WorldWideScience

Sample records for contemporary popular culture

  1. Interactions between contemporary American independent cinema and popular music culture

    OpenAIRE

    Nicholls, Matthew

    2011-01-01

    In recent years, many American independent films have become increasingly engaged with popular music culture and have used various forms of pop music in their soundtracks to various effects. Disparate films from a variety of genres use different forms of popular music in different ways, however these negotiations with pop music and its cultural surroundings have one true implication: that the 'independentness' (or 'indieness') of these movies is informed, anchored and embellished by their rel...

  2. Cultural diversity and Ottoman heritage in contemporary Greek popular novels

    DEFF Research Database (Denmark)

    Willert, Trine Stauning

    Public and scholarly interest in the impact of Ottoman history and culture on the successor states is increasing. Cultural co-existence in Ottoman society is explored perhaps in an attempt to find answers in the past to contemporary challenges emerging from transnational mobility/migration. Such ...... will place the contemporary novels in relation to earlier Greek literature dealing with cultural identity in the Ottoman period from different angles (e.g. Βιζυηνός, Δέλτα, Σωτηρίου, Φακίνος, Γαλανάκη).......Public and scholarly interest in the impact of Ottoman history and culture on the successor states is increasing. Cultural co-existence in Ottoman society is explored perhaps in an attempt to find answers in the past to contemporary challenges emerging from transnational mobility....../migration. Such interest is obvious in international academia as well as in the cultural sphere of the countries in South-eastern Europe. In Greece, the recent celebration of the 100 years of Thessaloniki’s incorporation in the Greek state has accentuated the city’s Ottoman heritage. A plenitude of exhibitions...

  3. Postmodern messiahs: the changing saviours of contemporary popular culture

    Directory of Open Access Journals (Sweden)

    Sofia Sjö

    2009-01-01

    Full Text Available The messiah myth is alive and well in the modern world. Contemporary science fiction film has taken the myth to heart and given us an endless stream of larger than life heroes. The heroes of the present are, however, not exactly the same as the heroes of the past. A changing world demands new things of its saviours. Using a textual and narrative analysis based on insights gained from feminist film theory and cultural studies, this article looks closely at the messiah theme in science fiction films and TV series from the last three decades. The study explores the changes that have occurred in relation to images of the body, the attitudes and personalities of modern heroes, gender, questions of power and ideas of the transcendent. The article then discusses what these changes both between newer and older heroes and between contemporary heroes and the traditional messiah story might say about religion and spirituality in the modern world. Finally the article explores the question of why the messiah myth still finds an audience today.

  4. New forms of distribution of popular music in contemporary culture

    Directory of Open Access Journals (Sweden)

    Pedro Buil Tercero

    2016-05-01

    Full Text Available Current changes in the dissemination of information and transmission technologies have greatly intensified the global distribution of music. Internet has become a great ally for the staging of music thanks to the emergence of various technologies for recording and distribution, supported by new formats, expanding the catalog of messages that the individual can receive through multiple music available and reopening an old debate about the role of music in the cultural universe. The music industry in the digital age, particularly recorded music, is immersed in an unstoppable evolution of the classical paradigms of the market. In this paper we analyze the evolution of the recording industry which is setting a scene of several clashes between the industry itself and other cultural agents who are becoming better positioned to new technologies.

  5. Adapting the Medium: Dynamics of Intermedial Adaptation in Contemporary Japanese Popular Visual Culture

    Directory of Open Access Journals (Sweden)

    Pusztai Beáta

    2015-08-01

    Full Text Available With respect to adaptation studies, contemporary Japanese popular culture signifies a unique case, as different types of media (be those textual, auditive, visual or audio-visual are tightly intertwined through the “recycling” of successful characters and stories. As a result, a neatly woven net of intermedial adaptations has been formed - the core of this complex system being the manga-anime-live-action film “adaptational triangle.” On the one hand, the paper addresses the interplay of the various factors by which the very existence of this network is made possible, such as the distinctive cultural attitude to “originality,” the structure of the comics, animation and film industries, and finally, the role of fictitious genealogies of both traditional and contemporary media in the negotiation of national identity. On the other hand, the essay also considers some of the most significant thematic, narrative, and stylistic effects this close interconnectedness has on the individual medium. Special attention is being paid to the nascent trend of merging the adaptive medium with that of the original story (viewing adaptation as integration, apparent in contemporary manga-based live- action comedies, as the extreme case of intermedial adaptation. That is, when the aim of the adaptational process is no longer the transposition of the story but the adaptation (i.e. the incorporation of the medium itself- elevating certain medium-specific devices into transmedial phenomena.

  6. Sound as Popular Culture

    DEFF Research Database (Denmark)

    The wide-ranging texts in this book take as their premise the idea that sound is a subject through which popular culture can be analyzed in an innovative way. From an infant’s gurgles over a baby monitor to the roar of the crowd in a stadium to the sub-bass frequencies produced by sound systems...... in the disco era, sound—not necessarily aestheticized as music—is inextricably part of the many domains of popular culture. Expanding the view taken by many scholars of cultural studies, the contributors consider cultural practices concerning sound not merely as semiotic or signifying processes but as material......, physical, perceptual, and sensory processes that integrate a multitude of cultural traditions and forms of knowledge. The chapters discuss conceptual issues as well as terminologies and research methods; analyze historical and contemporary case studies of listening in various sound cultures; and consider...

  7. Gender messages in contemporary popular Malay songs

    Directory of Open Access Journals (Sweden)

    Collin Jerome

    2013-07-01

    Full Text Available Gender has been an important area of research in the field of popular music studies. Numerous scholars have found that contemporary popular music functions as a locus of diverse constructions and expressions of gender. While most studies focus on content analyses of popular music, there is still a need for more research on audience’s perception of popular music’s messages. This study examined adult Malay listeners’ perceptions of gender messages in contemporary Malay songs. A total of 16 contemporary Malay songs were analysed using Fairclough’s (1992 method of text analysis. The content of the songs that conveyed messages about gender were the basis for analysis. The results showed that the messages revolve mainly around socially constructed gender roles and expectations in romantic relationships. Gender stereotypes are also used in the songs to reinforce men’s and women’s roles in romantic relationships. The results also showed that, while listeners acknowledge the songs’ messages about gender, their own perceptions of gender and what it means to be a gendered being in today’s world are neither represented nor discussed fully in the songs analysed. It is hoped the findings from this, particularly the mismatch between projected and perceived notions of gender, contribute to the field of popular Malay music studies in particular, and popular music studies in general where gender messages in popular songs and their influence on listeners’ perceptions of their own gender is concerned.

  8. Teaching Japanese Popular Culture

    Directory of Open Access Journals (Sweden)

    Deborah Shamoon

    2010-04-01

    Full Text Available Japanese popular culture has arrived on American college campuses as never before. Student interest in Japanese manga (comic books, anime (animated films and television shows, and video games drives much of the enrollment in Japanese courses and Japanese majors and minors. In response to student interest, as well as the establishment of popular culture as a topic of serious academic scholarship, the demand for courses on Japanese popular culture has never been higher. Yet the number of scholars specializing in the study of popular culture is still relatively small. This can potentially create problems, as faculty teach outside their expertise, and perhaps face an uncomfortable situation in which the students know more about the topic than the professor. In this article, I will offer some suggestions and advice for faculty creating a popular culture course for the first time, based on my experiences teaching undergraduates at the University of Notre Dame. The course I developed reflects my background in Japanese literature and film, and is but one example of many possible approaches to the topic. The sample syllabus and list of resources at the end of this article provide citations for all text and media sources mentioned.

  9. Controversies in a "community of taste": a case study of a process of cultural reception in the contemporary popular world

    Directory of Open Access Journals (Sweden)

    Nicolás Aliano

    2017-03-01

    Full Text Available The article reconstructs a controversy that took place between two groups of fans of the band Patricio Rey y sus Redonditos de Ricota. This controversy was unfolded in various internet forums and was motivated by the realization of a specific event: a “banderazo” in commemoration of the band, which took place in 2009. From recreating the process of argumentative debate previous to the realization of this banderazo –a practice that is transfered from the football world to the musical taste–,  the article show how are defined two modes of understanding and update the fanatism in this community of taste (Lash 1997. On the one hand, was identified those fans who valued in that event the opportunity to recreate an instance of collective participation; on the other, those who rejected the proposal emphasizing the intimate character of the taste. Derived from it, is analyze how these two modes process divergent person grammars (Martuccelli 2007 into the “community”, and generational disputes within these public. The development converge in a reflection about the dynamics that take the cultural reception processes in contemporary societies. The work is based on a methodological strategy that combined discourse analysis with ethnographic interview.

  10. Culture Jamming Versus Popular Culture

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    Leonardia Acynthia Putri

    2013-11-01

    Full Text Available Abstract: This literature study researched Adbusters, the anti-commercial organization, and described the organization’s activities and media usage, mainly in the period of 2007-2010, which critized the populer culture. Adbusters is an organization which performs “Culture Jamming”; a rebellious act reacting towards commercialism domination in many aspects including popular culture. Compared to other similar organizations, Adbusters has been executing more various activisms using several media which other organizations do not use. This study used the Adbusters’ official website and blogs as main data sources. The data of Adbusters’ activities and media usage were categorized and analyzed, thus the tendency of its development can be described. This study also analyzed Adbusters’ activity using Media Hegemony Theory and Political Economy Media Theory. The media has been dominated by a certain group that owns politic and economic power, so the information flow has been dominated by them. Media and its contents have been commercialized, thus capitalism and commercialism have been considered as a common system that should run the world. Adbusters has been trying to stop the domination and change the society’s way of thinking into a more critical way of thinking.   Abstrak: Studi literatur ini meneliti tentang Adbusters, sebuah organisasi anti komersial, dengan mendeskripsikan aktivitas serta penggunaan media organisasi tersebut dari tahun 2007-2010 dalam mengkritisi budaya populer. Adbusters adalah organisasi yang melakukan Culture Jamming, aksi perlawanan terhadap dominasi komersialisme di segala aspek termasuk popular culture. Dibandingkan dengan organisasi lain yang serupa, aktivitas Adbusters lebih bervariasi dan menggunakan media-media yang tidak biasa digunakan organisasi lain. Penelitian ini menggunakan situs online resmi Adbusters sebagai sumber data utama. Data mengenai aktivitas dan

  11. Studying Popular Culture in Japan

    DEFF Research Database (Denmark)

    Moeran, Brian

    , ceramics, fashion magazines and folk art as both products and as processes of design, manufacture, distribution, appreciation and use, which must all be taken into account. Precisely because popular cultural forms are both cultural products and commodities, they reveal the complementary nature of the two...... categories of culture and the economy. The paper outlines and analyses the different ways in which social, cultural, symbolic and economic capital are converted by those participating in advertising, ceramic, fashion magazine and folk art worlds, and suggests that popular culture may best be seen as a name...

  12. Rethinking Popular Culture and Media

    Science.gov (United States)

    Marshall, Elizabeth, Ed.; Sensoy, Ozlem, Ed.

    2011-01-01

    "Rethinking Popular Culture and Media" is a provocative collection of articles that begins with the idea that the "popular" in classrooms and in the everyday lives of teachers and students is fundamentally political. This anthology includes outstanding articles by elementary and secondary public school teachers, scholars, and activists who…

  13. Measuring the Evolution of Contemporary Western Popular Music

    Science.gov (United States)

    Serrà, Joan; Corral, Álvaro; Boguñá, Marián; Haro, Martín; Arcos, Josep Ll.

    2012-07-01

    Popular music is a key cultural expression that has captured listeners' attention for ages. Many of the structural regularities underlying musical discourse are yet to be discovered and, accordingly, their historical evolution remains formally unknown. Here we unveil a number of patterns and metrics characterizing the generic usage of primary musical facets such as pitch, timbre, and loudness in contemporary western popular music. Many of these patterns and metrics have been consistently stable for a period of more than fifty years. However, we prove important changes or trends related to the restriction of pitch transitions, the homogenization of the timbral palette, and the growing loudness levels. This suggests that our perception of the new would be rooted on these changing characteristics. Hence, an old tune could perfectly sound novel and fashionable, provided that it consisted of common harmonic progressions, changed the instrumentation, and increased the average loudness.

  14. Measuring the evolution of contemporary western popular music.

    Science.gov (United States)

    Serrà, Joan; Corral, Alvaro; Boguñá, Marián; Haro, Martín; Arcos, Josep Ll

    2012-01-01

    Popular music is a key cultural expression that has captured listeners' attention for ages. Many of the structural regularities underlying musical discourse are yet to be discovered and, accordingly, their historical evolution remains formally unknown. Here we unveil a number of patterns and metrics characterizing the generic usage of primary musical facets such as pitch, timbre, and loudness in contemporary western popular music. Many of these patterns and metrics have been consistently stable for a period of more than fifty years. However, we prove important changes or trends related to the restriction of pitch transitions, the homogenization of the timbral palette, and the growing loudness levels. This suggests that our perception of the new would be rooted on these changing characteristics. Hence, an old tune could perfectly sound novel and fashionable, provided that it consisted of common harmonic progressions, changed the instrumentation, and increased the average loudness.

  15. Resistance in Popular Culture

    OpenAIRE

    Schuilenburg, Marc

    2017-01-01

    Much of the existing research on video games seems to stall over the issue of whether or not violence in games is as innocent as is alleged. Scientists are still divided as to whether or not there is a causal link between the behavior of young people and violence in video gaming. Much less discussion is devoted to how cultural and political engagement finds new channels in video games to confront dominant opinions and perceptions in society. However, a more recent body of scientific work cons...

  16. Femininity, neoliberalism and popular culture: the depolitization of feminism

    OpenAIRE

    Esquirol, Meritxell

    2015-01-01

    This thesis intends to analyze the logics of representation of contemporary femininity in the popular imagery that has instrumentalized feminism. Such is the case of the transmedia narrative The Twilight Saga, the cultural franchise of 50 Shades of Grey, and TV fiction Girls. All of these cultural products have earned an important position in contemporary cultural consumption, invite a form of cultural participation closely linked to the consumer industry, and propose female ideals characteri...

  17. Nigerian values and contemporary popular music: a new look ...

    African Journals Online (AJOL)

    Log in or Register to get access to full text downloads. ... Nigerian contemporary pop music is playing an increasingly pivotal role in shaping the continent's music ... Keywords: Nigerian values, Music industry, Contemporary popular music, Youths and society. Full Text: EMAIL FREE FULL TEXT EMAIL FREE FULL TEXT

  18. A Research on the Influence of Contemporary Popular Music upon Youths' Self-Identity

    Science.gov (United States)

    Jing, Wang

    2017-01-01

    "Emotion" is a key to exploring the relationship between contemporary popular music and youths. In reality, youths exercise the identity construction centering on self-identity by the unconscious use of ritualization towards popular music (cultures). The article analyzes the conversion in identity construction of youths in the course of…

  19. NIGERIAN VALUES AND CONTEMPORARY POPULAR MUSIC: A ...

    African Journals Online (AJOL)

    Dean SPGS NAU

    community, maintain highly and uncontaminated cultural and moral values. Most of ... A brief look at the major concepts of this study is necessary at this juncture. .... relativism which is based on the simple fact that there are different cultures ...

  20. "Popular Culture" and the Academy

    Directory of Open Access Journals (Sweden)

    Igor Johannsen

    2017-01-01

    Full Text Available The term "popular culture" is mostly used to describe either cultural practices or products that are widespread and available for mass consumption or those practices that belong to the cultural sphere of "ordinary" people. The use of this concept in scholarly research and debate, however, is far from concise and often lacks the analytical clarity needed for sound and convincing knowledge production. Lacking a precise and viable definition for this concept, this essay argues for abolishing it in favor of the concept of "culture", which in itself can be operationalized so as to accommodate all forms and practices that can be perceived as cultural. The central argument consists of a critique of the inherent classifications of culture through respective adjectives that inevitably lead to normative assumptions and presuppose specific research questions or methods.

  1. Anthropological Studies of Popular Culture

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    Bojan Žikić

    2016-02-01

    Full Text Available One of the questions raised at the symposium "Our World, Other Worlds. Anthropology, Science Fiction and Cultural Identity", held in Belgrade in December 2009, is how anthropology is to study contemporary art forms: how research issues are to be defined and approached; how research is to be organized in a specific semantic area, which cannot always and with absolute certainty be said not to be an anthropological construction; whether the subject of research can be said to have the shared nature of cultural communication; whether the anthropologist is to interpret the author/artist’s intention, or that which is produced as a result of that intention, etc. The aim of this paper is to suggest some answers to these questions, from the point of view of a researcher focused on cultural communication.

  2. Archaeoastronomical Concepts in Popular Culture

    Science.gov (United States)

    Krupp, Edwin C.

    Broad public embrace of archaic astronomy probably began in the eighteenth century with awareness of the summer solstice sunrise's affiliation with Stonehenge. Since that time, Stonehenge has retained an astronomical mystique that attracts crowds mobilized by the monument's supposed cosmic purpose. They are committed to witness prehistoric heritage operating in real time and with enduring function. More recently, mass media have intermittently thrown a spotlight on new archaeoastronomical discoveries. While the details, ambiguities, and nuances of disciplined study of astronomy in antiquity do not usually infiltrate popular culture, some astronomical alignments, celestial events, sky-tempered symbols, and astral narratives have become well known and referenced in popular culture. Places and relics that command public interest with astronomical connotations are transformed into cultural icons and capture visitors on a quest for the authenticity the past is believed to possess. Monuments and ideas that successfully forge a romantic bond with the past and inspire an imagined sense of sharing the experience, perspective, and wisdom of antiquity persist in the cultural landscape.

  3. Contemporary Zimbabwean popular music in the context of adversities

    African Journals Online (AJOL)

    2018-03-19

    Mar 19, 2018 ... Contemporary Zimbabwean popular and urban genres of music namely, urban ... changes have been realised in the development of the genre and in the interviews ... and movements opposed to different forms of postcolonial oppression. ..... Global Children, Global Media: Migration, Media and Childhood.

  4. Popular Music as a Foundation for a French Culture Course.

    Science.gov (United States)

    Abrate, Jayne

    1988-01-01

    Described an advanced college-level course on contemporary French culture which used popular songs, supplemented by readings and news articles, as the focus for presentations on cultural phenomena relating to geography and travel, the family, education, work and leisure, government, and daily life. (CB)

  5. Popular Culture in the Junior College Library

    Science.gov (United States)

    Lonergan, David; Ayers, Meredith

    2015-01-01

    Popular culture is extremely influential in both academe and society at large. However, formal disciplinary study of popular culture lags far behind that influence. Anthropology, film studies, history, musicology, and sociology are only some of the disciplines that frequently include popular culture as a research focus. This article advises on how…

  6. TRIVIAL OR COMMENDABLE?: WOMEN'S WRITING, POPULAR CULTURE, AND CHICK LIT

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    Mary Ryan

    2014-10-01

    Full Text Available There are a number of similarities between popular culture and women's writing: both have been dismissed as trivial and worthless, have traditionally received little respect from critics, and have been scorned because of theis apparently "low-brow" appeal. Additionally, both were long excluded from the literary Canon. In contemporary culture, the intersection of popular culture and women's writing takes the form of chick lit, the contemporary genre of fiction starring female characters in their 20s and 30s as they make their way through their lives and tackle all the obstacles in their way. As well as outlining the characteristics and history of chick lit, this paper will discuss the negative reception that popular culture, women's writing, and chick lit has often been subjected to, and will show how studies are now emerging with the aim of demonstrating how such genres may have more worth and potential than is typically suggested.

  7. Contemporary Nigerian Popular music: A Menace to National Development

    Directory of Open Access Journals (Sweden)

    Ogunrinade D O A

    2016-01-01

    Full Text Available There is no gainsaying that most of the recent forms of contemporary popular music produced, packaged, made available for public consumption constitute grave danger and serious threat to moral uprightness in Nigerian society. This has exposed the Nigerian society to a wide variety of insecurity and violence. This is evident as seen from series of moral decadence and dissipation that infiltrated the lives of the citizenry - especially the youths (the leaders of tomorrow ranging from, sexual abuse, money mongering, indiscipline, examination malpractice and indecent dressing to mention but a few. Music is a powerful tool and a force for mobilization which brings about either reformation or deformation of character due to the type of rhythm, melody, harmony and principally the lyrics of the songs. This paper examines the new trend of contemporary popular music in Nigeria with a view to assess its negative and pessimistic impacts on the character molding of the citizenry in Nigerian society. Live performances of contemporary popular music were observed and audio and video tape materials relating to the said music were also analyzed based on their educational  and moral values of such songs. It was  discovered that contemporary popular music as we have it today in Nigeria communicates vulgarity and coarseness to the listeners and this poses a lot of negative effects on the attitude of the youths. Musicians employ indecent words to attract the youth thus creating negative influence on the character of the leaders of tomorrow (the youth to engage in various   debauchery.  The paper therefore, suggested that relevant agencies should be put in place to ensure that apart from entertainment, music should convey positive character building messages rather than music that egg on and motivate illicit acts. Likewise, musicians should compose songs in the spirit of societal reformation so as to impact moral virtues on the younger generation  thus

  8. Performing Memory in Art and Popular Culture

    NARCIS (Netherlands)

    Plate, L.; Smelik, A.M.

    2013-01-01

    This volume pursues a new line of research in cultural memory studies by understanding memory as a performative act in art and popular culture. The authors take their cue from the observation that art and popular culture enact memory and generate processes of memory. They do memory, and in this

  9. Contemporary Culture and Aesthetic Education

    DEFF Research Database (Denmark)

    Friberg, Carsten

    2011-01-01

    relation to a specific cultural context, and our acquisition of it comes from being acquainted with cultural products. Aesthetics is thus closely related to hermeneutics, to how we interpret specific situations we find ourselves in. Key words: education, sensorial, judgement, hermeneutics, Kant...... century, a focus we on aesthetic education and communication. Important were arts and letters which still are important but very much on the defensive in our contemporary culture also because aesthetics often is a debate about criticism rather than about the sensorial and bodily aspect of cultural...

  10. Rewriting the Salem Witchcraft Trials in Contemporary Popular Literature

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    Marta María Gutiérrez Rodríguez

    2016-10-01

    Full Text Available The Salem Witchcraft Trials (1692 have received a lot of attention from history and literature, although there are very few critical analysis of how this historical event has entered the literary field. Many works of historical fiction – considered the most suitable literary genre to talk about an historical event - have used it in their storylines; however, popular genres such as romance, crime fiction, fantasy and science fiction have also shown an interest in this witch hunt. The main reason for this interest can be found in the lack of final conclusions as regards what really happened in Salem. The main objective of this paper is to show how what happened in Salem has entered contemporary popular fiction with the aim of showing the interest that it still arises and to vindicate the production of more critical works about the literary construction of one of the events that most dramatically has affected the configuration of the American mind.

  11. Using Popular Culture to Teach Quantitative Reasoning

    Science.gov (United States)

    Hillyard, Cinnamon

    2007-01-01

    Popular culture provides many opportunities to develop quantitative reasoning. This article describes a junior-level, interdisciplinary, quantitative reasoning course that uses examples from movies, cartoons, television, magazine advertisements, and children's literature. Some benefits from and cautions to using popular culture to teach…

  12. Guitar hero: From icon of popular culture to nostalgic self-design

    OpenAIRE

    Popadić Milan

    2013-01-01

    This paper aims to interpret the transformations of the “guitar hero”, from the icon of popular culture to models of nostalgic selfdesign, meaning transformations from generally recognizable figure in the context of popular culture to mimetic patterns based in medium of contemporary technologies. The phrase “guitar hero”, in its basic meaning represents a specific phenomenon in popular culture and popular music of the second half of the twentieth century. Guitar hero is a performer with...

  13. A Research on the Influence of Contemporary Popular Music upon Youths’ Self-identity

    Directory of Open Access Journals (Sweden)

    Wang Jing

    2017-11-01

    Full Text Available “Emotion” is a key to exploring the relationship between contemporary popular music and youths. In reality, youths exercise the identity construction centering on self-identity by the unconscious use of ritualization towards popular music (cultures. The article analyzes the conversion in identity construction of youths in the course of popular music appreciation in the new era, and summarizes the identity construction of “private—individual”, “public—individual”, “self—division” and “reflexive”.The study on varieties of identity types strengthens our belief that “emotion-identity” is a down-to-earth approach to research Chinese youth group of popular music appreciators.

  14. Popular Culture in Mainland Chinese Education

    Science.gov (United States)

    Ho, Wai-Chung

    2006-01-01

    The policy and practice of school education in mainland China have changed in response to the political and economic reformations and opening-up of the late 1970s. This paper argues that, despite the introduction and emphasis on popular culture in some areas of school education, traditional Chinese culture and values continue to consolidate the…

  15. Law and Popular Culture : International Perspectives

    NARCIS (Netherlands)

    Brown, K.J.; Asimow, Michael; Papke, David Ray

    Commentators have noted the extraordinary impact of popular culture on legal practice, courtroom proceedings, police departments, and government as a whole, and it is no exaggeration to say that most people derive their basic understanding of law from cultural products. Movies, television programs,

  16. Islam and the Alleged Incompatibility with Popular Culture

    OpenAIRE

    Pierre Hecker

    2017-01-01

    This paper critically reflects upon the alleged incompatibility of Islam and popular culture, the antipathy toward the study of popular culture in the field of Islamic studies, and the question of what it is that puts "the popular" into culture.

  17. Space activities and global popular music culture

    Science.gov (United States)

    Wessels, Allison Rae; Collins, Patrick

    During the "space age" era, space activities appear increasingly as a theme in Western popular music, as they do in popular culture generally. In combination with the electronics and tele-communications revolution, "pop/rock" music has grown explosively during the space age to become an effectively global culture. From this base a number of trends are emerging in the pattern of influences that space activities have on pop music. The paper looks at the use of themes and imagery in pop music; the role of space technology in the modern "globalization" of pop music; and current and future links between space activities and pop music culture, including how public space programmes are affected by its influence on popular attitudes.

  18. Nollywood, Popular Culture and Nigerian National Identity

    Directory of Open Access Journals (Sweden)

    Charles Effiong

    2017-09-01

    Full Text Available Film culture in Nigeria has become very popular among Nigerian and transnational audiences especially in Africa to the extent that there is hardly a day people do not look for new films produced by Nollywood. In the same light, there is hardly a street in the country where one cannot find at least a video shop that distributes these films. Young and old people especially those in the rural areas are often found hanging around these shops to catch a glimpse of any of the films advertised by retail outlets. This has therefore proven the popularity of Nollywood productions among the people, who see in these films issues of culture that engage their attention and also try to give them awareness about socio-cultural practices that are common in the society. A major problem of concern is that although these films expose and treat cultural issues that affect the society, their promotion of a true national identity is questionable. In this regard, this paper is an attempt to examine how the films produced by Nollywood have been able to promote national identity vis-à-vis showcasing the cultural values of the people that can be cherished in the Nigerian society and beyond. Arguments on this will be done through qualitative (interview method and supported by Kantian morality theory, which will help in concluding that as popular culture, Nigerian films have created among Nigerians and the world some cultural practices that tend to give the Nigerian people a negative identity.

  19. Abraham Lincoln in European Popular Culture

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    John Dean

    2016-05-01

    Full Text Available This article argues that Lincoln is not a universal hero, but rather an indigenous, U.S., ethnocentric one. Lincoln has generally been absent as a model in European social and public life, rarely emphasized as an essential part of education or in the public forum. Among the reasons given for this difference are inaccurate references to his ecumenical qualities and the often negative attitude in Europe towards a U.S. popular taste culture which is an expression of values, a vital, half-wild, half-tame, communal expression of ‘We, the People of the United States.’ Especially in the 20th century, U.S. popular culture and popular icons have often been regarded in Europe as an expression of lowbrow entertainment. But in the U.S., ‘popular’ is much closer to ‘grassroots’ in the full, Whitmanesque meaning of the term. Some things don’t translate.

  20. Hábitat popular. Resistencia cultural materializada

    Directory of Open Access Journals (Sweden)

    Paula Peyloubet

    2006-01-01

    Full Text Available En este artículo se presenta un enfoque alternativo acerca del valor del hábitat popular. Se considera su producción como un valor en sí mismo, intangible, donde se expresa el acervo cultural de los diversos pueblos que componen el Hábitat Popular materializado en Arquitectura de alto contenido simbólico. Se construyen los argumentos de este enfoque a partir de concepciones sociológicas y antropológicas que dilucidan la semiótica de esta expresión física tan singular y siempre presente en nuestras ciudades latinoamericanas.

  1. El discurso sobre la música popular contemporánea: crítica artística y divulgación periodística / The discourse on contemporary popular music: arts criticism and journalistic popularization

    OpenAIRE

    Maestre Brotons, Antoni

    2014-01-01

    Abstract: The cultural meaning of music is produced by musicians, critics, musico- logists, audience, and record industry. According to Pierre Bourdieu, this meaning is related to the symbolic value of music as a field where social fights take place to raise cultural capital. Specifically, the discourse on contemporary popular music, as shown in newspaper articles, is based upon some features that run counter to classical music: corporeality, emotion, and femininity. Thus the articles are ful...

  2. Popular Music: An Untapped Resource for Teaching Contemporary Black History.

    Science.gov (United States)

    Cooper, B. Lee

    1979-01-01

    This essay suggests two innovative instructional approaches for using popular Black music as a model for historical study in the classroom: (1) biographies of popular music artists; and (2) lyrical demonstration of social themes. A list of lyric and album resources is provided. (Author/EB)

  3. Video games as American popular culture

    OpenAIRE

    Wolf, Mark J.P.

    2017-01-01

    Video games have moved, possibly surpassing even movies, into a central role in American popular culture in a relatively short time, and today there is increasing evidence that the video game console –to some extent, as much as the personal computer– has emerged as a central media device through which “convergence culture” is taking place. In the world of massively multiplayer online games, new (and very real) economies and cultures have evolved with striking rapidity, while on a very differe...

  4. Tainted love: Gothic imaging of nurses in popular culture.

    Science.gov (United States)

    McAllister, Margaret; Brien, Donna Lee; Piatti-Farnell, Lorna

    2018-02-01

    To discuss representations of nursing in popular culture using the Contemporary Gothic theory. Nursing is stereotypically known as a caring profession. Caring in both the natural and professional perspectives is inextricably attached to love and love, we are told, is universal. In popular culture, however, there are numerous examples of nurses being portrayed in ways where love-its expression and its practice-has been transgressed or tainted. Exploring this dark side of nursing, even if fictitious, is significant because it illuminates social and cultural tensions. Discussion paper. CINAHL, Scopus and Humanities International Databases were searched for terms related to nursing, love, abject and the gothic, published between 1990-2016. Four popular culture texts which ranged in genre and gothic elements were selected for analysis. The types of transgressive love these nurses express to patients ranges from the obsessive and the pornographic, to the monstrous. We suggest this positioning illuminates a hidden reality that nursing work is at once intimate and personal but also hidden, profane, repellent, horrifying and feared. Nursing's allure for storytellers may rest in its association with the abject. How nurses find redemption, satisfaction and meaning in these locations is relevant for how we can imbue our lives and work with greater humanity. The Contemporary Gothic is a useful tool in exposing and exploring ambiguous, challenging and taboo aspects of nursing in society. Such and analysis helps to explain phenomena-including nursing itself-which exists in the shadow of dominant and often stereotyped discourses. © 2017 John Wiley & Sons Ltd.

  5. The Oblique Art of Shoes: Popular Culture, Aesthetic Pleasure, and the Humanities

    NARCIS (Netherlands)

    Lindner, C.

    2015-01-01

    This article addresses popular culture and the humanities. It uses shoes as an object of analysis to interrogate the place and function of aesthetic pleasure in critical thinking and cultural practice in the age of globalization and the neoliberal university. Tracking contemporary articulations of

  6. A Guide to Using Popular Culture to Teach Composition.

    Science.gov (United States)

    Smelstor, Marjorie, Ed.

    The purpose of this guide is to offer possible answers to questions concerning popular culture that teachers might have and to offer suggestions on utilizing popular culture materials that are available. Lesson plans are presented using materials from advertising, newspapers, comics, film, television, popular music, radio, popular literature,…

  7. The 'Bollywoodization' of Popular Indian Visual Culture: A Critical Perspective

    Directory of Open Access Journals (Sweden)

    Keval Joseph Kumar

    2014-03-01

    Full Text Available The roots of popular visual culture of contemporary India can be traced to the  mythological films which D. G. Phalke provided audiences during the decades of the ‘silent’ era (1912-1934.  The ‘talkies era of the 1930s ushered in the ‘singing’ /musical genre which together with Phalke’s visual style, remains the hallmark of Bollywood cinema. The history of Indian cinema is replete with films made in other genres and styles (e.g. social realism, satires, comedies, fantasy, horror, stunt in the numerous languages of the country; however, it’s the popular Hindi cinema (now generally termed ‘Bollywood’ that has dominated national Indian cinema and its audiovisual culture and hegemonized the entire film industry as well as other popular technology-based art forms including the press, radio, television,  music, advertising, the worldwide web,  the social media, and telecommunications media. The form and substance of these modern art forms, while adapting to the demands of the new media technologies, continued to be rooted in the visual arts and practices of folk and classical traditions of earlier times.

  8. Constructing the contemporary via digital cultural heritage

    DEFF Research Database (Denmark)

    Andreasen, Torsten Arni Caleb

    2015-01-01

    The present article questions the construction of 'the contemporary' in digital cultural heritage archives as specific strategic articulations between past and present with regard to the future. A historical exploration of the discourse of cultural heritage presents three strategic axes supposedly...... the possibility of ascribing inherent epistemological, existential, empirical and geopolitical force to a given technological archival order. - See more at: http://twentyfour.fibreculturejournal.org/2015/06/04/fcj-174-constructing-the-contemporary-via-digital-cultural-heritage/#sthash.sNhW8uuA.dpuf...

  9. Yugoslav Naive Art and Popular Culture

    Directory of Open Access Journals (Sweden)

    Meta Kordiš

    2009-12-01

    After the Second World War, the Yugoslav socialist state also strove to equalize and democratize society through art by minimizing the differences between the producers and consumers of art. Such a policy led to the decentralization of culture by forming various cultural and artistic institutions and by holding cultural events and spectacles in the countryside and peripheral areas. Through these various informal ideological mechanisms, the state apparatus exercised its authority in socializing its people in the spirit of Yugoslav socialist self-management and the ideology of brotherhood and unity by joining together the producers and consumers of naive art from various ethnicities, cultures, and social classes. Unfortunately this transformed naive art at its peak of popularity into a decorative and souvenir artifact with a pastoral image and folklore motifs. The encouragement from the authorities on the one hand and the market on the other produced and reproduced simple art forms and narrative contents without a complex iconography, which were consumed uncritically and on a large scale. Consequently, this completely denied the core of naive art and resulted in its final devaluation.

  10. The Cultural Revolution and Contemporary Chinese Art

    Science.gov (United States)

    Yang, Guey-Meei; Suchan, Tom

    2009-01-01

    Using this instructional resource, teachers can explore the impact of the Cultural Revolution (1966-1976) on contemporary art in mainland China with their students. The three artists Luo Zhongli (b. 1948), Xu Bing (b. 1955), and Wang Guangyi (b. 1957) came of age during the Cultural Revolution and are representative of a much larger number of…

  11. Trivial or Commendable? : Women’s Writing, Popular Culture, and Chick Lit

    Directory of Open Access Journals (Sweden)

    Ryan, Mary

    2010-07-01

    Full Text Available There are a number of similarities between popular culture and women's writing: both have been dismissed as trivial and worthless, have traditionally received little respect from critics, and have been scorned because of theis apparently "low-brow" appeal. Additionally, both were long excluded from the literary Canon. In contemporary culture, the intersection of popular culture and women's writing takes the form of chick lit, the contemporary genre of fiction starring female characters in their 20s and 30s as they make their way through their lives and tackle all the obstacles in their way. As well as outlining the characteristics and history of chick lit, this paper will discuss the negative reception that popular culture, women's writing, and chick lit has often been subjected to, and will show how studies are now emerging with the aim of demonstrating how such genres may have more worth and potential than is typically suggested.

  12. Camouflage as Communicator of Survivor Mentality in Contemporary Popular Music

    DEFF Research Database (Denmark)

    Langkjær, Michael Alexander

    2010-01-01

    Michael A. Langkjær wants to know why military style in general and camouflage in particular have become true pillars of pop and rock culture. How is this prolonged influence to be explained? He places rock and camouflage in the larger framework of "military rock" since the sixties. Contrary to w...

  13. The Japanese Mind: Understanding Contemporary Japanese Culture.

    Science.gov (United States)

    Davies, Roger J., Ed.; Ikeno, Osamu, Ed.

    This collection of essays offers an overview of contemporary Japanese culture, and can serve as a resource for classes studying Japan. The 28 essays offer an informative, accessible look at the values, attitudes, behavior patterns, and communication styles of modern Japan from the unique perspective of the Japanese people. Filled with examples…

  14. "Daddy Daycare," Daffy Duck, and Salvador Dali: Popular Culture and Children's Art Viewing Experiences

    Science.gov (United States)

    Eckhoff, Angela; Guberman, Steven

    2006-01-01

    In contemporary society, what, why, and how students come to gain knowledge and understandings of art defies traditional boundaries. In part, this is because of the prevalence of many forms of popular visual culture. In this article, the authors present three vignettes that demonstrate the ways in which three young children created connections…

  15. Guitar hero: From icon of popular culture to nostalgic self-design

    Directory of Open Access Journals (Sweden)

    Popadić Milan

    2013-01-01

    Full Text Available This paper aims to interpret the transformations of the “guitar hero”, from the icon of popular culture to models of nostalgic selfdesign, meaning transformations from generally recognizable figure in the context of popular culture to mimetic patterns based in medium of contemporary technologies. The phrase “guitar hero”, in its basic meaning represents a specific phenomenon in popular culture and popular music of the second half of the twentieth century. Guitar hero is a performer with skills and appearance that transcends and transforms common patterns of guitar performances, thus creating a new and distinctive form of musical and performative statement. Seen in this way, a guitar hero is close to heroic models of antique and romanticism. On the other hand, contemporary products of cultural industries and the entertainment industry to some extent changed this basic meaning of the phrase “guitar hero”. Creation and popularization of video games like Guitar Hero or Rock Band, as well as the availability of high quality replicas of instruments of “original” guitar heroes, carried the meaning of this phrase more explicit in the field of consumerism, fetishism, and virtualization. Guitar hero in its basic meaning undoubtedly belongs to the history of the twentieth century popular culture. However, his legacy is still very much present. Specific heritage of a guitar hero in contemporary popular culture lies primarily in the dissemination of the original model through the mechanisms of consumer society, and then in the mimetic patterns based in media of contemporary technology. Thanks to these characteristics, the phenomenon of guitar hero was transformed from icon of popular culture to nostalgic self-design over the original model. Whether it is a replica of instruments of guitar hero or empathy in virtual reality of video games as Guitar Hero or Rock Band, guitar hero heritage confirms its place in modern popular culture, despite

  16. Popular Music Memories : Places and Practices of Popular Music Heritage, Memory and Cultural Identity

    NARCIS (Netherlands)

    A.J.C. van der Hoeven (Arno)

    2014-01-01

    markdownabstract__Abstract __ Ever since the late 1950s, people have grown up with popular music as an important element of their daily lives. This dissertation explores the connections between popular music memories, cultural identity and cultural heritage, looking at the different ways in

  17. Popular culture and tourism: the case of music tourism

    OpenAIRE

    Metodijeski, Dejan; Stojanoski, Hristo

    2014-01-01

    The subject of research in this paper is the popular culture and tourism analysed from the perspective of the music aspect of tourism. Although tourism and music can be characterized as a popular culture, these two terms are not analysed individually. Instead, this research is taking into consideration their mutual relation and synergy. This paper is making an attempt to define the popular culture, tourism and music tourism through numerous examples of music tourism around the globe. In ad...

  18. The "Hidden Homeless" in Japan’s Contemporary Mobile Culture

    Directory of Open Access Journals (Sweden)

    Miya Yoshida

    2014-04-01

    Full Text Available Mobile telephony and all it ensues has frequently gained incredible attention due to the massive impacts, which has had on the organization of daily life as well as on popular and youth cultures. This has been widely discussed in recent years as one significant aspect of the changes brought by the device; however that is not all. Attributed to capitalism, there are other, very contemporary socio-political issues at stake around the mobile telephone, especially among the younger people. In my article, I will focus on one specific phenomenon in Japanese society where the media have taken to speaking of so-called "hidden homeless".

  19. Organisational culture: A contemporary management perspective

    Directory of Open Access Journals (Sweden)

    Richard Weeks

    2010-12-01

    Full Text Available Purpose: The purpose of this paper is to analyse the concept "organisational culture from a traditional and a more contemporary management perspective. Problem investigated: The concept organizational culture has assumed a very prominent place within the management literature and has been analysed from diverse multidisciplinary perspectives. Central to the importance attributed to the concept is the fact that it acts as a perceptual and behavioural determinant, which implies that it will have a significant impact on all human related institutional activities and thus the interest in the concept and its management. Researchers and management practitioners have come to assume that while the concept is difficult to manage in practice, it is possible to determine the prevailing culture of an institution, identify what is termed to be a desired culture for an institution and then analyse the cultural gap that exists. Based on the analysis conducted, it is further frequently assumed that the transition from the prevailing to a desired culture can be managed. A more contemporary management perspective, based on complexity theory, would appear to challenge the assumption of being able to actively manage the organisation's culture transformation process to ensure that a desired culture is manifest within the institution. The traditional and more contemporary approaches for dealing with the concept "organisational culture" are the focus of discussion and analysis in this paper. Methodology: A multidisciplinary literature review and analysis is undertaken to gain an insight of traditional and contemporary management theory and practice, as it relates to the concept "organisational culture" and its management. Findings: An important conclusion drawn from the study is that traditional paradigms of organisational culture management, that evolved within a more mechanistic manufacturing economy, is no longer effective for dealing with the unpredictable and

  20. Use of Popular Culture Texts in Mother Tongue Education

    Science.gov (United States)

    Bal, Mazhar

    2018-01-01

    The aim of this study was to associate popular culture texts with Turkish language lessons of middle school students. For this purpose, a model was proposed and a suitable curriculum was prepared for this model. It was aimed to determine how this program, which was the result of associating popular culture texts with Turkish language lesson…

  1. Homepage of the Philosophy Meets Popular Culture Initiative

    DEFF Research Database (Denmark)

    Grund, Cynthia M.

    2008-01-01

    -modern students, whose knowledge of various aspects of popular culture often is as encyclopedic as their classical liberal arts background is limited (some might say impoverished).   One goal of the PHILOSOPHY meets POPULAR CULTURE homepage (launched on October 7, 2008)  is to provide a forum for researchers, teachers...

  2. The terminator syndrome: Science fiction, cinema and contemporary culture

    Directory of Open Access Journals (Sweden)

    J. Sey

    1992-05-01

    Full Text Available This paper examines the impact of contemporary technology on representations of the human body in American popular culture, focusing on James Cameron’s science fiction films The Terminator (1984 and The Terminator II - Judgment Day (1991 in both of which the key figures are cybernetic organisms (cyborgs or a robot which can exactly imitate the human form . The paper argues that the ability of modern film technology’ to represent the human form in robotic guise undercuts the distinction between nature and culture which maintains the position of the human being in society. The ability of the robot or cyborg to be ‘polygendered’ in particular, undermines the position of a properly oedipalized human body in society, one which balances the instinctual life against the rule of cultural law. As a result the second Terminator film attempts a recuperation of the category of the human by an oedipalization of the terminator cyborg.

  3. The body complex in contemporary science, literature, and culture

    Science.gov (United States)

    Smith, Christopher Jason

    1998-12-01

    In the simplest terms, the purpose of this dissertation, entitled The Body Complex in Contemporary Science, Literature, and Culture is to examine the relationships between popular quantum mechanics, Chaos Theory (or complex dynamics), and contemporary Feminist/Gender theory. As the title is intended to suggest, this examination is narrowed to the 'event' of the body as it appears within the discourses of several different disciplines. The primary question is, 'what is the body and how do we define it?' And more, how do we conceive of 'a body' at all, from the cosmic to the molecular. How do these very different ideas of body reinforce and/or challenge our own concept of self and the experience of our bodies? And, how is this sense of embodiment represented in popular science, literature, and culture? Finally, the conclusion explores the possibility of liberating practices-complex actions-which may help to reveal the structures of power and alter in some useful ways our own sense of embodiment. This project relies most heavily upon the work of Michel Foucault and other gender critics such as Donna J. Harraway and Judith Butler. However, in support of these arguments a geneology of criticism is established which includes the Renaissance view of the body, a discussion of Karl Marx and materialism, Sigmund Freud and the body as the origin of mind, Lacan's linguistic approach to self-perception, and the theories of the French school of Feminism.

  4. Resistance to Western Popular and Pop-Culture in India

    Directory of Open Access Journals (Sweden)

    Algis Mickūnas

    2017-03-01

    Full Text Available The essay is designed to present the phenomena of popular culture, its difference from pop culture, both products of modern West, and their impact on film and advertisement media in India. First, the discussion focuses on the Critical School which proposed the initial thesis of commodification of culture with a resultant “lowering” of standards to appeal to “the masses”, and an appeal to the “average” tastes. In the essay an argument is presented that pop culture is a “critique” of popular culture and is an elitist position attempting to shock popular mores and media content. Given this setting, it is argued that while India has followed both the globalizing popular and pop cultures, neither are adequate to encompass Indian media, specifically their film content.

  5. Popular Culture and the Rituals of American Football

    OpenAIRE

    Axelrod, Mark

    2001-01-01

    In his article, "Popular Culture and the Rituals of American Football," Mark Axelrod reflects on meanings of cultural practice in American popular culture. Before globalization -- driven by economics -- became a fact of life with profound implications, there were myths and rituals that provided a kind of insulation from the mysteries of life. These practices were ritualized by "primitive" men and women who, seemingly, did not understand the universe as well as we moderns do. But in fact one o...

  6. Música popular brasileira, indústria cultural e identidade

    Directory of Open Access Journals (Sweden)

    José Roberto Zan

    2001-01-01

    Full Text Available This text shows an overview approach of Brazilian popular music raise, connected with the development of the phonograph industry and its market in Brazil. It includes a tentative periodical division of Brazilian popular music history, in order to enlarge the understanding of how different ways symbolic elements related to the issue of identity were translated and reproduced by that cultural expression.

  7. 'From War Cacophonies to Rhythms of Peace': Popular Cultural ...

    African Journals Online (AJOL)

    The materials being collected for the Popular Culture Archives at the Centre for Basic Research in Kampala are the point of departure for this paper. It focuses on the development of popular music genres in Uganda since 1986, places this in the context of political history since independence, and discusses the particular ...

  8. Overcoming Impossible Bodies: Using Media Literacy to Challenge Popular Culture.

    Science.gov (United States)

    Graydon, Shari

    1997-01-01

    Media education can be taught by analyzing the ways popular media represent the sexes. Discusses stereotyped gender images in popular culture and outlines classroom activities investigating modeling poses, images of ideal and successful males and females, gender sensitive language, sex role portrayal, and violence for a media literacy unit using…

  9. Inspiration Today: Music, Astronomy, and Popular Culture

    Science.gov (United States)

    Fraknoi, A.

    2016-01-01

    We explore a variety of examples of music inspired by serious astronomy (as opposed to simply an astronomical title or quick allusion to spooning in June to the light of the Moon). The examples are drawn from my recently published catalog of 133 such pieces, including both classical and popular genres of music. We discuss operas based on the life and work of astronomers, six songs based on a reasonable understanding of the properties of black holes, constellation pieces written by composers from around the world who are or were active amateur astronomers, the song that compares walking on the Moon to being in love, the little-known rock song that became a reference in the Astrophysical Journal, pieces that base the patterns of the music on the rhythms of astronomical phenomena, and a number of others.

  10. Bringing American Popular Culture to the English Departments in Indonesia*

    Directory of Open Access Journals (Sweden)

    Dewi N.

    2012-01-01

    Full Text Available One outcome of the globalization process is the growing influence and dominance of American popular culture. The speed with which American music, films, and goods have flooded the markets worldwide is remarkably high, thanks to the advancement of telecommunication technologies and the Internet. Increased cultural transfer or, more precisely, internationalization of American culture has posed both fear and fascination to other cultures. How do people in the academia respond to this conundrum of cross-cultural contacts? What do we teach when we teach popular culture? What viable research in American popular culture is encouraged so as to result in impartially beneficial impacts for society at large? This paper is to argue that one can become an avid learner or critic of a certain culture when s/he finds meaningful connections between that culture and life itself. The teaching of American popular culture in the English Department, for instance, has to be locally contextualized, learner-participant oriented, and socially self-actualized. In this way, American Studies outside the U. S. may in turn become less centralized as the interchange of cross-cultural understanding takes place concurrently.

  11. Shinsengumi - a historical and modern popular culture phenomenon

    OpenAIRE

    Rinkevičiūtė, Laura

    2016-01-01

    Shinsengumi - a Historical and Modern Popular Culture Phenomenon Shinsengumi was a special police force, which existed between 1864 and 1869 years. Shinsengumi means „Newly selected troops“. Nowadays they get a lot of attention in popular culture – films, shows, documentary, books, manga and anime. Because of it's existence in late Tokugawa period, Shinsengumi is often called „the last samurais“. They have become the object of various screening since the middle of twentieth century. After NHK...

  12. Popular Culture in Transglossic Language Practices of Young Adults

    Science.gov (United States)

    Sultana, Shaila; Dovchin, Sender

    2017-01-01

    Based on virtual conversations drawn from two separate intensive ethnographic studies in Bangladesh and Mongolia, we show that popular cultural texts play a significant role in young adults' heteroglossic language practices. On the one hand, they borrow voices from cultural texts and cross the boundaries of language, i.e., codes, modes, and…

  13. Classical Pop: Documenting Popular Musical Culture in Library Audio Collections.

    Science.gov (United States)

    Tarakan, Sheldon Lewis

    1983-01-01

    Discusses the library's role in developing a classical pop collection (defined as that music which is best representative of an era, event, or recognizable cultural trend). Popular culture, establishing the collection, funding, and archives are highlighted. A 230-item discography, addresses of five record companies, and 14 references are appended.…

  14. Revisioning Premodern Fine Art as Popular Visual Culture

    Science.gov (United States)

    Duncum, Paul

    2014-01-01

    Employing the concept of a rhetoric of emotions, European Premodern fine art is revisioned as popular culture. From ancient times, the rhetoric of emotion was one of the principle concepts informing the theory and practice of all forms of European cultural production, including the visual arts, until it was gradually displaced during the 1700s and…

  15. Ethnic Identity and Cultural Achievement: Popular Mythology and Archeological Realities.

    Science.gov (United States)

    Wallace, Ron

    The difficulties faced by ethnic groups today are related not only to widespread unfamiliarity with the cultural evolution of specific groups, but to an inadequate popular understanding of the processes of cultural evolution itself, i.e., man's prehistory. Archeology can make significant contributions in this regard by counteracting the…

  16. Traditional costume: contemporary elements in street culture

    Directory of Open Access Journals (Sweden)

    Márcia Merlo

    2016-06-01

    Full Text Available The article discusses the memory of the costumes and the way people record and interpret their relations with them. This is on the assumption that we put ourselves at all, and for that reason, too, the popular costumes reveal the political place of each subject on the Festa de São Benedito in Congada de Ilhabela - manifestation of African descent culture chosen to treated in this text. This study aimed to understand the role of costume in the composition of the cultural identity of black ethnic-racial group of Ilhabela, to point out how a seemingly simple costume can reveal so many meanings for the group in question. The Congada de Ilhabela is the devotion of a population to a saint; holy and black people who resisted the many prejudices and deep social and economic transformations. Therefore, the expression of that culture and tradition invented by means of a negotiated identity will be discussed. Regarding the costume, the study will be based on material culture and participant observation conducted with this population between the years 1995 to 2002.

  17. Images of Freud in Popular Culture and Fiction

    DEFF Research Database (Denmark)

    Sørensen, Bent

    in popular culture, where Sigmund has long had iconic status, both in terms of his own physical likeness and in terms of stereotyped versions of his main ideas. To complement this analysis I shall contrast the popular image of Freud with the use of him in recent fiction by E.L. Doctorow and John Irving.......Historiographic metafiction and postmodern pastiche, both defined by critic Linda Hutcheon as subversive literary and cultural strategies, have put Freud to work both as a clown and a stern cultural critic. My paper will first take a lighthearted look at some of the humorous images we find of Freud...

  18. The Politics of the Omnivores: Elite Culture, Popular Culture, and Libertarianism

    NARCIS (Netherlands)

    D. Houtman (Dick); P.H.J. Achterberg (Peter)

    2004-01-01

    textabstractPaper prepared for the workshop Collapsing Cultural Canons: Elite Culture, Popular Culture, and Politics in Late Modernity Ecole des Hautes Etudes en Sciences Sociales, Marseille, France, October 28-29, 2004

  19. Japanese Martial Arts as Popular Culture: Teaching Opportunity and Challenge

    Directory of Open Access Journals (Sweden)

    Stephen Robert NAGY

    2015-07-01

    Full Text Available Japanese martial arts, here after Japanese budō, are popular cultural icons that are found in films, comics, video games and books. Teaching Japanese budō at university offers a novel way to teach about East Asian and in particular Japanese culture, history, and philosophy while including ideas about the globalization and the localization of culture. Question though remains as to how and what should we teach about the popular culture of Japanese budō at the university level? This paper found that a comprehensive approach to teaching about budō was effective. By using many kinds of materials and the incorporation of opportunities to experience budō and to try budō, students were better able to grasp the historical, cultural and religious characteristics of budō.

  20. Making Sense of Shakespeare: a Cultural Icon for Contemporary Audiences

    Directory of Open Access Journals (Sweden)

    Michael Olsson

    2013-11-01

    Full Text Available The works of William Shakespeare are more popular in the 21st century than ever before, Why are theatre and audiences around the globe still drawn to his work? How do they make sense of these texts in ways that resonate with their cosmopolitan, contemporary audiences? This article uses the findings of a study interviewing 35 theatre professionals in Canada, Finland and the United Kingdom to explore these issues. Theoretically and methodologically, it is a bricollage, drawing on a range of approaches including Foucault’s discourse analysis, Hobsbawm’s invented traditions and Dervin’s Sense-Making to understand participants sense-making as an affective, embodied social practice. It argues that attempting to understand the significance of a major cultural icon such as Shakespeare in contemporary cosmopolitan civil society needs to recognise the many meanings, roles and significances that surround him and that this complexity makes it unlikely that any one theoretical lens will prove adequate on its own. DOI: http://dx.doi.org/10.5130/ccs.v5i3.3640

  1. THE REFLECTIONS OF POPULAR CULTURE IN POSTER DESIGN

    Directory of Open Access Journals (Sweden)

    İbrahim Gökhan CEYLAN

    2015-09-01

    Full Text Available Poster is a product of graphic prepared for ıntorducing a culture or goods; or tranmitting a message. We can come across a poster almost in anywhere. As a product of graphic, a poster hav found its own place in many art movements and that’s why one should have the same concern for it as for others in the aspects of design and artistic view. The most important target of a commercial or advertisement is to reach the exact target audience at the exact time. Poster from its very begining, has became an area that needs a speciality in appliyng. Poster design aims to leave the neccessary effect whether by introducing the idea/product or by directing the target audience to the idea/ product. It is for sure that while moving the target audience to the aimed idea/ product, it is more easily-remembered using the popular cultural ıbjects which have a profound effect on the target audıence. Popular culture is mass culture. It is aimed to move the massive population by using the popular people, products and etc. In fact popular culture is a society to burden the creatvity and prodcution. It also a reason to resemble the society each other and it is a unit of constant changing. It is a consumption society in another saying. It supports consumption. In poster designs, it can be seen that designs are done under the effect of these popular culture. It is via this poiciy that consumers are directed to the target message or product.

  2. Popular Culture Transcending National Borders and Genres in East Asia

    OpenAIRE

    Matsuda, Masako; Higashi, Nozomi

    2006-01-01

    Using highly advanced media technology, Asian cultural exchanges became very active since the latter half of the 1990s. Firstly, Japanese "trendy dramas" were favorably welcomed in Asia because they could show young people's problems in an Asian context against the background of a modernized city. These dramas have projected an image of Japan as an idealistically westernized country. Due to the popularity of Japanese culture such as manga, TV dramas, and movies, there seems to have risen a fe...

  3. Teaching Popular Culture in a Second Language University Context

    Science.gov (United States)

    Pierson-Smith, Anne; Chik, Alice; Miller, Lindsay

    2014-01-01

    This article examines an established course on Popular Culture which is framed within the general educational model in an English-medium university. The article is organized into three parts: the underlining educational rationale for general educational courses, the course description, and the students' perspectives of their learning experience.…

  4. Using Popular Movies in Teaching Cross-Cultural Management

    Science.gov (United States)

    Pandey, Satish

    2012-01-01

    Purpose: The present study aims to understand context and dynamics of cognitive learning of students as an outcome of the usage of popular movies as a learning tool in the management classroom and specifically in the context of a course on cross-cultural management issues. Design/methodology/approach: This is an exploratory study based on…

  5. Queer Breeding: Historicising Popular Culture, Homosexuality and Informal Sex Education

    Science.gov (United States)

    Marshall, Daniel

    2013-01-01

    Through an analysis of gay protest music (1975) and an educational kit for students (1978), both sponsored by the Campaign for Homosexual Equality in the UK, this paper brings into focus a history of gay rights activists' efforts to marshal popular culture in the development of informal sex education for young people in the second half of the…

  6. Mining the Popular Culture: The Mass Media and Freshman Composition.

    Science.gov (United States)

    McRae, M. W.

    The study of mass media and popular culture in a composition class allows students and teachers together to develop a critical awareness of television and advertising. Jerzy Kosinski's book, "Being There," a novel about the impact of television, is a beginning point for the study of television. Using that book as if it were a collection of events,…

  7. Queer Girls and Popular Culture: Reading, Resisting, and Creating Media

    Science.gov (United States)

    Blackburn, Mollie V.

    2010-01-01

    This article reviews Driver's monograph, "Queer Girls and Popular Culture: Reading, Resisting, and Creating Media," reporting on queer girls' active engagement with television characters, films, lesbian magazines, online communities, and music. She explores the consequences of their engagements with these media on their lives and their…

  8. Popular culture and the ’darker side’ of alternative spirituality: the case of metal music

    Directory of Open Access Journals (Sweden)

    Marcus Moberg

    2009-01-01

    Full Text Available Metal is perhaps the most extreme and aggressive form of contemporary Western popular music. Even though it continues to spark controversy and debate, it has also enjoyed enduring popularity for decades and has spread on a global scale. Metal music and culture has always been characterized by its fascination for dark and austere themes and imagery. Commonly dealing with topics such as evil, death, war, alienation and suffering, metal groups have traditionally found much inspiration in the world of religion, particularly Judeo-Christian eschatology and apocalypticism, different forms of paganism, occultism, esotericism and, last but not least, Satanism. These kinds of religious/spiritual themes have arguably developed into an integral part of metal culture on the whole. They contribute significantly to investing metal music and culture with an apparent aura of sincerity and mystique as well as to raising its shock and entertainment value. At the same time, metal culture is also marked by its high degree of humour and self-irony, its fondness for exaggeration, spectacle and over-the-top theatrics. Even so, metal stands out as a global popular music culture replete with various kinds of often dark and austere religious and spiritual themes, many of which stand in stark contrast to Christianity. Seen in the wider context of the changing face of religion in the West and the increasingly important role played by popular culture in the transformation of religious and spiritual identities, metal has come to play an important role in the dissemination of a wide variety of ‘dark’ alternative religious/spiritual beliefs and ideas. This article sheds further light on this issue through focusing on some contemporary and successful metal groups from the Nordic countries. In relation to this, attention is also drawn to some of the ways in which dark alternative religious/spiritual ideas may be viewed as having become an inseparable part of some sections of

  9. Cultural narratives and the succession scenario: Slumdog Millionaire and other popular films and fictions.

    Science.gov (United States)

    Paul, Robert A

    2011-04-01

    An approach to the analysis of cultural narratives is proposed drawing inspiration from Lévi-Strauss's analysis of myths as fantasied resolutions of conflicts and contradictions in culture and of typical dilemmas of human life. An example of such an analysis revolves around contradictions in the Western cultural construction of the succession of generations. The logic of the structural analysis of cultural representations is explicated, the schema of the succession scenario is laid out, and the conflicts that generate it are identified. The movie Slumdog Millionaire is examined in some detail as an illustration of the succession scenario at work, and a comparative analysis shows how the same underlying schema accounts for otherwise obscure aspects of comparable contemporary popular narratives including Harry Potter, The Lion King and Star Wars. Copyright © 2011 Institute of Psychoanalysis.

  10. Borgesian Libraries and Librarians in Television Popular Culture

    Directory of Open Access Journals (Sweden)

    Iana Konstantinova

    2013-01-01

    Full Text Available In the works of Jorge Luis Borges, the library appears frequently as a metaphor representative of life and its secrets. It becomes a metaphysical location, posing questions about the nature of time, life, and the universe itself. The librarian becomes a metaphysical figure, leading the search for answers to life’s questions. This article examines the way in which the Borgesian library metaphor has crossed over from the realm of literature into the realm of popular television. By examining two episodes of the BBC series Doctor Who , the TNT franchise The Librarian , and several episodes of Joss Whedon’s cult television series Buffy the Vampire Slayer , it demonstrates that the metaphysical questions posed by the library and its librarian in Borges’s short stories are quite similar to the metaphysical questions posed by the library and its librarians in popular television, demonstrating that the Borgesian library has crossed over into the realms of popular culture.

  11. Misrepresentation of UK homicide characteristics in popular culture.

    Science.gov (United States)

    Brown, J; Hughes, N S; McGlen, M C; Crichton, J H M

    2014-03-01

    The homicide statistics of a popular UK television fictional crime series and the former Lothian & Borders police force region, Scotland were compared. This comparison was used to consider the implications for public attitudes which may influence the adoption of public health interventions to reduce homicide. 217 homicides were identified by 105 perpetrators in the television series 'Midsomer Murders' between 1997 and 2011; these were compared to 55 homicides by 53 perpetrators in the regional sample between 2006 and 2011. The numbers of serial killings (p homicides, female perpetrators (p homicide by kitchen knives (p homicide rates. If the popular perception of UK homicides is influenced by popular culture, the importance of such a public health intervention may not be apparent. Copyright © 2014 Elsevier Ltd and Faculty of Forensic and Legal Medicine. All rights reserved.

  12. Multimodal representations of gender in young children's popular culture

    Directory of Open Access Journals (Sweden)

    Fredrik Lindstrand

    2016-12-01

    Full Text Available This article poses questions regarding learning and representation in relation to young children's popular culture. Focusing on gender, the article builds on multimodal, social semiotic analyses of two different media texts related to a specific brand and shows how gender and gender differences are represented multimodally in separate media contexts and in the interplay between different media. The results show that most of the semiotic resources employed in the different texts contribute in congruent ways to the representation of girls as either different from or inferior to boys. At the same time, however, excerpts from an encounter with a young girl who engages with characters from the brand in her role play are used as an example of how children actively make meaning and find strategies that subvert the repressive ideologies manifested in their everyday popular culture.

  13. On Populist Pop Culture: Ethno as the Contemporary Political Ideology in Serbia

    OpenAIRE

    Irena Šentevska

    2016-01-01

    This study attempts to shift the debate of the contemporary facets of populist ideologies from the realm of institutional politics to the realm of everyday life, popular culture, media and “invented traditions”. My intention is to demonstrate how these realms generate new sources and voices of populism, often downplayed in the academic debates on the subject. The paper stems from comprehensive research on discourses of identity (re)construction in post-Yugoslav Serbia as communicated in pop-c...

  14. Radioactivity And Nuclear Themes In Croatian Popular Culture

    International Nuclear Information System (INIS)

    Franic, Z.; Franic, S.

    2015-01-01

    Popular culture refers to the entirety of ideas, perspectives, attitudes, behaviours, ways of communication, cultural and artistic products, (visual, auditory, written, etc.) as well as other phenomena in the real or virtual world within mainstream culture. Heavily influenced by mass media, this collection of ideas permeates the everyday lives of society. In the so-called atomic age, which corresponds to the cold war period, stylistic coloration and application of the concepts of radiation that have persisted in everyday life to this day can be classified into four main groups of radiological-nuclear themes: monsters and mutants associated with radiation, nuclear accidents, nuclear terrorism and nuclear optimism. This paper discusses some examples relating to radioactivity, radiation and nuclear topics in Croatian popular culture, with special reference to the mass media, including some Internet portals. In Croatian mass media, like in other cultures, radiation and nuclear metaphors symbolize something scary and completely incomprehensible. However, further systematic research would be needed to analyse and explain all of the stereotypes in more detail. Results would be useful in creating a more effective way for informing the general public about the effects and use of radiation and nuclear technology, which is expected to play a far greater role in solving numerous problems dealing with energy supply, medicine, etc. in the near future. It should be noted that nowadays the collective public fears shift from radiation to other global threats such as climate change, genetically modified organisms, global terrorism and others. (author).

  15. Ideal Positions: 3D Sonography, Medical Visuality, Popular Culture.

    Science.gov (United States)

    Seiber, Tim

    2016-03-01

    As digital technologies are integrated into medical environments, they continue to transform the experience of contemporary health care. Importantly, medicine is increasingly visual. In the history of sonography, visibility has played an important role in accessing fetal bodies for diagnostic and entertainment purposes. With the advent of three-dimensional (3D) rendering, sonography presents the fetus visually as already a child. The aesthetics of this process and the resulting imagery, made possible in digital networks, discloses important changes in the relationship between technology and biology, reproductive health and political debates, and biotechnology and culture.

  16. The Art of Culture War: (Un)Popular Culture, Freedom of Expression, and Art Education

    Science.gov (United States)

    Darts, David

    2008-01-01

    This article examines the culture wars in the United States and considers their impact on the field of art education. Stretching across virtually ever facet of contemporary culture, these ideologically charged battles over opposing moral values and fundamental belief systems are an intrinsic part of the ongoing struggle to define and control U.S.…

  17. Cultural Modulation and The Zero Originality Clause of Remix Culture in Australian Contemporary Art

    Directory of Open Access Journals (Sweden)

    Ross Rudesch Harley

    2009-12-01

    Full Text Available Australian media artists particularly have been engaged in using found-footage strategies — as evidenced by work made over the past three decades and included in recent retrospective exhibitions such as 'SynCity: Remixing three generations of sample culture' (2006. Armed with techniques of cut and copy, these artists purposefully manipulate and hack found material for their own strategic purposes. In doing so, they dislocate archival material from its original techno-cultural location and re-animate global popular culture in their own personal/local style. Artists have always been plugged into archives, whether it be for inspiration, research purposes, or as a source of raw material. The present digitisation of archives into web databases and peer-to-peer networks has further accelerated this relationship of storage and cultural exchange. Tracing a conceptual bass-line that can be followed from the avant-garde filmmakers of the 20s, Situationist détournement and Burroughs’ cut-up techniques of the 1960s, 1980s Super8 strategies, contemporary VJ culture, creative commons, wikimedia, open source and P2P networks, this article lays out some of the stakes involved in remixing the archive in the bit-torrent age.

  18. Popular Culture and Critical Media Literacy in Adult Education: Theory and Practice

    Science.gov (United States)

    Tisdell, Elizabeth J.

    2007-01-01

    This chapter introduces the volume, provides an overview of the theory and literature on popular culture and critical media literacy in education, and discusses ways to use popular culture in adult education.

  19. Socio-cultural impacts of contemporary tourism.

    Science.gov (United States)

    Jovicić, Dobrica

    2011-06-01

    The topic of the paper is devoted to analysis of socio-cultural impacts of tourism, as effects on the people of host communities resulting from their direct and indirect associations with tourists. The social and cultural impacts of tourism are the ways in which tourism is contributing to changes in value systems, individual behavior, family structure and relationships, collective lifestyles, safety levels, moral conduct, traditional ceremonies and community organizations. Special attention is devoted to considering complexity of tourists/host interrelationships and discussing the techniques for appraisal of quality and quantity of socio-cultural changes which tourism provokes in local communities.

  20. Popular culture and the narrative: the case of the James Bond 007 films

    OpenAIRE

    2008-01-01

    This study examines the contribution of popular culture and artefacts in the narratives of the James Bond films and postulates that these narratives in turn become popular cultures of their own. In the audiovisual industry the actuality and novelty of the content and the production thereof relates directly to the success of the production. The main reason is because of actuality of the theme, topic and the popular culture portrayed in the production. The popular culture products at the time o...

  1. FCJ-174 Constructing the contemporary via digital cultural heritage

    Directory of Open Access Journals (Sweden)

    Torsten Andreasen

    2015-06-01

    Full Text Available The present article questions the construction of 'the contemporary' in digital cultural heritage archives as specific strategic articulations between past and present with regard to the future. A historical exploration of the discourse of cultural heritage presents three strategic axes supposedly executed by the archive. Via a fourfold problematisation of the notion of the contemporary these axes are further developed with regard to W.J.T. Mitchell and Georges Didi-Huberman's respective readings of Warburg's Atlas Mnemosyne and Malraux's Musée imaginaire. The article finally questions the possibility of ascribing inherent epistemological, existential, empirical and geopolitical force to a given technological archival order.

  2. Socio-cultural Impacts of Contemporary Tourism

    OpenAIRE

    Jovičić, Dobrica

    2011-01-01

    The topic of the paper is devoted to analysis of socio-cultural impacts of tourism, as effects on the people of host communities resulting from their direct and indirect associations with tourists. The social and cultural impacts of tourism are the ways in which tourism is contributing to changes in value systems, individual behavior, family structure and relationships, collective lifestyles, safety levels, moral conduct, traditional ceremonies and community organizations. Special ...

  3. Memory culture and the contemporary city : building sites

    DEFF Research Database (Denmark)

    Staiger, Uta; Steiner, Henriette; Webber, Andrew

    "These essays by leading figures from academia, architecture and the arts consider how cultures of memory are constructed for and in contemporary cities. They take Berlin as a key case of a historically burdened metropolis, but also extend to other global cities: Jerusalem, Buenos Aires, Cape Town...

  4. Unlocking the black box: teaching mathematical modeling with popular culture.

    Science.gov (United States)

    Lofgren, Eric T

    2016-10-01

    Mathematical modeling is an important tool in biological research, allowing for the synthesis of results from many studies into an understanding of a system. Despite this, the need for extensive subject matter knowledge and complex mathematics often leaves modeling as an esoteric subspecialty. A 2-fold approach can be used to make modeling more approachable for students and those interested in obtaining a functional knowledge of modeling. The first is the use of a popular culture disease system-a zombie epidemic-to allow for exploration of the concepts of modeling using a flexible framework. The second is the use of available interactive and non-calculus-based tools to allow students to work with and implement models to cement their understanding. © FEMS 2016. All rights reserved. For permissions, please e-mail: journals.permissions@oup.com.

  5. Suicide and the afterlife: popular religion and the standardisation of 'culture' in Japan.

    Science.gov (United States)

    Picone, Mary

    2012-06-01

    For an overwhelming majority of commentators, including many anthropologists, 'Japanese culture' is still associated with a positive view of suicide. Western-language writings have contributed by feedback loop to perpetuate this stereotype. Besides the local 'samurai ethic', Japanese Buddhism is also said not to prohibit taking one's life. However, the most popular examples of heroic self-sacrifice, from the Edo period to WWII, are fraught with covert contradictions. From ancient times to the present religious practitioners of all sorts have maintained that suicide creates unhappy, resentful spirits who harm the living. This article discusses many examples of a diverse series of narratives, from spirit medium's séances to drama to contemporary films, in which the anguished spirits of suicides are allowed to express themselves directly. After the figures rose alarmingly in the late 1990s various religious organisations have attempted to fight the stigma suffered by bereaved family members and have introduced new interpretations and new rituals.

  6. Ethnic and Cultural diversity in Contemporary Scandinavia

    DEFF Research Database (Denmark)

    Singla, Rashmi

    to the above consequences through relatively under- researched phenomena: societal responses to immigrants, their psychological health across time, interethnic health communication, ‘mixing’ dynamics in intermarried couples, in Denmark, Norway and Sweden. The first two papers enrich about the ppsycho......-political processes in handling the challenges of cultural globalisation, and insights into the dynamics of shame among immigrant women through a pioneer longitudinal study. While the last two papers delineate communication between immigrants and health workers, and identity negotiation processes among the ethnically...... intermarried couples and ‘mixed’children. The symposium thus challenges, by adding nuanced theoretical and empirical knowledge, the stereotypes about multiculturalism/Danishness, the stigmatised ethnic minorities and polarisation of populations into us and the others....

  7. The popularity of domestic cultural products: cross-national differences and the relation to globalization

    NARCIS (Netherlands)

    Bekhuis, H.

    2013-01-01

    This dissertation addressed the popularity of domestic cultural consumption. It aimed at describing and explaining the extent to which the popularity of domestic cultural consumption differs between countries and over time. We studied the popularity of domestic versus foreign film productions, the

  8. Hybridization of crime fiction genre forms as a representation of contemporary cultural process

    Directory of Open Access Journals (Sweden)

    G. O. Krapivnyk

    2014-05-01

    Full Text Available The research is devoted to the consideration of hybridization of crime fiction forms in the contemporary cultural process. The work showed that, from the point of view of the culture development, sophistication of the classical crime fiction formula, hybridization of detective fiction with other fiction genres is a natural process of the strive to vary і diversify, combine genres, styles and means of text presentation (from a hard copy or audio book to video and computer games, which is related to the crisis of the Modernity project epoch, where fiction genres were quite self­sufficient, and the transition to the postmodern (or updated Modern, where the human consciousness is dominated by the processes of simultaneous specialization and combination of various industries, in other words, divergence and convergence. It may be claimed that a detective text as one of the most popular genres in the contemporary information culture, in particular, because it reveals secrets, clarifies vague things and assists in discovering the truth, transforms so that there is a process of detectivization of different text products of the cultural industry. At the same time the very detective formula as a component of various genres becomes a tool for playing and influencing the consciousness of a contemporary person.

  9. Ufology: The Origins of a “Science” in Popular Culture

    Directory of Open Access Journals (Sweden)

    Nina Kulenović

    2016-02-01

    Full Text Available The paper indentifies pop-cultural precursors to contemporary ufology, an unusual amalgamation of beliefs, conceptions and ideas, based on ontologically officially inexistent phenomena. The focus of the paper is on the socio-cultural context which enabled the constitution and/or transformation of the contingent semantic matrix which would interpret “strange phenomena in the sky” as alien aircraft. By contextualizing ufology within the framework of popular culture on the shoulders of which it initially stood, I will shed light on the political, ideological and ethical climate in which the initial UFO discourse emerged. The trail for further ufological research was opened by pointing out that pop-culture – in the age of dwindling trust in official institutions which is symptomatic of the second half of the 20th century, as well as the dismantling of the idea of science as a value-neutral and objective way of looking at reality – had already paved the way for a pseudoscientific/sciencelike discourse like ufology to strive to constitute itself as a “science more scientific than science itself”, and as “more objective than the objective”. In other words, as a epistemologically valid, methodologically standardized, institutionally grounded, fiscally viable and ethically superior scientific discipline.

  10. New Concepts of Play and the Problem of Technology, Digital Media and Popular-Culture Integration with Play-Based Learning in Early Childhood Education

    Science.gov (United States)

    Edwards, Susan

    2016-01-01

    Technology, digital media and popular culture form an important aspect of young children's life-worlds in contemporary post-industrial societies. A problem for early childhood educators is how to most effectively integrate these aspects of children's life-worlds into the provision of play-based learning. Traditionally, research has considered…

  11. La cultura popular anglofona en el curriculum del ingles a nivel superior (Popular Anglophone Culture in the English Curriculum at the College Level).

    Science.gov (United States)

    Zoreda, Margaret Lee

    This paper examines the rationale for introducing popular culture into college-level English-as-a-Second-Language instruction in Mexico, drawing on research and theory in second language instruction, and it offers specific suggestions for classroom presentation of popular cultural content. It is argued that content in popular culture can enhance…

  12. The contemporary Malay Cultural and architecture in Medan City

    Science.gov (United States)

    Nawawiy Loebis, M.; Nirfalini Aulia, Dwira; Asdiana; Tuah Aditya Saragih, Jhon

    2018-03-01

    Malay is one of the identity of the city of Medan. Especially the Malay kingdom that has an important role in the history of the city of Medan and the river Deli. Some relics of the Malay kingdom in the form of buildings with Malay architecture that made the tourist area. In this modern era, many buildings are designed contemporary and leave behind a cultural background, especially Malay architecture. The research methodology used is qualitative methodology by way of observation and interviews with informants who are Malay people still in Medan city. And the distribution of questionnaires to the Malay community. The variables tested are, location and environment, language, technology, organizational livelihood system, the arts, and religious system. This study aims to determine the contemporary Malay culture and architecture prevailing in today’s Malay society.

  13. Chinese and American Children's Perceptions of Popularity Determinants: Cultural Differences and Behavioral Correlates

    Science.gov (United States)

    Li, Yan; Xie, Hongling; Shi, Junqi

    2012-01-01

    The present study aimed to investigate cultural construction of children's perceptions of popularity determinants using a cross-cultural approach. This study examined 327 Chinese and 312 American fifth-graders' perceptions of what individual characteristics and peer relationships would make a peer popular. Consistent with cultural emphases,…

  14. Vocação de criar: anotações sobre a cultura e as culturas populares Vocation to create: notes on culture and popular cultures

    Directory of Open Access Journals (Sweden)

    Carlos Rodrigues Brandão

    2009-12-01

    Full Text Available O artigo examina diferentes dimensões da cultura e das polêmicas que envolvem o termo para dizer da(s cultura(s popular(es como derivação também controvertida. Diferentemente dos estudos sobre o eixo cultura-cultura popular, num exercício de memória, busca-se o processo de criação dos movimentos de cultura popular dos anos 1960 no Brasil para, então, aproximá-lo dos tempos atuais e mostrar como a cultura e a cultura popular foram levadas ao campo da prática política e integraram nelas um novo sentido dado à própria educação. Trata-se da discussão entre cultura e educação como espaços francamente abertos e dialógicos que se abrem à difícil e complexa arte da criação, da partilha e do intercâmbio de e entre culturas populares, do papel do saber e da reprodução do saber como questão substantiva no eixo entre cultura e educação.This article examines different dimensions of culture and the controversies surrounding this term when used to refer to "popular culture(s";. Unlike studies on the axis culture-popular culture, an attempt is made to return to the beginning of the Brazilian popular culture movements in 60's, in order to bring them closer to the present time. In doing so, it will be possible to show how culture and popular culture were taken to the field of political praxis, integrating in them a new meaning given to education itself. The discussion points out that a substantive issue to be considered is if culture and education are conceived as spaces overtly open and dialogical in nature, typical of the difficult and complex art of creating, sharing and interchanging of (and between popular cultures the role of knowledge and of the knowledge reproduction.

  15. The Influences of Western Food Culture on Contemporary Chinese Food Culture

    Institute of Scientific and Technical Information of China (English)

    张林

    2017-01-01

    Food, an essential prerequisite for existence, plays an irreplaceable role in the development of society and in the progress of human beings. Chinese food culture has a long and bril iant history, but under the huge impacts of the western civilization, it has been greatly influenced. From these study, the positive influences of the western food culture on the contemporary Chinese food culture can be clearly seen, which also have promoted the diverse developments of Chinese dietary culture.

  16. From Cultural Popularity to the Paradox of Relevance: A Critical ...

    African Journals Online (AJOL)

    The conclusion drawn from the findings is that various factors, especially the multicultural character of most contemporary societies, are impinging on the possibility of developing a theory of citizenship that is universally applicable and globally acceptable. Key Words. Citizenship, citizenship theory, equality, multiculturalism, ...

  17. CULTURAL PHENOMENA AND PROCESSES IN CONTEMPORARY SOCIETY – DETERMINANTS OF CULTURAL POLICIES

    Directory of Open Access Journals (Sweden)

    ANDREEA MIHAELA NITA

    2012-05-01

    Full Text Available Cultural phenomena and processes in the contemporary society, influenced by the social development models and by the fact that the constitutive elements of the culture have become the decisive factors of social change, are the determinants of the cultural policies. They are centered on the active process of cultural globalization that emphasizes besides the assimilation of the European principles, also the preservation of the cultural dialog without identity loss. Contemporary culture cannot be appreciated unless we know the main processes and phenomena that lately have generated impressive changes in the area of technology and means of communication. Due to these transformations we witness a change of the cultural paradigms, a mutation of values.

  18. Social space and cultural class divisions: the forms of capital and contemporary lifestyle differentiation.

    Science.gov (United States)

    Flemmen, Magne; Jarness, Vegard; Rosenlund, Lennart

    2018-03-01

    In this article, we address whether and how contemporary social classes are marked by distinct lifestyles. We assess the model of the social space, a novel approach to class analysis pioneered by Bourdieu's Distinction. Although pivotal in Bourdieu's work, this model is too often overlooked in later research, making its contemporary relevance difficult to assess. We redress this by using the social space as a framework through which to study the cultural manifestation of class divisions in lifestyle differences in contemporary Norwegian society. Through a Multiple Correspondence Analysis (MCA) of unusually rich survey data, we reveal a structure strikingly similar to the model in Distinction, with a primary dimension of the volume of capital, and a secondary dimension of the composition of capital. While avoiding the substantialist fallacy of predefined notions of 'highbrow' and 'lowbrow' tastes, we explore how 168 lifestyle items map onto this social space. This reveals distinct classed lifestyles according to both dimensions of the social space. The lifestyles of the upper classes are distinctly demanding in terms of resources. Among those rich in economic capital, this manifests itself in a lifestyle which involves a quest for excitement, and which is bodily oriented and expensive. For their counterparts rich in cultural capital, a more ascetic and intellectually oriented lifestyle manifests itself, demanding of resources in the sense of requiring symbolic mastery, combining a taste for canonized, legitimate culture with more cosmopolitan and 'popular' items. In contrast to many studies' descriptions of the lower classes as 'disengaged' and 'inactive', we find evidence of distinct tastes on their part. Our analysis thus affirms the validity of Bourdieu's model of social class and the contention that classes tend to take the form of status groups. We challenge dominant positions in cultural stratification research, while questioning the aptness of the metaphor of

  19. Teaching Sexual Matters in Taiwan: The Analytical Framework for Popular Culture and Youth Sexuality Education

    Science.gov (United States)

    Yang, Hsing-Chen

    2014-01-01

    Although most teachers realize the potential of using popular culture within the sexuality education classroom, incorporating it successfully is complex. Especially, how can teachers critically analyse the ideology contained in popular culture without lapsing into moralizing and design motivating activities? For teachers in Taiwan, whose training…

  20. Popular music as cultural heritage: scoping out the field of practice

    NARCIS (Netherlands)

    Brandellero, A.; Janssen, S.

    2014-01-01

    This paper sets out to deepen our understanding of the relationship between popular music and cultural heritage and to delineate the practices of popular music as cultural heritage. The paper illustrates how the term has been mobilised by a variety of actors, from the public to the private sector,

  1. Batman and Batwoman Go to School: Popular Culture in the Literacy Curriculum.

    Science.gov (United States)

    Marsh, Jackie

    1999-01-01

    This case study investigated the introduction of a theme from popular culture into a sociodramatic role-play area in a northern England Nursery Infant school, focusing on its effects on 6- to 7-year olds' literacy activities. Findings indicated that the incorporation of themes from popular culture into the curriculum motivated children whose…

  2. University Faculty Perceptions and Utilization of Popular Culture in the Classroom

    Science.gov (United States)

    Peacock, Jessica; Covino, Ralph; Auchter, Jessica; Boyd, Jennifer; Klug, Hope; Laing, Craig; Irvin, Lindsay

    2018-01-01

    This article discusses results of a survey on the utilization of and attitudes and beliefs towards the use of popular culture among faculty in higher education. A total of 212 faculty members from a mid-sized public regional university provided responses, with the majority indicating that they utilize popular culture in their classroom teaching…

  3. From Keats to Kanye: Romantic Poetry and Popular Culture in the Secondary English Classroom

    Science.gov (United States)

    Bowmer, Megan E.; Curwood, Jen Scott

    2016-01-01

    This case study examined a Romanticism unit within a Year 9 English class in Sydney, Australia. It considered whether popular culture could build connections between students' lives and Romanticism, and whether the process of remixing "high" Romantic poetry with "low" popular culture could foster student engagement. Thematic…

  4. Release the Dragon: The Role of Popular Culture in Children's Stories

    Science.gov (United States)

    Urbach, Jennifer; Eckhoff, Angela

    2012-01-01

    Young learners come to the school environment with myriad literacy experiences, some of which are inevitably based in popular culture. While literacy knowledge drawn from experiences with popular culture has traditionally been viewed as less important than academic literacy, educators wishing to create classrooms that value all children need to…

  5. Popular music as cultural heritage: scoping out the field of practice

    NARCIS (Netherlands)

    A.M.C. Brandellero (Amanda); M.S.S.E. Janssen (Susanne)

    2014-01-01

    textabstractThis paper sets out to deepen our understanding of the relationship between popular music and cultural heritage and to delineate the practices of popular music as cultural heritage. The paper illustrates how the term has been mobilised by a variety of actors, from the public to the

  6. The Past as Popular Culture : Interpreting History through Graphic Novels

    NARCIS (Netherlands)

    Ribbens, Kees; Gardner, James B.; Hamilton, Paula

    2017-01-01

    This chapter presents an overview of the development of historical narratives combining visual and textual elements in comic strips and graphic novels. History comics developed strongly during the 1940s and 1950s and became popular, in particular among young readers in Western Europe and North

  7. "Are My Songs Literature?": A Postmodern Appraisal of Bob Dylan's American Popular Music Culture

    Directory of Open Access Journals (Sweden)

    Marwa Essam Eldin Alkhayat

    2018-02-01

    Full Text Available The current study is a postmodern appraisal of Bob Dylan’s artistic career and vocal gestures to examine the way melody in popular music works in relation to speech and singing, the grand and the ordinary. It historicizes Bob Dylan’s protest music of the 1960s within the paradigm of folk music culture. Dylan’s music is full of riffs, blues sequences, and pentatonic melodies—all heavily part and parcel of blues, folk, gospel, and country music. It is the music that dwells on the pleasures of repetition, of circularity, and of the recurring familiar tune integrated within Dylanesque poetics of rhyme delivered with his idiosyncratic, deep and intense range of voices. Dylan is the official son of the legacies of social, communal, and ritual music-making that mirrors contemporary pop and rock back to folk and blues, street-sung broadsides and work songs, the melodies of medieval troubadours, and the blessed rhythms of Christianity and Judaism. The study is an attempt to illustrate how musicology and ethnomusicology in particular can contribute to understanding Dylan as a ‘performing artist’ within the postmodern paradigm. Thus, the study seeks to establish Dylan as a phenomenal, prolific postmodernist artist, as well as an anarchist. The power and originality of Dylan’s music constitute a prima facie case that his performances should be considered postmodernist art.

  8. Shylock’s Daughters: Philosemitism, Popular Culture, And The Liberal Imagination

    Directory of Open Access Journals (Sweden)

    Hess Jonathan M.

    2015-03-01

    Full Text Available S. H. Mosenthal’s blockbuster drama Deborah, popularized in the English-speaking world as Leah, The Forsaken, delivered generations of nineteenth-century theatergoers fantasies about Jewish women. This paper explores the rich performance history of this work, offering a new perspective on the role of popular culture in launching distinctly liberal forms of philosemitism.

  9. "Made in Germany": The Politics of Teaching German Popular Culture in the Twenty-First Century

    Science.gov (United States)

    Kahnke, Corinna; Stehle, Maria

    2011-01-01

    In North American universities, pop culture increasingly appears in the German Studies classroom to "spice up" the curriculum. But what is conveyed and taught and how is it inserted into the curriculum and into the US cultural context? This article explores three examples of popular culture in the German Studies classroom:…

  10. Contemporary practice of presentation: new tendencies in showing the cultural heritage

    Directory of Open Access Journals (Sweden)

    Ljiljana Manić

    2014-09-01

    Full Text Available Because of its symbolic meaning, the cultural and historical heritage has a specific value for the modern generations, since it forms the identity and shapes the collective and individual culture of memory. It is of great importance that more and more young people get in touch with the works of art that make the material cultural heritage. However, the traditional ways of presentation are usually not very popular with the audience, since people are so used to the dynamics of the new media. Contemporary exhibitions are becoming a way for the audience to get information, entertainment and education, since they tell stories and offer arguments of diversity and importance of cultural heritage. In this paper we will analyze the advantages of technology in presentation and promotion of cultural heritage on the example of the multimedia exhibition “Refreshing of memory”. Through animation, projection and interactive presentation, intriguing lighting and sound sensations, the author of the exhibition Ivan Mangov has presented the medieval painting to the younger audience.

  11. Psychasthenia Studio and the Gamification of Contemporary Culture

    Directory of Open Access Journals (Sweden)

    Victoria Szabo

    2018-06-01

    Full Text Available What does it mean to say that Games Matter within a new media art context? Conversely, what contributions can artists and scholars exploring the medium make to the cultural conversation around their use and meaning? This contribution highlights the ways in which our interdisciplinary art collective, Psychasthenia Studio, has addressed the cultural effects of games and gamification as they have evolved over the last decade, using a series of videogame art projects as the medium of expression and critique. As Mary Flanagan (2009 suggested in Critical Play, “games carry beliefs within their representation systems and mechanics” (p. 4. Through their thematic content and interaction design, the three videogames developed by us in the interdisciplinary Psychasthenia Studio between 2009‒2017 draw attention to those beliefs as they exist not only in the games themselves, but also more broadly in an increasingly gamified contemporary culture. Psychasthenia Studio simultaneously intervenes in the discussion around games in society and pushes the boundaries of what constitutes new media art practice today. By playing the Psychasthenia games, our hope is that users both co-author and witness their own participation in the system.

  12. A study of popular culture and fandom : the case of Japanese manga

    OpenAIRE

    Büyüm, Bestem

    2010-01-01

    Ankara : The Department of Communication and Design and the Institute of Economics and Social Sciences of Bilkent University, 2010. Thesis (Master's) -- Bilkent University, 2010. Includes bibliographical references leaves 167-170. This thesis is an attempt to explore the practices, influence and reception of manga and anime as a global product of Japanese Popular culture as it concentrates on the emergence of manga as a popular culture product, how it became this wide spread in...

  13. Black Voices, German Rebels: Acts of Masculinity in Postwar Popular Culture

    OpenAIRE

    Layne, Priscilla Dionne

    2011-01-01

    This dissertation examines practices of embodying Black popular culture in Germany. My analysis is based on close readings of texts from a variety of media including novels, films and musical theater from West and East Germany of the 1950s to the reunified Germany of the 1990s. Black popular culture, particularly popular music, has appealed to Germans since the 19th century, when the Fisk Jubilee singers toured Europe. In most of my analyses, music plays a prominent role as a gateway to Black...

  14. Rediscovering Horror – From Graveyard Poetry to Popular Culture

    OpenAIRE

    Musap, Emilia

    2016-01-01

    Horror: A Literary History, edited by Xavier Aldana Reyes, is divided into seven chapters which function as separate essays that can be read without having specific knowledge about the horror genre. If read systematically, the book presents an anthological review which establishes the continuity of the genre from 1764 to the early twenty-first century. Even though it privileges theory over textual analysis, the book can be used to elucidate numerous cultural productions and developments that ...

  15. Imagined Voodoo: Terror, Sex, and Racism in American Popular Culture

    OpenAIRE

    McGee, Adam Michael

    2014-01-01

    I analyze the historical and cultural processes by which American racism is reproduced, approaching the issue through the lens of "imagined voodoo" (as distinct from Haitian Vodou). I posit that the American Marine occupation of Haiti (1915-34) was crucial in shaping the American racial imaginary. In film, television, and literature, imagined voodoo continues to serve as an outlet for white racist anxieties. Because it is usually found in low-brow entertainment (like horror) and rarely men...

  16. On Populist Pop Culture: Ethno as the Contemporary Political Ideology in Serbia

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    Irena Šentevska

    2016-12-01

    Full Text Available This study attempts to shift the debate of the contemporary facets of populist ideologies from the realm of institutional politics to the realm of everyday life, popular culture, media and “invented traditions”. My intention is to demonstrate how these realms generate new sources and voices of populism, often downplayed in the academic debates on the subject. The paper stems from comprehensive research on discourses of identity (reconstruction in post-Yugoslav Serbia as communicated in pop-cultural media forms (specifically, music videos of all genres, in which I used a sample of 4733 music videos produced between 1980 and 2010 (and later. In this paper, I have chosen to focus on the case of the charity campaign Podignimo Stupove and its music video output. The campaign was launched as a pop-cultural initiative to help the restoration of the 12th century monastery Đurđevi Stupovi in Stari Ras, a site of utmost historical significance and value for the national culture. Against the background of institutional changes that markedly redefined the place of religion in Serbian post-socialist society, the music videos discussed in this paper provide a valuable insight into the combined musical, textual and visual language of communication of some longstanding notions associated with “Serbian populism”.

  17. The Prince and the Hobby-Horse: Shakespeare and the Ambivalence of Early Modern Popular Culture

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    Natália Pikli

    2013-03-01

    Full Text Available The Shakespearean hobby-horse, mentioned emphatically in Hamlet, brings into focus a number of problems related to early modern popular culture. In the late sixteenth and early seventeenth centuries the word was characterised by semantic ambivalence, with simultaneously valid meanings of a breed of horse, a morris character, a foolish person, and a wanton woman. The overlapping of these meanings in different cultural discourses of the age (playtexts, emblem books, popular verse, pictures exemplifies the interaction of different productions of early modern popular culture, from social humiliating practices to festivals and public playhouses. This attests to a complex circulation of cultural memory regarding symbols of popular culture, paradoxically both ‘forgotten’ and ‘remembered’ as a basically oral-ritual culture was transformed into written forms. In this context, the Hamletian passage gains new overtones, while the different versions of the playtext (Q1 & 2: 1603, 1604, F: 1623 also offer insights into the changing attitudes regarding popular culture, as it became gradually commercialised and politicised in the following decades. Finally, Shakespeare’s The Winter’s Tale and Jonson’s Bartholomew Fair solidify a critical and sceptical attitude, which seems to have signalled the end of ‘Merry Old England’ on-stage and off-stage as well.

  18. Adjustment of International Graduate Students of Eastern Cultures to the American Popular and Educational Culture : A Qualitative Research

    OpenAIRE

    稲葉, 美由紀; Inaba, Miyuki

    2010-01-01

    The number of international students coming into the U.S. for higher education is steadily rising. The ability of these students to perform well in their educational endeavors is related to their degree of success in adjusting to American popular and educational culture. This study uses a naturalistic perspective to understand the factors involved in the adjustment of international graduate students from India and Japan to American popular and educational culture. Implications of these result...

  19. Rediscovering Horror – From Graveyard Poetry to Popular Culture

    Directory of Open Access Journals (Sweden)

    Emilia Musap

    2016-12-01

    Full Text Available Horror: A Literary History, edited by Xavier Aldana Reyes, is divided into seven chapters which function as separate essays that can be read without having specific knowledge about the horror genre. If read systematically, the book presents an anthological review which establishes the continuity of the genre from 1764 to the early twenty-first century. Even though it privileges theory over textual analysis, the book can be used to elucidate numerous cultural productions and developments that have influenced the simultaneous evolution and devolution of horror by offering a precise insight into the continual interaction of social and literary spheres. Horror: A Literary History is valuable precisely because it questions the devalorizing stances towards the horror genre by acknowledging the importance of various writers who have contributed to the evolution of American and British literature but have often been marginalized because of their tendencies to transgress into the horror genre.

  20. Creativity In Amateur Multimedia: Popular Culture, Critical Theory, And Hci

    Directory of Open Access Journals (Sweden)

    Jeffrey Bardzell

    2007-01-01

    Full Text Available The last decade has witnessed the emergence and aesthetic maturation of amateur multimedia on an unprecedented scale, from video podcasts to machinima, and Flash animations to user-created metaverses. Today, especially in academic circles, this pop culture phenomenon is little recognized and even less understood. This paper explores creativity in amateur multimedia using three theorizations of creativity—those of HCI, postructuralism, and technological determinism. These theorizations frame a semiotic analysis of numerous commonly used multimedia authoring platforms, which demonstrates a deep convergence of multimedia authoring tool strategies that collectively project a conceptualization and practice of digital creativity. This conceptualization of digital creativity in authoring tools is then compared with hundreds of amateur-created artifacts. These analyses reveal relationships among emerging amateur multimedia aesthetics, common software authoring tools, and the three theorizations of creativity discussed.

  1. Moe and Internet Memes: The Resistance and Accommodation of Japanese Popular Culture in China

    Directory of Open Access Journals (Sweden)

    Asako P. Saito

    2017-05-01

    Full Text Available The cultural exports of Japanese anime and manga have faced both praise and scorn in the Chinese market. Although the Chinese state generally regards these cultural artefacts as a negative influence, the adoption of visual techniques and concepts associated with Japanese popular culture has become common in China, particularly on the internet. This article seeks to understand the implications of the ‘glocalisation’ of Japanese anime and manga in China. It discusses how Japanese popular culture is perceived by the Chinese Communist Party and by the general public, and how the Chinese state has invested in its own domestic comics and animation industries in an attempt to curb the cultural flow from Japan. Through examining a satirical Chinese virtual character who is heavily influenced by Japanese graphic techniques and concepts, this article demonstrates that governments are not the final arbiters in matters of cultural influence and illuminates the complex nature of transnational cultural flows between China and Japan.

  2. Contemporary Minangkabau food culture in West Sumatra, Indonesia.

    Science.gov (United States)

    Lipoeto, N I; Mmedsci; Agus, Z; Oenzil, F; Masrul, M; Wattanapenpaiboon, N

    2001-01-01

    Diet has a strong relationship with food culture and changes in it are likely to be involved in the pathogenesis of newly emergent degenerative diseases. To obtain in-depth opinions about the food culture of Minangkabau people, focus group discussions were conducted in a Minangkabau region, represented by four villages in West Sumatra, Indonesia, from January to March 1999. The members of the discussion groups were principally women aged from 35 to 82 years old. Minangkabau culture is matriarchal and matrilineal which accounts for female gender dominants in the discussions. Rice, fish, coconut and chilli are the basic ingredients of the Minangkabau meals. Meat, especially beef and chicken, is mainly prepared for special occasions; pork is not halal and therefore not eaten by Muslim Minangkabau people; and for reasons of taste preference and availability, lamb, goat and wild game are rarely eaten. However, rendang, a popular meat dish, has been identified as one of the Minangkabau food culture characteristic dishes. Vegetables are consumed daily. Fruit is mainly seasonal, although certain kinds of fruit, such as banana, papaya and citrus, can be found all year around. Coconut has an important role in Minangkabau food culture and is the main source of dietary fat. While almost all food items consumed by the Minangkabau can be cooked with coconut milk, fried food with coconut oil is considered to be a daily basic food. Desiccated coconut is also used as a food ingredient on about a weekly basis and in snack foods almost every day. Although there have been no changes in food preparation and there is a slight difference in taste preference between the young and the old generations, there has been a dramatic shift in food preferences, which is reflected in the changing percentage of energy consumed over the past 15 years. The traditional combination of rice, fish and coconut in Minangkabau culture goes back hundreds of years, long before the emergence of the degenerative

  3. A Contribution to the Definition of the Concept of Popular Culture: An Empirical Inquiry into the Epistemological Shortcomings of Popular Conceptions about Pretrial Detention in Serbia

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    Saša Nedeljković

    2016-02-01

    Full Text Available In an attempt to ascertain the functionality of certain definitions of the concept of popular culture, or rather, to point out certain methodological options for the study of popular culture through analyzing certain popular conceptions, I have sought out those areas of social life which are under-represented in popular culture. I consider their avoidance symptomatic, worthy of attention and suitable for analysis. Discovering pretrial confinement as one such neglected area or topic, and trying to indirectly discover what might be the cause of this, I have analyzed and systematized those of its characteristics and elements which do not fulfill the requirements of the syndrome of popularity as it is typically understood.

  4. A Conspicuous Gap in Cultural Studies: Popular Music in the English Studies Classroom

    Science.gov (United States)

    Knippling, Jim

    2013-01-01

    For the author, the key analytic question about a popular song is not "What does it mean?" or "What hidden or coded meaning does it express?" but "What does its popularity tell us about the cultural moment when it resonated with its public?" How did the song "create its audience," so to speak? Obviously, a 1973 hit song, if it could time-travel,…

  5. The Role of Cultural Memory in Contemporary Migrant Activism: Staging Gender in a Transforming Welfare State

    OpenAIRE

    Alund, Aleksandra; Schierup, Carl Urlik

    2015-01-01

    Contemporary scientific and media debates about cultural conflict and gender relations have consolidated stereotypical categorisations of female migrants as passive victims of traditional cultural values. This risks veiling agency against ethnic, gender and other kinds of discrimination inherent in contemporary transformation of Swedish welfare state. In the light of a critical review of the current debate on gender and culture, the authors discuss an alternative understanding of past m...

  6. Christian rock concerts as a meeting between religion and popular culture

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    Andreas Häger

    2003-01-01

    Full Text Available Different forms of artistic expression play a vital role in religious practices of the most diverse traditions. One very important such expression is music. This paper deals with a contemporary form of religious music, Christian rock. Rock or popular music has been used within Christianity as a means for evangelization and worship since the end of the 1960s. The genre of "contemporary Christian music", or Christian rock, stands by definition with one foot in established institutional (in practicality often evangelical Christianity, and the other in the commercial rock musicindustry. The subject of this paper is to study how this intermediate position is manifested and negotiated in Christian rock concerts. Such a performance of Christian rock music is here assumed to be both a rock concert and a religious service. The paper will examine how this duality is expressed in practices at Christian rock concerts.

  7. Crafting Sustainability: Handcraft in Contemporary Art and Cultural Sustainability in the Finnish Lapland

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    Elina Härkönen

    2018-06-01

    Full Text Available Crafting sustainability is discussed here with respect to the dimensions of handcraft traditions in contemporary art for promoting cultural sustainability in the Scandinavian North. Aspects of decolonization, cultural revitalisation, and intergenerational dialogue form an integral part of the negotiations around the need for cultural survival and renewal for a more sustainable future. These dimensions should also be considered in the development of the current education of art teachers. Learning traditional skills and applying them in contemporary art constitute an influential method when striving for cultural sustainability. This study examines three handcraft-based contemporary art cases through art-based action research conducted in the Finnish and the Swedish Lapland. The results show that handcraft-based contemporary art practices with place-specific intergenerational and intercultural approaches create an open space for dialogue where the values and the perceptions on cultural heritage can be negotiated.

  8. Cultura popular e nacionalismo musical: uma discussão das ideias folcloristas sobre a música popular no Brasil * Popular culture and musical nationalism: a discussion of folklorists ideas about popular music in Brazil

    Directory of Open Access Journals (Sweden)

    ISMAEL DE OLIVEIRA GEROLAMO

    2014-02-01

    Full Text Available Resumo: Neste trabalho discutimos como a noção de cultura popular torna-se elemento central para os debates em torno do nacionalismo nas esferas cultural e artística. Exploraremos, mais especificamente, as ideias de Mário de Andrade sobre o nacionalismo musical, tendo em vista a importância dessas ideias e suas possíveis ressonâncias nas discussões acerca da música popular no Brasil durante o século XX. A busca por uma “essência do povo” que constituiria a base de uma nação é ponto de referência para esse debate. Essas ideias, surgidas na Europa, ainda no século XIX, ligadas ao movimento romântico e a atuação dos folcloristas, ganham força no Brasil principalmente a partir do século XX e irão permear inúmeros debates em momentos distintos da história republicana do país.Palavras-chave: Nacionalismo Musical – Mário de Andrade – Música Popular. Abstract: In this paper, we discuss how the idea of popular culture becomes central to debates about nationalism in culture and art. We will explore more specifically the ideas of Mário de Andrade on musical nationalism, regarding the importance of these ideas and their possible resonances in discussions of popular music in Brazil during the twentieth century. The search for a "people's essence" that form the basis of a nation is in the core of this debate. These ideas emerged in Europe in the nineteenth century and are connected to the Romantic movement and actions of folklorists and will bulk in Brazil mostly from the twentieth century, when they will be part of numerous debates in distinguished moments in the country’s history.Keywords: Musical Nationalism – Mário de Andrade – Popular Music.

  9. Nectar for the taking: the popularization of scientific bee culture in England, 1609-1809.

    Science.gov (United States)

    Ebert, Adam

    2011-01-01

    This essay expands and refines academic knowledge of English beekeeping during the seventeenth and eighteenth centuries. Scientific beekeeping focused on improvement, which, in turn, depended on the dissemination of ideas and practices. This analysis, therefore, encompasses the mentalities and tactics of popularizers. The article also identifies two neglected concepts in the popularization campaign. First, popularizers saw scientific beekeeping as a way to end the tradition of killing the bees in order to safely harvest. Second, they sought to promote a rural industry for the economic welfare of the nation. The case study of Exeter's Western Apiarian Society reveals precisely how popularization functioned in reality. The result is a more thorough history of scientific beekeeping and how the rhetoric of improvement related to the culture of practice.

  10. Popular Public Discourse at Speakers' Corner: Negotiating Cultural Identities in Interaction

    DEFF Research Database (Denmark)

    McIlvenny, Paul

    1996-01-01

    In this paper I examine how cultural identities are actively negotiated in popular debate at a multicultural public setting in London. Speakers at Speakers' Corner manage the local construction of group affiliation, audience response and argument in and through talk, within the context of ethnic...... in which participant 'citizens' in the public sphere can actively struggle over cultural representation and identities. Using transcribed examples of video data recorded at Speakers' Corner my paper will examine how cultural identity is invoked in the management of active participation. Audiences...... and their affiliations are regulated and made accountable through the routines of membership categorisation and the policing of cultural identities and their imaginary borders....

  11. Myth Today: the Traditional Understanding of Myth in Critical Theories of Society and the Usefulness of Vernant's Concept of Ancient Greek Mythology for Contemporary Cultural Studies

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    Jože Vogrinc

    2004-12-01

    Full Text Available There is no shortage of speaking about »myths« in contemporary popular culture, and often ancient Greek myths are evoked. »Myth«, however, is usually taken to mean a widely distributed story or belief which is inexact, false and/or fabricated – typically, to manipulate the multitude. In critical theories of society after Marx there are hints of different, theoretically more productive accounts of modern heritage or modern correspondences with Greek mythology. Marx himself has influenced cultural theorists with his account of the relationship between Greek mythology and Greek art as given in his Grundrisse. In his view, mythology serves as the arsenal and foundation of art because in mythology »nature and social forms are already reworked in an unconsciously artistic way by the popular imagination«. This account, together with a hint that there exist (in newspapers modern correspondences with such a relationship, has led to various theoretical elaborations of contemporary popular culture and ideology (e.g. in A. Gramsci, R. Williams, L. Althusser, P. Macherey etc.. None of them, however, retains »myth« as a concept; the word, when used, refers to ideology. Even R. Barthes, who developed a semiological concept of myth, did not refer to its Greek cultural meaning but used it explicitly as a tool for analysing the ideological manipulation of popular culture. C. Lévi-Strauss in social anthropology in general and J.-P. Vernant in the anthropology of ancient worlds have, on the other hand, developed the structural analysis of myths as essential to a culture without reducing it disparagingly to ideology. In our view, it should be possible to transpose Vernant's treatment of myth as a variable and shifting popular account of topics vital to its consumers to the study of today's popular culture and media.

  12. Popular Music in Singapore: Cultural Interactions and the “Inauthenticity” of Singaporean Music

    OpenAIRE

    Fu Lequn

    2015-01-01

    The popular music industry in Singapore advocates for Western music as being superior to local Singaporean music. Singaporeans are usually skeptical about the quality of Singaporean musicians, because of the “inauthentic” stereotype of Singaporean music. So this paper analyses the culture interaction and Singapore music from some current phenomenon that J-pop, K-pop and other music types become an integral part of music culture in Singapore. At the same time, this paper elaborates Authenticit...

  13. Boys' Literacy Development: Navigating the Intersection of Popular Culture, New Literacies, and High-Stakes Assessments

    Science.gov (United States)

    Yeung, Daniel; Curwood, Jen Scott

    2015-01-01

    Prior scholarship suggests that many boys are disengaged from school-based literacy because they do not see its value or significance in their lives. In response, this study investigates the role of popular culture and new literacies in motivating adolescent boys within secondary English. Drawing on sociocultural approaches to literacy research,…

  14. The Nigeria-Biafra war, popular culture and agitation for sovereignty of a Biafran nation

    NARCIS (Netherlands)

    Julius-Adeoye, R.J.

    2017-01-01

    The date 6 July 2017 marks the 50th anniversary of the war considered as one of the worst in recent human history, the Nigeria-Biafra war. My paper focuses on the representation of this war in popular culture – with an emphasis on film, fictional and non-fictional literature. It interrogates the

  15. "Those Anime Students": Foreign Language Literacy Development through Japanese Popular Culture

    Science.gov (United States)

    Fukunaga, Natsuki

    2006-01-01

    Using multiliteracies and sociocultural perspectives on language and literacy learning, this article describes three Japanese as a foreign language (JFL) students' literacy development through involvement with Japanese popular culture. As part of a larger qualitative ethnographic study, the author interviewed JFL learners who have a particular…

  16. Talkin' 'bout the ghetto: popular culture and urban imaginaries of immobility

    NARCIS (Netherlands)

    Jaffe, R.

    2012-01-01

    The concept of the ghetto, referring to specifically urban experiences of sociospatial marginalization, has played a prominent role in black popular culture. This article explores the role of the ghetto as a discursive space of immobility and traces its global journey as a mobile imaginary. Focusing

  17. The Use of Visual Media and Popular Culture in Teaching English Composition.

    Science.gov (United States)

    Pavlik, Katherine Bernice Payant

    There are many ways films, paintings, and photographs can be used in teaching freshman college composition courses. These materials illustrate such rhetorical principles as unity, use of detail, comparison, point of view, and metaphor. Similarly, popular culture such as advertisements, song lyrics, comics, newspapers, and magazines can illustrate…

  18. Practicing Critical Media Literacy Education: Developing a Community of Inquiry among Teachers Using Popular Culture

    Science.gov (United States)

    Flores-Koulish, Stephanie

    2010-01-01

    Media literacy compels us to look anew at the most mundane, that which surrounds us: the media and our popular culture. From there media literacy compels us to accept that the media are constructed and to seek various ways to analyze them, while considering our own beliefs to evaluate for ourselves an ultimate interpretation. This process has the…

  19. Either/or Rules: Social Studies Teachers' Talk about Media and Popular Culture

    Science.gov (United States)

    Mangram, Jefery A.

    2008-01-01

    This article examines how 15 secondary social studies teachers made meaning of media and popular culture, and how those perspectives informed their relationships with their students. Using data from a 3-year qualitative study in which multiple in-depth interviews were conducted, this article also analyzes the discourses that circulated in the…

  20. The Influence of Popular Culture and Entertainment Media on Adult Education

    Science.gov (United States)

    Thompson, Patricia M.

    2007-01-01

    The idea that popular culture and entertainment media influence us in both conscious and unconscious ways is not new. The use of alternative spaces, such as internet sites, for creating entertainment will continue to influence society and challenge educators. The importance of the internet was reflected in Time magazine's choosing YOU (meaning the…

  1. TALKING POLITICS ONLINE WITHIN SPACES OF POPULAR CULTURE : THE CASE OF THE BIG BROTHER FORUM

    NARCIS (Netherlands)

    Graham, T.S.

    2010-01-01

    Talking politics online is not bound to spaces dedicated to politics, particularly the everyday political talk crucial to the public sphere. The aim of this article is to move beyond such spaces by examining political talk within a space dedicated to popular culture. The purpose is to see whether a

  2. Young Asian Dutch constructing Asianness: Understanding the role of Asian popular culture

    NARCIS (Netherlands)

    Kartosen, R.A.

    2016-01-01

    This doctoral thesis is about young Asian Dutch, panethnic Asian identities and identifications, and Asian/Asian Dutch popular culture. It addresses several pressing questions, including: why do young Asian Dutch, who were born and/or raised in the Netherlands, identify as Asian and construct Asian

  3. Popular Culture and Academic Literacies Situated in a Pedagogical Third Space

    Science.gov (United States)

    Buelow, Stephanie

    2016-01-01

    This critical participatory action research study sought to understand what happens when students' interest and experiences with popular culture are integrated into a standards-based sixth grade English language arts curriculum. Multiple data sources were analyzed using the theoretical concept of third space. Findings showed that (a) a democratic,…

  4. The Destruction of the Young Black Male: The Impact of Popular Culture and Organized Sports.

    Science.gov (United States)

    Gaston, John C.

    1986-01-01

    Argues that the negative aspects of popular culture and organized sports in American society contribute to the economic, psychological, and social destruction of the Black male. The media nurtures unrealistic fantasies in young Black males, preventing them from acquiring the education and skills necessary to participate in the mainstream. (ETS)

  5. Seen Any Good Movies?: Creating Space to Talk about Popular Culture.

    Science.gov (United States)

    Bach, Hedy

    1997-01-01

    Argues that the concerns and reactions of young girls to popular culture often are deemed superficial and irrelevant in social studies. Recalls an incident where a 13-year-old's journal entry regarding her fascination with horror films was poorly graded. Includes transcripts of the girl talking about films. (MJP)

  6. "They Are Weighted with Authority": Fat Female Professors in Academic and Popular Cultures

    Science.gov (United States)

    Fisanick, Christina

    2007-01-01

    The images of fat professors encountered in popular culture are few in number and negative in depiction. In this article, the author discusses on how will the professorial body affect the way in which students perceive the professor's teaching abilities. The author concludes that bias against fat professors, professors of color, and other…

  7. 文化漫游与精神家园——当代中国文化散文的公共语境 (Cultural Tours and the Spiritual Home: On Yu Qiuyu and Contemporary Chinese Cultural Essays

    Directory of Open Access Journals (Sweden)

    Yi Zheng

    2007-01-01

    Full Text Available The essay explores the public social dimension of the “great cultural essays” as a popular post-socialist genre. It looks into the genre’s emergence and popularity as part of the making of a middleclass taste in contemporary China and its claim to a re-imagined cultural national inheritance. In particular, the discussion focuses on the example of essayist Yu Qiuyu and examines the implications of his successful transformation of an obsolete historical “Culture” into a desirable commodity that offers spiritual home to the aspiring and successful of a “Greater China”.

  8. Cultura popular e Turismo: O Ceará nos anos 1970 / Popular Culture and Tourism: Ceará, Brazil, in the 70’s

    Directory of Open Access Journals (Sweden)

    Ana Amélia Rodrigues de Oliveira

    2015-04-01

    Full Text Available Normal 0 21 false false false PT-BR X-NONE X-NONE MicrosoftInternetExplorer4 O artigo analisa o processo de atribuição de valor econômico à cultura popular, a partir da sua vinculação à atividade turística. Até a década de 1950, a cultura popular era entendida socialmente, apenas como um elemento constitutivo da identidade brasileira, calcada nos ideais de pureza e autenticidade. Com a criação de órgãos como o Banco do Nordeste e a Sudene, o governo federal tenta inserir o Nordeste na lógica de desenvolvimento capitalista, e começa a ver na produção popular uma possibilidade de gerar renda a partir do investimento na produção artesanal. O desenvolvimento do turismo influenciará na inserção das tradições populares no circuito econômico como atrativo turístico. Popular Culture and Tourism: Ceará, Brazil, in the 70’s - This paper analyzes the process of assigning economic value to popular culture and its link to tourism. Until the 1950's, popular culture was understood socially in an ideal of purity and authenticity, as a constitutive element of national identity. With creation of institutions such as Banco do Nordeste and Sudene, federal government intends to include the Brazilian Northeast in the capitalist development logic, and see the popular production as a possibility to generate income from investment in craft production. Tourism development will mark the insertion of popular traditions in the economic circuit as a tourist attraction.

  9. From the West Wing to Pink Floyd to Einstein Advertising: Astronomy in Popular Culture

    Science.gov (United States)

    Fraknoi, Andrew

    2007-12-01

    In what popular movie does Darryl Hannah play an astronomer? What Japanese car company is named after a well-known star cluster? Can you name at least two murder mysteries that take place at an observatory? What national astronomy education project was mentioned on The West Wing television show (which had several "stealth astronomy” episodes)? What piece of classical music begins with a Big Bang and has the players expanding on stage and into the concert hall? Can you recite the most famous neutrino poem and name the poet? What science fiction story, written by an astronomer under a pseudonym, features an H-R diagram? What rock group had its members’ names included in a reference in the Astrophysical Journal, unbeknownst to the editor? How many astronomy related operas can you name? How many astronomers does it take to screw in a light bulb? Join in on an exploration of astronomy in popular culture, from stamp collecting to advertising, from science fiction (with accurate astronomy) to rock music, from Broadway musicals to modern poetry. Learn which astronomy colleagues have been writing fiction and poetry while you were busy publishing in the research literature. Bring your favorite example of astronomy in popular culture and we'll take the time at the end to share ideas and have some fun. A resource guide for exploring astronomy and popular culture will be available.

  10. The Construction of National Memory Through Popular Culture. The Case of the Argentinian TV Show,

    Directory of Open Access Journals (Sweden)

    Elizondo Oviedo, María Verónica

    2010-07-01

    Full Text Available This article addresses the borders of the complex television sign through the analysis of the Argentinian TV show "Peter Capusotto y sus videos". In it we find that humor is used as a mechanism to dismantle binary hierarchic political and social oppositions. The program is presented as a musical and comedy TV show where concepts such as popular culture and mass culture are questioned through different false musicians. We focus our attention in the character of Bombita Rodríguez, el Palito Ortega montonero due to the controversy generated in the cultural scene by the fact of bringing up recent aspects of Argentinian history.

  11. Ch. Dokou on Bernice M. Murphy's The Suburban Gothic in American Popular Culture.

    Directory of Open Access Journals (Sweden)

    2010-06-01

    Full Text Available Bernice M. Murphy, The Suburban Gothic in American Popular Culture. Houndmills, Basingstoke: Palgrave Macmillan, 2009. Pp. 236. ISBN: 98-0-230-21810-9Studies in pop culture have the advantage of dealing with material that is more or less familiar to a wide majority of readers and, what is more, appreciated for what it is: the enjoyable—hence surviving and proliferating—collective currency of concepts, facts and views, crude yet effective, by which a culture defines and establishes itself and ...

  12. Contemporary fiction and the ethics of modern culture

    CERN Document Server

    Karnicky, Jeffrey

    2007-01-01

    This book argues for the ethical relevancy of contemporary fiction at the beginning of the twenty-first century. Through reading novels by such writers as David Foster Wallace, Richard Powers, and Irvine Welsh, this book looks at how these works seek to transform the ways that readers live in the world.

  13. Popular culture and the "new human condition": Catastrophe narratives and climate change

    Science.gov (United States)

    Bulfin, Ailise

    2017-09-01

    Striking popular culture images of burnt landscapes, tidal waves and ice-bound cities have the potential to dramatically and emotively convey the dangers of climate change. Given that a significant number of people derive a substantial proportion of their information on the threat of climate change, or the ;new human condition;, from popular culture works such as catastrophe movies, it is important that an investigation into the nature of the representations produced be embedded in the attempt to address the issue. What climate change-related messages may be encoded in popular films, television and novels, how are they being received, and what effects may they have? This article adopts the cultural studies perspective that popular culture gives us an important means by which to access the ;structures of feeling; that characterise a society at a particular historic juncture: the views held and emotional states experienced by significant amounts of people as evident in disparate forms of cultural production. It further adopts the related viewpoint that popular culture has an effect upon the society in which it is consumed, as well as reflecting that society's desires and concerns - although the nature of the effect may be difficult to quantify. From this position, the article puts forward a theory on the role of ecological catastrophe narratives in current popular culture, before going on to review existing critical work on ecologically-charged popular films and novels which attempts to assess their effects on their audiences. It also suggests areas for future research, such as the prevalent but little studied theme of natural and environmental disaster in late-Victorian science fiction writing. This latter area is of interest because it reveals the emergence of an ecological awareness or structure of feeling as early as the late-nineteenth century, and allows the relationship of this development to environmental policy making to be investigated because of the

  14. Hua Loo-Keng's Popularization of Mathematics and the Cultural Revolution.

    Science.gov (United States)

    Hudeček, Jiří

    2017-09-01

    Before 1966, Chinese mathematician Hua Loo-Keng had singled out "Two Methods" as a way to truly applied and useful mathematics. The Overall Planning Method, based on the Critical Path Method widely used in USA, mostly appealed to middle and upper management. This limited its spread during the Cultural Revolution. The Optimum Selection Method, also of US origin, was more mass-oriented and ready for popularization. Nevertheless, Hua met resistance from leftist radicals, whose ideological objections sprang from an underlying power struggle. Hua built popularization teams, mostly from talented younger people whose careers were disrupted by the Cultural Revolution, and thus opened a path for many of them to important roles in China's scientific infrastructure after 1976. Hua Loo-Keng's efforts, while interrupted during the Cultural Revolution and the subsequent political campaigns, were also helped by the populist ethos of the movement, and by the lack of other non-political endeavors at that time. In this sense, the Cultural Revolution gave Hua Loo-Keng's popularization its importance and long-term impact. Copyright © 2017 Elsevier Ltd. All rights reserved.

  15. The role of Hallyu as pop culture in the creation and dissemination of the contemporary korean woman's image

    Directory of Open Access Journals (Sweden)

    Nayelli López Rocha

    2016-02-01

    Full Text Available Categorized as a cultural phenomenon by its international scope and for being a diffuser and disseminator element of Korean culture during the last decade, this movement without precedents called "Hallyu" or "Korean wave" has been instrumental in the promotion and dissemination of Korea’s image in many countries around the world. Due to the importance that this cultural flow has achieved in the past ten years, its definition has been taking and integrating, during its development process, different characteristics. Nowadays, K-pop or pop music has become the most popular element contained within the called Korean pop culture that, in turn, becomes the country’s image to other latitudes. In this work the Hallyu is defined as a socio-cultural phenomenon of hybrid characteristics which contains elements of Korean traditional and modern culture, as elements of the socalled global culture, mixing it in a peculiar way in the local context redefining it as authentically Korean. This project specifically explores how, through Hallyu, the image of modern Korean woman has been modeled by certain characteristics, reaffirming an idea of women which do not necessarily represent the majority of them in this country. In this way, it is analyzed; the construction of the image of Korean women in its current society to understand in which circumstances this image of contemporary woman is created and recreated, establishing an image of being woman to recipients of Hallyu.

  16. Conveying Sacred Knowledge through Contemporary Architectural Design: The Garma Cultural Knowledge Centre

    Directory of Open Access Journals (Sweden)

    Elizabeth Grant

    2016-01-01

    Full Text Available The Indigenous peoples of north east Arnhem Land in Australia (Yolngu overlay their culture with the customs and social behaviour of other societies to achieve positive outcomes and autonomy. Passing down cultural knowledge is intrinsic to the cultural identity of Yolngu. The paper discusses the recently completed Garma Cultural Knowledge Centre and examines the cultural knowledge conveyed through the medium of contemporary architecture design. The paper finds that the Garma Cultural Knowledge Centre combined aspects of non-Aboriginal and Aboriginal cultures to form a coherent whole with multi-facetted meanings.

  17. "Boys Like Smart Girls More than Pretty Girls": Young Korean Immigrant Girls' Understanding of Romantic Love in American Popular Culture

    Science.gov (United States)

    Lee, Lena

    2009-01-01

    Despite the importance of understanding children's interpretations of popular culture in the United States, young children's voices have not been sufficiently explored in studies. Moreover, the perspectives of American immigrant children hardly have a presence in studies of popular culture. Thus, this paper explores how young immigrant children…

  18. Rethinking Sponge Bob and Ninja Turtles: Popular Culture as Funds of Knowledge for Curriculum Co-Construction

    Science.gov (United States)

    Hedges, Helen

    2011-01-01

    Children's interest in popular culture was clear in my study of interests-based curriculum. Yet, perhaps unsurprisingly, it was a contentious site of curriculum co-construction. This article explores this tension. It argues that interpreting popular culture as "funds of knowledge" might assist teachers to consider a different view of this interest…

  19. Places of popular music heritage: the local framing of a global cultural form in Dutch museums and archives

    NARCIS (Netherlands)

    A.J.C. van der Hoeven (Arno); A.M.C. Brandellero (Amanda)

    2015-01-01

    textabstractThrough the prism of popular music, this article examines how the preservation and display of this global cultural form positions itself at the nexus of the local and the global, and in so doing mediates attachment to place. Springing from the increasing cultural legitimacy of popular

  20. Places of popular music heritage: the local framing of a global cultural form in Dutch museums and archives

    NARCIS (Netherlands)

    van der Hoeven, A.; Brandellero, A.

    2015-01-01

    Through the prism of popular music, this article examines how the preservation and display of this global cultural form positions itself at the nexus of the local and the global, and in so doing mediates attachment to place. Springing from the increasing cultural legitimacy of popular music and the

  1. Exploring Representations of "Super" Women in Popular Culture: Shaping Critical Discussions with Female College Students with Learning Exceptionalities

    Science.gov (United States)

    Taber, Nancy; Woloshyn, Vera; Munn, Caitlin; Lane, Laura

    2014-01-01

    In this article, we discuss how our analysis of several popular culture artifacts featuring "super" women characters (superheroes and supernatural) provided the foundation for a media discussion group for female college students with learning exceptionalities. We explore the use of popular culture in discussion groups as well as discuss…

  2. Ataques de nervios in Puerto Rico: culture-bound syndrome or popular illness?

    Science.gov (United States)

    Guarnaccia, P J

    1993-04-01

    Ataque de nervious is a popular illness category among Puerto Ricans and other Latinos written about in anthropological and psychiatric literature for over thirty years. This paper discusses the issue of categorizing ataque de nervios as a "culture-bound syndrome" using data from the first community-based study of this phenomena using epidemiological methods. The paper summarizes the social and psychological correlates of ataques de nervios and provides a preliminary overview of the situations which provoke ataques and the symptoms people experience. The paper critically examines the use of the "culture-bound syndrome" framework analyzing ataques de nervios and suggests that the term "popular illness" is a more effective label for categorizing this syndrome.

  3. Placing Fandom : Film Tourism in Contemporary Fan Culture

    NARCIS (Netherlands)

    A.S. Waysdorf (Abby)

    2017-01-01

    markdownabstractFilm tourism – visiting places associated with a film or television show – is an increasingly visible and popular practice. It is now almost expected whenever a new movie or television show draws on a particular place as a setting. But how are these places experienced by the fans who

  4. Using Contemporary Art to Challenge Cultural Values, Beliefs, and Assumptions

    Science.gov (United States)

    Knight, Wanda B.

    2006-01-01

    Art educators, like many other educators born or socialized within the main-stream culture of a society, seldom have an opportunity to identify, question, and challenge their cultural values, beliefs, assumptions, and perspectives because school culture typically reinforces those they learn at home and in their communities (Bush & Simmons, 1990).…

  5. Young Asian Dutch constructing Asianness: Understanding the role of Asian popular culture

    OpenAIRE

    Kartosen, R.A.

    2016-01-01

    This doctoral thesis is about young Asian Dutch, panethnic Asian identities and identifications, and Asian/Asian Dutch popular culture. It addresses several pressing questions, including: why do young Asian Dutch, who were born and/or raised in the Netherlands, identify as Asian and construct Asian identities? What is the content or meaning of these Asian identities and identifications young Asian Dutch imagine? And how do these relate to young Asian Dutch’ Dutch and homeland identities and i...

  6. Popular Music in Singapore: Cultural Interactions and the “Inauthenticity” of Singaporean Music

    Directory of Open Access Journals (Sweden)

    Fu Lequn

    2015-01-01

    Full Text Available The popular music industry in Singapore advocates for Western music as being superior to local Singaporean music. Singaporeans are usually skeptical about the quality of Singaporean musicians, because of the “inauthentic” stereotype of Singaporean music. So this paper analyses the culture interaction and Singapore music from some current phenomenon that J-pop, K-pop and other music types become an integral part of music culture in Singapore. At the same time, this paper elaborates Authenticity and its importance in Singaporean music and media industry and its influences.

  7. Personality disorders and culture: contemporary clinical views (Part B).

    Science.gov (United States)

    Alarcón, R D; Foulks, E F

    1995-01-01

    This article reviews the basic concepts surrounding the clinical relationships between culture and personality disorders (PDs). Part A of this article, which appeared in Cultural Diversity and Mental Health, Vol. 1, No. 1, pp 3-17 (1995), examined the interpretive/explanatory and pathogenic/ pathoplastic roles of culture. Herein, culture's role as a diagnostic/nosological factor is discussed through the use of measurement instruments and the cultural formulation included in DSM-IV (American Psychiatric Association, 1994). In addition to these three roles, some authors would also consider a therapeutic/protective function for cultured in PDs. Following a critique of the biological perspective, a research model based on the definition of the cultural profile and the estimation of the cultural distance between clinical examiners and populations is proposed. It is important to reject both biological reductionism and the extremes of cultural determinism, in order to better assess the intraethnic distribution of psychopathology, and interethnic variations represented by the notion of cultural relativism.

  8. The conceptualization of winners and losers of transition in popular culture

    Directory of Open Access Journals (Sweden)

    Vesna Trifunović

    2016-02-01

    Full Text Available This paper is about the reconstruction of social presentations (picture, vision of losers and winners of transition based on the products of the popular culture such as the domestic TV series. The given picture was considered in the context of the 1990s, when those TV series were filmed and aired (broadcast, which means that they are typical, primarily, for the period of the so-called first transition. The analysis meant the abstracting one of the dominant themes in both TV series which refers to a certain family of ordinary people, faced with the everyday problems of the time their time, and those problems being mainly existential ones. The identification of the messages about losers and winners of transition, which was being sent through these TV series, was later continued by establishing a formula based on which the mentioned theme (subject was structured, and in the end completed by putting in connection the perceived oppostitions via semiotic square. The conceptualization of losers and winners of transition, which is the result of this paper, in no way implies that this vision of theirs is the only and the dominant one in this society. On the other hand, it certainly exists (existed in the given moment and context and as such it came to surface through domestic TV series as the product of popular culture, through which often widespread and popular attitudes of a society are expressed.

  9. A produção de reconhecimento num contexto popular: devoção e narrativa contemporâneas / The production of recognition in a popular context: contemporary devotion and narrative

    Directory of Open Access Journals (Sweden)

    Régis de Toledo Souza

    2010-01-01

    Full Text Available Dentro da dinâmica de lutas de reconhecimento da cultura popular do vale do Paraíba paulista, identificamos sujeitos responsáveis pelo registro e pela transmissão oral das narrativas de grupos devocionais do catolicismo popular. Atualmente, para sistematizar o registro de suas narrativas, verificamos que alguns sujeitos populares apropriam-se das técnicas e tecnologias antes exclusivas dos profissionais (jornalistas e pesquisadores que geralmente não participam do cotidiano dos sujeitos populares. Constatamos que, ao realizarem esse movimento, esses sujeitos populares passaram a ocupar um espaço de coexistência de vários discursos que disputam os sentidos dessas práticas religiosas, criando uma circularidade dos significados que colocam um desafio para os próprios pesquisadores, pois os discursos e práticas dos pesquisadores tornam agora mais complexas as interpretações das devoções populares e de seus sujeitos. Nas novas narrativas dos especialistas “nativos" existe o uso de categorias assimiladas da lógica de domínios exógenos mais amplos que se fazem presentes em seus cotidianos. / Within the dynamic of struggles for recognition of popular culture in Paraiba Valley, state of São Paulo/Brazil, we identified individuals responsible for the register and oral transmission of narratives of devotional groups of popular Catholicism. Nowadays, to systematize the register of their narratives, we verified that some individuals of these groups appropriate techniques and technologies which were once exclusive to professionals (journalists and researchers that generally do not participate in the individual‟s everyday life. It was observed that, by making this movement, these popular Catholics started to occupy a space of coexistence of several discourses which fight for the meanings of these religious practices, creating a circularity of meanings that challenge the researchers, since their discourses and practices now make the

  10. The role of culture in contemporary theories of sustainable architecture

    DEFF Research Database (Denmark)

    Donovan, Elizabeth

    2015-01-01

    as it has the potential to bridge between the practical and the symbolic elements of the city. It negotiates the relationships between humans and the physical world both manmade and natural. The role of culture is established in many theories of sustainable architecture and is significant in ensuring...... that place and identity are taken into consideration. However, the disconnection between existing knowledge and practice is increasing as sustainability becomes even more ambiguous and fragmented. Understanding how culture is embedded in many sustainable architecture theories can play an essential role...... climate change and energy shortages, but it also has the ability to mediate between the existing cultural heritage and the future built environment. Ensuring that the architecture of tomorrow represents the culture embodied in our cities. Sustainable architecture can contribute to solving these issues...

  11. Football and Spanish Cultural Life; Some contemporary perspectives and observations

    Directory of Open Access Journals (Sweden)

    Jim O'Brien

    2014-12-01

    Full Text Available How can the cultural life and identity of a nation state be articulated and expressed when the existence of that nation state is contested and challenged? If history has any capacity to repeat itself, current cultural and political issues in Spanish society provide much evidence for the continued presence of the struggles between centre and region, unity and division which have permeated constructions and representations of Spain since medieval times.

  12. Workforce quality culture in contemporary economy considerations regarding Romania

    Directory of Open Access Journals (Sweden)

    Petronela Mateescu

    2010-12-01

    Full Text Available Quality culture development relies on the understanding of the laws of change in force in an institution or organization, and it requires knowledge of the culture evolution in that organization. The employees of an organization feel whenever certain changes occur and they should therefore be aware that all the organization decision makers must get involved in planning and implementing the changes, so as to assure the former that everything goes according to the plan.

  13. “Liting it up”: Popular Culture, Indo-Pak Basketball, and South Asian American Institutions

    Directory of Open Access Journals (Sweden)

    Stanley Ilango Thangaraj

    2010-08-01

    Full Text Available South Asian American participants of a co-ethnic basketball league, known as Indo-Pak Basketball, utilized urban basketball vernacular through the phrase “liting it up” to identify individuals scoring points in great numbers. The person “liting it up” becomes visible and receives recognition. Accordingly, I want to “lite up” the scholarship on South Asian America whereby situating South Asian American religious sites and cultural centers as key arenas for “Americanization” through US popular culture. I situate sport as a key element of popular culture through which South Asian American communities work out, struggle through, and contest notions of self. Informed by an Anthropology of Sport, ethnography of South Asian American communities in Atlanta takes place alongside an examination of the North American Indo-Pak Basketball circuit. Accordingly, my findings indicate that such community formation has also taken shape at the intersections of institutions, gender, and sexuality whereby excluding queers, women, and other communities of color.

  14. Conflict, Cultural Diversity and Relativism in Contemporary Nigerian ...

    African Journals Online (AJOL)

    This paper seeks to interrogate the ideal of using drama to highlight the cultural differences within the Nigerian polity and advance the argument that there is need for playwrights to creatively orchestrate this diversity and in the process examine the model of relativism and tolerance amongst the various federating units in the ...

  15. Berlin: A Model for the Teaching of Contemporary German Culture.

    Science.gov (United States)

    Jankowsky, Karen; Remmler, Karyn

    1987-01-01

    Presents the goals, procedures, visual aids, instructional materials used in a German conversation and culture class taught in English. The courses are intended to realistically portray the way of life and the environment of the people of East and West Berlin. (LMO)

  16. Constructions of Mathematicians in Popular Culture and Learners' Narratives: A Study of Mathematical and Non-Mathematical Subjectivities

    Science.gov (United States)

    Moreau, Marie-Pierre; Mendick, Heather; Epstein, Debbie

    2010-01-01

    In this paper, based on a project funded by the UK Economic and Social Research Council considering how people position themselves in relation to popular representations of mathematics and mathematicians, we explore constructions of mathematicians in popular culture and the ways learners make meanings from these. Drawing on an analysis of popular…

  17. Canção do Amor Demais: marco da música popular brasileira contemporânea Canção do Amor Demais [Song of Too Much Love]: a milestone in contemporary Brazilian popular music

    Directory of Open Access Journals (Sweden)

    Liliana Harb Bollos

    2010-12-01

    Full Text Available Discussão sobre a importância do LP Canção do Amor Demais dentro do panorama da cultura brasileira, mais do que do âmbito da música popular em si, a partir do texto de Vinícius de Moraes na contracapa do disco e da crítica de José da Veiga Oliveira. A fronteira existente entre o popular e erudito fica menos evidente neste disco, por conta do alto grau composicional das canções e pelos arranjos assinados por Jobim, tendo em vista que ali se deu a apresentação de João Gilberto em disco e da batida do violão que iria simbolizar a Bossa Nova.This article discusses the importance of the LP Canção do Amor Demais (Song of Too Much Love within the panorama of Brazilian culture, much more than simply within the area of popular music itself. As the a starting point, this discussion uses the LP's liner notes by Vinícius de Moraes and the critique by José da Veiga Oliveira to demonstrate that the existing border between popular classical music become less evident with this album. This is due to the high compositional quality of the songs and arrangements by Tom Jobim, the introduction of João Gilberto and the guitar rhythms that would come to symbolize bossa nova.

  18. The Use of Social Media and Popular Culture to Advance Cross-Cultural Understanding

    Science.gov (United States)

    Tuzel, Sait; Hobbs, Renee

    2017-01-01

    Although we live in a global society, educators face many challenges in finding meaningful ways to connect students to people of other cultures. This paper offers a case study of a collaboration between teachers in the US and Turkey, where 7th grade students interacted with each other via online social media as a means to promote cultural…

  19. A Questao da Moral na Cultura Contemporanea (The Moral Question in Contemporary Culture).

    Science.gov (United States)

    Barcellos, Carine

    2000-01-01

    Extends the debate concerning the discussion about the possibility of ethics on the present configuration of a social ethos based on the reflection of the circumscription of morality within contemporary culture. Turns to the internal debate in psychology, for clarification. (BT)

  20. The Exotic Other: Representations of Latina tropicalism in U.S. popular culture

    Directory of Open Access Journals (Sweden)

    Martynuska Małgorzata

    2016-05-01

    Full Text Available U.S. Latina/o identity is a complex and panethnic construction. One of the most enduring tropes surrounding Latina women in US culture is that of tropicalism, which by erasing ethnic specificity helps construct homogenous stereotypes such as bright colours, rhythmic music, and brown skin that are represented in visual texts. Tropicalization helps position the Latina body as oversexed as well as sexually available; all that is identified with seductive clothing, curvaceous hips and breasts, long brunette hair or extravagant jewellery. The article concerns Latina images in US media and popular culture and focuses on such stars as Jennifer Lopez and Salma Hayek in order to explore the gendered signifiers surrounding Latinidad and Latina iconicity. The female ethnicity is depicted as other through its categorization and marginalization in relation to dominant constructions of Whiteness and femininity. The article bridges the approaches of gender studies and Latina/o studies with recent research on hybridity and transnational identities.

  1. The diachronic temporality as a category in the study of contemporary cultures

    Directory of Open Access Journals (Sweden)

    Rodrigo Manoel Dias da Silva

    2011-12-01

    Full Text Available This article examines the possible interpretations of diachrony, as a category of social analysis, in the study of contemporary cultural differences. The author reviews some studies and surveys that show the temporalities experienced in cultural practices, interested in observing different understandings of the category, in the investigative plan. It concludes that the temporality of events present in cultures have been a privileged locus for questioning about the personal trajectories and biographies of various actors, and the same wording that several areas of social practices are expected when individuals tense or move their strategies of appropriation of cultures in their times and spaces.

  2. The Sæby Riot of 1818 - Popular Protest and the Political Culture of late Danish Absolutism

    DEFF Research Database (Denmark)

    Mührmann-Lund, Jørgen

    A microhistorical analysis of a popular riot in the small Danish town Sæby in 1818, showing the political culture of the period and especially the break with absolutist patriarchalism.......A microhistorical analysis of a popular riot in the small Danish town Sæby in 1818, showing the political culture of the period and especially the break with absolutist patriarchalism....

  3. Chemistry in the Popular Culture: Mass Media, Music and Outreach Events

    Directory of Open Access Journals (Sweden)

    Jergović, B.

    2011-01-01

    Full Text Available Science is often identified with the discipline of chemistry particularly in the popular sphere and in visual culture. The image of science or its profile is created mainly in the mass media, but also in other spheres and in many different ways. Mass media are in the focus of many research groups, as the most frequent and efficient source of scientific information to the public. Science communication research is rather intense also in the attempt to understand the non-linear interaction with popular music and film. In addition, public activities of scientific institutions are being investigated, as well as the public image of science in projects where scientists are directly communicating with the general, lay audience. Notwithstanding, a link between research and the practice of science communication is non-existent. Public communication of science is more emerging than planned, there are many isolated actors and programs, and ‘hard’ sciences are not keen on using the social sciences’ knowledge and skills. In order to improve this situation, it is essential to understand how the public image of science is created, and how science interacts with its audiences. Here, the public image of science is discussed with regard to the news values and the new circumstances for mass communication, particularly the convergence of different media, which offers new possibilities for science in the public. An analysis of the media coverage of chemistry in the International Chemistry Year 2011 shows huge differences in the frequency and nature of the media coverage, particularly with regard to media convergence and the use of different media simultaneously. Outreach events are discussed in the light of the influence on their visitors. Since science communication is present in other spheres of popular culture, and in nonlinear top-down manner, we shortly discuss communication about chemistry in pop music in the attempt to suggest the need to communicate

  4. Television's "crazy lady" trope: female psychopathic traits, teaching, and influence of popular culture.

    Science.gov (United States)

    Cerny, Cathleen; Friedman, Susan Hatters; Smith, Delaney

    2014-04-01

    This article describes notable illustrations of female psychopathy on modern television to review various characters that will have utility in teaching students about female psychopathy in distinction to male psychopathy and to encourage consideration of the potential effects that viewing these countless examples may have on a generation of young women. The authors use examples from soap operas, crime procedurals, reality television, fantasy, comedies, and young adult programs to illustrate gender differences in psychopathy and make specific teaching points. They also review the research literature related to popular culture's impact on behavior and gender roles. Gender differences in real-world psychopathy are mirrored in television portrayals. For example, female psychopaths, on TV and in reality, use sexual manipulation, demonstrate unstable emotions, and employ social aggression to achieve their ambitions. The examples of female psychopathic traits are prevalent on TV and easily accessible for teaching purposes. Research does give some support for a popular culture impact on behavior and gender roles. As compared to male psychopathy, female psychopathy is less recognized, and there are some notable differences in how the psychopathic traits manifest. Television provides myriad teaching examples that can highlight the gender distinctions such as use of sexual manipulation, emotional instability, and social aggression. Research suggests that the prevalence of "crazy ladies" on television may be negatively impacting gender stereotypes and normalizing bad behavior in young women.

  5. Epics, popular culture and politics in a modern work of art

    Directory of Open Access Journals (Sweden)

    Lidija Merenik

    2016-02-01

    Full Text Available “Death in Dallas” is a video-installation by Zoran Naskovski comprised of a visual documentary material connected to the assassination of John Fitzgerald Kennedy, the president of the USA and materials about his public and private life; b a soundtrack comprised of a poem accompanied by gusle by Jozo Karamatić with decasyllabic lyrics “Death in Dallas” by Božo Lasić. The unexpected and strange combo birthed a work of art which contains different layers of meaning and one of the most complete postmodern works of art in Serbian modern art. Naskovski had combined the seemingly incompatible codes of popular culture into a specific artistic method of its own genre – “Balkan noise”. Using the method of “noise” music, in which every noise, soundscape or voice has equal meaning and value; he included epics, tradition, politics, popular and folk culture. Finally, by doing so he had completely shifted the paradigm from modern to postmodern, from the substance of myth to a demystification of this type of representation.

  6. Popularity of Different Lampyrid Species in Japanese Culture as Measured by Google Search Volume.

    Science.gov (United States)

    Takada, Kenta

    2011-07-05

    I investigated the popularity of different lampyrid species (34 species) in Japanese culture as part of a study on cultural entomology. Popularity was assessed by the Google search volume for Japanese lampyrid species names in katakana and hiragana scripts, using the Keyword Tool of Google AdWords. The search volume of lampyrid species as "Genji-botaru" (Luciola cruciata Motschulsky), "Heike-botaru" (Luciola lateralis Motschulsky) and "Hime-botaru" (Hotaria parvula Kiesenwetter), in either or both katakana and hiragana syllabic scripts, was enormously high relative to other lampyrid species, indicating the biased attention of Japanese to these lampyrid species. In addition, search volumes for familial or common lampyrid name ("Hotaru") was assessed and compared with that of 34 lampyrid species. This analyzing result showed that: (1) the search volumes for katakana and hiragana were 37.7 and 773.1 times higher for "Hotaru" than "Genji-botaru", respectively; and (2) the search volume for all lampyrid species was clearly higher in katakana than hiragana, whereas the search volumes for "Hotaru" were clearly higher in hiragana than katakana. These results suggest that: (1) the Japanese public tends to perceive lampyrids with not a clear but an ambiguous taxonomic view; and (2) the attitude of the Japanese public toward lampyrids differs between those who perceive lampyrids with a clear taxonomic view (at species level) and with an ambiguous taxonomic view.

  7. Popularity of Different Lampyrid Species in Japanese Culture as Measured by Google Search Volume

    Directory of Open Access Journals (Sweden)

    Kenta Takada

    2011-07-01

    Full Text Available I investigated the popularity of different lampyrid species (34 species in Japanese culture as part of a study on cultural entomology. Popularity was assessed by the Google search volume for Japanese lampyrid species names in katakana and hiragana scripts, using the Keyword Tool of Google AdWords. The search volume of lampyrid species as “Genji-botaru” (Luciola cruciata Motschulsky, “Heike-botaru” (Luciola lateralis Motschulsky and “Hime-botaru” (Hotaria parvula Kiesenwetter, in either or both katakana and hiragana syllabic scripts, was enormously high relative to other lampyrid species, indicating the biased attention of Japanese to these lampyrid species. In addition, search volumes for familial or common lampyrid name (“Hotaru” was assessed and compared with that of 34 lampyrid species. This analyzing result showed that: (1 the search volumes for katakana and hiragana were 37.7 and 773.1 times higher for “Hotaru” than “Genji-botaru”, respectively; and (2 the search volume for all lampyrid species was clearly higher in katakana than hiragana, whereas the search volumes for “Hotaru” were clearly higher in hiragana than katakana. These results suggest that: (1 the Japanese public tends to perceive lampyrids with not a clear but an ambiguous taxonomic view; and (2 the attitude of the Japanese public toward lampyrids differs between those who perceive lampyrids with a clear taxonomic view (at species level and with an ambiguous taxonomic view.

  8. “Girls are dancin’”: shōjo culture and feminism in contemporary Japanese art

    OpenAIRE

    Emily Jane Wakeling

    2011-01-01

    This article explores the gender-transgressive expressions found in shōjo culture in order to highlight the potential for feminist analysis in the prevalence of the shōjo motif in contemporary Japanese art. Shōjo culture is a fascinating cultural space, within contemporary Japanese culture, which fosters creative expressions of gender that negate or make complex hegemonic categories. Departing from stereotypes of Japanese girls, this article will pay particular interest to an emerging wave of...

  9. 流行文化與課程Popular Culture and Curriculum

    Directory of Open Access Journals (Sweden)

    楊洲松Chou-Sung Yang

    2015-03-01

    Full Text Available 本文旨在透過理論取向,分析流行文化之意義與特性,並據以闡釋其在學校課程上的意涵。本文首先分析與歸納流行文化的意義有:廣受人們喜愛的文化、次級的、大眾的、人民的、文化鬥爭的與後現代主義等六項。其次就流行文化的特性而言,本文提出:一、流行文化呈現出某個世代的獨有共同文化;二、流行文化具有對抗主流母文化的內在性格;三、流行文化是一種創造性的意義表達文化;四、流行文化具有媒體文化及商品化的消費性格。復次,根據上述流行文化之意義與特性,闡釋流行文化之課程意涵有:一、提醒教師教學需顧及學生生活經驗的統整;二、轉化傳統教學方式成為多元解讀的教學方式;三、作為學生滿足自我表現及創造之需求的文化形式;四、提示媒體素養教育的重要性;五、作為新興的文化創意產業,與課程結合可促進學用合一。 Through theoretical approach, this paper aims at analyzing contemporarypopular culture’ and its implications in schooling. Firstly, this paper lays bare the meanings and characters of ‘popular culture’ with the related issues. Then, it justifi es the implications of the ‘popular culture’ in school curriculum. Finally, it provides some suggestions about teaching and learning.

  10. Communication and Cultural Memory in Contemporary Tourism Media Products: Culture-specific and Cross-cultural Perspectives

    Directory of Open Access Journals (Sweden)

    Aleksandra Salamurović

    2015-08-01

    Full Text Available Communication practices which are a part of the contemporary media-culture are intrinsically tied to the processes of (recreating collective identities. One of the possible strategies in the frame of the mediated communication practice is to connect traditional ele-ments of cultural memory with new ones, which are declared as preferable and acceptable. In that way the collective identity remains, on the one hand, “homoge-neous”, offering stability to the members of communica-tion community, on the other hand, it is subject to change and dynamics, always “ready” to be reshaped in order to achieve wider acceptance. The tourism media products, especially tourism promotion videos, are the best examples for this mediated communication prac-tice. The visual images, combined with text messages, i.e. slogans, are not only some of the most important narrative mechanisms in the presentation of certain tourist destination, they are also the key elements of the mediated collective cultural memory and identity of the respective country presented in the tourism promotion videos. The main goal of this article is to examine the represen-tation and composition forms of some of the tourism promotion videos both from the Balkan countries as well as from other regions worldwide related especially to the elements of the cultural memory in order to de-fine culture-specific and cross-cultural strategies rele-vant to the creation of the collective identity. The analy-sis is based on the Critical Discourse Analysis, respec-tively the analytical framework of the “Grammar of Vis-ual Design” by Kress/van Leeuwen.

  11. Dependent Capitalism and Autocratic Culture: Contributions to understanding contemporary Brazil

    Directory of Open Access Journals (Sweden)

    Morena Gomes Marques

    2018-02-01

    Full Text Available This essay is motivated by the need to understand the nature of the dilemmas seen in Brazil today – an economy adorned by internal needs, marked by the systematic restriction of workers to access fundamental social rights, and a state power that is impermeable to the needs of the broad majorities. The article conducts a critical analysis of what we call autocratic culture based on its two constitutive elements: dependence and a recycling of the counter-revolutionary period. We understand autocratic culture to be the political expression of dependence, characterized by the permanent recycling of the democratic process, which remains focused on annulling the impetus of the social forces from below and preserving both the current standard of capital accumulation, as well as the self-privilege of the dominant class. The study involved bibliographic and document research. Our main interlocutors to the theme were the thinkers Florestan Fernandes (1976, 2008, 2009 and Ruy Mauro Marini (2011, 2012, because we believe that their work is essential to the phenomenon of Latin American dependence.

  12. Masculinity in Indonesian Popular Culture in the Early Era of the New Order Regime

    Directory of Open Access Journals (Sweden)

    Ferry Fauzi Hermawan

    2017-05-01

    Full Text Available This study aimed to identify the forms of masculinity in the Indonesian popular culture in the beginning of New Order regime. This study was based on the two novels: Cross Mama and Kekasih-Kekasih Gelap, written by Motinggo Busye. The analysis used new historicism theory proposed by Stephen Greenblatt. The analysis also considered various cultural contexts emerged in 1970s. The results show three shared trends in the novels. The first trend shows that the masculinity tends to be represented by both men worshiping patriarchal values such as the myth of woman’s virginity and men perceiving woman as a sexual object. The second trend shows that masculinity is stereotyped based on masculinity, power, and male dominance. The third trend shows that masculinity relates to various products of mass culture at the time. This last trend shows that in that era, the ideal male figure is represented as the one who: (1 is sexually active with many women, (2 has a muscular body, (3 has a handsome look, and (4 has a financial capability. Besides the shared three trends, the result also shows that the texts in the novels do not only reflect the cultural situations in the 60’s and 70’s but also contribute in shaping the social values of thecultural situations. Normal 0 false false false IN X-NONE X-NONE  

  13. SOCIAL PROTECTION – FROM EARLY HEBREW CULTURE TO CONTEMPORARY CIVILIZATION

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    Dan CONSTANTINESCU

    2014-12-01

    Full Text Available Without the slightest exaggeration we can say that in ancient Israel a complex system of social security was regulated. If that system worked as depicted by the words of Moses and its efficiency are altogether other problems that can make the topic of new research. The disadvantaged categories the Old Testament refers to are not basically different from the persons that make today’s social politics topic, which are: the poor, orphans, widows, emigrants and the sick. Besides, a pericope through Deuteronomy bears the name The Rights of the foreigner, the orphan and widow. It is worth noting that in the Biblical text, the issue of protecting the disadvantaged transcends historical eras. It is found, thus, in the lamentations of the rightful Job, in the thoughts of Solomon and even in the words of our Savior. An everlasting issue to solve which modern approaches should not exclude, in our opinion, is the perennial parts of early Hebrew culture.

  14. A contemporary examination of workplace learning culture: an ethnomethodology study.

    Science.gov (United States)

    Newton, Jennifer M; Henderson, Amanda; Jolly, Brian; Greaves, Judith

    2015-01-01

    Creating and maintaining a sustainable workforce is currently an international concern. Extensive literature suggest that students and staff need to be 'engaged', that is they need to interact with the health team if they are to maximise learning opportunities. Despite many studies since the 1970s into what creates a 'good' learning environment, ongoing issues continue to challenge healthcare organisations and educators. A 'good' learning environment has been an intangible element for many professions as learning is hindered by the complexity of practice and by limitations on practitioners' time available to assist and guide novices. This study sought to explore the nature of the learning interactions and experiences in clinical nursing practice that enhance a 'good' workplace learning culture for both nursing students and qualified nurses. An ethnomethodology study. A range of clinical settings in Victoria and Queensland, Australia. Students and registered nurses (n=95). Fieldwork observations were carried out on student nurses and registered nurses, followed by an individual interview with each participant. An iterative approach to analysis was undertaken; field notes of observations were reviewed, interviews transcribed verbatim and entered into NVivo10. Major themes were then extracted. Three central themes: learning by doing, navigating through communication, and 'entrustability', emerged providing insights into common practices potentially enhancing or detracting from learning in the workplace. Students' and registered nurses' learning is constrained by a myriad of interactions and embedded workplace practices, which can either enhance the individual's opportunities for learning or detract from the richness of affordances that healthcare workplace settings have to offer. Until the culture/or routine practices of the healthcare workplace are challenged, the trust and meaningful communication essential to learning in practice, will be achievable only

  15. Monster as a Superhero: an Essay on Vampire Vogue in Contemporary Film Culture

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    Lejla Panjeta

    2012-01-01

    Full Text Available The worldwide popular series Twilight is the mixed genre phenomenon in literature, media and cinema. After monstrous cinema interpretations of vampires, Edward Cullen becomes a vampire that women fall in love with. Narrative draws on the legend of vampires as well as on the fairy tales archetype of the love between The Lady and the Beast. Sexual connotation in the stories of vampires are not new, but the global identification of the audience with the main characters in the romantic-horror plot in this series needs to be analyzed through the evolution of the vampire genre and psychology related issues. The popularity of this series and blossoming hybrid genre is related to the artificial catharsis and fulfillment of the market demand. Contemporary audience demands “to be special” and these profitable narratives are the fulfilled promise to the audience.

  16. Monster as a Superhero: an Essay on Vampire Vogue in Contemporary Film Culture

    Directory of Open Access Journals (Sweden)

    Lejla Panjeta

    2012-12-01

    Full Text Available The worldwide popular series Twilight is the mixed genre phenomenon in literature, media and cinema. After monstrous cinema interpretations of vampires, Edward Cullen becomes a vampire that women fall in love with. Narrative draws on the legend of vampires as well as on the fairy tales archetype of the love between The Lady and the Beast. Sexual connotation in the stories of vampires are not new, but the global identification of the audience with the main characters in the romantic-horror plot in this series needs to be analyzed through the evolution of the vampire genre and psychology related issues. The popularity of this series and blossoming hybrid genre is related to the artificial catharsis and fulfillment of the market demand. Contemporary audience demands “to be special” and these profitable narratives are the fulfilled promise to the audience.

  17. Cruel and Unusual: Negative Images of Arabs in American Popular Culture. Third Edition. ADC Issue Paper No. 15.

    Science.gov (United States)

    Michalak, Laurence

    This document addresses the negative image of Arabs among the U.S. public. While formal education has created many of the misconceptions about Arabs that abound in the west, many of the misconceptions come from the informal education of popular culture. The western image of the Arab is possibly more interesting than the reality of Arab culture.…

  18. Infinite content, infinitely content : Self-expression in contemporary digital culture

    NARCIS (Netherlands)

    Waterloo, S.F.

    2018-01-01

    Social media have taken a prominent position in today’s society. We are able to connect, interact, and express ourselves in ways previously unheard of. In popular press, plenty of critics have raised concerns on the shift to the culture of social media consumption we currently find ourselves in.

  19. Self-publishing of Lithuanian cultural periodicals in Soviet and contemporary times

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    Asta Urbanaviciute

    2015-07-01

    Full Text Available The aim of this article is to analyse self-publishing trends of Lithuanian cultural periodicals focusing on the historical and contemporary contexts. The article provides an overview of the reasons for historical cultural periodical self-published texts, known as samizdats, to appear, as well as their publishing and circulation trends in Lithuania. It also analyses what contemporary cultural self-publishing is: whether it is a completely independent, logical consequence of the digital age, which emerged under favourable circumstances, or if it can be characterized as having something in common with the past experiences. The most active years of the periodical underground press publishing in Soviet Lithuanian self-publishing development were between 1975 and 1981. Self-published texts ideologically diverged into three main directions: religious, civic, and cultural-artistic. A total of 22 publications were being published for a longer or shorter period of time. While analysing contemporary cultural self-publishing topics, the report focuses only on online cultural texts, irrespective of the printed ones. Survey method was used to find out how much and in what aspect modern Internet users perceive historical periodical self-publishing, and how and in what aspect they value modern cultural self-published texts. The results show that 18-35-year-old respondents have not acquired the skills necessary to analyse samizdat publishing. They associate the word self-publishing with digital texts only, which due to favourable conditions spread easily through social networks and blogs. In the era of advancing computer technologies and the Internet, every person who has the time and desire may become a developer, an author, or at least a disseminator of information: this tradition is becoming more and more topical and quite frequently – an almost self-evident phenomenon.

  20. FCJ-142 Spectacles and Tropes: Speculative Design and Contemporary Food Cultures

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    Carl DiSalvo

    2012-07-01

    Full Text Available Speculative design is a particularly inventive mode of design that is concerned with developing imaginative futures or alternate presents. Often, the purpose of speculative design is to prompt reflection on contemporary conditions and express possible implications of current trends in science and technology. Like all design, speculative design reproduces as well as invents culture and there are limits to the work it does. In this essay, I trace the ways speculative design reproduces contemporary food cultures through two projects: Guide to Free Farming (2009 and Family Whiskey (2010. From these projects I draw out and discuss two strategies of speculative design: the use of spectacle and the use of tropes. I describe how these strategies work to attract us to images and objects, and I identify their limits in providing content, meaning, and significance. In concluding, I consider how speculative design might enable more substantive engagement with issues.

  1. Fashion vs. function in cultural evolution: the case of dog breed popularity.

    Science.gov (United States)

    Ghirlanda, Stefano; Acerbi, Alberto; Herzog, Harold; Serpell, James A

    2013-01-01

    We investigate the relationship between characteristics of dog breeds and their popularity between years 1926 and 2005. We consider breed health, longevity, and behavioral qualities such as aggressiveness, trainability, and fearfulness. We show that a breed's overall popularity, fluctuations in popularity, and rates of increase and decrease around popularity peaks show typically no correlation with these breed characteristics. One exception is the finding that more popular breeds tend to suffer from more inherited disorders. Our results support the hypothesis that dog breed popularity has been primarily determined by fashion rather than function.

  2. Fashion vs. Function in Cultural Evolution: The Case of Dog Breed Popularity

    Science.gov (United States)

    Ghirlanda, Stefano; Acerbi, Alberto; Herzog, Harold; Serpell, James A.

    2013-01-01

    We investigate the relationship between characteristics of dog breeds and their popularity between years 1926 and 2005. We consider breed health, longevity, and behavioral qualities such as aggressiveness, trainability, and fearfulness. We show that a breed's overall popularity, fluctuations in popularity, and rates of increase and decrease around popularity peaks show typically no correlation with these breed characteristics. One exception is the finding that more popular breeds tend to suffer from more inherited disorders. Our results support the hypothesis that dog breed popularity has been primarily determined by fashion rather than function. PMID:24040341

  3. Encuentros esteticos deweyanos con la cultura popular anglofona en la ensenanza de ingles como lengua extranjera (EILE). Working Paper (Deweyan Aesthetic Encounters with Anglophone Popular Culture in the Teaching of English as a Foreign Language. Working Paper).

    Science.gov (United States)

    Zoreda, Margaret Lee

    This paper discusses how the introduction of Anglophone popular culture in the English-as-a-foreign-language class can serve to foster critical aesthetic experiences. It is argued that the popular culture of the hegemonic Anglophone countries is already part of students' lives and for that reason should be included in any critical Anglophone…

  4. Consumption Of Counterfeit Alcohol In Contemporary Russia: The Role Of Cultural And Structural Factors

    OpenAIRE

    Zoya Kotelnikova

    2014-01-01

    The majority of Russians believe that counterfeit alcohol may cause death. Nevertheless, alcohol is a common target of counterfeiting in contemporary Russia as are branded clothes, accessories and audio products. This paper aims to reveal whether counterfeit alcohol consumers are distinctive in terms of structure and culture. It investigates the prevalence and structure of counterfeit alcohol purchasing and consumption; attitudes and beliefs about counterfeit alcohol; and predictors of counte...

  5. A constructivist approach to popular culture and foreign policy: the case of Turkey and Valley of Wolves: Ambush

    OpenAIRE

    Yukaruc, Umut

    2017-01-01

    In this thesis, I argue that, as a popular text, Valley of the Wolves: Ambush functions as a site for consent production for foreign policies formed by the AKP elites within the last decade, through a process of reproduction of state identities, ideologies, and discourses at the level of narrative. This thesis positions its argument in two fields: Turkish Foreign Policy (TFP) studies and Popular Culture and World Politics (PCWP) within the larger International Relations (IR) co...

  6. "That Ain't No Ninja Turtles": The Prevalence and Influence of Popular Culture in the Talk and Writing of Prekindergarten Children

    Science.gov (United States)

    Kissel, Brian T.

    2011-01-01

    This article describes how 2 classrooms of 4-year-old children incorporated popular media (cartoons, television shows, video games, movies, and music) into their conversations with peers during writing. The findings assert that (a) children naturally incorporate popular culture into their writing, (b) children include popular culture in their…

  7. O remix e o haxixe: cultura popular e autenticidade na globalização The remix and the haxixe: popular culture and authenticity inside globalization

    Directory of Open Access Journals (Sweden)

    Michel Nicolau Netto

    2008-12-01

    Full Text Available Vemos em nossa época um discurso – semelhante ao romantismo – que tende a contrariar os discursos universalistas em benefício das particularidades. Ao contextualizar esses discursos os insiro em uma relação mais ampla de poder permeada pelo processo de globalização, na qual a valorização pueril da cultura popular se mostra, na verdade, como uma faceta das novas formas capitalistas de apropriação econômica e simbólica da cultura. Palavras-chave: Romantismo. Pós-modernismo. Globalização. Autenticidade. Identidade. We see in our age a discourse – similar to the romanticist – which tends to be opposed to the universal discourses in benefit of the particular ones. Contextualizing these discourses, I bring them into a broader relation of power in the process of globalization, in which the naïve encouragement of the popular culture is one of the facets of new economic and symbolic forms of capitalist appropriation of culture. Keywords: Romanticism. Postmodernism. Globalization. Authenticity. Identity.

  8. Ezoterizmo transformacijos šiuolaikinėje kultūroje. The transformations of esoterism in contemporary culture

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    Dovilė Švilpienė

    2010-01-01

    Full Text Available The article concentrates on phenomena of Esoterism in contemporary culture, tries to reveal its variations and spread in the second half of the XXth century. The contemporary writer and publicist Jurga Ivanauskaitė is implicated in the context of the theme. Article is inspired by the majority expressions called Postmodernism: secularization, the fade of transcendental dimension, crisis of Religion, upheaval of traditional values that all together coincide with the new spread of Esoteric thought towards the end of the XXth century and beginning of the XXst century. The Postmodernism is even called an Egsoteric form of antecedent esoteric Modernism.The historical comparative method as well as theoretic-analytic are considered to be the most fertile to reveal changes that inspired the transformation in relations between sacrum (lat. sanctity and Esoterism. Esoterism in contemporary culture acts as transformed sanctity. The feeling of holiness is indispensable for human existence – the every spiritual crisis then traditional religiousness loses its power to organize and support spiritual nature of human existence opens the door for esoteric modifications of sacrum. Esoterism through the prism of Religion is an attempt of religious consciousness for individual awareness of deity – thereby esoteric experience is very close to religious one.Eastern Religions reveals themselves in Postmodernism as esoteric variations of sacrum, manifestations of chthonic nature where they are also affected by other tendencies of Western postmodern consciousness:Eastern Esoterismturns to widely usable exoticism – Egsoterism – hidden becomes popular, freely available and explorable.The reflection of East and West in the oeuvre of Jurga Ivanauskaitė is being developed by the principle of thesis/antithesis that contains the majority of postmodern implications. The East through writer’s eyes is seen as a quintessence of spiritual essence opposite to the West that

  9. Avatar in the Amazon - Narratives of Cultural Conversion and Environmental Salvation between Cultural Theory and Popular Culture

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    John Ødemark

    2015-10-01

    Full Text Available In 2010 the New York Times reported that '[t]ribes of Amazon Find an Ally Out of "Avatar"', James Cameron. The alliance was against the building of Belo Monte, a hydroelectricdam in the Xingu River in Brazil. Cameron made a documentary about Belo Monte, A Message from Pandora. Here he states that Avatar becomes real in the struggle against the dam. This appears to confirm U. K. Heise's observation that the 'Amazon rainforest has long functioned as a complex symbol of exotic natural abundance, global ecological connectedness, and environmental crisis'. This construal, however, downplays the 'symbols' cultural components. In this article I show that the image of an ecological 'rainforest Indian' and a particular kind of culture constitutes a crucial part of the Amazon as 'a complex' cross-disciplinary 'symbol'. Firstly, I examine how an Amazonian topology (closeness to nature, natural cultures is both a product of an interdisciplinary history, and a place to speak from for ethno-political activist. Next I analyze how Amazonian cultures have been turned into 'ethnological isolates' representing a set of grand theoretical problems in anthropology, not least concerning the nature/culture-distinction, and how environmentalism has deployed the same topology. Finally I examine how Avatar and one of its cinematic intertexts, John Boorman's The Emerald Forest, is used as a model to understand the struggle over the Belo Monte. In a paradoxical way the symbolic power of indigenous people in ecological matters here appears to be dependent upon a non-relation, and a reestablishment of clear cut cultural boundaries, where 'the tribal' is also associated with the human past. Disturbingly such symbolic exportation of solutions is consonant with current exportations of the solution of ecological problems to 'other places'.

  10. Spreading the Spirit Word: Print Media, Storytelling, and Popular Culture in Nineteenth-Century Spiritualism

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    Simone Natale

    2015-09-01

    Full Text Available Spiritualists in the nineteenth century gave much emphasis to the collection of evidences of scientific meaning. During séances, they used instruments similar to those employed in scientific practice to substantiate their claims. However, these were not the only source of legitimization offered in support of the spiritualist claims. In fact, writers who aimed to provide beliefs in spiritualism with a reliable support relied very often on the testimonies of eyewitness that were reported in a narrative fashion. This article interrogates the role of such anecdotal testimonies in nineteenth-century spiritualism. It argues that they played a twofold role: on one side, they offered a form of evidentiary proof that was complementary to the collection of mechanical-based evidences; on the other side, they circulated in spiritualist publications, creating opportunities to reach a wide public of readers that was made available by the emergence of a mass market for print media. Able to convince, but also to entertain the reader, anecdotal testimonies were perfectly suited for publications in spiritualist books and periodicals. The proliferation of anecdotal testimonies in spiritualist texts, in this regard, hints at the relevance of storytelling in the diffusion of beliefs about religious matters as well as scientific issues within the public sphere. By reporting and disseminating narrative testimonies, print media acted as a channel through which spiritualism’s religious and scientific endeavors entered the field of a burgeoning popular culture.

  11. Why climate change is not in the air : popular culture and the whirlwind effect

    Energy Technology Data Exchange (ETDEWEB)

    Ungar, S. [Toronto Univ., ON (Canada). Dept. of Social Sciences

    2000-06-01

    This paper links the evidence of widespread scientific illiteracy to a newly introduced concept called knowledge-ignorance-paradox (KIP). KIP implies that as scientific information becomes more available and complex, the degree to which the human intellect can grasp that information is diminished, leading to an increase in public ignorance. In particular, the paper referred to climate change illiteracy and suggested that people must learn more if they are to link strange weather phenomena and their own activities to climate change. It was suggested that scientific literacy for citizens is generally defined in terms of 3 criteria: understanding the scientific approach, understanding basic scientific concepts, and understanding scientific and technological policy issues. This paper described ways to achieve breakthroughs in scientific understanding through the bridging of metaphors that link ideas and images prevalent in the popular culture. It was argued that public grasp of knowledge depends on a whirlwind effect which involves a progressive sequence of unexpected and forceful events which prompts people to discuss the relevant issues. 39 refs.

  12. Wastewater treatment by artificial wetlands in the Museum of Popular Culture of the National University

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    Carolina Alfaro

    2013-06-01

    Full Text Available The fulfillment of the Millennium Development Goals in terms of sustainable access to sanitation requires increasing the development of research programs that promote simple and low cost technological options, appropriate to the social, economic, and environmental conditions of each population. These processes must be accompanied by actions of environmental and sanitation education, which allow appropriation of these systems by the communities. In this sense, there are two projects in the National University converging on this subject. The Museum of Popular Culture together with the Public Service Company of Heredia develop an environmental education project that promotes the protection of water, from an historical perspective of its management, which has an artificial wetland as the main teaching unit. On the other hand, the Waste Management Laboratory at the School of Chemistry evaluates the performance of this artificial wetland as part of a research project that promotes this type of alternative sanitation. This paper presents results of the monitoring of this artificial wetland, showing average removal percentages of 93% BOD5,20 , 95% COD, 73% P-PO4, and 95% for SS.

  13. "Let's Talk about Race": Exploring Racial Stereotypes Using Popular Culture in Social Studies Classrooms

    Science.gov (United States)

    Childs, David Jason

    2014-01-01

    Imagery and sounds from television, film, music, the Internet, and other media bombard American youth; dictating to them how they should act, think, or what they should believe. They often do not realize that they find much of their identity and belief systems in messages put forth to them by popular culture (Du Gay 1997; Hall 1997). Young people…

  14. A Literature Review of the Impact of Walt Disney Productions Inc. on American Popular Culture and Children's Literature.

    Science.gov (United States)

    Taxel, Joel

    This paper provides an overview of the literature about Walt Disney and his many diverse enterprises. In order to show how the processes of production shape and affect the final content and form of items of popular culture, the paper first discusses some of the many technological advances achieved by the Disney studio. Disney's groundbreaking use…

  15. What's Our Position? A Critical Media Literacy Study of Popular Culture Websites with Eighth-Grade Special Education Students

    Science.gov (United States)

    Kesler, Ted; Tinio, Pablo P. L.; Nolan, Brian T.

    2016-01-01

    This article reports on an action research project with 9 eighth-grade special education students in a self-contained classroom in an urban public school. The 1st author, in collaboration with the classroom teacher (3rd author), taught the students a critical media literacy framework to explore popular culture websites. Students learned to analyze…

  16. Popular Culture, English Out-of-Class Activities, and Learner Autonomy among Highly Proficient Secondary Students in Hong Kong

    Science.gov (United States)

    Chan, Hoi Wing

    2016-01-01

    This paper reports on how and why proficient learners of English in Hong Kong participated in popular culture, out-of-class activities, with an emphasis on their development of learner autonomy. Autonomy in language learning is defined as an individual's ability and responsibility to take charge of his or her own learning [1]. Out-of-class…

  17. Silencing the Everyday Experiences of Youth? Deconstructing Issues of Subjectivity and Popular/Corporate Culture in the English Classroom

    Science.gov (United States)

    Savage, Glenn

    2008-01-01

    This paper investigates the influence of popular/corporate culture texts and discourses on the subjectivities and everyday social experiences of young people, and the extent to which such influences are critically analysed in the English classroom. I present two levels of synthesised information using data analysis born of a mixed-methods…

  18. "Girl, You Better Go Get You a Condom": Popular Culture and Teen Sexuality as Resources for Critical Multicultural Curriculum

    Science.gov (United States)

    Ashcraft, Catherine

    2006-01-01

    Teens encounter a barrage of messages about sexuality in popular culture--messages that shape their identities and schooling experiences in profound ways. Meanwhile, teen sexuality, pregnancy, and sexually transmitted diseases (STDs) increasingly arouse public panic. To date, however, schools do little to help teens make sense of their…

  19. Young American Immigrant Children's Interpretations of Popular Culture: A Case Study of Korean Girls' Perspectives on Royalty in Disney Films

    Science.gov (United States)

    Lee, Lena

    2009-01-01

    This article explores how young Korean immigrant girls (age five to eight) living in the United States interpreted American popular culture by discussing their interpretations of Disney animated films. In particular, it scrutinizes these girls' understanding of the idea of monarchy--in this case, the process of and the qualification for a…

  20. Integrating Cultural Heritage into Contemporary Life. The Perspective of Local Communities: The Case of Arcadia, Greece

    Directory of Open Access Journals (Sweden)

    Alexandra Lappa

    2016-01-01

    Full Text Available The current study aims to highlight the importance of integrating cultural heritage into contemporary life as a means to contribute to the economic and tourism development of a historical area and as an asset to local development. The study focuses on the cultural goods of Arcadia in central Peloponnese, Greece, an area of great history and rich architectural heritage, which gives a distinct cultural identity to the region. The overall objective of the current research is to describe how the different kinds of cultural benefits, derived by tourism, are perceived by the local community. A questionnaire based survey, conducted in Arcadia during the period 2012-2014, demonstrates that the locals strongly support the promotion of the architectural richness of the region in order to become an attraction for visitors, contributing both to the improvement of the quality of life, as well as the economic and tourism development of the area. The survey results confirm that cultural tourism is seen as an opportunity to contribute to the economic and cultural sustainability of the area and the local community. The implementation of a linear regression model shows that education is the key factor influencing the residents’ view regarding the promotion of cultural tourism in the region.

  1. Governmentalities of Alevi Cultural Heritage: On Recognition, Surveillance and "Domesticated Diversity" in Contemporary Turkey

    Directory of Open Access Journals (Sweden)

    Benjamin Weineck

    2014-12-01

    Full Text Available Although Cultural Heritage as such has a rather positive connotation, bringing together notions of safeguarding and human creativity, critical investigations have underlined the various strategic, economic and political rationalities inscribed in this term. In 2010 the UNESCO rendered the Alevi ritual sequence semah Intangible Cultural Heritage and as such it was inscribed in the Turkish National Inventory of Cultural Heritage – although Alevis are not recognized by the Turkish state and its Sunni-Turkist understandings of belonging. The celebration of an Alevi ritual as enriching Turkey’s ‘cultural diversity’ thus asks for an analytical approach that comes to terms with this tension of recognition, ongoing political surveillance and the very specific understandings of diversity that are put into play. With reference to Foucaults (and particularly Roses approach to contemporary government as “governmentality”, Cultural Heritage can be grasped in its ambivalent (but not necessarily conflicting nature as cultural self-fulfillment and governmental control. The paper thus enlarges the analytical scale of thinking about Cultural Heritage in its correlation with identity-formation, the politics of recognition and governance.

  2. European-enlightenment and national-romanticist sources of cultural memory: Reflections in contemporary debates

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    Đerić Gordana

    2006-01-01

    Full Text Available Each society is marked by a selective cultural memory which, beside events and traditions whose importance is emphasized, is also constituted by its parts and contents whose influence is either diminished or forgotten. Our society, too is marked by such kind of memory, with obvious reduction, value opposition and, in sum, general duality within the reception of cultural memory, which is always more complex than it appears in political speeches mother-tongue reading books or history textbooks. For this reason, an examination of construction and reception of cultural memory, with an emphasis on traditions of Enlightenment and Romanticism, stems from a necessity to answer a set of questions regarding the contemporary relation to the past, the way "distance" or "proximity" to the latter is constituted, and especially the way in which contemporary practices mark, change and make use of cultural history. Starting from the assumptions that shaping cultural history, its heritage and "memory" is closely connected to the beginnings of nation-building and that cultural memory is a never-ending political process it is my intention in this research project to examine the rivalry juxtapositions, "interruptions" and new foundations of traditions, focusing on the interdependent relation of Enlightenment and Romanticist strands, and particularly on their unmarked, empty spots. Just as cultural memory is a result of two opposed processes - foregrounding and oblivion - so this research is similarly devoted to a double and apparently paradoxical task. On one hand, the accent is on the resurrection and reinforcement of integrative segments of these traditions which, at the time of their emergence as well as in subsequent interpretations, were mostly neglected. On the other hand there is the need to keep pace with what is required by the current "acceleration of time", which amounts to nothing else but the necessity to forget. Briefly put, the aim is to point to

  3. Pramod K. Nayar, The Extreme in Contemporary Culture: States of Vulnerability

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    Zmarzlinski Adam

    2017-12-01

    Full Text Available Pramod K. Nayar’s inventive 150-page examination of physical and psychological vulnerability of man under extreme circumstances-torture, terminal illness, environmental and geographical limits etc.-is a brilliant work best described as a thought-provoking, and surprisingly emotional, equivalent of an academic horror story. 'The Extreme in Contemporary Culture' leads the reader through film, literature, extreme sports, two major historical events-9/11 and Chernobyl-and the prisons of Abu Ghraib and Guantanamo Bay, and, like a neat multi-flowered bouquet, interlinks these different topics in one (unfloral cone: the human body under duress.

  4. The Search for Extraterrestrial Intelligence in the 1960s: Science in Popular Culture

    Science.gov (United States)

    Smith, Sierra

    2012-01-01

    Building upon the advancement of technology during the Second World War and the important scientific discoveries which have been made about the structure and components of the universe, scientists, especially in radio astronomy and physics, began seriously addressing the possibility of extraterrestrial intelligence in the 1960s. The Search for Extraterrestrial Intelligence (SETI) quickly became one of the most controversial scientific issues in the post Second World War period. The controversy played out, not only in scientific and technical journals, but in newspapers and in popular literature. Proponents for SETI, including Frank Drake, Carl Sagan, and Philip Morrison, actively used a strategy of engagement with the public by using popular media to lobby for exposure and funding. This paper will examine the use of popular media by scientists interested in SETI to popularize and heighten public awareness and also to examine the effects of popularization on SETI's early development. My research has been generously supported by the National Radio Astronomy Observatory.

  5. Between Contemporary Art and Cultural Analysis: Alternative Methods for Knowledge Production

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    Billy Ehn

    2012-03-01

    Full Text Available Artistic research suggests alternative methods for producing various kinds of knowledge, whether within or without the confines of academe. These methods may involve either the production of investigative artworks or the writing by the artist of a doctoral dissertation about his or her own work. For cultural researchers, the methods employed by artists engaged in these processes are both familiar and challenging, as conventional ethnography is mixed with more unpredictable experiments. This article presents several contemporary artworks, including sculpture, film, dance, installation and performance that explore various aspects of reality. What can be learnt from these works? And what could be achieved by an open exchange between artists and academic researchers? Four methodological approaches are highlighted as being of particular interest. The first relates to artists’ tendency to live experimentally, using themselves both as actors and as research objects. The second arises from the very tangible ways in which contemporary artworks approach the theme of materiality. The third relates to the emotional nature of much of contemporary art – even when it is categorised as conceptual – in its creation, forms of presentation, and influence on the spectator. Finally, many artists are gifted with the ability to find and communicate surprising meanings in ordinary life. How do they do this? Part of the answer seems to be that although artists are open to the implementation of “wild whims”, they exploit their spontaneity in a highly professional manner.

  6. Secondary School Students' Preferences for Popular Music and Perceptions of Popular Music Learned in School Music Education in Mainland China

    Science.gov (United States)

    Ho, Wai-Chung

    2017-01-01

    This study examined popular music and school music education as cultural constructs of teenage students amid the shifting cultural and social dynamics of contemporary China. Data were drawn from questionnaires completed by 6,780 secondary students (mainly ages 12 through 17) from three cities--Beijing, Changsha, and Shanghai. The survey results…

  7. Cultural feminization of educational practices: ethnographies of the popularization of science and technology in two southern countries

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    Tania Pérez-Bustos

    2010-07-01

    Full Text Available This research paper explores experiences with the popularization of science and technology from an ethnographic perspective. It argues that they become culturally feminized –rather than only demographically– in their educational mise-en-scene and that it occurs in a similar manner in two southern countries, India and Colombia. The first experience is an example of hands on science models and the second, refers to fun science models. The article closes by proposing some connections between these experiences, aiming at providing an understanding as to how the educational staging of the popularization of science and technology reinforces a central dichotomy between what is considered androcentric and feminized

  8. Defining popular iconic metaphor.

    Science.gov (United States)

    Columbus, Peter J; Boerger, Michael A

    2002-04-01

    Popular Iconic Metaphor is added to the cognitive linguistic lexicon of figurative language. Popular Iconic Metaphors employ real or fictional celebrities of popular culture as source domains in figurative discourse. Some borders of Popular Iconic Metaphor are identified, and Elvis Presley is offered as a prototype example of a popular iconic source domain, due to his ubiquity in American popular culture, which affords his figurative usage in ways consistent with decision heuristics in everyday life. Further study of Popular Iconic Metaphors may serve to illuminate how figurative expressions emerge in their localized contexts, structure conduct and experience, and affect mediation of cultural and personal meanings.

  9. Form and Function of Carrying Tools in Traditional and Contemporary Culture

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    Hendriana Werdhaningsih

    2009-07-01

    Full Text Available The Javanese Traditional Carrying Tools are categorized into two kinds based used of materials: anyaman made of woven bamboo or rattan and the other was made of cloth. The Traditional Javanese Carrying Tools that were made of bamboo/ rattan is actually a kind of container with different shapes. The types of goods that were brought was related to the shapes of the containers, demonstrate the type of interactions between the carrier and the goods. The Traditional Carrying Tools made of cloth have the flexibility in terms of being the containers of the carried goods. Selendang is used to carry goods, including the bamboo/ rattan containers and to carry babies. It can be used rumpled and straightened depends on the technical needs of carrying tools preferred by the user. In contemporary culture, the form and design of carrying tools more less construct by fashion and trends besides those practical used. Some product are being 'classic', some other are being 'fad'. Both products, traditional and contemporary have their own style, uniqueness, and own context. Analyzing both in design point of view is important as evaluation process, to finding new problems that will be starting point to create new products. Indonesia is well known for its abundant richness in traditions, which include the culture, the art, and the traditional products. Such treasure of traditions can inspire the development and invention of various kinds of artwork and current products.

  10. Cultural Diversity: Resources for Music Educators in Selected Works of Three Contemporary African-American Classical Composers

    Science.gov (United States)

    Choi, Eunjung; Keith, Laura J.

    2016-01-01

    Contemporary African-American classical composers Cedric Adderley, John Lane, and Trevor Weston intertwine strands of culture and individual experience to produce musical works whose distinct designs offer cultural resources that music educators can use to integrate diversity into instructional settings. Of special interest is their ability to…

  11. A moveable feast: Contemporary relational food cultures emerging from local food networks.

    Science.gov (United States)

    O'Kane, Gabrielle

    2016-10-01

    Although the globalised food system delivers unparalleled food variety and quantity to most in the developed world it also disconnects consumers from where, how and by whom food is grown. This change in the food system has resulted in an acceptance of an anonymous and homogeneous food supply, which has contributed to over-consumption and the rise in diet-related diseases. 'Nutritionism' responds to this issue by maintaining that a 'healthy diet' can be achieved by consuming the correct balance of energy and nutrients, but with limited success. Yet, some food cultures can moderate the effects of the environmental drivers of increasing global obesity rates. This paper draws on this premise and presents an alternative eco-dietetic response, exploring people's meaning-making of food and food culture through local food networks. This research used narrative inquiry methodology and purposive sampling to gather stories through focus group conversations. Twenty people attended focus groups comprised of food procurers from one of three local food networks in the Canberra region: community gardens, a modified Community Supported Agriculture (CSA) and farmers' markets. The findings showed that those using local food networks enjoyed a 'contemporary relational food culture' that highlighted the importance of people, place and time, in their visceral experiences of food. The community gardeners made meaning of food through their connections to the earth and to others. The farmers' market and CSA food procurers valued the seasonal, local and ethical food produced by their beloved farmer(s). This paper provides qualitative evidence that local food networks enable people to enjoy multi-dimensional relationships to food. Further research is required to examine whether experiencing a contemporary relational food culture can lead to improved health outcomes for people and the planet. Copyright © 2016 Elsevier Ltd. All rights reserved.

  12. Not Our Regularly Scheduled Programming: Integrating Feminist Theory, Popular Culture, and Writing Pedagogy

    Science.gov (United States)

    Gold, Alexandra

    2016-01-01

    When Alexandra Gold described her composition course: one that situates feminist and queer theory as a lens through which to view, analyze, and discuss contemporary television, a male acquaintance responded by saying he would not pay for that class. Another female acquaintance assured Gold that although she had loved a similar class at her Ivy…

  13. Nostalgic [re]remembering: film fan cultures and the affective reiteration of popular film histories.

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    Nathan Hunt

    2011-05-01

    Full Text Available

    Abstract: This article explores two central uses of memory narratives in film fan culture: Firstly; that fan magazines recycle and reiterate popular histories of film, with the extensive detailing of anecdotes and histories of productions serving to fix certain texts as canonical, cult or classic film artefacts whilst legitimating nostalgia as a mode of reading; secondly; that such films are historically positioned in terms of an appeal to fans via nostalgia as activating personal and affective histories of pleasurable film reception. This piece examines the various ways that commercial magazines discursively utilise nostalgia in their mediation between texts, institutions and fan audiences. At the same time it also explores that way that nostalgia resonates within the activities and discourses of fans as they engage with film.

     

    Résumé: Cet article analyse deux usages fondamentaux des souvenirs narratifs dans la culture des fans cinématographiques. D'une part, le recyclage et la reprise d'histoires populaires sur le cinéma, notamment, avec la mention très détaillée d'anecdotes et d'histoires sur l'histoire de

  14. Popular Culture and Workplace Gendering among Varieties of Capitalism: Working Women and their Representation in Japanese Manga

    OpenAIRE

    Matanle, P.; Ishiguro, K.; Mccann, L.

    2014-01-01

    Female empowerment is a prerequisite for a just and sustainable developed society. Being the most developed non-western country, Japan offers an instructive window onto concerns about gender worldwide. Although overall gender equality is advancing in Japan, difficulties remain, especially in achieving equality in the workplace. We draw on theories of ontological commitment and the psychology of fiction to critically analyse the role of popular culture - in this case manga - in the reproductio...

  15. Pop Rocks! Engaging first-year geology students by deconstructing and correcting scientific misconceptions in popular culture. A Practice Report

    OpenAIRE

    Leslie Almberg

    2011-01-01

    Popular culture abounds with ill-conceived notions about Earth’s processes.  Movies, books, music, television and even video games frequently misrepresent fundamental scientific principles, warping viewers’ perceptions of the world around them.  First year geoscience students are not immune to pop culture’s portrayal of earth science and the misconceptions they bring to Geology 101 cloud their ability to differentiate between fact and fiction.  Working within ...

  16. Edward Albee’s The Zoo Story: Echo/es of Contemporary Subversive Culture

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    Naqibun Nabi

    2016-02-01

    Full Text Available The post-world war II American social and cultural setting was ambiguously featured with enforced conformity in the name of prosperity and Americanization of the nation. Despite of this fact, American writers, especially, dramatists conveyed their message against this fixation through variety and intellectuality. Edward Albee’s The Zoo Story is one of those literary assets which dedicatedly cut through the illusions of contemporary American social and cultural ethos. Here, his characters are seen struggling constantly with their insecurities and existential angst in the society. He presents America, the so-called ‘Land of Free and Home of Braves’ (note 1, in such a portrayal that unveils the traps of cages and confinement underneath. The target of this paper is to trace Edward Albee’s heightened awareness about the post-war American socio-cultural reality evident in The Zoo Story. It also looks for the voice in which the text echoes out the anti-communist, materialistic, gender-coded boundaries, coupled with paradoxical media representations, religious bordering and how Albee challenges these issues with an anti-establishment tone. Keywords: subversive culture, anti-communism, media, religion and homosexuality

  17. Traditional/popular games as contents of body culture in school physical education

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    Silvester Franchi

    2013-07-01

    Full Text Available Nowadays the popular/traditional games are being practiced little by children, as much at the school as in the moments of leisure. The games reported in research questionnaires were worked during 14 classes, having how objective to reflect on the experience of popular/traditional games in the classes taught in the Scholarship Institutional Program of Initiation to the Teaching. The greatest difficulties found were with kind facing the practice, that even not surpassed in some times, not pulled out the importance of games rescue, showing that these can and should be part of the daily life of the school physical education.

  18. Our own Idols: appropriations of popular television in Dutch festivity culture

    NARCIS (Netherlands)

    S.L. Reijnders (Stijn); G.W.J. Rooijakkers (Gerard); E.A. van Zoonen (Liesbet)

    2012-01-01

    markdownabstract__Introduction__ The 2004 annual theatrical evening at the Gertrudisschool – a primary school in the Dutch city of Utrecht - had as its theme the popular TV show Idols.1 Pupils were invited to sing live before their peers and the crowds of parents. They could choose to imitate a

  19. "Manga" Literacy: Popular Culture and the Reading Habits of Japanese College Students.

    Science.gov (United States)

    Allen, Kate; Ingulsrud, John E.

    2003-01-01

    Notes that "manga"--Japanese comics--constitute the most popular kind of reading material in Japan. Discusses the skills needed to read manga. Surveys 297 Japanese college students. Suggests that many manga readers can be considered engaged readers as they are highly motivated and have developed a range of strategies to help them…

  20. Taste differentiation and hierarchization within popular culture: the case of salsa music

    NARCIS (Netherlands)

    Bachmayer, T.; Wilterdink, N.; van Venrooij, A.

    2014-01-01

    This article investigates taste preferences for one popular music genre: salsa. It is based on in-depth interviews with 40 Latin American immigrants in Switzerland and the Netherlands. Eight recorded pieces of salsa that represent different salsa styles were played and respondents’ spontaneous

  1. Festas populares e turismo cultural - inserir e valorizar ou es-quecer? O caso dos Moçambiques de Osório, Rio Grande do Sul

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    Ribeiro, Marcelo

    2004-01-01

    Full Text Available This article analises the relations between popular culture, whith religious theme and cultural tourism. The structure of Moçambiques afrobrasilian group, in the Rio Grande do Sul State, southern Brazil and his celebration like a cultural tourism resource. The formulation of cultural policies nearest to touristic policies and one shape of a new preservation and knowledge

  2. ‘Everyone can be a designer’: Amateurs in Contemporary Fashion Culture

    DEFF Research Database (Denmark)

    Mackinney-Valentin, Maria; Holt, Fabian

    2015-01-01

    This article offers an analytical perspective on the implications of recent media evolutions for the conventional roles of the designer, with a particular emphasis on the changing relation between amateur and professional design in fashion culture. The article builds on the recent media studies...... literature on the intensification of media communications in the early 21st century and how it involves deeper transformations — mediatizations — of many areas in business and society. There are already extensive literatures on the mediatization of finance, politics, food, and religion, for instance, but how...... creativity. The article is a conceptual paper that begins by situating the evolution of amateur design in theories of media and modernity to offer a contemporary theorization of amateur design and to establish an analytical perspective from which core aspects of the changing amateur/industry divide...

  3. Sacred Psychotherapy in the “Age of Authenticity”: Healing and Cultural Revivalism in Contemporary Finland

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    James M. Wilce

    2011-10-01

    Full Text Available Like other European countries, contemporary Finland has witnessed an explosion of healing modalities designatable as “New Age” (though not without profound controversy, [1]. This paper focuses on Finnish courses in lament (wept song, tuneful weeping with words that combine healing conceived along psychotherapeutic lines and lessons from the lament tradition of rural Karelia, a region some Finns regard as their cultural heartland. A primary goal of the paper is to explicate a concept of “authenticity” emerging in lament courses, in which disclosing the depths of one’s feelings is supported not only by invoking “psy-“ discourses of self-help, but also by construing the genuine emotional self-disclosure that characterizes neolamentation as a sacred activity and a vital contribution to the welfare of the Finnish people.

  4. The Invisible Turn to the Future: Commemorative Culture in Contemporary Shanghai

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    Lü Pan

    2012-01-01

    Full Text Available After decades of fierce political struggles in the Mao era, the People’s Republic of China has strived economically under the open-door policy since the end of the 1970s. However, the still firm national monuments that weathered the social vicissitudes are left open to the question of how they could be incorporated into the new national ideology. In comparison to Beijing, Shanghai’s overwhelmingly predominant image centers on its role as the economic dragonhead of China. This article argues that Shanghai, exactly because of this ostensibly apolitical profile, provides a rarely discussed but highly meaningful approach to examining the dynamics between contemporary Chinese commemorative culture and the postsocialist urban spatial order. Unlike the East European cases, the “critical juncture” of ideology in China is invisible in the official narratives of the monuments. In some circumstances, the renovation of old memorials seem to fulfill the task of glorifying a certain past but in effect, it leaves the place a self-enclosed venue that sheds the rest of the city from the ideological burden. In other cases, some monuments of the seemingly core nationalistic narratives are marginalized. What’s more, new attentions are now drawn to the memorials for the history of “others” in the name of cosmopolitanism. The invisibility of the commemorative narratives speaks directly to the perplexity of assuming national identity in contemporary China. In the light of Prasenjit Duara’s idea of “bifurcated history”, national memory culture in Shanghai suggests the multiple possibilities of deciphering the city’s past and its future.

  5. Popular culture and class distinctions in Slovenia: Symbolic boundaries in an egalitarian society

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    Breda Luther

    2012-12-01

    Full Text Available The study draws on survey data on the cultural preferences, competencies and practices of a representative sample of the population of the two largest Slovenian cities, Ljubljana and Maribor. The cultural dimensions of class and the role of cultural distinctions in the class structure of both cities are examined. The study focuses on the ways in which non-economic capital, i.e. cultural capital, works in the constitution and reproduction of social inequality The empirical results point to the existence of five separate class-cultural formations or class-specific meaning systems that significantly differ from each another and to a systematic homology between ideal-type cultural classes and four occupational classes (EseC. Tastes are particularly strongly linked to social positions at the bottom and the top of the aesthetic hierarchy. The strongest effect of gender and ethnicity on taste cultures was established at the bottom of the occupational class hierarchy.

  6. Some Observations on Cultural Opposites in Contemporary China: Kunming and Beijing Twenty Years Later

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    Vesna Vučinić-Nešković

    2016-02-01

    Full Text Available This paper considers the cultural opposites observed in various segments of Chinese culture during the author's three stays in China over a period of twenty years. The first and second stay, in 1986 and 1989 respectively, coincided with the initial period of the implementation of modernization reforms in China, when their results were just beginning to be felt. The third stay was in 2009, towards the end of the third decade of reform implementation, at the time of an already developed marketoriented communism. The paper's main thesis is that most of the phenomena observed in present-day urban China can be assigned to opposite categories, namely Chinese-Western and traditional- contemporary. Cultural opposites have been observed in the sphere of tourism and the behavior of both Chinese and foreign visitors, in the use of Chinese and English in notices and signs in public places, and in the promotion of traditional and modern architecture. In addition, they have been noted in the presentation of arts and crafts and industrial products, in the manner of consumption of hot drinks, and in the combining of Chinese and foreign cuisine. They are also evident in a Beijing Opera performance adapted both to the modern Chinese and to foreigners, and in the traditional Chinese exercises and western dances performed in public parks. In conclusion, the paper suggests that the process of establishing connections between China and the West is being carried on in a moderate and controlled way. In the globalization process cultural opposites coexist and merge, imparting new features to Chinese culture.

  7. “Girls are dancin’”: shōjo culture and feminism in contemporary Japanese art

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    Emily Jane Wakeling

    2011-12-01

    Full Text Available This article explores the gender-transgressive expressions found in shōjo culture in order to highlight the potential for feminist analysis in the prevalence of the shōjo motif in contemporary Japanese art. Shōjo culture is a fascinating cultural space, within contemporary Japanese culture, which fosters creative expressions of gender that negate or make complex hegemonic categories. Departing from stereotypes of Japanese girls, this article will pay particular interest to an emerging wave of figurative contemporary art practices in which the figure of the shōjo is utilised for a new generation of feminist critique. Aoshima Chiho, Kunikata Mahomi, Takano Aya, Sawada Tomoko and Yanagi Miwa are among the current artists who feature the shōjo motif in contexts that foreground female subjectivities found paralleled in shōjo culture. These works will then be contextualised in the greater picture of current trends and themes in global contemporary feminist art.

  8. Embodying Modernity: Humor, Gender Politics, and Popular Culture in Republican Guangzhou

    OpenAIRE

    Cheung, Roanna Yuk-Heng

    2016-01-01

    My dissertation analyzes the representations of gender in cartoons and popular literature in 1920s and 1930s Guangzhou as a window onto the intersection among gender, humor, and identity construction in Republican-era (1911-1949) China. During this period, Guangzhou, among other cities, saw a proliferation of comical works that created an affective community in which both authors and audiences could enjoy, question, or escape from their urban experiences. The scenes and stories represented of...

  9. How cultural capital, habitus and class influence the responses of older adults to the field of contemporary visual art☆

    Science.gov (United States)

    Newman, Andrew; Goulding, Anna; Whitehead, Christopher

    2013-01-01

    This article explores the responses of 38 older people to contemporary visual art through the results of a 28-month study entitled, Contemporary Visual Art and Identity Construction: Wellbeing amongst Older People. A framework for the analysis is provided by previous work on the consumption of art and by Bourdieu's constructs of cultural capital, habitus and field. Five groups of older people, with a range of different backgrounds, were taken to galleries and their responses were recorded, transcribed and analysed. It is concluded that participants’ responses are influenced by their cultural capital, habitus and class—which, in turn, are affected by their life course experiences. Those who could not recognise the field (e.g., did not view contemporary art as “art”) created their own meanings that they associated with the artworks. Evidence indicates that group dynamics and class mobility are likewise important. Participants also used the experience to respond to real or anticipated age-associated deficits. PMID:24748712

  10. How cultural capital, habitus and class influence the responses of older adults to the field of contemporary visual art.

    Science.gov (United States)

    Newman, Andrew; Goulding, Anna; Whitehead, Christopher

    2013-10-01

    This article explores the responses of 38 older people to contemporary visual art through the results of a 28-month study entitled, Contemporary Visual Art and Identity Construction: Wellbeing amongst Older People . A framework for the analysis is provided by previous work on the consumption of art and by Bourdieu's constructs of cultural capital, habitus and field. Five groups of older people, with a range of different backgrounds, were taken to galleries and their responses were recorded, transcribed and analysed. It is concluded that participants' responses are influenced by their cultural capital, habitus and class-which, in turn, are affected by their life course experiences. Those who could not recognise the field (e.g., did not view contemporary art as "art") created their own meanings that they associated with the artworks. Evidence indicates that group dynamics and class mobility are likewise important. Participants also used the experience to respond to real or anticipated age-associated deficits.

  11. THE COLORS OF THE OUTSKIRTS: THE AESTHETIC OF THE POPULAR CULTURE IN THE OPENING VIDEOCLIP OF THE "ESQUENTA!" TV SHOW

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    Regiane Regina Ribeiro

    2015-08-01

    Full Text Available Displayed by Globo TV since the year 2012, the tv show “Esquenta!” airs on Sundays as a popular attraction of drapery and dedicated to present on national television which is typical of the culture of Brazilian periphery. His introductory video clip, the object of analysis of this research, based on the use of some aesthetic elements to communicate to the Brazilian population that purpose to make the program into a showcase of the periphery on television. Based on image analysis, this article identifies framework elements, Figure and background, perspective and image composition that contribute to the identification of elements of popular within the program and the connection between this and your audience.

  12. Aspectos “Subjetivos” do Fetichismo da Mercadoria Cultural no Ensaio Sobre Música Popular de T. W. Adorno

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    Fábio César da Silva

    2017-05-01

    Full Text Available Neste artigo, apresento uma leitura do ensaio Sobre Música Popular (1941 de T. W. Adorno (1903-1969, enfatizando os aspectos “subjetivos” do fetichismo da mercadoria cultural. Considero aspectos “subjetivos” do fetichismo quando se enfatiza o consumo de mercadorias. Esse ensaio fez parte dos resultados de pesquisa de rádio da Universidade de Princeton, feita nos Estados Unidos entre 1938 a 1940, cujo objetivo era analisar as programações radiofônicas. Focarei a leitura na seção Teoria do Ouvinte, pois nela Adorno enfatizou esses aspectos “subjetivos” por meio de análises específicas do consumo da música popular americana supondo seus modos de recepção.

  13. The Potential of Popular Culture for the Creation of Left Populism in Serbia: The Case of the Hip-Hop Collective “The Bombs of the Nineties”

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    Jovana Papović

    2016-12-01

    Full Text Available The focus of this article is to highlight the potential of popular culture to become an agent of leftist populist politics in contemporary Serbia. The authors observe the hip-hop collective “The Bombs of the Nineties”, whose music tackles topics from recent history, and who subvert the fashion style of the 1990s “Dizel” subculture, which is often connected to Serbian nationalism and war profiteering. The paper analyses the relationships “The Bombs of the Nineties” create between their practices, class warfare and leftist discourses, aiming to show the potentials and threats those relationships introduce. Following Ernesto Laclau’s understanding of populism as a “hegemonic political articulation of demands”, we assume that “The Bombs of the Nineties” could represent a solid populist political agent in that they attempt to reveal and draw attention to the “unfulfilled demands” of disempowered Serbian youth. On the other hand, the counter-intuitive merge of ideologies they operate, and the limited impact of their strategies on the official politics could be an obstacle to the expansion of their message.

  14. Popular Geopolitics of Japan: Geopolitical Discourses of Anime

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    Marta Zorko

    2014-12-01

    Full Text Available Geopolitical discourses are an integral part of the contemporary geopolitics of each state. Driven by geopolitical traditions and imagination, they intercept and thus create all aspects of the discipline of critical geopolitics- the formal, practical and popular. The main area of our research is the discourse embedded in the popular geopolitics of a specific cultural product of Japan, anime. Anime are unique and thus suited for analysis for two reasons. The first is their specific, local production and global recognition. The second is their double coding. Although they are a product of the traditional geopolitical culture of Japan’s entertainment industry, they are able to create a contemporary geopolitical culture at the same time. Through an analysis of three anime series, Tokyo Magnitude 8.0, Earth Maiden Arjuna and Mobile Suit Gundam 00, we explore the geographic and geopolitical characteristics of Japan and their influence on the traditional, as well as the contemporary geopolitical discourses.

  15. Categories of Experience: A Paradigm for the Study of Contemporary World Cultures at Western State College of Colorado.

    Science.gov (United States)

    Becker, Robert

    1992-01-01

    Presents a framework used at Western State College to teach an interdisciplinary general education course. The framework helps students organize a large volume of material about Contemporary World Cultures according to a taxonomy of human experience, including artistic/literary expression; thought and belief; relationships/associations with…

  16. The Circuit of Culture as a Generative Tool of Contemporary Analysis: Examining the Construction of an Education Commodity

    Science.gov (United States)

    Leve, Annabelle M.

    2012-01-01

    Contemporary studies in the field of education cannot afford to neglect the ever present interrelationships between power and politics, economics and consumption, representation and identity. In studying a recent cultural phenomenon in government schools, it became clear that a methodological tool that made sense of these interlinked processes was…

  17. Burmese Attitude toward Chinese: Portrayal of the Chinese in Contemporary Cultural and Media Works

    Directory of Open Access Journals (Sweden)

    Min Zin

    2012-01-01

    Full Text Available This paper argues that since at least the mid 1980s, there has been an observable negative attitude among the people of Burma against the Chinese. Such sentiment is not just transient public opinion, but an attitude. The author measures it by studying contemporary cultural and media works as found in legally published expressions, so as to exclude any material rejected by the regime’s censors. The causes of such sentiment are various: massive Chinese migration and purchases of real estate (especially in Upper Burma, Chinese money that is inflating the cost of everything, and cultural “intrusion.” The sentiment extends to the military, as well: the article examines a dozen memoirs of former military generals and finds that Burma’s generals do not trust the Chinese, a legacy of China’s interference in Burma’s civil war until the 1980s. The public outcry over the Myitsone dam issue, however, was the most significant expression of such sentiment since 1969, when anti-Chinese riots broke out in Burma. The relaxation of media restrictions under the new government has allowed this expression to gather steam and spread throughout the country, especially in private weekly journals that are becoming more outspoken and daring in pushing the boundaries of the state’s restrictions.

  18. The popular crime: literature’s publicity and regeneration culture in Brazil's First Republic

    OpenAIRE

    Lucas Trazzi de Arruda Mendes

    2013-01-01

    This article is based in partial conclusions of our research about crime and delinquency in the nineteenth century Brazil. Making use of crime literature from the period as historical reference in our investigation, more specifically João do Rio’s work of fiction Memórias de um rato de hotel, this present article has the intention to comment the literature field in which this novel was published, admiring the popularity of crime as source of sensational novel and news report content. Simultan...

  19. Popular Music, National Culture and the First Chervona Ruta Festival of 1989

    Directory of Open Access Journals (Sweden)

    Bohdan Klid

    2014-08-01

    Full Text Available This article examines the origins, organization and goals of the first Chervona ruta music festival against the background of the perestroika period, which was characterized by a deepening anxiety over the plight of Ukrainian culture. In 1988 Ivan Dziuba gave voice to these issues in an essay that, among other things, pointed to the shortcomings of Ukrainian pop culture. The present paper shows how, in its own way, the festival became a response to such concerns, and how the problems and limitation of the festival itself reflected the serious cultural situation in Ukraine.

  20. Television and Popular Culture: Reflections on British and Australian Critical Practice.

    Science.gov (United States)

    Fiske, John

    1986-01-01

    Traces the development of British and Australian television criticism from the mid-seventies. Suggests a conscious study of the characteristics of television as a cultural agent and as a text within a sociocultural context. (MS)

  1. Communication of the popular

    Directory of Open Access Journals (Sweden)

    Božilović Nikola

    2015-01-01

    Full Text Available The article deals with the problems of the communication of popular culture. It considers the more specialized meaning of popular culture, which primarily encompasses the works of artistic forms which have a popular character - easily understandable and entertaining contents and wide audience. The aesthetic communication of the popular through popular literature, film, pop and rock music is examined. The paper is divided into three parts. The first parts deals with the aesthetics of the communication of popular culture. It contains the analysis of the major formal-aesthetic procedures embedded in the creative expression of the popular. In the part which is dedicated to social aspects of the communication of popular art, the author examines the industrial, market and commercial principles upon which this whole culture is based. It is a time of new technologies and mass consumption, which represent, in the words of Eric Hobsbawm, a 'cultural landscape' that has transformed the manner in which a new audience experiences the artistic. Finally, popular culture stars are observed as communicators. The author adds them as a new, even crucial, link in the already known chain of communication comprising the author, the work and the audience. Stars (film, popular music are active factors of communication as well as its bearers. They are the intermediaries through which the audience establishes relationships with the authors (writers, directors, composers and the works in which those stars appear. Stars as 'new Olympians' (Morin are, indeed, another significant category that distinguishes the communication of popular culture.

  2. TOWARDS THE QUESTION OF SOCIO-CULTURAL AND EPISTEMOLOGICAL STATUS OF IDEOLOGY IN CONTEMPORARY SOCIETY

    Directory of Open Access Journals (Sweden)

    V. E. Gromov

    2015-12-01

    Full Text Available Purpose. To consider the subjective factor of cultural and historical identity of society as an ideology, without which the positive social and personal development is inconceivable. To produce proofs against the false rhetoric about “deideologization”, as a harmful and destructive idea for social awareness, that aims to destroy basic humans’ ethical values and to manipulate their living motivations. Methodology. The method of investigation of the problem was indicated as analytical result of preliminary scheme that was directed by the author towards the realization of his conception. This subjectivism of thinking “on one’s own account” (K. Jaspers and “without relying on existences” (M. Heidegger the author attempted to corroborate with notions of modern scientists about the relations of causes in non-linear systems. Scientific novelty. It would be difficult to talk about scientific novelty if we had no thought on “chronic” issues of contemporary society and its world outlook vectors. It is possible to talk about the existential newness, the rise of personal indifference in connection with the irresponsible short-sightedness with which today under the guise of democratic overcome the totalitarian narratives is lightly questioned the universally valid moral values, belittled the philosophical classics and dragged the false ideological omnivorous freedom and devaluation of high culture. Conclusions. Personal life of individuals and historical results of their vital activity are dependent on their world outlook orientation. Human being without ideology is similar to lost creature with weakened will and uncertain conscience. The problem is not in refutation of ideology, but in its production and selection. It’s impossible to build ideal social relation based on ideal principles, but in the same time it is impossible to imagine social development without any general orientation. Man can create only ruin and prepare himself for

  3. The popular crime: literature’s publicity and regeneration culture in Brazil's First Republic

    Directory of Open Access Journals (Sweden)

    Lucas Trazzi de Arruda Mendes

    2013-12-01

    Full Text Available This article is based in partial conclusions of our research about crime and delinquency in the nineteenth century Brazil. Making use of crime literature from the period as historical reference in our investigation, more specifically João do Rio’s work of fiction Memórias de um rato de hotel, this present article has the intention to comment the literature field in which this novel was published, admiring the popularity of crime as source of sensational novel and news report content. Simultaneously, we intend to notice some comments of the intellectual people, which influenced the republican regeneration project, about this literature and newspaper publishing logic, observing an “illness” condition that appears to be attached to this crime theme literary-newspaper works.

  4. Pop Rocks! Engaging first-year geology students by deconstructing and correcting scientific misconceptions in popular culture. A Practice Report

    Directory of Open Access Journals (Sweden)

    Leslie Almberg

    2011-07-01

    Full Text Available Popular culture abounds with ill-conceived notions about Earth’s processes.  Movies, books, music, television and even video games frequently misrepresent fundamental scientific principles, warping viewers’ perceptions of the world around them.  First year geoscience students are not immune to pop culture’s portrayal of earth science and the misconceptions they bring to Geology 101 cloud their ability to differentiate between fact and fiction.  Working within an action research context, a semester-long assessment was designed with the intent to highlight and subsequently challenge students’ misconceptions using examples of “bad geoscience” from pop culture.  Students were required to practice and refine generic skills within this context.  This project succeeded in engaging students, but requires refinement to become more effective in enhancing their geoscience literacy. 

  5. Systematic approach to the foundation of healthy way of life and popularization of physical culture in modern university.

    Directory of Open Access Journals (Sweden)

    Goncharuk S.V.

    2012-11-01

    Full Text Available The factors of popularization of physical culture are considered among students young people. Directions of development of optimum method of employments are shown by a physical culture, which will provide the systematic going and attaching near the healthy way of life. 815 students took part in research. It is set that optimization of educational process of student and creation of educational base will allow students to get necessary for the maintenance of optimum health level physical loading. Directions of technologism of an educate work are offered with students. Possibilities of university are shown in conditioning for forming for the students of positive motivation to the healthy way of life. Directions organization of relaxation measures are recommended for students. Attention is accented on the financial skilled providing of employments in the sporting halls of university.

  6. Socialization and Political Culture of Women in Positions of Popular Election. Municipality Presidents in Tlaxcala, Mexico

    OpenAIRE

    María Eugenia Chávez Arellano; Verónica Vázquez García

    2016-01-01

    In this paper we address the forms of socialization and political culture of some women who had positions of representatives of municipalities in rural communities in Tlaxcala, México. We presume that the ways of assuming and exercising power are closely linked to a  political culture that begins in the family and secured in various social spaces such as school, political parties or unions. The analysis in this paper is based on testimonies obtained from 14 women who were municipal presidents...

  7. Socialization and Political Culture of Women in Positions of Popular Election. Municipality Presidents in Tlaxcala, Mexico

    Directory of Open Access Journals (Sweden)

    María Eugenia Chávez Arellano

    2016-07-01

    Full Text Available In this paper we address the forms of socialization and political culture of some women who had positions of representatives of municipalities in rural communities in Tlaxcala, México. We presume that the ways of assuming and exercising power are closely linked to a  political culture that begins in the family and secured in various social spaces such as school, political parties or unions. The analysis in this paper is based on testimonies obtained from 14 women who were municipal presidents between 1992 and 2010, a period that frames the beginning of political alternation in Mexico.

  8. The Scourges of the South? Essays on "The Sickly South" in History, Literature, and Popular Culture

    DEFF Research Database (Denmark)

    “sickly” culture as not so much southern “problems”, but, rather, southern opportunities, or else, springboards to yet another of the South’s cultural revitalizations, “health”. As Thomas Ærvold Bjerre and Beata Zawadka note in their introduction, the so-called “Healthy South” has never been an easy topic...... for scholars dealing with the region. One reason for this is that researchers have been taught to approach so formulated a topic no further than to the point when it turns out it is a contradiction in terms, and, indeed, there is much in southern history and the present situation that justifies...

  9. The Simpsons, Gender Roles, and Witchcraft: The Witch in Modern Popular Culture

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    Antinora, Sarah

    2010-07-01

    Full Text Available This paper analyzes "The Simpsons"' use of the witch to uncover how her constructionin this animated series reflects not only the current theoretical work on the witch but also the ambivalence about the role of women in modern American society. This paper posits that the original construction of the witch, as seen in current interpretation of Early Modern pamphletsand cultural artifacts,steemed from the time period's expetations of gender. Further, "The Simpsons"' incorporation of the witch into its episodes revels that many of these same gender constraints exist in modern culture.

  10. Constructing the popular: challenges of archiving ugandan 'popular ...

    African Journals Online (AJOL)

    Constructing the popular: challenges of archiving ugandan 'popular' music. ... on the intention of the one defining, the popular is also time- and culture-specific. ... in Uganda is commercially determined – by the media and the music industry.

  11. The popular music heritage of the Dutch pirates: illegal radio and cultural identity

    NARCIS (Netherlands)

    A.J.C. van der Hoeven (Arno)

    2012-01-01

    textabstractThis article explores how cultural identities are negotiated in relation to the heritage of illegal radio in the Netherlands. The term ‘pirate radio’ commonly refers to the offshore radio stations that were broadcasting during the 1960s. These stations introduced commercial radio and

  12. Reading Popular Culture Narratives of Disease with Pre-Service Teachers

    Science.gov (United States)

    Staples, Jeanine M.

    2013-01-01

    Jeanine M. Staples is an associate professor in the Language, Culture, and Society Program of the Department of Curriculum and Instruction at Pennsylvania State University, State College, Pennsylvania. She teaches a mandatory course entitled LLED 480: Media Literacy in the Classroom. The course is designed for pre-service teachers in the…

  13. Gender, Order, and Femicide: Reading the Popular Culture of Murder in Ciudad Juarez

    Science.gov (United States)

    Volk, Steven S.; Schlotterbeck, Marian E.

    2007-01-01

    More than 400 women have been murdered in and around Ciudad Juarez, Mexico, over the past decade. As the murders continue unabated and unsolved, and with the likely complicity of state authorities, they have triggered a dynamic cultural response from writers, filmmakers, singers, and others who deplore the murders while suggesting the underlying…

  14. Digital Media Literacy in a Sports, Popular Culture and Literature Course

    Science.gov (United States)

    Fortuna, Carolyn

    2015-01-01

    This article considers how media sports culture is an apt space for digital media literacy instruction. Describing a senior year high school English course that requires students to deconstruct and compose with sports media texts, the author outlines how learning modules, analysis of curated collections of texts through heuristics, and mentor…

  15. Study Programme On Contemporary Cultures In Colima, Mexico. Shortcuts And Long Ways Round To Plenitude

    Directory of Open Access Journals (Sweden)

    Jesús Galindo Cáceres

    2010-01-01

    Full Text Available El texto presenta la historia aparentemente irrepetible del Programa de Estudios sobre las Culturas Contemporáneas de Colima, México. El autor presenta a lo largo de seis distintos apartados un relato que relaciona elementos de trayectorias individuales, grupales y colectivas, con una historia de la ciencia social en México a lo largo de más de tres décadas. El Programa Cultura fue posible por una combinación de accidentes y visiones luminosas. Emergió en el medio con menos condiciones posibles para un proyecto de altos estudios, desde ahí creció, se desarrolló, llegó a su plenitud, y después decayó y se fue retrayendo a la inercia de la vida institucional universitaria común. Esta es la historia de un programa de investigación ejemplar, una historia para ser conocida, disfrutada, y divulgada. This work describes the seemingly unrepeatable story of the Study Programme on Contemporary Cultures in Colima, Mexico. In six sections, the author describes the relation between individual, group and collective paths in a Mexican social science narrative spanning more than three decades. The Programa Cultura [Culture Programme] was made possible thanks to a combination of coincidences and brilliant visions. Despite the precarious conditions for conducting a top research project, It came into being, developed, and reached its plenitude, before flagging and falling victim of the inertia of everyday institutional life at university. This is the story of an exemplary research programme, a story that should be known, enjoyed and disseminated.

  16. Urban knowledge through popular culture. Some reflections on everyday encounters with the melodramatic city

    Directory of Open Access Journals (Sweden)

    David Beer

    2011-03-01

    Full Text Available I suspect that it is an obvious observation, but some time ago it occurred to me that a good deal of what I know about cities is a product of the cultural resources that I have consumed over the years. Various TV shows, musical works, films, books and the like have contributed to an accumulated general and sometimes more locally specific knowledge about cities.

  17. “Liting it up”: Popular Culture, Indo-Pak Basketball, and South Asian American Institutions

    OpenAIRE

    Stanley Ilango Thangaraj

    2010-01-01

    South Asian American participants of a co-ethnic basketball league, known as Indo-Pak Basketball, utilized urban basketball vernacular through the phrase “liting it up” to identify individuals scoring points in great numbers. The person “liting it up” becomes visible and receives recognition. Accordingly, I want to “lite up” the scholarship on South Asian America whereby situating South Asian American religious sites and cultural centers as key arenas for “Americanization” through US popula...

  18. Religion, popular culture and social media: the construction of a religious leader image on Facebook

    Directory of Open Access Journals (Sweden)

    Ioana A. COMAN

    2017-12-01

    Full Text Available Despite the emergence of religions on Internet and the importance of social media, research dedicated to religious leaders’ construction of symbolic image on social media, is hard to find. Starting from the 2013 Applebee’s social media crisis, which was triggered by a pastor, the present study investigates the frames and themes Facebook users employed in order to give meaning to the crisis, attribute responsibility, and more importantly, define the role of a religious leader in daily life. This study shows the existence on social media of an active religious literate public, a public clearly troubled in their religious faith and convictions by the non-Christian behavior of the pastor. This shows that in a post-secular society the religious imaginary is not only a “canopy” inherited and kept because of convenience, but a cultural frame of signification the real and a vector of dialogue in a (online micro and macro public sphere.

  19. THE INTERPLAY OF MUSEUM DISCOURSE AND POPULAR CULTURE: HOW, WHEN AND WHERE HISTORY COMES ALIVE?

    Directory of Open Access Journals (Sweden)

    Mina Lukić

    2015-03-01

    Full Text Available Museum as an institution has been, throughout history, inevitably connected with ideology, involved in establishing and shaping of cultural memory, and crea-tion and affirmation of collective identities, based on scientific knowledge and interpretation of the past. Nowadays, other, more effective media are involved in those processes, e.g. film, which is examined in the paper as such a medium. Also, museums and media have been used for spreading different prejudices and stereotypes – some of our identities are often based on such preju-dices, either about our own or somebody else’s past or present. Nevertheless, museum as an institution has an aura of highest authority, based on scientific knowledge and legitimized by museum collections. Museum is seen as trustworthy, unbiased and objective. Such privileged status of museums is argued and contested, and the complexities of museum discourse are traced through critical analysis of the current policy of the American Museum of Natural History in New York and this muse-um’s participation in the production of a movie Night at the Museum (2006. As part of a “global village,” museum visitors are impacted by certain stereotypical images circulating within and outside of museums, which are a dense package of ideas (rooted in science, folklore, ide-ology, politics, etc. that thrive in cultural memory and collective imagination. These are constructed and circu-lated as commonsense or consensus narratives, en-trenched in the minds of the public, and they can take hold persistently against current scientific opinions. Mass media images that museum visitors bring with them to the museum are inevitably shaping their inter-pretations of exhibitions. What happens then, when a museum gets involved with Hollywood industry? What are the consequences of such an interaction? This pa-per’s aim is to shed some light on those consequences in the particular case of the AMNH.

  20. Ontology of Iranian-French Cultural Relations: With an Emphasis on Contemporary Iranian History Prior to the Islamic Revolution

    Directory of Open Access Journals (Sweden)

    Foad Pourarian

    2017-12-01

    Full Text Available Culture is one of the most prominent concepts that can also be the source of many changes in the range of action and application, in addition to its theoretical competence. One of the major outcomes of culture in contemporary history is its importance in international relations, insofar as these relations can broaden the level of relations or even create deep political or economic links between countries. In contemporary history, Iran began its experience of cultural relations with the West, especially France; Reza Shah, who put Iran's modernization at the top of his goals, pursued literacy and expanded academic circles, and in this regard, one of the most prominent of his plans was to send students to the West, especially to France, which also contributed to the expansion of the presence of French culture and language in Iran. The second Pahlavi era was accompanied by a change in some of the transboundary equations, including the emergence of the United States as a superpower, a special interest of Mohammad Reza Shah in the United States as well as Washington's agenda for the presence in Iran that slowly diminished French cultural influence in Iran, and the English language and culture were replaced. However, French ideas and thoughts still constituted a significant part of the educated layers of Iran given its strong presence in the Iranian academic circles in the past.

  1. Theory of Queer Identities: Representation in Contemporary East-European Art and Culture

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    Saša Kesić

    2017-10-01

    Full Text Available Starting from the general theory of identity, gender theory, queer theory and theory of bio/necropolitics, as theoretical platforms, in a few case studies I will analyze the Pride Parade as a form of manifestation of gender body and queer body representations in visual arts, and gender and queer body representations in mass media. My hypothesis is that the key for understanding the chosen case studies is in understanding the relation between their aesthetics, political and social interventions. This will consider political involvement, social injustice, alienation, stereotypes on which ideological manipulations are based etc., as well as the creative strategies used for moving the borders of visual art in searching for authentically-performed creative expressions and engagements. In the time we live it is necessary for the politicization of art to use queer tactics, which work as political strategies of subversion of every stable structure of power. Queer tactics, in my opinion, are weapons in disturbance of the stable social mechanisms, which every power tries to establish and perform over any ‘mass’, in order to transform it to race, gender, tribe, nation or class.   Article received: June 6, 2017; Article accepted: June 20, 2017; Published online: October 15, 2017; Original scholarly paper How to cite this article: Kesić, Saša. "Theory of Queer Identities: Representation in Contemporary East-European Art and Culture." AM Journal of Art and Media Studies 14 (2017: 123-131. doi: 10.25038/am.v0i14.211

  2. Measuring the impact of invasive species on popular culture: a case study based on toy turtles from Japan

    Science.gov (United States)

    Lovich, Jeffrey E.; Yamamoto, Katsuya

    2016-01-01

    The red-eared slider turtle (Trachemys scripta elegans) is native to portions of the United States of America (USA) and adjacent northeastern Mexico. The bright and colorful hatchlings have long been popular as pets globally but numerous individuals have been released into the wild establishing populations in areas well outside their native range. As a result, slider turtles are now introduced worldwide on all continents, with the exception of Antarctica, and many temperate and tropical islands, including Japan. They are very successful at establishing breeding populations in a variety of habitats, even those in proximity to human development. Once established in large populations, they compete with native turtle species sometimes to the detriment of the latter. Tin toy turtles were popular in Japan for decades, and they were an important export item after World War II. From the 1920s to the 1950s, prior to the widespread establishment of slider populations in Japan, the toys were characterized by muted earth-tone colors representative of native species of Japanese turtles. After the 1950s, toy turtles exhibited brighter combinations of yellow, red and green more typical of slider turtles. This transition may reflect demand for more colorful toys by importing countries like the USA. Alternatively, the change was coincident with the importation of large numbers of colorful slider turtles to Japan via the pet trade and their subsequent establishment and numerical dominance in Japanese wetlands. This switch in toy turtle colors may reflect a cultural transition in awareness of what constitutes the appearance of a typical turtle in Japan. Sliders appear to have been accepted by Japanese consumers as a new cultural norm in the appearance of turtles, a case of art imitating life.

  3. Museology and heritage in contemporary cities: a thesis on city management from the perspective of culture and memory preservation

    Directory of Open Access Journals (Sweden)

    Heloisa Helena Fernandes Gonçalves da Costa

    2012-04-01

    Full Text Available Essentialy considered a space to live, the contemporary cities are complexes territories where memory and heritage have no effective representative function. The main objective of this paper is to analyze the emergence of the 'cultural health', a new concept supported by the relationship between museology, heritage and citizenship. The research was based on fieldwork experience and on memory studies of adults and elderly people that live in urban areas, where they can observe the symbolic meaning of the monuments and similars objects within the museum cities and the cultural landscapes. The way that museums and monuments are inserted in civil society and their power to produce values and cultural codes make them part of the process to promote identities and citizenship. Also, this process can improve the cultural health, the self-esteem and the quality of social interaction. These elements are essential for the building of healthy cities.

  4. Myth about immortality in the contemporary pop culture: A case study about Toše Proeski

    Directory of Open Access Journals (Sweden)

    Stevanović Lada

    2013-01-01

    Full Text Available This paper explores the intersection of death and ideology in the sphere of popular culture, as exemplified by the afterlife destiny of Toše Proeski, a Macedonian pop singer whose huge popularity continued even after his death. His sudden, untimely death in his twenties had exploded as huge news, preoccupying all sorts of media. What I am interested in this paper is what has happened afterwards. In which way his popularity and his afterlife continue? Can we identify some kind of pop hero cult here, and is it possible to recognize common elements, or even a pattern according to which (newborn stars develop an afterlife destiny? Can we use this opportunity to discuss immortality myths? Do pop stars get monuments or are these reserved just for national heroes?

  5. Public and popular history

    CERN Document Server

    De Groot, Jerome

    2013-01-01

    This interdisciplinary collection considers public and popular history within a global framework, seeking to understand considerations of local, domestic histories and the ways they interact with broader discourses. Grounded in particular local and national situations, the book addresses the issues associated with popular history in a globalised cultural world, such as: how the study of popular history might work in the future; new ways in which the terms 'popular' and 'public' might inform one another and nuance scholarship; transnational, intercultural models of 'pastness'; cultural translat

  6. Asynchrony of political culture in the context of modernization of the contemporary Russian society

    Directory of Open Access Journals (Sweden)

    Konovalov Valery Nikolaevich

    2013-02-01

    Full Text Available Russia is a country in which political culture takes in different stages of development. In the social and cultural life are combined two basic forms - the traditional type of political culture and modern political culture. There is asynchrony in the political culture, which creates a serious problem of managing Russian society.

  7. Resistance in Popular Culture

    NARCIS (Netherlands)

    Schuilenburg, Marc

    2017-01-01

    Much of the existing research on video games seems to stall over the issue of whether or not violence in games is as innocent as is alleged. Scientists are still divided as to whether or not there is a causal link between the behavior of young people and violence in video gaming. Much less

  8. The Contemporary Gothic: Literacy and Childhood in Unsettled Times

    Science.gov (United States)

    Carrington, Victoria

    2012-01-01

    This paper argues that the revival of the Gothic as an expression of contemporary tensions and issues has significance for our views of childhood and, as a consequence, for literacy and literacy education. While the ways in which Gothic literature and other Gothic popular culture forms are used to speak to these tensions have shifted across time…

  9. A New Professionalism for a Collaborative Culture of Organizational Learning in a Contemporary Society.

    Science.gov (United States)

    Quicke, John

    2000-01-01

    Evaluates professionalism in contemporary context and suggests ways to enhance educational institutions' learning capability. The new professionalism stresses use of democratic collaboration to confront bureaucratic constraints and disciplinary power in an uncertain age. New professionals must self-consciously create and recreate collaborative…

  10. Contemporary Understanding of Education in the Rift between Ontological Relativity and the Transformed Media Culture

    Science.gov (United States)

    Pejakovic, Sara

    2016-01-01

    The transformation of the developmental process from animal rationale, through homo communicans into the (un)aware homo symbolicum and the man receiving and distributing media information today, available through multimedia tools in his everyday life, encourages thought on the contemporary man, as well as the purpose, point and sense in…

  11. Future Challenges of Robotics and Artificial Intelligence in Nursing: What Can We Learn from Monsters in Popular Culture?

    Science.gov (United States)

    Erikson, Henrik; Salzmann-Erikson, Martin

    It is highly likely that artificial intelligence (AI) will be implemented in nursing robotics in various forms, both in medical and surgical robotic instruments, but also as different types of droids and humanoids, physical reinforcements, and also animal/pet robots. Exploring and discussing AI and robotics in nursing and health care before these tools become commonplace is of great importance. We propose that monsters in popular culture might be studied with the hope of learning about situations and relationships that generate empathic capacities in their monstrous existences. The aim of the article is to introduce the theoretical framework and assumptions behind this idea. Both robots and monsters are posthuman creations. The knowledge we present here gives ideas about how nursing science can address the postmodern, technologic, and global world to come. Monsters therefore serve as an entrance to explore technologic innovations such as AI. Analyzing when and why monsters step out of character can provide important insights into the conceptualization of caring and nursing as a science, which is important for discussing these empathic protocols, as well as more general insight into human knowledge. The relationship between caring, monsters, robotics, and AI is not as farfetched as it might seem at first glance.

  12. Acción cultural popular: un aporte a la educación de la mujer campesina en Colombia

    Directory of Open Access Journals (Sweden)

    LUIS ABRAHAN SARMIENTO MORENO

    2013-11-01

    Full Text Available Este artículo presenta una experiencia que se ha venido adelantando en Sutatenza, Boyacá, Colombia, desde 1947, la cual busca mejorar las condiciones de vida campesina; con miras a lograr el desarrollo integral del pueblo. Al contextualizar la mentalidad y dificultades que ha tenido que superar la mujer para lograr su reconocimiento y el acceso justo a la educación en Colombia; analiza la incidencia y trascendencia de Acción Cultural Popular (ACPO en la educación de la mujer campesina. Si allegar a la educación de la mujer a los niveles de vanguardia es algo cercano a una odisea, podemos imaginar los inmensos bretes que significa para los campos llenos de ignorancia y aberraciones reconocer a la mujer como “persona digna, con posibilidades”. Este hecho encarna una verdadera evolución mental. A finales de la década del 40, la mujer campesina levanta la cabeza del pie del fogón para sentarse a pensar frente a un tablero de ajedrez, esta genialidad muy pronto se vio respaldada con resultados: las campesinas asumen un liderazgo inusitado en todas las instancias sociales que tuvieron la oportunidad de penetrar. Todo esto de la mano de la ACPO que aquí se relata desde los inicios del proyecto en 1947 hasta la década de los 70.  

  13. Polish Wild at Heart for fifty zlotys – popular culture in Zrób mi jakąś krzywdę by Jakub Żulczyk

    Directory of Open Access Journals (Sweden)

    Wojciech Małecki

    2009-01-01

    Full Text Available The article presents an analysis of selected functions carried out by the popular cultural references in Żulczyk’s novel Zrób mi jakąś krzywdę, czyli wszystkie gry wideo są o miłości. The first section of the article considers some methodological problems related to the subject matter of the article and discusses the book in view of Shusterman’s aesthetic experience model in the aesthetic legitimization of popular art. The next section includes the analysis of the text and focuses on such issues as references to popular culture in the protagonist’s characteristics. In the conclusion of the article, the author sums up that the popular culture threads are not included in the novel purely for decorative reasons but constitute it at a multi-tiered level and cannot be removed from the novel otherwise it would disrupt, or even destroy, its structure and thus, without some knowledge of the basic elements of pop culture, the reading and understanding of the book can be substantially impaired and incomplete.

  14. CULTURAL CONSEQUENCES OF GLOBALIZATION. MAJOR CONTEMPORARY THEORIES ON THE GLOBALLOCAL INTERFERENCE

    Directory of Open Access Journals (Sweden)

    GABRIELA DUMBRAVĂ

    2016-10-01

    Full Text Available The paper approaches the phenomenon of globalization from the perspective of the theories set forth by two leading 21st century figures in the field of global studies, namely Roland Robertson and Geoge Ritzer. By bringing together theoretical concepts and concrete examples from contemporary reality, this study attempts to point out that, depending on the relation between its driving forces, globalization can be either an integrative process, based on understanding, respecting and embracing diversity, or an act of leveling colonization.

  15. Formation and dimensions of marketing culture under the contemporary conditions of competition

    OpenAIRE

    Urbanskienė, Rūta; Žostautienė, Daiva

    2002-01-01

    Companies seeking to retain their position in the market are in search for competitive advantages. Alas, under contemporary conditions only traditional advantages are not sufficient; such as price, nicer or more convenient package, as competitors rapidly emulate such advantages. The advantages that would not be immediately emulated and the consumer could evaluate them as an exclusive attribute of the company’s activities are necessary nowadays. Such advantages may be provided by marketing cul...

  16. Educational Spaces of Cultural Capitalism: The Concept of Consumer Culture as a New Framework for Contemporary Educational Research

    Science.gov (United States)

    Knobloch, Phillip D. Th.

    2016-01-01

    This article introduces a specific concept of consumer culture into the international and European discussion about new concepts and categories in comparative education. Basic meanings of consumer culture are presented in reference to consumer research, consumer culture theory, and a revisited concept of world polity. In addition to general…

  17. Historical and contemporary cultural ecosystem service values in the rapidly urbanizing city state of Singapore.

    Science.gov (United States)

    Thiagarajah, Jharyathri; Wong, Shermaine K M; Richards, Daniel R; Friess, Daniel A

    2015-11-01

    Cultural ecosystem services are a function of people and place, so may change as a location transitions from rural to urban. Singapore has undergone rapid urbanization after its independence in 1965, with a concomitant decline in natural habitat extent and accessibility. Using coastal mangrove forests as a case study habitat, changing cultural values were explored with a novel array of techniques, including qualitative archival analysis (photographs, oral histories), current sources (publically uploaded social media photographs), and surveys of (a) the general public and (b) visitors to publically accessible mangroves. Cultural value changed through time, with a significant transition from intrinsic, intrapersonal values (spiritual, cultural heritage) to instrumental, interpersonal values (recreation, education). Additionally, cultural value varied between different mangroves depending on their public accessibility, and the evolving degree of human interaction with the ecosystem as urban development occured. Cultural values change as development transitions, though mangroves still play an important cultural role in a heavily urbanized environment.

  18. Rape disclosure: the interplay of gender, culture and kinship in contemporary Vietnam.

    Science.gov (United States)

    Huong, Nguyen Thu

    2012-01-01

    This paper examines the social management of rape within kin groups in contemporary Vietnam, with a particular focus on the decision whether or not to seek legal redress. Post-rape management entails negotiations among families on matters such as apology and compensation before a decision is made about whether to report the incident to the authorities. By drawing on an ethnographic study of a limited number of respondents, this paper highlights how rape disclosure is often bound up with notions of family honour, with assumptions about kinship, gender relations, social belonging and shared responsibility in a collective society such as Vietnam.

  19. Latin Loans In French Contemporary Advertising: Socio-Cultural, Linguistic and Psychological Aspects

    Directory of Open Access Journals (Sweden)

    Olga Kudinova

    2016-08-01

    Full Text Available The article deals with the Latin language borrowings in the modern French language. The functioning of Latin borrowings in French advertising is analyzed. The attention is drown to the socio-cultural, linguistic and psychological aspects of this functioning. General trends concerning latinisms in French language are the clear proof of the importance and vitality of Latin into French society. It was shown that the Latin language has greatly influenced the French cultural memory and common European culture.

  20. Contradictories of inherited cultural pattern and contemporary intellectual elite in Serbia

    Directory of Open Access Journals (Sweden)

    Nemanjić Miloš

    2004-01-01

    Full Text Available The theoretical basis of this paper is the notion of cultural pattern, or cultural model (Linton, or habitus (Bourdieu. Understood as a system of continuous and transferable dispositions, including all previous experience, it acts in each moment as a matrix of perception, evaluation and act. The cultural pattern of social groups and individuals in Serbia in the last 100 years had been created during a long period of time and cannot be changed quickly, nor easily. During the 19th century we had been trying to get rid of so-called Turkish legacy, mixed with patriarchal cultural pattern, without enough strength to complete the creation of civil and European cultural pattern in all areas of social life in the first decades of the 20th century. In the middle of the last century we were caught into a rigid ideological cultural pattern called social, i.e. communist consciousness. Today we speak about getting rid of communist legacy. However, things are not so simple as they look like. Contradictories of inherited cultural pattern consist of presence of lots of layers of old cultural patterns. What is the role of the intellectual elite in Serbia today? Which cultural patterns does this elite follow? These are the main questions the author is trying to answer.

  1. The internet and contemporary visual culture: balancing aesthetics and politics in museums during the global era

    Directory of Open Access Journals (Sweden)

    Christine Bernier

    2013-06-01

    Full Text Available This essay looks at the use made by several museums of highly advanced technological and communication tools. An examination of a number of recent media events highlights the important place assigned by museums to new exhibition platforms and techniques, such as virtual exhibitions and extremely high-resolution reproductions. Through an analysis of several recent cases that illustrate how controversies sparked by contemporary artworks are handled, I consider how museums deal with politics and aesthetics in their mediation of artworks in the global era. Particular attention is paid to the Internet presentation of a work by the contemporary artist Chris Ofili entitled No Woman, No Cry , which was selected by Tate Britain to be part of the Google Art Project. A review of several other events dating from 2011 reveals how in the context of the Internet museums pursue the same principles they have long been applying in their exhibition galleries and communications with the public. This essay also casts light on the fundamentally new methods that can be employed by websites in the presentation of images in general and artworks in particular.

  2. Los Jóvenes que Viven en Barrios Populares Producen más Cultura que Violencia/Youth Who Live in Popular Neighborhoods Produce More Culture than Violence/Os Jovens que Moram em Bairros Populares Produzem mais Cultura do que Violência

    Directory of Open Access Journals (Sweden)

    James Cuenca

    2016-03-01

    Full Text Available Este escrito analiza la situación en la que viven los jóvenes de los barrios populares al estar enfrentados a un fuerte estigma social que los reduce a delincuentes, drogadictos y violentos. Retomando la categoría de barrio popular, se critica esta posición y, a cambio, se propone una interpretación en la que se destaca la productividad cultural que tienen los jóvenes que viven en estos barrios. Se toma como caso a los raperos que viven en la ciudad de Cali, Colombia. Así, en el documento se puede constatar que, con el rap y el hip hop, los jóvenes afirman positivamente sus identidades y sus orígenes sociales como habitantes del barrio popular.

  3. Factual accuracy and the cultural context of science in popular media: Perspectives of media makers, middle school students, and university students on an entertainment television program.

    Science.gov (United States)

    Szu, Evan; Osborne, Jonathan; Patterson, Alexis D

    2017-07-01

    Popular media influences ideas about science constructed by the public. To sway media productions, public policy organizations have increasingly promoted use of science consultants. This study contributes to understanding the connection from science consultants to popular media to public outcomes. A science-based television series was examined for intended messages of the creator and consulting scientist, and received messages among middle school and non-science university students. The results suggest the consulting scientist missed an opportunity to influence the portrayal of the cultural contexts of science and that middle school students may be reading these aspects uncritically-a deficiency educators could potentially address. In contrast, all groups discussed the science content and practices of the show, indicating that scientific facts were salient to both media makers and audiences. This suggests popular media may influence the public knowledge of science, supporting concerns of scientists about the accuracy of fictional television and film.

  4. Teaching Controversal Topics in Contemporary German Culture through Hip-Hop

    Science.gov (United States)

    Putnam, Michael

    2006-01-01

    This article discusses the rich cultural resources embedded with German hip-hop music and its potential impact on the foreign language classroom. In particular, this article suggests methods and materials for integrating German hip-hop music in the discussion of recent controversial cultural events and attitudes in German after the "Wende."

  5. It’s Not [Just] Cricket: The Art and Politics of the PopularCultural Imperialism, ‘Sly Civility’ & Postcolonial Incorporation

    Directory of Open Access Journals (Sweden)

    Andrew Jones

    2013-01-01

    Full Text Available Ashutosh Gowariker’s critically acclaimed Lagaan (2001, is a marvellous piece of cinematic troubling, which, via an astute use of allegory, reflects upon identity politics and power relations in both colonial and postcolonial contexts. Bringing two cornerstones of Indian popular culture together, namely cricket and Hindi formulae films, Gowariker produces an engagingly, affective alchemy of image and sound, which intervenes critically in the discourses of British colonial rule. This article’s intention is to demonstrate the mimetic devices inherent in Lagaan’s narrative, and how they mirror the regional resilience evident in the global success of both popular Indian cinema and the Indian performance of cricket. The sport of cricket and its role and effectiveness within a larger colonial project, is contextualized and reconsidered by tracing some resistant tangents in the sports evolution and performance in the Asia Pacific region. Making the most of the South Asian diaspora, which has exploited the networks and routes of the former British Empire, Indian popular cinema, likewise, serves to illustrate the point that local cultural dynamics can add their own nuances to global media flows. Interdisciplinary approaches are required to traverse within and between cultures, and to underscore the deep currents of contestation, as well as the radical and often surprising politics that characterise popular culture. In this respect, a range of scholars from different fields of study are consulted; Ashis Nandy, Arjun Appadurai, Chandrima Chakraborty and Homi Bhabha amongst them. Their voices will help to open up uncertainties in the conventional discourses, and to articulate some of the cultural politics and poetics at play in Lagaan specifically and the performance of cricket more generally.

  6. Still in the LEGO (LEGOS) Room: Female Teachers Designing Curriculum around Girls' Popular Culture for the Coeducational Classroom in Australia

    Science.gov (United States)

    McKnight, Lucinda

    2015-01-01

    While the issue of boys' dominance of the curriculum has a long history, the article examines this phenomenon in a contemporary context, through an empirical study with female teachers designing English curriculum around girls' media in a coeducational secondary school in Victoria, Australia. In this space, teachers, and the researcher, produce…

  7. Enuresis: An Historical, Cultural, and Contemporary Account of Etiology and Treatment

    Science.gov (United States)

    McDonald, James E.; Trepper, Terry

    1977-01-01

    The authors discuss the cultural relativism of enuresis and the subsequent notion that urinary incontinence may not be a disease or psychopathy, but, rather, a problem associated with social expectations and developmental delays. (Author)

  8. Contemporary issues concerning informed consent in Japan based on a review of court decisions and characteristics of Japanese culture.

    Science.gov (United States)

    Masaki, Sakiko; Ishimoto, Hiroko; Asai, Atsushi

    2014-02-04

    Since Japan adopted the concept of informed consent from the West, its inappropriate acquisition from patients in the Japanese clinical setting has continued, due in part to cultural aspects. Here, we discuss the current status of and contemporary issues surrounding informed consent in Japan, and how these are influenced by Japanese culture. Current legal norms towards informed consent and information disclosure are obscure in Japan. For instance, physicians in Japan do not have a legal duty to inform patients of a cancer diagnosis. To gain a better understanding of these issues, we present five court decisions related to informed consent and information disclosure. We then discuss Japanese culture through reviews of published opinions and commentaries regarding how culture affects decision making and obtaining informed consent. We focus on two contemporary problems involving informed consent and relevant issues in clinical settings: the misuse of informed consent and persistence in obtaining consent. For the former issue, the phrase "informed consent" is often used to express an opportunity to disclose medical conditions and recommended treatment choices. The casual use of the expression "informed consent" likely reflects deep-rooted cultural influences. For the latter issue, physicians may try to obtain a signature by doing whatever it takes, lacking a deep understanding of important ethical principles, such as protecting human dignity, serving the patient's best interest, and doing no harm in decision-making for patients.There is clearly a misunderstanding of the concept of informed consent and a lack of complete understanding of ethical principles among Japanese healthcare professionals. Although similar in some respects to informed consent as it originated in the United States, our review makes it clear that informed consent in Japan has clear distinguishing features. Japanese healthcare professionals should aim to understand the basic nature of informed

  9. Legal culture: characteristics and specifics (on the example of contemporary Kazakhstan

    Directory of Open Access Journals (Sweden)

    G R Absattarov

    2014-12-01

    Full Text Available The article considers the legal culture as an ‘ideal phenomenon’ providing value meanings for the outlook of the Kazakhs and the basis for the development of the population legal consciousness. The author focuses on the national significance of the legal, civil society and the development of new legal social ideals, norms and rules, examines key problems and contradictions in the legal culture of today’s Kazakhstan.

  10. Towards a Cultural Psychology of Science:Economics and Economists in Contemporary Chile

    OpenAIRE

    Marco Carre Benzi, David

    2017-01-01

    The present thesis is an enquiry about two distinct but complementary issues: the personal dimension of scientific activity, and the influential role that economists have had during the last decades in Chile. Regarding the former, this work complements existing philosophical, social, and psychological studies of science with a cultural psychology perspective. This perspective aims to be sensitive to the personal nature of the scientific activity but also to the cultural conditions in which sc...

  11. Contemporary Approaches to Safety Culture: Lessons from Developing a Regulatory Oversight Approach

    International Nuclear Information System (INIS)

    Goebel, V.; Heppell-Masys, K.

    2016-01-01

    The Canadian Nuclear Safety Commission (CNSC) regulates the use of nuclear energy and materials to protect health, safety, security and the environment, and to implement Canada’s international commitments on the peaceful use of nuclear energy; and to disseminate objective scientific, technical and regulatory information to the public. In the late 1990s, the CNSC conducted research into an Organization and Management (O&M) assessment method. Based on this research the CNSC conducted O&M assessments at all Canadian nuclear power plants and conducted additional assessments of nuclear research and uranium mine and mill operations. The results of these assessments were presented to licencees and used to inform their ongoing actions related to safety culture. Additional safety culture outreach and oversight activities provided licencees with opportunities to develop effective safety culture assessment methods, to share best practices across industry, and to strive for continual improvement of their organizations. Recent changes to the Canadian Standards Association (CSA) management system standard have resulted in the inclusion of requirements associated to safety culture and human performance. Representatives from several sectors of Canada’s nuclear industry, as well as participation from regulators such as the CNSC took part to the development of this consensus standard. Specifically, these requirements focus on monitoring and understanding safety culture, integrating safety into all of the requirements of the management system, committing workers to adhere to the management system and supporting excellence in workers’ performance. The CNSC is currently developing a regulatory document on safety culture which includes key concepts applicable to all licencees and specific requirements related to self-assessment, and additional guidance for nuclear power plants. Developing a regulatory document on safety culture requires consultation and fact finding initiatives at

  12. Deontological aspects of perceiving people with disabilities in the context of contemporary culture

    Directory of Open Access Journals (Sweden)

    Shmeleva N.V.

    2017-08-01

    Full Text Available The article analyzes the problem of negative influence of the mass culture on value orientations of a modern person when the corporality is idealized. The priority of the visual principle in the mass culture of the XXth – beginning of XXIst centuries changes the human relation to his/her own and someone else's body, because the visual is inextricably linked to the reproduction of uniform idealized visual images, as well as to defining static social and cultural human roles judging just by the physical body condition (when positive characters often have an idealized appearance, and embossed body contours while negative ones have physical limitations. The desire and, at the same time, the inability to attain a perfect body condition becomes one of the significant reasons for social and cultural tension when a growing negative attitude towards people with disabilities is detected. In order to overcome the social tension, specific solutions are required. That makes it actual to appeal to deontology (a science about what must be done, aimed at the moral renewal of society. Ethical and deontological culture, pedagogical, environmental and social deontologies are of great importance as these are developing a concept of new system of values destined to overcome social and personal contradictions.

  13. Popular culture and sporting life in the rural margins of late eighteenth-century England: the world of Robert Anderson, "The Cumberland Bard".

    Science.gov (United States)

    Huggins, Mike

    2012-01-01

    This study sets out to extend and challenge existing historiography on late eighteenth century British popular culture, customary sports, class and cultural identity, focusing upon the rural geo-political borderland of England. It suggests that prevailing class-based and more London-biased studies need to be balanced with more regionalist-based work, and shows the importance of northern regional leisure variants. The textual and historical analysis draws largely on the published works of a neglected working-class dialect poet, Robert Anderson, living and working in Cumberland, arguing that he represented a strain of ''bardic regionalism,'' a variant of Katie Trumpener’s ''bardic nationalism.''

  14. Historical and contemporary perspectives of the Nyonya food culture in Malaysia

    Directory of Open Access Journals (Sweden)

    Chien Y. Ng

    2016-06-01

    Full Text Available Nyonya cuisine echoes the cultural identity of the Peranakans, who are both Chinese and localized. Despite the fact that the food is much localized, its symbolism remains traditionally Chinese. This paper explores the history, ingredients, and cooking methods crucial in the production of the cuisine, the types of food served for daily consumption, festivities and ancestral worships, as well as their Chinese symbolism. Furthermore, this paper also discusses factors that contributed to the obscurity of the culture and the cuisine after the Second World War. Lastly, the revival of the culture through the immense interest in its cuisine, especially from the 1980s, and the extent of globalization of this cuisine are also examined. Findings reported are expected to highlight the significance of Nyonya cuisine in Malaysia in the past and the present.

  15. Border Crossing in Contemporary Brazilian Culture: Global Perspectives from the Twenty-First Century Literary Scene

    Directory of Open Access Journals (Sweden)

    Cimara Valim de Melo

    2016-06-01

    Full Text Available Abstract: This paper investigates the process of internationalisation of Brazilian literature in the twenty-first century from the perspective of the publishing market. For this, we analyse how Brazil has responded to globalisation and what effects of cultural globalisation can be seen in the Brazilian literary scene, focusing on the novel. Observing the movement of the novelists throughout the globe, the reception of Brazilian literature in the United Kingdom and the relations between art and the literary market in Brazil, we intend to provoke some reflections on Brazilian cultural history in the light of the twenty-first century.

  16. Wrocław – Cultural Semantics of the Contemporary Urban Embedding

    Directory of Open Access Journals (Sweden)

    Marcin R. Odelski

    2009-11-01

    Full Text Available The transformation of Europe – and, particularly, one of its narrow scopes – a socio-urban transformation has undergone an enormous shift, the illustration of which can be found in separate and collective alternating narratives. Those alternating narratives understood as experience based opinions embedded in individual observations contribute to a better understanding of a given urban setting. Wrocław, one may state, is a very individual city or, rather one should say, a city that is perfect for individuals. This work aims at exploring the concept of Wroclaw from various possible (but still selected angles within the meaning of Europe. Not only linguistics and semantics will be the axes of reference in this particular case but also bordering sciences such as: anthropology or sociology. Moreover, people in contemporary Wroclaw learn to identify not only themselves but also the space. The light is shed on selected meanings being constructed by people from the inside, as well as, from the outside; therefore one should also adhere to its citizens and visitors because empty space loses its meaning to a large extent. Recent twenty years (1989-2009, most probably, will be described as a period of constant rapid changes. This particular period in wroclawians’ mentality was (and still is full of actions taking the "re” prefix to denote and stress far-reaching initiatives, initiatives that go far beyond the imagination of fossilized mind so common in the bygone political epoch.

  17. Indústria cultural, lazer e turismo: percalços e perspectivas na contemporaneidade * Cultural industry, tourism and leisure: mishaps and perspectives in contemporary

    Directory of Open Access Journals (Sweden)

    ELIS REGINA BARBOSA ANGELO

    2013-12-01

    Full Text Available Resumo: Ao se pensar a sociedade contemporânea como uma fábrica de indivíduos da era mercantil, ansiados pela troca de produtos gerados pela Indústria Cultural, para os quais as opções de lazer e turismo acabaram se tornando uma necessidade para viver no mundo globalizado e intermediado pela desenfreada mobilização de compra e venda, todo o sistema deve ser repensado. Consumo e a exposição desse consumo, no qual também se incluem a experiência do turismo e do lazer, viraram, quase exclusivamente, o ponto nevrálgico desse processo de querer ser e fazer dos processos que envolvem a formação do indivíduo. Dessa forma, este trabalho busca pensar o contexto contemporâneo do viver na indústria cultural, sendo a sociedade catalisadora e organizadora sem precedentes na formação do indivíduo na história do tempo e espaço presentes, ou na era do vazio , ou ainda na era da sociedade líquida.Palavras-chave: Sociedade – Indústria Cultural – Turismo – Espaço – Contemporaneidade. Abstract: When we think on contemporary society as a factory of individuals of mercantile age, longed for the exchange of products generated by the culture industry, whose leisure and tourism options has become a requirement to live in a globalized world and intermediated by rampant mobilization of buying and selling, the entire system must be rethought. Consumption and its exposure, which also includes the experience of tourism and leisure, became almost exclusively the core center of this process of willingness to be and to do the processes that involve the formation of the individual. Thus, this paper seeks out to think on the contemporary context of living in the culture industry, where society is the catalyst and the unprecedent organizer in the formation of the individual in the current time and space history, or in the age of emptiness, or even in the liquid society age.Keywords: Society – Cultural Industry – Tourism – Space

  18. Remembering the popular music of the 1990s: dance music and the cultural meanings of decade-based nostalgia

    NARCIS (Netherlands)

    A.J.C. van der Hoeven (Arno)

    2014-01-01

    textabstractFollowing the popularisation of dance music in the 1990s, and the consolidation of disc jockeys (DJs) as global stars, this article examines the attachment of music audiences to this decade by examining the popular flashback dance parties held in the Netherlands. By drawing on theories

  19. Looking Back, to Look Forward: Using Traditional Cultural Examples to Explain Contemporary Ideas in Technology Education

    Science.gov (United States)

    Lee, Kerry

    2011-01-01

    Although the term "technology" means different things to different people, most would generally agree that it is about "stuff." For some it may be more complex than this, and for others it may simply involve using or studying high-tech gadgetry, such as computers and iPhones. Understanding the interdependence between design and culture is a…

  20. 导言:全球化背景下的当代中国文化建设%Introduction: building contemporary Chinese culture in the context of globalization

    Institute of Scientific and Technical Information of China (English)

    叶险明

    2008-01-01

    @@ Building contemporary Chinese culture is a very important research topic in the context of globalization. It involves almost the entire domain of philosophy, the humanities and the social sciences, covering every aspect of life in Chinese society. The three aspects below are the most important for this task.

  1. The canary in the mind: on the fate of dreams in psychoanalysis and in contemporary culture.

    Science.gov (United States)

    Lippmann, Paul

    2006-06-01

    Dreams have been central in the birth and evolution of psychoanalysis. This paper explores the remarkable story of the relationship between dreams and psychoanalysis as a modern version of the long history of dreams in most healing traditions. But psychoanalysis seems to have turned away from dreams as central inspiration in a way parallel to the general culture's turn away from dreams and the reality of inner life. Yet modern postindustrial culture is transfixed by a version of "dream life" in ways just beginning to be understood (e.g., in the transformation of ancient interest in the inner screen to the external screen). Working with dreams in psychoanalytic psychotherapy was a creative and revolutionary act for our forebears. It is even more so today, in ways that are discussed in this paper.

  2. Historical and contemporary perspectives of the Nyonya food culture in Malaysia

    OpenAIRE

    Ng, Chien Y.; Ab. Karim, Shahrim

    2016-01-01

    Nyonya cuisine echoes the cultural identity of the Peranakans, who are both Chinese and localized. Despite the fact that the food is much localized, its symbolism remains traditionally Chinese. This paper explores the history, ingredients, and cooking methods crucial in the production of the cuisine, the types of food served for daily consumption, festivities and ancestral worships, as well as their Chinese symbolism. Furthermore, this paper also discusses factors that contributed to the obsc...

  3. An online spatial database of Australian Indigenous Biocultural Knowledge for contemporary natural and cultural resource management.

    Science.gov (United States)

    Pert, Petina L; Ens, Emilie J; Locke, John; Clarke, Philip A; Packer, Joanne M; Turpin, Gerry

    2015-11-15

    With growing international calls for the enhanced involvement of Indigenous peoples and their biocultural knowledge in managing conservation and the sustainable use of physical environment, it is timely to review the available literature and develop cross-cultural approaches to the management of biocultural resources. Online spatial databases are becoming common tools for educating land managers about Indigenous Biocultural Knowledge (IBK), specifically to raise a broad awareness of issues, identify knowledge gaps and opportunities, and to promote collaboration. Here we describe a novel approach to the application of internet and spatial analysis tools that provide an overview of publically available documented Australian IBK (AIBK) and outline the processes used to develop the online resource. By funding an AIBK working group, the Australian Centre for Ecological Analysis and Synthesis (ACEAS) provided a unique opportunity to bring together cross-cultural, cross-disciplinary and trans-organizational contributors who developed these resources. Without such an intentionally collaborative process, this unique tool would not have been developed. The tool developed through this process is derived from a spatial and temporal literature review, case studies and a compilation of methods, as well as other relevant AIBK papers. The online resource illustrates the depth and breadth of documented IBK and identifies opportunities for further work, partnerships and investment for the benefit of not only Indigenous Australians, but all Australians. The database currently includes links to over 1500 publically available IBK documents, of which 568 are geo-referenced and were mapped. It is anticipated that as awareness of the online resource grows, more documents will be provided through the website to build the database. It is envisaged that this will become a well-used tool, integral to future natural and cultural resource management and maintenance. Copyright © 2015. Published

  4. Strategies of contemporary culture in the concept of simulacres by J. Bordriyar

    Directory of Open Access Journals (Sweden)

    S. M. Forkosh

    2017-11-01

    The principal role in the formation of Baudrillard’s conceptual representations belongs to language. The postmodern overcoming of the subject-object difference is realized by Baudrillard by appealing primarily to the linguistic or «sign» nature of reality. The object is transformed into an object-sign and as such, within the framework of the general theory of sign systems, becomes an encoded fragment whose main characteristic is not simply the stereotyped craving for «difference philosophy» but the subordination of the object system code to its totality. Objects appears from human life, and the life disappears as a subject, turning into a human-object, which like a thing, performing a certain function, appears in inter-human relations. Signed consumption covers the whole life of people, from consumption of things and ending with consumption of the environment of human life, which includes labor, leisure, culture, social sphere, nature. All this enters into human life in the form of consumed signs, «simulacrum», transforming it as a whole into a simulation, in the manipulation of signs. The sign, the «simulacrum,» indirectly helps a person to master reality, but at the same time he destroys the real, replaces it with himself. Therefore, it is impossible to distinguish reality from error, since a significant feature of our culture is that illusion, imitation or simulation is so deeply preserved in our lives that it makes impossible the distinction between the real world and the realm of the imagination. The position of the researcher that in the era of postmodernity the distinctions between true and false, authentic and unauthentic, real and unreal are disappearing, is one of the central in his works and indicates a possible vector of cultural development.

  5. From Sheryl Crow to Homer Simpson: Literature and Composition through Pop Culture

    Science.gov (United States)

    Evans, Jerome

    2004-01-01

    Students use analyzing themes in song lyrics, rhetorical devices in essays and advertisements, and psychology in contemporary film, to improve their skills in critical thinking and writing. Popular culture is deduced to have an important place in English curricula.

  6. Popular Music and Society

    DEFF Research Database (Denmark)

    2007-01-01

    the collapse of the Soviet Union: What present trends can be observed?  How has the Soviet context influenced the popular music of today?  How is music performed and consumed?  How has the interrelationship between cultural industry and performers developed?  How are nationalist sensibilities affecting popular......Fifteen years after the collapse of the Soviet Union, popular music is thriving in the former Soviet territories and covers a broad variety of genres.  Among these are rock bands formed in the Soviet era, surviving legends of Soviet pop, and younger bands and performers of the 1990s and 2000s.......   Local and foreign musics blend as new impulses arrive from without and arise from within the region.  Thanks to the most recent wave of Russian emigrants, these popular musics have also spread to various localities around the world, as exemplified by the phenomenon of "Russendisko" in Berlin...

  7. The Shifting Border of Food Perceptions and Cultural Identity in Maghrebi Muslim Migrants. History and the Contemporary Experience of Cultural Mediators in Northern Italy

    Directory of Open Access Journals (Sweden)

    Roberta Rosa Giovine

    2014-06-01

    Full Text Available In recent decades, Italy has become a point of entry to the EU and, for many migrants from the Southern shores of the Mediterranean, a final destination (IOM Report, 2011. As massive inflows have often caused emergencies, the pressing needs of these populations in the areas of housing, healthcare, education, etc. have been examined and addressed (data: Regional Authority and Milan Diocese Observatories. Realizing that the cultural implications in the area of food, had not been systematically studied thus far, the author developed a three-year project, focusing on northwest African Muslim migrants and the change in their perception of food, particularly in light of the strong religious implications that food has historically had to Arab populations. After reviewing the key traits of Arab-Berber food history, their translation into contemporary life in the countries of origin and destination was investigated, through interviews with, primarily, cultural mediators, as well as anthropologists, food experts, food chain professionals, and the migrants themselves. The overall research delves into the migrants’ views of food back in Northern Africa and Maghrebi3 and other food in Italy, with an emphasis on ideas of purity and identity (in culinary practices, ingredients, celebrations, table manners, the restaurant system and distribution.

  8. The Shifting Border of Food Perceptions and Cultural Identity in Maghrebi Muslim Migrants. History and the Contemporary Experience of Cultural Mediators in Northern Italy

    Directory of Open Access Journals (Sweden)

    Roberta Giovine

    2013-08-01

    Full Text Available In recent decades, Italy has become a point of entry to the EU and, for many migrants from the Southern shores of the Mediterranean, a final destination (IOM Report 2011. As massive inflows have often caused emergencies, the pressing needs of these populations in the areas of housing, healthcare, education, etc. have been examined and addressed (data: Regional Authority and Milan Diocese Observatories. Realizing that the cultural implications in the area of food, had not been systematically studied thus far, the author developed a three-year project, focusing on northwest African Muslim migrants and the change in their perception of food, particularly in light of the strong religious implications that food has historically had to Arab populations. After reviewing the key traits of Arab-Berber food history, their translation into contemporary life in the countries of origin and destination was investigated, through interviews with, primarily, cultural mediators, as well as anthropologists, food experts, food chain professionals, and the migrants themselves. The overall research delves into the migrants’ views of food back in Northern Africa and Maghrebi and other food in Italy, with an emphasis on ideas of purity and identity (in culinary practices, ingredients, celebrations, table manners, the restaurant system and distribution.

  9. CIVIC CULTURE IN CONTEMPORARY RUSSIA (on the example of Tula region

    Directory of Open Access Journals (Sweden)

    V. V. Krasnopevtseva

    2017-01-01

    Full Text Available The article focuses on the prospects of the development of civil society inTulaandTularegion.Tularegion belongs to the third type of Russian regions according to the classification of regions on the potential development of civil society. This demonstrates the presence of favorable conditions for the development of civil society institutions inTula. Actually today there is a tendency towards more active civic participation of the population in the region. There are several factors which contribute to this.One of the foundations of civil society formation inTularegion is the activity of non-profit organizations. First of all youth non-profit organizations should be mentioned. They play an important role in the political socialization of young people and youth initiatives support. In this context, it is also necessary to note the role of educational institutions, which purpose is civic education of young people.There is a significant increase in the number of volunteer organizations and groups. The younger generation actively takes part in their work. Volunteer organizations involve young people in professional and social activities, form their social and civic responsibility. Thus, volunteering is one of the most important indicator of the functioning of civil society. Over the past few years more than 30 volunteer organizations and groups as well as several centers promoting volunteers have appeared in the region. These measures are a significant step towards the institutionalization of volunteering inTularegion.Civil society is impossible without a high level of legal awareness of the population. The activity of various human rights organizations that promote the legal culture of the region’s population contributes to the development of the civil society institutions.Patriotic and charitable organizations as well as political parties play an important role in the life ofTularegion. Being the intermediaries between civil society and the

  10. Ideological and political conflicts about popular music in Serbia

    Directory of Open Access Journals (Sweden)

    Đurković Miša

    2004-01-01

    Full Text Available The paper is focused on ideological and political conflicts about popular music in Serbia, as a good example of wrong and confused searching for identity. Basic conflict that author is analyzing is about oriental elements (such as asymmetric rhythmic patterns and melismatic singing and the question if they are legitimate parts of Serbian musical heritage or not. Author is making an analysis of three periods in twentieth century, in which absolutely the same arguments were used, and he's paying special attention to contemporary conflicts, trying to explain why all of the theories are ideologically based. Author is insisting on role market played in development and modernization of popular music in Serbia. The article is ending with some recommendations for better understanding of cultural identity in Serbia, and for recognizing popular music as specific field of interest and research.

  11. Use of quantitative methods in the study of cultural goods consumption in popular sectors within the city of Mexicali, B.C.

    Directory of Open Access Journals (Sweden)

    Luz María Ortega Villa

    2007-07-01

    Full Text Available In this work, a brief of the methodology used in the study of cultural goods consumption among popular sector of Mexicali is presented. It includes three phases: a survey (quantitative method, a typology established from a multivariate analysis (data mining, and interviews with selected type-cases (qualitative method all of which are analyzed from a multidimensional perspective whose categories retrieve marketing findings such as consumption visions (Phillips, Olson and Baumgartner, 1995 and conflict resolution strategies (Kwai-Choi and Collins, 2000 applied in the process of decision-making. It also draws from sociology (Thompson, 1990; Bourdieu, 1984 in order to identify reproductive aspects of consumption related to educative capital and social origin, and to deal with symbolic evaluation strategies of legitimate cultural goods.

  12. "This Guy's Dead": Seeking the Origins of the Dystopian Narrative of the American High School in the Popular Culture

    Science.gov (United States)

    Witte, Shelbie; Goodson, Todd

    2011-01-01

    Educators' work is impacted by the political narratives constructed by politicians and legislators. The manipulation of cultural archetypes, including the representations of schools and teachers, in order to create compelling narratives in support of policy is also part of the context within which educators work. The past 25 years have been laden…

  13. Images of Mathematics in Popular Culture/Adults' Lives: A Study of Advertisements in the UK Press

    Science.gov (United States)

    Evans, Jeff; Tsatsaroni, Anna; Staub, Natalie

    2007-01-01

    The success of policies to attract adults back to the learning of mathematics, at various levels, is often linked to questions of motivation. However, motivations depend on relevant beliefs, attitudes and emotions about mathematics--which themselves reflect, together with experiences with maths in school and in the home, wider cultural discourses…

  14. Comparing cultural classification: high and popular arts in European and U.S. elite newspapers, 1955-2005

    NARCIS (Netherlands)

    Janssen, S.; Verboord, M.; Kuipers, G.M.M.

    2011-01-01

    This article seeks to elucidate over time changes and cross-national variations in the status of art forms through a comprehensive content analysis of the coverage given to arts and culture in elite newspapers of four different countries - France, Germany, the Netherlands, and the United States - in

  15. Alien To Me? Science in Search for Life Beyond Earth and Perceptions of Alien Life in Popular Culture

    Science.gov (United States)

    Capova, K. A.

    2013-09-01

    The paper will introduce an original piece of research that is devoted to the socio-cultural aspects of scientifi c search for life in outer space and it draws from doctoral research in anthropology of science. In this piece of research the extraterrestrial life hypothesis is conceptualized as a significant part of the general world-view, constantly shaped by the work and discoveries of science. The paper presents data from qualitative ethnographic fieldwork conducted in the UK as well as uses quantitative data from public from the USA, UK and other countries.

  16. Arte Popular y Feminismo

    Directory of Open Access Journals (Sweden)

    Eli Bartra

    2000-01-01

    Full Text Available En este artículo se lleva a cabo, en primer lugar, una propuesta metodológica de cómo abordar el estudio del arte popular desde un punto de vista feminista. A continuación se realiza un acercamiento a un ejemplo específico de arte popular mexicano que se halla en estrecha relación con el arte elitista y se puede considerar que se trata de un proceso de sincretismo cultural un tanto sui generis: las friditas de Josefina Aguilar como recreaciones de la obra plástica de Frida Kahlo. Con base en este “close up” se intenta mostrar un posible método para conocer el arte popular contemplando las divisiones sociales por género, etnia y clase.

  17. Fragmentation, Intertextuality and Hyperreality: The Postmodern and Popular Filipino Films

    Directory of Open Access Journals (Sweden)

    Erwhin Clarin

    2016-05-01

    Full Text Available Watching popular films can help students take certain arguments in the theory of knowledge more seriously. Such claims bring to fore what the postmodernist critic Frederic Jameson (1998 refers to as the erosion of distinction between high culture (as represented by philosophy and the act of philosophizing and popular culture (embodied by popular films as when these products of mass culture are used as texts for philosophical and literary studies. The present study was designed to analyze popular Filipino films as text, in order to achieve the researcher’s aims: one is to prove that movies can truly be philosophic and literary, by highlighting the dominant features of postmodernist fiction discernible in the selected contemporary films, and how these features were related to the over-all narrative structure, characterization, and thematic content, and more importantly, to participate in the effacement of the line between high art and commercial art, demonstrating in the end that "le postmoderne" has finally reached the Philippines.

  18. Popular music scenes and aging bodies.

    Science.gov (United States)

    Bennett, Andy

    2018-06-01

    During the last two decades there has been increasing interest in the phenomenon of the aging popular music audience (Bennett & Hodkinson, 2012). Although the specter of the aging fan is by no means new, the notion of, for example, the aging rocker or the aging punk has attracted significant sociological attention, not least of all because of what this says about the shifting socio-cultural significance of rock and punk and similar genres - which at the time of their emergence were inextricably tied to youth and vociferously marketed as "youth musics". As such, initial interpretations of aging music fans tended to paint a somewhat negative picture, suggesting a sense in which such fans were cultural misfits (Ross, 1994). In more recent times, however, work informed by cultural aging perspectives has begun to consider how so-called "youth cultural" identities may in fact provide the basis of more stable and evolving identities over the life course (Bennett, 2013). Starting from this position, the purpose of this article is to critically examine how aging members of popular music scenes might be recast as a salient example of the more pluralistic fashion in which aging is anticipated, managed and articulated in contemporary social settings. The article then branches out to consider two ways that aging members of music scenes continue their scene involvement. The first focuses on evolving a series of discourses that legitimately position them as aging bodies in cultural spaces that also continue to be inhabited by significant numbers of people in their teens, twenties and thirties. The second sees aging fans taking advantage of new opportunities for consuming live music including winery concerts and dinner and show events. Copyright © 2018 Elsevier Inc. All rights reserved.

  19. Feminismo, estudios culturales y cultura popular

    OpenAIRE

    Hollows, Joanne

    2005-01-01

    This paper explores the movement of feminism into academic life in general and the study of popular culture in particular. Assumptioms about the effects of popular culture on women had been a commonsense of second-wave feminism; however, by the mid-1970’s, questions about how gendered identities were culturally produced and reproduced became the topic of much more in-depth feminist research and discussion. This essay examines two main ways in which feminist research into popular culture enter...

  20. Popular music, psychogeography, place identity and tourism: The case of Sheffield

    OpenAIRE

    Long, Philip

    2014-01-01

    Tourism and cultural agencies in some English provincial cities are promoting their popular music ‘heritage’ and, in some cases, contemporary musicians through the packaging of trails, sites, ‘iconic’ venues and festivals. This article focuses on Sheffield, a ‘post-industrial’ northern English city which is drawing on its associations with musicians past and present in seeking to attract tourists. This article is based on interviews with, among others, recording artists, promoters, producers ...

  1. Are Atypical Things More Popular?

    Science.gov (United States)

    Berger, Jonah; Packard, Grant

    2018-04-01

    Why do some cultural items become popular? Although some researchers have argued that success is random, we suggest that how similar items are to each other plays an important role. Using natural language processing of thousands of songs, we examined the relationship between lyrical differentiation (i.e., atypicality) and song popularity. Results indicated that the more different a song's lyrics are from its genre, the more popular it becomes. This relationship is weaker in genres where lyrics matter less (e.g., dance) or where differentiation matters less (e.g., pop) and occurs for lyrical topics but not style. The results shed light on cultural dynamics, why things become popular, and the psychological foundations of culture more broadly.

  2. Markets framed by culture : The role of local contexts in the rise of contemporary art commerce in Russia and India

    NARCIS (Netherlands)

    Komarova, N.

    2018-01-01

    How can we explain the diversity of ways in which local contexts affect the development of new markets? This dissertation takes the proliferation of contemporary art commerce across the globe that started in the late 1980s as an opportunity to answer this question by undertaking the study of art

  3. Understanding the Exhibitionary Characteristics of Popular Music Museums

    Directory of Open Access Journals (Sweden)

    Charles Fairchild

    2017-03-01

    Full Text Available The literature on the popular music museum has primarily focused on the study of heritage and cultural memory with a secondary focus on tourism. Given the unprecedented expansion of the museum sector worldwide in recent decades, which has produced an increasing number of major museums dedicated to popular music, it is an opportune time to expand this range of analytical concerns. Specifically, the development of popular music museums has not yet been closely examined within the broader historical trajectory of the so-called ‘new museum.’ This article seeks to outline the range of exhibitionary types commonly used in a range of high-profile popular music museums in pursuit of this line of inquiry. The goal is not simply to produce a generic survey or typology of displays, but to place the use of different forms of museum display within the specific historical trajectory that has produced steadily larger numbers of these kinds of museums in recent years. I organize these exhibitionary types into two broad streams of museum exhibition practice implied in the historical survey presented here: a populist-vernacular stream of museum display and an institutional-educational one. I seek to place the exhibitionary practices of contemporary popular music museums in a broader and longer trajectory of similar practices in order to get a more grounded sense of the more important characteristics of these kinds of museums.

  4. Folia de Reis não é folia de rádio Off the radio: preserving popular culture in São Paulo

    Directory of Open Access Journals (Sweden)

    Mônica de Carvalho

    2010-12-01

    Full Text Available O objetivo deste artigo é analisar o sentido da preservação da Folia de Reis no distrito da Freguesia do Ó, Zona Norte da cidade de São Paulo, tomando como contraponto o evento Revelando São Paulo, que, organizado pelo governo do estado, também tem por objetivo a preservação da cultura popular tradicional paulista. Tomando como referência teórico-metodológica o debate iniciado nos anos de 1940 entre Florestan Fernandes e os folcloristas, a intenção é demonstrar que naquela figuração o que está em disputa é o sentido mesmo de preservação e, mais do que isso, o seu próprio objeto.This article explores the meaning of attempts to preserve the Folia de Reis (Revelry of the Wise Men in the district of Freguesia do Ó, in the north of São Paulo city. As a counterpoint, it analyzes the event Revelando São Paulo (Revealing São Paulo, organized by the State Government, which also looks to preserve São Paulo's traditional popular culture. Using the debate between Florestan Fernandes and the folklorists, initiated in the 1940s, as a theoretical and methodological starting point, the article aims to demonstrate that what is being disputed in the former's figuration is not only the meaning of preservation but, more importantly, how the preservation itself is achieved.

  5. "The Private Is Becoming Political"—Interdisciplinary Perspectives on Autobiographical Writing in the Horizon of the Culture of Remembering and Contemporary History

    Directory of Open Access Journals (Sweden)

    Carsten Heinze

    2011-05-01

    Full Text Available This essay focuses on autobiographical life-writing as a part of commemorative culture, i.e. in East and West Germany. It looks at the literary genre from a sociological point of view. Whereas in literature studies autobiography is seen as a blurred genre, it can be asserted that it functions in public discourse. Hence, autobiographies are an important medium in political and contemporary historical context and are seen to be effective within that context. This essay assumes that published autobiographies are an intentional form of social communication, within the context of and affected by the public culture of remembering. The autobiographies themselves influence these cultures of remembering from the subjective point of view. In this regard, life-writing is not an individual or autonomous act of narrating one's life but rather a social communicative act of writing and narrating life stories in public contexts. Therefore life-writing is a public form of self and contemporary history representation and is politically charged. In other words, "the private becomes political" by addressing it to the public. URN: http://nbn-resolving.de/urn:nbn:de:0114-fqs110294

  6. Afterword. Contesting Culture: Identity and Curriculum Dilemmas in the Age of Globalization, Postcolonialism, and Multiplicity.

    Science.gov (United States)

    McCarthy, Cameron; Giardina, Michael D.; Harewood, Susan Juanita; Park, Jin-Kyung

    2003-01-01

    Draws on articles in this special issue to find implications for educators of developments in popular culture, cultural globalization, and electronic images. Addresses questions concerning the reproduction of culture, identity, and community within contemporary educational debates. (Contains 48 references.) (Author/SK)

  7. Queer Melayu: queer sexualities and the politics of Malay identity and nationalism in contemporary Malaysian literature and culture

    OpenAIRE

    Jerome, Collin

    2012-01-01

    This thesis examines Malay identity construction by focusing on the complex processes of self-identification among queer-identified Malays living in Malaysia and beyond. By analysing representations of queer Malays in the works of contemporary Malaysian Malay writers, scholars, and filmmakers, as well as queer Malays on the internet and in the diaspora, the thesis demonstrates how self-identifying gay, lesbian, bisexual, and transgendered Malays create and express their identities, and the wa...

  8. Idiomas culturais como estratégias populares para enfrentar a violência urbana Cultural idioms as community strategies against urban violence

    Directory of Open Access Journals (Sweden)

    Mônica Nunes

    2005-04-01

    Full Text Available É recorrente, no imaginário social, a idéia de que a pobreza e as condições de precariedade social desenvolvem, entre as pessoas dos bairros populares, comportamentos violentos e delinqüentes. Cada referência à violência ou cada indício da mesma é amplificado, supervalorizado e divulgado, perpetuando a idéia única e monolítica de que esses são os comportamentos prevalentes. O oposto, ações que resistem ou que se contrapõem a violências são muito menos evidenciadas. Um dos objetivos centrais do projeto Violência e Saúde: Monitoramento Epidemiológico, Memória, Experiência e Resistência consistiu em identificar estratégias populares de enfrentamento da violência. Neste artigo, privilegiaremos as ações sociais de cunho artístico-cultural desenvolvidas com jovens por um mestre de capoeira e aquelas conduzidas por um líder rastafári que pratica um "reaggae messiânico". Centraremos nossa análise nas formas de organização e de atuação de ambos os projetos, em interpretações produzidas pelos mesmos acerca das violências vividas pelos jovens e nos idiomas culturais e cosmovisões utilizados para contemplar estratégias de promoção da paz. Buscamos identificar o "trabalho da cultura" que permite, nesses projetos, uma elaboração de conflitos.In the social imaginary, a fairly common idea is that poverty and precarious social conditions develop, among the inhabitants of working-class neighborhoods, violent and criminal behaviors. Every reference to violence, is amplified, overvalued and spread, only perpetuating the monolithic idea that those are the prevailing behaviors. On the other hand, actions that resist violence are significantly less brought to the fore. One of the main objectives of the project Violence and Health: Epidemiological Monitoring, Memory, Experience and Resistance consisted in identifying community strategies against violence. In this article, we will concentrate on art-and-culture oriented

  9. Feminismo, estudios culturales y cultura popular

    Directory of Open Access Journals (Sweden)

    Joanne Hollows

    2005-01-01

    Full Text Available This paper explores the movement of feminism into academic life in general and the study of popular culture in particular. Assumptioms about the effects of popular culture on women had been a commonsense of second-wave feminism; however, by the mid-1970’s, questions about how gendered identities were culturally produced and reproduced became the topic of much more in-depth feminist research and discussion. This essay examines two main ways in which feminist research into popular culture entered academic life: first, it examines the “images of women” debate, and second, it examines the Cultural Studies tradition and the feminist cultural analysis.

  10. Popular Music Policy

    OpenAIRE

    Frith, Simon; Cloonan, Martin

    2008-01-01

    This special issue of Popular Music has its origins in a seminar organised at the University of Stirling in 2004. This meeting, one of a series on cultural policy, brought together researchers from a number of European countries who were asked to describe state music policy in their respective countries and to reflect on what differences, if any, such policies had made to recent national music history. As the seminar’s organisers, we were interested in a couple of issues: first, how policy ap...

  11. Use of Children's Popular Culture in Literacy Curricula: An Analysis of the Papers by Parry (2002) and Dickie and Shuker (2014) through the Lenses of "No Research Can Be Value-Laden

    Science.gov (United States)

    Altintug, Fatma Aslanturk; Debrelu, Emre

    2018-01-01

    This paper focuses on the importance of children's out-of-school experiences as their popular culture and discusses how such experiences contribute to their creativity and critical thinking. In addition to this, the paper also discusses the critical role of researchers' values in terms of how values affect the design and process of research. From…

  12. Suicide, Self-Harm and Survival Strategies in Contemporary Heavy Metal Music: A Cultural and Literary Analysis.

    Science.gov (United States)

    Baker, Charley; Brown, Brian

    2016-03-01

    This paper seeks to think creatively about the body of research which claims there is a link between heavy metal music and adolescent alienation, self-destructive behaviours, self-harm and suicide. Such research has been criticised, often by people who belong to heavy metal subcultures, as systematically neglecting to explore, in a meaningful manner, the psychosocial benefits for individuals who both listen to contemporary heavy metal music and socialize in associated groups. We argue that notions of survival, strength, community, and rebellion are key themes in contemporary heavy metal music. Through literary-lyrical analysis of a selection of heavy metal tracks, this paper aims to redress the balance of risk and benefit. We argue that listening to this type of music, the accompanying social relationships, sense of solidarity and even the type of dancing can ameliorate tumultuous and difficult emotions. Songs which could be read as negative can induce feelings of relief through the sense that someone else has felt a particular way and recovered enough to transform these emotions into a creative outlet. This genre of music may therefore not increase the risk of untoward outcomes in any simple sense but rather represent a valuable resource for young people in difficulty.

  13. Numberjacks Are on Their Way! A Cultural Historical Reflection on Contemporary Society and the Early Childhood Curriculum

    Science.gov (United States)

    Edwards, Susan

    2010-01-01

    This paper considers the temporal aspects of the early childhood curriculum from a cultural historical perspective, and in doing so focuses on the role of play in early childhood education. Drawing on ideas derived from cultural historical theory regarding the historical basis of community practices and knowledge, the paper reflects on the type of…

  14. Pure and Public, Popular and personal

    DEFF Research Database (Denmark)

    Eriksson, Birgit

    2013-01-01

    In the article I reexamine the traditional aesthetical and political critiques of popular culture and reevaluate the social and communicative potential of bestselling cultural artifacts such as highly popular television series. First, I sketch the alleged aesthetic and social problems of popular...... and the exclusions of the public sphere. I argue that the ideals of a pure aesthetic and a public sphere neglect issues that are crucial to the type of commonality at stake in popular cultural artifacts: personal issues, social conflicts, and what is pleasurable to the senses or has to do with emotions. Third, I...

  15. Spanish Federation of Popular Universities (FEUP)

    Science.gov (United States)

    Serrano, Isabel Garcia-Longoria

    2006-01-01

    This article features the Spanish Popular Universities, which are defined as "a project of cultural development that acts in the municipality, whose objective is to promote social participation, education, training, and culture in order to improve life quality" (Federation of Popular Education Universities, 2000). A century of history of…

  16. STRATEGIC CHANGES IN THE SOCIO-CULTURAL LEVEL. CONTEMPORARY SOCIETY, BETWEEN "UNITY IN DIVERSITY" AND DISSOLUTION IN DIVERSITY

    Directory of Open Access Journals (Sweden)

    Ramona-Gabriela EANA

    2012-01-01

    Full Text Available Change existed in various forms in all stages of development of human society, is that we were dealing with in all economic aspects, social, cultural or others, all of which have affected human existence. A complex phenomenon, which occurs in a longer or shorter period of time and which requires humans to be located in the center, through their own will, constituted into a veritable binder between cause and effect, old and new, nature and culture. Today the exchange of cultural information in the context of international system allows groups of people to interact generating complex changes, so it is essential to take into account processes that could limit diversity in evolution. As well as the cultural phenomenon develops by increasing its social size, density and diversity, society will always be interested in the way how every new element changes human individual universe.

  17. Tsonga popular music: negotiating ethnic identity in 'global' music ...

    African Journals Online (AJOL)

    identity performance'. Although ethnic identity continues to be performed in contemporary black South African popular music, this article argues for the existence of a performance of, and discourse on, identities that go beyond ethnicity. Here the ...

  18. Educação ambiental e cultura: articulando mídia e conhecimento popular sobre plantas Environmental education and culture: connecting media and popular knowledge about plants

    Directory of Open Access Journals (Sweden)

    Lucia de Fátima Estevinho Guido

    2013-04-01

    Full Text Available O artigo fundamenta-se em reflexões advindas de uma pesquisa sobre as múltiplas possibilidades 'do fazer' educação ambiental, tendo como ponto de partida um estudo em etnobotânica que buscou conhecer e valorizar o conhecimento sobre plantas em distritos rurais da cidade de Uberlândia, em Minas Gerais, Brasil. A pesquisa foi realizada com crianças, jovens e pessoas da comunidade dos distritos de Tapuirama e Cruzeiro dos Peixotos mediante a utilização de diversas linguagens das mídias. As abordagens metodológicas se diferenciaram no percurso investigativo procurando adequar-se à realidade de cada distrito. A coleta de dados foi realizada por meio de diversas mídias visuais, como fotografia e vídeo. Estes instrumentos estavam presentes nas diferentes oficinas realizadas ao longo da pesquisa; na última, houve a produção coletiva do documentário Causos do Cerrado. O estudo fez interagir o local (tradição do conhecimento popular sobre as plantas e o global (recursos tecnológicos empregados na produção midiática.The article is based on reflections coming from research done on the multiple possibilities of 'practical' environmental education, taking, as starting point, a study on ethnobotany that sought to get to know and value popular knowledge about plants in rural districts of the city of Uberlândia, state of Minas Gerais, Brazil. The survey was conducted among children, youth, and people from the community of the districts of Tapuirama and Cruzeiro of Peixotos and used various media languages. Different methodological approaches were used in the course of the investigation in an attempt to adjust to the reality of each district. The data were collected using various visual media, such as photography and video. These tools were present in the different workshops held over the course of the research project; during the last one, there was the collective production of the documentary titled Causos do Cerrado (Stories of

  19. The campaign “De pé no chão também se aprende a ler” and the promotion of the educaction through the Popular Culture

    Directory of Open Access Journals (Sweden)

    Aliny Dayany Pereira de Medeiros Pranto

    2017-07-01

    Full Text Available The objective of this article is to present the different strategies of promotion of education by popular culture from the activities of the Campaign "De pé no chão também se aprende a ler". In order to reach this goal, we carried out a literature review considering classical authors in the discussion of the theme, such as José Willington Germano, Moacyr de Góes and Djalma Maranhão; Theses and dissertations; Other written sources, such as newspapers, and testimonials from people who have experienced the activities of the Campaign, such as alumni and teachers. After analyzed separately, the sources were crossed, following the guidelines of Paul Thompson, and allowed us to make some initial considerations about the Campaign. We realized that there were diverse strategies for the promotion of education through popular culture, ranging from the construction of squares, theaters and libraries, to the development of cultural circles, spaces for critical literacy, based on the Paulo Freire System. We consider, then, that the Campaign was not constituted in a homogeneous way, otherwise, it acted in a diversified way, with a view to achieving the goal of the dissemination of education through Popular Culture.

  20. Mapping the cerebral subject in contemporary culture - DOI: 10.3395/reciis.v1i2.90en

    Directory of Open Access Journals (Sweden)

    Francisco Ortega

    2007-12-01

    Full Text Available The research reported here aims at mapping the “cerebral subject” in contemporary society. The term “cerebral subject” refers to an anthropological figure that embodies the belief that human beings are essentially reducible to their brains. Our focus is on the discourses, images and practices that might globally be designated as “neuroculture.” From public policy to the arts, from the neurosciences to theology, humans are often treated as reducible to their brains. The new discipline of neuroethics is eminently symptomatic of such a situation; other examples can be drawn from science fiction in writing and film; from practices such as “neurobics” or cerebral cryopreservation; from neurophilosophy and the neurosciences; from debates about brain life and brain death; from practices of intensive care, organ transplantation, and neurological enhancement and prosthetics; from the emerging fields of neuroesthetics, neurotheology, neuroeconomics, neuroeducation, neuropsychoanalysis and others. This research in progress traces the diversity of neurocultures, and places them in a larger context characterized by the emergence of somatic “bioidentities” that replace psychological and internalistic notions of personhood. It does so by examining not only discourses and representations, but also concrete social practices, such as those that take shape in the politically powerful “neurodiversity” movement, or in vigorously commercialized “neuroascetic” disciplines of the self.

  1. Communicating science: professional, popular, literary

    National Research Council Canada - National Science Library

    Russell, N

    2010-01-01

    ... patterns of communication among scientists, popular communication to the public and science in literature and drama. This three-part framework shows how historical and cultural factors operate in today's complex communication landscape, and should be actively considered when designing and evaluating science communication. Ideal for students and p...

  2. Demonstrations of Agency in Contemporary International Children's Literature: An Exploratory Critical Content Analysis across Personal, Social, and Cultural Dimensions

    Science.gov (United States)

    Mathis, Janelle B.

    2015-01-01

    International children's literature has the potential to create global experiences and cultural insights for young people confronted with limited and biased images of the world offered by media. The current inquiry was designed to explore, through a critical content analysis approach, international children's literature in which characters…

  3. Examining the Cultural Validity of Fear Survey Schedule for Children: The Contemporary Fears of Turkish Children and Adolescents

    Science.gov (United States)

    Serim-Yildiz, Begum; Erdur-Baker, Ozgur

    2013-01-01

    The authors examined the cultural validity of Fear Survey Schedule for Children (FSSC-AM) developed by J. J. Burnham (2005) with Turkish children. The relationships between demographic variables and the level of fear were also tested. Three independent data sets were used. The first data set comprised 676 participants (321 women and 355 men) and…

  4. Is there drama in contemporary America? : is there postmodernism in American drama?: Shepard vs. Mamet - whose America is (more real?

    Directory of Open Access Journals (Sweden)

    Vesna Bratić

    2015-12-01

    Full Text Available Judged by the literary research conducted over the last decades of the previous and the first decade of this century, not only was drama an illegitimate offspring in the American literature but was also treated as a weak premature-born child in the postmodernist thought in general. A stage cohabitation of the postmodern experiment and a realist frame in the contemporary theatre is well illustrated by the two popular contemporary playwrights: Sam Shepard and David Mamet. By their creative opus, not only in the fields of drama and theatre, but also in other literary genres (poetry, essay as well as in film, through a variety of different characters and situations, these two authors reveal a rich variety of the many possible variations of American social (context. The society will be read in their plays as a unique cultural text outside which, as Derrida said, there is nothing. America, its myths and contemporary cultural industry, its class, racial and gender conflicts and the two authors established a mutual set of influences. The playwrights borrow raw materials from the treasury of mass culture (or should it, to be true to the new consumer culture, be more appropriate to say a warehouse break it down and re-assemble fragments into collages that articulate the contemporary issues in more condensed, more intense and more effective ways. Mamet and Shepard borrow from the contemporary culture only to pay it back with interest: they endow the cultural (context with a richer content, impregnated with meaning.

  5. "Bildung" and the Historical and Genealogical Critique of Contemporary Culture: Wilhelm von Humboldt's Neo-Humanistic Theory of "Bildung" and Nietzsche's Critique of Neo-Humanistic Ideas in Classical Philology and Education

    Science.gov (United States)

    Zelic, Tomislav

    2018-01-01

    To answer the question as to the relation of the idea of "Bildung" and the historical and genealogical critique of contemporary culture, this article takes a detour through nineteenth-century German thought to recall the primary ideas, institutions, and processes such as the university, knowledge/scholarship ("Wissenschaft"),…

  6. Public funding of culture in the Czech Republic since the fall of the iron curtain: contemporary dilemmas

    Czech Academy of Sciences Publication Activity Database

    Vojtíšková, Kateřina; Lorencová, Radmila

    2015-01-01

    Roč. 21, č. 5 (2015), s. 529-553 ISSN 1028-6632 R&D Projects: GA MK DF11P01OVV032 Keywords : Czech Republic * explicit cultural policy * post-communist transformation Subject RIV: AE - Management ; Administration Impact factor: 0.697, year: 2015 http://www.tandfonline.com/doi/abs/10.1080/10286632.2014.931380#.VmWSnF72sZ5

  7. RELIGIOSIDADE POPULAR E FENOMENOLOGIA RELIGIOSA

    Directory of Open Access Journals (Sweden)

    Waldomiro O. Piazza

    1980-01-01

    Full Text Available Antes de tudo, é preciso ter presente que religiosidade popular não é o mesmo que fenomenologia religiosa, embora estejam intimamente vinculadas entre si. A fenomenologia religiosa é uma ciência que estuda o significado profundo das várias atitudes religiosas que o homem toma motivado por uma experiência religiosa. A religiosidade popular é o complexo destas atitudes condicionadas por alguma estrutura cultural, como a dos primitivos, que se dedicavam à caça, à pesca, à coleta de frutos, ou a dos povos sedentários, dedicados às técnicas agrárias e industriais.

  8. Culture and Imperialism’s implications for thinking about the lives and identities of contemporary post-imperial Europe

    DEFF Research Database (Denmark)

    Jensen, Lars

    Edward Said has been perhaps the most important influence on my own work in postcolonial studies. Three things have struck me in my deliberations over how to engage with Culture and Imperialism twenty years after it was first published; a) what new scholarship has brought new light on the thematic...... develop a new approach better equipped to deal with the reality of 2012. In my paper I wish to interconnect these three points to my own current research on postcolonial/post-imperial Europe, which builds upon Said’s insistence on relating the European presence in the non-European world to the very core...

  9. It Must Be True -- I Read It in "Seventeen" Magazine: US Popular Culture and Sexual Messages in an Era of Abstinence-Only Education

    Science.gov (United States)

    Wegmann, Jennifer

    2013-01-01

    As discourse in sexual education classes across the USA in 1996 began to change, media outlets became important sources of education for teenage girls. Unaffected directly by government policy, one of the most popular teenage girls' magazines, "Seventeen," provided a plethora of information on sex. Several scholars have examined…

  10. History in Popular Magazines: Negotiating Masculinities, the Low of the Popular and the High of History

    Directory of Open Access Journals (Sweden)

    Bodil Axelsson

    2012-06-01

    Full Text Available This article explores how the low of the popular and the high of history intersect to negotiate masculinities in the nexus of politics and war in a Swedish history magazine. It investigates the content of the magazine’s form and argues that it produces a kaleidoscopic take on the past which begs the reader to go along with the ads to buy another book, travel to one more historical site, buy a DVD or go to the movies, to turn the page, or to buy another issue of the magazine. Two articles, biographical in their outset, provide the basis for an analysis on how masculinities are negotiated by displaying political and military leaders in contradictory ways and enabling multiple entrance points for the contemporary reader and spectator. Articles on great men produce cultural imaginaries of warlords and political leaders by drawing on layers of historically contingent ways for men to act in public and private spheres and connecting late modern visual celebrity culture to the cults of fame in earlier centuries.

  11. The sociology of popular music, interdisciplinarity and aesthetic autonomy.

    Science.gov (United States)

    Marshall, Lee

    2011-03-01

    This paper considers the impact of interdisciplinarity upon sociological research, focusing on one particular case: the academic study of popular music. 'Popular music studies' is an area of research characterized by interdisciplinarity and, in keeping with broader intellectual trends, this approach is assumed to offer significant advantages. As such, popular music studies is broadly typical of contemporary intellectual and governmental attitudes regarding the best way to research specific topics. Such interdisciplinarity, however, has potential costs and this paper highlights one of the most significant: an over-emphasis upon shared substantive interests and subsequent undervaluation of shared epistemological understandings. The end result is a form of 'ghettoization' within sociology itself, with residents of any particular ghetto displaying little awareness of developments in neighbouring ghettos. Reporting from one such ghetto, this paper considers some of the ways in which the sociology of popular music has been limited by its positioning within an interdisciplinary environment and suggests two strategies for developing a more fully-realized sociology of popular music. First, based on the assumption that a sociological understanding of popular music shares much in common with a sociological understanding of everything else, this paper calls for increased intradisciplinary research between sociologists of varying specialisms. The second strategy, however, involves a reconceptualization of the disciplinary limits of sociology, as it argues that a sociology of popular music needs to accept musical specificity as part of its remit. Such acceptance has thus far been limited not only by an interdisciplinary context but also by the long-standing sociological scepticism toward the analysis of aesthetic objects. As such, this paper offers an intervention into wider debates concerning the remit of sociological enquiry, and whether it is ever appropriate for sociological

  12. Pembacaan Dangding Haji Hasan Mustapa terhadap Sastra Sufistik Sunda di Era Budaya Popular

    Directory of Open Access Journals (Sweden)

    Jajang A. Rohmana

    2014-08-01

    Full Text Available Dangding as a literary work is only meaningful when chanted. When one just reads in his/her mind silently, dangding becomes dry and lacks of meaning. This paper discusses the position of Mustapa’s dangding in literary context and their relevance to contemporary Sundanese discourse. The main focus of this study is the character of his mystical verses, structural aspects of dangding as a Sufism vessel, and to examine any discrepancy of meaning in reading process on his dangding for Sundanese literary today. Cultural studies approach is used to analyze the meaningfulness of his works in the current widespread popular cultural challenges. The study finds that with the decline of dangding tradition, Mustapa’s works receive a great deal of challenges seen from the development of modern literary: the influence of Indonesian literature (short stories, novels, etc. to the Sundanese literary; dangding becomes marginalized along with the loss of many cultural institutions where it is appreciated; and the problem of meaning discrepancies on reading it in popular culture, which is dominated by massively printed works that lost the meaning behind words and melody. It is difficult for it to compete in popular cultural hegemony that relies on uniformity, profit-oriented and passive consumer.

  13. [Colors and their meaning in culture and psychology--a historical outline and contemporary status of color vision theories].

    Science.gov (United States)

    Grzybowski, Andrzej; Lewicka, Romana; Torlińska, Teresa; Stelcer, Bogusław

    2008-01-01

    The mechanism of color perception has intrigued scholars from antiquity. However, the understanding of this phenomena only came with the recognition of the nature of light and visual perception. Ancient concepts, present in science until the Renaissance, were based more on philosophical considerations and theoretical speculations than on anatomical studies and a matter-of-fact assessment of physiological functions of the visual system. From antiquity to 17th century scientific approach to the concept of vision was dominated by two theories: intromission and extramission (emanation). Intromission theory, propagated by Alhazen (lbn al.-Haythama), Vitello, John Peckham, Roger Bacon and Leonardo da Vinci, assumed that the light was transmitted from the observed object perpendicularly to the transparent eye structures. Johannes Kepler was the first scholar to propose that the retina was the receptive part of the eye. In the first half of the 17th century, Kepler's groundbreaking optical achievements and anatomical discoveries of many other scientists cast new light on the understanding of the role of different eye structures, finally wiping out the intromission theory. A further major achievement contributing to the recognition of the true nature of colors was a theory presented by Newton in 1688. He argued that they were colored rays, and not white light, that were composed of homogenous and pure light. It was, however, not until the 19th century when two modern theories of color appeared, i.e. a trichromatic theory mostly associated with the names of Young and Hemlholtz, and an opponent colors theory of Hering. In the 20th century, the two theories--previously assumed as contradictory--were joined into the zone theories of color vision. Colors have their cultural and social meanings, as far as a very individual and personal interpretation. In the former function they are used to illustrate some cultural and sociological phenomena; in the latter, they are helpful in

  14. What is a Creative City made up from. An approach to culture, leisure and creativity in the contemporary city

    Directory of Open Access Journals (Sweden)

    Nizaiá Cassián Yde

    2012-03-01

    Full Text Available The study of the Creative City has commonly been arisen in the context of two dichotomies, addressing its urban and material dimension; and adding to it the importance of the symbolic, social and discursive but considering both as clearly preexistent and distinguishable elements; and on the other hand situating the debate on either the praise or criticism of the model. More than a critique, we consider that is strategic to take a step back, towards an interrogation on the forms and compositions in which the Creative City is constantly being performed, what is it made up from, what produces the creative city and simultaneously what is that which the creative city produces. In order to highlight the relation between a practices of leisure and recreation, b the production of spaces, objects and technologies around culture and c the promotion of a creative citizen/subject; we suggest some theoretical tools raised by Michel Foucault that may allow us to analyze the emergence of a dispositif of ‘the cultural’ and ‘the creative’ in the context of a liberal regulation of the city; which are the assemblages of knowledge, architectural arrangements, operations of enunciation and visibility, networks of practices and techniques of diverse nature that shape the production of a Creative City.

  15. Nuevos contextos de educación y representación de la cultura popular y de las minorías étnicas: Los museos y su función educadora. // New educational contexts of popular culture and ethnic minorities: museums and their educational function.

    Directory of Open Access Journals (Sweden)

    Cristina Yanes Cabrera

    2013-12-01

    Full Text Available (ES La expansión de los museos en Europa se desarrolló a lo largo del siglo XIX como fenómeno cultural. Pero durante el siglo XX, y en diferentes lugares del mundo, la función de ciertos museos fue evolucionando y especializándose con el objetivo de potenciar su función como elemento de contribución a los procesos de transformación social para la dignificación de la cultura de los pueblos. Desde entonces, el museo como institución entró a formar parte de los procesos educativos no formales, generalizables a las clases más populares aportando nuevas claves sobre el debate de qué es, o qué aspectos de la cultura, hay que exponer en los museos, y sobre todo de qué manera deben exponerse para tener un fin didáctico educativo o una misión de "concienciar conciencias" desde el punto de vista de la educación popular, a partir de un proceso integral de investigación participativa. El objeto de este trabajo es dar a conocer, en primer lugar, la evolución del museo como sistema de representación de los bienes patrimoniales, así como su interpretación a lo largo del siglo XX. Para ello se destaca una muestra de algunas experiencias del panorama mundial (Canadá, Ecuador. En segundo lugar se da a conocer la importancia que la nueva museología ha tenido en la defensa del reconocimiento de la diversidad cultural, con la exposición de dos realidades museísticas concretas. En último lugar se pretende reflexionar sobre la importancia de la relación entre los bienes culturales y la educación, centrándonos en el papel de los museos y en las relaciones que existen entre la educación patrimonial y su papel en la construcción de identidades sociales. // (EN The Europe-wide expansion of museums took place during the 19th century as a cultural phenomenon created by and for the middle classes. But the function of certain specific museums was evolving around the world during the 20th century and focusing on a dual target. On the one hand

  16. Contemporary cryptography

    CERN Document Server

    Oppliger, Rolf

    2011-01-01

    Whether you're new to the field or looking to broaden your knowledge of contemporary cryptography, this newly revised edition of an Artech House classic puts all aspects of this important topic into perspective. Delivering an accurate introduction to the current state-of-the-art in modern cryptography, the book offers you an in-depth understanding of essential tools and applications to help you with your daily work. The second edition has been reorganized and expanded, providing mathematical fundamentals and important cryptography principles in the appropriate appendixes, rather than summarize

  17. POLTERGEIST PHENOMENA IN CONTEMPORARY FOLKLORE

    Directory of Open Access Journals (Sweden)

    Oana VOICHICI

    2017-05-01

    Full Text Available The article deals with instances of the supernatural in Romanian urban legends, namely what we call the strigoi , or poltergeist. Usually, folklorists tend to exclude the supernatural f rom the category of urban legends, however we have decided to take these accounts into consideration based on the fact that the transmitter, the narrators do not distinguish between these elements and the rest of contemporary legends and today’s popular cu lture abounds in such accounts.

  18. POLTERGEIST PHENOMENA IN CONTEMPORARY FOLKLORE

    OpenAIRE

    Oana VOICHICI

    2017-01-01

    The article deals with instances of the supernatural in Romanian urban legends, namely what we call the strigoi , or poltergeist. Usually, folklorists tend to exclude the supernatural f rom the category of urban legends, however we have decided to take these accounts into consideration based on the fact that the transmitter, the narrators do not distinguish between these elements and the rest of contemporary legends and today’s popular cu lture abounds in such accounts.

  19. Amy Caiazza, Mothers and Soldiers. Gender, Citizenship and Civil Society in Contemporary Russia. Routledge. New York and London 2002.

    Directory of Open Access Journals (Sweden)

    Elena Zdravomyslova

    2005-04-01

    Full Text Available This book examines the importance of gender and citizenship ideologies and the opportunities available for interest groups and related civic initiatives in relation to the role of conscripts mother’s in contemporary Russia. Amy Ciazza asks: what is the role of gender culture in the development of the Russian civil society? The author argues that gender-typing of citizenship and popular beliefs about the different civic obligations of men and women can be efficiently mobilized by interest grou...

  20. Sexting and mobile porn use in the mobile youth culture: adolescents’ social self-concept, need for popularity and perceived peer pressure

    OpenAIRE

    Vanden Abeele, Mariek; Campbell, Scott W.; Eggermont, Steven; Roe, Keith

    2012-01-01

    There is considerable concern about adolescents producing, consuming and distributing sexual materials via mobile phone communication. The purpose of this study was to examine key aspects of peer influence and the peer context in relation to two such practices: sexting and mobile porn use. The results revealed that 6 percent of Flemish teens (N = 1943) have ever sent a sext, while 9 percent of teens uses mobile porn. Teens who were more popular with the other sex and with a greater need for p...

  1. Promoción de la alfabetización en la frontera de los Llanos : la influencia de Radio Sutatenza y Acción Cultural Popular en el departamento del Meta, 1950 a 1990

    Directory of Open Access Journals (Sweden)

    Jane M. Rausch

    2012-01-01

    Full Text Available El propósito de este ensayo es analizar el impacto de la Acción Cultural Popular (ACPO - Radio Sutatenza en el departamento fronterizo del Meta despué de la Violencia, teniendo en cuenta la situación de la región, los esfuerzos de la Arquidiócesis de Villavicencio para apoyar este movimiento, la participación de los llaneros en las actividades de ACPO y los problemas que contribuyeron a su cierre.

  2. Popular modernism: representations of modernist literature in popular culture

    NARCIS (Netherlands)

    Loontjens, J.

    2012-01-01

    Modernistische auteurs als Virginia Woolf en Marcel Proust werden tijdens hun leven met name geroemd door een select groepje critici. Tegenwoordig worden ze echter besproken in de boekenclub van Oprah Winfrey, in Hollywoodfilms en in zelfhulpliteratuur. Jannah Loontjens gebruikt de representatie van

  3. Contemporary Culture and the Undoing of Feminism: Review of Angela McRobbie's The Aftermath of Feminism: Gender, Culture and Social Change

    Directory of Open Access Journals (Sweden)

    Margaret Henderson

    2010-03-01

    Full Text Available A
 couple
 of
 times
 a
 year
 (usually
 around
 International
 Women’s
 Day
 or
 the
latest
 gender
 controversy
 there’ll
 be
 a
 journalist
 on
 the
 phone,
 asking
 me,
 ‘where
 is
 feminism
 now?’ 
Angela 
McRobbie’s
 The 
Aftermath 
of
 Feminism: Gender,
 Culture
 and
 Social
 Change
 provides
 the
 perfect
 answer,
 though
 one
 that
 probably
 won’t
 be
 dutifully
 reported
 in
 the
 pages
 of
 the
 Courier­ Mail.
 McRobbie
 has
 always
 been
 a
 preeminent
 figure
 in
 feminist
 cultural
 studies,
 and
 this
 work
 highlights
 her
 continuing 
importance.
Indeed, The 
Aftermath 
of 
Feminism
 reminds
 us 
of 
the 
power
 of 
feminist 
cultural
 studies 
to 
explain
 what’s 
going 
on,
whether
 this 
is 
in 
the
media,
 popular
 culture,
 everyday
 life,
 governmentality,
 the
 corporate
 world,
 or
 their
 interrelationships.
 And
 McRobbie’s
 diagnosis
 of
 ‘a
 social
 and
 cultural
 landscape
 which
 could
 be
 called
 post‐feminist’
 
is
 uncompromising,
 far‐reaching 
in
 scope,
 and 
deeply 
disturbing.

  4. Literacy in the contemporary scene

    Directory of Open Access Journals (Sweden)

    Angela B. Kleiman

    2014-11-01

    Full Text Available In this paper I examine the relationship between literacy and contemporaneity. I take as a point of departure for my discussion school literacy and its links with literacies in other institutions of the contemporary scene, in order to determine the relation between contemporary ends of reading and writing (in other words, the meaning of being literate in contemporary society and the practices and activities effectively realized at school in order to reach those objectives. Using various examples from teaching and learning situations, I discuss digital literacy practices and multimodal texts and multiliteracies from both printed and digital cultures. Throughout, I keep as a background for the discussion the functions and objectives of school literacy and the professional training of teachers who would like to be effective literacy agents in the contemporary world.

  5. Os destinos da diferença sexual na cultura contemporânea The fate of sexual difference in contemporary culture

    Directory of Open Access Journals (Sweden)

    Márcia Arán

    2003-12-01

    Full Text Available Parte-se de uma reflexão sobre as mudanças ocorridas no campo das sexualidades como conseqüência do movimento feminista nos últimos 50 anos, principalmente a ruptura das fronteiras entre homem-público e mulher-privado, para, a partir daí, demonstrar como deslocamentos do feminino em meio à crise do masculino constituem um novo topos para pensar a diferença entre os sexos na cultura contemporânea. Em seguida, com base em algumas das principais teorias sobre a questão da diferença na atualidade, procura-se pensar que não estaríamos nem mais em um território totalmente ancorado na 'dominação masculina', nem tampouco em um terreno caracterizado pela total 'indiferença'. Uma nova possibilidade de diferenciação se anuncia e com ela um novo esboço do feminino.This study starts out considering the changes which have occurred in the field of sexualities as a consequence of the feminist movement of the past 50 years, mainly the collapse of frontiers between man-public and woman-private. From this point, it demonstrates how the displacements of the feminine, in the midst of the crisis of the masculine, constitute a new topos to think the difference between the sexes in contemporary culture. The study proceeds with the idea, based on some of the main theories about the issue of difference nowadays, that we are not in a territory which is totally anchored by ‘masculine domination’, neither in one characterized by total ‘indifference’. A new possibility of differentiation arises, and with it, a new sketch of the feminine.

  6. Contemporary America

    DEFF Research Database (Denmark)

    Duncan, Russell; Goddard, Joseph

    Details the continuities and changes in American society, politics, economics, and culture in domestic and global relations during the 2nd administration of George W. Bush and the first year of the Obama administration.......Details the continuities and changes in American society, politics, economics, and culture in domestic and global relations during the 2nd administration of George W. Bush and the first year of the Obama administration....

  7. Popularity Contagion among Adolescents

    Science.gov (United States)

    Marks, Peter E. L.; Cillessen, Antonius H. N.; Crick, Nicki R.

    2012-01-01

    This study aimed to support the theory of popularity contagion, which posits that popularity spreads among friends spontaneously and regardless of behavioral changes. Peer nominations of status and behavior were collected annually between 6th and 12th grades from a total of 1062 adolescents. Longitudinal hypotheses were mostly supported using path…

  8. Classifications in popular music

    NARCIS (Netherlands)

    van Venrooij, A.; Schmutz, V.; Wright, J.D.

    2015-01-01

    The categorical system of popular music, such as genre categories, is a highly differentiated and dynamic classification system. In this article we present work that studies different aspects of these categorical systems in popular music. Following the work of Paul DiMaggio, we focus on four

  9. Popular music from Greenland

    DEFF Research Database (Denmark)

    Otte, Andreas Roed

    a sense of place in popular music. The second probes different strategies for co-branding popular music and Greenland. The third is concerned with music consumption patterns among Greenlandic youth. And the fourth article engages with an alternative form of nationalism found within the Nuuk underground...

  10. and popular organization (research notes

    Directory of Open Access Journals (Sweden)

    Paulo J. Krischke

    2006-01-01

    Full Text Available This paper discusses some interfaces between the approaches to political learning, and their reference to situations of social exclusion, conflict and popular organization. The first part of the paper discusses the approach to the study of political learning among the elites; the second part examines approaches to research of political culture among the masses; and the third part outlines an alternative approach to political learning derived from Jürgen Habermas’s theory of “communicative action”. In the paper these approaches are applied to the study of a territory of exclusion, conflict, and popular organisation (a group of favelas in downtown Florianópolis, Santa Catarina, Brazil. Finally, the paper outlines some procedures to achieve a more general understanding of political learning

  11. Classifications in Popular Music: Discourses and Meaning Structures in American, Dutch and German Popular Music Reviews

    NARCIS (Netherlands)

    A.T. van Venrooij (Alex)

    2009-01-01

    textabstractPopular music is one of the cultural fields – together with film, photography, and jazz – which in the second half of the twentieth century have apparently gained much in status and recognition (Janssen, 1999; Janssen, Kuipers & Verboord, 2009). Popular music has become ‘aesthetically

  12. Agents of Popular Sovereignty

    DEFF Research Database (Denmark)

    Wolkenstein, Fabio

    2018-01-01

    Popular sovereignty requires that citizens perceive themselves as being able to act and implement decisions and be causally connected to mechanisms of decision-making. I argue that the two most common understandings of the exercise of popular sovereignty — which centre on direct decision making...... by the people as a whole and the indirect exercise of democratic agency by elected representatives, respectively — are inadequate in this respect, and go on to suggest a complementary account that stresses the central role of internally democratic and participatory political parties in actualising popular...... sovereignty. The argument defended contends that popular sovereignty ceases to be a mere fiction only when the people are active makers of decisions and not just passive recipients of the decisions of others; and they can only be active decision-makers when they engage in internally democratic parties...

  13. Women and Popular Church

    OpenAIRE

    Maria Brendalí Costa; EST

    2013-01-01

    From the early 1960s, the Popular Church organized and influenced the actions, ideas and objectives of the Brazilian civil society. From the Feminist Theology, the article reflects on the different ways which this praxis influenced, through principles, worldviews and methodologies, the actions performed by women in the 1980s who engaged in the Urban Popular Church in suburbs of cities which belonged to the diocese of Caxias do Sul. The study is bibliographic, documental and is analyzed throug...

  14. Popüler Kültür, Politika ve Din: Prime-Time ya da Selfie Dindarlığı/Popular Culture, Politics and Religion: Prime-Time or Selfie Religiosity

    Directory of Open Access Journals (Sweden)

    Ekmel Geçer

    2018-04-01

    Full Text Available Bu Popüler kültürü tanımlaması açısından anlamlı olan prime-time (altın saatler ve selfie (özçekim bağlamında, daha çok Türkiye örneğinde, dinin kitle iletişim mecralarındaki ve politik alandaki görünürlüğünü teorik bir değerlendirme vasıtasıyla ele alan bu çalışma; (a televizyon ekranlarında artan dindarlaşmanın sosyo-politik nedenlerini, (b popüler kültür ve reyting (izlenme oranı öğesi olarak din unsurunun etiğini, (c kamusal alanda sıklıkla kullanılan dini sembol ve söylemin davranışsal boyutunu ve (d “sosyal medya dindarlığı” olarak nitelendirilebilecek mobil iletişimdeki dindarlık biçimlerini analiz etmeyi amaçlamaktadır. Çalışmanın ilk sonuçları ve çözümlemeler, dini sembol ve söylemin, politik arena ve medya (yeni ve geleneksel mecralarında bir gösteri unsuru olarak kullanıldığını ve dinin popüler kültüre ait tüketilen bir öğeye dönüştüğüne işaret etmektedir. / This study, mostly in Turkish context, handling the religious scenes in mass communication and political sphere within the framework of two meaningful popular culture terms (prime-time and selfie, in theoretical terms and through unstructured observations, aims to analyse (a the socio-political reasons of increasing religiosity on television screens, (b the ethics of religious coverage as a popular culture or rating entry, (c the behavioural dimension of religious symbol or discourse that are much-applied in the public sphere and (d the forms of devotedness in mobile technologies which can be called as social media religiosity. The preliminary outcomes and the analysis of the article suggest that religious symbols and discourse have been used as a show-business in political arena and media courses (new and traditional and that religion has changed into a consumption item belonged to popular culture.

  15. Songs that resonate: the uses of popular music nostalgia.

    NARCIS (Netherlands)

    A.J.C. van der Hoeven (Arno)

    2018-01-01

    textabstractThis chapter explores the phenomenon of popular music nostalgia. In the cultural and heritage industries, nostalgia is widely used to make an affective connection to music consumers. Popular music nostalgia can be defined as a longing for the past that is evoked through popular music’s

  16. Vulgarization of popular music tradition in Serbia

    OpenAIRE

    Božilović, Nikola

    2011-01-01

    The vulgarization of tradition in this paper implies the alteration, false representation, and adaptation of tradition in line with the interests of certain individuals or groups in power. The author observes popular music in Serbia (jazz, pop, rock) under a sociological magnifying glass, attempting to explain and motivate the thesis which proposes a valid historical foundation of popular culture and music in the social life of Serbia. In his opinion, this kind of tradition is being 'swept un...

  17. Teaching Conversations, Contemporary Art, and Figure Drawing

    Science.gov (United States)

    Graham, Mark A.

    2012-01-01

    An important problem for high school art teachers is deciding what belongs in the art curriculum. What works of art, media, or ideas will inspire their students to more fully develop their own artistic potential and critically engage with contemporary art and culture? What artifacts of art, visual culture, or material culture should be included…

  18. Authenticity and its Contemporary Challenges

    DEFF Research Database (Denmark)

    Bork Petersen, Franziska

    2013-01-01

    In this thesis I investigate what ‘authenticity’ means in a contemporary popular context and how it is used in the staging of bodies. Furthermore, I analyse works of dance and fashion from the past fifteen years with a focus on their strategies of challenging the notion of ‘bodily authenticity...... self’. I scrutinise the staging techniques and the codes of appearance that bodies have to comply with in order to be deemed ‘authentic’ on the shows. To define them and place them in the history of the idea of ‘bodily authenticity’, I complement my study with an outline of how ‘authenticity...... and by a depiction of 'working hard'. But various techniques also mask the hard work, for example by showing a participant ‘having fun’ performing it. Contemporary works of dance and fashion challenge the problematic implications in the notion of ‘bodily authenticity’. I analyse three strategies of undermining...

  19. Individual popularity, peer group popularity composition and adolescents' alcohol consumption

    NARCIS (Netherlands)

    Gommans, R.; Müller, C.M.; Stevens, G.W.J.M.; Cillessen, A.H.N.; Bogt, T.F.M. ter

    2017-01-01

    Previous studies have convincingly shown associations between popularity and adolescent drinking. This study examined whether the popularity composition of the peer group and the relative difference in popularity between adolescents and their peers are also associated with adolescent drinking.

  20. Práticas de cuidado em relação à dor: a cultura e as alternativas populares Prácticas de cuidado con relación al dolor: la cultura y las alternativas populares Care practice related to the pain: the culture and the popular alternatives

    Directory of Open Access Journals (Sweden)

    Maria de Lourdes Denardin Budó

    2008-03-01

    Full Text Available Pesquisa com abordagem qualitativa cujo objetivo foi detectar práticas de cuidados relacionados à presença de dor em usuários do Sistema Único de Saúde. A coleta de dados concentrou-se em entrevistas com 60 adultos, 34 pertencentes a ambulatório de hospital público e 26 à unidade básica de saúde. Foi realizada análise temática. Observou-se hierarquia de valores relativa ao cuidado em que a mulher aparece como principal cuidadora. A rede familiar é acionada predominando o gênero feminino no cuidado caseiro. A continuidade do itinerário terapêutico ocorre com uso de remédios caseiros, apoio familiar e vizinhança. Recorrem também a Deus e automedicação. O serviço de saúde é procurado após tentativas caseiras. Esse itinerário pode levar algum tempo em que as pessoas convivem com a dor. A pesquisa revela teia complexa de sentimentos e significados que interage com o ambiente sócio-cultural. Conclui-se sobre a importância dos profissionais conhecerem alternativas de cuidado contextualizadas aos usuários.Investigación con abordaje cualitativo cuyo objetivo fue detectar prácticas de cuidado relacionados a la presencia de dolor en usuarios del Sistema Único de Salud. La colecta de datos se concentró en entrevistas con 60 adultos, 34 pertenecientes al ambulatorio de hospital público y 26 a la unidad básica de salud. Fue realizado análisis temático. Se observó jerarquía de valores relativo al cuidado en que la mujer aparece como principal cuidadora. La red familiar es accionada predominando el género femenino en el cuidado casero. La continuidad del itinerario terapéutico ocurre con el uso de medicinas caseras, apoyo familiar y vecindad. Recurren también a Dios y a la automedicación. El servicio de salud es procurado tras tentativas caseras. Ese itinerario puede llevar algún tiempo en que las personas conviven con el dolor. La investigación revela una estructura compleja de sentimientos y significados que

  1. MANIFESTAÇÃO CULTURAL POPULAR DE MOVIMENTO SOCIAL E INTERAÇÃO TURÍSTICA EM JAGUARÃO/RS: EXTINTO SÃO-JOÃO

    Directory of Open Access Journals (Sweden)

    Rodrigo Lages Lakman

    2015-12-01

    Full Text Available O presente artigo é resultado de uma roda de conversa sobre a extinção de eventos no município de Jaguarão/RS, que teve como objeto de pesquisa o evento de São João. Esta pesquisa se justifica por apresentar um fragmento da memória da população da cidade, o enfoque no valor da manifestação folclórica cultural, a relação da população com o evento junino e estes com o turismo. Nossa metodologia foi de entrevistas com setores público, privado e sociedade, buscou-se analisar os impactos dessa extinção e as perspectivas dessa possível reativação e seus reflexos como fator indispensável no planejamento turístico. Como resultado desta pesquisa, foi observado, a falta de diálogo entre os principais órgãos públicos e a necessidade de buscar parcerias com a iniciativa privada. Contudo, foi possível mobilizar e sensibilizar os envolvidos por meio de uma análise da situação atual e projeção futura, identificando as principais necessidades da continuidade do festejo de são João e desenvolvimento turístico no Município a partir do mesmo.

  2. Popularity and Debut

    DEFF Research Database (Denmark)

    Winther, Christian Dahl

    This paper focuses on two firms' optimal entry strategies in an emerging market characterized by word-of-mouth effects. Consumers can be of two types depending on which firm's brand they prefer. Firms are asymmetric in their popularity as given by the probability of meeting a fan of its brand. Word......-of-mouth communication influences popularity in the two periods of competition by increasing the likelihood of the late consumer having an affinity towards the brand adopted at the first stage. In this environment firms strategically choose their timing of product introduction knowing that fast introduction is costly. I...... study the subgame perfect equilibria of the game to observe how they connect to firms' popularities, strength of word-ofmouth network effects, and the level of product differentiation. The model shows under what conditions asymmetries in the duopoly should be expected to increase or decrease over time...

  3. Popular cinema and lesbian interpretive strategies.

    Science.gov (United States)

    Dobinson, C; Young, K

    2000-01-01

    In its examination of the relationship between popular film and lesbian viewing practices, this study attempts to more fully elucidate current ideas around audience engagement and forms of cultural reception. Drawing on 15 in-depth interviews conducted in Western Canada in 1996, the results clearly demonstrate the existence of active lesbian viewers, whose interpretations of popular film are intimately informed by lesbian-specific life experiences and cultural competencies. Although the social conditions which create the need for resistant viewing are themselves oppressive, subversion of mainstream film holds out some possibility of empowerment for lesbian viewers.

  4. ASSOCIATIVE EXPERIMENT BY A. NAZAROV AND R. SOKOLOV’S PROCEDURE “SERIES OF THEMATIC ASSOCIATIONS” WITH THE STIMULUS “CONTEMPORARY RUSSIAN CULTURAL ELITE” AMONG STUDENTS OF SIBERIAN FEDEAL UNIVERSITY

    Directory of Open Access Journals (Sweden)

    Ms. Elena V. Lazutkina

    2016-09-01

    Full Text Available The article deals with the concept of contemporary Russian cultural elite as a phenomenon of public opinion of the students of Siberian Federal University in the frame of A. Nazarov and R. Sokolov’s associative experiment. As a result of our research we collected a hundred and three students’ answers and reduced them to fourteen categories of associates. We developed a diagram of a collective semantic spectrum of thematic associations and a table of eleven major associates and analysed individualities of the answers of students majoring in different subjects. Conclusions can help with the correction of students’ educational process.

  5. Remembering the 1960s: popular music and memory in Europe

    NARCIS (Netherlands)

    A.J.C. van der Hoeven (Arno)

    2015-01-01

    textabstractFollowing the increasing attention paid to popular music in heritage discourses, this article explores how the popular music culture from the 1960s is remembered in Europe. I discuss the role of heritage organizations, media and the cultural policy of the EU in the construction of a

  6. Popular Media, Critical Pedagogy, and Inner City Youth

    Science.gov (United States)

    Leard, Diane Wishart; Lashua, Brett

    2006-01-01

    In this article, we explored ways youth, traditionally silenced, engaged with popular culture to voice experiences and challenge dominant narratives of public schools and daily lives. We also considered how educators use popular culture as critical pedagogy with inner city youth. Through ethnographic bricolage and case study methods, and drawing…

  7. The Evolution of Hip-Hop Culture and Its Influence upon the Sexual Views of Mainstream Youth.

    Science.gov (United States)

    Larson, Scott J.

    1998-01-01

    Suggests that contemporary hip-hop music may be dominant in worldwide youth culture. It has evolved from the violence of "gangsta rap" toward more broadly popular mainstream themes of retreat into drugs and illicit sexuality. States that adults need to engage youth in communication about the exploitative values inherent in these cultural…

  8. Resources for Popular Education.

    Science.gov (United States)

    Heaney, Tom

    1992-01-01

    Popular education, with its agenda for social change, often lacks access to traditional financial support. Strategies for resource development include volunteers, small proportion of public funding, an umbrella organization to distribute funds, and collaboration with adult educators in mainstream institutions. (SK)

  9. Altruism and Popularity

    Science.gov (United States)

    Egilmez, Eda; Naylor-Tincknell, Janett

    2017-01-01

    Popularity, as a manifestation of social status, has been widely researched and determined by group members. Prosocial behaviors are actions with intention of benefiting others or society as whole with little or no personal gain and may include helping, cooperating, and other voluntary works. Altruism is a type of prosocial behavior that could…

  10. Point of View: Does Popular Music Have Educational Value?

    Science.gov (United States)

    Music Educators Journal, 1979

    1979-01-01

    Eight music educators offer their views on the pros and cons of including pop/rock music in the curriculum. Some participants describe methods they've developed to highlight or to integrate contemporary music in their courses. This article is part of a theme issue on popular music. (SJL)

  11. Violence in Pop-Culture Media and The Hunger Games as a Prime Artifact

    Directory of Open Access Journals (Sweden)

    Jenna Benson

    2014-10-01

    Full Text Available This paper uses the Critical Discourse Analysis (CDA methodology to analyze the meanings conveyed in relation to violence in Suzanne Collins' popular novel The Hunger Games and its film. As a representational popular­culture artifact marketed to young adults and teens, it is a primary example for the exposure of this age group to the levels of violence regularly displayed in contemporary popular media. This analysis seeks to critique the assertion that the types of violent exposure in the novel and the film are possibly inappropriate for the audience targeted. A new wave of attention and awareness on the part of producers of popular media and people of contemporary society alike is necessary.

  12. Cephalopods Between Science, Art, and Engineering: A Contemporary Synthesis

    Directory of Open Access Journals (Sweden)

    Ryuta Nakajima

    2018-06-01

    Full Text Available Cephalopods are outstanding animals. For centuries, they have provided a rich source of inspiration to many aspects of human cultures, from art, history, media, and spiritual beliefs to the most exquisite scientific curiosity. Given their high esthetical value and “mysteriously” rich behavioral repertoire they have functioned as boundary objects (or subjects connecting seemingly distinct thematic fields. Interesting aspects of their being span from the rapid camouflaging ability inspiring contemporary art practices, to their soft and fully muscular body that curiously enough inspired both gastronomy and (soft robotics. The areas influenced by cephalopods include ancient mythology, art, behavioral science, neuroscience, genomics, camouflage technology, and bespoken robotics. Although these might seem far related fields, in this manuscript we want to show how the increasing scientific and popular interest in this heterogeneous class of animals have indeed prompted a high level of integration between scientific, artistic, and sub-popular culture. We will present an overview of the birth and life of cephalopod investigations from the traditional study of ethology, neuroscience, and biodiversity to the more recent and emerging field of genomics, material industry, and soft robotics. Within this framework, we will attempt to capture the current interest and progress in cephalopod scientific research that lately met both the public interest and the “liberal arts” curiosity.

  13. Individual Popularity, Peer Group Popularity Composition and Adolescents' Alcohol Consumption.

    Science.gov (United States)

    Gommans, Rob; Müller, Christoph M; Stevens, Gonneke W J M; Cillessen, Antonius H N; Ter Bogt, Tom F M

    2017-08-01

    Previous studies have convincingly shown associations between popularity and adolescent drinking. This study examined whether the popularity composition of the peer group and the relative difference in popularity between adolescents and their peers are also associated with adolescent drinking. Participants were 800 adolescents (M age  = 14.73; SD age  = 1.00; 51.6 % girls) from 31 classrooms who completed peer ratings of popularity and self-reports of alcohol consumption. Results showed that drinking was higher among popular than unpopular adolescents, higher among popular adolescents surrounded by less popular classmates, and lower in classrooms with more variability in popularity. Thus, beyond individual popularity, peer group popularity composition also should be taken into account when investigating antisocial and health risk behaviors in adolescence such as drinking.

  14. The Making of a Rock Festival: A Historical Creative Experience in a Group Study of Popular Music as an Instrument in Studying American Culture of the Sixties and Seventies.

    Science.gov (United States)

    Chilcoat, George W.

    A project in which high school students examine the social history of the United States through a popular music presentation is described. The introduction of the paper draws together a series of sources which emphasize the importance of popular music, particularly during the 1960's and 1970's. The social effects of popular music are outlined:…

  15. The linguistic ecology in popular announcements

    OpenAIRE

    Gomes, Altair Martins

    2013-01-01

    By language man is constituted as social subject and, therefore, cultural. Given the importance of writing for the literate civilizations, it´s necessary to study spoken language interfacing with written language in order to realize how these discoursive instances appear as interactional practices and subjacent cultural issues. The oral language modality phenomena of Brazilian Portuguese are present in signs and popular advertisements. In this type of writing, the ecology of languages reveals...

  16. The Rhetorical Dimensions of Popular Song.

    Science.gov (United States)

    Winebrenner, T. C.

    Communication scholars have recently focused attention on songs as artifacts of popular culture. Current literature implies that the contexts of music communication are defined by the relationships that songs establish between artists and their audience: persuasive, expressive, and commercial. As the commercialization of music is an inherently…

  17. Soundtracking Germany : Popular Music and National Identity

    NARCIS (Netherlands)

    Schiller, Melanie

    2018-01-01

    This book argues for the importance of popular music in negotiations of national identity, and Germanness in particular. By discussing diverse musical genres and commercially and critically successful songs at the heights of their cultural relevance throughout seventy years of post-war German

  18. Bolivian Currents: Popular Participation and Indigenous Communities.

    Science.gov (United States)

    Dudley, Mary Jo

    1997-01-01

    Describes the effects on indigenous communities of Bolivia's recent Popular Participation Laws, which relocated political and financial decision making to the municipal level; community efforts toward cultural maintenance and nonformal agricultural education; the activism of indigenous university students; and the dual discrimination suffered by…

  19. The Sacred in Contemporary Advertising

    Directory of Open Access Journals (Sweden)

    Cătălin Soreanu

    2016-05-01

    Full Text Available As part of the contemporary media culture, advertising constantly mediates the relationship between the institutional dimension of religion (namely the church and the community, given the specific position of the Catholic religion: transparent, based on dialogue and the continuous questioning of the relationship between man and divinity. To manage their presence in public life, the church constantly approaches new media and specific forms of communication (posters, street banners and meshes, websites or interactive mobile structures.

  20. [Twentieth-century Penelopes: popular culture revisited].

    Science.gov (United States)

    Favaro, Cleci Eulalia

    2010-01-01

    During their settlement of the so-called Old Italian Colonies of Rio Grande do Sul, immigrants constructed a set of positive values that were to serve as an emotional support and a means of outside communication. When women immigrants embroidered images and sayings on wall hangings or kitchen towels made of rustic fabric, they helped nourish the dream of a better life, sought by all and achieved by some. The objects crafted by these twentieth-century Penelopes bear witness to a way of doing, thinking, and acting. Local museums and exhibits have fostered the recovery of old-time embroidery techniques and themes; sold at open-air markets and regional festivals, these products represent income for women whose age excludes them from the formal labor market.

  1. A History of Evil in Popular Culture

    DEFF Research Database (Denmark)

    media such as film, television, and video games; print media that include novels and poetry; visual media like art and comics; music; and political polemics, the essays in this book address an eclectic range of topics. The diverse authors include Americans who left the United States during the Vietnam...... War era, conservative Christian political pundits, rock musicians, classical linguists, Disney fans, scholars of American slavery, and experts on Holocaust literature and films. From portrayals of evil in the television shows The Wire and 24 to the violent lyrics of the rap duo Insane Clown Posse...

  2. EIT and the Popular Imagination

    Science.gov (United States)

    Gurman, J. B.

    2005-01-01

    The Extreme ultraviolet Imaging Telescope on board SOHO, designed and built by Principal Investigator Jean-Pierre Delaboudiniere and his French/Belgan/US team, has produced numerous scientific breakthroughs, and has become both the standard coronal finder telescope and the determinant of whether halo coronal mass ejections are earthward-directed. Due to the dramatic nature of the images produced by EIT over the last nearly ten years, those images have been adopted worldwide in a manner no one could have foreseen before the launch of SOHO. I examine a small sample of the many scientific, commercial, and cultural uses of EIT imagery from the last decade in order to demonstrate how well-visualized, scientific imagery can first penetrate and then become an accepted part of the popular imagination.

  3. Cultural Studies Methodologies and Narrative Family Therapy: Therapeutic Conversations About Pop Culture.

    Science.gov (United States)

    Tilsen, Julie; Nylund, David

    2016-06-01

    Therapists recognize that popular media culture is an influential force that shapes identities and relationships in contemporary society. Indeed, people have serious relationships with the commodities and practices that emerge from pop culture. However, they often lack the conceptual and conversational resources to engage meaningfully with clients about pop culture's influence in their lives. Cultural studies is introduced as an interdisciplinary approach that provides frameworks for both theory and practice that position therapists and clients to critically examine the role of pop culture in their lives. Cultural studies and narrative therapy are discussed as praxis allies that share a populist political intention and counter-hegemonic discursive practices. The integration of cultural studies methodologies into narrative therapy practice with a parent and her teenage daughter is illustrated through a case vignette. © 2016 Family Process Institute.

  4. Medios y sectores populares

    Directory of Open Access Journals (Sweden)

    Blasco Fernando Checa Montúfar

    2015-01-01

    Full Text Available El CIESPAL desarrolló un estudio sobre los usos y preferencias de los medios de información y de los mensajes en algunos sectores populares del Ecuador. La mayoría de los campesinos escuchan la radio pero aman la televisión. El Comercio de Quito y el Universo de Guayaquil son los diarios preferidos. En Quito se leen menos periódicos que en Guayaquil y las redes comunitarias funcionan muy bien en la costa del país.

  5. Diabo e cultura popular

    Directory of Open Access Journals (Sweden)

    Sílvia Maria Azevedo

    1985-01-01

    Full Text Available O presente trabalho focaliza a figura do diabo participando de duas expressões da chamada cultura popular medieval. Por meio de espetáculos como o Carnaval, a Festa dos Loucos, a Festa do Asno, procurei aprender, através da figura demoníaca, o intercâmbio entre duas formas de cultura - uma, séria, religiosa, feudal - relacionada com o mundo das instituições medievais - outra, cômica, irreverente, profana - ligada ao mundo medieval não institucionalizado.

  6. The language of poetic texts in contemporary Tuvan pop songs

    Directory of Open Access Journals (Sweden)

    Oyumaa M. Saaya

    2017-06-01

    Full Text Available The article presents a linguistic analysis of lyrics of modern Tuvan pop songs. While studying them is important for understanding contemporary songwriting in Tuva, it is also necessary to discover what linguistic means, functional styles and vocabulary are used by modern authors of popular lyrics. The study can also help identify how contemporary global trends influence songwriting in means of linguistics. Three groups of songs can be defined in Tuvan pop music. The first of them comprises songs written by both professional poets and amateurs with good writing skills. Their texts have homogenous literary style and are intended for general audience (rather than specific groups of listeners. They do not feature any jargon or youth slang. The second group consists of “songs of the people” which are still popular and relevant, but not classified as folklore. This group also contains songs previously banned by censorship, and those written by ex-convicts. Their lyrics differ in style, and the vocabulary is also heterogenous: they can include slang and contain vernacular language. The third group includes songs following popular global and Russian trends, which  triggered rapid evolution in Tuvan songwriting. There is significant number of authors or even creative unions, who write both lyric and music. They are stylistically uneven, contain a lot of neologisms, borrowed vocabulary, slang and jargon words and sometimes even macaronic (mixed language. The author provides a more in-depth analysis of lyrics belonging to the third group of songs. They can be divided into 6 thematic subgroups which greatly vary in lexical content and the use of tropes. The lyrics of contemporary Tuvan songs are quite close to the everyday language young people use. Active employment of jargon in the language of young and middle-aged people, especially in lyrics of modern songs, steadily decreases the literary norms of Tuvan language. The author emphasizes that

  7. The Populist Conception of Democracy beyond Popular Sovereignty

    Directory of Open Access Journals (Sweden)

    Pepijn Corduwener

    2014-11-01

    Full Text Available With populist parties making electoral progress across the European continent, the question of what their electoral success means for contemporary democratic systems has gained increasing significance. This article investigates how two populist radical right parties, the Austrian FPÖ and the Dutch PVV, conceptualise democracy, based on a wide range of party documents released over recent decades. It builds upon recent academic consensus that the relationship between populism and democracy is best understood from a ‘minimalist’ perspective, seeing populism not as antagonistic to democracy, but as an ideology that conceptualises democracy primarily in terms of popular sovereignty. The article adds to the existing literature by demonstrating that we can extend this understanding of the populist conception of democracy in three aspects: the populist emphasis on state neutrality; a two-fold notion of equality; and the extension of the political sphere in society. Based upon these three issues, the article concludes by exploring how the populist conception of democracy relates to the most dominant form of democracy practised nowadays, liberal democracy, and to what extent it reflects changes in our democratic political culture.

  8. Individual Popularity, Peer Group Popularity Composition and Adolescents? Alcohol Consumption

    OpenAIRE

    Gommans, Rob; M?ller, Christoph M.; Stevens, Gonneke W. J. M.; Cillessen, Antonius H. N.; Ter Bogt, Tom F. M.

    2016-01-01

    Previous studies have convincingly shown associations between popularity and adolescent drinking. This study examined whether the popularity composition of the peer group and the relative difference in popularity between adolescents and their peers are also associated with adolescent drinking. Participants were 800 adolescents (M age?=?14.73; SDage?=?1.00; 51.6?% girls) from 31 classrooms who completed peer ratings of popularity and self-reports of alcohol consumption. Results showed that dri...

  9. Dada Redux: Elements of Dadaist Practice in Contemporary Electronic Literature

    Directory of Open Access Journals (Sweden)

    Scott Rettberg

    2008-01-01

    Full Text Available The Dada movement was a multimedia avant-garde art practice that began in Zurich during World War I and flourished in Berlin, Paris, and New York from 1916 until 1920. Beginning as a disgusted response to the war and the blithely nationalistic bourgeois attitudes the Dada felt were at the root of the conflict, the Dada developed and refined the notion of “anti-art” as an expression of dissatisfaction with the dominant contemporary ideology. Although the period in which Dada was an active organized cultural movement was quite short, its legacy is widespread and profound. Through readings of works of electronic literature, the essay argues that while techniques have been adapted to the media-specific affordances of the networked computer, many of the practices popularized by the Dada during the early twentieth century form the basis of methods utilized by new media artists and writers today. By comparing the art and activities of early Dadaist artists to the work of contemporary digital writers, the essay advocates a critical approach to new media writing that both accounts for the specific properties of literature produced for networked computer environments and also examines these artifacts within the contextualizing historical framework of the avant-garde.

  10. In Search of the English Sabbat: Popular Conceptions of Witches’ Meetings in Early Modern England

    Directory of Open Access Journals (Sweden)

    James Sharpe

    2013-03-01

    Full Text Available This article explores the evidence for belief in the witches’ sabbat in early modern England. England is generally thought of as a country where the concept of the sabbat did not exist, and it was certainly largely absent from elite thinking on witchcraft, as displayed in the witchcraft statutes of 1563 and 1604 and Elizabethan and Jacobean demonological writings. But evidence entering the historical record mainly via deposi- tions taken by justices of the peace suggests that there was a widespread popular belief in the sabbat or in parallel forms of witches’ meetings, evidence that the concept of the sabbat existed in popular culture. In this, the English evidence seems to support Carlo Ginzburg’s model of the sabbat being essentially a popular construction in its origins. The article also examines a play based on one of the historical incidents analysed, Richard Brome and Thomas Heywood’s The Late Lancashire Witches (1634, and uses it as a starting point for a brief discussion of witchcraft motifs in contemporary drama, notably Shakespeare’s Macbeth.

  11. Consulta de enfermagem - um diálogo entre os saberes técnicos e populares em saúde Consulta de enfermería - un diálogo cultural entre los saberes técnicos y populares en salud Dialogue between nurses and mothers during the mother-child binomial consultantion

    Directory of Open Access Journals (Sweden)

    Maria Aparecida Rodrigues da Silva Barbosa

    2007-06-01

    Full Text Available Neste relato de experiência evidenciamos algumas estratégias que fizeram da consulta de enfermagem ao binômio mãe-filho um espaço privilegiado para o diálogo com a cultura e os saberes da população assistida. A técnica da coleta de dados foi o registro, durante seis meses, em diários de campo, das impressões verbalizadas pelas mulheres sobre o atendimento recebido. Demos o mesmo tratamento às nossas percepções e impressões. Escolhemos 30 registros de mulheres que freqüentaram o serviço regularmente e, a partir desses depoimentos, fomos introduzindo alterações no modelo de consulta. Pudemos compreender, a partir da experiência, que é fundamental o estabelecimento de uma relação dialógica entre os saberes populares e acadêmicos para o cuidado humanizado e eficiente em saúde.En este relato de experiencia evidenciamos algunas estrategias que hicieron de la Consulta de Enfermería, con el binomio madre-niño, un espacio privilegiado para el diálogo con la cultura y los saberes de la población asistida. La técnica de recolección de datos fue el registro, durante seis meses, en diarios de campo, de las impresiones verbalizadas por las mujeres sobre la atención recibida. Dimos el mismo trato a nuestras percepciones e impresiones. Escogimos 30 registros de mujeres que frecuentaron el servicio regularmente y, a partir de esos testimonios, fuimos introduciendo alteraciones en el modelo de consulta. Pudimos comprender, a partir de esa experiencia, que es fundamental el establecimiento de una relación dialógica entre los saberes populares y académicos para el cuidado humanizado y eficiente en salud.To describe strategies that might promote technical and cultural and common knowledge dialogue between nurses and mothers during the mother-child binomial nursing consultation. A purposive sample of 30 women who had regular nursing consultation appointment was used. Data were collected throughout a period of 6 months and consisted

  12. Christian music in contemporary Africa: a re-examination of its essentials

    Directory of Open Access Journals (Sweden)

    F. Adedeji

    2007-07-01

    Full Text Available Christian music all over Africa (be it liturgical church music or gospel, in contemporary times has become so popular and well grown howbeit in divergent dimensions. As a result, there have been questions, debates and confusions both by insiders and outsiders of the Christian faith on what exactly constitutes Christian music. There then arises the need to theorise the fundamentals of Christian music, exhuming the Biblical, musical and socio-cultural basis for its performance practices. This article examines various principles that should guide contemporary Christian musicianship, especially as contained in the Scriptures; arguing that the practice of Christian music cannot be divorced from Bible even when the principles of musical sound organisation and the socio-cultural needs of the society have to be observed. The tension created by the superimposition of the three is also resolved. This article is therefore theoretical and prescriptive in focus and depth as it offers to the African audience the paradigms for understanding the art, gives guidance to the practitioners, and supplies scholarly information to the scholars and observers of Christian studies in general. The article concludes by recommending the indispensability of Biblical standards and skilful originality/artistry in contemporary Christian musicianship.

  13. Achilles in the age of steel: Greek Myth in modern popular music

    Directory of Open Access Journals (Sweden)

    Eleonora Cavallini

    2009-03-01

    Full Text Available From the Sixties until today, the presence of Greek Mythology in so-called “popular music” appears to be far more frequent and significant than one could imagine. Nevertheless, at the beginning such references are rather generic, loose and even ironical; on the other side, in the Eighties and afterwards, particularly in the framework of certain music genres, entire concept albums are inspired to the deeds of Achilles and Odysseus, or by the tragic vicissitudes of the house of Atreus. Special attention is dedicated to the character of Achilles, who, as a prototype of the modern “super hero”, is somehow close to the sensibility and the expectations of contemporary youth cultures and their associated media.

  14. Popular Mobilization Messaging

    Directory of Open Access Journals (Sweden)

    James Garrison

    2017-04-01

    Full Text Available This Research Paper examines the Iraqi Popular Mobilization Unit’s (PMU messaging on the organisation’s website and social media platforms through early January 2017 to develop a more nuanced understanding of the PMU’s outlook, both present and future. After providing an overview of the PMU’s media presence online, the paper discusses how the organisation promotes its core narrative: that it is a cross-confessional and patriotic force for the defence of all Iraqis against a brutal and evil IS. The paper then addresses the PMU’s use of messaging to refute the sectarian portrayal of the organisation in some quarters before turning to the way the PMU approaches regional and international states in its media. Finally, the paper summarises the PMU’s messaging strategy and discusses how this strategy implies a less threatening future for the organisation than is often anticipated.

  15. Subtle Nonlinearity in Popular Album Charts

    Science.gov (United States)

    Bentley, R. Alexander; Maschner, Herbert D. G.

    Large-scale patterns of culture change may be explained by models of self organized criticality, or alternatively, by multiplicative processes. We speculate that popular album activity may be similar to critical models of extinction in that interconnected agents compete to survive within a limited space. Here we investigate whether popular music albums as listed on popular album charts display evidence of self-organized criticality, including a self-affine time series of activity and power-law distributions of lifetimes and exit activity in the chart. We find it difficult to distinguish between multiplicative growth and critical model hypotheses for these data. However, aspects of criticality may be masked by the selective sampling that a "Top 200" listing necessarily implies.

  16. Popular Music in Southeast Asia : Banal Beats, Muted Histories

    NARCIS (Netherlands)

    Barendregt, Bart; Keppy, Peter; Schulte Nordholt, Henk

    2017-01-01

    'Popular Music in Southeast Asia: Banal Beats, Muted Histories' offers a cultural history of modern Southeast Asia from the original vantage point of popular music since the 1920s up to the present. By creatively connecting indigenous musical styles with foreign musical genres, Southeast Asians

  17. Contemporary jewelry definitions

    Directory of Open Access Journals (Sweden)

    Marlon Aparecido Mercaldi

    2016-12-01

    Full Text Available Contemporary jewelry terminology is open to many criticism and weaknesses as it is confronted with the classic definition of jewelry and also often attached to the historical widespread idea of adornment and jewelry to modernity. Therefore one of the this article issues is to approach about what it is contemporary jewelry and how it can be defined. Thus, we present the topics related to the jewel discussion in contemporary times that are organized into a set of assumptions and approaches that help us provide an overview about the contemporary jewelry.

  18. On the contemporary – and contemporary art history. A review of Terry Smith, What Is Contemporary Art

    Directory of Open Access Journals (Sweden)

    Anthony Gardner

    2011-06-01

    Full Text Available This analysis of Terry Smith’s 'What Is Contemporary Art?' evaluates Smith’s ongoing project to theorise contemporary art around the theme of multiple, interconnected temporalities. It questions how this ‘contemporaneity’ differs from the classic teleologism of modernism and postmodern relativism and suggests that Smith’s categories may be valuable for understanding other cultural areas, such as contemporary music. It then raises methodological problems associated with charting the terrain of contemporary art and how they overlap with economic considerations, arguing that the task implies particular forms of privilege that may threaten the autonomy of critical analysis, but that Smith’s work goes some way toward exposing this problem.

  19. Popular Theatre: A Useful Process for Adult Educators.

    Science.gov (United States)

    Bates, Reid A.

    1996-01-01

    Four types of theatre uses in adult education are theatre for education, for development, for conscientization, and popular theatre. The latter involves a group's interpretive study of its own social, economic, cultural, and political conditions, leading to collective action. (SK)

  20. Dark victory: cancer and popular Hollywood film.

    Science.gov (United States)

    Lederer, Susan E

    2007-01-01

    This paper explores the cultural representations of cancer in popular Hollywood films released between 1930 and 1970. These cinematic treatments were not representative of the types of cancer that increasingly afflicted Americans, nor were filmmakers and studios concerned with realistic representations of the disease, its treatment, and its outcomes. As in the "epidemic entertainments" of the early twentieth century that portrayed diseases as cultural commodities, popular filmmakers selectively projected some cancers rather than others, favoring those that were less offensive and more photogenic. Although the characters became weak and died, they did so without gross transformations of their bodies. This paper argues that such representations nonetheless informed American attitudes about cancer and the role of medical research in overcoming the disease.

  1. Contemporary Art from Denmark

    DEFF Research Database (Denmark)

    Bonde, Lisbeth

    2014-01-01

    Danish contemporary art is currently expanding bot quantitatively and qualitatively to such a degree that we can speak of a new Danish Golden Age. The article introduces some of the most interesting, Danish contemporary artists which are being exposed at the exhibition in the European Central Bank...

  2. The representation of epilepsy in popular music.

    Science.gov (United States)

    Baxendale, Sallie

    2008-01-01

    Much can be learned about the contemporary stereotypes associated with epilepsy by studying the representation of the disorder in paintings, literature, and movies. Popular music is arguably the most accessible and ubiquitous of the creative art forms, touching most of us on a daily basis. Reviewed here are the ways in which epilepsy and seizures are used in the lyrics of musicians from a wide variety of musical genres, from hip-hop to rhythm and blues. Many of the ancient associations of epilepsy with madness, horror, and lunacy can be found in these lyrics. However, the language of epilepsy has also been appropriated by some musical artists to represent a state of sexual ecstasy and dance euphoria. The references to these states as "epilepsy" or a "seizure" in numerous songs suggest that this shorthand is widely recognized within some subcultures. Although epilepsy has frequently been associated with female sexual availability in other creative art forms, this novel use of the language of epilepsy represents a contemporary departure in the artistic application of epilepsy-related images and associations in the 21st century.

  3. AN ARCHITECTURAL ANALYSIS: THE MUSEUM OF CONTEMPORARY ART, TEHRAN, IRAN

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    Kambiz Navai

    2010-03-01

    Full Text Available Kamran Tabatabai Diba is one of Iranian Architects, whose works during 60’s and 70’s are well-known among architects and scholars. His works are mostly considered as examples of Modern Style, scented by Iranian Architecture. His efforts on creating public, socio-cultural centers in Iran was a result of his concern about social matters, as well as seeking for a national, contemporary Architecture. Tehran’s Museum of Contemporary Art is one of the most popular and well-known Diba’s works. In this article an effort has been made to get a better understanding of this remarkable piece of work, and to light up the Architect’s intents and the architectural methods he used to express them. The critique is concentrated mostly on two mentioned aspects of Diba’s works: “Integrating Modern Style and traditional Iranian Architecture”, and “Creating socio-cultural centers and institutions well related to society.” The Analysis is based on the most important features of every work of Architecture: “Space” and “Form”. The author seeks for the meaning by “watching” the whole complex carefully, “giving descriptive information” about it, and in the meantime “analyzing data” with the help of “basic design methods” together with the knowledge of “Modern Style”, “Characteristics of Late Modern Movement” and “Traditional Iranian Architecture.” Text is accompanied by drawings and figures, which help for better knowing the complex. The effort is made to use a simple language, understandable not only by Architects or scholars, but by every other interested non-specialist reader.

  4. Characterizing and modeling the dynamics of online popularity.

    Science.gov (United States)

    Ratkiewicz, Jacob; Fortunato, Santo; Flammini, Alessandro; Menczer, Filippo; Vespignani, Alessandro

    2010-10-08

    Online popularity has an enormous impact on opinions, culture, policy, and profits. We provide a quantitative, large scale, temporal analysis of the dynamics of online content popularity in two massive model systems: the Wikipedia and an entire country's Web space. We find that the dynamics of popularity are characterized by bursts, displaying characteristic features of critical systems such as fat-tailed distributions of magnitude and interevent time. We propose a minimal model combining the classic preferential popularity increase mechanism with the occurrence of random popularity shifts due to exogenous factors. The model recovers the critical features observed in the empirical analysis of the systems analyzed here, highlighting the key factors needed in the description of popularity dynamics.

  5. Iklan dan Budaya Popular: Pembentukan Identitas Ideologis Kecantikan Perempuan oleh Iklan di Televisi

    Directory of Open Access Journals (Sweden)

    Inda Fitryarini

    2013-12-01

    Full Text Available Abstract: Mass media is not only a channel to deliver messages but also is a channel to build a special image about the world, such as the beauty image of women. Advertisements create it in their messages. Most of them show women with white skin, slim and have long black hair. These cases are a part of popular culture or mass culture because it could be a homogen-standard value. Advertising is related with popular culture. Advertising is a reflection of popular culture and it is an inventor of popular culture.

  6. Popular "Problems": Deviantization and Teachers' Curation of Popular Music

    Science.gov (United States)

    Kallio, Alexis Anja

    2017-01-01

    Despite many music classrooms welcoming popular musics in striving towards an inclusive and democratic education, there has been relatively little research into teachers' decisions regarding which popular musics are included and which are excluded from classroom activities. This is of particular interest taking into account arguments that the…

  7. Nebulous networks: Virginia Woolf and popular astronomy

    Science.gov (United States)

    Henry, Holly Grace

    This study investigates Virginia Woolf's fascination with advances in astronomy and telescopic technologies of the 1920s and 30s. Grounded in the cultural studies of science, and the work of theorists such as Donna Haraway and Bruno Latour, the dissertation reconstructs the complex interconnections between Woolf's fiction and prose writing and an explosive popular interest in astronomy and cosmology. Woolf's aesthetic and political practices were shaped by emerging visualization technologies ranging from astronomical telescopes to the hand-held camera. While her writing provides a focus for this investigation, the dissertation offers close readings of fiction and essays by multiple British authors and science writers in the context of these converging phenomena. As a result of glimpsing tiny worlds through her own telescope, Virginia Woolf formulated a global aesthetic and a global politics. Gazing at the moon and stars reminded her that earth is a planet in space, and that earth's inhabitants must rely on this small, fragile globe for their future survival. The opening chapter establishes the cultural context for the study. In 1923, the American astronomer Edwin Hubble determined that the Andromeda galaxy was located far beyond the limits of the Milky Way, then believed to comprise the entire universe. Hubble's radical reconfiguration of the universe contributed to a pervasive sense, in the modern period, of a decentering and re-scaling of humans in the universe. In the chapters that follow, the dissertation offers readings of Woolf's novels and short fiction in relation to her fascination with astronomy and explores how the wildly popular British cosmologist and science writer, Sir James jeans, had a shaping effect on popular culture and on Woolf's narrative practices and pacifist politics. Despite his oblique connections to what became Bloomsbury, jeans and his popular science texts were to play a considerable role in Woolf's formulation of a global aesthetic.

  8. Abortion and contemporary hip-hop: a thematic analysis of lyrics from 1990-2015.

    Science.gov (United States)

    Premkumar, Ashish; Brown, Katherine; Mengesha, Biftu; Jackson, Andrea V

    2017-07-01

    To evaluate the representation of abortion in contemporary hip-hop music, gaining insight into the myriad of attitudes of abortion in the black community. We used Genius, an online storehouse for lyrical content, to identify songs by querying the database for search terms related to family planning, including slang terms. We then cross-referenced identified songs using an online list of songs about abortion. We analyzed eligible songs using grounded theory in order to identify key themes. Of 6577 songs available, a total of 101 songs performed by 122 individual artists met inclusion criteria. The majority of artists were Black men; five artists were Black women. Key themes were: use of abortion as braggadocio; equating abortion with sin, genocide, or murder; male pressure for women to seek abortion; and the specific association of Planned Parenthood services with abortion. The moral and ethical themes surrounding abortion in hip-hop lyrics reveal a unique perspective within a marginalized community. The overall negative context of abortion in hip-hop lyrics needs to be reconciled with the gendered, economic, historical, political, racial and ethnic background of hip-hop and rap music in America. This study is the first to evaluate lyrical content from contemporary popular music in relation to abortion and family planning. Examining the intersection of reproductive rights and popular culture can provide a unique insight into the limited knowledge of the perspectives of abortion in the black community. Copyright © 2017 Elsevier Inc. All rights reserved.

  9. The Recontextualization of Burik (Traditional Tattoos of Kabayan Mummies in Benguet to Contemporary Practices

    Directory of Open Access Journals (Sweden)

    Analyn Salvador-Amores

    2012-06-01

    Full Text Available What practices and techniques contribute to the “recontextualization” of an extinct traditional tattoo tradition in contemporary practice? Through what channels do today’s practitioners revive the application and use of extinct tattoos? This paper is about the “recontextualization” of burik, an extinct traditional tattoo found in some of the mummies in Kabayan, Benguet, north of Luzon, Philippines. While the traditional cultural bearers are already nonextant, I explore the contemporary transformations of the burik through “cultural borrowing” and “appropriation,” such as (a graphic designs on clothing, (b actual tattoo designs on the skin, and (c an aesthetic tattoo practice. Tattooing, in terms of both practice and design, has become a popular practice worldwide. In the Philippines, tattoo artists turn to traditional tattoo practice by “re-invoking” the features of tattoos (pain, permanence, and the “graphicness” (designs is appropriated to recent practices in tattooing the skin (“skin-deep” and incorporated in tattoo designs on clothing (“surface”.I argue that the successive phases and changes in the status of burik tattoos—enabled by the advent of modern technology, the Internet, and mass media—encourage an interaction between contemporary and historical influences rather than an extinction of past practice. Such cross-sector sources continue to characterize the reinterpretation of traditional tattoos in contemporary practices. To understand fully the significance of burik today, I draw on Appadurai’s notion of objects as “things-in-motion” and Kopytoff’s “social biography of objects” as the burik relate to relevant socioeconomic and political contexts across time.

  10. Part 2 - The Recontextualization of Burik (Traditional Tattoos of Kabayan Mummies in Benguet to Contemporary Practices

    Directory of Open Access Journals (Sweden)

    Analyn Salvador-Amores

    2012-06-01

    Full Text Available What practices and techniques contribute to the “recontextualization” of an extinct traditional tattoo tradition in contemporary practice? Through what channels do today’s practitioners revive the application and use of extinct tattoos? This paper is about the “recontextualization” of burik, an extinct traditional tattoo found in some of the mummies in Kabayan, Benguet, north of Luzon, Philippines. While the traditional cultural bearers are already nonextant, I explore the contemporary transformations of the burik through “cultural borrowing” and “appropriation,” such as (a graphic designs on clothing, (b actual tattoo designs on the skin, and (c an aesthetic tattoo practice. Tattooing, in terms of both practice and design, has become a popular practice worldwide. In the Philippines, tattoo artists turn to traditional tattoo practice by “re-invoking” the features of tattoos (pain, permanence, and the “graphicness” (designs is appropriated to recent practices in tattooing the skin (“skin-deep” and incorporated in tattoo designs on clothing (“surface”.I argue that the successive phases and changes in the status of burik tattoos—enabled by the advent of modern technology, the Internet, and mass media—encourage an interaction between contemporary and historical influences rather than an extinction of past practice. Such cross-sector sources continue to characterize the reinterpretation of traditional tattoos in contemporary practices. To understand fully the significance of burik today, I draw on Appadurai’s notion of objects as “things-in-motion” and Kopytoff’s “social biography of objects” as the burik relate to relevant socioeconomic and political contexts across time.

  11. Book Review: Instagram and contemporary image, Lev Manovich

    Directory of Open Access Journals (Sweden)

    Carla Barrio Romera

    2018-05-01

    Full Text Available Book Review: Instagram and contemporary image, Lev Manovich, California Institute for Telecommunication and Information & The Graduate Center, City University of New York (CUNY, Cultural Analytics Lab, 2017, http://manovich.net/index.php/projects/instagram-and-contemporary-image, Attribution-NonCommercial-NoDerivatives 4.0 International Creative Commons license, 148 págs.

  12. Significance and popularity in music production

    Science.gov (United States)

    Gravino, Pietro; Servedio, Vito D. P.; Tria, Francesca; Loreto, Vittorio

    2017-01-01

    Creative industries constantly strive for fame and popularity. Though highly desirable, popularity is not the only achievement artistic creations might ever acquire. Leaving a longstanding mark in the global production and influencing future works is an even more important achievement, usually acknowledged by experts and scholars. ‘Significant’ or ‘influential’ works are not always well known to the public or have sometimes been long forgotten by the vast majority. In this paper, we focus on the duality between what is successful and what is significant in the musical context. To this end, we consider a user-generated set of tags collected through an online music platform, whose evolving co-occurrence network mirrors the growing conceptual space underlying music production. We define a set of general metrics aiming at characterizing music albums throughout history, and their relationships with the overall musical production. We show how these metrics allow to classify albums according to their current popularity or their belonging to expert-made lists of important albums. In this way, we provide the scientific community and the public at large with quantitative tools to tell apart popular albums from culturally or aesthetically relevant artworks. The generality of the methodology presented here lends itself to be used in all those fields where innovation and creativity are in play. PMID:28791169

  13. Significance and popularity in music production

    Science.gov (United States)

    Monechi, Bernardo; Gravino, Pietro; Servedio, Vito D. P.; Tria, Francesca; Loreto, Vittorio

    2017-07-01

    Creative industries constantly strive for fame and popularity. Though highly desirable, popularity is not the only achievement artistic creations might ever acquire. Leaving a longstanding mark in the global production and influencing future works is an even more important achievement, usually acknowledged by experts and scholars. `Significant' or `influential' works are not always well known to the public or have sometimes been long forgotten by the vast majority. In this paper, we focus on the duality between what is successful and what is significant in the musical context. To this end, we consider a user-generated set of tags collected through an online music platform, whose evolving co-occurrence network mirrors the growing conceptual space underlying music production. We define a set of general metrics aiming at characterizing music albums throughout history, and their relationships with the overall musical production. We show how these metrics allow to classify albums according to their current popularity or their belonging to expert-made lists of important albums. In this way, we provide the scientific community and the public at large with quantitative tools to tell apart popular albums from culturally or aesthetically relevant artworks. The generality of the methodology presented here lends itself to be used in all those fields where innovation and creativity are in play.

  14. Significance and popularity in music production.

    Science.gov (United States)

    Monechi, Bernardo; Gravino, Pietro; Servedio, Vito D P; Tria, Francesca; Loreto, Vittorio

    2017-07-01

    Creative industries constantly strive for fame and popularity. Though highly desirable, popularity is not the only achievement artistic creations might ever acquire. Leaving a longstanding mark in the global production and influencing future works is an even more important achievement, usually acknowledged by experts and scholars. 'Significant' or 'influential' works are not always well known to the public or have sometimes been long forgotten by the vast majority. In this paper, we focus on the duality between what is successful and what is significant in the musical context. To this end, we consider a user-generated set of tags collected through an online music platform, whose evolving co-occurrence network mirrors the growing conceptual space underlying music production. We define a set of general metrics aiming at characterizing music albums throughout history, and their relationships with the overall musical production. We show how these metrics allow to classify albums according to their current popularity or their belonging to expert-made lists of important albums. In this way, we provide the scientific community and the public at large with quantitative tools to tell apart popular albums from culturally or aesthetically relevant artworks. The generality of the methodology presented here lends itself to be used in all those fields where innovation and creativity are in play.

  15. Edward Said on Popular Music

    NARCIS (Netherlands)

    Capitain, W.H.P.

    2017-01-01

    Although Edward Said, generally known as one of the founders of postcolonial studies, has written extensively on music, he almost completely ignores popular music. However, the few moments in which he does reflect on popular music are highly revealing. In this article I provide a comprehensive

  16. Celebrity and contemporary context

    Directory of Open Access Journals (Sweden)

    Paula Guimarães Simões

    2014-12-01

    Full Text Available This paper discusses the hermeneutic power of a celebrity (seen from the concept of event, seeking to understand what it reveals about the contemporary context. Based on this premise, we attempt to recognize some aspects of contemporary social life that emerge from the trajectory of a specific celebrity: the former soccer player Ronaldo Fenômeno. This analysis brings to light the hermeneutic power of Ronaldo, i.e., how his life story reveals characteristics of contemporary social life. Individualism, machismo, emphasis on a heteronormative ideal, shifts in the construction of romantic relationships, and the overlapping spheres of public and private life, are some important aspects of contemporary society revealed by this analysis.

  17. Contemporary Obstetric Triage.

    Science.gov (United States)

    Sandy, Edward Allen; Kaminski, Robert; Simhan, Hygriv; Beigi, Richard

    2016-03-01

    The role of obstetric triage in the care of pregnant women has expanded significantly. Factors driving this change include the Emergency Medical Treatment and Active Labor Act, improved methods of testing for fetal well-being, increasing litigation risk, and changes in resident duty hour guidelines. The contemporary obstetric triage facility must have processes in place to provide a medical screening examination that complies with regulatory statues while considering both the facility's maternal level of care and available resources. This review examines the history of the development of obstetric triage, current considerations in a contemporary obstetric triage paradigm, and future areas for consideration. An example of a contemporary obstetric triage program at an academic medical center is presented. A successful contemporary obstetric triage paradigm is one that addresses the questions of "sick or not sick" and "labor or no labor," for every obstetric patient that presents for care. Failure to do so risks poor patient outcome, poor patient satisfaction, adverse litigation outcome, regulatory scrutiny, and exclusion from federal payment programs. Understanding the role of contemporary obstetric triage in the current health care environment is important for both providers and health care leadership. This study is for obstetricians and gynecologists as well as family physicians. After completing this activity, the learner should be better able to understand the scope of a medical screening examination within the context of contemporary obstetric triage; understand how a facility's level of maternal care influences clinical decision making in a contemporary obstetric triage setting; and understand the considerations necessary for the systematic evaluation of the 2 basic contemporary obstetric questions, "sick or not sick?" and "labor or no labor?"

  18. Culture.

    Science.gov (United States)

    Smith, Timothy B; Rodríguez, Melanie Domenech; Bernal, Guillermo

    2011-02-01

    This article summarizes the definitions, means, and research of adapting psychotherapy to clients' cultural backgrounds. We begin by reviewing the prevailing definitions of cultural adaptation and providing a clinical example. We present an original meta-analysis of 65 experimental and quasi-experimental studies involving 8,620 participants. The omnibus effect size of d = .46 indicates that treatments specifically adapted for clients of color were moderately more effective with that clientele than traditional treatments. The most effective treatments tended to be those with greater numbers of cultural adaptations. Mental health services targeted to a specific cultural group were several times more effective than those provided to clients from a variety of cultural backgrounds. We recommend a series of research-supported therapeutic practices that account for clients' culture, with culture-specific treatments being more effective than generally culture-sensitive treatments. © 2010 Wiley Periodicals, Inc.

  19. [Folklore and popular medicine in the Amazon].

    Science.gov (United States)

    Henrique, Márcio Couto

    2009-01-01

    This discussion of the relations between folklore and popular medicine in the Amazon takes Canuto Azevedo's story "Filhos do boto" (Children of the porpoise) as an analytical reference point. Replete with elements of cultural reality, folk tales can serve as historical testimonies expressing clashes between different traditions. Folk records are fruit of what is often a quarrelsome dialogue between folklorists, social scientists, physicians, and pajés and their followers, and their analysis should take into account the conditions under which they were produced. Based on the imaginary attached to the figure of the porpoise--a seductive creature with healing powers--the article explores how we might expand knowledge of popular medicine as practiced in the Amazon, where the shamanistic rite known as pajelança cabocla has a strong presence.

  20. The global popularity of Cognitive-Behavior Therapy

    Directory of Open Access Journals (Sweden)

    Frank M. Dattilio

    2012-03-01

    Full Text Available This article addresses the efficacy of Cognitive-Behavior Therapy and the increasing global popularity of the approach among various cultures with a broad range of emotional and behavioral disorders. The article specifically discusses future direction in the field and implications for practitioners in various cultures.

  1. "Listen Then, Or, Rather, Answer": Contemporary Challenges to Socratic Education

    Science.gov (United States)

    Fullam, Jordan

    2015-01-01

    The popularity of Jacques Rancière in recent work in educational philosophy has rejuvenated discussion of the merits and weaknesses of Socratic education, both in Plato's dialogues and in invocations of Socrates in contemporary educational practice. In this essay Jordan Fullam explores the implications of this trend through comparing…

  2. The Development of the Wechsler Scales and Their Influence on Contemporary Intelligence Testing

    Science.gov (United States)

    Benisz, Mark

    2014-01-01

    The history of intelligence testing merits study as standardized intelligence tests have been administered for only a little over a century. The most popular tests in use today are the Wechsler scales, despite the availability of other test batteries that are better grounded in contemporary theory. To understand why contemporary revisions of…

  3. Interview with Contemporary Armenian Writer and Translator Diana Hambardzumyan

    Directory of Open Access Journals (Sweden)

    Beatrice Tottossy

    2016-12-01

    Full Text Available A conversation with Diana Hambardzumyan, a contemporary Armenian writer, translator and lecturer in English Literature at the University of Yerevan, foregrounds a series of significant features of contemporary Armenian literature and the country’s key social and cultural issues. She interconnects current events with the literary memory, highlighting and confirming the Armenian writers’ need to maintain their traditional role as representatives of the cultural will of their people.

  4. What Drives Politicians’ Online Popularity?

    DEFF Research Database (Denmark)

    Nielsen, Rasmus Kleis; Vaccari, Cristian

    2013-01-01

    The number of website visits, Facebook friends, or Twitter followers that politicians attract varies greatly, but little is known about what drives politicians' online popularity. In this article, we use data from a systematic tracking of congressional candidates' popularity on four web platforms...... in the 112 most competitive congressional districts in the 2010 U.S. midterm elections to address that question. Using multivariate regression models, we show that while district-level socioeconomic characteristics have little effect on candidates' online popularity, challengers and candidates in open......-seat races tend to attract larger audiences online, as do candidates who are more visible on political blogs. Surprisingly, how intensely candidates are covered in news media, how popular they are in opinion polls, and how much money they spend during the campaign show no significant effect. These findings...

  5. Contemporary pain management in total knee arthroplasty.

    Science.gov (United States)

    Khanasuk, Yutthana; Ngarmukos, Srihatach

    2012-10-01

    Pain management has become a very important part of postoperative care for total knee arthroplasty patients. Contemporary pain control has evolved from high-dose opioid in the past to state-of-the-art multimodal regimens. These include multiple non-opioid medication such as NSAIDs, COX-2 inhibitors, and gabapentinoid, and novel anesthetic techniques such as preemptive analgesia and ultrasound-guided peripheral nerve blocks. Another method which is gaining popularity is intraarticular injection of anesthetic cocktail during surgery. Pre-op education can also help patients cope with their pain better.

  6. Tattoos: Very Popular, Not So Innocent.

    Science.gov (United States)

    Hermida, María Daniela; Cabrera, Hugo Néstor

    2017-01-01

    Tattooing is a popular practice worldwide. Its origin dates back to the year 5000 BCE with a frozen mummy and travels across time through diverse cultures and places until it reaches the modern occidental world. Inks and materials used for tattooing are poorly controlled and carry potential risks of skin reactions. The procedure itself is also not innocuous. In this review, different types of tattoos are mentioned and associated dermatologic conditions are discussed. Unfortunately, treatment and removal procedures are often poor in effectiveness and lead to unwanted results. Combining different lasers may be a suitable option that requires further investigation.

  7. Cognitive science in popular film: the Cognitive Science Movie Index.

    Science.gov (United States)

    Motz, Benjamin

    2013-10-01

    HAL 9000. Morpheus. Skynet. These household names demonstrate the strong cultural impact of films depicting themes in cognitive science and the potential power of popular cinema for outreach and education. Considering their wide influence, there is value to aggregating these movies and reflecting on their renderings of our field. The Cognitive Science Movie Index (CSMI) serves these purposes, leveraging popular film for the advancement of the discipline. Copyright © 2013 Elsevier Ltd. All rights reserved.

  8. ‘Justin Bieber Sounds Girlie’: Young People’s Celebrity Talk and Contemporary Masculinities

    OpenAIRE

    Kim Allen; Laura Harvey; Heather Mendick

    2015-01-01

    In this article, we explore the ways that contemporary young masculinities are performed and regulated through young people’s relationship with celebrity. We address the relative paucity of work on young men’s engagements with popular culture. Drawing on qualitative data from group interviews with 148 young people (aged 14-17) in England, we identify ‘celebrity talk’ as a site in which gender identities are governed, negotiated and resisted. Specifically we argue that celebrity as a s...

  9. Public pedagogy and representations of higher education in popular film: New ground for the scholarship of teaching and learning

    Directory of Open Access Journals (Sweden)

    Katelyn Johnstone

    2018-03-01

    Full Text Available Constructions of teaching, learning, and the university within popular culture can exert an important influence on public understandings of higher education, including those held by faculty and students. As such, they constitute a rich site of inquiry for the scholarship of teaching and learning. Drawing on the notion of film as ‘public pedagogy,’ this article analyses representations of higher education within 11 top grossing and/or critically acclaimed films released in 2014. We identify three broad themes across these texts—the purpose of higher education, relationships between students and professors, and the creation of academic identities—and consider the implications and functions of these representational patterns for teaching, learning, and SoTL. Particular attention is given to the difference between the framing of science and arts and humanities disciplines, and to how this might resonate with the contemporary ‘crisis of the humanities.’

  10. CONTEMPORARY TRENDS IN GEOGRAPHICAL EDUCATION

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    M. Wasileva

    2017-01-01

    Full Text Available The geography includes rich, diverse and comprehensive themes that give us an understanding of our changing environment and interconnected world. It includes the study of the physical environment and resources; cultures, economies and societies; people and places; and global development and civic participation. As a subject, geography is particularly valuable because it provides information for exploring contemporary issues from a different perspective. This geographical information affects us all at work and in our daily lives and helps us make informed decisions that shape our future. All these facts result in a wide discussion on many topical issues in contemporary geography didactics. Subjects of research are the new geography and economics curriculum as well as construction of modern learning process. The paper presents briefly some of the current trends and key issues of geodidactics. As central notions we consider and analyze the training/educational goals, geography curriculum, target groups and environment of geography training, training methods as well as the information sources used in geography education. We adhere that all the above-mentioned finds its reflection in planning, analysis and assessment of education and thus in its quality and effectiveness.

  11. Contemporary engineering economics

    CERN Document Server

    Park, Chan S

    2011-01-01

    Contemporary Engineering Economics, 5/e, is intended for undergraduate engineering students taking introductory engineering economics while appealing to the full range of engineering disciplines for which this course is often required: industrial, civil, mechanical, electrical, computer, aerospace, chemical, and manufacturing engineering, as well as engineering technology. This edition has been thoroughly revised and updated while continuing to adopt a contemporary approach to the subject, and teaching, of engineering economics. This text aims not only to build a sound and comprehensive coverage of engineering economics, but also to address key educational challenges, such as student difficulty in developing the analytical skills required to make informed financial decisions.

  12. Contemporary plasma physics

    International Nuclear Information System (INIS)

    Sodha, M.S.; Tewari, D.P.; Subbarao, D.

    1983-01-01

    The book consists of review articles on some selected contemporary aspects of plasma physics. The selected topics present a panoramic view of contemporary plasma physics and applications to fusion, space and MHD power generation. Basic non-linear plasma theory is also covered. The book is supposed to be useful for M.S./M.Sc. students specialising in plasma physics and for those beginning research work in plasma physics. It will also serve as a valuable reference book for more advanced research workers. (M.G.B.)

  13. Perspectives on contemporary mysticism.

    Science.gov (United States)

    Thayer, N S

    1979-07-01

    Contemporary mysticism is in continuity with religious mysticism of all ages. Mysticism, like all religion, has an ideological and an experiential dimension. Traditional Freudian theory is inadequate for understanding either the ideological or the cognitive aspect, because it does not adequately account for either the cognitive process or the self-conscious "I." Categories of both ego psychology and the social scientific approach to religion illuminate contemporary mysticism in ways unavailable to the traditional Freudian psychoanalytic approach. The epistemological implications of the mystical attitude are considered, in both the religious and the scientific enterprises.

  14. SONGS ABOUT THE REALITY OF ‘GLOBALIZATION’ AS POLITICAL DISCOURSE: IRONY AND CRITIQUE OF ‘GLOBALIZATION’ AND THE CONCEPT OF ‘WORLD’ IN THE LYRICAL TRADITION OF THE ENGLISH WESTERN POPULAR MUSIC OF THE LATE 20TH AND EARLY 21ST CENTURIES / CÂNTECE DESPRE REALITATEA GLOBALIZĂRII CA DISCURS POLITIC: IRONIA, CRITICA GLOBALIZĂRII ŞI CONCEPTUL DE “LUME” ÎN TRADIŢIA MUZICII POPULARE DIN VESTUL ANGLIEI LA SFÂRŞITUL SECOLULUI XX ŞI ÎNCEPUTUL SECOLULUI XXI

    Directory of Open Access Journals (Sweden)

    Fee-Alexandra Haase

    2015-11-01

    Full Text Available Globalization has developed into one of the most interdisciplinary topics in the fields of culture, politics, and economics since the late 20th century. This article is interested in its terminology and reflections in the arts in the case of the lyrics of contemporary U.S. American and British English popular music. Even though the term ‘globalization’ was coined in the late 20th century and is associated with the idea of a universal economic, social, and cultural process in the world, conceptual elements of ‘globalization’ can be found in human history before the term was coined. The arts conceptualized the ‘world’ as an idea long before the emergence of the concept of ‘globalization’. The elements of ‘globalization’ and its history of associated ideas are found ironized and critically revised in the contemporary arts. At this point, social and cultural criticism arises and describes the contrast between ethical values and reality. Even an individualized form of poetry like the lyric poems of 20th and 21st century U.S. American popular music reflects critically as a contribution to contemporary political discourse on the concept of ‘globalization’.

  15. High theory/mass markets: Newsweek magazine and the circuits of medical culture.

    Science.gov (United States)

    Lewis, Bradley

    2007-01-01

    Medicine is driven by much more than science and reason (ethics); it is also driven by the circuits of culture within which it operates. This article examines how postmodern theory deconstructs standard ideals of science and reason and allows medical humanities scholars to better contextualize the world of medicine. As such, postmodern theory provides an invaluable tool for understanding the circuits of popular culture and medicine's place within these circuits. Using a recent issue of Newsweek magazine devoted to health and technology to illustrate the main points, this essay argues that contemporary popular influences on medicine are deeply problematic, and that through an appreciation of the dynamics of culture, medical humanities scholars can join the struggle over medical culture. This perspective allows medical humanities to make important contributions toward alternative circuits of medical representation, consumption, and identification.

  16. Contemporary Youth Identity in the Republic of Tuva, Russia

    Directory of Open Access Journals (Sweden)

    Katherine Zeahan Leung

    2017-09-01

    Full Text Available Youth of ethnic Tuvan heritage within the Tuvan Republic (part of the Russian Federation aged 6 to 24 represent a dynamic force which has been shaped by two factors. One is the ancient Turkic heritage of Tuvan culture. Contemporary Tuvans, including youth, display both Russian and Tuvan nationalist feelings, admire martial culture and explore their cultural uniqueness. They hold in high esteem contact sports, especially martial arts such as sambo or judo. Tuvan athletes successfully compete for Russia at international events, including the Olympics. The current Minister of Defense of the Russian Federation is half-Tuvan and extremely popular in the republic, where people see him as nothing short of a national hero. At the same time, young multi-lingual Tuvans, who also speak Russian, and, with access to foreign language education, Korean and English, are being influenced by mediums and through technologies that are international like never before. A special focus is made on the impact of East Asian pop-culture, specifically that of South Korea. Tuva is located in Asia’s geographical center, and is a place where for many centuries Tibetan Buddhism coexisted with Shamanism. Thus, Tuvans strongly identify themselves with Asian culture. They tend to believe in metempsychosis and often tell those who take interest in Tuvan culture that they were Tuvans in their past lives. In their view, Tuvan language has preserved the features of “original” Turkic. These and many other ideas and beliefs show that historical facts and myths are closely intertwined within Tuvan identity. Studying and speaking foreign languages helps prioritize the positive outlook in Tuvan youth, who eagerly study both English and Eastern languages.   In working with Tuvan youth, I was able to teach through games and informal conversation. I was able to meet community leaders who use language to foster lasting change in children’s perception of themselves, as an attempt to

  17. Contemporary vascular smartphone medical applications.

    Science.gov (United States)

    Carter, Thomas; O'Neill, Stephen; Johns, Neil; Brady, Richard R W

    2013-08-01

    Use of smartphones and medical mHealth applications (apps) within the clinical environment provides a potential means for delivering elements of vascular care. This article reviews the contemporary availability of apps specifically themed to major vascular diseases and the opportunities and concerns regarding their integration into practice. Smartphone apps relating to major vascular diseases were identified from the app stores for the 6 most popular smartphone platforms, including iPhone, Android, Blackberry, Nokia, Windows, and Samsung. Search terms included peripheral artery (arterial) disease, varicose veins, aortic aneurysm, carotid artery disease, amputation, ulcers, hyperhydrosis, thoracic outlet syndrome, vascular malformation, and lymphatic disorders. Forty-nine vascular-themed apps were identified. Sixteen (33%) were free of charge. Fifteen apps (31%) had customer satisfaction ratings, but only 3 (6%) had greater than 100. Only 13 apps (27%) had documented medical professional involvement in their design or content. The integration of apps into the delivery of care has the potential to benefit vascular health care workers and patients. However, high-quality apps designed by clinicians with vascular expertise are currently lacking and represent an area of concern in the mHealth market. Improvement in the quality and reliability of these apps will require the development of robust regulation. Copyright © 2013 Elsevier Inc. All rights reserved.

  18. Jewish Writers in Contemporary Germany: The Dead Author Speaks

    Directory of Open Access Journals (Sweden)

    Sander L. Gilman

    1989-08-01

    Full Text Available The question I wish to address in this essay is really quite simple: Given the fact that there are "Jews" who seem to play a major role in contemporary German "Kultur" (at least that narrower definition of culture, meaning the production of cultural artifacts, such as books—a field which, at least for Englemann, was one of the certain indicators of a Jewish component in prewar German culture—what happened to these "Jews" (or at least the category of the "Jewish writer" in postwar discussions of culture? Or more simply: who lulled the remaining Jews in contemporary German culture and why? Why is it not possible to speak about "German-Jews" in the contemporary criticism about German culture? And, more to the point, what is the impact of this denial on those who (quite often ambivalently see (or have been forced to see themselves as "Germans" and "Jews," but not as both simultaneously.

  19. Las otras rebeliones: cultura popular e independencias

    Directory of Open Access Journals (Sweden)

    Glave, Luis Miguel

    2005-06-01

    Full Text Available This article comments on historiographical developments pertaing to popular participation during the Independence of Mexico and on the political culture of the period. Its point of departure is the argument advanced by Eric Van Young in his book The Other Rebellion (2001 and the debate sparked by its publication. The article also discusses wether or not a “cultural turn” may be said to characterize historical studies of Latin America and compares the political process in Mexico with that of the Andes. It is suggested that we need to take into account, too, the symbolic and cultural world of both Indians and commoners who participated in the political and military actions of “other rebellions”, the outcome of a time of change and general crisis in colonial society.

    Este artículo comenta los avances historiográficos sobre la participación popular en la independencia mexicana y la cultura política de la época. Toma como punto de partida los aportes de Eric Van Young en su libro The Other Rebellion y el debate que se abrió a partir de su publicación. Discute, además, la aceptación o no de un “giro cultural” en los estudios históricos sobre América Latina y compara el proceso político mexicano con el de los Andes a partir de los aportes más recientes al respecto. Postula, por último, la necesidad de explorar el mundo simbólico y cultural de los indios y la plebe que participa en las movilizaciones políticas y militares, en tantas “otras rebeliones” producto de un momento de cambio y crisis general en la sociedad colonial.

  20. Contemporary theories of democracy

    Directory of Open Access Journals (Sweden)

    Mladenović Ivan

    2008-01-01

    Full Text Available The aim of this paper is two-fold: first, to analyze several contemporary theories of democracy, and secondly, to propose a theoretical framework for further investigations based on analyzed theories. The following four theories will be analyzed: pluralism, social choice theory, deliberative democracy and participatory democracy.