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Sample records for art historiography number

  1. From folk art to fine art: changing paradigms in the historiography of Maithil

    Directory of Open Access Journals (Sweden)

    Neel Rekha

    2010-06-01

    Full Text Available The paper is a brief survey of the historiography of Maithil painting after independence. Tracing the roots of current perceptions of Maithil art to the 1949 article of W.G. Archer, the paper demonstrates how his interpretations were articulated by Maithil and non-Maithil scholars and promoters of Maithil art to project a regional, caste-based and national identity. It also looks at the ways in which Maithil art got misinterpreted with the arrival of western scholars in Mithila. The paper reviews the recent shifts in the historiography of Maithil painting by examining the emergence of Harijan Madhubani art. It examines how the legacy of colonial interpretations, romanticization of past history and debates on innovation and tradition, have changed the trajectories of the historiography of Maithil painting in the past few decades.

  2. Creative arts linkages, historiography: means to global aesthetics ...

    African Journals Online (AJOL)

    This paper surveys linkages and historiography in creative arts and globalization. The appreciation and possession of other nations' creative art objects/artifacts links different cultures and nations together as they share common aesthetic experiences, history and knowledge which was unique to a particular nation.

  3. ARCHITECTURE IN EFFECT: A Glance at Critical Historiography

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    Navid Gohardani

    2014-03-01

    Full Text Available Historiography marks a relatively unexplored research domain in architecture. Despite the obscure nature of this subject matter, architectural historiography equally illuminates a hidden pathway to the historical interaction of architecture with art or literature. Critical historiography adds another dimension to this emerging research topic that further encapsulates multiple levels of criticism. In recognition of a growing interest for historiography, it can be argued that the critical aspects of historiography may serve as crucial instruments for an enhanced understanding of architectural historiography. In this article, the realm of architectural historiography is investigated through a multidisciplinary perspective that revisits architectural criticism, critical historiography, modern architecture, phenomenology, and a number of aspects of architectural historiography in the Swedish Million Homes Program.

  4. Exorcising the demons of collectivism in art history’: Branko Mitrović, Rage and Denials. Collectivist Philosophy, Politics, and Art Historiography, 1890-1947, University Park, Pennsylvania University Press 2015

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    Ladislav Kesner

    2016-12-01

    Full Text Available Branko Mitrović´s Rage and Denials. Collectivist Philosophy, Politics, and Art Historiography, 1890-1947 traces the history of collectivist approaches in (art historiography and debates between the individualist and collectivist positions, with the dominant focus on German-speaking scholarship. Author further suggests that denials and false appropriations and other forms of bizzare and irrational claims inherent in many of these collectivist historiographies originated in the failures of self-esteem regulation of their authors. The review then critically examines some problematic claims and assumptions which constitute the theoretical and conceptual backbone of the historical survey.

  5. The individual’s triumph: the eighteenth-century consolidation of authorship and art historiography

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    David Pullins

    2017-06-01

    Full Text Available The eighteenth-century consolidation of authorial identity – apparent in Salon livrets, art criticism, sales catalogs, inventories, the theoretical development of maniera, signing and hanging practices – was crucial to subsequent, nineteenth-century Romantic notions of what constituted individual authorship and to the kinds of eighteenth-century painting that were eventually written into or out of art history. Situating eighteenth-century paintings and drawings executed by multiple hands in a longue durée between workshop and court artisan practices on one hand and nineteenth-century singularity on the other, this article recovers an alternate thread of authorial identity. Having failed to find a place in art historiography as it developed in the nineteenth and twentieth centuries, these examples in fact find sympathetic counterparts in late twentieth-century theories of the author function. Reconsidering both these multi-authored works and writing about them helps to clarify the historical specificity with which we conceive of the relationship between object and maker.

  6. História e iconologia: conteúdo nas artes visuais / Historiography and iconology: content in the visual arts

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    Judá Leão Lobo

    2012-12-01

    Full Text Available 1024x768 Normal 0 false false false EN-US X-NONE X-NONE RESUMO Este artigo traz uma discussão acerca da importância da análise iconológica para a historiografia (política, social, jurídica. Vistas nesta perspectiva, as artes visuais contêm conexão profunda com o passado em que foram elaboradas, trazendo ao presente princípios, convenções e sentidos que a motivaram. Para ilustrar nosso argumento, tomaremos um exemplo concreto. A primeira República brasileira tinha de obter legitimidade e, particularmente, o Estado do Paraná. Era um Estado recente, desprovido de símbolos e tinha de criá-los. A análise iconológica desvela o imaginário que se construía naquele momento. PALAVRAS-CHAVE: História Política, Jurídica e Cultural; Artes; Metodologia.   ABSTRACT This article brings a discussion on the importance of the iconological analysis to the (political, social, juridical historiography. Viewed from this perspective, the visual arts contain a deep connection with the past in which they were developed, bringing to the present principles, conventions and meanings that motivated them. To illustrate our argument, we shall give a concrete example. The first Brazilian Republic had to obtain legitimacy and particularly the State of Paraná. It was recent, devoid of symbols and had to create them. The iconological analysis discloses the imaginary that one builds in that moment. KEY WORDS: Political, Juridical and Cultural History; Arts; Methodology.  

  7. ARMED CONFLICT IN CHECHNYA IN EUROPEAN (NON ENGLISH HISTORIOGRAPHY

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    Николай Николаевич Малишевский

    2016-12-01

    Full Text Available The article deals with the problems of historiography of the armed conflict in the Chechen Republic. The activephase of themilitary operationsofthe armed conflictin Chechnyawas completedin2001. At that timehistorians, analysts andjournalists created awide range of theoretical worksconcerningthe conflict.Inthese publications there were discussed a number of commonfeaturesofthe use ofbasicresources. The degree ofaccessibilityof the sourceswhichfocus onthe descriptionof the conflictand itssocio-political assessment is of great importance for researchersand their objectives. The author analyzes Western (European historiography of the armed conflict in the Chechen Republic. It considers the publications and specialized monographs of European (French, German and Polish authors on the subjects under research. There areput forward the ideas of the consequences of the armed conflict in the Chechen Republic, articulated in the works of European researchers.For the first time within the study of the Western historiography of the war in Chechnya the author analyzes the main blocks of the supposed and factual consequences of the conflict for both the Russian and Chechen sides. The European historiography, dedicated tothe armed conflictin Chechnya, is just being developedand thestate ofitsdocumentarycomplexis characterized bya number ofqualitative changes.

  8. Armed Conflict in the Chechen Republic in the French Historiography

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    Nikolay N. Malishevskiy

    2017-03-01

    Full Text Available The article deals with the problems of historiography of the armed conflict in the Chechen Republic. The active phase of the military operations of the armed conflict in Chechnya was completed in 2001. At that time, historians, analysts and journalists created a wide range of theoretical works concerning the conflict. A number of common features on the use of basic resources are discussed in these publications. The degree of accessibility of the sources which focus on the description of the conflict and its socio-political assessment is of great importance for researchers and their objectives. The author analyzes the European (French historiography of the armed conflict in the Chechen Republic, considers publications and specialized monographs by French authors on the given subject. The author reveals the ideas about the consequences of the armed conflict in the Chechen Republic, articulated in the works of the European researchers. For the first time within the study of the Western historiography of the war in Chechnya the author analyzes these consequences for both the Russian and Chechen sides. Being one of the most influential historical traditions, French historiography dedicated to the armed conflict in Chechnya is in the stage of development and is characterized by a number of qualitative changes and conceptual approaches.

  9. Fighting words: Four new document finds reignite old debates in Taijiquan historiography

    OpenAIRE

    Wile, Douglas

    2017-01-01

    Martial arts historiography has been at the center of China’s culture wars and a cause célèbre between traditionalists and modernizers for the better part of a century. Nowhere are the stakes higher than with the iconic art of taijiquan, where, based on a handful of documents in the Chen, Wu, and Yang lineages, traditionalists have mythologized the origins of taijiquan, claiming the Daoist immortal Zhang Sanfeng as progenitor, while modernizers won official government approval by tracing th...

  10. Picturing Pollock: Photography’s Challenge to the Historiography of Abstract Expressionism

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    Peter R. Kalb

    2012-12-01

    Full Text Available In the summer and fall of 1950, photographers Rudy Burckhardt and Hans Namuth documented Jackson Pollock in his studio as he was creating what have become his iconic Abstract Expressionist paintings. The photographs quickly dominated the critical discourse of the new painting and initiated a crisis in the historiography of Abstract Expressionism. This paper argues that despite being produced to serve an illustrative role for the Art News series ‘An Artists Paints a Picture’, Burckhardt and Namuth’s photographs of Pollock provide a glimpse of the analytic complexity photography offered art criticism.

  11. Josephus' Antiquities 1-11 and Greco-Roman Historiography

    DEFF Research Database (Denmark)

    Friis, Martin

    The dissertation Josephus’ Antiquities 1-11 and Greco-Roman historiography provides an extensive study in five chapters of the various ways in which Josephus presents himself as an historian in the first eleven books of the Antiquities. From this analysis, it emerges that his manner of self......-portrayal is closely comparable with that of a number of Greco-Roman historians....

  12. Some problems of writing historiography in Southern Africa

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    S. Gray

    1989-05-01

    Full Text Available In this article, the author has come to the conclusion that the established literary definitions no longer serve to define the nature of the South African literary system, and that current literary criteria are no longer functional in determining the merit of a South African literary text. Not only do the traditional categories of Afrikaans, White English, and Black English texts have to be reconsidered, but the concept of the “true” South African writer has to be revaluated. Historiography, therefore, is not a science that demands rigid adherence to fixed categories or rules, but an art that needs to address the structural imbalance that plagues our literary system today.

  13. When Historiography Met Epistemology

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    Jean-François Stoffel

    2017-06-01

    Full Text Available Review of Bordoni, Stefano. When historiography met epistemology: Sophisticated histories and philosophies of science in French-speaking countries in the second half of the nineteenth century. Reviewed by Jean-François Stoffel.

  14. Taiwanese Historiography

    OpenAIRE

    Morier-Genoud, Damien

    2011-01-01

    Historical studies of Taiwan have been moulded by schools of thought of diverse origins that support divergent and opposing readings of the island’s past. The 1990s and the 2000s have seen the emergence of a new scientific history of Taiwan, freed from the patterns of nationalist Chinese historiography. This article focuses on the conditions of elaboration and modalities of writing of this history. It examines in more detail the critical thought and recent work of two Taiwanese historians who...

  15. Origins of the historiography of modern Greek science.

    Science.gov (United States)

    Patiniotis, Manolis

    2008-01-01

    The purpose of the paper is to examine how Greek historians account for the presence of modern scientific ideas in the intellectual environment of eighteenth-century Greek-speaking society. It will also discuss the function of the history of modern Greek science in the context of Greek national historiography. As will be shown, the history of modem Greek science spent most of its life under the shadow of the history of ideas. Despite its seemingly secondary role, however, it occupied a distinctive place within national historiography because it formed the ground upon which different perceptions of the country's European identity converged. In this respect, one of the main goals of this paper is to outline the particular ideological presumptions, which shaped the historiography of modern Greek science under different historical circumstances. At the end an attempt will be made to articulate a viewpoint more in tandem with the recent methodological developments in the history of science.

  16. The role of pedagogical historiography in forming pedagogical knowledge

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    Vujisić-Živković Nataša

    2008-01-01

    Full Text Available This paper discuses the role of pedagogical historiography in forming pedagogical knowledge, both from the aspect of history and from the aspect of the present status of this discipline. Our aim is to observe the problems of pedagogical historiography, as a scientific and teaching discipline, in the context of forming of pedagogical knowledge. The process of transformation of heuristic function of the history of pedagogy is analyzed - from the traditional approach which emphasizes its role in forming pedagogical culture to the orientation of historical research and education in pedagogy towards theoretical and professional knowledge. The development of history of pedagogy as a scientific discipline is mostly observed through three phases: the first, focused on research of the development of pedagogical ideas and/or school system, lasted until the 1960s, when it was replaced by social history of education, while today it is mostly spoken about the 'cultural history of education'. The evolution of pedagogical historiography is also followed by the changes in its relation towards theory and practice of education, which is especially dealt with in this paper. In the conditions of radical changes in epistemology of social sciences and university reform, pedagogical historiography faces the question of its own relevance.

  17. Wherefore Art Thou? On the History, State and Prospects of Czech Epigraphy

    Czech Academy of Sciences Publication Activity Database

    Roháček, Jiří

    -, č. 54 (2016), s. 151-157 ISSN 0081-7147 Institutional support: RVO:68378033 Keywords : epigraphy * historiography * sepulchral monuments * methodology * Czech Republic Subject RIV: AL - Art, Architecture, Cultural Heritage

  18. The Historian Encounters Film: A Historiography.

    Science.gov (United States)

    Toplin, Robert Brent; Eudy, Jason

    2002-01-01

    Provides a historiography of the articles and books that focuses upon studying history through film. Reviews topics such as: censorship, the film industry's use and interpretations of history in films, and the lack of material on documentaries in the scholarship. (CMK)

  19. Instructional Manuals of Boundary-Work : Psychology textbooks, student subjectivities, and disciplinary historiographies

    NARCIS (Netherlands)

    Flis, I.

    2016-01-01

    This article aims to provide an overview of the historiography of psychology textbooks. In the overview, I identify and describe in detail two strands of writing histories of introductory textbooks of psychology and juxtapose them to provide an integrated historiography of textbooks in psychology.

  20. Historiography in Graduate Technology Teacher Education

    Science.gov (United States)

    Flowers, Jim; Hunt, Brian

    2012-01-01

    A proposal is made suggesting the inclusion of historiography (i.e., historical research and the writing of history) into graduate technology teacher education. In particular, a strategy is forwarded to have graduate students in technology teacher education, who are working at schools in different locations, conduct historical research and write…

  1. It's Nolan Ryan: A Historiography Teaching Technique.

    Science.gov (United States)

    Mackey, Thomas

    1991-01-01

    Presents a plan for teaching historiography through analysis of baseball cards. Explains that students can learn about society, culture, discrimination, and inference. Reports that the lesson increased student interest, motivation, and sensitivity to the importance of historical sources. (DK)

  2. The Discoveries and Achievements of Modern Historiography of the Don Cossacks in the Second Half of the XIX Century

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    Oleg E. Chuikov

    2016-09-01

    Full Text Available The article examines the current historiography of the Don Cossacks in the second half of the XIX century, there is described the traditional and the alternative concepts advanced by historians after 2000 year. The article analyses the main studies on this chronological period, their advantages and disadvantages. It is shown that many of the events and reforms are not sufficiently understood so far. The authors note that the increase in the number of specialists on Don history of 1860–1890 should be considered the major trend in the development of modern historiography of this period, and it is hoped that the range of the studied issues will only expand in the future, and the level and number of publications revealing new facts and offering new concepts will continue to grow.

  3. Historical Research in Music Education and the Historiography of Kant, Spengler, and Foucault

    Science.gov (United States)

    Heller, George N.

    2003-01-01

    This essay examines historical research in music education in connection with historiography and the writing of history, using the works of three exemplary writers recently reviewed in book-length studies. Immanuel Kant (1724-1804) representing classic, enlightenment philosophy as it pertains to historiography was primarily a philosopher who wrote…

  4. The "Crane Problem" in Journalism Historiography.

    Science.gov (United States)

    Marmarelli, Ron

    Attempting to correct and amplify the portrayal of Stephen Crane in journalism history, this paper provides an analysis of relevant works in journalism and other disciplines in order to point out the weaknesses in the journalism historiography and to show how they apparently came about. Evidence is presented from the literature of journalism,…

  5. The Mythology of Schooling: The Historiography of American and European Education in Comparative Perspective

    Science.gov (United States)

    Kelly, Matthew Gardner

    2014-01-01

    This essay explores the historiography of American and European education, considering how educational historians communicate powerful messages about the purposes and promises of schooling through their writing. I divide the historiography of American education into four interpretive traditions: traditionalism, radical revisionism, progressive…

  6. Postmodernism and the humanities: The case of historiography

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    Nikolić Kosta

    2013-01-01

    Full Text Available Postmodernism, as a specific ideal orientation, typical of the last three decades of 20th century, reached historiography with certain delay. Particularly with the thesis of impossibility to know the past, postmodernism strongly influenced historiography as a literary form. Cognitive skepticism and denial of the scientific nature of historiography were the direct consequence of the influence of Postmodernist thinking on historical science. In traditional societies like the Serbian one, historical consciousness had been built on myths for a long time, because of the nature of the society itself, and also because many historians followed irrational ideas from its nations past. What represents a spectrum of historical science (criticism and irrational overview of the past and adequate adoption of valuable judgements confronts a mythical heritage which determined the historical consciousness. Postmodernism especially negated the neutral pretension of historiography and questioned its scientism. Elimination the need for knowledge was the key factor of the breakdown of the system of values in Serbian society in the last two decades and it was also a key factor for the advent of the phenomenon of culture and scientific regression. In a modern society, in the research of history from the earlier times, you can see an important possibility for building a general culture which would be used for a more complete overview and a more precise understanding of a world that’s become more and more complex. The modern humanist science fights emotions with common sense thus expanding a person’s freedom. Because of that, Serbian Science Community can’t accept the marketing principal in making knowledge. The scientists, especially historians, must use their acquired knowledge of the past to build an intellectual opinion that will establish a new identity for this science. The author underlines the view that the science dealing with the study of the past must

  7. INSTRUCTIONAL MANUALS OF BOUNDARY‐WORK: PSYCHOLOGY TEXTBOOKS, STUDENT SUBJECTIVITIES, AND DISCIPLINARY HISTORIOGRAPHIES

    Science.gov (United States)

    FLIS, IVAN

    2016-01-01

    This article aims to provide an overview of the historiography of psychology textbooks. In the overview, I identify and describe in detail two strands of writing histories of introductory textbooks of psychology and juxtapose them to provide an integrated historiography of textbooks in psychology. One strand is developed by teachers of psychology—first as a general approach for investigating textbooks in a pedagogical setting, and then later upgraded into a full history of psychology textbooks in America. The other strand follows a more familiar perspective of historians of science and historians of psychology who build on various post‐Kuhnian and post‐Foucauldian perspectives on textbooks. I make an argument for integrating these two views for a more comprehensive historiography of textbooks in psychology, recasting textbooks as objects of research and sources that are interesting sui generis for historians of psychology in their investigations. PMID:27152736

  8. [From 'triumphalism' to 'postcolonialism': trends in the historiography of tropical medicine].

    Science.gov (United States)

    Mertens, Myriam

    2009-01-01

    This article highlights some of the most remarkable trends in the historiography of tropical medicine. Focusing on the literature that deals with the 19th and 20th centuries, it describes how by the 1980's triumphalist, apologetic histories were replaced by critical studies that revealed the less positive sides of tropical medicine. It also talks about the increasing influence in medical historiography of the postcolonial body of thought and its dynamic perspective on colonial categories and relations. This postcolonialism turns out to be a fruitful approach, as is shown especially by recent studies that focus on the production of tropical medical knowledge. In fact, the historiography of tropical medicine increasingly contributes to the growing body of literature on science and imperialism that looks for postcolonial alternatives to the diffusionist paradigm. This concern to reject diffusionism (which views imperialism as the basis for the spread of European science to the non-western world) has been noticeable particularly in the Anglo-Saxon academic world. This article calls for the adoption of similar approaches in other historiographic traditions.

  9. INSTRUCTIONAL MANUALS OF BOUNDARY-WORK: PSYCHOLOGY TEXTBOOKS, STUDENT SUBJECTIVITIES, AND DISCIPLINARY HISTORIOGRAPHIES.

    Science.gov (United States)

    Flis, Ivan

    2016-07-01

    This article aims to provide an overview of the historiography of psychology textbooks. In the overview, I identify and describe in detail two strands of writing histories of introductory textbooks of psychology and juxtapose them to provide an integrated historiography of textbooks in psychology. One strand is developed by teachers of psychology-first as a general approach for investigating textbooks in a pedagogical setting, and then later upgraded into a full history of psychology textbooks in America. The other strand follows a more familiar perspective of historians of science and historians of psychology who build on various post-Kuhnian and post-Foucauldian perspectives on textbooks. I make an argument for integrating these two views for a more comprehensive historiography of textbooks in psychology, recasting textbooks as objects of research and sources that are interesting sui generis for historians of psychology in their investigations. © 2016 The Authors. Journal of the History of the Behavioral Sciences Published by Wiley Periodicals, Inc.

  10. Meaningful Engagements: Feminist Historiography and the Digital Humanities

    Science.gov (United States)

    Enoch, Jessica; Bessette, Jean

    2013-01-01

    Recent surveys of feminist rhetorical historiography by Royster and Kirsch, Elizabeth Tasker and Frances B. Holt-Underwood, K. J. Rawson, Kathleen J. Ryan, and Jessica Enoch reveal that very few feminist historiographers have taken up digital methodologies or engaged digital humanist conversations. Thus while digital feminist scholars have…

  11. From antiquity to Olympic revival: sports and Greek national historiography (nineteenth-twentieth centuries).

    Science.gov (United States)

    Koulouri, Christina

    2010-01-01

    This study investigates the evolution of the historiography of Greek sport from the foundation of the Greek state (1830) until 1982 and its links with Greek national history, which also took shape primarily during the nineteenth century. The gradual 'nationalisation' of sport as an element of Greek national character since antiquity corresponded to changes in perceptions of the national past reflected in historiography. The ancient Olympic Games, Byzantine contests and exercises, the competitions of the klephts and armatoloi (militia soldiers) during the Ottoman rule and the modern revival of the Olympic Games were all successively integrated in a national history of sport confirming national continuity and unity. However this particular genre of national historiography did not gain academic recognition until recently. The authors of histories of physical exercise and sport were amateurs or physical education instructors and could not ensure to their work the authority of a separate discipline.

  12. Out of Site & Out of Mind: Speculative Historiographies of Techno Trash

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    Mél Hogan

    2015-06-01

    Full Text Available Out of Site & Out of Mind: Speculative Historiographies of Techno Trash by Mel Hogan and Andrea Zeffiro. Our contribution to the “Aesthetics of Trash” introduces an online participatory storytelling project, Speculative Historiographies of Techno Trash (technotrash.org. In its current iteration, technotrash.org is a website through which we are soliciting and featuring personal written reflections on the consumption and disposal of media technologies. Our project goal is to render the material and immaterial residues generated from of our everyday media practices more visible by accentuating the ecological and ethical dilemmas posed by the production, consumption, and disposal of media technologies.

  13. Building "Applied Linguistic Historiography": Rationale, Scope, and Methods

    Science.gov (United States)

    Smith, Richard

    2016-01-01

    In this article I argue for the establishment of "Applied Linguistic Historiography" (ALH), that is, a new domain of enquiry within applied linguistics involving a rigorous, scholarly, and self-reflexive approach to historical research. Considering issues of rationale, scope, and methods in turn, I provide reasons why ALH is needed and…

  14. spirituality and contextuality 1. the historiography of spirituality

    African Journals Online (AJOL)

    The contextuality or historicity of spirituality is not self-evident. Not until modern times, in Europe, did it become more or less normal to look at spirituality from a historical perspective. It is thus not strange that the historiography of spirituality arose from the nineteenth century. In that time, the historical perspective was ...

  15. Contemporary Historiography of Social History of Stalinism in Belarus and Russia

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    Viachaslau Menkouski

    2013-01-01

    Full Text Available The article analyzes the historiographical direction "Social History of Stalinism" in the publications of Russian and Belarusian researchers. It is proposed an overview of the use of the term "Stalinism" in the Russian historiography. It compares the ratio of Marxist theory and the practice of socialism in the Soviet Union. The analysis of the Russian-language historiography of Stalinism abroad in the XX–XXI centuries draws attention to the influence of the English-language historiography on the Russian and Belarusian researchers.It explains the importance of "social history" to understand the Stalinist period of Soviet history. Having to replace the concept of totalitarianism, this area has allowed researchers to shift attention from the Soviet leadership to the broad social strata. The Stalinism methodology is studied and how it can be applied to other countries and other historical periods. This allowed a more accurate picture of the life of Soviet society and the State in the 1930–1950's.Attention is paid to the internationalization and globalization of modern historical research as one of the most important specific features. It provides examples of joint projects and publications that focus on the "ordinary people" of the Stalinist Soviet Union, their daily lives, and practice relationships between different social strata.

  16. H. Bloemsma on Groseclose and Wierich’s Internationalizing the History of American Art.

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    2010-03-01

    Full Text Available Barbara Groseclose and Jochen Wierich, eds. Internationalizing the History of American Art. Views. University Park, Pennsylvania: The Pennsylvania State University Press, 2009. 244 pp.  (Hardcover ISBN 978-0-271-03200-9 The history of pre-1945 painting and sculpture in the United States has been predominantly written by American scholars. The essays in this volume want to supplement this perceived parochialism of American art history scholarship by addressing an aspect of the historiography ...

  17. Early Career Teachers in Australia: A Critical Policy Historiography

    Science.gov (United States)

    Mockler, Nicole

    2018-01-01

    Amid the growing "teacher quality" discourse, early career teachers have increasingly been positioned as problematic in Australian education policy discourses over the past decade. This paper uses a critical policy historiography approach to compare representations of early career teachers in two key education policy documents, from the…

  18. [Romanticism in German medicine in the light of home historiography of 1802-1945].

    Science.gov (United States)

    Plonka-Syroka, B

    1998-01-01

    The German non-materialist medicine of the first half of the 19th century is presently a subject of advanced historical studies, carried out in Europe and USA. Until the mid-20th century, however, it was only the German authors who produced literature dedicated to the above-mentioned medicine. The purpose of this study is to present to the Polish reader the main trends in the German medical historiography that have been taking up the subject for 150 years. The historians of German medicine distinguished trends in the post-war period as the studies of the history of their native medical historiography developed. A Polish historian taking up the task of characterizing of the main methodological trends in German medical historiography is faced with the necessity to take position on the findings of German authors who took up the above-mentioned subject earlier. In my studies I worked mainly on the findings of the following authors: Nelly Tsouyopoulos, Urban Wiesing and Hans-Uwe Lammel. They served me as a guide to the old historical-medical literature that I managed to reach in the libraries of Dresden and Leipzig. Some of the German studies (H. Haeser, J. Petersen) were translated to Polish language and in those cases I leaned on the Polish translators. In this study I discuss the following methodological trends in historiography of German medicine of the 1st half of the 19th century: eclectic trends, philosophical trends, positivistic trends, neo-romantic trends, and social-cultural trends. I also present the analysis of theories of the most important representatives of the trends. Thanks to this I could reconstruct the process of shaping of the discussed epoch image in the light of various concepts of its description. As a result different characteristics of the epoch were grasped although the factography level they referred to was common. This study outlines also further developoment of the historiography of the discussed subject in the second half of the 20th

  19. ‘To what end? Eschatology in art historiography’

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    Jeanne-Marie Musto

    2013-12-01

    Full Text Available To study eschatology in art historical texts is to study the revelations or the resolution that mark their explicit or implied goals. It is, in this respect, to investigate a feature inherent to any story. With regard to art historiography, analysis of the goals of art might be framed in narratological terms as analysis of the fate of the protagonist. To integrate this conceptualization of the theme with the broader cultural or spiritual significance commonly attributed to art and its ends, I have borrowed the essentially theological term ‘eschatology’. More than the study of goals and resolutions internal to given texts, this term invokes their aspiration to wider cultural, or even quasi-religious, import. Considering eschatology as a structural aspect of art historical texts opens a window onto the temporal difficulty and moral weight inherent in the seemingly straightforward effort to express what art has been and where it is going.

  20. ‘Is the modernity of Chinese art comparable? An opening of a theoretical space’

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    John Clark

    2014-06-01

    Full Text Available The expansion of the art market and in some ways ‘Western’ art cultural obsession with the way modern Chinese art has entered the world since the early 1980s has overshadowed many issues critical for modern art historiography concerning both China and its place in a modern Asian art. Is Chinese modern art of one kind, and does it have a similar conceptual and empirical topology to other modernities in Asia? Can we examine how these art cultures face the same issues over time? I examine the similarity between Asian cases such as China and Thailand and indicate some of the ways in which an Asian modernity in art can be mapped that is relatively independent of Euramerican types or models.

  1. An art history of means: Arendt-Benjamin

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    Jae Emerling

    2009-12-01

    Full Text Available Transmissibility is an essential concept for any discourse on historiography and aesthetics. In fact, this concept traverses the contemporary impasse of art historical critical practice. Although explicitly associated with Walter Benjamin, the entirety of Hannah Arendt’s work on art and history is premised on transmissibility as well. It allows them to conceive a space of history from within the aesthetic, the world of artifice. This essay reads Benjamin and Arendt alongside and against one other in order to rethink art and history without resorting to eschatology or the histrionics of political theology. In creating this virtual historiography—Arendt-Benjamin—it conceives transmissibility as an aesthetic-historiographic concept that renders an openness between past and future, poiesis and aisthesis. Writing the history of art becomes the creation of a passage between what-has-been and artifice; it becomes the opening of history into life, an event of recollection.

  2. Oral Sources and Missionary Historiography in Igbo Church History ...

    African Journals Online (AJOL)

    The paper takes a look at the problems of oral sources and missionary historiography in Igbo church history, 1940-2012. Findings show that the problems of missionary and African Christian oral informants and historiographers had significant effect on Igbo church history. Primary and secondary means in the collection of ...

  3. The State of Kenyan Historiography: Its Genesis, Evolution and ...

    African Journals Online (AJOL)

    The writing of history as academic discipline in Kenya is relatively very recent. This is however not to deny its invaluable antecedents characterized by oral histories as well as written accounts. This paper thus provides an appraisal of this historiography highlighting critical issues and concerns at each moment, which either ...

  4. Beyond the iron curtain of historiography, between party canon and scholarly standard. A theoretical and methodological approach to the analysis of East European national-communist historiographies: the case of Romania

    Directory of Open Access Journals (Sweden)

    Francesco Zavatti

    2014-09-01

    Full Text Available This paper aims at elaborating a new theoretical framework and a new methodology in order to identify the location of history discipline endorsed by the East European communist regimes between scholarly production and propaganda. The case study considered is the historiography produced by the History Institute of the Romanian Communist Party (Isisp during the Ceausescu regime (1965-1989. This highly ideological, but still polymorphic historiography is placed into the context of the 19th and 20th centuries’ professionalization of history in Europe. Since historiography has been the main mean to develop nationalist messages, this paper is also a contribution to the study of nationalism. Since history-writing is a myth-breaker but also a (national myths-maker, the theory considers that the Isisp historians were elaborating an academic, scholarly standard while performing the mandatory metanarrative canon imposed by the communist Party, creating a double-set of coherence, for the party and for their own profession. The theory implies also a methodology of analysis which integrates the study of the history-writings, considered in diachronical perspective, together with the collective biographies of Isisp and of its historians.

  5. [The evolutionist fallacy of early visitors. Analogies between 'primitive peoples' and prehistoric man in medical historiography].

    Science.gov (United States)

    Bruchhausen, Walter

    2006-01-01

    Accounts of 'prehistoric medicine' and 'ethnomedicine' have sometimes led to conclusions by analogy in medical historiography that are seen as highly problematic in modern cultural anthropology. However, this review of medical historical writings of the last three centuries shows that evolutionist identifications of early with foreign medicine were not a permanent trait of medical historiography. This approach flourished mainly in the climate of certain movements or periods that were characterised by fanatical belief in progress and by social utopias: the French Revolution, Darwinism and the period of industrial expansion in Germany, and National Socialism. Medical historiography shared this problematic approach with contemporary (social and cultural) anthropology, and - despite this methodological misuse - both acknowledged the legitimacy or even requirement of studying also similarities in the development of different periods and cultures.

  6. The pinch of Expressionism in art history

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    Andrei Pop

    2015-12-01

    Full Text Available Review of Kimberly A. Smith, ed., The Expressionist Turn in Art History: A useful if strangely hybrid collection of writings in translation by allegedly expressionist art historians, together with introductory historical essays by young as well as established (Hans Aurenhammer, Charles Haxthausen art historiographers. The translated texts vary in quality, familiarity, and interest, and while on the whole they are judiciously chosen, the same cannot be said of the list of protagonists, which leans unfortunately toward a German-nationalist, tendentiously political expressionism unfair both to artists like Beckmann or Klee and to the more interesting art historians who engaged with expressionism. Interestingly, the contingency of these choices, and the imperfect match between even the chosen historians and expressionism as an artistic movement, are clearly seen and duly noted by editor Kimberly Smith and several of the contemporary authors. Some suggestions are thus made about how such an attention to expressionist historiography could be extended.

  7. Historiography and biography genre in the Vita Caligulae from Suetonius - some impressions

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    Danielle Lima

    2010-06-01

    Full Text Available This paper presents the reflections and the results of the Scientific Initiation Research about Vita Caligulae (Life of Caligula, from Suetonius (69/70 - 130? a.C. and his relation to the roman historiography. In our study, we start from the biography of Caligula emperor, named De Vita Caligulae, to analyze those generic aspects of the biography in the way to notice its features and how this biography is inserted in the historiographical roman tradition, to be known, as a way to write history or as a different genre. During the research, besides the translation of the biography, we realized a brief study about the roman historiography, as well as some considerations about the textual and stylish aspects of Suetonius.  

  8. Some of the issues of modern Russian historiography towards Kazakh-Dzhungarian relations

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    Turganzhan Tulebaev

    2016-03-01

    Full Text Available The relationship between Kazakh people and the Dzhungar Khanate in the 17th - the first half of the 18th centuries was an important milestone in the development of Kazakh sovereignty. Kazakh Khanate had its own place in the development of international relations of the Central Asian countries. The historiography of this problem is very wide. For many years many researchers of post-Soviet, Western, Central Asian countries dedicated their work to this issue. Russian historiography is notable among others for its features. The article discusses some concepts of the modern Russian scientists regarding Kazakh-Dzhungarian relations. Russian historiography of Kazakh-Dzhungarian relations started to develop from the pre-revolutionary period and continues to these days. Kazakhstan scientists of the Soviet period also contributed to the study of international relations in Central Asia in the 17th-18th centuries in line with the required methodological and ideological direction. However, at present in connection with the sovereignization and becoming independent states of the post-Soviet countries, there is some differentiation in the areas of Russian and Kazakh social sciences and humanities. Today our society intentionally seeks to rethink the key milestones of the passed way, know itself and define its new place in the contemporary reality. Therefore, the Russian research on the history of international relations is especially relevant to the public

  9. Jewish history as a history of immigration: an overview of current historiography in the Scandinavian countries

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    Christhard Hoffmann

    2016-01-01

    Full Text Available This article provides a first critical overview of the historiography of Jewish immigration and integration in Sweden, Denmark and Norway. While the experience of immigration has been crucial for Scandinavian Jewry, scholarly interest in Jewish migration history only emerged during the 1980s in connection with the focus on migration and ethnicity in Swedish research and the adaptation of sociological concepts of migration in general historiography. By analysing key historio-graphical works, focusing on their approaches and main narratives, this article aims at a critical methodological self-reflection. It identifies two major approaches to Jewish immigration history in current Scandinavian historiography: the demographic and social history approach, focusing in particular on the role of Jewish immigrants in the labour market, their settlement and housing conditions and their social mobility; and the cultural history approach, reconstructing and preserving the vanished world of Yiddish immigrant culture.

  10. The Works of Modern Russian Historians and the Historiography of Medieval Lithuania before and after the Red October

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    Megem M.

    2014-12-01

    Full Text Available This article examines the views of modern Russian scholars A. Dvornichenko, M. Krom, A. Filyushkin, and S. Mikhalchenko on the pre-revolutionary and Soviet historiography of medieval Lithuania. Chronological problem analysis constitutes the methodological framework of the study. Special attention is paid to the priorities of the Russian scholars in the analysis of the pre-revolutionary and Soviet Lithuanian studies. It is shown that the disintegration of the Soviet Union marked a new period in research on the historiography of medieval Lithuania. The activation of historical and historiographical studies was a result of a revision of views of Lithuanian past. The authors believe that modern historiography exhibits a “nostalgic” attitude to pre-revolutionary works, while the reception of the later, Soviet-era publications is more critically inclined. Post-Soviet historians do not restrict themselves by describing previous historiography: they also consider factors behind the change in the attitudes to Lithuani an past. Thus, the scholars pay special attention to studying the connection between the political situation and the evolution of the views of Russian scholars on the events of Lithuanian history.

  11. The listener in music historiography, 1776-1928

    DEFF Research Database (Denmark)

    Wessel, Jan Andreas

    The present thesis is a study on the listener in music historiography. More specifically, it presents an investigation – based on the analysis of a selected group of texts – of the various contexts in which the listener appears during a span of approximately 150 years from the late 18th century...... of issues arises when “the listener” merges into various transpersonal categories, like an age, a people, a religion and so on. The aim of my investigation has been to map how these two levels interact and form different constellations in the music historical literature. My study positions itself within...

  12. German-speaking exiles and the writing of Indian art history

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    Devika Singh

    2017-12-01

    Full Text Available The German and Austrian origins of some of India’s leading art historians from the 1930s to the 1960s is an understudied dimension of art historiography that questions the knowledge hierarchies of the British Empire and the role of foreigners in Indian nation building. The article focuses on three figures who held key positions in the Indian art world (Ernst Cohn-Wiener, Hermann Goetz and Rudolf von Leyden and argues that such German-speaking exiles played a determining role in urgent debates of the time. Participating in the circulation of foreign art and ideas in India, especially in Bombay and Baroda, they significantly impacted on the selective process of the history of art. Far from propagating an esoteric, Hindu-centred perspective on Indian art, as did many Indian nationalist art historians, émigrés championed an inclusive take on art by integrating its Muslim as well as Hindu heritage. In addition they helped launch some of India’s most innovative artists. The article thus opens up broader discussions on art and nationalism, the building of a canon and the appropriation of modernism before and after Indian independence.

  13. "To Feel at Home in the Wonderful World of Modern Science": New Chinese Historiography and Qing Intellectual History.

    Science.gov (United States)

    Sela, Ori

    2017-09-01

    Argument In recent decades a large body of scholarship on the first half of twentieth-century China has successfully shown the ways in which history and historiography had been constructed at the time, as well as the links between history, national identity, education, and politics that was forged during this period. In this paper, I examine Qing intellectual history, in particular that of the mid or "High Qing." I discuss the development of the historiography of this field in the early twentieth century by drawing on the larger developments in historiography; by demonstrating how these developments had shaped Qing intellectual history for later times; by focusing on the historical actors' sense of the importance of "science," being "scientific," and "modernization"; and, by unraveling the intimate connections to older historiographical narratives going back all the way to the eighteenth and nineteenth centuries.

  14. The Jewish modernist: Isaac Grünewald in Bertel Hintze’s art history

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    Ludwig Qvarnström

    2016-12-01

    Full Text Available In the Finland-Swedish art historian and chef curator Bertel Hintze’s art historical handbook Modern konst: 1900-talet (Modern Art: Twentieth century, published in 1930, he introduce the Swedish artist Isaac Grünewald with a racial and anti-Semitic rhetoric. In this article Hintze’s rhetoric is analyzed in relation to a widespread everyday anti-Semitism and the language used in earlier art critical discussion on Grünewald’s art. The article concludes that earlier anti-Semitic expressions, visible in the negative and nationalistically oriented criticism, have been incorporated into Hintze’s ambivalent, but basically positive, characterization of Grünewald. In doing so Hintze translocate the anti-Semitic rhetoric from a negative and disparaging criticism into ‘normal’ art history, an example of how the voice of anti-Semitism have been built into the language and structure of Swedish art historiography, even where anti-Semitism was not the object.

  15. The blot on the landscape: Fred Williams and Australian art history

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    Keith Broadfoot

    2014-12-01

    Full Text Available A defining shift in Australian art historiography occurred with the publishing of Bernard Smith’s 1980 Boyer Lecture series, The Spectre of Truganini. Seeing the exclusion of an Aboriginal presence in Australian art through the ideas of Freud, the history of Australian art, Smith proposed, was a history of repression. After Smith, Ian McLean has developed the most detailed account of the history of Australian art according to this methodology. This essay examines the work of the modern Australian artist Fred Williams in relation to both Smith and McLean’s understanding of the history of Australian art but to expand on their work I argue that, rather than Freud alone, it is Lacan’s refiguring of Freud that offers us the most insight into Williams’s work. Further, insofar as I argue that the history of Australian art is the very subject matter of Williams’s work, his work stands in for a wider project, the understanding of the history of Australian art according to Lacan’s proposal of a foundational split between the eye and the gaze.

  16. Writing History of Buddhist Thought in the Twentieth Century: Yinshun (1906-2005 in the Context of Chinese Buddhist Historiography

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    Marcus Bingenheimer

    2015-02-01

    Full Text Available Venerable Yinshun 印 順 (1906–2005 was the eminent scholar-monk in twentieth-century Chinese Buddhism. This paper is about his historiographical practice and tries to outline his position in Chinese Buddhist historiography especially in reference to the Song dynasty historian Zhipan 志磐 (thirteenth century. It tries to answer the question in what ways Yinshun can be said to have modernized Buddhist historiography for Chinese Buddhism.

  17. The Historiography of Islamic Law: The Case of Tārīkh al-Tashrī‘ Literature

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    Arif Maftuhin

    2016-12-01

    Full Text Available Tārīkh al-Tashrī‘ (the history of sharia affairs is a relatively new genre of Islamic historiography and very popular among students of Islamic Law. Despite its popularity, academics of Islamic historiography seem not interested in studying it. There is hardly any academic paper seriously studied the literature. This paper is a first effort to explore the Tārīkhu’t-tashrī‘ literature through a historiographical analysis. As an initial exploration, it argues that Tārīkh al-Tashrī‘ is the latest development of Islamic historiography, developed in the 19th century, but it is a genre of the old Islamic historiography with some new elements. The new elements are influenced by both modern Western historiography and the need to re-open the supposedly closed gate of ijtihād. The paper studied books of Tārīkh al-Tashrī‘ available during the research between 2013-2015. [Tārīkh al-Tashrī‘ adalah genre yang relatif ‘baru’ dalam matarantai perkembangan historiografi Islam­. Literatur ini sangat popular dan menjadi mata kuliah wajib di fakultas-fakultas Syariah di Indonesia maupun Timur Tengah. Hanya saja, meskipun ia sangat populer sebagai mata pelajaran, Tārīkh al-Tashrī‘ belum banyak menarik minat para peneliti historiografi. Makalah in berusaha mengeksplorasi literatur Tārīkh al-Tashrī‘ dengan pendekatan historiografi. Makalah ini berpendapat bahwa Tārīkh al-Tashrī‘, meski terlihat ‘modern’ dari segi kelahirannya, tidak banyak berbeda dengan literatur historiografi klasik. Perbedaan terjadi karena adanya pengaruh historiografi Barat dalam model penulisannya dan karena kebutuhan untuk membuka kembali pintu ijtihad yang tertutup. Kajian dilakukan terhadap kitab-kitab Tārīkh al-Tashrī‘ yang dapat ditemukan selama riset antara 2013-2015 

  18. English-language Historiography of “Stalin’s Terror” (Disputes of the Second Half of the ХХ Century

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    Vyacheslav I. Menkovsky

    2012-12-01

    Full Text Available The article analyses the process and the results of scholary disputes, concerning “Stalin’s terror” of 1930s in English-language historiography of the second half of the ХХ century, determines methodological aspects of different approaches to the estimation of political repressions dimension in the Soviet Union. As the Soviet statistics was secured, English and American authors used a number of sources: estimations by former Soviet officers and prisoners, settled in Europe; evidences by foreigners, who visited the Soviet Union and Polish prisoners of Soviet camps; data, concerning the number of newspapers, received by the camps; the released figures, regarding some labour camps. Number of people, who had no part in the election for the Soviets was considered, as well.In 1980s the debates, regarding the dimension of forced labour employment in Stalin-era Soviet Union, the number of victims came to English and American historiography attention again. It was related to the emergence of new estimation procedures, publication of some new demographic data in Soviet press, wider application of the models, used by other social sciences in Sovietology.Brand new, open-ended evaluation possibilities appeared only after the Soviet and Russian secret files were partially opened up at the turn of 1980-1990s. Soviet «glasnost» enabled to introduce archive historical data, regarding Stalin-era repressive policy for scientific use. English and American historians made extensive use of Soviet and Russian publications, reassessed some stereotypes, deeply rooted in Europe. But data, related to the excessive decline of Soviet population in 1926-1939 varies in occidental scientific literature from 5 to 20 million people. Thus, it may be concluded that the scientific assessment of Soviet repressive policy is incomplete.

  19. Is There a Future for History?: On the Need for a Philosophy of History and Historiography

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    Harry Jansen

    2012-12-01

    Full Text Available Within the philosophy of history the main focus has been on problems regarding the ideal typical division between the sciences and the humanities. However speculation on ideal forms risks neglecting the epistemic problems regarding historical research, writing history and education. Therefore the philosophy of history needs a new dimension by supplementing it with a line of thinking Harry Jansen would like to call the philosophy of history and historiography, in short phh. Very much like the painter Velazquez, who in his Las Meninas invites people to look into the mirror and see themselves as rulers, Harry Jansen wants to invite historians to look into the mirror of historiography and see themselves as users of epistemic tools. This requires the historian to view historical interpretations from a comparative perspective. Historical texts not only inform us about the past, they can also be seen as providing insights into the intellectual operation of historical production. These insights show not only the richness of historiography but above all they provide the historian with the theoretical tools with which that richness can be acquired.   

  20. "Exploratory experimentation" as a probe into the relation between historiography and philosophy of science.

    Science.gov (United States)

    Schickore, Jutta

    2016-02-01

    This essay utilizes the concept "exploratory experimentation" as a probe into the relation between historiography and philosophy of science. The essay traces the emergence of the historiographical concept "exploratory experimentation" in the late 1990s. The reconstruction of the early discussions about exploratory experimentation shows that the introduction of the concept had unintended consequences: Initially designed to debunk philosophical ideas about theory testing, the concept "exploratory experimentation" quickly exposed the poverty of our conceptual tools for the analysis of experimental practice. Looking back at a number of detailed analyses of experimental research, we can now appreciate that the concept of exploratory experimentation is too vague and too elusive to fill the desideratum whose existence it revealed. Copyright © 2015 Elsevier Ltd. All rights reserved.

  1. A historiography of the Colombian education in the first years of independence

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    Liliana Haydé Gutiérrez

    2014-02-01

    Full Text Available This article aims at providing a historiography of education in Colombia in the early years of the Colombian Republic, emphasizing on important issues that are still the underlying topics for discussion of education in our country: inclusion, rural education, and centralism, the relationship between the Church and the State.

  2. Once again about a historiography of the Alans-Ossetians

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    Chibirov

    2016-09-01

    Full Text Available in recent years in the North Caucasus there is a tendency to review the question of ethnogenesis and the past of the Ossetian people. Attempts to falsify history have always existed and the prerequisites for this were very different. Basically it is is stipulated by the current political situation, which requires the corresponding mythological support. Modern falsifiers of history unnecessarily politicize the issue of linguistic and cultural heritage of the Alans while trying to erase more than two centuries of historiography problems.

  3. HISTORIOGRAPHY GENERAL, REGIONAL AND SPECIAL STUDIES OF JUDICIAL REFORM IN RUSSIA 1864

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    Sergei Evgenievich Strakhov

    2014-10-01

    Full Text Available In today's world, a crucial role is played by the judiciary. In the period lasting judicial reform, it is important to explore this institution not only at the present stage, but also to trace the history of its development, including - through analysis and synthesis of existing studies of the judiciary and judicial reforms.The purpose of this study - to explore the historiography of general, special and regional studies of judicial reform of1864 inRussia, to classify research on history and on the subject of the study.Scientific, theoretical and practical significance of the work lies in the fact that the study of this topic will summarize the significant weight of the studies of the judicial reform of 1864 and classified by facilitating orientation interested in individuals in the study subjects.The author uses historical, comparative, hermeneutical, mathematical methods, as well as general methods of scientific research.The author analyzes the historiography of general, special and regional studies of the judicial reform of1864 inRussia, introducing a classification of such studies in chronological order (pre-revolutionary, Soviet and modern stages and subject matter (common - affecting all aspects of judicial reform, special - dedicated to a particular aspect (legal agencies, prosecutors, legal, etc. and regional - dedicated to judicial reform, or some aspects of it in some regions of Russia.The results of this study are scientific and practical value, because they can be useful for teaching students - in industry disciplines "judiciary", "advocacy", "notary public", "public prosecutor's supervision" and general theoretical "History of State and Law," "History of the fatherland" ; in science - by picking up information about the historiography of the judicial reform, and in practice - said work can serve as a guide to research judicial reform, which may be useful to practitioners of judicial and investigative bodies, as well as - prosecutors

  4. “It is Necessary to Create a New Suitably Positive Past”: Boris Mironov in Russian Imperial Historiography

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    Valery V. Kerov

    2016-10-01

    Full Text Available This article is devoted to the contemporary historiography of Russia as an empire from the 18th to the 20th centuries, the history of Russian “imperium.” This analysis is based on criticism of Boris Mironov’s monograph “The Russian Empire: From Tradition to Modernity.” The history of world empires is an important area of contemporary world historiography, which has the greatest relevance in current international relations. In Mironov’s multifaceted work, both the author’s own research and the historiographical results of the last two decades are used. The results of the analysis of the new social history of Russia (the history of the peasantry, urban groups, bureaucracies, intellectuals, businessmen, etc. are given, as well as the new history of the state and law. Ethno-confessional politics and the “history of expansion” seem to be the central themes of modern imperial historiography. Mironov convincingly refutes the myth of Russia as a “prison of nations.” Confessional policy is also considered. The questions of heterogeneity and the endogenous character of revolutionary crises in Russia became the focus of the discussion within “new imperial history.” Here supporters of various historiographical orientations, despite formal differences, agree that the imperial system in Russia experienced crises caused by rapid modernization, and was followed by the new “imperial” (or quasi-imperial period characterized by significant features and many common trends. An important feature of the modern “imperial” historiography and the history of Russia in general, according to the considered works, is the ideological approach of contemporary national scientific and historical discourse.

  5. Integrating Critical Disability Studies into the Historiography of Infrastructures

    DEFF Research Database (Denmark)

    Galis, Vasilis; Tympas, Aristotle; Tzokas, Spyros

    Infrastructures are habitually associated with enabling, with facilitating mobility. Attention to accidents and related failures of infrastructures, due to accidental or endemic reasons, has substantially enriched the historiography of infrastructures while, at the same time, pointing to limits...... infrastructures became sites for regulating and controlling certain groups. Seen like this, transport technologies, at remote national borders and in the heart of a national metropolis, were a key field for sociotechnical battles that produced dis/abled-displaced bodies, that is, a new corporeal subject. Dis...... idea of the human being “(Shildrick, 2010)....

  6. Donald Preziosi in Copenhagen, May 27, 2016, photographed by Henrik Reeh

    DEFF Research Database (Denmark)

    2016-01-01

    Photographic portrait of art historian, professor Donald Preziosi for the Festschrift, published on the occasion of his 75 years in Journal of Art Historiography, vol. 15, 2016.......Photographic portrait of art historian, professor Donald Preziosi for the Festschrift, published on the occasion of his 75 years in Journal of Art Historiography, vol. 15, 2016....

  7. Nordic Narratives of the Second World War : National Historiographies Revisited

    OpenAIRE

    2011-01-01

    How have the dramatic events of the Second World War been viewed in the Nordic countries? In Nordic Narratives of the Second World War, leading Nordic historians analyse post-war memory and historiography. They explore the relationship between scholarly and public understandings of the war. How have national interpretations been shaped by official security-policy doctrines? And in what way has the end of the Cold War affected the Nordic narratives? The authors not only present the ...

  8. The history of appearance of the Ministry of Public education in the domestic historiography

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    Gracheva Iuliia

    2015-08-01

    Full Text Available Article is devoted to the history of appearance of the Ministry of Public education in the domestic historiography. The author sets oneself the task of observing a scientifi c study of activities of the Public education Ministry at the initial stage of its existence and revealing not studied aspects of this question. First researches of educational reforms implemented by Alexander I go back to 60 years of the 21th century. Works done by M. N. Suhomlinov and S. V. Rojdestvenskiy are rich with archives materials, they show succession of the instructive reforms made by Ekaterina II and Alexander I, the connection between the arrangement of public education in France, Poland and Germany with Russian educational system at the end of the 18 and beginning of the 19 centuries. During the post revolutionary period in scientific literature less attention was paid to the questions of initial period of existence of the Ministry of Public Education. At the end of the 20th and the beginning of the 21th centuries scientists turned their attention again to the history of education system development in Russia. A large number of works of the modern day researches on university subject appeared and a qualitatively new period of study of the Public Education Ministry activities began. In F. A. Petrov’s monograph the major documents accepted by the ministry are analysed. A. Yu. Andreyev, studying the question of sources of a university autonomy in Russia, included domestic universities in the all-European context of development of university reforms. But despite the existing historiography, the initial stage of existence of the Ministry of Public education demands further researches.

  9. The Historiography of Public Relations in Turkish Public Relations Books

    OpenAIRE

    KARAASLAN ŞANLI, Halise

    2017-01-01

    Criticism on the hegemonic history of public relations (PR) paved the way for the emergence of new approaches to the historiography of PR. The most significant of such approaches is the exposure of genuine history of PR for each country, taking into account the specific socioeconomic and cultural context of each country. This study focuses on the handling of the history of PR in Turkish books on public relations published by prominent publishing houses in Turkey between 1967 and 2013. The stu...

  10. ‘A refutation of (post-) narrativism, or: why postmodernists love Austro-Hungary’: Jouni-Matti Kuukkanen, Postnarrativist philosophy of historiography, Houndmills: Palgrave Macmillan, 2015

    OpenAIRE

    Branko Mitrović

    2016-01-01

    Jouni-Matti Kuukkanen’s book Postnarrativist philosophy of historiography presents a new variation of the postmodernist, social-constructivist and anti-realist philosophy of historiography. Kuukkanen articulates a position that significantly differs from some other postmodernist perspectives on history writing, such as Frank Ankersmit’s. In this review I analyse the implications of Kuukkanen’s programme, as well as the application of its tenets in Christopher Clark’s book Sleepwalkers. How Eu...

  11. «Monetary Program» of Ancient Greek Olympic Games (History and British Historiography of the XIX – Early ХХ Centuries

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    Olga V. Gzhibovskaya

    2013-01-01

    Full Text Available Commemorative coins are one of the attributes of the modern Olympic movement, relating to the category of «Games Product». Monetary program “Sochi 2014”, realized since 2011 is one of the most extensive and design diversified. The tradition to stamp out coins in the host city of the Olympic Games was established in Ancient Greece. They served not only as a means of exchange or as a store of value, ancient Greeks managed to make them works of art. Ancient authors’ data, concerning coinage site, time and type don’t give an accurate account of the coins we can reasonably call the “Olympic” ones. This problem has been solved by numismatologists from late XVIII century through the present. Their views of ancient “monetary program” differ. This article is focused on the special character of these discrepancies both in historical records and historiography

  12. Study of the paleolithic parietal art from the archaeological perspective: old ghosts / new approaches

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    Clara Hernando Álvarez

    2010-03-01

    Full Text Available This paper aims to analyse the parietal palaeolithic graphic designs from an archaeological perspective, leaving aside the aesthetic ties of traditional historiography. Traditional European analysis techniques of palaeolithic rock art will be contrasted with new interdisciplinary applications, looking for an archaeological knowledge about the artistic graphic expression of prehistoric societies. Finally, a methodological trial will be suggestedapplying the Harris Matrix in the reading and arrangement (ordination of the palaeolithic graphic designs of the central panel of Llonin's cave (Peñamellera Alta, Asturias.

  13. The identity controversies about Albanians in Serbian historiography

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    Đorđević Radomir D.

    2013-01-01

    Full Text Available The period of our new historiography is mostly burdened by a political discourse of a new establishment, with which the so called period of "brotherhood and unity" began in the former Yugoslavia. In that period of time, but also after the fall of socialism in 1998, fascination with Yugoslavism is still present in the Serbian history. There are almost no textbooks or monographs in which a dogmatic way of thinking is critically reviewed as incomprehensible in our historical science. This is especially related to the problem of Albanian ethnogenesis and their presence in the Balkans. By adopting this imposed opinion that the Albanians are a native population, our historians directly made an immense damage to the Serbian people.

  14. Nuevas perspectivas en historiografía fiscal New perspectives in fiscal historiography,

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    Rodríguez Salazar Oscar

    1996-06-01

    Full Text Available Los estudios sobre temas fiscales colombianos han respondido, en parte, a la necesidad de entender la política económica en esta área. Este artículo revisa la historiografía fiscal colombiana sobre el siglo XX, la cual se ha ocupado de los aspectos jurídicos, de las disposiciones contempladas en las reformas tributarias y del impacto macroeconómico de la polítca fiscal; además, siguiendo la escuela de Annales y a la teoría de la regulación, explora otras opciones metodológicas para investigar el sistema impositivo. Para ilustra la nueva metodología, comenta el papel que jugaron los gremios en el desmonte de la doble tributación y la forma en que evolucionó la administración tributaria.Studies about Colombian fiscal themes have responded, in part, to theneed to understand economic policy in this area. This article reviewsColombian fiscal historiography over the twentieth century, which hasbeen concerned with juridical aspects of the arrangements contemplatedin the tax reforms and the macroeconomic impact of fiscalpolicy, in addition, following the Annales school and regulation theory, it explores other methodological options for investigating the tax system. To illustrate the new methodology, it comments on therole played by business associations in the dismantling of the double tax and the way that the tax administration evolved.

  15. (Re)Reading National Identities in School Historiographies: Pedagogical Implications from the Case of Cyprus

    Science.gov (United States)

    Klerides, Eleftherios

    2016-01-01

    The article, using Cyprus as a case study, seeks to reframe disputes over the nature of national identities constituted in school historiographies and it does so by introducing a novel approach to the study of the making of identity in school history. This approach, grounded on post-foundational thinking and an inter-discursive mode of textual…

  16. The memory and historiography of the First World War in Italy

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    Paolo Ferrari

    2015-06-01

    Full Text Available The memory and historiography of the First World War in Italy may be divided into four broad periods. During the immediate post-war period (1918-1922 debate mainly focused on such issues as the Italian defeat at Caporetto in 1917, the human and material costs of the war, and the peace treaty. In the subsequent decades (1922-1960, fascism was presented as the heir of the war, which became a fundamental element of its nationalist identity as well as part of the rituals of the regime. This nationalistic and fascist interpretation of the conflict then survived in many respects until the start of the 1960s. Perspectives on the war were subsequently revised over the next twenty years (1960-1980. The new cultural tendencies of these decades produced a history of the conflict from below, which encompassed the experiences of Italian soldiers, who were often seen as victims of the military machine. The historiography focused on their opposition to the war, including cases of indiscipline and mental breakdown. In more recent times (1980-2014 these trends have continued, and new studies have emerged, but many aspects of the war, including the home front and the international context (including Italy’s enemies are still relatively neglected. Moreover, although there is a keen public interest in the First World War in north-east Italy, which was the theatre of operations, the period 1915-1918 is probably part of a faraway past for most Italians.

  17. ‘A refutation of (post- narrativism, or: why postmodernists love Austro-Hungary’: Jouni-Matti Kuukkanen, Postnarrativist philosophy of historiography, Houndmills: Palgrave Macmillan, 2015

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    Branko Mitrović

    2016-12-01

    Full Text Available Jouni-Matti Kuukkanen’s book Postnarrativist philosophy of historiography presents a new variation of the postmodernist, social-constructivist and anti-realist philosophy of historiography. Kuukkanen articulates a position that significantly differs from some other postmodernist perspectives on history writing, such as Frank Ankersmit’s. In this review I analyse the implications of Kuukkanen’s programme, as well as the application of its tenets in Christopher Clark’s book Sleepwalkers. How Europe went to war in 1914 (London: Penguin, 2012 which Kuukkanen strongly endorses.

  18. Le grammaire du Français et son historiographie: appréhensions, à deux siècles de distance d'in objet de débats

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    Pierre Swiggers

    2015-08-01

    Full Text Available Dans cet article, consacré àl 'historiographie de la grammaire française, on abordera d'abord le problème de la définition du champ de l'histoire (ou de l'historiographie de la grammaire française (et de la linguistique française. La deuxième partie du texte sera consacrée à un problème central de l 'epistémologie historique de la grammaire française: celui de la "récurrence du fait historique ", problème que je voudrais analyser à travers un cas concret, celui de l 'accueil fait à la grammaire de l 'Académie. L'historiographie de la grammaire/de la linguistique: la question de l'objet Ona tentéde concevoir et, parfois, de définir (ou d'expliciter l'historiographie de la grammaire/linguistique cornme étant dans un rapport d'iconicité partielle avec un objet appelé "l'histoire de la linguistique". Une telle attitude permet d'éluder la difficulté de devoir définir l'objet ou le domaine de cette discipline. Que cet objet ne soit guère donné d'avance, cela ressort déjà de l'histoire mȇme de l'historiographie de la linguistique: il suffira de comparer à ce propos des travaux cornme ceux de Thomsen (1902 et de Pedersen (1916, 1924 à ceux de Robins (19792 ou de Mounin (1967. En fait, cela ne doit guère nous étonner: cornme l'historiographie de la linguistique est une représentation de connaissances à propos de l 'histoire, il est inéluctable que la notion de son objet varie, du moins dans son extension, dans la mesure où les connaissances à propos de l 'histoire de la linguistique se sont élargies, enrichies ou modifiées.

  19. Asymptotically approaching the past: historiography and critical use of sources in art technological source research

    NARCIS (Netherlands)

    Clarke, M.; Kroustallis, S.; Townsend, J.H.; Cenalmor Bruquetas, E.; Stijnman, A.; San Andres Moya, M.

    2008-01-01

    This paper proposes that historiographic methods should be applied during art technological source research. Sources cannot always be used uncritically as being simply reliable records of contemporary workshop practice. The accuracy, date and origin of the technical information embedded within

  20. The Rediscovery and Resurrection of Bunk Johnson – a Grounded Theory Approach: A case study in jazz historiography

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    Richard Ekins, Ph.D., FRSA

    2011-12-01

    Full Text Available This paper was written in the beginning phase of my transitioning from grounded theory sociologist (Ekins, 19971 to grounded theory musicologist (Ekins, 20102. In particular, it provides preliminary data for a grounded theory of ‘managing authenticity’, the core category/basic social process (Glaser, 1978 that has emerged from my ongoing grounded theory work in jazz historiography. It was written whilst I was ‘credentialising’ (Glaser, 2010 my transition to popular music studies and popular musicology. In consequence, it incorporates many aspects that are inimical to classic grounded theory. As with so much of Straussian and so-called constructivist grounded theory (Bryant and Charmaz, 2007, it roots itself in G.H. Mead and a social constructivist symbolic interactionism – inter alia, a legitimising (authenticating strategy. Moreover, as is typical of this mode of conceptualising, the paper fills the void of inadequate classic grounded theorising with less conceptual theorising and more conceptual description. Nevertheless, the article does introduce a number of categories that ‘fit and work’, and have ‘conceptual grab’ (Glaser, 1978; Glaser, 1992. In particular, in terms of my own continuing credentialising as a classic grounded theorist, it sets forth important categories to be integrated into my ongoing work on managing authenticity in New Orleans revivalist jazz, namely, ‘trailblazing’, ‘mythologizing’, ‘debunking’, and ‘marginalising’, in the context of the ‘rediscovering’ and ‘resurrecting’ of a jazz pioneer. More specifically, the paper is offered to classic grounded theorists as a contribution to preliminary generic social process analysis in the substantive area of jazz historiography.

  1. The Rise of Auxiliary Sciences in Early Modern National Historiography: an ‘Interdisciplinary’ Answer to Historical Scepticism

    NARCIS (Netherlands)

    Janssen, Lydia

    2017-01-01

    In response to the rising popularity of empirical models of scholarship and an increasingly sharp sceptic criticism against historiography, early modern historiographers strived to place their reconstruction of the past on a more ‘scientific’ basis through a new approach to historical writing. Their

  2. La notion de bourgeoisie dans l’historiographie de la Turquie contemporaine

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    David Behar

    2011-12-01

    Full Text Available This article presents a case for historiographic discontinuity between the Ottoman and Turkish Republican eras as the principal cause for the failure to develop a sociology of the Turkish bourgeoisie. Indeed, understanding the mechanisms governing the reconversion of resources and the distribution of privileges requires a distinction between the old and the new, because there is a legitimate time for wealth. Such a sociology is essential to understanding the major social, economic and political changes which have occurred in Turkey over the past thirty years. The analysis of the uses, even if sometimes contradictory, of the concept of bourgeoisie in contemporary Turkish historiography opens new prospects. This paper shows that a complete renewal of Turkish elites has not occurred, since a segment of this group is described by historians as possessing the attributes of a “bourgeoisie”. Studies of the Turkish bourgeoisie for both the final years of the Ottoman Empire and the Republican period indicate a number of points of continuity. In the present context, it is thus possible to isolate a group of families who display the characteristics of a “upper bourgeoisie”, which is to say capital accumulations in all possible economic, cultural, social and symbolic forms.

  3. OVERVIEW OF THE INTERNATIONAL SYMPOSIUM “NAPOLEONIC MYTHS IN WORLD CULTURE: EPISTEMOLOGY, AXIOLOGY, AND REPRESENTATIONS IN LITERATURE, HISTORIOGRAPHY, AND ART”

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    Elena D. Galtsova

    2016-12-01

    Full Text Available The present publication is an overview of the international symposium “Napoleonic Myths in World Culture: Epistemology, Axiology, and Representation in Literature, Historiography, and Art,” held at IWL RAS on October 3–5, 2016. It was chaired by IWL RAS together with Pasquale Paoli Corsica University, Moscow Center of the French-Russian Studies (CEFR, Institute of World History RAS, Russian State University for the Humanities, Moscow State University, and Committee on French Literature and Intellectual Culture of the Council “History of World Literature” at RAS Presidium. Over 40 literary historians, historians, sociologists, philosophers, and art historians gave their papers at the symposium. The aim of the symposium was to study interdisciplinary representations of Napoleonic myths and detect various mechanisms that enabled transform a hero (or anti-hero of his time into a fantasy that keeps recurring in the cultural consciousness, both in the depths of the human psyche and on the surface of social life. Napoleon is a hero of a “modern myth” that developed only about two hundred years ago. Therefore, one can claim that Napoleonic myth is a myth in the process of its development. The study of the mechanisms of this process is a relevant task for the humanities. The overview discusses certain cognitive dominants that reflect contemporary tendencies of the scholarly reflection on the process of development, functioning, and spread of Napoleonic myths in the world culture of the past two centuries.

  4. Life lines: An art history of biological research around 1800.

    Science.gov (United States)

    Bruhn, Matthias

    2011-12-01

    Around 1800, the scientific "illustrator" emerged as a new artistic profession in Europe. Artists were increasingly sought after in order to picture anatomical dissections and microscopic observations and to translate drawings into artworks for books and journals. By training and technical expertise, they introduced a particular kind of knowledge into scientific perception that also shaped the common image of nature. Illustrations of scientific publications, often undervalued as a biased interpretation of facts and subordinate to logic and description, thus convey an 'art history' of science in its own right, relevant both for the understanding of biological thought around 1800 as well as for the development of the arts and their historiography. The article is based on an analysis of botanical treatises produced for the Göttingen Society of Sciences in 1803, during an early phase of microscopic cell research, in order to determine the constitutive role of artistic knowledge and the media employed for the visualization and conceptualization of biological issues. Copyright © 2011 Elsevier Ltd. All rights reserved.

  5. Latin American World War I Historiography: the Cases of Argentina, Mexico and Colombia

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    Renzo Ramírez Bacca

    2015-04-01

    Full Text Available DOI: http://dx.doi.org/10.17227/01234870.41folios187.204 The text provides a critical review of the Latin American historiography during the First World War. The author focuses on Argentina, Mexico and Colombia in order to account for the lines of work, categories of analysis and the recent contributions on the issue. In the same way, it takes into account the Western historiographical context, poses questions and dialogues based on recent studies as well as highlights the limitations and explains the reason for the identified historiographical gaps.

  6. The historiography of contemporary science, technology, and medicine writing recent science

    CERN Document Server

    Söderqvist, Thomas

    2006-01-01

    As historians of science increasingly turn to work on recent (post 1945) science, the historiographical and methodological problems associated with the history of contemporary science are debated with growing frequency and urgency. Bringing together authorities on the history, historiography and methodology of recent and contemporary science, this book reviews the problems facing historians of technology, contemporary science and medicine, and explores new ways forward. With contributions from key researchers in the field, the text covers topics that will be of ever increasing interest to historians of post-war science, including the difficulties of accessing and using secret archival material, the interactions between archivists, historians and scientists, and the politics of evidence and historical accounts.

  7. King James II in Foreign Historiography: the Main Scientifi c Trends and Approaches .

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    Stankov Kirill

    2016-07-01

    Full Text Available The fate of the tragic figure of the British king James II Stuart is considered in the article. In this paper the author pays speсial attention to the history of investigation of the character and politics of this person by the British historians, as well as by the leading European and American specialists on the Early Modern Time. The estimates of James II are of vast variety in the British historiography but at the same time diff erent authors have some similar features in their attitude. Except the apologists the British historians on the whole criticized this king and explain that the majority of the problems connected with him are based on the religious factor that is not really right. On the other hand there are some differences in this negative approaches among various scientifi c schools of British historiography. The Whigs stated that James II tried to limit the personal rights of the Englishmen which was the main result of the English revolution of the middle of the 17th century. The Tories proved that the king neglected the gentry’s property rights and tried to transform the dualistic monarchy into absolutism. The Positivists thought that James II supported the Catholic Counterreformation and fought against the Enlightenment. The revisionists and postrevisionists tried to revalue the person of James II based on the true scientific foundations. A special view on James II’ policy is produced by Non-British authors: German, French and American historians.

  8. Historiography of Developing the Issue of the Information Skills in the Social and Cultural Space of the Further Education

    Science.gov (United States)

    Pavlovna, Kucher Tatyana; Stanislavovna, Kolyeva Natalya

    2015-01-01

    The paper deals with the problem of historiography, presented in three stages: the first stage (50-90s of the ?? century) is characterized by the introduction of a scientific apparatus expertise creating the preconditions of differences between concepts, the release of an independent direction of history of social and cultural activities. In the…

  9. The dialectics of vision: Oskar Kokoschka and the historiography of expressionistic sight

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    Nathan J. Timpano

    2011-12-01

    Full Text Available In his seminal essay ‘On the Nature of Visions’, Oskar Kokoschka proposes a theory of expressionistic sight that advocates the centrality of both optical and psychological processes in the development of this sensorial construct. The present study argues that Kokoschka’s novel handling of the role of vision in the image forming process implicitly elucidates expressionistic sight as a process fashioned through the dialectical tension that arises from these two prevalent, though oppositional views of artistic vision in the early twentieth century. As such, the historiography of expressionistic sight offered by Kokoschka stands in stark contrast to other prevailing histories written by his interlocutors in fin-de-siècle Germany and Austria.

  10. The French Roots of Duhem’s early Historiography and Epistemology

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    Stefano Bordoni

    2017-06-01

    Full Text Available Pierre Duhem can be looked upon as one of the heirs of a tradition of historical and philosophical researches that flourished in the second half of the nineteenth century. This tradition opposed the naïve historiography and epistemology of the positivist school. Beside the positivists of different leanings such as Littré, Laffitte, Wyrouboff, and Berthelot, we find Cournot, Naville, and Tannery, who developed sophisticated histories and philosophies of science focusing on the real scientific practice and its history. They unfolded elements of continuity and discontinuity in the history of science, and enlightened the complex relationship among experimental, mathematical, logical and philosophical components in scientific practice. In Pierre Duhem we find a systematic and vivid interpretation of these meta-theoretical issues, and a meaningful development of a cultural tradition that re-emerged in the second half of the twentieth century.

  11. Didon dans l’historiographie alphonsine

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    Ghislaine Fournès

    2006-08-01

    Full Text Available L’insertion de l’histoire de Didon dans la Estoria de España et dans la General Estoria n’est pas de l’ordre de la simple transcription mais s’apparente à une ré-écriture orientée selon des axes prédéfinis, en grande partie par Alphonso X, en fonction d’impératifs littéraires et politiques. Didon apparaît après analyse comme une figure royale archétypale. Reine exemplaire, elle conforte ce qui est un des objectifs de l’historiographie alphonsine : la défense de l’autorité royale. Mais les textes, en rendant compte également des limites du gouvernement de Didon, posent la question de la viabilité du pouvoir au féminin. Didon ne serait plus alors qu’un exemple de reine, renvoyant à d’autres figures comme Urraque et Bérengère.No puede considerarse la inserción de la historia de Dido en la Estoria de España y en la General Estoria como una mera transcripción, se trata al contrario de una re-escritura orientada según unos ejes definidos, en gran parte por Alfonso X, en función de preocupaciones literarias y políticas. Dido aparece después del análisis como una figura real paradigmática. Como reina ejemplar, fortalece lo que constituye uno de los objetivos de la historiografía alfonsí : la defensa de la autoridad real. Pero los textos, al dar cuentan de los límites del gobierno de Dido, ponen en duda la facultad de la mujer para ejercer el poder. Dido es, al mismo tiempo, un ejemplo de reina que remite a otras figuras como Urraca y Berenguela.

  12. La grammaire du français et son historiographie: appréhensions, à deux siècles de distance, d'un objet de débats

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    Pierre Swiggers

    2000-12-01

    Full Text Available Dans cet article, consacré à l 'historiographie de la grammaire franrçaise, on abordera d'abord le problème de la définition du champ de l'histoire (ou de l'historiographie de la grammaire franrçaise (et de la linguistique franrçaise. La deuxième partie du texte sera consacrée à un problème central de l' epistémologie historique de la grammaire franrçaise: celui de la "récurrence du fait historique ", problème que je voudrais analyser à travers un cas concret, celui de l 'accueil fait à la grammaire de l 'Académie.

  13. Jörg Matthias Determann, Historiography in Saudi Arabia: Globalization and the State in the Middle East

    OpenAIRE

    Pétriat, Philippe

    2016-01-01

    It is a widely held view that Saudi Arabia’s history is recent, that its main elements are oil, Salafism and sectarianism, and that this recent history has been written mostly by non-Saudi scholars. In a stimulating in-depth analysis of Saudi historiography on Saudi Arabia, Jörg Matthias Determann delves into the very writing of history. He draws on an impressive range of written (including Saudi and non-Saudi historical works, dissertations, articles and textbooks) as well as oral sources. A...

  14. Soupisy uměleckých památek v českých zemích

    Czech Academy of Sciences Publication Activity Database

    Hůrková, Ludmila; Uhlíková, Kristina; Prix, Dalibor

    2017-01-01

    Roč. 6, č. 1 (2017), s. 18-25 ISSN 1338-807X Institutional support: RVO:68378033 Keywords : inventories of monuments * monument conservation * historiography of art history * Bohemia * Moravia * Silesia Subject RIV: AL - Art , Architecture, Cultural Heritage OBOR OECD: Art s, Art history

  15. Le fonds ethnographique des réfugiés grecs d’Anatolie : questions d’histoire et d’historiographie

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    Evangelia Balta

    2008-08-01

    Full Text Available Le fonds ethnographique des réfugiés grecs d’Anatolie : questions d’histoire et d’historiographie. En Grèce, par le mot « réfugiés » (en grec prosfyges, on entend toujours et exclusivement les 1 200 000 Grecs d’Asie Mineure et de Thrace qui arrivèrent sur le territoire grec en 1922 après la défaite de l’armée grecque en Asie Mineure, puis, de 1923 à 1925, dans le cadre de l’Échange des populations. Le texte du Traité de Lausanne qualifie ces populations d’« émigrants ». Le qualificatif « réfugiés » est associé à la Catastrophe d’Asie Mineure et à l’Échange des populations, qui a définitivement sonné le glas de la politique d’irrédentisme et d’expansion de l’État grec moderne, de ce qu’on appelle, en d’autres termes, la Grande Idée. De ce point de vue, les réfugiés sont le symbole du martyre résultant d’un échec national dans la rhétorique qui s’est développée dans l’historiographie grecque : ils sont les héros et les victimes de la catastrophe et du déracinement. En même temps, ils sont le symbole-même de ces précurseurs qui ont travaillé au regroupement de la Grèce moderne, puisque l’on considère que leur réhabilitation et leur réintégration y a très largement contribué. Les idéologies et stéréotypes qui se sont formés et installés dans le corps de l’historiographie ont d’abord été le produit de la charge que provoquait, et continue à provoquer, l’événement même, tragique, de la défaite et de l’exode qui suivit ; ensuite, celui du difficile processus d’apaisement progressif des secousses provoquées dans la société grecque par l’intégration des réfugiés. D’autres paramètres sont cependant aussi intervenus. Ce qu’il est important de souligner, c’est que la caractéristique principale de l’historiographie nationale relative à la question des réfugiés consiste dans l’absence d’examen de leur passé, et par

  16. La guerre civile macédonienne de 1903-1908 et ses représentations dans l’historiographie nationale grecque

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    Tasos Kostopoulos

    2011-12-01

    Full Text Available L’historiographie grecque a, selon les époques, pour raisons idéologiques, présenté fort différemment les guérillas nationalistes des années 1900 en Macédoine.La campagne déclenchée par les bandes de guérilla nationalistes entre 1904 et 1908 pour gagner de force « le territoire des âmes » de la population macédonienne, a eu plusieurs aspects ; sa dimension de guerre civile, déchirement fratricide des communautés chrétiennes slavophones, a été reconnue à l’époque par les principaux acteurs et par la plupart des observateurs extérieurs. Son traitement dans l’historiographie grecque est très éclairant sur la fonction idéologique que celle-ci a été appelée à remplir depuis un siècle ; cet article présente les quatre étapes que l’on peut distinguer dans ce traitement depuis un siècle, variations liées évidemment au contexte politique balkanique et intérieur grec : 1910-40, 1941-1974, 1974-1992 et depuis 1992.The war engaged by the nationalist guerrilla bands between 1904 and 1908 to obtain by force “the souls territory” of the Macedonian population, had different forms. The civil war aspect, bloody shooting between brothers of Christian slavophones communities, was recognized at the time by the main actors of it ans the foreign observers. Its treatment by the Greek historiography shows a very clear light on the ideological function it has been supposed to assume since one century and over. This paper presents the four moments in this treatment whose variations are related, of course, to the political Greek and Balkan context: 1910-1940, 1941-1974, 1974-1992 and from 1992.

  17. Incidence of depression and influence of depression on the number of treatment cycles and births in a national cohort of 42 880 women treated with ART

    DEFF Research Database (Denmark)

    Sejbaek, C S; Hageman, I; Pinborg, A

    2013-01-01

    differing in fertility status (both mothers and childless women). WIDER IMPLICATIONS OF THE FINDINGS: Fewer women in the ART cohort developed depression over time compared with the age-matched background population, which might reflect a healthy patient effect of the women seeking ART treatment. Women......STUDY QUESTION: Does prior depression in women treated with assisted reproduction technology (ART) influence the number of treatment cycles and ART live births? SUMMARY ANSWER: Women with a depression diagnosis prior to ART treatment initiated statistically significantly fewer ART treatment cycles...... and had a lower mean number of ART live births compared with women with no history of depression. WHAT IS KNOWN ALREADY: Previous studies have shown an increased prevalence of depressive symptoms in fertility patients than in the comparison groups. STUDY DESIGN, SIZE, DURATION: A register-based national...

  18. Historiografia do cinema canadense: balanço inicial * Historiography of Canadian cinema: starting survey

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    LUIZ ALEXANDRE PINHEIRO KOSTECZKA

    2013-08-01

    Full Text Available Resumo: O presente artigo apresenta os principais e mais referenciados estudiosos canadenses que se dedicaram ao estudo das elaborações audiovisuais do Canadá. Narra os percursos dessa historiografia e indica os principais eixos interpretativos utilizados para a análise de uma filmografia que perpassa mais de um século de intensa produção. Esses textos indicam uma diversidade de perspectivas, porém, apresentam um fio condutor comum que aloca esses trabalhos na envergadura do pensamento acerca da identidade canadense. Inferir a respeito da possibilidade/impossibilidade do conceito de nação nesse país é um elemento constituinte desses textos. Dessa forma, este artigo perscruta os meios e métodos utilizados nessas bibliografias para responder aos intermitentes dilemas da identidade nacional no cinema produzido no Canadá.Palavras-chave: Historiografia – Cinema – Canadá. Abstract: This paper presents the leading and most referenced Canadian scholars who have devoted themselves to the study of cinema production in Canada. It lists the movements of such historiography and point out the main interpretative axes used for the analysis of a filmography that pervades more than a century of powerful production. These several texts show a variety of perspectives; however, they have a common thread that allocates these works in the current of thought on the Canadian identity. To infer about the possibility/impossibility of the concept of nation in this country is a constitutive component of these texts. Therefore, this article aims to scrutinize the proceedings and methods used in these bibliographies to answer to the intermittent dilemmas of national identity in the cinema produced in Canada.Keywords: Historiography – Cinema – Canada.

  19. The historiography of psychoanalysis in Brazil: the case of Rio de Janeiro.

    Science.gov (United States)

    Facchinetti, Cristiana; De Castro, Rafael Dias

    2015-01-01

    The objective of this article is to analyze the background of the historiography of psychoanalysis in Rio de Janeiro. Three different phases and approaches are analyzed, based on the viewpoints of different groups of authors. The first group features authors who displayed an early interest in the subject, in the 1920's-1930's. The second refers to psychiatrists/psychoanalysts who worked with mental health institutes and societies between the 1940's and 1970's, while the third perspective comes from the academic/university environment, from the end of the 70's to the present. This distinction was made not only to better define the timeframe of the arrival and dissemination of psychoanalysis in Rio de Janeiro, but also to provide a better understanding of the relation between the specific professional and intellectual interests of each group and the respective historical context.

  20. The Seductive-Plausibility of Patent Hold-Up Myths — A Flawed Historiography of Patents

    DEFF Research Database (Denmark)

    Howells, John; Katznelson, Ron D

    In previous work we have shown that a flawed historiography of patents continues to be the basis for patent policy advocacy. We set out objective standards of evidence that allegations of development block due to assertion of patents must meet. We show the extent of the errors in the historical...... record in the aircraft, automobile, radio and incandescent lamp technologies. We then evaluate how they measure against the objective standards. We find many simple errors and that an absence of indicia of development block characterise scholarship alleging that assertion of patents blocked development...... of multiple case studies subjected to such standards justifies the rebuttable presumption that “pioneer patents have never blocked development”....

  1. The Vilnius issue in international relations: the historiography of the problem

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    Mankevich Maria

    2012-03-01

    Full Text Available This article considers certain historiographical aspects of the Vilnius issue as an international problem. The author analyses the origins of the Polish-Lithuanian conflict, the role of the struggle for Vilnius in the general context of the Polish-Lithuanian confrontation, and the origin and nature of Lithuanian nationalism. The article also examines historiographical perspectives on the seizure of Vilnius by the troops of the Polish general, L. Żeligowsky, and the international consequences of the violation of the Suwałki Agreement. The author pays special attention to the positions of western powers, the decision of the Conference of Ambassadors on March 15, 1923, and the mediation of the League of Nations in the territorial dispute between Lithuania and Poland. The article considers the existing historiographical concepts and evaluations of the role of the Soviet diplomacy in the Vilnius issue. The author identifies new trends in the contemporary historiography of the Vilnius problem.

  2. Historiography of mathematics in the 19th and 20th centuries

    CERN Document Server

    Schneider, Martina; Sørensen, Henrik

    2016-01-01

    This book addresses the historiography of mathematics as it was practiced during the 19th and 20th centuries by paying special attention to the cultural contexts in which the history of mathematics was written. In the 19th century, the history of mathematics was recorded by a diverse range of people trained in various fields and driven by different motivations and aims. These backgrounds often shaped not only their writing on the history of mathematics, but, in some instances, were also influential in their subsequent reception. During the period from roughly 1880-1940, mathematics modernized in important ways, with regard to its content, its conditions for cultivation, and its identity; and the writing of the history of mathematics played into the last part in particular. Parallel to the modernization of mathematics, the history of mathematics gradually evolved into a field of research with its own journals, societies and academic positions. Reflecting both a new professional identity and changes in its prim...

  3. Hacia una historia crítica del arte paleolítico : la historia social de las ciencias sociales como paradigma

    Directory of Open Access Journals (Sweden)

    Oscar Moro Abadía

    2008-01-01

    Full Text Available Algunos trabajos recientes han subrayado la emergencia, durante los años noventa, de una historia crítica de la arqueología opuesta a la historiografía tradicional. Como estos autores señalan, el principal objetivo de la nueva generación de historiadores es que la historia de la arqueología asuma una posición más central en el conjunto de la disciplina. En este contexto, pensamos que el proyecto de la historia social de las ciencias sociales de Pierre Bourdieu puede proporcionar un modelo útil para construir una historiografía crítica que introduzca el pasado en los debates disciplinares. Tomando como ejemplo nuestro reciente trabajo sobre arte paleolítico, sugerimos aquí algunas ideas sobre la utilización de la historia social de Bourdieu como instrumento de análisis histórico que permita comprender mejor los cimientos de la ciencia arqueológica.Recent works on archaeological theory have emphasized the emergence during the nineties of a critical history of archaeology as opposed to a traditional historiography. As these authors have pointed out, the main aim of the former is that the history of archaeology assumes a more central position in the discipline. In this context, we suggest that Pierre Bourdieu's project of Social history of social science can provide archaeologists with a useful model to build a critical historiography of the discipline that articulates the past with contemporary debates on archaeological knowledge. Taking our recentworks on Paleolithic art into account, we propose in this paper some critical thoughts on Bourdieu's Social History as an instrument of historical analysis that is useful to better understand the foundations of archaeological science.

  4. Experience – Information – Image: A Historiography of Unfolding. Arab Cinema as Example

    Directory of Open Access Journals (Sweden)

    Laura U. Marks

    2011-04-01

    Many artworks can be illuminated by this process. My examples will be drawn from contemporary Arab cinema. In the heavily politicized Arab milieu, the Image world is constructed as a selective unfolding of only those aspects of Experience that are deemed to be useful or profitable. Some Arab filmmakers, rather than deconstruct the resulting ideological images, prefer to carry out their own unfoldings:  explicating hitherto latent events, knowledges, and sensations. Thus what official history deems merely personal, absurd, micro-events, or no events at all, becomes the stuff of a rich alternative historiography. This process characterizes the work of, among others, Joana Hadjithomas and Khalil Joreige, Nisrine Khodr, Mohammed Soueid, and Akram Zaatari (Lebanon, Azza El-Hassan, Elia Suleiman, and Sobhi Al-Zobaidi (Palestine, and Mohamad Khan (Egypt.

  5. Demographic losses of Ukraine’s population in the 1930s according to foreign and domestic historiography

    Directory of Open Access Journals (Sweden)

    Kravchenko, Ye. O.

    2016-01-01

    Full Text Available The analyses of main trends in the modern historiography, which characterize demographical situation in Ukraine in 1930-s is done. The main components of the source base of this topic that have been introduced into scientific circulation in recent years are found out. The ambiguity of quantitative estimates of the population-loss in the Soviet Ukraine during 1930-s and methodological reasons for this phenomenon are shown. There was emphasized the need for the introduction to the researched theme a new methods of working with statistical sources. Important in this context is the legacy of «knights Ukrainian statistics» (Ptukha, Khomenko, Korczak-Chepurkivskyy. It was posed the problem of holistic review of historical and demographic changes in the structure and growth of population in the Ukrainian territory both 1930s and throughout Soviet history. Only then we could talk about the degree of qualitative changes of Ukrainian society due to the increased mortality of 1930s. The holistic picture has to take into account the number of deaths among victims of repression and people, who were interned to the special squads, among whom mortality was the most mass. Also made a point of striving to involve in further scientific research new calculation system with using information technology.

  6. Historiography and the retracing of Latin American art history’: The Academy of San Carlos and Mexican Art History by Ray Hernández-Durán, Politics, History, and Art in Nineteenth-Century Mexico, London and New York: Routledge, 2017

    Directory of Open Access Journals (Sweden)

    Claudia Mattos Avolese

    2017-12-01

    Full Text Available The Academy of San Carlos and Mexican Art History presents an account of the cultural and political circumstances that led to the installation of the first gallery of colonial art at the Academy of San Carlos in mid-nineteenth century Mexico City, and to the associated publication of the first art historical account of colonial Mexico. The author proposes that these two endeavors relate closely to the ambitions of the Mexican conservative elite to create a Mexican corporate identity based on the colonial past. Ray Hernández-Durán also argues that the gallery and the associated book can be seen as the starting point for the construction of the field of Latin American art history as we know it today.

  7. The Student Movement as an Object of study in the Colombia and continental historiography: Notes for a balance and a research agenda

    Directory of Open Access Journals (Sweden)

    Álvaro Acevedo Tarazona

    2011-07-01

    Argentina and Brazil in order to approach currents and looks beyond the national borders which renew and contextualize our work. In this way, it seeks to help in the construction of a historiography map to locate the new generations of researchers interested in the student movement in order to consolidate an area of research and relection at the national level.

  8. Modern Russian Historiography as a Living and Growing Intellectual Body

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    Galina N. Ul’ianova

    2016-10-01

    Full Text Available This review of Professor Boris Mironov’s monograph highlights the discussion in his work of the most important parameters of economic development and social life in Russia in the eighteenth and nineteenth centuries. The book covers the period from Peter the Great to the October 1917 Revolution, when the ripening of individualistic aspirations and the gradual extension of civil rights occurred. Boris Mironov’s book examines the social structure of Russian cities and rural areas, means of communication, the evolution of legislation and institutions, demographic changes, etc. Considerable attention is devoted to the discourse of the erosion of the formerly rigid social hierarchy in the post-Reform period. The review noted that the author introduced a considerable array of documents into scientific circulation, mainly from RGIA. The comparative approach, which considers Russian history from the perspective of European and American models of development, is an advantage of the book. The review noted the great contribution of Boris Mironov in the analysis of recent historiography; especially valuable in this regard is his reflection of the most important academic discussions of the last forty years.

  9. The Art and Science of Defense Logistics

    Science.gov (United States)

    1995-04-01

    The Art And Science Of Defense Logistics CSC 1995 SUBJECT AREA - Logistics THE ART AND SCIENCE OF DEFENSE LOGISTICS...Government EXECUTIVE SUMMARY Title: The Art and Science of Defense Logistics Author: Major S. I. Schuler, USMC Research Questions: 1...00-1995 4. TITLE AND SUBTITLE The Art And Science Of Defense Logistics 5a. CONTRACT NUMBER 5b. GRANT NUMBER 5c. PROGRAM ELEMENT NUMBER 6

  10. Zapojení německy píšících badatelů do dvou projektů soupisů památek v českých zemích

    Czech Academy of Sciences Publication Activity Database

    Uhlíková, Kristina

    2013-01-01

    Roč. 5, č. 1 (2013), s. 25-46 ISSN 1803-9448 Institutional support: RVO:68378033 Keywords : sight inventories * Archaeology Commission of Czech Academy of Science and Art (CASA) * historiography of history of art * Gesellschaft zur Förderung deutscher Wissenschaft, Kunst und Literatur in Böhmen Subject RIV: AL - Art, Architecture, Cultural Heritage

  11. Book Review: Aullón de Haro, P. (ed. (2015. Historiografía y Teoría de la Historia del Pensamiento, la Literatura y el Arte. Madrid: Dykinson.

    Directory of Open Access Journals (Sweden)

    Esther Zarzo

    2016-04-01

    Full Text Available Historiografía y Teoría de la Historia del Pensamiento, la Literatura y el Arte is the latest publication by the Research Group "Humanism-Europe", led by Prof. Aullón de Haro from the University of Alicante, Spain. A radically comparative work, prepared with a team spirit, that presents in a single volume the result of a body of research that has been maturing for two decades. Since 1994, when the Research Group was first founded -with the aim to highlight the relevance of Juan Andrés as the creator of the History of universal and comparative literature through the Group's publication of his work Origen, progresos y estado actual de toda la literatura (1997-, a reflection on the Historiography and the Theory of History has been an on-going work, having been partially published in the now defunct university magazine Teoría/ Crítica (1994. During the maturation of this work other very remarkable works by the Group have been brought to light, such as Metodologías Comparatistas y Literatura Comparada (2012, and the seven volumes that make up the Teoría del Humanismo (2010. Now, with the approaching of the bicentennial of Juan Andrés’ death (1740-1817, Historiografía y Teoría de la Historia del Pensamiento, la Literatura y el Arte has been published as the first contribution to the marking of this anniversary. The need for this reflection on Historiography lies, as the director of the Group explains in the Preface, in the need to overcome the progressive reductionism established in modern times, which has led to the current-day situation. Synthesizing its argument, while it is true, in the opinion of Prof. Aullón de Haro, that during modernity Historiography reached its highest relevance and depth, it is also true that due to the progressive internal and external fragmentation of its object into various specialized and disconnected branches, besides the divisions of country and language, it has lost sight of what its specific objective

  12. “The Milada Paulová’s Syndrome” – The Life’s Work of the Czech Scholar and its Influence on the Historiography in the Socialist Yugoslavia

    Czech Academy of Sciences Publication Activity Database

    Hálek, Jan; Mosković, Boris

    2017-01-01

    Roč. 25, č. 4 (2017), s. 1071-1092 ISSN 1318-0185 R&D Projects: GA ČR GA16-11252S Institutional support: RVO:67985921 Keywords : Milada Paulová * First World War * historiography Subject RIV: AB - History Impact factor: 0.219, year: 2016

  13. Ornamental “borderlands”: Elisabeth Wilson and Martin Heydrich’s historiographies of “primitive” ornament

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    Priyanka Basu

    2015-06-01

    Full Text Available This article examines texts by Elisabeth Wilson and Martin Heydrich written in 1914 at the University of Leipzig on the subject of ‘primitive’ ornament. Both synopsize the history and literature of this field from its beginnings in the nineteenth century to the time of their writing. This article considers how Wilson and Heydrich represent this history and how the field’s multidisciplinary practitioners perceived its pressing problems. Above all, Wilson and Heydrich set up a number of recurring oppositions between major approaches to ‘primitive’ art and ornament, between ‘materialist’ interpretation, allied with archaeology, symbolic interpretation practiced for the most part by ethnologists, and an ‘aesthetic’ approach, pursued by art theorists and focused on the psychological will of its creators. These issues and this configuration of approaches are further examined in one of August Schmarsow’s important essays on art history and ethnology.

  14. Charles IV 1978-2016. Reviewing the Ideological Background of the Exhibitions and Conferences in 1978

    Czech Academy of Sciences Publication Activity Database

    Benešovská, Klára

    2017-01-01

    Roč. 4, č. 1 (2017), s. 158-173 ISSN 2336-3452 R&D Projects: GA ČR GA13-39192S Institutional support: RVO:68378033 Keywords : Charles IV, King of Bohemia and Holy Roman Emperor * exhibitions in 2016 and 1978, Prague-Nuremberg-Cologne * art of the Luxembourg era 1350–1420 * historiography Subject RIV: AL - Art , Architecture, Cultural Heritage OBOR OECD: Art s, Art history

  15. Southern Caucasus in Perspective. The scholarly debate through the pages of Seminarium Kondakovianum and Skythika (1927-1938)

    Czech Academy of Sciences Publication Activity Database

    Lovino, Francesco

    -, Supplementum (2016), s. 36-51 ISSN 2336-3452 Institutional support: RVO:68378033 Keywords : art and archaeology historiography * Seminarium Kondakovianum * Michail Rostovtzeff * Stefan Przeworski * Georgij Čubinašvili * Caucasus * church of Saint George in Samtsevrisi * animal style * bronze statuettes Subject RIV: AL - Art, Architecture, Cultural Heritage

  16. Conceptual Understanding of the Russian-Caucasian Relations in the XVI–XIX centuries in the Official Imperial Historiography

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    Hadzhi-Murat A. Sabanchiev

    2017-03-01

    Full Text Available The domestic Caucasus Studies contains various, often conflicting concepts and approaches, claiming to be the most complete and objective coverage of issues of Russian-Caucasian historical interaction. Though in different studies, the same category is filled with a variety of semantic content that creates a discursive field requiring thorough scientific research. The article analyzes the research works of official direction of pre-revolutionary historiography devoted to the problem of relations between Russia and the North Caucasus in the XVI–XIX centuries. The disciplinary matrix of historical science of J. Ryuzen is used as an instrument of historiographical analysis in this research. This theoretical construct allowed to typologize and to conceptualize the pre-revolutionary studies, to formulate criteria for selection of the conservative direction in the study of the Russian-Caucasian relations. The authors of the article relate the works of M.M. Shcherbatov, N.K. Karamzin, P.P. Zubov, R.А. Fadeev, A.P. Berge, N.F. Dubrovin, V.A. Potto, D.N. Dubenskiy, I. Ivanin, S.S. Esadze et al to the research works of the official direction of the pre-revolutionary historical thought. The cognitive interest of this group of researchers is caused by the search for the most effective ways of conquest and managing the North Caucasian peoples. Caucasus war was examined by the researchers-conservatives as the process of strengthening the position of the Russian Empire in the North Caucasus region justified from a historical and geopolitical point of view. The official approach supposed the civilizational motivation for the particular military conquest of the North Caucasus societies, deprived of citizenship and social order. The authors conclude that the research works of the conservative direction of imperial historiography solve important problems of legitimation of the Russian policy in the North Caucasus.

  17. Representation and Historiography in Mexico 1930-1950. “Mexican Identity” as Viewed from National and Foreign Perspectives

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    Ricardo Pérez Montfort

    2013-04-01

    Full Text Available This paper examines the transformations experienced by Mexican historiography during the 20th century, from the 1930's to the 1950's. From being an ideologized history -that created nationalist “revolutionary” consciences and identities-, it turned into a history with more scientific and cultural claims, in the midst of different political, economic, social and, especially, cultural adjustments. Within the international context, changes in approaches and methodologies took place amid the economic and political rearrangement brought about by World War II and its first consequences. Both Mexico and the United States, as well as most European countries, experienced a “change of direction” that undoubtedly affected Mexicanist historical interpretations, asserting some of them, while discarding others.

  18. Operational Design that Synthesizes Art and Science

    Science.gov (United States)

    2011-05-04

    FINAL 3. DATES COVERED (From - To) Feb - May 2011 4. TITLE AND SUBTITLE OPERATIONAL DESIGN THAT SYNTHESIZES ART AND SCIENCE 5a...TITLE AND SUBTITLE Operational Design That Synthesizes Art And Science 5a. CONTRACT NUMBER 5b. GRANT NUMBER 5c. PROGRAM ELEMENT NUMBER 6. AUTHOR...proponents of EBO view warfare as only a science and not a combination of art and science . 9 Another main point of contention centered on the term

  19. „Kánon“ v českém hudebním dějepisectví a hudební praxi: vznik, funkce a proměny v průběhu let

    Czech Academy of Sciences Publication Activity Database

    Gabrielová, Jarmila

    2013-01-01

    Roč. 39, č. 4 (2013), s. 331-339 ISSN 1335-2458 Institutional support: RVO:68378076 Keywords : historiography * musicology * Czech music culture Subject RIV: AL - Art, Architecture, Cultural Heritage

  20. Historiografía del arte prehistórico en la Península Ibérica : I, hasta 1914

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    Eduardo Ripoll Perelló

    1997-01-01

    Full Text Available Historiografía del arte rupestre de la Península (hasta 1914, en relación con el de otras regiones cercanas. Antecedentes en la literatura y la arqueología. Significado del descubrimiento y valoración del arte mueble del Paleolítico Superior en Francia. La cueva de Altamira, su descubridor M. Sanz de Sautuola y las polémicas a que dio lugar su descubrimiento. La revaloración de la cueva de Santillana por H. Breuil y E. Cartailhac. La actividad exploradora de H. Alcalde del Rio (con la lista de sus descubrimientos. El reconocimiento y valoración de las diferentes facies del arte ruprestre postpaleolítico peninsular.Historiographie der Höhlenlkunst der Iberischen Halbinsel (bis 1914, in Beziehung zur IHóhlenkunst anderer benachbarten Gebiete. Vorkenntnisse der Literatur und der Arctiáologie. Bedeutung der Entdeckung und Einscliatzung der Hocfipaleolittiiscen mobilen Kunst in Frankreicfi. Die Hóhle in Altamira, itir Entdecker M. Sanz de Sautuola und die durch seine Entdeckung verursachten Streitgespráche. Revalorisierung der Hóhle in Santillana von H. Breuil und E. Cartailhac durch geführt. Die Expeditionen von H. Alcalde del Río (mit der Auflistung seiner Entdeckungen. Anerkennung und Einscháttzung der verschiedenen Aspekte der postpaleolithischen Höhlenkunst der Iberischen Halbinsel.

  1. The Student Movement as an Object of study in the Colombia and continental historiography: Notes for a balance and a research agenda

    OpenAIRE

    Álvaro Acevedo Tarazona; Gabriel Samacá Alonso

    2011-01-01

    The events of 1968 are recognized today as the irst global Cultural Revolution. Latin America was not stranger to the big changes in a time known for cultural social movements and student protests. Today is not yet known a balance about the Continental Historiography of this event. This article attempts to point out the limitations of scientiic research in Colombia, marked by their fragmented and dispersed character. In a continental level are explored the cases of Mexico, Argentina and Br...

  2. Essays on Art in Venezuela (Ramón de la Plaza, 1883: an Ethnohistorical Musical Perspective

    Directory of Open Access Journals (Sweden)

    José Ángel Viña Bolívar

    2016-02-01

    Full Text Available General Ramon Plaza Manrique (1831-1886, distinguished character of the Caracas elite, published in 1883 a collection of essays which offered a wide panorama of the art in Venezuela, including music. One of the most interesting sections is about the indigenous world, abounding in details regarding the unequivocal origin of pre-Hispanic music. The treatment of topics, the references to old sound systems, the comparison as study method and, in general terms, the background of the ideas reveal a world of shades that can be approached from new perspectives. Interdisciplinarity enables the exchange of glances adapted to the times, allowing extensive understanding of objects of study such as music; in the case of ethno-history, whose objectives are achieved thanks to the parallel deployment of the methodology of ethnography and history sciences. In this paper a canonical text of the Venezuelan and Latin American musical historiography is analyzed in order to update its approaches through an ethno-historical musical bias.

  3. Shadow art

    KAUST Repository

    Mitra, Niloy J.

    2009-01-01

    "To them, I said, the truth would be literally nothing but the shadows of the images." - Plato, The Republic Shadow art is a unique form of sculptural art where the 2D shadows cast by a 3D sculpture are essential for the artistic effect. We introduce computational tools for the creation of shadow art and propose a design process where the user can directly specify the desired shadows by providing a set of binary images and corresponding projection information. Since multiple shadow images often contradict each other, we present a geometric optimization that computes a 3D shadow volume whose shadows best approximate the provided input images. Our analysis shows that this optimization is essential for obtaining physically realizable 3D sculptures. The resulting shadow volume can then be modified with a set of interactive editing tools that automatically respect the often intricate shadow constraints. We demonstrate the potential of our system with a number of complex 3D shadow art sculptures that go beyond what is seen in contemporary art pieces. © 2009 ACM.

  4. A historiografia francesa da educação em um contexto memorialístico: reflexões sobre algumas problemáticas evoluções - He french education historiography in a memorialistic context: reflections about some problematic evolutions

    Directory of Open Access Journals (Sweden)

    Pierre Caspard, Traduação Maria Helena Camara Bastos

    2011-03-01

    Full Text Available Resumo Há um fosso crescente entre as análises as mais sutis que os historiadores propõem para compreender o passado da educação francesa, e os parâmetros de referência que oferece a produção memorial para situar a escola atual em relação ao passado. O artigo propõe algumas explicações para essa discrepância, que dizem respeito às mudanças recentes no sistema educativo, nas condições em que operam os historiadores da educação, e da evanescência de dois quadros de análise há muito tempo paradigmáticos: as classes sociais e a nação. Palavras-chave: Historiografia da educação; Educação na França; Cultura profissional dos professores.   HE FRENCH EDUCATION HISTORIOGRAPHY IN A MEMORIALISTIC CONTEXT: REFLECTIONS ABOUT SOME PROBLEMATIC EVOLUTIONS Abstract We can observe a growing discrepancy between the increasingly subtle analyses of education historians offer in order to explain the past and the over-simplicity of reference points used by memorial vulgate to situate contemporary education in relationship to this very same past. This article offers some explanations of this discrepancy. They relate to the recent upheavals within the educational system, the conditions under which education historians operate, and the evanescence of two longstanding paradigmatic analytical frameworks – social classes and the nation. Keywords: Historiography of education; French Education; Teacher’s professional Culture   LA HISTORIOGRAFÍA FRANCESA DE LA EDUCACIÓN EN UN CONTEXTO MEMORIALÍSTICO: REFLEXIONES SOBRE ALGUNAS PROBLEMÁTICAS EVOLUCIONES Resumen Hay un surco creciente entre las análisis las más sutiles que los historiadores proponen para comprender el pasado de la educación francesa, y los parámetros de referencia que ofrece la producción memorial para situar la escuela actual en relación al pasado. El artículo propone algunas explicaciones para esa discrepancia, que dicen respecto a las mudanzas recientes en el

  5. The Art of Teaching Social Studies with Film

    Science.gov (United States)

    Russell, William B., III

    2012-01-01

    Teaching with film is a powerful and meaningful instructional strategy. This article discusses five classroom-tested methods for teaching with film: (1) film as a visual textbook, (2) film as a depicter of atmosphere, (3) film as an analogy, (4) film as a historiography, and (5) film as a springboard. Each of the methods discussed includes…

  6. Art and Architectural Space

    DEFF Research Database (Denmark)

    Unterrainer, Walter

    2014-01-01

    the number of museums went up from 300 by 1980 to estimated 3000 museums by 2015. In urban discourses, new museums and buildings for art have been considered as drivers for ´cultural sustainability´ of cities. The notion is diffuse and the reality is more an economic centred ´city branding´ to help...... the promotion of tourism. What surprises: in many cities, the buildings for art are better known and more published and discussed than the art they accommodate. A lot of them are considered as art objects. This raises two questions: How much is architecture itself a form of arts? (in Western architecture...... historically considered even the mother of all arts) - but more relevant: what are appropriate architectural spaces for presenting, exhibiting, contemplating, reflecting, meditating, discussing, enjoying, dissenting, debating creations of art. Simplified, this is a question about the relation between package...

  7. Techno-Organic Practices in the Nordic Art

    DEFF Research Database (Denmark)

    Beloff, Laura

    2017-01-01

    biological matter and natural environment. Roy Ascott has claimed already in 2000: ‘MOISTWARE erodes the boundary between hardware and wetware’ (Ascott 2000). Biotechnology is an engineering discipline that has, in recent decades, entered the realm of the arts. A growing number of artists utilizing...... technological and biotechnological methods are also inextricably pairing art practices with living matter. Historical antecedents for this type of art can be traced to art that deals with biological or technological matter, for example land art, art that included animals, and digital art works. The art works...

  8. Para além da autoconsciência moderna: a historiografia de Hans Ulrich Gumbrecht Beyond modern self-consciousness: the historiography of Hans Ulrich Gumbrecht

    Directory of Open Access Journals (Sweden)

    Valdei Lopes de Araujo

    2006-12-01

    Full Text Available Neste artigo, apresento uma análise dos aspectos historiográficos da obra de Hans Ulrich Gumbrecht. Acompanhado o desenvolvimento de sua teoria da modernidade e das conseqüências dessa teoria para a escrita da história e para a auto-consciência disciplinar. Por fim, proponho uma releitura da história da historiografia através dos dois tipos de culturas propostas por Gumbrecht, ou seja, culturas de sentido e culturas de presença. Argumento que mesmo que a historiografia moderna possa ser caracterizada como predominantemente ancorada na produção de sentido, aspectos centrais de sua história só podem ser explicados através de elementos típicos da produção de presença.This paper analyses some historiographical aspects of Hans Ulrich Gumbrecht's work, particularly his theory of modernity and its consequences to the writing of history and its disciplinary self-conscious. Finally, it is proposed a reinterpretation of the history of historiography based on the distinction between cultures of presence and cultures of meaning. It is argued that despite the fact that the elements of meaning are predominant in the constitution of modern historiography, the forces acting in its constitution cannot be explained without typical elements of a culture of presence.

  9. Towards a Decentred History: The Study of the Holodomor and Ukrainian Historiography

    Directory of Open Access Journals (Sweden)

    Olga Andriewsky

    2015-01-01

    Full Text Available This article reviews research on the Holodomor by historians of Ukraine since the late 1980s. It examines the dominant trends in historiography, the major findings, and the current state of the field. The field itself, it argues, has grown considerably and there now exists a critical body of scholarship on the subject. For the past two decades, this scholarship has largely been dominated by the debate about whether the Holodomor constitutes genocide. Much of the focus has been on illuminating the policies, methods, and intentions of the Soviet leadership and there have been notable advances in these areas of research. Social history on this topic, on the other hand, remains largely underdeveloped. Some historians of Ukraine have begun to study the Holodomor “from below” and to explore the larger social and cultural consequences of de-kulakization, collectivization, and the Terror-Famine. This approach is crucial, the author suggests, to understanding the exceptional nature of the era. In terms of patterns of migration, family structure, religious practices, social identity, status and ranking, and attitudes towards power, authority, and political participation, the Holodomor Era fundamentally changed the way Ukrainians lived. In this respect, it represents a turning point, as momentous as perhaps any in Ukrainian history.

  10. Amortization as source of capital investments in Belarus: historiography, theoretical and practical aspects

    Directory of Open Access Journals (Sweden)

    S.L. Korotayev

    2016-12-01

    Full Text Available The article focuses on the historiography of defining amortization as the source of further reproduction and creation due to the amortization of sinking funds, used by economic entities for future capital investments. Acting as the source of capital investments, sinking funds were established during the socialist era, as well as in the post-Soviet period, that is before the beginning of the 21st century. However, starting from 2010, economic entities no longer have been creating sinking funds on the balance sheet and outside it, that corresponds to the international practice, in particular the rules and principles of International Financial Reporting Standards. The author proves that the amortization, recoverable in the price of goods (works, services, is the reimbursement of the past, not future expenditures. Accordingly, the sinking funds, as the source of future investments, cannot be made at the expenses of amortization charges. At the same time, the author analyzes the possible consequences of the legal right of enterprises to unchanged amortization installments in the reporting period with the extension of the life of depreciable fixed assets for the period when no amortization charges were calculated.

  11. Neutrons and art

    International Nuclear Information System (INIS)

    Panczyk, E.; Walis, L.

    2004-01-01

    Following modern trends in art objects connoisseurship, through examination of the structure of art objects supports traditional studies conducted by art historians based on composition, iconographic and stylistic comparisons. It must be emphasized that complete technological examinations are carried out by means of comprehensive physical and chemical studies. Among various methods used for the examination of art objects, methods which apply neutrons such as instrumental neutron activation analysis (INAA), prompt gamma activation analysis (PGAA) and neutron-induced autoradiography are crucial due to their high sensitivity, reproducibility and capability of simultaneous determination of several tens of elements. Systematic studies on art objects using instrumental neutron activation analysis and neutron autoradiography have been carried out in the institute of Nuclear Chemistry and Technology. It was possible to accumulate a number of essential data on the concentration of trace elements particularly in chalk grounds and pigments (such as lead white, lead-tin yellow, smalt), Chinese porcelain, Thai ceramics, silver denarius, jewellery made of copper alloys, as well as in the clay fillings of Egyptian mummies. The above mentioned examination of art objects prior to their conservation helps to determine precisely the materials used in the process of creating art objects, as well as to identify the appropriate place of origin of particular materials. (author)

  12. Martial arts injuries.

    Science.gov (United States)

    Pieter, Willy

    2005-01-01

    To review the current evidence for the epidemiology of pediatric injuries in martial arts. The relevant literature was searched using SPORT DISCUS (keywords: martial arts injuries, judo injuries, karate injuries, and taekwondo injuries and ProQuest (keywords: martial arts, taekwondo, karate, and judo), as well as hand searches of the reference lists. In general, the absolute number of injuries in girls is lower than in boys. However, when expressed relative to exposure, the injury rates of girls are higher. Injuries by body region reflect the specific techniques and rules of the martial art. The upper extremities tend to get injured more often in judo, the head and face in karate and the lower extremities in taekwondo. Activities engaged in at the time of injury included performing a kick or being thrown in judo, while punching in karate, and performing a roundhouse kick in taekwondo. Injury type tends to be martial art specific with sprains reported in judo and taekwondo and epistaxis in karate. Injury risk factors in martial arts include age, body weight and exposure. Preventive measures should focus on education of coaches, referees, athletes, and tournament directors. Although descriptive research should continue, analytical studies are urgently needed.

  13. Teaching 21st-Century Art Education in a "Virtual" Age: Art Cafe at Second Life

    Science.gov (United States)

    Lu, Lilly

    2010-01-01

    The emerging three-dimensional (3D) virtual world (VW) technology offers great potential for teaching contemporary digital art and growing digital visual culture in 21st-century art education. Such online virtual worlds are built and conceptualized based on information visualization and visual metaphors. Recently, an increasing number of…

  14. L’introuvable capitale du Mali. La question de la capitale dans l’historiographie du royaume médiéval du Mali The capital that cannot be found: The question of the capital in the historiography of the medieval kingdom of Mali

    Directory of Open Access Journals (Sweden)

    Hadrien Collet

    2013-05-01

    Full Text Available Parmi les nombreuses hypothèses portant sur la capitale du Mali à son apogée (xiiie-début xve siècle, celle de Niani, apparue sous la plume des « historiens coloniaux », a connu la plus belle fortune. Construite par l’histoire coloniale, puis partiellement déconstruite à partir des années 1970, l’hypothèse de Niani, bien que porteuse d’une façon de faire de l’histoire aujourd’hui révolue, continue d’avoir ses partisans. Apparue en 1923, elle traverse l’époque coloniale et celle des indépendances des années 1960 avant de se retrouver confrontée à la méthode critique de l’histoire académique et de l’archéologie. Cette étude propose donc d’appréhender l’historiographie spécifique à Niani, qui reflète les évolutions de l’écriture de l’histoire ancienne du Soudan, et de faire le point sur l’état des recherches actuelles sur la question de la capitale du Mali.In the writings of “colonialist historians”, the hypothesis of Niani was certainly the main one formulated about the capital of medieval Mali at its height, from the 13th till the middle of the 15th century. This hypothesis, produced by colonial history in 1923 but partially deconstructed since the 1970s, still has strong support despite its outdated approach to writing history. It was advanced during the colonial era and the period of independence (the 1960s, before being subjected to a critique from academic history and archaeology. The historiography of Niani is presented as a reflection of trends in the writing of the history of the ancient Sudan, and current research on Mali’s capital is examined.

  15. Shah Shuja’s ‘Hidden History’ and its Implications for the Historiography of Afghanistan

    Directory of Open Access Journals (Sweden)

    Shah Mahmoud Hanifi

    2012-05-01

    Full Text Available The essay uses colonial archival materials from the Archives of the Punjab Province in Lahore to address the thirty-year period between the two reigns of the Durrani Afghan Monarch Shah Shuja (r. 1803-1809 and 1839-1842. Focusing on the 1809-1839 period, the first part of the essay deals with Mountstuart Elphinstone’s 1809 diplomatic mission and Shuja’s flight from Peshawar. The second part of the article considers the communication between Shah Shuja’s primary wife and colonial officials that culminated in Shuja’s receipt of housing and a monthly British pension in Ludhiana in 1816. The third part of the essay treats Shuja’s aborted attempt to recapture Kabul without British support in 1832-1833 and its consequences for him in Ludhiana. Shuja’s lack of Pashto credentials, his dependency on British capital, and his circular migration pattern are viewed as normative rather than exceptional for Afghan rulers, and as such this essay contributes to a revision of the traditional historiography of Afghanistan that views the country through the incompatible lenses of Pashtun ethnic domination of the Afghan state structure and Pashtun tribal resistance to Afghan state formation.1

  16. Primitive Art and Petroglyphs of Armenia

    Science.gov (United States)

    Tokhatyan, Karen

    2015-07-01

    Petroglyphs of Armenia have preserved valuable manifestations of primi­tive knowledge, beliefs and art. Within the scope of this unique iconographic art a number of key issues are examined: the origin of ancient art, its attribu­tes and functions, the relationship between art and science, the role of art as an important means of human cognition and communication. Thus, rock art is presented as subject of art history and aesthetics, manifestation of scienti­fic knowledge of the past, and an oldest iconographic language with charac­teristic features of book culture. These general scientific aspects are elucidated alongside achievements of an­ci­ent Greek and medieval Armenian philosophy. As a result, it becomes obvious that different problems of art during millennia remained within the fo­cus of the Armenian aesthetic mind, testifying to the continuity and succe­ssion of creative activitiy in Armenian culture.

  17. For What Purpose the Arts? An Analysis of the Mission Statements of Urban Arts High Schools in Canada and the United States

    Science.gov (United States)

    Gaztambide-Fernández, Rubén; Nicholls, Rachael; Arráiz-Matute, Alexandra

    2016-01-01

    While general arts programs have declined in many schools across the United States and Canada, the number of specialized art programs in public secondary schools has swelled since the 1980s. While this increase is often celebrated by arts educators, questions about the justification of specialized arts programs are rarely raised, and their value…

  18. Whose global art (history?: Ancient art as global art

    Directory of Open Access Journals (Sweden)

    Cynthia Colburn

    2016-12-01

    Full Text Available Discourse on global art or art history arguably dominates the field of art history today in terms of curriculum and research. This discourse cuts across time and space, impacting all art historical specializations, from prehistoric to contemporary, and from Africa to the Americas. Yet, the mainstream theoretical discourse on global art or art history focuses almost explicitly on contemporary and, to a lesser extent, modern art, operating from the premise that only these arts were created in an age of globalization and, thus, emphasize hybridity. This essay seeks to expand the mainstream theoretical discourse regarding global art to pre-modern examples, given that artistic exchange and hybridity dates as early as the prehistoric era all over the world and is not dependent on newer technologies. Indeed, one might argue that the study of pre-modern examples of global art could provide a powerful historical lens through which to analyze contemporary global art.

  19. Byzance àpres Byzance. Byzantská tradice a kultura obyvatel Balkánského poloostrova po pádu byzantské říše, v době turecké nadvlády

    Czech Academy of Sciences Publication Activity Database

    Havlíková, Lubomíra

    2009-01-01

    Roč. 80, 3/4 (2009), s. 309-332 ISSN 1211-7617 Institutional research plan: CEZ:AV0Z90920516 Keywords : Byzantium * Balkans * Byzantine studies * Balkan studies * Bulgaria * Serbia * Croatia * Greece * historiography * philology * philosophy * theology * history of art Subject RIV: AB - History

  20. Some Lessons from Art History for Art-Educational Research.

    Science.gov (United States)

    Feldman, Edmund Burke

    1980-01-01

    At present, art-educational research seems locked into a number of unexamined assumptions--largely derived from European Romantic ideology--about artistic productiveness as a desirable psychological trait. We need to know more about other cultural patterns of artistic behavior and the historic and social factors that influence them. (Author/SJL)

  1. Mathematical model for HIV spreads control program with ART treatment

    Science.gov (United States)

    Maimunah; Aldila, Dipo

    2018-03-01

    In this article, using a deterministic approach in a seven-dimensional nonlinear ordinary differential equation, we establish a mathematical model for the spread of HIV with an ART treatment intervention. In a simplified model, when no ART treatment is implemented, disease-free and the endemic equilibrium points were established analytically along with the basic reproduction number. The local stability criteria of disease-free equilibrium and the existing criteria of endemic equilibrium were analyzed. We find that endemic equilibrium exists when the basic reproduction number is larger than one. From the sensitivity analysis of the basic reproduction number of the complete model (with ART treatment), we find that the increased number of infected humans who follow the ART treatment program will reduce the basic reproduction number. We simulate this result also in the numerical experiment of the autonomous system to show how treatment intervention impacts the reduction of the infected population during the intervention time period.

  2. Art, city and territory Arte, ciudad y territorio

    Directory of Open Access Journals (Sweden)

    Liliana López Levi

    2012-11-01

    Full Text Available The third number of URBS is dedicated to analyze the links between art, city and territory. In this sense, it gathers several articles that address the links between urban studies and arts, considering the contributions made by literature, painting, music, film, architecture and theater to the analysis, understanding and perception of urban space. These studies consider both artistic representations of the city and its urban spaces, as well as artistic interventions in the cities.
    El número tres de URBS tiene como objetivo analizar los vínculos entre el arte, la ciudad y el territorio. En este sentido, se reúnen artículos que aborden el vínculo entre los estudios urbanos y las artes; considerando las aportaciones que hacen la literatura, la pintura, la música, el cine, la arquitectura y el teatro a las formas de ver, entender, percibir y analizar el espacio urbano. Para ello, se contempla tanto el estudio de las representaciones artísticas de las ciudades y los espacios urbanos, como el análisis de las intervenciones que los artistas hacen en las ciudades.

  3. Martial arts: time needed for training.

    Science.gov (United States)

    Burke, David T; Protopapas, Marina; Bonato, Paolo; Burke, John T; Landrum, Rpbert F

    2011-03-01

    To measure the time needed to teach a series of martial arts techniques to proficiency. Fifteen volunteer subjects without any prior martial arts or self-defense experience were recruited. A panel of martial arts experts selected 21 different techniques including defensive stances, arm blocks, elbow strikes, palm strikes, thumbs to eyes, instep kicks and a carotid neck restraint. The critical elements of each technique were identified by the panel and incorporated into a teaching protocol, and then into a scoring system. Two black belt martial arts instructors directed a total of forty-five 45-minute training sessions. Videotaped proficiency testing was performed weekly. The videotapes were reviewed by the investigators to determine the proficiency levels of each subject for each technique. The techniques were rated by the average number of training sessions needed for an individual to develop proficiency in that technique. The mean number of sessions necessary to train individuals to proficiency ranged from 27 to 38.3. Using this system, the most difficult techniques seemed to be elbow strikes to the rear, striking with thumbs to the eyes and arm blocking. In this study 29 hours of training was necessary to train novice students to be proficient in 21 offensive and defensive martial arts techniques. To our knowledge, this is the first study that attempts to measure the learning curves involved when teaching martial arts techniques.

  4. Maltese art overview : from modernism to contemporary

    OpenAIRE

    Lagana, Louis

    2011-01-01

    Although Malta is a small island in the Mediterranean, with a population of less than half a million, one could find a fairly large number of artists working in various fields of art and craft. Most of the artists work as ‘Sunday’ artists, and very few pursue a professional career. The first modern art groups appeared in Malta in the early 1950’s. The Modern Art Circle was formed in 1952. Way back in 1947 when young art students followed scrupulously the methodology of th...

  5. Technology in Art Therapy: Ethical Challenges

    Science.gov (United States)

    Alders, Amanda; Beck, Liz; Allen, Pat B.; Mosinski, Barbara

    2011-01-01

    As technology advances, art therapy practices are adapting to the demands of a new cultural climate. Art therapists face a number of ethical challenges as they interact with increasingly diverse populations and employ new media. This article addresses some of the ethical and professional issues related to the use of technology in clinical…

  6. Storiografia cattolica tedesca e Shoah: Memoria religiosa e politica della storia / German Catholic Historiography and the Holocaust: Religious Memory and Politics of Remembrance

    Directory of Open Access Journals (Sweden)

    Faggioli, Massimo

    2011-04-01

    Full Text Available The essay addresses and examines the approach of Catholic historians to the Shoah between the 1950s and the beginning of the 21st century in Germany. The relationship between German historiography and the Catholic perception of the Shoah is crucial to understanding the relationship between the post-World War II cultural landscape in Germany and what this German Catholic culture gave to contemporary Catholicism. This legacy is even more important since the Catholic Church elected a German pope in 2005, after the long pontificate of John Paul II, which was decisive in reshaping the historical and theological understanding of the Shoah.

  7. Quantifying the development of user-generated art during 2001-2010.

    Science.gov (United States)

    Yazdani, Mehrdad; Chow, Jay; Manovich, Lev

    2017-01-01

    One of the main questions in the humanities is how cultures and artistic expressions change over time. While a number of researchers have used quantitative computational methods to study historical changes in literature, music, and cinema, our paper offers the first quantitative analysis of historical changes in visual art created by users of a social online network. We propose a number of computational methods for the analysis of temporal development of art images. We then apply these methods to a sample of 270,000 artworks created between 2001 and 2010 by users of the largest social network for art-DeviantArt (www.deviantart.com). We investigate changes in subjects, techniques, sizes, proportions and also selected visual characteristics of images. Because these artworks are classified by their creators into two general categories-Traditional Art and Digital Art-we are also able to investigate if the use of digital tools has had a significant effect on the content and form of artworks. Our analysis reveals a number of gradual and systematic changes over a ten-year period in artworks belonging to both categories.

  8. Number theory

    CERN Document Server

    Andrews, George E

    1994-01-01

    Although mathematics majors are usually conversant with number theory by the time they have completed a course in abstract algebra, other undergraduates, especially those in education and the liberal arts, often need a more basic introduction to the topic.In this book the author solves the problem of maintaining the interest of students at both levels by offering a combinatorial approach to elementary number theory. In studying number theory from such a perspective, mathematics majors are spared repetition and provided with new insights, while other students benefit from the consequent simpl

  9. How counterfactuals of Red-Queen theory shed light on science and its historiography.

    Science.gov (United States)

    Dagg, Joachim L

    2017-08-01

    A historical episode of evolutionary theory, which has lead to the Red Queen theory of the evolutionary maintenance of sex, includes two striking contingencies. These are used to explore alternative what-if scenarios, in order to test some common opinions about such counterfactuals. This sheds new light on the nature of science and its historiography. One counterfactual leads to an unexpected convergence of its result to that of the actual science but, nevertheless, differs in its causal structure. The other diverges towards an incompatible alternative, but this requires further contingent choices that also diverge from actual science. The convergence in the first counterfactual is due to a horizontal transfer of knowledge. Similar transfers of knowledge are typical for innovations of actual science. This suggests that contingent choices can merge as well as fork research traditions both in actual research and counterfactual history. Neither the paths of the actual history of science nor those of its counterfactual alternatives will form a tree of exclusively diverging bifurcations, but a network instead. Convergencies in counterfactuals may, therefore, be due to the web-structure of science as much as to the aims of the historians in question. Furthermore, the difference in causal structure between the actual science and its convergent counterfactual might become diagnostic for external factors rather than internal aims forcing a historian towards convergence. Copyright © 2017 Elsevier Ltd. All rights reserved.

  10. The Return of the Social: On the Historiography of the Origins of the Political Crisis of 1788–89 in France

    Institute of Scientific and Technical Information of China (English)

    张弛[1

    2016-01-01

    The origin of the French Revolution has been one of the liveliest areas of historiography, not only to historians, but also to the public who are interested in the western history. However, in recent years, scholars have shown little interest in this topic which is barely mentioned in the two important collections published in French:La Révolution fran?aise au carrefour des recherches and La Révolution à l’oeuvre: perspectives actuelles dans l’histoire de la Révolution fran?aise. 1 In the English–speaking world, this topic is well discussed in The Origins of the French Revolution edited and introduced by Peter Campbell. But this collection just focuses on the royal politics and high administration and does not represent the recent progress. 2

  11. British Icons and Catholic perfidy--Anglo-Saxon historiography and the battle for Crimean War nursing.

    Science.gov (United States)

    Wells, John S G; Bergin, Michael

    2016-03-01

    Taking as its starting point Carr's view that historical narrative reflects the preoccupations of the time in which it is written and Foucault's concept of consensual historical discourse as the outcome of a social struggle in which the victor suppresses or at least diminishes contrary versions of historical events in favour of their own, this paper traces and discusses the historical narrative of British nursing in the Crimean war and, in particular, three competing narratives that have arisen in the latter half of the 20th century and the first decade of the 21st. These are the established narrative surrounding Florence Nightingale, the new narrative surrounding Mary Seacole and an Irish narrative surrounding the role of the Sisters of Mercy. It is argued that the increased vehemence of the debate surrounding these narratives is representative of the changes that have taken place in British society. However, we also argue that the Irish narrative and its critique are reflective of deep-rooted Anglo-Protestant attitudes articulated by Nightingale and uncritically accepted by subsequent historians even in modern British historiography. © 2015 John Wiley & Sons Ltd.

  12. Historiography of the Epidemic of “Black Death” on the Territory of Juchid Ulus (1814–2016

    Directory of Open Access Journals (Sweden)

    T.F. Khaydarov

    2017-03-01

    Full Text Available Objective: to examine the main works and theories of foreign and domestic authors, which has considered the theme of “Black death” on the territory of the ulus of Jochi in 1814–2016. Research materials: at the present stage of development of historical science the way out from methodological crisis is the most pressing issue. As international experience shows, progress towards the knowledge of the past is only possible through interaction with other disciplines, such as genetics or biology. At the moment, the epidemic of “Black Death” is rightfully considered one of these research topics. This event was of great importance in the history. Raged for several hundreds of years and killed up to a third of the then population, the plague significantly changed the face of human societies, accelerated the transition to a new economic system, to the culture and philosophy of Modern times. However, until recently research on this topic mainly focused on studying either biology of the plague, or the study of reality emerged after the “Black Death”. In these circumstances, the transition to interdisciplinarity, which occurred in recent years in Western science, allowed not only more comprehensive approach to the study of this topic, but to expand the regions under study and to include among them, in the first instance, Northern Eurasia and its most important part – Juchid ulus. In general, Western historiography had not yet developed an unambiguous assessment of the “Black Death” in this region. This is partly due to lack of experience with written sources in the Tatar and Russian languages as well as due to not long period of work with archaeological sources. At the same time, domestic science has more than 200 years of experience in understanding of this problem, but it suffers from several disadvantages. Results and novelty of the research: on the basis of historiographical material, the article manages to conclude that despite a

  13. The law at The State-Of-The- Art: Antigone, the Merchant of Venice and the Trial at the Reconstitution of Forensic Historiography

    Directory of Open Access Journals (Sweden)

    Arthur Magalhães Costa

    2016-06-01

    Full Text Available It is known that Art has accompanied the human being in its path, having appeared as its soul expression since the beginnings of humankind until the most recent times. Hence the Law, a formatted construct from the regulation of socialization, it is possible to realize from literature a good opportunity to analyze the specificities which have marked the Legal System through times. The present paper will verse towards the capturing of the justice ideal, contrasting with the very own characteristics and complexities of Classic Natural Law from Sophocles, Renaissance Law from Shakespeare and Contemporary Law from the lines of Kafka.

  14. Idiom of Text: The Unwritten Novel in Recent Nigerian Fiction | Egya ...

    African Journals Online (AJOL)

    Emerging Nigerian writers, especially novelists, are inevitably saddled with the burden of history. Their engagements demonstrate the organic connection between art and history. History in this context is not the abstracted, academicized sphere that presents the problematic of historiography; it is a simple past, felt, lived, ...

  15. Race and Historiography: Advancing a Critical-Realist Approach

    Science.gov (United States)

    Stewart, Dafina-Lazarus

    2017-01-01

    This scholarly essay interrogates the seemingly necessary engagement of normative and essentialist characterizations of identity in the historical study of race in U.S. higher education. The author's study of the experiences of Black collegians in private, liberal arts colleges in the Midwestern Great Lakes region between 1945 and 1965 grounds…

  16. Proměny a konstanty Helfertova psaní o Janáčkovi

    Czech Academy of Sciences Publication Activity Database

    Zapletal, Miloš

    2016-01-01

    Roč. 51, č. 2 (2016), s. 237-271 ISSN 1212-0391 Institutional support: RVO:68378076 Keywords : Helfert * Janáček * reception of music * discourse analysis * music criticism * methodologies of musical historiography * conceptions of history * writing (écriture) Subject RIV: AL - Art, Architecture, Cultural Heritage OBOR OECD: Performing arts studies (Musicology, Theater science, Dramaturgy) https://digilib.phil.muni.cz/bitstream/handle/11222.digilib/136152/1_MusicologicaBrunensia_51-2016-2_22.pdf?sequence=1

  17. Art Engineering and Kinetic Art

    Directory of Open Access Journals (Sweden)

    Barış Yılmaz

    2014-12-01

    Full Text Available Performing an art, either by painting or by sculpturing, requires to be interdisciplinary. When an artist creates his/her work of art, the process he/she realizes is supported by different engineering disciplines. Therefore, especially modern artists need to understand engineering science and this results in transforming artists into engineers. Opportunities provided by technology and science enable artists to expand his/her vision and to improve his/her works. Especially kinetic art has become an approach that combines art with engineering. Kinetic art, which is nourished with varied disciplines, is an excellent example to prove that art is interdisciplinary and to show the relationship between artist/art and engineering.

  18. The Impact of Non-Antiretroviral Polypharmacy on the Continuity of Antiretroviral Therapy (ART) Among HIV Patients.

    Science.gov (United States)

    Krentz, Hartmut B; Gill, M John

    2016-01-01

    Improved survival achieved by many patients with HIV/AIDS has complicated their medical care as increasing numbers of co-morbidities leads to polypharmacy, increased pill burdens, and greater risks of drug-drug interactions potentially compromising antiretroviral treatment (ART). We examined the impact of non-antiretroviral polypharmacy on ART for all adults followed at the Southern Alberta Clinic, Calgary, Canada. Polypharmacy was defined as ≥5 daily medications. We compared the impact of polypharmacy on continuous (i.e., remaining on same ART for ≥6 months) vs. non-continuous (i.e., discontinuing or switching ART) ART dosing frequency, number of ART pills, number of non-ART medications, and age. Of 1190 (89.5%) patients on ART, 95% were on three-drug regimens, 63.9% on QD ART, and 62% ≥3 ART pills daily; 32.2% were experiencing polypharmacy. Polypharmacy was associated with lower CD4, AIDS, >180 months living with HIV, higher numbers of ART pills, and older age (all p ART. Polypharmacy increased the risk for non-continuous ART (36.8% vs. 30.0%; p ART increased with daily ART pill count but not increased age. Non-adherence and adverse effects accounted for the majority of non-continuous ART. We found a strong association between polypharmacy and non-continuous ART, potentially leading to effective ART being compromised. Collaborative approaches are needed to anticipate the negative impacts of polypharmacy.

  19. Art and Finance: Fine Art Derivatives

    Directory of Open Access Journals (Sweden)

    Francesco Strati

    2014-04-01

    Full Text Available This work is intended to introduce a new kind of asset, the so called art asset. This financial tool is an asset whose value is related to an art-work, and in particular to the artist reputation. It will be shown the evaluation of an art asset by using a particular kind of volatility, the α-hedging. This tool normalizes the prices volatility of the art-works of an artist (or an art-movement by a sentiment index referred to the Art Market. At last I shall show how the art assets’ values are related to an art-call option.

  20. Cultivating Demand for the Arts: Arts Learning, Arts Engagement, and State Arts Policy. Summary

    Science.gov (United States)

    Zakaras, Laura; Lowell, Julia F.

    2008-01-01

    The findings summarized in this report are intended to shed light on what it means to cultivate demand for the arts, why it is necessary and important to cultivate this demand, and what state arts agencies (SAAs) and other arts and education policymakers can do to help. The research considered only the benchmark arts central to public policy:…

  1. Institutions and Legitimations in Finance for the Arts

    DEFF Research Database (Denmark)

    Lunde Jørgensen, Ida

    The thesis contributes to a more nuanced understanding of art support by investigating the underlying legitimations and institutional logics of two of the most significant foundations supporting visual art, in Denmark, the private New Carlsberg Foundation and public Danish Arts Foundation. Drawing......, cultural and institutional entrepreneurship, institutional logics, and rhetorical work to address a number of key debates in cultural policy pertaining to the evaluation of aesthetic performance, the justification of investment in the arts and how ideas and meanings become taken for granted in the cultural...... of art support in the New Carlsberg Foundation and the Danish Arts Foundation at critical points in time, drawing on and contributing to the literature on institutional logics and convention theory. Specifically, the thesis shows the importance of nine particular logics of legitimation underlying art...

  2. Art and architecture as experience: an alternative approach to bridging art history and the neurosciences.

    Science.gov (United States)

    Zschocke, Nina

    2012-08-01

    In 1972, Michael Baxandal characterizes the processes responsible for the cultural relativism of art experience as highly complex and unknown in their physiological detail. While art history still shows considerable interest in the brain sciences forty years later, most cross-disciplinary studies today are referring to the neurosciences in an attempt to seek scientific legitimization of variations of a generalized and largely deterministic model of perception, reducing interaction between a work of art and its observers to a set of biological automatisms. I will challenge such an approach and take up art theory's interest in the historico-cultural and situational dimensions of art experience. Looking at two examples of large-scale installation and sculptural post-war American art, I will explore instable perceptions of depth and changing experiences of space that indicate complex interactions between perceptual and higher cognitive processes. The argument will draw on recent theories describing neuronal processes underlying multistable phenomena, eye movement, visual attention and decision-making. As I will show a large number of neuroscientific studies provide theoretical models that help us analyse not the anthropological constants but the influence of cultural, individual and situational variables on aesthetic experience.

  3. Art and Finance: Fine Art Derivatives

    OpenAIRE

    Francesco Strati; Laura Quattrocchi

    2014-01-01

    This work is intended to introduce a new kind of asset, the so called art asset. This financial tool is an asset whose value is related to an art-work, and in particular to the artist reputation. It will be shown the evaluation of an art asset by using a particular kind of volatility, the α-hedging. This tool normalizes the prices volatility of the art-works of an artist (or an art-movement) by a sentiment index referred to the Art Market. At last we shall show how the art assets' values are ...

  4. Arte, só na aula de arte? = Art, only in the art class?

    Directory of Open Access Journals (Sweden)

    Martins, Mirian Celeste

    2011-01-01

    Full Text Available A pergunta que dá título ao artigo é o mote da conversa que o texto deseja compartilhar. O convite é para percorrer trajetos em encontros com a arte, com a palavra “estética”, com a potencialidade da arte contemporânea, com o “olhar de missão francesa” que teima em considerar a arte como expressão da beleza. No percurso, a proposição da leitura de uma imagem incompleta, tenta provocar idas e voltas conceituais na percepção do próprio ato de leitura oferecida como curadoria educativa na processualidade da mediação cultural. Declanchar, tirar a tranca. Não será esta a tarefa maior da mediação cultural: abrir o que estava travado, libertar o olhar amarrado ao já conhecido para ver além? Não será este o sentido da educação estética? Os territórios de arte de arte & cultura, instigando o pensamento rizomático, não seriam nutrição estética para ir além das obras de arte conhecidas e das biografias dos artistas? Na ampliação de horizontes, cabe ao leitor a resposta: Afinal, arte, só na aula de arte?

  5. From Dictatorship to Democracy: History of Education in Spain

    Science.gov (United States)

    Viñao, Antonio

    2014-01-01

    In a book published in 1995 providing an overview on the state of the art in European educational historiography in Europe, Marie-Madeleine Compère referring to post-Franco Spain, emphasised the "dynamism" and "the capacity to mobilise" that had arisen among Spanish researchers by "any collective initiative." Moving…

  6. Descripción histórica y estética filosófica. La historia social del arte entre la reivindicación de los hechos y el anacronismo del sufrimiento

    Directory of Open Access Journals (Sweden)

    Cabello Padial, Gabriel

    2015-06-01

    Full Text Available The aim of the present paper is to describe the ethos, which is to mean, the habitus and the home of the art historian, from the starting point of the elements that form the backbone of Social Art History: the reclaiming of facts, the consideration of the works of art as the deposit of social interaction, and the aim of remaining inside the terms of the historically describable. In differentiating itself from the specific preoccupations of philosophical aesthetics and from the reclaiming of the anachronic pathos of the recent programs of anthropology of images, such historiography, which during the generation of Haskell and Baxandall was generally skeptical about theory, later with the arrival of the New Art History, postulated itself less as a method than as the terrain in which every question and every concept imported from philosophy would be launched.El presente artículo pretende describir el ethos, es decir, el hábito y la morada del historiador del arte, a partir de los elementos que vertebraron a la Historia Social del Arte: la reivindicación de los hechos, la consideración de las obras como el depósito de un intercambio social y la voluntad de ceñirse a los límites de lo históricamente descriptible. Distinguiéndose tanto de las preocupaciones específicas de la estética filosófica como de la reivindicación del pathos anacrónico propia de los recientes programas de antropología de las imágenes, dicha historiografía, que en la generación de Haskell o Baxandall estuvo atravesada por un escepticismo general en relación con la teoría, se postulará, con la llegada de la New Art History, menos como un método que como el terreno sobre el que habría de lanzarse toda pregunta o todo concepto importado de la filosofía.

  7. Vil'njusskij vopros v mezhdunarodnyh otnoshenijah: istoriografija problemy [The Vilnius issue in international relations: the historiography of the problem

    Directory of Open Access Journals (Sweden)

    Mankevich Maria

    2012-01-01

    Full Text Available This article considers certain historiographical aspects of the Vilnius issue as an international problem. The author analyses the origins of the Polish-Lithuanian conflict, the role of the struggle for Vilnius in the general context of the Polish-Lithuanian confrontation, and the origin and nature of Lithuanian nationalism. The article also examines historiographical perspectives on the seizure of Vilnius by the troops of the Polish general, L. Żeligowsky, and the international consequences of the violation of the Suwałki Agreement. The author pays special attention to the positions of western powers, the decision of the Conference of Ambassadors on March 15, 1923, and the mediation of the League of Nations in the territorial dispute between Lithuania and Poland. The article considers the existing historiographical concepts and evaluations of the role of the Soviet diplomacy in the Vilnius issue. The author identifies new trends in the contemporary historiography of the Vilnius problem.

  8. Augmented Reality and Mobile Art

    Science.gov (United States)

    Gwilt, Ian

    The combined notions of augmented-reality (AR) and mobile art are based on the amalgamation of a number of enabling technologies including computer imaging, emergent display and tracking systems and the increased computing-power in hand-held devices such as Tablet PCs, smart phones, or personal digital assistants (PDAs) which have been utilized in the making of works of art. There is much published research on the technical aspects of AR and the ongoing work being undertaken in the development of faster more efficient AR systems [1] [2]. In this text I intend to concentrate on how AR and its associated typologies can be applied in the context of new media art practices, with particular reference to its application on hand-held or mobile devices.

  9. The historical understanding of the Old Testament in South Africa: Colenso, Le Roux and beyond

    Directory of Open Access Journals (Sweden)

    Hendrik L. Bosman

    2013-09-01

    Full Text Available Isaiah Berlin quoted Archilochus to distinguish between two styles of academic reasoning that, to some extent, summarises the transition of historiography from Modernism to Postmodernism: �The fox knows many things but the hedgehog knows one big thing.� The modernistic master narratives of the first half of the 20th century (quests for the �centre of the Old Testament� etc. were in obvious decline during the second half of the 20th century and, triggered by the Annales school of historiography social scientific methods, were incorporated into the study of ancient Israel. Historiography became less of an art that depended on an informed imagination and more like a science that presupposed empirical or social scientific research and a multidisciplinary approach to describe and explain the past. Against this backdrop, the historical understanding of the Old Testament in South Africa was discussed, starting with one of its oldest exponents, Bishop J.W. Colenso (disproving the chronological priority of the �E source�, rejecting the �truth proving� function of archaeology and interpreting biblical texts within the historical context of its writing, and concluding with the current chair of the Old Testament Society of South Africa, Prof J.H. le Roux (influenced by Old Testament scholars such as G. von Rad and E. Otto and historiographers such as E. Troeltsch and R.G. Collingwood. The methodological principles of historiography suggested by Troeltsch (criticism, analogy and correlation were adapted to describe and explain some trends in South African Old Testament historiography that go beyond a superficial division between maximalists and minimalists.

  10. Art is going elsewhere: and politics has to catch it : an interview with Jacques Rancière

    NARCIS (Netherlands)

    Dasgupta, S.

    2008-01-01

    The reflections of the French philosopher JacquesRancière shift in between literature, film, pedagogy, historiography, proletarian history and philosophy. He came to prominence when he contributed to Althusser’s 'Lire lecapital' (1965) and, shortly after, published a fervent critique of Althusser -

  11. Artful creation

    DEFF Research Database (Denmark)

    Darsø, Lotte

    2013-01-01

    An introduction to the field of Arts-in-Business outlining 4 different approaches: 1) Art as decoration, 2) Art as intertainment, 3) Arts as instrumental, 4) Art as strategic......An introduction to the field of Arts-in-Business outlining 4 different approaches: 1) Art as decoration, 2) Art as intertainment, 3) Arts as instrumental, 4) Art as strategic...

  12. Art Rounds: teaching interprofessional students visual thinking strategies at one school.

    Science.gov (United States)

    Klugman, Craig M; Peel, Jennifer; Beckmann-Mendez, Diana

    2011-10-01

    The Art Rounds program uses visual thinking strategies (VTS) to teach visual observation skills to medical and nursing students at the University of Texas Health Science Center San Antonio. This study's goal was to evaluate whether students' exposure to VTS would improve their physical observation skills, increase tolerance for ambiguity, and increase interest in learning communication skills. In January 2010, 32 students attended three, 90-minute sessions at which they observed and commented on three pieces of art in small groups led by museum educators. Pre and posttest evaluations included Geller and colleagues' version of Budner's Tolerance of Ambiguity Scale, the Communication Skills Attitudes Scale, and free responses to art and patient images. Statistical analyses compared pre and post time looking at images, number of words used to describe images, and number of observations made according to gender and discipline. Students significantly increased the amount of time they spent looking at art and patient images (P = .007), the number of words they used to describe art (P = .002) and patient images (P = .019), and the number of observations made of art (P = .000) and patient images (P = .001). Females increased the time spent observing significantly more than did males (P = .011). Students significantly increased their tolerance for ambiguity (P = .033) and positive views toward health care professional communication skills (P = .001). The authors speculate that these improved skills may help in patient care and interprofessional team interactions.

  13. Art Therapy Teaching as Performance Art

    Science.gov (United States)

    Moon, Bruce L.

    2012-01-01

    This viewpoint asserts that art therapy education is a form of performance art. By designing class sessions as performance artworks, art therapy educators can help their students become more fully immersed in their studies. This view also can be extended to conceptualizing each semester--and the entire art therapy curriculum--as a complex and…

  14. Our Lady del Campo. History of an object in Santa Fe de Bogota. XVI to XX Century.

    Directory of Open Access Journals (Sweden)

    Olga Isabel Acosta

    2002-01-01

    Full Text Available This article begins with a balance of the Colombian historiography of the colonial art and then it concentrates on the study of the Virgen Del Campo. It studies in detail its origin as an object of cult and the growing devotion to this icon since the colonial epoch to the present day.

  15. The effects of visual context and individual differences on perception and evaluation of modern art and graffiti art.

    Science.gov (United States)

    Gartus, Andreas; Klemer, Nicolas; Leder, Helmut

    2015-03-01

    Traditionally, artworks are seen as autonomous objects that stand (or should stand) on their own. However, at least since the emergence of Conceptual Art in the 1920s and Pop Art in the 1960s, art lacks any distinctive perceptual features that define it as such. Art, therefore, cannot be defined without reference to its context. Some studies have shown that context affects the evaluation of artworks, and that specific contexts (street for graffiti art, museum for modern art) elicit specific effects (Gartus & Leder, 2014). However, it is yet unclear how context changes perception and appreciation processes. In our study we measured eye-movements while participants (64 psychology undergraduates, 48% women) perceived and evaluated beauty, interest, emotional valence, as well as perceived style for modern art and graffiti art embedded into either museum or street contexts. For modern art, beauty and interest ratings were higher in a museum than in a street context, but context made no difference for the ratings of graffiti art. Importantly, we also found an interaction of context and individual interest in graffiti for beauty and interest ratings, as well as for number of fixations. Analyses of eye-movements also revealed that viewing times were in general significantly longer in museum than in street contexts. We conclude that context can have an important influence on aesthetic appreciation. However, some effects depend also on the style of the artworks and the individual art interests of the viewers. Copyright © 2015 Elsevier B.V. All rights reserved.

  16. Statistical Image Properties in Large Subsets of Traditional Art, Bad Art, and Abstract Art.

    Science.gov (United States)

    Redies, Christoph; Brachmann, Anselm

    2017-01-01

    Several statistical image properties have been associated with large subsets of traditional visual artworks. Here, we investigate some of these properties in three categories of art that differ in artistic claim and prestige: (1) Traditional art of different cultural origin from established museums and art collections (oil paintings and graphic art of Western provenance, Islamic book illustration and Chinese paintings), (2) Bad Art from two museums that collect contemporary artworks of lesser importance (© Museum Of Bad Art [MOBA], Somerville, and Official Bad Art Museum of Art [OBAMA], Seattle), and (3) twentieth century abstract art of Western provenance from two prestigious museums (Tate Gallery and Kunstsammlung Nordrhein-Westfalen). We measured the following four statistical image properties: the fractal dimension (a measure relating to subjective complexity); self-similarity (a measure of how much the sections of an image resemble the image as a whole), 1st-order entropy of edge orientations (a measure of how uniformly different orientations are represented in an image); and 2nd-order entropy of edge orientations (a measure of how independent edge orientations are across an image). As shown previously, traditional artworks of different styles share similar values for these measures. The values for Bad Art and twentieth century abstract art show a considerable overlap with those of traditional art, but we also identified numerous examples of Bad Art and abstract art that deviate from traditional art. By measuring statistical image properties, we quantify such differences in image composition for the first time.

  17. Invisible Culture: Taking Art Education to the Streets

    Science.gov (United States)

    Darts, David

    2011-01-01

    Art educators and administrators allowed a project to evolve based on the "street life" experiences of ordinarily invisible people. The goal was to create a space or number of spaces for celebrating the human spirit through art, music, dance, poetry, theater, and story while also providing a forum for exploring some of the social issues affecting…

  18. Neglect of the foreign invisible: Historiography and the navigation of conflicting sensibilities.

    Science.gov (United States)

    Burman, Jeremy Trevelyan

    2015-05-01

    This essay is intended first as a contribution to historiography, and only second as a contribution to the history of developmental psychology. It is therefore a discussion--primarily--of the doing of the history of psychology, rather than of its content. Briefly put: American psychology, including its associated approaches to the history of psychology, is not adequately equipped to benefit fully from the contributions of foreign scholars. To make the resulting argument clear, two archive-driven microhistories are reviewed, contrasted, augmented with new archival research, and synthesized: Yeh Hsueh's (2004) examination of the nomination process at Harvard University that led to the awarding of an honorary doctorate to Jean Piaget in 1936, and Marc Ratcliff and Paloma Borella's (2013) examination-just recently published in French-of a similar process that resulted in Piaget's hiring at Geneva in 1929 and his eventual promotion in 1940. Comparing the authors' different approaches to similar content then affords this article's larger argument: we need to broaden our sensibilities so we can see high-quality foreign contributions for what they are. Several interesting insights result if we do. Among them: although Piaget's theory is today mistakenly criticized for being asocial, and this serves as justification for countering his early works with Vygotsky's posthumous critique, it emerges from these archival studies that Piaget may have in fact chosen to present himself and his work as nonsociological (when this was not the case) for reasons unrelated to his intellectual project. Such examples then broaden the discussion of "neglect of the foreign invisible" to include suppression--even censorship (by self or other)--which in turn reflects the primary problem afforded by internationalization: by what standards are we to judge the contributions of "foreigners" into "our" discipline? (c) 2015 APA, all rights reserved).

  19. The curator/patron: Foundations and contemporary art

    Directory of Open Access Journals (Sweden)

    Rebecca Coates

    2008-12-01

    Full Text Available This article addresses the role of private foundations in commissioning site-specific ephemeral art works: contemporary art projects of a temporary nature that are realised outside of public institutions. Though small in number, I argue that the private individuals creating and managing private foundations of this nature demonstrate a new form of patronage, creating in the process a new role of ‘curator/patron’. Equally, this process of realisation reflects the changing needs of contemporary art practice. Work of this scale and ambition would increasingly not be possible without the vision, perseverance and funding of these kinds of foundation. In Australia, this trend is demonstrated by two foundations: Kaldor Art Projects, and their commissioning of works by artists such as Christo and Jeanne-Claude, Gilbert & George and Jeff Koons; and the more recently formed Sherman Contemporary Art Foundation, whose first project was with Chinese artist Ai Weiwei. In this article, these examples are placed within the broader international context of foundation models such as Artangel, UK, Fondazione Nicola Trussardi, Milan, and The Public Art Fund, New York.

  20. [Art-chance and art-experience in classical Greece].

    Science.gov (United States)

    Ban, Deokjin

    2011-06-30

    In Classical Greece, works defining the nature of art appeared in the various disciplines like medicine, rhetoric, dietetics, architecture and painting. Hippocratic authors tried to show that an art of medicine existed indeed. They contrasted the concept of art with that of chance, not experience that Plato and Aristotle distinguished from art. In fact there are similarities and discrepancies between Hippocratic epistemology and Platoic epistemology. Hippocratic authors maintained that the products of chance were not captured by art. They distinguished the domain of art charactered by explanatory knowledge and prediction from the domain of chance ruled by the unexplained and the unforeseeable. They minimized the role of luck and believed the role of art. Hippocratic authors thought that professional ability contained both knowledge and experience. In Hippocratic corpus, experience is a synonym of competence and usually has a positive meaning. But Plato gave empirical knowledge the disdainful sense and decided a ranking between two types of knowledge. Both Hippocratic authors and Plato held that a genuine art had connection with explanatory knowledge of the nature of its subject matter. A common theme that goes through arguments about art-chance and art-chance is the connection between art and nature. Hippocratic authors and Plato regarded art as a highly systematic process. Art provides us with general and explanatory knowledge of human nature. Art and nature is a mutual relationship. The systematic understanding of nature helps us gain the exactness of art and an exact art helps us understand nature well.

  1. JFK Center for the Performing Arts

    Science.gov (United States)

    Under National Pollutant Discharge Elimination System permit number DC0000248, the JFK Center for the Performing Arts, in authorized to discharge from a facility in Washington, DC to the receiving waters named Potomac River.

  2. Art Rocks with Rock Art!

    Science.gov (United States)

    Bickett, Marianne

    2011-01-01

    This article discusses rock art which was the very first "art." Rock art, such as the images created on the stone surfaces of the caves of Lascaux and Altimira, is the true origin of the canvas, paintbrush, and painting media. For there, within caverns deep in the earth, the first artists mixed animal fat, urine, and saliva with powdered minerals…

  3. The history of science as the progress of the human spirit: The historiography of astronomy in the eighteenth century.

    Science.gov (United States)

    Špelda, Daniel

    2017-06-01

    In the eighteenth century, the historiography of astronomy was part of a wider discussion concerning the history of the human spirit. The concept of the human spirit was very popular among Enlightenment authors because it gave the history of human knowledge continuity, unity and meaning. Using this concept, scientists and historians of science such as Montucla, Lalande, Bailly and Laplace could present the history of astronomy in terms of a progress towards contemporary science that was slow and could be interrupted at times, but was still constant, regular, and necessary. In my paper I intend to explain how the originally philosophical concept of the human spirit was transferred to the history of astronomy. I also introduce the basic principles to which the development of the spirit is subject in astronomy, according to historians of astronomy. The third part of the paper describes how historians of astronomy took into account the effect of social and natural factors on the history of astronomy. Copyright © 2017 Elsevier Ltd. All rights reserved.

  4. Exhibiting Western Desert Aboriginal painting in Australia’s public galleries: an institutional analysis, 1981-2002

    Directory of Open Access Journals (Sweden)

    Jim Berryman

    2012-12-01

    Full Text Available This paper documents and analyses the exhibition history of Aboriginal painting in Australia’s public art galleries over a two-decade period. It concentrates on Western Desert acrylics but is not confined to this movement or region alone. Based on a review of catalogues from key exhibitions, it identifies three interpretative frameworks used by curators to validate the presence of Aboriginal painting in the contemporary art realm. These modes of interpretation are called the aesthetic, ethnographic and the ownership discourses. Despite being a problematic art at odds with conventional art-historical classifications, Aboriginal painting was elevated to a position of prominence in Australian art history. Institutionally, Western Desert painting found legitimacy in the dominant aesthetic legacy of modernism. This modernist art historiography overrode the minority interests of cultural pluralism and critical postmodernism.

  5. Art, Objects, and Beautiful Stories: A "New" Approach to Spiritual Care.

    Science.gov (United States)

    Smith, Aaron P B; Read, Julia E

    2017-06-01

    The use of story, and the use of art or various arts-based techniques have become popular in a number of helping professions, including spiritual care. There remains a gap in the literature, however, in which an approach comprised of both story and art or objects is explored. This paper addresses this gap by discussing the experience, theory, benefits, and technique of combining story and art or object-based techniques for the provision of spiritual care.

  6. Old Friends, Bookends: Art Educators and Art Therapists

    Science.gov (United States)

    Allison, Amanda

    2013-01-01

    This viewpoint presents a reflection on a meaningful relationship that developed between a university art education department and a local art therapy studio. Such partnerships are desirable and mutually beneficial because of the significant interest many art educators have in the field of art therapy. The author, an art educator, describes the…

  7. 76 FR 9610 - National Endowment for the Arts; Submission of OMB Review: Comment Request

    Science.gov (United States)

    2011-02-18

    ... technological collection techniques, or other forms of information technology, e.g., permitting electronic... in the Arts. OMB Number: New. Frequency: One Time. Affected Public: American adults. Estimated Number... sectional survey of individual attendance and involvement in arts and cultural activity. The data are...

  8. Testing, Selection, and Implementation of Random Number Generators

    National Research Council Canada - National Science Library

    Collins, Joseph C

    2008-01-01

    An exhaustive evaluation of state-of-the-art random number generators with several well-known suites of tests provides the basis for selection of suitable random number generators for use in stochastic simulations...

  9. Minimalism in Art, Medical Science and Neurosurgery.

    Science.gov (United States)

    Okten, Ali Ihsan

    2018-01-01

    The word "minimalism" is a word derived from French the word "minimum". Whereas the lexical meaning of minimum is "the least or the smallest quantity necessary for something", its expression in mathematics can be described as "the lowest step a variable number can descend, least, minimal". Minimalism, which advocates an extreme simplicity of the artistic form, is a current in modern art and music whose origins go to 1960s and which features simplicity and objectivity. Although art, science and philosophy are different disciplines, they support each other from time to time, sometimes they intertwine and sometimes they copy each other. A periodic schools or teaching in one of them can take the others into itself, so, they proceed on their ways empowering each other. It is also true for the minimalism in art and the minimal invasive surgical approaches in science. Concepts like doing with less, avoiding unnecessary materials and reducing the number of the elements in order to increase the effect in the expression which are the main elements of the minimalism in art found their equivalents in medicine and neurosurgery. Their equivalents in medicine or neurosurgery have been to protect the physical integrity of the patient with less iatrogenic injury, minimum damage and the same therapeutic effect in the most effective way and to enable the patient to regain his health in the shortest span of time. As an anticipation, we can consider that the minimal approaches started by Richard Wollheim and Barbara Rose in art and Lars Leksell, Gazi Yaşargil and other neurosurgeons in neurosurgery in the 1960s are the present day equivalents of the minimalist approaches perhaps unconsciously started by Kazimir Malevich in art and Victor Darwin L"Espinasse in neurosurgery in the early 1900s. We can also consider that they have developed interacting with each other, not by chance.

  10. Arts Impact: Lessons from ArtsBridge

    Science.gov (United States)

    Shimshon-Santo, Amy R.

    2010-01-01

    Arts Impact summarizes lessons learned at the ArtsBridge Program. It is informed by in-depth participant observation, logic modeling, and quantitative evaluation of program impact on K-12 students in inner city schools and arts students at the University of California Los Angeles over a two year period. The case study frames its analysis through a…

  11. Mathematics for the liberal arts

    CERN Document Server

    Bindner, Donald; Hemmeter, Joe

    2014-01-01

    Presents a clear bridge between mathematics and the liberal arts Mathematics for the Liberal Arts provides a comprehensible and precise introduction to modern mathematics intertwined with the history of mathematical discoveries. The book discusses mathematical ideas in the context of the unfolding story of human thought and highlights the application of mathematics in everyday life. Divided into two parts, Mathematics for the Liberal Arts first traces the history of mathematics from the ancient world to the Middle Ages, then moves on to the Renaissance and finishes with the development of modern mathematics. In the second part, the book explores major topics of calculus and number theory, including problem-solving techniques and real-world applications. This book emphasizes learning through doing, presents a practical approach, and features: A detailed explanation of why mathematical principles are true and how the mathematical processes workNumerous figures and diagrams as well as hundreds of worked example...

  12. Soviet-American Art Exchanges during the Thaw: from Bold Openings to Hasty Retreats

    OpenAIRE

    Mikkonen, Simo

    2013-01-01

    [Introduction] East-West artistic connections during the Cold War were a complex range of phenomena including the circulation of works of art, travelling by art professionals, the exchange of practices and the adoption of art currents from the other side of the Iron Curtain. The Cold War has also been said to have influenced the arts and artistic processes in a number of ways. Yet, art has always shunned political borders, wavering between the guidance of individual and government...

  13. Built historiography in Glasgow’s New Gorbals – the Crown Street Regeneration Project

    Directory of Open Access Journals (Sweden)

    Florian Urban

    2011-12-01

    Full Text Available In 2000, the Crown Street redevelopment in Glasgow’s New Gorbals was completed after a master plan by Piers Gough of the London firm CZWG. Built on symbolically contested grounds that were previously occupied by the Gorbals tenements (1870s-1960s and the high-rise Hutchesontown flats (1960s-1990s, the new development is a textbook example of neo-traditional design. This article looks at the Crown Street redevelopment as a form of built historiography that inscribes a harmonized account of the past into the urban fabric. Like a written narrative, plan and buildings convey a historic narrative through tropes and character types. The historiographic dimension of the Crown Street redevelopment works on three levels. There is the site, which in various moments in the twentieth century came to signify the urban ‘other’ – the city’s underbelly of crime, plight, and misery – and which, as a result of both gentrification and architectural redesign, is now apparently pacified. There are carefully chosen historic references such as tenement façades, bay windows, underpasses, courtyards, and rues corridors, which communicate certain conceptions about recent history. And there is a municipal strategy for Glasgow’s economic revival, of which the re-writing of history is a part, and which, among others, makes use of the Crown Street redevelopment’s architectural imagery. On all three levels the Crown Street redevelopment reconciles conflicting perspectives: on the one hand a break almost as comprehensive as the modernist upheaval, which involved complete redesign and exchange of the population, and on the other hand the conception of historical continuity and long-lasting community life. Conveying a historical image cleared of ambiguities and imperfections, the Crown Street redevelopment thus communicates a message of both renewal and permanence.

  14. “The Concert of Europe” In 20th Century British and American Historiography

    Directory of Open Access Journals (Sweden)

    Ekaterina V. Romanova

    2016-01-01

    Full Text Available The article provides a critical analysis of the interpretations of the Concert of Europe by British and American historians of the XXth century. The interest in the study of this phenomenon is rooted in its relation to the problems of the maintenance of international order and stability. It is not only academic, being partly determined by the fact that throughout the XX century first Britain and then the USA was at the top of the world hierarchy, and accordingly played a leading role in the construction and maintenance of the European order. Current international environment, the experience of the two World Wars of the XXth century determined the angle from which the phenomenon of the Concert of Europe was studied. Whereas in the second half of the 1910s - early 1920s historians pointed to the deficiencies of the international system of the preceding century (and in particular, the institution of the Concert of Europe, the students of the Vienna system working after the Second World War regarded the period of 1815-1914 as relatively stable, compared to the short interwar interlude. The Concert of Europe was named as one of the factors contributing to stability and peace. Certain logic can be discerned in the development of the historiography of the problem, which to some degree reflected the evolution of ideas about international relations management. At the same time, the differences in the interpretations of the Concert of Europe derive from the fact that this very concept in the XIXth century was not fixed and static. Great Powers' readiness to cooperation did not mean that there were no conflicts of interests. They struggled for leadership within the Concert and sought to impart to it their own interpretation.

  15. Organisational Art

    DEFF Research Database (Denmark)

    Ferro-Thomsen, Martin

    creation of a practical utopia (?heterotopia?) in the organisational context. The case study makes use of both art- and organisational theory. The thesis concludes with an outline of a framework for OA that is derived from contemporary theory of mainly Relational Aesthetics (Bourriaud), Conceptual Art......University of Copenhagen / Learning Lab Denmark. 2005 Kort beskrivelse: Organisational Art is a tentative title for an art form that works together with organisations to produce art. This is most often done together with non-artist members of the organisation and on-site in their social context. OA...... is characterised as socially engaged, conceptual, discursive, site-specific and contextual. Abstract: This investigation is about Organisational Art (OA), which is a tentative title for an art form that works together with organisations (companies, institutions, communities, governments and NGOs) to produce art...

  16. Babes and boobs? analysis of JAMA cover art.

    Science.gov (United States)

    Clark, J P

    To determine the representation of the sexes in JAMA cover art. Review of 50 consecutive issues. JAMA, March 1997-March 1998. Numbers and nature of covers portraying men and women. Of the 50 covers, 34 depicted humans. 15 depicted women, 13 men, and 6 were of mixed or indeterminate sex. 11 pictures of women included a child and five included nudity. One cover showed a man with a child (not as a father) and none depicted nudity. Men were depicted exclusively in authoritative roles. Much of the cover art gives strong messages about sexual stereotypes that are inappropriate in modern society. JAMA should consider reviewing its policy for choosing cover art.

  17. Support for Arts Education. State Arts Agency Fact Sheet

    Science.gov (United States)

    National Assembly of State Arts Agencies, 2011

    2011-01-01

    Supporting lifelong learning in the arts is a top priority for state arts agencies. By supporting arts education in the schools, state arts agencies foster young imaginations, address core academic standards, and promote the critical thinking and creativity skills essential to a 21st century work force. State arts agencies also support…

  18. An Inquiry of How Art Education Policies Are Reflected in Art Teacher Preparation: Examining the Standards for Visual Arts and Art Teacher Certification

    Science.gov (United States)

    Lim, Kyungeun

    2017-01-01

    Policy changes influence various aspects of art education such as K-12 art education curricula, state licensure systems, and contexts of art teacher preparation. Despite strong relationships between art education policy and practical fields, few studies have attempted to understand art education from the perspective of policy analysis. This study…

  19. Insertion of historical and philosophical components in disciplines of the natural sciences in the medium teaching: reflections from the historiographies controversies among Kuhn and Lakatos

    Directory of Open Access Journals (Sweden)

    Osmar Henrique Moura da Silv

    2010-12-01

    Full Text Available The incorporation of historical and philosophical elements in disciplines of natural sciences of the high school has been reaching defended in the specific literature and critics improved visions concerning the use of the History and Philosophy of the Science (HFC for didactic ends. In that sense, the discussions are important since ponder influences in the orientation of curricula of significant portion of the undergraduate teaching. Worrying about such discussions, this study put reflections about de historiographies controversies among Kuhn and Lakatos whose educational implications allow support to a tendency of the use of HFC as resources not to obtain completely authentic historical reconstructions, but to favor intentions of to develop and to project didactic solutions in that the pedagogy doesn't need to submit itself to the History.

  20. Blasphemous feminist art: Incarnate politics of identity in post secular society

    NARCIS (Netherlands)

    Korte, Anne-Marie

    2014-01-01

    Among the increasing number of publicly exhibited works of art that have become accused of blasphemy or sacrilege in the context of cultural identity politics in Western societies, religiously connoted feminist art works and performances seem to stand out and to fulfil a particularly provocative

  1. Political issues in contemporary art of Ukraine

    Directory of Open Access Journals (Sweden)

    Natalia Usenko

    2014-12-01

    Full Text Available At the beginning of the XXI century Ukrainian art observed activization of the artist’s interest for the political life of the country. The starting point was 2004, marked by protests against unfair elections in the country, the birth of the first “Maidan” and “Orange revolution”. In a number of artistic actions organized by art groups we can see the reflection of the revolution events and, later, the frustrations of its ideals. The most striking manifestation of political issues in contemporary art in Ukraine was the great creativity following the second “Maidan” (2013. In this spontaneous Performance everyone plays a role: the participants are the protesters, official persons, fighters of “Berkut” and interior force troops, journalists and others. Protesters’ tents, barricades, a statue of Lenin and “Maidan” itself (or Independence Square as a place of free will and creativity became the Symbols of the “Maidan” and its own art objects.

  2. VISUAL ART APPRECIATION IN NIGERIA: THE ZARIA ART ...

    African Journals Online (AJOL)

    ndubuisi

    2017-02-02

    Feb 2, 2017 ... award a Diploma certificate in art, Nigerian College of Arts, Science and ... the activities of NCAST which was the first institution of higher learning in Nigeria to award .... The Zaria Art Society was a product of an informal discussion between .... of young men from the Zaria art school who were inspired and ...

  3. The Liberal Arts and the Martial Arts.

    Science.gov (United States)

    Levine, Donald N.

    1984-01-01

    Liberal arts and the martial arts are compared from the perspective that courses of training in the martial arts often constitute exemplary educational programs and are worth examining closely. Program characteristics, individual characteristics fostered by them, the relationship between liberal and utilitarian learning, and the moral…

  4. The Return of the Body: Performance Art and Art Education.

    Science.gov (United States)

    Green, Gaye Leigh

    1999-01-01

    Explains that performance art incorporates different artistic forms, emphasizes the process of art over the product, and blurs the line between life and art. Discusses the history of performance art, highlights the Performance Art, Culture, and Pedagogy Symposium, and provides examples of how to use performance art in the classroom. (CMK)

  5. Kernel Bayesian ART and ARTMAP.

    Science.gov (United States)

    Masuyama, Naoki; Loo, Chu Kiong; Dawood, Farhan

    2018-02-01

    Adaptive Resonance Theory (ART) is one of the successful approaches to resolving "the plasticity-stability dilemma" in neural networks, and its supervised learning model called ARTMAP is a powerful tool for classification. Among several improvements, such as Fuzzy or Gaussian based models, the state of art model is Bayesian based one, while solving the drawbacks of others. However, it is known that the Bayesian approach for the high dimensional and a large number of data requires high computational cost, and the covariance matrix in likelihood becomes unstable. This paper introduces Kernel Bayesian ART (KBA) and ARTMAP (KBAM) by integrating Kernel Bayes' Rule (KBR) and Correntropy Induced Metric (CIM) to Bayesian ART (BA) and ARTMAP (BAM), respectively, while maintaining the properties of BA and BAM. The kernel frameworks in KBA and KBAM are able to avoid the curse of dimensionality. In addition, the covariance-free Bayesian computation by KBR provides the efficient and stable computational capability to KBA and KBAM. Furthermore, Correntropy-based similarity measurement allows improving the noise reduction ability even in the high dimensional space. The simulation experiments show that KBA performs an outstanding self-organizing capability than BA, and KBAM provides the superior classification ability than BAM, respectively. Copyright © 2017 Elsevier Ltd. All rights reserved.

  6. Simplifying ART cohort monitoring: Can pharmacy stocks provide accurate estimates of patients retained on antiretroviral therapy in Malawi?

    Directory of Open Access Journals (Sweden)

    Tweya Hannock

    2012-07-01

    Full Text Available Abstract Background Routine monitoring of patients on antiretroviral therapy (ART is crucial for measuring program success and accurate drug forecasting. However, compiling data from patient registers to measure retention in ART is labour-intensive. To address this challenge, we conducted a pilot study in Malawi to assess whether patient ART retention could be determined using pharmacy records as compared to estimates of retention based on standardized paper- or electronic based cohort reports. Methods Twelve ART facilities were included in the study: six used paper-based registers and six used electronic data systems. One ART facility implemented an electronic data system in quarter three and was included as a paper-based system facility in quarter two only. Routine patient retention cohort reports, paper or electronic, were collected from facilities for both quarter two [April–June] and quarter three [July–September], 2010. Pharmacy stock data were also collected from the 12 ART facilities over the same period. Numbers of ART continuation bottles recorded on pharmacy stock cards at the beginning and end of each quarter were documented. These pharmacy data were used to calculate the total bottles dispensed to patients in each quarter with intent to estimate the number of patients retained on ART. Information for time required to determine ART retention was gathered through interviews with clinicians tasked with compiling the data. Results Among ART clinics with paper-based systems, three of six facilities in quarter two and four of five facilities in quarter three had similar numbers of patients retained on ART comparing cohort reports to pharmacy stock records. In ART clinics with electronic systems, five of six facilities in quarter two and five of seven facilities in quarter three had similar numbers of patients retained on ART when comparing retention numbers from electronically generated cohort reports to pharmacy stock records. Among

  7. Art for reward's sake: visual art recruits the ventral striatum.

    Science.gov (United States)

    Lacey, Simon; Hagtvedt, Henrik; Patrick, Vanessa M; Anderson, Amy; Stilla, Randall; Deshpande, Gopikrishna; Hu, Xiaoping; Sato, João R; Reddy, Srinivas; Sathian, K

    2011-03-01

    A recent study showed that people evaluate products more positively when they are physically associated with art images than similar non-art images. Neuroimaging studies of visual art have investigated artistic style and esthetic preference but not brain responses attributable specifically to the artistic status of images. Here we tested the hypothesis that the artistic status of images engages reward circuitry, using event-related functional magnetic resonance imaging (fMRI) during viewing of art and non-art images matched for content. Subjects made animacy judgments in response to each image. Relative to non-art images, art images activated, on both subject- and item-wise analyses, reward-related regions: the ventral striatum, hypothalamus and orbitofrontal cortex. Neither response times nor ratings of familiarity or esthetic preference for art images correlated significantly with activity that was selective for art images, suggesting that these variables were not responsible for the art-selective activations. Investigation of effective connectivity, using time-varying, wavelet-based, correlation-purged Granger causality analyses, further showed that the ventral striatum was driven by visual cortical regions when viewing art images but not non-art images, and was not driven by regions that correlated with esthetic preference for either art or non-art images. These findings are consistent with our hypothesis, leading us to propose that the appeal of visual art involves activation of reward circuitry based on artistic status alone and independently of its hedonic value. Copyright © 2010 Elsevier Inc. All rights reserved.

  8. ArtsIN: Arts Integration and Infusion Framework

    Science.gov (United States)

    Hartle, Lynn C.; Pinciotti, Patricia; Gorton, Rebecca L.

    2015-01-01

    Teaching to meet the diverse learning needs of twenty-first century, global learners can be challenging, yet a growing body of research points to the proved successes of arts-infused and integrated curricula, especially for building capacity for learning and motivation. This article presents the ArtsIN: Arts Integration and Infusion framework, a…

  9. Cultivating Demand for the Arts: Arts Learning, Arts Engagement, and State Arts Policy

    Science.gov (United States)

    Zakaras, Laura; Lowell, Julia F.

    2008-01-01

    To shed light on the decline in demand for the nonprofit arts, the authors describe what it means to cultivate demand for the arts, examine how well U.S. institutions are serving this function, and discuss whether it is in the public interest to make such cultivation a higher priority than it has been in the past. The authors propose that a strong…

  10. Flexibility of approach in art practice as research: Hints in Omabe ...

    African Journals Online (AJOL)

    Recently, a number of art institutions (universities) in Europe, America, Asia, and Africa, introduced doctorate programme in studio areas, in which art practice is considered as research. As a new ... installation. The installations elicited public discourse on the tradition and a language of practice stood out from them.

  11. Arte Brasileno Erudito y Arte Brasileno Popular. (Brazilian Fine Art and Brazilian Popular Art)

    Science.gov (United States)

    Valladares, Clarival Do Prado

    1969-01-01

    Class differences in Brazil explain the inequality between the art produced in the high strata of society and that originating in the economically inferior communities. Genuine expression of art degenerates for two reasons: the influence of modern industrial civilization and the tendency to satisfy the taste of the acquisitive group. (Author/MF)

  12. Performative, Arts-Based, or Arts-Informed? Reflections on the Development of Arts-Based Research in Music Therapy.

    Science.gov (United States)

    Ledger, Alison; McCaffrey, Tríona

    2015-01-01

    Arts-based research (ABR) has emerged in music therapy in diverse ways, employing a range of interpretive paradigms and artistic media. It is notable that no consensus exists as to when and where the arts are included in the research process, or which music therapy topics are most suited to arts-based study. This diversity may pose challenges for music therapists who are developing, reading, and evaluating arts-based research. This paper provides an updated review of arts-based research literature in music therapy, along with four questions for researchers who are developing arts-based research. These questions are 1) When should the arts be introduced? 2) Which artistic medium is appropriate? 3) How should the art be understood? and 4) What is the role of the audience? We argue that these questions are key to understanding arts-based research, justifying methods, and evaluating claims arising from arts-based research. Rather than defining arts-based research in music therapy, we suggest that arts-based research should be understood as a flexible research strategy appropriate for exploring the complexities of music therapy practice. © the American Music Therapy Association 2015. All rights reserved. For permissions, please e-mail: journals.permissions@oup.com.

  13. ‘Locality, nation and the “primitive” – notions about the identities of late medieval non-professional wall painters in Finnish historiography from 1880 to 1940’

    Directory of Open Access Journals (Sweden)

    Katja Fält

    2013-12-01

    Full Text Available The article examines a group of medieval wall paintings and how they have been dealt with in the Finnish research history during the period from 1880 to 1940. The paintings have long been referred to ‘primitive paintings’ and thought to have been executed by local men. This interpretation has been in connection to the late nineteenth and early twentieth century history-writing and its attempts to establish and validate a shared national past for Finland. The notion of the ‘primitive paintings’ as something essentially local or ‘native’, was an endeavour of cultural construction that aimed to recreate a continuous, plausible narrative as a part of ‘writing the nation’ in the late-nineteenth and early-twentieth-century Finnish historiography.

  14. Art Therapy: What Is Art Therapy?

    Science.gov (United States)

    ... individual, couples, family, and group therapy formats. Art therapy is an effective treatment for people experiencing developmental, medical, educational, and social or psychological impairment. Individuals who benefit from art therapy include ...

  15. Research of ART method in CT image reconstruction

    International Nuclear Information System (INIS)

    Li Zhipeng; Cong Peng; Wu Haifeng

    2005-01-01

    This paper studied Algebraic Reconstruction Technique (ART) in CT image reconstruction. Discussed the ray number influence on image quality. And the adopting of smooth method got high quality CT image. (authors)

  16. Street-art

    OpenAIRE

    Rybnikářová, Klára

    2009-01-01

    This thesis is concerned with the street-art and graffiti phenomenon. The theoretical research is focused on presenting the essence and character of this art style, while also watching it from socio-cultural point of view and observing it in context of art history. The theoretical study is followed by the didactical part of thesis, where I present possibilities of using the street-art theme in art education programs in the school setting. My thesis is concluded with a discussion of a practica...

  17. The state-of-the-art of ART sealants.

    Science.gov (United States)

    Frencken, Jo E

    2014-03-01

    Sealing caries-prone pits and fissure systems is an effective caries-preventive measure. There are basically two types of sealant materials: glass-ionomer and resin-based materials. Low- and medium-viscosity glass-ionomers were initially used and showed a low level of retention. With the advent of the ART approach in the mid-nineties, high-viscosity glass-ionomers were introduced as sealant material and the retention rate of ART sealants increased substantially. As the effectiveness of a sealant is measured by its capacity to prevent (dentine) carious lesion development, sealant retention is considered a surrogate endpoint. The ART sealant protocol is described. Systematic reviews and meta-analysis covering low- medium- and high-viscosity glass-ionomer (ART) sealants have concluded that there is no evidence that either glass-ionomer or resin-based sealants prevent dentine carious lesions better. The annual dentine carious lesion development in teeth with high-viscosity glass-ionomer ART sealants over the first three years is 1%. These ART sealants have a high capacity of preventing carious lesion development. Because no electricity and running water is required, ART sealants can be placed both inside and outside the dental surgery. High-viscosity glass-ionomer ART sealants can be used alongside resin-based sealants.41:119-124

  18. The state-of-the-art of ART restorations.

    Science.gov (United States)

    Frencken, Jo E

    2014-04-01

    ART is less anxiety- and pain-provoking than traditional restorative treatments; administration of local anaesthesia is rarely required. Systematic reviews have provided evidence of the high level of effectiveness of high-viscosity glass-ionomer ART restoration in restoring single-surface cavities, both in primary and permanent posterior teeth, but its survival rates in restoring multiple-surface cavities in primary posterior teeth needs to be improved. Insufficient information is available regarding the survival rates of multiple-surface ART restorations in permanent teeth. Evidence from these reviews indicates no difference in the survival rates of single-surface high-viscosity glass-ionomer ART restorations and amalgam restorations in primary and permanent posterior teeth. Where indicated, high-viscosity glass-ionomer ART restorations can be used alongside traditional restorations. ART provides a much more acceptable introduction to dental restorative care than the traditional 'injection, drill and fill'.

  19. Arts Education Beyond Art : Teaching Art in Times of Change

    NARCIS (Netherlands)

    van Heusden, Bernard; Gielen, Pascal

    2015-01-01

    People and societies thrive on a versatile and imaginative awareness. Yet the critical debate on arts education is still too often about the qualities of artefacts and technical skills, and tends to neglect issues such as the critical function of the arts in society, artistic cognition and cognitive

  20. State Arts Agency Fact Sheet: Support for Arts Education

    Science.gov (United States)

    Online Submission, 2015

    2015-01-01

    This national overview of state arts agency grants and services for arts education includes summary statistics and geographic distribution. The fact sheet uses data from Final Descriptive Reports of state arts agency grant-making activities submitted annually to the National Assembly of State Arts Agencies (NASAA) and the National Endowment for…

  1. Fine Arts as Means for Studying Media History

    Directory of Open Access Journals (Sweden)

    Tereza Ježková

    2015-09-01

    Full Text Available Studying art as a manifestation of cultural memory can help us understand both collective and individual identities. Specific works of art can give us a sense of the artist while the content can also present a more general theme or social issue of a given era. Considering the number of artworks that reference (either as a major or minor topical element mass communication, media seems to be a feasible theme. The topic of media and its specific appearances has varied significantly throughout the history of both art and media. The aim of this paper is to introduce a unique analysis that combines artworks that display the use of mass communication in Czech fine arts. The collected items were the subject of an interdisciplinary analysis – both historical and semiotic. So far, the relationship between media and art has not been explored within Czech media studies. Finding the connection between fine arts and the media can broaden the horizons of historical and social sciences. Representation of media by art points to the importance of media in any given historical period. Some examples can clearly show us how media were produced and consumed, as well as, in the later periods, used as a material for the creation or the art itself. The objective of this paper is to show the perspectives and limits of art as a source of knowledge about cultural memory and advantages and disadvantages of combining historical and semiotic analyses as applied to specific artworks.

  2. Iconography in Bradshaw rock art: breaking the circularity.

    Science.gov (United States)

    Pettigrew, Jack

    2011-09-01

    Interpreting the symbols found in the rock art of an extinct culture is hampered by the fact that such symbols are culturally determined. How does one break the circularity inherent in the fact that the knowledge of both the symbols and the culture comes from the same source? In this study, the circularity is broken for the Bradshaw rock art of the Kimberley by seeking anchors from outside the culture. Bradshaw rock art in the Kimberley region of Australia and Sandawe rock art in the Kolo region of Eastern Tanzania were surveyed in six visits on foot, by vehicle, by helicopter and from published or shared images, as well as from the published and online images of Khoisan rock art. Uniquely shared images between Bradshaw and Sandawe art, such as the 'mushroom head' symbol of psilocybin use, link the two cultures and indicate that they were shamanistic. Therefore, many mysterious features in the art can be understood in terms of trance visualisations. A number of other features uniquely link Bradshaw and Sandawe cultures, such as a special affinity for small mammals. There are also many references to baobabs in early Bradshaw art but not later. This can be explained in the context of the Toba super-volcano, the likely human transport of baobabs to the Kimberley and the extraordinary utility of the baobab. Many more mysterious symbols in Bradshaw rock art might await interpretation using the approaches adopted here. © 2011 The Author. Clinical and Experimental Optometry © 2011 Optometrists Association Australia.

  3. Performing Art-Based Research: Innovation in Graduate Art Therapy Education

    Science.gov (United States)

    Moon, Bruce L.; Hoffman, Nadia

    2014-01-01

    This article presents an innovation in art therapy research and education in which art-based performance is used to generate, embody, and creatively synthesize knowledge. An art therapy graduate student's art-based process of inquiry serves to demonstrate how art and performance may be used to identify the research question, to conduct a process…

  4. 76 FR 16842 - National Endowment for the Arts; Arts Advisory Panel

    Science.gov (United States)

    2011-03-25

    ... NATIONAL FOUNDATION ON THE ARTS AND THE HUMANITIES National Endowment for the Arts; Arts Advisory..., notice is hereby given that one meeting of the Arts Advisory Panel to the National Council on the Arts... (ending time is approximate): Arts Education (application review): April 14, 2011, by teleconference. This...

  5. 76 FR 70510 - National Endowment for the Arts; Arts Advisory Panel

    Science.gov (United States)

    2011-11-14

    ... NATIONAL FOUNDATION ON THE ARTS AND THE HUMANITIES National Endowment for the Arts; Arts Advisory..., notice is hereby given that ten meetings of the Arts Advisory Panel to the National Council on the Arts... (ending times are approximate): Arts Education (application review): November 29-December 2, 2011 in Room...

  6. 76 FR 20719 - National Endowment for the Arts; Arts Advisory Panel

    Science.gov (United States)

    2011-04-13

    ... NATIONAL FOUNDATION ON THE ARTS AND THE HUMANITIES National Endowment for the Arts; Arts Advisory..., notice is hereby given that nine meetings of the Arts Advisory Panel to the National Council on the Arts..., evaluation, and recommendations on financial assistance under the National Foundation on the Arts and the...

  7. Are persons living with HIV timely accessing ART services in India?

    Science.gov (United States)

    Sogarwal, Ruchi; Bachani, Damodar

    2009-05-01

    CD4+ T-cell level is one of the important criteria for categorising HIV-related clinical conditions to determine initiation of antiretroviral therapy (ART). The present study is undertaken to analyse baseline CD4 count at which persons living with HIV/AIDS (PLHA) were getting registered for ART in India. It also examines the profile of the PLHA with baseline CD4 count over a period of time. Data of 1,10,974 registered PLHAs at ART centres were analysed for the last three years (April 2005 to March 2008) in the computerised management information system. It was revealed that 85 per cent of PLHA were registered when their baseline CD4 count was less than 250 cells/mm3 and thus were eligible for initiation of ART. No significant change in the proportion of PLHA by CD4 categories was observed in the last three years. These findings suggest that registration for ART at early stages of infection is still uncommon. Significant decline in the proportion of PLHA in the age group of 21-30 years, literate and employed was noticed. The proportion of PLHA referred by counselling and testing centres has increased from 62.6% in 2005-06 to 71.3% in 2007-08. Sexual transmission, followed by mother to child transmission has been reported as two major modes of HIV transmission by PLHA registered at ART centres in the last three years. Though the number of ART centres has increased in India which in turn has increased the number of PLHAs registered and on ART, it is evident from this study that the programme is still far behind to achieve the goal of early detection for timely ART.

  8. State of the art in microfabrication

    NARCIS (Netherlands)

    Schmitz, Jurriaan

    2014-01-01

    In this review paper the state of the art in microfabrication is presented. The focus is on trends in integrated circuit fabrication by mainstream industrial players. The article starts with Moore’s Law, describing its inception as well as the evolution of Moore’s metric of the number of components

  9. 75 FR 19664 - National Endowment for the Arts; Arts Advisory Panel

    Science.gov (United States)

    2010-04-15

    ... NATIONAL FOUNDATION ON THE ARTS AND THE HUMANITIES National Endowment for the Arts; Arts Advisory..., notice is hereby given that four meetings of the Arts Advisory Panel to the National Council on the Arts... recommendations on financial assistance under the National Foundation on the Arts and the Humanities Act of 1965...

  10. 75 FR 35845 - National Endowment for the Arts; Arts Advisory Panel

    Science.gov (United States)

    2010-06-23

    ... NATIONAL FOUNDATION ON THE ARTS AND THE HUMANITIES National Endowment for the Arts; Arts Advisory..., notice is hereby given that three meetings of the Arts Advisory Panel to the National Council on the Arts... the National Foundation on the Arts and the Humanities Act of 1965, as amended, including information...

  11. 76 FR 41308 - National Endowment for the Arts; Arts Advisory Panel

    Science.gov (United States)

    2011-07-13

    ... NATIONAL FOUNDATION ON THE ARTS AND THE HUMANITIES National Endowment for the Arts; Arts Advisory..., notice is hereby given that two meetings of the Arts Advisory Panel to the National Council on the Arts... recommendations on financial assistance under the National Foundation on the Arts and the Humanities Act of 1965...

  12. 75 FR 41902 - National Endowment for the Arts; Arts Advisory Panel

    Science.gov (United States)

    2010-07-19

    ... NATIONAL FOUNDATION ON THE ARTS AND THE HUMANITIES National Endowment for the Arts; Arts Advisory..., notice is hereby given that three meetings of the Arts Advisory Panel to the National Council on the Arts... financial assistance under the National Foundation on the Arts and the Humanities Act of 1965, as amended...

  13. 75 FR 44815 - National Endowment for the Arts; Arts Advisory Panel

    Science.gov (United States)

    2010-07-29

    ... NATIONAL FOUNDATION ON THE ARTS AND THE HUMANITIES National Endowment for the Arts; Arts Advisory..., notice is hereby given that one meeting of the Arts Advisory Panel to the National Council on the Arts... National Foundation on the Arts and the Humanities Act of 1965, as amended, including information given in...

  14. 76 FR 28244 - National Endowment for the Arts; Arts Advisory Panel

    Science.gov (United States)

    2011-05-16

    ... NATIONAL FOUNDATION ON THE ARTS AND THE HUMANITIES National Endowment for the Arts; Arts Advisory..., notice is hereby given that one meeting of the Arts Advisory Panel to the National Council on the Arts... Foundation on the Arts and the Humanities Act of 1965, as amended, including information given in confidence...

  15. 76 FR 81542 - National Endowment for the Arts; Arts Advisory Panel

    Science.gov (United States)

    2011-12-28

    ... NATIONAL FOUNDATION ON THE ARTS AND THE HUMANITIES National Endowment for the Arts; Arts Advisory..., notice is hereby given that a meeting of the Arts Advisory Panel to the National Council on the Arts will... (ending times are approximate): Media Arts (application review): January 24-26, 2012 in Room 716. A...

  16. Pirates of the Philippines: A Critical Thinking Exercise

    Directory of Open Access Journals (Sweden)

    Ruel A. Macaraeg

    2012-07-01

    Full Text Available Piracy had a formative impact on Filipino history, yet modern practitioners of Filipino Martial Arts generally do not acknowledge its influence. This brief study reconstructs the pirates’ martial practices through comparative historical analysis of their weapons, costume, and organization in order to draw conclusions about their relationship to martial cultures in the Philippines and across the region. Using analogous historical studies on piracy worldwide and examination of traditional arms and armor, this article restores the Iranun pirates to their rightful place as primary contributors to Filipino fighting arts and their influence in shaping Filipino national historiography as a whole.

  17. The number and its symbolism in ancient Greece

    Directory of Open Access Journals (Sweden)

    Doc. dr Milena Bogdanović

    2013-07-01

    Full Text Available The symbols are of particular importance. They are the heart of the creative life; rather they are its core. They reveal the secrets of the unconscious mind open to the unknown and the infinite. While talking or gestures while express, we use the symbols, noting it or not. All spiritual science, all art and all art techniques encounter on their way symbols. History confirms that the symbols of each object can be obtained symbolic value, whether natural (rocks, trees, animals, planets, fire, lightning, etc... or abstract (geometrical shape, number, pace, ideas, etc.... The use of numbers as symbols is as old as language itself, but one that precedes writing, which symbolize numbers (that is, where the reality behind the external characters. The sheer numbers and their symbolism in ancient Greece and is closely associated with the philosophy and mathematics (namely arithmetic. They summarize their view of the world and everything around them. This paper draws attention to the symbolism of the numbers that were in ancient Greece.

  18. 75 FR 26284 - National Endowment for the Arts; Arts Advisory Panel

    Science.gov (United States)

    2010-05-11

    ... NATIONAL FOUNDATION ON THE ARTS AND THE HUMANITIES National Endowment for the Arts; Arts Advisory..., notice is hereby given that nine meetings of the Arts Advisory Panel to the National Council on the Arts... meeting, from 3 p.m. to 3:30 p.m. EDT, will be closed. Folk and Traditional Arts (application review...

  19. ‘Romantic worldview as a narcissistic construct’

    Directory of Open Access Journals (Sweden)

    Branko Mitrović

    2013-12-01

    Full Text Available The view that human intellectual life and values are predetermined by one’s membership of a collective such as culture, ethnicity, class or linguistic community has been the core of the Romantic intellectual tradition from German eighteenth-century romantics to late twentieth-century postmodernist social constructivists. The view fundamentally depends on the acceptance of a number of paradoxes and theoretical positions that are philosophically difficult to defend; its widespread popularity can only indicate an extra-theoretical motivation to accept it. In this paper I argue that modern psychological research about narcissism provides a comprehensive explanation for this motivation. While the results of the analysis could be applied to any segment of the Romantic tradition, this paper mainly concentrates on German art historiography of the era between Bismarck and Adenauer.

  20. Genetics in the art and art in genetics.

    Science.gov (United States)

    Bukvic, Nenad; Elling, John W

    2015-01-15

    "Healing is best accomplished when art and science are conjoined, when body and spirit are probed together", says Bernard Lown, in his book "The Lost Art of Healing". Art has long been a witness to disease either through diseases which affected artists or diseases afflicting objects of their art. In particular, artists have often portrayed genetic disorders and malformations in their work. Sometimes genetic disorders have mystical significance; other times simply have intrinsic interest. Recognizing genetic disorders is also an art form. From the very beginning of my work as a Medical Geneticist I have composed personal "algorithms" to piece together evidence of genetics syndromes and diseases from the observable signs and symptoms. In this paper we apply some 'gestalt' Genetic Syndrome Diagnostic algorithms to virtual patients found in some art masterpieces. In some the diagnosis is clear and in others the artists' depiction only supports a speculative differential diagnosis. Copyright © 2014 Elsevier B.V. All rights reserved.

  1. Art and soul: powerful and powerless art in Singapore

    OpenAIRE

    T C Chang

    2008-01-01

    Public art in urban areas offers a window on a city’s soul. Art in the form of sculptures, monuments, and other creative expressions can inform us of the ways artists think of the urban environment, the goals of policy makers in art installations, and the way members of the public interact with art and with each other in the city. Taking Singapore as a case study, I argue that contemporary public art has the power to inform place identity and inspire community aspirations. Unlike the hard pow...

  2. Art and brain: the relationship of biology and evolution to art.

    Science.gov (United States)

    Zaidel, Dahlia W

    2013-01-01

    Visual art, as with all other arts, is spontaneously created only by humans and is ubiquitously present to various extents in all societies today. Exploring the deep roots of art from cognitive, neurological, genetic, evolutionary, archaeological, and biological perspectives is essential for the full understanding of why we have art, and what art is about. The cognitive basis of art is symbolic, abstract, and referential thinking. However, archaeological markers of symbolic activity by early humans are not associated with art production. There is an enormously large time gap between the activity and the appearance of sporadic art by early Homo sapiens, and another large time delay before appearance of enduring practice of art. The aesthetic aspect of art is not considered to be the initial impetus for creating it. Instead, archaeological markers suggest that the early beginnings of art are associated with development of stratified societies where external visual identifiers by way of body ornaments and decorations were used. The major contributing forces for the consistency in art-making are presumed to be the formation of socioculture, intragroup cooperation, increased group size, survival of skillful artisans, and favorable demographic conditions. The biological roots of art are hypothesized to parallel aspects of our ancestry, specifically animal courtship displays, where signals of health and genetic quality are exhibited for inspection by potential mates. Viewers assess displayed art for talent, skill, communicative, and aesthetic-related qualities. Interdisciplinary discussions of art reflect the current approach to full understanding of the nature of art. © 2013 Elsevier B.V. All rights reserved.

  3. Art Toys in the contemporary art scene

    Directory of Open Access Journals (Sweden)

    Laura Sernissi

    2014-03-01

    Full Text Available The Art Toys phenomenon, better known as Art Toy Movement, was born in China in the mid-nineties and quickly spread out to the rest of the world. The toys are an artistic production of serial sculpture, made by handcrafts or on an industrial scale. There are several types of toys, such as custom toys and canvas toys, synonyms of designer toys, although they are often defined according to the constituent material, such as vinyl toys (plastic and plush toys (fabric. Art toys are the heirs of an already pop-surrealist and neo-pop circuit, which since the eighties of the twentieth century has pervaded the Japanese-American art scene, winking to the playful spirit of the avant-garde of the early century. Some psychoanalytic, pedagogical and anthropological studies about “play theories”, may also help us to understand and identify these heterogeneous products as real works of art and not simply as collectible toys.

  4. Integrate Science and Arts Process Skills in the Early Childhood Curriculum

    Science.gov (United States)

    Morrison, Kathy

    2012-01-01

    Linking science and art explorations makes sense in early childhood education for a number of reasons. Young children have a natural curiosity about their world and how it works. Young children are also natural artists. Most are delighted to participate in open-ended art activities, dramatic play, singing, and dancing. For young children, the…

  5. Magic vs. Science in the Historiography of Science: The Social-Historical Construction of Rationality

    Directory of Open Access Journals (Sweden)

    Carlos Alvarez Maia

    2017-12-01

    Full Text Available The historiography of scientific studies has suffered from a great impact, that is rarely referred to, from anthropological analyses of magic in so-called primitive societies. The emphasis brought by criticism during the 1950/1960’s of Evans-Pritchard’s 1937 classic, Witchcraft, Oracles and Magic among the Azande, brought a fresh look at certainties already consolidated in Western thought, especially those relating to rational human characteristics and science. For the history, these criticisms were interesting because they were presented science as a historically situated activity, in the same way as magic. It favours, therefore, the proximity of historians tout court with the history of the sciences that resists its absences even today. This renewal helped to create a scenario that would enable David Bloor to develop the strong program of Sociology of Knowledge in the 1970s. Such a program indicates the analogous process that involves both the social production of beliefs and that of scientific truths. The comparison between magic and science usually presents them in a hierarchy. As if there were an evolutionary process in which magical thinking necessarily preceded scientific thought. The one, more precarious, would belong to the prehistory of the scientific thought, which would be the climax of modern rational action. In this paper I evaluate the proximity of magic-science from the point of view of contemporary studies about scientific activity, questioning the concepts of rationality and logic as if they were exclusive qualities of scientific activity. A kind of metaphysical gift that would show the superiority of individuals over others, as much as of science over magic. I give special emphasis to the exposition of how rationality and logic are socio-historical characteristics acquired throughout history by human subjects in their experiential practices, and which are present both in magic and technical activities; these, an embryo of

  6. Botany and topography: the problem of the levelling of plants in the scientific historiography on Francisco José de Caldas

    Directory of Open Access Journals (Sweden)

    María Alejandra Puerta Olaya,

    2017-07-01

    Full Text Available The levelling of plants is usually recognized as one of the main concepts in the works and the thought of Francisco José de Caldas. There are different interpretations about this concept, but in general, the treatment is not very careful and does not really go into the details concerning its theoretical assumptions and consequences. In this article, we identify the diverse interpretations that historians have offered regarding the origin, the function and the definition of this concept. Our interest is to show the difficulties that the scientific historiography on Caldas faces when it deals with this concept, and how these difficulties generate uncertainty concerning the coherence that may exist between those different interpretations. In particular, we defend the thesis that the approach to the term “levelling of plants” has been focused more on the plants part than on the levelling part, that is, more on botany than on topography. This historiographic assumption has led to the construction of historical narratives that, despite the explicit topographic dimension of the term, place it in the history of botany and not in the history of topography.

  7. Mathematics and Martial Arts as Connected Art Forms

    Science.gov (United States)

    Hekimoglu, Serkan

    2010-01-01

    Parallels between martial arts and mathematics are explored. Misguided public perception of both disciplines, students' misconceptions, and the similarities between proofs and katas are among the striking commonalities between martial arts and mathematics. The author also reflects on what he has learned in his martial arts training, and how this…

  8. Knots in Art

    OpenAIRE

    Jablan, Slavik; Radović, Ljiljana; Sazdanović, Radmila; Zeković, Ana

    2012-01-01

    We analyze applications of knots and links in the Ancient art, beginning from Babylonian, Egyptian, Greek, Byzantine and Celtic art. Construction methods used in art are analyzed on the examples of Celtic art and ethnical art of Tchokwe people from Angola or Tamil art, where knots are constructed as mirror-curves. We propose different methods for generating knots and links based on geometric polyhedra, suitable for applications in architecture and sculpture.

  9. The Impact of Part-Time Staff on Art & Design Students' Ratings of Their Programmes

    Science.gov (United States)

    Yorke, Mantz

    2014-01-01

    Art & Design receives ratings on a number of scales of the UK's National Student Survey (NSS) that are less strong than those for some other subject areas. Art & Design, along with performing arts, is characterised by a relatively high level of part-time (PT) staffing. PT staffing data are set against NSS ratings for post-92 universities…

  10. Ada issues in implementing ART-Ada

    Science.gov (United States)

    Lee, S. Daniel

    1990-01-01

    Due to the Ada mandate of a number of government agencies, interest in deploying expert systems such as Ada has increased. Recently, several Ada-based expert system tools have been developed. According to a recent benchmark report, these tools do not perform as well as similar tools written in C. While poorly implemented Ada compilers contribute to the poor benchmark result, some fundamental problems of the Ada language itself have been uncovered. Here, the authors describe Ada language issues encountered during the deployment of ART-Ada, an expert system tool for Ada deployment. ART-Ada is being used to implement several prototype expert systems for the Space Station Freedom and the U.S. Air Force.

  11. Art or Science: Operational Logistics as Applied to Op Art

    Science.gov (United States)

    2006-02-13

    FINAL 3. DATES COVERED (From - To) 4. TITLE AND SUBTITLE Art or Science : Operational Logistics as Applied to Op Art 5a. CONTRACT... Art or Science ? Operational Logistics as applied to Operational Art By Milo L. Shank Major, USMC A paper submitted to the...than just a science . Keeping Thorpe’s work in context, it was written circa World War One, before Operational Art was an established and accepted

  12. Installation Art

    DEFF Research Database (Denmark)

    Petersen, Anne Ring

    . In Installation Art: Between Image and Stage, Anne Ring Petersen aims to change that. She begins by exploring how installation art developed into an interdisciplinary genre in the 1960s, and how its intertwining of the visual and the performative has acted as a catalyst for the generation of new artistic......Despite its large and growing popularity – to say nothing of its near-ubiquity in the world’s art scenes and international exhibitions of contemporary art –installation art remains a form whose artistic vocabulary and conceptual basis have rarely been subjected to thorough critical examination...... phenomena. It investigates how it became one of today’s most widely used art forms, increasingly expanding into consumer, popular and urban cultures, where installation’s often spectacular appearance ensures that it meets contemporary demands for sense-provoking and immersive cultural experiences. The main...

  13. Installation Art

    DEFF Research Database (Denmark)

    Petersen, Anne Ring

    Despite its large and growing popularity – to say nothing of its near-ubiquity in the world’s art scenes and international exhibitions of contemporary art –installation art remains a form whose artistic vocabulary and conceptual basis have rarely been subjected to thorough critical examination....... In Installation Art: Between Image and Stage, Anne Ring Petersen aims to change that. She begins by exploring how installation art developed into an interdisciplinary genre in the 1960s, and how its intertwining of the visual and the performative has acted as a catalyst for the generation of new artistic...... phenomena. It investigates how it became one of today’s most widely used art forms, increasingly expanding into consumer, popular and urban cultures, where installation’s often spectacular appearance ensures that it meets contemporary demands for sense-provoking and immersive cultural experiences. The main...

  14. Infant and maternal health monitoring using a combined Nordic database on ART and safety

    DEFF Research Database (Denmark)

    Henningsen, Anna-Karina A; Romundstad, Liv Bente; Gissler, Mika

    2011-01-01

    Objective. To evaluate infant and maternal health after assisted reproductive technology (ART), using data on over 90 000 ART children and their mothers in Denmark, Finland, Norway and Sweden, which have been combined and will be compared with a control group of spontaneously conceived children...... on the mothers of ART children can be used to study risks during pregnancy and obstetric complications after ART. Methods. A personal identification number given to all Nordic residents allows cross-linkage of the national health registers and enables long-term follow-up of ART children. The medical birth...

  15. The artists' text as work of art

    NARCIS (Netherlands)

    van Rijn, I.A.M.J.

    2017-01-01

    Artists’ texts are texts written and produced by visual artists. Their number increasing since the 2000s, it becomes important to clarify their obscure relationship to art institutions. Analysing and comparing four different artists’ texts on a textual level, this research proposes an alternative to

  16. The Art Institution in a Globalizing World

    NARCIS (Netherlands)

    Gielen, Pascal

    2010-01-01

    How do oclassicalo big art institutions (museums, the ballet, the opera, symphony orchestras) react to phenomena of globalization such as migration flows, the odenationalizationo of artistic movements, the enormous growth of the number of artists, the trend of a global cultural branding of cities,

  17. Original Research Cytopenias among ART-naive patients with ...

    African Journals Online (AJOL)

    diagnosis of HIV and timely initiation of ART could potentially reduce the number of people living with advanced HIV ..... positive women.32 In this study patients with anaemia had ..... destruction and bone marrow suppression with severity.

  18. Knots in Art

    Directory of Open Access Journals (Sweden)

    Radmila Sazdanović

    2012-06-01

    Full Text Available We analyze applications of knots and links in the Ancient art, beginning from Babylonian, Egyptian, Greek, Byzantine and Celtic art. Construction methods used in art are analyzed on the examples of Celtic art and ethnical art of Tchokwe people from Angola or Tamil art, where knots are constructed as mirror-curves. We propose different methods for generating knots and links based on geometric polyhedra, suitable for applications in architecture and sculpture.

  19. Artfulness

    DEFF Research Database (Denmark)

    Chemi, Tatiana

    2011-01-01

    a collage of previously published materials on Artfulness, in this journal targeted teachers for dysfunctional behaviour children.......a collage of previously published materials on Artfulness, in this journal targeted teachers for dysfunctional behaviour children....

  20. ARTHUR DANTO: ¿ARTE POST-HISTÓRICO O ARTE CONTEMPORÁNEO?

    OpenAIRE

    R., MARÍA DEL CARMEN OLEAS

    2013-01-01

    Resumen:El arte contemporáneo es un concepto difícil de definir y Arthur Danto, como filósofo del arte ha sido uno de los que ha tratado de hacerlo. La siguiente reflexión intenta una aproximación al pensamiento de Danto sobre el arte contemporáneo al que él llama “arte post histórico”. Para Danto, el arte ha muerto y todo lo que sucede después de su muerte es arte post histórico: es de esta manera que él define al arte contemporáneo. Desde un punto de vista filosófico, el arte contemporáneo ...

  1. Medical Art Therapy

    Directory of Open Access Journals (Sweden)

    Birgul Aydin

    2012-03-01

    Full Text Available Art therapy is a form of expressive therapy that uses art materials. Art therapy combines traditional psychotherapeutic theories and techniques with an understanding of the psychological aspects of the creative process, especially the affective properties of the different art materials. Medical art therapy has been defined as the clinical application of art expression and imagery with individuals who are physically ill, experiencing physical trauma or undergoing invasive or aggressive medical procedures such as surgery or chemotherapy and is considered as a form of complementary or integrative medicine. Several studies have shown that patients with physical illness benefit from medical art therapy in different aspects. Unlike other therapies, art therapy can take the patients away from their illness for a while by means of creative activities during sessions, can make them forget the illness or lost abilities. Art therapy leads to re-experiencing normality and personal power even with short creative activity sessions. In this article definition, influence and necessity of medical art therapy are briefly reviewed.

  2. Numbers at work a cultural perspective

    CERN Document Server

    Taschner , Rudolf

    2007-01-01

    Drawing primarily from historical examples, this book explains the tremendous role that numbers and, in particular, mathematics play in all aspects of our civilization and culture. The lively style and illustrative examples will engage the reader who wants to understand the many ways in which mathematics enables science, technology, art, music, politics, and rational foundations of human thought. Each chapter focuses on the influence of mathematics in a specific field and on a specific historical figure, such as ""Pythagoras: Numbers and Symbol""; ""Bach: Numbers and Music""; ""Descartes: Numb

  3. 75 FR 11940 - National Endowment for the Arts; Arts Advisory Panel

    Science.gov (United States)

    2010-03-12

    ... NATIONAL FOUNDATION ON THE ARTS AND THE HUMANITIES National Endowment for the Arts; Arts Advisory..., notice is hereby given that a meeting of the Arts Advisory Committee will be held by teleconference from... National Foundation on the Arts and the Humanities Act of 1965, as amended, including information given in...

  4. 76 FR 78316 - National Endowment for the Arts; Arts Advisory Panel

    Science.gov (United States)

    2011-12-16

    ... NATIONAL FOUNDATION ON THE ARTS AND THE HUMANITIES National Endowment for the Arts; Arts Advisory..., notice is hereby given that eleven meetings of the Arts Advisory Panel to the National Council on the Arts will be held at the Nancy Hanks Center, 1100 Pennsylvania Avenue NW., Washington, DC, 20506 as...

  5. Conferences on Combinatorial and Additive Number Theory

    CERN Document Server

    2014-01-01

    This proceedings volume is based on papers presented at the Workshops on Combinatorial and Additive Number Theory (CANT), which were held at the Graduate Center of the City University of New York in 2011 and 2012. The goal of the workshops is to survey recent progress in combinatorial number theory and related parts of mathematics. The workshop attracts researchers and students who discuss the state-of-the-art, open problems, and future challenges in number theory.

  6. Anachronic concepts, art historical containers and historiographical practices in contemporary art

    OpenAIRE

    Eva Kernbauer

    2017-01-01

    This paper examines the historiographical potential of contemporary art, asking how artworks have been envisaged to challenge, shape and undermine art historical models and how their contribution has been taken into view by theorists. Working through art historiographical models from Kubler to Panofsky and Benjamin, it reconsiders some aspects of the contested relationship between art and art history. It proposes a reconsideration of the ‘anachronic’ as a much discussed term in recent art the...

  7. Estado del arte de los inicios de la historiografía de la música popular en Colombia

    Directory of Open Access Journals (Sweden)

    Carolina Santamaría Delgado

    2009-06-01

    Full Text Available This article presents a state of the art in a field of scholarship still to be institutionalized in Colombian academia. In the first place, the author establishes the definition of the terms “history” and “popular music” and explains the conflictive relation between both of them in the Latin American context, in particular in Colombia. The singular evolution of music historiography in the country explains the diversity of methodologies used in the collection of data, as well as in the formats and writing styles. The article aims to provide order to a diverse and mostly empirical writing tradition that has rarely been considered a coherent field of study. This work comes out from a project of bibliographic compilation titled “Sistema de información bibliográfica sobre la investigación en Colombia” (System of Bibliographic Information about Music Scholarship in Colombia, carried out by the Grupo de Investigaciones Musicales from the Music Department, Universidad Javeriana.//El artículo presenta un estado de la investigación en un campo que se encuentra en vías de institucionalizarse en el país. Se comienza por definir el uso de los términos “historia” y “música popular” y explicar el porqué de la relación conflictiva entre ambos en el contexto latinoamericano, de Colombia en particular. La singularidad del desarrollo de la historiografía musical en el país explica la gran diversidad en los métodos de recolección de datos, en los formatos y en los estilos de escritura. El presente texto busca atribuir cierto orden a una tradición de escritura, en gran medida empírica y diversa, que pocas veces ha sido considerada como campo de estudio coherente. El artículo surge del trabajo de recolección bibliográfica emprendido con el proyecto “Sistema de información bibliográfica sobre la investigación musical en Colombia” del Grupo de Investigaciones Musicales del Departamento de Música de la Universidad

  8. Trends in Modern War Gaming: The Art of Conversation

    Science.gov (United States)

    2014-01-01

    War Gaming: The Art of Conversation 5a. CONTRACT NUMBER 5b. GRANT NUMBER 5c. PROGRAM ELEMENT NUMBER 6. AUTHOR(S) 5d. PROJECT NUMBER 5e. TASK NUMBER...conflict to the sum of its parts. In 1916, frederick lanchester, a brit- ish mathematician , sought to apply two equations—the law of squares to “‘aimed...differences “cannot be comprehended by linear models.”36 the american physicist and author fritjof Capra notes that “the process of model making consists

  9. State of the art

    International Nuclear Information System (INIS)

    Lederman, L.M.

    1983-01-01

    There is a large body of experience in high luminosity data taking in fixed target research. We try to consider a wide variety of high rate experiments which were limited by the detector (not by available beam) to a preset number of collisions per second. We then attempt to translate these state-of-the-art experiments to effective collider experiments. To this end, we extend the chosen detector to a comparison 4π collider detector operating near 1 TeV. There are several issues: (1) effective solid angle must be translated to approx. = 4π, (2) environments may be quite different, e.g., beam dump near fixed target or beam halo muons vs. collider backgrounds, (3) the multiplicity varies over the experiments selected and (4) we have to treat open vs closed geometries. The large variety of experiments selected is designed to average over the causes for detector limitation. Finally we chose detectors which have produced physics in order to gauge the state of the art

  10. Working With Arts in Danish Nurse Education

    DEFF Research Database (Denmark)

    Jensen, Julie Borup

    2011-01-01

    The article outlines ideas and a number of results of a design-for-learning experiment, involving nurse students working with arts in the nurse education in Denmark. The findings show that learning in practice in nurse education can involve creativity as a dimension of building personal knowledge...

  11. THE SPECIFICS OF ART INFORMATION AND COMMUNICATION IN ART CLASSES

    Directory of Open Access Journals (Sweden)

    Maja Hrvanović

    2013-09-01

    Full Text Available In this study, the author puts forward the hypothesis that the representation of information of artistic type in art classes affects the formation of judgement of taste as one of the most important factors for intensifying and memorising the experience of artistic content. The function of art education is to enable an individual to „read“ the work of art, to supply him with skills and knowledge necessary to recognise formally significant determinants in art. Creation of new conceptual design, functional usage of visual information in communication process, individuality in shaping their own criteria, are just some of the determinants of artistic development. Art education accorded with development of technology and visual communication is necessary for human development of young individuals and improvement of their general level of culture. Conceptually – concrete art can uncritically be understood as direct and „comprehensible“. The observer with basic artistic education has no difficulties in expressing judgement about realistic work of art, because all mental functions, by analogy, occur with the experience. Art formed in the area of symbolic self-expression, areal structure, requires special knowledge and skills to overcome sensed and decorative levels when experiencing a work of art. The classes of art education should teach the students the methods of judging the artistic quality, to significantly influence their ability of critical analysis, interpretation and formation of judgement of taste

  12. What is it that is going on when children collaborate to make art What is it that is going on when children collaborate to make art in a primary school workshop? A frame analysis.

    OpenAIRE

    Meager, Nigel

    2013-01-01

    Abstract This thesis examines a collaborative imaginary drawing workshop for primary school children in which values such as improvisation, collaboration and imagination lead the pedagogy. This model of collaborative drawing is at odds with an underlying conceptual framework for the art curriculum which still foregrounds individuals making unique art objects. In recent years, a number of British art educators have questioned this fine-art approach and contrast it with developments in conte...

  13. The art of science from perspective drawing to quantum randomness

    CERN Document Server

    Angelini, Annarita

    2014-01-01

    Like linear perspective, complex numbers and probability are notable discoveries of the Renaissance. History has been quick to recognize the crucial impact of linear perspective on painting, but reluctant to acknowledge the importance of complex numbers and probability. Both were treated with a great deal of suspicion by the scientific establishment and overlooked for many years. It was only in the twentieth century, when quantum theory defined the notion of "complex probability amplitude", that complex numbers merged with probability and transformed the image of the physical world. From a theoretical point of view, however, the space opened to painting by linear perspective and the space opened to science by complex numbers are equally valuable and share significant characteristics. By exploring that common ground, The Art of Science will lead the reader to complement Leonardo’s vision of painting as a science and to see science as an art. Its aim is to restore a visual dimension to mathematical sciences �...

  14. Art Appreciation as a Learned Competence: A Museum-based Qualitative Study of Adult Art Specialist and Art Non-Specialist Visitors

    Directory of Open Access Journals (Sweden)

    Rajka Bračun Sova

    2015-12-01

    Full Text Available Since Bourdieu, it has been argued that art appreciation requires “knowledge”. The focus of this qualitative study was to examine art appreciation as a learned competence by exploring two different groups of museum visitors: art specialists and art non-specialists. The research was conducted at Moderna galerija in Ljubljana. Twenty-three adults were recruited and accompanied during their visit to the museum. Participants were requested to “think out loud”, which meant to talk about what they saw, thought, and felt about the artworks. There was a short interview conducted with each participant before entering the museum to gain insight into their art-related and museum-visiting experience. The analysis of the data revealed that some processes of art appreciation were similar within the two groups. Both art specialists and art non-specialists interact with museum objects physically and intellectually; they see contents and formal qualities as a whole; they respond emotionally to artworks; appreciation includes their personal experience; they search museum interpretation/information for their understanding. Some noticeable differences were found. Art specialists respond to artworks with more understanding and are willing to put more effort into art appreciation, whereas art non-specialists respond with less understanding and put less effort into art appreciation. This paper focuses on the differences between the two groups; reflective and spontaneous appreciation of art, objective and subjective appreciation of art and the effort put into art appreciation. The paper ends with a discussion of the implications of the study for the teaching of art and museum education.

  15. Angelika Epple, Angelika Schaser (Hg.: Gendering Historiography. Beyond National Canons. Frankfurt am Main u.a.: Campus Verlag 2009.

    Directory of Open Access Journals (Sweden)

    Svenja Kaduk

    2010-03-01

    Full Text Available Der Sammelband von Angelika Epple und Angelika Schaser bietet sowohl einen internationalen Überblick als auch detaillierte Einblicke in derzeitige geschlechtergeschichtliche und historiografische Forschungen. Die Beiträge erweitern zum einen den traditionellen historiografischen Kanon und fragen zum anderen nach den geschlechtlichen Grundlagen von In- und Exklusionen in der Geschichtswissenschaft. Dieser Wissenszuwachs treibt aber die nunmehr schon traditionell seitens der Geschlechtergeschichte geforderte Neuformulierung der ‚allgemeinen‘ (Historiografie-Geschichte nicht merklich voran. Ein erster Schritt in diese Richtung läge möglicherweise in der Formulierung einer Differenztheorie als analytischem Rahmen für eine pluralistische ‚Neu‘erzählung.The collected volume edited by Angelika Epple and Angelika Schaser offers an international overview of as well as detailed insight into current gender-historical and historiographic research. On the one hand, the contributions expand on the traditional historiographic canon and interrogate, on the other hand, the gender-based decisions for inclusion and exclusion in history scholarship. But this growth in knowledge does not significantly promote the demand for a reformulation of “general” (historiography-history, which can already be considered traditional in terms of gender history. A first step in this direction might be possible through the formulation of a theory of difference, which can become an analytical framework for a pluralistic “new” narrative.

  16. Cancer risk in children born after donor ART.

    Science.gov (United States)

    Williams, C L; Bunch, K J; Murphy, M F G; Stiller, C A; Botting, B J; Wallace, W H; Davies, M C; Sutcliffe, A G

    2018-01-01

    Do children born after donor ART have an increased risk of developing childhood cancer in comparison to the general population? This study showed no overall increased risk of childhood cancer in individuals born after donor ART. Most large population-based studies have shown no increase in overall childhood cancer incidence after non-donor ART; however, other studies have suggested small increased risks in specific cancer types, including haematological cancers. Cancer risk specifically in children born after donor ART has not been investigated to date. This retrospective cohort study utilized record linkage to determine the outcome status of all children born in Great Britain (1992-2008) after donor ART. The cohort included 12 137 members who contributed 95 389 person-years of follow-up (average follow-up 7.86 years). Records of all children born in Great Britain (England, Wales, Scotland) after all forms of donor ART (1992-2008) were linked to the UK National Registry of Childhood Tumours (NRCT) to determine the number who subsequently developed cancer by 15 years of age, by the end of 2008. Rates of overall and type specific cancer (selected a priori) were compared with age, sex and calendar year standardized population-based rates, stratifying for potential mediating/moderating factors including sex, age at diagnosis, birth weight, multiple births, maternal previous live births, assisted conception type and fresh/ cryopreserved cycles. In our cohort of 12 137 children born after donor ART (52% male, 55% singleton births), no overall increased risk of cancer was identified. There were 12 cancers detected compared to 14.4 expected (standardized incidence ratio (SIR) 0.83; 95% CI 0.43-1.45; P = 0.50). A small, significant increased risk of hepatoblastoma was found, but the numbers and absolute risks were small (ART, the rarity of specific diagnostic subgroups of childhood cancer results in few cases and therefore wide CIs for such outcomes. As this is an

  17. Discovering the Art of Mathematics: Using String Art to Investigate Calculus

    Science.gov (United States)

    von Renesse, Christine; Ecke, Volker

    2016-01-01

    One goal of our Discovering the Art of Mathematics project is to empower students in the liberal arts to become confident creators of art and imaginative creators of mathematics. In this paper, we describe our experience with using string art to guide liberal arts students in exploring ideas of calculus. We provide excerpts from our inquiry-based…

  18. Ornament and object—ornament as object. Alina Payne, From Ornament to Object: Genealogies of Architectural Modernity, Yale University Press, 2012

    Directory of Open Access Journals (Sweden)

    Spyros Papapetros

    2012-12-01

    Full Text Available What would be the relationship between the rich historiography of ornament in the late nineteenth century and ornament’s ostensible eclipse from early twentieth-century building practice? Alina Payne’s From Ornament to Object retraces the gradual shift in interest from the endless stylistic iterations of architectural ornamentation in fin-de-siécle culture to the unornamented artifacts of architectural modernism and argues that such plain yet highly sculptural implements carry over architecture’s rhetorical function previously allotted to ornamentation. While Payne’s “genealogy” is based on a carefully crafted polarity, this review-essay underscores the implicit analogies and correspondences between ornament and object and demonstrates how Payne’s intricate historical design corroborates that ornament is an object, a highly privileged but also an enigmatic one, whose loss and periodic recovery replicate the negative dialectics between art historiography and design practice.

  19. Americocentrism and Art of the Caribbean: Contours of a Time-Space Logic.

    Science.gov (United States)

    Wainwright, Leon

    2013-05-01

    Art of the transnational Caribbean has come to be positioned by an understanding of the African diaspora that is oriented to an American "centre," a situation to be explored for what it reveals about the hegemonic status of the United States in the discipline of contemporary art history. The predominant uses of the diaspora concept both in art-historical narratives and in curatorial spaces are those that connect to United States-based realities, with little pertinence to a strictly transnational theorization. This has implications for how modern art and contemporary art are thought about in relation to the Caribbean and its diaspora, in a way that this article demonstrates with attention to a number of artists at multiple sites, in Trinidad, Guyana, Britain and America.

  20. Application of INAA to the examination of art objects. Research in Poland

    International Nuclear Information System (INIS)

    Panczyk, E.; Walis, L.; Ligeza, M.

    2000-01-01

    Systematic studies on art objects using instrumental neutron activation analysis and neutron autoradiography have been carried out in the Institute of Nuclear Chemistry and Technology in collaboration with the Faculty of Art Conservation and Restoration of the Academy of Fine Arts in Cracow, as well as with other Academies of Fine Arts and museums in Poland. A number of essential data on the concentration of trace elements particularly in chalk grounds and pigments (such as lead white, lead-tin yellow, smalt), Chinese porcelain, Thai ceramics, as well as in the clay fillings of sarcophagi of Egyptian mummies was accumulated. The above mentioned examination of art objects prior to their conservation helps to determine precisely the materials used in the process of creating art objects, as well as to identify the approximate place of origin of particular materials. (author)

  1. Visual art appreciation in Nigeria: The Zaria art society experience ...

    African Journals Online (AJOL)

    There is no doubt that one of the greatest creative impetuses injected into Nigerian art was made possible by, among other things, the activities of the first art institution in Nigeria to award a Diploma certificate in art, Nigerian College of Arts, Science and Technology (NCAST). NCAST started in 1953/54 at their Ibadan branch ...

  2. From soil in art towards Soil Art

    Science.gov (United States)

    Feller, C.; Landa, E. R.; Toland, A.; Wessolek, G.

    2015-02-01

    The range of art forms and genres dealing with soil is wide and diverse, spanning many centuries and artistic traditions, from prehistoric painting and ceramics to early Renaissance works in Western literature, poetry, paintings, and sculpture, to recent developments in cinema, architecture and contemporary art. Case studies focused on painting, installation, and cinema are presented with the view of encouraging further exploration of art about, in, with, or featuring soil or soil conservation issues, created by artists, and occasionally scientists, educators or collaborative efforts thereof.

  3. The Influence of Art on children´s art expression in school practice

    OpenAIRE

    VÁŇOVÁ, Jana

    2010-01-01

    Diploma Thesis ?The Influence of Art on Children´s Art Expression in School Practice? Deals with Evaluation of Possibilities Arttherapeutic Elements of Roznov Art Therapy and the Ways of Use Receptive Art Therapy in Art Lessons at Secondary School. There is Described Children´s Art Expression in the Age between 12 and 15 and Possible Impact of Art Form on Shaping Children´s Art Expression. It Evaluates the Importance of Methodical Intervention of Roznov Art Therapy Elements.

  4. Art Medium and Art Infrastructure Development in Contemporary Indonesian Art

    Directory of Open Access Journals (Sweden)

    A. Rikrik Kusmara

    2013-11-01

    Full Text Available This research review Indonesian contemporary artists that used the various media in the presentation in his works over the years since 2000 until now. Survey at Pameran Besar Indonesia "Manifesto" in May 2008, were around 670 Indonesian living artists, 350 are consistently professional artists, 41 artists who utilize a variety of media in each works and 6 of them are artists who used a various of media on their solo exhibition including combining conventional media with new media and installation approaches. 6 artists are analyzed on the structure of the media presentation configuration their used, and generally they used more than 3 types of media in their solo exhibition, first, painting/drawing, second, sculpture/object/installation, and third video/photography. In the study of each exhibition process, generally utilizing the curatorial and sponsored by promotor (gallery. This research shows a rapid development of economic infrastructure in Indonesian the art in 2000-an era with the emergence of many auction hall, a new generation of collectors and galleries, and the Asian art market and global orientation, it became one of the holding in contemporary art of Indonesia, has been shifting art situation from cultural appreciation in the era of 90-to an era to cultural production.

  5. The cyborg between bio-art and disturbatory art

    Directory of Open Access Journals (Sweden)

    Jean Cardoso

    2017-06-01

    Full Text Available http://dx.doi.org/10.5007/2175-8026.2017v70n2p29 The presence of the cyborg in contemporary times, as understood by the biologist and philosopher Donna Haraway in Antropologia do Ciborgue (2009, brings with it a set of signs that make up our world. Among these signs are transgender operations that the anthropologist and poet Luís Quintais criticizes in the work Uma arte do degelo (2015 by means of the performative effect of bio-art. However, when we compare this effect with the concept of disturbatory art of the philosopher Arthur Danto, present in the work The Philosophical Disenfranchisement of Art (1986, the ethics of bio-art as proposed by Quintais weakens in vitality. However, this article resorts to imaginary of the writer Fausto Fawcett in the work Favelost (2012 as way of dialoguing with the theorists present in this research in order to open perspectives to new worlds for the post-human.

  6. Art investment in South Africa: Portfolio diversification and art market efficiency

    Directory of Open Access Journals (Sweden)

    Ferdi Botha

    2016-09-01

    Full Text Available Art has been suggested as a good way to diversify investment portfolios during times of financial uncertainty. The argument is that art exhibits different risk and return characteristics to conventional investments in other asset classes. The new Citadel art price index offered the opportunity to test this theory in the South African context. Moreover, this paper tests whether art prices are efficient. The Citadel index uses the hedonic regression method with observations drawn from the top 100, 50 and 20 artists by sales volume, giving approximately 29 503 total auction observations. The Index consists of quarterly data from the period 2000Q1 to 2013Q3. A vector autoregression of the art price index, Johannesburg stock exchange all-share index, house price index, and South African government bond index were used. Results show that, when there are increased returns on the stock market in a preceding period and wealth increases, there is a change in the Citadel art price index in the same direction. No significant difference was found between the house price index and the art price index, or between the art and government bond price indices. The art market is also found to be inefficient, thereby exacerbating the risk of investing in art. Overall, the South African art market does not offer the opportunity to diversify portfolios dominated by either property, bonds, or shares.

  7. The Effects of Martial Arts Training on Attentional Networks in Typical Adults.

    Science.gov (United States)

    Johnstone, Ashleigh; Marí-Beffa, Paloma

    2018-01-01

    There is substantial evidence that training in Martial Arts is associated with improvements in cognitive function in children; but little has been studied in healthy adults. Here, we studied the impact of extensive training in Martial Arts on cognitive control in adults. To do so, we used the Attention Network Test (ANT) to test two different groups of participants: with at least 2 years of Martial Arts experience, and with no experience with the sport. Participants were screened from a wider sample of over 500 participants who volunteered to participate. 48 participants were selected: 21 in the Martial Arts group (mean age = 19.68) and 27 in the Non-Martial Arts group (mean age = 19.63). The two groups were matched on a number of demographic variables that included Age and BMI, following the results of a previous pilot study where these factors were found to significantly impact the ANT measures. An effect of Martial Arts experience was found on the Alert network, but not the Orienting or Executive ones. More specifically, Martial Artists showed improved performance when alert had to be sustained endogenously, performing more like the control group when an exogenous cue was provided. This result was further confirmed by a negative correlation between number of years of Martial Arts experience and the costs due to the lack of an exogenous cue suggesting that the longer a person takes part in the sport, the better their endogenous alert is. Results are interpreted in the context of the impact of training a particular attentional state in specific neurocognitive pathways.

  8. The Effects of Martial Arts Training on Attentional Networks in Typical Adults

    Directory of Open Access Journals (Sweden)

    Ashleigh Johnstone

    2018-02-01

    Full Text Available There is substantial evidence that training in Martial Arts is associated with improvements in cognitive function in children; but little has been studied in healthy adults. Here, we studied the impact of extensive training in Martial Arts on cognitive control in adults. To do so, we used the Attention Network Test (ANT to test two different groups of participants: with at least 2 years of Martial Arts experience, and with no experience with the sport. Participants were screened from a wider sample of over 500 participants who volunteered to participate. 48 participants were selected: 21 in the Martial Arts group (mean age = 19.68 and 27 in the Non-Martial Arts group (mean age = 19.63. The two groups were matched on a number of demographic variables that included Age and BMI, following the results of a previous pilot study where these factors were found to significantly impact the ANT measures. An effect of Martial Arts experience was found on the Alert network, but not the Orienting or Executive ones. More specifically, Martial Artists showed improved performance when alert had to be sustained endogenously, performing more like the control group when an exogenous cue was provided. This result was further confirmed by a negative correlation between number of years of Martial Arts experience and the costs due to the lack of an exogenous cue suggesting that the longer a person takes part in the sport, the better their endogenous alert is. Results are interpreted in the context of the impact of training a particular attentional state in specific neurocognitive pathways.

  9. Rock Art

    Science.gov (United States)

    Henn, Cynthia A.

    2004-01-01

    There are many interpretations for the symbols that are seen in rock art, but no decoding key has ever been discovered. This article describes one classroom's experiences with a lesson on rock art--making their rock art and developing their own personal symbols. This lesson allowed for creativity, while giving an opportunity for integration…

  10. REMATERIALIZED TENDENCIES IN MEDIA ART?FROM SILICON TO CARBON-BASED ART

    Directory of Open Access Journals (Sweden)

    DANIEL LÓPEZ DEL RINCÓN

    2013-01-01

    Full Text Available The importance of digitality in Media Art theories consolidated the aesthetic of dematerialization, as it shifted the value of materiality in this field. However, the advent of new forms of technological art, such as Bio Art, which uses laboratory technologies in an aesthetic way to manipulate life, demonstrates the crisis of this paradigm and the trend of rematerialization. This paper investigates the role of materiality, even in the more dematerialized realms of Media Art: the digital technologies. We focus on two art forms that combine new technologies and life sciences: Artificial life, which involves the intangible features of Media Art, and Bio Art, which interprets materiality in a radical manner, by choosing life as the raw material for artistic creation.

  11. REMATERIALIZED TENDENCIES IN MEDIA ART? FROM SILICON TO CARBON-BASED ART

    Directory of Open Access Journals (Sweden)

    Daniel López del Rincón

    2013-01-01

    Full Text Available The importance of digitality in Media Art theories consolidated the aesthetic of dematerialization, as it shifted the value of materiality in this field. However, the advent of new forms of technological art, such as Bio Art, which uses laboratory technologies in an aesthetic way to manipulate life, demonstrates the crisis of this paradigm and the trend of rematerialization. This paper investigates the role of materiality, even in the more dematerialized realms of Media Art: the digital technologies. We focus on two art forms that combine new technologies and life sciences: Artificial life, which involves the intangible features of Media Art, and Bio Art, which interprets materiality in a radical manner, by choosing life as the raw material for artistic creation.

  12. The artful mind meets art history: toward a psycho-historical framework for the science of art appreciation.

    Science.gov (United States)

    Bullot, Nicolas J; Reber, Rolf

    2013-04-01

    Research seeking a scientific foundation for the theory of art appreciation has raised controversies at the intersection of the social and cognitive sciences. Though equally relevant to a scientific inquiry into art appreciation, psychological and historical approaches to art developed independently and lack a common core of theoretical principles. Historicists argue that psychological and brain sciences ignore the fact that artworks are artifacts produced and appreciated in the context of unique historical situations and artistic intentions. After revealing flaws in the psychological approach, we introduce a psycho-historical framework for the science of art appreciation. This framework demonstrates that a science of art appreciation must investigate how appreciators process causal and historical information to classify and explain their psychological responses to art. Expanding on research about the cognition of artifacts, we identify three modes of appreciation: basic exposure to an artwork, the artistic design stance, and artistic understanding. The artistic design stance, a requisite for artistic understanding, is an attitude whereby appreciators develop their sensitivity to art-historical contexts by means of inquiries into the making, authorship, and functions of artworks. We defend and illustrate the psycho-historical framework with an analysis of existing studies on art appreciation in empirical aesthetics. Finally, we argue that the fluency theory of aesthetic pleasure can be amended to meet the requirements of the framework. We conclude that scientists can tackle fundamental questions about the nature and appreciation of art within the psycho-historical framework.

  13. Concepts of art education curriculum, tendencies and challenges

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    Vojislav L. Ilić

    2018-02-01

    Full Text Available Discussing the different concepts of teaching Art, one should start from the competences we want to transfer to students. Through different ideas about competences, we can see the wishes of individual countries about what is expected of visual arts education. In this review, we have focused on the thinking of the European countries. All European countries have some variants of learning art in curricula and outcomes that determine what is meant to be achieved by these subjects. Depending on whether these curricula are structured as an integrated whole or as a set of specific subjects, objectives/outcomes are defined more concretely for visual arts, music, theater, dance, media arts or crafts. Learning objectives differ from country to country: in some cases, they are more globally expressed, and in others, it is more specific. The goals to be achieved or the skills to be mastered are defined for each year of learning or schooling periods.There are increasing pressures on the art education to fulfill a number of goals, in addition to learning about art. Educational systems increasingly recognize the importance of developing children’s creativity and contributing to cultural education. Almost all European countries have similar goals for the curriculum of teaching Art, among them: the development of artistic skills, knowledge, and understanding, engagement with various art forms; increasing cultural understanding; exchange of experiences. But in addition to these artistic results, the curriculum includes personal and social/cultural outcomes (such as self-confidence and self-esteem, the individuality of expression, teamwork, intercultural understanding and cultural participation. The focus on creativity (often in relation to its importance in innovation and cultural education (in relation to individual identity and the promotion of intercultural understanding is present in these goals.Various studies have recognized the pressure to include in the

  14. Evolution of the the ART approach: highlights and achievements

    Directory of Open Access Journals (Sweden)

    Jo E. Frencken

    2009-01-01

    Full Text Available Atraumatic Restorative Treatment (ART was initiated in the mid-eighties in Tanzania in response to an inappropriately functioning community oral health programme that was based on western health care models and western technology. The approach has evolved to its present standing as an effective minimal intervention approach mainly because the originators anticipated the great potential of ART to alleviate inequality in oral health care, and because they recognised the need to carry out research to investigate its effectiveness and applicability. Twenty-five years later, ART was accepted by the World Health Organisation (1994 and the FDI World Dental Federation (2002. It is included in textbooks on cariology, restorative dentistry and minimal intervention dentistry. It is being systematically introduced into public oral health service systems in a number of low- and middle income countries. Private practitioners use it. Many publications related to aspects of ART have been published and many more will follow. To achieve quality results with ART one has to attend well-conducted and sufficiently long training courses, preferably in combination with other caries preventive strategies. ART should, therefore, not be considered in isolation and must be part of an evidence-based approach to oral health with a strong foundation based on prevention.

  15. A History and Historiography of Foreign Languages Teaching and Learning in Portugal

    Science.gov (United States)

    Santos, Ana Clara

    2018-01-01

    This "state of the art" review on the history of language teaching in Portugal provides an opportunity for a historiographical analysis, highlighting the relationships between languages, the links between languages and educational policy and implementation, and the cultural implications resulting from this. Researching language teaching…

  16. Counseling as an Art: The Creative Arts in Counseling.

    Science.gov (United States)

    Gladding, Samuel T.

    In this book counseling approaches with a variety of populations are examined using these creative arts: music; dance/movement; imagery; visual arts; literature; drama; and play and humor. It is noted that all of these arts are process-oriented, emotionally sensitive, socially directed, and awareness-focused. Chapter 1 discusses the history,…

  17. How art changes your brain: differential effects of visual art production and cognitive art evaluation on functional brain connectivity.

    Science.gov (United States)

    Bolwerk, Anne; Mack-Andrick, Jessica; Lang, Frieder R; Dörfler, Arnd; Maihöfner, Christian

    2014-01-01

    Visual art represents a powerful resource for mental and physical well-being. However, little is known about the underlying effects at a neural level. A critical question is whether visual art production and cognitive art evaluation may have different effects on the functional interplay of the brain's default mode network (DMN). We used fMRI to investigate the DMN of a non-clinical sample of 28 post-retirement adults (63.71 years ±3.52 SD) before (T0) and after (T1) weekly participation in two different 10-week-long art interventions. Participants were randomly assigned to groups stratified by gender and age. In the visual art production group 14 participants actively produced art in an art class. In the cognitive art evaluation group 14 participants cognitively evaluated artwork at a museum. The DMN of both groups was identified by using a seed voxel correlation analysis (SCA) in the posterior cingulated cortex (PCC/preCUN). An analysis of covariance (ANCOVA) was employed to relate fMRI data to psychological resilience which was measured with the brief German counterpart of the Resilience Scale (RS-11). We observed that the visual art production group showed greater spatial improvement in functional connectivity of PCC/preCUN to the frontal and parietal cortices from T0 to T1 than the cognitive art evaluation group. Moreover, the functional connectivity in the visual art production group was related to psychological resilience (i.e., stress resistance) at T1. Our findings are the first to demonstrate the neural effects of visual art production on psychological resilience in adulthood.

  18. Art therapy for people with psychosis: a narrative review of the literature.

    Science.gov (United States)

    Attard, Angelica; Larkin, Michael

    2016-11-01

    Art therapy enables individuals to use art to creatively express themselves and communicate differently with themselves, others, and their reality. The National Institute for Health and Clinical Excellence guidelines for psychosis and schizophrenia suggest that arts therapies, which include art therapy, are considered to improve negative symptoms of psychosis. We examined the effectiveness of art therapy for people with psychosis and explored whether art therapy is a meaningful and acceptable intervention in this Review. Seven electronic databases were searched for empirical papers that concerned the use of art therapy for adults with psychosis that were published from 2007 onwards. The search identified 18 papers. High-quality quantitative articles provided inconclusive evidence for the effectiveness of art therapy in adults with psychosis. However, high-quality qualitative articles indicated that therapists and clients considered art therapy to be a beneficial, meaningful, and acceptable intervention, although this conclusion was based on a small number of studies. In this Review, we discuss the theoretical, clinical, and methodological issues in light of the development of more robust research, which is needed to corroborate individuals' experiences and guide evidence-based practice. Copyright © 2016 Elsevier Ltd. All rights reserved.

  19. From the art of war to fight with art

    DEFF Research Database (Denmark)

    Clausen, Lars

    2015-01-01

    systems theory with art. Martin Nore through his visual art develops and activistic form of system theory, where therapeutic intervention turns into societal self-therapy for broken meaning horizons and unintended consequences of the current massage of the form peace/war. The activistic systems...... theoretical art, the "artivistic" perspective developed from the broken minds of war experiences, diagnosed with Post-Traumatic Stress Disorder and Traumatic Brain Injury. Since then, it has broadened the perspective to demonstrate its capacity to work with the distinction between civil society and its...... outside. This is the fight with art, where the predominant selfdescriptions in western societies are questioned on their selflimitations and insufficient strategies of deparadoxation. In Martins art, the paradox of the structural coupling of body, mind and society as both distinct from each other...

  20. Three Approaches to Teaching Art Methods Courses: Child Art, Visual Culture, and Issues-Based Art Education

    Science.gov (United States)

    Chang, EunJung; Lim, Maria; Kim, Minam

    2012-01-01

    In this article, three art educators reflect on their ideas and experiences in developing and implementing innovative projects for their courses focusing on art for elementary education majors. They explore three different approaches. The three areas that are discussed in depth include: (1) understanding child art; (2) visual culture; and (3)…

  1. Arquitectura, arte funcional

    Directory of Open Access Journals (Sweden)

    Monjo Carrió, Juan

    1985-10-01

    Full Text Available The begining of this work is devoted to the analysis of the concepts of Art, Science and Technique and their historical evolution, distinguishing between "fine arts" and "technique arts". Following, Architect and Architecture terms are defined both conceptual and professionally, analysing as well its historical evolution and pointing out the interdependence between the architectural conception as "fine art" and the constructive technology as "technique art", finally reminding the necessary scientific base of this one (Construction Physics. Consequently, the need for architecture professionals of constructive technology knowledge, is also reminded. At last, the functional character of the Architecture (Architecture as a "functional art" is analysed, going over the three basic aspects of this functionality (Integrity-firmitas, Habitability-utilitas and Aesthetics-venustas.Se inicia el trabajo analizando los conceptos de Arte, Ciencia y Técnica y su evolución histórica, distinguiendo entre ¡as "bellas artes" y las "artes técnicas". A continuación se definen los conceptos de Arquitecto y Arquitectura, tanto conceptual como profesionalmente, analizando, asimismo, su evolución histórica y haciendo hincapié en la interdependencia entre la concepción arquitectónica como "bella arte" y la tecnología constructiva como "arte técnica", para terminar recordando la necesaria base científica de esta última (la Física de la Construcción. Como consecuencia, se recuerda la necesidad de los conocimientos de la tecnología constructiva en los arquitectos profesionales. Por último, se analiza el carácter funcional de la Arquitectura (Arquitectura como "arte funcional" y se hace un breve recorrido por los tres aspectos básicos de esa funcionalidad (Integridad-firmitas, Habitabilidad-utilitas y Estética-venustas.

  2. Art Institute Nurtures New Generation of Leaders

    Science.gov (United States)

    Filemyr, Ann

    2009-01-01

    Last year at the Institute of American Indian Arts (IAIA), President Robert Martin (Cherokee) led the faculty, staff, students, alumni, board members, and donors though a strategic planning process that resulted in a number of important new directions. Among these was a new mission statement to guide their work. Like most tribal educational…

  3. How Art Changes Your Brain: Differential Effects of Visual Art Production and Cognitive Art Evaluation on Functional Brain Connectivity

    Science.gov (United States)

    Bolwerk, Anne; Mack-Andrick, Jessica; Lang, Frieder R.; Dörfler, Arnd; Maihöfner, Christian

    2014-01-01

    Visual art represents a powerful resource for mental and physical well-being. However, little is known about the underlying effects at a neural level. A critical question is whether visual art production and cognitive art evaluation may have different effects on the functional interplay of the brain's default mode network (DMN). We used fMRI to investigate the DMN of a non-clinical sample of 28 post-retirement adults (63.71 years ±3.52 SD) before (T0) and after (T1) weekly participation in two different 10-week-long art interventions. Participants were randomly assigned to groups stratified by gender and age. In the visual art production group 14 participants actively produced art in an art class. In the cognitive art evaluation group 14 participants cognitively evaluated artwork at a museum. The DMN of both groups was identified by using a seed voxel correlation analysis (SCA) in the posterior cingulated cortex (PCC/preCUN). An analysis of covariance (ANCOVA) was employed to relate fMRI data to psychological resilience which was measured with the brief German counterpart of the Resilience Scale (RS-11). We observed that the visual art production group showed greater spatial improvement in functional connectivity of PCC/preCUN to the frontal and parietal cortices from T0 to T1 than the cognitive art evaluation group. Moreover, the functional connectivity in the visual art production group was related to psychological resilience (i.e., stress resistance) at T1. Our findings are the first to demonstrate the neural effects of visual art production on psychological resilience in adulthood. PMID:24983951

  4. Rocking Your Writing Program: Integration of Visual Art, Language Arts, & Science

    Science.gov (United States)

    Poldberg, Monique M.,; Trainin, Guy; Andrzejczak, Nancy

    2013-01-01

    This paper explores the integration of art, literacy and science in a second grade classroom, showing how an integrative approach has a positive and lasting influence on student achievement in art, literacy, and science. Ways in which art, science, language arts, and cognition intersect are reviewed. Sample artifacts are presented along with their…

  5. Cities within Cities: Australian and New Zealand Art in the Twentieth Century

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    Rex Butler

    2011-06-01

    Full Text Available This paper argues for a new conception of both Australian and New Zealand art history based on their long-standing historical connection. The national histories of the art of both countries that dominated the 20th century are revealed as themselves historical, preceded and followed by non-national histories that are in effect part of a wider history of world art. The paper makes its case by looking at a number of artists whose careers cross between the two countries and at the expatriates from both countries who worked together in Europe.

  6. Introduction: Art and finance

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    Gerald Nestler

    2016-12-01

    Full Text Available The editorial premise of this special issue is that the adage ‘art and money do not mix’ is now wholly untenable. As detailed in our extended interview with Clare McAndrew, the art market has grown rapidly over the last twenty years, leading to systemic and structural changes in the art field. For some, this growth of the market and its significance for art is an institutional misfortune that, for all of its effects, is nonetheless inconsequential to the normative claim that art and money shouldn’t mix. This commonplace premise looks to keep the sanctity or romance of art from the business machinations of market mechanisms, as eloquently summarised by Oscar Wilde’s definition of cynicism (‘knowing the price of everything and the value of nothing’. This issue repudiates that normative moral code, and precisely for the reasons just stated: by now, the interests of the art market permeate all the way through the art system. The interests of the art market shape what is exhibited and where; what kinds of discourse circulate around which art (or even as art and in what languages; and what, in general, is understood to count as art. In short, the art market – comprising mainly of collectors, galleries and auction houses – is now the primary driver in what is valuable in art.

  7. ‘From “bad” to “good”: Baroque architecture through a century of art historiography and politics’: Evonne Levy, Baroque and the Political Language of Formalism (1845-1945: Burckhardt, Wölfflin, Gurlitt, Brinckmann, Sedlmayr, 400 pp., 42 ills, Basel: Schwabe, 2015

    Directory of Open Access Journals (Sweden)

    Marco M. Mascolo

    2016-12-01

    Full Text Available The political element in art history has often played a crucial role and has been individuated as such for artists or their clients. But the political elements that shaped art historical theories or pattern of interpretations are not always clearly addressed as object of analysis. With this book Evonne Levy offers an explanation of the role politics and historical circumstances had on the shaping of an art-historical discourse between 1845 and 1945, focusing her attention on five major Germanophone scholars that had a crucial role in the rediscovery and study of the architectural Baroque. The concept was, as Levy argues in this book, a perfect example to detect the political implications of formalism, which in its reception is often considered apolitical. Aiming to situate formalism in its historical context, Levy focuses primarily on characterising formalist researches about Baroque through the political and philosophical elements that influenced Jacob Burckhardt, Heinrich Wölfflin, Cornelius Gurlitt, Albert Erich Brinckmann and Hans Sedlmayr between the nineteenth and twentieth centuries. Levy demonstrates how Baroque, from a ‘bad’ style and a ‘bad’ element in German art hds gradually become a ‘good’ element of art-historical discourse, situating it at the crossroad between art history and politics.

  8. See Art History in a New Light: Have an Art Auction

    Science.gov (United States)

    Benter, Doris J.

    2008-01-01

    At Portledge School in Locust Valley, New York, ninth graders in their upper school study art history for one semester. The visual arts department has created a vigorous new syllabus culminating in an hour-long mock art auction. The department selects several art movements (e.g., Post-Impressionism, Cubism, Abstract Expressionism, Social Realism,…

  9. Peace by Piece: The Freeing Power of Language and Literacy through the Arts.

    Science.gov (United States)

    Wright, Mary F.; Kowalczyk, Sandra

    2000-01-01

    Describes a number of class activities and student projects that the authors have used to teach the language and literature of peace in seventh- and eighth-grade reading and language arts classes, via theme-based units, interdisciplinary projects, and original theatrical student productions that celebrate language and literacy through the arts.…

  10. Artful Dodgers: An Arts Education Research Project in Early Education Settings

    Science.gov (United States)

    Hayes, Nóirín; Maguire, Jackie; Corcoran, Lucie; O'Sullivan, Carmel

    2017-01-01

    Artful Dodgers is an arts education project developed by two artists and delivered in two early years settings located in two areas of urban disadvantage. It is a music and visual arts programme designed and implemented with early years teachers of children aged 3-5 years. It explored whether the provision of high-quality arts experiences could…

  11. Writing the history of Australian art: its past, present and possible future

    Directory of Open Access Journals (Sweden)

    Terry Smith

    2011-06-01

    Full Text Available In the years around 1980 the history of Australian art was reconceived in a bewildering variety of ways. A historiographical revolution was underway. This was largely the result of plethora of new approaches to art history that emerged worldwide during the 1970s: contextual, feminist, populist, Marxist. Aboriginal art awaited detailed art historical consideration. This article places these changes in the context of previous efforts to chart the history of Australian art, which the author argues occurred in six phases: colonial, bourgeois nationalist, realist versus aestheticist, modernist, culturalist, and the approaches noted above. Most of these approaches developed in Australia and were applied by local authors. In recent decades, however, ‘external’ approaches are more evident, and are deeply preoccupied with the question of defining modernism in Australia, which they largely fail to do. The author surveys a number of such attempts, taking this question as the paradoxical key to unraveling the overall structure of the history of Australian art.

  12. FLUXUS E ARTE POSTAL COMO ARTE RELACIONAL: BREVE ESTUDO

    OpenAIRE

    Amizo, Isadora Banducci

    2014-01-01

    Este artigo tem como objetivo a análise das questões que envolvem a produção da Arte postal ou Mail art, e do grupo Fluxus, difundidas ao redor do mundo a partir da década de 1960. Procura-se investigar sua aproximação com o conceito de arte relacional, exposto pelo crítico e filósofo francês Nicolas Bourriaud no livro “Estética relacional”. Para isso, são revisadas algumas das temáticas que envolvem as duas expressões artísticas destacando–se a produção de alguns de seus principais expoentes...

  13. Artfulness i Vejle

    DEFF Research Database (Denmark)

    Chemi, Tatiana

    2011-01-01

    this is the closing report, summing up findings from different qualitative case studies on the workings of the arts in learning. The background ethnographic research followed several arts-project in Danish public schools.......this is the closing report, summing up findings from different qualitative case studies on the workings of the arts in learning. The background ethnographic research followed several arts-project in Danish public schools....

  14. Are the 'hard' martial arts, such as the Korean martial art, TaeKwon-Do, of benefit to senior citizens?

    Science.gov (United States)

    Brudnak, M A; Dundero, D; Van Hecke, F M

    2002-10-01

    Falls are a leading cause of death in the elderly. Associated with aging is a loss of muscular strength, flexibility, and coordination. Regular exercise is widely believed to be of benefit for the elderly. To this end, various exercise regimes have been employed to battle the associated problems of aging. One such has been the Chinese martial art, Tai Chi Chuan (TC). TC as an exercise system uses slow smooth movements to train the body in balance, endurance, and strength. For this reason, it is known as a 'soft' martial art, in that it is very non-impact oriented. There have been a variety of studies in the West examining the beneficial effects of TC. However, to date, there have been no studies with senior citizens using other martial arts, of which, TC is but one. The present study was designed to examine the appropriateness and effects of a Korean martial art known as TaeKwon-Do (TKD), a 'hard' martial art, on an elderly population measuring similar parameters reported for TC. Of those participants that attended >85% of classes, an increase was observed in the average number of push-ups, trunk flexion, and balance time on each foot. TKD proved effective at increasing one-leg balance in the population examined. Additionally, the overall dropout rate was extremely low suggesting both that the elderly are capable of participating in a hard martial art and that they have an interest in it as a viable alternative to other forms of exercise. The present study suggests that TKD as a form of exercise for an elderly population is both viable and potentially popular and warrants further study.

  15. The Talent Managing Work of the Balaton-Felvideki Szin-Vonal Primary Art School

    Science.gov (United States)

    Baranyai, Valeria

    2013-01-01

    In recent years, art education has been recognized as a suitable tool for enhancing emotional intelligence and nurturing a child's creative development. However, it seems that the education of art has lost the race against other primary school subjects, with only a minimal number of lessons being taught. The establishment of the afternoon art…

  16. Arte y Publicidad: Elementos para debate Art and Advertising: Issues for Debate

    Directory of Open Access Journals (Sweden)

    Alejandra Walzer

    2010-07-01

    Full Text Available En este artículo se presentan algunos elementos para el debate en torno a la relación entre publicidad y arte. Algunos autores han señalado que la publicidad es el arte en la era de la muerte del arte, sin embargo, discutiremos esta afirmación tomando como punto de anclaje la diferente lógica de estos dos campos de la producción imaginística y estética. Para ello nos centraremos en los fines, en los destinatarios y en la autoría, tanto en lo referido a las artes como a la publicidad.This article presents an advance for discussion about the relationship between advertising and art. Some authors have argued that advertising is an art in times when art has died. However, we will discuss this statement considering the logic of these two different fields, both image and aesthetic production. To that effect, we will focus on the purposes, addressees and authorship, all of them in regard to the arts and advertising.

  17. The southpaw advantage? Lateral preference in mixed martial arts.

    Science.gov (United States)

    Baker, Joseph; Schorer, Jörg

    2013-01-01

    Performers with a left-orientation have a greater likelihood of obtaining elite levels of performance in many interactive sports. This study examined whether combat stance orientation was related to skill and success in Mixed Martial Arts fighters. Data were extracted for 1468 mixed martial artists from a reliable and valid online data source. Measures included fighting stance, win percentage and an ordinal measure of skill based on number of fights. The overall analysis revealed that the fraction of fighters using a southpaw stance was greater than the fraction of left-handers in the general population, but the relationship between stance and hand-preference is not well-understood. Furthermore, t-tests found no statistically significant relationship between laterality and winning percentage, although there was a significant difference between stances for number of fights. Southpaw fighters had a greater number of fights than those using an orthodox stance. These results contribute to an expanding database on the influence of laterality on sport performance and a relatively limited database on variables associated with success in mixed martial arts.

  18. The southpaw advantage? Lateral preference in mixed martial arts.

    Directory of Open Access Journals (Sweden)

    Joseph Baker

    Full Text Available Performers with a left-orientation have a greater likelihood of obtaining elite levels of performance in many interactive sports. This study examined whether combat stance orientation was related to skill and success in Mixed Martial Arts fighters. Data were extracted for 1468 mixed martial artists from a reliable and valid online data source. Measures included fighting stance, win percentage and an ordinal measure of skill based on number of fights. The overall analysis revealed that the fraction of fighters using a southpaw stance was greater than the fraction of left-handers in the general population, but the relationship between stance and hand-preference is not well-understood. Furthermore, t-tests found no statistically significant relationship between laterality and winning percentage, although there was a significant difference between stances for number of fights. Southpaw fighters had a greater number of fights than those using an orthodox stance. These results contribute to an expanding database on the influence of laterality on sport performance and a relatively limited database on variables associated with success in mixed martial arts.

  19. [From relativism to evaluation. Recent trends in the historiography of science and the humanities].

    Science.gov (United States)

    Jonker, Ed

    2011-01-01

    Historians of science have taken leave of finalism. No longer do they write teleological histories of scientific progress. Instead of a grand narrative on the triumph of science they now tend to write small stories on local knowledge. This is the result of several decades of criticism of Whig history. Starting with neo-marxist critique in the interwar years, enhanced in the social history of the 1970s, science was seen as an economic commodity and as a social product. Cultural history and anthropology added the view that scientists and scholars are mere mortals, muddling through messy life. This critique was topped off with postmodern criticism of knowledge as power, which translates into the accusation that historiography is only legitimating cultural and political oppression. To counter these allegations, many historians have insulated themselves into a kind of retro-historicism that shies away from any teleology, coherence, meaning and evaluation. It depicts the production of knowledge as a practical, local activity that is strictly limited to its cultural context. No claims to truth, validity, let alone progress or even development were allowed. This situation of rampant relativism could not last. Total abstinence of any evaluation of knowledge claims, quality of research or success of theories has proven unsatisfactory. The need has arisen to study broader issues of traveling knowledge and longer lines of scientific development. There is a shift of interest into traditions of knowledge that spring the bonds of locality and context. Why do some scientific theories and research practices succeed in surpassing paradigms and bridging epistemic ruptures? In this respect disciplines are in the process of being rehabilitated. Instead of oppressive structures they become the vehicles of sustained knowledge growth. Especially the role of education and academic training is focused on. Facing up to the charges of conceptual anachronism, historians of knowledge now opt

  20. The Cultural Revolution and Contemporary Chinese Art

    Science.gov (United States)

    Yang, Guey-Meei; Suchan, Tom

    2009-01-01

    Using this instructional resource, teachers can explore the impact of the Cultural Revolution (1966-1976) on contemporary art in mainland China with their students. The three artists Luo Zhongli (b. 1948), Xu Bing (b. 1955), and Wang Guangyi (b. 1957) came of age during the Cultural Revolution and are representative of a much larger number of…

  1. Hospital utilization, costs and mortality rates during the first 5 years of life: a population study of ART and non-ART singletons.

    Science.gov (United States)

    Chambers, G M; Lee, E; Hoang, V P; Hansen, M; Bower, C; Sullivan, E A

    2014-03-01

    and treatment-seeking behaviour. This study related to ART treatment undertaken before 2003. Clinicians and patients should be aware of the risk of poorer perinatal outcomes and increased hospitalization of ART singletons compared with non-ART singletons. These differences are significant enough to affect health-care resource consumption, but are substantially and significantly less than those associated with ART multiple birth infants. Understanding the short- and long-term health services and economic impact of ART is important for setting the research agenda in ART, for informing economic evaluations of infertility and treatment strategies, and for providing an important input to clinical and administrative decision making. No specific funding was used to undertake this study and the authors report no conflicts of interest. A number of the authors receive Research Grants to their institutions from the Australian Government. G.M.C. receives grant support to her institution from the Australian Government, Australian Research Council (ARC) Linkage Grant No LP1002165; ARC Linkage Grant Partner Organisations are IVFAustralia, Melbourne IVF and Queensland Fertility Group. V.P.H. is employed as an Economics Research Associate on the same grant. NA.

  2. Arte sin mirada, arte sin emoción

    OpenAIRE

    Eraso Fernández, Elena

    2013-01-01

    En la presente propuesta educativa de carácter empírico se realiza un análisis experimental sobre la efectividad de la imagen a través de diferentes lecturas de la obra de arte, para lograr el desarrollo de capacidades emocionales y disfrute en educación secundaria. Se trata de una investigación apoyada en dos pilares fundamentales: la imagen artística, y las diferentes lecturas que se realizan de una obra de arte, para desarrollar sentimiento y deleite en el alumnado. Máster Universitario...

  3. Join the Art Club: Exploring Social Empowerment in Art Therapy

    Science.gov (United States)

    Morris, Frances Johanna; Willis-Rauch, Mallori

    2014-01-01

    Social Empowerment Art Therapy (SEAT) aims to address the stigma of mental illness through the artistic empowerment of participants. The model was developed within an inpatient psychiatric setting from observations of a shared governance structure that empowered residents. Incorporating an open art studio approach and social action art therapy,…

  4. The art of scent

    DEFF Research Database (Denmark)

    Stenslund, Anette

    2017-01-01

    At the Museum of Art and Design in New York the The Art of Scent (1889–2012) exhibition announced its declared aim of bringing to the forefront of the arts what has long been considered the fallen angel of the senses: it would inscribe scent into fine art through a display characterised by its ex...... of art, this paper argues that scent that is not of high culture may yet, phenomenologically speaking, be considered great art....

  5. Art Appreciation as a Learned Competence: A Museum-Based Qualitative Study of Adult Art Specialist and Art Non-Specialist Visitors

    Science.gov (United States)

    Bracun Sova, Rajka

    2015-01-01

    Since Bourdieu, it has been argued that art appreciation requires "knowledge". The focus of this qualitative study was to examine art appreciation as a learned competence by exploring two different groups of museum visitors: art specialists and art non-specialists. The research was conducted at Moderna galerija in Ljubljana. Twenty-three…

  6. Mathematics for the liberal arts

    CERN Document Server

    Brown, Jason I

    2014-01-01

    The Math in Your Life Health, Safety, and Mathematics Found in Translation The Essentials of Conversion Making Sense of Your World with Statistics Summarizing Data with a Few Good Numbers Estimating Unknowns Leading You Down the Garden Path with Statistics Visualizing with Mathematics Seeing Data A Graph Is Worth a Thousand Words Money and Risk Money - Now or Later Risk Taking and Probability The Life in Your Math! Deciding to Make the Best Decisions Making the Right Choices for You Game Theory - Coming Out on Top Making Joint Decisions Art Imitating Math The Math that Makes the Art Believing What You See (or Not) The Mathematics of Sound (and the Sound of Mathematics) The Mathematics of Listening The Mathematics of Composing Solving Musical Mysteries with MSI (Math Scene Investigations) Late Night Mathematics - Humor and Philosophy Laughing with Mathematics The Limits of Mathematics Bibliography Index Review questions appear at the end of each chapter.

  7. NSU Art Museum Fort Lauderdale | Art Museum in Fort Lauderdale

    Science.gov (United States)

    NSU Art Museum Fort Lauderdale Visit Admissions Hours & Admission Policies & Accessibility Airports Shop & Dine About the Café & Store Store Café Menu Art Exhibitions Currently on View Thursday 2-for-1 specials on wine and craft beer in the Museum Café, and hands-on art projects for all

  8. Understanding How College Students Describe Art: An Analysis on Art Education in China

    Directory of Open Access Journals (Sweden)

    Hong Wang

    2015-05-01

    Full Text Available This study aims to explore how Chinese college students appreciate art as reflected in their descriptions of an artwork. Students’ descriptions were defined by a content analysis with respect to opinions and facts, art elements and principles. A questionnaire was also used to investigate students’ attitudes toward art education. 85 students who were divided into four groups participated in the study. The results showed: (1 participants were more familiar with art appreciation than art elements and principles; (2 there was a slight but no significant difference between students’ describing facts and opinions; (3 participants had significantly higher scores on describing art elements than describing art principles; (4 among all participants with regard to all elements and principles, there was a significant difference of describing space between students of art education and students of music education, and also, there was a significant difference of describing value between Chinese language students and other students. The results suggested that participants, including those of art education, had poor knowledge and strategies of understanding art, implying art education in China may have ended up with failure.

  9. Perspectives on Art Therapy: The Proceedings of the Pittsburgh Conference on Art Therapy (2nd, Pittsburgh, Pennsylvania, May 20, 1977).

    Science.gov (United States)

    Roth, Ellen A., Ed.; Rubin, Judith A., Ed.

    The proceedings of the 2nd annual Pittsburgh Conference on Art Therapy (with handicapped persons) consists of 44 items including full length papers, summaries of previously published papers, descriptions of workshops, and a limited number of abstracts (submitted by those who chose not to present a paper or workshop description). The papers are…

  10. VERBAL IN FINE ARTS: USE OF QUOTES, WORDS AND EXPRESSIONS IN MODERN ART MEMES

    Directory of Open Access Journals (Sweden)

    Sapanzha, O.S.

    2017-06-01

    Full Text Available The article is dedicated to the analysis of verbal art memes as a phenomenon of modern network communication. Based on the typology of art memes (visual, animation, verbal and synthetic we provide the characteristics of the tools used in the construction of verbal art memes. The main method of creating art memes is the method of appropriation. The main device that creates new meanings of artistic images in verbal art memes is the inclusion of speech elements in the work of art. Unlike visual art memes, using professional art of the XX century, a verbal art meme is mass scale by its origin and understandable to a wide audience of network users and consumers of mass art content.

  11. Time Trend of the People lost follow up on Antiretroviral Therapy (ART Services in Nepal: A Epidemiological Modelling

    Directory of Open Access Journals (Sweden)

    Brijesh Sathian

    2014-06-01

    Full Text Available Background: The real state about the spread of the HIV epidemic in Nepal is not clear since the details available are on the basis of repeated integrated biological and behavioral surveillance. Objective To study the trends of People lost follow up on ART in future. Material and methods: A retrospective study was carried out on the data collected from the Health ministry records of Nepal, between 2006 and 2012. Descriptive statistics and statistical modelling were used for the analysis and forecasting of data. Results: Including the constant term from the equation, the quadratic model was the best fit, for the forecasting of People lost follow up on ART. Using quadratic equation, it is estimated that 4331 reported number of People lost follow up on ART will be there in Nepal by the year 2020. Conclusion: The People lost follow up on ART in Nepal are having an increasing trend. Estimates of the total number of People lost follow up on ART attributable to the major routes of infection make an important contribution to public health policy. They can be used for the planning of healthcare services and for contributing to estimates of the future numbers with People lost follow up on ART used for planning health promotion programmes.

  12. Writing Art and Creating Back: What Can We Do With Art (History)?

    NARCIS (Netherlands)

    Lerm Hayes, C.M.

    2015-01-01

    The roles and borders of art and Art History are not stable. Christa-Maria Lerm Hayes argues that this has been the case since the beginnings of our modern understanding of art, and from the beginnings of the academic discipline of Modern and Contemporary Art History - inaugurated by a curator at

  13. Taste in Art-Exposure to Histological Stains Shapes Abstract Art Preferences.

    Science.gov (United States)

    Böthig, Antonia M; Hayn-Leichsenring, Gregor U

    2017-01-01

    Exposure to art increases the appreciation of artworks. Here, we showed that this effect is domain independent. After viewing images of histological stains in a lecture, ratings increased for restricted subsets of abstract art images. In contrast, a lecture on art history generally enhanced ratings for all art images presented, while a lecture on town history without any visual stimuli did not increase the ratings. Therefore, we found a domain-independent exposure effect of images of histological stains to particular abstract paintings. This finding suggests that the 'taste' for abstract art is altered by visual impressions that are presented outside of an artistic context.

  14. The Integration Method of Ceramic Arts in the Product Design

    Science.gov (United States)

    Shuxin, Wang

    2018-03-01

    As one of the four ancient civilization countries, the firing technology of ceramic invented by China has made a great contribution to the progress and development of human society. In modern life, even the development of technology still needs the ceramics, there are large number of artists who take the ceramics as carrier active in the field of contemporary art. The ceramics can be seen everywhere in our daily life, this paper mainly discusses the integration means of ceramic art in the product design.

  15. Metamorphosing art: multimedia spectacles as new forms of art and education

    OpenAIRE

    Santana, Helena; Santana, Rosário

    2004-01-01

    The interaction of different domains of knowledge and art, namely music, theatre, design, mathematics, physics… contributes to organise a musical performance that has an original form and develops new forms of education. Using different art forms – BACH2CAGE - is an original spectacle who confluences different domains of knowledge, communication and art. “More than a performance, Bach2Cage is a process, an experimental laboratory in crossing music/performing arts with multimedia/digital ...

  16. Art and Culture in the Space Age

    Science.gov (United States)

    Guidi, A.; de Chiara, V.

    2002-01-01

    The relation between culture and science it is a key point for understanding of our changing world. The relation between Art and Science needs to be analyzed more deeply and some specific field have to be studied with the help of people who really work in these field. One of the selected field will be certainly "theatre" one of the most ancient form of art and especially of communication. Since the Greek culture theatre contributed to diffuse culture, not only in the same community, but even in different one. Actors and their play were always travelling around. With the help of a director and of an actor in the paper will be described the argument from them point of view. Another fundamental art form is "Architecture". There is in the last period a strong changing in this field, the architecture is the form of art which is more related to technology. It can be said that Architecture can be considered as a "bridge" between Art and Technology. Finally even all the visual arts are strongly influenced by the nowadays technology. Different kind of visual arts will be considered, and impressions from people working on them will be analysed. An other aspect of our changing world is the evolution of the communication and the diffusion of culture, through century. This aspect and the nowadays level of "communication technology" is another key point who will be further analyzed. Conclusion is identified in opening the door to a wider variety of experiments on the International Space Station (ISS). A type of experiments devoted to involve a wider number of people in space technology. A type of experiments which will also bring the space age closer to a public that has least interest in technical fields. This increase of public support will bring to the space technology an increase in development. The more public interest there is in a certain technology, the larger it is its development. Finally this type of experiments would also open sociological and psychological study.

  17. Market segmentation of visitors at three selected arts festivals in South Africa

    Directory of Open Access Journals (Sweden)

    V. Pissoort

    2007-12-01

    Full Text Available Purpose: The purpose of this article is to examine the market segmentation of visitors at three Arts Festivals in South Africa. The Arts Festivals were Innibos, Oppikoppi and Volksblad. Problem investigated: The literature review clearly shows that, in order for marketers of festivals to use scarce resources effectively and efficiently, it is paramount to do market segmentation. The advantages of market segmentation lie in an increase in visitor numbers, better image, and by creating a competitive advantage to name but a few. Method of research: The research was conducted by means of structured questionnaires at the three arts festivals. The data was used to compile a profile of each Festival. The significance of the correlation between the three Festivals and their profiles were tested by using effect sizes and Chi-square. A sample size of 452 questionnaires for Volksblad, 573 questionnaires for Innibos and 201 for Oppikoppi was used. Findings: The results show that the visitor profile variables that are significant for market segmentation purposes include:language; the province in which Festival attendees reside; days spent at the Festival; and the size of the travelling group.These results confirmed but also contradicted a number of similar studies conducted. The results also clearly showed the different profiles of each of the three arts festivals. Value of research: This was the first time such research was undertaken at smaller Arts Festivals in South Africa and is useful for planning and marketing purposes. Conclusion: Due to the increase in the number of festivals and events in South Africa as well as competition in general,marketers and organisers of these events and festivals are required to understand and target the right markets. Hence, this type of research is important and necessitates marketers and event organisers to follow a more scientific approach.

  18. A singular art : a theoretical and artistic survey on miniature and hybrid possibilities of traditional arts in contemporary art

    OpenAIRE

    Şener, Seval

    2007-01-01

    Ankara : The Department of Graphic Design and the Institute of Fine Arts of Bilkent University, 2007. Thesis (Master's) -- Bilkent University, 2007. Includes bibliographical references leaves 81-83 The aim of this study is to point out the problems which are stemmed from the use of traditional arts, particularly miniature, in contemporary art. A theoretical survey on seeing and representation of traditional arts and miniature was made. The result of the survey is that tradit...

  19. Brazilian Folk Art as a possibility of multicultural teaching of the visual arts

    Directory of Open Access Journals (Sweden)

    Amanda Cristina Figueira Bastos de Melo

    2016-10-01

    Full Text Available The present article establishes an overview of the relationship between culture and the teaching of Art in Brazil, reflecting about multiculturalism in the teaching of Visual Arts through Folk Art. It is based on a literature review, analysis of works of art and their relation to multicultural issues. The study highlights the importance of Folk Art as a source of multicultural studies, as well as the need to deal with these issues within the school environment. There has not been much discussion about the topic, especially regarding Folk Art. The research concludes that it is possible to teach multicultural Art through an approach of the Folk Art, as it enables a better approximation to the learners’ universe and contribute for the development of their critical, reflexive and esthetic abilities.

  20. Art & Alchemy

    DEFF Research Database (Denmark)

    Partly because of alchemy's dismissal from the Parnassus of rational sciences, the interplay between this esoteric knowledge and the visual arts is still a surprisingly neglected research area. This collection of articles covering the time span from the Late Middle Ages to the twentieth century...... intends, however, to challenge the current neglect. Areas on which its twelve authors cast new light include alchemical gender symbolism in Renaissance, Mannerist and modernist art, alchemical ideas of transformation in Italian fifteenth-century landscape imagery, Netherlandish seventeenth......-century portrayals of alchemists, and alchemy's tortured status as a forerunner of photography. Art and Alchemy indicates that alchemy indeed has several connections with art by examining some of the pictorial and literary books that disseminated alchemical symbols and ideas, delving into images, which in one way...

  1. Art Forms.

    Science.gov (United States)

    Hoekstra, Joel

    2002-01-01

    Describes the Fine Arts Interdisciplinary Resource (FAIR) Arts Middle School in Crystal, Minnesota, an award-winning school building that the architects hope will create a more conducive learning environment. Includes photographs and floor plans. (EV)

  2. Challenges and opportunities for digital marketing within contemporary art book publishing

    OpenAIRE

    Grima, M-C

    2017-01-01

    This dissertation examines a number of challenges and opportunities in digital marketing within contemporary art book publishing. As products of a uniquely cross-pollinated strain of culture and publishing, their tactility and physicality are amongst their most appealing qualities, standing out in a world where so much takes place in a virtual space. The appeal of art books today is thought to be getting stronger and stronger as many other kinds of books dematerialise in the digital space,...

  3. Challenges and Opportunities for Digital Marketing Within Contemporary Art Book Publishing

    OpenAIRE

    Grima, Marie-Claire

    2017-01-01

    To download this article, please click here.This dissertation examines a number of challenges and opportunities indigital marketing within con- temporary art book publishing. As products ofa uniquely cross-pollinated strain of culture and publishing, their tactility andphysicality are amongst their most appealing qualities, standing out in a worldwhere so much takes place in a virtual space. The appeal of art books todayis thought to be getting stronger and stronger as many other kinds of boo...

  4. Martial Arts Club

    CERN Multimedia

    Martial Arts Club

    2010-01-01

    In July 2010, after five years of activity, the CERN Martial Arts held its first international Bujutsu seminar, gathering more than 40 participants from France, Switzerland, Sweden and Japan. The seminar was led by Master Shimazu Kenji, world-renowned martial arts expert based in Tokyo and headmaster of the Yagyu Shingan Ryu school, present in Europe specifically for the occasion. During nine days, participants got to discover the wide array of Bujutsu techniques and traditions of an ancestral martial art that finds its roots in the art and lives of Japanese samurais. Covering such varied subjects as self-defense techniques (Jujitsu), swordsmanship (Kenjutsu), through to healing techniques and etiquette, it encompasses all aspects of a way of life that still find echoes in today's modern Japanese society. The CERN Martial Arts club wishes to thank particularly the CERN Clubs Committee and its president Rachel Bray for their support in organizing this event. The CERN Martial Arts club, led by Sylvai...

  5. The art framework

    International Nuclear Information System (INIS)

    Green, C; Kowalkowski, J; Paterno, M; Fischler, M; Garren, L; Lu, Q

    2012-01-01

    Future “Intensity Frontier” experiments at Fermilab are likely to be conducted by smaller collaborations, with fewer scientists, than is the case for recent “Energy Frontier” experiments. art is a C++ event-processing framework designed with the needs of such experiments in mind. An evolution from the framework of the CMS experiment, art was designed and implemented to be usable by multiple experiments without imposing undue maintenance effort requirements on either the art developers or experiments using it. We describe the key requirements and features of art and the rationale behind evolutionary changes, additions and simplifications with respect to the CMS framework. In addition, our package distribution system and our collaborative model with respect to the multiple experiments using art helps keep the maintenance burden low. We also describe in-progress and future enhancements to the framework, including strategies we are using to allow multi-threaded use of the art framework in today's multi- and many-core environments.

  6. Finding Sustainability: University-community collaborations focused on arts in health

    Directory of Open Access Journals (Sweden)

    Mike White

    2011-11-01

    Full Text Available This article describes a number of community-based arts in health projects in schools and disadvantaged communities in Northern England that connect with the interdisciplinary research interests of the Centre for Medical Humanities at Durham University (www.dur.ac.uk/cmh. It examines issues about what makes for sustainability in both practice and research of arts in health when operating from a university base and stresses the importance of relationship-based work in health promotion interventions in communities. It attempts to set arts development work in the policy context of how community health has been addressed over the last decade. It provides both practical and metaphorical illustrations of how community cohesion and emotional literacy can be developed and recognised in schools and communities when supported by ethnographic research that is underpinned by theories of social capital, resilience and participatory arts practice. The significance that the artwork can attain as a social gift, with a special meaning for its creators, is examined from an anthropological perspective. Looking historically and comparatively at some longitudinal projects in community-based arts in health, the article assesses what makes for both success and failure in practice, and looks particularly at the significance of the arts in helping to deliver strategies for improving child health and education. In a strategic development context, explanation is given of several strands of university-community collaboration in arts in health, with interlinked project examples drawn from Tyneside and West Yorkshire. Finally, the article looks at the prospects for sustaining arts in health within the coming transfer of the public health function to local government. Keywords Sustainability, arts in community health, resilience, child mental health, social capital

  7. What makes an art expert? Emotion and evaluation in art appreciation.

    Science.gov (United States)

    Leder, Helmut; Gerger, Gernot; Brieber, David; Schwarz, Norbert

    2014-01-01

    Why do some people like negative, or even disgusting and provocative artworks? Art expertise, believed to influence the interplay among cognitive and emotional processing underlying aesthetic experience, could be the answer. We studied how art expertise modulates the effect of positive-and negative-valenced artworks on aesthetic and emotional responses, measured with self-reports and facial electromyography (EMG). Unsurprisingly, emotionally-valenced art evoked coherent valence as well as corrugator supercilii and zygamoticus major activations. However, compared to non-experts, experts showed attenuated reactions, with less extreme valence ratings and corrugator supercilii activations and they liked negative art more. This pattern was also observed for a control set of International Affective Picture System (IAPS) pictures suggesting that art experts show general processing differences for visual stimuli. Thus, much in line with the Kantian notion that an aesthetic stance is emotionally distanced, art experts exhibited a distinct pattern of attenuated emotional responses.

  8. The Art of Teaching the Arts: A Workshop for High School Teachers

    Science.gov (United States)

    Annenberg Media, 2005

    2005-01-01

    "The Art of Teaching the Arts: A Workshop for High School Teachers" is an eight-part professional development workshop for use by high school dance, music, theatre, and visual art teachers. The workshop examines how principles of good teaching are carried out in teaching the arts at the high school level. In the eight one-hour video programs,…

  9. En busca del arte contemporáneo: exposiciones de arte en Bucaramanga 1960-1979

    Directory of Open Access Journals (Sweden)

    Andrés Leonardo Caballero

    2012-01-01

    Full Text Available Este artículo expone el ambiente artístico vivido en Bucaramanga durante las décadas de 1960 y 1970. Exposiciones y concursos de arte fueron organizados en la ciudad por diversas instituciones, sin embargo, no generaron los espacios suficientes para dar apoyo a los nacientes artistas educados por los distinguidos pintores de la ciudad, egresados de escuelas academicistas europeas. Bucaramanga era una ciudad carente de formación en artes plásticas a nivel profesional, y la mayoría de sus artistas complementaba o iniciaba su formación artística fuera del departamento de Santander, anulándose la posibilidad de un arte contemporáneo generado desde la región. Fue hasta 1973 que Jorge Mantilla Caballero organizó un colectivo artístico que apostaba por el arte contemporáneo, y así empezó a solidificar lo que en esa época proclamaba la esfera nacional e internacional de las artes plásticas. En el artículo se documentó la transición del arte costumbrista a las tendencias y temáticas del arte contemporáneo, tomando como fuente primaria la literatura artística de la época, especialmente fuentes periódicas y catálogos de arte.

  10. Arts Entrepreneurship

    DEFF Research Database (Denmark)

    Gartner, Bill

    2015-01-01

    Contribution to the opinion series “Perspectives” on arts entrepreneurship; how arts entrepreneurship is situated in relation to other disciplines or fields; what problems we are grappling with as scholars, practitioners, teachers, and artists; and what are the research questions we are attempting...... to answer individually or as a field. Under the headline “Perspectives on Arts Entrepreneurship, part 2”, are responses from: William B. Gartner, Professor of Entrepreneurship at Copenhagen Business School and California Lutheran University; Joseph Roberts, Director of the Coleman Fellows Program, Associate...

  11. The understanding and acceptability of assisted reproductive technology (ART) among infertile women in urban Lagos, Nigeria.

    Science.gov (United States)

    Fabamwo, A O; Akinola, O I

    2013-01-01

    This descriptive study was carried out to assess the awareness and acceptability of Assisted Reproductive Technology (ART) among infertile women in Lagos, Nigeria. Self-administered questionnaires on the knowledge of ART in the women were used. After a brief exposé on ART, questions relating to their attitude were answered. A total of 166 women were studied. Only 51.8% had any knowledge of ART and most of these had poor knowledge. A total of 137 women would embrace ART if offered but 29 would not, for reasons such as religion, fear of side-effects, failure and unaffordable costs. There is a paucity of good knowledge of ART. A significant number of the women would consider ART if offered. There is thus a need to create more awareness about the possibilities offered by ART, as well as instituting low cost ART strategies in developing world countries.

  12. The Impact of Globalization on The Arts in Contemporary Ghana ...

    African Journals Online (AJOL)

    PROMOTING ACCESS TO AFRICAN RESEARCH ... The objective of this paper is to investigate the impact of globalization on certain aspects ... The study revealed a number of positive and negative impacts of globalization on the visual arts, ...

  13. MEANING, VALUE, IMPORTANCE IN ARTS AND THE ART OF MUSIC

    Directory of Open Access Journals (Sweden)

    Fatih Bingol

    2016-09-01

    Full Text Available In the journey of reaching beauty, which has possibly been a basic motivation of art, there has been attempts to define beauty, In this respect, several questions have been addressed such as What is beauty? Are there any criteria for generalizing the concept of beauty? Is beauty a feature that beings bear? Or, is it us to find them beautiful? Meaning, importance and value have been some of the basic issues in the philosophy of art. Accordingly, there has been some explanations made from various philosophical views. In this paper, the issues of meaning, importance and value in art, from general definitions toward the art of music, are presented from formalist, referentialist and expressionist views. The purpose of this paper is to present some phiolophical views with regard to the issues of meaning, importance and value in the art of music.

  14. Art and Money

    NARCIS (Netherlands)

    Goetzmann, W.; Renneboog, L.D.R.; Spaenjers, C.

    2010-01-01

    This paper investigates the impact of equity markets and top incomes on art prices. Using a newly constructed art market index, we demonstrate that equity market returns have had a significant impact on the price level in the art market over the last two centuries. We also find empirical evidence

  15. Art and money

    NARCIS (Netherlands)

    Goetzmann, W.; Renneboog, L.D.R.; Spaenjers, C.

    2011-01-01

    This paper investigates the impact of equity markets and top incomes on art prices. Using a newly constructed art market index, we demonstrate that equity market returns have had a significant impact on the price level in the art market over the last two centuries. We also find evidence that an

  16. Australian doctors and the visual arts. Part 1. Doctor-artists in New South Wales.

    Science.gov (United States)

    Hamilton, D G

    Since Europeans first settled in Australia their doctors have been interested in the visual arts. Some have been hobby painters and sculptors, a few with great distinction. Some have been gallery supporters and administrators. A few have written art books. Some have been outstanding photographers. Of the larger number of doctors who have collected art, only those are mentioned who have made their collections public or have made important donations to galleries. The subject of Australian doctors and the visual arts will be discussed in six articles in this and following issues of the journal. The first deals with doctor-artists in New South Wales.

  17. Arte inolvidable

    OpenAIRE

    Iván Moratilla Pérez; Esther Gallego García; Francisco Javier Moreno Martínez

    2018-01-01

    La humanidad y el arte forman un matrimonio indisoluble, no es posible concebir la una sin el otro. Incluso antes de fabricar el primer instrumento musical, la humanidad ya cantaba; antes de emplear un lienzo, pintó sobre la pared de una cueva. Las manifestaciones creativas se dan invariablemente “en la riqueza y en la pobreza”, pero también “en la salud y en la enfermedad”. En este artículo introducimos al lector a la temática del arte y la demencia, destacando la capacidad creativa de los p...

  18. Globalization of the art market [emerging art markets

    NARCIS (Netherlands)

    Velthuis, O.

    2015-01-01

    Since the 1980s art markets have developed rapidly outside of Europe and the USA. In the so-called BRIC countries (Brazil, Russia, India, and China) this development has been particularly dynamic. With aggregate sales estimated at €11.5 billion, China is the second largest market for art and

  19. Taking the Arts Seriously

    DEFF Research Database (Denmark)

    Chemi, Tatiana

    what makes art special in an anthropologic and evolutionary biologic point of view. Cases on the emerging field of arts-in-business in Denmark.......what makes art special in an anthropologic and evolutionary biologic point of view. Cases on the emerging field of arts-in-business in Denmark....

  20. Inspired by African Art.

    Science.gov (United States)

    Heintz, June Rutledge

    1991-01-01

    Argues that African art helps children to learn vital art concepts and enlarges their understanding of the role of art in human culture. Outlines a unit on African art based on animals. Students created fabric designs and illustrated folktales and fables. Provides a list of free resources. (KM)

  1. Art, anatomy, and medicine: Is there a place for art in medical education?

    Science.gov (United States)

    Bell, Lawrence T O; Evans, Darrell J R

    2014-01-01

    For many years art, anatomy and medicine have shared a close relationship, as demonstrated by Leonardo da Vinci's anatomical drawings and Andreas Vesalius' groundbreaking illustrated anatomical textbook from the 16th century. However, in the modern day, can art truly play an important role in medical education? Studies have suggested that art can be utilized to teach observational skills in medical students, a skill that is integral to patient examination but seldom taught directly within medical curricula. This article is a subjective survey that evaluates a student selected component (SSC) that explored the uses of art in medicine and investigates student perception on the relationship between the two. It also investigates whether these medical students believe that art can play a role in medical education, and more specifically whether analyzing art can play a role in developing observational skills in clinicians. An "Art in Medicine" 8-week course was delivered to first year medical students at Brighton and Sussex Medical School. The use of art to improve observational skills was a core theme throughout. Feedback from the students suggests that they believe a strong association between art and medicine exists. It also showed a strong perception that art could play a role in medical education, and more specifically through analyzing art to positively develop clinical observational skills. The results of this subjective study, together with those from research from elsewhere, suggest that an art-based approach to teaching observational skills may be worth serious consideration for inclusion in medical and other healthcare curricula. © 2014 American Association of Anatomists.

  2. The Artful Teacher: A Conceptual Model for Arts Integration in Schools

    Science.gov (United States)

    Chemi, Tatiana

    2014-01-01

    This article addresses specific issues within arts-integration experiences in schools. Focusing on the relationship between positive emotions, learning, and the Arts, the article discusses empirical data that has been drawn from a research study, Making the Ordinary Extraordinary: Adopting Artfulness in Danish Schools. When schools integrate the…

  3. Feynman Inspired Art

    CERN Multimedia

    Hoch, Michael

    2017-01-01

    Andy Charalambous; art@andycharalambous.com artist and trained engineer based in London UK, HEP Artist in Residence, Astronomy Artist in Residence and Honorary Research Fellow Physics and Astronomy University College London http://www.andycharalambous.com art@CMS_sciARTbooklet: web page : http://artcms.web.cern.ch/artcms/ A tool to support students with their research on various scientific topics, encourage an understanding of the relevance of expression through the arts, a manual to recreate the artwork and enable students to define and develop their own artistic inquiry in the creation of new artworks. The art@CMS sciART booklet series directed by Dr. Michael Hoch, michael.hoch@cern.ch scientist and artist at CERN, in cooperation with the HST 2017 participants (S. Bellefontaine, S. Chaiwan, A. Djune Tchinda, R. O’Keeffe, G. Shumanova)

  4. Aboriginal Art: Who was interested?

    Directory of Open Access Journals (Sweden)

    Daniel Thomas

    2011-06-01

    Full Text Available This paper addresses the common assumption that Aboriginal art has been absent from Australian art histories and demonstrates how this is not so. It criticises the notion that art history should be represented by specialised art-history books and argues for the important of art museum displays as texts. It also examines the ways in which Aboriginal art has been examined in literature devoted to Australian history and anthropology. It foregrounds the idea that arts history is not necessarily best represented by official art historical texts.

  5. Subjectivation, togetherness, environment. Potentials of participatory art for Art Education for Sustainable Development (AESD

    Directory of Open Access Journals (Sweden)

    Helene Illeris

    2017-06-01

    Full Text Available Through a process-oriented analysis of the participatory art project The Hill this article explores the relevance of participatory art projects for the development of AESD – Art Education for Sustainable Development. Inspired by Felix Guattari’s Three Ecologies (2008 the analysis moves through three sub-studies delving into three different aspects of the project. Each sub-study adopts two overlapping analytical ‘lenses’: The lens of a contemporary art form (performance art, community art, and site-specific art and the lens of a related theoretical concept (subjectivation, togetherness, environment. The aim is to propose art educational ideas and strategies that stimulate students to challenge the current political, economic and environmental situation. Central questions addressed by the article are: How can educators use contemporary artistic strategies to challenge essentialist and opportunistic self-understandings? What is the potential for participatory art forms to explore alternative and more sustainable conceptions of human subjectivity? How can art education work in favour of a sense of interconnectedness between the individual, the social and the environmental dimensions of being? In conclusion, the article proposes art education as a symbolic place for carrying out art-inspired experiments with how to live our lives in more sustainable ways.

  6. Which is worse? Comparison of ART outcome between women with primary or recurrent endometriomas.

    Science.gov (United States)

    Ata, Baris; Mumusoglu, Sezcan; Aslan, Kiper; Seyhan, Ayse; Kasapoglu, Isil; Avci, Berrin; Urman, Bulent; Bozdag, Gurkan; Uncu, Gurkan

    2017-07-01

    Are live birth rates (LBR) different after ART cycles between women with primary or recurrent endometrioma? Women with recurrent endometrioma have similar LBR as compared to patients with primary endometrioma. Recurrence rate can be as high as 29% after endometrioma excision. Prior studies on management of endometrioma before ART involve primary endometriomas. There is limited information regarding the prognosis of women with recurrent endometriomas. A multicenter retrospective cohort study, including 76 women with primary and 82 women with recurrent endometriomas treated at the participating centers over a 6-year period. Women with endometrioma who underwent ART at three academic ART centers. Couples with another indication for ART were excluded. Female age, median number of prior failed ART cycles, proportion of patients with bilateral endometrioma (28 versus 28.9%), ovarian stimulation protocols, and total gonadotropin consumption were similar between the study groups. Numbers of metaphase two oocytes (5 versus 6), number of embryos transferred, and the proportion of patients undergoing blastocyst transfer were similar across the study groups. Clinical pregnancy rates (36.6 versus 34.2%, absolute difference 2.4%, 95% CI: -12.5 to 17.3%, P = 0.83) and LBR (35.4 versus 30.3%, absolute difference 5.1%, 95% CI: -9.5 to 19.7%, P = 0.51) per started cycle in recurrent and primary endometrioma were similar. Comparable success rates were also confirmed with logistic regression analysis (OR: 1.14, 95% CI: 0.78-0.57, P = 2.3). The retrospective design has inherent limitations. Some women with severely decreased ovarian reserve after primary endometrioma excision may not have pursued further treatment. The management of endometrioma prior to ART is controversial but a different management strategy is not required for recurrent endometriomas. Since recurrent endometriomas do not have a worse impact on ART outcome than primary endometriomas, and repeat surgery has a higher

  7. Arts and Technology

    DEFF Research Database (Denmark)

    This book constitutes the thoroughly refereed post-conference proceedings of the Second International Conference on Arts and Technology, ArtsIT 2011, which was held in December 2011 in Esbjerg, Denmark. The 19 revised full papers and the two poster papers cover various topics such as Interaction...... and Art, Music and Performance, and Digital Technology....

  8. More Sets, Graphs and Numbers

    CERN Document Server

    Gyori, Ervin; Lovasz, Laszlo

    2006-01-01

    This volume honours the eminent mathematicians Vera Sos and Andras Hajnal. The book includes survey articles reviewing classical theorems, as well as new, state-of-the-art results. Also presented are cutting edge expository research papers with new theorems and proofs in the area of the classical Hungarian subjects, like extremal combinatorics, colorings, combinatorial number theory, etc. The open problems and the latest results in the papers are sure to inspire further research.

  9. O urbanismo conveniente luso-brasileiro na formação de povoações em Minas Gerais no século XVIII

    Directory of Open Access Journals (Sweden)

    Rodrigo Almeida Bastos

    2012-01-01

    Full Text Available The settlement of villages in the old colonial province of Minas Gerais obeyed certain principles of what was considered decent, convenient and adequate. Such principles were based on rules, doctrines and habits inherent to the Luso-Brazilian architecture of that time. The historical analysis of these aspects leads to a critical review of some consolidated assumptions in historiography, such as the one for which the settlements aforementioned would have appeared in a spontaneous, irregular and disordered fashion. Because they are evident in the remaining settlements and period art treatises and documents, these aspects lead to the consideration of a true art of populating, based on certain values and habits, which we call convenient Luso-Brazilian urbanism.

  10. The use of arts interventions for mental health and wellbeing in health settings.

    Science.gov (United States)

    Jensen, A; Bonde, L O

    2018-04-01

    This literature review aims to illustrate the variety and multitude of studies showing that participation in arts activities and clinical arts interventions can be beneficial for citizens with mental and physical health problems. The article is focused on mental health benefits because this is an emerging field in the Nordic countries where evidence is demanded from national health agencies that face an increasing number of citizens with poor mental health and a need for non-medical interventions and programmes. A total of 20 articles of interest were drawn from a wider literature review. Studies were identified through the search engines: Cochrane Library, Primo, Ebscohost, ProQuest, Web of Science, CINAHL, PsycINFO, PubMed and Design and Applied Arts Index. Search words included the following: arts engagement + health/hospital/recovery, arts + hospital/evidence/wellbeing, evidence-based health practice, participatory arts for wellbeing, health + poetry/literature/dance/singing/music/community arts, arts health cost-effectiveness and creative art or creative activity + health/hospital/recovery/mental health. The inclusion criteria for studies were (1) peer review and (2) empirical data. The studies document that participation in activities in a spectrum from clinical arts interventions to non-clinical participatory arts programmes is beneficial and an effective way of using engagement in the arts to promote holistic approaches with health benefits. Engagement in specially designed arts activities or arts therapies can reduce physical symptoms and improve mental health issues. Based on the growing evidence of the arts as a tool for enhancing mental health wellbeing, and in line with the global challenges in health, we suggest that participatory arts activities and clinical arts interventions are made more widely available in health and social settings. It is well-documented that such activities can be used as non-medical interventions to promote public health and

  11. Teaching Art in the Neoliberal Realm : Realism versus Cynicism

    NARCIS (Netherlands)

    Gielen, Pascal

    2013-01-01

    In most countries art education is not immune from a large-scale reorganisation. Educational institutions are increasingly required to operate as enterprises that compete for the best or the largest number of students and to express their objective and results in financial and management terms. In

  12. Art Struggles: Confronting Internships and Unpaid Labour in Contemporary Art

    OpenAIRE

    Panos Kompatsiaris

    2015-01-01

    This article explores the practices of recently formed and mainly UK-based art workers’ collectives against unpaid internships and abusive work. The modes through which these collectives perform resistance involve activist tactics of boycotting, site-specific protests, counter-guides, and whistleblowing and name and shame approaches mixed with performance art and playful interventions. Grappling with the predicaments of work in contemporary art, a labouring practice that does not follow typic...

  13. Art and Architectural Space

    DEFF Research Database (Denmark)

    Unterrainer, Walter

    2014-01-01

    and its content. The urban and spatial question goes far beyond museums and other buildings for art: how in democratic societies should public spaces be supported by art and how can public art support ´cityness´ and meaning versus spaces of consumerism. Famous but egocentric buildings with the main......art and architectural space museums and other exhibition spaces or how artists learn to love architects Over the last two decades, innumerable new museums, art galleries and other exhibition spaces have been built and opened all over the globe. The most extreme growth happened in China, where...... historically considered even the mother of all arts) - but more relevant: what are appropriate architectural spaces for presenting, exhibiting, contemplating, reflecting, meditating, discussing, enjoying, dissenting, debating creations of art. Simplified, this is a question about the relation between package...

  14. A FOTOGRAFIA ENTRE A ARTE POPULAR E A ARTE ERUDITA

    Directory of Open Access Journals (Sweden)

    Marcos Fabris

    2013-09-01

    Full Text Available Este artigo pretende discutir alguns dos aspectos que marcam o estabelecimento e a dissolução das fronteiras entre dois pólos convencionalmente descritos como arte culta e arte popular, tecendo paralelos entre o teatro de variedades, forma de expressão popular por excelência, e a fotografia, expressão artística que desde seus primórdios circula entre os dois extremos deste contínuo. Nestes termos, ambiciona-se verificar como determinadas condições sócio-históricas favorecem a criação de recursos formais que minimizam, ou suprimem, tais distinções consagradas pela crítica de arte.

  15. Material interaction and art product in art therapy assessment in adult mental health

    NARCIS (Netherlands)

    Pénzes, I.J.N.J.; Hooren, S. van; Dokter, D.; Smeijsters, H.; Hutschemaekers, G.J.M.

    2016-01-01

    Background: Art materials have a central role in art therapy. The way a client interacts with art materials - material interaction - is an important source of information in art therapy assessment in adult mental health. The aim of this study was to develop the categories of material interaction and

  16. Sound Art Situations

    DEFF Research Database (Denmark)

    Krogh Groth, Sanne; Samson, Kristine

    2017-01-01

    and combine theories from several fields. Aspects of sound art studies, performance studies and contemporary art studies are presented in order to theoretically explore the very diverse dimensions of the two sound art pieces: Visual, auditory, performative, social, spatial and durational dimensions become......This article is an analysis of two sound art performances that took place June 2015 in outdoor public spaces in the social housing area Urbanplanen in Copenhagen, Denmark. The two performances were On the production of a poor acoustics by Brandon LaBelle and Green Interactive Biofeedback...... Environments (GIBE) by Jeremy Woodruff. In order to investigate the complex situation that arises when sound art is staged in such contexts, the authors of this article suggest exploring the events through approaching them as ‘situations’ (Doherty 2009). With this approach it becomes possible to engage...

  17. Place based teaching in the visual arts and art education

    DEFF Research Database (Denmark)

    Andersen, Kirsten Bak

    Contemporary Art and three orientations in visual culture pedagogy: Perception, Relational and Reflexive practice.......Contemporary Art and three orientations in visual culture pedagogy: Perception, Relational and Reflexive practice....

  18. Fantastic art, Barr, surrealism

    Directory of Open Access Journals (Sweden)

    Tessel M. Bauduin

    2017-12-01

    Full Text Available In 1936 Alfred Barr, jr., curator-director of the Museum of Modern Art, New York, organised the first large-scale American show about dada and surrealism, which he named Fantastic Art, Dada, Surrealism. This show would have a considerable impact, not least because of its introduction of ‘fantastic’ as a category of visual art closely related to surrealism. But how and why did Barr arrive at this label? This article explores several sources, including surrealist lectures, early twentieth-century Belgian art history and art criticism, and art historical debates about form vs. content, south vs. north, and reason vs. fantasy. Some suggestion are made as to why Barr considered ‘fantastic’ relevant at that time, including to set it against Cubism and Abstract Art and to make a—partly political—point about the form/content-dichotomy and the validity of romanticism, sentiment and the fantastic.

  19. Spectrum of Art Therapy Practice: Systematic Literature Review of "Art Therapy," 1983-2014

    Science.gov (United States)

    Potash, Jordan S.; Mann, Sarah M.; Martinez, Johanna C.; Roach, Ann B.; Wallace, Nina M.

    2016-01-01

    The objective of this study was to determine art therapists' fit in the continuum of health delivery services defined by behavioral health. All publications in "Art Therapy: Journal of the American Art" Therapy Association from 1983 (Volume 1) to 2014 (Volume 31) were systematically reviewed to understand how art therapy has been…

  20. The Spiritual Form of Ancient Art and Culture - Bharatanatyam (Visual Art Depicted Using Unique Techniques on Scratchboard (Fine Art Medium

    Directory of Open Access Journals (Sweden)

    Arpitha Parthasarathy

    2017-03-01

    Full Text Available The most ancient form of dance that is prevailing todays is a form of classical Indian dance, Bharatanatyam. In Sanskrit (and Devanagri, bharatanatyam means "Indian dance", is believed to have divine origin and is of the most ancient form of classical dance. Bharatanatyam is a two thousand-year-old dance form, originally practiced in the temples of ancient India. The art today remains purely devotional even today and this performing art is yet to gain awareness and interest in the western world. This dance form has various implications in improving the higher order thinking in children and provides health benefits in adults apart from cultural preservation. The current study uses scratchboard as a medium to display the artistic movements and emotions. Scratchboard, a fine art is one means by which the visual art is expressed in this current study using sharp tools, namely X-acto 11 scalpel and tattoo needles. This unique medium made up of a masonite hardboard coated with soft clay and Indian ink has been used to not only show the details of the ancient dance form and expression but also to comprehend and transcribe both visual art and fine art. It is for the first time that scratchboard medium has been the innovatively used to show various textures of flower, glistening gold jewels, hand woven silk and the divine expression in the same art ‘devotion’. The current study was carried out in-order to perpetuate, conserve and disseminate these classic forms of visual art and fine art.

  1. Arts and Climate

    Science.gov (United States)

    Cegnar, T.

    2010-09-01

    Arts and climate science have more in common points than it appears at first glance. Artistic works can help us to directly or indirectly learn about climatic conditions and weather events in the past, but are also very efficient in raising awareness about climate change nowadays. Long scientific articles get very little response among general public, because most people don't want to read long articles. There is a need to communicate climate change issues more powerfully and more directly, with simple words, pictures, sculptures, installations. Artistic works can inspire people to take concrete action. A number of communication media can fit this purpose. Artists can speak to people on an emotional and intellectual level; they can help people to see things from another perspective and in new ways. Artists can motivate change; they have the freedom to weave facts, opinions, thoughts, emotion and colour all together. Paintings are witnesses of the past climatic conditions. We can learn from paintings, architectural constructions and sculptures about the vegetation, weather events, animals, and way of living. Mentioning only some few examples: old paintings in caves, also Flemish painters are often shown for their winter landscapes, and paintings are very useful to illustrate how fast glaciers are melting. At the end, we shall not forget that dilapidation of art masterpieces often depends on climatic conditions.

  2. Official art organizations in the emerging art markets of China and Russia

    NARCIS (Netherlands)

    Kharchenkova, S.; Komarova, N.; Velthuis, O.; Velthuis, O.; Baia Curioni, S.

    2015-01-01

    This chapter explores why official art organizations—artists associations and art academies—which regulated artistic production in Soviet Russia and Maoist China, continue to survive despite changing environments and the development of art markets in these countries. This chapter observes

  3. Art Markets

    NARCIS (Netherlands)

    P.A. Arora (Payal); F.R.R. Vermeylen (Filip)

    2013-01-01

    textabstractThe advent of digitization has had a profound impact on the art market and its institutions. In this chapter, we focus on the market for visual arts as it finds its expression in (among other) paintings, prints, drawings, photographs, sculpture and the like. These artistic disciplines

  4. Shadow art

    KAUST Repository

    Mitra, Niloy J.; Pauly, Mark

    2009-01-01

    "To them, I said, the truth would be literally nothing but the shadows of the images." - Plato, The Republic Shadow art is a unique form of sculptural art where the 2D shadows cast by a 3D sculpture are essential for the artistic effect. We

  5. Antecedentes de la Escuela Nacional de Bellas Artes de Colombia 1826-1886: de las artes y oficios a las bellas artes

    OpenAIRE

    Vásquez, William; Profesor asociado de la Facultad de Artes de la Universidad Nacional de Colombia. Hace parte del grupo de investigación Unidad de arte y educación de la Facultad de Artes. Actualmente se encuentra vinculado al Doctorado en Conocimiento y Cultura en América Latina del Instituto “Pensamiento y Cultura en América Latina”, A.C., México, México.

    2014-01-01

    El presente artículo da cuenta de las circunstancias históricas y sociales que precedieron a la aperturade la Escuela Nacional de Bellas Artes de Colombiaen 1886, y los intentos por consolidar una propuesta estatal y pública de una escuela de enseñanza del arte. Se muestra la tensión vigente entre el modelo progresista de las artes y oficios y el civilizatorio de las bellas artes. Igualmente, se hace visible el proceso de consolidación político, pedagógico y estético del modelo moderno de ens...

  6. Ciberpunk y arte de los nuevos medios: performance y arte digital

    OpenAIRE

    Psarra, Afroditi

    2016-01-01

    La tesis doctoral Ciberpunk y Arte de los Nuevos Medios: Performance y Arte Digital consiste en la aproximación del fenómeno ciberpunk como expresión literaria y cinematográfica, en el estudio del arte de los nuevos medios, y en la reflexión artística que surge de la amalgama de estos conceptos. Su objetivo es comentar a un nivel multidisciplinario la influencia de la teoría y la estética ciberpunk en la construcción de mecanismos creativos, y estudiar la integración de las ideas del ciberpun...

  7. A profile of patients attending an Anti Retroviral Therapy (ART centre at a tertiary care hospital in South India

    Directory of Open Access Journals (Sweden)

    Sanjeev Badiger

    2010-06-01

    Full Text Available In 2004, the Indian government began providing free antiretroviral therapy (ART through established ART centers. Despite the fact that ART is provided free by the government, there are a large number of sero positive people who do not come forward to receive treatment. Non-adherence is further confounds efforts to offer effective treatment. This study reports the profile of patients who attend an ART centres in southern India.

  8. Day of Arts Philanthropy

    DEFF Research Database (Denmark)

    Lunde Jørgensen, Ida

    For the Day of Arts Philanthropy I will reflect on the instrumentalisation of art support in Denmark based on the findings from my thesis work (Jørgensen, 2016) investigating the underlyinglegitimations and institutional logics of two of the most significant foundations supporting visual art......, in Denmark, the private New Carlsberg Foundation and public Danish Arts Foundation.Drawing inspiration from neo-institutional theory (Friedland & Alford, 1991) and French pragmatic sociology (Boltanski & Thévenot, 2006), the thesis identifies the most central logics of legitimationunderlying art support......; the industrial, market, inspired, family, renown, civic, projective, emotional and temporal. The most prominent and consistently invoked instrumentalisations identified are theprofessional (industrial), artistic (inspired) and civic purposes of art support. The thesis shows that the instrumentalisations invoked...

  9. Blockchain-based Crowdfunding: what impact on artistic production and art consumption?

    OpenAIRE

    De Filippi , Primavera

    2016-01-01

    version anglaise de Crowdfunding baseado em blockchain: qual seu impacto sobre a produção artística e o consumo de arte?, Observatorio/ITAU cultural,n°19; Crowdfunding relies on the contribution of a large number of individuals in order to finance the production of a particular work. Already a few crowdfunding platforms have been deployed on the blockchain, rewarding people's financial contributions to a project with actual shares of the project. Their interests become therefore more aligned ...

  10. art@CMS SciArt Workshops

    CERN Document Server

    Hoch, Michael; Preece, Stephen; Storr, Mick; Petrilli, Achille

    2017-01-01

    Recent developments in science education policy and practice suggest that successful learning in the 21st century requires the horizontal connectedness across areas of knowledge by linking the arts and humanities with science, technology, engineering and mathematics (STEM) subjects. The rapidly increasing STEAM movement calls for arts integration into science teaching and learning to help school students develop skills that are necessary to thrive in an innovation economy. Education and outreach in high - energy physics are not an exception to these developments. This paper outlines a series of learning activities for students at secondary and tertiary level that use a cross - disciplinary approach to fostering creativity and imagination in physics education and outreach.

  11. art@CMS SciArt Workshops

    CERN Document Server

    Hoch, Michael; Preece, Stephen; Storr, Mick; Petrilli, Achille

    2016-01-01

    Recent developments in science education policy and practice suggest that successful learning in the 21st century requires the horizontal connectedness across areas of knowledge by linking the arts and humanities with science, technology, engineering and mathematics (STEM) subjects. The rapidly increasing STEAM movement calls for arts integration into science teaching and learning to help school students develop skills that are necessary to thrive in an innovation economy. Education and outreach in high - energy physics are not an exception to these developments. This paper outlines a series of learning activities for students at secondary and tertiary level that use a cross - disciplinary approach to fostering creativity and imagination in physics education and outreach.

  12. Arte e moda

    OpenAIRE

    Morais-Alexandre, Paulo

    1994-01-01

    Análise da moda no vestuário enquanto Arte, passível de análise estética respectivos critérios e ligação às artes plásticas. É ainda analisado, no âmbito desta problemática, a evolução do estatuto social do criador de Moda e a Moda na actualidade. ABSTRACT: The aim is the study of fashion in clothing as Art, the aesthetic criteria of its analysis and its connection with other arts. It is further analyzed, in the context of this problem, the evolution of status of fashions creators and Fas...

  13. Pierre-Jean Mariette, enlightened art connoisseur and scholar of art history

    Directory of Open Access Journals (Sweden)

    Ingrid R. Vermeulen

    2017-06-01

    Full Text Available Review of Mariette and the Science of the Connoisseur in Eighteenth-Century Europe by Kristel Smentek, Farnham: Ashgate, 2014. In her book Smentek brings back to life the rich scope of economic and scholarly activities and social ambitions employed by the art dealer and collector of European renown, Jean-Pierre Mariette (1694-1774. By concentrating on the various artistic media in which he was primarily involved, she each time singles out an aspect of Mariette’s expertise. Economic and social shrewdness in the case of printmaking, the very core of his art connoisseurship in the case of drawing, and his art-historical scholarship in the case of gem engraving. In spite of the diverse connections she here creates between artistic medium and expertise, Smentek makes abundantly clear that the scientific method of art connoisseurship was underlying the employment of all these artistic media, which favoured empirical analysis in the historical understanding of art. She thereby makes a highly convincing case of the ways in which Mariette’s practices changed the terms in which the artistic past was scrutinized. On this basis it seems only logical to further research the impact of Mariette’s practices on art-scholarly projects initiated elsewhere in Europe and the ways it contributed to the emergence of art history as a modern discipline.

  14. CREATIVE COLLISIONS: ARTS @CERN

    CERN Multimedia

    CERN. Geneva

    2012-01-01

    In 2000, CERN hosted Signatures of the Invisible – one of the landmark initiatives in arts and science. In 2012, CERN is now initiating its own science/arts programme Collide@CERN in different arts disciplines. The first of these is in digital arts, and the international competition to find the winning artist is called the Prix Ars Electronica Collide@CERN. It was announced September 2011 at CERN’s first collaboration with an international arts festival – Ars Electronica in Linz. The competition attracted over 395 entries from 40 countries around the world. The winning artist, Julius Von Bismarck, will begin his two month residency here at CERN next month. Ariane Koek who leads on this initiative, discusses the residency programme, as well as the background about Art@CERN. History has shown that particle physics and the arts are great inspiration partners. The publication of the paper by Max Planck which gave birth to quantum mechanics as well as those by Einstein, heavily influenced some of the grea...

  15. VISUAL ARTS AS THE FIELD OF KNOWLEDGE IN ARTE NA ESCOLA - DAC / UFSC PROJECT

    Directory of Open Access Journals (Sweden)

    Richard Perassi Luiz de Sousa

    2011-07-01

    Full Text Available This paper presents and justifies the content worked in the extension course "The Visual Arts as a field of knowledge," which was sponsored by the Departamento Artístico Cultural – DAC/ UFSC, within the project "Arte na Escola". The course was directed at teachers of Art and also received other stakeholders in the study of Visual Arts, focusing on contemporary art. Art is justified as a field of knowledge in that, throughout its history, many have been developed knowledge, technologies and expertise applied to the development of artistic activities. In addition, each work of art represents a unique and innovative testimony of their time and offers a new set of knowledge, which broadens the cultural heritage of humanity. Finally, knowledge and artistic products are also applied in developing other areas of knowledge.

  16. 2. The Openness of the Visual Art Curriculum towards a New Visual Art Language

    Directory of Open Access Journals (Sweden)

    Aprotosoaie-Iftimi Ana-Maria

    2016-03-01

    Full Text Available Visual art curriculum should allow a wide range of activities to develop children's imagination and creativity, to provide a balanced framework for the harmonious development of people who can cope with the massive ammount of images that invade our daily lives. Contemporary art develops a new language - a hybrid language - which for now remains unknown to the majority of the public and it is not integrated into the Arts curriculum. General frame analysis reveals that Fine Arts are studied only up to the 10th grade, except for the humanity profile and for the vocational arts profile. School curricula stipulate fine arts study up to mid twentieth century. Openness towards contemporary art and the language of art starting with the second half of the twentieth century is quite limited even if the curriculum allows a certain flexibility in the approach.

  17. Dumbing down Art in America.

    Science.gov (United States)

    Swanger, David

    1993-01-01

    Argues that art education does not meet its objective of creativity and instead is replicative rather than original. Contends educational journals such as "Instructor" and "Good Apple" reduce fine art to its antithesis, popular art. Concludes that art educators must work diligently to protect fine art from becoming "dumb…

  18. Rigorous Analysis of a Randomised Number Field Sieve

    OpenAIRE

    Lee, Jonathan; Venkatesan, Ramarathnam

    2018-01-01

    Factorisation of integers $n$ is of number theoretic and cryptographic significance. The Number Field Sieve (NFS) introduced circa 1990, is still the state of the art algorithm, but no rigorous proof that it halts or generates relationships is known. We propose and analyse an explicitly randomised variant. For each $n$, we show that these randomised variants of the NFS and Coppersmith's multiple polynomial sieve find congruences of squares in expected times matching the best-known heuristic e...

  19. The Art of Morandi at the Interface of Analysis and Art Criticism

    Directory of Open Access Journals (Sweden)

    J. David Miller

    2010-12-01

    Full Text Available This study of Giorgio Morandi, the renowned 20th century Italian painter, begins with traditional applied analysis, relating his art to his life experience and his psychology. While this approach suggests that creating art was Morandi’s only significant outlet for personal feelings and fantasies, it is limited by a lack of biographical data. Consequently, I have adopted a second approach, as well, considering Morandi’s art as the visual equivalent of words from an analyst’s couch: I have noted my subjective responses and associations, comparing them with those of a consensus of art critics. From this perspective, I believe Morandi’s art demonstrates basic concepts of analytic process in a vivid and memorable way

  20. Terahertz and Cultural Heritage Science: Examination of Art and Archaeology

    Directory of Open Access Journals (Sweden)

    Antonino Cosentino

    2016-02-01

    Full Text Available Cultural Heritage scientists need methodologies to examine Art and Archaeology in order to understand artistic materials and techniques and devise better conservation procedures. This review discusses the most successful and promising applications of Terahertz (THz technology in Cultural Heritage Science. THz is used in homeland security and for plenty of other industrial sectors and it presents a number of valuable features specifically for the investigation of Art and Archaeology: No radiation risk, low power, non-contact and reflection mode. Recent technical advancements are also making its application fast, mobile and relatively affordable creating a potential for its diffused implementation in museums. While THz is most promising for the investigation of multilayered art, such as paintings, it has been tested on a very large range of artifacts, from manuscripts to mummies and lacquered historical furniture.

  1. Art, fisheries and ethnobiology.

    Science.gov (United States)

    Begossi, Alpina; Caires, Rodrigo

    2015-02-23

    Nature is perceived in a variety of forms, and the perception of nature can also be expressed in different ways. Local art may represent the perception of nature by humans. It can embody perception, imagination and wisdom. Local art, in particular, reflects how people interact with nature. For example, when studying the representation of fish by different cultures, it is possible to access information on the fish species found in the environment, on its relative importance, and on historical events, among others. In this context, art can be used to obtain information on historical events, species abundance, ecology, and behaviour, for example. It can also serve to compare baselines by examining temporal and spatial scales. This study aims to analyse art and nature from a human ecological perspective: art can understood as an indicator of fish abundance or salience. Art has a variety of dimensions and perspectives. Art can also be associated with conservation ecology, being useful to reinterpret ecological baselines. A variety of paintings on fish, as well as paintings from local art, are explored in this study. They are analyzed as representing important fish, spatially and historically. A survey regarding the fish found in different paintings was conducted using art books and museum books. Pictures were taken by visiting museums, particularly for local or traditional art (Australia and Cape Town). The fish illustrated here seem to be commonly important in terms of salience. For example, Coryphaena spp. is abundant in Greece, Nile tilapia in Egypt, Gadus morhua in the Netherlands, as well as barracuda in Australia; salience is also applied to useful, noticeable or beautiful organisms, such as Carassius auratus (China). Another aspect of salience, the diversity of a group, is also represented by the panel where Uraspis uraspis appears to be depicted. Regarding the evaluation of baselines, we should consider that art may represent abundant fish in certain historic

  2. Art, Technology and Nature

    DEFF Research Database (Denmark)

    Camilla Skovbjerg Paldam and Jacob Wamberg trace the Kantian heritage of radically separating art and technology, and inserting both at a distance to nature, suggesting this was a transient chapter in history. Thus, they argue, the present renegotiation between art, technology and nature is reminiscent......Since 1900, the connections between art and technology with nature have become increasingly inextricable. Through a selection of innovative readings by international scholars, this book presents the first investigation of the intersections between art, technology and nature in post-medieval times....... Transdisciplinary in approach, this volume’s 14 essays explore art, technology and nature’s shifting constellations that are discernible at the micro level and as part of a larger chronological pattern. Included are subjects ranging from Renaissance wooden dolls, science in the Italian art academies, and artisanal...

  3. Culture and art: Importance of art practice, not aesthetics, to early human culture.

    Science.gov (United States)

    Zaidel, Dahlia W

    2018-01-01

    Art is expressed in multiple formats in today's human cultures. Physical traces of stone tools and other archaeological landmarks suggest early nonart cultural behavior and symbolic cognition in the early Homo sapiens (HS) who emerged ~300,000-200,000 years ago in Africa. Fundamental to art expression is the neural underpinning for symbolic cognition, and material art is considered its prime example. However, prior to producing material art, HS could have exploited symbolically through art-rooted biological neural pathways for social purpose, namely, those controlling interpersonal motoric coordination and sound codependence. Aesthetics would not have been the primary purpose; arguments for group dance and rhythmical musical sounds are offered here. In addition, triggers for symbolic body painting are discussed. These cultural art formats could well have preceded material art and would have enhanced unity, inclusiveness, and cooperative behavior, contributing significantly to already existing nonart cultural practices. © 2018 Elsevier B.V. All rights reserved.

  4. Careers in Culinary Arts

    OpenAIRE

    Murphy, James Peter

    2016-01-01

    The purpose of this presentation was to give individuals interested in pursuing a career in culinary arts the advice and access to education surrounding this field. Culinary arts covers the multidisciplinary field and areas of practice and study which includes culinary performing arts (cooking), gastronomy (food studies), bakery and pastry arts, food and beverage studies (bar, restaurant, barista), wine studies , food product development and health, hygiene and nutrition. So many individuals ...

  5. [Healing with art?].

    Science.gov (United States)

    Kühlmann, A Y R Rosalie; Jeekel, J Hans; Pierik, E G J M Robert

    2015-01-01

    Music and other forms of art are increasingly being integrated into hospitals. As well as the aesthetic value of art, more and more attention is being paid to its contribution to the healing of the patient. Scientific research indicates the possible benefits of specific art in healthcare facilities. Using this knowledge of the role and employability of surroundings and art in the healing of patients may be complementary to the high quality of care in the Netherlands. By means of proper, methodologically correct research, it is possible to investigate the use of different aspects of the patient's environment as simple, safe and low-cost measures in improving health and well-being of patients.

  6. Arts Achieve, Impacting Student Success in the Arts: Preliminary Findings after One Year of Implementation

    Science.gov (United States)

    Mastrorilli, Tara M.; Harnett, Susanne; Zhu, Jing

    2014-01-01

    The "Arts Achieve: Impacting Student Success in the Arts" project involves a partnership between the New York City Department of Education (NYCDOE) and five of the city's premier arts organizations. "Arts Achieve" provides intensive and targeted professional development to arts teachers over a three-year period. The goal of the…

  7. Fine-art gifted pupils in art classes

    OpenAIRE

    Vogrin, Oto

    2011-01-01

    Fine arts gift is an inborn quality yet the potential can easily be wasted if not developed. The development of a child’s gift is affected by his/her surroundings and conditions, adapted to an individual’s needs. Among the individual capabilities of fine arts gifted student our special attention goes to the ones which an individual uses to assimilate his/her experience and reactions to it, to visual memory, manual skills and aesthetic intelligence. They all enable us to determine aesthetic va...

  8. Eye Movement Correlates of Expertise in Visual Arts.

    Science.gov (United States)

    Francuz, Piotr; Zaniewski, Iwo; Augustynowicz, Paweł; Kopiś, Natalia; Jankowski, Tomasz

    2018-01-01

    The aim of this study was to search for oculomotor correlates of expertise in visual arts, in particular with regard to paintings. Achieving this goal was possible by gathering data on eye movements of two groups of participants: experts and non-experts in visual arts who viewed and appreciated the aesthetics of paintings. In particular, we were interested in whether visual arts experts more accurately recognize a balanced composition in one of the two paintings being compared simultaneously, and whether people who correctly recognize harmonious paintings are characterized by a different visual scanning strategy than those who do not recognize them. For the purposes of this study, 25 paintings with an almost ideal balanced composition have been chosen. Some of these paintings are masterpieces of the world cultural heritage, and some of them are unknown. Using Photoshop, the artist developed three additional versions of each of these paintings, differing from the original in the degree of destruction of its harmonious composition: slight, moderate, or significant. The task of the participants was to look at all versions of the same painting in pairs (including the original) and decide which of them looked more pleasing. The study involved 23 experts in art, students of art history, art education or the Academy of Fine Arts, and 19 non-experts, students in the social sciences and the humanities. The experimental manipulation of comparing pairs of paintings, whose composition is at different levels of harmony, has proved to be an effective tool for differentiating people because of their ability to distinguish paintings with balanced composition from an unbalanced one. It turned out that this ability only partly coincides with expertise understood as the effect of education in the field of visual arts. We also found that the eye movements of people who more accurately appreciated paintings with balanced composition differ from those who more liked their altered

  9. Eye Movement Correlates of Expertise in Visual Arts

    Directory of Open Access Journals (Sweden)

    Piotr Francuz

    2018-03-01

    Full Text Available The aim of this study was to search for oculomotor correlates of expertise in visual arts, in particular with regard to paintings. Achieving this goal was possible by gathering data on eye movements of two groups of participants: experts and non-experts in visual arts who viewed and appreciated the aesthetics of paintings. In particular, we were interested in whether visual arts experts more accurately recognize a balanced composition in one of the two paintings being compared simultaneously, and whether people who correctly recognize harmonious paintings are characterized by a different visual scanning strategy than those who do not recognize them. For the purposes of this study, 25 paintings with an almost ideal balanced composition have been chosen. Some of these paintings are masterpieces of the world cultural heritage, and some of them are unknown. Using Photoshop, the artist developed three additional versions of each of these paintings, differing from the original in the degree of destruction of its harmonious composition: slight, moderate, or significant. The task of the participants was to look at all versions of the same painting in pairs (including the original and decide which of them looked more pleasing. The study involved 23 experts in art, students of art history, art education or the Academy of Fine Arts, and 19 non-experts, students in the social sciences and the humanities. The experimental manipulation of comparing pairs of paintings, whose composition is at different levels of harmony, has proved to be an effective tool for differentiating people because of their ability to distinguish paintings with balanced composition from an unbalanced one. It turned out that this ability only partly coincides with expertise understood as the effect of education in the field of visual arts. We also found that the eye movements of people who more accurately appreciated paintings with balanced composition differ from those who more liked

  10. Queer Calendars: Art-Activist Project of Contemporary Transition Art

    Directory of Open Access Journals (Sweden)

    Biljana Kosmogina

    2015-10-01

    Full Text Available This text is about an art-activist project in the context of transition art: Queer Calendars, a project by the 3a3or Group. These calendars are a reaction to the necropolitics of post-socialism, as the setting of different, critical, activist platforms and procedures in every homogeneous field of identification and control in neoliberal capitalism. As in the time of the global project of totalizing, it is necessary to use queer tactics for the politicization of art, which work as political strategies of subversion of every stable structure of power, including governing in micro- or macro- cultures and societies.

  11. La historiografía colonial cubana y la modernidad

    Directory of Open Access Journals (Sweden)

    Arturo Sorhegui

    2013-10-01

    Full Text Available El núcleo argumental de este artículo es demostrar como la historiografía hispanoamericana –tomando como muestra la cubana, en la época colonial– fue capaz de propiciar, por si misma, algunas de las tendencias historiográficas establecidas como corrientes en el siglo XIX europeo, en la medida que debió enfrentarse a las mismas problemáticas que en Europa le dieron origen; lo único que adecuadas a las circunstancias de la realidad americana. Se argumenta con la historiografía criolla iluminista del XVIII y la “Historia de la Esclavitud” de José Antonio Saco del XIX.Palabras Clave: Ilustración americana; corrientes historiográficas; desarrollo propio; Modernidad; Historia de la Esclavitud. The Cuban colonial historiography and modernityAbstractThe argumental nucleus of this article is to demonstrate as the Hispano-American historiography –taking as it shows the Cuban, at the colonial time– he was able to cause, by itself, some of the established historiográficas tendencies like currents in European century XIX, in the measurement that had to face same the problematic ones that in Europe they gave origin him; only that adapted to the circumstances of the American reality. José Antonio Saco from the XIX argues itself with the iluminista Creole historiography of the XVIII and the “History of the Slavery”.Keywords: American illustration; historiográficas currents; own development; Modernity; History of the Slavery.

  12. Barriers to ART adherence & follow ups among patients attending ART centres in Maharashtra, India.

    Science.gov (United States)

    Joglekar, N; Paranjape, R; Jain, R; Rahane, G; Potdar, R; Reddy, K S; Sahay, S

    2011-12-01

    Adherence to ART is a patient specific issue influenced by a variety of situations that a patient may encounter, especially in resource-limited settings. A study was conducted to understand factors and influencers of adherence to ART and their follow ups among patients attending ART centres in Maharashtra, India. Between January and March 2009, barriers to ART adherence among 32 patients at three selected ART centres functioning under national ART roll-out programme in Maharashtra, India, were studied using qualitative methods. Consenting patients were interviewed to assess barriers to ART adherence. Constant comparison method was used to identify grounded codes. Patients reported multiple barriers to ART adherence and follow up as (i) Financial barriers where the contributing factors were unemployment, economic dependency, and debt, (ii) social norm of attending family rituals, and fulfilling social obligations emerged as socio-cultural barriers, (iii) patients' belief, attitude and behaviour towards medication and self-perceived stigma were the reasons for sub-optimal adherence, and (iv) long waiting period, doctor-patient relationship and less time devoted in counselling at the center contributed to missed visits. Mainstreaming ART can facilitate access and address 'missed doses' due to travel and migration. A 'morning' and 'evening' ART centre/s hours may reduce work absenteeism and help in time management. Proactive 'adherence probing' and probing on internalized stigma might optimize adherence. Adherence probing to prevent transitioning to suboptimal adherence among patients stable on ART is recommended.

  13. The ancient art of laying rope

    DEFF Research Database (Denmark)

    Bohr, Jakob; Olsen, Kasper

    2011-01-01

    We describe a geometrical property of helical structures and show how it accounts for the early art of rope-making. Helices have a maximum number of rotations that can be added to them — and it is shown that this is a geometrical feature, not a material property. This geometrical insight explains...... for the rope to be stretched while being laid, known from Egyptian tomb scenes, follows straightforwardly, as does the function of the top, an old tool for laying ropes....

  14. Bibliometric analysis of martial arts monographs published in Spain (1906-2006

    Directory of Open Access Journals (Sweden)

    Mikel Pérez Gutiérrez

    2012-07-01

    Full Text Available This paper examines the martial arts monographs published in Spain between 1906 and 2006 from a bibliometric point of view. Starting from Pérez and Gutiérrez’s previous bibliography (2008, the total number of published monographs following the criteria of subject, decade and the combination of both was analyzed. The results showed a total of 2.036 books (1.285 original editions with a prevalence of Japanese and Chinese martial arts. A group of eight subjects exceeded a hundred volumes (karate, judo/jujutsu, taijiquan, wu-shu/kung fu, classics, qigong, philosophy, history and education, and aikido, with two patterns of bibliographic evolution appearing. The first, represented by Japanese martial arts considered as a group and martial arts focused on the utilitarian and/or sporting performance aspects (judo/jujutsu, karate and wu-shu/kung fu, developed increasingly until the 80’s when it followed a steady-state and/or drop. The second model, which characterises the Chinese martial arts group and martial arts mainly focused on healthy and/or spiritual aspects of training (taijiquan, qigong, aikido, has increased significantly from the 90’s until the present moment. The interpretation of these patterns and the evolution of the martial arts bibliographic production in Spain highlights some aspects such as the development of the Spanish society and sports practice, bibliographic production, reading habits, or the cultural influences of eastern countries on Spain.

  15. Art as an investment in Poland - the first 20 years after the collapse of the central planning economy

    Directory of Open Access Journals (Sweden)

    Tomasz Potocki

    2016-01-01

    Full Text Available The article aims at answering the following research question: is the Polish art market mature enough to look at art investment as an important element of portfolio diversification? To provide an answer, the Authors analyzed auctions in Poland from the period 1991-2010, which were published by Art&Business magazine. The number of the analyzed records amounted to 28951. The conclusions may be valuable for researchers specializing in art economics, investors dealing with wealth transfer, financial advisors offering financial products as well as for policy makers responsible for providing institutional infrastructure essential for development of the Polish art market.

  16. Art and the theatre of mind and body: how contemporary arts practice is re-framing the anatomo-clinical theatre

    Science.gov (United States)

    Ingham, Karen

    2010-01-01

    The correspondences and disparities between how artists and anatomists view the body have historically been a source of creative collaboration, but how is this imaginative interdisciplinarity sustained and expressed in a contemporary context? In this review I suggest that contemporary artists engaging with the body, and the corresponding biomedical and architectural spaces where the body is investigated, are engendering innovative and challenging artworks that stimulate new relationships between art and anatomy. Citing a number of examples from key artists and referencing some of my own practice-based research, I posit that creative cross-fertilization provokes a discourse between mediated public perceptions of disease, death and the disposal of morbid remains, and the contemporary reality of biomedical practice. This is a dialogue that is complex, rich and diverse, and ultimately rewarding for both art and anatomy. PMID:19929908

  17. Critical Zen art history

    Directory of Open Access Journals (Sweden)

    Gregory P. A. Levin

    2016-12-01

    Full Text Available This essay sketches a history of the study of Zen art from the late nineteenth century to post-war reconsiderations, leading towards what I term “critical Zen art studies.” The latter, I suggest, has been undertaken by historians of art and others to challenge normative definitions of Zen art based on modern constructs, revise understanding of the types and functions of visual art important to Chan/Sŏn/Zen Buddhist monasteries, and study iconographies and forms not as a transparent aesthetic indices to Zen Mind or No Mind but as rhetorically, ritually, and socially complex, even unruly, events of representation.

  18. Arte inolvidable

    Directory of Open Access Journals (Sweden)

    Iván Moratilla Pérez

    2018-05-01

    Full Text Available La humanidad y el arte forman un matrimonio indisoluble, no es posible concebir la una sin el otro. Incluso antes de fabricar el primer instrumento musical, la humanidad ya cantaba; antes de emplear un lienzo, pintó sobre la pared de una cueva. Las manifestaciones creativas se dan invariablemente “en la riqueza y en la pobreza”, pero también “en la salud y en la enfermedad”. En este artículo introducimos al lector a la temática del arte y la demencia, destacando la capacidad creativa de los pacientes, e incluyendo ejemplos de propuestas educativas que algunos museos desarrollan para personas con esta dolencia.

  19. On critical art and art criticism in Tartu, sept 2010 / Jaak Tomberg

    Index Scriptorium Estoniae

    Tomberg, Jaak, 1980-

    2010-01-01

    Kaisa Eiche ja Rael Arteli korraldatud Tartu kaasaegse kunsti festivalist (kunstikuust) ja nende koostatud trükisest "ART IST KUKU NU UT 2010". Festivali raames oli Y-galeriis avatud Rael Arteli kureeritud rahvusvaheline näitus "Lisa 6. Nähtamatu käe poliitika". 2. Artishoki biennaalist Tartu Kunstimajas, kuraator Kati Ilves

  20. The "Isms" of Art. Introduction to the 2001-2002 Clip and Save Art Prints.

    Science.gov (United States)

    Hubbard, Guy

    2001-01-01

    Provides an introduction to the 2001-2002 Clip and Save Art Prints that will focus on ten art movements from the past 150 years. Includes information on three art movements, or "isms": Classicism, Romanticism, and Realism. Discusses the Clip and Save Art Print format and provides information on three artists. (CMK)

  1. Combining Art and Science in "Arts and Sciences" Education

    Science.gov (United States)

    Needle, Andrew; Corbo, Christopher; Wong, Denise; Greenfeder, Gary; Raths, Linda; Fulop, Zoltan

    2007-01-01

    Two of this article's authors--an art professor and a biology professor--shared a project for advanced biology, art, nursing, and computer science majors involving scientific research that used digital imaging of the brain of the zebrafish, a newly favored laboratory animal. These contemporary and innovative teaching and learning practices were a…

  2. Concomitant herbal medicine and Antiretroviral Therapy (ART) use among HIV patients in Western Uganda: a cross-sectional analysis of magnitude and patterns of use, associated factors and impact on ART adherence.

    Science.gov (United States)

    Lubinga, S J; Kintu, A; Atuhaire, J; Asiimwe, S

    2012-01-01

    Use of herbal medicines among patients receiving Anti-retroviral Therapy (ART) remains by far an uncharacterised phenomenon in Africa and Uganda specifically. We evaluated the use of herbal medicines among patients on ART at the HIV clinic of Mbarara Regional Referral Hospital (MRRH), examined factors associated with their concomitant use and their impact on ART adherence. This was a cross-sectional study among 334 systematically sampled patients receiving ART at the HIV clinic of MRRH from February to April 2010. We collected data on patient demographics, clinical characteristics, perceptions of quality of care received, self-perceived health status, information on ART received, herbal medicines use and ART adherence. Study outcomes were concomitant herbal medicine and ART use, and ART adherence. Descriptive analysis and logistic regression were conducted using Stata10.0. Close to half, 155 (46.4%) reported concomitant herbal medicines and ART use, with 133 (39.8%) using herbal medicines at least once daily. Most (71.6%) used herbal medicines to treat HIV-related symptoms. A majority (92.3%) reported that the doctors were unaware of their use of herbal medicines, 68.5% citing its minimal importance to the attending physician. Most frequently used herbs were Aloe vera (25%) and Vernonia amygdalina (21%). Time since start of ART (OR 1.14 95% CI: 1.01-1.28, for each one year increase), number of ART side effects reported (≥3 vs.≤1, OR 2.20 95% CI 1.13-4.26) and self-perceived health status (Good vs. Poor, OR 0.31 95% CI 0.12-0.79) were independently associated with concomitant herbal medicine and ART use. Concomitant herbal medicine and ART use was not associated with poor ART adherence (OR 0.85 95% CI 0.47-1.53). There is widespread concomitant herbal medicines and ART use among our patients, with no association to poor ART adherence. Patients appear to use these therapies to complement as opposed to substituting ART.

  3. Art Rocks!

    Science.gov (United States)

    Chapin, Erika

    2008-01-01

    Though people may like different types of music, everyone likes music. In middle school, music and art are of key importance for students to express and define what kind of person they are. In this article, the author presents an art project where students are asked to create their own guitars. (Contains 1 resource and 3 online resources.)

  4. Indigenous Art

    Science.gov (United States)

    Hu, Helen

    2012-01-01

    Linda Lomahaftewa, a noted painter, has taught at much bigger places than the Institute of American Indian Arts (IAIA). But Lomahaftewa, who is Hopi-Choctaw, and others on the faculty of IAIA are intensely devoted to the mission of this small but unique school. IAIA--the nation's only four-year fine arts institution devoted to American Indian and…

  5. Occupational Health and the Arts.

    Science.gov (United States)

    Hinkamp, David L; McCann, Michael; Babin, Angela

    2017-09-01

    Work in the visual arts, performing arts, and writing can involve exposures to occupational hazards, including hazardous materials, equipment, and conditions, but few art workplaces have strong occupational health resources. Literature searches were conducted for articles that illustrate these concerns. Medical databases were searched for art-related health articles. Other sources were also reviewed, including, unindexed art-health publications, and popular press articles. Information was located that described some exposed populations, art-related hazards, and resulting disorders. Anecdotal reports were used when more complete data were not available. Health hazards in the arts are significant. Occupational health professionals are familiar with most of these concerns and understand their treatment and prevention. The occupational health approach can reduce the health hazards encountered by at-risk art workers. Additional research would benefit these efforts. Resources for further information are available.

  6. Enhancing Science Literacy and Art History Engagement at Princeton Through Collaboration Between the University Art Museum and the Council on Science and Technology

    Science.gov (United States)

    Riihimaki, C. A.; White, V. M.

    2016-12-01

    The importance of innovative science education for social science and humanities students is often under-appreciated by science departments, because these students typically do not take science courses beyond general education requirements, nor do they contribute to faculty research programs. However, these students are vitally important in society—for example as business leaders or consultants, and especially as voters. In these roles, they will be confronted with decisions related to science in their professional and personal lives. The Council on Science and Technology at Princeton University aims to fill this education gap by developing and supporting innovative programs that bring science to cross-disciplinary audiences. One of our most fruitful collaborations has been with the Princeton University Art Museum, which has an encyclopedic collection of over 92,000 works of art, ranging from antiquity to the contemporary. Our work includes 1) bringing introductory environmental science courses to the Museum to explore how original works of art of different ages can serve as paleo-environmental proxies, thereby providing a means for discussing broader concepts in development of proxies and validation of reconstructions; 2) sponsoring a panel aimed at the general public and composed of science faculty and art historians who discussed the scientific and art historical contexts behind Albert Bierstadt's Mount Adams, Washington, 1875 (oil on canvas, gift of Mrs. Jacob N. Beam, accession number y1940-430), including the landscape's subjects, materials, technique, and style; and 3) collaborating on an installation of photographs relevant to a freshman GIS course, with an essay about the artwork written by the students. This first-hand study of works of art encourages critical thinking and an empathetic approach to different historical periods and cultures, as well as to the environment. Our collaboration additionally provides an opportunity to engage more students in

  7. For a complete preservation of the new media art: Notes on art technology

    Directory of Open Access Journals (Sweden)

    Pablo Gobira

    2016-09-01

    Full Text Available This work discuss on digital art and its preservation. Being a kind of art recognized as born digital, it is among the field of contemporary art and the wide field of digital technology. At the same time, it is part of a society in which the technology has established itself worldwide providing means to criticize the idea of "digital" as advancement or progress. Based on those assumptions, we have tried to think about the complexity of that artistic expression which is manifested in its preservation. In this article, which features notes derived from research on art and its preservation, we seek to think on the relationship between art and data and how the preservation effort beyond the data (informational/computational of technological art work reveals its statute from its industrial and artistic composition.

  8. Communicating Art through Interactive Technology: New Approaches for Interaction Design in Art Museums

    DEFF Research Database (Denmark)

    Kortbek, Karen Johanne; Grønbæk, Kaj

    2008-01-01

    This paper discusses new approaches to interaction design for communication of art in the physical museum space. In contrast to the widespread utilization of interactive tech­nologies in cultural heritage and natural science museums it is generally a challenge to introduce technology in art museums...... without disturbing the domain of the art works. To explore the possibilities of communicating art through the use of technology, and to minimize disturbance of the artworks, we apply four main approaches in the communication: 1) gentle audio augmentation of art works; 2) conceptual affinity of art works...... and remote interactive installations; 3) using the body as an interaction device; 4) consistent audio-visual cues for interaction opportunities. The paper describes the application of these approaches for communication of inspira­tional material for a Mariko Mori exhibition. The installations are described...

  9. Prediction of higher cost of antiretroviral therapy (ART) according to clinical complexity. A validated clinical index.

    Science.gov (United States)

    Velasco, Cesar; Pérez, Inaki; Podzamczer, Daniel; Llibre, Josep Maria; Domingo, Pere; González-García, Juan; Puig, Inma; Ayala, Pilar; Martín, Mayte; Trilla, Antoni; Lázaro, Pablo; Gatell, Josep Maria

    2016-03-01

    The financing of antiretroviral therapy (ART) is generally determined by the cost incurred in the previous year, the number of patients on treatment, and the evidence-based recommendations, but not the clinical characteristics of the population. To establish a score relating the cost of ART and patient clinical complexity in order to understand the costing differences between hospitals in the region that could be explained by the clinical complexity of their population. Retrospective analysis of patients receiving ART in a tertiary hospital between 2009 and 2011. Factors potentially associated with a higher cost of ART were assessed by bivariate and multivariate analysis. Two predictive models of "high-cost" were developed. The normalized estimated (adjusted for the complexity scores) costs were calculated and compared with the normalized real costs. In the Hospital Index, 631 (16.8%) of the 3758 patients receiving ART were responsible for a "high-cost" subgroup, defined as the highest 25% of spending on ART. Baseline variables that were significant predictors of high cost in the Clinic-B model in the multivariate analysis were: route of transmission of HIV, AIDS criteria, Spanish nationality, year of initiation of ART, CD4+ lymphocyte count nadir, and number of hospital admissions. The Clinic-B score ranged from 0 to 13, and the mean value (5.97) was lower than the overall mean value of the four hospitals (6.16). The clinical complexity of the HIV patient influences the cost of ART. The Clinic-B and Clinic-BF scores predicted patients with high cost of ART and could be used to compare and allocate costs corrected for the patient clinical complexity. Copyright © 2015 Elsevier España, S.L.U. y Sociedad Española de Enfermedades Infecciosas y Microbiología Clínica. All rights reserved.

  10. The Arts and Talent Development.

    Science.gov (United States)

    Seeley, Ken

    1996-01-01

    Discusses the role of creative arts in developing talent among gifted students. Talent development strategies using the arts are identified. Also describes ways that teachers can support collaboration among the arts and that parents can advocate and foster arts programs. (CR)

  11. Comparing the Advanced REACH Tool's (ART) Estimates With Switzerland's Occupational Exposure Data.

    Science.gov (United States)

    Savic, Nenad; Gasic, Bojan; Schinkel, Jody; Vernez, David

    2017-10-01

    The Advanced REACH Tool (ART) is the most sophisticated tool used for evaluating exposure levels under the European Union's Registration, Evaluation, Authorisation and restriction of CHemicals (REACH) regulations. ART provides estimates at different percentiles of exposure and within different confidence intervals (CIs). However, its performance has only been tested on a limited number of exposure data. The present study compares ART's estimates with exposure measurements collected over many years in Switzerland. Measurements from 584 cases of exposure to vapours, mists, powders, and abrasive dusts (wood/stone and metal) were extracted from a Swiss database. The corresponding exposures at the 50th and 90th percentiles were calculated in ART. To characterize the model's performance, the 90% CI of the estimates was considered. ART's performance at the 50th percentile was only found to be insufficiently conservative with regard to exposure to wood/stone dusts, whereas the 90th percentile showed sufficient conservatism for all the types of exposure processed. However, a trend was observed with the residuals, where ART overestimated lower exposures and underestimated higher ones. The median was more precise, however, and the majority (≥60%) of real-world measurements were within a factor of 10 from ART's estimates. We provide recommendations based on the results and suggest further, more comprehensive, investigations. © The Author 2017. Published by Oxford University Press on behalf of the British Occupational Hygiene Society.

  12. Participatory arts and affective engagement with climate change: The missing link in achieving climate compatible behaviour change?

    OpenAIRE

    Burke, Miriam; Ockwell, David; Whitmarsh, Lorraine

    2018-01-01

    Despite a growing number of arts based climate change interventions and the importance emphasised in the social psychology literature of achieving affective (emotional) engagement with climate change before climate compatible behaviour change is likely (exactly the kind of engagement the arts and humanities are arguably best at), to date there has been no systematic application of interpretive social science techniques to understand the ways in which these arts based interventions do, or do n...

  13. Perspectives on Sámi historiography

    Directory of Open Access Journals (Sweden)

    Lars Ivar Hansen

    2017-09-01

    Full Text Available The article focuses on Sámi history and historical methods. The main results and central aspects of Sámi history, in its relational context, are gone through. What effects and consequences — regarding both methodology and narrative styles — these aspects have had, and ought to have, for the processes of doing research on and writing Sámi history? The focus is on the politics of Sámi history and research. The issues, who is “allowed” to write Sámi history and the way Sámi research is demanded to stand in the service of different societal-cultural needs of the Sámi is dealt with. This expectation of applicability concerns Sámi history in general, and the more delimited efforts of presenting situated accounts of Sámi cultural practices, traditions and experience with relations to other folk groups. Finally, methodological considerations and recommendations of Sámi history are presented, in which a number of methodological competences and in-depth usage of numerous source categories are called for.

  14. Arte africano como punto de partida para una actividad de arte terapia

    OpenAIRE

    Vassiliadou Yiannaka, María

    2001-01-01

    La visita a una exposición de arte africano realizada con un grupo de pacientes de un Hospital Psiquiátrico sirve en este artículo para reflexionar sobre los aspectos implicados en la organización de actividades de arte terapia y sobre el problema de la accesibilidad de todos los ciudadanos a la vida cultural

  15. Influence of the number of daily pills and doses on adherence to antiretroviral treatment: a 7-year study.

    Science.gov (United States)

    Hernández Arroyo, M J; Cabrera Figueroa, S E; Sepúlveda Correa, R; Valverde Merino, M P; Luna Rodrigo, G; Domínguez-Gil Hurlé, A

    2016-02-01

    Antiretroviral treatment (ART) is hampered by complicated regimens, high pill burden, drug-drug interactions, and frequent short- and long-term adverse effects, leading to decreased adherence. Over recent years, considerable effort has been directed at developing regimens that are less burdening. We undertook a 7-year retrospective study of the records of 264 HIV-infected subjects enrolled in a pharmaceutical care programme to document the progress made and to study the influence of the number of ART pills and doses on the level of treatment adherence. Antiretroviral dispensing records were analysed for the number of pills and doses administered and the ART adherence rate estimated. In 2005, the patients took a mean of 6·2 pills daily (CI 95%: 5·9-6·6), and 92·9% of them were on a twice-a-day (BID) dosage regimen. By 2012, the mean number of pills was reduced to 4·1 (CI 95%: 3·8-4·4), and only 50·9% were on a BID regimen. No statistically significant relation was observed between number of daily pills and doses and ART adherence reached by the patients in any of the analyses performed. There has been a continuous reduction in the number of pills and doses of antiretrovirals taken by individual patients over the last 7 years due largely to the introduction of improved treatments and regimens. More daily pills or doses was not associated with worse ART adherence in our pharmaceutical care programme. © 2015 John Wiley & Sons Ltd.

  16. Sounding the Alarm: An Introduction to Ecological Sound Art

    Directory of Open Access Journals (Sweden)

    Jonathan Gilmurray

    2016-12-01

    Full Text Available In recent years, a number of sound artists have begun engaging with ecological issues through their work, forming a growing movement of ˝ecological sound art˝. This paper traces its development, examines its influences, and provides examples of the artists whose work is currently defining this important and timely new field.

  17. Nd: YAG laser in art works restoration

    International Nuclear Information System (INIS)

    Flores, T.; Ponce, L.; Arronte, M.; Moreno, B.; Fernandez, M.; Garcia, C.

    1998-01-01

    Laser cleaning in works of art has a number of advantages over traditional techniques of restoration. In this article, the technique used and the physical mechanisms that explain the process of ablation of pollutants are described. The results obtained in the cleaning of statues of marble and alabaster are exposed as well as oil-painting restoration. In this last specific case, the Nd: YAG laser is used with successful results. (Author) 6 refs

  18. Identity of the work of art

    Directory of Open Access Journals (Sweden)

    Ristić Stefan

    2010-01-01

    Full Text Available The paper intends to determine the identity of the work of art in visual arts, music and literature. The discussion is of ontological nature. Particular attention is given to the problem of imitation of works of art in different arts, making a distinction between two types of imitation: fakes and forgeries. The first type is found only within the arts where the work of art is a singular physical object, i.e. with the so called autographic arts, whereas the second type can also be found in other, allographic arts, although less commonly. The problem of the imitation of works of art is closely related with the issue concerning the possibility of reducing the work of art to a formal symbolic system which would serve as a definition of the work of art. The discussion shows that a consistent analysis of the ontological status of the work of art in different art forms provides results that may seem at the first glance unintuitive and surprising.

  19. The art of compromise: the founding of the National Gallery of British Art, 1890-1892

    Directory of Open Access Journals (Sweden)

    Amy Woodson-Boulton

    2015-03-01

    Full Text Available This article argues that the press played a key role in defining the Tate Gallery by facilitating a national debate about the siting, nature, and purpose of the proposed National Gallery of British Art. Art critics, politicians, journalists and a variety of newspaper editors weighed in on whether Britain should create a museum of modern art, a museum of national art, or both. The understanding of British art as quintessentially modern at the time of the founding of the Gallery meant that from the beginning the Tate Gallery was founded as both the National Gallery of British Art and a museum of modern art. The changing definition of modern art in the twentieth century, however, created fractures between these two identities that eventually led to the split between Tate Britain and Tate Modern.

  20. Test Driven Development: Performing Art

    Science.gov (United States)

    Bache, Emily

    The art of Test Driven Development (TDD) is a skill that needs to be learnt, and which needs time and practice to master. In this workshop a select number of conference participants with considerable skill and experience are invited to perform code katas [1]. The aim is for them to demonstrate excellence and the use of Test Driven Development, and result in some high quality code. This would be for the benefit of the many programmers attending the conference, who could come along and witness high quality code being written using TDD, and get a chance to ask questions and provide feedback.

  1. Book received: Towards a Science of Art History: J. J. Tikkanen and Art Historical Scholarship in Europe and The shaping of Art History in Finland

    OpenAIRE

    Publications of the Society of Art History in Finland

    2010-01-01

    Publications of the Society of Art History in Finland: Towards a Science of Art History: J. J. Tikkanen and Art Historical Scholarship in Europe and The shaping of Art History in Finland, Helsinki 2007 with tables of contents.

  2. Art expertise modulates the emotional response to modern art, especially abstract: an ERP investigation

    Science.gov (United States)

    Else, Jane E.; Ellis, Jason; Orme, Elizabeth

    2015-01-01

    Art is one of life’s great joys, whether it is beautiful, ugly, sublime or shocking. Aesthetic responses to visual art involve sensory, cognitive and visceral processes. Neuroimaging studies have yielded a wealth of information regarding aesthetic appreciation and beauty using visual art as stimuli, but few have considered the effect of expertise on visual and visceral responses. To study the time course of visual, cognitive and emotional processes in response to visual art we investigated the event-related potentials (ERPs) elicited whilst viewing and rating the visceral affect of three categories of visual art. Two groups, artists and non-artists viewed representational, abstract and indeterminate 20th century art. Early components, particularly the N1, related to attention and effort, and the P2, linked to higher order visual processing, was enhanced for artists when compared to non-artists. This effect was present for all types of art, but further enhanced for abstract art (AA), which was rated as having lowest visceral affect by the non-artists. The later, slow wave processes (500–1000 ms), associated with arousal and sustained attention, also show clear differences between the two groups in response to both type of art and visceral affect. AA increased arousal and sustained attention in artists, whilst it decreased in non-artists. These results suggest that aesthetic response to visual art is affected by both expertise and semantic content. PMID:27242497

  3. Migration into art

    DEFF Research Database (Denmark)

    Petersen, Anne Ring

    This book addresses a topic of increasing importance to artists, art historians and scholars of cultural studies, migration studies and international relations: migration as a profoundly transforming force that has remodelled artistic and art institutional practices across the world. It explores...... contemporary art's critical engagement with migration and globalisation as a key source for improving our understanding of how these processes transform identities, cultures, institutions and geopolitics. The author explores three interwoven issues of enduring interest: identity and belonging, institutional...

  4. Material interaction in art therapy assessment

    NARCIS (Netherlands)

    Pénzes, I.J.N.J.; Hooren, S. van; Dokter, D.; Smeijsters, H.; Hutschemaekers, G.J.M.

    2014-01-01

    Diverse approaches to art therapy assessment agree that art materials should play a central role. However, relatively little research is done on the role of different art materials. This article describes the results of a qualitative study on the use of art materials by art therapists in art therapy

  5. An Art Museum in the Interest of Publicness: A Discussion of Educational Strategies at Tate Exchange

    Science.gov (United States)

    Christensen-Scheel, Boel

    2018-01-01

    Influenced by needs to legitimise large collections and the position as public institutions, art museums today are searching to develop rigorous public strategies in order to increase numbers of visitors and public impact. Education is part of those strategies, and the need to discuss art education in relation to publicness and criticality arises.…

  6. 'Histoire(s du cinema': the Archive of the Century. Warburgian Insights About History

    Directory of Open Access Journals (Sweden)

    Natalia Taccetta

    2015-07-01

    Full Text Available Contemporary to the emergence of video first, and to digital culture later, Jean-Luc Godard profaned hegemonic historiography by using film history to rewrite his own history of the century. In the eight deliveries of Histoire(s du cinéma (1988-1998, Godard articulates a film archive notion that tries to deconstruct conventional representations of the past. Similarly, in his atlas Mnemosyne Aby Warburg proposes a history of art writing that escapes to the chrono-normativity of XIX century historiography. The combined reading of these perspectives allows us to reevaluate the premise on which the archive is both a starting point and a destination for contemporary (audiovisual writing. Indeed, they can be thought of as counter-models of historiographical writing that value the heuristic power of the image to apprehend the past and fight against conventional insights about it. In the light of these considerations, this paper aims to investigate these devices as an array of different ways of thinking about the relationship between cinema and history.

  7. Art's Pedagogical Paradox

    Science.gov (United States)

    Kalin, Nadine M.

    2014-01-01

    This article contributes to conversations concerning art education futures through engaging alternative relations between art, education, and democracy that mobilize education as art projects associated with the "pedagogical turn" as sites of liminality and paradox. An analysis of the art project, Pedagogical Factory, is used to outline…

  8. The Art of Snaring Dragons. Artificial Intelligence Memo Number 338. Revised.

    Science.gov (United States)

    Cohen, Harvey A.

    Several models for problem solving are discussed, and the idea of a heuristic frame is developed. This concept provides a description of the evolution of problem-solving skills in terms of the growth of the number of algorithms available and increased sophistication in their use. The heuristic frame model is applied to two sets of physical…

  9. Recent historiography on the Civil War: historical rigour against rigor mortis. When ‘revisionism’ is nothing more than a return to yesterday’s myths expressed with the indignant voice of the past | La historiografía reciente sobre la Guerra Civil: el rigor histórico contra el rigor mortis. Cuando el «revisionismo» no es nada más que la vuelta a los mitos de ayer expresados con la voz indignada del pasado

    Directory of Open Access Journals (Sweden)

    Chris Ealham

    2008-12-01

    Full Text Available This article analyses the evolution of the historiography of the Spanish civil war in recent years. Over 70 years on from the conflict, it is possible to say that there are fewer and fewer taboos relating to the war, just as there is growing freedom for researchers to write on the civil war. However, despite the fact that Francoist myths are completely discredited in the universities, they continue to have an impact within civil society, owing to the enduring influence of primitive right-wing opinion. | Este artículo analiza la evolución de la historiografía de la guerra civil española en los últimos años. Mas que setenta años después del conflicto, podemos decir que cada vez son menos los temas tabú sobre la Guerra y cada vez más la libertad de los investigadores para escribir sin trabas sobre éstos. Pero pese a que los mitos franquistas están totalmente desacreditados en las universidades, éstos siguen dando coletazos a través de una derecha primitiva y ejerciendo su influencia dentro de la sociedad civil.

  10. OYE: Ogun Journal of Arts

    African Journals Online (AJOL)

    OYE: Ogun Journal of Arts is an annual publication devoted to publishing articles relevant to the development of the humanities. Essays in any of the regular disciplines of the humanities: language, linguistics, communication arts, history, theatre arts or performing arts, history and diplomatic studies or international relations, ...

  11. Art as behaviour--an ethological approach to visual and verbal art, music and architecture.

    Science.gov (United States)

    Sütterlin, Christa; Schiefenhövel, Wulf; Lehmann, Christian; Forster, Johanna; Apfelauer, Gerhard

    2014-01-01

    In recent years, the fine arts, architecture, music and literature have increasingly been examined from the vantage point of human ethology and evolutionary psychology. In 2011 the authors formed the research group 'Ethology of the Arts' concentrating on the evolution and biology of perception and behaviour. These novel approaches aim at a better understanding of the various facets represented by the arts by taking into focus possible phylogenetic adaptations, which have shaped the artistic capacities of our ancestors. Rather than culture specificity, which is stressed e.g. by cultural anthropology and numerous other disciplines, universal human tendencies to perceive, feel, think and behave are postulated. Artistic expressive behaviour is understood as an integral part of the human condition, whether expressed in ritual, visual, verbal or musical art. The Ethology of the Arts-group's research focuses on visual and verbal art, music and built environment/architecture and is designed to contribute to the incipient interdisciplinarity in the field of evolutionary art research.

  12. Exploring what works in art therapy with children with autism : Tacit knowledge of art therapists

    NARCIS (Netherlands)

    Schweizer, Celine; Spreen, Marinus; Knorth, Erik J.

    2017-01-01

    Children with Autism Spectrum Disorders (ASD) are often referred to art therapy. To investigate what works in art therapy with these children 'tacit knowledge' of eight well experienced art therapists was explored. Promising components were arranged into the Context and Outcomes of Art Therapy

  13. Universal Connection through Art: Role of Mirror Neurons in Art Production and Reception.

    Science.gov (United States)

    Piechowski-Jozwiak, Bartlomiej; Boller, François; Bogousslavsky, Julien

    2017-05-05

    Art is defined as expression or application of human creative skill and imagination producing works to be appreciated primarily for their aesthetic value or emotional power. This definition encompasses two very important elements-the creation and reception of art-and by doing so it establishes a link, a dialogue between the artist and spectator. From the evolutionary biological perspective, activities need to have an immediate or remote effect on the population through improving survival, gene selection, and environmental adjustment, and this includes art. It may serve as a universal means of communication bypassing time, cultural, ethnic, and social differences. The neurological mechanisms of both art production and appreciation are researched by neuroscientists and discussed both in terms of healthy brain biology and complex neuronal networking perspectives. In this paper, we describe folk art and the issue of symbolic archetypes in psychoanalytic thought as well as offer neuronal mechanisms for art by emphasizing mirror/neurons and the role they play in it.

  14. Artful terms: A study on aesthetic word usage for visual art versus film and music

    Science.gov (United States)

    Augustin, M Dorothee; Carbon, Claus-Christian; Wagemans, Johan

    2012-01-01

    Despite the importance of the arts in human life, psychologists still know relatively little about what characterises their experience for the recipient. The current research approaches this problem by studying people's word usage in aesthetics, with a focus on three important art forms: visual art, film, and music. The starting point was a list of 77 words known to be useful to describe aesthetic impressions of visual art (Augustin et al 2012, Acta Psychologica 139 187–201). Focusing on ratings of likelihood of use, we examined to what extent word usage in aesthetic descriptions of visual art can be generalised to film and music. The results support the claim of an interplay of generality and specificity in aesthetic word usage. Terms with equal likelihood of use for all art forms included beautiful, wonderful, and terms denoting originality. Importantly, emotion-related words received higher ratings for film and music than for visual art. To our knowledge this is direct evidence that aesthetic experiences of visual art may be less affectively loaded than, for example, experiences of music. The results render important information about aesthetic word usage in the realm of the arts and may serve as a starting point to develop tailored measurement instruments for different art forms. PMID:23145287

  15. Artful terms: A study on aesthetic word usage for visual art versus film and music.

    Science.gov (United States)

    Augustin, M Dorothee; Carbon, Claus-Christian; Wagemans, Johan

    2012-01-01

    Despite the importance of the arts in human life, psychologists still know relatively little about what characterises their experience for the recipient. The current research approaches this problem by studying people's word usage in aesthetics, with a focus on three important art forms: visual art, film, and music. The starting point was a list of 77 words known to be useful to describe aesthetic impressions of visual art (Augustin et al 2012, Acta Psychologica139 187-201). Focusing on ratings of likelihood of use, we examined to what extent word usage in aesthetic descriptions of visual art can be generalised to film and music. The results support the claim of an interplay of generality and specificity in aesthetic word usage. Terms with equal likelihood of use for all art forms included beautiful, wonderful, and terms denoting originality. Importantly, emotion-related words received higher ratings for film and music than for visual art. To our knowledge this is direct evidence that aesthetic experiences of visual art may be less affectively loaded than, for example, experiences of music. The results render important information about aesthetic word usage in the realm of the arts and may serve as a starting point to develop tailored measurement instruments for different art forms.

  16. Artful Terms: A Study on Aesthetic Word Usage for Visual Art versus Film and Music

    Directory of Open Access Journals (Sweden)

    M Dorothee Augustin

    2012-06-01

    Full Text Available Despite the importance of the arts in human life, psychologists still know relatively little about what characterises their experience for the recipient. The current research approaches this problem by studying people's word usage in aesthetics, with a focus on three important art forms: visual art, film, and music. The starting point was a list of 77 words known to be useful to describe aesthetic impressions of visual art (Augustin et al 2012, Acta Psychologica 139 187–201. Focusing on ratings of likelihood of use, we examined to what extent word usage in aesthetic descriptions of visual art can be generalised to film and music. The results support the claim of an interplay of generality and specificity in aesthetic word usage. Terms with equal likelihood of use for all art forms included beautiful, wonderful, and terms denoting originality. Importantly, emotion-related words received higher ratings for film and music than for visual art. To our knowledge this is direct evidence that aesthetic experiences of visual art may be less affectively loaded than, for example, experiences of music. The results render important information about aesthetic word usage in the realm of the arts and may serve as a starting point to develop tailored measurement instruments for different art forms.

  17. Graphical User Interface in Art

    Science.gov (United States)

    Gwilt, Ian

    This essay discusses the use of the Graphical User Interface (GUI) as a site of creative practice. By creatively repositioning the GUI as a work of art it is possible to challenge our understanding and expectations of the conventional computer interface wherein the icons and navigational architecture of the GUI no longer function as a technological tool. These artistic recontextualizations are often used to question our engagement with technology and to highlight the pivotal place that the domestic computer has taken in our everyday social, cultural and (increasingly), creative domains. Through these works the media specificity of the screen-based GUI can broken by dramatic changes in scale, form and configuration. This can be seen through the work of new media artists who have re-imagined the GUI in a number of creative forms both, within the digital, as image, animation, net and interactive art, and in the analogue, as print, painting, sculpture, installation and performative event. Furthermore as a creative work, the GUI can also be utilized as a visual way-finder to explore the relationship between the dynamic potentials of the digital and the concretized qualities of the material artifact.

  18. Nuclear Liability, State of the Art

    International Nuclear Information System (INIS)

    Reitsma, S. M. S.

    2010-01-01

    Over fifty years ago states started to introduce legislation protecting the public against the potential magnitude and peculiarity of risks arising from the nuclear energy production. They did so trough a specific liability and compensation regime. Whether legislation was based on national initiatives or, as more frequently, related to international nuclear liability conventions, it was based on a number of principles being applied universally. Furthermore, it at the same time strived for not preventing the development of the nuclear industry because of an unbearable liability. This paper aims at explaining the broad outline of the above legislation, its development since its early years, the state of the art as regards its modernisation as well as the (alleged) problems underlying the delay in its introduction in a number of countries. When dealing with those problems it will be inevitable to touch upon a number of insurance related matters, which, as an insurer I am happy to tell, will lead me to familiar territory.(author).

  19. Art Struggles: Confronting Internships and Unpaid Labour in Contemporary Art

    Directory of Open Access Journals (Sweden)

    Panos Kompatsiaris

    2015-09-01

    Full Text Available This article explores the practices of recently formed and mainly UK-based art workers’ collectives against unpaid internships and abusive work. The modes through which these collectives perform resistance involve activist tactics of boycotting, site-specific protests, counter-guides, and whistleblowing and name and shame approaches mixed with performance art and playful interventions. Grappling with the predicaments of work in contemporary art, a labouring practice that does not follow typical processes of valorization and has a contingent object and an extremely loose territorial unity, this article argues that while the identity of the contemporary artist is systemically and conceptually moving towards fluidity and open-endedness, these groups work to reaffirm a collective in whose name it is possible to advance certain claims, assumptions, and demands. The contradictions and dynamics of art workers organizing against internships and voluntary work within a highly individualized, self-exploitative, and often privileged field are useful for informing labour organizing in the framework of ongoing capitalist restructuring.

  20. Computer Games and Art

    Directory of Open Access Journals (Sweden)

    Anton Sukhov

    2015-10-01

    Full Text Available This article devoted to the search of relevant sources (primary and secondary and characteristics of computer games that allow to include them in the field of art (such as the creation of artistic games, computer graphics, active interaction with other forms of art, signs of spiritual aesthetic act, own temporality of computer games, “aesthetic illusion”, interactivity. In general, modern computer games can be attributed to commercial art and popular culture (blockbuster games and to elite forms of contemporary media art (author’s games, visionary games.

  1. Working with Handicapped Art Students.

    Science.gov (United States)

    Silver, Rawley A.

    Presented at the 1979 National Art Education Association Convention on the arts in special education, the paper focuses on studies of the aesthetic and therapeutic use of special art procedures with handicapped students. The art education needs of handicapped students are briefly discussed, along with the impact and implications of new…

  2. Establishing Petroglyphs and Pictographs as a Record of Artistic Activity: The Case for the Inclusion of Rock Art in Art History and Art Education.

    Science.gov (United States)

    Labadie, John Antoine

    The study of Native American rock art should be more fully incorporated into art education and art history curricula, especially at the precollege level. Rock art is a sensitive reflection of the culture from which it sprang, it provides one of the most direct links with ancient lifeways and ideas recorded by early ancestors, and as a form of…

  3. Design for Visual Arts.

    Science.gov (United States)

    Skeries, Larry

    Experiences suggested within this visual arts packet provide high school students with awareness of visual expression in graphic design, product design, architecture, and crafts. The unit may be used in whole or in part and includes information about art careers and art-related jobs found in major occupational fields. Specific lesson topics…

  4. ‘To enter art history – reading and writing art history in China during the Reform Era’

    Directory of Open Access Journals (Sweden)

    Orianna Cacchione

    2014-06-01

    Full Text Available This paper critically analyses how Western art history was imported, translated and negotiated in China during the Reform Era. Using Lydia Liu’s theory of “meaning-value,” the author considers how Chinese artists and art critics made sense of these texts within the context of Chinese art production in the early 1980s and 1990s. The author argues that Lin Jiahua’s artwork, To Enter Art History – Slideshow Activity (1988 anticipates a change in the relationship between Western art history and contemporary Chinese art practice from the translation and appropriation of Western modern art in the 1980s to the participation of Chinese within the emergent international art world of 1990s. By combing Chinese art within the canon of Western art history, these artists and critics proposed a spatial re- mapping of art history, decentering it from its Western-centric genealogies.

  5. ART integration in oral health care systems in Latin American countries as perceived by directors of oral health

    Directory of Open Access Journals (Sweden)

    Oswaldo Ruiz

    2009-01-01

    Full Text Available The aim of this study was to carry out a situation analysis of: a prevalence of ART training courses; b integration of ART into the oral healthcare systems and; c strengths and weaknesses of ART integration, in Latin American countries. MATERIALS AND METHODS: A structured questionnaire, consisting of 18 questions, was emailed to directors of national or regional oral health departments of all Latin American countries and the USA. For two countries that had not responded after 4 weeks, the questionnaire was sent to the Dean of each local Dental School. The questions were related to ART training courses, integration of ART in the dental curriculum and the oral healthcare system, barriers to ART implementation in the public health system and recommendations for ART implementation in the services. Factor analysis was used to construct one factor in the barrier-related question. Means and percentages were calculated. RESULTS: The response rate, covering 55% of all Latin American countries, was 76%. An ART training course had been given in all Latin American countries that responded, with more than 2 having been conducted in 64.7% of the respondent countries. ART was implemented in public oral health services in 94.7 % of the countries, according to the respondents. In 15.8% of the countries, ART was applied throughout the country and in 68.4%, in some areas or regions of a country. ART had been used for more, or less, than three years in 42.1% and 47.4% of the countries, respectively. Evaluation and monitoring activities to determine the effectiveness of ART restorations and ART sealants had been carried out in 42.1% of the countries, while evaluation training courses had taken place in only 3 countries (15.8%. Respondents perceived the "increase in the number of treated patients" as the major benefit of ART implementation in public oral health services. The major perceived barrier factors to ART implementation were "operator opinion" and "high

  6. Nordic (Art) Photography

    DEFF Research Database (Denmark)

    Sandbye, Mette

    2013-01-01

    A description of the rise of the role of photography on the Scandinavian art scene the last 25 years......A description of the rise of the role of photography on the Scandinavian art scene the last 25 years...

  7. Art and Pornography: Philosophical Essays

    OpenAIRE

    2012-01-01

    Art and Pornography presents a series of essays\\ud which investigate the artistic status and aesthetic\\ud dimension of pornographic pictures, films, and\\ud literature, and explores the distinction, if there is\\ud any, between pornography and erotic art. Is there\\ud any overlap between art and pornography, or are\\ud the two mutually exclusive? If they are, why is\\ud that? If they are not, how might we characterize\\ud pornographic art or artistic pornography, and how\\ud might pornographic art b...

  8. Arte Popular y Feminismo

    Directory of Open Access Journals (Sweden)

    Eli Bartra

    2000-01-01

    Full Text Available En este artículo se lleva a cabo, en primer lugar, una propuesta metodológica de cómo abordar el estudio del arte popular desde un punto de vista feminista. A continuación se realiza un acercamiento a un ejemplo específico de arte popular mexicano que se halla en estrecha relación con el arte elitista y se puede considerar que se trata de un proceso de sincretismo cultural un tanto sui generis: las friditas de Josefina Aguilar como recreaciones de la obra plástica de Frida Kahlo. Con base en este “close up” se intenta mostrar un posible método para conocer el arte popular contemplando las divisiones sociales por género, etnia y clase.

  9. From art to applied science.

    Science.gov (United States)

    Schatzberg, Eric

    2012-09-01

    Before "applied science" and "technology" became keywords, the concept of art was central to discourse about material culture and its connections to natural knowledge. By the late nineteenth century, a new discourse of applied science had replaced the older discourse of art. This older discourse of art, especially as presented in Enlightenment encyclopedias, addressed the relationship between art and science in depth. But during the nineteenth century the concept of fine art gradually displaced the broader meanings of "art," thus undermining the utility of the term for discourse on the relationship between knowledge and practice. This narrowed meaning of "art" obscured key aspects of the industrial world. In effect, middle-class agents of industrialism, including "men of science," used the rhetoric of "applied science" and, later, "technology" to cement the exclusion of artisanal knowledge from the discourse of industrial modernity.

  10. Imagery in visual arts: Managing the temperament of art criticism ...

    African Journals Online (AJOL)

    Works of art can be described as narratives in shorthand where tangled mass of meaning and relationships are woven 'seemingly' inseparably by the instrumentality of a medium. The interpretation of this shorthand and the undoing of the 'tangled mass of meaning, constitute the great area known as 'art criticism'.

  11. The Ethics of Art : Ecological Turns in the Performing Arts

    NARCIS (Netherlands)

    Gielen, Pascal

    2014-01-01

    There is a new growing ethical consciousness within the arts, both in the way it relates to the larger social, political and economic challenges and in how it reflects on its own production and distribution mechanisms. The Ethics of Art attempts to describe how artistic imagination can produce new

  12. African Art Teaching Strategies.

    Science.gov (United States)

    Chanda, Jacqueline

    Three different models for the teaching of African art are presented in this paper. A comparison of the differences between the approaches of Western art historians and African art historians informs the articulation of the three models--an approach for determining style, another for dealing with analysis, and a third for synthetic interpretation.…

  13. HIV/AIDS in the visual arts: applying discipline-based art education (DBAE) to medical humanities.

    Science.gov (United States)

    Tapajos, Ricardo

    2003-06-01

    Health professions educators have been systematically attempting to insert the humanities into health professions curricula for over 4 decades, with various degrees of success. Among the several medical humanities, the visual arts seem particularly adequate for the teaching/learning of crucial aspects of medicine. Educational efforts in the arts require, however, a sound pedagogical philosophy of art education. Health professions educators need therefore to be aware of educational frameworks in the arts. Discipline-based art education (DBAE) is a recognised contemporary educational framework for the teaching/learning of the arts, which may be adapted to medical humanities. It is the ultimate objective of this essay to share the experience of applying this educational framework to a course in a medical curriculum. The author describes a course on the representations of HIV/AIDS in the visual arts, with explicit reference to its objectives, content, instructional features and student assessment in the light of DBAE, whose principles and characteristics are described in detail. Discipline-based art education may be applied to medical humanities courses in a medical curriculum. This essay throws light on how this structure may be particularly useful for designing other pedagogically sound art courses in health professions curricula.

  14. 2008 Arts Education Assessment Framework

    Science.gov (United States)

    National Assessment Governing Board, 2008

    2008-01-01

    The National Assessment of Educational Progress (NAEP) for the arts measures students' knowledge and skills in creating, performing, and responding to works of music, theatre, and visual arts. This framework document asserts that dance, music, theatre and the visual arts are important parts of a full education. When students engage in the arts,…

  15. Art Priori = Art Priori / Kristel Jakobson

    Index Scriptorium Estoniae

    Jakobson, Kristel, 1983-

    2015-01-01

    Restoran Art Priori Tallinna vanalinnas Olevimägi 7. Sisekujunduse autor Kristel Jakobson (Haka Disain). Eesti Sisearhitektide Liidu aastapreemia 2014/2015 parima restorani eest. Lühidalt Kristel Jakobsonist

  16. Pharmacoeconomy in ART: The importance of the gonadotrophin choice

    Directory of Open Access Journals (Sweden)

    Sandro Gerli

    2010-04-01

    Full Text Available Assisted Reproductive Technologies (ART have created a number of relevant economic implications. Results deriving from cost-effectiveness studies have had some important medical and social consequences. The costs of ART are specific to the healthcare system in each of the countries were the procedure is performed, reflecting the varying degrees of public and private responsibility for purchasing healthcare and total healthcare expenditure. The analysis of different cost components per treatment cycle demonstrates that the hormonal stimulation stage is the most expensive part of IVF/ICSI cycles. The use of a more costly preparation could be justified only in case of a significantly higher live birth rate. Currently, human gonadotrophins seem to be more cost-effective than recombinant preparations.

  17. Arte, escola e museu: análise de uma experiência em arte/educação no Museu Universitário de Arte - MUnA

    Directory of Open Access Journals (Sweden)

    Gustavo Cunha de Araújo

    2018-03-01

    Full Text Available Resumo A partir de uma perspectiva teórica e empírica, o artigo analisa uma experiência em arte/educação desenvolvida com estudantes da rede pública de ensino na cidade de Uberlândia, Minas Gerais, no Museu Universitário de Arte - MUnA. De abordagem qualitativa e de caráter descritivo e interpretativo, a pesquisa constatou que o contato com museu de arte possibilita ao estudante não apenas ampliar o seu conhecimento de mundo, mas enriquecer sua formação cultural e melhorar a sua capacidade de expressão, além de possibilitar aos estudantes uma melhor interação com o meio social em que vivem. O conhecimento em arte é um aprendizado que começa na observação de uma obra de arte, da sua leitura e da prática artística. As leituras e comportamentos que cada estudante tem ao apreciar uma obra de arte estão relacionados à sua experiência com diferentes manifestações artísticas. É indispensável que escolas, professores de arte e ações educativas em museus sejam importantes mediadores para a produção do conhecimento em arte aos estudantes. Construir esse conhecimento a partir do acesso constante a esses espaços artísticos e educacionais, além do desenvolvimento de atividades artísticas nesses espaços, possibilita ao estudante elevar a sua compreensão da cultura nacional. Verificamos, ainda, que os estudantes produziram trabalhos artísticos significativos durante a ação educativa no museu, o que contribuiu para que ampliassem sua experiência com a arte.

  18. Art-in-Design

    DEFF Research Database (Denmark)

    Degn Johansson, Troels

    This article outlines the author's continuous collaboration with the Danish art collective Superflex; an internationally recognised example of how contemporary art has taken interest in design practice in order to realise visions of change and empowerment. Setting off from Frayling's infamous...

  19. Archaeology and art

    NARCIS (Netherlands)

    Corbey, R.H.A.; Layton, R.; Tanner, J.; Bintliff, J.

    2004-01-01

    Archaeologists have approached the study of art from several directions, drawing their inspiration variously from evolutionary biology, anthropology, and art history.We examine the strengths and weaknesses of each of these approaches and demonstrate the unique opportunities open to archaeology in

  20. Graphic Arts. A Bilingual Text = Artes Graficas. Un Texto Bilingue.

    Science.gov (United States)

    Los Angeles Unified School District, CA. Div. of Career and Continuing Education.

    This bilingual instructional text, one in a series of six texts covering various vocational and technical topics, provides secondary level English and Spanish instruction in graphic arts. Addressed in the individual sections are basic graphic arts (composition, stone and press work, offset printing, silk screen, and photography) and allied graphic…

  1. The art of designing embedded systems

    CERN Document Server

    Ganssle, Jack G

    2000-01-01

    Art of Designing Embedded Systems is apart primer and part reference, aimed at practicing embedded engineers, whether working on the code or the hardware design. Embedded systems suffer from a chaotic, ad hoc development process. This books lays out a very simple seven-step plan to get firmware development under control. There are no formal methodologies to master; the ideas are immediately useful. Most designers are unaware that code complexity grows faster than code size. This book shows a number of ways to linearize the complexity/size curve and get products out faster

  2. New Technologies, New Possibilities for the Arts and Multimodality in English Language Arts

    Science.gov (United States)

    Williams, Wendy R.

    2014-01-01

    This article discusses the arts, multimodality, and new technologies in English language arts. It then turns to the example of the illuminated text--a multimodal book report consisting of animated text, music, and images--to consider how art, multimodality, and technology can work together to support students' reading of literature and inspire…

  3. Exploring What Works in Art Therapy with Children with Autism: Tacit Knowledge of Art Therapists

    Science.gov (United States)

    Schweizer, Celine; Spreen, Marinus; Knorth, Erik J.

    2017-01-01

    Children with autism spectrum disorders (ASD) are often referred to art therapy. To investigate what works in art therapy with children with ASD, the tacit knowledge of 8 experienced art therapists was explored through interviews. Promising components were arranged into the Context and Outcomes of Art Therapy (COAT) model. According to the…

  4. Using Cooperative Learning To Improve Reading and Writing in Language Arts.

    Science.gov (United States)

    Bromley, Karen; Modlo, Marcia

    1997-01-01

    Deals with S. Kagan's (1990) structural approach to cooperative learning and its application to language arts. Offers detailed descriptions of several cooperative learning structures, including Numbered Heads Together, Roundtable, Think-Pair-Share, Corners, and others. Provides examples from actual classroom settings, along with various teacher…

  5. Art and human nature

    Directory of Open Access Journals (Sweden)

    Mirta Toledo

    2008-06-01

    Full Text Available This article presents a visual artist’s point of view about art. This view confronts the Eurocentric traditional cannon with some ignored, but valuable traditions, thus proposing a contra-canon. These ideas are examined on the light of a variety of sources, including prehistoric, pre-Columbian, and 20th century art expressions, in a variety of media, from sculpture to literature. Recent art expressions are characterized by their incorporation of minority values and perspectives that challenge “universal” views. Using samples of works from Latino and African American artists, the author shows that, even today, art is a means to know the world and its people, to exhibit personal life, to create personal symbolism, and to show one’s identity or the search for it. Like the human nature it represents, art has multiple faces.

  6. Artist-Driven Initiatives for Art Education: What We Can Learn from Street Art

    Science.gov (United States)

    Daichendt, G. James

    2013-01-01

    The economic state of California is representative of the larger financial health of the United States. The budget cuts and the faltering status of art education in public schools has contrasted much of the rhetoric and statistics for art education and employment in the visual arts. Yet, contemporaneously, California has also witnessed the largest…

  7. Artful Creation: Learning-tales of Arts-in-Business

    DEFF Research Database (Denmark)

    Darsø, Lotte

    primært to tilgange til Arts-in-Business: 1. Kunsten anvendt som redskab i forbindelse med f.eks. teambuilding, formidlingstræning, ledelsesudvikling, problemløsning og innovation. 2. Kunsten som en integreret strategisk proces i organisatorisk forandring. Lotte Darsø har rejst verden rundt og foretaget...... 50 interview med nogle af de mest visionære og modige kunstnere og erhvervsmænd i sin søgen efter at ?kortlægge? det nye, blomstrende felt bag Arts-in-Business. I bogen undersøger, beskriver og illustrerer hun, hvordan Kunsten kan føre til nye læringsmuligheder og gennemgribende forandring inden...... for erhvervslivet. Bogen igennem fortæller folk deres fantastiske historier, som Lotte Darsø analyserer og undersøger med udgangspunkt i et sammenhængende teoretisk netværk. Målet med bogen er at påpege det store potentiale, der ligger i ?Artful Creation? og samtidig pege på, at fremkomsten af et nyt paradigme har...

  8. The development of robot art

    DEFF Research Database (Denmark)

    Pagliarini, Luigi; Lund, Henrik Hautop

    2009-01-01

    Going through a few examples of robot artists who are recognized worldwide, we try to analyze the deepest meaning of what is called “robot art” and the related art field definition. We also try to highlight its well-marked borders, such as kinetic sculptures, kinetic art, cyber art, and cyberpunk...... that might classify robot art as a unique and innovative discipline, and to track down some of the principles by which a robotic artifact can or cannot be considered an art piece in terms of social, cultural, and strictly artistic interest....

  9. Prevalence of intestinal parasites and associated risk factors among HIV/AIDS patients with pre-ART and on-ART attending dessie hospital ART clinic, Northeast Ethiopia.

    Science.gov (United States)

    Missaye, Assefa; Dagnew, Mulat; Alemu, Abebe; Alemu, Agersew

    2013-02-25

    Intestinal parasites are a major concern in most developing countries where HIV/AIDS case are concentrate and almost 80% of AIDS patients die of AIDS-related infections. In the absence of ART, HIV/AIDS patients in developing countries unfortunately continue to suffer from the consequences of opportunistic parasites. But this prevalence has dramatically decreased in countries where antiretroviral agents are widely available. Therefore, the aim of this study was to assess the prevalence of intestinal parasite and risk factor among pre- ART and on ART adult HIV/ AIDS patients attending ART clinic in Dessie hospital. A comparative cross-sectional study was conducted among pre-ART and on ART adult HIV/AIDS patients of Dessie Hospital. A total of 272 (136 from each group) study subjects were selected by using systematic random sampling. Stool sample was collected and processed using direct wet mount, formol-ether concentration technique and modified Ziehl-Neelson staining techniques. A structured questionnaire was used to collect data on Sociodemographic & associated risk factors. Data was entered and analyzed by using SPSS 16 software and logistic regressions were applied to assess any association between explanatory factors and outcome variables. The overall prevalence of IP in pre-ART and on-ART was 39% and 17.6%, respectively with significant decrease of intestinal parasite in the ART era (p intestinal parasite. The overall prevalence of IP was differ by ART status and opportunistic parasite like cryptosporidium spps were found in low CD4 counts in ART naive patients. This study identified some environmental and some clinical finding as determinant factor for IP infections. Therefore, public health measures and adherence to ART should be strengthened to improve the quality of life of these patients.

  10. The Value of the Arts

    Science.gov (United States)

    Tubbs, Nigel

    2013-01-01

    The value of the arts is often measured in terms of human creativity against instrumental rationality, while art for art's sake defends against a utility of art. Such critiques of the technical and formulaic are themselves formulaic, repeating the dualism of the head and the heart. How should we account for this formula? We should do so by…

  11. Art Therapy

    DEFF Research Database (Denmark)

    Skov, Vibeke; Pedersen, Inge Nygaard

    2014-01-01

    Abstract Based on a Jungian approach, this article will introduce an integrative model to therapeutic change using art therapy methods as practical tools, with the aim of improving quality of life and in the prevention of depression. In a research study involving six participants, painting, clay...... work and drumming were used together with imagination and personal dialogues linked to the artwork. These art therapy processes attempted to combine the participant’s experience of inner and outer reality. The effect of gaining more knowledge about their inner reality using dreams and symbols......, was that participants gained a new understanding about their personal life. In addition, some participants were able to continue to use art therapy experiences as selfdevelopmental tools after the research study terminated. Jung’s description of the interactive relationship between the two living parts of the psyche...

  12. For a minor art: resonances between art, clinical practice and madness nowadays

    Directory of Open Access Journals (Sweden)

    Elizabeth Maria Freire de Araújo Lima

    2007-01-01

    Full Text Available We discuss the changes that were brought about in Brazil in the 20th century related to the acceptance of works of art produced in clinics or, in any way, other than those conventionally accepted by the artistic community. The enlargement of this field, now including dissenting works of art, seems to indicate a change in contemporary sensibility therefore shifting the relationships between art, clinical practice and madness itself.

  13. Impact of generic antiretroviral therapy (ART) and free ART programs on time to initiation of ART at a tertiary HIV care center in Chennai, India.

    Science.gov (United States)

    Solomon, Sunil S; Lucas, Gregory M; Kumarasamy, Nagalingeswaran; Yepthomi, Tokugha; Balakrishnan, Pachamuthu; Ganesh, Aylur K; Anand, Santhanam; Moore, Richard D; Solomon, Suniti; Mehta, Shruti H

    2013-08-01

    Antiretroviral therapy (ART) access in the developing world has improved, but whether increased access has translated to more rapid treatment initiation among those who need it is unknown. We characterize time to ART initiation across three eras of ART availability in Chennai, India (1996-1999: pregeneric; 2000-2003: generic; 2004-2007: free rollout). Between 1996 and 2007, 11,171 patients registered for care at the YR Gaitonde Centre for AIDS Research and Education (YRGCARE), a tertiary HIV referral center in southern India. Of these, 5726 patients became eligible for ART during this period as per Indian guidelines for initiation of ART. Generalized gamma survival models were used to estimate relative times (RT) to ART initiation by calendar periods of eligibility. Time to initiation of ART among patients in Chennai, India was also compared to an HIV clinical cohort in Baltimore, USA. Median age of the YRGCARE patients was 34 years; 77% were male. The median CD4 at presentation was 140 cells/µl. After adjustment for demographics, CD4 and WHO stage, persons in the pregeneric era took 3.25 times longer (95% confidence interval [CI]: 2.53-4.17) to initiate ART versus the generic era and persons in the free rollout era initiated ART more rapidly than the generic era (RT: 0.73; 95% CI: 0.63-0.83). Adjusting for differences across centers, patients at YRGCARE took longer than patients in the Johns Hopkins Clinical Cohort (JHCC) to initiate ART in the pregeneric era (RT: 4.90; 95% CI: 3.37-7.13) but in the free rollout era, YRGCARE patients took only about a quarter of the time (RT: 0.31; 95% CI: 0.22-0.44). These data demonstrate the benefits of generic ART and government rollouts on time to initiation of ART in one developing country setting and suggests that access to ART may be comparable to developed country settings.

  14. Exploring world art

    NARCIS (Netherlands)

    Venbrux, H.J.M.; Rosi, P.; Welsch, R.L.

    2006-01-01

    The contemporary visual arts of non-Western peoples are increasingly part of a capitalistic, global art world with diverse gatekeepers, tastes, venues, individuation of artists, and hybrid sources of inspiration. In this collection, ethnographic case studies from around the globe are used to examine

  15. Art School

    OpenAIRE

    Lucas, Anna

    2015-01-01

    Art School is a body of research that focuses on the pedagogical environment and the conditions of creative thinking & material making. The outputs are films that embed reflexivity in their concept, process and form, further contextualised through International talks, events and curated screenings about Art School and the nature of artist’s process and pedagogy. The underlying research questions also address the significance of artist’s processes within the contemporary political and cultur...

  16. PERANAN R. A. A. WIRANATAKUSUMAH V DALAM PENYEBARAN TEMBANG SUNDA CIANJURAN

    Directory of Open Access Journals (Sweden)

    Mohamad Yusuf Wiradiredja

    2012-07-01

    Full Text Available The main problems studied in this article is how the creation process of the art of cianjuran music and how far the role of R. A. A. Wiranatakusumah V in spreading the art of cianjuran music in Priangan in the 20th century. To get the answers to those problems, the historical research has been done with the method of research which consists of four phases: heuristik, criticism, interpretation, and historiography. The application of historical method is then ellaborated with social science theories, among of those is the theory of change and continuity of K. J. Veeger. The result of the research indicates that the art of cianjuran music was born as a creativity result of Cianjur aristocratics adopting from some vocal arts among Sundanese society such as: poetry, degung, and kawih. In its growth, the art of cianjuran adapts with the change of epoch so that its existence can be kept well. In this case, R. A. A. Wiranatakusumah V had an important role in spreading the art of cianjuran music in Priangan.   Keywords: Cianjuran Music, R. A. A. Wiranatakusumah V

  17. Informal adult education and museum andragogics in the context of the history of modern museums in Ukraine (review historiography

    Directory of Open Access Journals (Sweden)

    T. O. Kutsaeva

    2016-08-01

    Full Text Available The author of the article set the goal to analyse the published academic/ scientific, popular scientific publications and the published results of Ukrainian museums’ practical developments for 1990-2010s, which in total can be described as a museum andragogics or informal adult education by museum means. Initially, it was found that despite the growing interest in these kinds of museum activities, the available research body is not systematized. It was found that brief reviews of the problem’s historiography are present mostly in preambles of museology, pedagogy, museums history articles. They are often related to the topic indirectly. Attempts to study purposefully the subject are now rare, although their aim is to summarize the existing Ukrainian experience. It was determined that, although it is impossible now to determine the museum andragogics as a separate sphere of knowledge on the basis of a small number of published investigations of Ukrainian specialists. These investigations are reflecting the national museums and available foreign publications’ experience in this sphere (translated into Ukrainian or published in Russian. But the formation of the andragogics in Ukraine is actual and necessary on the way towards the integration into the global cultural space. Summarizing the material the conclusion was made that the museum andragogics and non-formal adult education in museums are promising areas of scientific knowledge. A contribution of the museum’s and other Ukrainian connected sectors professionals in the process by years 2012-13 is notable both at the level of the foreign experience’s study and the reflection in practice, research, scientific and popular publications. However, until now there was no such activity surge, as it happened in the spheres of museum marketing or sociology. Such forms of activity as «Workshop», «Summer school», public lecture are not known and used enough by domestic museums, and therefore by

  18. Challenges Associated with the Content of the Art History Component in the General Knowledge in Art Subject: Implications for Art History Education in West Africa

    Science.gov (United States)

    Adom, Dickson; Kquofi, Steve; Agyem, Joe Adu

    2016-01-01

    The content of the Art History component in the General Knowledge in Art subject studied by various Senior High Schools in West Africa is largely of foreign art histories at the expense of the histories of African indigenous arts which are shallowly presented in the teaching syllabus to be taught students. This makes the students appreciate more…

  19. Can the Arts Get Under the Skin? Arts and Cortisol for Economically Disadvantaged Children.

    Science.gov (United States)

    Brown, Eleanor D; Garnett, Mallory L; Anderson, Kate E; Laurenceau, Jean-Philippe

    2017-07-01

    This within-subjects experimental study investigated the influence of the arts on cortisol for economically disadvantaged children. Participants were 310 children, ages 3-5 years, who attended a Head Start preschool and were randomly assigned to participate in different schedules of arts and homeroom classes on different days of the week. Cortisol was sampled at morning baseline and after arts and homeroom classes on two different days at start, middle, and end of the year. For music, dance, and visual arts, grouped and separately, results of piecewise hierarchical linear modeling with time-varying predictors suggested cortisol was lower after an arts versus homeroom class at middle and end of the year but not start of the year. Implications concern the impact of arts on cortisol for children facing poverty risks. © 2016 The Authors. Child Development © 2016 Society for Research in Child Development, Inc.

  20. Abstraction and art.

    Science.gov (United States)

    Gortais, Bernard

    2003-07-29

    In a given social context, artistic creation comprises a set of processes, which relate to the activity of the artist and the activity of the spectator. Through these processes we see and understand that the world is vaster than it is said to be. Artistic processes are mediated experiences that open up the world. A successful work of art expresses a reality beyond actual reality: it suggests an unknown world using the means and the signs of the known world. Artistic practices incorporate the means of creation developed by science and technology and change forms as they change. Artists and the public follow different processes of abstraction at different levels, in the definition of the means of creation, of representation and of perception of a work of art. This paper examines how the processes of abstraction are used within the framework of the visual arts and abstract painting, which appeared during a period of growing importance for the processes of abstraction in science and technology, at the beginning of the twentieth century. The development of digital platforms and new man-machine interfaces allow multimedia creations. This is performed under the constraint of phases of multidisciplinary conceptualization using generic representation languages, which tend to abolish traditional frontiers between the arts: visual arts, drama, dance and music.