Svabo, Connie; Ekelund, Kathrine
The philosophical subfield environmental aesthetics can contribute to the design of sustainable futures. Environmental aesthetics provides a conceptual framework for understanding the relationship between nature and culture. Current positions in environmental aesthetics are lined out and used as...
Svabo, Connie; Ekelund, Kathrine
The philosophical subfield environmental aesthetics can contribute to the design of sustainable futures. Environmental aesthetics provides a conceptual framework for understanding the relationship between nature and culture. Current positions in environmental aesthetics are lined out and used...
Ejsing-Duun, Stine; Buhl, Mie
In this article, we show how use of technology affects aesthetics to become increasingly social. The article looks at semi-organized structures that allow people to negotiate visual practices in their everyday lives. These structures emerge resulting in social aesthetics, i.e., aesthetics......, negotiating and developing visual expressions in cooperation. We argue that cybernetics, in this case the system of users and the expression they make through the apps and services in the context of everyday life, is indeed affecting our aesthetical approach to the world. It is the users’ actions that create...... this system, however the system affects the way the users act and their aesthetics, thus a second order emerges. Aesthetics in this approach is the process of meaning-making that unfolds in the interaction between sensory experience, a repertoire and the creation of meaning. The discussion in this article...
Jochum, Elizabeth Ann; Putnam, Lance Jonathan
This paper considers art-based research practice in robotics through a discussion of our course and relevant research projects in autonomous art. The undergraduate course integrates basic concepts of computer science, robotic art, live performance and aesthetic theory. Through practice......-based research that includes devised performance and art practice, we demonstrate how art-based research in the humanities can help bridge the gap between artistic practice and engineering. Given the proliferation of interactive, systems-based art works and the continued interest in human-centered factors...... in robotics research (such as aesthetics, culture and perception), we believe robot aesthetics is an important area for research in contemporary aesthetics....
Based on Niklas Luhmann's systems theory, aesthetics is defined as a manner of reinforcing the connectivity, or Anschlusswert, of communication. Without changing the content, a message can be made more attractive, strengthening the receiver's willingness to be attentive and accepting...
Folkmann, Mads Nygaard
of experience, e.g. in appeal to emotions or pleasure. 2) On a conceptual-hermeneutical level, the staging of meaning by design objects is in question. This regards, on the one hand, the appeal to understanding by the human subject and, on the other hand, the ability of the object to reflect its own character......This paper is a theoretical contribution to an aesthetics of design beyond style. The paper will present an interpretive framework for investigating and questioning the formation and articulation of aesthetic meaning in design. In the context of the paper, aesthetic meaning can be seen to evolve...... on three levels: 1) On a sensual-phenomenological level, the focus is on sensual appeal, i.e. how the design object by its sensual and tactile effects and its outer shape creates an appeal to human experience. This is not a matter of style but of the object relating to and framing the conditions...
As the world around us is transformed into digitally enabled forms and processes, aesthetic strategies are required that articulate this underlying condition. A method for doing so involves a formal and conceptual strategy that is derived from collage, montage and assemblage. This triple "age" is termed "troiage", and it uses a style of computational apparency which articulates the edges of our current representational forms and processes as the semantic elements of culture. Each of these component aesthetics has previously had an important effect upon different areas of contemporary art and culture. Collage in painting, montage in film, assemblage in sculpture and architecture, are recombined via algorithmic methods, forefronting the structure of the algorithmic itself. The dynamic of the aesthetic is put into play by examining binary relationships such as: nature/culture, personal/public, U.S/Mexico, freedom/coercion, mediation/experience, etc. Through this process, the pervasiveness of common algorithmic approaches across cultural and social operations is revealed. This aesthetic is used in the project "The Scalable City" in which a virtual urban landscape is created by users interacting with data taken from the physical world in the form of different photographic techniques. This data is transformed by algorithmic methods which have previously been unfamiliar to the types of data that they are utilizing. The Scalable City project creates works across many media; such as prints, procedural animations, digital cinema and interactive 3D computer graphic installations.
Højlund, Marie; Riis, Morten S.
. Subscribing to this view also confronts music and sound art as consistent autonomous categories and focuses on how the pieces attune to the environment, emphasising meetings, transformations and translations through and with other objects. These meetings generate an ecological awareness of causal aesthetics...
This book investigates the aesthetic nature and purposes of computer culture in the contemporary world. It casts a cool eye on the claims of cybertopians, tracing the globalization of the new medium and enquiring into its effects on subjectivity and sociality.
A Western academic sets out to prove the practical side of beauty and helps Chinese artists in the process Aesthetics can be a pretty daunting concept to many people. Most people have heard the word, but it is vague as to its implications or even what part it plays in everyday life. And what kind of person studies this branch of philosophy that deals with the nature and expression of beauty?
This article deals with how an aesthetic performance is enacted and coordinated by a performance group attracting attention and engaging commuters in a public space. Multimodal interactional resources and the way they are coordinated by interactants are investigated, and include verbal and non......-verbal actions, gaze orientation, active and static interactional strategies and props. From the data investigated, it seems that the performance act is divided into different stages which each calls for different strategies: the group's initiation of the entire performance act reveals that the group stand out...... as uncoordinated and it may have a significance for whether the 'street' performers manage to stay in character or not. Once attention from commuters is obtained, a continued gaze from these commuters opens up for subsequent interaction, which then ultimately may result in the successful handing over of a card...
McMahon, Jennifer A.
A clear-cut concept of the aesthetic is elusive. Kant's "Critique of Judgment" presents one of the more comprehensive aesthetic theories from which one can extract a set of features, some of which pertain to aesthetic experience and others to the logical structure of aesthetic judgment. When considered together, however, these features present a…
Smith, Ralph A.
In this article, the author conceptualizes educational aesthetics in terms of two domains: educational aesthetics as arts education and educational aesthetics as a range of nonarts educational activities understood from artistic and aesthetic points of view. A lead is taken from Harry S. Broudy's midcentury essay "Some Duties of an Educational…
This article examines how it is possible to use the aesthetic process to enrich teaching practices in preschool and elementary school education. What is under scrutiny is the aesthetic dimension of a core curricular subject, the ultimate goal being to achieve an understanding of curricular content through aesthetic learning processes. For this…
Chen, Chen-Jung; Tsai, Chuan-Hsiu; Chen, Yi-Chang
Empirical, aesthetic, ethical, and personal knowing are the four fundamental patterns of knowledge inquiry. Of these, the aesthetic knowing pattern is least discussed in nursing literature. This article discusses the definition of nursing aesthetics; its utilization in practice; and correlations between aesthetics and clinical practice. One of the advantages inherent to nursing is its ability to deliver skillful care directly to patients. Skillful performance is essential to reduce discrepancies between goals and patterns. Aesthetic nursing addresses more than the form of nursing. It further addresses the crucial elements of nursing knowledge. The science of nursing is influential in its ability to attain harmony among abundant empiric content, power of beneficence, and pleasure of aesthetic experience. In clinical practice, nurses can employ aesthetic nursing through various channels to create meaning and promote the professional image of nurses. Concepts listed in this article may be utilized in clinical supervision, practice and education.
Folkmann, Mads Nygaard
The article proposes a conceptual framework for discussing, theorizing, analyzing and practically dealing with aesthetics in design. With the phenomenological theory of Maurice Merleau-Ponty as its point of departure, the article identifies two important aspects of aesthetics in design......: an aesthetics of sensual relation and an aesthetics of communicative self-reflection. Following these concepts the article raises questions of dealing with design as a structure of sensual appearance, and of design as an act of communication that can contain an aesthetic coding in letting an idea or content...... of meaning be physically manifested and reflected in different ways. The article proposes a model for different kinds of aesthetic communication and, thus, in the concluding practical guidelines, argues for a more theoretically focused inclusion of aesthetic matters in the process of designing....
Aesthetic appreciation is a complex cognitive processing with inherent aspects of cold as well as hot cognition. Research from the last decades of empirical has shown that evaluations of aesthetic appreciation are highly reliable. Most frequently, facial attractiveness was used as the corner case for investigating aesthetic appreciation. Evaluating facial attractiveness shows indeed high internal consistencies and impressively high inter-rater reliabilities, even across cultures. Although this indicates general and stable mechanisms underlying aesthetic appreciation, it is also obvious that our taste for specific objects changes dynamically. Aesthetic appreciation on artificial object categories, such as fashion, design or art is inherently very dynamic. Gaining insights into the cognitive mechanisms that trigger and enable corresponding changes of aesthetic appreciation is of particular interest for research as this will provide possibilities to modeling aesthetic appreciation for longer durations and from a dynamic perspective. The present paper refers to a recent two-step model ("the dynamical two-step-model of aesthetic appreciation"), dynamically adapting itself, which accounts for typical dynamics of aesthetic appreciation found in different research areas such as art history, philosophy and psychology. The first step assumes singular creative sources creating and establishing innovative material towards which, in a second step, people adapt by integrating it into their visual habits. This inherently leads to dynamic changes of the beholders' aesthetic appreciation.
David E. Cooper
Full Text Available This paper examines the role, if any, of aesthetic reflections in the discipline of landscape archaeology. It begins by rejecting the charge that archaeologists should set aside their own aesthetic sensibility when studying landscapes. The bulk of the paper, however, is concerned with arguing that attention to the aesthetic sensibilities of the peoples who made the landscapes studied is essential to the kind of understanding and reconstruction of ways of life that landscape archaeology aims to provide. Two important themes that are developed during the course of this argument are: (1 a distinction (ignored by some archaeologists who are critical of appeals to aesthetic enjoyment between aesthetic appreciation and a dilettante “aestheticism” and (2 the aesthetic satisfactions that must be taken in work, such as farming, if this is to flourish.
Austring, Bennyé D.; Sørensen, Merete
This paper is built on our book "Aesthetics and Learning", Hans Reizels Publishers, Copenhagen 2010. In this book we describe the relationship between aesthetic creative activities and children’s development and learning, based on among other the theories of Malcolm Ross (1988), Hansjörg Hohr (2000...... and impressions, and develop understanding of herself, the others and the world she is a part of. ”In order to grasp this potential, we need to deconstruct both the concepts of "Aesthetic" and "Education" to find new ways to organize what we shall label as cultural-aesthetic and playful education” (Rasmussen...... and Wright 2001). We will in this paper, based on a modern aesthetic comprehension, present a theoretical background for using aesthetic learning processes as an integrated part of the curriculum....
Çakır, Barış; Öreroğlu, Ali Rıza; Daniel, Rollin K
Surface aesthetics of an attractive nose result from certain lines, shadows, and highlights with specific proportions and breakpoints. Analysis emphasizes geometric polygons as aesthetic subunits. Evaluation of the complete nasal surface aesthetics is achieved using geometric polygons to define the existing deformity and aesthetic goals. The relationship between the dome triangles, interdomal triangle, facet polygons, and infralobular polygon are integrated to form the "diamond shape" light reflection on the nasal tip. The principles of geometric polygons allow the surgeon to analyze the deformities of the nose, define an operative plan to achieve specific goals, and select the appropriate operative technique.
Reid, L. Arnaud
In this essay, the author talks about the aesthetic aspects of education with some special reference to movement in different senses. First, he discusses the aesthetic and its relation to education in a general way. He then explains the concepts of expression and embodiment in the appreciation of the arts. Lastly, the author talks about the…
Grund, Cynthia M.
musical performance and reception is inspired by traditional approaches within aesthetics, but it also challenges some of the presuppositions inherent in them. As an example of such work I present a research project in empirical music aesthetics begun last year and of which I am a team member....
Adams, Timothy C; Pang, Peter K
This article focuses on lasers and aesthetic dentistry and their unique parallel in history from their early development to their present day usage and application. The demand for aesthetic dentistry has had a major impact not only on treatment planning but also on the choice of materials, techniques, and equipment. It is this demand that has married the use of lasers with aesthetic dentistry. A short literature review on the five basic laser types precedes the basic premise of smile design and its critical importance in attaining the desirable aesthetic end result. A short review on biologic width and biologic zone reinforces their importance when manipulating gingival tissue. Four case reports highlight the use of diode, erbium, and carbon dioxide lasers. The end results show the power of proper treatment planning and the use of a smile design guide when using these instruments and confirm a conservative, aesthetic treatment without compromising the health and function of the patients.
Chatterjee, Anjan; Vartanian, Oshin
Aesthetic evaluations are appraisals that influence choices in important domains of human activity, including mate selection, consumer behavior, art appreciation, and possibly even moral judgment. The nascent field of neuroaesthetics is advancing our understanding of the role of aesthetic evaluations by examining their biological bases. Here, we conduct a selective review of the literature on neuroaesthetics to demonstrate that aesthetic experiences likely emerge from the interaction between emotion-valuation, sensory-motor, and meaning-knowledge neural systems. This tripartite model can in turn be evoked to explain phenomena central to aesthetics, such as context effects on preferences. Indeed, context-dependent appraisals that focus on objects rather than on outcomes could be an important factor distinguishing aesthetic experiences from other kinds of evaluations. PMID:27037898
de Fontaine, S
The use of aesthetic medicine and surgery is increasingly popular, and becomes a true phenomenon of society. Many women and men are asking for such treatments. A large proportion of the population carry the idea that this branch of medicine is a true consumer product. The acts of aesthetic medicine and surgery are not without consequences. They produce important changes in the human body, and carry risks of complications that must be taken into account. The overrated media interest of this subject produce commercial drifts that act against the general health of the patients. The invasive acts of medical aesthetics must be placed in a precise legal and ethical framework to protect the patients. A project of a new Belgian law is on the way, awaiting for publication in "Le Moniteur": this law (proposed by Senator Dominique Tilmans) clarifies the competences required for performing non-surgical aesthetic treatments and specific aesthetic invasive treatments. Other projects of law are being studied, and will concern publicity, information of the public, and rules of private clinics where aesthetic invasive acts are performed. Recent international news have shown, with the PIP breast prosthesis scandal, that surveillance of the medical aesthetic field is mandatory. To provide a better protection of patients, the legislator has decided legislate over the subject.
Full Text Available Everyday photographs as well as art photographs may be aesthetically appreciated. Although this may be most obvious in the case of advertising it is also true for amateur photographs. Non-art photographs play an important role in our everyday lives and should not be neglected by aesthetics. That these photographs draw much of their value (often a very personal value from being associated with memories and musings does not make them non-aesthetic. I discuss these issues drawing on Clive Bell, Lyotard and Bourdieu with special emphasis placed such contemporary art photographers as Nan Goldin and Ed Burtynsky.
Peter H. Karlen
Full Text Available Trademarks are not just property, they are aesthetic creations that pervade everyday experience. One estimate is that the average person encounters more than 1,000 trademarks per day, many of which influence purchases and product use. As pervasive aesthetic creations having literary, pictorial, graphic, sculptural, and musical content, trademarks deserve aesthetic analysis. The article discusses the origins, strength, appeal, and effectiveness of trademarks within the context of aesthetic considerations such as meaning, intention, authorship, and mode of creation. Also reviewed are morphemic and phonemic analysis of trademarks, semantic positioning, the dichotomy between creation and discovery of trademarks, and the differences between trademarks and titles. The discussion is confined to "word marks" consisting of alphanumeric characters, since discussing other kinds of marks (such as designs, configurations, sounds, colors, and scents would raise issues well beyond the scope of a single article.
Scientists and philosophers have long reflected on the place of aesthetics in science. In this essay, I review these discussions, identifying work of relevance to chemistry and, in particular, to the field of chemical biology. Topics discussed include the role of aesthetics in scientific theory choice, the aesthetics of molecular images, the beauty-making features of molecules, and the relation between the aesthetics of chemical biology and the aesthetics of industrial design.
Being a linguistic phenomenon, poetry is marked by the defamilarization of language in a poetic discourse there is an aesthetic distortion of the normal codes, in which the aesthetic value is the most prominent function of the poetic texture . This study is a new adventure in correlating linguistics to aesthetics by and through the so-called approach Aesthetic stylistics( As). Aesthetic stylistics is the application of the theory of beauty to the intentionally violated components in literar...
Landscape design is one of the space form and space environment comprehensive planning and design, to im-prove the quality of urban environment, quality of life and urban landscape level play a very important role.It is expounded in this article based on the value of landscape ecological aesthetics under the background of productive landscape, discusses the"bigfoot aesthetics"innovative application in modern landscape design and new thinking.
This new, completely revised and re-written edition of aesthetics and subjectivity brings up to date the original book's account of the path of German philosophy from Kant, via Fichte and Holderlin, the early Romantis, Schelling, Hegel, Schleimacher, to Nietzsche, in view of recent historical research and contemporary arguments in philosophy and theory in the humanities. The original book helped make subjectivity, aesthetics, music and language a significant part of debate in the humanity. Bo...
The purpose of this book is to reveal, explore and further the debate on the aesthetic potentials of sustainable architecture and its practice. This book opens a new area of scholarship and discourse in the design and production of sustainable architecture, one that is based in aesthetics. The chapters in this book have been compiled from architects and scholars working in diverse research and practice areas in North America, Europe, the Middle East and Asia. While they approach the subject m...
Jakobsen, Annette Svaneklink
possibilities for relations and differentiated movement patterns to further transform the potentials of visitorʼs interactions with each other and with works of art. Lacaton & Vassalʼs relational, bottom-up architecture resonated well with the aesthetic thinking by one of the initial directors of the Palais de...... that reactualises the experimental exhibition space designed by Lina Bo Bardi for Museu de Arte de Sao Paulo (1968). These aspects of the practice of museums and art centres, where social change, creation and exhibition experience affect each other raise the question of how (social) change is related to aesthetics....... The paper will discuss how relational and interactive aspects of architecture can relate to the social practice of museums and art centres as being part of the ever transforming sensible fabric, termed ʼAisthesisʼ by Jacques Rancière (Rancière: 2013) and a politics of aesthetics (Rancière: 2004)....
Istok, Eva; Brattico, Elvira; Jacobsen, Thomas;
, the adjective "touching" was often listed together with "beautiful". In addition, we found music-specific vocabulary as well as adjectives related to emotions and mood states indicating that affective processes are an essential part of aesthetic responses to music. Differences between music experts and laymen......We explored the content and structure of the cognitive, knowledge-based concept underlying aesthetic responses to music. To this aim, we asked 290 Finnish students to verbally associate the aesthetic value of music and to write down a list of appropriate adjectives within a given time limit....... No music was presented during the task. In addition, information about participants' musical background was collected. A variety of analysis techniques was used to determine the key results of our study. The adjective "beautiful" proved to be the core item of the concept under question. Interestingly...
The world is rich in natural beauty, and learning how to appreciate the beauty of nature is an important part of aesthetic education. Unfortunately, the teaching of aesthetics is usually restricted to art education, especially in Taiwan. Students' perceptual awareness of and sensitivity to the aesthetics of nature should be cultivated so that…
Griffin, Garrett R; Kim, Jennifer C
The concept of the ideal female eyebrow has changed over time. Modern studies examining youthful brow aesthetics are reviewed. An analysis of ideal female brow characteristics as depicted in the Western print media between 1945 and 2011 was performed. This analysis provided objective evidence that the ideal youthful brow peak has migrated laterally over time to lie at the lateral canthus. There has been a nonstatistically significant trend toward lower and flatter brows. These findings are discussed in relation to current concepts of female brow aging, with repercussions regarding endoscopic brow lift and aesthetic forehead surgery.
Full Text Available In this study the aesthetic experience of dance performances is investigated. The study includes construction of an instrument for measuring the aesthetic experience of dance performances and an investigation of the structure of both dancers’ and spectators’ aesthetic experience. The experiments are carried out during eight different performances of various dance forms, including classical ballet, contemporary dance, flamenco and folklore. Three factors of aesthetic experience of dance performances are identified: Dynamism, Exceptionality and Affective Evaluation. The results show that dancers’ aesthetic experience has a somewhat different factorial structure from that of the spectators’. Unlike spectators’ aesthetic experience, dancers’ aesthetic experience singles out the Excitement factor. The results are discussed within the context of dancers’ proprioception and spectators’ exteroception since these findings confirm the idea of a significant role of proprioception in dancers’ aesthetic experience.
Vukadinović Maja; Marković Slobodan
In this study the aesthetic experience of dance performances is investigated. The study includes construction of an instrument for measuring the aesthetic experience of dance performances and an investigation of the structure of both dancers’ and spectators’ aesthetic experience. The experiments are carried out during eight different performances of various dance forms, including classical ballet, contemporary dance, flamenco and folklore. Three factors of aesthetic experience of dance ...
Parrish, Patrick E.
This article offers principles that contribute to developing the aesthetics of instructional design. Rather than describing merely the surface qualities of things and events, the concept of aesthetics as applied here pertains to heightened, integral experience. Aesthetic experiences are those that are immersive, infused with meaning, and felt as…
Leder and Nadal (2014, this issue) examine the current state of scientific aesthetics through the lens of a prescient psychological model proposed 10 years ago. These retrospective points to several future directions of which I touch on three: the nature of aesthetic emotions, the time course of emotions in aesthetic episodes, and the relationship of art and evolution.
حسین آقا حسینی
Full Text Available Denying lexical dogmatism and announcing free presence of lexical items in poetry deluded the minds that the mere presence of any lexical item in a poem rends it aesthetic value! Consequently, an enormous number of words, regardless of their poetical value, rushed into the world of poetry. Of course, no one can deny the fact that any lexical item can freely enter the poetical context of any literary work; however, it must be clarified from the very beginning that this presence would never guarantee the worth and cost of any such word. This aesthetic value could just be extracted from both words and the context surrounding any given word. This, in itself, means that the richness of any given word appeals to the linguistic environment in which it has been used. This environment is both linear and spatial; accordingly, we need a comprehensive model which is adaptable to paradigmatic and syntagmatic axes. This model, therefore, is based on Jacobsen linguistic model, through which we have come to a better understanding of this question, that is, where in the word does the aesthetic value lie? Key words: Lexical dogmatism, paradigmatic axis, syntagmatic axis, lexical items, context, aesthetic aura of meaning
Knieter, Gerard L.
Music education should be conceived as aesthetic education which is devoted to the systematic development of musicality. Music education curricula should incorporate contemporary psychological methods which encourage creativity while focusing on the nature of music meaning and expression and the development of the capacity for musical response.…
Invisalign has been an integral part of dental practices for many years. Besides improving crowding and spacing in teeth, it is an excellent adjunct for many different aesthetic procedures. One such case is illustrated in this article, where the combination of Invisalign and minimally invasive dentistry allowed for a stellar outcome, and one very happy dental patient.
Leder, Helmut; Nadal, Marcos
About a decade ago, psychology of the arts started to gain momentum owing to a number of drives: technological progress improved the conditions under which art could be studied in the laboratory, neuroscience discovered the arts as an area of interest, and new theories offered a more comprehensive look at aesthetic experiences. Ten years ago, Leder, Belke, Oeberst, and Augustin (2004) proposed a descriptive information-processing model of the components that integrate an aesthetic episode. This theory offered explanations for modern art's large number of individualized styles, innovativeness, and for the diverse aesthetic experiences it can stimulate. In addition, it described how information is processed over the time course of an aesthetic episode, within and over perceptual, cognitive and emotional components. Here, we review the current state of the model, and its relation to the major topics in empirical aesthetics today, including the nature of aesthetic emotions, the role of context, and the neural and evolutionary foundations of art and aesthetics.
Kaplan, Julie Bass
The concept of aesthetic self-esteem was explored for utilization in the medical spa environment. The aims and purposes of the analysis were outlined. The literature review identified various uses of the self-esteem concept as well as published definitions of the word. Defining attributes were also explored and examined, including positive and negative connotations of self-esteem. Two tools were utilized to help aesthetic nurse specialists assess patients for self-esteem and assess for a possible mental illness that may present as low self-esteem. A culturally sensitive theoretical definition of self-esteem was constructed to fit the needs and environment of medical spas. A model case of this definition, as well as a borderline and contrary case, was presented. Antecedents and consequences, as well as empirical referents of the concept, were explored. PMID:25730537
Kaplan, Julie Bass
The concept of aesthetic self-esteem was explored for utilization in the medical spa environment. The aims and purposes of the analysis were outlined. The literature review identified various uses of the self-esteem concept as well as published definitions of the word. Defining attributes were also explored and examined, including positive and negative connotations of self-esteem. Two tools were utilized to help aesthetic nurse specialists assess patients for self-esteem and assess for a possible mental illness that may present as low self-esteem. A culturally sensitive theoretical definition of self-esteem was constructed to fit the needs and environment of medical spas. A model case of this definition, as well as a borderline and contrary case, was presented. Antecedents and consequences, as well as empirical referents of the concept, were explored.
Full Text Available The aim of this few comments is to link tourism to the desire for beauty that seems to be side by side with humankind since the very beginnings. Reflections are grounded on Benjamin ́s interpretation of Baudelaire, on Boorstin, MacCannel and Urry, as well as on my own field experience and intend to stimulate more research on the role played by aesthetics in tourism experience.
Full Text Available The aim of this few comments is to link tourism to the desire for beauty that seems to be side by side with humankind since the very beginnings. Reflections are grounded on Benjamin ́s interpretation of Baudelaire, on Boorstin, MacCannel and Urry, as well as on my own field experience and intend to stimulate more research on the role played by aesthetics in tourism experience.
Landscape design is one of the space form and space environment comprehensive planning and design, to im- prove the quality of urban environment, quality of life and urban landscape level play a very important role.It is expounded in this article based on the value of landscape ecological aesthetics under the background of productive landscape, discusses the ＂bigfoot aesthetics＂ innovative application in modern landscape design and new thinking.
Minai, Asghar T.
The purpose of this paper is to draw a picture of the worldview of classical theories, then draw a modern or post quantum mechanic picture; then give an understanding of what anticipatory systems mean within each of these systems. Then we will give an account of the aesthetic experience associated with the two worldviews. The paper then refers to some changes in the implications from one perspective to the other. The problems associated with the classical worldview will be regarded as shortcomings of an Aristotelian orientation towards knowledge, which in principle are inherent in the classical physics, and its relevant philosophies. This shortcoming has dominated most of the Western view of knowledge and historical references. As is apparent the first category of systems (classical) does not have any room for "anticipation," rather the behavioral outcome of the system could well show what was expected. The intent of this paper then is to look at the second category of systems, and study their anticipatory feature. It will then be suggested that the undeterministic anticipatory characteristics of these systems not only enrich the complexity of such systems, but also enrich the aesthetic qualities that they represent. To further elaborate on these systems, we analyze two contemporary theories, namely self-organization and autopoiesis, in order to illustrate the nature of anticipatory behavior of these systems. That is, while we find the former theory to be a good representation of anticipatory systems and its aesthetic qualities, we find the opposite in the conceptual structure of the latter. We therefore adopt autopoiesis to mythopoietic communication. Due to the similarities of major philosophical outlook and qualities of these systems, as well as the proposed model with those associated with Eastern philosophies such as conceptions of space-time, and other orientation, occasionally comparison will be made with Eastern views of cosmic order and aesthetics.
Full Text Available Being a linguistic phenomenon, poetry is marked by the defamilarization of language in a poetic discourse there is an aesthetic distortion of the normal codes, in which the aesthetic value is the most prominent function of the poetic texture . This study is a new adventure in correlating linguistics to aesthetics by and through the so-called approach Aesthetic stylistics( As. Aesthetic stylistics is the application of the theory of beauty to the intentionally violated components in literary text. It proceeds with the hypothesis that John Keats's Ode on a Grecian Urn and Kabbani's Maritime Poem are disinterested poetic experiences which create ecstatic responses to the reader's awareness, therefore, the judgment of the reader's taste is aesthetic. The study aims at highlighting the stylistic-aesthetic factors which generate the judgment of taste. While drawing heavily on the aestheticism of the Prague Linguistic Circle and Halliday's Functional Linguistics (FL, or what has come to be called the Traditional European Functionalism, the study will analyze Keats' Ode and Kabbani's poem in terms of Kant's Kritik der Urteilstraft, KdU. The two circles of the linguistic description and aesthetic interpretation will be internally interlinked to create the coherence of the stylistic process. The study consists of an introduction, two parts, one in theory and the other in analysis; it is eventually rounded up with concluding remarks elicited from the semiotic quest. Keywords: Stylistics, Functionalism, Aesthetics
Hoexter, D L
A young man presented himself with a missing maxillary central incisor and a depressed defect due to a trauma. The trauma caused the loss of No. 8 and its surrounding supportive structure. The defective results were seen by the labial bone loss in the area and a depression. The depression became a food-and-plaque trap and an unaesthetic eyesore. Before the tooth loss, iatrogenic factors from a root canal or retrograde amalgam caused a permanent gingival tattoo. The bonded temporary pontic was larger mesio-distally than the adjacent teeth, and this was very noticeable. It was dull in its finish and poor aesthetically. The patient requested an implant to avoid excess drilling of natural teeth. A combined effort was used to achieve the pleasing final result. To correct the area and improve the physiology and aesthetics, several techniques had to be understood. These techniques also need to be mastered, recalled, and used almost instinctively, and done in a proper team-like sequence. In this case we performed an aesthetic ridge augmentation and tissue surgical manipulation to acquire the form, shape, and correct color background. Deciding upon which implant and material involved choosing the size, type, and shape for the area involved. The techniques used included implant insertion, surgical second stage abutment, mucosal periosteal flap design, various suturing and gingival grafting techniques, ridge buildup augmentation, and GTR. Other choices included which resorbable membrane to use, what bone graft materials, and what oral hygiene to recommend to maintain final health. The restorative technique included full crown coverage, laminate veneers, provisional pontic design and bonding, control of porcelain materials, computer imaging, occlusion, cementing, smile designs, and implant prosthodontics. PMID:10752437
In this article, the author presents two quotations from Walter Pater which suggest a provoking and demanding recipe by which to live one's aesthetic life and point out where all aesthetic education must begin. The author also exemplifies Walter Pater's ideas through two works by the painter James McNeill Whistler and the poet Algernon Swinburne…
حسین آقا حسینی; مسعود آلگونه جونقانی
Denying lexical dogmatism and announcing free presence of lexical items in poetry deluded the minds that the mere presence of any lexical item in a poem rends it aesthetic value! Consequently, an enormous number of words, regardless of their poetical value, rushed into the world of poetry. Of course, no one can deny the fact that any lexical item can freely enter the poetical context of any literary work; however, it must be clarified from the very beginning that this presence would never gua...
experience which is relevant in regards to some of the aesthetical experiences which we are met with within the industry of experience communication. The term "interference" in the context of experience communication can be described as a kind of "intrusion," capable of creating a certain type of beauty...... to user aspect (web 2.0), the personal engagement or the community spirit. This increasing demand of experiences reflects the postmodern cultural trends where rules for how to think and behave no longer exist. This results in individualism, where the identity of the human being has changed from something...
Full Text Available The paper presents some remarks upon the nature of contemporary radio communications in the context of the terms “aesthetics” and “aesthetisation”. The latter, denoting a process of turning aesthetic phenomena into unaesthetic ones, becomes the dominant strategy of formatted radio. The “surface aesthetisation,” which provides mainly pleasure and entertainment, transcends the simple styling of objects or environment and appears to be a more significant strand of contemporary culture. The article shows several examples of “surface” modelling of radio programming and explains their purpose in radio communication.
Barthe, Peter G.; Slayton, Michael H.
Ultrasound provides key benefits in aesthetic surgery compared to laser and RF based energy sources. We present results of research, development, pre-clinical and clinical studies, regulatory clearance and commercialization of a revolutionary non-invasive aesthetic ultrasound imaging and therapy system. Clinical applications for this platform include non-invasive face-lifts, brow-lifts, and neck-lifts achieved through fractionated treatment of the superficial musculoaponeurotic system (SMAS) and subcutaneous tissue. Treatment consists of placing a grid of micro-coagulative lesions on the order of 1 mm3 at depths in skin of 1 to 6 mm, source energy levels of 0.1 to 3 J, and spacing on the order of 1.5 mm, from 4 to 10 MHz dual-mode image/treat transducers. System details are described, as well as a regulatory pathway consisting of acoustic and bioheat simulations, source characterization (hydrophone, radiation force, and Schlieren), pre-clinical studies (porcine skin ex vivo, in vivo, and human cadaver), human safety studies (treat and resect) and efficacy trials which culminated in FDA clearance (2009) under a new device classification and world-wide usage. Clinical before and after photographs are presented which validate the clinical approach.
This article is an enquiry into the possible shape of "an aesthetics of care" drawn from the experience of looking after a Congolese colleague after he was injured in a massacre in the DR Congo. The mix of different professional and personal circumstances directs the writing towards concerns with the ethics and aesthetics of caring for…
Palmer, Stephen E; Schloss, Karen B; Sammartino, Jonathan
Human aesthetic preference in the visual domain is reviewed from definitional, methodological, empirical, and theoretical perspectives. Aesthetic science is distinguished from the perception of art and from philosophical treatments of aesthetics. The strengths and weaknesses of important behavioral techniques are presented and discussed, including two-alternative forced-choice, rank order, subjective rating, production/adjustment, indirect, and other tasks. Major findings are reviewed about preferences for colors (single colors, color combinations, and color harmony), spatial structure (low-level spatial properties, shape properties, and spatial composition within a frame), and individual differences in both color and spatial structure. Major theoretical accounts of aesthetic response are outlined and evaluated, including explanations in terms of mere exposure effects, arousal dynamics, categorical prototypes, ecological factors, perceptual and conceptual fluency, and the interaction of multiple components. The results of the review support the conclusion that aesthetic response can be studied rigorously and meaningfully within the framework of scientific psychology.
My focus is on the importance of an education of our senses and body through sensorial elements in order to improve our sense of situations and faculty of judgement. This was the key focus of aesthetics in its classical form from antiquity until it declines from the aesthetic agenda during the 19th...... relation to a specific cultural context, and our acquisition of it comes from being acquainted with cultural products. Aesthetics is thus closely related to hermeneutics, to how we interpret specific situations we find ourselves in. Key words: education, sensorial, judgement, hermeneutics, Kant...... century, a focus we on aesthetic education and communication. Important were arts and letters which still are important but very much on the defensive in our contemporary culture also because aesthetics often is a debate about criticism rather than about the sensorial and bodily aspect of cultural...
IRINA VASKES SANTCHES
Full Text Available Resumen: El presente trabajo contribuye al debate sobre la actualidad estética, abordando diferentes enfoques del polémico concepto de deconstrucción, introducido por Jacques Derrida. Esta categoría es de referencia casi obligatoriacuando se habla sobre teoría estética contemporánea, forma parte de su nuevo aparato conceptual y expresa bien la nueva realidad que no tiene análogos históricos en lo que antes llamaban arte, estética y cultura. La elaboracióndel concepto de deconstrucción, el análisis de cómo funciona esa nueva forma del pensamiento crítico, y el método creativo de la interpretación y de la producción del texto artístico, nos permite entrar en el código de muchas obras artísticas actuales donde el espacio entre arte y teoría del arte es cada vez más incierto, especialmente en las diversas formas de arte conceptual o “performance art”.Abstract: Tackling polemic concept of deconstruction, introduced by Jacqes Derrida, from different approaches this article contributes to the debate on aesthetic current issues. This category is of almost obligatory reference when discussing about contemporary aesthetic theory. Deconstruction belongs to its new conceptual apparatus, and expresses well new reality that does not have historical analogy with what before was called art, aesthetics and culture. The elaboration of the concept of deconstruction, and the analysis of how this new form of strategical “procedure” of interpretation and production of the text (as textual reading is functioning allow us to enter the code of many current art works where the space between art and theory of the art is more and more uncertain, specially in the diverse forms of conceptual art or “performance art“.
Full Text Available I say: “Oh, what a beautiful surrealist picture!” With quite precise awareness: this páthos, these emotions of mine do not stem from our common sense. An aesthetic judgment is founded on an immediate subjective intuition: an emotion or a free feeling of a single subject towards an object. A universal sense, possibly. Some judgments of ours in ethics and in law are no different from our perceptions in front of art. It would be the same for a hypothetical sentence of the judge that concluded with these words: “I acquit Arsenio Lupin because of his magnificent handlebar moustache like that of Guy de Maupassant”. Everyone would think intuitively that it is an unfair sentence. Is there aesthetics of terror? The case that the article intends to examine is that of the famous kidnapping and murder of the Italian statesman Aldo Moro by the “Brigate Rosse” [Red Brigades] (1978. The method used here consists in studying the image of the kidnapping as iconic documentation of reality, and, above all, as an ethical-legal judgment about the terrorist crime. Moro was photographed during his kidnapping. There are at least two pictures. Both constitute an extraordinary source for a judgment on the basis of an image. In both of them, Aldo Moro is pictured in front of a Red Brigades banner during the captivity. In what sense do these pictures document an aesthetic judgment concerning the “case Moro”? The answer can be found in a remarkable iconic coincidence of these pictures with a masterpiece by Georges Rouault (Paris 1871-1958 devoted to the theme of the “Ecce Homo”. The Gospel in the “Ecce Homo” scene (John: 19, 4-5 narrates how Pontius Pilate wanted to arouse the compassion of the people with a scourging and the exposure of Jesus to the crowd. The plate under consideration is entitled “Qui ne se grime pas?” [Who does not have a painted face?] and is a key work in Rouault’s suite of prints Miserere, dated for 1923.
Richmond, Stephen H
The question of how to place psychoanalysis in relation to science has been debated since the beginning of psychoanalysis and continues to this day. The author argues that psychoanalysis is best viewed as a form of applied art (also termed applied aesthetics) in parallel to medicine as applied science. This postulate draws on a functional definition of modernity as involving the differentiation of the value spheres of science, art, and religion. The validity criteria for each of the value spheres are discussed. Freud is examined, drawing on Habermas, and seen to have erred by claiming that the psychoanalytic method is a form of science. Implications for clinical and metapsychological issues in psychoanalysis are discussed. PMID:27428582
Full Text Available This paper investigates a new dynamic (i.e., space-time model to measure aesthetic values in pathfinding for videogames. The results we report are important firstly because the artificial intelligence literature has given relatively little attention to aesthetic considerations in pathfinding. Secondly, those investigators who have studied aesthetics in pathfinding have relied largely on anecdotal arguments rather than metrics. Finally, in those cases where metrics have been used in the past, they show only that aesthetic paths are different. They provide no quantitative means to classify aesthetic outcomes. The model we develop here overcomes these deficiencies using rescaled range (R/S analysis to estimate the Hurst exponent, . It measures long-range dependence (i.e., long memory in stochastic processes and provides a novel well-defined mathematical classification for pathfinding. Indeed, the data indicates that aesthetic and control paths have statistically significantly distinct signatures. Aesthetic paths furthermore have more long memory than controls with an effect size that is large, more than three times that of an alternative approach. These conclusions will be of interest to researchers investigating games as well as other forms of entertainment, simulation, and in general nonshortest path motion planning.
It is well-known that anime art has been existed as far back as the 1920s. While along with the continued development of china’s economy since the reform and opening up, anime art went into its rapid development stage. As we all know, aesthetic feeling differs from one person to another because of the differences of age, gender, geography, etc. Therefore, artistic value can only be demonstrated in the anime art when anime art can satisfy all different aesthetic feelings. The present thesis gives an analysis into the anime art creation from the perspective of aesthetic consensus and aesthetic difference, which can stimulate the sustainable development of anime art and inspire anime creators to become better and better in the field of anime and create more better works.
... 40 Protection of Environment 24 2010-07-01 2010-07-01 false Aesthetics. 230.53 Section 230.53... Characteristics § 230.53 Aesthetics. (a) Aesthetics associated with the aquatic ecosystem consist of the perception of beauty by one or a combination of the senses of sight, hearing, touch, and smell. Aesthetics...
The paper proposes the idea that in the primary stage of industrial product design, the aesthetic nature of the product should be grasped. In addition, the paper poses two questions about aesthetic nature industrial design: first, what is the object of industrial design aesthetics? Second, what are the characteristics of design aesthetics of industrial products?
Full Text Available This article responds to recent controversy in the aesthetics of everyday life with a succinct definition designed to clarify the domain of study. The article is intentionally designed for brevity and accessibility in order to facilitate usage.
Bang, Anne Louise; Folkmann, Mads Nygaard; Jensen, Hans-Christian;
The paper is a contribution to building a research discourse and methodology across disciplines. Taking design aesthetics as our theme, we present and discuss a research framework with roots in the interest in aesthetics within the humanities but aimed at producing research perspectives across...... design practice, the humanities and the social sciences. The initial research question is a meta-question contesting the relevance of the concept of design aesthetics in design research in terms of the interest in practice methodology within design practice, the interest in understanding the object......) and speculative settings of employed concepts, and (ii) to investigate the methodological setting of how the research frame may be engaged in an overall framework of aesthetics while the participants simultaneously operate with the particular interests of their disciplines. After a presentation of the concept...
Full Text Available Aesthetic experiences are generated in encounters with cultural objects and such experiences are marked by the free play of cognitive and numinous experience unstructured by concepts. Kant’s famous three types of pleasure, made infamous in social theory by Pierre Bourdieu, are examined in relation to the critical theoretical concept of aura, the social psychology of “flow,” and cognitive explanations of perception to explain experience in aesthetic fields. Theories of aesthetic experience developed at the crossroad of critical social thought and cognitive science hold promise for a social analysis able to avoid the usual sociological pitfalls of either ignoring aesthetics or reducing it to structurally determined differences of taste.
No, No and No. Three times No is the answer to the question: is there currently such a thing as aesthetics in sustainable architecture? This answer is drawn from the discussions of three architects who are acclaimed practitioners and thinkers in the field. If we assume that aesthetics is something that all architects pursue in one form or another, it would appear that, currently, sustainability is not an integral part of it.
Full Text Available Contemporary technology and media era is characterized by aesthetics domination over logic, ethics and metaphysics. The reality is replaced by simulation and the picture is more important that the truth. The narcissistic media shape not only one's perception, but one's experience of the world, creation of taste and system of values. Therefore, we need a new media aesthetics that would lead to the development of critical media sensitivity and comprehension of how media messages emerge and affect the audience. If there is no critical aesthetics, there exists anesthesia. Being both a media perception theory and media taste critique, media aesthetics can contribute to creating a new media culture, realizing human potentials and improving communication rationality. Aesthetics is a prerequisite of media literacy and critical media pedagogy. In such a world media can serve as creative extensions of human perception, tools for comprehension and socialization in such a way as suggested by poet William Blake: If the doors of perception were cleansed, everything would appear to man as it is, infinite.
Thomsen, Bente Dahl
This paper presents the good practice based experiences found when movement is used to strengthen form creation and to create flow in the process of artistic education. Faced with the design engineering students’ problems with creating forms with aesthetic statements, the experiences with movement...... inspired the thesis that the design engineers’ training in aesthetic form creation can be improved by integrating the movement potential into their education. The paper documents the on-going work on developing a model for embodied creation of form called ‘Somatechne model’. The study also identifies...... a lens to assess the students’ development of mind-body skills, known as ‘The Three Soma’. The Somatechne model also helps to identify the activity that gives the students the opportunity to develop their sensibility and thus aesthetic attention....
In the article an approach to aesthetics is suggested with the focus on the education of the designer rather than on the outcome of the design. Design is taken to be an interpretative intervention into a social context which requires a sensibility for the context. The forming of this sensibility...... is the goal of an aesthetic education. Through discussions of different approaches to aesthetics like Grant Kester’s dialogical aesthetics and Kant’s critique of the faculty of judgement, it is emphasized how sensibility as the key focus of aesthetics rather than art and beauty makes the ability to manoeuvre...... in the social context a central issue of aesthetics. Here, is the argument, is the link to an aesthetic education understood as an education of our senses through cultural products which is also a link to a perspective that appears to be absent in present debates on aesthetics in relation to design. Taking up...
In this essay, I explore the Youth Theatre for Peace (YTP) project in relation to environmental aesthetics and engaged participatory practices towards tolerance building in Central Asia. My main argument is that cultural histories of storytelling, "manas" (an oral and now literary Kyrgyz epic) and trickster tales incorporate ideas and…
Aesthetics is not a subject usually associated with North Korea in Western scholarship, the usual tropes being autocracy, counterfeiting, drugs, human-rights abuse, famine, nuclear weapons, party-military dictatorship, Stalinism, and totalitarianism. Where the arts are concerned, they are typically seen as crude political propaganda. One British…
The paper explains Baumgarten’s foundation of modern aesthetics as the science of sensible cognition. The paper first examines mentalistic paradigm in modern philosophy as an intellectual background of Baumgarten’s philosophy and aesthetics (I). This is followed by consideration of Baumgarten’s definitions of aesthetics from Philosophical meditations of pertaining to some matters concerning poetry (1735), Metaphysics (1739) and Aesthetics (1750) (II). Final...
Since the origin of the web site in the first part of the 90’s there has been discussions regarding the relative weighting of function and aesthetics. A renewed discussion is needed, however, to clarify what exactly is meant by aesthetics in web design. Moreover the balance between aesthetics...
Studying imagery, irrespective of the kind, must focus equally upon its aesthetic attractiveness, its sensory lures, and its oftentimes dubious social ideology. The terms "aesthetic" and "ideology" are addressed as problematic and are defined in current, ordinary language terms: aesthetics as visual appearances and their effects and ideology as a…
Fjællegaard, Cecilie Bryld; Beukel, Karin; Alkærsig, Lars
a designer does increase firms? likelihood of producing aesthetic innovations. Secondly, firms with prior experience of aesthetic innovations are more likely to apply for design registrations. Thirdly, there is a positive moderating effect of firms with prior experience of generating aesthetic innovations...
This paper attempts to explore the strategy of adaptation,in particular,the method of naturalizing and historicizing,in the translation of poetry to maintain the aesthetic meaning.Theoretical support from Susan Bassnett,James Holmes and others is applied and example lines from both Chinese and English verses are given.
Skibell, Bentley C.; Soparkar, Charles N.S.; Tower, Robert N.; Patrinely, James R.
This article focuses on the administration of anesthesia for periocular aesthetic procedures. Special emphasis is given to office-based procedures, most often without any systemic sedation, highlighting the importance of open communication with patients. Finally, attention is given to potential pitfalls including anesthetic systemic toxicity, ocular injuries, and orbicularis myotoxicity.
S R Mousavi
Advances in plastic and reconstructive surgery have revolutionized the management of patients suffering from disfiguring congenital abnormalities, burns and skin cancers. The demand for aesthetic surgery has increased in recent years, as our culture has become more concerned with image and appearance. Several ethical considerations such as patient′s right for informed counseling, beneficience and maleficience need to be given careful consideration.
Connolly, Angela M
Jung's contribution to the understanding of the relevance of psychology to alchemy has become increasingly invalidated by the ahistorical nature of his approach, just as his tendency to ignore the importance of cognitive aesthetics for an improved comprehension of the functions of alchemical images has prevented Jungians from further extending Jung's insight of the importance of alchemy for psychology. This paper explores the history of the development of alchemical illustrations in Western Europe from the 14(th) to the 16(th) century, tracing the emergent processes over time. It is only when we take into consideration the historical dimension and the aesthetics of alchemical imagery that it becomes possible to demonstrate how the increasing use of certain aesthetic techniques such as the disjunction and recombination of separate metaphorical elements of previous illustrations, the use of compressive combinations and the use of framing devices worked to gradually increase the cognitive function and the symbolical power of the images. If alchemy is still relevant to psychotherapy it is exactly because it helps us to understand the importance of cognitive aesthetics in our approach to the images, metaphors and narratives of our patients.
Batwa, Waeil; McDonald, Fraser; Cash, Alex
Objective : To determine if lip asymmetry can affect lip aesthetics. Setting and Participants : A group of dentists (n = 40) and cleft patients (n = 40) were recruited from the dental hospital and cleft service. Interventions : Still photographic digital images of lips and teeth were manipulated to produce a computerized gradient of smile appearance with different degrees of upper-lip vertical asymmetry. These five photographs (with 0 mm representing "symmetry," and 1, 2, 2.5, and 3 mm, asymmetries) were assessed by participants using a 5-point Likert scale. Statistics : Descriptive statistics in addition to chi-square test were used to analyze the data. In order to satisfy the requirement of the chi-square test, the five smile ratings were reduced to three. Results : Lip asymmetry did affect relative smile aesthetics, as determined by dentists and cleft patients. Both the dentists and cleft patients rated the 0-mm photograph more attractive than the 2.5-mm and 3-mm smiles (P aesthetics. However, cleft patients and dentists were tolerant of minor asymmetries. This suggests that small degrees of lip asymmetry do not affect relative smile aesthetics as much as large degrees of lip asymmetry (2.5 mm or more).
Andersen, Sidse Schoubye
The vast majority of children in developed democracies eat at least one meal a day in an institutional context, such as in school, but research about the ways in which school contexts influence children’s perception of food is limited. This paper analyzes how two very different contexts shape the...... gaining an aesthetic and joyful meal experience....
Gimsing, Niels Jørgen
In bridges the overall form must be chosen with due respect to the transmission of forces if efficient structures shall be created, The design must therefore be governed by experienced structural engineers - in some cases assisted by aesthetic advisers on specific issues. Some basic requirements...
, and the craving to make sense of all kinds of relations that characterizes humans. Being able to produce artworks as external representations aimed at “the other,” made of internal representations is thus essential to humanity. Human aesthetics is not so much an issue of beauty but of imagination and social...
Dou, Meng; Ekiz, Esra
Background:This thesis strives to analyze aesthetic services used in supermarkets. Supermarkets facefierce competition and varied marketing dilemmas such as traditional marketing versusservice marketing. Nevertheless, encompassing elements from both traditionalmarketing, such as physical products, and service marketing, such as relationshipbuilding, supermarket management is challenging. Thus, it is crucial to understandconsumers’ perceptions for both services and products in order to satisfy...
Connolly, Angela M
Jung's contribution to the understanding of the relevance of psychology to alchemy has become increasingly invalidated by the ahistorical nature of his approach, just as his tendency to ignore the importance of cognitive aesthetics for an improved comprehension of the functions of alchemical images has prevented Jungians from further extending Jung's insight of the importance of alchemy for psychology. This paper explores the history of the development of alchemical illustrations in Western Europe from the 14(th) to the 16(th) century, tracing the emergent processes over time. It is only when we take into consideration the historical dimension and the aesthetics of alchemical imagery that it becomes possible to demonstrate how the increasing use of certain aesthetic techniques such as the disjunction and recombination of separate metaphorical elements of previous illustrations, the use of compressive combinations and the use of framing devices worked to gradually increase the cognitive function and the symbolical power of the images. If alchemy is still relevant to psychotherapy it is exactly because it helps us to understand the importance of cognitive aesthetics in our approach to the images, metaphors and narratives of our patients. PMID:23350996
Describes different theories of art and how they disagree on the question of the way that artworks relate to the circumstance of their origins and use. Discusses how these circumstances influence the way one thinks about artworks. Considers where E. D. Hirsch's ideas on cultural literacy fit into this aesthetic controversy. (KM)
This essay explores aesthetics, affect, and educational politics through the thought of Gilles Deleuze and Jacques Ranciere. It contextualizes and contrasts the theoretical valences of their ethical and democratic projects through their shared critique of Kant. It then puts Ranciere's notion of dissensus to work by exploring it in relation to a…
Andreea Dana Tudose
Full Text Available Bioeconomy is currently an area of great and mighty power development. High complexity of this field is to combine the use of technologies that use biological resources in the range of human values involved. This study requires that objective SWOT analysis applied in dental esthetics with strict reference to the quality of work in relation to aesthetic and functional effectiveness of the treatment, the life, the method of reconstruction, working technique, the degree of invasiveness of treatment in relation to conservation dental tissues ,execution costs, costs of resources used in dental anterior segment reconstruction and economic analysis of the modalities of treatment techniques reported the need and level of understanding of patients on treatment aesthetic-functional complexity. As material and method took into account the interaction of four factors: Strenghts-Weaknesses-Opportunities -Hazards. In group “Strengths” we have included successful treatment aesthetic-functional execution moderate cost, short time working on the seat, which shows limited use of natural resources. In group “Weaknesses” I included invasiveness of biological treatment, increased during execution of the work, aesthetic-functional failure , lack of training practitioners in dental aesthetics, lack of existant cabinets to promote interest in aesthetic dental medicine. “Op-portunities” referred to the minimally invasive treatment of dental tissue in existing clinical context with predictable results, as higher interest of patients for dental esthetics, raising the standard of care internationally. on group “Risks” (threats I listed: low resistance while works (weak predictability, decreasing purchasing power, changing customer preferences, increase service quality standards. In the second chapter we presented a report on the economic analysis - term labor - cost - average degree of patient satisfaction . In order to establish an economic plan to make a
The aesthetic illusion is the subjective experience that the content of a work of art is reality. It has an intrinsic relation to magic, an intrapsychic maneuver oriented toward modification and control of the extraspyschic world, principally through ego functioning. Magic is ontogenetically and culturally archaic, expresses the omnipotence inherent in primary narcissism, and operates according to the logic of the primary process. Magic is a constituent of all ego functioning, usually latent in later development. It may persist as an archaic feature or may be evoked regressively in global or circumscribed ways. It causes a general disinhibition of instincts and impulses attended by a sense of confidence, exhiliration, and exuberance. The aesthetic illusion is a combination of illusions: (1) that the daydream embodied by the work of art is the beholder's own, the artist being ignored, and (2) that the artistically described protagonist is a real person with a real "world." The first illusion arises through the beholder's emotional-instinctual gratification from his or her own fantasy-memory constellations; the second comes about because the beholder, by taking the protagonist as proxy, mobilizes the subjective experience of the imaginary protagonist's "reality." The first illusion is necessary for the second to take place; the second establishes the aesthetic illusion proper. Both illusions are instances of magic. Accordingly, the aesthetic illusion is accompanied by a heady experience of excitement and euphoria. The relation among the aesthetic illusion, magic, and enthusiasm is illustrated by an analytic case, J. D. Salinger's "The Laughing Man," Woody Allen's Play It Again, Sam, Don Quixote, and the medieval Cult of the Saints.
Folkmann, Mads Nygaard
The aim of the paper is to conceptualize the means and effects of different dimensions of aesthetic meaning in relation to the experience of design. In doing so, the paper combines two philosophical interests in design, design phenomenology and design aesthetics, in order to promote a framework...... for discussing the impact of aesthetic meaning construction on experience. First, the paper raises the phenomenological question of the relationship between design and experience, specifically, how design conditions experience. Second, in looking at aesthetics in terms of a) the sensual appeal of design, b......) design objects as aesthetic media that frame modes of understanding, and c) contextual factors, such as media, influencing what is regarded as aesthetic, it is the thesis of the paper that a concept of design aesthetics can be employed to differentiate between three different ways in which design frame...
Full Text Available The everyday aesthetics represents a relatively new branch in the field of philosophy which brings into question the way some of our mundane habits, ordinary experiences and objects can be incorporated into the aesthetic area or can become a part of an aesthetic experience. While Yuriko Saito, author of “Everyday Aesthetics”, speaks about the Japanese tea ceremony as an aesthetic experience, while Paulina Rautio suggests hanging laundry as an aesthetic experience too. This paper attempts to make a quick review of the controversies related to the above mentioned subject matter and to bring forward some criteria upon which some of our everyday ordinary experiences, events or even objects can or cannot be translated as aesthetic. On what level can the acknowledgment of an ordinary experience be perceived as aesthetic and, thus, lead to the improvement of the quality of our life, is another aspect presented in this paper.
Synaesthesia is both a common daily life phenomenon and a controversial rhetoric one. Respective evidence may be found in 'Wounded fingers may cause pain in heart' and 'The breeze blows away birds' sweet voice from under the flower'. Other examples, like 'the liquid stillness of the night, noise color, sweet voice, icy look, sharp cry, sour remark, oily-tongued...' are so frequently seen in both Chinese and foreign poems especially classic poems. Without doubt, use of synaesthesia blows a fresh air into essay and poem writing, let alone the accurate and aesthetic feelings it arouses among readers. However, when people try to find out the reason why it can arouse such aesthetic feelings, they seem to encounter difficulties. This paper makes an attempt to offer a different explanation based on psychological analysis.
@@ Aristotle is the greatest thinker and profound scholar in ancient Greece,who inherits the philosophy achievements of ancient Greece since Thales,especially the fruits of Plato'S thought.His inheritance takes criticism as the basis and innovation as the objective.Poetics has long been known as the foundation-laying work in the history of western literary theory among the most works of Aristotle.In Poetics,tragedy is focused by Aristotle.He attaches more importance to tragedy,analyzes its artistic features and elements to show its aesthetic significance and value.This is not simply to discuss the artistic technique but to discuss his aesthetic thoughts in tragedy.
Ali Mohammadi Asiabadi
Full Text Available Abstract Some of the figures of speech in Persian language are those that show the rhetorical value of the bilingualism. Tarjema (translation, Molama (bilingual poem, Dhuloghatayn (readable by two languge, Eghtebas (borrowing, Darj (insertion, are these figures of speech. Unfortunately, in rhetorical sources and books, the aesthetic values of these figures have not been explained. However, the aesthetic aspects of these figures can be shown through several theories that discuss code switching considering the fact that some of the theories are commonly used in literature and literary criticism . Therefore, in this essay, it is shown that from these figures, Eghtebas (borrowing has a higher literary value and importance than others. Moreover, the literary significance of this figure is revealed through several theories.
Lee, Edward I.; Roberts, Thomas L.; Bruner, Terrence W.
There has been increased interest in buttock contouring and augmentation in recent years, which has translated into increased demand for these procedures. In addition, we are witnessing a growing number of patients from all ethnic groups requesting cosmetic surgery in the United States. Buttock aesthetic surgery today consists of either augmentation or recontouring of the gluteal region by one of three methods: (1) liposuction (if only reductive shaping is required); (2) liposuction and augme...
Full Text Available With the aim of healing the earth and sustain a healthy ecosystem for all life forms, not humankind alone, ecoaesthetics emerges as a critique of Enlightenment mentality and of modern aesthetics as it is embodied in it. This mentality contributes greatly to the global ecological crisis and to other problem areas, such as population, economic, political and religious ones. In my understanding of aesthetics, ecoaesthetics is defined as the theory of ecological aesthetic appreciation. With ecoaesthetics as my research horizon, there are at least two reasons for me to pay special attention to American philosopher Arnold Berleant’s conception of aesthetic engagement and his aesthetic theory based on it, an aesthetics of engagement. The first is our shared theme, which is the critique of modern aesthetics. The second reason is more complex for it involves the crucial question of the proper manner of aesthetic appreciation. From the perspective of ecoaesthetics, the contemplation of objects by a separated perceiver, an approach that is based on the modern philosophical dualism of subject and object, is unsatisfactory and inadequate. Berleant’s aesthetic engagement is a more satisfactory account of appreciation that is aesthetic and ecological. This emphasizes the ecological continuity or interrelatedness between the human appreciator and objects. Of course, any theory can occasion critique and development. Based on Berleant’s idea of aesthetic engagement, I would like to propose Ecosophy C. This can be contrasted with Ecosophy T proposed by the Norwegian, Arne Naess, and with traditional Chinese aesthetic wisdom. In contrast with these, I would like to develop my own view of ecological understanding. In order to construct a more comprehensive and reasonable ecoaesthetics, my Ecosophy C contains eight points that are crucial in building an ecological model of aesthetic appreciation for this period of ecological crisis.
One important method that can be applied for gaining an understanding of the underpinning of aesthetics in the brain is that of electrophysiology. Cognitive electrophysiology, in particular, allows the identification of components in a mental processing architecture. The present chapter reviews findings in the neurocognitive psychology of aesthetics, or neuroaesthetics, that have been obtained with the method of event-related brain potentials, as derived from the human electroencephalogram. The cognitive-perceptual bases as well as affective substages of aesthetic processing have been investigated and those are described here. The event-related potential method allows for the identification of mental processing modes in cognitive and aesthetic processing. It also provides an assessment of the mental chronometry of cognitive and affective stages in aesthetic appreciation. As the work described here shows, distinct processes in the brain are engaged in aesthetic judgments. PMID:24041323
Fjællegaard, Cecilie Bryld; Beukel, Karin; Alkærsig, Lars
The innovation literature states that scientists are core ingredients in creating technological innovations. This paper investigates whether the hiring of a designer generates aesthetic innovations by a firm. Further we investigate what the level of design knowledge of the receiving firm means for...... the firms’ absorptive capacity, in terms of turning the hiring of the designer into aesthetic innovations. We explore a unique dataset containing information on firms, their hiring of designers and aesthetic innovations measured by design applications (design patents). Our findings show that hiring a...... designer does increase firms’ likelihood of producing aesthetic innovations. Secondly, firms with prior experience of aesthetic innovations are more likely to apply for design registrations. Thirdly, there is a positive moderating effect of firms with prior experience of generating aesthetic innovations on...
Fjællegaard, Cecilie Bryld; Beukel, Karin; Alkærsig, Lars
The innovation literature states that scientists are core ingredients in creating technological innovations. This paper investigates whether the hiring of a designer generates aesthetic innovations by a firm. Further we investigate what the level of design knowledge of the receiving firm means for...... the firms? absorptive capacity, in terms of turning the hiring of the designer into aesthetic innovations. We explore a unique dataset containing information on firms, their hiring of designers and aesthetic innovations measured by design applications (design patents). Our findings show that hiring a...... designer does increase firms? likelihood of producing aesthetic innovations. Secondly, firms with prior experience of aesthetic innovations are more likely to apply for design registrations. Thirdly, there is a positive moderating effect of firms with prior experience of generating aesthetic innovations on...
This article is a commentary on 'Ten years of a model of aesthetic appreciation and aesthetic judgments: The aesthetic episode - developments and challenges in empirical aesthetics' (Leder & Nadal, 2014, this issue). It focuses on domain specificity and mental chronometry in empirical aesthetics.
The aesthetic provider is obligated to leverage their leadership, management, and teamwork skills on a daily basis in order to deliver optimum aesthetic outcomes for their clients. This article discusses leadership and motivational theories, leadership and management traits, complexity theory, Gardner's tasks of leadership, and the role of emotional intelligence in leading, managing, and following, so the aesthetic provider can identify and align with a particular leadership and management style that suits their practice philosophy. PMID:26933982
Marchesotti, Luca; Murray, Naila; Perronnin, Florent
Aesthetic image analysis is the study and assessment of the aesthetic properties of images. Current computational approaches to aesthetic image analysis either provide accurate or interpretable results. To obtain both accuracy and interpretability by humans, we advocate the use of learned and nameable visual attributes as mid-level features. For this purpose, we propose to discover and learn the visual appearance of attributes automatically, using a recently introduced database, called AVA, w...
Fjællegaard, Cecilie Bryld; Beukel, Karin; Alkærsig, Lars
This paper investigates whether the hiring of a designer generates aesthetic innovations by a firm and what the level of design knowledge of the receiving firm means for the firms’ absorptive capacity in terms of turning the hiring of the designer into aesthetic innovations. We explore a unique d...... innovations are more likely to apply for design registrations. Thirdly, there is a positive moderating effect of firms with prior experience of generating aesthetic innovations on the effect of hiring a designer on aesthetic innovation outcome....
Marina Paola Banchetti-Robino
This essay offers a novel approach for understanding the poetry of negritude and its role in the struggle for black liberation by appealing to Giambattista Vico’s insights on the historical, cultural, and myth-making function of poetry and of the mythopoetic imagination. The essay begins with a discussion of Vico’s aesthetic historicism and of his ideas regarding the role of imagination, poetry, and myth-making and then brings these ideas to bear on the discussion of the fun...
Full Text Available The article analyzes the extent to which predictions based on the theory of evolutionary aesthetics are utilized by the advertising industry. The purpose of a comprehensive content analysis of print advertising is to determine whether the items indicated by evolutionists such as animals, flowers, certain types of landscapes, beautiful humans, and some colors are part of real advertising strategies. This article has shown that many evolutionary hypotheses (although not all of them are supported by empirical data. Along with these hypotheses, some inferences from Bourdieu’s cultural capital theory were tested. It turned out that advertising uses both biological schemata and cultural patterns to make an image more likable.
The use of sound in (3D) computer games basically falls in two. Sound is used as an element in the design of the set and as a narrative. As set design sound stages the nature of the environment, it brings it to life. As a narrative it brings us information that we can choose to or perhaps need to...... exploration of the virtual space laid out before him is pertinent. In this mood of exploration sound is important and heavily contributing to the aesthetic of the experience....
Trademarks and trademark, as a part of language, are unavoidably influenced and restricted by the cultures of various countries and nationalities. Through trademark, we can get abundant implications of social history and culture. Language is the most important tool of information transmission. It can not only convey sentence and semantic information, but also carry additional contents of society and culture. In order to meet the increasingly competitive demands of market, in addition to express detailed information of commodity, the differences of aesthetic psychology between diverse cultural customers shall be taken into consideration when naming modern brand names.
Although industrial and product designers are keenly aware of the importance of design aesthetics, they make aesthetic design decisions largely on the basis of their intuitive judgments and "educated guesses". Whilst ergonomics and human factors researchers have made great contributions to the safety, productivity, ease-of-use, and comfort of human-machine-environment systems, aesthetics is largely ignored as a topic of systematic scientific research in human factors and ergonomics. This article discusses the need for incorporating the aesthetics dimension in ergonomics and proposes the establishment of a new scientific and engineering discipline that we can call "engineering aesthetics". This discipline addresses two major questions: How do we use engineering and scientific methods to study aesthetics concepts in general and design aesthetics in particular? How do we incorporate engineering and scientific methods in the aesthetic design and evaluation process? This article identifies two special features that distinguish aesthetic appraisal of products and system designs from aesthetic appreciation of art, and lays out a theoretical foundation as well as a dual-process research methodology for "engineering aesthetics". Sample applications of this methodology are also described.
Can moral flaws lessen an artwork's aesthetic value? Answering yes to this question requires both that artworks can be morally flawed and that moral flaws within a work of art can have an aesthetic impact. For present purposes, the author will assume that artworks can be morally flawed by such means as endorsing immoral perspectives, culpably…
... 40 Protection of Environment 24 2010-07-01 2010-07-01 false Aesthetics. 240.207 Section 240.207 Protection of Environment ENVIRONMENTAL PROTECTION AGENCY (CONTINUED) SOLID WASTES GUIDELINES FOR THE THERMAL PROCESSING OF SOLID WASTES Requirements and Recommended Procedures § 240.207 Aesthetics....
Full Text Available The paper explains Baumgarten’s foundation of modern aesthetics as the science of sensible cognition. The paper first examines mentalistic paradigm in modern philosophy as an intellectual background of Baumgarten’s philosophy and aesthetics (I. This is followed by consideration of Baumgarten’s definitions of aesthetics from Philosophical meditations of pertaining to some matters concerning poetry (1735, Metaphysics (1739 and Aesthetics (1750 (II. Finally, it considers Baumgarten’s definition of aesthetics as the science of sensible cognition starting from Leibniz’s theory of different stages of knowledge (III. [Projekat Ministarstva nauke Republike Srbije, br. 179041: Dinamički sistemi u prirodi i društvu: filozofski i empirijski aspekti
Pearce, Marcus T; Zaidel, Dahlia W; Vartanian, Oshin; Skov, Martin; Leder, Helmut; Chatterjee, Anjan; Nadal, Marcos
The field of neuroaesthetics has gained in popularity in recent years but also attracted criticism from the perspectives both of the humanities and the sciences. In an effort to consolidate research in the field, we characterize neuroaesthetics as the cognitive neuroscience of aesthetic experience, drawing on long traditions of research in empirical aesthetics on the one hand and cognitive neuroscience on the other. We clarify the aims and scope of the field, identifying relations among neuroscientific investigations of aesthetics, beauty, and art. The approach we advocate takes as its object of study a wide spectrum of aesthetic experiences, resulting from interactions of individuals, sensory stimuli, and context. Drawing on its parent fields, a cognitive neuroscience of aesthetics would investigate the complex cognitive processes and functional networks of brain regions involved in those experiences without placing a value on them. Thus, the cognitive neuroscientific approach may develop in a way that is mutually complementary to approaches in the humanities. PMID:26993278
Riisberg, Vibeke; Folkmann, Mads Nygaard
This working paper is a discussion of different notions and conceptions of aesthetics that may be at play when developing new design. The empirical case of the paper derives from the context of design education in a module aimed at the development of a new design expression for contemporary......, sustainable fashion. In programming the didactical setting for the students’ projects, several aesthetics must be considered: the aesthetic codes of the textile and fashion design discipline, both in terms of materials and expression, deriving from within the design practice itself and the aesthetic codes...... of mediated expressions seen in e.g. fashion magazines which create a frame of aestheticization influencing how fashion expressions are valued. In this tension between internal aesthetics and external aestheticization, the students are set out to create a new design expression for sustainable design which...
Çakir, Bariş; Doğan, Teoman; Öreroğlu, Ali Riza; Daniel, Rollin K
Surface aesthetics of the attractive nose are created by certain lines, shadows, and highlights, with specific proportions and breakpoints. Our evaluation of the nasal surface aesthetics is achieved using the concept of geometric polygons as aesthetic subunits, both to define the existing deformity and the aesthetic goals. Surgical techniques have been developed and modified to achieve the desired surface appearance, and those are detailed in this article. The principles of geometric polygons allow the surgeon to analyze the deformities of the nose, to define an operative plan to achieve specific goals, and to select the appropriate operative technique. These aesthetic concepts and surgical techniques were used in 257 consecutive rhinoplasties performed in the past 3 years by the principal author (B.Ç.).
Folkmann, Mads Nygaard
experience: We can look at sensual, conceptual, and contextual aesthetic dimensions of design and examine their contribution to the framing of experience, that is, how different dimensions of meaning articulation in design offer different framings of the experiences promoted by design objects and solutions......The aim of this chapter is to introduce and discuss aesthetics as an approach to understand how design frames experience. In doing so, the chapter combines two philosophical interests in design, design phenomenology and design aesthetics, in order to promote a framework for discussing the impact...... of aesthetic meaning construction on experience. First, the chapter raises the phenomenological question of the relationship between design and experience, specifically, how design conditions experience. Second, in looking at aesthetics in terms of a) the sensual appeal of design, b) design objects...
Marina Paola Banchetti-Robino
Full Text Available This essay offers a novel approach for understanding the poetry of negritude and its role in the struggle for black liberation by appealing to Giambattista Vico’s insights on the historical, cultural, and myth-making function of poetry and of the mythopoetic imagination. The essay begins with a discussion of Vico’s aesthetic historicism and of his ideas regarding the role of imagination, poetry, and myth-making and then brings these ideas to bear on the discussion of the function of negritude poetry, focusing primarily on the writings of Aimé Césaire and on Jean-Paul Sartre’s essay, Black Orpheus.
Grodal, Torben Kragh
The article discusses - based on neuroscience and cognitive science - how the aesthetic experience of films depends on the brain's architecture and the mental flow called the PECMA flow. It describes how the flow from (visual and acoustic) perception of the film, via emotional and cognitive...... processes in the brain to simulated motor actions provides a series of options for aesthetic effects by the film's control of focus; focus on different steps in the flow will evoke different effects. The article further describe how shift of focus control experience of reality status, that is, whether...... something is real or mental Keywords: Film aesthetics, neuroaesthetics, cognitive film theory film emotions ...
In our class, we have already learned some articles of Aesthetism. The famous aesthetes, such as Walter Pater, Oscar Wilde, Benedetto Croce, all give us huge impressions. And Russian Formalism is also very important school of thoughts. As they all study art, literature and form, I would like to know the relationship between them. In this paper, first I will show some of my own understandings on Both Aesthetism and Russian Formalism. Then I will compare them to find similarities and differences. At last, I will say something about my preference.
In psychological research art and aesthetics are rarely considered central to the perspective of everyday life. Philosophically this relates to an insistent separation of art and life that goes back to Immanuel Kant’s theory of sensation in which aesthetics takes on a double meaning. Thus, on the...... of an aesthetic approach to everyday life I will take point of departure in my own research exploring the relationship between the expressive movements in the Brazilian martial art, capoeira, and the conduct of children diagnosed with ADHD....
Full Text Available This essay is a reflection on the aesthetic of forced disappearance based on the case in Mexico in October 2014 in which 43 young students from Ayotzinapa, in the state of Guerrero, disappeared. We analyse the photographic support of this shocking event and relate it to the function of the image in other cases of serious crimes against humanity, establishing a genealogy of the aesthetic of disappearance. We present fifteen declarations on the aesthetic of disappearance which enable us to debate on old and new forms of organised violence, particularly in the Latin American context.
Recommends rejecting race (an aesthetic concept) and returning to the apprehension, appreciation, and realization of beauty. Discusses aesthetics and racism, racism and postmodernism, and postmodernism and despair. Explains that recognition of the continuum from aesthetics to beauty would mark the demise of aesthetics and the rise of a new and…
The connection between humor and aesthetic experience has already been recognized by several thinkers and aesthetic educators. For instance, humor theorist John Morreall writes that "humor is best understood as itself a kind of aesthetic experience, equal in value at least to any other kind of aesthetic experience." For Morreall, both humor and…
In this paper, I compare all three editions of Bennett Reimer's "A Philosophy of Music Education" with early Chinese philosophy, in particular, classical Chinese aesthetics. I structure my analysis around a quartet of interrelated themes: aesthetic education, education of feeling, aesthetic experience, and ethics and aesthetics. This…
Full Text Available At present, various efforts are being put forward to naturalize aesthetics. One of the most controversial disciplines of aesthetics is neuroaesthetics. The first applications of neuroimaging of the aesthetic experience of paintings occurred ten years ago. Over this decade, neuroscientific findings have determined three common centers of visual aesthetic experience: top-down processing; reward and evaluation; and cortical sensory processing. Undoubtedly, these common centers require better identification and further investigation. However, the experimental data currently available make it possible to falsify or corroborate traditional philosophical theories of aesthetic perception and evaluation. Within an integrated approach to aesthetics, this selective function might constitute a future role for neuroaesthetics in humanities research.
Full Text Available Aesthetics, like other philosophical subjects, has historically made use of «top down» (mentalistic, analytic, and linguistic methods. Recent discoveries in genetics, evolutionary psychology, paleoarchaeology, and neuroscience call for a new «naturalistic» or «bottom up» perspective. Combining these fields with behavioral biology and ethnoarts studies, I offer seven premises that underlie a new understanding of evolved predispositions of the brain/mind that all artists use to attract attention, sustain interest, and create, mold, and shape emotion. I describe aesthetic «primitives» in somatic and behavioral (as well as psychosensory modalities, suggesting that these were present in early sapiens and continue to influence human art making and aesthetic response today. Keywords: Aesthetic Mind; Neuroaesthetics, evolutionary aesthetics, cognitive aesthetics, evolution of art.
Schoeller, Felix; Perlovsky, Leonid
This article addresses the relation between aesthetic emotions, knowledge-acquisition, and meaning-making. We briefly review theoretical foundations and present experimental data related to aesthetic chills. These results suggest that aesthetic chills are inhibited by exposing the subject to an incoherent prime prior to the chill-eliciting stimulation and that a meaningful prime makes the aesthetic experience more pleasurable than a neutral or an incoherent one. Aesthetic chills induced by narrative structures seem to be related to the pinnacle of the story, to have a significant calming effect and subjects describe a strong empathy for the characters. We discuss the relation between meaning-making and aesthetic emotions at the psychological, physiological, narratological, and mathematical levels and propose a series of hypotheses to be tested in future research. PMID:27540366
Schoeller, Felix; Perlovsky, Leonid
This article addresses the relation between aesthetic emotions, knowledge-acquisition, and meaning-making. We briefly review theoretical foundations and present experimental data related to aesthetic chills. These results suggest that aesthetic chills are inhibited by exposing the subject to an incoherent prime prior to the chill-eliciting stimulation and that a meaningful prime makes the aesthetic experience more pleasurable than a neutral or an incoherent one. Aesthetic chills induced by narrative structures seem to be related to the pinnacle of the story, to have a significant calming effect and subjects describe a strong empathy for the characters. We discuss the relation between meaning-making and aesthetic emotions at the psychological, physiological, narratological, and mathematical levels and propose a series of hypotheses to be tested in future research.
Funk, Wolfgang; Podmelle, Fred; Guiol, Claudia; Metelmann, Hans Robert
To objectively and reproducibly assess the outcome of aesthetic procedures remains one of the major, unmet challenges in maxillo-facial and plastic surgery. Frequently employed scoring systems for the evaluation of aesthetic procedures are confounded by observer bias, be it that of the patient or of the surgeon. A new approach of pragmatic and simple scoring is the ANA [Aesthetic Numeric Analogue] scale, which facilitates the objective, reproducible, standardized and internationally uniform evaluation of aesthetic procedure outcome by converting all ratings for any kind of aesthetic procedures from a subjective value to an objective figure. The intention of the ANA-scale is to relate aesthetic satisfaction from wording to figures and by this create a rating system. The study is arranging matching pairs of verbal description and figures to finally queue up generating a scale. The clinical feasibility of this rating system is demonstrated in a surgical case. As a detail of the results the influence of the viewer's age to the aesthetic benefit assessment is obvious. In summary the ANA-scale looks to be a tool useful in individual treatment protocols as well as analysis of different techniques of aesthetic surgery for rating of the pure aesthetic satisfaction of the patients. PMID:21872486
Funk, Wolfgang; Podmelle, Fred; Guiol, Claudia; Metelmann, Hans Robert
To objectively and reproducibly assess the outcome of aesthetic procedures remains one of the major, unmet challenges in maxillo-facial and plastic surgery. Frequently employed scoring systems for the evaluation of aesthetic procedures are confounded by observer bias, be it that of the patient or of the surgeon. A new approach of pragmatic and simple scoring is the ANA [Aesthetic Numeric Analogue] scale, which facilitates the objective, reproducible, standardized and internationally uniform evaluation of aesthetic procedure outcome by converting all ratings for any kind of aesthetic procedures from a subjective value to an objective figure. The intention of the ANA-scale is to relate aesthetic satisfaction from wording to figures and by this create a rating system. The study is arranging matching pairs of verbal description and figures to finally queue up generating a scale. The clinical feasibility of this rating system is demonstrated in a surgical case. As a detail of the results the influence of the viewer's age to the aesthetic benefit assessment is obvious. In summary the ANA-scale looks to be a tool useful in individual treatment protocols as well as analysis of different techniques of aesthetic surgery for rating of the pure aesthetic satisfaction of the patients.
Iversen, Ole Sejer; Dindler, Christian
We introduce aesthetic inquiry as an important perspective to pursue in Participatory Design. Within the scope of tradition and transcendence we pursue aesthetic inquiry by tipping the scale towards transcendence and by staging offline loops for detached reflection by use of imaginative artefacts....... Although aesthetic inquiry to some extent resides in most Participatory Design practice, we see the need for elaborating this perspective and to further build Participatory Design practice, tools and techniques that address this issue. The Fictional Inquiry technique is presented as an illustrating example...... of a design technique for pursuing aesthetic inquiry by using fictional narratives to temporarily by-pass the existing structures of meaning and expectations within a given practice. We illustrate how Fictional Inquiry was utilized in a participatory design project in which two design concepts...
Smith, Ralph A.
Author describes two instructive ways of illustrating the principal business of aesthetic education and summarizes the way in which the notion of a form of understanding is dealt with by Dearden. (Author/RK)
Drenthen, M.; Keulartz, J.
Environmental aesthetics crosses several commonly recognized divides: between analytic and continental philosophy, Eastern and Western traditions, universalizing and historicizing approaches, and theoretical and practical concerns. This volume sets out to show how these,perspectives can be brought i
Full Text Available The aesthetic sense we inherited from our successful ancestors drew them toward conditions that made for survival and reproductive success and repelled them away from conditions that impacted negatively on longevity and fertility. But for them, as for us, those desirable outcomes were incidental and uncalculated. Their search was for the beautiful and sublime. Aesthetic behaviours are apparent in our forerunner species about 400,000 years ago. They sometimes made symmetrical hand axes that were then not used. We can take an aesthetic interest in more or less anything, but the aesthetic responses that are rooted in our biology include those to landscapes and environments, to non-human animals, and to the appearance and behaviour of our fellow humans.
Full Text Available It is important to consider the jewelry as an aesthetic object and within the frame of the meaning given to aesthetic object concept from the beginning until today. First of all, jewelry which has the qualification of having a weight, being held and seen is a tangible presence. Since the jewelry which is a plain tangible presence has been comprehended by the subject with an attitude of liking and admiring, the jewelry is no longer a plain information object and turns into an aesthetic object. Archeological and anthropological researches showed that first examples of art are related to body decoration. This study is handled under “jewelry as an aesthetical object” and the subject is evaluated with an analytic approach.
Bejder, Anne Kirkegaard
The common thread through this thesis is the aim of bringing the aesthetic, poetic and sensuous qualities of materials into focus. This is done with the belief that materials are more than merely the means of construction, i.e. more than a building system. The thesis takes its point of departure...... an undefined aesthetic potential that may innovate how we construct and perceive timber architecture, the overall aim of the thesis is to inquire into the architectural and aesthetic qualities of CLT. Through three chapters this thesis examines and discusses 1) the architectural qualities of CLT, 2......) the materiality of CLT, and 3) how one can deal with these qualitative aspects in the design process. This leads to: firstly, the development of an explicit model to help structuring the analysis and evaluation of the materiality of CLT, and secondly, a clarification and articulation of the aesthetic qualities...
In this paper we present an abstract about our Philosophical Doctor Thesis make on Campinas University (Sao Paulo, Brazil) titled educacion estetico ambiental y fenomenologia: problemas de la educacion estetico ambiental en la modernidad. In this thesis we do a critical thinking about the epistemological model of relation subject -object on modern education, and on the other side, we work in the construction about a aesthetic - environmental education model. We propose here an aesthetization of the education, for conjoint body and world-of-life (lebenswelt) into scenarios and actors of the pedagogical process. Body and world-of-life, are two concepts of Husserl's phenomenology that open the door about the environment' s studies aesthetization and aesthetic' s studies environment, separated on modernity, between the metaphysical subject and physicality objects. Body and world-of-life -symbolic-biotic- are marginal alterities on modernity. This marginality has been a structural lead on the contemporary environmental problems
Alberto da Silva Moreira
Full Text Available This article examines the modern process of aestheticization of culture and religion as consequent unfolding of the expansion of market rationality to the subjective life and the libidinal sphere of subjects. Its main objective is to inquire about the future of religion under the impact of sensation seeking culture and the inflation of aesthetics. Firstly, with the help of Türcke, Welsch, Foucault and Schultze´s investigate the aestheticization process of of social life, its causes and characteristics; Secondly, following Dufour, Türcke Leiss, Kline, Jhally e Welsch, it asks how the dynamics of aesthetical impacts the daily life and the bio-psychic economy of people; thirdly, it applies the results obtained to the analysis of what is happening with religion under the regime of aesthetics and sensational culture. Finally, it asks about the possible emancipatory potential of aestheticized own religious experience and tries to draw some further consequences for religion in the aesthetic field.
Alter, Gary J.; Salgado, Christopher J.; Chim, Harvey
Appearance of the male genitalia is linked with self-esteem and sexual identity. Aesthetic surgery of the male genitalia serves to correct perceived deficiencies as well as physical deformities, which may cause psychological distress. Attention to patient motivation for surgery and to surgical technique is key to achieving optimal results. In this review, the authors describe aesthetic surgical techniques for treatment of penile and scrotal deficiencies. They also discuss techniques for revis...
Dobbeleir, Julie M.L.C.L.; Landuyt, Koenraad Van; Monstrey, Stan J.
Aesthetic genital surgery seems to have become a fashionable issue nowadays. Many procedures and techniques have been described these last years, but very few long-term results or follow up studies are available. The novelty of this aspect of plastic surgery and the lack of evidence-based interventions, have led to a comparison with female genital mutilation. In this article, the authors provide an overview of the possible surgical procedures as well as the general principles of aesthetic sur...
Bruno Barreto Cesarino; Marcos Antonio Oliveira Cruz; Isa Omena Machado Freitas; Vinicius Pinheiro Marques; João Marcelo dos Santos Silva
This research project has as delimiting central theme and also central question whether digital inclusion of elderly enable increasing their aesthetic education. Being its specific goals study what is aesthetic education, using the theoretical framework the German philosopher Friedrich Schiller, conceptualize what is senior and define digital inclusion. Its relevance is the increment that Beauty favors the increased awareness of self, others and their environment. The population and sample wi...
Based on an evolutionary understanding of aesthetics a cognitive approach to analyzing advertising is proposed. This approach is compared with different semiotic traditions, and the advantages of a semio-cognitive approach are foregrounded.......Based on an evolutionary understanding of aesthetics a cognitive approach to analyzing advertising is proposed. This approach is compared with different semiotic traditions, and the advantages of a semio-cognitive approach are foregrounded....
Benner, Steven A
Physicists frequently allow aesthetics to guide their science. Chemists sometimes do. Biologists rarely do. They have encountered too frequently the consequences of the Darwinian 'hack'. The biological parts delivered by Darwinian processes are rarely simple, efficient, or elegant solutions to the biological problems that they address. Nevertheless, as humans, we seek to find aesthetics within our activities. In general, however, it is hard to distinguish what we say is beautiful from what is, in reality, utilitarian.
Gino Giacomini Giacomini-Filho
This text intends to propose conceptual typologies that show possibilities of aesthetic imitation in advertising. This conceptual base is important because imitate practice in advertising is something common and adds interests in the authorial and social fields. It is an exploratory study that uses bibliographical research about advertising, imitation and aesthetic elements of advertising. It was found six typologies: falsification, piracy, plagiarism, knockoff, adaptation and parody.
Gino Giacomini Giacomini-Filho
Full Text Available This text intends to propose conceptual typologies that show possibilities of aesthetic imitation in advertising. This conceptual base is important because imitate practice in advertising is something common and adds interests in the authorial and social fields. It is an exploratory study that uses bibliographical research about advertising, imitation and aesthetic elements of advertising. It was found six typologies: falsification, piracy, plagiarism, knockoff, adaptation and parody.
Fjællegaard, Cecilie Bryld; Beukel, Karin; Alkærsig, Lars
The innovation literature states that scientists are core ingredients in creating technological innovations. This paper investigates whether the hiring of a designer generates aesthetic innovations by a firm. Further we investigate what the level of design knowledge of the receiving firm means for the firms? absorptive capacity, in terms of turning the hiring of the designer into aesthetic innovations. We explore a unique dataset containing information on firms, their hiring of designers and ...
As one of the most commonly and widely adopted art forms, vocal art has been closely related with national culture and the aesthetics trend. Traditional Chinese vocal art rooted from China' s long history and distinctive culture. On the contrary, Italian bel canto stems from the prospect of Italian Opera Art during the Renaissance period. This essay discusses the differences between East and West vocal art, from its aesthetic and culture origin.
de Raeve, L
This article explores the question of whether or not the 'art' of nursing can properly be described as an 'aesthetics'. The author concludes that, although much nursing literature on the subject is confused and even incoherent, there is nevertheless some justification for seeing a connection between the art of nursing and aesthetics. The philosophical writings of Martha Nussbaum and Iris Murdoch are used to support this position.
Sanjna Nayar; Aruna, U.; Wasim Manzoor Bhat
The demand for the dentist to achieve excellence in esthetics and function has driven modern advances in materials and restoration fabrication. The development of various casting alloys and precise casting systems has contributed to the successful use of metal-based restorations. However, patient requests for more aesthetic and biologically "safe" materials that have led to an increased demand for metal-free restorations. The following case presentation illustrates a successful aesthetic and ...
Full Text Available Although discourses of immersive aesthetics and distributed aesthetics may evoke associations with different media, creative processes, modes of audience engagement and even political ideologies, artists using these aesthetics often share similar interests in transforming and enhancing notions of the body and perception through technological intervention. This paper undertakes a comparison between immersive and distributed aesthetics in relation to Virtual Reality (VR and Networked Art (net.art, particularly networked installation art. It focuses on the ways in which both VR and networked installations immerse the viewer in states of perceptual and cognitive transition. Central to this article is the argument that VR and net.art are able to generate immersive experiences in the viewer by creating the sensation of being (tele-present in an electronically mediated environment that is illusionistic and sometimes remote from the physical body of the participant. Furthermore, the immersive and distributed aesthetics generated by specific VR and net.art projects have revolutionary consequences for traditional aesthetic theories of spectatorship and art appreciation that assert the need for critical and physical distance.
Aesthetics in dentistry has of late become an awakening/actor among patients and often serves as a major reason for seeking dental treatment and care. Ever since the introduction of orthodontics as a separate specialty branch in dentistry, a variety of techniques have evolved, and methods developed both in the type of devices/instruments used and treatments planned. The discipline of orthodontic aesthetics involves micro and macro aesthetics, gingival, and facial aesthetics. This article helps focus on the artistic part of the orthodontic science. It brings out various important factors involved in customizing aesthetic orthodontic treatment planning according to the individual needs of the patient. Through this kind of treatment planning not only are the functional and biological needs of the patient met, they also provide a stable and durable results. Less invasive treatment planning makes it easier for the patient to select future treatment options as new technologies keep evolving. The review was selected by typing aesthetic orthodontics in the Google search engine, Pubmed, and Pubmed Central. Literature review of articles reflecting history, different analysis, factors responsible, and the latest technique was conducted.
Full Text Available Aesthetics rises in XVIII Century involving the inner and the senses of the subject. The bipolar couple beautiful/ugly is no more enough to define new emerging aesthetic experiences of agreeable, charming, interesting, sublime... Traditional models of Perfection (based on metron, nomos, logos, eurhythmy, symmetry, once centrepieces of the metaphysics of beauty are soon overruled: irrational, disgusting, ugliness, darkness, mystery, shadow, troubled, dreadful, perturbing gain wide and independent spaces. Time, body, proximity senses, geographic, naturalistic and technological discoveries and inventions are among the factors of this turning point that go with the development of aesthetics. Rising and growing modern science, new technology and engineering determine a deep crisis in the aesthetic vision of nature, art, world, but also offer the references to build a new cultural and existential frame. In particular, actual engineering contributes to quality of life and offer explanations and demonstrations about how and because a thing or an action can satisfy our aesthetic sense, meant in a wide acceptation. As example we use the geometry of road and its curves and we compare this with structures we find in Nature. We use curves whose curvature changes along their development. They are very suitable to show how science and technology have dispelled the classic idea of perfection (based on quite, simple, exactly defined shapes as circle or square and have contributed to build a new kind of aesthetic taste that understands and appreciates less defined and more problematic ones, coming from different laws.
Jacobsen, Thomas; Schubotz, Ricarda I; Höfel, Lea; Cramon, D Yves V
Functional MRI was used to investigate the neural correlates of aesthetic judgments of beauty of geometrical shapes. Participants performed evaluative aesthetic judgments (beautiful or not?) and descriptive symmetry judgments (symmetric or not?) on the same stimulus material. Symmetry was employed because aesthetic judgments are known to be often guided by criteria of symmetry. Novel, abstract graphic patterns were presented to minimize influences of attitudes or memory-related processes and to test effects of stimulus symmetry and complexity. Behavioral results confirmed the influence of stimulus symmetry and complexity on aesthetic judgments. Direct contrasts showed specific activations for aesthetic judgments in the frontomedian cortex (BA 9/10), bilateral prefrontal BA 45/47, and posterior cingulate, left temporal pole, and the temporoparietal junction. In contrast, symmetry judgments elicited specific activations in parietal and premotor areas subserving spatial processing. Interestingly, beautiful judgments enhanced BOLD signals not only in the frontomedian cortex, but also in the left intraparietal sulcus of the symmetry network. Moreover, stimulus complexity caused differential effects for each of the two judgment types. Findings indicate aesthetic judgments of beauty to rely on a network partially overlapping with that underlying evaluative judgments on social and moral cues and substantiate the significance of symmetry and complexity for our judgment of beauty.
Bronner, Shaw; Shippen, James
The brain may be tuned to evaluate aesthetic perception through perceptual chunking when we observe the grace of the dancer. We modelled biomechanical metrics to explain biological determinants of aesthetic perception in dance. Eighteen expert (EXP) and intermediate (INT) dancers performed développé arabesque in three conditions: (1) slow tempo, (2) slow tempo with relevé, and (3) fast tempo. To compare biomechanical metrics of kinematic data, we calculated intra-excursion variability, principal component analysis (PCA), and dimensionless jerk for the gesture limb. Observers, all trained dancers, viewed motion capture stick figures of the trials and ranked each for aesthetic (1) proficiency and (2) movement smoothness. Statistical analyses included group by condition repeated-measures ANOVA for metric data; Mann-Whitney U rank and Friedman's rank tests for nonparametric rank data; Spearman's rho correlations to compare aesthetic rankings and metrics; and linear regression to examine which metric best quantified observers' aesthetic rankings, p < 0.05. The goodness of fit of the proposed models was determined using Akaike information criteria. Aesthetic proficiency and smoothness rankings of the dance movements revealed differences between groups and condition, p < 0.0001. EXP dancers were rated more aesthetically proficient than INT dancers. The slow and fast conditions were judged more aesthetically proficient than slow with relevé (p < 0.0001). Of the metrics, PCA best captured the differences due to group and condition. PCA also provided the most parsimonious model to explain aesthetic proficiency and smoothness rankings. By permitting organization of large data sets into simpler groupings, PCA may mirror the phenomenon of chunking in which the brain combines sensory motor elements into integrated units of behaviour. In this representation, the chunk of information which is remembered, and to which the observer reacts, is the elemental mode shape of
The main intent of this article is to describe some opportunities for an education in aesthetics by referring to similarities between intensive experiences of music in the individual life and in the history of aesthetics. Here, the author discusses Romanticism through the writings of Wilhelm Heinrich Wackenroder. Among other things, she discusses…
Munski, Marilyn L.
Arguing that the visual arts serve as the focus for potential aesthetic experience in the discipline of art education, this paper describes the influence of the sensory elements of aesthetic experience in nature and other art forms on the work of three artists--Kandinsky, Van Gogh, and Picasso--and suggests that teachers can enrich students'…
A. F. ZAYTSEVA
Full Text Available The author of this article considers advertising as an example of artistic communication with a focus on the aesthetic characteristics of the creative idea which is one of basic components of an advertising product. The article describes basic principles of aesthetics analysis in advertising communications, their strong and weak points, motives and features of historical transformation of advertising messages, the changed role of the creative idea and the artistic image. The author reviews the main stages of advertising product creation from the perspective of aesthetic function actualization in advertising and makes a special emphasis on the differences of value characteristics and evaluation criteria of the creative idea and the final advertising product. This allows to separate the concepts of advertising and an advertising idea in the aesthetic perspective and to consider the creative component as a phenomenon that has its own aesthetic value and potential. On this basis, the author attempts to identify the features of aesthetic concept of a creative idea and to determine its internal potential for further artistic implementation. Aesthetic concept of a creative idea is regarded by the author as the starting point of artistic communication in advertising, which was considered earlier from the perspective of the genre and stylistic features of the implementation itself.
Calvo-Merino, B; Jola, C; Glaser, D E; Haggard, P
The field of neuroaesthetics attempts to identify the brain processes underlying aesthetic experience, including but not limited to beauty. Previous neuroaesthetic studies have focussed largely on paintings and music, while performing arts such as dance have been less studied. Nevertheless, increasing knowledge of the neural mechanisms that represent the bodies and actions of others, and which contribute to empathy, make a neuroaesthetics of dance timely. Here, we present the first neuroscientific study of aesthetic perception in the context of the performing arts. We investigated brain areas whose activity during passive viewing of dance stimuli was related to later, independent aesthetic evaluation of the same stimuli. Brain activity of six naïve male subjects was measured using fMRI, while they watched 24 dance movements, and performed an irrelevant task. In a later session, participants rated each movement along a set of established aesthetic dimensions. The ratings were used to identify brain regions that were more active when viewing moves that received high average ratings than moves that received low average ratings. This contrast revealed bilateral activity in the occipital cortices and in right premotor cortex. Our results suggest a possible role of visual and sensorimotor brain areas in an automatic aesthetic response to dance. This sensorimotor response may explain why dance is widely appreciated in so many human cultures. PMID:18207423
Calvo-Merino, B; Jola, C; Glaser, D E; Haggard, P
The field of neuroaesthetics attempts to identify the brain processes underlying aesthetic experience, including but not limited to beauty. Previous neuroaesthetic studies have focussed largely on paintings and music, while performing arts such as dance have been less studied. Nevertheless, increasing knowledge of the neural mechanisms that represent the bodies and actions of others, and which contribute to empathy, make a neuroaesthetics of dance timely. Here, we present the first neuroscientific study of aesthetic perception in the context of the performing arts. We investigated brain areas whose activity during passive viewing of dance stimuli was related to later, independent aesthetic evaluation of the same stimuli. Brain activity of six naïve male subjects was measured using fMRI, while they watched 24 dance movements, and performed an irrelevant task. In a later session, participants rated each movement along a set of established aesthetic dimensions. The ratings were used to identify brain regions that were more active when viewing moves that received high average ratings than moves that received low average ratings. This contrast revealed bilateral activity in the occipital cortices and in right premotor cortex. Our results suggest a possible role of visual and sensorimotor brain areas in an automatic aesthetic response to dance. This sensorimotor response may explain why dance is widely appreciated in so many human cultures.
Chen, Ming; Allebach, Jan
On-line fashion communities in which participants post photos of personal fashion items for viewing and possible purchase by others are becoming increasingly popular. Generally, these photos are taken by individuals who have no training in photography with low-cost mobile phone cameras. It is desired that photos of the products have high aesthetic quality to improve the users' online shopping experience. In this work, we design features for aesthetic quality inference in the context of online fashion shopping. Psychophysical experiments are conducted to construct a database of the photos' aesthetic evaluation, specifically for photos from an online fashion shopping website. We then extract both generic low-level features and high-level image attributes to represent the aesthetic quality. Using a support vector machine framework, we train a predictor of the aesthetic quality rating based on the feature vector. Experimental results validate the efficacy of our approach. Metadata such as the product type are also used to further improve the result.
Chang, Chia-Hsiu; Chen, Chung-Hey
Nursing aesthetics belong to the broader school of aesthetics, a branch of philosophy, as well as the nursing arts, an element of professional nursing. The philosophy of aesthetics recognizes the connection between an author and appreciators and identifies both substantive and abstract aesthetic experiences in interpersonal communication through the fine arts. Nursing aesthetics values the meaningful moments of patients, is sensitive to the influences of different circumstances and situations, and appreciates the unique qualities of humanness. Nursing aesthetics is emancipatory knowledge and involves empirical, ethical and personal knowing. The article is based on a search of OvidSP and Chinese Electronic Periodical Services (CEPS) database references using key words including aesthetic, aesthetics, art of nursing, or nursing aesthetics as well as a review of books related to aesthetics, knowledge construction, and nursing aesthetics. Authors determined definitions as defined by nursing experts and the applications thereof in clinical practice. This article aimed to illustrate that the ultimate concern of philosophy is "goodness" and that the foundation of caring behaviors is "love". In practice, nursing aesthetics is expressed through empathy, appreciation, inspiration and the therapeutic use of the self. Through aesthetic knowing and enhanced perceptual sensibility and reflection, nurses can transform intuitive knowing into art-acts and ultimately enhance nursing care quality.
Krarup, Jonna Majgaard
it was distributed systematically as an almost industrially produced landscape element. Windbreaks are now regarded as a traditional element in the Danish agricultural landscape. As a landscape element it is an international phenomenon known and used in Germany, France, England etc. Originally local farming...... practices, natural conditions, techniques and national legislation in the respective countries, formed the aesthetic expression. In this respect one could speak of the impact of northern nature on the aesthetic expression of the Danish windbreaks, as well as the impact from national phenomena....... These features determined the specific aesthetic and architectural identity of ordinary Danish, i.e. Nordic, landscapes. Contemporary cultural changes such as the aesthetification of everyday life and of ordinary landscape, i.e. farming landscape, are now manifest in the way the windbreaks are motivated...
Full Text Available In a process of somatic evolution, the brain semi-randomly generates initially-unstable neural circuits that are selectively stabilized if they succeed in making sense out of raw sensory input. The human aesthetic response serves the function of stabilizing the circuits that successfully mediate perception and interpretation, making those faculties more agile, conferring selective advantage. It is triggered by structures in art and nature that provoke the making of sense. Art is deliberate human action aimed at triggering the aesthetic response in others; thus, if successful, it serves the same function of making perception and interpretation more agile. These few principles initiate a cascade of emergent phenomena which account for many observed qualities of aesthetics, including universality and idiosyncrasy of taste, the relevance of artists’ intentions, the virtues of openness and resonance, the dysfunction of formulaic art, and the fact that methods of art correspond to modes of perceptual transformation.
Full Text Available This paper takes distances from two influential images of Wittgenstein's philosophy: the image of a primarily ethical philosopher defended by the so-called «resolute» interpreters and that of an ascetically "analytical" philosopher transmitted by the standard interpretation. Instead of contrasting images (that of Wittgenstein as an "aesthetic" philosopher and that of the "ethical" Wittgenstein, this paper focuses on the analysis of the fractures and tensions characterizing not only the relationship between Wittgenstein's philosophy and aesthetics, but also the very style of Wittgenstein's thought. Addressing a specific issue from a conceptual and textual standpoint (the unity of Ethics and Aesthetics in the Tractatus seems to the author to be a fruitful strategy that allows us not only to understand whether and how determinant and central the aesthetic problem is for Wittgenstein, but also to see how aesthetics itself can be radically reshaped through the filter offered by his thought. In the first place, then, it is clarified what the Tractatus claim that ethics and aesthetics «sind eins» might entail. Secondly, it is checked if and how the conceptual consistency of the «being one» of ethics and aesthetics is transformed during the 1930s, to the point that it requires a different configuration: the metamor¬phosis of the logical unity between the two conceptual fields into an analogical affinity. Analyzing this conceptual metamorphosis the paper considers also the idea of an asymmetry of the aesthetic over the ethical as already evident, despite appearances, in the 1929 Lecture on Ethics. This asymmetry is then developed focusing the image of grammatical mechanism with its degrees of freedom of which Wittgensteins writes from 1930. In connection with this image the author outlines finally the idea of an aesthetic mechanism arising from primitive reactions and strictly related with the genesis of language games.
A. F. ZAYTSEVA
The author of this article considers advertising as an example of artistic communication with a focus on the aesthetic characteristics of the creative idea which is one of basic components of an advertising product. The article describes basic principles of aesthetics analysis in advertising communications, their strong and weak points, motives and features of historical transformation of advertising messages, the changed role of the creative idea and the artistic image. The author reviews th...
Cela-Conde, Camilo J; Agnati, Luigi; Huston, Joseph P; Mora, Francisco; Nadal, Marcos
The study of the cognitive and neural underpinnings of aesthetic appreciation by means of neuroimaging techniques has yielded a wealth of fascinating information. Although the results of these studies have been somewhat divergent, here we provide an integrative view of the early approaches, which identified some of the core mechanisms involved in aesthetic preference. Then, a number of more specific issues under the perspective of recent work are addressed. Finally, we propose a framework to accommodate these findings and we explore future prospects for the emerging field of neuroaesthetics. PMID:21421021
Web sites are rapidly becoming the preferred media choice for information search, company presentation, shopping, entertainment, education, and social contacts. At the same time we live in a period where visual symbols play an increasingly important role in our daily lives. The aim of this article...... is to present and discuss the four main areas in which aesthetics play an important role in the design of successful Web sites: aesthetics play an important role in supporting the content and the functionality, in appealing to the taste of the target audience, in creating the desired image for the sender...
Krueger, Nils; Luebberding, Stefanie; Sattler, Gerhard; Hanke, C William; Alexiades-Armenakas, Macrene; Sadick, Neil
The history of beauty is as old as mankind itself--throughout history people have tried to improve their attractiveness and to enhance their beauty. The technical basis for many of nowadays procedures like lipoplasty, breast augmentation or rhinoplasty was thereby initiated more than a hundred years ago and evolved to the modern standards of today. The aim of this article is to recall the early days of aesthetic medicine and show the swift progress up to the highly specialized medical discipline of our modern time. Combining the past, present and future of aesthetic medicine, allows to incorporate this perspective and ultimately to delivery better patient care. PMID:23884484
When we review the history of modern aesthetic surgery, a name that stands out as bright as a beacon and precious as gold is undoubtedly that of Jacques Joseph. A surgeon, par excellence, far ahead of his time, who chose to think out of the box, Joseph, despite all odds set out to give respectability to Aesthetic Surgery without depriving it of any scientific core values. By his words and deeds proved beyond doubt that only the very best in the field of reconstructive surgery, can visualize t...
Animals' choice behavior is driven by motivation that is attributable to both innate urges and from positive and negative reinforcements. Using a comparative approach as well as experimental evidence, I explore how the first involves fitness-enhancing benefits from aesthetics that are derived from ancestral choices via natural selection. Innate urges and aesthetics help guide animals to produce appropriate positive and negative choices that are species-specific. Choices of food, habitat and mates or associates are considered. I propose that art is not a uniquely human product, but a representation or an extension of the maker, as are the ornaments, displays, and songs of a bird.
. In so doing, I will identify a theoretical ‘blind spot’ in the research literature, which has blocked our view of how design activism functions as an aesthetic practice and not only a socio-political one. To remedy this shortcoming, I then introduce some notions from Rancière (2004; 2010) that enable...... design research to better explain the close interrelationship between aesthetics and the political in design activism. This will be further demonstrated through a series of case examples from current urban design activism. On the basis of this, I finally offer a more meaningful framework for the practice...
what can be called the dichotomy between the aesthetics of the objects and the aesthetics of the perception - as stated by Boehme. To improve practice this article conducts a study of our perception, focusing more on the effects of light and less on the physical light (Lux). By doing so the article...... tries to give a better understanding of the differences of the regional lighting cultures and the influences creating the differences. The article tries to establish a link between the regional daylight and the use of artificial lighting, showing that daylight, as a background, along with our perception...... of the perception, architecture, wellbeing, human-ecology, experienced brightness, atmosphere, design....
Petersen, Marianne Graves; Krogh, Peter
in everyday life. As designers we are prohibited access to the aesthetic experience of the user. However, we have the possibility of articulating intentions and values embedded in the artefact that can be interpreted in use and thereby providing the artefact an aesthetic potential for users to unleash. Design...... articulations serve as catalysts for developing and choosing design expressions in the design process. Design articulations are embodied in artifacts, that address desired, anticipated or identified user experiences and capabilities, carrying a format which enable discussions also with non...
Vicente Sanfélix Vidarte
Full Text Available Wittgenstein’s distinction between saying and showing and the associated thesis, what can be shown cannot be said, were crucial to his first philosophy, persisted throughout the evolution of his whole thought and played a key role in his views on aesthetics. The objective of art is access to the mystical, forcing us to become aware of the uniqueness of our own experience and life. When art is good is a perfect expression and the work of art becomes like a tautology. An important consequence of this understanding of art is the irreducibility of the aesthetic to the scientific perspective.
Nayar, Sanjna; Aruna, U; Bhat, Wasim Manzoor
The demand for the dentist to achieve excellence in esthetics and function has driven modern advances in materials and restoration fabrication. The development of various casting alloys and precise casting systems has contributed to the successful use of metal-based restorations. However, patient requests for more aesthetic and biologically "safe" materials that have led to an increased demand for metal-free restorations. The following case presentation illustrates a successful aesthetic and functional application of this exciting computer-aided design/computer-aided manufacturing-digital zirconia-based system for a natural smile. PMID:26015733
Full Text Available The demand for the dentist to achieve excellence in esthetics and function has driven modern advances in materials and restoration fabrication. The development of various casting alloys and precise casting systems has contributed to the successful use of metal-based restorations. However, patient requests for more aesthetic and biologically "safe" materials that have led to an increased demand for metal-free restorations. The following case presentation illustrates a successful aesthetic and functional application of this exciting computer-aided design/computer-aided manufacturing-digital zirconia-based system for a natural smile.
Dragon pattern with a long history of traditional patterns,contains profound cultural connotation.This passage illustrate the aesthetic analysis of dragon pattern in modern clothing, analyze the aesthetic expression of dragon pattern with modern costume designer.
Zain, Jasni Mohamad; Goh, Yingsoon
Aesthetics of web page refers to how attractive a web page is in which it catches the attention of the user to read through the information. In addition, the visual appearance is important in getting attentions of the users. Moreover, it was found that those screens, which were perceived as aesthetically pleasing, were having a better usability. Usability might be a strong basic in relating to the applicability for learning, and in this study pertaining to Mandarin learning. It was also found that aesthetically pleasing layouts of web page would motivate students in Mandarin learning The Mandarin Learning web pages were manipulated according to the desired aesthetic measurements. GUI aesthetic measuring method was used for this purpose. The Aesthetics-Measurement Application (AMA) accomplished with six aesthetic measures was developed and used. On top of it, questionnaires were distributed to the users to gather information on the students' perceptions on the aesthetic aspects and learning aspects. Respondent...
Full Text Available By comparing chemistry to art, chemists have recently made claims to the aesthetic value, even beauty, of some of their products. This paper takes these claims seriously and turns them into a systematic investigation of the aesthetics of chemical products. I distinguish three types of chemical products - materials, molecules, and molecular models - and use a wide variety of aesthetic theories suitable for an investigation of the corresponding sorts of objects. These include aesthetics of materials, idealistic aesthetics from Plato to Kant and Schopenhauer, psychological approaches of Ernst Gombrich and Rudolf Arnheim, and semiotic aesthetics of Nelson Goodman and Umberto Eco. Although the investigation does not support recent claims, I point out where aesthetics does and can play an import role in chemistry. Particularly, Eco's approach helps us understand that and how aesthetic experience can be a driving force in chemical research.
Full Text Available The question of whether or not beauty exists in nature is a philosophical problem. In particular, there is the question of whether artworks, persons, or nature has aesthetic qualities. Most people say that they care about their own beauty. Moreover, they judge another person's appearance from an aesthetic point of view using aesthetic concepts. However, aesthetic judgements are not objective in the sense that the experience justifies their objectivity. By analysing Monroe C. Beardsley's theory of the objectivity of aesthetic qualities, I examine whether there are really beautiful and ugly persons in the world. I will criticize the way analytic philosophers judge people and art from an aesthetic perspective. If there are no aesthetic qualities in the world, nobody can judge someone beautiful or ugly without oppression. Aesthetic judgement is exercise of power.
John D Haynes; David Bryan Paradice
This paper is concerned with examining and recognizing aesthetics in an Information System (an organization incorporating both humans and information technology). Aesthetics emerge from the wholeness of things, not from specific parts or components. As such, aesthetics may naturally be considered in “systems”, and we propose that an effective manner of thinking of aesthetics is to think in terms of “themes”. Humans have an extraordinary capacity to capture events thematically. In other words,...
By comparing chemistry to art, chemists have recently made claims to the aesthetic value, even beauty, of some of their products. This paper takes these claims seriously and turns them into a systematic investigation of the aesthetics of chemical products. I distinguish three types of chemical products - materials, molecules, and molecular models - and use a wide variety of aesthetic theories suitable for an investigation of the corresponding sorts of objects. These include aesthetics of mate...
The question of whether or not beauty exists in nature is a philosophical problem. In particular, there is the question of whether artworks, persons, or nature has aesthetic qualities. Most people say that they care about their own beauty. Moreover, they judge another person’s appearance from an aesthetic point of view using aesthetic concepts. However, aesthetic judgements are not objective in the sense that the experience justifies their objectivity. By analysing Monroe C. Beardsley’s theor...
Zupančič Tomaž; Duh Matjaž
The method of aesthetic transfer is a modern teaching method in art education. It emphasizes the pedagogic value of the aesthetic experience. It is a comprehensive method, as it encompasses different parameters of art didactics. It affects lesson time allocation and determines content, methods, and teaching modes. It also affects motivation and final evaluation. The essence of the method of aesthetic transfer lies in transferring aesthetic messages from the artwork to students. The foundation...
The goal for this patient was to create an aesthetic smile design using individual dental implants to reconstruct the edentulous spaces. Procera crowns aesthetically restored the separate and distinct teeth (Figures 18 and 19). The patient was thrilled with the final aesthetic result, and she was able to smile confidently again.
in the eyes of the media producers even though the most outstanding media products often obtained their success due to aesthetic phenomena. The formal aesthetic function and the inexpressible aesthetic function have therefore been prioritised in the model in regard to the construction and analysis of media...
Austring, Bennye D.; Sorensen, Merete
As the aesthetic learning process is always relational and developed in interaction with the surrounding culture, the participants in the aesthetic activities can develop cultural identity and social skills. Add to this that the individual can share its inner world with others through aesthetic activities in the potential space and in this way…
The new problem to be solved together; Last decade's changes of the world; The aesthetical taste as a part of day-by-day life; Gustology - the new science; Definitions and the double nature of the aesthetical taste; History of the aesthetical taste studying.
Assessment in aesthetic fields presents a myriad of challenges in the higher education environment. This paper uses a metaphorical representation to explore the role of assessors within aesthetic assessment settings in higher education. It begins with a discussion of aesthetic fields and an exploration of the role of assessment in this area.…
<正>Specialty:Literary Theory Music Aesthetics is a basic and theoretical subject,which studies the basic rules of music,and especially regards the study of the particularity of music and aesthetics as its general goal.Belonging to liberal arts,music aesthetics is the same as other
Abidjanova F. A.
Full Text Available In article is considered the philosophical essence of symbolizm on dreams and creative work from the point of view of a psychoanalytical aesthetics. It is analyzed aesthetic aspects of dreams – dialectic features sublime and beauty. It is proved a role of aesthetic education in a spiritual life of the person.
... 21 Food and Drugs 8 2010-04-01 2010-04-01 false External aesthetic restoration prosthesis. 878... External aesthetic restoration prosthesis. (a) Identification. An external aesthetic restoration prosthesis... external prosthesis adhesive. The device is not intended to be implanted. (b) Classification. Class...
Peters, Michael A.
Michel Foucault was drawn late in life to study the "arts of the self" in Greco-Roman culture as a basis, following Nietzsche, for what he called an "aesthetics of existence." By this, he meant a set of creative and experimental processes and techniques by which an individual turns him- or herself into a work of art. For Nietzsche, it was above…
Literature was viewed as a form of cultural production that should be a vehicle for a different practice of representation, a representation of "art" works, through its aesthetic function to enlighten its audience rather than keep them in awe of power as the rhetorics of politics and ideology so often do.
Honig, Alice S.
This speech presents observations, made on a trip in June 1976, of the aesthetic environments of children in China, Japan, and Hong Kong. Home, school and day care environments are compared in terms of living and play space, room decor, the presence of art and toys, dramatic play and performance, music, nature and outdoor appreciation, food and…
Insua, Ana Maria
An aesthetic value scale of the Rorschach cards was built by the successive interval method. This scale was compared with the ratings obtained by means of the Semantic Differential Scales and was found to successfully differentiate sexes in their judgment of card attractiveness. (Author)
Webster, R. Scott; Wolfe, Melissa
This paper reports on a case study that was undertaken to discover not only the belief and intent behind the everyday opportunities that four exemplary teachers offered their high performing students but what activities they incorporated into their everyday lessons in an attempt to make sense of how aesthetic experiences may enhance learning. The…
Dalsgaard, Peter; Hansen, Lone Koefoed
In interaction design for experience-oriented uses of technology, a central facet of aesthetics of interaction is rooted in the user's experience of herself “performing her perception.” By drawing on performance (theater) theory, phenomenology and sociology and with references to recent HCI...
Lee, Sheuan; Chang, Ting
Nursing is a client-oriented profession dedicated to helping people. Nurses are responsible to both help relieve client physical and psychological symptoms and assist clients as necessary to die with dignity. As such, nursing schools should strengthen not only science and professional skills, but also student aesthetics. Today, fast changing medical technology is improving the treatment of diseases and extending average life spans. The National Health Insurance System in Taiwan, however, is increasingly restricting nursing manpower and raising staff workloads. Nurses are increasingly required to sacrifice ethical principles and conduct technical operations in medical settings defined by stringent cost controls. Nursing aesthetics cannot provide appropriate levels of care dignity and quality to clients under severe time and emotional distress constraints. Burnout, dissatisfaction, strained doctor-nurse relationships and lower quality care are all-too-frequent results. Under the circumstances, nursing functions are negatively influenced and fine nursing service is difficult to achieve. This article reviewed the literature to discuss the definition and meaning of aesthetics and relative factors that are difficult to define in clinical settings. This article may assist nurses to present aesthetics, upgrade care quality and further enhance nursing services.
Clark, Barbara A.; French, James Joss
Educators are hesitant to venture into the unknown landscape within a child's heart and mind because they have throughout their education experienced the same non-compassionate teachers. This research proposes an awakening, making a wave for a new revolution of compassionate teachers that institutes aesthetic methodology to address relevant…
Gaudelli, William; Hewitt, Randall
There is a despondency and desperation about schools, and thereby curriculum, that too often fails to teach for and about something more than narrow, capitalist-driven, techno-rationalist ends. The prevailing educational theory undergirding schools, as well as the conceptualization of curriculum entailed, lacks an aesthetic and spiritual rationale…
Kishler, Thomas C.
T. E. Hulme, a vigorous opponent of romanticism in art, poetry, and philosophy, insisted that the underlying flaw of the romantic view was its rejection of the dogma of Original Sin and the fall of man. His views are explored for the significant bearing they have on the development of aesthetic insight and indirectly on value and outlook.…
Hunter, Kyle; Barnbaum, Deborah
There are many prominent examples of artists with autism. However, even when confronted with evidence of these accomplished "autistic savants", pragmatic aesthetic theories cannot adequately account for the work of these accomplished artists as "artists". This article first examines the nature of autism and explores a prominent psychological…
This essay explores an analogy: A well-played soccer game has much in common with a well-taught lesson or course. Aesthetic pedagogy, as conceived by Dewey, Gadamer, and contemporary theorists and practitioners, is set alongside the world's favorite sport, including events from the 2006 World Cup and the autobiography of Pele. The discussion moves…
Full Text Available When we review the history of modern aesthetic surgery, a name that stands out as bright as a beacon and precious as gold is undoubtedly that of Jacques Joseph. A surgeon, par excellence, far ahead of his time, who chose to think out of the box, Joseph, despite all odds set out to give respectability to Aesthetic Surgery without depriving it of any scientific core values. By his words and deeds proved beyond doubt that only the very best in the field of reconstructive surgery, can visualize the hidden perfection in imperfection and formulate a treatment plan and a surgical strategy to achieve that elusive perfection. The rich surgical literature that he has left behind, the wealth of surgical instruments that he had designed and above all a way of thinking that he propagated, that aesthetic surgery is not frivolous but very serious endeavor, and treating the psychology of the patient is as important as treating his disease, undoubtedly makes him the revered ′Father of Modern Aesthetic Surgery′.
One of the most complex issues in Kant's "Critique of Judgment" is the aesthetic judgment's claim to universal validity and shareability. Kant is not very clear about the exact status of this claim. Kant's distinction between the beautiful and the sublime only complicates the matter, since the universal shareability of the judgment of the sublime…
Everyone have different perception of beauty, but in exploring the source of the problem, need an objective, the analysis of the macro level. From natural conditions, the influence of human behavior, many factors such as the impression of social and historical experience to analyze the formation process of beauty, to the aesthetic trend of the development of make accurate judgment.
This paper defined and characterized the aesthetic by relating it to, rather than isolating it from, the economic, scientific, and political realities wich are its foundations, its living-sources, and the very materials of its forms and meanings. (Author/RK)
Neimkin, Michael G; Holds, John B
The eyes and periocular area are the central aesthetic unit of the face. Facial aging is a dynamic process that involves skin, subcutaneous soft tissues, and bony structures. An understanding of what is perceived as youthful and beautiful is critical for success. Knowledge of the functional aspects of the eyelid and periocular area can identify pre-preoperative red flags. PMID:27105795
Curtis, James M.
Attributes McLuhan's theories about media to his interpretation of history as an interpenetrating sequence of three processes: all history originated in oral societies, which were fragmented by literacy, but electronic media are returning society to that original state through implosion. Reviews the historical, literary, and aesthetic sources for…
Okazaki, Ako; Masuda, Kingo; Kaneda, Takuya; Hino, Yoko; Okamoto, Yasuaki; Fukumoto, Kinichi; Nagamori, Motoki; Yamada, Kazumi; Motomura, Kenta; Ishizaki, Kazhiro; Okada, Masashi; Kaneko, Yoshimasa; Naoe, Toshio; Fujie, Mitsuru; Iwano, Masako
The purpose of this symposium is to provide readers with a general understanding of Japanese art and aesthetics education and its interaction with other cultures. The essays cover a variety of topics, including historical, cross-cultural, theoretical, and practical perspectives. Following an introduction by Ako Okazaki, the following papers are…
What is basic to the school isn't so much the arts themselves as the human capacities, perceptions, skills and critical judgments that are the very stuff of the artistic process. Gives reasons why aesthetic education deserves a central place in the school curriculum. (Author/RK)
Post-structuralists argue that personal identity is a function of societal power dynamics. This becomes especially problematic for persons recruited into problem-saturated identities. In this paper, inspired by Foucault's call for us to "create ourselves as a work of art" (p. 262), I explore the therapeutic value of an aesthetic approach…
Kant's "Critique of Judgment," which was published in 1790, referred in detail to the affinity between beauty and morality. Schiller's writings from the 1790s dealing with aesthetics and ethics are intertwined, simultaneously, both with an affirmative reception of Kant's ideas and with critical attitudes against them. This applies to essays such…
For academics committed to the idea of an all-round aesthetic education, one of the great successes of the last thirty years has been the tremendous expansion of creative writing classes. Despite the dramatic expansion of creative writing as an academic discipline, the methods, ideals, and values of creative writing workshops have very often been…
Atiyeh, Bishara S; Rubeiz, Michel T; Hayek, Shady N
Is aesthetic surgery a business guided by market structures aimed primarily at material gain and profit or a surgical intervention intended to benefit patients and an integral part of the health-care system? Is it a frivolous subspecialty or does it provide a real and much needed service to a wide range of patients? At present, cosmetic surgery is passing through an identity crisis as well as an acute ethical dilemma. A closer look from an ethical viewpoint makes clear that the doctor who offers aesthetic interventions faces many serious ethical problems which have to do with the identity of the surgeon as a healer. Aesthetic surgery that works only according to market categories runs the risk of losing the view for the real need of patients and will be nothing else than a part of a beauty industry which has the only aim to sell something, not to help people. Such an aesthetic surgery is losing sight of real values and makes profit from the ideology of a society that serves only vanity, youthfulness, and personal success. Unfortunately, some colleagues brag that they chose the plastic surgery specialty just to become rich aesthetic surgeons, using marketing tactics to promote their practice. This is, at present, the image we project. As rightly proposed, going back a little to Hippocrates, to the basics of being a physician, is urgently warranted! Being a physician is all that a "cosmetic" surgeon should be. In the long run, how one skillfully and ethically practices the art of plastic surgery will always speak louder than any words.
Full Text Available There have been numerous critical articles on what really happened on the otherwise beautiful morning of 11 September 2001. Beyond doubt, the bulk of the critical responses to the terrorist attacks focused on the ethical and humanitarian, or rather the unethical and inhumane implications of the atrocious act, leaving no room for any philosophical reflection on the potential assessment or reception of the event from the perspective of art and aesthetics. The few years that have gone by since 2001 have provided us with some a sense of emotional detachment from the horror of that day, a detachment that may have awakened our aesthetic and artistic instincts with regard to the attacks themselves as well as their visual representation. Chronological distance renders an unprejudiced and independent stance more possible now than ever. It also allows us to reconsider our initial politically correct and ethically justified repulsion of the efforts made by a few artists to aestheticize 9/11. Such repulsion, however, was associated with the delusion that by denouncing aesthetics we were really securing the prevalence of politics, morality and ethical responsibility in a terror-afflicted society. My point in this paper is that there is a need for aesthetic appreciation when contemplating a violent event such as the 9/11 terrorist attacks. What is more, appreciation of the beautiful, even in case of a 9/11, seems necessary because it is a key to establishing an ethical stance towards terror, life, and art. It should be stressed that independent aesthetic experience is not important in itself but is a means of cultivating an authentic moral and ethical judgment.
Full Text Available The article is an overview of the first manifestations of landscape aesthetic assessment, subsequent research and its development in Lithuania. It analyzes the first methodologies in Lithuania for assessment of landscape aesthetic resources, insights by different authors into the compositional structure of landscape architecture, development of aesthetic-psychological assessment and others aspects, which may be important to research of aesthetic potential of a landscape. Most important researches are reviewed in the chronological order by naming their essential distinctive features, in order to evaluate the development of landscape aesthetic assessment up to the present day.
John D Haynes
Full Text Available This paper is concerned with examining and recognizing aesthetics in an Information System (an organization incorporating both humans and information technology. Aesthetics emerge from the wholeness of things, not from specific parts or components. As such, aesthetics may naturally be considered in “systems”, and we propose that an effective manner of thinking of aesthetics is to think in terms of “themes”. Humans have an extraordinary capacity to capture events thematically. In other words, human beings have a natural sense of aesthetics. To examine aesthetics in an information systems context, we argue that one must consider not only aesthetics that may be perceived by the senses (a passive dimension, but also aesthetics that may be conceived in the mind (an active dimension. This paper draws the conclusion that the benefits of aesthetics in relation to the study of Information Systems, has characteristics similar to the nature and importance of ethics in IS. Also, the study of aesthetics in IS has greater implications than simply recognizing and appreciating beauty and art. The very human capacity for recognizing and appreciating beauty and art is also the same capacity for effective creativity and happiness: the active aesthetic dimension. It follows that if an information system encouraged and provided the enabling circumstances for the human capacity of thematic recognition (as found in the human appreciation of art and beauty it thereby also provides the ground and the necessary thematically recognizable stimulus for effective creative and visionary organizational management.
Cela-Conde, Camilo J; García-Prieto, Juan; Ramasco, José J; Mirasso, Claudio R; Bajo, Ricardo; Munar, Enric; Flexas, Albert; del-Pozo, Francisco; Maestú, Fernando
Neuroimage experiments have been essential for identifying active brain networks. During cognitive tasks as in, e.g., aesthetic appreciation, such networks include regions that belong to the default mode network (DMN). Theoretically, DMN activity should be interrupted during cognitive tasks demanding attention, as is the case for aesthetic appreciation. Analyzing the functional connectivity dynamics along three temporal windows and two conditions, beautiful and not beautiful stimuli, here we report experimental support for the hypothesis that aesthetic appreciation relies on the activation of two different networks, an initial aesthetic network and a delayed aesthetic network, engaged within distinct time frames. Activation of the DMN might correspond mainly to the delayed aesthetic network. We discuss adaptive and evolutionary explanations for the relationships existing between the DMN and aesthetic networks and offer unique inputs to debates on the mind/brain interaction.
Full Text Available This nostalgic yet analytic article discusses the topic of aesthetic approach in the aesthetic literature of Soviet Estonia (authors Borev, Kagan, Stolovich and others. Firstly, the aesthetic approach engages man’s creative/reshaping activities in relation to the world (following Marx’s slogan that ’man also produces in accordance with the laws of beauty’. Secondly, an artistic meaning can be distinguished, followed by a third, the subjective aesthetic meaning, which indicates the actual application of aesthetic categories (such as ’beauty’, ’sublimity’, etc.. Since the subjective aesthetic meaning is fundamental in relation to the other meanings, the article focuses on the specific characterisation of this category. The first important characteristic is the appraisability, which is born from the usage of the categories; the number of categories has been subject to historical change, reflecting the development of man’s aesthetic approach. Aesthetic approach was mainly defined through the five conditions (sensuousness, direct contact with the concrete object, selflessness, and the appraisal of the object in comparison with the ideal. Analysis of the aesthetic approach in a historical dialectic relation to theoretical, utilitarian and ethical approaches indicates that aesthetical feelings only arose towards the end of the Paleolithic era. Peoples on a lower developmental level didn’t know of aesthetic appraisal, or their aesthetic appraisals were still very closely connected with the utilitaristic. Even though all approaches at times are exhibited in their ‘pure’ forms, Soviet aesthetics generally held to the opinion that they arose simultaneously in daily practice and were intertwined with one another. The societal and practical meanings are what constitute the aesthetic approach – meaning that they define what man will begin to consider beautiful (in its more radical forms, this meant reducing the beauty of an object to
Full Text Available One of the most difficult but yet unavoidable tasks for every academic field is to define its own nature and demarcate its area. This article addresses the question of how current computational text-mining approaches can be used as tools for clarifying what aesthetics is when such approaches are combined with philosophical analyses of the field. We suggest that conjoining the two points of view leads to a fuller picture than excluding one or the other, and that such a picture is useful for the self-understanding of the discipline. Our analysis suggests that text-mining tools can find sources, relations, and trends in a new way, but it also reveals that the databases that such tools use are presently seriously limited. However, computational approaches that are still in their infancy in aesthetics will most likely gradually affect our understanding about the ontological status of the discipline and its instantiations.
Naiana Maura John
Full Text Available Proposal: This paper discusses the importance of environmental perception approach to a more qualified design and location of urban furniture. Considering that the quality of the design and the performance of public spaces are related to the fulfillment of users’ needs, it’s important to study how users perceive the urban furniture. Methods: The discussion deals with issues related to aesthetic and functional needs of users of urban spaces. Regarding aesthetics, aspects such as order and complexity are discussed. Moreover, issues related to functionality of urban furniture and their impact on the use of public spaces are considered. Findings: it is expected to contribute to the discussion about the importance of urban furniture design and location to satisfy users’ needs. Originality/value: Contribution to research on quality of urban furniture and space.
Bejder, Anne Kirkegaard
to its sustainable profile. In parallel to this, new production methods and further refined timber products have been developed. Among these are the engineered timber-based product Cross Laminated Timber (CLT) that show enhanced structural properties compared to unrefined timber. However, the question...... an undefined aesthetic potential that may innovate how we construct and perceive timber architecture, the overall aim of the thesis is to inquire into the architectural and aesthetic qualities of CLT. Through three chapters this thesis examines and discusses 1) the architectural qualities of CLT, 2...... of the material, and by clarifying and articulating its qualities that are related to how it is perceived, it is possible to achieve a pragmatic yet poetic and sensuous future timber architecture....
Perez Mata, Marta; Ahmed-Kristensen, Saeema; Yanagisawa, Hideyoshi
In today´s highly saturated consumer markets, competition among products is high. Emotional design, kansei engineering and aesthetics are tools increasingly used to make products stand out from their competitors. This study investigates how the desire to own a product is related to the perceptions...... and aesthetics of the product. Surveys were conducted with 97 participants to gather their perceptions of 11 vases. Findings from the case study indicate that there exist significant relations between the desire to own a product and how the product is perceived; and also between the perceptions...... and the parameters of the vases. The results from this study are a set of design guidelines for creating products, in this case vases, targeting desire for ownership and evoking specific perceptions. The results are specific to vases or similar product categories although the method can be applied to other product...
In the paper, the authors elaborate some recently published research concerning the originality of artworks in terms of self-organization in the complex systems physics. It has been demonstrated that the originality issue such conceived leads to the criterion of a substantial aesthetics whose applicability is not restricted to the fine arts domain only covering also physics, biology, cosmology and other fields construed in the complex systems terms. Moreover, it is about a truth criterion related to the traditional personality conception revealing the ontological context transcendent to the gnoseological dualism of subjective and objective reality that is characteristic of modern science and humanities. Thus, it is considered to be an aesthetical criterion substantiating art and science as well as the other developments of the postmodern era. Its impact to psychology, education, ecology, culture and other humanities is briefly indicated.
It's safe to say that many of us began astrophotography feeling overwhelmed by the unnerving task of creating even the simplest astro image. Typically those first successful images were met with a healthy dose of humility as we began to understand the reality of assembling an aesthetically pleasing astronomical image. As we acquired more experience and gradually mastered the fundamentals of image processing our goals and objectives likely evolved and matured.
Eric C. Mullis
This essay discusses the manner in which the appreciation of fitness for function can be applied to dance aesthetics. Drawing on Allen Carlson and Glenn Parsons’ work, the essay considers the problems of indeterminacy, translation, and dysfunction as they pertain to the appreciation of dance movement. It then argues that fitness for function can be used to critically assess post-modern task dances and contemporary dance works that do not rely on the execution of codified dance technique.
Rapid growth and expansion of plastic surgery in general and aesthetic surgery in particular in the past decade has brought in its wake some confusions particularly raising questions for the surgeons conduct towards his colleagues and the patients in the light of ethical requirements. Some thoughts from eminent thinkers form a backdrop to consideration of theories of medical ethics. In this article raging and continuous debates on these subjects have been avoided to maintain the momentum. Apa...
This chapter focuses on critical aspects, not usually discussed, in the field of language education. Its main purpose is to examine the ethical and aesthetic dimensions of language education in the context of e-learning, in particular in global learning via MOOCs. The literature on the use of information and communication technology (ICT) has highlighted how the new learning environments and tools have provided great opportunities as well as new challenges for language teaching and learning, ...
Eric C. Mullis
Full Text Available This essay discusses the manner in which the appreciation of fitness for function can be applied to dance aesthetics. Drawing on Allen Carlson and Glenn Parsons’ work, the essay considers the problems of indeterminacy, translation, and dysfunction as they pertain to the appreciation of dance movement. It then argues that fitness for function can be used to critically assess post-modern task dances and contemporary dance works that do not rely on the execution of codified dance technique.
Full Text Available This article explores Pater’s use of the term ‘psychology’ in order to explore the relationship in his work between psychology and aesthetics, proposing that his allusion in Plato and Platonism to ‘psychagogia’, an ancient rhetorical practice, can productively be used to rethink this relationship, especially in relation to 'Studies in the History of the Renaissance'.
Schell, Elisabet; Theorell, Tores; Saraste, Helena
Associations between self-reported need for aesthetic improvements in the workplace and the need for ergonomic improvement and health factors were investigated to determine the possible impact of aesthetic needs on job performance. The need for aesthetic improvements were compared with the need for ergonomic improvements. All employees at a Swedish broadcasting company were invited to participate in this cross sectional study. Of those who fulfilled the inclusion criteria the participation rate was 74% (1961/2641). Demographic data was obtained from company files and pre-validated questionnaire was used for data collections from the participants. additional questions on needs for improvement were developed, tested for repeatability, and demonstrated to be within acceptable limits. Differences between 'high rank' and 'low rank' aesthetic needs and ergonomic needs were correlated to set ups of demographic, work environmental and organisational and health variables.The perceived needs for aesthetic and ergonomic improvements showed significantly different distributions (pAesthetic needs were more frequently reported than ergonomic needs. There was no significant gender related difference in response distribution of aesthetic or ergonomic needs, whereas differences between occupational groups were shown (0.006 and 0.003). 'High rank' needs for aesthetic improvement were associated to psychologically demanding work, negative work stress, sleep disturbances, problems at work, musculoskeletal pain and lower age. Gender and physical training did not differ between 'high and low rank' responders regarding neither aesthetic nor ergonomic needs. Sick leave was stronger related to ergonomics. The independently tested associations with aesthetic needs were similar to, but fewer than those for ergonomic needs with regard to the variable set ups. Sixteen studied factors out of 24, showed significant difference between 'high and low rank' aesthetic needs, and 21/24 of ergonomic
Gustavo Henrique Dionisio
Full Text Available This paper intends to discuss the relationship between psychoanalysis and aesthetic thinking under the prism of the “unbinding” theory – earlier conceived by the psychoanalyst Andre Green –, linking it to some theories proposed by Hal Foster, art historian and art critic, where we can find the lacanian “real” as the linking concept. One could say, in this linkage made here, that both authors are dealing, in a very particular way, with a question that refers to the theory of the real (as it was conceived by Jacques Lacan, even in the case of Green it is not referred directly; Green’s theory, however, seems to discuss some kind of a regredience that could be linked to the death drive. Accessing the psychoanalytical dispositive, and using it as it is appropriated to the (art object to be interpreted, Foster, for example, advances in both the field of aesthetic reflection and in the more specific field of psychoanalysis. It should be noted that Foster’s reflection refers strictly to the post-pop images, observed mainly in the 1990’s photography. Thus, I think that this intersection between aesthetics and psychoanalysis might allow us to shed some light on a new art reading possibility towards a “non-applied” psychoanalytical paradigm, which, in my opinion, seems to be an appropriate way to understand some of the contemporary art production.
Bruno Barreto Cesarino
Full Text Available This research project has as delimiting central theme and also central question whether digital inclusion of elderly enable increasing their aesthetic education. Being its specific goals study what is aesthetic education, using the theoretical framework the German philosopher Friedrich Schiller, conceptualize what is senior and define digital inclusion. Its relevance is the increment that Beauty favors the increased awareness of self, others and their environment. The population and sample will be among the students of the University of maturity (UMA, extension course of Pedagogy of the University of Tocantins in Palmas / TO campus and as a sample of eighteen individuals without mental abnormalities or loss, of both sexes, above sixty years. A qualitative study will be used as a qualitative methodological strategy the Focus Group. The data will be analyzed in order to assess the perception of the respondents in relation to specific goals. Case study. The project will be submitted to the Ethics Committee on Human Research of the Federal University of Tocantins as required by Resolution 196/96 of the National Health Council under No. 179/2012 and shall be applied only after approval. Have hypothesized that through digital inclusion the elderly will have more access to different forms of arts and therefore broaden the chances of their meeting with the aesthetic education.
Full Text Available As opposed to Melchionne and Naukkarinen, I defend an expansive definition of everyday aesthetics, one that includes festivals, tourism, and many daily activities of artists and other professionals, along with most ordinary and common experiences. I argue for continuities between aesthetics of everyday life and the aesthetics of art and nature. Looking through a window, for example, may involve aspects of all three. Although I agree with Melchionne that everyday aesthetics is closely related to questions of subjective well-being, I take a more expansive approach to this, drawing from recent psychological studies of the experience of “awe” to stress the importance of such experiences in subjective well-being, thus tying the high points of everyday aesthetics more closely with the high points in the aesthetics of art and nature.
Full Text Available The purpose of this study was to determine the aesthetic value of tourism products provided by tour operators who are the wholesalers with in the tourism industry as well as revealing the impact of aesthetic valueson customer satisfaction. The research was applied to Far-East tourists who have been visiting Turkey in ever increasing numbersyear by year. Convenience sampling, a non-probability sampling method was used. Zhang (2008’s Aesthetic Value Scale was performed on Far-East tourist groups. Exploratory factor analysis and correlation analysis were applied to the data collected from the Far East tourists visiting Turkey. As aresult of the exploratory factor analysison the aesthetic experiences of the tourists within: asouvenir shop, museum, restaurant, hotel and tour bus aesthetic valueswere apparent throughout. At the end of the research apositive correlation was found between aesthetic value and customer satisfaction
Full Text Available The method of aesthetic transfer is a modern teaching method in art education. It emphasizes the pedagogic value of the aesthetic experience. It is a comprehensive method, as it encompasses different parameters of art didactics. It affects lesson time allocation and determines content, methods, and teaching modes. It also affects motivation and final evaluation. The essence of the method of aesthetic transfer lies in transferring aesthetic messages from the artwork to students. The foundation and condition for a successful implementation of the method of aesthetic transfer is a high-quality art appreciation. There are several ways and methods for successfully developing art appreciation, the common objective of all being to allow students to see, perceive, and enjoy a work of art. Thus they enrich their artistic and aesthetic development, and establish a positive attitude towards art, while this method at the same time encourages their own artistic exploration.
Roters T. T.
Full Text Available Defined theoretical and methodological foundations of physical improvement of students in the interaction of physical and aesthetic education. The interrelation of physical and aesthetic education in accordance with the basic components of physical perfection is conducted. From the standpoint of beauty and culture movements highlighted the following components: physical fitness, health and harmonious physical development. It is found that a person is a certain organic and indissoluble unity of his spiritual and aesthetic, bodily aesthetics and foreign artistic and expressive nature. It is determined that the functional sides of beauty movements form the basis for the development of aesthetic taste. They are a source of aesthetic satisfaction, enjoyment and understanding of beauty in physical exercises and movements of the human body.
Lang, Martin; Grimwood, Tom
This paper examines the current interest in ‘art activism’ (Grindon 2010), and the relationship between artistic expression and civil disobedience. Boris Groys has argued that the lack of political dissidence within contemporary art is not down to the ineffectiveness of the aesthetic, but the far more effective intrusion of the aesthetic by the political (Groys 2008). As such, the political question of civil disobedience is necessarily an aesthetic one. At the same time, this raises problems ...
Jakobson, Britt; Wickman, Per-Olof
The role of aesthetic experiences for learning was examined in elementary school science. Numerous authors have argued for a science education also involving aesthetic experiences, but few have examined what this means empirically. Recordings of children’s talk with each other and with the teacher during hands-on activities in nine different science units were made. How the children and teachers used aesthetic judgements and how these judgements were part of aesthetic experiences of the science assignments were analysed. For the analysis a pragmatist perspective was used, especially drawing on Dewey and the later Wittgenstein. The results showed how aesthetic judgements occurred in moments of anticipation and moments when the science activities were brought to fulfilment. In this way children used aesthetic judgements normatively about what belonged in science class and what to include and exclude. In this way aesthetic judgements were an important part of learning how to proceed in science class. In using aesthetic judgements the children also talked about their own place in science class and whether they belonged there or not. In this way aesthetic experience is tightly related to learning science as participation. Learning science also meant learning a special kind of aesthetics, that is, learning how to distinguish the science context from other contexts. The fact that children liked or disliked something outside school did not necessarily mean that it was experienced aesthetically in the same way in school, but needed to be re-learnt. What these results mean for science education is discussed at length. The connection between aesthetics and learning to observe is also briefly discussed.
Ginna Mabel Muñoz; David Alexander Barrera; Nubia Rocío Sánchez; Edwin Gerardo Luna; Ana Cristina Mafla
Objective: The aim of this study was to investigate the relationship between dental aesthetics and self-esteem inadolescents.Methods: The sample was 387 randomly selected high school adolescents between 13 and 16 years of age. A clinicalexamination to evaluate dental aesthetics was conducted using the Dental Aesthetic Index (DAI). Self-esteem was assessedwith the Rosenberg’s Self-esteem Scale. The statistical analysis included a descriptive analysis and means comparison, whichwas made through...
Saime Oral; Ayşe Çelik
The purpose of this study was to determine the aesthetic value of tourism products provided by tour operators who are the wholesalers with in the tourism industry as well as revealing the impact of aesthetic valueson customer satisfaction. The research was applied to Far-East tourists who have been visiting Turkey in ever increasing numbersyear by year. Convenience sampling, a non-probability sampling method was used. Zhang (2008)’s Aesthetic Value Scale was performed on Far-Ea...
Arild Berg; Boel Christensen-Scheel; Mette Holme Ingeberg
Using cross-disciplinary perspectives from artistic research, aesthetic theory, and mental health care, this article discusses qualities in sensuous surroundings in mental health facilities. Although the background for the article is in the increased awareness in aesthetic research concerning sensuous surroundings and their connection to health and well-being, this aesthetic research is only reflected to a small extent in research on mental health care surroundings. A further development of t...
In the fierce market competition, more and more enterprises gradually realize the significance of a cosmetic brand name. The aesthetic principles are reflected in many aspects so as to understand and remember easily and arouse rich association and so on. This paper aims at analyzing the aesthetic principle reflected in cosmetic brand name translation. It analyzes the translation methods and values the importance of aesthetic principle.
Fitch, W Tecumseh; Westphal-Fitch, Gesche
Accepting Bullot & Reber's (B&R's) criteria for art appreciation would confine the study of aesthetics to those works for which historical information is available, mainly post-eighteenth-century Western "high art." We reject their contention that "correct" artistic understanding is limited to experts with detailed knowledge or education in art, which implies a narrowly elitist conception of aesthetics. Scientific aesthetics must be broadly inclusive.
Sinhaneti, Kantara; Pullawan, Jitmanee
Introduction: Aesthetic surgery becomes another option of beauty. Interested Patients seeking for choices offered outside their homeland for more benefits. Thailand maybe one of those choices people is now interested in. Thai aesthetic industry may prove to be one of the most wanted destinations because of its expertise and relatively low cost with impressive service. Problem: “How should Thailand improve its Aesthetic service attractiveness to drive its potential to the level of internationa...
Kaliopa Dimitrovska Andrews
Full Text Available Aesthetic assessment is defined as a process by which activities in organising shapes and visual evaluation of the final product are influenced. A historic survey of the scope and role of aesthetic assessment in town design is followed by a comparison of the placement of aesthetic assessment in the laws of particular European counties including Slovenia. Urban design criteria are especially elaborated. As a result of the often heard remark, that it is almost impossible to produce an aesthetic environment, a proposal for a manual on the design of urban spaces is presented.
the modern architecture to the spread of Chinese localization were style of architecture, this article is based on the research on localization urban landscape to explore traditional Chinese landscape painting aesthetics and the cognitive way of Chinese garden aesthetics art, through the Chinese traditional aesthetics to explore the modern people and the nature harmonious living environment, the traditional aesthetic concept of “landscape” for the development of Chinese modern city landscape, qian xuesen proposed the concept of “landscape city” and the development, purpose is to find the environment concept of Chinese national culture characteristics.
This article, taking at its starting point the work of Pier Paolo Pasolini, tackles the aesthetic of the working class as an object d'art: how is the aesthetic sense of those who do not belong to the working class, but claim a political interest in its destiny, engaged by the outward appearance of the working class? And, more specifically, has there been a shift from a sense of aesthetic appreciation to what this author perceives as revulsion towards Western working classes? Has our aesthetic...
Austring, Bennyé D.; Sørensen, Merete
As the aesthetic learning process is always relational and developed in interaction with the surrounding culture, the participants in the aesthetic activities can develop cultural identity and social skills. Add to this that the individual can share its inner world with others through aesthetic...... activities in the potential space and in this way create a balance in its inner and outer world, realize itself and develop individual and collective identity. last but not least aesthetic activities strengthen the joy of life, and they are an arena for development of imagination and creativity - society...
The article discusses the possibilities for using aesthetics as a concept for potentialities that are actualised with respect to education and learning with media and IT. In order to realise this, a new understanding of the concept of aesthetics as a reflexive framing of performative choice is pr...... by an evolutionary model based on Niklas Luhmann's systems theory: when the concept of art changes, the concept of aesthetics also changes. This complex forms the basis for a discussion of how learning potential with media and IT can be actualised aesthetically....
Zain, Jasni Mohamad; Goh, Yingsoon
This article describes the accurateness of our application namely Self-Developed Aesthetics Measurement Application (SDA) in measuring the aesthetics aspect by comparing the results of our application and users' perceptions in measuring the aesthetics of the web page interfaces. For this research, the positions of objects, images element and texts element are defined as objects in a web page interface. Mandarin learning web pages are used in this research. These learning web pages comprised of main pages, learning pages and exercise pages, on the first author's E-portfolio web site. The objects of the web pages were manipulated in order to produce the desired aesthetic values. The six aesthetics related elements used are balance, equilibrium, symmetry, sequence, rhythm, as well as order and complexity. Results from the research showed that the ranking of the aesthetics values of the web page interfaces measured of the users were congruent with the expected perceptions of our designed Mandarin learning web pag...
Juliya Ivanovna MEZENTSEVA
Full Text Available The authors of the article consider the main historical stages of the evolution of national system of artisticaesthetic education with the aim to identify its distinctive features. Historical-pedagogical analysis of this system corresponds to the research of characteristic features of the development of aesthetic culture of Russian people and identification of natural connections and mutual influence of these two processes from ancient times till now. Thus, for example, the authors make the analysis of features characteristic for public consciousness of eastern Slavs in the pagan epoch (associativity, flexibility, polysemy etc.. These features of public consciousness correspond to traditional methods of education based on domination of public interests in the period. The authors analyze cardinal changes of public consciousness of inhabitants of Ancient Russia after they had adopted the orthodox culture: basics of religious outlook have been gradually formed instead of mythological outlook. It leads to the development in Russia of new spheres of creative activities (stone building, monumental and easel painting, book production, literary creativity etc.. From that time it is possible to speak about the origin of national system of aesthetic education (training of professional artists, formation of the first art schools and of methodical system of training painters. At the same time, characteristic feature of our ancestors’ outlook is combination of Christian and pagan elements, what allows to speak about the uniqueness of Ancient Russian culture. The period of revival of Russian culture in the 14th – 15th centuries is marked by the appearance of new aesthetics based on the high spirituality and artistic perfection. Since the 16th century, secular elements have gained strength in Russian culture, especially in the 17th century when the medieval paradigm of public consciousness definitively collapsed. From the 18th century the culture of Russia
Whitehouse, Martha M.
The sound and ceramic sculpture installation, " Skirting the Edge: Experiences in Sound & Form," is an integration of art and science demonstrating the concept of sonic morphology. "Sonic morphology" is herein defined as aesthetic three-dimensional auditory spatial awareness. The exhibition explicates my empirical phenomenal observations that sound has a three-dimensional form. Composed of ceramic sculptures that allude to different social and physical situations, coupled with sound compositions that enhance and create a three-dimensional auditory and visual aesthetic experience (see accompanying DVD), the exhibition supports the research question, "What is the relationship between sound and form?" Precisely how people aurally experience three-dimensional space involves an integration of spatial properties, auditory perception, individual history, and cultural mores. People also utilize environmental sound events as a guide in social situations and in remembering their personal history, as well as a guide in moving through space. Aesthetically, sound affects the fascination, meaning, and attention one has within a particular space. Sonic morphology brings art forms such as a movie, video, sound composition, and musical performance into the cognitive scope by generating meaning from the link between the visual and auditory senses. This research examined sonic morphology as an extension of musique concrete, sound as object, originating in Pierre Schaeffer's work in the 1940s. Pointing, as John Cage did, to the corporeal three-dimensional experience of "all sound," I composed works that took their total form only through the perceiver-participant's participation in the exhibition. While contemporary artist Alvin Lucier creates artworks that draw attention to making sound visible, "Skirting the Edge" engages the perceiver-participant visually and aurally, leading to recognition of sonic morphology.
Kirsch, Louise P; Urgesi, Cosimo; Cross, Emily S
Less than two decades after its inception, the burgeoning field of neuroaesthetics continues to grow in interest and momentum. Despite the biological and social importance of the human body and the attention people pay to its appearance in daily life, only recently has neuroaesthetic inquiry turned its attention to questions concerning the aesthetic appraisal of the human body. We review evidence illustrating that the complexity of aesthetic experience is reflected by dynamic interplay between brain systems involved in reward, perceptual and motor processing, with a focus on aesthetic perception involving the human body. We then evaluate work demonstrating how these systems are modulated by beholders' expertise or familiarity. Finally, we discuss seminal studies revealing the plasticity of behavioural and neural responses to beauty after perceptual and motor training. This research highlights the rich potential for neuroaesthetic inquiry to extend beyond its typical realm of the fine arts to address important questions regarding the relationship between embodiment, aesthetics and performing arts. We conclude by considering some of the criticisms and limitations of neuroaesthetics, and highlight several outstanding issues for future inquiry. PMID:26698020
Dadlez, Eva M.
During the eighteenth century, amateurs as well as philosophers ventured critical commentary on the arts. Talk concerning taste or beauty or the sublime was so much a part of general discourse that even novelists of that era incorporated such subjects in their work. So it would not be surprising to find that perspectives on aesthetics are…
Polat, Soner; Oztoprak-Kavak, Zehra
This study aims to develop a scale for measuring the aesthetic leadership (AL) characteristics of the school directors and to show that it can be applicable. The population of the study is composed of the teachers who are on duty in the elementary, secondary and high schools located in Izmit, Kocaeli. Sample of this descriptive study comprises 400…
Kirsch, Louise P; Urgesi, Cosimo; Cross, Emily S
Less than two decades after its inception, the burgeoning field of neuroaesthetics continues to grow in interest and momentum. Despite the biological and social importance of the human body and the attention people pay to its appearance in daily life, only recently has neuroaesthetic inquiry turned its attention to questions concerning the aesthetic appraisal of the human body. We review evidence illustrating that the complexity of aesthetic experience is reflected by dynamic interplay between brain systems involved in reward, perceptual and motor processing, with a focus on aesthetic perception involving the human body. We then evaluate work demonstrating how these systems are modulated by beholders' expertise or familiarity. Finally, we discuss seminal studies revealing the plasticity of behavioural and neural responses to beauty after perceptual and motor training. This research highlights the rich potential for neuroaesthetic inquiry to extend beyond its typical realm of the fine arts to address important questions regarding the relationship between embodiment, aesthetics and performing arts. We conclude by considering some of the criticisms and limitations of neuroaesthetics, and highlight several outstanding issues for future inquiry.
McManus, I C; Furnham, A
There have been few studies of why some people are frequently involved in aesthetic activities such as going to the theatre, reading or playing musical instruments, whereas others are less involved. This study assesses the broad roles of education, personality and demographic factors such as social class, age and sex. More aesthetic activity was associated with music and art education, whereas science education had a substantial negative relationship with aesthetic activity, both directly and also indirectly via reduced art education. More aesthetic activity was particularly related to higher scores on the personality factor of openness, and also to lower scores on agreeableness and conscientiousness. Higher parental social class was also associated with more aesthetic activity, as also was lower age. Sex had no relationship to aesthetic activity, as neither did masculinity-femininity. Positive aesthetic attitudes were also related moderately to aesthetic activity, but were particularly strongly related to openness to experience, and somewhat less to extraversion. Class, age and sex had no direct relationship to aesthetic attitudes.
The final installment of this 3-part series of articles on becoming an aesthetic provider centers on the steps necessary to maximize an aesthetic medical practice and tips for optimal client outcomes. We discuss the importance of education for the aesthetic provider, the staff, and the client, as well as how to create client loyalty. On the basis of years of experience, "pearls and pitfalls" are discussed, so the novice, intermediate, and advanced aesthetic providers can minimize mistakes and maximize their success in this exciting and growing profession.
Keller, Emily C
The world of aesthetic medicine is increasingly a consumer-driven market with a wide variety of home-use devices from which the consumer can choose for treating hair removal, hair loss, acne, facial rejuvenation, and other dermatologic conditions. Where these devices fit in the physician practice and consumer routine can be confusing, as scientific studies may be weak or lacking. The specifications, price, ease-of-use, maintenance, and technology can differ greatly between devices. Thus, the physician and consumer need to define exp. PMID:25830253
Fátima Maria BEZERRA BARBOSA
Full Text Available The philosophical reflection about art, beauty, good, truth, and their ability to produce pleasure in people comes from Platon in our western culture. Considering that education must be understood as an integral phenomenon, encompassing not only the intellectual dimension but also the sensitive, intuitive and rationing dimensions, and imaginative and creative abilities, «knowing to be» is linked to «know» and «knowing-how». We think the importance of aesthetics as a motivation factor for learning is unquestionable and, through imagination and creativity, innovation in the construction of alternative roads for a more human and pleasant world can be promoted.
Art or Porn? The popular media will often choose this heading when reviewing the latest sexually explicit novel, film, or art exhibition. The underlying assumption seems to be that the work under discussion has to be one or the other, and cannot be both. But is this not a false dilemma? Can one really draw a sharp line between the pornographic and the artistic? Isn't it time to make room for pornographic art and for an aesthetic investigation of pornography? In answering these questions this ...
Gart, Michael S; Gutowski, Karol A
Botulinum toxin type A (BTA) can be used for facial aesthetics. The 3 currently available BTA types include onabotulinumtoxinA (Botox; Botox Cosmetic, Allergan, Irvine, CA), abobotulinumtoxinA (Dysport; Ipsen, Ltd, Berkshire, UK), and incobotulinumtoxinA (Xeomin; Merz Pharmaceuticals, Frankfurt, Germany). The mechanism of action and clinical uses for treatment of dynamic lines of the forehead, brow, glabella, lateral orbit, nose, and lips are presented, as well as treatment of masseter hypertrophy, platysmal bands, and improvements of the perioral region. Specific BTA injection sites and suggested doses are presented. PMID:27363760
This article explores the aesthetics and ethics of participatory performance through "The Oh Fuck Moment" by Hannah Jane Walker and Chris Thorpe, a performance that aesthetically explores ethically troubling material and manipulation. Ethical criticism of participatory art in recent years has focused on the way the audience member is…
This paper presented aesthetics'application in strengthening brand garment individuality,through the integrated aesthetics design can develop the personality culture chain of brand garment,this is the supporting point for searching for differences,and also it become the key point to make brand from product to sensibility sale.
The author contends that by reclaiming their own valuable connection to reflective artistic experience and reception, aesthetic theory and art education can contribute to a reconceptualization of autonomy and critique and, perhaps more importantly, to a reorientation of educational practice. Adorno's aesthetics is exceptionally relevant to this…
Allen, Vernon L.; Greenberger, David B.
This study presents an aesthetic theory of school vandalism and reports on nine original empirical studies that are relevant to the theory. It is proposed that the act of destroying an object is very enjoyable because it is, in effect, an aesthetic experience. The theory posits that the variables accounting for positive hedonic value associated…
The Mongolian traditional pattern is a cornucopia, including the design of animal, plant design, geometric patterns, etc., different pattern contains a unique aesthetic feeling and meaning, this is the result of its profound history and contains the unique aesthetic characteristics. This makes the patterns of the national language is widely used.
Aesthetics are an integral component of the social and economic benefits of stream restoration and should be considered in restoration projects for sustainable management. According to Bernhardt et al. (2005), aesthetics is one of the frequently listed goals for stream restoratio...
This article seeks to investigate art in public urban space via a process of activating aesthetics as a way of enhancing pedagogies of engagement. It does this firstly by addressing the question of aesthetics in Enlightenment and twentieth-century frames; then it seeks to understand how artworks may be approached ontologically and…
Issues of visual appeal have become an integral part of designing interactive systems. Interface aesthetics may form users' attitudes towards computer applications and information technology. Aesthetics can affect user satisfaction, and influence their willingness to buy or adopt a system. This study follows previous studies that found that users…
Simus, Jason Boaz
The new paradigm in ecology emphasizes dynamic change, disturbance, and nonequilibrium in natural systems, and it presents some challenges for contemporary environmental aesthetics, one of which has to do with the thesis known as "scientific cognitivism." Scientific cognitivism holds that appropriate aesthetic appreciation of nature must be…
The importance of visual culture is emphasized in an emerging post-modernist society; besides, visual characteristics are regarded as an extremely important educational means in achieving various social, cultural, and educational goals. Through visual perception of environment humans experience various aesthetical emotions. The visual quality of environment reflects the spiritual culture of society, shapes aesthetically attractive cultural landscape, and cultivates traditions of environmental...
The sublime has been a relatively neglected topic in recent work in philosophical aesthetics, with existing discussions confined mainly to problems in Kant's theory. Given the revival of interest in his aesthetic theory and the influence of the Kantian sublime compared to other eighteenth-century accounts, this focus is not surprising. Kant's…
We are presently witnessing a renewed interest in the aesthetics of philosopher and educator John Dewey. And it would seem that this interest marks a significant intellectual reorientation and not simply a passing fad. The publications Educational Theory, Studies in Philosophy and Education, The Journal of Aesthetic Education, The Journal of…
This essay draws on the contemporary aesthetic theories of four writers -Hans-Georg Gadamer, Paul Ricoeur, Paul Thom, and James O. Young-who represent both the continental and analytic contemporary philosophical schools of thought. Each writer offers valuable perspectives on issues in aesthetic education pertaining to a key question in my…
Blijlevens, J.; Mugge, R.; Ye, P.; Schoormans, J.P.L.
Designers use product attributes (e.g., trendiness) to design aesthetically appealing products. The relationships of physical properties (e.g., shape) of product designs with product attributes and aesthetic appraisal are often considered to be generalizable over product categories and markets. Howe
Kirsch, L.; Dawson, K.; Cross, E.S.
Previous research on aesthetic preferences demonstrates that people are more likely to judge a stimulus as pleasing if it is familiar. Although general familiarity and liking are related, it is less clear how motor familiarity, or embodiment, relates to a viewer's aesthetic appraisal. This study dir
Anderson, Tom; McRorie, Sally
Asserts that aesthetic questions and aesthetic understanding provide the framework for learning in art. Contrasts formalism (the belief that art exists for its own sake) with contextualism (the belief that art is part of a social communication system). Maintains that a balanced art program should incorporate both approaches. (MJP)
Fazi, M Beatrice
This paper contends that soft computing can help us investigate the aesthetics of digital computation. Employing broader conceptions of aesthetics and perception, and whilst drawing upon the ontology of Alfred N. Whitehead, it uses soft computing to address the 'prehensive' dimension of the quantitative procedures of computation, and explores the interrelationship between the factuality and formality of computational structures.
Hantula, Donald A.; Sudduth, Mary Margaret; Clabaugh, Alison
The question of whether an artist's use of technology to create art results in a detectable aesthetic difference was investigated in the case of Dutch realist painter Johannes Vermeer and his use of the camera obscura. In Experiment 1, participants evaluated 20 Vermeer paintings on 6 aesthetic dimensions and preferred paintings created with the…
Sachs, Matthew E; Ellis, Robert J; Schlaug, Gottfried; Loui, Psyche
Humans uniquely appreciate aesthetics, experiencing pleasurable responses to complex stimuli that confer no clear intrinsic value for survival. However, substantial variability exists in the frequency and specificity of aesthetic responses. While pleasure from aesthetics is attributed to the neural circuitry for reward, what accounts for individual differences in aesthetic reward sensitivity remains unclear. Using a combination of survey data, behavioral and psychophysiological measures and diffusion tensor imaging, we found that white matter connectivity between sensory processing areas in the superior temporal gyrus and emotional and social processing areas in the insula and medial prefrontal cortex explains individual differences in reward sensitivity to music. Our findings provide the first evidence for a neural basis of individual differences in sensory access to the reward system, and suggest that social-emotional communication through the auditory channel may offer an evolutionary basis for music making as an aesthetically rewarding function in humans. PMID:26966157
Graf, Laura K M; Landwehr, Jan R
In this article, we develop an account of how aesthetic preferences can be formed as a result of two hierarchical, fluency-based processes. Our model suggests that processing performed immediately upon encountering an aesthetic object is stimulus driven, and aesthetic preferences that accrue from this processing reflect aesthetic evaluations of pleasure or displeasure. When sufficient processing motivation is provided by a perceiver's need for cognitive enrichment and/or the stimulus' processing affordance, elaborate perceiver-driven processing can emerge, which gives rise to fluency-based aesthetic evaluations of interest, boredom, or confusion. Because the positive outcomes in our model are pleasure and interest, we call it the Pleasure-Interest Model of Aesthetic Liking (PIA Model). Theoretically, this model integrates a dual-process perspective and ideas from lay epistemology into processing fluency theory, and it provides a parsimonious framework to embed and unite a wealth of aesthetic phenomena, including contradictory preference patterns for easy versus difficult-to-process aesthetic stimuli.
Acer, Dilek; Omerodlu, Esra
The aim of this study was to investigate the effects of aesthetic education on the development of aesthetic judgment of 6 year-old children. The sample of the study comprised 77 children selected randomly from state run primary schools from various socioeconomic levels in Ankara. The experiment group consisted of 22 children, the placebo group of…
Bloom, D R; Padayachy, J N
Cosmetic dentistry has evolved with the advent of more robust porcelain materials and ever-stronger bonding agents. This series of three articles aims to provide a practical overview of what is now possible both functionally and cosmetically from the preparation of a small number of teeth, through a whole smile, to full mouth rehabilitation. A complete diagnosis is the starting point to planning any cosmetic or functional changes. Guidance is given on the techniques used but adequate training must be considered essential before embarking upon modification in occlusal schemes or even minor adjustments in smile design. Conservative use of porcelain laminate veneers can result in significant aesthetic improvements to a patient's smile and it is not always necessary to prepare all the teeth visible in a smile.
Full Text Available This article explores the complex relationships among two different types of critique, the socio-temporal zone known as "everyday life" and the moment of the encounter by those who are encountering art works. It proceeds with a close study of the phenomenology of Maurice Merleau-Ponty and Mikel Dufrenne, and tests their key concepts against generalized contemporary art practices that question a model of the traditional aesthetic experience by suggesting the possibility that within the expanse of postmodernity such a paradigm has shifted, (although it is not completely irretrievable. The paper argues that this shift has been achieved by remobilizing readymade objects and banal customs within spaces otherwise reserved for extraordinary experience. Thus, it also considers the problem of authoritative experience and Jürgen Habermas' extension of the Husserlian Lebenswelt in order to map out the urgencies of our current cultural sphere.
Full Text Available This article describes a case of gingival asymmetry with compromising aesthetics. A 25-year-old dental student presented to the department of prosthetic dentistry. She was concerned about the greyish transparency of the crown metal margin through the marginal gingiva. The crown was placed to restore her lateral incisor. A comprehensive examination revealed that this unaesthetic aspect was caused by a non-harmonious gingival architecture in the lateral incisor marked by an unaesthetic gingival Zenith. The treatment plan included a surgical crown lengthening followed by prosthetic therapy consisting in a Zirconia based crown replacing the old prosthesis. Thanks to a well-planned multi-disciplinary approach, the result was esthetically acceptable and the patient was satisfied.
Samuels, Curtis A; Butterworth, George; Roberts, Tony; Graupner, Lida; Hole, Graham
The visual preferences of human infants for faces that varied in their attractiveness and in their symmetry about the midline were explored. The aim was to establish whether infants' visual preference for attractive faces may be mediated by the vertical symmetry of the face. Chimeric faces, made from photographs of attractive and unattractive female faces, were produced by computer graphics. Babies looked longer at normal and at chimeric attractive faces than at normal and at chimeric unattractive faces. There were no developmental differences between the younger and older infants: all preferred to look at the attractive faces. Infants as young as 4 months showed similarity with adults in the 'aesthetic perception' of attractiveness and this preference was not based on the vertical symmetry of the face.
Full Text Available Philosophical logic defined a metalanguage as a language about a language. After that, the word “metapicture” was used by Mitchell to identify a picture about a picture. Once we are not dealing with language, we may think that we are not dealing with signification. However, the word “meta” and its aboutness may assume that a picture has to be interpreted and has a meaning. We think that this is not accurate in order to understand the meta. The present article proposes to define the meta as an aesthetic category and not as a logical one. The analysis takes into account viewers’ attention to self-referential works of art so as to propose an embodied aesthetic analysis. We want to show that the experience of meta in art is a reflective experience. A picture is seen as a metapicture relative to the attention that viewers have on it: they can or cannot see it as a metapicture. Obviously, activating the meta quality changes the perception of the picture. One might think that the meta quality is due to paradoxes. In fact, self-reference often leads to paradoxes. We precisely want to show that paradoxes are not a necessary ingredient to induce the meta specific feeling. Why? Probably because the mere work is not reflective; it is not a speech. The reflexivity that is supposed to be in the work is actually the reflexivity of the cognition of spectators projected in the work. Similarly to Kant's definition of the sublime, the structure “meta” lies in the subject, not in the picture. The experience of the metapicture should actually be named as the meta-experience of the picture.
Full Text Available In recent decades, urban greening has been conceptualized, and subsequently marketed, as a way of making cities more sustainable. Urban greening has been actualized in large global cities, regional centers, and also in many cities in the Global South, where it has been touted as a potential solution to the urban heat island (UHI effect and as a way of reducing carbon dioxide (CO2 emissions. This involves planting street trees and installing curbside gardens, bioswales, green walls, green roofs, and the redevelopment of former industrial zones into urban parklands. This paper questions the assumption that this “greening” of the city must necessarily lead to positive environmental impacts. While such infrastructure itself might be constructed with environmental principles in mind, wider questions concerning the production of such landscapes, and the consumption-orientated lifestyles of those who inhabit these urban landscapes, are seldom considered. Moreover, green aesthetics and environmental sustainability are not always as mutually inclusive as the concepts might suggest, as aesthetics are often a dominating influence in the process of planning green urban environments. This review reorients the focus on the way in which the UHI effect and CO2 emissions have been framed by utilizing Foucault's (1980 “regimes of truth,” where environmental issues are contextualized within the “colonised lifeworld” of free-market forces. This review suggests that for sustainability to be achieved in urban contexts, the process of urban greening must move beyond quick techno-fixes through engagement in the co-production of knowledge.
Full Text Available A social robot interacts and communicates with humans by using the embodied knowledge gained from interactions with its social environment. In recent years, emotion has emerged as a popular concept for designing social robots. Several studies on social robots reported an increase in robot sociability through emotional imitative interactions between the robot and humans. In this paper conventional emotional interactions are extended by exploiting the aesthetic theories that the sociability of a social robot can be markedly enhanced through aesthetic imitative interactions such as “playful acts”. We applied these aesthetic interactions to child‐robot interaction. Children imitate the emotional behaviours of a robot through aesthetic interactions; they play with the robot by mimicking its emotional facial expressions. From the tests, we see that aesthetic judgment is more influential than emotions in playful interactions between children and the robot; the aesthetic imitative interactions would reinforce the positive social relationships of children and enhance their social adaptability. To the best of our knowledge, this is the first social robot study to investigate child‐robot interaction on the basis of aesthetics.
Hong, Richang; Zhang, Luming; Tao, Dacheng
Photo enhancement refers to the process of increasing the aesthetic appeal of a photo, such as changing the photo aspect ratio and spatial recomposition. It is a widely used technique in the printing industry, graphic design, and cinematography. In this paper, we propose a unified and socially aware photo enhancement framework which can leverage the experience of photographers with various aesthetic topics (e.g., portrait and landscape). We focus on photos from the image hosting site Flickr, which has 87 million users and to which more than 3.5 million photos are uploaded daily. First, a tagwise regularized topic model is proposed to describe the aesthetic topic of each Flickr user, and coherent and interpretable topics are discovered by leveraging both the visual features and tags of photos. Next, a graph is constructed to describe the similarities in aesthetic topics between the users. Noticeably, densely connected users have similar aesthetic topics, which are categorized into different communities by a dense subgraph mining algorithm. Finally, a probabilistic model is exploited to enhance the aesthetic attractiveness of a test photo by leveraging the photographic experiences of Flickr users from the corresponding communities of that photo. Paired-comparison-based user studies show that our method performs competitively on photo retargeting and recomposition. Moreover, our approach accurately detects aesthetic communities in a photo set crawled from nearly 100000 Flickr users. PMID:26742134
Hong, Richang; Zhang, Luming; Tao, Dacheng
Photo enhancement refers to the process of increasing the aesthetic appeal of a photo, such as changing the photo aspect ratio and spatial recomposition. It is a widely used technique in the printing industry, graphic design, and cinematography. In this paper, we propose a unified and socially aware photo enhancement framework which can leverage the experience of photographers with various aesthetic topics (e.g., portrait and landscape). We focus on photos from the image hosting site Flickr, which has 87 million users and to which more than 3.5 million photos are uploaded daily. First, a tagwise regularized topic model is proposed to describe the aesthetic topic of each Flickr user, and coherent and interpretable topics are discovered by leveraging both the visual features and tags of photos. Next, a graph is constructed to describe the similarities in aesthetic topics between the users. Noticeably, densely connected users have similar aesthetic topics, which are categorized into different communities by a dense subgraph mining algorithm. Finally, a probabilistic model is exploited to enhance the aesthetic attractiveness of a test photo by leveraging the photographic experiences of Flickr users from the corresponding communities of that photo. Paired-comparison-based user studies show that our method performs competitively on photo retargeting and recomposition. Moreover, our approach accurately detects aesthetic communities in a photo set crawled from nearly 100000 Flickr users.
@@ Today with the continual advancement in all aspects of dentistry, the focus on aesthetic outcome has intensi-fied. It is true that with better knowledge and understanding in aesthetic treatment planning and smile analysis,we are now in a better position to address our patient's aesthetic and functional concerns. However, if old orconventional materials were used to treat these highly demanding patients, we are still not able to satisfy them ad-equately. It is with the combination of good diagnostic and treatment planning skills coupled with excellent mate-rial choices that gives us a better chance for success.
Smędra, A; Szustowski, S; Klemm, J; Jurczyk, A; Zalewska-Janowska, A; Berent, J
The paper presents the cases of five patients who developed complications after aesthetic medicine procedures. Four of the cases involved women who reported to the Department of Forensic Medicine, Medical University of Lodz, for a description and legal qualification of bodily injuries suffered as a result of aesthetic medicine procedures, whereas one was related to the assessment of accuracy of medical management at the request of the prosecutor handling the case. The reported cases concerned acid exfoliation treatments, photoepilation and cryotherapy. The authors attempt to discuss the most common complications that may occur after aesthetic medicine procedures, and measures to avoid them. PMID:27003866
Full Text Available The research analyzes the aesthetic dimension on teaching about natural environment on Ecology disciplines. The semiotics of Charles Sanders Peirce guided data analysis, regarding to suggested values on the answers of interviewees. The analysis has revealed that, in terms of methodological approaches, Ecology instructors tend to valorize scientific and objective criteria, demonstrating a certain embarrassment on including aesthetic dimension in their teaching, although they recognize the relevance of aesthetic dimension for ethic implications on teaching and for the conservation of natural environment.
The article discusses performance standards in relation to Danish experiments with expanding drug counselling into ‘aesthetic documentation’ which is a hybrid of art with narrative practice. This relation is problematic, since the instrumental use defies the point in art, and since ‘aesthetic...... subjectivity. Then five claims are made about ‘aesthetic documentation’ as an alternative: The art works can be seen as prototypes rather than rigid standardizations; they represent collaboration rather than individualized performance; they work as staging or display in close connection with the substantial...
Florencia González Lanzellotti
Full Text Available Marechal´s aesthetic-metaphysical horizon provides critical coordinates for addressing of his work, once that place us in a dialogic relationship between the poet and the world. Thus their aesthetic horizon looks after the role that throws the man in his community, as pontiff between the manifestations of the material world and those with the intelligible plane. The main features of this relational schema, can be traced along the Marechal´s literary corpus.Keywords: Aesthetics, Metaphysics, Leopoldo Marechal, Theology and Literature.
Hol ywood is the core place of the film and television industry in the world. The development of its film industry provides many significant experiences for films in other countries. As aesthetic appreciation is the key standard to judge whether a film is good or not,to have a good command of the aesthetic characteristics of films and television programs enables us to enjoy the film art to the limit. The present thesis gives an analysis into the aesthetic characteristics of Hol ywood film art and offers some proposals to the innovation of Hol ywood film art in the future.
Wang, Yi; Fu, Xiaowei
Since Wang Guowei and Cai Yuanpei introduced the concepts of aesthetics and aesthetic education, respectively, to China in the early twentieth century, there has been a strong tendency in many of the aesthetic discussions to examine ancient texts and materials using modern concepts of aesthetics. In particular, sentences with the character-word…
David, Alicia; Glore, Peyton
This article surveys research in the areas of aesthetics and design, usability, visual aesthetics in education, and recent statistics related to online education. The focus of the article is on defining the role of visual content and aesthetics in the user interface and exploring what importance aesthetics and visual content have to education.…
Aesthetics is commonly considered a complicated field of inquiry, particularly for students. Nevertheless, aesthetic experiences often raise questions about the nature of music which philosophical aesthetics is intended to answer. To bring students in contact with aesthetics depends primarily on the choice of appropriate methods. Case studies…
Aesthetic analysis of media texts, ie the analysis of art concept of the media texts of different types and genres, is closely related to the aesthetic (artistic) theory of media (Aesthetical Approach, Media as Popular Arts Approach, Discriminatory Approach). Aesthetic theory of media literacy education has been very popular in the 1960s…
Aesthetic education is the core of college art education. To guide students to identify forms of objective things from aesthetic perspective is helpful in promotion of artistic quality. In recent years, micro film has gradually become the mainstream of market by its unique film shaping way to win recognition from audience, so to carry out micro film art aesthetic education is also one of key points for colleges and universities. This paper analyzes the concept of aesthetic education, summarizes aesthetic education difficulties of micro film and puts forward innovation strategies of aesthetic education to feel aesthetic feeling brought by micro film art.
In this paper, we argue that a democratic approach to children's computing education in a science class must focus on the aesthetics of children's experience. In Democracy and Education, Dewey links "democracy" with a distinctive understanding of "experience". For Dewey, the value of educational experiences lies in "the unity or integrity of experience" (DE, 248). In Art as Experience, Dewey presents aesthetic experience as the fundamental form of human experience that undergirds all other forms of experiences, and can also bring together multiple forms of experiences, locating this form of experience in the work of artists. Particularly relevant to our current concern (computational literacy), Dewey calls the process through which a person transforms a material into an expressive medium an aesthetic experience (AE, 68-69). We argue here that the kind of experience that is appropriate for a democratic education in the context of children's computational science is essentially aesthetic in nature. Given that a...
Full Text Available We titled our work “On Beauty and the Beautiful in Aesthetic Education” and we analyzed the category beautiful in function of better understanding the issues of aesthetic education.The basic point was the fact that the determination of the term beautiful is being different in both, time aspect and space aspect. Also, the authors involved in this matter have got different understanding on beautiful issue, on its essence, on its role in human development and on the development of the aesthetics and the aesthetic education.Therefore, within our work, there is an attempt to differ the approaches towards the category beautiful, to comment it, to compare it and finally to give our approach.
Full Text Available In his Critique of the Power of Judgment, Kant defined the garden as a visual art and considered that smell plays no role in its aesthetic appreciation. If the Kantian thesis were right, then a person who has no sense of smell (who suffers from anosmia would not be impaired in his or her aesthetic appreciation of gardens. At the same time, a visually impaired person could not appreciate the beauty of gardens, although he or she could perceive them through hearing, smell, taste, and touch. In this paper I discuss the role of smell and anosmia in the aesthetic appreciation of gardens. I accept the Kantian idea that the appreciation of a garden is the appreciation of its form, but I also defend that, at least in some cases, smell can belong to the form of gardens and, consequently, the ability or inability to smell influences their aesthetic appreciation.
Polanyi insisted that scientific knowledge was intensely personal in nature, though held with universal intent. His insights regarding the personal values of beauty and morality in science are first enunciated. These are then explored for their relevance to engineering. It is shown that the practice of engineering is also governed by aesthetics and ethics. For example, Polanyi's three spheres of morality in science--that of the individual scientist, the scientific community and the wider society--has parallel entities in engineering. The existence of shared values in engineering is also demonstrated, in aesthetics through an example that shows convergence of practitioner opinion to solutions that represent accepted models of aesthetics; and in ethics through the recognition that many professional engineering institutions hold that the safety of the public supersedes the interests of the client. Such professional consensus can be seen as justification for studying engineering aesthetics and ethics as inter-subjective disciplines.
Amirshahi, Seyed Ali; Koch, Michael; Denzler, Joachim; Redies, Christoph
In recent years, there have been efforts in defining the statistical properties of aesthetic photographs and artworks using computer vision techniques. However, it is still an open question how to distinguish aesthetic from non-aesthetic images with a high recognition rate. This is possibly because aesthetic perception is influenced also by a large number of cultural variables. Nevertheless, the search for statistical properties of aesthetic images has not been futile. For example, we have shown that the radially averaged power spectrum of monochrome artworks of Western and Eastern provenance falls off according to a power law with increasing spatial frequency (1/f2 characteristics). This finding implies that this particular subset of artworks possesses a Fourier power spectrum that is self-similar across different scales of spatial resolution. Other types of aesthetic images, such as cartoons, comics and mangas also display this type of self-similarity, as do photographs of complex natural scenes. Since the human visual system is adapted to encode images of natural scenes in a particular efficient way, we have argued that artists imitate these statistics in their artworks. In support of this notion, we presented results that artists portrait human faces with the self-similar Fourier statistics of complex natural scenes although real-world photographs of faces are not self-similar. In view of these previous findings, we investigated other statistical measures of self-similarity to characterize aesthetic and non-aesthetic images. In the present work, we propose a novel measure of self-similarity that is based on the Pyramid Histogram of Oriented Gradients (PHOG). For every image, we first calculate PHOG up to pyramid level 3. The similarity between the histograms of each section at a particular level is then calculated to the parent section at the previous level (or to the histogram at the ground level). The proposed approach is tested on datasets of aesthetic and
Full Text Available In this essay Lovink and Munster set forward a number of proposals for a distributed aesthetics. If new media artistic practice and aesthetic experience were most often characterised by recourse to computational culture, then distributed aesthetics is dominated by networks. Networked media and technologies help to disperse experience so that we never seem to be having our experiences in the one place anymore. However, the authors suggest, most of the images and rhetoric attempting to characterise this distributed experience are drawn from the cartographic traditions of geographic information systems and/or conceptions of biological networking and growth. These do not assist in coming to terms with the specifically social aspects of online networking. The authors speculate that a distributed aesthetics must take into account the collective and personal 'aesthesia' of online networks - the experience of labouring towards new forms of social collectivity that produces not only euphoria but also boredom and frustration.
Full Text Available Discussions concerning the atmospheric raise questions about how it can be defined and what influences may stem from particular atmospheres. Moreover, a shift in emphasis can be seen in respect of the way phenomena and disciplines are understood. Aesthetics is considered to be a theory of sensual perception; ethics serves as a theory of the good life. The article focuses on the relationship between atmospheres and aesthetics (e.g. Benjamin’s ‘aura’ and Rilke on Rodin’s sculptures as well as atmospheres and ethics (e.g. architecture or politics as façade and concludes with three points about ethical-aesthetic potentials, thus enhancing in-betweenness, the development of aesthetic interest, as well as a re-evaluation.
Kindem, Forham A.
Discusses the film industry's conversion to color cinematography in the period between the 1920s and 1960s. Cites economic considerations, technological modifications, and aesthetic preferences by audiences as factors in this development. (JMF)
Gubisch, W; Dacho, A
Within the last years aesthetic surgery enjoys greater popularity and acceptance. One of the most frequently asked operations has been the aesthetic rhinoplasty. Hardly any other field of surgery is exposed to such a critical analysis than aesthetic rhinoplasty because the results are so obvious. According to the "International Society of Aesthetic Surgery" (ISAPS) over 980,000 cosmetic rhinoplasties have been performed in 2010. This corresponds to 10.4% of all registered aesthetic procedures...
Gubisch, Wolfgang; Dacho, Andreas
[english] Within the last years aesthetic surgery enjoys greater popularity and acceptance. One of the most frequently asked operations has been the aesthetic rhinoplasty. Hardly any other field of surgery is exposed to such a critical analysis than aesthetic rhinoplasty because the results are so obvious. According to the “International Society of Aesthetic Surgery” (ISAPS) over 980,000 cosmetic rhinoplasties have been performed in 2010. This corresponds to 10.4% of all registered aesthetic ...
Sandra Olivia; Natalina Natalina; Felix Hartono
Flap surgery is treatment for periodontal disease with alveolar bone destruction. Surgical periodontal flap with conventional incision will result in gingival recession and loss of interdental papillae after treatment. Dilemma arises in areas required high aesthetic value or regions with a fixed denture. It is challenging to perform periodontal flap with good aesthetic results and minimal gingival recession. This case report aimed to inform and to explain the work procedures, clinical and rad...
THOMAS, M. K.; J A D′Silva; Borole, A. J.
Context: Standards for an aesthetic face are dynamic. The current trend is towards a leaner looking face with preservation of the inverted triangle of youth. Procedures that have been reported to be employed for correction of a chubby face include buccal fat pad excision, facial liposuction and injection lipolysis. In addition to giving the face an aesthetic triangular cut, chin and malar augmentation may be performed. The rounded appearance at the angles may further be reduced by injection o...
Rubeša, Gordana; Tic-Bačić, Tamara; Sveško-Visentin, Helena; BAČIĆ, GIORDANO
In the clinical practise it has been observed that the person changes physically, too, after aesthetic surgery. The aim of this work was to examine, by objective psychological measurements, what changes occur, and what personality features change. Forty six subjects that had an aesthetic surgery were examined; they were tested before, and eighteen month after the surgery by the Profile Index of Emotion (PIE). Before the re-testing the subjects were analyzed by »The Life Events Sca...
Metzler Sawin, Mark
With the publication of Contact magazine in 1920–1921, American poet William Carlos Williams promoted a distinctive avant-garde literary aesthetic that was centered on “contact”—a concrete connection between literature and the vocabulary, cadence and feel of the everyday language of people. Though initially well received by expatriate authors representing the American avant-garde, Williams’ contact aesthetic was soon eclipsed by T. S. Eliot’s poetry, his magazine Criterion, and its New Cri...
The idea of this thematic issue on "The Aesthetics of Human Rigths" of the journal "Academic Quarter" is to focus on the staging of human rights in popular culture and fine arts and in different media and genres.......The idea of this thematic issue on "The Aesthetics of Human Rigths" of the journal "Academic Quarter" is to focus on the staging of human rights in popular culture and fine arts and in different media and genres....
Agger, Gunhild; Jacobsen, Michael Hviid
Contemporary Scandinavian crime fiction feeding on history makes use of a variety of genres and approaches, some of them launching advanced aesthetic strategies. In this article I will discuss two of these strategies. The first will be represented by the historical crime novel mixing historical......, searching for a pattern, before the killer is found. I shall pursue this strategy, highlighting the connections between plot, philosophical insights and aesthetics....
Sheel, Vaibhav; Purwar, Parth; Dixit, Jaya; Rai, Priya
A smile expresses feelings of joy, affection and self-confidence in an individual. Melanin hyperpigmentation of the gingiva jeopardises the aesthetics of an individual significantly. In the present case, gingival depigmentation was performed with a surgical scalpel along with local applications of ascorbic acid, yielding satisfactory aesthetic results with low subjective pain levels, and no recurrence has been observed after 9 months of follow-up.
As Ji Cheng says in "Yuan Ye": planning should be adapted to local conditions by the square, round, slope and winding. During landscape planning and design, we should make ful use of native landscape as a design element according to local conditions. The paper wil analyze the native landscape elements from an aesthetic point of view through case study of water landscape, plants, topography, heritage sites and so on to explain the aesthetic significance of native landscape in landscape planning.
This dissertation examines the relationship between physical appearance and social inequality, exploring how workplace demands for "aesthetic labor" reproduce and legitimize workplace discrimination on the bases of gender, race, class, and body size. The term, aesthetic labor, refers to organizational expectations for workers' attractiveness, style, and interactional mannerisms. These expectations - both formal and informal - influence which people will be hired to do what jobs and how people...
Slagter, Kirsten Willemijn
After pulling a tooth when aesthetics play a role, there is a tendency to place a dental implant immediately after pulling the tooth, preferably in combination with a temporary crown. This tendency is probably related to evolving society factors, with more demanding patients and a wish for an aesthetic and direct result. In two randomized clinical trials (80 patients in total) is the treatment outcome investigated of the immediate placed dental implants into major and minor bone defects after...
Pieter G.R. de Villiers
Full Text Available The article investigates the potential of mysticism to revitalise theology. It firstly traces howaesthetics was understood in theology and provides reasons for this view. It then investigateshow the predominant epistemological approach in theology privileged conceptual knowledgeand relativised aesthetics as being subjective and therefore unreliable. It gives special attentionto this epistemology by spelling out how the intellectualisation of contemporary theologyintensified the process of obfuscating and sidelining aesthetics. In a third part, the article spellsout the consequences of this position by analysing how theology is becoming a disenchantedenterprise. The article then investigates how aesthetics often is taking over the role of theologyand its formative role in social discourse. It focuses on the epistemological nature of this turntowards aesthetics, arguing that aesthetics with its profound notion of beauty (with goodnessand joy as its corollaries, is increasingly reappraised as a legitimate, but different kind andsource of knowledge. The article then argues how aesthetics can reinvigorate theology as asource of knowledge together with conceptual knowledge. It ends by investigating howtheology can be re-enchanted by learning from the prominent role and invigorating forms ofaesthetics in mysticism.
The sternocleidomastoid (SCM) partial thickness muscle flap is among the various methods described to correct parotidectomy defects, but its indications and limitations are not clearly demonstrated in several reports. This study was done to test the aesthetic outcome of this method, its indications and limitations. The technique was combined with a face lift incision to further improve the outcome. Patients and methods: At the National Cancer Institute, Cairo University, Egypt, 23 patients presenting with benign tumors underwent parotidectomy, 19 had superficial parotidectomy and four had total parotidectomy done. The superiorly based (SCM) muscle flap was used to correct the contour deformity. The aesthetic result was evaluated by assessing arid scoring the overall appearance of the scar, the degree of symmetry of the reconstructed parotid region and the site of the donor muscle to their contralateral normal sides. The overall aesthetic appearance was then calculated by the summation of the scores of the latter three parameters. Patients' satisfaction was assessed by patients' questionnaire. Result: The overall aesthetic appearance was good in 17 patients, and moderate in six patients. 16/23 patients had an overall deep satisfaction with the result. The residual hollowness of the parotid following reconstruction of the total parotidectomy defect and the poor quality of scars were the main reasons affecting the aesthetic outcome. Conclusion: Superficial parotidectomy through facelift incision with immediate reconstruction with superiorly based partial thickness SCM flap allows adequate resection of most benign parotid tumors with a satisfactory aesthetic outcome and minimal donor site morbidity
Full Text Available In this study we investigated the relationship between aesthetic experience and other emotional qualities judged in paintings. Aesthetic experience was defined as an exceptional state of mind in which a person is focused on a particular object, transcending its everyday uses and meanings and losing the awareness of surroundings and even of himself/herself. In this state a person has an exceptional emotional experience, that is a feeling of unity with the object. Our basic idea is that aesthetic experience is not reducible to pleasure or a positive hedonic tone, but a person can equally be fascinated with both pleasant and unpleasant objects. In preliminary studies we specified the stimulus set of figural and semi-figural paintings, and a set of descriptors of emotions, feelings and aesthetic experience. Participants judged the paintings on descriptors (seven-point scales. Factor analysis revealed two large factors: the bipolar factor Affective Tone (descriptors on the positive pole: lovely, charming, cheerful, etc; descriptors on the negative pole: scary, disgusting, hateful etc. and Aesthetic Experience (descriptors: exceptional, profound, unique, etc.. Additional analyses have shown no significant correlation between the two factors. These findings confirmed our idea that aesthetic experience is independent of pleasure or affective attraction, and that it can be induced by both pleasant and unpleasant paintings.
Leisure and aesthetic education have their nature, characteristic and function in common—freedom their common nature, free pursuit of pleasure their common characteristic and becoming human their function.Their differences lie in the fact that aesthetic education stresses"education"while leisure stresses"relaxation";aesthetic education stresses "learning"while leisure stresses"play";aesthetic education is positive while leisure is neutral.Leisure serves as a tangible carrier for aesthetic education while aesthetic education serves as the guide of value for leisure.Consequently, modern education and social life should strive to"be human"in the interaction of the two.%休闲与美育具有共通的本质、特征与功能,自由是其共同的本质,自由的愉悦是其共同的特征,在自由愉悦中"成人"则是其共通的功能;两者亦有差异:美育重"育",休闲重"休";美育重"学",休闲重"玩";美育正向,休闲双向. 两者关系:休闲为美育现实生动载体,美育为休闲价值尺度导向. 现代教育和社会生活应当在美育与休闲的互动中"成人".
Aesthetics has historically been defined as the study of beauty and thus as a metric of art. More recently, psychologists are using the term to describe a spectrum of responses from ``I hate it'' to ``I love it.'' In the context of fluid physics, what is beautiful? What elicits a ``Wow! Awesome! Cool!'' response versus a snore? Can we use aesthetics to deepen or change students' or the public's perceptions of physics and/or the world around them? For example, students seem to appreciate the aesthetics of destruction: environmental fluid dynamics such as storms, tornadoes, floods and wildfires are often responsible for massive destruction, yet humans draw pleasure from watching such physics and the attendant destruction from a safe distance. Can this voyeurism be turned to our advantage in communicating science? Observations of student and Facebook Flow Visualization group choices for fluid physics that draw a positive aesthetic response are sorted into empirical categories; the aesthetics of beauty, power, destruction, and oddness. Each aesthetic will be illustrated with examples drawn from flow visualizations from both the Flow Visualization course (MCEN 4151) taught at the University of Colorado, Boulder, and sources on the web. This work is supported by NSF: EEC 1240294.
Full Text Available The present paper is a critical essay which is based on Aigen’s (2007, p. 127 premise that "aesthetic experience involves and models processes of transformation that are necessary parts of successful music therapy." From his premise, three basic points emerge: aesthetic experience, transformation and successful music therapy. Based on these points I structure my essay in four parts. In the first part I do a brief retrospective review of the philosophical discourse of aesthetics, as this emerged in ancient Greece and later on in the eighteenth and nineteenth century in Western Europe. The second part concerns the nature of aesthetic experience and its relevance to music therapy where my focus is mainly concentrated on Aigen’s concept of music as a medium and its fundamental relation to Dewey’s ideas. The third part of the essay concerns transformation, its meaning and its role in therapy. I explore the concept of transformation as an intermediate stage between "death" and "rebirth" by drawing mainly from humanistic approaches and Rogers’ notion of "becoming a person." The connection of aesthetic experience with processes of transformation is revealed through their common inherent characteristics of change, growth, and tension. In the last part, I define what "successful" music therapy means by identifying its clinical aims. I also develop the importance of aesthetic experience and transformation in the framework of music-centered music therapy, while I conclude by suggesting its significance to the broader field of music therapy.
Full Text Available Although Great Britain is the country of some of the earliest contributors to aesthetics as an independent philosophical discipline the subject attracted little interest in philosophical circles towards the turn of the twentieth century. In this paper, I shall focus on Bosanquet and Collingwood. In particular, as we shall see, Collingwood is often dismissed as having held an indefensible, outmoded ‘ideal’ theory, according to which the work of art is primarily ‘mental’, while his potential role in current debates is simply ignored. I will argue that this view is largely mistaken.
Rapid growth and expansion of plastic surgery in general and aesthetic surgery in particular in the past decade has brought in its wake some confusions particularly raising questions for the surgeons conduct towards his colleagues and the patients in the light of ethical requirements. Some thoughts from eminent thinkers form a backdrop to consideration of theories of medical ethics. In this article raging and continuous debates on these subjects have been avoided to maintain the momentum. Apart from the western thoughts, directions from our old scriptures on ethical conduct have been included to accommodate prevelant Indian practices. The confusion created by specialists advertising their abilities directly to the lay public following removal of ethical bars by the American Courts as also latitudes allowed by the General Medical Council of Great Britain have been discussed. The medical fraternity however has its reservations. Unnecessary skirmishes with the law arose in cosmetic surgery from the freedom exercised by the police to file criminal proceedings against attending doctors in the event of a patient's death with or without any evidence of wrong doing. This has now been curtailed in the judgement of the Supreme Court of India where norms have been laid down for such prosecution. This has helped doctors to function without fear of harassment. An effort has been made to state a simple day-to-day routine for an ethical doctor-patient relationship. PMID:23450235
Starting from his early writings, Freud devoted much thought to "obsessional neurosis" and continued developing this theme for more than thirty years. However, unlike the disorder hysteria, which in recent years has regained its honorable status in psychoanalytic literature, obsessional neurosis has been continually neglected and relegated to the fields of psychiatry and behavioral psychology, which emphasize the symptomatic and the overt. This process, by clinging to the objective aspects of obsessional neurosis and disassociating it from the instincts and from its historical sources, may itself be deemed obsessive. This paper suggests that obsessive processes should be viewed as structuring a distinct psychic state pertinent to analysis even when obsessive symptoms are not clearly present or apparent. Freud's conceptualizations thus become more flexibly and widely applicable, allowing the analyst once again to relate to the patient's inner world and to the original, implicit essence of obsession, relying less significantly on what is outwardly apparent. The paper will elaborate on three aspects of this "obsessive state": aesthetics, eroticism, and fantasy. Finally, the value of the notion of obsessive psychic states will be reassessed in the broader context of the role of sexuality in psychoanalytic theory. PMID:27500702
Situated between the doctor and the patient, nurses play a central role in the doctor-patient relationship. Nurses attend to patients' exhaustion and take responsibility for the "Other," in Lévinas' sense of the word. In discussions of the doctor-patient relationship, the patient is often regarded as the "Other". This perspective seeks to challenge the traditional contention that the doctor plays the dominant role. In the structure of this relationship, the doctor, responsible for providing diagnoses, is the subject and the patient is the object. The latter constantly feels frustrated and helpless and requires the comfort of the nurse. In this sense, the nurse, having the direct contact with the patient, constantly sees the faces of the patients. In the care relationship, the patient's frustration and helplessness will sometimes be expressed to the nurse if the patient cannot be affectively affirmed. In this type of situation, the nurse bears not simply his / her routine work, but also affective devotion and endurance. On the one hand, the nurse must practice professional medical care in the face of patients' affective feelings and emotions and, on the other hand, he / she must treat the patient as a relative and suppress inner feelings and emotions. How does a nurse situate herself into the doctor-patient relationship? As the nurse is asked to treat the patient as a relative, how does he / she face inner emotions? This paper reflects on the possibility of the aesthetic practice of care ethics.
van Nes, Floris L.
This paper gives an overview of the visual representation of reality with three imaging technologies: painting, photography and electronic imaging. The contribution of the important image aspects, called dimensions hereafter, such as color, fine detail and total image size, to the degree of reality and aesthetic value of the rendered image are described for each of these technologies. Whereas quite a few of these dimensions - or approximations, or even only suggestions thereof - were already present in prehistoric paintings, apparent motion and true stereoscopic vision only recently were added - unfortunately also introducing accessibility and image safety issues. Efforts are made to reduce the incidence of undesirable biomedical effects such as photosensitive seizures (PSS), visually induced motion sickness (VIMS), and visual fatigue from stereoscopic images (VFSI) by international standardization of the image parameters to be avoided by image providers and display manufacturers. The history of this type of standardization, from an International Workshop Agreement to a strategy for accomplishing effective international standardization by ISO, is treated at some length. One of the difficulties to be mastered in this process is the reconciliation of the, sometimes opposing, interests of vulnerable persons, thrill-seeking viewers, creative video designers and the game industry.
Full Text Available Rapid growth and expansion of plastic surgery in general and aesthetic surgery in particular in the past decade has brought in its wake some confusions particularly raising questions for the surgeons conduct towards his colleagues and the patients in the light of ethical requirements. Some thoughts from eminent thinkers form a backdrop to consideration of theories of medical ethics. In this article raging and continuous debates on these subjects have been avoided to maintain the momentum. Apart from the western thoughts, directions from our old scriptures on ethical conduct have been included to accommodate prevelant Indian practices. The confusion created by specialists advertising their abilities directly to the lay public following removal of ethical bars by the American Courts as also latitudes allowed by the General Medical Council of Great Britain have been discussed. The medical fraternity however has its reservations. Unnecessary skirmishes with the law arose in cosmetic surgery from the freedom exercised by the police to file criminal proceedings against attending doctors in the event of a patient′s death with or without any evidence of wrong doing. This has now been curtailed in the judgement of the Supreme Court of India where norms have been laid down for such prosecution. This has helped doctors to function without fear of harassment. An effort has been made to state a simple day-to-day routine for an ethical doctor-patient relationship.
Full Text Available The radical artist collective El Techo de la Ballena (1961–1968 is primarily remembered as a scandalous, interdisciplinary pioneer of performative public interventions in Venezuela. Yet the group established a contradictory, pluralistic visual aesthetic(s that served as a refusal of the artistic and political hegemony of geometric and kinetic art. This paper examines several case studies to consider El Techo’s complex visual output, which variously draws upon medieval woodcuts, photography and photomontage, and a mode of gestural abstraction that came to be known as informalismo. The group looked to an alternative genealogy of Dada and Surrealist tactics as a means of introducing an arsenal of new artistic strategies that could be adapted to a specifically Venezuelan discourse of development and disillusion. By advancing a visual language of unpredictability and mutability, El Techo actively refused to achieve a singular identity, its deliberate dissonances complementing its guerrilla approach to artmaking and ultimately seeking to undo the perceived academicism of dominant visualities in Venezuelan art and politics.
Yutskovskaya, Yana; Gubanova, Elena; Khrustaleva, Irina; Atamanov, Vasiliy; Saybel, Anastasiya; Parsagashvili, Elena; Dmitrieva, Irina; Sanchez, Elena; Lapatina, Natalia; Korolkova, Tatiana; Saromytskaya, Alena; Goltsova, Elena; Satardinova, Elmira
Background Although there are various international consensus recommendations on the use of botulinum neurotoxin type A (BoNT/A) in facial aesthetics, there are no global or Russian guidelines on the optimal dose of incobotulinumtoxinA, free from complexing proteins, within specific aesthetic indications. This article reports the outcomes of two expert consensus meetings, conducted to review and analyze efficacy and tolerability data for incobotulinumtoxinA in various facial aesthetic indications and to give expert consensus recommendations to ensure best clinical practice among Russian clinicians. Methods Thirteen dermatology and/or plastic surgery experts attended meetings held in Paris, France (November 2013), and Moscow, Russia (March 2014). The expert group reviewed and analyzed the existing evidence, consensus recommendations, and Russian experts’ extensive practical experience of incobotulinumtoxinA in aesthetics to reach consensus on optimal doses, potential dose adjustments, and injection sites of incobotulinumtoxinA for facial aesthetics. Results All experts developed guidance on the optimal doses for incobotulinumtoxinA treatment of different regions of the upper and lower face. The expert panel agreed that there are no differences in the efficacy and duration of the effect between the four BoNT/As that are commercially available for facial aesthetic indications in Russia and that, when administered correctly, all BoNT/As can achieve optimal results. Experts also agreed that nonresponse to BoNT/A can be caused by neutralizing antibodies. Conclusion On the basis of the scientific and clinical evidence available for incobotulinumtoxinA, coupled with the extensive clinical experience of the consensus group, experts recommended the optimal doses of incobotulinumtoxinA effective for treatment of wrinkles of the upper and lower face to achieve the expected aesthetic outcome. These first Russian guidelines on the optimal use of incobotulinumtoxinA for
Pytras, B.; Drozdowski, P.; Zub, K.
Introduction. Newer and newer technologies have been widely developed in recent years due to increasing need for aesthetic medicine procedures. Less invasive methods of skin imperfection and time-related lesions removal, IPL (Intense Pulse Light) being one of them, are gaining more and more interest. The shorter the "downtime" for the patient is and the more efficient the procedure results, the more popular the method becomes. Materials and methods_Authors analyse the results of treatment of a 571 patients-group (501 women and 70 men) aged 5-72 years in the period: October 2006-August 2010. IPL™ Quantum (Lumenis Ltd.) device with 560 nm. cut-off filter was used. Results. The results were regarded as: very good, good or satisfying (%):Skin photoaging symptomes 37/40/23, Isolated facial dyschromia 30/55/25, Isolated facial erythema 62/34/4, Lower limbs teleangiectasia 12/36/52, Keratosis solaris on hands 100/-/-. Approximately half of the patients developed transitory erythema and 25%- transitory, mild, circumscribed oedema. Following undesirable effects were noted: skin thermal irritation (6,1% of the patients) and skin hypopigmentation (2% of the patients). Discussion. Results and post-treatment management proposed by authors are similar to those reported by other authors. Conclusions. Treatment results of the 571-patients group prove IPL to be a very efficient method of non-ablative skin rejuvenation. It turned out effective also in lower limbs teleangiectasia treatment. It presents low risk of transitory and mild side effects. Futhermore, with short or no downtime, it is well-tolerated by the patients.
Since the main purposes of translation lies in expressing to the target readers both the message and the aesthetic value of the source text and making the readers ideologically inspired and aesthetically entertained, Lin Yutang conclusively sum up that the aesthetic criteria in translation should be faithfulness, expressiveness and beauty throughout his translation practices. This thesis mainly focus on the aesthetic criteria of Lin’s translation as well as the aesthetic reproduction in his translation which illustrates the unity reached in Lin’s translation in terms of both the aesthetic features and the loyalty to the meaning.
Prum, Richard O
Darwin proposed an explicitly aesthetic theory of sexual selection in which he described mate preferences as a 'taste for the beautiful', an 'aesthetic capacity', etc. These statements were not merely colourful Victorian mannerisms, but explicit expressions of Darwin's hypothesis that mate preferences can evolve for arbitrarily attractive traits that do not provide any additional benefits to mate choice. In his critique of Darwin, A. R. Wallace proposed an entirely modern mechanism of mate preference evolution through the correlation of display traits with male vigour or viability, but he called this mechanism natural selection. Wallace's honest advertisement proposal was stridently anti-Darwinian and anti-aesthetic. Most modern sexual selection research relies on essentially the same Neo-Wallacean theory renamed as sexual selection. I define the process of aesthetic evolution as the evolution of a communication signal through sensory/cognitive evaluation, which is most elaborated through coevolution of the signal and its evaluation. Sensory evaluation includes the possibility that display traits do not encode information that is being assessed, but are merely preferred. A genuinely Darwinian, aesthetic theory of sexual selection requires the incorporation of the Lande-Kirkpatrick null model into sexual selection research, but also encompasses the possibility of sensory bias, good genes and direct benefits mechanisms.
Full Text Available Metrical patterning and rhyme are frequently employed in poetry but also in infant-directed speech, play, rites, and festive events. Drawing on four line-stanzas from 19th and 20th German poetry that feature end rhyme and regular meter, the present study tested the hypothesis that meter and rhyme have an impact on aesthetic liking, emotional involvement, and affective valence attributions. Hypotheses that postulate such effects have been advocated ever since ancient rhetoric and poetics, yet they have barely been empirically tested. More recently, in the field of cognitive poetics, these traditional assumptions have been readopted in a general cognitive framework. In the present experiment, we tested the influence of meter and rhyme as well as their interaction with lexicality in the aesthetic and emotional perception of poetry. Participants listened to stanzas that were systematically modified with regard to meter and rhyme and rated them. Both rhyme and regular meter led to enhanced aesthetic appreciation, higher intensity in processing, and more positively perceived and felt emotions, with latter finding being mediated by lexicality. Together these findings clearly show that both features significantly contribute to the aesthetic and emotional perception of poetry and thus confirm assumptions about their impact put forward by cognitive poetics. The present results are explained within the theoretical framework of cognitive fluency, which links structural features of poetry with aesthetic and emotional appraisal.
Chew, Lin Hou; Teo, Jason; Mountstephens, James
Recognition and identification of aesthetic preference is indispensable in industrial design. Humans tend to pursue products with aesthetic values and make buying decisions based on their aesthetic preferences. The existence of neuromarketing is to understand consumer responses toward marketing stimuli by using imaging techniques and recognition of physiological parameters. Numerous studies have been done to understand the relationship between human, art and aesthetics. In this paper, we present a novel preference-based measurement of user aesthetics using electroencephalogram (EEG) signals for virtual 3D shapes with motion. The 3D shapes are designed to appear like bracelets, which is generated by using the Gielis superformula. EEG signals were collected by using a medical grade device, the B-Alert X10 from advance brain monitoring, with a sampling frequency of 256 Hz and resolution of 16 bits. The signals obtained when viewing 3D bracelet shapes were decomposed into alpha, beta, theta, gamma and delta rhythm by using time-frequency analysis, then classified into two classes, namely like and dislike by using support vector machines and K-nearest neighbors (KNN) classifiers respectively. Classification accuracy of up to 80 % was obtained by using KNN with the alpha, theta and delta rhythms as the features extracted from frontal channels, Fz, F3 and F4 to classify two classes, like and dislike.
Anastasia Viktorovna Sarapulova
Full Text Available Osteoarthrosis (OA is one of the most common causes of hand pains, leading to lower quality of life (QL. In addition to pain and functional impairment, the patients' aesthetic dissatisfaction that cannot be now determined or measuredis of prime importanceObjective: to assess a number of QL aspects and to measure the level of aesthetic discomfort in patients with hand OA.Subjects and methods. Sixty women aged 45–75 years with hand OA were included. The number of painful and deformed joints was determined and functional impairments were evaluated using the AUSCAN questionnaire. The patients filled out the questionnaire to determine the level of dissatisfaction with the appearance of their hands; the Ellis stress test for irrational beliefs was carried out.Results. The patients with hand OA were found to have significant aesthetic discomfort comparable with level of joint pain. Deformity phobia in the future and external discomfort because of hand deformity were most pronounced; a wish for surgical correction was less pronounced. Comparison of the results obtained in different age groups determined the highest levels of anxiety and wish for surgical correction in younger women. The patients' aesthetic dissatisfaction was also influenced by employment and internet usage.Conclusion. Aesthetic discomfort is an important component of lower QL in patients with hand OA. Further investigation of this factor and elaboration of criteria for its estimation are needed.
Full Text Available Flap surgery is treatment for periodontal disease with alveolar bone destruction. Surgical periodontal flap with conventional incision will result in gingival recession and loss of interdental papillae after treatment. Dilemma arises in areas required high aesthetic value or regions with a fixed denture. It is challenging to perform periodontal flap with good aesthetic results and minimal gingival recession. This case report aimed to inform and to explain the work procedures, clinical and radiographic outcomes of surgical papilla preservation flap in the area that requires aesthetic. Case 1 was a surgical incision flap with preservation of papillae on the anterior region of teeth 11 and 12, with a full veneer crown on tooth 12. Case 2 was a surgical incision flap with preservation of papillae on the posterior region of tooth 46 with inlay restoration. Evaluation for both cases were obtained by incision papilla preservation of primary closure was perfect, good aesthetic results, minimal gingival recession and the interdental papillae can be maintained properly. In conclusion, periodontal flap surgery on the anterior region or regions that require high aesthetic value could be addressed with papilla preservation incision. Incision papilla preservation should be the primary consideration in periodontal flap surgery if possible.DOI: 10.14693/jdi.v19i3.144
Heath, Robin L; Mahmasanni, Oula; Rouhana, Aida; Nassif, Nader
The systemic bias for aesthetic preferences demonstrated by prior research is thought to reflect neural organisation. Research on aesthetic preference and laterality has usually been conducted with participants who read a left-to-right Roman script, e.g., English. In order to determine if the aesthetic judgments were influenced by habitual scanning direction, we administered a geometric aesthetic preference test to 578 right-handed adults who represented a range of script experience, i.e., left-to-right Roman script readers (English); right-to-left Arabic script readers; bi-directional readers of Roman and Arabic scripts; and illiterates. We also administered an asymmetric chimeric faces test. Our findings showed that biases in aesthetic preference were influenced by script direction and pictorial dimensions. In a laterally balanced composition, participants preferred to begin their scan with the object representing Interest and terminate with the object representing Weight, the direction being determined by the script. In an unbalanced composition, participants tended to fixate on content, whether Interest or Weight, and move in a direction consistent with the script. PMID:16191811
Chew, Lin Hou; Teo, Jason; Mountstephens, James
Recognition and identification of aesthetic preference is indispensable in industrial design. Humans tend to pursue products with aesthetic values and make buying decisions based on their aesthetic preferences. The existence of neuromarketing is to understand consumer responses toward marketing stimuli by using imaging techniques and recognition of physiological parameters. Numerous studies have been done to understand the relationship between human, art and aesthetics. In this paper, we present a novel preference-based measurement of user aesthetics using electroencephalogram (EEG) signals for virtual 3D shapes with motion. The 3D shapes are designed to appear like bracelets, which is generated by using the Gielis superformula. EEG signals were collected by using a medical grade device, the B-Alert X10 from advance brain monitoring, with a sampling frequency of 256 Hz and resolution of 16 bits. The signals obtained when viewing 3D bracelet shapes were decomposed into alpha, beta, theta, gamma and delta rhythm by using time-frequency analysis, then classified into two classes, namely like and dislike by using support vector machines and K-nearest neighbors (KNN) classifiers respectively. Classification accuracy of up to 80 % was obtained by using KNN with the alpha, theta and delta rhythms as the features extracted from frontal channels, Fz, F3 and F4 to classify two classes, like and dislike. PMID:27066153
现今学界有一种倾向性认识，即将“美育”局限于审美教育，而所谓的审美，主要是指审美静观，即欣赏美。将美的活动狭义地理解为审美活动，这是西方审美静观主义的流弊。美育不应仅包涵审美教育，教会人们该如何欣赏美；还应包涵创美教育，教会人们该如何创造美。创美，以艺术创造为核心，还包括日常生活中美的创造。美育，不应仅是认识论的问题，还应是实践论的问题。创美教育的脆弱现状，或许应该成为将来美育改革的一个标靶。%Nowadays in the academic circle, there is a tendency that aesthetic education is limited within education of aesthetic judgment, while the so-called aesthetic judgment refers to aesthetic contemplation, i.e. appreciating the beauty, which is due to the influence of aesthetic contemplationism in western aesthetics. Aesthetic education should include not only education of aesthetic judgment for how to appreciate beauty but also education of aesthetic creation for how to create beauty. Aesthetic creation focuses on creation of liberal art, also including creation of aesthetics in everyday life. Aesthetic education is not merely an epistemological issue, but also a practical one. The fragile situation of education of aesthetic creation should probably become a target for the reform of aesthetic education in the future.
Liapis, Antonios; Yannakakis, Georgios N.; Togelius, Julian
pleasing 2D game spaceships via neuroevolutionary constrained optimization and evaluate the impact of the designed visual properties on the generated spaceships. The offline generated spaceships are used as the initial population of an interactive evolution experiment in which players are asked to choose......This paper introduces a search-based approach to personalized content generation with respect to visual aesthetics. The approach is based on a two-step adaptation procedure where (1) the evaluation function that characterizes the content is adjusted to match the visual aesthetics of users and (2......) the content itself is optimized based on the personalized evaluation function. To test the efficacy of the approach we design fitness functions based on universal properties of visual perception, inspired by psychological and neurobiological research. Using these visual properties we generate aesthetically...
Casas Martha María
Full Text Available This paper describes the pedagogical approach to José Martí´s aesthetical ideas from current axiological and pedagogical perspective, It takes into account that aesthetical guidance is always present in all interrelation between an individual and its peers, an individual and nature and society. The topic is relevant as far as it offers the necessary keys for the aesthetic education in primary teaching, according the principles of Cuban social project based on Martian’s principles of the usefulness of virtue, world’s balance and the culture of doing politics. The paper derives from the results of scientific research Pedagogical model for Primary Teaching in the Vocational School of Art “Luis Casas Romero” of Camagüey province, which has proved to be valid in educational practice.
Full Text Available This case report sheds light upon the procedural treatment of aesthetic oral rehabilitation in patients with tooth wear so that not only a specialist but also a general dental practitioner can easily tackle cases of this caliber. In this case report, the treatment of a 58-year-old man with aesthetics concerns, tooth wear, and sensitivity in anterior teeth is discussed. The need for a stabilizing splint, crown lengthening, and the provisioning of partial dentures in the upper and lower arches were all part of the treatment protocol in this case. The prevalence of tooth wear and the aesthetic demands of patients have increased in our society nowadays. When both of these problems are encountered together in the dental practice, strict treatment planning is needed to achieve success.
This essay explores the aesthetic sensibilities of the French physiologist Claude Bernard (1813-1878). In particular, it analyzes the Cahier Rouge (1850-1860), Bernard's acclaimed laboratory notebook. In this notebook, Bernard articulates the range of his experience as an experimental physiologist, juxtaposing without differentiation details of laboratory procedure and more personal queries, doubts, and reflections on experimentation, life, and art. Bernard's insights, it is argued, offer an aesthetic and phenomenological template for considering experimentation. His physiological point of view ranges from his own bodily aesthesis or sensory perception, through personal reflections on scientific discovery as an artistic process, to a broader metaphysical conception of life as an artistic creation. Such an aesthetic approach to physiology enables Bernard to reconcile his empirical methodology and his romantic idealism; it offers the history of laboratory science a framework for considering the individual, bodily, and emotional labor inherent in physiological experimentation. PMID:23789508
This essay explores the aesthetic sensibilities of the French physiologist Claude Bernard (1813-1878). In particular, it analyzes the Cahier Rouge (1850-1860), Bernard's acclaimed laboratory notebook. In this notebook, Bernard articulates the range of his experience as an experimental physiologist, juxtaposing without differentiation details of laboratory procedure and more personal queries, doubts, and reflections on experimentation, life, and art. Bernard's insights, it is argued, offer an aesthetic and phenomenological template for considering experimentation. His physiological point of view ranges from his own bodily aesthesis or sensory perception, through personal reflections on scientific discovery as an artistic process, to a broader metaphysical conception of life as an artistic creation. Such an aesthetic approach to physiology enables Bernard to reconcile his empirical methodology and his romantic idealism; it offers the history of laboratory science a framework for considering the individual, bodily, and emotional labor inherent in physiological experimentation.
Kakarala, Ramakrishna; Agrawal, Abhishek; Morales, Sandino
Computer vision researchers have recently developed automated methods for rating the aesthetic appeal of a photograph. Machine learning techniques, applied to large databases of photos, mimic with reasonably good accuracy the mean ratings of online viewers. However, owing to the many factors underlying aesthetics, it is likely that such techniques for rating photos do not generalize well beyond the data on which they are trained. This paper reviews recent attempts to compare human ratings, obtained in a controlled setting, to ratings provided by machine learning techniques. We review methods to obtain meaningful ratings both from selected groups of judges and also from crowd sourcing. We find that state-of-the-art techniques for automatic aesthetic evaluation are only weakly correlated with human ratings. This shows the importance of obtaining data used for training automated systems under carefully controlled conditions.
Full Text Available This paper places contemporary modalities of digital interaction in an historical context of sixty years of intersections between technological development and artistic experimentation. Specific technological developments are identified as context-defining historical markers and specific works are discussed as exemplars of significant milestones in the engineering and the aesthetics of interaction. The shortage of theorisation of non-instrumental interaction is lamented. The process of naturalisation to increasingly sophisticated digital tools and appliances in the current period of ubiquitous computing is noted. A number of theoretical issues are drawn out and discussed in terms of cognitive and sensorimotor dynamics. Woven through the discussion is the proposal that a synthesis of performance theory and neuro-cognitive studies might provide a basis for a performative ontology around which an aesthetics of interaction might be constructed. As the paper progresses a theoretical framework for an ontologically performative aesthetics of interaction and ubiquity is formulated.
Full Text Available This article discusses a common trend in linguistic creativity in modern Russian language and its widespread and common character determined by a number of linguistic and extra-linguistic reasons. The author highlights the linguistic creativity of the Internet, media texts, and commercial naming, analyzes specific lexical and grammatical creative linguistic mechanisms (potential derivation, actualized polysemy, graphic hybridization, etc. as well as aesthetic and pragmatic value of «the widespread linguistic creativity». This term implies an ability of a native speaker of Russian to create in language not necessary bound by a literary text. This article suggests that it is not the aesthetic function of a text that is important; it is the actualization of the communicative and voluntary function that comes to the fore. Pragmatics then is more important than aesthetics in linguistic creativity. To prove her thesis, the author analyzes the language of advertising from the point of view of the correlation between pragmatics and aesthetics. These ads, or «mini texts» demonstrate innovations, which function in the context of “syntactic minimalism.” These innovations are determined by the addresser’s pragmatic choice of a specific, non-conventional expression mode. In some cases, these innovations become valuable from an aesthetic point of view. This study also deals with certain trends in linguistic creativity in the sphere of commercial naming, e.g.in naming of restaurants, cafes, shops. These trends are determined not only by the addresser’s perception of linguistic creativity as an attention-getting mechanism but also by the possibilities inherent in the linguistic system of the Russian language. This article suggests that the aesthetic value of commercial names could be determined by combining verbal and non-verbal devices, because the latter play an important role in the sphere of the widespread linguistic creativity.
This book explores the design process for user experience and engagement, which expands the traditional concept of usability and utility in design to include aesthetics, fun and excitement. User experience has evolved as a new area of Human Computer Interaction research, motivated by non-work oriented applications such as games, education and emerging interactive Web 2.0. The chapter starts by examining the phenomena of user engagement and experience and setting them in the perspective of cognitive psychology, in particular motivation, emotion and mood. The perspective of aesthetics is expande
Ritter, Robert G; Culp, Lee
Accurate communication among the patient, clinician, and laboratory technician is critical to the development of a functional, aesthetic restoration. The use of pressed ceramic restorations has provided a durable, consistent alternative for full-coverage crowns, veneers, onlays, and short-span fixed partial dentures. This article discusses the importance of proper ingot selection in the fabrication of aesthetic restorations and in the realization of patients' expectations for smile design. Ceramic ingots are available in a variety of colors and opacities that provide the clinician and laboratory technician with the latitude to select an ingot that will ultimately ensure patient satisfaction.
Hanly, Margaret Ann Fitzpatrick
Jane Austen's most popular novel, Pride and Prejudice (1813), illuminates and is illuminated by psychoanalytic aesthetics. When Austen dramatizes unconscious oedipal/sibling rivalries, irony acts as a type of aesthetic ambiguity (E. Kris 1952). A psychoanalytic perspective shows that Austen uses a grammar of negatives (negation, denial, minimization) to achieve the dual meanings of irony, engaging the reader's unconscious instinctual satisfactions, while at the same time protecting the reader from unpleasant affects. Austen's plot, which portrays regressions driven by sibling jealousy, reveals that a new tolerance of remorse and depression in her heroine and hero leads to psychic growth.
Han, Ae Jin
The aesthetic of ‘cuteness’ in South Korean popular music (known as K-pop) is a pivotal concept in Korean media and culture and is frequently used to describe performances by both male and female K-pop groups. Aegyo is a fundamental part of this aesthetic, also called ‘K-cute’, and it refers to the behaviour of ‘acting cute’ that denotes a particular coquettish style not only in K-pop but also in South Korean society in a broader sense. This thesis explores K-pop performance from the mid-...
Full Text Available This paper considers some important precursory events in the formative history of Australian media arts. These events have anticipated the post-object, serial conception of arts practice that Nicholas Bourriaud has called relational aesthetics. Relational aesthetics interpret both artwork and audience in differential, highly idiosyncratic ways; ways that have become important to our contemporary vocabulary of interactive, immersive and interfaced art. This paper will consider the ways in which the concept of the network was important to artists such as Philip Brophy & Tsk-tsk-tsk in the early 1980s. It will also explore related notions of “audience manipulation” in the work of Martine Corompt.
Jefferson Cleiton de Souza
The aim of this paper is to discuss how Hans Robert Jauss, the creator of the aesthetics of reception, has introduced the category of the reader into the literary studies especially when it comes to the importance of the reader to the understanding of the text, and to the history of a society and its literary system or, in other words to the way the formal elements of a literary work are organized and how they are related to aesthetic, ethic and moral evaluations. To do so, it is necessary to...
Buhl, Mie; Ejsing-Duun, Stine
Social Aesthetics in Learning Practices in the 21st Century Due to the extensive reliance on media in our everyday perception of the surroundings we see a shift in relation to aesthetics from an individual focus to social negotiations around a situation. This article presents how individuals shape......, both, theoretically and through an explorative study: Theoretically we draw from visual culture (Buhl, 2012;Bourriaud, 2002; Mitchell, 2002), learning (Dohn, 2002) and digital media studies (Ejsing-Duun, 2011). The explorative case study is focused on the use of the mobile application Draw Something...... approach in which the process of decoding and negotiations around practices in social media is significant....
Botakoz A. Zhekibaeva
Full Text Available The article studies crucial problem of moral and aesthetic nature of an individual, which is considered as a problem of dialectical, contradictory relation of consciousness, its spiritual content and actual behavioral manifestations by psychological and educational literature. Man’s moral and aesthetic nature is revealed on the basis of study of scientific works by Russian and foreign scientists. It is a social and natural integrity, an organic and indissoluble unity of moral, aesthetic, corporal, aesthetic and external artistic and expressive nature. The article justifies the idea that behavior, reflecting the moral and aesthetic nature of personality is indicator of his/her moral and aesthetic development, maturity of moral qualities, educated aesthetic perception, subtle emotional reactions on moral and aesthetic manifestations and their keen perception
Domínguez-Rué, Emma; Mrotzek, Maximilian
Previous research has shown that using tools from systems science for teaching and learning in the Humanities offers innovative insights that can prove helpful for both students and lecturers. Our contention here is that a method used in systems science, namely the influence matrix, can be a suitable tool to facilitate the understanding of elementary notions in Aesthetics by means of systematizing this process. As we will demonstrate in the upcoming sections, the influence matrix can help us to understand the nature and function of the basic elements that take part in the aesthetic experience and their evolving relevance in the history of Aesthetics. The implementation of these elements to an influence matrix will contribute to a more detailed understanding of (i) the nature of each element, (ii) the interrelation between them and (iii) the influence each element has on all the others.
Hofer, Stefan O.P.; Payne, Caroline E.
The foundation of head and neck reconstruction is based on two pillars: the restoration of function and the restoration of aesthetics. The objective of this article is to provide insight into how to prevent undesirable functional and aesthetic outcome after the initial procedure and also to provide solutions for enhancement of functional and aesthetic outcome with secondary procedures. Functional and aesthetic outcome enhancement is discussed in relation to the individual structures within th...
Zupančič, Tomaž; Duh, Matjaž
The method of aesthetic transfer is a modern teaching method in art education. It emphasises the pedagogic value of the aesthetic experience. It is a comprehensive method, as it encompasses different parameters of art didactics. It affects lesson time allocation and determines content, methods, and teaching modes. It also affects motivation and final evaluation. The essence of the method of aesthetic transfer lies in transferring aesthetic messages from the artwork to students. The foundation...
Post, R.A.G.; Blijlevens, J.; Hekkert, P.P.M.
The principle of unity-in-variety has recently been shown to affect visual aesthetic appreciation of product designs. We investigated whether this principle can also account for tactile aesthetic appreciation of products. Design students rated nine car keys on unity, variety and aesthetic appreciati
This study investigated consumers' valuation of clothing on the basis of aesthetic and utilitarian qualities. Findings indicated that subjects were willing to pay the most for high aesthetic items regardless of utility and the least for low aesthetic, low utility items. (JB)
Croom, Adam M
Aesthetic non-cognitivists deny that aesthetic statements express genuinely aesthetic beliefs and instead hold that they work primarily to express something non-cognitive, such as attitudes of approval or disapproval, or desire. Non-cognitivists deny that aesthetic statements express aesthetic beliefs because they deny that there are aesthetic features in the world for aesthetic beliefs to represent. Their assumption, shared by scientists and theorists of mind alike, was that language-users possess cognitive mechanisms with which to objectively grasp abstract rules fixed independently of human responses, and that cognizers are thereby capable of grasping rules for the correct application of aesthetic concepts without relying on evaluation or enculturation. However, in this article I use Wittgenstein's rule-following considerations to argue that psychological theories grounded upon this so-called objective model of rule-following fail to adequately account for concept acquisition and mastery. I argue that this is because linguistic enculturation, and the perceptual learning that's often involved, influences and enables the mastery of aesthetic concepts. I argue that part of what's involved in speaking aesthetically is to belong to a cultural practice of making sense of things aesthetically, and that it's within a socio-linguistic community, and that community's practices, that such aesthetic sense can be made intelligible.
Croom, Adam M
Aesthetic non-cognitivists deny that aesthetic statements express genuinely aesthetic beliefs and instead hold that they work primarily to express something non-cognitive, such as attitudes of approval or disapproval, or desire. Non-cognitivists deny that aesthetic statements express aesthetic beliefs because they deny that there are aesthetic features in the world for aesthetic beliefs to represent. Their assumption, shared by scientists and theorists of mind alike, was that language-users possess cognitive mechanisms with which to objectively grasp abstract rules fixed independently of human responses, and that cognizers are thereby capable of grasping rules for the correct application of aesthetic concepts without relying on evaluation or enculturation. However, in this article I use Wittgenstein's rule-following considerations to argue that psychological theories grounded upon this so-called objective model of rule-following fail to adequately account for concept acquisition and mastery. I argue that this is because linguistic enculturation, and the perceptual learning that's often involved, influences and enables the mastery of aesthetic concepts. I argue that part of what's involved in speaking aesthetically is to belong to a cultural practice of making sense of things aesthetically, and that it's within a socio-linguistic community, and that community's practices, that such aesthetic sense can be made intelligible. PMID:21904955
Aesthetic knowing may be valuable to educational leadership practice because it links feeling and intuition to procedural information to inform decision-making. Within the large and diverse field of aesthetics, some models apply aesthetic knowing to leadership practice. Scholarly interest in this area emerged in the late 1980's, and various…
Glore, Peyton; David, Alicia
This article reviews research pertaining to the use aesthetics design, and usability in education. This article focuses on defining the role of visual elements and aesthetics in the user interface while exploring the importance of their application in a web-based learning environment. Research demonstrates that aesthetics are pivotal in…
Weinstock, Alona; Oron-Gilad, Tal; Parmet, Yisrael
Lack of system reliability has been repeatedly identified as a factor that decreases trust. However, aesthetics has an important role in the development of trust. Most of the research concerning the connection between aesthetics and trust focused on mobile commerce and websites while very little has been done in examining aesthetics in automated systems. This study integrated aesthetics manipulations into an imperfect in-vehicle automation system and focused on the power of aesthetics to decrease the negative effects of errors on trust, satisfaction, annoyance, and human-automation cooperation perceptions. Participants used the navigation system in either 100% or 85% accuracy levels with an aesthetic or non aesthetic system (4 conditions). In both aesthetic and non aesthetic systems, perceptions of trust, satisfaction and human automation cooperation were decreased in the imperfect system compared to the perfect one. However, in the annoyance rating, this trend was found only in the aesthetic system while in the non-aesthetic system no difference was found between the two levels of accuracy. This single effect may indicate upon the possibility that in automated systems aesthetics affects trust and satisfaction more moderately compared to mobile commerce applications and websites. However, more research is needed to assess this assumption.
Aesthetic learning is a major issue in arts education. The "method of art" is often expected to facilitate in-depth learning not only in the arts but across the curriculum. This article defines aesthetic learning in terms of a conceptual framework based on two dimensions, one representing the goal and the other the means of aesthetic learning. The…
Gu, Ming Dong
Art has been related to the divine across cultures. In most traditions, the divine has been viewed as the ultimate aesthetic ideal, and aesthetics is full of notions, ideas, and concepts related to it without which artistic criticism and aesthetic education would be in a much impoverished state. The divine in art, however, is a slippery category.…
While several developmental models of aesthetic understanding, experience, and appreciation exist in the realms of visual art and music education, few examples have been proposed in regard to theatre, particularly for child audiences. This author argues that children gaze upon theatre in differential ways by including age as a variable…
This essay originates in the experience of teaching aesthetics to artists within the context of undergraduate and postgraduate art education. Its main aim is to feed this experience into a reading of Kant's Critique of Judgment as a means of identifying the productive moment within his thought typically obscured by the continuing dominance of…
Aesthetic experience as a determining factor in music appreciation has lost salience in recent years, especially in philosophy of music education. Markand Thakar, music director of the Baltimore Chamber Orchestra and Duluth Superior Symphony Orchestra and co-director of graduate conducting at Peabody Conservatory, has written a book subtitled…
Iared, Valéria Ghisloti; de Oliveira, Haydée Torres; Payne, Phillip G.
One aim of environmental education is to encourage different ways of generating meanings of, valuing, conceiving, and contextualizing "nature." The field of aesthetics provides an affective basis for interpreting our perceptions of environments and relations with other more-than-human beings. This critical essay examines some of the key…
BONINO, M.; DE VICO, G.; BAIA, C.; BARLATTANI, A.
In this case report of monoedentulia we will deal with the positioning o fan upper jaw implant in zone 2.6. In such surgery the strategy of a flapless (1, 2) operation with minimum invasive approach has allowed u sto combine both the aesthetic and functionality with an immediate provisional rehabilitation, thus saving recuperation time and trouble for the patient (3).
This essay seeks to unpack some of the issues concerning representation when performing refugee stories using playback theatre. It questions the reductive influence of narrative structure and, using the framework of "artist as ethnographer," it argues that strong aesthetic production is required to overcome the dampening effect of empathy when…
Ali Reza Sadeghi
Full Text Available The main objective of this manuscript is to investigate the effects of environmental aesthetics elements of urban designing on formation of the main part of the city (as the fundamental characteristics of the urban form. For this purpose, this comparative article explains the environmental aesthetic elements that are affecting the formation of main structure of the cities during the history of urbanism history (Teotihuacan, Beijing, Athena, Rome, Paris, Washington, Brasilia, and Isfahan to pave the way for analysis of environmental aesthetics and improvement of contemporary cities’ quality. For this purpose, the present study employs analytical-descriptive research methods, and literature, references, and visual documents reviews. The results from this study indicate that environmental aesthetic elements of urban designing are affecting the formation of an urban form in two ways, namely visual-form and cognitive-semantic. Visual-form elements include the quality of landscape and its factors, the quality of urban buildings and their elements, the quality of public spaces and their elements, continuity, enclosure, diversity of forms, the quality of views and vistas, and coordination with the context. Cognitive-conceptual elements include identity, legibility, concept, perceptibility, coherent mental image, customizability, social and cultural environment, and richness of activities
Hogan, Patrick Colm
The target article presents a thought-provoking approach to the relation of neuroscience and art. However, at least two issues pose potential difficulties. The first concerns whether "art appreciation" is a coherent topic for scientific study. The second concerns the degree to which processing fluency can explain aesthetic feeling or may simply be one component of a more complex account.
Herbert, T. Walter
Discusses the false dichotomy pitting aesthetic power against political complicity in literary criticism. Considers the sexual politics of the household of Nathaniel Hawthorne in light of this opposition. Suggests how literary works keep warring voices and inner conflicts alive and at odds. (HB)
Darby, L J
Patients in the mixed dentition who have suffered severe extrusion or avulsion injuries often present with difficult treatment decisions, especially when the initial emergency care has been compromised. Here we describe a well-tolerated, aesthetically acceptable and conservative method for treating such patients until a definitive treatment plan is possible.
Full Text Available In his last book, The Aesthetic Dimension (1978, Marcuse argued that a concern for aesthetics is justified when political change is unlikely. But the relation between aesthetics and politics is oblique: “Art cannot change the world, but it can contribute to changing the consciousness … of the men and women who could change the world.” (p. 33. Marcuse also linked his critique of capitalism to environmentalism in the early 1970s: “the violation of the Earth is a vital aspect of the counterrevolution.” (Ecology and Revolution, in The New Left and the 1960s, Collected Papers 3, 2005, p. 173. This article revisits Marcuse’s ideas on aesthetics and ecology, and reviews two recent art projects which engage their audiences in ecological issues: The Jetty Project (2014 by Wolfgang Weileder—which used recycled material and community participation to construct a temporary monument within a wider conservation project on the Tyne, N-E England—and Fracking Futures by HeHe (Helen Evans and Heiko Hansen—which turned the interior of the gallery at FACT, Liverpool, into what appeared to be a fracking site. The aim is not to evaluate the projects, nor to test the efficacy of Marcuse’s ideas, more to ask again whether art has a role in a shift of attitude which might contribute to dealing with the political and economic causes of climate change.
Farris, Amy Voss; Sengupta, Pratim
In this essay, Amy Voss Farris and Pratim Sengupta argue that a democratic approach to children's computing education in a science class must focus on the "aesthetics" of children's experience. In "Democracy and Education," Dewey links "democracy" with a distinctive understanding of "experience." For Dewey,…
Monroe Beardsley's "Aesthetics" was published the year the author was a junior philosophy major at the University of California, Berkeley, and by the end of that academic year, the author had completed semester courses in the history of ancient as well as modern philosophy, logic, ethics, and the philosophy of religion. The requirements remaining…
Dannemand Jensen, Katrine; Øzhayat, Esben Boeskov
of prosthodontic replacements. The oral esthetics was professionally evaluated using the Prosthetic Esthetic Index (PEI), compiling 13 different esthetic aspects and an overall evaluation. The patient-reported impairment was evaluated using the Oral Health Impact Profile Aesthetic (OHIP-Aes) and the Oral Esthetic...
As the important part of the theoretical physics, the electrodynamics is a theoretical basic course of the physics and relative subjects. To adapt the demands for cultivating the target of highly-quality talents in the 21st century, the aesthetic principle can be used in the teaching to stimulate students' learning desire and cultivate students'…
Murphy, Audrey Figueroa
The emphasis on testing in curricular content areas has left little room in most U.S. schools for education in the arts. Yet research supports the pedagogical value of aesthetic education, particularly for English learners (ELs), whose representation in schools continues to increase. This article presents a qualitative action research study…
Stroud, Scott R.
This article develops an understanding of Dewey's aesthetics by connecting it to a project that can be extracted from his overall pragmatist approach--orientational meliorism. As I will argue, Dewey emphasizes the effect that one's mental habits or orientations toward experience and activity has on the quality of one's experience. Orientational…
Chou, Mei-Ju; Cheng, Jui-Ching; Cheng, Ya-Wen
This research aims to explore how preschool educators understand about raising children's reading motivation through operating classroom aesthetic reading environment. With one year qualitative research, sixteen 4-6 years old young were observed and interviewed. The first stage interviews were undergone with environmental guidance. After the…
Computational aesthetics is a relatively new subfield of artificial intelligence (AI). It includes research that enables computers to "recognize" (and evaluate) beauty in various domains such as visual art, music, and games. Aside from the benefit this gives to humans in terms of creating and appreciating art in these domains, there are perhaps…
Gedžune, Ginta; Gedžune, Inga
Purpose: This paper aims to contribute to the body of practical knowledge about reorienting teacher education to address sustainability by reflecting on an action research experience from a study course on sustainability in a regional university. Design/methodology/approach: It contemplates the usage of aesthetic learning to activate pre-service…
With regard to general aesthetic education, the university liberal studies curriculum is designed to provide a balance of the humanities and sciences. Beyond offering a balanced curriculum, there is the current trend for universities to offer a liberal studies curriculum that interfaces the sciences and the humanities. A prime example of this is…
Lambrou, Christina; Veale, David; Wilson, Glenn
Individuals with a higher aesthetic sensitivity may be more vulnerable to developing body dysmorphic disorder (BDD). Aesthetic sensitivity has 3 components: (a) perceptual, (b) emotional, and (c) evaluative. Individuals with BDD (n = 50) were compared with a control group of individuals with an education or employment in art and design related fields (n = 50) and a control group of individuals without aesthetic training (n = 50). A facial photograph of each participant was manipulated to create a 9-image symmetry continuum. Presented with the continuum on a computer, participants were required to select and rate the image representing their self-actual, self-ideal, idea of perfect, most physically attractive, most pleasure, and most disgust. Control symmetry continua examined the specificity of the disturbance. As predicted, BDD participants displayed no distortion in their perceptual processing but were disturbed in their negative emotional/evaluative processing of their self-image. A significant discrepancy between their self-actual and self-ideal, resulting from an absent self-serving bias in their self-actual (a bias exhibited by controls) appears to be the source of their disturbance. They also overvalued the importance of appearance and self-objectified. These aesthetic evaluations may predispose individuals to BDD and/or maintain the disorder.
Ishizu, T; Zeki, S
We recorded brain activity when 21 subjects judged the beauty (aesthetic or affective judgment) and brightness (perceptual or cognitive judgment) of simultaneously presented paintings. Aesthetic judgments engaged medial and lateral subdivisions of the orbitofrontal cortex as well as subcortical stations associated with affective motor planning (globus pallidus, putamen-claustrum, amygdala, and cerebellar vermis), whereas the motor, premotor and supplementary motor areas, as well as the anterior insula and the dorsolateral prefrontal cortex, were engaged by both kinds of judgment. The results lead us to conclude: (i) that there is a functional specialization for judgment, with aesthetic judgments engaging distinct systems, in addition to those that they share with perceptual judgments; (ii) that the systems engaged by affective judgments are those in which activity correlates with polar experiences (e.g. love-hate, beauty-ugliness, and attraction-repulsion); and (iii) that there is also a functional specialization in the motor pathways, with aesthetic judgments engaging motor systems not engaged by perceptual judgments, in addition to those engaged by both kinds of judgment.
Ginna Mabel Muñoz
Full Text Available Objective: The aim of this study was to investigate the relationship between dental aesthetics and self-esteem inadolescents.Methods: The sample was 387 randomly selected high school adolescents between 13 and 16 years of age. A clinicalexamination to evaluate dental aesthetics was conducted using the Dental Aesthetic Index (DAI. Self-esteem was assessedwith the Rosenberg’s Self-esteem Scale. The statistical analysis included a descriptive analysis and means comparison, whichwas made through t-Student and ANOVA tests. DAI was correlated to Rosenberg’s Self-esteem Scale with Spearman’s rankcorrelation coefficient. The data collected was analyzed by using the SPSS program version 17.Results: The mean DAI score was 34.2 (SD=14.2 and self-esteem was 22.6 (SD=4.6. The low socioeconomic status(SES group had the highest levels of DAI and the lowest levels of self-esteem. A weak, but statistically significant, negativecorrelation was found between DAI scores and Rosenberg’s self-esteem scale (r=-0.1, p0.05. Regarding gender, in female individualsa negative weak correlation (r=-0.14, p0.05.Conclusions: The outcomes generated by this investigation can improve our understanding of how the correlationbetween dental aesthetics and self-esteem may fluctuate because of the SES variability.
Freeman, Miranda; Dunford, Richard W.
This paper uses a combination of techniques, including a stated-preference survey, random utility model, visitor count study, and benefits transfer, to estimate the aesthetic impact of the New Carissa shipwreck on coastal recreation. To our knowledge, this is the first study ever conducted on the recreation impacts of a shipwreck.
S. O. Alekseeva
Full Text Available The article seeks to redefine and expand the tasks of academic drawing within contemporary artistic and pedagogical education. One of the current directions in solving this problem is appealing to the practice of art. Positions of academic drawing, which make up its aesthetics are proposed, ways of modern drawing development based on academic concepts are determined. Historically, academic drawing in the preparation of teachers of fine arts is fundamental in acquiring specific competencies, such as formation of the ability to analyze the image object from the standpoint of its bulk form, the constructive structure and spatial arrangement. Drawing combines scientific knowledge, affecting the human mind, which manifests itself in the mastery of the laws of physics, the rules of optics and the ability to influence feelings, includes the realization of the individual author’s attitude and experience, achieved not only by rational and scientific methods. This feature of drawing allows fulfilling it by means of cognitive, educational and aesthetic function. Understanding the aesthetics of academic drawing fosters cultural, aesthetic and moral attitude towards surrounding, reuniting the intellectual and emotional, is the linchpin of mastering any artistic activity, allows to study reality in art-shape and gives a big boost to the development of creative abilities of an artist. Academic drawing serves as a mean of education of artistic taste, is necessary in any kind of activity, including professional and artistic creativity.
Van Nimwegen, W G; Goené, R J; Van Daelen, A C L; Stellingsma, K; Raghoebar, G M; Meijer, H J A
The aim of this retrospective study was to assess the outcome of immediate single-tooth implant placement and provisionalisation in the aesthetic zone regarding hard and soft peri-implant tissue parameters and patient-related outcome measures in a private practice. All consecutively treated patients
In the aftermath of a normalized Foucaultian world with an all encompassing web of biopower, one remaining hope is to cultivate nimbleness. Nimbleness is an embodied aesthetic sensitivity to the material presence. Cultivating nimbleness is a particular style of cultivation; it is to willfully gather
with this description the capoeira scholar Nestor Capoeira has pointed out that capoeira can be considered a “Brazilian nomadic and urban war machine” (Capoeira, 2002, p. 91). As an art of physical and cultural resistance against the oppressing forces of slavery, the expressive bodily aesthetics of capoeira resonates...
Full Text Available Yana Yutskovskaya,1 Elena Gubanova,2 Irina Khrustaleva,3 Vasiliy Atamanov,4 Anastasiya Saybel,5 Elena Parsagashvili,6 Irina Dmitrieva,7 Elena Sanchez,8 Natalia Lapatina,9 Tatiana Korolkova,10 Alena Saromytskaya,11 Elena Goltsova,12 Elmira Satardinova13 1Department of Dermatovenereology and Cosmetology, Pacific State Medical University, Vladivostock, 2Department of Skin and Venereal Diseases, Postgraduate Medical Institute, Moscow National University of Food Production, Moscow, 3Department of Plastic Surgery, IP Pavlov Medical State University, St Petersburg, 4Department of Reconstructive and Plastic Surgery, SN Fedorova, Federal State Institution, Novosibirsk, 5Clinic Ideal, Laser Technologies Center, Moscow, 6Aestima-clinic, 7Clinic “Academy”, St Petersburg, 8Eklan Medical Center of Cosmetological Correction, 9Clinic of Aesthetic Medicine and Plastic Surgery, Moscow, 10Department of Cosmetology, II Mechnikov North-Western State Medical University, St Petersburg, 11Plastic Surgery Clinic, Center of Aesthetic Medicine and Beauty Cosmetology, 12“Neo-Clinic,” Tyumen, 13Botulinum Toxin Therapy Department, Diagnostic Center of the Irkutsk State Medical Academy of Postgraduate Education, Irkutsk, Russia Background: Although there are various international consensus recommendations on the use of botulinum neurotoxin type A (BoNT/A in facial aesthetics, there are no global or Russian guidelines on the optimal dose of incobotulinumtoxinA, free from complexing proteins, within specific aesthetic indications. This article reports the outcomes of two expert consensus meetings, conducted to review and analyze efficacy and tolerability data for incobotulinumtoxinA in various facial aesthetic indications and to give expert consensus recommendations to ensure best clinical practice among Russian clinicians. Methods: Thirteen dermatology and/or plastic surgery experts attended meetings held in Paris, France (November 2013, and Moscow, Russia (March 2014
Full Text Available Using cross-disciplinary perspectives from artistic research, aesthetic theory, and mental health care, this article discusses qualities in sensuous surroundings in mental health facilities. Although the background for the article is in the increased awareness in aesthetic research concerning sensuous surroundings and their connection to health and well-being, this aesthetic research is only reflected to a small extent in research on mental health care surroundings. A further development of these perspectives is suggested in this article by introducing the concept of life forms from the art theorist Nicolas Bourriaud and the concepts of presentation and perception in theatrical communication from theatre researcher Willmar Sauter. These theories are discussed and exemplified on the basis of data from two mental health care wards: one from a psychogeriatric ward and the other from a polyclinic for eating disorders. Some essential qualities identified in the examples were that aesthetic environment and activity could be seen as formative to the “inner landscape”, and that different forms of sensuous activation and interaction could help patients escape communicative isolation. It is further demonstrated how participatory strategies can challenge artistic practice and that art can contribute to a health promoting and communicative space in mental health care. In the discussion section, it is argued that an activating, and possibly empowering, environment can be created through an increased awareness of the aesthetic strategies used in health care institutions. The study seeks to contribute to knowledge transfer in artistic practice and healthcare practice, as a part of a cross-disciplinary art didactic discourse, which intends to address specific societal challenges.
Aiming at the creation of ceramic art, the characteristics of modern social development as well as the appreciation of the ancient fish dish, has been an aesthetic perspective. Only in the backing of the nation based on above, will have transmitted human prolonged pottery works. This is a historical test; it is also the history tells us.
Soter, Anna O.; Wilkinson, Ian A. G.; Connors, Sean P.; Murphy, P. Karen; Shen, Vincent Fu-Yuan
Through their study of classroom talk about and around literary text, the authors discovered that their application of Rosenblatt's (1938/1995, 1978) "aesthetic" stance to elementary (primarily Grades 4-6) students' affective responses to literary text uniformly lacked the simultaneous articulation of "the real impact between the book and the mind…
Full Text Available Modeling human aesthetic perception of visual textures is important and valuable in numerous industrial domains, such as product design, architectural design and decoration. Based on results from a semantic differential rating experiment, we modeled the relationship between low-level basic texture features and aesthetic properties involved in human aesthetic texture perception. First, we compute basic texture features from textural images using four classical methods. These features are neutral, objective and independent of the socio-cultural context of the visual textures. Then, we conduct a semantic differential rating experiment to collect from evaluators their aesthetic perceptions of selected textural stimuli. In semantic differential rating experiment, eights pairs of aesthetic properties are chosen, which are strongly related to the socio-cultural context of the selected textures and to human emotions. They are easily understood and connected to everyday life. We propose a hierarchical feed-forward layer model of aesthetic texture perception and assign 8 pairs of aesthetic properties to different layers. Finally, we describe the generation of multiple linear and nonlinear regression models for aesthetic prediction by taking dimensionality-reduced texture features and aesthetic properties of visual textures as dependent and independent variables, respectively. Our experimental results indicate that the relationships between each layer and its neighbors in the hierarchical feed-forward layer model of aesthetic texture perception can be fitted well by linear functions, and the models thus generated can successfully bridge the gap between computational texture features and aesthetic texture properties.
Wang, Baozhong; Wang, Baoming; He, Ping
With the destruction of natural environment by human beings, scenic resources are no longer inexhaustible in supply and use. Human beings begin to lay the scenic resources on the same important strategic status as other natural resources, while landscape resources assessment is the prerequisite of their sustainable exploitation and conservation. This paper illustrated the psychological mechanisms of aesthetic and its approaches, compared with the methodologies of traditional and modem landscape aesthetic research, discussed the characteristics of important aesthetic theories (Platonism, Kant paradigm, Empathizing theory, Gestalt paradigm, Marxism aesthetics theory, and Appleton theory) and the landscape assessment theories of 4 paradigms (expert, psychological, cognitive, and empirical) and 2 groups (landscape environment science and landscape architecture culture), and summarized the important practices and successful examples at home and abroad. It was demonstrated that the historical development of landscape assessment had the feature of a contest between expert- and perception-based approaches, with the expert approach dominated in landscape management, while the perception-based approach dominated in landscape research. Both of these approaches generallty accepted that landscape quality was derived from the interaction between the biophysical features of landscape and the percepultual (judgmental) processes of human viewer. In the future, landscape quality assessment will evolve toward a shaky marriage, both expert- and perceptual approaches will be applied in parallel and merged in the final landscape management decision-making process in some but unspecified way, landscape information and complex geo-temporal dynamics representation central to scenic ecosystem management will present major challenges to the traditional landscape aesthetic assessment, and modem science and technology will continue to help meet these challenges. The main trends of landscape
Full Text Available Improvements in neuroimaging methods have afforded significant advances in our knowledge of the cognitive and neural foundations of aesthetic appreciation. We used magnetoencephalography (MEG to register brain activity during an aesthetic appreciation task. The data were analyzed with Event-Related Field (ERF and Time-Frequency (TF procedures. ERFs revealed no significant differences between brain activity related with stimuli rated as beautiful and not-beautiful. TF analysis showed clear differences between both conditions 400 ms after stimulus onset. In the four frequency bands (theta, alpha, beta and gamma oscillatory power was significantly greater for stimuli rated as beautiful than those regarded as not-beautiful. These results are interpreted in the frame of synchronization studies.
Full Text Available Cultural production on the Internet has developed numerous dynamics and consistencies that drive considerations of creativity, organisation and the inter-relations of media. This article presents and briefly discusses the concept of an art platform, a particularly resonant form of such cultural production. The article enquires into the ways that powers of operation are constituted by particular kinds of social, technical, aesthetic and ethical forces. The media ecological approach to which this special issue is devoted can be seen as engaging with these forces. These include those forces that are discussed here via the concepts of autocreativity and organisational aesthetics. These concepts, offered to media ecology by this article, are in turn traversed and amplified by the particular qualities and potentials of art platforms.
Babel, Molly; McGuire, Grant
Research has shown that processing dynamics on the perceiver's end determine aesthetic pleasure. Specifically, typical objects, which are processed more fluently, are perceived as more attractive. We extend this notion of perceptual fluency to judgments of vocal aesthetics. Vocal attractiveness has traditionally been examined with respect to sexual dimorphism and the apparent size of a talker, as reconstructed from the acoustic signal, despite evidence that gender-specific speech patterns are learned social behaviors. In this study, we report on a series of three experiments using 60 voices (30 females) to compare the relationship between judgments of vocal attractiveness, stereotypicality, and gender categorization fluency. Our results indicate that attractiveness and stereotypicality are highly correlated for female and male voices. Stereotypicality and categorization fluency were also correlated for male voices, but not female voices. Crucially, stereotypicality and categorization fluency interacted to predict attractiveness, suggesting the role of perceptual fluency is present, but nuanced, in judgments of human voices.
Degn Johansson, Troels
This paper seeks to contribute to the development of socio-aesthetics by analysing the notion of model established in the discourse of relational art--that is of course with special reference to French art critic Nicolas Bourriad's theoretical writings. His seminal book, Relational Aesthetics (RA......) metaphor where social reality is staged and facilitated in order to document and present its development. At the same time however, the notion of model is difficult to dissociate from Bourriaud's materialism which draws on such different figures as the late Althusser, Lucretius, and Deleuze and which...... is tied up with a principle of immanence which is crucial for the understanding of Bourriaud's and many of his related artists' sense of utopia and avant-garde. Setting off from an analysis of the concept of model in RA, I would like to demonstrate the relationship between relational form, model...
Mária Réka ANTAL
Full Text Available The world of furniture market is getting more and more complex than it was before. In recent years the habits of buying furniture have changed. The fabrication of individual pieces of furniture is increasingly coming to the front. A personal contact is being established between the customer and the furniture, which is a relationship of one product to one customer. In order to satisfy the individual demands, higher prices and higher quality are needed. The competition is beginning at the market and emotion plays an important role in it. Therefore, functionality and aesthetic functions, determinative forms, fashionable style play a very important role in furniture design and production. Some methods are presented such as RMQD or FMEA used for determining aesthetics of furniture.
Lewis, R; McBride, E. A.; Lamb, D
The domestic dog Canis familiaris has been selectively bred by humans for thousands of years and exhibits a greater morphological diversity than any other single species (Clutton-Brock 1999). Initially the selective breeding of dogs was primarily to satisfy functional requirements; however, with the inception of dog shows in the mid 19th century, the aesthetic quality of these animals was soon to have a bearing on breeding practices (The Kennel Club, 2000). Dog breeders have produced anim...
The project is a study of the role architects play in the design of buildings in relation to the buildings’ energy standard. Prior research indicates that architects have a key function, as they will often act as co-ordinators in the designing process of a building project. At the same time the profession is traditionally strongly oriented towards form and aesthetics. The project tries to examine the following set of questions: -What view do architects have on energy and environmental issues ...
Brattico, Elvira; Bogert, Brigitte; Jacobsen, Thomas
Music is often studied as a cognitive domain alongside language. The emotional aspects of music have also been shown to be important, but views on their nature diverge. For instance, the specific emotions that music induces and how they relate to emotional expression are still under debate. Here we propose a mental and neural chronometry of the aesthetic experience of music initiated and mediated by external and internal contexts such as intentionality, background mood, attention, and experti...
Macadam, Sheina A; Lennox, Peter A
Acellular dermal matrices (ADMs) were first described for use in breast surgery in 2001. Since this initial report, ADMs have become an increasingly common component of implant-based breast procedures. ADMs have shown promise for use in both aesthetic and reconstructive breast surgery; however, concerns about their use remain because of the significant costs associated with these products. The present article reviews the history of ADM use in breast surgery and the outcomes reported to date. ...
Pierre G. Vico; Axel Delange; Axel De Vooght
Parotidectomy is a surgical procedure associated to functional (Frey’s syndrome) as well as aesthetic (facial asymmetry) complications that can be very disturbing for the patient. Several procedures have been described to primarily avoid or secondarily reconstruct the facial defect and treat the neurological iatrogenic syndrome. Autologous fat transfer was primarily used in 10 cases to avoid such complications. It is an easy technique widely used in cosmetic and reconstructive surgery. Th...
Nejadsarvari, Nasrin; Ebrahimi, Ali
Providing an informed consent has an important role in promotion of medical treatments and reduction of judiciary litigations in this process. Today with cultural changes and wide propagation that is usually charming, the request for aesthetic surgery has an increasing trend. These problems with complexity of cosmetic surgeries lead to deeper differences of information between plastic surgeons and patients, so the discussion on giving information to a patient is of great importance. Regarding...
Miao, Yong; Liu, Bing-Cheng; Fan, Zhe-Xiang; Hu, Zhi-Qi
Hair transplantation involves the transplantation of hair, beard, eyebrows, eyelashes, and pubic hair. Based on our experience, the aesthetic result of hair transplantation mainly relies on 4 indicators, including selection of the donor site, direction and angle of grafted hairs, density, and survival rate of implanted hair follicles. We believe that good results can be achieved as long as attention is paid to the above 4 points. PMID:26954740
This Bachelor's Thesis focuses on psychological, aesthetical, photographic and graphic tools that are used in advertising photography and generally advertising. The hypothesis being verified is a proof of an influence of mentioned tools on an advertising effectiveness. Theoretical part is about advertising photography, psychology of advertising, analysis of used tools and the theory of measuring advertising effectiveness. Practical part utilizes acquired knowledge in an analysis of Research o...
Stavrakos, Stavros-Konstantinos; Ahmed-Kristensen, Saeema
Two important aspects when designing products is to focus on comfort and to define the aesthetic and emotional value of the product. The main purpose of this research is to answer the question of how attractiveness perceived through the sensory inputs affects the assessment of comfort as well as to explore associations between comfort and product descriptors. The findings of this research are expected to assist designers in developing successful new products by focusing more on softer factors...
Arquillière, Agnès; Blanc, Nathalie
For women of all ages, a mastectomy can affect their body image and femininity. Poor management, both physical and emotional, of a breast removal, can have major consequences on a patient's intimate, family and social life. In the framework of the multi-disciplinary treatment of breast cancer, a team in Lyon carried out a study on the impact of including socio-aesthetic practices in the overall care.
My presentation explores the aesthetics of passivity in in Chronicle of a Disappearance (1996) by the Palestinian director Elia Suleiman and Taste of Cherry (1997) by Iranian film-maker Abbas Kiarostami. Both films employ non-actors, unconnected scenes, and disjointed narrative and discontinuous editing. They both employ similar cinematic and narrative techniques as by-products of wide-spread terror executed on social, political, and cultural levels. My presentation investigates the political...
Jae-Joon Lee; Dae-Won Kim; Bo-Yeong Kang
A social robot interacts and communicates with humans by using the embodied knowledge gained from interactions with its social environment. In recent years, emotion has emerged as a popular concept for designing social robots. Several studies on social robots reported an increase in robot sociability through emotional imitative interactions between the robot and humans. In this paper conventional emotional interactions are extended by exploiting the aesthetic theories that the sociability of ...
Cities are dynamic phenomena, which comprise natural, cultural, historical, architectural, social and artificial elements. These elements interact mutually in the urban fabric. In general, cities have been partially destroyed and new structures not designed with aesthetic considerations in countries that have experienced rapid and unplanned urbanisation, such as Turkey. In contrast, cities where planned and orderly urbanisation took place, such as Scotland and England, combine the physical an...
St Augustine was a celebrated esthetician in the Middle Ages. He proposed the Christian aesthetic thoughts in his later years. This paper discusses his theory of combining absolute beauty and God. And then it analyzes the social and historical elements of his thoughts. In addition, through analyzing his formalism and his focus on ugliness, it points out that his thoughts are new ideas which not only carry on pagan Greeks but also are closely related to Christian Theology.
Catalano, Chiara Eva; Giannini, Franca; Monti, Marina; Ucelli, Giuliana
The design of a new car is guided by a set of directives indicating the target market and specific engineering and aesthetic constraints, which may include also the preservation of the company brand identity or the restyling of products already on the market. When creating a new product designers are used to evaluating other existing products to take inspiration or to possibly reuse successful solutions. In the perspective of an optimised styling workflow a great benefit could come from the o...
Augustin, M Dorothee; Wagemans, Johan; Carbon, Claus-Christian
A central problem in the literature on psychological aesthetics is a lack of precision in terminology regarding the description and measurement of aesthetic impressions. The current research project approached the problem of terminology empirically, by studying people's word usage to describe aesthetic impressions. For eight different object classes that are relevant in visual aesthetics, including visual art, landscapes, faces and different design classes, we examined which words people use to describe their aesthetic impressions, and which general conceptual dimensions might underlie similarities and differences between the classes. The results show an interplay between generality and specificity in aesthetic word usage. In line with results by Jacobsen, Buchta, Kohler, and Schroger (2004)beautiful and ugly seem to be the words with most general relevance, but in addition each object class has its own distinct pattern of relevant terms. Multidimensional scaling and correspondence analysis suggest that the most extreme positions in aesthetic word usage for the classes studied are taken by landscapes and geometric shapes and patterns. This research aims to develop a language of aesthetics for the visual modality. Such a common vocabulary should facilitate the development of cross-disciplinary models of aesthetics and create a basis for the construction of standardised aesthetic measures.
Luming Zhang; Yue Gao; Zimmermann, Roger; Qi Tian; Xuelong Li
Photo aesthetic quality evaluation is a fundamental yet under addressed task in computer vision and image processing fields. Conventional approaches are frustrated by the following two drawbacks. First, both the local and global spatial arrangements of image regions play an important role in photo aesthetics. However, existing rules, e.g., visual balance, heuristically define which spatial distribution among the salient regions of a photo is aesthetically pleasing. Second, it is difficult to adjust visual cues from multiple channels automatically in photo aesthetics assessment. To solve these problems, we propose a new photo aesthetics evaluation framework, focusing on learning the image descriptors that characterize local and global structural aesthetics from multiple visual channels. In particular, to describe the spatial structure of the image local regions, we construct graphlets small-sized connected graphs by connecting spatially adjacent atomic regions. Since spatially adjacent graphlets distribute closely in their feature space, we project them onto a manifold and subsequently propose an embedding algorithm. The embedding algorithm encodes the photo global spatial layout into graphlets. Simultaneously, the importance of graphlets from multiple visual channels are dynamically adjusted. Finally, these post-embedding graphlets are integrated for photo aesthetics evaluation using a probabilistic model. Experimental results show that: 1) the visualized graphlets explicitly capture the aesthetically arranged atomic regions; 2) the proposed approach generalizes and improves four prominent aesthetic rules; and 3) our approach significantly outperforms state-of-the-art algorithms in photo aesthetics prediction.
Full Text Available The interconnectedness of music technologies, studio innovation and dancing bodies is a key feature of electronic music cultures. An emerging scholarship by writers such as Butler and Tjora has bridged these studio and performance spaces, revealing the relationship between machine, music and party. This article considers the centrality of studio and performance technologies and techniques in the developing aesthetics of kuduro. I use interviews and observation of studio and performance practices to illustrate shifts within the genre and examine musical examples to highlight transitions. I argue that the increased availability of digital musical technologies in Angola shaped the development of kuduro through the 1990s and into the 2000s. Furthermore, I argue that kuduro producers and performers have developed a range of aesthetic and performative practices that reflect social, material and technological restraints common to life in contemporary Angola. By examining interviews with kuduro practitioners and musical examples, this article sheds new light on the under examined aesthetics of kuduro.
In constructing his theory Bion drew on a number of symbolic matrices: psychoanalysis, philosophy, mathematics, literature, aesthetics. The least investigated of these is the last. True, we know that Bion cites many authors of the Romantic period, such as Coleridge, Keats, Blake and Wordsworth, as well as others who were held in high esteem in the Romantic period, such as Milton. However, less is known about the influence exerted on him by the aesthetics of the sublime, which while chronologically preceding Romanticism is in fact one of its components. My working hypothesis is that tracing a number of Bion's concepts back to this secret model can serve several purposes: firstly, it contributes to the study of the sources, and, secondly, it makes these concepts appear much less occasional and idiosyncratic than we might believe, being as they are mostly those less immediately understandable but not less important (O, negative capability, nameless dread, the infinite, the language of achievement, unison etc.). Finally, connecting these notions to a matrix, that is, disclosing the meaning of elements that are not simply juxtaposed but dynamically interrelated, in my view significantly increases not only their theoretical intelligibility but also their usefulness in clinical practice. In conclusion, one could legitimately argue that Bion gradually subsumed all the other paradigms he drew on within the aesthetic paradigm. PMID:25388282
Full Text Available This article investigates how artists have addressed shocking experiences of displacement in different political contexts. Drawing on the notion of ‘the aesthetics of loss’ (Köstlin, 2010, it examines and compares the different aims, desires and strategies that have shaped the histories and social lives of paintings, memorial statues, installations and other artefacts. The analysis identifies a mode of artistic engagement with the sense of a ‘loss of homeland’ that has been commonly felt amongst Sudeten German expellees, namely the production and framing of visual images as markers of collective trauma. These aesthetics of loss are contrasted with the approach taken by the Dutch artist Sophie Ernst in her project entitled HOME. Working with displaced people from Pakistan, India, Palestine, Israel and Iraq, she created a mnemonic space to stimulate a more individualistic, exploratory engagement with the loss of home, which aimed, in part, to elicit interpersonal empathy. To simply oppose these two modes of aesthetic engagement, however, would ignore the ways in which artefacts are drawn into different discursive, affective and spatial formations. This article argues for the need to expose such dynamic processes of framing and reframing by focusing on the processual aspects of aestheticisation with attention to the perspective of loss.
Full Text Available The “Neuronal man”, as Changeux has called him, is now credited with an aesthetic mind. This mind is not the “Geist” of the philosophical tradition. The cognitive sciences have took over from philosophy and now they deal with art and aesthetics as they do with whatever aspect of human thought, experience and activity. Philosophers like Kant were interested in the empirical sources of beauty, but for him empirical features of its development did not change anything at all to its very essence. The naturalism implemented in the philosophy of mind and sciences of cognition has changed the terms of the question, so that the main point in discussion is whether aesthetic experience can be explained in terms of brain and/or computational process or whether it should be considered as irreductible to empirical or physical facts. These debates can be seen as new and interesting, but they drive directly to an aporia reminding in a certain way the old debate between the "Sons of the ground" and the "Friends of ideas".
This study was undertaken to determine the aesthetic changes inherent in partial mastectomy followed by radiation therapy in the treatment of stage I and stage II breast cancer. A retrospective analysis of breast cancer patients treated according to the National Surgical Adjuvant Breast Project Protocol B-06 was undertaken in 57 patients from 1984 to the present. The size of mastectomy varied between 2 x 1 cm and 15 x 8 cm. Objective aesthetic outcome, as determined by physical and photographic examination, was influenced primarily by surgical technique as opposed to the effects of radiation. These technical factors included orientation of resections, breast size relative to size of resection, location of tumor, and extent and orientation of axillary dissection. Regarding cosmesis, 80 percent of patients treated in this study judged their result to be excellent or good, in comparison to 50 percent excellent or good as judged by the plastic surgeon. Only 10 percent would consider mastectomy with reconstruction for contralateral disease. Asymmetry and contour abnormalities are far more common than noted in the radiation therapy literature. Patients satisfaction with lumpectomy and radiation, however, is very high. This satisfaction is not necessarily based on objective criteria defining aesthetic parameters, but is strongly influenced by retainment of the breast as an original body part
M K Thomas
Full Text Available Context: Standards for an aesthetic face are dynamic. The current trend is towards a leaner looking face with preservation of the inverted triangle of youth. Procedures that have been reported to be employed for correction of a chubby face include buccal fat pad excision, facial liposuction and injection lipolysis. In addition to giving the face an aesthetic triangular cut, chin and malar augmentation may be performed. The rounded appearance at the angles may further be reduced by injection of Botulinum toxin into the masseter. Materials and Methods: Forty patients who presented to us for correction of chubby (round faces were analysed and treated by facial sculpting surgery, which included at least two of the procedures in combination. The procedures included facial liposuction, buccal fat pad excision, chin augmentation, malar augmentation and injection lipolysis. All cases were followed-up for a minimum of 6 months after surgery. Results: Aesthetic expectations of the patients were met in 39 cases, one patient complained of facial asymmetry following facial liposuction and was subjected to a touch-up injection lipolysis. Conclusions: A combination of procedures is necessary to give the face an attractive contour. All the individual procedures have stood the test of time and are safe, proven and are put in mainstream. However, a thorough analysis of the face preoperatively and then subjecting the patient to a combination of these procedures in a single surgical sitting has yielded good results as seen in this study.
Hogan, Patrick Colm
Empirical research indicates that beauty is in part a matter of prototype approximation. Some research suggests that unanticipated pattern recognition is important as well. This essay begins by briefly outlining an account of beauty based on these factors. It goes on to consider complications. Minor complications include the partial incompatibility of these accounts and the importance of differentiating judgments of beauty from aesthetic response. More serious issues include the relative neglect of literature in neurologically-based discussions of beauty, which tend to focus on music or visual art. There is also a relative neglect of emotion, beyond the reward system. Finally, there is the almost complete absence of the sublime. After considering these problems broadly, the essay turns to Virginia Woolf's Mrs. Dalloway, examining its treatment of beauty and sublimity. The aim of this section is not merely to illuminate Woolf's novel by reference to neuroscientific research. It is equally, perhaps more fully, to expand our neuroscientifically grounded account of aesthetic response by drawing on Woolf's novel. In Mrs. Dalloway, there are gestures toward prototypes and patterns in beauty. But the key features are clearly emotional. Specifically, the emotions at issue in feelings of beauty and sublimity appear to be primarily attachment, on the one hand, and a profound sense of isolation, on the other. Woolf's novel also points us toward other features of aesthetic experience, crucially including the emotion-sharing that is a key function of the production and circulation of art.
Full Text Available This essay approaches the intimacy between the aesthetic and poetic dimensions of language in the context of nursery school and proposes a phenomenological listening of encounters between adults and babies through the experience of music as a playful action of the expressive body in the world. Considering that without aesthetics life lacks flavor and without poetics it lacks sense, the article focuses on the merleaupontian understanding of the sensitive body as the primary source of significance to assert the inseparability between sensitive and intelligible in the action of learning to co-exist. The educational intention is to claim another rationality to stand up to the simplifying trend in encounters between adults and babies with the plurality of ways of interacting in language. Thus, thinking the aesthetic and poetic event - in the sense of poiesis and aisthesis terms - the link between sound and silence with life taken as its reflexive starting point - not what the baby does but how he experiences what he does in the musical encounters in nursery school. This study allows us to assert the vital and playful power of the expressive body feeling itself and the world in the plurality of ways of being in language that empowers everyday life through acting, producing, creating, doing.
HUANG Dong; WANG Hong-gang; WU Wei-zhi; ZHANG Hui-ru; LIN Hao
Background Fingertip defect significantly affects the appearance of the hand. The aim of this research was to evaluate the clinical effect of aesthetic fingertip reconstruction with partial second toe transfer.Methods Between July 2005 and December 2008, 17 patients underwent aesthetic fingertip reconstruction with partial second toe transfer. The mean size of fingertip defects was 0.7 cm (ranging from 0.5-1.1 cm). Anastomosis was performed between one dominant plantar digital artery and one proper digital artery, between two dorsal digital veins of the toe and two dorsal digital veins of the finger, respectively, for the reconstruction of blood supply to the reconstructed finger. Two plantar digital nerves of the toe were then sutured to two proper digital nerves of the finger for the restoration of fingertip sensation.Results All reconstructed fingers survived completely. The follow-up period ranged from 6 to 24 months, and the appearance of the reconstructed fingertip was similar to that of the normal fingertip. Two-point discrimination of the reconstructed fingertip was (7.8±1.3) mm. The recovered pinch strength of the reconstructed finger was about (89.0±5.1)％ of that of the normal finger. Donor site healed well without complications.Conclusions Partial second toe transfer is an ideal aesthetic reconstruction method for fingertip defects; it can not only achieve a satisfactory appearance of the fingertip, but can also obtain excellent sensory and motor functions.
Erovenko V. A.
Full Text Available The article is devoted to identifying the value of the phenomenon of aesthetic value and beauty of mathematical knowledge and the beauty of mathematical theory of teaching mathematics. The aesthetic potential of mathematical knowledge allows the use of theater technology in the educational process with the active dialogic interaction between teacher and students. The criteria of beauty in mathematical theories are distinguished: the realization of beauty as the unity of the whole, and in the disclosure of the complex through the elementary; methodological interpretation of the beauty in the community of mathematical structures and optimal information content of the meta-language of mathematics; the practical embodiment of beauty in the formalization of the infinite through the finite. The beauty of mathematics is the force that permeates all the “layers of knowledge” not along, and across, although the effectiveness of mathematical activity due to aesthetic laws, which do not always lend themselves to unambiguous interpretation. In the article it is stated that, depending on the educational goals of communicative impact on the audience, in fact, “mathematical lectures theatricality” can have different characteristics, the most important of which are teachers artistry and artistic director's work of a teacher. This cultural phenomenon that includes the theatrical talent, helps create an atmosphere of cooperation needed in varying degrees of activity for pedagogical interaction. The author believes that such approach, developed on the basis of the Stanislavsky system, allows university professors of mathematics significantly improve mathematical lectures.
Full Text Available On a broader scale, the aim of this paper is to examine theoretically the effects a cultural context has on the aesthetic experience of images existing in perceived reality. Minimalism in architecture, as direct subject of research, is a field of particularities in which we observe functioning of this correlation. Through the experiment with the similarity phenomenon, the paper follows specific manifestations of general formal principles and variability of meaning of minimalism in architecture in limited areas of cultural backgrounds of Serbia and Japan. The goal of the comparative analysis of the examples presented is to indicate the conditions that may lead to a possibly different aesthetic experience in two different cultural contexts. Attribution of different meanings to similar formal visual language of architecture raises questions concerning the system of values, which produces these meanings in their cultural and historical perspectives. The establishment of values can also be affected by preconceptions resulting from association of perceived similarities. Are the preconceptions in aesthetic reception of architecture conditionally affected by pragmatic needs, symbolic archetypes, cultural metaphors based on tradition or ideologically constructed dogmas? Confronting philosophical postulates of the Western and Eastern traditions with the transculturality theory of Wolfgang Welsch, the answers may become more available.
Hogan, Patrick Colm
Empirical research indicates that beauty is in part a matter of prototype approximation. Some research suggests that unanticipated pattern recognition is important as well. This essay begins by briefly outlining an account of beauty based on these factors. It goes on to consider complications. Minor complications include the partial incompatibility of these accounts and the importance of differentiating judgments of beauty from aesthetic response. More serious issues include the relative neglect of literature in neurologically-based discussions of beauty, which tend to focus on music or visual art. There is also a relative neglect of emotion, beyond the reward system. Finally, there is the almost complete absence of the sublime. After considering these problems broadly, the essay turns to Virginia Woolf's Mrs. Dalloway, examining its treatment of beauty and sublimity. The aim of this section is not merely to illuminate Woolf's novel by reference to neuroscientific research. It is equally, perhaps more fully, to expand our neuroscientifically grounded account of aesthetic response by drawing on Woolf's novel. In Mrs. Dalloway, there are gestures toward prototypes and patterns in beauty. But the key features are clearly emotional. Specifically, the emotions at issue in feelings of beauty and sublimity appear to be primarily attachment, on the one hand, and a profound sense of isolation, on the other. Woolf's novel also points us toward other features of aesthetic experience, crucially including the emotion-sharing that is a key function of the production and circulation of art. PMID:24290272
Full Text Available Emotion is now a consideration for industrial design within the health sphere to help speed the recovery of patients.Communication design however, lags behind other design disciplines in this regard. This paper demonstrates the historical reasons for this: That the health and pharmaceutical graphic aesthetic is the embodiment of the Neue Schweizer Grafik. I will firstly establish that there is a general aesthetic in this genre of graphic design, and secondly that it comes from post-war Switzerland. This mid-century modernist approach to graphics which held designers in thrall into the 1980s still has a stranglehold in those industries where its aseptic appearance seems to be appropriate:medicine, pharmaceuticals, chemistry. This paper explains some of the flaws in the modernist graphic approach,specifically in its rejection of illustration and humour, and argues for design based on psychology and emotion rather than flawed and outdated manifestos.
接受美学虽然是一种文学理论,但它同样适用于其他领域.在健美操活动中也存在着接受问题,并且如同文学本文一样,离开了接受,其存在毫无价值和意义.本文试图运用接受美学理论来探讨健美操的审美过程,以接受美学中的理论为指导,结合和引用接受美学中强调的受众的重要性来满足社会大众的需要.社会大众对健美探的审美接受过程,即是审美感知、审美形象的重塑、审美意蕴体悟.健美操价值的实现过程既是审美再创造的过程,也使社会大众文化得到了提升.%Although accepting aesthetics just is a kind of literary theory, it also applies to other areas, like aerobics dancing. This paper attempts to use accepting aesthetic theory to discuss the aesthetic of aerobics dancing, guided by accepting aesthetic theory and combining with the importance of audiences stressed in accepting aesthetics. Aesthetic accepting of audience is aesthetic perception, aesthetic image reconstruction and aesthetic understanding. Its realization of value is the creative process of aesthetics, and also makes the social public culture improved.
Full Text Available The question of aesthetic judgment is related to a lot of paradoxes that have marked sustainably the reflection on arts, and even arts as such during their modern history. These paradoxes have found a first formulation, apparently clear, in the very famous Hume's essay: "On the standard of taste", but without to lead to a real resolution. In this paper, I would like to approach the question of Hume by starting from what Wittgenstein suggested about aesthetic judgment in his Cambridge lectures. To this end, I will try to give a wittgensteinian reading of Hume's essay, in order to show that though the question of aesthetic judgment makes certainly sense, the way of considering it - like the way Kant shall consider it later - can be regarded as typical of difficulties Wittgenstein tried to overcome in his investigations on rules. By giving an alternative formulation to this question, we should be able to examine differently the problems of the aesthetic judgment, to underline more precisely the originality of Wittgenstein's approach, and perhaps to better grasp what are its consequences, not only for a better comprehension of the relationship between Wittgenstein’s philosophy and art, but for the type of perplexity to which we must face everytime we meet the paradox inherent to the question of aesthetic appreciation as such: how can we conceive the very idea of a standard involving a normative meaning without making to faint what gives to a work of art its value. We shall see that Wittgenstein’s suggestions, though their contribution to a better understanding of this question is still affected by some ambiguities, are to be reconsidered under the light of his anti-essentialism, and that these ambiguities can be dissipated by dissociating, on one hand, what belongs to his own tastes or to his related thoughts and on the other hand what we can conceive through the ways which were opened by his philosophy beyond his personal inclinations. Despite
Full Text Available There is a stable relationship between the Openness/Intellect domain of personality and aesthetic engagement. However, neither of these are simple constructs and while the relationship exists process based evidence explaining the relationship is still lacking. The current research looked to clarify the relationship by evaluating the influence of the Openness and Intellect aspects on several different aesthetic emotions. Two studies looked at the between- and within-person differences in the emotions of interest, pleasure and confusion in response to visual art. The results suggest that Openness, as opposed to Intellect, was predictive of greater interest and pleasure, while both aspects explained less confusion. Differences in Openness were associated with within-person emotion appraisal contingencies, particularly greater novelty-interest and novelty-pleasure relationships. Those higher in Openness were particularly influenced by novelty in artworks. For pleasure this relationship suggested a different qualitative structure of appraisals. The appraisal of novelty is part of the experience of pleasure for those high in Openness, but not those low in Openness. This research supports the utility of studying Openness and Intellect as separate aspects of the broad domain and clarifies the relationship between Openness and aesthetic states in terms of within-person appraisal processes.
Moshagen, Morten; Musch, Jochen; Göritz, Anja S
The present experiment investigated the effect of visual aesthetics on performance. A total of 257 volunteers completed a series of search tasks on a website providing health-related information. Four versions of the website were created by manipulating visual aesthetics (high vs. low) and usability (good vs. poor) in a 2 x 2 between-subjects design. Task completion times and error rates were used as performance measures. A main effect of usability on both error rates and completion time was observed. Additionally, a significant interaction of visual aesthetics and usability revealed that high aesthetics enhanced performance under conditions of poor usability. Thus, in contrast to the notion that visual aesthetics may worsen performance, visual aesthetics even compensated for poor usability by speeding up task completion. The practical and theoretical implications of this finding are discussed.
Tribot, Anne-Sophie; Mouquet, Nicolas; Villéger, Sébastien; Raymond, Michel; Hoff, Fabrice; Boissery, Pierre; Holon, Florian; Deter, Julie
The aesthetic value of landscapes contributes to human well-being. However, studies which have investigated the link between biodiversity and ecosystem services have not taken aesthetic value into account. In this study we evaluated how the aesthetics of coralligenous reefs, a key marine ecosystem in the Mediterranean, is perceived by the general public and how aesthetic preferences are related to biodiversity facets (taxonomic, phylogenetic and functional diversities). We performed both biodiversity measures and online-surveys of aesthetic perception on photographic quadrats sampled along the French Mediterranean coast. Our results show that species richness and functional richness have a significant positive effect on aesthetic value. Most of the ecological literature, exploring the relationship between biodiversity and ecosystem functioning and service has focused so far on ‘economical’ aspects of biodiversity (provision or regulation). Our results illustrate that cultural facets, such as ‘beauty’, should also be central in our motivations to preserve ecological diversity. PMID:27677850
Full Text Available Quantum Aesthetics phenomenon was formed in Spain, at the end of the twentieth centure. The paper analyzes this movement in the context of Algis Mickūnas phenomenological cosmic philosophy. Movement initiator is a Spanish novelist Gregorio Morales. The study is divided into two parts: the first part presents aesthetic principles of the quantum, relationship between new aesthetics and theories of quantum mechanics, physics and other sciences. The paper also examines the similarities of quantum aesthetics and New Age movements. The second part presents cosmic - phenomenological reflection of quantum theory of beauty. Mickūnas philosophical position combines theory of "eternal recurrence", "the bodily nature of consciousness", "the cosmic dance", theory of "dynamic fields" and quantum approach to aesthetics and the Universe. Summa Summarum he writes that "the conception of quantum aesthetics is involved in the composition of the rhythmic, cyclical and mood dimensioned and tensed world".
In modern orthodontics, aesthetics appear to have a decisive influence on orthodontic appliance preferences and acceptability. This paper reports the early application of a newly emerged functional device with enhanced aesthetics in a Class II treatment. Patient perspectives and technical considerations are discussed along with recommendations for further design development. It can be assumed that the use of thermoplastic material-based appliances may meet both the therapeutic and aesthetic d...
Aesthetic and functional complications caused by general anesthesia have been rarely described after aesthetic surgery. We report a case of unilateral right hypoglossal nerve paralysis following the use of a cuffed endotracheal airway in a 24-year-old woman undergoing aesthetic breast surgery. Neurological examination and magnetic resonance imaging of the head failed to provide additional insights into the cause of the nerve injury. Postoperatively, the patient was carefully monitored and mad...
This thesis presents and critically assesses the aesthetic theory of the contemporary German philosopher Wolfgang Welsch, in particular his ideas of the intersection of philosophical aesthetics and contemporary culture. The three aspects of his ideas which frame this discussion and which I present in the first chapter are his project for reconfiguring aesthetics as a study of sensory perception, his characterisation of postmodern culture as aestheticised, and his conception of a new focus for...
Hobbel, Sabine Hobbel
This dissertation reviews the literature on individual differences associated with the experience of Aesthetic Chills, and reports a large questionnaire study, completed by 46 international students. Ordinal logistic regressions confirmed previously reported significant and positive relations between Openness and the frequency of Aesthetic Chills in poetry and music (McCrae 2007; Kunkel, Pramstaller, Grant, & von Georgi, 2008). Prior reported correlations between the frequency of Aesthetic Ch...
Budimir, Ivan; Mikota, Miroslav; Budimir, Iva
The study analyzes the aesthetic value of rhythm of the photos as opposed to the form in which the rhythm is subjected. With the method of experimental aesthetics, the visual aesthetics experiment is conducted in which the tested quality of the different forms of proportional rhythm due to the shape and length of the interval as a part of the rhythmic matrix. The experimental part consisted of an assessment of visual quality of the 5 photos containing different variations of proportional rate...
Erdem, Ali Naci; Halici, Ugur
The authors have developed a novel approach to evaluating the aesthetic quality of the camera direction in video game scenes rendered in real time while the game is being played. Their goal was to improve the visual aesthetic quality of computer-generated images using a computational aesthetics approach via a regression machine learning model. Considering the challenges and limitations involved, the proposed approach yielded promising prediction performance. The results show that near-real-time aesthetic analysis and visual improvement is possible using a virtual camera director. PMID:27244720
Schell, Elisabet; Theorell, Tores; Saraste, Helena
Associations between self-reported needs for aesthetic and ergonomic improvements were studied to analyse a possible impact of aesthetic needs on job performance as compared to ergonomic needs in 11 occupational groups. Employees at Swedish broadcasting company were invited to participate in a cross sectional study. 74% (n=1961/2641) fulfilled the inclusion criteria. Demographic data from company files and a pre-validated questionnaire were used. 'High rank' and 'low rank' aesthetic and ergonomic needs were compared. The perceived needs for aesthetic and ergonomic improvements showed significantly different distributions (pAesthetic needs were more frequently reported. No gender related differences were observed. Differences between occupational groups were shown (p=0.006, 0.003).'High rank' needs for aesthetic and ergonomic improvements were similarly associated to psychological demands, stress, pain and age. 16/24 factors showed significant differences between 'high and low rank' aesthetic needs, whereas 21/24 between ergonomic needs. Sick leave was stronger related to ergonomics. The study results show a relation between not only work place ergonomics but also work place aesthetics to health and well-being. Future work health promotion and prevention may benefit from the inclusion of workplace aesthetics.
The disappearance of ecological beauty forces us to reconsider the cost of people conquering the nature since people pursue economic benefit while sacrifice the natural environment during urban wetland construction. The deterioration of the e-cological environment threatens the valuable urban wetland and also impacts on people’s living and formation of aesthetic. The uprising of eco-aesthetics brings new guide to urban wetland landscape design. Eco-aesthetics pursue the harmony between human beings and nature, which guide people to coordinate form,with ecology and function. Only obey the eco-aesthetic, could we construct nice wetland.
Zaidel, D W; Nadal, M
For centuries, only philosophers debated the relationship between aesthetics and morality. Recently, with advances in neuroscience, the debate has moved to include the brain and an evolved neural underpinning linking aesthetic reactions and moral judgment. Biological survival emphasizes mate selection strategies, and the ritual displays have been linked to human aesthetics in the arts, in faces, and in various daily decision making. In parallel, cultural human practices have evolved to emphasize altruism and morality. This article explores the biological background and discusses the neuroscientific evidence for shared brain pathways for aesthetics and morals.
Erdem, Ali Naci; Halici, Ugur
The authors have developed a novel approach to evaluating the aesthetic quality of the camera direction in video game scenes rendered in real time while the game is being played. Their goal was to improve the visual aesthetic quality of computer-generated images using a computational aesthetics approach via a regression machine learning model. Considering the challenges and limitations involved, the proposed approach yielded promising prediction performance. The results show that near-real-time aesthetic analysis and visual improvement is possible using a virtual camera director.
In Unmoderated Discussions [of Voices], I began discussing the aesthetic dimension in music therapy, taking Colin Lee's book The Architecture of Aesthetic Music Therapy as a starting-point. Several students and colleagues took part and contributed with further viewpoints, dealing with the positive...... qualities of the aesthetic dimension for both client and therapist, with the necessary limitation or demarcation of how far the aesthetic view can be taken in music therapy, and with the spiritual (impersonal) aspect of music. Some further thoughts in this article concern the importance of the therapists...
The core concept of Foucault's aesthetic ideology is aesthetic freedom.From the research of the ancient Greek aesthetic thought, Foucault found aesthetic freedom is a way of human self-fashioning.This aesthetic freedom is the unity of sensibility and rationality, which is fundamentally different from what rationalism called aesthetic freedom of the unity of sensibility and rationality.What Foucault calls aesthetic freedom, reflected in literature activities, means the openness of the literature, namely literature writing is the way in which writers themselves take good care of soul.%审美自由是福柯美学思想的核心观念.福柯从古希腊美学思想的研究中发现,审美自由是人的自我塑造的方式.这种审美自由是感性与理性的统一,与理性主义所谓感性与理性统一的审美自由有根本区别.表现在文学活动中,福柯所谓审美自由意味着文学的开放性,即文学书写就是作家自我呵护心灵的方式.
Yalta, Kenan; Ozturk, Selcuk; Yetkin, Ertan
In human history, certain mathematical figures or concepts had gained a significant reputation largely due to their occult and esoteric meanings. Among these, Golden Ratio and associated concepts, namely golden proportions, had elicited a tremendous breakthrough in our human awareness and perception regarding mundane and spiritual aspects of physical existence. Golden Ratio or Number (with a numerical value of 1.618) that is also referred to as the Greek letter Phi (φ), has been universally expressed on a line partitioned into two unequal lengths (L, the longer and S, the shorter) in such a manner that L/S=(L+S)/L. Besides, appearing in certain number sequences (Fibonacci Series, etc.), golden proportions, to the consternation of observers, appear to be strikingly prevalent across all levels of physical existence from the innermost structures to the colossal galaxies of the universe potentially labeling these concepts as the measures of divine aesthetics. Accordingly, the human body also serves as an epitome of these mysterious concepts as exemplified by its outward appearance including general stature and extremities along with a variety of inner organ systems. Based on preliminary studies, the human cardiovascular system might also be suggested to serve as a major predilection site of divine aesthetics as measured with Golden Ratio and its allies. This appears to be completely in line with the ancient knowledge associating the human heart with the esoteric and spiritual components of human nature including human soul. Within this context, the present paper primarily aims to discuss human manifestations of divine aesthetics as measured with 'Golden Ratio' and associated indices with a particular and detailed emphasis on their potential link with the human cardiovascular system.
Benzecry, Claudio E
The scholarship on aesthetics and materiality has studied how objects help shape identity, social action and subjectivity. Objects, as 'equipment[s] for living' (Luhmann 2000), become the 'obligatory passage points humans have to contend with in order to pursue their projects (Latour 1991). They provide patterns to which bodies can unconsciously latch onto, or help human agents work towards particular states of being (DeNora 2000, 2003). Objects are central in the long term process of taste construction, as any attachment to an object is made out of a delicate equilibrium of mediators, bodies, situations and techniques (Hennion and his collaborators (Hennion and Fouquet 2001; Hennion and Gomart 1999). In all of these accounts objects are the end result of long-term processes of stabilization, in which the actual material object (a musical piece, a sculpture, an art installation, a glass of wine, the oeuvre of Bach as we know it) is both a result and yet a key co-producer of its own generation. Whereas the literature has been generous and detailed in exploring the processes of assembling and sustaining object-centered attachments, it has not sufficiently engaged with what happens when the aesthetic elements of cultural artifacts that have produced emotional resonance are transformed: what do these artifacts morph into? What explains the transition (or not) of different cultural objects? And relatedly, what happens to the key aesthetic qualities that were so central to how the objects had been defined, and to those who have emotionally attached to them? To answer these questions, this article uses as exemplars two different cases of attachment, predicated on the distinctive features of a cultural object--the transcendence of opera and the authenticity of a soccer jersey--that have undergone transformations.
Miu, Andrei C; Pițur, Simina; Szentágotai-Tătar, Aurora
Emotional responses to art have long been subject of debate, but only recently have they started to be investigated in affective science. The aim of this study was to compare perceptions regarding frequency of aesthetic emotions, contributing factors, and motivation which characterize the experiences of looking at painting and listening to music. Parallel surveys were filled in online by participants (N = 971) interested in music and painting. By comparing self-reported characteristics of these experiences, this study found that compared to listening to music, looking at painting was associated with increased frequency of wonder and decreased frequencies of joyful activation and power. In addition to increased vitality, as reflected by the latter two emotions, listening to music was also more frequently associated with emotions such as tenderness, nostalgia, peacefulness, and sadness. Compared to painting-related emotions, music-related emotions were perceived as more similar to emotions in other everyday life situations. Participants reported that stimulus features and previous knowledge made more important contributions to emotional responses to painting, whereas prior mood, physical context and the presence of other people were considered more important in relation to emotional responses to music. Self-education motivation was more frequently associated with looking at painting, whereas mood repair and keeping company motivations were reported more frequently in relation to listening to music. Participants with visual arts education reported increased vitality-related emotions in their experience of looking at painting. In contrast, no relation was found between music education and emotional responses to music. These findings offer a more general perspective on aesthetic emotions and encourage integrative research linking different types of aesthetic experience. PMID:26779072
Andrei C. Miu
Full Text Available Emotional responses to art have long been subject of debate, but only recently have they started to be investigated in affective science. The aim of this study was to compare perceptions regarding frequency of aesthetic emotions, contributing factors and motivation which characterize the experiences of looking at painting and listening to music. Parallel surveys were filled in online by participants (N = 971 interested in music and painting. By comparing self-reported characteristics of these experiences, this study found that compared to listening to music, looking at painting was associated with increased frequency of wonder and decreased frequencies of joyful activation and power. In addition to increased vitality, as reflected by the latter two emotions, listening to music was also more frequently associated with emotions such as tenderness, nostalgia, peacefulness and sadness. Compared to painting-related emotions, music-related emotions were perceived as more similar to emotions in other everyday life situations. Participants reported that stimulus features and previous knowledge made more important contributions to emotional responses to painting, whereas prior mood, physical context and the presence of other people were considered more important in relation to emotional responses to music. Self-education motivation was more frequently associated with looking at painting, whereas mood repair and keeping company motivations were reported more frequently in relation to listening to music. Participants with visual arts education reported increased vitality-related emotions in their experience of looking at painting. In contrast, no relation was found between music education and emotional responses to music. These findings offer a more general perspective on aesthetic emotions and encourage integrative research linking different types of aesthetic experience.
Miu, Andrei C; Pițur, Simina; Szentágotai-Tătar, Aurora
Emotional responses to art have long been subject of debate, but only recently have they started to be investigated in affective science. The aim of this study was to compare perceptions regarding frequency of aesthetic emotions, contributing factors, and motivation which characterize the experiences of looking at painting and listening to music. Parallel surveys were filled in online by participants (N = 971) interested in music and painting. By comparing self-reported characteristics of these experiences, this study found that compared to listening to music, looking at painting was associated with increased frequency of wonder and decreased frequencies of joyful activation and power. In addition to increased vitality, as reflected by the latter two emotions, listening to music was also more frequently associated with emotions such as tenderness, nostalgia, peacefulness, and sadness. Compared to painting-related emotions, music-related emotions were perceived as more similar to emotions in other everyday life situations. Participants reported that stimulus features and previous knowledge made more important contributions to emotional responses to painting, whereas prior mood, physical context and the presence of other people were considered more important in relation to emotional responses to music. Self-education motivation was more frequently associated with looking at painting, whereas mood repair and keeping company motivations were reported more frequently in relation to listening to music. Participants with visual arts education reported increased vitality-related emotions in their experience of looking at painting. In contrast, no relation was found between music education and emotional responses to music. These findings offer a more general perspective on aesthetic emotions and encourage integrative research linking different types of aesthetic experience.
Yalta, Kenan; Ozturk, Selcuk; Yetkin, Ertan
In human history, certain mathematical figures or concepts had gained a significant reputation largely due to their occult and esoteric meanings. Among these, Golden Ratio and associated concepts, namely golden proportions, had elicited a tremendous breakthrough in our human awareness and perception regarding mundane and spiritual aspects of physical existence. Golden Ratio or Number (with a numerical value of 1.618) that is also referred to as the Greek letter Phi (φ), has been universally expressed on a line partitioned into two unequal lengths (L, the longer and S, the shorter) in such a manner that L/S=(L+S)/L. Besides, appearing in certain number sequences (Fibonacci Series, etc.), golden proportions, to the consternation of observers, appear to be strikingly prevalent across all levels of physical existence from the innermost structures to the colossal galaxies of the universe potentially labeling these concepts as the measures of divine aesthetics. Accordingly, the human body also serves as an epitome of these mysterious concepts as exemplified by its outward appearance including general stature and extremities along with a variety of inner organ systems. Based on preliminary studies, the human cardiovascular system might also be suggested to serve as a major predilection site of divine aesthetics as measured with Golden Ratio and its allies. This appears to be completely in line with the ancient knowledge associating the human heart with the esoteric and spiritual components of human nature including human soul. Within this context, the present paper primarily aims to discuss human manifestations of divine aesthetics as measured with 'Golden Ratio' and associated indices with a particular and detailed emphasis on their potential link with the human cardiovascular system. PMID:27060268
Miu, Andrei C.; Pițur, Simina; Szentágotai-Tătar, Aurora
Emotional responses to art have long been subject of debate, but only recently have they started to be investigated in affective science. The aim of this study was to compare perceptions regarding frequency of aesthetic emotions, contributing factors, and motivation which characterize the experiences of looking at painting and listening to music. Parallel surveys were filled in online by participants (N = 971) interested in music and painting. By comparing self-reported characteristics of these experiences, this study found that compared to listening to music, looking at painting was associated with increased frequency of wonder and decreased frequencies of joyful activation and power. In addition to increased vitality, as reflected by the latter two emotions, listening to music was also more frequently associated with emotions such as tenderness, nostalgia, peacefulness, and sadness. Compared to painting-related emotions, music-related emotions were perceived as more similar to emotions in other everyday life situations. Participants reported that stimulus features and previous knowledge made more important contributions to emotional responses to painting, whereas prior mood, physical context and the presence of other people were considered more important in relation to emotional responses to music. Self-education motivation was more frequently associated with looking at painting, whereas mood repair and keeping company motivations were reported more frequently in relation to listening to music. Participants with visual arts education reported increased vitality-related emotions in their experience of looking at painting. In contrast, no relation was found between music education and emotional responses to music. These findings offer a more general perspective on aesthetic emotions and encourage integrative research linking different types of aesthetic experience. PMID:26779072
The Visual Aesthetics study was performed as an initial assessment of concerns regarding impacts to visual resources that might be associated with the construction of a geologic nuclear waste repository and associated rail routes in the Gibson Dome location of southeastern Utah. Potential impacts to visual resources were evaluated by predicting visibility of the facility and railway routes using the US Forest Service (USFS) computer program, VIEWIT, and by applying the Bureau of Land Management (BLM) Visual Resource Management (VRM) methodology. Five proposed facility sites in the Gibson Dome area and three proposed railway routes were evaluated for visual impact. 10 references, 19 figures, 5 tables
Shaker, Noor; Yannakakis, Georgios N.; Togelius, Julian
What are the aesthetics of platform games and what makes a platform level engaging, challenging and/or frustrating? We attempt to answer such questions through mining a large-set of crowd-sourced gameplay data of a clone of the classic platform game Super Mario Bros. The data consists of 40 short...... game levels that differ along six key level design parameters. Collectively, these levels are played 1560 times over the Internet and the perceived experience is annotated by experiment participants via self-reported ranking (pairwise preferences). Given the wealth of this crowd-sourced data, as all...
Heppt, Werner J; Vent, Julia
Beauty has been an intriguing issue since the evolving of a culture in mankind. Even the Neanderthals are believed to have applied makeover to enhance facial structures and thus underline beauty. The determinants of beauty and aesthetics have been defined by artists and scientists alike. This article will give an overview of the evolvement of a beauty concept and the significance of the facial profile. It aims at sharpening the senses of the facial plastic surgeon for analyzing the patient's face, consulting the patient on feasible options, planning, and conducting surgery in the most individualized way.
Vladimir V. Mihajlović
The term race has had a number of often mutually opposed meanings – it has been used to denote ethnic, linguistic, social, territorial, as well as other groups. The aesthetic criteria have played a very important role in the establishment of the idea of race, itself being not a cause but an expression of racism. This apparently neutral measure has been chosen deliberately, with the aim to confirm the supremacy of the European white race. During the 18th and 19th centuries, the required aesthe...
Juan Diego Parra Valencia
Full Text Available This paper, thinking about technique, runs several scenarios that integrate forms of apprehension of the human and its integration into the cultural evolution. The technique overlaps the use of objects and devices, as well as coding systems that allow a social articulation of a zitgeist of the the contemporary, whether at a discursive level or in the socio-economic and cultural practices. This paper aims to present an overview about contemporary meanings of the concept of technique, based on etymological details and historical contextualization in order to find a functional transversality linking it to aesthetic axes in an expanded sense, defining a cultural appropriation of the phenomenon .
SHOKRPOUR, Mohammad; FAKHERIAN, Parizad
Abstract. Aesthetics, like many concepts, words and terms in many writings and specific areas, is fully expressed if there is no ambiguity in its meaning or scope. Despite the complexity and ambiguity of the concept, it is widely used in different contexts. Quran is a religious book having profound implications for each human issues, thus careful study of the deep meanings of the verses that can be extracted and used is important. Hence, this article has focused on the issues in Quran about...
BONINO, M.; DE VICO, G.; BAIA, C.; BARLATTANI, A.
SUMMARY In this case report of monoedentulia we will deal with the positioning o fan upper jaw implant in zone 2.6. In such surgery the strategy of a flapless (1, 2) operation with minimum invasive approach has allowed u sto combine both the aesthetic and functionality with an immediate provisional rehabilitation, thus saving recuperation time and trouble for the patient (3). Multidisciplinary character of the execution of this clinical case is underlined, where we associate the knowleadge of conservatori of the prosthetic; always maintaining respect for the canons of gnatology which must not be left out of consideration. PMID:23285348
This article offers a comparative analysis of 1960s minimalism in visual art (Robert Morris and Richard Tuttle) and music (Philip Glass and Steve Reich) on the one hand, and Samuel Beckett’s prose texts Têtes-mortes (1967) and ‘Sans’ (1969) on the other, allowing for a rethinking of Beckett’s later aesthetics. Taking into account a lesser-known study of Beckett by Adorno and tying this in with the more famous theories of Maurice Blanchot, Alain Badiou and Jacques Derrida, the ethical dimensio...
People sometimes resist the idea that racist humor fails on aesthetic grounds because they find it funny. They make the case that we can enjoy its comic aspects by controlling our attention, by focusing on a joke’s rhythm or delivery rather than on its racist content. Ironic intent may reside with the joke teller and/or the audience. I discuss how arguments for the immorality of racist jokes fall short. Ironic racist jokes may be acceptable to an audience that already rejects racism but i...
Full Text Available On August 23 2009, there was a public hearing to address issues related to Carioca funk at the Legislative Assembly of Rio de Janeiro. Composers, musicians, dancers and other professionals in the style, mostly people from the outskirts of the city, were present there to fight for better working conditions and better recognition of this cultural movement. This paper analyzes from the point of view of the theorist Hans Ulrich Gumbrecht on the aesthetic experiences lived on that day. To assist this research, authors such as Howard Becker, Michael Herschmann, Norbert Elias, Adriana Carvalho Lopes and others, have been summoned here.
JinFeng Wu; Xin Wang; Feng Guo; Lei Li
Tourism development of aeolian geomorphosites in the Kumtagh Desert is beneficial to both harmonious development of human-nature relationship and the sustainable development of the tourist industry in the Kumtagh Desert and its sur-rounding area. This paper adopts some research methods including field observation, expert assessment, and systematic investigation to analyze and evaluate the aesthetic value of aeolian geomorphosites in the Kumtagh Desert from three aspects of"Beauty of Morphology","Beauty of Color"and"Beauty of Forms". This research is a creative work in the field of aeolian geomorphosites combining the method of aeolian geomorphology and tourism geography.
The ideal goal to cultivate creative talents who "seek truth","strive for kindness" and "adore aesthetics " and are equipped with "perfect personality" should be achieved,which is expected to reach brand-new circumstances of "humans development and construction of completeness" and must and should explore "Truth","Kindness" and "Aesthetics" in Chinese education.This article is meant to explore "truth" of Chinese (language,article,literature) in the intellectual education from cognitive science and to promote students to get into quality of exploration; they should explore "kindness" in the moral education in Chinese (language,article,literature) from ethics,which is to urge wakefulness of students' moral consciousness; in addition,"aesthetics" in Chinese (language,article,literature) from aesthetic education is to spur students to construct free soul.
Full Text Available Based on the hypothesis that reading of fiction followed by aesthetic reflection might be a useful tool to- wards the development of children’s literacy competence in the first years of school, this article constitutes a theo-
retical basis for such an educational approach. The article is based on a cultural-historical understanding of the work of L.S. Vygotsky and is also inspired by Jerome Bruner’s social constructivism. Children’s literature, their drawings and play are seen as cultural tools which, when related to Vygotsky’s work (1978a, 1981 allow for the mastery of psychological processes. However, referring to Stetsenko (1999 it is of importance to see the interrelation of three cornerstones in Vygotsky’s theoretical universe: social interaction, cultural tools and zone of proximal development (Vygotsky, 1978a, 1978d. These cornerstones and new constructions are a basis for the introduction of an educational approach using literature, dialogue and aesthetic means and processes such as children’s storytelling, drawing and play.
Full Text Available Based on the hypothesis that reading of fiction followed by aesthetic reflection might be a useful tool towards the development of children's literacy competence in the first years of school, this article constitutes a theoretical basis for such an educational approach. The article is based on a cultural-historical understanding of the work of L.S. Vygotsky and is also inspired by Jerome Bruner's social constructivism. Children's literature, their drawings and play are seen as cultural tools which, when related to Vygotsky’s work (1978a, 1981 allow for the mastery of psychological processes. However, referring to Stetsenko (1999 it is of importance to see the interrelation of three cornerstones in Vygotsky's theoretical universe: social interaction, cultural tools and zone of proximal development (Vygotsky, 1978a, 1978d. These cornerstones and new constructions are a basis for the introduction of an educational approach using literature, dialogue and aesthetic means and processes such as children's storytelling, drawing and play.
Mártin César Tempass
Full Text Available Beyond the palate, excessively felt also the preparation and consumption of foods are set in motion in. The vision is basic in this process, assisting the palate in the determination of that he is " appetizing". Thus, also we eat with the eyes, therefore beyond a good taste the food also it needs to offer a pleasant appearance. It occurs that each culture possesss specific tastes how much to the food. In the same way, each culture presents singularity in the visual presentation of its plates. This aesthetic specific, related to other domínios of the thought, reflects the social and cosmological order of the group that puts it in practical. Thus being, it is intended, through the ethnografic method, to more investigate the appreciated forms of visual presentation of foods between the Mbyá-Guarani, present aboriginal group in the south of Brazil, as well as the directions that this ethnic partiality attributes to the aesthetic one of its foods.
Background There is a growing concern in the field of aesthetic surgery about the need to measure patients' expectations preoperatively. The present study was designed to develop and validate the Expectations of Aesthetic Rhinoplasty Scale (EARS), and to compare expectations between rhinoplasty patients with and without body dysmorphic disorder (BDD). Methods In total, 162 college students and 20 rhinoplasty candidates were recruited. The measures included the newly developed EARS, a measure of psychopathology, and demographics. The DSM-IV structured clinical interview for BDD was used to confirm the diagnosis in rhinoplasty patients. Results The EARS was constructed of six items based on their significant content validity. In the scale development phase, Cronbach's alpha was 0.87. The test-retest reliability coefficient of the scale was satisfactory (intraclass correlation coefficient, 0.94; 95% confidence interval, 0.82–0.98) over a four-week period. Scores on the EARS were significantly positively correlated with psychopathological symptoms (r=0.16; Paesthetic rhinoplasty patients toward surgery may play a crucial role in their postoperative satisfaction. While the value of patients' expectations is clinically recognized, no empirical study has measured these expectations in a psychometrically sound manner. The current study developed and validated the EARS. It may be easily used as a valid and reliable instrument in clinical and research settings. PMID:27462570
Quigua, Fernando; Clegg, Joshua W
We claim that static trait models have dominated contemporary personality psychology but fail to reflect adequately the persons they depict. Beginning from, but moving well beyond, this critique of the five factor model (and the personality psychology field over which it reigns), we shine an aesthetic and critical light on psychology's wider failings. We review the linguistic and methodological features that have undermined the discipline's faithful understandings of human beings and their experience. In its place, we champion an aesthetic (as opposed to an an-esthetic) science of the person, one that is responsive in spirit and in practice to the emotional and imaginative life of participants and to the contexts in which they move. Specifically, we suggest that the images of fantasy and of ordinary metaphor may afford poetic understandings of participant experience that surpass those produced by literal, discursive description. We also hold that these images may offer us the most sensitive and faithful expressions of how social and environmental contexts-and so-called structural and discursive realities-are felt. The paper concludes by sketching several methodological trajectories that may stimulate researcher imagination and empathy, making research more faithful to participants and the reaches of their experience. Research practices informed by feeling and image in this way may generate new knowledge as well as new obligations. PMID:25238674
Full Text Available This article uses Nicholas Bourriaud’s theorizing of “relational aesthetics” to consider the mechanics that facilitate strong subcultural ties amongst participants of small-scale, “boutique” festivals. Relational aesthetics describes art that takes human interaction as its theoretical horizon, where art works are envisioned primarily as social interstices. Using California’s Raindance Campout as a case study, I argue that festivals may be viewed as a form of relational art, where organizers create environments that prompt meaningful human performance. Building on critiques of the revolutionary energy Bourriaud invests in his concept, I propose that we might productively understand relational aesthetics as an indeterminate technology always adaptable to particular political ideologies. I use art present at Raindance to illuminate some of the event’s unspoken political prerogatives; despite attempting to disassociate from the ethos of a perceived US mainstream, I argue that Raindance still coincides with logics of modern liberalism including consumerism and cultural appropriation.
Wo, Mei Seen; Gobithaasan R., U.; Miura, Kenjiro T.; Abbas, Muhammad
Log-aesthetic curve (LAC) is a curve family composed of transcendental curves that includes logarithmic spiral, clothoid, circle involute and Nielsen's spiral. They have linear logarithmic curvature graphs (LCGs) and are highly aesthetic. In order to implement G2 LAC in industrial design successfully, one needs guidance on the existence and uniqueness whether a LAC segment satisfy given G2 Hermite data. This paper focuses shows the existence and uniqueness of solution for single segment G2 LAC. A LAC equation that incorporates both start and end curvatures, and end tangential angle is first derived. Then, the end points of the LAC segments are calculated using the derived LAC equation, which is also a representation of the solution region of LAC given a set of G2 Hermite data. The derived function is investigated for its existence and uniqueness. It is shown that the solution region is a curve that do not self-intersect anywhere, thus the solution of single segment G2 LAC is always unique.
Mastandrea, Stefano; Umiltà, Maria A.
Very often the titles of Futurist paintings contain words denoting movement in order to satisfy their artistic poetic focused on motion and velocity. The aim of the present study is to investigate the reported dynamism and aesthetic quality of several Futurist artworks as a function of their title. Ten Futurist artworks with a movement-related word in the title were selected for this study. The titles were manipulated, resulting in four conditions for each painting: the “original title” with the movement word; an “increased” title in which an adjective was added in order to intensify the sense of dynamism; a “decreased” title, in which the movement word was eliminated; no title. Participants evaluated the movement suggested by each painting in the four different title conditions, rated their beauty and reported how much they liked the work. Results showed that the manipulation of the title had an effect on the reported movement: compared to the others, paintings presented with the “original” and with the “increased” title received significant higher movement scores. Of interest, beauty did not differ across conditions, but liking was higher for the conditions with more movement. Lastly, positive correlations between the quantity of perceived movement and aesthetic evaluation were found. From the present results it can be concluded that Futurists attributed much relevance to the titles of their artworks in order to effectively increase the expression of the movement represented. PMID:27242471
Full Text Available Previous studies have shown that a cardiac signature of emotionality (referred to as EK, which can be computed from the standard 12 lead electrocardiogram, ECG, predicts inter-individual differences in the tendency to experience and express positive emotion. Here, we investigated whether EK values can be transiently modulated during stimulation with participant-selected music pieces and film scenes that elicit strongly positive emotion.The phenomenon of aesthetic chills, as indicated by measurable piloerection on the forearm, was used to accurately locate moments of peak emotional responses during stimulation. From 58 healthy participants, continuous EK values, heart rate, and respiratory frequency were recorded during stimulation with film scenes and music pieces, and were related to the aesthetic chills. EK values, as well as heart rate, increased significantly during moments of peak positive emotion accompanied by piloerection.These results are the first to provide evidence for an influence of momentary psychological state on a cardiac signature of emotional personality (as reflected in EK values. The possibility to modulate ECG amplitude signatures via stimulation with emotionally significant music pieces and film scenes opens up new perspectives for the use of emotional peak experiences in the therapy of disorders characterized by flattened emotionality, such as depression or schizoid personality disorder.
Sumpf, Maria; Jentschke, Sebastian; Koelsch, Stefan
Background Previous studies have shown that a cardiac signature of emotionality (referred to as EK, which can be computed from the standard 12 lead electrocardiogram, ECG), predicts inter-individual differences in the tendency to experience and express positive emotion. Here, we investigated whether EK values can be transiently modulated during stimulation with participant-selected music pieces and film scenes that elicit strongly positive emotion. Methodology/Principal Findings The phenomenon of aesthetic chills, as indicated by measurable piloerection on the forearm, was used to accurately locate moments of peak emotional responses during stimulation. From 58 healthy participants, continuous EK values, heart rate, and respiratory frequency were recorded during stimulation with film scenes and music pieces, and were related to the aesthetic chills. EK values, as well as heart rate, increased significantly during moments of peak positive emotion accompanied by piloerection. Conclusions/Significance These results are the first to provide evidence for an influence of momentary psychological state on a cardiac signature of emotional personality (as reflected in EK values). The possibility to modulate ECG amplitude signatures via stimulation with emotionally significant music pieces and film scenes opens up new perspectives for the use of emotional peak experiences in the therapy of disorders characterized by flattened emotionality, such as depression or schizoid personality disorder. PMID:26083383
Hassenzahl, Marc; Lindgaard, Gitte; Platz, Axel; Tractinsky, Noam
This seminar explored various aspects of the study of visual aesthetics in human-computer interaction (HCI). The discussed issues relating to theory building, measurement issues, antecedents of aesthetic design and its consequences. We also identified a set of research challenges that this emerging field needs to discuss.