Calder, A J; Rowland, D; Young, A W; Nimmo-Smith, I; Keane, J; Perrett, D I
The physical differences between facial expressions (e.g. fear) and a reference norm (e.g. a neutral expression) were altered to produce photographic-quality caricatures. In Experiment 1, participants rated caricatures of fear, happiness and sadness for their intensity of these three emotions; a second group of participants rated how 'face-like' the caricatures appeared. With increasing levels of exaggeration the caricatures were rated as more emotionally intense, but less 'face-like'. Experiment 2 demonstrated a similar relationship between emotional intensity and level of caricature for six different facial expressions. Experiments 3 and 4 compared intensity ratings of facial expression caricatures prepared relative to a selection of reference norms - a neutral expression, an average expression, or a different facial expression (e.g. anger caricatured relative to fear). Each norm produced a linear relationship between caricature and rated intensity of emotion; this finding is inconsistent with two-dimensional models of the perceptual representation of facial expression. An exemplar-based multidimensional model is proposed as an alternative account.
Awad, Sarah H.
embodied in those images in relation to the newly defined nation. The lens of social and cultural psychology is used to understand the politics of those images in visually constructing national identity, positioning different social actors in the social and political context, and feeding into an enduring......Images represent in one form or another the perceived reality of a time. The image projects this perception into the world where receiving audiences are invited to reflect upon it and react to it. This paper looks at images of political caricatures published between the years of 1926 and 1931...... in two Egyptian newspapers: Al-Kashkūl and Al-Siyāsa al-Usbu‘iyya. This marks a unique time in Egyptian national discourse, as it was then on the road towards securing complete political independence from British occupation. The visual analysis of the 322 caricatures aims to interpret the meanings...
López, Sabrina; Riera, Pablo; Assaneo, María Florencia; Eguía, Manuel; Sigman, Mariano; Trevisan, Marcos A.
What are the features that impersonators select to elicit a speaker's identity? We built a voice database of public figures (targets) and imitations produced by professional impersonators. They produced one imitation based on their memory of the target (caricature) and another one after listening to the target audio (replica). A set of naive participants then judged identity and similarity of pairs of voices. Identity was better evoked by the caricatures and replicas were perceived to be closer to the targets in terms of voice similarity. We used this data to map relevant acoustic dimensions for each task. Our results indicate that speaker identity is mainly associated with vocal tract features, while perception of voice similarity is related to vocal folds parameters. We therefore show the way in which acoustic caricatures emphasize identity features at the cost of loosing similarity, which allows drawing an analogy with caricatures in the visual space.
Full Text Available Years of 2000’s can be defined as “the digiral century”. In this digital century, it is seen that digitalllization creates new concepts and approaches and it even affects our daily lifes. Digitalization will be analyzed with the relationship between art and technology. Changes have seen on different areas of art both on style and contentment with digitalisation. In this study, it is aimed to underline digitalization, to investigate its effects on caricature, humor and the magazines in Turkey and to comment on what digitalization brings. Online books, online articles, online humor magazines are becoming popular. Internet makes caricature achievable freely and with the aid of social networking sites, digital caricatures can reach more people than the published ones.
Appel, John; Appel, Selma
Caricatures produced between the end of the Civil War and World War II--cartoons in humor and satire weeklies, newspaper comics, posters, advertising, book illustrations, etc.--sanctioned ethnic and racial slurs. Jews were presented as negative stereotypes, characterized most often by stealth and derision. (LHW)
During the Renaissance, different artists began to draw medical illustrations from various viewpoints. Leonardo da Vinci was among those who sought to portray the emotional as well as the physical qualities of man. Other European artists described caricatural aspects of medical activities. In Northern Europe, Albrecht Durer, Hieronymus Bosch, and Pieter Brueghel were also famous for drawing caricatures. Later English artists, notably William Hogarth, Thomas Rowlandson, James Gillray, and the Cruikshanks, satirized life in general and the medical profession in particular. In Spain, Francisco Goya's works became increasingly macabre and satirical following his own mysterious illness and, in France, Honore Daumier used satire and humor to expose medical quackery. Also physicians such as Charles Bell and Jean-Martin Charcot were talented caricaturists. Their own personal artistic styles reflected their approach and gave a different "image" of neurology. Caricatures were popular portraits of developments in science and medicine and were frequently used whenever scientific language was too difficult to disseminate, in particular in the field of neurology.
Chris Hables Gray
Full Text Available Character, as personality, is formed through biology and culture. But the influence these forces have and the actual processes involved are not really known. Technology, as an important and always changing part of culture, offers us a window on the construction of character especially in that strange new place: cyberspace. The virtual world allows people to play with their character in ways that are very difficult “in real life.” This play reveals a great deal about what is biologically immutable and what isn’t after all. In particular gender, race, and embodiment in general are treated quite differently on-line then in the flesh. And character/caricature formation in the MUDS and MOOS and other cyber-places throws light on the processes of character, such as the roles of evocative technologies, the feedback loops of will and non-will (addiction, and the potentiality of fantasies actualized. In particular political participation on the internet reveals the limits of what real character can be manifested in a simulated environment. It seems cyborgian character is more plastic in some ways than most observers would have predicted; but character, as integrity, will still determine how far the role of caricature will go in supplanting character .
Full Text Available L’enseignement/apprentissage de la langue étrangère dans le milieu scolaire exige les dimensions très diversifiées. Un bon choix de matériel, une méthode d’enseignement convenable au niveau d’apprentissage et aux besoins des apprenants, les différentes techniques d’enseignement et les activités multiples sont des axes pour le processus d’acquisition d’une langue étrangère. A ce stade, il faut indiquer que l’enseignant qui joue le rôle d’organisateur oriente ces diversifications. L’objectif de cet article est de proposer une approche d’enseignement/apprentissage par la caricature en classe de FLE tant de niveau débutant que de niveau avancé. On abordera d’une part l’utilisation de la caricature en tant que document authentique dans le processus de développement des compétences de l’expression orale et du vocabulaire et d’autre part quels types de contributions peut-on assurer par la caricature soit dans la classe soit hors de la classe qui vise l’auto-apprentissage de chacun.
Streicher, Lawrence H.
Caricature and its distortion of reality as developed in the mass press are discussed in relation to the appearance of caricatural elements in other media, such as radio and television. High frequency of appearances of these distorted roles and situations might lead to viewers' perceptual rigidity in typing of characters in general, but might have…
Full Text Available Although Chinese contemporary artists are often criticized for creating superficial works that parody Chairman Mao without any deeper meaning, the employment of parody is a far more complex phenomenon. Instead of being representatives of Jamesonian pastiche, many artists employ varying methods of trans-contextual parody to express their mixed and even controversial intentions and notions. With a detailed structural analysis of the art works, and taking into account the socio-cultural context and the artists’ own intentions, I will show that the common assumptions—that parodying Mao is equivalent to political pop or that political pop represents pastiche—are oversimplifications of this complex phenomenon, especially when caricaturing is used as a method to violate the visual norms.
Clarke, Lyndsey; Chen, Min; Mora, Benjamin
Caricatures are a form of humorous visual art, usually created by skilled artists for the intention of amusement and entertainment. In this paper, we present a novel approach for automatic generation of digital caricatures from facial photographs, which capture artistic deformation styles from hand-drawn caricatures. We introduced a pseudo stress-strain model to encode the parameters of an artistic deformation style using "virtual" physical and material properties. We have also developed a software system for performing the caricaturistic deformation in 3D which eliminates the undesirable artifacts in 2D caricaturization. We employed a Multilevel Free-Form Deformation (MFFD) technique to optimize a 3D head model reconstructed from an input facial photograph, and for controlling the caricaturistic deformation. Our results demonstrated the effectiveness and usability of the proposed approach, which allows ordinary users to apply the captured and stored deformation styles to a variety of facial photographs.
Full Text Available Hair is a salient feature in human face region and are one of the important cues for face analysis. Accurate detection and presentation of hair region is one of the key components for automatic synthesis of human facial caricature. In this paper, an automatic hair detection algorithm for the application of automatic synthesis of facial caricature based on a single image is proposed. Firstly, hair regions in training images are labeled manually and then the hair position prior distributions and hair color likelihood distribution function are estimated from these labels efficiently. Secondly, the energy function of the test image is constructed according to the estimated prior distributions of hair location and hair color likelihood. This energy function is further optimized according to graph cuts technique and initial hair region is obtained. Finally, K-means algorithm and image postprocessing techniques are applied to the initial hair region so that the final hair region can be segmented precisely. Experimental results show that the average processing time for each image is about 280 ms and the average hair region detection accuracy is above 90%. The proposed algorithm is applied to a facial caricature synthesis system. Experiments proved that with our proposed hair segmentation algorithm the facial caricatures are vivid and satisfying.
Schulz, Claudia; Kaufmann, Jürgen M; Walther, Lydia; Schweinberger, Stefan R
To assess the role of shape information for unfamiliar face learning, we investigated effects of photorealistic spatial anticaricaturing and caricaturing on later face recognition. We assessed behavioural performance and event-related brain potential (ERP) correlates of recognition, using different images of anticaricatures, veridical faces, or caricatures at learning and test. Relative to veridical faces, recognition performance improved for caricatures, with performance decrements for anticaricatures in response times. During learning, an amplitude pattern with caricatures>veridicals=anticaricatures was seen for N170, left-hemispheric ERP negativity during the P200 and N250 time segments (200-380 ms), and for a late positive component (LPC, 430-830 ms), whereas P200 and N250 responses exhibited an additional difference between veridicals and anticaricatures over the right hemisphere. During recognition, larger amplitudes for caricatures again started in the N170, whereas the P200 and the right-hemispheric N250 exhibited a more graded pattern of amplitude effects (caricatures>veridicals>anticaricatures), a result which was specific to learned but not novel faces in the N250. Together, the results (i) emphasise the role of facial shape for visual encoding in the learning of previously unfamiliar faces and (ii) provide important information about the neuronal timing of the encoding advantage enjoyed by faces with distinctive shape. Copyright © 2012 Elsevier Ltd. All rights reserved.
Drazan, Joseph Gerald; Sanguine, Phyllis
This index identifies caricatures drawn by David Levine which are found in the "New York Review of Books" from its first issue in 1963 through the special fifteenth anniversary issue dated October 12, 1978. The index is arranged alphabetically by surname for each personality caricatured, with some cross references. The numbering system…
Full Text Available The aim of this paper is to discuss about a particular literary genre, started in France in the XIX century: the Physiologies. We will clarify the different phases of circulation of the genre: first of all, with Brillat Savarin’s Physiologie du gout and Balzac’s Physiologie du mariage, then with the Physiologies of the petits journaux, and at last with the ‘physiologic boom’ of the years 1840-42, when the genre acquired more clearly the aim of categorize the Parisian society, by connecting the parody of natural sciences to the techniques of caricatural description. The classifying anxiety showed in these little books will be related to the epoch-making changes happened in the metropolitan Parisian context of the Modern age. Finally, we will study the passage of this French genre to Italy, and in particular on the humorous magazines, focusing mostly on Lo Scaramuccia and Il Lampione, two important magazines that Collodi founded and wrote on. We will analyze, according to the difference of context, the distance between the two models and the peculiarity of Collodi’s one, by focusing above all on the techniques of the caricatural writing, related to the complex way through which this genre conceives the idea of the “type”.
Clary, Renee M.; Wandersee, James H.
Archive-based, historical research of materials produced during the Golden Age of Geology (1788-1840) uncovered scientific caricatures (SCs) which may serve as a unique form of knowledge representation for students today. SCs played important roles in the past, stimulating critical inquiry among early geologists and fueling debates that addressed key theoretical issues. When historical SCs were utilized in a large-enrollment college Earth History course, student response was positive. Therefore, we offered SCs as an optional assessment tool. Paired t-tests that compared individual students’ performances with the SC option, as well as without the SC option, showed a significant positive difference favoring scientific caricatures ( α = 0.05). Content analysis of anonymous student survey responses revealed three consistent findings: (a) students enjoyed expressing science content correctly but creatively through SCs, (b) development of SCs required deeper knowledge integration and understanding of the content than conventional test items, and (c) students appreciated having SC item options on their examinations, whether or not they took advantage of them. We think that incorporation of SCs during assessment may effectively expand the variety of methods for probing understanding, thereby increasing the mode validity of current geoscience tests.
Thomas, Julie George
The identification and examination of cultural information strategies and censorship patterns used to propagate the controversial issue of the caricatures in two separate cultural contexts was the aim of this dissertation. It explored discourse used for the coverage of this topic by one newspaper in a restrictive information context and two…
Аlexey А. Kholikov
Full Text Available The essay focuses on visual images as one of the means of the writer’s reception on the example of such forms of preserving memory about Dmitry S. Merezhkovsky as autobiography and photography, on the one hand, and memoir and caricature, on the other. Photographic image comes close to autobiography in the following aspects. First, there is a functional affinity between these two forms, a verbal one and a visual one: both share the desire for authenticity. At the same time, photography as autobiography has not just documentary potential: photographic image is equally capable of reproducing and of reducing or distorting reality. Finally, photography (and this is its another affinity with a documentary genre presents not only individual and personal but also cultural and historical interest. Between caricature and memoir — another pair of media preserving verbal and visual memory about the writer — there are overlaps as well. These “spaces” of memory have bigger potential for interpretation of the image than photography or autobiography. I prove this point by analyzing specific details that were emphasized by caricatures and memoirs of Merezhkovsky. At the same time, I argue that caricature as a visual “space” of memory is not self-sustained the same way photography and portrait are. The other aspect the essay is concerned with the elements of the memory about the writer that remain untranslatable into visual language. Methodologically, the essay relies on the works by N.I. Zhinkin, Y.N. Tyanyanov, Y.M. Lotman, R. Barthes, and S. Sontag.
Owens, B Robert
This article examines the critical responses to Talcott Parsons' first major work, The Structure of Social Action (1937), and his two subsequent books, Toward a General Theory of Action and The Social System (both 1951). Because Parsons' work was the subject of such virulent debate, we cannot fully understand Parsons' impact on the discipline of sociology without understanding the source and nature of those early criticisms. I trace the responses to Parsons, first through book reviews and private letters and then in the more substantial statements of C. Wright Mills, George Homans, and Alvin Gouldner, from the largely positive but superficial reception of Structure to the polemics that followed Parsons' 1951 works. In the late 1930s and 1940s, Parsons' reputation grew steadily but there remained no careful reception of Structure, fostering resentment toward Parsons in some quarters while precluding a sophisticated understanding of his work. After 1951, a few critics capitalized on that tension, writing sweeping rejections of Parsons' work that spoke to a much broader audience of sociologists. That dynamic, coupled with Parsons' own indifference toward his harshest critics, produced a situation in which many sociologists simply chose not to read Parsons in the 1950s and 1960s, reinforcing a caricature and distorting perceptions of Parsons' place in mid-twentieth-century American sociology. Copyright 2010 Wiley Periodicals, Inc.
Elena S. Sonina
Full Text Available Based on a study of 17 thin illustrated humorous and satirical magazines and a number of several digests the author investigates about 30 cartoons of 1847-1917 years dedicated to the censor of the Russian Empire (in addition, selectively – censors France, Germany, Denmark and Sweden. The author isolates the main types depicted censors. More often the Russian censors were depicted in the form of an old woman, a functionary, in the form of "pointing finger" with the amplification means at hand – a red pencil, scissors and paint. The censor’s appearance transformed especially during the First Russian Revolution. The author analyzes the cartoons with a life-like portraits and abstract images of those who are professionally limited the freedom of the press. The censorship conditions (e.g. an urgency of the work or a depending on the political situation in the country are demonstrated. All of the examples noted the prevailing negative connotations of satirical images. Of the 30 cartoons only one picture presents a censor helping writers to pass a difficult way to the Temple of Literature (1847. All other images highlight of obstructive censor’s labor. It was difficult to publish a caricature of censorship and censorship. The article presents facts from the Russian State Historical Archive about mass prohibition satirical images. Painters invented the different tricks against the vigilant guards, but it did not help. At the end of the article author makes a conclusion about the inevitability of a small number of published satirical drawings by virtue of censorship illustrated periodicals.
Myriam Bahia Lopes
Full Text Available A caricatura consolida-se, a partir de 1840, com o advento da imprensa ilustrada, que realiza um interessante diálogo entre a pintura histórica e os retratos. Neste artigo, procuramos demonstrar de que forma essa linguagem, no início deste século, fez do dr. Oswaldo Cruz um de seus alvos favoritos. Num pacto de intersubjetividade, a caricatura - linha que brada - reconhece a dor na pele do vacinado e libera, com o humor, a violência da agressão sofrida.With the advent of the illustrated press, in 1840, the art of caricature initiated an interesting dialogue with historical painting and portraiture. The article shows dr. Oswaldo Cruz as target of this humorous language in the early twentieth century. Caricature-a line that cries out-recognizes the pain of its inured subject and, under an unwritten intersubjective pact, uses humor to release the violence of suffered aggression.
Pilot studying about the role of anti-drug addiction documentary movies and caricature in changing the views of Tehran’s 7th disrict high school male/female students toward drug addiction as well as comparing them
Full Text Available In this research, the effect of movie and caricature on students’ attitude toward drug addiction is measured.124 students(61 male and 63 female from Tehran’s 7th district high schools were selected by using muli-stage cluster sampling method. The samples were randomly distibuted in three 21-member groups including control group, caricature group and documentary movie. All groups were pre-tested by using addiction attitude measuring scale (Form A. Then, the test goups were represented with dependent variables of movie and caricature but the control group received no variable. After two weeks, all groups were post-tesed by using addiction attitude measuring scale (Form B. The assumptions were analyzed by applying correlated t-tests , two-way variance analysis and Tucki’s pursuance test The results indicated that movie and caricature are effective in changing students’ attitudes toward addiction, the effects of movie differed from the effects of caricature but there was no difference between them in changing the attitude of male and female students.
Bojsen, Heidi; Malki Jepsen, Johan
Artikel om baggrunden for reaktionerne på Islam i Danmark og på publiceringen af karikaturtegningerne af Muhammed i Jyllandsposten i 2005. Om forholdet mellem social status, magt og ytringsfrihed...
Full Text Available Nieves, célèbre caricature colombienne dune jeune femme noire, est loccasion de mener une réflexion autour de trois questions théoriques : signification des catégories raciales, permanence des stéréotypes et rôle social des apparences physiques. Le personnage, en effet, a une longue histoire : occupant les pages du quotidien de Cali, El País, depuis 1968, il a dabord été représenté sous forme demployée domestique avant de devenir, suite à une action de tutelle dénonçant le racisme de la caricature, étudiante en philosophie à luniversité. Nieves permet ainsi danalyser les mécanismes de construction et de gestion de la relation à lautre : infériorisation paternaliste émanant de lélite, incorporation populaire de normes sociales racialisantes, ruptures et continuités liées à lintroduction du multiculturalisme, revendications et impasses du mouvement ethnique noir, vision culturaliste de lanthropologie colombienne. Nieves, famosa caricatura colombiana de una mujer negra, nos permite hacer una reflexión alrededor de tres cuestiones teóricas: significación de las categorías raciales, permanencia de los estereotipos y papel social de las apariencias físicas. De hecho, el personaje tiene una larga historia: en las páginas del diario de Cali, El País, desde 1968, fue primero representado bajo los rasgos de una empleada doméstica antes de convertirse -en razón de una acción de tutela- en estudiante universitaria de filosofía. Intentaremos así analizar los mecanismos de construcción y manejo de la relación con el otro: inferiorización paternalista por parte de la elite, incorporación popular de las normas raciales, rupturas y continuidades ligadas a la introducción del multiculturalismo, reivindicaciones y dificultades del movimiento étnico negro��, visión culturalista de la antropología colombiana. In this paper, the use and meaning of Nieves, a famous Colombian
De l’usure au pouvoir de l’argent : les métamorphoses d’un mythe antijuif à travers la caricature en Angleterre From Usury to High Finance: The Metamorphosis of an AntiJewish Myth viewed through English Caricatures
Full Text Available “Jewish Money Power”, the “Wandering Jew” and the “Blood Libel” (ritual murder myths are the three pillars of the anti-Semitic iconography which developed during the Middle Ages. Throughout the centuries, their evolution has continuously reflected the beliefs and tastes of the various societies which have used them to stereotype Jewish otherness. Far from being exhaustive, the intent of this article, based on a limited number of caricatures, is to stress the changes which took place over the centuries in numerous and varied portrayals of the “Jewish Money Power”: from the Jew in his capacity as money lender to the Jew as stockbroker, to more contemporary images of the Jewish banker and international financier, monopolising high finance, insinuating himself in all fields and plotting to dominate and destroy the Christian world. Having explained the various transformations in context, this analysis of selected Jewish graphic portrayals will also highlight the constant use of physical features and characteristics that have contributed to creating a misleading image of the Jews and encouraged anti-Semitism.
Brooke, John Hedley
Much has been written on the subject of Darwinism and religion, but rather less on the development of Darwin's own thinking on religious matters and how it changed over time. What were his religious, or anti-religious, beliefs? Did he believe that his theory of evolution by natural selection was incompatible with belief in a Creator? Was it his…
Economics revolves around a central character: "economic man." As historians, we are all familiar with various episodes in the history of this character, and we appreciate his ever-changing aspect even while many of our colleagues in economics think the rational economic agent of neoclassical
Kramli, A.; Simanyi, N.; Szasz, D.
Heat transport coefficients are calculated for various random walks with internal states (the Markov partition of the Sinai billiard connects these walks with the Lorentz gas among a periodic configuration of scatterers). Models with reflecting or absorbing barriers and also those without or with local thermal equilibrium are investigated. The method is unified and is based on the Keldysh expansion of the resolvent of a matrix polynomial
While foreign missionary endeavours in Uganda beginning in the late 1870s resulted in massive numbers of conversions during the next several decades, and with the vital assistance of countless indigenous evangelists, the gradual religious metamorphosis of that British colony, there was also significant, if less well ...
Välinäitus pälvis Eesti Sisearhitektide Liidu 2010. a. näituse ja installatsiooni kujunduse preemia. Autorid: Kaarel Vahtramäe, Liina Jakobson, Mart Lankots, Janno Siimar (Velvet Creative Alliance)
« Il y a le style ; il y a les styles. » Ainsi commence l’un des articles phares du Dictionnaire raisonné de l’architecture française du XIe au XVIe siècle, d’Eugène-Emmanuel Viollet-le-Duc. L’article sur le style paraît dans le huitième tome, en 1868, quatorze ans après la publication du premier. Article de maturité, il constitue un condensé de la pensée de Viollet-le-Duc et révèle certaines clefs de voûte de son système. « Les styles sont les caractères qui font distinguer entre elles les é...
X. Antón Castro
Full Text Available In Pablo Picasso’s formative period in A Coruña (1891–1895, where he was born as an artist, the child and pre-adolescent who at that time signed himself as Pablo Ruiz, already knowing he was a genius, pursued an intense programme of creative activity while devoting himself to drawing and painting. Making use of his facility for reproducing the world around him in images, he also proved to be an incipient devotee of journalism as an instrument of communication and social awareness, a satirical draughtsman and caricaturist, seeking to give his version of events, in line with the magazines and newspapers of the period, and displaying a critical ability unusual in a child, a committed gaze, not devoid of humour and sarcasm, which prefigures the later Picasso with his progressive views, acute intelligence, meta-ironic approach and support for great causes.
The focus of this study was the collective images of aging that were unconsciously used despite rationally led social discourse on aging. Hypothesized was that despite changes in aging over the last 50 years these images went unaltered and thereby negative stereotypes of previous generations were maintained. In an effort to verify this hypothesis images of aging in cartoons were empirically examined, a first in the field of German language. Using a social scientific operationalization of age stereotypes and culturally historical topoi as a basis, a content analysis was conducted on 2,546 cartoons (with 8,882 characters) from the years 1960-1964 and 2007. In general both young and old age are equally encoded with negative connotations by deficient characteristics and acknowledged stereotypes partially significantly more often in the cartoons from 2007 than from 1960-1964. The last 50 years have seen no substantial changes in the images of aging as depicted by magazine and newspaper cartoons. Humor requires more frequent analysis as it often unconsciously reveals socially unacceptable images of aging, even those embedded in science.
Full Text Available El éxito internacional de la serie Juego de Tronos —adaptación televisiva de las novelas de George R. R. Martin— inspiró en 2015 a José Fonollosa la elaboración de un cómic paródico titulado Parodia de Tronos. El autor va caricaturizando a los personajes con fines sobre todo humorísticos pero también, a veces, críticos sintetizándolos mediante un par de palabras relevantes. La originalidad de nuestro análisis es realzar que, aunque en el universo del cómic la parodia se manifieste por las imágenes, el texto en sí es capaz de traducir la voluntad paródica, en particular a través de la onomástica, juiciosamente maltratada por Fonollosa.
In this journal in 2007, the author and Alpesh Maisuria critiqued two central tenets of Critical Race Theory (CRT) from a Marxist perspective (Cole and Maisuria, 2007). These are its primacy of "race" over class, and its concept of "white supremacy". Part of the critique focused on the work of leading UK Critical Race Theorist,…
Kyalo , Nuru Koki
A caricature is a drawing which belongs to the journalistic genre of comments functioning as a visual editorial. However, as a semiotic object, it has never received the analytical attention it deserves. The thesis that we are defending supports the idea that caricatures use a particular visual language distinct from other images to relay their message. To illustrate our thesis, we used caricatures published between 2000 and 2010 in the news magazine Jeune Afrique. We started from the hypothe...
-, č. 14 (2007), s. 43-48 ISSN 1214-4460 Institutional research plan: CEZ:AV0Z80330511 Keywords : exorcism * caricature * Czech art of 20th century Subject RIV: AL - Art , Architecture, Cultural Heritage
Jun 1, 2018 ... Certain myths are adopted in Things Fall Apart, with the intention to caricature ..... provision of shelter for Richard and also Kainene‟s suite at her father‟s Zobis Hotel where .... Ibadan: Heinemann Educational Books,.
... higher productivity. Key words: cartoons, communication, print media, caricature ... publish cartoons and comic strips on social, political and economic affairs of the country .... Pulitzer's The World. Outcault had drawn a child cartoon character.
Lieberoth, Andreas; Wellnitz, Kaare Bro; Aagaard, Jesper
Sometimes stories about games make their way into the media. Around the year 2000 they were usually about how games turns mild-mannered suburban kids into desensitized high school-shooters-in-training. But things have changed. Warnings about aggressive emotions, caricatured gender images, and det......Sometimes stories about games make their way into the media. Around the year 2000 they were usually about how games turns mild-mannered suburban kids into desensitized high school-shooters-in-training. But things have changed. Warnings about aggressive emotions, caricatured gender images...
Krahenbuhl, Kevin S.
Constructivism is undoubtedly one of the most influential philosophies in education in the twenty-first century. It is, however, one that is frequently misunderstood, has diverse meanings ascribed to it, and is often used by advocates to caricature other approaches inaccurately. The learning theory of constructivism and pedagogical theory of…
Heitzman, W. Ray
Provides a taxonomy of subskills needed to interpret political cartoons. Focuses on two of the subskills (caricature and symbolism) in detail. Includes copies of political cartoons that all pertain to the electoral process, guidelines for selecting cartoons for classroom use, and a list of resources. (CMK)
Pedersen, Else Marie Wiberg
This article engages the understanding of love and grace in Bernard's and Luther's theologies. Taking as a point of departure Anders Nygren's dichotomy of love in agape and eros, Wiberg Pedersen outlines some of the issues raised by Nygren's thesis. Arguing against Nygren's caricature of Bernard'...
Generally speaking, Huysmans’s reviews were widely read in the Czech Lands, although their selection was limited. Czech art periodicals found his reviews interesting for his daring style and a broad range of themes, which also included little-known artists, caricatures and posters.
Starnes, Bobby Ann
In this article, the author argues that people are systematically mis-educated about their own history and culture. They are taught by a series of slogans that create caricatures of significant events, individuals, and peoples. As a result, their understanding is so weak that they are unable to grasp the complexity of or learn lessons from past…
efforts by a diverse group of wonderful people—spanning from career “counterproliferators” to two boys that still believe in dragons. Although many...this caricature may conceivably exist within the DOD toolkit — and would serve an inherently critical role in national defense—it does not represent
The article draws on 575 randomly selected articles from the South African Media database to explore the representation of Zimbabwean women migrants. Using critical discourse analysis (CDA), the article shows that some of the dominant construction types depict a picture of caricatured, stereotypical and stigmatised ...
Full Text Available The contributors to this volume, who practice phenomenology in six countries in Europe and North America, all agree that these questions are to be answered with a clear and resounding No. The readers of this volume are bound to find out that this common critique of phenomenology is more of a caricature than its accurate description.
Pravdová, A.; Winter, Tomáš
Roč. 34, č. 10 (2012), s. 32-35 ISSN 0418-5129 Institutional research plan: CEZ:AV0Z80330511 Keywords : Czech fine art of 20th century * caricature * propaganda Subject RIV: AL - Art, Architecture, Cultural Heritage
The article probes into the nature of secondary noun class prefixes in the morphology of some Nguni languages and Ndebele in particular. The secondary prefixes are known as commentary prefixes mainly because they carry overtones of sarcasm, criticism and caricature among other elements, through loading an implied ...
In this article, Dr. Malott challenges the conclusion that the primary factor that led to Trump's victory in the 2016 United States presidential election was the racism of poor whites. Rejecting this position for its capitulation to bourgeois caricatures of segments of the working class, Malott points to the fall of communism for a more…
Rasmussen, Finn N.
: one that concerns some of the depictions of orchids. Out of the 22 orchids depicted, 11 have been caricatured to exaggerate their resemblance to small birds, men and insects. The article considers this strange phenomenon in light of the historical meaning of the orchids....
Haute, P.I.M.M. van; Geyskens, T.A.L.
The different psychopathologic syndromes show in an exaggerated and caricatural manner the basic structures of human existence. These structures not only characterize psychopathology, but they also determine the highest forms of culture. This is the credo of Freud's anthropology. This anthropology
Upon embarking on the colonial project of the First British Empire, it was necessary to develop a discourse of empire. This discourse served the purpose of legitimizing imperial conquest by demonizing peoples targeted for colonization. The demonization was accomplished by caricaturing colonized...
The 2008 commercial video game "Spore" allowed more than a million players to design their own life forms. Starting from single-celled organisms players played through a caricature of natural history. Press coverage of the game's release offer two frames for thinking about the implications of the game. Some scientists and educators saw the game as…
Gunn, Joshua; Treat, Shaun
In order to help frame a current theoretical impasse, in this essay we forward the figure of the zombie in Western cinema as an allegory for the reception of the concept of ideology by communication scholars. After noting parallels between (a) an early academic caricature of ideology and the laboring zombie, and (b) the subject of ideological…
Dayanti, A. K.; Sholahuddin; Yunus, A.; Subositi, D.
Caricature plant is one of the medicinal plants in Indonesia to cure hemorrhoids, menstruation, and others. The cultivation constraints of caricature plant is autumn leaf caterpillars (Doleschallia bisaltide). Utilization of synthetic insecticides is not allowed to avoid bioaccumulation of chemical residues. Entomopathogenic fungi is an alternative way to control D. bisaltide. The objective of the research was to obtain isolates of entomopathogenic fungi of D. bisaltide. The research conducted by two steps, which were exsploration of infecfted D. bisaltide. The second step was identification of the fungi. Exploration results of 16 pupae of D. Bisaltide were infected by fungi. Identification done by classify the mcroscopic and microscopic fungi isolate characteristic. One from five fungal isolates were entomopathogenic fungi from Verticillium genera.
propaganda – not the governments24. Of all the communication mediums, none was more influential than the cinema . Charlie Chaplin starred in Shoulder...Ibid. 12 more grotesque caricatures and more frightening images. In Figure 2, we see a Japanese soldier assaulting a helpless American prisoner. It...three separate categories: Agitation, drawing attention to the atrocities being committed by the Japanese ; Integration, calling on the American workforce
Rossiter, Jonathan M; Hauser, Helmut
The robot dance has, since its inception in 1967, been a caricature of how robots move. Its imitation of the series of precise, linear motions with abrupt starts and stops is instantly recognizable. Despite a certain wavering in its popularity, it remains part of modern culture. What is so remarkable about the robot dance is that it mimics the movements and constraints of conventional rigid robots, a type of robot that is ubiquitous in automated manufacturing and object handling, and it could...
Since the very beginning, feminism has been surrounded by numerous legends, myths and not-quite-credible stories that generally stem from the miscomprehension of its ideas. It still continues to be presented in a caricatured and stereotypical manner. The media have a considerable share in creating such attitudes to feminism, as they construct the majority of their accounts of the feminist movement around the „interrelated activities of an antagonist and protagonist”. The search...
Our conference theme for 2014 is Humanizing the Discourse, a title that speaks to a two-fold aim. We hope to foster increasingly sophisticated dialogue regarding veterans. This requires recognizing the individual humanity of people who can sometimes be turned into one-dimensional caricatures behind headlines, statistics, and stereotypes. In particular, this year we invited contributors to draw on the tools of the arts, humanities, and social sciences in addressing veterans’ issues and shaping...
capabilities and maturities of 4 subelements: cognition, judgment, emotion , and critical thinking. Each model represents these subelements differently...CADSIM) 102 5.2 Evaluating Agent-Based Technologies: Maturity Level and the Human Domain 103 5.2.1 Evaluation of Maturity Level 103 5.2.2 Human...describes the maturity of agent-based models, ranging from realistic caricatures to quantitatively characterized phenomena at the microlevel. This
Despite almost a half century of change and growth for women spurred by the Second Wave of the Women’s Movement, older women continue to be depicted on television as caricatures informed by ageist ideologies. A feminist textual analysis of mature women on television reveals a surprisingly consistent media archetype and helps to elucidate the politics of representation of older women. It is only very recently that counter hegemonic portrayals are acting as “filtering devices” (Cohen, 2002, p...
Canamero, Dolores; Fredslund, Jacob
We report work on a LEGO robot that displays different emotional expressions in response to physical stimulation, for the purpose of social interaction with humans. This is a first step toward our longer-term goal of exploring believable emotional exchanges to achieve plausible interaction...... with a simple robot. Drawing inspiration from theories of human basic emotions, we implemented several prototypical expressions in the robot's caricatured face and conducted experiments to assess the recognizability of these expressions...
States to last forever. But no mood or policy lasts forever. There is a large Arab lobby there now, and American public opinion has been influenced...interpretation of Saddam Husayn’s handwriting by Israeli graphologist Hana Qoren, who plainly and without any hesitation warned about the danger of Saddam...and sports. The adults are always correct and your ability to dispute your destiny is limited. In his childhood, he drew caricatures of Hitler
This essay explores the impact of Søren Kierkegaard upon the important Italian Thomist, Cornelio Fabro. Fabro rejected the caricature of Kierkegaard as an “irrationalist” and placed him firmly in the Christian tradition. By highlighting the influence of Kierkegaard upon a Thomist like Fabro, the relevance of Fabro’s own thought is opened up for more contemporary debates in theology regarding the enduring legacies of German idealism, existentialism, and atheism. PMID:29081547
This essay explores the impact of Søren Kierkegaard upon the important Italian Thomist, Cornelio Fabro. Fabro rejected the caricature of Kierkegaard as an "irrationalist" and placed him firmly in the Christian tradition. By highlighting the influence of Kierkegaard upon a Thomist like Fabro, the relevance of Fabro's own thought is opened up for more contemporary debates in theology regarding the enduring legacies of German idealism, existentialism, and atheism.
27 ] “Democracy is preferable to any other form of government.”4 These results mirror other findings of widespread support for accountable...raw material resources to foreign consumers , and the accrued rents go directly back to the state, which distributes the proceeds through an...new media freelancing and cafe politics––where the bulk of protesters take breathers—tests the pulse of the national mood, caricatures the
The objectives of this paper are to discuss the following aspects of physiopathology of iodine nutrition related to thyroid irradiation by nuclear accidents: (1) The cycle of iodine in nature, the dietary sources of iodine and the recommended dietary allowances for iodine. (2) The anomalies of thyroid metabolism induced by iodine deficiency. The caricatural situation as seen in endemic goitre will be used as mode. (3) The specific paediatric aspects of adaptation to iodine deficiency. (4) The present status of iodine nutrition in Europe. (author)
Full Text Available Caricatures are used mainly to put forward constructive ideas on prevailing issues and to put forward humorous function. The types of speech act practiced are commisive, expressive, verdictive, assertive, directive, and performative. The dominating speech act found is directive. Based on the forms of speech act used, types of speech act practiced by the caricaturist are direct type of speech act. In the practice of cooperative principles, the caricaturist violates the maxims of quantity, quality, relevance, and manner. Politeness principles practiced by the caricaturist are tact, agreement, sympathy, and modesty maxims. Linguistic aspects utilized are phonological aspects, phrases, words, sentences, and discourse which coherence with the pictures.
Schoen, Verena; Thies, Michael
In certain 1+1 dimensional field theoretic toy models, one can go all the way from microscopic quarks via the hadron spectrum to the properties of hot and dense baryonic matter in an essentially analytic way. This "miracle" is illustrated through case studies of two popular large N models, the Gross-Neveu and the 't Hooft model - caricatures of the Nambu-Jona-Lasinio model and real QCD, respectively. The main emphasis will be on aspects related to spontaneous symmetry breaking (discrete or co...
José Félix GÓNZALEZ SÁNCHEZ
Full Text Available The cultural industry takes advantage of the evocative power of the stereotype to construct discourses easily identified with the public. The audiovisual machinery, especially Hollywood, employs this narrative mechanism to disintegrate the cultural features that shape the identity of a social group. Positive ethnic characteristics are quickly integrated into its culture; however, negative aspects are converted into stereotypes that serve to caricature the donor nation. This affront to the peripheral cultures tries at the same time to reinforce and consolidate the weak North American identity.
There are three main approaches about the question of Human Nature. essentialists consider that there exists a permanent Human Nature, shared by every human being. Existentialists consider that there is no such thing as human nature, but inescapable modes of being in the world. A moderate approach would consider that Human Nature can be modified within the limits of anthropological invariants. Transhumanists are conservative in that they think that there is a Human Nature; but they are radical in that they believe that it can (and must) be transcended by bio-technnologies and computer technologies. This project is evaluated as a caricature of suitable human enhancement.
Experimental data about brain function accumulate faster than does our understanding of how the brain works. To tackle some general principles at the grain level of behavior, I start from the omnipresent brain-environment connection that forces regularities of the physical world to shape the brain. Based on top-down processing, added by sparse sensory information, people are able to form individual "caricature worlds," which are similar enough to be shared among other people and which allow quick and purposeful reactions to abrupt changes. Temporal dynamics and social interaction in natural environments serve as further essential organizing principles of human brain function. Copyright © 2017 Elsevier Inc. All rights reserved.
Full Text Available Political cartoons are anything but innocent caricatures. They have been described as “a confrontational art form” (Oliphant 25, as “purposefully designed to elicit strong emotions and reactions from readers” (Long, Bunch, and Lloyd 651, and as “among the more extreme forms of expression” (Long, Bunch, and Lloyd 651. Stories abound with the harsh punishments endured by political cartoonists under oppressive regimes. One might even say that what allows liberal and conservative American cartoonists to feel any sense of solidarity with one another is their bond through the First Amendment and their belief in the democratic enterprise that is criticizing government.
As they became more widely adopted in eighteenth- and nineteenth-century France, wet-nursing and wet-nurses appeared prominently in the iconography of the time. Such images turned negative as criticism against “mercenary breast-feeding” mounted. Over the nineteenth century in particular, wet-nurses were heavily featured in press caricatures: they were being mocked while described as simple-minded, dumb, greedy creatures, with proclivities ranging from a taste for garish attire, to sexual appetites fuelling trysts in public gardens with soldiers on leave. A representative sample of such images will be selected to highlight the codes and values underpinning this mockery.
Full Text Available ABSTRACTThe gathering momentum of globalization in the world economy has coincided with the spread of political democracy across countries. Economies have become global. But politics remains national. This essay explores the relationship between globalization and democracy, which is neither linear nor characterized by structural rigidities. It seeks to analyze how globalization might constrain degrees of freedom for nation states and space for democratic politics, and how political democracy within countries might exercise some checks and balances on markets and globalization. The essential argument is that the relationship between globalization and democracy is dialectical and does not conform to ideological caricatures.
La suppression des chapitres par la Constitution civile du clergé reposa pour une large part sur l'image noire qui leur était accolée. Elle résultait pour une part des polémiques antireligieuses du siècle qui condamnaient sans nuances les mondes clos, au titre desquels moines et chanoines étaient confondus, et qui trouvaient leur traduction dans le théâtre ou le roman pornographique, à un degré bien moindre dans la caricature. Elle était aussi fondée, à bien lire les cahiers de doléances, sur...
Lubis, Ghassani S.
This research titled “Representation of Women Offenders Reporting in Mass Media”. A Study of semiotics analysis of TEMPO magazine‟s front covers and news content on editions in April 4th and 11th 2011. Caricature cover and news content of TEMPO has been analyzed to discover the meaning and myths and representation of Malinda Dee in TEMPO magazine. Malinda cover design TEMPO edition number 05/40 (4th April 2011) and 06/40 (11th April 2011), depicting two historical females in the world that is...
Greenberg, Harvey Roy
The use of films in teaching psychiatry and psychotherapy remains problematic for a number of reasons. The bulk of films are made for commercial reasons, not for educational purposes. Scientific truth is often overshadowed by narrative requirement in films. In most 'mainstream' cinema and 'indie' productions, diagnostic accuracy is still seriously compromised by narrative considerations. Clinical reality continues to be undermined and overridden by the need--as makers see it--to tell a powerful story in aid of huge box office receipts. Therapists in films are also often caricatures and caution must be employed in using cinema in real-time individual therapy.
It is argued, in this paper, that moral theories should not be discussed extensively when teaching applied ethics. First, it is argued that, students are either presented with a large amount of information regarding the various subtle distinctions and the nuances of the theory and, as a result, the students simply fail to take it in or, alternatively, the students are presented with a simplified caricature of the theory, in which case the students may understand the information they are given, but what they have understood is of little or no value because it is merely a caricature of a theory. Second, there is a methodological problem with appealing to moral theories to solve particular issues in applied ethics. An analogy with science is appealed to. In physics there is a hope that we could discover a unified theory of everything. But this is, of course, a hugely ambitious project, and much harder than, for example, finding a theory of motion. If the physicist wants to understand motion, he should try to do so directly. We would think he was particularly misguided if he thought that, to answer this question, he first needed to construct a unified theory of everything.
Full Text Available The portrait masks created by Glebus Sainciuc (1919-2012 portray painters, sculptors, musicians, writers, actors, playwrights,filmmakers etc., and they are a proof of the fact that the individual contribution of these persons to the artistic development of our country has not been forgotten. Morphologically, the papier-mâché portrait masks of master Glebus Sainciuc are situated at the limit of painting, graphic drawing and sculpture; the masks were created by the master using the papier-mâché techniques. We should mention that the author’s predilection for the fauvist and naïve techniques in portrait representation, together with the style of his caricatures and small size drawings, infl uenced the caricatures style of his masks. The first portrait masks were created by Glebus Sainciuc in 1957, and by the end of his artistic activity his collection consisted of 350 masks – all depicting different persons, but all sharing the same portrait techniques and showing the inner charm of these persons.
Marlene de Souza Dozol
Full Text Available O presente trabalho busca descobrir a face pedagógica de Eros. Como ponto de partida, está o fato de a figura do educador/professor ser comumente representado por alguém cuja ocupação não suscita desejos de qualquer espécie. Não raras vezes assistimos a representações literárias e imagens televisivas ou cinematográficas nas quais o professor aparece comicamente como uma caricatura que fala, de modo monótono e sem parar, a alunos cujos rostos oscilam entre o tédio e o escárnio. No entanto, o que é de fato assustador é que, cada vez mais, as imagens que aparecem no discurso das novas gerações, numa tentativa de oposição à caricatura supracitada, associam a figura do professor à de um animador de auditório, performático, divertido, especialista em dinâmicas grupais catárticas, sem conteúdo e igualmente caricatural. Procurando, então, desviar-se de ambas as caricaturas e refletir sobre o gênero específico de libido pedagógica - compreendido como força ou energia espiritual para o progresso moral, intelectual e sensível -, o texto recupera o poder ilustrativo do mito, pensa sobre a força do imaginário na constituição de parâmetros modelares para a Educação e para o exercício da mestria (para isso, propõe notas socráticas, sofísticas e escolásticas com ênfase na linguagem e aponta para a importância dessa discussão diante dos problemas que habitam os espaços educativos contemporâneos.The present work seeks to uncover the pedagogical face of Eros. As a starting point, there is the fact that the figure of the educator/teacher is commonly represented by someone whose occupation does not elicit desires of any kind. It is not unusual to see literary representations and televised or cinema images in which the teacher appears comically as a caricature that talks continuously and monotonically to pupils whose countenances oscillate between boredom and scorn. But what is truly frightening is that, more and
Paula Cavalcante Monteiro
Full Text Available Television is a powerful vehicle of mass communication and several cartoons, specifically made for children and adolescents, have ‘scientific’ themes. Preteens and teens devote many hours in front of TV, attracted by cartoons, some of which portray, in a caricature manner, scientists at work. Current paper investigates the effect the concepts of science transmitted by the cartoon ‘Jimmy Neutron’ have on adolescents. A group of 31 adolescents of the 9th grade of the junior school were invited to watch three episodes of the ‘Jimmy Neutron’ cartoon. After the sessions, they answered a questionnaire and were interviewed on their perceptions of Science and scientists. Their answers were analyzed by Discourse Textual Analysis. Results show that they most have misconceptions on Science and on scientists and they presume that scientists have a very solitary and uninterested life solely dedicated in investing new devises.
Virginia Ramírez Martín
Full Text Available In 1898, Spanish press take up part of its pages with a relevant international issue: the Dreyfus affair. The case was widely covered by Spanish newspapers, in special by Don Quijote, a Madrilenian satiric press, whose Director promoted a campaign in favour of Zola collecting signatures in order to the French litterateur was aware that Spain was close to him. This initiative is completed with a call to Spanish young people who is illustrated with a quixotic caricature. Cervantine character personifies the idea of justice getting to transmit during the Spanish crisis at the end of the nineteenth century the image of the nobleman forged by Spanish stereotypical, like a crusader fighting for a noble cause, thus turning Don Quixote into another dreyfussard.
Gasland, a documentary by Josh Fox, an American film-maker, blames shale gas operations in the United States for all sorts of environmental sins. This caricature, talented but one-sided, has no scientific grounds. It has been a source of disinformation in France, where it has stoked public opinion to oppose extracting gas from shale. From Villeneuve-de-Berg in Ardeche through Larzac to Doue in Seine-et-Marne, thousands of persons have demonstrated against plans for prospecting for shale gas deposits. Fanned by the media and relayed by locally elected officials of all political suasions, this opposition resulted in three bills of law being introduced in parliament to forbid hydraulic fracturing, the only technique available at present for extracting hydrocarbons from shale. Emergency procedures for speeding up the legislative process led to a law being adopted on 13 July 2011
Full Text Available This paper seeks to uncover what the marketization of heritage means in practice. Ironically, both the sponsors and the critics of heritage may over-estimate how amenable it is to the ‘spirit of enterprise’ (whether loved or loathed. This is particularly the case with heritage visitor-sites which have been set up with regeneration-targeted funding. Their planners and sponsors like to think of them as seed-beds for growing the green shoots of enterprise and economic development in the local sphere. This is in accordance with latter-day political doctrines of entrepreneurial governance and the selling of place (for both place-promotion and tourism. On the other side of the fence, their critics accuse them of selling out to the market, shoe-horning history into a standardized industry and turning local culture into a commodity. I shall argue that this picture is caricatured on both sides.
Fredslund, Jakob; Cañamero, Lola D.
We report work on a LEGO robot capable of displaying several emo- tional expressions in response to physical contact. Our motivation has been to explore believable emotional exchanges to achieve plausible interaction with a simple robot. We have worked toward this goal in two ways. First......, acknowledging the importance of physical manipulation in children's inter- actions, interaction with the robot is through tactile stimulation; the various kinds of stimulation that can elicit the robot's emotions are grounded in a model of emotion activation based on different stimulation patterns. Sec- ond......, emotional states need to be clearly conveyed. We have drawn inspira- tion from theories of human basic emotions with associated universal facial expressions, which we have implemented in a caricaturized face. We have conducted experiments on both children and adults to assess the recogniz- ability...
Kindfield, Ann C. H.
In this volume, Furberg and Arnseth report on a study of genetics learning from a socio-cultural perspective, focusing on students' meaning making as they engage in collaborative problem solving. Throughout the paper, they criticize research on student understanding and conceptual change conducted from a cognitive/socio-cognitive perspective on several reasonable grounds. However, their characterization of work undertaken from this perspective sometimes borders on caricature, failing to acknowledge the complexities of the research and the contexts within which it has been carried out. In this commentary, I expand their characterization of the cognitive/socio-cognitive perspective in general and situate my own work on genetics learning so as to provide a richer view of the enterprise. From this richer, more situated view, I conclude that research from both perspectives and collaboration between those looking at learning from different perspectives will ultimately provide a more complete picture of science learning.
Francisco Topa (Univ. Porto
Full Text Available O artigo estuda a representação do brasileiro – o português que emigrou para o Brasil e regressa rico à terra natal – e do Brasil na obra de um dos grandes romancistas portugueses, Aquilino Ribeiro (1885-1963, mostrando como estamos já longe do estereótipo caricatural promovido por Camilo Castelo Branco e outros autores oitocentistas.PALAVRAS-CHAVE: Aquilino Ribeiro; brasileiro de torna-viagem; Brasil Abstract The article analyzes the representation of the brasileiro – the Portuguese who emigrated to Brazil and rich returns to his homeland – and Brazil in the work of one of the great Portuguese novelists, Aquilino Ribeiro (1885-1963, showing how we are past the cartoonish stereotype promoted by Camilo Castelo Branco and other nineteenth-century authors.KEYWORDS: Aquilino Ribeiro; brasileiro; Brazil
Full Text Available In der zweiten Hälfte des 19. Jahrhunderts beginnen, Illustratoren und Zeichner von Bildwitzen und Karikaturen das stereotype und in der Folge antisemitische Bild vom Juden herauszubilden. Es findet schnell Eingang in die illustrierten Zeitschriften und Bilderbögen der Zeit. In diesen drei untersuchten Bildmedien kennzeichnen neben der Physiognomie diskriminierende Attribute den Juden als Typus. Dieser Entwicklung und der Herausbildung der Stereotype zum antisemitischen Judenbild geht die Arbeit nach.The stereotypes of Jews are developed in visual jokes and caricatures in the second half of 19th century. Immediately they were copied in illustrated magazines and picture-sheets of that period. Within these three visual mediums some attributes characterise the Jewish figure beside its physiognomy. The book follows the stereotypes’ development and formation into the anti-Semitic picture.
Full Text Available This article proposes to study the fashion pictures within a representative sample of French women magazines. Based on the method of “sémiologie des indices”, used to analyze a corpus of woman’s body and fashion staged, this paper addresses the issue of new functions granted to the stereotyping process. Starting to the assumption of a contract between audience and media, this analysis shows that the gender stereotype may be prescribed, up to a caricature of the womanhood, to the female readers identified as co-producers of the media discourse. Demonstrating both the co-existence of a plurality of gender representations in its pictures and their variability, this work proposes the concept of strategic masquerade to apprehend the possible new functions for the process of gender stereotyping in media.
Vickers Andrew J
Full Text Available Abstract Background Evidence-based medicine (EBM is being embraced by an increasing number of practitioners and advocates of complementary and alternative medicine (CAM. A significant constituency within CAM, however, appears to have substantive doubts about EBM and some are expressly hostile. Discussion Many of the arguments raised against EBM within the CAM community are based on a caricature radically at odds with established, accepted and published principles of EBM practice. Contrary to what has sometimes been argued, EBM is not cookbook medicine that ignores individual needs. Neither does EBM mandate that only proven therapies should be used. Before EBM, decisions on health care tended to be based on tradition, power and influence. Such modes usually act to the disadvantage of marginal groups. Conclusion By placing CAM on an equal footing with conventional medicine - what matters for both is evidence of effectiveness - EBM provides an opportunity for CAM to find an appropriate and just place in health care.
Méndez, Vicenç; Iomin, Alexander; Campos, Daniel; Horsthemke, Werner
Combs are a simple caricature of various types of natural branched structures, which belong to the category of loopless graphs and consist of a backbone and branches. We study continuous time random walks on combs and present a generic method to obtain their transport properties. The random walk along the branches may be biased, and we account for the effect of the branches by renormalizing the waiting time probability distribution function for the motion along the backbone. We analyze the overall diffusion properties along the backbone and find normal diffusion, anomalous diffusion, and stochastic localization (diffusion failure), respectively, depending on the characteristics of the continuous time random walk along the branches, and compare our analytical results with stochastic simulations.
A review of the literature indicates that empirical researchers have difficulty translating Freud’s theory on depression into appropriate research questions and hypotheses. In their attempt to do so, the level of complexity in Freud’s work is often lost. As a result, what is empirically tested is no more than a caricature of the original theory. To help researchers avoid such problems, this study presents a conceptual analysis of Freud’s theory of depression as it is presented in Mourning and Melancholia (Freud, 1917). In analyzing Freud’s theory on the etiology of depression, it is essential to differentiate between (1) an identification with the satisfying and frustrating aspects of the love object, (2) the inter- and an intrapersonal loss of the love object, and (3) conscious and unconscious dynamics. A schematic representation of the mechanism of depression is put forward and a research design by which this schema can be empirically investigated is outlined. PMID:23675357
During Reconstruction, which is often called the most progressive period in American history, African Americans made great strides. By 1868 African American men constituted a majority of registered voters in South Carolina and Mississippi, and by 1870 eighty-five percent of Mississippi's black jurors could read and write. However, Reconstruction was followed by approximately one hundred years of Jim Crow laws, lynching, disenfranchisement, sharecropping, unequal educational resources, terrorism, racial caricatures, and convict leasing. The Civil Rights Revolution finally ended that period of despair, but the era of mass incarceration can be understood as a reaction to the Civil Rights Movement. This article attempts to understand the persistence of racism in the United States from slavery's end until the present.
Nucci, M. C.; Leach, P. G. L.
We apply the techniques of Lie's symmetry analysis to a caricature of the simplified multistrain model of Castillo-Chavez and Feng [C. Castillo-Chavez, Z. Feng, To treat or not to treat: The case of tuberculosis, J. Math. Biol. 35 (1997) 629-656] for the transmission of tuberculosis and the coupled two-stream vector-based model of Feng and Velasco-Hernandez [Z. Feng, J.X. Velasco-Hernandez, Competitive exclusion in a vector-host model for the dengue fever, J. Math. Biol. 35 (1997) 523-544] to identify the combinations of parameters which lead to the existence of nontrivial symmetries. In particular we identify those combinations which lead to the possibility of the linearization of the system and provide the corresponding solutions. Many instances of additional symmetry are analyzed.
Tilburt, Jon C; Sulmasy, Daniel P
Important discussions about limiting care based on professional judgment often devolve into heated debates over the place of physicians in bedside rationing. Politics, loaded rhetoric, and ideological caricature from both sides of the rationing debate obscure precise points of disagreement and consensus, and hinder critical dialogue around the obligations and boundaries of professional practice. We propose a way forward by reframing the rationing conversation, distinguishing between the scale of the decision (macro vs. micro) and its context (ordinary allocation vs. extraordinary re-allocation) avoiding the word "rationing." We propose to shift the terminology, using specific, descriptive words to defuse conflict and re-focus the debate towards substantive issues. These distinctions can clarify the real ethical differences at stake and facilitate a more constructive conversation about the clinical and social responsibilities of physicians to use resources ethically at the bedside and their role in allocating medical resources at a societal level.
Herzig, Rebecca M; Jain, Sarah Lochlann
The use of violent imagery, war metaphors, and the "survivor" persona in relation to cancer research and treatment are examined, as are consumer-driven approaches to "working toward a cure." The authors ask, what are the cultural and environmental trade-offs of these types of rhetoric? The positions of good guys (survivors, researchers, consumers) versus the enemy (cancer) are critically evaluated. Of especial note is a recent print advertisement that, despite its arresting visual presence, delivers an exceedingly vague message. The authors conclude that the practice of medicine plays a pivotal role in these cultural determinations and that caricatured attributions of cellular violence ultimately divert critical attention from sustained scrutiny of the institutional, social, economic, and political processes that in fact may contribute to the forces that bear on causing cancer.
Full Text Available In Serbia, the influence of the society on humanistic sciences is mainly perpetrated through state funding of scientific projects. Such funding currently involves valuation of the results of a scientific work by applying citation metrics methods, which are not acknowledged in Europe. Citation metrics in the USA, where it was created, lead to caricature forms of scientific products, composed of several pages of text and a great number of cited (quoted titles. Citation metrical-citation manic procedure can lead to the elimination of the domestic humanistic sciences and the implementation of third rate quoteres, who, along with hollow articles filled with mutually intertwined citations, fulfill requirements, unconsciously(? set by the authorized Ministry and University.
Piérard-Franchimont, C; Henry, F; Piérard, G E
Sun is at the origin of life and is responsible for death as well. In the past decades cutaneous melanoma has affected more and more young adults. In the White population, sun exposures and sunbeds are pointed out as the main culprits responsible for addictive behaviour. Preventive measures to be taken aim at avoiding the effects of ultraviolet light addiction. Sunlight exposure particularly in moderation is indeed beneficial through vitamin D3 synthesis and improved psychological wellbeing. Hence, we are facing the dilemma between too much and too little ultraviolet light exposure.In the Black population, the reverse situation is prevalent. It concerns skin depigmentation which may turn out to be a caricature in some subjects.
Dans cet ouvrage, l’auteur revient sur le rôle de l’image en tant qu’outil de communication mais aussi comme instrument de persuasion et de manipulation politique. Il s’agit d’une réflexion approfondie sur les fonctions politiques des documents visuels (image télévisuelle, cinéma, photographie, dessin et caricature etc.) dans leur évolution à travers le xxe siècle. Une évolution du traitement et du rôle de l’image parallèle aux progrès techniques et technologiques de la société. L’image conna...
Juan Carlos Suárez Villega
Full Text Available Freedom of speech ought to be interpreted as a value linked with different aims of a democratic society. It is not admissible to accept a freedom of speech which conceals harmful intentions against a single person or a social community. The historical defence of freedom of speech is based on the enlargement the debated of ideas, rather than on a subjective exercise of personal extravagance. To respect religious feelings and another personal aspects is an absolute limitation of freedom of speech. Because of that, we do not agree with the identification of Muslim religion with terrorism that has been published, trough Mahoma’s caricatures, in some European newspapers.
Prasad, Chillal Guru; Babu, Girish N; Chandra, Prabha S; Chaturvedi, Santosh K
Regional movies in India play an important role in portraying mental illness and also depict awareness and attitudes of society towards people with mental health problems. Kannada (the language spoken by 50 million people from the state of Karnataka in South India) cinema has produced a range of movies depicting conditions ranging from psychosis to personality disorders. However, the descriptions of mental illness in several of these movies is vague and often stigmatizing. Some landmark films have involved psychiatrists in producing and directing the movies, including helping with the story line, which have added value to these films. Despite Karnataka being home to some of the important psychiatrists in the country and to some of the most famous and advanced mental health training and treatment centres, depictions of treatment and the portrayal of psychiatrists continues to be caricatured. As is true of many parts of India, treatment methods are often magico-religious, which is what Kannada cinema also reflects.
Le dessin de presse, la caricature et la bande dessinée se situent fréquemment au confluent de plusieurs genres : expression graphique, humour (tira de humor), satire (sociale), voire dénonciation politique. Il est toutefois peu fréquent d’en dépasser les frontières nationales avant l’avènement des nouvelles technologies de l’information et l’âge d’or des réseaux sociaux. Publiés pour la première fois en 1964 dans la revue Primera Plana, les dessins de Quino – pseudonyme de Joaquín Salvador L...
Full Text Available A review of the literature indicates that empirical researchers have difficulty translating Freud’s theory on depression into appropriate research questions and hypotheses. In their attempt to do so, the level of complexity in Freud’s work is often lost. As a result, what is empirically tested is no more than a caricature of the original theory. To help researchers avoid such problems, this study presents a conceptual analysis of Freud’s theory of depression as it is presented in Mourning and Melancholia (Freud, 1917. In analyzing Freud’s theory on the etiology of depression, it is essential to differentiate between (1 an identification with the satisfying and frustrating aspects of the love object, (2 the inter- and an intrapersonal loss of the love object, and (3 conscious and unconscious dynamics. A schematic representation of the mechanism of depression is put forward and a research design by which this schema can be empirically investigated is outlined.
Steven H. Mathews
Full Text Available This article provides a social-scientific interpretation of the role of fasting in Jesus’ parable of the Pharisee and the tax collector in Luke 18:9–14. Specifically, the article considers such social realia as honour and shame, collectivism, and purity in the interpretation of the text. The textual and social contexts of the text are considered. It is contended that in the parable Jesus presents a caricature of both the Pharisee and the tax collector to make a larger point, in which fasting is not a major consideration. The article also evaluates Friedrichson’s interpretation of this text, which depicts the Pharisee as fasting vicariously, resulting in the justification of the tax collector. Finally, the significance of this text in a holistic theology of fasting in the New Testament is considered.
Kowert, Rachel; Festl, Ruth; Quandt, Thorsten
Online gaming has become an activity associated with a highly specific, caricatured, and often negative image. This "stereotype" has permeated the collective consciousness, as online gamers have become common caricatures in popular media. A lack of comprehensive demographic inquiries into the online gaming population has made it difficult to dispute these stereotypical characteristics and led to rising concerns about the validity of these stereotypes. The current study aims to clarify the basis of these negative characterizations, and determine whether online video game players display the social, physical, and psychological shortcomings stereotypically attributed them. Sampling and recruiting was conducted using a two-stage approach. First, a representative sample of 50,000 individuals aged 14 and older who were asked about their gaming behavior in an omnibus telephone survey. From this sample, 4,500 video game players were called for a second telephone interview, from which the current data were collected. Only those participants who completed all of the questions relating to video game play were retained for the current analysis (n=2,550). Between- and within-group analyses were enlisted to uncover differences between online, offline, and nongame playing communities across varying degrees of involvement. The results indicate that the stereotype of online gamers is not fully supported empirically. However, a majority of the stereotypical attributes was found to hold a stronger relationship with more involved online players than video game players as a whole, indicating an empirical foundation for the unique stereotypes that have emerged for this particular subgroup of video game players.
This thesis describes the modelization and the simulation of two-phase systems composed of droplets moving in a gas. The two phases interact with each other and the type of model to consider directly depends on the type of simulations targeted. In the first part, the two phases are considered as fluid and are described using a mixture model with a drift relation (to be able to follow the relative velocity between the two phases and take into account two velocities), the two-phase flows are assumed at the equilibrium in temperature and pressure. This part of the manuscript consists of the derivation of the equations, writing a numerical scheme associated with this set of equations, a study of this scheme and simulations. A mathematical study of this model (hyperbolicity in a simplified framework, linear stability analysis of the system around a steady state) was conducted in a frame where the gas is assumed baro-tropic. The second part is devoted to the modelization of the effect of inelastic collisions on the particles when the time of the simulation is shorter and the droplets can no longer be seen as a fluid. We introduce a model of inelastic collisions for droplets in a spray, leading to a specific Boltzmann kernel. Then, we build caricatures of this kernel of BGK type, in which the behavior of the first moments of the solution of the Boltzmann equation (that is mass, momentum, directional temperatures, variance of the internal energy) are mimicked. The quality of these caricatures is tested numerically at the end. (author) [fr
Full Text Available Ligado inicialmente ao desenho humorístico e a ilustração infantil, o desenho animado se desenvolveu durante os primeiros oitenta anos de cinema, especialmente em seu segundo período, o disneyano, dentro da vertente de um esquematismo herdado da caricatura, como foi observado por Gombrich. A partir dos anos sessenta, e sobretudo, desde os oitenta, o desenho animado cresce em complexidade, variedade visual e narrativa, privilegia o componente hipertextual e metadiscursivo e elege o público infantil como alvo por causa da ausência de restrições estáveis, semânticas ou sintáticas que definam essa orientação. Palavras-chave desenho animado, caricatura, estilo de época, esquematismo, complexidade, metadiscurso Abstract Linked initially to the comic strip and childrenâ€™s illustration, the animated cartoon was developed during the first eighty years of cinema, specially in its second period, the Disney era, primarily inside a schematism inherited from the caricature, according to Gombrich. From the 60â€™s on and specially since the 80â€™s, we notice a growth in complexity, visual variety and narrative, emphasis on the hypertextual component and on metadiscourse and a choice for the child public as the cartoonâ€™s target group because of the lack of stable, semantical or syntactic restrictions that define this orientation. Key words animated cartoon, caricature, epoch style, schematism, complexity and metadiscourse
Full Text Available This essay focuses on the process of entrechment in the Italian collective imagination of the figure of Primo Carnera, World Heavyweight Champion from 1933 to 1934, and on the evolution of his image from the years of his first wins to the beginning of XXI century. More specifically, the essay makes visible how the mythization of Carnera had spontaneously developed long before the Italian press started to extol the successes of the boxer, and how the Fascism subsequently tried to appropriate the image of Carnera – modifying some of its fundamental traits – in order to use it as a powerful tool of regime’s propaganda, especially during the war years. In the end, the essay shows how the figure of Carnera regained favour after the fall of the fascist regime reappropriating (or, more rarely, being distorted of its original traits. The study has been carried out through the comparison of a selection of cartoons, caricatures and illustration from the popular press dedicated to Carnera, official portrayals of him during the fascist regime and comic books more or less expressely inspired by the figure of the boxer.
González Sánchez, José Félix
Full Text Available En español: La industria cultural se aprovecha del poder evocador del estereotipo para construir discursos de fácil identificación con el público. La maquinaria audiovisual, en especial Hollywood, utiliza este mecanismo narrativo para desintegrar los rasgos culturales que conforman la identidad de un grupo social. Los elementos étnicos positivos los integra rápidamente a su cultura, los negativos los convierte en estereotipos que sirven para caricaturizar a la nación donante. Esta afrenta hacia las “culturas periféricas” intenta, a su vez, reforzar y consolidar la débil identidad estadounidense.In english: The cultural industry takes advantage of the evocative power of the stereotype to construct discourses easily identified with the public. The audiovisual machinery, especially Hollywood, employs this narrative mechanism to disintegrate the cultural features that shape the identity of a social group. Positive ethnic characteristics are quickly integrated into its culture; however, negative aspects are converted into stereotypes that serve to caricature the donor nation. This affront to the peripheral cultures tries at the same time to reinforce and consolidate the weak North American identity.
Croom, Adam M
This article provides a critical analysis of the situationist challenge against Aristotelian moral psychology. It first outlines the details and results from four paradigmatic studies in psychology that situationists have heavily drawn upon in their critique of the Aristotelian conception of virtuous characteristics, including studies conducted by Hartshorne and May (1928), Darley and Batson (Journal of Personality and Social Psychology 27:100-108, 1973), Isen and Levin (Journal of Personality and Social Psychology 21:384-388, 1972), and Milgram (Journal of Abnormal and Social Psychology 67:371-378, 1963). It then presents ten problems with the way situationists have used these studies to challenge Aristotelian moral psychology. After challenging the situationists on these grounds, the article then proceeds to challenge the situationist presentation of the Aristotelian conception, showing that situationists have provided an oversimplified caricature of it that goes against the grain of much Aristotelian text. In evaluating the situationist challenge against the actual results from empirical research as well as primary Aristotelian text, it will be shown that the situationist debate has advanced both an extreme, untenable view about the nature of characteristics and situations, as well as an inaccurate presentation of the Aristotelian view.
Full Text Available The Book of Job as a source of intertexts for T.T. Cloete’s short story ‘Wie weet?’ (Die waarheid gelieg, 1984 T.T. Cloete’s account of a woman's physical and spiritual agony in the short story “Wie weet?” ffrom Die waarheid gelieg, 1984, read within the South African/Afrikaans cultural context, presents several indicators that the Book of Job is its intertext, the most explicit pointer being the role of the sufferer’s sister-in-law. Intertextuality in Cloete’s oeuvre often takes the form of a creative reworking or rereading of texts (cf Scholtz, 1984; Botha, 1984; Roos, 1986. Roos comments on the caricatural treatment of theme in Cloete’s “Veg om te verloor” (Cloete, 1984, highlighted by the rereading imposed on the reader of Van Melle’s well-known story "Die joiner”, creating distrust in the implicit author of the Cloete text. The argument in this essay is that the explicit engagement of the intertext, as in "Wie weet?”, also serves as an affirmative complement to the negative incompleteness of the rereading. Thus the desperate questioning of "Wie weet?” becomes an integral part of a reading of Cloete’s oeuvre as a hymn to God’s omnipotence and mercy, epitomized in the poem "Van Horn en my” (Jukstaposisie, 1982.
Smithson, John Lawrence
This essay presents an examination of contemporary disputes over methodological and epistemological foundations underlying inquiry within the field of education research; investigating the obstacles to communication and understanding found in scholarly exchanges occurring across competing paradigmatic orientations. Terminological challenges to cross-paradigmatic communication are examined, identifying three specific terminological difficulties, referred to as homonym, contextual, and onti-stemic problems. Nicholas Burbules' model of dialogue, based upon characteristics of convergence, divergence, inclusive and critical traits, is adopted and applied to a sample of cross-paradigmatic exchanges found in recent educational research journals. Examination of those exchanges reveals certain strategies associated with cross-paradigmatic communication. These strategies, labeled as trivialization, caricaturization, and re-direction, are shown to be detrimental to the mutual understanding of the interlocutors. The model is then extended to address examples of paradigmatic orientations within methodological and epistemological contexts in order to consider the relationship between the various orientations represented in the literature of interest. Methodological and epistemological orientations are shown to be loosely coupled, with unexpected shifts in paradigmatic values found among researchers' methodological and epistemological commitments. Finally, the nature of the relationship between competing paradigmatic orientations is examined, with particular attention given to four types of incommensurability (ontological, linguistic, epistemological, and values incommensurability). I conclude that, though difficult, cross-paradigmatic communication is necessary in order to provide a multi-paradigmatic perspective that takes us beyond the fractured picture of educational phenomena available from current research approaches.
Hannay, J H
Light from the clear sky is produced by the scattering of unpolarized sunlight by molecules of the atmosphere and is partially linearly polarized in the process. Singly scattered light, for instance, is fully polarized in viewing directions perpendicular to the sun direction and less and less so towards the parallel and antiparallel directions, where it is unpolarized. The true, multiple, scattering is much less tractable, but importantly different, changing the polarization pattern's topology by splitting the unpolarized directions into pairs. The underlying cause of this 'symmetry breaking' is that the atmosphere is 'wider' than it is deep. Simplifying as much as possible while retaining this feature leads to the caricature atmosphere analysed here: a flattened sheet atmosphere in the sky, a canopy. The multiple scattering is fully tractable and leads to a simple polarization pattern in the sky: the ellipses and hyperbolas of standard confocal ellipsoidal coordinates. The model realizes physically a mathematical pattern of polarization in terms of a complex function proposed by Berry, Dennis and Lee (2004 New J. Phys.6 162) as the simplest one which captures the topology
Heart is of great importance in maintaining the life of the body. Enough to stop working for a few minutes to cause death, and hence the great importance in physiology, medicine, and research. This fact was already emphasized in the Bible in the Book of Proverbs, chapter 4 verse 23: "Keep your heart with all diligence, for out of it is the wellspring of life." Art was able to demonstrate the heart from various aspects; realistically, as done by Leonardo de Vinci who demonstrated the halves of the heart and its blood vessels. Symbolically, as a source of life, the heart was demonstrated by the artist Mrs. Erlondeiel, as a caricature by Salvador Dali, as an open heart by Sawaya, etc. Finally, it should be emphasized that different demonstrations of the human heart by many artworks make this most important organ of our body (that cannot be seen from outside) more familiar and clearer to us. And this is the purpose of this article-to demonstrate the heart through a large number of artworks of different kinds.
Britannia : Grandeur et infortune d’une allégorie nationale dans l’univers du cartoon britannique 1842-1999 Britannia: Greatness and Misfortune of a National Symbol in the World of British Cartoons 1842-1999
Full Text Available Britannia, sometimes accompanied by the emblematic British Lion, has long been personifying justice, liberty, and the British Empire on coins and stamps as well as in graphic satire. Originally of Roman origin, she became the visual representation of Britain after being revived in the sixteenth century. This article is based on the analysis of over four hundred cartoons featuring this symbol. It argues that between 1860 and the 1950s, Britannia striking a solemn pose, that of the Græco-Roman goddess created by Tenniel, exalted Victorian greatness and the early twentieth century great power twice victorious in the World Wars. On the other hand, since the inter-war years, Low and his followers had been challenging this supposedly immutable image. They turned her into a definitely helpless and obsolete symbol whose identity was sometimes usurped by such anti-heroes as Colonel Blimp. Finally, from the 1960s, in a context of continuous British decline and growing permissiveness, cartoonists increasingly followed the example of the old masters of 18th century caricature and early Punch cartoonists, even though aggressiveness and vulgarity have remained much less explicit.
Full Text Available When we hear a new voice we automatically form a "first impression" of the voice owner's personality; a single word is sufficient to yield ratings highly consistent across listeners. Past studies have shown correlations between personality ratings and acoustical parameters of voice, suggesting a potential acoustical basis for voice personality impressions, but its nature and extent remain unclear. Here we used data-driven voice computational modelling to investigate the link between acoustics and perceived trustworthiness in the single word "hello". Two prototypical voice stimuli were generated based on the acoustical features of voices rated low or high in perceived trustworthiness, respectively, as well as a continuum of stimuli inter- and extrapolated between these two prototypes. Five hundred listeners provided trustworthiness ratings on the stimuli via an online interface. We observed an extremely tight relationship between trustworthiness ratings and position along the trustworthiness continuum (r = 0.99. Not only were trustworthiness ratings higher for the high- than the low-prototypes, but the difference could be modulated quasi-linearly by reducing or exaggerating the acoustical difference between the prototypes, resulting in a strong caricaturing effect. The f0 trajectory, or intonation, appeared a parameter of particular relevance: hellos rated high in trustworthiness were characterized by a high starting f0 then a marked decrease at mid-utterance to finish on a strong rise. These results demonstrate a strong acoustical basis for voice personality impressions, opening the door to multiple potential applications.
Full Text Available SourceURL:file://localhost/Users/mcugno/Desktop/RiCOGNIZIONI%20-%201,2014%20(def%204.docParody and intertextuality in Enrique Jardiel Poncela’s love trilogy. The article analyses Enrique Jardiel Poncela’s humorous trilogy (Amor se escribe sin hache, 1928, ¡Espérame en Siberia, vida mía!, 1929, Pero…¿hubo alguna vez once mil vírgenes?, 1931 from the perspective of parody. It focuses on the technique of dehumanization in the caricatural characters and on the humoristic demystification of the literary clichés that characterize the erotic literature; moreover, it studies the intertextuality with the romantic genre ̶ “hypogenre” – and in specific texts – “hypotexts” –. Through the use of Genette, Bachtin and Segre’s theories, it examines the parody phenomenon, according to its multiple manifestations in the trilogy. Finally, the article analyses the aphoristic language and the avant-gardist typographic experimentation as important elements of Jardiel’s parodical project.
Patrícia Dias da Silva
Full Text Available This article aims to discuss the role humour plays in politics, particularly in a media environment overflowing with user-generated video. We start with a genealogy of political satire, from classical to Internet times, followed by a general description of “the Hitler meme,” a series of videos on YouTube featuring footage from the film Der Untergang and nonsensical subtitles. Amid video-games, celebrities, and the Internet itself, politicians and politics are the target of twenty-first century caricatures. By analysing these videos we hope to elucidate how the manipulation of images is embedded in everyday practices and may be of political consequence, namely by deflating politicians' constructed media image. The realm of image, at the centre of the Internet's technological culture, is connected with decisive aspects of today's social structure of knowledge and play. It is timely to understand which part of “playing” is in fact an expressive practice with political significance.
Full Text Available Certain nations eat certain foods with particular enjoyment. These foods are usually not eaten merely for their caloric value (if there is any, but are consumed with pride (and of course there are many who analyze and/or caricature that pride. With these foods symbolic consumption is often more important than the physical (although we often cannot neglect their physical consumption, the paper will not dwell on this argument. One paradigmatic example of such a food is the space Carniolan sausage, which has been physically consumed (if at all only by an astronaut with Slovene roots. All other Slovenes can only enjoy it through language. When they consume the (space Carniolan sausage through language, they are most likely consuming that which it signifies. Carniolan sausage is probably the most common, most dominant, most satisfying (“culinary” signifier of Sloveneness; it is a sort of Slovene culinary flag. But, following Michael Billig, in the case of the consumption of the space Carniolan sausage, what kind of culinary flag are we dealing with: one that is being waved or not?
Antonio Javier Izquierdo Martín
Full Text Available Swiss psychiatrist Carl Gustav Jung (1875-1961, higher priest of all things apocalyptic and titanic that remain in our present time, and his Mediterranean nemesis, the Spanish cinematographer Luis García Berlanga (Valencia, 1921, ultimate practitioner of the lost baroque-Spanish art of the courtesan jester, are gathered together in this paper for the good cause of revisiting the most absurd and funny of all anthropological research topics: cargo cults. These are Millenium movements whose believers invest enormous amounts of ritual work to invocate of embodied ancestral Gods. They ask their gods to land their cargo spaceships loaded with high-tech mana at their bamboo airports. The craziest avatar of this spiritual saga, so-called UFO religions have begun the theoretical exploration and practical exploitation of the fundamental cargoist -i.e. economic-analogy between ordinary visits (of conquerors, missioners, ethnographers or tourists to anonymous places and extraordinary visits (of Gods or extraterrestrials to spiritual centers. The fast global-cinematic diffusion of the modern myth of the flying saucer reveals a close anthropo-historical connection between the rise of this specifically post-industrial variety of cargo cult and the tourists' validation of the megalomaniac techno-economic dreams of aboriginal tribes living in the Stone Age. We conclude sketching an analytical caricature of one of the most stupid cargonomical ‘pilot' in galactic anthropohistory: the so-called ‘Spanish economic miracle'.
Full Text Available Some philosophers even recently have been skeptical about whether science can reveal anything significant about art. Although some scientists’ ventures into art theory have seemed to warrant such suspicions, including early speculative forays into neuroaesthetics, against such skepticism, the argument here is that neuroaesthetics is crucial for understanding aesthetic experience and ultimately art itself. Because certain core proposals of early versions of neuroaesthetics (e.g., the art-as-caricature thesis seem to justify this skepticism and yet, at the same time, prove more defensible than they might initially seem, they are ideal illustrations of how neuroaesthetics at a more abstract level dovetails with the philosophy of art, and so provides a complementary, not competing perspective that can help complete, verify, and defend such philosophical theories. In particular, it is proposed that aesthetic experience involves a distinctive corticolimbic response, that such experience is therefore testable and may be found even with so-called anti-art, and that its value consists in resolution of conflict between the higher cortex and limbic system generated by the evolution of the former.
Garbin, Andréia De Conto; Fischer, Frida Marina
To analyze discourses on workplace psychological harassment in print media. Documental study on workplace psychological harassment that analyzed news stories published in three major newspapers of the State of São Paulo (southeastern Brazil) between 1990 and 2008. Discourse analysis was performed to identify discursive practices that reflect the phenomenon of psychological harassment in today's society, explanations for its occurrence and impact on workers' health. RESULT ANALYSIS: This theme emerged in the media through the dissemination of books, academic research production and laws. It was initially published in general news then in jobs and/or business sections. Discourses on compensation and precautionary business practices and coping strategies are widespread. Health-related aspects are foregone under the prevailing money-based rationale. Corporate cultures are permissive regarding psychological harassment and conflicts are escalated while working to achieve goals and results. Indifference, embarrassment, ridicule and demean were common in the news stories analyzed. The causal explanations of workplace harassment tend to have a psychological interpretation with emphasis on individual and behavioral characteristics, and minimizing a collective approach. The discourses analyzed trivialized harassment by creating caricatures of the actors involved. People apprehend its psychological content and stigmatization which contributes to making workplace harassment an accepted practice and trivializing work-related violence.
Carolyn A. Durham
Full Text Available Ella Shohat and Robert Stam's proposal that beliefs about nations often crystallize in the form of stories could serve as both summary and generative matrix for Jeanne d'Arc fait tic-tac . In keeping with a number of recent fictional works united by the attempt to understand French and American cultures in a comparative context, the first part of Iegor Gran's clever 2005 novel consists of eleven stories whose common focus on the danger represented by American culture for French national identity makes the second part of the novel, in which France declares war and invades the United States, almost inevitable. In the opening section of Jeanne d'Arc , Gran both rewrites the traditional folktale for a self-reflective postmodern age and revises and satirizes the conventions of fantastic literature. The primary comic strategy of the second half of the novel, constructed as a parody of the current American conflict in Iraq, pays homage to the most recent source of tension between the United States and France. Throughout the novel Gran caricatures French chauvinism and insularity as much as he mocks American arrogance and consumerism, and the metaphorical demise of the "oncle d’Amérique,” the specifically French version of the American dream, continually reminds us of the sheer power and pleasure of narrative.
Amy Elizabeth Dusto
Alan Alda, the actor best known for playing medic Hawkeye Pierce on yesteryear’s TV series M*A*S*H, really likes science. Moreover, the Scientific American Frontiers TV program inspired his passion for science communication. Since then, he has become an advocate for increased public literacy in science. He visited CERN and the ATLAS experiment last week. Alan Alda enjoying his visit to the ATLAS cavern. “I’d been reading about it so much, I just wanted to see it,” he said. He does in fact have a connection with one of the LHC experiments. A few years ago, a fan of his from ATLAS asked if he would draw an Einstein cartoon to go on their fundraising T-shirts. Alda said he spent weeks on the caricature, and he joked that, “there would be no ATLAS project without that T-shirt,” which was a hit. Indeed, his favourite moment was underground when he was standing on the platform and looking at the giant detector. Alda helped c...
Rauch Scott L
Full Text Available Abstract Background The amygdala habituates in response to repeated human facial expressions; however, it is unclear whether this brain region habituates to schematic faces (i.e., simple line drawings or caricatures of faces. Using an fMRI block design, 16 healthy participants passively viewed repeated presentations of schematic and human neutral and negative facial expressions. Percent signal changes within anatomic regions-of-interest (amygdala and fusiform gyrus were calculated to examine the temporal dynamics of neural response and any response differences based on face type. Results The amygdala and fusiform gyrus had a within-run "U" response pattern of activity to facial expression blocks. The initial block within each run elicited the greatest activation (relative to baseline and the final block elicited greater activation than the preceding block. No significant differences between schematic and human faces were detected in the amygdala or fusiform gyrus. Conclusion The "U" pattern of response in the amygdala and fusiform gyrus to facial expressions suggests an initial orienting, habituation, and activation recovery in these regions. Furthermore, this study is the first to directly compare brain responses to schematic and human facial expressions, and the similarity in brain responses suggest that schematic faces may be useful in studying amygdala activation.
Kumfor, Fiona; Irish, Muireann; Hodges, John R.; Piguet, Olivier
Patients with frontotemporal dementia have pervasive changes in emotion recognition and social cognition, yet the neural changes underlying these emotion processing deficits remain unclear. The multimodal system model of emotion proposes that basic emotions are dependent on distinct brain regions, which undergo significant pathological changes in frontotemporal dementia. As such, this syndrome may provide important insight into the impact of neural network degeneration upon the innate ability to recognise emotions. This study used voxel-based morphometry to identify discrete neural correlates involved in the recognition of basic emotions (anger, disgust, fear, sadness, surprise and happiness) in frontotemporal dementia. Forty frontotemporal dementia patients (18 behavioural-variant, 11 semantic dementia, 11 progressive nonfluent aphasia) and 27 healthy controls were tested on two facial emotion recognition tasks: The Ekman 60 and Ekman Caricatures. Although each frontotemporal dementia group showed impaired recognition of negative emotions, distinct associations between emotion-specific task performance and changes in grey matter intensity emerged. Fear recognition was associated with the right amygdala; disgust recognition with the left insula; anger recognition with the left middle and superior temporal gyrus; and sadness recognition with the left subcallosal cingulate, indicating that discrete neural substrates are necessary for emotion recognition in frontotemporal dementia. The erosion of emotion-specific neural networks in neurodegenerative disorders may produce distinct profiles of performance that are relevant to understanding the neurobiological basis of emotion processing. PMID:23805313
David J. Bond
Full Text Available The unity of Cohen's novels is due to their common theme of Jewish destiny. This is traced in the lives of the Valeureux and of Solal. The Valeureux are caricatures of the Jew, and demonstrate that Jewish identity and destiny are imposed by others. Their lives are precarious because Jews are always persecuted, a message also conveyed by other persecuted characters and by Cohen's direct interventions. But the Valeureux cling to their Jewishness and exalt their religion because it teaches the need to tame man's instincts. Solal seeks success in Gentile society, but learns it is a cruel society that exploits man's instincts. He is sickened by the hypocrisy of this society, by its frivolity and by the realisation that death makes all ambition pointless. Unable to escape his Jewish background, he defends Jewish victims of Hitler, and is ostracised. He now encounters the same fate as other Jews and becomes a victim of anti-Semitism. He finally commits suicide. Neither the Valeureux nor Solal have the solution to anti-Semitism, which Cohen sees only in the State of Israel. But, while seeing Israel as the solution, Cohen is interested mainly in Jews like the Valeureux, who have preserved the Jewish identity for centuries.
Bogousslavsky, Julien; Boller, François
Jean-Martin Charcot (1825-1893), the "father of neurology" in France and much beyond, was also the man who established academic psychiatry in Paris, differentiating it from clinical alienism. In his teaching, he used artistic representations from previous centuries to illustrate the historical developments of hysteria, mainly with the help of his pupil Paul Richer. Charcot liked to draw portraits (in particular, sketches of colleagues during boring faculty meetings and students' examinations), caricatures of himself and others, church sculptures, landscapes, soldiers, etc. He also used this skill in his clinical and scientific work; he drew histological or anatomic specimens, as well as patients' features and demeanor. His most daring artistic experiments were drawing under the influence of hashish. Charcot's tastes in art were conservative; he displayed no affinity for the avant-gardes of his time, including impressionism, or for contemporary musicians, such as César Franck or Hector Berlioz. Léon Daudet, son of Charcot's former friend and famous writer Alphonse Daudet, described Charcot's home as a pseudo-gothic kitsch accumulation of heteroclite pieces of furniture and materials. However, as Henry Meige wrote a few years after his mentor's death, Charcot the artist remains "inseparable from Charcot the physician." © 2013 Elsevier B.V. All rights reserved.
Ana Varela Tafur
Full Text Available This essay discusses the denunciatory discourse of Benjamin Saldaña Rocca in his newspapers La Sanción and La Felpa, published in Iquitos in 1907 and 1908. Julio César Arana, a Peruvian rubber baron and general manager of the Peruvian Amazon Company, PAC, was the principal target of the complaints of Saldaña Rocca. Socialist apologist, this acerbic journalist blamed Arana and his foremen for the crimes commited against the Indians in the rubber plantations s under his control located in the region of the rivers Putumayo and Caquetá. To fullfil his objectives, Saldaña used a variety of genres such as delations, oral testimony, satirical letrillas, letters, transcriptions and caricatures, which later served to other individuals in their accusations. These, finally, would lead to the economical collapse of Arana. I will show that the press of Saldaña Rocca presents an approach with the ideological postulates of Manuel González Prada, leading exponent of the anarchist movement, from the late nineteenth and early twentieth century. Because of his written legacy Saldaña Rocca could well be considered like one of the main and more daring defender of the human rights of the Amazonian indigenous peoples.
Horas, Jorge A; Olguin, Osvaldo R; Rizzotto, Marcos G
We model the heterogeneous response to radiation of multicellular tumour spheroids assuming position- and volume-dependent radiosensitivity. We propose a method to calculate the overall radiosensitivity parameters to obtain the surviving fraction of tumours. A mathematical model of a spherical tumour with a hypoxic core and a viable rim which is a caricature of a real tumour is constructed. The model is embedded in a two-compartment linear-quadratic (LQ) model, assuming a mixed bivariated Gaussian distribution to attain the radiosensitivity parameters. Ergodicity, i.e., the equivalence between ensemble and volumetric averages is used to obtain the overall radiosensitivities for the two compartments. We obtain expressions for the overall radiosensitivity parameters resulting from the use of both a linear and a nonlinear dependence of the local radiosensitivity with position. The model's results are compared with experimental data of surviving fraction (SF) for multicellular spheroids of different sizes. We make one fit using only the smallest spheroid data and we are able to predict the SF for the larger spheroids. These predictions are acceptable particularly using bounded sensitivities. We conclude with the importance of taking into account the contribution of clonogenic hypoxic cells to radiosensitivity and with the convenience of using bounded local sensitivities to predict overall radiosensitivity parameters
Today, the main route of introduction of tetrahydrocannabinol (THC), the main active substance of cannabis, into the human body is via the lungs, from smokes produced by combustion of a haschich-tobacco mixture. The use of a water pipe (nargileh-like) intensifies its fast supply to the body. THC reaches the brain easily where it stimulates CB1 receptors; their ubiquity underlies a wide variety of effects. THC disappears from extracellular spaces by dissolving in lipid rich membranes, and not by excretion from the body. This is followed by a slow release, leading to long lasting effects originating from brain areas containing a large proportion of spare receptors ("reserve receptors"). Far from mimicking the effects of endocannabinoids, THC caricatures and disturbs them. It induces both psychical and physical dependencies, but the perception of withdrawal is weak on account of its very slow elimination. THC disturbs cognition. Acutely, it develops anxiolytic- and antidepressant-like effects, which causes a lot of users to abuse THC, thus leading to a tolerance (desensitization of CB1 receptors) making anxiety and depression to reappear more intensely than originally. THC has close relationships with schizophrenia. It incites to tobacco, alcohol and heroine abuses.
The 2008 commercial video game Spore allowed more than a million players to design their own life forms. Starting from single-celled organisms players played through a caricature of natural history. Press coverage of the game's release offer two frames for thinking about the implications of the game. Some scientists and educators saw the game as a troubling teacher of intelligent design, while others suggested it might excite public interest in science. This paper explores the extent to which these two ways of thinking about the game are consistent with what players have done with the game in its online community. This analysis suggests that, at least for the players participating in this community, the game has not seduced them into believing in intelligent design. Instead the activities of these players suggest that the game has played a catalytic role in engaging the public with science. These findings indicate that designers of educational games may wish to consider more deeply tensions between prioritizing accuracy of content in educational games over player engagement.
LIVIU IULIAN COCEI
Full Text Available The analysis of the ethical implications concerning the use of irony is not an easy task. Even though there are notable differences between the various ironical expressions, it looks like irony in general plays with people’s emotions. Ironically, it seems that it gets them together and pulls them apart at the same time. Thus, whether we refer to philosophical or rhetorical irony, it is hard to say when is it morally right to turn into ridicule. Therefore, in this paper, considering Linda Hutcheon`s view on the edge of irony and Richard Rorty`s neo-pragmatist philosophy, we analyze the moral limits of ironization. We emphasize that, in some cases, the difference between the use and the abuse of irony is cancelled, the limit between innocent irony and real offence being almost inexistent. For this reason, we claim that irony is acceptable only in a culture that is opened to all ironic modalities, such as satire, parody, caricature, pamphlet and even humor.
Davis, C; Katzman, M A
The present study compared the body and weight satisfaction, self-esteem, and depression of Chinese male and female university students in Hong Kong and the United States and assessed the impact of these ratings on compensatory behavior such as dieting and exercise. Self-report measures were administered to 501 Chinese participants in the language of their university's locale. Females reported significantly more body dissatisfaction and depression, and males reported greater weight dissatisfaction (the majority of men wishing to be larger). Overall, Chinese subjects in Hong Kong reported significantly more body and weight dissatisfaction, lower self-esteem, higher depression, more dieting, and less exercise as compared to their counterparts in the United States. Asian students in this study mirrored gendered patterns previously reported in Caucasian samples with respect to the relation of body image, self-esteem, and mood. For both sexes, there appeared to be a caricatured mimicking of the bodies perceived to be associated with the dominant culture--men wanted to be larger while the women wanted to be even more petite.
Giulia Bogliolo Bruna
Full Text Available The present paper retraces, in an ethno-historical perspective, the genesis of the oriented, elliptic, simplistic and reductive representation of the Eskimos in the Diderot & d’Alembert’s Encyclopaedia. Adopting an inter-disciplinary approach (historical, anthropological and textual, as well, the paper wonders upon the mechanisms which have governed the construction of the Eskimos’ image, and deciphers them considering the philosophical challenges and the ideological conditioning of the Century of Lights. The Eskimos’ image conveyed by the Encyclopaedia emphasizes their bestiality and primitivism, to stick them as the prototype of the savagery, the personification of a degenerated and shy humanity of the borders. The image of the Inuit - stereotyped, preformed and caricatured - is built through bias, omissions, and generalizations. It is intended to present them as fully antonymic to civilisation. In the Diderot and Chevalier de Jaucourt’s writing, the fierce and anthropophagic Inuit are the archetypal symbol of an extreme and terrifying anthropological difference which is the outcome of a geographical and climatic determinism. Far away the highly idealized and aesthetically-oriented image of the Good Savage, the Eskimos show-up in the writing of the Century of Lights‟ scholars a borderline humanity, deprived of any culture mark, but, nevertheless belonging to the human family.
Fatemeh Taslim Jahromi
Full Text Available Abstract Grotesque is a concept and style in art and literature in which artist or belletrist tries to induce two inconsistent senses of fear (anxiety or repulsion or laugh (satire or humor to second person simultaneously. Grotesque, today, describes and manifests distressed and alienation world. It means observing familiar world of strange perspective that shows off it fearful and ridiculous. The most prominent features that make a Grotesque work are as fallow: disharmony, extravagance and exaggeration, abnormality and comic and terrifying. But one of the most important art and literature branches that Grotesque enters in it, is satire and humor that one of its kind is Caricalamatur. Caricalamatur is a kind of short, simple and satire prose that paid attention to around to phenomenon and world by different attitude with aim of foregrounding and based on some people opinion, also, it is defined as a caricature that is expressed by worlds. Grotesque in Caricalamaturs has special appearance particularly in Caricalamatur of Parviz e Shapoor, the pioneer of this style.Grotesque in Caricalamaturs is more the result of two technics of abnormality (paradox, and extravagance and exaggeration and present to it strange and comic and terrifying picture quality. The most important of Grotesque technics in Caricalamaturs are disorder, levels integration, exaggeration, movement, metamorphosis and uses of antithetical and twin.This research has performed by descriptive- analytical method to recognize and investigate Grotesque concepts, how it occurs and its contents in Caricalamatur by evidence representation.
Farhana Tahseen Taj
Full Text Available Werner’s Syndrome also known as Pangeria is an autosomal recessive disorder characterized by premature aging, increased risk of malignancies and atherosclerosis. The Global incidence rate is less than 1 in 100,000 live births. The incidence is higher in Japan and Sardinia affecting 1 in 20,000 – 40,000 live births and 1 in 50,000 live births respectively. Individuals with this disorder typically grow and develop normally until they reach puberty. Affected individual usually do not have a growth spurt, resulting in short stature. The characteristic aged appearance typically begins to develop when they are in their twenties and includes graying and loss of hair, a hoarse voice, and thin, hardened skin. They may also have a facial appearance described as “bird-like facies.” Werner’s Syndrome has been described as “Caricature of ageing” by Epstein et al. 1996. An OMIM number # has been assigned to Werner’s Syndrome with phenotype MIM number 277700 (OMIM#277700.
This work asserts that men as a gender are being physically and psychically devastated by the prevailing socioeconomic system. American society empowers a small percentage of men, but it causes confusion and anxiety for the majority. Men are beginning to realize that they cannot properly relate to each other or understand exploitation until they understand the extent and nature of their dispossession by economic and political institutions. The oppression of men is mirrored in the growing incidence of male self-destruction, addiction, homelessness, and hopelessness. With the advent of industrialization, millions of men who had found fulfillment in husbandry of family, community, and land were forced into an industrial system whose ultimate goal was to turn man against man in the competitive system of modern society. The traditional male role was replaced with a new image of men as autonomous, efficient, self-interested, and disconnected from nature and community. As men become more and more powerless in their own lives, they are fed more and more media images of excessive, caricatured masculinity with which to identify. It is imperative that the increasing sense of personal liberation fostered by the men's movement be channeled into political action. A brief political platform for men would include actions centered on the family and children, protection of the environment, increasing male presence in classrooms and community activities involving children, health prevention, and dismantling the military-industrial establishment. A network of activists should be established to support the men's political agenda.
Full Text Available Between the Roarkian caricature of the heroic modernist and the spectre of the contemporary starchitect, there was a period of resistance in which architectural authoriality came under fire. One of the most explicit challenges was issued through the use of gaming and simulation in both architectural education and practice in the 1960s and the 1970s, particularly in the work of Juan Pablo Bonta and Henry Sanoff - both of them architectural scholars, educators, and game enthusiasts. By tracing the importation of gaming and simulation techniques into architecture, this paper will show how architectural games sought to refigure the architect as a collaborative figure embedded in a network of experts, participants and constituents, and to modulate the architect’s design authority by foregrounding the contributions of viewer-interpreters to the creation of meaning. Situating their work within gaming precedents, from war and business games to urban planning gaming-simulations, I show how architecture games - particularly design games - worked to develop the architectural reader as a creative force, in some quarters going so far as to posit interpretation as the basis of design.
Kitchener, Martin; Caronna, Carol A; Shortell, Stephen M
As national health systems pursue the common goals of containing expenditure growth and improving quality, many have sought to replace autonomous modes (systems) of physician control that rely on initial professional training and subsequent peer review. A common approach has involved extending bureaucratic modes of physician control that employ techniques such as hierarchical coordination and salaried positions. This paper applies concepts from studies of professional work to frame an empirical analysis of emergent bureaucratic modes of physician control in US hospital-based systems. Conceptually, we draw from recent studies to update Scott's (Health Services Res. 17(3) (1982) 213) typology to specify three bureaucratic modes of physician control: heteronomous, conjoint, and custodial. Empirically, we use case study evidence from eight US hospital-based systems to illustrate the heterogeneity of bureaucratic modes of physician control that span each of the ideal types. The findings indicate that some influential analysts perpetuate a caricature of bureaucratic organization which underplays its capacity to provide multiple modes of physician control that maintain professional autonomy over the content of work, and present opportunities for aligning practice with social goals.
Rebec, Gaelle; Moisan, Francois; Gioria, Michel
The vision of smart grids and electricity systems elaborated in this road-map was drawn up on the basis of consultation and talks with a group of experts from industry (EDF, AREVA, GDF-Suez), public research bodies (SUPELEC, Ecole des Mines, INES, universities), grid operators (ERDF, RTE), local authorities' groups (FNCCR) and ADEME. In the course of these working sessions the experts expressed their opinions intuitu personae. The views outlined in this road-map are not to be assimilated with the official positions of the corporations or research organisations to which the members of the group belong. The visions of smart electricity grids and systems integrating renewable energies in 2020 and in 2050 are in sharp contrast. This contrast was deliberately sought out, for two reasons: - to offer the most exhaustive panorama possible of imaginable futures; - to avoid neglecting a critical technological, organisational or socioeconomic bottleneck that might be associated with a possible scenario left out of the discussion. Accordingly, in seeking contrasting visions the group arrived at extreme representations and even caricatures of the future, which nonetheless help define the outer limit of possibilities, and the scope within which the actual situation will most likely be situated in 2020 and in 2050
Sisti, Dominic A; Baum-Baicker, Cynthia
Comments on the original article, "Nonrational processes in ethical decision making" by M. D. Rogerson et al (see record 2011-19198-001). The current authors suggest that Rogerson, Gottlieb, Handelsman, Knapp, and Younggren (October 2011) presumed that the only ethical theories available for grounding decision-making models are of the rational, neoliberal variety. Rogerson et al stated, "Contextual, interpersonal, and intuitive factors are inextricably linked and inexorably influential in the process of ethical decision making. Ethical theory would benefit from encompassing these subtle yet powerful forces" (Rogerson et al., 2011, p. 616). They sought to augment these models with a cluster of contextual considerations, appending to them accounts of emotion, context, and intuition. First, notwithstanding the theories attributed to (the caricature of) Kant and his ilk, there are several ethical theories that include an account of what Rogerson et al. (2011) consider to be "nonrational" processes. From feminist theories to narrative ethics, sophisticated contextual theories have been developed and are readily available. Second, we question whether thick contextual considerations can simply be tacked on to extant models of decision making originally built upon a philosophical foundation that assumes a rational, autonomous agent who deliberates independently and logically.
De Brún, Aoife; McCarthy, Mary; McKenzie, Kenneth; McGloin, Aileen
We investigated the representation of obesity in the Irish media by conducting an inductive thematic analysis on newspaper articles (n=346) published in 2005, 2007 and 2009 sampled from six major publications. The study analysed the media's construction of gender in discussions of obesity and associated attributions of blame. Three dominant themes are discussed: the caricatured portrayal of gender, women as caregivers for others, and emotive parent-blaming for childhood obesity. Men were portrayed as a homogenous group; unaware and unconcerned about weight and health issues. Dieting and engaging in preventative health behaviours were portrayed as activities exclusively within the female domain and women were depicted as responsible for encouraging men to be healthy. Parents, specifically mothers, attracted much blame for childhood obesity and media messages aimed to shame and disgrace parents of obese children through use of emotive and evocative language. This portrayal was broadly consistent across media types and served to reinforce traditional gender roles by positioning women as primarily responsible for health. This analysis offers the first qualitative investigation into the Irish media discourse on obesity and indicates a rather traditional take on gender roles in diet and nutrition. Copyright © 2012 Elsevier Ltd. All rights reserved.
Full Text Available In this paper, we tried to present an image of the repercussions of the Cartoons Crisis caused by the Western Press after publishing the Danish Cartoons; from the point of view of the Freedom of Opinion and Speech drawled by the West aiming at offending the Arab and Muslim People; through the relation between the journalist right to information, the person's right to privacy and the peoples’ right to their symbols; explaining how its laws and legislations contradict this thesis by quoting some of these laws. We also showed, in this paper, the importance of the Caricature as journalistic art benefiting of considerable freedom that exceeds the rest of the journalistic arts, changing it from the humoristic function to that of aggression; then the point of view of the other great Monotheistic Religions on the issue of cartoons and giving offence to the others by mockery and defamation in the Monotheistic Religions and secular laws. Finally, we elucidate the difference between the Public and Private Figures; showing that the first one can be criticised considering it as a public property. At last, a general set of this research findings were exposed.
The Power Workers' Union represents workers at Ontario Hydro's nuclear stations and AECL operators at Chalk River. Although labour relations are far from perfect, the union does its best to protect the industry. Avoiding confrontation as much as possible, this union is happy to be regarded as a partner in the business. The union is impressed by the consultants' report on Ontario Hydro's nuclear operations. Whatever the future may bring, the present is not really pleasant for nuclear workers generally, in that the work itself is very demanding technically, and must be performed with great diligence because the responsibility for safety is enormous. Considering the actual safety record, some caricatures or ''cheap shots'' from antinuclear politicians and special interest groups seem quite offensive. As a partner in public relations, the union has produced draft fact sheets on topics such as: transporting radioactive material; the burning of plutonium from dismantled weaponry; deep geological storage of nuclear waste; the sale of Candu reactors to China. The author closes with some advice on how to improve industrial relations, based on the union's experience
Full Text Available Notarial signs serving to authenticate private and public legal documents emerged in Dalmatia during the 12th century, and by the late Middle Ages they had become a mandatory part of official documents written on parchment for the legal parties. These signs were graphic as a rule: more or less elaborate drawings with decorative motifs, occasionally with integrated typography, yet without any figural elements. Among the very diverse forms of notarial signs preserved in Croatian archives, that of Split’s canon and Zadar’s notary Helias deserves special attention: instead of using a simple graphic symbol, he depicted a young man’s torso, which for several reasons may be presumed to be his self-portrait. More than fifty notarial signs by Helias have been preserved, but it may be presumed that he produced more than a thousand during more than two decades of his career as a notary. These signs are drawing of very small dimensions (3 x 1.5 cm on the average and most probably not a result of “artistic” ambition, presuming that such terminology applies at all to the visual production of the time. As many other literate men, Helias probably indulged in drawing and incorporated some of this inclination and skill into his work in a peculiar manner. Over the period of two decades, the depicted figure went through several transformations. Starting from a relatively realistic and quite detailed depiction, in the second phase Helias simplified the drawing and enhanced its elements of caricature, ending with a partially stylized and unified version of his sign. Generally speaking, his drawings were closer to the genre of caricature than an official visual representation, which is why he could style them rather freely as compared to the norms that could be observed in the professional circles, especially in the monumental painting of the 14th century. Despite the fact that they seem somehow timeless, their visual features indicate certain knowledge of
Full Text Available Media played a significant role in the modernization of Ottoman society and caused westernized styles and methods be recognized and adopted. Media also pioneered in the production and development of comic books and works. Making use of both the earnings of traditional theatre and oral story telling tradition, the media evolved into modern humour concept during the period of Second Constitutional Monarchy. It was during this period that caricatures became a common practice in the newspapers and ironic individualist approaches were seen. The simple characterization of oral storytelling and traditional theatre began to transform as a result of modern humour concept. With its caricatures and own humorist sense towards the events in the era the journal Cem deserves to be called the first representative of comic books among those of others in the western sense during the period of Second Constitutional Monarchy. Osmanlı modernleşmesinde son derece önemli bir rol oynayan basın, pek çok türün ortaya çıkmasında, Batılı türlerin ve anlayışların tanınmasında ve yaygınlık kazanmasında önemli rol oynamıştır. Yazılı mizah ürünlerinin ortaya çıkmasında ve modern mizah anlayışının gelişmesine de yazılı basın öncülük etmiştir. Sözlü gelenek ve geleneksel tiyatronun köklü birikiminden de yararlanan yazılı mizah, özellikle II. Meşrutiyet döneminde modern mizah anlayışına evrilir. Karikatürün dergilerde yerleşmesi, bireysel üslup ve ironi yüklü yaklaşımlar bu dönemde ağırlık kazanır. Sözlü mizah ve geleneksel tiyatro anlayışının uyum kazandıran, yalınkat karakterizasyonu modern mizah anlayışla birlikte dönüşmeye başlar. Cem dergisi, II. Meşrutiyet dönemi mizah dergileri içerisinden hem karikatürleriyle hem de döneme ilişkin tutumundaki mizahi anlayışla Batılı anlamda ilk mizah dergimiz olarak temsil edici bir özellik gösterir.
Cornelis Martin Renes
Full Text Available This paper analyses Alan Parker’s Angela’s Ashes (1999 against John Ford’s seminalThe Quiet Man (1952. Both Hollywood productions reflect on the Irish return myth, adapting the homonymous memoir by Frank McCourt (1996 and short story by Maurice Walsh (1933 respectively. Although Angela’s Ashes reverses The Quiet Man’s mythical depiction of early 20thc. west of Ireland as rural paradise, the urban ‘inferno’ the former paints can be equally understood as the product of a romantic mindset which combines Irish émigré nostalgia with male quest narrative. Both views are the result of the objective each male protagonist pursues –a return to Ireland in The Quiet Man and to the USA in Angela’s Ashes– and, thus, the divergence in their perception of Ireland may be explained as instances of romance in which Ireland and its culture is reduced to opposing caricatures in the service of wish-fulfilment. Not surprisingly, the criticism of capitalist, industrial America embedded in Walsh’s story, masked as psychological conflict in Ford’s screenplay, and the rags-to-riches American immigrant success story of McCourt’s memoir were adapted to the screen with different degrees of independence from mainstream US film production. This gives additional clues on each film’s use of traditional Irish imagery to the point that Ford’s The Quiet Man may be understood to deliver a more emancipatory perspective on Irish identity than Parker’s Angela’s Ashes.
Full Text Available The studies on Witkacy’s oeuvre Narcotics (Narkotyki, 1932 exist without any specific status, as if reduced to a research element ancillary to other “more serious” creative areas of its author. The above is especially astonishing since they belong to a specific literary genre which was started with De Quincy’s Confessions of an Opium Eater (1821 and became really successful in the 19th and 20th centuries, with Baudelaire, Cocteau, Artaud, Huxley and many others. Witkacy was the first Polishwriter who addressed the issue of drug addiction and wrote explicitly on the role of narcotics in artistic creation. He experimented with cocaine, mescaline, peyotl and discovered “the magic peyotl” in the same years as A. Artaud and W. Benjamin, and many years before Huxley. He was also one of the few writers who, after having experimented with drugs, began to deal with the theory of narcotics.The use of opium, cocaine, dawamesk also became a sort of caricatural form in many of his works from Cuttlefish (Mątwa up to the novel The Only Way Out (Jedyne wyjście. The aim of my work is to try to answer several questions: In what way does the author’s interest in the addiction of Unwashed Souls (Niemyte dusze fit into the 19th and 20th century debate between doctors, writers and European artists? Can Witkacy’s literary and dramatic work demonstrate that he was familiar with publications on pharmacology (published in Germany and France in the 20s and also with the authors who were writing about drugs in the 19th and 20th century? How does his prohibitionist point of view fit with his historiosophy? Can Narcotics be considered a literary work? I have also tried to determine the anonymous sources quoted by Witkacy and co-authors of Narcotics, B. Filipowski and S. Glass (pen name of Dezydery Prokopowicz.
С. Ю. Боєва
Full Text Available In the article a special attention is paid to issues of state support to free development of all styles and genres of Ukrainian fine arts, its broad popularization through all-Ukrainian regional, group or personal exhibitions in the post Soviet period. The activity of galleries has became an important factor for development of arts. They contribute to conservation of invaluable relics of the Ukrainian art; control the process of flow of cultural values from Ukraine, which at the present time acquires a mass and perilous character. The prominent tendencies of contemporary Ukrainian fine arts — neofolklorism (the folklore’s influence on the art, postmodernism and others have also been analyzed in the article. The development of Ukrainian art of sculpture, engraving and caricature is in focus of the article, as well as new styles of the Ukrainian fine arts — installation, video art, performance, street-art, etc. The author concludes: economic difficulties experienced by Ukraine make the problem of social protection of arts especially urgent. This can be seen in the current state in purchases of works of arts by the state. For the Ukrainian fine arts the way of going out of the crisis is a formation of cultural infrastructure, ensuring the conditions of functioning of a real self-regulated art market. Despite all difficulties the Ukrainian art is developing and mastering its strength. There is quite a number of gifted Ukrainian artists who work in Ukraine or abroad and are known in the world and who respectfully represent the art of their people.
Monahan, Mary Elizabeth
This qualitative classroom-based study documents one teacher-researcher's response to the "voice" debate in composition studies and to the opposing views expressed by Elbow and Bartholomae. The author uses Bakhtin's principle of dialogism, Hymes's theory of communicative competence, as well as Ivanic's discussion of discoursally constructed identities to reconceptualize voice and to redesign writing instruction in her sixth grade classroom. This study shows how students, by redefining and then acting on that voice pedagogy in terms that made sense to them, shaped the author's understanding of what counts as "voiced" writing in non-narrative discourse. Based on a grounded-theory analysis of the twenty-six sixth graders' argumentative essays in science, the author explains voice, not as a property of writers or of texts, but as a process of "knowing together"---a collaborative, but not entirely congenial, exercise of establishing one's authority by talking with, against, and through other voices on the issue. As the results of this study show, the students' "I-Ness" or authorial presence within their texts, was born in a nexus of relationships with "rivals," "allies" and "readers." Given their teacher's injunctions to project confidence and authority in argumentative writing, the students assumed fairly adversarial stances toward these conversational partners throughout their essays. Exaggerating the terms for voiced writing built into the curriculum, the sixth graders produced essays that read more like caricatures than examples of argumentation. Their displays of rhetorical bravado and intellectual aggressiveness, however offsetting to the reader, still enabled these sixth graders to composed voiced essays. This study raises doubts about the value of urging students to sound like their "true selves" or to adopt the formal registers of academe. Students, it seems clear, stand to gain by experimenting with a range of textual identities. The author suggests that voice
Full Text Available Released in 2013, BioShock: Infinite is a blockbuster first-person shooter which explores topics of American nationalism and religion. This article examines how religion is represented within the game and how motifs from American religious history are used to construct its game world. After an overview of the game’s production process and a literature review, several specific religious and historical motifs are discussed. Through a dissection of the aesthetic and narrative dimensions of the game, the article analyzes elements of religious history from which the developers of Infinite drew their inspiration, such as the biblical motif of Exodus or the still-popular concept of millennialism. The analysis shows how the game uses familiar but simultaneously transformed American imagery, such as a religiously legitimated American Exceptionalism in which George Washington, Thomas Jefferson, and Benjamin Franklin are worshiped as saintly figures. Infinite plays with popular notions of evangelical religion, mixed with themes related to so-called dangerous cults and sects. In this construction, Infinite strangely vacillates between a biting liberal caricature of religiously fueled nationalism and a nod to widespread moderate mainstream values in which unusual religious movements are negatively portrayed. The article argues that a critique of a mainstream religious movement such as evangelical Christianity is not possible for a multi-billion-dollar industry which is wary of critical topics that may potentially estrange its broad consumer base. In such instances, critique can only be applied to forms of religion that are already viewed as strange by the popular discourse.
Irene Sofía Quiñones Varela
Full Text Available Se confeccionó un instrumento para evaluar la calidad de vida en el niño con Retinosis Pigmentaria, para ello se tomó el criterio de 19 expertos a los que se les entregó una planilla con 19 variables para valorar su efectividad y se les pidió que sugirieran otras. Los jueces evaluaron las variables ofertadas y sugirieron incluir otras. Como resultado se obtuvieron 20 variables agrupadas en tres escalas analógicas visuales, una para niños en forma de dibujos caricaturizados y otra para padres y médicos con consignas verbales. Se añadió además una pregunta abierta que explora Calidad de vida de forma global, y otra que interrogó acerca de otras preocupaciones que pudiera tener el pacienteAn instrument was made to evaluate the quality of life in children suffering from pigmentary retinosis, for that reason the criterion of 19 especialits was taken into account, they received a list with 19 variants to value its effectiveness and they were asked to suggest others. The judges evaluated the offered variables and they suggested to include others. As a result 20 variables were obtained contained in three visual analogical scales. One, in caricatural drawings form, for children and another with verbal watchwords for parents and doctors. It was also added an open question that explores quality of life in aglobal way and another one that interrogated about other concern that the patient could have
Burman, Jeremy Trevelyan
Those interested in tracking trends in the history of psychology cannot simply trust the numbers produced by inputting terms into search engines like PsycINFO and then constraining by date. This essay is therefore a critical engagement with that longstanding interest to show what it is possible to do, over what period, and why. It concludes that certain projects simply cannot be undertaken without further investment by the American Psychological Association. This is because forgotten changes in the assumptions informing the database make its index terms untrustworthy for use in trend-tracking before 1967. But they can indeed be used, with care, to track more recent trends. The result is then a Distant Reading of psychology, with Digital History presented as enabling a kind of Science Studies that psychologists will find appealing. The present state of the discipline can thus be caricatured as the contemporary scientific study of depressed rats and the drugs used to treat them (as well as of human brains, mice, and myriad other topics). To extend the investigation back further in time, however, the 1967 boundary is also investigated. The author then delves more deeply into the prehistory of the database's creation, and shows in a précis of a further project that the origins of PsycINFO can be traced to interests related to American national security during the Cold War. In short: PsycINFO cannot be treated as a simple bibliographic description of the discipline. It is embedded in its history, and reflects it. (PsycINFO Database Record (c) 2018 APA, all rights reserved).
Ngu Teck Hua
Full Text Available Reporting on issues like race and religion in a multi-racial and multi-religious society is not an easy media responsibility. In a country like Malaysia where racial and religious sensitivities abound, the media have to constantly tread on precarious ground, balancing between what to write and how to write it. Much of the concern over the reporting of sensitive issues stems from the belief that a wrong move may have dire consequences, as seen in the recent controversy and furore over the Prophet Muhammad caricature published in the Danish newspaper, Jyllands-Posten.This study analyses two recent racial/religious issues – M. Moorthy and Nyonya Tahir cases – as reported in the New Straits Times (NST, Utusan Malaysia (UM, Malaysia Nanban (MN and Sin Chew Daily (SCD. The former case caused a stir when there was a tussle between Moorthy’s Indian/Hindu family and the Federal Territory Islamic Affairs Council which argued that Moorthy had converted to Islam when he was alive without the family’s knowledge. The latter was a case of a Malay/Muslim woman who, while alive, had denounced Islam and lived as a Chinese practising Buddhism.This study analyses how the two race and religion-related controversial issues were treated in the various language newspapers in Malaysia. A preliminary finding showed that, true to the communal nature of the Malaysian press, there was an apparent slant in how the ethnic press covered these two issues. For instance, in terms of prominence given to the stories, SCD, while downplaying the Moorthy story, dedicated more space to the Nyonya Tahir case. Similarly, MN highlighted the Moorthy story and downplayed the Nyonya Tahir case. The different newspapers were also seen to ''favour'' the subject they covered according to the ethnicity.
Full Text Available La Documentation photographique, revue destinée aux enseignants et étudiants en histoire-géographie, place l’image au cœur de sa ligne éditoriale. Afin de suivre les évolutions actuelles de la géographie, la collection propose une iconographie de plus en plus diversifiée : cartes, photographies, mais aussi caricatures, une de journal ou publicité, toutes étant considérées comme un document géographique à part entière. Car l’image peut se faire synthèse ; elle peut au contraire montrer les différentes facettes d’un objet ; souvent elle permet d’incarner des phénomènes géographiques. Associées à d’autres documents, les images aident les enseignants à initier leurs élèves à des raisonnements géographiques complexes. Mais pour apprendre à les lire, il est fondamental de les contextualiser, de les commenter et d’interroger leur rapport au réel.The Documentation photographique, magazine dedicated to teachers and students in History - Geography, places the image at the heart of its editorial line. In order to follow the evolutions of Geography, the collection presents a more and more diversified iconography: maps, photographs, but also drawings or advertisements, all this documents being considered as geographical ones. Because image can be a synthesis; on the contrary it can present the different facets of a same object; often it enables to portray geographical phenomena. Related to other documents, images assist the teachers in the students’ initiation to complex geographical reasoning. But in order to learn how to read them, it is fundamental to contextualize them, comment them and question their relations with reality.
Full Text Available The 2016 U.S. presidential election can be described as nostalgic. On one hand, there was the fond remembrance of the Clinton administration characterized by a period of economic prosperity which overshadowed the more disastrous aftermath of various policies (the crime bill, the welfare reform, the Defense of Marriage Act, the repeal of the 1933 Glass-Steagall Act, etc.. On the other, the 2016 election brought to the surface a dormant longing for a privileged past rooted in open discrimination, inequality, segregation, and white supremacy, echoed by Donald Trump’s campaign. The Republican candidate had won the party’s nomination by openly and devoutly proselytizing against minority groups that allegedly threaten the fabric, integrity, and security of the United States. The more ethnic stereotypical caricatures and outright lies he employed in his speeches, the more successful his primary campaign was and the more he unnerved the Republican establishment, the general electorate, and the media. Yet Donald Trump’s campaign was not innovative by any means. Instead, as this study will argue, Trump’s electoral success during the primary elections can be in part attributed to the Republican Party’s decades-long history of strategic racism that has been instrumental in grooming the party’s base into Donald Trump’s supporters. In order to showcase that Trump’s ascendancy to the top of the Republican primary election was not a political accident, but a natural progression of decades-old officially sanctioned electoral policies, the study analyzes the origins behind the “dog whistle” practice, based on the model of strategic racism advanced by Ian Haney López. In conducting this research, I provide examples from U.S. public officials – past and present – and also highlight the role of the media in the propagation and cultivation of dog whistle politics.
Whittington, S G
Stealing the Gold presents a survey of some of the most exciting topics in condensed matter physics today, from the perspective of the pioneering work of Sam Edwards. Original articles from leaders in the field, including several Nobel laureates, highlight the historical development as well as new and emerging areas. This book would be of interest to graduate students and researchers in condensed matter physics, statistical physics and theoretical physics. Over the course of nearly half a century, Sam Edwards has led the field of condensed matter physics in new directions, ranging from the electronic and statistical properties of disordered materials to the mechanical properties of granular materials. Along the way he has provided seminal contributions to fluid mechanics, polymer science, surface science and statistical mechanics. This volume celebrates the immense scope of his influence by presenting a collection of original articles by recognized leaders in theoretical physics, including two Nobel laureates and a Fields medalist, which describe the genesis, evolution and future prospects of the various sub-fields of condensed matter theory, along with reprints of a selection of Edwards' seminal papers that helped give birth to the subject. Stealing the Gold, Edwards' favourite caricature of the relationship between theoretical physicists and nature, will be of singular interest to graduate students looking for an overview of some of the most exciting areas of theoretical physics, as well as to researchers in condensed matter physics looking for a comprehensive, broad and uniquely incisive snapshot of their subject at the dawn of the 21st century. (book review)
Monsters and Clowns Incorporated: the Representations of Adolf Hitler in British and American WWII Propaganda Posters Monstres, clowns et compagnie : les représentations d’Hitler dans les affiches de propagande britanniques et américaines pendant la Seconde Guerre mondiale
Full Text Available Dans les affiches de propagande britanniques et américaines de la Seconde Guerre mondiale, les représentations d’Adolf Hitler font de lui soit un monstre effrayant, sanguinaire et diabolique, soit un clown grotesque, un pantin ridicule et risible, une cible qu’il faut frapper, écraser, ou détruire d’une façon ou d’une autre. S’adressant au sens de l’humour du spectateur, à ses peurs ou à son aversion, les artistes de propagande des deux côtés de l’Atlantique utilisent des leviers émotionnels et des tons très variés pour faire du dictateur nazi un des ressorts principaux de la participation à l’effort de guerre. Ces caricatures d’Hitler, dont l’objectif final était d’encourager la production et les économies ou de lutter contre les bavardages intempestifs, révèlent une condamnation morale ou politique et font partie de la propagande de soutien au moral, qui vise à galvaniser les Troupes de l’Intérieur en présentant la victoire comme quelque chose de vital ou d’inéluctable. Qu’il soit monstre ou clown, on fait tomber le dictateur déshumanisé de son piédestal, un piédestal si soigneusement construit pour lui par la propagande nazie.
On July 4, experimenters at the European particle physics laboratory, CERN, near Geneva, Switzerland, held a special seminar in which they reported that they had at last discovered something resembling the Higgs boson, the last missing piece in particle physicists' standard model. The event drew more than 100 journalists, including myself, and the days leading up to the seminar evolved in almost a caricature of a media circus. Rumors coursed across the internet, bloggers prognosticated about what would be reported, anonymous sources whispered confidence levels to eager reporters, and on the very eve of the seminar CERN's own press office inadvertently leaked a video explaining many of the details. At a post-seminar press conference, dozens of photographers and videographers swarmed Peter Higgs, the eponymous theorist from the University of Edinburgh. Higgs even had his own handler to help him fend off the press onslaught. It was all great fun, but for a traditional journalist the event highlighted the many open questions we journalists now face. In the age of blogs and Twitter, does anybody really care that journalists try to put together fair, balanced, and accessible accounts of events? Or are people just as happy to get their information directly from researchers through their blogs or the lab through its press office? Is being first out with the story the only measure of success these days, or is there still a market for deeper analysis? I'll use the Higgs hoopla as a lens to lay out the questions as I see them. I am hoping to get the answers of the members of the audience in a discussion.
In recent years, tensor network states have emerged as a very useful conceptual and simulation framework to study quantum many-body systems at low energies. In this paper, we describe a particular way in which any given tensor network can be viewed as a representation of two different quantum many-body states. The two quantum many-body states are said to correspond to each other by means of the tensor network. We apply this "tensor network state correspondence"—a correspondence between quantum many-body states mediated by tensor networks as we describe—to the multi-scale entanglement renormalization ansatz (MERA) representation of ground states of one dimensional (1D) quantum many-body systems. Since the MERA is a 2D hyperbolic tensor network (the extra dimension is identified as the length scale of the 1D system), the two quantum many-body states obtained from the MERA, via tensor network state correspondence, are seen to live in the bulk and on the boundary of a discrete hyperbolic geometry. The bulk state so obtained from a MERA exhibits interesting features, some of which caricature known features of the holographic correspondence of String theory. We show how (i) the bulk state admits a description in terms of "holographic screens", (ii) the conformal field theory data associated with a critical ground state can be obtained from the corresponding bulk state, in particular, how pointlike boundary operators are identified with extended bulk operators. (iii) We also present numerical results to illustrate that bulk states, dual to ground states of several critical spin chains, have exponentially decaying correlations, and that the bulk correlation length generally decreases with increase in central charge for these spin chains.
Full Text Available The rhetoric of Amos includes a wonderful mixture of humour and threat, sarcasm and irony, hyperbole and prediction. Holding the fabric of this conversation together is Amos’s place within the prophetic minority – the Yahweh-only party (his anti-society. Making use of sociolinguistics, and particularly the idea of anti-language, I take a closer look at Amos, including his use of overlexicalisation, insider-humour and all the shades of irony one might expect. Typically of a member of an anti-society, Amos exaggerates the differences between insider and outsider, in this case, speaking of ‘ivory houses’, ‘the cattle of Bashan’ while appealing to his successful attempts to save the rich from the wrath of God. The offenses of the outsiders are sometimes crystal clear and at other times shrouded in metaphor, and so too is the fate of these people. In reading Amos, we are constantly in danger of falling victim to the persuasive power of his rhetoric. We are drawn into the world of Amos, quickly accepting his boundaries and the ideology of his anti-society, his depiction of reality and his stark caricature of the rich. The rhetoric is persuasive and the irony is divisive forcing a choice of black and white, believer and unbeliever, rich and poor, oppressors and oppressed. We struggle to swim against the current and instead long to respond to Amos’s invitation to live (Am 5:5 – perhaps even to discover that elusive hope at which the book hints: Most of history has been the forging of structures of security and appropriate loyalty symbols, to announce and defend one’s personal identity, one’s group, and one’s gender issues and identity. (Rohr 2011:4
In order to facilitate domestication and breeding of new or underexploited crop species, the genetic basis of many traits must be critically investigated, and both naturally occurring and induced mutations should be utilized. Classically, most breeding procedures have invoked the dichotomy of major genes versus polygenes (or discrete versus continuously varying traits) which is briefly reviewed here from several viewpoints. Clearly, the evidence for two distinct classes of genes (or gene effects on phenotype) and traits is largely a product of different forms of genetic analyses and their primary objectives as well as of researchers' expectations. Superimposed on the simplest Mendelian ratios and genome maps are numerous sources of molecular variation and gene expression at many levels of phenotypic description. Many attempts to delineate developmental pathways and to identify genes controlling discrete vs. quantitative phenotypic variation have resulted in emphasis on multigenic models with specific gene effects at mappable loci but nonetheless modified by small effects. Thus, quantitative genetic variation may arise from multi-genic and multi-allelic systems of both structural and regulatory gene action and gene interactions which, from an empirical breeding perspective, might be adequately described by the biometrical and evolutionary models. Polygenic analyses were conceptually based on genetic parameters in these models (as caricatures of reality) but efforts to modify or reject them by identifying and mapping sources of phenotypic variation through newer genetic methods are likely to enrich and not displace biometrical methods. Domestication programmes, in particular, should employ the entire array of genetic discoveries and methodologies. (author). 71 refs, 1 fig., 1 tab
Full Text Available Recent investigations on ninth-century Byzantine Psalters have focused mostly on the impact of the iconoclast controversy on the iconography of the marginal illustrations in these manuscripts. In fact this impact has been greatly exaggerated and the Psalter illustrations that can be connected to the debates on icon are less than a dozen out of a total of a few hundreds. The present article focuses on the iconography of figures illustrating social and moral types in the psalms. These figures cannot be considered as novel inventions of the ninth-century artists who painted our manuscripts. Their origin must be drawn back to late antique prototypes; in particular it is inferred that most of these figures represent characters that were originally modeled after the moral and social types acted on stage in late antique theater, mime and pantomime. A number of examples out of the miniatures in the Carolingian manuscripts of Terence and other media provides parallels to gestures, postures and features of the figures in the Psalter illustrations. The iconographical invention of these characters for the psalms must date from fourth to sixth century, a period during which theater was still very popular, notwithstanding the strong opposition of the Christian Fathers. Chroricius of Gaza' Apologia memoriam and other late antique writings witness the popularity of mime up to the middle sixth century and the ample variety of types that were acted on stage. The figures scissor out of marginal illustrations in the Byzantine Psalters are arranged in five plates collecting examples of, respectively, moral types, emotions caricatures, social types and professions, gods and devils.
Helms, Sarah W.; Choukas-Bradley, Sophia; Widman, Laura; Giletta, Matteo; Cohen, Geoffrey L.; Prinstein, Mitchell J.
Most peer influence research examines socialization between adolescents and their best friends. Yet, adolescents also are influenced by popular peers, perhaps due to misperceptions of social norms. This research examined the extent to which out-group and in-group adolescents misperceive the frequencies of peers' deviant, health risk, and adaptive behaviors in different reputation-based peer crowds (Study 1) and the prospective associations between perceptions of high status peers' and adolescents' own substance use over 2.5 years (Study 2). Study 1 examined 235 adolescents' reported deviant (vandalism, theft), health risk (substance use, sexual risk), and adaptive (exercise, studying) behavior, and their perceptions of Jocks', Populars', Burnouts', and Brains' engagement in the same behaviors. Peer nominations identified adolescents in each peer crowd. Jocks and Populars were rated as higher status than Brains and Burnouts. Results indicated that peer crowd stereotypes are caricatures. Misperceptions of high status crowds were dramatic, but for many behaviors, no differences between Populars'/Jocks' and others' actual reported behaviors were revealed. Study 2 assessed 166 adolescents' substance use and their perceptions of popular peers' (i.e., peers high in peer perceived popularity) substance use. Parallel process latent growth analyses revealed that higher perceptions of popular peers' substance use in Grade 9 (intercept) significantly predicted steeper increases in adolescents' own substance use from Grade 9 to 11 (slope). Results from both studies, utilizing different methods, offer evidence to suggest that adolescents misperceive high status peers' risk behaviors, and these misperceptions may predict adolescents' own risk behavior engagement. PMID:25365121
Sharma, S; Weerackody, I; Panday, N R; Al-mujahid, S; Musa, A B
This article gives a brief overview of women's access to journalism and communication training, status of women in the media, their needs for development of skills, and portrayal of women in the media, in Bangladesh, Nepal, Pakistan, India and Sri Lanka. 5 authors from those countries contributed sections subdivided into each of these subheadings. In India, women have access to training, but their positions in the media are limited. They are often falsely stereotyped, sensationalized or exploited, or totally absent. In Sri Lanka, however, women are closer to being equal to men, in terms of training, hiring and employment, although they tend to work in women's periodicals. Women are shown in most of the advertisements, and are generally portrayed as perpetually in pursuit of glamour, food, clothes and cosmetics. Media in Nepal are comparatively new; for example, television is only 1 year old. Therefore, opportunities for women are few, and men dominate the hierarchy. Women are portrayed in the media negatively or sensationally, and used extensively in commercials. Women's position in Pakistan is limited in the cities by purdah and in rural areas by the feudal heritage, in which women are chattel. A minority of women are enrolled in journalism schools a employed in the media: those are excelling. Women are often either idealized, abused or caricatured as interested only in consumption. Women have recently entered the journalism profession in Bangladesh, now totaling 24 women. Mores do not permit women to work at night or on outside assignments. The media are liberal in Bangladesh, airing news about dowry abuse and female oppression openly. In most of the countries, women tend to work only until marriage, or afterward are limited by domestic duties.
Full Text Available A ideia de problema invade, atualmente, a escola e a formação. Como evitar que esta ideia não se dilua e se caricature? Parece ser necessário voltar à questão de raiz: o que é problematizar? Estuda-se, aqui, a génese do paradigma da problematização a partir de 4 filosofias do problema: John Dewey, Gaston Bachelard, Gilles Deleuze e Michel Meyer. Ainda que estas filosofias se manifestem a partir de intuições diferentes e desenvolvam teses próprias, elas convergem largamente sobre a ideia de problematização o que permite uma definição rigorosa de conceitos (a problematização, o problemático, a problemática. Estas filosofias permitem, igualmente, evidenciar as exigências intelectuais de uma atitude que parece ter de fazer o percurso normal do pensamento comum e até - segundo alguns dos nossos autores - do pensamento filosófico, marcado precisamente pelo esquecimento do problema. Não há problematização se não for instaurado um autocontrole do pensamento, uma dialética entre dados e condições do problema, o que necessita conceber uma lógica da pesquisa, centrada na construção do problema e não apenas sobre a respetiva resolução. É possível delinear as incidências pedagógicas dos quatro esboços estudados quanto à relação entre saber e problema. As suas próprias divergências revelam-se pedagogicamente sobre determinadas: reenviam para os problemas de uma pedagogia dos problemas.Nowadays, the idea of the problem invades the school and training. How to avoid that this idea does not dilute and caricaturizes itself? It seems necessary to go back to the root question: What is problematization? The genesis of the paradigm of problematization is studied here departing from 4 problem philosophies from John Dewey, Gaston Bachelard, Gilles Deleuze and Michel Meyer. While these philosophies come up from different intuitions and develop their own theories, they largely converge on the idea of problematization which
Anita Flanders Rebelo
Full Text Available It's the modern consumer mind - compete to eat, save to the grave, throw to the wind to win! Never the game that's im portant - it's the beer , the fag. . . and if you're broke it's just the "odds" to turn you on. "Socrates didn't play dice games. He drank a lot. And when he was drunk he would go watch the game and give advice. It was because of bad advice that he was eventually sentenced to death. . . Back then it was more fun. Nobody knew anything about odds. It was just put down your money, you toss the dice, you laugh, you take another drink." - to Cassidy,it's knowing the odds that's put everybody on pot. Rack Cassidy's Winning at Poker and Games of Chance lampoons the illogic logic of modern "instructed" man. It is a disturbingly funny caricature of a nonsensical consumer's mind trying to ratio nalize the game of life, and what comes out is "hash" - not meat and potatoes. The book is high philosophical slapstick comedy ila Charlie Chaplin on paper in today's scene. To Cassidy, consumer thinking has made intellectual nitwits of us. We're always ex plaining in detail about what we don't have the slightest real understanding of, but we go on and on like automats spitting out words and words which in the long run make no sense to our__ selves and much less to the other poor broken down human calculat ing machines - especially when we try to give logic to our il/logical vices and fears.
Full Text Available As a global consensus continues to form about the gravity of the ecological risks facing the world in the new century, a smaller, parallel consensus about the pivotal role to be played by ecological designers and planners has also emerged. Few observers dispute the basic idea that the physical design of the built environment is a critical element of an ecologically healthy civilisation. As such, the planners and designers who focus on holistic, place-based strategies for creating those environments and promoting the long-term protection of ecosystems have much to contribute to the larger debate over the meaning and practice of sustainability. Because their role is potentially so important, it matters how ecological designers and planners conceptualise and present their work to the larger society. In particular, addressing a subtle, conceptual divide between ecological design and environmental justice concerns should be a priority. Far from being solely the province of New Age escapists or idiosyncratic, wealthy clients as it is often caricatured, ecological design practice is in fact critical to confronting the harsh realities of toxic exposure, air pollution, and water contamination that beset disadvantaged communities. After pointing out the key physical and conceptual links between ecological design and environmental justice, this paper argues that landscape architects do not sufficiently emphasise the human impacts of ecological degradation resulting from unsustainable design. It goes on to identify two specific analytical tools (ecological economics and a modified form of ecological footprint analysis that can help the profession make this case. A greater effort to do so would help to expand the influence of ecological landscape design in both the global debates about sustainability and in localised realms of implementation.
Corning, Peter A
Holistic Darwinism is a candidate name for a major paradigm shift that is currently underway in evolutionary biology and related disciplines. Important developments include (1) a growing appreciation for the fact that evolution is a multilevel process, from genes to ecosystems, and that interdependent coevolution is a ubiquitous phenomenon in nature; (2) a revitalization of group selection theory, which was banned (prematurely) from evolutionary biology over 30 years ago (groups may in fact be important evolutionary units); (3) a growing respect for the fact that the genome is not a "bean bag" (in biologist Ernst Mayr's caricature), much less a gladiatorial arena for competing selfish genes, but a complex, interdependent, cooperating system; (4) an increased recognition that symbiosis is an important phenomenon in nature and that symbiogenesis is a major source of innovation in evolution; (5) an array of new, more advanced game theory models, which support the growing evidence that cooperation is commonplace in nature and not a rare exception; (6) new research and theoretical work that stresses the role of nurture in evolution, including developmental processes, phenotypic plasticity, social information transfer (culture), and especially the role of behavioral innovations as pacemakers of evolutionary change (e.g., niche construction theory, which is concerned with the active role of organisms in shaping the evolutionary process, and gene-culture coevolution theory, which relates especially to the dynamics of human evolution); (7) and, not least, a broad effort to account for the evolution of biological complexity--from major transition theory to the "Synergism Hypothesis." Here I will briefly review these developments and will present a case for the proposition that this paradigm shift has profound implications for the social sciences, including specifically political theory, economic theory, and political science as a discipline. Interdependent superorganisms, it
Full Text Available Robert Seymour was celebrated enough in his day to become one of very few late Regency and early Victorian comic and satirical draughtsmen sufficiently visible to be traced through the magazines of the 1830s. His periodical contributions are, therefore, of considerable significance in trying to establish the patterns of work and maps of interconnected activity that were necessary to sustain the career of a jobbing draughtsman at this time. After contributing to Bell’s Life in London in the late 1820s, Seymour’s presence as a prolific magazine illustrator dates largely from the early 1830s. As well as a mass of jobbing illustrations that were produced for a remarkably diverse range of magazines. Seymour worked extensively for three significant and profusely illustrated magazines at this time — the Looking Glass, Figaro in London, and the Comic Magazine. The Looking Glass was published by Thomas McLean and sought to sustain an established tradition of political caricature through adapting it to a magazine format using the relatively new reprographic medium of lithography. Figaro in London was illustrated by vignette wood engravings, which were both vernacular and sophisticated at the same time. The Comic Magazine, another publication dependent on small wood-engraved images, sought to build on the growing popularity of song books and comic annuals. The diversity and prolixity of Seymour’s output at this time bears testimony to the extraordinary demands made on draughtsmen and engravers in the 1830s, and suggests something of the relentlessly innovative market place for humorous and satirical print at this time.
Full Text Available Cet article évoque la tradition religieuse (biblique et celle d’Augustin qui influença la perception de l’enfance (entachée par le péché originel jusque dans les années 1830 au moins, notamment dans les écrits évangéliques pour la jeunesse (The History of the Fairchild Family (1818 de Mary Sherwood. Mais la philosophie des Lumières (Rousseau et les Romantiques anglais (Wordsworth et sa célèbre Ode, Thomas De Quincey marquent le début d’une nouvelle approche de l’enfance, considérée comme innocente, voire visionnaire. En témoigne la fiction de Dickens, qui abonde en personnages d’enfants occupant un rôle de premier plan, qui permit de dénoncer les mauvais traitements qui leur étaient infligés et d’y remédier. Dans certains de ses romans, l’enfant est cependant « angélisé » au point de frôler la caricature mais mon propos est surtout de mettre en lumière une veine plus subversive chez Dickens (comme chez Elizabeth Gaskell dans Wives and Daughters, 1866 qui fait de l’enfant, à travers une utilisation novatrice du concept de nature, l’instrument d’une contestation de l’autorité parentale inconditionnelle (et donc de certains préceptes religieux et qui, pour la première fois, met en avant les devoirs et obligations envers les enfants.
Amy Patricia Cadwallader
Full Text Available In this research paper, the author addresses the following four questions: 1 What are the implications of bringing pole dancing into concert dance, not as a caricature or theatrical version of what is performed in strip clubs, but as its own, free-standing art form? 2 In what ways will years of ballet and modern dance training influence the type of dancing that emerges from dancers when poles and other apparatuses are introduced? 3 How can the author create an original pole dancing style and pedagogical methods for teaching it? 4 Who participates in pole fitness classes and how does the demographic change based on location? What about when pole fitness classes are offered in an academic setting? The author shares first-hand experiences of investigating pole dancing in fitness classes, attending performances, engaging in a rehearsal process with highly trained dancers, and teaching pole dancing to movers with a wide range of abilities. The author addresses how research plans changed as she encountered limitations of budget and time constraints. The author also elaborates on the creative process that she engaged in with her thesis cast, collaborators, and supporting designers in the making of Super-beneath, a theatrical dance work that uses five, free-standing poles. She outline the vignettes, overall structure, and narrative of the work. The author then discusses where this research fits into the larger field of pole dancing, and the even larger field of dance. In the final sections of this paper, the author describes her pedagogical practices relating to pole classes, what “practice as research” means to her, and how she would like to continue on this research trajectory in the future.
Full Text Available En este ensayo se analiza el repertorio de recursos satíricos empleados por Eduardo Barrios en Gran Señor y rajadiablos en la confección de un relato humorístico que socava la percepción ideológica que privilegiaba la fama del apellido y del linaje peninsular como signos hegemónicos del estatus aristocrático. Mediante la caricaturización literaria de las cadenas emblemáticas asociadas al fuero de los Casaquemada y el escudo de armas de los antepasados de los Valverde, Eduardo Barrios pone de relieve la persistencia ideológica, en algunos sectores de la sociedad chilena representada en la novela, de un sistema anacrónico de diferenciación social incompatible con el nuevo ideario democrático impulsado con el advenimiento de la república.This essay analyses the array of satirical resources employed by Eduardo Barrios in his Gran Señor y rajadiablos (GreatLordandHellRaiser to create a humoristic narration undermining the ideological perception that favored the Peninsular last name and lineage as hegemonic signs of aristocratic status. Through a literary caricature-like representation of the emblematic chains related to the Casaquemada court of justice and the Valverde predecessors' coat of arms, Barrios satirizes the persistence of an anachronic ideology of social differentiation held by some sectors of the Chilean society represented in this novel. Such ideology becomes incompatible with the new democratic ideals brought along by the emerging Republic.
Helms, Sarah W; Choukas-Bradley, Sophia; Widman, Laura; Giletta, Matteo; Cohen, Geoffrey L; Prinstein, Mitchell J
Most peer influence research examines socialization between adolescents and their best friends. Yet, adolescents also are influenced by popular peers, perhaps due to misperceptions of social norms. This research examined the extent to which out-group and in-group adolescents misperceive the frequencies of peers' deviant, health risk, and adaptive behaviors in different reputation-based peer crowds (Study 1) and the prospective associations between perceptions of high-status peers' and adolescents' own substance use over 2.5 years (Study 2). Study 1 examined 235 adolescents' reported deviant (vandalism, theft), health risk (substance use, sexual risk), and adaptive (exercise, studying) behavior, and their perceptions of jocks', populars', burnouts', and brains' engagement in the same behaviors. Peer nominations identified adolescents in each peer crowd. Jocks and populars were rated as higher status than brains and burnouts. Results indicated that peer crowd stereotypes are caricatures. Misperceptions of high-status crowds were dramatic, but for many behaviors, no differences between populars'/jocks' and others' actual reported behaviors were revealed. Study 2 assessed 166 adolescents' substance use and their perceptions of popular peers' (i.e., peers high in peer perceived popularity) substance use. Parallel process latent growth analyses revealed that higher perceptions of popular peers' substance use in Grade 9 (intercept) significantly predicted steeper increases in adolescents' own substance use from Grade 9 to 11 (slope). Results from both studies, utilizing different methods, offer evidence to suggest that adolescents misperceive high-status peers' risk behaviors, and these misperceptions may predict adolescents' own risk behavior engagement. PsycINFO Database Record (c) 2014 APA, all rights reserved.
Jeftimijević-Mihajlović Marija S.
Full Text Available The history of Serbian literature originating in Kosovo and Metohija during the second half of the previous century values Peter Sarić the most by his novel The Master is Coming Tomorrow, although he penned seven novels. The Master is Coming Tomorrow is the image of power which, instead of protecting human rights, is transformed into the instrument of violence. It is the image of tyrant and tyranny, and it is at the same time a caricature of people - vassals, who out of fear, rather humbly languish in the so-called freedom, zealously shouting the Master's name. One gets the impression that the writer wanted to portray vassalage in a satirical way more than tyranny. This thoroughly psychological characteristic of vassals, and power-holders of strong autocracy, makes Sarić a modern story-teller who has the courage and literary talent to dive into the deepest secrets of human nature, exposing the darkest corners of human psyche, something people are not willing to speak about. It is the novelty in the literature created in this area during the second half of the previous century; no other literary creation so clearly and precisely profiles the collective consciousness of one nation or the individuality of a ruler. In this novel, Sarić reveals a new face of patriarchal culture and the patriarchal system of the Montenegrin community. At the same time, Sarić confirms a known face of history, since each absolute power is based on identical levers of unscrupulous tyrants and humiliated, obedient people who resigned themselves to such a system.
Philip J Murray
Full Text Available The hair follicle system represents a tractable model for the study of stem cell behaviour in regenerative adult epithelial tissue. However, although there are numerous spatial scales of observation (molecular, cellular, follicle and multi follicle, it is not yet clear what mechanisms underpin the follicle growth cycle. In this study we seek to address this problem by describing how the growth dynamics of a large population of follicles can be treated as a classical excitable medium. Defining caricature interactions at the molecular scale and treating a single follicle as a functional unit, a minimal model is proposed in which the follicle growth cycle is an emergent phenomenon. Expressions are derived, in terms of parameters representing molecular regulation, for the time spent in the different functional phases of the cycle, a formalism that allows the model to be directly compared with a previous cellular automaton model and experimental measurements made at the single follicle scale. A multi follicle model is constructed and numerical simulations are used to demonstrate excellent qualitative agreement with a range of experimental observations. Notably, the excitable medium equations exhibit a wider family of solutions than the previous work and we demonstrate how parameter changes representing altered molecular regulation can explain perturbed patterns in Wnt over-expression and BMP down-regulation mouse models. Further experimental scenarios that could be used to test the fundamental premise of the model are suggested. The key conclusion from our work is that positive and negative regulatory interactions between activators and inhibitors can give rise to a range of experimentally observed phenomena at the follicle and multi follicle spatial scales and, as such, could represent a core mechanism underlying hair follicle growth.
Haque, Omar S; De Freitas, Julian; Viani, Ivana; Niederschulte, Bradley; Bursztajn, Harold J
During the Weimar Republic in the mid-twentieth century, more than half of all German physicians became early joiners of the Nazi Party, surpassing the party enrollments of all other professions. From early on, the German Medical Society played the most instrumental role in the Nazi medical program, beginning with the marginalization of Jewish physicians, proceeding to coerced "experimentation," "euthanization," and sterilization, and culminating in genocide via the medicalization of mass murder of Jews and others caricatured and demonized by Nazi ideology. Given the medical oath to "do no harm," many postwar ethical analyses have strained to make sense of these seemingly paradoxical atrocities. Why did physicians act in such a manner? Yet few have tried to explain the self-selected Nazi enrollment of such an overwhelming proportion of the German Medical Society in the first place. This article lends insight into this paradox by exploring some major vulnerabilities, motives, and rationalizations that may have predisposed German physicians to Nazi membership-professional vulnerabilities among physicians in general (valuing conformity and obedience to authority, valuing the prevention of contamination and fighting against mortality, and possessing a basic interest in biomedical knowledge and research), economic factors and motives (related to physician economic insecurity and incentives for economic advancement), and Nazi ideological and historical rationalizations (beliefs about Social Darwinism, eugenics, and the social organism as sacred). Of particular significance for future research and education is the manner in which the persecution of Jewish physician colleagues was rationalized in the name of medical ethics itself. Giving proper consideration to the forces that fueled "Nazi Medicine" is of great importance, as it can highlight the conditions and motivations that make physicians susceptible to misapplications of medicine, and guide us toward prevention of
Full Text Available The concept of zakat economy performed in Nganjuk, has a fairly wide spectrum. It is not just the caricature and religious rituals, but more empowerment. Zakat is not only as a form of worship to God or moral obligation for Muslims, but also has function as fiscal alternative policy instruments to achieve the equal distribution of income among Muslims. Provision of social assistance from the rich to the poor or to other mustahiq. Zakat is expected to uplift the poor and helping the way out of the difficulties of life. Helping the problems solving faced by mustahiq, get rid of niggardly nature and tighten the brotherhood among Muslims. Normatively, Zakat practiced in the lives of people in Nganjuk is the worship of socio-economics patterned, which can be used to prevent the accumulation of wealth in the minority of people and narrow the economic gaps in society. On the other hand, it also becomes a kind of social security act for "the loser" in the development process, and as social safety nets (certainty of the fulfillment of minimum rights the poor that has as a control against the human nature which tends to be happy to the wealth accumulation. We can collect data on the level of the real needs of mustahiq zakat groups, zakat funds capabilities, and mustahik conditions thus leading to increase in the human welfare in Nganjuk. Empowerment in this context implies giving zakat to mustahiq productively with the aim that zakat will bring results and benefits. The distribution of zakat seen from its form can be done in two ways, namely: First, the instantaneous form and mustahiq zakat empowerment form productively, mustahiq in this category is mustahik of eight ashnaf that have ability, potential and power to work. Second, the distribution of empowerment form is the distribution of zakat which accompanied the target of changing mustahiq conditions into muzakki categories.
Rua, Melissa Jo
The present study examined the understandings held by 5th, 8th, and 11th-grade students, their teachers and medical professionals about germs. Specifically, this study describes the content and structure of students' and adults' conceptions in the areas of germ contraction, transmission, and treatment of infectious and non-infectious diseases caused by microorganisms. Naturalistic and empirical research methods were used to investigate participants' conceptions. Between and within group similarities were found using data from concept maps on the topic "flu," drawings of germs, a 20 word card sort related to germs and illness, and a semi-structured interview. Concept maps were coded according to techniques by Novak and Gowan (1984). Drawings of germs were coded into four main categories (bacteria, viruses, animal cell, other) and five subcategories (disease, caricature, insect, protozoa, unclassified). Cluster patterns for the card sorts of each group were found using multidimensional scaling techniques. Six coding categories emerged from the interview transcripts: (a) transmission, (b) treatment, (c) effect of weather on illness, (d) immune response, (e) location of germs, and (f) similarities and differences between bacteria and viruses. The findings showed students, teachers and medical professionals have different understandings about bacteria and viruses and the structures of those understandings vary. Gaps or holes in the participants knowledge were found in areas such as: (a) how germs are transmitted, (b) where germs are found, (c) how the body transports and uses medicine, (d) how the immune system functions, (e) the difference between vaccines and non-prescription medicines, (f) differences that exist between bacteria and viruses, and (g) bacterial resistance to medication. The youngest students relied heavily upon personal experiences with germs rather than formal instruction when explaining their conceptions. As a result, the influence of media was
Full Text Available Le rejet par Claude Lévi Strauss du personnage de l’explorateur organise son exploration de l’Amazonie autant que sa quête de l’Indien. Le scientifique, entre les deux, est situé dans une position équidistante entre la clairvoyance et l’aveuglement. Le « voyage » frappé de la même opprobre est présenté, de façon similaire comme un travestissement du nomadisme indigène. L’exploration des régions du totémisme ou de l’animisme est décrite comme une activité cérébrale, intellectuelle, passant par l’identification des structures fondamentales de mythes chargés d’organiser la connaissance du monde et ne devant pas grand chose au nécessaire mouvement des pieds. Pourtant, en observant attentivement la polarité doublement négative des pieds d’un explorateur de l’Amazonie, Jules Crevaux, on découvre des structures communes au territoire parcouru et au mythe moderne qui confirment de façon paradoxale la pertinence des analyses de l’anthropologue.The rejection by Lévi Strauss of the explorer organise his own exploration of Amazonia as much as his quest for the Indian. The scientist, between those two characters, holds a medium position between blindness and foresight. The « voyage », stuck by the same despise, is presented as a caricature of indigenous nomadism. The exploration of the countries of totemism and animism is described as a mental, intelectual activity based on the identification of the fundamental structures of the myths organising the knowledge of the world which has nothing to do with the necessary movement of the feet. Nevertheless, the carefull observation of the feet of an amazonian explorer, Jules Crevaux (1847-1882, reveals structures which are common to the covered territory and to a modern mythology. This structures give an unexpected confirmation of the efficiency of the anthropologist’s analyses.
Maurin, Damien; Pacault, Clément; Galès, Brieuc
: the venality, the salacious, cynicism. We showed that the stereotypes contained in the medical jokes were quite caricatured and portrayed an unflattering picture of doctors in general. These traits were necessarily marked to emphasize the humorous effect of a joke. We have not entered into the reality of these stereotypes or their social role in the relationship between doctors. Copyright © 2014 Elsevier Masson SAS. All rights reserved.
Full Text Available Lario Viljoen,1 Rhoda Ndubani,2 Virginia Bond,2,3 Janet Seeley,3 Lindsey Reynolds,4,5 Graeme Hoddinott1 On behalf of the HPTN 071 (PopART Study Team 1Desmond Tutu TB Centre, Department of Paediatrics and Child Health, Faculty of Medicine and Health Sciences, Stellenbosch University, Cape Town, South Africa; 2Zambia AIDS-related Tuberculosis Project (Zambart, School of Medicine, Lusaka, Zambia; 3Department of Global Health and Development, Faculty of Public Health and Policy, London School of Hygiene and Tropical Medicine, London, UK; 4Population Studies and Training Center, Brown University, Providence, RI, USA; 5Department of Sociology and Social Anthropology, Stellenbosch University, Stellenbosch, South Africa Abstract: Public health researchers repeatedly represent women as a group vulnerable to ill health. This has been particularly true in the field of HIV research, where women are disproportionately affected by HIV in terms of disease burden and the social effects of the epidemic. Although women have been the focus of many prevention and treatment programs, structural barriers to implementation of these targeted programs persist. In this article we explore how high HIV-burden communities in South Africa and Zambia engage with the concepts of “woman” and “HIV risk”. The data are drawn from participatory storytelling activities completed with 604 participants across 78 group discussions between December 2012 and May 2013. During discussions we found that participants made use of the core archetypal caricatures of “goodness,” “badness,” and “vulnerability” when describing women’s HIV risk. Community members shifted between these categories in their characterizations of women, as they acknowledged the multiple roles women play, internalized different stories about women, and sometimes shifted register in the same stories. Findings suggest that health implementers, in consultation with community members, should consider
Maria Lucia de A. Machado
Full Text Available O propósito deste texto é o de apontar desafios iminentes para formuladores e implementadores de projetos de formação de profissionais para educação infantil a partir de duas das várias vertentes que os subsidiam. Aborda-se inicialmente um conjunto de fatores que configura o contexto atual brasileiro no qual os projetos se realizam. Em seguida, trata-se da concepção de crescimento e desenvolvimento infantil da qual decorre o desafio de integrar o enfoque cuidar/educar à ênfase numa pedagogia calcada nas interações de crianças e adultos, resultando em temas específicos de formação. Sabendo da força com que um modelo de escolarização caricato vem se difundindo nas instituições de atendimento a crianças de 0 a 6 anos, outro dos desafios que se coloca aos projetos de formação é o de formar profissionais aptos a integrarem-se aos sistemas educacionais e, simultaneamente, atuarem em modalidades de atendimento sustentados em aportes teóricos fundamentados de modo consistente nas necessidades e características de crescimento e desenvolvimento de bebês e crianças pequenas.The premise of this text is to point out the imminent challenges for those who formulate and implement training projects for child education professionals, based on two of the several currents which support them. The first includes the group of factors that make up the present Brazilian context in which projects are undertaken. The second, treats the conception of growth and child development from which comes the challenge to integrate the focus care/education, emphasizing a pedagogy based in child adult interaction, resulting in specific training themes. Knowing of the force with which a caricatured model of schooling has been disseminated in the institutions that care for children from birth to 6 years of age, another challenge put to training projects is to form professionals able to integrate themselves into the educational systems and simultaneously to
For many years, illegal abortion has been denounced in Spain. The estimate of 300,000 abortions annually is widely quoted but poorly founded in fact. Weekend "charters" to London and Amsterdam for women seeking abortions have been commented upon, denounced, and caricatured. The evidence indicates that abortions occur in Spain despite their illegality, just as they occur in every other country and have always occurred. Poor women abort in a poor way, with traditional healers, while rich women abort in a rich way, with physicians. "Charters" are the solution of the middle class. Proposed legislation in Spain would permit abortion on 3 grounds: rape, fetal malformation, and risk to the woman's life if the pregnancy continued. Excesses have been committed both by those opposing abortion and by those struggling for liberalization of laws. Defenders of abortion, such as radical feminists, appear to forget that abortion is a medical procedure with possible dangerous psychophysical consequences, and that preventive measures such as sex education and diffusion of contraception or social measures such as assistance for unwed mothers and their children would be preferrable to abortion. There is the question of whether medical personnel should be excused from assisting in abortions on grounds of conscience and whether those who do assist in abortions automatically become "progressive" by doing so. The staunchest defenders of fetal life are not moved to contribute anything beyond words to improvement of the plight of the many millions of already born who live in miserable conditions of hunger and want. Abortion is a violent act against the fetus and the pregnant woman. Its criminalization is a violent act against the woman and a social intrusion into matters better left to personal ethics. The government which proposes abortion on a few grounds fails to initiate a program to promote life through social protection of single mothers and their children or of families in general
Full Text Available The present research considers two Global problems of the humanity:intercivilizational contradictions and the pandemic of abortion as serious conflicts, the solution of which depends on the relevant public educational policies. The tension in the relationship between the Islamic World and the West, caused by the so-called “caricature scandal”, encourages to understanding the conflict and the ways of its solution. There is also the problem of massive numbers of abortions in the world that requires a scientific analysis and relevant conclusions. The research revealed that both sides of intercivilizational conflicts are responsible for it. The freedom of speech as an ingredient of democracy cannot exist only for itself. It should be based on the human values, including respect for other nations, religions, cultures, as well as the protection of human life. The second part of the research concerns the pandemic of abortion. Based on the achievements of modern embryology, sociology and bioethics, four levels of this conflict were defined. The first level is a conflict concerning the life of the unborn child. The second one is a conflict concerning a mother. The third one is a conflict with the nation. The fourth one is a conflict with God. On these issues, the survey was conducted among the first year medical students at Ternopil State Medical University. It was also concluded that it would have been useful to present the model of state policy aimed to prevent conflictsbetween civilizations, aswellasthepandemicofabortiontothestudents. Thispolicy should include: information policy (promotion of the idea that human life is the highest value, and human relationships should be based on the principles of tolerance; education policy (education in today’s youth of the culture of interpersonal relationships based on honesty, responsibility; social policy (creation of the material conditions for young families, single mothers; policy in the health sector
Full Text Available L’artiste afro-américaine Kara Walker (1969- travaille principalement sur les silhouettes découpées, forme d’art des XVIIIe et XIXe siècles qui était alors utilisée pour les portraits, les caricatures et la décoration. Un grand nombre de critiques d’art, tout particulièrement Howardena Pindell, accuse Walker de renforcer les stéréotypes raciaux et de ne pas réussir à mettre le présent en relation avec le passé dans son travail. Cet article considère l’aspect humoristique du travail de Walker et défend l’idée que le rire est une pratique spatiale, en tant qu’expérience vécue, qui occupe une partie seulement de l’espace se trouvant entre les stéréotypes raciaux et la vie. Offrir une perspective ludique est une stratégie clé dans un contexte de recherche d’un espace à partir duquel il est possible de critiquer et d’analyser des imaginaires sociaux irréconciliables. La distorsion gênante de Walker se situe dans son insistance à aplanir les corps et donc à leur retirer tout espace, tout en les étalant littéralement en tant que projections sur une surface plane, accentuant de ce fait le coté dramatique du blanc et du noir. A première vue, les silhouettes de Walker semblent perpétuer un code dichotomique de la différence culturelle. Cependant, cet article montre que le troisième espace, celui du rire, exerce une force perturbatrice qui commente la politique de la représentation à partir des stéréotypes eux-mêmes. Cet argument est illustré par son panneau Safety Curtain I qui servit de rideau à l’Opéra de Vienne pendant l’hiver 1998-1999.
Pérez Parejo, Ramón
Full Text Available To sum up, by world views we understand the cultural perception of the world we belong to. This concept of world views, that comes from the Semiotic of Culture developed by the School of Tartu-Moscow in the seventies, reaches an interesting scope in Literature as it offers information about cultural and ideological components that are part of any fictional trasformation. In this article we have shown the relationships and disagreements established between real world and the cultural and literary /artistic view of the world. This cultural / literary / artistic views are shaped from a recreation of reality based on different interests. Fictional transformation can be a small one or can reach a high level of idealization, caricature or complete alteration. This fictional distortion must be analysed together with its scope, how it is produced, who has decided to produce it and why. We will find out that there are both cultural and ideological reasons and those who produce these transformations have often something to do with the ruling classes. By building these virtual worlds they are just trying to preserve their power, their privileges and their possessions.En síntesis, por modelos de mundo se entiende la percepción cultural que el sujeto tiene del mundo al que pertenece. El concepto, que procede de la Semiótica de la Cultura desarrollada por la Escuela de Tartu-Moscú en los años setenta, adquiere una interesante proyección en Literatura porque informa sobre el componente cultural e ideológico que comporta todo desvío ficcional. Hemos señalado las relaciones y desajustes que se establecen entre mundo real, modelo de mundo cultural y modelo de mundo literario/artístico. Estos últimos se forjan a partir de la transformación interesada de la realidad. Esa distorsión ficcional puede resultar mínima o llegar a alcanzar cotas de idealismo, caricatura o absoluta desfiguración. Se debe analizar ese desvío ficcional, cuál es su medida, en
Berge, Constance; Courand, Pierre-Yves; Harbaoui, Brahim; Paget, Vinciane; Khettab, Fouad; Bricca, Giampiero; Fauvel, Jean-Pierre; Lantelme, Pierre
Primary aldosteronism could exert a negative feedback on prorenin secretion, of possibly different magnitude, whether it is related to an aldosterone-producing adenoma (APA) or an idiopathic hyperaldosteronism (IHA). The objectives of this study were to evaluate the level of prorenin in three subgroups: APA, IHA, and essential hypertension; and the performance of the aldosterone-to-prorenin ratio (APR) for the diagnosis of an APA. Seven hundred and forty-six hypertensive patients with a standardized work-up, including a prorenin measurement, were considered. Ninety-six patients without neutral treatment and 38 patients with other forms of secondary hypertension were excluded. APA and IHA were categorized according to computed tomography scan, adrenal venous sampling, pathological analysis and improvement of hypertension after surgery. Thirty-five patients had a diagnosis of APA, 57 of IHA and 504 of essential hypertension. Prorenin was lower in APA and IHA than in essential hypertension (32.9, 40.4 and 50.3 pg/ml, respectively; P < 0.001). APR was higher in patients with APA and IHA than in those with essential hypertension (24.0, 11.8, and 4.0 pmol/l per pg/ml, respectively; P < 0.001). The APR was more discriminant than the aldosterone-to-renin ratio to identify APA compared to IHA (area under the receiver operating curve at 0.750 and 0.639, respectively; P = 0.04). The optimal cut-off values were 22 pmol/l per pg/ml for APR (sensitivity 57.0%, specificity 93.0%) and 440 pmol/l per pg/ml for aldosterone-to-renin ratio (sensitivity 54.3%, specificity 82.5%). Primary aldosteronism and particularly its most caricatural form, that is APA, seems associated with a lower level of prorenin than essential hypertension. The APR could be included in the diagnostic strategy of APA.
Schertzer, Daniel; Lovejoy, Shaun
, we will point out more general questions, which can be put together into the following provocative question: how to convert the classical time evolving deterministic PDE's into dynamical multifractal systems? We will argue that this corresponds to an already active field of research, which include: multifractals as generic solutions of nonlinear PDE (exact results for 1D Burgers equation and a few other caricatures of Navier-Stokes equations, prospects for 3D Burgers equations), cascade structures of numerical weather models, links between multifractal processes and random dynamical systems, and the challenging debate on the most relevant stochastic multifractal formalism, whereas there is already a rather general consent about the deterministic one.
Full Text Available La Ţiganiada d’Ion Budai-Deleanu, un des pères de la langue roumaine moderne, est une épopée placée dans la Munténie du XVe siècle et structurée sur deux plans : d'une part, un plan comique créé par le pittoresque du campement des « Tsiganes », mobilisés pour combattre les Turcs par le prince Vlad l'Empaleur, surnommé Dracula, et, d'autre part, un plan héroïque constitué par les actions de ce prince et son armée. La promesse d’émancipation des Rroms esclaves, avec attribution d'un territoire, en échange de leur alliance au combat est une pure fiction et même un anachronisme pour le XVe siècle. Mais à travers cette idée, Budai-Deleanu se révèle visionnaire et partisan du mouvement d’abolition de l'esclavage des Rroms qui n'arrivera à ses fins que le 20 février 1856. En raison de son insoumission entêtée au sultan Mahomet II, son courage et ses capacités stratégiques, Vlad l'Empaleur devait rester dans l'histoire roumaine comme un patriote qui voulait protéger son pays contre l'expansion ottomane – même s'il est plus connu à l'étranger sous la caricature d'un vampire. La Ţiganiada doit être appréciée avant tout comme une allégorie où le plan de la fiction remplace souvent le plan réel. Mais l'auteur, chargé d’un idéal patriotique, nous présente aussi le plan réel avec ses particularités historiques et nationales. La lutte opiniâtre de la petite armée roumaine formée de paysans et de boyards permet de retarder l'avancée des Turcs vers l'Europe centrale. Elle laisse ainsi le temps nécessaire à l'Europe de se préparer et de livrer des batailles dans des périodes plus favorables, avec des armes plus puissantes et plus efficaces que celles des Turcs. L'image des Turcs y est en tous points conforme à leur réputation, largement répandue dans les Balkans. Cruauté, perfidie, corruption et absence de compassion les caractérisent d'un bout à l'autre de l'œuvre, l’auteur montre
Villanueva Abelairas, Carlos
Full Text Available Alejo Carpentier became known as Art and Music critic: first from his early works in La Havana newspapers and magazines, being an active member of the “Minorista” group; and later, in Paris (1928, in his voluntary exile of Caracas (1945, or already incorporated to the Cuban revolution (1959, he starts to change the chronicle, the historical essay or the fiction stories into an authentic musical curtain of the life he portrays, as if it was a soundtrack, always with clear and didactic political premeditation. The shades and tools of his discourse will depend on the genre he manipulates: pure musicology for the deconstruction of the musical space (La Música en Cuba; the ethnic narration for the foundation of Afrocubanism (¡Écue-yam - bao!; the counterpoint of “revolutionary” musics (La consagración de la primavera; the chronicle of primitive worlds (Los pasos perdidos or the pure humor to caricature a dictatorship (El recurso del método. Always through daily chronicles, he uses the example, the quote or the musical variation as a teacher, trying to transform Life, Society, Aesthetics and the people.
Alejo Carpentier se dio a conocer como crítico de arte y de música: desde sus trabajos en periódicos y revistas habaneras, siendo miembro activo del grupo ”Minorista”; posteriormente, desde París (1928, en su exilio voluntario de Caracas (1945, o ya incorporado a la revolución castrista (1959, va convirtiendo la crónica, el ensayo histórico o el relato de ficción en un auténtico telón musical de la vida que retrata, como si de una banda sonora se tratara, siempre con clara y didáctica intencionalidad política. Los matices y herramientas de su discurso dependerán del género que manipula: la pura musicología para la deconstrucción del espacio musical (La Música en Cuba; el relato étnico para la fundamentación del afrocubanismo (¡Écue-yamba-o!; el contrapunto de músicas “revolucionarias” (
Full Text Available Este número da Significação segue os parâmetros já definidos pela revista, isto é, integra um conjunto de trabalhos de pesquisadores de diferentes Programas de Pós-Graduação do País e ensaios de investigadores estrangeiros que se publicam pela primeira vez, dois deles na língua original e um terceiro traduzido para o português. Quanto à temática, os textos aqui reunidos lidam com assuntos que nos parecem de interesse considerando as tendências atuais dos estudos da comunicação e, ainda, a relevância da epistemologia para a análise e interpretação das metáforas visuais, assim como das mudanças porque vem passando o conceito de sujeito nas ciências humanas. Isso fica claro se, por exemplo, nos adentramos na leitura e discussão dos fundamentos narratológicos, no equacionamento da metodologia posta em prática nas abordagens de discursos fílmicos ou da apropriação caricatural e grotesca da crise do sujeito que se manifesta no espetáculo midiático. Somem-se a isso os esforços destinados a nos dar, de um lado, um panorama diacrônico dos aspectos fundamentais do cinema mexicano moderno e, de outro, uma visão predominantemente sincrônica de um tema que funciona como entremeio no cinema espanhol contemporâneo. Em seu conjunto, a diversidade de tópicos abordados define, como não poderia deixar de ser, eixos comuns em torno dos quais giram pontos de vista cujas diferenças não impedem o diálogo, traço característico que orienta as particularidades deste periódico. É de se ressaltar, também, a preocupação com o estudo da imagem a partir das peculiaridades das etimologias iconográficas, pressuposto que, a nosso ver, abre novas perspectivas para a crítica das mensagens visuais. Mas este número, levando em conta a já longa trajetória da revista, se toma, sobretudo, singular pelo fato de publicar, pela primeira vez e em português, um texto pouco conhecido de Algirdas Julien Greimas, traduzido diretamente do
present-day realia were revealed: women emancipation was revealed in “Medea” and politician’s caricature – in “Oedipus the King”. Antique chorus role was retained in both performances, while masks – in Koršunovas’ performance. Scenography was abstract in “Oedipus the King” by Tuminas, neither representing antiquity nor nowadays.A conclusion is drawn that most Lithuanian directors trended into creation of jug-handled, idealized character (B. Dauguvietis, J. Miltinis, I. Kriauzaitė, B. Marcinkevičiūtė, melodramaticallity (I. Kriauzaitė, L. M. Zaikauskas or tragicomedy (R. Tuminas. None of directors managed to show universality of antique tragedy so that both past and present would be reflected in it. They, using texts of antique tragedy, created modern picture of distinctive, idealized and psychologized, alone, reserved, depending on destiny human being.
Full Text Available In an adverse context for freedom of thought in the so called public sphere, and from the perspective of the history of present time, this study explores the sense that is supposed to have in Latin America one of the “recent disasters” as was the attack against the satirical newspaper Charlie Hebdo in France. Political caricature appears to be the expression of a traumatic experience and a shared political culture through both republican and democratic practices. However, on a continent democratized but still grappling with memory and the traumatic past of dictatorships, this imaginary is also strongly questioned by authoritarian ideological options. A figure hovers in both positions (democratic and authoritarian as well and impacts on related imaginary: the victims figure, which within this relationship to the past or regime of historicity, not only replace “the era of witnesses” exemplified by the history of present time but also are integrated into an instrumentalized regime of emotions finally leading to a skewed view of history.En una coyuntura adversa a la libertad de opinión en el espacio público tanto en Europa como en América Latina y desde la perspectiva de la historia del tiempo presente, este estudio analiza el significado que habrá tenido desde y para América Latina una de las “últimas catástrofes” como lo fue el atentado en contra del periódico satírico Charlie Hebdo en París en enero de 2015. La caricatura política aparece en efecto como el revelador no sólo de un acontecer traumático sino también de una cultura política compartida a través de unas prácticas republicanas y democráticas. Ahora bien, el imaginario político que conlleva se ve cuestionado y hasta rebatido por opciones ideológicas autoritarias en un continente democratizado pero que se enfrenta todavía con unas memorias divididas o con el pasado traumático de las dictaduras. Una figura asoma en ambas posturas (la democrática y la
Antonio Javier Izquierdo Martín
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Swiss psychiatrist Carl Gustav Jung (1875-1961, higher priest of all things apocalyptic and titanic that remain in our present time, and his Mediterranean nemesis, the Spanish cinematographer Luis García Berlanga (Valencia, 1921, ultimate practitioner of the lost baroque-Spanish art of the courtesan jester, are gathered together in this paper for the good cause of revisiting the most absurd and funny of all anthropological research topics: cargo cults. These are Millenium movements whose believers invest enormous amounts of ritual work to invocate of embodied ancestral Gods. They ask their gods to land their cargo spaceships loaded with high-tech mana at their bamboo airports. The craziest avatar of this spiritual saga, so-called UFO religions have begun the theoretical exploration and practical exploitation of the fundamental cargoist -i.e. economic-analogy between ordinary visits (of conquerors, missioners, ethnographers or tourists to anonymous places and extraordinary visits (of Gods or extraterrestrials to spiritual centers. The fast global-cinematic diffusion of the modern myth of the flying saucer reveals a close anthropo-historical connection between the rise of this specifically post-industrial variety of cargo cult and the tourists' validation of the megalomaniac techno-economic dreams of aboriginal tribes living in the Stone Age. We conclude sketching an analytical caricature of one of the most stupid cargonomical ‘pilot' in galactic anthropohistory: the so-called ‘Spanish economic miracle'.El sumo sacerdote de todo lo que de titánico y apocalíptico pervive aún en el mundo contemporáneo, el psiquiatra suizo Carlos Gustavo Jung (1875-1961, y su némesis castizoide, el cineasta español Luís García Berlanga (Valencia, 1921, restaurador para Madrid y provincias del decadente espíritu barroco de los clásicos de la burla cortesana, se juntan aquí por vez primera para contribuir a una buena causa. Se
Kauffman, George B.
(formal and informal, familiar and unfamiliar), caricatures, apparatus, patent drawings, models, manuscripts, memoranda, laboratories, and plants and buildings are featured. The book presents many images of chemists in the work settings where they actually made their discoveries. The quaint pictures of Chandler with his wash bottle, William H. Walker with his slide rule, Carl Djerassi peering at a flask without goggle protection, and Edward Goodrich Acheson with his omnipresent cigar evoke a bygone era that will induce nostalgia in instructors and curiosity or disbelief in students. Many of the 80 featured chemists are minority scientists; 10 are women (Dorothy Crowfoot Hodgkin, Marie Curie, Iréne Joliot-Curie, Mme. Lavoisier, Rosalind Franklin, Stephanie L. Kwolek, Ellen Swallow Richards, Alice Hamilton, Rachel Carson, and Julia Brainerd Hall, whose role in her brother Charles Martin Hall's development of the electrolytic production of metal is underappreciated), and three are African-Americans (Percy Lavon Julian, Walter Lincoln Hawkins, and Henry Aaron Hill). The book's 11 sections, each prefaced with a short, helpful summary, and the number of scientists profiled in each are Forerunners, 4; Theory and Production of Gases, 4; Electrochemistry and Electrochemical Industries, 12; The Path to the Periodic Table, 9; Atomic and Nuclear Structure, 9; Chemical Synthesis, Structure, and Bonding, 9; Pharmaceuticals and the Path to Biomolecules, 10; Petroleum and Petrochemicals, 4; Plastics and Other Polymers, 6; Chemical Engineering (most of whose practitioners were unfamiliar to me), 6; and Human and Natural Environmental Concerns, 7. An extensive bibliography (five double-column pages), arranged according to these sections, includes books, articles, dissertations, collections, and oral histories. Items as recent as 1997 and even a 1998 book in press are cited. An index (three triple-column pages) facilitates location of material. Chemical Achievers is to some extent similar
Assédio moral no trabalho e suas representações na mídia jornalística Acoso moral en el trabajo y sus representaciones en el medio periodístico Representations of workplace psychological harassment in print news media
Andréia De Conto Garbin
reflect the phenomenon of psychological harassment in today's society, explanations for its occurrence and impact on workers' health. RESULT ANALYSIS: This theme emerged in the media through the dissemination of books, academic research production and laws. It was initially published in general news then in jobs and/or business sections. Discourses on compensation and precautionary business practices and coping strategies are widespread. Health-related aspects are foregone under the prevailing money-based rationale. Corporate cultures are permissive regarding psychological harassment and conflicts are escalated while working to achieve goals and results. Indifference, embarrassment, ridicule and demean were common in the news stories analyzed. CONCLUSIONS: The causal explanations of workplace harassment tend to have a psychological interpretation with emphasis on individual and behavioral characteristics, and minimizing a collective approach. The discourses analyzed trivialized harassment by creating caricatures of the actors involved. People apprehend its psychological content and stigmatization which contributes to making workplace harassment an accepted practice and trivializing work-related violence.
Full Text Available In our study, it has been revealed that why literary productsinteract with each other is the fact that the main material in almost allof them is human being and his happiness, unhappiness, belief,suffering.Firstly; bride - mother-in-law Turkish poems and legends withdenial, studied in our research, have been defined comprehensively inorder to show their similarities.Then, in order to reveal the similarities of the two kinds in view ofhumor, a classification has been made, and these similarities has beentried to be revealed in categories such as exaggeration, caricaturization,using word games, slang and bad words, humoring by spats.The final part has been ended with conclusion and bibliographyby stating the fact that art strength of legends with spats and mutualTurkish poems is much more than the others, because all strength ofart is put forward for being dominant in these kinds of humors.Although, it both species there is a social problem on the basis of brideand mother-in-law to increase wits, to apply to various inventions forovercoming the rival side, by doing this it focuses on amusing thosewho are there. Cultural products such as this, maket hem think, holdthem a mirror, help them to see themselves.As a result, it is emphasized that someone who says poem(mani and “epic” uses the folk as a material. Çalışmamızda edebi ürünlerin birbirleriyle etkileşiminin temelinde, hemen hemen hepsinin ana malzemesinin insan olması; insanın sevincinin, hüznünün, özleminin, inancının, acısının, çilesinin vb. bu edebi ürünlerin ana konusu olmasının yattığı ortaya konulmuştur.Çalışmamıza konu olan gelin-kaynana manileri ve yalanlamalı türlerin benzerliklerini daha iyi ortaya koyabilme kaygısıyla, makalenin ilk bölümünde mani ve Güldürücü Destanlar üzerine genişçe bir açıklama yapılmıştır.Sonrasında her iki türün mizah yönünden benzerliklerini ortaya koyabilmek amacıyla bir sınıflandırma yapma
Virtual reality - whose reality? There is an old joke about a farmer who wanted to improve his milk yields and employed an engineer, a psychologist and a physicist to make suggestions. They all went away for a month and came back with their proposals. The engineer had measured the size of the milking stalls, the ambient temperature and the milking process. She suggested a modest rise in ambient temperature and an alteration in the pumping equipment. The psychologist decided to paint the stalls green and play a tape-recording of birdsong to the cows to make them feel more content and release their milk more easily. The physicist explained that he had decided to look at things more fundamentally: 'Let us assume that the cow is a sphere' ... he began. And that's the joke. Some people think that this is the funniest thing out - a physicist can't recognize a cow when they see one. What troubles me is that I didn't get the joke straight away. I am so used to the language and the often-ludicrous assumptions in physics that it did not seem particularly strange or funny. What did you think? The joke, for me, illustrates the essence of our problem in physics teaching. In a very real way, physics is about another world. It isn't about the real world in which ordinary people live, and they know it. Physics has its own language, its own laws and its own values. Depleted uranium has been in the news of late. It is interesting to compare the casual way in which physics teachers have discussed the possibilitiy that one atom of uranium can kill someone with the shock-horror reporting of this fact in the press. We are caricatured, sometimes for good reason, being callous, calculating, cold people - out of touch with the things that really matter. And then there's that other 'real world' - of really tough people who make serious money. Our friends who work out in the worlds of commerce and industry like to mutter, with some superiority, that teachers would never survive in the real
Ayşe Binay Kurultay
önemsellik gözetilerek gösterge bilimsel olarak değerlendirilmiştir.Anahtar Sözcükler: Karikatür, Reklam, Piyale Use of Cartoons in Advertising: The Case of PiyaleAbstract As a satirical art form with a mission to make the audience think, to teach something and to persuade, cartoons have become attractive visuals for advertisers. Cartoons express an idea in a simple yet effective manner which is the reason for being the choice of brands for their of advertisements that aim to create a behavioral change in the consumer and sell their products as well as increasing brand awareness. Advertisements using cartoons achieve this as all other advertisements do, sometimes through a slogan and other times through creating a position, a character and an identity for the brand. Cartoons have been used in advertisements for major brands in the 1960’s in Turkey, primarily for the banking industry and spaghetti. In this study the advertisements for Piyale Spaghetti, known as “the brand that introduced spaghetti to Turkey” that use cartoons as visuals in the 1960’s were investigated. The relationship of cartoons as a form of communication and advertisements as a form of marketing was evaluated using semiotic analysis.As cartoons are woven with messages based on drawings and visuals, post-structuralist semiotic analysis was chosen as the methodology. As it is necessary for this methodology, cartoons’ symbolic universe as well as the textual universe was investigated for the importance historical period has over meaning making of signs. In this direction, in the years advertisements including cartoons, themes such as women, family, health, trust have been semiotically evaluated with periodicity in mind.Keywords: Caricature, Cartoon, Advertising, Piyale
Greentree, Andrew D.; Koch, Jens; Larson, Jonas
This special issue commemorates the 50th anniversary of the seminal paper published by E T Jaynes and F W Cummings , the fundamental model which they introduced and now carries their names, and celebrates the remarkable host of exciting research on Jaynes-Cummings physics throughout the last five decades. The Jaynes-Cummings model has been taking the prominent stance as the 'hydrogen atom of quantum optics' . Generally speaking, it provides a fundamental quantum description of the simplest form of coherent radiation-matter interaction. The Jaynes-Cummings model describes the interaction between a single electromagnetic mode confined to a cavity, and a two-level atom. Energy is exchanged between the field and the atom, which leads directly to coherent population oscillations (Rabi oscillations) and superposition states (dressed states). Being exactly solvable, the Jaynes-Cummings model serves as a most useful toy model, and as such it is a textbook example of the physicists' popular strategy of simplifying a complex problem to its most elementary constituents. Thanks to the simplicity of the Jaynes-Cummings model, this caricature of coherent light-matter interactions has never lost its appeal. The Jaynes-Cummings model is essential when discussing experiments in quantum electrodynamics (indeed the experimental motivation of the Jaynes-Cummings model was evident already in the original paper, dealing as it does with the development of the maser), and it has formed the starting point for much fruitful research ranging from ultra-cold atoms to cavity quantum electrodynamics. In fact, Jaynes-Cummings physics is at the very heart of the beautiful experiments by S Haroche and D Wineland, which recently earned them the 2012 Nobel Prize in physics. Indeed, as with most significant models in physics, the model is invoked in settings that go far beyond its initial framework. For example, recent investigations involving multi-level atoms, multiple atoms [3, 4], multiple
Full Text Available L’omniprésence et l’abondance des images associant en une figure dirigeants français et allemands dans les médias européens contemporains tendent à laisser penser que ce motif a toujours été là, disponible pour dire et écrire l’actualité. Pourtant, il semble peu probable qu’au sortir de la seconde guerre mondiale il en ait été de même. Dans cette perspective, l’article vise à déconstruire cet effet d’évidence en interrogeant le rôle et la place tenus par les images périodiques dans la construction et l’institution d’une figure du « vivre-ensemble » franco-allemand. Cette opération prend la forme d’une analyse socio-sémiotique : la réflexion porte à la fois sur les images — photographies et caricatures — et leurs légendes, sur leur agencement dans la page de journal et sur leurs conditions de production. La démarche procède également d’une double comparaison : en diachronie, dans un temps relativement long (de 1949 à 2012, et en synchronie, sur la base d’une confrontation de deux titres de presse quotidienne nationale de « référence », l’un français et l’autre allemand, Le Monde et la Frankfurter Allgemeine Zeitung (FAZ. Une interrogation sur les conditions de possibilité de la présence de l’image dans ces deux périodiques permet d’abord de dégager combien la place de l’imagerie franco-allemande ne va pas de soi, mais résulte d’un processus de longue haleine. Toutefois, malgré défis et obstacles, à la fois techniques et idéologiques, la figure franco-allemande s’impose par le biais de la stabilisation de modèles de représentation qui en font un motif naturel et incontournable. Ainsi, des cadres éditoriaux pérennes favorisent son implantation et sa reconnaissance au quotidien. À l’intérieur de ces cadres, à la surface des images, la figuration de la ressemblance et de la proximité entre les dirigeants français et allemands contribue à forger la
than to settle down for a most unglamorous life - in Hollywood of all places. And thus we see the former general opening up a shabby liquor store, selling cheap booze and fighting shoplifters instead of the Viet Cong. The captain on the other hand manages to secure a clerical position at Occidental College. There he is constantly confronted with the more or less subliminal racism from the head of the department, who sees him as a study object and constantly lectures him on what “the Orientals” are like. But the professor is hardly the only racist the captain encounters. Another splendid specimen is a foreign-policy expert, Dr. Richard Hedd, who in his book “Asian Communism and the Oriental Method of Destruction” delivers the “academic reasoning” for the war; his main thesis that Asians do not value life as Westerners do and therefore have to be combated. Interestingly enough, Dr. Hedd is not an American but an Englishman and thus some kind of meta-colonialistic spin doctor. Characters like Hedd and the professor are of course near-caricatures. However, reading the novel you might get the feeling that you have met all of those types in real life. One of the key scenes unfolds when the narrator is hired by an American director who is shooting a kind of “white-heroes-fighting-the-yellow-peril”-movie. The captain takes the job with the intention to “de-Americanize” the story of the film and to bring in some genuine Vietnamese input. However, he is being outsmarted by the director and epically fails. From there on things deteriorate even further for the captain. The war is far from being over in the refugee community and the ideologies demand more victims. The captain gets even more deeply entangled into a net of treachery and deception, eventually becoming a killer himself. Finally, he finds himself back in Vietnam on a suicide mission together with a ragtag troop of former South Vietnamese ready to reconquer the motherland. This ends of course in a
transformations of the urban fabric might undergo in our minds. She distinguishes three categories: the image of the city, the imagined city, and the imaginary city. The image of the city is the idea that is composed by individuals or groups: a creation that is triggered from experience of the city in the mind or a concept based on the actual city itself. The imagined city is the virtual arena conceived by artists, architects, city planners, marketers, and others through art, film, literature, music, advertising, architecture, and urban designs. This idea is certainly related to the first category, but here the focus is on the representation of the city by specialists that are making the presentations to convince people of the value and significance of an urban composition or public building. In this sense, the producers of the images are crucial since, after all, who needs to be convinced of which statement? Using a caricature on Berlage’s Amsterdam South, Stieber demonstrated that the categories are inseparable and all three are about metaphors of the city. ‘The city between the ears’, as noted by the geographer and urban marketing specialist Gertjan Hosper (2010. The goal of this study is to discover and describe consecutive city images of The Hague and the conflicts associated with them between 1860 and 2010, as well as to determine for whom, with what motive and background these city images were developed, where, in how far, and if these consecutive city images were realized, what the conflicts were about, and why the often unfinished images disappeared again, which resulted in the current fragmented image of the city. The human activities that take place in the buildings and surroundings, no matter how significant, were left out of the study for practical reasons. Every case study is of a dominant city image from a certain period. The central context is the relation between ‘the city between the ears’, the actual built city, and the many conflicts pertaining to