WorldWideScience

Sample records for art objects

  1. Analysis and Authenticity Investigations of Glass and Metallic Art Objects

    International Nuclear Information System (INIS)

    A suite of glass pieces of Art, and several metal-based corroded objects were studied in the frame of this project, which intends to accommodate two purposes; a) to investigate the feasibility of physico-chemical characterization of ancient glass by employing a non-widely used analytical technique, that of luminescence spectroscopy, along with conventionally used methods such as XRF and SEM-EDX, and b) to approach issues of counterfeiting of culturally-related iron and other metallic objects, by examining the features of their corrosion products, studied via a combination of the non-destructive RF-plasma treatment and the microscopic techniques. The results of the study show that luminescence measurements own diagnostic power that can aid substantially to the classifying and understanding of the manufacturing of ancient glass, particularly when bridged with longer-established analytical methods. Moreover, evident differences between corrosion layers of authentic metallic objects and of the ones created after artificial pre-corrosion, as ascertained by the plasma treatment and by microscopy (SEM or optical) study, provide a basis for suggesting such a combination of techniques for authenticity detection of corroded metallic objects with cultural heritage importance. (author)

  2. Characterization of mercury gilding art objects by external proton beam

    International Nuclear Information System (INIS)

    The fire gilding is one of the methods used by the ancient goldsmiths to obtain a rich, metallic glow and durable golden appearance in ornamental objects. This layer is characterized, among others, by its thickness (several microns) a diffusion profile and a Hg content (between 0 and 21 wt.%) depending on the temperatures achieved during the process. Gilded sacral art objects dated from the XVI to the XVIII centuries, belonging to the Casa-Museu Dr. Anastácio Gonçalves Collection (Lisbon) were analyzed using the external ion microprobe at Nuclear and Technological Institute, Lisbon. The average concentrations of the homogeneous areas were calculated with GUPIX, DATTPIXE and NDF codes showing very similar results. The RBS and PIXE spectra from the same point were collected simultaneously and analyzed together with NDF-LibCPIXE in order to find self-consistent solutions. Profile concentration on particular Au-reach points was extracted. Different Hg and Au/Ag ratio have been found in the pieces dating from different centuries.

  3. Listening to objects: an ecological approach to the decorative arts

    Directory of Open Access Journals (Sweden)

    Erin J. Campbell

    2014-12-01

    Full Text Available To transcend the divisions in art historical research between high art and decorative art, this study proposes an ecological approach. Drawing on research in the social sciences and humanities, and using the early modern domestic interior as a case study, the essay develops the concepts of environment, ecology, meshwork, assemblage, distributive agency, vital materiality, and matter as social performance, which appear in the work of political scientist Jane Bennett, feminist philosopher Karen Barad, sociologist Bruno Latour, anthropologist Tim Ingold, and others. As the study argues, such concepts provide a phenomenological, integrative, and non-hierarchical framework for the study of the decorative arts within the institutions and practices of art history, allowing art historians to analyse the processes through which the human and the material are intertwined.

  4. Science Communication Through Art: Objectives, Challenges, and Outcomes.

    Science.gov (United States)

    Lesen, Amy E; Rogan, Ama; Blum, Michael J

    2016-09-01

    The arts are becoming a favored medium for conveying science to the public. Tracking trending approaches, such as community-engaged learning, alongside challenges and goals can help establish metrics to achieve more impactful outcomes, and to determine the effectiveness of arts-based science communication for raising awareness or shaping public policy. PMID:27377601

  5. Art appreciation and aesthetic feeling as objects of explanation.

    Science.gov (United States)

    Hogan, Patrick Colm

    2013-04-01

    The target article presents a thought-provoking approach to the relation of neuroscience and art. However, at least two issues pose potential difficulties. The first concerns whether "art appreciation" is a coherent topic for scientific study. The second concerns the degree to which processing fluency can explain aesthetic feeling or may simply be one component of a more complex account.

  6. 76 FR 1660 - Culturally Significant Objects Imported for Exhibition Determinations: “Art in Cameroon...

    Science.gov (United States)

    2011-01-11

    ... From the Federal Register Online via the Government Publishing Office DEPARTMENT OF STATE Culturally Significant Objects Imported for Exhibition Determinations: ``Art in Cameroon: Sculptural... ``Art in Cameroon: Sculptural Dialogues,'' imported from abroad for temporary exhibition within...

  7. "Object Lesson": Using Family Heirlooms to Engage Students in Art History

    Science.gov (United States)

    Rose, Marice

    2012-01-01

    This first written assignment of the semester for the author's undergraduate introductory art history class--an essay where students describe and reflect upon the significance of a family heirloom--is instrumental in meeting class objectives. The author's objectives in this class are for students: (1) to broaden their conception of what art is…

  8. Object Lessons: Teaching Math through the Visual Arts, K-5

    Science.gov (United States)

    Holtzman, Caren; Susholtz, Lynn

    2011-01-01

    When Caren Holtzman and Lynn Susholtz look around a classroom, they see "a veritable goldmine of mathematical investigations" involving number, measurement, size, shape, symmetry, ratio, and proportion. They also think of the ways great artists have employed these concepts in their depictions of objects and space--for example, Picasso's use of…

  9. A Child's Use of Transitional Objects in Art Therapy to Cope with Divorce

    Science.gov (United States)

    McCullough, Courtney

    2009-01-01

    In this article, the author examines the use of transitional objects in a case study of a 12-year-old boy, documenting the role of art therapy in helping the boy cope with the trauma of his parents' recent separation and divorce. Transitional objects emerged spontaneously as the boy integrated the transition that the divorce of his parents…

  10. Developing Values for Secondary School Students through the Study of Art Objects

    Science.gov (United States)

    Dulama, Maria Eliza; Iovu, Mihai-Bogdan; Ursu, Alexandru Marius Bodochi

    2011-01-01

    The paper begins with some issues related to aesthetics, aesthetic education, art and axiological education. The empirical research has the general assumption that secondary school students and youth have difficulties in selecting values. The objective of the research was three fold: to design, to organize and to carry learning activities from…

  11. Highly chlorinated toxic contaminants in pesticide-treated wooden art objects.

    Science.gov (United States)

    Covaci, Adrian; Kawaki, Peter; Indekeu, Charles; Schepens, Paul; Neels, Hugo

    2006-01-01

    Although the contamination of wooden art objects with pesticides is well known, to the authors' knowledge no attempt has yet been made to investigate the eventual presence of other toxic compounds that have been produced during the degradation of pesticides or that may be present in the technical formulations. Here, the authors report on the presence of polychlorinated biphenyls (PCBs) and polychlorinated terphenyls (PCTs) in scrapings from wooden antique art objects, namely printing blocks, sculptures, and masks. These antiques belong to 2 fine art museums in Belgium--Antwerp's Ethnographic Museum and the Plantin-Moretus Museum. It is documented that these art objects were treated with pesticides in the 1950s. In addition, 2-heptachlorodibenzo-p-dioxin (HpCDD) isomers and octachlorodibenzo-p-dioxin (OCDD) were also identified. The presence of these toxic compounds in these antiques requires a better understanding of safety for the persons (conservators, museum employees, restorers, and visitors) coming in contact with these objects. PMID:17967745

  12. Embodied composition - treatment and meaning of physical object in experimental music and sound art

    OpenAIRE

    Maras, Svetlana

    2011-01-01

    This thesis is a theoretical examination of the musical and artistic works and practices where physical object other than musical instrument is used in the production of musical meaning. This subject is explored within the frame of contemporary music, experimental music and sound art, but the systematic overview is made from the perspective of the last two genres. The focus is on explaining how physical objects acquire musical function from theoretical point of view, and what practical interv...

  13. DEVELOPING VALUES FOR SECONDARY SCHOOL STUDENTS THROUGH THE STUDY OF ART OBJECTS

    Directory of Open Access Journals (Sweden)

    Maria Eliza Dulamă

    2011-11-01

    Full Text Available The paper begins with some issues related to aesthetics, aesthetic education, art and axiological education. The empirical research has the general assumption that secondary school students and youth have difficulties in selecting values. The objective of the research was three fold: to design, to organize and to carry learning activities from which students shall acquire educational values through the study of art objects. The exploratory research was conducted on a sample of 50 students (25 in experimental group and 25 in control group. The content sample included fairy-tales and short stories (Beauty and the Beast; The money earned by Alexandru Mitru and artistic topics on several well-known art objects (The Endless Column, Table of Silence, The Gate of Kiss, Peleş castle, Voroneţ monastery, and St. Michael’s Cathedral from Cluj-Napoca. The tested hypothesis stated that if secondary school students are involved in learning contexts where they perceive, analyze and explain artistic objects then they develop aesthetic and ethic values. The learning context students were exposed to represents the independent variable and the outputs – the educational values themselves – represent the dependent variable. In order to test for the hypothesis we planned a formative didactic experiment. In order to test the hypothesis the pre-test/post-test design was used.

  14. DIGIMUSE: an interactive telerobotic system for remote viewing of three-dimensional art objects

    Science.gov (United States)

    Goldberg, Steven B.; Bekey, George A.; Akatsuka, Yuichiro; Bressanelli, Mirco

    1998-12-01

    As part of a joint project with the Fisher Art Gallery at USC, we have constructed a teleoperated robotic Web site that allows for remote positioning and binocular viewing of statues and other non-planar art objects. This system has been designed to provide interactive remote access to 3D art objects in real time, so that anyone with a Web connection and a head mounted display can view and study binocular images of art objects anywhere in the world, A pair of video cameras, carried by a robot arm, are aimed at the statue which rests on a rotary table. The combination of table rotation and robotic camera positioning make it possible to observe the work of art from any desired position and orientation. The opening exhibit of the USC Digital Museum features a life size marble statue called the 'Drinking Maiden', by the German sculptor Ernst Gustav Alexander Wenck. We use a 6 degree of freedom robot arm and a linked vergence head to position two CCD cameras. The statue is placed on a rotating platform that can be commanded to one of 12 positions. The robotic is controlled via a graphical, user friendly interface written in Java, which allows the user to position the cameras anywhere in the allowed workspace of the robot. Once the positions of the cameras are established, the system takes two pictures of the statue and returns them to the user, while simultaneously composing a stereo image suitable for viewing with an HMD. The paper describes the hardware and software architecture of the system and its major features.

  15. Art, historical and cultural heritage objects studied with different non-destructive analysis

    Energy Technology Data Exchange (ETDEWEB)

    Rizzutto, Marcia A.; Tabacniks, Manfredo H.; Added, Nemitala; Campos, Pedro H.O.V.; Curado, Jessica F.; Kajiya, Elizabeth A.M. [Universidade de Sao Paulo (IF/USP), SP (Brazil). Inst. de Fisica

    2012-07-01

    Full text: Since 2003, the analysis of art, historical and cultural heritage objects has being performed at the Laboratorio de Analise de Materiais of the Instituto de Fisica of the Universidade de Sao Paulo (LAMFI-USP). Initially the studies were restricted to non-destructive methods using ion beams to characterize the chemical elements present in the objects. Recently, new analytical techniques and procedures have been incorporated to the better characterization of the objects and the examinations were expanded to other non-destructive analytical techniques such as portable X-Ray fluorescence (XRF), digitalized radiography, high resolution photography with visible, UV (ultraviolet) light and reflectography in the infrared region. These non-destructive analytical techniques systematically applied to the objects are helping the better understanding of these objects and allow studying them by examining their main components; their conservation status and also the creative process of the artist, particularly in easel paintings allow making new discoveries. The setup of the external beam in the LAMFI laboratory is configured to allow different simultaneous analysis by PIXE / PIGE (Particle Induced X-ray emission / Particle Induced gamma rays emission), RBS (Rutherford Backscattering) and IBL (Ion Beam Luminescence) and to expand the archaeometric results using ion beams. PIXE and XRF analysis are important to characterize the elements presents in the objects, pigments and others materials. The digitized radiography has provided important information about the internal structure of the objects, the manufacturing process, the internal particles existing and in case of easel paintings it can reveal features of the artist's creative process showing hidden images and the first paintings done by the artist in the background. Some Brazilian paintings studied by IR imaging revealed underlying drawings, which allowed us to discover the process of creation and also some

  16. 76 FR 75939 - Culturally Significant Objects Imported for Exhibition Determinations: “Works of Art Coming to...

    Science.gov (United States)

    2011-12-05

    ... Culturally Significant Objects Imported for Exhibition Determinations: ``Works of Art Coming to the U.S. for Exhibition'' SUMMARY: Notice is hereby given of the following determinations: Pursuant to the authority..., 2003), I hereby determine that the objects to be included in the exhibition ``Works of Art Coming...

  17. X-ray fluorescence analysis of archaeological finds and art objects: Recognizing gold and gilding

    Energy Technology Data Exchange (ETDEWEB)

    Trojek, Tomas, E-mail: tomas.trojek@fjfi.cvut.cz [Department of Dosimetry and Application of Ionizing Radiation, Czech Technical University in Prague, Brehova 7, 11519 Praha 1 (Czech Republic); Hlozek, Martin [Methodical Centre of Conservation-Technical Museum in Brno, Purkynova 105, 612 00 Brno (Czech Republic)

    2012-07-15

    Many cultural heritage objects were gilded in the past, and nowadays they can be found in archeological excavations or in historical buildings dating back to the Middle Ages, or from the modern period. Old gilded artifacts have been studied using X-ray fluorescence analysis and 2D microanalysis. Several techniques that enable the user to distinguish gold and gilded objects are described and then applied to investigate artifacts. These techniques differ in instrumentation, data analysis and numbers of measurements. The application of Monte Carlo calculation to a quantitative analysis of gilded objects is also introduced. - Highlights: Black-Right-Pointing-Pointer Three techniques of gilding identification with XRF analysis are proposed. Black-Right-Pointing-Pointer These techniques are applied to gold and gilded art and archeological objects. Black-Right-Pointing-Pointer Composition of a substrate material is determined by a Monte Carlo simulation.

  18. Radiation-curable impregnants for the consolidation of wooden finds and art objects

    International Nuclear Information System (INIS)

    A large number of radiation-curable monomers and oligomers have been investigated in order to determine whether they are suitable for the impregnation and consolidation of porous materials, especially of old wooden objects like archaeological finds, farmer's tools, furniture or art objects. Criteria for suitability are mainly the viscosity of the impregnant, curing behaviour, shrinkage upon curing, hardness and elasticity of the cured product, compatibility with the wood matrix and ageing properties. Selected impregnants have been applied to standardized sound and artificially decayed wood, and the interaction has been studied. Apparently the properties of the consolidated wood can only to a limited extent be derived from the behaviour of the pure polymeric material. Predictions are therefore difficult. Some selected impregnants have been applied to archaeological and ethnological objects with good success. (author)

  19. AMERINDIAN RELATIONAL OBJECTS: THE (INVISIBILITY OF KADIWÉU INDIANS ART IN A BRAZILIAN SOAP OPERA

    Directory of Open Access Journals (Sweden)

    Lisiane Koller Lecznieski

    2010-06-01

    Full Text Available This work examines the role of ceramics in Kadiwéu social life. The Kadiwéu are Amerindians who live in the southern part of Pantanal Matogrossense, Brazil. The relations between art and social world will be described and analyzed through ethnographic examples, showing how the Kadiwéu understand their ceramic as a special way of relating to the external world, markedly the “world of the “whites”. This relational understanding of objects also points out, in a reflexive and critical manner, to crucial aspects of western conceptions of human relations.

  20. Artfulness

    DEFF Research Database (Denmark)

    Chemi, Tatiana

    2011-01-01

    a collage of previously published materials on Artfulness, in this journal targeted teachers for dysfunctional behaviour children.......a collage of previously published materials on Artfulness, in this journal targeted teachers for dysfunctional behaviour children....

  1. Semi-active control of the rocking motion of monolithic art objects

    Science.gov (United States)

    Ceravolo, Rosario; Pecorelli, Marica Leonarda; Zanotti Fragonara, Luca

    2016-07-01

    The seismic behaviour of many art objects and obelisks can be analysed in the context of the seismic response of rigid blocks. Starting from the pioneering works by Housner, a large number of analytical studies of the rigid block dynamics were proposed. In fact, despite its apparent simplicity, the motion of a rigid block involves a number of complex dynamic phenomena such as impacts, sliding, uplift and geometric nonlinearities. While most of the current strategies to avoid toppling consist in preventing rocking motion, in this paper a novel semi-active on-off control strategy for protecting monolithic art objects was investigated. The control procedure under study follows a feedback-feedforward scheme that is realised by switching the stiffness of the anchorages located at the two lower corner of the block between two values. Overturning spectra have been calculated in order to clarify the benefits of applying a semi-active control instead of a passive control strategy. In accordance with similar studies, the numerical investigation took into account the dynamic response of blocks with different slenderness and size subject to one-sine pulse excitation.

  2. 76 FR 73759 - Culturally Significant Objects Imported for Exhibition Determinations: “Ancient Egypt-Art and...

    Science.gov (United States)

    2011-11-29

    ... From the Federal Register Online via the Government Publishing Office DEPARTMENT OF STATE Culturally Significant Objects Imported for Exhibition Determinations: ``Ancient Egypt--Art and Magic... included in the exhibition ``Ancient Egypt--Art and Magic: Treasures from the Foundation Gandur pour...

  3. 75 FR 41274 - Culturally Significant Objects Imported for Exhibition Determinations: “The Art of Ancient Greek...

    Science.gov (United States)

    2010-07-15

    ... From the Federal Register Online via the Government Publishing Office DEPARTMENT OF STATE Culturally Significant Objects Imported for Exhibition Determinations: ``The Art of Ancient Greek Theater... Ancient Greek Theater,'' imported from abroad for temporary exhibition within the United States, are...

  4. Analysis of art objects by means of ion beam induced luminescence

    Science.gov (United States)

    Quaranta, A.; Dran, J. C.; Salomon, J.; Pivin, J. C.; Vomiero, A.; Tonezzer, M.; Maggioni, G.; Carturan, S.; Della Mea, G.

    2006-05-01

    The impact of energetic ions on solid samples gives rise to the emission of visible light owing to the electronic excitation of intrinsic defects or extrinsic impurities. The intensity and position of the emission features provide information on the nature of the luminescence centers and on their chemical environments. This makes ion beam induced luminescence (IBIL) a useful complement to other ion beam analyses, like PIXE, in the cultural heritage field in characterizing the composition and the provenience of art objects. In the present paper, IBIL measurements have been performed on inorganic pigments for underlying the complementary role played by IBIL in the analysis of artistic works. Some blue and red pigment has been presented as case study.

  5. Analysis of art objects by means of ion beam induced luminescence

    International Nuclear Information System (INIS)

    The impact of energetic ions on solid samples gives rise to the emission of visible light owing to the electronic excitation of intrinsic defects or extrinsic impurities. The intensity and position of the emission features provide information on the nature of the luminescence centers and on their chemical environments. This makes ion beam induced luminescence (IBIL) a useful complement to other ion beam analyses, like PIXE, in the cultural heritage field in characterizing the composition and the provenience of art objects. In the present paper, IBIL measurements have been performed on inorganic pigments for underlying the complementary role played by IBIL in the analysis of artistic works. Some blue and red pigment has been presented as case study

  6. Art

    Institute of Scientific and Technical Information of China (English)

    2008-01-01

    What is Art?Art is a way of interpreting the worldaround us and our place within it.We can seeart not only in paintings,but in sculpture(雕塑),buildings and even advertising.Traditionally(传统上,照惯例),artists werejudged more for their technical skill,but artnowhas an aesthetic(美学的,审美的)valueand/or emotional impact(冲动).Art doesn't

  7. Real-Time Projection-Based Augmented Reality System for Dynamic Objects in the Performing Arts

    Directory of Open Access Journals (Sweden)

    Jaewoon Lee

    2015-02-01

    Full Text Available This paper describes the case study of applying projection-based augmented reality, especially for dynamic objects in live performing shows, such as plays, dancing, or musicals. Our study aims to project imagery correctly inside the silhouettes of flexible objects, in other words, live actors or the surface of actor’s costumes; the silhouette transforms its own shape frequently. To realize this work, we implemented a special projection system based on the real-time masking technique, that is to say real-time projection-based augmented reality system for dynamic objects in performing arts. We installed the sets on a stage for live performance, and rehearsed particular scenes of a musical. In live performance, using projection-based augmented reality technology enhances technical and theatrical aspects which were not possible with existing video projection techniques. The projected images on the surfaces of actor’s costume could not only express the particular scene of a performance more effectively, but also lead the audience to an extraordinary visual experience.

  8. [Venous thromboembolism's risk assessment: rationale, objectives, and methodology--the ARTE study].

    Science.gov (United States)

    França, Ana; De Sousa, Joaquim Abreu; Felicíssimo, Paulo; Ferreira, Daniel

    2011-12-01

    Venous thromboembolism is a frequent clinical condition with high impact on both morbidity and mortality. Venous thromboembolism risk is particularly high in hospitalized patients as well as in oncologic patients, being a factor of poor prognosis for the oncologic disease. Several clinical studies have shown the need to develop effective hospital strategies using a systematic and individualized assessment of venous thromboembolism risk, and additionally to optimize the institution of prophylaxis treatment and its proper use in the context of in-hospital and outpatient management. The ARTE national study is a non-interventional, multicentre, prospective study which is divided in two phases. In the first phase patients are followed in the hospital; in the second phase patients are followed in ambulatory context for a period of 6 months after discharge. Four thousand patients will be included, equally distributed over medical, surgical, oncologic and orthopaedic patients. Data will be collected from the patient's clinical files and through direct clinical evaluation of risk factors for venous thromboembolism, in the departments of medicine, oncology, surgery, and orthopaedics of the participating centres. The main objectives of the study are to assess the risk profile of venous thromboembolism of the study population using a risk assessment model adapted from the Caprini and Khorana et al models, and the validation of the score for the Portuguese population. Simultaneously, the secondary objectives are as follows: to determine the proportion of patients with venous thromboembolism risk, according to the risk assessment model, that are doing prophylaxis; to determine the duration of prophylaxis during the hospitalization; to determine the proportion of patients doing long-term prophylaxis, at the moment of the discharge; to determine the incidence of thromboembolic events (deep venous thrombosis; stroke; pulmonary thromboembolism; transient ischemic attack

  9. Ancient lenses in art and sculpture and the objects viewed through them, dating back 4500 years

    Science.gov (United States)

    Enoch, Jay M.

    1998-07-01

    The early history of lenses is controversial. The author has sought to address the problem by identifying lens elements (mainly convex/plano) which remain associated with objects intended to be viewed through them (i.e., in their original context). These are found in museums in sculptures, rings, pendants, etc. A number of outstanding examples will be illustrated in the talk; these sophisticated pieces of art are certainly not first constructs. Most are of rock crystal, rose quartz, or glass. Lenses have origin among artisans rather than scientists. Clearly, skills were often lost and rediscovered. Early lens-like objects have been found broadly in the eastern Mediterranean area/Middle East, in France, in Italy (Rome), and possibly in Peru and Scandinavia, etc. To date, the earliest lenses identified in context are from the IV/V Dynasties of Egypt, dating back to about 4500 years ago (e.g., the superb `Le Scribe Accroupi' and `the Kai' in the Louvre; added fine examples are located in the Cairo Museum). Latter examples have been found in Knossos (Minoan [Herakleion Museum]; ca. 3500 years ago); others had origin in Greece (examples in the Athens National Archeological Museum and the British Museum equals BM), in Rome (Metropolitan Museum, NY; BM; Vatican Museums; Bologna Archeological Museum), etc. Also. of great interest is the study of possible lens applications. This is a fascinating scientific, artistic and intellectual project.

  10. 77 FR 64373 - Culturally Significant Object Imported for Exhibition Determinations: “Erotic Gold: The Art and...

    Science.gov (United States)

    2012-10-19

    ... From the Federal Register Online via the Government Publishing Office DEPARTMENT OF STATE Culturally Significant Object Imported for Exhibition Determinations: ``Erotic Gold: The Art and Life of... April 15, 2003), I hereby determine that the object to be included in the exhibition ``Erotic Gold:...

  11. Controls and art inquiries at the intersection of the subjective and the objective

    CERN Document Server

    Egerstedt, Magnus

    2014-01-01

    Dancing humanoids, robotic art installations, and music generated by mathematically precise methods are no longer science fiction; in fact they are the subject of this book.  This first-of-its-kind anthology assembles technical research that makes such creations possible.  In order to mechanize something as enigmatic and personal as dance, researchers must delve deeply into two distinct academic disciplines: control theory and art.  Broadly, this research uses techniques from the world of art to inspire methods in control, enables artistic endeavours using advanced control theory, and aids in the analysis of art using metrics devised by a systems theoretic approach.  To ensure that artistic influences are well represented, the individual chapters are focused so that they relate their contribution to the arts meaningfully and explicitly. Specially composed introductions set up the contributions either in terms of inspiration by artistic principles or their contribution to the arts through new analysis tool...

  12. ARTS

    DEFF Research Database (Denmark)

    Mahadevan, Shankar; Virk, Kashif M.; Madsen, Jan

    2007-01-01

    One of the challenges of designing a heterogeneous multiprocessor SoC is to find the right partitioning of the application for the target platform architecture. The right partitioning is dependent on the characteristics of the processors and the network connecting them as well as the application....... We present an abstract system-level modelling and simulation framework (ARTS) which allows for cross-layer modelling and analysis covering the application layer, middleware layer, and hardware layer. ARTS allows MPSoC designers to explore and analyze the network performance under different traffic...... and load conditions, consequences of different task mappings to processors (software or hardware) including memory and power usage, and effects of RTOS selection, including scheduling, synchronization and resource allocation policies. We present the application and platform models of ARTS as well...

  13. Representation, Concept, and Formalism: Gadamer, Kosuth, and the Dematerialization of the Art Object

    Directory of Open Access Journals (Sweden)

    José Luis Liñán

    2009-08-01

    Full Text Available Joseph Kosuth’s arguments for supporting Conceptual Art take for granted, and merely invert, the very categories of Formalism which are the critical target of his proposal. That is due to a narrow notion of truth, understood as adequatio or as (formal tautology. A subjectivist and internist conception of the work of art is an unexpected consequence of this view. A different conception comes out if we follow Gadamer in adopting a hermeneutic view regarding the identity of the work, which considers the material conditions of its manifestation.

  14. Envoicing Silent Objects: Art and Literature at the Site of the Canadian Landscape

    Science.gov (United States)

    Brock, Richard

    2008-01-01

    In this article, the author examines some of the ways in which art and literature converge upon the site of the Canadian landscape, generating an "ekphrastic" conception of place which reminds everyone constantly that every framed, static view of a landscape represents a story house, a repository of narratives concerning all those peoples who have…

  15. About Art

    OpenAIRE

    Blich, Baruch

    2001-01-01

    In his article, "About Art," Baruch Blich investigates why is art -- and especially modern art -- so difficult to understand? Why do art objects raise questions as to their status? Why scrutinizing art involves semiotics, philosophy of language, linguistics, epistemology, ontology, and even metaphysics? Why art is interpreted by psychoanalysis as well as by behaviorism and psychology of perception? What anthropology and sociology have to do with art and why do we witness art debated in the co...

  16. The art of anger: reward context turns avoidance responses to anger-related objects into approach.

    Science.gov (United States)

    Aarts, Henk; Ruys, Kirsten I; Veling, Harm; Renes, Robert A; de Groot, Jasper H B; van Nunen, Anna M; Geertjes, Sarit

    2010-10-01

    Anger has a special status among the emotions in that it can elicit avoidance as well as approach motivation. This study tested the ignored role of reward context in potentiating approach rather than avoidance responses toward objects associated with anger. In Experiment 1, angry and neutral facial expressions were parafoveally paired with common objects, and responses to the objects were assessed by subjective reports of motivation to obtain them. In Experiment 2, objects were again paired with angry or neutral faces outside of participants' awareness, and responses toward the objects were indexed by physical effort expended in attempting to win them. Results showed that approach motivation toward anger-related objects can be observed when responding is framed in terms of rewards that one can obtain, whereas avoidance motivation occurs in the absence of such a reward context. These findings point to the importance of a reward context in modulating people's responses to anger. PMID:20855898

  17. Learning from Objects: A Future for 21st Century Urban Arts Education

    Science.gov (United States)

    Lasky, Dorothea

    2009-01-01

    In this technological age, where mind and body are increasingly disconnected in the classroom, object-based learning--along with strong museum-school partnerships--provide many benefits for student learning. In this article, the author first outlines some of the special mind-body connections that object-based learning in museums affords learners…

  18. Terahertz meets sculptural and architectural art: Evaluation and conservation of stone objects with T-ray technology.

    Science.gov (United States)

    Krügener, K; Schwerdtfeger, M; Busch, S F; Soltani, A; Castro-Camus, E; Koch, M; Viöl, W

    2015-10-07

    Conservation of cultural heritage is an area where novel scientific techniques are having enormous impact. Given the value and uniqueness of art pieces, non-invasive diagnostic methods are highly appreciated by conservators. Terahertz radiation has shown enormous potential as non-contact probe that can be used for the three-dimensional reconstruction of internal structure of stone-made objects. In this article we report the evaluation of the internal damage state of two art pieces, a medallion from the Castle of Celle and a window sill from the St. Peter of Trier Cathedral. We also used terahertz radiation to follow and assess the restoration process of the window sill. We found that terahertz spectroscopy is an excellent non-destructive evaluation method for stone artwork that shows enormous potential as a tool for conservation.

  19. Individual athletes’ biomechanical features of interaction with objects in art gymnastics

    Directory of Open Access Journals (Sweden)

    Adashevskiy V.M.

    2014-04-01

    Full Text Available Purpose: To design a biomechanical model of interaction of athlete with the subject, as well as the development of areas of its use in practice. Material : The study involved 10 students - athletes. Results : The presented computational schemes create direction of flight of different items (rope, hoop, ball, ribbon, clubs. The characteristics of the time of flight trajectories and with regard for the resistance force of the air environment. Shows the influence of initial parameters on departure flight time items. Graphic characteristics are presented trajectories of objects depending on the parameters of their departure. Conclusions : It is recommended to improve the judicial assessment and effective implementation gymnast exercises during the flight characteristics of the various items to consider trajectories of objects. Note that age, height and distance from the athletes at the end of the flight object defined biomechanical characteristics that can realize an athlete: absolute initial velocity of departure, departure angle, height of the center of mass manufacture items.

  20. Thermal solar energy in Spain. State of the art and objectives; Energie solaire thermique en Espagne. Etat actuel et objectifs

    Energy Technology Data Exchange (ETDEWEB)

    Glenn, Jaouen

    2006-07-01

    According the Kyoto protocol, Spain has to reduce its CO{sub 2} emissions at 330 millions of tons (a decrease of 18 % from the level of 2003). From the european commission policy, the energy resources will be of 12 % of renewable energies. In this context, Spain developed an energy policy in favor of the solar energy. This document provides information on: the energy market in Spain, the thermal solar energy operating, the CO{sub 2} emissions, the state of the art in the domain in spain, the 2010 objectives, the programs and the assistance, some data on the solar market in comparison with the Europe. (A.L.B.)

  1. Scientific objects in the exhibition CHIMICA| the art of transforming matter

    OpenAIRE

    Mendes, Paulo J.; F. Rosado; Ferreira, T.; Conde, A.F.; Figueiredo, M.; Caldeira, A. T.; Valente, M; Galacho, C.

    2013-01-01

    Secondary School André de Gouveia (ESAG) is frequently associated to Lyceu d’Évora from which it inherited the historical and cultural background. Lyceu d’Évora was established in 1841 after the educational reform of Passos Manuel and it was set at the Colégio do Espírito Santo, in Évora, until 1979. During that period, a physics and chemistry laboratory was created and developed at the Lyceu and it was enriched with brand new scientific objects and small equipment to be used in classes, espe...

  2. Scientific objects in the exhibition CHIMICA| the art of transforming Matter

    OpenAIRE

    Mendes, Paulo J.; Rosado, Fernando; Ferreira, Teresa; Caldeira, Ana Teresa; Candeias, António; Conde, Antónia Fialho; Figueiredo, Margarida; Galacho, Cristina; Valente, Mariana

    2013-01-01

    Secondary School André de Gouveia (ESAG) is frequently associated to Liceu de Évora from which it inherited the historical and cultural background. Lyceu Nacional d’Évora was established in 1841 after the educational reform of Passos Manuel and was set at Colégio do Espírito Santo, in Évora, until 1979. During that period, a physics and chemistry laboratory was created and developed at the Liceu and it was enriched with brand new scientific objects and small equipment to be used in classes, e...

  3. X-ray Powder Diffraction in Conservation Science: Towards Routine Crystal Structure Determination of Corrosion Products on Heritage Art Objects.

    Science.gov (United States)

    Dinnebier, Robert E; Fischer, Andrea; Eggert, Gerhard; Runčevski, Tomče; Wahlberg, Nanna

    2016-01-01

    The crystal structure determination and refinement process of corrosion products on historic art objects using laboratory high-resolution X-ray powder diffraction (XRPD) is presented in detail via two case studies. The first material under investigation was sodium copper formate hydroxide oxide hydrate, Cu4Na4O(HCOO)8(OH)2∙4H2O (sample 1) which forms on soda glass/copper alloy composite historic objects (e.g., enamels) in museum collections, exposed to formaldehyde and formic acid emitted from wooden storage cabinets, adhesives, etc. This degradation phenomenon has recently been characterized as "glass induced metal corrosion". For the second case study, thecotrichite, Ca3(CH3COO)3Cl(NO3)2∙6H2O (sample 2), was chosen, which is an efflorescent salt forming needlelike crystallites on tiles and limestone objects which are stored in wooden cabinets and display cases. In this case, the wood acts as source for acetic acid which reacts with soluble chloride and nitrate salts from the artifact or its environment. The knowledge of the geometrical structure helps conservation science to better understand production and decay reactions and to allow for full quantitative analysis in the frequent case of mixtures. PMID:27341300

  4. The Object of Study in Martial Arts and Combat Sports Research – Contributions to a Complex Whole

    OpenAIRE

    Figueiredo, Abel

    2009-01-01

    Sport is social and, in martial arts and combat sports, sociology and philosophy, at pair with other sciences, contribute to the theoretical core of sport science studies. Wushu, Wrestling, Taekwondo, Sumo, Sambo, Muaythai, Kickboxing, Kendō, Karate, Judō, Ju-jitsu, Fencing, Boxing and Aikidō are sports integrated in GAISF. A large part of them became institutionalized in Asian countries during end of XIX century and earlier XX century, leaded by Japan with Budō and Sumo. Other ones came f...

  5. L’objet à l’œuvre dans l’art des British Young Artists Objecting to materialization: Some artworks by Young British Artists

    Directory of Open Access Journals (Sweden)

    Charlotte Gould

    2006-01-01

    Full Text Available While an artwork is never merely an object, the relationship between the two has come to define some of the historical evolutions of art, and especially that of the 20th century, going from representation to presentation. The works of the Young British Artists, at the very end of the century, have suggested a way out of both the dematerialization process inaugurated by some of their elders and the very weighty materialism of the New Sculpture of the eighties with its “truth to material” motto, by adopting a lighter approach, unencumbered with history, which does away with the unbearable heaviness of things.

  6. Regarding "Semi-active control of the rocking motion of monolithic art objects" [Journal of Sound and Vibration, 374 (2016) 1-16

    Science.gov (United States)

    Cartmell, Matthew P.

    2016-09-01

    The Editor wishes to make the reader aware that the paper "Semi-active control of the rocking motion of monolithic art objects" by R. Ceravolo, M.L. Pecorelli, and L.Z. Fragonara, did not contain a direct citation of the fundamental and original work by D. Konstantinidis and N. Makris entitled "Experimental and analytical studies on the seismic response of free-standing and anchored laboratory equipment", Report No. PEER 2005/07. Pacific Earthquake Engineering Research (PEER) Center, University of California, Berkeley, 2005. The Editor regrets that this omission was not noted at the time that the above paper was accepted and published.

  7. The Ingenious Mr Hughes: Combining Forced, Fat, and Reverse Perspective All in One Art Piece to Pit Objects against Surfaces

    Directory of Open Access Journals (Sweden)

    Thomas V Papathomas

    2012-04-01

    Full Text Available The artist Patrick Hughes has ingeniously painted rows of stacked Brillo boxes in Forced into Reverse Perspective. The geometry is in reverse perspective, predicting only one type of illusory motion for each planar surface for moving viewers. He “broke” these surfaces into objects by painting the boxes in three types of perspective (planar, forced, and reverse. Our experiments confirmed that he succeeded in eliciting different types of illusory motion, including “differential motion” between boxes for most viewers. In some sense, this illustrates the superiority of secondary (painted over primary (physical cues.

  8. Artful creation

    DEFF Research Database (Denmark)

    Darsø, Lotte

    2013-01-01

    An introduction to the field of Arts-in-Business outlining 4 different approaches: 1) Art as decoration, 2) Art as intertainment, 3) Arts as instrumental, 4) Art as strategic......An introduction to the field of Arts-in-Business outlining 4 different approaches: 1) Art as decoration, 2) Art as intertainment, 3) Arts as instrumental, 4) Art as strategic...

  9. Rebels without a Cause? Civil disobedience, Conscientious Objection and the Art of Argumentation in the Case Law of the European Court of Human Rights

    Directory of Open Access Journals (Sweden)

    Kati Nieminen

    2015-12-01

    Full Text Available Civil disobedience is often seen as a political statement whilst conscientious objection is understood as a private matter. This article discusses real-life acts of disobedience in the case law of the European Court of Human Rights. The emphasis is on the argumentative strategies by which the potential for profound social change can be neutralised in legal argumentation. The cases discussed here concentrate on Turkey and represent acts of conscientious objection and civil disobedience. The main finding is that in legal argumentation there are two strategies for neutralising the potential for change: first, labelling the disobedient act as a private matter in order to deprive it of its political message, or second, labelling the act as violent, undemocratic behaviour so that it can be disregarded. The article shows that the law is unable, and perhaps unwilling, to fully acknowledge the political claims of disobedience. A menudo se percibe la desobediencia civil como una declaración política, mientras que la objeción de conciencia se entiende como un asunto privado. Este artículo analiza actos de desobediencia de la vida real a través de la jurisprudencia del Tribunal Europeo de Derechos Humanos. Se enfatizan las estrategias argumentativas por las que se puede neutralizar el potencial de cambio social profundo a través de la argumentación jurídica. Los casos analizados aquí se centran en Turquía y representan actos de objeción de conciencia y desobediencia civil. La conclusión principal es que en la argumentación jurídica existen dos estrategias para neutralizar el potencial de cambio: en primer lugar, etiquetar el acto de desobediencia como un asunto privado, para privarlo de su mensaje político, en segundo lugar, etiquetar el acto como un comportamiento violento y no democrático, para que pueda ser ignorado. El artículo demuestra que el derecho es incapaz de, y tal vez reticente a, reconocer totalmente las reivindicaciones pol

  10. Moriz Thausing and the road towards objectivity in the history of art (1883, with a provisional list of his publications and translation of his inaugural lecture ‘The status of the history of art as an academic discipline’

    Directory of Open Access Journals (Sweden)

    Karl Johns

    2009-12-01

    Full Text Available On the basis of their substantial publications and widely publicized polemics, Alois Riegl and Franz Wickhoff are justifiably considered the founding figures of the so-called Vienna School of Art History. The historical accident that specialized journals did not previously exist, and meetings and public discussions of the methodology of the history of art did not yet regularly take place, should not however obscure the fact that a coherent and outspoken tradition already existed. When Moriz Thausing held his inaugural lecture in 1873, he was delineating a course of study which linked the history of art to the other disciplines as he must have himself already have been teaching for nearly a decade. His discussion of the nature of art and the method of its historical study as distinct from related subjects and particularly philosophical aesthetics are worth recalling in the context of the origins of the academic study of the history of art.

  11. Moriz Thausing and the road towards objectivity in the history of art (1883), with a provisional list of his publications and translation of his inaugural lecture ‘The status of the history of art as an academic discipline’

    OpenAIRE

    Karl Johns

    2009-01-01

    On the basis of their substantial publications and widely publicized polemics, Alois Riegl and Franz Wickhoff are justifiably considered the founding figures of the so-called Vienna School of Art History. The historical accident that specialized journals did not previously exist, and meetings and public discussions of the methodology of the history of art did not yet regularly take place, should not however obscure the fact that a coherent and outspoken tradition already existed. When Moriz ...

  12. "I like Art Because..."

    Science.gov (United States)

    Leishear, Christina Chiddo

    2012-01-01

    There is a lot of creative energy between students and their art materials. In this lesson, the author discusses materials an artist may use to create a work of art--paint, a paintbrush, a palette, crayons, markers, pastels, and so on. Each student sketched a picture of themselves holding some tools that can be used in art. The objectives of this…

  13. Arte precolombino, arte moderno y arte latinoamericano

    OpenAIRE

    Gamboa Hinestrosa, Pablo

    2014-01-01

    ¿Cuál es la vigencia del arte precolombino? ¿Qué ha aportado ala corriente del arte universal? ¿Qué se deben mutuamente arte modernoy arte precolombino? Estos planteamientos nos sirven para establecerla vigencia del arte precolombino en Latinoamérica, buscandoantecedentes desde los tiempos de la Conquista hasta nuestros días.

  14. Art collection preservation: gamma radiation application for decontaminating objects in the Instituto de Estudos Brasileiros from Universidade de Sao Paulo (USP), SP, Brazil

    International Nuclear Information System (INIS)

    The Instituto de Estudos Brasileiros (IEB) from the University of Sao Paulo received the charge from Sao Paulo's Federal Justice to take care of part of the collection from Banco Santos that was severely attacked by insects and micro-organisms (moulds) when stored in a warehouse that was flooded by intense rainfall. A chemical treatment to eliminate the biodeterioration agents was tried but it was not effective. As the heap has a large amount of Xylograph wood dye, printings and manuscripts from cordel literature an urgent way to treat was searched and after the study and previous experience on wood irradiation process it was decided to submit promptly the heap to gamma irradiation. After the treatment the art pieces were restored by IEB staff and now is being part of IEB collection and available for the scientific research community (author)

  15. Rebels without a Cause? Civil disobedience, Conscientious Objection and the Art of Argumentation in the Case Law of the European Court of Human Rights

    OpenAIRE

    Kati Nieminen

    2015-01-01

    Civil disobedience is often seen as a political statement whilst conscientious objection is understood as a private matter. This article discusses real-life acts of disobedience in the case law of the European Court of Human Rights. The emphasis is on the argumentative strategies by which the potential for profound social change can be neutralised in legal argumentation. The cases discussed here concentrate on Turkey and represent acts of conscientious objection and civil disobedience. The ma...

  16. Exceeding of Official Powers (Art. 286 of the Criminal Code of Russian Federation: Identification and Analysis of Signs of Object and Victim

    Directory of Open Access Journals (Sweden)

    Sergey D. Brazhnik

    2014-03-01

    Full Text Available In the present article authors defines attributes of object and victim in the framework of offense "abuse of power" (Article 286 of the Criminal Code of the Russian Federation and conduct comparative analysis. At the first place questions of what should be considered as object of crime in the Russian legal doctrine. Author believe that "vertical" objects are divided into general, intragenic, clan, group, specific and direct, "horizontal" - at primary, secondary and optional. Author carried out a comprehensive analysis of each object under consideration provisions of the Criminal Code of the Russian Federation. Authors give particular attention to the study of victims of this crime. According to authors, lack of the unified approach to this issue is largely generated by the procedural legislation. Author concludes that victims of the power abuse in the criminal law sense may be citizens (any individual, organizations (legal entities, irrespective of their legal form, society and the state. Based on the comprehensive analysis of legal acts, court practice and a wide range of scientific sources authors justify the appropriateness of amending Criminal Code of the Russian Federation.

  17. Course in Art and the Law

    Science.gov (United States)

    Merryman, John Henry

    1974-01-01

    Justifies and describes a course offered at Stanford Law School in 1972 listing course objectives and outlining content which included focus on art looting, government and the arts, artist's rights in the work of art, consumer protection, and taxation. (JT)

  18. Street art

    OpenAIRE

    Mulcahy, Linda

    2014-01-01

    This film considers what collectors lose when they take street art away from the street. More generally, it looks at the challenges posed by street art and the way it encourages us to reclaim our city.

  19. 文化产业背景下艺术批评的当下意义--《艺术智慧:对艺术消费客体质量的思辨》之思辨%The Contemporary Significance of Art Criticism in the Background of Cultural Industry--On "Artistic Wisdom:the Speculation on the Quality of the Object of Art Consumption"

    Institute of Scientific and Technical Information of China (English)

    葛丽英

    2015-01-01

    In the historical process of the development of art, art criticism enhances people's further understanding of art works and promotes the wider dissemination of art works; in the new background of cultural industry, art criticism should also assume their responsibilities. For domestic pop art and national art two cultural markets in recent years, with a strong national sentiment, based on the production and consumption of art, and from the perspective of aesthetic height, art commentary “Art Wisdom: the Speculation on the Quality of the Object of Art Consumption” makes a deep analysis and interpretation on the Mongolian arts-based drama, film, dance, modeling, and other four major categories of art works, and is a set of many-year art critical practice and academic wisdom in one.%在艺术发展的历史进程中,艺术批评增进了人们对艺术作品的进一步理解、推动了艺术作品更为广泛的传播;在文化产业发展的全新背景下,艺术批评同样应该承担起自身的责任。艺术评论集《艺术智慧:对艺术消费客体质量的思辨》面向近年来国内流行艺术与区域民族艺术两大文化市场,带着深厚的民族情感、立足艺术生产与消费视角,从审美的高度,对以蒙古族艺术为主的戏剧、影视、歌舞、造型等四大门类艺术作品进行了深度的分析与解读,是一部集多年艺术批评实践与学术智慧于一体的心血之作。

  20. Organisational Art

    DEFF Research Database (Denmark)

    Ferro-Thomsen, Martin

    University of Copenhagen / Learning Lab Denmark. 2005 Kort beskrivelse: Organisational Art is a tentative title for an art form that works together with organisations to produce art. This is most often done together with non-artist members of the organisation and on-site in their social context. OA...... is characterised as socially engaged, conceptual, discursive, site-specific and contextual. Abstract: This investigation is about Organisational Art (OA), which is a tentative title for an art form that works together with organisations (companies, institutions, communities, governments and NGOs) to produce art....... This is most often done together with non-artist members of the organisation and on-site in their social context. OA is characterised as socially engaged, conceptual, discursive, site-specific and contextual. It is argued that OA seeks to advance both art and the organisation of human work/life by crossing...

  1. Creating brand identity in art museums - A case study on three art museums

    OpenAIRE

    Pusa, Sofia

    2009-01-01

    Creating Brand Identity in Art Museums – A Case Study on Three Art Museums Research Objectives The marketing literature on identity and branding issues in nonprofit art museums is still quite remote. The objective of this study is to explore, how brand identity is created in art museums. More specifically, the purpose of the literature review aims to examine, what special characteristics the art context involves in branding and what are the elements of the art museum brand. The empiri...

  2. The End of Art Revisited

    Science.gov (United States)

    Wertz, S. K.

    2012-01-01

    A look at Danto's many discussions of the end of art and its meaning. Also examined is Hegel's idea of the end of art and his use of the dialectic to explain it. Both philosophers sought the meaning of art in the object or artwork--more so for Danto, because he thinks the object is a material one that would exclude conceptual artists' thought…

  3. Installation Art

    DEFF Research Database (Denmark)

    Petersen, Anne Ring

    . In Installation Art: Between Image and Stage, Anne Ring Petersen aims to change that. She begins by exploring how installation art developed into an interdisciplinary genre in the 1960s, and how its intertwining of the visual and the performative has acted as a catalyst for the generation of new artistic......Despite its large and growing popularity – to say nothing of its near-ubiquity in the world’s art scenes and international exhibitions of contemporary art –installation art remains a form whose artistic vocabulary and conceptual basis have rarely been subjected to thorough critical examination...... phenomena. It investigates how it became one of today’s most widely used art forms, increasingly expanding into consumer, popular and urban cultures, where installation’s often spectacular appearance ensures that it meets contemporary demands for sense-provoking and immersive cultural experiences. The main...

  4. Mindful art.

    Science.gov (United States)

    Malafouris, Lambros

    2013-04-01

    Bullot & Reber (B&R) begin asking if the study of the mind's inner life can provide a foundation for a science of art. Clearly there are many epistemological problems involved in the study of the cognitive and affective basis of art appreciation. I argue that context is key. I also propose that as long as the "mind's life" continues to be perceived as an "inner" intracranial phenomenon, little progress can be made. Mind and art are one.

  5. Art Markets

    NARCIS (Netherlands)

    P.A. Arora (Payal); F.R.R. Vermeylen (Filip)

    2013-01-01

    textabstractThe advent of digitization has had a profound impact on the art market and its institutions. In this chapter, we focus on the market for visual arts as it finds its expression in (among other) paintings, prints, drawings, photographs, sculpture and the like. These artistic disciplines cl

  6. Art Appreciation

    Institute of Scientific and Technical Information of China (English)

    1996-01-01

    Zhuo Dehui graduated from Guangzhou Academy of Fine Arts in 1973 with a specialty in lacquer painting, and shortly thereafter began teaching at the school. Zhuo has conducted research and actively created decorative art for many decades, and has often led groups of students deep into the areas inhabited by minority nationalities, The two paintings shown here represent his impressions and depictions of

  7. Art Experiences.

    Science.gov (United States)

    Spodek, Bernard; And Others

    1996-01-01

    Presents four articles that examine the role of art experiences in early childhood education: "Educationally Appropriate Art Activities for Young Children," by Bernard Spodek; "Teachers and Children Together: Constructing New Learning," by Lella Gandini; "Fostering Experiences between Young Children and Clay," by Cathy Weisman Topal; and…

  8. Art Appreciation

    Institute of Scientific and Technical Information of China (English)

    1996-01-01

    Modern embossed forged copper has an elegant character. This art form works well as decoration for the walls of buildings. Chen Chuan, the designer, pursues a look of simplicity and powerfulness in his works Auspiciousness and Harmony, which is based on the themes of man and nature. Chen carefully plans the arrangement of convex and concave parts, adding texture by hammering or scraping in many small points and fine lines. With a steel pick, the artist creates a surface sometimes rough and matte, sometimes smooth and shiny. Chen Chuan graduated from the Hubei Institute of Arts in 1965, and was deputy director of the Shandong Provincial Art Gallery from 1984 to 1991. A member of the China Artists Association and the China Graphic Art Association, Chen Chuan is ranked as a first-class artisan, and currently serves as director of the forge copper art office of the Shandong Academy. He has won awards at exhibitions held both at home and abroad.

  9. ART 101 Tutorials /art101dotcom

    OpenAIRE

    yamini63

    2015-01-01

    ART 101 Entire Course   For more course tutorials visit www.uopart101.com   ART 101 Week 1 CheckPoint Visual Literacy ART 101 Week 1 Assignment Reading Art Practicing Iconography ART 101 Week 2 CheckPoint Art and Intention ART 101 Week 2 DQ 1 and DQ 2 ART 101 Week 3 CheckPoint Analytical and Expressive Line ART 101 Week 3 Assignment Formal Analysis of Art ART 101 Week 4 CheckPoint Design Movements ART 101 Week 4 DQ 1 and DQ 2 ART 1...

  10. Arts Entrepreneurship

    DEFF Research Database (Denmark)

    Gartner, Bill

    2015-01-01

    Contribution to the opinion series “Perspectives” on arts entrepreneurship; how arts entrepreneurship is situated in relation to other disciplines or fields; what problems we are grappling with as scholars, practitioners, teachers, and artists; and what are the research questions we are attempting...... to answer individually or as a field. Under the headline “Perspectives on Arts Entrepreneurship, part 2”, are responses from: William B. Gartner, Professor of Entrepreneurship at Copenhagen Business School and California Lutheran University; Joseph Roberts, Director of the Coleman Fellows Program, Associate...

  11. Art Medium and Art Infrastructure Development in Contemporary Indonesian Art

    Directory of Open Access Journals (Sweden)

    A. Rikrik Kusmara

    2013-11-01

    Full Text Available This research review Indonesian contemporary artists that used the various media in the presentation in his works over the years since 2000 until now. Survey at Pameran Besar Indonesia "Manifesto" in May 2008, were around 670 Indonesian living artists, 350 are consistently professional artists, 41 artists who utilize a variety of media in each works and 6 of them are artists who used a various of media on their solo exhibition including combining conventional media with new media and installation approaches. 6 artists are analyzed on the structure of the media presentation configuration their used, and generally they used more than 3 types of media in their solo exhibition, first, painting/drawing, second, sculpture/object/installation, and third video/photography. In the study of each exhibition process, generally utilizing the curatorial and sponsored by promotor (gallery. This research shows a rapid development of economic infrastructure in Indonesian the art in 2000-an era with the emergence of many auction hall, a new generation of collectors and galleries, and the Asian art market and global orientation, it became one of the holding in contemporary art of Indonesia, has been shifting art situation from cultural appreciation in the era of 90-to an era to cultural production.

  12. Art Appreciation

    Institute of Scientific and Technical Information of China (English)

    1996-01-01

    Luo Zhongli. now a professor with the Oil Painting Department in the Sichuan Academy of Fine Arts became famous in the Chinese painters’ circle in 1980 with his enormous painting, Father. This painting also led the rise

  13. Art & Alchemy

    DEFF Research Database (Denmark)

    Partly because of alchemy's dismissal from the Parnassus of rational sciences, the interplay between this esoteric knowledge and the visual arts is still a surprisingly neglected research area. This collection of articles covering the time span from the Late Middle Ages to the twentieth century...... intends, however, to challenge the current neglect. Areas on which its twelve authors cast new light include alchemical gender symbolism in Renaissance, Mannerist and modernist art, alchemical ideas of transformation in Italian fifteenth-century landscape imagery, Netherlandish seventeenth......-century portrayals of alchemists, and alchemy's tortured status as a forerunner of photography. Art and Alchemy indicates that alchemy indeed has several connections with art by examining some of the pictorial and literary books that disseminated alchemical symbols and ideas, delving into images, which in one way...

  14. ART APPRECIATION

    Institute of Scientific and Technical Information of China (English)

    1998-01-01

    In Naive Girls, Zhang Nan portrays three country girls with brightly decorative colors commonly seen in Chinese folk art. Their individuality is portrayed with the contrasting colors of their clothing, yet the whole picture is harmonious. The naivete of country girls is distilled into art. Delight portrays a fishing girl drying fish in the open air. On her bamboo hat hang strings of fish. The background is painted with skills used in traditional Chinese water and ink painting.

  15. Object and Objective Lost?

    DEFF Research Database (Denmark)

    Lopdrup-Hjorth, Thomas

    2015-01-01

    of this organization-phobia, the paper argues that OT has become increasingly incapable of speaking about its core object. I show how organizations went from being conceptualized as entities of major importance to becoming theoretically deconstructed and associated with all kinds of ills. Through this history...

  16. Shadow art

    KAUST Repository

    Mitra, Niloy J.

    2009-01-01

    "To them, I said, the truth would be literally nothing but the shadows of the images." - Plato, The Republic Shadow art is a unique form of sculptural art where the 2D shadows cast by a 3D sculpture are essential for the artistic effect. We introduce computational tools for the creation of shadow art and propose a design process where the user can directly specify the desired shadows by providing a set of binary images and corresponding projection information. Since multiple shadow images often contradict each other, we present a geometric optimization that computes a 3D shadow volume whose shadows best approximate the provided input images. Our analysis shows that this optimization is essential for obtaining physically realizable 3D sculptures. The resulting shadow volume can then be modified with a set of interactive editing tools that automatically respect the often intricate shadow constraints. We demonstrate the potential of our system with a number of complex 3D shadow art sculptures that go beyond what is seen in contemporary art pieces. © 2009 ACM.

  17. Art Therapy

    DEFF Research Database (Denmark)

    Skov, Vibeke; Pedersen, Inge Nygaard

    2014-01-01

    Abstract Based on a Jungian approach, this article will introduce an integrative model to therapeutic change using art therapy methods as practical tools, with the aim of improving quality of life and in the prevention of depression. In a research study involving six participants, painting, clay...... work and drumming were used together with imagination and personal dialogues linked to the artwork. These art therapy processes attempted to combine the participant’s experience of inner and outer reality. The effect of gaining more knowledge about their inner reality using dreams and symbols......, was that participants gained a new understanding about their personal life. In addition, some participants were able to continue to use art therapy experiences as selfdevelopmental tools after the research study terminated. Jung’s description of the interactive relationship between the two living parts of the psyche...

  18. Art Academy

    Institute of Scientific and Technical Information of China (English)

    2011-01-01

    Created in 1996 by Mauritians Anna Patten and Sanedhip Bhimjee,Art Academy has gained a high profile due to its dance creation Katha’zz.Mixing new styles with traditional Kathak,the academy produces visual poetry that keeps it busy traveling around the world. Last September,along with the Mauritian presidential delegation,Art Academy presented Chinese audiences a real taste of Mauritian culture. Choreographer,dancer and set designer Bhimjee spoke to ChinAfrica from Mauritius about Katha’zz and its fusion with Chinese folk music.

  19. Art Lessons

    Institute of Scientific and Technical Information of China (English)

    2011-01-01

    Art exhibitions in China are now an important way to engage with Africa THE African Museum at China’s Zhejiang Normal University(ZJNU) is the first of its kind on the Chinese mainland with the theme of African civilization.ZJNU is also the first Chinese university to set up a comprehensive institute of African studies.The museum was completed on

  20. Chicken Art

    Science.gov (United States)

    Bickett, Marianne

    2009-01-01

    In this article, the author describes how a visit from a flock of chickens provided inspiration for the children's chicken art. The gentle clucking of the hens, the rooster crowing, and the softness of the feathers all provided rich aural, tactile, visual, and emotional experiences. The experience affirms the importance and value of direct…

  1. 77 FR 3009 - Federal Council on the Arts and the Humanities Arts and Artifacts Indemnity Panel Advisory Committee

    Science.gov (United States)

    2012-01-20

    ... ARTS AND THE HUMANITIES Federal Council on the Arts and the Humanities Arts and Artifacts Indemnity... hereby given that a meeting of the Arts and Artifacts Indemnity Panel of the Federal Council on the Arts... data and because it is important to keep values of objects, methods of transportation and...

  2. 76 FR 63665 - Federal Council on the Arts and the Humanities Arts and Artifacts Indemnity Panel Advisory Committee

    Science.gov (United States)

    2011-10-13

    ... ARTS AND THE HUMANITIES Federal Council on the Arts and the Humanities Arts and Artifacts Indemnity... hereby given that a meeting of the Arts and Artifacts Indemnity Panel of the Federal Council on the Arts... commercial data and because it is important to keep values of objects, methods of transportation and...

  3. 75 FR 39052 - Federal Council On the Arts and the Humanities Arts and Artifacts Indemnity Panel Advisory Committee

    Science.gov (United States)

    2010-07-07

    ... ARTS AND THE HUMANITIES Federal Council On the Arts and the Humanities Arts and Artifacts Indemnity... hereby given that a meeting of the Arts and Artifacts Indemnity Panel of the Federal Council on the Arts... commercial data and because it is important to keep values of objects, methods of transportation and...

  4. The Art of Selling Art

    OpenAIRE

    Poulsen, Nina

    2009-01-01

    Presenting empirical material from the making of the exhibition “This is Not Fiction” at the Milk Wall Gallery in the autumn 2007, I will in this paper introduce some of the themes and characteristics that are central to the notion of art and to the ethnographic study of it.

  5. Reliability of the Advanced REACH Tool (ART)

    NARCIS (Netherlands)

    Schinkel, J.; Fransman, W.; McDonnell, P.E.; Entink, R.K.; Tielemans, E.; Kromhout, H.

    2014-01-01

    Objectives: The aim of this study was to assess the reliability of the Advanced REACH Tool (ART) by (i) studying interassessor agreement of the resulting exposure estimates generated by the ART mechanistic model, (ii) studying interassessor agreement per model parameters of the ART mechanistic model

  6. Industrial Arts Curriculum Guide for Metalworking.

    Science.gov (United States)

    Connecticut State Dept. of Education, Hartford. Div. of Vocational and Adult Education.

    This curriculum guide for metalworking courses is part of a series of curriculum guides for use in the industrial arts curriculum in Connecticut. The guide provides information on the scope and sequence of the industrial arts curriculum, specific guidelines for industrial arts, program goals and objectives, and guidelines concerning special…

  7. Alive With Art

    Institute of Scientific and Technical Information of China (English)

    2011-01-01

    Lovers of art who settle in Beijing have a wide set of options as local art museums featuring the best in home-grown and international art are trending right now.The National Art Museum of China and the CAFA (Central Academy of Fine Arts) Art Museum are two of the most important institutions available to feed the art itch.

  8. Art and Finance: Fine Art Derivatives

    Directory of Open Access Journals (Sweden)

    Francesco Strati

    2014-04-01

    Full Text Available This work is intended to introduce a new kind of asset, the so called art asset. This financial tool is an asset whose value is related to an art-work, and in particular to the artist reputation. It will be shown the evaluation of an art asset by using a particular kind of volatility, the α-hedging. This tool normalizes the prices volatility of the art-works of an artist (or an art-movement by a sentiment index referred to the Art Market. At last I shall show how the art assets’ values are related to an art-call option.

  9. Defining Art Appreciation.

    Science.gov (United States)

    Seabolt, Betty Oliver

    2001-01-01

    Discusses the differences and goals of four areas: (1) art appreciation; (2) art history; (3) art aesthetics; and (4) art criticism. Offers a definition of art appreciation and information on how the view of art appreciation in education has changed over time. (CMK)

  10. Art Therapy Teaching as Performance Art

    Science.gov (United States)

    Moon, Bruce L.

    2012-01-01

    This viewpoint asserts that art therapy education is a form of performance art. By designing class sessions as performance artworks, art therapy educators can help their students become more fully immersed in their studies. This view also can be extended to conceptualizing each semester--and the entire art therapy curriculum--as a complex and…

  11. Towards art content in original graphic arts

    OpenAIRE

    Grdina, Sonja

    2011-01-01

    Contemporary Graphic art defines numerous graphic art techniques; from classical original graphic art techniques to the new media techniques. The new media reproduction and communication capacity influences contemporary art works in such way that more attention is on non-artistic content, while artistic content with its visual efficiency becomes less important. Reproductibility is one of the non-artistic contents which plays a key role in original graphic arts, where it is a means of making o...

  12. 77 FR 40914 - Arts and Artifacts Indemnity Panel Advisory Committee

    Science.gov (United States)

    2012-07-11

    ... ARTS AND THE HUMANITIES Arts and Artifacts Indemnity Panel Advisory Committee AGENCY: Federal Council... Arts and the Humanities will hold a meeting of the Arts and Artifacts Domestic Indemnity Panel. The..., and because it is important to keep the values of objects to be indemnified, and the methods...

  13. 76 FR 25378 - Arts and Artifacts Indemnity Panel Advisory; Committee

    Science.gov (United States)

    2011-05-04

    ... THE ARTS AND THE HUMANITIES Federal Council on the Arts and the Humanities Arts and Artifacts...) notice is hereby given that a meeting of the Arts and Artifacts Indemnity Panel of the Federal Council on... data and because it is important to keep values of objects, methods of transportation and...

  14. 76 FR 41526 - Federal Council on the Arts and the Humanities; Arts and Artifacts Indemnity Panel Advisory...

    Science.gov (United States)

    2011-07-14

    ... THE ARTS AND THE HUMANITIES Federal Council on the Arts and the Humanities; Arts and Artifacts...) notice is hereby given that a meeting of the Arts and Artifacts Indemnity Panel of the Federal Council on... commercial data and because it is important to keep values of objects, methods of transportation,...

  15. 75 FR 3759 - Federal Council on the Arts and the Humanities; Arts and Artifacts Indemnity Panel Advisory...

    Science.gov (United States)

    2010-01-22

    ... THE ARTS AND THE HUMANITIES Federal Council on the Arts and the Humanities; Arts and Artifacts...) notice is hereby given that a meeting of the Arts and Artifacts Indemnity Panel of the Federal Council on... financial and commercial data and because it is important to keep values of objects, methods...

  16. 76 FR 3677 - Federal Council on the Arts and the Humanities; Arts and Artifacts Indemnity Panel Advisory...

    Science.gov (United States)

    2011-01-20

    ... THE ARTS AND THE HUMANITIES Federal Council on the Arts and the Humanities; Arts and Artifacts... amended) notice is hereby given that a meeting of the Arts and Artifacts Indemnity Panel of the Federal... financial and commercial data and because it is important to keep values of objects, methods...

  17. 75 FR 22431 - Federal Council on the Arts and the Humanities; Arts and Artifacts Indemnity Panel Advisory...

    Science.gov (United States)

    2010-04-28

    ... THE ARTS AND THE HUMANITIES Federal Council on the Arts and the Humanities; Arts and Artifacts...) notice is hereby given that a meeting of the Arts and Artifacts Indemnity Panel of the Federal Council on... data and because it is important to keep values of objects, methods of transportation and...

  18. 75 FR 65385 - Federal Council on the Arts and the Humanities; Arts and Artifacts Indemnity Panel Advisory...

    Science.gov (United States)

    2010-10-22

    ... THE ARTS AND THE HUMANITIES Federal Council on the Arts and the Humanities; Arts and Artifacts...) notice is hereby given that a meeting of the Arts and Artifacts Indemnity Panel of the Federal Council on... commercial data and because it is important to keep values of objects, methods of transportation and...

  19. 78 FR 42555 - Federal Council on the Arts and the Humanities, Arts and Artifacts Indemnity Panel Advisory...

    Science.gov (United States)

    2013-07-16

    ... ARTS AND THE HUMANITIES Federal Council on the Arts and the Humanities, Arts and Artifacts Indemnity... Arts and Artifacts Domestic Indemnity Panel. The purpose of the meeting is for panel review, discussion... the values of objects to be indemnified, and the methods of transportation and security...

  20. Art: What Matters?

    Science.gov (United States)

    Friend, Nicholas

    2005-01-01

    Is art merely an adjunct to the serious business of life? Is there a secret ingredient that makes some art more worthwhile than other art? Does art have something to offer that makes its pursuit or purchase worthwhile, or is it simply an outlet for spare capital? Does art really matter at all? (Contains 5 figures.)

  1. The Art of Teaching.

    Science.gov (United States)

    Learning, 1996

    1996-01-01

    Discusses the benefits of integrating the arts into education to help students learn more and better. The paper looks at advantages to including music, visual arts, dance, and theater arts in the classroom, explaining the part that arts play in assessment. Resources for integrated arts activities are included. (SM)

  2. A PICKED SAMPLE TO THE FOOTPRINT OF PRIMITIVE INDIVIDUALISM OF RECENT DATE ART: BASQUIAT

    Directory of Open Access Journals (Sweden)

    Ozgur TOSUN

    2015-09-01

    Full Text Available Through the culturel history, meaning of art and art object have been queried and these researchs have emerged thesis and antithesis. Fundamentaly, this article aim to comparison interaction and/or conflict with mathematical rationalist art and primitive/heuristical/romantic art. In this context, effects of primitive and experssive art to the nowadays’ art perception are examined to envolve out of Basquiat and neo expressionism. Entailment of expressive art in contemporary art is researched for answers for questions in terms of cultural and genetic heritage of art and instinctive origins of making art object.

  3. Object crowding.

    Science.gov (United States)

    Wallace, Julian M; Tjan, Bosco S

    2011-05-25

    Crowding occurs when stimuli in the peripheral fields become harder to identify when flanked by other items. This phenomenon has been demonstrated extensively with simple patterns (e.g., Gabors and letters). Here, we characterize crowding for everyday objects. We presented three-item arrays of objects and letters, arranged radially and tangentially in the lower visual field. Observers identified the central target, and we measured contrast energy thresholds as a function of target-to-flanker spacing. Object crowding was similar to letter crowding in spatial extent but was much weaker. The average elevation in threshold contrast energy was in the order of 1 log unit for objects as compared to 2 log units for letters and silhouette objects. Furthermore, we examined whether the exterior and interior features of an object are differentially affected by crowding. We used a circular aperture to present or exclude the object interior. Critical spacings for these aperture and "donut" objects were similar to those of intact objects. Taken together, these findings suggest that crowding between letters and objects are essentially due to the same mechanism, which affects equally the interior and exterior features of an object. However, for objects defined with varying shades of gray, it is much easier to overcome crowding by increasing contrast.

  4. National ART Success Rates

    Science.gov (United States)

    ... ART and Birth Defects ART and Autism 2013 Assisted Reproductive Technology National Summary Report Recommend on Facebook Tweet Share ... live-birth rate? [PDF - 1.37MB] Section 2: ART Cycles using fresh nondonor eggs or embryos What ...

  5. The Liberal Arts and the Martial Arts.

    Science.gov (United States)

    Levine, Donald N.

    1984-01-01

    Liberal arts and the martial arts are compared from the perspective that courses of training in the martial arts often constitute exemplary educational programs and are worth examining closely. Program characteristics, individual characteristics fostered by them, the relationship between liberal and utilitarian learning, and the moral…

  6. Immersion francaise precoce: Arts plastiques 1-7 (Early French Immersion: Plastic Arts for Grades 1-7).

    Science.gov (United States)

    Burt, Andy; And Others

    This curriculum guide in art education is intended for use in grades 1-7 in the early French immersion program. An introductory chapter describes the educational objectives of the art program, the role of art education in child development, general and terminal objectives, methodology, the steps in graphic evolution, and an outline of the program.…

  7. Teaching artfully

    DEFF Research Database (Denmark)

    Chemi, Tatiana

    2016-01-01

    In this contribution I address the challenges and rewards that are brought by teaching creatively in higher education. By looking auto-ethnographically at my own practice as educator at undergraduate and graduate programs in Denmark, I describe a number of creative educational tools: metaphor......-building by means of artefacts, integrated use of visuals in lectures, and dramaturgical structure in educational design. My objective in teaching creatively is to inspire my students, who are educators-to-be or facilitators of educational processes and are used to problem-based-learning approaches (PBL), to (more...

  8. Dental anxiety and pain related to ART

    OpenAIRE

    Soraya Coelho Leal; Danielle Matos de Menezes Abreu; FRENCKEN, Jo. E.

    2009-01-01

    Atraumatic Restorative Treatment (ART) is considered to be well accepted, both by children and by adult patients. The objective of this review is to present and discuss the evidence regarding the acceptability of ART, from the patient's perspective. Aspects related to dental anxiety/fear and pain/discomfort have been highlighted, to facilitate better understanding and use of the information available in the literature. CONCLUSIONS: The ART approach has been shown to cause less discomfort than...

  9. Object theatre

    DEFF Research Database (Denmark)

    Ryöppy, Merja; Heiberg, Andreas

    2015-01-01

    This paper investigates how four perspectives from Object Theatre can enhance interaction design in the early stages of a product design process. We propose these perspectives as a playful approach for designers to gain embodied understanding and perception of objects to enable new design...... possibilities to emerge. We present a study in which the Object Theatre approach is applied to redesign socially shared everyday products that are located in public places. This project demonstrates how Object Theatre offers a broad perspective form which to explore and present product interactions...

  10. ART 125 Courses Tutorial / indigohelp

    OpenAIRE

    thanu

    2015-01-01

    ART 125 Week 1 Individual Assignment Pop Culture and the Arts Paper ART 125 Week 2 Individual Assignment Trends Paper ART 125 Week 3 Individual Assignment Globalization of Art and Pop Culture ART 125 Week 3 Learning Team Assignment Ethical Issues in Art and Popular Culture Outline ART 125 Week 4 Individual Assignment Print Art and Advertising Paper ART 125 Week 5 Individual Assignment Electronic Media Effects Paper ART 125 Week 5 Learning Team Assignment Ethical Issues...

  11. When Art & Finance Collide

    Institute of Scientific and Technical Information of China (English)

    2011-01-01

    Fine art and big finance are proving a profitable combination in China but questions of authenticity need to be addressed CHINA’S art market is on fire.As sales and prices break records,a new force has appeared in the market - organized art finance in the form of art trust funds and artwork exchanges.

  12. Art and Religion

    Science.gov (United States)

    Shusterman, Richard

    2008-01-01

    Since the nineteenth century's interest in "art for art's sake," many thinkers have argued that art would supplant traditional religion as the spiritual locus of the increasingly secular society of Western modernity. If art can capture the sort of spirituality, idealism, and expressive community of traditional religions but without being ensnared…

  13. Children as Art Teachers

    Science.gov (United States)

    Szekely, George

    2011-01-01

    A goal of art learning is always independence, for everyone to become their own art teacher. Teaching for artistic independence can never start too early. As art teachers, children acquire confidence in their art, and in coming to school as artists. Children should be considered artists in residence and visiting artists in schools. It makes sense…

  14. Arts Education Beyond Art : Teaching Art in Times of Change

    NARCIS (Netherlands)

    van Heusden, Bernard; Gielen, Pascal

    2015-01-01

    People and societies thrive on a versatile and imaginative awareness. Yet the critical debate on arts education is still too often about the qualities of artefacts and technical skills, and tends to neglect issues such as the critical function of the arts in society, artistic cognition and cognitive

  15. Trusted Objects

    Energy Technology Data Exchange (ETDEWEB)

    CAMPBELL,PHILIP L.; PIERSON,LYNDON G.; WITZKE,EDWARD L.

    1999-10-27

    In the world of computers a trusted object is a collection of possibly-sensitive data and programs that can be allowed to reside and execute on a computer, even on an adversary's machine. Beyond the scope of one computer we believe that network-based agents in high-consequence and highly reliable applications will depend on this approach, and that the basis for such objects is what we call ''faithful execution.''

  16. The Surrealist Collection of Objects

    Directory of Open Access Journals (Sweden)

    Pérez, Leticia

    2010-01-01

    Full Text Available In this article I shall discuss the Surrealist collection of objects as a form of art which arises out of mass production forces of the new era. These goods, deeply rooted in the capitalist laws of use-, exchange- and surplus-value, carry in themselves two materialist approaches which end in dialectical materialism. On the one hand, they epitomize the supreme forces of commodity fetishism ingrained in capitalist structures; on the other hand, they arouse unconscious desires which respond to the needs of the society of consumption. Thus, I will explore the act of object-collecting in the most radical Surrealist practices (dream objects, found objects, poème-objets, calligrammes, readymades and Surrealist objects as a way to not only delve into a new art, but also to reflect on societal ongoing transformations and paradoxes.

  17. ART 125 Courses/snaptutorial

    OpenAIRE

    charles

    2015-01-01

    ­For more classes visits www.snaptutorial.com           ART 125 Week 1 Individual Assignment Pop Culture and the Arts Paper ART 125 Week 2 Individual Assignment Trends Paper ART 125 Week 3 Individual Assignment Globalization of Art and Pop Culture ART 125 Week 3 Learning Team Assignment Ethical Issues in Art and Popular Culture Outline ART 125 Week 4 Individual Assignment Print Art and Advertising Paper ART 125 Week ...

  18. Images, Objects + Symbols: An exhibit at the Armory Gallery

    OpenAIRE

    Chadwick, Heather Riley

    2008-01-01

    Images, Objects + Symbols, a collaborative exhibition at the Art Armory presented by the School of Visual Arts in the College of Architecture and Urban Studies, features the artistry of Joanna and Donald Sunshine through Saturday, April 26.

  19. Fashion Objects

    DEFF Research Database (Denmark)

    Andersen, Bjørn Schiermer

    2009-01-01

    This article attempts to create a framework for understanding modern fashion phenomena on the basis of Durkheim's sociology of religion. It focuses on Durkheim's conception of the relation between the cult and the sacred object, on his notion of 'exteriorisation', and on his theory of the social...... symbol in an attempt to describe the peculiar attraction of the fashion object and its social constitution. However, Durkheim's notions of cult and ritual must undergo profound changes if they are to be used in an analysis of fashion. The article tries to expand the Durkheimian cult, radically enlarging...... it without totally dispersing it; depicting it as held together exclusively by the sheer 'force' of the sacred object. Firstly, the article introduces the themes and problems surrounding Durkheim's conception of the sacred. Next, it briefly sketches an outline of fashion phenomena in Durkheimian categories...

  20. The Origins of Art

    OpenAIRE

    Aleksandre P. Lobodanov

    2015-01-01

    The origins of artistic activities or rather art, and in recent decades the processing and consolidation of a new field in art history, art semiotics, are grouped together in the semiotic systems of applied and non-applied arts.In this paper, in particular, an analysis is made of the non-applied arts, in which non-verbal signs are used to express the form of human thought.The discussion focuses on the origins of non-applied arts, the image-forming process, the psychology of perception, the pe...

  1. Setting Objectives

    Science.gov (United States)

    Elkins, Aaron J.

    1977-01-01

    The author questions the extent to which educators have relied on "relevance" and learner participation in objective-setting in the past decade. He describes a useful approach to learner-oriented evaluation in which content relevance was not judged by participants until after they had been exposed to it. (MF)

  2. Software measurement study in object-oriented design: state of art%面向对象设计中软件度量学:回顾与热点

    Institute of Scientific and Technical Information of China (English)

    易彤

    2011-01-01

    In order to study object-oriented software measurement systematically and deeply, this paper began with its concept originally introduced by Rubey & Hartwick in year 1968, then summaried its research field from four points of view, such as its definition, theoretical validation, empirical validation and support tools. Furthermore, concluded empirical validation from six aspects, such as internal software property, external software property, data source, developing languages, empirical methods and conclusion. Finally, pointed out the existing problems and the prospects.%为了深入、详细、全面地研究面向对象软件度量,以1968年Rubey等人提出软件度量学的概念为起点,横跨四十余年,从度量方法的定义、理论验证、实验验证和辅助工具四个方面进行了阐述,并从软件内部属性、软件外部属性、数据源性质、数据源的开发语言、实验方法和实验结论等方面总结了典型的实验验证.最后,指出了其存在的问题,并指明了今后的发展方向.

  3. Objective thermomechanics

    OpenAIRE

    Fülöp, Tamás

    2015-01-01

    An irreversible thermodynamical theory of solids is presented where the kinematic quantities are defined in an automatically objective way. Namely, auxiliary elements like reference frame, reference time and reference configuration are avoided by formulating the motion of the continuum on spacetime directly. Solids are distinguished from fluids by possessing not only an instantaneous metric tensor but also a relaxed metric. The elastic state variable is defined through comparing these two met...

  4. Objective becoming

    CERN Document Server

    Skow, Bradford

    2015-01-01

    Bradford Skow presents an original defense of the 'block universe' theory of time, often said to be a theory according to which time does not pass. Along the way, he provides in-depth discussions of alternative theories of time, including those in which there is 'robust passage' of time or 'objective becoming': presentism, the moving spotlight theory of time, the growing block theory of time, and the 'branching time' theory of time. Skow explains why the moving spotlight theory is the best of these arguments, and rebuts several popular arguments against the thesis that time passes. He surveys the problems that the special theory of relativity has been thought to raise for objective becoming, and suggests ways in which fans of objective becoming may reconcile their view with relativistic physics. The last third of the book aims to clarify and evaluate the argument that we should believe that time passes because, somehow, the passage of time is given to us in experience. He isolates three separate arguments thi...

  5. Nordic (Art) Photography

    DEFF Research Database (Denmark)

    Sandbye, Mette

    2013-01-01

    A description of the rise of the role of photography on the Scandinavian art scene the last 25 years......A description of the rise of the role of photography on the Scandinavian art scene the last 25 years...

  6. Creating Art Appreciation Activities.

    Science.gov (United States)

    Heidt, Ann H.

    1986-01-01

    The experiences of college students enrolled as majors in elementary education in designing art appreciation activities for use in elementary classrooms are described. The college students had no art background. (RM)

  7. MUF architecture /art London

    DEFF Research Database (Denmark)

    Svenningsen Kajita, Heidi

    2009-01-01

    Om MUF architecture samt interview med Liza Fior og Katherine Clarke, partnere i muf architecture/art......Om MUF architecture samt interview med Liza Fior og Katherine Clarke, partnere i muf architecture/art...

  8. Art Taipei, 2007

    Institute of Scientific and Technical Information of China (English)

    Jade; Franklin

    2007-01-01

    ■The boom of Chinese contemporary art in recent years has been greatly assisted by the purchasing power of Taiwanese collectors. They constitute the largest art buyers in the Asian market and without them the scene would look

  9. Fine Arts Database (FAD)

    Data.gov (United States)

    General Services Administration — The Fine Arts Database records information on federally owned art in the control of the GSA; this includes the location, current condition and information on artists.

  10. Works of HeART: Help for Haiti

    Science.gov (United States)

    Anthos, Jeannette Smith

    2010-01-01

    As an art teacher, it's easy to get caught up in the hustle and bustle of objectives, lesson plans, grading, paperwork, setup, art shows and getting "that project" done within a certain time frame. Sometimes art teachers can miss out on a teachable moment not just for the students, but for themselves, as well. The author came upon…

  11. ARTEMIS: Reinvigorating History and Theory in Art and Design Education

    Science.gov (United States)

    Janet, Jeff; Miles, Melissa

    2009-01-01

    ARTEMIS (Art Educational Multiplayer Interactive Space) is an online multi-user virtual environment that is designed around the objects, artefacts, philosophies, personalities and critical discourses of the histories and theories of art and design. Conceived as a means of reinvigorating art history and theory education in the digital age, ARTEMIS…

  12. Realist Magic : Objects, Ontology, Causality

    OpenAIRE

    Morton, Timothy

    2013-01-01

    Object-oriented ontology offers a startlingly fresh way to think about causality that takes into account developments in physics since 1900. Causality, argues, Object Oriented Ontology (OOO), is aesthetic. In this book, Timothy Morton explores what it means to say that a thing has come into being, that it is persisting, and that it has ended. Drawing from examples in physics, biology, ecology, art, literature and music, Morton demonstrates the counterintuitive yet elegant explanatory power of...

  13. Gombrich, Art and Psychoanalysis

    OpenAIRE

    Stefano Ferrari

    2014-01-01

    Ernst H. Gombrich has always shown particular attention to the psychology of art as psychology of representation (and enjoyment) of art. In addition, through his friendship with Ernst Kris, who had been a respected art historian in the staff of the Kunsthisthoriches Museum in Vienna before becoming an important psychoanalyst, Gombrich devoted some fundamental essays on the contribution of psychoanalysis to the study of art.The main novelty and the most original feature of his contribution to ...

  14. ART GALLERY IN LHASA

    Institute of Scientific and Technical Information of China (English)

    2007-01-01

    Art galleries have emerged on the streets of Lhasa since the reform and opening up of China.The earliest ones were Art Gallery of Tibetan Exhibition Hall and Art Gallery of Potala Palace 20 years before.For 20 years as one fell,another rose until now,tens of art galleries of various sizes and centred around the Barkor Street are attracting enormous numbers of tourists from both home and abroad.

  15. Arte, derecho y derecho al arte

    Directory of Open Access Journals (Sweden)

    Rubén Martínez Dalmau

    2014-07-01

    Full Text Available El artículo defiende que existe un derecho subjetivo al arte fundamentado en la autonomía del arte, que lo diferencia de otras formas expresivas; en la capacidad de apropiación subjetiva del arte exclusivamente por parte de los seres humanos; en las posibilidades del arte para la construcción de formas de expresión varias; y en el potencial uso del arte en políticas públicas propias de los sistemas democráticos, que ayudaría al derecho a la paz y a la reconciliación, así como formas alternativas de reparación y rehabilitación en sociedad. La exclusividad de la relación del hombre con el arte fundamentaría su objetivación y, por ello, lo convertiría en un derecho jurídicamente exigible.

  16. Differential evolution for solving multi-objective optimization problems: a survey of the state-of-the-art%解决多目标优化问题的差分进化算法研究进展

    Institute of Scientific and Technical Information of China (English)

    叶洪涛; 罗飞; 许玉格

    2013-01-01

    Differential evolution (DE) is a simple but powerful evolutionary optimization algorithm.It has drawn the attention of researchers all round the globe with its perfect performance since its inception.As a global search of metaheuristics based on population,DE has many successful scientific and engineering applications.A survey of DE for solving multi-objective optimization problems (MOPs) is presented.A detailed review of the basic concepts of DE is provided.Several important variants of DE for solving MOPs are presented.Moreover,the theoretical analyses on DE for solving MOPs are provided.Finally,the engineering applications of DE for solving MOPs and its future challenging field are also pointed out in the remainder of this paper.%差分进化(differential evolution,DE)是一种简单但功能强大的进化优化算法.由于其优秀的性能,其诞生之日起就吸引了各国研究人员的关注.作为一种基于群体的全局性启发式搜索算法,差分进化算法在科学和工程中有许多成功的应用.本文对解决多目标优化问题的差分进化算法研究进行了综述,对差分进化的基本概念进行了详细的描述,给出了几种解决多目标优化问题的差分进化算法变体,并且给出了差分进化算法解决多目标优化问题的理论分析,最后,给出了差分进化算法解决多目标优化问题的工程应用,并指出了未来具有挑战性的研究领域.

  17. In/Visible Art

    Directory of Open Access Journals (Sweden)

    Marina Tkacheva

    2015-07-01

    Full Text Available The article analyses different forms of easel painting, monumental and decorative art and photography existing in modern universities. It observes how the function of art changes in the context of modernization of culture and higher education. The role of initiators of art spaces in universities is also featured. 

  18. Arts and Education.

    Science.gov (United States)

    Berube, Maurice R.

    1999-01-01

    Describes the American public's growing interest in art after World War II. Discusses the problematic history of arts in the public school curricula, in which arts programs are seen as a last priority in school reform and are the first to be eliminated in school districts facing financial retrenchment. (SR)

  19. Arts Opportunity Gap

    Science.gov (United States)

    Principal, 2012

    2012-01-01

    The increasing focus on arts education during the past few years has brought much-needed attention to the benefits it affords to students of all ages. Past research has proved time and again that the arts support teaching and learning in numerous ways, and recommendations abound that schools should find ways to integrate the arts in classrooms.…

  20. Art and Physics

    Science.gov (United States)

    Metcalf, Suesi

    2004-01-01

    In this paper, the author offers lesson plan ideas that are designed to guide teachers of art and science to encourage their students to see connections between art images and physics principles. The four works of art discussed are examples that can be linked visually and conceptually to physics properties in mathematics, space, energy, and light.…

  1. Ancient Art Form Revisited

    Institute of Scientific and Technical Information of China (English)

    Liu Jian

    2011-01-01

    @@ A CHINESE New Year painting exhibition has offered thousands of art lovers a traditional folk art feast in Beijing this past January and February.With the theme of "Door Gods," over 300 works of art were on display, representing various styles in China's different regions.

  2. The Art of Running

    Science.gov (United States)

    Brown, Jill Harris

    2007-01-01

    Every year, the Parent-Teacher Association of Ferndale Elementary School in Atlanta, Georgia sponsors a fun road race for the students, teachers, families, and community. This annual event has inspired the author to develop the Running and Art project to show off her students' art and squeeze in a little art history, too. In this article, the…

  3. Arte corporal (Body Art y videoperformance

    Directory of Open Access Journals (Sweden)

    Celia Balbina Fernández Consuegra

    2015-01-01

    Full Text Available Tomando en consideración que el Body Art es el lenguaje expresivo del género Performance Art, se plantea como objetivo de este trabajo, una reflexión sobre aquellas acciones artísticas que dieron origen a lo que hoy conocemos como videoperformance. En un principio, con el objeto de documentar las acciones, se comenzaron realizar grabaciones videográficas. Después, los artistas empezaron a incorporar determinadas imágenes a sus acciones, lo que planteó la posibilidad de realizar obras con el único objetivo de ser registradas; esto dio origen al videoperformance.

  4. From soil in art towards Soil Art

    Science.gov (United States)

    Feller, C.; Landa, E. R.; Toland, A.; Wessolek, G.

    2015-02-01

    The range of art forms and genres dealing with soil is wide and diverse, spanning many centuries and artistic traditions, from prehistoric painting and ceramics to early Renaissance works in Western literature, poetry, paintings, and sculpture, to recent developments in cinema, architecture and contemporary art. Case studies focused on painting, installation, and cinema are presented with the view of encouraging further exploration of art about, in, with, or featuring soil or soil conservation issues, created by artists, and occasionally scientists, educators or collaborative efforts thereof.

  5. 77 FR 22613 - Federal Council on the Arts and the Humanities Arts and Artifacts Indemnity Panel Advisory Committee

    Science.gov (United States)

    2012-04-16

    ... ARTS AND THE HUMANITIES Federal Council on the Arts and the Humanities Arts and Artifacts Indemnity... Artifacts International Indemnity Panel. The purpose of the meeting is for panel review, discussion... objects to be indemnified, and the methods of transportation and security measures confidential, I...

  6. 78 FR 63500 - Federal Council on the Arts and the Humanities; Arts and Artifacts Indemnity Panel Advisory...

    Science.gov (United States)

    2013-10-24

    ... ARTS AND THE HUMANITIES Federal Council on the Arts and the Humanities; Arts and Artifacts Indemnity... Artifacts International Indemnity Panel. The purpose of the meeting is for panel review, discussion... is important to keep the values of objects to be indemnified, and the methods of transportation...

  7. Effects of Art/Design Education on Meta-Esthetics Consciousness of Fine Arts Students

    Science.gov (United States)

    Tataroglu, Eylem

    2015-01-01

    The objectives of the present study were to determine the consciousness and sensitivity levels of Fine Arts students about the meta-esthetics as a consumer and producer and to determine the effects of the courses they took on their meta-esthetic consciousness. The research universe was composed of fine art faculties of the foundation universities…

  8. Arts and Technology

    DEFF Research Database (Denmark)

    This book constitutes the thoroughly refereed post-conference proceedings of the Second International Conference on Arts and Technology, ArtsIT 2011, which was held in December 2011 in Esbjerg, Denmark. The 19 revised full papers and the two poster papers cover various topics such as Interaction ...... and Art, Music and Performance, and Digital Technology.......This book constitutes the thoroughly refereed post-conference proceedings of the Second International Conference on Arts and Technology, ArtsIT 2011, which was held in December 2011 in Esbjerg, Denmark. The 19 revised full papers and the two poster papers cover various topics such as Interaction...

  9. Ancient Art Form Revisited

    Institute of Scientific and Technical Information of China (English)

    2011-01-01

    Chinese New Year painting exhibition reveals the beauty of folk art A CHINESE New Year painting exhibition has offered thousands of art lovers a traditional folk art feast in Beijing this past January and February.With the theme of "Door Gods," over 300 works of art were on display,representing various styles in China’s different regions. Woodcut prints,each a piece of special handmade folk art featuring auspicious subjects,are characterized by their concise lines, bright colors,and joyful scenes embodying people’s best wishes for the New Year.

  10. Art Priori = Art Priori / Kristel Jakobson

    Index Scriptorium Estoniae

    Jakobson, Kristel, 1983-

    2015-01-01

    Restoran Art Priori Tallinna vanalinnas Olevimägi 7. Sisekujunduse autor Kristel Jakobson (Haka Disain). Eesti Sisearhitektide Liidu aastapreemia 2014/2015 parima restorani eest. Lühidalt Kristel Jakobsonist

  11. Objective thermomechanics

    CERN Document Server

    Fülöp, Tamás

    2015-01-01

    An irreversible thermodynamical theory of solids is presented where the kinematic quantities are defined in an automatically objective way. Namely, auxiliary elements like reference frame, reference time and reference configuration are avoided by formulating the motion of the continuum on spacetime directly, utilizing the Weyl-Matolcsi description of spacetime. This restricts the range of definable kinematic quantities heavily. Solids are distinguished from fluids by possessing not only an instantaneous metric tensor but a relaxed metric, too, that represents the natural geometric structure of the solid. The comparison of the instantaneous metric to the relaxed one is the basis of the definition of the elastic state variable, the elastic deformedness tensor. Thermal expansion is conceived as the temperature dependence of the relaxed metric. As opposed to this reversible type of change, plasticity means an irreversible change in the relaxed metric, and is describable via a plastic change rate tensor. The relat...

  12. The Origins of Art

    Directory of Open Access Journals (Sweden)

    Aleksandre P. Lobodanov

    2015-12-01

    Full Text Available The origins of artistic activities or rather art, and in recent decades the processing and consolidation of a new field in art history, art semiotics, are grouped together in the semiotic systems of applied and non-applied arts.In this paper, in particular, an analysis is made of the non-applied arts, in which non-verbal signs are used to express the form of human thought.The discussion focuses on the origins of non-applied arts, the image-forming process, the psychology of perception, the perception of sound and reproduction of sounds, the development of music and the development of dance in their entirety, as an expression of the inner condition that influences the body through movement: it thus provides a valuable contribution to the study of the non-applied arts.

  13. On the Institutional Theory of Art

    Directory of Open Access Journals (Sweden)

    Ivan Parascic

    2008-11-01

    Full Text Available The topic of the article is George Dickie’s institutional theory of art as one of contemporary art theories which purport to answer the “what is art?” question by defining the concept of art in terms of its necessary and sufficient conditions. Introductory part of the article brings a brief review of so-called functionalist theories, as well as of their shortcomings when compared to theories to which institutional theory belongs. Also included is a short survey of theories and arguments that significantly influenced institutional theory, e.g. Danto’s “theory of meaning”. Next are presented the basics of the institutional theory. It is shown that advantages of this theory over other functionalist theories became especially visible after the appearance of art practices of the 20th century which rendered the difference between artistic and non-artistic objects extremely complex.

  14. Art Appreciation as a Learned Competence: A Museum-based Qualitative Study of Adult Art Specialist and Art Non-Specialist Visitors

    Directory of Open Access Journals (Sweden)

    Rajka Bračun Sova

    2015-12-01

    Full Text Available Since Bourdieu, it has been argued that art appreciation requires “knowledge”. The focus of this qualitative study was to examine art appreciation as a learned competence by exploring two different groups of museum visitors: art specialists and art non-specialists. The research was conducted at Moderna galerija in Ljubljana. Twenty-three adults were recruited and accompanied during their visit to the museum. Participants were requested to “think out loud”, which meant to talk about what they saw, thought, and felt about the artworks. There was a short interview conducted with each participant before entering the museum to gain insight into their art-related and museum-visiting experience. The analysis of the data revealed that some processes of art appreciation were similar within the two groups. Both art specialists and art non-specialists interact with museum objects physically and intellectually; they see contents and formal qualities as a whole; they respond emotionally to artworks; appreciation includes their personal experience; they search museum interpretation/information for their understanding. Some noticeable differences were found. Art specialists respond to artworks with more understanding and are willing to put more effort into art appreciation, whereas art non-specialists respond with less understanding and put less effort into art appreciation. This paper focuses on the differences between the two groups; reflective and spontaneous appreciation of art, objective and subjective appreciation of art and the effort put into art appreciation. The paper ends with a discussion of the implications of the study for the teaching of art and museum education.

  15. Medical Art Therapy

    Directory of Open Access Journals (Sweden)

    Birgul Aydin

    2012-03-01

    Full Text Available Art therapy is a form of expressive therapy that uses art materials. Art therapy combines traditional psychotherapeutic theories and techniques with an understanding of the psychological aspects of the creative process, especially the affective properties of the different art materials. Medical art therapy has been defined as the clinical application of art expression and imagery with individuals who are physically ill, experiencing physical trauma or undergoing invasive or aggressive medical procedures such as surgery or chemotherapy and is considered as a form of complementary or integrative medicine. Several studies have shown that patients with physical illness benefit from medical art therapy in different aspects. Unlike other therapies, art therapy can take the patients away from their illness for a while by means of creative activities during sessions, can make them forget the illness or lost abilities. Art therapy leads to re-experiencing normality and personal power even with short creative activity sessions. In this article definition, influence and necessity of medical art therapy are briefly reviewed.

  16. ARTree. Designing & evaluating handheld augmented reality art

    OpenAIRE

    Nordbø, Tone

    2011-01-01

    Augmented reality is a technology combining physical and virtual objects. This study aimes to explore the use of this technology in art. The prototype ARTree was developed through contributions from an artist, and consists of a physical tree and virtual objects representing the four seasons. A qualitative usability test was conducted where ...

  17. Dental anxiety and pain related to ART

    Directory of Open Access Journals (Sweden)

    Soraya Coelho Leal

    2009-01-01

    Full Text Available Atraumatic Restorative Treatment (ART is considered to be well accepted, both by children and by adult patients. The objective of this review is to present and discuss the evidence regarding the acceptability of ART, from the patient's perspective. Aspects related to dental anxiety/fear and pain/discomfort have been highlighted, to facilitate better understanding and use of the information available in the literature. CONCLUSIONS: The ART approach has been shown to cause less discomfort than other conventional approaches and is, therefore, considered a very promising "atraumatic" management approach for cavitated carious lesions in children, anxious adults and possibly, for dental-phobic patients.

  18. Holography - Application To Art: Curatorial Observations

    Science.gov (United States)

    Dinsmore, Sydney

    1987-06-01

    An exploration of the need to define a specific and critical language to describe the art of holography. Within any discussion of art, critical analysis must maintain an objective openess, particularily when the discourse concerns new media. To apply technological invention to art, new media is often without precedent on which to base criticism and bias. For this reason, holography falls prey to comparative rhetoric and established evaluation of other forms of imaging,as photography emulated the compositional romanticism of painting initially. Isolated and often misunderstood within the context of history, new media vascillates between legitimacy and curiosity in an attempt to create specific parameters to identify perceptual transition.

  19. Art Toys in the contemporary art scene

    Directory of Open Access Journals (Sweden)

    Laura Sernissi

    2014-03-01

    Full Text Available The Art Toys phenomenon, better known as Art Toy Movement, was born in China in the mid-nineties and quickly spread out to the rest of the world. The toys are an artistic production of serial sculpture, made by handcrafts or on an industrial scale. There are several types of toys, such as custom toys and canvas toys, synonyms of designer toys, although they are often defined according to the constituent material, such as vinyl toys (plastic and plush toys (fabric. Art toys are the heirs of an already pop-surrealist and neo-pop circuit, which since the eighties of the twentieth century has pervaded the Japanese-American art scene, winking to the playful spirit of the avant-garde of the early century. Some psychoanalytic, pedagogical and anthropological studies about “play theories”, may also help us to understand and identify these heterogeneous products as real works of art and not simply as collectible toys.

  20. Design and the function of art

    DEFF Research Database (Denmark)

    Brix, Anders

    2015-01-01

    Western thought tends to categorically separate art from “mere” artefacts: The arts serve no function except for aesthetic contemplation, while artefacts are functional objects intended for a specific purpose. This separation has caused some confusion as to the field of design, which may sometimes...... how our perception of things is governed and directed by our discourses, and how this may cause us to overlook important features of both things in general and the potential of design in particular....

  1. Pragmatics of Raw Art

    DEFF Research Database (Denmark)

    Wilson, Alexander

    2014-01-01

    , and a contemporary zeitgeist marked by a general relativisation of aesthetic values has emerged, exploding into a plethora of parallel discourses on art. Perhaps there is no longer such a thing (if there ever was) as Culture with a capital C, which Dubuffet so vehemently opposed in his championing of art brut....... The concepts of raw art and outsider art were typical of a time when oppositional politics still infused artistic and academic discourses. But modernity seems to have ‘grown out’ of its adolescence, so to speak: out of politics of opposition and absolutes. Of course, it is neither desirable nor possible......In the last several decades, art has seen the dissolution of the old avant-garde critical grid. Gone are the days of absolutes and manifestos. The most varied styles have been absorbed into the postmodern pastiche, outsider artworks have been traded for large sums on the fine-art market...

  2. Martial Arts Club

    CERN Document Server

    Martial Arts Club

    2010-01-01

    In July 2010, after five years of activity, the CERN Martial Arts held its first international Bujutsu seminar, gathering more than 40 participants from France, Switzerland, Sweden and Japan. The seminar was led by Master Shimazu Kenji, world-renowned martial arts expert based in Tokyo and headmaster of the Yagyu Shingan Ryu school, present in Europe specifically for the occasion. During nine days, participants got to discover the wide array of Bujutsu techniques and traditions of an ancestral martial art that finds its roots in the art and lives of Japanese samurais. Covering such varied subjects as self-defense techniques (Jujitsu), swordsmanship (Kenjutsu), through to healing techniques and etiquette, it encompasses all aspects of a way of life that still find echoes in today's modern Japanese society. The CERN Martial Arts club wishes to thank particularly the CERN Clubs Committee and its president Rachel Bray for their support in organizing this event. The CERN Martial Arts club, led by Sylvai...

  3. Art and Architectural Space

    DEFF Research Database (Denmark)

    Unterrainer, Walter

    2014-01-01

    and its content. The urban and spatial question goes far beyond museums and other buildings for art: how in democratic societies should public spaces be supported by art and how can public art support ´cityness´ and meaning versus spaces of consumerism. Famous but egocentric buildings with the main......art and architectural space museums and other exhibition spaces or how artists learn to love architects Over the last two decades, innumerable new museums, art galleries and other exhibition spaces have been built and opened all over the globe. The most extreme growth happened in China, where...... the number of museums went up from 300 by 1980 to estimated 3000 museums by 2015. In urban discourses, new museums and buildings for art have been considered as drivers for ´cultural sustainability´ of cities. The notion is diffuse and the reality is more an economic centred ´city branding´ to help...

  4. When Art & Finance Collide

    Institute of Scientific and Technical Information of China (English)

    Yu Lintao

    2011-01-01

    CHINA'S art market is on fire.As sales and prices break records,a new force has appeared in the market-organized art finance in the form of art trust funds and artwork exchanges.It was reported that the anonymous winner of the bid for the Song Dynasty calligraphy work Dizhuming by Huang Tingjian (1045-1105).which was sold for a staggering 436.

  5. Arquitectura, arte funcional

    Directory of Open Access Journals (Sweden)

    Monjo Carrió, Juan

    1985-10-01

    Full Text Available The begining of this work is devoted to the analysis of the concepts of Art, Science and Technique and their historical evolution, distinguishing between "fine arts" and "technique arts". Following, Architect and Architecture terms are defined both conceptual and professionally, analysing as well its historical evolution and pointing out the interdependence between the architectural conception as "fine art" and the constructive technology as "technique art", finally reminding the necessary scientific base of this one (Construction Physics. Consequently, the need for architecture professionals of constructive technology knowledge, is also reminded. At last, the functional character of the Architecture (Architecture as a "functional art" is analysed, going over the three basic aspects of this functionality (Integrity-firmitas, Habitability-utilitas and Aesthetics-venustas.Se inicia el trabajo analizando los conceptos de Arte, Ciencia y Técnica y su evolución histórica, distinguiendo entre ¡as "bellas artes" y las "artes técnicas". A continuación se definen los conceptos de Arquitecto y Arquitectura, tanto conceptual como profesionalmente, analizando, asimismo, su evolución histórica y haciendo hincapié en la interdependencia entre la concepción arquitectónica como "bella arte" y la tecnología constructiva como "arte técnica", para terminar recordando la necesaria base científica de esta última (la Física de la Construcción. Como consecuencia, se recuerda la necesidad de los conocimientos de la tecnología constructiva en los arquitectos profesionales. Por último, se analiza el carácter funcional de la Arquitectura (Arquitectura como "arte funcional" y se hace un breve recorrido por los tres aspectos básicos de esa funcionalidad (Integridad-firmitas, Habitabilidad-utilitas y Estética-venustas.

  6. School of the Arts seeks arts organizations and artists for participation in ArtsFusion 2008

    OpenAIRE

    Adams, Louise

    2008-01-01

    Virginia Tech School of the Arts announces ArtsFusion 2008, a weeklong celebration of the arts throughout the New River Valley scheduled for April 12 through April 19. ArtsFusion 2008 is seeking participation by arts organizations and artists both on campus and throughout the New River Valley working in music, film, theatre, dance, creative writing, and the visual arts.

  7. Computer Games and Art

    Directory of Open Access Journals (Sweden)

    Anton Sukhov

    2015-10-01

    Full Text Available This article devoted to the search of relevant sources (primary and secondary and characteristics of computer games that allow to include them in the field of art (such as the creation of artistic games, computer graphics, active interaction with other forms of art, signs of spiritual aesthetic act, own temporality of computer games, “aesthetic illusion”, interactivity. In general, modern computer games can be attributed to commercial art and popular culture (blockbuster games and to elite forms of contemporary media art (author’s games, visionary games.

  8. ICT in the Arts

    DEFF Research Database (Denmark)

    Brooks, Anthony Lewis

    2014-01-01

    creative industries are important to economic well being in society. This contribution1 presents across these borders through introducing an international conference series titled ArtsIT within a special issue of the International Journal on Arts and Technology, which are vehicles for contemporary artists......Increased use of ICT in art projects opens novel opportunities for contemporary artists seeking innovative means to create and express beyond the traditional in new ways and places. This can also be beyond what is conventionally considered art. Thus, wider and transdisciplinary philosophical...

  9. Characteristics of Matisse art

    Institute of Scientific and Technical Information of China (English)

    葛环玉

    2012-01-01

      Henri Matisse, a rewritten history of modern art, is a deserved leader of Fauvism. Not subject to the limitations inherent color on color relationships, There is an decorative effect on the screen with Matisse. The u-nity of pure colors and lines, characters and background fusion in a decorative techniques. Matisse embarked on a far-reaching impact on 20th-century art, the avant-garde art of the road, the influence of his art and ideas to the younger generation is inestimable

  10. Influence Of Art System Of Environmental Art And Design

    Institute of Scientific and Technical Information of China (English)

    贾弱苗

    2015-01-01

    Environmental art design refers to the construction of indoor and outdoor space environment, integration design a practical way of art through art and design.Art system is the existence of a specific period of art ideas and knowledge systems, as well as artwork for the existence of production, dissemination, complete social mechanisms consumption evaluation. Environmental art design in its production to consumption process, restriction and help inseparable art system.

  11. Segmented ART - The new era in ART?

    Science.gov (United States)

    Ozgur, Kemal; Humaidan, Peter; Coetzee, Kevin

    2016-06-01

    Currently up to 4% of infants born in developing countries are conceived through assisted reproductive technology (ART). Even though most of these conceptions occur and progress without complications, ART procedures and processes may increase iatrogenesis through complications in - and after conception. We herein review and discuss the clinically and scientific implications and evidence of iatrogenesis, and show how the evolution in ART technologies and procedures has led to the current presumption that frozen embryo transfer might be a more optimal strategy than fresh embryo transfer, in terms of not only reproduction, but also of maternal and fetal outcomes. There is increasing scientific evidence to support the notion that controlled ovarian stimulation could induce significant changes to the endocrine profile of a reproductive cycle, especially to the reproductively important early luteal phase. These changes may not only have a negative effect on implantation and early placentation, but also on the mother, the fetus, and the infant. The overt consequences of controlled ovarian stimulation include ovarian hyperstimulation syndrome, reduced embryo implantation, increased ectopic pregnancy, and altered placentation and fetal growth. The cumulative scientific evidence from this review suggests that GnRHa trigger in segmented ART might constitute the future routine treatment regimen for IVF patients, providing a safe, effective, and patient friendly treatment.

  12. Segmented ART - The new era in ART?

    Science.gov (United States)

    Ozgur, Kemal; Humaidan, Peter; Coetzee, Kevin

    2016-06-01

    Currently up to 4% of infants born in developing countries are conceived through assisted reproductive technology (ART). Even though most of these conceptions occur and progress without complications, ART procedures and processes may increase iatrogenesis through complications in - and after conception. We herein review and discuss the clinically and scientific implications and evidence of iatrogenesis, and show how the evolution in ART technologies and procedures has led to the current presumption that frozen embryo transfer might be a more optimal strategy than fresh embryo transfer, in terms of not only reproduction, but also of maternal and fetal outcomes. There is increasing scientific evidence to support the notion that controlled ovarian stimulation could induce significant changes to the endocrine profile of a reproductive cycle, especially to the reproductively important early luteal phase. These changes may not only have a negative effect on implantation and early placentation, but also on the mother, the fetus, and the infant. The overt consequences of controlled ovarian stimulation include ovarian hyperstimulation syndrome, reduced embryo implantation, increased ectopic pregnancy, and altered placentation and fetal growth. The cumulative scientific evidence from this review suggests that GnRHa trigger in segmented ART might constitute the future routine treatment regimen for IVF patients, providing a safe, effective, and patient friendly treatment. PMID:27288333

  13. Wearable Arts of Japan: Seattle Art Museum.

    Science.gov (United States)

    Loudon, Sarah

    1996-01-01

    Presents four lesson plans centered around artworks involving Japanese clothing. Instructional materials include color plates of a 19th century print showing women's clothing, two beautifully handcrafted coats, and a coverlet in kimono form. The lesson plans discuss Japanese clothing, art, society, and culture. (MJP)

  14. Art Literature and Theory of Art

    NARCIS (Netherlands)

    T. Weststeijn

    2013-01-01

    In contrast to theories of poetry or rhetoric, no complete ancient theory of the figurative arts survives. Renaissance authors wishing to underpin the "rebirth" of painting therefore had to resort to a variety of strategies to invent a new genre. Literary metaphors and fragments from artists’ biogra

  15. Signal rich art: enabling the vision of ubiquitous computing

    Science.gov (United States)

    Davis, Bruce

    2011-02-01

    Advances in networking and mobile computing are converging with digital watermarking technology to realize the vision of Ubiquitous Computing, wherein mobile devices can sense, understand, and interact with their environments. Watermarking is the primary technology for embedding signals in the media, objects, and art constituting our everyday surroundings, and so it is a key component in achieving Signal Rich Art: art that communicates its identity to context-aware devices. However, significant obstacles to integrating watermarking and art remain, specifically questions of incorporating watermarking into the process of creating art. This paper identifies numerous possibilities for research in this arena.

  16. Thinking about Art: Encouraging Art Appreciation in Early Childhood Settings.

    Science.gov (United States)

    Epstein, Ann S.

    2001-01-01

    Examines the place of art appreciation in early childhood education programs. Discusses historical changes in philosophies of art education and young children's capability for appreciating art. Presents suggestions for including art appreciation in the preschool curriculum, and describes ways to tie art activities to children's interests,…

  17. Support for Arts Education. State Arts Agency Fact Sheet

    Science.gov (United States)

    National Assembly of State Arts Agencies, 2011

    2011-01-01

    Supporting lifelong learning in the arts is a top priority for state arts agencies. By supporting arts education in the schools, state arts agencies foster young imaginations, address core academic standards, and promote the critical thinking and creativity skills essential to a 21st century work force. State arts agencies also support…

  18. Old Friends, Bookends: Art Educators and Art Therapists

    Science.gov (United States)

    Allison, Amanda

    2013-01-01

    This viewpoint presents a reflection on a meaningful relationship that developed between a university art education department and a local art therapy studio. Such partnerships are desirable and mutually beneficial because of the significant interest many art educators have in the field of art therapy. The author, an art educator, describes the…

  19. Messurement, Diagram, Art

    DEFF Research Database (Denmark)

    May, Michael; Stjernfelt, Frederik

    1996-01-01

    Discussion of the semiotic concept of the iconic sign according to Charles S. Peirce and its importance for the understanding of "diagrammatic reasoning" in science and art.......Discussion of the semiotic concept of the iconic sign according to Charles S. Peirce and its importance for the understanding of "diagrammatic reasoning" in science and art....

  20. Elegant Art Nouveau

    Science.gov (United States)

    Fontes, Kris

    2005-01-01

    Gustav Klimt (1862-1918), a Viennese painter, was the founder of the Vienna Secession, the Austrian Art Nouveau movement. Art Nouveau is characterised by flowing lines and flat designs based on organic structures. This style is found in the symbolic aspect of Klimt's later work, and in the works of other artists of the late 1890s and early 1900s…

  1. Teaching Art Abroad

    Science.gov (United States)

    Enderle, Melissa

    2007-01-01

    In this article, the author describes her experiences as an overseas art teacher. She relates how teaching art and living overseas has provided her with new opportunities to work with a diverse student and faculty population. She also relates how living abroad has made her learn about foreign countries and their inhabitants in an in-depth and…

  2. Sentiment and art prices

    NARCIS (Netherlands)

    Penasse, J.N.G.; Renneboog, L.D.R.; Spaenjers, C.

    2014-01-01

    We hypothesize the existence of a slow-moving fad component in art prices. Using unique panel survey data on art market participants’ confidence levels in the outlook for a set of artists, we find that sentiment indeed predicts short-term returns.

  3. The Art of Mexico.

    Science.gov (United States)

    Saccardi, Marianne

    1997-01-01

    Provides an annotated bibliography of books for grades K and up which explores the folklore, poetry, fiction, and art of Mexico, and focuses on the Mayans and Aztecs and Diego Rivera and Frida Kahlo. Also suggests various research, reading, drama, music, social studies, physical education, and art activities and lists related videos and Internet…

  4. The arts as healing.

    Science.gov (United States)

    Kivnick, H Q; Erikson, J M

    1983-10-01

    The relationship between artistic involvement and individual mental health is considered, and the concept of "healing" is differentiated from that of "therapy." Seven properties of art experience are identified which, when developed, have contributed to patients' recovery from mental illness. Implications of these properties for clinical programs, and the related value of art experience for non-patients, are discussed. PMID:6638153

  5. Culinary Arts Profile.

    Science.gov (United States)

    Missouri Univ., Columbia. Instructional Materials Lab.

    This chart is intended for use in documenting the fact that a student participating in a culinary arts program has achieved the performance standards specified in the Missouri Competency Profile for culinary arts. The chart includes space for recording basic student and instructor information and the student's on-the-job training and work…

  6. Visual Arts Research, 1994.

    Science.gov (United States)

    Gardner, Nancy C., Ed.; Thompson, Christine, Ed.

    1994-01-01

    This document consists of the two issues of the journal "Visual Arts in Research" published in 1994. This journal focuses on the theory and practice of visual arts education from educational, historical, philosophical, and psychological perspectives. Number 1 of this volume includes the following contributions: (1) "Zooming in on the Qualitative…

  7. Geometry and Op Art.

    Science.gov (United States)

    Brewer, Evelyn J.

    1999-01-01

    Describes an activity in which students use computers and techniques from Op Art to learn various geometric concepts. Allows them to see the distinct connection between art and mathematics from a personal perspective. Reinforces writing, speaking, and drawing skills while creating slide shows related to the project. (ASK)

  8. Parallels in the Arts

    Science.gov (United States)

    Laffey, Grace

    1972-01-01

    A mini-course of nine weeks was organized as a laboratory course to survey relationships in literature, music, and art. Three periods in the arts (Romanticism, Impressionism, and Contemporary) were matched with three major activities; the basic areas of study and activity were poetry, short story, and novel. (Author)

  9. Facing Sound - Voicing Art

    DEFF Research Database (Denmark)

    Lønstrup, Ansa

    2013-01-01

    This article is based on examples of contemporary audiovisual art, with a special focus on the Tony Oursler exhibition Face to Face at Aarhus Art Museum ARoS in Denmark in March-July 2012. My investigation involves a combination of qualitative interviews with visitors, observations of the audience...

  10. Art, Technology and Nature

    DEFF Research Database (Denmark)

    . Transdisciplinary in approach, this volume’s 14 essays explore art, technology and nature’s shifting constellations that are discernible at the micro level and as part of a larger chronological pattern. Included are subjects ranging from Renaissance wooden dolls, science in the Italian art academies, and artisanal...

  11. The Boutique Liberal Arts?

    Science.gov (United States)

    Cohen, Scott

    2014-01-01

    The structure of higher education today, in conjunction with those actively trying to devalue a liberal arts degree in the public sphere, has set the table for what seems like a completely rational solution: finding a "niche." Broadly speaking, colleges offering a liberal arts education identify their "niche market" in terms of…

  12. PLANNING THE ART ROOM.

    Science.gov (United States)

    POPOLIZIO, VINCENT J.; AND OTHERS

    FACILITIES FOR CARRYING OUT AN ART PROGRAM MUST BE DESIGNED TO MEET THE NEEDS OF STUDENTS IN SCHOOL AND THOSE ENROLLED IN ADULT PROGRAMS. PROVISIONS MUST BE INCLUDED FOR PAINTING AND DRAWING, THE GRAPHIC ARTS, GENERAL CRAFTS, MODELING, SCHULPTURING, PHOTOGRAPHY, SERIGRAPHY, AND MECHANICAL DRAWING. WORK CENTERS AND TRAFFIC FLOW NEED CAREFUL…

  13. Experiencing affective interactive art

    NARCIS (Netherlands)

    Bialoskorski, Leticia S.S.; Westerink, Joyce H.D.M.; Broek, van den Egon L.

    2010-01-01

    The progress in the field of affective computing enables the realization of affective art. This paper describes the affective interactive art system Mood Swings, which interprets and visualizes affect expressed by a person. Mood Swings is founded on the integration of a framework for affective move

  14. Mola Art: Elementary

    Science.gov (United States)

    Barsamian, Araxey

    2004-01-01

    In this brief article, the author describes a lesson plan on Mola art she used in her elementary classroom. Using four examples of Kuna Indian molas, the teacher introduced students to the beautiful, colorful, creative art form of molas. The Kuna women have been making these layered pieces of cloth for more than one hundred years. They use a…

  15. Arte Brasileno Erudito y Arte Brasileno Popular. (Brazilian Fine Art and Brazilian Popular Art)

    Science.gov (United States)

    Valladares, Clarival Do Prado

    1969-01-01

    Class differences in Brazil explain the inequality between the art produced in the high strata of society and that originating in the economically inferior communities. Genuine expression of art degenerates for two reasons: the influence of modern industrial civilization and the tendency to satisfy the taste of the acquisitive group. (Author/MF)

  16. The Talking Art Museum

    Science.gov (United States)

    Bundy, Jacqui

    2009-01-01

    Every year, fourth graders at Sterling Morton Elementary School in Ohio present a talking art museum for the school and community. In this article, the author describes a lesson on art history which culminates in an activity showcasing all the students' finished paintings in gold frames. A student stands behind the painting and pokes his or her…

  17. Migrating Art History

    DEFF Research Database (Denmark)

    Ørum, Tania

    2012-01-01

    Review of Hiroko Ikegami, The Great Migrator. Robert Rauschenberg and the Global Rise of American Art. Cambridge Mass., The MIT Press, 2010. 277 pages. ISBN 978-0-262-01425-0.......Review of Hiroko Ikegami, The Great Migrator. Robert Rauschenberg and the Global Rise of American Art. Cambridge Mass., The MIT Press, 2010. 277 pages. ISBN 978-0-262-01425-0....

  18. Art on the Move

    Institute of Scientific and Technical Information of China (English)

    2009-01-01

    Beijing experiments with art installations in its subway systems to explore the dynamics of urban life Art will soon imbue many subway stations and even trains in Beijing. The newest subway line in the capital city’s mass transit network, Line 4, distinguishes itself from the rest with large decorative frescoes and bas-relief works at its eight major stations.

  19. Tangrams: Puzzles of Art

    Science.gov (United States)

    Fee, Brenda

    2009-01-01

    Challenging one's brain is the beginning of making great art. Tangrams are a great way to keep students thinking about their latest art project long after leaving the classroom. A tangram is a Chinese puzzle. The earliest known reference to tangrams appears in a Chinese book dated 1813, but the puzzles existed long before that date. The puzzle…

  20. Reading, Writing, and Art

    Science.gov (United States)

    Reist, Kay M.

    2010-01-01

    With No Child Left Behind, schools are cutting extracurricular activities, doing away with aides, and even getting rid of art and physical education so that reading specialists and writing tutors can be hired. But what can the art teachers do to assist in teaching reading and writing skills? The author believes they need to provide their students…

  1. Art Meta-4

    DEFF Research Database (Denmark)

    Mehlsen, Camilla; Jensen, Hans Siggaard

    2003-01-01

    Managing through Variety: The European Style. 3rd European Academy of Management (EURAM) Conference , Milan (Italy). 2003 Short description: This paper focuses on the use of art metaphors in today?s world of management and organizational practice. Abstract: This paper focuses on the use of art me...

  2. Contemporary Danish book art

    DEFF Research Database (Denmark)

    Larsen, Poul Steen

    the Metropolitan Museum of Art, Thomas J. Watson Library, Helge Ernst, illustrator, Poul Kristensen, printer, Ole Olsen, bookbinder, exhibition catalog......the Metropolitan Museum of Art, Thomas J. Watson Library, Helge Ernst, illustrator, Poul Kristensen, printer, Ole Olsen, bookbinder, exhibition catalog...

  3. Art as Peace Building

    Science.gov (United States)

    Marshall, Laurie

    2014-01-01

    Art educators can "critique" senseless violence--mistreatment, exclusion, intimidation, bullying, violation, abuse, corruption, murder, and war--by unleashing the power of students' creativity. In this article, the author, sharing her philosophical context, discusses how art is preventative medicine with the power to transform the…

  4. Parallel Application Library for Object Recognition

    OpenAIRE

    Su, Bor-Yiing

    2012-01-01

    Computer vision research enables machines to understand the world. Humans usually interpret and analyze the world through what they see - the objects they capture with their eyes. Similarly, machines can better understand the world by recognizing objects in images. Object recognition is therefore a major branch of computer vision. To achieve the highest accuracy, state-of-the-art object recognition systems must extract features from hundreds to millions of images, train models with enormous d...

  5. Origins: science inspires art

    CERN Multimedia

    CERN Bulletin

    2011-01-01

    From 8 December 2011 to 17 February 2012, Geneva University's physics faculty will be holding an exhibition called "L'Origine – un voyage entre la Science et l'Art". Thirty artists from Europe and Africa will be exhibiting their work.   The aim of the exhibition is to take the visitor on an imaginary journey to the origins of mankind and to show how science and art approach the same theme from different angles. The works on display will include pieces of Makonde art, a traditional art form native to Mozambique, created by artists of the Nairucu Arts centre. The cultural programme that will run alongside the exhibition will include lectures on contemporary scientific themes aimed at the general public. Visitors will also have the opportunity to discover "L’Origine", a book of poetry by Beatrice Bressan (Ed. Loreleo, Geneva, 2010), which was awarded the third prize in the “Poeti nella società&...

  6. Art-in-Design

    DEFF Research Database (Denmark)

    Degn Johansson, Troels

    This article outlines the author's continuous collaboration with the Danish art collective Superflex; an internationally recognised example of how contemporary art has taken interest in design practice in order to realise visions of change and empowerment. Setting off from Frayling's infamous...... distinction between research in, for, and through art and design, the author lays out this collaboration as a series of stepping back from an initial action research situation, that is, a case of research through design where the researcher is involved by means of strategic interest. However, by gradually...... distancing himself, by taking steps back from this situation, the author has sought to map out systematically the institutional contexts in which the art collective has been operating. In this way, it has become possible to understand further why art may maintain its original empowering role in design...

  7. Art and human nature

    Directory of Open Access Journals (Sweden)

    Mirta Toledo

    2008-06-01

    Full Text Available This article presents a visual artist’s point of view about art. This view confronts the Eurocentric traditional cannon with some ignored, but valuable traditions, thus proposing a contra-canon. These ideas are examined on the light of a variety of sources, including prehistoric, pre-Columbian, and 20th century art expressions, in a variety of media, from sculpture to literature. Recent art expressions are characterized by their incorporation of minority values and perspectives that challenge “universal” views. Using samples of works from Latino and African American artists, the author shows that, even today, art is a means to know the world and its people, to exhibit personal life, to create personal symbolism, and to show one’s identity or the search for it. Like the human nature it represents, art has multiple faces.

  8. Relational Aesthetics in Art Museum Education: Engendering Visitors' Narratives through Participatory Acts for Interpretive Experience

    Science.gov (United States)

    Choi, Sunghee

    2013-01-01

    This article explores how to ensure visitor engagement with art objects at exhibition spaces in art museums through relational aesthetics, which focuses on the intersubjective relationship that art objects arouse in visitors. In the 1990s, Bourriaud coined the term "relational aesthetics" in reference to interactive installation art, but…

  9. If Art Is Knowledge, Then . . . .

    Science.gov (United States)

    Chambers, John H.

    1979-01-01

    It is argued that, like scientific and moral statements, art statements shape the world we know. This thesis indicates the need for art encounters and developmental teaching techniques, since the knowledge of art statements can only be apprehended through engagement in art and from discussing art and its qualities. (Author/SJL)

  10. Behavioral Objectives: Teacher Success through Student Performance.

    Science.gov (United States)

    Plowman, Paul D.

    The textbook provides a philosophical basis and offers practical suggestions for formulating behavioral objectives for students in grades 1-12 in the following subjects: English and literature, social science, mathematics, science, reading, art and music, and health. Definitions, uses, sources, and types of education objectives are discussed. The…

  11. 78 FR 7849 - Culturally Significant Objects Imported for Exhibition

    Science.gov (United States)

    2013-02-04

    ... Culturally Significant Objects Imported for Exhibition Determinations: ``Edwardian Opulence: British Art at... April 15, 2003), I hereby determine that the objects to be included in the exhibition ``Edwardian Opulence: British Art at the Dawn of the Twentieth Century,'' imported from abroad for temporary...

  12. CREATIVE COLLISIONS: ARTS @CERN

    CERN Document Server

    CERN. Geneva

    2012-01-01

    In 2000, CERN hosted Signatures of the Invisible – one of the landmark initiatives in arts and science. In 2012, CERN is now initiating its own science/arts programme Collide@CERN in different arts disciplines. The first of these is in digital arts, and the international competition to find the winning artist is called the Prix Ars Electronica Collide@CERN. It was announced September 2011 at CERN’s first collaboration with an international arts festival – Ars Electronica in Linz. The competition attracted over 395 entries from 40 countries around the world. The winning artist, Julius Von Bismarck, will begin his two month residency here at CERN next month. Ariane Koek who leads on this initiative, discusses the residency programme, as well as the background about Art@CERN. History has shown that particle physics and the arts are great inspiration partners. The publication of the paper by Max Planck which gave birth to quantum mechanics as well as those by Einstein, heavily influenced some of the grea...

  13. Robots and Art

    DEFF Research Database (Denmark)

    Jochum, Elizabeth Ann; Putnam, Lance Jonathan

    2015-01-01

    We describe the design of an undergraduate course in art and robotics that aims to integrate basic concepts of computer science, robotics and art installation for undergraduate students within the problem-based learning model. Our methodology aims to bridge the gap that separates humanities from...... computer science and engineering education to prepare students to address real world problems in robotics, including human-robotic interaction and HCI. Given the proliferation of interactive, systems-based art works and the continued interest in human-centered factors in robotics research (such...

  14. ART ADVENTURE OF PHOTOGRAPHY

    Directory of Open Access Journals (Sweden)

    Atilla ILKYAZ

    2014-11-01

    Full Text Available The question whether camera should be regarded as a technical device that only enables opportunity of duplicating images mechanically or an instrument that express artistic sensation of individual has strained the minds of artists, photographers, critics for years. The argument whether photograph is an art or not has enabled photograph a different dimension and has been discussed in details. In this essay, first of all short history of photograph was mentioned, then area of use of photograph in the field of art and views on photograph-art relation will be mentioned.

  15. Digital Literary Arts Extravaganza

    OpenAIRE

    Pressman, Jessica; Marino, Mark C.

    2009-01-01

    To complement the panels of DAC and to emphasize the centrality of the Arts at this conference, we have organized the DAC Literary Arts Extravaganza, featuring exciting and dramatic works from the world of electronic literature. Conference guests were invited to see, hear, and engage in the performance of digital-born literary art works that embody the innovative ideas in this year’s panels and that will no doubt be the subject of panels in future DAC conferences. Genres include: live video s...

  16. Arts Teachers' Perceptions and Attitudes on Arts Integration While Participating in a Statewide Arts Integration Initiative

    Science.gov (United States)

    May, Brittany Nixon; Robinson, Nicole R.

    2016-01-01

    The purpose of this study was to examine the perceptions and attitudes of the Beverley Taylor Sorenson Arts Learning Program (BTSALP) arts specialists on arts integration. BTSALP arts specialists (N = 50) throughout the state of Utah responded to a 20-item survey. Results indicated that a majority of BTSALP arts specialists believe that arts…

  17. Genetics Home Reference: Arts syndrome

    Science.gov (United States)

    ... Me Understand Genetics Home Health Conditions Arts syndrome Arts syndrome Enable Javascript to view the expand/collapse boxes. Print All Open All Close All Description Arts syndrome is a disorder that causes serious neurological ...

  18. One-year results of coronary revascularization in diabetic patients with multivessel coronary artery disease.Sirolimus stent vs. coronary artery bypass surgery and bare metal stent: insights from ARTS-II and ARTS-I.

    OpenAIRE

    Macaya, Carlos; Garcia-Garcia, Hector M; Colombo, Antonio; Morice, Marie-Claude; LEGRAND, Victor; Kuck, Karl-Heinz; Sheiban, Imad; Suttorp, Maarten Jan; Carrie, Didier; Vrolix, Mathias; Wittebols, Kristel; Stoll, Hans-Peter; Donohoe, Dennis; Bressers, Marco; Serruys, Patrick W.

    2006-01-01

    Background: ARTS-II was designed to evaluate the sirolimus-eluting stent (SES) versus ARTS-I. The objective of this analysis is to assess the safety and efficacy of the SES in diabetic patients with multivessel disease (MVD) versus both arms of ARTS-I.Methods and results: The ARTS studies included 367 diabetic patients (ARTS-II: 159; ARTS-I-CABG: 96; ARTS-I-PCI: 112). Baseline characteristics showed a more diseased patient population in the ARTS-II study: 50.3% with 3VD vs. 35.4% (ARTS-I-CABG...

  19. Assisted Reproductive Technology (ART)

    Science.gov (United States)

    ... Information Clinical Trials Resources and Publications Assisted Reproductive Technology (ART) Skip sharing on social media links Share ... American Society for Reproductive Medicine. (2012). Assisted reproductive technologies: A guide for patients . Retrieved June 11, 2012, ...

  20. Arte e moda

    OpenAIRE

    Morais-Alexandre, Paulo

    1994-01-01

    Análise da moda no vestuário enquanto Arte, passível de análise estética respectivos critérios e ligação às artes plásticas. É ainda analisado, no âmbito desta problemática, a evolução do estatuto social do criador de Moda e a Moda na actualidade. ABSTRACT: The aim is the study of fashion in clothing as Art, the aesthetic criteria of its analysis and its connection with other arts. It is further analyzed, in the context of this problem, the evolution of status of fashions creators and Fas...

  1. Frenchwomen Loving Art

    Institute of Scientific and Technical Information of China (English)

    1998-01-01

    I have been to many countries on business, and out of all of them, France impressed me most. With its rich soil for literature and art, France has nurtured not only the great writers Victor Hugo and Honore de

  2. Martial arts club

    CERN Multimedia

    Martial arts club

    2012-01-01

    In July 2012, after seven years of activity at CERN, the CERN Martial Arts held its first international Bujutsu seminar, gathering more than 30 participants from France, Switzerland, Germany, Sweden and Japan. The seminar was led by Master Shimazu Kenji, world-renowned martial arts expert based in Tokyo and headmaster of the Yagyu Shingan Ryu school, present in Europe specifically for the occasion. During seven days, participants got to discover the practice of Odachi (Large/Long Sword) and review the wide array of Bujutsu techniques and traditions of an ancestral martial art that finds its roots in the art and lives of Japanese samurais. Covering such varied subjects as self-defense techniques (Jujitsu), swordsmanship (Kenjutsu), through to stamina recovery techniques and etiquette, it encompasses all aspects of a way of life that still finds echoes in today's modern Japanese society. This year, three shodan grades (the lowest rank of black belts) have been awarded to students of the CERN Mart...

  3. Digital arts in the context of traditional and contemporary creative arts training and practices

    OpenAIRE

    Moin Namini, Susan

    2005-01-01

    This thesis was submitted for the degree of Doctor of Philosophy and awarded by Brunel University. The first idea of "Art Education" came to my mind when I wrote M.A. thesis entitled:“ The Role of Art in Training and Teaching Children 6-11”, Ten years ago. I was eager to enhance my study to new planning methods of Art universities. The objective of this idea was to open up our cultural institutions to the wider community, to promote learning and to extend the reach of new technologies. So,...

  4. Memories of art.

    Science.gov (United States)

    Hirstein, William

    2013-04-01

    Although the art-historical context of a work of art is important to our appreciation of it, it is our knowledge of that history that plays causal roles in producing the experience itself. This knowledge is in the form of memories, both semantic memories about the historical circumstances, but also episodic memories concerning our personal connections with an artwork. We also create representations of minds in order to understand the emotions that artworks express.

  5. The uses of art

    DEFF Research Database (Denmark)

    Eriksson, Birgit

    2011-01-01

    In recent years aesthetics and cosmopolitanism has been linked in new ways. On the one hand contemporary research in sociology of art appears to indicate an increasing openness and a potential cosmopolitanism in aesthetic taste and consumption. On the other hand aesthetic concepts and ideals play...... social implications of the apparent new openness. Does it indicate an increasing tolerance and commonality? Or does it rather point towards a new and more individualized understanding of the social function and legitimacy of art?...

  6. THE ART OF ALMODOVAR

    Directory of Open Access Journals (Sweden)

    Ana Costa

    2007-12-01

    Full Text Available This paper works with the art of the film director Pedro Almodóvar, using the concepts of feminine and Baroque. The concept of feminine is in the duplication of hysteria in different films, as well as its relation with distinct joys. The relation with joy makes an approach to the Baroque art, as a possible expression to the enjoyment body.

  7. The Puritan Art World

    OpenAIRE

    LaFountain, Jason David

    2013-01-01

    In this dissertation, I argue that the iconoclastic and anti-materialistic "art of living to God" is the central theoretical preoccupation of English and American Puritan intellectuals. I call attention to a wealth of previously unacknowledged writing about image, art, architecture, and form in Puritan literature, while highlighting how recent materialist analyses of Puritan culture have effectively obscured evidence of iconoclasm and anti-materialism in this milieu. In the first chapter, I e...

  8. The art of consultation

    Directory of Open Access Journals (Sweden)

    Kulwant S Bhangoo

    2014-01-01

    Full Text Available Sophisticated marketing and practice-enhancing strategies can help bring patients to a surgeon′s practice. However, the ability to retain these patients and also convert the consultations into surgical procedures depends on the art of consultation. This very important aspect of clinical practice is seldom taught in the medical school. In this paper, the author discusses many aspects of the art of consultation, which he has learned in his practice over the years.

  9. The Experimental Art School

    DEFF Research Database (Denmark)

    Ørum, Tania

    2014-01-01

    The article describes the Experimental Art School from its early beginnings, its development from formal experiments to political action, the question of gender and politics, and the power of the self-organised......The article describes the Experimental Art School from its early beginnings, its development from formal experiments to political action, the question of gender and politics, and the power of the self-organised...

  10. Cerebro arte y creatividad

    OpenAIRE

    Brainsky, Simón; Guzmán Cervantes, Eugenia; Matallana, Diana; Montaña, Clemencia; Montañés, Patricia; Morales, Hernando de; Moreno Cardozo, Belén del Rocío; Morillo, Anibal; Pardo, Rodrigo; Rojas, Alejandro; Ruiz, Edwin

    2001-01-01

    En el seminario Cerebro, Arte y Creatividad, realizado en mayo del 2000, en la Universidad Nacional, cuyas conferencias hemos integrado en este libro, hemos querido aproximamos a diversas manifestaciones del arte, diversas variedades de creatividad, desde la perspectiva de las funciones cerebrales y desde la perspectiva de los principios psicológicos que gobiernan la actividad creativa. Se explora cómo los hallazgos relativos al funcionamiento y especialización funcional de los hemisferi...

  11. The art of reconstruction

    OpenAIRE

    Healey, Michael; Esson, Michael

    2011-01-01

    The ‘Art of Reconstruction Research Project’ is where re-skilling of plastic surgeons by artists is already in an embryonic phase. In integrating the required network of associated skills, expertise and experience, the research collaboration brings together artists within The Drawing Research Group of The Faculty of Art, Architecture and Design (AAD) and the distinguished work of Professor Mike Esson, Director, The International Drawing Research Institute (IDRI). Th...

  12. ART/Ada design project, phase 1. Task 1 report: Overall design

    Science.gov (United States)

    Allen, Bradley P.

    1988-01-01

    The design methodology for the ART/Ada project is introduced, and the selected design for ART/Ada is described in detail. The following topics are included: object-oriented design, reusable software, documentation techniques, impact of Ada, design approach, and differences between ART-IM 1.5 and ART/Ada 1.0 prototype. Also, Ada generator and ART/Ada runtime systems are discussed.

  13. State Arts Agency Fact Sheet: Support for Arts Education

    Science.gov (United States)

    Online Submission, 2015

    2015-01-01

    This national overview of state arts agency grants and services for arts education includes summary statistics and geographic distribution. The fact sheet uses data from Final Descriptive Reports of state arts agency grant-making activities submitted annually to the National Assembly of State Arts Agencies (NASAA) and the National Endowment for…

  14. Picasso, "Arte Joven", and Unamuno's "Niebla"

    Science.gov (United States)

    Franz, Thomas R.

    2009-01-01

    By means of his association with the short-lived newspaper "Arte Joven", Unamuno had unique access to a series of sexually charged drawings by the young Pablo Picasso. While he initally objected to the explicit nature of one of these drawings, he seems ultimately to have taken inspiration from both it and others in its group on the way to…

  15. Culinary Arts Hospitality Symposium Planning Guide.

    Science.gov (United States)

    Borgie, Karen; Wang, Yeimei

    This guide was developed as part of a project to standardize California's statewide culinary arts curriculum based on industry guidelines and standards. It details a process that California community colleges can use to plan a hospitality symposium that will accomplish the following objectives: provide students with a forum to demonstrate their…

  16. Shaw's Comedy, Language Arts: 5113.90.

    Science.gov (United States)

    Dade County Public Schools, Miami, FL.

    This guide provides the teacher with strategies to aid students in examining five representative plays by Bernard Shaw and in comparing his comedy with the comic art of Oscar Wilde, Richard Sheridan, Ben Jonson, and William Shakespeare. Performance objectives include isolating elements which pertain to the life and times of Shaw, delineating…

  17. The Artful Universe Expanded

    Science.gov (United States)

    Barrow, John D.

    2005-07-01

    Our love of art, writes John Barrow, is the end product of millions of years of evolution. How we react to a beautiful painting or symphony draws upon instincts laid down long before humans existed. Now, in this enhanced edition of the highly popular The Artful Universe , Barrow further explores the close ties between our aesthetic appreciation and the basic nature of the Universe. Barrow argues that the laws of the Universe have imprinted themselves upon our thoughts and actions in subtle and unexpected ways. Why do we like certain types of art or music? What games and puzzles do we find challenging? Why do so many myths and legends have common elements? In this eclectic and entertaining survey, Barrow answers these questions and more as he explains how the landscape of the Universe has influenced the development of philosophy and mythology, and how millions of years of evolutionary history have fashioned our attraction to certain patterns of sound and color. Barrow casts the story of human creativity and thought in a fascinating light, considering such diverse topics as our instinct for language, the origins and uses of color in nature, why we divide time into intervals as we do, the sources of our appreciation of landscape painting, and whether computer-generated fractal art is really art. Drawing on a wide variety of examples, from the theological questions raised by St. Augustine and C.S. Lewis to the relationship between the pure math of Pythagoras and the music of the Beatles, The Artful Universe Expanded covers new ground and enters a wide-ranging debate about the meaning and significance of the links between art and science.

  18. Within Connections: Empathy, Mirror Neurons, and Art Education

    Science.gov (United States)

    Jeffers, Carol S.

    2009-01-01

    The capacity for empathy is important to the human community, and the art classroom provides a unique environment in which this capacity can be developed. Connections to objects of art and material culture, as forged by individual students and also shared with classmates, can be as empathic as they are meaningful. An openness to others and their…

  19. The Bipolar Approach: A Model for Interdisciplinary Art History Courses.

    Science.gov (United States)

    Calabrese, John A.

    1993-01-01

    Describes a college level art history course based on the opposing concepts of Classicism and Romanticism. Contends that all creative work, such as film or architecture, can be categorized according to this bipolar model. Includes suggestions for objects to study and recommends this approach for art education at all education levels. (CFR)

  20. 78 FR 4878 - Arts and Artifacts Indemnity Panel Advisory Committee

    Science.gov (United States)

    2013-01-23

    ... ARTS AND THE HUMANITIES Arts and Artifacts Indemnity Panel Advisory Committee AGENCY: Federal Council... Artifacts Domestic Indemnity Panel. The purpose of the meeting is for panel review, discussion, evaluation... important to keep the values of objects to be indemnified and the methods of transportation and...

  1. 77 FR 64146 - Arts and Artifacts Indemnity Panel Advisory Committee

    Science.gov (United States)

    2012-10-18

    ... ARTS AND THE HUMANITIES Arts and Artifacts Indemnity Panel Advisory Committee AGENCY: Federal Council... Artifacts International Indemnity Panel. The purpose of the meeting is for panel review, discussion... important to keep the values of objects to be indemnified and the methods of transportation and...

  2. Study Skills of Arts and Science College Students

    Science.gov (United States)

    Sekar, J. Master Arul; Rajendran, K. K.

    2015-01-01

    The main objective of this study is to find out the level of study skills of arts and science college students. Study Skills Check List developed and standardized by Virginia University, Australia (2006) is used to collect the relevant data. The sample consists of 216 Government arts and science college students of Tiruchirappalli district, Tamil…

  3. 2008 Arts Education Assessment Framework

    Science.gov (United States)

    National Assessment Governing Board, 2008

    2008-01-01

    The National Assessment of Educational Progress (NAEP) for the arts measures students' knowledge and skills in creating, performing, and responding to works of music, theatre, and visual arts. This framework document asserts that dance, music, theatre and the visual arts are important parts of a full education. When students engage in the arts,…

  4. Qualitative Assessment of Arts Education

    Science.gov (United States)

    Stake, Robert; Munson, April

    2008-01-01

    Exploring the complicated issues of assessment in the arts, the authors discuss assessment of arts education and arts programs from a qualitative perspective: experiential, naturalistic, and ethnographic interpretation. With special attention to the practices of teaching, learning, and administration of education in the arts, quality is sought…

  5. The Art of Science

    Science.gov (United States)

    Vaidya, Ashwin; Munakata, Mika

    2014-03-01

    The Art of Science project at Montclair State University strives to communicate the creativity inherent in the sciences to students and the general public alike. The project uses connections between the arts and sciences to show the underlying unity and interdependence of the two. The project is planned as one big `performance' bringing together the two disciplines around the theme of sustainability. In the first phase, physics students learned about and built human-powered generators including hand cranks and bicycle units. In the second phase, using the generators to power video cameras, art students worked with a visiting artist to make short films on the subject of sustainability, science, and art. The generators and films were showcased at an annual university Physics and Art exhibition which was open to the university and local community. In the final phase, to be conducted, K12 teachers will learn about the project through a professional development workshop and will be encouraged to adapt the experiment for their own classrooms. The last phase will also combine the university and K12 projects for an exhibition to be displayed on Earth Day, 2014. Project funded by the APS Outreach Grant.

  6. The effects of visual context and individual differences on perception and evaluation of modern art and graffiti art.

    Science.gov (United States)

    Gartus, Andreas; Klemer, Nicolas; Leder, Helmut

    2015-03-01

    Traditionally, artworks are seen as autonomous objects that stand (or should stand) on their own. However, at least since the emergence of Conceptual Art in the 1920s and Pop Art in the 1960s, art lacks any distinctive perceptual features that define it as such. Art, therefore, cannot be defined without reference to its context. Some studies have shown that context affects the evaluation of artworks, and that specific contexts (street for graffiti art, museum for modern art) elicit specific effects (Gartus & Leder, 2014). However, it is yet unclear how context changes perception and appreciation processes. In our study we measured eye-movements while participants (64 psychology undergraduates, 48% women) perceived and evaluated beauty, interest, emotional valence, as well as perceived style for modern art and graffiti art embedded into either museum or street contexts. For modern art, beauty and interest ratings were higher in a museum than in a street context, but context made no difference for the ratings of graffiti art. Importantly, we also found an interaction of context and individual interest in graffiti for beauty and interest ratings, as well as for number of fixations. Analyses of eye-movements also revealed that viewing times were in general significantly longer in museum than in street contexts. We conclude that context can have an important influence on aesthetic appreciation. However, some effects depend also on the style of the artworks and the individual art interests of the viewers. PMID:25700235

  7. 78 FR 22345 - Federal Council on the Arts and the Humanities; Meeting of the Arts and Artifacts Indemnity Panel...

    Science.gov (United States)

    2013-04-15

    ... Artifacts Indemnity Panel Advisory Committee AGENCY: National Endowment for the Humanities, National... Council on the Arts and the ] Humanities will hold a meeting of the Arts and Artifacts International... objects to be indemnified and the methods of transportation and security measures confidential,...

  8. Sound Art Situations

    DEFF Research Database (Denmark)

    Samson, Kristine; Krogh Groth, Sanne

    2017-01-01

    This article is an analysis of two sound art performances that took place June 2015 in outdoor public spaces in the social housing area Urbanplanen in Copenhagen, Denmark. The two performances were On the production of a poor acoustics by Brandon LaBelle and Green Interactive Biofeedback Environm......This article is an analysis of two sound art performances that took place June 2015 in outdoor public spaces in the social housing area Urbanplanen in Copenhagen, Denmark. The two performances were On the production of a poor acoustics by Brandon LaBelle and Green Interactive Biofeedback...... Environments (GIBE) by Jeremy Woodruff. In order to investigate the complex situation that arises when sound art is staged in such contexts, the authors of this article suggest exploring the events through approaching them as ‘situations’ (Doherty 2009). With this approach it becomes possible to engage...... integrated within the analysis, pursuing the most comprehensive interpretation of the pieces possible....

  9. Arte publico / Espacios abiertos

    OpenAIRE

    Salgado de la Rosa, María Asunción

    2002-01-01

    En la búsqueda de los puntos en común que aproximan el arte al espacio en el que este se sitúa, una vez que los vínculos que antaño unían el arte a la arquitectura como soporte imprescindible, atraviesan un estado de crisis, el hecho de la extensión del objeto artístico fuera de los límites físicos impuestos por el espacio de los museos y las galerías, plantea un nuevo debate acerca de la adecuación de los lugares, que en los últimos tiempos se destinan a contenerlo. Si nos centramos en re...

  10. Martial arts club

    CERN Multimedia

    Martial Arts Club

    2014-01-01

    Kashima no Tachi Kenjutsu (KTK) – The Art of the Japanese Sabre For the fourth year the CERN Martial Arts Club organises courses of kenjutsu or art of the Japanese sabre. The classes are given by Gildo Mezzo, 6th Dan of the Tokyo Aikikai and responsible for Switzerland of the school Kashima no Tachi (the Sabre of Kashima), and his senior students. Regular visits of Masters from Japan and other countries are also organized. The Kashima School is a traditional Japanese school dating back to the 16th century Japan. The school can be practiced by all, without distinctions. The kenjutsu, educational discipline by definition, allows practitioners to fully express themselves. From initiation to advanced trainings, you are taught during the practice progression how to master your body, the rhythm, the attitude, the coordination of movements and spatial displacements. It's the discovery of the technical principles of the school through the study of dynamics, contact and balance. The courses take...

  11. Art for All

    Directory of Open Access Journals (Sweden)

    Aksinja Kermauner

    2014-12-01

    Full Text Available The aim of spatial planning on the principles of “design for all” is to ensure that every individual, regardless of obstacle, can participate in the information society. It combines the principles of how as many people as possible could use products, services and systems without adjusting them. Why should we not transfer the concept of “design for all” also to other areas, such as the field of art? In this article we consider how a work of art, especially a two-dimensional one, could be adapted for blind or visually impaired visitors of a gallery or to a museum, and list what has already been done in this area. We also describe a textbook for teaching fine arts, adapted for blind and partially sighted students.

  12. Is art a

    Directory of Open Access Journals (Sweden)

    Fabienne Crettaz von Roten

    2007-09-01

    Full Text Available This paper relates to a special case of science-society mediation set up during the Science et Cité festival 2005. This national event took place in about twenty cities in Switzerland to promote a closer cooperation between science and society via art (theatre, music, dance, exhibitions, cinema, etc., in order to reach the population at large. Results on the profile of the public, the role played by the cultural institutions involved, the motives of the visitors and the role of art in the science-society dialogue show that the goals aimed at by the festival's organisers were only partially reached. Moreover, the analyses shed light on the complex relation between art, science and society in public understanding of science activities.

  13. Art Integration and Cognitive Development

    OpenAIRE

    Baker, Dawn

    2013-01-01

    The arts have long been valued for their aesthetic contributions to education, and studies have been conducted to demonstrate their contribution to academic performance in an attempt to justify their inclusion in the curriculum. Art integration involves learning core content subjects (math, reading, language, science, social studies) through the arts (drama, dance, music, visual arts). The focus of this qualitative pilot study was to examine and describe how the arts are integrated with curri...

  14. The Basics of Art Education (Based on I. A. Ilyin’s Works

    Directory of Open Access Journals (Sweden)

    S. Z. Goncharov

    2012-01-01

    Full Text Available The paper is dedicated to the art perception of various genres based on the comparative analysis method. The authors emphasize the esthetic heritage of Ivan Ilyin and his spiritual actology – the reliable guidelines for those following in the footsteps of Alexander Pushkin in the Russian art. The research was designed to spec- ify the basic esthetic and art study categories, introduced by Ivan Ilyin and including the basic content of the modern art education; the concepts of the creative artistic act, levels of work of art, artistry and art education being defined. On the basis of the clas- sical works on esthetics by the eminent Russian thinker, the authors analyze the es- sence of artistic perception; different levels of art work being discussed, as well as the artistic act of creating an art object and requirements for art education. The art education problem is getting even more relevant because of the culture degradation, technocratic civilization of triviality, displacement of genuine art by com- mercial shows, etc. However, only due to the genuine art, the productive perception can be developed as the basic quality of creativity in any sphere. The art teachers, art- ists and art critics working together can promote the general spiritual level by teaching people to strive for artistic perfection, rather then senseless entertainment. The research findings can be implemented both in the theoretical spheres of es- thetics and art studies, and in the system of teaching the disciplines of cultural, esthe- tic and art profiles. 

  15. Narrative Arts in A Farewell to Arms

    Institute of Scientific and Technical Information of China (English)

    周鋆

    2015-01-01

    Most of Hemingway's contributions to literature lie in his artistic version,as well as his art of narration.This paper means to give an analysis of A Farewell to Arms from its art of narration.Drawing from theories of narratology,the dissertation focuses on the analysis of narrative time,narrative person and narrative voice as they are presented in A Farewell to Arms.The aim of this dissertation is to make an objective analysis of Hemingway's narrative power in A Farewell to Arms from narrative perspectives,and tries to find out why A Farewell to Arms are enduring and great.

  16. Mercado Artes y Oficios

    OpenAIRE

    MIGUEL NOGUERA, ROCIO DE

    2015-01-01

    Proyecto de un mercado de las artes y oficios. Los dos aspectos más importantes son la producción y la exposición, ambos vinculados a la venta. La escuela de artes y oficiose está vinculada a la formación de artistas y, a la vez, a la producción. El proyecto se estructura en tres bandas. La primera de ellas está destinada a la exposición de obras y está vinculada directamente a un antiguo gasómetro, hito preexistente, que se usa como sala polivalente. La segunda banda es la centra...

  17. Global art history

    DEFF Research Database (Denmark)

    Petersen, Anne Ring

    2015-01-01

    than deconstruct it. Conversely, this article aims to pluralise the West by contributing to the discussion of differential perspectives on art and cultural identity within the West. I wish to suggest that a Northern perspective—or to be more specific, a semi-peripheral Nordic perspective—might provide...... bias endemic in art history’s long tradition of cross-cultural comparison. Accordingly, the second aim of this article is to discuss the potential of comparative approaches and, in continuation thereof, what scholars in the Nordic semi-periphery could learn from the Southern perspectives of post...

  18. PulsArt

    DEFF Research Database (Denmark)

    Fritsch, Jonas; Fogtmann, Maiken Hillerup; Sommer, Henrik

    2005-01-01

    Recent years have seen a growing interest in considering the domestic household as a new and important domain for interaction design. In this paper we present pulsArt - a physical and digital installation designed for the home to represent different family members’ level of activity by water...... running down blocks of salt based on a real-time reading of the individual family member’s pulse. We describe how pulsArt explores novel ways of looking at the interaction between the physical, the social and the technological and how it acts as a context-aware artefact, amplifying the domestic setting...

  19. Arts-in-Business

    DEFF Research Database (Denmark)

    Darsø, Lotte

    2002-01-01

    forth new learning opportunities. The goal is to map the field, to develop new theory and to share the learning with our partners and networks. This paper proposes a theoretical framework of four categories of Arts-in-Business: "Metaphors", "Capabilities", "Events", and "Products". The main idea...... and to identify interesting trajectories of learning. Abstract: The Arts are being applied in business settings in new ways that give rise to a research field in the making. Learning Lab Denmark wants to contribute to this emerging field by identifying, examining and analysing international cases that could bring...

  20. La interactividad como arte

    Directory of Open Access Journals (Sweden)

    Ignacio Vázquez Zapata

    2015-02-01

    Full Text Available Desde los inicios del siglo XX la tecnología ha tenido una influencia creciente sobre la actividad artística y la expresión creativa. En la era digital la  interactividad ha abierto a muchos artistas y técnicos la posibilidad de realizar obras en las que la interactividad constituye el componente fundamental de la obra. Los principios que determinan este tipo de relación entre artista y espectador tienen que ver con las posibilidades tecnológicas pero también con la forma en que contemplamos la obra de arte.

  1. Is art a

    OpenAIRE

    Fabienne Crettaz von Roten; Olivier Moeschler

    2007-01-01

    This paper relates to a special case of science-society mediation set up during the Science et Cité festival 2005. This national event took place in about twenty cities in Switzerland to promote a closer cooperation between science and society via art (theatre, music, dance, exhibitions, cinema, etc.), in order to reach the population at large. Results on the profile of the public, the role played by the cultural institutions involved, the motives of the visitors and the role of art in the sc...

  2. Art Interrupting Business, Business interrupting Art

    DEFF Research Database (Denmark)

    Kampf, Constance Elizabeth

    2014-01-01

    Tensions between global corporations and digital artists who use business as an artistic and activist medium reveal rough edges in the interface between business and society. This interaction can be seen as a space where the interface between business and society is being challenged, with artists...... performing online art that raises awareness about hidden aspects of business practices. As digital artists place the spotlight on activities and business strategies that are not part of corporate plans for communicating their “transparency,” they also work to reconfigure and re(de)fine this interface. To set...... of transparency.3 These dimensions allow for a critical examination of transparency and demonstrate some inherent tensions between what is revealed and concealed in communication between business and society. This, in turn, addresses the notion of knowledge that leads to new possibilities for understanding...

  3. 75 FR 62916 - Culturally Significant Objects Imported for Exhibition Determinations: “India's Fabled City: The...

    Science.gov (United States)

    2010-10-13

    ... From the Federal Register Online via the Government Publishing Office DEPARTMENT OF STATE Culturally Significant Objects Imported for Exhibition Determinations: ``India's Fabled City: The Art of... ``India's Fabled City: The Art of Courtly Lucknow,'' imported from abroad for temporary exhibition...

  4. 77 FR 23318 - Culturally Significant Object Imported for Exhibition Determinations: “African Cosmos: Stellar Arts”

    Science.gov (United States)

    2012-04-18

    ... From the Federal Register Online via the Government Publishing Office DEPARTMENT OF STATE Culturally Significant Object Imported for Exhibition Determinations: ``African Cosmos: Stellar Arts... Cosmos: Stellar Arts,'' imported from abroad for temporary exhibition within the United States, is...

  5. Sound objects – Auditory objects – Musical objects

    DEFF Research Database (Denmark)

    Hjortkjær, Jens

    2015-01-01

    The auditory system transforms patterns of sound energy into perceptual objects but the precise definition of an ‘auditory object’ is much debated. In the context of music listening, Pierre Schaeffer argued that ‘sound objects’ are the fundamental perceptual units in ‘musical objects......’. In this paper, I review recent neurocognitive research suggesting that the auditory system is sensitive to structural information about real-world objects. Instead of focusing solely on perceptual sound features as determinants of auditory objects, I propose that real-world object properties are inherent...

  6. Sound objects – Auditory objects – Musical objects

    DEFF Research Database (Denmark)

    Hjortkjær, Jens

    2016-01-01

    The auditory system transforms patterns of sound energy into perceptual objects but the precise definition of an ‘auditory object’ is much debated. In the context of music listening, Pierre Schaeffer argued that ‘sound objects’ are the fundamental perceptual units in ‘musical objects......’. In this paper, I review recent neurocognitive research suggesting that the auditory system is sensitive to structural information about real-world objects. Instead of focusing solely on perceptual sound features as determinants of auditory objects, I propose that real-world object properties are inherent...

  7. On Mode of Art Production%论艺术生产方式

    Institute of Scientific and Technical Information of China (English)

    陈中文

    2012-01-01

    艺术生产力和艺术生产关系的统一构成艺术生产方式。艺术生产力由艺术手段、艺术对象和艺术家组成。艺术手段包括艺术工具等物质资料以及艺术语言、艺术技巧、艺术经验等。艺术对象就是社会现实生活。艺术家将二者结合创作出艺术作品,是艺术生产力中最活跃的决定性因素。艺术生产关系决定于物质生产力,不同社会的艺术生产关系不同。%The combination of art production and art production relationships constitutes the mode of art production. Art Production consists methods of art, objects of art and artists. The means of art includes art instruments, other materials and art languages, art techniques, art practices etc. The object of art is the social life. Artists who create art through adapting social life with the means of art labor is the most active and decisive factor. The relations of art production are determined by the relations of material production, which is different in different societies.

  8. Art Appreciation and the Method of Aesthetic Transfer

    Directory of Open Access Journals (Sweden)

    Zupančič Tomaž

    2013-11-01

    Full Text Available The method of aesthetic transfer is a modern teaching method in art education. It emphasizes the pedagogic value of the aesthetic experience. It is a comprehensive method, as it encompasses different parameters of art didactics. It affects lesson time allocation and determines content, methods, and teaching modes. It also affects motivation and final evaluation. The essence of the method of aesthetic transfer lies in transferring aesthetic messages from the artwork to students. The foundation and condition for a successful implementation of the method of aesthetic transfer is a high-quality art appreciation. There are several ways and methods for successfully developing art appreciation, the common objective of all being to allow students to see, perceive, and enjoy a work of art. Thus they enrich their artistic and aesthetic development, and establish a positive attitude towards art, while this method at the same time encourages their own artistic exploration.

  9. ART 125 UOP course/uophelp

    OpenAIRE

    uophelp

    2015-01-01

    For more course tutorials visit www.uophelp.com   ART 125 Week 1 Individual Assignment Pop Culture and the Arts Paper ART 125 Week 2 Individual Assignment Trends Paper ART 125 Week 3 Individual Assignment Globalization of Art and Pop Culture ART 125 Week 3 Learning Team Assignment Ethical Issues in Art and Popular Culture Outline ART 125 Week 4 Individual Assignment Print Art and Advertising Paper ART 125 Week 5 Individual Assignment Electronic Media Effec...

  10. ART 125 UOP Course Tutorial / Tutorialrank

    OpenAIRE

    charles

    2015-01-01

    For more course tutorials visit www.tutorialrank.com ART 125 Week 1 Individual Assignment Pop Culture and the Arts Paper (UOP Course) ART 125 Week 2 Individual Assignment Trends Paper (Uop Course) ART 125 Week 3 Individual Assignment Globalization of Art and Pop Culture (UOP COURSE) ART 125 Week 3 Learning Team Assignment Ethical Issues in Art and Popular Culture Outline (UOP Course) ART 125 Week 4 Individual Assignment Print Art and Advertising Paper (UOP Course) ART 1...

  11. Art and experience

    NARCIS (Netherlands)

    Gerwen, R.C.H.M. van

    2001-01-01

    This three-part dissertation is on the double role of experience in art: as a subject matter, and as the vehicle for our evaluations. It argues (Part three, Chs. 7, 8) for the inclusion within contemporary analytical ‘cognitivism’ (Part one, Chs. 1-3) of certain arguments from the founding fathers o

  12. Figuring Out Art History

    CERN Document Server

    Schich, Maximilian

    2015-01-01

    World population and the number of cultural artifacts are growing exponentially or faster, while cultural interaction approaches the fidelity of a global nervous system. Every day hundreds of millions of images are loaded into social networks by users all over the world. As this myriad of new artifacts veils the view into the past, like city lights covering the night sky, it is easy to forget that there is more than one Starry Night, the painting by Van Gogh. Like in ecology, where saving rare species may help us in treating disease, art and architectural history can reveal insights into the past, which may hold keys to our own future. With humanism under threat, facing the challenge of understanding the structure and dynamics of art and culture, both qualitatively and quantitatively, is more crucial now than it ever was. The purpose of this article is to provide perspective in the aim of figuring out the process of art history - not art history as a discipline, but the actual history of all made things, in t...

  13. The Art of Camouflage

    Science.gov (United States)

    Martin, Rebecca

    2010-01-01

    The zoo is a favorite field trip destination for young students. This lesson was created for use before their excursion to increase their awareness of camouflage as a pattern design in animals. In this article, the author describes how her students made an art project on camouflage. (Contains 1 online resource.)

  14. The Art of Reconciliation

    DEFF Research Database (Denmark)

    Petersson, Dag

    2013-01-01

    Bogen er en afhandling om fotografiets metaforik i moderne dialektik. Problemet om dialektikkens begyndelse og etik særbehandles. Der påvises hvordan lysets mediering af uendelighedens indhold gives form ved en æstetisering, en art skriftliggørelse af det religiøse, hvilket er af betydning for fo...

  15. Robotics and Industrial Arts.

    Science.gov (United States)

    Edmison, Glenn A.; And Others

    Robots are becoming increasingly common in American industry. By l990, they will revolutionize the way industry functions, replacing hundreds of workers and doing hot, dirty jobs better and more quickly than the workers could have done them. Robotics should be taught in high school industrial arts programs as a major curriculum component. The…

  16. Reis Siberisse / Art Leete

    Index Scriptorium Estoniae

    Leete, Art, 1969-

    1995-01-01

    1994. aastal viibisid Tjumeni oblastis Jamali-Neenetsi ringkonnas välitöödel Eesti Keele Instituudi teadustöötaja Triinu Ojamaa ja Eesti Rahva Muuseumi arhivaar Art Leete. Läbitud asulate ja kohatud asukate kirjeldused

  17. Making Art with Microscopes

    Science.gov (United States)

    Benedis-Grab, Gregory

    2011-01-01

    Interdisciplinary teaching is a great way to focus on overarching concepts and help students make connections across disciplines. Historically, art and science have been connected disciplines. The botanical prints of the 18th and 19th centuries and early work with microscopes are two examples of a need for strong artistic skills in the science…

  18. Virtual art revisited

    Science.gov (United States)

    Ruzanka, S.

    2014-02-01

    Virtual reality art at the turn of the millenium saw an explosion of creative exploration around this nascent technoloy. Though VR art has much in common with media art in general, the affordances of the technology gave rise to unique experiences, discourses, and artistic investigations. Women artists were at the forefront of the medium, shaping its aesthetic and technical development, and VR fostered a range of artistic concerns and experimentation that was largely distinct from closely related forms such as digital games. Today, a new wave of consumer technologies including 3D TV's, gestural and motion tracking interfaces, and headmount displays as viable, low-cost gaming peripherals drives a resurgence in interest in VR for interactive art and entertainment. Designers, game developers, and artists working with these technologies are in many cases discovering them anew. This paper explores ways of reconnecting this current moment in VR with its past. Can the artistic investigations begun in previous waves of VR be continued? How do the similarities and differences in contexts, communities, technologies, and discourses affect the development of the medium?

  19. Beijing Shengji Art School

    Institute of Scientific and Technical Information of China (English)

    1999-01-01

    IN 1996 Beijing Shengji ArtSchool came into being, anart cradle morket that lies inBeijing’s West Mountains withbeautiful scenery and peaksrising one higher than theother. The specializedboarding middle schooloccupies 30.000 squaremeters, the buildings 12,000square meters. The complexhouses Chinese national andfolk dance, drama (film andtelevision) performance andother specialties, and now hasover 300 students in theschool.

  20. The art of scent

    DEFF Research Database (Denmark)

    Stenslund, Anette

    2016-01-01

    situ superiority detached from everyday culture in situ. The exhibition would thus give cause to sketch in a phenomenology of the art of scent that opts for greater inclusion of visitors’ experienced noses. Unfolding within the framework of Martin Heidegger’s critique of aesthetics and the advocacy...

  1. Chimera: Experiencing Language Arts.

    Science.gov (United States)

    Paul, Rebecca K.

    1991-01-01

    Describes the production of a dramatic musical, Chimera: A Journey to Redoubtia, at Chapman Elementary School in Anchor Point, Alaska. Student participation in the project, and students' rewards from participation, are detailed. Benefits of the integration of dramatics into the language arts curriculum are listed. (BB)

  2. When science inspires art

    CERN Multimedia

    Anaïs Vernède

    2011-01-01

    On Tuesday 18 January 2011, artist Pipilotti Rist came to CERN to find out how science could provide her with a source of inspiration for her art and perhaps to get ideas for future work. Pipilotti, who is an eclectic artist always on the lookout for an original source of inspiration, is almost as passionate about physics as she is about art.   Ever Is Over All, 1997, audio video installation by Pipilotti Rist.  View of the installation at the National Museum for Foreign Art, Sofia, Bulgaria. © Pipilotti Rist. Courtesy the artist and Hauser & Wirth. Photo by Angel Tzvetanov. Swiss video-maker Pipilotti Rist (her real name is Elisabeth Charlotte Rist), who is well-known in the international art world for her highly colourful videos and creations, visited CERN for the first time on Tuesday 18 January 2011.  Her visit represented a trip down memory lane, since she originally studied physics before becoming interested in pursuing a career as an artist and going on to de...

  3. Art, Pedagogy and Dyslexia

    Science.gov (United States)

    Hickman, Richard; Brens, Madeleine

    2014-01-01

    This article presents exploratory research examining the strategies employed by art teachers who identify as dyslexic. The study originated out of the personal interest of the researchers better to understand the strategies for learning used by teachers with dyslexia and the potential influence it has on their pedagogy. The question that this…

  4. Art Therapy and Alexithymia.

    Science.gov (United States)

    Heiman, Marilyn; And Others

    1994-01-01

    Investigated effect of alexithymia upon person's art production. Administered Toronto Alexithymia Scale and 100-mm analog scales for depression and anxiety to 100 psychiatric patients. Each subject drew and identified his/her illness. All subjects, even those quantified as alexithymic, were able to graphically communicate their illness using these…

  5. Highly Expressive Hakka Art

    Institute of Scientific and Technical Information of China (English)

    JENNIFER LIM

    1996-01-01

    SOUTHERN Jiangxi Province was the birthplace of the Hakka ethnic group and has since been the native home and main transfer hub for the spread of the nationality. The highly expressive art of the Hakkas, including folk songs in Xingguo, colored lantern performances in Shicheng, ancient

  6. Queering Art Teacher Education

    Science.gov (United States)

    Cosier, Kimberly; Sanders, James H., III

    2007-01-01

    This article sounds a call to action and addresses the challenges of creating inclusive, queer-affirming art teacher education curricula. We examine such challenges through case study vignettes of our varied US university settings and explore the perils of teaching in an increasingly queer-hostile culture. Strategies are given for avoiding attacks…

  7. Art Appreciation and Technique.

    Science.gov (United States)

    Dean, Diane R.; Milam, Debora

    1985-01-01

    Presents examples of independent study units for gifted high school students in a resource room setting. Both art appreciation and technique are covered in activities concerned with media (basics of pencil, India ink, pastels, crayons, oil, acrylics, and watercolors), subject matter (landscapes, animals, the human figure), design and illustration…

  8. Art Means a Lot

    Science.gov (United States)

    Almanzar, Victor B.

    2013-01-01

    The author, Victor B. Almanzar, reports on his introduction to the arts while growing up in New York as a young teenager. He felt like an outcast from society due to his language barrier and numerous ethnic groups different from his. He became involved with other students who, like himself, were harassed and suffered from bullying due to their…

  9. Art and Endometriosis.

    Science.gov (United States)

    Berstein, Jane C.

    1995-01-01

    Relation of an art therapist's personal story concerning her struggle to overcome endometriosis, and how her artwork has played a vital role in coping with the disease. Illustrated with a chronology of artwork produced during a bout with the illness. (JPS)

  10. Another Attitude Towards Art

    Institute of Scientific and Technical Information of China (English)

    XIAOXIN

    2005-01-01

    PAINTING is a relatively mature medium among China's contemporary arts. This is apparent in the recreation of Western realism into a language of imagery that emantes from the emotions engendered by life's realities. This, mode of visual expression compares with classical Chinese poetry, whose images are framed in real emotion. Song Yonghong's paintings exemplify this mode of imagery language.

  11. Chinese Lacquer Art

    Institute of Scientific and Technical Information of China (English)

    ChengXiangjun

    2003-01-01

    Over the sweep of Chinese longstanding history,numerous treasures and heritages have been left over,among which the lacquer art is a brilliant one.China is the earliest country in the world using natural lacquer,In the early 1970s,archeologists unearthed a red lacquer wood bowl in an excavation in the

  12. We [Heart] Art!

    Science.gov (United States)

    Castellanos, Dalina

    2011-01-01

    The passage of the No Child Left Behind law in 2001, which measures student achievement based on English and math scores, has pressured schools to cut the arts. A 2006 survey by the Center on Education Policy found that 44 percent of school districts had increased time for English and math while cutting time for other subjects. And a follow-up…

  13. Antropologia, Arte e Sociedade

    OpenAIRE

    Cole, Ariane; Ribeiro, José da Silva

    2012-01-01

    Antropologia, Arte, Sociedade reúne uma seleção de artigos apresentados no 7º Seminário internacional Imagens da Cultura / Cultura das Imagens, realizado em São Paulo em 2011, centrando-se este volume em dois temas gerais principais: cultura visual e sonora e Cinema e Sociedade.

  14. Arts & Crafts for Everyone.

    Science.gov (United States)

    Crane, Diane, Ed.

    1982-01-01

    Five different art activities, using different media, are described: (1) "mystery molds," using plaster and discarded packaging materials; (2) "calico cottages," using boxes and fabric; (3) "foam friends," using plastic foam packing pieces; (4) "bauble boxes," using spray can tops and papier mache; and (5) "soft stuff," using old clothing. (CJ)

  15. Art/Net/Work

    DEFF Research Database (Denmark)

    Andersen, Christian Ulrik; Lindstrøm, Hanne

    2006-01-01

    taxonomies (‘Folksonomy’) and ‘Weblogs’. Also, platforms, programming and software are today very often created in open communities – as seen in the ‘Free/Open Source’ movement. On the other side, following the technological development, the network also has become essential in the art sphere. Artists focus...

  16. Gombrich, Art and Psychoanalysis

    Directory of Open Access Journals (Sweden)

    Stefano Ferrari

    2011-12-01

    Full Text Available Gombrich has always shown particular attention to the psychology of art as psychology of representation (and enjoyment of art. In addition, through his friendship with Ernst Kris, who had been a respected art historian in the staff of the Kunsthisthoriches Museum in Vienna before becoming an important psychoanalyst, Gombrich devoted some fundamental essays on the contribution of psychoanalysis to the study of art. The main novelty and the most original feature of his contribution to this field (and which cannot easily be differentiated in general theoretical terms from that of Kris lies in his focus on Freud’s theories on jokes and in his adherence to the concept of ‘controlled regression in the service of the ego’, introduced by so-called ego psychology . This allowed Gombrich not only to highlight a perfect relationship between Freud’s theoretical thinking and his conservative attitude in the field of aesthetics, but also to use psychoanalysis to underline the historical and cultural character of the processes of representation and enjoyment.

  17. Primitivism and humanist teleology in art history around 1900

    Directory of Open Access Journals (Sweden)

    Susanne Leeb

    2015-06-01

    Full Text Available The following text deals with the way the art of non-European peoples has been handled conceptually and theoretically by researchers around 1900. The text will focus on Karl Woermann, especially on his art history of “all peoples of all times”, Die Geschichte der Kunst aller Völker und Zeiten (1900, and on Ernst Grosse’s slighly earlier book on the beginnings of art, Die Anfänge der Kunst (1894. In both writing one can point out fundamental epistemological assumptions, like a division between an art of animals and an art of men, the existence of a ‘drive to decorate’ or ‘art drive’, the ‘fact’ of a development from more primitive forms of art towards higher ones or the commonality of art to all people, but not to the same extent as European art etc. If the ethnographer Johannes Fabian asked several years ago “how anthropology makes its objects” under the condition of colonialism, this text asks how art history made its objects under the very same conditions.

  18. Commercial Foods and Culinary Arts. Student Learning Guides.

    Science.gov (United States)

    Ridge Vocational-Technical Center, Winter Haven, FL.

    These 13 learning guides are self-instructional packets for 13 tasks identified as essential for performance on an entry-level job in commercial foods and culinary arts. Each guide is based on a terminal performance objective (task) and 1-4 enabling objectives. For each enabling objective, some or all of these materials may be presented: learning…

  19. Scale-Aware Pixelwise Object Proposal Networks.

    Science.gov (United States)

    Jie, Zequn; Liang, Xiaodan; Feng, Jiashi; Lu, Wen Feng; Tay, Eng Hock Francis; Yan, Shuicheng

    2016-10-01

    Object proposal is essential for current state-of-the-art object detection pipelines. However, the existing proposal methods generally fail in producing results with satisfying localization accuracy. The case is even worse for small objects, which, however, are quite common in practice. In this paper, we propose a novel scale-aware pixelwise object proposal network (SPOP-net) to tackle the challenges. The SPOP-net can generate proposals with high recall rate and average best overlap, even for small objects. In particular, in order to improve the localization accuracy, a fully convolutional network is employed which predicts locations of object proposals for each pixel. The produced ensemble of pixelwise object proposals enhances the chance of hitting the object significantly without incurring heavy extra computational cost. To solve the challenge of localizing objects at small scale, two localization networks, which are specialized for localizing objects with different scales are introduced, following the divide-and-conquer philosophy. Location outputs of these two networks are then adaptively combined to generate the final proposals by a large-/small-size weighting network. Extensive evaluations on PASCAL VOC 2007 and COCO 2014 show the SPOP network is superior over the state-of-the-art models. The high-quality proposals from SPOP-net also significantly improve the mean average precision of object detection with Fast-Regions with CNN features framework. Finally, the SPOP-net (trained on PASCAL VOC) shows great generalization performance when testing it on ILSVRC 2013 validation set. PMID:27448357

  20. AstroArts

    Science.gov (United States)

    De Paulis, D.

    2014-04-01

    AstroArts is the international, online cultural platform of Astronomers Without Borders (AWB). Cofounded in 2012 by visual artist Daniela de Paulis (IT/NL) and astronomer Thilina Heenatigala (Sri Lanka), AstroArts features creative works inspired by astronomy . AstroArts is an international initiative - lead by professionals working in different fields - and includes the 'guest artist of the month' and the Global Astronomy Month programmes. For the 'guest of the month', we feature one artist through a series of weekly blog posts and a Google Hangout on the last week of each month. The Hangout usually includes guests from several of the AWB ongoing programmes, together with the artist, in order to foster collaboration and interdisciplinary discussion. The 'guest of the month' programme is currently expanding to include a virtual residency initiative, which will allow one artist at the time to develop a project in collaboration with scientists affiliated with the AWB network. The projects developed as part of the virtual residency will foster global participation, making the most of online resources. Global Astronomy Month (GAM) is the most popular project of Astronomers Without Borders: founded in 2009 as a follow up of the International Year of Astronomy, GAM is a global platform for astronomy related events that take place every year in April. During GAM, AstroArts is widely featured through online panel discussions with artists and scientists, live film screenings and live performances, often especially designed for web streaming. More information on AstroArts can be found on: http://astronomerswithoutborders.org/news.htm

  1. Art and dystonia.

    Science.gov (United States)

    Garcia-Ruiz, Pedro J; Slawek, Jaroslaw; Sitek, Emilia J; Martinez Castrillo, Juan Carlos

    2015-09-15

    Dystonia has a recent history in medicine. Focal dystonia was described in the 19th century by classic authors including Gowers, whilst generalized dystonia was described at the turn of the century. However, it is possible to find precise descriptions of dystonia in art, centuries before the medical definition. We have reviewed several pieces of art (sculpture, painting and literature) across the history that might represent descriptions of dystonia, from ancient period to nowadays. In classic times, the first reference to abnormal postures can be tracked back to the new Empire of Egypt (equinus foot), not to mention some recently described examples of dystonia from the Moche sculptures in Peru or Veracruz culture from Mexico. In Middle Ages it is possible to find many examples of sculptures in European cathedrals representing peasants with dramatic, presumably dystonic postures that coexist with amputation of limbs. This unique combination of dystonia and limb amputation probably represents ergotism. The painters Brueghel, Ribera and Velazquez also represented figures with postures likely to be dystonic. Literature is also a source of precise pre-neurological descriptions, especially during the 19th century. In David Copperfield, Dickens depicts characters with generalized dystonia (Uriah Heep), cervical dystonia (Mr. Sharp) and spasmodic dysphonia (Mr Creakle). Finally, even in modern Art (19th and 20th centuries), there are dramatic descriptions of abnormal postures that are likely to be dystonic, such as painful cervical dystonia (Brancusi), cervical dystonia with sensory trick (Modigliani) and upper limb dystonia (Wyspianski). However some postures presented in works of art may simply be a form of artistic expression and only bear unintentional resemblance to the dystonic postures. Art may be a source of neurological information, and that includes primary and secondary dystonia. PMID:26139341

  2. Quasi-objects, Cult Objects and Fashion Objects

    DEFF Research Database (Denmark)

    Andersen, Bjørn Schiermer

    2011-01-01

    This article attempts to rehabilitate the concept of fetishism and to contribute to the debate on the social role of objects as well as to fashion theory. Extrapolating from Michel Serres’ theory of the quasi-objects, I distinguish two phenomenologies possessing almost opposite characteristics....... These two phenomenologies are, so I argue, essential to quasi-object theory, yet largely ignored by Serres’ sociological interpreters. They correspond with the two different theories of fetishism found in Marx and Durkheim, respectively. In the second half of the article, I introduce the fashion object...... as a unique opportunity for studying the interchange between these two forms of fetishism and their respective phenomenologies. Finally, returning to Serres, I briefly consider the theoretical consequences of introducing the fashion object as a quasi-object....

  3. What to do with the “Most Modern” Artworks? Erwin Panofsky and the Art History of Contemporary Art

    Directory of Open Access Journals (Sweden)

    Flora Lysen

    2014-06-01

    Full Text Available In the 1930s, when the world-renowned Medieval and Renaissance art scholar Erwin Panofsky became acquainted with the New York contemporary art scene, he was challenged with the most difficult dilemma for art historians. How could Panofsky, who was firmly entrenched in the kunstwissenschaftliche study of art, use his historical methods for the scholarly research of contemporary art? Can art historians deal with the art objects of their own time? This urgent and still current question of how to think about “contemporaneity” in relation to art history is the main topic of this paper, which departs from Panofsky’s 1934 review of a book on modern art. In his review of James Johnson Sweeny’s book Plastic Redirections in 20th Century Painting, Panofsky’s praise for Sweeney’s scholarly “distance” from contemporary art developments in Europe is backed by a claim for America’s cultural distance, rather than a (historical removal in time. Taking a closer look at Panofsky’s conflation of historical/temporal distance with geographical/cultural distance, this paper demonstrates a politically situated discourse on contemporaneity, in which Panofsky proposes the act of writing about the contemporary as a redemptive act, albeit, as this paper will demonstrate, without being able to follow his own scientific method. 

  4. ART 101 UOP course/uophelp

    OpenAIRE

    uophelp

    2015-01-01

    For more course tutorials visit www.uophelp.com   ART 101 Week 1 CheckPoint Visual Literacy ART 101 Week 1 Assignment Reading Art Practicing Iconography ART 101 Week 2 CheckPoint Art and Intention ART 101 Week 2 DQ 1 and DQ 2 ART 101 Week 3 CheckPoint Analytical and Expressive Line ART 101 Week 3 Assignment Formal Analysis of Art ART 101 Week 4 CheckPoint Design Movements ART 101 Week 4 DQ 1 and DQ 2 ART 101 Week 5 CheckPoint Drawing ART 10...

  5. ART 101 Tutorials / uopart101dotcom

    OpenAIRE

    madhavi58

    2015-01-01

    ART 101 Entire Course For more course tutorials visit www.uopart101.com   ART 101 Week 1 CheckPoint Visual Literacy ART 101 Week 1 Assignment Reading Art Practicing Iconography ART 101 Week 2 CheckPoint Art and Intention ART 101 Week 2 DQ 1 and DQ 2 ART 101 Week 3 CheckPoint Analytical and Expressive Line ART 101 Week 3 Assignment Formal Analysis of Art ART 101 Week 4 CheckPoint Design Movements ART 101 Week 4 DQ 1 and DQ 2 ART 101 Week 5 C...

  6. 76 FR 68808 - Culturally Significant Objects Imported for Exhibition

    Science.gov (United States)

    2011-11-07

    ... From the Federal Register Online via the Government Publishing Office DEPARTMENT OF STATE Culturally Significant Objects Imported for Exhibition Determinations: ``Transition to Christianity: Art of... Christianity: Art of Late Antiquity, 3rd-7th Century AD,'' imported from abroad for temporary exhibition...

  7. THE SPECIFICS OF ART INFORMATION AND COMMUNICATION IN ART CLASSES

    OpenAIRE

    Maja Hrvanović

    2013-01-01

    In this study, the author puts forward the hypothesis that the representation of information of artistic type in art classes affects the formation of judgement of taste as one of the most important factors for intensifying and memorising the experience of artistic content. The function of art education is to enable an individual to „read“ the work of art, to supply him with skills and knowledge necessary to recognise formally significant determinants in art. Creation of new conceptual design,...

  8. Into the Curriculum. Art: Pueblo Storyteller Figures [and] Physical Education: Games That Rely on Feet [and] Reading/Language Arts: Movie Reviews [and] Reading/Language Arts: Reader's Choice [and] Science: Float or Sink [and] Social Studies: Buildings and Designs.

    Science.gov (United States)

    Crane, Jean; Rains, Annette

    1996-01-01

    Presents six curriculum guides for art, physical education, reading/language arts, science, and social studies. Each guide identifies library media skills objectives; curriculum objectives; grade levels; print and nonprint resources; instructional roles; the activity; and procedures for completion, evaluation, and follow-up activities. (AEF)

  9. Deformation of Man Made Objects

    KAUST Repository

    Ibrahim, Mohamed

    2012-07-01

    We introduce a framework for 3D object deformation with primary focus on man-made objects. Our framework enables a user to deform a model while preserving its defining characteristics. Moreover, our framework enables a user to set constraints on a model to keep its most significant features intact after the deformation process. Our framework supports a semi-automatic constraint setting environment, where some constraints could be automatically set by the framework while others are left for the user to specify. Our framework has several advantages over some state of the art deformation techniques in that it enables a user to add new features to the deformed model while keeping its general look similar to the input model. In addition, our framework enables the rotation and extrusion of different parts of a model.

  10. Taking a long look at Art: Reflections on the context of production and consumption of art in Art Therapy

    OpenAIRE

    Gilroy, Andrea

    2014-01-01

    This paper draws on experiences of looking at art to consider the influence of social context on the production and consumption of art in art therapy. I draw on art historical discourses to explore the experience and relate this to looking at art in art therapy. I suggest that professional socialisation profoundly influences how art therapists look and think about what they see. I propose that attention to our tacit knowledge about art, extending art therapy’s practices of looking to include ...

  11. Approaches of Buried Object Detection Technology

    OpenAIRE

    Nagashree R N; Aswini N

    2014-01-01

    This paper describes the different art of buried object detection technology and algorithms. This detection of buried object finds application in many areas, importantly in the Landmine detection which is of growing concern due to the danger of buried landmines to people’s lives, economic growth and development. This paper describes and analyzes different technology available. The approaches discussed are Electrical Impedance Tomography, X-ray backscatter, Infrared Systems, Acoustics/seismic ...

  12. Fast Object Segmentation in Unconstrained Video

    OpenAIRE

    Papazoglou, Anestis; Ferrari, Vittorio

    2013-01-01

    We present a technique for separating foreground objects from the background in a video. Our method is fast, fully automatic, and makes minimal assumptions about the video. This enables handling essentially unconstrained settings, including rapidly moving background, arbitrary object motion and appearance, and non-rigid deformations and articulations. In experiments on two datasets containing over 1400 video shots, our method outperforms a state-of-the-art background subtraction technique [4]...

  13. Why Art Education? Academic Implications of Art in Elementary School.

    Science.gov (United States)

    Lopez, David F.; Takiff, Hilary; Kernan, Thomas; Stone, Renee

    A study investigated the relationship between arts education and academic achievement. Of specific interest was whether teaching the arts for their own sake influenced academic achievement in language arts and mathematics. It was hypothesized that it would influence children's self-efficacy. The sample consisted of 328 children from grades 2-5.…

  14. Dissolving the Boundaries: Postmodern Art and Art Therapy

    Science.gov (United States)

    Alter-Muri, Simone; Klein, Linda

    2007-01-01

    This brief report discusses the relevance of postmodern art to contemporary art therapy practice. Postmodernism is defined by art that breaks or blurs the boundaries between product and process, individual and group creation, and artist and viewer. A discussion of contemporary artists who use a postmodern framework, including Anselm Kiefer, Jenny…

  15. Join the Art Club: Exploring Social Empowerment in Art Therapy

    Science.gov (United States)

    Morris, Frances Johanna; Willis-Rauch, Mallori

    2014-01-01

    Social Empowerment Art Therapy (SEAT) aims to address the stigma of mental illness through the artistic empowerment of participants. The model was developed within an inpatient psychiatric setting from observations of a shared governance structure that empowered residents. Incorporating an open art studio approach and social action art therapy,…

  16. Mathematics and Martial Arts as Connected Art Forms

    Science.gov (United States)

    Hekimoglu, Serkan

    2010-01-01

    Parallels between martial arts and mathematics are explored. Misguided public perception of both disciplines, students' misconceptions, and the similarities between proofs and katas are among the striking commonalities between martial arts and mathematics. The author also reflects on what he has learned in his martial arts training, and how this…

  17. Counseling as an Art: The Creative Arts in Counseling.

    Science.gov (United States)

    Gladding, Samuel T.

    In this book counseling approaches with a variety of populations are examined using these creative arts: music; dance/movement; imagery; visual arts; literature; drama; and play and humor. It is noted that all of these arts are process-oriented, emotionally sensitive, socially directed, and awareness-focused. Chapter 1 discusses the history,…

  18. ArtsIN: Arts Integration and Infusion Framework

    Science.gov (United States)

    Hartle, Lynn C.; Pinciotti, Patricia; Gorton, Rebecca L.

    2015-01-01

    Teaching to meet the diverse learning needs of twenty-first century, global learners can be challenging, yet a growing body of research points to the proved successes of arts-infused and integrated curricula, especially for building capacity for learning and motivation. This article presents the ArtsIN: Arts Integration and Infusion framework, a…

  19. Science/art - art/science: case studies of the development of a professional art product

    Energy Technology Data Exchange (ETDEWEB)

    Sesko, S.C.; Marchant, M.

    1997-02-24

    Objective was to follow the cognitive and creative processes demonstrated by student research participants as they integrated a developing knowledge of ``big`` science, as practiced at LLNL, into a personal and idiosyncratic visual, graphical, or multimedia product. The participants, all non-scientists, involved in this process, attended a series of design classes, sponsored by LLNL at the Art Center College of Design in Pasadena CA. As a result of this study, we have become interested in the possibility of similar characteristics between scientists and artists. We have also become interested in the different processes that can be used to teach science to non-scientists, so that they are able to understand and portray scientific information.

  20. Culinary art in media

    Directory of Open Access Journals (Sweden)

    Radojičić Dragana

    2009-01-01

    Full Text Available The subject of diet culture is beyond the scope of this paper. Therefore, I concentrated on several examples which best illustrate the presence of culinary art and diet in media. That is, I used 72 articles from the magazine Gloria with the food subject (2006-2009. Diet and culinary arts are omnipresent in media globally. As a rule, many offers recommend recipes and items considered traditional, with a wide range of recipes offered in Serbia alone. Internet also offers many web sites with various diets and recipes. All in all, domestic readers of local journals and magazine can find a variety of fashionable recipes from all over the world, most of the time with limited instructions or groceries not easily obtained at the local market. Bon ton is also lacking while diet and food choices continue to saturate all forms of social behavior as well as recipes serving as communication within a given culture.

  1. Robotic Art for Wearable

    DEFF Research Database (Denmark)

    Lund, Henrik Hautop; Pagliarini, Luigi

    2010-01-01

    We present the robot art and how it may inspire to create a new type of wearable termed modular robotic wearable. Differently from the related works, modular robotic wearable aims at making no use of mechatronic devices (as, for example, in Cyberpunk and related research branches) and mostly relies...... on “simple” plug-and-play circuits, ranging from pure sensors-actuators schemes to artefacts with a smaller level of elaboration complexity. Indeed, modular robotic wearable focuses on enhancing the body perception and proprioperception by trying to substitute all of the traditional exoskeletons perceptive...... functions - in most of the cases strongly rigid, cabled and centralized - through the use of local sensing circuits. It is exemplified here with the early prototype art work called Fatherboard, and the concept is believed to be applicable to different application fields, such as sport, health...

  2. Natural Art, False Expressions

    Directory of Open Access Journals (Sweden)

    Oscar Hernando Nossa García

    2011-05-01

    Full Text Available In the documentary My Kid Could Paint That, directed by Bar-Lev, which deals with Marla Olmstead, the child prodigy of painting, several interviews with persons in the art world are conducted, among them an artist who uses a magnifying glass and the thinnest brushes to do his work. This man, although happy for the success of the child’s abstract paintings, saw in the whole spectacle a mockery of art, and stood firmly by her work. The girl’s father, also an artist, was accused of plagiarism. Cameras entered the child’s studio in order to prove that Marla was the real artist. Why should such relevance be given to authorship? What is the cause of the dispute between the expressive and the rational?

  3. Martial Arts Club

    CERN Multimedia

    Martial Arts Club

    2016-01-01

    In September 2015 the Taekwondo section of the CERN Martial Arts Club has been deeply renovated. We improved the quality and quantity of the trainings: two courses per week are now held by a Taekwondo 5th dan master. We already organised two special workshops during weekends, open to both club members and general public. From the beginning of the semester, the Taekwondo section counted more than 30 enrolments. The level of participation in the trainings is constantly excellent, fostering enthusiasm for this traditional Korean martial art. Taekwondo is a discipline adapted to all ages, sex and physical condition: the only requirement to start is being ready to have fun and willing to relax after often stressful working days. Our trainings start with a short "cardio" phase followed by stretching, fundamental in order to master Taekwondo techniques. The core of the training, then, covers the three main aspects of this discipline: soft one-to-one fighting, encoded simulated combat choreograp...

  4. Creativity and folk art

    DEFF Research Database (Denmark)

    Glaveanu, Vlad Petre

    2013-01-01

    This article explores creativity in craftwork using the case of Easter egg decoration, a folk art chosen for its traditional roots and diversity of artistic outcomes. This research contributes to the literature at (a) a theoretical level, by conceptualizing a pragmatist-inspired framework...... of creative activity; (b) a methodological level, by using, beside observation and interview, subjective cameras to record activity; and (c) an empirical level, considering the fact that creativity in folk art has often been a neglected topic. A total of 20 egg decorators of various ages from the village...... for, particularly in terms of expert–novice differences. These studies revealed the many ways in which creativity is intrinsic to Easter egg decoration, and the final discussion of the article summarizes them with reference to processes of combination and change, copying and translation, personal...

  5. Making medieval art modern

    Directory of Open Access Journals (Sweden)

    Elizabeth den Hartog

    2015-12-01

    Full Text Available Janet T. Marquardt’s book ‘Zodiaque. Making medieval art modern’ discusses the historical context, history and impact of the Zodiaque publications issued by the monks from the abbey of Ste-Marie de la Pierre-qui-Vire in Burgundy between 1951 and 2001 and links the striking photogravures, the core business of these books, to the modern movement. Although Marquardt’s view that the Zodiaque series made a great impact on the study of Romanesque sculpture is somewhat overrated, her claim that the photogravures should be seen as avant-garde works of art and the books as a “museum without walls” is entirely convincing.

  6. The art of electronics

    CERN Document Server

    Horowitz, Paul

    2015-01-01

    At long last, here is the thoroughly revised and updated third edition of the hugely successful Art of Electronics. It is widely accepted as the best single authoritative book on electronic circuit design. In addition to new or enhanced coverage of many topics, the Third Edition includes: 90 oscilloscope screenshots illustrating the behavior of working circuits; dozens of graphs giving highly useful measured data of the sort that's often buried or omitted in datasheets but which you need when designing circuits; 80 tables (listing some 1650 active components), enabling intelligent choice of circuit components by listing essential characteristics (both specified and measured) of available parts. The new Art of Electronics ​​retains the feeling of informality and easy access that helped make the earlier editions so successful and popular. It is an indispensable reference and the gold standard​​ for anyone, student or researcher, professional or amateur, who works with electronic circuits.

  7. Soviet naval operational art.

    OpenAIRE

    Kern, David Jeffery

    1988-01-01

    The Soviet theory of naval operational art is a body of knowledge which focuses the tactical capabilities of the Soviet Navy on achieving the strategic missions assigned them by the leadership of the Soviet Union. This body of knowledge guides the creation and execution of Soviet naval operations. Soviet military science establishes the theoretical foundation for the conduct of independent naval operations. Soviet troop control creates the planning processes by which Soviet naval commanders p...

  8. Art and Chemistry

    OpenAIRE

    Walter, Philippe

    2015-01-01

    Philippe Walter’s teaching, which he delivered as holder of the Liliane Bettencourt Annual Chair of Technological Innovation, was completed with two lectures on “practical work” to deal with a real case. The conditions and challenges of interdisciplinary research combining analytical chemistry, art history and archaeology were thus discussed in relation to specific works. The Holy Family, Constantin Abraham (1785-1855) by Raphaël (aka), Sanzio Raffaello (1483-1520), hard porcelain, Sèvres, C...

  9. Ceramic art in sculpture

    OpenAIRE

    Rokavec, Eva

    2014-01-01

    Diploma seminar speaks of ceramics as a field of artistic expression and not just as pottery craft. I presented short overview of developing ceramic sculpture and its changing role. Clay inspires design and touch more than other sculpture media. It starts as early as in prehistory. Although it sometimes seems that was sculptural ceramics neglected in art history overview, it was not so in actual praxis. There is a rich tradition of ceramics in the East and also in Europe during the renaissanc...

  10. Art, Philosophy, and Business

    DEFF Research Database (Denmark)

    Monthoux, Pierre Guillet de

    2015-01-01

    This article proposes turn-taking as a way to understand how European management scholarship opens up to societal phenomena as play, critique, artistry, and aesthetics co-creating business realities. European management scholarship rests on contributions, still mostly under the Anglo...... criticizes the Business School for building speculative castles in the sky. European scholarship might rethink it as an Art School where managerial action is seen as philosophizing in a speculative realism-mode....

  11. DIPLOMACTY - SCIENCE OR ART

    Directory of Open Access Journals (Sweden)

    Hellvig Robert Claudiu

    2015-07-01

    Full Text Available Even though everyone defines diplomacy in some form, all recognize its special place that bears its political and legal mechanisms and structures, changes over the centuries in foreign policies enhancing its importance in the new context of globalization, thus acquiring new meanings and ways and embracing new features. As we will see later in the paper, diplomacy exists even in ancient times, though not necessarily under this name. Nowadays we can say that diplomats, through their efforts they reconcile conflicting situations and even avoid negative consequences for states, such as embargoes or even wars. It is therefore necessary for diplomats to master the art of negotiations and to be specialized and skilled people. The present study will make an incursion into history until present time to highlight the evolution and importance of diplomacy in international relations. The paper is addressed to those who wish to learn a brief history of diplomacy in a couple of minutes, from El-Amarna until today. The impact of diplomacy on how the state is seen in relationship with others is even more powerful considering the ability to reflect how conflicts are settled or resolved before they escalate. The aim of the paper is to provide a broader vision of what diplomacy means, through the chronology from appearance and its development to the final conclusion: is it a science or an art? The intention is that this work will be useful to all who wish to know more about this subject still considered relatively new. It is worth to mention that it has led to the emergence of a new job – the diplomat, an official, whose mission is to maintain relations with officials of other states or to deal on behalf of his country, who knows how to behave in a situation in order to achieve his goals. Briefly, a shift from art itself to a policy of the art of diplomacy.

  12. Engineering Art Galleries

    OpenAIRE

    de Rezende, P.; Souza, C; Friedrichs, S.; Hemmer, M.; Kröller, A.; Tozoni, D.

    2014-01-01

    The Art Gallery Problem is one of the most well-known problems in Computational Geometry, with a rich history in the study of algorithms, complexity, and variants. Recently there has been a surge in experimental work on the problem. In this survey, we describe this work, show the chronology of developments, and compare current algorithms, including two unpublished versions, in an exhaustive experiment. Furthermore, we show what core algorithmic ingredients have led to recent successes.

  13. Digital Art and Design

    OpenAIRE

    Khaldoun A. A. BESOUL; Safwan AL SALAIMEH; Khaled BATIHA

    2006-01-01

    The desire to create unique things and give free rain to one's imagination served as a powerful impetus to the development of digital art and design software. The commoner was the use of computers the wider variety of professional software was developed. Nowadays the creators and computer designers are receiving more and more new and advanced programs that allow their ideas becoming virtual reality. This research paper looks at the history of the development of graphic editors from the simple...

  14. Digital Art and Design

    OpenAIRE

    Khaled BATIHA; Safwan AL SALAIMEH; Besoul, Khaldoun

    2007-01-01

    The desire to create unique things and give free rain to one's imagination served as a powerful impetus to the development of digital art and design software. The commoner was the use of computers the wider variety of professional software was developed. Nowadays the creators and computer designers are receiving more and more new and advanced programs that allow their ideas becoming virtual reality. This research paper looks at the history of the development of graphic editors fro...

  15. Video Games as Mass Art

    OpenAIRE

    Grant Tavinor

    2011-01-01

    Videogames are one of the most significant developments in the mass arts of recent times. In commercial terms, they are now among the most prominent of the mass arts worldwide. This commercial and cultural success does not exhaust the interest in videogames as a mass art phenomenon because games such as Grand Theft Auto IV and Fallout 3 are structurally radically different from previous forms of mass art. In particular, the ontology of videogames, the nature and identity of their works, and...

  16. Grammar in Art

    Directory of Open Access Journals (Sweden)

    Edward eSegel

    2011-01-01

    Full Text Available Roman Jakobson (1959 reports: The Russian painter Repin was baffled as to why Sin had been depicted as a woman by German artists: he did not realize that sin is feminine in German (die Sünde, but masculine in Russian (грех. Does the grammatical gender of nouns in an artist’s native language indeed predict the gender of personifications in art? In this paper we analyzed works in the ARTstor database (a digital art library containing over a million images to measure this correspondence. This analysis provides a measure of artists’ real-world behavior. Our results show a clear correspondence between grammatical gender in language and personified gender in art. Grammatical gender predicted personified gender in 78% of the cases, significantly more often than if the two factors were independent. This analysis offers a new window on an age-old question about the relationship between linguistic structure and patterns in culture and cognition.

  17. Humanisme et art

    Science.gov (United States)

    Bejjani, Gérard

    2014-06-01

    Humanism and art - To what extent does art have a major role to play in twenty-first-century humanism? Greek philosophers believed that its purpose was ethical, serving to improve people by confronting them with evil and purging their passions. Nineteenth-century literature saw it as edifying and utilitarian, and for two centuries it was associated with the principles of goodness, truth, freedom and resistance to oppression, part of a general movement towards greater human solidarity based on shared experience. Literature and, more recently, cinema have been the most effective at defending human values. But the role of culture is not purely ethical: it also encourages a purely aesthetic reflection that has become the sole truth of creation. The aspiration to beauty reminds us that mankind is no ordinary species, but a reminiscence of the ideal objectified in works of art. The quest for the absolute is that of artists who draw on the lessons of history to come closer to the essence of spirituality and the cosmic centre of the world. Artistic vision is the ultimate vocation of humanity, achieving greatness and dignity in a constant quest for illumination, engaging in dialogue with the transcendent, and perhaps even transcending our own finiteness.

  18. Learning Object Repositories

    Science.gov (United States)

    Lehman, Rosemary

    2007-01-01

    This chapter looks at the development and nature of learning objects, meta-tagging standards and taxonomies, learning object repositories, learning object repository characteristics, and types of learning object repositories, with type examples. (Contains 1 table.)

  19. Alcune riflessioni su Outsider Art e psicologia dell'arte

    OpenAIRE

    Ferrari, Stefano

    2015-01-01

    Il testo ha una carattere prevalentemente teorico e metodologico e intende mettere in evidenza i punti i di contatto tra la variegata realtà delle Outsider art e quella non meno ampia e problematica della psicologia dell’arte. Tra i problemi che vengono affrontati segnaliamo quello della definizione del concetto e dell’ambito di outsider art, quello delle relazioni tra questo tipo di produzioni e l’arte contemporanea, quello dei rapporti tra arte, vita e malattia, quello del contesto in cui v...

  20. Art Therapists and Computer Technology

    Science.gov (United States)

    Peterson, Brent C.; Stovall, Kay; Elkins, David E.; Parker-Bell, Barbara

    2005-01-01

    The purpose of this study was to understand the impact of technology on art therapists by exploring how art therapists own and use technology and to determine barriers to ownership and use. A survey was conducted at the 2002 annual conference of the American Art Therapy Association in Washington, DC. Of the 250 surveys distributed, 195 were…

  1. The Art of Video Games

    Science.gov (United States)

    Johnson, Mark M.

    2012-01-01

    The Smithsonian American Art Museum has created and will tour an exhibition on a most unusual but extremely popular art form--"The Art of Video Games." As one of the largest and first of its type, this exhibition will document and explore a 40-year evolution of video games as an artistic medium, with a focus on striking visual effects and the…

  2. Art in Reading and Writing.

    Science.gov (United States)

    Manning, Maryann; Manning, Gary

    1996-01-01

    Outlines the following three ways teachers can incorporate art, reading, and writing in the classroom: (1) single- and double-entry journals, for writing about art and drawing; (2) sketch-to-sketch, where students illustrate their interpretation of a selected portion of text; and (3) literature and art, using children's literature to inspire…

  3. Visual art and visual perception

    NARCIS (Netherlands)

    Koenderink, Jan J.

    2015-01-01

    Visual art and visual perception ‘Visual art’ has become a minor cul-de-sac orthogonal to THE ART of the museum directors and billionaire collectors. THE ART is conceptual, instead of visual. Among its cherished items are the tins of artist’s shit (Piero Manzoni, 1961, Merda d’Artista) “worth their

  4. Body Art: A Panel Discussion.

    Science.gov (United States)

    Surgenor, Peter; And Others

    1997-01-01

    Three camp directors discuss their policies regarding body art and body piercing. Only one director reported a strict policy prohibiting tattoos or body art based on standards that the camp portrays to families. However, all directors enforced policies prohibiting clothing or body art that mentions alcohol, tobacco, drug use, or inappropriate…

  5. Anyone Can Teach Art Appreciation.

    Science.gov (United States)

    Silver, Rhonda

    1996-01-01

    Provides a guide to a first-grade teacher's methods of teaching art appreciation. She began a weekly art appreciation study integrated across the curriculum that heightened students' awareness and critical-thinking skills and enhanced their creativity by allowing them to view and respond to art and then create their own. (SM)

  6. Art and Its Tantalizing Effects

    Science.gov (United States)

    Huynh, Kelly

    2013-01-01

    The author first decided to take art classes out of curiosity, but art gradually changed her perspective on life and became a medium through which she saw herself. This hobby became a process by which she began to create an artwork of her own life. This article describes what the author has learned about her own life through art and how it has…

  7. Art Education in Correctional Settings.

    Science.gov (United States)

    Szekely, George

    1982-01-01

    Developing a prison art program involves training prison arts specialists, developing curriculum and instructional strategies, and planning for continuous program support. Through the study of art, prisoners have been able to re-examine themselves and establish new, positive goals. (Author/CS)

  8. Reclaiming the Art of Teaching

    Science.gov (United States)

    Lupton, Mandy

    2013-01-01

    This paper explores the art and craft of teaching in higher education. It presents a model of the relationship between art and craft drawn from the author's theoretical and empirical work, and provides examples from the higher education context to illustrate the model. It discusses the characteristics of teaching as art and craft and…

  9. Art on the Low Down

    Science.gov (United States)

    O'Shaughnessy, Leslie

    2012-01-01

    As a new teacher in 2008, the author inherited an awesome advocacy tool from her predecessor, art educator Stephania Crowder, via her annual sidewalk art activity. In this activity, students recreate art masterpieces on a 4-5' (1-1.5 m) scale on the sidewalk leading to the front entrance of the school. This project never fails to garner positive…

  10. Art History in 3-D

    Science.gov (United States)

    Snyder, Jennifer

    2012-01-01

    Students often have a hard time equating time spent on art history as time well spent in the art room. Likewise, art teachers struggle with how to keep interest in their classrooms high when the subject turns to history. Some teachers show endless videos, with the students nodding sleepily along to the narrator. Others try to incorporate small…

  11. The Art of Nurturing Faith.

    Science.gov (United States)

    Mauck, Marchita B.

    1996-01-01

    Reviews attitudes toward art in the early Catholic Church, considering the ability of art to influence those who experience it. Highlights the spiritualism of the Russian painter, Wassily Kandinsky. Suggests ways in which today's religious institutions can use art as a form of outreach to bring greater meaning to members of their congregations.…

  12. The Art of Tactile Sensing: A State of Art Survey

    Directory of Open Access Journals (Sweden)

    Royson Donate D’Souza

    2016-06-01

    Full Text Available This paper describes about tactile sensors, its transduction methods, state-of-art and various application areas of these sensors. Here we are taking in consideration the sense of touch. This provides the robots with tactile perception. In most of the robotic application the sense of touch is very helpful. The ability of robots to touch and feel the object, grasping an object by controlled pressure, mainly to categorize the surface textures. Tactile sensors can measure the force been applied on an area of touch. The data which is interpreted from the sensor is accumulated by the array of coordinated group of touch sensors. The sense of touch in human is distributed in four kinds by tactile receptors: Meissner corpuscles, the Merkel cells, the Rufina endings, and the Pacinian corpuscles. There has many innovations done to mimic the behaviour of human touch. The contact forces are measured by the sensor and this data is used to determine the manipulation of the robot.

  13. Art-matrix theory and cognitive distance: Farago, Preziosi, and Gell on art and enchantment

    Directory of Open Access Journals (Sweden)

    Jakub Stejskal

    2015-12-01

    Full Text Available Theories that treat art objects primarily as agents embedded in a causal nexus of agent–patient relationships, as opposed to studying them as expressions or symbols encoding meanings, tend to identify art’s agency with its power to enchant recipients. I focus on two such approaches, the art-matrix theory of Claire Farago and Donald Preziosi and the art-nexus theory of Alfred Gell. Their authors stress the potential of art to make its enchanting power the topic of our experience with it, that is, to disenchant its own enchantment. This raises the following question: If artworks are to be understood as agents enchanting their recipients, how can they become forces of disenchantment? I argue that the shift in perspective from perceiving art objects as indices of agency within a matrix/nexus to approaching them as possible means of gaining cognitive distance is inadequately addressed by both theories; this is due to features inherent to their respective theoretical outlooks.

  14. Fine Arts as Means for Studying Media History

    Directory of Open Access Journals (Sweden)

    Tereza Ježková

    2015-09-01

    Full Text Available Studying art as a manifestation of cultural memory can help us understand both collective and individual identities. Specific works of art can give us a sense of the artist while the content can also present a more general theme or social issue of a given era. Considering the number of artworks that reference (either as a major or minor topical element mass communication, media seems to be a feasible theme. The topic of media and its specific appearances has varied significantly throughout the history of both art and media. The aim of this paper is to introduce a unique analysis that combines artworks that display the use of mass communication in Czech fine arts. The collected items were the subject of an interdisciplinary analysis – both historical and semiotic. So far, the relationship between media and art has not been explored within Czech media studies. Finding the connection between fine arts and the media can broaden the horizons of historical and social sciences. Representation of media by art points to the importance of media in any given historical period. Some examples can clearly show us how media were produced and consumed, as well as, in the later periods, used as a material for the creation or the art itself. The objective of this paper is to show the perspectives and limits of art as a source of knowledge about cultural memory and advantages and disadvantages of combining historical and semiotic analyses as applied to specific artworks.

  15. Architecture: The art on integration (Keynote Speech)

    OpenAIRE

    Marco Sala

    2014-01-01

    ICONARCH-II - International Congress Of Architecture “ARCHITECTURE: THE ART OF INTEGRATION” ABSTRACT Bioclimatic Technologies and sustainable design approach can be applied in the transformation of the natural and built environment at any operational scale. The application of bioclimatic technologies must complete with the conditions of the environment, in relation to the prevalent objectives to be achieved, such reduction of energy consumption, improving both winter and s...

  16. Critical Examination of a Revision of Bloom's Taxonomy for the Development of Art Education Curriculum

    OpenAIRE

    Nakamura, Kazuyo; Yamato, Hiroko; Nakashima, Atsuo; Kikkawa, Kazuo

    2011-01-01

    This paper is aimed at developing Art Education Taxonomy Table through critically examining a revision of Bloom's Taxonomy of Educational Objectives contrived by Anderson and Krathwohl. First, the overview of the history of Bloom's Taxonomy is provided in relation to art education. Second, the influence of Bloom's theory of educational evaluation and Taxonomy on the classroom practice of art education in Japan is discussed. Third, aiming at using for the development of art education curriculu...

  17. Lukasa! (the devil's toy: African inspirations and western objects

    Directory of Open Access Journals (Sweden)

    D. Walker

    1996-01-01

    Full Text Available This paper shows the encounter between an object found among the Luba of Zaire and the art historical treatment of it by western scholars. In this encounter certain tendencies are pointed out which on one hand point to a greatly unackowledged bias of western scholars in their regarding of foreign objects as art, and on the other hand may work to refigure those ways of seeing to form a richer understanding of memory, beauty and history in western scholarly practice.

  18. The development of robot art

    DEFF Research Database (Denmark)

    Pagliarini, Luigi; Lund, Henrik Hautop

    2009-01-01

    Going through a few examples of robot artists who are recognized worldwide, we try to analyze the deepest meaning of what is called “robot art” and the related art field definition. We also try to highlight its well-marked borders, such as kinetic sculptures, kinetic art, cyber art, and cyberpunk...... that might classify robot art as a unique and innovative discipline, and to track down some of the principles by which a robotic artifact can or cannot be considered an art piece in terms of social, cultural, and strictly artistic interest....

  19. Contextualizing Object Detection and Classification.

    Science.gov (United States)

    Chen, Qiang; Song, Zheng; Dong, Jian; Huang, Zhongyang; Hua, Yang; Yan, Shuicheng

    2015-01-01

    We investigate how to iteratively and mutually boost object classification and detection performance by taking the outputs from one task as the context of the other one. While context models have been quite popular, previous works mainly concentrate on co-occurrence relationship within classes and few of them focus on contextualization from a top-down perspective, i.e. high-level task context. In this paper, our system adopts a new method for adaptive context modeling and iterative boosting. First, the contextualized support vector machine (Context-SVM) is proposed, where the context takes the role of dynamically adjusting the classification score based on the sample ambiguity, and thus the context-adaptive classifier is achieved. Then, an iterative training procedure is presented. In each step, Context-SVM, associated with the output context from one task (object classification or detection), is instantiated to boost the performance for the other task, whose augmented outputs are then further used to improve the former task by Context-SVM. The proposed solution is evaluated on the object classification and detection tasks of PASCAL Visual Object Classes Challenge (VOC) 2007, 2010 and SUN09 data sets, and achieves the state-of-the-art performance.

  20. Art is not what you think it is (but we can approach it through the Art Matrix’. Review of: Donald Preziosi and Claire Farago, Art is Not What You Think It Is. Wiley-Blackwell, 2012

    Directory of Open Access Journals (Sweden)

    Ian Verstegen

    2013-12-01

    Full Text Available This review discusses Art is Not What You Think It Is, from the Wiley-Blackwell manifesto series. It focuses not only on the arguments about the presumed ideas about art – the sole maker of objects with unified content – but especially on the ‘art matrix’ that the authors propose to portray the shifting numerical and temporal elements linking makers and objects through forces of creation. The contribution of the authors is contrasted to the relative neglect of semiotics in art history and proposed as a good model to overcome apparent aporias in the field.

  1. Art is not what you think it is (but we can approach it through the Art Matrix)’. Review of: Donald Preziosi and Claire Farago, Art is Not What You Think It Is. Wiley-Blackwell, 2012

    OpenAIRE

    Ian Verstegen

    2013-01-01

    This review discusses Art is Not What You Think It Is, from the Wiley-Blackwell manifesto series. It focuses not only on the arguments about the presumed ideas about art – the sole maker of objects with unified content – but especially on the ‘art matrix’ that the authors propose to portray the shifting numerical and temporal elements linking makers and objects through forces of creation. The contribution of the authors is contrasted to the relative neglect of semiotics in art history and pro...

  2. THE SPECIFICS OF ART INFORMATION AND COMMUNICATION IN ART CLASSES

    Directory of Open Access Journals (Sweden)

    Maja Hrvanović

    2013-09-01

    Full Text Available In this study, the author puts forward the hypothesis that the representation of information of artistic type in art classes affects the formation of judgement of taste as one of the most important factors for intensifying and memorising the experience of artistic content. The function of art education is to enable an individual to „read“ the work of art, to supply him with skills and knowledge necessary to recognise formally significant determinants in art. Creation of new conceptual design, functional usage of visual information in communication process, individuality in shaping their own criteria, are just some of the determinants of artistic development. Art education accorded with development of technology and visual communication is necessary for human development of young individuals and improvement of their general level of culture. Conceptually – concrete art can uncritically be understood as direct and „comprehensible“. The observer with basic artistic education has no difficulties in expressing judgement about realistic work of art, because all mental functions, by analogy, occur with the experience. Art formed in the area of symbolic self-expression, areal structure, requires special knowledge and skills to overcome sensed and decorative levels when experiencing a work of art. The classes of art education should teach the students the methods of judging the artistic quality, to significantly influence their ability of critical analysis, interpretation and formation of judgement of taste

  3. Tools: Stuff: Art

    Directory of Open Access Journals (Sweden)

    David Kirshner

    2014-07-01

    Full Text Available Between 1890 and 1898 Erik Satie lived at 6 rue Cortot: ‘in a wardrobe’. Satie was a collector […]. After his death his wardrobe was found to contain 84 handkerchiefs besides 12 identical velvet suits and dozens of umbrellas. 
Trois morceaux en forme de poire […] three pieces in the form of a pear. The title of a piano piece in seven parts by Erik Satie. Satie composed this piece in response to Debussy's criticism that his works lacked a 'sense of form'. What exactly did Debussy mean by this? Where and what actually was this scene of formlessness? 
The first part of the Paper will advance some possible reasoning behind Debussy's comments. Was Debussy questioning Satie's attitude to what Heidegger [in The Origin of the Work of Art] would term the 'thingly' element of the Work of Art, or more precisely – the relationship between 'things' and the 'thing in itself'?
Heidegger's contemplation of 'Form' and his writings on 'tools', 'material' and 'art', and the section dealing with the Temple provides an interesting locus in which to discus Debussy's comments.
The second section gives some ideas of how I reinterpreted this argument to produce a series of visual works inspired by another of Satie's works, Furniture Music – Musique d' ameublement, a piece of music that was not to be listened to. 
Milhaud later recounted: ‘It was no use Satie shouting: “Talk for heaven's sake! Move around! Don't listen!” They kept quiet. They listened. The whole thing went wrong.’

  4. Arts of urban exploration

    DEFF Research Database (Denmark)

    Pinder, David

    2005-01-01

    This paper addresses ways in which artists and cultural practitioners have recently been using forms of urban exploration as a means of engaging with, and intervening in, cities. It takes its cues from recent events on the streets of New York that involved exploring urban spaces through artistic...... to the city’ and ‘writing the city’. Through addressing recent cases of psychogeographical experimentation in terms of these themes, the paper raises broad questions about artistic practices and urban exploration to introduce this theme issue on ‘Arts of urban exploration’ and to lead into the specific...

  5. The Artful Universe Expanded

    International Nuclear Information System (INIS)

    The cosmos is an awfully big place and there is no better guide to its vast expanse and fascinating nooks and crannies than John Barrow. A professor of mathematical sciences at Cambridge University, Barrow embodies that rare combination of highly polished writer and expert scientist. His deft touch brings together the disparate threads of human knowledge and weaves them into a tapestry as rich and interesting for the expert as it is for the layperson. The Artful Universe Expanded is an updated edition of this popular book first published in 1995. It explores the deeply profound manner in which natural law and the nature of the cosmos have moulded and shaped us, our cultures and the very form of our arts and music-a new type of 'cosmic' anthropology. The main themes Barrow chooses for revealing this new anthropology are the subjects of evolution, the size of things, the heavens and the nature of music. The book is a large, eclectic repository of knowledge often unavailable to the layperson, hidden in esoteric libraries around the world. It rivals The Da Vinci Code for entertainment value and insights, but this time it is Nature's code that is revealed. It is rare indeed to find common threads drawn through topics as diverse as The Beetles, Bach and Beethoven or between Jackson Pollock, the Aztecs, Kant, Picasso, Byzantine mosaics, uranium-235 and the helix nebula. Barrow unerringly binds them together, presenting them in a stimulating, conversational style that belies the amount of time that must have gone into researching this book. Dip into it at random, or read it from cover to cover, but do read it. The Artful Universe Expanded is an entertaining antidote to the oft-lamented pressures to know more and more about less and less and the apparently inexorable march of specialization. On reading this book one can, for a short time at least, hold in one's mind a vision that unifies science, art and culture and glimpse a universal tapestry of great beauty. (book review)

  6. Arquitectura, art i artesania

    OpenAIRE

    Roqueta Matías, Santiago; Cos Riera, Maria Pilar; Huerta, Paco

    2003-01-01

    Descripció del recurs: 2 de maig de 2012 El llibre Arquitectura, art i espai efímer, publicat en aquesta mateixa col·lecció, inaugurava un procés de recopilació de pensaments i reflexions heterogènies. Dèiem en aquell volum que la "pintura, l'escultura, la música, el disseny, l'arquitectura, el teatre, la publicitat, la moda, les festes populars, la televisió o el cinema tenen més aspectes per compartir que per dividir". Ara, dins aquest esforç d'integració, tractem un tema no sempre ben e...

  7. The Artful Universe Expanded

    Energy Technology Data Exchange (ETDEWEB)

    Bassett, B A [Institute of Cosmology and Gravitation, University of Portsmouth (United Kingdom)

    2005-07-29

    The cosmos is an awfully big place and there is no better guide to its vast expanse and fascinating nooks and crannies than John Barrow. A professor of mathematical sciences at Cambridge University, Barrow embodies that rare combination of highly polished writer and expert scientist. His deft touch brings together the disparate threads of human knowledge and weaves them into a tapestry as rich and interesting for the expert as it is for the layperson. The Artful Universe Expanded is an updated edition of this popular book first published in 1995. It explores the deeply profound manner in which natural law and the nature of the cosmos have moulded and shaped us, our cultures and the very form of our arts and music-a new type of 'cosmic' anthropology. The main themes Barrow chooses for revealing this new anthropology are the subjects of evolution, the size of things, the heavens and the nature of music. The book is a large, eclectic repository of knowledge often unavailable to the layperson, hidden in esoteric libraries around the world. It rivals The Da Vinci Code for entertainment value and insights, but this time it is Nature's code that is revealed. It is rare indeed to find common threads drawn through topics as diverse as The Beetles, Bach and Beethoven or between Jackson Pollock, the Aztecs, Kant, Picasso, Byzantine mosaics, uranium-235 and the helix nebula. Barrow unerringly binds them together, presenting them in a stimulating, conversational style that belies the amount of time that must have gone into researching this book. Dip into it at random, or read it from cover to cover, but do read it. The Artful Universe Expanded is an entertaining antidote to the oft-lamented pressures to know more and more about less and less and the apparently inexorable march of specialization. On reading this book one can, for a short time at least, hold in one's mind a vision that unifies science, art and culture and glimpse a universal tapestry of great

  8. Music as Representational Art

    OpenAIRE

    Walker, Daniel

    2014-01-01

    ABSTRACT OF THE DISSERTATIONVolume IMusic as Representational ArtVolume IIAwakeningbyDaniel WalkerDoctor of Philosophy in MusicUniversity of California, Los Angeles, 2014Professor Ian Krouse, ChairThere are two volumes to this dissertation; the first is a monograph, and the second is a musical composition, both of which are described below.Volume IMusic is a language that can be used to express a vast range of ideas and emotions. It has been part of the human experience since before recorded ...

  9. Evidence or Advocacy. Visual Arts Education in Denmark

    DEFF Research Database (Denmark)

    Buhl, Mie

    2016-01-01

    for visual arts reflect a development that creates a paradox between the core of visual arts (to express impressions to achieve knowledge about the world) and the demand for a cognitive learning outcome. IT and media, innovation, and entrepreneurship are now implemented in school subjects in which students...... are taught that their visual expression should be useful to others. At the same time, the reform sets up learning objectives connected to technical skills for visual idioms such as painting, drawing, and sculpture. This gives rise to the question: Are we witnessing the vanishing of a former school subject...... in favor of a new hybrid of entrepreneurship, technology, and painting? Or has the Danish school system reached an evolutionary phase where visual arts and culture are a learning matter outside the school system performed by artists instead of art teachers and leave art teachers in charge of technical...

  10. Setting and Achieving Objectives.

    Science.gov (United States)

    Knoop, Robert

    1986-01-01

    Provides basic guidelines which school officials and school boards may find helpful in negotiating, establishing, and managing objectives. Discusses characteristics of good objectives, specific and directional objectives, multiple objectives, participation in setting objectives, feedback on goal process and achievement, and managing a school…

  11. Per Object statistical analysis

    DEFF Research Database (Denmark)

    Groom, Geoffrey Brian

    2008-01-01

    This RS code is to do Object-by-Object analysis of each Object's sub-objects, e.g. statistical analysis of an object's individual image data pixels. Statistics, such as percentiles (so-called "quartiles") are derived by the process, but the return of that can only be a Scene Variable, not an Obje...

  12. Art education – mostly for girls?

    OpenAIRE

    Wikberg, Stina

    2013-01-01

    This article discusses whether and how Art education is gendered, and whether and how the art world is gendered. The history of Art education is briefly described from a gender perspective, as well as some current reports on Art education in Sweden. The article draws on material from a postgraduate study about Art education and gender. Art lessons were observed and pupils were interviewed about their views on art. Based on the interview data, it is suggested that one reason that Art education...

  13. Particle accelerators unravel Art and Archaeology issues

    Science.gov (United States)

    Calligaro, Thomas

    2008-10-01

    Many analytical techniques are applied to get a better insight on art works and archaeological artefacts and to contribute to their conservation and restoration. Because of the precious and sometimes unique character of these items, non-destructive and non-sampling techniques are preferred. From this standpoint, the analysis with ion beams produced by accelerators (IBA), featuring good analytical performance and non-destructiveness, constitutes one of the best choices. Ion beams analysis techniques (IBA) introduced in 1957 have been constantly adapted to address art and archaeology questions; today the performances obtained directly on the object placed in the atmosphere rival with those achieved in vacuum. Since 20 years, AGLAE, the IBA facility of the Centre for Research and Restoration of the Museums of France located in the Louvre museum has contributed to this progress. The cornerstone of this development is a versatile external nuclear microprobe implementing PIXE, PIGE, RBS, NRA and ERDA methods for rapid expertises of art works and more extensive research works in art history, archaeology and conservation science. After an introduction of the physical principles of IBA, a virtual tour of this unique facility will be provided. The benefit of its use will be illustrated through two case studies, the first one dealing with the determination by PIXE of the provenance of painted works of the Spanish master Murillo and the second one with the authentication study using NRA of a mysterious archaeological rock crystal skull.

  14. Arts and Climate

    Science.gov (United States)

    Cegnar, T.

    2010-09-01

    Arts and climate science have more in common points than it appears at first glance. Artistic works can help us to directly or indirectly learn about climatic conditions and weather events in the past, but are also very efficient in raising awareness about climate change nowadays. Long scientific articles get very little response among general public, because most people don't want to read long articles. There is a need to communicate climate change issues more powerfully and more directly, with simple words, pictures, sculptures, installations. Artistic works can inspire people to take concrete action. A number of communication media can fit this purpose. Artists can speak to people on an emotional and intellectual level; they can help people to see things from another perspective and in new ways. Artists can motivate change; they have the freedom to weave facts, opinions, thoughts, emotion and colour all together. Paintings are witnesses of the past climatic conditions. We can learn from paintings, architectural constructions and sculptures about the vegetation, weather events, animals, and way of living. Mentioning only some few examples: old paintings in caves, also Flemish painters are often shown for their winter landscapes, and paintings are very useful to illustrate how fast glaciers are melting. At the end, we shall not forget that dilapidation of art masterpieces often depends on climatic conditions.

  15. Earth as art 4

    Science.gov (United States)

    ,

    2016-03-29

    Landsat 8 is the latest addition to the long-running series of Earth-observing satellites in the Landsat program that began in 1972. The images featured in this fourth installment of the Earth As Art collection were all acquired by Landsat 8. They show our planet’s diverse landscapes with remarkable clarity.Landsat satellites see the Earth as no human can. Not only do they acquire images from the vantage point of space, but their sensors record infrared as well as visible wavelengths of light. The resulting images often reveal “hidden” details of the Earth’s land surface, making them invaluable for scientific research.As with previous Earth As Art exhibits, these Landsat images were selected solely for their aesthetic appeal. Many of the images have been manipulated to enhance color variations or details. They are not intended for scientific interpretation—only for your viewing pleasure. What do you see in these unique glimpses of the Earth’s continents, islands, and coastlines?

  16. Museo de Arte. Viena

    Directory of Open Access Journals (Sweden)

    Schwanzer, Karl

    1965-07-01

    Full Text Available This museum is meant to house XXth century art exhibits. There is one building, with two floor levels, where the exhibitions are held. A furtherbuilding, running at right angles to the first one, contains the offices, a lecture hall with seating accommodation for 116 people, a reading room, vestibule and cloakroom. There are three patios, surrounding the museum. These serve to show to the public various sculptures, and the general arrangement of these outdoor spaces is carefully planned to show the exhibits to the best possible advantage. The metallic structure is painted red, and is in strong contrast with the greenness of the surrounding vegetation. In this case, the resulting colour balance has proved most successful.Este museo está destinado a albergar obras de arte del siglo XX. Consta de un cuerpo de edificio con dos plantas dedicadas a exposición; y de otro cuerpo, perpendicular al anterior, con una planta que aloja las oficinas, una sala de conferencias para 116 personas, cine, sala de lectura, guardarropas y vestíbulo. Los tres patios que rodean el edificio de exposiciones han sido proyectados de modo que permiten al visitante contemplar adecuadamente las esculturas que en los mismos figuran. El color rojo que se ha dado a la estructura metálica—vista—contrasta con el verde de las masas de árboles y césped del parque circundante, con lo que se ha logrado una feliz armonía.

  17. Digital Art and Design

    Directory of Open Access Journals (Sweden)

    Khaldoun A. A. BESOUL

    2006-07-01

    Full Text Available The desire to create unique things and give free rain to one's imagination served as a powerful impetus to the development of digital art and design software. The commoner was the use of computers the wider variety of professional software was developed. Nowadays the creators and computer designers are receiving more and more new and advanced programs that allow their ideas becoming virtual reality. This research paper looks at the history of the development of graphic editors from the simplest to the most modern and advanced. This brief survey includes the history of different graphic editors’ creation, their features and abilities. This paper highlights the two basic branches of graphic editors – these that are in free use and commercial graphic editors design software. The researcher selected the most powerful and influential graphic editors design software brands like Paint.NET and GIMP among free software and commercial Adobe Photoshop. This paper also dwells upon the way digital art transferred from the exclusively professional business into the hobby for ordinary users. This research paper bears implications for those who are interested in features and potentiality of most popular graphic editors design software.

  18. Earth as art 4

    Science.gov (United States)

    U.S. Geological Survey

    2016-01-01

    Landsat 8 is the latest addition to the long-running series of Earth-observing satellites in the Landsat program that began in 1972. The images featured in this fourth installment of the Earth As Art collection were all acquired by Landsat 8. They show our planet’s diverse landscapes with remarkable clarity.Landsat satellites see the Earth as no human can. Not only do they acquire images from the vantage point of space, but their sensors record infrared as well as visible wavelengths of light. The resulting images often reveal “hidden” details of the Earth’s land surface, making them invaluable for scientific research.As with previous Earth As Art exhibits, these Landsat images were selected solely for their aesthetic appeal. Many of the images have been manipulated to enhance color variations or details. They are not intended for scientific interpretation—only for your viewing pleasure. What do you see in these unique glimpses of the Earth’s continents, islands, and coastlines?

  19. State of the art

    International Nuclear Information System (INIS)

    There is a large body of experience in high luminosity data taking in fixed target research. We try to consider a wide variety of high rate experiments which were limited by the detector (not by available beam) to a preset number of collisions per second. We then attempt to translate these state-of-the-art experiments to effective collider experiments. To this end, we extend the chosen detector to a comparison 4π collider detector operating near 1 TeV. There are several issues: (1) effective solid angle must be translated to approx. = 4π, (2) environments may be quite different, e.g., beam dump near fixed target or beam halo muons vs. collider backgrounds, (3) the multiplicity varies over the experiments selected and (4) we have to treat open vs closed geometries. The large variety of experiments selected is designed to average over the causes for detector limitation. Finally we chose detectors which have produced physics in order to gauge the state of the art

  20. The hang and art history

    Directory of Open Access Journals (Sweden)

    Catherine De Lorenzo

    2015-12-01

    Full Text Available The 2013 Australia exhibition in 2013 at the Royal Academy, London, served at one level to demonstrate the ‘Aboriginal turn’ in Australian art history and curatorship. This paper traces some key exhibitions and texts that examine Aboriginal art as art, and traces the use by anthropologists and art historians of seminal texts such as Meyer Schapiro’s essay ‘Style’ published, significantly, in Kroeber’s Anthropology Today (1953. However, what promised to serve as a lingua franca of sorts across the disciplines has provoked contested, and at times heated, interpretations. Disciplinary differences were evident in the years immediately following Tony Tuckson’s 1960-61 Australian Aboriginal Art touring exhibition, and they persist today as evidenced by Howard Morphy’s claim (2011 for anthropological ways of ‘knowing about’ as distinct from art historical attempts at ‘appreciating’ Aboriginal art. So, apart from acknowledging and questioning the persistence of these differences, my question is: Based on the extant art historiographic literature, is there anything methodologically distinctive about the practice of art history when it grapples with exhibitions of Aboriginal art?

  1. art@CMS students' exhibition in Centre des Arts, ECOLINT

    CERN Multimedia

    CMS Communications Group; Geneva, Switzerland; Vaso Sideri

    2015-01-01

    This video documents the outcome of a science and art workshop with the participation of high-school students from the International School of Geneva (ECOLINT). The project was implemented in the framework of art@CMS, an education and outreach programme of the CMS experiment at CERN. In the video, the students present their artworks during the opening of their exhibition at the Centre des Arts of ECOLINT in Geneva.

  2. Arqueología del arte. Lo imaginario y lo real en el arte rupestre

    Directory of Open Access Journals (Sweden)

    Ana María Rocchietti

    2009-08-01

    Full Text Available Rock art constitutes a universe of images that continues having a disturbing character for the archaeological research. Its study is not independent from the epistemologic-cultural horizons that have developed since it was discovered and admitted its genuineness. This paper examines reflectively different aspects of its problematic nature. Rock art supposes the importance of bear, colour and texture, administration of light and shadow, perceptive frames that offer the diaclasas and drip of water. The walls symbolize and give an imaginary; do not «sustain» only. The signs in the rock go back «marks» or registrations in which the real-objective disappears; construct a real new (dreams, fantasies, disclosures. Its real character is decided by officiant like part of a process of truth. Rock art has a no normative «quality» in the dimension of it variations and, therefore, it is anticultural.

  3. Commercial Foods and Culinary Arts. Student Learning Guide.

    Science.gov (United States)

    Palm Beach County Board of Public Instruction, West Palm Beach, FL.

    This student learning guide contains one module for completing a course in commercial foods and culinary arts. It is designed especially for use in secondary schools in Palm Beach County, Florida. The module covers one task, and consists of a purpose, performance objective, enabling objectives, learning activities keyed to resources, information…

  4. An Interdisciplinary Approach to Art Appreciation

    Science.gov (United States)

    Law, Sophia S. M.

    2010-01-01

    Background: Under the challenge of many post-modern theories and critics on art and art history, the boundaries and definition of art has becoming more diverse. Conventional art appreciation no longer covers all the debates and issues arising from the complex meaning of art in the modern world. Art education today must widen students' vision of…

  5. Material interaction in art therapy assessment

    NARCIS (Netherlands)

    Penzes-Driessen, I.J.N.J.; Hooren, S. van; Dokter, D.; Smeijsters, H.; Hutschemaekers, G.J.M.

    2014-01-01

    Diverse approaches to art therapy assessment agree that art materials should play a central role. However, relatively little research is done on the role of different art materials. This article describes the results of a qualitative study on the use of art materials by art therapists in art therapy

  6. Art Teaching: Elementary through Middle School

    Science.gov (United States)

    Szekely, George; Bucknam, Julie Alsip

    2011-01-01

    "Art Teaching" speaks to a new generation of art teachers in a changing society and fresh art world. Comprehensive and up-to-date, it presents fundamental theories, principles, creative approaches, and resources for art teaching in elementary through middle-school. Key sections focus on how children make art, why they make art, the unique…

  7. 78 FR 59978 - Arts Advisory Panel Meeting

    Science.gov (United States)

    2013-09-30

    ... ARTS AND THE HUMANITIES Arts Advisory Panel Meeting AGENCY: National Endowment for the Arts, National Foundation on the Arts and Humanities. ACTION: Notice of meeting. SUMMARY: Pursuant to Section 10(a)(2) of... meeting of the Arts Advisory Panel to the National Council on the Arts will be held at the Nancy...

  8. 76 FR 23845 - Arts Advisory Panel

    Science.gov (United States)

    2011-04-28

    ... ARTS AND THE HUMANITIES National Endowment for the Arts Arts Advisory Panel Pursuant to Section 10(a)(2... meeting of the Arts Advisory Panel to the National Council on the Arts will be held at the Nancy Hanks..., evaluation, and recommendations on financial assistance under the National Foundation on the Arts and...

  9. 77 FR 61643 - Arts Advisory Panel Meeting

    Science.gov (United States)

    2012-10-10

    ... ARTS AND THE HUMANITIES Arts Advisory Panel Meeting AGENCY: National Endowment for the Arts, National Foundation on the Arts and Humanities. ACTION: Notice of meeting. SUMMARY: Pursuant to Section 10(a)(2) of... meetings of the Arts Advisory Panel to the National Council on the Arts will be held at the Nancy...

  10. 78 FR 21978 - Arts Advisory Panel Meeting

    Science.gov (United States)

    2013-04-12

    ... ARTS AND THE HUMANITIES Arts Advisory Panel Meeting AGENCY: National Endowment for the Arts, National Foundation on the Arts and Humanities. ACTION: Notice of meeting. SUMMARY: Pursuant to Section 10(a)(2) of... meeting of the Arts Advisory Panel to the National Council on the Arts will be held at the Nancy...

  11. 77 FR 2766 - Arts Advisory Panel Meeting

    Science.gov (United States)

    2012-01-19

    ... ARTS AND THE HUMANITIES Arts Advisory Panel Meeting AGENCY: National Endowment for the Arts, National Foundation on the Arts and Humanities. ACTION: Notice; correction. SUMMARY: Pursuant to Section 10(a)(2) of... Arts (state folk arts projects review) meeting, scheduled for January 19-20, 2012 in Room 714....

  12. 78 FR 42982 - Arts Advisory Panel Meeting

    Science.gov (United States)

    2013-07-18

    ... ARTS AND THE HUMANITIES Arts Advisory Panel Meeting AGENCY: National Endowment for the Arts, National Foundation on the Arts and Humanities. ACTION: Notice of Meetings SUMMARY: Pursuant to Section 10(a)(2) of... the Arts Advisory Panel to the National Council on the Arts will be held at the Nancy Hanks...

  13. 75 FR 56146 - Arts Advisory Panel; Meetings

    Science.gov (United States)

    2010-09-15

    ... ARTS AND THE HUMANITIES National Endowment for the Arts Arts Advisory Panel; Meetings Pursuant to... given that four meetings of the Arts Advisory Panel to the National Council on the Arts will be held at... are approximate): Arts Education (application review): October 4-5, 2010 in Room 716. A portion...

  14. 76 FR 50499 - Arts Advisory Panel

    Science.gov (United States)

    2011-08-15

    ... ARTS AND THE HUMANITIES National Endowment for the Arts Arts Advisory Panel Pursuant to Section 10(a)(2... meeting of the Arts Advisory Panel to the National Council on the Arts will be held at the Nancy Hanks... financial assistance under the National Foundation on the Arts and the Humanities Act of 1965, as...

  15. 78 FR 26399 - Arts Advisory Panel Meeting

    Science.gov (United States)

    2013-05-06

    ... ARTS AND THE HUMANITIES Arts Advisory Panel Meeting AGENCY: National Endowment for the Arts, National Foundation on the Arts and Humanities. ACTION: Notice of Meeting. SUMMARY: Pursuant to Section 10(a)(2) of... meeting of the Arts Advisory Panel to the National Council on the Arts will be held by teleconference...

  16. 77 FR 49026 - Arts Advisory Panel Meeting

    Science.gov (United States)

    2012-08-15

    ... ARTS AND THE HUMANITIES Arts Advisory Panel Meeting AGENCY: National Endowment for the Arts, National Foundation on the Arts and Humanities. ACTION: Notice of meeting. SUMMARY: Pursuant to Section 10(a)(2) of... meeting of the Arts Advisory Panel to the National Council on the Arts will be held at the Nancy...

  17. 75 FR 27825 - Arts Advisory Panel

    Science.gov (United States)

    2010-05-18

    ... ARTS AND THE HUMANITIES National Endowment for the Arts Arts Advisory Panel Pursuant to Section 10(a)(2... meeting of the Arts Advisory Panel to the National Council on the Arts will be held at the Nancy Hanks... financial assistance under the National Foundation on the Arts and the Humanities Act of 1965, as...

  18. 78 FR 50451 - Arts Advisory Panel Meeting

    Science.gov (United States)

    2013-08-19

    ... ARTS AND THE HUMANITIES Arts Advisory Panel Meeting AGENCY: National Endowment for the Arts, National Foundation on the Arts and Humanities. ACTION: Notice of Meetings. SUMMARY: Pursuant to Section 10(a)(2) of... meeting of the Arts Advisory Panel to the National Council on the Arts will be held at the Nancy...

  19. 77 FR 13367 - Arts Advisory Panel Meeting

    Science.gov (United States)

    2012-03-06

    ... ARTS AND THE HUMANITIES Arts Advisory Panel Meeting AGENCY: National Endowment for the Arts, National Foundation on the Arts and Humanities. ACTION: Notice of meeting. SUMMARY: Pursuant to Section 10(a)(2) of... of the Arts Advisory Panel to the National Council on the Arts will be held by teleconference at...

  20. 78 FR 17942 - Arts Advisory Panel Meeting

    Science.gov (United States)

    2013-03-25

    ... ARTS AND THE HUMANITIES Arts Advisory Panel Meeting AGENCY: National Endowment for the Arts, National Foundation on the Arts and Humanities. ACTION: Notice of meetings. SUMMARY: Pursuant to Section 10(a)(2) of... meetings of the Arts Advisory Panel to the National Council on the Arts will be held at the Nancy...

  1. 78 FR 5213 - Arts Advisory Panel Meeting

    Science.gov (United States)

    2013-01-24

    ... ARTS AND THE HUMANITIES Arts Advisory Panel Meeting AGENCY: National Endowment for the Arts, National Foundation on the Arts and Humanities. ACTION: Notice of meeting. SUMMARY: Pursuant to Section 10(a)(2) of... meeting of the Arts Advisory Panel to the National Council on the Arts will be held at the Nancy...

  2. 77 FR 56875 - Arts Advisory Panel Meeting

    Science.gov (United States)

    2012-09-14

    ... ARTS AND THE HUMANITIES Arts Advisory Panel Meeting AGENCY: National Endowment for the Arts, National Foundation on the Arts and Humanities. ACTION: Notice of meeting. SUMMARY: Pursuant to Section 10(a)(2) of... meetings of the Arts Advisory Panel to the National Council on the Arts will be held by teleconference...

  3. Art Libraries: Creating Access to Unique Collections

    Science.gov (United States)

    Falls, Sarah E.

    2009-01-01

    Art libraries face similar issues to other types of libraries during the digital transition but have unique twists driven by the needs of their collections. Art library information seekers may possess a sense of what an art library is: a library, set apart, to support the study of art and art history. For art libraries, it is the collection,…

  4. Specification of Concurrent Objects

    DEFF Research Database (Denmark)

    Sørensen, Morten U.

    Concurrent objects are named concurrent processes that interact by invoking each other's operations. We describe how such concurrent objects can be specified, how objects can be composed, and how it can be shown that one object refines another.First a model is defined, based on a transition...... relation over two objects and an event. In the model, objects can be composed by parallel composition, encapsulation, and hiding of operations. Refinement between objects is defined as fair trace inclusion.A specification language is presented where objects can be specified operationally by abstract...

  5. PENGERTIAN ART DIRECTION DAN PERANAN SEORANG ART DIRECTOR DALAM PERIKLANAN

    Directory of Open Access Journals (Sweden)

    Aryo Bimo

    2010-09-01

    Full Text Available Nowadays advertising is a field that is progressing rapidly and is quite popular majors marked by numerous educational institutions both private and the country that opened specialization advertising. One of the positions in the field of advertising that quite popular is Art Director. The skill of art directing is a bit much has been represented in the department of Visual Communication Design or Graphic design. But it is sometimes still confused between the duties and role of an art director and a graphic designer. This article gives a general overview of what is meant by Art Director as well as roles and duties.

  6. Object models and object representation Tutorial 4

    CERN Document Server

    CERN. Geneva; Mahey, Mahendra

    2007-01-01

    This tutorial will provide a practical overview of current practices in modelling complex or compound digital objects. It will examine some of the key scenarios around creating complex objects and will explore a number of approaches to packaging and transport. Taking research papers, or scholarly works, as an example, the tutorial will explore the different ways in which these, and their descriptive metadata, can be treated as complex objects. Relevant application profiles and metadata formats will be introduced and compared, such as Dublin Core, in particular the DCMI Abstract Model, and MODS, alongside content packaging standards, such as METS MPEG 21 DIDL and IMS CP. Finally, we will consider some future issues and activities that are seeking to address these. The tutorial will be of interest to librarians and technical staff with an interest in metadata or complex objects, their creation, management and re-use.

  7. Into the Curriculum. Art: Worm Art; Reading/Language Arts: Writer's Briefcase; Reading/Language Arts: Word Play with "Kid Pix"; Science/Language Arts: Wiggle into the Library Media Center; Science: From a Seed to a Plant; Science: Seed Growth; Social Studies: Ancient Greece and Rome: Crossword Puzzle Research.

    Science.gov (United States)

    Hazergian, Carol; Marine, Cathy; Humphrey, Mary; Craig, Mary; Parker, Meredith L.; Palomaki, Julie; Willingham, Susan L.

    2002-01-01

    Provides seven fully developed library media activities that are designed for use with specific curriculum units in art, reading, language arts, science, and social studies. Library media skills, curriculum objectives, grade levels, resources, instructional roles, procedures, evaluations, and follow-up are described for each activity. (LRW)

  8. BUSINESS PLAN: SOUTH ASIAN ARTS

    OpenAIRE

    Saran, Sabrina

    2009-01-01

    The intention of this paper is to provide an understanding of South Asian Arts as an organization in the Arts industry in Vancouver. Elements of the company and the industry are explored in order to further comprehend the potential target markets and why they are as such. Due to the current surge in popularity of South Asian arts within mainstream culture, there is great potential in this company. Discussion segues into marketing initiatives that are necessary to compete with key players that...

  9. 上海Art Deco

    Institute of Scientific and Technical Information of China (English)

    尔冬强

    2007-01-01

    Art Deco风格从它发轫和诞生的那一刻起,将近百年来,始终有一批狂热的推广者和追随者沉醉在Art Deco风格所营造出的那样一种优雅和永不落伍的摩登氛围中。创造出Art Deco风格的先驱们一定

  10. Paradigms in object recognition

    International Nuclear Information System (INIS)

    A broad range of approaches has been proposed and applied for the complex and rather difficult task of object recognition that involves the determination of object characteristics and object classification into one of many a priori object types. Our paper revises briefly the three main different paradigms in pattern recognition, namely Bayesian statistics, neural networks, and expert systems. (author)

  11. Arte y simulacro.

    Directory of Open Access Journals (Sweden)

    Francisco Pereña García

    1983-01-01

    Full Text Available Hay un texto de FREUD poco conocido y que siempre ejerció sobre mí especial atracción. Es un artículo publicado en 1919 en "Imago", tomo V, y que LOPEZ BALLESTEROS no incluye, no sé por qué motivo, en su traducción. El texto en cuestión es "Das Unheimliche" (Sigmund FREUD, Studienausgaben, Fischer Verlag, tomo IV. "Unheimlich" es un término de difícil traducción ya que incorpora dos elementos contradictorios: una cosa familiar que, de pronto aparece como no familiar y por ello corno extraña e inquietante, algo más, algo más de lo predicable de la cosa anida en ella ("Zum Neuen und Nichvertranten rnuss erts etwas hinzukommen, was es zum Unheimlichen macht", pág. 224 yeso es lo que la hace inquietante.

  12. Tourism.art Ravenna

    Directory of Open Access Journals (Sweden)

    Gianluca Derosa

    2014-12-01

    Full Text Available In the territory of Ravenna there are many tourist attractions that individually work well, but they need to relate to each others. So I had the idea of a linear park that connects Ravenna with Cervia defining a “tourist district” which offers to the tourist / traveler a unique experience in harmony with the land and the history of the place. In the park it is promoted an un-motorized mobility and infobox are disposed to inform the tourist in proximity of train stops from which you can download the application for smartphones Tourism.art by reading QR codes or NFC codes, which provides users with a “program travel “ describing the activities to do. In addition, I propose a typology of diffused hotel that allows users to temporarily live in places of historical and natural interest.

  13. Visual arts club

    CERN Multimedia

    Club d'arts visuels

    2013-01-01

    Reprise des cours de l'atelier d'Arts Visuels du jeudi soir. Venez explorer votre potentiel de créativité à la découverte de nouvelles techniques, à la découverte de soi. Nous proposons divers sujets et diverses techniques. Votre professeur vous guide individuellement et permet donc à chacun de réaliser des œuvres uniques. Les cours ont lieu le jeudi soir de 18 à 20 heures, bâtiment 564 (baraque avant l'entrée dans le CERN). Sur demande, un cours débutants pourra être mis sur pied le mardi soir de 18 à 20 heures, même salle. Inscriptions auprès de Marie-Noëlle Fontaine (marie-noelle.fontaine@wanadoo.fr).

  14. Sperm Selection in ART

    Directory of Open Access Journals (Sweden)

    Montag M

    2012-01-01

    Full Text Available Selection of sperm is a crucial part in assisted reproductive treament (ART. Sperm preparation methods do mainly differentiate according to sperm motility and are indispensable for therapies like intrauterine insemination, in-vitro fertilization (IVF and intracytoplasmic sperm injection (ICSI. Although in the beginning of the era of ICSI andrology was thought to play a minor role, ICSI has offered new options by correlating the treatment outcome to parameters of the individual applied spermatozoon. Hence the possibility for selecting spermatozoa has shifted from parameters which characterize the entire sperm cohort to a single-sperm specific assessment technology. Consequently, sperm selection is a topic which is intensively discussed nowadays. This article gives a comprehensive overview of the technologies which can be applied today and give a prospective on future techniques.

  15. Martial arts and psychological health.

    Science.gov (United States)

    Fuller, J R

    1988-12-01

    The misleading public image of the martial arts masks a rich though esoteric psychological legacy containing informative parallels for contemporary psychotherapeutic concepts and practices. To date, empirical research on the martial arts has lacked sophistication in the questions it has posed and in the methodology adopted to answer them. Whilst not entirely consistent, findings from studies of martial artists' personalities, outlooks and behaviour have generally indicated positive psychological effects of training. Clinical and psychotherapeutic applications are at an exploratory stage but appear promising. As an exemplar the psychological facets of the art of Aikido are discussed, and prospective uses of martial arts principles as systemic or adjunctive therapies are considered.

  16. Early object rule acquisition.

    Science.gov (United States)

    Pierce, D E

    1991-05-01

    The purpose of this study was to generate a grounded theory of early object rule acquisition. The grounded theory approach and computer coding were used to analyze videotaped samples of an infant's and a toddler's independent object play, which produced the categories descriptive of three primary types of object rules; rules of object properties, rules of object action, and rules of object affect. This occupational science theory offers potential for understanding the role of objects in human occupations, for development of instruments, and for applications in occupational therapy early intervention. PMID:2048625

  17. Art history at the art school: Revisiting the institutional origins of the discipline based on the case of nineteenth-century Greece

    Directory of Open Access Journals (Sweden)

    Eleonora Vratskidou

    2015-12-01

    Full Text Available As part of a broader research on the teaching of art history in nineteenth-century art academies, this paper focuses on the courses offered at the Athenian School of Arts from 1844 to 1863 by the historian and philologist Grigorios Pappadopoulos. In his teaching, Papadopoulos turned away from the tradition of a universal history for artists established in Italian and French art schools, and proposed instead an in-depth study of ancient Greek art, drawing on the German university model, and more particularly on Karl Otfried Müller’s Handbuch der Arhchaölogie der Kunst (1830. The paper examines the various operations that permitted the re-invention of an archaeological manual for the purposes of art education, and analyses the different approaches to the study of ancient art developed within the School of Arts and the Athenian University during the period. I argue that adapting the scholarly study of art to the needs of artistic training gave way to approaches primarily centred on objects, techniques and forms, rather than on the construction of historical narratives. The Greek case is used in order to reflect more broadly on the scholarly courses of art academies, which remain largely overlooked both within the history of art education and the history of art history. Lying at the intersection of these two fields, scholarly training at the art school, and art history courses in particular, may permit both a re-evaluation of art education in the nineteenth century and a better understanding of the varied institutional frameworks that shaped art history as a discipline.

  18. Culture Shock: Using Art and Art Controversy To Teach History.

    Science.gov (United States)

    McBride, Robert, Jr.

    1999-01-01

    Endorses the television series entitled "Culture Shock" that views controversial art as an artifact suggesting that the arts, and controversies surrounding them, can help viewers think critically about the issues of past and present societies. Focuses on "The Adventures of Huckleberry Finn," the painting "Olympia," jazz, and films in the…

  19. Expanding the Spanish Classroom: The "Art" in Liberal Arts

    Science.gov (United States)

    Díaz, Erin M.

    2016-01-01

    Supplementing the foreign language curriculum with the incorporation of art museum visits has benefits for students, faculty, the campus art gallery, and the institution. Such a collaborative program serves to expand the classroom and complement instruction by providing learners with a new space to engage in authentic practice in the target…

  20. Graphic Arts. A Bilingual Text = Artes Graficas. Un Texto Bilingue.

    Science.gov (United States)

    Los Angeles Unified School District, CA. Div. of Career and Continuing Education.

    This bilingual instructional text, one in a series of six texts covering various vocational and technical topics, provides secondary level English and Spanish instruction in graphic arts. Addressed in the individual sections are basic graphic arts (composition, stone and press work, offset printing, silk screen, and photography) and allied graphic…

  1. Combining Art and Science in "Arts and Sciences" Education

    Science.gov (United States)

    Needle, Andrew; Corbo, Christopher; Wong, Denise; Greenfeder, Gary; Raths, Linda; Fulop, Zoltan

    2007-01-01

    Two of this article's authors--an art professor and a biology professor--shared a project for advanced biology, art, nursing, and computer science majors involving scientific research that used digital imaging of the brain of the zebrafish, a newly favored laboratory animal. These contemporary and innovative teaching and learning practices were a…

  2. The Ethics of Art : Ecological Turns in the Performing Arts

    NARCIS (Netherlands)

    Gielen, Pascal

    2014-01-01

    There is a new growing ethical consciousness within the arts, both in the way it relates to the larger social, political and economic challenges and in how it reflects on its own production and distribution mechanisms. The Ethics of Art attempts to describe how artistic imagination can produce new s

  3. Art at the Airport: An Exploration of New Art Worlds

    Science.gov (United States)

    Szekely, Ilona

    2012-01-01

    Many airports have transformed empty waiting spaces into mini malls, children's play areas, and displays of beautiful art, making a long wait a bit more pleasant. For the modern airport, showcasing art has become an important component, with perks including a built-in global audience, as well as the vast spaces of modern architecture. For the art…

  4. Artful Language: Academic Writing for the Art Student

    Science.gov (United States)

    Apps, Linda; Mamchur, Carolyn

    2009-01-01

    The task of writing about the process of making and contextualising art can be overwhelming for some graduate students. While the challenge may be due in part to limited time and attention to the practice of writing, in a practice-based arts thesis there is a deeper issue: how the visual and written components are attended to in a manner that…

  5. Aesthetical criterion in art and science

    CERN Document Server

    Milovanović, Miloš

    2016-01-01

    In the paper, the authors elaborate some recently published research concerning the originality of artworks in terms of self-organization in the complex systems physics. It has been demonstrated that the originality issue such conceived leads to the criterion of a substantial aesthetics whose applicability is not restricted to the fine arts domain only covering also physics, biology, cosmology and other fields construed in the complex systems terms. Moreover, it is about a truth criterion related to the traditional personality conception revealing the ontological context transcendent to the gnoseological dualism of subjective and objective reality that is characteristic of modern science and humanities. Thus, it is considered to be an aesthetical criterion substantiating art and science as well as the other developments of the postmodern era. Its impact to psychology, education, ecology, culture and other humanities is briefly indicated.

  6. A arte op na arte pública em Portugal

    OpenAIRE

    Sousa, Pedro Miguel Alegria Lobo Pereira de

    2008-01-01

    Esta investigação aborda o fenómeno da op art na arte pública em Portugal, para dar conta do seu alcance, depois de o situar histórica e artisticamente, e em particular através das obras do pintor e fotógrafo Eduardo Néry e do arquitecto Artur Rosa. Na I parte situam-se as origens da Op Art e o panorama internacional: Op Art é o nome reduzido de \\201COptical Art\\201D, que ficou definido numa conversa de G. Rickey com dois curadores do MoMA. O termo óptico refere-se a ilusões ópticas, sendo um...

  7. Theory of Learning with Few Examples and Object Localization

    OpenAIRE

    Rodner, Erik; Denzler, Joachim

    2009-01-01

    Visual object localization and categorization is still a big challenge for current research and gets even more difficult when confronted with few training examples. Therefore we will present a Bayesian concept to enhance state-of-the-art machine learning techniques even when dealing with just a single view of an object category. Furthermore an object localization approach is presented, which can serve as a baseline for researchers within the area of object localization.

  8. Vividness of Object and Spatial Imagery.

    Science.gov (United States)

    Blazhenkova, Olesya

    2016-04-01

    Vividness is one of the fundamental characteristics of visual mental imagery. The first research goal was to examine whether vividness that refer to imagery of pictorial object (color, texture, or shape) versus spatial (three dimensional structure, location, or mechanism) properties constitute separate vividness dimensions. The second goal was to develop a vividness questionnaire separately assessing dimensions of imagery vividness. In Study 1, 111 students (M age = 21.8 years, SD = 1.3) evaluated the vividness of imagery evoked by nine object and nine spatial items from the pilot version of the new Vividness of Object and Spatial Imagery (VOSI) questionnaire, completed a self-report assessment of object and spatial imagery, and rated their aptitudes in art and science. Analysis indicated that imagery vividness comprised object and spatial dimensions. Object vividness items were positively associated with the self-report measure and ratings of artistic abilities, whereas spatial vividness items were positively associated with self-report measure and ratings of science abilities. In Study 2, an independent sample of 205 students (M age = 21 years, SD = 1.7) completed the second version of the VOSI, art and science aptitude ratings, and a number of self-report and performance measures assessing object and spatial imagery. Object and spatial imagery vividness items loaded on factors with 28 retained items; this two-factor vividness model fit the data better than a unidimensional vividness model. The questionnaire had satisfactory Cronbach's α for object vividness scale (.88) and for spatial vividness scale (.85). Correlational analyses supported convergent and discriminative validity of the VOSI. While object imagery vividness and spatial imagery vividness share some underlying vividness variance, they are dissociated into separate dimensions. PMID:27166329

  9. Primi tentativi di figurazione: l'inizio dell'arte nelle lezioni berlinesi di Hegel

    OpenAIRE

    Bonato, Matilde

    2015-01-01

    The object of the present study is Hegel’s conception of the symbolic form of art, as it is described in Hegel’s Lectures on the Philosophy of Art. I will focus on the problem of the symbolic form of art in order to highlight its essential traits and to define the role it plays in the development of art. Hegel gave a series of lectures on the philosophy of art in several university terms (in 1820/21, 1823, 1826 and 1828/29), but never published a book of his own on this topic. In order to...

  10. Into the Curriculum. Art: Making Snowmen; Health: It's Flu Season!; Language Arts/Technology: Choices; Reading/Language Arts: Getting To Know Young Adult Authors; Science: It's All in the Weather; Social Studies: Middle Ages Daily Life.

    Science.gov (United States)

    D'Amato, Laura; Small, Esther

    2003-01-01

    Provides six fully developed library media activities that are designed for use with special curriculum units in art, health, language arts, technology, reading, science, and social studies. Library media skills, curriculum objectives, grade levels, resources, instructional roles, procedures, evaluation, and follow-up are described for each…

  11. Art Education Technology: Digital Storytelling

    Science.gov (United States)

    Chung, Sheng Kuan

    2007-01-01

    The application of digital storytelling to art education is an interdisciplinary, inquiry-based, hands-on project that integrates the arts, education, local communities, technology, and storytelling. Through digital storytelling, students develop and apply multiliteracy skills, aesthetic sensitivities, and critical faculties to address greater…

  12. Art Nouveau i Skt. Petersborg

    DEFF Research Database (Denmark)

    Trier Mørch, Andreas

    2010-01-01

    Omhandler de fire smukkeste art nouveau bygninger i Skt. Petersborg. De to første: Singer bygningen og Jelisejevs Købmandsbutik har begge hentet deres inspiration fra den midt-europæiske tradition og de to sidste: Vitebsk Banegården og Revolutionsmuseet er hybrider mellem denne og den skandinaviske...... - eller rettere finske - art nouveau....

  13. Arts Accessibility for the Deaf.

    Science.gov (United States)

    Bergman, Eugene

    The booklet provides information and resources for cultural organizations and institutions interested in making the arts accessible to deaf citizens. Preliminary information includes a discussion of deafness in America and the deaf in the history of the arts and notes that the era of silent films was the golden age of cinema. Listed are 36…

  14. Ideas for Teaching Art Appreciation.

    Science.gov (United States)

    Gitter, Lena

    1983-01-01

    Examples are given of ways in which elementary teachers can develop art appreciation among their learning disabled students. Activities described are based on techniques of M. Montessori and involve labeling pictures, building an art appreciation vocabulary, and going on a museum trip. (CL)

  15. Sustainability in Modern Art Museums

    DEFF Research Database (Denmark)

    Campolmi, Irene

    2013-01-01

    The paper analyzes the concept of sustainability in European governmental museum policies. It takes into consideration great modern art museums, particularly Tate Modern. On the one hand, the issue of sustainability is linked to art museums inasmuch these institutions operate for the sustainable...

  16. Safety Precautions in Fiber Arts.

    Science.gov (United States)

    Hamilton, Marcia

    1979-01-01

    The author discusses the potential hazards of working with fibers, dyes, and wax in textile art projects: bacteria, dust, poisons, allergies, and fumes. Safety precautions for working with dyes are listed. This article is one of seven in this issue on fiber arts. (SJL)

  17. Rock Art in Kurdistan Iran

    Directory of Open Access Journals (Sweden)

    Jamal Lahafian

    2013-12-01

    Full Text Available Kurdistan, with great potential and prehistoric resources, has numerous petroglyphs in different areas of the province. During the last 14 years of extensive field study, more than 30 sites of rock art have been identified and introduced by the author. In this article, we summarize these rock art areas in Iranian Kurdistan.

  18. Rock Art in Kurdistan Iran

    OpenAIRE

    Jamal Lahafian

    2013-01-01

    Kurdistan, with great potential and prehistoric resources, has numerous petroglyphs in different areas of the province. During the last 14 years of extensive field study, more than 30 sites of rock art have been identified and introduced by the author. In this article, we summarize these rock art areas in Iranian Kurdistan.

  19. Teachers, Arts Practice and Pedagogy

    Science.gov (United States)

    Franks, Anton; Thomson, Pat; Hall, Chris; Jones, Ken

    2014-01-01

    What are possible overlaps between arts practice and school pedagogy? How is teacher subjectivity and pedagogy affected when teachers engage with arts practice, in particular, theatre practices? We draw on research conducted into the Learning Performance Network (LPN), a project that involved school teachers working with the Royal Shakespeare…

  20. Telenovelas as Art Curriculum Content

    Science.gov (United States)

    Christopoulou, Martha

    2010-01-01

    In February and March 2007, the author investigated the possibilities of visual culture art education in two Greek Primary schools in Athens with students in Grades 5 and 6. One of her goals was to determine whether or not the telenovela genre was appropriate as curriculum content in primary art education. She chose telenovelas because they are a…

  1. Transforming Education through the Arts

    Science.gov (United States)

    Caldwell, Brian; Vaughan, Tanya

    2011-01-01

    This timely book takes up the challenge of maintaining programs in the arts in the face of unrelenting pressure from two directions; the increasing focus on literacy and numeracy in schools, teamed with the cut-backs in public funding that often affect the arts most severely. Drawing on the wealth of evidence already available on the impact of the…

  2. Technology Education and the Arts

    Science.gov (United States)

    Roman, Harry T.

    2009-01-01

    One hears quite frequently how the arts continually suffer in the academic day. Many long-time technology education champions certainly know what this is all about; but there may be some ways to use technology education to bring the arts into the classroom. This article offers a series of activities and suggestions that will help students better…

  3. Hip-Hop Pop Art

    Science.gov (United States)

    Talley, Clarence, Sr.

    2011-01-01

    Art has a way of helping students better understand and appreciate the world around them, particularly the things that are most important to them. Hip hop is one of those generational genres that capture the attention of young students like few other things do. Drawing on this genre to get students to create art is an excellent way to demonstrate…

  4. Using Scrap Slides for Art.

    Science.gov (United States)

    Hanlon, Heather

    1979-01-01

    Using scrap slides for an art lesson can be an exciting, creative experience for people of all ages, and many techniques are applicable in both primary and secondary grades. Scrap slides are an inexpensive means to unique, original, and stimulating discoveries about film as an art form. (Author)

  5. Visual and Performing Arts 101

    Science.gov (United States)

    Coombes, Esther

    2009-01-01

    For most students, classes in the arts are more than just a means of gathering credits, they are about getting involved in what the students like, at least for a period. They feel that the classes are a healthy escape, a time to recuperate and do what they do well. In the art classrooms, music studios, and video labs, students feel they are part…

  6. The Paradox of Painful Art

    Science.gov (United States)

    Smuts, Aaron

    2007-01-01

    Many of the most popular genres of narrative art are designed to elicit negative emotions: emotions that are experienced as painful or involving some degree of pain, which people generally avoid in their daily lives. Traditionally, the question of why people seek out such experiences of painful art has been presented as the paradox of tragedy, and…

  7. Art Curriculum that Works: Sandpainting

    Science.gov (United States)

    Healy, John W.

    2005-01-01

    Sandpainting is very much a part of the heritage and culture of the Navajo Indians of the American southwest. To separate the Navajo from their art is like trying to separate them from their land. One of the most unique art forms from the American southwest region is sandpainting. This column describes how to introduce sandpainting into the…

  8. Figurative Language Represented in Art

    Science.gov (United States)

    Wallach, Michele

    2009-01-01

    In the test-driven society in which teachers teach, many art teachers are encouraged to create interdisciplinary units that fuse art with reading and writing. In this article, the author presents a unit which fosters appreciation of Sandra Cisneros' writing and encourages students to portray her words in their own three-dimensional designs.…

  9. Media Arts: A Shifting Paradigm?

    Science.gov (United States)

    McGuire, Andrew

    2012-01-01

    The chairs of four arts education professional organizations--Jane Bonbright of the National Dance Education Organization, Michael Butera of the National Association for Music Education, Lynne Kingsley of the American Alliance for Theatre and Education, and Deborah Reeve of the National Art Education Association--were individually interviewed for…

  10. Chinese Sculpture as Public Art

    Institute of Scientific and Technical Information of China (English)

    YinShuangxi

    2003-01-01

    Chinese arts have undergone tremendous changes thanks to the fast-growing modernization and urbanization process in China. One of the monumental changes is the emergence of “public art”, most notably, urban sculpture. This art is increasingly related to modern urban planning, architecture, and community building.

  11. Masterwork Art Lesson: Kandinsky Watercolors.

    Science.gov (United States)

    LiPira, Michael

    2003-01-01

    Presents an art lesson used with sixth-grade students which also can be used with other grade levels. Explains that the artwork of Wassily Kandinsky served as inspiration for this lesson. Explains that the students learned about abstract art and used watercolors to create their own paintings in the style of Kandinsky. (CMK)

  12. The Effects of Art History-Enriched Art Therapy on Anxiety, Time on Task, and Art Product Quality.

    Science.gov (United States)

    Miller, Carol L.

    1993-01-01

    Investigated effects of art history enrichment of art therapy task on anxiety, time on task, and art product quality among 13 chronic adult psychiatric day hospital patients. Results indicated art history enrichment task reduced anxiety and increased time on task. Art organization level tended toward significant increase compared with control…

  13. Playware Explorations in Robot Art

    DEFF Research Database (Denmark)

    Lund, Henrik Hautop; Pagliarini, Luigi

    2013-01-01

    We describe the upcoming art field termed robot art. Describing our group contribution to the world of robot art, a brief excursion on the importance of the underlying principles, of the context, of the message and its semiotic is also provided, case by case, together with few hints on the recent...... history of such a discipline, under the light of an artistic perspective. Therefore, the aim of the paper is to try to summarize the main characteristics that might classify ro-bot art as a unique and innovative discipline, and to track down some of the principles by which a robotic artifact can...... be considered - or not - an art piece, in terms of social, cultural and strictly artistic interest....

  14. Art therapy in cancer fight

    Directory of Open Access Journals (Sweden)

    Érica Rodrigues D'Alencar

    2014-01-01

    Full Text Available Art therapy is the therapeutic use of artistic activity in the context of the professional relationship with people affected by disease, injury or by seeking personal development. This study aims to report the experience of art therapy activities with a group of patients and their caregivers in a university hospital. This is an experience report, in Fortaleza - CE, during September 2010 to February 2011. In the meetings, participated 49 people, who performed activities, using the methods of art therapy, like painting, cutting, drawing, collage, creative visualization and color therapy. In the assessments, after the groups, the participants demonstrated the effects of art therapy, which described that the intervention allowed speak from the process of facing life to cancer fight. It is concluded that the techniques of art therapy provided self-knowledge, self-esteem and redemption sense of well-being with relaxation, and promote happiness and reduce stress.

  15. El arte en los EEUU

    Directory of Open Access Journals (Sweden)

    Serrano de Haro, Amparo

    2000-01-01

    Full Text Available Not available

    Este artículo presenta un rápido recorrido por el arte americano del siglo XX; se insistirá sobre los principales movimientos pictóricos: naturalismo, impresionismo, realismo urbano, expresionismo-abstracto, pop, minimalismo, y demás movimientos actuales. También se pretende apuntar la formación de la cultura norteamericana y su relación con la evolución del arte moderno. Factores como la lucha entre figuración y abstracción son resaltados. El artículo se cierra con un pronóstico sobre el futuro del arte.

  16. Art, dance, and music therapy.

    Science.gov (United States)

    Pratt, Rosalie Rebollo

    2004-11-01

    Art, dance, and music therapy are a significant part of complementary medicine in the twenty-first century. These creative arts therapies contribute to all areas of health care and are present in treatments for most psychologic and physiologic illnesses. Although the current body of solid research is small compared with that of more traditional medical specialties, the arts therapies are now validating their research through more controlled experimental and descriptive studies. The arts therapies also contribute significantly to the humanization and comfort of modern health care institutions by relieving stress, anxiety, and pain of patients and caregivers. Arts therapies will greatly expand their role in the health care practices of this country in the twenty-first century. PMID:15458755

  17. Defining Learning Objectives

    Institute of Scientific and Technical Information of China (English)

    霍鑫红

    2014-01-01

    <正>This article attempts to introduce the teacher to developments in the area of specifying learning objectives.When you have studied this article carefully,you should be able to(a)distinguish between statements of aims and statements of objectives,(b)discuss the merits of writing objectives from the point of view of the learner,and(c)write both complete and abbreviated statements of learning objectives for different language skills,functions,and notions.

  18. DIFFUSION BACKGROUND MODEL FOR MOVING OBJECTS DETECTION

    Directory of Open Access Journals (Sweden)

    B. V. Vishnyakov

    2015-05-01

    Full Text Available In this paper, we propose a new approach for moving objects detection in video surveillance systems. It is based on construction of the regression diffusion maps for the image sequence. This approach is completely different from the state of the art approaches. We show that the motion analysis method, based on diffusion maps, allows objects that move with different speed or even stop for a short while to be uniformly detected. We show that proposed model is comparable to the most popular modern background models. We also show several ways of speeding up diffusion maps algorithm itself.

  19. Approaches of Buried Object Detection Technology

    Directory of Open Access Journals (Sweden)

    Nagashree R N

    2014-03-01

    Full Text Available This paper describes the different art of buried object detection technology and algorithms. This detection of buried object finds application in many areas, importantly in the Landmine detection which is of growing concern due to the danger of buried landmines to people’s lives, economic growth and development. This paper describes and analyzes different technology available. The approaches discussed are Electrical Impedance Tomography, X-ray backscatter, Infrared Systems, Acoustics/seismic systems; Neutron based Method and finally Ground-Penetrating Radar with two commonly available approaches: Least squares and SVD approach. Finally, the paper concludes highlighting the need to improve the way this information is processed and compared.

  20. Objects in Motion

    Science.gov (United States)

    Damonte, Kathleen

    2004-01-01

    One thing scientists study is how objects move. A famous scientist named Sir Isaac Newton (1642-1727) spent a lot of time observing objects in motion and came up with three laws that describe how things move. This explanation only deals with the first of his three laws of motion. Newton's First Law of Motion says that moving objects will continue…

  1. Learning Objects and Gerontology

    Science.gov (United States)

    Weinreich, Donna M.; Tompkins, Catherine J.

    2006-01-01

    Virtual AGE (vAGE) is an asynchronous educational environment that utilizes learning objects focused on gerontology and a learning anytime/anywhere philosophy. This paper discusses the benefits of asynchronous instruction and the process of creating learning objects. Learning objects are "small, reusable chunks of instructional media" Wiley…

  2. Birth of the Object: Detection of Objectness and Extraction of Object Shape through Object Action Complexes

    DEFF Research Database (Denmark)

    Kraft, Dirk; Pugeault, Nicolas; Baseski, Emre;

    2008-01-01

    We describe a process in which the segmentation of objects as well as the extraction of the object shape becomes realized through active exploration of a robot vision system. In the exploration process, two behavioral modules that link robot actions to the visual and haptic perception of objects...

  3. The Language of Objection

    Science.gov (United States)

    Duffy, Francis M.

    2010-01-01

    Whenever the author talks to audiences about transforming school systems, without exception people raise objections. The half dozen most common objections often come in the form of "Yes, nice idea but..." What follows the "but" is the objection. The author learned a technique for responding to these "buts" from family members who work in sales.…

  4. Ownership and Object History

    Science.gov (United States)

    Friedman, Ori; Neary, Karen R.; Defeyter, Margaret A.; Malcolm, Sarah L.

    2011-01-01

    Appropriate behavior in relation to an object often requires judging whether it is owned and, if so, by whom. The authors propose accounts of how people make these judgments. Our central claim is that both judgments often involve making inferences about object history. In judging whether objects are owned, people may assume that artifacts (e.g.,…

  5. Survivability via Control Objectives

    Energy Technology Data Exchange (ETDEWEB)

    CAMPBELL,PHILIP L.

    2000-08-11

    Control objectives open an additional front in the survivability battle. A given set of control objectives is valuable if it represents good practices, it is complete (it covers all the necessary areas), and it is auditable. CobiT and BS 7799 are two examples of control objective sets.

  6. Designing an e-Learning Objects Brokerage System

    NARCIS (Netherlands)

    Avgeriou, P.; Michael, L.; Stavrou, I.; Retalis, S.

    2003-01-01

    E-Learning Objects Brokerage Systems are considered as the state-of-the-art in systems that facilitate the exchange of learning objects. These systems currently exist and operate at a limited scale but their use is vastly increasing, especially in multi-party educational organizations, such as virtu

  7. 77 FR 31909 - Culturally Significant Objects Imported for Exhibition

    Science.gov (United States)

    2012-05-30

    ... Culturally Significant Objects Imported for Exhibition Determinations: ``50th Anniversary Remembrance of the..., 2003), I hereby determine that the object to be included in the exhibition ``50th Anniversary Remembrance of the Tragedy at Orly,'' imported from abroad by the High Museum of Art for temporary...

  8. A new approach for discrimination of objects on hyperspectral images

    DEFF Research Database (Denmark)

    Kucheryavskiy, Sergey

    2013-01-01

    A new approach for discrimination of objects on hyperspectral images, which combines state-of-art image processing methods and multivariate image analysis, is proposed. The basic idea of the approach is to build a joint principal component space for all objects' pixels, detect patterns, pixels from...

  9. 75 FR 1680 - Culturally Significant Objects Imported for Exhibition Determinations: “Roman Art”

    Science.gov (United States)

    2010-01-12

    ... Culturally Significant Objects Imported for Exhibition Determinations: ``Roman Art'' SUMMARY: Notice is... included in the exhibition ``Roman Art,'' imported from abroad for temporary exhibition within the United... foreign owners or custodians. I also determine that the exhibition or display of the exhibit objects...

  10. Art Unlimited? Dynamics and Paradoxes of a Globalizing Art World

    OpenAIRE

    Schultheis, Franz; Single, Erwin; Köfeler, Raphaela; Mazzurana, Thomas

    2016-01-01

    Until recently still a blank spot on the world map of art, China today occupies one of the top positions in the rankings of the global art market and has moved into the center of the speculations and the covetousness of its protagonists. But what is really happening on the spot, beyond the ethnocentric distortions of the Western viewpoint? What social representations and uses of art can be identified? A research team from the University of St. Gallen has taken up such questions in an ethno...

  11. A psycho-historical research program for the integrative science of art.

    Science.gov (United States)

    Bullot, Nicolas J; Reber, Rolf

    2013-04-01

    Critics of the target article objected to our account of art appreciators' sensitivity to art-historical contexts and functions, the relations among the modes of artistic appreciation, and the weaknesses of aesthetic science. To rebut these objections and justify our program, we argue that the current neglect of sensitivity to art-historical contexts persists as a result of a pervasive aesthetic–artistic confound; we further specify our claim that basic exposure and the design stance are necessary conditions of artistic understanding; and we explain why many experimental studies do not belong to a psycho-historical science of art.

  12. Using art as a medium in communicating astronomy

    Science.gov (United States)

    Lau, C. C.

    2008-06-01

    Batik is a delicate art that requires patience and skill. It is a process of "painting" and "drawing" a unique pattern on fabric using dye and wax. Malaysian designers usually use organic motifs such as flowers, animals, plants, shapes and geometric motifs for their Batik designs. But, in 2006, the Malaysian National Space Agency organised a Batik Art Competition "Space - My Inspiration". Participants were required to produce motifs of space science for their Batik making on the fabric (which measured 1m x 1m) and to write a summary about their Batik design. The objective of this competition was to promote space using Batik and encourage designers or the public to combine space science elements in producing Batik art. This competition had a good response and we received 106 entries from people with art backgrounds, university students, and college students to designers. These participants used backgrounds of the night sky, galaxies, nebulae, the Milky Way, the Solar System and astronauts as their Batik's motif. After this competition, a space Batik exhibition and other space Batik art activities were carried out. It showed that Batik art is an excellent educational and communication tool for astronomy. In conclusion, the Malaysian National Space Agency will carry out various types of space art activities in the future to create awareness and interest in space science among artists.

  13. Interlochen: Exemplary Education in the Arts.

    Science.gov (United States)

    Stathakis, Cathy A.; Pellegrino, Ann S.

    1991-01-01

    The arts and college preparatory academic program at the Interlochen Arts Academy (Michigan) for talented high school students is described. The academy offers intense training in creative writing, dance, music, theater, and visual arts. Also briefly described is the Interlochen Arts Camp which offers intense study in a performing or visual art.…

  14. Teaching Conversations, Contemporary Art, and Figure Drawing

    Science.gov (United States)

    Graham, Mark A.

    2012-01-01

    An important problem for high school art teachers is deciding what belongs in the art curriculum. What works of art, media, or ideas will inspire their students to more fully develop their own artistic potential and critically engage with contemporary art and culture? What artifacts of art, visual culture, or material culture should be included…

  15. Demystifying Experiential Learning in the Performing Arts

    Science.gov (United States)

    Kindelan, Nancy

    2010-01-01

    The pedagogy of performing arts courses in theatre, film, music, and dance programs found in most liberal arts curricula is clearly experiential insofar as the making of art involves active engagement in classroom activities or events that are staged or filmed. But because many educators outside the arts perceive performing arts programs as solely…

  16. Arts Fusion 2004 showcases local talents

    OpenAIRE

    Elliott, Jean

    2004-01-01

    The Virginia Tech School of the Arts (SOTA) announces Arts Fusion 2004, the inaugural weeklong celebration of the arts on campus and in the Blacksburg community, April 19-25. Arts Fusion 2004 will feature a variety of events in music, art, theater, dance, film, and poetry.

  17. Sacred and the Profane in Advertising Art.

    Science.gov (United States)

    Zuk, Bill; Dalton, Robert

    This paper examines the arguments for and against inclusion of advertising art in art education programs, and presents a case for the educational benefits of critically examining advertising art based on museum masterpieces. A search for examples of fine art masterpieces used in advertising art examined which masterpieces are commonly used in…

  18. 76 FR 3677 - Arts Advisory Panel

    Science.gov (United States)

    2011-01-20

    ... ARTS AND THE HUMANITIES National Endowment for the Arts Arts Advisory Panel Pursuant to Section 10(a)(2... meeting of the Arts Advisory Panel to the National Council on the Arts will be held at the Nancy Hanks..., discussion, evaluation, and recommendations on financial assistance under the National Foundation on the...

  19. The Landscape of the Liberal Arts

    Science.gov (United States)

    Roche, Mark W.

    2013-01-01

    This chapter provides a rationale for the value of a liberal arts education, addressing briefly the recent history of the liberal arts, explaining the value of the liberal arts in diverse educational settings as opposed to simply residential liberal arts colleges, and exploring a contemporary rationale for the liberal arts.

  20. Laruelle and Art

    Directory of Open Access Journals (Sweden)

    Alexander Galloway

    2013-05-01

    Full Text Available “With no object, no image and no focus, what are you looking at?“ James Turrell once asked. Building with François Laruelle‘s recently published Photo-Fiction, a Non-Standard Aesthetics (Univocal as well as a trove of untranslated essays, Galloway investigates the utopian thread that runs through non-standard aesthetics.

  1. Laruelle and Art

    OpenAIRE

    Alexander Galloway

    2013-01-01

    “With no object, no image and no focus, what are you looking at?“ James Turrell once asked. Building with François Laruelle‘s recently published Photo-Fiction, a Non-Standard Aesthetics (Univocal) as well as a trove of untranslated essays, Galloway investigates the utopian thread that runs through non-standard aesthetics.

  2. Into the Curriculum. Art: Whistler's Mother; Reading/Language Arts: Finding My Voice; Science: Where on My Tongue? Taste; Social Studies/Science: Volcanoes; Social Studies: Pompeii.

    Science.gov (United States)

    Reed-Mundell, Charlie

    2001-01-01

    Provides five fully developed library media activities that are designed for use with specific curriculum units in art, reading, language arts, science, and social studies. Describes library media skills, curriculum objectives, grade levels, resources, instructional roles, procedures, evaluation, and follow-up for each activity. (LRW)

  3. Spanish Language Arts. A Handbook for the Primary Teachers = Las artes del lenguaje espanol. Un manual para maestros de nivel primario.

    Science.gov (United States)

    Chicago Board of Education, IL. Dept. of Curriculum.

    A teaching guide for teachers of language arts for native Spanish-speaking primary school students in the Chicago public schools consists of four sections and appendices. Part I introduces the concepts of the language arts program, its behavioral objectives, suggestions for teachers, and notes on the characteristics of students of this age group.…

  4. Objects, materiality and meaning

    DEFF Research Database (Denmark)

    Lenau, Torben Anker; Lindegaard, Hanne

    2008-01-01

    The present research work investigates the relation between physical objects, their materiality, understood as the physical substances they are made from, and the communication from the objects. In product design of physical objects the communicative aspects are just as important as the function...... of the object, and the designers aim is therefore to tune both in order to achieve a desired goal. To do so the designer basically has 2 options: Alteration of the physical shape of the object and the selection of materials. Through the manipulation of shape and materials can symbolic and sensory information...... be written into the object. The materials are therefore carriers of communication, even though this is dependent of the cultural context and the environment which the object will be part of. However the designer has only minor influence on those....

  5. EXPRESSIONS OF INACABADO: MEETINGS BETWEEN PSYCHOANALYSIS AND ART

    Directory of Open Access Journals (Sweden)

    Camilla Baldicera Biazus

    2010-12-01

    Full Text Available The relation that involves art and psychoanalysis has been consistently worked today, but not exhausted. Considering this, this the theoretical construction has as main objective thinkingnew connections between the psychoanalytic theory and the creator making, throught a path that often is the opposite of the one that is usually followed. We chose to first investigate what the artists and researchers in the arts have to say about the creator making, and only after review this by a psychoanalytic perspective. The purpose of this action is to displace the relations between psychoanalysis and art in the field of interpretation in order to draw between these two fields of knowledge, a constructive dialogue that allows a reflection about the contemporary subjectivity - necessary matters both to the psychoanalytic as to art.

  6. The Art Documentary in the Postwar Period

    OpenAIRE

    Angela Dalle Vacche

    2014-01-01

    In the wake of the Holocaust and Hiroshima, the exploration of human creativity became central to reestablish the humanity of humankind. By closely following the art documentary, French film critic André Bazin focused on this genre in relation to painting, because the latter was the most elitist of all media. In the case of Alain Resnais’s Van Gogh (1948), Bazin used the encounter of cinema and painting as an example of symbiosis between the objects of still life and the objectifying impact o...

  7. The Art and Science of Food Garniture

    OpenAIRE

    Mwangi, Anthony

    2010-01-01

    The objective of this thesis was to examine whether food garnishing plays any role in the meal in order to justify garniture’s essence in a meal and its value in evaluating meal experience. Food garnishing art has been used for years in many food establishments. As a matter of fact it is a topic studied in culinary school. Food presentation is also a highlight of many Food TV shows, food magazines books and many culinary journals. However, the intrinsic value of garnishing and meal presentati...

  8. Astronomical Symbolism in Australian Aboriginal Rock Art

    CERN Document Server

    Norris, Ray P

    2010-01-01

    Traditional Aboriginal Australian cultures include a significant astronomical component, perpetuated through oral tradition and ceremony. This knowledge has practical navigational and calendrical functions, and sometimes extends to a deep understanding of the motion of objects in the sky. Here we explore whether this astronomical tradition is reflected in the rock art of Aboriginal Australians. We find several plausible examples of depictions of astronomical figures and symbols, and also evidence that astronomical observations were used to set out stone arrangements. However, we recognise that the case is not yet strong enough to make an unequivocal statement, and describe our plans for further research.

  9. Early object relations into new objects.

    Science.gov (United States)

    Downey, T W

    2001-01-01

    Two strands of change are suggested by this review, one maturational, the other therapeutic or developmental (Hartmann and Kris, 1945). By "maturational" I mean to suggest energies that infuse the individual from earliest life in a manner that includes object relations, but for the healthy exercise of which object relations per se need not be of central and crucial importance. Within wide limits such energies may be delayed until growth conditions prevail without significant distortion of certain of the organism's ego functions. Therapeutic change is analogous to developmental change in that both involve the crucial presence of another to release energies. In therapeutic change these are energies that have been repressed beyond the reach of developmental dynamics. In everyday development crisis and synthesis alternate in conjunction with new and emerging objects to add to the psychological structures brought to the fore by maturation. In many instances, as we see with John, over time and in a less focussed manner, developmental changes can approximate therapeutic change and visa versa. Freud-Dann in their "experiment" pursued one line, in which the equipmental delay brought on by extremely adverse living circumstances was redressed by providing an interpersonally enriching, loving, developmentally facilitating milieu. The sketches of individual children and John's subsequent story provide a perspective into what becomes the stuff of growth and what remains the stuff of neurosis. The developmental reserves and ego resilience of these children were impressive but probably not extraordinary. Usual growth ensued as soon as they were provided with the rich soil of Bulldogs Bank instead of the desert sand of the Tereszin concentration camp. However, no one can escape such adverse circumstances without having taken in the stuff of neurosis. Affects and percepts that were not assimilatable or even available to consciousness at the time remain buried in the unconscious

  10. Early object relations into new objects.

    Science.gov (United States)

    Downey, T W

    2001-01-01

    Two strands of change are suggested by this review, one maturational, the other therapeutic or developmental (Hartmann and Kris, 1945). By "maturational" I mean to suggest energies that infuse the individual from earliest life in a manner that includes object relations, but for the healthy exercise of which object relations per se need not be of central and crucial importance. Within wide limits such energies may be delayed until growth conditions prevail without significant distortion of certain of the organism's ego functions. Therapeutic change is analogous to developmental change in that both involve the crucial presence of another to release energies. In therapeutic change these are energies that have been repressed beyond the reach of developmental dynamics. In everyday development crisis and synthesis alternate in conjunction with new and emerging objects to add to the psychological structures brought to the fore by maturation. In many instances, as we see with John, over time and in a less focussed manner, developmental changes can approximate therapeutic change and visa versa. Freud-Dann in their "experiment" pursued one line, in which the equipmental delay brought on by extremely adverse living circumstances was redressed by providing an interpersonally enriching, loving, developmentally facilitating milieu. The sketches of individual children and John's subsequent story provide a perspective into what becomes the stuff of growth and what remains the stuff of neurosis. The developmental reserves and ego resilience of these children were impressive but probably not extraordinary. Usual growth ensued as soon as they were provided with the rich soil of Bulldogs Bank instead of the desert sand of the Tereszin concentration camp. However, no one can escape such adverse circumstances without having taken in the stuff of neurosis. Affects and percepts that were not assimilatable or even available to consciousness at the time remain buried in the unconscious

  11. Deconstructing the Children’s Art Pavilion

    Directory of Open Access Journals (Sweden)

    Chris Tucker

    2014-02-01

    Full Text Available This paper discusses the design, construction and eventual deconstruction of the Children’s Art Pavilion at the Newcastle Region Art Gallery in Australia. As a space for children to experiment with art, the Pavilion metaphorically engaged the verandah as a space that has historically (albeit minimally mediated the zone where inside and outside meet. Its process of deconstruction referenced the work of Gordon Matta-Clark, and was testament to how the architectural design process continues through this phase, albeit uninhibited by the need to create a functioning object. In the time leading up to its deconstruction, the Pavilion became perfectly functionless, while its form and architectural content remained critically intact. Cutting into its surface, as a continuation of the design process, framed the void. Security was replaced with instability, not just physically but emotionally. At this point, the ground became cliff, or broke against the surf, and indeterminacy destroyed the purpose of even the most elementary architectural space. The new construction immediately suggested the possibilities of another architecture. As an intriguing social and architectural experiment, undergone by a building that could have quietly been loaded into a bin within a few hours, this project illuminated the social responsibility invested within architecture.

  12. Facing sound – voicing art

    Directory of Open Access Journals (Sweden)

    Ansa Lønstrup

    2013-12-01

    Full Text Available This article is based on examples of contemporary audiovisual art with a primary focus on the Tony Oursler solo exhibition Face to Face in Aarhus Art Museum ARoS, 2012. My investigation involves a combination of qualitative interviews with visitors, observations of the audience’s interactions with the exhibition and the artwork in the museum space, and short analyses of individual works of art based on reception aesthetics, phenomenology, and newer writings on sound, voice and listening. The focus of the investigation is the quality and possible perspectives of the interaction with audiovisual works of art, articulating and sounding out their own ‘voices’. This methodological combination has been chosen to transgress the dichotomy between the aesthetic or hermeneutic artwork ‘text’ analysis and cultural theory, which focuses on the context understood as the framing, the cultural acts and agendas around the aesthetic ‘text’. The article will include experiences with another exhibition, David Lynch: The Air is on Fire (Fondation Cartier pour l’art contemporain, Paris, 2007 and Kunstforeningen Gl. Strand, Copenhagen, 2010- 2011. The two exhibitions are fundamentally different in their integration of sound. My field of interest concerns the exploration of sound as artistic material in audiovisual combinations and those audiovisual works of art that might cause a change in the participatory strategy of the art museum towards the audience.

  13. The Dynamics of Visual Art Dialogues: Experiences to Be Used in Hospital Settings with Visual Art Enrichment

    Directory of Open Access Journals (Sweden)

    Britt-Maj Wikström

    2011-01-01

    Full Text Available Objectives. Given that hospitals have environmental enrichment with paintings and visual art arrangement, it would be meaningful to develop and document how hospital art could be used by health professionals. Methods. The study was undertaken at an art site in Sweden. During 1-hour sessions, participants (=20 get together in an art gallery every second week five times. Results. According to the participants a new value was perceived. From qualitative analyses, three themes appear: raise association, mentally present, and door-opener. In addition 72% of the participants reported makes me happy and gives energy and inspiration, and 52% reported that dialogues increase inspiration, make you involved, and stimulate curiosity. Conclusion. The present study supported the view that visual art dialogue could be used by health care professionals in a structured manner and that meaningful art stimulation, related to a person’s experiences, could be of importance for the patients. Implementing art dialogues in hospital settings could be a fruitful working tool for nurses, a complementary manner of patient communication.

  14. Some Aspects of Art Nouveau in Arts and Letters.

    Science.gov (United States)

    Vajda, Gyorgy M.

    1980-01-01

    Examines the background to and the stylistic characteristics of the Art Nouveau movement in its literary and artistic manifestations, emphasizing its nature as a synthesis of various contemporary, artistic, and intellectual trends. (SJL)

  15. JEWELRY AS AN OBJECT OF AESTHETIC

    Directory of Open Access Journals (Sweden)

    Alaybey KAROĞLU

    2014-08-01

    Full Text Available It is important to consider the jewelry as an aesthetic object and within the frame of the meaning given to aesthetic object concept from the beginning until today. First of all, jewelry which has the qualification of having a weight, being held and seen is a tangible presence. Since the jewelry which is a plain tangible presence has been comprehended by the subject with an attitude of liking and admiring, the jewelry is no longer a plain information object and turns into an aesthetic object. Archeological and anthropological researches showed that first examples of art are related to body decoration. This study is handled under “jewelry as an aesthetical object” and the subject is evaluated with an analytic approach.

  16. ART STAGE SINGAPORE THE NEW DESTINATION FOR THE ART WORLD

    Institute of Scientific and Technical Information of China (English)

    2010-01-01

    ASlA’S NEW INTERNATIONAL TOP CONTEMPORARY ART FAIR Art Stage Singapore supports and protects the interests of Asian galleries by elevating them to a level of international importance in order to help propel them as strong and competitive players in the global market. Therefore,the heart of the fair is made up of the best and most exciting of Asia’s artistic creativity,showcasing Asia’s most important

  17. LANGUAGE AS ART, ART AS LANGUAGE: TERMINOLOGICAL AND CONCEPTUAL TRANSFERS

    Directory of Open Access Journals (Sweden)

    Vladimir V. Feshchenko

    2016-01-01

    Full Text Available The article analyzes terminological complexes where the concepts of “language” and “art” act as components and thus convey particular ideas of language (“visions of language” in terms of art, and, vice versa, visions of art in terms of language. We address a number of contexts from the history of linguistics and aesthetics, where the concepts of “language” and “art” act as operators in various combinations according to particular conceptions. In Antiquity and the Middle Ages, language did not relate to categories of art, apart from the contexts of the art of eloquency (rhetorics; the concepts of techne and ars had only to do with grammatical art. The idea of creativity, expressed in the concepts of poiesis and creatio, for its part, did not go beyond the theory of literary genres (lyric, drama, epic and in Medieval aethetics beyond theological visions of divine creation. The concept of language began to play an active part starting from German Romanticism, which introduced the formula Sprache der Kunst. Later on in literature studies, this expression transformed into the idea of “language as creativity” and “language as art” (in Neohumboldtianism and, in Avant-Garde poetics, language became the carrier of synesthesia. The formalist notion of “poetic language”, being itself an offspring of avant-garde literary experiments, underwent a transfer to the field of arts and transformed into semiotical notions of “languages of art” and “art as language”. Finally, the linguistic turn of the early 20th century provided for the tranfer of “language-art” terminological complex into the area of artistic activism. Conceptual art based its principles on language games and linguistic premises. 

  18. Visual art and visual perception

    OpenAIRE

    Koenderink, Jan J.

    2015-01-01

    Visual art and visual perception ‘Visual art’ has become a minor cul-de-sac orthogonal to THE ART of the museum directors and billionaire collectors. THE ART is conceptual, instead of visual. Among its cherished items are the tins of artist’s shit (Piero Manzoni, 1961, Merda d’Artista) “worth their weight in gold”. I perceive a metabletic (van den Berg, 1956) parallel to philosophy transforming itself into speculative logic games, and psychology going cognitive by freeing itself from phenomen...

  19. From trash to art

    OpenAIRE

    Požar, Matjaž

    2015-01-01

    The time in which we live is marked by environmental problems and massive amounts of waste, which is increasing day by day. Plastics packaging, plastic cutlery, cans ... objects that serve only for single use. Some of this waste is recycled, but still not enough. In recent years, awareness of the problem of waste is increasing, because in some countries, people are literally drowning in them. A major problem are those, who ignore warnings and instructions regarding the disposal and recycling ...

  20. Scientists and artists: ""Hey! You got art in my science! You got science on my art

    Energy Technology Data Exchange (ETDEWEB)

    Elfman, Mary E [Los Alamos National Laboratory; Hayes, Birchard P [Los Alamos National Laboratory; Michel, Kelly D [Los Alamos National Laboratory; Boyer, Brian D [Los Alamos National Laboratory

    2010-01-01

    The pairing of science and art has proven to be a powerful combination since the Renaissance. The combination of these two seemingly disparate disciplines ensured that even complex scientific theories could be explored and effectively communicated to both the subject matter expert and the layman. In modern times, science and art have frequently been considered disjoint, with objectives, philosophies, and perspectives often in direct opposition to each other. However, given the technological advances in computer science and high fidelity 3-D graphics development tools, this marriage of art and science is once again logically complimentary. Art, in the form of computer graphics and animation created on supercomputers, has already proven to be a powerful tool for improving scientific research and providing insight into nuclear phenomena. This paper discusses the power of pairing artists with scientists and engineers in order to pursue the possibilities of a widely accessible lightweight, interactive approach. We will use a discussion of photo-realism versus stylization to illuminate the expected beneficial outcome of such collaborations and the societal advantages gained by a non-traditional pa11nering of these two fields.