Keppy, Peter; Schulte Nordholt, Henk

2017-01-01

'Popular Music in Southeast Asia: Banal Beats, Muted Histories' offers a cultural history of modern Southeast Asia from the original vantage point of popular music since the 1920s up to the present. By creatively connecting indigenous musical styles with foreign musical genres, Southeast Asians

CONSERVATIVE ISLAM TURN OR POPULAR ISLAM? an Analysis of the Film Ayat-ayat Cinta

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Lukman Hakim

2010-02-01

Full Text Available This paper offers a film and cultural studies analysis of the Indonesian religious film Ayat-ayat Cinta. It examines the way in which the film represents Islam in the context of the globalisation of the media industry, the wider cultural transformation and religious context in Indonesia. This paper argues that the film Ayat-ayat Cinta represents “popular Islam”, which resulted from the interaction between the santri religious variants and the film industry, capitalism, market forces and popular culture in Indonesia. Santri religious variants in this film are rooted in traditionalist, fundamentalist, modernist, and liberal Islam in Indonesia, and those Islamic groups which have undergone a process of conformity with capitalism and popular culture. As a result, the representation of Islam in this film is pluralist, tolerant, and fashionable. Keywords: Ayat-ayat Cinta, popular Islam, santri, traditionalist, fundamentalist, modernist, cultural studies.

Young American Immigrant Children's Interpretations of Popular Culture: A Case Study of Korean Girls' Perspectives on Royalty in Disney Films

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Lee, Lena

2009-01-01

This article explores how young Korean immigrant girls (age five to eight) living in the United States interpreted American popular culture by discussing their interpretations of Disney animated films. In particular, it scrutinizes these girls' understanding of the idea of monarchy--in this case, the process of and the qualification for a…

"Listen Then, Or, Rather, Answer": Contemporary Challenges to Socratic Education

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Fullam, Jordan

2015-01-01

The popularity of Jacques Rancière in recent work in educational philosophy has rejuvenated discussion of the merits and weaknesses of Socratic education, both in Plato's dialogues and in invocations of Socrates in contemporary educational practice. In this essay Jordan Fullam explores the implications of this trend through comparing…

Some Observations on Cultural Opposites in Contemporary China: Kunming and Beijing Twenty Years Later

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Vesna Vučinić-Nešković

2016-02-01

Full Text Available This paper considers the cultural opposites observed in various segments of Chinese culture during the author's three stays in China over a period of twenty years. The first and second stay, in 1986 and 1989 respectively, coincided with the initial period of the implementation of modernization reforms in China, when their results were just beginning to be felt. The third stay was in 2009, towards the end of the third decade of reform implementation, at the time of an already developed marketoriented communism. The paper's main thesis is that most of the phenomena observed in present-day urban China can be assigned to opposite categories, namely Chinese-Western and traditional- contemporary. Cultural opposites have been observed in the sphere of tourism and the behavior of both Chinese and foreign visitors, in the use of Chinese and English in notices and signs in public places, and in the promotion of traditional and modern architecture. In addition, they have been noted in the presentation of arts and crafts and industrial products, in the manner of consumption of hot drinks, and in the combining of Chinese and foreign cuisine. They are also evident in a Beijing Opera performance adapted both to the modern Chinese and to foreigners, and in the traditional Chinese exercises and western dances performed in public parks. In conclusion, the paper suggests that the process of establishing connections between China and the West is being carried on in a moderate and controlled way. In the globalization process cultural opposites coexist and merge, imparting new features to Chinese culture.

Subtle Nonlinearity in Popular Album Charts

Science.gov (United States)

Bentley, R. Alexander; Maschner, Herbert D. G.

Large-scale patterns of culture change may be explained by models of self organized criticality, or alternatively, by multiplicative processes. We speculate that popular album activity may be similar to critical models of extinction in that interconnected agents compete to survive within a limited space. Here we investigate whether popular music albums as listed on popular album charts display evidence of self-organized criticality, including a self-affine time series of activity and power-law distributions of lifetimes and exit activity in the chart. We find it difficult to distinguish between multiplicative growth and critical model hypotheses for these data. However, aspects of criticality may be masked by the selective sampling that a "Top 200" listing necessarily implies.

"The Private Is Becoming Political"—Interdisciplinary Perspectives on Autobiographical Writing in the Horizon of the Culture of Remembering and Contemporary History

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Carsten Heinze

2011-05-01

Full Text Available This essay focuses on autobiographical life-writing as a part of commemorative culture, i.e. in East and West Germany. It looks at the literary genre from a sociological point of view. Whereas in literature studies autobiography is seen as a blurred genre, it can be asserted that it functions in public discourse. Hence, autobiographies are an important medium in political and contemporary historical context and are seen to be effective within that context. This essay assumes that published autobiographies are an intentional form of social communication, within the context of and affected by the public culture of remembering. The autobiographies themselves influence these cultures of remembering from the subjective point of view. In this regard, life-writing is not an individual or autonomous act of narrating one's life but rather a social communicative act of writing and narrating life stories in public contexts. Therefore life-writing is a public form of self and contemporary history representation and is politically charged. In other words, "the private becomes political" by addressing it to the public. URN: http://nbn-resolving.de/urn:nbn:de:0114-fqs110294

Filial Piety (xiao 孝 for the Contemporary and Global World

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Loreta POŠKAITĖ

2014-05-01

Full Text Available The relationships between children and parents seem to be one of the most urgent issues in the contemporary world, spanning from the United States and European countries to East Asian societies, as a consequence of the transformation of traditional family ethics, values and institutions brought about by the processes of modernization and globalization. The present paper aims to reveal the ways and problems of the application of xiao 孝 (filial piety ethics in the contemporary Western and Chinese societies, as reflected in the works by a number of famous Western Protestant missionaries, religious philosophers, sinologists and present-day Lithuanian Sinology students, and counterbalance their views with the insights of contemporary Chinese sociologists. The place of xiao in the contemporary inter-cultural dialogue will be discussed from the point of view of dialogue between religions, theory and practice, Western and Chinese culture, traditional and modern societies and values.

Neurofeminism and feminist neurosciences: a critical review of contemporary brain research

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Sigrid eSchmitz

2014-07-01

Full Text Available To date, feminist approaches to neurosciences have evaluated the debates surrounding practices of knowledge production within and research results of contemporary brain research. Consequently, neurofeminist scholars have critically examined gendered impacts of neuroscientific research. More recently, feminist neuroscientists also develop research appraoches for more gender-appropriate neuroscientific research on several levels. Based on neurofeminist critique feminist neuroscientists aim to enrich neuroscientific work by offering methodological suggestions for a more differentiated setup of categories and experimental designs, for reflective result presentations and interpretations as well as for the analysis of result validity. Reframing neuro-epistemologies by including plasticity concepts works to uncover social influences on the gendered development of the brain and of behavior. More recently, critical work on contemporary neurocultures has highlighted the entanglements of neuroscientific research within society and the implications of ‘neurofacts’ for gendered cultural symbolisms, social practices, and power relations. Not least, neurofeminism critically analyzes the portrayal of neuro-knowledge in popular media. This article presents on overview on neurofeminist debates and on current approaches of feminist neurosciences. The authors conclude their review by calling for a more gender-appropriate research approach that takes into account both its situatedness and reflections on the neuroscientific agenda, but also questions neurofeminist discourse in regards to uses and misuses of its concepts.

Cultural values and cross-cultural video consumption on YouTube

Science.gov (United States)

Macy, Michael

2017-01-01

Video-sharing social media like YouTube provide access to diverse cultural products from all over the world, making it possible to test theories that the Web facilitates global cultural convergence. Drawing on a daily listing of YouTube’s most popular videos across 58 countries, we investigate the consumption of popular videos in countries that differ in cultural values, language, gross domestic product, and Internet penetration rate. Although online social media facilitate global access to cultural products, we find this technological capability does not result in universal cultural convergence. Instead, consumption of popular videos in culturally different countries appears to be constrained by cultural values. Cross-cultural convergence is more advanced in cosmopolitan countries with cultural values that favor individualism and power inequality. PMID:28531228

Cultural values and cross-cultural video consumption on YouTube.

Science.gov (United States)

Park, Minsu; Park, Jaram; Baek, Young Min; Macy, Michael

2017-01-01

Video-sharing social media like YouTube provide access to diverse cultural products from all over the world, making it possible to test theories that the Web facilitates global cultural convergence. Drawing on a daily listing of YouTube's most popular videos across 58 countries, we investigate the consumption of popular videos in countries that differ in cultural values, language, gross domestic product, and Internet penetration rate. Although online social media facilitate global access to cultural products, we find this technological capability does not result in universal cultural convergence. Instead, consumption of popular videos in culturally different countries appears to be constrained by cultural values. Cross-cultural convergence is more advanced in cosmopolitan countries with cultural values that favor individualism and power inequality.

Cultural values and cross-cultural video consumption on YouTube.

Directory of Open Access Journals (Sweden)

Minsu Park

Full Text Available Video-sharing social media like YouTube provide access to diverse cultural products from all over the world, making it possible to test theories that the Web facilitates global cultural convergence. Drawing on a daily listing of YouTube's most popular videos across 58 countries, we investigate the consumption of popular videos in countries that differ in cultural values, language, gross domestic product, and Internet penetration rate. Although online social media facilitate global access to cultural products, we find this technological capability does not result in universal cultural convergence. Instead, consumption of popular videos in culturally different countries appears to be constrained by cultural values. Cross-cultural convergence is more advanced in cosmopolitan countries with cultural values that favor individualism and power inequality.

Museology and heritage in contemporary cities: a thesis on city management from the perspective of culture and memory preservation

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Heloisa Helena Fernandes Gonçalves da Costa

2012-04-01

Full Text Available Essentialy considered a space to live, the contemporary cities are complexes territories where memory and heritage have no effective representative function. The main objective of this paper is to analyze the emergence of the 'cultural health', a new concept supported by the relationship between museology, heritage and citizenship. The research was based on fieldwork experience and on memory studies of adults and elderly people that live in urban areas, where they can observe the symbolic meaning of the monuments and similars objects within the museum cities and the cultural landscapes. The way that museums and monuments are inserted in civil society and their power to produce values and cultural codes make them part of the process to promote identities and citizenship. Also, this process can improve the cultural health, the self-esteem and the quality of social interaction. These elements are essential for the building of healthy cities.

Communicating science: professional, popular, literary

National Research Council Canada - National Science Library

Russell, N

2010-01-01

... patterns of communication among scientists, popular communication to the public and science in literature and drama. This three-part framework shows how historical and cultural factors operate in today's complex communication landscape, and should be actively considered when designing and evaluating science communication. Ideal for students and p...

THE COLORS OF THE OUTSKIRTS: THE AESTHETIC OF THE POPULAR CULTURE IN THE OPENING VIDEOCLIP OF THE "ESQUENTA!" TV SHOW

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Regiane Regina Ribeiro

2015-08-01

Full Text Available Displayed by Globo TV since the year 2012, the tv show “Esquenta!” airs on Sundays as a popular attraction of drapery and dedicated to present on national television which is typical of the culture of Brazilian periphery. His introductory video clip, the object of analysis of this research, based on the use of some aesthetic elements to communicate to the Brazilian population that purpose to make the program into a showcase of the periphery on television. Based on image analysis, this article identifies framework elements, Figure and background, perspective and image composition that contribute to the identification of elements of popular within the program and the connection between this and your audience.

Neoliberalism as the "Connective Tissue" of Contemporary Capitalism

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Giulio Moini

2016-09-01

Full Text Available What can we understand better about contemporary economic, social, political and cultural processes using the category of neoliberalism? What can it add to an understanding of the present existing forms of social organization? The article tries to answer these main questions in theoretical terms considering the arguments of those who claim to have stopped using the concept and of those who, on the contrary, sus-tain its theoretical value. Neoliberalism is considered as the "connective tissue" of contemporary capitalism, which is able to shape historically significant links between processes, ideas and practices re-garding not only different sub-social systems (political, economic, cultural, etc., but also diverse scales of action (from global to local scale and vice versa. For this "ontological" reason the concept of neoliberalism seems to show an epistemological relevance, which rests on the capacity of this concept to disclose the interconnections not only between different phenomena, but also between each of them and a more general fabric of contemporary society. This regards especially functional relationships between the ontic and ontological dimensions of neoliberalism and contemporary capitalism. For this purpose the concept of neoliberalism as a "connective tissue" shows potential analytical advantages

Resistance in Popular Culture

OpenAIRE

Schuilenburg, Marc

2017-01-01

Much of the existing research on video games seems to stall over the issue of whether or not violence in games is as innocent as is alleged. Scientists are still divided as to whether or not there is a causal link between the behavior of young people and violence in video gaming. Much less discussion is devoted to how cultural and political engagement finds new channels in video games to confront dominant opinions and perceptions in society. However, a more recent body of scientific work cons...

The campaign “De pé no chão também se aprende a ler” and the promotion of the educaction through the Popular Culture

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Aliny Dayany Pereira de Medeiros Pranto

2017-07-01

Full Text Available The objective of this article is to present the different strategies of promotion of education by popular culture from the activities of the Campaign "De pé no chão também se aprende a ler". In order to reach this goal, we carried out a literature review considering classical authors in the discussion of the theme, such as José Willington Germano, Moacyr de Góes and Djalma Maranhão; Theses and dissertations; Other written sources, such as newspapers, and testimonials from people who have experienced the activities of the Campaign, such as alumni and teachers. After analyzed separately, the sources were crossed, following the guidelines of Paul Thompson, and allowed us to make some initial considerations about the Campaign. We realized that there were diverse strategies for the promotion of education through popular culture, ranging from the construction of squares, theaters and libraries, to the development of cultural circles, spaces for critical literacy, based on the Paulo Freire System. We consider, then, that the Campaign was not constituted in a homogeneous way, otherwise, it acted in a diversified way, with a view to achieving the goal of the dissemination of education through Popular Culture.

Iklan dan Budaya Popular: Pembentukan Identitas Ideologis Kecantikan Perempuan oleh Iklan (Analisis Semiotika Iklan Cetak WRP Body Shape & Prolene

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Dwi Ratna Aprilia

2013-12-01

Full Text Available Abstract: Mass media is not only a channel to deliver messages but also is a channel to build a special image about the world, such as the beauty image of women. Advertisements create it in their messages. Most of them show women with white skin, slim and have long black hair. These cases are a part of popular culture or mass culture because it could be a homogen-standard value. Advertising is related with popular culture. Advertising is a reflection of popular culture and it is an inventor of popular culture.

Contemporary fiction and the ethics of modern culture

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Karnicky, Jeffrey

2007-01-01

This book argues for the ethical relevancy of contemporary fiction at the beginning of the twenty-first century. Through reading novels by such writers as David Foster Wallace, Richard Powers, and Irvine Welsh, this book looks at how these works seek to transform the ways that readers live in the world.

Dark victory: cancer and popular Hollywood film.

Science.gov (United States)

Lederer, Susan E

2007-01-01

This paper explores the cultural representations of cancer in popular Hollywood films released between 1930 and 1970. These cinematic treatments were not representative of the types of cancer that increasingly afflicted Americans, nor were filmmakers and studios concerned with realistic representations of the disease, its treatment, and its outcomes. As in the "epidemic entertainments" of the early twentieth century that portrayed diseases as cultural commodities, popular filmmakers selectively projected some cancers rather than others, favoring those that were less offensive and more photogenic. Although the characters became weak and died, they did so without gross transformations of their bodies. This paper argues that such representations nonetheless informed American attitudes about cancer and the role of medical research in overcoming the disease.

Private View, Public Birth: Making Feminist Sense of the New Visual Culture of Childbirth

Directory of Open Access Journals (Sweden)

Imogen Tyler

2013-07-01

Full Text Available In the last three decades, there has been a dramatic increase in media representations of childbirth across a range of platforms: cinema, reality television and television drama, online video-sharing platforms, pornographic film, and in fine art practice. As yet, however, there is little feminist scholarship on the implications of this new and varied visual culture of childbirth and its relationship to earlier feminist debates about the cultural taboo against the representation of birth. This paper focuses on two contemporary sites: the growing phenomenon of 'childbirth reality TV' and the birthrites collection, a unique art collection in the UK dedicated to the subject of childbirth. We explore the meanings and implications of this new visual culture of birth, and the ways its reception is challenging earlier feminist conceptualisations of motherhood and the birthing body. In particular, we argue that these new popular and artistic representations of birth trouble accounts of the birthing body as abject, and what could be described as the 'abject aesthetics' that has dominated the visual representation of birth. In place of abjection, we conclude by arguing for a more thoroughly social and political account of the place of birth in contemporary culture, based on forms of 'natal thinking', which we suggest that the birthrites collection proposes.

LECTURA DE CONTEXTO: LA EDUCACIÓN POPULAR COMO PRÁCTICA LIBERTARIA

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Diego Alejandro Muñoz Gaviria

2013-06-01

Full Text Available This research article seeks to present the concept of popular education as a dynamic of pedagogical tradition and cultural movement, emphasizing its diverse, multidirectional, nondeductive character; that is to say, that there is not a foundational moment in which some general principles, conceptual or doctrinal foundations, were set out, from which subsequent political and pedagogical practices were generated and what there has been is a sort of popular educational field - where there are different perspectives of what is popular. El presente artículo de investigación pretende presentar la Educación Popular como una dinámica de la tradición pedagógica y movimiento cultural, resaltando su carácter diverso, multidireccional, no deductivo, es decir que, no existe un momento fundacional en el que se propusieron unos principios generales, unas bases conceptuales o doctrinales, desde las cuales se generaron unas prácticas pedagógicas y políticas posteriores y lo que ha existido es una suerte de campo educativo – popular donde existen diferentes perspectivas de lo popular.

Intertextuality as A Cultural Interaction Mechanism and Socio-Cultural Phenomenon

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E P Shiniev

2010-03-01

Full Text Available The article focuses on intertextuality as a concept associated with the tradition of postmodernism textology and a phenomenon of text interaction with the semiotic cultural environment. The concept of intertextuality emerges as an essential condition for the construction of meaning which includes the dialogical characteristics of the polylogue culture field. The author examines the evolution of intertextuality since M.M. Bakhtin up to contemporary theoreticians of postmodernism. The concept of intertextuality is the prominent characteristics of the contemporary «post» culture and the major channel of inter-cultural diffusion.

The representation of epilepsy in popular music.

Science.gov (United States)

Baxendale, Sallie

2008-01-01

Much can be learned about the contemporary stereotypes associated with epilepsy by studying the representation of the disorder in paintings, literature, and movies. Popular music is arguably the most accessible and ubiquitous of the creative art forms, touching most of us on a daily basis. Reviewed here are the ways in which epilepsy and seizures are used in the lyrics of musicians from a wide variety of musical genres, from hip-hop to rhythm and blues. Many of the ancient associations of epilepsy with madness, horror, and lunacy can be found in these lyrics. However, the language of epilepsy has also been appropriated by some musical artists to represent a state of sexual ecstasy and dance euphoria. The references to these states as "epilepsy" or a "seizure" in numerous songs suggest that this shorthand is widely recognized within some subcultures. Although epilepsy has frequently been associated with female sexual availability in other creative art forms, this novel use of the language of epilepsy represents a contemporary departure in the artistic application of epilepsy-related images and associations in the 21st century.

Bahasa Gado-Gado in Indonesian Popular Texts: Expanding Indonesian Identities through Code-Switching with English

Science.gov (United States)

Martin, Nelly

2017-01-01

This study explores the relationship between language selection and identity construction in contemporary Indonesia through an examination of the function of English, a language that still receives stigma from many Indonesians and the government, particularly in Indonesian popular texts published after 1998. Utilizing hybrid critical approaches…

RELIGIOSIDADE POPULAR E FENOMENOLOGIA RELIGIOSA

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Waldomiro O. Piazza

1980-01-01

Full Text Available Antes de tudo, é preciso ter presente que religiosidade popular não é o mesmo que fenomenologia religiosa, embora estejam intimamente vinculadas entre si. A fenomenologia religiosa é uma ciência que estuda o significado profundo das várias atitudes religiosas que o homem toma motivado por uma experiência religiosa. A religiosidade popular é o complexo destas atitudes condicionadas por alguma estrutura cultural, como a dos primitivos, que se dedicavam à caça, à pesca, à coleta de frutos, ou a dos povos sedentários, dedicados às técnicas agrárias e industriais.

Pop Rocks! Engaging first-year geology students by deconstructing and correcting scientific misconceptions in popular culture. A Practice Report

OpenAIRE

Leslie Almberg

2011-01-01

Popular culture abounds with ill-conceived notions about Earth’s processes.  Movies, books, music, television and even video games frequently misrepresent fundamental scientific principles, warping viewers’ perceptions of the world around them.  First year geoscience students are not immune to pop culture’s portrayal of earth science and the misconceptions they bring to Geology 101 cloud their ability to differentiate between fact and fiction.  Working within ...

The linguistic ecology in popular announcements

OpenAIRE

Gomes, Altair Martins

2013-01-01

By language man is constituted as social subject and, therefore, cultural. Given the importance of writing for the literate civilizations, it´s necessary to study spoken language interfacing with written language in order to realize how these discoursive instances appear as interactional practices and subjacent cultural issues. The oral language modality phenomena of Brazilian Portuguese are present in signs and popular advertisements. In this type of writing, the ecology of languages reveals...

Vulgarization of popular music tradition in Serbia

OpenAIRE

Božilović, Nikola

2011-01-01

The vulgarization of tradition in this paper implies the alteration, false representation, and adaptation of tradition in line with the interests of certain individuals or groups in power. The author observes popular music in Serbia (jazz, pop, rock) under a sociological magnifying glass, attempting to explain and motivate the thesis which proposes a valid historical foundation of popular culture and music in the social life of Serbia. In his opinion, this kind of tradition is being 'swept un...

From Cultural Popularity to the Paradox of Relevance: A Critical ...

African Journals Online (AJOL)

The conclusion drawn from the findings is that various factors, especially the multicultural character of most contemporary societies, are impinging on the possibility of developing a theory of citizenship that is universally applicable and globally acceptable. Key Words. Citizenship, citizenship theory, equality, multiculturalism, ...

Rock critics as 'Mouldy Modernists'

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Becky Shepherd

2011-08-01

Full Text Available Contemporary rock criticism appears to be firmly tied to the past. The specialist music press valorise rock music of the 1960s and 1970s, and new emerging artists are championed for their ‘retro’ sounding music by journalists who compare the sound of these new artists with those included in the established ‘canon’ of rock music. This article examines the narrative tropes of authenticity and nostalgia that frame the retrospective focus of this contemporary rock writing, and most significantly, the maintenance of the rock canon within contemporary popular culture. The article concludes by suggesting that while contemporary rock criticism is predominately characterised by nostalgia, this nostalgia is not simply a passive romanticism of the past. Rather, this nostalgia fuels a process of active recontextualisation within contemporary popular culture.

La aldea fantasma: Problemas en el estudio del folklore y la cultura popular contemporáneos

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Díaz G. Viana, Luis

2003-06-01

Full Text Available The author analyzes the problems involved in the study of folklore and popular culture in a contemporary world, transnational and hybrid, aparently different from what the object/subject of study was supposed to be. Nevertheless he argues that the type of urban legends we can gather today through Internet does not differe from the traditional materials, such as leyends, games or mores, since they talk (as they used to about people tryng to make sense out of an always changing and mixed world.

El autor ofrece un análisis de la problemática relacionada con el estudio del folklore y la cultura popular en el mundo contemporáneo, transnacional e híbrido, aparentemente distinto de lo que se suponía que era el objeto/sujeto de estudio tradicional. Sin embargo, argumenta que el tipo de leyendas urbanas que podemos recopilar hoy a través de internet no es diferente de los materiales tradicionales, tales como leyendas, juegos o costumbres; ya que de lo que hablan éstos, al igual que aquéllos, es de las preocupaciones de las personas por dar sentido a un mundo siempre cambiante y siempre en contacto.

Contemporary issues concerning informed consent in Japan based on a review of court decisions and characteristics of Japanese culture.

Science.gov (United States)

Masaki, Sakiko; Ishimoto, Hiroko; Asai, Atsushi

2014-02-04

Since Japan adopted the concept of informed consent from the West, its inappropriate acquisition from patients in the Japanese clinical setting has continued, due in part to cultural aspects. Here, we discuss the current status of and contemporary issues surrounding informed consent in Japan, and how these are influenced by Japanese culture. Current legal norms towards informed consent and information disclosure are obscure in Japan. For instance, physicians in Japan do not have a legal duty to inform patients of a cancer diagnosis. To gain a better understanding of these issues, we present five court decisions related to informed consent and information disclosure. We then discuss Japanese culture through reviews of published opinions and commentaries regarding how culture affects decision making and obtaining informed consent. We focus on two contemporary problems involving informed consent and relevant issues in clinical settings: the misuse of informed consent and persistence in obtaining consent. For the former issue, the phrase "informed consent" is often used to express an opportunity to disclose medical conditions and recommended treatment choices. The casual use of the expression "informed consent" likely reflects deep-rooted cultural influences. For the latter issue, physicians may try to obtain a signature by doing whatever it takes, lacking a deep understanding of important ethical principles, such as protecting human dignity, serving the patient's best interest, and doing no harm in decision-making for patients.There is clearly a misunderstanding of the concept of informed consent and a lack of complete understanding of ethical principles among Japanese healthcare professionals. Although similar in some respects to informed consent as it originated in the United States, our review makes it clear that informed consent in Japan has clear distinguishing features. Japanese healthcare professionals should aim to understand the basic nature of informed

Passionate Virtue: Conceptions of Medical Professionalism in Popular Romance Fiction.

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Miller, Jessica

2015-01-01

Medical romance fiction is a subgenre of popular romance fiction that features medical professionals in their work environment. This essay explores the way professionalism is portrayed in popular medical romance fiction written during the early twenty-first century, a period of significant disruption in both the public image and self-understanding of organized medicine. I analyze a selection of contemporary medical romance novels, published between 2008 and 2012, demonstrating that medical romance fiction is a form of public intervention in apparently insular debates over medical professionalism. I conclude that they promote "nostalgic professionalism," a vision of physicians as a select group of highly educated, self-regulated experts who provide, with a caring and altruistic attitude, a vitally important service to society, while at the same time generating implicit critiques of it.

Korean Screen Cultures

DEFF Research Database (Denmark)

Screen Cultures sets out to redress this imbalance with a broad selection of essays spanning both North and South as well as different methodological approaches, from ethnographic and audience studies to cultural materialist readings. The first section of the book, «The South», highlights popular media...... new approaches to Korean popular culture beyond national borders and includes work on K-pop and Korean television drama. This book is a vital addition to existing scholarship on Korean popular culture, offering a unique view by providing an imaginary unification of the two Koreas negotiated through...

Popular Orientalism: Somerset Maugham in Mainland Southeast Asia

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Christine Doran

2016-02-01

Full Text Available Based on his experiences during a journey through mainland Southeast Asia in 1923, Somerset Maugham wrote a book of colonial travel entitled The Gentleman in the Parlour. As the work of one of the most popular writers of the twentieth century, Maugham’s travelogue both expressed and helped to shape contemporary thinking about Southeast Asia and Western imperialism. Focusing especially on his representations of Burma and Cambodia, an analysis is presented of Maugham’s book in the light of postcolonial scholarship, especially the theoretical insights developed under the inspiration of Edward Said’s Orientalism. Despite its pretensions to be apolitical, Maugham’s travel book is shown to be a repository of Western colonial ideas and attitudes, integrally involved in the circulation of the prevailing European discourse of high imperialism. As such, it is a valuable resource for historians and other scholars who wish to understand the way that discourse worked at the level of popular literature.

Childhood Ideology in the United States: A Comparative Cultural View

Science.gov (United States)

Hoffman, Diane M.

2003-03-01

Childhood ideology functions in each nation as a complex of ideas about what children are like and how best to teach and socialise them. One important domain of childhood ideology concerns ideas and practices related to children's development and behaviour management. Drawing from an analysis of popular childrearing magazines and early childhood education materials in the United States, this cultural study describes contemporary American mainstream beliefs concerning children's early emotional and behavioural development. In particular, the paper explores themes of emotional expression, autonomy, individuality, power, and consumerism. Some comparisons with Japanese views on child development and emotional/behavioural socialisation are also made. The paper suggests that popular ideas and techniques of emotional and behavioural management in the United States in both families and early childcare environments reflect a dominant ideology of children that has potentially negative consequences for children's welfare. Furthermore, childhood ideologies, while retaining culturally specific values and ideas neither remain static nor exist in isolation from one another. The paper questions the global diffusion of a Western-style professionalised discourse of child psychology that may not be applicable to all nations and their children.

Contemporary Methods of Social Introduction: Is the Stigmatisation justified?

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Lisa M. Steffek

2009-12-01

Full Text Available Historically, individuals in search of a romantic partner have expanded their pool of alternatives by meeting others through their personal social networks. In the last few decades, however, a growing singles population, coupled with advances in technology, has promoted the utilisation and modernization of contemporary marriage market intermediaries (MMIs, including online dating sites, social networking sites, and professional matchmaking services. Importantly, these contemporary MMIs depart from more normative methods for meeting others, making their use ripe for social stigmatization, as evidenced by myriad portrayals in the popular media. The purpose of the present research was to provide an empirical exploration of the validity of the layperson stigma towards users of contemporary MMIs by assessing the extent to which users and nonusers of these various services differ on key individual characteristics relevant to relationship initiation and progression. Specifically, we surveyed 96 individuals, all of whom were attending a singles‘ happy hour, and compared users and nonusers of contemporary MMIs on several important characteristics. Although users reported going on more dates and perceived greater attractiveness in others at the event, no differences were observed in personality (i.e., the Big 5 or adult attachment classification (i.e., secure vs. insecure. Altogether, our findings suggest that users of contemporary MMIs are not socially undesirable people (or at least any more undesirable than nonusers.

Scream, cultura popular y el feminismo de la tercera ola: "Yo no soy mi madre"

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Kathleen Rowe Karlyn

2005-01-01

Full Text Available This paper analyzes Wes Craven’s horror trilogy Scream; the trilogy, like all popular texts, is riddled with contradictions about women’s representation that beg a careful analysis based on an informed understanding of media culture and representation, of history, and of the issues that matter to young women today. My reading of the film draws up the connections between Third Wave feminism and popular culture in order to show how these films provide a rich opportunity to study the contradictions and possibilities of feminism in a postmodern age. The purpose here is not to mount an unconditional defense of popular culture, but to argue that women who care about the next generation of girls need to learn more about the popular texts they're drawn to. If a productive conversation is going to happen among women of all ages about the future of the feminist movement, it will have to take place on the terrain of popular culture where young women today are refashioning feminism toward their own ends.

Rómulo de Carvalho's Work on the Popularization of Science During Salazarism

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Galamba, Arthur

2013-10-01

This article provides an account of Rómulo de Carvalho's most prominent works on the popularization of science during the Salazarist regime in Portugal. Carvalho has been praised for his `unique' writing style, for his uncommon ability to communicate scientific knowledge with clarity to a wide audience: he wrote to teachers, to secondary students, to the layman and even to the rural peasantry. Most of his books and articles on popularization explored the History and Philosophy of Science, and it has been claimed that he influenced many youngsters to pursue scientific careers. Given the repressive political context imposed by Salazarism, it is argued that Carvalho's work on the popularization of science had a humanist and libertarian connotation. However, intriguingly, different from some of his contemporaries who also promoted humanistic education for all, Carvalho was never targeted by the Dictatorship. The article seeks to shed light on this matter. It points out the educational reach of Carvalho's writings and suggests that popularization of science in repressive regimes is not necessarily a problematic issue as long as it does not threat the status quo.

Islamic Law, Women’s Rights, and Popular Legal Consciousness in Malaysia

OpenAIRE

Tamir Moustafa

2013-01-01

Drawing on original survey research, this study examines how lay Muslims in Malaysia understand foundational concepts in Islamic law. The survey finds a substantial disjuncture between popular legal consciousness and core epistemological commitments in Islamic legal theory. In its classic form, Islamic legal theory was marked by its commitment to pluralism and the centrality of human agency in Islamic jurisprudence. Yet in contemporary Malaysia, lay Muslims tend to understand Islamic law as b...

Nebulous networks: Virginia Woolf and popular astronomy

Science.gov (United States)

Henry, Holly Grace

This study investigates Virginia Woolf's fascination with advances in astronomy and telescopic technologies of the 1920s and 30s. Grounded in the cultural studies of science, and the work of theorists such as Donna Haraway and Bruno Latour, the dissertation reconstructs the complex interconnections between Woolf's fiction and prose writing and an explosive popular interest in astronomy and cosmology. Woolf's aesthetic and political practices were shaped by emerging visualization technologies ranging from astronomical telescopes to the hand-held camera. While her writing provides a focus for this investigation, the dissertation offers close readings of fiction and essays by multiple British authors and science writers in the context of these converging phenomena. As a result of glimpsing tiny worlds through her own telescope, Virginia Woolf formulated a global aesthetic and a global politics. Gazing at the moon and stars reminded her that earth is a planet in space, and that earth's inhabitants must rely on this small, fragile globe for their future survival. The opening chapter establishes the cultural context for the study. In 1923, the American astronomer Edwin Hubble determined that the Andromeda galaxy was located far beyond the limits of the Milky Way, then believed to comprise the entire universe. Hubble's radical reconfiguration of the universe contributed to a pervasive sense, in the modern period, of a decentering and re-scaling of humans in the universe. In the chapters that follow, the dissertation offers readings of Woolf's novels and short fiction in relation to her fascination with astronomy and explores how the wildly popular British cosmologist and science writer, Sir James jeans, had a shaping effect on popular culture and on Woolf's narrative practices and pacifist politics. Despite his oblique connections to what became Bloomsbury, jeans and his popular science texts were to play a considerable role in Woolf's formulation of a global aesthetic.

The Rhetorical Dimensions of Popular Song.

Science.gov (United States)

Winebrenner, T. C.

Communication scholars have recently focused attention on songs as artifacts of popular culture. Current literature implies that the contexts of music communication are defined by the relationships that songs establish between artists and their audience: persuasive, expressive, and commercial. As the commercialization of music is an inherently…

Folclore e medicina popular na Amazônia Folklore and popular medicine in the Amazon

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Márcio Couto Henrique

2009-12-01

Full Text Available Discute as relações entre folclore e medicina popular na Amazônia, tendo como referencial de análise o conto "Filhos do boto", de Canuto Azevedo. Aponta que os contos folclóricos estão saturados de elementos da realidade cultural e podem ser utilizados como testemunhos históricos que expressam embates entre diferentes tradições. Os registros folclóricos são fruto do diálogo muitas vezes conflituoso entre folcloristas, cientistas sociais, médicos, pajés e seus seguidores, e sua análise deve ser acompanhada de reflexão sobre as condições de sua produção. Neste caso específico, trata-se de refletir, com base no imaginário de sedução e cura em torno do boto, sobre a possibilidade de ampliar o conhecimento sobre a medicina popular praticada na Amazônia, região de forte presença da pajelança cabocla.This discussion of the relations between folklore and popular medicine in the Amazon takes Canuto Azevedo's story "Filhos do boto" (Children of the porpoise as an analytical reference point. Replete with elements of cultural reality, folk tales can serve as historical testimonies expressing clashes between different traditions. Folk records are fruit of what is often a quarrelsome dialogue between folklorists, social scientists, physicians, and pajés and their followers, and their analysis should take into account the conditions under which they were produced. Based on the imaginary attached to the figure of the porpoise - a seductive creature with healing powers - the article explores how we might expand knowledge of popular medicine as practiced in the Amazon, where the shamanistic rite known as pajelança cabocla has a strong presence.

Popular Music Policy

OpenAIRE

Frith, Simon; Cloonan, Martin

2008-01-01

This special issue of Popular Music has its origins in a seminar organised at the University of Stirling in 2004. This meeting, one of a series on cultural policy, brought together researchers from a number of European countries who were asked to describe state music policy in their respective countries and to reflect on what differences, if any, such policies had made to recent national music history. As the seminar’s organisers, we were interested in a couple of issues: first, how policy ap...

Ideology, Alienation and Reification: Concepts for a Radical Theory of Communication in Contemporary Capitalism

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Leila Salim Leal

2018-05-01

Full Text Available Contemporary capitalism and its dynamics increase the material and ideological role played by the media, building a kind of sociality in which symbolic production becomes abundant. The critique of contemporary capitalism and the praxis to build alternatives to this form of society need to be put in the centre of debating cultural production. Cultural production interacts with the media and the market so that this symbolic field constitutes an increasingly predominant factor in the processes of the formation of consciousness. This instigates us to think about resistance as being necessarily linked to communication and culture. This article discusses the role of Marx’s concepts of ideology and alienation for the constitution of a contemporary critique of the processes of the formation of consciousness.

The Search for Extraterrestrial Intelligence in the 1960s: Science in Popular Culture

Science.gov (United States)

Smith, Sierra

2012-01-01

Building upon the advancement of technology during the Second World War and the important scientific discoveries which have been made about the structure and components of the universe, scientists, especially in radio astronomy and physics, began seriously addressing the possibility of extraterrestrial intelligence in the 1960s. The Search for Extraterrestrial Intelligence (SETI) quickly became one of the most controversial scientific issues in the post Second World War period. The controversy played out, not only in scientific and technical journals, but in newspapers and in popular literature. Proponents for SETI, including Frank Drake, Carl Sagan, and Philip Morrison, actively used a strategy of engagement with the public by using popular media to lobby for exposure and funding. This paper will examine the use of popular media by scientists interested in SETI to popularize and heighten public awareness and also to examine the effects of popularization on SETI's early development. My research has been generously supported by the National Radio Astronomy Observatory.

The Displacement of the Possible: Popular Experience and Gentrification at Historic Center of Mexico City

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Vicente Moctezuma Mendoza

2016-09-01

Full Text Available This paper studies the displacement of popular sectors in the Historic Center of Mexico City as part of the gentrification process in this space. Particularly, it analyzes a form of displacement that the author defines as ‘the displacement in popular horizons of the possible’, and supposes a reinterpretation – from the characteristics of the gentrification processes in Latin America and the anthropologic fieldwork- of the definition of ‘exclusionary displacement’ proposed by Peter Marcuse. Displacement is analyzed through an ethnographic approach to some residential itineraries that account for popular sectors different rooting constructions during the second half of the twentieth century and the review of the permanence or disappearance of such conditions in the contemporary context.

Konser Musik di Media: “Common Culture”, Anti-otentisitas dan Budaya Populer

OpenAIRE

al Qadri, M. Ridha

2016-01-01

This article lengthens music concert phenomenon and its reproduction at media. With many perspectives of culture, music concert is reviewed in form of cultural experiences, especially about common culture, media culture, anti authenticity, and popular culture. In this article, entire trend and theoretical observation explored by find beginning references in evaluate contemporary cultural identity of popular music. In fact, the next development of music and media industries are part of complex...

Dog movie stars and dog breed popularity: a case study in media influence on choice.

Science.gov (United States)

Ghirlanda, Stefano; Acerbi, Alberto; Herzog, Harold

2014-01-01

Fashions and fads are important phenomena that influence many individual choices. They are ubiquitous in human societies, and have recently been used as a source of data to test models of cultural dynamics. Although a few statistical regularities have been observed in fashion cycles, their empirical characterization is still incomplete. Here we consider the impact of mass media on popular culture, showing that the release of movies featuring dogs is often associated with an increase in the popularity of featured breeds, for up to 10 years after movie release. We also find that a movie's impact on breed popularity correlates with the estimated number of viewers during the movie's opening weekend--a proxy of the movie's reach among the general public. Movies' influence on breed popularity was strongest in the early 20th century, and has declined since. We reach these conclusions through a new, widely applicable method to measure the cultural impact of events, capable of disentangling the event's effect from ongoing cultural trends.

Contemporary pain management in total knee arthroplasty.

Science.gov (United States)

Khanasuk, Yutthana; Ngarmukos, Srihatach

2012-10-01

Pain management has become a very important part of postoperative care for total knee arthroplasty patients. Contemporary pain control has evolved from high-dose opioid in the past to state-of-the-art multimodal regimens. These include multiple non-opioid medication such as NSAIDs, COX-2 inhibitors, and gabapentinoid, and novel anesthetic techniques such as preemptive analgesia and ultrasound-guided peripheral nerve blocks. Another method which is gaining popularity is intraarticular injection of anesthetic cocktail during surgery. Pre-op education can also help patients cope with their pain better.

and popular organization (research notes

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Paulo J. Krischke

2006-01-01

Full Text Available This paper discusses some interfaces between the approaches to political learning, and their reference to situations of social exclusion, conflict and popular organization. The first part of the paper discusses the approach to the study of political learning among the elites; the second part examines approaches to research of political culture among the masses; and the third part outlines an alternative approach to political learning derived from Jürgen Habermas’s theory of “communicative action”. In the paper these approaches are applied to the study of a territory of exclusion, conflict, and popular organisation (a group of favelas in downtown Florianópolis, Santa Catarina, Brazil. Finally, the paper outlines some procedures to achieve a more general understanding of political learning

Systematic approach to the foundation of healthy way of life and popularization of physical culture in modern university.

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Goncharuk S.V.

2012-11-01

Full Text Available The factors of popularization of physical culture are considered among students young people. Directions of development of optimum method of employments are shown by a physical culture, which will provide the systematic going and attaching near the healthy way of life. 815 students took part in research. It is set that optimization of educational process of student and creation of educational base will allow students to get necessary for the maintenance of optimum health level physical loading. Directions of technologism of an educate work are offered with students. Possibilities of university are shown in conditioning for forming for the students of positive motivation to the healthy way of life. Directions organization of relaxation measures are recommended for students. Attention is accented on the financial skilled providing of employments in the sporting halls of university.

We are not a female band, we are a band!”: Female performance as a model of gender transgression in Serbian popular music

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Nenić Iva

2015-01-01

Full Text Available Instrumental performance, leadership, and authorship by women in music has historically been subjected to various repressive regimes, while many of the prejudices and restrictions regarding female musicking can still be discerned in contemporary popular music practices in Serbia. These mechanisms have been transferred into contemporary music with different ideological and stylistic inclination, such as indie music cohorts and folk- or tradition-based genres and scenes. The structural preconditions that articulate the subject position of female instrumentalists, regardless of genre or the scene they belong to are the lack of history of female playing and the requirement that they reach the supposedly higher standards of male musicians. This article starts with a brief genealogy of female instrumental music performance from late socialism to the diversity of contemporary popular music in its present neo-liberal context. Against that background it interprets the disciplining mechanisms restricting female musical creativity and performance, addressing the issues of identity and power through female agency in music.

Soundtracking Germany : Popular Music and National Identity

NARCIS (Netherlands)

Schiller, Melanie

2018-01-01

This book argues for the importance of popular music in negotiations of national identity, and Germanness in particular. By discussing diverse musical genres and commercially and critically successful songs at the heights of their cultural relevance throughout seventy years of post-war German

Camouflage as Communicator of Survivor Mentality in Contemporary Popular Music

DEFF Research Database (Denmark)

Langkjær, Michael Alexander

2010-01-01

Michael A. Langkjær wants to know why military style in general and camouflage in particular have become true pillars of pop and rock culture. How is this prolonged influence to be explained? He places rock and camouflage in the larger framework of "military rock" since the sixties. Contrary to w...

Burmese Attitude toward Chinese: Portrayal of the Chinese in Contemporary Cultural and Media Works

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Min Zin

2012-01-01

Full Text Available This paper argues that since at least the mid 1980s, there has been an observable negative attitude among the people of Burma against the Chinese. Such sentiment is not just transient public opinion, but an attitude. The author measures it by studying contemporary cultural and media works as found in legally published expressions, so as to exclude any material rejected by the regime’s censors. The causes of such sentiment are various: massive Chinese migration and purchases of real estate (especially in Upper Burma, Chinese money that is inflating the cost of everything, and cultural “intrusion.” The sentiment extends to the military, as well: the article examines a dozen memoirs of former military generals and finds that Burma’s generals do not trust the Chinese, a legacy of China’s interference in Burma’s civil war until the 1980s. The public outcry over the Myitsone dam issue, however, was the most significant expression of such sentiment since 1969, when anti-Chinese riots broke out in Burma. The relaxation of media restrictions under the new government has allowed this expression to gather steam and spread throughout the country, especially in private weekly journals that are becoming more outspoken and daring in pushing the boundaries of the state’s restrictions.

Socio-cultural impacts of contemporary tourism.

Science.gov (United States)

Jovicić, Dobrica

2011-06-01

The topic of the paper is devoted to analysis of socio-cultural impacts of tourism, as effects on the people of host communities resulting from their direct and indirect associations with tourists. The social and cultural impacts of tourism are the ways in which tourism is contributing to changes in value systems, individual behavior, family structure and relationships, collective lifestyles, safety levels, moral conduct, traditional ceremonies and community organizations. Special attention is devoted to considering complexity of tourists/host interrelationships and discussing the techniques for appraisal of quality and quantity of socio-cultural changes which tourism provokes in local communities.

アドルノのポピュラー音楽批判の限界 : 音楽文化論の組み替えのために

OpenAIRE

上利, 博規

2001-01-01

Over the last thirty years after Adorno's death(1969) the situation of music culture of the world has changed. The purpose of this study is to examine whether Adorno's popular music criticism is still valid for contemporary music culture, and moreover to contribute to the rearrangement of music culture theory. First, I briefly describe the meaning that popular music criticism has in Adorno's philosophy. Section n outlines Adorno's popular music criticism in his five treatises. Section n exami...

Bolivian Currents: Popular Participation and Indigenous Communities.

Science.gov (United States)

Dudley, Mary Jo

1997-01-01

Describes the effects on indigenous communities of Bolivia's recent Popular Participation Laws, which relocated political and financial decision making to the municipal level; community efforts toward cultural maintenance and nonformal agricultural education; the activism of indigenous university students; and the dual discrimination suffered by…

Popular culture and sporting life in the rural margins of late eighteenth-century England: the world of Robert Anderson, "The Cumberland Bard".

Science.gov (United States)

Huggins, Mike

2012-01-01

This study sets out to extend and challenge existing historiography on late eighteenth century British popular culture, customary sports, class and cultural identity, focusing upon the rural geo-political borderland of England. It suggests that prevailing class-based and more London-biased studies need to be balanced with more regionalist-based work, and shows the importance of northern regional leisure variants. The textual and historical analysis draws largely on the published works of a neglected working-class dialect poet, Robert Anderson, living and working in Cumberland, arguing that he represented a strain of ''bardic regionalism,'' a variant of Katie Trumpener’s ''bardic nationalism.''

Pop Rocks! Engaging first-year geology students by deconstructing and correcting scientific misconceptions in popular culture. A Practice Report

Directory of Open Access Journals (Sweden)

Leslie Almberg

2011-07-01

Full Text Available Popular culture abounds with ill-conceived notions about Earth’s processes.  Movies, books, music, television and even video games frequently misrepresent fundamental scientific principles, warping viewers’ perceptions of the world around them.  First year geoscience students are not immune to pop culture’s portrayal of earth science and the misconceptions they bring to Geology 101 cloud their ability to differentiate between fact and fiction.  Working within an action research context, a semester-long assessment was designed with the intent to highlight and subsequently challenge students’ misconceptions using examples of “bad geoscience” from pop culture.  Students were required to practice and refine generic skills within this context.  This project succeeded in engaging students, but requires refinement to become more effective in enhancing their geoscience literacy. 

The Cognitive Hookman: Using Contemporary Legends in the ESL/EFL Classroom.

Science.gov (United States)

Layzer, Carolyn

This paper discusses the use of contemporary legends in the teaching of language and culture, specifically in English-as-a-second-language. Contemporary legends are a type of folk narrative, but unlike folk tales, they are believed to be true. They usually concern ordinary people who are known to the narrator, occur in familiar settings, and are…

Sacred Psychotherapy in the “Age of Authenticity”: Healing and Cultural Revivalism in Contemporary Finland

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James M. Wilce

2011-10-01

Full Text Available Like other European countries, contemporary Finland has witnessed an explosion of healing modalities designatable as “New Age” (though not without profound controversy, [1]. This paper focuses on Finnish courses in lament (wept song, tuneful weeping with words that combine healing conceived along psychotherapeutic lines and lessons from the lament tradition of rural Karelia, a region some Finns regard as their cultural heartland. A primary goal of the paper is to explicate a concept of “authenticity” emerging in lament courses, in which disclosing the depths of one’s feelings is supported not only by invoking “psy-“ discourses of self-help, but also by construing the genuine emotional self-disclosure that characterizes neolamentation as a sacred activity and a vital contribution to the welfare of the Finnish people.

Dog movie stars and dog breed popularity: a case study in media influence on choice.

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Stefano Ghirlanda

Full Text Available Fashions and fads are important phenomena that influence many individual choices. They are ubiquitous in human societies, and have recently been used as a source of data to test models of cultural dynamics. Although a few statistical regularities have been observed in fashion cycles, their empirical characterization is still incomplete. Here we consider the impact of mass media on popular culture, showing that the release of movies featuring dogs is often associated with an increase in the popularity of featured breeds, for up to 10 years after movie release. We also find that a movie's impact on breed popularity correlates with the estimated number of viewers during the movie's opening weekend--a proxy of the movie's reach among the general public. Movies' influence on breed popularity was strongest in the early 20th century, and has declined since. We reach these conclusions through a new, widely applicable method to measure the cultural impact of events, capable of disentangling the event's effect from ongoing cultural trends.

Contemporary Chinese Art Under Deng Xiaoping

OpenAIRE

Lincot, Emmanuel

2008-01-01

Studying contemporary art in China is not an exclusively aesthetic choice. In the context of an emerging market, art is as much a matter of cultural economy as of socio-politics. Thus art is not the product of an independent condition. In its imagination, as well as in its own diversity and its transformations, it encompasses and summarises the changes of a culture which is appropriating the schemes, images and notions inherited both from an age-old tradition and from the West (a West which i...

Geographies of American Popular Music: Introducing Students to Basic Geographic Concepts

Science.gov (United States)

McClain, Stephen S.

2010-01-01

Popular music can be used to study many subjects and issues related to the social sciences. "Geographies of American Popular Music" was a workshop that not only examined the history and development of select genres of American music, it also introduced students to basic geographic concepts such as the culture hearth and spatial diffusion. Through…

Placing Fandom : Film Tourism in Contemporary Fan Culture

NARCIS (Netherlands)

A.S. Waysdorf (Abby)

2017-01-01

markdownabstractFilm tourism – visiting places associated with a film or television show – is an increasingly visible and popular practice. It is now almost expected whenever a new movie or television show draws on a particular place as a setting. But how are these places experienced by the fans who

John and Jacqueline Kennedy: politics, culture and the „new frontier“ of clothing

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Simona Čupić

2016-03-01

Full Text Available Jacqueline Kennedy’s style is one of the mainstays of the history of fashion and popular culture, as well as contemporary politics. John Kennedy’s way of dressing garnered much less attention. Even though, at first glance, not as interesting as the first lady’s “fashion sense”, the president’s style was no less thought-out. If, however, we view the changes in clothing as social changes and a determinant of various kinds of social differentiation: marital status, sex, occupation, religious and political affiliation, the way in which the Kennedys were presented to the public becomes more interesting – from the (carefully planned photos and appearances to art and culture. Having in mind that the 1960s were a time when the appropriation of popular and fictional came back into modern art, and that general changes inherent in the new lifestyle, as well as a layered image of American internal politics, and the cold war map of the world, the carefully thought-out image of the presidential couple can be viewed as a specific kind of metaphor for a complicated time.

The challenges and factors of political socialization of the contemporary youth

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N М Belgarokova

2009-09-01

Full Text Available The article provides the analysis of the conditions and results of the processes of political culture development and political socialization of the contemporary youth in the frame of sociological research. The analysis of the conflicting influences of the agents of political socialization (family, system of education, mass media, the difficult circumstances and the challenging economic status of the contemporary Russian youth as well as the macropolitical environment in the country provides an opportunity to arrive at the conclusion concerning the socialization crisis of youth in contemporary Russia.

Implementation of Traditional Malay Design Values in Contemporary Malay Houses

OpenAIRE

Elham Hosseini; Gurupiah Mursib; Raja Nafida Raja Shahminan

2016-01-01

Traditional houses are the most essential architectural experience that is in harmony with the people's culture, beliefs, environment and lifestyles. The development of design values in contemporary architecture by tracking traditional design values in architecture paves the way for arguments concerning the implementation of authentic Malay traditional house design values in contemporary Malay houses. In addition, it is hypothesized that the Malay traditional houses theoretically provide a co...

Jesus and cultural values: Family life as an example

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Carolyn Osiek

1997-12-01

Full Text Available 'Family values' is a set of traditional images that most cultures collect, images drawn mostly from an idealized picture of family life in the recent past. For Christians, the popular image of Jesus gets included: the Holy Family as a nuclear family unit, Jesus blessing children, Jesus as advocate of traditional family life. A closer reading of both contemporary family life and the Gospels reveals that things are not what they seem. Contemporary family life in Western societies is structured quite differently than the ideal. Jesus' family life was spent in a peasant village surrounded by relatives and neighbors, with little privacy and strong social pressure towards conformity. The gospel records indicate that he did not conform, and paid the price: rejection and misunderstanding by his extended family. The Synoptic Gospels consistently ponray not only an estrangement between Jesus and his family, but Jesus' encouragement of his disciples to break family ties in favor of the surrogate family of the circle of disciples. In a culture in which kinship loyalty was essential, this  message caused deep problems for early Christians which the authors of the household codes of Ephesians, Colossians, the  Pastoral Epistles, and 1 Peter tried to alleviate.

Contemporary Youth Identity in the Republic of Tuva, Russia

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Katherine Zeahan Leung

2017-09-01

Full Text Available Youth of ethnic Tuvan heritage within the Tuvan Republic (part of the Russian Federation aged 6 to 24 represent a dynamic force which has been shaped by two factors. One is the ancient Turkic heritage of Tuvan culture. Contemporary Tuvans, including youth, display both Russian and Tuvan nationalist feelings, admire martial culture and explore their cultural uniqueness. They hold in high esteem contact sports, especially martial arts such as sambo or judo. Tuvan athletes successfully compete for Russia at international events, including the Olympics. The current Minister of Defense of the Russian Federation is half-Tuvan and extremely popular in the republic, where people see him as nothing short of a national hero. At the same time, young multi-lingual Tuvans, who also speak Russian, and, with access to foreign language education, Korean and English, are being influenced by mediums and through technologies that are international like never before. A special focus is made on the impact of East Asian pop-culture, specifically that of South Korea. Tuva is located in Asia’s geographical center, and is a place where for many centuries Tibetan Buddhism coexisted with Shamanism. Thus, Tuvans strongly identify themselves with Asian culture. They tend to believe in metempsychosis and often tell those who take interest in Tuvan culture that they were Tuvans in their past lives. In their view, Tuvan language has preserved the features of “original” Turkic. These and many other ideas and beliefs show that historical facts and myths are closely intertwined within Tuvan identity. Studying and speaking foreign languages helps prioritize the positive outlook in Tuvan youth, who eagerly study both English and Eastern languages.   In working with Tuvan youth, I was able to teach through games and informal conversation. I was able to meet community leaders who use language to foster lasting change in children’s perception of themselves, as an attempt to

Public pedagogy and representations of higher education in popular film: New ground for the scholarship of teaching and learning

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Katelyn Johnstone

2018-03-01

Full Text Available Constructions of teaching, learning, and the university within popular culture can exert an important influence on public understandings of higher education, including those held by faculty and students. As such, they constitute a rich site of inquiry for the scholarship of teaching and learning. Drawing on the notion of film as ‘public pedagogy,’ this article analyses representations of higher education within 11 top grossing and/or critically acclaimed films released in 2014. We identify three broad themes across these texts—the purpose of higher education, relationships between students and professors, and the creation of academic identities—and consider the implications and functions of these representational patterns for teaching, learning, and SoTL. Particular attention is given to the difference between the framing of science and arts and humanities disciplines, and to how this might resonate with the contemporary ‘crisis of the humanities.’

Popular Theatre: A Useful Process for Adult Educators.

Science.gov (United States)

Bates, Reid A.

1996-01-01

Four types of theatre uses in adult education are theatre for education, for development, for conscientization, and popular theatre. The latter involves a group's interpretive study of its own social, economic, cultural, and political conditions, leading to collective action. (SK)

Teaching the Sociology of Popular Music with the Help of Feature Films: A Selected and Annotated Videography.

Science.gov (United States)

Groce, Stephen B.

1992-01-01

Discusses the use of feature films for courses on popular culture and the sociology of popular music. Suggests that films can illustrate topics such as culture, social groups, deviant behavior, racism, and sexism. Lists a selection of Hollywood feature films with accompanying readings and students' evaluations. (DK)

At the crossroads of anthropology and epidemiology: current research in cultural psychiatry in the UK.

Science.gov (United States)

Dein, Simon; Bhui, Kamaldeep Singh

2013-12-01

Cultural psychiatry research in the UK comprises a broad range of diverse methodologies, academic disciplines, and subject areas. Methodologies range from epidemiological to anthropological/ethnographic to health services research; mixed methods research is becoming increasingly popular, as are public health and health promotional topics. After briefly outlining the history of cultural psychiatry in the UK we will discuss contemporary research. Prominent themes include: the epidemiology of schizophrenia among Africans/Afro-Caribbeans, migration and mental health, racism and mental health, cultural identity, pathways to care, explanatory models of mental illness, cultural competence, and the subjective experiences of healthcare provision among specific ethnic groups such as Bangladeshis and Pakistanis. Another strand of research that is attracting increasing academic attention focuses upon the relationship between religion, spirituality, and mental health, in particular, the phenomenology of religious experience and its mental health ramifications, as well as recent work examining the complex links between theology and psychiatry. The paper ends by appraising the contributions of British cultural psychiatrists to the discipline of cultural psychiatry and suggesting promising areas for future research.

Incorporating social and cultural significance of large old trees in conservation policy.

Science.gov (United States)

Blicharska, Malgorzata; Mikusiński, Grzegorz

2014-12-01

In addition to providing key ecological functions, large old trees are a part of a social realm and as such provide numerous social-cultural benefits to people. However, their social and cultural values are often neglected when designing conservation policies and management guidelines. We believe that awareness of large old trees as a part of human identity and cultural heritage is essential when addressing the issue of their decline worldwide. Large old trees provide humans with aesthetic, symbolic, religious, and historic values, as well as concrete tangible benefits, such as leaves, branches, or nuts. In many cultures particularly large trees are treated with reverence. Also, contemporary popular culture utilizes the image of trees as sentient beings and builds on the ancient myths that attribute great powers to large trees. Although the social and cultural role of large old trees is usually not taken into account in conservation, accounting for human-related values of these trees is an important part of conservation policy because it may strengthen conservation by highlighting the potential synergies in protecting ecological and social values. © 2014 Society for Conservation Biology.

To Think and Watch the Evil: The Turn of the Screw as Cultural Reference in Television from Dark Shadows to C.S.I.

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Anna Viola Sborgi

2012-07-01

Full Text Available Since its first publication, Henry James’s The Turn of the Screw (1898 has always haunted the imagination of artists (Benjamin Britten, Jack Clayton, Amenábar and has been widely used as a source for television narratives (Dan Curtis, US TV version starring Colin Firth, Tim Fywell. In serial productions, James’s story has been the object of extensive quotation and allusion, from the 1960 gothic soap opera Dark Shadows to the C.S.I. episode Turn of the Screw (Season 4, Episode 21. A milestone in literary history, the story now embodies a set of cultural references conveying different, complex meanings, which can only be disclosed in the light of contemporary forms of representing reality. The novella appeals to two apparently opposite tendencies in contemporary television: the morbid display of the real (C.S.I. and the quest for the supernatural (Buffy The Vampire Slayer, among others. A line can be traced from Dark Shadows, the show that pioneered the genre, to contemporary horror soaps about vampires and supernatural phenomena. This paper shows the ways in which James’ sophisticated novella makes its way through popular culture, and how its constant ambiguous, dilemmatic interplay between reality and imagination can be related to the double-sided drive of the contemporary public towards hyper-reality and the supernatural.

Film and Media as a Site for Memory in Contemporary Art

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Martinez Rosario Domingo

2017-12-01

Full Text Available This article explores the relationship between film, contemporary art and cultural memory. It aims to set out an overview of the use of film and media in artworks dealing with memory, history and the past. In recent decades, film and media projections have become some of the most common mediums employed in art installations, multi-screen artworks, sculptures, multi-media art, as well as many other forms of contemporary art. In order to examine the links between film, contemporary art and memory, I will firstly take a brief look at cultural memory and, secondly, I will set out an overview of some pieces of art that utilize film and video to elucidate historical and mnemonic accounts. Thirdly, I will consider the specific features and challenges of film and media that make them an effective repository in art to represent memory. I will consider the work of artists like Tacita Dean, Krzysztof Wodiczko and Jane and Louise Wilson, whose art is heavily influenced and inspired by concepts of memory, history, nostalgia and melancholy. These artists provide examples of the use of film in art, and they have established contemporary art as a site for memory.

Socio-cultural Impacts of Contemporary Tourism

OpenAIRE

Jovičić, Dobrica

2011-01-01

The topic of the paper is devoted to analysis of socio-cultural impacts of tourism, as effects on the people of host communities resulting from their direct and indirect associations with tourists. The social and cultural impacts of tourism are the ways in which tourism is contributing to changes in value systems, individual behavior, family structure and relationships, collective lifestyles, safety levels, moral conduct, traditional ceremonies and community organizations. Special ...

Articulations of identity and distinction : The meanings of language in Dutch popular music

NARCIS (Netherlands)

A.J.C. van der Hoeven (Arno); M.S.S.E. Janssen (Susanne); S.M.R. Driessen (Simone)

2015-01-01

markdownabstractOn the basis of interviews with music audiences, heritage practitioners, and cultural industry workers, this article explores how language use in Dutch popular music relates to local and historically situated taste patterns and music practices. Most popular music in the Netherlands

Culture Wars in Denmark

DEFF Research Database (Denmark)

Ørum, Tania

2016-01-01

In the 1960s high and low culture were brought into sharp conflict i Denmark. In 1961 a Ministry of Culture was established for the first time. The first minister of culture, the social democrat Julius Bomholt, saw art and culture as an important part of education for democracy that should be made...... available to everyone. The general public, however, raised demands for more popular and relaxing entertainment. The confrontation between the cultural elite and popular opinion escalated to a series of veritable culture wars....

Active euthanasia in pre-modern society, 1500-1800: learned debates and popular practices.

Science.gov (United States)

Stolberg, Michael

2007-08-01

Historians of medical ethics have found that active euthanasia, in the sense of intentionally hastening the death of terminally-ill patients, was considered unacceptable in the Christian West before the 1870s. This paper presents a range of early modern texts on the issue which reflect a learned awareness of practices designed to shorten the lives of dying patients which were widely accepted among the lay public. Depriving the dying abruptly of their head-rest or placing them flat on the cold floor may strike us as merely symbolic today, but early moderns associated such measures with very concrete and immediate effects. In this sense, the intentional hastening of death in agonising patients had an accepted place in pre-modern popular culture. These practices must, however, be put into their proper context. Death was perceived more as a transition to the after-life and contemporary notions of dying could make even outright suffocation appear as an act of compassion which merely helped the soul depart from the body at the divinely ordained hour of death. The paper concludes with a brief comparison of early modern arguments with those of today.

Significance and popularity in music production

Science.gov (United States)

Monechi, Bernardo; Gravino, Pietro; Servedio, Vito D. P.; Tria, Francesca; Loreto, Vittorio

2017-07-01

Creative industries constantly strive for fame and popularity. Though highly desirable, popularity is not the only achievement artistic creations might ever acquire. Leaving a longstanding mark in the global production and influencing future works is an even more important achievement, usually acknowledged by experts and scholars. `Significant' or `influential' works are not always well known to the public or have sometimes been long forgotten by the vast majority. In this paper, we focus on the duality between what is successful and what is significant in the musical context. To this end, we consider a user-generated set of tags collected through an online music platform, whose evolving co-occurrence network mirrors the growing conceptual space underlying music production. We define a set of general metrics aiming at characterizing music albums throughout history, and their relationships with the overall musical production. We show how these metrics allow to classify albums according to their current popularity or their belonging to expert-made lists of important albums. In this way, we provide the scientific community and the public at large with quantitative tools to tell apart popular albums from culturally or aesthetically relevant artworks. The generality of the methodology presented here lends itself to be used in all those fields where innovation and creativity are in play.

Significance and popularity in music production.

Science.gov (United States)

Monechi, Bernardo; Gravino, Pietro; Servedio, Vito D P; Tria, Francesca; Loreto, Vittorio

2017-07-01

Creative industries constantly strive for fame and popularity. Though highly desirable, popularity is not the only achievement artistic creations might ever acquire. Leaving a longstanding mark in the global production and influencing future works is an even more important achievement, usually acknowledged by experts and scholars. 'Significant' or 'influential' works are not always well known to the public or have sometimes been long forgotten by the vast majority. In this paper, we focus on the duality between what is successful and what is significant in the musical context. To this end, we consider a user-generated set of tags collected through an online music platform, whose evolving co-occurrence network mirrors the growing conceptual space underlying music production. We define a set of general metrics aiming at characterizing music albums throughout history, and their relationships with the overall musical production. We show how these metrics allow to classify albums according to their current popularity or their belonging to expert-made lists of important albums. In this way, we provide the scientific community and the public at large with quantitative tools to tell apart popular albums from culturally or aesthetically relevant artworks. The generality of the methodology presented here lends itself to be used in all those fields where innovation and creativity are in play.

The Past as Popular Culture : Interpreting History through Graphic Novels

NARCIS (Netherlands)

Ribbens, Kees; Gardner, James B.; Hamilton, Paula

2017-01-01

This chapter presents an overview of the development of historical narratives combining visual and textual elements in comic strips and graphic novels. History comics developed strongly during the 1940s and 1950s and became popular, in particular among young readers in Western Europe and North

Individual Popularity, Peer Group Popularity Composition and Adolescents' Alcohol Consumption.

Science.gov (United States)

Gommans, Rob; Müller, Christoph M; Stevens, Gonneke W J M; Cillessen, Antonius H N; Ter Bogt, Tom F M

2017-08-01

Previous studies have convincingly shown associations between popularity and adolescent drinking. This study examined whether the popularity composition of the peer group and the relative difference in popularity between adolescents and their peers are also associated with adolescent drinking. Participants were 800 adolescents (M age  = 14.73; SD age  = 1.00; 51.6 % girls) from 31 classrooms who completed peer ratings of popularity and self-reports of alcohol consumption. Results showed that drinking was higher among popular than unpopular adolescents, higher among popular adolescents surrounded by less popular classmates, and lower in classrooms with more variability in popularity. Thus, beyond individual popularity, peer group popularity composition also should be taken into account when investigating antisocial and health risk behaviors in adolescence such as drinking.

Inspiration Today: Music, Astronomy, and Popular Culture

Science.gov (United States)

Fraknoi, A.

2016-01-01

We explore a variety of examples of music inspired by serious astronomy (as opposed to simply an astronomical title or quick allusion to spooning in June to the light of the Moon). The examples are drawn from my recently published catalog of 133 such pieces, including both classical and popular genres of music. We discuss operas based on the life and work of astronomers, six songs based on a reasonable understanding of the properties of black holes, constellation pieces written by composers from around the world who are or were active amateur astronomers, the song that compares walking on the Moon to being in love, the little-known rock song that became a reference in the Astrophysical Journal, pieces that base the patterns of the music on the rhythms of astronomical phenomena, and a number of others.

Embodiment and aging in contemporary physiotherapy.

Science.gov (United States)

Hay, Melissa E; Connelly, Denise M; Kinsella, Elizabeth Anne

2016-05-01

Contemporary discourses in the health sciences vary in their treatment of aging bodies and the mind-body relationship, yet our understanding of aging experiences and health care practices can be limited by an overreliance on biomedical or social constructionist approaches alone. This paper offers a conceptual exploration of embodiment as an innovative approach to enhance our understandings of aging bodies and health in physiotherapy practice. Embodiment attends to body and mind, nature and culture, structure and agency, while appreciating differences in aging bodies and health in aging. Conclusions consider embodiment in the practice and disciplinary discourse of contemporary physiotherapy, specifically, considering the ways embodied perspectives can support therapists in their health care practice and relationships with people with aging bodies.

Use of quantitative methods in the study of cultural goods consumption in popular sectors within the city of Mexicali, B.C.

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Luz María Ortega Villa

2007-07-01

Full Text Available In this work, a brief of the methodology used in the study of cultural goods consumption among popular sector of Mexicali is presented. It includes three phases: a survey (quantitative method, a typology established from a multivariate analysis (data mining, and interviews with selected type-cases (qualitative method all of which are analyzed from a multidimensional perspective whose categories retrieve marketing findings such as consumption visions (Phillips, Olson and Baumgartner, 1995 and conflict resolution strategies (Kwai-Choi and Collins, 2000 applied in the process of decision-making. It also draws from sociology (Thompson, 1990; Bourdieu, 1984 in order to identify reproductive aspects of consumption related to educative capital and social origin, and to deal with symbolic evaluation strategies of legitimate cultural goods.

Coco de roda novo quilombo: saberes da cultura popular e práticas de educação popular na comunidade quilombola de Ipiranga no Conde-PB

OpenAIRE

Silva, Cicero Pedroza da

2014-01-01

O presente estudo, intitulado ―COCO DE RODE NOVO QUILOMBO: saberes da Cultura Popular e práticas de Educação Popular na comunidade quilombola de Ipiranga no Conde -PB‖, tem como objetivo central analisar a contribuição histórica, cultural social e política da comunidade quilombola de Ipiranga no Conde-PB para a construção de práticas educativas na perspectiva freireana de Educação Popular. Situada, metodologicamente, nos preceitos da abordagem qualitativa de pesquisa, enquanto pes...

Revisioning fat lesbian subjects in contemporary lesbian periodicals.

Science.gov (United States)

Snider, Stefanie

2010-01-01

It is difficult to find a visual representation of any fat individual, let alone a queer woman, that is not denigrating and oppressive in conventional media outlets and contemporary visual culture. But even as the negative imagery of fat individuals has expanded over the past forty years in mainstream distribution channels, fat-positive imagery has come to the fore within many feminist and lesbian publications during this same time frame. This article looks at the strategies of representation taken by three contemporary United States lesbian feminist periodicals in visualizing fat and lesbian women within their pages since the 1980s.

Cognitive science in popular film: the Cognitive Science Movie Index.

Science.gov (United States)

Motz, Benjamin

2013-10-01

HAL 9000. Morpheus. Skynet. These household names demonstrate the strong cultural impact of films depicting themes in cognitive science and the potential power of popular cinema for outreach and education. Considering their wide influence, there is value to aggregating these movies and reflecting on their renderings of our field. The Cognitive Science Movie Index (CSMI) serves these purposes, leveraging popular film for the advancement of the discipline. Copyright © 2013 Elsevier Ltd. All rights reserved.

导言:全球化背景下的当代中国文化建设%Introduction: building contemporary Chinese culture in the context of globalization

Institute of Scientific and Technical Information of China (English)

叶险明

2008-01-01

@@ Building contemporary Chinese culture is a very important research topic in the context of globalization. It involves almost the entire domain of philosophy, the humanities and the social sciences, covering every aspect of life in Chinese society. The three aspects below are the most important for this task.

Well-being and consumer culture: a different kind of public health problem?

Science.gov (United States)

Carlisle, Sandra; Hanlon, Phil

2007-09-01

The concept of well-being is now of interest to many disciplines; as a consequence, it presents an increasingly complex and contested territory. We suggest that much current thinking about well-being can be summarized in terms of four main discourses: scientific, popular, critical and environmental. Exponents of the scientific discourse argue that subjective well-being is now static or declining in developed countries: a paradox for economists, as incomes have grown considerably. Psychological observations on the loss of subjective well-being have also entered popular awareness, in simplified form, and conceptions of well-being as happiness are now influencing contemporary political debate and policy-making. These views have not escaped criticism. Philosophers understand well-being as part of a flourishing human life, not just happiness. Some social theorists critique the export of specific cultural concepts of well-being as human universals. Others view well-being as a potentially divisive construct that may contribute to maintaining social inequalities. Environmentalists argue that socio-cultural patterns of over-consumption, within the neo-liberal economies of developed societies, present an impending ecological threat to individual, social and global well-being. As the four discourses carry different implications for action, we conclude by considering their varied utility and applicability for health promotion.

Rádio e música popular nos anos 30

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José Geraldo Vinci de Moraes

1999-06-01

Full Text Available In the 1930's the city of São Paulo went through profound cultural transformations. The manisfestations of urban popular cultures, present in the city obviously had important roll in this new historical reality. With regard to music, the elements peculiar to the modern-urban universe, wherein, the radio, the record, the relative professionalizing of artists, the logic of shows and the especialized press, that rouse in na ascendent way in the late 1920's and the 1930's where determinative on the alteration of the popular music way of production and diffusion and as a consequence on the ways to feel, reflect and sight the city. That picture of permanent extention of the entertaibment forms, iniciated on the passage of the century, consolidated in the 1930's, mainly due to this expansion immediate derivations.

Morality, Culture and the Dialogic Self: Taking Cultural Pluralism Seriously

Science.gov (United States)

Haste, Helen; Abrahams, Salie

2008-01-01

This paper explores moral reasoning within the framework of contemporary cultural theory, in which moral functioning is action mediated by tools (such as socially available discourses) within a social and cultural context. This cultural model of a "dialogic moral self" challenges many of the assumptions inherent in the individualistic Kantian…

From Antagonism to Cooperation: Pop-Culture as Reflected in Protestant Theology

Directory of Open Access Journals (Sweden)

Olga Mikhelson

2014-02-01

Full Text Available The author examines how theologians, especially Protestants, have changed their attitude to pop-culture. A veritable evolution has taken place. At one time, Protestant theologians refused to even acknowledge the existence of the phenomenon, while today some of these theologians employ examples drawn from pop-culture even in their lessons of theology. The author studies this contemporary development and offers some reasons for why it has come about. One ofthese theologians, a certain Gordon Lynch, has become a convinced apologist for pop-culture and analyses it on the basis of his threefold theory of the levels of the functionality of religion: sociological, existential (hermeneutic, and transcendental. In Lynch’s opinion, pop-culture has taken over the role of religion in many cases. He cites the popular cartoon The Simpsons as one prominent example. Religion plays an important part in this cartoon series and Protestant theologians have begun to take notice an opposite change of attitude towards religion in pop-culture, viewing the development in a positive way. Though pop-cultural products may be used in pastoral ministry and are also being evaluated by theologians, this analysis cannot be called scientific in the strictest sense, since generally it remains within the scope of only theological approach.

A new standard of sexual behavior? Are claims associated with the "hookup culture" supported by general social survey data?

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Monto, Martin A; Carey, Anna G

2014-01-01

Popular media have described intimate relationships among contemporary college students as dominated by a pervasive sexual "hookup culture," implying that students are involved in frequent sexual encounters pursued by both participants without the expectation of a continuing relationship. The hookup culture has been described as "a nationwide phenomenon that has largely replaced traditional dating on college campuses" (Bogle, 2008 , p. 5). We tested whether these claims are supported among young adults (18-25) who had completed at least one year of college. Contrasting 1988-1996 waves of the General Social Survey with 2004-2012 waves, we found respondents from the current era did not report more sexual partners since age 18, more frequent sex, or more partners during the past year than respondents from the earlier era. Sexually active respondents from the current era were more likely than those from the earlier era to report sex with a casual date/pickup or friend, and less likely to report sex with a spouse/regular partner. These modest changes are consistent with cultural shifts in the "scripts" and terminology surrounding sexuality. We find no evidence of substantial changes in sexual behavior that would indicate a new or pervasive pattern of non-relational sex among contemporary college students.

Why climate change is not in the air : popular culture and the whirlwind effect

Energy Technology Data Exchange (ETDEWEB)

Ungar, S. [Toronto Univ., ON (Canada). Dept. of Social Sciences

2000-06-01

This paper links the evidence of widespread scientific illiteracy to a newly introduced concept called knowledge-ignorance-paradox (KIP). KIP implies that as scientific information becomes more available and complex, the degree to which the human intellect can grasp that information is diminished, leading to an increase in public ignorance. In particular, the paper referred to climate change illiteracy and suggested that people must learn more if they are to link strange weather phenomena and their own activities to climate change. It was suggested that scientific literacy for citizens is generally defined in terms of 3 criteria: understanding the scientific approach, understanding basic scientific concepts, and understanding scientific and technological policy issues. This paper described ways to achieve breakthroughs in scientific understanding through the bridging of metaphors that link ideas and images prevalent in the popular culture. It was argued that public grasp of knowledge depends on a whirlwind effect which involves a progressive sequence of unexpected and forceful events which prompts people to discuss the relevant issues. 39 refs.

Measuring the impact of invasive species on popular culture: a case study based on toy turtles from Japan

Science.gov (United States)

Lovich, Jeffrey E.; Yamamoto, Katsuya

2016-01-01

The red-eared slider turtle (Trachemys scripta elegans) is native to portions of the United States of America (USA) and adjacent northeastern Mexico. The bright and colorful hatchlings have long been popular as pets globally but numerous individuals have been released into the wild establishing populations in areas well outside their native range. As a result, slider turtles are now introduced worldwide on all continents, with the exception of Antarctica, and many temperate and tropical islands, including Japan. They are very successful at establishing breeding populations in a variety of habitats, even those in proximity to human development. Once established in large populations, they compete with native turtle species sometimes to the detriment of the latter. Tin toy turtles were popular in Japan for decades, and they were an important export item after World War II. From the 1920s to the 1950s, prior to the widespread establishment of slider populations in Japan, the toys were characterized by muted earth-tone colors representative of native species of Japanese turtles. After the 1950s, toy turtles exhibited brighter combinations of yellow, red and green more typical of slider turtles. This transition may reflect demand for more colorful toys by importing countries like the USA. Alternatively, the change was coincident with the importation of large numbers of colorful slider turtles to Japan via the pet trade and their subsequent establishment and numerical dominance in Japanese wetlands. This switch in toy turtle colors may reflect a cultural transition in awareness of what constitutes the appearance of a typical turtle in Japan. Sliders appear to have been accepted by Japanese consumers as a new cultural norm in the appearance of turtles, a case of art imitating life.

Significance and popularity in music production

Science.gov (United States)

Gravino, Pietro; Servedio, Vito D. P.; Tria, Francesca; Loreto, Vittorio

2017-01-01

Creative industries constantly strive for fame and popularity. Though highly desirable, popularity is not the only achievement artistic creations might ever acquire. Leaving a longstanding mark in the global production and influencing future works is an even more important achievement, usually acknowledged by experts and scholars. ‘Significant’ or ‘influential’ works are not always well known to the public or have sometimes been long forgotten by the vast majority. In this paper, we focus on the duality between what is successful and what is significant in the musical context. To this end, we consider a user-generated set of tags collected through an online music platform, whose evolving co-occurrence network mirrors the growing conceptual space underlying music production. We define a set of general metrics aiming at characterizing music albums throughout history, and their relationships with the overall musical production. We show how these metrics allow to classify albums according to their current popularity or their belonging to expert-made lists of important albums. In this way, we provide the scientific community and the public at large with quantitative tools to tell apart popular albums from culturally or aesthetically relevant artworks. The generality of the methodology presented here lends itself to be used in all those fields where innovation and creativity are in play. PMID:28791169

Does Prigogine’s Non-linear Thermodynamics Support Popular Philosophical Discussions of Self-Organization?

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Alexander Pechenkin

2015-10-01

Full Text Available The article is concerned with the philosophical talks which became popular in the 1980s and have kept their popularity till now–the philosophical essays about self-organization. The author attempts to find out as to which extent are these essays founded on the scientific theory to which they regularly refer, that is, Ilya Prigogine’s non-linear thermodynamics. The author insists that the equivalent of self-organization in Prigogine’s theoretical physics is the concept of dissipative structure. The concept of selforganization, as it is used in philosophical literature, presupposes a sequence of extrapolations, the first extrapolation being conducted by Prigogine and his coauthors. They became to use the concept of dissipative structure beyond the rigorous theory of this phenomenon. The subsequent step was that the scientific term “dissipative structure” was replaced by the vague concept “self-organization” in many popular and semi-popular books and papers. The author also emphasizes that by placing the concept of self-organization into the framework of philosophical concepts (the picture of the world, the ideals of scientific thought, the contemporary scientific revolution, etc. a philosopher conducts the extrapolation of extrapolation and comes to a kind of what Edmund Husserl called Weltanschauung (‘worldview’ philosophy.

The Social Industry

OpenAIRE

Christian Sandvig

2015-01-01

Historical mass media and contemporary social media are typically seen as opposites. “The culture industry” was the term used by the Frankfurt School in the 1940s to explain the emerging commercial mass media. The culture industry was portrayed as a semi-fascist apparatus of indoctrination. It selected cultural products and made them popular based on obscure determinations of economic value. In contrast, the common view of contemporary social media is that it is more democratic. Using voting ...

False become true: Christie's catalogue of Zhang Hongtu

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Sandra Valenzuela Arellano

2013-06-01

Full Text Available By analyzing the series Christie’s Catalogue Project by the artist Zhang Hongtu, this essay traces relationships between: Cultural heritance, national identity, fakeness, popular culture and legitimacy of power structures, within contemporary China. Contemporary art creates assemblies of meanings related to its time, sometimes relating the present with history, high with vernacular culture, soft power with the construction of collective memory. This essay aims to reconstruct with words, through textual and visual analysis, those visual assemblies.

The Sacred in Contemporary Advertising

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Cătălin Soreanu

2016-05-01

Full Text Available As part of the contemporary media culture, advertising constantly mediates the relationship between the institutional dimension of religion (namely the church and the community, given the specific position of the Catholic religion: transparent, based on dialogue and the continuous questioning of the relationship between man and divinity. To manage their presence in public life, the church constantly approaches new media and specific forms of communication (posters, street banners and meshes, websites or interactive mobile structures.

Traditional/popular games as contents of body culture in school physical education

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Silvester Franchi

2013-07-01

Full Text Available Nowadays the popular/traditional games are being practiced little by children, as much at the school as in the moments of leisure. The games reported in research questionnaires were worked during 14 classes, having how objective to reflect on the experience of popular/traditional games in the classes taught in the Scholarship Institutional Program of Initiation to the Teaching. The greatest difficulties found were with kind facing the practice, that even not surpassed in some times, not pulled out the importance of games rescue, showing that these can and should be part of the daily life of the school physical education.

In the Wake of Jedwabne. The Start of a Popular Guilt Narrative

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Marta Tomczok

2015-01-01

Full Text Available The aim of the sketch Po Jedwabnem. Narodziny popularnej opowieści rozliczeniowej (“In the Wake of Jedwabne. The Start of a Popular Guilt Narrative” is to discuss some literary phenomenon which was revealed several years after the publication of the book Neighbors (“Sąsiedzi” by Jan Tomasz Gross, and may be treated as a reaction of literature (or more broadly: art to the debate of historians, politicians, publicists and all other participants of the Polish social discourse, evoked by the mentioned book. The author terms this phenomenon post-Jedwabne narrations, including among them an extensive collection of almost twenty literary, theatrical and film productions, of which the article deals with Nasza klasa (“Our Class” by Tadeusz Słobodzianek, Pingpongista (“Ping-Pong Player” by Józef Hen and Łąkę umarłych (“Meadow of the Dead” by Marcin Pilis. The social influence of these books and specific poetics based on modification of a narrative pattern adopted from Neigbors, is studied in the context of pop culture (as a discourse which is increasingly present in shaping the representation of the Holocaust, narratology (rhetorical models proposed by Hayden White and comparative studies, referring it to the achievements of German-language guilt narrations, among others Der Vorleser (“The Reader” by Bernhard Schlink and Nahe Jedenew (“Close to Jedenew” by Kevin Vennemann. The author in her sketch is in the search for the sources of a new literary phenomenon which would testify to the involvement of art in negotiating the contemporary shape of history and at the same time, she asks to what extent this phenomenon absorbed the popular patterns of discussing history, including the ones which have been created by the West European Holocaust discourse.

Factual accuracy and the cultural context of science in popular media: Perspectives of media makers, middle school students, and university students on an entertainment television program.

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Szu, Evan; Osborne, Jonathan; Patterson, Alexis D

2017-07-01

Popular media influences ideas about science constructed by the public. To sway media productions, public policy organizations have increasingly promoted use of science consultants. This study contributes to understanding the connection from science consultants to popular media to public outcomes. A science-based television series was examined for intended messages of the creator and consulting scientist, and received messages among middle school and non-science university students. The results suggest the consulting scientist missed an opportunity to influence the portrayal of the cultural contexts of science and that middle school students may be reading these aspects uncritically-a deficiency educators could potentially address. In contrast, all groups discussed the science content and practices of the show, indicating that scientific facts were salient to both media makers and audiences. This suggests popular media may influence the public knowledge of science, supporting concerns of scientists about the accuracy of fictional television and film.

Social Movements and Critical Pedagogy in Brazil: From the Origins of Popular Education to the Proposal of a Permanent Forum

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Leher, Roberto; Vittoria, Paolo

2015-01-01

One of the hallmarks of anti-capitalist social movements in Latin America is the incorporation of self-organizing processes of political education and involvement in the educational process of their children and youth. This article discusses popular education and critical pedagogy upheld by historical and contemporary Brazilian social movements,…

Marketing and materiality in the popular music transmedia of Gorillaz’ Plastic Beach

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Alex JEFFERY

2017-07-01

Full Text Available The entertainment complexes of narrative transmedia contain few instances based in popular music. However, those that exist provide intriguing case studies, highly distinct from those based in film and television. The most fully realized of these, Gorillaz’ Plastic Beach (2010, is rich in visual media typical of popular music culture, including sleeve art, animated music videos. The tangible materiality foregrounded in these visuals stems from the main ecological theme of the album: the disposability of plastic waste. Using methods of analysis of the original texts, and a survey of the networked fan practices that respond to them, the essay theorizes that the material and haptic invitation in these visuals is at odds with the diminishing presence of physical consumables within popular music culture. It then argues that fans enter into this gap with their own creative practices, making and playing with hand-made or customized objects inspired by Plastic Beach, activating unexploited, marketing potential within the album. Although current applications of this research are limited due to the low frequency of popular music transmedia case studies, it points the way forward to theoretically more successful marketing strategies in the future.

A Cultural Evolution Approach to Digital Media.

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Acerbi, Alberto

2016-01-01

Digital media have today an enormous diffusion, and their influence on the behavior of a vast part of the human population can hardly be underestimated. In this review I propose that cultural evolution theory, including both a sophisticated view of human behavior and a methodological attitude to modeling and quantitative analysis, provides a useful framework to study the effects and the developments of media in the digital age. I will first give a general presentation of the cultural evolution framework, and I will then introduce this more specific research program with two illustrative topics. The first topic concerns how cultural transmission biases, that is, simple heuristics such as "copy prestigious individuals" or "copy the majority," operate in the novel context of digital media. The existence of transmission biases is generally justified with their adaptivity in small-scale societies. How do they operate in an environment where, for example, prestigious individuals possess not-relevant skills, or popularity is explicitly quantified and advertised? The second aspect relates to fidelity of cultural transmission. Digitally-mediated interactions support cheap and immediate high-fidelity transmission, in opposition, for example, to oral traditions. How does this change the content that is more likely to spread? Overall, I suggest the usefulness of a "long view" to our contemporary digital environment, contextualized in cognitive science and cultural evolution theory, and I discuss how this perspective could help us to understand what is genuinely new and what is not.

A cultural evolution approach to digital media

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Alberto Acerbi

2016-12-01

Full Text Available Digital media have today an enormous diffusion, and their influence on the behaviour of a vast part of the human population can hardly be underestimated. In this review I propose that cultural evolution theory, including both a sophisticated view of human behaviour and a methodological attitude to modelling and quantitative analysis, provides a useful framework to study the effects and the developments of media in the digital age. I will first give a general presentation of the cultural evolution framework, and I will then introduce this more specific research program with two illustrative topics.The first topic concerns how cultural transmission biases, that is, simple heuristics such as copy prestigious individuals or copy the majority, operate in the novel context of digital media. The existence of transmission biases is generally justified with their adaptivity in small-scale societies. How do they operate in an environment where, for example, prestigious individuals possess not-relevant skills, or popularity is explicitly quantified and advertised?The second aspect relates to fidelity of cultural transmission. Digitally-mediated interactions support cheap and immediate high-fidelity transmission, in opposition, for example, to oral traditions. How does this change the content that is more likely to spread? Overall, I suggest the usefulness of a long view to our contemporary digital environment, contextualised in cognitive science and cultural evolution theory, and I discuss how this perspective could help us to understand what is genuinely new and what is not.

A Cultural Evolution Approach to Digital Media

Science.gov (United States)

Acerbi, Alberto

2016-01-01

Digital media have today an enormous diffusion, and their influence on the behavior of a vast part of the human population can hardly be underestimated. In this review I propose that cultural evolution theory, including both a sophisticated view of human behavior and a methodological attitude to modeling and quantitative analysis, provides a useful framework to study the effects and the developments of media in the digital age. I will first give a general presentation of the cultural evolution framework, and I will then introduce this more specific research program with two illustrative topics. The first topic concerns how cultural transmission biases, that is, simple heuristics such as “copy prestigious individuals” or “copy the majority,” operate in the novel context of digital media. The existence of transmission biases is generally justified with their adaptivity in small-scale societies. How do they operate in an environment where, for example, prestigious individuals possess not-relevant skills, or popularity is explicitly quantified and advertised? The second aspect relates to fidelity of cultural transmission. Digitally-mediated interactions support cheap and immediate high-fidelity transmission, in opposition, for example, to oral traditions. How does this change the content that is more likely to spread? Overall, I suggest the usefulness of a “long view” to our contemporary digital environment, contextualized in cognitive science and cultural evolution theory, and I discuss how this perspective could help us to understand what is genuinely new and what is not. PMID:28018200

Reconciliation Modes. Two Remakes of 60s Films in Contemporary Argentine Cinema

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Jorge SALA

2017-06-01

Full Text Available The article analyzes two contemporary movie remakes of the 60s cinemas in Argentina: Aniceto (Leonardo Favio, 2008 and La patota (Santiago Mitre, 2015. The objective is to explore the transformations and continuities between the source texts and the later subsidiary texts. It tries to recognize the immanent issues, the procedural and pragmatic aspects involved in these rewriting operations. The central hypothesis to be demonstrated proposes that both films generate, through different paths, a reconciliation with the past constructing a perspective through the present. In Aniceto, the conciliation gesture occurs in the form of a synthesis of the two tendencies that characterized Favio’s cinema: a first one associated with the aesthetics of modernity versus the second one, in which the approach to the popular universe and other practices belonging to the mass culture predominates. For its part, the work of Santiago Mitre assembles a film of an Argentinean classic movie maker (Daniel Tinayre under the light of the current cinema. Besides, La patota ties the characteristics of a great commercial production with the structure and aesthetic of the «anomalous cinema».

Canción popular, nacionalismo, consumo y política en Chile entre los años 40 y 60 Popular Music, Nationalism Consumption and Politics in Chile during the 1940's and 1960s

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Tânia da Costa Garcia

2009-01-01

Full Text Available La canción popular urbana constituye una manifestación cultural típicamente moderna. Su producción, circulación y consumo se confunden con el proceso de urbanización y con la disponibilidad de recursos tecnológicos. Transmitida por los medios de comunicación de masas, al llegar a un público bastante más amplio que los receptores locales, no demoró, dentro de la lógica de mercado, para traducirse en un importante vector de homogeneización cultural. El objetivo de este artículo es diseñar un mapa de las conexiones entre música folclórica, canción popular, formación y consolidación de un mercado consumidor y los usos políticos de la música popular chilena por parte de diferentes sectores de esta sociedad entre los años 40 y 60, período en el que las artes estuvieron relacionadas con las luchas de las representaciones en torno de la identidad nacional en diferentes países de América Latina.Popular urban music is a typically modern cultural event. Its production, distribution and consumption occurred during the process of urbanization of Chile and in a period ofgrowing a vailability of technological resources. The broadcasting by the mass media allowed popular urban music to reach a larger audience than the local public. Therefore it didnot take long time for popular urban music to become a means of cultural homogenization within the parameters of the market system of production and distribution of music, in Chile. This article aims to map the connections between folk music and popular music, with the formation and consolidation ofa consumer market for music in Chile. Besides it considers the use of popular music in the forfties and the sixties as a political tool by different groups ofthe Chilean society, during a time when arts were considered within the controversies about the national identity that aróse in different Latín American countries.

Música popular massiva e gêneros musicais: produção e consumo da canção na mídia

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Jeder Junior

2008-09-01

Full Text Available Este artigo parte do pressuposto de que a análise midiática da música popular massiva é uma contribuição importante para a compreensão do papel que as canções ocupam na cultura e comunicação contemporâneas. Nesse sentido, acredita-se que as dimensões plásticas e materiais da música massiva, como a performance, a voz, o corpo e o ritmo, estão diretamente ligadas às definições de canção popular massiva e gêneros musicais, bem como às estratégias de produção de sentido desses formatos. Desse modo, a canção é considerada ponto de partida para a abordagem dos aspectos sociais e culturais inscritos nas condições de consumo da música popular massiva como fenômeno comunicacional. Palavras-chave: Música popular massiva; gêneros musicais; canção popular massiva. ABSTRACT This article presents the idea that analytical methods developed within the notion of popular music within mass culture are an important contribution for the comprehension of the role that popular music pays in our dayly lives. The proposed methodology seeks to valorize plastic aspects of popular music, as well its media aspects. Our work will draw upon notions of performance, voice, body and rhythm and their links with the notions of popular music and musical genres. Then, popular music is a starting point for the comprehension of social and cultural aspects present in the realms of production and consumption of popular music. Keywords: Popular music within mass culture; musical genres; popular song within mass culture.

Figures of the beholder’s visual immersion in pictures: the construction of ‘places of experience’ in contemporary documentary practices

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Andrea França

2013-09-01

Full Text Available The paper aims to examine some issues concerning the “beholder’sshare” in visual image’s documentary regimes in contemporary culture: examining the case of photojournalism and recent documentary films, we intend to highlight in this analysis the modes of constructing the “immersion’s vectors” of the images, together with the “visual witness principle”, which permeates some of contemporary documentary practices, in order to identify in those the constituion of “experiential places” of the images which defines its visual meanings in contemporary culture.

The MACBA and the CCCB. From cultural regeneration to cultural government

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Joaquim Rius

2006-05-01

Full Text Available Twenty-five years on from the idea to open cultural institutions in Barcelona's Raval district, and ten years since they opened their doors, it is now time to take stock of the MACBA (Barcelona's Museum of Contemporary Art and the CCCB (Barcelona's Contemporary Culture Centre.Why were two important cultural institutions, the MACBA and the CCCB, opened in the Raval, a district in the old town with serious social problems? How did a vague idea based on traditional models for art museums and multidisciplinary centres become two unique models and points of reference both locally and internationally? The explanation that we have is that it went from a project based on cultural regeneration to models for unique cultural institutions that are the launch pad for what we call cultural government.This article is the result of research into the cultural policy system in Catalonia and the transformation of the Raval district, which has led to the PhD thesis entitled "A new paradigm for cultural policy. The case study of Barcelona" under the supervision of Arturo Rodríguez Morató (UB and Pierre-Michel Menger (EHESS.

Personality disorders and culture: contemporary clinical views (Part B).

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Alarcón, R D; Foulks, E F

1995-01-01

This article reviews the basic concepts surrounding the clinical relationships between culture and personality disorders (PDs). Part A of this article, which appeared in Cultural Diversity and Mental Health, Vol. 1, No. 1, pp 3-17 (1995), examined the interpretive/explanatory and pathogenic/ pathoplastic roles of culture. Herein, culture's role as a diagnostic/nosological factor is discussed through the use of measurement instruments and the cultural formulation included in DSM-IV (American Psychiatric Association, 1994). In addition to these three roles, some authors would also consider a therapeutic/protective function for cultured in PDs. Following a critique of the biological perspective, a research model based on the definition of the cultural profile and the estimation of the cultural distance between clinical examiners and populations is proposed. It is important to reject both biological reductionism and the extremes of cultural determinism, in order to better assess the intraethnic distribution of psychopathology, and interethnic variations represented by the notion of cultural relativism.

Cultural Emergence: Theorizing Culture in and from the Margins of Science Education

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Wood, Nathan Brent; Erichsen, Elizabeth Anne; Anicha, Cali L.

2013-01-01

This special issue of the Journal of Research in Science Teaching seeks to explore conceptualizations of culture that address contemporary challenges in science education. Toward this end, we unite two theoretical perspectives to advance a conceptualization of culture as a complex system, emerging from iterative processes of cultural bricolage,…

You Are Whom You Eat: Cannibalism in Contemporary Chinese Fiction and Film

OpenAIRE

Tsai, Yun-Chu

2016-01-01

My project, You Are Whom You Eat: Cannibalism in Contemporary Chinese Fiction and Film, studies cannibalism in the works of Yu Hua, Mo Yan, and Lillian Lee. In contrast to other scholars who have interpreted cannibalism in modern and contemporary Chinese literature as merely allegorical, I find that cannibalism is better understood as both allegorical and literal. The trope of cannibalism uncovers the potential incorporation of Chinese gourmandism (Chinese culture of eating food and delicacie...

Being Edward James Olmos: Culture Clash and the Portrayal of Chicano Masculinity

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Nohemy Solózano-Thompson

2008-06-01

Full Text Available This paper analyzes how Culture Clash problematizes Chicano masculinity through the manipulation of two iconic Chicano characters originally popularized by two films starring Edward James Olmos - the pachuco from Luis Valdez’s Zoot Suit (1981 and the portrayal of real-life math teacher Jaime Escalante in Stand and Deliver (1988. In “Stand and Deliver Pizza” (from A Bowl of Beings, 1992, Culture Clash tries to introduce new Chicano characters that can be read as masculine, and who at the same time, display alternative behaviors and characteristics, including homosexual desire. The three characters in “Stand and Deliver Pizza” represent stock icons of Chicano masculinity. In the skit, these icons are forced to interact with each other and through this process become more complex and accessible representatives of Chicano masculinity. They are able to communicate with each other to create something tangible. The pizza of course is a comedic metaphor for contemporary American society—the new melting pot.

Contemporary African philosophy, identity and the question of ...

African Journals Online (AJOL)

This essay reviews the import of the issue of identity in contemporary African philosophy vis-a-vis the language policy of most African countries as well as the attitude of many Africans towards their indigenous languages. Given the pivotal importance of language in ensuring cultural identity it argues that there is an antithesis ...

Implementation of Traditional Malay Design Values in Contemporary Malay Houses

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Elham Hosseini

2016-05-01

Full Text Available Traditional houses are the most essential architectural experience that is in harmony with the people's culture, beliefs, environment and lifestyles. The development of design values in contemporary architecture by tracking traditional design values in architecture paves the way for arguments concerning the implementation of authentic Malay traditional house design values in contemporary Malay houses. In addition, it is hypothesized that the Malay traditional houses theoretically provide a constructive innovative framework for the design performance of the contemporary Malay house. In this research, data was compiled through field observation and documentary review. The evidence revealed that Malay traditional houses convey a concrete message of richness encompassing architectural design values and theoretical propositions. The credibility of the results was improved and confirmed by a confluence of evidence via a confirmation process. The findings suggested that there is a rich source of subjective support, lending proof to the premise of the research investigation. The research has highlighted the significance of traditional architectural design values towards innovative design in the architecture of contemporary Malay houses as a workable pattern for use in the design of contemporary architecture.

Evangelizing Eugenics: A Brief Historiography of Popular and Formal American Eugenics Education (1908-1948)

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Kohlman, Michael J.

2012-01-01

This article examines the history of the American Eugenics movement's penetration into the formal and popular educational milieu during the first half of the 20th Century, and includes a review of some recent scholarly research on eugenic themes in education and popular culture. Apologists have dismissed the American Eugenics movement as a…

India's Music: Popular Film Songs in the Classroom

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Sarrazin, Natalie

2006-01-01

Indian film industry is the largest film industry in the world, with an output roughly three times that of Hollywood. This popular world music could easily be an exciting part of a multicultural music education curriculum. This music not only exposes students to an entirely new musical genre and cultural industry, but can also change their…

Culture éducative, culture méthodologique et apprenants d'une langue-culture lointaine

OpenAIRE

サガズ, ミシェル; Sagaz, Michel

2016-01-01

It has long been recognized that we cannot separate culture and language (cultural and linguistic dimensions) when speaking of teaching and learning foreign languages. But, in this context, it seems that the notion of culture is related, exclusively or largely, to the culture which is linked to the language being studied by students (arts, popular culture, everyday life culture, etc.). This article highlights the fact that other aspects of culture should be taken into account in the intercult...

Nuevos contextos de educación y representación de la cultura popular y de las minorías étnicas: Los museos y su función educadora. // New educational contexts of popular culture and ethnic minorities: museums and their educational function.

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Cristina Yanes Cabrera

2013-12-01

Full Text Available (ES La expansión de los museos en Europa se desarrolló a lo largo del siglo XIX como fenómeno cultural. Pero durante el siglo XX, y en diferentes lugares del mundo, la función de ciertos museos fue evolucionando y especializándose con el objetivo de potenciar su función como elemento de contribución a los procesos de transformación social para la dignificación de la cultura de los pueblos. Desde entonces, el museo como institución entró a formar parte de los procesos educativos no formales, generalizables a las clases más populares aportando nuevas claves sobre el debate de qué es, o qué aspectos de la cultura, hay que exponer en los museos, y sobre todo de qué manera deben exponerse para tener un fin didáctico educativo o una misión de "concienciar conciencias" desde el punto de vista de la educación popular, a partir de un proceso integral de investigación participativa. El objeto de este trabajo es dar a conocer, en primer lugar, la evolución del museo como sistema de representación de los bienes patrimoniales, así como su interpretación a lo largo del siglo XX. Para ello se destaca una muestra de algunas experiencias del panorama mundial (Canadá, Ecuador. En segundo lugar se da a conocer la importancia que la nueva museología ha tenido en la defensa del reconocimiento de la diversidad cultural, con la exposición de dos realidades museísticas concretas. En último lugar se pretende reflexionar sobre la importancia de la relación entre los bienes culturales y la educación, centrándonos en el papel de los museos y en las relaciones que existen entre la educación patrimonial y su papel en la construcción de identidades sociales. // (EN The Europe-wide expansion of museums took place during the 19th century as a cultural phenomenon created by and for the middle classes. But the function of certain specific museums was evolving around the world during the 20th century and focusing on a dual target. On the one hand

Alienation and Transformation: An International Education in Contemporary Dance

Science.gov (United States)

Martin, Rosemary

2013-01-01

This research investigates experiences of an international education in dance. Through the narratives of seven female dance practitioners from the southern Mediterranean region, who have trained in contemporary dance in Western cultural contexts, a multiplicity of encounters are illustrated. Two key findings emerged from the dancers' experiences.…

[Folklore and popular medicine in the Amazon].

Science.gov (United States)

Henrique, Márcio Couto

2009-01-01

This discussion of the relations between folklore and popular medicine in the Amazon takes Canuto Azevedo's story "Filhos do boto" (Children of the porpoise) as an analytical reference point. Replete with elements of cultural reality, folk tales can serve as historical testimonies expressing clashes between different traditions. Folk records are fruit of what is often a quarrelsome dialogue between folklorists, social scientists, physicians, and pajés and their followers, and their analysis should take into account the conditions under which they were produced. Based on the imaginary attached to the figure of the porpoise--a seductive creature with healing powers--the article explores how we might expand knowledge of popular medicine as practiced in the Amazon, where the shamanistic rite known as pajelança cabocla has a strong presence.

Our own Idols: appropriations of popular television in Dutch festivity culture

NARCIS (Netherlands)

S.L. Reijnders (Stijn); G.W.J. Rooijakkers (Gerard); E.A. van Zoonen (Liesbet)

2012-01-01

markdownabstract__Introduction__ The 2004 annual theatrical evening at the Gertrudisschool – a primary school in the Dutch city of Utrecht - had as its theme the popular TV show Idols.1 Pupils were invited to sing live before their peers and the crowds of parents. They could choose to imitate a

The Shifting Border of Food Perceptions and Cultural Identity in Maghrebi Muslim Migrants. History and the Contemporary Experience of Cultural Mediators in Northern Italy

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Roberta Rosa Giovine

2014-06-01

Full Text Available In recent decades, Italy has become a point of entry to the EU and, for many migrants from the Southern shores of the Mediterranean, a final destination (IOM Report, 2011. As massive inflows have often caused emergencies, the pressing needs of these populations in the areas of housing, healthcare, education, etc. have been examined and addressed (data: Regional Authority and Milan Diocese Observatories. Realizing that the cultural implications in the area of food, had not been systematically studied thus far, the author developed a three-year project, focusing on northwest African Muslim migrants and the change in their perception of food, particularly in light of the strong religious implications that food has historically had to Arab populations. After reviewing the key traits of Arab-Berber food history, their translation into contemporary life in the countries of origin and destination was investigated, through interviews with, primarily, cultural mediators, as well as anthropologists, food experts, food chain professionals, and the migrants themselves. The overall research delves into the migrants’ views of food back in Northern Africa and Maghrebi3 and other food in Italy, with an emphasis on ideas of purity and identity (in culinary practices, ingredients, celebrations, table manners, the restaurant system and distribution.

The Shifting Border of Food Perceptions and Cultural Identity in Maghrebi Muslim Migrants. History and the Contemporary Experience of Cultural Mediators in Northern Italy

Directory of Open Access Journals (Sweden)

Roberta Giovine

2013-08-01

Full Text Available In recent decades, Italy has become a point of entry to the EU and, for many migrants from the Southern shores of the Mediterranean, a final destination (IOM Report 2011. As massive inflows have often caused emergencies, the pressing needs of these populations in the areas of housing, healthcare, education, etc. have been examined and addressed (data: Regional Authority and Milan Diocese Observatories. Realizing that the cultural implications in the area of food, had not been systematically studied thus far, the author developed a three-year project, focusing on northwest African Muslim migrants and the change in their perception of food, particularly in light of the strong religious implications that food has historically had to Arab populations. After reviewing the key traits of Arab-Berber food history, their translation into contemporary life in the countries of origin and destination was investigated, through interviews with, primarily, cultural mediators, as well as anthropologists, food experts, food chain professionals, and the migrants themselves. The overall research delves into the migrants’ views of food back in Northern Africa and Maghrebi and other food in Italy, with an emphasis on ideas of purity and identity (in culinary practices, ingredients, celebrations, table manners, the restaurant system and distribution.

Wastewater treatment by artificial wetlands in the Museum of Popular Culture of the National University

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Carolina Alfaro

2013-06-01

Full Text Available The fulfillment of the Millennium Development Goals in terms of sustainable access to sanitation requires increasing the development of research programs that promote simple and low cost technological options, appropriate to the social, economic, and environmental conditions of each population. These processes must be accompanied by actions of environmental and sanitation education, which allow appropriation of these systems by the communities. In this sense, there are two projects in the National University converging on this subject. The Museum of Popular Culture together with the Public Service Company of Heredia develop an environmental education project that promotes the protection of water, from an historical perspective of its management, which has an artificial wetland as the main teaching unit. On the other hand, the Waste Management Laboratory at the School of Chemistry evaluates the performance of this artificial wetland as part of a research project that promotes this type of alternative sanitation. This paper presents results of the monitoring of this artificial wetland, showing average removal percentages of 93% BOD5,20 , 95% COD, 73% P-PO4, and 95% for SS.

J. M. Gratale on Jane Chapman’s Issues in Contemporary Documentary

Directory of Open Access Journals (Sweden)

2010-03-01

Full Text Available Jane Chapman, Issues in Contemporary Documentary.  Polity Press, 2009.  pp.  210 ISBN:  978-0-7456-4009-9.The prevalence of images in contemporary society and culture is a patent reality.  From digital photography to cinematic film, and cell phone imaging to You Tube, the production and circulation of the image is becoming more and more diffused. In conjunction with such developments is the fact that the mediums and technologies which ‘deliver’ these images are constantly diversifying and imp...

TOWARDS THE QUESTION OF SOCIO-CULTURAL AND EPISTEMOLOGICAL STATUS OF IDEOLOGY IN CONTEMPORARY SOCIETY

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V. E. Gromov

2015-12-01

Full Text Available Purpose. To consider the subjective factor of cultural and historical identity of society as an ideology, without which the positive social and personal development is inconceivable. To produce proofs against the false rhetoric about “deideologization”, as a harmful and destructive idea for social awareness, that aims to destroy basic humans’ ethical values and to manipulate their living motivations. Methodology. The method of investigation of the problem was indicated as analytical result of preliminary scheme that was directed by the author towards the realization of his conception. This subjectivism of thinking “on one’s own account” (K. Jaspers and “without relying on existences” (M. Heidegger the author attempted to corroborate with notions of modern scientists about the relations of causes in non-linear systems. Scientific novelty. It would be difficult to talk about scientific novelty if we had no thought on “chronic” issues of contemporary society and its world outlook vectors. It is possible to talk about the existential newness, the rise of personal indifference in connection with the irresponsible short-sightedness with which today under the guise of democratic overcome the totalitarian narratives is lightly questioned the universally valid moral values, belittled the philosophical classics and dragged the false ideological omnivorous freedom and devaluation of high culture. Conclusions. Personal life of individuals and historical results of their vital activity are dependent on their world outlook orientation. Human being without ideology is similar to lost creature with weakened will and uncertain conscience. The problem is not in refutation of ideology, but in its production and selection. It’s impossible to build ideal social relation based on ideal principles, but in the same time it is impossible to imagine social development without any general orientation. Man can create only ruin and prepare himself for

PROMOTIONS IN MUSIC MARKETING : A RESEARCH ON AMERICAN POPULAR MUSIC FOR THE CHINESE MARKET

OpenAIRE

Hu, Danna

2011-01-01

With the rapid international cultural integration, the American popular music has become more and more popular in the world wide. People around the world listen to it almost every day and love it in heart. With the economy gradually being open to the world, the music industry has grown dramatically in China with an increasing number of music companies entering the Chinese market. The readers will gain a good understanding of the current situation of American popular music and musical corporat...

Individual popularity, peer group popularity composition and adolescents' alcohol consumption

NARCIS (Netherlands)

Gommans, R.; Müller, C.M.; Stevens, G.W.J.M.; Cillessen, A.H.N.; Bogt, T.F.M. ter

2017-01-01

Previous studies have convincingly shown associations between popularity and adolescent drinking. This study examined whether the popularity composition of the peer group and the relative difference in popularity between adolescents and their peers are also associated with adolescent drinking.

Individual Popularity, Peer Group Popularity Composition and Adolescents? Alcohol Consumption

OpenAIRE

Gommans, Rob; M?ller, Christoph M.; Stevens, Gonneke W. J. M.; Cillessen, Antonius H. N.; Ter Bogt, Tom F. M.

2016-01-01

Previous studies have convincingly shown associations between popularity and adolescent drinking. This study examined whether the popularity composition of the peer group and the relative difference in popularity between adolescents and their peers are also associated with adolescent drinking. Participants were 800 adolescents (M age?=?14.73; SDage?=?1.00; 51.6?% girls) from 31 classrooms who completed peer ratings of popularity and self-reports of alcohol consumption. Results showed that dri...

Shifting the balance: the contemporary narrative of obesity.

Science.gov (United States)

Shugart, Helene A

2011-01-01

In this essay, I assess the narrative of obesity as articulated in representative contemporary mainstream media fare--namely, The Oprah Winfrey Show, The Biggest Loser, and Big Medicine. I contend that the emergent narrative of obesity across these programs signals a shift from the historically received narrative in light of its intersection with the concurrent culturally resonant narratives of addiction and self-actualization. In particular, the proposed "problem" and "solution" to obesity, both historically attributed to personal responsibility, appear to be shifting in favor of cultural explanations that describe obesity as symptomatic of and secondary to broader issues related to community, emotionality, and agency. This suggests novel cultural understandings, practices, and policies regarding the mounting "obesity epidemic."

Gender in identification practices of mass culture

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O. B. Sinkevych

2014-10-01

The dynamics of the images of masculinity and femininity in popular culture depends on shared cultural paradigm. However, these images not only reflect, but also construct social and cultural reality. Gender representation in popular culture activates the process of selecting, structuring and formation of values of a stereotype, its communicative refinement, giving it new meaning. It promotes innovative images, which play the role of landmarks gender identity.

Stages of Drama: Classical to Contemporary Theater. Third Edition.

Science.gov (United States)

Klaus, Carl H.; And Others

Organized along broadly historical lines, this comprehensive collection of outstanding plays includes 41 works from the classical Greek period to the contemporary. As an introduction to the theater, the collection is unmatched for its theatrical variety and cultural diversity. It provides: (1) a general introduction on reading and witnessing a…

¡Que la fuerza te acompañe! Culturismo y cultura popular

Directory of Open Access Journals (Sweden)

Beatriz Ferrús Antón

2005-01-01